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1,254 | false | pinkmonkey | all_chapterized_books/1254-chapters/17.txt | finished_summaries/pinkmonkey/Cyrano De Bergerac/section_14_part_0.txt | Cyrano De Bergerac.act 2.scene 8 | scene 8 | null | {"name": "Scene 8", "url": "https://web.archive.org/web/20180820053313/http://www.pinkmonkey.com/booknotes/monkeynotes/pmCyrano25.asp", "summary": "Ragueneau and the poets return. Since they have learned that Cyrano was the brave swordsman at the Porte de Nesle, one of the poets wants to write a verse about Cyrano's feat; Cyrano, however, is not interested. Immediately after them enter a group of men from Cyrano's regiment, led by Captain Carbon de Castel Jaloux. They have come to congratulate Cyrano for his heroic fight against one hundred men. Le Bret then announces that a large Parisian crowd has also come out to applaud his deed, and a reporter wants to interview him. Cyrano, however, receives them all coolly. When Le Bret asks his friend about the meeting with Roxane, Cyrano responds by telling him to be quiet. De Guiche arrives and offers Cyrano patronage through Cardinal Richelieu, his rich and powerful uncle. Cyrano is tempted to ask them to support his play, Agrippine, but De Guiche explains that Richelieu always alters a script before he has it produced. Since Cyrano wants no one to touch his play, he refuses the offer of patronage. De Guiche accuses Cyrano of being too proud. Some of the Cadets enter with the feathered hats of the men Cyrano fought at the Porte de Nesle. The sight of the hats causes Cuigy to laugh, as he comments on the probable frustration of the person who hired the attackers. De Guiche then claims responsibility for the attack. He said he wanted to be rid of Ligniere, whom he judges to be a \"drunken rhymester.\" Cyrano then asks De Guiche if he would like to take the hats back to his defeated friends. Feeling insulted, De Guiche warns Cyrano that he is acting like Don Quixote, trying to fight windmills. Cyrano wittily turns the argument on De Guiche, asking him if his men are windmills \"who veer with every change of wind\". De Guiche warns that the windmills will hurl Cyrano down. Cyrano insists, however, that they will only serve to sweep him up. When De Guiche leaves in a huff, Le Bret is upset that Cyrano has passed up an opportunity to have a famous patron, while making a powerful and influential man his enemy. Cyrano then rants against the system of patronage, saying he refuses to bow to anyone; he wants to be free and independent, not beholden to an important person. He adds that he enjoys making enemies because he can do it without bowing. Le Bret comments that Cyrano's bitterness has probably been caused by his meeting with Roxane. Cyrano sharply silences him, not wanting to discuss his cousin.", "analysis": ""} | Cyrano, Le Bret, the cadets, who are eating and drinking at the tables right
and left.
CYRANO (bowing mockingly to those who go out without daring to salute him):
Gentlemen. . .Gentlemen. . .
LE BRET (coming back, despairingly):
Here's a fine coil!
CYRANO:
Oh! scold away!
LE BRET:
At least, you will agree
That to annihilate each chance of Fate
Exaggerates. . .
CYRANO:
Yes!--I exaggerate!
LE BRET (triumphantly):
Ah!
CYRANO:
But for principle--example too,--
I think 'tis well thus to exaggerate.
LE BRET:
Oh! lay aside that pride of musketeer,
Fortune and glory wait you!. . .
CYRANO:
Ay, and then?. . .
Seek a protector, choose a patron out,
And like the crawling ivy round a tree
That licks the bark to gain the trunk's support,
Climb high by creeping ruse instead of force?
No, grammercy! What! I, like all the rest
Dedicate verse to bankers?--play buffoon
In cringing hope to see, at last, a smile
Not disapproving, on a patron's lips?
Grammercy, no! What! learn to swallow toads?
--With frame aweary climbing stairs?--a skin
Grown grimed and horny,--here, about the knees?
And, acrobat-like, teach my back to bend?--
No, grammercy! Or,--double-faced and sly--
Run with the hare, while hunting with the hounds;
And, oily-tongued, to win the oil of praise,
Flatter the great man to his very nose?
No, grammercy! Steal soft from lap to lap,
--A little great man in a circle small,
Or navigate, with madrigals for sails,
Blown gently windward by old ladies' sighs?
No, grammercy! Bribe kindly editors
To spread abroad my verses? Grammercy!
Or try to be elected as the pope
Of tavern-councils held by imbeciles?
No, grammercy! Toil to gain reputation
By one small sonnet, 'stead of making many?
No, grammercy! Or flatter sorry bunglers?
Be terrorized by every prating paper?
Say ceaselessly, 'Oh, had I but the chance
Of a fair notice in the "Mercury"!'
Grammercy, no! Grow pale, fear, calculate?
Prefer to make a visit to a rhyme?
Seek introductions, draw petitions up?
No, grammercy! and no! and no again! But--sing?
Dream, laugh, go lightly, solitary, free,
With eyes that look straight forward--fearless voice!
To cock your beaver just the way you choose,--
For 'yes' or 'no' show fight, or turn a rhyme!
--To work without one thought of gain or fame,
To realize that journey to the moon!
Never to pen a line that has not sprung
Straight from the heart within. Embracing then
Modesty, say to oneself, 'Good my friend,
Be thou content with flowers,--fruit,--nay, leaves,
But pluck them from no garden but thine own!'
And then, if glory come by chance your way,
To pay no tribute unto Caesar, none,
But keep the merit all your own! In short,
Disdaining tendrils of the parasite,
To be content, if neither oak nor elm--
Not to mount high, perchance, but mount alone!
LE BRET:
Alone, an if you will! But not with hand
'Gainst every man! How in the devil's name
Have you conceived this lunatic idea,
To make foes for yourself at every turn?
CYRANO:
By dint of seeing you at every turn
Make friends,--and fawn upon your frequent friends
With mouth wide smiling, slit from ear to ear!
I pass, still unsaluted, joyfully,
And cry,--What, ho! another enemy?
LE BRET:
Lunacy!
CYRANO:
Well, what if it be my vice,
My pleasure to displease--to love men hate me!
Ah, friend of mine, believe me, I march better
'Neath the cross-fire of glances inimical!
How droll the stains one sees on fine-laced doublets,
From gall of envy, or the poltroon's drivel!
--The enervating friendship which enfolds you
Is like an open-laced Italian collar,
Floating around your neck in woman's fashion;
One is at ease thus,--but less proud the carriage!
The forehead, free from mainstay or coercion,
Bends here, there, everywhere. But I, embracing
Hatred, she lends,--forbidding, stiffly fluted,
The ruff's starched folds that hold the head so rigid;
Each enemy--another fold--a gopher,
Who adds constraint, and adds a ray of glory;
For Hatred, like the ruff worn by the Spanish,
Grips like a vice, but frames you like a halo!
LE BRET (after a silence, taking his arm):
Speak proud aloud, and bitter!--In my ear
Whisper me simply this,--She loves thee not!
CYRANO (vehemently):
Hush!
(Christian has just entered, and mingled with the cadets, who do not speak to
him; he has seated himself at a table, where Lise serves him.)
| 827 | Scene 8 | https://web.archive.org/web/20180820053313/http://www.pinkmonkey.com/booknotes/monkeynotes/pmCyrano25.asp | Ragueneau and the poets return. Since they have learned that Cyrano was the brave swordsman at the Porte de Nesle, one of the poets wants to write a verse about Cyrano's feat; Cyrano, however, is not interested. Immediately after them enter a group of men from Cyrano's regiment, led by Captain Carbon de Castel Jaloux. They have come to congratulate Cyrano for his heroic fight against one hundred men. Le Bret then announces that a large Parisian crowd has also come out to applaud his deed, and a reporter wants to interview him. Cyrano, however, receives them all coolly. When Le Bret asks his friend about the meeting with Roxane, Cyrano responds by telling him to be quiet. De Guiche arrives and offers Cyrano patronage through Cardinal Richelieu, his rich and powerful uncle. Cyrano is tempted to ask them to support his play, Agrippine, but De Guiche explains that Richelieu always alters a script before he has it produced. Since Cyrano wants no one to touch his play, he refuses the offer of patronage. De Guiche accuses Cyrano of being too proud. Some of the Cadets enter with the feathered hats of the men Cyrano fought at the Porte de Nesle. The sight of the hats causes Cuigy to laugh, as he comments on the probable frustration of the person who hired the attackers. De Guiche then claims responsibility for the attack. He said he wanted to be rid of Ligniere, whom he judges to be a "drunken rhymester." Cyrano then asks De Guiche if he would like to take the hats back to his defeated friends. Feeling insulted, De Guiche warns Cyrano that he is acting like Don Quixote, trying to fight windmills. Cyrano wittily turns the argument on De Guiche, asking him if his men are windmills "who veer with every change of wind". De Guiche warns that the windmills will hurl Cyrano down. Cyrano insists, however, that they will only serve to sweep him up. When De Guiche leaves in a huff, Le Bret is upset that Cyrano has passed up an opportunity to have a famous patron, while making a powerful and influential man his enemy. Cyrano then rants against the system of patronage, saying he refuses to bow to anyone; he wants to be free and independent, not beholden to an important person. He adds that he enjoys making enemies because he can do it without bowing. Le Bret comments that Cyrano's bitterness has probably been caused by his meeting with Roxane. Cyrano sharply silences him, not wanting to discuss his cousin. | null | 427 | 1 | [
"Cyrano, Le Bret, the cadets, who are eating and drinking at the tables right\nand left.",
"CYRANO (bowing mockingly to those who go out without daring to salute him):\n Gentlemen. . .Gentlemen.",
". .",
"LE BRET (coming back, despairingly):\n Here's a fine coil!",
"CYRANO:\n Oh!",
"scold away!",
"LE BRET:\n At least, you will agree\n That to annihilate each chance of Fate\n Exaggerates.",
". .\n\nCYRANO:\n Yes!--I exaggerate!",
"LE BRET (triumphantly):\n Ah!",
"CYRANO:\n But for principle--example too,--\n I think 'tis well thus to exaggerate.",
"LE BRET:\n Oh!",
"lay aside that pride of musketeer,\n Fortune and glory wait you!.",
". .\n\nCYRANO:\n Ay, and then?.",
". .\n Seek a protector, choose a patron out,\n And like the crawling ivy round a tree\n That licks the bark to gain the trunk's support,\n Climb high by creeping ruse instead of force?",
"No, grammercy!",
"What!",
"I, like all the rest\n Dedicate verse to bankers?--play buffoon\n In cringing hope to see, at last, a smile\n Not disapproving, on a patron's lips?",
"Grammercy, no!",
"What!",
"learn to swallow toads?",
"--With frame aweary climbing stairs?--a skin\n Grown grimed and horny,--here, about the knees?",
"And, acrobat-like, teach my back to bend?--\n No, grammercy!",
"Or,--double-faced and sly--\n Run with the hare, while hunting with the hounds;\n And, oily-tongued, to win the oil of praise,\n Flatter the great man to his very nose?",
"No, grammercy!",
"Steal soft from lap to lap,\n --A little great man in a circle small,\n Or navigate, with madrigals for sails,\n Blown gently windward by old ladies' sighs?",
"No, grammercy!",
"Bribe kindly editors\n To spread abroad my verses?",
"Grammercy!",
"Or try to be elected as the pope\n Of tavern-councils held by imbeciles?",
"No, grammercy!",
"Toil to gain reputation\n By one small sonnet, 'stead of making many?",
"No, grammercy!",
"Or flatter sorry bunglers?",
"Be terrorized by every prating paper?",
"Say ceaselessly, 'Oh, had I but the chance\n Of a fair notice in the \"Mercury\"!'",
"Grammercy, no!",
"Grow pale, fear, calculate?",
"Prefer to make a visit to a rhyme?",
"Seek introductions, draw petitions up?",
"No, grammercy!",
"and no!",
"and no again!",
"But--sing?",
"Dream, laugh, go lightly, solitary, free,\n With eyes that look straight forward--fearless voice!",
"To cock your beaver just the way you choose,--\n For 'yes' or 'no' show fight, or turn a rhyme!",
"--To work without one thought of gain or fame,\n To realize that journey to the moon!",
"Never to pen a line that has not sprung\n Straight from the heart within.",
"Embracing then\n Modesty, say to oneself, 'Good my friend,\n Be thou content with flowers,--fruit,--nay, leaves,\n But pluck them from no garden but thine own!'",
"And then, if glory come by chance your way,\n To pay no tribute unto Caesar, none,\n But keep the merit all your own!",
"In short,\n Disdaining tendrils of the parasite,\n To be content, if neither oak nor elm--\n Not to mount high, perchance, but mount alone!",
"LE BRET:\n Alone, an if you will!",
"But not with hand\n 'Gainst every man!",
"How in the devil's name\n Have you conceived this lunatic idea,\n To make foes for yourself at every turn?",
"CYRANO:\n By dint of seeing you at every turn\n Make friends,--and fawn upon your frequent friends\n With mouth wide smiling, slit from ear to ear!",
"I pass, still unsaluted, joyfully,\n And cry,--What, ho!",
"another enemy?",
"LE BRET:\n Lunacy!",
"CYRANO:\n Well, what if it be my vice,\n My pleasure to displease--to love men hate me!",
"Ah, friend of mine, believe me, I march better\n 'Neath the cross-fire of glances inimical!",
"How droll the stains one sees on fine-laced doublets,\n From gall of envy, or the poltroon's drivel!",
"--The enervating friendship which enfolds you\n Is like an open-laced Italian collar,\n Floating around your neck in woman's fashion;\n One is at ease thus,--but less proud the carriage!",
"The forehead, free from mainstay or coercion,\n Bends here, there, everywhere.",
"But I, embracing\n Hatred, she lends,--forbidding, stiffly fluted,\n The ruff's starched folds that hold the head so rigid;\n Each enemy--another fold--a gopher,\n Who adds constraint, and adds a ray of glory;\n For Hatred, like the ruff worn by the Spanish,\n Grips like a vice, but frames you like a halo!",
"LE BRET (after a silence, taking his arm):\n Speak proud aloud, and bitter!--In my ear\n Whisper me simply this,--She loves thee not!",
"CYRANO (vehemently):\n Hush!",
"(Christian has just entered, and mingled with the cadets, who do not speak to\nhim; he has seated himself at a table, where Lise serves him.)"
] | [
"Cyrano, Le Bret, the cadets, who are eating and drinking at the tables right\nand left.",
"No, grammercy!",
"--With frame aweary climbing stairs?--a skin\n Grown grimed and horny,--here, about the knees?",
"And, acrobat-like, teach my back to bend?--\n No, grammercy!",
"No, grammercy!",
"Toil to gain reputation\n By one small sonnet, 'stead of making many?",
"Dream, laugh, go lightly, solitary, free,\n With eyes that look straight forward--fearless voice!",
"How in the devil's name\n Have you conceived this lunatic idea,\n To make foes for yourself at every turn?",
"LE BRET:\n Lunacy!",
"LE BRET (after a silence, taking his arm):\n Speak proud aloud, and bitter!--In my ear\n Whisper me simply this,--She loves thee not!"
] | [
"Bribe kindly editors\n To spread abroad my verses?",
"No, grammercy!",
"Embracing then\n Modesty, say to oneself, 'Good my friend,\n Be thou content with flowers,--fruit,--nay, leaves,\n But pluck them from no garden but thine own!'",
"Ah, friend of mine, believe me, I march better\n 'Neath the cross-fire of glances inimical!",
"Grammercy, no!",
"Or,--double-faced and sly--\n Run with the hare, while hunting with the hounds;\n And, oily-tongued, to win the oil of praise,\n Flatter the great man to his very nose?",
"--The enervating friendship which enfolds you\n Is like an open-laced Italian collar,\n Floating around your neck in woman's fashion;\n One is at ease thus,--but less proud the carriage!",
"scold away!",
"Dream, laugh, go lightly, solitary, free,\n With eyes that look straight forward--fearless voice!",
"CYRANO:\n Oh!"
] | [
"Or try to be elected as the pope\n Of tavern-councils held by imbeciles?",
"No, grammercy!",
"Toil to gain reputation\n By one small sonnet, 'stead of making many?",
"No, grammercy!",
"Or flatter sorry bunglers?",
"Be terrorized by every prating paper?",
"Say ceaselessly, 'Oh, had I but the chance\n Of a fair notice in the \"Mercury\"!'",
"Grammercy, no!",
"Grow pale, fear, calculate?",
"Prefer to make a visit to a rhyme?",
"Seek introductions, draw petitions up?"
] | [
"Cyrano, Le Bret, the cadets, who are eating and drinking at the tables right\nand left.",
"CYRANO (bowing mockingly to those who go out without daring to salute him):\n Gentlemen. . .Gentlemen.",
". .",
"LE BRET (coming back, despairingly):\n Here's a fine coil!",
"CYRANO:\n Oh!",
"scold away!",
"LE BRET:\n At least, you will agree\n That to annihilate each chance of Fate\n Exaggerates.",
". .\n\nCYRANO:\n Yes!--I exaggerate!",
"LE BRET (triumphantly):\n Ah!",
"CYRANO:\n But for principle--example too,--\n I think 'tis well thus to exaggerate.",
"LE BRET:\n Lunacy!",
"CYRANO:\n Well, what if it be my vice,\n My pleasure to displease--to love men hate me!",
"Ah, friend of mine, believe me, I march better\n 'Neath the cross-fire of glances inimical!",
"How droll the stains one sees on fine-laced doublets,\n From gall of envy, or the poltroon's drivel!",
"--The enervating friendship which enfolds you\n Is like an open-laced Italian collar,\n Floating around your neck in woman's fashion;\n One is at ease thus,--but less proud the carriage!",
"The forehead, free from mainstay or coercion,\n Bends here, there, everywhere.",
"But I, embracing\n Hatred, she lends,--forbidding, stiffly fluted,\n The ruff's starched folds that hold the head so rigid;\n Each enemy--another fold--a gopher,\n Who adds constraint, and adds a ray of glory;\n For Hatred, like the ruff worn by the Spanish,\n Grips like a vice, but frames you like a halo!",
"LE BRET (after a silence, taking his arm):\n Speak proud aloud, and bitter!--In my ear\n Whisper me simply this,--She loves thee not!",
"CYRANO (vehemently):\n Hush!",
"(Christian has just entered, and mingled with the cadets, who do not speak to\nhim; he has seated himself at a table, where Lise serves him.)"
] | ry come by chance your way,
To pay no tribute unto Caesar, none,
But keep the merit all your own!
In short,
Disdaining tendrils of the parasite,
To be content, if neither oak nor elm--
Not to mount high, perchance, but mount alone!
LE BRET:
Alone, an if you will!
But not with hand
'Gainst every man!
How in the devil's name
Have you conceived this lunatic idea,
To make foes for yourself at every turn?
CYRANO:
By dint of seeing you at every turn
Make friends,--and fawn upon your frequent friends
With mouth wide smiling, slit from ear to ear!
I pass, still unsaluted, joyfully,
And cry,--What, ho!
another enemy?
LE BRET:
Lunacy!
CYRANO:
Well, what if it be my vice,
My pleasure to displease--to love men hate me!
Ah, friend of mine, believe me, I march better
'Neath the cross-fire of glances inimical!
How droll the stains one sees on fine-laced doublets,
From gall of envy, or the poltroon's drivel!
--The enervating friendship which enfolds you
Is like an | Cyrano, Le Bret, the cadets, who are eating and drinking at the tables right
and left.
CYRANO (bowing mockingly to those who go out without daring to salute him):
Gentlemen. . .Gentlemen.
. .
LE BRET (coming back, despairingly):
Here's a fine coil!
CYRANO:
Oh!
scold away!
LE BRET:
At least, you will agree
That to annihilate each chance of Fate
Exaggerates.
. .
CYRANO:
Yes!--I exaggerate!
LE BRET (triumphantly):
Ah!
CYRANO:
But for principle--example too,--
I think 'tis well ad so rigid;
Each enemy--another fold--a gopher,
Who adds constraint, and adds a ray of glory;
For Hatred, like the ruff worn by the Spanish,
Grips like a vice, but frames you like a halo!
LE BRET (after a silence, taking his arm):
Speak proud aloud, and bitter!--In my ear
Whisper me simply this,--She loves thee not!
CYRANO (vehemently):
Hush!
(Christian has just entered, and mingled with the cadets, who do not speak to
him; he has seated himself at a table, where Lise serves him.) | y one small sonnet, 'stead of making many?
No, grammercy!
Or flatter sorry bunglers?
Be terrorized by every prating paper?
Say ceaselessly, 'Oh, had I but the chance
Of a fair notice in the "Mercury"!'
Grammercy, no!
Grow pale, fear, calculate?
Prefer to make a visit to a rhyme?
Seek introductions, draw petitions up?
No, grammercy!
and no!
and no again!
But--sing?
Dream, laugh, go lightly, solitary, free,
With eyes that look straight forward--fearless voice!
To cock your beaver just the way you choose,--
For 'yes' or 'no' show fight, or turn a rhyme!
--To work without one thought of gain or fame,
To realize that journey to the moon!
Never to pen a line that has not sprung
Straight from the heart within.
Embracing then
Modesty, say to oneself, 'Good my friend,
Be thou content with flowers,--fruit,--nay, leaves,
But pluck them from no garden but thine own!'
And then, if glory come by chance your way,
To pay no tribute unto Caesar, none,
But keep the merit all your own! |
1,254 | false | pinkmonkey | all_chapterized_books/1254-chapters/18.txt | finished_summaries/pinkmonkey/Cyrano De Bergerac/section_15_part_0.txt | Cyrano De Bergerac.act 2.scene 9 | scene 9 | null | {"name": "Scene 9", "url": "https://web.archive.org/web/20180820053313/http://www.pinkmonkey.com/booknotes/monkeynotes/pmCyrano27.asp", "summary": "In an effort to educate the newcomer, the Cadets warn Christian de Neuvillette that he should never mention Cyrano's nose. Christian, however, wants to prove that he is brave. As a result, he interrupts Cyrano as he tells his friends about his fight at the Porte de Nesle. Christian then criticizes Cyrano's nose. Cyrano is immediately incensed at the daring young cadet, but when he discovers that the person interrupting him is the one Roxane loves, he controls himself at every interruption from Christian. Finally, he drives all the cadets out of the room to be alone with Christian. They expect Christian to be murdered by Cyrano. Left alone with Christian, Cyrano introduces himself as the cousin of Roxane. He then explains Roxane's feelings for the handsome cadet. He asks Christian to write a letter to Roxane to express his feelings for her. Christian confesses that he has no verbal skills, especially when he must address a female. Since Cyrano is skilled with words, the two of them work out a plan to jointly woo and win Roxane. Cyrano will provide the words, which the handsome Christian will voice to Roxane. Cyrano then gives Christian the letter he has already composed to her, pretending that he has written it to some imaginary lady. He tells Christian to sign and send the letter as his own. Christian embraces Cyrano with gratitude. When the cadets who have been waiting outside see Christian moving towards Cyrano, they are concerned and push open the door. When they realize that Cyrano is embracing Christian, they jeer at the sight. Lise's musketeer, who has come in with the cadets, insults Cyrano about his nose. Cyrano responds by hitting him.", "analysis": "Notes Scene 9 opens with the cadets warning Christian that he must never mention Cyrano's nose in front of him, for he is very sensitive about its size and ugliness. Christian, however, does not heed their warning. Wanting to prove he is brave, he interrupts Cyrano and dares to criticize his nose. The other cadets are certain that Cyrano, the rash swordsman, will quickly take care of the brazen new cadet. The real heroism of Cyrano's character is then revealed. Aggressive by nature, Cyrano wants to strike Christian, but he controls his anger. Since he has promised Roxane that he will protect the handsome, young cadet, he must keep his word. Love has tempered his brashness and turned him in to a picture of patience. Feeling he can never have Roxane and wanting her to have what she desires, Cyrano decides to help Christian woo her. When Christian confesses that he has no way with words and cannot possibly write Roxane an appropriate letter expressing his feelings, Cyrano gives him the letter he has written to her in the bakery shop. He tells Christian to sign it and send it to Roxane as his own. Christian is so appreciative of the gesture that he gives Cyrano a hug. When the other cadets realize that Cyrano has not punished Christian, they are disappointed in their leader and jeer him. Lise's musketeer even dares to criticize Cyrano's nose. Cyrano, however, will not tolerate ridicule from anyone other than Christian. He promptly hits the musketeer. By the end of scene 11, Cyrano emerges as a much stronger character. When he needs to be, he is a man of self-control and patience. He also shows he is kind-hearted, for he wants Roxane to be happy. In contrast to Cyrano, Christian seems pathetically weak in spite of his attractiveness. The audience finds it hard to believe that Roxane could ever be truly happy with such a simple man. Rostand's ability as a masterful dramatist is clearly obvious in these three scenes. He has carefully constructed the play up to this point to make a ridiculously ironic situation seem believable. The physically ugly Cyrano, who is intelligent, witty, and wise with words, is willing to help his competitor because Roxane has asked him to do so. Rostand has intentionally created Christian to be a total contrast to Cyrano. The extremely handsome cadet is slow, simple, and unable to express himself. Together, however, Cyrano and Christian make a perfect suitor for Roxane; Christian can supply the looks and Cyrano can supply the words. The arrangement will go on for years."} | Cyrano, Le Bret, the cadets, Christian de Neuvillette.
A CADET (seated at a table, glass in hand):
Cyrano!
(Cyrano turns round):
The story!
CYRANO:
In its time!
(He goes up on Le Bret's arm. They talk in low voices.)
THE CADET (rising and coming down):
The story of the fray! 'Twill lesson well
(He stops before the table where Christian is seated):
This timid young apprentice!
CHRISTIAN (raising his head):
'Prentice! Who?
ANOTHER CADET:
This sickly Northern greenhorn!
CHRISTIAN:
Sickly!
FIRST CADET (mockingly):
Hark!
Monsieur de Neuvillette, this in your ear:
There's somewhat here, one no more dares to name,
Than to say 'rope' to one whose sire was hanged!
CHRISTIAN:
What may that be?
ANOTHER CADET (in a terrible voice):
See here!
(He puts his finger three times, mysteriously, on his nose):
Do you understand?
CHRISTIAN:
Oh! 'tis the. . .
ANOTHER:
Hush! oh, never breathe that word,
Unless you'd reckon with him yonder!
(He points to Cyrano, who is talking with Le Bret.)
ANOTHER (who has meanwhile come up noiselessly to sit on the table--whispering
behind him):
Hark!
He put two snuffling men to death, in rage,
For the sole reason they spoke through their nose!
ANOTHER (in a hollow voice, darting on all-fours from under the table, where
he had crept):
And if you would not perish in flower o' youth,
--Oh, mention not the fatal cartilage!
ANOTHER (clapping him on the shoulder):
A word? A gesture! For the indiscreet
His handkerchief may prove his winding-sheet!
(Silence. All, with crossed arms, look at Christian. He rises and goes over
to Carbon de Castel-Jaloux, who is talking to an officer, and feigns to see
nothing.)
CHRISTIAN:
Captain!
CARBON (turning and looking at him from head to foot):
Sir!
CHRISTIAN:
Pray, what skills it best to do
To Southerners who swagger?. . .
CARBON:
Give them proof
That one may be a Northerner, yet brave!
(He turns his back on him.)
CHRISTIAN:
I thank you.
FIRST CADET (to Cyrano):
Now the tale!
ALL:
The tale!
CYRANO (coming toward them):
The tale?. . .
(All bring their stools up, and group round him, listening eagerly. Christian
is astride a chair):
Well! I went all alone to meet the band.
The moon was shining, clock-like, full i' th' sky,
When, suddenly, some careful clockwright passed
A cloud of cotton-wool across the case
That held this silver watch. And, presto! heigh!
The night was inky black, and all the quays
Were hidden in the murky dark. Gadsooks!
One could see nothing further. . .
CHRISTIAN:
Than one's nose!
(Silence. All slowly rise, looking in terror at Cyrano, who has stopped--
dumfounded. Pause.)
CYRANO:
Who on God's earth is that?
A CADET (whispering):
It is a man
Who joined to-day.
CYRANO (making a step toward Christian):
To-day?
CARBON (in a low voice):
Yes. . .his name is
The Baron de Neuvil. . .
CYRANO (checking himself):
Good! It is well. . .
(He turns pale, flushes, makes as if to fall on Christian):
I. . .
(He controls himself):
What said I?. . .
(With a burst of rage):
MORDIOUS!. . .
(Then continues calmly):
That it was dark.
(Astonishment. The cadets reseat themselves, staring at him):
On I went, thinking, 'For a knavish cause
I may provoke some great man, some great prince,
Who certainly could break'. . .
CHRISTIAN:
My nose!. . .
(Every one starts up. Christian balances on his chair.)
CYRANO (in a choked voice):
. . .'My teeth!
Who would break my teeth, and I, imprudent-like,
Was poking. . .'
CHRISTIAN:
My nose!. . .
CYRANO:
'My finger,. . .in the crack
Between the tree and bark! He may prove strong
And rap me. . .'
CHRISTIAN:
Over the nose. . .
CYRANO (wiping his forehead):
. . .'O' th' knuckles! Ay,'
But I cried, 'Forward, Gascon! Duty calls!
On, Cyrano!' And thus I ventured on. . .
When, from the shadow, came. . .
CHRISTIAN:
A crack o' th' nose.
CYRANO:
I parry it--find myself. . .
CHRISTIAN:
Nose to nose. . .
CYRANO (bounding on to him):
Heaven and earth!
(All the Gascons leap up to see, but when he is close to Christian he controls
himself and continues):
. . .With a hundred brawling sots,
Who stank. . .
CHRISTIAN:
A noseful. . .
CYRANO (white, but smiling):
Onions, brandy-cups!
I leapt out, head well down. . .
CHRISTIAN:
Nosing the wind!
CYRANO:
I charge!--gore two, impale one--run him through,
One aims at me--Paf! and I parry. . .
CHRISTIAN:
Pif!
CYRANO (bursting out):
Great God! Out! all of you!
(The cadets rush to the doors.)
FIRST CADET:
The tiger wakes!
CYRANO:
Every man, out! Leave me alone with him!
SECOND CADET:
We shall find him minced fine, minced into hash
In a big pasty!
RAGUENEAU:
I am turning pale,
And curl up, like a napkin, limp and white!
CARBON:
Let us be gone.
ANOTHER:
He will not leave a crumb!
ANOTHER:
I die of fright to think what will pass here!
ANOTHER (shutting door right):
Something too horrible!
(All have gone out by different doors, some by the staircase. Cyrano and
Christian are face to face, looking at each other for a moment.)
| 909 | Scene 9 | https://web.archive.org/web/20180820053313/http://www.pinkmonkey.com/booknotes/monkeynotes/pmCyrano27.asp | In an effort to educate the newcomer, the Cadets warn Christian de Neuvillette that he should never mention Cyrano's nose. Christian, however, wants to prove that he is brave. As a result, he interrupts Cyrano as he tells his friends about his fight at the Porte de Nesle. Christian then criticizes Cyrano's nose. Cyrano is immediately incensed at the daring young cadet, but when he discovers that the person interrupting him is the one Roxane loves, he controls himself at every interruption from Christian. Finally, he drives all the cadets out of the room to be alone with Christian. They expect Christian to be murdered by Cyrano. Left alone with Christian, Cyrano introduces himself as the cousin of Roxane. He then explains Roxane's feelings for the handsome cadet. He asks Christian to write a letter to Roxane to express his feelings for her. Christian confesses that he has no verbal skills, especially when he must address a female. Since Cyrano is skilled with words, the two of them work out a plan to jointly woo and win Roxane. Cyrano will provide the words, which the handsome Christian will voice to Roxane. Cyrano then gives Christian the letter he has already composed to her, pretending that he has written it to some imaginary lady. He tells Christian to sign and send the letter as his own. Christian embraces Cyrano with gratitude. When the cadets who have been waiting outside see Christian moving towards Cyrano, they are concerned and push open the door. When they realize that Cyrano is embracing Christian, they jeer at the sight. Lise's musketeer, who has come in with the cadets, insults Cyrano about his nose. Cyrano responds by hitting him. | Notes Scene 9 opens with the cadets warning Christian that he must never mention Cyrano's nose in front of him, for he is very sensitive about its size and ugliness. Christian, however, does not heed their warning. Wanting to prove he is brave, he interrupts Cyrano and dares to criticize his nose. The other cadets are certain that Cyrano, the rash swordsman, will quickly take care of the brazen new cadet. The real heroism of Cyrano's character is then revealed. Aggressive by nature, Cyrano wants to strike Christian, but he controls his anger. Since he has promised Roxane that he will protect the handsome, young cadet, he must keep his word. Love has tempered his brashness and turned him in to a picture of patience. Feeling he can never have Roxane and wanting her to have what she desires, Cyrano decides to help Christian woo her. When Christian confesses that he has no way with words and cannot possibly write Roxane an appropriate letter expressing his feelings, Cyrano gives him the letter he has written to her in the bakery shop. He tells Christian to sign it and send it to Roxane as his own. Christian is so appreciative of the gesture that he gives Cyrano a hug. When the other cadets realize that Cyrano has not punished Christian, they are disappointed in their leader and jeer him. Lise's musketeer even dares to criticize Cyrano's nose. Cyrano, however, will not tolerate ridicule from anyone other than Christian. He promptly hits the musketeer. By the end of scene 11, Cyrano emerges as a much stronger character. When he needs to be, he is a man of self-control and patience. He also shows he is kind-hearted, for he wants Roxane to be happy. In contrast to Cyrano, Christian seems pathetically weak in spite of his attractiveness. The audience finds it hard to believe that Roxane could ever be truly happy with such a simple man. Rostand's ability as a masterful dramatist is clearly obvious in these three scenes. He has carefully constructed the play up to this point to make a ridiculously ironic situation seem believable. The physically ugly Cyrano, who is intelligent, witty, and wise with words, is willing to help his competitor because Roxane has asked him to do so. Rostand has intentionally created Christian to be a total contrast to Cyrano. The extremely handsome cadet is slow, simple, and unable to express himself. Together, however, Cyrano and Christian make a perfect suitor for Roxane; Christian can supply the looks and Cyrano can supply the words. The arrangement will go on for years. | 283 | 433 | [
"Cyrano, Le Bret, the cadets, Christian de Neuvillette.",
"A CADET (seated at a table, glass in hand):\n Cyrano!",
"(Cyrano turns round):\n The story!",
"CYRANO:\n In its time!",
"(He goes up on Le Bret's arm.",
"They talk in low voices.)",
"THE CADET (rising and coming down):\n The story of the fray!",
"'Twill lesson well\n(He stops before the table where Christian is seated):\n This timid young apprentice!",
"CHRISTIAN (raising his head):\n 'Prentice!",
"Who?",
"ANOTHER CADET:\n This sickly Northern greenhorn!",
"CHRISTIAN:\n Sickly!",
"FIRST CADET (mockingly):\n Hark!",
"Monsieur de Neuvillette, this in your ear:\n There's somewhat here, one no more dares to name,\n Than to say 'rope' to one whose sire was hanged!",
"CHRISTIAN:\n What may that be?",
"ANOTHER CADET (in a terrible voice):\n See here!",
"(He puts his finger three times, mysteriously, on his nose):\n Do you understand?",
"CHRISTIAN:\n Oh!",
"'tis the.",
". .\n\nANOTHER:\n Hush!",
"oh, never breathe that word,\n Unless you'd reckon with him yonder!",
"(He points to Cyrano, who is talking with Le Bret.)",
"ANOTHER (who has meanwhile come up noiselessly to sit on the table--whispering\nbehind him):\n Hark!",
"He put two snuffling men to death, in rage,\n For the sole reason they spoke through their nose!",
"ANOTHER (in a hollow voice, darting on all-fours from under the table, where\nhe had crept):\n And if you would not perish in flower o' youth,\n --Oh, mention not the fatal cartilage!",
"ANOTHER (clapping him on the shoulder):\n A word?",
"A gesture!",
"For the indiscreet\n His handkerchief may prove his winding-sheet!",
"(Silence.",
"All, with crossed arms, look at Christian.",
"He rises and goes over\nto Carbon de Castel-Jaloux, who is talking to an officer, and feigns to see\nnothing.)",
"CHRISTIAN:\n Captain!",
"CARBON (turning and looking at him from head to foot):\n Sir!",
"CHRISTIAN:\n Pray, what skills it best to do\n To Southerners who swagger?.",
". .",
"CARBON:\n Give them proof\n That one may be a Northerner, yet brave!",
"(He turns his back on him.)",
"CHRISTIAN:\n I thank you.",
"FIRST CADET (to Cyrano):\n Now the tale!",
"ALL:\n The tale!",
"CYRANO (coming toward them):\n The tale?.",
". .\n(All bring their stools up, and group round him, listening eagerly.",
"Christian\nis astride a chair):\n Well!",
"I went all alone to meet the band.",
"The moon was shining, clock-like, full i' th' sky,\n When, suddenly, some careful clockwright passed\n A cloud of cotton-wool across the case\n That held this silver watch.",
"And, presto!",
"heigh!",
"The night was inky black, and all the quays\n Were hidden in the murky dark.",
"Gadsooks!",
"One could see nothing further.",
". .\n\nCHRISTIAN:\n Than one's nose!",
"(Silence.",
"All slowly rise, looking in terror at Cyrano, who has stopped--\ndumfounded.",
"Pause.)",
"CYRANO:\n Who on God's earth is that?",
"A CADET (whispering):\n It is a man\n Who joined to-day.",
"CYRANO (making a step toward Christian):\n To-day?",
"CARBON (in a low voice):\n Yes. . .his name is\n The Baron de Neuvil.",
". .\n\nCYRANO (checking himself):\n Good!",
"It is well.",
". .\n(He turns pale, flushes, makes as if to fall on Christian):\n I. . .\n(He controls himself):\n What said I?.",
". .\n(With a burst of rage):\n MORDIOUS!.",
". .\n(Then continues calmly):\n That it was dark.",
"(Astonishment.",
"The cadets reseat themselves, staring at him):\n On I went, thinking, 'For a knavish cause\n I may provoke some great man, some great prince,\n Who certainly could break'.",
". .\n\nCHRISTIAN:\n My nose!.",
". .\n\n(Every one starts up.",
"Christian balances on his chair.)",
"CYRANO (in a choked voice):\n .",
". .'My teeth!",
"Who would break my teeth, and I, imprudent-like,\n Was poking.",
". .'\n\nCHRISTIAN:\n My nose!.",
". .\n\nCYRANO:\n 'My finger,. . .in the crack\n Between the tree and bark!",
"He may prove strong\n And rap me.",
". .'\n\nCHRISTIAN:\n Over the nose.",
". .\n\nCYRANO (wiping his forehead):\n .",
". .'O' th' knuckles!",
"Ay,'\n But I cried, 'Forward, Gascon!",
"Duty calls!",
"On, Cyrano!'",
"And thus I ventured on.",
". .",
"When, from the shadow, came.",
". .\n\nCHRISTIAN:\n A crack o' th' nose.",
"CYRANO:\n I parry it--find myself.",
". .\n\nCHRISTIAN:\n Nose to nose.",
". .\n\nCYRANO (bounding on to him):\n Heaven and earth!",
"(All the Gascons leap up to see, but when he is close to Christian he controls\nhimself and continues):\n . . .With a hundred brawling sots,\n Who stank.",
". .\n\nCHRISTIAN:\n A noseful.",
". .\n\nCYRANO (white, but smiling):\n Onions, brandy-cups!",
"I leapt out, head well down.",
". .\n\nCHRISTIAN:\n Nosing the wind!",
"CYRANO:\n I charge!--gore two, impale one--run him through,\n One aims at me--Paf!",
"and I parry.",
". .\n\nCHRISTIAN:\n Pif!",
"CYRANO (bursting out):\n Great God!",
"Out!",
"all of you!",
"(The cadets rush to the doors.)",
"FIRST CADET:\n The tiger wakes!",
"CYRANO:\n Every man, out!",
"Leave me alone with him!",
"SECOND CADET:\n We shall find him minced fine, minced into hash\n In a big pasty!",
"RAGUENEAU:\n I am turning pale,\n And curl up, like a napkin, limp and white!",
"CARBON:\n Let us be gone.",
"ANOTHER:\n He will not leave a crumb!",
"ANOTHER:\n I die of fright to think what will pass here!",
"ANOTHER (shutting door right):\n Something too horrible!",
"(All have gone out by different doors, some by the staircase.",
"Cyrano and\nChristian are face to face, looking at each other for a moment.)"
] | [
"A CADET (seated at a table, glass in hand):\n Cyrano!",
"(He goes up on Le Bret's arm.",
"Monsieur de Neuvillette, this in your ear:\n There's somewhat here, one no more dares to name,\n Than to say 'rope' to one whose sire was hanged!",
"ANOTHER (in a hollow voice, darting on all-fours from under the table, where\nhe had crept):\n And if you would not perish in flower o' youth,\n --Oh, mention not the fatal cartilage!",
"For the indiscreet\n His handkerchief may prove his winding-sheet!",
"Gadsooks!",
"Who would break my teeth, and I, imprudent-like,\n Was poking.",
"And thus I ventured on.",
"all of you!",
"ANOTHER:\n He will not leave a crumb!"
] | [
"ANOTHER (in a hollow voice, darting on all-fours from under the table, where\nhe had crept):\n And if you would not perish in flower o' youth,\n --Oh, mention not the fatal cartilage!",
"The night was inky black, and all the quays\n Were hidden in the murky dark.",
". .\n(All bring their stools up, and group round him, listening eagerly.",
". .\n\nCYRANO (white, but smiling):\n Onions, brandy-cups!",
"They talk in low voices.)",
"The moon was shining, clock-like, full i' th' sky,\n When, suddenly, some careful clockwright passed\n A cloud of cotton-wool across the case\n That held this silver watch.",
"CYRANO:\n Every man, out!",
"I leapt out, head well down.",
"Who?",
"oh, never breathe that word,\n Unless you'd reckon with him yonder!"
] | [
". .\n\nCHRISTIAN:\n Than one's nose!",
"(Silence.",
"All slowly rise, looking in terror at Cyrano, who has stopped--\ndumfounded.",
"Pause.)",
"CYRANO:\n Who on God's earth is that?",
"A CADET (whispering):\n It is a man\n Who joined to-day.",
"CYRANO (making a step toward Christian):\n To-day?",
"CARBON (in a low voice):\n Yes. . .his name is\n The Baron de Neuvil.",
". .\n\nCYRANO (checking himself):\n Good!",
"It is well.",
". .\n(He turns pale, flushes, makes as if to fall on Christian):\n I. . .\n(He controls himself):\n What said I?."
] | [
"Cyrano, Le Bret, the cadets, Christian de Neuvillette.",
"A CADET (seated at a table, glass in hand):\n Cyrano!",
"(Cyrano turns round):\n The story!",
"CYRANO:\n In its time!",
"(He goes up on Le Bret's arm.",
"They talk in low voices.)",
"THE CADET (rising and coming down):\n The story of the fray!",
"'Twill lesson well\n(He stops before the table where Christian is seated):\n This timid young apprentice!",
"CHRISTIAN (raising his head):\n 'Prentice!",
"Who?",
"CYRANO:\n Every man, out!",
"Leave me alone with him!",
"SECOND CADET:\n We shall find him minced fine, minced into hash\n In a big pasty!",
"RAGUENEAU:\n I am turning pale,\n And curl up, like a napkin, limp and white!",
"CARBON:\n Let us be gone.",
"ANOTHER:\n He will not leave a crumb!",
"ANOTHER:\n I die of fright to think what will pass here!",
"ANOTHER (shutting door right):\n Something too horrible!",
"(All have gone out by different doors, some by the staircase.",
"Cyrano and\nChristian are face to face, looking at each other for a moment.)"
] | o, who has stopped--
dumfounded.
Pause.)
CYRANO:
Who on God's earth is that?
A CADET (whispering):
It is a man
Who joined to-day.
CYRANO (making a step toward Christian):
To-day?
CARBON (in a low voice):
Yes. . .his name is
The Baron de Neuvil.
. .
CYRANO (checking himself):
Good!
It is well.
. .
(He turns pale, flushes, makes as if to fall on Christian):
I. . .
(He controls himself):
What said I?.
. .
(With a burst of rage):
MORDIOUS!.
. .
(Then continues calmly):
That it was dark.
(Astonishment.
The cadets reseat themselves, staring at him):
On I went, thinking, 'For a knavish cause
I may provoke some great man, some great prince,
Who certainly could break'.
. .
CHRISTIAN:
My nose!.
. .
(Every one starts up.
Christian balances on his chair.)
CYRANO (in a choked voice):
.
. .'My teeth!
Who would break my teeth, and I, imprudent-like,
Was poking.
. .'
CHRISTIAN:
My nose!.
. .
CYRANO:
'My finger,. . .in the crack
Between the tree and bark!
He | Cyrano, Le Bret, the cadets, Christian de Neuvillette.
A CADET (seated at a table, glass in hand):
Cyrano!
(Cyrano turns round):
The story!
CYRANO:
In its time!
(He goes up on Le Bret's arm.
They talk in low voices.)
THE CADET (rising and coming down):
The story of the fray!
'Twill lesson well
(He stops before the table where Christian is seated):
This timid young apprentice!
CHRISTIAN (raising his head):
'Prentice!
Who?
ANOTHER CADET:
This sickly Northern greenhorn!
CHRISTIAN:
S Leave me alone with him!
SECOND CADET:
We shall find him minced fine, minced into hash
In a big pasty!
RAGUENEAU:
I am turning pale,
And curl up, like a napkin, limp and white!
CARBON:
Let us be gone.
ANOTHER:
He will not leave a crumb!
ANOTHER:
I die of fright to think what will pass here!
ANOTHER (shutting door right):
Something too horrible!
(All have gone out by different doors, some by the staircase.
Cyrano and
Christian are face to face, looking at each other for a moment.) | g toward them):
The tale?.
. .
(All bring their stools up, and group round him, listening eagerly.
Christian
is astride a chair):
Well!
I went all alone to meet the band.
The moon was shining, clock-like, full i' th' sky,
When, suddenly, some careful clockwright passed
A cloud of cotton-wool across the case
That held this silver watch.
And, presto!
heigh!
The night was inky black, and all the quays
Were hidden in the murky dark.
Gadsooks!
One could see nothing further.
. .
CHRISTIAN:
Than one's nose!
(Silence.
All slowly rise, looking in terror at Cyrano, who has stopped--
dumfounded.
Pause.)
CYRANO:
Who on God's earth is that?
A CADET (whispering):
It is a man
Who joined to-day.
CYRANO (making a step toward Christian):
To-day?
CARBON (in a low voice):
Yes. . .his name is
The Baron de Neuvil.
. .
CYRANO (checking himself):
Good!
It is well.
. .
(He turns pale, flushes, makes as if to fall on Christian):
I. . .
(He controls himself):
What said I?.
. .
(W |
1,254 | false | pinkmonkey | all_chapterized_books/1254-chapters/19.txt | finished_summaries/pinkmonkey/Cyrano De Bergerac/section_16_part_0.txt | Cyrano De Bergerac.act 2.scene 10 | scene 10 | null | {"name": "Scene 10", "url": "https://web.archive.org/web/20180820053313/http://www.pinkmonkey.com/booknotes/monkeynotes/pmCyrano27.asp", "summary": "In an effort to educate the newcomer, the Cadets warn Christian de Neuvillette that he should never mention Cyrano's nose. Christian, however, wants to prove that he is brave. As a result, he interrupts Cyrano as he tells his friends about his fight at the Porte de Nesle. Christian then criticizes Cyrano's nose. Cyrano is immediately incensed at the daring young cadet, but when he discovers that the person interrupting him is the one Roxane loves, he controls himself at every interruption from Christian. Finally, he drives all the cadets out of the room to be alone with Christian. They expect Christian to be murdered by Cyrano. Left alone with Christian, Cyrano introduces himself as the cousin of Roxane. He then explains Roxane's feelings for the handsome cadet. He asks Christian to write a letter to Roxane to express his feelings for her. Christian confesses that he has no verbal skills, especially when he must address a female. Since Cyrano is skilled with words, the two of them work out a plan to jointly woo and win Roxane. Cyrano will provide the words, which the handsome Christian will voice to Roxane. Cyrano then gives Christian the letter he has already composed to her, pretending that he has written it to some imaginary lady. He tells Christian to sign and send the letter as his own. Christian embraces Cyrano with gratitude. When the cadets who have been waiting outside see Christian moving towards Cyrano, they are concerned and push open the door. When they realize that Cyrano is embracing Christian, they jeer at the sight. Lise's musketeer, who has come in with the cadets, insults Cyrano about his nose. Cyrano responds by hitting him.", "analysis": "Notes Scene 9 opens with the cadets warning Christian that he must never mention Cyrano's nose in front of him, for he is very sensitive about its size and ugliness. Christian, however, does not heed their warning. Wanting to prove he is brave, he interrupts Cyrano and dares to criticize his nose. The other cadets are certain that Cyrano, the rash swordsman, will quickly take care of the brazen new cadet. The real heroism of Cyrano's character is then revealed. Aggressive by nature, Cyrano wants to strike Christian, but he controls his anger. Since he has promised Roxane that he will protect the handsome, young cadet, he must keep his word. Love has tempered his brashness and turned him in to a picture of patience. Feeling he can never have Roxane and wanting her to have what she desires, Cyrano decides to help Christian woo her. When Christian confesses that he has no way with words and cannot possibly write Roxane an appropriate letter expressing his feelings, Cyrano gives him the letter he has written to her in the bakery shop. He tells Christian to sign it and send it to Roxane as his own. Christian is so appreciative of the gesture that he gives Cyrano a hug. When the other cadets realize that Cyrano has not punished Christian, they are disappointed in their leader and jeer him. Lise's musketeer even dares to criticize Cyrano's nose. Cyrano, however, will not tolerate ridicule from anyone other than Christian. He promptly hits the musketeer. By the end of scene 11, Cyrano emerges as a much stronger character. When he needs to be, he is a man of self-control and patience. He also shows he is kind-hearted, for he wants Roxane to be happy. In contrast to Cyrano, Christian seems pathetically weak in spite of his attractiveness. The audience finds it hard to believe that Roxane could ever be truly happy with such a simple man. Rostand's ability as a masterful dramatist is clearly obvious in these three scenes. He has carefully constructed the play up to this point to make a ridiculously ironic situation seem believable. The physically ugly Cyrano, who is intelligent, witty, and wise with words, is willing to help his competitor because Roxane has asked him to do so. Rostand has intentionally created Christian to be a total contrast to Cyrano. The extremely handsome cadet is slow, simple, and unable to express himself. Together, however, Cyrano and Christian make a perfect suitor for Roxane; Christian can supply the looks and Cyrano can supply the words. The arrangement will go on for years."} | Cyrano, Christian.
CYRANO:
Embrace me now!
CHRISTIAN:
Sir. . .
CYRANO:
You are brave.
CHRISTIAN:
Oh! but. . .
CYRANO:
Nay, I insist.
CHRISTIAN:
Pray tell me. . .
CYRANO:
Come, embrace! I am her brother.
CHRISTIAN:
Whose brother?
CYRANO:
Hers i' faith! Roxane's!
CHRISTIAN (rushing up to him):
O heavens!
Her brother. . .?
CYRANO:
Cousin--brother!. . .the same thing!
CHRISTIAN:
And she has told you. . .?
CYRANO:
All!
CHRISTIAN:
She loves me? say!
CYRANO:
Maybe!
CHRISTIAN (taking his hands):
How glad I am to meet you, Sir!
CYRANO:
That may be called a sudden sentiment!
CHRISTIAN:
I ask your pardon. . .
CYRANO (looking at him, with his hand on his shoulder):
True, he's fair, the villain!
CHRISTIAN:
Ah, Sir! If you but knew my admiration!. . .
CYRANO:
But all those noses?. . .
CHRISTIAN:
Oh! I take them back!
CYRANO:
Roxane expects a letter.
CHRISTIAN:
Woe the day!
CYRANO:
How?
CHRISTIAN:
I am lost if I but ope my lips!
CYRANO:
Why so?
CHRISTIAN:
I am a fool--could die for shame!
CYRANO:
None is a fool who knows himself a fool.
And you did not attack me like a fool.
CHRISTIAN:
Bah! One finds battle-cry to lead th' assault!
I have a certain military wit,
But, before women, can but hold my tongue.
Their eyes! True, when I pass, their eyes are kind. . .
CYRANO:
And, when you stay, their hearts, methinks, are kinder?
CHRISTIAN:
No! for I am one of those men--tongue-tied,
I know it--who can never tell their love.
CYRANO:
And I, meseems, had Nature been more kind,
More careful, when she fashioned me,--had been
One of those men who well could speak their love!
CHRISTIAN:
Oh, to express one's thoughts with facile grace!. . .
CYRANO:
. . .To be a musketeer, with handsome face!
CHRISTIAN:
Roxane is precieuse. I'm sure to prove
A disappointment to her!
CYRANO (looking at him):
Had I but
Such an interpreter to speak my soul!
CHRISTIAN (with despair):
Eloquence! Where to find it?
CYRANO (abruptly):
That I lend,
If you lend me your handsome victor-charms;
Blended, we make a hero of romance!
CHRISTIAN:
How so?
CYRANO:
Think you you can repeat what things
I daily teach your tongue?
CHRISTIAN:
What do you mean?
CYRANO:
Roxane shall never have a disillusion!
Say, wilt thou that we woo her, double-handed?
Wilt thou that we two woo her, both together?
Feel'st thou, passing from my leather doublet,
Through thy laced doublet, all my soul inspiring?
CHRISTIAN:
But, Cyrano!. . .
CYRANO:
Will you, I say?
CHRISTIAN:
I fear!
CYRANO:
Since, by yourself, you fear to chill her heart,
Will you--to kindle all her heart to flame--
Wed into one my phrases and your lips?
CHRISTIAN:
Your eyes flash!
CYRANO:
Will you?
CHRISTIAN:
Will it please you so?
--Give you such pleasure?
CYRANO (madly):
It!. . .
(Then calmly, business-like):
It would amuse me!
It is an enterprise to tempt a poet.
Will you complete me, and let me complete you?
You march victorious,--I go in your shadow;
Let me be wit for you, be you my beauty!
CHRISTIAN:
The letter, that she waits for even now!
I never can. . .
CYRANO (taking out the letter he had written):
See! Here it is--your letter!
CHRISTIAN:
What?
CYRANO:
Take it! Look, it wants but the address.
CHRISTIAN:
But I. . .
CYRANO:
Fear nothing. Send it. It will suit.
CHRISTIAN:
But have you. . .?
CYRANO:
Oh! We have our pockets full,
We poets, of love-letters, writ to Chloes,
Daphnes--creations of our noddle-heads.
Our lady-loves,--phantasms of our brains,
--Dream-fancies blown into soap-bubbles! Come!
Take it, and change feigned love-words into true;
I breathed my sighs and moans haphazard-wise;
Call all these wandering love-birds home to nest.
You'll see that I was in these lettered lines,
--Eloquent all the more, the less sincere!
--Take it, and make an end!
CHRISTIAN:
Were it not well
To change some words? Written haphazard-wise,
Will it fit Roxane?
CYRANO:
'Twill fit like a glove!
CHRISTIAN:
But. . .
CYRANO:
Ah, credulity of love! Roxane
Will think each word inspired by herself!
CHRISTIAN:
My friend!
(He throws himself into Cyrano's arms. They remain thus.)
| 753 | Scene 10 | https://web.archive.org/web/20180820053313/http://www.pinkmonkey.com/booknotes/monkeynotes/pmCyrano27.asp | In an effort to educate the newcomer, the Cadets warn Christian de Neuvillette that he should never mention Cyrano's nose. Christian, however, wants to prove that he is brave. As a result, he interrupts Cyrano as he tells his friends about his fight at the Porte de Nesle. Christian then criticizes Cyrano's nose. Cyrano is immediately incensed at the daring young cadet, but when he discovers that the person interrupting him is the one Roxane loves, he controls himself at every interruption from Christian. Finally, he drives all the cadets out of the room to be alone with Christian. They expect Christian to be murdered by Cyrano. Left alone with Christian, Cyrano introduces himself as the cousin of Roxane. He then explains Roxane's feelings for the handsome cadet. He asks Christian to write a letter to Roxane to express his feelings for her. Christian confesses that he has no verbal skills, especially when he must address a female. Since Cyrano is skilled with words, the two of them work out a plan to jointly woo and win Roxane. Cyrano will provide the words, which the handsome Christian will voice to Roxane. Cyrano then gives Christian the letter he has already composed to her, pretending that he has written it to some imaginary lady. He tells Christian to sign and send the letter as his own. Christian embraces Cyrano with gratitude. When the cadets who have been waiting outside see Christian moving towards Cyrano, they are concerned and push open the door. When they realize that Cyrano is embracing Christian, they jeer at the sight. Lise's musketeer, who has come in with the cadets, insults Cyrano about his nose. Cyrano responds by hitting him. | Notes Scene 9 opens with the cadets warning Christian that he must never mention Cyrano's nose in front of him, for he is very sensitive about its size and ugliness. Christian, however, does not heed their warning. Wanting to prove he is brave, he interrupts Cyrano and dares to criticize his nose. The other cadets are certain that Cyrano, the rash swordsman, will quickly take care of the brazen new cadet. The real heroism of Cyrano's character is then revealed. Aggressive by nature, Cyrano wants to strike Christian, but he controls his anger. Since he has promised Roxane that he will protect the handsome, young cadet, he must keep his word. Love has tempered his brashness and turned him in to a picture of patience. Feeling he can never have Roxane and wanting her to have what she desires, Cyrano decides to help Christian woo her. When Christian confesses that he has no way with words and cannot possibly write Roxane an appropriate letter expressing his feelings, Cyrano gives him the letter he has written to her in the bakery shop. He tells Christian to sign it and send it to Roxane as his own. Christian is so appreciative of the gesture that he gives Cyrano a hug. When the other cadets realize that Cyrano has not punished Christian, they are disappointed in their leader and jeer him. Lise's musketeer even dares to criticize Cyrano's nose. Cyrano, however, will not tolerate ridicule from anyone other than Christian. He promptly hits the musketeer. By the end of scene 11, Cyrano emerges as a much stronger character. When he needs to be, he is a man of self-control and patience. He also shows he is kind-hearted, for he wants Roxane to be happy. In contrast to Cyrano, Christian seems pathetically weak in spite of his attractiveness. The audience finds it hard to believe that Roxane could ever be truly happy with such a simple man. Rostand's ability as a masterful dramatist is clearly obvious in these three scenes. He has carefully constructed the play up to this point to make a ridiculously ironic situation seem believable. The physically ugly Cyrano, who is intelligent, witty, and wise with words, is willing to help his competitor because Roxane has asked him to do so. Rostand has intentionally created Christian to be a total contrast to Cyrano. The extremely handsome cadet is slow, simple, and unable to express himself. Together, however, Cyrano and Christian make a perfect suitor for Roxane; Christian can supply the looks and Cyrano can supply the words. The arrangement will go on for years. | 283 | 433 | [
"Cyrano, Christian.",
"CYRANO:\n Embrace me now!",
"CHRISTIAN:\n Sir.",
". .\n\nCYRANO:\n You are brave.",
"CHRISTIAN:\n Oh!",
"but.",
". .\n\nCYRANO:\n Nay, I insist.",
"CHRISTIAN:\n Pray tell me.",
". .\n\nCYRANO:\n Come, embrace!",
"I am her brother.",
"CHRISTIAN:\n Whose brother?",
"CYRANO:\n Hers i' faith!",
"Roxane's!",
"CHRISTIAN (rushing up to him):\n O heavens!",
"Her brother. .",
".?",
"CYRANO:\n Cousin--brother!. .",
".the same thing!",
"CHRISTIAN:\n And she has told you. .",
".?",
"CYRANO:\n All!",
"CHRISTIAN:\n She loves me?",
"say!",
"CYRANO:\n Maybe!",
"CHRISTIAN (taking his hands):\n How glad I am to meet you, Sir!",
"CYRANO:\n That may be called a sudden sentiment!",
"CHRISTIAN:\n I ask your pardon.",
". .\n\nCYRANO (looking at him, with his hand on his shoulder):\n True, he's fair, the villain!",
"CHRISTIAN:\n Ah, Sir!",
"If you but knew my admiration!.",
". .\n\nCYRANO:\n But all those noses?.",
". .\n\nCHRISTIAN:\n Oh!",
"I take them back!",
"CYRANO:\n Roxane expects a letter.",
"CHRISTIAN:\n Woe the day!",
"CYRANO:\n How?",
"CHRISTIAN:\n I am lost if I but ope my lips!",
"CYRANO:\n Why so?",
"CHRISTIAN:\n I am a fool--could die for shame!",
"CYRANO:\n None is a fool who knows himself a fool.",
"And you did not attack me like a fool.",
"CHRISTIAN:\n Bah!",
"One finds battle-cry to lead th' assault!",
"I have a certain military wit,\n But, before women, can but hold my tongue.",
"Their eyes!",
"True, when I pass, their eyes are kind.",
". .\n\nCYRANO:\n And, when you stay, their hearts, methinks, are kinder?",
"CHRISTIAN:\n No!",
"for I am one of those men--tongue-tied,\n I know it--who can never tell their love.",
"CYRANO:\n And I, meseems, had Nature been more kind,\n More careful, when she fashioned me,--had been\n One of those men who well could speak their love!",
"CHRISTIAN:\n Oh, to express one's thoughts with facile grace!.",
". .\n\nCYRANO:\n . . .To be a musketeer, with handsome face!",
"CHRISTIAN:\n Roxane is precieuse.",
"I'm sure to prove\n A disappointment to her!",
"CYRANO (looking at him):\n Had I but\n Such an interpreter to speak my soul!",
"CHRISTIAN (with despair):\n Eloquence!",
"Where to find it?",
"CYRANO (abruptly):\n That I lend,\n If you lend me your handsome victor-charms;\n Blended, we make a hero of romance!",
"CHRISTIAN:\n How so?",
"CYRANO:\n Think you you can repeat what things\n I daily teach your tongue?",
"CHRISTIAN:\n What do you mean?",
"CYRANO:\n Roxane shall never have a disillusion!",
"Say, wilt thou that we woo her, double-handed?",
"Wilt thou that we two woo her, both together?",
"Feel'st thou, passing from my leather doublet,\n Through thy laced doublet, all my soul inspiring?",
"CHRISTIAN:\n But, Cyrano!.",
". .\n\nCYRANO:\n Will you, I say?",
"CHRISTIAN:\n I fear!",
"CYRANO:\n Since, by yourself, you fear to chill her heart,\n Will you--to kindle all her heart to flame--\n Wed into one my phrases and your lips?",
"CHRISTIAN:\n Your eyes flash!",
"CYRANO:\n Will you?",
"CHRISTIAN:\n Will it please you so?",
"--Give you such pleasure?",
"CYRANO (madly):\n It!.",
". .\n(Then calmly, business-like):\n It would amuse me!",
"It is an enterprise to tempt a poet.",
"Will you complete me, and let me complete you?",
"You march victorious,--I go in your shadow;\n Let me be wit for you, be you my beauty!",
"CHRISTIAN:\n The letter, that she waits for even now!",
"I never can.",
". .\n\nCYRANO (taking out the letter he had written):\n See!",
"Here it is--your letter!",
"CHRISTIAN:\n What?",
"CYRANO:\n Take it!",
"Look, it wants but the address.",
"CHRISTIAN:\n But I. . .\n\nCYRANO:\n Fear nothing.",
"Send it.",
"It will suit.",
"CHRISTIAN:\n But have you. .",
".?",
"CYRANO:\n Oh!",
"We have our pockets full,\n We poets, of love-letters, writ to Chloes,\n Daphnes--creations of our noddle-heads.",
"Our lady-loves,--phantasms of our brains,\n --Dream-fancies blown into soap-bubbles!",
"Come!",
"Take it, and change feigned love-words into true;\n I breathed my sighs and moans haphazard-wise;\n Call all these wandering love-birds home to nest.",
"You'll see that I was in these lettered lines,\n --Eloquent all the more, the less sincere!",
"--Take it, and make an end!",
"CHRISTIAN:\n Were it not well\n To change some words?",
"Written haphazard-wise,\n Will it fit Roxane?",
"CYRANO:\n 'Twill fit like a glove!",
"CHRISTIAN:\n But.",
". .\n\nCYRANO:\n Ah, credulity of love!",
"Roxane\n Will think each word inspired by herself!",
"CHRISTIAN:\n My friend!",
"(He throws himself into Cyrano's arms.",
"They remain thus.)"
] | [
"I am her brother.",
"CHRISTIAN:\n Whose brother?",
"Her brother. .",
"CYRANO:\n Why so?",
"Their eyes!",
"CYRANO (looking at him):\n Had I but\n Such an interpreter to speak my soul!",
"Say, wilt thou that we woo her, double-handed?",
"CHRISTIAN:\n Your eyes flash!",
"Here it is--your letter!",
"Send it."
] | [
". .\n\nCYRANO:\n Will you, I say?",
"CHRISTIAN:\n Oh!",
".?",
"Send it.",
"You'll see that I was in these lettered lines,\n --Eloquent all the more, the less sincere!",
"CHRISTIAN:\n Roxane is precieuse.",
"Look, it wants but the address.",
"Roxane\n Will think each word inspired by herself!",
". .\n\nCYRANO:\n . . .To be a musketeer, with handsome face!",
"CHRISTIAN (rushing up to him):\n O heavens!"
] | [
"for I am one of those men--tongue-tied,\n I know it--who can never tell their love.",
"CYRANO:\n And I, meseems, had Nature been more kind,\n More careful, when she fashioned me,--had been\n One of those men who well could speak their love!",
"CHRISTIAN:\n Oh, to express one's thoughts with facile grace!.",
". .\n\nCYRANO:\n . . .To be a musketeer, with handsome face!",
"CHRISTIAN:\n Roxane is precieuse.",
"I'm sure to prove\n A disappointment to her!",
"CYRANO (looking at him):\n Had I but\n Such an interpreter to speak my soul!",
"CHRISTIAN (with despair):\n Eloquence!",
"Where to find it?",
"CYRANO (abruptly):\n That I lend,\n If you lend me your handsome victor-charms;\n Blended, we make a hero of romance!",
"CHRISTIAN:\n How so?"
] | [
"Cyrano, Christian.",
"CYRANO:\n Embrace me now!",
"CHRISTIAN:\n Sir.",
". .\n\nCYRANO:\n You are brave.",
"CHRISTIAN:\n Oh!",
"but.",
". .\n\nCYRANO:\n Nay, I insist.",
"CHRISTIAN:\n Pray tell me.",
". .\n\nCYRANO:\n Come, embrace!",
"I am her brother.",
"--Take it, and make an end!",
"CHRISTIAN:\n Were it not well\n To change some words?",
"Written haphazard-wise,\n Will it fit Roxane?",
"CYRANO:\n 'Twill fit like a glove!",
"CHRISTIAN:\n But.",
". .\n\nCYRANO:\n Ah, credulity of love!",
"Roxane\n Will think each word inspired by herself!",
"CHRISTIAN:\n My friend!",
"(He throws himself into Cyrano's arms.",
"They remain thus.)"
] | ill you--to kindle all her heart to flame--
Wed into one my phrases and your lips?
CHRISTIAN:
Your eyes flash!
CYRANO:
Will you?
CHRISTIAN:
Will it please you so?
--Give you such pleasure?
CYRANO (madly):
It!.
. .
(Then calmly, business-like):
It would amuse me!
It is an enterprise to tempt a poet.
Will you complete me, and let me complete you?
You march victorious,--I go in your shadow;
Let me be wit for you, be you my beauty!
CHRISTIAN:
The letter, that she waits for even now!
I never can.
. .
CYRANO (taking out the letter he had written):
See!
Here it is--your letter!
CHRISTIAN:
What?
CYRANO:
Take it!
Look, it wants but the address.
CHRISTIAN:
But I. . .
CYRANO:
Fear nothing.
Send it.
It will suit.
CHRISTIAN:
But have you. .
.?
CYRANO:
Oh!
We have our pockets full,
We poets, of love-letters, writ to Chloes,
Daphnes--creations of our noddle-heads.
Our lady-loves,--phantasms of our brains,
--Dream-fancies blown into soap-bubbles!
Come!
Take it, an | Cyrano, Christian.
CYRANO:
Embrace me now!
CHRISTIAN:
Sir.
. .
CYRANO:
You are brave.
CHRISTIAN:
Oh!
but.
. .
CYRANO:
Nay, I insist.
CHRISTIAN:
Pray tell me.
. .
CYRANO:
Come, embrace!
I am her brother.
CHRISTIAN:
Whose brother?
CYRANO:
Hers i' faith!
Roxane's!
CHRISTIAN (rushing up to him):
O heavens!
Her brother. .
.?
CYRANO:
Cousin--brother!. .
.the same thing!
CHRISTIAN:
And she has told you. .
.?
CYRANO:
All!
CHRISTIAN:
She loves me?
say!
CYRANO:
Maybe!
CHRI ise;
Call all these wandering love-birds home to nest.
You'll see that I was in these lettered lines,
--Eloquent all the more, the less sincere!
--Take it, and make an end!
CHRISTIAN:
Were it not well
To change some words?
Written haphazard-wise,
Will it fit Roxane?
CYRANO:
'Twill fit like a glove!
CHRISTIAN:
But.
. .
CYRANO:
Ah, credulity of love!
Roxane
Will think each word inspired by herself!
CHRISTIAN:
My friend!
(He throws himself into Cyrano's arms.
They remain thus.) | en
One of those men who well could speak their love!
CHRISTIAN:
Oh, to express one's thoughts with facile grace!.
. .
CYRANO:
. . .To be a musketeer, with handsome face!
CHRISTIAN:
Roxane is precieuse.
I'm sure to prove
A disappointment to her!
CYRANO (looking at him):
Had I but
Such an interpreter to speak my soul!
CHRISTIAN (with despair):
Eloquence!
Where to find it?
CYRANO (abruptly):
That I lend,
If you lend me your handsome victor-charms;
Blended, we make a hero of romance!
CHRISTIAN:
How so?
CYRANO:
Think you you can repeat what things
I daily teach your tongue?
CHRISTIAN:
What do you mean?
CYRANO:
Roxane shall never have a disillusion!
Say, wilt thou that we woo her, double-handed?
Wilt thou that we two woo her, both together?
Feel'st thou, passing from my leather doublet,
Through thy laced doublet, all my soul inspiring?
CHRISTIAN:
But, Cyrano!.
. .
CYRANO:
Will you, I say?
CHRISTIAN:
I fear!
CYRANO:
Since, by yourself, you fear to ch |
1,254 | false | pinkmonkey | all_chapterized_books/1254-chapters/20.txt | finished_summaries/pinkmonkey/Cyrano De Bergerac/section_17_part_0.txt | Cyrano De Bergerac.act 2.scene 11 | scene 11 | null | {"name": "Scene 11", "url": "https://web.archive.org/web/20180820053313/http://www.pinkmonkey.com/booknotes/monkeynotes/pmCyrano27.asp", "summary": "In an effort to educate the newcomer, the Cadets warn Christian de Neuvillette that he should never mention Cyrano's nose. Christian, however, wants to prove that he is brave. As a result, he interrupts Cyrano as he tells his friends about his fight at the Porte de Nesle. Christian then criticizes Cyrano's nose. Cyrano is immediately incensed at the daring young cadet, but when he discovers that the person interrupting him is the one Roxane loves, he controls himself at every interruption from Christian. Finally, he drives all the cadets out of the room to be alone with Christian. They expect Christian to be murdered by Cyrano. Left alone with Christian, Cyrano introduces himself as the cousin of Roxane. He then explains Roxane's feelings for the handsome cadet. He asks Christian to write a letter to Roxane to express his feelings for her. Christian confesses that he has no verbal skills, especially when he must address a female. Since Cyrano is skilled with words, the two of them work out a plan to jointly woo and win Roxane. Cyrano will provide the words, which the handsome Christian will voice to Roxane. Cyrano then gives Christian the letter he has already composed to her, pretending that he has written it to some imaginary lady. He tells Christian to sign and send the letter as his own. Christian embraces Cyrano with gratitude. When the cadets who have been waiting outside see Christian moving towards Cyrano, they are concerned and push open the door. When they realize that Cyrano is embracing Christian, they jeer at the sight. Lise's musketeer, who has come in with the cadets, insults Cyrano about his nose. Cyrano responds by hitting him.", "analysis": "Notes Scene 9 opens with the cadets warning Christian that he must never mention Cyrano's nose in front of him, for he is very sensitive about its size and ugliness. Christian, however, does not heed their warning. Wanting to prove he is brave, he interrupts Cyrano and dares to criticize his nose. The other cadets are certain that Cyrano, the rash swordsman, will quickly take care of the brazen new cadet. The real heroism of Cyrano's character is then revealed. Aggressive by nature, Cyrano wants to strike Christian, but he controls his anger. Since he has promised Roxane that he will protect the handsome, young cadet, he must keep his word. Love has tempered his brashness and turned him in to a picture of patience. Feeling he can never have Roxane and wanting her to have what she desires, Cyrano decides to help Christian woo her. When Christian confesses that he has no way with words and cannot possibly write Roxane an appropriate letter expressing his feelings, Cyrano gives him the letter he has written to her in the bakery shop. He tells Christian to sign it and send it to Roxane as his own. Christian is so appreciative of the gesture that he gives Cyrano a hug. When the other cadets realize that Cyrano has not punished Christian, they are disappointed in their leader and jeer him. Lise's musketeer even dares to criticize Cyrano's nose. Cyrano, however, will not tolerate ridicule from anyone other than Christian. He promptly hits the musketeer. By the end of scene 11, Cyrano emerges as a much stronger character. When he needs to be, he is a man of self-control and patience. He also shows he is kind-hearted, for he wants Roxane to be happy. In contrast to Cyrano, Christian seems pathetically weak in spite of his attractiveness. The audience finds it hard to believe that Roxane could ever be truly happy with such a simple man. Rostand's ability as a masterful dramatist is clearly obvious in these three scenes. He has carefully constructed the play up to this point to make a ridiculously ironic situation seem believable. The physically ugly Cyrano, who is intelligent, witty, and wise with words, is willing to help his competitor because Roxane has asked him to do so. Rostand has intentionally created Christian to be a total contrast to Cyrano. The extremely handsome cadet is slow, simple, and unable to express himself. Together, however, Cyrano and Christian make a perfect suitor for Roxane; Christian can supply the looks and Cyrano can supply the words. The arrangement will go on for years."} | Cyrano, Christian, the Gascons, the musketeer, Lise.
A CADET (half opening the door):
Naught here!. . .The silence of the grave!
I dare not look. . .
(He puts his head in):
Why?. . .
ALL THE CADETS (entering, and seeing Cyrano and Christian embracing):
Oh!. . .
A CADET:
This passes all!
(Consternation.)
THE MUSKETEER (mockingly):
Ho, ho!. . .
CARBON:
Our demon has become a saint?
Struck on one nostril--lo! he turns the other!
MUSKETEER:
Then we may speak about his nose, henceforth!. . .
(Calling to Lise, boastfully):
--Ah, Lise, see here!
(Sniffing ostentatiously):
O heavens!. . .what a stink!. . .
(Going up to Cyrano):
You, sir, without a doubt have sniffed it up!
--What is the smell I notice here?
CYRANO (cuffing his head):
Clove-heads.
(General delight. The cadets have found the old Cyrano again! They turn
somersaults.)
Curtain.
| 145 | Scene 11 | https://web.archive.org/web/20180820053313/http://www.pinkmonkey.com/booknotes/monkeynotes/pmCyrano27.asp | In an effort to educate the newcomer, the Cadets warn Christian de Neuvillette that he should never mention Cyrano's nose. Christian, however, wants to prove that he is brave. As a result, he interrupts Cyrano as he tells his friends about his fight at the Porte de Nesle. Christian then criticizes Cyrano's nose. Cyrano is immediately incensed at the daring young cadet, but when he discovers that the person interrupting him is the one Roxane loves, he controls himself at every interruption from Christian. Finally, he drives all the cadets out of the room to be alone with Christian. They expect Christian to be murdered by Cyrano. Left alone with Christian, Cyrano introduces himself as the cousin of Roxane. He then explains Roxane's feelings for the handsome cadet. He asks Christian to write a letter to Roxane to express his feelings for her. Christian confesses that he has no verbal skills, especially when he must address a female. Since Cyrano is skilled with words, the two of them work out a plan to jointly woo and win Roxane. Cyrano will provide the words, which the handsome Christian will voice to Roxane. Cyrano then gives Christian the letter he has already composed to her, pretending that he has written it to some imaginary lady. He tells Christian to sign and send the letter as his own. Christian embraces Cyrano with gratitude. When the cadets who have been waiting outside see Christian moving towards Cyrano, they are concerned and push open the door. When they realize that Cyrano is embracing Christian, they jeer at the sight. Lise's musketeer, who has come in with the cadets, insults Cyrano about his nose. Cyrano responds by hitting him. | Notes Scene 9 opens with the cadets warning Christian that he must never mention Cyrano's nose in front of him, for he is very sensitive about its size and ugliness. Christian, however, does not heed their warning. Wanting to prove he is brave, he interrupts Cyrano and dares to criticize his nose. The other cadets are certain that Cyrano, the rash swordsman, will quickly take care of the brazen new cadet. The real heroism of Cyrano's character is then revealed. Aggressive by nature, Cyrano wants to strike Christian, but he controls his anger. Since he has promised Roxane that he will protect the handsome, young cadet, he must keep his word. Love has tempered his brashness and turned him in to a picture of patience. Feeling he can never have Roxane and wanting her to have what she desires, Cyrano decides to help Christian woo her. When Christian confesses that he has no way with words and cannot possibly write Roxane an appropriate letter expressing his feelings, Cyrano gives him the letter he has written to her in the bakery shop. He tells Christian to sign it and send it to Roxane as his own. Christian is so appreciative of the gesture that he gives Cyrano a hug. When the other cadets realize that Cyrano has not punished Christian, they are disappointed in their leader and jeer him. Lise's musketeer even dares to criticize Cyrano's nose. Cyrano, however, will not tolerate ridicule from anyone other than Christian. He promptly hits the musketeer. By the end of scene 11, Cyrano emerges as a much stronger character. When he needs to be, he is a man of self-control and patience. He also shows he is kind-hearted, for he wants Roxane to be happy. In contrast to Cyrano, Christian seems pathetically weak in spite of his attractiveness. The audience finds it hard to believe that Roxane could ever be truly happy with such a simple man. Rostand's ability as a masterful dramatist is clearly obvious in these three scenes. He has carefully constructed the play up to this point to make a ridiculously ironic situation seem believable. The physically ugly Cyrano, who is intelligent, witty, and wise with words, is willing to help his competitor because Roxane has asked him to do so. Rostand has intentionally created Christian to be a total contrast to Cyrano. The extremely handsome cadet is slow, simple, and unable to express himself. Together, however, Cyrano and Christian make a perfect suitor for Roxane; Christian can supply the looks and Cyrano can supply the words. The arrangement will go on for years. | 283 | 433 | [
"Cyrano, Christian, the Gascons, the musketeer, Lise.",
"A CADET (half opening the door):\n Naught here!. .",
".The silence of the grave!",
"I dare not look.",
". .\n(He puts his head in):\n Why?.",
". .\n\nALL THE CADETS (entering, and seeing Cyrano and Christian embracing):\n Oh!.",
". .\n\nA CADET:\n This passes all!",
"(Consternation.)",
"THE MUSKETEER (mockingly):\n Ho, ho!.",
". .",
"CARBON:\n Our demon has become a saint?",
"Struck on one nostril--lo!",
"he turns the other!",
"MUSKETEER:\n Then we may speak about his nose, henceforth!.",
". .\n(Calling to Lise, boastfully):\n --Ah, Lise, see here!",
"(Sniffing ostentatiously):\n O heavens!. .",
".what a stink!.",
". .\n(Going up to Cyrano):\n You, sir, without a doubt have sniffed it up!",
"--What is the smell I notice here?",
"CYRANO (cuffing his head):\n Clove-heads.",
"(General delight.",
"The cadets have found the old Cyrano again!",
"They turn\nsomersaults.)",
"Curtain."
] | [
"A CADET (half opening the door):\n Naught here!. .",
". .\n(He puts his head in):\n Why?.",
". .\n\nALL THE CADETS (entering, and seeing Cyrano and Christian embracing):\n Oh!.",
"(Consternation.)",
"(Sniffing ostentatiously):\n O heavens!. .",
".what a stink!.",
". .\n(Going up to Cyrano):\n You, sir, without a doubt have sniffed it up!",
"(General delight.",
"They turn\nsomersaults.)",
"Curtain."
] | [
"Cyrano, Christian, the Gascons, the musketeer, Lise.",
". .\n(Going up to Cyrano):\n You, sir, without a doubt have sniffed it up!",
"CARBON:\n Our demon has become a saint?",
".The silence of the grave!",
"I dare not look.",
"CYRANO (cuffing his head):\n Clove-heads.",
". .\n\nA CADET:\n This passes all!",
"They turn\nsomersaults.)",
". .\n\nALL THE CADETS (entering, and seeing Cyrano and Christian embracing):\n Oh!.",
". ."
] | [
"(Consternation.)",
"THE MUSKETEER (mockingly):\n Ho, ho!.",
". .",
"CARBON:\n Our demon has become a saint?",
"Struck on one nostril--lo!",
"he turns the other!",
"MUSKETEER:\n Then we may speak about his nose, henceforth!.",
". .\n(Calling to Lise, boastfully):\n --Ah, Lise, see here!",
"(Sniffing ostentatiously):\n O heavens!. .",
".what a stink!.",
". .\n(Going up to Cyrano):\n You, sir, without a doubt have sniffed it up!"
] | [
"Cyrano, Christian, the Gascons, the musketeer, Lise.",
"A CADET (half opening the door):\n Naught here!. .",
".The silence of the grave!",
"I dare not look.",
". .\n(He puts his head in):\n Why?.",
". .\n\nALL THE CADETS (entering, and seeing Cyrano and Christian embracing):\n Oh!.",
". .\n\nA CADET:\n This passes all!",
"(Consternation.)",
"THE MUSKETEER (mockingly):\n Ho, ho!.",
". .",
". .\n(Calling to Lise, boastfully):\n --Ah, Lise, see here!",
"(Sniffing ostentatiously):\n O heavens!. .",
".what a stink!.",
". .\n(Going up to Cyrano):\n You, sir, without a doubt have sniffed it up!",
"--What is the smell I notice here?",
"CYRANO (cuffing his head):\n Clove-heads.",
"(General delight.",
"The cadets have found the old Cyrano again!",
"They turn\nsomersaults.)",
"Curtain."
] | Cyrano, Christian, the Gascons, the musketeer, Lise.
A CADET (half opening the door):
Naught here!. .
.The silence of the grave!
I dare not look.
. .
(He puts his head in):
Why?.
. .
ALL THE CADETS (entering, and seeing Cyrano and Christian embracing):
Oh!.
. .
A CADET:
This passes all!
(Consternation.)
THE MUSKETEER (mockingly):
Ho, ho!.
. .
CARBON:
Our demon has become a saint?
Struck on one nostril--lo!
he turns the other!
MUSKETEER:
Then we may speak about his nose, henceforth!.
. .
(Calling to Lise, boastfully):
--Ah, Lise, see here!
(Sniffing ostentatiously):
O heavens!. .
.what a stink!.
. .
(Going up to Cyrano):
You, sir, without a doubt have sniffed it up!
--What is the smell I notice here?
CYRANO (cuffing his head):
Clove-heads.
(General delight.
The cadets have found the old Cyrano again!
They turn
somersaults.)
Curtain. | Cyrano, Christian, the Gascons, the musketeer, Lise.
A CADET (half opening the door):
Naught here!. .
.The silence of the grave!
I dare not look.
. .
(He puts his head in):
Why?.
. .
ALL THE CADETS (entering, an You, sir, without a doubt have sniffed it up!
--What is the smell I notice here?
CYRANO (cuffing his head):
Clove-heads.
(General delight.
The cadets have found the old Cyrano again!
They turn
somersaults.)
Curtain. | seeing Cyrano and Christian embracing):
Oh!.
. .
A CADET:
This passes all!
(Consternation.)
THE MUSKETEER (mockingly):
Ho, ho!.
. .
CARBON:
Our demon has become a saint?
Struck on one nostril--lo!
he turns the other!
MUSKETEER:
Then we may speak about his nose, henceforth!.
. .
(Calling to Lise, boastfully):
--Ah, Lise, see here!
(Sniffing ostentatiously):
O heavens!. .
.what a stink!.
. .
(Going up to Cyrano):
|
1,254 | false | pinkmonkey | all_chapterized_books/1254-chapters/22.txt | finished_summaries/pinkmonkey/Cyrano De Bergerac/section_18_part_0.txt | Cyrano De Bergerac.act 3.scene 1 | scene 1 | null | {"name": "Scene 1", "url": "https://web.archive.org/web/20180820053313/http://www.pinkmonkey.com/booknotes/monkeynotes/pmCyrano28.asp", "summary": "When this scene opens, Ragueneau is talking to Roxane's governess about what has happened to him. The audience learns that Lise has run off with the musketeer. Ragueneau was so upset by her desertion that he tired to hang himself. Cyrano, however, saved him and made arrangements for him to become a steward for Roxane. The governess is impatiently waiting for Roxane. The two of them are going to a Clomire's salon, where a discourse on the \"Tender Passion\" is to be read. As Roxane delays, Cyrano enters with two pages playing lutes. He explains he has won the musicians for a day in a bet with d'Assoucy about a point of grammar; but he finds the musicians very annoying, for they do not play correctly. As a result, he sends them off to irritate Montfleury. After the musicians have left, Cyrano asks Roxane how things are going with Christian. She claims to love him dearly, explaining that he is not only handsome but also brilliant. She adds that his mind seems to be even sharper than that of Cyrano, for he says truly beautiful things to her. Cyrano does not miss a beat, but reacts with incredulity to her claims. To prove her point that he is a \"master of eloquence,\" Roxane shows Cyrano one of Christian's letters. The dramatic irony is evident. Cyrano and the audience know that it is Cyrano who has written the letter. The governess comes in to warn that De Guiche is approaching. Roxane asks Cyrano to hide inside her house.", "analysis": "Notes Rostand creates the musketeer as a very negative character. In the last scene, he was foolish enough to inappropriately insult Cyrano's nose. Now he has run off with the wife of Cyrano's friend. Ragueneau is so upset by Lise's desertion that he tries to kill himself. Cyrano, the play's hero, saves Ragueneau and finds him a new position as the steward of Roxane. Ragueneau's comment that Mars was using what Apollo was leaving behind in his shop is significant. It implies that the musketeer, a man of war, ironically learned the art of love from the poets, who Ragueneau encouraged in his bakery. In a similar manner, Christian is learning the art of love from Cyrano. In this scene, Cyrano's character is further developed as a very well-rounded man. He has already been presented as an able swordsman, a strong fighter, a military leader, an intelligent thinker, a poet, a spokesman who has great control of the language, and a kind and sensitive human being. Now Cyrano reveals that he has an interest in and knowledge of music, a mastery of grammar, and a strong mathematical ability. He also has a sense of humor, for he sends the annoying musicians away to irritate Montfleury, the second rate actor who irritates him. When Cyrano asks Roxane about Christian, she is full of praise for him, saying he is as intelligent as he is handsome. Since Cyrano does not seem to believe her, she reads some of Christian's letter to Cyrano to prove that he is truly bright and eloquent. Cyrano totally enjoys hearing \"his\" letters being praised. Of course, he gives no hint to Roxane that he has composed the letters that Christian has sent as his own. The irony of the situation is masterfully developed."} | Ragueneau, the duenna. Then Roxane, Cyrano, and two pages.
RAGUENEAU:
--And then, off she went, with a musketeer! Deserted and ruined too, I
would make an end of all, and so hanged myself. My last breath was drawn:--
then in comes Monsieur de Bergerac! He cuts me down, and begs his cousin to
take me for her steward.
THE DUENNA:
Well, but how came it about that you were thus ruined?
RAGUENEAU:
Oh! Lise loved the warriors, and I loved the poets! What cakes there were
that Apollo chanced to leave were quickly snapped up by Mars. Thus ruin was
not long a-coming.
THE DUENNA (rising, and calling up to the open window):
Roxane, are you ready? They wait for us!
ROXANE'S VOICE (from the window):
I will but put me on a cloak!
THE DUENNA (to Ragueneau, showing him the door opposite):
They wait us there opposite, at Clomire's house. She receives them all
there to-day--the precieuses, the poets; they read a discourse on the Tender
Passion.
RAGUENEAU:
The Tender Passion?
THE DUENNA (in a mincing voice):
Ay, indeed!
(Calling up to the window):
Roxane, an you come not down quickly, we shall miss the discourse on the
Tender Passion!
ROXANE'S VOICE:
I come! I come!
(A sound of stringed instruments approaching.)
CYRANO'S VOICE (behind the scenes, singing):
La, la, la, la!
THE DUENNA (surprised):
They serenade us?
CYRANO (followed by two pages with arch-lutes):
I tell you they are demi-semi-quavers, demi-semi-fool!
FIRST PAGE (ironically):
You know then, Sir, to distinguish between semi-quavers and demi-semi-
quavers?
CYRANO:
Is not every disciple of Gassendi a musician?
THE PAGE (playing and singing):
La, la!
CYRANO (snatching the lute from him, and going on with the phrase):
In proof of which, I can continue! La, la, la, la!
ROXANE (appearing on the balcony):
What? 'Tis you?
CYRANO (going on with the air, and singing to it):
'Tis I, who come to serenade your lilies, and pay my devoir to your ro-o-
oses!
ROXANE:
I am coming down!
(She leaves the balcony.)
THE DUENNA (pointing to the pages):
How come these two virtuosi here?
CYRANO:
'Tis for a wager I won of D'Assoucy. We were disputing a nice point in
grammar; contradictions raged hotly--''Tis so!' 'Nay, 'tis so!' when suddenly
he shows me these two long-shanks, whom he takes about with him as an escort,
and who are skillful in scratching lute-strings with their skinny claws! 'I
will wager you a day's music,' says he!--And lost it! Thus, see you, till
Phoebus' chariot starts once again, these lute-twangers are at my heels,
seeing all I do, hearing all I say, and accompanying all with melody. 'Twas
pleasant at the first, but i' faith, I begin to weary of it already!
(To the musicians):
Ho there! go serenade Montfleury for me! Play a dance to him!
(The pages go toward the door. To the duenna):
I have come, as is my wont, nightly, to ask Roxane whether. . .
(To the pages, who are going out):
Play a long time,--and play out of tune!
(To the duenna):
. . .Whether her soul's elected is ever the same, ever faultless!
ROXANE (coming out of the house):
Ah! How handsome he is, how brilliant a wit! And--how well I love him!
CYRANO (smiling):
Christian has so brilliant a wit?
ROXANE:
Brighter than even your own, cousin!
CYRANO:
Be it so, with all my heart!
ROXANE:
Ah! methinks 'twere impossible that there could breathe a man on this earth
skilled to say as sweetly as he all the pretty nothings that mean so much--
that mean all! At times his mind seems far away, the Muse says naught--and
then, presto! he speaks--bewitchingly! enchantingly!
CYRANO (incredulously):
No, no!
ROXANE:
Fie! That is ill said! But lo! men are ever thus! Because he is fair to
see, you would have it that he must be dull of speech.
CYRANO:
He hath an eloquent tongue in telling his love?
ROXANE:
In telling his love? why, 'tis not simple telling, 'tis dissertation, 'tis
analysis!
CYRANO:
How is he with the pen?
ROXANE:
Still better! Listen,--here:--
(Reciting):
'The more of my poor heart you take
The larger grows my heart!'
(Triumphantly to Cyrano):
How like you those lines?
CYRANO:
Pooh!
ROXANE:
And thus it goes on. . .
'And, since some target I must show
For Cupid's cruel dart,
Oh, if mine own you deign to keep,
Then give me your sweet heart!'
CYRANO:
Lord! first he has too much, then anon not enough! How much heart does the
fellow want?
ROXANE:
You would vex a saint!. . .But 'tis your jealousy.
CYRANO (starting):
What mean you?
ROXANE:
Ay, your poet's jealousy! Hark now, if this again be not tender-sweet?--
'My heart to yours sounds but one cry:
If kisses fast could flee
By letter, then with your sweet lips
My letters read should be!
If kisses could be writ with ink,
If kisses fast could flee!'
CYRANO (smiling approvingly in spite of himself):
Ha! those last lines are,--hm!. . .hm!. . .
(Correcting himself--contemptuously):
--They are paltry enough!
ROXANE:
And this. . .
CYRANO (enchanted):
Then you have his letters by heart?
ROXANE:
Every one of them!
CYRANO:
By all oaths that can be sworn,--'tis flattering!
ROXANE:
They are the lines of a master!
CYRANO (modestly):
Come, nay. . .a master?. . .
ROXANE:
Ay, I say it--a master!
CYRANO:
Good--be it so.
THE DUENNA (coming down quickly):
Here comes Monsieur de Guiche!
(To Cyrano, pushing him toward the house):
In with you! 'twere best he see you not; it might perchance put him on the
scent. . .
ROXANE (to Cyrano):
Ay, of my own dear secret! He loves me, and is powerful, and, if he knew,
then all were lost! Marry! he could well deal a deathblow to my love!
CYRANO (entering the house):
Good! good!
(De Guiche appears.)
| 1,005 | Scene 1 | https://web.archive.org/web/20180820053313/http://www.pinkmonkey.com/booknotes/monkeynotes/pmCyrano28.asp | When this scene opens, Ragueneau is talking to Roxane's governess about what has happened to him. The audience learns that Lise has run off with the musketeer. Ragueneau was so upset by her desertion that he tired to hang himself. Cyrano, however, saved him and made arrangements for him to become a steward for Roxane. The governess is impatiently waiting for Roxane. The two of them are going to a Clomire's salon, where a discourse on the "Tender Passion" is to be read. As Roxane delays, Cyrano enters with two pages playing lutes. He explains he has won the musicians for a day in a bet with d'Assoucy about a point of grammar; but he finds the musicians very annoying, for they do not play correctly. As a result, he sends them off to irritate Montfleury. After the musicians have left, Cyrano asks Roxane how things are going with Christian. She claims to love him dearly, explaining that he is not only handsome but also brilliant. She adds that his mind seems to be even sharper than that of Cyrano, for he says truly beautiful things to her. Cyrano does not miss a beat, but reacts with incredulity to her claims. To prove her point that he is a "master of eloquence," Roxane shows Cyrano one of Christian's letters. The dramatic irony is evident. Cyrano and the audience know that it is Cyrano who has written the letter. The governess comes in to warn that De Guiche is approaching. Roxane asks Cyrano to hide inside her house. | Notes Rostand creates the musketeer as a very negative character. In the last scene, he was foolish enough to inappropriately insult Cyrano's nose. Now he has run off with the wife of Cyrano's friend. Ragueneau is so upset by Lise's desertion that he tries to kill himself. Cyrano, the play's hero, saves Ragueneau and finds him a new position as the steward of Roxane. Ragueneau's comment that Mars was using what Apollo was leaving behind in his shop is significant. It implies that the musketeer, a man of war, ironically learned the art of love from the poets, who Ragueneau encouraged in his bakery. In a similar manner, Christian is learning the art of love from Cyrano. In this scene, Cyrano's character is further developed as a very well-rounded man. He has already been presented as an able swordsman, a strong fighter, a military leader, an intelligent thinker, a poet, a spokesman who has great control of the language, and a kind and sensitive human being. Now Cyrano reveals that he has an interest in and knowledge of music, a mastery of grammar, and a strong mathematical ability. He also has a sense of humor, for he sends the annoying musicians away to irritate Montfleury, the second rate actor who irritates him. When Cyrano asks Roxane about Christian, she is full of praise for him, saying he is as intelligent as he is handsome. Since Cyrano does not seem to believe her, she reads some of Christian's letter to Cyrano to prove that he is truly bright and eloquent. Cyrano totally enjoys hearing "his" letters being praised. Of course, he gives no hint to Roxane that he has composed the letters that Christian has sent as his own. The irony of the situation is masterfully developed. | 257 | 296 | [
"Ragueneau, the duenna.",
"Then Roxane, Cyrano, and two pages.",
"RAGUENEAU:\n --And then, off she went, with a musketeer!",
"Deserted and ruined too, I\nwould make an end of all, and so hanged myself.",
"My last breath was drawn:--\nthen in comes Monsieur de Bergerac!",
"He cuts me down, and begs his cousin to\ntake me for her steward.",
"THE DUENNA:\n Well, but how came it about that you were thus ruined?",
"RAGUENEAU:\n Oh!",
"Lise loved the warriors, and I loved the poets!",
"What cakes there were\nthat Apollo chanced to leave were quickly snapped up by Mars.",
"Thus ruin was\nnot long a-coming.",
"THE DUENNA (rising, and calling up to the open window):\n Roxane, are you ready?",
"They wait for us!",
"ROXANE'S VOICE (from the window):\n I will but put me on a cloak!",
"THE DUENNA (to Ragueneau, showing him the door opposite):\n They wait us there opposite, at Clomire's house.",
"She receives them all\nthere to-day--the precieuses, the poets; they read a discourse on the Tender\nPassion.",
"RAGUENEAU:\n The Tender Passion?",
"THE DUENNA (in a mincing voice):\n Ay, indeed!",
"(Calling up to the window):\n Roxane, an you come not down quickly, we shall miss the discourse on the\nTender Passion!",
"ROXANE'S VOICE:\n I come!",
"I come!",
"(A sound of stringed instruments approaching.)",
"CYRANO'S VOICE (behind the scenes, singing):\n La, la, la, la!",
"THE DUENNA (surprised):\n They serenade us?",
"CYRANO (followed by two pages with arch-lutes):\n I tell you they are demi-semi-quavers, demi-semi-fool!",
"FIRST PAGE (ironically):\n You know then, Sir, to distinguish between semi-quavers and demi-semi-\nquavers?",
"CYRANO:\n Is not every disciple of Gassendi a musician?",
"THE PAGE (playing and singing):\n La, la!",
"CYRANO (snatching the lute from him, and going on with the phrase):\n In proof of which, I can continue!",
"La, la, la, la!",
"ROXANE (appearing on the balcony):\n What?",
"'Tis you?",
"CYRANO (going on with the air, and singing to it):\n 'Tis I, who come to serenade your lilies, and pay my devoir to your ro-o-\noses!",
"ROXANE:\n I am coming down!",
"(She leaves the balcony.)",
"THE DUENNA (pointing to the pages):\n How come these two virtuosi here?",
"CYRANO:\n 'Tis for a wager I won of D'Assoucy.",
"We were disputing a nice point in\ngrammar; contradictions raged hotly--''Tis so!'",
"'Nay, 'tis so!'",
"when suddenly\nhe shows me these two long-shanks, whom he takes about with him as an escort,\nand who are skillful in scratching lute-strings with their skinny claws!",
"'I\nwill wager you a day's music,' says he!--And lost it!",
"Thus, see you, till\nPhoebus' chariot starts once again, these lute-twangers are at my heels,\nseeing all I do, hearing all I say, and accompanying all with melody.",
"'Twas\npleasant at the first, but i' faith, I begin to weary of it already!",
"(To the musicians):\n Ho there!",
"go serenade Montfleury for me!",
"Play a dance to him!",
"(The pages go toward the door.",
"To the duenna):\n I have come, as is my wont, nightly, to ask Roxane whether.",
". .\n(To the pages, who are going out):\n Play a long time,--and play out of tune!",
"(To the duenna):\n . . .Whether her soul's elected is ever the same, ever faultless!",
"ROXANE (coming out of the house):\n Ah!",
"How handsome he is, how brilliant a wit!",
"And--how well I love him!",
"CYRANO (smiling):\n Christian has so brilliant a wit?",
"ROXANE:\n Brighter than even your own, cousin!",
"CYRANO:\n Be it so, with all my heart!",
"ROXANE:\n Ah!",
"methinks 'twere impossible that there could breathe a man on this earth\nskilled to say as sweetly as he all the pretty nothings that mean so much--\nthat mean all!",
"At times his mind seems far away, the Muse says naught--and\nthen, presto!",
"he speaks--bewitchingly!",
"enchantingly!",
"CYRANO (incredulously):\n No, no!",
"ROXANE:\n Fie!",
"That is ill said!",
"But lo!",
"men are ever thus!",
"Because he is fair to\nsee, you would have it that he must be dull of speech.",
"CYRANO:\n He hath an eloquent tongue in telling his love?",
"ROXANE:\n In telling his love?",
"why, 'tis not simple telling, 'tis dissertation, 'tis\nanalysis!",
"CYRANO:\n How is he with the pen?",
"ROXANE:\n Still better!",
"Listen,--here:--\n(Reciting):\n 'The more of my poor heart you take\n The larger grows my heart!'",
"(Triumphantly to Cyrano):\n How like you those lines?",
"CYRANO:\n Pooh!",
"ROXANE:\n And thus it goes on.",
". .\n 'And, since some target I must show\n For Cupid's cruel dart,\n Oh, if mine own you deign to keep,\n Then give me your sweet heart!'",
"CYRANO:\n Lord!",
"first he has too much, then anon not enough!",
"How much heart does the\nfellow want?",
"ROXANE:\n You would vex a saint!. .",
".But 'tis your jealousy.",
"CYRANO (starting):\n What mean you?",
"ROXANE:\n Ay, your poet's jealousy!",
"Hark now, if this again be not tender-sweet?--\n 'My heart to yours sounds but one cry:\n If kisses fast could flee\n By letter, then with your sweet lips\n My letters read should be!",
"If kisses could be writ with ink,\n If kisses fast could flee!'",
"CYRANO (smiling approvingly in spite of himself):\n Ha!",
"those last lines are,--hm!. .",
".hm!.",
". .\n(Correcting himself--contemptuously):\n --They are paltry enough!",
"ROXANE:\n And this.",
". .\n\nCYRANO (enchanted):\n Then you have his letters by heart?",
"ROXANE:\n Every one of them!",
"CYRANO:\n By all oaths that can be sworn,--'tis flattering!",
"ROXANE:\n They are the lines of a master!",
"CYRANO (modestly):\n Come, nay. . .a master?.",
". .\n\nROXANE:\n Ay, I say it--a master!",
"CYRANO:\n Good--be it so.",
"THE DUENNA (coming down quickly):\n Here comes Monsieur de Guiche!",
"(To Cyrano, pushing him toward the house):\n In with you!",
"'twere best he see you not; it might perchance put him on the\nscent.",
". .\n\nROXANE (to Cyrano):\n Ay, of my own dear secret!",
"He loves me, and is powerful, and, if he knew,\nthen all were lost!",
"Marry!",
"he could well deal a deathblow to my love!",
"CYRANO (entering the house):\n Good!",
"good!",
"(De Guiche appears.)"
] | [
"My last breath was drawn:--\nthen in comes Monsieur de Bergerac!",
"Lise loved the warriors, and I loved the poets!",
"CYRANO (followed by two pages with arch-lutes):\n I tell you they are demi-semi-quavers, demi-semi-fool!",
"ROXANE (appearing on the balcony):\n What?",
"when suddenly\nhe shows me these two long-shanks, whom he takes about with him as an escort,\nand who are skillful in scratching lute-strings with their skinny claws!",
". .\n(To the pages, who are going out):\n Play a long time,--and play out of tune!",
"methinks 'twere impossible that there could breathe a man on this earth\nskilled to say as sweetly as he all the pretty nothings that mean so much--\nthat mean all!",
"But lo!",
"first he has too much, then anon not enough!",
"ROXANE:\n Every one of them!"
] | [
"'Nay, 'tis so!'",
"ROXANE'S VOICE (from the window):\n I will but put me on a cloak!",
"But lo!",
"CYRANO:\n Good--be it so.",
"ROXANE (coming out of the house):\n Ah!",
"(To the musicians):\n Ho there!",
"enchantingly!",
"CYRANO'S VOICE (behind the scenes, singing):\n La, la, la, la!",
"Deserted and ruined too, I\nwould make an end of all, and so hanged myself.",
"ROXANE:\n Ay, your poet's jealousy!"
] | [
"(To the duenna):\n . . .Whether her soul's elected is ever the same, ever faultless!",
"ROXANE (coming out of the house):\n Ah!",
"How handsome he is, how brilliant a wit!",
"And--how well I love him!",
"CYRANO (smiling):\n Christian has so brilliant a wit?",
"ROXANE:\n Brighter than even your own, cousin!",
"CYRANO:\n Be it so, with all my heart!",
"ROXANE:\n Ah!",
"methinks 'twere impossible that there could breathe a man on this earth\nskilled to say as sweetly as he all the pretty nothings that mean so much--\nthat mean all!",
"At times his mind seems far away, the Muse says naught--and\nthen, presto!",
"he speaks--bewitchingly!"
] | [
"Ragueneau, the duenna.",
"Then Roxane, Cyrano, and two pages.",
"RAGUENEAU:\n --And then, off she went, with a musketeer!",
"Deserted and ruined too, I\nwould make an end of all, and so hanged myself.",
"My last breath was drawn:--\nthen in comes Monsieur de Bergerac!",
"He cuts me down, and begs his cousin to\ntake me for her steward.",
"THE DUENNA:\n Well, but how came it about that you were thus ruined?",
"RAGUENEAU:\n Oh!",
"Lise loved the warriors, and I loved the poets!",
"What cakes there were\nthat Apollo chanced to leave were quickly snapped up by Mars.",
"THE DUENNA (coming down quickly):\n Here comes Monsieur de Guiche!",
"(To Cyrano, pushing him toward the house):\n In with you!",
"'twere best he see you not; it might perchance put him on the\nscent.",
". .\n\nROXANE (to Cyrano):\n Ay, of my own dear secret!",
"He loves me, and is powerful, and, if he knew,\nthen all were lost!",
"Marry!",
"he could well deal a deathblow to my love!",
"CYRANO (entering the house):\n Good!",
"good!",
"(De Guiche appears.)"
] | read a discourse on the Tender
Passion.
RAGUENEAU:
The Tender Passion?
THE DUENNA (in a mincing voice):
Ay, indeed!
(Calling up to the window):
Roxane, an you come not down quickly, we shall miss the discourse on the
Tender Passion!
ROXANE'S VOICE:
I come!
I come!
(A sound of stringed instruments approaching.)
CYRANO'S VOICE (behind the scenes, singing):
La, la, la, la!
THE DUENNA (surprised):
They serenade us?
CYRANO (followed by two pages with arch-lutes):
I tell you they are demi-semi-quavers, demi-semi-fool!
FIRST PAGE (ironically):
You know then, Sir, to distinguish between semi-quavers and demi-semi-
quavers?
CYRANO:
Is not every disciple of Gassendi a musician?
THE PAGE (playing and singing):
La, la!
CYRANO (snatching the lute from him, and going on with the phrase):
In proof of which, I can continue!
La, la, la, la!
ROXANE (appearing on the balcony):
What?
'Tis you?
CYRANO (going on with the air, and singing to it):
'Tis I, who come to serenade your l | Ragueneau, the duenna.
Then Roxane, Cyrano, and two pages.
RAGUENEAU:
--And then, off she went, with a musketeer!
Deserted and ruined too, I
would make an end of all, and so hanged myself.
My last breath was drawn:--
then in comes Monsieur de Bergerac!
He cuts me down, and begs his cousin to
take me for her steward.
THE DUENNA:
Well, but how came it about that you were thus ruined?
RAGUENEAU:
Oh!
Lise loved the warriors, and I loved the poets!
What cakes there were
that Apollo chanced to l ster?.
. .
ROXANE:
Ay, I say it--a master!
CYRANO:
Good--be it so.
THE DUENNA (coming down quickly):
Here comes Monsieur de Guiche!
(To Cyrano, pushing him toward the house):
In with you!
'twere best he see you not; it might perchance put him on the
scent.
. .
ROXANE (to Cyrano):
Ay, of my own dear secret!
He loves me, and is powerful, and, if he knew,
then all were lost!
Marry!
he could well deal a deathblow to my love!
CYRANO (entering the house):
Good!
good!
(De Guiche appears.) | lute-strings with their skinny claws!
'I
will wager you a day's music,' says he!--And lost it!
Thus, see you, till
Phoebus' chariot starts once again, these lute-twangers are at my heels,
seeing all I do, hearing all I say, and accompanying all with melody.
'Twas
pleasant at the first, but i' faith, I begin to weary of it already!
(To the musicians):
Ho there!
go serenade Montfleury for me!
Play a dance to him!
(The pages go toward the door.
To the duenna):
I have come, as is my wont, nightly, to ask Roxane whether.
. .
(To the pages, who are going out):
Play a long time,--and play out of tune!
(To the duenna):
. . .Whether her soul's elected is ever the same, ever faultless!
ROXANE (coming out of the house):
Ah!
How handsome he is, how brilliant a wit!
And--how well I love him!
CYRANO (smiling):
Christian has so brilliant a wit?
ROXANE:
Brighter than even your own, cousin!
CYRANO:
Be it so, with all my heart!
ROXANE:
Ah!
methinks 'twere impossible that there could bre |
1,254 | false | pinkmonkey | all_chapterized_books/1254-chapters/23.txt | finished_summaries/pinkmonkey/Cyrano De Bergerac/section_19_part_0.txt | Cyrano De Bergerac.act 3.scene 2 | scene 2 | null | {"name": "Scene 2", "url": "https://web.archive.org/web/20180820053313/http://www.pinkmonkey.com/booknotes/monkeynotes/pmCyrano29.asp", "summary": "Count De Guiche has come to bid farewell to Roxane, for he has been made a Colonel of the Guards and is to take part in the siege of Arras. Since the Guards include the regimental company of the Cadets, which include both Christian and Cyrano, Roxane tricks De Guiche. She talks him into taking revenge on Cyrano by depriving him and his regiment of the chance of heroism in war. De Guiche, not realizing he has been tricked, agrees to keep the Cadets in Paris. Roxane also quizzes De Guiche about Christian. He responds that the young man, who is handsome but stupid, has become inseparable from Cyrano. Feeling that Roxane may have an interest in him, De Guiche suggests that he also stay behind, concealed in the monastery of the Capuchins. Roxane dissuades him by saying that she could only love a man who welcomed danger. She tells him he should prove his heroism to her by fighting in the war. After De Guiche departs, Roxane warns her governess not to tell Cyrano that she has deprived him of a chance to prove himself at Arras. She then calls Cyrano out from his hiding place inside the house.", "analysis": "Notes The power of Roxane to manipulate De Guiche proves to the audience that she is more than an intellectually affected woman. When she learns that Christian and Cyrano will be sent off to Arras along with De Guiche, she uses Cyrano as an excuse to keep Christian and the other Cadets out of the fighting. Then when De Guiche suggests that he stay behind as well, Roxane flirts with him in order to ensure his departure. She tells him she could only love a man who is not afraid to prove his bravery and encourages De Guiche to be heroic."} | Roxane, De Guiche, the duenna standing a little way off.
ROXANE (courtesying to De Guiche):
I was going out.
DE GUICHE:
I come to take my leave.
ROXANE:
Whither go you?
DE GUICHE:
To the war.
ROXANE:
Ah!
DE GUICHE:
Ay, to-night.
ROXANE:
Oh!
DE GUICHE:
I am ordered away. We are to besiege Arras.
ROXANE:
Ah--to besiege?. . .
DE GUICHE:
Ay. My going moves you not, meseems.
ROXANE:
Nay. . .
DE GUICHE:
I am grieved to the core of the heart. Shall I again behold you?. . .When?
I know not. Heard you that I am named commander?. . .
ROXANE (indifferently):
Bravo!
DE GUICHE:
Of the Guards regiment.
ROXANE (startled):
What! the Guards?
DE GUICHE:
Ay, where serves your cousin, the swaggering boaster. I will find a way to
revenge myself on him at Arras.
ROXANE (choking):
What mean you? The Guards go to Arras?
DE GUICHE (laughing):
Bethink you, is it not my own regiment?
ROXANE (falling seated on the bench--aside):
Christian!
DE GUICHE:
What ails you?
ROXANE (moved deeply):
Oh--I am in despair! The man one loves!--at the war!
DE GUICHE (surprised and delighted):
You say such sweet words to me! 'Tis the first time!--and just when I must
quit you!
ROXANE (collected, and fanning herself):
Thus,--you would fain revenge your grudge against my cousin?
DE GUICHE:
My fair lady is on his side?
ROXANE:
Nay,--against him!
DE GUICHE:
Do you see him often?
ROXANE:
But very rarely.
DE GUICHE:
He is ever to be met now in company with one of the cadets,. . .one New--
villen--viller--
ROXANE:
Of high stature?
DE GUICHE:
Fair-haired!
ROXANE:
Ay, a red-headed fellow!
DE GUICHE:
Handsome!. . .
ROXANE:
Tut!
DE GUICHE:
But dull-witted.
ROXANE:
One would think so, to look at him!
(Changing her tone):
How mean you to play your revenge on Cyrano? Perchance you think to put him
i' the thick of the shots? Nay, believe me, that were a poor vengeance--he
would love such a post better than aught else! I know the way to wound his
pride far more keenly!
DE GUICHE:
What then? Tell. . .
ROXANE:
If, when the regiment march to Arras, he were left here with his beloved
boon companions, the Cadets, to sit with crossed arms so long as the war
lasted! There is your method, would you enrage a man of his kind; cheat him
of his chance of mortal danger, and you punish him right fiercely.
DE GUICHE (coming nearer):
O woman! woman! Who but a woman had e'er devised so subtle a trick?
ROXANE:
See you not how he will eat out his heart, while his friends gnaw their
thick fists for that they are deprived of the battle? So are you best
avenged.
DE GUICHE:
You love me, then, a little?
(She smiles):
I would fain--seeing you thus espouse my cause, Roxane--believe it a proof
of love!
ROXANE:
'Tis a proof of love!
DE GUICHE (showing some sealed papers):
Here are the marching orders; they will be sent instantly to each company--
except--
(He detaches one):
--This one! 'Tis that of the Cadets.
(He puts it in his pocket):
This I keep.
(Laughing):
Ha! ha! ha! Cyrano! His love of battle!. . .So you can play tricks on
people?. . .you, of all ladies!
ROXANE:
Sometimes!
DE GUICHE (coming close to her):
Oh! how I love you!--to distraction! Listen! To-night--true, I ought to
start--but--how leave you now that I feel your heart is touched! Hard by, in
the Rue d'Orleans, is a convent founded by Father Athanasius, the syndic of
the Capuchins. True that no layman may enter--but--I can settle that with the
good Fathers! Their habit sleeves are wide enough to hide me in. 'Tis they
who serve Richelieu's private chapel: and from respect to the uncle, fear the
nephew. All will deem me gone. I will come to you, masked. Give me leave to
wait till tomorrow, sweet Lady Fanciful!
ROXANE:
But, of this be rumored, your glory. . .
DE GUICHE:
Bah!
ROXANE:
But the siege--Arras. . .
DE GUICHE:
'Twill take its chance. Grant but permission.
ROXANE:
No!
DE GUICHE:
Give me leave!
ROXANE (tenderly):
It were my duty to forbid you!
DE GUICHE:
Ah!
ROXANE:
You must go!
(Aside):
Christian stays here.
(Aloud):
I would have you heroic--Antoine!
DE GUICHE:
O heavenly word! You love, then, him?. . .
ROXANE:
. . .For whom I trembled.
DE GUICHE (in an ecstasy):
Ah! I go then!
(He kisses her hand):
Are you content?
ROXANE:
Yes, my friend!
(He goes out.)
THE DUENNA (making behind his back a mocking courtesy):
Yes, my friend!
ROXANE (to the duenna):
Not a word of what I have done. Cyrano would never pardon me for stealing
his fighting from him!
(She calls toward the house):
Cousin!
| 810 | Scene 2 | https://web.archive.org/web/20180820053313/http://www.pinkmonkey.com/booknotes/monkeynotes/pmCyrano29.asp | Count De Guiche has come to bid farewell to Roxane, for he has been made a Colonel of the Guards and is to take part in the siege of Arras. Since the Guards include the regimental company of the Cadets, which include both Christian and Cyrano, Roxane tricks De Guiche. She talks him into taking revenge on Cyrano by depriving him and his regiment of the chance of heroism in war. De Guiche, not realizing he has been tricked, agrees to keep the Cadets in Paris. Roxane also quizzes De Guiche about Christian. He responds that the young man, who is handsome but stupid, has become inseparable from Cyrano. Feeling that Roxane may have an interest in him, De Guiche suggests that he also stay behind, concealed in the monastery of the Capuchins. Roxane dissuades him by saying that she could only love a man who welcomed danger. She tells him he should prove his heroism to her by fighting in the war. After De Guiche departs, Roxane warns her governess not to tell Cyrano that she has deprived him of a chance to prove himself at Arras. She then calls Cyrano out from his hiding place inside the house. | Notes The power of Roxane to manipulate De Guiche proves to the audience that she is more than an intellectually affected woman. When she learns that Christian and Cyrano will be sent off to Arras along with De Guiche, she uses Cyrano as an excuse to keep Christian and the other Cadets out of the fighting. Then when De Guiche suggests that he stay behind as well, Roxane flirts with him in order to ensure his departure. She tells him she could only love a man who is not afraid to prove his bravery and encourages De Guiche to be heroic. | 200 | 101 | [
"Roxane, De Guiche, the duenna standing a little way off.",
"ROXANE (courtesying to De Guiche):\n I was going out.",
"DE GUICHE:\n I come to take my leave.",
"ROXANE:\n Whither go you?",
"DE GUICHE:\n To the war.",
"ROXANE:\n Ah!",
"DE GUICHE:\n Ay, to-night.",
"ROXANE:\n Oh!",
"DE GUICHE:\n I am ordered away.",
"We are to besiege Arras.",
"ROXANE:\n Ah--to besiege?.",
". .\n\nDE GUICHE:\n Ay.",
"My going moves you not, meseems.",
"ROXANE:\n Nay.",
". .\n\nDE GUICHE:\n I am grieved to the core of the heart.",
"Shall I again behold you?. .",
".When?",
"I know not.",
"Heard you that I am named commander?.",
". .\n\nROXANE (indifferently):\n Bravo!",
"DE GUICHE:\n Of the Guards regiment.",
"ROXANE (startled):\n What!",
"the Guards?",
"DE GUICHE:\n Ay, where serves your cousin, the swaggering boaster.",
"I will find a way to\nrevenge myself on him at Arras.",
"ROXANE (choking):\n What mean you?",
"The Guards go to Arras?",
"DE GUICHE (laughing):\n Bethink you, is it not my own regiment?",
"ROXANE (falling seated on the bench--aside):\n Christian!",
"DE GUICHE:\n What ails you?",
"ROXANE (moved deeply):\n Oh--I am in despair!",
"The man one loves!--at the war!",
"DE GUICHE (surprised and delighted):\n You say such sweet words to me!",
"'Tis the first time!--and just when I must\nquit you!",
"ROXANE (collected, and fanning herself):\n Thus,--you would fain revenge your grudge against my cousin?",
"DE GUICHE:\n My fair lady is on his side?",
"ROXANE:\n Nay,--against him!",
"DE GUICHE:\n Do you see him often?",
"ROXANE:\n But very rarely.",
"DE GUICHE:\n He is ever to be met now in company with one of the cadets,. . .one New--\nvillen--viller--\n\nROXANE:\n Of high stature?",
"DE GUICHE:\n Fair-haired!",
"ROXANE:\n Ay, a red-headed fellow!",
"DE GUICHE:\n Handsome!.",
". .\n\nROXANE:\n Tut!",
"DE GUICHE:\n But dull-witted.",
"ROXANE:\n One would think so, to look at him!",
"(Changing her tone):\n How mean you to play your revenge on Cyrano?",
"Perchance you think to put him\ni' the thick of the shots?",
"Nay, believe me, that were a poor vengeance--he\nwould love such a post better than aught else!",
"I know the way to wound his\npride far more keenly!",
"DE GUICHE:\n What then?",
"Tell.",
". .\n\nROXANE:\n If, when the regiment march to Arras, he were left here with his beloved\nboon companions, the Cadets, to sit with crossed arms so long as the war\nlasted!",
"There is your method, would you enrage a man of his kind; cheat him\nof his chance of mortal danger, and you punish him right fiercely.",
"DE GUICHE (coming nearer):\n O woman!",
"woman!",
"Who but a woman had e'er devised so subtle a trick?",
"ROXANE:\n See you not how he will eat out his heart, while his friends gnaw their\nthick fists for that they are deprived of the battle?",
"So are you best\navenged.",
"DE GUICHE:\n You love me, then, a little?",
"(She smiles):\n I would fain--seeing you thus espouse my cause, Roxane--believe it a proof\nof love!",
"ROXANE:\n 'Tis a proof of love!",
"DE GUICHE (showing some sealed papers):\n Here are the marching orders; they will be sent instantly to each company--\nexcept--\n(He detaches one):\n --This one!",
"'Tis that of the Cadets.",
"(He puts it in his pocket):\n This I keep.",
"(Laughing):\n Ha!",
"ha!",
"ha!",
"Cyrano!",
"His love of battle!. .",
".So you can play tricks on\npeople?. .",
".you, of all ladies!",
"ROXANE:\n Sometimes!",
"DE GUICHE (coming close to her):\n Oh!",
"how I love you!--to distraction!",
"Listen!",
"To-night--true, I ought to\nstart--but--how leave you now that I feel your heart is touched!",
"Hard by, in\nthe Rue d'Orleans, is a convent founded by Father Athanasius, the syndic of\nthe Capuchins.",
"True that no layman may enter--but--I can settle that with the\ngood Fathers!",
"Their habit sleeves are wide enough to hide me in.",
"'Tis they\nwho serve Richelieu's private chapel: and from respect to the uncle, fear the\nnephew.",
"All will deem me gone.",
"I will come to you, masked.",
"Give me leave to\nwait till tomorrow, sweet Lady Fanciful!",
"ROXANE:\n But, of this be rumored, your glory.",
". .\n\nDE GUICHE:\n Bah!",
"ROXANE:\n But the siege--Arras.",
". .\n\nDE GUICHE:\n 'Twill take its chance.",
"Grant but permission.",
"ROXANE:\n No!",
"DE GUICHE:\n Give me leave!",
"ROXANE (tenderly):\n It were my duty to forbid you!",
"DE GUICHE:\n Ah!",
"ROXANE:\n You must go!",
"(Aside):\n Christian stays here.",
"(Aloud):\n I would have you heroic--Antoine!",
"DE GUICHE:\n O heavenly word!",
"You love, then, him?.",
". .\n\nROXANE:\n . . .For whom I trembled.",
"DE GUICHE (in an ecstasy):\n Ah!",
"I go then!",
"(He kisses her hand):\n Are you content?",
"ROXANE:\n Yes, my friend!",
"(He goes out.)",
"THE DUENNA (making behind his back a mocking courtesy):\n Yes, my friend!",
"ROXANE (to the duenna):\n Not a word of what I have done.",
"Cyrano would never pardon me for stealing\nhis fighting from him!",
"(She calls toward the house):\n Cousin!"
] | [
"The man one loves!--at the war!",
"ROXANE (collected, and fanning herself):\n Thus,--you would fain revenge your grudge against my cousin?",
"DE GUICHE:\n But dull-witted.",
"Perchance you think to put him\ni' the thick of the shots?",
"DE GUICHE:\n What then?",
"woman!",
"ROXANE:\n See you not how he will eat out his heart, while his friends gnaw their\nthick fists for that they are deprived of the battle?",
"I will come to you, masked.",
"DE GUICHE:\n Ah!",
"DE GUICHE (in an ecstasy):\n Ah!"
] | [
"DE GUICHE:\n Give me leave!",
"ROXANE:\n One would think so, to look at him!",
"ROXANE (courtesying to De Guiche):\n I was going out.",
". .\n\nROXANE (indifferently):\n Bravo!",
"ROXANE:\n Oh!",
"(He kisses her hand):\n Are you content?",
"DE GUICHE:\n I come to take my leave.",
"(Laughing):\n Ha!",
"DE GUICHE:\n But dull-witted.",
"the Guards?"
] | [
"I know the way to wound his\npride far more keenly!",
"DE GUICHE:\n What then?",
"Tell.",
". .\n\nROXANE:\n If, when the regiment march to Arras, he were left here with his beloved\nboon companions, the Cadets, to sit with crossed arms so long as the war\nlasted!",
"There is your method, would you enrage a man of his kind; cheat him\nof his chance of mortal danger, and you punish him right fiercely.",
"DE GUICHE (coming nearer):\n O woman!",
"woman!",
"Who but a woman had e'er devised so subtle a trick?",
"ROXANE:\n See you not how he will eat out his heart, while his friends gnaw their\nthick fists for that they are deprived of the battle?",
"So are you best\navenged.",
"DE GUICHE:\n You love me, then, a little?"
] | [
"Roxane, De Guiche, the duenna standing a little way off.",
"ROXANE (courtesying to De Guiche):\n I was going out.",
"DE GUICHE:\n I come to take my leave.",
"ROXANE:\n Whither go you?",
"DE GUICHE:\n To the war.",
"ROXANE:\n Ah!",
"DE GUICHE:\n Ay, to-night.",
"ROXANE:\n Oh!",
"DE GUICHE:\n I am ordered away.",
"We are to besiege Arras.",
". .\n\nROXANE:\n . . .For whom I trembled.",
"DE GUICHE (in an ecstasy):\n Ah!",
"I go then!",
"(He kisses her hand):\n Are you content?",
"ROXANE:\n Yes, my friend!",
"(He goes out.)",
"THE DUENNA (making behind his back a mocking courtesy):\n Yes, my friend!",
"ROXANE (to the duenna):\n Not a word of what I have done.",
"Cyrano would never pardon me for stealing\nhis fighting from him!",
"(She calls toward the house):\n Cousin!"
] | E:
You love me, then, a little?
(She smiles):
I would fain--seeing you thus espouse my cause, Roxane--believe it a proof
of love!
ROXANE:
'Tis a proof of love!
DE GUICHE (showing some sealed papers):
Here are the marching orders; they will be sent instantly to each company--
except--
(He detaches one):
--This one!
'Tis that of the Cadets.
(He puts it in his pocket):
This I keep.
(Laughing):
Ha!
ha!
ha!
Cyrano!
His love of battle!. .
.So you can play tricks on
people?. .
.you, of all ladies!
ROXANE:
Sometimes!
DE GUICHE (coming close to her):
Oh!
how I love you!--to distraction!
Listen!
To-night--true, I ought to
start--but--how leave you now that I feel your heart is touched!
Hard by, in
the Rue d'Orleans, is a convent founded by Father Athanasius, the syndic of
the Capuchins.
True that no layman may enter--but--I can settle that with the
good Fathers!
Their habit sleeves are wide enough to hide me in.
'Tis they
who serve Richelieu's private chapel: and from respect | Roxane, De Guiche, the duenna standing a little way off.
ROXANE (courtesying to De Guiche):
I was going out.
DE GUICHE:
I come to take my leave.
ROXANE:
Whither go you?
DE GUICHE:
To the war.
ROXANE:
Ah!
DE GUICHE:
Ay, to-night.
ROXANE:
Oh!
DE GUICHE:
I am ordered away.
We are to besiege Arras.
ROXANE:
Ah--to besiege?.
. .
DE GUICHE:
Ay.
My going moves you not, meseems.
ROXANE:
Nay.
. .
DE GUICHE:
I am grieved to the core of the heart.
Shall I again behold you?. .
.When (Aloud):
I would have you heroic--Antoine!
DE GUICHE:
O heavenly word!
You love, then, him?.
. .
ROXANE:
. . .For whom I trembled.
DE GUICHE (in an ecstasy):
Ah!
I go then!
(He kisses her hand):
Are you content?
ROXANE:
Yes, my friend!
(He goes out.)
THE DUENNA (making behind his back a mocking courtesy):
Yes, my friend!
ROXANE (to the duenna):
Not a word of what I have done.
Cyrano would never pardon me for stealing
his fighting from him!
(She calls toward the house):
Cousin! | revenge on Cyrano?
Perchance you think to put him
i' the thick of the shots?
Nay, believe me, that were a poor vengeance--he
would love such a post better than aught else!
I know the way to wound his
pride far more keenly!
DE GUICHE:
What then?
Tell.
. .
ROXANE:
If, when the regiment march to Arras, he were left here with his beloved
boon companions, the Cadets, to sit with crossed arms so long as the war
lasted!
There is your method, would you enrage a man of his kind; cheat him
of his chance of mortal danger, and you punish him right fiercely.
DE GUICHE (coming nearer):
O woman!
woman!
Who but a woman had e'er devised so subtle a trick?
ROXANE:
See you not how he will eat out his heart, while his friends gnaw their
thick fists for that they are deprived of the battle?
So are you best
avenged.
DE GUICHE:
You love me, then, a little?
(She smiles):
I would fain--seeing you thus espouse my cause, Roxane--believe it a proof
of love!
ROXANE:
'Tis a proof of love!
DE GUICHE (s |
1,254 | false | pinkmonkey | all_chapterized_books/1254-chapters/24.txt | finished_summaries/pinkmonkey/Cyrano De Bergerac/section_20_part_0.txt | Cyrano De Bergerac.act 3.scene 3 | scene 3 | null | {"name": "Scene 3", "url": "https://web.archive.org/web/20180820053313/http://www.pinkmonkey.com/booknotes/monkeynotes/pmCyrano30.asp", "summary": "Before Roxane and her governess depart for the meeting at Clomire's, she asks Cyrano to tell Christian to await her return. Cyrano asks Roxane what subject she desires Christian to discuss today. She says that she wants him to speak about love, but Cyrano must not let Christian know. Of course, Cyrano tries to prepare Christian for the speech as usual. This time, however, Christian rebels against presenting a borrowed speech, wanting to express his own thoughts. Roxane soon returns from Clomire's, for she has missed the discourse on tenderness. She invites Christian to sit on the bench outside her house and elaborate on his sentiment of love. He fails miserably. Roxane, thinking he is being foolish, is displeased with him. She leaves Christian alone on the bench and enters her house. Cyrano, who has been eavesdropping, comes up to Christian and sarcastically congratulates him. Christian, in utter despair, asks for Cyrano's help in wooing Roxane; but it is too late to train Christian in an appropriate speech. Cyrano, however, comes up with another plan. Christian should stand under Roxane's balcony. Hiding in the darkness out of sight, Cyrano will whisper to Christian what he should say. Christian agrees to the plan. The musical pages appear with their lutes. Cyrano puts them on guard duty. They are to play a happy melody if a woman is approaching and a sad one if a man appears. Then Cyrano throws some pebbles at Roxane's window and tells Christian to call her.", "analysis": "Notes Rostand cleverly reveals the methodology that Christian and Cyrano employ to trick Roxane. Cyrano tries to find out from Roxane what mood she is in and what she would like to discuss with Christian. He then coaches the handsome cadet on what to say. Christian, however, is tired of giving canned speeches to his true love. He rebels and says he wants to talk about the subject of love with Roxane on his own. Not surprisingly, he is a miserable failure. In fact, his performance is so pathetic than he seems almost comic. When Christian cannot express himself, Roxane feels he is being foolish and loses interest in him. Desperate to make amends to her, Christian asks for Cyrano's help. The clever Cyrano, who has no time to coach Christian in an appropriate speech, comes up with an alternative plan. From a hiding place in the darkness, he will whisper to Christian what to say as he stands below Roxane's window. Christian agrees to the plan. The vacillation of Christian's feelings for Cyrano is an effective dramatic device that draws the audience closer to Cyrano. When Christian rejects Cyrano's offer of help in preparing a speech about love, the audience is meant to judge Christian as foolish and unappreciative even though they accept that he is only trying to maintain some measure of self-respect. Then when he grovels and asks for Cyrano's help in winning Roxane back, Christian is meant to be judged as weak and pathetic, while Cyrano is seen as generous and helpful."} | Roxane, The duenna, Cyrano.
ROXANE:
We are going to Clomire's house.
(She points to the door opposite):
Alcandre and Lysimon are to discourse!
THE DUENNA (putting her little finger in her ear):
Yes! But my little finger tells me we shall miss them.
CYRANO:
'Twere a pity to miss such apes!
(They have come to Clomire's door.)
THE DUENNA:
Oh, see! The knocker is muffled up!
(Speaking to the knocker):
So they have gagged that metal tongue of yours, little noisy one, lest it
should disturb the fine orators!
(She lifts it carefully and knocks with precaution.)
ROXANE (seeing that the door opens):
Let us enter!
(On the threshold, to Cyrano):
If Christian comes, as I feel sure he will, bid him wait for me!
CYRANO (quickly, as she is going in):
Listen!
(She turns):
What mean you to question him on, as is your wont, to-night?
ROXANE:
Oh--
CYRANO (eagerly):
Well, say.
ROXANE:
But you will be mute?
CYRANO:
Mute as a fish.
ROXANE:
I shall not question him at all, but say: Give rein to your fancy! Prepare
not your speeches,--but speak the thoughts as they come! Speak to me of love,
and speak splendidly!
CYRANO (smiling):
Very good!
ROXANE:
But secret!. . .
CYRANO:
Secret.
ROXANE:
Not a word!
(She enters and shuts the door.)
CYRANO (when the door is shut, bowing to her):
A thousand thanks!
(The door opens again, and Roxane puts her head out.)
ROXANE:
Lest he prepare himself!
CYRANO:
The devil!--no, no!
BOTH TOGETHER:
Secret.
(The door shuts.)
CYRANO (calling):
Christian!
| 255 | Scene 3 | https://web.archive.org/web/20180820053313/http://www.pinkmonkey.com/booknotes/monkeynotes/pmCyrano30.asp | Before Roxane and her governess depart for the meeting at Clomire's, she asks Cyrano to tell Christian to await her return. Cyrano asks Roxane what subject she desires Christian to discuss today. She says that she wants him to speak about love, but Cyrano must not let Christian know. Of course, Cyrano tries to prepare Christian for the speech as usual. This time, however, Christian rebels against presenting a borrowed speech, wanting to express his own thoughts. Roxane soon returns from Clomire's, for she has missed the discourse on tenderness. She invites Christian to sit on the bench outside her house and elaborate on his sentiment of love. He fails miserably. Roxane, thinking he is being foolish, is displeased with him. She leaves Christian alone on the bench and enters her house. Cyrano, who has been eavesdropping, comes up to Christian and sarcastically congratulates him. Christian, in utter despair, asks for Cyrano's help in wooing Roxane; but it is too late to train Christian in an appropriate speech. Cyrano, however, comes up with another plan. Christian should stand under Roxane's balcony. Hiding in the darkness out of sight, Cyrano will whisper to Christian what he should say. Christian agrees to the plan. The musical pages appear with their lutes. Cyrano puts them on guard duty. They are to play a happy melody if a woman is approaching and a sad one if a man appears. Then Cyrano throws some pebbles at Roxane's window and tells Christian to call her. | Notes Rostand cleverly reveals the methodology that Christian and Cyrano employ to trick Roxane. Cyrano tries to find out from Roxane what mood she is in and what she would like to discuss with Christian. He then coaches the handsome cadet on what to say. Christian, however, is tired of giving canned speeches to his true love. He rebels and says he wants to talk about the subject of love with Roxane on his own. Not surprisingly, he is a miserable failure. In fact, his performance is so pathetic than he seems almost comic. When Christian cannot express himself, Roxane feels he is being foolish and loses interest in him. Desperate to make amends to her, Christian asks for Cyrano's help. The clever Cyrano, who has no time to coach Christian in an appropriate speech, comes up with an alternative plan. From a hiding place in the darkness, he will whisper to Christian what to say as he stands below Roxane's window. Christian agrees to the plan. The vacillation of Christian's feelings for Cyrano is an effective dramatic device that draws the audience closer to Cyrano. When Christian rejects Cyrano's offer of help in preparing a speech about love, the audience is meant to judge Christian as foolish and unappreciative even though they accept that he is only trying to maintain some measure of self-respect. Then when he grovels and asks for Cyrano's help in winning Roxane back, Christian is meant to be judged as weak and pathetic, while Cyrano is seen as generous and helpful. | 249 | 256 | [
"Roxane, The duenna, Cyrano.",
"ROXANE:\n We are going to Clomire's house.",
"(She points to the door opposite):\n Alcandre and Lysimon are to discourse!",
"THE DUENNA (putting her little finger in her ear):\n Yes!",
"But my little finger tells me we shall miss them.",
"CYRANO:\n 'Twere a pity to miss such apes!",
"(They have come to Clomire's door.)",
"THE DUENNA:\n Oh, see!",
"The knocker is muffled up!",
"(Speaking to the knocker):\n So they have gagged that metal tongue of yours, little noisy one, lest it\nshould disturb the fine orators!",
"(She lifts it carefully and knocks with precaution.)",
"ROXANE (seeing that the door opens):\n Let us enter!",
"(On the threshold, to Cyrano):\n If Christian comes, as I feel sure he will, bid him wait for me!",
"CYRANO (quickly, as she is going in):\n Listen!",
"(She turns):\n What mean you to question him on, as is your wont, to-night?",
"ROXANE:\n Oh--\n\nCYRANO (eagerly):\n Well, say.",
"ROXANE:\n But you will be mute?",
"CYRANO:\n Mute as a fish.",
"ROXANE:\n I shall not question him at all, but say: Give rein to your fancy!",
"Prepare\nnot your speeches,--but speak the thoughts as they come!",
"Speak to me of love,\nand speak splendidly!",
"CYRANO (smiling):\n Very good!",
"ROXANE:\n But secret!.",
". .\n\nCYRANO:\n Secret.",
"ROXANE:\n Not a word!",
"(She enters and shuts the door.)",
"CYRANO (when the door is shut, bowing to her):\n A thousand thanks!",
"(The door opens again, and Roxane puts her head out.)",
"ROXANE:\n Lest he prepare himself!",
"CYRANO:\n The devil!--no, no!",
"BOTH TOGETHER:\n Secret.",
"(The door shuts.)",
"CYRANO (calling):\n Christian!"
] | [
"ROXANE:\n We are going to Clomire's house.",
"(She points to the door opposite):\n Alcandre and Lysimon are to discourse!",
"But my little finger tells me we shall miss them.",
"The knocker is muffled up!",
"(She lifts it carefully and knocks with precaution.)",
"ROXANE:\n Oh--\n\nCYRANO (eagerly):\n Well, say.",
"ROXANE:\n But you will be mute?",
"CYRANO:\n Mute as a fish.",
"ROXANE:\n I shall not question him at all, but say: Give rein to your fancy!",
"Prepare\nnot your speeches,--but speak the thoughts as they come!"
] | [
"ROXANE:\n But you will be mute?",
"CYRANO:\n 'Twere a pity to miss such apes!",
"(Speaking to the knocker):\n So they have gagged that metal tongue of yours, little noisy one, lest it\nshould disturb the fine orators!",
"CYRANO:\n The devil!--no, no!",
"ROXANE:\n I shall not question him at all, but say: Give rein to your fancy!",
"Speak to me of love,\nand speak splendidly!",
"CYRANO (smiling):\n Very good!",
"But my little finger tells me we shall miss them.",
"(The door opens again, and Roxane puts her head out.)",
"Roxane, The duenna, Cyrano."
] | [
"ROXANE (seeing that the door opens):\n Let us enter!",
"(On the threshold, to Cyrano):\n If Christian comes, as I feel sure he will, bid him wait for me!",
"CYRANO (quickly, as she is going in):\n Listen!",
"(She turns):\n What mean you to question him on, as is your wont, to-night?",
"ROXANE:\n Oh--\n\nCYRANO (eagerly):\n Well, say.",
"ROXANE:\n But you will be mute?",
"CYRANO:\n Mute as a fish.",
"ROXANE:\n I shall not question him at all, but say: Give rein to your fancy!",
"Prepare\nnot your speeches,--but speak the thoughts as they come!",
"Speak to me of love,\nand speak splendidly!",
"CYRANO (smiling):\n Very good!"
] | [
"Roxane, The duenna, Cyrano.",
"ROXANE:\n We are going to Clomire's house.",
"(She points to the door opposite):\n Alcandre and Lysimon are to discourse!",
"THE DUENNA (putting her little finger in her ear):\n Yes!",
"But my little finger tells me we shall miss them.",
"CYRANO:\n 'Twere a pity to miss such apes!",
"(They have come to Clomire's door.)",
"THE DUENNA:\n Oh, see!",
"The knocker is muffled up!",
"(Speaking to the knocker):\n So they have gagged that metal tongue of yours, little noisy one, lest it\nshould disturb the fine orators!",
". .\n\nCYRANO:\n Secret.",
"ROXANE:\n Not a word!",
"(She enters and shuts the door.)",
"CYRANO (when the door is shut, bowing to her):\n A thousand thanks!",
"(The door opens again, and Roxane puts her head out.)",
"ROXANE:\n Lest he prepare himself!",
"CYRANO:\n The devil!--no, no!",
"BOTH TOGETHER:\n Secret.",
"(The door shuts.)",
"CYRANO (calling):\n Christian!"
] | re and Lysimon are to discourse!
THE DUENNA (putting her little finger in her ear):
Yes!
But my little finger tells me we shall miss them.
CYRANO:
'Twere a pity to miss such apes!
(They have come to Clomire's door.)
THE DUENNA:
Oh, see!
The knocker is muffled up!
(Speaking to the knocker):
So they have gagged that metal tongue of yours, little noisy one, lest it
should disturb the fine orators!
(She lifts it carefully and knocks with precaution.)
ROXANE (seeing that the door opens):
Let us enter!
(On the threshold, to Cyrano):
If Christian comes, as I feel sure he will, bid him wait for me!
CYRANO (quickly, as she is going in):
Listen!
(She turns):
What mean you to question him on, as is your wont, to-night?
ROXANE:
Oh--
CYRANO (eagerly):
Well, say.
ROXANE:
But you will be mute?
CYRANO:
Mute as a fish.
ROXANE:
I shall not question him at all, but say: Give rein to your fancy!
Prepare
not your speeches,--but speak the thoughts as they come!
Speak to me of lov | Roxane, The duenna, Cyrano.
ROXANE:
We are going to Clomire's house.
(She points to the door opposite):
Alcandre and Lysimon are to discourse!
THE DUENNA (putting her little finger in her ear):
Yes!
But my little finger tells me we shall miss them.
CYRANO:
'Twere a pity to miss such apes!
(They have come to Clomire's door.)
THE DUENNA:
Oh, see!
The knocker is muffled up!
(Speaking to the knocker):
So they have gagged that metal tongue of yours, little noisy one, lest it
should distur Prepare
not your speeches,--but speak the thoughts as they come!
Speak to me of love,
and speak splendidly!
CYRANO (smiling):
Very good!
ROXANE:
But secret!.
. .
CYRANO:
Secret.
ROXANE:
Not a word!
(She enters and shuts the door.)
CYRANO (when the door is shut, bowing to her):
A thousand thanks!
(The door opens again, and Roxane puts her head out.)
ROXANE:
Lest he prepare himself!
CYRANO:
The devil!--no, no!
BOTH TOGETHER:
Secret.
(The door shuts.)
CYRANO (calling):
Christian! | 'Twere a pity to miss such apes!
(They have come to Clomire's door.)
THE DUENNA:
Oh, see!
The knocker is muffled up!
(Speaking to the knocker):
So they have gagged that metal tongue of yours, little noisy one, lest it
should disturb the fine orators!
(She lifts it carefully and knocks with precaution.)
ROXANE (seeing that the door opens):
Let us enter!
(On the threshold, to Cyrano):
If Christian comes, as I feel sure he will, bid him wait for me!
CYRANO (quickly, as she is going in):
Listen!
(She turns):
What mean you to question him on, as is your wont, to-night?
ROXANE:
Oh--
CYRANO (eagerly):
Well, say.
ROXANE:
But you will be mute?
CYRANO:
Mute as a fish.
ROXANE:
I shall not question him at all, but say: Give rein to your fancy!
Prepare
not your speeches,--but speak the thoughts as they come!
Speak to me of love,
and speak splendidly!
CYRANO (smiling):
Very good!
ROXANE:
But secret!.
. .
CYRANO:
Secret.
ROXANE:
Not a word!
(She enters and shuts the do |
1,254 | false | pinkmonkey | all_chapterized_books/1254-chapters/25.txt | finished_summaries/pinkmonkey/Cyrano De Bergerac/section_21_part_0.txt | Cyrano De Bergerac.act 3.scene 4 | scene 4 | null | {"name": "Scene 4", "url": "https://web.archive.org/web/20180820053313/http://www.pinkmonkey.com/booknotes/monkeynotes/pmCyrano30.asp", "summary": "Before Roxane and her governess depart for the meeting at Clomire's, she asks Cyrano to tell Christian to await her return. Cyrano asks Roxane what subject she desires Christian to discuss today. She says that she wants him to speak about love, but Cyrano must not let Christian know. Of course, Cyrano tries to prepare Christian for the speech as usual. This time, however, Christian rebels against presenting a borrowed speech, wanting to express his own thoughts. Roxane soon returns from Clomire's, for she has missed the discourse on tenderness. She invites Christian to sit on the bench outside her house and elaborate on his sentiment of love. He fails miserably. Roxane, thinking he is being foolish, is displeased with him. She leaves Christian alone on the bench and enters her house. Cyrano, who has been eavesdropping, comes up to Christian and sarcastically congratulates him. Christian, in utter despair, asks for Cyrano's help in wooing Roxane; but it is too late to train Christian in an appropriate speech. Cyrano, however, comes up with another plan. Christian should stand under Roxane's balcony. Hiding in the darkness out of sight, Cyrano will whisper to Christian what he should say. Christian agrees to the plan. The musical pages appear with their lutes. Cyrano puts them on guard duty. They are to play a happy melody if a woman is approaching and a sad one if a man appears. Then Cyrano throws some pebbles at Roxane's window and tells Christian to call her.", "analysis": "Notes Rostand cleverly reveals the methodology that Christian and Cyrano employ to trick Roxane. Cyrano tries to find out from Roxane what mood she is in and what she would like to discuss with Christian. He then coaches the handsome cadet on what to say. Christian, however, is tired of giving canned speeches to his true love. He rebels and says he wants to talk about the subject of love with Roxane on his own. Not surprisingly, he is a miserable failure. In fact, his performance is so pathetic than he seems almost comic. When Christian cannot express himself, Roxane feels he is being foolish and loses interest in him. Desperate to make amends to her, Christian asks for Cyrano's help. The clever Cyrano, who has no time to coach Christian in an appropriate speech, comes up with an alternative plan. From a hiding place in the darkness, he will whisper to Christian what to say as he stands below Roxane's window. Christian agrees to the plan. The vacillation of Christian's feelings for Cyrano is an effective dramatic device that draws the audience closer to Cyrano. When Christian rejects Cyrano's offer of help in preparing a speech about love, the audience is meant to judge Christian as foolish and unappreciative even though they accept that he is only trying to maintain some measure of self-respect. Then when he grovels and asks for Cyrano's help in winning Roxane back, Christian is meant to be judged as weak and pathetic, while Cyrano is seen as generous and helpful."} | Cyrano, Christian.
CYRANO:
I know all that is needful. Here's occasion
For you to deck yourself with glory. Come,
Lose no time; put away those sulky looks,
Come to your house with me, I'll teach you. . .
CHRISTIAN:
No!
CYRANO:
Why?
CHRISTIAN:
I will wait for Roxane here.
CYRANO:
How? Crazy?
Come quick with me and learn. . .
CHRISTIAN:
No, no! I say.
I am aweary of these borrowed letters,
--Borrowed love-makings! Thus to act a part,
And tremble all the time!--'Twas well enough
At the beginning!--Now I know she loves!
I fear no longer!--I will speak myself.
CYRANO:
Mercy!
CHRISTIAN:
And how know you I cannot speak?--
I am not such a fool when all is said!
I've by your lessons profited. You'll see
I shall know how to speak alone! The devil!
I know at least to clasp her in my arms!
(Seeing Roxane come out from Clomire's house):
--It is she! Cyrano, no!--Leave me not!
CYRANO (bowing):
Speak for yourself, my friend, and take your chance.
(He disappears behind the garden wall.)
| 197 | Scene 4 | https://web.archive.org/web/20180820053313/http://www.pinkmonkey.com/booknotes/monkeynotes/pmCyrano30.asp | Before Roxane and her governess depart for the meeting at Clomire's, she asks Cyrano to tell Christian to await her return. Cyrano asks Roxane what subject she desires Christian to discuss today. She says that she wants him to speak about love, but Cyrano must not let Christian know. Of course, Cyrano tries to prepare Christian for the speech as usual. This time, however, Christian rebels against presenting a borrowed speech, wanting to express his own thoughts. Roxane soon returns from Clomire's, for she has missed the discourse on tenderness. She invites Christian to sit on the bench outside her house and elaborate on his sentiment of love. He fails miserably. Roxane, thinking he is being foolish, is displeased with him. She leaves Christian alone on the bench and enters her house. Cyrano, who has been eavesdropping, comes up to Christian and sarcastically congratulates him. Christian, in utter despair, asks for Cyrano's help in wooing Roxane; but it is too late to train Christian in an appropriate speech. Cyrano, however, comes up with another plan. Christian should stand under Roxane's balcony. Hiding in the darkness out of sight, Cyrano will whisper to Christian what he should say. Christian agrees to the plan. The musical pages appear with their lutes. Cyrano puts them on guard duty. They are to play a happy melody if a woman is approaching and a sad one if a man appears. Then Cyrano throws some pebbles at Roxane's window and tells Christian to call her. | Notes Rostand cleverly reveals the methodology that Christian and Cyrano employ to trick Roxane. Cyrano tries to find out from Roxane what mood she is in and what she would like to discuss with Christian. He then coaches the handsome cadet on what to say. Christian, however, is tired of giving canned speeches to his true love. He rebels and says he wants to talk about the subject of love with Roxane on his own. Not surprisingly, he is a miserable failure. In fact, his performance is so pathetic than he seems almost comic. When Christian cannot express himself, Roxane feels he is being foolish and loses interest in him. Desperate to make amends to her, Christian asks for Cyrano's help. The clever Cyrano, who has no time to coach Christian in an appropriate speech, comes up with an alternative plan. From a hiding place in the darkness, he will whisper to Christian what to say as he stands below Roxane's window. Christian agrees to the plan. The vacillation of Christian's feelings for Cyrano is an effective dramatic device that draws the audience closer to Cyrano. When Christian rejects Cyrano's offer of help in preparing a speech about love, the audience is meant to judge Christian as foolish and unappreciative even though they accept that he is only trying to maintain some measure of self-respect. Then when he grovels and asks for Cyrano's help in winning Roxane back, Christian is meant to be judged as weak and pathetic, while Cyrano is seen as generous and helpful. | 249 | 256 | [
"Cyrano, Christian.",
"CYRANO:\n I know all that is needful.",
"Here's occasion\n For you to deck yourself with glory.",
"Come,\n Lose no time; put away those sulky looks,\n Come to your house with me, I'll teach you.",
". .\n\nCHRISTIAN:\n No!",
"CYRANO:\n Why?",
"CHRISTIAN:\n I will wait for Roxane here.",
"CYRANO:\n How?",
"Crazy?",
"Come quick with me and learn.",
". .\n\nCHRISTIAN:\n No, no!",
"I say.",
"I am aweary of these borrowed letters,\n --Borrowed love-makings!",
"Thus to act a part,\n And tremble all the time!--'Twas well enough\n At the beginning!--Now I know she loves!",
"I fear no longer!--I will speak myself.",
"CYRANO:\n Mercy!",
"CHRISTIAN:\n And how know you I cannot speak?--\n I am not such a fool when all is said!",
"I've by your lessons profited.",
"You'll see\n I shall know how to speak alone!",
"The devil!",
"I know at least to clasp her in my arms!",
"(Seeing Roxane come out from Clomire's house):\n --It is she!",
"Cyrano, no!--Leave me not!",
"CYRANO (bowing):\n Speak for yourself, my friend, and take your chance.",
"(He disappears behind the garden wall.)"
] | [
"CYRANO:\n Why?",
"Come quick with me and learn.",
"I say.",
"I fear no longer!--I will speak myself.",
"CYRANO:\n Mercy!",
"CHRISTIAN:\n And how know you I cannot speak?--\n I am not such a fool when all is said!",
"You'll see\n I shall know how to speak alone!",
"I know at least to clasp her in my arms!",
"Cyrano, no!--Leave me not!",
"(He disappears behind the garden wall.)"
] | [
"(He disappears behind the garden wall.)",
"(Seeing Roxane come out from Clomire's house):\n --It is she!",
"Come quick with me and learn.",
"CYRANO:\n I know all that is needful.",
"I am aweary of these borrowed letters,\n --Borrowed love-makings!",
"CYRANO:\n Mercy!",
". .\n\nCHRISTIAN:\n No, no!",
"Cyrano, Christian.",
"I know at least to clasp her in my arms!",
"Here's occasion\n For you to deck yourself with glory."
] | [
"CYRANO:\n How?",
"Crazy?",
"Come quick with me and learn.",
". .\n\nCHRISTIAN:\n No, no!",
"I say.",
"I am aweary of these borrowed letters,\n --Borrowed love-makings!",
"Thus to act a part,\n And tremble all the time!--'Twas well enough\n At the beginning!--Now I know she loves!",
"I fear no longer!--I will speak myself.",
"CYRANO:\n Mercy!",
"CHRISTIAN:\n And how know you I cannot speak?--\n I am not such a fool when all is said!",
"I've by your lessons profited."
] | [
"Cyrano, Christian.",
"CYRANO:\n I know all that is needful.",
"Here's occasion\n For you to deck yourself with glory.",
"Come,\n Lose no time; put away those sulky looks,\n Come to your house with me, I'll teach you.",
". .\n\nCHRISTIAN:\n No!",
"CYRANO:\n Why?",
"CHRISTIAN:\n I will wait for Roxane here.",
"CYRANO:\n How?",
"Crazy?",
"Come quick with me and learn.",
"CYRANO:\n Mercy!",
"CHRISTIAN:\n And how know you I cannot speak?--\n I am not such a fool when all is said!",
"I've by your lessons profited.",
"You'll see\n I shall know how to speak alone!",
"The devil!",
"I know at least to clasp her in my arms!",
"(Seeing Roxane come out from Clomire's house):\n --It is she!",
"Cyrano, no!--Leave me not!",
"CYRANO (bowing):\n Speak for yourself, my friend, and take your chance.",
"(He disappears behind the garden wall.)"
] | YRANO:
I know all that is needful.
Here's occasion
For you to deck yourself with glory.
Come,
Lose no time; put away those sulky looks,
Come to your house with me, I'll teach you.
. .
CHRISTIAN:
No!
CYRANO:
Why?
CHRISTIAN:
I will wait for Roxane here.
CYRANO:
How?
Crazy?
Come quick with me and learn.
. .
CHRISTIAN:
No, no!
I say.
I am aweary of these borrowed letters,
--Borrowed love-makings!
Thus to act a part,
And tremble all the time!--'Twas well enough
At the beginning!--Now I know she loves!
I fear no longer!--I will speak myself.
CYRANO:
Mercy!
CHRISTIAN:
And how know you I cannot speak?--
I am not such a fool when all is said!
I've by your lessons profited.
You'll see
I shall know how to speak alone!
The devil!
I know at least to clasp her in my arms!
(Seeing Roxane come out from Clomire's house):
--It is she!
Cyrano, no!--Leave me not!
CYRANO (bowing):
Speak for yourself, my friend, and take your chance.
(He disappears behind the garden wal | Cyrano, Christian.
CYRANO:
I know all that is needful.
Here's occasion
For you to deck yourself with glory.
Come,
Lose no time; put away those sulky looks,
Come to your house with me, I'll teach you.
. .
CHRISTIAN:
No!
CYRANO:
Why?
CHRISTIAN:
I will wait for Roxane here.
CYRANO:
How?
Crazy?
Come quick with me and learn.
. .
CHRISTIAN:
No, no!
I say.
I am aweary of these borrowed letters,
--Borrowed love-makings!
Thus to act a part,
And tremble all the time!--'Twas well en !--Now I know she loves!
I fear no longer!--I will speak myself.
CYRANO:
Mercy!
CHRISTIAN:
And how know you I cannot speak?--
I am not such a fool when all is said!
I've by your lessons profited.
You'll see
I shall know how to speak alone!
The devil!
I know at least to clasp her in my arms!
(Seeing Roxane come out from Clomire's house):
--It is she!
Cyrano, no!--Leave me not!
CYRANO (bowing):
Speak for yourself, my friend, and take your chance.
(He disappears behind the garden wall.) | istian.
CYRANO:
I know all that is needful.
Here's occasion
For you to deck yourself with glory.
Come,
Lose no time; put away those sulky looks,
Come to your house with me, I'll teach you.
. .
CHRISTIAN:
No!
CYRANO:
Why?
CHRISTIAN:
I will wait for Roxane here.
CYRANO:
How?
Crazy?
Come quick with me and learn.
. .
CHRISTIAN:
No, no!
I say.
I am aweary of these borrowed letters,
--Borrowed love-makings!
Thus to act a part,
And tremble all the time!--'Twas well enough
At the beginning!--Now I know she loves!
I fear no longer!--I will speak myself.
CYRANO:
Mercy!
CHRISTIAN:
And how know you I cannot speak?--
I am not such a fool when all is said!
I've by your lessons profited.
You'll see
I shall know how to speak alone!
The devil!
I know at least to clasp her in my arms!
(Seeing Roxane come out from Clomire's house):
--It is she!
Cyrano, no!--Leave me not!
CYRANO (bowing):
Speak for yourself, my friend, and take your chance.
(He disappears behind the ga |
1,254 | false | pinkmonkey | all_chapterized_books/1254-chapters/26.txt | finished_summaries/pinkmonkey/Cyrano De Bergerac/section_22_part_0.txt | Cyrano De Bergerac.act 3.scene 5 | scene 5 | null | {"name": "Scene 5", "url": "https://web.archive.org/web/20180820053313/http://www.pinkmonkey.com/booknotes/monkeynotes/pmCyrano30.asp", "summary": "Before Roxane and her governess depart for the meeting at Clomire's, she asks Cyrano to tell Christian to await her return. Cyrano asks Roxane what subject she desires Christian to discuss today. She says that she wants him to speak about love, but Cyrano must not let Christian know. Of course, Cyrano tries to prepare Christian for the speech as usual. This time, however, Christian rebels against presenting a borrowed speech, wanting to express his own thoughts. Roxane soon returns from Clomire's, for she has missed the discourse on tenderness. She invites Christian to sit on the bench outside her house and elaborate on his sentiment of love. He fails miserably. Roxane, thinking he is being foolish, is displeased with him. She leaves Christian alone on the bench and enters her house. Cyrano, who has been eavesdropping, comes up to Christian and sarcastically congratulates him. Christian, in utter despair, asks for Cyrano's help in wooing Roxane; but it is too late to train Christian in an appropriate speech. Cyrano, however, comes up with another plan. Christian should stand under Roxane's balcony. Hiding in the darkness out of sight, Cyrano will whisper to Christian what he should say. Christian agrees to the plan. The musical pages appear with their lutes. Cyrano puts them on guard duty. They are to play a happy melody if a woman is approaching and a sad one if a man appears. Then Cyrano throws some pebbles at Roxane's window and tells Christian to call her.", "analysis": "Notes Rostand cleverly reveals the methodology that Christian and Cyrano employ to trick Roxane. Cyrano tries to find out from Roxane what mood she is in and what she would like to discuss with Christian. He then coaches the handsome cadet on what to say. Christian, however, is tired of giving canned speeches to his true love. He rebels and says he wants to talk about the subject of love with Roxane on his own. Not surprisingly, he is a miserable failure. In fact, his performance is so pathetic than he seems almost comic. When Christian cannot express himself, Roxane feels he is being foolish and loses interest in him. Desperate to make amends to her, Christian asks for Cyrano's help. The clever Cyrano, who has no time to coach Christian in an appropriate speech, comes up with an alternative plan. From a hiding place in the darkness, he will whisper to Christian what to say as he stands below Roxane's window. Christian agrees to the plan. The vacillation of Christian's feelings for Cyrano is an effective dramatic device that draws the audience closer to Cyrano. When Christian rejects Cyrano's offer of help in preparing a speech about love, the audience is meant to judge Christian as foolish and unappreciative even though they accept that he is only trying to maintain some measure of self-respect. Then when he grovels and asks for Cyrano's help in winning Roxane back, Christian is meant to be judged as weak and pathetic, while Cyrano is seen as generous and helpful."} | Christian, Roxane, the duenna.
ROXANE (coming out of Clomire's house, with a company of friends, whom she
leaves. Bows and good-byes):
Barthenoide!--Alcandre!--Gremione!--
THE DUENNA (bitterly disappointed):
We've missed the speech upon the Tender Passion!
(Goes into Roxane's house.)
ROXANE (still bowing):
Urimedonte--adieu!
(All bow to Roxane and to each other, and then separate, going up different
streets. Roxane suddenly seeing Christian):
You!
(She goes to him):
Evening falls.
Let's sit. Speak on. I listen.
CHRISTIAN (sits by her on the bench. A silence):
Oh! I love you!
ROXANE (shutting her eyes):
Ay, speak to me of love.
CHRISTIAN:
I love thee!
ROXANE:
That's
The theme! But vary it.
CHRISTIAN:
I. . .
ROXANE:
Vary it!
CHRISTIAN:
I love you so!
ROXANE:
Oh! without doubt!--and then?. . .
CHRISTIAN:
And then--I should be--oh!--so glad--so glad
If you would love me!--Roxane, tell me so!
ROXANE (with a little grimace):
I hoped for cream,--you give me gruel! Say
How love possesses you?
CHRISTIAN:
Oh utterly!
ROXANE:
Come, come!. . .unknot those tangled sentiments!
CHRISTIAN:
Your throat I'd kiss it!
ROXANE:
Christian!
CHRISTIAN:
I love thee!
ROXANE (half-rising):
Again!
CHRISTIAN (eagerly, detaining her):
No, no! I love thee not!
ROXANE (reseating herself):
'Tis well!
CHRISTIAN:
But I adore thee!
ROXANE (rising, and going further off):
Oh!
CHRISTIAN:
I am grown stupid!
ROXANE (dryly):
And that displeases me, almost as much
As 'twould displease me if you grew ill-favored.
CHRISTIAN:
But. . .
ROXANE:
Rally your poor eloquence that's flown!
CHRISTIAN:
I. . .
ROXANE:
Yes, you love me, that I know. Adieu.
(She goes toward her house.)
CHRISTIAN:
Oh, go not yet! I'd tell you--
ROXANE (opening the door):
You adore me?
I've heard it very oft. No!--Go away!
CHRISTIAN:
But I would fain. . .
(She shuts the door in his face.)
CYRANO (who has re-entered unseen):
I' faith! It is successful!
| 323 | Scene 5 | https://web.archive.org/web/20180820053313/http://www.pinkmonkey.com/booknotes/monkeynotes/pmCyrano30.asp | Before Roxane and her governess depart for the meeting at Clomire's, she asks Cyrano to tell Christian to await her return. Cyrano asks Roxane what subject she desires Christian to discuss today. She says that she wants him to speak about love, but Cyrano must not let Christian know. Of course, Cyrano tries to prepare Christian for the speech as usual. This time, however, Christian rebels against presenting a borrowed speech, wanting to express his own thoughts. Roxane soon returns from Clomire's, for she has missed the discourse on tenderness. She invites Christian to sit on the bench outside her house and elaborate on his sentiment of love. He fails miserably. Roxane, thinking he is being foolish, is displeased with him. She leaves Christian alone on the bench and enters her house. Cyrano, who has been eavesdropping, comes up to Christian and sarcastically congratulates him. Christian, in utter despair, asks for Cyrano's help in wooing Roxane; but it is too late to train Christian in an appropriate speech. Cyrano, however, comes up with another plan. Christian should stand under Roxane's balcony. Hiding in the darkness out of sight, Cyrano will whisper to Christian what he should say. Christian agrees to the plan. The musical pages appear with their lutes. Cyrano puts them on guard duty. They are to play a happy melody if a woman is approaching and a sad one if a man appears. Then Cyrano throws some pebbles at Roxane's window and tells Christian to call her. | Notes Rostand cleverly reveals the methodology that Christian and Cyrano employ to trick Roxane. Cyrano tries to find out from Roxane what mood she is in and what she would like to discuss with Christian. He then coaches the handsome cadet on what to say. Christian, however, is tired of giving canned speeches to his true love. He rebels and says he wants to talk about the subject of love with Roxane on his own. Not surprisingly, he is a miserable failure. In fact, his performance is so pathetic than he seems almost comic. When Christian cannot express himself, Roxane feels he is being foolish and loses interest in him. Desperate to make amends to her, Christian asks for Cyrano's help. The clever Cyrano, who has no time to coach Christian in an appropriate speech, comes up with an alternative plan. From a hiding place in the darkness, he will whisper to Christian what to say as he stands below Roxane's window. Christian agrees to the plan. The vacillation of Christian's feelings for Cyrano is an effective dramatic device that draws the audience closer to Cyrano. When Christian rejects Cyrano's offer of help in preparing a speech about love, the audience is meant to judge Christian as foolish and unappreciative even though they accept that he is only trying to maintain some measure of self-respect. Then when he grovels and asks for Cyrano's help in winning Roxane back, Christian is meant to be judged as weak and pathetic, while Cyrano is seen as generous and helpful. | 249 | 256 | [
"Christian, Roxane, the duenna.",
"ROXANE (coming out of Clomire's house, with a company of friends, whom she\nleaves.",
"Bows and good-byes):\n Barthenoide!--Alcandre!--Gremione!--\n\nTHE DUENNA (bitterly disappointed):\n We've missed the speech upon the Tender Passion!",
"(Goes into Roxane's house.)",
"ROXANE (still bowing):\n Urimedonte--adieu!",
"(All bow to Roxane and to each other, and then separate, going up different\nstreets.",
"Roxane suddenly seeing Christian):\n You!",
"(She goes to him):\n Evening falls.",
"Let's sit.",
"Speak on.",
"I listen.",
"CHRISTIAN (sits by her on the bench.",
"A silence):\n Oh!",
"I love you!",
"ROXANE (shutting her eyes):\n Ay, speak to me of love.",
"CHRISTIAN:\n I love thee!",
"ROXANE:\n That's\n The theme!",
"But vary it.",
"CHRISTIAN:\n I. . .\n\nROXANE:\n Vary it!",
"CHRISTIAN:\n I love you so!",
"ROXANE:\n Oh!",
"without doubt!--and then?.",
". .\n\nCHRISTIAN:\n And then--I should be--oh!--so glad--so glad\n If you would love me!--Roxane, tell me so!",
"ROXANE (with a little grimace):\n I hoped for cream,--you give me gruel!",
"Say\n How love possesses you?",
"CHRISTIAN:\n Oh utterly!",
"ROXANE:\n Come, come!. .",
".unknot those tangled sentiments!",
"CHRISTIAN:\n Your throat I'd kiss it!",
"ROXANE:\n Christian!",
"CHRISTIAN:\n I love thee!",
"ROXANE (half-rising):\n Again!",
"CHRISTIAN (eagerly, detaining her):\n No, no!",
"I love thee not!",
"ROXANE (reseating herself):\n 'Tis well!",
"CHRISTIAN:\n But I adore thee!",
"ROXANE (rising, and going further off):\n Oh!",
"CHRISTIAN:\n I am grown stupid!",
"ROXANE (dryly):\n And that displeases me, almost as much\n As 'twould displease me if you grew ill-favored.",
"CHRISTIAN:\n But.",
". .\n\nROXANE:\n Rally your poor eloquence that's flown!",
"CHRISTIAN:\n I. . .\n\nROXANE:\n Yes, you love me, that I know.",
"Adieu.",
"(She goes toward her house.)",
"CHRISTIAN:\n Oh, go not yet!",
"I'd tell you--\n\nROXANE (opening the door):\n You adore me?",
"I've heard it very oft.",
"No!--Go away!",
"CHRISTIAN:\n But I would fain.",
". .\n\n(She shuts the door in his face.)",
"CYRANO (who has re-entered unseen):\n I' faith!",
"It is successful!"
] | [
"(Goes into Roxane's house.)",
"(All bow to Roxane and to each other, and then separate, going up different\nstreets.",
"Speak on.",
"I listen.",
"ROXANE:\n That's\n The theme!",
"Say\n How love possesses you?",
"ROXANE:\n Christian!",
"CHRISTIAN:\n I am grown stupid!",
"CHRISTIAN:\n I. . .\n\nROXANE:\n Yes, you love me, that I know.",
"Adieu."
] | [
"ROXANE:\n Christian!",
"CHRISTIAN:\n Oh, go not yet!",
"(Goes into Roxane's house.)",
"CHRISTIAN:\n I. . .\n\nROXANE:\n Vary it!",
". .\n\n(She shuts the door in his face.)",
"Roxane suddenly seeing Christian):\n You!",
"I love thee not!",
"I'd tell you--\n\nROXANE (opening the door):\n You adore me?",
"(She goes to him):\n Evening falls.",
"ROXANE (with a little grimace):\n I hoped for cream,--you give me gruel!"
] | [
"without doubt!--and then?.",
". .\n\nCHRISTIAN:\n And then--I should be--oh!--so glad--so glad\n If you would love me!--Roxane, tell me so!",
"ROXANE (with a little grimace):\n I hoped for cream,--you give me gruel!",
"Say\n How love possesses you?",
"CHRISTIAN:\n Oh utterly!",
"ROXANE:\n Come, come!. .",
".unknot those tangled sentiments!",
"CHRISTIAN:\n Your throat I'd kiss it!",
"ROXANE:\n Christian!",
"CHRISTIAN:\n I love thee!",
"ROXANE (half-rising):\n Again!"
] | [
"Christian, Roxane, the duenna.",
"ROXANE (coming out of Clomire's house, with a company of friends, whom she\nleaves.",
"Bows and good-byes):\n Barthenoide!--Alcandre!--Gremione!--\n\nTHE DUENNA (bitterly disappointed):\n We've missed the speech upon the Tender Passion!",
"(Goes into Roxane's house.)",
"ROXANE (still bowing):\n Urimedonte--adieu!",
"(All bow to Roxane and to each other, and then separate, going up different\nstreets.",
"Roxane suddenly seeing Christian):\n You!",
"(She goes to him):\n Evening falls.",
"Let's sit.",
"Speak on.",
"Adieu.",
"(She goes toward her house.)",
"CHRISTIAN:\n Oh, go not yet!",
"I'd tell you--\n\nROXANE (opening the door):\n You adore me?",
"I've heard it very oft.",
"No!--Go away!",
"CHRISTIAN:\n But I would fain.",
". .\n\n(She shuts the door in his face.)",
"CYRANO (who has re-entered unseen):\n I' faith!",
"It is successful!"
] | STIAN:
I love thee!
ROXANE:
That's
The theme!
But vary it.
CHRISTIAN:
I. . .
ROXANE:
Vary it!
CHRISTIAN:
I love you so!
ROXANE:
Oh!
without doubt!--and then?.
. .
CHRISTIAN:
And then--I should be--oh!--so glad--so glad
If you would love me!--Roxane, tell me so!
ROXANE (with a little grimace):
I hoped for cream,--you give me gruel!
Say
How love possesses you?
CHRISTIAN:
Oh utterly!
ROXANE:
Come, come!. .
.unknot those tangled sentiments!
CHRISTIAN:
Your throat I'd kiss it!
ROXANE:
Christian!
CHRISTIAN:
I love thee!
ROXANE (half-rising):
Again!
CHRISTIAN (eagerly, detaining her):
No, no!
I love thee not!
ROXANE (reseating herself):
'Tis well!
CHRISTIAN:
But I adore thee!
ROXANE (rising, and going further off):
Oh!
CHRISTIAN:
I am grown stupid!
ROXANE (dryly):
And that displeases me, almost as much
As 'twould displease me if you grew ill-favored.
CHRISTIAN:
But.
. .
ROXANE:
Rally your poor eloquence that's flown!
CHRISTIAN:
I. . .
| Christian, Roxane, the duenna.
ROXANE (coming out of Clomire's house, with a company of friends, whom she
leaves.
Bows and good-byes):
Barthenoide!--Alcandre!--Gremione!--
THE DUENNA (bitterly disappointed):
We've missed the speech upon the Tender Passion!
(Goes into Roxane's house.)
ROXANE (still bowing):
Urimedonte--adieu!
(All bow to Roxane and to each other, and then separate, going up different
streets.
Roxane suddenly seeing Christian):
You!
(She goes to him):
Evening falls.
Let , almost as much
As 'twould displease me if you grew ill-favored.
CHRISTIAN:
But.
. .
ROXANE:
Rally your poor eloquence that's flown!
CHRISTIAN:
I. . .
ROXANE:
Yes, you love me, that I know.
Adieu.
(She goes toward her house.)
CHRISTIAN:
Oh, go not yet!
I'd tell you--
ROXANE (opening the door):
You adore me?
I've heard it very oft.
No!--Go away!
CHRISTIAN:
But I would fain.
. .
(She shuts the door in his face.)
CYRANO (who has re-entered unseen):
I' faith!
It is successful! |
Let's sit.
Speak on.
I listen.
CHRISTIAN (sits by her on the bench.
A silence):
Oh!
I love you!
ROXANE (shutting her eyes):
Ay, speak to me of love.
CHRISTIAN:
I love thee!
ROXANE:
That's
The theme!
But vary it.
CHRISTIAN:
I. . .
ROXANE:
Vary it!
CHRISTIAN:
I love you so!
ROXANE:
Oh!
without doubt!--and then?.
. .
CHRISTIAN:
And then--I should be--oh!--so glad--so glad
If you would love me!--Roxane, tell me so!
ROXANE (with a little grimace):
I hoped for cream,--you give me gruel!
Say
How love possesses you?
CHRISTIAN:
Oh utterly!
ROXANE:
Come, come!. .
.unknot those tangled sentiments!
CHRISTIAN:
Your throat I'd kiss it!
ROXANE:
Christian!
CHRISTIAN:
I love thee!
ROXANE (half-rising):
Again!
CHRISTIAN (eagerly, detaining her):
No, no!
I love thee not!
ROXANE (reseating herself):
'Tis well!
CHRISTIAN:
But I adore thee!
ROXANE (rising, and going further off):
Oh!
CHRISTIAN:
I am grown stupid!
ROXANE (dryly):
And that displeases me, alm |
1,254 | false | pinkmonkey | all_chapterized_books/1254-chapters/27.txt | finished_summaries/pinkmonkey/Cyrano De Bergerac/section_23_part_0.txt | Cyrano De Bergerac.act 3.scene 6 | scene 6 | null | {"name": "Scene 6", "url": "https://web.archive.org/web/20180820053313/http://www.pinkmonkey.com/booknotes/monkeynotes/pmCyrano30.asp", "summary": "Before Roxane and her governess depart for the meeting at Clomire's, she asks Cyrano to tell Christian to await her return. Cyrano asks Roxane what subject she desires Christian to discuss today. She says that she wants him to speak about love, but Cyrano must not let Christian know. Of course, Cyrano tries to prepare Christian for the speech as usual. This time, however, Christian rebels against presenting a borrowed speech, wanting to express his own thoughts. Roxane soon returns from Clomire's, for she has missed the discourse on tenderness. She invites Christian to sit on the bench outside her house and elaborate on his sentiment of love. He fails miserably. Roxane, thinking he is being foolish, is displeased with him. She leaves Christian alone on the bench and enters her house. Cyrano, who has been eavesdropping, comes up to Christian and sarcastically congratulates him. Christian, in utter despair, asks for Cyrano's help in wooing Roxane; but it is too late to train Christian in an appropriate speech. Cyrano, however, comes up with another plan. Christian should stand under Roxane's balcony. Hiding in the darkness out of sight, Cyrano will whisper to Christian what he should say. Christian agrees to the plan. The musical pages appear with their lutes. Cyrano puts them on guard duty. They are to play a happy melody if a woman is approaching and a sad one if a man appears. Then Cyrano throws some pebbles at Roxane's window and tells Christian to call her.", "analysis": "Notes Rostand cleverly reveals the methodology that Christian and Cyrano employ to trick Roxane. Cyrano tries to find out from Roxane what mood she is in and what she would like to discuss with Christian. He then coaches the handsome cadet on what to say. Christian, however, is tired of giving canned speeches to his true love. He rebels and says he wants to talk about the subject of love with Roxane on his own. Not surprisingly, he is a miserable failure. In fact, his performance is so pathetic than he seems almost comic. When Christian cannot express himself, Roxane feels he is being foolish and loses interest in him. Desperate to make amends to her, Christian asks for Cyrano's help. The clever Cyrano, who has no time to coach Christian in an appropriate speech, comes up with an alternative plan. From a hiding place in the darkness, he will whisper to Christian what to say as he stands below Roxane's window. Christian agrees to the plan. The vacillation of Christian's feelings for Cyrano is an effective dramatic device that draws the audience closer to Cyrano. When Christian rejects Cyrano's offer of help in preparing a speech about love, the audience is meant to judge Christian as foolish and unappreciative even though they accept that he is only trying to maintain some measure of self-respect. Then when he grovels and asks for Cyrano's help in winning Roxane back, Christian is meant to be judged as weak and pathetic, while Cyrano is seen as generous and helpful."} | Christian, Cyrano, two pages.
CHRISTIAN:
Come to my aid!
CYRANO:
Not I!
CHRISTIAN:
But I shall die,
Unless at once I win back her fair favor.
CYRANO:
And how can I, at once, i' th' devil's name,
Lesson you in. . .
CHRISTIAN (seizing his arm):
Oh, she is there!
(The window of the balcony is now lighted up.)
CYRANO (moved):
Her window!
CHRISTIAN:
Oh! I shall die!
CYRANO:
Speak lower!
CHRISTIAN (in a whisper):
I shall die!
CYRANO:
The night is dark. . .
CHRISTIAN:
Well!
CYRANO:
All can be repaired.
Although you merit not. Stand there, poor wretch!
Fronting the balcony! I'll go beneath
And prompt your words to you. . .
CHRISTIAN:
But. . .
CYRANO:
Hold your tongue!
THE PAGES (reappearing at back--to Cyrano):
Ho!
CYRANO:
Hush!
(He signs to them to speak softly.)
FIRST PAGE (in a low voice):
We've played the serenade you bade
To Montfleury!
CYRANO (quickly, in a low voice):
Go! lurk in ambush there,
One at this street corner, and one at that;
And if a passer-by should here intrude,
Play you a tune!
SECOND PAGE:
What tune, Sir Gassendist?
CYRANO:
Gay, if a woman comes,--for a man, sad!
(The pages disappear, one at each street corner. To Christian):
Call her!
CHRISTIAN:
Roxane!
CYRANO (picking up stones and throwing them at the window):
Some pebbles! wait awhile!
ROXANE (half-opening the casement):
Who calls me?
CHRISTIAN:
I!
ROXANE:
Who's that?
CHRISTIAN:
Christian!
ROXANE (disdainfully):
Oh! you?
CHRISTIAN:
I would speak with you.
CYRANO (under the balcony--to Christian):
Good. Speak soft and low.
ROXANE:
No, you speak stupidly!
CHRISTIAN:
Oh, pity me!
ROXANE:
No! you love me no more!
CHRISTIAN (prompted by Cyrano):
You say--Great Heaven!
I love no more?--when--I--love more and more!
ROXANE (who was about to shut the casement, pausing):
Hold! 'tis a trifle better! ay, a trifle!
CHRISTIAN (same play):
Love grew apace, rocked by the anxious beating. . .
Of this poor heart, which the cruel wanton boy. . .
Took for a cradle!
ROXANE (coming out on to the balcony):
That is better! But
An if you deem that Cupid be so cruel
You should have stifled baby-love in's cradle!
CHRISTIAN (same play):
Ah, Madame, I assayed, but all in vain
This. . .new-born babe is a young. . .Hercules!
ROXANE:
Still better!
CHRISTIAN (same play):
Thus he strangled in my heart
The. . .serpents twain, of. . .Pride. . .and Doubt!
ROXANE (leaning over the balcony):
Well said!
--But why so faltering? Has mental palsy
Seized on your faculty imaginative?
CYRANO (drawing Christian under the balcony, and slipping into his place):
Give place! This waxes critical!. . .
ROXANE:
To-day. . .
Your words are hesitating.
CYRANO (imitating Christian--in a whisper):
Night has come. . .
In the dusk they grope their way to find your ear.
ROXANE:
But my words find no such impediment.
CYRANO:
They find their way at once? Small wonder that!
For 'tis within my heart they find their home;
Bethink how large my heart, how small your ear!
And,--from fair heights descending, words fall fast,
But mine must mount, Madame, and that takes time!
ROXANE:
Meseems that your last words have learned to climb.
CYRANO:
With practice such gymnastic grows less hard!
ROXANE:
In truth, I seem to speak from distant heights!
CYRANO:
True, far above; at such a height 'twere death
If a hard word from you fell on my heart.
ROXANE (moving):
I will come down. . .
CYRANO (hastily):
No!
ROXANE (showing him the bench under the balcony):
Mount then on the bench!
CYRANO (starting back alarmed):
No!
ROXANE:
How, you will not?
CYRANO (more and more moved):
Stay awhile! 'Tis sweet,. . .
The rare occasion, when our hearts can speak
Our selves unseen, unseeing!
ROXANE:
Why--unseen?
CYRANO:
Ay, it is sweet! Half hidden,--half revealed--
You see the dark folds of my shrouding cloak,
And I, the glimmering whiteness of your dress:
I but a shadow--you a radiance fair!
Know you what such a moment holds for me?
If ever I were eloquent. . .
ROXANE:
You were!
CYRANO:
Yet never till to-night my speech has sprung
Straight from my heart as now it springs.
ROXANE:
Why not?
CYRANO:
Till now I spoke haphazard. . .
ROXANE:
What?
CYRANO:
Your eyes
Have beams that turn men dizzy!--But to-night
Methinks I shall find speech for the first time!
ROXANE:
'Tis true, your voice rings with a tone that's new.
CYRANO (coming nearer, passionately):
Ay, a new tone! In the tender, sheltering dusk
I dare to be myself for once,--at last!
(He stops, falters):
What say I? I know not!--Oh, pardon me--
It thrills me,--'tis so sweet, so novel. . .
ROXANE:
How?
So novel?
CYRANO (off his balance, trying to find the thread of his sentence):
Ay,--to be at last sincere;
Till now, my chilled heart, fearing to be mocked. . .
ROXANE:
Mocked, and for what?
CYRANO:
For its mad beating!--Ay,
My heart has clothed itself with witty words,
To shroud itself from curious eyes:--impelled
At times to aim at a star, I stay my hand,
And, fearing ridicule,--cull a wild flower!
ROXANE:
A wild flower's sweet.
CYRANO:
Ay, but to-night--the star!
ROXANE:
Oh! never have you spoken thus before!
CYRANO:
If, leaving Cupid's arrows, quivers, torches,
We turned to seek for sweeter--fresher things!
Instead of sipping in a pygmy glass
Dull fashionable waters,--did we try
How the soul slakes its thirst in fearless draught
By drinking from the river's flooding brim!
ROXANE:
But wit?. . .
CYRANO:
If I have used it to arrest you
At the first starting,--now, 'twould be an outrage,
An insult--to the perfumed Night--to Nature--
To speak fine words that garnish vain love-letters!
Look up but at her stars! The quiet Heaven
Will ease our hearts of all things artificial;
I fear lest, 'midst the alchemy we're skilled in
The truth of sentiment dissolve and vanish,--
The soul exhausted by these empty pastimes,
The gain of fine things be the loss of all things!
ROXANE:
But wit? I say. . .
CYRANO:
In love 'tis crime,--'tis hateful!
Turning frank loving into subtle fencing!
At last the moment comes, inevitable,--
--Oh, woe for those who never know that moment!
When feeling love exists in us, ennobling,
Each well-weighed word is futile and soul-saddening!
ROXANE:
Well, if that moment's come for us--suppose it!
What words would serve you?
CYRANO:
All, all, all, whatever
That came to me, e'en as they came, I'd fling them
In a wild cluster, not a careful bouquet.
I love thee! I am mad! I love, I stifle!
Thy name is in my heart as in a sheep-bell,
And as I ever tremble, thinking of thee,
Ever the bell shakes, ever thy name ringeth!
All things of thine I mind, for I love all things;
I know that last year on the twelfth of May-month,
To walk abroad, one day you changed your hair-plaits!
I am so used to take your hair for daylight
That,--like as when the eye stares on the sun's disk,
One sees long after a red blot on all things--
So, when I quit thy beams, my dazzled vision
Sees upon all things a blonde stain imprinted.
ROXANE (agitated):
Why, this is love indeed!. . .
CYRANO:
Ay, true, the feeling
Which fills me, terrible and jealous, truly
Love,--which is ever sad amid its transports!
Love,--and yet, strangely, not a selfish passion!
I for your joy would gladly lay mine own down,
--E'en though you never were to know it,--never!
--If but at times I might--far off and lonely,--
Hear some gay echo of the joy I bought you!
Each glance of thine awakes in me a virtue,--
A novel, unknown valor. Dost begin, sweet,
To understand? So late, dost understand me?
Feel'st thou my soul, here, through the darkness mounting?
Too fair the night! Too fair, too fair the moment!
That I should speak thus, and that you should hearken!
Too fair! In moments when my hopes rose proudest,
I never hoped such guerdon. Naught is left me
But to die now! Have words of mine the power
To make you tremble,--throned there in the branches?
Ay, like a leaf among the leaves, you tremble!
You tremble! For I feel,--an if you will it,
Or will it not,--your hand's beloved trembling
Thrill through the branches, down your sprays of jasmine!
(He kisses passionately one of the hanging tendrils.)
ROXANE:
Ay! I am trembling, weeping!--I am thine!
Thou hast conquered all of me!
CYRANO:
Then let death come!
'Tis I, 'tis I myself, who conquered thee!
One thing, but one, I dare to ask--
CHRISTIAN (under the balcony):
A kiss!
ROXANE (drawing back):
What?
CYRANO:
Oh!
ROXANE:
You ask. . .?
CYRANO:
I. . .
(To Christian, whispering):
Fool! you go too quick!
CHRISTIAN:
Since she is moved thus--I will profit by it!
CYRANO (to Roxane):
My words sprang thoughtlessly, but now I see--
Shame on me!--I was too presumptuous.
ROXANE (a little chilled):
How quickly you withdraw.
CYRANO:
Yes, I withdraw
Without withdrawing! Hurt I modesty?
If so--the kiss I asked--oh, grant it not.
CHRISTIAN (to Cyrano, pulling him by his cloak):
Why?
CYRANO:
Silence, Christian! Hush!
ROXANE (leaning over):
What whisper you?
CYRANO:
I chid myself for my too bold advances;
Said, 'Silence, Christian!'
(The lutes begin to play):
Hark! Wait awhile,. . .
Steps come!
(Roxane shuts the window. Cyrano listens to the lutes, one of which plays a
merry, the other a melancholy, tune):
Why, they play sad--then gay--then sad! What? Neither man nor woman?--oh!
a monk!
(Enter a capuchin friar, with a lantern. He goes from house to house, looking
at every door.)
| 1,741 | Scene 6 | https://web.archive.org/web/20180820053313/http://www.pinkmonkey.com/booknotes/monkeynotes/pmCyrano30.asp | Before Roxane and her governess depart for the meeting at Clomire's, she asks Cyrano to tell Christian to await her return. Cyrano asks Roxane what subject she desires Christian to discuss today. She says that she wants him to speak about love, but Cyrano must not let Christian know. Of course, Cyrano tries to prepare Christian for the speech as usual. This time, however, Christian rebels against presenting a borrowed speech, wanting to express his own thoughts. Roxane soon returns from Clomire's, for she has missed the discourse on tenderness. She invites Christian to sit on the bench outside her house and elaborate on his sentiment of love. He fails miserably. Roxane, thinking he is being foolish, is displeased with him. She leaves Christian alone on the bench and enters her house. Cyrano, who has been eavesdropping, comes up to Christian and sarcastically congratulates him. Christian, in utter despair, asks for Cyrano's help in wooing Roxane; but it is too late to train Christian in an appropriate speech. Cyrano, however, comes up with another plan. Christian should stand under Roxane's balcony. Hiding in the darkness out of sight, Cyrano will whisper to Christian what he should say. Christian agrees to the plan. The musical pages appear with their lutes. Cyrano puts them on guard duty. They are to play a happy melody if a woman is approaching and a sad one if a man appears. Then Cyrano throws some pebbles at Roxane's window and tells Christian to call her. | Notes Rostand cleverly reveals the methodology that Christian and Cyrano employ to trick Roxane. Cyrano tries to find out from Roxane what mood she is in and what she would like to discuss with Christian. He then coaches the handsome cadet on what to say. Christian, however, is tired of giving canned speeches to his true love. He rebels and says he wants to talk about the subject of love with Roxane on his own. Not surprisingly, he is a miserable failure. In fact, his performance is so pathetic than he seems almost comic. When Christian cannot express himself, Roxane feels he is being foolish and loses interest in him. Desperate to make amends to her, Christian asks for Cyrano's help. The clever Cyrano, who has no time to coach Christian in an appropriate speech, comes up with an alternative plan. From a hiding place in the darkness, he will whisper to Christian what to say as he stands below Roxane's window. Christian agrees to the plan. The vacillation of Christian's feelings for Cyrano is an effective dramatic device that draws the audience closer to Cyrano. When Christian rejects Cyrano's offer of help in preparing a speech about love, the audience is meant to judge Christian as foolish and unappreciative even though they accept that he is only trying to maintain some measure of self-respect. Then when he grovels and asks for Cyrano's help in winning Roxane back, Christian is meant to be judged as weak and pathetic, while Cyrano is seen as generous and helpful. | 249 | 256 | [
"Christian, Cyrano, two pages.",
"CHRISTIAN:\n Come to my aid!",
"CYRANO:\n Not I!",
"CHRISTIAN:\n But I shall die,\n Unless at once I win back her fair favor.",
"CYRANO:\n And how can I, at once, i' th' devil's name,\n Lesson you in.",
". .\n\nCHRISTIAN (seizing his arm):\n Oh, she is there!",
"(The window of the balcony is now lighted up.)",
"CYRANO (moved):\n Her window!",
"CHRISTIAN:\n Oh!",
"I shall die!",
"CYRANO:\n Speak lower!",
"CHRISTIAN (in a whisper):\n I shall die!",
"CYRANO:\n The night is dark.",
". .\n\nCHRISTIAN:\n Well!",
"CYRANO:\n All can be repaired.",
"Although you merit not.",
"Stand there, poor wretch!",
"Fronting the balcony!",
"I'll go beneath\n And prompt your words to you.",
". .\n\nCHRISTIAN:\n But.",
". .\n\nCYRANO:\n Hold your tongue!",
"THE PAGES (reappearing at back--to Cyrano):\n Ho!",
"CYRANO:\n Hush!",
"(He signs to them to speak softly.)",
"FIRST PAGE (in a low voice):\n We've played the serenade you bade\n To Montfleury!",
"CYRANO (quickly, in a low voice):\n Go!",
"lurk in ambush there,\n One at this street corner, and one at that;\n And if a passer-by should here intrude,\n Play you a tune!",
"SECOND PAGE:\n What tune, Sir Gassendist?",
"CYRANO:\n Gay, if a woman comes,--for a man, sad!",
"(The pages disappear, one at each street corner.",
"To Christian):\n Call her!",
"CHRISTIAN:\n Roxane!",
"CYRANO (picking up stones and throwing them at the window):\n Some pebbles!",
"wait awhile!",
"ROXANE (half-opening the casement):\n Who calls me?",
"CHRISTIAN:\n I!",
"ROXANE:\n Who's that?",
"CHRISTIAN:\n Christian!",
"ROXANE (disdainfully):\n Oh!",
"you?",
"CHRISTIAN:\n I would speak with you.",
"CYRANO (under the balcony--to Christian):\n Good.",
"Speak soft and low.",
"ROXANE:\n No, you speak stupidly!",
"CHRISTIAN:\n Oh, pity me!",
"ROXANE:\n No!",
"you love me no more!",
"CHRISTIAN (prompted by Cyrano):\n You say--Great Heaven!",
"I love no more?--when--I--love more and more!",
"ROXANE (who was about to shut the casement, pausing):\n Hold!",
"'tis a trifle better!",
"ay, a trifle!",
"CHRISTIAN (same play):\n Love grew apace, rocked by the anxious beating.",
". .\n Of this poor heart, which the cruel wanton boy.",
". .",
"Took for a cradle!",
"ROXANE (coming out on to the balcony):\n That is better!",
"But\n An if you deem that Cupid be so cruel\n You should have stifled baby-love in's cradle!",
"CHRISTIAN (same play):\n Ah, Madame, I assayed, but all in vain\n This. . .new-born babe is a young. . .Hercules!",
"ROXANE:\n Still better!",
"CHRISTIAN (same play):\n Thus he strangled in my heart\n The. . .serpents twain, of. . .Pride. . .and Doubt!",
"ROXANE (leaning over the balcony):\n Well said!",
"--But why so faltering?",
"Has mental palsy\n Seized on your faculty imaginative?",
"CYRANO (drawing Christian under the balcony, and slipping into his place):\n Give place!",
"This waxes critical!.",
". .\n\nROXANE:\n To-day.",
". .",
"Your words are hesitating.",
"CYRANO (imitating Christian--in a whisper):\n Night has come.",
". .",
"In the dusk they grope their way to find your ear.",
"ROXANE:\n But my words find no such impediment.",
"CYRANO:\n They find their way at once?",
"Small wonder that!",
"For 'tis within my heart they find their home;\n Bethink how large my heart, how small your ear!",
"And,--from fair heights descending, words fall fast,\n But mine must mount, Madame, and that takes time!",
"ROXANE:\n Meseems that your last words have learned to climb.",
"CYRANO:\n With practice such gymnastic grows less hard!",
"ROXANE:\n In truth, I seem to speak from distant heights!",
"CYRANO:\n True, far above; at such a height 'twere death\n If a hard word from you fell on my heart.",
"ROXANE (moving):\n I will come down.",
". .\n\nCYRANO (hastily):\n No!",
"ROXANE (showing him the bench under the balcony):\n Mount then on the bench!",
"CYRANO (starting back alarmed):\n No!",
"ROXANE:\n How, you will not?",
"CYRANO (more and more moved):\n Stay awhile!",
"'Tis sweet,.",
". .",
"The rare occasion, when our hearts can speak\n Our selves unseen, unseeing!",
"ROXANE:\n Why--unseen?",
"CYRANO:\n Ay, it is sweet!",
"Half hidden,--half revealed--\n You see the dark folds of my shrouding cloak,\n And I, the glimmering whiteness of your dress:\n I but a shadow--you a radiance fair!",
"Know you what such a moment holds for me?",
"If ever I were eloquent.",
". .\n\nROXANE:\n You were!",
"CYRANO:\n Yet never till to-night my speech has sprung\n Straight from my heart as now it springs.",
"ROXANE:\n Why not?",
"CYRANO:\n Till now I spoke haphazard.",
". .\n\nROXANE:\n What?",
"CYRANO:\n Your eyes\n Have beams that turn men dizzy!--But to-night\n Methinks I shall find speech for the first time!",
"ROXANE:\n 'Tis true, your voice rings with a tone that's new.",
"CYRANO (coming nearer, passionately):\n Ay, a new tone!",
"In the tender, sheltering dusk\n I dare to be myself for once,--at last!",
"(He stops, falters):\n What say I?",
"I know not!--Oh, pardon me--\n It thrills me,--'tis so sweet, so novel.",
". .\n\nROXANE:\n How?",
"So novel?",
"CYRANO (off his balance, trying to find the thread of his sentence):\n Ay,--to be at last sincere;\n Till now, my chilled heart, fearing to be mocked.",
". .\n\nROXANE:\n Mocked, and for what?",
"CYRANO:\n For its mad beating!--Ay,\n My heart has clothed itself with witty words,\n To shroud itself from curious eyes:--impelled\n At times to aim at a star, I stay my hand,\n And, fearing ridicule,--cull a wild flower!",
"ROXANE:\n A wild flower's sweet.",
"CYRANO:\n Ay, but to-night--the star!",
"ROXANE:\n Oh!",
"never have you spoken thus before!",
"CYRANO:\n If, leaving Cupid's arrows, quivers, torches,\n We turned to seek for sweeter--fresher things!",
"Instead of sipping in a pygmy glass\n Dull fashionable waters,--did we try\n How the soul slakes its thirst in fearless draught\n By drinking from the river's flooding brim!",
"ROXANE:\n But wit?.",
". .\n\nCYRANO:\n If I have used it to arrest you\n At the first starting,--now, 'twould be an outrage,\n An insult--to the perfumed Night--to Nature--\n To speak fine words that garnish vain love-letters!",
"Look up but at her stars!",
"The quiet Heaven\n Will ease our hearts of all things artificial;\n I fear lest, 'midst the alchemy we're skilled in\n The truth of sentiment dissolve and vanish,--\n The soul exhausted by these empty pastimes,\n The gain of fine things be the loss of all things!",
"ROXANE:\n But wit?",
"I say.",
". .\n\nCYRANO:\n In love 'tis crime,--'tis hateful!",
"Turning frank loving into subtle fencing!",
"At last the moment comes, inevitable,--\n --Oh, woe for those who never know that moment!",
"When feeling love exists in us, ennobling,\n Each well-weighed word is futile and soul-saddening!",
"ROXANE:\n Well, if that moment's come for us--suppose it!",
"What words would serve you?",
"CYRANO:\n All, all, all, whatever\n That came to me, e'en as they came, I'd fling them\n In a wild cluster, not a careful bouquet.",
"I love thee!",
"I am mad!",
"I love, I stifle!",
"Thy name is in my heart as in a sheep-bell,\n And as I ever tremble, thinking of thee,\n Ever the bell shakes, ever thy name ringeth!",
"All things of thine I mind, for I love all things;\n I know that last year on the twelfth of May-month,\n To walk abroad, one day you changed your hair-plaits!",
"I am so used to take your hair for daylight\n That,--like as when the eye stares on the sun's disk,\n One sees long after a red blot on all things--\n So, when I quit thy beams, my dazzled vision\n Sees upon all things a blonde stain imprinted.",
"ROXANE (agitated):\n Why, this is love indeed!.",
". .\n\nCYRANO:\n Ay, true, the feeling\n Which fills me, terrible and jealous, truly\n Love,--which is ever sad amid its transports!",
"Love,--and yet, strangely, not a selfish passion!",
"I for your joy would gladly lay mine own down,\n --E'en though you never were to know it,--never!",
"--If but at times I might--far off and lonely,--\n Hear some gay echo of the joy I bought you!",
"Each glance of thine awakes in me a virtue,--\n A novel, unknown valor.",
"Dost begin, sweet,\n To understand?",
"So late, dost understand me?",
"Feel'st thou my soul, here, through the darkness mounting?",
"Too fair the night!",
"Too fair, too fair the moment!",
"That I should speak thus, and that you should hearken!",
"Too fair!",
"In moments when my hopes rose proudest,\n I never hoped such guerdon.",
"Naught is left me\n But to die now!",
"Have words of mine the power\n To make you tremble,--throned there in the branches?",
"Ay, like a leaf among the leaves, you tremble!",
"You tremble!",
"For I feel,--an if you will it,\n Or will it not,--your hand's beloved trembling\n Thrill through the branches, down your sprays of jasmine!",
"(He kisses passionately one of the hanging tendrils.)",
"ROXANE:\n Ay!",
"I am trembling, weeping!--I am thine!",
"Thou hast conquered all of me!",
"CYRANO:\n Then let death come!",
"'Tis I, 'tis I myself, who conquered thee!",
"One thing, but one, I dare to ask--\n\nCHRISTIAN (under the balcony):\n A kiss!",
"ROXANE (drawing back):\n What?",
"CYRANO:\n Oh!",
"ROXANE:\n You ask. .",
".?",
"CYRANO:\n I. . .\n(To Christian, whispering):\n Fool!",
"you go too quick!",
"CHRISTIAN:\n Since she is moved thus--I will profit by it!",
"CYRANO (to Roxane):\n My words sprang thoughtlessly, but now I see--\n Shame on me!--I was too presumptuous.",
"ROXANE (a little chilled):\n How quickly you withdraw.",
"CYRANO:\n Yes, I withdraw\n Without withdrawing!",
"Hurt I modesty?",
"If so--the kiss I asked--oh, grant it not.",
"CHRISTIAN (to Cyrano, pulling him by his cloak):\n Why?",
"CYRANO:\n Silence, Christian!",
"Hush!",
"ROXANE (leaning over):\n What whisper you?",
"CYRANO:\n I chid myself for my too bold advances;\n Said, 'Silence, Christian!'",
"(The lutes begin to play):\n Hark!",
"Wait awhile,.",
". .\n Steps come!",
"(Roxane shuts the window.",
"Cyrano listens to the lutes, one of which plays a\nmerry, the other a melancholy, tune):\n Why, they play sad--then gay--then sad!",
"What?",
"Neither man nor woman?--oh!",
"a monk!",
"(Enter a capuchin friar, with a lantern.",
"He goes from house to house, looking\nat every door.)"
] | [
"CHRISTIAN (same play):\n Love grew apace, rocked by the anxious beating.",
"--But why so faltering?",
"CYRANO:\n True, far above; at such a height 'twere death\n If a hard word from you fell on my heart.",
"ROXANE:\n Why--unseen?",
"CYRANO:\n Till now I spoke haphazard.",
". .\n\nCYRANO:\n If I have used it to arrest you\n At the first starting,--now, 'twould be an outrage,\n An insult--to the perfumed Night--to Nature--\n To speak fine words that garnish vain love-letters!",
". .\n\nCYRANO:\n In love 'tis crime,--'tis hateful!",
"ROXANE:\n Ay!",
"I am trembling, weeping!--I am thine!",
"One thing, but one, I dare to ask--\n\nCHRISTIAN (under the balcony):\n A kiss!"
] | [
"a monk!",
"In moments when my hopes rose proudest,\n I never hoped such guerdon.",
"CYRANO:\n They find their way at once?",
"CYRANO (to Roxane):\n My words sprang thoughtlessly, but now I see--\n Shame on me!--I was too presumptuous.",
"ROXANE:\n No, you speak stupidly!",
"CYRANO (quickly, in a low voice):\n Go!",
". .",
"He goes from house to house, looking\nat every door.)",
"Hush!",
". .\n\nCHRISTIAN (seizing his arm):\n Oh, she is there!"
] | [
"The rare occasion, when our hearts can speak\n Our selves unseen, unseeing!",
"ROXANE:\n Why--unseen?",
"CYRANO:\n Ay, it is sweet!",
"Half hidden,--half revealed--\n You see the dark folds of my shrouding cloak,\n And I, the glimmering whiteness of your dress:\n I but a shadow--you a radiance fair!",
"Know you what such a moment holds for me?",
"If ever I were eloquent.",
". .\n\nROXANE:\n You were!",
"CYRANO:\n Yet never till to-night my speech has sprung\n Straight from my heart as now it springs.",
"ROXANE:\n Why not?",
"CYRANO:\n Till now I spoke haphazard.",
". .\n\nROXANE:\n What?"
] | [
"Christian, Cyrano, two pages.",
"CHRISTIAN:\n Come to my aid!",
"CYRANO:\n Not I!",
"CHRISTIAN:\n But I shall die,\n Unless at once I win back her fair favor.",
"CYRANO:\n And how can I, at once, i' th' devil's name,\n Lesson you in.",
". .\n\nCHRISTIAN (seizing his arm):\n Oh, she is there!",
"(The window of the balcony is now lighted up.)",
"CYRANO (moved):\n Her window!",
"CHRISTIAN:\n Oh!",
"I shall die!",
"(The lutes begin to play):\n Hark!",
"Wait awhile,.",
". .\n Steps come!",
"(Roxane shuts the window.",
"Cyrano listens to the lutes, one of which plays a\nmerry, the other a melancholy, tune):\n Why, they play sad--then gay--then sad!",
"What?",
"Neither man nor woman?--oh!",
"a monk!",
"(Enter a capuchin friar, with a lantern.",
"He goes from house to house, looking\nat every door.)"
] | e casement, pausing):
Hold!
'tis a trifle better!
ay, a trifle!
CHRISTIAN (same play):
Love grew apace, rocked by the anxious beating.
. .
Of this poor heart, which the cruel wanton boy.
. .
Took for a cradle!
ROXANE (coming out on to the balcony):
That is better!
But
An if you deem that Cupid be so cruel
You should have stifled baby-love in's cradle!
CHRISTIAN (same play):
Ah, Madame, I assayed, but all in vain
This. . .new-born babe is a young. . .Hercules!
ROXANE:
Still better!
CHRISTIAN (same play):
Thus he strangled in my heart
The. . .serpents twain, of. . .Pride. . .and Doubt!
ROXANE (leaning over the balcony):
Well said!
--But why so faltering?
Has mental palsy
Seized on your faculty imaginative?
CYRANO (drawing Christian under the balcony, and slipping into his place):
Give place!
This waxes critical!.
. .
ROXANE:
To-day.
. .
Your words are hesitating.
CYRANO (imitating Christian--in a whisper):
Night has come.
. .
In the dusk they grope their | Christian, Cyrano, two pages.
CHRISTIAN:
Come to my aid!
CYRANO:
Not I!
CHRISTIAN:
But I shall die,
Unless at once I win back her fair favor.
CYRANO:
And how can I, at once, i' th' devil's name,
Lesson you in.
. .
CHRISTIAN (seizing his arm):
Oh, she is there!
(The window of the balcony is now lighted up.)
CYRANO (moved):
Her window!
CHRISTIAN:
Oh!
I shall die!
CYRANO:
Speak lower!
CHRISTIAN (in a whisper):
I shall die!
CYRANO:
The night is dark.
. .
CHRISTIAN:
Well!
, Christian!
Hush!
ROXANE (leaning over):
What whisper you?
CYRANO:
I chid myself for my too bold advances;
Said, 'Silence, Christian!'
(The lutes begin to play):
Hark!
Wait awhile,.
. .
Steps come!
(Roxane shuts the window.
Cyrano listens to the lutes, one of which plays a
merry, the other a melancholy, tune):
Why, they play sad--then gay--then sad!
What?
Neither man nor woman?--oh!
a monk!
(Enter a capuchin friar, with a lantern.
He goes from house to house, looking
at every door.) | that turn men dizzy!--But to-night
Methinks I shall find speech for the first time!
ROXANE:
'Tis true, your voice rings with a tone that's new.
CYRANO (coming nearer, passionately):
Ay, a new tone!
In the tender, sheltering dusk
I dare to be myself for once,--at last!
(He stops, falters):
What say I?
I know not!--Oh, pardon me--
It thrills me,--'tis so sweet, so novel.
. .
ROXANE:
How?
So novel?
CYRANO (off his balance, trying to find the thread of his sentence):
Ay,--to be at last sincere;
Till now, my chilled heart, fearing to be mocked.
. .
ROXANE:
Mocked, and for what?
CYRANO:
For its mad beating!--Ay,
My heart has clothed itself with witty words,
To shroud itself from curious eyes:--impelled
At times to aim at a star, I stay my hand,
And, fearing ridicule,--cull a wild flower!
ROXANE:
A wild flower's sweet.
CYRANO:
Ay, but to-night--the star!
ROXANE:
Oh!
never have you spoken thus before!
CYRANO:
If, leaving Cupid's arrows, quivers, torches,
|
1,254 | false | pinkmonkey | all_chapterized_books/1254-chapters/28.txt | finished_summaries/pinkmonkey/Cyrano De Bergerac/section_24_part_0.txt | Cyrano De Bergerac.act 3.scene 7 | scene 7 | null | {"name": "Scene 7", "url": "https://web.archive.org/web/20180820053313/http://www.pinkmonkey.com/booknotes/monkeynotes/pmCyrano31.asp", "summary": "As planned, Christian stands under Roxane's balcony and repeats the words that Cyrano tells him from his hiding place in the darkness. Although it is a wonderful figurative speech about love and its effects, Roxane is not pleased with its delivery. Christian speaks very haltingly, for he must constantly wait for Cyrano's prompting. Realizing what is happening, Cyrano, still under the cover of darkness, takes over. He imitates Christian's voice and gives full vent to his great passion in brilliant poetic imagery. In the end, he gives a sincere confession of his great love and what he would do for Roxane. She responds by declaring her intoxication for him. At this point, Christian jumps back in and asks for a kiss. Roxane responds by drawing back. The awkwardness of the moment is relieved when suddenly the pages play their warning music. Since it seems to be both a happy and sad tune at once, Cyrano fails to understand whether the person approaching is a man or a woman. He understands, however, when he sees a Capuchin monk, a rather sexless figure, coming towards him.", "analysis": "Notes This humorous balcony scene, filled with dramatic irony, has become quite famous. Cyrano hides in the darkness marvelously expressing his true emotions for Roxane. His speech is filled with sensory images and comparisons, such as calling his heart a bell. It is Christian, however, who delivers the words of love to Roxane. Of course, since he has to wait for Cyrano's prompting, Christian's delivery of the message is very poor; he continually halts and hesitates. Not able to stand his own words being butchered, Cyrano jumps in. Disguising his voice to sound like Christian, he actually tells Roxane how he feels for her. Roxane, of course, thinks it is Christian speaking. Roxane is intoxicated by Cyrano's lovely words and expresses her feelings of love. Sadly, the words of love are aimed at Christian. The irony of the scene is obvious. Cyrano has longed to woo Roxane, whom he dearly loves, but he is too ashamed of his ugly appearance to approach her. Now he has the golden opportunity to speak his true emotions from the heart - first with Christian as the mouthpiece and then using his own disguised voice. He has dreamed about being able to express his love directly to Roxane, but he never believed it would happen. Now that he is speaking to her, even though it under cover of darkness and hypocrisy, he gets carried away. It is surprising that a close analysis of Cyrano's words reveal that he is skeptical of the ability of language to convey emotions. Half way through his romantic discourse he calls it \"daintily sipping stale sentimentality from ornate golden cups\" and tries to turn to \"fresher things\" from the river of love. Rostand, through Cyrano, shows that he is well aware of some of the trite images he has used, and his purpose seems to be as much to educate the audience about pretentious language as to turn Roxane's attention from sentimentality to a deeper more sincere expression of emotion. Just as the scene seems to reach excess, the talented Rostand makes Christian interrupt. He shocks Roxane by asking her for a kiss, which she refuses to give. The awkwardness of the moment is cleverly dispelled by the re-entry of the musical pages. When they see a Capuchin monk approaching, they want to play a musical warning, as they promised they would do; however, since they cannot decide whether to play a happy song, indicating a female, or a sad song, indicating a male, they play a song that is both happy and sad. Cyrano is totally confused until he sees the monk approaching. He then understands the mixed signal of the musicians."} | Cyrano, Christian, a capuchin friar.
CYRANO (to the friar):
What do you, playing at Diogenes?
THE FRIAR:
I seek the house of Madame. . .
CHRISTIAN:
Oh! plague take him!
THE FRIAR:
Madeleine Robin. . .
CHRISTIAN:
What would he?. . .
CYRANO (pointing to a street at the back):
This way!
Straight on. . .
THE FRIAR
I thank you, and, in your intention
Will tell my rosary to its last bead.
(He goes out.)
CYRANO:
Good luck! My blessings rest upon your cowl!
(He goes back to Christian.)
| 91 | Scene 7 | https://web.archive.org/web/20180820053313/http://www.pinkmonkey.com/booknotes/monkeynotes/pmCyrano31.asp | As planned, Christian stands under Roxane's balcony and repeats the words that Cyrano tells him from his hiding place in the darkness. Although it is a wonderful figurative speech about love and its effects, Roxane is not pleased with its delivery. Christian speaks very haltingly, for he must constantly wait for Cyrano's prompting. Realizing what is happening, Cyrano, still under the cover of darkness, takes over. He imitates Christian's voice and gives full vent to his great passion in brilliant poetic imagery. In the end, he gives a sincere confession of his great love and what he would do for Roxane. She responds by declaring her intoxication for him. At this point, Christian jumps back in and asks for a kiss. Roxane responds by drawing back. The awkwardness of the moment is relieved when suddenly the pages play their warning music. Since it seems to be both a happy and sad tune at once, Cyrano fails to understand whether the person approaching is a man or a woman. He understands, however, when he sees a Capuchin monk, a rather sexless figure, coming towards him. | Notes This humorous balcony scene, filled with dramatic irony, has become quite famous. Cyrano hides in the darkness marvelously expressing his true emotions for Roxane. His speech is filled with sensory images and comparisons, such as calling his heart a bell. It is Christian, however, who delivers the words of love to Roxane. Of course, since he has to wait for Cyrano's prompting, Christian's delivery of the message is very poor; he continually halts and hesitates. Not able to stand his own words being butchered, Cyrano jumps in. Disguising his voice to sound like Christian, he actually tells Roxane how he feels for her. Roxane, of course, thinks it is Christian speaking. Roxane is intoxicated by Cyrano's lovely words and expresses her feelings of love. Sadly, the words of love are aimed at Christian. The irony of the scene is obvious. Cyrano has longed to woo Roxane, whom he dearly loves, but he is too ashamed of his ugly appearance to approach her. Now he has the golden opportunity to speak his true emotions from the heart - first with Christian as the mouthpiece and then using his own disguised voice. He has dreamed about being able to express his love directly to Roxane, but he never believed it would happen. Now that he is speaking to her, even though it under cover of darkness and hypocrisy, he gets carried away. It is surprising that a close analysis of Cyrano's words reveal that he is skeptical of the ability of language to convey emotions. Half way through his romantic discourse he calls it "daintily sipping stale sentimentality from ornate golden cups" and tries to turn to "fresher things" from the river of love. Rostand, through Cyrano, shows that he is well aware of some of the trite images he has used, and his purpose seems to be as much to educate the audience about pretentious language as to turn Roxane's attention from sentimentality to a deeper more sincere expression of emotion. Just as the scene seems to reach excess, the talented Rostand makes Christian interrupt. He shocks Roxane by asking her for a kiss, which she refuses to give. The awkwardness of the moment is cleverly dispelled by the re-entry of the musical pages. When they see a Capuchin monk approaching, they want to play a musical warning, as they promised they would do; however, since they cannot decide whether to play a happy song, indicating a female, or a sad song, indicating a male, they play a song that is both happy and sad. Cyrano is totally confused until he sees the monk approaching. He then understands the mixed signal of the musicians. | 184 | 444 | [
"Cyrano, Christian, a capuchin friar.",
"CYRANO (to the friar):\n What do you, playing at Diogenes?",
"THE FRIAR:\n I seek the house of Madame.",
". .\n\nCHRISTIAN:\n Oh!",
"plague take him!",
"THE FRIAR:\n Madeleine Robin.",
". .\n\nCHRISTIAN:\n What would he?.",
". .\n\nCYRANO (pointing to a street at the back):\n This way!",
"Straight on.",
". .",
"THE FRIAR\n I thank you, and, in your intention\n Will tell my rosary to its last bead.",
"(He goes out.)",
"CYRANO:\n Good luck!",
"My blessings rest upon your cowl!",
"(He goes back to Christian.)"
] | [
"CYRANO (to the friar):\n What do you, playing at Diogenes?",
". .\n\nCHRISTIAN:\n Oh!",
"THE FRIAR:\n Madeleine Robin.",
". .\n\nCHRISTIAN:\n What would he?.",
". .\n\nCYRANO (pointing to a street at the back):\n This way!",
". .",
"THE FRIAR\n I thank you, and, in your intention\n Will tell my rosary to its last bead.",
"(He goes out.)",
"CYRANO:\n Good luck!",
"My blessings rest upon your cowl!"
] | [
"THE FRIAR\n I thank you, and, in your intention\n Will tell my rosary to its last bead.",
"My blessings rest upon your cowl!",
"THE FRIAR:\n I seek the house of Madame.",
"plague take him!",
"Straight on.",
". .\n\nCYRANO (pointing to a street at the back):\n This way!",
"THE FRIAR:\n Madeleine Robin.",
". .\n\nCHRISTIAN:\n What would he?.",
"CYRANO:\n Good luck!",
". ."
] | [
"THE FRIAR:\n I seek the house of Madame.",
". .\n\nCHRISTIAN:\n Oh!",
"plague take him!",
"THE FRIAR:\n Madeleine Robin.",
". .\n\nCHRISTIAN:\n What would he?.",
". .\n\nCYRANO (pointing to a street at the back):\n This way!",
"Straight on.",
". .",
"THE FRIAR\n I thank you, and, in your intention\n Will tell my rosary to its last bead.",
"(He goes out.)",
"CYRANO:\n Good luck!"
] | [
"Cyrano, Christian, a capuchin friar.",
"CYRANO (to the friar):\n What do you, playing at Diogenes?",
"THE FRIAR:\n I seek the house of Madame.",
". .\n\nCHRISTIAN:\n Oh!",
"plague take him!",
"THE FRIAR:\n Madeleine Robin.",
". .\n\nCHRISTIAN:\n What would he?.",
". .\n\nCYRANO (pointing to a street at the back):\n This way!",
"Straight on.",
". .",
"THE FRIAR:\n Madeleine Robin.",
". .\n\nCHRISTIAN:\n What would he?.",
". .\n\nCYRANO (pointing to a street at the back):\n This way!",
"Straight on.",
". .",
"THE FRIAR\n I thank you, and, in your intention\n Will tell my rosary to its last bead.",
"(He goes out.)",
"CYRANO:\n Good luck!",
"My blessings rest upon your cowl!",
"(He goes back to Christian.)"
] | Cyrano, Christian, a capuchin friar.
CYRANO (to the friar):
What do you, playing at Diogenes?
THE FRIAR:
I seek the house of Madame.
. .
CHRISTIAN:
Oh!
plague take him!
THE FRIAR:
Madeleine Robin.
. .
CHRISTIAN:
What would he?.
. .
CYRANO (pointing to a street at the back):
This way!
Straight on.
. .
THE FRIAR
I thank you, and, in your intention
Will tell my rosary to its last bead.
(He goes out.)
CYRANO:
Good luck!
My blessings rest upon your cowl!
(He goes back to Christian.) | Cyrano, Christian, a capuchin friar.
CYRANO (to the friar):
What do you, playing at Diogenes?
THE FRIAR:
I seek the house my rosary to its last bead.
(He goes out.)
CYRANO:
Good luck!
My blessings rest upon your cowl!
(He goes back to Christian.) | of Madame.
. .
CHRISTIAN:
Oh!
plague take him!
THE FRIAR:
Madeleine Robin.
. .
CHRISTIAN:
What would he?.
. .
CYRANO (pointing to a street at the back):
This way!
Straight on.
. .
THE FRIAR
I thank you, and, in your intention
Will tell |
1,254 | false | pinkmonkey | all_chapterized_books/1254-chapters/29.txt | finished_summaries/pinkmonkey/Cyrano De Bergerac/section_25_part_0.txt | Cyrano De Bergerac.act 3.scene 8 | scene 8 | null | {"name": "Scene 8", "url": "https://web.archive.org/web/20180820053313/http://www.pinkmonkey.com/booknotes/monkeynotes/pmCyrano32.asp", "summary": "The monk is looking for Roxane's house, but Cyrano coolly and cleverly misdirects him. The monk blesses Cyrano and goes merrily on his way. Christian reminds Cyrano to ask Roxane for a kiss once again. Although the audience realizes that the embrace will be painful for Cyrano, he sees the inevitability of these two attractive young people coming together. He also knows that his words have made their coming together a reality.", "analysis": "Notes The Capuchin monk being misdirected and then blessing Cyrano for his guidance is a light, humorous moment in the play. The moment is spoiled with Christian's insistence on receiving a kiss from Roxane. He instructs Cyrano that he needs to again speak in the voice of Christian and ask Roxane for the embrace one more time. Cyrano's resigned tone and his checked hope are both aimed at making the audience sympathize with Cyrano, who is the more deserving person."} | Cyrano, Christian.
CHRISTIAN:
Oh! win for me that kiss. . .
CYRANO:
No!
CHRISTIAN:
Soon or late!. . .
CYRANO:
'Tis true! The moment of intoxication--
Of madness,--when your mouths are sure to meet
Thanks to your fair mustache--and her rose lips!
(To himself):
I'd fainer it should come thanks to. . .
(A sound of shutters reopening. Christian goes in again under the balcony.)
| 68 | Scene 8 | https://web.archive.org/web/20180820053313/http://www.pinkmonkey.com/booknotes/monkeynotes/pmCyrano32.asp | The monk is looking for Roxane's house, but Cyrano coolly and cleverly misdirects him. The monk blesses Cyrano and goes merrily on his way. Christian reminds Cyrano to ask Roxane for a kiss once again. Although the audience realizes that the embrace will be painful for Cyrano, he sees the inevitability of these two attractive young people coming together. He also knows that his words have made their coming together a reality. | Notes The Capuchin monk being misdirected and then blessing Cyrano for his guidance is a light, humorous moment in the play. The moment is spoiled with Christian's insistence on receiving a kiss from Roxane. He instructs Cyrano that he needs to again speak in the voice of Christian and ask Roxane for the embrace one more time. Cyrano's resigned tone and his checked hope are both aimed at making the audience sympathize with Cyrano, who is the more deserving person. | 72 | 80 | [
"Cyrano, Christian.",
"CHRISTIAN:\n Oh!",
"win for me that kiss.",
". .\n\nCYRANO:\n No!",
"CHRISTIAN:\n Soon or late!.",
". .\n\nCYRANO:\n 'Tis true!",
"The moment of intoxication--\n Of madness,--when your mouths are sure to meet\n Thanks to your fair mustache--and her rose lips!",
"(To himself):\n I'd fainer it should come thanks to.",
". .\n\n(A sound of shutters reopening.",
"Christian goes in again under the balcony.)"
] | [
"Cyrano, Christian.",
"CHRISTIAN:\n Oh!",
"win for me that kiss.",
". .\n\nCYRANO:\n No!",
"CHRISTIAN:\n Soon or late!.",
". .\n\nCYRANO:\n 'Tis true!",
"The moment of intoxication--\n Of madness,--when your mouths are sure to meet\n Thanks to your fair mustache--and her rose lips!",
"(To himself):\n I'd fainer it should come thanks to.",
". .\n\n(A sound of shutters reopening.",
"Christian goes in again under the balcony.)"
] | [
". .\n\nCYRANO:\n 'Tis true!",
"win for me that kiss.",
"CHRISTIAN:\n Oh!",
"(To himself):\n I'd fainer it should come thanks to.",
". .\n\nCYRANO:\n No!",
"CHRISTIAN:\n Soon or late!.",
"Christian goes in again under the balcony.)",
". .\n\n(A sound of shutters reopening.",
"Cyrano, Christian.",
"The moment of intoxication--\n Of madness,--when your mouths are sure to meet\n Thanks to your fair mustache--and her rose lips!"
] | [
"CHRISTIAN:\n Oh!",
"win for me that kiss.",
". .\n\nCYRANO:\n No!",
"CHRISTIAN:\n Soon or late!.",
". .\n\nCYRANO:\n 'Tis true!",
"The moment of intoxication--\n Of madness,--when your mouths are sure to meet\n Thanks to your fair mustache--and her rose lips!",
"(To himself):\n I'd fainer it should come thanks to.",
". .\n\n(A sound of shutters reopening.",
"Christian goes in again under the balcony.)"
] | [
"Cyrano, Christian.",
"CHRISTIAN:\n Oh!",
"win for me that kiss.",
". .\n\nCYRANO:\n No!",
"CHRISTIAN:\n Soon or late!.",
". .\n\nCYRANO:\n 'Tis true!",
"The moment of intoxication--\n Of madness,--when your mouths are sure to meet\n Thanks to your fair mustache--and her rose lips!",
"(To himself):\n I'd fainer it should come thanks to.",
". .\n\n(A sound of shutters reopening.",
"Christian goes in again under the balcony.)",
"Cyrano, Christian.",
"CHRISTIAN:\n Oh!",
"win for me that kiss.",
". .\n\nCYRANO:\n No!",
"CHRISTIAN:\n Soon or late!.",
". .\n\nCYRANO:\n 'Tis true!",
"The moment of intoxication--\n Of madness,--when your mouths are sure to meet\n Thanks to your fair mustache--and her rose lips!",
"(To himself):\n I'd fainer it should come thanks to.",
". .\n\n(A sound of shutters reopening.",
"Christian goes in again under the balcony.)"
] | Cyrano, Christian.
CHRISTIAN:
Oh!
win for me that kiss.
. .
CYRANO:
No!
CHRISTIAN:
Soon or late!.
. .
CYRANO:
'Tis true!
The moment of intoxication--
Of madness,--when your mouths are sure to meet
Thanks to your fair mustache--and her rose lips!
(To himself):
I'd fainer it should come thanks to.
. .
(A sound of shutters reopening.
Christian goes in again under the balcony.) | Cyrano, Christian.
CHRISTIAN:
Oh!
win for me that kiss.
. .
CYRANO:
No!
CHRISTIAN:
Soon or d come thanks to.
. .
(A sound of shutters reopening.
Christian goes in again under the balcony.) | late!.
. .
CYRANO:
'Tis true!
The moment of intoxication--
Of madness,--when your mouths are sure to meet
Thanks to your fair mustache--and her rose lips!
(To himself):
I'd fainer it shoul |
1,254 | false | pinkmonkey | all_chapterized_books/1254-chapters/30.txt | finished_summaries/pinkmonkey/Cyrano De Bergerac/section_26_part_0.txt | Cyrano De Bergerac.act 3.scene 9 | scene 9 | null | {"name": "Scene 9", "url": "https://web.archive.org/web/20180820053313/http://www.pinkmonkey.com/booknotes/monkeynotes/pmCyrano32.asp", "summary": "The monk is looking for Roxane's house, but Cyrano coolly and cleverly misdirects him. The monk blesses Cyrano and goes merrily on his way. Christian reminds Cyrano to ask Roxane for a kiss once again. Although the audience realizes that the embrace will be painful for Cyrano, he sees the inevitability of these two attractive young people coming together. He also knows that his words have made their coming together a reality.", "analysis": "Notes The Capuchin monk being misdirected and then blessing Cyrano for his guidance is a light, humorous moment in the play. The moment is spoiled with Christian's insistence on receiving a kiss from Roxane. He instructs Cyrano that he needs to again speak in the voice of Christian and ask Roxane for the embrace one more time. Cyrano's resigned tone and his checked hope are both aimed at making the audience sympathize with Cyrano, who is the more deserving person."} | Cyrano, Christian, Roxane.
ROXANE (coming out on the balcony):
Still there?
We spoke of a. . .
CYRANO:
A kiss! The word is sweet.
I see not why your lip should shrink from it;
If the word burns it,--what would the kiss do?
Oh! let it not your bashfulness affright;
Have you not, all this time, insensibly,
Left badinage aside, and unalarmed
Glided from smile to sigh,--from sigh to weeping?
Glide gently, imperceptibly, still onward--
From tear to kiss,--a moment's thrill!--a heartbeat!
ROXANE:
Hush! hush!
CYRANO:
A kiss, when all is said,--what is it?
An oath that's ratified,--a sealed promise,
A heart's avowal claiming confirmation,--
A rose-dot on the 'i' of 'adoration,'--
A secret that to mouth, not ear, is whispered,--
Brush of a bee's wing, that makes time eternal,--
Communion perfumed like the spring's wild flowers,--
The heart's relieving in the heart's outbreathing,
When to the lips the soul's flood rises, brimming!
ROXANE:
Hush! hush!
CYRANO:
A kiss, Madame, is honorable:
The Queen of France, to a most favored lord
Did grant a kiss--the Queen herself!
ROXANE:
What then?
CYRANO (speaking more warmly):
Buckingham suffered dumbly,--so have I,--
Adored his Queen, as loyally as I,--
Was sad, but faithful,--so am I. . .
ROXANE:
And you
Are fair as Buckingham!
CYRANO (aside--suddenly cooled):
True,--I forgot!
ROXANE:
Must I then bid thee mount to cull this flower?
CYRANO (pushing Christian toward the balcony):
Mount!
ROXANE:
This heart-breathing!. . .
CYRANO:
Mount!
ROXANE:
This brush of bee's wing!. . .
CYRANO:
Mount!
CHRISTIAN (hesitating):
But I feel now, as though 'twere ill done!
ROXANE:
This moment infinite!. . .
CYRANO (still pushing him):
Come, blockhead, mount!
(Christian springs forward, and by means of the bench, the branches, and the
pillars, climbs to the balcony and strides over it.)
CHRISTIAN:
Ah, Roxane!
(He takes her in his arms, and bends over her lips.)
CYRANO:
Aie! Strange pain that wrings my heart!
The kiss, love's feast, so near! I, Lazarus,
Lie at the gate in darkness. Yet to me
Falls still a crumb or two from the rich man's board--
Ay, 'tis my heart receives thee, Roxane--mine!
For on the lips you press you kiss as well
The words I spoke just now!--my words--my words!
(The lutes play):
A sad air,--a gay air: the monk!
(He begins to run as if he came from a long way off, and cries out):
Hola!
ROXANE:
Who is it?
CYRANO:
I--I was but passing by. . .
Is Christian there?
CHRISTIAN (astonished):
Cyrano!
ROXANE:
Good-day, cousin!
CYRANO:
Cousin, good-day!
ROXANE:
I'm coming!
(She disappears into the house. At the back re-enter the friar.)
CHRISTIAN (seeing him):
Back again!
(He follows Roxane.)
| 474 | Scene 9 | https://web.archive.org/web/20180820053313/http://www.pinkmonkey.com/booknotes/monkeynotes/pmCyrano32.asp | The monk is looking for Roxane's house, but Cyrano coolly and cleverly misdirects him. The monk blesses Cyrano and goes merrily on his way. Christian reminds Cyrano to ask Roxane for a kiss once again. Although the audience realizes that the embrace will be painful for Cyrano, he sees the inevitability of these two attractive young people coming together. He also knows that his words have made their coming together a reality. | Notes The Capuchin monk being misdirected and then blessing Cyrano for his guidance is a light, humorous moment in the play. The moment is spoiled with Christian's insistence on receiving a kiss from Roxane. He instructs Cyrano that he needs to again speak in the voice of Christian and ask Roxane for the embrace one more time. Cyrano's resigned tone and his checked hope are both aimed at making the audience sympathize with Cyrano, who is the more deserving person. | 72 | 80 | [
"Cyrano, Christian, Roxane.",
"ROXANE (coming out on the balcony):\n Still there?",
"We spoke of a. . .\n\nCYRANO:\n A kiss!",
"The word is sweet.",
"I see not why your lip should shrink from it;\n If the word burns it,--what would the kiss do?",
"Oh!",
"let it not your bashfulness affright;\n Have you not, all this time, insensibly,\n Left badinage aside, and unalarmed\n Glided from smile to sigh,--from sigh to weeping?",
"Glide gently, imperceptibly, still onward--\n From tear to kiss,--a moment's thrill!--a heartbeat!",
"ROXANE:\n Hush!",
"hush!",
"CYRANO:\n A kiss, when all is said,--what is it?",
"An oath that's ratified,--a sealed promise,\n A heart's avowal claiming confirmation,--\n A rose-dot on the 'i' of 'adoration,'--\n A secret that to mouth, not ear, is whispered,--\n Brush of a bee's wing, that makes time eternal,--\n Communion perfumed like the spring's wild flowers,--\n The heart's relieving in the heart's outbreathing,\n When to the lips the soul's flood rises, brimming!",
"ROXANE:\n Hush!",
"hush!",
"CYRANO:\n A kiss, Madame, is honorable:\n The Queen of France, to a most favored lord\n Did grant a kiss--the Queen herself!",
"ROXANE:\n What then?",
"CYRANO (speaking more warmly):\n Buckingham suffered dumbly,--so have I,--\n Adored his Queen, as loyally as I,--\n Was sad, but faithful,--so am I. . .\n\nROXANE:\n And you\n Are fair as Buckingham!",
"CYRANO (aside--suddenly cooled):\n True,--I forgot!",
"ROXANE:\n Must I then bid thee mount to cull this flower?",
"CYRANO (pushing Christian toward the balcony):\n Mount!",
"ROXANE:\n This heart-breathing!.",
". .\n\nCYRANO:\n Mount!",
"ROXANE:\n This brush of bee's wing!.",
". .\n\nCYRANO:\n Mount!",
"CHRISTIAN (hesitating):\n But I feel now, as though 'twere ill done!",
"ROXANE:\n This moment infinite!.",
". .\n\nCYRANO (still pushing him):\n Come, blockhead, mount!",
"(Christian springs forward, and by means of the bench, the branches, and the\npillars, climbs to the balcony and strides over it.)",
"CHRISTIAN:\n Ah, Roxane!",
"(He takes her in his arms, and bends over her lips.)",
"CYRANO:\n Aie!",
"Strange pain that wrings my heart!",
"The kiss, love's feast, so near!",
"I, Lazarus,\n Lie at the gate in darkness.",
"Yet to me\n Falls still a crumb or two from the rich man's board--\n Ay, 'tis my heart receives thee, Roxane--mine!",
"For on the lips you press you kiss as well\n The words I spoke just now!--my words--my words!",
"(The lutes play):\n A sad air,--a gay air: the monk!",
"(He begins to run as if he came from a long way off, and cries out):\n Hola!",
"ROXANE:\n Who is it?",
"CYRANO:\n I--I was but passing by.",
". .\n Is Christian there?",
"CHRISTIAN (astonished):\n Cyrano!",
"ROXANE:\n Good-day, cousin!",
"CYRANO:\n Cousin, good-day!",
"ROXANE:\n I'm coming!",
"(She disappears into the house.",
"At the back re-enter the friar.)",
"CHRISTIAN (seeing him):\n Back again!",
"(He follows Roxane.)"
] | [
"The word is sweet.",
"I see not why your lip should shrink from it;\n If the word burns it,--what would the kiss do?",
"CYRANO:\n A kiss, when all is said,--what is it?",
"hush!",
"ROXANE:\n Must I then bid thee mount to cull this flower?",
"ROXANE:\n This heart-breathing!.",
"ROXANE:\n This moment infinite!.",
"CHRISTIAN:\n Ah, Roxane!",
"CYRANO:\n Cousin, good-day!",
"CHRISTIAN (seeing him):\n Back again!"
] | [
"ROXANE:\n I'm coming!",
"ROXANE:\n This heart-breathing!.",
"CYRANO:\n Cousin, good-day!",
"I, Lazarus,\n Lie at the gate in darkness.",
"ROXANE (coming out on the balcony):\n Still there?",
"hush!",
"hush!",
"The word is sweet.",
"CYRANO:\n A kiss, Madame, is honorable:\n The Queen of France, to a most favored lord\n Did grant a kiss--the Queen herself!",
"(He begins to run as if he came from a long way off, and cries out):\n Hola!"
] | [
"CYRANO (pushing Christian toward the balcony):\n Mount!",
"ROXANE:\n This heart-breathing!.",
". .\n\nCYRANO:\n Mount!",
"ROXANE:\n This brush of bee's wing!.",
". .\n\nCYRANO:\n Mount!",
"CHRISTIAN (hesitating):\n But I feel now, as though 'twere ill done!",
"ROXANE:\n This moment infinite!.",
". .\n\nCYRANO (still pushing him):\n Come, blockhead, mount!",
"(Christian springs forward, and by means of the bench, the branches, and the\npillars, climbs to the balcony and strides over it.)",
"CHRISTIAN:\n Ah, Roxane!",
"(He takes her in his arms, and bends over her lips.)"
] | [
"Cyrano, Christian, Roxane.",
"ROXANE (coming out on the balcony):\n Still there?",
"We spoke of a. . .\n\nCYRANO:\n A kiss!",
"The word is sweet.",
"I see not why your lip should shrink from it;\n If the word burns it,--what would the kiss do?",
"Oh!",
"let it not your bashfulness affright;\n Have you not, all this time, insensibly,\n Left badinage aside, and unalarmed\n Glided from smile to sigh,--from sigh to weeping?",
"Glide gently, imperceptibly, still onward--\n From tear to kiss,--a moment's thrill!--a heartbeat!",
"ROXANE:\n Hush!",
"hush!",
"CYRANO:\n I--I was but passing by.",
". .\n Is Christian there?",
"CHRISTIAN (astonished):\n Cyrano!",
"ROXANE:\n Good-day, cousin!",
"CYRANO:\n Cousin, good-day!",
"ROXANE:\n I'm coming!",
"(She disappears into the house.",
"At the back re-enter the friar.)",
"CHRISTIAN (seeing him):\n Back again!",
"(He follows Roxane.)"
] | Are fair as Buckingham!
CYRANO (aside--suddenly cooled):
True,--I forgot!
ROXANE:
Must I then bid thee mount to cull this flower?
CYRANO (pushing Christian toward the balcony):
Mount!
ROXANE:
This heart-breathing!.
. .
CYRANO:
Mount!
ROXANE:
This brush of bee's wing!.
. .
CYRANO:
Mount!
CHRISTIAN (hesitating):
But I feel now, as though 'twere ill done!
ROXANE:
This moment infinite!.
. .
CYRANO (still pushing him):
Come, blockhead, mount!
(Christian springs forward, and by means of the bench, the branches, and the
pillars, climbs to the balcony and strides over it.)
CHRISTIAN:
Ah, Roxane!
(He takes her in his arms, and bends over her lips.)
CYRANO:
Aie!
Strange pain that wrings my heart!
The kiss, love's feast, so near!
I, Lazarus,
Lie at the gate in darkness.
Yet to me
Falls still a crumb or two from the rich man's board--
Ay, 'tis my heart receives thee, Roxane--mine!
For on the lips you press you kiss as well
The words I spoke just now!--my words-- | Cyrano, Christian, Roxane.
ROXANE (coming out on the balcony):
Still there?
We spoke of a. . .
CYRANO:
A kiss!
The word is sweet.
I see not why your lip should shrink from it;
If the word burns it,--what would the kiss do?
Oh!
let it not your bashfulness affright;
Have you not, all this time, insensibly,
Left badinage aside, and unalarmed
Glided from smile to sigh,--from sigh to weeping?
Glide gently, imperceptibly, still onward--
From tear to kiss,--a moment's thrill!--a heartbea l
The words I spoke just now!--my words--my words!
(The lutes play):
A sad air,--a gay air: the monk!
(He begins to run as if he came from a long way off, and cries out):
Hola!
ROXANE:
Who is it?
CYRANO:
I--I was but passing by.
. .
Is Christian there?
CHRISTIAN (astonished):
Cyrano!
ROXANE:
Good-day, cousin!
CYRANO:
Cousin, good-day!
ROXANE:
I'm coming!
(She disappears into the house.
At the back re-enter the friar.)
CHRISTIAN (seeing him):
Back again!
(He follows Roxane.) | ng in the heart's outbreathing,
When to the lips the soul's flood rises, brimming!
ROXANE:
Hush!
hush!
CYRANO:
A kiss, Madame, is honorable:
The Queen of France, to a most favored lord
Did grant a kiss--the Queen herself!
ROXANE:
What then?
CYRANO (speaking more warmly):
Buckingham suffered dumbly,--so have I,--
Adored his Queen, as loyally as I,--
Was sad, but faithful,--so am I. . .
ROXANE:
And you
Are fair as Buckingham!
CYRANO (aside--suddenly cooled):
True,--I forgot!
ROXANE:
Must I then bid thee mount to cull this flower?
CYRANO (pushing Christian toward the balcony):
Mount!
ROXANE:
This heart-breathing!.
. .
CYRANO:
Mount!
ROXANE:
This brush of bee's wing!.
. .
CYRANO:
Mount!
CHRISTIAN (hesitating):
But I feel now, as though 'twere ill done!
ROXANE:
This moment infinite!.
. .
CYRANO (still pushing him):
Come, blockhead, mount!
(Christian springs forward, and by means of the bench, the branches, and the
pillars, climbs to the balcony a |
1,254 | false | pinkmonkey | all_chapterized_books/1254-chapters/31.txt | finished_summaries/pinkmonkey/Cyrano De Bergerac/section_27_part_0.txt | Cyrano De Bergerac.act 3.scene 10 | scene 10 | null | {"name": "Scene 10", "url": "https://web.archive.org/web/20180820053313/http://www.pinkmonkey.com/booknotes/monkeynotes/pmCyrano33.asp", "summary": "When Roxane opens the window again, Cyrano resumes talking in Christian's voice, giving a charming dissertation on a kiss. Roxane is so stirred by the words that she wants Christian to immediately come up and give her that \"matchless flower... of communion.\" Cyrano pushes Christian up towards the balcony so Christian can kiss the true love of them both. Cyrano interrupts Roxane and Christian, for the monk is returning, as signaled by the pages. Roxane offers to come down and see the monk, who is angry for being misled by Cyrano. The monk has been trying to find Roxane, for he has a letter for her, written and sent by De Guiche. Roxane reads the letter. De Guiche explains that he has not gone to Arras; instead, he has stayed behind in order to visit with Roxane, who is horrified at the news. She decides to do something rash. She will take advantage of the moment and the monk's presence. She tells the monk that the letter instructs him to marry her to Christian at once, for Cardinal Richelieu has ordered it. She pretends to oppose the idea and seems to be reluctant to go into the house to be married. Of course, she has really masterminded the whole thing. As she enters the house for the wedding, Roxane turns to Cyrano and asks him to delay De Guiche's arrival.", "analysis": "Notes The dramatic irony of the play continues to build in these scenes. While expounding on the meaning of a kiss in Christian's voice, Cyrano is really declaring his own love for Roxane. He states that a kiss is \"a seal on the pact that has already been signed\" and \"a secret told to the mouth rather than the ear.\" He then speaks of a kiss as \"the hush of eternity\" and the \"fragrance of a flower,\" word images that reveal how Cyrano can fuse the senses into a total experience of sound and smell. The words of Cyrano, spoken by Christian, are so moving that Roxane calls Christian to come up on her balcony and give her a kiss at once. The kind Cyrano, whose heart must be breaking, gives Christian a boost to get up on the balcony so he can seal his love for Roxane. As the handsome couple embraces, Cyrano vicariously experiences the kiss, knowing that Roxane is rewarding Christian because of Cyrano's words. He also accepts the inevitability of an attraction between this handsome man and woman. Neither Cyrano nor Christian is prepared for what happens next. When the monk returns and gives Roxane a letter from De Guiche, she cleverly comes up with an astounding plan. Although the letter states that De Guiche has not gone to Arras in order to be with Roxane, she tells the monk that the letter states that she should marry Christian immediately, on the orders of Cardinal Richelieu. She proves she is a good actress, for she pretends to be very reluctant to go inside and have the monk carry out the orders. The simple-minded monk is tricked once again. He goes inside to perform the ceremony while Cyrano waits outside to delay De Guiche, as Roxane has asked him to do. It is not perfectly clear why Roxane decides to marry Christian in haste. Although the words of Cyrano and the kiss of Christian have raised her to a feverish pitch, she is normally a clever and intelligent woman. Unless love has totally clouded her mind, it must be assumed that she is frightened by the intentions of De Guiche, whom she knows is a very powerful man who usually gets his way. By marrying Christian, she can put a real roadblock in De Guiche's plans for her. And of course, she has always found Christian extremely attractive, ever since the moment she first laid eyes on him in the theater in the first act."} | Cyrano, Christian, Roxane, the friar, Ragueneau.
THE FRIAR:
'Tis here,--I'm sure of it--Madame Madeleine Robin.
CYRANO:
Why, you said Ro-LIN.
THE FRIAR:
No, not I.
B,I,N,BIN!
ROXANE (appearing on the threshold, followed by Ragueneau, who carries a
lantern, and Christian):
What is't?
THE FRIAR:
A letter.
CHRISTIAN:
What?
THE FRIAR (to Roxane):
Oh, it can boot but a holy business!
'Tis from a worthy lord. . .
ROXANE (to Christian):
De Guiche!
CHRISTIAN:
He dares. . .
ROXANE:
Oh, he will not importune me forever!
(Unsealing the letter):
I love you,--therefore--
(She reads in a low voice by the aid of Ragueneau's lantern):
'Lady,
The drums beat;
My regiment buckles its harness on
And starts; but I,--they deem me gone before--
But I stay. I have dared to disobey
Your mandate. I am here in convent walls.
I come to you to-night. By this poor monk--
A simple fool who knows not what he bears--
I send this missive to apprise your ear.
Your lips erewhile have smiled on me, too sweet:
I go not ere I've seen them once again!
I would be private; send each soul away,
Receive alone him,--whose great boldness you
Have deigned, I hope, to pardon, ere he asks,--
He who is ever your--et cetera.'
(To the monk):
Father, this is the matter of the letter:--
(All come near her, and she reads aloud):
'Lady,
The Cardinal's wish is law; albeit
It be to you unwelcome. For this cause
I send these lines--to your fair ear addressed--
By a holy man, discreet, intelligent:
It is our will that you receive from him,
In your own house, the marriage
(She turns the page):
benediction
Straightway, this night. Unknown to all the world
Christian becomes your husband. Him we send.
He is abhorrent to your choice. Let be.
Resign yourself, and this obedience
Will be by Heaven well recompensed. Receive,
Fair lady, all assurance of respect,
From him who ever was, and still remains,
Your humble and obliged--et cetera.'
THE FRIAR (with great delight):
O worthy lord! I knew naught was to fear;
It could be but holy business!
ROXANE (to Christian, in a low voice):
Am I not apt at reading letters?
CHRISTIAN:
Hum!
ROXANE (aloud, with despair):
But this is horrible!
THE FRIAR (who has turned his lantern on Cyrano):
'Tis you?
CHRISTIAN:
'Tis I!
THE FRIAR (turning the light on to him, and as if a doubt struck him on seeing
his beauty):
But. . .
ROXANE (quickly):
I have overlooked the postscript--see:--
'Give twenty pistoles for the Convent.'
THE FRIAR:
. . .Oh!
Most worthy lord!
(To Roxane):
Submit you?
ROXANE (with a martyr's look):
I submit!
(While Ragueneau opens the door, and Christian invites the friar to enter, she
whispers to Cyrano):
Oh, keep De Guiche at bay! He will be here!
Let him not enter till. . .
CYRANO:
I understand!
(To the friar):
What time need you to tie the marriage-knot?
THE FRIAR:
A quarter of an hour.
CYRANO (pushing them all toward the house):
Go! I stay.
ROXANE (to Christian):
Come!. . .
(They enter.)
CYRANO:
Now, how to detain De Guiche so long?
(He jumps on the bench, climbs to the balcony by the wall):
Come!. . .up I go!. . .I have my plan!. . .
(The lutes begin to play a very sad air):
What, ho!
(The tremolo grows more and more weird):
It is a man! ay! 'tis a man this time!
(He is on the balcony, pulls his hat over his eyes, takes off his sword, wraps
himself in his cloak, then leans over):
'Tis not too high!
(He strides across the balcony, and drawing to him a long branch of one of the
trees that are by the garden wall, he hangs on to it with both hands, ready to
let himself fall):
I'll shake this atmosphere!
| 686 | Scene 10 | https://web.archive.org/web/20180820053313/http://www.pinkmonkey.com/booknotes/monkeynotes/pmCyrano33.asp | When Roxane opens the window again, Cyrano resumes talking in Christian's voice, giving a charming dissertation on a kiss. Roxane is so stirred by the words that she wants Christian to immediately come up and give her that "matchless flower... of communion." Cyrano pushes Christian up towards the balcony so Christian can kiss the true love of them both. Cyrano interrupts Roxane and Christian, for the monk is returning, as signaled by the pages. Roxane offers to come down and see the monk, who is angry for being misled by Cyrano. The monk has been trying to find Roxane, for he has a letter for her, written and sent by De Guiche. Roxane reads the letter. De Guiche explains that he has not gone to Arras; instead, he has stayed behind in order to visit with Roxane, who is horrified at the news. She decides to do something rash. She will take advantage of the moment and the monk's presence. She tells the monk that the letter instructs him to marry her to Christian at once, for Cardinal Richelieu has ordered it. She pretends to oppose the idea and seems to be reluctant to go into the house to be married. Of course, she has really masterminded the whole thing. As she enters the house for the wedding, Roxane turns to Cyrano and asks him to delay De Guiche's arrival. | Notes The dramatic irony of the play continues to build in these scenes. While expounding on the meaning of a kiss in Christian's voice, Cyrano is really declaring his own love for Roxane. He states that a kiss is "a seal on the pact that has already been signed" and "a secret told to the mouth rather than the ear." He then speaks of a kiss as "the hush of eternity" and the "fragrance of a flower," word images that reveal how Cyrano can fuse the senses into a total experience of sound and smell. The words of Cyrano, spoken by Christian, are so moving that Roxane calls Christian to come up on her balcony and give her a kiss at once. The kind Cyrano, whose heart must be breaking, gives Christian a boost to get up on the balcony so he can seal his love for Roxane. As the handsome couple embraces, Cyrano vicariously experiences the kiss, knowing that Roxane is rewarding Christian because of Cyrano's words. He also accepts the inevitability of an attraction between this handsome man and woman. Neither Cyrano nor Christian is prepared for what happens next. When the monk returns and gives Roxane a letter from De Guiche, she cleverly comes up with an astounding plan. Although the letter states that De Guiche has not gone to Arras in order to be with Roxane, she tells the monk that the letter states that she should marry Christian immediately, on the orders of Cardinal Richelieu. She proves she is a good actress, for she pretends to be very reluctant to go inside and have the monk carry out the orders. The simple-minded monk is tricked once again. He goes inside to perform the ceremony while Cyrano waits outside to delay De Guiche, as Roxane has asked him to do. It is not perfectly clear why Roxane decides to marry Christian in haste. Although the words of Cyrano and the kiss of Christian have raised her to a feverish pitch, she is normally a clever and intelligent woman. Unless love has totally clouded her mind, it must be assumed that she is frightened by the intentions of De Guiche, whom she knows is a very powerful man who usually gets his way. By marrying Christian, she can put a real roadblock in De Guiche's plans for her. And of course, she has always found Christian extremely attractive, ever since the moment she first laid eyes on him in the theater in the first act. | 230 | 418 | [
"Cyrano, Christian, Roxane, the friar, Ragueneau.",
"THE FRIAR:\n 'Tis here,--I'm sure of it--Madame Madeleine Robin.",
"CYRANO:\n Why, you said Ro-LIN.",
"THE FRIAR:\n No, not I.\n B,I,N,BIN!",
"ROXANE (appearing on the threshold, followed by Ragueneau, who carries a\nlantern, and Christian):\n What is't?",
"THE FRIAR:\n A letter.",
"CHRISTIAN:\n What?",
"THE FRIAR (to Roxane):\n Oh, it can boot but a holy business!",
"'Tis from a worthy lord.",
". .\n\nROXANE (to Christian):\n De Guiche!",
"CHRISTIAN:\n He dares.",
". .\n\nROXANE:\n Oh, he will not importune me forever!",
"(Unsealing the letter):\n I love you,--therefore--\n(She reads in a low voice by the aid of Ragueneau's lantern):\n 'Lady,\n The drums beat;\n My regiment buckles its harness on\n And starts; but I,--they deem me gone before--\n But I stay.",
"I have dared to disobey\n Your mandate.",
"I am here in convent walls.",
"I come to you to-night.",
"By this poor monk--\n A simple fool who knows not what he bears--\n I send this missive to apprise your ear.",
"Your lips erewhile have smiled on me, too sweet:\n I go not ere I've seen them once again!",
"I would be private; send each soul away,\n Receive alone him,--whose great boldness you\n Have deigned, I hope, to pardon, ere he asks,--\n He who is ever your--et cetera.'",
"(To the monk):\n Father, this is the matter of the letter:--\n(All come near her, and she reads aloud):\n 'Lady,\n The Cardinal's wish is law; albeit\n It be to you unwelcome.",
"For this cause\n I send these lines--to your fair ear addressed--\n By a holy man, discreet, intelligent:\n It is our will that you receive from him,\n In your own house, the marriage\n(She turns the page):\n benediction\n Straightway, this night.",
"Unknown to all the world\n Christian becomes your husband.",
"Him we send.",
"He is abhorrent to your choice.",
"Let be.",
"Resign yourself, and this obedience\n Will be by Heaven well recompensed.",
"Receive,\n Fair lady, all assurance of respect,\n From him who ever was, and still remains,\n Your humble and obliged--et cetera.'",
"THE FRIAR (with great delight):\n O worthy lord!",
"I knew naught was to fear;\n It could be but holy business!",
"ROXANE (to Christian, in a low voice):\n Am I not apt at reading letters?",
"CHRISTIAN:\n Hum!",
"ROXANE (aloud, with despair):\n But this is horrible!",
"THE FRIAR (who has turned his lantern on Cyrano):\n 'Tis you?",
"CHRISTIAN:\n 'Tis I!",
"THE FRIAR (turning the light on to him, and as if a doubt struck him on seeing\nhis beauty):\n But.",
". .\n\nROXANE (quickly):\n I have overlooked the postscript--see:--\n 'Give twenty pistoles for the Convent.'",
"THE FRIAR:\n . . .Oh!",
"Most worthy lord!",
"(To Roxane):\n Submit you?",
"ROXANE (with a martyr's look):\n I submit!",
"(While Ragueneau opens the door, and Christian invites the friar to enter, she\nwhispers to Cyrano):\n Oh, keep De Guiche at bay!",
"He will be here!",
"Let him not enter till.",
". .\n\nCYRANO:\n I understand!",
"(To the friar):\n What time need you to tie the marriage-knot?",
"THE FRIAR:\n A quarter of an hour.",
"CYRANO (pushing them all toward the house):\n Go!",
"I stay.",
"ROXANE (to Christian):\n Come!.",
". .\n\n(They enter.)",
"CYRANO:\n Now, how to detain De Guiche so long?",
"(He jumps on the bench, climbs to the balcony by the wall):\n Come!. .",
".up I go!. .",
".I have my plan!.",
". .\n(The lutes begin to play a very sad air):\n What, ho!",
"(The tremolo grows more and more weird):\n It is a man!",
"ay!",
"'tis a man this time!",
"(He is on the balcony, pulls his hat over his eyes, takes off his sword, wraps\nhimself in his cloak, then leans over):\n 'Tis not too high!",
"(He strides across the balcony, and drawing to him a long branch of one of the\ntrees that are by the garden wall, he hangs on to it with both hands, ready to\nlet himself fall):\n I'll shake this atmosphere!"
] | [
"CHRISTIAN:\n What?",
". .\n\nROXANE (to Christian):\n De Guiche!",
"I come to you to-night.",
"Your lips erewhile have smiled on me, too sweet:\n I go not ere I've seen them once again!",
"Unknown to all the world\n Christian becomes your husband.",
"THE FRIAR (with great delight):\n O worthy lord!",
". .\n\nROXANE (quickly):\n I have overlooked the postscript--see:--\n 'Give twenty pistoles for the Convent.'",
"Most worthy lord!",
"(To the friar):\n What time need you to tie the marriage-knot?",
"(He jumps on the bench, climbs to the balcony by the wall):\n Come!. ."
] | [
"Receive,\n Fair lady, all assurance of respect,\n From him who ever was, and still remains,\n Your humble and obliged--et cetera.'",
"Most worthy lord!",
"CYRANO:\n Why, you said Ro-LIN.",
"He is abhorrent to your choice.",
"(To Roxane):\n Submit you?",
"THE FRIAR:\n A letter.",
"THE FRIAR (to Roxane):\n Oh, it can boot but a holy business!",
"THE FRIAR (with great delight):\n O worthy lord!",
"ROXANE (with a martyr's look):\n I submit!",
"I stay."
] | [
"Resign yourself, and this obedience\n Will be by Heaven well recompensed.",
"Receive,\n Fair lady, all assurance of respect,\n From him who ever was, and still remains,\n Your humble and obliged--et cetera.'",
"THE FRIAR (with great delight):\n O worthy lord!",
"I knew naught was to fear;\n It could be but holy business!",
"ROXANE (to Christian, in a low voice):\n Am I not apt at reading letters?",
"CHRISTIAN:\n Hum!",
"ROXANE (aloud, with despair):\n But this is horrible!",
"THE FRIAR (who has turned his lantern on Cyrano):\n 'Tis you?",
"CHRISTIAN:\n 'Tis I!",
"THE FRIAR (turning the light on to him, and as if a doubt struck him on seeing\nhis beauty):\n But.",
". .\n\nROXANE (quickly):\n I have overlooked the postscript--see:--\n 'Give twenty pistoles for the Convent.'"
] | [
"Cyrano, Christian, Roxane, the friar, Ragueneau.",
"THE FRIAR:\n 'Tis here,--I'm sure of it--Madame Madeleine Robin.",
"CYRANO:\n Why, you said Ro-LIN.",
"THE FRIAR:\n No, not I.\n B,I,N,BIN!",
"ROXANE (appearing on the threshold, followed by Ragueneau, who carries a\nlantern, and Christian):\n What is't?",
"THE FRIAR:\n A letter.",
"CHRISTIAN:\n What?",
"THE FRIAR (to Roxane):\n Oh, it can boot but a holy business!",
"'Tis from a worthy lord.",
". .\n\nROXANE (to Christian):\n De Guiche!",
"CYRANO:\n Now, how to detain De Guiche so long?",
"(He jumps on the bench, climbs to the balcony by the wall):\n Come!. .",
".up I go!. .",
".I have my plan!.",
". .\n(The lutes begin to play a very sad air):\n What, ho!",
"(The tremolo grows more and more weird):\n It is a man!",
"ay!",
"'tis a man this time!",
"(He is on the balcony, pulls his hat over his eyes, takes off his sword, wraps\nhimself in his cloak, then leans over):\n 'Tis not too high!",
"(He strides across the balcony, and drawing to him a long branch of one of the\ntrees that are by the garden wall, he hangs on to it with both hands, ready to\nlet himself fall):\n I'll shake this atmosphere!"
] | yr's look):
I submit!
(While Ragueneau opens the door, and Christian invites the friar to enter, she
whispers to Cyrano):
Oh, keep De Guiche at bay!
He will be here!
Let him not enter till.
. .
CYRANO:
I understand!
(To the friar):
What time need you to tie the marriage-knot?
THE FRIAR:
A quarter of an hour.
CYRANO (pushing them all toward the house):
Go!
I stay.
ROXANE (to Christian):
Come!.
. .
(They enter.)
CYRANO:
Now, how to detain De Guiche so long?
(He jumps on the bench, climbs to the balcony by the wall):
Come!. .
.up I go!. .
.I have my plan!.
. .
(The lutes begin to play a very sad air):
What, ho!
(The tremolo grows more and more weird):
It is a man!
ay!
'tis a man this time!
(He is on the balcony, pulls his hat over his eyes, takes off his sword, wraps
himself in his cloak, then leans over):
'Tis not too high!
(He strides across the balcony, and drawing to him a long branch of one of the
trees that are by the garden wall, he hangs on to it with bot | Cyrano, Christian, Roxane, the friar, Ragueneau.
THE FRIAR:
'Tis here,--I'm sure of it--Madame Madeleine Robin.
CYRANO:
Why, you said Ro-LIN.
THE FRIAR:
No, not I.
B,I,N,BIN!
ROXANE (appearing on the threshold, followed by Ragueneau, who carries a
lantern, and Christian):
What is't?
THE FRIAR:
A letter.
CHRISTIAN:
What?
THE FRIAR (to Roxane):
Oh, it can boot but a holy business!
'Tis from a worthy lord.
. .
ROXANE (to Christian):
De Guiche!
CHRISTIAN:
He dares.
. .
ROXANE:
ave my plan!.
. .
(The lutes begin to play a very sad air):
What, ho!
(The tremolo grows more and more weird):
It is a man!
ay!
'tis a man this time!
(He is on the balcony, pulls his hat over his eyes, takes off his sword, wraps
himself in his cloak, then leans over):
'Tis not too high!
(He strides across the balcony, and drawing to him a long branch of one of the
trees that are by the garden wall, he hangs on to it with both hands, ready to
let himself fall):
I'll shake this atmosphere! | oud):
'Lady,
The Cardinal's wish is law; albeit
It be to you unwelcome.
For this cause
I send these lines--to your fair ear addressed--
By a holy man, discreet, intelligent:
It is our will that you receive from him,
In your own house, the marriage
(She turns the page):
benediction
Straightway, this night.
Unknown to all the world
Christian becomes your husband.
Him we send.
He is abhorrent to your choice.
Let be.
Resign yourself, and this obedience
Will be by Heaven well recompensed.
Receive,
Fair lady, all assurance of respect,
From him who ever was, and still remains,
Your humble and obliged--et cetera.'
THE FRIAR (with great delight):
O worthy lord!
I knew naught was to fear;
It could be but holy business!
ROXANE (to Christian, in a low voice):
Am I not apt at reading letters?
CHRISTIAN:
Hum!
ROXANE (aloud, with despair):
But this is horrible!
THE FRIAR (who has turned his lantern on Cyrano):
'Tis you?
CHRISTIAN:
'Tis I!
THE FRIAR (turnin |
1,254 | false | pinkmonkey | all_chapterized_books/1254-chapters/32.txt | finished_summaries/pinkmonkey/Cyrano De Bergerac/section_28_part_0.txt | Cyrano De Bergerac.act 3.scene 11 | scene 11 | null | {"name": "Scene 11", "url": "https://web.archive.org/web/20180820053313/http://www.pinkmonkey.com/booknotes/monkeynotes/pmCyrano33.asp", "summary": "When Roxane opens the window again, Cyrano resumes talking in Christian's voice, giving a charming dissertation on a kiss. Roxane is so stirred by the words that she wants Christian to immediately come up and give her that \"matchless flower... of communion.\" Cyrano pushes Christian up towards the balcony so Christian can kiss the true love of them both. Cyrano interrupts Roxane and Christian, for the monk is returning, as signaled by the pages. Roxane offers to come down and see the monk, who is angry for being misled by Cyrano. The monk has been trying to find Roxane, for he has a letter for her, written and sent by De Guiche. Roxane reads the letter. De Guiche explains that he has not gone to Arras; instead, he has stayed behind in order to visit with Roxane, who is horrified at the news. She decides to do something rash. She will take advantage of the moment and the monk's presence. She tells the monk that the letter instructs him to marry her to Christian at once, for Cardinal Richelieu has ordered it. She pretends to oppose the idea and seems to be reluctant to go into the house to be married. Of course, she has really masterminded the whole thing. As she enters the house for the wedding, Roxane turns to Cyrano and asks him to delay De Guiche's arrival.", "analysis": "Notes The dramatic irony of the play continues to build in these scenes. While expounding on the meaning of a kiss in Christian's voice, Cyrano is really declaring his own love for Roxane. He states that a kiss is \"a seal on the pact that has already been signed\" and \"a secret told to the mouth rather than the ear.\" He then speaks of a kiss as \"the hush of eternity\" and the \"fragrance of a flower,\" word images that reveal how Cyrano can fuse the senses into a total experience of sound and smell. The words of Cyrano, spoken by Christian, are so moving that Roxane calls Christian to come up on her balcony and give her a kiss at once. The kind Cyrano, whose heart must be breaking, gives Christian a boost to get up on the balcony so he can seal his love for Roxane. As the handsome couple embraces, Cyrano vicariously experiences the kiss, knowing that Roxane is rewarding Christian because of Cyrano's words. He also accepts the inevitability of an attraction between this handsome man and woman. Neither Cyrano nor Christian is prepared for what happens next. When the monk returns and gives Roxane a letter from De Guiche, she cleverly comes up with an astounding plan. Although the letter states that De Guiche has not gone to Arras in order to be with Roxane, she tells the monk that the letter states that she should marry Christian immediately, on the orders of Cardinal Richelieu. She proves she is a good actress, for she pretends to be very reluctant to go inside and have the monk carry out the orders. The simple-minded monk is tricked once again. He goes inside to perform the ceremony while Cyrano waits outside to delay De Guiche, as Roxane has asked him to do. It is not perfectly clear why Roxane decides to marry Christian in haste. Although the words of Cyrano and the kiss of Christian have raised her to a feverish pitch, she is normally a clever and intelligent woman. Unless love has totally clouded her mind, it must be assumed that she is frightened by the intentions of De Guiche, whom she knows is a very powerful man who usually gets his way. By marrying Christian, she can put a real roadblock in De Guiche's plans for her. And of course, she has always found Christian extremely attractive, ever since the moment she first laid eyes on him in the theater in the first act."} | Cyrano, De Guiche.
DE GUICHE (who enters, masked, feeling his way in the dark):
What can that cursed Friar be about?
CYRANO:
The devil!. . .If he knows my voice!
(Letting go with one hand, he pretends to turn an invisible key. Solemnly):
Cric! Crac!
Assume thou, Cyrano, to serve the turn,
The accent of thy native Bergerac!. . .
DE GUICHE (looking at the house):
'Tis there. I see dim,--this mask hinders me!
(He is about to enter, when Cyrano leaps from the balcony, holding on to the
branch, which bends, dropping him between the door and De Guiche; he pretends
to fall heavily, as from a great height, and lies flat on the ground,
motionless, as if stunned. De Guiche starts back):
What's this?
(When he looks up, the branch has sprung back into its place. He sees only
the sky, and is lost in amazement):
Where fell that man from?
CYRANO (sitting up, and speaking with a Gascon accent):
From the moon!
DE GUICHE:
From?. . .
CYRANO (in a dreamy voice):
What's o'clock?
DE GUICHE:
He's lost his mind, for sure!
CYRANO:
What hour? What country this? What month? What day?
DE GUICHE:
But. . .
CYRANO:
I am stupefied!
DE GUICHE:
Sir!
CYRANO:
Like a bomb
I fell from the moon!
DE GUICHE (impatiently):
Come now!
CYRANO (rising, in a terrible voice):
I say,--the moon!
DE GUICHE (recoiling):
Good, good! let it be so!. . .He's raving mad!
CYRANO (walking up to him):
I say from the moon! I mean no metaphor!. . .
DE GUICHE:
But. . .
CYRANO:
Was't a hundred years--a minute, since?
--I cannot guess what time that fall embraced!--
That I was in that saffron-colored ball?
DE GUICHE (shrugging his shoulders):
Good! let me pass!
CYRANO (intercepting him):
Where am I? Tell the truth!
Fear not to tell! Oh, spare me not! Where? where?
Have I fallen like a shooting star?
DE GUICHE:
Morbleu!
CYRANO:
The fall was lightning-quick! no time to choose
Where I should fall--I know not where it be!
Oh, tell me! Is it on a moon or earth,
that my posterior weight has landed me?
DE GUICHE:
I tell you, Sir. . .
CYRANO (with a screech of terror, which makes De Guiche start back):
No? Can it be? I'm on
A planet where men have black faces?
DE GUICHE (putting a hand to his face):
What?
CYRANO (feigning great alarm):
Am I in Africa? A native you?
DE GUICHE (who has remembered his mask):
This mask of mine. . .
CYRANO (pretending to be reassured):
In Venice? ha!--or Rome?
DE GUICHE (trying to pass):
A lady waits. .
CYRANO (quite reassured):
Oh-ho! I am in Paris!
DE GUICHE (smiling in spite of himself):
The fool is comical!
CYRANO:
You laugh?
DE GUICHE:
I laugh,
But would get by!
CYRANO (beaming with joy):
I have shot back to Paris!
(Quite at ease, laughing, dusting himself, bowing):
Come--pardon me--by the last water-spout,
Covered with ether,--accident of travel!
My eyes still full of star-dust, and my spurs
Encumbered by the planets' filaments!
(Picking something off his sleeve):
Ha! on my doublet?--ah, a comet's hair!. . .
(He puffs as if to blow it away.)
DE GUICHE (beside himself):
Sir!. . .
CYRANO (just as he is about to pass, holds out his leg as if to show him
something and stops him):
In my leg--the calf--there is a tooth
Of the Great Bear, and, passing Neptune close,
I would avoid his trident's point, and fell,
Thus sitting, plump, right in the Scales! My weight
Is marked, still registered, up there in heaven!
(Hurriedly preventing De Guiche from passing, and detaining him by the button
of his doublet):
I swear to you that if you squeezed my nose
It would spout milk!
DE GUICHE:
Milk?
CYRANO:
From the Milky Way!
DE GUICHE:
Oh, go to hell!
CYRANO (crossing his arms):
I fall, Sir, out of heaven!
Now, would you credit it, that as I fell
I saw that Sirius wears a nightcap? True!
(Confidentially):
The other Bear is still too small to bite.
(Laughing):
I went through the Lyre, but I snapped a cord;
(Grandiloquent):
I mean to write the whole thing in a book;
The small gold stars, that, wrapped up in my cloak,
I carried safe away at no small risks,
Will serve for asterisks i' the printed page!
DE GUICHE:
Come, make an end! I want. . .
CYRANO:
Oh-ho! You are sly!
DE GUICHE:
Sir!
CYRANO:
You would worm all out of me!--the way
The moon is made, and if men breathe and live
In its rotund cucurbita?
DE GUICHE (angrily):
No, no!
I want. . .
CYRANO:
Ha, ha!--to know how I got up?
Hark, it was by a method all my own.
DE GUICHE (wearied):
He's mad!
CYRANO(contemptuously):
No! not for me the stupid eagle
Of Regiomontanus, nor the timid
Pigeon of Archytas--neither of those!
DE GUICHE:
Ay, 'tis a fool! But 'tis a learned fool!
CYRANO:
No imitator I of other men!
(De Guiche has succeeded in getting by, and goes toward Roxane's door. Cyrano
follows him, ready to stop him by force):
Six novel methods, all, this brain invented!
DE GUICHE (turning round):
Six?
CYRANO (volubly):
First, with body naked as your hand,
Festooned about with crystal flacons, full
O' th' tears the early morning dew distils;
My body to the sun's fierce rays exposed
To let it suck me up, as 't sucks the dew!
DE GUICHE (surprised, making one step toward Cyrano):
Ah! that makes one!
CYRANO (stepping back, and enticing him further away):
And then, the second way,
To generate wind--for my impetus--
To rarefy air, in a cedar case,
By mirrors placed icosahedron-wise.
DE GUICHE (making another step):
Two!
CYRANO (still stepping backward):
Or--for I have some mechanic skill--
To make a grasshopper, with springs of steel,
And launch myself by quick succeeding fires
Saltpeter-fed to the stars' pastures blue!
DE GUICHE (unconsciously following him and counting on his fingers):
Three!
CYRANO:
Or (since fumes have property to mount)--
To charge a globe with fumes, sufficiently
To carry me aloft!
DE GUICHE (same play, more and more astonished):
Well, that makes four!
CYRANO:
Or smear myself with marrow from a bull,
Since, at the lowest point of Zodiac,
Phoebus well loves to suck that marrow up!
DE GUICHE (amazed):
Five!
CYRANO (who, while speaking, had drawn him to the other side of the square
near a bench):
Sitting on an iron platform--thence
To throw a magnet in the air. This is
A method well conceived--the magnet flown,
Infallibly the iron will pursue:
Then quick! relaunch your magnet, and you thus
Can mount and mount unmeasured distances!
DE GUICHE:
Here are six excellent expedients!
Which of the six chose you?
CYRANO:
Why, none!--a seventh!
DE GUICHE:
Astonishing! What was it?
CYRANO:
I'll recount.
DE GUICHE:
This wild eccentric becomes interesting!
CYRANO (making a noise like the waves, with weird gestures):
Houuh! Houuh!
DE GUICHE:
Well.
CYRANO:
You have guessed?
DE GUICHE:
Not I!
CYRANO:
The tide!
I' th' witching hour when the moon woos the wave,
I laid me, fresh from a sea-bath, on the shore--
And, failing not to put head foremost--for
The hair holds the sea-water in its mesh--
I rose in air, straight! straight! like angel's flight,
And mounted, mounted, gently, effortless,. . .
When lo! a sudden shock! Then. . .
DE GUICHE (overcome by curiosity, sitting down on the bench):
Then?
CYRANO:
Oh! then. . .
(Suddenly returning to his natural voice):
The quarter's gone--I'll hinder you no more:
The marriage-vows are made.
DE GUICHE (springing up):
What? Am I mad?
That voice?
(The house-door opens. Lackeys appear carrying lighted candelabra. Light.
Cyrano gracefully uncovers):
That nose--Cyrano?
CYRANO (bowing):
Cyrano.
While we were chatting, they have plighted troth.
DE GUICHE:
Who?
(He turns round. Tableau. Behind the lackeys appear Roxane and Christian,
holding each other by the hand. The friar follows them, smiling. Ragueneau
also holds a candlestick. The duenna closes the rear, bewildered, having made
a hasty toilet):
Heavens!
| 1,430 | Scene 11 | https://web.archive.org/web/20180820053313/http://www.pinkmonkey.com/booknotes/monkeynotes/pmCyrano33.asp | When Roxane opens the window again, Cyrano resumes talking in Christian's voice, giving a charming dissertation on a kiss. Roxane is so stirred by the words that she wants Christian to immediately come up and give her that "matchless flower... of communion." Cyrano pushes Christian up towards the balcony so Christian can kiss the true love of them both. Cyrano interrupts Roxane and Christian, for the monk is returning, as signaled by the pages. Roxane offers to come down and see the monk, who is angry for being misled by Cyrano. The monk has been trying to find Roxane, for he has a letter for her, written and sent by De Guiche. Roxane reads the letter. De Guiche explains that he has not gone to Arras; instead, he has stayed behind in order to visit with Roxane, who is horrified at the news. She decides to do something rash. She will take advantage of the moment and the monk's presence. She tells the monk that the letter instructs him to marry her to Christian at once, for Cardinal Richelieu has ordered it. She pretends to oppose the idea and seems to be reluctant to go into the house to be married. Of course, she has really masterminded the whole thing. As she enters the house for the wedding, Roxane turns to Cyrano and asks him to delay De Guiche's arrival. | Notes The dramatic irony of the play continues to build in these scenes. While expounding on the meaning of a kiss in Christian's voice, Cyrano is really declaring his own love for Roxane. He states that a kiss is "a seal on the pact that has already been signed" and "a secret told to the mouth rather than the ear." He then speaks of a kiss as "the hush of eternity" and the "fragrance of a flower," word images that reveal how Cyrano can fuse the senses into a total experience of sound and smell. The words of Cyrano, spoken by Christian, are so moving that Roxane calls Christian to come up on her balcony and give her a kiss at once. The kind Cyrano, whose heart must be breaking, gives Christian a boost to get up on the balcony so he can seal his love for Roxane. As the handsome couple embraces, Cyrano vicariously experiences the kiss, knowing that Roxane is rewarding Christian because of Cyrano's words. He also accepts the inevitability of an attraction between this handsome man and woman. Neither Cyrano nor Christian is prepared for what happens next. When the monk returns and gives Roxane a letter from De Guiche, she cleverly comes up with an astounding plan. Although the letter states that De Guiche has not gone to Arras in order to be with Roxane, she tells the monk that the letter states that she should marry Christian immediately, on the orders of Cardinal Richelieu. She proves she is a good actress, for she pretends to be very reluctant to go inside and have the monk carry out the orders. The simple-minded monk is tricked once again. He goes inside to perform the ceremony while Cyrano waits outside to delay De Guiche, as Roxane has asked him to do. It is not perfectly clear why Roxane decides to marry Christian in haste. Although the words of Cyrano and the kiss of Christian have raised her to a feverish pitch, she is normally a clever and intelligent woman. Unless love has totally clouded her mind, it must be assumed that she is frightened by the intentions of De Guiche, whom she knows is a very powerful man who usually gets his way. By marrying Christian, she can put a real roadblock in De Guiche's plans for her. And of course, she has always found Christian extremely attractive, ever since the moment she first laid eyes on him in the theater in the first act. | 230 | 418 | [
"Cyrano, De Guiche.",
"DE GUICHE (who enters, masked, feeling his way in the dark):\n What can that cursed Friar be about?",
"CYRANO:\n The devil!. .",
".If he knows my voice!",
"(Letting go with one hand, he pretends to turn an invisible key.",
"Solemnly):\n Cric!",
"Crac!",
"Assume thou, Cyrano, to serve the turn,\n The accent of thy native Bergerac!.",
". .\n\nDE GUICHE (looking at the house):\n 'Tis there.",
"I see dim,--this mask hinders me!",
"(He is about to enter, when Cyrano leaps from the balcony, holding on to the\nbranch, which bends, dropping him between the door and De Guiche; he pretends\nto fall heavily, as from a great height, and lies flat on the ground,\nmotionless, as if stunned.",
"De Guiche starts back):\n What's this?",
"(When he looks up, the branch has sprung back into its place.",
"He sees only\nthe sky, and is lost in amazement):\n Where fell that man from?",
"CYRANO (sitting up, and speaking with a Gascon accent):\n From the moon!",
"DE GUICHE:\n From?.",
". .\n\nCYRANO (in a dreamy voice):\n What's o'clock?",
"DE GUICHE:\n He's lost his mind, for sure!",
"CYRANO:\n What hour?",
"What country this?",
"What month?",
"What day?",
"DE GUICHE:\n But.",
". .\n\nCYRANO:\n I am stupefied!",
"DE GUICHE:\n Sir!",
"CYRANO:\n Like a bomb\n I fell from the moon!",
"DE GUICHE (impatiently):\n Come now!",
"CYRANO (rising, in a terrible voice):\n I say,--the moon!",
"DE GUICHE (recoiling):\n Good, good!",
"let it be so!. .",
".He's raving mad!",
"CYRANO (walking up to him):\n I say from the moon!",
"I mean no metaphor!.",
". .\n\nDE GUICHE:\n But.",
". .\n\nCYRANO:\n Was't a hundred years--a minute, since?",
"--I cannot guess what time that fall embraced!--\n That I was in that saffron-colored ball?",
"DE GUICHE (shrugging his shoulders):\n Good!",
"let me pass!",
"CYRANO (intercepting him):\n Where am I?",
"Tell the truth!",
"Fear not to tell!",
"Oh, spare me not!",
"Where?",
"where?",
"Have I fallen like a shooting star?",
"DE GUICHE:\n Morbleu!",
"CYRANO:\n The fall was lightning-quick!",
"no time to choose\n Where I should fall--I know not where it be!",
"Oh, tell me!",
"Is it on a moon or earth,\n that my posterior weight has landed me?",
"DE GUICHE:\n I tell you, Sir.",
". .\n\nCYRANO (with a screech of terror, which makes De Guiche start back):\n No?",
"Can it be?",
"I'm on\n A planet where men have black faces?",
"DE GUICHE (putting a hand to his face):\n What?",
"CYRANO (feigning great alarm):\n Am I in Africa?",
"A native you?",
"DE GUICHE (who has remembered his mask):\n This mask of mine.",
". .\n\nCYRANO (pretending to be reassured):\n In Venice?",
"ha!--or Rome?",
"DE GUICHE (trying to pass):\n A lady waits. .\n\nCYRANO (quite reassured):\n Oh-ho!",
"I am in Paris!",
"DE GUICHE (smiling in spite of himself):\n The fool is comical!",
"CYRANO:\n You laugh?",
"DE GUICHE:\n I laugh,\n But would get by!",
"CYRANO (beaming with joy):\n I have shot back to Paris!",
"(Quite at ease, laughing, dusting himself, bowing):\n Come--pardon me--by the last water-spout,\n Covered with ether,--accident of travel!",
"My eyes still full of star-dust, and my spurs\n Encumbered by the planets' filaments!",
"(Picking something off his sleeve):\n Ha!",
"on my doublet?--ah, a comet's hair!.",
". .\n\n(He puffs as if to blow it away.)",
"DE GUICHE (beside himself):\n Sir!.",
". .\n\nCYRANO (just as he is about to pass, holds out his leg as if to show him\nsomething and stops him):\n In my leg--the calf--there is a tooth\n Of the Great Bear, and, passing Neptune close,\n I would avoid his trident's point, and fell,\n Thus sitting, plump, right in the Scales!",
"My weight\n Is marked, still registered, up there in heaven!",
"(Hurriedly preventing De Guiche from passing, and detaining him by the button\nof his doublet):\n I swear to you that if you squeezed my nose\n It would spout milk!",
"DE GUICHE:\n Milk?",
"CYRANO:\n From the Milky Way!",
"DE GUICHE:\n Oh, go to hell!",
"CYRANO (crossing his arms):\n I fall, Sir, out of heaven!",
"Now, would you credit it, that as I fell\n I saw that Sirius wears a nightcap?",
"True!",
"(Confidentially):\n The other Bear is still too small to bite.",
"(Laughing):\n I went through the Lyre, but I snapped a cord;\n(Grandiloquent):\n I mean to write the whole thing in a book;\n The small gold stars, that, wrapped up in my cloak,\n I carried safe away at no small risks,\n Will serve for asterisks i' the printed page!",
"DE GUICHE:\n Come, make an end!",
"I want.",
". .\n\nCYRANO:\n Oh-ho!",
"You are sly!",
"DE GUICHE:\n Sir!",
"CYRANO:\n You would worm all out of me!--the way\n The moon is made, and if men breathe and live\n In its rotund cucurbita?",
"DE GUICHE (angrily):\n No, no!",
"I want.",
". .\n\nCYRANO:\n Ha, ha!--to know how I got up?",
"Hark, it was by a method all my own.",
"DE GUICHE (wearied):\n He's mad!",
"CYRANO(contemptuously):\n No!",
"not for me the stupid eagle\n Of Regiomontanus, nor the timid\n Pigeon of Archytas--neither of those!",
"DE GUICHE:\n Ay, 'tis a fool!",
"But 'tis a learned fool!",
"CYRANO:\n No imitator I of other men!",
"(De Guiche has succeeded in getting by, and goes toward Roxane's door.",
"Cyrano\nfollows him, ready to stop him by force):\n Six novel methods, all, this brain invented!",
"DE GUICHE (turning round):\n Six?",
"CYRANO (volubly):\n First, with body naked as your hand,\n Festooned about with crystal flacons, full\n O' th' tears the early morning dew distils;\n My body to the sun's fierce rays exposed\n To let it suck me up, as 't sucks the dew!",
"DE GUICHE (surprised, making one step toward Cyrano):\n Ah!",
"that makes one!",
"CYRANO (stepping back, and enticing him further away):\n And then, the second way,\n To generate wind--for my impetus--\n To rarefy air, in a cedar case,\n By mirrors placed icosahedron-wise.",
"DE GUICHE (making another step):\n Two!",
"CYRANO (still stepping backward):\n Or--for I have some mechanic skill--\n To make a grasshopper, with springs of steel,\n And launch myself by quick succeeding fires\n Saltpeter-fed to the stars' pastures blue!",
"DE GUICHE (unconsciously following him and counting on his fingers):\n Three!",
"CYRANO:\n Or (since fumes have property to mount)--\n To charge a globe with fumes, sufficiently\n To carry me aloft!",
"DE GUICHE (same play, more and more astonished):\n Well, that makes four!",
"CYRANO:\n Or smear myself with marrow from a bull,\n Since, at the lowest point of Zodiac,\n Phoebus well loves to suck that marrow up!",
"DE GUICHE (amazed):\n Five!",
"CYRANO (who, while speaking, had drawn him to the other side of the square\nnear a bench):\n Sitting on an iron platform--thence\n To throw a magnet in the air.",
"This is\n A method well conceived--the magnet flown,\n Infallibly the iron will pursue:\n Then quick!",
"relaunch your magnet, and you thus\n Can mount and mount unmeasured distances!",
"DE GUICHE:\n Here are six excellent expedients!",
"Which of the six chose you?",
"CYRANO:\n Why, none!--a seventh!",
"DE GUICHE:\n Astonishing!",
"What was it?",
"CYRANO:\n I'll recount.",
"DE GUICHE:\n This wild eccentric becomes interesting!",
"CYRANO (making a noise like the waves, with weird gestures):\n Houuh!",
"Houuh!",
"DE GUICHE:\n Well.",
"CYRANO:\n You have guessed?",
"DE GUICHE:\n Not I!",
"CYRANO:\n The tide!",
"I' th' witching hour when the moon woos the wave,\n I laid me, fresh from a sea-bath, on the shore--\n And, failing not to put head foremost--for\n The hair holds the sea-water in its mesh--\n I rose in air, straight!",
"straight!",
"like angel's flight,\n And mounted, mounted, gently, effortless,.",
". .",
"When lo!",
"a sudden shock!",
"Then.",
". .\n\nDE GUICHE (overcome by curiosity, sitting down on the bench):\n Then?",
"CYRANO:\n Oh!",
"then.",
". .\n(Suddenly returning to his natural voice):\n The quarter's gone--I'll hinder you no more:\n The marriage-vows are made.",
"DE GUICHE (springing up):\n What?",
"Am I mad?",
"That voice?",
"(The house-door opens.",
"Lackeys appear carrying lighted candelabra.",
"Light.",
"Cyrano gracefully uncovers):\n That nose--Cyrano?",
"CYRANO (bowing):\n Cyrano.",
"While we were chatting, they have plighted troth.",
"DE GUICHE:\n Who?",
"(He turns round.",
"Tableau.",
"Behind the lackeys appear Roxane and Christian,\nholding each other by the hand.",
"The friar follows them, smiling.",
"Ragueneau\nalso holds a candlestick.",
"The duenna closes the rear, bewildered, having made\na hasty toilet):\n Heavens!"
] | [
". .\n\nCYRANO:\n Was't a hundred years--a minute, since?",
"Oh, spare me not!",
"(Quite at ease, laughing, dusting himself, bowing):\n Come--pardon me--by the last water-spout,\n Covered with ether,--accident of travel!",
"on my doublet?--ah, a comet's hair!.",
"DE GUICHE (beside himself):\n Sir!.",
"CYRANO:\n From the Milky Way!",
"True!",
"DE GUICHE:\n Sir!",
"CYRANO:\n Why, none!--a seventh!",
". .\n(Suddenly returning to his natural voice):\n The quarter's gone--I'll hinder you no more:\n The marriage-vows are made."
] | [
"I see dim,--this mask hinders me!",
"Tell the truth!",
"(Confidentially):\n The other Bear is still too small to bite.",
"DE GUICHE:\n From?.",
"(When he looks up, the branch has sprung back into its place.",
"Am I mad?",
". .\n\nDE GUICHE (looking at the house):\n 'Tis there.",
"CYRANO (walking up to him):\n I say from the moon!",
"Is it on a moon or earth,\n that my posterior weight has landed me?",
"DE GUICHE (springing up):\n What?"
] | [
"My weight\n Is marked, still registered, up there in heaven!",
"(Hurriedly preventing De Guiche from passing, and detaining him by the button\nof his doublet):\n I swear to you that if you squeezed my nose\n It would spout milk!",
"DE GUICHE:\n Milk?",
"CYRANO:\n From the Milky Way!",
"DE GUICHE:\n Oh, go to hell!",
"CYRANO (crossing his arms):\n I fall, Sir, out of heaven!",
"Now, would you credit it, that as I fell\n I saw that Sirius wears a nightcap?",
"True!",
"(Confidentially):\n The other Bear is still too small to bite.",
"(Laughing):\n I went through the Lyre, but I snapped a cord;\n(Grandiloquent):\n I mean to write the whole thing in a book;\n The small gold stars, that, wrapped up in my cloak,\n I carried safe away at no small risks,\n Will serve for asterisks i' the printed page!",
"DE GUICHE:\n Come, make an end!"
] | [
"Cyrano, De Guiche.",
"DE GUICHE (who enters, masked, feeling his way in the dark):\n What can that cursed Friar be about?",
"CYRANO:\n The devil!. .",
".If he knows my voice!",
"(Letting go with one hand, he pretends to turn an invisible key.",
"Solemnly):\n Cric!",
"Crac!",
"Assume thou, Cyrano, to serve the turn,\n The accent of thy native Bergerac!.",
". .\n\nDE GUICHE (looking at the house):\n 'Tis there.",
"I see dim,--this mask hinders me!",
"Cyrano gracefully uncovers):\n That nose--Cyrano?",
"CYRANO (bowing):\n Cyrano.",
"While we were chatting, they have plighted troth.",
"DE GUICHE:\n Who?",
"(He turns round.",
"Tableau.",
"Behind the lackeys appear Roxane and Christian,\nholding each other by the hand.",
"The friar follows them, smiling.",
"Ragueneau\nalso holds a candlestick.",
"The duenna closes the rear, bewildered, having made\na hasty toilet):\n Heavens!"
] | yrano):
Ah!
that makes one!
CYRANO (stepping back, and enticing him further away):
And then, the second way,
To generate wind--for my impetus--
To rarefy air, in a cedar case,
By mirrors placed icosahedron-wise.
DE GUICHE (making another step):
Two!
CYRANO (still stepping backward):
Or--for I have some mechanic skill--
To make a grasshopper, with springs of steel,
And launch myself by quick succeeding fires
Saltpeter-fed to the stars' pastures blue!
DE GUICHE (unconsciously following him and counting on his fingers):
Three!
CYRANO:
Or (since fumes have property to mount)--
To charge a globe with fumes, sufficiently
To carry me aloft!
DE GUICHE (same play, more and more astonished):
Well, that makes four!
CYRANO:
Or smear myself with marrow from a bull,
Since, at the lowest point of Zodiac,
Phoebus well loves to suck that marrow up!
DE GUICHE (amazed):
Five!
CYRANO (who, while speaking, had drawn him to the other side of the square
near a bench):
| Cyrano, De Guiche.
DE GUICHE (who enters, masked, feeling his way in the dark):
What can that cursed Friar be about?
CYRANO:
The devil!. .
.If he knows my voice!
(Letting go with one hand, he pretends to turn an invisible key.
Solemnly):
Cric!
Crac!
Assume thou, Cyrano, to serve the turn,
The accent of thy native Bergerac!.
. .
DE GUICHE (looking at the house):
'Tis there.
I see dim,--this mask hinders me!
(He is about to enter, when Cyrano leaps from the balcony, holding on to the
br hat?
Am I mad?
That voice?
(The house-door opens.
Lackeys appear carrying lighted candelabra.
Light.
Cyrano gracefully uncovers):
That nose--Cyrano?
CYRANO (bowing):
Cyrano.
While we were chatting, they have plighted troth.
DE GUICHE:
Who?
(He turns round.
Tableau.
Behind the lackeys appear Roxane and Christian,
holding each other by the hand.
The friar follows them, smiling.
Ragueneau
also holds a candlestick.
The duenna closes the rear, bewildered, having made
a hasty toilet):
Heavens! | rom passing, and detaining him by the button
of his doublet):
I swear to you that if you squeezed my nose
It would spout milk!
DE GUICHE:
Milk?
CYRANO:
From the Milky Way!
DE GUICHE:
Oh, go to hell!
CYRANO (crossing his arms):
I fall, Sir, out of heaven!
Now, would you credit it, that as I fell
I saw that Sirius wears a nightcap?
True!
(Confidentially):
The other Bear is still too small to bite.
(Laughing):
I went through the Lyre, but I snapped a cord;
(Grandiloquent):
I mean to write the whole thing in a book;
The small gold stars, that, wrapped up in my cloak,
I carried safe away at no small risks,
Will serve for asterisks i' the printed page!
DE GUICHE:
Come, make an end!
I want.
. .
CYRANO:
Oh-ho!
You are sly!
DE GUICHE:
Sir!
CYRANO:
You would worm all out of me!--the way
The moon is made, and if men breathe and live
In its rotund cucurbita?
DE GUICHE (angrily):
No, no!
I want.
. .
CYRANO:
Ha, ha!--to know how I got up?
Hark, it was by a |
1,254 | false | pinkmonkey | all_chapterized_books/1254-chapters/33.txt | finished_summaries/pinkmonkey/Cyrano De Bergerac/section_29_part_0.txt | Cyrano De Bergerac.act 3.scene 12 | scene 12 | null | {"name": "Scene 12", "url": "https://web.archive.org/web/20180820053313/http://www.pinkmonkey.com/booknotes/monkeynotes/pmCyrano34.asp", "summary": "While Cyrano sits on the rail of the balcony waiting to divert De Guiche, the lutes begin to play a sinister and mournful tune. When De Guiche arrives in mask, Cyrano swings down and lands between him and the door, pretending to be a lunatic who has fallen from the moon. He keeps De Guiche engaged with his chatter about \"six ways to violate the virgin sky\" and get to the moon. Throughout this dialogue Cyrano speaks with a Gascon accent and keeps his nose concealed with the brim of his hat in order to hide his identity from De Guiche. When the newly married Roxane and Christian emerge from the house, De Guiche grasps the situation. He acknowledges Roxane's cleverness and Cyrano's powers of invention in keeping him occupied. Wanting revenge, however, De Guiche orders that all the cadets must join the regiment and leave for Arras immediately. The distraught Roxane begs Cyrano to ensure Christian's safety, comfort and fidelity. She also asks for regular letters, which Cyrano promises.", "analysis": "Notes This scene is filled with intentional pathos. Poor Cyrano is left outside to wait for and delay De Guiche while his true love marries Christian inside the house. When De Guiche arrives in mask, the clever Cyrano chatters to him to delay his entering Roxane's house and discovering the wedding that is in progress. Although Cyrano's conversation is intentionally filled with wit and lunacy in order to trick De Guiche, it also reveals his true interest in science; he talks about the constellations of Great Bear and Orion, about the German astronomer and inventor named Regomontanus, and about six possible ways for man to reach the moon. Cyrano is truly a man of the Enlightenment, interested in and knowledgeable about many varied subjects. The act ends with a tragic-comic-ironic reversal. Cyrano, who loves Roxane dearly, has helped Christian to win her love; she now emerges as Christian's wife, largely due to the efforts of Cyrano. Whenever Christian speaks for himself, Roxane does not like him; however, when Cyrano speaks for Christian, Roxane is enamored by the words. It is clear that she has married the wrong man. The philandering De Guiche is simply upset that she has married, for he had his own designs on the beautiful Roxane. To punish her hastiness, Christian's victory, and Cyrano's craftiness, he orders that all of the cadets, including Christian and Cyrano, immediately report to the regiment to leave for Arras. Poor Christian and Roxane will not be able to spend a moment together as husband and wife. Before her husband departs, Roxane begs Cyrano to watch out for Christian's safety, comfort, and fidelity. She also tells Cyrano to make certain that Christian writes letters regularly. Cyrano, of course, will be the one to pen the letters. The thought of writing his true love delights him, even if he cannot sign the letters as his own."} | The same. Roxane, Christian, the friar, Ragueneau, lackeys, the duenna.
DE GUICHE (to Roxane):
You?
(Recognizing Christian, in amazement):
He?
(Bowing, with admiration, to Roxane):
Cunningly contrived!
(To Cyrano):
My compliments--Sir Apparatus-maker!
Your story would arrest at Peter's gate
Saints eager for their Paradise! Note well
The details. 'Faith! They'd make a stirring book!
CYRANO (bowing):
I shall not fail to follow your advice.
THE FRIAR (showing with satisfaction the two lovers to De Guiche):
A handsome couple, son, made one by you!
DE GUICHE (with a freezing look):
Ay!
(To Roxane):
Bid your bridegroom, Madame, fond farewell.
ROXANE:
Why so?
DE GUICHE (to Christian):
Even now the regiment departs.
Join it!
ROXANE:
It goes to battle?
DE GUICHE:
Without doubt.
ROXANE:
But the Cadets go not?
DE GUICHE:
Oh ay! they go.
(Drawing out the paper he had put in his pocket):
Here is the order.
(To Christian):
Baron, bear it, quick!
ROXANE (throwing herself in Christian's arms):
Christian!
DE GUICHE (sneeringly to Cyrano):
The wedding-night is far, methinks!
CYRANO (aside):
He thinks to give me pain of death by this!
CHRISTIAN (to Roxane):
Oh! once again! Your lips!
CYRANO:
Come, come, enough!
CHRISTIAN (still kissing Roxane):
--'Tis hard to leave her, you know not. . .
CYRANO (trying to draw him away):
I know.
(Sound of drums beating a march in the distance.)
DE GUICHE:
The regiment starts!
ROXANE (To Cyrano, holding back Christian, whom Cyrano is drawing away):
Oh!--I trust him you!
Promise me that no risks shall put his life
In danger!
CYRANO:
I will try my best, but promise. . .
That I cannot!
ROXANE:
But swear he shall be prudent?
CYRANO:
Again, I'll do my best, but. . .
ROXANE:
In the siege
Let him not suffer!
CYRANO:
All that man can do,
I. . .
ROXANE:
That he shall be faithful!
CYRANO:
Doubtless, but. . .
ROXANE:
That he will write oft?
CYRANO (pausing):
That, I promise you!
Curtain.
| 338 | Scene 12 | https://web.archive.org/web/20180820053313/http://www.pinkmonkey.com/booknotes/monkeynotes/pmCyrano34.asp | While Cyrano sits on the rail of the balcony waiting to divert De Guiche, the lutes begin to play a sinister and mournful tune. When De Guiche arrives in mask, Cyrano swings down and lands between him and the door, pretending to be a lunatic who has fallen from the moon. He keeps De Guiche engaged with his chatter about "six ways to violate the virgin sky" and get to the moon. Throughout this dialogue Cyrano speaks with a Gascon accent and keeps his nose concealed with the brim of his hat in order to hide his identity from De Guiche. When the newly married Roxane and Christian emerge from the house, De Guiche grasps the situation. He acknowledges Roxane's cleverness and Cyrano's powers of invention in keeping him occupied. Wanting revenge, however, De Guiche orders that all the cadets must join the regiment and leave for Arras immediately. The distraught Roxane begs Cyrano to ensure Christian's safety, comfort and fidelity. She also asks for regular letters, which Cyrano promises. | Notes This scene is filled with intentional pathos. Poor Cyrano is left outside to wait for and delay De Guiche while his true love marries Christian inside the house. When De Guiche arrives in mask, the clever Cyrano chatters to him to delay his entering Roxane's house and discovering the wedding that is in progress. Although Cyrano's conversation is intentionally filled with wit and lunacy in order to trick De Guiche, it also reveals his true interest in science; he talks about the constellations of Great Bear and Orion, about the German astronomer and inventor named Regomontanus, and about six possible ways for man to reach the moon. Cyrano is truly a man of the Enlightenment, interested in and knowledgeable about many varied subjects. The act ends with a tragic-comic-ironic reversal. Cyrano, who loves Roxane dearly, has helped Christian to win her love; she now emerges as Christian's wife, largely due to the efforts of Cyrano. Whenever Christian speaks for himself, Roxane does not like him; however, when Cyrano speaks for Christian, Roxane is enamored by the words. It is clear that she has married the wrong man. The philandering De Guiche is simply upset that she has married, for he had his own designs on the beautiful Roxane. To punish her hastiness, Christian's victory, and Cyrano's craftiness, he orders that all of the cadets, including Christian and Cyrano, immediately report to the regiment to leave for Arras. Poor Christian and Roxane will not be able to spend a moment together as husband and wife. Before her husband departs, Roxane begs Cyrano to watch out for Christian's safety, comfort, and fidelity. She also tells Cyrano to make certain that Christian writes letters regularly. Cyrano, of course, will be the one to pen the letters. The thought of writing his true love delights him, even if he cannot sign the letters as his own. | 170 | 313 | [
"The same.",
"Roxane, Christian, the friar, Ragueneau, lackeys, the duenna.",
"DE GUICHE (to Roxane):\n You?",
"(Recognizing Christian, in amazement):\n He?",
"(Bowing, with admiration, to Roxane):\n Cunningly contrived!",
"(To Cyrano):\n My compliments--Sir Apparatus-maker!",
"Your story would arrest at Peter's gate\n Saints eager for their Paradise!",
"Note well\n The details.",
"'Faith!",
"They'd make a stirring book!",
"CYRANO (bowing):\n I shall not fail to follow your advice.",
"THE FRIAR (showing with satisfaction the two lovers to De Guiche):\n A handsome couple, son, made one by you!",
"DE GUICHE (with a freezing look):\n Ay!",
"(To Roxane):\n Bid your bridegroom, Madame, fond farewell.",
"ROXANE:\n Why so?",
"DE GUICHE (to Christian):\n Even now the regiment departs.",
"Join it!",
"ROXANE:\n It goes to battle?",
"DE GUICHE:\n Without doubt.",
"ROXANE:\n But the Cadets go not?",
"DE GUICHE:\n Oh ay!",
"they go.",
"(Drawing out the paper he had put in his pocket):\n Here is the order.",
"(To Christian):\n Baron, bear it, quick!",
"ROXANE (throwing herself in Christian's arms):\n Christian!",
"DE GUICHE (sneeringly to Cyrano):\n The wedding-night is far, methinks!",
"CYRANO (aside):\n He thinks to give me pain of death by this!",
"CHRISTIAN (to Roxane):\n Oh!",
"once again!",
"Your lips!",
"CYRANO:\n Come, come, enough!",
"CHRISTIAN (still kissing Roxane):\n --'Tis hard to leave her, you know not.",
". .\n\nCYRANO (trying to draw him away):\n I know.",
"(Sound of drums beating a march in the distance.)",
"DE GUICHE:\n The regiment starts!",
"ROXANE (To Cyrano, holding back Christian, whom Cyrano is drawing away):\n Oh!--I trust him you!",
"Promise me that no risks shall put his life\n In danger!",
"CYRANO:\n I will try my best, but promise.",
". .\n That I cannot!",
"ROXANE:\n But swear he shall be prudent?",
"CYRANO:\n Again, I'll do my best, but.",
". .\n\nROXANE:\n In the siege\n Let him not suffer!",
"CYRANO:\n All that man can do,\n I. . .\n\nROXANE:\n That he shall be faithful!",
"CYRANO:\n Doubtless, but.",
". .\n\nROXANE:\n That he will write oft?",
"CYRANO (pausing):\n That, I promise you!",
"Curtain."
] | [
"'Faith!",
"DE GUICHE (with a freezing look):\n Ay!",
"(Drawing out the paper he had put in his pocket):\n Here is the order.",
"once again!",
"ROXANE (To Cyrano, holding back Christian, whom Cyrano is drawing away):\n Oh!--I trust him you!",
"CYRANO:\n I will try my best, but promise.",
"ROXANE:\n But swear he shall be prudent?",
"CYRANO:\n Again, I'll do my best, but.",
"CYRANO (pausing):\n That, I promise you!",
"Curtain."
] | [
"they go.",
"CYRANO:\n Come, come, enough!",
"Join it!",
"(Recognizing Christian, in amazement):\n He?",
"Roxane, Christian, the friar, Ragueneau, lackeys, the duenna.",
"CHRISTIAN (to Roxane):\n Oh!",
"CYRANO (aside):\n He thinks to give me pain of death by this!",
"ROXANE:\n Why so?",
"(To Christian):\n Baron, bear it, quick!",
"ROXANE:\n But the Cadets go not?"
] | [
"DE GUICHE:\n Without doubt.",
"ROXANE:\n But the Cadets go not?",
"DE GUICHE:\n Oh ay!",
"they go.",
"(Drawing out the paper he had put in his pocket):\n Here is the order.",
"(To Christian):\n Baron, bear it, quick!",
"ROXANE (throwing herself in Christian's arms):\n Christian!",
"DE GUICHE (sneeringly to Cyrano):\n The wedding-night is far, methinks!",
"CYRANO (aside):\n He thinks to give me pain of death by this!",
"CHRISTIAN (to Roxane):\n Oh!",
"once again!"
] | [
"The same.",
"Roxane, Christian, the friar, Ragueneau, lackeys, the duenna.",
"DE GUICHE (to Roxane):\n You?",
"(Recognizing Christian, in amazement):\n He?",
"(Bowing, with admiration, to Roxane):\n Cunningly contrived!",
"(To Cyrano):\n My compliments--Sir Apparatus-maker!",
"Your story would arrest at Peter's gate\n Saints eager for their Paradise!",
"Note well\n The details.",
"'Faith!",
"They'd make a stirring book!",
"CYRANO:\n I will try my best, but promise.",
". .\n That I cannot!",
"ROXANE:\n But swear he shall be prudent?",
"CYRANO:\n Again, I'll do my best, but.",
". .\n\nROXANE:\n In the siege\n Let him not suffer!",
"CYRANO:\n All that man can do,\n I. . .\n\nROXANE:\n That he shall be faithful!",
"CYRANO:\n Doubtless, but.",
". .\n\nROXANE:\n That he will write oft?",
"CYRANO (pausing):\n That, I promise you!",
"Curtain."
] | farewell.
ROXANE:
Why so?
DE GUICHE (to Christian):
Even now the regiment departs.
Join it!
ROXANE:
It goes to battle?
DE GUICHE:
Without doubt.
ROXANE:
But the Cadets go not?
DE GUICHE:
Oh ay!
they go.
(Drawing out the paper he had put in his pocket):
Here is the order.
(To Christian):
Baron, bear it, quick!
ROXANE (throwing herself in Christian's arms):
Christian!
DE GUICHE (sneeringly to Cyrano):
The wedding-night is far, methinks!
CYRANO (aside):
He thinks to give me pain of death by this!
CHRISTIAN (to Roxane):
Oh!
once again!
Your lips!
CYRANO:
Come, come, enough!
CHRISTIAN (still kissing Roxane):
--'Tis hard to leave her, you know not.
. .
CYRANO (trying to draw him away):
I know.
(Sound of drums beating a march in the distance.)
DE GUICHE:
The regiment starts!
ROXANE (To Cyrano, holding back Christian, whom Cyrano is drawing away):
Oh!--I trust him you!
Promise me that no risks shall put his life
In danger!
CYRANO:
I will try my best, but | The same.
Roxane, Christian, the friar, Ragueneau, lackeys, the duenna.
DE GUICHE (to Roxane):
You?
(Recognizing Christian, in amazement):
He?
(Bowing, with admiration, to Roxane):
Cunningly contrived!
(To Cyrano):
My compliments--Sir Apparatus-maker!
Your story would arrest at Peter's gate
Saints eager for their Paradise!
Note well
The details.
'Faith!
They'd make a stirring book!
CYRANO (bowing):
I shall not fail to follow your advice.
THE FRIAR (showing with satisfaction the two n, whom Cyrano is drawing away):
Oh!--I trust him you!
Promise me that no risks shall put his life
In danger!
CYRANO:
I will try my best, but promise.
. .
That I cannot!
ROXANE:
But swear he shall be prudent?
CYRANO:
Again, I'll do my best, but.
. .
ROXANE:
In the siege
Let him not suffer!
CYRANO:
All that man can do,
I. . .
ROXANE:
That he shall be faithful!
CYRANO:
Doubtless, but.
. .
ROXANE:
That he will write oft?
CYRANO (pausing):
That, I promise you!
Curtain. | vers to De Guiche):
A handsome couple, son, made one by you!
DE GUICHE (with a freezing look):
Ay!
(To Roxane):
Bid your bridegroom, Madame, fond farewell.
ROXANE:
Why so?
DE GUICHE (to Christian):
Even now the regiment departs.
Join it!
ROXANE:
It goes to battle?
DE GUICHE:
Without doubt.
ROXANE:
But the Cadets go not?
DE GUICHE:
Oh ay!
they go.
(Drawing out the paper he had put in his pocket):
Here is the order.
(To Christian):
Baron, bear it, quick!
ROXANE (throwing herself in Christian's arms):
Christian!
DE GUICHE (sneeringly to Cyrano):
The wedding-night is far, methinks!
CYRANO (aside):
He thinks to give me pain of death by this!
CHRISTIAN (to Roxane):
Oh!
once again!
Your lips!
CYRANO:
Come, come, enough!
CHRISTIAN (still kissing Roxane):
--'Tis hard to leave her, you know not.
. .
CYRANO (trying to draw him away):
I know.
(Sound of drums beating a march in the distance.)
DE GUICHE:
The regiment starts!
ROXANE (To Cyrano, holding back Chris |
1,254 | false | pinkmonkey | all_chapterized_books/1254-chapters/35.txt | finished_summaries/pinkmonkey/Cyrano De Bergerac/section_30_part_0.txt | Cyrano De Bergerac.act 4.scene 1 | scene 13 | null | {"name": "Scene 13", "url": "https://web.archive.org/web/20180820053313/http://www.pinkmonkey.com/booknotes/monkeynotes/pmCyrano34.asp", "summary": "While Cyrano sits on the rail of the balcony waiting to divert De Guiche, the lutes begin to play a sinister and mournful tune. When De Guiche arrives in mask, Cyrano swings down and lands between him and the door, pretending to be a lunatic who has fallen from the moon. He keeps De Guiche engaged with his chatter about \"six ways to violate the virgin sky\" and get to the moon. Throughout this dialogue Cyrano speaks with a Gascon accent and keeps his nose concealed with the brim of his hat in order to hide his identity from De Guiche. When the newly married Roxane and Christian emerge from the house, De Guiche grasps the situation. He acknowledges Roxane's cleverness and Cyrano's powers of invention in keeping him occupied. Wanting revenge, however, De Guiche orders that all the cadets must join the regiment and leave for Arras immediately. The distraught Roxane begs Cyrano to ensure Christian's safety, comfort and fidelity. She also asks for regular letters, which Cyrano promises.", "analysis": "Notes This scene is filled with intentional pathos. Poor Cyrano is left outside to wait for and delay De Guiche while his true love marries Christian inside the house. When De Guiche arrives in mask, the clever Cyrano chatters to him to delay his entering Roxane's house and discovering the wedding that is in progress. Although Cyrano's conversation is intentionally filled with wit and lunacy in order to trick De Guiche, it also reveals his true interest in science; he talks about the constellations of Great Bear and Orion, about the German astronomer and inventor named Regomontanus, and about six possible ways for man to reach the moon. Cyrano is truly a man of the Enlightenment, interested in and knowledgeable about many varied subjects. The act ends with a tragic-comic-ironic reversal. Cyrano, who loves Roxane dearly, has helped Christian to win her love; she now emerges as Christian's wife, largely due to the efforts of Cyrano. Whenever Christian speaks for himself, Roxane does not like him; however, when Cyrano speaks for Christian, Roxane is enamored by the words. It is clear that she has married the wrong man. The philandering De Guiche is simply upset that she has married, for he had his own designs on the beautiful Roxane. To punish her hastiness, Christian's victory, and Cyrano's craftiness, he orders that all of the cadets, including Christian and Cyrano, immediately report to the regiment to leave for Arras. Poor Christian and Roxane will not be able to spend a moment together as husband and wife. Before her husband departs, Roxane begs Cyrano to watch out for Christian's safety, comfort, and fidelity. She also tells Cyrano to make certain that Christian writes letters regularly. Cyrano, of course, will be the one to pen the letters. The thought of writing his true love delights him, even if he cannot sign the letters as his own."} | Christian, Carbon de Castel-Jaloux, Le Bret, the cadets, then Cyrano.
LE BRET:
'Tis terrible.
CARBON:
Not a morsel left.
LE BRET:
Mordioux!
CARBON (making a sign that he should speak lower):
Curse under your breath. You will awake them.
(To the cadets):
Hush! Sleep on.
(To Le Bret):
He who sleeps, dines!
LE BRET:
But that is sorry comfort for the sleepless!. . .
What starvation!
(Firing is heard in the distance.)
CARBON:
Oh, plague take their firing! 'Twill wake my sons.
(To the cadets, who lift up their heads):
Sleep on!
(Firing is again heard, nearer this time.)
A CADET (moving):
The devil!. . .Again.
CARBON:
'Tis nothing! 'Tis Cyrano coming back!
(Those who have lifted up their heads prepare to sleep again.)
A SENTINEL (from without):
Ventrebieu! Who goes there?
THE VOICE Of CYRANO:
Bergerac.
The SENTINEL (who is on the redoubt):
Ventrebieu! Who goes there?
CYRANO (appearing at the top):
Bergerac, idiot!
(He comes down; Le Bret advances anxiously to meet him.)
LE BRET:
Heavens!
CYRANO (making signs that he should not awake the others):
Hush!
LE BRET:
Wounded?
CYRANO:
Oh! you know it has become their custom to shoot at me every morning and to
miss me.
LE BRET:
This passes all! To take letters at each day's dawn. To risk. . .
CYRANO (stopping before Christian):
I promised he should write often.
(He looks at him):
He sleeps. How pale he is! But how handsome still, despite his sufferings.
If his poor little lady-love knew that he is dying of hunger. . .
LE BRET:
Get you quick to bed.
CYRANO:
Nay, never scold, Le Bret. I ran but little risk. I have found me a spot
to pass the Spanish lines, where each night they lie drunk.
LE BRET:
You should try to bring us back provision.
CYRANO:
A man must carry no weight who would get by there! But there will be
surprise for us this night. The French will eat or die. . .if I mistake not!
LE BRET:
Oh!. . .tell me!. . .
CYRANO:
Nay, not yet. I am not certain. . .You will see!
CARBON:
It is disgraceful that we should starve while we're besieging!
LE BRET:
Alas, how full of complication is this siege of Arras! To think that while
we are besieging, we should ourselves be caught in a trap and besieged by the
Cardinal Infante of Spain.
CYRANO:
It were well done if he should be besieged in his turn.
LE BRET:
I am in earnest.
CYRANO:
Oh! indeed!
LE BRET:
To think you risk a life so precious. . .for the sake of a letter. .
.Thankless one.
(Seeing him turning to enter the tent):
Where are you going?
CYRANO:
I am going to write another.
(He enters the tent and disappears.)
| 472 | Scene 13 | https://web.archive.org/web/20180820053313/http://www.pinkmonkey.com/booknotes/monkeynotes/pmCyrano34.asp | While Cyrano sits on the rail of the balcony waiting to divert De Guiche, the lutes begin to play a sinister and mournful tune. When De Guiche arrives in mask, Cyrano swings down and lands between him and the door, pretending to be a lunatic who has fallen from the moon. He keeps De Guiche engaged with his chatter about "six ways to violate the virgin sky" and get to the moon. Throughout this dialogue Cyrano speaks with a Gascon accent and keeps his nose concealed with the brim of his hat in order to hide his identity from De Guiche. When the newly married Roxane and Christian emerge from the house, De Guiche grasps the situation. He acknowledges Roxane's cleverness and Cyrano's powers of invention in keeping him occupied. Wanting revenge, however, De Guiche orders that all the cadets must join the regiment and leave for Arras immediately. The distraught Roxane begs Cyrano to ensure Christian's safety, comfort and fidelity. She also asks for regular letters, which Cyrano promises. | Notes This scene is filled with intentional pathos. Poor Cyrano is left outside to wait for and delay De Guiche while his true love marries Christian inside the house. When De Guiche arrives in mask, the clever Cyrano chatters to him to delay his entering Roxane's house and discovering the wedding that is in progress. Although Cyrano's conversation is intentionally filled with wit and lunacy in order to trick De Guiche, it also reveals his true interest in science; he talks about the constellations of Great Bear and Orion, about the German astronomer and inventor named Regomontanus, and about six possible ways for man to reach the moon. Cyrano is truly a man of the Enlightenment, interested in and knowledgeable about many varied subjects. The act ends with a tragic-comic-ironic reversal. Cyrano, who loves Roxane dearly, has helped Christian to win her love; she now emerges as Christian's wife, largely due to the efforts of Cyrano. Whenever Christian speaks for himself, Roxane does not like him; however, when Cyrano speaks for Christian, Roxane is enamored by the words. It is clear that she has married the wrong man. The philandering De Guiche is simply upset that she has married, for he had his own designs on the beautiful Roxane. To punish her hastiness, Christian's victory, and Cyrano's craftiness, he orders that all of the cadets, including Christian and Cyrano, immediately report to the regiment to leave for Arras. Poor Christian and Roxane will not be able to spend a moment together as husband and wife. Before her husband departs, Roxane begs Cyrano to watch out for Christian's safety, comfort, and fidelity. She also tells Cyrano to make certain that Christian writes letters regularly. Cyrano, of course, will be the one to pen the letters. The thought of writing his true love delights him, even if he cannot sign the letters as his own. | 170 | 313 | [
"Christian, Carbon de Castel-Jaloux, Le Bret, the cadets, then Cyrano.",
"LE BRET:\n 'Tis terrible.",
"CARBON:\n Not a morsel left.",
"LE BRET:\n Mordioux!",
"CARBON (making a sign that he should speak lower):\n Curse under your breath.",
"You will awake them.",
"(To the cadets):\n Hush!",
"Sleep on.",
"(To Le Bret):\n He who sleeps, dines!",
"LE BRET:\n But that is sorry comfort for the sleepless!.",
". .\n What starvation!",
"(Firing is heard in the distance.)",
"CARBON:\n Oh, plague take their firing!",
"'Twill wake my sons.",
"(To the cadets, who lift up their heads):\n Sleep on!",
"(Firing is again heard, nearer this time.)",
"A CADET (moving):\n The devil!. .",
".Again.",
"CARBON:\n 'Tis nothing!",
"'Tis Cyrano coming back!",
"(Those who have lifted up their heads prepare to sleep again.)",
"A SENTINEL (from without):\n Ventrebieu!",
"Who goes there?",
"THE VOICE Of CYRANO:\n Bergerac.",
"The SENTINEL (who is on the redoubt):\n Ventrebieu!",
"Who goes there?",
"CYRANO (appearing at the top):\n Bergerac, idiot!",
"(He comes down; Le Bret advances anxiously to meet him.)",
"LE BRET:\n Heavens!",
"CYRANO (making signs that he should not awake the others):\n Hush!",
"LE BRET:\n Wounded?",
"CYRANO:\n Oh!",
"you know it has become their custom to shoot at me every morning and to\nmiss me.",
"LE BRET:\n This passes all!",
"To take letters at each day's dawn.",
"To risk.",
". .\n\nCYRANO (stopping before Christian):\n I promised he should write often.",
"(He looks at him):\n He sleeps.",
"How pale he is!",
"But how handsome still, despite his sufferings.",
"If his poor little lady-love knew that he is dying of hunger.",
". .",
"LE BRET:\n Get you quick to bed.",
"CYRANO:\n Nay, never scold, Le Bret.",
"I ran but little risk.",
"I have found me a spot\nto pass the Spanish lines, where each night they lie drunk.",
"LE BRET:\n You should try to bring us back provision.",
"CYRANO:\n A man must carry no weight who would get by there!",
"But there will be\nsurprise for us this night.",
"The French will eat or die. . .if I mistake not!",
"LE BRET:\n Oh!. .",
".tell me!.",
". .\n\nCYRANO:\n Nay, not yet.",
"I am not certain. . .You will see!",
"CARBON:\n It is disgraceful that we should starve while we're besieging!",
"LE BRET:\n Alas, how full of complication is this siege of Arras!",
"To think that while\nwe are besieging, we should ourselves be caught in a trap and besieged by the\nCardinal Infante of Spain.",
"CYRANO:\n It were well done if he should be besieged in his turn.",
"LE BRET:\n I am in earnest.",
"CYRANO:\n Oh!",
"indeed!",
"LE BRET:\n To think you risk a life so precious. . .for the sake of a letter. .\n.Thankless one.",
"(Seeing him turning to enter the tent):\n Where are you going?",
"CYRANO:\n I am going to write another.",
"(He enters the tent and disappears.)"
] | [
"CARBON (making a sign that he should speak lower):\n Curse under your breath.",
"LE BRET:\n But that is sorry comfort for the sleepless!.",
". .\n What starvation!",
"(Firing is heard in the distance.)",
"CARBON:\n Oh, plague take their firing!",
"CARBON:\n 'Tis nothing!",
"LE BRET:\n This passes all!",
"But how handsome still, despite his sufferings.",
"To think that while\nwe are besieging, we should ourselves be caught in a trap and besieged by the\nCardinal Infante of Spain.",
"CYRANO:\n It were well done if he should be besieged in his turn."
] | [
"Who goes there?",
". .\n What starvation!",
"CYRANO (appearing at the top):\n Bergerac, idiot!",
"LE BRET:\n 'Tis terrible.",
"CARBON (making a sign that he should speak lower):\n Curse under your breath.",
"CYRANO (making signs that he should not awake the others):\n Hush!",
"LE BRET:\n Alas, how full of complication is this siege of Arras!",
"I have found me a spot\nto pass the Spanish lines, where each night they lie drunk.",
"CYRANO:\n Oh!",
"The French will eat or die. . .if I mistake not!"
] | [
"(He comes down; Le Bret advances anxiously to meet him.)",
"LE BRET:\n Heavens!",
"CYRANO (making signs that he should not awake the others):\n Hush!",
"LE BRET:\n Wounded?",
"CYRANO:\n Oh!",
"you know it has become their custom to shoot at me every morning and to\nmiss me.",
"LE BRET:\n This passes all!",
"To take letters at each day's dawn.",
"To risk.",
". .\n\nCYRANO (stopping before Christian):\n I promised he should write often.",
"(He looks at him):\n He sleeps."
] | [
"Christian, Carbon de Castel-Jaloux, Le Bret, the cadets, then Cyrano.",
"LE BRET:\n 'Tis terrible.",
"CARBON:\n Not a morsel left.",
"LE BRET:\n Mordioux!",
"CARBON (making a sign that he should speak lower):\n Curse under your breath.",
"You will awake them.",
"(To the cadets):\n Hush!",
"Sleep on.",
"(To Le Bret):\n He who sleeps, dines!",
"LE BRET:\n But that is sorry comfort for the sleepless!.",
"LE BRET:\n Alas, how full of complication is this siege of Arras!",
"To think that while\nwe are besieging, we should ourselves be caught in a trap and besieged by the\nCardinal Infante of Spain.",
"CYRANO:\n It were well done if he should be besieged in his turn.",
"LE BRET:\n I am in earnest.",
"CYRANO:\n Oh!",
"indeed!",
"LE BRET:\n To think you risk a life so precious. . .for the sake of a letter. .\n.Thankless one.",
"(Seeing him turning to enter the tent):\n Where are you going?",
"CYRANO:\n I am going to write another.",
"(He enters the tent and disappears.)"
] | fore Christian):
I promised he should write often.
(He looks at him):
He sleeps.
How pale he is!
But how handsome still, despite his sufferings.
If his poor little lady-love knew that he is dying of hunger.
. .
LE BRET:
Get you quick to bed.
CYRANO:
Nay, never scold, Le Bret.
I ran but little risk.
I have found me a spot
to pass the Spanish lines, where each night they lie drunk.
LE BRET:
You should try to bring us back provision.
CYRANO:
A man must carry no weight who would get by there!
But there will be
surprise for us this night.
The French will eat or die. . .if I mistake not!
LE BRET:
Oh!. .
.tell me!.
. .
CYRANO:
Nay, not yet.
I am not certain. . .You will see!
CARBON:
It is disgraceful that we should starve while we're besieging!
LE BRET:
Alas, how full of complication is this siege of Arras!
To think that while
we are besieging, we should ourselves be caught in a trap and besieged by the
Cardinal Infante of Spain.
CYRANO:
It were well done if he should b | Christian, Carbon de Castel-Jaloux, Le Bret, the cadets, then Cyrano.
LE BRET:
'Tis terrible.
CARBON:
Not a morsel left.
LE BRET:
Mordioux!
CARBON (making a sign that he should speak lower):
Curse under your breath.
You will awake them.
(To the cadets):
Hush!
Sleep on.
(To Le Bret):
He who sleeps, dines!
LE BRET:
But that is sorry comfort for the sleepless!.
. .
What starvation!
(Firing is heard in the distance.)
CARBON:
Oh, plague take their firing!
'Twill wake my sons.
(To th is this siege of Arras!
To think that while
we are besieging, we should ourselves be caught in a trap and besieged by the
Cardinal Infante of Spain.
CYRANO:
It were well done if he should be besieged in his turn.
LE BRET:
I am in earnest.
CYRANO:
Oh!
indeed!
LE BRET:
To think you risk a life so precious. . .for the sake of a letter. .
.Thankless one.
(Seeing him turning to enter the tent):
Where are you going?
CYRANO:
I am going to write another.
(He enters the tent and disappears.) | ICE Of CYRANO:
Bergerac.
The SENTINEL (who is on the redoubt):
Ventrebieu!
Who goes there?
CYRANO (appearing at the top):
Bergerac, idiot!
(He comes down; Le Bret advances anxiously to meet him.)
LE BRET:
Heavens!
CYRANO (making signs that he should not awake the others):
Hush!
LE BRET:
Wounded?
CYRANO:
Oh!
you know it has become their custom to shoot at me every morning and to
miss me.
LE BRET:
This passes all!
To take letters at each day's dawn.
To risk.
. .
CYRANO (stopping before Christian):
I promised he should write often.
(He looks at him):
He sleeps.
How pale he is!
But how handsome still, despite his sufferings.
If his poor little lady-love knew that he is dying of hunger.
. .
LE BRET:
Get you quick to bed.
CYRANO:
Nay, never scold, Le Bret.
I ran but little risk.
I have found me a spot
to pass the Spanish lines, where each night they lie drunk.
LE BRET:
You should try to bring us back provision.
CYRANO:
A man must carry no weight who would get by t |
1,254 | false | pinkmonkey | all_chapterized_books/1254-chapters/46.txt | finished_summaries/pinkmonkey/Cyrano De Bergerac/section_31_part_0.txt | Cyrano De Bergerac.act 5.scene 1 | scene 1 | null | {"name": "Scene 1", "url": "https://web.archive.org/web/20180820053313/http://www.pinkmonkey.com/booknotes/monkeynotes/pmCyrano35.asp", "summary": "The scene is set in the evening at a post outside of Arras. It opens with a dialogue between Captain Carbon de Castel-Jaloux and Le Bret in which they indicate that the besieged French troops are miserable, depressed, and hungry. Since the Spanish troops have cut off their supplies, the French have no food. Cyrano seems to be the only one in camp that is not miserable. He is still awake even though most of the cadets are sleeping, for he has just traveled through the Spanish line in order to dispatch a letter to Roxane, as he does everyday. The letters that he writes give him great pleasure.", "analysis": "Notes This scene is a total contrast to the earlier light, humorous scenes. It gives Background Information about what has happened at Arras between the time of the last scene, set at Roxane's house, and this scene, set at the Gascon camp outside of Arras. The Spanish troops have encircled the French and cut off their supplies, including food. The French soldiers are now miserable and hungry, and Carbon and Le Bret look particularly weak. Cyrano alone manages to be his usual self because he gets satisfaction in writing to Roxane. He also finds excitement in risking his life by crossing the enemy line in order to mail the letters back to Roxane. The irony is that the letters are supposedly written by Christian, so Cyrano gets no credit for them."} | Mother Marguerite, Sister Martha, Sister Claire, other sisters.
SISTER MARTHA (to Mother Marguerite):
Sister Claire glanced in the mirror, once--nay, twice, to see if her coif
suited.
MOTHER MARGUERITE (to Sister Claire):
'Tis not well.
SISTER CLAIRE:
But I saw Sister Martha take a plum
Out of the tart.
MOTHER MARGUERITE (to Sister Martha):
That was ill done, my sister.
SISTER CLAIRE:
A little glance!
SISTER MARTHA:
And such a little plum!
MOTHER MARGUERITE:
I shall tell this to Monsieur Cyrano.
SISTER CLAIRE:
Nay, prithee do not!--he will mock!
SISTER MARTHA:
He'll say we nuns are vain!
SISTER CLAIRE:
And greedy!
MOTHER MARGUERITE (smiling):
Ay, and kind!
SISTER CLAIRE:
Is it not true, pray, Mother Marguerite,
That he has come, each week, on Saturday
For ten years, to the convent?
MOTHER MARGUERITE:
Ay! and more!
Ever since--fourteen years ago--the day
His cousin brought here, 'midst our woolen coifs,
The worldly mourning of her widow's veil,
Like a blackbird's wing among the convent doves!
SISTER MARTHA:
He only has the skill to turn her mind
From grief--unsoftened yet by Time--unhealed!
ALL THE SISTERS:
He is so droll!--It's cheerful when he comes!--
He teases us!--But we all like him well!--
--We make him pasties of angelica!
SISTER MARTHA:
But, he is not a faithful Catholic!
SISTER CLAIRE:
We will convert him!
THE SISTERS:
Yes! Yes!
MOTHER MARGUERITE:
I forbid,
My daughters, you attempt that subject. Nay,
Weary him not--he might less oft come here!
SISTER MARTHA:
But. . .God. . .
MOTHER MARGUERITE:
Nay, never fear! God knows him well!
SISTER MARTHA:
But--every Saturday, when he arrives,
He tells me, 'Sister, I eat meat on Friday!'
MOTHER MARGUERITE:
Ah! says he so? Well, the last time he came
Food had not passed his lips for two whole days!
SISTER MARTHA:
Mother!
MOTHER MARGUERITE:
He's poor.
SISTER MARTHA:
Who told you so, dear Mother?
MOTHER MARGUERITE:
Monsieur Le Bret.
SISTER MARTHA:
None help him?
MOTHER MARGUERITE:
He permits not.
(In an alley at the back Roxane appears, dressed in black, with a widow's coif
and veil. De Guiche, imposing-looking and visibly aged, walks by her side.
They saunter slowly. Mother Marguerite rises):
'Tis time we go in; Madame Madeleine
Walks in the garden with a visitor.
SISTER MARTHA (to Sister Claire, in a low voice):
The Marshal of Grammont?
SISTER CLAIRE (looking at him):
'Tis he, I think.
SISTER MARTHA:
'Tis many months now since he came to see her.
THE SISTERS:
He is so busy!--The Court,--the camp!. . .
SISTER CLAIRE:
The world!
(They go out. De Guiche and Roxane come forward in silence, and stop close to
the embroidery frame.)
| 456 | Scene 1 | https://web.archive.org/web/20180820053313/http://www.pinkmonkey.com/booknotes/monkeynotes/pmCyrano35.asp | The scene is set in the evening at a post outside of Arras. It opens with a dialogue between Captain Carbon de Castel-Jaloux and Le Bret in which they indicate that the besieged French troops are miserable, depressed, and hungry. Since the Spanish troops have cut off their supplies, the French have no food. Cyrano seems to be the only one in camp that is not miserable. He is still awake even though most of the cadets are sleeping, for he has just traveled through the Spanish line in order to dispatch a letter to Roxane, as he does everyday. The letters that he writes give him great pleasure. | Notes This scene is a total contrast to the earlier light, humorous scenes. It gives Background Information about what has happened at Arras between the time of the last scene, set at Roxane's house, and this scene, set at the Gascon camp outside of Arras. The Spanish troops have encircled the French and cut off their supplies, including food. The French soldiers are now miserable and hungry, and Carbon and Le Bret look particularly weak. Cyrano alone manages to be his usual self because he gets satisfaction in writing to Roxane. He also finds excitement in risking his life by crossing the enemy line in order to mail the letters back to Roxane. The irony is that the letters are supposedly written by Christian, so Cyrano gets no credit for them. | 109 | 131 | [
"Mother Marguerite, Sister Martha, Sister Claire, other sisters.",
"SISTER MARTHA (to Mother Marguerite):\n Sister Claire glanced in the mirror, once--nay, twice, to see if her coif\nsuited.",
"MOTHER MARGUERITE (to Sister Claire):\n 'Tis not well.",
"SISTER CLAIRE:\n But I saw Sister Martha take a plum\n Out of the tart.",
"MOTHER MARGUERITE (to Sister Martha):\n That was ill done, my sister.",
"SISTER CLAIRE:\n A little glance!",
"SISTER MARTHA:\n And such a little plum!",
"MOTHER MARGUERITE:\n I shall tell this to Monsieur Cyrano.",
"SISTER CLAIRE:\n Nay, prithee do not!--he will mock!",
"SISTER MARTHA:\n He'll say we nuns are vain!",
"SISTER CLAIRE:\n And greedy!",
"MOTHER MARGUERITE (smiling):\n Ay, and kind!",
"SISTER CLAIRE:\n Is it not true, pray, Mother Marguerite,\n That he has come, each week, on Saturday\n For ten years, to the convent?",
"MOTHER MARGUERITE:\n Ay!",
"and more!",
"Ever since--fourteen years ago--the day\n His cousin brought here, 'midst our woolen coifs,\n The worldly mourning of her widow's veil,\n Like a blackbird's wing among the convent doves!",
"SISTER MARTHA:\n He only has the skill to turn her mind\n From grief--unsoftened yet by Time--unhealed!",
"ALL THE SISTERS:\n He is so droll!--It's cheerful when he comes!--\n He teases us!--But we all like him well!--\n --We make him pasties of angelica!",
"SISTER MARTHA:\n But, he is not a faithful Catholic!",
"SISTER CLAIRE:\n We will convert him!",
"THE SISTERS:\n Yes!",
"Yes!",
"MOTHER MARGUERITE:\n I forbid,\n My daughters, you attempt that subject.",
"Nay,\n Weary him not--he might less oft come here!",
"SISTER MARTHA:\n But. . .God.",
". .",
"MOTHER MARGUERITE:\n Nay, never fear!",
"God knows him well!",
"SISTER MARTHA:\n But--every Saturday, when he arrives,\n He tells me, 'Sister, I eat meat on Friday!'",
"MOTHER MARGUERITE:\n Ah!",
"says he so?",
"Well, the last time he came\n Food had not passed his lips for two whole days!",
"SISTER MARTHA:\n Mother!",
"MOTHER MARGUERITE:\n He's poor.",
"SISTER MARTHA:\n Who told you so, dear Mother?",
"MOTHER MARGUERITE:\n Monsieur Le Bret.",
"SISTER MARTHA:\n None help him?",
"MOTHER MARGUERITE:\n He permits not.",
"(In an alley at the back Roxane appears, dressed in black, with a widow's coif\nand veil.",
"De Guiche, imposing-looking and visibly aged, walks by her side.",
"They saunter slowly.",
"Mother Marguerite rises):\n 'Tis time we go in; Madame Madeleine\n Walks in the garden with a visitor.",
"SISTER MARTHA (to Sister Claire, in a low voice):\n The Marshal of Grammont?",
"SISTER CLAIRE (looking at him):\n 'Tis he, I think.",
"SISTER MARTHA:\n 'Tis many months now since he came to see her.",
"THE SISTERS:\n He is so busy!--The Court,--the camp!.",
". .",
"SISTER CLAIRE:\n The world!",
"(They go out.",
"De Guiche and Roxane come forward in silence, and stop close to\nthe embroidery frame.)"
] | [
"MOTHER MARGUERITE (smiling):\n Ay, and kind!",
"Nay,\n Weary him not--he might less oft come here!",
"SISTER MARTHA:\n But. . .God.",
"says he so?",
"SISTER MARTHA:\n Who told you so, dear Mother?",
"SISTER MARTHA:\n None help him?",
"(In an alley at the back Roxane appears, dressed in black, with a widow's coif\nand veil.",
"De Guiche, imposing-looking and visibly aged, walks by her side.",
"SISTER CLAIRE (looking at him):\n 'Tis he, I think.",
"THE SISTERS:\n He is so busy!--The Court,--the camp!."
] | [
"says he so?",
"and more!",
"Well, the last time he came\n Food had not passed his lips for two whole days!",
"MOTHER MARGUERITE:\n I forbid,\n My daughters, you attempt that subject.",
"THE SISTERS:\n He is so busy!--The Court,--the camp!.",
"MOTHER MARGUERITE (smiling):\n Ay, and kind!",
"MOTHER MARGUERITE:\n He permits not.",
"SISTER MARTHA (to Mother Marguerite):\n Sister Claire glanced in the mirror, once--nay, twice, to see if her coif\nsuited.",
"SISTER CLAIRE:\n Nay, prithee do not!--he will mock!",
"MOTHER MARGUERITE:\n Nay, never fear!"
] | [
"THE SISTERS:\n Yes!",
"Yes!",
"MOTHER MARGUERITE:\n I forbid,\n My daughters, you attempt that subject.",
"Nay,\n Weary him not--he might less oft come here!",
"SISTER MARTHA:\n But. . .God.",
". .",
"MOTHER MARGUERITE:\n Nay, never fear!",
"God knows him well!",
"SISTER MARTHA:\n But--every Saturday, when he arrives,\n He tells me, 'Sister, I eat meat on Friday!'",
"MOTHER MARGUERITE:\n Ah!",
"says he so?"
] | [
"Mother Marguerite, Sister Martha, Sister Claire, other sisters.",
"SISTER MARTHA (to Mother Marguerite):\n Sister Claire glanced in the mirror, once--nay, twice, to see if her coif\nsuited.",
"MOTHER MARGUERITE (to Sister Claire):\n 'Tis not well.",
"SISTER CLAIRE:\n But I saw Sister Martha take a plum\n Out of the tart.",
"MOTHER MARGUERITE (to Sister Martha):\n That was ill done, my sister.",
"SISTER CLAIRE:\n A little glance!",
"SISTER MARTHA:\n And such a little plum!",
"MOTHER MARGUERITE:\n I shall tell this to Monsieur Cyrano.",
"SISTER CLAIRE:\n Nay, prithee do not!--he will mock!",
"SISTER MARTHA:\n He'll say we nuns are vain!",
"They saunter slowly.",
"Mother Marguerite rises):\n 'Tis time we go in; Madame Madeleine\n Walks in the garden with a visitor.",
"SISTER MARTHA (to Sister Claire, in a low voice):\n The Marshal of Grammont?",
"SISTER CLAIRE (looking at him):\n 'Tis he, I think.",
"SISTER MARTHA:\n 'Tis many months now since he came to see her.",
"THE SISTERS:\n He is so busy!--The Court,--the camp!.",
". .",
"SISTER CLAIRE:\n The world!",
"(They go out.",
"De Guiche and Roxane come forward in silence, and stop close to\nthe embroidery frame.)"
] | HA:
But, he is not a faithful Catholic!
SISTER CLAIRE:
We will convert him!
THE SISTERS:
Yes!
Yes!
MOTHER MARGUERITE:
I forbid,
My daughters, you attempt that subject.
Nay,
Weary him not--he might less oft come here!
SISTER MARTHA:
But. . .God.
. .
MOTHER MARGUERITE:
Nay, never fear!
God knows him well!
SISTER MARTHA:
But--every Saturday, when he arrives,
He tells me, 'Sister, I eat meat on Friday!'
MOTHER MARGUERITE:
Ah!
says he so?
Well, the last time he came
Food had not passed his lips for two whole days!
SISTER MARTHA:
Mother!
MOTHER MARGUERITE:
He's poor.
SISTER MARTHA:
Who told you so, dear Mother?
MOTHER MARGUERITE:
Monsieur Le Bret.
SISTER MARTHA:
None help him?
MOTHER MARGUERITE:
He permits not.
(In an alley at the back Roxane appears, dressed in black, with a widow's coif
and veil.
De Guiche, imposing-looking and visibly aged, walks by her side.
They saunter slowly.
Mother Marguerite rises):
'Tis time we go in; Madame Madeleine
Walks i | Mother Marguerite, Sister Martha, Sister Claire, other sisters.
SISTER MARTHA (to Mother Marguerite):
Sister Claire glanced in the mirror, once--nay, twice, to see if her coif
suited.
MOTHER MARGUERITE (to Sister Claire):
'Tis not well.
SISTER CLAIRE:
But I saw Sister Martha take a plum
Out of the tart.
MOTHER MARGUERITE (to Sister Martha):
That was ill done, my sister.
SISTER CLAIRE:
A little glance!
SISTER MARTHA:
And such a little plum!
MOTHER MARGUERITE:
I shall tell this to y saunter slowly.
Mother Marguerite rises):
'Tis time we go in; Madame Madeleine
Walks in the garden with a visitor.
SISTER MARTHA (to Sister Claire, in a low voice):
The Marshal of Grammont?
SISTER CLAIRE (looking at him):
'Tis he, I think.
SISTER MARTHA:
'Tis many months now since he came to see her.
THE SISTERS:
He is so busy!--The Court,--the camp!.
. .
SISTER CLAIRE:
The world!
(They go out.
De Guiche and Roxane come forward in silence, and stop close to
the embroidery frame.) | Ever since--fourteen years ago--the day
His cousin brought here, 'midst our woolen coifs,
The worldly mourning of her widow's veil,
Like a blackbird's wing among the convent doves!
SISTER MARTHA:
He only has the skill to turn her mind
From grief--unsoftened yet by Time--unhealed!
ALL THE SISTERS:
He is so droll!--It's cheerful when he comes!--
He teases us!--But we all like him well!--
--We make him pasties of angelica!
SISTER MARTHA:
But, he is not a faithful Catholic!
SISTER CLAIRE:
We will convert him!
THE SISTERS:
Yes!
Yes!
MOTHER MARGUERITE:
I forbid,
My daughters, you attempt that subject.
Nay,
Weary him not--he might less oft come here!
SISTER MARTHA:
But. . .God.
. .
MOTHER MARGUERITE:
Nay, never fear!
God knows him well!
SISTER MARTHA:
But--every Saturday, when he arrives,
He tells me, 'Sister, I eat meat on Friday!'
MOTHER MARGUERITE:
Ah!
says he so?
Well, the last time he came
Food had not passed his lips for two whole days!
SISTER MART |
1,254 | false | pinkmonkey | all_chapterized_books/1254-chapters/36.txt | finished_summaries/pinkmonkey/Cyrano De Bergerac/section_32_part_0.txt | Cyrano De Bergerac.act 4.scene 2 | scene 2 | null | {"name": "Scene 2", "url": "https://web.archive.org/web/20180820053313/http://www.pinkmonkey.com/booknotes/monkeynotes/pmCyrano36.asp", "summary": "When they rise the next morning, the cadets complain of their hunger and threaten to mutiny. Captain Carbon appeals to Cyrano to come forth from his tent and handle the situation. Cyrano obliges. He tries to joke about the Cadet's hunger by punning on their complaints and offering them The Iliad, which he is reading, as food for thought. When he realizes that is wit is not helping to cheer up the cadets, he calls the regiment piper to play Gascon tunes. Carbon protests, saying the songs about home will make the cadets weep. Cyrano explains that it is more noble to weep from homesickness than from hunger. When a drum roll is heard, the cadets become excited. When Cyrano sees that De Guiche is approaching, he warns the cadets not to let this man, whom they mock as a mere courtier and not a soldier, see how miserable they are.", "analysis": "Notes When the cadets wake and threaten mutiny, Cyrano is called to calm them. His interaction with the cadets reveals his natural leadership and his keen wit. To try and cheer the cadets, he gives French proverbs about hunger and wittily comments on them. When the wit fails to work on the cadets, he orders the piper to play folk songs from the homeland, hoping to inspire the cadets with a desire to fight and live so that they can eventually return home. Although the cadets weep at the sound of the songs, Cyrano declares it is better to weep from homesickness than from hunger. It is interesting that Cyrano is reading The Iliad, a classic text about the Trojan War, and offers to the cadets as food for thought to alleviate their hunger. In that war, the Greeks besieged the city of Troy for a very long time before the action started and that is the obvious parallel here, for the cadets wait for the fighting to begin. It is also interesting to note that in World War I, Cyrano de Bergerac was the favorite thing to read among the French troops."} | The same, all but Cyrano. The day is breaking in a rosy light. The town of
Arras is golden in the horizon. The report of cannon is heard in the
distance, followed immediately by the beating of drums far away to the left.
Other drums are heard much nearer. Sounds of stirring in the camp. Voices of
officers in the distance.
CARBON (sighing):
The reveille!
(The cadets move and stretch themselves):
Nourishing sleep! Thou art at an end!. . .I know well what will be their
first cry!
A CADET (sitting up):
I am so hungry!
ANOTHER:
I am dying of hunger.
TOGETHER:
Oh!
CARBON:
Up with you!
THIRD CADET:
--Cannot move a limb.
FOURTH CADET:
Nor can I.
THE FIRST (looking at himself in a bit of armor):
My tongue is yellow. The air at this season of the year is hard to digest.
ANOTHER:
My coronet for a bit of Chester!
ANOTHER:
If none can furnish to my gaster wherewith to make a pint of chyle, I shall
retire to my tent--like Achilles!
ANOTHER:
Oh! something! were it but a crust!
CARBON (going to the tent and calling softly):
Cyrano!
ALL THE CADETS:
We are dying!
CARBON (continuing to speak under his breath at the opening of the tent):
Come to my aid, you, who have the art of quick retort and gay jest. Come,
hearten them up.
SECOND CADET (rushing toward another who is munching something):
What are you crunching there?
FIRST CADET:
Cannon-wads soaked in axle-grease! 'Tis poor hunting round about Arras!
A CADET (entering):
I have been after game.
ANOTHER (following him):
And I after fish.
ALL (rushing to the two newcomers):
Well! what have you brought?--a pheasant?--a carp?--Come, show us quick!
THE ANGLER:
A gudgeon!
THE SPORTSMAN:
A sparrow!
ALL TOGETHER (beside themselves):
'Tis more than can be borne! We will mutiny!
CARBON:
Cyrano! Come to my help.
(The daylight has now come.)
| 321 | Scene 2 | https://web.archive.org/web/20180820053313/http://www.pinkmonkey.com/booknotes/monkeynotes/pmCyrano36.asp | When they rise the next morning, the cadets complain of their hunger and threaten to mutiny. Captain Carbon appeals to Cyrano to come forth from his tent and handle the situation. Cyrano obliges. He tries to joke about the Cadet's hunger by punning on their complaints and offering them The Iliad, which he is reading, as food for thought. When he realizes that is wit is not helping to cheer up the cadets, he calls the regiment piper to play Gascon tunes. Carbon protests, saying the songs about home will make the cadets weep. Cyrano explains that it is more noble to weep from homesickness than from hunger. When a drum roll is heard, the cadets become excited. When Cyrano sees that De Guiche is approaching, he warns the cadets not to let this man, whom they mock as a mere courtier and not a soldier, see how miserable they are. | Notes When the cadets wake and threaten mutiny, Cyrano is called to calm them. His interaction with the cadets reveals his natural leadership and his keen wit. To try and cheer the cadets, he gives French proverbs about hunger and wittily comments on them. When the wit fails to work on the cadets, he orders the piper to play folk songs from the homeland, hoping to inspire the cadets with a desire to fight and live so that they can eventually return home. Although the cadets weep at the sound of the songs, Cyrano declares it is better to weep from homesickness than from hunger. It is interesting that Cyrano is reading The Iliad, a classic text about the Trojan War, and offers to the cadets as food for thought to alleviate their hunger. In that war, the Greeks besieged the city of Troy for a very long time before the action started and that is the obvious parallel here, for the cadets wait for the fighting to begin. It is also interesting to note that in World War I, Cyrano de Bergerac was the favorite thing to read among the French troops. | 151 | 193 | [
"The same, all but Cyrano.",
"The day is breaking in a rosy light.",
"The town of\nArras is golden in the horizon.",
"The report of cannon is heard in the\ndistance, followed immediately by the beating of drums far away to the left.",
"Other drums are heard much nearer.",
"Sounds of stirring in the camp.",
"Voices of\nofficers in the distance.",
"CARBON (sighing):\n The reveille!",
"(The cadets move and stretch themselves):\n Nourishing sleep!",
"Thou art at an end!. .",
".I know well what will be their\nfirst cry!",
"A CADET (sitting up):\n I am so hungry!",
"ANOTHER:\n I am dying of hunger.",
"TOGETHER:\n Oh!",
"CARBON:\n Up with you!",
"THIRD CADET:\n --Cannot move a limb.",
"FOURTH CADET:\n Nor can I.",
"THE FIRST (looking at himself in a bit of armor):\n My tongue is yellow.",
"The air at this season of the year is hard to digest.",
"ANOTHER:\n My coronet for a bit of Chester!",
"ANOTHER:\n If none can furnish to my gaster wherewith to make a pint of chyle, I shall\nretire to my tent--like Achilles!",
"ANOTHER:\n Oh!",
"something!",
"were it but a crust!",
"CARBON (going to the tent and calling softly):\n Cyrano!",
"ALL THE CADETS:\n We are dying!",
"CARBON (continuing to speak under his breath at the opening of the tent):\n Come to my aid, you, who have the art of quick retort and gay jest.",
"Come,\nhearten them up.",
"SECOND CADET (rushing toward another who is munching something):\n What are you crunching there?",
"FIRST CADET:\n Cannon-wads soaked in axle-grease!",
"'Tis poor hunting round about Arras!",
"A CADET (entering):\n I have been after game.",
"ANOTHER (following him):\n And I after fish.",
"ALL (rushing to the two newcomers):\n Well!",
"what have you brought?--a pheasant?--a carp?--Come, show us quick!",
"THE ANGLER:\n A gudgeon!",
"THE SPORTSMAN:\n A sparrow!",
"ALL TOGETHER (beside themselves):\n 'Tis more than can be borne!",
"We will mutiny!",
"CARBON:\n Cyrano!",
"Come to my help.",
"(The daylight has now come.)"
] | [
"The same, all but Cyrano.",
"The day is breaking in a rosy light.",
"Sounds of stirring in the camp.",
"CARBON (sighing):\n The reveille!",
"ANOTHER:\n If none can furnish to my gaster wherewith to make a pint of chyle, I shall\nretire to my tent--like Achilles!",
"something!",
"CARBON (going to the tent and calling softly):\n Cyrano!",
"ALL THE CADETS:\n We are dying!",
"CARBON (continuing to speak under his breath at the opening of the tent):\n Come to my aid, you, who have the art of quick retort and gay jest.",
"(The daylight has now come.)"
] | [
"(The daylight has now come.)",
"CARBON:\n Up with you!",
"SECOND CADET (rushing toward another who is munching something):\n What are you crunching there?",
"THIRD CADET:\n --Cannot move a limb.",
"The town of\nArras is golden in the horizon.",
"Come,\nhearten them up.",
"ANOTHER:\n Oh!",
"CARBON (going to the tent and calling softly):\n Cyrano!",
"CARBON (continuing to speak under his breath at the opening of the tent):\n Come to my aid, you, who have the art of quick retort and gay jest.",
"(The cadets move and stretch themselves):\n Nourishing sleep!"
] | [
"FOURTH CADET:\n Nor can I.",
"THE FIRST (looking at himself in a bit of armor):\n My tongue is yellow.",
"The air at this season of the year is hard to digest.",
"ANOTHER:\n My coronet for a bit of Chester!",
"ANOTHER:\n If none can furnish to my gaster wherewith to make a pint of chyle, I shall\nretire to my tent--like Achilles!",
"ANOTHER:\n Oh!",
"something!",
"were it but a crust!",
"CARBON (going to the tent and calling softly):\n Cyrano!",
"ALL THE CADETS:\n We are dying!",
"CARBON (continuing to speak under his breath at the opening of the tent):\n Come to my aid, you, who have the art of quick retort and gay jest."
] | [
"The same, all but Cyrano.",
"The day is breaking in a rosy light.",
"The town of\nArras is golden in the horizon.",
"The report of cannon is heard in the\ndistance, followed immediately by the beating of drums far away to the left.",
"Other drums are heard much nearer.",
"Sounds of stirring in the camp.",
"Voices of\nofficers in the distance.",
"CARBON (sighing):\n The reveille!",
"(The cadets move and stretch themselves):\n Nourishing sleep!",
"Thou art at an end!. .",
"ANOTHER (following him):\n And I after fish.",
"ALL (rushing to the two newcomers):\n Well!",
"what have you brought?--a pheasant?--a carp?--Come, show us quick!",
"THE ANGLER:\n A gudgeon!",
"THE SPORTSMAN:\n A sparrow!",
"ALL TOGETHER (beside themselves):\n 'Tis more than can be borne!",
"We will mutiny!",
"CARBON:\n Cyrano!",
"Come to my help.",
"(The daylight has now come.)"
] | can I.
THE FIRST (looking at himself in a bit of armor):
My tongue is yellow.
The air at this season of the year is hard to digest.
ANOTHER:
My coronet for a bit of Chester!
ANOTHER:
If none can furnish to my gaster wherewith to make a pint of chyle, I shall
retire to my tent--like Achilles!
ANOTHER:
Oh!
something!
were it but a crust!
CARBON (going to the tent and calling softly):
Cyrano!
ALL THE CADETS:
We are dying!
CARBON (continuing to speak under his breath at the opening of the tent):
Come to my aid, you, who have the art of quick retort and gay jest.
Come,
hearten them up.
SECOND CADET (rushing toward another who is munching something):
What are you crunching there?
FIRST CADET:
Cannon-wads soaked in axle-grease!
'Tis poor hunting round about Arras!
A CADET (entering):
I have been after game.
ANOTHER (following him):
And I after fish.
ALL (rushing to the two newcomers):
Well!
what have you brought?--a pheasant?--a carp?--Come, show us quick!
THE ANGLER: | The same, all but Cyrano.
The day is breaking in a rosy light.
The town of
Arras is golden in the horizon.
The report of cannon is heard in the
distance, followed immediately by the beating of drums far away to the left.
Other drums are heard much nearer.
Sounds of stirring in the camp.
Voices of
officers in the distance.
CARBON (sighing):
The reveille!
(The cadets move and stretch themselves):
Nourishing sleep!
Thou art at an end!. .
.I know well what will be their
first cry!
A CADET (sitti nching there?
FIRST CADET:
Cannon-wads soaked in axle-grease!
'Tis poor hunting round about Arras!
A CADET (entering):
I have been after game.
ANOTHER (following him):
And I after fish.
ALL (rushing to the two newcomers):
Well!
what have you brought?--a pheasant?--a carp?--Come, show us quick!
THE ANGLER:
A gudgeon!
THE SPORTSMAN:
A sparrow!
ALL TOGETHER (beside themselves):
'Tis more than can be borne!
We will mutiny!
CARBON:
Cyrano!
Come to my help.
(The daylight has now come.) | Thou art at an end!. .
.I know well what will be their
first cry!
A CADET (sitting up):
I am so hungry!
ANOTHER:
I am dying of hunger.
TOGETHER:
Oh!
CARBON:
Up with you!
THIRD CADET:
--Cannot move a limb.
FOURTH CADET:
Nor can I.
THE FIRST (looking at himself in a bit of armor):
My tongue is yellow.
The air at this season of the year is hard to digest.
ANOTHER:
My coronet for a bit of Chester!
ANOTHER:
If none can furnish to my gaster wherewith to make a pint of chyle, I shall
retire to my tent--like Achilles!
ANOTHER:
Oh!
something!
were it but a crust!
CARBON (going to the tent and calling softly):
Cyrano!
ALL THE CADETS:
We are dying!
CARBON (continuing to speak under his breath at the opening of the tent):
Come to my aid, you, who have the art of quick retort and gay jest.
Come,
hearten them up.
SECOND CADET (rushing toward another who is munching something):
What are you crunching there?
FIRST CADET:
Cannon-wads soaked in axle-grease!
'Tis poor hunting |
1,254 | false | pinkmonkey | all_chapterized_books/1254-chapters/37.txt | finished_summaries/pinkmonkey/Cyrano De Bergerac/section_33_part_0.txt | Cyrano De Bergerac.act 4.scene 3 | scene 3 | null | {"name": "Scene 3", "url": "https://web.archive.org/web/20180820053313/http://www.pinkmonkey.com/booknotes/monkeynotes/pmCyrano36.asp", "summary": "When they rise the next morning, the cadets complain of their hunger and threaten to mutiny. Captain Carbon appeals to Cyrano to come forth from his tent and handle the situation. Cyrano obliges. He tries to joke about the Cadet's hunger by punning on their complaints and offering them The Iliad, which he is reading, as food for thought. When he realizes that is wit is not helping to cheer up the cadets, he calls the regiment piper to play Gascon tunes. Carbon protests, saying the songs about home will make the cadets weep. Cyrano explains that it is more noble to weep from homesickness than from hunger. When a drum roll is heard, the cadets become excited. When Cyrano sees that De Guiche is approaching, he warns the cadets not to let this man, whom they mock as a mere courtier and not a soldier, see how miserable they are.", "analysis": "Notes When the cadets wake and threaten mutiny, Cyrano is called to calm them. His interaction with the cadets reveals his natural leadership and his keen wit. To try and cheer the cadets, he gives French proverbs about hunger and wittily comments on them. When the wit fails to work on the cadets, he orders the piper to play folk songs from the homeland, hoping to inspire the cadets with a desire to fight and live so that they can eventually return home. Although the cadets weep at the sound of the songs, Cyrano declares it is better to weep from homesickness than from hunger. It is interesting that Cyrano is reading The Iliad, a classic text about the Trojan War, and offers to the cadets as food for thought to alleviate their hunger. In that war, the Greeks besieged the city of Troy for a very long time before the action started and that is the obvious parallel here, for the cadets wait for the fighting to begin. It is also interesting to note that in World War I, Cyrano de Bergerac was the favorite thing to read among the French troops."} | The SAME. Cyrano.
CYRANO (appearing from the tent, very calm, with a pen stuck behind his ear
and a book in his hand):
What is wrong?
(Silence. To the first cadet):
Why drag you your legs so sorrowfully?
THE CADET:
I have something in my heels which weighs them down.
CYRANO:
And what may that be?
THE CADET:
My stomach!
CYRANO:
So have I, 'faith!
THE CADET:
It must be in your way?
CYRANO:
Nay, I am all the taller.
A THIRD:
My stomach's hollow.
CYRANO:
'Faith, 'twill make a fine drum to sound the assault.
ANOTHER:
I have a ringing in my ears.
CYRANO:
No, no, 'tis false; a hungry stomach has no ears.
ANOTHER:
Oh, to eat something--something oily!
CYRANO (pulling off the cadet's helmet and holding it out to him):
Behold your salad!
ANOTHER:
What, in God's name, can we devour?
CYRANO (throwing him the book which he is carrying):
The 'Iliad'.
ANOTHER:
The first minister in Paris has his four meals a day!
CYRANO:
'Twere courteous an he sent you a few partridges!
THE SAME:
And why not? with wine, too!
CYRANO:
A little Burgundy. Richelieu, s'il vous plait!
THE SAME:
He could send it by one of his friars.
CYRANO:
Ay! by His Eminence Joseph himself.
ANOTHER:
I am as ravenous as an ogre!
CYRANO:
Eat your patience, then.
THE FIRST CADET (shrugging his shoulders):
Always your pointed word!
CYRANO:
Ay, pointed words!
I would fain die thus, some soft summer eve,
Making a pointed word for a good cause.
--To make a soldier's end by soldier's sword,
Wielded by some brave adversary--die
On blood-stained turf, not on a fever-bed,
A point upon my lips, a point within my heart.
CRIES FROM ALL:
I'm hungry!
CYRANO (crossing his arms):
All your thoughts of meat and drink!
Bertrand the fifer!--you were shepherd once,--
Draw from its double leathern case your fife,
Play to these greedy, guzzling soldiers. Play
Old country airs with plaintive rhythm recurring,
Where lurk sweet echoes of the dear home-voices,
Each note of which calls like a little sister,
Those airs slow, slow ascending, as the smoke-wreaths
Rise from the hearthstones of our native hamlets,
Their music strikes the ear like Gascon patois!. . .
(The old man seats himself, and gets his flute ready):
Your flute was now a warrior in durance;
But on its stem your fingers are a-dancing
A bird-like minuet! O flute! Remember
That flutes were made of reeds first, not laburnum;
Make us a music pastoral days recalling--
The soul-time of your youth, in country pastures!. . .
(The old man begins to play the airs of Languedoc):
Hark to the music, Gascons!. . .'Tis no longer
The piercing fife of camp--but 'neath his fingers
The flute of the woods! No more the call to combat,
'Tis now the love-song of the wandering goat-herds!. . .
Hark!. . .'tis the valley, the wet landes, the forest,
The sunburnt shepherd-boy with scarlet beret,
The dusk of evening on the Dordogne river,--
'Tis Gascony! Hark, Gascons, to the music!
(The cadets sit with bowed heads; their eyes have a far-off look as if
dreaming, and they surreptitiously wipe away their tears with their cuffs and
the corner of their cloaks.)
CARBON (to Cyrano in a whisper):
But you make them weep!
CYRANO:
Ay, for homesickness. A nobler pain than hunger,--'tis of the soul, not of
the body! I am well pleased to see their pain change its viscera. Heart-ache
is better than stomach-ache.
CARBON:
But you weaken their courage by playing thus on their heart-strings!
CYRANO (making a sign to a drummer to approach):
Not I. The hero that sleeps in Gascon blood is ever ready to awake in them.
'Twould suffice. . .
(He makes a signal; the drum beats.)
ALL THE CADETS (stand up and rush to take arms):
What? What is it?
CYRANO (smiling):
You see! One roll of the drum is enough! Good-by dreams, regrets, native
land, love. . .All that the pipe called forth the drum has chased away!
A CADET (looking toward the back of the stage):
Ho! here comes Monsieur de Guiche.
ALL THE CADETS (muttering):
Ugh!. . .Ugh!. . .
CYRANO (smiling):
A flattering welcome!
A CADET:
We are sick to death of him!
ANOTHER CADET:
--With his lace collar over his armor, playing the fine gentleman!
ANOTHER:
As if one wore linen over steel!
THE FIRST:
It were good for a bandage had he boils on his neck.
THE SECOND:
Another plotting courtier!
ANOTHER CADET:
His uncle's own nephew!
CARBON:
For all that--a Gascon.
THE FIRST:
Ay, false Gascon!. . .trust him not. . .
Gascons should ever be crack-brained. . .
Naught more dangerous than a rational Gascon.
LE BRET:
How pale he is!
ANOTHER:
Oh! he is hungry, just like us poor devils; but under his cuirass, with its
fine gilt nails, his stomach-ache glitters brave in the sun.
CYRANO (hurriedly):
Let us not seem to suffer either! Out with your cards, pipes, and dice. . .
(All begin spreading out the games on the drums, the stools, the ground, and
on their cloaks, and light long pipes):
And I shall read Descartes.
(He walks up and down, reading a little book which he has drawn from his
pocket. Tableau. Enter De Guiche. All appear absorbed and happy. He is
very pale. He goes up to Carbon.)
| 934 | Scene 3 | https://web.archive.org/web/20180820053313/http://www.pinkmonkey.com/booknotes/monkeynotes/pmCyrano36.asp | When they rise the next morning, the cadets complain of their hunger and threaten to mutiny. Captain Carbon appeals to Cyrano to come forth from his tent and handle the situation. Cyrano obliges. He tries to joke about the Cadet's hunger by punning on their complaints and offering them The Iliad, which he is reading, as food for thought. When he realizes that is wit is not helping to cheer up the cadets, he calls the regiment piper to play Gascon tunes. Carbon protests, saying the songs about home will make the cadets weep. Cyrano explains that it is more noble to weep from homesickness than from hunger. When a drum roll is heard, the cadets become excited. When Cyrano sees that De Guiche is approaching, he warns the cadets not to let this man, whom they mock as a mere courtier and not a soldier, see how miserable they are. | Notes When the cadets wake and threaten mutiny, Cyrano is called to calm them. His interaction with the cadets reveals his natural leadership and his keen wit. To try and cheer the cadets, he gives French proverbs about hunger and wittily comments on them. When the wit fails to work on the cadets, he orders the piper to play folk songs from the homeland, hoping to inspire the cadets with a desire to fight and live so that they can eventually return home. Although the cadets weep at the sound of the songs, Cyrano declares it is better to weep from homesickness than from hunger. It is interesting that Cyrano is reading The Iliad, a classic text about the Trojan War, and offers to the cadets as food for thought to alleviate their hunger. In that war, the Greeks besieged the city of Troy for a very long time before the action started and that is the obvious parallel here, for the cadets wait for the fighting to begin. It is also interesting to note that in World War I, Cyrano de Bergerac was the favorite thing to read among the French troops. | 151 | 193 | [
"The SAME.",
"Cyrano.",
"CYRANO (appearing from the tent, very calm, with a pen stuck behind his ear\nand a book in his hand):\n What is wrong?",
"(Silence.",
"To the first cadet):\n Why drag you your legs so sorrowfully?",
"THE CADET:\n I have something in my heels which weighs them down.",
"CYRANO:\n And what may that be?",
"THE CADET:\n My stomach!",
"CYRANO:\n So have I, 'faith!",
"THE CADET:\n It must be in your way?",
"CYRANO:\n Nay, I am all the taller.",
"A THIRD:\n My stomach's hollow.",
"CYRANO:\n 'Faith, 'twill make a fine drum to sound the assault.",
"ANOTHER:\n I have a ringing in my ears.",
"CYRANO:\n No, no, 'tis false; a hungry stomach has no ears.",
"ANOTHER:\n Oh, to eat something--something oily!",
"CYRANO (pulling off the cadet's helmet and holding it out to him):\n Behold your salad!",
"ANOTHER:\n What, in God's name, can we devour?",
"CYRANO (throwing him the book which he is carrying):\n The 'Iliad'.",
"ANOTHER:\n The first minister in Paris has his four meals a day!",
"CYRANO:\n 'Twere courteous an he sent you a few partridges!",
"THE SAME:\n And why not?",
"with wine, too!",
"CYRANO:\n A little Burgundy.",
"Richelieu, s'il vous plait!",
"THE SAME:\n He could send it by one of his friars.",
"CYRANO:\n Ay!",
"by His Eminence Joseph himself.",
"ANOTHER:\n I am as ravenous as an ogre!",
"CYRANO:\n Eat your patience, then.",
"THE FIRST CADET (shrugging his shoulders):\n Always your pointed word!",
"CYRANO:\n Ay, pointed words!",
"I would fain die thus, some soft summer eve,\n Making a pointed word for a good cause.",
"--To make a soldier's end by soldier's sword,\n Wielded by some brave adversary--die\n On blood-stained turf, not on a fever-bed,\n A point upon my lips, a point within my heart.",
"CRIES FROM ALL:\n I'm hungry!",
"CYRANO (crossing his arms):\n All your thoughts of meat and drink!",
"Bertrand the fifer!--you were shepherd once,--\n Draw from its double leathern case your fife,\n Play to these greedy, guzzling soldiers.",
"Play\n Old country airs with plaintive rhythm recurring,\n Where lurk sweet echoes of the dear home-voices,\n Each note of which calls like a little sister,\n Those airs slow, slow ascending, as the smoke-wreaths\n Rise from the hearthstones of our native hamlets,\n Their music strikes the ear like Gascon patois!.",
". .\n(The old man seats himself, and gets his flute ready):\n Your flute was now a warrior in durance;\n But on its stem your fingers are a-dancing\n A bird-like minuet!",
"O flute!",
"Remember\n That flutes were made of reeds first, not laburnum;\n Make us a music pastoral days recalling--\n The soul-time of your youth, in country pastures!.",
". .\n(The old man begins to play the airs of Languedoc):\n Hark to the music, Gascons!.",
". .'Tis no longer\n The piercing fife of camp--but 'neath his fingers\n The flute of the woods!",
"No more the call to combat,\n 'Tis now the love-song of the wandering goat-herds!.",
". .\n Hark!.",
". .'tis the valley, the wet landes, the forest,\n The sunburnt shepherd-boy with scarlet beret,\n The dusk of evening on the Dordogne river,--\n 'Tis Gascony!",
"Hark, Gascons, to the music!",
"(The cadets sit with bowed heads; their eyes have a far-off look as if\ndreaming, and they surreptitiously wipe away their tears with their cuffs and\nthe corner of their cloaks.)",
"CARBON (to Cyrano in a whisper):\n But you make them weep!",
"CYRANO:\n Ay, for homesickness.",
"A nobler pain than hunger,--'tis of the soul, not of\nthe body!",
"I am well pleased to see their pain change its viscera.",
"Heart-ache\nis better than stomach-ache.",
"CARBON:\n But you weaken their courage by playing thus on their heart-strings!",
"CYRANO (making a sign to a drummer to approach):\n Not I.",
"The hero that sleeps in Gascon blood is ever ready to awake in them.",
"'Twould suffice.",
". .\n\n(He makes a signal; the drum beats.)",
"ALL THE CADETS (stand up and rush to take arms):\n What?",
"What is it?",
"CYRANO (smiling):\n You see!",
"One roll of the drum is enough!",
"Good-by dreams, regrets, native\nland, love. . .All that the pipe called forth the drum has chased away!",
"A CADET (looking toward the back of the stage):\n Ho!",
"here comes Monsieur de Guiche.",
"ALL THE CADETS (muttering):\n Ugh!. .",
".Ugh!.",
". .\n\nCYRANO (smiling):\n A flattering welcome!",
"A CADET:\n We are sick to death of him!",
"ANOTHER CADET:\n --With his lace collar over his armor, playing the fine gentleman!",
"ANOTHER:\n As if one wore linen over steel!",
"THE FIRST:\n It were good for a bandage had he boils on his neck.",
"THE SECOND:\n Another plotting courtier!",
"ANOTHER CADET:\n His uncle's own nephew!",
"CARBON:\n For all that--a Gascon.",
"THE FIRST:\n Ay, false Gascon!. .",
".trust him not.",
". .\n Gascons should ever be crack-brained.",
". .\n Naught more dangerous than a rational Gascon.",
"LE BRET:\n How pale he is!",
"ANOTHER:\n Oh!",
"he is hungry, just like us poor devils; but under his cuirass, with its\nfine gilt nails, his stomach-ache glitters brave in the sun.",
"CYRANO (hurriedly):\n Let us not seem to suffer either!",
"Out with your cards, pipes, and dice.",
". .\n(All begin spreading out the games on the drums, the stools, the ground, and\non their cloaks, and light long pipes):\n And I shall read Descartes.",
"(He walks up and down, reading a little book which he has drawn from his\npocket.",
"Tableau.",
"Enter De Guiche.",
"All appear absorbed and happy.",
"He is\nvery pale.",
"He goes up to Carbon.)"
] | [
"(Silence.",
"CYRANO:\n Nay, I am all the taller.",
"CYRANO:\n 'Faith, 'twill make a fine drum to sound the assault.",
"THE FIRST CADET (shrugging his shoulders):\n Always your pointed word!",
". .\n(The old man begins to play the airs of Languedoc):\n Hark to the music, Gascons!.",
"No more the call to combat,\n 'Tis now the love-song of the wandering goat-herds!.",
". .\n Hark!.",
". .'tis the valley, the wet landes, the forest,\n The sunburnt shepherd-boy with scarlet beret,\n The dusk of evening on the Dordogne river,--\n 'Tis Gascony!",
"I am well pleased to see their pain change its viscera.",
". .\n\nCYRANO (smiling):\n A flattering welcome!"
] | [
"CYRANO:\n Nay, I am all the taller.",
"What is it?",
". .\n(All begin spreading out the games on the drums, the stools, the ground, and\non their cloaks, and light long pipes):\n And I shall read Descartes.",
"THE CADET:\n My stomach!",
"CYRANO (crossing his arms):\n All your thoughts of meat and drink!",
"Good-by dreams, regrets, native\nland, love. . .All that the pipe called forth the drum has chased away!",
". .'tis the valley, the wet landes, the forest,\n The sunburnt shepherd-boy with scarlet beret,\n The dusk of evening on the Dordogne river,--\n 'Tis Gascony!",
"ANOTHER:\n As if one wore linen over steel!",
"A THIRD:\n My stomach's hollow.",
". .\n\n(He makes a signal; the drum beats.)"
] | [
"Remember\n That flutes were made of reeds first, not laburnum;\n Make us a music pastoral days recalling--\n The soul-time of your youth, in country pastures!.",
". .\n(The old man begins to play the airs of Languedoc):\n Hark to the music, Gascons!.",
". .'Tis no longer\n The piercing fife of camp--but 'neath his fingers\n The flute of the woods!",
"No more the call to combat,\n 'Tis now the love-song of the wandering goat-herds!.",
". .\n Hark!.",
". .'tis the valley, the wet landes, the forest,\n The sunburnt shepherd-boy with scarlet beret,\n The dusk of evening on the Dordogne river,--\n 'Tis Gascony!",
"Hark, Gascons, to the music!",
"(The cadets sit with bowed heads; their eyes have a far-off look as if\ndreaming, and they surreptitiously wipe away their tears with their cuffs and\nthe corner of their cloaks.)",
"CARBON (to Cyrano in a whisper):\n But you make them weep!",
"CYRANO:\n Ay, for homesickness.",
"A nobler pain than hunger,--'tis of the soul, not of\nthe body!"
] | [
"The SAME.",
"Cyrano.",
"CYRANO (appearing from the tent, very calm, with a pen stuck behind his ear\nand a book in his hand):\n What is wrong?",
"(Silence.",
"To the first cadet):\n Why drag you your legs so sorrowfully?",
"THE CADET:\n I have something in my heels which weighs them down.",
"CYRANO:\n And what may that be?",
"THE CADET:\n My stomach!",
"CYRANO:\n So have I, 'faith!",
"THE CADET:\n It must be in your way?",
"he is hungry, just like us poor devils; but under his cuirass, with its\nfine gilt nails, his stomach-ache glitters brave in the sun.",
"CYRANO (hurriedly):\n Let us not seem to suffer either!",
"Out with your cards, pipes, and dice.",
". .\n(All begin spreading out the games on the drums, the stools, the ground, and\non their cloaks, and light long pipes):\n And I shall read Descartes.",
"(He walks up and down, reading a little book which he has drawn from his\npocket.",
"Tableau.",
"Enter De Guiche.",
"All appear absorbed and happy.",
"He is\nvery pale.",
"He goes up to Carbon.)"
] | n Paris has his four meals a day!
CYRANO:
'Twere courteous an he sent you a few partridges!
THE SAME:
And why not?
with wine, too!
CYRANO:
A little Burgundy.
Richelieu, s'il vous plait!
THE SAME:
He could send it by one of his friars.
CYRANO:
Ay!
by His Eminence Joseph himself.
ANOTHER:
I am as ravenous as an ogre!
CYRANO:
Eat your patience, then.
THE FIRST CADET (shrugging his shoulders):
Always your pointed word!
CYRANO:
Ay, pointed words!
I would fain die thus, some soft summer eve,
Making a pointed word for a good cause.
--To make a soldier's end by soldier's sword,
Wielded by some brave adversary--die
On blood-stained turf, not on a fever-bed,
A point upon my lips, a point within my heart.
CRIES FROM ALL:
I'm hungry!
CYRANO (crossing his arms):
All your thoughts of meat and drink!
Bertrand the fifer!--you were shepherd once,--
Draw from its double leathern case your fife,
Play to these greedy, guzzling soldiers.
Play
Old country airs with plaint | The SAME.
Cyrano.
CYRANO (appearing from the tent, very calm, with a pen stuck behind his ear
and a book in his hand):
What is wrong?
(Silence.
To the first cadet):
Why drag you your legs so sorrowfully?
THE CADET:
I have something in my heels which weighs them down.
CYRANO:
And what may that be?
THE CADET:
My stomach!
CYRANO:
So have I, 'faith!
THE CADET:
It must be in your way?
CYRANO:
Nay, I am all the taller.
A THIRD:
My stomach's hollow.
CYRANO:
'Faith, 'twill make a fin uirass, with its
fine gilt nails, his stomach-ache glitters brave in the sun.
CYRANO (hurriedly):
Let us not seem to suffer either!
Out with your cards, pipes, and dice.
. .
(All begin spreading out the games on the drums, the stools, the ground, and
on their cloaks, and light long pipes):
And I shall read Descartes.
(He walks up and down, reading a little book which he has drawn from his
pocket.
Tableau.
Enter De Guiche.
All appear absorbed and happy.
He is
very pale.
He goes up to Carbon.) | from the hearthstones of our native hamlets,
Their music strikes the ear like Gascon patois!.
. .
(The old man seats himself, and gets his flute ready):
Your flute was now a warrior in durance;
But on its stem your fingers are a-dancing
A bird-like minuet!
O flute!
Remember
That flutes were made of reeds first, not laburnum;
Make us a music pastoral days recalling--
The soul-time of your youth, in country pastures!.
. .
(The old man begins to play the airs of Languedoc):
Hark to the music, Gascons!.
. .'Tis no longer
The piercing fife of camp--but 'neath his fingers
The flute of the woods!
No more the call to combat,
'Tis now the love-song of the wandering goat-herds!.
. .
Hark!.
. .'tis the valley, the wet landes, the forest,
The sunburnt shepherd-boy with scarlet beret,
The dusk of evening on the Dordogne river,--
'Tis Gascony!
Hark, Gascons, to the music!
(The cadets sit with bowed heads; their eyes have a far-off look as if
dreaming, and they surreptiti |
1,254 | false | pinkmonkey | all_chapterized_books/1254-chapters/38.txt | finished_summaries/pinkmonkey/Cyrano De Bergerac/section_34_part_0.txt | Cyrano De Bergerac.act 4.scene 4 | scene 4 | null | {"name": "Scene 4", "url": "https://web.archive.org/web/20180820053313/http://www.pinkmonkey.com/booknotes/monkeynotes/pmCyrano37.asp", "summary": "De Guiche enters and the cadets ignore him, for they do not want him to see their misery. Carbon and De Guiche greet each other and are pleased to see that each of them is reduced to skin and bone, proof that no one is escaping the suffering and misery. De Guiche, however, complains that Carbon's cadets hold him in contempt because he is a courtier and not a typical ragged Gascon. He goes on to claim his own great courage, as shown the day before in attacking the troops of Count de Bucquoi at Bapaume. The perceptive and clever Cyrano interrupts to ask about the white scarf of an officer that is in his possession. It belongs to De Guiche. He was wearing it at the attack the day before. When things started going badly, De Guiche removed the white scarf and threw it on the ground, hoping the enemy would not recognize him as an officer and take him captive. Seeing the act of De Guiche's cowardice, Cyrano picked up the scarf and now produces it, embarrassing De Guiche and proving that he is not courageous as he claimed. De Guiche tries to convince everyone that he dropped the scarf so that he could flee and regroup his men for another attack. No one believes him. De Guiche takes the scarf and waves it to a Spanish spy, who is waiting some distance away. This double agent is now to inform the Spaniards to attack the cadet's post in order to draw attention away from the French Marshall, who has gone to Dourlens to find some food for himself and his troops. By placing Cyrano and the cadets in the enemy line of fire, De Guiche is being vindictive towards them, as well as trying to protect the marshal on his return. As the cadets prepare to fight, Cyrano grows excited over the thought of battle. Christian, however, is stunned and wants to take time to write a farewell letter to Roxane. Cyrano has already prepared one, which he gives to Christian to read. The letter explains that dying is not nearly so difficult as never seeing Roxane again. As he reads, Christian is startled to see Cyrano's tears on letter. Cyrano explains that the words were so beautiful that they brought tears to his eyes. Suddenly a carriage is announced. De Guiche thinks it might be the king, and the cadets line up and bow in expectation. Instead of royalty, it is Roxane. Her appearance stuns everyone completely.", "analysis": ""} | The same. De Guiche.
DE GUICHE (to Carbon):
Good-day!
(They examine each other. Aside, with satisfaction):
He's green.
CARBON (aside):
He has nothing left but eyes.
DE GUICHE (looking at the cadets):
Here are the rebels! Ay, Sirs, on all sides
I hear that in your ranks you scoff at me;
That the Cadets, these loutish, mountain-bred,
Poor country squires, and barons of Perigord,
Scarce find for me--their Colonel--a disdain
Sufficient! call me plotter, wily courtier!
It does not please their mightiness to see
A point-lace collar on my steel cuirass,--
And they enrage, because a man, in sooth,
May be no ragged-robin, yet a Gascon!
(Silence. All smoke and play):
Shall I command your Captain punish you?
No.
CARBON:
I am free, moreover,--will not punish--
DE GUICHE:
Ah!
CARBON:
I have paid my company--'tis mine.
I bow but to headquarters.
DE GUICHE:
So?--in faith!
That will suffice.
(Addressing himself to the cadets):
I can despise your taunts
'Tis well known how I bear me in the war;
At Bapaume, yesterday, they saw the rage
With which I beat back the Count of Bucquoi;
Assembling my own men, I fell on his,
And charged three separate times!
CYRANO (without lifting his eyes from his book):
And your white scarf?
DE GUICHE (surprised and gratified):
You know that detail?. . .Troth! It happened thus:
While caracoling to recall the troops
For the third charge, a band of fugitives
Bore me with them, close by the hostile ranks:
I was in peril--capture, sudden death!--
When I thought of the good expedient
To loosen and let fall the scarf which told
My military rank; thus I contrived
--Without attention waked--to leave the foes,
And suddenly returning, reinforced
With my own men, to scatter them! And now,
--What say you, Sir?
(The cadets pretend not to be listening, but the cards and the dice-boxes
remain suspended in their hands, the smoke of their pipes in their cheeks.
They wait.)
CYRANO:
I say, that Henri Quatre
Had not, by any dangerous odds, been forced
To strip himself of his white helmet plume.
(Silent delight. The cards fall, the dice rattle. The smoke is puffed.)
DE GUICHE:
The ruse succeeded, though!
(Same suspension of play, etc.)
CYRANO:
Oh, may be! But
One does not lightly abdicate the honor
To serve as target to the enemy
(Cards, dice, fall again, and the cadets smoke with evident delight):
Had I been present when your scarf fell low,
--Our courage, Sir, is of a different sort--
I would have picked it up and put it on.
DE GUICHE:
Oh, ay! Another Gascon boast!
CYRANO:
A boast?
Lend it to me. I pledge myself, to-night,
--With it across my breast,--to lead th' assault.
DE GUICHE:
Another Gascon vaunt! You know the scarf
Lies with the enemy, upon the brink
Of the stream,. . .the place is riddled now with shot,--
No one can fetch it hither!
CYRANO (drawing the scarf from his pocket, and holding it out to him):
Here it is.
(Silence. The cadets stifle their laughter in their cards and dice-boxes. De
Guiche turns and looks at them; they instantly become grave, and set to play.
One of them whistles indifferently the air just played by the fifer.)
DE GUICHE (taking the scarf):
I thank you. It will now enable me
To make a signal,--that I had forborne
To make--till now.
(He goes to the rampart, climbs it, and waves the scarf thrice.)
ALL:
What's that?
THE SENTINEL (from the top of the rampart):
See you yon man
Down there, who runs?. . .
DE GUICHE (descending):
'Tis a false Spanish spy
Who is extremely useful to my ends.
The news he carries to the enemy
Are those I prompt him with--so, in a word,
We have an influence on their decisions!
CYRANO:
Scoundrel!
DE GUICHE (carelessly knotting on his scarf):
'Tis opportune. What were we saying?
Ah! I have news for you. Last evening
--To victual us--the Marshal did attempt
A final effort:--secretly he went
To Dourlens, where the King's provisions be.
But--to return to camp more easily--
He took with him a goodly force of troops.
Those who attacked us now would have fine sport!
Half of the army's absent from the camp!
CARBON:
Ay, if the Spaniards knew, 'twere ill for us,
But they know nothing of it?
DE GUICHE:
Oh! they know.
They will attack us.
CARBON:
Ah!
DE GUICHE:
For my false spy
Came to warn me of their attack. He said,
'I can decide the point for their assault;
Where would you have it? I will tell them 'tis
The least defended--they'll attempt you there.'
I answered, 'Good. Go out of camp, but watch
My signal. Choose the point from whence it comes.'
CARBON (to cadets):
Make ready!
(All rise; sounds of swords and belts being buckled.)
DE GUICHE:
'Twill be in an hour.
FIRST CADET:
Good!. . .
(They all sit down again and take up their games.)
DE GUICHE (to Carbon):
Time must be gained. The Marshal will return.
CARBON:
How gain it?
DE GUICHE:
You will all be good enough
To let yourselves to be killed.
CYRANO:
Vengeance! oho!
DE GUICHE:
I do not say that, if I loved you well,
I had chosen you and yours,--but, as things stand,--
Your courage yielding to no corps the palm--
I serve my King, and serve my grudge as well.
CYRANO:
Permit that I express my gratitude. . .
DE GUICHE:
I know you love to fight against five score;
You will not now complain of paltry odds.
(He goes up with Carbon.)
CYRANO (to the cadets):
We shall add to the Gascon coat of arms,
With its six bars of blue and gold, one more--
The blood-red bar that was a-missing there!
(De Guiche speaks in a low voice with Carbon at the back. Orders are given.
Preparations go forward. Cyrano goes up to Christian, who stands with crossed
arms.)
CYRANO (putting his hand on Christian's shoulder):
Christian!
CHRISTIAN (shaking his head):
Roxane!
CYRANO:
Alas!
CHRISTIAN:
At least, I'd send
My heart's farewell to her in a fair letter!. . .
CYRANO:
I had suspicion it would be to-day,
(He draws a letter out of his doublet):
And had already writ. . .
CHRISTIAN:
Show!
CYRANO:
Will you. . .?
CHRISTIAN (taking the letter):
Ay!
(He opens and reads it):
Hold!
CYRANO:
What?
CHRISTIAN:
This little spot!
CYRANO (taking the letter, with an innocent look):
A spot?
CHRISTIAN:
A tear!
CYRANO:
Poets, at last,--by dint of counterfeiting--
Take counterfeit for true--that is the charm!
This farewell letter,--it was passing sad,
I wept myself in writing it!
CHRISTIAN:
Wept? why?
CYRANO:
Oh!. . .death itself is hardly terrible,. . .
--But, ne'er to see her more! That is death's sting!
--For. . .I shall never. . .
(Christian looks at him):
We shall. . .
(Quickly):
I mean, you. . .
CHRISTIAN (snatching the letter from him):
Give me that letter!
(A rumor, far off in the camp.)
VOICE Of SENTINEL:
Who goes there? Halloo!
(Shots--voices--carriage-bells.)
CARBON:
What is it?
A SENTINEL (on the rampart):
'Tis a carriage!
(All rush to see.)
CRIES:
In the camp?
It enters!--It comes from the enemy!
--Fire!--No!--The coachman cries!--What does he say?
--'On the King's service!'
(Everyone is on the rampart, staring. The bells come nearer.)
DE GUICHE:
The King's service? How?
(All descend and draw up in line.)
CARBON:
Uncover, all!
DE GUICHE:
The King's! Draw up in line!
Let him describe his curve as it befits!
(The carriage enters at full speed covered with dust and mud. The curtains
are drawn close. Two lackeys behind. It is pulled up suddenly.)
CARBON:
Beat a salute!
(A roll of drums. The cadets uncover.)
DE GUICHE:
Lower the carriage-steps!
(Two cadets rush forward. The door opens.)
ROXANE (jumping down from the carriage):
Good-day!
(All are bowing to the ground, but at the sound of a woman's voice every head
is instantly raised.)
| 1,412 | Scene 4 | https://web.archive.org/web/20180820053313/http://www.pinkmonkey.com/booknotes/monkeynotes/pmCyrano37.asp | De Guiche enters and the cadets ignore him, for they do not want him to see their misery. Carbon and De Guiche greet each other and are pleased to see that each of them is reduced to skin and bone, proof that no one is escaping the suffering and misery. De Guiche, however, complains that Carbon's cadets hold him in contempt because he is a courtier and not a typical ragged Gascon. He goes on to claim his own great courage, as shown the day before in attacking the troops of Count de Bucquoi at Bapaume. The perceptive and clever Cyrano interrupts to ask about the white scarf of an officer that is in his possession. It belongs to De Guiche. He was wearing it at the attack the day before. When things started going badly, De Guiche removed the white scarf and threw it on the ground, hoping the enemy would not recognize him as an officer and take him captive. Seeing the act of De Guiche's cowardice, Cyrano picked up the scarf and now produces it, embarrassing De Guiche and proving that he is not courageous as he claimed. De Guiche tries to convince everyone that he dropped the scarf so that he could flee and regroup his men for another attack. No one believes him. De Guiche takes the scarf and waves it to a Spanish spy, who is waiting some distance away. This double agent is now to inform the Spaniards to attack the cadet's post in order to draw attention away from the French Marshall, who has gone to Dourlens to find some food for himself and his troops. By placing Cyrano and the cadets in the enemy line of fire, De Guiche is being vindictive towards them, as well as trying to protect the marshal on his return. As the cadets prepare to fight, Cyrano grows excited over the thought of battle. Christian, however, is stunned and wants to take time to write a farewell letter to Roxane. Cyrano has already prepared one, which he gives to Christian to read. The letter explains that dying is not nearly so difficult as never seeing Roxane again. As he reads, Christian is startled to see Cyrano's tears on letter. Cyrano explains that the words were so beautiful that they brought tears to his eyes. Suddenly a carriage is announced. De Guiche thinks it might be the king, and the cadets line up and bow in expectation. Instead of royalty, it is Roxane. Her appearance stuns everyone completely. | null | 421 | 1 | [
"The same.",
"De Guiche.",
"DE GUICHE (to Carbon):\n Good-day!",
"(They examine each other.",
"Aside, with satisfaction):\n He's green.",
"CARBON (aside):\n He has nothing left but eyes.",
"DE GUICHE (looking at the cadets):\n Here are the rebels!",
"Ay, Sirs, on all sides\n I hear that in your ranks you scoff at me;\n That the Cadets, these loutish, mountain-bred,\n Poor country squires, and barons of Perigord,\n Scarce find for me--their Colonel--a disdain\n Sufficient!",
"call me plotter, wily courtier!",
"It does not please their mightiness to see\n A point-lace collar on my steel cuirass,--\n And they enrage, because a man, in sooth,\n May be no ragged-robin, yet a Gascon!",
"(Silence.",
"All smoke and play):\n Shall I command your Captain punish you?",
"No.",
"CARBON:\n I am free, moreover,--will not punish--\n\nDE GUICHE:\n Ah!",
"CARBON:\n I have paid my company--'tis mine.",
"I bow but to headquarters.",
"DE GUICHE:\n So?--in faith!",
"That will suffice.",
"(Addressing himself to the cadets):\n I can despise your taunts\n 'Tis well known how I bear me in the war;\n At Bapaume, yesterday, they saw the rage\n With which I beat back the Count of Bucquoi;\n Assembling my own men, I fell on his,\n And charged three separate times!",
"CYRANO (without lifting his eyes from his book):\n And your white scarf?",
"DE GUICHE (surprised and gratified):\n You know that detail?. .",
".Troth!",
"It happened thus:\n While caracoling to recall the troops\n For the third charge, a band of fugitives\n Bore me with them, close by the hostile ranks:\n I was in peril--capture, sudden death!--\n When I thought of the good expedient\n To loosen and let fall the scarf which told\n My military rank; thus I contrived\n --Without attention waked--to leave the foes,\n And suddenly returning, reinforced\n With my own men, to scatter them!",
"And now,\n --What say you, Sir?",
"(The cadets pretend not to be listening, but the cards and the dice-boxes\nremain suspended in their hands, the smoke of their pipes in their cheeks.",
"They wait.)",
"CYRANO:\n I say, that Henri Quatre\n Had not, by any dangerous odds, been forced\n To strip himself of his white helmet plume.",
"(Silent delight.",
"The cards fall, the dice rattle.",
"The smoke is puffed.)",
"DE GUICHE:\n The ruse succeeded, though!",
"(Same suspension of play, etc.)",
"CYRANO:\n Oh, may be!",
"But\n One does not lightly abdicate the honor\n To serve as target to the enemy\n(Cards, dice, fall again, and the cadets smoke with evident delight):\n Had I been present when your scarf fell low,\n --Our courage, Sir, is of a different sort--\n I would have picked it up and put it on.",
"DE GUICHE:\n Oh, ay!",
"Another Gascon boast!",
"CYRANO:\n A boast?",
"Lend it to me.",
"I pledge myself, to-night,\n --With it across my breast,--to lead th' assault.",
"DE GUICHE:\n Another Gascon vaunt!",
"You know the scarf\n Lies with the enemy, upon the brink\n Of the stream,. . .the place is riddled now with shot,--\n No one can fetch it hither!",
"CYRANO (drawing the scarf from his pocket, and holding it out to him):\n Here it is.",
"(Silence.",
"The cadets stifle their laughter in their cards and dice-boxes.",
"De\nGuiche turns and looks at them; they instantly become grave, and set to play.",
"One of them whistles indifferently the air just played by the fifer.)",
"DE GUICHE (taking the scarf):\n I thank you.",
"It will now enable me\n To make a signal,--that I had forborne\n To make--till now.",
"(He goes to the rampart, climbs it, and waves the scarf thrice.)",
"ALL:\n What's that?",
"THE SENTINEL (from the top of the rampart):\n See you yon man\n Down there, who runs?.",
". .\n\nDE GUICHE (descending):\n 'Tis a false Spanish spy\n Who is extremely useful to my ends.",
"The news he carries to the enemy\n Are those I prompt him with--so, in a word,\n We have an influence on their decisions!",
"CYRANO:\n Scoundrel!",
"DE GUICHE (carelessly knotting on his scarf):\n 'Tis opportune.",
"What were we saying?",
"Ah!",
"I have news for you.",
"Last evening\n --To victual us--the Marshal did attempt\n A final effort:--secretly he went\n To Dourlens, where the King's provisions be.",
"But--to return to camp more easily--\n He took with him a goodly force of troops.",
"Those who attacked us now would have fine sport!",
"Half of the army's absent from the camp!",
"CARBON:\n Ay, if the Spaniards knew, 'twere ill for us,\n But they know nothing of it?",
"DE GUICHE:\n Oh!",
"they know.",
"They will attack us.",
"CARBON:\n Ah!",
"DE GUICHE:\n For my false spy\n Came to warn me of their attack.",
"He said,\n 'I can decide the point for their assault;\n Where would you have it?",
"I will tell them 'tis\n The least defended--they'll attempt you there.'",
"I answered, 'Good.",
"Go out of camp, but watch\n My signal.",
"Choose the point from whence it comes.'",
"CARBON (to cadets):\n Make ready!",
"(All rise; sounds of swords and belts being buckled.)",
"DE GUICHE:\n 'Twill be in an hour.",
"FIRST CADET:\n Good!.",
". .\n\n(They all sit down again and take up their games.)",
"DE GUICHE (to Carbon):\n Time must be gained.",
"The Marshal will return.",
"CARBON:\n How gain it?",
"DE GUICHE:\n You will all be good enough\n To let yourselves to be killed.",
"CYRANO:\n Vengeance!",
"oho!",
"DE GUICHE:\n I do not say that, if I loved you well,\n I had chosen you and yours,--but, as things stand,--\n Your courage yielding to no corps the palm--\n I serve my King, and serve my grudge as well.",
"CYRANO:\n Permit that I express my gratitude.",
". .\n\nDE GUICHE:\n I know you love to fight against five score;\n You will not now complain of paltry odds.",
"(He goes up with Carbon.)",
"CYRANO (to the cadets):\n We shall add to the Gascon coat of arms,\n With its six bars of blue and gold, one more--\n The blood-red bar that was a-missing there!",
"(De Guiche speaks in a low voice with Carbon at the back.",
"Orders are given.",
"Preparations go forward.",
"Cyrano goes up to Christian, who stands with crossed\narms.)",
"CYRANO (putting his hand on Christian's shoulder):\n Christian!",
"CHRISTIAN (shaking his head):\n Roxane!",
"CYRANO:\n Alas!",
"CHRISTIAN:\n At least, I'd send\n My heart's farewell to her in a fair letter!.",
". .\n\nCYRANO:\n I had suspicion it would be to-day,\n(He draws a letter out of his doublet):\n And had already writ.",
". .\n\nCHRISTIAN:\n Show!",
"CYRANO:\n Will you. .",
".?",
"CHRISTIAN (taking the letter):\n Ay!",
"(He opens and reads it):\n Hold!",
"CYRANO:\n What?",
"CHRISTIAN:\n This little spot!",
"CYRANO (taking the letter, with an innocent look):\n A spot?",
"CHRISTIAN:\n A tear!",
"CYRANO:\n Poets, at last,--by dint of counterfeiting--\n Take counterfeit for true--that is the charm!",
"This farewell letter,--it was passing sad,\n I wept myself in writing it!",
"CHRISTIAN:\n Wept?",
"why?",
"CYRANO:\n Oh!. .",
".death itself is hardly terrible,.",
". .\n --But, ne'er to see her more!",
"That is death's sting!",
"--For. . .I shall never.",
". .\n(Christian looks at him):\n We shall.",
". .\n(Quickly):\n I mean, you.",
". .\n\nCHRISTIAN (snatching the letter from him):\n Give me that letter!",
"(A rumor, far off in the camp.)",
"VOICE Of SENTINEL:\n Who goes there?",
"Halloo!",
"(Shots--voices--carriage-bells.)",
"CARBON:\n What is it?",
"A SENTINEL (on the rampart):\n 'Tis a carriage!",
"(All rush to see.)",
"CRIES:\n In the camp?",
"It enters!--It comes from the enemy!",
"--Fire!--No!--The coachman cries!--What does he say?",
"--'On the King's service!'",
"(Everyone is on the rampart, staring.",
"The bells come nearer.)",
"DE GUICHE:\n The King's service?",
"How?",
"(All descend and draw up in line.)",
"CARBON:\n Uncover, all!",
"DE GUICHE:\n The King's!",
"Draw up in line!",
"Let him describe his curve as it befits!",
"(The carriage enters at full speed covered with dust and mud.",
"The curtains\nare drawn close.",
"Two lackeys behind.",
"It is pulled up suddenly.)",
"CARBON:\n Beat a salute!",
"(A roll of drums.",
"The cadets uncover.)",
"DE GUICHE:\n Lower the carriage-steps!",
"(Two cadets rush forward.",
"The door opens.)",
"ROXANE (jumping down from the carriage):\n Good-day!",
"(All are bowing to the ground, but at the sound of a woman's voice every head\nis instantly raised.)"
] | [
"Ay, Sirs, on all sides\n I hear that in your ranks you scoff at me;\n That the Cadets, these loutish, mountain-bred,\n Poor country squires, and barons of Perigord,\n Scarce find for me--their Colonel--a disdain\n Sufficient!",
"CARBON:\n I am free, moreover,--will not punish--\n\nDE GUICHE:\n Ah!",
"CARBON:\n I have paid my company--'tis mine.",
"CYRANO:\n I say, that Henri Quatre\n Had not, by any dangerous odds, been forced\n To strip himself of his white helmet plume.",
"CYRANO (putting his hand on Christian's shoulder):\n Christian!",
"CHRISTIAN (shaking his head):\n Roxane!",
"(He opens and reads it):\n Hold!",
"CHRISTIAN:\n A tear!",
"(The carriage enters at full speed covered with dust and mud.",
"Two lackeys behind."
] | [
"CYRANO:\n Scoundrel!",
"A SENTINEL (on the rampart):\n 'Tis a carriage!",
"(He goes to the rampart, climbs it, and waves the scarf thrice.)",
"Halloo!",
"DE GUICHE:\n For my false spy\n Came to warn me of their attack.",
"Ah!",
"Orders are given.",
"He said,\n 'I can decide the point for their assault;\n Where would you have it?",
".death itself is hardly terrible,.",
"(Silent delight."
] | [
"I answered, 'Good.",
"Go out of camp, but watch\n My signal.",
"Choose the point from whence it comes.'",
"CARBON (to cadets):\n Make ready!",
"(All rise; sounds of swords and belts being buckled.)",
"DE GUICHE:\n 'Twill be in an hour.",
"FIRST CADET:\n Good!.",
". .\n\n(They all sit down again and take up their games.)",
"DE GUICHE (to Carbon):\n Time must be gained.",
"The Marshal will return.",
"CARBON:\n How gain it?"
] | [
"The same.",
"De Guiche.",
"DE GUICHE (to Carbon):\n Good-day!",
"(They examine each other.",
"Aside, with satisfaction):\n He's green.",
"CARBON (aside):\n He has nothing left but eyes.",
"DE GUICHE (looking at the cadets):\n Here are the rebels!",
"Ay, Sirs, on all sides\n I hear that in your ranks you scoff at me;\n That the Cadets, these loutish, mountain-bred,\n Poor country squires, and barons of Perigord,\n Scarce find for me--their Colonel--a disdain\n Sufficient!",
"call me plotter, wily courtier!",
"It does not please their mightiness to see\n A point-lace collar on my steel cuirass,--\n And they enrage, because a man, in sooth,\n May be no ragged-robin, yet a Gascon!",
"Two lackeys behind.",
"It is pulled up suddenly.)",
"CARBON:\n Beat a salute!",
"(A roll of drums.",
"The cadets uncover.)",
"DE GUICHE:\n Lower the carriage-steps!",
"(Two cadets rush forward.",
"The door opens.)",
"ROXANE (jumping down from the carriage):\n Good-day!",
"(All are bowing to the ground, but at the sound of a woman's voice every head\nis instantly raised.)"
] | mit that I express my gratitude.
. .
DE GUICHE:
I know you love to fight against five score;
You will not now complain of paltry odds.
(He goes up with Carbon.)
CYRANO (to the cadets):
We shall add to the Gascon coat of arms,
With its six bars of blue and gold, one more--
The blood-red bar that was a-missing there!
(De Guiche speaks in a low voice with Carbon at the back.
Orders are given.
Preparations go forward.
Cyrano goes up to Christian, who stands with crossed
arms.)
CYRANO (putting his hand on Christian's shoulder):
Christian!
CHRISTIAN (shaking his head):
Roxane!
CYRANO:
Alas!
CHRISTIAN:
At least, I'd send
My heart's farewell to her in a fair letter!.
. .
CYRANO:
I had suspicion it would be to-day,
(He draws a letter out of his doublet):
And had already writ.
. .
CHRISTIAN:
Show!
CYRANO:
Will you. .
.?
CHRISTIAN (taking the letter):
Ay!
(He opens and reads it):
Hold!
CYRANO:
What?
CHRISTIAN:
This little spot!
CYRANO (taking the letter, wit | The same.
De Guiche.
DE GUICHE (to Carbon):
Good-day!
(They examine each other.
Aside, with satisfaction):
He's green.
CARBON (aside):
He has nothing left but eyes.
DE GUICHE (looking at the cadets):
Here are the rebels!
Ay, Sirs, on all sides
I hear that in your ranks you scoff at me;
That the Cadets, these loutish, mountain-bred,
Poor country squires, and barons of Perigord,
Scarce find for me--their Colonel--a disdain
Sufficient!
call me plotter, wily courtier!
It does not p g's!
Draw up in line!
Let him describe his curve as it befits!
(The carriage enters at full speed covered with dust and mud.
The curtains
are drawn close.
Two lackeys behind.
It is pulled up suddenly.)
CARBON:
Beat a salute!
(A roll of drums.
The cadets uncover.)
DE GUICHE:
Lower the carriage-steps!
(Two cadets rush forward.
The door opens.)
ROXANE (jumping down from the carriage):
Good-day!
(All are bowing to the ground, but at the sound of a woman's voice every head
is instantly raised.) | )
ALL:
What's that?
THE SENTINEL (from the top of the rampart):
See you yon man
Down there, who runs?.
. .
DE GUICHE (descending):
'Tis a false Spanish spy
Who is extremely useful to my ends.
The news he carries to the enemy
Are those I prompt him with--so, in a word,
We have an influence on their decisions!
CYRANO:
Scoundrel!
DE GUICHE (carelessly knotting on his scarf):
'Tis opportune.
What were we saying?
Ah!
I have news for you.
Last evening
--To victual us--the Marshal did attempt
A final effort:--secretly he went
To Dourlens, where the King's provisions be.
But--to return to camp more easily--
He took with him a goodly force of troops.
Those who attacked us now would have fine sport!
Half of the army's absent from the camp!
CARBON:
Ay, if the Spaniards knew, 'twere ill for us,
But they know nothing of it?
DE GUICHE:
Oh!
they know.
They will attack us.
CARBON:
Ah!
DE GUICHE:
For my false spy
Came to warn me of their attack.
He said,
'I can d |
1,254 | false | pinkmonkey | all_chapterized_books/1254-chapters/39.txt | finished_summaries/pinkmonkey/Cyrano De Bergerac/section_35_part_0.txt | Cyrano De Bergerac.act 4.scene 5 | scene 5 | null | {"name": "Scene 5", "url": "https://web.archive.org/web/20180820053313/http://www.pinkmonkey.com/booknotes/monkeynotes/pmCyrano39.asp", "summary": "Roxane has passed through the ravages of war in the service of her king, which is love. Using her smile as a passport and telling the gallant Spaniards that she was going to see her lover, she has charmed her way through enemy lines. No one can believe she has risked her life to come here; and everyone wants her to leave at once. No one, however, dares to tell here that they will soon be going into battle. When she deduces the situation, she claims that she wants to stay and die with Christian. She also accuses De Guiche of trying to make her a widow, by having her husband killed in the battle. The cadets are filled with admiration for her courage and stirred to battle to defend her.", "analysis": "Notes At the end of the last scene, the Cadets have all lined up, bowing low in expectation of the arrival of the king. They are fully shocked when Roxane emerges from the carriage. They are not expecting a beautiful woman in their midst. They respond by stating that the camp suddenly smells of irises and by promising to defend her. The scene reveals new facets of Roxane. Her impulsiveness in coming and her ability to charm the Spanish soldiers are not surprising, for she has been previously pictured as charming and impulsive; but now her keen sense of adventure and her courage are also seen, for she has risked her life to come to the Gascon camp. Since these latter qualities are not thought to be appropriate for fine ladies of intelligence, Rostand tempers her actions by her explanation that the driving force for her has been love. Roxane then further proves her courage by accusing De Guiche of casting the cadets into battle in order to make her a widow. Through her bold actions, she shows that she has everything it takes to be a successful Gascon fighter; only her sex prevents her from being given that opportunity. She still says, however, that she will not leave the battlefield, for she wants to die with her husband."} | The same. Roxane.
DE GUICHE:
On the King's service! You?
ROXANE:
Ay,--King Love's! What other king?
CYRANO:
Great God!
CHRISTIAN (rushing forward):
Why have you come?
ROXANE:
This siege--'tis too long!
CHRISTIAN:
But why?. . .
ROXANE:
I will tell you all!
CYRANO (who, at the sound of her voice, has stood still, rooted to the ground,
afraid to raise his eyes):
My God! dare I look at her?
DE GUICHE:
You cannot remain here!
ROXANE (merrily):
But I say yes! Who will push a drum hither for me?
(She seats herself on the drum they roll forward):
So! I thank you.
(She laughs):
My carriage was fired at
(proudly):
by the patrol! Look! would you not think 'twas made of a pumpkin, like
Cinderella's chariot in the tale,--and the footmen out of rats?
(Sending a kiss with her lips to Christian):
Good-morrow!
(Examining them all):
You look not merry, any of you! Ah! know you that 'tis a long road to get
to Arras?
(Seeing Cyrano):
Cousin, delighted!
CYRANO (coming up to her):
But how, in Heaven's name?. . .
ROXANE:
How found I the way to the army? It was simple enough, for I had but to
pass on and on, as far as I saw the country laid waste. Ah, what horrors were
there! Had I not seen, then I could never have believed it! Well, gentlemen,
if such be the service of your King, I would fainer serve mine!
CYRANO:
But 'tis sheer madness! Where in the fiend's name did you get through?
ROXANE:
Where? Through the Spanish lines.
FIRST CADET:
--For subtle craft, give me a woman!
DE GUICHE:
But how did you pass through their lines?
LE BRET:
Faith! that must have been a hard matter!. . .
ROXANE:
None too hard. I but drove quietly forward in my carriage, and when some
hidalgo of haughty mien would have stayed me, lo! I showed at the window my
sweetest smile, and these Senors being (with no disrespect to you) the most
gallant gentlemen in the world,--I passed on!
CARBON:
True, that smile is a passport! But you must have been asked frequently to
give an account of where you were going, Madame?
ROXANE:
Yes, frequently. Then I would answer, 'I go to see my lover.' At that word
the very fiercest Spaniard of them all would gravely shut the carriage-door,
and, with a gesture that a king might envy, make signal to his men to lower
the muskets leveled at me;--then, with melancholy but withal very graceful
dignity--his beaver held to the wind that the plumes might flutter bravely, he
would bow low, saying to me, 'Pass on, Senorita!'
CHRISTIAN:
But, Roxane. . .
ROXANE:
Forgive me that I said, 'my lover!' But bethink you, had I said 'my
husband,' not one of them had let me pass!
CHRISTIAN:
But. . .
ROXANE:
What ails you?
DE GUICHE:
You must leave this place!
ROXANE:
I?
CYRANO:
And that instantly!
LE BRET:
No time to lose.
CHRISTIAN:
Indeed, you must.
ROXANE:
But wherefore must I?
CHRISTIAN (embarrassed):
'Tis that. . .
CYRANO (the same):
--In three quarters of an hour. . .
DE GUICHE (the same):
--Or for. . .
CARBON (the same):
It were best. . .
LE BRET (the same):
You might. . .
ROXANE:
You are going to fight?--I stay here.
ALL:
No, no!
ROXANE:
He is my husband!
(She throws herself into Christian's arms):
They shall kill us both together!
CHRISTIAN:
Why do you look at me thus?
ROXANE:
I will tell you why!
DE GUICHE (in despair):
'Tis a post of mortal danger!
ROXANE (turning round):
Mortal danger!
CYRANO:
Proof enough, that he has put us here!
ROXANE (to De Guiche):
So, Sir, you would have made a widow of me?
DE GUICHE:
Nay, on my oath. . .
ROXANE:
I will not go! I am reckless now, and I shall not stir from here!--Besides,
'tis amusing!
CYRANO:
Oh-ho! So our precieuse is a heroine!
ROXANE:
Monsieur de Bergerac, I am your cousin.
A CADET:
We will defend you well!
ROXANE (more and more excited):
I have no fear of that, my friends!
ANOTHER (in ecstasy):
The whole camp smells sweet of orris-root!
ROXANE:
And, by good luck, I have chosen a hat that will suit well with the
battlefield!
(Looking at De Guiche):
But were it not wisest that the Count retire?
They may begin the attack.
DE GUICHE:
That is not to be brooked! I go to inspect the cannon, and shall return.
You have still time--think better of it!
ROXANE:
Never!
(De Guiche goes out.)
| 770 | Scene 5 | https://web.archive.org/web/20180820053313/http://www.pinkmonkey.com/booknotes/monkeynotes/pmCyrano39.asp | Roxane has passed through the ravages of war in the service of her king, which is love. Using her smile as a passport and telling the gallant Spaniards that she was going to see her lover, she has charmed her way through enemy lines. No one can believe she has risked her life to come here; and everyone wants her to leave at once. No one, however, dares to tell here that they will soon be going into battle. When she deduces the situation, she claims that she wants to stay and die with Christian. She also accuses De Guiche of trying to make her a widow, by having her husband killed in the battle. The cadets are filled with admiration for her courage and stirred to battle to defend her. | Notes At the end of the last scene, the Cadets have all lined up, bowing low in expectation of the arrival of the king. They are fully shocked when Roxane emerges from the carriage. They are not expecting a beautiful woman in their midst. They respond by stating that the camp suddenly smells of irises and by promising to defend her. The scene reveals new facets of Roxane. Her impulsiveness in coming and her ability to charm the Spanish soldiers are not surprising, for she has been previously pictured as charming and impulsive; but now her keen sense of adventure and her courage are also seen, for she has risked her life to come to the Gascon camp. Since these latter qualities are not thought to be appropriate for fine ladies of intelligence, Rostand tempers her actions by her explanation that the driving force for her has been love. Roxane then further proves her courage by accusing De Guiche of casting the cadets into battle in order to make her a widow. Through her bold actions, she shows that she has everything it takes to be a successful Gascon fighter; only her sex prevents her from being given that opportunity. She still says, however, that she will not leave the battlefield, for she wants to die with her husband. | 131 | 219 | [
"The same.",
"Roxane.",
"DE GUICHE:\n On the King's service!",
"You?",
"ROXANE:\n Ay,--King Love's!",
"What other king?",
"CYRANO:\n Great God!",
"CHRISTIAN (rushing forward):\n Why have you come?",
"ROXANE:\n This siege--'tis too long!",
"CHRISTIAN:\n But why?.",
". .\n\nROXANE:\n I will tell you all!",
"CYRANO (who, at the sound of her voice, has stood still, rooted to the ground,\nafraid to raise his eyes):\n My God!",
"dare I look at her?",
"DE GUICHE:\n You cannot remain here!",
"ROXANE (merrily):\n But I say yes!",
"Who will push a drum hither for me?",
"(She seats herself on the drum they roll forward):\n So!",
"I thank you.",
"(She laughs):\n My carriage was fired at\n(proudly):\n by the patrol!",
"Look!",
"would you not think 'twas made of a pumpkin, like\nCinderella's chariot in the tale,--and the footmen out of rats?",
"(Sending a kiss with her lips to Christian):\n Good-morrow!",
"(Examining them all):\n You look not merry, any of you!",
"Ah!",
"know you that 'tis a long road to get\nto Arras?",
"(Seeing Cyrano):\n Cousin, delighted!",
"CYRANO (coming up to her):\n But how, in Heaven's name?.",
". .\n\nROXANE:\n How found I the way to the army?",
"It was simple enough, for I had but to\npass on and on, as far as I saw the country laid waste.",
"Ah, what horrors were\nthere!",
"Had I not seen, then I could never have believed it!",
"Well, gentlemen,\nif such be the service of your King, I would fainer serve mine!",
"CYRANO:\n But 'tis sheer madness!",
"Where in the fiend's name did you get through?",
"ROXANE:\n Where?",
"Through the Spanish lines.",
"FIRST CADET:\n --For subtle craft, give me a woman!",
"DE GUICHE:\n But how did you pass through their lines?",
"LE BRET:\n Faith!",
"that must have been a hard matter!.",
". .\n\nROXANE:\n None too hard.",
"I but drove quietly forward in my carriage, and when some\nhidalgo of haughty mien would have stayed me, lo!",
"I showed at the window my\nsweetest smile, and these Senors being (with no disrespect to you) the most\ngallant gentlemen in the world,--I passed on!",
"CARBON:\n True, that smile is a passport!",
"But you must have been asked frequently to\ngive an account of where you were going, Madame?",
"ROXANE:\n Yes, frequently.",
"Then I would answer, 'I go to see my lover.'",
"At that word\nthe very fiercest Spaniard of them all would gravely shut the carriage-door,\nand, with a gesture that a king might envy, make signal to his men to lower\nthe muskets leveled at me;--then, with melancholy but withal very graceful\ndignity--his beaver held to the wind that the plumes might flutter bravely, he\nwould bow low, saying to me, 'Pass on, Senorita!'",
"CHRISTIAN:\n But, Roxane.",
". .\n\nROXANE:\n Forgive me that I said, 'my lover!'",
"But bethink you, had I said 'my\nhusband,' not one of them had let me pass!",
"CHRISTIAN:\n But.",
". .\n\nROXANE:\n What ails you?",
"DE GUICHE:\n You must leave this place!",
"ROXANE:\n I?",
"CYRANO:\n And that instantly!",
"LE BRET:\n No time to lose.",
"CHRISTIAN:\n Indeed, you must.",
"ROXANE:\n But wherefore must I?",
"CHRISTIAN (embarrassed):\n 'Tis that.",
". .\n\nCYRANO (the same):\n --In three quarters of an hour.",
". .\n\nDE GUICHE (the same):\n --Or for.",
". .",
"CARBON (the same):\n It were best.",
". .",
"LE BRET (the same):\n You might.",
". .\n\nROXANE:\n You are going to fight?--I stay here.",
"ALL:\n No, no!",
"ROXANE:\n He is my husband!",
"(She throws herself into Christian's arms):\n They shall kill us both together!",
"CHRISTIAN:\n Why do you look at me thus?",
"ROXANE:\n I will tell you why!",
"DE GUICHE (in despair):\n 'Tis a post of mortal danger!",
"ROXANE (turning round):\n Mortal danger!",
"CYRANO:\n Proof enough, that he has put us here!",
"ROXANE (to De Guiche):\n So, Sir, you would have made a widow of me?",
"DE GUICHE:\n Nay, on my oath.",
". .\n\nROXANE:\n I will not go!",
"I am reckless now, and I shall not stir from here!--Besides,\n'tis amusing!",
"CYRANO:\n Oh-ho!",
"So our precieuse is a heroine!",
"ROXANE:\n Monsieur de Bergerac, I am your cousin.",
"A CADET:\n We will defend you well!",
"ROXANE (more and more excited):\n I have no fear of that, my friends!",
"ANOTHER (in ecstasy):\n The whole camp smells sweet of orris-root!",
"ROXANE:\n And, by good luck, I have chosen a hat that will suit well with the\nbattlefield!",
"(Looking at De Guiche):\n But were it not wisest that the Count retire?",
"They may begin the attack.",
"DE GUICHE:\n That is not to be brooked!",
"I go to inspect the cannon, and shall return.",
"You have still time--think better of it!",
"ROXANE:\n Never!",
"(De Guiche goes out.)"
] | [
"DE GUICHE:\n You cannot remain here!",
"Ah!",
"know you that 'tis a long road to get\nto Arras?",
"ROXANE:\n Yes, frequently.",
"ROXANE:\n I?",
"CYRANO:\n And that instantly!",
". .\n\nDE GUICHE (the same):\n --Or for.",
"ROXANE:\n Monsieur de Bergerac, I am your cousin.",
"ANOTHER (in ecstasy):\n The whole camp smells sweet of orris-root!",
"They may begin the attack."
] | [
"would you not think 'twas made of a pumpkin, like\nCinderella's chariot in the tale,--and the footmen out of rats?",
"CYRANO:\n Oh-ho!",
"What other king?",
"ROXANE (merrily):\n But I say yes!",
"CYRANO (who, at the sound of her voice, has stood still, rooted to the ground,\nafraid to raise his eyes):\n My God!",
"CHRISTIAN:\n But, Roxane.",
"(Looking at De Guiche):\n But were it not wisest that the Count retire?",
"ALL:\n No, no!",
"Through the Spanish lines.",
"Where in the fiend's name did you get through?"
] | [
"I but drove quietly forward in my carriage, and when some\nhidalgo of haughty mien would have stayed me, lo!",
"I showed at the window my\nsweetest smile, and these Senors being (with no disrespect to you) the most\ngallant gentlemen in the world,--I passed on!",
"CARBON:\n True, that smile is a passport!",
"But you must have been asked frequently to\ngive an account of where you were going, Madame?",
"ROXANE:\n Yes, frequently.",
"Then I would answer, 'I go to see my lover.'",
"At that word\nthe very fiercest Spaniard of them all would gravely shut the carriage-door,\nand, with a gesture that a king might envy, make signal to his men to lower\nthe muskets leveled at me;--then, with melancholy but withal very graceful\ndignity--his beaver held to the wind that the plumes might flutter bravely, he\nwould bow low, saying to me, 'Pass on, Senorita!'",
"CHRISTIAN:\n But, Roxane.",
". .\n\nROXANE:\n Forgive me that I said, 'my lover!'",
"But bethink you, had I said 'my\nhusband,' not one of them had let me pass!",
"CHRISTIAN:\n But."
] | [
"The same.",
"Roxane.",
"DE GUICHE:\n On the King's service!",
"You?",
"ROXANE:\n Ay,--King Love's!",
"What other king?",
"CYRANO:\n Great God!",
"CHRISTIAN (rushing forward):\n Why have you come?",
"ROXANE:\n This siege--'tis too long!",
"CHRISTIAN:\n But why?.",
"ROXANE (more and more excited):\n I have no fear of that, my friends!",
"ANOTHER (in ecstasy):\n The whole camp smells sweet of orris-root!",
"ROXANE:\n And, by good luck, I have chosen a hat that will suit well with the\nbattlefield!",
"(Looking at De Guiche):\n But were it not wisest that the Count retire?",
"They may begin the attack.",
"DE GUICHE:\n That is not to be brooked!",
"I go to inspect the cannon, and shall return.",
"You have still time--think better of it!",
"ROXANE:\n Never!",
"(De Guiche goes out.)"
] | f them had let me pass!
CHRISTIAN:
But.
. .
ROXANE:
What ails you?
DE GUICHE:
You must leave this place!
ROXANE:
I?
CYRANO:
And that instantly!
LE BRET:
No time to lose.
CHRISTIAN:
Indeed, you must.
ROXANE:
But wherefore must I?
CHRISTIAN (embarrassed):
'Tis that.
. .
CYRANO (the same):
--In three quarters of an hour.
. .
DE GUICHE (the same):
--Or for.
. .
CARBON (the same):
It were best.
. .
LE BRET (the same):
You might.
. .
ROXANE:
You are going to fight?--I stay here.
ALL:
No, no!
ROXANE:
He is my husband!
(She throws herself into Christian's arms):
They shall kill us both together!
CHRISTIAN:
Why do you look at me thus?
ROXANE:
I will tell you why!
DE GUICHE (in despair):
'Tis a post of mortal danger!
ROXANE (turning round):
Mortal danger!
CYRANO:
Proof enough, that he has put us here!
ROXANE (to De Guiche):
So, Sir, you would have made a widow of me?
DE GUICHE:
Nay, on my oath.
. .
ROXANE:
I will not go!
I am reckless now, a | The same.
Roxane.
DE GUICHE:
On the King's service!
You?
ROXANE:
Ay,--King Love's!
What other king?
CYRANO:
Great God!
CHRISTIAN (rushing forward):
Why have you come?
ROXANE:
This siege--'tis too long!
CHRISTIAN:
But why?.
. .
ROXANE:
I will tell you all!
CYRANO (who, at the sound of her voice, has stood still, rooted to the ground,
afraid to raise his eyes):
My God!
dare I look at her?
DE GUICHE:
You cannot remain here!
ROXANE (merrily):
But I say yes!
Who will push a drum u well!
ROXANE (more and more excited):
I have no fear of that, my friends!
ANOTHER (in ecstasy):
The whole camp smells sweet of orris-root!
ROXANE:
And, by good luck, I have chosen a hat that will suit well with the
battlefield!
(Looking at De Guiche):
But were it not wisest that the Count retire?
They may begin the attack.
DE GUICHE:
That is not to be brooked!
I go to inspect the cannon, and shall return.
You have still time--think better of it!
ROXANE:
Never!
(De Guiche goes out.) | oo hard.
I but drove quietly forward in my carriage, and when some
hidalgo of haughty mien would have stayed me, lo!
I showed at the window my
sweetest smile, and these Senors being (with no disrespect to you) the most
gallant gentlemen in the world,--I passed on!
CARBON:
True, that smile is a passport!
But you must have been asked frequently to
give an account of where you were going, Madame?
ROXANE:
Yes, frequently.
Then I would answer, 'I go to see my lover.'
At that word
the very fiercest Spaniard of them all would gravely shut the carriage-door,
and, with a gesture that a king might envy, make signal to his men to lower
the muskets leveled at me;--then, with melancholy but withal very graceful
dignity--his beaver held to the wind that the plumes might flutter bravely, he
would bow low, saying to me, 'Pass on, Senorita!'
CHRISTIAN:
But, Roxane.
. .
ROXANE:
Forgive me that I said, 'my lover!'
But bethink you, had I said 'my
husband,' not one of them had let me pass!
CHRISTIA |
1,254 | false | pinkmonkey | all_chapterized_books/1254-chapters/40.txt | finished_summaries/pinkmonkey/Cyrano De Bergerac/section_36_part_0.txt | Cyrano De Bergerac.act 4.scene 6 | scene 6 | null | {"name": "Scene 6", "url": "https://web.archive.org/web/20180820053313/http://www.pinkmonkey.com/booknotes/monkeynotes/pmCyrano40.asp", "summary": "When Carbon introduces Roxane to the Cadets, he asks her to give up her lace handkerchief to serve as the banner of the cadets; she gladly obliges. When one of the men mentions his hunger to her, she tells them that she has brought food and sends them to the carriage. While Ragueneau, serving as the coachman, takes out the edible delicacies, Roxane distributes them to the cadets. Cyrano urgently draws Christian aside to talk to him, but the latter is called away to help with the food. While he carves the meat, he presses Roxane about her real reason for coming; however, she will not talk to him until after the feast is over. When De Guiche re-enters the camp, the food is quickly hidden from view. As a result, he is amazed by the gaiety that he perceives. He has come to bring the cadets a cannon, but he warns them about its recoil action. He also asks Roxane if she really intends to stay on at the camp. When she gives her positive response, he calls for a musket and says that he will stay and protect her. The cadets are so impressed by his offer that they give him the remaining food from the feast. Although he is tempted by his hunger, De Guiche is too proud to accept it. He is then applauded by all as a true Gascon. When Carbon asks De Guiche to inspect the pikeman, he asks Roxane to accompany him. This gives Cyrano the opportunity to warn Christian that he must acknowledge having written the letters that Roxane has received. Christian is amazed at the news and questions him about the letters and their dispatch. When Cyrano explains how he has crossed enemy lines to get the letters to Roxane, Christian sarcastically remarks that writing them must have been an intoxicating experience, for Cyrano was willing to risk death for them; there is a touch of jealousy in his criticism. Roxane's return, however, suspends their conversation.", "analysis": "Notes Scenes 5 through 7 are probably the weakest ones in the play, for they border on the totally ridiculous and unbelievable. It is hard to imagine that a woman, even an impulsive and determined one like Roxane, would risk her life to come to the front and be successful in charming the Spanish soldiers to let her through enemy lines. The irony is that she has been spurred to come in order to see Christian, her new husband, because of letters she has been receiving, supposedly written by him. In truth, it is Cyrano's poetic words that have drawn her to the front. When Roxane does succeed in arriving, it is not surprising that she has an immediate effect on everyone. Not only does she bring the smell of iris to the camp, her arrival causes the unkempt cadets to rush and try to make themselves presentable. Her presence is not just an inspiration but a civilizing influence on these soldiers who are soon going to be cannon fodder. Even De Guiche is impressed with Roxane's courage. When she says she is going to stay on in the camp during the battle, he calls for a musket and promises to remain and defend her. When one of the cadets mentions his hunger, Roxane reveals that she has brought a feast with her. It serves as a type of last supper for the cadets. It also proves Roxane's kindness and inventiveness; she has managed to conceal the food in the strangest places. A sausage has even been hidden in the coachman's whip. The feast, largely prepared by Ragueneau, the former pastry chef who is now in Roxane's service, gives him an opportunity to provide some poetry; as always, his metaphors are trite, comparing Roxane to Venus and wine flasks to rubies. In spite of the general merriment in the camp, Cyrano is a bag of nerves. He has has never informed Christian about the numerous letters that he has sent to Roxane in Christian's name. When he first tries to explain what he has done, Christian is called away to carve the meat. Later he has the opportunity to make his confession when De Guiche asks Roxane to accompany him on his inspection of the pikeman. At the end of scene 7, Christian's vehement outburst to Cyrano suggests that his jealousy has at last found an object. The strong reaction is a first step by Rostand of alienating the audience from the handsome cadet and solidifying support for Cyrano, the protagonist."} | The same, all but De Guiche.
CHRISTIAN (entreatingly):
Roxane!
ROXANE:
No!
FIRST CADET (to the others):
She stays!
ALL (hurrying, hustling each other, tidying themselves):
A comb!--Soap!--My uniform is torn!--A needle!--A ribbon!--Lend your
mirror!--My cuffs!--Your curling-iron!--A razor!. . .
ROXANE (to Cyrano, who still pleads with her):
No! Naught shall make me stir from this spot!
CARBON (who, like the others, has been buckling, dusting, brushing his hat,
settling his plume, and drawing on his cuffs, advances to Roxane, and
ceremoniously):
It is perchance more seemly, since things are thus, that I present to you
some of these gentlemen who are about to have the honor of dying before your
eyes.
(Roxane bows, and stands leaning on Christian's arm, while Carbon introduces
the cadets to her):
Baron de Peyrescous de Colignac!
THE CADET (with a low reverence):
Madame. . .
CARBON (continuing):
Baron de Casterac de Cahuzac,--Vidame de Malgouyre Estressac Lesbas
d'Escarabiot, Chevalier d'Antignac-Juzet, Baron Hillot de Blagnac-Salechan de
Castel Crabioules. . .
ROXANE:
But how many names have you each?
BARON HILLOT:
Scores!
CARBON (to Roxane):
Pray, upon the hand that holds your kerchief.
ROXANE (opens her hand, and the handkerchief falls):
Why?
(The whole company start forward to pick it up.)
CARBON (quickly raising it):
My company had no flag. But now, by my faith, they will have the fairest in
all the camp!
ROXANE (smiling):
'Tis somewhat small.
CARBON (tying the handkerchief on the staff of his lance):
But--'tis of lace!
A CADET (to the rest):
I could die happy, having seen so sweet a face, if I had something in my
stomach--were it but a nut!
CARBON (who has overheard, indignantly):
Shame on you! What, talk of eating when a lovely woman!. . .
ROXANE:
But your camp air is keen; I myself am famished. Pasties, cold fricassee,
old wines--there is my bill of fare? Pray bring it all here.
(Consternation.)
A CADET:
All that?
ANOTHER:
But where on earth find it?
ROXANE (quietly):
In my carriage.
ALL:
How?
ROXANE:
Now serve up--carve! Look a little closer at my coachman, gentlemen, and
you will recognize a man most welcome. All the sauces can be sent to table
hot, if we will!
THE CADETS (rushing pellmell to the carriage):
'Tis Ragueneau!
(Acclamations):
Oh, oh!
ROXANE (looking after them):
Poor fellows!
CYRANO (kissing her hand):
Kind fairy!
RAGUENEAU (standing on the box like a quack doctor at a fair):
Gentlemen!. . .
(General delight.)
THE CADETS:
Bravo! bravo!
RAGUENEAU:
. . .The Spaniards, gazing on a lady so dainty fair, overlooked the fare so
dainty!. . .
(Applause.)
CYRANO (in a whisper to Christian):
Hark, Christian!
RAGUENEAU:
. . .And, occupied with gallantry, perceived not--
(His draws a plate from under the seat, and holds it up):
--The galantine!. . .
(Applause. The galantine passes from hand to hand.)
CYRANO (still whispering to Christian):
Prythee, one word!
RAGUENEAU:
And Venus so attracted their eyes that Diana could secretly pass by with--
(He holds up a shoulder of mutton):
--her fawn!
(Enthusiasm. Twenty hands are held out to seize the shoulder of mutton.)
CYRANO (in a low whisper to Christian):
I must speak to you!
ROXANE (to the cadets, who come down, their arms laden with food):
Put it all on the ground!
(She lays all out on the grass, aided by the two imperturbable lackeys who
were behind the carriage.)
ROXANE (to Christian, just as Cyrano is drawing him apart):
Come, make yourself of use!
(Christian comes to help her. Cyrano's uneasiness increases.)
RAGUENEAU:
Truffled peacock!
FIRST CADET (radiant, coming down, cutting a big slice of ham):
By the mass! We shall not brave the last hazard without having had a
gullet-full!--
(quickly correcting himself on seeing Roxane):
--Pardon! A Balthazar feast!
RAGUENEAU (throwing down the carriage cushions):
The cushions are stuffed with ortolans!
(Hubbub. They tear open and turn out the contents of the cushions. Bursts of
laughter--merriment.)
THIRD CADET:
Ah! Viedaze!
RAGUENEAU (throwing down to the cadets bottles of red wine):
Flasks of rubies!--
(and white wine):
--Flasks of topaz!
ROXANE (throwing a folded tablecloth at Cyrano's head):
Unfold me that napkin!--Come, come! be nimble!
RAGUENEAU (waving a lantern):
Each of the carriage-lamps is a little larder!
CYRANO (in a low voice to Christian, as they arrange the cloth together):
I must speak with you ere you speak to her.
RAGUENEAU:
My whip-handle is an Arles sausage!
ROXANE (pouring out wine, helping):
Since we are to die, let the rest of the army shift for itself. All for the
Gascons! And mark! if De Guiche comes, let no one invite him!
(Going from one to the other):
There! there! You have time enough! Do not eat too fast!--Drink a little.-
-Why are you crying?
FIRST CADET:
It is all so good!. . .
ROXANE:
Tut!--Red or white?--Some bread for Monsieur de Carbon!--a knife! Pass your
plate!--a little of the crust? Some more? Let me help you!--Some champagne?-
-A wing?
CYRANO (who follows her, his arms laden with dishes, helping her to wait on
everybody):
How I worship her!
ROXANE (going up to Christian):
What will you?
CHRISTIAN:
Nothing.
ROXANE:
Nay, nay, take this biscuit, steeped in muscat; come!. . .but two drops!
CHRISTIAN (trying to detain her):
Oh! tell me why you came?
ROXANE:
Wait; my first duty is to these poor fellows.--Hush! In a few minutes. . .
LE BRET (who had gone up to pass a loaf on the end of a lance to the sentry on
the rampart):
De Guiche!
CYRANO:
Quick! hide flasks, plates, pie-dishes, game-baskets! Hurry!--Let us all
look unconscious!
(To Ragueneau):
Up on your seat!--Is everything covered up?
(In an instant all has been pushed into the tents, or hidden under doublets,
cloaks, and beavers. De Guiche enters hurriedly--stops suddenly, sniffing the
air. Silence.)
| 954 | Scene 6 | https://web.archive.org/web/20180820053313/http://www.pinkmonkey.com/booknotes/monkeynotes/pmCyrano40.asp | When Carbon introduces Roxane to the Cadets, he asks her to give up her lace handkerchief to serve as the banner of the cadets; she gladly obliges. When one of the men mentions his hunger to her, she tells them that she has brought food and sends them to the carriage. While Ragueneau, serving as the coachman, takes out the edible delicacies, Roxane distributes them to the cadets. Cyrano urgently draws Christian aside to talk to him, but the latter is called away to help with the food. While he carves the meat, he presses Roxane about her real reason for coming; however, she will not talk to him until after the feast is over. When De Guiche re-enters the camp, the food is quickly hidden from view. As a result, he is amazed by the gaiety that he perceives. He has come to bring the cadets a cannon, but he warns them about its recoil action. He also asks Roxane if she really intends to stay on at the camp. When she gives her positive response, he calls for a musket and says that he will stay and protect her. The cadets are so impressed by his offer that they give him the remaining food from the feast. Although he is tempted by his hunger, De Guiche is too proud to accept it. He is then applauded by all as a true Gascon. When Carbon asks De Guiche to inspect the pikeman, he asks Roxane to accompany him. This gives Cyrano the opportunity to warn Christian that he must acknowledge having written the letters that Roxane has received. Christian is amazed at the news and questions him about the letters and their dispatch. When Cyrano explains how he has crossed enemy lines to get the letters to Roxane, Christian sarcastically remarks that writing them must have been an intoxicating experience, for Cyrano was willing to risk death for them; there is a touch of jealousy in his criticism. Roxane's return, however, suspends their conversation. | Notes Scenes 5 through 7 are probably the weakest ones in the play, for they border on the totally ridiculous and unbelievable. It is hard to imagine that a woman, even an impulsive and determined one like Roxane, would risk her life to come to the front and be successful in charming the Spanish soldiers to let her through enemy lines. The irony is that she has been spurred to come in order to see Christian, her new husband, because of letters she has been receiving, supposedly written by him. In truth, it is Cyrano's poetic words that have drawn her to the front. When Roxane does succeed in arriving, it is not surprising that she has an immediate effect on everyone. Not only does she bring the smell of iris to the camp, her arrival causes the unkempt cadets to rush and try to make themselves presentable. Her presence is not just an inspiration but a civilizing influence on these soldiers who are soon going to be cannon fodder. Even De Guiche is impressed with Roxane's courage. When she says she is going to stay on in the camp during the battle, he calls for a musket and promises to remain and defend her. When one of the cadets mentions his hunger, Roxane reveals that she has brought a feast with her. It serves as a type of last supper for the cadets. It also proves Roxane's kindness and inventiveness; she has managed to conceal the food in the strangest places. A sausage has even been hidden in the coachman's whip. The feast, largely prepared by Ragueneau, the former pastry chef who is now in Roxane's service, gives him an opportunity to provide some poetry; as always, his metaphors are trite, comparing Roxane to Venus and wine flasks to rubies. In spite of the general merriment in the camp, Cyrano is a bag of nerves. He has has never informed Christian about the numerous letters that he has sent to Roxane in Christian's name. When he first tries to explain what he has done, Christian is called away to carve the meat. Later he has the opportunity to make his confession when De Guiche asks Roxane to accompany him on his inspection of the pikeman. At the end of scene 7, Christian's vehement outburst to Cyrano suggests that his jealousy has at last found an object. The strong reaction is a first step by Rostand of alienating the audience from the handsome cadet and solidifying support for Cyrano, the protagonist. | 335 | 421 | [
"The same, all but De Guiche.",
"CHRISTIAN (entreatingly):\n Roxane!",
"ROXANE:\n No!",
"FIRST CADET (to the others):\n She stays!",
"ALL (hurrying, hustling each other, tidying themselves):\n A comb!--Soap!--My uniform is torn!--A needle!--A ribbon!--Lend your\nmirror!--My cuffs!--Your curling-iron!--A razor!.",
". .\n\nROXANE (to Cyrano, who still pleads with her):\n No!",
"Naught shall make me stir from this spot!",
"CARBON (who, like the others, has been buckling, dusting, brushing his hat,\nsettling his plume, and drawing on his cuffs, advances to Roxane, and\nceremoniously):\n It is perchance more seemly, since things are thus, that I present to you\nsome of these gentlemen who are about to have the honor of dying before your\neyes.",
"(Roxane bows, and stands leaning on Christian's arm, while Carbon introduces\nthe cadets to her):\n Baron de Peyrescous de Colignac!",
"THE CADET (with a low reverence):\n Madame.",
". .",
"CARBON (continuing):\n Baron de Casterac de Cahuzac,--Vidame de Malgouyre Estressac Lesbas\nd'Escarabiot, Chevalier d'Antignac-Juzet, Baron Hillot de Blagnac-Salechan de\nCastel Crabioules.",
". .\n\nROXANE:\n But how many names have you each?",
"BARON HILLOT:\n Scores!",
"CARBON (to Roxane):\n Pray, upon the hand that holds your kerchief.",
"ROXANE (opens her hand, and the handkerchief falls):\n Why?",
"(The whole company start forward to pick it up.)",
"CARBON (quickly raising it):\n My company had no flag.",
"But now, by my faith, they will have the fairest in\nall the camp!",
"ROXANE (smiling):\n 'Tis somewhat small.",
"CARBON (tying the handkerchief on the staff of his lance):\n But--'tis of lace!",
"A CADET (to the rest):\n I could die happy, having seen so sweet a face, if I had something in my\nstomach--were it but a nut!",
"CARBON (who has overheard, indignantly):\n Shame on you!",
"What, talk of eating when a lovely woman!.",
". .\n\nROXANE:\n But your camp air is keen; I myself am famished.",
"Pasties, cold fricassee,\nold wines--there is my bill of fare?",
"Pray bring it all here.",
"(Consternation.)",
"A CADET:\n All that?",
"ANOTHER:\n But where on earth find it?",
"ROXANE (quietly):\n In my carriage.",
"ALL:\n How?",
"ROXANE:\n Now serve up--carve!",
"Look a little closer at my coachman, gentlemen, and\nyou will recognize a man most welcome.",
"All the sauces can be sent to table\nhot, if we will!",
"THE CADETS (rushing pellmell to the carriage):\n 'Tis Ragueneau!",
"(Acclamations):\n Oh, oh!",
"ROXANE (looking after them):\n Poor fellows!",
"CYRANO (kissing her hand):\n Kind fairy!",
"RAGUENEAU (standing on the box like a quack doctor at a fair):\n Gentlemen!.",
". .\n\n(General delight.)",
"THE CADETS:\n Bravo!",
"bravo!",
"RAGUENEAU:\n . . .The Spaniards, gazing on a lady so dainty fair, overlooked the fare so\ndainty!.",
". .",
"(Applause.)",
"CYRANO (in a whisper to Christian):\n Hark, Christian!",
"RAGUENEAU:\n . . .And, occupied with gallantry, perceived not--\n(His draws a plate from under the seat, and holds it up):\n --The galantine!.",
". .\n\n(Applause.",
"The galantine passes from hand to hand.)",
"CYRANO (still whispering to Christian):\n Prythee, one word!",
"RAGUENEAU:\n And Venus so attracted their eyes that Diana could secretly pass by with--\n(He holds up a shoulder of mutton):\n --her fawn!",
"(Enthusiasm.",
"Twenty hands are held out to seize the shoulder of mutton.)",
"CYRANO (in a low whisper to Christian):\n I must speak to you!",
"ROXANE (to the cadets, who come down, their arms laden with food):\n Put it all on the ground!",
"(She lays all out on the grass, aided by the two imperturbable lackeys who\nwere behind the carriage.)",
"ROXANE (to Christian, just as Cyrano is drawing him apart):\n Come, make yourself of use!",
"(Christian comes to help her.",
"Cyrano's uneasiness increases.)",
"RAGUENEAU:\n Truffled peacock!",
"FIRST CADET (radiant, coming down, cutting a big slice of ham):\n By the mass!",
"We shall not brave the last hazard without having had a\ngullet-full!--\n(quickly correcting himself on seeing Roxane):\n --Pardon!",
"A Balthazar feast!",
"RAGUENEAU (throwing down the carriage cushions):\n The cushions are stuffed with ortolans!",
"(Hubbub.",
"They tear open and turn out the contents of the cushions.",
"Bursts of\nlaughter--merriment.)",
"THIRD CADET:\n Ah!",
"Viedaze!",
"RAGUENEAU (throwing down to the cadets bottles of red wine):\n Flasks of rubies!--\n(and white wine):\n --Flasks of topaz!",
"ROXANE (throwing a folded tablecloth at Cyrano's head):\n Unfold me that napkin!--Come, come!",
"be nimble!",
"RAGUENEAU (waving a lantern):\n Each of the carriage-lamps is a little larder!",
"CYRANO (in a low voice to Christian, as they arrange the cloth together):\n I must speak with you ere you speak to her.",
"RAGUENEAU:\n My whip-handle is an Arles sausage!",
"ROXANE (pouring out wine, helping):\n Since we are to die, let the rest of the army shift for itself.",
"All for the\nGascons!",
"And mark!",
"if De Guiche comes, let no one invite him!",
"(Going from one to the other):\n There!",
"there!",
"You have time enough!",
"Do not eat too fast!--Drink a little.-\n-Why are you crying?",
"FIRST CADET:\n It is all so good!.",
". .\n\nROXANE:\n Tut!--Red or white?--Some bread for Monsieur de Carbon!--a knife!",
"Pass your\nplate!--a little of the crust?",
"Some more?",
"Let me help you!--Some champagne?-\n-A wing?",
"CYRANO (who follows her, his arms laden with dishes, helping her to wait on\neverybody):\n How I worship her!",
"ROXANE (going up to Christian):\n What will you?",
"CHRISTIAN:\n Nothing.",
"ROXANE:\n Nay, nay, take this biscuit, steeped in muscat; come!. .",
".but two drops!",
"CHRISTIAN (trying to detain her):\n Oh!",
"tell me why you came?",
"ROXANE:\n Wait; my first duty is to these poor fellows.--Hush!",
"In a few minutes.",
". .",
"LE BRET (who had gone up to pass a loaf on the end of a lance to the sentry on\nthe rampart):\n De Guiche!",
"CYRANO:\n Quick!",
"hide flasks, plates, pie-dishes, game-baskets!",
"Hurry!--Let us all\nlook unconscious!",
"(To Ragueneau):\n Up on your seat!--Is everything covered up?",
"(In an instant all has been pushed into the tents, or hidden under doublets,\ncloaks, and beavers.",
"De Guiche enters hurriedly--stops suddenly, sniffing the\nair.",
"Silence.)"
] | [
"ROXANE:\n No!",
"ALL (hurrying, hustling each other, tidying themselves):\n A comb!--Soap!--My uniform is torn!--A needle!--A ribbon!--Lend your\nmirror!--My cuffs!--Your curling-iron!--A razor!.",
". .\n\nROXANE (to Cyrano, who still pleads with her):\n No!",
"(Consternation.)",
"All the sauces can be sent to table\nhot, if we will!",
"THIRD CADET:\n Ah!",
"Viedaze!",
"ROXANE:\n Nay, nay, take this biscuit, steeped in muscat; come!. .",
".but two drops!",
"hide flasks, plates, pie-dishes, game-baskets!"
] | [
". .",
"CYRANO (kissing her hand):\n Kind fairy!",
"ROXANE (to Christian, just as Cyrano is drawing him apart):\n Come, make yourself of use!",
"(Christian comes to help her.",
"CYRANO (in a low whisper to Christian):\n I must speak to you!",
"CHRISTIAN (entreatingly):\n Roxane!",
"You have time enough!",
"In a few minutes.",
"CYRANO (in a whisper to Christian):\n Hark, Christian!",
"RAGUENEAU:\n Truffled peacock!"
] | [
". .\n\n(Applause.",
"The galantine passes from hand to hand.)",
"CYRANO (still whispering to Christian):\n Prythee, one word!",
"RAGUENEAU:\n And Venus so attracted their eyes that Diana could secretly pass by with--\n(He holds up a shoulder of mutton):\n --her fawn!",
"(Enthusiasm.",
"Twenty hands are held out to seize the shoulder of mutton.)",
"CYRANO (in a low whisper to Christian):\n I must speak to you!",
"ROXANE (to the cadets, who come down, their arms laden with food):\n Put it all on the ground!",
"(She lays all out on the grass, aided by the two imperturbable lackeys who\nwere behind the carriage.)",
"ROXANE (to Christian, just as Cyrano is drawing him apart):\n Come, make yourself of use!",
"(Christian comes to help her."
] | [
"The same, all but De Guiche.",
"CHRISTIAN (entreatingly):\n Roxane!",
"ROXANE:\n No!",
"FIRST CADET (to the others):\n She stays!",
"ALL (hurrying, hustling each other, tidying themselves):\n A comb!--Soap!--My uniform is torn!--A needle!--A ribbon!--Lend your\nmirror!--My cuffs!--Your curling-iron!--A razor!.",
". .\n\nROXANE (to Cyrano, who still pleads with her):\n No!",
"Naught shall make me stir from this spot!",
"CARBON (who, like the others, has been buckling, dusting, brushing his hat,\nsettling his plume, and drawing on his cuffs, advances to Roxane, and\nceremoniously):\n It is perchance more seemly, since things are thus, that I present to you\nsome of these gentlemen who are about to have the honor of dying before your\neyes.",
"(Roxane bows, and stands leaning on Christian's arm, while Carbon introduces\nthe cadets to her):\n Baron de Peyrescous de Colignac!",
"THE CADET (with a low reverence):\n Madame.",
"In a few minutes.",
". .",
"LE BRET (who had gone up to pass a loaf on the end of a lance to the sentry on\nthe rampart):\n De Guiche!",
"CYRANO:\n Quick!",
"hide flasks, plates, pie-dishes, game-baskets!",
"Hurry!--Let us all\nlook unconscious!",
"(To Ragueneau):\n Up on your seat!--Is everything covered up?",
"(In an instant all has been pushed into the tents, or hidden under doublets,\ncloaks, and beavers.",
"De Guiche enters hurriedly--stops suddenly, sniffing the\nair.",
"Silence.)"
] | inuing):
Baron de Casterac de Cahuzac,--Vidame de Malgouyre Estressac Lesbas
d'Escarabiot, Chevalier d'Antignac-Juzet, Baron Hillot de Blagnac-Salechan de
Castel Crabioules.
. .
ROXANE:
But how many names have you each?
BARON HILLOT:
Scores!
CARBON (to Roxane):
Pray, upon the hand that holds your kerchief.
ROXANE (opens her hand, and the handkerchief falls):
Why?
(The whole company start forward to pick it up.)
CARBON (quickly raising it):
My company had no flag.
But now, by my faith, they will have the fairest in
all the camp!
ROXANE (smiling):
'Tis somewhat small.
CARBON (tying the handkerchief on the staff of his lance):
But--'tis of lace!
A CADET (to the rest):
I could die happy, having seen so sweet a face, if I had something in my
stomach--were it but a nut!
CARBON (who has overheard, indignantly):
Shame on you!
What, talk of eating when a lovely woman!.
. .
ROXANE:
But your camp air is keen; I myself am famished.
Pasties, cold fricassee,
old wines--there | The same, all but De Guiche.
CHRISTIAN (entreatingly):
Roxane!
ROXANE:
No!
FIRST CADET (to the others):
She stays!
ALL (hurrying, hustling each other, tidying themselves):
A comb!--Soap!--My uniform is torn!--A needle!--A ribbon!--Lend your
mirror!--My cuffs!--Your curling-iron!--A razor!.
. .
ROXANE (to Cyrano, who still pleads with her):
No!
Naught shall make me stir from this spot!
CARBON (who, like the others, has been buckling, dusting, brushing his hat,
settling his plume, and d t duty is to these poor fellows.--Hush!
In a few minutes.
. .
LE BRET (who had gone up to pass a loaf on the end of a lance to the sentry on
the rampart):
De Guiche!
CYRANO:
Quick!
hide flasks, plates, pie-dishes, game-baskets!
Hurry!--Let us all
look unconscious!
(To Ragueneau):
Up on your seat!--Is everything covered up?
(In an instant all has been pushed into the tents, or hidden under doublets,
cloaks, and beavers.
De Guiche enters hurriedly--stops suddenly, sniffing the
air.
Silence.) | ike a quack doctor at a fair):
Gentlemen!.
. .
(General delight.)
THE CADETS:
Bravo!
bravo!
RAGUENEAU:
. . .The Spaniards, gazing on a lady so dainty fair, overlooked the fare so
dainty!.
. .
(Applause.)
CYRANO (in a whisper to Christian):
Hark, Christian!
RAGUENEAU:
. . .And, occupied with gallantry, perceived not--
(His draws a plate from under the seat, and holds it up):
--The galantine!.
. .
(Applause.
The galantine passes from hand to hand.)
CYRANO (still whispering to Christian):
Prythee, one word!
RAGUENEAU:
And Venus so attracted their eyes that Diana could secretly pass by with--
(He holds up a shoulder of mutton):
--her fawn!
(Enthusiasm.
Twenty hands are held out to seize the shoulder of mutton.)
CYRANO (in a low whisper to Christian):
I must speak to you!
ROXANE (to the cadets, who come down, their arms laden with food):
Put it all on the ground!
(She lays all out on the grass, aided by the two imperturbable lackeys who
were behind the carriage.)
ROXA |
1,254 | false | pinkmonkey | all_chapterized_books/1254-chapters/41.txt | finished_summaries/pinkmonkey/Cyrano De Bergerac/section_37_part_0.txt | Cyrano De Bergerac.act 4.scene 7 | scene 7 | null | {"name": "Scene 7", "url": "https://web.archive.org/web/20180820053313/http://www.pinkmonkey.com/booknotes/monkeynotes/pmCyrano40.asp", "summary": "When Carbon introduces Roxane to the Cadets, he asks her to give up her lace handkerchief to serve as the banner of the cadets; she gladly obliges. When one of the men mentions his hunger to her, she tells them that she has brought food and sends them to the carriage. While Ragueneau, serving as the coachman, takes out the edible delicacies, Roxane distributes them to the cadets. Cyrano urgently draws Christian aside to talk to him, but the latter is called away to help with the food. While he carves the meat, he presses Roxane about her real reason for coming; however, she will not talk to him until after the feast is over. When De Guiche re-enters the camp, the food is quickly hidden from view. As a result, he is amazed by the gaiety that he perceives. He has come to bring the cadets a cannon, but he warns them about its recoil action. He also asks Roxane if she really intends to stay on at the camp. When she gives her positive response, he calls for a musket and says that he will stay and protect her. The cadets are so impressed by his offer that they give him the remaining food from the feast. Although he is tempted by his hunger, De Guiche is too proud to accept it. He is then applauded by all as a true Gascon. When Carbon asks De Guiche to inspect the pikeman, he asks Roxane to accompany him. This gives Cyrano the opportunity to warn Christian that he must acknowledge having written the letters that Roxane has received. Christian is amazed at the news and questions him about the letters and their dispatch. When Cyrano explains how he has crossed enemy lines to get the letters to Roxane, Christian sarcastically remarks that writing them must have been an intoxicating experience, for Cyrano was willing to risk death for them; there is a touch of jealousy in his criticism. Roxane's return, however, suspends their conversation.", "analysis": "Notes Scenes 5 through 7 are probably the weakest ones in the play, for they border on the totally ridiculous and unbelievable. It is hard to imagine that a woman, even an impulsive and determined one like Roxane, would risk her life to come to the front and be successful in charming the Spanish soldiers to let her through enemy lines. The irony is that she has been spurred to come in order to see Christian, her new husband, because of letters she has been receiving, supposedly written by him. In truth, it is Cyrano's poetic words that have drawn her to the front. When Roxane does succeed in arriving, it is not surprising that she has an immediate effect on everyone. Not only does she bring the smell of iris to the camp, her arrival causes the unkempt cadets to rush and try to make themselves presentable. Her presence is not just an inspiration but a civilizing influence on these soldiers who are soon going to be cannon fodder. Even De Guiche is impressed with Roxane's courage. When she says she is going to stay on in the camp during the battle, he calls for a musket and promises to remain and defend her. When one of the cadets mentions his hunger, Roxane reveals that she has brought a feast with her. It serves as a type of last supper for the cadets. It also proves Roxane's kindness and inventiveness; she has managed to conceal the food in the strangest places. A sausage has even been hidden in the coachman's whip. The feast, largely prepared by Ragueneau, the former pastry chef who is now in Roxane's service, gives him an opportunity to provide some poetry; as always, his metaphors are trite, comparing Roxane to Venus and wine flasks to rubies. In spite of the general merriment in the camp, Cyrano is a bag of nerves. He has has never informed Christian about the numerous letters that he has sent to Roxane in Christian's name. When he first tries to explain what he has done, Christian is called away to carve the meat. Later he has the opportunity to make his confession when De Guiche asks Roxane to accompany him on his inspection of the pikeman. At the end of scene 7, Christian's vehement outburst to Cyrano suggests that his jealousy has at last found an object. The strong reaction is a first step by Rostand of alienating the audience from the handsome cadet and solidifying support for Cyrano, the protagonist."} | The same. De Guiche.
DE GUICHE:
It smells good here.
A CADET (humming):
Lo! Lo-lo!
DE GUICHE (looking at him):
What is the matter?--You are very red.
THE CADET:
The matter?--Nothing!--'Tis my blood--boiling at the thought of the coming
battle!
ANOTHER:
Poum, poum--poum. . .
DE GUICHE (turning round):
What's that?
THE CADET (slightly drunk):
Nothing!. . .'Tis a song!--a little. . .
DE GUICHE:
You are merry, my friend!
THE CADET:
The approach of danger is intoxicating!
DE GUICHE (calling Carbon de Castel-Jaloux, to give him an order):
Captain! I. . .
(He stops short on seeing him):
Plague take me! but you look bravely, too!
CARBON (crimson in the face, hiding a bottle behind his back, with an evasive
movement):
Oh!. . .
DE GUICHE:
I have one cannon left, and have had it carried there--
(he points behind the scenes):
--in that corner. . .Your men can use it in case of need.
A CADET (reeling slightly):
Charming attention!
ANOTHER (with a gracious smile):
Kind solicitude!
DE GUICHE:
How? they are all gone crazy?
(Drily):
As you are not used to cannon, beware of the recoil.
FIRST CADET:
Pooh!
DE GUICHE (furious, going up to him):
But. . .
THE CADET:
Gascon cannons never recoil!
DE GUICHE (taking him by the arm and shaking him):
You are tipsy!--but what with?
THE CADET (grandiloquently):
--With the smell of powder!
DE GUICHE (shrugging his shoulders and pushing him away, then going quickly to
Roxane):
Briefly, Madame, what decision do you deign to take?
ROXANE:
I stay here.
DE GUICHE:
You must fly!
ROXANE:
No! I will stay.
DE GUICHE:
Since things are thus, give me a musket, one of you!
CARBON:
Wherefore?
DE GUICHE:
Because I too--mean to remain.
CYRANO:
At last! This is true valor, Sir!
FIRST CADET:
Then you are Gascon after all, spite of your lace collar?
ROXANE:
What is all this?
DE GUICHE:
I leave no woman in peril.
SECOND CADET (to the first):
Hark you! Think you not we might give him something to eat?
(All the viands reappear as if by magic.)
DE GUICHE (whose eyes sparkle):
Victuals!
THE THIRD CADET:
Yes, you'll see them coming from under every coat!
DE GUICHE (controlling himself, haughtily):
Do you think I will eat your leavings?
CYRANO (saluting him):
You make progress.
DE GUICHE (proudly, with a light touch of accent on the word 'breaking'):
I will fight without br-r-eaking my fast!
FIRST CADET (with wild delight):
Br-r-r-eaking! He has got the accent!
DE GUICHE (laughing):
I?
THE CADET:
'Tis a Gascon!
(All begin to dance.)
CARBON DE CASTEL-JALOUX (who had disappeared behind the rampart, reappearing
on the ridge):
I have drawn my pikemen up in line. They are a resolute troop.
(He points to a row of pikes, the tops of which are seen over the ridge.)
DE GUICHE (bowing to Roxane):
Will you accept my hand, and accompany me while I review them?
(She takes it, and they go up toward the rampart. All uncover and follow
them.)
CHRISTIAN (going to Cyrano, eagerly):
Tell me quickly!
(As Roxane appears on the ridge, the tops of the lances disappear, lowered for
the salute, and a shout is raised. She bows.)
THE PIKEMEN (outside):
Vivat!
CHRISTIAN:
What is this secret?
CYRANO:
If Roxane should. . .
CHRISTIAN:
Should?. . .
CYRANO:
Speak of the letters?. . .
CHRISTIAN:
Yes, I know!. . .
CYRANO:
Do not spoil all by seeming surprised. . .
CHRISTIAN:
At what?
CYRANO:
I must explain to you!. . .Oh! 'tis no great matter--I but thought of it to-
day on seeing her. You have. . .
CHRISTIAN:
Tell quickly!
CYRANO:
You have. . .written to her oftener than you think. . .
CHRISTIAN:
How so?
CYRANO:
Thus, 'faith! I had taken it in hand to express your flame for you!. . .At
times I wrote without saying, 'I am writing!'
CHRISTIAN:
Ah!. . .
CYRANO:
'Tis simple enough!
CHRISTIAN:
But how did you contrive, since we have been cut off, thus. . .to?. . .
CYRANO:
. . .Oh! before dawn. . .I was able to get through. . .
CHRISTIAN (folding his arms):
That was simple, too? And how oft, pray you, have I written?. . .Twice in
the week?. . .Three times?. . .Four?. . .
CYRANO:
More often still.
CHRISTIAN:
What! Every day?
CYRANO:
Yes, every day,--twice.
CHRISTIAN (violently):
And that became so mad a joy for you, that you braved death. . .
CYRANO (seeing Roxane returning):
Hush! Not before her!
(He goes hurriedly into his tent.)
| 758 | Scene 7 | https://web.archive.org/web/20180820053313/http://www.pinkmonkey.com/booknotes/monkeynotes/pmCyrano40.asp | When Carbon introduces Roxane to the Cadets, he asks her to give up her lace handkerchief to serve as the banner of the cadets; she gladly obliges. When one of the men mentions his hunger to her, she tells them that she has brought food and sends them to the carriage. While Ragueneau, serving as the coachman, takes out the edible delicacies, Roxane distributes them to the cadets. Cyrano urgently draws Christian aside to talk to him, but the latter is called away to help with the food. While he carves the meat, he presses Roxane about her real reason for coming; however, she will not talk to him until after the feast is over. When De Guiche re-enters the camp, the food is quickly hidden from view. As a result, he is amazed by the gaiety that he perceives. He has come to bring the cadets a cannon, but he warns them about its recoil action. He also asks Roxane if she really intends to stay on at the camp. When she gives her positive response, he calls for a musket and says that he will stay and protect her. The cadets are so impressed by his offer that they give him the remaining food from the feast. Although he is tempted by his hunger, De Guiche is too proud to accept it. He is then applauded by all as a true Gascon. When Carbon asks De Guiche to inspect the pikeman, he asks Roxane to accompany him. This gives Cyrano the opportunity to warn Christian that he must acknowledge having written the letters that Roxane has received. Christian is amazed at the news and questions him about the letters and their dispatch. When Cyrano explains how he has crossed enemy lines to get the letters to Roxane, Christian sarcastically remarks that writing them must have been an intoxicating experience, for Cyrano was willing to risk death for them; there is a touch of jealousy in his criticism. Roxane's return, however, suspends their conversation. | Notes Scenes 5 through 7 are probably the weakest ones in the play, for they border on the totally ridiculous and unbelievable. It is hard to imagine that a woman, even an impulsive and determined one like Roxane, would risk her life to come to the front and be successful in charming the Spanish soldiers to let her through enemy lines. The irony is that she has been spurred to come in order to see Christian, her new husband, because of letters she has been receiving, supposedly written by him. In truth, it is Cyrano's poetic words that have drawn her to the front. When Roxane does succeed in arriving, it is not surprising that she has an immediate effect on everyone. Not only does she bring the smell of iris to the camp, her arrival causes the unkempt cadets to rush and try to make themselves presentable. Her presence is not just an inspiration but a civilizing influence on these soldiers who are soon going to be cannon fodder. Even De Guiche is impressed with Roxane's courage. When she says she is going to stay on in the camp during the battle, he calls for a musket and promises to remain and defend her. When one of the cadets mentions his hunger, Roxane reveals that she has brought a feast with her. It serves as a type of last supper for the cadets. It also proves Roxane's kindness and inventiveness; she has managed to conceal the food in the strangest places. A sausage has even been hidden in the coachman's whip. The feast, largely prepared by Ragueneau, the former pastry chef who is now in Roxane's service, gives him an opportunity to provide some poetry; as always, his metaphors are trite, comparing Roxane to Venus and wine flasks to rubies. In spite of the general merriment in the camp, Cyrano is a bag of nerves. He has has never informed Christian about the numerous letters that he has sent to Roxane in Christian's name. When he first tries to explain what he has done, Christian is called away to carve the meat. Later he has the opportunity to make his confession when De Guiche asks Roxane to accompany him on his inspection of the pikeman. At the end of scene 7, Christian's vehement outburst to Cyrano suggests that his jealousy has at last found an object. The strong reaction is a first step by Rostand of alienating the audience from the handsome cadet and solidifying support for Cyrano, the protagonist. | 335 | 421 | [
"The same.",
"De Guiche.",
"DE GUICHE:\n It smells good here.",
"A CADET (humming):\n Lo!",
"Lo-lo!",
"DE GUICHE (looking at him):\n What is the matter?--You are very red.",
"THE CADET:\n The matter?--Nothing!--'Tis my blood--boiling at the thought of the coming\nbattle!",
"ANOTHER:\n Poum, poum--poum.",
". .\n\nDE GUICHE (turning round):\n What's that?",
"THE CADET (slightly drunk):\n Nothing!.",
". .'Tis a song!--a little.",
". .\n\nDE GUICHE:\n You are merry, my friend!",
"THE CADET:\n The approach of danger is intoxicating!",
"DE GUICHE (calling Carbon de Castel-Jaloux, to give him an order):\n Captain!",
"I. . .\n(He stops short on seeing him):\n Plague take me!",
"but you look bravely, too!",
"CARBON (crimson in the face, hiding a bottle behind his back, with an evasive\nmovement):\n Oh!.",
". .\n\nDE GUICHE:\n I have one cannon left, and have had it carried there--\n(he points behind the scenes):\n --in that corner. . .Your men can use it in case of need.",
"A CADET (reeling slightly):\n Charming attention!",
"ANOTHER (with a gracious smile):\n Kind solicitude!",
"DE GUICHE:\n How?",
"they are all gone crazy?",
"(Drily):\n As you are not used to cannon, beware of the recoil.",
"FIRST CADET:\n Pooh!",
"DE GUICHE (furious, going up to him):\n But.",
". .",
"THE CADET:\n Gascon cannons never recoil!",
"DE GUICHE (taking him by the arm and shaking him):\n You are tipsy!--but what with?",
"THE CADET (grandiloquently):\n --With the smell of powder!",
"DE GUICHE (shrugging his shoulders and pushing him away, then going quickly to\nRoxane):\n Briefly, Madame, what decision do you deign to take?",
"ROXANE:\n I stay here.",
"DE GUICHE:\n You must fly!",
"ROXANE:\n No!",
"I will stay.",
"DE GUICHE:\n Since things are thus, give me a musket, one of you!",
"CARBON:\n Wherefore?",
"DE GUICHE:\n Because I too--mean to remain.",
"CYRANO:\n At last!",
"This is true valor, Sir!",
"FIRST CADET:\n Then you are Gascon after all, spite of your lace collar?",
"ROXANE:\n What is all this?",
"DE GUICHE:\n I leave no woman in peril.",
"SECOND CADET (to the first):\n Hark you!",
"Think you not we might give him something to eat?",
"(All the viands reappear as if by magic.)",
"DE GUICHE (whose eyes sparkle):\n Victuals!",
"THE THIRD CADET:\n Yes, you'll see them coming from under every coat!",
"DE GUICHE (controlling himself, haughtily):\n Do you think I will eat your leavings?",
"CYRANO (saluting him):\n You make progress.",
"DE GUICHE (proudly, with a light touch of accent on the word 'breaking'):\n I will fight without br-r-eaking my fast!",
"FIRST CADET (with wild delight):\n Br-r-r-eaking!",
"He has got the accent!",
"DE GUICHE (laughing):\n I?",
"THE CADET:\n 'Tis a Gascon!",
"(All begin to dance.)",
"CARBON DE CASTEL-JALOUX (who had disappeared behind the rampart, reappearing\non the ridge):\n I have drawn my pikemen up in line.",
"They are a resolute troop.",
"(He points to a row of pikes, the tops of which are seen over the ridge.)",
"DE GUICHE (bowing to Roxane):\n Will you accept my hand, and accompany me while I review them?",
"(She takes it, and they go up toward the rampart.",
"All uncover and follow\nthem.)",
"CHRISTIAN (going to Cyrano, eagerly):\n Tell me quickly!",
"(As Roxane appears on the ridge, the tops of the lances disappear, lowered for\nthe salute, and a shout is raised.",
"She bows.)",
"THE PIKEMEN (outside):\n Vivat!",
"CHRISTIAN:\n What is this secret?",
"CYRANO:\n If Roxane should.",
". .\n\nCHRISTIAN:\n Should?.",
". .\n\nCYRANO:\n Speak of the letters?.",
". .\n\nCHRISTIAN:\n Yes, I know!.",
". .\n\nCYRANO:\n Do not spoil all by seeming surprised.",
". .\n\nCHRISTIAN:\n At what?",
"CYRANO:\n I must explain to you!. .",
".Oh!",
"'tis no great matter--I but thought of it to-\nday on seeing her.",
"You have.",
". .\n\nCHRISTIAN:\n Tell quickly!",
"CYRANO:\n You have. . .written to her oftener than you think.",
". .\n\nCHRISTIAN:\n How so?",
"CYRANO:\n Thus, 'faith!",
"I had taken it in hand to express your flame for you!. .",
".At\ntimes I wrote without saying, 'I am writing!'",
"CHRISTIAN:\n Ah!.",
". .\n\nCYRANO:\n 'Tis simple enough!",
"CHRISTIAN:\n But how did you contrive, since we have been cut off, thus. . .to?.",
". .\n\nCYRANO:\n . . .Oh!",
"before dawn. . .I was able to get through.",
". .\n\nCHRISTIAN (folding his arms):\n That was simple, too?",
"And how oft, pray you, have I written?. .",
".Twice in\nthe week?. .",
".Three times?. .",
".Four?.",
". .\n\nCYRANO:\n More often still.",
"CHRISTIAN:\n What!",
"Every day?",
"CYRANO:\n Yes, every day,--twice.",
"CHRISTIAN (violently):\n And that became so mad a joy for you, that you braved death.",
". .\n\nCYRANO (seeing Roxane returning):\n Hush!",
"Not before her!",
"(He goes hurriedly into his tent.)"
] | [
"A CADET (humming):\n Lo!",
". .\n\nDE GUICHE:\n I have one cannon left, and have had it carried there--\n(he points behind the scenes):\n --in that corner. . .Your men can use it in case of need.",
"DE GUICHE (shrugging his shoulders and pushing him away, then going quickly to\nRoxane):\n Briefly, Madame, what decision do you deign to take?",
"DE GUICHE:\n You must fly!",
"(All begin to dance.)",
"She bows.)",
". .\n\nCHRISTIAN:\n Should?.",
"CYRANO:\n You have. . .written to her oftener than you think.",
". .\n\nCYRANO:\n More often still.",
"CHRISTIAN:\n What!"
] | [
"THE CADET (slightly drunk):\n Nothing!.",
"I had taken it in hand to express your flame for you!. .",
"ANOTHER (with a gracious smile):\n Kind solicitude!",
". .\n\nCHRISTIAN:\n How so?",
". .\n\nCHRISTIAN:\n At what?",
"De Guiche.",
"DE GUICHE (laughing):\n I?",
"CHRISTIAN:\n Ah!.",
"He has got the accent!",
".Twice in\nthe week?. ."
] | [
"DE GUICHE (whose eyes sparkle):\n Victuals!",
"THE THIRD CADET:\n Yes, you'll see them coming from under every coat!",
"DE GUICHE (controlling himself, haughtily):\n Do you think I will eat your leavings?",
"CYRANO (saluting him):\n You make progress.",
"DE GUICHE (proudly, with a light touch of accent on the word 'breaking'):\n I will fight without br-r-eaking my fast!",
"FIRST CADET (with wild delight):\n Br-r-r-eaking!",
"He has got the accent!",
"DE GUICHE (laughing):\n I?",
"THE CADET:\n 'Tis a Gascon!",
"(All begin to dance.)",
"CARBON DE CASTEL-JALOUX (who had disappeared behind the rampart, reappearing\non the ridge):\n I have drawn my pikemen up in line."
] | [
"The same.",
"De Guiche.",
"DE GUICHE:\n It smells good here.",
"A CADET (humming):\n Lo!",
"Lo-lo!",
"DE GUICHE (looking at him):\n What is the matter?--You are very red.",
"THE CADET:\n The matter?--Nothing!--'Tis my blood--boiling at the thought of the coming\nbattle!",
"ANOTHER:\n Poum, poum--poum.",
". .\n\nDE GUICHE (turning round):\n What's that?",
"THE CADET (slightly drunk):\n Nothing!.",
".Three times?. .",
".Four?.",
". .\n\nCYRANO:\n More often still.",
"CHRISTIAN:\n What!",
"Every day?",
"CYRANO:\n Yes, every day,--twice.",
"CHRISTIAN (violently):\n And that became so mad a joy for you, that you braved death.",
". .\n\nCYRANO (seeing Roxane returning):\n Hush!",
"Not before her!",
"(He goes hurriedly into his tent.)"
] | rt, reappearing
on the ridge):
I have drawn my pikemen up in line.
They are a resolute troop.
(He points to a row of pikes, the tops of which are seen over the ridge.)
DE GUICHE (bowing to Roxane):
Will you accept my hand, and accompany me while I review them?
(She takes it, and they go up toward the rampart.
All uncover and follow
them.)
CHRISTIAN (going to Cyrano, eagerly):
Tell me quickly!
(As Roxane appears on the ridge, the tops of the lances disappear, lowered for
the salute, and a shout is raised.
She bows.)
THE PIKEMEN (outside):
Vivat!
CHRISTIAN:
What is this secret?
CYRANO:
If Roxane should.
. .
CHRISTIAN:
Should?.
. .
CYRANO:
Speak of the letters?.
. .
CHRISTIAN:
Yes, I know!.
. .
CYRANO:
Do not spoil all by seeming surprised.
. .
CHRISTIAN:
At what?
CYRANO:
I must explain to you!. .
.Oh!
'tis no great matter--I but thought of it to-
day on seeing her.
You have.
. .
CHRISTIAN:
Tell quickly!
CYRANO:
You have. . .written to her oftener than yo | The same.
De Guiche.
DE GUICHE:
It smells good here.
A CADET (humming):
Lo!
Lo-lo!
DE GUICHE (looking at him):
What is the matter?--You are very red.
THE CADET:
The matter?--Nothing!--'Tis my blood--boiling at the thought of the coming
battle!
ANOTHER:
Poum, poum--poum.
. .
DE GUICHE (turning round):
What's that?
THE CADET (slightly drunk):
Nothing!.
. .'Tis a song!--a little.
. .
DE GUICHE:
You are merry, my friend!
THE CADET:
The approach of danger is intoxicating!
DE GUICH o?.
. .
CYRANO:
. . .Oh!
before dawn. . .I was able to get through.
. .
CHRISTIAN (folding his arms):
That was simple, too?
And how oft, pray you, have I written?. .
.Twice in
the week?. .
.Three times?. .
.Four?.
. .
CYRANO:
More often still.
CHRISTIAN:
What!
Every day?
CYRANO:
Yes, every day,--twice.
CHRISTIAN (violently):
And that became so mad a joy for you, that you braved death.
. .
CYRANO (seeing Roxane returning):
Hush!
Not before her!
(He goes hurriedly into his tent.) | too--mean to remain.
CYRANO:
At last!
This is true valor, Sir!
FIRST CADET:
Then you are Gascon after all, spite of your lace collar?
ROXANE:
What is all this?
DE GUICHE:
I leave no woman in peril.
SECOND CADET (to the first):
Hark you!
Think you not we might give him something to eat?
(All the viands reappear as if by magic.)
DE GUICHE (whose eyes sparkle):
Victuals!
THE THIRD CADET:
Yes, you'll see them coming from under every coat!
DE GUICHE (controlling himself, haughtily):
Do you think I will eat your leavings?
CYRANO (saluting him):
You make progress.
DE GUICHE (proudly, with a light touch of accent on the word 'breaking'):
I will fight without br-r-eaking my fast!
FIRST CADET (with wild delight):
Br-r-r-eaking!
He has got the accent!
DE GUICHE (laughing):
I?
THE CADET:
'Tis a Gascon!
(All begin to dance.)
CARBON DE CASTEL-JALOUX (who had disappeared behind the rampart, reappearing
on the ridge):
I have drawn my pikemen up in line.
They are a resolute |
1,254 | false | pinkmonkey | all_chapterized_books/1254-chapters/42.txt | finished_summaries/pinkmonkey/Cyrano De Bergerac/section_38_part_0.txt | Cyrano De Bergerac.act 4.scene 8 | scene 8 | null | {"name": "Scene 8", "url": "https://web.archive.org/web/20180820053313/http://www.pinkmonkey.com/booknotes/monkeynotes/pmCyrano41.asp", "summary": "Roxane now reveals to Christian that it was his beautifully written letters that made her risk her life and come to the front to see him. She claims that she was so overwhelmed by feelings for him that she had to come. She also asks Christian's forgiveness for at first loving him only for his looks. Because of the letters, her love for him has become spiritual, and she has no further thoughts of his appearance. Christian is upset by this confession, making Roxane think that he cannot comprehend her love. As a result, she assures him that she would love him even if he were ugly, a confession that upsets Christian even more. He reacts by sending her away to cheer up the cadets in their last moments. He rushes away to speak with Cyrano. Christian desolately tells Cyrano that because of the letters Roxane now loves only his soul, which really means that she loves Cyrano. He encourages Cyrano to confess his love to her since she has said she would love Christian even if he were ugly. He further reasons that Roxane must be told the truth about the letters. Then she can decide whom she really loves. Christian next leaves to summon Roxane. Cyrano will be left alone to explain to her what has transpired. When Roxane arrives, she tells Cyrano that Christian seemed to doubt that she would love him even if he were physically ugly. Cyrano is then on the point of making his confession when Le Bret interrupts. He tells them that Christian has been seriously wounded by the first shot fired in the battle. When the dying Christian is carried on stage, Cyrano goes to him and tries to convince him that Roxane truly loves him. When Roxane goes to him, she finds a letter addressed to her in his pocket, the one that Cyrano has written and given to Christian. Roxane carefully reads the letter, which is now covered with blood, as well as with the tears of Cyrano. The death of Christian is a cruel irony for both Roxane and Cyrano. She has lost her new husband without ever being able to consummate the marriage. Cyrano has lost hope of ever being able to win Roxane for himself. He knows that he will now never be able to tell her of his love. She must also always believe that Christian had a fine mind as evidenced by the letters that he wrote to her. While the firing continues outside, Cyrano asks Ragueneau to get the carriage ready to take Roxane away. De Guiche enters battled- strained, and Cyrano hands over the care of Roxane to him since he has proven his valor for her. Cyrano goes out to fight and avenge the death of Christian and the loss of his happiness. Never again will he be able to express his feelings for Roxane, even in disguise.", "analysis": ""} | Roxane, Christian. In the distance cadets coming and going. Carbon and De
Guiche give orders.
ROXANE (running up to Christian):
Ah, Christian, at last!. . .
CHRISTIAN (taking her hands):
Now tell me why--
Why, by these fearful paths so perilous--
Across these ranks of ribald soldiery,
You have come?
ROXANE:
Love, your letters brought me here!
CHRISTIAN:
What say you?
ROXANE:
'Tis your fault if I ran risks!
Your letters turned my head! Ah! all this month,
How many!--and the last one ever bettered
The one that went before!
CHRISTIAN:
What!--for a few
Inconsequent love-letters!
ROXANE:
Hold your peace!
Ah! you cannot conceive it! Ever since
That night, when, in a voice all new to me,
Under my window you revealed your soul--
Ah! ever since I have adored you! Now
Your letters all this whole month long!--meseemed
As if I heard that voice so tender, true,
Sheltering, close! Thy fault, I say! It drew me,
The voice o' th' night! Oh! wise Penelope
Would ne'er have stayed to broider on her hearthstone,
If her Ulysses could have writ such letters!
But would have cast away her silken bobbins,
And fled to join him, mad for love as Helen!
CHRISTIAN:
But. . .
ROXANE:
I read, read again--grew faint for love;
I was thine utterly. Each separate page
Was like a fluttering flower-petal, loosed
From your own soul, and wafted thus to mine.
Imprinted in each burning word was love
Sincere, all-powerful. . .
CHRISTIAN:
A love sincere!
Can that be felt, Roxane!
ROXANE:
Ay, that it can!
CHRISTIAN:
You come. . .?
ROXANE:
O, Christian, my true lord, I come--
(Were I to throw myself, here, at your knees,
You would raise me--but 'tis my soul I lay
At your feet--you can raise it nevermore!)
--I come to crave your pardon. (Ay, 'tis time
To sue for pardon, now that death may come!)
For the insult done to you when, frivolous,
At first I loved you only for your face!
CHRISTIAN (horror-stricken):
Roxane!
ROXANE:
And later, love--less frivolous--
Like a bird that spreads its wings, but can not fly--
Arrested by your beauty, by your soul
Drawn close--I loved for both at once!
CHRISTIAN:
And now?
ROXANE:
Ah! you yourself have triumphed o'er yourself,
And now, I love you only for your soul!
CHRISTIAN (stepping backward):
Roxane!
ROXANE:
Be happy. To be loved for beauty--
A poor disguise that time so soon wears threadbare--
Must be to noble souls--to souls aspiring--
A torture. Your dear thoughts have now effaced
That beauty that so won me at the outset.
Now I see clearer--and I no more see it!
CHRISTIAN:
Oh!. . .
ROXANE:
You are doubtful of such victory?
CHRISTIAN (pained):
Roxane!
ROXANE:
I see you cannot yet believe it.
Such love. . .?
CHRISTIAN:
I do not ask such love as that!
I would be loved more simply; for. . .
ROXANE:
For that
Which they have all in turns loved in thee?--
Shame!
Oh! be loved henceforth in a better way!
CHRISTIAN:
No! the first love was best!
ROXANE:
Ah! how you err!
'Tis now that I love best--love well! 'Tis that
Which is thy true self, see!--that I adore!
Were your brilliance dimmed. . .
CHRISTIAN:
Hush!
ROXANE:
I should love still!
Ay, if your beauty should to-day depart. . .
CHRISTIAN:
Say not so!
ROXANE:
Ay, I say it!
CHRISTIAN:
Ugly? How?
ROXANE:
Ugly! I swear I'd love you still!
CHRISTIAN:
My God!
ROXANE:
Are you content at last?
CHRISTIAN (in a choked voice):
Ay!. . .
ROXANE:
What is wrong?
CHRISTIAN (gently pushing her away):
Nothing. . .I have two words to say:--one second. . .
ROXANE:
But?. . .
CHRISTIAN (pointing to the cadets):
Those poor fellows, shortly doomed to death,--
My love deprives them of the sight of you:
Go,--speak to them--smile on them ere they die!
ROXANE (deeply affected):
Dear Christian!. . .
(She goes up to the cadets, who respectfully crowd round her.)
| 728 | Scene 8 | https://web.archive.org/web/20180820053313/http://www.pinkmonkey.com/booknotes/monkeynotes/pmCyrano41.asp | Roxane now reveals to Christian that it was his beautifully written letters that made her risk her life and come to the front to see him. She claims that she was so overwhelmed by feelings for him that she had to come. She also asks Christian's forgiveness for at first loving him only for his looks. Because of the letters, her love for him has become spiritual, and she has no further thoughts of his appearance. Christian is upset by this confession, making Roxane think that he cannot comprehend her love. As a result, she assures him that she would love him even if he were ugly, a confession that upsets Christian even more. He reacts by sending her away to cheer up the cadets in their last moments. He rushes away to speak with Cyrano. Christian desolately tells Cyrano that because of the letters Roxane now loves only his soul, which really means that she loves Cyrano. He encourages Cyrano to confess his love to her since she has said she would love Christian even if he were ugly. He further reasons that Roxane must be told the truth about the letters. Then she can decide whom she really loves. Christian next leaves to summon Roxane. Cyrano will be left alone to explain to her what has transpired. When Roxane arrives, she tells Cyrano that Christian seemed to doubt that she would love him even if he were physically ugly. Cyrano is then on the point of making his confession when Le Bret interrupts. He tells them that Christian has been seriously wounded by the first shot fired in the battle. When the dying Christian is carried on stage, Cyrano goes to him and tries to convince him that Roxane truly loves him. When Roxane goes to him, she finds a letter addressed to her in his pocket, the one that Cyrano has written and given to Christian. Roxane carefully reads the letter, which is now covered with blood, as well as with the tears of Cyrano. The death of Christian is a cruel irony for both Roxane and Cyrano. She has lost her new husband without ever being able to consummate the marriage. Cyrano has lost hope of ever being able to win Roxane for himself. He knows that he will now never be able to tell her of his love. She must also always believe that Christian had a fine mind as evidenced by the letters that he wrote to her. While the firing continues outside, Cyrano asks Ragueneau to get the carriage ready to take Roxane away. De Guiche enters battled- strained, and Cyrano hands over the care of Roxane to him since he has proven his valor for her. Cyrano goes out to fight and avenge the death of Christian and the loss of his happiness. Never again will he be able to express his feelings for Roxane, even in disguise. | null | 486 | 1 | [
"Roxane, Christian.",
"In the distance cadets coming and going.",
"Carbon and De\nGuiche give orders.",
"ROXANE (running up to Christian):\n Ah, Christian, at last!.",
". .\n\nCHRISTIAN (taking her hands):\n Now tell me why--\n Why, by these fearful paths so perilous--\n Across these ranks of ribald soldiery,\n You have come?",
"ROXANE:\n Love, your letters brought me here!",
"CHRISTIAN:\n What say you?",
"ROXANE:\n 'Tis your fault if I ran risks!",
"Your letters turned my head!",
"Ah!",
"all this month,\n How many!--and the last one ever bettered\n The one that went before!",
"CHRISTIAN:\n What!--for a few\n Inconsequent love-letters!",
"ROXANE:\n Hold your peace!",
"Ah!",
"you cannot conceive it!",
"Ever since\n That night, when, in a voice all new to me,\n Under my window you revealed your soul--\n Ah!",
"ever since I have adored you!",
"Now\n Your letters all this whole month long!--meseemed\n As if I heard that voice so tender, true,\n Sheltering, close!",
"Thy fault, I say!",
"It drew me,\n The voice o' th' night!",
"Oh!",
"wise Penelope\n Would ne'er have stayed to broider on her hearthstone,\n If her Ulysses could have writ such letters!",
"But would have cast away her silken bobbins,\n And fled to join him, mad for love as Helen!",
"CHRISTIAN:\n But.",
". .\n\nROXANE:\n I read, read again--grew faint for love;\n I was thine utterly.",
"Each separate page\n Was like a fluttering flower-petal, loosed\n From your own soul, and wafted thus to mine.",
"Imprinted in each burning word was love\n Sincere, all-powerful.",
". .\n\nCHRISTIAN:\n A love sincere!",
"Can that be felt, Roxane!",
"ROXANE:\n Ay, that it can!",
"CHRISTIAN:\n You come. .",
".?",
"ROXANE:\n O, Christian, my true lord, I come--\n (Were I to throw myself, here, at your knees,\n You would raise me--but 'tis my soul I lay\n At your feet--you can raise it nevermore!)",
"--I come to crave your pardon.",
"(Ay, 'tis time\n To sue for pardon, now that death may come!)",
"For the insult done to you when, frivolous,\n At first I loved you only for your face!",
"CHRISTIAN (horror-stricken):\n Roxane!",
"ROXANE:\n And later, love--less frivolous--\n Like a bird that spreads its wings, but can not fly--\n Arrested by your beauty, by your soul\n Drawn close--I loved for both at once!",
"CHRISTIAN:\n And now?",
"ROXANE:\n Ah!",
"you yourself have triumphed o'er yourself,\n And now, I love you only for your soul!",
"CHRISTIAN (stepping backward):\n Roxane!",
"ROXANE:\n Be happy.",
"To be loved for beauty--\n A poor disguise that time so soon wears threadbare--\n Must be to noble souls--to souls aspiring--\n A torture.",
"Your dear thoughts have now effaced\n That beauty that so won me at the outset.",
"Now I see clearer--and I no more see it!",
"CHRISTIAN:\n Oh!.",
". .\n\nROXANE:\n You are doubtful of such victory?",
"CHRISTIAN (pained):\n Roxane!",
"ROXANE:\n I see you cannot yet believe it.",
"Such love. .",
".?",
"CHRISTIAN:\n I do not ask such love as that!",
"I would be loved more simply; for.",
". .\n\nROXANE:\n For that\n Which they have all in turns loved in thee?--\n Shame!",
"Oh!",
"be loved henceforth in a better way!",
"CHRISTIAN:\n No!",
"the first love was best!",
"ROXANE:\n Ah!",
"how you err!",
"'Tis now that I love best--love well!",
"'Tis that\n Which is thy true self, see!--that I adore!",
"Were your brilliance dimmed.",
". .\n\nCHRISTIAN:\n Hush!",
"ROXANE:\n I should love still!",
"Ay, if your beauty should to-day depart.",
". .\n\nCHRISTIAN:\n Say not so!",
"ROXANE:\n Ay, I say it!",
"CHRISTIAN:\n Ugly?",
"How?",
"ROXANE:\n Ugly!",
"I swear I'd love you still!",
"CHRISTIAN:\n My God!",
"ROXANE:\n Are you content at last?",
"CHRISTIAN (in a choked voice):\n Ay!.",
". .\n\nROXANE:\n What is wrong?",
"CHRISTIAN (gently pushing her away):\n Nothing. . .I have two words to say:--one second.",
". .\n\nROXANE:\n But?.",
". .\n\nCHRISTIAN (pointing to the cadets):\n Those poor fellows, shortly doomed to death,--\n My love deprives them of the sight of you:\n Go,--speak to them--smile on them ere they die!",
"ROXANE (deeply affected):\n Dear Christian!.",
". .\n\n(She goes up to the cadets, who respectfully crowd round her.)"
] | [
"In the distance cadets coming and going.",
"Your letters turned my head!",
"you cannot conceive it!",
"wise Penelope\n Would ne'er have stayed to broider on her hearthstone,\n If her Ulysses could have writ such letters!",
".?",
". .\n\nROXANE:\n For that\n Which they have all in turns loved in thee?--\n Shame!",
"CHRISTIAN:\n No!",
"Were your brilliance dimmed.",
". .\n\nCHRISTIAN:\n Say not so!",
"ROXANE:\n Are you content at last?"
] | [
"ROXANE:\n Ah!",
"CHRISTIAN:\n You come. .",
"--I come to crave your pardon.",
".?",
"CHRISTIAN (gently pushing her away):\n Nothing. . .I have two words to say:--one second.",
"Carbon and De\nGuiche give orders.",
". .\n\nROXANE:\n For that\n Which they have all in turns loved in thee?--\n Shame!",
"Now\n Your letters all this whole month long!--meseemed\n As if I heard that voice so tender, true,\n Sheltering, close!",
"ROXANE:\n Ay, I say it!",
"how you err!"
] | [
"CHRISTIAN (horror-stricken):\n Roxane!",
"ROXANE:\n And later, love--less frivolous--\n Like a bird that spreads its wings, but can not fly--\n Arrested by your beauty, by your soul\n Drawn close--I loved for both at once!",
"CHRISTIAN:\n And now?",
"ROXANE:\n Ah!",
"you yourself have triumphed o'er yourself,\n And now, I love you only for your soul!",
"CHRISTIAN (stepping backward):\n Roxane!",
"ROXANE:\n Be happy.",
"To be loved for beauty--\n A poor disguise that time so soon wears threadbare--\n Must be to noble souls--to souls aspiring--\n A torture.",
"Your dear thoughts have now effaced\n That beauty that so won me at the outset.",
"Now I see clearer--and I no more see it!",
"CHRISTIAN:\n Oh!."
] | [
"Roxane, Christian.",
"In the distance cadets coming and going.",
"Carbon and De\nGuiche give orders.",
"ROXANE (running up to Christian):\n Ah, Christian, at last!.",
". .\n\nCHRISTIAN (taking her hands):\n Now tell me why--\n Why, by these fearful paths so perilous--\n Across these ranks of ribald soldiery,\n You have come?",
"ROXANE:\n Love, your letters brought me here!",
"CHRISTIAN:\n What say you?",
"ROXANE:\n 'Tis your fault if I ran risks!",
"Your letters turned my head!",
"Ah!",
"I swear I'd love you still!",
"CHRISTIAN:\n My God!",
"ROXANE:\n Are you content at last?",
"CHRISTIAN (in a choked voice):\n Ay!.",
". .\n\nROXANE:\n What is wrong?",
"CHRISTIAN (gently pushing her away):\n Nothing. . .I have two words to say:--one second.",
". .\n\nROXANE:\n But?.",
". .\n\nCHRISTIAN (pointing to the cadets):\n Those poor fellows, shortly doomed to death,--\n My love deprives them of the sight of you:\n Go,--speak to them--smile on them ere they die!",
"ROXANE (deeply affected):\n Dear Christian!.",
". .\n\n(She goes up to the cadets, who respectfully crowd round her.)"
] | !.
. .
ROXANE:
You are doubtful of such victory?
CHRISTIAN (pained):
Roxane!
ROXANE:
I see you cannot yet believe it.
Such love. .
.?
CHRISTIAN:
I do not ask such love as that!
I would be loved more simply; for.
. .
ROXANE:
For that
Which they have all in turns loved in thee?--
Shame!
Oh!
be loved henceforth in a better way!
CHRISTIAN:
No!
the first love was best!
ROXANE:
Ah!
how you err!
'Tis now that I love best--love well!
'Tis that
Which is thy true self, see!--that I adore!
Were your brilliance dimmed.
. .
CHRISTIAN:
Hush!
ROXANE:
I should love still!
Ay, if your beauty should to-day depart.
. .
CHRISTIAN:
Say not so!
ROXANE:
Ay, I say it!
CHRISTIAN:
Ugly?
How?
ROXANE:
Ugly!
I swear I'd love you still!
CHRISTIAN:
My God!
ROXANE:
Are you content at last?
CHRISTIAN (in a choked voice):
Ay!.
. .
ROXANE:
What is wrong?
CHRISTIAN (gently pushing her away):
Nothing. . .I have two words to say:--one second.
. .
ROXANE:
But?.
. .
CHRISTIA | Roxane, Christian.
In the distance cadets coming and going.
Carbon and De
Guiche give orders.
ROXANE (running up to Christian):
Ah, Christian, at last!.
. .
CHRISTIAN (taking her hands):
Now tell me why--
Why, by these fearful paths so perilous--
Across these ranks of ribald soldiery,
You have come?
ROXANE:
Love, your letters brought me here!
CHRISTIAN:
What say you?
ROXANE:
'Tis your fault if I ran risks!
Your letters turned my head!
Ah!
all this month,
How many!--and the las Are you content at last?
CHRISTIAN (in a choked voice):
Ay!.
. .
ROXANE:
What is wrong?
CHRISTIAN (gently pushing her away):
Nothing. . .I have two words to say:--one second.
. .
ROXANE:
But?.
. .
CHRISTIAN (pointing to the cadets):
Those poor fellows, shortly doomed to death,--
My love deprives them of the sight of you:
Go,--speak to them--smile on them ere they die!
ROXANE (deeply affected):
Dear Christian!.
. .
(She goes up to the cadets, who respectfully crowd round her.) | -powerful.
. .
CHRISTIAN:
A love sincere!
Can that be felt, Roxane!
ROXANE:
Ay, that it can!
CHRISTIAN:
You come. .
.?
ROXANE:
O, Christian, my true lord, I come--
(Were I to throw myself, here, at your knees,
You would raise me--but 'tis my soul I lay
At your feet--you can raise it nevermore!)
--I come to crave your pardon.
(Ay, 'tis time
To sue for pardon, now that death may come!)
For the insult done to you when, frivolous,
At first I loved you only for your face!
CHRISTIAN (horror-stricken):
Roxane!
ROXANE:
And later, love--less frivolous--
Like a bird that spreads its wings, but can not fly--
Arrested by your beauty, by your soul
Drawn close--I loved for both at once!
CHRISTIAN:
And now?
ROXANE:
Ah!
you yourself have triumphed o'er yourself,
And now, I love you only for your soul!
CHRISTIAN (stepping backward):
Roxane!
ROXANE:
Be happy.
To be loved for beauty--
A poor disguise that time so soon wears threadbare--
Must be to noble souls--to |
1,254 | false | pinkmonkey | all_chapterized_books/1254-chapters/43.txt | finished_summaries/pinkmonkey/Cyrano De Bergerac/section_39_part_0.txt | Cyrano De Bergerac.act 4.scene 9 | scene 9 | null | {"name": "Scene 9", "url": "https://web.archive.org/web/20180820053313/http://www.pinkmonkey.com/booknotes/monkeynotes/pmCyrano41.asp", "summary": "Roxane now reveals to Christian that it was his beautifully written letters that made her risk her life and come to the front to see him. She claims that she was so overwhelmed by feelings for him that she had to come. She also asks Christian's forgiveness for at first loving him only for his looks. Because of the letters, her love for him has become spiritual, and she has no further thoughts of his appearance. Christian is upset by this confession, making Roxane think that he cannot comprehend her love. As a result, she assures him that she would love him even if he were ugly, a confession that upsets Christian even more. He reacts by sending her away to cheer up the cadets in their last moments. He rushes away to speak with Cyrano. Christian desolately tells Cyrano that because of the letters Roxane now loves only his soul, which really means that she loves Cyrano. He encourages Cyrano to confess his love to her since she has said she would love Christian even if he were ugly. He further reasons that Roxane must be told the truth about the letters. Then she can decide whom she really loves. Christian next leaves to summon Roxane. Cyrano will be left alone to explain to her what has transpired. When Roxane arrives, she tells Cyrano that Christian seemed to doubt that she would love him even if he were physically ugly. Cyrano is then on the point of making his confession when Le Bret interrupts. He tells them that Christian has been seriously wounded by the first shot fired in the battle. When the dying Christian is carried on stage, Cyrano goes to him and tries to convince him that Roxane truly loves him. When Roxane goes to him, she finds a letter addressed to her in his pocket, the one that Cyrano has written and given to Christian. Roxane carefully reads the letter, which is now covered with blood, as well as with the tears of Cyrano. The death of Christian is a cruel irony for both Roxane and Cyrano. She has lost her new husband without ever being able to consummate the marriage. Cyrano has lost hope of ever being able to win Roxane for himself. He knows that he will now never be able to tell her of his love. She must also always believe that Christian had a fine mind as evidenced by the letters that he wrote to her. While the firing continues outside, Cyrano asks Ragueneau to get the carriage ready to take Roxane away. De Guiche enters battled- strained, and Cyrano hands over the care of Roxane to him since he has proven his valor for her. Cyrano goes out to fight and avenge the death of Christian and the loss of his happiness. Never again will he be able to express his feelings for Roxane, even in disguise.", "analysis": ""} | Christian, Cyrano. At back Roxane talking to Carbon and some cadets.
CHRISTIAN (calling toward Cyrano's tent):
Cyrano!
CYRANO (reappearing, fully armed):
What? Why so pale?
CHRISTIAN:
She does not love me!
CYRANO:
What?
CHRISTIAN:
'Tis you she loves!
CYRANO:
No!
CHRISTIAN:
--For she loves me only for my soul!
CYRANO:
Truly?
CHRISTIAN:
Yes! Thus--you see, that soul is you,. . .
Therefore, 'tis you she loves!--And you--love her!
CYRANO:
I?
CHRISTIAN:
Oh, I know it!
CYRANO:
Ay, 'tis true!
CHRISTIAN:
You love
To madness!
CYRANO:
Ay! and worse!
CHRISTIAN:
Then tell her so!
CYRANO:
No!
CHRISTIAN:
And why not?
CYRANO:
Look at my face!--be answered!
CHRISTIAN:
She'd love me--were I ugly.
CYRANO:
Said she so?
CHRISTIAN:
Ay! in those words!
CYRANO:
I'm glad she told you that!
But pooh!--believe it not! I am well pleased
She thought to tell you. Take it not for truth.
Never grow ugly:--she'd reproach me then!
CHRISTIAN:
That I intend discovering!
CYRANO:
No! I beg!
CHRISTIAN:
Ay! she shall choose between us!--Tell her all!
CYRANO:
No! no! I will not have it! Spare me this!
CHRISTIAN:
Because my face is haply fair, shall I
Destroy your happiness? 'Twere too unjust!
CYRANO:
And I,--because by Nature's freak I have
The gift to say--all that perchance you feel.
Shall I be fatal to your happiness?
CHRISTIAN:
Tell all!
CYRANO:
It is ill done to tempt me thus!
CHRISTIAN:
Too long I've borne about within myself
A rival to myself--I'll make an end!
CYRANO:
Christian!
CHRISTIAN:
Our union, without witness--secret--
Clandestine--can be easily dissolved
If we survive.
CYRANO:
My God!--he still persists!
CHRISTIAN:
I will be loved myself--or not at all!
--I'll go see what they do--there, at the end
Of the post: speak to her, and then let her choose
One of us two!
CYRANO:
It will be you.
CHRISTIAN:
Pray God!
(He calls):
Roxane!
CYRANO:
No! no!
ROXANE (coming up quickly):
What?
CHRISTIAN:
Cyrano has things
Important for your ear. . .
(She hastens to Cyrano. Christian goes out.)
| 357 | Scene 9 | https://web.archive.org/web/20180820053313/http://www.pinkmonkey.com/booknotes/monkeynotes/pmCyrano41.asp | Roxane now reveals to Christian that it was his beautifully written letters that made her risk her life and come to the front to see him. She claims that she was so overwhelmed by feelings for him that she had to come. She also asks Christian's forgiveness for at first loving him only for his looks. Because of the letters, her love for him has become spiritual, and she has no further thoughts of his appearance. Christian is upset by this confession, making Roxane think that he cannot comprehend her love. As a result, she assures him that she would love him even if he were ugly, a confession that upsets Christian even more. He reacts by sending her away to cheer up the cadets in their last moments. He rushes away to speak with Cyrano. Christian desolately tells Cyrano that because of the letters Roxane now loves only his soul, which really means that she loves Cyrano. He encourages Cyrano to confess his love to her since she has said she would love Christian even if he were ugly. He further reasons that Roxane must be told the truth about the letters. Then she can decide whom she really loves. Christian next leaves to summon Roxane. Cyrano will be left alone to explain to her what has transpired. When Roxane arrives, she tells Cyrano that Christian seemed to doubt that she would love him even if he were physically ugly. Cyrano is then on the point of making his confession when Le Bret interrupts. He tells them that Christian has been seriously wounded by the first shot fired in the battle. When the dying Christian is carried on stage, Cyrano goes to him and tries to convince him that Roxane truly loves him. When Roxane goes to him, she finds a letter addressed to her in his pocket, the one that Cyrano has written and given to Christian. Roxane carefully reads the letter, which is now covered with blood, as well as with the tears of Cyrano. The death of Christian is a cruel irony for both Roxane and Cyrano. She has lost her new husband without ever being able to consummate the marriage. Cyrano has lost hope of ever being able to win Roxane for himself. He knows that he will now never be able to tell her of his love. She must also always believe that Christian had a fine mind as evidenced by the letters that he wrote to her. While the firing continues outside, Cyrano asks Ragueneau to get the carriage ready to take Roxane away. De Guiche enters battled- strained, and Cyrano hands over the care of Roxane to him since he has proven his valor for her. Cyrano goes out to fight and avenge the death of Christian and the loss of his happiness. Never again will he be able to express his feelings for Roxane, even in disguise. | null | 486 | 1 | [
"Christian, Cyrano.",
"At back Roxane talking to Carbon and some cadets.",
"CHRISTIAN (calling toward Cyrano's tent):\n Cyrano!",
"CYRANO (reappearing, fully armed):\n What?",
"Why so pale?",
"CHRISTIAN:\n She does not love me!",
"CYRANO:\n What?",
"CHRISTIAN:\n 'Tis you she loves!",
"CYRANO:\n No!",
"CHRISTIAN:\n --For she loves me only for my soul!",
"CYRANO:\n Truly?",
"CHRISTIAN:\n Yes!",
"Thus--you see, that soul is you,.",
". .",
"Therefore, 'tis you she loves!--And you--love her!",
"CYRANO:\n I?",
"CHRISTIAN:\n Oh, I know it!",
"CYRANO:\n Ay, 'tis true!",
"CHRISTIAN:\n You love\n To madness!",
"CYRANO:\n Ay!",
"and worse!",
"CHRISTIAN:\n Then tell her so!",
"CYRANO:\n No!",
"CHRISTIAN:\n And why not?",
"CYRANO:\n Look at my face!--be answered!",
"CHRISTIAN:\n She'd love me--were I ugly.",
"CYRANO:\n Said she so?",
"CHRISTIAN:\n Ay!",
"in those words!",
"CYRANO:\n I'm glad she told you that!",
"But pooh!--believe it not!",
"I am well pleased\n She thought to tell you.",
"Take it not for truth.",
"Never grow ugly:--she'd reproach me then!",
"CHRISTIAN:\n That I intend discovering!",
"CYRANO:\n No!",
"I beg!",
"CHRISTIAN:\n Ay!",
"she shall choose between us!--Tell her all!",
"CYRANO:\n No!",
"no!",
"I will not have it!",
"Spare me this!",
"CHRISTIAN:\n Because my face is haply fair, shall I\n Destroy your happiness?",
"'Twere too unjust!",
"CYRANO:\n And I,--because by Nature's freak I have\n The gift to say--all that perchance you feel.",
"Shall I be fatal to your happiness?",
"CHRISTIAN:\n Tell all!",
"CYRANO:\n It is ill done to tempt me thus!",
"CHRISTIAN:\n Too long I've borne about within myself\n A rival to myself--I'll make an end!",
"CYRANO:\n Christian!",
"CHRISTIAN:\n Our union, without witness--secret--\n Clandestine--can be easily dissolved\n If we survive.",
"CYRANO:\n My God!--he still persists!",
"CHRISTIAN:\n I will be loved myself--or not at all!",
"--I'll go see what they do--there, at the end\n Of the post: speak to her, and then let her choose\n One of us two!",
"CYRANO:\n It will be you.",
"CHRISTIAN:\n Pray God!",
"(He calls):\n Roxane!",
"CYRANO:\n No!",
"no!",
"ROXANE (coming up quickly):\n What?",
"CHRISTIAN:\n Cyrano has things\n Important for your ear.",
". .\n\n(She hastens to Cyrano.",
"Christian goes out.)"
] | [
"Christian, Cyrano.",
"Thus--you see, that soul is you,.",
"CYRANO:\n Look at my face!--be answered!",
"CYRANO:\n No!",
"Spare me this!",
"'Twere too unjust!",
"CYRANO:\n It is ill done to tempt me thus!",
"CHRISTIAN:\n Our union, without witness--secret--\n Clandestine--can be easily dissolved\n If we survive.",
"no!",
"Christian goes out.)"
] | [
"Spare me this!",
"CYRANO:\n No!",
"CHRISTIAN:\n --For she loves me only for my soul!",
"CYRANO:\n Said she so?",
"CHRISTIAN:\n Oh, I know it!",
"I am well pleased\n She thought to tell you.",
"CYRANO:\n No!",
"CHRISTIAN:\n Then tell her so!",
"CHRISTIAN:\n Pray God!",
"At back Roxane talking to Carbon and some cadets."
] | [
"CHRISTIAN:\n Ay!",
"in those words!",
"CYRANO:\n I'm glad she told you that!",
"But pooh!--believe it not!",
"I am well pleased\n She thought to tell you.",
"Take it not for truth.",
"Never grow ugly:--she'd reproach me then!",
"CHRISTIAN:\n That I intend discovering!",
"CYRANO:\n No!",
"I beg!",
"CHRISTIAN:\n Ay!"
] | [
"Christian, Cyrano.",
"At back Roxane talking to Carbon and some cadets.",
"CHRISTIAN (calling toward Cyrano's tent):\n Cyrano!",
"CYRANO (reappearing, fully armed):\n What?",
"Why so pale?",
"CHRISTIAN:\n She does not love me!",
"CYRANO:\n What?",
"CHRISTIAN:\n 'Tis you she loves!",
"CYRANO:\n No!",
"CHRISTIAN:\n --For she loves me only for my soul!",
"--I'll go see what they do--there, at the end\n Of the post: speak to her, and then let her choose\n One of us two!",
"CYRANO:\n It will be you.",
"CHRISTIAN:\n Pray God!",
"(He calls):\n Roxane!",
"CYRANO:\n No!",
"no!",
"ROXANE (coming up quickly):\n What?",
"CHRISTIAN:\n Cyrano has things\n Important for your ear.",
". .\n\n(She hastens to Cyrano.",
"Christian goes out.)"
] | CHRISTIAN:
'Tis you she loves!
CYRANO:
No!
CHRISTIAN:
--For she loves me only for my soul!
CYRANO:
Truly?
CHRISTIAN:
Yes!
Thus--you see, that soul is you,.
. .
Therefore, 'tis you she loves!--And you--love her!
CYRANO:
I?
CHRISTIAN:
Oh, I know it!
CYRANO:
Ay, 'tis true!
CHRISTIAN:
You love
To madness!
CYRANO:
Ay!
and worse!
CHRISTIAN:
Then tell her so!
CYRANO:
No!
CHRISTIAN:
And why not?
CYRANO:
Look at my face!--be answered!
CHRISTIAN:
She'd love me--were I ugly.
CYRANO:
Said she so?
CHRISTIAN:
Ay!
in those words!
CYRANO:
I'm glad she told you that!
But pooh!--believe it not!
I am well pleased
She thought to tell you.
Take it not for truth.
Never grow ugly:--she'd reproach me then!
CHRISTIAN:
That I intend discovering!
CYRANO:
No!
I beg!
CHRISTIAN:
Ay!
she shall choose between us!--Tell her all!
CYRANO:
No!
no!
I will not have it!
Spare me this!
CHRISTIAN:
Because my face is haply fair, shall I
Destroy your happiness?
'Twere too unju | Christian, Cyrano.
At back Roxane talking to Carbon and some cadets.
CHRISTIAN (calling toward Cyrano's tent):
Cyrano!
CYRANO (reappearing, fully armed):
What?
Why so pale?
CHRISTIAN:
She does not love me!
CYRANO:
What?
CHRISTIAN:
'Tis you she loves!
CYRANO:
No!
CHRISTIAN:
--For she loves me only for my soul!
CYRANO:
Truly?
CHRISTIAN:
Yes!
Thus--you see, that soul is you,.
. .
Therefore, 'tis you she loves!--And you--love her!
CYRANO:
I?
CHRISTIAN:
Oh, I know it!
CYRANO:
ret--
Clandestine--can be easily dissolved
If we survive.
CYRANO:
My God!--he still persists!
CHRISTIAN:
I will be loved myself--or not at all!
--I'll go see what they do--there, at the end
Of the post: speak to her, and then let her choose
One of us two!
CYRANO:
It will be you.
CHRISTIAN:
Pray God!
(He calls):
Roxane!
CYRANO:
No!
no!
ROXANE (coming up quickly):
What?
CHRISTIAN:
Cyrano has things
Important for your ear.
. .
(She hastens to Cyrano.
Christian goes out.) | ness!
CYRANO:
Ay!
and worse!
CHRISTIAN:
Then tell her so!
CYRANO:
No!
CHRISTIAN:
And why not?
CYRANO:
Look at my face!--be answered!
CHRISTIAN:
She'd love me--were I ugly.
CYRANO:
Said she so?
CHRISTIAN:
Ay!
in those words!
CYRANO:
I'm glad she told you that!
But pooh!--believe it not!
I am well pleased
She thought to tell you.
Take it not for truth.
Never grow ugly:--she'd reproach me then!
CHRISTIAN:
That I intend discovering!
CYRANO:
No!
I beg!
CHRISTIAN:
Ay!
she shall choose between us!--Tell her all!
CYRANO:
No!
no!
I will not have it!
Spare me this!
CHRISTIAN:
Because my face is haply fair, shall I
Destroy your happiness?
'Twere too unjust!
CYRANO:
And I,--because by Nature's freak I have
The gift to say--all that perchance you feel.
Shall I be fatal to your happiness?
CHRISTIAN:
Tell all!
CYRANO:
It is ill done to tempt me thus!
CHRISTIAN:
Too long I've borne about within myself
A rival to myself--I'll make an end!
CYRANO:
Christian!
|
1,254 | false | pinkmonkey | all_chapterized_books/1254-chapters/44.txt | finished_summaries/pinkmonkey/Cyrano De Bergerac/section_40_part_0.txt | Cyrano De Bergerac.act 4.scene 10 | scene 10 | null | {"name": "Scene 10", "url": "https://web.archive.org/web/20180820053313/http://www.pinkmonkey.com/booknotes/monkeynotes/pmCyrano41.asp", "summary": "Roxane now reveals to Christian that it was his beautifully written letters that made her risk her life and come to the front to see him. She claims that she was so overwhelmed by feelings for him that she had to come. She also asks Christian's forgiveness for at first loving him only for his looks. Because of the letters, her love for him has become spiritual, and she has no further thoughts of his appearance. Christian is upset by this confession, making Roxane think that he cannot comprehend her love. As a result, she assures him that she would love him even if he were ugly, a confession that upsets Christian even more. He reacts by sending her away to cheer up the cadets in their last moments. He rushes away to speak with Cyrano. Christian desolately tells Cyrano that because of the letters Roxane now loves only his soul, which really means that she loves Cyrano. He encourages Cyrano to confess his love to her since she has said she would love Christian even if he were ugly. He further reasons that Roxane must be told the truth about the letters. Then she can decide whom she really loves. Christian next leaves to summon Roxane. Cyrano will be left alone to explain to her what has transpired. When Roxane arrives, she tells Cyrano that Christian seemed to doubt that she would love him even if he were physically ugly. Cyrano is then on the point of making his confession when Le Bret interrupts. He tells them that Christian has been seriously wounded by the first shot fired in the battle. When the dying Christian is carried on stage, Cyrano goes to him and tries to convince him that Roxane truly loves him. When Roxane goes to him, she finds a letter addressed to her in his pocket, the one that Cyrano has written and given to Christian. Roxane carefully reads the letter, which is now covered with blood, as well as with the tears of Cyrano. The death of Christian is a cruel irony for both Roxane and Cyrano. She has lost her new husband without ever being able to consummate the marriage. Cyrano has lost hope of ever being able to win Roxane for himself. He knows that he will now never be able to tell her of his love. She must also always believe that Christian had a fine mind as evidenced by the letters that he wrote to her. While the firing continues outside, Cyrano asks Ragueneau to get the carriage ready to take Roxane away. De Guiche enters battled- strained, and Cyrano hands over the care of Roxane to him since he has proven his valor for her. Cyrano goes out to fight and avenge the death of Christian and the loss of his happiness. Never again will he be able to express his feelings for Roxane, even in disguise.", "analysis": ""} | Roxane, Cyrano. Then Le Bret, Carbon de Castel-Jaloux, the cadets, Ragueneau,
De Guiche, etc.
ROXANE:
Important, how?
CYRANO (in despair. to Roxane):
He's gone! 'Tis naught!--Oh, you know how he sees
Importance in a trifle!
ROXANE (warmly):
Did he doubt
Of what I said?--Ah, yes, I saw he doubted!
CYRANO (taking her hand):
But are you sure you told him all the truth?
ROXANE:
Yes, I would love him were he. . .
(She hesitates.)
CYRANO:
Does that word
Embarrass you before my face, Roxane?
ROXANE:
I. . .
CYRANO (smiling sadly):
'Twill not hurt me! Say it! If he were
Ugly!. . .
ROXANE:
Yes, ugly!
(Musket report outside):
Hark! I hear a shot!
CYRANO (ardently):
Hideous!
ROXANE:
Hideous! yes!
CYRANO:
Disfigured.
ROXANE:
Ay!
CYRANO:
Grotesque?
ROXANE:
He could not be grotesque to me!
CYRANO:
You'd love the same?. . .
ROXANE:
The same--nay, even more!
CYRANO (losing command over himself--aside):
My God! it's true, perchance, love waits me there!
(To Roxane):
I. . .Roxane. . .listen. . .
LE BRET (entering hurriedly--to Cyrano):
Cyrano!
CYRANO (turning round):
What?
LE BRET:
Hush!
(He whispers something to him.)
CYRANO (letting go Roxane's hand and exclaiming):
Ah, God!
ROXANE:
What is it?
CYRANO (to himself--stunned):
All is over now.
(Renewed reports.)
ROXANE:
What is the matter? Hark! another shot!
(She goes up to look outside.)
CYRANO:
It is too late, now I can never tell!
ROXANE (trying to rush out):
What has chanced?
CYRANO (rushing to stop her):
Nothing!
(Some cadets enter, trying to hide something they are carrying, and close
round it to prevent Roxane approaching.)
ROXANE:
And those men?
(Cyrano draws her away):
What were you just about to say before. . .?
CYRANO:
What was I saying? Nothing now, I swear!
(Solemnly):
I swear that Christian's soul, his nature, were. . .
(Hastily correcting himself):
Nay, that they are, the noblest, greatest. . .
ROXANE:
Were?
(With a loud scream):
Oh!
(She rushes up, pushing every one aside.)
CYRANO:
All is over now!
ROXANE (seeing Christian lying on the ground, wrapped in his cloak):
O Christian!
LE BRET (to Cyrano):
Struck by first shot of the enemy!
(Roxane flings herself down by Christian. Fresh reports of cannon--clash of
arms--clamor--beating of drums.)
CARBON (with sword in the air):
O come! Your muskets.
(Followed by the cadets, he passes to the other side of the ramparts.)
ROXANE:
Christian!
THE VOICE OF CARBON (from the other side):
Ho! make haste!
ROXANE:
Christian!
CARBON:
FORM LINE!
ROXANE:
Christian!
CARBON:
HANDLE YOUR MATCH!
(Ragueneau rushes up, bringing water in a helmet.)
CHRISTIAN (in a dying voice):
Roxane!
CYRANO (quickly, whispering into Christian's ear, while Roxane distractedly
tears a piece of linen from his breast, which she dips into the water, trying
to stanch the bleeding):
I told her all. She loves you still.
(Christian closes his eyes.)
ROXANE:
How, my sweet love?
CARBON:
DRAW RAMRODS!
ROXANE (to Cyrano):
He is not dead?
CARBON:
OPEN YOUR CHARGES WITH YOUR TEETH!
ROXANE:
His cheek
Grows cold against my own!
CARBON:
READY! PRESENT!
ROXANE (seeing a letter in Christian's doublet):
A letter!. . .
'Tis for me!
(She opens it.)
CYRANO (aside):
My letter!
CARBON:
FIRE!
(Musket reports--shouts--noise of battle.)
CYRANO (trying to disengage his hand, which Roxane on her knees is holding):
But, Roxane, hark, they fight!
ROXANE (detaining him):
Stay yet awhile.
For he is dead. You knew him, you alone.
(Weeping quietly):
Ah, was not his a beauteous soul, a soul
Wondrous!
CYRANO (standing up--bareheaded):
Ay, Roxane.
ROXANE:
An inspired poet?
CYRANO:
Ay, Roxane.
ROXANE:
And a mind sublime?
CYRANO:
Oh, yes!
ROXANE:
A heart too deep for common minds to plumb,
A spirit subtle, charming?
CYRANO (firmly):
Ay, Roxane.
ROXANE (flinging herself on the dead body):
Dead, my love!
CYRANO (aside--drawing his sword):
Ay, and let me die to-day,
Since, all unconscious, she mourns me--in him!
(Sounds of trumpets in the distance.)
DE GUICHE (appearing on the ramparts--bareheaded--with a wound on his
forehead--in a voice of thunder):
It is the signal! Trumpet flourishes!
The French bring the provisions into camp!
Hold but the place awhile!
ROXANE:
See, there is blood
Upon the letter--tears!
A VOICE (outside--shouting):
Surrender!
VOICE OF CADETS:
No!
RAGUENEAU (standing on the top of his carriage, watches the battle over the
edge of the ramparts):
The danger's ever greater!
CYRANO (to De Guiche--pointing to Roxane):
I will charge!
Take her away!
ROXANE (kissing the letter--in a half-extinguished voice):
O God! his tears! his blood!. . .
RAGUENEAU (jumping down from the carriage and rushing toward her):
She's swooned away!
DE GUICHE (on the rampart--to the cadets--with fury):
Stand fast!
A VOICE (outside):
Lay down your arms!
THE CADETS:
No!
CYRANO (to De Guiche):
Now that you have proved your valor, Sir,
(Pointing to Roxane):
Fly, and save her!
DE GUICHE (rushing to Roxane, and carrying her away in his arms):
So be it! Gain but time,
The victory's ours!
CYRANO:
Good.
(Calling out to Roxane, whom De Guiche, aided by Ragueneau, is bearing away in
a fainting condition):
Farewell, Roxane!
(Tumult. Shouts. Cadets reappear, wounded, falling on the scene. Cyrano,
rushing to the battle, is stopped by Carbon de Castel-Jaloux, who is streaming
with blood.)
CARBON:
We are breaking! I am wounded--wounded twice!
CYRANO (shouting to the Gascons):
GASCONS! HO, GASCONS! NEVER TURN YOUR BACKS!
(To Carbon, whom he is supporting):
Have no fear! I have two deaths to avenge:
My friend who's slain;--and my dead happiness!
(They come down, Cyrano brandishing the lance to which is attached Roxane's
handkerchief):
Float there! laced kerchief broidered with her name!
(He sticks it in the ground and shouts to the cadets):
FALL ON THEM, GASCONS! CRUSH THEM!
(To the fifer):
Fifer, play!
(The fife plays. The wounded try to rise. Some cadets, falling one over the
other down the slope, group themselves round Cyrano and the little flag. The
carriage is crowded with men inside and outside, and, bristling with
arquebuses, is turned into a fortress.)
A CADET (appearing on the crest, beaten backward, but still fighting, cries):
They're climbing the redoubt!
(and falls dead.)
CYRANO:
Let us salute them!
(The rampart is covered instantly by a formidable row of enemies. The
standards of the Imperialists are raised):
Fire!
(General discharge.)
A CRY IN THE ENEMY'S RANKS:
Fire!
(A deadly answering volley. The cadets fall on all sides.)
A SPANISH OFFICER (uncovering):
Who are these men who rush on death?
CYRANO (reciting, erect, amid a storm of bullets):
The bold Cadets of Gascony,
Of Carbon of Castel-Jaloux!
Brawling, swaggering boastfully,
(He rushes forward, followed by a few survivors):
The bold Cadets. . .
(His voice is drowned in the battle.)
Curtain.
| 1,120 | Scene 10 | https://web.archive.org/web/20180820053313/http://www.pinkmonkey.com/booknotes/monkeynotes/pmCyrano41.asp | Roxane now reveals to Christian that it was his beautifully written letters that made her risk her life and come to the front to see him. She claims that she was so overwhelmed by feelings for him that she had to come. She also asks Christian's forgiveness for at first loving him only for his looks. Because of the letters, her love for him has become spiritual, and she has no further thoughts of his appearance. Christian is upset by this confession, making Roxane think that he cannot comprehend her love. As a result, she assures him that she would love him even if he were ugly, a confession that upsets Christian even more. He reacts by sending her away to cheer up the cadets in their last moments. He rushes away to speak with Cyrano. Christian desolately tells Cyrano that because of the letters Roxane now loves only his soul, which really means that she loves Cyrano. He encourages Cyrano to confess his love to her since she has said she would love Christian even if he were ugly. He further reasons that Roxane must be told the truth about the letters. Then she can decide whom she really loves. Christian next leaves to summon Roxane. Cyrano will be left alone to explain to her what has transpired. When Roxane arrives, she tells Cyrano that Christian seemed to doubt that she would love him even if he were physically ugly. Cyrano is then on the point of making his confession when Le Bret interrupts. He tells them that Christian has been seriously wounded by the first shot fired in the battle. When the dying Christian is carried on stage, Cyrano goes to him and tries to convince him that Roxane truly loves him. When Roxane goes to him, she finds a letter addressed to her in his pocket, the one that Cyrano has written and given to Christian. Roxane carefully reads the letter, which is now covered with blood, as well as with the tears of Cyrano. The death of Christian is a cruel irony for both Roxane and Cyrano. She has lost her new husband without ever being able to consummate the marriage. Cyrano has lost hope of ever being able to win Roxane for himself. He knows that he will now never be able to tell her of his love. She must also always believe that Christian had a fine mind as evidenced by the letters that he wrote to her. While the firing continues outside, Cyrano asks Ragueneau to get the carriage ready to take Roxane away. De Guiche enters battled- strained, and Cyrano hands over the care of Roxane to him since he has proven his valor for her. Cyrano goes out to fight and avenge the death of Christian and the loss of his happiness. Never again will he be able to express his feelings for Roxane, even in disguise. | null | 486 | 1 | [
"Roxane, Cyrano.",
"Then Le Bret, Carbon de Castel-Jaloux, the cadets, Ragueneau,\nDe Guiche, etc.",
"ROXANE:\n Important, how?",
"CYRANO (in despair.",
"to Roxane):\n He's gone!",
"'Tis naught!--Oh, you know how he sees\n Importance in a trifle!",
"ROXANE (warmly):\n Did he doubt\n Of what I said?--Ah, yes, I saw he doubted!",
"CYRANO (taking her hand):\n But are you sure you told him all the truth?",
"ROXANE:\n Yes, I would love him were he.",
". .\n\n(She hesitates.)",
"CYRANO:\n Does that word\n Embarrass you before my face, Roxane?",
"ROXANE:\n I. . .\n\nCYRANO (smiling sadly):\n 'Twill not hurt me!",
"Say it!",
"If he were\n Ugly!.",
". .\n\nROXANE:\n Yes, ugly!",
"(Musket report outside):\n Hark!",
"I hear a shot!",
"CYRANO (ardently):\n Hideous!",
"ROXANE:\n Hideous!",
"yes!",
"CYRANO:\n Disfigured.",
"ROXANE:\n Ay!",
"CYRANO:\n Grotesque?",
"ROXANE:\n He could not be grotesque to me!",
"CYRANO:\n You'd love the same?.",
". .\n\nROXANE:\n The same--nay, even more!",
"CYRANO (losing command over himself--aside):\n My God!",
"it's true, perchance, love waits me there!",
"(To Roxane):\n I. . .Roxane. . .listen.",
". .",
"LE BRET (entering hurriedly--to Cyrano):\n Cyrano!",
"CYRANO (turning round):\n What?",
"LE BRET:\n Hush!",
"(He whispers something to him.)",
"CYRANO (letting go Roxane's hand and exclaiming):\n Ah, God!",
"ROXANE:\n What is it?",
"CYRANO (to himself--stunned):\n All is over now.",
"(Renewed reports.)",
"ROXANE:\n What is the matter?",
"Hark!",
"another shot!",
"(She goes up to look outside.)",
"CYRANO:\n It is too late, now I can never tell!",
"ROXANE (trying to rush out):\n What has chanced?",
"CYRANO (rushing to stop her):\n Nothing!",
"(Some cadets enter, trying to hide something they are carrying, and close\nround it to prevent Roxane approaching.)",
"ROXANE:\n And those men?",
"(Cyrano draws her away):\n What were you just about to say before. .",
".?",
"CYRANO:\n What was I saying?",
"Nothing now, I swear!",
"(Solemnly):\n I swear that Christian's soul, his nature, were.",
". .\n(Hastily correcting himself):\n Nay, that they are, the noblest, greatest.",
". .\n\nROXANE:\n Were?",
"(With a loud scream):\n Oh!",
"(She rushes up, pushing every one aside.)",
"CYRANO:\n All is over now!",
"ROXANE (seeing Christian lying on the ground, wrapped in his cloak):\n O Christian!",
"LE BRET (to Cyrano):\n Struck by first shot of the enemy!",
"(Roxane flings herself down by Christian.",
"Fresh reports of cannon--clash of\narms--clamor--beating of drums.)",
"CARBON (with sword in the air):\n O come!",
"Your muskets.",
"(Followed by the cadets, he passes to the other side of the ramparts.)",
"ROXANE:\n Christian!",
"THE VOICE OF CARBON (from the other side):\n Ho!",
"make haste!",
"ROXANE:\n Christian!",
"CARBON:\n FORM LINE!",
"ROXANE:\n Christian!",
"CARBON:\n HANDLE YOUR MATCH!",
"(Ragueneau rushes up, bringing water in a helmet.)",
"CHRISTIAN (in a dying voice):\n Roxane!",
"CYRANO (quickly, whispering into Christian's ear, while Roxane distractedly\ntears a piece of linen from his breast, which she dips into the water, trying\nto stanch the bleeding):\n I told her all.",
"She loves you still.",
"(Christian closes his eyes.)",
"ROXANE:\n How, my sweet love?",
"CARBON:\n DRAW RAMRODS!",
"ROXANE (to Cyrano):\n He is not dead?",
"CARBON:\n OPEN YOUR CHARGES WITH YOUR TEETH!",
"ROXANE:\n His cheek\n Grows cold against my own!",
"CARBON:\n READY!",
"PRESENT!",
"ROXANE (seeing a letter in Christian's doublet):\n A letter!.",
". .\n 'Tis for me!",
"(She opens it.)",
"CYRANO (aside):\n My letter!",
"CARBON:\n FIRE!",
"(Musket reports--shouts--noise of battle.)",
"CYRANO (trying to disengage his hand, which Roxane on her knees is holding):\n But, Roxane, hark, they fight!",
"ROXANE (detaining him):\n Stay yet awhile.",
"For he is dead.",
"You knew him, you alone.",
"(Weeping quietly):\n Ah, was not his a beauteous soul, a soul\n Wondrous!",
"CYRANO (standing up--bareheaded):\n Ay, Roxane.",
"ROXANE:\n An inspired poet?",
"CYRANO:\n Ay, Roxane.",
"ROXANE:\n And a mind sublime?",
"CYRANO:\n Oh, yes!",
"ROXANE:\n A heart too deep for common minds to plumb,\n A spirit subtle, charming?",
"CYRANO (firmly):\n Ay, Roxane.",
"ROXANE (flinging herself on the dead body):\n Dead, my love!",
"CYRANO (aside--drawing his sword):\n Ay, and let me die to-day,\n Since, all unconscious, she mourns me--in him!",
"(Sounds of trumpets in the distance.)",
"DE GUICHE (appearing on the ramparts--bareheaded--with a wound on his\nforehead--in a voice of thunder):\n It is the signal!",
"Trumpet flourishes!",
"The French bring the provisions into camp!",
"Hold but the place awhile!",
"ROXANE:\n See, there is blood\n Upon the letter--tears!",
"A VOICE (outside--shouting):\n Surrender!",
"VOICE OF CADETS:\n No!",
"RAGUENEAU (standing on the top of his carriage, watches the battle over the\nedge of the ramparts):\n The danger's ever greater!",
"CYRANO (to De Guiche--pointing to Roxane):\n I will charge!",
"Take her away!",
"ROXANE (kissing the letter--in a half-extinguished voice):\n O God!",
"his tears!",
"his blood!.",
". .\n\nRAGUENEAU (jumping down from the carriage and rushing toward her):\n She's swooned away!",
"DE GUICHE (on the rampart--to the cadets--with fury):\n Stand fast!",
"A VOICE (outside):\n Lay down your arms!",
"THE CADETS:\n No!",
"CYRANO (to De Guiche):\n Now that you have proved your valor, Sir,\n(Pointing to Roxane):\n Fly, and save her!",
"DE GUICHE (rushing to Roxane, and carrying her away in his arms):\n So be it!",
"Gain but time,\n The victory's ours!",
"CYRANO:\n Good.",
"(Calling out to Roxane, whom De Guiche, aided by Ragueneau, is bearing away in\na fainting condition):\n Farewell, Roxane!",
"(Tumult.",
"Shouts.",
"Cadets reappear, wounded, falling on the scene.",
"Cyrano,\nrushing to the battle, is stopped by Carbon de Castel-Jaloux, who is streaming\nwith blood.)",
"CARBON:\n We are breaking!",
"I am wounded--wounded twice!",
"CYRANO (shouting to the Gascons):\n GASCONS!",
"HO, GASCONS!",
"NEVER TURN YOUR BACKS!",
"(To Carbon, whom he is supporting):\n Have no fear!",
"I have two deaths to avenge:\n My friend who's slain;--and my dead happiness!",
"(They come down, Cyrano brandishing the lance to which is attached Roxane's\nhandkerchief):\n Float there!",
"laced kerchief broidered with her name!",
"(He sticks it in the ground and shouts to the cadets):\n FALL ON THEM, GASCONS!",
"CRUSH THEM!",
"(To the fifer):\n Fifer, play!",
"(The fife plays.",
"The wounded try to rise.",
"Some cadets, falling one over the\nother down the slope, group themselves round Cyrano and the little flag.",
"The\ncarriage is crowded with men inside and outside, and, bristling with\narquebuses, is turned into a fortress.)",
"A CADET (appearing on the crest, beaten backward, but still fighting, cries):\n They're climbing the redoubt!",
"(and falls dead.)",
"CYRANO:\n Let us salute them!",
"(The rampart is covered instantly by a formidable row of enemies.",
"The\nstandards of the Imperialists are raised):\n Fire!",
"(General discharge.)",
"A CRY IN THE ENEMY'S RANKS:\n Fire!",
"(A deadly answering volley.",
"The cadets fall on all sides.)",
"A SPANISH OFFICER (uncovering):\n Who are these men who rush on death?",
"CYRANO (reciting, erect, amid a storm of bullets):\n The bold Cadets of Gascony,\n Of Carbon of Castel-Jaloux!",
"Brawling, swaggering boastfully,\n(He rushes forward, followed by a few survivors):\n The bold Cadets.",
". .\n\n(His voice is drowned in the battle.)",
"Curtain."
] | [
"CYRANO (taking her hand):\n But are you sure you told him all the truth?",
"CYRANO:\n Does that word\n Embarrass you before my face, Roxane?",
"ROXANE:\n He could not be grotesque to me!",
"(To Roxane):\n I. . .Roxane. . .listen.",
"ROXANE:\n Christian!",
". .\n 'Tis for me!",
"Hold but the place awhile!",
"VOICE OF CADETS:\n No!",
"Gain but time,\n The victory's ours!",
"(He sticks it in the ground and shouts to the cadets):\n FALL ON THEM, GASCONS!"
] | [
"CYRANO (trying to disengage his hand, which Roxane on her knees is holding):\n But, Roxane, hark, they fight!",
"The wounded try to rise.",
"DE GUICHE (rushing to Roxane, and carrying her away in his arms):\n So be it!",
"CYRANO (ardently):\n Hideous!",
"ROXANE:\n What is the matter?",
". .\n\nROXANE:\n Were?",
"CYRANO (losing command over himself--aside):\n My God!",
"(He sticks it in the ground and shouts to the cadets):\n FALL ON THEM, GASCONS!",
"CARBON:\n We are breaking!",
"CYRANO:\n Disfigured."
] | [
"(Christian closes his eyes.)",
"ROXANE:\n How, my sweet love?",
"CARBON:\n DRAW RAMRODS!",
"ROXANE (to Cyrano):\n He is not dead?",
"CARBON:\n OPEN YOUR CHARGES WITH YOUR TEETH!",
"ROXANE:\n His cheek\n Grows cold against my own!",
"CARBON:\n READY!",
"PRESENT!",
"ROXANE (seeing a letter in Christian's doublet):\n A letter!.",
". .\n 'Tis for me!",
"(She opens it.)"
] | [
"Roxane, Cyrano.",
"Then Le Bret, Carbon de Castel-Jaloux, the cadets, Ragueneau,\nDe Guiche, etc.",
"ROXANE:\n Important, how?",
"CYRANO (in despair.",
"to Roxane):\n He's gone!",
"'Tis naught!--Oh, you know how he sees\n Importance in a trifle!",
"ROXANE (warmly):\n Did he doubt\n Of what I said?--Ah, yes, I saw he doubted!",
"CYRANO (taking her hand):\n But are you sure you told him all the truth?",
"ROXANE:\n Yes, I would love him were he.",
". .\n\n(She hesitates.)",
"The\nstandards of the Imperialists are raised):\n Fire!",
"(General discharge.)",
"A CRY IN THE ENEMY'S RANKS:\n Fire!",
"(A deadly answering volley.",
"The cadets fall on all sides.)",
"A SPANISH OFFICER (uncovering):\n Who are these men who rush on death?",
"CYRANO (reciting, erect, amid a storm of bullets):\n The bold Cadets of Gascony,\n Of Carbon of Castel-Jaloux!",
"Brawling, swaggering boastfully,\n(He rushes forward, followed by a few survivors):\n The bold Cadets.",
". .\n\n(His voice is drowned in the battle.)",
"Curtain."
] | agueneau, is bearing away in
a fainting condition):
Farewell, Roxane!
(Tumult.
Shouts.
Cadets reappear, wounded, falling on the scene.
Cyrano,
rushing to the battle, is stopped by Carbon de Castel-Jaloux, who is streaming
with blood.)
CARBON:
We are breaking!
I am wounded--wounded twice!
CYRANO (shouting to the Gascons):
GASCONS!
HO, GASCONS!
NEVER TURN YOUR BACKS!
(To Carbon, whom he is supporting):
Have no fear!
I have two deaths to avenge:
My friend who's slain;--and my dead happiness!
(They come down, Cyrano brandishing the lance to which is attached Roxane's
handkerchief):
Float there!
laced kerchief broidered with her name!
(He sticks it in the ground and shouts to the cadets):
FALL ON THEM, GASCONS!
CRUSH THEM!
(To the fifer):
Fifer, play!
(The fife plays.
The wounded try to rise.
Some cadets, falling one over the
other down the slope, group themselves round Cyrano and the little flag.
The
carriage is crowded with men inside and outside, and, bristling with
arque | Roxane, Cyrano.
Then Le Bret, Carbon de Castel-Jaloux, the cadets, Ragueneau,
De Guiche, etc.
ROXANE:
Important, how?
CYRANO (in despair.
to Roxane):
He's gone!
'Tis naught!--Oh, you know how he sees
Importance in a trifle!
ROXANE (warmly):
Did he doubt
Of what I said?--Ah, yes, I saw he doubted!
CYRANO (taking her hand):
But are you sure you told him all the truth?
ROXANE:
Yes, I would love him were he.
. .
(She hesitates.)
CYRANO:
Does that word
Embarrass you before my face, andards of the Imperialists are raised):
Fire!
(General discharge.)
A CRY IN THE ENEMY'S RANKS:
Fire!
(A deadly answering volley.
The cadets fall on all sides.)
A SPANISH OFFICER (uncovering):
Who are these men who rush on death?
CYRANO (reciting, erect, amid a storm of bullets):
The bold Cadets of Gascony,
Of Carbon of Castel-Jaloux!
Brawling, swaggering boastfully,
(He rushes forward, followed by a few survivors):
The bold Cadets.
. .
(His voice is drowned in the battle.)
Curtain. | AW RAMRODS!
ROXANE (to Cyrano):
He is not dead?
CARBON:
OPEN YOUR CHARGES WITH YOUR TEETH!
ROXANE:
His cheek
Grows cold against my own!
CARBON:
READY!
PRESENT!
ROXANE (seeing a letter in Christian's doublet):
A letter!.
. .
'Tis for me!
(She opens it.)
CYRANO (aside):
My letter!
CARBON:
FIRE!
(Musket reports--shouts--noise of battle.)
CYRANO (trying to disengage his hand, which Roxane on her knees is holding):
But, Roxane, hark, they fight!
ROXANE (detaining him):
Stay yet awhile.
For he is dead.
You knew him, you alone.
(Weeping quietly):
Ah, was not his a beauteous soul, a soul
Wondrous!
CYRANO (standing up--bareheaded):
Ay, Roxane.
ROXANE:
An inspired poet?
CYRANO:
Ay, Roxane.
ROXANE:
And a mind sublime?
CYRANO:
Oh, yes!
ROXANE:
A heart too deep for common minds to plumb,
A spirit subtle, charming?
CYRANO (firmly):
Ay, Roxane.
ROXANE (flinging herself on the dead body):
Dead, my love!
CYRANO (aside--drawing his sword):
Ay, and let me die |
1,254 | false | pinkmonkey | all_chapterized_books/1254-chapters/47.txt | finished_summaries/pinkmonkey/Cyrano De Bergerac/section_42_part_0.txt | Cyrano De Bergerac.act 5.scene 2 | scene 2 | null | {"name": "Scene 2", "url": "https://web.archive.org/web/20180820053313/http://www.pinkmonkey.com/booknotes/monkeynotes/pmCyrano43.asp", "summary": "The scene abruptly switches to the Convent of the Ladies of the Cross, outside of Paris. As the autumn leaves fall, some of the nuns are seated around the Mother Superior . In the course of their conversation, it is revealed that Cyrano is a regular visitor to the convent. He has come every Saturday for over ten years in order to visit his cousin Roxane, now known as Madame Magdalene. Even after ten years, Roxane is still wearing the veil of mourning for her dead husband, Christian. The nuns enjoy the visits of Cyrano because of his wit and humor. They also try to convert him into a good Catholic. Roxane approaches with De Guiche, now known as the Duke of Grammont. He asks about her life of seclusion, her fidelity, and her black veil. She affirms her resolution to be faithful to Christian; she even states that she has Christian's last letter to her fastened close to her heart. When the Duke asks about Cyrano, she informs him that Cyrano comes regularly to give her all the news of the world outside. LeBret then enters. Roxane eagerly asks him about Cyrano. He states that Cyrano's condition is very bad. He remains poor, hungry, and friendless, while making enemies in every quarter. It is assumed that he will soon die of cold or anemia. De Guiche states that he still admires Cyrano for having lived without compromising his principles. As he is leaving, De Guiche contrasts his success with the freedom of Cyrano. He admits that his own success has left him with a sense of uneasiness and a bad taste in his mouth. He has many dead illusions and vague regrets for the past. He also takes Le Bret aside and warns him that Cyrano should be careful of his enemies, for it is rumored that some of them are trying to kill him by some subterfuge. Just as De Guiche is finally leaving, Ragueneau is announced. Roxane declares that the old baker is sure to whine about his miseries since he left her service. In truth, Ragueneau has not faired well. He has tried his hand at a number of jobs, including acting and wigmaking.", "analysis": "Notes The last act of the play is set fifteen years after the battle of Arras. The purpose of these opening scenes of the last act is to reveal to the audience what has happened to Cyrano, De Guiche, and Roxane for the last fifteen years. Roxane is still in mourning for her dead husband. She is living in a convent outside of Paris and still wearing a black veil. From her and the nuns, the audience learns that Cyrano comes to visit Roxane once a week. Although he is still filled with wit and humor, Roxane worries about him, for he is poor and friendless; he also has made many enemies. De Guiche has changed little. Having been made a Duke and the Marshall of France, he is as proud and arrogant as ever. He does admit, however, that he has some disillusionment about life and regrets about his past. When Cyrano comes to the convent, the nuns try to make him a better Christian. The biographies about the real Cyrano de Bergerac state that the Mother Superior, Roxane, and Cyrano's aunt, who were really in this convent, all tried so hard to convert him that he had to run away from Paris. Scene two ends on a note of suspense. De Guiche draws Le Bret, the good friend of Cyrano, aside. He warns Le Bret that Cyrano's life may be in danger, for his enemies are plotting against him."} | Roxane; the Duke de Grammont, formerly Count de Guiche. Then Le Bret and
Ragueneau.
THE DUKE:
And you stay here still--ever vainly fair,
Ever in weeds?
ROXANE:
Ever.
THE DUKE:
Still faithful?
ROXANE:
Still.
THE DUKE (after a pause):
Am I forgiven?
ROXANE:
Ay, since I am here.
(Another pause.)
THE DUKE:
His was a soul, you say?. . .
ROXANE:
Ah!--when you knew him!
THE DUKE:
Ah, may be!. . .I, perchance, too little knew him!
. . .And his last letter, ever next your heart?
ROXANE:
Hung from this chain, a gentle scapulary.
THE DUKE:
And, dead, you love him still?
ROXANE:
At times,--meseems
He is but partly dead--our hearts still speak,
As if his love, still living, wrapped me round!
THE DUKE (after another pause):
Cyrano comes to see you?
ROXANE:
Often, ay.
Dear, kind old friend! We call him my 'Gazette.'
He never fails to come: beneath this tree
They place his chair, if it be fine:--I wait,
I broider;--the clock strikes;--at the last stroke
I hear,--for now I never turn to look--
Too sure to hear his cane tap down the steps;
He seats himself:--with gentle raillery
He mocks my tapestry that's never done;
He tells me all the gossip of the week. . .
(Le Bret appears on the steps):
Why, here's Le Bret!
(Le Bret descends):
How goes it with our friend?
LE BRET:
Ill!--very ill.
THE DUKE:
How?
ROXANE (to the Duke):
He exaggerates!
LE BRET:
All that I prophesied: desertion, want!. . .
His letters now make him fresh enemies!--
Attacking the sham nobles, sham devout,
Sham brave,--the thieving authors,--all the world!
ROXANE:
Ah! but his sword still holds them all in check;
None get the better of him.
THE DUKE (shaking his head):
Time will show!
LE BRET:
Ah, but I fear for him--not man's attack,--
Solitude--hunger--cold December days,
That wolf-like steal into his chamber drear:--
Lo! the assassins that I fear for him!
Each day he tightens by one hole his belt:
That poor nose--tinted like old ivory:
He has retained one shabby suit of serge.
THE DUKE:
Ay, there is one who has no prize of Fortune!--
Yet is not to be pitied!
LE BRET (with a bitter smile):
My Lord Marshal!. . .
THE DUKE:
Pity him not! He has lived out his vows,
Free in his thoughts, as in his actions free!
LE BRET (in the same tone):
My Lord!. . .
THE DUKE (haughtily):
True! I have all, and he has naught;. . .
Yet I were proud to take his hand!
(Bowing to Roxane):
Adieu!
ROXANE:
I go with you.
(The Duke bows to Le Bret, and goes with Roxane toward the steps.)
THE DUKE (pausing, while she goes up):
Ay, true,--I envy him.
Look you, when life is brimful of success
--Though the past hold no action foul--one feels
A thousand self-disgusts, of which the sum
Is not remorse, but a dim, vague unrest;
And, as one mounts the steps of worldly fame,
The Duke's furred mantles trail within their folds
A sound of dead illusions, vain regrets,
A rustle--scarce a whisper--like as when,
Mounting the terrace steps, by your mourning robe
Sweeps in its train the dying autumn leaves.
ROXANE (ironically):
You are pensive?
THE DUKE:
True! I am!
(As he is going out, suddenly):
Monsieur Le Bret!
(To Roxane):
A word, with your permission?
(He goes to Le Bret, and in a low voice):
True, that none
Dare to attack your friend;--but many hate him;
Yesterday, at the Queen's card-play, 'twas said
'That Cyrano may die--by accident!'
Let him stay in--be prudent!
LE BRET (raising his arms to heaven):
Prudent! He!. . .
He's coming here. I'll warn him--but!. . .
ROXANE (who has stayed on the steps, to a sister who comes toward her):
What is it?
THE SISTER:
Ragueneau would see you, Madame.
ROXANE:
Let him come.
(To the Duke and Le Bret):
He comes to tell his troubles. Having been
An author (save the mark!)--poor fellow--now
By turns he's singer. . .
LE BRET:
Bathing-man. . .
ROXANE:
Then actor. . .
LE BRET:
Beadle. . .
ROXANE:
Wig-maker. . .
LE BRET:
Teacher of the lute. . .
ROXANE:
What will he be to-day, by chance?
RAGUENEAU (entering hurriedly):
Ah! Madame!
(He sees Le Bret):
Ah! you here, Sir!
ROXANE (smiling):
Tell all your miseries
To him; I will return anon.
RAGUENEAU:
But, Madame. . .
(Roxane goes out with the Duke. Ragueneau goes toward Le Bret.)
| 802 | Scene 2 | https://web.archive.org/web/20180820053313/http://www.pinkmonkey.com/booknotes/monkeynotes/pmCyrano43.asp | The scene abruptly switches to the Convent of the Ladies of the Cross, outside of Paris. As the autumn leaves fall, some of the nuns are seated around the Mother Superior . In the course of their conversation, it is revealed that Cyrano is a regular visitor to the convent. He has come every Saturday for over ten years in order to visit his cousin Roxane, now known as Madame Magdalene. Even after ten years, Roxane is still wearing the veil of mourning for her dead husband, Christian. The nuns enjoy the visits of Cyrano because of his wit and humor. They also try to convert him into a good Catholic. Roxane approaches with De Guiche, now known as the Duke of Grammont. He asks about her life of seclusion, her fidelity, and her black veil. She affirms her resolution to be faithful to Christian; she even states that she has Christian's last letter to her fastened close to her heart. When the Duke asks about Cyrano, she informs him that Cyrano comes regularly to give her all the news of the world outside. LeBret then enters. Roxane eagerly asks him about Cyrano. He states that Cyrano's condition is very bad. He remains poor, hungry, and friendless, while making enemies in every quarter. It is assumed that he will soon die of cold or anemia. De Guiche states that he still admires Cyrano for having lived without compromising his principles. As he is leaving, De Guiche contrasts his success with the freedom of Cyrano. He admits that his own success has left him with a sense of uneasiness and a bad taste in his mouth. He has many dead illusions and vague regrets for the past. He also takes Le Bret aside and warns him that Cyrano should be careful of his enemies, for it is rumored that some of them are trying to kill him by some subterfuge. Just as De Guiche is finally leaving, Ragueneau is announced. Roxane declares that the old baker is sure to whine about his miseries since he left her service. In truth, Ragueneau has not faired well. He has tried his hand at a number of jobs, including acting and wigmaking. | Notes The last act of the play is set fifteen years after the battle of Arras. The purpose of these opening scenes of the last act is to reveal to the audience what has happened to Cyrano, De Guiche, and Roxane for the last fifteen years. Roxane is still in mourning for her dead husband. She is living in a convent outside of Paris and still wearing a black veil. From her and the nuns, the audience learns that Cyrano comes to visit Roxane once a week. Although he is still filled with wit and humor, Roxane worries about him, for he is poor and friendless; he also has made many enemies. De Guiche has changed little. Having been made a Duke and the Marshall of France, he is as proud and arrogant as ever. He does admit, however, that he has some disillusionment about life and regrets about his past. When Cyrano comes to the convent, the nuns try to make him a better Christian. The biographies about the real Cyrano de Bergerac state that the Mother Superior, Roxane, and Cyrano's aunt, who were really in this convent, all tried so hard to convert him that he had to run away from Paris. Scene two ends on a note of suspense. De Guiche draws Le Bret, the good friend of Cyrano, aside. He warns Le Bret that Cyrano's life may be in danger, for his enemies are plotting against him. | 368 | 241 | [
"Roxane; the Duke de Grammont, formerly Count de Guiche.",
"Then Le Bret and\nRagueneau.",
"THE DUKE:\n And you stay here still--ever vainly fair,\n Ever in weeds?",
"ROXANE:\n Ever.",
"THE DUKE:\n Still faithful?",
"ROXANE:\n Still.",
"THE DUKE (after a pause):\n Am I forgiven?",
"ROXANE:\n Ay, since I am here.",
"(Another pause.)",
"THE DUKE:\n His was a soul, you say?.",
". .\n\nROXANE:\n Ah!--when you knew him!",
"THE DUKE:\n Ah, may be!. .",
".I, perchance, too little knew him!",
". . .And his last letter, ever next your heart?",
"ROXANE:\n Hung from this chain, a gentle scapulary.",
"THE DUKE:\n And, dead, you love him still?",
"ROXANE:\n At times,--meseems\n He is but partly dead--our hearts still speak,\n As if his love, still living, wrapped me round!",
"THE DUKE (after another pause):\n Cyrano comes to see you?",
"ROXANE:\n Often, ay.",
"Dear, kind old friend!",
"We call him my 'Gazette.'",
"He never fails to come: beneath this tree\n They place his chair, if it be fine:--I wait,\n I broider;--the clock strikes;--at the last stroke\n I hear,--for now I never turn to look--\n Too sure to hear his cane tap down the steps;\n He seats himself:--with gentle raillery\n He mocks my tapestry that's never done;\n He tells me all the gossip of the week.",
". .\n(Le Bret appears on the steps):\n Why, here's Le Bret!",
"(Le Bret descends):\n How goes it with our friend?",
"LE BRET:\n Ill!--very ill.",
"THE DUKE:\n How?",
"ROXANE (to the Duke):\n He exaggerates!",
"LE BRET:\n All that I prophesied: desertion, want!.",
". .\n His letters now make him fresh enemies!--\n Attacking the sham nobles, sham devout,\n Sham brave,--the thieving authors,--all the world!",
"ROXANE:\n Ah!",
"but his sword still holds them all in check;\n None get the better of him.",
"THE DUKE (shaking his head):\n Time will show!",
"LE BRET:\n Ah, but I fear for him--not man's attack,--\n Solitude--hunger--cold December days,\n That wolf-like steal into his chamber drear:--\n Lo!",
"the assassins that I fear for him!",
"Each day he tightens by one hole his belt:\n That poor nose--tinted like old ivory:\n He has retained one shabby suit of serge.",
"THE DUKE:\n Ay, there is one who has no prize of Fortune!--\n Yet is not to be pitied!",
"LE BRET (with a bitter smile):\n My Lord Marshal!.",
". .",
"THE DUKE:\n Pity him not!",
"He has lived out his vows,\n Free in his thoughts, as in his actions free!",
"LE BRET (in the same tone):\n My Lord!.",
". .",
"THE DUKE (haughtily):\n True!",
"I have all, and he has naught;.",
". .",
"Yet I were proud to take his hand!",
"(Bowing to Roxane):\n Adieu!",
"ROXANE:\n I go with you.",
"(The Duke bows to Le Bret, and goes with Roxane toward the steps.)",
"THE DUKE (pausing, while she goes up):\n Ay, true,--I envy him.",
"Look you, when life is brimful of success\n --Though the past hold no action foul--one feels\n A thousand self-disgusts, of which the sum\n Is not remorse, but a dim, vague unrest;\n And, as one mounts the steps of worldly fame,\n The Duke's furred mantles trail within their folds\n A sound of dead illusions, vain regrets,\n A rustle--scarce a whisper--like as when,\n Mounting the terrace steps, by your mourning robe\n Sweeps in its train the dying autumn leaves.",
"ROXANE (ironically):\n You are pensive?",
"THE DUKE:\n True!",
"I am!",
"(As he is going out, suddenly):\n Monsieur Le Bret!",
"(To Roxane):\n A word, with your permission?",
"(He goes to Le Bret, and in a low voice):\n True, that none\n Dare to attack your friend;--but many hate him;\n Yesterday, at the Queen's card-play, 'twas said\n 'That Cyrano may die--by accident!'",
"Let him stay in--be prudent!",
"LE BRET (raising his arms to heaven):\n Prudent!",
"He!.",
". .",
"He's coming here.",
"I'll warn him--but!.",
". .\n\nROXANE (who has stayed on the steps, to a sister who comes toward her):\n What is it?",
"THE SISTER:\n Ragueneau would see you, Madame.",
"ROXANE:\n Let him come.",
"(To the Duke and Le Bret):\n He comes to tell his troubles.",
"Having been\n An author (save the mark!)",
"--poor fellow--now\n By turns he's singer.",
". .",
"LE BRET:\n Bathing-man.",
". .\n\nROXANE:\n Then actor.",
". .",
"LE BRET:\n Beadle.",
". .\n\nROXANE:\n Wig-maker.",
". .",
"LE BRET:\n Teacher of the lute.",
". .\n\nROXANE:\n What will he be to-day, by chance?",
"RAGUENEAU (entering hurriedly):\n Ah!",
"Madame!",
"(He sees Le Bret):\n Ah!",
"you here, Sir!",
"ROXANE (smiling):\n Tell all your miseries\n To him; I will return anon.",
"RAGUENEAU:\n But, Madame.",
". .\n\n(Roxane goes out with the Duke.",
"Ragueneau goes toward Le Bret.)"
] | [
"THE DUKE:\n And you stay here still--ever vainly fair,\n Ever in weeds?",
"THE DUKE:\n Still faithful?",
". . .And his last letter, ever next your heart?",
"(Le Bret descends):\n How goes it with our friend?",
"THE DUKE:\n How?",
". .",
"THE DUKE (haughtily):\n True!",
". .",
"RAGUENEAU (entering hurriedly):\n Ah!",
"Ragueneau goes toward Le Bret.)"
] | [
"THE DUKE (haughtily):\n True!",
"(Le Bret descends):\n How goes it with our friend?",
". .",
"He's coming here.",
"THE DUKE:\n Ah, may be!. .",
"THE DUKE:\n True!",
"ROXANE:\n At times,--meseems\n He is but partly dead--our hearts still speak,\n As if his love, still living, wrapped me round!",
"(To Roxane):\n A word, with your permission?",
"LE BRET:\n Ah, but I fear for him--not man's attack,--\n Solitude--hunger--cold December days,\n That wolf-like steal into his chamber drear:--\n Lo!",
"ROXANE (to the Duke):\n He exaggerates!"
] | [
"THE DUKE:\n Pity him not!",
"He has lived out his vows,\n Free in his thoughts, as in his actions free!",
"LE BRET (in the same tone):\n My Lord!.",
". .",
"THE DUKE (haughtily):\n True!",
"I have all, and he has naught;.",
". .",
"Yet I were proud to take his hand!",
"(Bowing to Roxane):\n Adieu!",
"ROXANE:\n I go with you.",
"(The Duke bows to Le Bret, and goes with Roxane toward the steps.)"
] | [
"Roxane; the Duke de Grammont, formerly Count de Guiche.",
"Then Le Bret and\nRagueneau.",
"THE DUKE:\n And you stay here still--ever vainly fair,\n Ever in weeds?",
"ROXANE:\n Ever.",
"THE DUKE:\n Still faithful?",
"ROXANE:\n Still.",
"THE DUKE (after a pause):\n Am I forgiven?",
"ROXANE:\n Ay, since I am here.",
"(Another pause.)",
"THE DUKE:\n His was a soul, you say?.",
"LE BRET:\n Teacher of the lute.",
". .\n\nROXANE:\n What will he be to-day, by chance?",
"RAGUENEAU (entering hurriedly):\n Ah!",
"Madame!",
"(He sees Le Bret):\n Ah!",
"you here, Sir!",
"ROXANE (smiling):\n Tell all your miseries\n To him; I will return anon.",
"RAGUENEAU:\n But, Madame.",
". .\n\n(Roxane goes out with the Duke.",
"Ragueneau goes toward Le Bret.)"
] |
Look you, when life is brimful of success
--Though the past hold no action foul--one feels
A thousand self-disgusts, of which the sum
Is not remorse, but a dim, vague unrest;
And, as one mounts the steps of worldly fame,
The Duke's furred mantles trail within their folds
A sound of dead illusions, vain regrets,
A rustle--scarce a whisper--like as when,
Mounting the terrace steps, by your mourning robe
Sweeps in its train the dying autumn leaves.
ROXANE (ironically):
You are pensive?
THE DUKE:
True!
I am!
(As he is going out, suddenly):
Monsieur Le Bret!
(To Roxane):
A word, with your permission?
(He goes to Le Bret, and in a low voice):
True, that none
Dare to attack your friend;--but many hate him;
Yesterday, at the Queen's card-play, 'twas said
'That Cyrano may die--by accident!'
Let him stay in--be prudent!
LE BRET (raising his arms to heaven):
Prudent!
He!.
. .
He's coming here.
I'll warn him--but!.
. .
ROXANE (who has stayed on the steps, to a | Roxane; the Duke de Grammont, formerly Count de Guiche.
Then Le Bret and
Ragueneau.
THE DUKE:
And you stay here still--ever vainly fair,
Ever in weeds?
ROXANE:
Ever.
THE DUKE:
Still faithful?
ROXANE:
Still.
THE DUKE (after a pause):
Am I forgiven?
ROXANE:
Ay, since I am here.
(Another pause.)
THE DUKE:
His was a soul, you say?.
. .
ROXANE:
Ah!--when you knew him!
THE DUKE:
Ah, may be!. .
.I, perchance, too little knew him!
. . .And his last letter, ever next your heart?
ROXA ve the mark!)
--poor fellow--now
By turns he's singer.
. .
LE BRET:
Bathing-man.
. .
ROXANE:
Then actor.
. .
LE BRET:
Beadle.
. .
ROXANE:
Wig-maker.
. .
LE BRET:
Teacher of the lute.
. .
ROXANE:
What will he be to-day, by chance?
RAGUENEAU (entering hurriedly):
Ah!
Madame!
(He sees Le Bret):
Ah!
you here, Sir!
ROXANE (smiling):
Tell all your miseries
To him; I will return anon.
RAGUENEAU:
But, Madame.
. .
(Roxane goes out with the Duke.
Ragueneau goes toward Le Bret.) | ne get the better of him.
THE DUKE (shaking his head):
Time will show!
LE BRET:
Ah, but I fear for him--not man's attack,--
Solitude--hunger--cold December days,
That wolf-like steal into his chamber drear:--
Lo!
the assassins that I fear for him!
Each day he tightens by one hole his belt:
That poor nose--tinted like old ivory:
He has retained one shabby suit of serge.
THE DUKE:
Ay, there is one who has no prize of Fortune!--
Yet is not to be pitied!
LE BRET (with a bitter smile):
My Lord Marshal!.
. .
THE DUKE:
Pity him not!
He has lived out his vows,
Free in his thoughts, as in his actions free!
LE BRET (in the same tone):
My Lord!.
. .
THE DUKE (haughtily):
True!
I have all, and he has naught;.
. .
Yet I were proud to take his hand!
(Bowing to Roxane):
Adieu!
ROXANE:
I go with you.
(The Duke bows to Le Bret, and goes with Roxane toward the steps.)
THE DUKE (pausing, while she goes up):
Ay, true,--I envy him.
Look you, when life is brimful of success
|
1,254 | false | pinkmonkey | all_chapterized_books/1254-chapters/48.txt | finished_summaries/pinkmonkey/Cyrano De Bergerac/section_43_part_0.txt | Cyrano De Bergerac.act 5.scene 3 | scene 3 | null | {"name": "Scene 3", "url": "https://web.archive.org/web/20180820053313/http://www.pinkmonkey.com/booknotes/monkeynotes/pmCyrano44.asp", "summary": "Ragueneau tells Le Bret that Cyrano has had a freak accident. While he was walking outside, a lackey dropped a piece of firewood from an upper window. It hit Cyrano on the head, injuring him seriously. Ragueneau states that after the accident, he had carried Cyrano to his room and found a doctor who would treat him out of charity. Since Cyrano is still unconscious, Ragueneau wants Le Bret to go to him immediately. The two of them rush out without saying a word to Roxane. She assumes that Ragueneau is in serious trouble for them to totally ignore her. Roxane stands alone in the park admiring the autumn day. Two nuns come out and place a large armchair in anticipation of Cyrano's weekly visit. When she realizes what time it is, Roxane is surprised, for Cyrano is never late. She assumes that a nun at the gate has stopped him to ask him to repent of his sins. Brushing away a dead leaf, she turns to work on her tapestry in order to pass the time. Soon a nun announces Cyrano's arrival.", "analysis": "Notes Ragueneau tells Le Bret that Cyrano has been injured. In truth, he has been attacked by a cowardly enemy who orders his servant to drop a piece of firewood on Cyrano's head. The historical Cyrano was injured in the same manner; however, he lived nearly a year after his accident. Both of them die in September. The real Cyrano also suffered from abject poverty, like the protagonist of the play. At the end of scene 4, Cyrano arrives to see Roxane. It is quite in character that the protagonist would not let an injury keep him away from his true love, even though she has greatly changed. She is no longer the sparkling young beauty who married Christian. Now she is the pathetically faithful wife who has grieved over the loss of her husband for too many years. Time has taken away her bright spirits, as seen in scene 3 when she is easily upset because Le Bret does not answer her. The tapestry on which Roxane stitches is symbolic of her self- absorption. She has turned away from the world to create her own version of reality. It is significant that she brushes a dead leaf off the tapestry, a foreshadowing of the darkness to come."} | Le Bret, Ragueneau.
RAGUENEAU:
Since you are here, 'tis best she should not know!
I was going to your friend just now--was but
A few steps from the house, when I saw him
Go out. I hurried to him. Saw him turn
The corner. . .suddenly, from out a window
Where he was passing--was it chance?. . .may be!
A lackey let fall a large piece of wood.
LE BRET:
Cowards! O Cyrano!
RAGUENEAU:
I ran--I saw. . .
LE BRET:
'Tis hideous!
RAGUENEAU:
Saw our poet, Sir--our friend--
Struck to the ground--a large wound in his head!
LE BRET:
He's dead?
RAGUENEAU:
No--but--I bore him to his room. . .
Ah! his room! What a thing to see!--that garret!
LE BRET:
He suffers?
RAGUENEAU:
No, his consciousness has flown.
LE BRET:
Saw you a doctor?
RAGUENEAU:
One was kind--he came.
LE BRET:
My poor Cyrano!--We must not tell this
To Roxane suddenly.--What said this leech?--
RAGUENEAU:
Said,--what, I know not--fever, meningitis!--
Ah! could you see him--all his head bound up!--
But let us haste!--There's no one by his bed!--
And if he try to rise, Sir, he might die!
LE BRET (dragging him toward the right):
Come! Through the chapel! 'Tis the quickest way!
ROXANE (appearing on the steps, and seeing Le Bret go away by the colonnade
leading to the chapel door):
Monsieur le Bret!
(Le Bret and Ragueneau disappear without answering):
Le Bret goes--when I call!
'Tis some new trouble of good Ragueneau's.
(She descends the steps.)
| 265 | Scene 3 | https://web.archive.org/web/20180820053313/http://www.pinkmonkey.com/booknotes/monkeynotes/pmCyrano44.asp | Ragueneau tells Le Bret that Cyrano has had a freak accident. While he was walking outside, a lackey dropped a piece of firewood from an upper window. It hit Cyrano on the head, injuring him seriously. Ragueneau states that after the accident, he had carried Cyrano to his room and found a doctor who would treat him out of charity. Since Cyrano is still unconscious, Ragueneau wants Le Bret to go to him immediately. The two of them rush out without saying a word to Roxane. She assumes that Ragueneau is in serious trouble for them to totally ignore her. Roxane stands alone in the park admiring the autumn day. Two nuns come out and place a large armchair in anticipation of Cyrano's weekly visit. When she realizes what time it is, Roxane is surprised, for Cyrano is never late. She assumes that a nun at the gate has stopped him to ask him to repent of his sins. Brushing away a dead leaf, she turns to work on her tapestry in order to pass the time. Soon a nun announces Cyrano's arrival. | Notes Ragueneau tells Le Bret that Cyrano has been injured. In truth, he has been attacked by a cowardly enemy who orders his servant to drop a piece of firewood on Cyrano's head. The historical Cyrano was injured in the same manner; however, he lived nearly a year after his accident. Both of them die in September. The real Cyrano also suffered from abject poverty, like the protagonist of the play. At the end of scene 4, Cyrano arrives to see Roxane. It is quite in character that the protagonist would not let an injury keep him away from his true love, even though she has greatly changed. She is no longer the sparkling young beauty who married Christian. Now she is the pathetically faithful wife who has grieved over the loss of her husband for too many years. Time has taken away her bright spirits, as seen in scene 3 when she is easily upset because Le Bret does not answer her. The tapestry on which Roxane stitches is symbolic of her self- absorption. She has turned away from the world to create her own version of reality. It is significant that she brushes a dead leaf off the tapestry, a foreshadowing of the darkness to come. | 183 | 208 | [
"Le Bret, Ragueneau.",
"RAGUENEAU:\n Since you are here, 'tis best she should not know!",
"I was going to your friend just now--was but\n A few steps from the house, when I saw him\n Go out.",
"I hurried to him.",
"Saw him turn\n The corner. . .suddenly, from out a window\n Where he was passing--was it chance?. .",
".may be!",
"A lackey let fall a large piece of wood.",
"LE BRET:\n Cowards!",
"O Cyrano!",
"RAGUENEAU:\n I ran--I saw.",
". .",
"LE BRET:\n 'Tis hideous!",
"RAGUENEAU:\n Saw our poet, Sir--our friend--\n Struck to the ground--a large wound in his head!",
"LE BRET:\n He's dead?",
"RAGUENEAU:\n No--but--I bore him to his room.",
". .\n Ah!",
"his room!",
"What a thing to see!--that garret!",
"LE BRET:\n He suffers?",
"RAGUENEAU:\n No, his consciousness has flown.",
"LE BRET:\n Saw you a doctor?",
"RAGUENEAU:\n One was kind--he came.",
"LE BRET:\n My poor Cyrano!--We must not tell this\n To Roxane suddenly.--What said this leech?--\n\nRAGUENEAU:\n Said,--what, I know not--fever, meningitis!--\n Ah!",
"could you see him--all his head bound up!--\n But let us haste!--There's no one by his bed!--\n And if he try to rise, Sir, he might die!",
"LE BRET (dragging him toward the right):\n Come!",
"Through the chapel!",
"'Tis the quickest way!",
"ROXANE (appearing on the steps, and seeing Le Bret go away by the colonnade\nleading to the chapel door):\n Monsieur le Bret!",
"(Le Bret and Ragueneau disappear without answering):\n Le Bret goes--when I call!",
"'Tis some new trouble of good Ragueneau's.",
"(She descends the steps.)"
] | [
"Le Bret, Ragueneau.",
"RAGUENEAU:\n Since you are here, 'tis best she should not know!",
"I was going to your friend just now--was but\n A few steps from the house, when I saw him\n Go out.",
".may be!",
"A lackey let fall a large piece of wood.",
". .",
"RAGUENEAU:\n No--but--I bore him to his room.",
". .\n Ah!",
"his room!",
"LE BRET (dragging him toward the right):\n Come!"
] | [
"LE BRET:\n He suffers?",
"LE BRET:\n Cowards!",
". .\n Ah!",
"RAGUENEAU:\n I ran--I saw.",
"RAGUENEAU:\n Since you are here, 'tis best she should not know!",
"I hurried to him.",
". .",
"(Le Bret and Ragueneau disappear without answering):\n Le Bret goes--when I call!",
"I was going to your friend just now--was but\n A few steps from the house, when I saw him\n Go out.",
"LE BRET:\n My poor Cyrano!--We must not tell this\n To Roxane suddenly.--What said this leech?--\n\nRAGUENEAU:\n Said,--what, I know not--fever, meningitis!--\n Ah!"
] | [
". .",
"LE BRET:\n 'Tis hideous!",
"RAGUENEAU:\n Saw our poet, Sir--our friend--\n Struck to the ground--a large wound in his head!",
"LE BRET:\n He's dead?",
"RAGUENEAU:\n No--but--I bore him to his room.",
". .\n Ah!",
"his room!",
"What a thing to see!--that garret!",
"LE BRET:\n He suffers?",
"RAGUENEAU:\n No, his consciousness has flown.",
"LE BRET:\n Saw you a doctor?"
] | [
"Le Bret, Ragueneau.",
"RAGUENEAU:\n Since you are here, 'tis best she should not know!",
"I was going to your friend just now--was but\n A few steps from the house, when I saw him\n Go out.",
"I hurried to him.",
"Saw him turn\n The corner. . .suddenly, from out a window\n Where he was passing--was it chance?. .",
".may be!",
"A lackey let fall a large piece of wood.",
"LE BRET:\n Cowards!",
"O Cyrano!",
"RAGUENEAU:\n I ran--I saw.",
"RAGUENEAU:\n One was kind--he came.",
"LE BRET:\n My poor Cyrano!--We must not tell this\n To Roxane suddenly.--What said this leech?--\n\nRAGUENEAU:\n Said,--what, I know not--fever, meningitis!--\n Ah!",
"could you see him--all his head bound up!--\n But let us haste!--There's no one by his bed!--\n And if he try to rise, Sir, he might die!",
"LE BRET (dragging him toward the right):\n Come!",
"Through the chapel!",
"'Tis the quickest way!",
"ROXANE (appearing on the steps, and seeing Le Bret go away by the colonnade\nleading to the chapel door):\n Monsieur le Bret!",
"(Le Bret and Ragueneau disappear without answering):\n Le Bret goes--when I call!",
"'Tis some new trouble of good Ragueneau's.",
"(She descends the steps.)"
] | l a large piece of wood.
LE BRET:
Cowards!
O Cyrano!
RAGUENEAU:
I ran--I saw.
. .
LE BRET:
'Tis hideous!
RAGUENEAU:
Saw our poet, Sir--our friend--
Struck to the ground--a large wound in his head!
LE BRET:
He's dead?
RAGUENEAU:
No--but--I bore him to his room.
. .
Ah!
his room!
What a thing to see!--that garret!
LE BRET:
He suffers?
RAGUENEAU:
No, his consciousness has flown.
LE BRET:
Saw you a doctor?
RAGUENEAU:
One was kind--he came.
LE BRET:
My poor Cyrano!--We must not tell this
To Roxane suddenly.--What said this leech?--
RAGUENEAU:
Said,--what, I know not--fever, meningitis!--
Ah!
could you see him--all his head bound up!--
But let us haste!--There's no one by his bed!--
And if he try to rise, Sir, he might die!
LE BRET (dragging him toward the right):
Come!
Through the chapel!
'Tis the quickest way!
ROXANE (appearing on the steps, and seeing Le Bret go away by the colonnade
leading to the chapel door):
Monsieur le Bret!
(Le Bret and Rague | Le Bret, Ragueneau.
RAGUENEAU:
Since you are here, 'tis best she should not know!
I was going to your friend just now--was but
A few steps from the house, when I saw him
Go out.
I hurried to him.
Saw him turn
The corner. . .suddenly, from out a window
Where he was passing--was it chance?. .
.may be!
A lackey let fall a large piece of wood.
LE BRET:
Cowards!
O Cyrano!
RAGUENEAU:
I ran--I saw.
. .
LE BRET:
'Tis hideous!
RAGUENEAU:
Saw our poet, Sir--our friend--
Struck to the g you see him--all his head bound up!--
But let us haste!--There's no one by his bed!--
And if he try to rise, Sir, he might die!
LE BRET (dragging him toward the right):
Come!
Through the chapel!
'Tis the quickest way!
ROXANE (appearing on the steps, and seeing Le Bret go away by the colonnade
leading to the chapel door):
Monsieur le Bret!
(Le Bret and Ragueneau disappear without answering):
Le Bret goes--when I call!
'Tis some new trouble of good Ragueneau's.
(She descends the steps.) | . .suddenly, from out a window
Where he was passing--was it chance?. .
.may be!
A lackey let fall a large piece of wood.
LE BRET:
Cowards!
O Cyrano!
RAGUENEAU:
I ran--I saw.
. .
LE BRET:
'Tis hideous!
RAGUENEAU:
Saw our poet, Sir--our friend--
Struck to the ground--a large wound in his head!
LE BRET:
He's dead?
RAGUENEAU:
No--but--I bore him to his room.
. .
Ah!
his room!
What a thing to see!--that garret!
LE BRET:
He suffers?
RAGUENEAU:
No, his consciousness has flown.
LE BRET:
Saw you a doctor?
RAGUENEAU:
One was kind--he came.
LE BRET:
My poor Cyrano!--We must not tell this
To Roxane suddenly.--What said this leech?--
RAGUENEAU:
Said,--what, I know not--fever, meningitis!--
Ah!
could you see him--all his head bound up!--
But let us haste!--There's no one by his bed!--
And if he try to rise, Sir, he might die!
LE BRET (dragging him toward the right):
Come!
Through the chapel!
'Tis the quickest way!
ROXANE (appearing on the steps, and seeing Le |
1,254 | false | pinkmonkey | all_chapterized_books/1254-chapters/49.txt | finished_summaries/pinkmonkey/Cyrano De Bergerac/section_44_part_0.txt | Cyrano De Bergerac.act 5.scene 4 | scene 4 | null | {"name": "Scene 4", "url": "https://web.archive.org/web/20180820053313/http://www.pinkmonkey.com/booknotes/monkeynotes/pmCyrano44.asp", "summary": "Ragueneau tells Le Bret that Cyrano has had a freak accident. While he was walking outside, a lackey dropped a piece of firewood from an upper window. It hit Cyrano on the head, injuring him seriously. Ragueneau states that after the accident, he had carried Cyrano to his room and found a doctor who would treat him out of charity. Since Cyrano is still unconscious, Ragueneau wants Le Bret to go to him immediately. The two of them rush out without saying a word to Roxane. She assumes that Ragueneau is in serious trouble for them to totally ignore her. Roxane stands alone in the park admiring the autumn day. Two nuns come out and place a large armchair in anticipation of Cyrano's weekly visit. When she realizes what time it is, Roxane is surprised, for Cyrano is never late. She assumes that a nun at the gate has stopped him to ask him to repent of his sins. Brushing away a dead leaf, she turns to work on her tapestry in order to pass the time. Soon a nun announces Cyrano's arrival.", "analysis": "Notes Ragueneau tells Le Bret that Cyrano has been injured. In truth, he has been attacked by a cowardly enemy who orders his servant to drop a piece of firewood on Cyrano's head. The historical Cyrano was injured in the same manner; however, he lived nearly a year after his accident. Both of them die in September. The real Cyrano also suffered from abject poverty, like the protagonist of the play. At the end of scene 4, Cyrano arrives to see Roxane. It is quite in character that the protagonist would not let an injury keep him away from his true love, even though she has greatly changed. She is no longer the sparkling young beauty who married Christian. Now she is the pathetically faithful wife who has grieved over the loss of her husband for too many years. Time has taken away her bright spirits, as seen in scene 3 when she is easily upset because Le Bret does not answer her. The tapestry on which Roxane stitches is symbolic of her self- absorption. She has turned away from the world to create her own version of reality. It is significant that she brushes a dead leaf off the tapestry, a foreshadowing of the darkness to come."} | Roxane alone. Two sisters, for a moment.
ROXANE:
Ah! what a beauty in September's close!
My sorrow's eased. April's joy dazzled it,
But autumn wins it with her dying calm.
(She seats herself at the embroidery frame. Two sisters come out of the
house, and bring a large armchair under the tree):
There comes the famous armchair where he sits,
Dear faithful friend!
SISTER MARTHA:
It is the parlor's best!
ROXANE:
Thanks, sister.
(The sisters go):
He'll be here now.
(She seats herself. A clock strikes):
The hour strikes.
--My silks?--Why, now, the hour's struck!
How strange
To be behind his time, at last, to-day!
Perhaps the portress--where's my thimble?. . .
Here!--Is preaching to him.
(A pause):
Yes, she must be preaching!
Surely he must come soon!--Ah, a dead leaf!--
(She brushes off the leaf from her work):
Nothing, besides, could--scissors?--In my bag!
--Could hinder him. . .
A SISTER (coming to the steps):
Monsieur de Bergerac.
| 171 | Scene 4 | https://web.archive.org/web/20180820053313/http://www.pinkmonkey.com/booknotes/monkeynotes/pmCyrano44.asp | Ragueneau tells Le Bret that Cyrano has had a freak accident. While he was walking outside, a lackey dropped a piece of firewood from an upper window. It hit Cyrano on the head, injuring him seriously. Ragueneau states that after the accident, he had carried Cyrano to his room and found a doctor who would treat him out of charity. Since Cyrano is still unconscious, Ragueneau wants Le Bret to go to him immediately. The two of them rush out without saying a word to Roxane. She assumes that Ragueneau is in serious trouble for them to totally ignore her. Roxane stands alone in the park admiring the autumn day. Two nuns come out and place a large armchair in anticipation of Cyrano's weekly visit. When she realizes what time it is, Roxane is surprised, for Cyrano is never late. She assumes that a nun at the gate has stopped him to ask him to repent of his sins. Brushing away a dead leaf, she turns to work on her tapestry in order to pass the time. Soon a nun announces Cyrano's arrival. | Notes Ragueneau tells Le Bret that Cyrano has been injured. In truth, he has been attacked by a cowardly enemy who orders his servant to drop a piece of firewood on Cyrano's head. The historical Cyrano was injured in the same manner; however, he lived nearly a year after his accident. Both of them die in September. The real Cyrano also suffered from abject poverty, like the protagonist of the play. At the end of scene 4, Cyrano arrives to see Roxane. It is quite in character that the protagonist would not let an injury keep him away from his true love, even though she has greatly changed. She is no longer the sparkling young beauty who married Christian. Now she is the pathetically faithful wife who has grieved over the loss of her husband for too many years. Time has taken away her bright spirits, as seen in scene 3 when she is easily upset because Le Bret does not answer her. The tapestry on which Roxane stitches is symbolic of her self- absorption. She has turned away from the world to create her own version of reality. It is significant that she brushes a dead leaf off the tapestry, a foreshadowing of the darkness to come. | 183 | 208 | [
"Roxane alone.",
"Two sisters, for a moment.",
"ROXANE:\n Ah!",
"what a beauty in September's close!",
"My sorrow's eased.",
"April's joy dazzled it,\n But autumn wins it with her dying calm.",
"(She seats herself at the embroidery frame.",
"Two sisters come out of the\nhouse, and bring a large armchair under the tree):\n There comes the famous armchair where he sits,\n Dear faithful friend!",
"SISTER MARTHA:\n It is the parlor's best!",
"ROXANE:\n Thanks, sister.",
"(The sisters go):\n He'll be here now.",
"(She seats herself.",
"A clock strikes):\n The hour strikes.",
"--My silks?--Why, now, the hour's struck!",
"How strange\n To be behind his time, at last, to-day!",
"Perhaps the portress--where's my thimble?.",
". .",
"Here!--Is preaching to him.",
"(A pause):\n Yes, she must be preaching!",
"Surely he must come soon!--Ah, a dead leaf!--\n(She brushes off the leaf from her work):\n Nothing, besides, could--scissors?--In my bag!",
"--Could hinder him.",
". .\n\nA SISTER (coming to the steps):\n Monsieur de Bergerac."
] | [
"Roxane alone.",
"what a beauty in September's close!",
"SISTER MARTHA:\n It is the parlor's best!",
"ROXANE:\n Thanks, sister.",
"(The sisters go):\n He'll be here now.",
"(She seats herself.",
"How strange\n To be behind his time, at last, to-day!",
"Here!--Is preaching to him.",
"--Could hinder him.",
". .\n\nA SISTER (coming to the steps):\n Monsieur de Bergerac."
] | [
"My sorrow's eased.",
"--My silks?--Why, now, the hour's struck!",
"--Could hinder him.",
"ROXANE:\n Thanks, sister.",
"(She seats herself at the embroidery frame.",
"How strange\n To be behind his time, at last, to-day!",
"Surely he must come soon!--Ah, a dead leaf!--\n(She brushes off the leaf from her work):\n Nothing, besides, could--scissors?--In my bag!",
"ROXANE:\n Ah!",
"(She seats herself.",
"April's joy dazzled it,\n But autumn wins it with her dying calm."
] | [
"(She seats herself at the embroidery frame.",
"Two sisters come out of the\nhouse, and bring a large armchair under the tree):\n There comes the famous armchair where he sits,\n Dear faithful friend!",
"SISTER MARTHA:\n It is the parlor's best!",
"ROXANE:\n Thanks, sister.",
"(The sisters go):\n He'll be here now.",
"(She seats herself.",
"A clock strikes):\n The hour strikes.",
"--My silks?--Why, now, the hour's struck!",
"How strange\n To be behind his time, at last, to-day!",
"Perhaps the portress--where's my thimble?.",
". ."
] | [
"Roxane alone.",
"Two sisters, for a moment.",
"ROXANE:\n Ah!",
"what a beauty in September's close!",
"My sorrow's eased.",
"April's joy dazzled it,\n But autumn wins it with her dying calm.",
"(She seats herself at the embroidery frame.",
"Two sisters come out of the\nhouse, and bring a large armchair under the tree):\n There comes the famous armchair where he sits,\n Dear faithful friend!",
"SISTER MARTHA:\n It is the parlor's best!",
"ROXANE:\n Thanks, sister.",
"A clock strikes):\n The hour strikes.",
"--My silks?--Why, now, the hour's struck!",
"How strange\n To be behind his time, at last, to-day!",
"Perhaps the portress--where's my thimble?.",
". .",
"Here!--Is preaching to him.",
"(A pause):\n Yes, she must be preaching!",
"Surely he must come soon!--Ah, a dead leaf!--\n(She brushes off the leaf from her work):\n Nothing, besides, could--scissors?--In my bag!",
"--Could hinder him.",
". .\n\nA SISTER (coming to the steps):\n Monsieur de Bergerac."
] | Roxane alone.
Two sisters, for a moment.
ROXANE:
Ah!
what a beauty in September's close!
My sorrow's eased.
April's joy dazzled it,
But autumn wins it with her dying calm.
(She seats herself at the embroidery frame.
Two sisters come out of the
house, and bring a large armchair under the tree):
There comes the famous armchair where he sits,
Dear faithful friend!
SISTER MARTHA:
It is the parlor's best!
ROXANE:
Thanks, sister.
(The sisters go):
He'll be here now.
(She seats herself.
A clock strikes):
The hour strikes.
--My silks?--Why, now, the hour's struck!
How strange
To be behind his time, at last, to-day!
Perhaps the portress--where's my thimble?.
. .
Here!--Is preaching to him.
(A pause):
Yes, she must be preaching!
Surely he must come soon!--Ah, a dead leaf!--
(She brushes off the leaf from her work):
Nothing, besides, could--scissors?--In my bag!
--Could hinder him.
. .
A SISTER (coming to the steps):
Monsieur de Bergerac. | Roxane alone.
Two sisters, for a moment.
ROXANE:
Ah!
what a beauty in September's close!
My sorrow's eased.
April's joy dazzled it,
But autumn wins it with her dying calm.
(She seats herself at the embroidery frame.
Two sisters come out , she must be preaching!
Surely he must come soon!--Ah, a dead leaf!--
(She brushes off the leaf from her work):
Nothing, besides, could--scissors?--In my bag!
--Could hinder him.
. .
A SISTER (coming to the steps):
Monsieur de Bergerac. | f the
house, and bring a large armchair under the tree):
There comes the famous armchair where he sits,
Dear faithful friend!
SISTER MARTHA:
It is the parlor's best!
ROXANE:
Thanks, sister.
(The sisters go):
He'll be here now.
(She seats herself.
A clock strikes):
The hour strikes.
--My silks?--Why, now, the hour's struck!
How strange
To be behind his time, at last, to-day!
Perhaps the portress--where's my thimble?.
. .
Here!--Is preaching to him.
(A pause):
Yes, |
1,254 | false | pinkmonkey | all_chapterized_books/1254-chapters/50.txt | finished_summaries/pinkmonkey/Cyrano De Bergerac/section_45_part_0.txt | Cyrano De Bergerac.act 5.scene 5 | scene 5 | null | {"name": "Scene 5", "url": "https://web.archive.org/web/20180820053313/http://www.pinkmonkey.com/booknotes/monkeynotes/pmCyrano45.asp", "summary": "Cyrano approaches, supporting himself with a cane. Although his hat conceals his face, it is obvious that he is pale and weak. Roxane, however, is so absorbed in her work on the tapestry that she does not turn to greet Cyrano; instead, she rebukes him for being late. He responds by saying that he had a visitor, whom he sent away in order to come and visit her. Before falling silent, he hints that he may have to leave early. Sister Marthe, one of the nuns whom Cyrano usually teases, passes by. Cyrano, trying to act normally, calls to her. She is startled by his ill appearance and wants to go and bring him some soup. Cyrano is not worried about himself, but Roxane; he warns the nun not to alarm Roxane about him. He does, however, ask the nun to pray for him. He also states that he will never see Roxane's tapestry finished. He also notices the read autumn leaves as they fall gracefully before him. Roxane wants to hear the news of the Parisian society. For a while, Cyrano rattles off the mundane daily events; but he soon faints from exhaustion. Roxane rushes to him. When he regains consciousness, he pretends it is an effect of a wound he received at Arras, many years ago. Roxane comments about how she was also wounded in Arras and points to the farewell letter over her heart. Cyrano asks her to see the letter, which he recites fluently and beautifully in a voice like the one he had used under Roxane's window. Since it is obvious that Cyrano is not really reading the words, but knows them by heart, she realizes that he is the one who had written the letters on Christian's behalf. She now knows that she has really loved Cyrano, not Christian. When Roxane confronts Cyrano about the deception, he denies it. Before she can discuss it further, Le Bret and Ragueneau enter. They blurt out that Cyrano will kill himself by exertion. Roxane now understands his faintness and demands to know what has happened. Cyrano explains the attack on him and shows her his bandages. He bemoans the irony of fate, which has prevented him from dying a noble death from a sword. He adds that both his life and death have been failures. Roxane states that she is sorry that she is the cause of his unhappiness. Cyrano, however, assures her that he is grateful for her friendship. Cyrano turns to Ragueneau to talk about literature. Ragueneau accuses Moliere of plagiarizing a scene from Cyrano's writing. Cyrano does not seem to mind. He says that he has always provided words and ideas for others. It is an obvious reference to what he did for Christian. Knowing that his death is fast approaching, Cyrano compares his love for Roxane to the love between the beauty and the beast. He then asks Roxane to mourn for him as she had for Christian. He finally stands up, sword in hand, to face his end nobly. He dies, proud of the integrity he has shown in life.", "analysis": ""} | Roxane, Cyrano and, for a moment, Sister Martha.
ROXANE (without turning round):
What was I saying?. . .
(She embroiders. Cyrano, very pale, his hat pulled down over his eyes,
appears. The sister who had announced him retires. He descends the steps
slowly, with a visible difficulty in holding himself upright, bearing heavily
on his cane. Roxane still works at her tapestry):
Time has dimmed the tints. . .
How harmonize them now?
(To Cyrano, with playful reproach):
For the first time
Late!--For the first time, all these fourteen years!
CYRANO (who has succeeded in reaching the chair, and has seated himself--in a
lively voice, which is in great contrast with his pale face):
Ay! It is villainous! I raged--was stayed. . .
ROXANE:
By?. . .
CYRANO:
By a bold, unwelcome visitor.
ROXANE (absently, working):
Some creditor?
CYRANO:
Ay, cousin,--the last creditor
Who has a debt to claim from me.
ROXANE:
And you
Have paid it?
CYRANO:
No, not yet! I put it off;
--Said, 'Cry you mercy; this is Saturday,
When I have get a standing rendezvous
That naught defers. Call in an hour's time!'
ROXANE (carelessly):
Oh, well, a creditor can always wait!
I shall not let you go ere twilight falls.
CYRANO:
Haply, perforce, I quit you ere it falls!
(He shuts his eyes, and is silent for a moment. Sister Martha crosses the
park from the chapel to the flight of steps. Roxane, seeing her, signs to her
to approach.)
ROXANE (to Cyrano):
How now? You have not teased the Sister?
CYRANO (hastily opening his eyes):
True!
(In a comically loud voice):
Sister! come here!
(The sister glides up to him):
Ha! ha! What? Those bright eyes
Bent ever on the ground?
SISTER MARTHA (who makes a movement of astonishment on seeing his face):
Oh!
CYRANO (in a whisper, pointing to Roxane):
Hush! 'tis naught!--
(Loudly, in a blustering voice):
I broke fast yesterday!
SISTER MARTHA (aside):
I know, I know!
That's how he is so pale! Come presently
To the refectory, I'll make you drink
A famous bowl of soup. . .You'll come?
CYRANO:
Ay, ay!
SISTER MARTHA:
There, see! You are more reasonable to-day!
ROXANE (who hears them whispering):
The Sister would convert you?
SISTER MARTHA:
Nay, not I!
CYRANO:
Hold! but it's true! You preach to me no more,
You, once so glib with holy words! I am
Astonished!. . .
(With burlesque fury):
Stay, I will surprise you too!
Hark! I permit you. . .
(He pretends to be seeking for something to tease her with, and to have found
it):
. . .It is something new!--
To--pray for me, to-night, at chapel-time!
ROXANE:
Oh! oh!
CYRANO (laughing):
Good Sister Martha is struck dumb!
SISTER MARTHA (gently):
I did not wait your leave to pray for you.
(She goes out.)
CYRANO (turning to Roxane, who is still bending over her work):
That tapestry! Beshrew me if my eyes
Will ever see it finished!
ROXANE:
I was sure
To hear that well-known jest!
(A light breeze causes the leaves to fall.)
CYRANO:
The autumn leaves!
ROXANE (lifting her head, and looking down the distant alley):
Soft golden brown, like a Venetian's hair.
--See how they fall!
CYRANO:
Ay, see how brave they fall,
In their last journey downward from the bough,
To rot within the clay; yet, lovely still,
Hiding the horror of the last decay,
With all the wayward grace of careless flight!
ROXANE:
What, melancholy--you?
CYRANO (collecting himself):
Nay, nay, Roxane!
ROXANE:
Then let the dead leaves fall the way they will. . .
And chat. What, have you nothing new to tell,
My Court Gazette?
CYRANO:
Listen.
ROXANE:
Ah!
CYRANO (growing whiter and whiter):
Saturday
The nineteenth: having eaten to excess
Of pear-conserve, the King felt feverish;
The lancet quelled this treasonable revolt,
And the august pulse beats at normal pace.
At the Queen's ball on Sunday thirty score
Of best white waxen tapers were consumed.
Our troops, they say, have chased the Austrians.
Four sorcerers were hanged. The little dog
Of Madame d'Athis took a dose. . .
ROXANE:
I bid
You hold your tongue, Monsieur de Bergerac!
CYRANO:
Monday--not much--Claire changed protector.
ROXANE:
Oh!
CYRANO (whose face changes more and more):
Tuesday, the Court repaired to Fontainebleau.
Wednesday, the Montglat said to Comte de Fiesque. . .
No! Thursday--Mancini, Queen of France! (almost!)
Friday, the Monglat to Count Fiesque said--'Yes!'
And Saturday the twenty-sixth. . .
(He closes his eyes. His head falls forward. Silence.)
ROXANE (surprised at his voice ceasing, turns round, looks at him, and rising,
terrified):
He swoons!
(She runs toward him crying):
Cyrano!
CYRANO (opening his eyes, in an unconcerned voice):
What is this?
(He sees Roxane bending over him, and, hastily pressing his hat on his head,
and shrinking back in his chair):
Nay, on my word
'Tis nothing! Let me be!
ROXANE:
But. . .
CYRANO:
That old wound
Of Arras, sometimes,--as you know. . .
ROXANE:
Dear friend!
CYRANO:
'Tis nothing, 'twill pass soon;
(He smiles with an effort):
See!--it has passed!
ROXANE:
Each of us has his wound; ay, I have mine,--
Never healed up--not healed yet, my old wound!
(She puts her hand on her breast):
'Tis here, beneath this letter brown with age,
All stained with tear-drops, and still stained with blood.
(Twilight begins to fall.)
CYRANO:
His letter! Ah! you promised me one day
That I should read it.
ROXANE:
What would you?--His letter?
CYRANO:
Yes, I would fain,--to-day. . .
ROXANE (giving the bag hung at her neck):
See! here it is!
CYRANO (taking it):
Have I your leave to open?
ROXANE:
Open--read!
(She comes back to her tapestry frame, folds it up, sorts her wools.)
CYRANO (reading):
'Roxane, adieu! I soon must die!
This very night, beloved; and I
Feel my soul heavy with love untold.
I die! No more, as in days of old,
My loving, longing eyes will feast
On your least gesture--ay, the least!
I mind me the way you touch your cheek
With your finger, softly, as you speak!
Ah me! I know that gesture well!
My heart cries out!--I cry "Farewell"!'
ROXANE:
But how you read that letter! One would think. . .
CYRANO (continuing to read):
'My life, my love, my jewel, my sweet,
My heart has been yours in every beat!'
(The shades of evening fall imperceptibly.)
ROXANE:
You read in such a voice--so strange--and yet--
It is not the first time I hear that voice!
(She comes nearer very softly, without his perceiving it, passes behind his
chair, and, noiselessly leaning over him, looks at the letter. The darkness
deepens.)
CYRANO:
'Here, dying, and there, in the land on high,
I am he who loved, who loves you,--I. . .'
ROXANE (putting her hand on his shoulder):
How can you read? It is too dark to see!
(He starts, turns, sees her close to him. Suddenly alarmed, he holds his head
down. Then in the dusk, which has now completely enfolded them, she says,
very slowly, with clasped hands):
And, fourteen years long, he has played this part
Of the kind old friend who comes to laugh and chat.
CYRANO:
Roxane!
ROXANE:
'Twas you!
CYRANO:
No, never; Roxane, no!
ROXANE:
I should have guessed, each time he said my name!
CYRANO:
No, it was not I!
ROXANE:
It was you!
CYRANO:
I swear!
ROXANE:
I see through all the generous counterfeit--
The letters--you!
CYRANO:
No.
ROXANE:
The sweet, mad love-words!
You!
CYRANO:
No!
ROXANE:
The voice that thrilled the night--you, you!
CYRANO:
I swear you err.
ROXANE:
The soul--it was your soul!
CYRANO:
I loved you not.
ROXANE:
You loved me not?
CYRANO:
'Twas he!
ROXANE:
You loved me!
CYRANO:
No!
ROXANE:
See! how you falter now!
CYRANO:
No, my sweet love, I never loved you!
ROXANE:
Ah!
Things dead, long dead, see! how they rise again!
--Why, why keep silence all these fourteen years,
When, on this letter, which he never wrote,
The tears were your tears?
CYRANO (holding out the letter to her):
The bloodstains were his.
ROXANE:
Why, then, that noble silence,--kept so long--
Broken to-day for the first time--why?
CYRANO:
Why?. . .
(Le Bret and Ragueneau enter running.)
| 1,444 | Scene 5 | https://web.archive.org/web/20180820053313/http://www.pinkmonkey.com/booknotes/monkeynotes/pmCyrano45.asp | Cyrano approaches, supporting himself with a cane. Although his hat conceals his face, it is obvious that he is pale and weak. Roxane, however, is so absorbed in her work on the tapestry that she does not turn to greet Cyrano; instead, she rebukes him for being late. He responds by saying that he had a visitor, whom he sent away in order to come and visit her. Before falling silent, he hints that he may have to leave early. Sister Marthe, one of the nuns whom Cyrano usually teases, passes by. Cyrano, trying to act normally, calls to her. She is startled by his ill appearance and wants to go and bring him some soup. Cyrano is not worried about himself, but Roxane; he warns the nun not to alarm Roxane about him. He does, however, ask the nun to pray for him. He also states that he will never see Roxane's tapestry finished. He also notices the read autumn leaves as they fall gracefully before him. Roxane wants to hear the news of the Parisian society. For a while, Cyrano rattles off the mundane daily events; but he soon faints from exhaustion. Roxane rushes to him. When he regains consciousness, he pretends it is an effect of a wound he received at Arras, many years ago. Roxane comments about how she was also wounded in Arras and points to the farewell letter over her heart. Cyrano asks her to see the letter, which he recites fluently and beautifully in a voice like the one he had used under Roxane's window. Since it is obvious that Cyrano is not really reading the words, but knows them by heart, she realizes that he is the one who had written the letters on Christian's behalf. She now knows that she has really loved Cyrano, not Christian. When Roxane confronts Cyrano about the deception, he denies it. Before she can discuss it further, Le Bret and Ragueneau enter. They blurt out that Cyrano will kill himself by exertion. Roxane now understands his faintness and demands to know what has happened. Cyrano explains the attack on him and shows her his bandages. He bemoans the irony of fate, which has prevented him from dying a noble death from a sword. He adds that both his life and death have been failures. Roxane states that she is sorry that she is the cause of his unhappiness. Cyrano, however, assures her that he is grateful for her friendship. Cyrano turns to Ragueneau to talk about literature. Ragueneau accuses Moliere of plagiarizing a scene from Cyrano's writing. Cyrano does not seem to mind. He says that he has always provided words and ideas for others. It is an obvious reference to what he did for Christian. Knowing that his death is fast approaching, Cyrano compares his love for Roxane to the love between the beauty and the beast. He then asks Roxane to mourn for him as she had for Christian. He finally stands up, sword in hand, to face his end nobly. He dies, proud of the integrity he has shown in life. | null | 518 | 1 | [
"Roxane, Cyrano and, for a moment, Sister Martha.",
"ROXANE (without turning round):\n What was I saying?.",
". .\n(She embroiders.",
"Cyrano, very pale, his hat pulled down over his eyes,\nappears.",
"The sister who had announced him retires.",
"He descends the steps\nslowly, with a visible difficulty in holding himself upright, bearing heavily\non his cane.",
"Roxane still works at her tapestry):\n Time has dimmed the tints.",
". .\n How harmonize them now?",
"(To Cyrano, with playful reproach):\n For the first time\n Late!--For the first time, all these fourteen years!",
"CYRANO (who has succeeded in reaching the chair, and has seated himself--in a\nlively voice, which is in great contrast with his pale face):\n Ay!",
"It is villainous!",
"I raged--was stayed.",
". .\n\nROXANE:\n By?.",
". .\n\nCYRANO:\n By a bold, unwelcome visitor.",
"ROXANE (absently, working):\n Some creditor?",
"CYRANO:\n Ay, cousin,--the last creditor\n Who has a debt to claim from me.",
"ROXANE:\n And you\n Have paid it?",
"CYRANO:\n No, not yet!",
"I put it off;\n --Said, 'Cry you mercy; this is Saturday,\n When I have get a standing rendezvous\n That naught defers.",
"Call in an hour's time!'",
"ROXANE (carelessly):\n Oh, well, a creditor can always wait!",
"I shall not let you go ere twilight falls.",
"CYRANO:\n Haply, perforce, I quit you ere it falls!",
"(He shuts his eyes, and is silent for a moment.",
"Sister Martha crosses the\npark from the chapel to the flight of steps.",
"Roxane, seeing her, signs to her\nto approach.)",
"ROXANE (to Cyrano):\n How now?",
"You have not teased the Sister?",
"CYRANO (hastily opening his eyes):\n True!",
"(In a comically loud voice):\n Sister!",
"come here!",
"(The sister glides up to him):\n Ha!",
"ha!",
"What?",
"Those bright eyes\n Bent ever on the ground?",
"SISTER MARTHA (who makes a movement of astonishment on seeing his face):\n Oh!",
"CYRANO (in a whisper, pointing to Roxane):\n Hush!",
"'tis naught!--\n(Loudly, in a blustering voice):\n I broke fast yesterday!",
"SISTER MARTHA (aside):\n I know, I know!",
"That's how he is so pale!",
"Come presently\n To the refectory, I'll make you drink\n A famous bowl of soup. . .You'll come?",
"CYRANO:\n Ay, ay!",
"SISTER MARTHA:\n There, see!",
"You are more reasonable to-day!",
"ROXANE (who hears them whispering):\n The Sister would convert you?",
"SISTER MARTHA:\n Nay, not I!",
"CYRANO:\n Hold!",
"but it's true!",
"You preach to me no more,\n You, once so glib with holy words!",
"I am\n Astonished!.",
". .\n(With burlesque fury):\n Stay, I will surprise you too!",
"Hark!",
"I permit you.",
". .\n(He pretends to be seeking for something to tease her with, and to have found\nit):\n . . .It is something new!--\n To--pray for me, to-night, at chapel-time!",
"ROXANE:\n Oh!",
"oh!",
"CYRANO (laughing):\n Good Sister Martha is struck dumb!",
"SISTER MARTHA (gently):\n I did not wait your leave to pray for you.",
"(She goes out.)",
"CYRANO (turning to Roxane, who is still bending over her work):\n That tapestry!",
"Beshrew me if my eyes\n Will ever see it finished!",
"ROXANE:\n I was sure\n To hear that well-known jest!",
"(A light breeze causes the leaves to fall.)",
"CYRANO:\n The autumn leaves!",
"ROXANE (lifting her head, and looking down the distant alley):\n Soft golden brown, like a Venetian's hair.",
"--See how they fall!",
"CYRANO:\n Ay, see how brave they fall,\n In their last journey downward from the bough,\n To rot within the clay; yet, lovely still,\n Hiding the horror of the last decay,\n With all the wayward grace of careless flight!",
"ROXANE:\n What, melancholy--you?",
"CYRANO (collecting himself):\n Nay, nay, Roxane!",
"ROXANE:\n Then let the dead leaves fall the way they will.",
". .\n And chat.",
"What, have you nothing new to tell,\n My Court Gazette?",
"CYRANO:\n Listen.",
"ROXANE:\n Ah!",
"CYRANO (growing whiter and whiter):\n Saturday\n The nineteenth: having eaten to excess\n Of pear-conserve, the King felt feverish;\n The lancet quelled this treasonable revolt,\n And the august pulse beats at normal pace.",
"At the Queen's ball on Sunday thirty score\n Of best white waxen tapers were consumed.",
"Our troops, they say, have chased the Austrians.",
"Four sorcerers were hanged.",
"The little dog\n Of Madame d'Athis took a dose.",
". .\n\nROXANE:\n I bid\n You hold your tongue, Monsieur de Bergerac!",
"CYRANO:\n Monday--not much--Claire changed protector.",
"ROXANE:\n Oh!",
"CYRANO (whose face changes more and more):\n Tuesday, the Court repaired to Fontainebleau.",
"Wednesday, the Montglat said to Comte de Fiesque.",
". .\n No!",
"Thursday--Mancini, Queen of France!",
"(almost!)",
"Friday, the Monglat to Count Fiesque said--'Yes!'",
"And Saturday the twenty-sixth.",
". .\n\n(He closes his eyes.",
"His head falls forward.",
"Silence.)",
"ROXANE (surprised at his voice ceasing, turns round, looks at him, and rising,\nterrified):\n He swoons!",
"(She runs toward him crying):\n Cyrano!",
"CYRANO (opening his eyes, in an unconcerned voice):\n What is this?",
"(He sees Roxane bending over him, and, hastily pressing his hat on his head,\nand shrinking back in his chair):\n Nay, on my word\n 'Tis nothing!",
"Let me be!",
"ROXANE:\n But.",
". .\n\nCYRANO:\n That old wound\n Of Arras, sometimes,--as you know.",
". .\n\nROXANE:\n Dear friend!",
"CYRANO:\n 'Tis nothing, 'twill pass soon;\n(He smiles with an effort):\n See!--it has passed!",
"ROXANE:\n Each of us has his wound; ay, I have mine,--\n Never healed up--not healed yet, my old wound!",
"(She puts her hand on her breast):\n 'Tis here, beneath this letter brown with age,\n All stained with tear-drops, and still stained with blood.",
"(Twilight begins to fall.)",
"CYRANO:\n His letter!",
"Ah!",
"you promised me one day\n That I should read it.",
"ROXANE:\n What would you?--His letter?",
"CYRANO:\n Yes, I would fain,--to-day.",
". .\n\nROXANE (giving the bag hung at her neck):\n See!",
"here it is!",
"CYRANO (taking it):\n Have I your leave to open?",
"ROXANE:\n Open--read!",
"(She comes back to her tapestry frame, folds it up, sorts her wools.)",
"CYRANO (reading):\n 'Roxane, adieu!",
"I soon must die!",
"This very night, beloved; and I\n Feel my soul heavy with love untold.",
"I die!",
"No more, as in days of old,\n My loving, longing eyes will feast\n On your least gesture--ay, the least!",
"I mind me the way you touch your cheek\n With your finger, softly, as you speak!",
"Ah me!",
"I know that gesture well!",
"My heart cries out!--I cry \"Farewell\"!'",
"ROXANE:\n But how you read that letter!",
"One would think.",
". .\n\nCYRANO (continuing to read):\n 'My life, my love, my jewel, my sweet,\n My heart has been yours in every beat!'",
"(The shades of evening fall imperceptibly.)",
"ROXANE:\n You read in such a voice--so strange--and yet--\n It is not the first time I hear that voice!",
"(She comes nearer very softly, without his perceiving it, passes behind his\nchair, and, noiselessly leaning over him, looks at the letter.",
"The darkness\ndeepens.)",
"CYRANO:\n 'Here, dying, and there, in the land on high,\n I am he who loved, who loves you,--I. . .'\n\nROXANE (putting her hand on his shoulder):\n How can you read?",
"It is too dark to see!",
"(He starts, turns, sees her close to him.",
"Suddenly alarmed, he holds his head\ndown.",
"Then in the dusk, which has now completely enfolded them, she says,\nvery slowly, with clasped hands):\n And, fourteen years long, he has played this part\n Of the kind old friend who comes to laugh and chat.",
"CYRANO:\n Roxane!",
"ROXANE:\n 'Twas you!",
"CYRANO:\n No, never; Roxane, no!",
"ROXANE:\n I should have guessed, each time he said my name!",
"CYRANO:\n No, it was not I!",
"ROXANE:\n It was you!",
"CYRANO:\n I swear!",
"ROXANE:\n I see through all the generous counterfeit--\n The letters--you!",
"CYRANO:\n No.",
"ROXANE:\n The sweet, mad love-words!",
"You!",
"CYRANO:\n No!",
"ROXANE:\n The voice that thrilled the night--you, you!",
"CYRANO:\n I swear you err.",
"ROXANE:\n The soul--it was your soul!",
"CYRANO:\n I loved you not.",
"ROXANE:\n You loved me not?",
"CYRANO:\n 'Twas he!",
"ROXANE:\n You loved me!",
"CYRANO:\n No!",
"ROXANE:\n See!",
"how you falter now!",
"CYRANO:\n No, my sweet love, I never loved you!",
"ROXANE:\n Ah!",
"Things dead, long dead, see!",
"how they rise again!",
"--Why, why keep silence all these fourteen years,\n When, on this letter, which he never wrote,\n The tears were your tears?",
"CYRANO (holding out the letter to her):\n The bloodstains were his.",
"ROXANE:\n Why, then, that noble silence,--kept so long--\n Broken to-day for the first time--why?",
"CYRANO:\n Why?.",
". .\n\n(Le Bret and Ragueneau enter running.)"
] | [
"ROXANE (absently, working):\n Some creditor?",
"What?",
"CYRANO (in a whisper, pointing to Roxane):\n Hush!",
"but it's true!",
"SISTER MARTHA (gently):\n I did not wait your leave to pray for you.",
"ROXANE:\n What, melancholy--you?",
"Wednesday, the Montglat said to Comte de Fiesque.",
"His head falls forward.",
"CYRANO:\n I loved you not.",
"ROXANE:\n See!"
] | [
"CYRANO:\n Ay, ay!",
"ha!",
"(In a comically loud voice):\n Sister!",
"Roxane, seeing her, signs to her\nto approach.)",
"ROXANE:\n I was sure\n To hear that well-known jest!",
"ROXANE:\n The soul--it was your soul!",
"Ah me!",
"CYRANO (turning to Roxane, who is still bending over her work):\n That tapestry!",
"I shall not let you go ere twilight falls.",
". .\n\nROXANE:\n Dear friend!"
] | [
"The little dog\n Of Madame d'Athis took a dose.",
". .\n\nROXANE:\n I bid\n You hold your tongue, Monsieur de Bergerac!",
"CYRANO:\n Monday--not much--Claire changed protector.",
"ROXANE:\n Oh!",
"CYRANO (whose face changes more and more):\n Tuesday, the Court repaired to Fontainebleau.",
"Wednesday, the Montglat said to Comte de Fiesque.",
". .\n No!",
"Thursday--Mancini, Queen of France!",
"(almost!)",
"Friday, the Monglat to Count Fiesque said--'Yes!'",
"And Saturday the twenty-sixth."
] | [
"Roxane, Cyrano and, for a moment, Sister Martha.",
"ROXANE (without turning round):\n What was I saying?.",
". .\n(She embroiders.",
"Cyrano, very pale, his hat pulled down over his eyes,\nappears.",
"The sister who had announced him retires.",
"He descends the steps\nslowly, with a visible difficulty in holding himself upright, bearing heavily\non his cane.",
"Roxane still works at her tapestry):\n Time has dimmed the tints.",
". .\n How harmonize them now?",
"(To Cyrano, with playful reproach):\n For the first time\n Late!--For the first time, all these fourteen years!",
"CYRANO (who has succeeded in reaching the chair, and has seated himself--in a\nlively voice, which is in great contrast with his pale face):\n Ay!",
"how you falter now!",
"CYRANO:\n No, my sweet love, I never loved you!",
"ROXANE:\n Ah!",
"Things dead, long dead, see!",
"how they rise again!",
"--Why, why keep silence all these fourteen years,\n When, on this letter, which he never wrote,\n The tears were your tears?",
"CYRANO (holding out the letter to her):\n The bloodstains were his.",
"ROXANE:\n Why, then, that noble silence,--kept so long--\n Broken to-day for the first time--why?",
"CYRANO:\n Why?.",
". .\n\n(Le Bret and Ragueneau enter running.)"
] | neath this letter brown with age,
All stained with tear-drops, and still stained with blood.
(Twilight begins to fall.)
CYRANO:
His letter!
Ah!
you promised me one day
That I should read it.
ROXANE:
What would you?--His letter?
CYRANO:
Yes, I would fain,--to-day.
. .
ROXANE (giving the bag hung at her neck):
See!
here it is!
CYRANO (taking it):
Have I your leave to open?
ROXANE:
Open--read!
(She comes back to her tapestry frame, folds it up, sorts her wools.)
CYRANO (reading):
'Roxane, adieu!
I soon must die!
This very night, beloved; and I
Feel my soul heavy with love untold.
I die!
No more, as in days of old,
My loving, longing eyes will feast
On your least gesture--ay, the least!
I mind me the way you touch your cheek
With your finger, softly, as you speak!
Ah me!
I know that gesture well!
My heart cries out!--I cry "Farewell"!'
ROXANE:
But how you read that letter!
One would think.
. .
CYRANO (continuing to read):
'My life, my love, my jewel, my swee | Roxane, Cyrano and, for a moment, Sister Martha.
ROXANE (without turning round):
What was I saying?.
. .
(She embroiders.
Cyrano, very pale, his hat pulled down over his eyes,
appears.
The sister who had announced him retires.
He descends the steps
slowly, with a visible difficulty in holding himself upright, bearing heavily
on his cane.
Roxane still works at her tapestry):
Time has dimmed the tints.
. .
How harmonize them now?
(To Cyrano, with playful reproach):
For the first time
Lat o!
ROXANE:
See!
how you falter now!
CYRANO:
No, my sweet love, I never loved you!
ROXANE:
Ah!
Things dead, long dead, see!
how they rise again!
--Why, why keep silence all these fourteen years,
When, on this letter, which he never wrote,
The tears were your tears?
CYRANO (holding out the letter to her):
The bloodstains were his.
ROXANE:
Why, then, that noble silence,--kept so long--
Broken to-day for the first time--why?
CYRANO:
Why?.
. .
(Le Bret and Ragueneau enter running.) | RANO:
Listen.
ROXANE:
Ah!
CYRANO (growing whiter and whiter):
Saturday
The nineteenth: having eaten to excess
Of pear-conserve, the King felt feverish;
The lancet quelled this treasonable revolt,
And the august pulse beats at normal pace.
At the Queen's ball on Sunday thirty score
Of best white waxen tapers were consumed.
Our troops, they say, have chased the Austrians.
Four sorcerers were hanged.
The little dog
Of Madame d'Athis took a dose.
. .
ROXANE:
I bid
You hold your tongue, Monsieur de Bergerac!
CYRANO:
Monday--not much--Claire changed protector.
ROXANE:
Oh!
CYRANO (whose face changes more and more):
Tuesday, the Court repaired to Fontainebleau.
Wednesday, the Montglat said to Comte de Fiesque.
. .
No!
Thursday--Mancini, Queen of France!
(almost!)
Friday, the Monglat to Count Fiesque said--'Yes!'
And Saturday the twenty-sixth.
. .
(He closes his eyes.
His head falls forward.
Silence.)
ROXANE (surprised at his voice ceasing, turns round, looks at |
1,254 | false | pinkmonkey | all_chapterized_books/1254-chapters/51.txt | finished_summaries/pinkmonkey/Cyrano De Bergerac/section_46_part_0.txt | Cyrano De Bergerac.act 5.scene 6 | scene 6 | null | {"name": "Scene 6", "url": "https://web.archive.org/web/20180820053313/http://www.pinkmonkey.com/booknotes/monkeynotes/pmCyrano45.asp", "summary": "Cyrano approaches, supporting himself with a cane. Although his hat conceals his face, it is obvious that he is pale and weak. Roxane, however, is so absorbed in her work on the tapestry that she does not turn to greet Cyrano; instead, she rebukes him for being late. He responds by saying that he had a visitor, whom he sent away in order to come and visit her. Before falling silent, he hints that he may have to leave early. Sister Marthe, one of the nuns whom Cyrano usually teases, passes by. Cyrano, trying to act normally, calls to her. She is startled by his ill appearance and wants to go and bring him some soup. Cyrano is not worried about himself, but Roxane; he warns the nun not to alarm Roxane about him. He does, however, ask the nun to pray for him. He also states that he will never see Roxane's tapestry finished. He also notices the read autumn leaves as they fall gracefully before him. Roxane wants to hear the news of the Parisian society. For a while, Cyrano rattles off the mundane daily events; but he soon faints from exhaustion. Roxane rushes to him. When he regains consciousness, he pretends it is an effect of a wound he received at Arras, many years ago. Roxane comments about how she was also wounded in Arras and points to the farewell letter over her heart. Cyrano asks her to see the letter, which he recites fluently and beautifully in a voice like the one he had used under Roxane's window. Since it is obvious that Cyrano is not really reading the words, but knows them by heart, she realizes that he is the one who had written the letters on Christian's behalf. She now knows that she has really loved Cyrano, not Christian. When Roxane confronts Cyrano about the deception, he denies it. Before she can discuss it further, Le Bret and Ragueneau enter. They blurt out that Cyrano will kill himself by exertion. Roxane now understands his faintness and demands to know what has happened. Cyrano explains the attack on him and shows her his bandages. He bemoans the irony of fate, which has prevented him from dying a noble death from a sword. He adds that both his life and death have been failures. Roxane states that she is sorry that she is the cause of his unhappiness. Cyrano, however, assures her that he is grateful for her friendship. Cyrano turns to Ragueneau to talk about literature. Ragueneau accuses Moliere of plagiarizing a scene from Cyrano's writing. Cyrano does not seem to mind. He says that he has always provided words and ideas for others. It is an obvious reference to what he did for Christian. Knowing that his death is fast approaching, Cyrano compares his love for Roxane to the love between the beauty and the beast. He then asks Roxane to mourn for him as she had for Christian. He finally stands up, sword in hand, to face his end nobly. He dies, proud of the integrity he has shown in life.", "analysis": ""} | The same. Le Bret and Ragueneau.
LE BRET:
What madness! Here? I knew it well!
CYRANO (smiling and sitting up):
What now?
LE BRET:
He has brought his death by coming, Madame.
ROXANE:
God!
Ah, then! that faintness of a moment since. . .?
CYRANO:
Why, true! It interrupted the 'Gazette:'
. . .Saturday, twenty-sixth, at dinner-time,
Assassination of De Bergerac.
(He takes off his hat; they see his head bandaged.)
ROXANE:
What says he? Cyrano!--His head all bound!
Ah, what has chanced? How?--Who?. . .
CYRANO:
'To be struck down,
Pierced by sword i' the heart, from a hero's hand!'
That I had dreamed. O mockery of Fate!
--Killed, I! of all men--in an ambuscade!
Struck from behind, and by a lackey's hand!
'Tis very well. I am foiled, foiled in all,
Even in my death.
RAGUENEAU:
Ah, Monsieur!. . .
CYRANO (holding out his hand to him):
Ragueneau,
Weep not so bitterly!. . .What do you now,
Old comrade?
RAGUENEAU (amid his tears):
Trim the lights for Moliere's stage.
CYRANO:
Moliere!
RAGUENEAU:
Yes; but I shall leave to-morrow.
I cannot bear it!--Yesterday, they played
'Scapin'--I saw he'd thieved a scene from you!
LE BRET:
What! a whole scene?
RAGUENEAU:
Oh, yes, indeed, Monsieur,
The famous one, 'Que Diable allait-il faire?'
LE BRET:
Moliere has stolen that?
CYRANO:
Tut! He did well!. . .
(to Ragueneau):
How went the scene? It told--I think it told?
RAGUENEAU (sobbing):
Ah! how they laughed!
CYRANO:
Look you, it was my life
To be the prompter every one forgets!
(To Roxane):
That night when 'neath your window Christian spoke
--Under your balcony, you remember? Well!
There was the allegory of my whole life:
I, in the shadow, at the ladder's foot,
While others lightly mount to Love and Fame!
Just! very just! Here on the threshold drear
Of death, I pay my tribute with the rest,
To Moliere's genius,--Christian's fair face!
(The chapel-bell chimes. The nuns are seen passing down the alley at the
back, to say their office):
Let them go pray, go pray, when the bell rings!
ROXANE (rising and calling):
Sister! Sister!
CYRANO (holding her fast):
Call no one. Leave me not;
When you come back, I should be gone for aye.
(The nuns have all entered the chapel. The organ sounds):
I was somewhat fain for music--hark! 'tis come.
ROXANE:
Live, for I love you!
CYRANO:
No, In fairy tales
When to the ill-starred Prince the lady says
'I love you!' all his ugliness fades fast--
But I remain the same, up to the last!
ROXANE:
I have marred your life--I, I!
CYRANO:
You blessed my life!
Never on me had rested woman's love.
My mother even could not find me fair:
I had no sister; and, when grown a man,
I feared the mistress who would mock at me.
But I have had your friendship--grace to you
A woman's charm has passed across my path.
LE BRET (pointing to the moon, which is seen between the trees):
Your other lady-love is come.
CYRANO (smiling):
I see.
ROXANE:
I loved but once, yet twice I lose my love!
CYRANO:
Hark you, Le Bret! I soon shall reach the moon.
To-night, alone, with no projectile's aid!. . .
LE BRET:
What are you saying?
CYRANO:
I tell you, it is there,
There, that they send me for my Paradise,
There I shall find at last the souls I love,
In exile,--Galileo--Socrates!
LE BRET (rebelliously):
No, no! It is too clumsy, too unjust!
So great a heart! So great a poet! Die
Like this? what, die. . .?
CYRANO:
Hark to Le Bret, who scolds!
LE BRET (weeping):
Dear friend. . .
CYRANO (starting up, his eyes wild):
What ho! Cadets of Gascony!
The elemental mass--ah yes! The hic. . .
LE BRET:
His science still--he raves!
CYRANO:
Copernicus
Said. . .
ROXANE:
Oh!
CYRANO:
Mais que diable allait-il faire,
Mais que diable allait-il faire dans cette galere?. . .
Philosopher, metaphysician,
Rhymer, brawler, and musician,
Famed for his lunar expedition,
And the unnumbered duels he fought,--
And lover also,--by interposition!--
Here lies Hercule Savinien
De Cyrano de Bergerac,
Who was everything, yet was naught.
I cry you pardon, but I may not stay;
See, the moon-ray that comes to call me hence!
(He has fallen back in his chair; the sobs of Roxane recall him to reality; he
looks long at her, and, touching her veil):
I would not bid you mourn less faithfully
That good, brave Christian: I would only ask
That when my body shall be cold in clay
You wear those sable mourning weeds for two,
And mourn awhile for me, in mourning him.
ROXANE:
I swear it you!. . .
CYRANO (shivering violently, then suddenly rising):
Not there! what, seated?--no!
(They spring toward him):
Let no one hold me up--
(He props himself against the tree):
Only the tree!
(Silence):
It comes. E'en now my feet have turned to stone,
My hands are gloved with lead!
(He stands erect):
But since Death comes,
I meet him still afoot,
(He draws his sword):
And sword in hand!
LE BRET:
Cyrano!
ROXANE (half fainting):
Cyrano!
(All shrink back in terror.)
CYRANO:
Why, I well believe
He dares to mock my nose? Ho! insolent!
(He raises his sword):
What say you? It is useless? Ay, I know
But who fights ever hoping for success?
I fought for lost cause, and for fruitless quest!
You there, who are you!--You are thousands!
Ah!
I know you now, old enemies of mine!
Falsehood!
(He strikes in air with his sword):
Have at you! Ha! and Compromise!
Prejudice, Treachery!. . .
(He strikes):
Surrender, I?
Parley? No, never! You too, Folly,--you?
I know that you will lay me low at last;
Let be! Yet I fall fighting, fighting still!
(He makes passes in the air, and stops, breathless):
You strip from me the laurel and the rose!
Take all! Despite you there is yet one thing
I hold against you all, and when, to-night,
I enter Christ's fair courts, and, lowly bowed,
Sweep with doffed casque the heavens' threshold blue,
One thing is left, that, void of stain or smutch,
I bear away despite you.
(He springs forward, his sword raised; it falls from his hand; he staggers,
falls back into the arms of Le Bret and Ragueneau.)
ROXANE (bending and kissing his forehead):
'Tis?. . .
CYRANO (opening his eyes, recognizing her, and smiling):
MY PANACHE.
Curtain.
| 1,175 | Scene 6 | https://web.archive.org/web/20180820053313/http://www.pinkmonkey.com/booknotes/monkeynotes/pmCyrano45.asp | Cyrano approaches, supporting himself with a cane. Although his hat conceals his face, it is obvious that he is pale and weak. Roxane, however, is so absorbed in her work on the tapestry that she does not turn to greet Cyrano; instead, she rebukes him for being late. He responds by saying that he had a visitor, whom he sent away in order to come and visit her. Before falling silent, he hints that he may have to leave early. Sister Marthe, one of the nuns whom Cyrano usually teases, passes by. Cyrano, trying to act normally, calls to her. She is startled by his ill appearance and wants to go and bring him some soup. Cyrano is not worried about himself, but Roxane; he warns the nun not to alarm Roxane about him. He does, however, ask the nun to pray for him. He also states that he will never see Roxane's tapestry finished. He also notices the read autumn leaves as they fall gracefully before him. Roxane wants to hear the news of the Parisian society. For a while, Cyrano rattles off the mundane daily events; but he soon faints from exhaustion. Roxane rushes to him. When he regains consciousness, he pretends it is an effect of a wound he received at Arras, many years ago. Roxane comments about how she was also wounded in Arras and points to the farewell letter over her heart. Cyrano asks her to see the letter, which he recites fluently and beautifully in a voice like the one he had used under Roxane's window. Since it is obvious that Cyrano is not really reading the words, but knows them by heart, she realizes that he is the one who had written the letters on Christian's behalf. She now knows that she has really loved Cyrano, not Christian. When Roxane confronts Cyrano about the deception, he denies it. Before she can discuss it further, Le Bret and Ragueneau enter. They blurt out that Cyrano will kill himself by exertion. Roxane now understands his faintness and demands to know what has happened. Cyrano explains the attack on him and shows her his bandages. He bemoans the irony of fate, which has prevented him from dying a noble death from a sword. He adds that both his life and death have been failures. Roxane states that she is sorry that she is the cause of his unhappiness. Cyrano, however, assures her that he is grateful for her friendship. Cyrano turns to Ragueneau to talk about literature. Ragueneau accuses Moliere of plagiarizing a scene from Cyrano's writing. Cyrano does not seem to mind. He says that he has always provided words and ideas for others. It is an obvious reference to what he did for Christian. Knowing that his death is fast approaching, Cyrano compares his love for Roxane to the love between the beauty and the beast. He then asks Roxane to mourn for him as she had for Christian. He finally stands up, sword in hand, to face his end nobly. He dies, proud of the integrity he has shown in life. | null | 518 | 1 | [
"The same.",
"Le Bret and Ragueneau.",
"LE BRET:\n What madness!",
"Here?",
"I knew it well!",
"CYRANO (smiling and sitting up):\n What now?",
"LE BRET:\n He has brought his death by coming, Madame.",
"ROXANE:\n God!",
"Ah, then!",
"that faintness of a moment since. .",
".?",
"CYRANO:\n Why, true!",
"It interrupted the 'Gazette:'\n . . .Saturday, twenty-sixth, at dinner-time,\n Assassination of De Bergerac.",
"(He takes off his hat; they see his head bandaged.)",
"ROXANE:\n What says he?",
"Cyrano!--His head all bound!",
"Ah, what has chanced?",
"How?--Who?.",
". .\n\nCYRANO:\n 'To be struck down,\n Pierced by sword i' the heart, from a hero's hand!'",
"That I had dreamed.",
"O mockery of Fate!",
"--Killed, I!",
"of all men--in an ambuscade!",
"Struck from behind, and by a lackey's hand!",
"'Tis very well.",
"I am foiled, foiled in all,\n Even in my death.",
"RAGUENEAU:\n Ah, Monsieur!.",
". .\n\nCYRANO (holding out his hand to him):\n Ragueneau,\n Weep not so bitterly!. .",
".What do you now,\n Old comrade?",
"RAGUENEAU (amid his tears):\n Trim the lights for Moliere's stage.",
"CYRANO:\n Moliere!",
"RAGUENEAU:\n Yes; but I shall leave to-morrow.",
"I cannot bear it!--Yesterday, they played\n 'Scapin'--I saw he'd thieved a scene from you!",
"LE BRET:\n What!",
"a whole scene?",
"RAGUENEAU:\n Oh, yes, indeed, Monsieur,\n The famous one, 'Que Diable allait-il faire?'",
"LE BRET:\n Moliere has stolen that?",
"CYRANO:\n Tut!",
"He did well!.",
". .\n(to Ragueneau):\n How went the scene?",
"It told--I think it told?",
"RAGUENEAU (sobbing):\n Ah!",
"how they laughed!",
"CYRANO:\n Look you, it was my life\n To be the prompter every one forgets!",
"(To Roxane):\n That night when 'neath your window Christian spoke\n --Under your balcony, you remember?",
"Well!",
"There was the allegory of my whole life:\n I, in the shadow, at the ladder's foot,\n While others lightly mount to Love and Fame!",
"Just!",
"very just!",
"Here on the threshold drear\n Of death, I pay my tribute with the rest,\n To Moliere's genius,--Christian's fair face!",
"(The chapel-bell chimes.",
"The nuns are seen passing down the alley at the\nback, to say their office):\n Let them go pray, go pray, when the bell rings!",
"ROXANE (rising and calling):\n Sister!",
"Sister!",
"CYRANO (holding her fast):\n Call no one.",
"Leave me not;\n When you come back, I should be gone for aye.",
"(The nuns have all entered the chapel.",
"The organ sounds):\n I was somewhat fain for music--hark!",
"'tis come.",
"ROXANE:\n Live, for I love you!",
"CYRANO:\n No, In fairy tales\n When to the ill-starred Prince the lady says\n 'I love you!'",
"all his ugliness fades fast--\n But I remain the same, up to the last!",
"ROXANE:\n I have marred your life--I, I!",
"CYRANO:\n You blessed my life!",
"Never on me had rested woman's love.",
"My mother even could not find me fair:\n I had no sister; and, when grown a man,\n I feared the mistress who would mock at me.",
"But I have had your friendship--grace to you\n A woman's charm has passed across my path.",
"LE BRET (pointing to the moon, which is seen between the trees):\n Your other lady-love is come.",
"CYRANO (smiling):\n I see.",
"ROXANE:\n I loved but once, yet twice I lose my love!",
"CYRANO:\n Hark you, Le Bret!",
"I soon shall reach the moon.",
"To-night, alone, with no projectile's aid!.",
". .",
"LE BRET:\n What are you saying?",
"CYRANO:\n I tell you, it is there,\n There, that they send me for my Paradise,\n There I shall find at last the souls I love,\n In exile,--Galileo--Socrates!",
"LE BRET (rebelliously):\n No, no!",
"It is too clumsy, too unjust!",
"So great a heart!",
"So great a poet!",
"Die\n Like this?",
"what, die. .",
".?",
"CYRANO:\n Hark to Le Bret, who scolds!",
"LE BRET (weeping):\n Dear friend.",
". .\n\nCYRANO (starting up, his eyes wild):\n What ho!",
"Cadets of Gascony!",
"The elemental mass--ah yes!",
"The hic.",
". .",
"LE BRET:\n His science still--he raves!",
"CYRANO:\n Copernicus\n Said.",
". .\n\nROXANE:\n Oh!",
"CYRANO:\n Mais que diable allait-il faire,\n Mais que diable allait-il faire dans cette galere?.",
". .\n Philosopher, metaphysician,\n Rhymer, brawler, and musician,\n Famed for his lunar expedition,\n And the unnumbered duels he fought,--\n And lover also,--by interposition!--\n Here lies Hercule Savinien\n De Cyrano de Bergerac,\n Who was everything, yet was naught.",
"I cry you pardon, but I may not stay;\n See, the moon-ray that comes to call me hence!",
"(He has fallen back in his chair; the sobs of Roxane recall him to reality; he\nlooks long at her, and, touching her veil):\n I would not bid you mourn less faithfully\n That good, brave Christian: I would only ask\n That when my body shall be cold in clay\n You wear those sable mourning weeds for two,\n And mourn awhile for me, in mourning him.",
"ROXANE:\n I swear it you!.",
". .\n\nCYRANO (shivering violently, then suddenly rising):\n Not there!",
"what, seated?--no!",
"(They spring toward him):\n Let no one hold me up--\n(He props himself against the tree):\n Only the tree!",
"(Silence):\n It comes.",
"E'en now my feet have turned to stone,\n My hands are gloved with lead!",
"(He stands erect):\n But since Death comes,\n I meet him still afoot,\n(He draws his sword):\n And sword in hand!",
"LE BRET:\n Cyrano!",
"ROXANE (half fainting):\n Cyrano!",
"(All shrink back in terror.)",
"CYRANO:\n Why, I well believe\n He dares to mock my nose?",
"Ho!",
"insolent!",
"(He raises his sword):\n What say you?",
"It is useless?",
"Ay, I know\n But who fights ever hoping for success?",
"I fought for lost cause, and for fruitless quest!",
"You there, who are you!--You are thousands!",
"Ah!",
"I know you now, old enemies of mine!",
"Falsehood!",
"(He strikes in air with his sword):\n Have at you!",
"Ha!",
"and Compromise!",
"Prejudice, Treachery!.",
". .\n(He strikes):\n Surrender, I?",
"Parley?",
"No, never!",
"You too, Folly,--you?",
"I know that you will lay me low at last;\n Let be!",
"Yet I fall fighting, fighting still!",
"(He makes passes in the air, and stops, breathless):\n You strip from me the laurel and the rose!",
"Take all!",
"Despite you there is yet one thing\n I hold against you all, and when, to-night,\n I enter Christ's fair courts, and, lowly bowed,\n Sweep with doffed casque the heavens' threshold blue,\n One thing is left, that, void of stain or smutch,\n I bear away despite you.",
"(He springs forward, his sword raised; it falls from his hand; he staggers,\nfalls back into the arms of Le Bret and Ragueneau.)",
"ROXANE (bending and kissing his forehead):\n 'Tis?.",
". .\n\nCYRANO (opening his eyes, recognizing her, and smiling):\n MY PANACHE.",
"Curtain."
] | [
"--Killed, I!",
"CYRANO:\n Look you, it was my life\n To be the prompter every one forgets!",
"(To Roxane):\n That night when 'neath your window Christian spoke\n --Under your balcony, you remember?",
"(The chapel-bell chimes.",
"The nuns are seen passing down the alley at the\nback, to say their office):\n Let them go pray, go pray, when the bell rings!",
"Sister!",
"My mother even could not find me fair:\n I had no sister; and, when grown a man,\n I feared the mistress who would mock at me.",
"LE BRET (pointing to the moon, which is seen between the trees):\n Your other lady-love is come.",
"It is too clumsy, too unjust!",
"The hic."
] | [
"It told--I think it told?",
". .\n\nROXANE:\n Oh!",
". .\n\nCYRANO (holding out his hand to him):\n Ragueneau,\n Weep not so bitterly!. .",
"Ay, I know\n But who fights ever hoping for success?",
"Ah, then!",
"Die\n Like this?",
"Despite you there is yet one thing\n I hold against you all, and when, to-night,\n I enter Christ's fair courts, and, lowly bowed,\n Sweep with doffed casque the heavens' threshold blue,\n One thing is left, that, void of stain or smutch,\n I bear away despite you.",
"(He springs forward, his sword raised; it falls from his hand; he staggers,\nfalls back into the arms of Le Bret and Ragueneau.)",
"I cannot bear it!--Yesterday, they played\n 'Scapin'--I saw he'd thieved a scene from you!",
"(He takes off his hat; they see his head bandaged.)"
] | [
"ROXANE:\n I have marred your life--I, I!",
"CYRANO:\n You blessed my life!",
"Never on me had rested woman's love.",
"My mother even could not find me fair:\n I had no sister; and, when grown a man,\n I feared the mistress who would mock at me.",
"But I have had your friendship--grace to you\n A woman's charm has passed across my path.",
"LE BRET (pointing to the moon, which is seen between the trees):\n Your other lady-love is come.",
"CYRANO (smiling):\n I see.",
"ROXANE:\n I loved but once, yet twice I lose my love!",
"CYRANO:\n Hark you, Le Bret!",
"I soon shall reach the moon.",
"To-night, alone, with no projectile's aid!."
] | [
"The same.",
"Le Bret and Ragueneau.",
"LE BRET:\n What madness!",
"Here?",
"I knew it well!",
"CYRANO (smiling and sitting up):\n What now?",
"LE BRET:\n He has brought his death by coming, Madame.",
"ROXANE:\n God!",
"Ah, then!",
"that faintness of a moment since. .",
"You too, Folly,--you?",
"I know that you will lay me low at last;\n Let be!",
"Yet I fall fighting, fighting still!",
"(He makes passes in the air, and stops, breathless):\n You strip from me the laurel and the rose!",
"Take all!",
"Despite you there is yet one thing\n I hold against you all, and when, to-night,\n I enter Christ's fair courts, and, lowly bowed,\n Sweep with doffed casque the heavens' threshold blue,\n One thing is left, that, void of stain or smutch,\n I bear away despite you.",
"(He springs forward, his sword raised; it falls from his hand; he staggers,\nfalls back into the arms of Le Bret and Ragueneau.)",
"ROXANE (bending and kissing his forehead):\n 'Tis?.",
". .\n\nCYRANO (opening his eyes, recognizing her, and smiling):\n MY PANACHE.",
"Curtain."
] | and for fruitless quest!
You there, who are you!--You are thousands!
Ah!
I know you now, old enemies of mine!
Falsehood!
(He strikes in air with his sword):
Have at you!
Ha!
and Compromise!
Prejudice, Treachery!.
. .
(He strikes):
Surrender, I?
Parley?
No, never!
You too, Folly,--you?
I know that you will lay me low at last;
Let be!
Yet I fall fighting, fighting still!
(He makes passes in the air, and stops, breathless):
You strip from me the laurel and the rose!
Take all!
Despite you there is yet one thing
I hold against you all, and when, to-night,
I enter Christ's fair courts, and, lowly bowed,
Sweep with doffed casque the heavens' threshold blue,
One thing is left, that, void of stain or smutch,
I bear away despite you.
(He springs forward, his sword raised; it falls from his hand; he staggers,
falls back into the arms of Le Bret and Ragueneau.)
ROXANE (bending and kissing his forehead):
'Tis?.
. .
CYRANO (opening his eyes, recognizing her, and smiling):
MY | The same.
Le Bret and Ragueneau.
LE BRET:
What madness!
Here?
I knew it well!
CYRANO (smiling and sitting up):
What now?
LE BRET:
He has brought his death by coming, Madame.
ROXANE:
God!
Ah, then!
that faintness of a moment since. .
.?
CYRANO:
Why, true!
It interrupted the 'Gazette:'
. . .Saturday, twenty-sixth, at dinner-time,
Assassination of De Bergerac.
(He takes off his hat; they see his head bandaged.)
ROXANE:
What says he?
Cyrano!--His head all bound!
Ah, what has chanced? hing
I hold against you all, and when, to-night,
I enter Christ's fair courts, and, lowly bowed,
Sweep with doffed casque the heavens' threshold blue,
One thing is left, that, void of stain or smutch,
I bear away despite you.
(He springs forward, his sword raised; it falls from his hand; he staggers,
falls back into the arms of Le Bret and Ragueneau.)
ROXANE (bending and kissing his forehead):
'Tis?.
. .
CYRANO (opening his eyes, recognizing her, and smiling):
MY PANACHE.
Curtain. | ther even could not find me fair:
I had no sister; and, when grown a man,
I feared the mistress who would mock at me.
But I have had your friendship--grace to you
A woman's charm has passed across my path.
LE BRET (pointing to the moon, which is seen between the trees):
Your other lady-love is come.
CYRANO (smiling):
I see.
ROXANE:
I loved but once, yet twice I lose my love!
CYRANO:
Hark you, Le Bret!
I soon shall reach the moon.
To-night, alone, with no projectile's aid!.
. .
LE BRET:
What are you saying?
CYRANO:
I tell you, it is there,
There, that they send me for my Paradise,
There I shall find at last the souls I love,
In exile,--Galileo--Socrates!
LE BRET (rebelliously):
No, no!
It is too clumsy, too unjust!
So great a heart!
So great a poet!
Die
Like this?
what, die. .
.?
CYRANO:
Hark to Le Bret, who scolds!
LE BRET (weeping):
Dear friend.
. .
CYRANO (starting up, his eyes wild):
What ho!
Cadets of Gascony!
The elemental mass--ah yes!
The hic.
. |
1,254 | true | novelguide | all_chapterized_books/1254-chapters/2.txt | finished_summaries/novelguide/Cyrano de Bergerac/section_1_part_1.txt | Cyrano de Bergerac.act 1.scene 1 | act 1, scene 1 | null | {"name": "act 1, scene 1", "url": "https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act1-scenes1-3", "summary": "The play opens in the year 1640 in the theater at the Hotel de Bourgogne in Paris, France. Preparations are under way for a performance of the play La Clorise. Members of the audience from all social classes, pickpockets, and an orange-girl arrive. Two gentlemen practice fencing. A middle-class man looks disapprovingly at the drinking, fighting, and gambling taking place among the audience and reflects that the place has sunk into disrepute since the great tragedies were performed there. As the chandeliers are lit in readiness for the performance, the audience gathers around in anticipation. The handsome young Baron Christian de Neuvillette enters with the satirist Ligniere, who is drunk", "analysis": ""} | The public, arriving by degrees. Troopers, burghers, lackeys, pages, a
pickpocket, the doorkeeper, etc., followed by the marquises. Cuigy,
Brissaille, the buffet-girl, the violinists, etc.
(A confusion of loud voices is heard outside the door. A trooper enters
hastily.)
THE DOORKEEPER (following him):
Hollo! You there! Your money!
THE TROOPER:
I enter gratis.
THE DOORKEEPER:
Why?
THE TROOPER:
Why? I am of the King's Household Cavalry, 'faith!
THE DOORKEEPER (to another trooper who enters):
And you?
SECOND TROOPER:
I pay nothing.
THE DOORKEEPER:
How so?
SECOND TROOPER:
I am a musketeer.
FIRST TROOPER (to the second):
The play will not begin till two. The pit is empty. Come, a bout with the
foils to pass the time.
(They fence with the foils they have brought.)
A LACKEY (entering):
Pst. . .Flanquin. . .!
ANOTHER (already there):
Champagne?. . .
THE FIRST (showing him cards and dice which he takes from his doublet):
See, here be cards and dice.
(He seats himself on the floor):
Let's play.
THE SECOND (doing the same):
Good; I am with you, villain!
FIRST LACKEY (taking from his pocket a candle-end, which he lights, and sticks
on the floor):
I made free to provide myself with light at my master's expense!
A GUARDSMAN (to a shop-girl who advances):
'Twas prettily done to come before the lights were lit!
(He takes her round the waist.)
ONE OF THE FENCERS (receiving a thrust):
A hit!
ONE OF THE CARD-PLAYERS:
Clubs!
THE GUARDSMAN (following the girl):
A kiss!
THE SHOP-GIRL (struggling to free herself):
They're looking!
THE GUARDSMAN (drawing her to a dark corner):
No fear! No one can see!
A MAN (sitting on the ground with others, who have brought their provisions):
By coming early, one can eat in comfort.
A BURGHER (conducting his son):
Let us sit here, son.
A CARD-PLAYER:
Triple ace!
A MAN (taking a bottle from under his cloak,
and also seating himself on the floor):
A tippler may well quaff his Burgundy
(he drinks):
in the Burgundy Hotel!
THE BURGHER (to his son):
'Faith! A man might think he had fallen in a bad house here!
(He points with his cane to the drunkard):
What with topers!
(One of the fencers in breaking off, jostles him):
brawlers!
(He stumbles into the midst of the card-players):
gamblers!
THE GUARDSMAN (behind him, still teasing the shop-girl):
Come, one kiss!
THE BURGHER (hurriedly pulling his son away):
By all the holies! And this, my boy, is the theater where they played
Rotrou erewhile.
THE YOUNG MAN:
Ay, and Corneille!
A TROOP OF PAGES (hand-in-hand, enter dancing the farandole, and singing):
Tra' a la, la, la, la, la, la, la, lere. . .
THE DOORKEEPER (sternly, to the pages):
You pages there, none of your tricks!. . .
FIRST PAGE (with an air of wounded dignity):
Oh, sir!--such a suspicion!. . .
(Briskly, to the second page, the moment the doorkeeper's back is turned):
Have you string?
THE SECOND:
Ay, and a fish-hook with it.
FIRST PAGE:
We can angle for wigs, then, up there i' th' gallery.
A PICKPOCKET (gathering about him some evil-looking youths):
Hark ye, young cut-purses, lend an ear, while I give you your first lesson
in thieving.
SECOND PAGE (calling up to others in the top galleries):
You there! Have you peashooters?
THIRD PAGE (from above):
Ay, have we, and peas withal!
(He blows, and peppers them with peas.)
THE YOUNG MAN (to his father):
What piece do they give us?
THE BURGHER:
'Clorise.'
THE YOUNG MAN:
Who may the author be?
THE BURGHER:
Master Balthazar Baro. It is a play!. . .
(He goes arm-in-arm with his son.)
THE PICKPOCKET (to his pupils):
Have a care, above all, of the lace knee-ruffles--cut them off!
A SPECTATOR (to another, showing him a corner in the gallery):
I was up there, the first night of the 'Cid.'
THE PICKPOCKET (making with his fingers the gesture of filching):
Thus for watches--
THE BURGHER (coming down again with his son):
Ah! You shall presently see some renowned actors. . .
THE PICKPOCKET (making the gestures of one who pulls something stealthily,
with little jerks):
Thus for handkerchiefs--
THE BURGHER:
Montfleury. . .
SOME ONE (shouting from the upper gallery):
Light up, below there!
THE BURGHER:
. . .Bellerose, L'Epy, La Beaupre, Jodelet!
A PAGE (in the pit):
Here comes the buffet-girl!
THE BUFFET-GIRL (taking her place behind the buffet):
Oranges, milk, raspberry-water, cedar bitters!
(A hubbub outside the door is heard.)
A FALSETTO VOICE:
Make place, brutes!
A LACKEY (astonished):
The Marquises!--in the pit?. . .
ANOTHER LACKEY:
Oh! only for a minute or two!
(Enter a band of young marquises.)
A MARQUIS (seeing that the hall is half empty):
What now! So we make our entrance like a pack of woolen-drapers!
Peaceably, without disturbing the folk, or treading on their toes!--Oh, fie!
Fie!
(Recognizing some other gentlemen who have entered a little before him):
Cuigy! Brissaille!
(Greetings and embraces.)
CUIGY:
True to our word!. . .Troth, we are here before the candles are lit.
THE MARQUIS:
Ay, indeed! Enough! I am of an ill humor.
ANOTHER:
Nay, nay, Marquis! see, for your consolation, they are coming to light up!
ALL THE AUDIENCE (welcoming the entrance of the lighter):
Ah!. . .
(They form in groups round the lusters as they are lit. Some people have
taken their seats in the galleries. Ligniere, a distinguished-looking roue,
with disordered shirt-front arm-in-arm with christian de Neuvillette.
Christian, who is dressed elegantly, but rather behind the fashion, seems
preoccupied, and keeps looking at the boxes.)
| 923 | act 1, scene 1 | https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act1-scenes1-3 | The play opens in the year 1640 in the theater at the Hotel de Bourgogne in Paris, France. Preparations are under way for a performance of the play La Clorise. Members of the audience from all social classes, pickpockets, and an orange-girl arrive. Two gentlemen practice fencing. A middle-class man looks disapprovingly at the drinking, fighting, and gambling taking place among the audience and reflects that the place has sunk into disrepute since the great tragedies were performed there. As the chandeliers are lit in readiness for the performance, the audience gathers around in anticipation. The handsome young Baron Christian de Neuvillette enters with the satirist Ligniere, who is drunk | null | 110 | 1 | [
"The public, arriving by degrees.",
"Troopers, burghers, lackeys, pages, a\npickpocket, the doorkeeper, etc., followed by the marquises.",
"Cuigy,\nBrissaille, the buffet-girl, the violinists, etc.",
"(A confusion of loud voices is heard outside the door.",
"A trooper enters\nhastily.)",
"THE DOORKEEPER (following him):\n Hollo!",
"You there!",
"Your money!",
"THE TROOPER:\n I enter gratis.",
"THE DOORKEEPER:\n Why?",
"THE TROOPER:\n Why?",
"I am of the King's Household Cavalry, 'faith!",
"THE DOORKEEPER (to another trooper who enters):\n And you?",
"SECOND TROOPER:\n I pay nothing.",
"THE DOORKEEPER:\n How so?",
"SECOND TROOPER:\n I am a musketeer.",
"FIRST TROOPER (to the second):\n The play will not begin till two.",
"The pit is empty.",
"Come, a bout with the\nfoils to pass the time.",
"(They fence with the foils they have brought.)",
"A LACKEY (entering):\n Pst. . .Flanquin. .",
".!",
"ANOTHER (already there):\n Champagne?.",
". .",
"THE FIRST (showing him cards and dice which he takes from his doublet):\n See, here be cards and dice.",
"(He seats himself on the floor):\n Let's play.",
"THE SECOND (doing the same):\n Good; I am with you, villain!",
"FIRST LACKEY (taking from his pocket a candle-end, which he lights, and sticks\non the floor):\n I made free to provide myself with light at my master's expense!",
"A GUARDSMAN (to a shop-girl who advances):\n 'Twas prettily done to come before the lights were lit!",
"(He takes her round the waist.)",
"ONE OF THE FENCERS (receiving a thrust):\n A hit!",
"ONE OF THE CARD-PLAYERS:\n Clubs!",
"THE GUARDSMAN (following the girl):\n A kiss!",
"THE SHOP-GIRL (struggling to free herself):\n They're looking!",
"THE GUARDSMAN (drawing her to a dark corner):\n No fear!",
"No one can see!",
"A MAN (sitting on the ground with others, who have brought their provisions):\n By coming early, one can eat in comfort.",
"A BURGHER (conducting his son):\n Let us sit here, son.",
"A CARD-PLAYER:\n Triple ace!",
"A MAN (taking a bottle from under his cloak,\nand also seating himself on the floor):\n A tippler may well quaff his Burgundy\n(he drinks):\n in the Burgundy Hotel!",
"THE BURGHER (to his son):\n 'Faith!",
"A man might think he had fallen in a bad house here!",
"(He points with his cane to the drunkard):\n What with topers!",
"(One of the fencers in breaking off, jostles him):\n brawlers!",
"(He stumbles into the midst of the card-players):\n gamblers!",
"THE GUARDSMAN (behind him, still teasing the shop-girl):\n Come, one kiss!",
"THE BURGHER (hurriedly pulling his son away):\n By all the holies!",
"And this, my boy, is the theater where they played\nRotrou erewhile.",
"THE YOUNG MAN:\n Ay, and Corneille!",
"A TROOP OF PAGES (hand-in-hand, enter dancing the farandole, and singing):\n Tra' a la, la, la, la, la, la, la, lere.",
". .",
"THE DOORKEEPER (sternly, to the pages):\n You pages there, none of your tricks!.",
". .\n\nFIRST PAGE (with an air of wounded dignity):\n Oh, sir!--such a suspicion!.",
". .\n(Briskly, to the second page, the moment the doorkeeper's back is turned):\n Have you string?",
"THE SECOND:\n Ay, and a fish-hook with it.",
"FIRST PAGE:\n We can angle for wigs, then, up there i' th' gallery.",
"A PICKPOCKET (gathering about him some evil-looking youths):\n Hark ye, young cut-purses, lend an ear, while I give you your first lesson\nin thieving.",
"SECOND PAGE (calling up to others in the top galleries):\n You there!",
"Have you peashooters?",
"THIRD PAGE (from above):\n Ay, have we, and peas withal!",
"(He blows, and peppers them with peas.)",
"THE YOUNG MAN (to his father):\n What piece do they give us?",
"THE BURGHER:\n 'Clorise.'",
"THE YOUNG MAN:\n Who may the author be?",
"THE BURGHER:\n Master Balthazar Baro.",
"It is a play!.",
". .\n\n(He goes arm-in-arm with his son.)",
"THE PICKPOCKET (to his pupils):\n Have a care, above all, of the lace knee-ruffles--cut them off!",
"A SPECTATOR (to another, showing him a corner in the gallery):\n I was up there, the first night of the 'Cid.'",
"THE PICKPOCKET (making with his fingers the gesture of filching):\n Thus for watches--\n\nTHE BURGHER (coming down again with his son):\n Ah!",
"You shall presently see some renowned actors.",
". .",
"THE PICKPOCKET (making the gestures of one who pulls something stealthily,\nwith little jerks):\n Thus for handkerchiefs--\n\nTHE BURGHER:\n Montfleury.",
". .",
"SOME ONE (shouting from the upper gallery):\n Light up, below there!",
"THE BURGHER:\n . . .Bellerose, L'Epy, La Beaupre, Jodelet!",
"A PAGE (in the pit):\n Here comes the buffet-girl!",
"THE BUFFET-GIRL (taking her place behind the buffet):\n Oranges, milk, raspberry-water, cedar bitters!",
"(A hubbub outside the door is heard.)",
"A FALSETTO VOICE:\n Make place, brutes!",
"A LACKEY (astonished):\n The Marquises!--in the pit?.",
". .\n\nANOTHER LACKEY:\n Oh!",
"only for a minute or two!",
"(Enter a band of young marquises.)",
"A MARQUIS (seeing that the hall is half empty):\n What now!",
"So we make our entrance like a pack of woolen-drapers!",
"Peaceably, without disturbing the folk, or treading on their toes!--Oh, fie!",
"Fie!",
"(Recognizing some other gentlemen who have entered a little before him):\n Cuigy!",
"Brissaille!",
"(Greetings and embraces.)",
"CUIGY:\n True to our word!. .",
".Troth, we are here before the candles are lit.",
"THE MARQUIS:\n Ay, indeed!",
"Enough!",
"I am of an ill humor.",
"ANOTHER:\n Nay, nay, Marquis!",
"see, for your consolation, they are coming to light up!",
"ALL THE AUDIENCE (welcoming the entrance of the lighter):\n Ah!.",
". .\n\n(They form in groups round the lusters as they are lit.",
"Some people have\ntaken their seats in the galleries.",
"Ligniere, a distinguished-looking roue,\nwith disordered shirt-front arm-in-arm with christian de Neuvillette.",
"Christian, who is dressed elegantly, but rather behind the fashion, seems\npreoccupied, and keeps looking at the boxes.)"
] | [
"The public, arriving by degrees.",
"Come, a bout with the\nfoils to pass the time.",
"(He seats himself on the floor):\n Let's play.",
"ONE OF THE CARD-PLAYERS:\n Clubs!",
"(He points with his cane to the drunkard):\n What with topers!",
"It is a play!.",
". .\n\nANOTHER LACKEY:\n Oh!",
"A MARQUIS (seeing that the hall is half empty):\n What now!",
"(Recognizing some other gentlemen who have entered a little before him):\n Cuigy!",
"Ligniere, a distinguished-looking roue,\nwith disordered shirt-front arm-in-arm with christian de Neuvillette."
] | [
"ANOTHER (already there):\n Champagne?.",
"THE BURGHER:\n . . .Bellerose, L'Epy, La Beaupre, Jodelet!",
"SECOND TROOPER:\n I pay nothing.",
"Christian, who is dressed elegantly, but rather behind the fashion, seems\npreoccupied, and keeps looking at the boxes.)",
"(He points with his cane to the drunkard):\n What with topers!",
"THE DOORKEEPER:\n Why?",
"The public, arriving by degrees.",
"ONE OF THE FENCERS (receiving a thrust):\n A hit!",
"THE TROOPER:\n Why?",
"You shall presently see some renowned actors."
] | [
"THE BURGHER (hurriedly pulling his son away):\n By all the holies!",
"And this, my boy, is the theater where they played\nRotrou erewhile.",
"THE YOUNG MAN:\n Ay, and Corneille!",
"A TROOP OF PAGES (hand-in-hand, enter dancing the farandole, and singing):\n Tra' a la, la, la, la, la, la, la, lere.",
". .",
"THE DOORKEEPER (sternly, to the pages):\n You pages there, none of your tricks!.",
". .\n\nFIRST PAGE (with an air of wounded dignity):\n Oh, sir!--such a suspicion!.",
". .\n(Briskly, to the second page, the moment the doorkeeper's back is turned):\n Have you string?",
"THE SECOND:\n Ay, and a fish-hook with it.",
"FIRST PAGE:\n We can angle for wigs, then, up there i' th' gallery.",
"A PICKPOCKET (gathering about him some evil-looking youths):\n Hark ye, young cut-purses, lend an ear, while I give you your first lesson\nin thieving."
] | [
"The public, arriving by degrees.",
"Troopers, burghers, lackeys, pages, a\npickpocket, the doorkeeper, etc., followed by the marquises.",
"Cuigy,\nBrissaille, the buffet-girl, the violinists, etc.",
"(A confusion of loud voices is heard outside the door.",
"A trooper enters\nhastily.)",
"THE DOORKEEPER (following him):\n Hollo!",
"You there!",
"Your money!",
"THE TROOPER:\n I enter gratis.",
"THE DOORKEEPER:\n Why?",
"THE MARQUIS:\n Ay, indeed!",
"Enough!",
"I am of an ill humor.",
"ANOTHER:\n Nay, nay, Marquis!",
"see, for your consolation, they are coming to light up!",
"ALL THE AUDIENCE (welcoming the entrance of the lighter):\n Ah!.",
". .\n\n(They form in groups round the lusters as they are lit.",
"Some people have\ntaken their seats in the galleries.",
"Ligniere, a distinguished-looking roue,\nwith disordered shirt-front arm-in-arm with christian de Neuvillette.",
"Christian, who is dressed elegantly, but rather behind the fashion, seems\npreoccupied, and keeps looking at the boxes.)"
] | e which he takes from his doublet):
See, here be cards and dice.
(He seats himself on the floor):
Let's play.
THE SECOND (doing the same):
Good; I am with you, villain!
FIRST LACKEY (taking from his pocket a candle-end, which he lights, and sticks
on the floor):
I made free to provide myself with light at my master's expense!
A GUARDSMAN (to a shop-girl who advances):
'Twas prettily done to come before the lights were lit!
(He takes her round the waist.)
ONE OF THE FENCERS (receiving a thrust):
A hit!
ONE OF THE CARD-PLAYERS:
Clubs!
THE GUARDSMAN (following the girl):
A kiss!
THE SHOP-GIRL (struggling to free herself):
They're looking!
THE GUARDSMAN (drawing her to a dark corner):
No fear!
No one can see!
A MAN (sitting on the ground with others, who have brought their provisions):
By coming early, one can eat in comfort.
A BURGHER (conducting his son):
Let us sit here, son.
A CARD-PLAYER:
Triple ace!
A MAN (taking a bottle from under his cloak,
and also seati | The public, arriving by degrees.
Troopers, burghers, lackeys, pages, a
pickpocket, the doorkeeper, etc., followed by the marquises.
Cuigy,
Brissaille, the buffet-girl, the violinists, etc.
(A confusion of loud voices is heard outside the door.
A trooper enters
hastily.)
THE DOORKEEPER (following him):
Hollo!
You there!
Your money!
THE TROOPER:
I enter gratis.
THE DOORKEEPER:
Why?
THE TROOPER:
Why?
I am of the King's Household Cavalry, 'faith!
THE DOORKEEPER (to another trooper who enters umor.
ANOTHER:
Nay, nay, Marquis!
see, for your consolation, they are coming to light up!
ALL THE AUDIENCE (welcoming the entrance of the lighter):
Ah!.
. .
(They form in groups round the lusters as they are lit.
Some people have
taken their seats in the galleries.
Ligniere, a distinguished-looking roue,
with disordered shirt-front arm-in-arm with christian de Neuvillette.
Christian, who is dressed elegantly, but rather behind the fashion, seems
preoccupied, and keeps looking at the boxes.) | GUARDSMAN (behind him, still teasing the shop-girl):
Come, one kiss!
THE BURGHER (hurriedly pulling his son away):
By all the holies!
And this, my boy, is the theater where they played
Rotrou erewhile.
THE YOUNG MAN:
Ay, and Corneille!
A TROOP OF PAGES (hand-in-hand, enter dancing the farandole, and singing):
Tra' a la, la, la, la, la, la, la, lere.
. .
THE DOORKEEPER (sternly, to the pages):
You pages there, none of your tricks!.
. .
FIRST PAGE (with an air of wounded dignity):
Oh, sir!--such a suspicion!.
. .
(Briskly, to the second page, the moment the doorkeeper's back is turned):
Have you string?
THE SECOND:
Ay, and a fish-hook with it.
FIRST PAGE:
We can angle for wigs, then, up there i' th' gallery.
A PICKPOCKET (gathering about him some evil-looking youths):
Hark ye, young cut-purses, lend an ear, while I give you your first lesson
in thieving.
SECOND PAGE (calling up to others in the top galleries):
You there!
Have you peashooters?
THIRD PAGE (from above |
1,254 | true | novelguide | all_chapterized_books/1254-chapters/3.txt | finished_summaries/novelguide/Cyrano de Bergerac/section_1_part_2.txt | Cyrano de Bergerac.act 1.scene 2 | act 1, scene 2 | null | {"name": "Act 1, scene 2", "url": "https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act1-scenes1-3", "summary": "Ligniere introduces Christian to some Marquises. Christian has just arrived in Paris to join the Guards. The Marquises think that Christian is not very fashionably dressed; they are more interested in the aristocratic and literary ladies who are taking their places in the boxes. Ligniere has come to help Christian identify a lady with whom he is in love. The pastry-cook Ragueneau arrives. Ligniere introduces him to Christian, explaining that Ragueneau is a lover of poetry who accepts poems as payment for his pastries. Ragueneau is excited to know if Cyrano, another member of the Guards, is here. The actor Montfleury is performing tonight and Cyrano has forbidden him to appear on the stage for the rest of the month. Cyrano's friends talk of him as a brilliant poet, swordsman, philosopher, and musician. They seem in awe of him. Ragueneau mentions that Cyrano has an enormous nose, and Le Bret warns that Cyrano will fight anyone who comments on it. Roxane, a beautiful young woman and the object of Christian's affections, arrives and sits in a box. Ligniere tells Christian that she is Cyrano's cousin. He adds that she is an intellectual. Christian is despondent at this news. Roxane is accompanied by the Comte de Guiche, a nobleman who is in love with her. He is already married, so he plans to marry her off to one of his proteges, the Vicomte de Valvert, who would turn a blind eye to any affair that de Guiche began with Roxane. Roxane and Christian exchange gazes. Ligniere leaves to find a tavern. There is still no sign of Cyrano. The crowd impatiently calls for the play to begin", "analysis": ""} | The same. Christian, Ligniere, then Ragueneau and Le Bret.
CUIGY:
Ligniere!
BRISSAILLE (laughing):
Not drunk as yet?
LIGNIERE (aside to Christian):
I may introduce you?
(Christian nods in assent):
Baron de Neuvillette.
(Bows.)
THE AUDIENCE (applauding as the first luster is lighted and drawn up):
Ah!
CUIGY (to Brissaille, looking at Christian):
'Tis a pretty fellow!
FIRST MARQUIS (who has overheard):
Pooh!
LIGNIERE (introducing them to Christian):
My lords De Cuigy. De Brissaille. . .
CHRISTIAN (bowing):
Delighted!. . .
FIRST MARQUIS (to second):
He is not ill to look at, but certes, he is not costumed in the latest mode.
LIGNIERE (to Cuigy):
This gentleman comes from Touraine.
CHRISTIAN:
Yes, I have scarce been twenty days in Paris; tomorrow I join the Guards, in
the Cadets.
FIRST MARQUIS (watching the people who are coming into the boxes):
There is the wife of the Chief-Justice.
THE BUFFET-GIRL:
Oranges, milk. . .
THE VIOLINISTS (tuning up):
La--la--
CUIGY (to Christian, pointing to the hall, which is filling fast):
'Tis crowded.
CHRISTIAN:
Yes, indeed.
FIRST MARQUIS:
All the great world!
(They recognize and name the different elegantly dressed ladies who enter the
boxes, bowing low to them. The ladies send smiles in answer.)
SECOND MARQUIS:
Madame de Guemenee.
CUIGY:
Madame de Bois-Dauphin.
FIRST MARQUIS:
Adored by us all!
BRISSAILLE:
Madame de Chavigny. . .
SECOND MARQUIS:
Who sports with our poor hearts!. . .
LIGNIERE:
Ha! so Monsieur de Corneille has come back from Rouen!
THE YOUNG MAN (to his father):
Is the Academy here?
THE BURGHER:
Oh, ay, I see several of them. There is Boudu, Boissat,
and Cureau de la Chambre, Porcheres, Colomby, Bourzeys,
Bourdon, Arbaud. . .all names that will live! 'Tis fine!
FIRST MARQUIS:
Attention! Here come our precieuses; Barthenoide, Urimedonte, Cassandace,
Felixerie. . .
SECOND MARQUIS:
Ah! How exquisite their fancy names are! Do you know them all, Marquis?
FIRST MARQUIS:
Ay, Marquis, I do, every one!
LIGNIERE (drawing Christian aside):
Friend, I but came here to give you pleasure. The lady comes not. I will
betake me again to my pet vice.
CHRISTIAN (persuasively):
No, no! You, who are ballad-maker to Court and City alike, can tell me
better than any who the lady is for whom I die of love. Stay yet awhile.
THE FIRST VIOLIN (striking his bow on the desk):
Gentlemen violinists!
(He raises his bow.)
THE BUFFET-GIRL:
Macaroons, lemon-drink. . .
(The violins begin to play.)
CHRISTIAN:
Ah! I fear me she is coquettish, and over nice and fastidious!
I, who am so poor of wit, how dare I speak to her--how address her?
This language that they speak to-day--ay, and write--confounds me;
I am but an honest soldier, and timid withal. She has ever her place,
there, on the right--the empty box, see you!
LIGNIERE (making as if to go):
I must go.
CHRISTIAN (detaining him):
Nay, stay.
LIGNIERE:
I cannot. D'Assoucy waits me at the tavern, and here one dies of thirst.
THE BUFFET-GIRL (passing before him with a tray):
Orange drink?
LIGNIERE:
Ugh!
THE BUFFET-GIRL:
Milk?
LIGNIERE:
Pah!
THE BUFFET-GIRL:
Rivesalte?
LIGNIERE:
Stay.
(To Christian):
I will remain awhile.--Let me taste this rivesalte.
(He sits by the buffet; the girl pours some out for him.)
CRIES (from all the audience, at the entrance of a plump little man, joyously
excited):
Ah! Ragueneau!
LIGNIERE (to Christian):
'Tis the famous tavern-keeper Ragueneau.
RAGUENEAU (dressed in the Sunday clothes of a pastry-cook, going up quickly to
Ligniere):
Sir, have you seen Monsieur de Cyrano?
LIGNIERE (introducing him to Christian):
The pastry-cook of the actors and the poets!
RAGUENEAU (overcome):
You do me too great honor. . .
LIGNIERE:
Nay, hold your peace, Maecenas that you are!
RAGUENEAU:
True, these gentlemen employ me. . .
LIGNIERE:
On credit!
He is himself a poet of a pretty talent. . .
RAGUENEAU:
So they tell me.
LIGNIERE:
--Mad after poetry!
RAGUENEAU:
'Tis true that, for a little ode. . .
LIGNIERE:
You give a tart. . .
RAGUENEAU:
Oh!--a tartlet!
LIGNIERE:
Brave fellow! He would fain fain excuse himself!
--And for a triolet, now, did you not give in exchange. . .
RAGUENEAU:
Some little rolls!
LIGNIERE (severely):
They were milk-rolls! And as for the theater, which you love?
RAGUENEAU:
Oh! to distraction!
LIGNIERE:
How pay you your tickets, ha?--with cakes.
Your place, to-night, come tell me in my ear, what did it cost you?
RAGUENEAU:
Four custards, and fifteen cream-puffs.
(He looks around on all sides):
Monsieur de Cyrano is not here? 'Tis strange.
LIGNIERE:
Why so?
RAGUENEAU:
Montfleury plays!
LIGNIERE:
Ay, 'tis true that that old wine-barrel is to take Phedon's part to-night;
but what matter is that to Cyrano?
RAGUENEAU:
How? Know you not? He has got a hot hate for Montfleury, and so!--has
forbid him strictly to show his face on the stage for one whole month.
LIGNIERE (drinking his fourth glass):
Well?
RAGUENEAU:
Montfleury will play!
CUIGY:
He can not hinder that.
RAGUENEAU:
Oh! oh! that I have come to see!
FIRST MARQUIS:
Who is this Cyrano?
CUIGY:
A fellow well skilled in all tricks of fence.
SECOND MARQUIS:
Is he of noble birth?
CUIGY:
Ay, noble enough. He is a cadet in the Guards.
(Pointing to a gentleman who is going up and down the hall as if searching for
some one):
But 'tis his friend Le Bret, yonder, who can best tell you.
(He calls him):
Le Bret!
(Le Bret comes towards them):
Seek you for De Bergerac?
LE BRET:
Ay, I am uneasy. . .
CUIGY:
Is it not true that he is the strangest of men?
LE BRET (tenderly):
True, that he is the choicest of earthly beings!
RAGUENEAU:
Poet!
CUIGY:
Soldier!
BRISSAILLE:
Philosopher!
LE BRET:
Musician!
LIGNIERE:
And of how fantastic a presence!
RAGENEAU:
Marry, 'twould puzzle even our grim painter Philippe de Champaigne to
portray him! Methinks, whimsical, wild, comical as he is, only Jacques
Callot, now dead and gone, had succeeded better, and had made of him the
maddest fighter of all his visored crew--with his triple-plumed beaver and
six-pointed doublet--the sword-point sticking up 'neath his mantle like an
insolent cocktail! He's prouder than all the fierce Artabans of whom Gascony
has ever been and will ever be the prolific Alma Mater! Above his Toby ruff
he carries a nose!--ah, good my lords, what a nose is his! When one sees it
one is fain to cry aloud, 'Nay! 'tis too much! He plays a joke on us!' Then
one laughs, says 'He will anon take it off.' But no!--Monsieur de Bergerac
always keeps it on.
LE BRET (throwing back his head):
He keeps it on--and cleaves in two any man who dares remark on it!
RAGUENEAU (proudly):
His sword--'tis one half of the Fates' shears!
FIRST MARQUIS (shrugging his shoulders):
He will not come!
RAGUENEAU:
I say he will! and I wager a fowl--a la Ragueneau.
THE MARQUIS (laughing):
Good!
(Murmurs of admiration in hall. Roxane has just appeared in her box. She
seats herself in front, the duenna at the back. Christian, who is paying the
buffet-girl, does not see her entrance.)
SECOND MARQUIS (with little cries of joy):
Ah, gentlemen! she is fearfully--terribly--ravishing!
FIRST MARQUIS:
When one looks at her one thinks of a peach smiling at a strawberry!
SECOND MARQUIS:
And what freshness! A man approaching her too near might chance to get a
bad chill at the heart!
CHRISTIAN (raising his head, sees Roxane, and catches Ligniere by the arm):
'Tis she!
LIGNIERE:
Ah! is it she?
CHRISTIAN:
Ay, tell me quick--I am afraid.
LIGNIERE (tasting his rivesalte in sips):
Magdaleine Robin--Roxane, so called! A subtle wit--a precieuse.
CHRISTIAN:
Woe is me!
LIGNIERE:
Free. An orphan. The cousin of Cyrano, of whom we were now speaking.
(At this moment an elegant nobleman, with blue ribbon across his breast,
enters the box, and talks with Roxane, standing.)
CHRISTIAN (starting):
Who is yonder man?
LIGNIERE (who is becoming tipsy, winking at him):
Ha! ha! Count de Guiche. Enamored of her. But wedded to the niece of
Armand de Richelieu. Would fain marry Roxane to a certain sorry fellow, one
Monsieur de Valvert, a viscount--and--accommodating! She will none of that
bargain; but De Guiche is powerful, and can persecute the daughter of a plain
untitled gentleman. More by token, I myself have exposed this cunning plan of
his to the world, in a song which. . .Ho! he must rage at me! The end hit
home. . .Listen!
(He gets up staggering, and raises his glass, ready to sing.)
CHRISTIAN:
No. Good-night.
LIGNIERE:
Where go you?
CHRISTIAN:
To Monsieur de Valvert!
LIGNIERE:
Have a care! It is he who will kill you
(showing him Roxane by a look):
Stay where you are--she is looking at you.
CHRISTIAN:
It is true!
(He stands looking at her. The group of pickpockets seeing him thus, head in
air and open-mouthed, draw near to him.)
LIGNIERE:
'Tis I who am going. I am athirst! And they expect me--in the taverns!
(He goes out, reeling.)
LE BRET (who has been all round the hall, coming back to Ragueneau reassured):
No sign of Cyrano.
RAGUENEAU (incredulously):
All the same. . .
LE BRET:
A hope is left to me--that he has not seen the playbill!
THE AUDIENCE:
Begin, begin!
| 1,546 | Act 1, scene 2 | https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act1-scenes1-3 | Ligniere introduces Christian to some Marquises. Christian has just arrived in Paris to join the Guards. The Marquises think that Christian is not very fashionably dressed; they are more interested in the aristocratic and literary ladies who are taking their places in the boxes. Ligniere has come to help Christian identify a lady with whom he is in love. The pastry-cook Ragueneau arrives. Ligniere introduces him to Christian, explaining that Ragueneau is a lover of poetry who accepts poems as payment for his pastries. Ragueneau is excited to know if Cyrano, another member of the Guards, is here. The actor Montfleury is performing tonight and Cyrano has forbidden him to appear on the stage for the rest of the month. Cyrano's friends talk of him as a brilliant poet, swordsman, philosopher, and musician. They seem in awe of him. Ragueneau mentions that Cyrano has an enormous nose, and Le Bret warns that Cyrano will fight anyone who comments on it. Roxane, a beautiful young woman and the object of Christian's affections, arrives and sits in a box. Ligniere tells Christian that she is Cyrano's cousin. He adds that she is an intellectual. Christian is despondent at this news. Roxane is accompanied by the Comte de Guiche, a nobleman who is in love with her. He is already married, so he plans to marry her off to one of his proteges, the Vicomte de Valvert, who would turn a blind eye to any affair that de Guiche began with Roxane. Roxane and Christian exchange gazes. Ligniere leaves to find a tavern. There is still no sign of Cyrano. The crowd impatiently calls for the play to begin | null | 276 | 1 | [
"The same.",
"Christian, Ligniere, then Ragueneau and Le Bret.",
"CUIGY:\n Ligniere!",
"BRISSAILLE (laughing):\n Not drunk as yet?",
"LIGNIERE (aside to Christian):\n I may introduce you?",
"(Christian nods in assent):\n Baron de Neuvillette.",
"(Bows.)",
"THE AUDIENCE (applauding as the first luster is lighted and drawn up):\n Ah!",
"CUIGY (to Brissaille, looking at Christian):\n 'Tis a pretty fellow!",
"FIRST MARQUIS (who has overheard):\n Pooh!",
"LIGNIERE (introducing them to Christian):\n My lords De Cuigy.",
"De Brissaille.",
". .\n\nCHRISTIAN (bowing):\n Delighted!.",
". .\n\nFIRST MARQUIS (to second):\n He is not ill to look at, but certes, he is not costumed in the latest mode.",
"LIGNIERE (to Cuigy):\n This gentleman comes from Touraine.",
"CHRISTIAN:\n Yes, I have scarce been twenty days in Paris; tomorrow I join the Guards, in\nthe Cadets.",
"FIRST MARQUIS (watching the people who are coming into the boxes):\n There is the wife of the Chief-Justice.",
"THE BUFFET-GIRL:\n Oranges, milk.",
". .",
"THE VIOLINISTS (tuning up):\n La--la--\n\nCUIGY (to Christian, pointing to the hall, which is filling fast):\n 'Tis crowded.",
"CHRISTIAN:\n Yes, indeed.",
"FIRST MARQUIS:\n All the great world!",
"(They recognize and name the different elegantly dressed ladies who enter the\nboxes, bowing low to them.",
"The ladies send smiles in answer.)",
"SECOND MARQUIS:\n Madame de Guemenee.",
"CUIGY:\n Madame de Bois-Dauphin.",
"FIRST MARQUIS:\n Adored by us all!",
"BRISSAILLE:\n Madame de Chavigny.",
". .\n\nSECOND MARQUIS:\n Who sports with our poor hearts!.",
". .\n\nLIGNIERE:\n Ha!",
"so Monsieur de Corneille has come back from Rouen!",
"THE YOUNG MAN (to his father):\n Is the Academy here?",
"THE BURGHER:\n Oh, ay, I see several of them.",
"There is Boudu, Boissat,\nand Cureau de la Chambre, Porcheres, Colomby, Bourzeys,\nBourdon, Arbaud. . .all names that will live!",
"'Tis fine!",
"FIRST MARQUIS:\n Attention!",
"Here come our precieuses; Barthenoide, Urimedonte, Cassandace,\nFelixerie.",
". .\n\nSECOND MARQUIS:\n Ah!",
"How exquisite their fancy names are!",
"Do you know them all, Marquis?",
"FIRST MARQUIS:\n Ay, Marquis, I do, every one!",
"LIGNIERE (drawing Christian aside):\n Friend, I but came here to give you pleasure.",
"The lady comes not.",
"I will\nbetake me again to my pet vice.",
"CHRISTIAN (persuasively):\n No, no!",
"You, who are ballad-maker to Court and City alike, can tell me\nbetter than any who the lady is for whom I die of love.",
"Stay yet awhile.",
"THE FIRST VIOLIN (striking his bow on the desk):\n Gentlemen violinists!",
"(He raises his bow.)",
"THE BUFFET-GIRL:\n Macaroons, lemon-drink.",
". .\n\n(The violins begin to play.)",
"CHRISTIAN:\n Ah!",
"I fear me she is coquettish, and over nice and fastidious!",
"I, who am so poor of wit, how dare I speak to her--how address her?",
"This language that they speak to-day--ay, and write--confounds me;\nI am but an honest soldier, and timid withal.",
"She has ever her place,\nthere, on the right--the empty box, see you!",
"LIGNIERE (making as if to go):\n I must go.",
"CHRISTIAN (detaining him):\n Nay, stay.",
"LIGNIERE:\n I cannot.",
"D'Assoucy waits me at the tavern, and here one dies of thirst.",
"THE BUFFET-GIRL (passing before him with a tray):\n Orange drink?",
"LIGNIERE:\n Ugh!",
"THE BUFFET-GIRL:\n Milk?",
"LIGNIERE:\n Pah!",
"THE BUFFET-GIRL:\n Rivesalte?",
"LIGNIERE:\n Stay.",
"(To Christian):\n I will remain awhile.--Let me taste this rivesalte.",
"(He sits by the buffet; the girl pours some out for him.)",
"CRIES (from all the audience, at the entrance of a plump little man, joyously\nexcited):\n Ah!",
"Ragueneau!",
"LIGNIERE (to Christian):\n 'Tis the famous tavern-keeper Ragueneau.",
"RAGUENEAU (dressed in the Sunday clothes of a pastry-cook, going up quickly to\nLigniere):\n Sir, have you seen Monsieur de Cyrano?",
"LIGNIERE (introducing him to Christian):\n The pastry-cook of the actors and the poets!",
"RAGUENEAU (overcome):\n You do me too great honor.",
". .\n\nLIGNIERE:\n Nay, hold your peace, Maecenas that you are!",
"RAGUENEAU:\n True, these gentlemen employ me.",
". .\n\nLIGNIERE:\n On credit!",
"He is himself a poet of a pretty talent.",
". .\n\nRAGUENEAU:\n So they tell me.",
"LIGNIERE:\n --Mad after poetry!",
"RAGUENEAU:\n 'Tis true that, for a little ode.",
". .\n\nLIGNIERE:\n You give a tart.",
". .\n\nRAGUENEAU:\n Oh!--a tartlet!",
"LIGNIERE:\n Brave fellow!",
"He would fain fain excuse himself!",
"--And for a triolet, now, did you not give in exchange.",
". .\n\nRAGUENEAU:\n Some little rolls!",
"LIGNIERE (severely):\n They were milk-rolls!",
"And as for the theater, which you love?",
"RAGUENEAU:\n Oh!",
"to distraction!",
"LIGNIERE:\n How pay you your tickets, ha?--with cakes.",
"Your place, to-night, come tell me in my ear, what did it cost you?",
"RAGUENEAU:\n Four custards, and fifteen cream-puffs.",
"(He looks around on all sides):\n Monsieur de Cyrano is not here?",
"'Tis strange.",
"LIGNIERE:\n Why so?",
"RAGUENEAU:\n Montfleury plays!",
"LIGNIERE:\n Ay, 'tis true that that old wine-barrel is to take Phedon's part to-night;\nbut what matter is that to Cyrano?",
"RAGUENEAU:\n How?",
"Know you not?",
"He has got a hot hate for Montfleury, and so!--has\nforbid him strictly to show his face on the stage for one whole month.",
"LIGNIERE (drinking his fourth glass):\n Well?",
"RAGUENEAU:\n Montfleury will play!",
"CUIGY:\n He can not hinder that.",
"RAGUENEAU:\n Oh!",
"oh!",
"that I have come to see!",
"FIRST MARQUIS:\n Who is this Cyrano?",
"CUIGY:\n A fellow well skilled in all tricks of fence.",
"SECOND MARQUIS:\n Is he of noble birth?",
"CUIGY:\n Ay, noble enough.",
"He is a cadet in the Guards.",
"(Pointing to a gentleman who is going up and down the hall as if searching for\nsome one):\n But 'tis his friend Le Bret, yonder, who can best tell you.",
"(He calls him):\n Le Bret!",
"(Le Bret comes towards them):\n Seek you for De Bergerac?",
"LE BRET:\n Ay, I am uneasy.",
". .\n\nCUIGY:\n Is it not true that he is the strangest of men?",
"LE BRET (tenderly):\n True, that he is the choicest of earthly beings!",
"RAGUENEAU:\n Poet!",
"CUIGY:\n Soldier!",
"BRISSAILLE:\n Philosopher!",
"LE BRET:\n Musician!",
"LIGNIERE:\n And of how fantastic a presence!",
"RAGENEAU:\n Marry, 'twould puzzle even our grim painter Philippe de Champaigne to\nportray him!",
"Methinks, whimsical, wild, comical as he is, only Jacques\nCallot, now dead and gone, had succeeded better, and had made of him the\nmaddest fighter of all his visored crew--with his triple-plumed beaver and\nsix-pointed doublet--the sword-point sticking up 'neath his mantle like an\ninsolent cocktail!",
"He's prouder than all the fierce Artabans of whom Gascony\nhas ever been and will ever be the prolific Alma Mater!",
"Above his Toby ruff\nhe carries a nose!--ah, good my lords, what a nose is his!",
"When one sees it\none is fain to cry aloud, 'Nay!",
"'tis too much!",
"He plays a joke on us!'",
"Then\none laughs, says 'He will anon take it off.'",
"But no!--Monsieur de Bergerac\nalways keeps it on.",
"LE BRET (throwing back his head):\n He keeps it on--and cleaves in two any man who dares remark on it!",
"RAGUENEAU (proudly):\n His sword--'tis one half of the Fates' shears!",
"FIRST MARQUIS (shrugging his shoulders):\n He will not come!",
"RAGUENEAU:\n I say he will!",
"and I wager a fowl--a la Ragueneau.",
"THE MARQUIS (laughing):\n Good!",
"(Murmurs of admiration in hall.",
"Roxane has just appeared in her box.",
"She\nseats herself in front, the duenna at the back.",
"Christian, who is paying the\nbuffet-girl, does not see her entrance.)",
"SECOND MARQUIS (with little cries of joy):\n Ah, gentlemen!",
"she is fearfully--terribly--ravishing!",
"FIRST MARQUIS:\n When one looks at her one thinks of a peach smiling at a strawberry!",
"SECOND MARQUIS:\n And what freshness!",
"A man approaching her too near might chance to get a\nbad chill at the heart!",
"CHRISTIAN (raising his head, sees Roxane, and catches Ligniere by the arm):\n 'Tis she!",
"LIGNIERE:\n Ah!",
"is it she?",
"CHRISTIAN:\n Ay, tell me quick--I am afraid.",
"LIGNIERE (tasting his rivesalte in sips):\n Magdaleine Robin--Roxane, so called!",
"A subtle wit--a precieuse.",
"CHRISTIAN:\n Woe is me!",
"LIGNIERE:\n Free.",
"An orphan.",
"The cousin of Cyrano, of whom we were now speaking.",
"(At this moment an elegant nobleman, with blue ribbon across his breast,\nenters the box, and talks with Roxane, standing.)",
"CHRISTIAN (starting):\n Who is yonder man?",
"LIGNIERE (who is becoming tipsy, winking at him):\n Ha!",
"ha!",
"Count de Guiche.",
"Enamored of her.",
"But wedded to the niece of\nArmand de Richelieu.",
"Would fain marry Roxane to a certain sorry fellow, one\nMonsieur de Valvert, a viscount--and--accommodating!",
"She will none of that\nbargain; but De Guiche is powerful, and can persecute the daughter of a plain\nuntitled gentleman.",
"More by token, I myself have exposed this cunning plan of\nhis to the world, in a song which. . .Ho!",
"he must rage at me!",
"The end hit\nhome. . .Listen!",
"(He gets up staggering, and raises his glass, ready to sing.)",
"CHRISTIAN:\n No.",
"Good-night.",
"LIGNIERE:\n Where go you?",
"CHRISTIAN:\n To Monsieur de Valvert!",
"LIGNIERE:\n Have a care!",
"It is he who will kill you\n(showing him Roxane by a look):\n Stay where you are--she is looking at you.",
"CHRISTIAN:\n It is true!",
"(He stands looking at her.",
"The group of pickpockets seeing him thus, head in\nair and open-mouthed, draw near to him.)",
"LIGNIERE:\n 'Tis I who am going.",
"I am athirst!",
"And they expect me--in the taverns!",
"(He goes out, reeling.)",
"LE BRET (who has been all round the hall, coming back to Ragueneau reassured):\n No sign of Cyrano.",
"RAGUENEAU (incredulously):\n All the same.",
". .",
"LE BRET:\n A hope is left to me--that he has not seen the playbill!",
"THE AUDIENCE:\n Begin, begin!"
] | [
"LIGNIERE (aside to Christian):\n I may introduce you?",
". .",
"'Tis fine!",
"FIRST MARQUIS:\n Attention!",
"She has ever her place,\nthere, on the right--the empty box, see you!",
"LIGNIERE:\n Ugh!",
"LIGNIERE (drinking his fourth glass):\n Well?",
"FIRST MARQUIS:\n Who is this Cyrano?",
"Methinks, whimsical, wild, comical as he is, only Jacques\nCallot, now dead and gone, had succeeded better, and had made of him the\nmaddest fighter of all his visored crew--with his triple-plumed beaver and\nsix-pointed doublet--the sword-point sticking up 'neath his mantle like an\ninsolent cocktail!",
"ha!"
] | [
"LIGNIERE:\n Ay, 'tis true that that old wine-barrel is to take Phedon's part to-night;\nbut what matter is that to Cyrano?",
"LIGNIERE:\n Where go you?",
"More by token, I myself have exposed this cunning plan of\nhis to the world, in a song which. . .Ho!",
"LIGNIERE (making as if to go):\n I must go.",
"LIGNIERE:\n 'Tis I who am going.",
"Above his Toby ruff\nhe carries a nose!--ah, good my lords, what a nose is his!",
"ha!",
". .\n\nRAGUENEAU:\n Oh!--a tartlet!",
". .\n\nLIGNIERE:\n You give a tart.",
"(At this moment an elegant nobleman, with blue ribbon across his breast,\nenters the box, and talks with Roxane, standing.)"
] | [
"RAGUENEAU:\n Oh!",
"to distraction!",
"LIGNIERE:\n How pay you your tickets, ha?--with cakes.",
"Your place, to-night, come tell me in my ear, what did it cost you?",
"RAGUENEAU:\n Four custards, and fifteen cream-puffs.",
"(He looks around on all sides):\n Monsieur de Cyrano is not here?",
"'Tis strange.",
"LIGNIERE:\n Why so?",
"RAGUENEAU:\n Montfleury plays!",
"LIGNIERE:\n Ay, 'tis true that that old wine-barrel is to take Phedon's part to-night;\nbut what matter is that to Cyrano?",
"RAGUENEAU:\n How?"
] | [
"The same.",
"Christian, Ligniere, then Ragueneau and Le Bret.",
"CUIGY:\n Ligniere!",
"BRISSAILLE (laughing):\n Not drunk as yet?",
"LIGNIERE (aside to Christian):\n I may introduce you?",
"(Christian nods in assent):\n Baron de Neuvillette.",
"(Bows.)",
"THE AUDIENCE (applauding as the first luster is lighted and drawn up):\n Ah!",
"CUIGY (to Brissaille, looking at Christian):\n 'Tis a pretty fellow!",
"FIRST MARQUIS (who has overheard):\n Pooh!",
"The group of pickpockets seeing him thus, head in\nair and open-mouthed, draw near to him.)",
"LIGNIERE:\n 'Tis I who am going.",
"I am athirst!",
"And they expect me--in the taverns!",
"(He goes out, reeling.)",
"LE BRET (who has been all round the hall, coming back to Ragueneau reassured):\n No sign of Cyrano.",
"RAGUENEAU (incredulously):\n All the same.",
". .",
"LE BRET:\n A hope is left to me--that he has not seen the playbill!",
"THE AUDIENCE:\n Begin, begin!"
] | re come our precieuses; Barthenoide, Urimedonte, Cassandace,
Felixerie.
. .
SECOND MARQUIS:
Ah!
How exquisite their fancy names are!
Do you know them all, Marquis?
FIRST MARQUIS:
Ay, Marquis, I do, every one!
LIGNIERE (drawing Christian aside):
Friend, I but came here to give you pleasure.
The lady comes not.
I will
betake me again to my pet vice.
CHRISTIAN (persuasively):
No, no!
You, who are ballad-maker to Court and City alike, can tell me
better than any who the lady is for whom I die of love.
Stay yet awhile.
THE FIRST VIOLIN (striking his bow on the desk):
Gentlemen violinists!
(He raises his bow.)
THE BUFFET-GIRL:
Macaroons, lemon-drink.
. .
(The violins begin to play.)
CHRISTIAN:
Ah!
I fear me she is coquettish, and over nice and fastidious!
I, who am so poor of wit, how dare I speak to her--how address her?
This language that they speak to-day--ay, and write--confounds me;
I am but an honest soldier, and timid withal.
She has ever her place,
there, on the right | The same.
Christian, Ligniere, then Ragueneau and Le Bret.
CUIGY:
Ligniere!
BRISSAILLE (laughing):
Not drunk as yet?
LIGNIERE (aside to Christian):
I may introduce you?
(Christian nods in assent):
Baron de Neuvillette.
(Bows.)
THE AUDIENCE (applauding as the first luster is lighted and drawn up):
Ah!
CUIGY (to Brissaille, looking at Christian):
'Tis a pretty fellow!
FIRST MARQUIS (who has overheard):
Pooh!
LIGNIERE (introducing them to Christian):
My lords De Cuigy.
De Brissaille you.
CHRISTIAN:
It is true!
(He stands looking at her.
The group of pickpockets seeing him thus, head in
air and open-mouthed, draw near to him.)
LIGNIERE:
'Tis I who am going.
I am athirst!
And they expect me--in the taverns!
(He goes out, reeling.)
LE BRET (who has been all round the hall, coming back to Ragueneau reassured):
No sign of Cyrano.
RAGUENEAU (incredulously):
All the same.
. .
LE BRET:
A hope is left to me--that he has not seen the playbill!
THE AUDIENCE:
Begin, begin! | llow!
He would fain fain excuse himself!
--And for a triolet, now, did you not give in exchange.
. .
RAGUENEAU:
Some little rolls!
LIGNIERE (severely):
They were milk-rolls!
And as for the theater, which you love?
RAGUENEAU:
Oh!
to distraction!
LIGNIERE:
How pay you your tickets, ha?--with cakes.
Your place, to-night, come tell me in my ear, what did it cost you?
RAGUENEAU:
Four custards, and fifteen cream-puffs.
(He looks around on all sides):
Monsieur de Cyrano is not here?
'Tis strange.
LIGNIERE:
Why so?
RAGUENEAU:
Montfleury plays!
LIGNIERE:
Ay, 'tis true that that old wine-barrel is to take Phedon's part to-night;
but what matter is that to Cyrano?
RAGUENEAU:
How?
Know you not?
He has got a hot hate for Montfleury, and so!--has
forbid him strictly to show his face on the stage for one whole month.
LIGNIERE (drinking his fourth glass):
Well?
RAGUENEAU:
Montfleury will play!
CUIGY:
He can not hinder that.
RAGUENEAU:
Oh!
oh!
that I have come to see!
FIRST |
1,254 | true | novelguide | all_chapterized_books/1254-chapters/4.txt | finished_summaries/novelguide/Cyrano de Bergerac/section_1_part_3.txt | Cyrano de Bergerac.act 1.scene 3 | act 1, scene 3 | null | {"name": "Act 1, scene 3", "url": "https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act1-scenes1-3", "summary": "As de Guiche and Valvert walk towards the stage, Christian decides to challenge Valvert to a duel over Roxane. As he reaches into his pocket for his glove to slap Valvert across the face by way of challenge, he encounters the hand of a pickpocket. In exchange for his release, the pickpocket tells Christian that Ligniere is in trouble. Ligniere has offended an important nobleman by writing a satirical song about him, and the nobleman has arranged for Ligniere to be ambushed by a hundred men at the Porte de Nesle on his way home. Christian runs off to rescue Ligniere. De Guiche, Valvert, and the Marquises take their seats on the stage. The crowd chants for the play to begin. Montfleury, a fat and untalented actor, comes on stage dressed as a shepherd and begins his speech. A voice from the pit is heard crying out, \"Fool, have I not forbidden you the stage. Though the speaker is hidden, Le Bret and Cuigy are certain that it is Cyrano. Each time Montfleury tries to continue his speech, the speaker interrupts and threatens him. Montfleury's voice grows fainter and fainter. Finally, Cyrano stands up on his chair, creating a stir among the audience.", "analysis": "of Act 1, scenes 1-3. These scenes introduce the social and cultural background, the characters, and the first seeds of the plot. The theater is presented as a microcosm of Parisian society, bringing together people from all social backgrounds and walks of life. Poetry and literature are unifying influences: the marquises idolize the literary ladies, while the pastry-cook Ragueneau sells his wares in exchange for poems. In fact, poetry is so important in this culture that it is a matter of life and death: Ligniere's life is threatened because he wrote a satirical song about a nobleman. One of Rostand's themes in Cyrano de Bergerac is what he saw as the decline of French society and culture. This is already evident in the Bourgeois's disapproving comments on the low-life activities taking place among the theater audience, compared with the great tragedies that used to be performed there, such as those of the seventeenth-century French playwrights Jean Rotrou and Pierre Corneille. The nobility have become decadent and foolish, as is shown in the petty snobberies of the Marquises, who disdain Christian because he is not dressed in the latest fashion, and fawn upon de Guiche because he is successful. Against such foolish and inconsequential characters is set the play's hero, Cyrano. Though Cyrano is spoken of at length, he is not seen until the end of scene 3. He is described by his friends as an excellent poet, swordsman, philosopher, and musician: in short, the epitome of the seventeenth-century cavalier ideal of the courtier-soldier-poet. Cyrano's reputation precedes him. A section of the audience waits with bated breath to see whether he will appear at the play, as Montfleury is playing the lead and Cyrano has forbidden him the stage. If Montfleury appears, the audience knows there will be trouble. He is spoken of as an extraordinary, larger-than-life character, and thus suspense builds around him. In fact, there are three layers of suspense in this part of the play: the play audience's expectation of the actor Montfleury appearing in the play, La Clorise; Cyrano's friends' expectation of Cyrano, whose arrival promises far more momentous entertainment than Montfleury; and finally, the expectation of the reader of the play Cyrano de Bergerac as they await the appearance of this extraordinary character Cyrano. As well as his exceptional abilities, Cyrano's great flaw, his enormous nose, is mentioned. Ragueneau's comment that Cyrano will fight anyone who remarks on it both conveys Cyrano's sensitivity over this trait and foreshadows the conflicts that are sure to spring up around the subject. The fact that Cyrano's friends only mention his nose after they have listed his other great qualities puts his flaw into perspective. To them, it seems relatively unimportant, or just another way in which Cyrano is extraordinary, but Cyrano does not share their view. His insecurity over his nose rules his life. Christian is a foil to Cyrano and his opposite. While Cyrano is extraordinary on the inside but physically unattractive on the outside, Christian is a very ordinary young man blessed with unusual good looks. Christian's love for Roxane sets up the main conflict that drives the plot. The glance they exchange in the theater establishes the immediate physical attraction between them, but Christian's concern over Ligniere's description of her as an intellectual shows his weak point. Unlike the brilliant Cyrano, Christian is dull of mind. While Cyrano represents inward beauty, Christian represents outward beauty"} | The same, all but Ligniere. De Guiche, Valvert, then Montfleury.
A marquis (watching De Guiche, who comes down from Roxane's box, and crosses
the pit surrounded by obsequious noblemen, among them the Viscount de
Valvert):
He pays a fine court, your De Guiche!
ANOTHER:
Faugh!. . .Another Gascon!
THE FIRST:
Ay, but the cold, supple Gascon--that is the stuff success is made of!
Believe me, we had best make our bow to him.
(They go toward De Guiche.)
SECOND MARQUIS:
What fine ribbons! How call you the color, Count de Guiche? 'Kiss me, my
darling,' or 'Timid Fawn?'
DE GUICHE:
'Tis the color called 'Sick Spaniard.'
FIRST MARQUIS:
'Faith! The color speaks truth, for, thanks to your valor, things will soon
go ill for Spain in Flanders.
DE GUICHE:
I go on the stage! Will you come?
(He goes toward the stage, followed by the marquises and gentlemen. Turning,
he calls):
Come you Valvert!
CHRISTIAN (who is watching and listening, starts on hearing this name):
The Viscount! Ah! I will throw full in his face my. . .
(He puts his hand in his pocket, and finds there the hand of a pickpocket who
is about to rob him. He turns round):
Hey?
THE PICKPOCKET:
Oh!
CHRISTIAN (holding him tightly):
I was looking for a glove.
THE PICKPOCKET (smiling piteously):
And you find a hand.
(Changing his tone, quickly and in a whisper):
Let me but go, and I will deliver you a secret.
CHRISTIAN (still holding him):
What is it?
THE PICKPOCKET:
Ligniere. . .he who has just left you. . .
CHRISTIAN (same play):
Well?
THE PICKPOCKET:
His life is in peril. A song writ by him has given offense in high places--
and a hundred men--I am of them--are posted to-night. . .
CHRISTIAN:
A hundred men! By whom posted?
THE PICKPOCKET:
I may not say--a secret. . .
CHRISTIAN (shrugging his shoulders):
Oh!
THE PICKPOCKET (with great dignity):
. . .Of the profession.
CHRISTIAN:
Where are they posted?
THE PICKPOCKET:
At the Porte de Nesle. On his way homeward. Warn him.
CHRISTIAN (letting go of his wrists):
But where can I find him?
THE PICKPOCKET:
Run round to all the taverns--The Golden Wine Press, the Pine Cone, The Belt
that Bursts, The Two Torches, The Three Funnels, and at each leave a word that
shall put him on his guard.
CHRISTIAN:
Good--I fly! Ah, the scoundrels! A hundred men 'gainst one!
(Looking lovingly at Roxane):
Ah, to leave her!. . .
(looking with rage at Valvert):
and him!. . .But save Ligniere I must!
(He hurries out. De Guiche, the viscount, the marquises, have all disappeared
behind the curtain to take their places on the benches placed on the stage.
The pit is quite full; the galleries and boxes are also crowded.)
THE AUDIENCE:
Begin!
A BURGHER (whose wig is drawn up on the end of a string by a page in the upper
gallery):
My wig!
CRIES OF DELIGHT:
He is bald! Bravo, pages--ha! ha! ha!. . .
THE BURGHER (furious, shaking his fist):
Young villain!
LAUGHTER AND CRIES (beginning very loud, and dying gradually away):
Ha! ha! ha! ha! ha! ha!
(Total silence.)
LE BRET (astonished):
What means this sudden silence?. . .
(A spectator says something to him in a low voice):
Is't true?
THE SPECTATOR:
I have just heard it on good authority.
MURMURS (spreading through the hall):
Hush! Is it he? No! Ay, I say! In the box with the bars in front! The
Cardinal! The Cardinal! The Cardinal!
A PAGE:
The devil! We shall have to behave ourselves. . .
(A knock is heard upon the stage. Every one is motionless. A pause.)
THE VOICE OF A MARQUIS (in the silence, behind the curtain):
Snuff that candle!
ANOTHER MARQUIS (putting his head through the opening in the curtain):
A chair!
(A chair is passed from hand to hand, over the heads of the spectators. The
marquis takes it and disappears, after blowing some kisses to the boxes.)
A SPECTATOR:
Silence!
(Three knocks are heard on the stage. The curtain opens in the centre
Tableau. The marquises in insolent attitudes seated on each side of the
stage. The scene represents a pastoral landscape. Four little lusters light
the stage; the violins play softly.)
LE BRET (in a low voice to Ragueneau):
Montfleury comes on the scene?
RAGUENEAU (also in a low voice):
Ay, 'tis he who begins.
LE BRET:
Cyrano is not here.
RAGUENEAU:
I have lost my wager.
LE BRET:
'Tis all the better!
(An air on the drone-pipes is heard, and Montfleury enters, enormously stout,
in an Arcadian shepherd's dress, a hat wreathed with roses drooping over one
ear, blowing into a ribboned drone pipe.)
THE PIT (applauding):
Bravo, Montfleury! Montfleury!
MONTFLEURY (after bowing low, begins the part of Phedon):
'Heureux qui loin des cours, dans un lieu solitaire,
Se prescrit a soi-meme un exil volontaire,
Et qui, lorsque Zephire a souffle sur les bois. . .'
A VOICE (from the middle of the pit):
Villain! Did I not forbid you to show your face here for month?
(General stupor. Every one turns round. Murmurs.)
DIFFERENT VOICES:
Hey?--What?--What is't?. . .
(The people stand up in the boxes to look.)
CUIGY:
'Tis he!
LE BRET (terrified):
Cyrano!
THE VOICE:
King of clowns! Leave the stage this instant!
ALL THE AUDIENCE (indignantly):
Oh!
MONTFLEURY:
But. . .
THE VOICE:
Do you dare defy me?
DIFFERENT VOICES (from the pit and the boxes):
Peace! Enough!--Play on, Montfleury--fear nothing!
MONTFLEURY (in a trembling voice):
'Heureux qui loin des cours, dans un lieu sol--'
THE VOICE (more fiercely):
Well! Chief of all the blackguards, must I come and give you a taste of my
cane?
(A hand holding a cane starts up over the heads of the spectators.)
MONTFLEURY (in a voice that trembles more and more):
'Heureux qui. . .'
(The cane is shaken.)
THE VOICE:
Off the stage!
THE PIT:
Oh!
MONTFLEURY (choking):
'Heureux qui loin des cours. . .'
CYRANO (appearing suddenly in the pit, standing on a chair, his arms crossed,
his beaver cocked fiercely, his mustache bristling, his nose terrible to see):
Ah! I shall be angry in a minute!. . .
(Sensation.)
| 1,042 | Act 1, scene 3 | https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act1-scenes1-3 | As de Guiche and Valvert walk towards the stage, Christian decides to challenge Valvert to a duel over Roxane. As he reaches into his pocket for his glove to slap Valvert across the face by way of challenge, he encounters the hand of a pickpocket. In exchange for his release, the pickpocket tells Christian that Ligniere is in trouble. Ligniere has offended an important nobleman by writing a satirical song about him, and the nobleman has arranged for Ligniere to be ambushed by a hundred men at the Porte de Nesle on his way home. Christian runs off to rescue Ligniere. De Guiche, Valvert, and the Marquises take their seats on the stage. The crowd chants for the play to begin. Montfleury, a fat and untalented actor, comes on stage dressed as a shepherd and begins his speech. A voice from the pit is heard crying out, "Fool, have I not forbidden you the stage. Though the speaker is hidden, Le Bret and Cuigy are certain that it is Cyrano. Each time Montfleury tries to continue his speech, the speaker interrupts and threatens him. Montfleury's voice grows fainter and fainter. Finally, Cyrano stands up on his chair, creating a stir among the audience. | of Act 1, scenes 1-3. These scenes introduce the social and cultural background, the characters, and the first seeds of the plot. The theater is presented as a microcosm of Parisian society, bringing together people from all social backgrounds and walks of life. Poetry and literature are unifying influences: the marquises idolize the literary ladies, while the pastry-cook Ragueneau sells his wares in exchange for poems. In fact, poetry is so important in this culture that it is a matter of life and death: Ligniere's life is threatened because he wrote a satirical song about a nobleman. One of Rostand's themes in Cyrano de Bergerac is what he saw as the decline of French society and culture. This is already evident in the Bourgeois's disapproving comments on the low-life activities taking place among the theater audience, compared with the great tragedies that used to be performed there, such as those of the seventeenth-century French playwrights Jean Rotrou and Pierre Corneille. The nobility have become decadent and foolish, as is shown in the petty snobberies of the Marquises, who disdain Christian because he is not dressed in the latest fashion, and fawn upon de Guiche because he is successful. Against such foolish and inconsequential characters is set the play's hero, Cyrano. Though Cyrano is spoken of at length, he is not seen until the end of scene 3. He is described by his friends as an excellent poet, swordsman, philosopher, and musician: in short, the epitome of the seventeenth-century cavalier ideal of the courtier-soldier-poet. Cyrano's reputation precedes him. A section of the audience waits with bated breath to see whether he will appear at the play, as Montfleury is playing the lead and Cyrano has forbidden him the stage. If Montfleury appears, the audience knows there will be trouble. He is spoken of as an extraordinary, larger-than-life character, and thus suspense builds around him. In fact, there are three layers of suspense in this part of the play: the play audience's expectation of the actor Montfleury appearing in the play, La Clorise; Cyrano's friends' expectation of Cyrano, whose arrival promises far more momentous entertainment than Montfleury; and finally, the expectation of the reader of the play Cyrano de Bergerac as they await the appearance of this extraordinary character Cyrano. As well as his exceptional abilities, Cyrano's great flaw, his enormous nose, is mentioned. Ragueneau's comment that Cyrano will fight anyone who remarks on it both conveys Cyrano's sensitivity over this trait and foreshadows the conflicts that are sure to spring up around the subject. The fact that Cyrano's friends only mention his nose after they have listed his other great qualities puts his flaw into perspective. To them, it seems relatively unimportant, or just another way in which Cyrano is extraordinary, but Cyrano does not share their view. His insecurity over his nose rules his life. Christian is a foil to Cyrano and his opposite. While Cyrano is extraordinary on the inside but physically unattractive on the outside, Christian is a very ordinary young man blessed with unusual good looks. Christian's love for Roxane sets up the main conflict that drives the plot. The glance they exchange in the theater establishes the immediate physical attraction between them, but Christian's concern over Ligniere's description of her as an intellectual shows his weak point. Unlike the brilliant Cyrano, Christian is dull of mind. While Cyrano represents inward beauty, Christian represents outward beauty | 203 | 571 | [
"The same, all but Ligniere.",
"De Guiche, Valvert, then Montfleury.",
"A marquis (watching De Guiche, who comes down from Roxane's box, and crosses\nthe pit surrounded by obsequious noblemen, among them the Viscount de\nValvert):\n He pays a fine court, your De Guiche!",
"ANOTHER:\n Faugh!. .",
".Another Gascon!",
"THE FIRST:\n Ay, but the cold, supple Gascon--that is the stuff success is made of!",
"Believe me, we had best make our bow to him.",
"(They go toward De Guiche.)",
"SECOND MARQUIS:\n What fine ribbons!",
"How call you the color, Count de Guiche?",
"'Kiss me, my\ndarling,' or 'Timid Fawn?'",
"DE GUICHE:\n 'Tis the color called 'Sick Spaniard.'",
"FIRST MARQUIS:\n 'Faith!",
"The color speaks truth, for, thanks to your valor, things will soon\ngo ill for Spain in Flanders.",
"DE GUICHE:\n I go on the stage!",
"Will you come?",
"(He goes toward the stage, followed by the marquises and gentlemen.",
"Turning,\nhe calls):\n Come you Valvert!",
"CHRISTIAN (who is watching and listening, starts on hearing this name):\n The Viscount!",
"Ah!",
"I will throw full in his face my.",
". .\n(He puts his hand in his pocket, and finds there the hand of a pickpocket who\nis about to rob him.",
"He turns round):\n Hey?",
"THE PICKPOCKET:\n Oh!",
"CHRISTIAN (holding him tightly):\n I was looking for a glove.",
"THE PICKPOCKET (smiling piteously):\n And you find a hand.",
"(Changing his tone, quickly and in a whisper):\n Let me but go, and I will deliver you a secret.",
"CHRISTIAN (still holding him):\n What is it?",
"THE PICKPOCKET:\n Ligniere. . .he who has just left you.",
". .\n\nCHRISTIAN (same play):\n Well?",
"THE PICKPOCKET:\n His life is in peril.",
"A song writ by him has given offense in high places--\nand a hundred men--I am of them--are posted to-night.",
". .\n\nCHRISTIAN:\n A hundred men!",
"By whom posted?",
"THE PICKPOCKET:\n I may not say--a secret.",
". .\n\nCHRISTIAN (shrugging his shoulders):\n Oh!",
"THE PICKPOCKET (with great dignity):\n . . .Of the profession.",
"CHRISTIAN:\n Where are they posted?",
"THE PICKPOCKET:\n At the Porte de Nesle.",
"On his way homeward.",
"Warn him.",
"CHRISTIAN (letting go of his wrists):\n But where can I find him?",
"THE PICKPOCKET:\n Run round to all the taverns--The Golden Wine Press, the Pine Cone, The Belt\nthat Bursts, The Two Torches, The Three Funnels, and at each leave a word that\nshall put him on his guard.",
"CHRISTIAN:\n Good--I fly!",
"Ah, the scoundrels!",
"A hundred men 'gainst one!",
"(Looking lovingly at Roxane):\n Ah, to leave her!.",
". .\n(looking with rage at Valvert):\n and him!. .",
".But save Ligniere I must!",
"(He hurries out.",
"De Guiche, the viscount, the marquises, have all disappeared\nbehind the curtain to take their places on the benches placed on the stage.",
"The pit is quite full; the galleries and boxes are also crowded.)",
"THE AUDIENCE:\n Begin!",
"A BURGHER (whose wig is drawn up on the end of a string by a page in the upper\ngallery):\n My wig!",
"CRIES OF DELIGHT:\n He is bald!",
"Bravo, pages--ha!",
"ha!",
"ha!.",
". .",
"THE BURGHER (furious, shaking his fist):\n Young villain!",
"LAUGHTER AND CRIES (beginning very loud, and dying gradually away):\n Ha!",
"ha!",
"ha!",
"ha!",
"ha!",
"ha!",
"(Total silence.)",
"LE BRET (astonished):\n What means this sudden silence?.",
". .\n(A spectator says something to him in a low voice):\n Is't true?",
"THE SPECTATOR:\n I have just heard it on good authority.",
"MURMURS (spreading through the hall):\n Hush!",
"Is it he?",
"No!",
"Ay, I say!",
"In the box with the bars in front!",
"The\nCardinal!",
"The Cardinal!",
"The Cardinal!",
"A PAGE:\n The devil!",
"We shall have to behave ourselves.",
". .\n\n(A knock is heard upon the stage.",
"Every one is motionless.",
"A pause.)",
"THE VOICE OF A MARQUIS (in the silence, behind the curtain):\n Snuff that candle!",
"ANOTHER MARQUIS (putting his head through the opening in the curtain):\n A chair!",
"(A chair is passed from hand to hand, over the heads of the spectators.",
"The\nmarquis takes it and disappears, after blowing some kisses to the boxes.)",
"A SPECTATOR:\n Silence!",
"(Three knocks are heard on the stage.",
"The curtain opens in the centre\nTableau.",
"The marquises in insolent attitudes seated on each side of the\nstage.",
"The scene represents a pastoral landscape.",
"Four little lusters light\nthe stage; the violins play softly.)",
"LE BRET (in a low voice to Ragueneau):\n Montfleury comes on the scene?",
"RAGUENEAU (also in a low voice):\n Ay, 'tis he who begins.",
"LE BRET:\n Cyrano is not here.",
"RAGUENEAU:\n I have lost my wager.",
"LE BRET:\n 'Tis all the better!",
"(An air on the drone-pipes is heard, and Montfleury enters, enormously stout,\nin an Arcadian shepherd's dress, a hat wreathed with roses drooping over one\near, blowing into a ribboned drone pipe.)",
"THE PIT (applauding):\n Bravo, Montfleury!",
"Montfleury!",
"MONTFLEURY (after bowing low, begins the part of Phedon):\n 'Heureux qui loin des cours, dans un lieu solitaire,\n Se prescrit a soi-meme un exil volontaire,\n Et qui, lorsque Zephire a souffle sur les bois.",
". .'\n\nA VOICE (from the middle of the pit):\n Villain!",
"Did I not forbid you to show your face here for month?",
"(General stupor.",
"Every one turns round.",
"Murmurs.)",
"DIFFERENT VOICES:\n Hey?--What?--What is't?.",
". .\n\n(The people stand up in the boxes to look.)",
"CUIGY:\n 'Tis he!",
"LE BRET (terrified):\n Cyrano!",
"THE VOICE:\n King of clowns!",
"Leave the stage this instant!",
"ALL THE AUDIENCE (indignantly):\n Oh!",
"MONTFLEURY:\n But.",
". .",
"THE VOICE:\n Do you dare defy me?",
"DIFFERENT VOICES (from the pit and the boxes):\n Peace!",
"Enough!--Play on, Montfleury--fear nothing!",
"MONTFLEURY (in a trembling voice):\n 'Heureux qui loin des cours, dans un lieu sol--'\n\nTHE VOICE (more fiercely):\n Well!",
"Chief of all the blackguards, must I come and give you a taste of my\ncane?",
"(A hand holding a cane starts up over the heads of the spectators.)",
"MONTFLEURY (in a voice that trembles more and more):\n 'Heureux qui.",
". .'\n\n(The cane is shaken.)",
"THE VOICE:\n Off the stage!",
"THE PIT:\n Oh!",
"MONTFLEURY (choking):\n 'Heureux qui loin des cours.",
". .'\n\nCYRANO (appearing suddenly in the pit, standing on a chair, his arms crossed,\nhis beaver cocked fiercely, his mustache bristling, his nose terrible to see):\n Ah!",
"I shall be angry in a minute!.",
". .",
"(Sensation.)"
] | [
"ANOTHER:\n Faugh!. .",
"(They go toward De Guiche.)",
"(Changing his tone, quickly and in a whisper):\n Let me but go, and I will deliver you a secret.",
"THE PICKPOCKET:\n His life is in peril.",
". .",
"ha!",
"LE BRET (astonished):\n What means this sudden silence?.",
"The Cardinal!",
". .'\n\n(The cane is shaken.)",
". .'\n\nCYRANO (appearing suddenly in the pit, standing on a chair, his arms crossed,\nhis beaver cocked fiercely, his mustache bristling, his nose terrible to see):\n Ah!"
] | [
". .\n(looking with rage at Valvert):\n and him!. .",
"Is it he?",
"Ah!",
"CUIGY:\n 'Tis he!",
"CHRISTIAN (holding him tightly):\n I was looking for a glove.",
"The\nmarquis takes it and disappears, after blowing some kisses to the boxes.)",
"Enough!--Play on, Montfleury--fear nothing!",
"Ah, the scoundrels!",
"A PAGE:\n The devil!",
"(Sensation.)"
] | [
"LAUGHTER AND CRIES (beginning very loud, and dying gradually away):\n Ha!",
"ha!",
"ha!",
"ha!",
"ha!",
"ha!",
"(Total silence.)",
"LE BRET (astonished):\n What means this sudden silence?.",
". .\n(A spectator says something to him in a low voice):\n Is't true?",
"THE SPECTATOR:\n I have just heard it on good authority.",
"MURMURS (spreading through the hall):\n Hush!"
] | [
"The same, all but Ligniere.",
"De Guiche, Valvert, then Montfleury.",
"A marquis (watching De Guiche, who comes down from Roxane's box, and crosses\nthe pit surrounded by obsequious noblemen, among them the Viscount de\nValvert):\n He pays a fine court, your De Guiche!",
"ANOTHER:\n Faugh!. .",
".Another Gascon!",
"THE FIRST:\n Ay, but the cold, supple Gascon--that is the stuff success is made of!",
"Believe me, we had best make our bow to him.",
"(They go toward De Guiche.)",
"SECOND MARQUIS:\n What fine ribbons!",
"How call you the color, Count de Guiche?",
"(A hand holding a cane starts up over the heads of the spectators.)",
"MONTFLEURY (in a voice that trembles more and more):\n 'Heureux qui.",
". .'\n\n(The cane is shaken.)",
"THE VOICE:\n Off the stage!",
"THE PIT:\n Oh!",
"MONTFLEURY (choking):\n 'Heureux qui loin des cours.",
". .'\n\nCYRANO (appearing suddenly in the pit, standing on a chair, his arms crossed,\nhis beaver cocked fiercely, his mustache bristling, his nose terrible to see):\n Ah!",
"I shall be angry in a minute!.",
". .",
"(Sensation.)"
] | AN (who is watching and listening, starts on hearing this name):
The Viscount!
Ah!
I will throw full in his face my.
. .
(He puts his hand in his pocket, and finds there the hand of a pickpocket who
is about to rob him.
He turns round):
Hey?
THE PICKPOCKET:
Oh!
CHRISTIAN (holding him tightly):
I was looking for a glove.
THE PICKPOCKET (smiling piteously):
And you find a hand.
(Changing his tone, quickly and in a whisper):
Let me but go, and I will deliver you a secret.
CHRISTIAN (still holding him):
What is it?
THE PICKPOCKET:
Ligniere. . .he who has just left you.
. .
CHRISTIAN (same play):
Well?
THE PICKPOCKET:
His life is in peril.
A song writ by him has given offense in high places--
and a hundred men--I am of them--are posted to-night.
. .
CHRISTIAN:
A hundred men!
By whom posted?
THE PICKPOCKET:
I may not say--a secret.
. .
CHRISTIAN (shrugging his shoulders):
Oh!
THE PICKPOCKET (with great dignity):
. . .Of the profession.
CHRISTIAN:
Where are th | The same, all but Ligniere.
De Guiche, Valvert, then Montfleury.
A marquis (watching De Guiche, who comes down from Roxane's box, and crosses
the pit surrounded by obsequious noblemen, among them the Viscount de
Valvert):
He pays a fine court, your De Guiche!
ANOTHER:
Faugh!. .
.Another Gascon!
THE FIRST:
Ay, but the cold, supple Gascon--that is the stuff success is made of!
Believe me, we had best make our bow to him.
(They go toward De Guiche.)
SECOND MARQUIS:
What fine ribbons!
How ca ou a taste of my
cane?
(A hand holding a cane starts up over the heads of the spectators.)
MONTFLEURY (in a voice that trembles more and more):
'Heureux qui.
. .'
(The cane is shaken.)
THE VOICE:
Off the stage!
THE PIT:
Oh!
MONTFLEURY (choking):
'Heureux qui loin des cours.
. .'
CYRANO (appearing suddenly in the pit, standing on a chair, his arms crossed,
his beaver cocked fiercely, his mustache bristling, his nose terrible to see):
Ah!
I shall be angry in a minute!.
. .
(Sensation.) | the marquises, have all disappeared
behind the curtain to take their places on the benches placed on the stage.
The pit is quite full; the galleries and boxes are also crowded.)
THE AUDIENCE:
Begin!
A BURGHER (whose wig is drawn up on the end of a string by a page in the upper
gallery):
My wig!
CRIES OF DELIGHT:
He is bald!
Bravo, pages--ha!
ha!
ha!.
. .
THE BURGHER (furious, shaking his fist):
Young villain!
LAUGHTER AND CRIES (beginning very loud, and dying gradually away):
Ha!
ha!
ha!
ha!
ha!
ha!
(Total silence.)
LE BRET (astonished):
What means this sudden silence?.
. .
(A spectator says something to him in a low voice):
Is't true?
THE SPECTATOR:
I have just heard it on good authority.
MURMURS (spreading through the hall):
Hush!
Is it he?
No!
Ay, I say!
In the box with the bars in front!
The
Cardinal!
The Cardinal!
The Cardinal!
A PAGE:
The devil!
We shall have to behave ourselves.
. .
(A knock is heard upon the stage.
Every one is motionless.
A pause.)
THE VOIC |
1,254 | true | novelguide | all_chapterized_books/1254-chapters/5.txt | finished_summaries/novelguide/Cyrano de Bergerac/section_2_part_1.txt | Cyrano de Bergerac.act 1.scene 4 | act 1, scene 4 | null | {"name": "act 1, scene 4", "url": "https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act1-scenes4-7", "summary": "Cyrano threatens Montfleury with his sword. Various people in the audience defend Montfleury. Cyrano challenges them all to a duel, but no one dares come forward. He gives Montfleury until the count of three to leave the stage, and Montfleury vanishes. A young man asks Cyrano why he hates Montfleury. Cyrano answers that Montfleury is a dreadful actor, and that the play is worthless. The theater manager, Bellerose, protests that he will have to give the entire audience their money back. Cyrano throws a bag of money onto the stage. Bellerose, stunned by the large amount of money in the bag, tells Cyrano that on these terms, he can stop the performance any day he likes. Bellerose asks the audience to leave, but they are spellbound by the scene that is unfolding between Cyrano and a character called \"Busybody. The Busybody warns Cyrano that Montfleury enjoys the patronage of the powerful Duc de Candale. Cyrano dismisses his warning on the grounds that he too has a powerful proctectress, his sword. Cyrano asks the Busybody why he is staring at his nose. The Busybody denies that he has even noticed it, claiming that it is tiny. Cyrano feels insulted, and launches into an eloquent speech in praise of his \"great proboscis. De Guiche and Valvert remark that Cyrano is tiresome. Valvert approaches Cyrano and remarks that his nose is \"very big. Cyrano is scornful of his lack of inventiveness, and offers a long list of extravagant insults that Valvert could have delivered against his nose. Cyrano continues to mock Valvert. He says he will fight him with his sword, all the while reciting a poem that he will compose as he fights. On the final line, Cyrano will thrust at Valvert. The audience crowds around Cyrano. As Cyrano begins to compose his poem aloud, he and Valvert start to fence. When Cyrano reaches the final line, he thrusts. Valvert falls and his friends carry him away. An ecstatic crowd cheers Cyrano. Eventually, the crowd disperses. Le Bret asks Cyrano why he is not going to dine, and Cyrano says that he has no money; he threw all he had to Bellerose in compensation for the abandoned performance. An orange-girl cannot bear to see Cyrano go hungry, and tries to give him some food. But the proud Cyrano will only accept a grape, half a macaroon, and a glass of water", "analysis": ""} | The same. Cyrano, then Bellerose, Jodelet.
MONTFLEURY (to the marquises):
Come to my help, my lords!
A MARQUIS (carelessly):
Go on! Go on!
CYRANO:
Fat man, take warning! If you go on, I
Shall feel myself constrained to cuff your face!
THE MARQUIS:
Have done!
CYRANO:
And if these lords hold not their tongue
Shall feel constrained to make them taste my cane!
ALL THE MARQUISES (rising):
Enough!. . .Montfleury. . .
CYRANO:
If he goes not quick
I will cut off his ears and slit him up!
A VOICE:
But. . .
CYRANO:
Out he goes!
ANOTHER VOICE:
Yet. . .
CYRANO:
Is he not gone yet?
(He makes the gesture of turning up his cuffs):
Good! I shall mount the stage now, buffet-wise,
To carve this fine Italian sausage--thus!
MONTFLEURY (trying to be dignified):
You outrage Thalia in insulting me!
CYRANO (very politely):
If that Muse, Sir, who knows you not at all,
Could claim acquaintance with you--oh, believe
(Seeing how urn-like, fat, and slow you are)
That she would make you taste her buskin's sole!
THE PIT:
Montfleury! Montfleury! Come--Baro's play!
CYRANO (to those who are calling out):
I pray you have a care! If you go on
My scabbard soon will render up its blade!
(The circle round him widens.)
THE CROWD (drawing back):
Take care!
CYRANO (to Montfleury):
Leave the stage!
THE CROWD (coming near and grumbling):
Oh!--
CYRANO:
Did some one speak?
(They draw back again.)
A VOICE (singing at the back):
Monsieur de Cyrano
Displays his tyrannies:
A fig for tyrants! What, ho!
Come! Play us 'La Clorise!'
ALL THE PIT (singing):
'La Clorise!' 'La Clorise!'. . .
CYRANO:
Let me but hear once more that foolish rhyme,
I slaughter every man of you.
A BURGHER:
Oh! Samson?
CYRANO:
Yes Samson! Will you lend your jawbone, Sir?
A LADY (in the boxes):
Outrageous!
A LORD:
Scandalous!
A BURGHER:
'Tis most annoying!
A PAGE:
Fair good sport!
THE PIT:
Kss!--Montfleury. . .Cyrano!
CYRANO:
Silence!
THE PIT (wildly excited):
Ho-o-o-o-h! Quack! Cock-a-doodle-doo!
CYRANO:
I order--
A PAGE:
Miow!
CYRANO:
I order silence, all!
And challenge the whole pit collectively!--
I write your names!--Approach, young heroes, here!
Each in his turn! I cry the numbers out!--
Now which of you will come to ope the lists?
You, Sir? No! You? No! The first duellist
Shall be dispatched by me with honors due!
Let all who long for death hold up their hands!
(A silence):
Modest? You fear to see my naked blade?
Not one name?--Not one hand?--Good, I proceed!
(Turning toward the stage, where Montfleury waits in an agony):
The theater's too full, congested,--I
Would clear it out. . .If not. . .
(Puts his hand on his sword):
The knife must act!
MONTFLEURY:
I. . .
CYRANO (leaves his chair, and settles himself in the middle of the circle
which has formed):
I will clap my hands thrice, thus--full moon! At the third clap, eclipse
yourself!
THE PIT (amused):
Ah!
CYRANO (clapping his hands):
One!
MONTFLEURY:
I. . .
A VOICE (in the boxes):
Stay!
THE PIT:
He stays. . .he goes. . .he stays. . .
MONTFLEURY:
I think. . .Gentlemen,. . .
CYRANO:
Two!
MONTFLEURY:
I think 'twere wisest. . .
CYRANO:
Three!
(Montfleury disappears as through a trap. Tempest of laughs, whistling cries,
etc.)
THE WHOLE HOUSE:
Coward. . .come back!
CYRANO (delighted, sits back in his chair, arms crossed):
Come back an if you dare!
A BURGHER:
Call for the orator!
(Bellerose comes forward and bows.)
THE BOXES:
Ah! here's Bellerose!
BELLEROSE (elegantly):
My noble lords. . .
THE PIT:
No! no! Jodelet!
JODELET (advancing, speaking through his nose):
Calves!
THE PIT:
Ah! bravo! good! go on!
JODELET:
No bravos, Sirs!
The fat tragedian whom you all love
Felt. . .
THE PIT:
Coward!
JODELET:
. . .was obliged to go.
THE PIT:
Come back!
SOME:
No!
OTHERS:
Yes!
A YOUNG MAN (to Cyrano):
But pray, Sir, for what reason, say,
Hate you Montfleury?
CYRANO (graciously, still seated):
Youthful gander, know
I have two reasons--either will suffice.
Primo. An actor villainous! who mouths,
And heaves up like a bucket from a well
The verses that should, bird-like, fly! Secundo--
That is my secret. . .
THE OLD BURGHER (behind him):
Shameful! You deprive us
Of the 'Clorise!' I must insist. . .
CYRANO (turning his chair toward the burgher, respectfully):
Old mule!
The verses of old Baro are not worth
A doit! I'm glad to interrupt. . .
THE PRECIEUSES (in the boxes):
Our Baro!--
My dear! How dares he venture!. . .
CYRANO (turning his chair toward the boxes gallantly):
Fairest ones,
Radiate, bloom, hold to our lips the cup
Of dreams intoxicating, Hebe-like!
Or, when death strikes, charm death with your sweet smiles;
Inspire our verse, but--criticise it not!
BELLEROSE:
We must give back the entrance fees!
CYRANO (turning his chair toward the stage):
Bellerose,
You make the first intelligent remark!
Would I rend Thespis' sacred mantle? Nay!
(He rises and throws a bag on the stage):
Catch then the purse I throw, and hold your peace!
THE HOUSE (dazzled):
Ah! Oh!
JODELET (catching the purse dexterously and weighing it):
At this price, you've authority
To come each night, and stop 'Clorise,' Sir!
THE PIT:
Ho!. . .Ho! Ho!. . .
JODELET:
E'en if you chase us in a pack!. . .
BELLEROSE:
Clear out the hall!. . .
JODELET:
Get you all gone at once!
(The people begin to go out, while Cyrano looks on with satisfaction. But the
crowd soon stop on hearing the following scene, and remain where they are.
The women, who, with their mantles on, are already standing up in the boxes,
stop to listen, and finally reseat themselves.)
LE BRET (to Cyrano):
'Tis mad!. . .
A BORE (coming up to Cyrano):
The actor Montfleury! 'Tis shameful!
Why, he's protected by the Duke of Candal!
Have you a patron?
CYRANO:
No!
THE BORE:
No patron?. . .
CYRANO:
None!
THE BORE:
What! no great lord to shield you with his name?
CYRANO (irritated):
No, I have told you twice! Must I repeat?
No! no protector. . .
(His hand on his sword):
A protectress. . .here!
THE BORE:
But you must leave the town?
CYRANO:
Well, that depends!
THE BORE:
The Duke has a long arm!
CYRANO:
But not so long
As mine, when it is lengthened out. . .
(Shows his sword):
As thus!
THE BORE:
You think not to contend?
CYRANO:
'Tis my idea!
THE BORE:
But. . .
CYRANO:
Show your heels! now!
THE BORE:
But I. . .
CYRANO:
Or tell me why you stare so at my nose!
THE BORE (staggered):
I. . .
CYRANO (walking straight up to him):
Well, what is there strange?
THE BORE (drawing back):
Your Grace mistakes!
CYRANO:
How now? Is't soft and dangling, like a trunk?. . .
THE BORE (same play):
I never. . .
CYRANO:
Is it crook'd, like an owl's beak?
THE BORE:
I. . .
CYRANO:
Do you see a wart upon the tip?
THE BORE:
Nay. . .
CYRANO:
Or a fly, that takes the air there? What
Is there to stare at?
THE BORE:
Oh. . .
CYRANO:
What do you see?
THE BORE:
But I was careful not to look--knew better.
CYRANO:
And why not look at it, an if you please?
THE BORE:
I was. . .
CYRANO:
Oh! it disgusts you!
THE BORE:
Sir!
CYRANO:
Its hue
Unwholesome seems to you?
THE BORE:
Sir!
CYRANO:
Or its shape?
THE BORE:
No, on the contrary!. . .
CYRANO:
Why then that air
Disparaging?--perchance you think it large?
THE BORE (stammering):
No, small, quite small--minute!
CYRANO:
Minute! What now?
Accuse me of a thing ridiculous!
Small--my nose?
THE BORE:
Heaven help me!
CYRANO:
'Tis enormous!
Old Flathead, empty-headed meddler, know
That I am proud possessing such appendice.
'Tis well known, a big nose is indicative
Of a soul affable, and kind, and courteous,
Liberal, brave, just like myself, and such
As you can never dare to dream yourself,
Rascal contemptible! For that witless face
That my hand soon will come to cuff--is all
As empty. . .
(He cuffs him.)
THE BORE:
Aie!
CYRANO:
--of pride, of aspiration,
Of feeling, poetry--of godlike spark
Of all that appertains to my big nose,
(He turns him by the shoulders, suiting the action to the word):
As. . .what my boot will shortly come and kick!
THE BORE (running away):
Help! Call the Guard!
CYRANO:
Take notice, boobies all,
Who find my visage's center ornament
A thing to jest at--that it is my wont--
An if the jester's noble--ere we part
To let him taste my steel, and not my boot!
DE GUICHE (who, with the marquises, has come down from the stage):
But he becomes a nuisance!
THE VISCOUNT DE VALVERT (shrugging his shoulders):
Swaggerer!
DE GUICHE:
Will no one put him down?. . .
THE VISCOUNT:
No one? But wait!
I'll treat him to. . .one of my quips!. . .See here!. . .
(He goes up to Cyrano, who is watching him, and with a conceited air):
Sir, your nose is. . .hmm. . .it is. . .very big!
CYRANO (gravely):
Very!
THE VISCOUNT (laughing):
Ha!
CYRANO (imperturbably):
Is that all?. . .
THE VISCOUNT:
What do you mean?
CYRANO:
Ah no! young blade! That was a trifle short!
You might have said at least a hundred things
By varying the tone. . .like this, suppose,. . .
Aggressive: 'Sir, if I had such a nose
I'd amputate it!' Friendly: 'When you sup
It must annoy you, dipping in your cup;
You need a drinking-bowl of special shape!'
Descriptive: ''Tis a rock!. . .a peak!. . .a cape!
--A cape, forsooth! 'Tis a peninsular!'
Curious: 'How serves that oblong capsular?
For scissor-sheath? Or pot to hold your ink?'
Gracious: 'You love the little birds, I think?
I see you've managed with a fond research
To find their tiny claws a roomy perch!'
Truculent: 'When you smoke your pipe. . .suppose
That the tobacco-smoke spouts from your nose--
Do not the neighbors, as the fumes rise higher,
Cry terror-struck: "The chimney is afire"?'
Considerate: 'Take care,. . .your head bowed low
By such a weight. . .lest head o'er heels you go!'
Tender: 'Pray get a small umbrella made,
Lest its bright color in the sun should fade!'
Pedantic: 'That beast Aristophanes
Names Hippocamelelephantoles
Must have possessed just such a solid lump
Of flesh and bone, beneath his forehead's bump!'
Cavalier: 'The last fashion, friend, that hook?
To hang your hat on? 'Tis a useful crook!'
Emphatic: 'No wind, O majestic nose,
Can give THEE cold!--save when the mistral blows!'
Dramatic: 'When it bleeds, what a Red Sea!'
Admiring: 'Sign for a perfumery!'
Lyric: 'Is this a conch?. . .a Triton you?'
Simple: 'When is the monument on view?'
Rustic: 'That thing a nose? Marry-come-up!
'Tis a dwarf pumpkin, or a prize turnip!'
Military: 'Point against cavalry!'
Practical: 'Put it in a lottery!
Assuredly 'twould be the biggest prize!'
Or. . .parodying Pyramus' sighs. . .
'Behold the nose that mars the harmony
Of its master's phiz! blushing its treachery!'
--Such, my dear sir, is what you might have said,
Had you of wit or letters the least jot:
But, O most lamentable man!--of wit
You never had an atom, and of letters
You have three letters only!--they spell Ass!
And--had you had the necessary wit,
To serve me all the pleasantries I quote
Before this noble audience. . .e'en so,
You would not have been let to utter one--
Nay, not the half or quarter of such jest!
I take them from myself all in good part,
But not from any other man that breathes!
DE GUICHE (trying to draw away the dismayed viscount):
Come away, Viscount!
THE VISCOUNT (choking with rage):
Hear his arrogance!
A country lout who. . .who. . .has got no gloves!
Who goes out without sleeve-knots, ribbons, lace!
CYRANO:
True; all my elegances are within.
I do not prank myself out, puppy-like;
My toilet is more thorough, if less gay;
I would not sally forth--a half-washed-out
Affront upon my cheek--a conscience
Yellow-eyed, bilious, from its sodden sleep,
A ruffled honor,. . .scruples grimed and dull!
I show no bravery of shining gems.
Truth, Independence, are my fluttering plumes.
'Tis not my form I lace to make me slim,
But brace my soul with efforts as with stays,
Covered with exploits, not with ribbon-knots,
My spirit bristling high like your mustaches,
I, traversing the crowds and chattering groups
Make Truth ring bravely out like clash of spurs!
THE VISCOUNT:
But, Sir. . .
CYRANO:
I wear no gloves? And what of that?
I had one,. . .remnant of an old worn pair,
And, knowing not what else to do with it,
I threw it in the face of. . .some young fool.
THE VISCOUNT:
Base scoundrel! Rascally flat-footed lout!
CYRANO (taking off his hat, and bowing as if the viscount had introduced
himself):
Ah?. . .and I, Cyrano Savinien
Hercule de Bergerac
(Laughter.)
THE VISCOUNT (angrily):
Buffoon!
CYRANO (calling out as if he had been seized with the cramp):
Aie! Aie!
THE VISCOUNT (who was going away, turns back):
What on earth is the fellow saying now?
CYRANO (with grimaces of pain):
It must be moved--it's getting stiff, I vow,
--This comes of leaving it in idleness!
Aie!. . .
THE VISCOUNT:
What ails you?
CYRANO:
The cramp! cramp in my sword!
THE VISCOUNT (drawing his sword):
Good!
CYRANO:
You shall feel a charming little stroke!
THE VISCOUNT (contemptuously):
Poet!. . .
CYRANO:
Ay, poet, Sir! In proof of which,
While we fence, presto! all extempore
I will compose a ballade.
THE VISCOUNT:
A ballade?
CYRANO:
Belike you know not what a ballade is.
THE VISCOUNT:
But. . .
CYRANO (reciting, as if repeating a lesson):
Know then that the ballade should contain
Three eight-versed couplets. . .
THE VISCOUNT (stamping):
Oh!
CYRANO (still reciting):
And an envoi
Of four lines. . .
THE VISCOUNT:
You. . .
CYRANO:
I'll make one while we fight;
And touch you at the final line.
THE VISCOUNT:
No!
CYRANO:
No?
(declaiming):
The duel in Hotel of Burgundy--fought
By De Bergerac and a good-for-naught!
THE VISCOUNT:
What may that be, an if you please?
CYRANO:
The title.
THE HOUSE (in great excitement):
Give room!--Good sport!--Make place!--Fair play!--No noise!
(Tableau. A circle of curious spectators in the pit; the marquises and
officers mingled with the common people; the pages climbing on each other's
shoulders to see better. All the women standing up in the boxes. To the
right, De Guiche and his retinue. Left, Le Bret, Ragueneau, Cyrano, etc.)
CYRANO (shutting his eyes for a second):
Wait while I choose my rhymes. . .I have them now!
(He suits the action to each word):
I gayly doff my beaver low,
And, freeing hand and heel,
My heavy mantle off I throw,
And I draw my polished steel;
Graceful as Phoebus, round I wheel,
Alert as Scaramouch,
A word in your ear, Sir Spark, I steal--
At the envoi's end, I touch!
(They engage):
Better for you had you lain low;
Where skewer my cock? In the heel?--
In the heart, your ribbon blue below?--
In the hip, and make you kneel?
Ho for the music of clashing steel!
--What now?--A hit? Not much!
'Twill be in the paunch the stroke I steal,
When, at the envoi, I touch.
Oh, for a rhyme, a rhyme in o?--
You wriggle, starch-white, my eel?
A rhyme! a rhyme! The white feather you SHOW!
Tac! I parry the point of your steel;
--The point you hoped to make me feel;
I open the line, now clutch
Your spit, Sir Scullion--slow your zeal!
At the envoi's end, I touch.
(He declaims solemnly):
Envoi.
Prince, pray Heaven for your soul's weal!
I move a pace--lo, such! and such!
Cut over--feint!
(Thrusting):
What ho! You reel?
(The viscount staggers. Cyrano salutes):
At the envoi's end, I touch!
(Acclamations. Applause in the boxes. Flowers and handkerchiefs are thrown
down. The officers surround Cyrano, congratulating him. Ragueneau dances for
joy. Le Bret is happy, but anxious. The viscount's friends hold him up and
bear him away.)
THE CROWD (with one long shout):
Ah!
A TROOPER:
'Tis superb!
A WOMAN:
A pretty stroke!
RAGUENEAU:
A marvel!
A MARQUIS:
A novelty!
LE BRET:
O madman!
THE CROWD (presses round Cyrano. Chorus of):
Compliments!
Bravo! Let me congratulate!. . .Quite unsurpassed!. . .
A WOMAN'S VOICE:
There is a hero for you!. . .
A MUSKETEER (advancing to Cyrano with outstretched hand):
Sir, permit;
Naught could be finer--I'm a judge I think;
I stamped, i' faith!--to show my admiration!
(He goes away.)
CYRANO (to Cuigy):
Who is that gentleman?
CUIGY:
Why--D'Artagnan!
LE BRET (to Cyrano, taking his arm):
A word with you!. . .
CYRANO:
Wait; let the rabble go!. . .
(To Bellerose):
May I stay?
BELLEROSE (respectfully):
Without doubt!
(Cries are heard outside.)
JODELET (who has looked out):
They hoot Montfleury!
BELLEROSE (solemnly):
Sic transit!. . .
(To the porters):
Sweep--close all, but leave the lights.
We sup, but later on we must return,
For a rehearsal of to-morrow's farce.
(Jodelet and Bellerose go out, bowing low to Cyrano.)
THE PORTER (to Cyrano):
You do not dine, Sir?
CYRANO:
No.
(The porter goes out.)
LE BRET:
Because?
CYRANO (proudly):
Because. . .
(Changing his tone as the porter goes away):
I have no money!. . .
LE BRET (with the action of throwing a bag):
How! The bag of crowns?. . .
CYRANO:
Paternal bounty, in a day, thou'rt sped!
LE BRET:
How live the next month?. . .
CYRANO:
I have nothing left.
LE BRET:
Folly!
CYRANO:
But what a graceful action! Think!
THE BUFFET-GIRL (coughing, behind her counter):
Hum!
(Cyrano and Le Bret turn. She comes timidly forward):
Sir, my heart mislikes to know you fast.
(Showing the buffet):
See, all you need. Serve yourself!
CYRANO (taking off his hat):
Gentle child,
Although my Gascon pride would else forbid
To take the least bestowal from your hands,
My fear of wounding you outweighs that pride,
And bids accept. . .
(He goes to the buffet):
A trifle!. . .These few grapes.
(She offers him the whole bunch. He takes a few):
Nay, but this bunch!. . .
(She tries to give him wine, but he stops her):
A glass of water fair!. . .
And half a macaroon!
(He gives back the other half.)
LE BRET:
What foolery!
THE BUFFET-GIRL:
Take something else!
CYRANO:
I take your hand to kiss.
(He kisses her hand as though she were a princess.)
THE BUFFET-GIRL:
Thank you, kind Sir!
(She courtesies):
Good-night.
(She goes out.)
| 3,373 | act 1, scene 4 | https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act1-scenes4-7 | Cyrano threatens Montfleury with his sword. Various people in the audience defend Montfleury. Cyrano challenges them all to a duel, but no one dares come forward. He gives Montfleury until the count of three to leave the stage, and Montfleury vanishes. A young man asks Cyrano why he hates Montfleury. Cyrano answers that Montfleury is a dreadful actor, and that the play is worthless. The theater manager, Bellerose, protests that he will have to give the entire audience their money back. Cyrano throws a bag of money onto the stage. Bellerose, stunned by the large amount of money in the bag, tells Cyrano that on these terms, he can stop the performance any day he likes. Bellerose asks the audience to leave, but they are spellbound by the scene that is unfolding between Cyrano and a character called "Busybody. The Busybody warns Cyrano that Montfleury enjoys the patronage of the powerful Duc de Candale. Cyrano dismisses his warning on the grounds that he too has a powerful proctectress, his sword. Cyrano asks the Busybody why he is staring at his nose. The Busybody denies that he has even noticed it, claiming that it is tiny. Cyrano feels insulted, and launches into an eloquent speech in praise of his "great proboscis. De Guiche and Valvert remark that Cyrano is tiresome. Valvert approaches Cyrano and remarks that his nose is "very big. Cyrano is scornful of his lack of inventiveness, and offers a long list of extravagant insults that Valvert could have delivered against his nose. Cyrano continues to mock Valvert. He says he will fight him with his sword, all the while reciting a poem that he will compose as he fights. On the final line, Cyrano will thrust at Valvert. The audience crowds around Cyrano. As Cyrano begins to compose his poem aloud, he and Valvert start to fence. When Cyrano reaches the final line, he thrusts. Valvert falls and his friends carry him away. An ecstatic crowd cheers Cyrano. Eventually, the crowd disperses. Le Bret asks Cyrano why he is not going to dine, and Cyrano says that he has no money; he threw all he had to Bellerose in compensation for the abandoned performance. An orange-girl cannot bear to see Cyrano go hungry, and tries to give him some food. But the proud Cyrano will only accept a grape, half a macaroon, and a glass of water | null | 399 | 1 | [
"The same.",
"Cyrano, then Bellerose, Jodelet.",
"MONTFLEURY (to the marquises):\n Come to my help, my lords!",
"A MARQUIS (carelessly):\n Go on!",
"Go on!",
"CYRANO:\n Fat man, take warning!",
"If you go on, I\n Shall feel myself constrained to cuff your face!",
"THE MARQUIS:\n Have done!",
"CYRANO:\n And if these lords hold not their tongue\n Shall feel constrained to make them taste my cane!",
"ALL THE MARQUISES (rising):\n Enough!. .",
".Montfleury.",
". .\n\nCYRANO:\n If he goes not quick\n I will cut off his ears and slit him up!",
"A VOICE:\n But.",
". .\n\nCYRANO:\n Out he goes!",
"ANOTHER VOICE:\n Yet.",
". .\n\nCYRANO:\n Is he not gone yet?",
"(He makes the gesture of turning up his cuffs):\n Good!",
"I shall mount the stage now, buffet-wise,\n To carve this fine Italian sausage--thus!",
"MONTFLEURY (trying to be dignified):\n You outrage Thalia in insulting me!",
"CYRANO (very politely):\n If that Muse, Sir, who knows you not at all,\n Could claim acquaintance with you--oh, believe\n (Seeing how urn-like, fat, and slow you are)\n That she would make you taste her buskin's sole!",
"THE PIT:\n Montfleury!",
"Montfleury!",
"Come--Baro's play!",
"CYRANO (to those who are calling out):\n I pray you have a care!",
"If you go on\n My scabbard soon will render up its blade!",
"(The circle round him widens.)",
"THE CROWD (drawing back):\n Take care!",
"CYRANO (to Montfleury):\n Leave the stage!",
"THE CROWD (coming near and grumbling):\n Oh!--\n\nCYRANO:\n Did some one speak?",
"(They draw back again.)",
"A VOICE (singing at the back):\n Monsieur de Cyrano\n Displays his tyrannies:\n A fig for tyrants!",
"What, ho!",
"Come!",
"Play us 'La Clorise!'",
"ALL THE PIT (singing):\n 'La Clorise!'",
"'La Clorise!'.",
". .\n\nCYRANO:\n Let me but hear once more that foolish rhyme,\n I slaughter every man of you.",
"A BURGHER:\n Oh!",
"Samson?",
"CYRANO:\n Yes Samson!",
"Will you lend your jawbone, Sir?",
"A LADY (in the boxes):\n Outrageous!",
"A LORD:\n Scandalous!",
"A BURGHER:\n 'Tis most annoying!",
"A PAGE:\n Fair good sport!",
"THE PIT:\n Kss!--Montfleury. .",
".Cyrano!",
"CYRANO:\n Silence!",
"THE PIT (wildly excited):\n Ho-o-o-o-h!",
"Quack!",
"Cock-a-doodle-doo!",
"CYRANO:\n I order--\n\nA PAGE:\n Miow!",
"CYRANO:\n I order silence, all!",
"And challenge the whole pit collectively!--\n I write your names!--Approach, young heroes, here!",
"Each in his turn!",
"I cry the numbers out!--\n Now which of you will come to ope the lists?",
"You, Sir?",
"No!",
"You?",
"No!",
"The first duellist\n Shall be dispatched by me with honors due!",
"Let all who long for death hold up their hands!",
"(A silence):\n Modest?",
"You fear to see my naked blade?",
"Not one name?--Not one hand?--Good, I proceed!",
"(Turning toward the stage, where Montfleury waits in an agony):\n The theater's too full, congested,--I\n Would clear it out. . .If not.",
". .\n(Puts his hand on his sword):\n The knife must act!",
"MONTFLEURY:\n I. . .\n\nCYRANO (leaves his chair, and settles himself in the middle of the circle\nwhich has formed):\n I will clap my hands thrice, thus--full moon!",
"At the third clap, eclipse\nyourself!",
"THE PIT (amused):\n Ah!",
"CYRANO (clapping his hands):\n One!",
"MONTFLEURY:\n I. . .\n\nA VOICE (in the boxes):\n Stay!",
"THE PIT:\n He stays. . .he goes. . .he stays.",
". .\n\nMONTFLEURY:\n I think. . .Gentlemen,.",
". .\n\nCYRANO:\n Two!",
"MONTFLEURY:\n I think 'twere wisest.",
". .\n\nCYRANO:\n Three!",
"(Montfleury disappears as through a trap.",
"Tempest of laughs, whistling cries,\netc.)",
"THE WHOLE HOUSE:\n Coward. . .come back!",
"CYRANO (delighted, sits back in his chair, arms crossed):\n Come back an if you dare!",
"A BURGHER:\n Call for the orator!",
"(Bellerose comes forward and bows.)",
"THE BOXES:\n Ah!",
"here's Bellerose!",
"BELLEROSE (elegantly):\n My noble lords.",
". .",
"THE PIT:\n No!",
"no!",
"Jodelet!",
"JODELET (advancing, speaking through his nose):\n Calves!",
"THE PIT:\n Ah!",
"bravo!",
"good!",
"go on!",
"JODELET:\n No bravos, Sirs!",
"The fat tragedian whom you all love\n Felt.",
". .",
"THE PIT:\n Coward!",
"JODELET:\n . . .was obliged to go.",
"THE PIT:\n Come back!",
"SOME:\n No!",
"OTHERS:\n Yes!",
"A YOUNG MAN (to Cyrano):\n But pray, Sir, for what reason, say,\n Hate you Montfleury?",
"CYRANO (graciously, still seated):\n Youthful gander, know\n I have two reasons--either will suffice.",
"Primo.",
"An actor villainous!",
"who mouths,\n And heaves up like a bucket from a well\n The verses that should, bird-like, fly!",
"Secundo--\n That is my secret.",
". .",
"THE OLD BURGHER (behind him):\n Shameful!",
"You deprive us\n Of the 'Clorise!'",
"I must insist.",
". .\n\nCYRANO (turning his chair toward the burgher, respectfully):\n Old mule!",
"The verses of old Baro are not worth\n A doit!",
"I'm glad to interrupt.",
". .",
"THE PRECIEUSES (in the boxes):\n Our Baro!--\n My dear!",
"How dares he venture!.",
". .\n\nCYRANO (turning his chair toward the boxes gallantly):\n Fairest ones,\n Radiate, bloom, hold to our lips the cup\n Of dreams intoxicating, Hebe-like!",
"Or, when death strikes, charm death with your sweet smiles;\n Inspire our verse, but--criticise it not!",
"BELLEROSE:\n We must give back the entrance fees!",
"CYRANO (turning his chair toward the stage):\n Bellerose,\n You make the first intelligent remark!",
"Would I rend Thespis' sacred mantle?",
"Nay!",
"(He rises and throws a bag on the stage):\n Catch then the purse I throw, and hold your peace!",
"THE HOUSE (dazzled):\n Ah!",
"Oh!",
"JODELET (catching the purse dexterously and weighing it):\n At this price, you've authority\n To come each night, and stop 'Clorise,' Sir!",
"THE PIT:\n Ho!. .",
".Ho!",
"Ho!.",
". .\n\nJODELET:\n E'en if you chase us in a pack!.",
". .\n\nBELLEROSE:\n Clear out the hall!.",
". .\n\nJODELET:\n Get you all gone at once!",
"(The people begin to go out, while Cyrano looks on with satisfaction.",
"But the\ncrowd soon stop on hearing the following scene, and remain where they are.",
"The women, who, with their mantles on, are already standing up in the boxes,\nstop to listen, and finally reseat themselves.)",
"LE BRET (to Cyrano):\n 'Tis mad!.",
". .\n\nA BORE (coming up to Cyrano):\n The actor Montfleury!",
"'Tis shameful!",
"Why, he's protected by the Duke of Candal!",
"Have you a patron?",
"CYRANO:\n No!",
"THE BORE:\n No patron?.",
". .\n\nCYRANO:\n None!",
"THE BORE:\n What!",
"no great lord to shield you with his name?",
"CYRANO (irritated):\n No, I have told you twice!",
"Must I repeat?",
"No!",
"no protector.",
". .\n(His hand on his sword):\n A protectress. . .here!",
"THE BORE:\n But you must leave the town?",
"CYRANO:\n Well, that depends!",
"THE BORE:\n The Duke has a long arm!",
"CYRANO:\n But not so long\n As mine, when it is lengthened out.",
". .\n(Shows his sword):\n As thus!",
"THE BORE:\n You think not to contend?",
"CYRANO:\n 'Tis my idea!",
"THE BORE:\n But.",
". .\n\nCYRANO:\n Show your heels!",
"now!",
"THE BORE:\n But I. . .\n\nCYRANO:\n Or tell me why you stare so at my nose!",
"THE BORE (staggered):\n I. . .\n\nCYRANO (walking straight up to him):\n Well, what is there strange?",
"THE BORE (drawing back):\n Your Grace mistakes!",
"CYRANO:\n How now?",
"Is't soft and dangling, like a trunk?.",
". .",
"THE BORE (same play):\n I never.",
". .\n\nCYRANO:\n Is it crook'd, like an owl's beak?",
"THE BORE:\n I. . .\n\nCYRANO:\n Do you see a wart upon the tip?",
"THE BORE:\n Nay.",
". .\n\nCYRANO:\n Or a fly, that takes the air there?",
"What\n Is there to stare at?",
"THE BORE:\n Oh.",
". .\n\nCYRANO:\n What do you see?",
"THE BORE:\n But I was careful not to look--knew better.",
"CYRANO:\n And why not look at it, an if you please?",
"THE BORE:\n I was.",
". .\n\nCYRANO:\n Oh!",
"it disgusts you!",
"THE BORE:\n Sir!",
"CYRANO:\n Its hue\n Unwholesome seems to you?",
"THE BORE:\n Sir!",
"CYRANO:\n Or its shape?",
"THE BORE:\n No, on the contrary!.",
". .\n\nCYRANO:\n Why then that air\n Disparaging?--perchance you think it large?",
"THE BORE (stammering):\n No, small, quite small--minute!",
"CYRANO:\n Minute!",
"What now?",
"Accuse me of a thing ridiculous!",
"Small--my nose?",
"THE BORE:\n Heaven help me!",
"CYRANO:\n 'Tis enormous!",
"Old Flathead, empty-headed meddler, know\n That I am proud possessing such appendice.",
"'Tis well known, a big nose is indicative\n Of a soul affable, and kind, and courteous,\n Liberal, brave, just like myself, and such\n As you can never dare to dream yourself,\n Rascal contemptible!",
"For that witless face\n That my hand soon will come to cuff--is all\n As empty.",
". .\n\n(He cuffs him.)",
"THE BORE:\n Aie!",
"CYRANO:\n --of pride, of aspiration,\n Of feeling, poetry--of godlike spark\n Of all that appertains to my big nose,\n(He turns him by the shoulders, suiting the action to the word):\n As. . .what my boot will shortly come and kick!",
"THE BORE (running away):\n Help!",
"Call the Guard!",
"CYRANO:\n Take notice, boobies all,\n Who find my visage's center ornament\n A thing to jest at--that it is my wont--\n An if the jester's noble--ere we part\n To let him taste my steel, and not my boot!",
"DE GUICHE (who, with the marquises, has come down from the stage):\n But he becomes a nuisance!",
"THE VISCOUNT DE VALVERT (shrugging his shoulders):\n Swaggerer!",
"DE GUICHE:\n Will no one put him down?.",
". .",
"THE VISCOUNT:\n No one?",
"But wait!",
"I'll treat him to. . .one of my quips!. .",
".See here!.",
". .\n(He goes up to Cyrano, who is watching him, and with a conceited air):\n Sir, your nose is. . .hmm. . .it is. . .very big!",
"CYRANO (gravely):\n Very!",
"THE VISCOUNT (laughing):\n Ha!",
"CYRANO (imperturbably):\n Is that all?.",
". .",
"THE VISCOUNT:\n What do you mean?",
"CYRANO:\n Ah no!",
"young blade!",
"That was a trifle short!",
"You might have said at least a hundred things\n By varying the tone. . .like this, suppose,.",
". .",
"Aggressive: 'Sir, if I had such a nose\n I'd amputate it!'",
"Friendly: 'When you sup\n It must annoy you, dipping in your cup;\n You need a drinking-bowl of special shape!'",
"Descriptive: ''Tis a rock!. .",
".a peak!. .",
".a cape!",
"--A cape, forsooth!",
"'Tis a peninsular!'",
"Curious: 'How serves that oblong capsular?",
"For scissor-sheath?",
"Or pot to hold your ink?'",
"Gracious: 'You love the little birds, I think?",
"I see you've managed with a fond research\n To find their tiny claws a roomy perch!'",
"Truculent: 'When you smoke your pipe. . .suppose\n That the tobacco-smoke spouts from your nose--\n Do not the neighbors, as the fumes rise higher,\n Cry terror-struck: \"The chimney is afire\"?'",
"Considerate: 'Take care,. . .your head bowed low\n By such a weight. . .lest head o'er heels you go!'",
"Tender: 'Pray get a small umbrella made,\n Lest its bright color in the sun should fade!'",
"Pedantic: 'That beast Aristophanes\n Names Hippocamelelephantoles\n Must have possessed just such a solid lump\n Of flesh and bone, beneath his forehead's bump!'",
"Cavalier: 'The last fashion, friend, that hook?",
"To hang your hat on?",
"'Tis a useful crook!'",
"Emphatic: 'No wind, O majestic nose,\n Can give THEE cold!--save when the mistral blows!'",
"Dramatic: 'When it bleeds, what a Red Sea!'",
"Admiring: 'Sign for a perfumery!'",
"Lyric: 'Is this a conch?. .",
".a Triton you?'",
"Simple: 'When is the monument on view?'",
"Rustic: 'That thing a nose?",
"Marry-come-up!",
"'Tis a dwarf pumpkin, or a prize turnip!'",
"Military: 'Point against cavalry!'",
"Practical: 'Put it in a lottery!",
"Assuredly 'twould be the biggest prize!'",
"Or. . .parodying Pyramus' sighs.",
". .\n 'Behold the nose that mars the harmony\n Of its master's phiz!",
"blushing its treachery!'",
"--Such, my dear sir, is what you might have said,\n Had you of wit or letters the least jot:\n But, O most lamentable man!--of wit\n You never had an atom, and of letters\n You have three letters only!--they spell Ass!",
"And--had you had the necessary wit,\n To serve me all the pleasantries I quote\n Before this noble audience. . .e'en so,\n You would not have been let to utter one--\n Nay, not the half or quarter of such jest!",
"I take them from myself all in good part,\n But not from any other man that breathes!",
"DE GUICHE (trying to draw away the dismayed viscount):\n Come away, Viscount!",
"THE VISCOUNT (choking with rage):\n Hear his arrogance!",
"A country lout who. . .who. . .has got no gloves!",
"Who goes out without sleeve-knots, ribbons, lace!",
"CYRANO:\n True; all my elegances are within.",
"I do not prank myself out, puppy-like;\n My toilet is more thorough, if less gay;\n I would not sally forth--a half-washed-out\n Affront upon my cheek--a conscience\n Yellow-eyed, bilious, from its sodden sleep,\n A ruffled honor,. . .scruples grimed and dull!",
"I show no bravery of shining gems.",
"Truth, Independence, are my fluttering plumes.",
"'Tis not my form I lace to make me slim,\n But brace my soul with efforts as with stays,\n Covered with exploits, not with ribbon-knots,\n My spirit bristling high like your mustaches,\n I, traversing the crowds and chattering groups\n Make Truth ring bravely out like clash of spurs!",
"THE VISCOUNT:\n But, Sir.",
". .\n\nCYRANO:\n I wear no gloves?",
"And what of that?",
"I had one,. . .remnant of an old worn pair,\n And, knowing not what else to do with it,\n I threw it in the face of. . .some young fool.",
"THE VISCOUNT:\n Base scoundrel!",
"Rascally flat-footed lout!",
"CYRANO (taking off his hat, and bowing as if the viscount had introduced\nhimself):\n Ah?. .",
".and I, Cyrano Savinien\n Hercule de Bergerac\n\n(Laughter.)",
"THE VISCOUNT (angrily):\n Buffoon!",
"CYRANO (calling out as if he had been seized with the cramp):\n Aie!",
"Aie!",
"THE VISCOUNT (who was going away, turns back):\n What on earth is the fellow saying now?",
"CYRANO (with grimaces of pain):\n It must be moved--it's getting stiff, I vow,\n --This comes of leaving it in idleness!",
"Aie!.",
". .",
"THE VISCOUNT:\n What ails you?",
"CYRANO:\n The cramp!",
"cramp in my sword!",
"THE VISCOUNT (drawing his sword):\n Good!",
"CYRANO:\n You shall feel a charming little stroke!",
"THE VISCOUNT (contemptuously):\n Poet!.",
". .\n\nCYRANO:\n Ay, poet, Sir!",
"In proof of which,\n While we fence, presto!",
"all extempore\n I will compose a ballade.",
"THE VISCOUNT:\n A ballade?",
"CYRANO:\n Belike you know not what a ballade is.",
"THE VISCOUNT:\n But.",
". .\n\nCYRANO (reciting, as if repeating a lesson):\n Know then that the ballade should contain\n Three eight-versed couplets.",
". .",
"THE VISCOUNT (stamping):\n Oh!",
"CYRANO (still reciting):\n And an envoi\n Of four lines.",
". .",
"THE VISCOUNT:\n You.",
". .\n\nCYRANO:\n I'll make one while we fight;\n And touch you at the final line.",
"THE VISCOUNT:\n No!",
"CYRANO:\n No?",
"(declaiming):\n The duel in Hotel of Burgundy--fought\n By De Bergerac and a good-for-naught!",
"THE VISCOUNT:\n What may that be, an if you please?",
"CYRANO:\n The title.",
"THE HOUSE (in great excitement):\n Give room!--Good sport!--Make place!--Fair play!--No noise!",
"(Tableau.",
"A circle of curious spectators in the pit; the marquises and\nofficers mingled with the common people; the pages climbing on each other's\nshoulders to see better.",
"All the women standing up in the boxes.",
"To the\nright, De Guiche and his retinue.",
"Left, Le Bret, Ragueneau, Cyrano, etc.)",
"CYRANO (shutting his eyes for a second):\n Wait while I choose my rhymes. . .I have them now!",
"(He suits the action to each word):\n I gayly doff my beaver low,\n And, freeing hand and heel,\n My heavy mantle off I throw,\n And I draw my polished steel;\n Graceful as Phoebus, round I wheel,\n Alert as Scaramouch,\n A word in your ear, Sir Spark, I steal--\n At the envoi's end, I touch!",
"(They engage):\n Better for you had you lain low;\n Where skewer my cock?",
"In the heel?--\n In the heart, your ribbon blue below?--\n In the hip, and make you kneel?",
"Ho for the music of clashing steel!",
"--What now?--A hit?",
"Not much!",
"'Twill be in the paunch the stroke I steal,\n When, at the envoi, I touch.",
"Oh, for a rhyme, a rhyme in o?--\n You wriggle, starch-white, my eel?",
"A rhyme!",
"a rhyme!",
"The white feather you SHOW!",
"Tac!",
"I parry the point of your steel;\n --The point you hoped to make me feel;\n I open the line, now clutch\n Your spit, Sir Scullion--slow your zeal!",
"At the envoi's end, I touch.",
"(He declaims solemnly):\n Envoi.",
"Prince, pray Heaven for your soul's weal!",
"I move a pace--lo, such!",
"and such!",
"Cut over--feint!",
"(Thrusting):\n What ho!",
"You reel?",
"(The viscount staggers.",
"Cyrano salutes):\n At the envoi's end, I touch!",
"(Acclamations.",
"Applause in the boxes.",
"Flowers and handkerchiefs are thrown\ndown.",
"The officers surround Cyrano, congratulating him.",
"Ragueneau dances for\njoy.",
"Le Bret is happy, but anxious.",
"The viscount's friends hold him up and\nbear him away.)",
"THE CROWD (with one long shout):\n Ah!",
"A TROOPER:\n 'Tis superb!",
"A WOMAN:\n A pretty stroke!",
"RAGUENEAU:\n A marvel!",
"A MARQUIS:\n A novelty!",
"LE BRET:\n O madman!",
"THE CROWD (presses round Cyrano.",
"Chorus of):\n Compliments!",
"Bravo!",
"Let me congratulate!. .",
".Quite unsurpassed!.",
". .\n\nA WOMAN'S VOICE:\n There is a hero for you!.",
". .\n\nA MUSKETEER (advancing to Cyrano with outstretched hand):\n Sir, permit;\n Naught could be finer--I'm a judge I think;\n I stamped, i' faith!--to show my admiration!",
"(He goes away.)",
"CYRANO (to Cuigy):\n Who is that gentleman?",
"CUIGY:\n Why--D'Artagnan!",
"LE BRET (to Cyrano, taking his arm):\n A word with you!.",
". .\n\nCYRANO:\n Wait; let the rabble go!.",
". .\n(To Bellerose):\n May I stay?",
"BELLEROSE (respectfully):\n Without doubt!",
"(Cries are heard outside.)",
"JODELET (who has looked out):\n They hoot Montfleury!",
"BELLEROSE (solemnly):\n Sic transit!.",
". .\n(To the porters):\n Sweep--close all, but leave the lights.",
"We sup, but later on we must return,\n For a rehearsal of to-morrow's farce.",
"(Jodelet and Bellerose go out, bowing low to Cyrano.)",
"THE PORTER (to Cyrano):\n You do not dine, Sir?",
"CYRANO:\n No.",
"(The porter goes out.)",
"LE BRET:\n Because?",
"CYRANO (proudly):\n Because.",
". .\n(Changing his tone as the porter goes away):\n I have no money!.",
". .",
"LE BRET (with the action of throwing a bag):\n How!",
"The bag of crowns?.",
". .\n\nCYRANO:\n Paternal bounty, in a day, thou'rt sped!",
"LE BRET:\n How live the next month?.",
". .\n\nCYRANO:\n I have nothing left.",
"LE BRET:\n Folly!",
"CYRANO:\n But what a graceful action!",
"Think!",
"THE BUFFET-GIRL (coughing, behind her counter):\n Hum!",
"(Cyrano and Le Bret turn.",
"She comes timidly forward):\n Sir, my heart mislikes to know you fast.",
"(Showing the buffet):\n See, all you need.",
"Serve yourself!",
"CYRANO (taking off his hat):\n Gentle child,\n Although my Gascon pride would else forbid\n To take the least bestowal from your hands,\n My fear of wounding you outweighs that pride,\n And bids accept.",
". .\n(He goes to the buffet):\n A trifle!. .",
".These few grapes.",
"(She offers him the whole bunch.",
"He takes a few):\n Nay, but this bunch!.",
". .\n(She tries to give him wine, but he stops her):\n A glass of water fair!.",
". .\n And half a macaroon!",
"(He gives back the other half.)",
"LE BRET:\n What foolery!",
"THE BUFFET-GIRL:\n Take something else!",
"CYRANO:\n I take your hand to kiss.",
"(He kisses her hand as though she were a princess.)",
"THE BUFFET-GIRL:\n Thank you, kind Sir!",
"(She courtesies):\n Good-night.",
"(She goes out.)"
] | [
"If you go on, I\n Shall feel myself constrained to cuff your face!",
"THE VISCOUNT (laughing):\n Ha!",
".a cape!",
"Marry-come-up!",
"THE VISCOUNT:\n What ails you?",
"CYRANO:\n The cramp!",
"I parry the point of your steel;\n --The point you hoped to make me feel;\n I open the line, now clutch\n Your spit, Sir Scullion--slow your zeal!",
"We sup, but later on we must return,\n For a rehearsal of to-morrow's farce.",
"CYRANO:\n No.",
"The bag of crowns?."
] | [
". .\n\nCYRANO:\n I'll make one while we fight;\n And touch you at the final line.",
"THE CROWD (coming near and grumbling):\n Oh!--\n\nCYRANO:\n Did some one speak?",
"THE PIT (wildly excited):\n Ho-o-o-o-h!",
"CYRANO:\n Fat man, take warning!",
"LE BRET:\n Because?",
"THE BUFFET-GIRL:\n Thank you, kind Sir!",
"(Acclamations.",
"The white feather you SHOW!",
"Why, he's protected by the Duke of Candal!",
". .\n\nJODELET:\n E'en if you chase us in a pack!."
] | [
". .\n\n(He cuffs him.)",
"THE BORE:\n Aie!",
"CYRANO:\n --of pride, of aspiration,\n Of feeling, poetry--of godlike spark\n Of all that appertains to my big nose,\n(He turns him by the shoulders, suiting the action to the word):\n As. . .what my boot will shortly come and kick!",
"THE BORE (running away):\n Help!",
"Call the Guard!",
"CYRANO:\n Take notice, boobies all,\n Who find my visage's center ornament\n A thing to jest at--that it is my wont--\n An if the jester's noble--ere we part\n To let him taste my steel, and not my boot!",
"DE GUICHE (who, with the marquises, has come down from the stage):\n But he becomes a nuisance!",
"THE VISCOUNT DE VALVERT (shrugging his shoulders):\n Swaggerer!",
"DE GUICHE:\n Will no one put him down?.",
". .",
"THE VISCOUNT:\n No one?"
] | [
"The same.",
"Cyrano, then Bellerose, Jodelet.",
"MONTFLEURY (to the marquises):\n Come to my help, my lords!",
"A MARQUIS (carelessly):\n Go on!",
"Go on!",
"CYRANO:\n Fat man, take warning!",
"If you go on, I\n Shall feel myself constrained to cuff your face!",
"THE MARQUIS:\n Have done!",
"CYRANO:\n And if these lords hold not their tongue\n Shall feel constrained to make them taste my cane!",
"ALL THE MARQUISES (rising):\n Enough!. .",
". .\n(She tries to give him wine, but he stops her):\n A glass of water fair!.",
". .\n And half a macaroon!",
"(He gives back the other half.)",
"LE BRET:\n What foolery!",
"THE BUFFET-GIRL:\n Take something else!",
"CYRANO:\n I take your hand to kiss.",
"(He kisses her hand as though she were a princess.)",
"THE BUFFET-GIRL:\n Thank you, kind Sir!",
"(She courtesies):\n Good-night.",
"(She goes out.)"
] | Calves!
THE PIT:
Ah!
bravo!
good!
go on!
JODELET:
No bravos, Sirs!
The fat tragedian whom you all love
Felt.
. .
THE PIT:
Coward!
JODELET:
. . .was obliged to go.
THE PIT:
Come back!
SOME:
No!
OTHERS:
Yes!
A YOUNG MAN (to Cyrano):
But pray, Sir, for what reason, say,
Hate you Montfleury?
CYRANO (graciously, still seated):
Youthful gander, know
I have two reasons--either will suffice.
Primo.
An actor villainous!
who mouths,
And heaves up like a bucket from a well
The verses that should, bird-like, fly!
Secundo--
That is my secret.
. .
THE OLD BURGHER (behind him):
Shameful!
You deprive us
Of the 'Clorise!'
I must insist.
. .
CYRANO (turning his chair toward the burgher, respectfully):
Old mule!
The verses of old Baro are not worth
A doit!
I'm glad to interrupt.
. .
THE PRECIEUSES (in the boxes):
Our Baro!--
My dear!
How dares he venture!.
. .
CYRANO (turning his chair toward the boxes gallantly):
Fairest ones,
Radiate, bloom, hold to our | The same.
Cyrano, then Bellerose, Jodelet.
MONTFLEURY (to the marquises):
Come to my help, my lords!
A MARQUIS (carelessly):
Go on!
Go on!
CYRANO:
Fat man, take warning!
If you go on, I
Shall feel myself constrained to cuff your face!
THE MARQUIS:
Have done!
CYRANO:
And if these lords hold not their tongue
Shall feel constrained to make them taste my cane!
ALL THE MARQUISES (rising):
Enough!. .
.Montfleury.
. .
CYRANO:
If he goes not quick
I will cut off his ears and slit hi o the buffet):
A trifle!. .
.These few grapes.
(She offers him the whole bunch.
He takes a few):
Nay, but this bunch!.
. .
(She tries to give him wine, but he stops her):
A glass of water fair!.
. .
And half a macaroon!
(He gives back the other half.)
LE BRET:
What foolery!
THE BUFFET-GIRL:
Take something else!
CYRANO:
I take your hand to kiss.
(He kisses her hand as though she were a princess.)
THE BUFFET-GIRL:
Thank you, kind Sir!
(She courtesies):
Good-night.
(She goes out.) | own?.
. .
THE VISCOUNT:
No one?
But wait!
I'll treat him to. . .one of my quips!. .
.See here!.
. .
(He goes up to Cyrano, who is watching him, and with a conceited air):
Sir, your nose is. . .hmm. . .it is. . .very big!
CYRANO (gravely):
Very!
THE VISCOUNT (laughing):
Ha!
CYRANO (imperturbably):
Is that all?.
. .
THE VISCOUNT:
What do you mean?
CYRANO:
Ah no!
young blade!
That was a trifle short!
You might have said at least a hundred things
By varying the tone. . .like this, suppose,.
. .
Aggressive: 'Sir, if I had such a nose
I'd amputate it!'
Friendly: 'When you sup
It must annoy you, dipping in your cup;
You need a drinking-bowl of special shape!'
Descriptive: ''Tis a rock!. .
.a peak!. .
.a cape!
--A cape, forsooth!
'Tis a peninsular!'
Curious: 'How serves that oblong capsular?
For scissor-sheath?
Or pot to hold your ink?'
Gracious: 'You love the little birds, I think?
I see you've managed with a fond research
To find their tiny claws a roomy perch!'
T |
1,254 | true | novelguide | all_chapterized_books/1254-chapters/6.txt | finished_summaries/novelguide/Cyrano de Bergerac/section_2_part_2.txt | Cyrano de Bergerac.act 1.scene 5 | act 1, scene 5 | null | {"name": "Act 1, scene 5", "url": "https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act1-scenes4-7", "summary": "Le Bret warns Cyrano that he is making enemies. He asks Cyrano to tell him the real reason he hates Montfleury. Cyrano says that he once caught Montfleury looking flirtatiously at the woman Cyrano loves. Cyrano is certain that no one could love a man with a nose like his. From Cyrano's description of the woman, Le Bret deduces that she is Roxane. Le Bret advises Cyrano to tell Roxane of his love, pointing out that even the orange-girl could not take her eyes off him. But Cyrano is convinced that he is so ugly that Roxane would only laugh at him. They are interrupted by the arrival of Roxanne's Duenna", "analysis": ""} | Cyrano, Le Bret.
CYRANO (to Le Bret):
Now talk--I listen.
(He stands at the buffet, and placing before him first the macaroon):
Dinner!. . .
(then the grapes):
Dessert!. . .
(then the glass of water):
Wine!. . .
(he seats himself):
So! And now to table!
Ah! I was hungry, friend, nay, ravenous!
(eating):
You said--?
LE BRET:
These fops, would-be belligerent,
Will, if you heed them only, turn your head!. . .
Ask people of good sense if you would know
The effect of your fine insolence--
CYRANO (finishing his macaroon):
Enormous!
LE BRET:
The Cardinal. . .
CYRANO (radiant):
The Cardinal--was there?
LE BRET:
Must have thought it. . .
CYRANO:
Original, i' faith!
LE BRET:
But. . .
CYRANO:
He's an author. 'Twill not fail to please him
That I should mar a brother-author's play.
LE BRET:
You make too many enemies by far!
CYRANO (eating his grapes):
How many think you I have made to-night?
LE BRET:
Forty, no less, not counting ladies.
CYRANO:
Count!
LE BRET:
Montfleury first, the bourgeois, then De Guiche,
The Viscount, Baro, the Academy. . .
CYRANO:
Enough! I am o'erjoyed!
LE BRET:
But these strange ways,
Where will they lead you, at the end? Explain
Your system--come!
CYRANO:
I in a labyrinth
Was lost--too many different paths to choose;
I took. . .
LE BRET:
Which?
CYRANO:
Oh! by far the simplest path. . .
Decided to be admirable in all!
LE BRET (shrugging his shoulders):
So be it! But the motive of your hate
To Montfleury--come, tell me!
CYRANO (rising):
This Silenus,
Big-bellied, coarse, still deems himself a peril--
A danger to the love of lovely ladies,
And, while he sputters out his actor's part,
Makes sheep's eyes at their boxes--goggling frog!
I hate him since the evening he presumed
To raise his eyes to hers. . .Meseemed I saw
A slug crawl slavering o'er a flower's petals!
LE BRET (stupefied):
How now? What? Can it be. . .?
CYRANO (laughing bitterly):
That I should love?. . .
(Changing his tone, gravely):
I love.
LE BRET:
And may I know?. . .You never said. . .
CYRANO:
Come now, bethink you!. . .The fond hope to be
Beloved, e'en by some poor graceless lady,
Is, by this nose of mine for aye bereft me;
--This lengthy nose which, go where'er I will,
Pokes yet a quarter-mile ahead of me;
But I may love--and who? 'Tis Fate's decree
I love the fairest--how were't otherwise?
LE BRET:
The fairest?. . .
CYRANO:
Ay, the fairest of the world,
Most brilliant--most refined--most golden-haired!
LE BRET:
Who is this lady?
CYRANO:
She's a danger mortal,
All unsuspicious--full of charms unconscious,
Like a sweet perfumed rose--a snare of nature,
Within whose petals Cupid lurks in ambush!
He who has seen her smile has known perfection,
--Instilling into trifles grace's essence,
Divinity in every careless gesture;
Not Venus' self can mount her conch blown sea-ward,
As she can step into her chaise a porteurs,
Nor Dian fleet across the woods spring-flowered,
Light as my Lady o'er the stones of Paris!. . .
LE BRET:
Sapristi! all is clear!
CYRANO:
As spiderwebs!
LE BRET:
Your cousin, Madeleine Robin?
CYRANO:
Roxane!
LE BRET:
Well, but so much the better! Tell her so!
She saw your triumph here this very night!
CYRANO:
Look well at me--then tell me, with what hope
This vile protuberance can inspire my heart!
I do not lull me with illusions--yet
At times I'm weak: in evening hours dim
I enter some fair pleasance, perfumed sweet;
With my poor ugly devil of a nose
I scent spring's essence--in the silver rays
I see some knight--a lady on his arm,
And think 'To saunter thus 'neath the moonshine,
I were fain to have my lady, too, beside!'
Thought soars to ecstasy. . .O sudden fall!
--The shadow of my profile on the wall!
LE BRET (tenderly):
My friend!. . .
CYRANO:
My friend, at times 'tis hard, 'tis bitter,
To feel my loneliness--my own ill-favor. . .
LE BRET (taking his hand):
You weep?
CYRANO:
No, never! Think, how vilely suited
Adown this nose a tear its passage tracing!
I never will, while of myself I'm master,
let the divinity of tears--their beauty
Be wedded to such common ugly grossness.
Nothing more solemn than a tear--sublimer;
And I would not by weeping turn to laughter
The grave emotion that a tear engenders!
LE BRET:
Never be sad! What's love?--a chance of Fortune!
CYRANO (shaking his head):
Look I a Caesar to woo Cleopatra?
A Tito to aspire to Berenice?
LE BRET:
Your courage and your wit!--The little maid
Who offered you refreshment even now,
Her eyes did not abhor you--you saw well!
CYRANO (impressed):
True!
LE BRET:
Well, how then?. . .I saw Roxane herself
Was death-pale as she watched the duel.
CYRANO:
Pale?
LE BRET:
Her heart, her fancy, are already caught!
Put it to th' touch!
CYRANO:
That she may mock my face?
That is the one thing on this earth I fear!
THE PORTER (introducing some one to Cyrano):
Sir, some one asks for you. . .
CYRANO (seeing the duenna):
God! her duenna!
| 937 | Act 1, scene 5 | https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act1-scenes4-7 | Le Bret warns Cyrano that he is making enemies. He asks Cyrano to tell him the real reason he hates Montfleury. Cyrano says that he once caught Montfleury looking flirtatiously at the woman Cyrano loves. Cyrano is certain that no one could love a man with a nose like his. From Cyrano's description of the woman, Le Bret deduces that she is Roxane. Le Bret advises Cyrano to tell Roxane of his love, pointing out that even the orange-girl could not take her eyes off him. But Cyrano is convinced that he is so ugly that Roxane would only laugh at him. They are interrupted by the arrival of Roxanne's Duenna | null | 111 | 1 | [
"Cyrano, Le Bret.",
"CYRANO (to Le Bret):\n Now talk--I listen.",
"(He stands at the buffet, and placing before him first the macaroon):\n Dinner!.",
". .\n(then the grapes):\n Dessert!.",
". .\n(then the glass of water):\n Wine!.",
". .\n(he seats himself):\n So!",
"And now to table!",
"Ah!",
"I was hungry, friend, nay, ravenous!",
"(eating):\n You said--?",
"LE BRET:\n These fops, would-be belligerent,\n Will, if you heed them only, turn your head!.",
". .",
"Ask people of good sense if you would know\n The effect of your fine insolence--\n\nCYRANO (finishing his macaroon):\n Enormous!",
"LE BRET:\n The Cardinal.",
". .\n\nCYRANO (radiant):\n The Cardinal--was there?",
"LE BRET:\n Must have thought it.",
". .\n\nCYRANO:\n Original, i' faith!",
"LE BRET:\n But.",
". .\n\nCYRANO:\n He's an author.",
"'Twill not fail to please him\n That I should mar a brother-author's play.",
"LE BRET:\n You make too many enemies by far!",
"CYRANO (eating his grapes):\n How many think you I have made to-night?",
"LE BRET:\n Forty, no less, not counting ladies.",
"CYRANO:\n Count!",
"LE BRET:\n Montfleury first, the bourgeois, then De Guiche,\n The Viscount, Baro, the Academy.",
". .\n\nCYRANO:\n Enough!",
"I am o'erjoyed!",
"LE BRET:\n But these strange ways,\n Where will they lead you, at the end?",
"Explain\n Your system--come!",
"CYRANO:\n I in a labyrinth\n Was lost--too many different paths to choose;\n I took.",
". .",
"LE BRET:\n Which?",
"CYRANO:\n Oh!",
"by far the simplest path.",
". .\n Decided to be admirable in all!",
"LE BRET (shrugging his shoulders):\n So be it!",
"But the motive of your hate\n To Montfleury--come, tell me!",
"CYRANO (rising):\n This Silenus,\n Big-bellied, coarse, still deems himself a peril--\n A danger to the love of lovely ladies,\n And, while he sputters out his actor's part,\n Makes sheep's eyes at their boxes--goggling frog!",
"I hate him since the evening he presumed\n To raise his eyes to hers. . .Meseemed I saw\n A slug crawl slavering o'er a flower's petals!",
"LE BRET (stupefied):\n How now?",
"What?",
"Can it be. .",
".?",
"CYRANO (laughing bitterly):\n That I should love?.",
". .\n(Changing his tone, gravely):\n I love.",
"LE BRET:\n And may I know?. .",
".You never said.",
". .\n\nCYRANO:\n Come now, bethink you!. .",
".The fond hope to be\n Beloved, e'en by some poor graceless lady,\n Is, by this nose of mine for aye bereft me;\n --This lengthy nose which, go where'er I will,\n Pokes yet a quarter-mile ahead of me;\n But I may love--and who?",
"'Tis Fate's decree\n I love the fairest--how were't otherwise?",
"LE BRET:\n The fairest?.",
". .\n\nCYRANO:\n Ay, the fairest of the world,\n Most brilliant--most refined--most golden-haired!",
"LE BRET:\n Who is this lady?",
"CYRANO:\n She's a danger mortal,\n All unsuspicious--full of charms unconscious,\n Like a sweet perfumed rose--a snare of nature,\n Within whose petals Cupid lurks in ambush!",
"He who has seen her smile has known perfection,\n --Instilling into trifles grace's essence,\n Divinity in every careless gesture;\n Not Venus' self can mount her conch blown sea-ward,\n As she can step into her chaise a porteurs,\n Nor Dian fleet across the woods spring-flowered,\n Light as my Lady o'er the stones of Paris!.",
". .",
"LE BRET:\n Sapristi!",
"all is clear!",
"CYRANO:\n As spiderwebs!",
"LE BRET:\n Your cousin, Madeleine Robin?",
"CYRANO:\n Roxane!",
"LE BRET:\n Well, but so much the better!",
"Tell her so!",
"She saw your triumph here this very night!",
"CYRANO:\n Look well at me--then tell me, with what hope\n This vile protuberance can inspire my heart!",
"I do not lull me with illusions--yet\n At times I'm weak: in evening hours dim\n I enter some fair pleasance, perfumed sweet;\n With my poor ugly devil of a nose\n I scent spring's essence--in the silver rays\n I see some knight--a lady on his arm,\n And think 'To saunter thus 'neath the moonshine,\n I were fain to have my lady, too, beside!'",
"Thought soars to ecstasy. . .O sudden fall!",
"--The shadow of my profile on the wall!",
"LE BRET (tenderly):\n My friend!.",
". .\n\nCYRANO:\n My friend, at times 'tis hard, 'tis bitter,\n To feel my loneliness--my own ill-favor.",
". .",
"LE BRET (taking his hand):\n You weep?",
"CYRANO:\n No, never!",
"Think, how vilely suited\n Adown this nose a tear its passage tracing!",
"I never will, while of myself I'm master,\n let the divinity of tears--their beauty\n Be wedded to such common ugly grossness.",
"Nothing more solemn than a tear--sublimer;\n And I would not by weeping turn to laughter\n The grave emotion that a tear engenders!",
"LE BRET:\n Never be sad!",
"What's love?--a chance of Fortune!",
"CYRANO (shaking his head):\n Look I a Caesar to woo Cleopatra?",
"A Tito to aspire to Berenice?",
"LE BRET:\n Your courage and your wit!--The little maid\n Who offered you refreshment even now,\n Her eyes did not abhor you--you saw well!",
"CYRANO (impressed):\n True!",
"LE BRET:\n Well, how then?. .",
".I saw Roxane herself\n Was death-pale as she watched the duel.",
"CYRANO:\n Pale?",
"LE BRET:\n Her heart, her fancy, are already caught!",
"Put it to th' touch!",
"CYRANO:\n That she may mock my face?",
"That is the one thing on this earth I fear!",
"THE PORTER (introducing some one to Cyrano):\n Sir, some one asks for you.",
". .\n\nCYRANO (seeing the duenna):\n God!",
"her duenna!"
] | [
". .\n\nCYRANO:\n Enough!",
"I am o'erjoyed!",
"CYRANO (rising):\n This Silenus,\n Big-bellied, coarse, still deems himself a peril--\n A danger to the love of lovely ladies,\n And, while he sputters out his actor's part,\n Makes sheep's eyes at their boxes--goggling frog!",
"LE BRET (stupefied):\n How now?",
"CYRANO (laughing bitterly):\n That I should love?.",
".The fond hope to be\n Beloved, e'en by some poor graceless lady,\n Is, by this nose of mine for aye bereft me;\n --This lengthy nose which, go where'er I will,\n Pokes yet a quarter-mile ahead of me;\n But I may love--and who?",
"LE BRET:\n Well, but so much the better!",
"--The shadow of my profile on the wall!",
"CYRANO (impressed):\n True!",
".I saw Roxane herself\n Was death-pale as she watched the duel."
] | [
"LE BRET (taking his hand):\n You weep?",
"her duenna!",
"CYRANO:\n That she may mock my face?",
"I am o'erjoyed!",
"LE BRET:\n Never be sad!",
"LE BRET:\n But these strange ways,\n Where will they lead you, at the end?",
"LE BRET:\n Your cousin, Madeleine Robin?",
". .\n\nCYRANO:\n My friend, at times 'tis hard, 'tis bitter,\n To feel my loneliness--my own ill-favor.",
"CYRANO (impressed):\n True!",
"I do not lull me with illusions--yet\n At times I'm weak: in evening hours dim\n I enter some fair pleasance, perfumed sweet;\n With my poor ugly devil of a nose\n I scent spring's essence--in the silver rays\n I see some knight--a lady on his arm,\n And think 'To saunter thus 'neath the moonshine,\n I were fain to have my lady, too, beside!'"
] | [
"Can it be. .",
".?",
"CYRANO (laughing bitterly):\n That I should love?.",
". .\n(Changing his tone, gravely):\n I love.",
"LE BRET:\n And may I know?. .",
".You never said.",
". .\n\nCYRANO:\n Come now, bethink you!. .",
".The fond hope to be\n Beloved, e'en by some poor graceless lady,\n Is, by this nose of mine for aye bereft me;\n --This lengthy nose which, go where'er I will,\n Pokes yet a quarter-mile ahead of me;\n But I may love--and who?",
"'Tis Fate's decree\n I love the fairest--how were't otherwise?",
"LE BRET:\n The fairest?.",
". .\n\nCYRANO:\n Ay, the fairest of the world,\n Most brilliant--most refined--most golden-haired!"
] | [
"Cyrano, Le Bret.",
"CYRANO (to Le Bret):\n Now talk--I listen.",
"(He stands at the buffet, and placing before him first the macaroon):\n Dinner!.",
". .\n(then the grapes):\n Dessert!.",
". .\n(then the glass of water):\n Wine!.",
". .\n(he seats himself):\n So!",
"And now to table!",
"Ah!",
"I was hungry, friend, nay, ravenous!",
"(eating):\n You said--?",
"LE BRET:\n Well, how then?. .",
".I saw Roxane herself\n Was death-pale as she watched the duel.",
"CYRANO:\n Pale?",
"LE BRET:\n Her heart, her fancy, are already caught!",
"Put it to th' touch!",
"CYRANO:\n That she may mock my face?",
"That is the one thing on this earth I fear!",
"THE PORTER (introducing some one to Cyrano):\n Sir, some one asks for you.",
". .\n\nCYRANO (seeing the duenna):\n God!",
"her duenna!"
] | ous--full of charms unconscious,
Like a sweet perfumed rose--a snare of nature,
Within whose petals Cupid lurks in ambush!
He who has seen her smile has known perfection,
--Instilling into trifles grace's essence,
Divinity in every careless gesture;
Not Venus' self can mount her conch blown sea-ward,
As she can step into her chaise a porteurs,
Nor Dian fleet across the woods spring-flowered,
Light as my Lady o'er the stones of Paris!.
. .
LE BRET:
Sapristi!
all is clear!
CYRANO:
As spiderwebs!
LE BRET:
Your cousin, Madeleine Robin?
CYRANO:
Roxane!
LE BRET:
Well, but so much the better!
Tell her so!
She saw your triumph here this very night!
CYRANO:
Look well at me--then tell me, with what hope
This vile protuberance can inspire my heart!
I do not lull me with illusions--yet
At times I'm weak: in evening hours dim
I enter some fair pleasance, perfumed sweet;
With my poor ugly devil of a nose
I scent spring's essence--in the silver rays
I see some | Cyrano, Le Bret.
CYRANO (to Le Bret):
Now talk--I listen.
(He stands at the buffet, and placing before him first the macaroon):
Dinner!.
. .
(then the grapes):
Dessert!.
. .
(then the glass of water):
Wine!.
. .
(he seats himself):
So!
And now to table!
Ah!
I was hungry, friend, nay, ravenous!
(eating):
You said--?
LE BRET:
These fops, would-be belligerent,
Will, if you heed them only, turn your head!.
. .
Ask people of good sense if you would know
The effect of your fine insol ho offered you refreshment even now,
Her eyes did not abhor you--you saw well!
CYRANO (impressed):
True!
LE BRET:
Well, how then?. .
.I saw Roxane herself
Was death-pale as she watched the duel.
CYRANO:
Pale?
LE BRET:
Her heart, her fancy, are already caught!
Put it to th' touch!
CYRANO:
That she may mock my face?
That is the one thing on this earth I fear!
THE PORTER (introducing some one to Cyrano):
Sir, some one asks for you.
. .
CYRANO (seeing the duenna):
God!
her duenna! | I love.
LE BRET:
And may I know?. .
.You never said.
. .
CYRANO:
Come now, bethink you!. .
.The fond hope to be
Beloved, e'en by some poor graceless lady,
Is, by this nose of mine for aye bereft me;
--This lengthy nose which, go where'er I will,
Pokes yet a quarter-mile ahead of me;
But I may love--and who?
'Tis Fate's decree
I love the fairest--how were't otherwise?
LE BRET:
The fairest?.
. .
CYRANO:
Ay, the fairest of the world,
Most brilliant--most refined--most golden-haired!
LE BRET:
Who is this lady?
CYRANO:
She's a danger mortal,
All unsuspicious--full of charms unconscious,
Like a sweet perfumed rose--a snare of nature,
Within whose petals Cupid lurks in ambush!
He who has seen her smile has known perfection,
--Instilling into trifles grace's essence,
Divinity in every careless gesture;
Not Venus' self can mount her conch blown sea-ward,
As she can step into her chaise a porteurs,
Nor Dian fleet across the woods spring-flowered,
Ligh |
1,254 | true | novelguide | all_chapterized_books/1254-chapters/7.txt | finished_summaries/novelguide/Cyrano de Bergerac/section_2_part_3.txt | Cyrano de Bergerac.act 1.scene 6 | act 1, scene 6 | null | {"name": "Act 1, scene 6", "url": "https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act1-scenes4-7", "summary": "Roxane's Duenna brings a message from Roxane asking Cyrano to meet her privately. They arrange a meeting at Ragueneau's at seven o'clock the next morning", "analysis": ""} | Cyrano, Le Bret, the duenna.
THE DUENNA (with a low bow):
I was bid ask you where a certain lady
Could see her valiant cousin--but in secret.
CYRANO (overwhelmed):
See me?
THE DUENNA (courtesying):
Ay, Sir! She has somewhat to tell.
CYRANO:
Somewhat?. . .
THE DUENNA (still courtesying):
Ay, private matters!
CYRANO (staggering):
Ah, my God!
THE DUENNA:
To-morrow, at the early blush of dawn,
We go to hear mass at St. Roch.
CYRANO (leaning against Le Bret):
My God!
THE DUENNA:
After--what place for a few minutes' speech?
CYRANO (confused):
Where? Ah!. . .but. . .Ah, my God!. . .
THE DUENNA:
Say!
CYRANO:
I reflect!. . .
THE DUENNA:
Where?
CYRANO:
At--the pastry-house of Ragueneau.
THE DUENNA:
Where lodges he?
CYRANO:
The Rue--God!--St. Honore!
THE DUENNA (going):
Good. Be you there. At seven.
CYRANO:
Without fail.
(The duenna goes out.)
| 148 | Act 1, scene 6 | https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act1-scenes4-7 | Roxane's Duenna brings a message from Roxane asking Cyrano to meet her privately. They arrange a meeting at Ragueneau's at seven o'clock the next morning | null | 25 | 1 | [
"Cyrano, Le Bret, the duenna.",
"THE DUENNA (with a low bow):\n I was bid ask you where a certain lady\n Could see her valiant cousin--but in secret.",
"CYRANO (overwhelmed):\n See me?",
"THE DUENNA (courtesying):\n Ay, Sir!",
"She has somewhat to tell.",
"CYRANO:\n Somewhat?.",
". .",
"THE DUENNA (still courtesying):\n Ay, private matters!",
"CYRANO (staggering):\n Ah, my God!",
"THE DUENNA:\n To-morrow, at the early blush of dawn,\n We go to hear mass at St. Roch.",
"CYRANO (leaning against Le Bret):\n My God!",
"THE DUENNA:\n After--what place for a few minutes' speech?",
"CYRANO (confused):\n Where?",
"Ah!. .",
".but. . .Ah, my God!.",
". .",
"THE DUENNA:\n Say!",
"CYRANO:\n I reflect!.",
". .",
"THE DUENNA:\n Where?",
"CYRANO:\n At--the pastry-house of Ragueneau.",
"THE DUENNA:\n Where lodges he?",
"CYRANO:\n The Rue--God!--St.",
"Honore!",
"THE DUENNA (going):\n Good.",
"Be you there.",
"At seven.",
"CYRANO:\n Without fail.",
"(The duenna goes out.)"
] | [
". .",
"THE DUENNA (still courtesying):\n Ay, private matters!",
"THE DUENNA:\n To-morrow, at the early blush of dawn,\n We go to hear mass at St. Roch.",
"THE DUENNA:\n After--what place for a few minutes' speech?",
".but. . .Ah, my God!.",
"THE DUENNA:\n Say!",
"THE DUENNA:\n Where lodges he?",
"Honore!",
"At seven.",
"CYRANO:\n Without fail."
] | [
"Be you there.",
"Honore!",
"CYRANO (overwhelmed):\n See me?",
"CYRANO:\n Somewhat?.",
"(The duenna goes out.)",
". .",
"CYRANO (staggering):\n Ah, my God!",
"THE DUENNA:\n Where?",
"She has somewhat to tell.",
"Cyrano, Le Bret, the duenna."
] | [
"THE DUENNA:\n To-morrow, at the early blush of dawn,\n We go to hear mass at St. Roch.",
"CYRANO (leaning against Le Bret):\n My God!",
"THE DUENNA:\n After--what place for a few minutes' speech?",
"CYRANO (confused):\n Where?",
"Ah!. .",
".but. . .Ah, my God!.",
". .",
"THE DUENNA:\n Say!",
"CYRANO:\n I reflect!.",
". .",
"THE DUENNA:\n Where?"
] | [
"Cyrano, Le Bret, the duenna.",
"THE DUENNA (with a low bow):\n I was bid ask you where a certain lady\n Could see her valiant cousin--but in secret.",
"CYRANO (overwhelmed):\n See me?",
"THE DUENNA (courtesying):\n Ay, Sir!",
"She has somewhat to tell.",
"CYRANO:\n Somewhat?.",
". .",
"THE DUENNA (still courtesying):\n Ay, private matters!",
"CYRANO (staggering):\n Ah, my God!",
"THE DUENNA:\n To-morrow, at the early blush of dawn,\n We go to hear mass at St. Roch.",
"THE DUENNA:\n Where?",
"CYRANO:\n At--the pastry-house of Ragueneau.",
"THE DUENNA:\n Where lodges he?",
"CYRANO:\n The Rue--God!--St.",
"Honore!",
"THE DUENNA (going):\n Good.",
"Be you there.",
"At seven.",
"CYRANO:\n Without fail.",
"(The duenna goes out.)"
] | Cyrano, Le Bret, the duenna.
THE DUENNA (with a low bow):
I was bid ask you where a certain lady
Could see her valiant cousin--but in secret.
CYRANO (overwhelmed):
See me?
THE DUENNA (courtesying):
Ay, Sir!
She has somewhat to tell.
CYRANO:
Somewhat?.
. .
THE DUENNA (still courtesying):
Ay, private matters!
CYRANO (staggering):
Ah, my God!
THE DUENNA:
To-morrow, at the early blush of dawn,
We go to hear mass at St. Roch.
CYRANO (leaning against Le Bret):
My God!
THE DUENNA:
After--what place for a few minutes' speech?
CYRANO (confused):
Where?
Ah!. .
.but. . .Ah, my God!.
. .
THE DUENNA:
Say!
CYRANO:
I reflect!.
. .
THE DUENNA:
Where?
CYRANO:
At--the pastry-house of Ragueneau.
THE DUENNA:
Where lodges he?
CYRANO:
The Rue--God!--St.
Honore!
THE DUENNA (going):
Good.
Be you there.
At seven.
CYRANO:
Without fail.
(The duenna goes out.) | Cyrano, Le Bret, the duenna.
THE DUENNA (with a low bow):
I was bid ask you where a certain lady
Could see her valiant cousin--but in secret.
CYRANO (overwhelmed):
See me?
THE DUENNA (courtesying):
Ay, Sir!
She ha
Where?
CYRANO:
At--the pastry-house of Ragueneau.
THE DUENNA:
Where lodges he?
CYRANO:
The Rue--God!--St.
Honore!
THE DUENNA (going):
Good.
Be you there.
At seven.
CYRANO:
Without fail.
(The duenna goes out.) | s somewhat to tell.
CYRANO:
Somewhat?.
. .
THE DUENNA (still courtesying):
Ay, private matters!
CYRANO (staggering):
Ah, my God!
THE DUENNA:
To-morrow, at the early blush of dawn,
We go to hear mass at St. Roch.
CYRANO (leaning against Le Bret):
My God!
THE DUENNA:
After--what place for a few minutes' speech?
CYRANO (confused):
Where?
Ah!. .
.but. . .Ah, my God!.
. .
THE DUENNA:
Say!
CYRANO:
I reflect!.
. .
THE DUENNA:
|
1,254 | true | novelguide | all_chapterized_books/1254-chapters/8.txt | finished_summaries/novelguide/Cyrano de Bergerac/section_2_part_4.txt | Cyrano de Bergerac.act 1.scene 7 | act 1, scene 7 | null | {"name": "Act 1, scene 7", "url": "https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act1-scenes4-7", "summary": "Cyrano is ecstatically happy that Roxane wants to meet him. Ligniere arrives. He has heard about the hundred men waiting to ambush him and asks Cyrano whether, since he cannot go home, he can stay with him. Cyrano tells Ligniere that he can sleep at his own home tonight; he will fight the hundred men and see Ligniere safely home. Le Bret asks Cyrano why he is risking his life for a drunk like Ligniere. Cyrano replies that he once saw Le Bret drink a font full of holy water, a drink he hates, after a girl he loved took some of the same holy water. Cyrano leaves for the Porte de Nesle to fight Ligniere's enemies, followed by an adoring procession of actors, women, and musicians. Asked by one of the actresses why anyone would send a hundred men against one poet, Cyrano replies that they know Ligniere is a friend of his.", "analysis": ". Cyrano disrupts a performance of a play because the actor is untalented and the play undistinguished, paying his entire monthly allowance to the theater manager in compensation for the lost revenue and facing starvation as a result. This grand gesture encapsulates Cyrano's heroic stature and is Rostand's way of asserting that art and literature were held in great respect during the seventeenth century. Cyrano has, in effect, sacrificed his survival to the cause of art. Cyrano's virtuoso performance in composing a poem as he fights Valvert confirms his extraordinary combination of talents, those of the soldier and the poet. His self-mocking speech about his nose simultaneously mocks Valvert's lack of invention and wit, as Cyrano effortlessly compiles an extravagant roster of insults that Valvert could have come up with, but did not. Valvert appears two-dimensional and colorless in comparison to Cyrano. The fight between the two men is only partly physical: Cyrano's also shows his ascendancy over Valvert through his superior ability to compose poetry. Cyrano's poem becomes a second weapon and a measure of his heroism and prowess. The incident is another way in which Rostand emphasizes the importance of literature in the age in which the play is set. There is dramatic irony in the fight between Cyrano and Valvert, as neither man is aware that the other is a rival for the love of Roxane; they believe that the fight is about Cyrano's behavior in the theater. Cyrano's effortless defeat of Valvert in both physical and intellectual terms leave no doubt as to who is most deserving of Roxane's love. Cyrano's admission that it is Roxane that he loves complicates the plot, as it is already established that Christian is in love with her. Only one of them can win Roxane. The question is posed as to whether it will be the outwardly beautiful Christian or the inwardly beautiful Cyrano. The answer is not straightforward, as both men are compromised: Christian by his lack of wit and intelligence, and Cyrano by his unattractive appearance. Certain elements in these scenes suggest that Cyrano's problem is primarily one of self-image, rather than how others see him. Le Bret points out that the orange-girl found Cyrano fascinating, and that Roxane turned pale when she saw him in danger at the theater. Le Bret believes that Cyrano has a chance of winning Roxane, and encourages him to speak out about his feelings for her. The Duenna's request from Roxane for a private meeting with Cyrano gives a glimmer of hope that Le Bret's confidence in Cyrano's ability to attract Roxane is justified, though it is left until Act 2 to resolve this point"} | Cyrano, Le Bret. Then actors, actresses, Cuigy, Brissaille, Ligniere, the
porter, the violinists.
CYRANO (falling into Le Bret's arms):
A rendezvous. . .from her!. . .
LE BRET:
You're sad no more!
CYRANO:
Ah! Let the world go burn! She knows I live!
LE BRET:
Now you'll be calm, I hope?
CYRANO (beside himself for joy):
Calm? I now calm?
I'll be frenetic, frantic,--raving mad!
Oh, for an army to attack!--a host!
I've ten hearts in my breast; a score of arms;
No dwarfs to cleave in twain!. . .
(Wildly):
No! Giants now!
(For a few moments the shadows of the actors have been moving on the stage,
whispers are heard--the rehearsal is beginning. The violinists are in their
places.)
A VOICE FROM THE STAGE:
Hollo there! Silence! We rehearse!
CYRANO (laughing):
We go!
(He moves away. By the big door enter Cuigy, Brissaille, and some officers,
holding up Ligniere, who is drunk.)
CUIGY:
Cyrano!
CYRANO:
Well, what now?
CUIGY:
A lusty thrush
They're bringing you!
CYRANO (recognizing him):
Ligniere!. . .What has chanced?
CUIGY:
He seeks you!
BRISSAILLE:
He dare not go home!
CYRANO:
Why not?
LIGNIERE (in a husky voice, showing him a crumpled letter):
This letter warns me. . .that a hundred men. . .
Revenge that threatens me. . .that song, you know--
At the Porte de Nesle. To get to my own house
I must pass there. . .I dare not!. . .Give me leave
To sleep to-night beneath your roof! Allow. . .
CYRANO:
A hundred men? You'll sleep in your own bed!
LIGNIERE (frightened):
But--
CYRANO (in a terrible voice, showing him the lighted lantern held by the
porter, who is listening curiously):
Take the lantern.
(Ligniere seizes it):
Let us start! I swear
That I will make your bed to-night myself!
(To the officers):
Follow; some stay behind, as witnesses!
CUIGY:
A hundred!. . .
CYRANO:
Less, to-night--would be too few!
(The actors and actresses, in their costumes, have come down from the stage,
and are listening.)
LE BRET:
But why embroil yourself?
CYRANO:
Le Bret who scolds!
LE BRET:
That worthless drunkard!--
CYRANO (slapping Ligniere on the shoulder):
Wherefore? For this cause;--
This wine-barrel, this cask of Burgundy,
Did, on a day, an action full of grace;
As he was leaving church, he saw his love
Take holy water--he, who is affeared
At water's taste, ran quickly to the stoup,
And drank it all, to the last drop!. . .
AN ACTRESS:
Indeed, that was a graceful thing!
CYRANO:
Ay, was it not?
THE ACTRESS (to the others):
But why a hundred men 'gainst one poor rhymer?
CYRANO:
March!
(To the officers):
Gentlemen, when you shall see me charge,
Bear me no succor, none, whate'er the odds!
ANOTHER ACTRESS (jumping from the stage):
Oh! I shall come and see!
CYRANO:
Come, then!
ANOTHER (jumping down--to an old actor):
And you?. . .
CYRANO:
Come all--the Doctor, Isabel, Leander,
Come, for you shall add, in a motley swarm,
The farce Italian to this Spanish drama!
ALL THE WOMEN (dancing for joy):
Bravo!--a mantle, quick!--my hood!
JODELET:
Come on!
CYRANO:
Play us a march, gentlemen of the band!
(The violinists join the procession, which is forming. They take the
footlights, and divide them for torches):
Brave officers! next, women in costume,
And, twenty paces on--
(He takes his place):
I all alone,
Beneath the plume that Glory lends, herself,
To deck my beaver--proud as Scipio!. . .
--You hear me?--I forbid you succor me!--
One, two three! Porter, open wide the doors!
(The porter opens the doors; a view of old Paris in the moonlight is seen):
Ah!. . .Paris wrapped in night! half nebulous:
The moonlight streams o'er the blue-shadowed roofs;
A lovely frame for this wild battle-scene;
Beneath the vapor's floating scarves, the Seine
Trembles, mysterious, like a magic mirror,
And, shortly, you shall see what you shall see!
ALL:
To the Porte de Nesle!
CYRANO (standing on the threshold):
Ay, to the Porte de Nesle!
(Turning to the actress):
Did you not ask, young lady, for what cause
Against this rhymer fivescore men were sent?
(He draws his sword; then, calmly):
'Twas that they knew him for a friend of mine!
(He goes out. Ligniere staggers first after him, then the actresses on the
officers' arms--the actors. The procession starts to the sound of the violins
and in the faint light of the candles.)
Curtain.
| 771 | Act 1, scene 7 | https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act1-scenes4-7 | Cyrano is ecstatically happy that Roxane wants to meet him. Ligniere arrives. He has heard about the hundred men waiting to ambush him and asks Cyrano whether, since he cannot go home, he can stay with him. Cyrano tells Ligniere that he can sleep at his own home tonight; he will fight the hundred men and see Ligniere safely home. Le Bret asks Cyrano why he is risking his life for a drunk like Ligniere. Cyrano replies that he once saw Le Bret drink a font full of holy water, a drink he hates, after a girl he loved took some of the same holy water. Cyrano leaves for the Porte de Nesle to fight Ligniere's enemies, followed by an adoring procession of actors, women, and musicians. Asked by one of the actresses why anyone would send a hundred men against one poet, Cyrano replies that they know Ligniere is a friend of his. | . Cyrano disrupts a performance of a play because the actor is untalented and the play undistinguished, paying his entire monthly allowance to the theater manager in compensation for the lost revenue and facing starvation as a result. This grand gesture encapsulates Cyrano's heroic stature and is Rostand's way of asserting that art and literature were held in great respect during the seventeenth century. Cyrano has, in effect, sacrificed his survival to the cause of art. Cyrano's virtuoso performance in composing a poem as he fights Valvert confirms his extraordinary combination of talents, those of the soldier and the poet. His self-mocking speech about his nose simultaneously mocks Valvert's lack of invention and wit, as Cyrano effortlessly compiles an extravagant roster of insults that Valvert could have come up with, but did not. Valvert appears two-dimensional and colorless in comparison to Cyrano. The fight between the two men is only partly physical: Cyrano's also shows his ascendancy over Valvert through his superior ability to compose poetry. Cyrano's poem becomes a second weapon and a measure of his heroism and prowess. The incident is another way in which Rostand emphasizes the importance of literature in the age in which the play is set. There is dramatic irony in the fight between Cyrano and Valvert, as neither man is aware that the other is a rival for the love of Roxane; they believe that the fight is about Cyrano's behavior in the theater. Cyrano's effortless defeat of Valvert in both physical and intellectual terms leave no doubt as to who is most deserving of Roxane's love. Cyrano's admission that it is Roxane that he loves complicates the plot, as it is already established that Christian is in love with her. Only one of them can win Roxane. The question is posed as to whether it will be the outwardly beautiful Christian or the inwardly beautiful Cyrano. The answer is not straightforward, as both men are compromised: Christian by his lack of wit and intelligence, and Cyrano by his unattractive appearance. Certain elements in these scenes suggest that Cyrano's problem is primarily one of self-image, rather than how others see him. Le Bret points out that the orange-girl found Cyrano fascinating, and that Roxane turned pale when she saw him in danger at the theater. Le Bret believes that Cyrano has a chance of winning Roxane, and encourages him to speak out about his feelings for her. The Duenna's request from Roxane for a private meeting with Cyrano gives a glimmer of hope that Le Bret's confidence in Cyrano's ability to attract Roxane is justified, though it is left until Act 2 to resolve this point | 154 | 444 | [
"Cyrano, Le Bret.",
"Then actors, actresses, Cuigy, Brissaille, Ligniere, the\nporter, the violinists.",
"CYRANO (falling into Le Bret's arms):\n A rendezvous. . .from her!.",
". .",
"LE BRET:\n You're sad no more!",
"CYRANO:\n Ah!",
"Let the world go burn!",
"She knows I live!",
"LE BRET:\n Now you'll be calm, I hope?",
"CYRANO (beside himself for joy):\n Calm?",
"I now calm?",
"I'll be frenetic, frantic,--raving mad!",
"Oh, for an army to attack!--a host!",
"I've ten hearts in my breast; a score of arms;\n No dwarfs to cleave in twain!.",
". .\n(Wildly):\n No!",
"Giants now!",
"(For a few moments the shadows of the actors have been moving on the stage,\nwhispers are heard--the rehearsal is beginning.",
"The violinists are in their\nplaces.)",
"A VOICE FROM THE STAGE:\n Hollo there!",
"Silence!",
"We rehearse!",
"CYRANO (laughing):\n We go!",
"(He moves away.",
"By the big door enter Cuigy, Brissaille, and some officers,\nholding up Ligniere, who is drunk.)",
"CUIGY:\n Cyrano!",
"CYRANO:\n Well, what now?",
"CUIGY:\n A lusty thrush\n They're bringing you!",
"CYRANO (recognizing him):\n Ligniere!. .",
".What has chanced?",
"CUIGY:\n He seeks you!",
"BRISSAILLE:\n He dare not go home!",
"CYRANO:\n Why not?",
"LIGNIERE (in a husky voice, showing him a crumpled letter):\n This letter warns me. . .that a hundred men.",
". .",
"Revenge that threatens me. . .that song, you know--\n At the Porte de Nesle.",
"To get to my own house\n I must pass there. . .I dare not!. .",
".Give me leave\n To sleep to-night beneath your roof!",
"Allow.",
". .\n\nCYRANO:\n A hundred men?",
"You'll sleep in your own bed!",
"LIGNIERE (frightened):\n But--\n\nCYRANO (in a terrible voice, showing him the lighted lantern held by the\nporter, who is listening curiously):\n Take the lantern.",
"(Ligniere seizes it):\n Let us start!",
"I swear\n That I will make your bed to-night myself!",
"(To the officers):\n Follow; some stay behind, as witnesses!",
"CUIGY:\n A hundred!.",
". .\n\nCYRANO:\n Less, to-night--would be too few!",
"(The actors and actresses, in their costumes, have come down from the stage,\nand are listening.)",
"LE BRET:\n But why embroil yourself?",
"CYRANO:\n Le Bret who scolds!",
"LE BRET:\n That worthless drunkard!--\n\nCYRANO (slapping Ligniere on the shoulder):\n Wherefore?",
"For this cause;--\n This wine-barrel, this cask of Burgundy,\n Did, on a day, an action full of grace;\n As he was leaving church, he saw his love\n Take holy water--he, who is affeared\n At water's taste, ran quickly to the stoup,\n And drank it all, to the last drop!.",
". .\n\nAN ACTRESS:\n Indeed, that was a graceful thing!",
"CYRANO:\n Ay, was it not?",
"THE ACTRESS (to the others):\n But why a hundred men 'gainst one poor rhymer?",
"CYRANO:\n March!",
"(To the officers):\n Gentlemen, when you shall see me charge,\n Bear me no succor, none, whate'er the odds!",
"ANOTHER ACTRESS (jumping from the stage):\n Oh!",
"I shall come and see!",
"CYRANO:\n Come, then!",
"ANOTHER (jumping down--to an old actor):\n And you?.",
". .\n\nCYRANO:\n Come all--the Doctor, Isabel, Leander,\n Come, for you shall add, in a motley swarm,\n The farce Italian to this Spanish drama!",
"ALL THE WOMEN (dancing for joy):\n Bravo!--a mantle, quick!--my hood!",
"JODELET:\n Come on!",
"CYRANO:\n Play us a march, gentlemen of the band!",
"(The violinists join the procession, which is forming.",
"They take the\nfootlights, and divide them for torches):\n Brave officers!",
"next, women in costume,\n And, twenty paces on--\n(He takes his place):\n I all alone,\n Beneath the plume that Glory lends, herself,\n To deck my beaver--proud as Scipio!.",
". .\n --You hear me?--I forbid you succor me!--\n One, two three!",
"Porter, open wide the doors!",
"(The porter opens the doors; a view of old Paris in the moonlight is seen):\n Ah!. .",
".Paris wrapped in night!",
"half nebulous:\n The moonlight streams o'er the blue-shadowed roofs;\n A lovely frame for this wild battle-scene;\n Beneath the vapor's floating scarves, the Seine\n Trembles, mysterious, like a magic mirror,\n And, shortly, you shall see what you shall see!",
"ALL:\n To the Porte de Nesle!",
"CYRANO (standing on the threshold):\n Ay, to the Porte de Nesle!",
"(Turning to the actress):\n Did you not ask, young lady, for what cause\n Against this rhymer fivescore men were sent?",
"(He draws his sword; then, calmly):\n 'Twas that they knew him for a friend of mine!",
"(He goes out.",
"Ligniere staggers first after him, then the actresses on the\nofficers' arms--the actors.",
"The procession starts to the sound of the violins\nand in the faint light of the candles.)",
"Curtain."
] | [
"CYRANO:\n Ah!",
"LE BRET:\n Now you'll be calm, I hope?",
"CYRANO (beside himself for joy):\n Calm?",
"I now calm?",
"CYRANO:\n Well, what now?",
"CUIGY:\n A lusty thrush\n They're bringing you!",
". .\n\nAN ACTRESS:\n Indeed, that was a graceful thing!",
"(The violinists join the procession, which is forming.",
"(Turning to the actress):\n Did you not ask, young lady, for what cause\n Against this rhymer fivescore men were sent?",
"Curtain."
] | [
". .\n\nAN ACTRESS:\n Indeed, that was a graceful thing!",
"half nebulous:\n The moonlight streams o'er the blue-shadowed roofs;\n A lovely frame for this wild battle-scene;\n Beneath the vapor's floating scarves, the Seine\n Trembles, mysterious, like a magic mirror,\n And, shortly, you shall see what you shall see!",
"CYRANO (recognizing him):\n Ligniere!. .",
"To get to my own house\n I must pass there. . .I dare not!. .",
"For this cause;--\n This wine-barrel, this cask of Burgundy,\n Did, on a day, an action full of grace;\n As he was leaving church, he saw his love\n Take holy water--he, who is affeared\n At water's taste, ran quickly to the stoup,\n And drank it all, to the last drop!.",
"LE BRET:\n But why embroil yourself?",
"(He goes out.",
"I now calm?",
"THE ACTRESS (to the others):\n But why a hundred men 'gainst one poor rhymer?",
"Cyrano, Le Bret."
] | [
"To get to my own house\n I must pass there. . .I dare not!. .",
".Give me leave\n To sleep to-night beneath your roof!",
"Allow.",
". .\n\nCYRANO:\n A hundred men?",
"You'll sleep in your own bed!",
"LIGNIERE (frightened):\n But--\n\nCYRANO (in a terrible voice, showing him the lighted lantern held by the\nporter, who is listening curiously):\n Take the lantern.",
"(Ligniere seizes it):\n Let us start!",
"I swear\n That I will make your bed to-night myself!",
"(To the officers):\n Follow; some stay behind, as witnesses!",
"CUIGY:\n A hundred!.",
". .\n\nCYRANO:\n Less, to-night--would be too few!"
] | [
"Cyrano, Le Bret.",
"Then actors, actresses, Cuigy, Brissaille, Ligniere, the\nporter, the violinists.",
"CYRANO (falling into Le Bret's arms):\n A rendezvous. . .from her!.",
". .",
"LE BRET:\n You're sad no more!",
"CYRANO:\n Ah!",
"Let the world go burn!",
"She knows I live!",
"LE BRET:\n Now you'll be calm, I hope?",
"CYRANO (beside himself for joy):\n Calm?",
".Paris wrapped in night!",
"half nebulous:\n The moonlight streams o'er the blue-shadowed roofs;\n A lovely frame for this wild battle-scene;\n Beneath the vapor's floating scarves, the Seine\n Trembles, mysterious, like a magic mirror,\n And, shortly, you shall see what you shall see!",
"ALL:\n To the Porte de Nesle!",
"CYRANO (standing on the threshold):\n Ay, to the Porte de Nesle!",
"(Turning to the actress):\n Did you not ask, young lady, for what cause\n Against this rhymer fivescore men were sent?",
"(He draws his sword; then, calmly):\n 'Twas that they knew him for a friend of mine!",
"(He goes out.",
"Ligniere staggers first after him, then the actresses on the\nofficers' arms--the actors.",
"The procession starts to the sound of the violins\nand in the faint light of the candles.)",
"Curtain."
] | when you shall see me charge,
Bear me no succor, none, whate'er the odds!
ANOTHER ACTRESS (jumping from the stage):
Oh!
I shall come and see!
CYRANO:
Come, then!
ANOTHER (jumping down--to an old actor):
And you?.
. .
CYRANO:
Come all--the Doctor, Isabel, Leander,
Come, for you shall add, in a motley swarm,
The farce Italian to this Spanish drama!
ALL THE WOMEN (dancing for joy):
Bravo!--a mantle, quick!--my hood!
JODELET:
Come on!
CYRANO:
Play us a march, gentlemen of the band!
(The violinists join the procession, which is forming.
They take the
footlights, and divide them for torches):
Brave officers!
next, women in costume,
And, twenty paces on--
(He takes his place):
I all alone,
Beneath the plume that Glory lends, herself,
To deck my beaver--proud as Scipio!.
. .
--You hear me?--I forbid you succor me!--
One, two three!
Porter, open wide the doors!
(The porter opens the doors; a view of old Paris in the moonlight is seen):
Ah!. .
.Paris wrapped | Cyrano, Le Bret.
Then actors, actresses, Cuigy, Brissaille, Ligniere, the
porter, the violinists.
CYRANO (falling into Le Bret's arms):
A rendezvous. . .from her!.
. .
LE BRET:
You're sad no more!
CYRANO:
Ah!
Let the world go burn!
She knows I live!
LE BRET:
Now you'll be calm, I hope?
CYRANO (beside himself for joy):
Calm?
I now calm?
I'll be frenetic, frantic,--raving mad!
Oh, for an army to attack!--a host!
I've ten hearts in my breast; a score of arms;
No dwarfs to cleave in twai ALL:
To the Porte de Nesle!
CYRANO (standing on the threshold):
Ay, to the Porte de Nesle!
(Turning to the actress):
Did you not ask, young lady, for what cause
Against this rhymer fivescore men were sent?
(He draws his sword; then, calmly):
'Twas that they knew him for a friend of mine!
(He goes out.
Ligniere staggers first after him, then the actresses on the
officers' arms--the actors.
The procession starts to the sound of the violins
and in the faint light of the candles.)
Curtain. | t!
I swear
That I will make your bed to-night myself!
(To the officers):
Follow; some stay behind, as witnesses!
CUIGY:
A hundred!.
. .
CYRANO:
Less, to-night--would be too few!
(The actors and actresses, in their costumes, have come down from the stage,
and are listening.)
LE BRET:
But why embroil yourself?
CYRANO:
Le Bret who scolds!
LE BRET:
That worthless drunkard!--
CYRANO (slapping Ligniere on the shoulder):
Wherefore?
For this cause;--
This wine-barrel, this cask of Burgundy,
Did, on a day, an action full of grace;
As he was leaving church, he saw his love
Take holy water--he, who is affeared
At water's taste, ran quickly to the stoup,
And drank it all, to the last drop!.
. .
AN ACTRESS:
Indeed, that was a graceful thing!
CYRANO:
Ay, was it not?
THE ACTRESS (to the others):
But why a hundred men 'gainst one poor rhymer?
CYRANO:
March!
(To the officers):
Gentlemen, when you shall see me charge,
Bear me no succor, none, whate'er the odds!
|
1,254 | true | novelguide | all_chapterized_books/1254-chapters/10.txt | finished_summaries/novelguide/Cyrano de Bergerac/section_3_part_1.txt | Cyrano de Bergerac.act 2.scene 1 | act 2, scene 1 | null | {"name": "act 2, scene 1", "url": "https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act2-scenes1-10", "summary": "At Ragueneau's shop, Ragueneau is sitting at a table writing poetry while his assistants are cooking. One assistant has made a pastry lyre , which delights Ragueneau. Ragueneau's wife Lise comes in, furious that he has been giving away his wares to poets in return for poems. She brings some paper bags that she has made out of the paper on which the poems are written. Ragueneau is upset that she should abuse poetry like this", "analysis": ""} | Ragueneau, pastry-cooks, then Lise. Ragueneau is writing, with an inspired
air, at a small table, and counting on his fingers.
FIRST PASTRY-COOK (bringing in an elaborate fancy dish):
Fruits in nougat!
SECOND PASTRY-COOK (bringing another dish):
Custard!
THIRD PASTRY-COOK (bringing a roast, decorated with feathers):
Peacock!
FOURTH PASTRY-COOK (bringing a batch of cakes on a slab):
Rissoles!
FIFTH PASTRY-COOK (bringing a sort of pie-dish):
Beef jelly!
RAGUENEAU (ceasing to write, and raising his head):
Aurora's silver rays begin to glint e'en now on the copper pans, and thou, O
Ragueneau! must perforce stifle in thy breast the God of Song! Anon shall
come the hour of the lute!--now 'tis the hour of the oven!
(He rises. To a cook):
You, make that sauce longer, 'tis too short!
THE COOK:
How much too short?
RAGUENEAU:
Three feet.
(He passes on farther.)
THE COOK:
What means he?
FIRST PASTRY-COOK (showing a dish to Ragueneau):
The tart!
SECOND PASTRY-COOK:
The pie!
RAGUENEAU (before the fire):
My muse, retire, lest thy bright eyes be reddened by the fagot's blaze!
(To a cook, showing him some loaves):
You have put the cleft o' th' loaves in the wrong place; know you not that
the coesura should be between the hemistiches?
(To another, showing him an unfinished pasty):
To this palace of paste you must add the roof. . .
(To a young apprentice, who, seated on the ground, is spitting the fowls):
And you, as you put on your lengthy spit the modest fowl and the superb
turkey, my son, alternate them, as the old Malherbe loved well to alternate
his long lines of verse with the short ones; thus shall your roasts, in
strophes, turn before the flame!
ANOTHER APPRENTICE (also coming up with a tray covered by a napkin):
Master, I bethought me erewhile of your tastes, and made this, which will
please you, I hope.
(He uncovers the tray, and shows a large lyre made of pastry.)
RAGUENEAU (enchanted):
A lyre!
THE APPRENTICE:
'Tis of brioche pastry.
RAGUENEAU (touched):
With conserved fruits.
THE APPRENTICE:
The strings, see, are of sugar.
RAGUENEAU (giving him a coin):
Go, drink my health!
(Seeing Lise enter):
Hush! My wife. Bustle, pass on, and hide that money!
(To Lise, showing her the lyre, with a conscious look):
Is it not beautiful?
LISE:
'Tis passing silly!
(She puts a pile of papers on the counter.)
RAGUENEAU:
Bags? Good. I thank you.
(He looks at them):
Heavens! my cherished leaves! The poems of my friends! Torn, dismembered,
to make bags for holding biscuits and cakes!. . .Ah, 'tis the old tale again.
. .Orpheus and the Bacchantes!
LISE (dryly):
And am I not free to turn at last to some use the sole thing that your
wretched scribblers of halting lines leave behind them by way of payment?
RAGUENEAU:
Groveling ant!. . .Insult not the divine grasshoppers, the sweet singers!
LISE:
Before you were the sworn comrade of all that crew, my friend, you did not
call your wife ant and Bacchante!
RAGUENEAU:
To turn fair verse to such a use!
LISE:
'Faith, 'tis all it's good for.
RAGUENEAU:
Pray then, madam, to what use would you degrade prose?
| 524 | act 2, scene 1 | https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act2-scenes1-10 | At Ragueneau's shop, Ragueneau is sitting at a table writing poetry while his assistants are cooking. One assistant has made a pastry lyre , which delights Ragueneau. Ragueneau's wife Lise comes in, furious that he has been giving away his wares to poets in return for poems. She brings some paper bags that she has made out of the paper on which the poems are written. Ragueneau is upset that she should abuse poetry like this | null | 76 | 1 | [
"Ragueneau, pastry-cooks, then Lise.",
"Ragueneau is writing, with an inspired\nair, at a small table, and counting on his fingers.",
"FIRST PASTRY-COOK (bringing in an elaborate fancy dish):\n Fruits in nougat!",
"SECOND PASTRY-COOK (bringing another dish):\n Custard!",
"THIRD PASTRY-COOK (bringing a roast, decorated with feathers):\n Peacock!",
"FOURTH PASTRY-COOK (bringing a batch of cakes on a slab):\n Rissoles!",
"FIFTH PASTRY-COOK (bringing a sort of pie-dish):\n Beef jelly!",
"RAGUENEAU (ceasing to write, and raising his head):\n Aurora's silver rays begin to glint e'en now on the copper pans, and thou, O\nRagueneau!",
"must perforce stifle in thy breast the God of Song!",
"Anon shall\ncome the hour of the lute!--now 'tis the hour of the oven!",
"(He rises.",
"To a cook):\n You, make that sauce longer, 'tis too short!",
"THE COOK:\n How much too short?",
"RAGUENEAU:\n Three feet.",
"(He passes on farther.)",
"THE COOK:\n What means he?",
"FIRST PASTRY-COOK (showing a dish to Ragueneau):\n The tart!",
"SECOND PASTRY-COOK:\n The pie!",
"RAGUENEAU (before the fire):\n My muse, retire, lest thy bright eyes be reddened by the fagot's blaze!",
"(To a cook, showing him some loaves):\n You have put the cleft o' th' loaves in the wrong place; know you not that\nthe coesura should be between the hemistiches?",
"(To another, showing him an unfinished pasty):\n To this palace of paste you must add the roof.",
". .\n(To a young apprentice, who, seated on the ground, is spitting the fowls):\n And you, as you put on your lengthy spit the modest fowl and the superb\nturkey, my son, alternate them, as the old Malherbe loved well to alternate\nhis long lines of verse with the short ones; thus shall your roasts, in\nstrophes, turn before the flame!",
"ANOTHER APPRENTICE (also coming up with a tray covered by a napkin):\n Master, I bethought me erewhile of your tastes, and made this, which will\nplease you, I hope.",
"(He uncovers the tray, and shows a large lyre made of pastry.)",
"RAGUENEAU (enchanted):\n A lyre!",
"THE APPRENTICE:\n 'Tis of brioche pastry.",
"RAGUENEAU (touched):\n With conserved fruits.",
"THE APPRENTICE:\n The strings, see, are of sugar.",
"RAGUENEAU (giving him a coin):\n Go, drink my health!",
"(Seeing Lise enter):\n Hush!",
"My wife.",
"Bustle, pass on, and hide that money!",
"(To Lise, showing her the lyre, with a conscious look):\n Is it not beautiful?",
"LISE:\n 'Tis passing silly!",
"(She puts a pile of papers on the counter.)",
"RAGUENEAU:\n Bags?",
"Good.",
"I thank you.",
"(He looks at them):\n Heavens!",
"my cherished leaves!",
"The poems of my friends!",
"Torn, dismembered,\nto make bags for holding biscuits and cakes!. .",
".Ah, 'tis the old tale again.\n. .Orpheus and the Bacchantes!",
"LISE (dryly):\n And am I not free to turn at last to some use the sole thing that your\nwretched scribblers of halting lines leave behind them by way of payment?",
"RAGUENEAU:\n Groveling ant!. .",
".Insult not the divine grasshoppers, the sweet singers!",
"LISE:\n Before you were the sworn comrade of all that crew, my friend, you did not\ncall your wife ant and Bacchante!",
"RAGUENEAU:\n To turn fair verse to such a use!",
"LISE:\n 'Faith, 'tis all it's good for.",
"RAGUENEAU:\n Pray then, madam, to what use would you degrade prose?"
] | [
"Ragueneau is writing, with an inspired\nair, at a small table, and counting on his fingers.",
"SECOND PASTRY-COOK (bringing another dish):\n Custard!",
"RAGUENEAU:\n Three feet.",
"(To another, showing him an unfinished pasty):\n To this palace of paste you must add the roof.",
"THE APPRENTICE:\n 'Tis of brioche pastry.",
"RAGUENEAU (touched):\n With conserved fruits.",
"My wife.",
"RAGUENEAU:\n Groveling ant!. .",
".Insult not the divine grasshoppers, the sweet singers!",
"LISE:\n Before you were the sworn comrade of all that crew, my friend, you did not\ncall your wife ant and Bacchante!"
] | [
"THIRD PASTRY-COOK (bringing a roast, decorated with feathers):\n Peacock!",
"RAGUENEAU:\n Pray then, madam, to what use would you degrade prose?",
"(He uncovers the tray, and shows a large lyre made of pastry.)",
"(He passes on farther.)",
". .\n(To a young apprentice, who, seated on the ground, is spitting the fowls):\n And you, as you put on your lengthy spit the modest fowl and the superb\nturkey, my son, alternate them, as the old Malherbe loved well to alternate\nhis long lines of verse with the short ones; thus shall your roasts, in\nstrophes, turn before the flame!",
"FIRST PASTRY-COOK (showing a dish to Ragueneau):\n The tart!",
"RAGUENEAU (touched):\n With conserved fruits.",
"RAGUENEAU:\n To turn fair verse to such a use!",
"LISE:\n 'Tis passing silly!",
"I thank you."
] | [
"(To another, showing him an unfinished pasty):\n To this palace of paste you must add the roof.",
". .\n(To a young apprentice, who, seated on the ground, is spitting the fowls):\n And you, as you put on your lengthy spit the modest fowl and the superb\nturkey, my son, alternate them, as the old Malherbe loved well to alternate\nhis long lines of verse with the short ones; thus shall your roasts, in\nstrophes, turn before the flame!",
"ANOTHER APPRENTICE (also coming up with a tray covered by a napkin):\n Master, I bethought me erewhile of your tastes, and made this, which will\nplease you, I hope.",
"(He uncovers the tray, and shows a large lyre made of pastry.)",
"RAGUENEAU (enchanted):\n A lyre!",
"THE APPRENTICE:\n 'Tis of brioche pastry.",
"RAGUENEAU (touched):\n With conserved fruits.",
"THE APPRENTICE:\n The strings, see, are of sugar.",
"RAGUENEAU (giving him a coin):\n Go, drink my health!",
"(Seeing Lise enter):\n Hush!",
"My wife."
] | [
"Ragueneau, pastry-cooks, then Lise.",
"Ragueneau is writing, with an inspired\nair, at a small table, and counting on his fingers.",
"FIRST PASTRY-COOK (bringing in an elaborate fancy dish):\n Fruits in nougat!",
"SECOND PASTRY-COOK (bringing another dish):\n Custard!",
"THIRD PASTRY-COOK (bringing a roast, decorated with feathers):\n Peacock!",
"FOURTH PASTRY-COOK (bringing a batch of cakes on a slab):\n Rissoles!",
"FIFTH PASTRY-COOK (bringing a sort of pie-dish):\n Beef jelly!",
"RAGUENEAU (ceasing to write, and raising his head):\n Aurora's silver rays begin to glint e'en now on the copper pans, and thou, O\nRagueneau!",
"must perforce stifle in thy breast the God of Song!",
"Anon shall\ncome the hour of the lute!--now 'tis the hour of the oven!",
"The poems of my friends!",
"Torn, dismembered,\nto make bags for holding biscuits and cakes!. .",
".Ah, 'tis the old tale again.\n. .Orpheus and the Bacchantes!",
"LISE (dryly):\n And am I not free to turn at last to some use the sole thing that your\nwretched scribblers of halting lines leave behind them by way of payment?",
"RAGUENEAU:\n Groveling ant!. .",
".Insult not the divine grasshoppers, the sweet singers!",
"LISE:\n Before you were the sworn comrade of all that crew, my friend, you did not\ncall your wife ant and Bacchante!",
"RAGUENEAU:\n To turn fair verse to such a use!",
"LISE:\n 'Faith, 'tis all it's good for.",
"RAGUENEAU:\n Pray then, madam, to what use would you degrade prose?"
] | ef jelly!
RAGUENEAU (ceasing to write, and raising his head):
Aurora's silver rays begin to glint e'en now on the copper pans, and thou, O
Ragueneau!
must perforce stifle in thy breast the God of Song!
Anon shall
come the hour of the lute!--now 'tis the hour of the oven!
(He rises.
To a cook):
You, make that sauce longer, 'tis too short!
THE COOK:
How much too short?
RAGUENEAU:
Three feet.
(He passes on farther.)
THE COOK:
What means he?
FIRST PASTRY-COOK (showing a dish to Ragueneau):
The tart!
SECOND PASTRY-COOK:
The pie!
RAGUENEAU (before the fire):
My muse, retire, lest thy bright eyes be reddened by the fagot's blaze!
(To a cook, showing him some loaves):
You have put the cleft o' th' loaves in the wrong place; know you not that
the coesura should be between the hemistiches?
(To another, showing him an unfinished pasty):
To this palace of paste you must add the roof.
. .
(To a young apprentice, who, seated on the ground, is spitting the fowls):
And you, as yo | Ragueneau, pastry-cooks, then Lise.
Ragueneau is writing, with an inspired
air, at a small table, and counting on his fingers.
FIRST PASTRY-COOK (bringing in an elaborate fancy dish):
Fruits in nougat!
SECOND PASTRY-COOK (bringing another dish):
Custard!
THIRD PASTRY-COOK (bringing a roast, decorated with feathers):
Peacock!
FOURTH PASTRY-COOK (bringing a batch of cakes on a slab):
Rissoles!
FIFTH PASTRY-COOK (bringing a sort of pie-dish):
Beef jelly!
RAGUENEAU (ceasing to write, and r am I not free to turn at last to some use the sole thing that your
wretched scribblers of halting lines leave behind them by way of payment?
RAGUENEAU:
Groveling ant!. .
.Insult not the divine grasshoppers, the sweet singers!
LISE:
Before you were the sworn comrade of all that crew, my friend, you did not
call your wife ant and Bacchante!
RAGUENEAU:
To turn fair verse to such a use!
LISE:
'Faith, 'tis all it's good for.
RAGUENEAU:
Pray then, madam, to what use would you degrade prose? | be reddened by the fagot's blaze!
(To a cook, showing him some loaves):
You have put the cleft o' th' loaves in the wrong place; know you not that
the coesura should be between the hemistiches?
(To another, showing him an unfinished pasty):
To this palace of paste you must add the roof.
. .
(To a young apprentice, who, seated on the ground, is spitting the fowls):
And you, as you put on your lengthy spit the modest fowl and the superb
turkey, my son, alternate them, as the old Malherbe loved well to alternate
his long lines of verse with the short ones; thus shall your roasts, in
strophes, turn before the flame!
ANOTHER APPRENTICE (also coming up with a tray covered by a napkin):
Master, I bethought me erewhile of your tastes, and made this, which will
please you, I hope.
(He uncovers the tray, and shows a large lyre made of pastry.)
RAGUENEAU (enchanted):
A lyre!
THE APPRENTICE:
'Tis of brioche pastry.
RAGUENEAU (touched):
With conserved fruits.
THE APPRENTICE:
The str |
1,254 | true | novelguide | all_chapterized_books/1254-chapters/11.txt | finished_summaries/novelguide/Cyrano de Bergerac/section_3_part_2.txt | Cyrano de Bergerac.act 2.scene 2 | act 2, scene 2 | null | {"name": "Act 2, scene 2", "url": "https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act2-scenes1-10", "summary": "Some children come into the shop to buy three pies. Ragueneau cannot bear to lose the poems by using them as wrapping and bribes the children with three free pies to accept them unwrapped", "analysis": ""} | The same. Two children, who have just trotted into the shop.
RAGUENEAU:
What would you, little ones?
FIRST CHILD:
Three pies.
RAGUENEAU (serving them):
See, hot and well browned.
SECOND CHILD:
If it please you, Sir, will you wrap them up for us?
RAGUENEAU (aside, distressed):
Alas! one of my bags!
(To the children):
What? Must I wrap them up?
(He takes a bag, and just as he is about to put in the pies, he reads):
'Ulysses thus, on leaving fair Penelope. . .'
Not that one!
(He puts it aside, and takes another, and as he is about to put in the pies,
he reads):
'The gold-locked Phoebus. . .'
Nay, nor that one!. . .
(Same play.)
LISE (impatiently):
What are you dallying for?
RAGUENEAU:
Here! here! here
(He chooses a third, resignedly):
The sonnet to Phillis!. . .but 'tis hard to part with it!
LISE:
By good luck he has made up his mind at last!
(Shrugging her shoulders):
Nicodemus!
(She mounts on a chair, and begins to range plates on a dresser.)
RAGUENEAU (taking advantage of the moment she turns her back, calls back the
children, who are already at the door):
Hist! children!. . .render me back the sonnet to Phillis, and you shall have
six pies instead of three.
(The children give him back the bag, seize the cakes quickly, and go out.)
RAGUENEAU (smoothing out the paper, begins to declaim):
'Phillis!. . .' On that sweet name a smear of butter! 'Phillis!. . .'
(Cyrano enters hurriedly.)
| 254 | Act 2, scene 2 | https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act2-scenes1-10 | Some children come into the shop to buy three pies. Ragueneau cannot bear to lose the poems by using them as wrapping and bribes the children with three free pies to accept them unwrapped | null | 34 | 1 | [
"The same.",
"Two children, who have just trotted into the shop.",
"RAGUENEAU:\n What would you, little ones?",
"FIRST CHILD:\n Three pies.",
"RAGUENEAU (serving them):\n See, hot and well browned.",
"SECOND CHILD:\n If it please you, Sir, will you wrap them up for us?",
"RAGUENEAU (aside, distressed):\n Alas!",
"one of my bags!",
"(To the children):\n What?",
"Must I wrap them up?",
"(He takes a bag, and just as he is about to put in the pies, he reads):\n 'Ulysses thus, on leaving fair Penelope.",
". .'\n Not that one!",
"(He puts it aside, and takes another, and as he is about to put in the pies,\nhe reads):\n 'The gold-locked Phoebus.",
". .'\n Nay, nor that one!.",
". .\n\n(Same play.)",
"LISE (impatiently):\n What are you dallying for?",
"RAGUENEAU:\n Here!",
"here!",
"here\n(He chooses a third, resignedly):\n The sonnet to Phillis!. .",
".but 'tis hard to part with it!",
"LISE:\n By good luck he has made up his mind at last!",
"(Shrugging her shoulders):\n Nicodemus!",
"(She mounts on a chair, and begins to range plates on a dresser.)",
"RAGUENEAU (taking advantage of the moment she turns her back, calls back the\nchildren, who are already at the door):\n Hist!",
"children!. .",
".render me back the sonnet to Phillis, and you shall have\nsix pies instead of three.",
"(The children give him back the bag, seize the cakes quickly, and go out.)",
"RAGUENEAU (smoothing out the paper, begins to declaim):\n 'Phillis!.",
". .' On that sweet name a smear of butter!",
"'Phillis!.",
". .'\n\n(Cyrano enters hurriedly.)"
] | [
"FIRST CHILD:\n Three pies.",
"one of my bags!",
". .'\n Not that one!",
"(He puts it aside, and takes another, and as he is about to put in the pies,\nhe reads):\n 'The gold-locked Phoebus.",
"(Shrugging her shoulders):\n Nicodemus!",
"RAGUENEAU (taking advantage of the moment she turns her back, calls back the\nchildren, who are already at the door):\n Hist!",
".render me back the sonnet to Phillis, and you shall have\nsix pies instead of three.",
"(The children give him back the bag, seize the cakes quickly, and go out.)",
"'Phillis!.",
". .'\n\n(Cyrano enters hurriedly.)"
] | [
"(She mounts on a chair, and begins to range plates on a dresser.)",
".render me back the sonnet to Phillis, and you shall have\nsix pies instead of three.",
"children!. .",
"(He puts it aside, and takes another, and as he is about to put in the pies,\nhe reads):\n 'The gold-locked Phoebus.",
".but 'tis hard to part with it!",
". .'\n\n(Cyrano enters hurriedly.)",
"FIRST CHILD:\n Three pies.",
"RAGUENEAU (serving them):\n See, hot and well browned.",
"Must I wrap them up?",
"(To the children):\n What?"
] | [
"(He takes a bag, and just as he is about to put in the pies, he reads):\n 'Ulysses thus, on leaving fair Penelope.",
". .'\n Not that one!",
"(He puts it aside, and takes another, and as he is about to put in the pies,\nhe reads):\n 'The gold-locked Phoebus.",
". .'\n Nay, nor that one!.",
". .\n\n(Same play.)",
"LISE (impatiently):\n What are you dallying for?",
"RAGUENEAU:\n Here!",
"here!",
"here\n(He chooses a third, resignedly):\n The sonnet to Phillis!. .",
".but 'tis hard to part with it!",
"LISE:\n By good luck he has made up his mind at last!"
] | [
"The same.",
"Two children, who have just trotted into the shop.",
"RAGUENEAU:\n What would you, little ones?",
"FIRST CHILD:\n Three pies.",
"RAGUENEAU (serving them):\n See, hot and well browned.",
"SECOND CHILD:\n If it please you, Sir, will you wrap them up for us?",
"RAGUENEAU (aside, distressed):\n Alas!",
"one of my bags!",
"(To the children):\n What?",
"Must I wrap them up?",
"(Shrugging her shoulders):\n Nicodemus!",
"(She mounts on a chair, and begins to range plates on a dresser.)",
"RAGUENEAU (taking advantage of the moment she turns her back, calls back the\nchildren, who are already at the door):\n Hist!",
"children!. .",
".render me back the sonnet to Phillis, and you shall have\nsix pies instead of three.",
"(The children give him back the bag, seize the cakes quickly, and go out.)",
"RAGUENEAU (smoothing out the paper, begins to declaim):\n 'Phillis!.",
". .' On that sweet name a smear of butter!",
"'Phillis!.",
". .'\n\n(Cyrano enters hurriedly.)"
] |
What?
Must I wrap them up?
(He takes a bag, and just as he is about to put in the pies, he reads):
'Ulysses thus, on leaving fair Penelope.
. .'
Not that one!
(He puts it aside, and takes another, and as he is about to put in the pies,
he reads):
'The gold-locked Phoebus.
. .'
Nay, nor that one!.
. .
(Same play.)
LISE (impatiently):
What are you dallying for?
RAGUENEAU:
Here!
here!
here
(He chooses a third, resignedly):
The sonnet to Phillis!. .
.but 'tis hard to part with it!
LISE:
By good luck he has made up his mind at last!
(Shrugging her shoulders):
Nicodemus!
(She mounts on a chair, and begins to range plates on a dresser.)
RAGUENEAU (taking advantage of the moment she turns her back, calls back the
children, who are already at the door):
Hist!
children!. .
.render me back the sonnet to Phillis, and you shall have
six pies instead of three.
(The children give him back the bag, seize the cakes quickly, and go out.)
RAGUENEAU (smoothing out the paper, begins | The same.
Two children, who have just trotted into the shop.
RAGUENEAU:
What would you, little ones?
FIRST CHILD:
Three pies.
RAGUENEAU (serving them):
See, hot and well browned.
SECOND CHILD:
If it please you, Sir, will you wrap them up for us?
RAGUENEAU (aside, distressed):
Alas!
one of my bags!
(To the children):
What?
Must I wrap them up?
(He takes a bag, and just as he is about to put in the pies, he reads):
'Ulysses thus, on leaving fair Penelope.
. .'
Not that one!
(He put ir, and begins to range plates on a dresser.)
RAGUENEAU (taking advantage of the moment she turns her back, calls back the
children, who are already at the door):
Hist!
children!. .
.render me back the sonnet to Phillis, and you shall have
six pies instead of three.
(The children give him back the bag, seize the cakes quickly, and go out.)
RAGUENEAU (smoothing out the paper, begins to declaim):
'Phillis!.
. .' On that sweet name a smear of butter!
'Phillis!.
. .'
(Cyrano enters hurriedly.) | ir, will you wrap them up for us?
RAGUENEAU (aside, distressed):
Alas!
one of my bags!
(To the children):
What?
Must I wrap them up?
(He takes a bag, and just as he is about to put in the pies, he reads):
'Ulysses thus, on leaving fair Penelope.
. .'
Not that one!
(He puts it aside, and takes another, and as he is about to put in the pies,
he reads):
'The gold-locked Phoebus.
. .'
Nay, nor that one!.
. .
(Same play.)
LISE (impatiently):
What are you dallying for?
RAGUENEAU:
Here!
here!
here
(He chooses a third, resignedly):
The sonnet to Phillis!. .
.but 'tis hard to part with it!
LISE:
By good luck he has made up his mind at last!
(Shrugging her shoulders):
Nicodemus!
(She mounts on a chair, and begins to range plates on a dresser.)
RAGUENEAU (taking advantage of the moment she turns her back, calls back the
children, who are already at the door):
Hist!
children!. .
.render me back the sonnet to Phillis, and you shall have
six pies instead of three.
(The childr |
1,254 | true | novelguide | all_chapterized_books/1254-chapters/12.txt | finished_summaries/novelguide/Cyrano de Bergerac/section_3_part_3.txt | Cyrano de Bergerac.act 2.scene 3 | act 2, scene 3 | null | {"name": "Act 2, scene 3", "url": "https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act2-scenes1-10", "summary": "Cyrano arrives at Ragueneau's. Ragueneau congratulates Cyrano on his \"duel in verse\" at the theater. Cyrano asks Ragueneau to leave him alone with Roxane when she arrives, but Ragueneau says that he cannot, as his poet friends are arriving shortly for their breakfast. A Musketeer comes in, and Ragueneau tells Cyrano that he is a friend of his wife's. Cyrano begins to write a letter declaring his love for Roxane. He plans to hand her the note rather than face speaking to her directly", "analysis": ""} | Ragueneau, Lise, Cyrano, then the musketeer.
CYRANO:
What's o'clock?
RAGUENEAU (bowing low):
Six o'clock.
CYRANO (with emotion):
In one hour's time!
(He paces up and down the shop.)
RAGUENEAU (following him):
Bravo! I saw. . .
CYRANO:
Well, what saw you, then?
RAGUENEAU:
Your combat!. . .
CYRANO:
Which?
RAGUENEAU:
That in the Burgundy Hotel, 'faith!
CYRANO (contemptuously):
Ah!. . .the duel!
RAGUENEAU (admiringly):
Ay! the duel in verse!. . .
LISE:
He can talk of naught else!
CYRANO:
Well! Good! let be!
RAGUENEAU (making passes with a spit that he catches up):
'At the envoi's end, I touch!. . .At the envoi's end, I touch!'. . .'Tis
fine, fine!
(With increasing enthusiasm):
'At the envoi's end--'
CYRANO:
What hour is it now, Ragueneau?
RAGUENEAU (stopping short in the act of thrusting to look at the clock):
Five minutes after six!. . .'I touch!'
(He straightens himself):
. . .Oh! to write a ballade!
LISE (to Cyrano, who, as he passes by the counter, has absently shaken hands
with her):
What's wrong with your hand?
CYRANO:
Naught; a slight cut.
RAGUENEAU:
Have you been in some danger?
CYRANO:
None in the world.
LISE (shaking her finger at him):
Methinks you speak not the truth in saying that!
CYRANO:
Did you see my nose quiver when I spoke? 'Faith, it must have been a
monstrous lie that should move it!
(Changing his tone):
I wait some one here. Leave us alone, and disturb us for naught an it were
not for crack of doom!
RAGUENEAU:
But 'tis impossible; my poets are coming. . .
LISE (ironically):
Oh, ay, for their first meal o' the day!
CYRANO:
Prythee, take them aside when I shall make you sign to do so. . .What's
o'clock?
RAGUENEAU:
Ten minutes after six.
CYRANO (nervously seating himself at Ragueneau's table, and drawing some paper
toward him):
A pen!. . .
RAGUENEAU (giving him the one from behind his ear):
Here--a swan's quill.
A MUSKETEER (with fierce mustache, enters, and in a stentorian voice):
Good-day!
(Lise goes up to him quickly.)
CYRANO (turning round):
Who's that?
RAGUENEAU:
'Tis a friend of my wife--a terrible warrior--at least so says he himself.
CYRANO (taking up the pen, and motioning Ragueneau away):
Hush!
(To himself):
I will write, fold it, give it her, and fly!
(Throws down the pen):
Coward!. . .But strike me dead if I dare to speak to her,. . .ay, even one
single word!
(To Ragueneau):
What time is it?
RAGUENEAU:
A quarter after six!. . .
CYRANO (striking his breast):
Ay--a single word of all those here! here! But writing, 'tis easier done. .
.
(He takes up the pen):
Go to, I will write it, that love-letter! Oh! I have writ it and rewrit it
in my own mind so oft that it lies there ready for pen and ink; and if I lay
but my soul by my letter-sheet, 'tis naught to do but to copy from it.
(He writes. Through the glass of the door the silhouettes of their figures
move uncertainly and hesitatingly.)
| 505 | Act 2, scene 3 | https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act2-scenes1-10 | Cyrano arrives at Ragueneau's. Ragueneau congratulates Cyrano on his "duel in verse" at the theater. Cyrano asks Ragueneau to leave him alone with Roxane when she arrives, but Ragueneau says that he cannot, as his poet friends are arriving shortly for their breakfast. A Musketeer comes in, and Ragueneau tells Cyrano that he is a friend of his wife's. Cyrano begins to write a letter declaring his love for Roxane. He plans to hand her the note rather than face speaking to her directly | null | 84 | 1 | [
"Ragueneau, Lise, Cyrano, then the musketeer.",
"CYRANO:\n What's o'clock?",
"RAGUENEAU (bowing low):\n Six o'clock.",
"CYRANO (with emotion):\n In one hour's time!",
"(He paces up and down the shop.)",
"RAGUENEAU (following him):\n Bravo!",
"I saw.",
". .\n\nCYRANO:\n Well, what saw you, then?",
"RAGUENEAU:\n Your combat!.",
". .\n\nCYRANO:\n Which?",
"RAGUENEAU:\n That in the Burgundy Hotel, 'faith!",
"CYRANO (contemptuously):\n Ah!. .",
".the duel!",
"RAGUENEAU (admiringly):\n Ay!",
"the duel in verse!.",
". .\n\nLISE:\n He can talk of naught else!",
"CYRANO:\n Well!",
"Good!",
"let be!",
"RAGUENEAU (making passes with a spit that he catches up):\n 'At the envoi's end, I touch!. .",
".At the envoi's end, I touch!'.",
". .'Tis\nfine, fine!",
"(With increasing enthusiasm):\n 'At the envoi's end--'\n\nCYRANO:\n What hour is it now, Ragueneau?",
"RAGUENEAU (stopping short in the act of thrusting to look at the clock):\n Five minutes after six!.",
". .'I touch!'",
"(He straightens himself):\n . . .Oh!",
"to write a ballade!",
"LISE (to Cyrano, who, as he passes by the counter, has absently shaken hands\nwith her):\n What's wrong with your hand?",
"CYRANO:\n Naught; a slight cut.",
"RAGUENEAU:\n Have you been in some danger?",
"CYRANO:\n None in the world.",
"LISE (shaking her finger at him):\n Methinks you speak not the truth in saying that!",
"CYRANO:\n Did you see my nose quiver when I spoke?",
"'Faith, it must have been a\nmonstrous lie that should move it!",
"(Changing his tone):\n I wait some one here.",
"Leave us alone, and disturb us for naught an it were\nnot for crack of doom!",
"RAGUENEAU:\n But 'tis impossible; my poets are coming.",
". .\n\nLISE (ironically):\n Oh, ay, for their first meal o' the day!",
"CYRANO:\n Prythee, take them aside when I shall make you sign to do so. . .What's\no'clock?",
"RAGUENEAU:\n Ten minutes after six.",
"CYRANO (nervously seating himself at Ragueneau's table, and drawing some paper\ntoward him):\n A pen!.",
". .\n\nRAGUENEAU (giving him the one from behind his ear):\n Here--a swan's quill.",
"A MUSKETEER (with fierce mustache, enters, and in a stentorian voice):\n Good-day!",
"(Lise goes up to him quickly.)",
"CYRANO (turning round):\n Who's that?",
"RAGUENEAU:\n 'Tis a friend of my wife--a terrible warrior--at least so says he himself.",
"CYRANO (taking up the pen, and motioning Ragueneau away):\n Hush!",
"(To himself):\n I will write, fold it, give it her, and fly!",
"(Throws down the pen):\n Coward!. .",
".But strike me dead if I dare to speak to her,. . .ay, even one\nsingle word!",
"(To Ragueneau):\n What time is it?",
"RAGUENEAU:\n A quarter after six!.",
". .\n\nCYRANO (striking his breast):\n Ay--a single word of all those here!",
"here!",
"But writing, 'tis easier done.",
".\n.\n(He takes up the pen):\n Go to, I will write it, that love-letter!",
"Oh!",
"I have writ it and rewrit it\nin my own mind so oft that it lies there ready for pen and ink; and if I lay\nbut my soul by my letter-sheet, 'tis naught to do but to copy from it.",
"(He writes.",
"Through the glass of the door the silhouettes of their figures\nmove uncertainly and hesitatingly.)"
] | [
"let be!",
"(With increasing enthusiasm):\n 'At the envoi's end--'\n\nCYRANO:\n What hour is it now, Ragueneau?",
"CYRANO:\n Naught; a slight cut.",
"CYRANO:\n None in the world.",
"Leave us alone, and disturb us for naught an it were\nnot for crack of doom!",
"CYRANO (nervously seating himself at Ragueneau's table, and drawing some paper\ntoward him):\n A pen!.",
"(Lise goes up to him quickly.)",
"(Throws down the pen):\n Coward!. .",
".But strike me dead if I dare to speak to her,. . .ay, even one\nsingle word!",
"here!"
] | [
"the duel in verse!.",
"CYRANO:\n None in the world.",
".the duel!",
"CYRANO (contemptuously):\n Ah!. .",
"CYRANO (with emotion):\n In one hour's time!",
"(He paces up and down the shop.)",
"(Lise goes up to him quickly.)",
"CYRANO:\n Prythee, take them aside when I shall make you sign to do so. . .What's\no'clock?",
"CYRANO (turning round):\n Who's that?",
"CYRANO:\n Well!"
] | [
"(He straightens himself):\n . . .Oh!",
"to write a ballade!",
"LISE (to Cyrano, who, as he passes by the counter, has absently shaken hands\nwith her):\n What's wrong with your hand?",
"CYRANO:\n Naught; a slight cut.",
"RAGUENEAU:\n Have you been in some danger?",
"CYRANO:\n None in the world.",
"LISE (shaking her finger at him):\n Methinks you speak not the truth in saying that!",
"CYRANO:\n Did you see my nose quiver when I spoke?",
"'Faith, it must have been a\nmonstrous lie that should move it!",
"(Changing his tone):\n I wait some one here.",
"Leave us alone, and disturb us for naught an it were\nnot for crack of doom!"
] | [
"Ragueneau, Lise, Cyrano, then the musketeer.",
"CYRANO:\n What's o'clock?",
"RAGUENEAU (bowing low):\n Six o'clock.",
"CYRANO (with emotion):\n In one hour's time!",
"(He paces up and down the shop.)",
"RAGUENEAU (following him):\n Bravo!",
"I saw.",
". .\n\nCYRANO:\n Well, what saw you, then?",
"RAGUENEAU:\n Your combat!.",
". .\n\nCYRANO:\n Which?",
"(To Ragueneau):\n What time is it?",
"RAGUENEAU:\n A quarter after six!.",
". .\n\nCYRANO (striking his breast):\n Ay--a single word of all those here!",
"here!",
"But writing, 'tis easier done.",
".\n.\n(He takes up the pen):\n Go to, I will write it, that love-letter!",
"Oh!",
"I have writ it and rewrit it\nin my own mind so oft that it lies there ready for pen and ink; and if I lay\nbut my soul by my letter-sheet, 'tis naught to do but to copy from it.",
"(He writes.",
"Through the glass of the door the silhouettes of their figures\nmove uncertainly and hesitatingly.)"
] | 'Faith, it must have been a
monstrous lie that should move it!
(Changing his tone):
I wait some one here.
Leave us alone, and disturb us for naught an it were
not for crack of doom!
RAGUENEAU:
But 'tis impossible; my poets are coming.
. .
LISE (ironically):
Oh, ay, for their first meal o' the day!
CYRANO:
Prythee, take them aside when I shall make you sign to do so. . .What's
o'clock?
RAGUENEAU:
Ten minutes after six.
CYRANO (nervously seating himself at Ragueneau's table, and drawing some paper
toward him):
A pen!.
. .
RAGUENEAU (giving him the one from behind his ear):
Here--a swan's quill.
A MUSKETEER (with fierce mustache, enters, and in a stentorian voice):
Good-day!
(Lise goes up to him quickly.)
CYRANO (turning round):
Who's that?
RAGUENEAU:
'Tis a friend of my wife--a terrible warrior--at least so says he himself.
CYRANO (taking up the pen, and motioning Ragueneau away):
Hush!
(To himself):
I will write, fold it, give it her, and fly!
(Throws down the | Ragueneau, Lise, Cyrano, then the musketeer.
CYRANO:
What's o'clock?
RAGUENEAU (bowing low):
Six o'clock.
CYRANO (with emotion):
In one hour's time!
(He paces up and down the shop.)
RAGUENEAU (following him):
Bravo!
I saw.
. .
CYRANO:
Well, what saw you, then?
RAGUENEAU:
Your combat!.
. .
CYRANO:
Which?
RAGUENEAU:
That in the Burgundy Hotel, 'faith!
CYRANO (contemptuously):
Ah!. .
.the duel!
RAGUENEAU (admiringly):
Ay!
the duel in verse!.
. .
LISE:
He can talk of naught U:
A quarter after six!.
. .
CYRANO (striking his breast):
Ay--a single word of all those here!
here!
But writing, 'tis easier done.
.
.
(He takes up the pen):
Go to, I will write it, that love-letter!
Oh!
I have writ it and rewrit it
in my own mind so oft that it lies there ready for pen and ink; and if I lay
but my soul by my letter-sheet, 'tis naught to do but to copy from it.
(He writes.
Through the glass of the door the silhouettes of their figures
move uncertainly and hesitatingly.) | he passes by the counter, has absently shaken hands
with her):
What's wrong with your hand?
CYRANO:
Naught; a slight cut.
RAGUENEAU:
Have you been in some danger?
CYRANO:
None in the world.
LISE (shaking her finger at him):
Methinks you speak not the truth in saying that!
CYRANO:
Did you see my nose quiver when I spoke?
'Faith, it must have been a
monstrous lie that should move it!
(Changing his tone):
I wait some one here.
Leave us alone, and disturb us for naught an it were
not for crack of doom!
RAGUENEAU:
But 'tis impossible; my poets are coming.
. .
LISE (ironically):
Oh, ay, for their first meal o' the day!
CYRANO:
Prythee, take them aside when I shall make you sign to do so. . .What's
o'clock?
RAGUENEAU:
Ten minutes after six.
CYRANO (nervously seating himself at Ragueneau's table, and drawing some paper
toward him):
A pen!.
. .
RAGUENEAU (giving him the one from behind his ear):
Here--a swan's quill.
A MUSKETEER (with fierce mustache, enters, and in |
1,254 | true | novelguide | all_chapterized_books/1254-chapters/13.txt | finished_summaries/novelguide/Cyrano de Bergerac/section_3_part_4.txt | Cyrano de Bergerac.act 2.scene 4 | act 2, scene 4 | null | {"name": "Act 2, scene 4", "url": "https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act2-scenes1-10", "summary": "At Ragueneau's shop, Cyrano is writing his letter to Roxane. The letter is eloquent and full of passion. The poets arrive for their breakfast. They are talking admiringly of an unknown swordsman who successfully defeated a huge gang of men at the Porte de Nesle. Eight of the men are dead. Cyrano denies all knowledge of the incident. As the poets devour Ragueneau's wares, Ragueneau recites a poem he has written, a rhyming recipe for almond tartlets. Cyrano notices that Lise is in deep conversation with the Musketeer. Cyrano reminds her that Ragueneau is his friend and that he will not tolerate her having an affair with the Musketeer. Cyrano signals to Ragueneau that it is time to leave him on his own, and Ragueneau ushers the poets into another room", "analysis": ""} | Ragueneau, Lise, the musketeer. Cyrano at the little table writing. The
poets, dressed in black, their stockings ungartered, and covered with mud.
LISE (entering, to Ragueneau):
Here they come, your mud-bespattered friends!
FIRST POET (entering, to Ragueneau):
Brother in art!. . .
SECOND POET (to Ragueneau, shaking his hands):
Dear brother!
THIRD POET:
High soaring eagle among pastry-cooks!
(He sniffs):
Marry! it smells good here in your eyrie!
FOURTH POET:
'Tis at Phoebus' own rays that thy roasts turn!
FIFTH POET:
Apollo among master-cooks--
RAGUENEAU (whom they surround and embrace):
Ah! how quick a man feels at his ease with them!. . .
FIRST POET:
We were stayed by the mob; they are crowded all round the Porte de Nesle!. .
.
SECOND POET:
Eight bleeding brigand carcasses strew the pavements there--all slit open
with sword-gashes!
CYRANO (raising his head a minute):
Eight?. . .hold, methought seven.
(He goes on writing.)
RAGUENEAU (to Cyrano):
Know you who might be the hero of the fray?
CYRANO (carelessly):
Not I.
LISE (to the musketeer):
And you? Know you?
THE MUSKETEER (twirling his mustache):
Maybe!
CYRANO (writing a little way off:--he is heard murmuring a word from time to
time):
'I love thee!'
FIRST POET:
'Twas one man, say they all, ay, swear to it, one man who, single-handed,
put the whole band to the rout!
SECOND POET:
'Twas a strange sight!--pikes and cudgels strewed thick upon the ground.
CYRANO (writing):
. . .'Thine eyes'. . .
THIRD POET:
And they were picking up hats all the way to the Quai d'Orfevres!
FIRST POET:
Sapristi! but he must have been a ferocious. . .
CYRANO (same play):
. . .'Thy lips'. . .
FIRST POET:
'Twas a parlous fearsome giant that was the author of such exploits!
CYRANO (same play):
. . .'And when I see thee come, I faint for fear.'
SECOND POET (filching a cake):
What hast rhymed of late, Ragueneau?
CYRANO (same play):
. . .'Who worships thee'. . .
(He stops, just as he is about to sign, and gets up, slipping the letter into
his doublet):
No need I sign, since I give it her myself.
RAGUENEAU (to second poet):
I have put a recipe into verse.
THIRD POET (seating himself by a plate of cream-puffs):
Go to! Let us hear these verses!
FOURTH POET (looking at a cake which he has taken):
Its cap is all a' one side!
(He makes one bite of the top.)
FIRST POET:
See how this gingerbread woos the famished rhymer with its almond eyes, and
its eyebrows of angelica!
(He takes it.)
SECOND POET:
We listen.
THIRD POET (squeezing a cream-puff gently):
How it laughs! Till its very cream runs over!
SECOND POET (biting a bit off the great lyre of pastry):
This is the first time in my life that ever I drew any means of nourishing
me from the lyre!
RAGUENEAU (who has put himself ready for reciting, cleared his throat, settled
his cap, struck an attitude):
A recipe in verse!. . .
SECOND POET (to first, nudging him):
You are breakfasting?
FIRST POET (to second):
And you dining, methinks.
RAGUENEAU:
How almond tartlets are made.
Beat your eggs up, light and quick;
Froth them thick;
Mingle with them while you beat
Juice of lemon, essence fine;
Then combine
The burst milk of almonds sweet.
Circle with a custard paste
The slim waist
Of your tartlet-molds; the top
With a skillful finger print,
Nick and dint,
Round their edge, then, drop by drop,
In its little dainty bed
Your cream shed:
In the oven place each mold:
Reappearing, softly browned,
The renowned
Almond tartlets you behold!
THE POETS (with mouths crammed full):
Exquisite! Delicious!
A POET (choking):
Homph!
(They go up, eating.)
CYRANO (who has been watching, goes toward Ragueneau):
Lulled by your voice, did you see how they were stuffing themselves?
RAGUENEAU (in a low voice, smiling):
Oh, ay! I see well enough, but I never will seem to look, fearing to
distress them; thus I gain a double pleasure when I recite to them my poems;
for I leave those poor fellows who have not breakfasted free to eat, even
while I gratify my own dearest foible, see you?
CYRANO (clapping him on the shoulder):
Friend, I like you right well!. . .
(Ragueneau goes after his friends. Cyrano follows him with his eyes, then,
rather sharply):
Ho there! Lise!
(Lise, who is talking tenderly to the musketeer, starts, and comes down toward
Cyrano):
So this fine captain is laying siege to you?
LISE (offended):
One haughty glance of my eye can conquer any man that should dare venture
aught 'gainst my virtue.
CYRANO:
Pooh! Conquering eyes, methinks, are oft conquered eyes.
LISE (choking with anger):
But--
CYRANO (incisively):
I like Ragueneau well, and so--mark me, Dame Lise--I permit not that he be
rendered a laughing-stock by any. . .
LISE:
But. . .
CYRANO (who has raised his voice so as to be heard by the gallant):
A word to the wise. . .
(He bows to the musketeer, and goes to the doorway to watch, after looking at
the clock.)
LISE (to the musketeer, who has merely bowed in answer to Cyrano's bow):
How now? Is this your courage?. . .Why turn you not a jest on his nose?
THE MUSKETEER:
On his nose?. . .ay, ay. . .his nose.
(He goes quickly farther away; Lise follows him.)
CYRANO (from the doorway, signing to Ragueneau to draw the poets away):
Hist!. . .
RAGUENEAU (showing them the door on the right):
We shall be more private there. . .
CYRANO (impatiently):
Hist! Hist!. . .
RAGUENEAU (drawing them farther):
To read poetry, 'tis better here. . .
FIRST POET (despairingly, with his mouth full):
What! leave the cakes?. . .
SECOND POET:
Never! Let's take them with us!
(They all follow Ragueneau in procession, after sweeping all the cakes off the
trays.)
| 1,005 | Act 2, scene 4 | https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act2-scenes1-10 | At Ragueneau's shop, Cyrano is writing his letter to Roxane. The letter is eloquent and full of passion. The poets arrive for their breakfast. They are talking admiringly of an unknown swordsman who successfully defeated a huge gang of men at the Porte de Nesle. Eight of the men are dead. Cyrano denies all knowledge of the incident. As the poets devour Ragueneau's wares, Ragueneau recites a poem he has written, a rhyming recipe for almond tartlets. Cyrano notices that Lise is in deep conversation with the Musketeer. Cyrano reminds her that Ragueneau is his friend and that he will not tolerate her having an affair with the Musketeer. Cyrano signals to Ragueneau that it is time to leave him on his own, and Ragueneau ushers the poets into another room | null | 131 | 1 | [
"Ragueneau, Lise, the musketeer.",
"Cyrano at the little table writing.",
"The\npoets, dressed in black, their stockings ungartered, and covered with mud.",
"LISE (entering, to Ragueneau):\n Here they come, your mud-bespattered friends!",
"FIRST POET (entering, to Ragueneau):\n Brother in art!.",
". .\n\nSECOND POET (to Ragueneau, shaking his hands):\n Dear brother!",
"THIRD POET:\n High soaring eagle among pastry-cooks!",
"(He sniffs):\n Marry!",
"it smells good here in your eyrie!",
"FOURTH POET:\n 'Tis at Phoebus' own rays that thy roasts turn!",
"FIFTH POET:\n Apollo among master-cooks--\n\nRAGUENEAU (whom they surround and embrace):\n Ah!",
"how quick a man feels at his ease with them!.",
". .\n\nFIRST POET:\n We were stayed by the mob; they are crowded all round the Porte de Nesle!.",
".\n.\n\nSECOND POET:\n Eight bleeding brigand carcasses strew the pavements there--all slit open\nwith sword-gashes!",
"CYRANO (raising his head a minute):\n Eight?. .",
".hold, methought seven.",
"(He goes on writing.)",
"RAGUENEAU (to Cyrano):\n Know you who might be the hero of the fray?",
"CYRANO (carelessly):\n Not I.\n\nLISE (to the musketeer):\n And you?",
"Know you?",
"THE MUSKETEER (twirling his mustache):\n Maybe!",
"CYRANO (writing a little way off:--he is heard murmuring a word from time to\ntime):\n 'I love thee!'",
"FIRST POET:\n 'Twas one man, say they all, ay, swear to it, one man who, single-handed,\nput the whole band to the rout!",
"SECOND POET:\n 'Twas a strange sight!--pikes and cudgels strewed thick upon the ground.",
"CYRANO (writing):\n .",
". .'Thine eyes'.",
". .\n\nTHIRD POET:\n And they were picking up hats all the way to the Quai d'Orfevres!",
"FIRST POET:\n Sapristi!",
"but he must have been a ferocious.",
". .\n\nCYRANO (same play):\n .",
". .'Thy lips'.",
". .\n\nFIRST POET:\n 'Twas a parlous fearsome giant that was the author of such exploits!",
"CYRANO (same play):\n .",
". .'And when I see thee come, I faint for fear.'",
"SECOND POET (filching a cake):\n What hast rhymed of late, Ragueneau?",
"CYRANO (same play):\n .",
". .'Who worships thee'.",
". .\n(He stops, just as he is about to sign, and gets up, slipping the letter into\nhis doublet):\n No need I sign, since I give it her myself.",
"RAGUENEAU (to second poet):\n I have put a recipe into verse.",
"THIRD POET (seating himself by a plate of cream-puffs):\n Go to!",
"Let us hear these verses!",
"FOURTH POET (looking at a cake which he has taken):\n Its cap is all a' one side!",
"(He makes one bite of the top.)",
"FIRST POET:\n See how this gingerbread woos the famished rhymer with its almond eyes, and\nits eyebrows of angelica!",
"(He takes it.)",
"SECOND POET:\n We listen.",
"THIRD POET (squeezing a cream-puff gently):\n How it laughs!",
"Till its very cream runs over!",
"SECOND POET (biting a bit off the great lyre of pastry):\n This is the first time in my life that ever I drew any means of nourishing\nme from the lyre!",
"RAGUENEAU (who has put himself ready for reciting, cleared his throat, settled\nhis cap, struck an attitude):\n A recipe in verse!.",
". .\n\nSECOND POET (to first, nudging him):\n You are breakfasting?",
"FIRST POET (to second):\n And you dining, methinks.",
"RAGUENEAU:\n How almond tartlets are made.",
"Beat your eggs up, light and quick;\n Froth them thick;\n Mingle with them while you beat\n Juice of lemon, essence fine;\n Then combine\n The burst milk of almonds sweet.",
"Circle with a custard paste\n The slim waist\n Of your tartlet-molds; the top\n With a skillful finger print,\n Nick and dint,\n Round their edge, then, drop by drop,\n In its little dainty bed\n Your cream shed:\n In the oven place each mold:\n Reappearing, softly browned,\n The renowned\n Almond tartlets you behold!",
"THE POETS (with mouths crammed full):\n Exquisite!",
"Delicious!",
"A POET (choking):\n Homph!",
"(They go up, eating.)",
"CYRANO (who has been watching, goes toward Ragueneau):\n Lulled by your voice, did you see how they were stuffing themselves?",
"RAGUENEAU (in a low voice, smiling):\n Oh, ay!",
"I see well enough, but I never will seem to look, fearing to\ndistress them; thus I gain a double pleasure when I recite to them my poems;\nfor I leave those poor fellows who have not breakfasted free to eat, even\nwhile I gratify my own dearest foible, see you?",
"CYRANO (clapping him on the shoulder):\n Friend, I like you right well!.",
". .\n(Ragueneau goes after his friends.",
"Cyrano follows him with his eyes, then,\nrather sharply):\n Ho there!",
"Lise!",
"(Lise, who is talking tenderly to the musketeer, starts, and comes down toward\nCyrano):\n So this fine captain is laying siege to you?",
"LISE (offended):\n One haughty glance of my eye can conquer any man that should dare venture\naught 'gainst my virtue.",
"CYRANO:\n Pooh!",
"Conquering eyes, methinks, are oft conquered eyes.",
"LISE (choking with anger):\n But--\n\nCYRANO (incisively):\n I like Ragueneau well, and so--mark me, Dame Lise--I permit not that he be\nrendered a laughing-stock by any.",
". .\n\nLISE:\n But.",
". .\n\nCYRANO (who has raised his voice so as to be heard by the gallant):\n A word to the wise.",
". .\n\n(He bows to the musketeer, and goes to the doorway to watch, after looking at\nthe clock.)",
"LISE (to the musketeer, who has merely bowed in answer to Cyrano's bow):\n How now?",
"Is this your courage?. .",
".Why turn you not a jest on his nose?",
"THE MUSKETEER:\n On his nose?. .",
".ay, ay. . .his nose.",
"(He goes quickly farther away; Lise follows him.)",
"CYRANO (from the doorway, signing to Ragueneau to draw the poets away):\n Hist!.",
". .\n\nRAGUENEAU (showing them the door on the right):\n We shall be more private there.",
". .\n\nCYRANO (impatiently):\n Hist!",
"Hist!.",
". .\n\nRAGUENEAU (drawing them farther):\n To read poetry, 'tis better here.",
". .\n\nFIRST POET (despairingly, with his mouth full):\n What!",
"leave the cakes?.",
". .\n\nSECOND POET:\n Never!",
"Let's take them with us!",
"(They all follow Ragueneau in procession, after sweeping all the cakes off the\ntrays.)"
] | [
"Cyrano at the little table writing.",
"(He goes on writing.)",
"CYRANO (writing a little way off:--he is heard murmuring a word from time to\ntime):\n 'I love thee!'",
". .'Thy lips'.",
". .\n\nFIRST POET:\n 'Twas a parlous fearsome giant that was the author of such exploits!",
"SECOND POET (filching a cake):\n What hast rhymed of late, Ragueneau?",
"(He takes it.)",
"RAGUENEAU:\n How almond tartlets are made.",
"Hist!.",
". .\n\nRAGUENEAU (drawing them farther):\n To read poetry, 'tis better here."
] | [
"SECOND POET (filching a cake):\n What hast rhymed of late, Ragueneau?",
". .'And when I see thee come, I faint for fear.'",
". .\n\nTHIRD POET:\n And they were picking up hats all the way to the Quai d'Orfevres!",
". .'Who worships thee'.",
"RAGUENEAU:\n How almond tartlets are made.",
"FIFTH POET:\n Apollo among master-cooks--\n\nRAGUENEAU (whom they surround and embrace):\n Ah!",
"THE POETS (with mouths crammed full):\n Exquisite!",
"(He goes quickly farther away; Lise follows him.)",
"RAGUENEAU (to Cyrano):\n Know you who might be the hero of the fray?",
". .\n(He stops, just as he is about to sign, and gets up, slipping the letter into\nhis doublet):\n No need I sign, since I give it her myself."
] | [
"Let us hear these verses!",
"FOURTH POET (looking at a cake which he has taken):\n Its cap is all a' one side!",
"(He makes one bite of the top.)",
"FIRST POET:\n See how this gingerbread woos the famished rhymer with its almond eyes, and\nits eyebrows of angelica!",
"(He takes it.)",
"SECOND POET:\n We listen.",
"THIRD POET (squeezing a cream-puff gently):\n How it laughs!",
"Till its very cream runs over!",
"SECOND POET (biting a bit off the great lyre of pastry):\n This is the first time in my life that ever I drew any means of nourishing\nme from the lyre!",
"RAGUENEAU (who has put himself ready for reciting, cleared his throat, settled\nhis cap, struck an attitude):\n A recipe in verse!.",
". .\n\nSECOND POET (to first, nudging him):\n You are breakfasting?"
] | [
"Ragueneau, Lise, the musketeer.",
"Cyrano at the little table writing.",
"The\npoets, dressed in black, their stockings ungartered, and covered with mud.",
"LISE (entering, to Ragueneau):\n Here they come, your mud-bespattered friends!",
"FIRST POET (entering, to Ragueneau):\n Brother in art!.",
". .\n\nSECOND POET (to Ragueneau, shaking his hands):\n Dear brother!",
"THIRD POET:\n High soaring eagle among pastry-cooks!",
"(He sniffs):\n Marry!",
"it smells good here in your eyrie!",
"FOURTH POET:\n 'Tis at Phoebus' own rays that thy roasts turn!",
"CYRANO (from the doorway, signing to Ragueneau to draw the poets away):\n Hist!.",
". .\n\nRAGUENEAU (showing them the door on the right):\n We shall be more private there.",
". .\n\nCYRANO (impatiently):\n Hist!",
"Hist!.",
". .\n\nRAGUENEAU (drawing them farther):\n To read poetry, 'tis better here.",
". .\n\nFIRST POET (despairingly, with his mouth full):\n What!",
"leave the cakes?.",
". .\n\nSECOND POET:\n Never!",
"Let's take them with us!",
"(They all follow Ragueneau in procession, after sweeping all the cakes off the\ntrays.)"
] | ?. .
.hold, methought seven.
(He goes on writing.)
RAGUENEAU (to Cyrano):
Know you who might be the hero of the fray?
CYRANO (carelessly):
Not I.
LISE (to the musketeer):
And you?
Know you?
THE MUSKETEER (twirling his mustache):
Maybe!
CYRANO (writing a little way off:--he is heard murmuring a word from time to
time):
'I love thee!'
FIRST POET:
'Twas one man, say they all, ay, swear to it, one man who, single-handed,
put the whole band to the rout!
SECOND POET:
'Twas a strange sight!--pikes and cudgels strewed thick upon the ground.
CYRANO (writing):
.
. .'Thine eyes'.
. .
THIRD POET:
And they were picking up hats all the way to the Quai d'Orfevres!
FIRST POET:
Sapristi!
but he must have been a ferocious.
. .
CYRANO (same play):
.
. .'Thy lips'.
. .
FIRST POET:
'Twas a parlous fearsome giant that was the author of such exploits!
CYRANO (same play):
.
. .'And when I see thee come, I faint for fear.'
SECOND POET (filching a cake):
What hast rhymed of late, | Ragueneau, Lise, the musketeer.
Cyrano at the little table writing.
The
poets, dressed in black, their stockings ungartered, and covered with mud.
LISE (entering, to Ragueneau):
Here they come, your mud-bespattered friends!
FIRST POET (entering, to Ragueneau):
Brother in art!.
. .
SECOND POET (to Ragueneau, shaking his hands):
Dear brother!
THIRD POET:
High soaring eagle among pastry-cooks!
(He sniffs):
Marry!
it smells good here in your eyrie!
FOURTH POET:
'Tis at Phoebus' own rays RANO (from the doorway, signing to Ragueneau to draw the poets away):
Hist!.
. .
RAGUENEAU (showing them the door on the right):
We shall be more private there.
. .
CYRANO (impatiently):
Hist!
Hist!.
. .
RAGUENEAU (drawing them farther):
To read poetry, 'tis better here.
. .
FIRST POET (despairingly, with his mouth full):
What!
leave the cakes?.
. .
SECOND POET:
Never!
Let's take them with us!
(They all follow Ragueneau in procession, after sweeping all the cakes off the
trays.) | )
FIRST POET:
See how this gingerbread woos the famished rhymer with its almond eyes, and
its eyebrows of angelica!
(He takes it.)
SECOND POET:
We listen.
THIRD POET (squeezing a cream-puff gently):
How it laughs!
Till its very cream runs over!
SECOND POET (biting a bit off the great lyre of pastry):
This is the first time in my life that ever I drew any means of nourishing
me from the lyre!
RAGUENEAU (who has put himself ready for reciting, cleared his throat, settled
his cap, struck an attitude):
A recipe in verse!.
. .
SECOND POET (to first, nudging him):
You are breakfasting?
FIRST POET (to second):
And you dining, methinks.
RAGUENEAU:
How almond tartlets are made.
Beat your eggs up, light and quick;
Froth them thick;
Mingle with them while you beat
Juice of lemon, essence fine;
Then combine
The burst milk of almonds sweet.
Circle with a custard paste
The slim waist
Of your tartlet-molds; the top
With a skillful finger print,
Nick and dint, |
1,254 | true | novelguide | all_chapterized_books/1254-chapters/14.txt | finished_summaries/novelguide/Cyrano de Bergerac/section_3_part_5.txt | Cyrano de Bergerac.act 2.scene 5 | act 2, scene 5 | null | {"name": "Act 2, scene 5", "url": "https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act2-scenes1-10", "summary": "Roxane and her Duenna arrive, wearing masks. Cyrano bribes the Duenna with cream buns to wait outside while he talks to Roxane on her own", "analysis": ""} | Cyrano, Roxane, the duenna.
CYRANO:
Ah! if I see but the faint glimmer of hope, then I draw out my letter!
(Roxane, masked, followed by the duenna, appears at the glass pane of the
door. He opens quickly):
Enter!. . .
(Walking up to the duenna):
Two words with you, Duenna.
THE DUENNA:
Four, Sir, an it like you.
CYRANO:
Are you fond of sweet things?
THE DUENNA:
Ay, I could eat myself sick on them!
CYRANO (catching up some of the paper bags from the counter):
Good. See you these two sonnets of Monsieur Beuserade. . .
THE DUENNA:
Hey?
CYRANO:
. . .Which I fill for you with cream cakes!
THE DUENNA (changing her expression):
Ha.
CYRANO:
What say you to the cake they call a little puff?
THE DUENNA:
If made with cream, Sir, I love them passing well.
CYRANO:
Here I plunge six for your eating into the bosom of a poem by Saint Amant!
And in these verses of Chapelain I glide a lighter morsel. Stay, love you hot
cakes?
THE DUENNA:
Ay, to the core of my heart!
CYRANO (filling her arms with the bags):
Pleasure me then; go eat them all in the street.
THE DUENNA:
But. . .
CYRANO (pushing her out):
And come not back till the very last crumb be eaten!
(He shuts the door, comes down toward Roxane, and, uncovering, stands at a
respectful distance from her.)
| 236 | Act 2, scene 5 | https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act2-scenes1-10 | Roxane and her Duenna arrive, wearing masks. Cyrano bribes the Duenna with cream buns to wait outside while he talks to Roxane on her own | null | 25 | 1 | [
"Cyrano, Roxane, the duenna.",
"CYRANO:\n Ah!",
"if I see but the faint glimmer of hope, then I draw out my letter!",
"(Roxane, masked, followed by the duenna, appears at the glass pane of the\ndoor.",
"He opens quickly):\n Enter!.",
". .\n(Walking up to the duenna):\n Two words with you, Duenna.",
"THE DUENNA:\n Four, Sir, an it like you.",
"CYRANO:\n Are you fond of sweet things?",
"THE DUENNA:\n Ay, I could eat myself sick on them!",
"CYRANO (catching up some of the paper bags from the counter):\n Good.",
"See you these two sonnets of Monsieur Beuserade.",
". .",
"THE DUENNA:\n Hey?",
"CYRANO:\n . . .Which I fill for you with cream cakes!",
"THE DUENNA (changing her expression):\n Ha.",
"CYRANO:\n What say you to the cake they call a little puff?",
"THE DUENNA:\n If made with cream, Sir, I love them passing well.",
"CYRANO:\n Here I plunge six for your eating into the bosom of a poem by Saint Amant!",
"And in these verses of Chapelain I glide a lighter morsel.",
"Stay, love you hot\ncakes?",
"THE DUENNA:\n Ay, to the core of my heart!",
"CYRANO (filling her arms with the bags):\n Pleasure me then; go eat them all in the street.",
"THE DUENNA:\n But.",
". .\n\nCYRANO (pushing her out):\n And come not back till the very last crumb be eaten!",
"(He shuts the door, comes down toward Roxane, and, uncovering, stands at a\nrespectful distance from her.)"
] | [
"Cyrano, Roxane, the duenna.",
"He opens quickly):\n Enter!.",
". .\n(Walking up to the duenna):\n Two words with you, Duenna.",
"CYRANO:\n Are you fond of sweet things?",
"THE DUENNA:\n Hey?",
"CYRANO:\n . . .Which I fill for you with cream cakes!",
"THE DUENNA (changing her expression):\n Ha.",
"And in these verses of Chapelain I glide a lighter morsel.",
"CYRANO (filling her arms with the bags):\n Pleasure me then; go eat them all in the street.",
"THE DUENNA:\n But."
] | [
"CYRANO:\n . . .Which I fill for you with cream cakes!",
"THE DUENNA:\n Hey?",
"CYRANO:\n What say you to the cake they call a little puff?",
"THE DUENNA:\n But.",
"Cyrano, Roxane, the duenna.",
"See you these two sonnets of Monsieur Beuserade.",
"THE DUENNA:\n If made with cream, Sir, I love them passing well.",
"He opens quickly):\n Enter!.",
". .\n\nCYRANO (pushing her out):\n And come not back till the very last crumb be eaten!",
"CYRANO (catching up some of the paper bags from the counter):\n Good."
] | [
"CYRANO:\n Are you fond of sweet things?",
"THE DUENNA:\n Ay, I could eat myself sick on them!",
"CYRANO (catching up some of the paper bags from the counter):\n Good.",
"See you these two sonnets of Monsieur Beuserade.",
". .",
"THE DUENNA:\n Hey?",
"CYRANO:\n . . .Which I fill for you with cream cakes!",
"THE DUENNA (changing her expression):\n Ha.",
"CYRANO:\n What say you to the cake they call a little puff?",
"THE DUENNA:\n If made with cream, Sir, I love them passing well.",
"CYRANO:\n Here I plunge six for your eating into the bosom of a poem by Saint Amant!"
] | [
"Cyrano, Roxane, the duenna.",
"CYRANO:\n Ah!",
"if I see but the faint glimmer of hope, then I draw out my letter!",
"(Roxane, masked, followed by the duenna, appears at the glass pane of the\ndoor.",
"He opens quickly):\n Enter!.",
". .\n(Walking up to the duenna):\n Two words with you, Duenna.",
"THE DUENNA:\n Four, Sir, an it like you.",
"CYRANO:\n Are you fond of sweet things?",
"THE DUENNA:\n Ay, I could eat myself sick on them!",
"CYRANO (catching up some of the paper bags from the counter):\n Good.",
"CYRANO:\n What say you to the cake they call a little puff?",
"THE DUENNA:\n If made with cream, Sir, I love them passing well.",
"CYRANO:\n Here I plunge six for your eating into the bosom of a poem by Saint Amant!",
"And in these verses of Chapelain I glide a lighter morsel.",
"Stay, love you hot\ncakes?",
"THE DUENNA:\n Ay, to the core of my heart!",
"CYRANO (filling her arms with the bags):\n Pleasure me then; go eat them all in the street.",
"THE DUENNA:\n But.",
". .\n\nCYRANO (pushing her out):\n And come not back till the very last crumb be eaten!",
"(He shuts the door, comes down toward Roxane, and, uncovering, stands at a\nrespectful distance from her.)"
] | e faint glimmer of hope, then I draw out my letter!
(Roxane, masked, followed by the duenna, appears at the glass pane of the
door.
He opens quickly):
Enter!.
. .
(Walking up to the duenna):
Two words with you, Duenna.
THE DUENNA:
Four, Sir, an it like you.
CYRANO:
Are you fond of sweet things?
THE DUENNA:
Ay, I could eat myself sick on them!
CYRANO (catching up some of the paper bags from the counter):
Good.
See you these two sonnets of Monsieur Beuserade.
. .
THE DUENNA:
Hey?
CYRANO:
. . .Which I fill for you with cream cakes!
THE DUENNA (changing her expression):
Ha.
CYRANO:
What say you to the cake they call a little puff?
THE DUENNA:
If made with cream, Sir, I love them passing well.
CYRANO:
Here I plunge six for your eating into the bosom of a poem by Saint Amant!
And in these verses of Chapelain I glide a lighter morsel.
Stay, love you hot
cakes?
THE DUENNA:
Ay, to the core of my heart!
CYRANO (filling her arms with the bags):
Pleasure me then; go eat | Cyrano, Roxane, the duenna.
CYRANO:
Ah!
if I see but the faint glimmer of hope, then I draw out my letter!
(Roxane, masked, followed by the duenna, appears at the glass pane of the
door.
He opens quickly):
Enter!.
. .
(Walking up to the duenna):
Two words with you, Duenna.
THE DUENNA:
Four, Sir, an it like you.
CYRANO:
Are you fond of sweet things?
THE DUENNA:
Ay, I could eat myself sick on them!
CYRANO (catching up some of the paper bags from the counter):
Good.
See you these two I plunge six for your eating into the bosom of a poem by Saint Amant!
And in these verses of Chapelain I glide a lighter morsel.
Stay, love you hot
cakes?
THE DUENNA:
Ay, to the core of my heart!
CYRANO (filling her arms with the bags):
Pleasure me then; go eat them all in the street.
THE DUENNA:
But.
. .
CYRANO (pushing her out):
And come not back till the very last crumb be eaten!
(He shuts the door, comes down toward Roxane, and, uncovering, stands at a
respectful distance from her.) | na, appears at the glass pane of the
door.
He opens quickly):
Enter!.
. .
(Walking up to the duenna):
Two words with you, Duenna.
THE DUENNA:
Four, Sir, an it like you.
CYRANO:
Are you fond of sweet things?
THE DUENNA:
Ay, I could eat myself sick on them!
CYRANO (catching up some of the paper bags from the counter):
Good.
See you these two sonnets of Monsieur Beuserade.
. .
THE DUENNA:
Hey?
CYRANO:
. . .Which I fill for you with cream cakes!
THE DUENNA (changing her expression):
Ha.
CYRANO:
What say you to the cake they call a little puff?
THE DUENNA:
If made with cream, Sir, I love them passing well.
CYRANO:
Here I plunge six for your eating into the bosom of a poem by Saint Amant!
And in these verses of Chapelain I glide a lighter morsel.
Stay, love you hot
cakes?
THE DUENNA:
Ay, to the core of my heart!
CYRANO (filling her arms with the bags):
Pleasure me then; go eat them all in the street.
THE DUENNA:
But.
. .
CYRANO (pushing her out):
And come not |
1,254 | true | novelguide | all_chapterized_books/1254-chapters/15.txt | finished_summaries/novelguide/Cyrano de Bergerac/section_3_part_6.txt | Cyrano de Bergerac.act 2.scene 6 | act 2, scene 6 | null | {"name": "Act 2, scene 6", "url": "https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act2-scenes1-10", "summary": "Cyrano begins to address Roxane as a lover grateful to be acknowledged, but Roxane interrupts him to explain that the first purpose of her visit is to thank him for puncturing the pride of Valvert by fighting him in the theater. She reminisces with Cyrano about the happy times they spent together as children. She tends to his hand, which he has wounded in the fight at the Porte de Nesle. Roxane confesses that she is in love with someone who does not know that she loves him. She thinks that he loves her in return, but he is shy and dare not speak. Cyrano feels encouraged, as this could mean him. But as soon as Roxane says that the man is handsome, Cyrano feels discouraged, feeling that she cannot be thinking of him. When she names Christian, Cyrano warns her that he may not be intelligent enough for her. But she believes that anyone who is so beautiful on the outside must be eloquent also. She has invited Cyrano to meet her in order to ask him to protect Christian, as he is the only cadet in Cyrano's company who does not come from the region of Gascony, and she fears he will be picked on. Cyrano promises to look after Christian. Roxane expresses her friendly love for Cyrano and leaves. Cyrano looks despondent", "analysis": ""} | Cyrano, Roxane.
CYRANO:
Blessed be the moment when you condescend--
Remembering that humbly I exist--
To come to meet me, and to say. . .to tell?. . .
ROXANE (who has unmasked):
To thank you first of all. That dandy count,
Whom you checkmated in brave sword-play
Last night,. . .he is the man whom a great lord,
Desirous of my favor. . .
CYRANO:
Ha, De Guiche?
ROXANE (casting down her eyes):
Sought to impose on me. . .for husband. . .
CYRANO:
Ay! Husband!--dupe-husband!. . .Husband a la mode!
(Bowing):
Then I fought, happy chance! sweet lady, not
For my ill favor--but your favors fair!
ROXANE:
Confession next!. . .But, ere I make my shrift,
You must be once again that brother-friend
With whom I used to play by the lake-side!. . .
CYRANO:
Ay, you would come each spring to Bergerac!
ROXANE:
Mind you the reeds you cut to make your swords?. . .
CYRANO:
While you wove corn-straw plaits for your dolls' hair!
ROXANE:
Those were the days of games!. . .
CYRANO:
And blackberries!. . .
ROXANE:
In those days you did everything I bid!. . .
CYRANO:
Roxane, in her short frock, was Madeleine. . .
ROXANE:
Was I fair then?
CYRANO:
You were not ill to see!
ROXANE:
Ofttimes, with hands all bloody from a fall,
You'd run to me! Then--aping mother-ways--
I, in a voice would-be severe, would chide,--
(She takes his hand):
'What is this scratch, again, that I see here?'
(She starts, surprised):
Oh! 'Tis too much! What's this?
(Cyrano tries to draw away his hand):
No, let me see!
At your age, fie! Where did you get that scratch?
CYRANO:
I got it--playing at the Porte de Nesle.
ROXANE (seating herself by the table, and dipping her handkerchief in a glass
of water):
Give here!
CYRANO (sitting by her):
So soft! so gay maternal-sweet!
ROXANE:
And tell me, while I wipe away the blood,
How many 'gainst you?
CYRANO:
Oh! A hundred--near.
ROXANE:
Come, tell me!
CYRANO:
No, let be. But you, come tell
The thing, just now, you dared not. . .
ROXANE (keeping his hand):
Now, I dare!
The scent of those old days emboldens me!
Yes, now I dare. Listen. I am in love.
CYRANO:
Ah!. . .
ROXANE:
But with one who knows not.
CYRANO:
Ah!. . .
ROXANE:
Not yet.
CYRANO:
Ah!. . .
ROXANE:
But who, if he knows not, soon shall learn.
CYRANO:
Ah!. . .
ROXANE:
A poor youth who all this time has loved
Timidly, from afar, and dares not speak. . .
CYRANO:
Ah!. . .
ROXANE:
Leave your hand; why, it is fever-hot!--
But I have seen love trembling on his lips.
CYRANO:
Ah!. . .
ROXANE (bandaging his hand with her handkerchief):
And to think of it! that he by chance--
Yes, cousin, he is of your regiment!
CYRANO:
Ah!. . .
ROXANE (laughing):
--Is cadet in your own company!
CYRANO:
Ah!. . .
ROXANE:
On his brow he bears the genius-stamp;
He is proud, noble, young, intrepid, fair. . .
CYRANO (rising suddenly, very pale):
Fair!
ROXANE:
Why, what ails you?
CYRANO:
Nothing; 'tis. . .
(He shows his hand, smiling):
This scratch!
ROXANE:
I love him; all is said. But you must know
I have only seen him at the Comedy. . .
CYRANO:
How? You have never spoken?
ROXANE:
Eyes can speak.
CYRANO:
How know you then that he. . .?
ROXANE:
Oh! people talk
'Neath the limes in the Place Royale. . .
Gossip's chat
Has let me know. . .
CYRANO:
He is cadet?
ROXANE:
In the Guards.
CYRANO:
His name?
ROXANE:
Baron Christian de Neuvillette.
CYRANO:
How now?. . .He is not of the Guards!
ROXANE:
To-day
He is not join your ranks, under Captain
Carbon de Castel-Jaloux.
CYRANO:
Ah, how quick,
How quick the heart has flown!. . .But, my poor child. . .
THE DUENNA (opening the door):
The cakes are eaten, Monsieur Bergerac!
CYRANO:
Then read the verses printed on the bags!
(She goes out):
. . .My poor child, you who love but flowing words,
Bright wit,--what if he be a lout unskilled?
ROXANE:
No, his bright locks, like D'Urfe's heroes. . .
CYRANO:
Ah!
A well-curled pate, and witless tongue, perchance!
ROXANE:
Ah no! I guess--I feel--his words are fair!
CYRANO:
All words are fair that lurk 'neath fair mustache!
--Suppose he were a fool!. . .
ROXANE (stamping her foot):
Then bury me!
CYRANO (after a pause):
Was it to tell me this you brought me here?
I fail to see what use this serves, Madame.
ROXANE:
Nay, but I felt a terror, here, in the heart,
On learning yesterday you were Gascons
All of your company. . .
CYRANO:
And we provoke
All beardless sprigs that favor dares admit
'Midst us pure Gascons--(pure! Heaven save the mark!
They told you that as well?
ROXANE:
Ah! Think how I
Trembled for him!
CYRANO (between his teeth):
Not causelessly!
ROXANE:
But when
Last night I saw you,--brave, invincible,--
Punish that dandy, fearless hold your own
Against those brutes, I thought--I thought, if he
Whom all fear, all--if he would only. . .
CYRANO:
Good.
I will befriend your little Baron.
ROXANE:
Ah!
You'll promise me you will do this for me?
I've always held you as a tender friend.
CYRANO:
Ay, ay.
ROXANE:
Then you will be his friend?
CYRANO:
I swear!
ROXANE:
And he shall fight no duels, promise!
CYRANO:
None.
ROXANE:
You are kind, cousin! Now I must be gone.
(She puts on her mask and veil quickly; then, absently):
You have not told me of your last night's fray.
Ah, but it must have been a hero-fight!. . .
--Bid him to write.
(She sends him a kiss with her fingers):
How good you are!
CYRANO:
Ay! Ay!
ROXANE:
A hundred men against you? Now, farewell.--
We are great friends?
CYRANO:
Ay, ay!
ROXANE:
Oh, bid him write!
You'll tell me all one day--A hundred men!--
Ah, brave!. . .How brave!
CYRANO (bowing to her):
I have fought better since.
(She goes out. Cyrano stands motionless, with eyes on the ground. A silence.
The door (right) opens. Ragueneau looks in.)
| 1,103 | Act 2, scene 6 | https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act2-scenes1-10 | Cyrano begins to address Roxane as a lover grateful to be acknowledged, but Roxane interrupts him to explain that the first purpose of her visit is to thank him for puncturing the pride of Valvert by fighting him in the theater. She reminisces with Cyrano about the happy times they spent together as children. She tends to his hand, which he has wounded in the fight at the Porte de Nesle. Roxane confesses that she is in love with someone who does not know that she loves him. She thinks that he loves her in return, but he is shy and dare not speak. Cyrano feels encouraged, as this could mean him. But as soon as Roxane says that the man is handsome, Cyrano feels discouraged, feeling that she cannot be thinking of him. When she names Christian, Cyrano warns her that he may not be intelligent enough for her. But she believes that anyone who is so beautiful on the outside must be eloquent also. She has invited Cyrano to meet her in order to ask him to protect Christian, as he is the only cadet in Cyrano's company who does not come from the region of Gascony, and she fears he will be picked on. Cyrano promises to look after Christian. Roxane expresses her friendly love for Cyrano and leaves. Cyrano looks despondent | null | 225 | 1 | [
"Cyrano, Roxane.",
"CYRANO:\n Blessed be the moment when you condescend--\n Remembering that humbly I exist--\n To come to meet me, and to say. . .to tell?.",
". .\n\nROXANE (who has unmasked):\n To thank you first of all.",
"That dandy count,\n Whom you checkmated in brave sword-play\n Last night,. . .he is the man whom a great lord,\n Desirous of my favor.",
". .\n\nCYRANO:\n Ha, De Guiche?",
"ROXANE (casting down her eyes):\n Sought to impose on me. . .for husband.",
". .\n\nCYRANO:\n Ay!",
"Husband!--dupe-husband!. .",
".Husband a la mode!",
"(Bowing):\n Then I fought, happy chance!",
"sweet lady, not\n For my ill favor--but your favors fair!",
"ROXANE:\n Confession next!. .",
".But, ere I make my shrift,\n You must be once again that brother-friend\n With whom I used to play by the lake-side!.",
". .\n\nCYRANO:\n Ay, you would come each spring to Bergerac!",
"ROXANE:\n Mind you the reeds you cut to make your swords?.",
". .\n\nCYRANO:\n While you wove corn-straw plaits for your dolls' hair!",
"ROXANE:\n Those were the days of games!.",
". .\n\nCYRANO:\n And blackberries!.",
". .\n\nROXANE:\n In those days you did everything I bid!.",
". .\n\nCYRANO:\n Roxane, in her short frock, was Madeleine.",
". .\n\nROXANE:\n Was I fair then?",
"CYRANO:\n You were not ill to see!",
"ROXANE:\n Ofttimes, with hands all bloody from a fall,\n You'd run to me!",
"Then--aping mother-ways--\n I, in a voice would-be severe, would chide,--\n(She takes his hand):\n 'What is this scratch, again, that I see here?'",
"(She starts, surprised):\n Oh!",
"'Tis too much!",
"What's this?",
"(Cyrano tries to draw away his hand):\n No, let me see!",
"At your age, fie!",
"Where did you get that scratch?",
"CYRANO:\n I got it--playing at the Porte de Nesle.",
"ROXANE (seating herself by the table, and dipping her handkerchief in a glass\nof water):\n Give here!",
"CYRANO (sitting by her):\n So soft!",
"so gay maternal-sweet!",
"ROXANE:\n And tell me, while I wipe away the blood,\n How many 'gainst you?",
"CYRANO:\n Oh!",
"A hundred--near.",
"ROXANE:\n Come, tell me!",
"CYRANO:\n No, let be.",
"But you, come tell\n The thing, just now, you dared not.",
". .\n\nROXANE (keeping his hand):\n Now, I dare!",
"The scent of those old days emboldens me!",
"Yes, now I dare.",
"Listen.",
"I am in love.",
"CYRANO:\n Ah!.",
". .\n\nROXANE:\n But with one who knows not.",
"CYRANO:\n Ah!.",
". .\n\nROXANE:\n Not yet.",
"CYRANO:\n Ah!.",
". .\n\nROXANE:\n But who, if he knows not, soon shall learn.",
"CYRANO:\n Ah!.",
". .\n\nROXANE:\n A poor youth who all this time has loved\n Timidly, from afar, and dares not speak.",
". .\n\nCYRANO:\n Ah!.",
". .\n\nROXANE:\n Leave your hand; why, it is fever-hot!--\n But I have seen love trembling on his lips.",
"CYRANO:\n Ah!.",
". .\n\nROXANE (bandaging his hand with her handkerchief):\n And to think of it!",
"that he by chance--\n Yes, cousin, he is of your regiment!",
"CYRANO:\n Ah!.",
". .\n\nROXANE (laughing):\n --Is cadet in your own company!",
"CYRANO:\n Ah!.",
". .\n\nROXANE:\n On his brow he bears the genius-stamp;\n He is proud, noble, young, intrepid, fair.",
". .\n\nCYRANO (rising suddenly, very pale):\n Fair!",
"ROXANE:\n Why, what ails you?",
"CYRANO:\n Nothing; 'tis.",
". .\n(He shows his hand, smiling):\n This scratch!",
"ROXANE:\n I love him; all is said.",
"But you must know\n I have only seen him at the Comedy.",
". .\n\nCYRANO:\n How?",
"You have never spoken?",
"ROXANE:\n Eyes can speak.",
"CYRANO:\n How know you then that he. .",
".?",
"ROXANE:\n Oh!",
"people talk\n 'Neath the limes in the Place Royale.",
". .",
"Gossip's chat\n Has let me know.",
". .\n\nCYRANO:\n He is cadet?",
"ROXANE:\n In the Guards.",
"CYRANO:\n His name?",
"ROXANE:\n Baron Christian de Neuvillette.",
"CYRANO:\n How now?. .",
".He is not of the Guards!",
"ROXANE:\n To-day\n He is not join your ranks, under Captain\n Carbon de Castel-Jaloux.",
"CYRANO:\n Ah, how quick,\n How quick the heart has flown!. .",
".But, my poor child.",
". .",
"THE DUENNA (opening the door):\n The cakes are eaten, Monsieur Bergerac!",
"CYRANO:\n Then read the verses printed on the bags!",
"(She goes out):\n . . .My poor child, you who love but flowing words,\n Bright wit,--what if he be a lout unskilled?",
"ROXANE:\n No, his bright locks, like D'Urfe's heroes.",
". .\n\nCYRANO:\n Ah!",
"A well-curled pate, and witless tongue, perchance!",
"ROXANE:\n Ah no!",
"I guess--I feel--his words are fair!",
"CYRANO:\n All words are fair that lurk 'neath fair mustache!",
"--Suppose he were a fool!.",
". .\n\nROXANE (stamping her foot):\n Then bury me!",
"CYRANO (after a pause):\n Was it to tell me this you brought me here?",
"I fail to see what use this serves, Madame.",
"ROXANE:\n Nay, but I felt a terror, here, in the heart,\n On learning yesterday you were Gascons\n All of your company.",
". .\n\nCYRANO:\n And we provoke\n All beardless sprigs that favor dares admit\n 'Midst us pure Gascons--(pure!",
"Heaven save the mark!",
"They told you that as well?",
"ROXANE:\n Ah!",
"Think how I\n Trembled for him!",
"CYRANO (between his teeth):\n Not causelessly!",
"ROXANE:\n But when\n Last night I saw you,--brave, invincible,--\n Punish that dandy, fearless hold your own\n Against those brutes, I thought--I thought, if he\n Whom all fear, all--if he would only.",
". .\n\nCYRANO:\n Good.",
"I will befriend your little Baron.",
"ROXANE:\n Ah!",
"You'll promise me you will do this for me?",
"I've always held you as a tender friend.",
"CYRANO:\n Ay, ay.",
"ROXANE:\n Then you will be his friend?",
"CYRANO:\n I swear!",
"ROXANE:\n And he shall fight no duels, promise!",
"CYRANO:\n None.",
"ROXANE:\n You are kind, cousin!",
"Now I must be gone.",
"(She puts on her mask and veil quickly; then, absently):\n You have not told me of your last night's fray.",
"Ah, but it must have been a hero-fight!.",
". .\n --Bid him to write.",
"(She sends him a kiss with her fingers):\n How good you are!",
"CYRANO:\n Ay!",
"Ay!",
"ROXANE:\n A hundred men against you?",
"Now, farewell.--\n We are great friends?",
"CYRANO:\n Ay, ay!",
"ROXANE:\n Oh, bid him write!",
"You'll tell me all one day--A hundred men!--\n Ah, brave!. .",
".How brave!",
"CYRANO (bowing to her):\n I have fought better since.",
"(She goes out.",
"Cyrano stands motionless, with eyes on the ground.",
"A silence.",
"The door (right) opens.",
"Ragueneau looks in.)"
] | [
"That dandy count,\n Whom you checkmated in brave sword-play\n Last night,. . .he is the man whom a great lord,\n Desirous of my favor.",
". .\n\nCYRANO:\n Ha, De Guiche?",
". .\n\nCYRANO:\n Ay!",
"so gay maternal-sweet!",
"ROXANE:\n And tell me, while I wipe away the blood,\n How many 'gainst you?",
"CYRANO:\n Ah!.",
". .\n\nCYRANO:\n He is cadet?",
"ROXANE:\n You are kind, cousin!",
"Ay!",
"CYRANO (bowing to her):\n I have fought better since."
] | [
"CYRANO:\n Ay, ay!",
". .\n\nCYRANO:\n And we provoke\n All beardless sprigs that favor dares admit\n 'Midst us pure Gascons--(pure!",
".How brave!",
"CYRANO:\n No, let be.",
"Ah, but it must have been a hero-fight!.",
"so gay maternal-sweet!",
". .\n\nROXANE:\n Leave your hand; why, it is fever-hot!--\n But I have seen love trembling on his lips.",
"ROXANE:\n Ofttimes, with hands all bloody from a fall,\n You'd run to me!",
"ROXANE:\n No, his bright locks, like D'Urfe's heroes.",
"ROXANE:\n Then you will be his friend?"
] | [
"CYRANO:\n Nothing; 'tis.",
". .\n(He shows his hand, smiling):\n This scratch!",
"ROXANE:\n I love him; all is said.",
"But you must know\n I have only seen him at the Comedy.",
". .\n\nCYRANO:\n How?",
"You have never spoken?",
"ROXANE:\n Eyes can speak.",
"CYRANO:\n How know you then that he. .",
".?",
"ROXANE:\n Oh!",
"people talk\n 'Neath the limes in the Place Royale."
] | [
"Cyrano, Roxane.",
"CYRANO:\n Blessed be the moment when you condescend--\n Remembering that humbly I exist--\n To come to meet me, and to say. . .to tell?.",
". .\n\nROXANE (who has unmasked):\n To thank you first of all.",
"That dandy count,\n Whom you checkmated in brave sword-play\n Last night,. . .he is the man whom a great lord,\n Desirous of my favor.",
". .\n\nCYRANO:\n Ha, De Guiche?",
"ROXANE (casting down her eyes):\n Sought to impose on me. . .for husband.",
". .\n\nCYRANO:\n Ay!",
"Husband!--dupe-husband!. .",
".Husband a la mode!",
"(Bowing):\n Then I fought, happy chance!",
"CYRANO:\n Ay, ay!",
"ROXANE:\n Oh, bid him write!",
"You'll tell me all one day--A hundred men!--\n Ah, brave!. .",
".How brave!",
"CYRANO (bowing to her):\n I have fought better since.",
"(She goes out.",
"Cyrano stands motionless, with eyes on the ground.",
"A silence.",
"The door (right) opens.",
"Ragueneau looks in.)"
] | ve corn-straw plaits for your dolls' hair!
ROXANE:
Those were the days of games!.
. .
CYRANO:
And blackberries!.
. .
ROXANE:
In those days you did everything I bid!.
. .
CYRANO:
Roxane, in her short frock, was Madeleine.
. .
ROXANE:
Was I fair then?
CYRANO:
You were not ill to see!
ROXANE:
Ofttimes, with hands all bloody from a fall,
You'd run to me!
Then--aping mother-ways--
I, in a voice would-be severe, would chide,--
(She takes his hand):
'What is this scratch, again, that I see here?'
(She starts, surprised):
Oh!
'Tis too much!
What's this?
(Cyrano tries to draw away his hand):
No, let me see!
At your age, fie!
Where did you get that scratch?
CYRANO:
I got it--playing at the Porte de Nesle.
ROXANE (seating herself by the table, and dipping her handkerchief in a glass
of water):
Give here!
CYRANO (sitting by her):
So soft!
so gay maternal-sweet!
ROXANE:
And tell me, while I wipe away the blood,
How many 'gainst you?
CYRANO:
Oh!
A hundred--nea | Cyrano, Roxane.
CYRANO:
Blessed be the moment when you condescend--
Remembering that humbly I exist--
To come to meet me, and to say. . .to tell?.
. .
ROXANE (who has unmasked):
To thank you first of all.
That dandy count,
Whom you checkmated in brave sword-play
Last night,. . .he is the man whom a great lord,
Desirous of my favor.
. .
CYRANO:
Ha, De Guiche?
ROXANE (casting down her eyes):
Sought to impose on me. . .for husband.
. .
CYRANO:
Ay!
Husband!--dupe-husband!. .
. e been a hero-fight!.
. .
--Bid him to write.
(She sends him a kiss with her fingers):
How good you are!
CYRANO:
Ay!
Ay!
ROXANE:
A hundred men against you?
Now, farewell.--
We are great friends?
CYRANO:
Ay, ay!
ROXANE:
Oh, bid him write!
You'll tell me all one day--A hundred men!--
Ah, brave!. .
.How brave!
CYRANO (bowing to her):
I have fought better since.
(She goes out.
Cyrano stands motionless, with eyes on the ground.
A silence.
The door (right) opens.
Ragueneau looks in.) | . .
ROXANE:
Leave your hand; why, it is fever-hot!--
But I have seen love trembling on his lips.
CYRANO:
Ah!.
. .
ROXANE (bandaging his hand with her handkerchief):
And to think of it!
that he by chance--
Yes, cousin, he is of your regiment!
CYRANO:
Ah!.
. .
ROXANE (laughing):
--Is cadet in your own company!
CYRANO:
Ah!.
. .
ROXANE:
On his brow he bears the genius-stamp;
He is proud, noble, young, intrepid, fair.
. .
CYRANO (rising suddenly, very pale):
Fair!
ROXANE:
Why, what ails you?
CYRANO:
Nothing; 'tis.
. .
(He shows his hand, smiling):
This scratch!
ROXANE:
I love him; all is said.
But you must know
I have only seen him at the Comedy.
. .
CYRANO:
How?
You have never spoken?
ROXANE:
Eyes can speak.
CYRANO:
How know you then that he. .
.?
ROXANE:
Oh!
people talk
'Neath the limes in the Place Royale.
. .
Gossip's chat
Has let me know.
. .
CYRANO:
He is cadet?
ROXANE:
In the Guards.
CYRANO:
His name?
ROXANE:
Baron Christian d |
1,254 | true | novelguide | all_chapterized_books/1254-chapters/16.txt | finished_summaries/novelguide/Cyrano de Bergerac/section_3_part_7.txt | Cyrano de Bergerac.act 2.scene 7 | act 2, scene 7 | null | {"name": "Act 2, scene 7", "url": "https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act2-scenes1-10", "summary": "Ragueneau, the poets, and the captain of the Guards, Carbon de Castel-Jaloux, enter with a crowd of people. Carbon tells Cyrano that everyone knows it was Cyrano who fought the hundred men, and they have come to congratulate him. Cyrano draws back, unwilling to be the center of attention. De Guiche arrives with a message of admiration from the Marechal de Gassion, an important man. Cyrano sings to him the song of the Guardsof Gascony. De Guiche asks Cyrano to accept his patronage, but Cyrano refuses, as he prefers to remain independent. De Guiche offers to introduce Cyrano to his uncle, Cardinal Richelieu, the most powerful man in France. Le Bret urges Cyrano to accept in order to further his literary career. But Cyrano is concerned that Richelieu will try to change his work, and again refuses. A cadet enters with some hats with broken feathers, left by at the Porte de Nesle by the men who ran away from Cyrano. Cyrano presents them to de Guiche, announcing that the hats belong to him, or his friends. De Guiche, furious, storms out. The crowd disperses", "analysis": ""} | Cyrano, Ragueneau, poets, Carbon de Castel-Jaloux, the cadets, a crowd, then
De Guiche.
RAGUENEAU:
Can we come in?
CYRANO (without stirring):
Yes. . .
(Ragueneau signs to his friends, and they come in. At the same time, by door
at back, enters Carbon de Castel-Jaloux, in Captain's uniform. He makes
gestures of surprise on seeing Cyrano.)
CARBON:
Here he is!
CYRANO (raising his head):
Captain!. . .
CARBON (delightedly):
Our hero! We heard all! Thirty or more
Of my cadets are there!. . .
CYRANO (shrinking back):
But. . .
CARBON (trying to draw him away):
Come with me!
They will not rest until they see you!
CYRANO:
No!
CARBON:
They're drinking opposite, at The Bear's Head.
CYRANO:
I. . .
CARBON (going to the door and calling across the street in a voice of
thunder):
He won't come! The hero's in the sulks!
A VOICE (outside):
Ah! Sandious!
(Tumult outside. Noise of boots and swords is heard approaching.)
CARBON (rubbing his hands):
They are running 'cross the street!
CADETS (entering):
Mille dious! Capdedious! Pocapdedious!
RAGUENEAU (drawing back startled):
Gentlemen, are you all from Gascony?
THE CADETS:
All!
A CADET (to Cyrano):
Bravo!
CYRANO:
Baron!
ANOTHER (shaking his hands):
Vivat!
CYRANO:
Baron!
THIRD CADET:
Come!
I must embrace you!
CYRANO:
Baron!
SEVERAL GASCONS:
We'll embrace
Him, all in turn!
CYRANO (not knowing whom to reply to):
Baron!. . .Baron!. . .I beg. . .
RAGUENEAU:
Are you all Barons, Sirs?
THE CADETS:
Ay, every one!
RAGUENEAU:
Is it true?. . .
FIRST CADET:
Ay--why, you could build a tower
With nothing but our coronets, my friend!
LE BRET (entering, and running up to Cyrano):
They're looking for you! Here's a crazy mob
Led by the men who followed you last night. . .
CYRANO (alarmed):
What! Have you told them where to find me?
LE BRET (rubbing his hands):
Yes!
A BURGHER (entering, followed by a group of men):
Sir, all the Marais is a-coming here!
(Outside the street has filled with people. Chaises a porteurs and carriages
have drawn up.)
LE BRET (in a low voice, smiling, to Cyrano):
And Roxane?
CYRANO (quickly):
Hush!
THE CROWD (calling outside):
Cyrano!. . .
(A crowd rush into the shop, pushing one another. Acclamations.)
RAGUENEAU (standing on a table):
Lo! my shop
Invaded! They break all! Magnificent!
PEOPLE (crowding round Cyrano):
My friend!. . .my friend. . .
Cyrano:
Meseems that yesterday
I had not all these friends!
LE BRET (delighted):
Success!
A YOUNG MARQUIS (hurrying up with his hands held out):
My friend,
Didst thou but know. . .
CYRANO:
Thou!. . .Marry!. . .thou!. . .Pray when
Did we herd swine together, you and I!
ANOTHER:
I would present you, Sir, to some fair dames
Who in my carriage yonder. . .
CYRANO (coldly):
Ah! and who
Will first present you, Sir, to me?
LE BRET (astonished):
What's wrong?
CYRANO:
Hush!
A MAN OF LETTERS (with writing-board):
A few details?. . .
CYRANO:
No.
LE BRET (nudging his elbow):
'Tis Theophrast,
Renaudet,. . .of the 'Court Gazette'!
CYRANO:
Who cares?
LE BRET:
This paper--but it is of great importance!. . .
They say it will be an immense success!
A POET (advancing):
Sir. . .
CYRANO:
What, another!
THE POET:
. . .Pray permit I make
A pentacrostic on your name. . .
SOME ONE (also advancing):
Pray, Sir. . .
CYRANO:
Enough! Enough!
(A movement in the crowd. De Guiche appears, escorted by officers. Cuigy,
Brissaille, the officers who went with Cyrano the night before. Cuigy comes
rapidly up to Cyrano.)
CUIGY (to Cyrano):
Here is Monsieur de Guiche?
(A murmur--every one makes way):
He comes from the Marshal of Gassion!
DE GUICHE (bowing to Cyrano):
. . .Who would express his admiration, Sir,
For your new exploit noised so loud abroad.
THE CROWD:
Bravo!
CYRANO (bowing):
The Marshal is a judge of valor.
DE GUICHE:
He could not have believed the thing, unless
These gentlemen had sworn they witnessed it.
CUIGY:
With our own eyes!
LE BRET (aside to Cyrano, who has an absent air):
But. . .you. . .
CYRANO:
Hush!
LE BRET:
But. . .You suffer?
CYRANO (starting):
Before this rabble?--I?. . .
(He draws himself up, twirls his mustache, and throws back his shoulders):
Wait!. . .You shall see!
DE GUICHE (to whom Cuigy has spoken in a low voice):
In feats of arms, already your career
Abounded.--You serve with those crazy pates
Of Gascons?
CYRANO:
Ay, with the Cadets.
A CADET (in a terrible voice):
With us!
DE GUICHE (looking at the cadets, ranged behind Cyrano):
Ah!. . .All these gentlemen of haughty mien,
Are they the famous?. . .
CARBON:
Cyrano!
CYRANO:
Ay, Captain!
CARBON:
Since all my company's assembled here,
Pray favor me,--present them to my lord!
CYRANO (making two steps toward De Guiche):
My Lord de Guiche, permit that I present--
(pointing to the cadets):
The bold Cadets of Gascony,
Of Carbon of Castel-Jaloux!
Brawling and swaggering boastfully,
The bold Cadets of Gascony!
Spouting of Armory, Heraldry,
Their veins a-brimming with blood so blue,
The bold Cadets of Gascony,
Of Carbon of Castel-Jaloux:
Eagle-eye, and spindle-shanks,
Fierce mustache, and wolfish tooth!
Slash-the-rabble and scatter-their-ranks;
Eagle-eye and spindle-shanks,
With a flaming feather that gayly pranks,
Hiding the holes in their hats, forsooth!
Eagle-eye and spindle-shanks,
Fierce mustache, and wolfish tooth!
'Pink-your-Doublet' and 'Slit-your-Trunk'
Are their gentlest sobriquets;
With Fame and Glory their soul is drunk!
'Pink-your-Doublet' and 'Slit-your-Trunk,'
In brawl and skirmish they show their spunk,
Give rendezvous in broil and fray;
'Pink-your-Doublet' and 'Slit-your-Trunk'
Are their gentlest sobriquets!
What, ho! Cadets of Gascony!
All jealous lovers are sport for you!
O Woman! dear divinity!
What, ho! Cadets of Gascony!
Whom scowling husbands quake to see.
Blow, 'taratara,' and cry 'Cuckoo.'
What, ho! Cadets of Gascony!
Husbands and lovers are game for you!
DE GUICHE (seated with haughty carelessness in an armchair brought quickly by
Ragueneau):
A poet! 'Tis the fashion of the hour!
--Will you be mine?
CYRANO:
No, Sir,--no man's!
DE GUICHE:
Last night
Your fancy pleased my uncle Richelieu.
I'll gladly say a word to him for you.
LE BRET (overjoyed):
Great Heavens!
DE GUICHE:
I imagine you have rhymed
Five acts, or so?
LE BRET (in Cyrano's ear):
Your play!--your 'Agrippine!'
You'll see it staged at last!
DE GUICHE:
Take them to him.
CYRANO (beginning to be tempted and attracted):
In sooth,--I would. . .
DE GUICHE:
He is a critic skilled:
He may correct a line or two, at most.
CYRANO (whose face stiffens at once):
Impossible! My blood congeals to think
That other hand should change a comma's dot.
DE GUICHE:
But when a verse approves itself to him
He pays it dear, good friend.
CYRANO:
He pays less dear
Than I myself; when a verse pleases me
I pay myself, and sing it to myself!
DE GUICHE:
You are proud.
CYRANO:
Really? You have noticed that?
A CADET (entering, with a string of old battered plumed beaver hats, full of
holes, slung on his sword):
See, Cyrano,--this morning, on the quay
What strange bright-feathered game we caught!
The hats
O' the fugitives. . .
CARBON:
'Spolia opima!'
ALL (laughing):
Ah! ah! ah!
CUIGY:
He who laid that ambush, 'faith!
Must curse and swear!
BRISSAILLE:
Who was it?
DE GUICHE:
I myself.
(The laughter stops):
I charged them--work too dirty for my sword,
To punish and chastise a rhymster sot.
(Constrained silence.)
The CADET (in a low voice, to Cyrano, showing him the beavers):
What do with them? They're full of grease!--a stew?
CYRANO (taking the sword and, with a salute, dropping the hats at De Guiche's
feet):
Sir, pray be good enough to render them
Back to your friends.
DE GUICHE (rising, sharply):
My chair there--quick!--I go!
(To Cyrano passionately):
As to you, sirrah!. . .
VOICE (in the street):
Porters for my lord De Guiche!
DE GUICHE (who has controlled himself--smiling):
Have you read 'Don Quixote'?
CYRANO:
I have!
And doff my hat at th' mad knight-errant's name.
DE GUICHE:
I counsel you to study. . .
A PORTER (appearing at back):
My lord's chair!
DE GUICHE:
. . .The windmill chapter!
CYRANO (bowing):
Chapter the Thirteenth.
DE GUICHE:
For when one tilts 'gainst windmills--it may chance. . .
CYRANO:
Tilt I 'gainst those who change with every breeze?
DE GUICHE:
. . .That windmill sails may sweep you with their arm
Down--in the mire!. . .
CYRANO:
Or upward--to the stars!
(De Guiche goes out, and mounts into his chair. The other lords go away
whispering together. Le Bret goes to the door with them. The crowd
disperses.)
| 1,515 | Act 2, scene 7 | https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act2-scenes1-10 | Ragueneau, the poets, and the captain of the Guards, Carbon de Castel-Jaloux, enter with a crowd of people. Carbon tells Cyrano that everyone knows it was Cyrano who fought the hundred men, and they have come to congratulate him. Cyrano draws back, unwilling to be the center of attention. De Guiche arrives with a message of admiration from the Marechal de Gassion, an important man. Cyrano sings to him the song of the Guardsof Gascony. De Guiche asks Cyrano to accept his patronage, but Cyrano refuses, as he prefers to remain independent. De Guiche offers to introduce Cyrano to his uncle, Cardinal Richelieu, the most powerful man in France. Le Bret urges Cyrano to accept in order to further his literary career. But Cyrano is concerned that Richelieu will try to change his work, and again refuses. A cadet enters with some hats with broken feathers, left by at the Porte de Nesle by the men who ran away from Cyrano. Cyrano presents them to de Guiche, announcing that the hats belong to him, or his friends. De Guiche, furious, storms out. The crowd disperses | null | 185 | 1 | [
"Cyrano, Ragueneau, poets, Carbon de Castel-Jaloux, the cadets, a crowd, then\nDe Guiche.",
"RAGUENEAU:\n Can we come in?",
"CYRANO (without stirring):\n Yes.",
". .\n\n(Ragueneau signs to his friends, and they come in.",
"At the same time, by door\nat back, enters Carbon de Castel-Jaloux, in Captain's uniform.",
"He makes\ngestures of surprise on seeing Cyrano.)",
"CARBON:\n Here he is!",
"CYRANO (raising his head):\n Captain!.",
". .",
"CARBON (delightedly):\n Our hero!",
"We heard all!",
"Thirty or more\n Of my cadets are there!.",
". .\n\nCYRANO (shrinking back):\n But.",
". .",
"CARBON (trying to draw him away):\n Come with me!",
"They will not rest until they see you!",
"CYRANO:\n No!",
"CARBON:\n They're drinking opposite, at The Bear's Head.",
"CYRANO:\n I. . .",
"CARBON (going to the door and calling across the street in a voice of\nthunder):\n He won't come!",
"The hero's in the sulks!",
"A VOICE (outside):\n Ah!",
"Sandious!",
"(Tumult outside.",
"Noise of boots and swords is heard approaching.)",
"CARBON (rubbing his hands):\n They are running 'cross the street!",
"CADETS (entering):\n Mille dious!",
"Capdedious!",
"Pocapdedious!",
"RAGUENEAU (drawing back startled):\n Gentlemen, are you all from Gascony?",
"THE CADETS:\n All!",
"A CADET (to Cyrano):\n Bravo!",
"CYRANO:\n Baron!",
"ANOTHER (shaking his hands):\n Vivat!",
"CYRANO:\n Baron!",
"THIRD CADET:\n Come!",
"I must embrace you!",
"CYRANO:\n Baron!",
"SEVERAL GASCONS:\n We'll embrace\n Him, all in turn!",
"CYRANO (not knowing whom to reply to):\n Baron!. .",
".Baron!. .",
".I beg.",
". .\n\nRAGUENEAU:\n Are you all Barons, Sirs?",
"THE CADETS:\n Ay, every one!",
"RAGUENEAU:\n Is it true?.",
". .\n\nFIRST CADET:\n Ay--why, you could build a tower\n With nothing but our coronets, my friend!",
"LE BRET (entering, and running up to Cyrano):\n They're looking for you!",
"Here's a crazy mob\n Led by the men who followed you last night.",
". .\n\nCYRANO (alarmed):\n What!",
"Have you told them where to find me?",
"LE BRET (rubbing his hands):\n Yes!",
"A BURGHER (entering, followed by a group of men):\n Sir, all the Marais is a-coming here!",
"(Outside the street has filled with people.",
"Chaises a porteurs and carriages\nhave drawn up.)",
"LE BRET (in a low voice, smiling, to Cyrano):\n And Roxane?",
"CYRANO (quickly):\n Hush!",
"THE CROWD (calling outside):\n Cyrano!.",
". .\n\n(A crowd rush into the shop, pushing one another.",
"Acclamations.)",
"RAGUENEAU (standing on a table):\n Lo!",
"my shop\n Invaded!",
"They break all!",
"Magnificent!",
"PEOPLE (crowding round Cyrano):\n My friend!. .",
".my friend.",
". .\n\nCyrano:\n Meseems that yesterday\n I had not all these friends!",
"LE BRET (delighted):\n Success!",
"A YOUNG MARQUIS (hurrying up with his hands held out):\n My friend,\n Didst thou but know.",
". .\n\nCYRANO:\n Thou!. .",
".Marry!. .",
".thou!. .",
".Pray when\n Did we herd swine together, you and I!",
"ANOTHER:\n I would present you, Sir, to some fair dames\n Who in my carriage yonder.",
". .\n\nCYRANO (coldly):\n Ah!",
"and who\n Will first present you, Sir, to me?",
"LE BRET (astonished):\n What's wrong?",
"CYRANO:\n Hush!",
"A MAN OF LETTERS (with writing-board):\n A few details?.",
". .\n\nCYRANO:\n No.",
"LE BRET (nudging his elbow):\n 'Tis Theophrast,\n Renaudet,. . .of the 'Court Gazette'!",
"CYRANO:\n Who cares?",
"LE BRET:\n This paper--but it is of great importance!.",
". .",
"They say it will be an immense success!",
"A POET (advancing):\n Sir.",
". .\n\nCYRANO:\n What, another!",
"THE POET:\n . . .Pray permit I make\n A pentacrostic on your name.",
". .",
"SOME ONE (also advancing):\n Pray, Sir.",
". .\n\nCYRANO:\n Enough!",
"Enough!",
"(A movement in the crowd.",
"De Guiche appears, escorted by officers.",
"Cuigy,\nBrissaille, the officers who went with Cyrano the night before.",
"Cuigy comes\nrapidly up to Cyrano.)",
"CUIGY (to Cyrano):\n Here is Monsieur de Guiche?",
"(A murmur--every one makes way):\n He comes from the Marshal of Gassion!",
"DE GUICHE (bowing to Cyrano):\n . . .Who would express his admiration, Sir,\n For your new exploit noised so loud abroad.",
"THE CROWD:\n Bravo!",
"CYRANO (bowing):\n The Marshal is a judge of valor.",
"DE GUICHE:\n He could not have believed the thing, unless\n These gentlemen had sworn they witnessed it.",
"CUIGY:\n With our own eyes!",
"LE BRET (aside to Cyrano, who has an absent air):\n But. . .you.",
". .\n\nCYRANO:\n Hush!",
"LE BRET:\n But. . .You suffer?",
"CYRANO (starting):\n Before this rabble?--I?.",
". .\n(He draws himself up, twirls his mustache, and throws back his shoulders):\n Wait!. .",
".You shall see!",
"DE GUICHE (to whom Cuigy has spoken in a low voice):\n In feats of arms, already your career\n Abounded.--You serve with those crazy pates\n Of Gascons?",
"CYRANO:\n Ay, with the Cadets.",
"A CADET (in a terrible voice):\n With us!",
"DE GUICHE (looking at the cadets, ranged behind Cyrano):\n Ah!. .",
".All these gentlemen of haughty mien,\n Are they the famous?.",
". .",
"CARBON:\n Cyrano!",
"CYRANO:\n Ay, Captain!",
"CARBON:\n Since all my company's assembled here,\n Pray favor me,--present them to my lord!",
"CYRANO (making two steps toward De Guiche):\n My Lord de Guiche, permit that I present--\n(pointing to the cadets):\n The bold Cadets of Gascony,\n Of Carbon of Castel-Jaloux!",
"Brawling and swaggering boastfully,\n The bold Cadets of Gascony!",
"Spouting of Armory, Heraldry,\n Their veins a-brimming with blood so blue,\n The bold Cadets of Gascony,\n Of Carbon of Castel-Jaloux:\n\n Eagle-eye, and spindle-shanks,\n Fierce mustache, and wolfish tooth!",
"Slash-the-rabble and scatter-their-ranks;\n Eagle-eye and spindle-shanks,\n With a flaming feather that gayly pranks,\n Hiding the holes in their hats, forsooth!",
"Eagle-eye and spindle-shanks,\n Fierce mustache, and wolfish tooth!",
"'Pink-your-Doublet' and 'Slit-your-Trunk'\n Are their gentlest sobriquets;\n With Fame and Glory their soul is drunk!",
"'Pink-your-Doublet' and 'Slit-your-Trunk,'\n In brawl and skirmish they show their spunk,\n Give rendezvous in broil and fray;\n 'Pink-your-Doublet' and 'Slit-your-Trunk'\n Are their gentlest sobriquets!",
"What, ho!",
"Cadets of Gascony!",
"All jealous lovers are sport for you!",
"O Woman!",
"dear divinity!",
"What, ho!",
"Cadets of Gascony!",
"Whom scowling husbands quake to see.",
"Blow, 'taratara,' and cry 'Cuckoo.'",
"What, ho!",
"Cadets of Gascony!",
"Husbands and lovers are game for you!",
"DE GUICHE (seated with haughty carelessness in an armchair brought quickly by\nRagueneau):\n A poet!",
"'Tis the fashion of the hour!",
"--Will you be mine?",
"CYRANO:\n No, Sir,--no man's!",
"DE GUICHE:\n Last night\n Your fancy pleased my uncle Richelieu.",
"I'll gladly say a word to him for you.",
"LE BRET (overjoyed):\n Great Heavens!",
"DE GUICHE:\n I imagine you have rhymed\n Five acts, or so?",
"LE BRET (in Cyrano's ear):\n Your play!--your 'Agrippine!'",
"You'll see it staged at last!",
"DE GUICHE:\n Take them to him.",
"CYRANO (beginning to be tempted and attracted):\n In sooth,--I would.",
". .\n\nDE GUICHE:\n He is a critic skilled:\n He may correct a line or two, at most.",
"CYRANO (whose face stiffens at once):\n Impossible!",
"My blood congeals to think\n That other hand should change a comma's dot.",
"DE GUICHE:\n But when a verse approves itself to him\n He pays it dear, good friend.",
"CYRANO:\n He pays less dear\n Than I myself; when a verse pleases me\n I pay myself, and sing it to myself!",
"DE GUICHE:\n You are proud.",
"CYRANO:\n Really?",
"You have noticed that?",
"A CADET (entering, with a string of old battered plumed beaver hats, full of\nholes, slung on his sword):\n See, Cyrano,--this morning, on the quay\n What strange bright-feathered game we caught!",
"The hats\n O' the fugitives.",
". .",
"CARBON:\n 'Spolia opima!'",
"ALL (laughing):\n Ah!",
"ah!",
"ah!",
"CUIGY:\n He who laid that ambush, 'faith!",
"Must curse and swear!",
"BRISSAILLE:\n Who was it?",
"DE GUICHE:\n I myself.",
"(The laughter stops):\n I charged them--work too dirty for my sword,\n To punish and chastise a rhymster sot.",
"(Constrained silence.)",
"The CADET (in a low voice, to Cyrano, showing him the beavers):\n What do with them?",
"They're full of grease!--a stew?",
"CYRANO (taking the sword and, with a salute, dropping the hats at De Guiche's\nfeet):\n Sir, pray be good enough to render them\n Back to your friends.",
"DE GUICHE (rising, sharply):\n My chair there--quick!--I go!",
"(To Cyrano passionately):\n As to you, sirrah!.",
". .\n\nVOICE (in the street):\n Porters for my lord De Guiche!",
"DE GUICHE (who has controlled himself--smiling):\n Have you read 'Don Quixote'?",
"CYRANO:\n I have!",
"And doff my hat at th' mad knight-errant's name.",
"DE GUICHE:\n I counsel you to study.",
". .\n\nA PORTER (appearing at back):\n My lord's chair!",
"DE GUICHE:\n . . .The windmill chapter!",
"CYRANO (bowing):\n Chapter the Thirteenth.",
"DE GUICHE:\n For when one tilts 'gainst windmills--it may chance.",
". .\n\nCYRANO:\n Tilt I 'gainst those who change with every breeze?",
"DE GUICHE:\n . . .That windmill sails may sweep you with their arm\n Down--in the mire!.",
". .\n\nCYRANO:\n Or upward--to the stars!",
"(De Guiche goes out, and mounts into his chair.",
"The other lords go away\nwhispering together.",
"Le Bret goes to the door with them.",
"The crowd\ndisperses.)"
] | [
"Cyrano, Ragueneau, poets, Carbon de Castel-Jaloux, the cadets, a crowd, then\nDe Guiche.",
"CARBON:\n They're drinking opposite, at The Bear's Head.",
"The hero's in the sulks!",
"Here's a crazy mob\n Led by the men who followed you last night.",
"my shop\n Invaded!",
"A POET (advancing):\n Sir.",
"You'll see it staged at last!",
"CYRANO:\n Really?",
"ah!",
". .\n\nA PORTER (appearing at back):\n My lord's chair!"
] | [
"Cuigy,\nBrissaille, the officers who went with Cyrano the night before.",
"'Tis the fashion of the hour!",
"The other lords go away\nwhispering together.",
"Cadets of Gascony!",
"'Pink-your-Doublet' and 'Slit-your-Trunk'\n Are their gentlest sobriquets;\n With Fame and Glory their soul is drunk!",
"(Tumult outside.",
". .\n\nCYRANO (alarmed):\n What!",
"CYRANO:\n No!",
"DE GUICHE:\n Last night\n Your fancy pleased my uncle Richelieu.",
".I beg."
] | [
"Enough!",
"(A movement in the crowd.",
"De Guiche appears, escorted by officers.",
"Cuigy,\nBrissaille, the officers who went with Cyrano the night before.",
"Cuigy comes\nrapidly up to Cyrano.)",
"CUIGY (to Cyrano):\n Here is Monsieur de Guiche?",
"(A murmur--every one makes way):\n He comes from the Marshal of Gassion!",
"DE GUICHE (bowing to Cyrano):\n . . .Who would express his admiration, Sir,\n For your new exploit noised so loud abroad.",
"THE CROWD:\n Bravo!",
"CYRANO (bowing):\n The Marshal is a judge of valor.",
"DE GUICHE:\n He could not have believed the thing, unless\n These gentlemen had sworn they witnessed it."
] | [
"Cyrano, Ragueneau, poets, Carbon de Castel-Jaloux, the cadets, a crowd, then\nDe Guiche.",
"RAGUENEAU:\n Can we come in?",
"CYRANO (without stirring):\n Yes.",
". .\n\n(Ragueneau signs to his friends, and they come in.",
"At the same time, by door\nat back, enters Carbon de Castel-Jaloux, in Captain's uniform.",
"He makes\ngestures of surprise on seeing Cyrano.)",
"CARBON:\n Here he is!",
"CYRANO (raising his head):\n Captain!.",
". .",
"CARBON (delightedly):\n Our hero!",
"DE GUICHE:\n . . .The windmill chapter!",
"CYRANO (bowing):\n Chapter the Thirteenth.",
"DE GUICHE:\n For when one tilts 'gainst windmills--it may chance.",
". .\n\nCYRANO:\n Tilt I 'gainst those who change with every breeze?",
"DE GUICHE:\n . . .That windmill sails may sweep you with their arm\n Down--in the mire!.",
". .\n\nCYRANO:\n Or upward--to the stars!",
"(De Guiche goes out, and mounts into his chair.",
"The other lords go away\nwhispering together.",
"Le Bret goes to the door with them.",
"The crowd\ndisperses.)"
] | and scatter-their-ranks;
Eagle-eye and spindle-shanks,
With a flaming feather that gayly pranks,
Hiding the holes in their hats, forsooth!
Eagle-eye and spindle-shanks,
Fierce mustache, and wolfish tooth!
'Pink-your-Doublet' and 'Slit-your-Trunk'
Are their gentlest sobriquets;
With Fame and Glory their soul is drunk!
'Pink-your-Doublet' and 'Slit-your-Trunk,'
In brawl and skirmish they show their spunk,
Give rendezvous in broil and fray;
'Pink-your-Doublet' and 'Slit-your-Trunk'
Are their gentlest sobriquets!
What, ho!
Cadets of Gascony!
All jealous lovers are sport for you!
O Woman!
dear divinity!
What, ho!
Cadets of Gascony!
Whom scowling husbands quake to see.
Blow, 'taratara,' and cry 'Cuckoo.'
What, ho!
Cadets of Gascony!
Husbands and lovers are game for you!
DE GUICHE (seated with haughty carelessness in an armchair brought quickly by
Ragueneau):
A poet!
'Tis the fashion of the hour!
--Will you be mine?
CYRANO:
No, Sir,--no man's!
DE GUICHE:
Last night
| Cyrano, Ragueneau, poets, Carbon de Castel-Jaloux, the cadets, a crowd, then
De Guiche.
RAGUENEAU:
Can we come in?
CYRANO (without stirring):
Yes.
. .
(Ragueneau signs to his friends, and they come in.
At the same time, by door
at back, enters Carbon de Castel-Jaloux, in Captain's uniform.
He makes
gestures of surprise on seeing Cyrano.)
CARBON:
Here he is!
CYRANO (raising his head):
Captain!.
. .
CARBON (delightedly):
Our hero!
We heard all!
Thirty or more
Of my cadets are there!.
hair!
DE GUICHE:
. . .The windmill chapter!
CYRANO (bowing):
Chapter the Thirteenth.
DE GUICHE:
For when one tilts 'gainst windmills--it may chance.
. .
CYRANO:
Tilt I 'gainst those who change with every breeze?
DE GUICHE:
. . .That windmill sails may sweep you with their arm
Down--in the mire!.
. .
CYRANO:
Or upward--to the stars!
(De Guiche goes out, and mounts into his chair.
The other lords go away
whispering together.
Le Bret goes to the door with them.
The crowd
disperses.) | HE:
He could not have believed the thing, unless
These gentlemen had sworn they witnessed it.
CUIGY:
With our own eyes!
LE BRET (aside to Cyrano, who has an absent air):
But. . .you.
. .
CYRANO:
Hush!
LE BRET:
But. . .You suffer?
CYRANO (starting):
Before this rabble?--I?.
. .
(He draws himself up, twirls his mustache, and throws back his shoulders):
Wait!. .
.You shall see!
DE GUICHE (to whom Cuigy has spoken in a low voice):
In feats of arms, already your career
Abounded.--You serve with those crazy pates
Of Gascons?
CYRANO:
Ay, with the Cadets.
A CADET (in a terrible voice):
With us!
DE GUICHE (looking at the cadets, ranged behind Cyrano):
Ah!. .
.All these gentlemen of haughty mien,
Are they the famous?.
. .
CARBON:
Cyrano!
CYRANO:
Ay, Captain!
CARBON:
Since all my company's assembled here,
Pray favor me,--present them to my lord!
CYRANO (making two steps toward De Guiche):
My Lord de Guiche, permit that I present--
(pointing to the cadets):
|
1,254 | true | novelguide | all_chapterized_books/1254-chapters/17.txt | finished_summaries/novelguide/Cyrano de Bergerac/section_3_part_8.txt | Cyrano de Bergerac.act 2.scene 8 | act 2, scene 8 | null | {"name": "Act 2, scene 8", "url": "https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act2-scenes1-10", "summary": "Le Bret scolds Cyrano for his pride in refusing de Guiche's patronage. Cyrano replies that he wants to remain free and to be the sole owner of his work. He does not intend to live as a parasite. Le Bret counters that Cyrano makes enemies wherever he goes. Cyrano replies that he has no interest in making friends with unworthy men. Le Bret guesses that Cyrano has learned that Roxane does not love him", "analysis": ""} | Cyrano, Le Bret, the cadets, who are eating and drinking at the tables right
and left.
CYRANO (bowing mockingly to those who go out without daring to salute him):
Gentlemen. . .Gentlemen. . .
LE BRET (coming back, despairingly):
Here's a fine coil!
CYRANO:
Oh! scold away!
LE BRET:
At least, you will agree
That to annihilate each chance of Fate
Exaggerates. . .
CYRANO:
Yes!--I exaggerate!
LE BRET (triumphantly):
Ah!
CYRANO:
But for principle--example too,--
I think 'tis well thus to exaggerate.
LE BRET:
Oh! lay aside that pride of musketeer,
Fortune and glory wait you!. . .
CYRANO:
Ay, and then?. . .
Seek a protector, choose a patron out,
And like the crawling ivy round a tree
That licks the bark to gain the trunk's support,
Climb high by creeping ruse instead of force?
No, grammercy! What! I, like all the rest
Dedicate verse to bankers?--play buffoon
In cringing hope to see, at last, a smile
Not disapproving, on a patron's lips?
Grammercy, no! What! learn to swallow toads?
--With frame aweary climbing stairs?--a skin
Grown grimed and horny,--here, about the knees?
And, acrobat-like, teach my back to bend?--
No, grammercy! Or,--double-faced and sly--
Run with the hare, while hunting with the hounds;
And, oily-tongued, to win the oil of praise,
Flatter the great man to his very nose?
No, grammercy! Steal soft from lap to lap,
--A little great man in a circle small,
Or navigate, with madrigals for sails,
Blown gently windward by old ladies' sighs?
No, grammercy! Bribe kindly editors
To spread abroad my verses? Grammercy!
Or try to be elected as the pope
Of tavern-councils held by imbeciles?
No, grammercy! Toil to gain reputation
By one small sonnet, 'stead of making many?
No, grammercy! Or flatter sorry bunglers?
Be terrorized by every prating paper?
Say ceaselessly, 'Oh, had I but the chance
Of a fair notice in the "Mercury"!'
Grammercy, no! Grow pale, fear, calculate?
Prefer to make a visit to a rhyme?
Seek introductions, draw petitions up?
No, grammercy! and no! and no again! But--sing?
Dream, laugh, go lightly, solitary, free,
With eyes that look straight forward--fearless voice!
To cock your beaver just the way you choose,--
For 'yes' or 'no' show fight, or turn a rhyme!
--To work without one thought of gain or fame,
To realize that journey to the moon!
Never to pen a line that has not sprung
Straight from the heart within. Embracing then
Modesty, say to oneself, 'Good my friend,
Be thou content with flowers,--fruit,--nay, leaves,
But pluck them from no garden but thine own!'
And then, if glory come by chance your way,
To pay no tribute unto Caesar, none,
But keep the merit all your own! In short,
Disdaining tendrils of the parasite,
To be content, if neither oak nor elm--
Not to mount high, perchance, but mount alone!
LE BRET:
Alone, an if you will! But not with hand
'Gainst every man! How in the devil's name
Have you conceived this lunatic idea,
To make foes for yourself at every turn?
CYRANO:
By dint of seeing you at every turn
Make friends,--and fawn upon your frequent friends
With mouth wide smiling, slit from ear to ear!
I pass, still unsaluted, joyfully,
And cry,--What, ho! another enemy?
LE BRET:
Lunacy!
CYRANO:
Well, what if it be my vice,
My pleasure to displease--to love men hate me!
Ah, friend of mine, believe me, I march better
'Neath the cross-fire of glances inimical!
How droll the stains one sees on fine-laced doublets,
From gall of envy, or the poltroon's drivel!
--The enervating friendship which enfolds you
Is like an open-laced Italian collar,
Floating around your neck in woman's fashion;
One is at ease thus,--but less proud the carriage!
The forehead, free from mainstay or coercion,
Bends here, there, everywhere. But I, embracing
Hatred, she lends,--forbidding, stiffly fluted,
The ruff's starched folds that hold the head so rigid;
Each enemy--another fold--a gopher,
Who adds constraint, and adds a ray of glory;
For Hatred, like the ruff worn by the Spanish,
Grips like a vice, but frames you like a halo!
LE BRET (after a silence, taking his arm):
Speak proud aloud, and bitter!--In my ear
Whisper me simply this,--She loves thee not!
CYRANO (vehemently):
Hush!
(Christian has just entered, and mingled with the cadets, who do not speak to
him; he has seated himself at a table, where Lise serves him.)
| 827 | Act 2, scene 8 | https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act2-scenes1-10 | Le Bret scolds Cyrano for his pride in refusing de Guiche's patronage. Cyrano replies that he wants to remain free and to be the sole owner of his work. He does not intend to live as a parasite. Le Bret counters that Cyrano makes enemies wherever he goes. Cyrano replies that he has no interest in making friends with unworthy men. Le Bret guesses that Cyrano has learned that Roxane does not love him | null | 74 | 1 | [
"Cyrano, Le Bret, the cadets, who are eating and drinking at the tables right\nand left.",
"CYRANO (bowing mockingly to those who go out without daring to salute him):\n Gentlemen. . .Gentlemen.",
". .",
"LE BRET (coming back, despairingly):\n Here's a fine coil!",
"CYRANO:\n Oh!",
"scold away!",
"LE BRET:\n At least, you will agree\n That to annihilate each chance of Fate\n Exaggerates.",
". .\n\nCYRANO:\n Yes!--I exaggerate!",
"LE BRET (triumphantly):\n Ah!",
"CYRANO:\n But for principle--example too,--\n I think 'tis well thus to exaggerate.",
"LE BRET:\n Oh!",
"lay aside that pride of musketeer,\n Fortune and glory wait you!.",
". .\n\nCYRANO:\n Ay, and then?.",
". .\n Seek a protector, choose a patron out,\n And like the crawling ivy round a tree\n That licks the bark to gain the trunk's support,\n Climb high by creeping ruse instead of force?",
"No, grammercy!",
"What!",
"I, like all the rest\n Dedicate verse to bankers?--play buffoon\n In cringing hope to see, at last, a smile\n Not disapproving, on a patron's lips?",
"Grammercy, no!",
"What!",
"learn to swallow toads?",
"--With frame aweary climbing stairs?--a skin\n Grown grimed and horny,--here, about the knees?",
"And, acrobat-like, teach my back to bend?--\n No, grammercy!",
"Or,--double-faced and sly--\n Run with the hare, while hunting with the hounds;\n And, oily-tongued, to win the oil of praise,\n Flatter the great man to his very nose?",
"No, grammercy!",
"Steal soft from lap to lap,\n --A little great man in a circle small,\n Or navigate, with madrigals for sails,\n Blown gently windward by old ladies' sighs?",
"No, grammercy!",
"Bribe kindly editors\n To spread abroad my verses?",
"Grammercy!",
"Or try to be elected as the pope\n Of tavern-councils held by imbeciles?",
"No, grammercy!",
"Toil to gain reputation\n By one small sonnet, 'stead of making many?",
"No, grammercy!",
"Or flatter sorry bunglers?",
"Be terrorized by every prating paper?",
"Say ceaselessly, 'Oh, had I but the chance\n Of a fair notice in the \"Mercury\"!'",
"Grammercy, no!",
"Grow pale, fear, calculate?",
"Prefer to make a visit to a rhyme?",
"Seek introductions, draw petitions up?",
"No, grammercy!",
"and no!",
"and no again!",
"But--sing?",
"Dream, laugh, go lightly, solitary, free,\n With eyes that look straight forward--fearless voice!",
"To cock your beaver just the way you choose,--\n For 'yes' or 'no' show fight, or turn a rhyme!",
"--To work without one thought of gain or fame,\n To realize that journey to the moon!",
"Never to pen a line that has not sprung\n Straight from the heart within.",
"Embracing then\n Modesty, say to oneself, 'Good my friend,\n Be thou content with flowers,--fruit,--nay, leaves,\n But pluck them from no garden but thine own!'",
"And then, if glory come by chance your way,\n To pay no tribute unto Caesar, none,\n But keep the merit all your own!",
"In short,\n Disdaining tendrils of the parasite,\n To be content, if neither oak nor elm--\n Not to mount high, perchance, but mount alone!",
"LE BRET:\n Alone, an if you will!",
"But not with hand\n 'Gainst every man!",
"How in the devil's name\n Have you conceived this lunatic idea,\n To make foes for yourself at every turn?",
"CYRANO:\n By dint of seeing you at every turn\n Make friends,--and fawn upon your frequent friends\n With mouth wide smiling, slit from ear to ear!",
"I pass, still unsaluted, joyfully,\n And cry,--What, ho!",
"another enemy?",
"LE BRET:\n Lunacy!",
"CYRANO:\n Well, what if it be my vice,\n My pleasure to displease--to love men hate me!",
"Ah, friend of mine, believe me, I march better\n 'Neath the cross-fire of glances inimical!",
"How droll the stains one sees on fine-laced doublets,\n From gall of envy, or the poltroon's drivel!",
"--The enervating friendship which enfolds you\n Is like an open-laced Italian collar,\n Floating around your neck in woman's fashion;\n One is at ease thus,--but less proud the carriage!",
"The forehead, free from mainstay or coercion,\n Bends here, there, everywhere.",
"But I, embracing\n Hatred, she lends,--forbidding, stiffly fluted,\n The ruff's starched folds that hold the head so rigid;\n Each enemy--another fold--a gopher,\n Who adds constraint, and adds a ray of glory;\n For Hatred, like the ruff worn by the Spanish,\n Grips like a vice, but frames you like a halo!",
"LE BRET (after a silence, taking his arm):\n Speak proud aloud, and bitter!--In my ear\n Whisper me simply this,--She loves thee not!",
"CYRANO (vehemently):\n Hush!",
"(Christian has just entered, and mingled with the cadets, who do not speak to\nhim; he has seated himself at a table, where Lise serves him.)"
] | [
"CYRANO (bowing mockingly to those who go out without daring to salute him):\n Gentlemen. . .Gentlemen.",
"Or,--double-faced and sly--\n Run with the hare, while hunting with the hounds;\n And, oily-tongued, to win the oil of praise,\n Flatter the great man to his very nose?",
"Bribe kindly editors\n To spread abroad my verses?",
"No, grammercy!",
"Be terrorized by every prating paper?",
"Grammercy, no!",
"Grow pale, fear, calculate?",
"How in the devil's name\n Have you conceived this lunatic idea,\n To make foes for yourself at every turn?",
"CYRANO:\n By dint of seeing you at every turn\n Make friends,--and fawn upon your frequent friends\n With mouth wide smiling, slit from ear to ear!",
"I pass, still unsaluted, joyfully,\n And cry,--What, ho!"
] | [
"No, grammercy!",
"Grammercy, no!",
"learn to swallow toads?",
". .\n Seek a protector, choose a patron out,\n And like the crawling ivy round a tree\n That licks the bark to gain the trunk's support,\n Climb high by creeping ruse instead of force?",
"Never to pen a line that has not sprung\n Straight from the heart within.",
"And then, if glory come by chance your way,\n To pay no tribute unto Caesar, none,\n But keep the merit all your own!",
"LE BRET:\n Oh!",
"No, grammercy!",
"Grammercy!",
"No, grammercy!"
] | [
"Or try to be elected as the pope\n Of tavern-councils held by imbeciles?",
"No, grammercy!",
"Toil to gain reputation\n By one small sonnet, 'stead of making many?",
"No, grammercy!",
"Or flatter sorry bunglers?",
"Be terrorized by every prating paper?",
"Say ceaselessly, 'Oh, had I but the chance\n Of a fair notice in the \"Mercury\"!'",
"Grammercy, no!",
"Grow pale, fear, calculate?",
"Prefer to make a visit to a rhyme?",
"Seek introductions, draw petitions up?"
] | [
"Cyrano, Le Bret, the cadets, who are eating and drinking at the tables right\nand left.",
"CYRANO (bowing mockingly to those who go out without daring to salute him):\n Gentlemen. . .Gentlemen.",
". .",
"LE BRET (coming back, despairingly):\n Here's a fine coil!",
"CYRANO:\n Oh!",
"scold away!",
"LE BRET:\n At least, you will agree\n That to annihilate each chance of Fate\n Exaggerates.",
". .\n\nCYRANO:\n Yes!--I exaggerate!",
"LE BRET (triumphantly):\n Ah!",
"CYRANO:\n But for principle--example too,--\n I think 'tis well thus to exaggerate.",
"LE BRET:\n Lunacy!",
"CYRANO:\n Well, what if it be my vice,\n My pleasure to displease--to love men hate me!",
"Ah, friend of mine, believe me, I march better\n 'Neath the cross-fire of glances inimical!",
"How droll the stains one sees on fine-laced doublets,\n From gall of envy, or the poltroon's drivel!",
"--The enervating friendship which enfolds you\n Is like an open-laced Italian collar,\n Floating around your neck in woman's fashion;\n One is at ease thus,--but less proud the carriage!",
"The forehead, free from mainstay or coercion,\n Bends here, there, everywhere.",
"But I, embracing\n Hatred, she lends,--forbidding, stiffly fluted,\n The ruff's starched folds that hold the head so rigid;\n Each enemy--another fold--a gopher,\n Who adds constraint, and adds a ray of glory;\n For Hatred, like the ruff worn by the Spanish,\n Grips like a vice, but frames you like a halo!",
"LE BRET (after a silence, taking his arm):\n Speak proud aloud, and bitter!--In my ear\n Whisper me simply this,--She loves thee not!",
"CYRANO (vehemently):\n Hush!",
"(Christian has just entered, and mingled with the cadets, who do not speak to\nhim; he has seated himself at a table, where Lise serves him.)"
] | ry come by chance your way,
To pay no tribute unto Caesar, none,
But keep the merit all your own!
In short,
Disdaining tendrils of the parasite,
To be content, if neither oak nor elm--
Not to mount high, perchance, but mount alone!
LE BRET:
Alone, an if you will!
But not with hand
'Gainst every man!
How in the devil's name
Have you conceived this lunatic idea,
To make foes for yourself at every turn?
CYRANO:
By dint of seeing you at every turn
Make friends,--and fawn upon your frequent friends
With mouth wide smiling, slit from ear to ear!
I pass, still unsaluted, joyfully,
And cry,--What, ho!
another enemy?
LE BRET:
Lunacy!
CYRANO:
Well, what if it be my vice,
My pleasure to displease--to love men hate me!
Ah, friend of mine, believe me, I march better
'Neath the cross-fire of glances inimical!
How droll the stains one sees on fine-laced doublets,
From gall of envy, or the poltroon's drivel!
--The enervating friendship which enfolds you
Is like an | Cyrano, Le Bret, the cadets, who are eating and drinking at the tables right
and left.
CYRANO (bowing mockingly to those who go out without daring to salute him):
Gentlemen. . .Gentlemen.
. .
LE BRET (coming back, despairingly):
Here's a fine coil!
CYRANO:
Oh!
scold away!
LE BRET:
At least, you will agree
That to annihilate each chance of Fate
Exaggerates.
. .
CYRANO:
Yes!--I exaggerate!
LE BRET (triumphantly):
Ah!
CYRANO:
But for principle--example too,--
I think 'tis well ad so rigid;
Each enemy--another fold--a gopher,
Who adds constraint, and adds a ray of glory;
For Hatred, like the ruff worn by the Spanish,
Grips like a vice, but frames you like a halo!
LE BRET (after a silence, taking his arm):
Speak proud aloud, and bitter!--In my ear
Whisper me simply this,--She loves thee not!
CYRANO (vehemently):
Hush!
(Christian has just entered, and mingled with the cadets, who do not speak to
him; he has seated himself at a table, where Lise serves him.) | y one small sonnet, 'stead of making many?
No, grammercy!
Or flatter sorry bunglers?
Be terrorized by every prating paper?
Say ceaselessly, 'Oh, had I but the chance
Of a fair notice in the "Mercury"!'
Grammercy, no!
Grow pale, fear, calculate?
Prefer to make a visit to a rhyme?
Seek introductions, draw petitions up?
No, grammercy!
and no!
and no again!
But--sing?
Dream, laugh, go lightly, solitary, free,
With eyes that look straight forward--fearless voice!
To cock your beaver just the way you choose,--
For 'yes' or 'no' show fight, or turn a rhyme!
--To work without one thought of gain or fame,
To realize that journey to the moon!
Never to pen a line that has not sprung
Straight from the heart within.
Embracing then
Modesty, say to oneself, 'Good my friend,
Be thou content with flowers,--fruit,--nay, leaves,
But pluck them from no garden but thine own!'
And then, if glory come by chance your way,
To pay no tribute unto Caesar, none,
But keep the merit all your own! |
1,254 | true | novelguide | all_chapterized_books/1254-chapters/18.txt | finished_summaries/novelguide/Cyrano de Bergerac/section_3_part_9.txt | Cyrano de Bergerac.act 2.scene 9 | act 2, scene 9 | null | {"name": "Act 2, scene 9", "url": "https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act2-scenes1-10", "summary": "Christian enters with some of the cadets. None of them sit with him. They taunt him for being a northerner, and warn him not to mention Cyrano's nose, as Cyrano may kill him. Christian asks Carbon what a northerner should do when southerners boast too much. Carbon answers that he should show them that a northerner can be as brave as a southerner. The Guards beg Cyrano to tell them the story of what happened at the Porte de Nesle. Christian, in an attempt to demonstrate his courage to the cadets, constantly interrupts Cyrano's narrative to make jokes about his nose. The Guardsare terrified of how Cyrano might respond. Cyrano moves threateningly towards Christian, but on hearing who he is, he stops in his tracks and controls his anger. Christian continues to taunt Cyrano about his nose. Finally, Cyrano can contain himself no longer and orders the other Guards out of the room. They rush out, expecting to return to see Christian's corpse chopped into pieces", "analysis": ""} | Cyrano, Le Bret, the cadets, Christian de Neuvillette.
A CADET (seated at a table, glass in hand):
Cyrano!
(Cyrano turns round):
The story!
CYRANO:
In its time!
(He goes up on Le Bret's arm. They talk in low voices.)
THE CADET (rising and coming down):
The story of the fray! 'Twill lesson well
(He stops before the table where Christian is seated):
This timid young apprentice!
CHRISTIAN (raising his head):
'Prentice! Who?
ANOTHER CADET:
This sickly Northern greenhorn!
CHRISTIAN:
Sickly!
FIRST CADET (mockingly):
Hark!
Monsieur de Neuvillette, this in your ear:
There's somewhat here, one no more dares to name,
Than to say 'rope' to one whose sire was hanged!
CHRISTIAN:
What may that be?
ANOTHER CADET (in a terrible voice):
See here!
(He puts his finger three times, mysteriously, on his nose):
Do you understand?
CHRISTIAN:
Oh! 'tis the. . .
ANOTHER:
Hush! oh, never breathe that word,
Unless you'd reckon with him yonder!
(He points to Cyrano, who is talking with Le Bret.)
ANOTHER (who has meanwhile come up noiselessly to sit on the table--whispering
behind him):
Hark!
He put two snuffling men to death, in rage,
For the sole reason they spoke through their nose!
ANOTHER (in a hollow voice, darting on all-fours from under the table, where
he had crept):
And if you would not perish in flower o' youth,
--Oh, mention not the fatal cartilage!
ANOTHER (clapping him on the shoulder):
A word? A gesture! For the indiscreet
His handkerchief may prove his winding-sheet!
(Silence. All, with crossed arms, look at Christian. He rises and goes over
to Carbon de Castel-Jaloux, who is talking to an officer, and feigns to see
nothing.)
CHRISTIAN:
Captain!
CARBON (turning and looking at him from head to foot):
Sir!
CHRISTIAN:
Pray, what skills it best to do
To Southerners who swagger?. . .
CARBON:
Give them proof
That one may be a Northerner, yet brave!
(He turns his back on him.)
CHRISTIAN:
I thank you.
FIRST CADET (to Cyrano):
Now the tale!
ALL:
The tale!
CYRANO (coming toward them):
The tale?. . .
(All bring their stools up, and group round him, listening eagerly. Christian
is astride a chair):
Well! I went all alone to meet the band.
The moon was shining, clock-like, full i' th' sky,
When, suddenly, some careful clockwright passed
A cloud of cotton-wool across the case
That held this silver watch. And, presto! heigh!
The night was inky black, and all the quays
Were hidden in the murky dark. Gadsooks!
One could see nothing further. . .
CHRISTIAN:
Than one's nose!
(Silence. All slowly rise, looking in terror at Cyrano, who has stopped--
dumfounded. Pause.)
CYRANO:
Who on God's earth is that?
A CADET (whispering):
It is a man
Who joined to-day.
CYRANO (making a step toward Christian):
To-day?
CARBON (in a low voice):
Yes. . .his name is
The Baron de Neuvil. . .
CYRANO (checking himself):
Good! It is well. . .
(He turns pale, flushes, makes as if to fall on Christian):
I. . .
(He controls himself):
What said I?. . .
(With a burst of rage):
MORDIOUS!. . .
(Then continues calmly):
That it was dark.
(Astonishment. The cadets reseat themselves, staring at him):
On I went, thinking, 'For a knavish cause
I may provoke some great man, some great prince,
Who certainly could break'. . .
CHRISTIAN:
My nose!. . .
(Every one starts up. Christian balances on his chair.)
CYRANO (in a choked voice):
. . .'My teeth!
Who would break my teeth, and I, imprudent-like,
Was poking. . .'
CHRISTIAN:
My nose!. . .
CYRANO:
'My finger,. . .in the crack
Between the tree and bark! He may prove strong
And rap me. . .'
CHRISTIAN:
Over the nose. . .
CYRANO (wiping his forehead):
. . .'O' th' knuckles! Ay,'
But I cried, 'Forward, Gascon! Duty calls!
On, Cyrano!' And thus I ventured on. . .
When, from the shadow, came. . .
CHRISTIAN:
A crack o' th' nose.
CYRANO:
I parry it--find myself. . .
CHRISTIAN:
Nose to nose. . .
CYRANO (bounding on to him):
Heaven and earth!
(All the Gascons leap up to see, but when he is close to Christian he controls
himself and continues):
. . .With a hundred brawling sots,
Who stank. . .
CHRISTIAN:
A noseful. . .
CYRANO (white, but smiling):
Onions, brandy-cups!
I leapt out, head well down. . .
CHRISTIAN:
Nosing the wind!
CYRANO:
I charge!--gore two, impale one--run him through,
One aims at me--Paf! and I parry. . .
CHRISTIAN:
Pif!
CYRANO (bursting out):
Great God! Out! all of you!
(The cadets rush to the doors.)
FIRST CADET:
The tiger wakes!
CYRANO:
Every man, out! Leave me alone with him!
SECOND CADET:
We shall find him minced fine, minced into hash
In a big pasty!
RAGUENEAU:
I am turning pale,
And curl up, like a napkin, limp and white!
CARBON:
Let us be gone.
ANOTHER:
He will not leave a crumb!
ANOTHER:
I die of fright to think what will pass here!
ANOTHER (shutting door right):
Something too horrible!
(All have gone out by different doors, some by the staircase. Cyrano and
Christian are face to face, looking at each other for a moment.)
| 909 | Act 2, scene 9 | https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act2-scenes1-10 | Christian enters with some of the cadets. None of them sit with him. They taunt him for being a northerner, and warn him not to mention Cyrano's nose, as Cyrano may kill him. Christian asks Carbon what a northerner should do when southerners boast too much. Carbon answers that he should show them that a northerner can be as brave as a southerner. The Guards beg Cyrano to tell them the story of what happened at the Porte de Nesle. Christian, in an attempt to demonstrate his courage to the cadets, constantly interrupts Cyrano's narrative to make jokes about his nose. The Guardsare terrified of how Cyrano might respond. Cyrano moves threateningly towards Christian, but on hearing who he is, he stops in his tracks and controls his anger. Christian continues to taunt Cyrano about his nose. Finally, Cyrano can contain himself no longer and orders the other Guards out of the room. They rush out, expecting to return to see Christian's corpse chopped into pieces | null | 166 | 1 | [
"Cyrano, Le Bret, the cadets, Christian de Neuvillette.",
"A CADET (seated at a table, glass in hand):\n Cyrano!",
"(Cyrano turns round):\n The story!",
"CYRANO:\n In its time!",
"(He goes up on Le Bret's arm.",
"They talk in low voices.)",
"THE CADET (rising and coming down):\n The story of the fray!",
"'Twill lesson well\n(He stops before the table where Christian is seated):\n This timid young apprentice!",
"CHRISTIAN (raising his head):\n 'Prentice!",
"Who?",
"ANOTHER CADET:\n This sickly Northern greenhorn!",
"CHRISTIAN:\n Sickly!",
"FIRST CADET (mockingly):\n Hark!",
"Monsieur de Neuvillette, this in your ear:\n There's somewhat here, one no more dares to name,\n Than to say 'rope' to one whose sire was hanged!",
"CHRISTIAN:\n What may that be?",
"ANOTHER CADET (in a terrible voice):\n See here!",
"(He puts his finger three times, mysteriously, on his nose):\n Do you understand?",
"CHRISTIAN:\n Oh!",
"'tis the.",
". .\n\nANOTHER:\n Hush!",
"oh, never breathe that word,\n Unless you'd reckon with him yonder!",
"(He points to Cyrano, who is talking with Le Bret.)",
"ANOTHER (who has meanwhile come up noiselessly to sit on the table--whispering\nbehind him):\n Hark!",
"He put two snuffling men to death, in rage,\n For the sole reason they spoke through their nose!",
"ANOTHER (in a hollow voice, darting on all-fours from under the table, where\nhe had crept):\n And if you would not perish in flower o' youth,\n --Oh, mention not the fatal cartilage!",
"ANOTHER (clapping him on the shoulder):\n A word?",
"A gesture!",
"For the indiscreet\n His handkerchief may prove his winding-sheet!",
"(Silence.",
"All, with crossed arms, look at Christian.",
"He rises and goes over\nto Carbon de Castel-Jaloux, who is talking to an officer, and feigns to see\nnothing.)",
"CHRISTIAN:\n Captain!",
"CARBON (turning and looking at him from head to foot):\n Sir!",
"CHRISTIAN:\n Pray, what skills it best to do\n To Southerners who swagger?.",
". .",
"CARBON:\n Give them proof\n That one may be a Northerner, yet brave!",
"(He turns his back on him.)",
"CHRISTIAN:\n I thank you.",
"FIRST CADET (to Cyrano):\n Now the tale!",
"ALL:\n The tale!",
"CYRANO (coming toward them):\n The tale?.",
". .\n(All bring their stools up, and group round him, listening eagerly.",
"Christian\nis astride a chair):\n Well!",
"I went all alone to meet the band.",
"The moon was shining, clock-like, full i' th' sky,\n When, suddenly, some careful clockwright passed\n A cloud of cotton-wool across the case\n That held this silver watch.",
"And, presto!",
"heigh!",
"The night was inky black, and all the quays\n Were hidden in the murky dark.",
"Gadsooks!",
"One could see nothing further.",
". .\n\nCHRISTIAN:\n Than one's nose!",
"(Silence.",
"All slowly rise, looking in terror at Cyrano, who has stopped--\ndumfounded.",
"Pause.)",
"CYRANO:\n Who on God's earth is that?",
"A CADET (whispering):\n It is a man\n Who joined to-day.",
"CYRANO (making a step toward Christian):\n To-day?",
"CARBON (in a low voice):\n Yes. . .his name is\n The Baron de Neuvil.",
". .\n\nCYRANO (checking himself):\n Good!",
"It is well.",
". .\n(He turns pale, flushes, makes as if to fall on Christian):\n I. . .\n(He controls himself):\n What said I?.",
". .\n(With a burst of rage):\n MORDIOUS!.",
". .\n(Then continues calmly):\n That it was dark.",
"(Astonishment.",
"The cadets reseat themselves, staring at him):\n On I went, thinking, 'For a knavish cause\n I may provoke some great man, some great prince,\n Who certainly could break'.",
". .\n\nCHRISTIAN:\n My nose!.",
". .\n\n(Every one starts up.",
"Christian balances on his chair.)",
"CYRANO (in a choked voice):\n .",
". .'My teeth!",
"Who would break my teeth, and I, imprudent-like,\n Was poking.",
". .'\n\nCHRISTIAN:\n My nose!.",
". .\n\nCYRANO:\n 'My finger,. . .in the crack\n Between the tree and bark!",
"He may prove strong\n And rap me.",
". .'\n\nCHRISTIAN:\n Over the nose.",
". .\n\nCYRANO (wiping his forehead):\n .",
". .'O' th' knuckles!",
"Ay,'\n But I cried, 'Forward, Gascon!",
"Duty calls!",
"On, Cyrano!'",
"And thus I ventured on.",
". .",
"When, from the shadow, came.",
". .\n\nCHRISTIAN:\n A crack o' th' nose.",
"CYRANO:\n I parry it--find myself.",
". .\n\nCHRISTIAN:\n Nose to nose.",
". .\n\nCYRANO (bounding on to him):\n Heaven and earth!",
"(All the Gascons leap up to see, but when he is close to Christian he controls\nhimself and continues):\n . . .With a hundred brawling sots,\n Who stank.",
". .\n\nCHRISTIAN:\n A noseful.",
". .\n\nCYRANO (white, but smiling):\n Onions, brandy-cups!",
"I leapt out, head well down.",
". .\n\nCHRISTIAN:\n Nosing the wind!",
"CYRANO:\n I charge!--gore two, impale one--run him through,\n One aims at me--Paf!",
"and I parry.",
". .\n\nCHRISTIAN:\n Pif!",
"CYRANO (bursting out):\n Great God!",
"Out!",
"all of you!",
"(The cadets rush to the doors.)",
"FIRST CADET:\n The tiger wakes!",
"CYRANO:\n Every man, out!",
"Leave me alone with him!",
"SECOND CADET:\n We shall find him minced fine, minced into hash\n In a big pasty!",
"RAGUENEAU:\n I am turning pale,\n And curl up, like a napkin, limp and white!",
"CARBON:\n Let us be gone.",
"ANOTHER:\n He will not leave a crumb!",
"ANOTHER:\n I die of fright to think what will pass here!",
"ANOTHER (shutting door right):\n Something too horrible!",
"(All have gone out by different doors, some by the staircase.",
"Cyrano and\nChristian are face to face, looking at each other for a moment.)"
] | [
"CHRISTIAN:\n Sickly!",
"CARBON:\n Give them proof\n That one may be a Northerner, yet brave!",
"And, presto!",
"Gadsooks!",
"Christian balances on his chair.)",
"Ay,'\n But I cried, 'Forward, Gascon!",
"And thus I ventured on.",
"CYRANO:\n I parry it--find myself.",
". .\n\nCYRANO (bounding on to him):\n Heaven and earth!",
". .\n\nCHRISTIAN:\n Pif!"
] | [
"I went all alone to meet the band.",
"He rises and goes over\nto Carbon de Castel-Jaloux, who is talking to an officer, and feigns to see\nnothing.)",
". .\n\nCHRISTIAN:\n Nose to nose.",
"ANOTHER:\n He will not leave a crumb!",
"heigh!",
"When, from the shadow, came.",
"CYRANO:\n I charge!--gore two, impale one--run him through,\n One aims at me--Paf!",
"(He points to Cyrano, who is talking with Le Bret.)",
"Gadsooks!",
"FIRST CADET:\n The tiger wakes!"
] | [
". .\n\nCHRISTIAN:\n Than one's nose!",
"(Silence.",
"All slowly rise, looking in terror at Cyrano, who has stopped--\ndumfounded.",
"Pause.)",
"CYRANO:\n Who on God's earth is that?",
"A CADET (whispering):\n It is a man\n Who joined to-day.",
"CYRANO (making a step toward Christian):\n To-day?",
"CARBON (in a low voice):\n Yes. . .his name is\n The Baron de Neuvil.",
". .\n\nCYRANO (checking himself):\n Good!",
"It is well.",
". .\n(He turns pale, flushes, makes as if to fall on Christian):\n I. . .\n(He controls himself):\n What said I?."
] | [
"Cyrano, Le Bret, the cadets, Christian de Neuvillette.",
"A CADET (seated at a table, glass in hand):\n Cyrano!",
"(Cyrano turns round):\n The story!",
"CYRANO:\n In its time!",
"(He goes up on Le Bret's arm.",
"They talk in low voices.)",
"THE CADET (rising and coming down):\n The story of the fray!",
"'Twill lesson well\n(He stops before the table where Christian is seated):\n This timid young apprentice!",
"CHRISTIAN (raising his head):\n 'Prentice!",
"Who?",
"CYRANO:\n Every man, out!",
"Leave me alone with him!",
"SECOND CADET:\n We shall find him minced fine, minced into hash\n In a big pasty!",
"RAGUENEAU:\n I am turning pale,\n And curl up, like a napkin, limp and white!",
"CARBON:\n Let us be gone.",
"ANOTHER:\n He will not leave a crumb!",
"ANOTHER:\n I die of fright to think what will pass here!",
"ANOTHER (shutting door right):\n Something too horrible!",
"(All have gone out by different doors, some by the staircase.",
"Cyrano and\nChristian are face to face, looking at each other for a moment.)"
] | o, who has stopped--
dumfounded.
Pause.)
CYRANO:
Who on God's earth is that?
A CADET (whispering):
It is a man
Who joined to-day.
CYRANO (making a step toward Christian):
To-day?
CARBON (in a low voice):
Yes. . .his name is
The Baron de Neuvil.
. .
CYRANO (checking himself):
Good!
It is well.
. .
(He turns pale, flushes, makes as if to fall on Christian):
I. . .
(He controls himself):
What said I?.
. .
(With a burst of rage):
MORDIOUS!.
. .
(Then continues calmly):
That it was dark.
(Astonishment.
The cadets reseat themselves, staring at him):
On I went, thinking, 'For a knavish cause
I may provoke some great man, some great prince,
Who certainly could break'.
. .
CHRISTIAN:
My nose!.
. .
(Every one starts up.
Christian balances on his chair.)
CYRANO (in a choked voice):
.
. .'My teeth!
Who would break my teeth, and I, imprudent-like,
Was poking.
. .'
CHRISTIAN:
My nose!.
. .
CYRANO:
'My finger,. . .in the crack
Between the tree and bark!
He | Cyrano, Le Bret, the cadets, Christian de Neuvillette.
A CADET (seated at a table, glass in hand):
Cyrano!
(Cyrano turns round):
The story!
CYRANO:
In its time!
(He goes up on Le Bret's arm.
They talk in low voices.)
THE CADET (rising and coming down):
The story of the fray!
'Twill lesson well
(He stops before the table where Christian is seated):
This timid young apprentice!
CHRISTIAN (raising his head):
'Prentice!
Who?
ANOTHER CADET:
This sickly Northern greenhorn!
CHRISTIAN:
S Leave me alone with him!
SECOND CADET:
We shall find him minced fine, minced into hash
In a big pasty!
RAGUENEAU:
I am turning pale,
And curl up, like a napkin, limp and white!
CARBON:
Let us be gone.
ANOTHER:
He will not leave a crumb!
ANOTHER:
I die of fright to think what will pass here!
ANOTHER (shutting door right):
Something too horrible!
(All have gone out by different doors, some by the staircase.
Cyrano and
Christian are face to face, looking at each other for a moment.) | g toward them):
The tale?.
. .
(All bring their stools up, and group round him, listening eagerly.
Christian
is astride a chair):
Well!
I went all alone to meet the band.
The moon was shining, clock-like, full i' th' sky,
When, suddenly, some careful clockwright passed
A cloud of cotton-wool across the case
That held this silver watch.
And, presto!
heigh!
The night was inky black, and all the quays
Were hidden in the murky dark.
Gadsooks!
One could see nothing further.
. .
CHRISTIAN:
Than one's nose!
(Silence.
All slowly rise, looking in terror at Cyrano, who has stopped--
dumfounded.
Pause.)
CYRANO:
Who on God's earth is that?
A CADET (whispering):
It is a man
Who joined to-day.
CYRANO (making a step toward Christian):
To-day?
CARBON (in a low voice):
Yes. . .his name is
The Baron de Neuvil.
. .
CYRANO (checking himself):
Good!
It is well.
. .
(He turns pale, flushes, makes as if to fall on Christian):
I. . .
(He controls himself):
What said I?.
. .
(W |
1,254 | true | novelguide | all_chapterized_books/1254-chapters/19.txt | finished_summaries/novelguide/Cyrano de Bergerac/section_3_part_10.txt | Cyrano de Bergerac.act 2.scene 10 | act 2, scene 10 | null | {"name": "Act 2, scene 10", "url": "https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act2-scenes1-10", "summary": "Cyrano commends Christian's bravery and, to Christian's astonishment, embraces him. Cyrano tells Christian that he is Roxane's cousin and that she loves him. Christian apologizes to Cyrano for insulting him. Christian fears that Roxane will lose interest in him as soon as he speaks to her, as he is so stupid. Cyrano proposes that he join his eloquence to Christian's good looks to create the perfect lover for Roxane. He will write some eloquent speeches for Christian to deliver to Roxane as his own. Cyrano claims that he only wants to do this to practise his literary skills. From his pocket, he produces the letter he wrote earlier to Roxane and hands it to Christian to give to her. Christian embraces Cyrano in gratitude. The other Guards, Lise, and the Musketeer enter and are astonished to see Cyrano embracing Christian. The Musketeer believes that Cyrano must have undergone a transformation that means it is safe to talk about his nose. He impudently stares at Cyrano's nose, asking what the smell could be. Cyrano cries, \"It's pigshit. and floors the Musketeer with a blow.", "analysis": "of Act 2, scenes 1-10. Act 2 draws a stark contrast between Cyrano's fearlessness in matters of courage and honor in battle, and his terror when faced with his love for Roxane. Christian, another brave man whose courage fails him in love, is Cyrano's mirror when it comes to feeling inadequate as a lover. But Christian is Cyrano's opposite when it comes to the reasons for his feelings of inadequacy. Christian is self-assured about his looks but is certain that he is so stupid that Roxane will lose interest in him the moment he opens his mouth to speak. Cyrano, on the other hand, feels physically unattractive but is confident in his wit and intelligence. Cyrano's suggestion that they combine his own wit and eloquence to Christian's good looks to make the perfect lover for Roxane is significant on many levels. First, it comments ironically on a conviction held by many a lover in every age: that they are not good enough to be loved by the object of their desires as they really are. Cyrano believes that if only he had Christian's looks, he would succeed with Roxane, and Christian believes that if only he had Cyrano's intelligence, he would succeed with Roxane. Second, the two men's decision to combine forces also carries the implicit suggestion that no one is perfect, so people should celebrate whatever good qualities they possess and not dwell on their shortcomings. In the character of Cyrano, the play focuses on a source of inadequacy that is particularly relevant to the modern age: the obsession with physical perfection. Third, Cyrano's suggestion represents a fall from grace for a man who in every other respect has shown honor, integrity, and a devotion to truth. However honorable and selfless Cyrano's final aim might be , the means by which he will achieve his aim is deception of Roxane. Roxane shows herself to be a person of intelligence, compassion, and integrity, and the reader may well feel indignant that she should be wooed by a chimera, an illusion that does not really exist. Fourth, Cyrano's suggestion sets in motion the major conflict that drives the action of the play. The notion of combining forces with Christian will enable him to have the vicarious joy of declaring his love for Roxane, but the fact that Cyrano deceives her into believing that his words are Christian's means that he can never win her for himself. The power of words, as embodied in literature, continues to be an important theme in Act 2. Rostand shows how words can both divide people and bring them closer together in love. Their intention that Christian will recite Cyrano's lines just as an actor recites lines in a play symbolically turns the wooing of Roxane into a piece of theater in which Cyrano is the playwright, Christian the unintelligent but attractive leading man, and Roxane the audience. This mirrors the opening scenes of the play, in which Cyrano directed events, Montfleury was the untalented actor, and Roxane was, once again, a spectator. There is bitter dramatic irony in the scene between Roxane and Cyrano. Cyrano, emboldened by Le Bret's encouragement, is ready to declare his love, but Roxane has invited him to the meeting in order to ask him to protect Christian. Ordinarily, Cyrano and Christian would be rivals or even enemies due to their love for the same woman. But Roxane's request to Cyrano that he protect Christian means that he must become Christian's friend and supporter. Cyrano's embrace of this unforeseen role is his greatest act of heroism so far. He is sacrificing his own self-interest for the sake of others' happiness"} | Cyrano, Christian.
CYRANO:
Embrace me now!
CHRISTIAN:
Sir. . .
CYRANO:
You are brave.
CHRISTIAN:
Oh! but. . .
CYRANO:
Nay, I insist.
CHRISTIAN:
Pray tell me. . .
CYRANO:
Come, embrace! I am her brother.
CHRISTIAN:
Whose brother?
CYRANO:
Hers i' faith! Roxane's!
CHRISTIAN (rushing up to him):
O heavens!
Her brother. . .?
CYRANO:
Cousin--brother!. . .the same thing!
CHRISTIAN:
And she has told you. . .?
CYRANO:
All!
CHRISTIAN:
She loves me? say!
CYRANO:
Maybe!
CHRISTIAN (taking his hands):
How glad I am to meet you, Sir!
CYRANO:
That may be called a sudden sentiment!
CHRISTIAN:
I ask your pardon. . .
CYRANO (looking at him, with his hand on his shoulder):
True, he's fair, the villain!
CHRISTIAN:
Ah, Sir! If you but knew my admiration!. . .
CYRANO:
But all those noses?. . .
CHRISTIAN:
Oh! I take them back!
CYRANO:
Roxane expects a letter.
CHRISTIAN:
Woe the day!
CYRANO:
How?
CHRISTIAN:
I am lost if I but ope my lips!
CYRANO:
Why so?
CHRISTIAN:
I am a fool--could die for shame!
CYRANO:
None is a fool who knows himself a fool.
And you did not attack me like a fool.
CHRISTIAN:
Bah! One finds battle-cry to lead th' assault!
I have a certain military wit,
But, before women, can but hold my tongue.
Their eyes! True, when I pass, their eyes are kind. . .
CYRANO:
And, when you stay, their hearts, methinks, are kinder?
CHRISTIAN:
No! for I am one of those men--tongue-tied,
I know it--who can never tell their love.
CYRANO:
And I, meseems, had Nature been more kind,
More careful, when she fashioned me,--had been
One of those men who well could speak their love!
CHRISTIAN:
Oh, to express one's thoughts with facile grace!. . .
CYRANO:
. . .To be a musketeer, with handsome face!
CHRISTIAN:
Roxane is precieuse. I'm sure to prove
A disappointment to her!
CYRANO (looking at him):
Had I but
Such an interpreter to speak my soul!
CHRISTIAN (with despair):
Eloquence! Where to find it?
CYRANO (abruptly):
That I lend,
If you lend me your handsome victor-charms;
Blended, we make a hero of romance!
CHRISTIAN:
How so?
CYRANO:
Think you you can repeat what things
I daily teach your tongue?
CHRISTIAN:
What do you mean?
CYRANO:
Roxane shall never have a disillusion!
Say, wilt thou that we woo her, double-handed?
Wilt thou that we two woo her, both together?
Feel'st thou, passing from my leather doublet,
Through thy laced doublet, all my soul inspiring?
CHRISTIAN:
But, Cyrano!. . .
CYRANO:
Will you, I say?
CHRISTIAN:
I fear!
CYRANO:
Since, by yourself, you fear to chill her heart,
Will you--to kindle all her heart to flame--
Wed into one my phrases and your lips?
CHRISTIAN:
Your eyes flash!
CYRANO:
Will you?
CHRISTIAN:
Will it please you so?
--Give you such pleasure?
CYRANO (madly):
It!. . .
(Then calmly, business-like):
It would amuse me!
It is an enterprise to tempt a poet.
Will you complete me, and let me complete you?
You march victorious,--I go in your shadow;
Let me be wit for you, be you my beauty!
CHRISTIAN:
The letter, that she waits for even now!
I never can. . .
CYRANO (taking out the letter he had written):
See! Here it is--your letter!
CHRISTIAN:
What?
CYRANO:
Take it! Look, it wants but the address.
CHRISTIAN:
But I. . .
CYRANO:
Fear nothing. Send it. It will suit.
CHRISTIAN:
But have you. . .?
CYRANO:
Oh! We have our pockets full,
We poets, of love-letters, writ to Chloes,
Daphnes--creations of our noddle-heads.
Our lady-loves,--phantasms of our brains,
--Dream-fancies blown into soap-bubbles! Come!
Take it, and change feigned love-words into true;
I breathed my sighs and moans haphazard-wise;
Call all these wandering love-birds home to nest.
You'll see that I was in these lettered lines,
--Eloquent all the more, the less sincere!
--Take it, and make an end!
CHRISTIAN:
Were it not well
To change some words? Written haphazard-wise,
Will it fit Roxane?
CYRANO:
'Twill fit like a glove!
CHRISTIAN:
But. . .
CYRANO:
Ah, credulity of love! Roxane
Will think each word inspired by herself!
CHRISTIAN:
My friend!
(He throws himself into Cyrano's arms. They remain thus.)
| 753 | Act 2, scene 10 | https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act2-scenes1-10 | Cyrano commends Christian's bravery and, to Christian's astonishment, embraces him. Cyrano tells Christian that he is Roxane's cousin and that she loves him. Christian apologizes to Cyrano for insulting him. Christian fears that Roxane will lose interest in him as soon as he speaks to her, as he is so stupid. Cyrano proposes that he join his eloquence to Christian's good looks to create the perfect lover for Roxane. He will write some eloquent speeches for Christian to deliver to Roxane as his own. Cyrano claims that he only wants to do this to practise his literary skills. From his pocket, he produces the letter he wrote earlier to Roxane and hands it to Christian to give to her. Christian embraces Cyrano in gratitude. The other Guards, Lise, and the Musketeer enter and are astonished to see Cyrano embracing Christian. The Musketeer believes that Cyrano must have undergone a transformation that means it is safe to talk about his nose. He impudently stares at Cyrano's nose, asking what the smell could be. Cyrano cries, "It's pigshit. and floors the Musketeer with a blow. | of Act 2, scenes 1-10. Act 2 draws a stark contrast between Cyrano's fearlessness in matters of courage and honor in battle, and his terror when faced with his love for Roxane. Christian, another brave man whose courage fails him in love, is Cyrano's mirror when it comes to feeling inadequate as a lover. But Christian is Cyrano's opposite when it comes to the reasons for his feelings of inadequacy. Christian is self-assured about his looks but is certain that he is so stupid that Roxane will lose interest in him the moment he opens his mouth to speak. Cyrano, on the other hand, feels physically unattractive but is confident in his wit and intelligence. Cyrano's suggestion that they combine his own wit and eloquence to Christian's good looks to make the perfect lover for Roxane is significant on many levels. First, it comments ironically on a conviction held by many a lover in every age: that they are not good enough to be loved by the object of their desires as they really are. Cyrano believes that if only he had Christian's looks, he would succeed with Roxane, and Christian believes that if only he had Cyrano's intelligence, he would succeed with Roxane. Second, the two men's decision to combine forces also carries the implicit suggestion that no one is perfect, so people should celebrate whatever good qualities they possess and not dwell on their shortcomings. In the character of Cyrano, the play focuses on a source of inadequacy that is particularly relevant to the modern age: the obsession with physical perfection. Third, Cyrano's suggestion represents a fall from grace for a man who in every other respect has shown honor, integrity, and a devotion to truth. However honorable and selfless Cyrano's final aim might be , the means by which he will achieve his aim is deception of Roxane. Roxane shows herself to be a person of intelligence, compassion, and integrity, and the reader may well feel indignant that she should be wooed by a chimera, an illusion that does not really exist. Fourth, Cyrano's suggestion sets in motion the major conflict that drives the action of the play. The notion of combining forces with Christian will enable him to have the vicarious joy of declaring his love for Roxane, but the fact that Cyrano deceives her into believing that his words are Christian's means that he can never win her for himself. The power of words, as embodied in literature, continues to be an important theme in Act 2. Rostand shows how words can both divide people and bring them closer together in love. Their intention that Christian will recite Cyrano's lines just as an actor recites lines in a play symbolically turns the wooing of Roxane into a piece of theater in which Cyrano is the playwright, Christian the unintelligent but attractive leading man, and Roxane the audience. This mirrors the opening scenes of the play, in which Cyrano directed events, Montfleury was the untalented actor, and Roxane was, once again, a spectator. There is bitter dramatic irony in the scene between Roxane and Cyrano. Cyrano, emboldened by Le Bret's encouragement, is ready to declare his love, but Roxane has invited him to the meeting in order to ask him to protect Christian. Ordinarily, Cyrano and Christian would be rivals or even enemies due to their love for the same woman. But Roxane's request to Cyrano that he protect Christian means that he must become Christian's friend and supporter. Cyrano's embrace of this unforeseen role is his greatest act of heroism so far. He is sacrificing his own self-interest for the sake of others' happiness | 183 | 612 | [
"Cyrano, Christian.",
"CYRANO:\n Embrace me now!",
"CHRISTIAN:\n Sir.",
". .\n\nCYRANO:\n You are brave.",
"CHRISTIAN:\n Oh!",
"but.",
". .\n\nCYRANO:\n Nay, I insist.",
"CHRISTIAN:\n Pray tell me.",
". .\n\nCYRANO:\n Come, embrace!",
"I am her brother.",
"CHRISTIAN:\n Whose brother?",
"CYRANO:\n Hers i' faith!",
"Roxane's!",
"CHRISTIAN (rushing up to him):\n O heavens!",
"Her brother. .",
".?",
"CYRANO:\n Cousin--brother!. .",
".the same thing!",
"CHRISTIAN:\n And she has told you. .",
".?",
"CYRANO:\n All!",
"CHRISTIAN:\n She loves me?",
"say!",
"CYRANO:\n Maybe!",
"CHRISTIAN (taking his hands):\n How glad I am to meet you, Sir!",
"CYRANO:\n That may be called a sudden sentiment!",
"CHRISTIAN:\n I ask your pardon.",
". .\n\nCYRANO (looking at him, with his hand on his shoulder):\n True, he's fair, the villain!",
"CHRISTIAN:\n Ah, Sir!",
"If you but knew my admiration!.",
". .\n\nCYRANO:\n But all those noses?.",
". .\n\nCHRISTIAN:\n Oh!",
"I take them back!",
"CYRANO:\n Roxane expects a letter.",
"CHRISTIAN:\n Woe the day!",
"CYRANO:\n How?",
"CHRISTIAN:\n I am lost if I but ope my lips!",
"CYRANO:\n Why so?",
"CHRISTIAN:\n I am a fool--could die for shame!",
"CYRANO:\n None is a fool who knows himself a fool.",
"And you did not attack me like a fool.",
"CHRISTIAN:\n Bah!",
"One finds battle-cry to lead th' assault!",
"I have a certain military wit,\n But, before women, can but hold my tongue.",
"Their eyes!",
"True, when I pass, their eyes are kind.",
". .\n\nCYRANO:\n And, when you stay, their hearts, methinks, are kinder?",
"CHRISTIAN:\n No!",
"for I am one of those men--tongue-tied,\n I know it--who can never tell their love.",
"CYRANO:\n And I, meseems, had Nature been more kind,\n More careful, when she fashioned me,--had been\n One of those men who well could speak their love!",
"CHRISTIAN:\n Oh, to express one's thoughts with facile grace!.",
". .\n\nCYRANO:\n . . .To be a musketeer, with handsome face!",
"CHRISTIAN:\n Roxane is precieuse.",
"I'm sure to prove\n A disappointment to her!",
"CYRANO (looking at him):\n Had I but\n Such an interpreter to speak my soul!",
"CHRISTIAN (with despair):\n Eloquence!",
"Where to find it?",
"CYRANO (abruptly):\n That I lend,\n If you lend me your handsome victor-charms;\n Blended, we make a hero of romance!",
"CHRISTIAN:\n How so?",
"CYRANO:\n Think you you can repeat what things\n I daily teach your tongue?",
"CHRISTIAN:\n What do you mean?",
"CYRANO:\n Roxane shall never have a disillusion!",
"Say, wilt thou that we woo her, double-handed?",
"Wilt thou that we two woo her, both together?",
"Feel'st thou, passing from my leather doublet,\n Through thy laced doublet, all my soul inspiring?",
"CHRISTIAN:\n But, Cyrano!.",
". .\n\nCYRANO:\n Will you, I say?",
"CHRISTIAN:\n I fear!",
"CYRANO:\n Since, by yourself, you fear to chill her heart,\n Will you--to kindle all her heart to flame--\n Wed into one my phrases and your lips?",
"CHRISTIAN:\n Your eyes flash!",
"CYRANO:\n Will you?",
"CHRISTIAN:\n Will it please you so?",
"--Give you such pleasure?",
"CYRANO (madly):\n It!.",
". .\n(Then calmly, business-like):\n It would amuse me!",
"It is an enterprise to tempt a poet.",
"Will you complete me, and let me complete you?",
"You march victorious,--I go in your shadow;\n Let me be wit for you, be you my beauty!",
"CHRISTIAN:\n The letter, that she waits for even now!",
"I never can.",
". .\n\nCYRANO (taking out the letter he had written):\n See!",
"Here it is--your letter!",
"CHRISTIAN:\n What?",
"CYRANO:\n Take it!",
"Look, it wants but the address.",
"CHRISTIAN:\n But I. . .\n\nCYRANO:\n Fear nothing.",
"Send it.",
"It will suit.",
"CHRISTIAN:\n But have you. .",
".?",
"CYRANO:\n Oh!",
"We have our pockets full,\n We poets, of love-letters, writ to Chloes,\n Daphnes--creations of our noddle-heads.",
"Our lady-loves,--phantasms of our brains,\n --Dream-fancies blown into soap-bubbles!",
"Come!",
"Take it, and change feigned love-words into true;\n I breathed my sighs and moans haphazard-wise;\n Call all these wandering love-birds home to nest.",
"You'll see that I was in these lettered lines,\n --Eloquent all the more, the less sincere!",
"--Take it, and make an end!",
"CHRISTIAN:\n Were it not well\n To change some words?",
"Written haphazard-wise,\n Will it fit Roxane?",
"CYRANO:\n 'Twill fit like a glove!",
"CHRISTIAN:\n But.",
". .\n\nCYRANO:\n Ah, credulity of love!",
"Roxane\n Will think each word inspired by herself!",
"CHRISTIAN:\n My friend!",
"(He throws himself into Cyrano's arms.",
"They remain thus.)"
] | [
"CHRISTIAN:\n Oh!",
". .\n\nCYRANO:\n Come, embrace!",
"CHRISTIAN:\n And she has told you. .",
"CYRANO:\n All!",
"CHRISTIAN:\n I ask your pardon.",
"CHRISTIAN:\n Ah, Sir!",
"Where to find it?",
"It is an enterprise to tempt a poet.",
"CHRISTIAN:\n Were it not well\n To change some words?",
"CHRISTIAN:\n But."
] | [
"CHRISTIAN:\n No!",
"Where to find it?",
"Her brother. .",
"I take them back!",
".?",
"CHRISTIAN:\n Roxane is precieuse.",
"CYRANO:\n Take it!",
"Come!",
"One finds battle-cry to lead th' assault!",
"Send it."
] | [
"for I am one of those men--tongue-tied,\n I know it--who can never tell their love.",
"CYRANO:\n And I, meseems, had Nature been more kind,\n More careful, when she fashioned me,--had been\n One of those men who well could speak their love!",
"CHRISTIAN:\n Oh, to express one's thoughts with facile grace!.",
". .\n\nCYRANO:\n . . .To be a musketeer, with handsome face!",
"CHRISTIAN:\n Roxane is precieuse.",
"I'm sure to prove\n A disappointment to her!",
"CYRANO (looking at him):\n Had I but\n Such an interpreter to speak my soul!",
"CHRISTIAN (with despair):\n Eloquence!",
"Where to find it?",
"CYRANO (abruptly):\n That I lend,\n If you lend me your handsome victor-charms;\n Blended, we make a hero of romance!",
"CHRISTIAN:\n How so?"
] | [
"Cyrano, Christian.",
"CYRANO:\n Embrace me now!",
"CHRISTIAN:\n Sir.",
". .\n\nCYRANO:\n You are brave.",
"CHRISTIAN:\n Oh!",
"but.",
". .\n\nCYRANO:\n Nay, I insist.",
"CHRISTIAN:\n Pray tell me.",
". .\n\nCYRANO:\n Come, embrace!",
"I am her brother.",
"--Take it, and make an end!",
"CHRISTIAN:\n Were it not well\n To change some words?",
"Written haphazard-wise,\n Will it fit Roxane?",
"CYRANO:\n 'Twill fit like a glove!",
"CHRISTIAN:\n But.",
". .\n\nCYRANO:\n Ah, credulity of love!",
"Roxane\n Will think each word inspired by herself!",
"CHRISTIAN:\n My friend!",
"(He throws himself into Cyrano's arms.",
"They remain thus.)"
] | ill you--to kindle all her heart to flame--
Wed into one my phrases and your lips?
CHRISTIAN:
Your eyes flash!
CYRANO:
Will you?
CHRISTIAN:
Will it please you so?
--Give you such pleasure?
CYRANO (madly):
It!.
. .
(Then calmly, business-like):
It would amuse me!
It is an enterprise to tempt a poet.
Will you complete me, and let me complete you?
You march victorious,--I go in your shadow;
Let me be wit for you, be you my beauty!
CHRISTIAN:
The letter, that she waits for even now!
I never can.
. .
CYRANO (taking out the letter he had written):
See!
Here it is--your letter!
CHRISTIAN:
What?
CYRANO:
Take it!
Look, it wants but the address.
CHRISTIAN:
But I. . .
CYRANO:
Fear nothing.
Send it.
It will suit.
CHRISTIAN:
But have you. .
.?
CYRANO:
Oh!
We have our pockets full,
We poets, of love-letters, writ to Chloes,
Daphnes--creations of our noddle-heads.
Our lady-loves,--phantasms of our brains,
--Dream-fancies blown into soap-bubbles!
Come!
Take it, an | Cyrano, Christian.
CYRANO:
Embrace me now!
CHRISTIAN:
Sir.
. .
CYRANO:
You are brave.
CHRISTIAN:
Oh!
but.
. .
CYRANO:
Nay, I insist.
CHRISTIAN:
Pray tell me.
. .
CYRANO:
Come, embrace!
I am her brother.
CHRISTIAN:
Whose brother?
CYRANO:
Hers i' faith!
Roxane's!
CHRISTIAN (rushing up to him):
O heavens!
Her brother. .
.?
CYRANO:
Cousin--brother!. .
.the same thing!
CHRISTIAN:
And she has told you. .
.?
CYRANO:
All!
CHRISTIAN:
She loves me?
say!
CYRANO:
Maybe!
CHRI ise;
Call all these wandering love-birds home to nest.
You'll see that I was in these lettered lines,
--Eloquent all the more, the less sincere!
--Take it, and make an end!
CHRISTIAN:
Were it not well
To change some words?
Written haphazard-wise,
Will it fit Roxane?
CYRANO:
'Twill fit like a glove!
CHRISTIAN:
But.
. .
CYRANO:
Ah, credulity of love!
Roxane
Will think each word inspired by herself!
CHRISTIAN:
My friend!
(He throws himself into Cyrano's arms.
They remain thus.) | en
One of those men who well could speak their love!
CHRISTIAN:
Oh, to express one's thoughts with facile grace!.
. .
CYRANO:
. . .To be a musketeer, with handsome face!
CHRISTIAN:
Roxane is precieuse.
I'm sure to prove
A disappointment to her!
CYRANO (looking at him):
Had I but
Such an interpreter to speak my soul!
CHRISTIAN (with despair):
Eloquence!
Where to find it?
CYRANO (abruptly):
That I lend,
If you lend me your handsome victor-charms;
Blended, we make a hero of romance!
CHRISTIAN:
How so?
CYRANO:
Think you you can repeat what things
I daily teach your tongue?
CHRISTIAN:
What do you mean?
CYRANO:
Roxane shall never have a disillusion!
Say, wilt thou that we woo her, double-handed?
Wilt thou that we two woo her, both together?
Feel'st thou, passing from my leather doublet,
Through thy laced doublet, all my soul inspiring?
CHRISTIAN:
But, Cyrano!.
. .
CYRANO:
Will you, I say?
CHRISTIAN:
I fear!
CYRANO:
Since, by yourself, you fear to ch |
1,254 | true | novelguide | all_chapterized_books/1254-chapters/22.txt | finished_summaries/novelguide/Cyrano de Bergerac/section_4_part_1.txt | Cyrano de Bergerac.act 3.scene 1 | act 3, scene 1 | null | {"name": "act 3, scene 1", "url": "https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act3-scenes1-4", "summary": "Ragueneau is sitting outside Roxane's house, telling her Duenna that his wife has just left him for the Musketeer, taking what little money they had. Ragueneau tried to hang himself, but Cyrano found him, cut him down, and sent him to Roxane to be her steward. The Duenna calls Roxane; they are going to hear a talk about love. Cyrano enters with some musicians and begins to serenade Roxane, who appears on her balcony. Cyrano explains that he won the services of the musicians in a bet about a point of grammar. He is now bored with them, however, and sends them away. Roxane comes down and discusses Christian with Cyrano. She says that she loves him, and that he is even cleverer than Cyrano in writing eloquent letters. Cyrano is disparaging about the phrases in the letters, and Roxane says he is jealous of Christian's literary talent. The Duenna warns Roxane and Cyrano that de Guiche is coming. Cyrano goes into the house", "analysis": ""} | Ragueneau, the duenna. Then Roxane, Cyrano, and two pages.
RAGUENEAU:
--And then, off she went, with a musketeer! Deserted and ruined too, I
would make an end of all, and so hanged myself. My last breath was drawn:--
then in comes Monsieur de Bergerac! He cuts me down, and begs his cousin to
take me for her steward.
THE DUENNA:
Well, but how came it about that you were thus ruined?
RAGUENEAU:
Oh! Lise loved the warriors, and I loved the poets! What cakes there were
that Apollo chanced to leave were quickly snapped up by Mars. Thus ruin was
not long a-coming.
THE DUENNA (rising, and calling up to the open window):
Roxane, are you ready? They wait for us!
ROXANE'S VOICE (from the window):
I will but put me on a cloak!
THE DUENNA (to Ragueneau, showing him the door opposite):
They wait us there opposite, at Clomire's house. She receives them all
there to-day--the precieuses, the poets; they read a discourse on the Tender
Passion.
RAGUENEAU:
The Tender Passion?
THE DUENNA (in a mincing voice):
Ay, indeed!
(Calling up to the window):
Roxane, an you come not down quickly, we shall miss the discourse on the
Tender Passion!
ROXANE'S VOICE:
I come! I come!
(A sound of stringed instruments approaching.)
CYRANO'S VOICE (behind the scenes, singing):
La, la, la, la!
THE DUENNA (surprised):
They serenade us?
CYRANO (followed by two pages with arch-lutes):
I tell you they are demi-semi-quavers, demi-semi-fool!
FIRST PAGE (ironically):
You know then, Sir, to distinguish between semi-quavers and demi-semi-
quavers?
CYRANO:
Is not every disciple of Gassendi a musician?
THE PAGE (playing and singing):
La, la!
CYRANO (snatching the lute from him, and going on with the phrase):
In proof of which, I can continue! La, la, la, la!
ROXANE (appearing on the balcony):
What? 'Tis you?
CYRANO (going on with the air, and singing to it):
'Tis I, who come to serenade your lilies, and pay my devoir to your ro-o-
oses!
ROXANE:
I am coming down!
(She leaves the balcony.)
THE DUENNA (pointing to the pages):
How come these two virtuosi here?
CYRANO:
'Tis for a wager I won of D'Assoucy. We were disputing a nice point in
grammar; contradictions raged hotly--''Tis so!' 'Nay, 'tis so!' when suddenly
he shows me these two long-shanks, whom he takes about with him as an escort,
and who are skillful in scratching lute-strings with their skinny claws! 'I
will wager you a day's music,' says he!--And lost it! Thus, see you, till
Phoebus' chariot starts once again, these lute-twangers are at my heels,
seeing all I do, hearing all I say, and accompanying all with melody. 'Twas
pleasant at the first, but i' faith, I begin to weary of it already!
(To the musicians):
Ho there! go serenade Montfleury for me! Play a dance to him!
(The pages go toward the door. To the duenna):
I have come, as is my wont, nightly, to ask Roxane whether. . .
(To the pages, who are going out):
Play a long time,--and play out of tune!
(To the duenna):
. . .Whether her soul's elected is ever the same, ever faultless!
ROXANE (coming out of the house):
Ah! How handsome he is, how brilliant a wit! And--how well I love him!
CYRANO (smiling):
Christian has so brilliant a wit?
ROXANE:
Brighter than even your own, cousin!
CYRANO:
Be it so, with all my heart!
ROXANE:
Ah! methinks 'twere impossible that there could breathe a man on this earth
skilled to say as sweetly as he all the pretty nothings that mean so much--
that mean all! At times his mind seems far away, the Muse says naught--and
then, presto! he speaks--bewitchingly! enchantingly!
CYRANO (incredulously):
No, no!
ROXANE:
Fie! That is ill said! But lo! men are ever thus! Because he is fair to
see, you would have it that he must be dull of speech.
CYRANO:
He hath an eloquent tongue in telling his love?
ROXANE:
In telling his love? why, 'tis not simple telling, 'tis dissertation, 'tis
analysis!
CYRANO:
How is he with the pen?
ROXANE:
Still better! Listen,--here:--
(Reciting):
'The more of my poor heart you take
The larger grows my heart!'
(Triumphantly to Cyrano):
How like you those lines?
CYRANO:
Pooh!
ROXANE:
And thus it goes on. . .
'And, since some target I must show
For Cupid's cruel dart,
Oh, if mine own you deign to keep,
Then give me your sweet heart!'
CYRANO:
Lord! first he has too much, then anon not enough! How much heart does the
fellow want?
ROXANE:
You would vex a saint!. . .But 'tis your jealousy.
CYRANO (starting):
What mean you?
ROXANE:
Ay, your poet's jealousy! Hark now, if this again be not tender-sweet?--
'My heart to yours sounds but one cry:
If kisses fast could flee
By letter, then with your sweet lips
My letters read should be!
If kisses could be writ with ink,
If kisses fast could flee!'
CYRANO (smiling approvingly in spite of himself):
Ha! those last lines are,--hm!. . .hm!. . .
(Correcting himself--contemptuously):
--They are paltry enough!
ROXANE:
And this. . .
CYRANO (enchanted):
Then you have his letters by heart?
ROXANE:
Every one of them!
CYRANO:
By all oaths that can be sworn,--'tis flattering!
ROXANE:
They are the lines of a master!
CYRANO (modestly):
Come, nay. . .a master?. . .
ROXANE:
Ay, I say it--a master!
CYRANO:
Good--be it so.
THE DUENNA (coming down quickly):
Here comes Monsieur de Guiche!
(To Cyrano, pushing him toward the house):
In with you! 'twere best he see you not; it might perchance put him on the
scent. . .
ROXANE (to Cyrano):
Ay, of my own dear secret! He loves me, and is powerful, and, if he knew,
then all were lost! Marry! he could well deal a deathblow to my love!
CYRANO (entering the house):
Good! good!
(De Guiche appears.)
| 1,005 | act 3, scene 1 | https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act3-scenes1-4 | Ragueneau is sitting outside Roxane's house, telling her Duenna that his wife has just left him for the Musketeer, taking what little money they had. Ragueneau tried to hang himself, but Cyrano found him, cut him down, and sent him to Roxane to be her steward. The Duenna calls Roxane; they are going to hear a talk about love. Cyrano enters with some musicians and begins to serenade Roxane, who appears on her balcony. Cyrano explains that he won the services of the musicians in a bet about a point of grammar. He is now bored with them, however, and sends them away. Roxane comes down and discusses Christian with Cyrano. She says that she loves him, and that he is even cleverer than Cyrano in writing eloquent letters. Cyrano is disparaging about the phrases in the letters, and Roxane says he is jealous of Christian's literary talent. The Duenna warns Roxane and Cyrano that de Guiche is coming. Cyrano goes into the house | null | 164 | 1 | [
"Ragueneau, the duenna.",
"Then Roxane, Cyrano, and two pages.",
"RAGUENEAU:\n --And then, off she went, with a musketeer!",
"Deserted and ruined too, I\nwould make an end of all, and so hanged myself.",
"My last breath was drawn:--\nthen in comes Monsieur de Bergerac!",
"He cuts me down, and begs his cousin to\ntake me for her steward.",
"THE DUENNA:\n Well, but how came it about that you were thus ruined?",
"RAGUENEAU:\n Oh!",
"Lise loved the warriors, and I loved the poets!",
"What cakes there were\nthat Apollo chanced to leave were quickly snapped up by Mars.",
"Thus ruin was\nnot long a-coming.",
"THE DUENNA (rising, and calling up to the open window):\n Roxane, are you ready?",
"They wait for us!",
"ROXANE'S VOICE (from the window):\n I will but put me on a cloak!",
"THE DUENNA (to Ragueneau, showing him the door opposite):\n They wait us there opposite, at Clomire's house.",
"She receives them all\nthere to-day--the precieuses, the poets; they read a discourse on the Tender\nPassion.",
"RAGUENEAU:\n The Tender Passion?",
"THE DUENNA (in a mincing voice):\n Ay, indeed!",
"(Calling up to the window):\n Roxane, an you come not down quickly, we shall miss the discourse on the\nTender Passion!",
"ROXANE'S VOICE:\n I come!",
"I come!",
"(A sound of stringed instruments approaching.)",
"CYRANO'S VOICE (behind the scenes, singing):\n La, la, la, la!",
"THE DUENNA (surprised):\n They serenade us?",
"CYRANO (followed by two pages with arch-lutes):\n I tell you they are demi-semi-quavers, demi-semi-fool!",
"FIRST PAGE (ironically):\n You know then, Sir, to distinguish between semi-quavers and demi-semi-\nquavers?",
"CYRANO:\n Is not every disciple of Gassendi a musician?",
"THE PAGE (playing and singing):\n La, la!",
"CYRANO (snatching the lute from him, and going on with the phrase):\n In proof of which, I can continue!",
"La, la, la, la!",
"ROXANE (appearing on the balcony):\n What?",
"'Tis you?",
"CYRANO (going on with the air, and singing to it):\n 'Tis I, who come to serenade your lilies, and pay my devoir to your ro-o-\noses!",
"ROXANE:\n I am coming down!",
"(She leaves the balcony.)",
"THE DUENNA (pointing to the pages):\n How come these two virtuosi here?",
"CYRANO:\n 'Tis for a wager I won of D'Assoucy.",
"We were disputing a nice point in\ngrammar; contradictions raged hotly--''Tis so!'",
"'Nay, 'tis so!'",
"when suddenly\nhe shows me these two long-shanks, whom he takes about with him as an escort,\nand who are skillful in scratching lute-strings with their skinny claws!",
"'I\nwill wager you a day's music,' says he!--And lost it!",
"Thus, see you, till\nPhoebus' chariot starts once again, these lute-twangers are at my heels,\nseeing all I do, hearing all I say, and accompanying all with melody.",
"'Twas\npleasant at the first, but i' faith, I begin to weary of it already!",
"(To the musicians):\n Ho there!",
"go serenade Montfleury for me!",
"Play a dance to him!",
"(The pages go toward the door.",
"To the duenna):\n I have come, as is my wont, nightly, to ask Roxane whether.",
". .\n(To the pages, who are going out):\n Play a long time,--and play out of tune!",
"(To the duenna):\n . . .Whether her soul's elected is ever the same, ever faultless!",
"ROXANE (coming out of the house):\n Ah!",
"How handsome he is, how brilliant a wit!",
"And--how well I love him!",
"CYRANO (smiling):\n Christian has so brilliant a wit?",
"ROXANE:\n Brighter than even your own, cousin!",
"CYRANO:\n Be it so, with all my heart!",
"ROXANE:\n Ah!",
"methinks 'twere impossible that there could breathe a man on this earth\nskilled to say as sweetly as he all the pretty nothings that mean so much--\nthat mean all!",
"At times his mind seems far away, the Muse says naught--and\nthen, presto!",
"he speaks--bewitchingly!",
"enchantingly!",
"CYRANO (incredulously):\n No, no!",
"ROXANE:\n Fie!",
"That is ill said!",
"But lo!",
"men are ever thus!",
"Because he is fair to\nsee, you would have it that he must be dull of speech.",
"CYRANO:\n He hath an eloquent tongue in telling his love?",
"ROXANE:\n In telling his love?",
"why, 'tis not simple telling, 'tis dissertation, 'tis\nanalysis!",
"CYRANO:\n How is he with the pen?",
"ROXANE:\n Still better!",
"Listen,--here:--\n(Reciting):\n 'The more of my poor heart you take\n The larger grows my heart!'",
"(Triumphantly to Cyrano):\n How like you those lines?",
"CYRANO:\n Pooh!",
"ROXANE:\n And thus it goes on.",
". .\n 'And, since some target I must show\n For Cupid's cruel dart,\n Oh, if mine own you deign to keep,\n Then give me your sweet heart!'",
"CYRANO:\n Lord!",
"first he has too much, then anon not enough!",
"How much heart does the\nfellow want?",
"ROXANE:\n You would vex a saint!. .",
".But 'tis your jealousy.",
"CYRANO (starting):\n What mean you?",
"ROXANE:\n Ay, your poet's jealousy!",
"Hark now, if this again be not tender-sweet?--\n 'My heart to yours sounds but one cry:\n If kisses fast could flee\n By letter, then with your sweet lips\n My letters read should be!",
"If kisses could be writ with ink,\n If kisses fast could flee!'",
"CYRANO (smiling approvingly in spite of himself):\n Ha!",
"those last lines are,--hm!. .",
".hm!.",
". .\n(Correcting himself--contemptuously):\n --They are paltry enough!",
"ROXANE:\n And this.",
". .\n\nCYRANO (enchanted):\n Then you have his letters by heart?",
"ROXANE:\n Every one of them!",
"CYRANO:\n By all oaths that can be sworn,--'tis flattering!",
"ROXANE:\n They are the lines of a master!",
"CYRANO (modestly):\n Come, nay. . .a master?.",
". .\n\nROXANE:\n Ay, I say it--a master!",
"CYRANO:\n Good--be it so.",
"THE DUENNA (coming down quickly):\n Here comes Monsieur de Guiche!",
"(To Cyrano, pushing him toward the house):\n In with you!",
"'twere best he see you not; it might perchance put him on the\nscent.",
". .\n\nROXANE (to Cyrano):\n Ay, of my own dear secret!",
"He loves me, and is powerful, and, if he knew,\nthen all were lost!",
"Marry!",
"he could well deal a deathblow to my love!",
"CYRANO (entering the house):\n Good!",
"good!",
"(De Guiche appears.)"
] | [
"ROXANE'S VOICE (from the window):\n I will but put me on a cloak!",
"(A sound of stringed instruments approaching.)",
"CYRANO'S VOICE (behind the scenes, singing):\n La, la, la, la!",
"THE PAGE (playing and singing):\n La, la!",
"We were disputing a nice point in\ngrammar; contradictions raged hotly--''Tis so!'",
"'Nay, 'tis so!'",
"why, 'tis not simple telling, 'tis dissertation, 'tis\nanalysis!",
"ROXANE:\n Still better!",
"ROXANE:\n Every one of them!",
"ROXANE:\n They are the lines of a master!"
] | [
"CYRANO:\n He hath an eloquent tongue in telling his love?",
"enchantingly!",
"Then Roxane, Cyrano, and two pages.",
"CYRANO (followed by two pages with arch-lutes):\n I tell you they are demi-semi-quavers, demi-semi-fool!",
". .\n\nROXANE:\n Ay, I say it--a master!",
". .\n(To the pages, who are going out):\n Play a long time,--and play out of tune!",
"CYRANO (incredulously):\n No, no!",
"He loves me, and is powerful, and, if he knew,\nthen all were lost!",
"CYRANO:\n 'Tis for a wager I won of D'Assoucy.",
"She receives them all\nthere to-day--the precieuses, the poets; they read a discourse on the Tender\nPassion."
] | [
"(To the duenna):\n . . .Whether her soul's elected is ever the same, ever faultless!",
"ROXANE (coming out of the house):\n Ah!",
"How handsome he is, how brilliant a wit!",
"And--how well I love him!",
"CYRANO (smiling):\n Christian has so brilliant a wit?",
"ROXANE:\n Brighter than even your own, cousin!",
"CYRANO:\n Be it so, with all my heart!",
"ROXANE:\n Ah!",
"methinks 'twere impossible that there could breathe a man on this earth\nskilled to say as sweetly as he all the pretty nothings that mean so much--\nthat mean all!",
"At times his mind seems far away, the Muse says naught--and\nthen, presto!",
"he speaks--bewitchingly!"
] | [
"Ragueneau, the duenna.",
"Then Roxane, Cyrano, and two pages.",
"RAGUENEAU:\n --And then, off she went, with a musketeer!",
"Deserted and ruined too, I\nwould make an end of all, and so hanged myself.",
"My last breath was drawn:--\nthen in comes Monsieur de Bergerac!",
"He cuts me down, and begs his cousin to\ntake me for her steward.",
"THE DUENNA:\n Well, but how came it about that you were thus ruined?",
"RAGUENEAU:\n Oh!",
"Lise loved the warriors, and I loved the poets!",
"What cakes there were\nthat Apollo chanced to leave were quickly snapped up by Mars.",
"THE DUENNA (coming down quickly):\n Here comes Monsieur de Guiche!",
"(To Cyrano, pushing him toward the house):\n In with you!",
"'twere best he see you not; it might perchance put him on the\nscent.",
". .\n\nROXANE (to Cyrano):\n Ay, of my own dear secret!",
"He loves me, and is powerful, and, if he knew,\nthen all were lost!",
"Marry!",
"he could well deal a deathblow to my love!",
"CYRANO (entering the house):\n Good!",
"good!",
"(De Guiche appears.)"
] | read a discourse on the Tender
Passion.
RAGUENEAU:
The Tender Passion?
THE DUENNA (in a mincing voice):
Ay, indeed!
(Calling up to the window):
Roxane, an you come not down quickly, we shall miss the discourse on the
Tender Passion!
ROXANE'S VOICE:
I come!
I come!
(A sound of stringed instruments approaching.)
CYRANO'S VOICE (behind the scenes, singing):
La, la, la, la!
THE DUENNA (surprised):
They serenade us?
CYRANO (followed by two pages with arch-lutes):
I tell you they are demi-semi-quavers, demi-semi-fool!
FIRST PAGE (ironically):
You know then, Sir, to distinguish between semi-quavers and demi-semi-
quavers?
CYRANO:
Is not every disciple of Gassendi a musician?
THE PAGE (playing and singing):
La, la!
CYRANO (snatching the lute from him, and going on with the phrase):
In proof of which, I can continue!
La, la, la, la!
ROXANE (appearing on the balcony):
What?
'Tis you?
CYRANO (going on with the air, and singing to it):
'Tis I, who come to serenade your l | Ragueneau, the duenna.
Then Roxane, Cyrano, and two pages.
RAGUENEAU:
--And then, off she went, with a musketeer!
Deserted and ruined too, I
would make an end of all, and so hanged myself.
My last breath was drawn:--
then in comes Monsieur de Bergerac!
He cuts me down, and begs his cousin to
take me for her steward.
THE DUENNA:
Well, but how came it about that you were thus ruined?
RAGUENEAU:
Oh!
Lise loved the warriors, and I loved the poets!
What cakes there were
that Apollo chanced to l ster?.
. .
ROXANE:
Ay, I say it--a master!
CYRANO:
Good--be it so.
THE DUENNA (coming down quickly):
Here comes Monsieur de Guiche!
(To Cyrano, pushing him toward the house):
In with you!
'twere best he see you not; it might perchance put him on the
scent.
. .
ROXANE (to Cyrano):
Ay, of my own dear secret!
He loves me, and is powerful, and, if he knew,
then all were lost!
Marry!
he could well deal a deathblow to my love!
CYRANO (entering the house):
Good!
good!
(De Guiche appears.) | lute-strings with their skinny claws!
'I
will wager you a day's music,' says he!--And lost it!
Thus, see you, till
Phoebus' chariot starts once again, these lute-twangers are at my heels,
seeing all I do, hearing all I say, and accompanying all with melody.
'Twas
pleasant at the first, but i' faith, I begin to weary of it already!
(To the musicians):
Ho there!
go serenade Montfleury for me!
Play a dance to him!
(The pages go toward the door.
To the duenna):
I have come, as is my wont, nightly, to ask Roxane whether.
. .
(To the pages, who are going out):
Play a long time,--and play out of tune!
(To the duenna):
. . .Whether her soul's elected is ever the same, ever faultless!
ROXANE (coming out of the house):
Ah!
How handsome he is, how brilliant a wit!
And--how well I love him!
CYRANO (smiling):
Christian has so brilliant a wit?
ROXANE:
Brighter than even your own, cousin!
CYRANO:
Be it so, with all my heart!
ROXANE:
Ah!
methinks 'twere impossible that there could bre |
1,254 | true | novelguide | all_chapterized_books/1254-chapters/23.txt | finished_summaries/novelguide/Cyrano de Bergerac/section_4_part_2.txt | Cyrano de Bergerac.act 3.scene 2 | act 3, scene 2 | null | {"name": "act 3, scene 2", "url": "https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act3-scenes1-4", "summary": "De Guiche tells Roxane that he has come to say goodbye. He is leaving tonight to go to fight in the war at the northern French town of Arras, which in 1640 was occupied by the Spanish. De Guiche is disappointed that Roxane does not appear to care that he is leaving. He reveals that he is the officer in command of the Guards, the company in which Cyrano and Christian serve. Roxane realizes that de Guiche has the authority to send Christian into battle. Her fearful response leads de Guiche to fool himself that she is concerned about him , whereas in fact, she is worried about Christian's safety. Roxane thinks quickly and suggests that the best way for de Guiche to wreak revenge upon Cyrano would be to leave him and the other Guards at home while the rest of the army goes to war. De Guiche, convinced that Roxane loves him, leaves. Roxane makes the Duenna promise not to tell Cyrano that she has deprived him of a war", "analysis": ""} | Roxane, De Guiche, the duenna standing a little way off.
ROXANE (courtesying to De Guiche):
I was going out.
DE GUICHE:
I come to take my leave.
ROXANE:
Whither go you?
DE GUICHE:
To the war.
ROXANE:
Ah!
DE GUICHE:
Ay, to-night.
ROXANE:
Oh!
DE GUICHE:
I am ordered away. We are to besiege Arras.
ROXANE:
Ah--to besiege?. . .
DE GUICHE:
Ay. My going moves you not, meseems.
ROXANE:
Nay. . .
DE GUICHE:
I am grieved to the core of the heart. Shall I again behold you?. . .When?
I know not. Heard you that I am named commander?. . .
ROXANE (indifferently):
Bravo!
DE GUICHE:
Of the Guards regiment.
ROXANE (startled):
What! the Guards?
DE GUICHE:
Ay, where serves your cousin, the swaggering boaster. I will find a way to
revenge myself on him at Arras.
ROXANE (choking):
What mean you? The Guards go to Arras?
DE GUICHE (laughing):
Bethink you, is it not my own regiment?
ROXANE (falling seated on the bench--aside):
Christian!
DE GUICHE:
What ails you?
ROXANE (moved deeply):
Oh--I am in despair! The man one loves!--at the war!
DE GUICHE (surprised and delighted):
You say such sweet words to me! 'Tis the first time!--and just when I must
quit you!
ROXANE (collected, and fanning herself):
Thus,--you would fain revenge your grudge against my cousin?
DE GUICHE:
My fair lady is on his side?
ROXANE:
Nay,--against him!
DE GUICHE:
Do you see him often?
ROXANE:
But very rarely.
DE GUICHE:
He is ever to be met now in company with one of the cadets,. . .one New--
villen--viller--
ROXANE:
Of high stature?
DE GUICHE:
Fair-haired!
ROXANE:
Ay, a red-headed fellow!
DE GUICHE:
Handsome!. . .
ROXANE:
Tut!
DE GUICHE:
But dull-witted.
ROXANE:
One would think so, to look at him!
(Changing her tone):
How mean you to play your revenge on Cyrano? Perchance you think to put him
i' the thick of the shots? Nay, believe me, that were a poor vengeance--he
would love such a post better than aught else! I know the way to wound his
pride far more keenly!
DE GUICHE:
What then? Tell. . .
ROXANE:
If, when the regiment march to Arras, he were left here with his beloved
boon companions, the Cadets, to sit with crossed arms so long as the war
lasted! There is your method, would you enrage a man of his kind; cheat him
of his chance of mortal danger, and you punish him right fiercely.
DE GUICHE (coming nearer):
O woman! woman! Who but a woman had e'er devised so subtle a trick?
ROXANE:
See you not how he will eat out his heart, while his friends gnaw their
thick fists for that they are deprived of the battle? So are you best
avenged.
DE GUICHE:
You love me, then, a little?
(She smiles):
I would fain--seeing you thus espouse my cause, Roxane--believe it a proof
of love!
ROXANE:
'Tis a proof of love!
DE GUICHE (showing some sealed papers):
Here are the marching orders; they will be sent instantly to each company--
except--
(He detaches one):
--This one! 'Tis that of the Cadets.
(He puts it in his pocket):
This I keep.
(Laughing):
Ha! ha! ha! Cyrano! His love of battle!. . .So you can play tricks on
people?. . .you, of all ladies!
ROXANE:
Sometimes!
DE GUICHE (coming close to her):
Oh! how I love you!--to distraction! Listen! To-night--true, I ought to
start--but--how leave you now that I feel your heart is touched! Hard by, in
the Rue d'Orleans, is a convent founded by Father Athanasius, the syndic of
the Capuchins. True that no layman may enter--but--I can settle that with the
good Fathers! Their habit sleeves are wide enough to hide me in. 'Tis they
who serve Richelieu's private chapel: and from respect to the uncle, fear the
nephew. All will deem me gone. I will come to you, masked. Give me leave to
wait till tomorrow, sweet Lady Fanciful!
ROXANE:
But, of this be rumored, your glory. . .
DE GUICHE:
Bah!
ROXANE:
But the siege--Arras. . .
DE GUICHE:
'Twill take its chance. Grant but permission.
ROXANE:
No!
DE GUICHE:
Give me leave!
ROXANE (tenderly):
It were my duty to forbid you!
DE GUICHE:
Ah!
ROXANE:
You must go!
(Aside):
Christian stays here.
(Aloud):
I would have you heroic--Antoine!
DE GUICHE:
O heavenly word! You love, then, him?. . .
ROXANE:
. . .For whom I trembled.
DE GUICHE (in an ecstasy):
Ah! I go then!
(He kisses her hand):
Are you content?
ROXANE:
Yes, my friend!
(He goes out.)
THE DUENNA (making behind his back a mocking courtesy):
Yes, my friend!
ROXANE (to the duenna):
Not a word of what I have done. Cyrano would never pardon me for stealing
his fighting from him!
(She calls toward the house):
Cousin!
| 810 | act 3, scene 2 | https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act3-scenes1-4 | De Guiche tells Roxane that he has come to say goodbye. He is leaving tonight to go to fight in the war at the northern French town of Arras, which in 1640 was occupied by the Spanish. De Guiche is disappointed that Roxane does not appear to care that he is leaving. He reveals that he is the officer in command of the Guards, the company in which Cyrano and Christian serve. Roxane realizes that de Guiche has the authority to send Christian into battle. Her fearful response leads de Guiche to fool himself that she is concerned about him , whereas in fact, she is worried about Christian's safety. Roxane thinks quickly and suggests that the best way for de Guiche to wreak revenge upon Cyrano would be to leave him and the other Guards at home while the rest of the army goes to war. De Guiche, convinced that Roxane loves him, leaves. Roxane makes the Duenna promise not to tell Cyrano that she has deprived him of a war | null | 172 | 1 | [
"Roxane, De Guiche, the duenna standing a little way off.",
"ROXANE (courtesying to De Guiche):\n I was going out.",
"DE GUICHE:\n I come to take my leave.",
"ROXANE:\n Whither go you?",
"DE GUICHE:\n To the war.",
"ROXANE:\n Ah!",
"DE GUICHE:\n Ay, to-night.",
"ROXANE:\n Oh!",
"DE GUICHE:\n I am ordered away.",
"We are to besiege Arras.",
"ROXANE:\n Ah--to besiege?.",
". .\n\nDE GUICHE:\n Ay.",
"My going moves you not, meseems.",
"ROXANE:\n Nay.",
". .\n\nDE GUICHE:\n I am grieved to the core of the heart.",
"Shall I again behold you?. .",
".When?",
"I know not.",
"Heard you that I am named commander?.",
". .\n\nROXANE (indifferently):\n Bravo!",
"DE GUICHE:\n Of the Guards regiment.",
"ROXANE (startled):\n What!",
"the Guards?",
"DE GUICHE:\n Ay, where serves your cousin, the swaggering boaster.",
"I will find a way to\nrevenge myself on him at Arras.",
"ROXANE (choking):\n What mean you?",
"The Guards go to Arras?",
"DE GUICHE (laughing):\n Bethink you, is it not my own regiment?",
"ROXANE (falling seated on the bench--aside):\n Christian!",
"DE GUICHE:\n What ails you?",
"ROXANE (moved deeply):\n Oh--I am in despair!",
"The man one loves!--at the war!",
"DE GUICHE (surprised and delighted):\n You say such sweet words to me!",
"'Tis the first time!--and just when I must\nquit you!",
"ROXANE (collected, and fanning herself):\n Thus,--you would fain revenge your grudge against my cousin?",
"DE GUICHE:\n My fair lady is on his side?",
"ROXANE:\n Nay,--against him!",
"DE GUICHE:\n Do you see him often?",
"ROXANE:\n But very rarely.",
"DE GUICHE:\n He is ever to be met now in company with one of the cadets,. . .one New--\nvillen--viller--\n\nROXANE:\n Of high stature?",
"DE GUICHE:\n Fair-haired!",
"ROXANE:\n Ay, a red-headed fellow!",
"DE GUICHE:\n Handsome!.",
". .\n\nROXANE:\n Tut!",
"DE GUICHE:\n But dull-witted.",
"ROXANE:\n One would think so, to look at him!",
"(Changing her tone):\n How mean you to play your revenge on Cyrano?",
"Perchance you think to put him\ni' the thick of the shots?",
"Nay, believe me, that were a poor vengeance--he\nwould love such a post better than aught else!",
"I know the way to wound his\npride far more keenly!",
"DE GUICHE:\n What then?",
"Tell.",
". .\n\nROXANE:\n If, when the regiment march to Arras, he were left here with his beloved\nboon companions, the Cadets, to sit with crossed arms so long as the war\nlasted!",
"There is your method, would you enrage a man of his kind; cheat him\nof his chance of mortal danger, and you punish him right fiercely.",
"DE GUICHE (coming nearer):\n O woman!",
"woman!",
"Who but a woman had e'er devised so subtle a trick?",
"ROXANE:\n See you not how he will eat out his heart, while his friends gnaw their\nthick fists for that they are deprived of the battle?",
"So are you best\navenged.",
"DE GUICHE:\n You love me, then, a little?",
"(She smiles):\n I would fain--seeing you thus espouse my cause, Roxane--believe it a proof\nof love!",
"ROXANE:\n 'Tis a proof of love!",
"DE GUICHE (showing some sealed papers):\n Here are the marching orders; they will be sent instantly to each company--\nexcept--\n(He detaches one):\n --This one!",
"'Tis that of the Cadets.",
"(He puts it in his pocket):\n This I keep.",
"(Laughing):\n Ha!",
"ha!",
"ha!",
"Cyrano!",
"His love of battle!. .",
".So you can play tricks on\npeople?. .",
".you, of all ladies!",
"ROXANE:\n Sometimes!",
"DE GUICHE (coming close to her):\n Oh!",
"how I love you!--to distraction!",
"Listen!",
"To-night--true, I ought to\nstart--but--how leave you now that I feel your heart is touched!",
"Hard by, in\nthe Rue d'Orleans, is a convent founded by Father Athanasius, the syndic of\nthe Capuchins.",
"True that no layman may enter--but--I can settle that with the\ngood Fathers!",
"Their habit sleeves are wide enough to hide me in.",
"'Tis they\nwho serve Richelieu's private chapel: and from respect to the uncle, fear the\nnephew.",
"All will deem me gone.",
"I will come to you, masked.",
"Give me leave to\nwait till tomorrow, sweet Lady Fanciful!",
"ROXANE:\n But, of this be rumored, your glory.",
". .\n\nDE GUICHE:\n Bah!",
"ROXANE:\n But the siege--Arras.",
". .\n\nDE GUICHE:\n 'Twill take its chance.",
"Grant but permission.",
"ROXANE:\n No!",
"DE GUICHE:\n Give me leave!",
"ROXANE (tenderly):\n It were my duty to forbid you!",
"DE GUICHE:\n Ah!",
"ROXANE:\n You must go!",
"(Aside):\n Christian stays here.",
"(Aloud):\n I would have you heroic--Antoine!",
"DE GUICHE:\n O heavenly word!",
"You love, then, him?.",
". .\n\nROXANE:\n . . .For whom I trembled.",
"DE GUICHE (in an ecstasy):\n Ah!",
"I go then!",
"(He kisses her hand):\n Are you content?",
"ROXANE:\n Yes, my friend!",
"(He goes out.)",
"THE DUENNA (making behind his back a mocking courtesy):\n Yes, my friend!",
"ROXANE (to the duenna):\n Not a word of what I have done.",
"Cyrano would never pardon me for stealing\nhis fighting from him!",
"(She calls toward the house):\n Cousin!"
] | [
"DE GUICHE:\n To the war.",
". .\n\nDE GUICHE:\n Ay.",
".When?",
"The Guards go to Arras?",
"DE GUICHE (laughing):\n Bethink you, is it not my own regiment?",
"DE GUICHE:\n What ails you?",
"The man one loves!--at the war!",
"You love, then, him?.",
". .\n\nROXANE:\n . . .For whom I trembled.",
"Cyrano would never pardon me for stealing\nhis fighting from him!"
] | [
"I know not.",
"ROXANE (collected, and fanning herself):\n Thus,--you would fain revenge your grudge against my cousin?",
"DE GUICHE (in an ecstasy):\n Ah!",
". .\n\nDE GUICHE:\n I am grieved to the core of the heart.",
"ROXANE:\n Whither go you?",
"ROXANE (choking):\n What mean you?",
"(Aside):\n Christian stays here.",
"My going moves you not, meseems.",
"Grant but permission.",
"DE GUICHE:\n What then?"
] | [
"I know the way to wound his\npride far more keenly!",
"DE GUICHE:\n What then?",
"Tell.",
". .\n\nROXANE:\n If, when the regiment march to Arras, he were left here with his beloved\nboon companions, the Cadets, to sit with crossed arms so long as the war\nlasted!",
"There is your method, would you enrage a man of his kind; cheat him\nof his chance of mortal danger, and you punish him right fiercely.",
"DE GUICHE (coming nearer):\n O woman!",
"woman!",
"Who but a woman had e'er devised so subtle a trick?",
"ROXANE:\n See you not how he will eat out his heart, while his friends gnaw their\nthick fists for that they are deprived of the battle?",
"So are you best\navenged.",
"DE GUICHE:\n You love me, then, a little?"
] | [
"Roxane, De Guiche, the duenna standing a little way off.",
"ROXANE (courtesying to De Guiche):\n I was going out.",
"DE GUICHE:\n I come to take my leave.",
"ROXANE:\n Whither go you?",
"DE GUICHE:\n To the war.",
"ROXANE:\n Ah!",
"DE GUICHE:\n Ay, to-night.",
"ROXANE:\n Oh!",
"DE GUICHE:\n I am ordered away.",
"We are to besiege Arras.",
". .\n\nROXANE:\n . . .For whom I trembled.",
"DE GUICHE (in an ecstasy):\n Ah!",
"I go then!",
"(He kisses her hand):\n Are you content?",
"ROXANE:\n Yes, my friend!",
"(He goes out.)",
"THE DUENNA (making behind his back a mocking courtesy):\n Yes, my friend!",
"ROXANE (to the duenna):\n Not a word of what I have done.",
"Cyrano would never pardon me for stealing\nhis fighting from him!",
"(She calls toward the house):\n Cousin!"
] | E:
You love me, then, a little?
(She smiles):
I would fain--seeing you thus espouse my cause, Roxane--believe it a proof
of love!
ROXANE:
'Tis a proof of love!
DE GUICHE (showing some sealed papers):
Here are the marching orders; they will be sent instantly to each company--
except--
(He detaches one):
--This one!
'Tis that of the Cadets.
(He puts it in his pocket):
This I keep.
(Laughing):
Ha!
ha!
ha!
Cyrano!
His love of battle!. .
.So you can play tricks on
people?. .
.you, of all ladies!
ROXANE:
Sometimes!
DE GUICHE (coming close to her):
Oh!
how I love you!--to distraction!
Listen!
To-night--true, I ought to
start--but--how leave you now that I feel your heart is touched!
Hard by, in
the Rue d'Orleans, is a convent founded by Father Athanasius, the syndic of
the Capuchins.
True that no layman may enter--but--I can settle that with the
good Fathers!
Their habit sleeves are wide enough to hide me in.
'Tis they
who serve Richelieu's private chapel: and from respect | Roxane, De Guiche, the duenna standing a little way off.
ROXANE (courtesying to De Guiche):
I was going out.
DE GUICHE:
I come to take my leave.
ROXANE:
Whither go you?
DE GUICHE:
To the war.
ROXANE:
Ah!
DE GUICHE:
Ay, to-night.
ROXANE:
Oh!
DE GUICHE:
I am ordered away.
We are to besiege Arras.
ROXANE:
Ah--to besiege?.
. .
DE GUICHE:
Ay.
My going moves you not, meseems.
ROXANE:
Nay.
. .
DE GUICHE:
I am grieved to the core of the heart.
Shall I again behold you?. .
.When (Aloud):
I would have you heroic--Antoine!
DE GUICHE:
O heavenly word!
You love, then, him?.
. .
ROXANE:
. . .For whom I trembled.
DE GUICHE (in an ecstasy):
Ah!
I go then!
(He kisses her hand):
Are you content?
ROXANE:
Yes, my friend!
(He goes out.)
THE DUENNA (making behind his back a mocking courtesy):
Yes, my friend!
ROXANE (to the duenna):
Not a word of what I have done.
Cyrano would never pardon me for stealing
his fighting from him!
(She calls toward the house):
Cousin! | revenge on Cyrano?
Perchance you think to put him
i' the thick of the shots?
Nay, believe me, that were a poor vengeance--he
would love such a post better than aught else!
I know the way to wound his
pride far more keenly!
DE GUICHE:
What then?
Tell.
. .
ROXANE:
If, when the regiment march to Arras, he were left here with his beloved
boon companions, the Cadets, to sit with crossed arms so long as the war
lasted!
There is your method, would you enrage a man of his kind; cheat him
of his chance of mortal danger, and you punish him right fiercely.
DE GUICHE (coming nearer):
O woman!
woman!
Who but a woman had e'er devised so subtle a trick?
ROXANE:
See you not how he will eat out his heart, while his friends gnaw their
thick fists for that they are deprived of the battle?
So are you best
avenged.
DE GUICHE:
You love me, then, a little?
(She smiles):
I would fain--seeing you thus espouse my cause, Roxane--believe it a proof
of love!
ROXANE:
'Tis a proof of love!
DE GUICHE (s |
1,254 | true | novelguide | all_chapterized_books/1254-chapters/24.txt | finished_summaries/novelguide/Cyrano de Bergerac/section_4_part_3.txt | Cyrano de Bergerac.act 3.scene 3 | act 3, scene 3 | null | {"name": "act 3, scene 3", "url": "https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act3-scenes1-4", "summary": "Roxane and the Duenna prepare to go to the talk on love at the house opposite. She tells Cyrano that if Christian comes to visit her, Cyrano should ask him to wait. She reveals that she plans to ask Christian to improvise around the subject of love, but asks Cyrano not to pass this on to Christian, as she believes he would practice a speech beforehand. Roxane and the Duenna leave. Cyrano calls Christian, who has been waiting nearby", "analysis": ""} | Roxane, The duenna, Cyrano.
ROXANE:
We are going to Clomire's house.
(She points to the door opposite):
Alcandre and Lysimon are to discourse!
THE DUENNA (putting her little finger in her ear):
Yes! But my little finger tells me we shall miss them.
CYRANO:
'Twere a pity to miss such apes!
(They have come to Clomire's door.)
THE DUENNA:
Oh, see! The knocker is muffled up!
(Speaking to the knocker):
So they have gagged that metal tongue of yours, little noisy one, lest it
should disturb the fine orators!
(She lifts it carefully and knocks with precaution.)
ROXANE (seeing that the door opens):
Let us enter!
(On the threshold, to Cyrano):
If Christian comes, as I feel sure he will, bid him wait for me!
CYRANO (quickly, as she is going in):
Listen!
(She turns):
What mean you to question him on, as is your wont, to-night?
ROXANE:
Oh--
CYRANO (eagerly):
Well, say.
ROXANE:
But you will be mute?
CYRANO:
Mute as a fish.
ROXANE:
I shall not question him at all, but say: Give rein to your fancy! Prepare
not your speeches,--but speak the thoughts as they come! Speak to me of love,
and speak splendidly!
CYRANO (smiling):
Very good!
ROXANE:
But secret!. . .
CYRANO:
Secret.
ROXANE:
Not a word!
(She enters and shuts the door.)
CYRANO (when the door is shut, bowing to her):
A thousand thanks!
(The door opens again, and Roxane puts her head out.)
ROXANE:
Lest he prepare himself!
CYRANO:
The devil!--no, no!
BOTH TOGETHER:
Secret.
(The door shuts.)
CYRANO (calling):
Christian!
| 255 | act 3, scene 3 | https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act3-scenes1-4 | Roxane and the Duenna prepare to go to the talk on love at the house opposite. She tells Cyrano that if Christian comes to visit her, Cyrano should ask him to wait. She reveals that she plans to ask Christian to improvise around the subject of love, but asks Cyrano not to pass this on to Christian, as she believes he would practice a speech beforehand. Roxane and the Duenna leave. Cyrano calls Christian, who has been waiting nearby | null | 79 | 1 | [
"Roxane, The duenna, Cyrano.",
"ROXANE:\n We are going to Clomire's house.",
"(She points to the door opposite):\n Alcandre and Lysimon are to discourse!",
"THE DUENNA (putting her little finger in her ear):\n Yes!",
"But my little finger tells me we shall miss them.",
"CYRANO:\n 'Twere a pity to miss such apes!",
"(They have come to Clomire's door.)",
"THE DUENNA:\n Oh, see!",
"The knocker is muffled up!",
"(Speaking to the knocker):\n So they have gagged that metal tongue of yours, little noisy one, lest it\nshould disturb the fine orators!",
"(She lifts it carefully and knocks with precaution.)",
"ROXANE (seeing that the door opens):\n Let us enter!",
"(On the threshold, to Cyrano):\n If Christian comes, as I feel sure he will, bid him wait for me!",
"CYRANO (quickly, as she is going in):\n Listen!",
"(She turns):\n What mean you to question him on, as is your wont, to-night?",
"ROXANE:\n Oh--\n\nCYRANO (eagerly):\n Well, say.",
"ROXANE:\n But you will be mute?",
"CYRANO:\n Mute as a fish.",
"ROXANE:\n I shall not question him at all, but say: Give rein to your fancy!",
"Prepare\nnot your speeches,--but speak the thoughts as they come!",
"Speak to me of love,\nand speak splendidly!",
"CYRANO (smiling):\n Very good!",
"ROXANE:\n But secret!.",
". .\n\nCYRANO:\n Secret.",
"ROXANE:\n Not a word!",
"(She enters and shuts the door.)",
"CYRANO (when the door is shut, bowing to her):\n A thousand thanks!",
"(The door opens again, and Roxane puts her head out.)",
"ROXANE:\n Lest he prepare himself!",
"CYRANO:\n The devil!--no, no!",
"BOTH TOGETHER:\n Secret.",
"(The door shuts.)",
"CYRANO (calling):\n Christian!"
] | [
"Roxane, The duenna, Cyrano.",
"THE DUENNA (putting her little finger in her ear):\n Yes!",
"CYRANO:\n 'Twere a pity to miss such apes!",
"(They have come to Clomire's door.)",
"(Speaking to the knocker):\n So they have gagged that metal tongue of yours, little noisy one, lest it\nshould disturb the fine orators!",
"(She lifts it carefully and knocks with precaution.)",
"(On the threshold, to Cyrano):\n If Christian comes, as I feel sure he will, bid him wait for me!",
"Prepare\nnot your speeches,--but speak the thoughts as they come!",
". .\n\nCYRANO:\n Secret.",
"CYRANO (calling):\n Christian!"
] | [
"CYRANO:\n Mute as a fish.",
"ROXANE:\n We are going to Clomire's house.",
". .\n\nCYRANO:\n Secret.",
"Roxane, The duenna, Cyrano.",
"Prepare\nnot your speeches,--but speak the thoughts as they come!",
"(She points to the door opposite):\n Alcandre and Lysimon are to discourse!",
"(The door shuts.)",
"ROXANE:\n I shall not question him at all, but say: Give rein to your fancy!",
"(On the threshold, to Cyrano):\n If Christian comes, as I feel sure he will, bid him wait for me!",
"ROXANE:\n But secret!."
] | [
"ROXANE (seeing that the door opens):\n Let us enter!",
"(On the threshold, to Cyrano):\n If Christian comes, as I feel sure he will, bid him wait for me!",
"CYRANO (quickly, as she is going in):\n Listen!",
"(She turns):\n What mean you to question him on, as is your wont, to-night?",
"ROXANE:\n Oh--\n\nCYRANO (eagerly):\n Well, say.",
"ROXANE:\n But you will be mute?",
"CYRANO:\n Mute as a fish.",
"ROXANE:\n I shall not question him at all, but say: Give rein to your fancy!",
"Prepare\nnot your speeches,--but speak the thoughts as they come!",
"Speak to me of love,\nand speak splendidly!",
"CYRANO (smiling):\n Very good!"
] | [
"Roxane, The duenna, Cyrano.",
"ROXANE:\n We are going to Clomire's house.",
"(She points to the door opposite):\n Alcandre and Lysimon are to discourse!",
"THE DUENNA (putting her little finger in her ear):\n Yes!",
"But my little finger tells me we shall miss them.",
"CYRANO:\n 'Twere a pity to miss such apes!",
"(They have come to Clomire's door.)",
"THE DUENNA:\n Oh, see!",
"The knocker is muffled up!",
"(Speaking to the knocker):\n So they have gagged that metal tongue of yours, little noisy one, lest it\nshould disturb the fine orators!",
". .\n\nCYRANO:\n Secret.",
"ROXANE:\n Not a word!",
"(She enters and shuts the door.)",
"CYRANO (when the door is shut, bowing to her):\n A thousand thanks!",
"(The door opens again, and Roxane puts her head out.)",
"ROXANE:\n Lest he prepare himself!",
"CYRANO:\n The devil!--no, no!",
"BOTH TOGETHER:\n Secret.",
"(The door shuts.)",
"CYRANO (calling):\n Christian!"
] | re and Lysimon are to discourse!
THE DUENNA (putting her little finger in her ear):
Yes!
But my little finger tells me we shall miss them.
CYRANO:
'Twere a pity to miss such apes!
(They have come to Clomire's door.)
THE DUENNA:
Oh, see!
The knocker is muffled up!
(Speaking to the knocker):
So they have gagged that metal tongue of yours, little noisy one, lest it
should disturb the fine orators!
(She lifts it carefully and knocks with precaution.)
ROXANE (seeing that the door opens):
Let us enter!
(On the threshold, to Cyrano):
If Christian comes, as I feel sure he will, bid him wait for me!
CYRANO (quickly, as she is going in):
Listen!
(She turns):
What mean you to question him on, as is your wont, to-night?
ROXANE:
Oh--
CYRANO (eagerly):
Well, say.
ROXANE:
But you will be mute?
CYRANO:
Mute as a fish.
ROXANE:
I shall not question him at all, but say: Give rein to your fancy!
Prepare
not your speeches,--but speak the thoughts as they come!
Speak to me of lov | Roxane, The duenna, Cyrano.
ROXANE:
We are going to Clomire's house.
(She points to the door opposite):
Alcandre and Lysimon are to discourse!
THE DUENNA (putting her little finger in her ear):
Yes!
But my little finger tells me we shall miss them.
CYRANO:
'Twere a pity to miss such apes!
(They have come to Clomire's door.)
THE DUENNA:
Oh, see!
The knocker is muffled up!
(Speaking to the knocker):
So they have gagged that metal tongue of yours, little noisy one, lest it
should distur Prepare
not your speeches,--but speak the thoughts as they come!
Speak to me of love,
and speak splendidly!
CYRANO (smiling):
Very good!
ROXANE:
But secret!.
. .
CYRANO:
Secret.
ROXANE:
Not a word!
(She enters and shuts the door.)
CYRANO (when the door is shut, bowing to her):
A thousand thanks!
(The door opens again, and Roxane puts her head out.)
ROXANE:
Lest he prepare himself!
CYRANO:
The devil!--no, no!
BOTH TOGETHER:
Secret.
(The door shuts.)
CYRANO (calling):
Christian! | 'Twere a pity to miss such apes!
(They have come to Clomire's door.)
THE DUENNA:
Oh, see!
The knocker is muffled up!
(Speaking to the knocker):
So they have gagged that metal tongue of yours, little noisy one, lest it
should disturb the fine orators!
(She lifts it carefully and knocks with precaution.)
ROXANE (seeing that the door opens):
Let us enter!
(On the threshold, to Cyrano):
If Christian comes, as I feel sure he will, bid him wait for me!
CYRANO (quickly, as she is going in):
Listen!
(She turns):
What mean you to question him on, as is your wont, to-night?
ROXANE:
Oh--
CYRANO (eagerly):
Well, say.
ROXANE:
But you will be mute?
CYRANO:
Mute as a fish.
ROXANE:
I shall not question him at all, but say: Give rein to your fancy!
Prepare
not your speeches,--but speak the thoughts as they come!
Speak to me of love,
and speak splendidly!
CYRANO (smiling):
Very good!
ROXANE:
But secret!.
. .
CYRANO:
Secret.
ROXANE:
Not a word!
(She enters and shuts the do |
1,254 | true | novelguide | all_chapterized_books/1254-chapters/25.txt | finished_summaries/novelguide/Cyrano de Bergerac/section_4_part_4.txt | Cyrano de Bergerac.act 3.scene 4 | act 3, scene 4 | null | {"name": "act 3, scene 4", "url": "https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act3-scenes1-4", "summary": "Cyrano tries to persuade Christian to learn some lines that he has written, but Christian refuses. He is confident that Roxane loves him now, and he wants to speak to her in his own words.", "analysis": "of scenes 1-4. Cyrano's heroism is reinforced in this section by his compassionate treatment of Ragueneau after his wife runs away with the Musketeer. Cyrano saves him from a suicide attempt and gets him a job with Roxane. Roxane is revealed as a quick-thinking and resourceful woman. She successfully convinces de Guiche not to send Christian into battle and persuades de Guiche that he is the object of her affections. She does all this without compromising her feminine honor. Two elements in this section show the fragility of the love between Christian and Roxane. First, the audience knows that Roxane's plan to get Christian to improvise on the subject of love is doomed to failure. Not gifted with verbal dexterity at the best of times, he has already stated that talking about love is utterly beyond his abilities. Second, Christian's decision to dispense with Cyrano's services and to rely upon his own words seems rash and premature, as he has shown no evidence of improvement on his last feeble attempts to converse with Roxane. However, his decision effectively throws out a challenge to himself to prove that he is worthy of her. The audience is held in suspense as it awaits the outcome"} | Cyrano, Christian.
CYRANO:
I know all that is needful. Here's occasion
For you to deck yourself with glory. Come,
Lose no time; put away those sulky looks,
Come to your house with me, I'll teach you. . .
CHRISTIAN:
No!
CYRANO:
Why?
CHRISTIAN:
I will wait for Roxane here.
CYRANO:
How? Crazy?
Come quick with me and learn. . .
CHRISTIAN:
No, no! I say.
I am aweary of these borrowed letters,
--Borrowed love-makings! Thus to act a part,
And tremble all the time!--'Twas well enough
At the beginning!--Now I know she loves!
I fear no longer!--I will speak myself.
CYRANO:
Mercy!
CHRISTIAN:
And how know you I cannot speak?--
I am not such a fool when all is said!
I've by your lessons profited. You'll see
I shall know how to speak alone! The devil!
I know at least to clasp her in my arms!
(Seeing Roxane come out from Clomire's house):
--It is she! Cyrano, no!--Leave me not!
CYRANO (bowing):
Speak for yourself, my friend, and take your chance.
(He disappears behind the garden wall.)
| 197 | act 3, scene 4 | https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act3-scenes1-4 | Cyrano tries to persuade Christian to learn some lines that he has written, but Christian refuses. He is confident that Roxane loves him now, and he wants to speak to her in his own words. | of scenes 1-4. Cyrano's heroism is reinforced in this section by his compassionate treatment of Ragueneau after his wife runs away with the Musketeer. Cyrano saves him from a suicide attempt and gets him a job with Roxane. Roxane is revealed as a quick-thinking and resourceful woman. She successfully convinces de Guiche not to send Christian into battle and persuades de Guiche that he is the object of her affections. She does all this without compromising her feminine honor. Two elements in this section show the fragility of the love between Christian and Roxane. First, the audience knows that Roxane's plan to get Christian to improvise on the subject of love is doomed to failure. Not gifted with verbal dexterity at the best of times, he has already stated that talking about love is utterly beyond his abilities. Second, Christian's decision to dispense with Cyrano's services and to rely upon his own words seems rash and premature, as he has shown no evidence of improvement on his last feeble attempts to converse with Roxane. However, his decision effectively throws out a challenge to himself to prove that he is worthy of her. The audience is held in suspense as it awaits the outcome | 35 | 203 | [
"Cyrano, Christian.",
"CYRANO:\n I know all that is needful.",
"Here's occasion\n For you to deck yourself with glory.",
"Come,\n Lose no time; put away those sulky looks,\n Come to your house with me, I'll teach you.",
". .\n\nCHRISTIAN:\n No!",
"CYRANO:\n Why?",
"CHRISTIAN:\n I will wait for Roxane here.",
"CYRANO:\n How?",
"Crazy?",
"Come quick with me and learn.",
". .\n\nCHRISTIAN:\n No, no!",
"I say.",
"I am aweary of these borrowed letters,\n --Borrowed love-makings!",
"Thus to act a part,\n And tremble all the time!--'Twas well enough\n At the beginning!--Now I know she loves!",
"I fear no longer!--I will speak myself.",
"CYRANO:\n Mercy!",
"CHRISTIAN:\n And how know you I cannot speak?--\n I am not such a fool when all is said!",
"I've by your lessons profited.",
"You'll see\n I shall know how to speak alone!",
"The devil!",
"I know at least to clasp her in my arms!",
"(Seeing Roxane come out from Clomire's house):\n --It is she!",
"Cyrano, no!--Leave me not!",
"CYRANO (bowing):\n Speak for yourself, my friend, and take your chance.",
"(He disappears behind the garden wall.)"
] | [
"Cyrano, Christian.",
". .\n\nCHRISTIAN:\n No!",
"CYRANO:\n Why?",
"CHRISTIAN:\n I will wait for Roxane here.",
". .\n\nCHRISTIAN:\n No, no!",
"CYRANO:\n Mercy!",
"CHRISTIAN:\n And how know you I cannot speak?--\n I am not such a fool when all is said!",
"You'll see\n I shall know how to speak alone!",
"The devil!",
"(He disappears behind the garden wall.)"
] | [
"CYRANO:\n How?",
"Here's occasion\n For you to deck yourself with glory.",
". .\n\nCHRISTIAN:\n No!",
"You'll see\n I shall know how to speak alone!",
"Come quick with me and learn.",
"(He disappears behind the garden wall.)",
"CYRANO:\n I know all that is needful.",
"Thus to act a part,\n And tremble all the time!--'Twas well enough\n At the beginning!--Now I know she loves!",
"The devil!",
"I am aweary of these borrowed letters,\n --Borrowed love-makings!"
] | [
"CYRANO:\n How?",
"Crazy?",
"Come quick with me and learn.",
". .\n\nCHRISTIAN:\n No, no!",
"I say.",
"I am aweary of these borrowed letters,\n --Borrowed love-makings!",
"Thus to act a part,\n And tremble all the time!--'Twas well enough\n At the beginning!--Now I know she loves!",
"I fear no longer!--I will speak myself.",
"CYRANO:\n Mercy!",
"CHRISTIAN:\n And how know you I cannot speak?--\n I am not such a fool when all is said!",
"I've by your lessons profited."
] | [
"Cyrano, Christian.",
"CYRANO:\n I know all that is needful.",
"Here's occasion\n For you to deck yourself with glory.",
"Come,\n Lose no time; put away those sulky looks,\n Come to your house with me, I'll teach you.",
". .\n\nCHRISTIAN:\n No!",
"CYRANO:\n Why?",
"CHRISTIAN:\n I will wait for Roxane here.",
"CYRANO:\n How?",
"Crazy?",
"Come quick with me and learn.",
"CYRANO:\n Mercy!",
"CHRISTIAN:\n And how know you I cannot speak?--\n I am not such a fool when all is said!",
"I've by your lessons profited.",
"You'll see\n I shall know how to speak alone!",
"The devil!",
"I know at least to clasp her in my arms!",
"(Seeing Roxane come out from Clomire's house):\n --It is she!",
"Cyrano, no!--Leave me not!",
"CYRANO (bowing):\n Speak for yourself, my friend, and take your chance.",
"(He disappears behind the garden wall.)"
] | YRANO:
I know all that is needful.
Here's occasion
For you to deck yourself with glory.
Come,
Lose no time; put away those sulky looks,
Come to your house with me, I'll teach you.
. .
CHRISTIAN:
No!
CYRANO:
Why?
CHRISTIAN:
I will wait for Roxane here.
CYRANO:
How?
Crazy?
Come quick with me and learn.
. .
CHRISTIAN:
No, no!
I say.
I am aweary of these borrowed letters,
--Borrowed love-makings!
Thus to act a part,
And tremble all the time!--'Twas well enough
At the beginning!--Now I know she loves!
I fear no longer!--I will speak myself.
CYRANO:
Mercy!
CHRISTIAN:
And how know you I cannot speak?--
I am not such a fool when all is said!
I've by your lessons profited.
You'll see
I shall know how to speak alone!
The devil!
I know at least to clasp her in my arms!
(Seeing Roxane come out from Clomire's house):
--It is she!
Cyrano, no!--Leave me not!
CYRANO (bowing):
Speak for yourself, my friend, and take your chance.
(He disappears behind the garden wal | Cyrano, Christian.
CYRANO:
I know all that is needful.
Here's occasion
For you to deck yourself with glory.
Come,
Lose no time; put away those sulky looks,
Come to your house with me, I'll teach you.
. .
CHRISTIAN:
No!
CYRANO:
Why?
CHRISTIAN:
I will wait for Roxane here.
CYRANO:
How?
Crazy?
Come quick with me and learn.
. .
CHRISTIAN:
No, no!
I say.
I am aweary of these borrowed letters,
--Borrowed love-makings!
Thus to act a part,
And tremble all the time!--'Twas well en !--Now I know she loves!
I fear no longer!--I will speak myself.
CYRANO:
Mercy!
CHRISTIAN:
And how know you I cannot speak?--
I am not such a fool when all is said!
I've by your lessons profited.
You'll see
I shall know how to speak alone!
The devil!
I know at least to clasp her in my arms!
(Seeing Roxane come out from Clomire's house):
--It is she!
Cyrano, no!--Leave me not!
CYRANO (bowing):
Speak for yourself, my friend, and take your chance.
(He disappears behind the garden wall.) | istian.
CYRANO:
I know all that is needful.
Here's occasion
For you to deck yourself with glory.
Come,
Lose no time; put away those sulky looks,
Come to your house with me, I'll teach you.
. .
CHRISTIAN:
No!
CYRANO:
Why?
CHRISTIAN:
I will wait for Roxane here.
CYRANO:
How?
Crazy?
Come quick with me and learn.
. .
CHRISTIAN:
No, no!
I say.
I am aweary of these borrowed letters,
--Borrowed love-makings!
Thus to act a part,
And tremble all the time!--'Twas well enough
At the beginning!--Now I know she loves!
I fear no longer!--I will speak myself.
CYRANO:
Mercy!
CHRISTIAN:
And how know you I cannot speak?--
I am not such a fool when all is said!
I've by your lessons profited.
You'll see
I shall know how to speak alone!
The devil!
I know at least to clasp her in my arms!
(Seeing Roxane come out from Clomire's house):
--It is she!
Cyrano, no!--Leave me not!
CYRANO (bowing):
Speak for yourself, my friend, and take your chance.
(He disappears behind the ga |
1,254 | true | novelguide | all_chapterized_books/1254-chapters/26.txt | finished_summaries/novelguide/Cyrano de Bergerac/section_5_part_1.txt | Cyrano de Bergerac.act 3.scene 5 | act 3, scene 5 | null | {"name": "act 3, scene 5", "url": "https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act3-scenes5-14", "summary": "Roxane and the Duenna return home. Roxane sits outside her house with Christian, and she asks him to talk to her about love. All he can say is \"I love you. Roxane expects him to elaborate, but he cannot, except to ask to kiss her neck. She is angry, goes into her house, and shuts the door on Christian. Cyrano appears and ironically congratulates Christian on his success", "analysis": ""} | Christian, Roxane, the duenna.
ROXANE (coming out of Clomire's house, with a company of friends, whom she
leaves. Bows and good-byes):
Barthenoide!--Alcandre!--Gremione!--
THE DUENNA (bitterly disappointed):
We've missed the speech upon the Tender Passion!
(Goes into Roxane's house.)
ROXANE (still bowing):
Urimedonte--adieu!
(All bow to Roxane and to each other, and then separate, going up different
streets. Roxane suddenly seeing Christian):
You!
(She goes to him):
Evening falls.
Let's sit. Speak on. I listen.
CHRISTIAN (sits by her on the bench. A silence):
Oh! I love you!
ROXANE (shutting her eyes):
Ay, speak to me of love.
CHRISTIAN:
I love thee!
ROXANE:
That's
The theme! But vary it.
CHRISTIAN:
I. . .
ROXANE:
Vary it!
CHRISTIAN:
I love you so!
ROXANE:
Oh! without doubt!--and then?. . .
CHRISTIAN:
And then--I should be--oh!--so glad--so glad
If you would love me!--Roxane, tell me so!
ROXANE (with a little grimace):
I hoped for cream,--you give me gruel! Say
How love possesses you?
CHRISTIAN:
Oh utterly!
ROXANE:
Come, come!. . .unknot those tangled sentiments!
CHRISTIAN:
Your throat I'd kiss it!
ROXANE:
Christian!
CHRISTIAN:
I love thee!
ROXANE (half-rising):
Again!
CHRISTIAN (eagerly, detaining her):
No, no! I love thee not!
ROXANE (reseating herself):
'Tis well!
CHRISTIAN:
But I adore thee!
ROXANE (rising, and going further off):
Oh!
CHRISTIAN:
I am grown stupid!
ROXANE (dryly):
And that displeases me, almost as much
As 'twould displease me if you grew ill-favored.
CHRISTIAN:
But. . .
ROXANE:
Rally your poor eloquence that's flown!
CHRISTIAN:
I. . .
ROXANE:
Yes, you love me, that I know. Adieu.
(She goes toward her house.)
CHRISTIAN:
Oh, go not yet! I'd tell you--
ROXANE (opening the door):
You adore me?
I've heard it very oft. No!--Go away!
CHRISTIAN:
But I would fain. . .
(She shuts the door in his face.)
CYRANO (who has re-entered unseen):
I' faith! It is successful!
| 323 | act 3, scene 5 | https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act3-scenes5-14 | Roxane and the Duenna return home. Roxane sits outside her house with Christian, and she asks him to talk to her about love. All he can say is "I love you. Roxane expects him to elaborate, but he cannot, except to ask to kiss her neck. She is angry, goes into her house, and shuts the door on Christian. Cyrano appears and ironically congratulates Christian on his success | null | 68 | 1 | [
"Christian, Roxane, the duenna.",
"ROXANE (coming out of Clomire's house, with a company of friends, whom she\nleaves.",
"Bows and good-byes):\n Barthenoide!--Alcandre!--Gremione!--\n\nTHE DUENNA (bitterly disappointed):\n We've missed the speech upon the Tender Passion!",
"(Goes into Roxane's house.)",
"ROXANE (still bowing):\n Urimedonte--adieu!",
"(All bow to Roxane and to each other, and then separate, going up different\nstreets.",
"Roxane suddenly seeing Christian):\n You!",
"(She goes to him):\n Evening falls.",
"Let's sit.",
"Speak on.",
"I listen.",
"CHRISTIAN (sits by her on the bench.",
"A silence):\n Oh!",
"I love you!",
"ROXANE (shutting her eyes):\n Ay, speak to me of love.",
"CHRISTIAN:\n I love thee!",
"ROXANE:\n That's\n The theme!",
"But vary it.",
"CHRISTIAN:\n I. . .\n\nROXANE:\n Vary it!",
"CHRISTIAN:\n I love you so!",
"ROXANE:\n Oh!",
"without doubt!--and then?.",
". .\n\nCHRISTIAN:\n And then--I should be--oh!--so glad--so glad\n If you would love me!--Roxane, tell me so!",
"ROXANE (with a little grimace):\n I hoped for cream,--you give me gruel!",
"Say\n How love possesses you?",
"CHRISTIAN:\n Oh utterly!",
"ROXANE:\n Come, come!. .",
".unknot those tangled sentiments!",
"CHRISTIAN:\n Your throat I'd kiss it!",
"ROXANE:\n Christian!",
"CHRISTIAN:\n I love thee!",
"ROXANE (half-rising):\n Again!",
"CHRISTIAN (eagerly, detaining her):\n No, no!",
"I love thee not!",
"ROXANE (reseating herself):\n 'Tis well!",
"CHRISTIAN:\n But I adore thee!",
"ROXANE (rising, and going further off):\n Oh!",
"CHRISTIAN:\n I am grown stupid!",
"ROXANE (dryly):\n And that displeases me, almost as much\n As 'twould displease me if you grew ill-favored.",
"CHRISTIAN:\n But.",
". .\n\nROXANE:\n Rally your poor eloquence that's flown!",
"CHRISTIAN:\n I. . .\n\nROXANE:\n Yes, you love me, that I know.",
"Adieu.",
"(She goes toward her house.)",
"CHRISTIAN:\n Oh, go not yet!",
"I'd tell you--\n\nROXANE (opening the door):\n You adore me?",
"I've heard it very oft.",
"No!--Go away!",
"CHRISTIAN:\n But I would fain.",
". .\n\n(She shuts the door in his face.)",
"CYRANO (who has re-entered unseen):\n I' faith!",
"It is successful!"
] | [
"ROXANE (coming out of Clomire's house, with a company of friends, whom she\nleaves.",
"(Goes into Roxane's house.)",
"Speak on.",
"I listen.",
"CHRISTIAN (sits by her on the bench.",
"ROXANE:\n Oh!",
". .\n\nCHRISTIAN:\n And then--I should be--oh!--so glad--so glad\n If you would love me!--Roxane, tell me so!",
"CHRISTIAN:\n Your throat I'd kiss it!",
". .\n\n(She shuts the door in his face.)",
"It is successful!"
] | [
"A silence):\n Oh!",
"(Goes into Roxane's house.)",
"CHRISTIAN:\n Oh, go not yet!",
"CHRISTIAN:\n Oh utterly!",
"ROXANE:\n Come, come!. .",
"CHRISTIAN:\n I. . .\n\nROXANE:\n Vary it!",
"Christian, Roxane, the duenna.",
"Say\n How love possesses you?",
". .\n\n(She shuts the door in his face.)",
"(She goes toward her house.)"
] | [
"without doubt!--and then?.",
". .\n\nCHRISTIAN:\n And then--I should be--oh!--so glad--so glad\n If you would love me!--Roxane, tell me so!",
"ROXANE (with a little grimace):\n I hoped for cream,--you give me gruel!",
"Say\n How love possesses you?",
"CHRISTIAN:\n Oh utterly!",
"ROXANE:\n Come, come!. .",
".unknot those tangled sentiments!",
"CHRISTIAN:\n Your throat I'd kiss it!",
"ROXANE:\n Christian!",
"CHRISTIAN:\n I love thee!",
"ROXANE (half-rising):\n Again!"
] | [
"Christian, Roxane, the duenna.",
"ROXANE (coming out of Clomire's house, with a company of friends, whom she\nleaves.",
"Bows and good-byes):\n Barthenoide!--Alcandre!--Gremione!--\n\nTHE DUENNA (bitterly disappointed):\n We've missed the speech upon the Tender Passion!",
"(Goes into Roxane's house.)",
"ROXANE (still bowing):\n Urimedonte--adieu!",
"(All bow to Roxane and to each other, and then separate, going up different\nstreets.",
"Roxane suddenly seeing Christian):\n You!",
"(She goes to him):\n Evening falls.",
"Let's sit.",
"Speak on.",
"Adieu.",
"(She goes toward her house.)",
"CHRISTIAN:\n Oh, go not yet!",
"I'd tell you--\n\nROXANE (opening the door):\n You adore me?",
"I've heard it very oft.",
"No!--Go away!",
"CHRISTIAN:\n But I would fain.",
". .\n\n(She shuts the door in his face.)",
"CYRANO (who has re-entered unseen):\n I' faith!",
"It is successful!"
] | STIAN:
I love thee!
ROXANE:
That's
The theme!
But vary it.
CHRISTIAN:
I. . .
ROXANE:
Vary it!
CHRISTIAN:
I love you so!
ROXANE:
Oh!
without doubt!--and then?.
. .
CHRISTIAN:
And then--I should be--oh!--so glad--so glad
If you would love me!--Roxane, tell me so!
ROXANE (with a little grimace):
I hoped for cream,--you give me gruel!
Say
How love possesses you?
CHRISTIAN:
Oh utterly!
ROXANE:
Come, come!. .
.unknot those tangled sentiments!
CHRISTIAN:
Your throat I'd kiss it!
ROXANE:
Christian!
CHRISTIAN:
I love thee!
ROXANE (half-rising):
Again!
CHRISTIAN (eagerly, detaining her):
No, no!
I love thee not!
ROXANE (reseating herself):
'Tis well!
CHRISTIAN:
But I adore thee!
ROXANE (rising, and going further off):
Oh!
CHRISTIAN:
I am grown stupid!
ROXANE (dryly):
And that displeases me, almost as much
As 'twould displease me if you grew ill-favored.
CHRISTIAN:
But.
. .
ROXANE:
Rally your poor eloquence that's flown!
CHRISTIAN:
I. . .
| Christian, Roxane, the duenna.
ROXANE (coming out of Clomire's house, with a company of friends, whom she
leaves.
Bows and good-byes):
Barthenoide!--Alcandre!--Gremione!--
THE DUENNA (bitterly disappointed):
We've missed the speech upon the Tender Passion!
(Goes into Roxane's house.)
ROXANE (still bowing):
Urimedonte--adieu!
(All bow to Roxane and to each other, and then separate, going up different
streets.
Roxane suddenly seeing Christian):
You!
(She goes to him):
Evening falls.
Let , almost as much
As 'twould displease me if you grew ill-favored.
CHRISTIAN:
But.
. .
ROXANE:
Rally your poor eloquence that's flown!
CHRISTIAN:
I. . .
ROXANE:
Yes, you love me, that I know.
Adieu.
(She goes toward her house.)
CHRISTIAN:
Oh, go not yet!
I'd tell you--
ROXANE (opening the door):
You adore me?
I've heard it very oft.
No!--Go away!
CHRISTIAN:
But I would fain.
. .
(She shuts the door in his face.)
CYRANO (who has re-entered unseen):
I' faith!
It is successful! |
Let's sit.
Speak on.
I listen.
CHRISTIAN (sits by her on the bench.
A silence):
Oh!
I love you!
ROXANE (shutting her eyes):
Ay, speak to me of love.
CHRISTIAN:
I love thee!
ROXANE:
That's
The theme!
But vary it.
CHRISTIAN:
I. . .
ROXANE:
Vary it!
CHRISTIAN:
I love you so!
ROXANE:
Oh!
without doubt!--and then?.
. .
CHRISTIAN:
And then--I should be--oh!--so glad--so glad
If you would love me!--Roxane, tell me so!
ROXANE (with a little grimace):
I hoped for cream,--you give me gruel!
Say
How love possesses you?
CHRISTIAN:
Oh utterly!
ROXANE:
Come, come!. .
.unknot those tangled sentiments!
CHRISTIAN:
Your throat I'd kiss it!
ROXANE:
Christian!
CHRISTIAN:
I love thee!
ROXANE (half-rising):
Again!
CHRISTIAN (eagerly, detaining her):
No, no!
I love thee not!
ROXANE (reseating herself):
'Tis well!
CHRISTIAN:
But I adore thee!
ROXANE (rising, and going further off):
Oh!
CHRISTIAN:
I am grown stupid!
ROXANE (dryly):
And that displeases me, alm |
1,254 | true | novelguide | all_chapterized_books/1254-chapters/27.txt | finished_summaries/novelguide/Cyrano de Bergerac/section_5_part_2.txt | Cyrano de Bergerac.act 3.scene 6 | act 3, scene 6 | null | {"name": "Act 3, scene 6", "url": "https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act3-scenes5-14", "summary": "Christian begs Cyrano to help him get Roxane back. A light appears in the balcony window, so the men know that she is in her room. Cyrano hides under the balcony and makes Christian stand in front of it. Cyrano throws pebbles at Roxane's window to get her to come out", "analysis": ""} | Christian, Cyrano, two pages.
CHRISTIAN:
Come to my aid!
CYRANO:
Not I!
CHRISTIAN:
But I shall die,
Unless at once I win back her fair favor.
CYRANO:
And how can I, at once, i' th' devil's name,
Lesson you in. . .
CHRISTIAN (seizing his arm):
Oh, she is there!
(The window of the balcony is now lighted up.)
CYRANO (moved):
Her window!
CHRISTIAN:
Oh! I shall die!
CYRANO:
Speak lower!
CHRISTIAN (in a whisper):
I shall die!
CYRANO:
The night is dark. . .
CHRISTIAN:
Well!
CYRANO:
All can be repaired.
Although you merit not. Stand there, poor wretch!
Fronting the balcony! I'll go beneath
And prompt your words to you. . .
CHRISTIAN:
But. . .
CYRANO:
Hold your tongue!
THE PAGES (reappearing at back--to Cyrano):
Ho!
CYRANO:
Hush!
(He signs to them to speak softly.)
FIRST PAGE (in a low voice):
We've played the serenade you bade
To Montfleury!
CYRANO (quickly, in a low voice):
Go! lurk in ambush there,
One at this street corner, and one at that;
And if a passer-by should here intrude,
Play you a tune!
SECOND PAGE:
What tune, Sir Gassendist?
CYRANO:
Gay, if a woman comes,--for a man, sad!
(The pages disappear, one at each street corner. To Christian):
Call her!
CHRISTIAN:
Roxane!
CYRANO (picking up stones and throwing them at the window):
Some pebbles! wait awhile!
ROXANE (half-opening the casement):
Who calls me?
CHRISTIAN:
I!
ROXANE:
Who's that?
CHRISTIAN:
Christian!
ROXANE (disdainfully):
Oh! you?
CHRISTIAN:
I would speak with you.
CYRANO (under the balcony--to Christian):
Good. Speak soft and low.
ROXANE:
No, you speak stupidly!
CHRISTIAN:
Oh, pity me!
ROXANE:
No! you love me no more!
CHRISTIAN (prompted by Cyrano):
You say--Great Heaven!
I love no more?--when--I--love more and more!
ROXANE (who was about to shut the casement, pausing):
Hold! 'tis a trifle better! ay, a trifle!
CHRISTIAN (same play):
Love grew apace, rocked by the anxious beating. . .
Of this poor heart, which the cruel wanton boy. . .
Took for a cradle!
ROXANE (coming out on to the balcony):
That is better! But
An if you deem that Cupid be so cruel
You should have stifled baby-love in's cradle!
CHRISTIAN (same play):
Ah, Madame, I assayed, but all in vain
This. . .new-born babe is a young. . .Hercules!
ROXANE:
Still better!
CHRISTIAN (same play):
Thus he strangled in my heart
The. . .serpents twain, of. . .Pride. . .and Doubt!
ROXANE (leaning over the balcony):
Well said!
--But why so faltering? Has mental palsy
Seized on your faculty imaginative?
CYRANO (drawing Christian under the balcony, and slipping into his place):
Give place! This waxes critical!. . .
ROXANE:
To-day. . .
Your words are hesitating.
CYRANO (imitating Christian--in a whisper):
Night has come. . .
In the dusk they grope their way to find your ear.
ROXANE:
But my words find no such impediment.
CYRANO:
They find their way at once? Small wonder that!
For 'tis within my heart they find their home;
Bethink how large my heart, how small your ear!
And,--from fair heights descending, words fall fast,
But mine must mount, Madame, and that takes time!
ROXANE:
Meseems that your last words have learned to climb.
CYRANO:
With practice such gymnastic grows less hard!
ROXANE:
In truth, I seem to speak from distant heights!
CYRANO:
True, far above; at such a height 'twere death
If a hard word from you fell on my heart.
ROXANE (moving):
I will come down. . .
CYRANO (hastily):
No!
ROXANE (showing him the bench under the balcony):
Mount then on the bench!
CYRANO (starting back alarmed):
No!
ROXANE:
How, you will not?
CYRANO (more and more moved):
Stay awhile! 'Tis sweet,. . .
The rare occasion, when our hearts can speak
Our selves unseen, unseeing!
ROXANE:
Why--unseen?
CYRANO:
Ay, it is sweet! Half hidden,--half revealed--
You see the dark folds of my shrouding cloak,
And I, the glimmering whiteness of your dress:
I but a shadow--you a radiance fair!
Know you what such a moment holds for me?
If ever I were eloquent. . .
ROXANE:
You were!
CYRANO:
Yet never till to-night my speech has sprung
Straight from my heart as now it springs.
ROXANE:
Why not?
CYRANO:
Till now I spoke haphazard. . .
ROXANE:
What?
CYRANO:
Your eyes
Have beams that turn men dizzy!--But to-night
Methinks I shall find speech for the first time!
ROXANE:
'Tis true, your voice rings with a tone that's new.
CYRANO (coming nearer, passionately):
Ay, a new tone! In the tender, sheltering dusk
I dare to be myself for once,--at last!
(He stops, falters):
What say I? I know not!--Oh, pardon me--
It thrills me,--'tis so sweet, so novel. . .
ROXANE:
How?
So novel?
CYRANO (off his balance, trying to find the thread of his sentence):
Ay,--to be at last sincere;
Till now, my chilled heart, fearing to be mocked. . .
ROXANE:
Mocked, and for what?
CYRANO:
For its mad beating!--Ay,
My heart has clothed itself with witty words,
To shroud itself from curious eyes:--impelled
At times to aim at a star, I stay my hand,
And, fearing ridicule,--cull a wild flower!
ROXANE:
A wild flower's sweet.
CYRANO:
Ay, but to-night--the star!
ROXANE:
Oh! never have you spoken thus before!
CYRANO:
If, leaving Cupid's arrows, quivers, torches,
We turned to seek for sweeter--fresher things!
Instead of sipping in a pygmy glass
Dull fashionable waters,--did we try
How the soul slakes its thirst in fearless draught
By drinking from the river's flooding brim!
ROXANE:
But wit?. . .
CYRANO:
If I have used it to arrest you
At the first starting,--now, 'twould be an outrage,
An insult--to the perfumed Night--to Nature--
To speak fine words that garnish vain love-letters!
Look up but at her stars! The quiet Heaven
Will ease our hearts of all things artificial;
I fear lest, 'midst the alchemy we're skilled in
The truth of sentiment dissolve and vanish,--
The soul exhausted by these empty pastimes,
The gain of fine things be the loss of all things!
ROXANE:
But wit? I say. . .
CYRANO:
In love 'tis crime,--'tis hateful!
Turning frank loving into subtle fencing!
At last the moment comes, inevitable,--
--Oh, woe for those who never know that moment!
When feeling love exists in us, ennobling,
Each well-weighed word is futile and soul-saddening!
ROXANE:
Well, if that moment's come for us--suppose it!
What words would serve you?
CYRANO:
All, all, all, whatever
That came to me, e'en as they came, I'd fling them
In a wild cluster, not a careful bouquet.
I love thee! I am mad! I love, I stifle!
Thy name is in my heart as in a sheep-bell,
And as I ever tremble, thinking of thee,
Ever the bell shakes, ever thy name ringeth!
All things of thine I mind, for I love all things;
I know that last year on the twelfth of May-month,
To walk abroad, one day you changed your hair-plaits!
I am so used to take your hair for daylight
That,--like as when the eye stares on the sun's disk,
One sees long after a red blot on all things--
So, when I quit thy beams, my dazzled vision
Sees upon all things a blonde stain imprinted.
ROXANE (agitated):
Why, this is love indeed!. . .
CYRANO:
Ay, true, the feeling
Which fills me, terrible and jealous, truly
Love,--which is ever sad amid its transports!
Love,--and yet, strangely, not a selfish passion!
I for your joy would gladly lay mine own down,
--E'en though you never were to know it,--never!
--If but at times I might--far off and lonely,--
Hear some gay echo of the joy I bought you!
Each glance of thine awakes in me a virtue,--
A novel, unknown valor. Dost begin, sweet,
To understand? So late, dost understand me?
Feel'st thou my soul, here, through the darkness mounting?
Too fair the night! Too fair, too fair the moment!
That I should speak thus, and that you should hearken!
Too fair! In moments when my hopes rose proudest,
I never hoped such guerdon. Naught is left me
But to die now! Have words of mine the power
To make you tremble,--throned there in the branches?
Ay, like a leaf among the leaves, you tremble!
You tremble! For I feel,--an if you will it,
Or will it not,--your hand's beloved trembling
Thrill through the branches, down your sprays of jasmine!
(He kisses passionately one of the hanging tendrils.)
ROXANE:
Ay! I am trembling, weeping!--I am thine!
Thou hast conquered all of me!
CYRANO:
Then let death come!
'Tis I, 'tis I myself, who conquered thee!
One thing, but one, I dare to ask--
CHRISTIAN (under the balcony):
A kiss!
ROXANE (drawing back):
What?
CYRANO:
Oh!
ROXANE:
You ask. . .?
CYRANO:
I. . .
(To Christian, whispering):
Fool! you go too quick!
CHRISTIAN:
Since she is moved thus--I will profit by it!
CYRANO (to Roxane):
My words sprang thoughtlessly, but now I see--
Shame on me!--I was too presumptuous.
ROXANE (a little chilled):
How quickly you withdraw.
CYRANO:
Yes, I withdraw
Without withdrawing! Hurt I modesty?
If so--the kiss I asked--oh, grant it not.
CHRISTIAN (to Cyrano, pulling him by his cloak):
Why?
CYRANO:
Silence, Christian! Hush!
ROXANE (leaning over):
What whisper you?
CYRANO:
I chid myself for my too bold advances;
Said, 'Silence, Christian!'
(The lutes begin to play):
Hark! Wait awhile,. . .
Steps come!
(Roxane shuts the window. Cyrano listens to the lutes, one of which plays a
merry, the other a melancholy, tune):
Why, they play sad--then gay--then sad! What? Neither man nor woman?--oh!
a monk!
(Enter a capuchin friar, with a lantern. He goes from house to house, looking
at every door.)
| 1,741 | Act 3, scene 6 | https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act3-scenes5-14 | Christian begs Cyrano to help him get Roxane back. A light appears in the balcony window, so the men know that she is in her room. Cyrano hides under the balcony and makes Christian stand in front of it. Cyrano throws pebbles at Roxane's window to get her to come out | null | 51 | 1 | [
"Christian, Cyrano, two pages.",
"CHRISTIAN:\n Come to my aid!",
"CYRANO:\n Not I!",
"CHRISTIAN:\n But I shall die,\n Unless at once I win back her fair favor.",
"CYRANO:\n And how can I, at once, i' th' devil's name,\n Lesson you in.",
". .\n\nCHRISTIAN (seizing his arm):\n Oh, she is there!",
"(The window of the balcony is now lighted up.)",
"CYRANO (moved):\n Her window!",
"CHRISTIAN:\n Oh!",
"I shall die!",
"CYRANO:\n Speak lower!",
"CHRISTIAN (in a whisper):\n I shall die!",
"CYRANO:\n The night is dark.",
". .\n\nCHRISTIAN:\n Well!",
"CYRANO:\n All can be repaired.",
"Although you merit not.",
"Stand there, poor wretch!",
"Fronting the balcony!",
"I'll go beneath\n And prompt your words to you.",
". .\n\nCHRISTIAN:\n But.",
". .\n\nCYRANO:\n Hold your tongue!",
"THE PAGES (reappearing at back--to Cyrano):\n Ho!",
"CYRANO:\n Hush!",
"(He signs to them to speak softly.)",
"FIRST PAGE (in a low voice):\n We've played the serenade you bade\n To Montfleury!",
"CYRANO (quickly, in a low voice):\n Go!",
"lurk in ambush there,\n One at this street corner, and one at that;\n And if a passer-by should here intrude,\n Play you a tune!",
"SECOND PAGE:\n What tune, Sir Gassendist?",
"CYRANO:\n Gay, if a woman comes,--for a man, sad!",
"(The pages disappear, one at each street corner.",
"To Christian):\n Call her!",
"CHRISTIAN:\n Roxane!",
"CYRANO (picking up stones and throwing them at the window):\n Some pebbles!",
"wait awhile!",
"ROXANE (half-opening the casement):\n Who calls me?",
"CHRISTIAN:\n I!",
"ROXANE:\n Who's that?",
"CHRISTIAN:\n Christian!",
"ROXANE (disdainfully):\n Oh!",
"you?",
"CHRISTIAN:\n I would speak with you.",
"CYRANO (under the balcony--to Christian):\n Good.",
"Speak soft and low.",
"ROXANE:\n No, you speak stupidly!",
"CHRISTIAN:\n Oh, pity me!",
"ROXANE:\n No!",
"you love me no more!",
"CHRISTIAN (prompted by Cyrano):\n You say--Great Heaven!",
"I love no more?--when--I--love more and more!",
"ROXANE (who was about to shut the casement, pausing):\n Hold!",
"'tis a trifle better!",
"ay, a trifle!",
"CHRISTIAN (same play):\n Love grew apace, rocked by the anxious beating.",
". .\n Of this poor heart, which the cruel wanton boy.",
". .",
"Took for a cradle!",
"ROXANE (coming out on to the balcony):\n That is better!",
"But\n An if you deem that Cupid be so cruel\n You should have stifled baby-love in's cradle!",
"CHRISTIAN (same play):\n Ah, Madame, I assayed, but all in vain\n This. . .new-born babe is a young. . .Hercules!",
"ROXANE:\n Still better!",
"CHRISTIAN (same play):\n Thus he strangled in my heart\n The. . .serpents twain, of. . .Pride. . .and Doubt!",
"ROXANE (leaning over the balcony):\n Well said!",
"--But why so faltering?",
"Has mental palsy\n Seized on your faculty imaginative?",
"CYRANO (drawing Christian under the balcony, and slipping into his place):\n Give place!",
"This waxes critical!.",
". .\n\nROXANE:\n To-day.",
". .",
"Your words are hesitating.",
"CYRANO (imitating Christian--in a whisper):\n Night has come.",
". .",
"In the dusk they grope their way to find your ear.",
"ROXANE:\n But my words find no such impediment.",
"CYRANO:\n They find their way at once?",
"Small wonder that!",
"For 'tis within my heart they find their home;\n Bethink how large my heart, how small your ear!",
"And,--from fair heights descending, words fall fast,\n But mine must mount, Madame, and that takes time!",
"ROXANE:\n Meseems that your last words have learned to climb.",
"CYRANO:\n With practice such gymnastic grows less hard!",
"ROXANE:\n In truth, I seem to speak from distant heights!",
"CYRANO:\n True, far above; at such a height 'twere death\n If a hard word from you fell on my heart.",
"ROXANE (moving):\n I will come down.",
". .\n\nCYRANO (hastily):\n No!",
"ROXANE (showing him the bench under the balcony):\n Mount then on the bench!",
"CYRANO (starting back alarmed):\n No!",
"ROXANE:\n How, you will not?",
"CYRANO (more and more moved):\n Stay awhile!",
"'Tis sweet,.",
". .",
"The rare occasion, when our hearts can speak\n Our selves unseen, unseeing!",
"ROXANE:\n Why--unseen?",
"CYRANO:\n Ay, it is sweet!",
"Half hidden,--half revealed--\n You see the dark folds of my shrouding cloak,\n And I, the glimmering whiteness of your dress:\n I but a shadow--you a radiance fair!",
"Know you what such a moment holds for me?",
"If ever I were eloquent.",
". .\n\nROXANE:\n You were!",
"CYRANO:\n Yet never till to-night my speech has sprung\n Straight from my heart as now it springs.",
"ROXANE:\n Why not?",
"CYRANO:\n Till now I spoke haphazard.",
". .\n\nROXANE:\n What?",
"CYRANO:\n Your eyes\n Have beams that turn men dizzy!--But to-night\n Methinks I shall find speech for the first time!",
"ROXANE:\n 'Tis true, your voice rings with a tone that's new.",
"CYRANO (coming nearer, passionately):\n Ay, a new tone!",
"In the tender, sheltering dusk\n I dare to be myself for once,--at last!",
"(He stops, falters):\n What say I?",
"I know not!--Oh, pardon me--\n It thrills me,--'tis so sweet, so novel.",
". .\n\nROXANE:\n How?",
"So novel?",
"CYRANO (off his balance, trying to find the thread of his sentence):\n Ay,--to be at last sincere;\n Till now, my chilled heart, fearing to be mocked.",
". .\n\nROXANE:\n Mocked, and for what?",
"CYRANO:\n For its mad beating!--Ay,\n My heart has clothed itself with witty words,\n To shroud itself from curious eyes:--impelled\n At times to aim at a star, I stay my hand,\n And, fearing ridicule,--cull a wild flower!",
"ROXANE:\n A wild flower's sweet.",
"CYRANO:\n Ay, but to-night--the star!",
"ROXANE:\n Oh!",
"never have you spoken thus before!",
"CYRANO:\n If, leaving Cupid's arrows, quivers, torches,\n We turned to seek for sweeter--fresher things!",
"Instead of sipping in a pygmy glass\n Dull fashionable waters,--did we try\n How the soul slakes its thirst in fearless draught\n By drinking from the river's flooding brim!",
"ROXANE:\n But wit?.",
". .\n\nCYRANO:\n If I have used it to arrest you\n At the first starting,--now, 'twould be an outrage,\n An insult--to the perfumed Night--to Nature--\n To speak fine words that garnish vain love-letters!",
"Look up but at her stars!",
"The quiet Heaven\n Will ease our hearts of all things artificial;\n I fear lest, 'midst the alchemy we're skilled in\n The truth of sentiment dissolve and vanish,--\n The soul exhausted by these empty pastimes,\n The gain of fine things be the loss of all things!",
"ROXANE:\n But wit?",
"I say.",
". .\n\nCYRANO:\n In love 'tis crime,--'tis hateful!",
"Turning frank loving into subtle fencing!",
"At last the moment comes, inevitable,--\n --Oh, woe for those who never know that moment!",
"When feeling love exists in us, ennobling,\n Each well-weighed word is futile and soul-saddening!",
"ROXANE:\n Well, if that moment's come for us--suppose it!",
"What words would serve you?",
"CYRANO:\n All, all, all, whatever\n That came to me, e'en as they came, I'd fling them\n In a wild cluster, not a careful bouquet.",
"I love thee!",
"I am mad!",
"I love, I stifle!",
"Thy name is in my heart as in a sheep-bell,\n And as I ever tremble, thinking of thee,\n Ever the bell shakes, ever thy name ringeth!",
"All things of thine I mind, for I love all things;\n I know that last year on the twelfth of May-month,\n To walk abroad, one day you changed your hair-plaits!",
"I am so used to take your hair for daylight\n That,--like as when the eye stares on the sun's disk,\n One sees long after a red blot on all things--\n So, when I quit thy beams, my dazzled vision\n Sees upon all things a blonde stain imprinted.",
"ROXANE (agitated):\n Why, this is love indeed!.",
". .\n\nCYRANO:\n Ay, true, the feeling\n Which fills me, terrible and jealous, truly\n Love,--which is ever sad amid its transports!",
"Love,--and yet, strangely, not a selfish passion!",
"I for your joy would gladly lay mine own down,\n --E'en though you never were to know it,--never!",
"--If but at times I might--far off and lonely,--\n Hear some gay echo of the joy I bought you!",
"Each glance of thine awakes in me a virtue,--\n A novel, unknown valor.",
"Dost begin, sweet,\n To understand?",
"So late, dost understand me?",
"Feel'st thou my soul, here, through the darkness mounting?",
"Too fair the night!",
"Too fair, too fair the moment!",
"That I should speak thus, and that you should hearken!",
"Too fair!",
"In moments when my hopes rose proudest,\n I never hoped such guerdon.",
"Naught is left me\n But to die now!",
"Have words of mine the power\n To make you tremble,--throned there in the branches?",
"Ay, like a leaf among the leaves, you tremble!",
"You tremble!",
"For I feel,--an if you will it,\n Or will it not,--your hand's beloved trembling\n Thrill through the branches, down your sprays of jasmine!",
"(He kisses passionately one of the hanging tendrils.)",
"ROXANE:\n Ay!",
"I am trembling, weeping!--I am thine!",
"Thou hast conquered all of me!",
"CYRANO:\n Then let death come!",
"'Tis I, 'tis I myself, who conquered thee!",
"One thing, but one, I dare to ask--\n\nCHRISTIAN (under the balcony):\n A kiss!",
"ROXANE (drawing back):\n What?",
"CYRANO:\n Oh!",
"ROXANE:\n You ask. .",
".?",
"CYRANO:\n I. . .\n(To Christian, whispering):\n Fool!",
"you go too quick!",
"CHRISTIAN:\n Since she is moved thus--I will profit by it!",
"CYRANO (to Roxane):\n My words sprang thoughtlessly, but now I see--\n Shame on me!--I was too presumptuous.",
"ROXANE (a little chilled):\n How quickly you withdraw.",
"CYRANO:\n Yes, I withdraw\n Without withdrawing!",
"Hurt I modesty?",
"If so--the kiss I asked--oh, grant it not.",
"CHRISTIAN (to Cyrano, pulling him by his cloak):\n Why?",
"CYRANO:\n Silence, Christian!",
"Hush!",
"ROXANE (leaning over):\n What whisper you?",
"CYRANO:\n I chid myself for my too bold advances;\n Said, 'Silence, Christian!'",
"(The lutes begin to play):\n Hark!",
"Wait awhile,.",
". .\n Steps come!",
"(Roxane shuts the window.",
"Cyrano listens to the lutes, one of which plays a\nmerry, the other a melancholy, tune):\n Why, they play sad--then gay--then sad!",
"What?",
"Neither man nor woman?--oh!",
"a monk!",
"(Enter a capuchin friar, with a lantern.",
"He goes from house to house, looking\nat every door.)"
] | [
"CHRISTIAN:\n Come to my aid!",
"THE PAGES (reappearing at back--to Cyrano):\n Ho!",
". .",
"CYRANO:\n Ay, it is sweet!",
"CYRANO:\n Your eyes\n Have beams that turn men dizzy!--But to-night\n Methinks I shall find speech for the first time!",
"CYRANO:\n For its mad beating!--Ay,\n My heart has clothed itself with witty words,\n To shroud itself from curious eyes:--impelled\n At times to aim at a star, I stay my hand,\n And, fearing ridicule,--cull a wild flower!",
"ROXANE:\n A wild flower's sweet.",
"I love thee!",
"Ay, like a leaf among the leaves, you tremble!",
"Wait awhile,."
] | [
". .\n\nCYRANO (hastily):\n No!",
". .",
"(He stops, falters):\n What say I?",
"Have words of mine the power\n To make you tremble,--throned there in the branches?",
"ROXANE (leaning over the balcony):\n Well said!",
"ROXANE:\n Ay!",
"When feeling love exists in us, ennobling,\n Each well-weighed word is futile and soul-saddening!",
"CHRISTIAN:\n But I shall die,\n Unless at once I win back her fair favor.",
"CYRANO:\n And how can I, at once, i' th' devil's name,\n Lesson you in.",
"Fronting the balcony!"
] | [
"The rare occasion, when our hearts can speak\n Our selves unseen, unseeing!",
"ROXANE:\n Why--unseen?",
"CYRANO:\n Ay, it is sweet!",
"Half hidden,--half revealed--\n You see the dark folds of my shrouding cloak,\n And I, the glimmering whiteness of your dress:\n I but a shadow--you a radiance fair!",
"Know you what such a moment holds for me?",
"If ever I were eloquent.",
". .\n\nROXANE:\n You were!",
"CYRANO:\n Yet never till to-night my speech has sprung\n Straight from my heart as now it springs.",
"ROXANE:\n Why not?",
"CYRANO:\n Till now I spoke haphazard.",
". .\n\nROXANE:\n What?"
] | [
"Christian, Cyrano, two pages.",
"CHRISTIAN:\n Come to my aid!",
"CYRANO:\n Not I!",
"CHRISTIAN:\n But I shall die,\n Unless at once I win back her fair favor.",
"CYRANO:\n And how can I, at once, i' th' devil's name,\n Lesson you in.",
". .\n\nCHRISTIAN (seizing his arm):\n Oh, she is there!",
"(The window of the balcony is now lighted up.)",
"CYRANO (moved):\n Her window!",
"CHRISTIAN:\n Oh!",
"I shall die!",
"(The lutes begin to play):\n Hark!",
"Wait awhile,.",
". .\n Steps come!",
"(Roxane shuts the window.",
"Cyrano listens to the lutes, one of which plays a\nmerry, the other a melancholy, tune):\n Why, they play sad--then gay--then sad!",
"What?",
"Neither man nor woman?--oh!",
"a monk!",
"(Enter a capuchin friar, with a lantern.",
"He goes from house to house, looking\nat every door.)"
] | e casement, pausing):
Hold!
'tis a trifle better!
ay, a trifle!
CHRISTIAN (same play):
Love grew apace, rocked by the anxious beating.
. .
Of this poor heart, which the cruel wanton boy.
. .
Took for a cradle!
ROXANE (coming out on to the balcony):
That is better!
But
An if you deem that Cupid be so cruel
You should have stifled baby-love in's cradle!
CHRISTIAN (same play):
Ah, Madame, I assayed, but all in vain
This. . .new-born babe is a young. . .Hercules!
ROXANE:
Still better!
CHRISTIAN (same play):
Thus he strangled in my heart
The. . .serpents twain, of. . .Pride. . .and Doubt!
ROXANE (leaning over the balcony):
Well said!
--But why so faltering?
Has mental palsy
Seized on your faculty imaginative?
CYRANO (drawing Christian under the balcony, and slipping into his place):
Give place!
This waxes critical!.
. .
ROXANE:
To-day.
. .
Your words are hesitating.
CYRANO (imitating Christian--in a whisper):
Night has come.
. .
In the dusk they grope their | Christian, Cyrano, two pages.
CHRISTIAN:
Come to my aid!
CYRANO:
Not I!
CHRISTIAN:
But I shall die,
Unless at once I win back her fair favor.
CYRANO:
And how can I, at once, i' th' devil's name,
Lesson you in.
. .
CHRISTIAN (seizing his arm):
Oh, she is there!
(The window of the balcony is now lighted up.)
CYRANO (moved):
Her window!
CHRISTIAN:
Oh!
I shall die!
CYRANO:
Speak lower!
CHRISTIAN (in a whisper):
I shall die!
CYRANO:
The night is dark.
. .
CHRISTIAN:
Well!
, Christian!
Hush!
ROXANE (leaning over):
What whisper you?
CYRANO:
I chid myself for my too bold advances;
Said, 'Silence, Christian!'
(The lutes begin to play):
Hark!
Wait awhile,.
. .
Steps come!
(Roxane shuts the window.
Cyrano listens to the lutes, one of which plays a
merry, the other a melancholy, tune):
Why, they play sad--then gay--then sad!
What?
Neither man nor woman?--oh!
a monk!
(Enter a capuchin friar, with a lantern.
He goes from house to house, looking
at every door.) | that turn men dizzy!--But to-night
Methinks I shall find speech for the first time!
ROXANE:
'Tis true, your voice rings with a tone that's new.
CYRANO (coming nearer, passionately):
Ay, a new tone!
In the tender, sheltering dusk
I dare to be myself for once,--at last!
(He stops, falters):
What say I?
I know not!--Oh, pardon me--
It thrills me,--'tis so sweet, so novel.
. .
ROXANE:
How?
So novel?
CYRANO (off his balance, trying to find the thread of his sentence):
Ay,--to be at last sincere;
Till now, my chilled heart, fearing to be mocked.
. .
ROXANE:
Mocked, and for what?
CYRANO:
For its mad beating!--Ay,
My heart has clothed itself with witty words,
To shroud itself from curious eyes:--impelled
At times to aim at a star, I stay my hand,
And, fearing ridicule,--cull a wild flower!
ROXANE:
A wild flower's sweet.
CYRANO:
Ay, but to-night--the star!
ROXANE:
Oh!
never have you spoken thus before!
CYRANO:
If, leaving Cupid's arrows, quivers, torches,
|
1,254 | true | novelguide | all_chapterized_books/1254-chapters/28.txt | finished_summaries/novelguide/Cyrano de Bergerac/section_5_part_3.txt | Cyrano de Bergerac.act 3.scene 7 | act 3, scene 7 | null | {"name": "Act 3, scene 7", "url": "https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act3-scenes5-14", "summary": "Roxane opens her window and tells Christian to go away as he has nothing to say. She is on the point of closing her window when Cyrano prompts Christian with eloquent speeches, which he delivers to Roxane. She changes her mind and decides to listen to her suitor. She asks Christian why his speech is full of delays. Cyrano quickly pulls Christian under the balcony and steps out in his place. He imitates Christian's voice and, because it is dark, Roxane cannot see that it is Cyrano who is addressing her. Cyrano is at last able to express the love he has always felt for Roxane. Spellbound by Cyrano's poetry, Roxane wants to come down, but Cyrano persuades her not to. Christian almost ruins the moment by asking Roxane for a kiss, which pulls her out of her enchantment, but Cyrano rescues the situation through his tact and sensitivity. He hears someone coming, and Roxane hastily withdraws inside the house", "analysis": ""} | Cyrano, Christian, a capuchin friar.
CYRANO (to the friar):
What do you, playing at Diogenes?
THE FRIAR:
I seek the house of Madame. . .
CHRISTIAN:
Oh! plague take him!
THE FRIAR:
Madeleine Robin. . .
CHRISTIAN:
What would he?. . .
CYRANO (pointing to a street at the back):
This way!
Straight on. . .
THE FRIAR
I thank you, and, in your intention
Will tell my rosary to its last bead.
(He goes out.)
CYRANO:
Good luck! My blessings rest upon your cowl!
(He goes back to Christian.)
| 91 | Act 3, scene 7 | https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act3-scenes5-14 | Roxane opens her window and tells Christian to go away as he has nothing to say. She is on the point of closing her window when Cyrano prompts Christian with eloquent speeches, which he delivers to Roxane. She changes her mind and decides to listen to her suitor. She asks Christian why his speech is full of delays. Cyrano quickly pulls Christian under the balcony and steps out in his place. He imitates Christian's voice and, because it is dark, Roxane cannot see that it is Cyrano who is addressing her. Cyrano is at last able to express the love he has always felt for Roxane. Spellbound by Cyrano's poetry, Roxane wants to come down, but Cyrano persuades her not to. Christian almost ruins the moment by asking Roxane for a kiss, which pulls her out of her enchantment, but Cyrano rescues the situation through his tact and sensitivity. He hears someone coming, and Roxane hastily withdraws inside the house | null | 160 | 1 | [
"Cyrano, Christian, a capuchin friar.",
"CYRANO (to the friar):\n What do you, playing at Diogenes?",
"THE FRIAR:\n I seek the house of Madame.",
". .\n\nCHRISTIAN:\n Oh!",
"plague take him!",
"THE FRIAR:\n Madeleine Robin.",
". .\n\nCHRISTIAN:\n What would he?.",
". .\n\nCYRANO (pointing to a street at the back):\n This way!",
"Straight on.",
". .",
"THE FRIAR\n I thank you, and, in your intention\n Will tell my rosary to its last bead.",
"(He goes out.)",
"CYRANO:\n Good luck!",
"My blessings rest upon your cowl!",
"(He goes back to Christian.)"
] | [
"CYRANO (to the friar):\n What do you, playing at Diogenes?",
"THE FRIAR:\n I seek the house of Madame.",
". .\n\nCHRISTIAN:\n Oh!",
"plague take him!",
". .\n\nCHRISTIAN:\n What would he?.",
". .\n\nCYRANO (pointing to a street at the back):\n This way!",
"Straight on.",
"THE FRIAR\n I thank you, and, in your intention\n Will tell my rosary to its last bead.",
"My blessings rest upon your cowl!",
"(He goes back to Christian.)"
] | [
". .",
"My blessings rest upon your cowl!",
". .\n\nCHRISTIAN:\n Oh!",
"THE FRIAR:\n Madeleine Robin.",
"(He goes back to Christian.)",
"THE FRIAR\n I thank you, and, in your intention\n Will tell my rosary to its last bead.",
"CYRANO:\n Good luck!",
". .\n\nCYRANO (pointing to a street at the back):\n This way!",
"(He goes out.)",
"Straight on."
] | [
"THE FRIAR:\n I seek the house of Madame.",
". .\n\nCHRISTIAN:\n Oh!",
"plague take him!",
"THE FRIAR:\n Madeleine Robin.",
". .\n\nCHRISTIAN:\n What would he?.",
". .\n\nCYRANO (pointing to a street at the back):\n This way!",
"Straight on.",
". .",
"THE FRIAR\n I thank you, and, in your intention\n Will tell my rosary to its last bead.",
"(He goes out.)",
"CYRANO:\n Good luck!"
] | [
"Cyrano, Christian, a capuchin friar.",
"CYRANO (to the friar):\n What do you, playing at Diogenes?",
"THE FRIAR:\n I seek the house of Madame.",
". .\n\nCHRISTIAN:\n Oh!",
"plague take him!",
"THE FRIAR:\n Madeleine Robin.",
". .\n\nCHRISTIAN:\n What would he?.",
". .\n\nCYRANO (pointing to a street at the back):\n This way!",
"Straight on.",
". .",
"THE FRIAR:\n Madeleine Robin.",
". .\n\nCHRISTIAN:\n What would he?.",
". .\n\nCYRANO (pointing to a street at the back):\n This way!",
"Straight on.",
". .",
"THE FRIAR\n I thank you, and, in your intention\n Will tell my rosary to its last bead.",
"(He goes out.)",
"CYRANO:\n Good luck!",
"My blessings rest upon your cowl!",
"(He goes back to Christian.)"
] | Cyrano, Christian, a capuchin friar.
CYRANO (to the friar):
What do you, playing at Diogenes?
THE FRIAR:
I seek the house of Madame.
. .
CHRISTIAN:
Oh!
plague take him!
THE FRIAR:
Madeleine Robin.
. .
CHRISTIAN:
What would he?.
. .
CYRANO (pointing to a street at the back):
This way!
Straight on.
. .
THE FRIAR
I thank you, and, in your intention
Will tell my rosary to its last bead.
(He goes out.)
CYRANO:
Good luck!
My blessings rest upon your cowl!
(He goes back to Christian.) | Cyrano, Christian, a capuchin friar.
CYRANO (to the friar):
What do you, playing at Diogenes?
THE FRIAR:
I seek the house my rosary to its last bead.
(He goes out.)
CYRANO:
Good luck!
My blessings rest upon your cowl!
(He goes back to Christian.) | of Madame.
. .
CHRISTIAN:
Oh!
plague take him!
THE FRIAR:
Madeleine Robin.
. .
CHRISTIAN:
What would he?.
. .
CYRANO (pointing to a street at the back):
This way!
Straight on.
. .
THE FRIAR
I thank you, and, in your intention
Will tell |
1,254 | true | novelguide | all_chapterized_books/1254-chapters/29.txt | finished_summaries/novelguide/Cyrano de Bergerac/section_5_part_4.txt | Cyrano de Bergerac.act 3.scene 8 | act 3, scene 8 | null | {"name": "Act 3, scene 8", "url": "https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act3-scenes5-14", "summary": "A Capuchin monk enters, looking for Roxane's house. Cyrano, not wanting to be disturbed, sends him in the opposite direction", "analysis": ""} | Cyrano, Christian.
CHRISTIAN:
Oh! win for me that kiss. . .
CYRANO:
No!
CHRISTIAN:
Soon or late!. . .
CYRANO:
'Tis true! The moment of intoxication--
Of madness,--when your mouths are sure to meet
Thanks to your fair mustache--and her rose lips!
(To himself):
I'd fainer it should come thanks to. . .
(A sound of shutters reopening. Christian goes in again under the balcony.)
| 68 | Act 3, scene 8 | https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act3-scenes5-14 | A Capuchin monk enters, looking for Roxane's house. Cyrano, not wanting to be disturbed, sends him in the opposite direction | null | 20 | 1 | [
"Cyrano, Christian.",
"CHRISTIAN:\n Oh!",
"win for me that kiss.",
". .\n\nCYRANO:\n No!",
"CHRISTIAN:\n Soon or late!.",
". .\n\nCYRANO:\n 'Tis true!",
"The moment of intoxication--\n Of madness,--when your mouths are sure to meet\n Thanks to your fair mustache--and her rose lips!",
"(To himself):\n I'd fainer it should come thanks to.",
". .\n\n(A sound of shutters reopening.",
"Christian goes in again under the balcony.)"
] | [
"Cyrano, Christian.",
"CHRISTIAN:\n Oh!",
"win for me that kiss.",
". .\n\nCYRANO:\n No!",
"CHRISTIAN:\n Soon or late!.",
". .\n\nCYRANO:\n 'Tis true!",
"The moment of intoxication--\n Of madness,--when your mouths are sure to meet\n Thanks to your fair mustache--and her rose lips!",
"(To himself):\n I'd fainer it should come thanks to.",
". .\n\n(A sound of shutters reopening.",
"Christian goes in again under the balcony.)"
] | [
"CHRISTIAN:\n Oh!",
"The moment of intoxication--\n Of madness,--when your mouths are sure to meet\n Thanks to your fair mustache--and her rose lips!",
"win for me that kiss.",
". .\n\nCYRANO:\n 'Tis true!",
"Christian goes in again under the balcony.)",
"(To himself):\n I'd fainer it should come thanks to.",
"Cyrano, Christian.",
". .\n\n(A sound of shutters reopening.",
". .\n\nCYRANO:\n No!",
"CHRISTIAN:\n Soon or late!."
] | [
"CHRISTIAN:\n Oh!",
"win for me that kiss.",
". .\n\nCYRANO:\n No!",
"CHRISTIAN:\n Soon or late!.",
". .\n\nCYRANO:\n 'Tis true!",
"The moment of intoxication--\n Of madness,--when your mouths are sure to meet\n Thanks to your fair mustache--and her rose lips!",
"(To himself):\n I'd fainer it should come thanks to.",
". .\n\n(A sound of shutters reopening.",
"Christian goes in again under the balcony.)"
] | [
"Cyrano, Christian.",
"CHRISTIAN:\n Oh!",
"win for me that kiss.",
". .\n\nCYRANO:\n No!",
"CHRISTIAN:\n Soon or late!.",
". .\n\nCYRANO:\n 'Tis true!",
"The moment of intoxication--\n Of madness,--when your mouths are sure to meet\n Thanks to your fair mustache--and her rose lips!",
"(To himself):\n I'd fainer it should come thanks to.",
". .\n\n(A sound of shutters reopening.",
"Christian goes in again under the balcony.)",
"Cyrano, Christian.",
"CHRISTIAN:\n Oh!",
"win for me that kiss.",
". .\n\nCYRANO:\n No!",
"CHRISTIAN:\n Soon or late!.",
". .\n\nCYRANO:\n 'Tis true!",
"The moment of intoxication--\n Of madness,--when your mouths are sure to meet\n Thanks to your fair mustache--and her rose lips!",
"(To himself):\n I'd fainer it should come thanks to.",
". .\n\n(A sound of shutters reopening.",
"Christian goes in again under the balcony.)"
] | Cyrano, Christian.
CHRISTIAN:
Oh!
win for me that kiss.
. .
CYRANO:
No!
CHRISTIAN:
Soon or late!.
. .
CYRANO:
'Tis true!
The moment of intoxication--
Of madness,--when your mouths are sure to meet
Thanks to your fair mustache--and her rose lips!
(To himself):
I'd fainer it should come thanks to.
. .
(A sound of shutters reopening.
Christian goes in again under the balcony.) | Cyrano, Christian.
CHRISTIAN:
Oh!
win for me that kiss.
. .
CYRANO:
No!
CHRISTIAN:
Soon or d come thanks to.
. .
(A sound of shutters reopening.
Christian goes in again under the balcony.) | late!.
. .
CYRANO:
'Tis true!
The moment of intoxication--
Of madness,--when your mouths are sure to meet
Thanks to your fair mustache--and her rose lips!
(To himself):
I'd fainer it shoul |
1,254 | true | novelguide | all_chapterized_books/1254-chapters/30.txt | finished_summaries/novelguide/Cyrano de Bergerac/section_5_part_5.txt | Cyrano de Bergerac.act 3.scene 9 | act 3, scene 9 | null | {"name": "Act 3, scene 9", "url": "https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act3-scenes5-14", "summary": "Christian tells Cyrano that he must have a kiss from Roxane. Cyrano reluctantly agrees", "analysis": ""} | Cyrano, Christian, Roxane.
ROXANE (coming out on the balcony):
Still there?
We spoke of a. . .
CYRANO:
A kiss! The word is sweet.
I see not why your lip should shrink from it;
If the word burns it,--what would the kiss do?
Oh! let it not your bashfulness affright;
Have you not, all this time, insensibly,
Left badinage aside, and unalarmed
Glided from smile to sigh,--from sigh to weeping?
Glide gently, imperceptibly, still onward--
From tear to kiss,--a moment's thrill!--a heartbeat!
ROXANE:
Hush! hush!
CYRANO:
A kiss, when all is said,--what is it?
An oath that's ratified,--a sealed promise,
A heart's avowal claiming confirmation,--
A rose-dot on the 'i' of 'adoration,'--
A secret that to mouth, not ear, is whispered,--
Brush of a bee's wing, that makes time eternal,--
Communion perfumed like the spring's wild flowers,--
The heart's relieving in the heart's outbreathing,
When to the lips the soul's flood rises, brimming!
ROXANE:
Hush! hush!
CYRANO:
A kiss, Madame, is honorable:
The Queen of France, to a most favored lord
Did grant a kiss--the Queen herself!
ROXANE:
What then?
CYRANO (speaking more warmly):
Buckingham suffered dumbly,--so have I,--
Adored his Queen, as loyally as I,--
Was sad, but faithful,--so am I. . .
ROXANE:
And you
Are fair as Buckingham!
CYRANO (aside--suddenly cooled):
True,--I forgot!
ROXANE:
Must I then bid thee mount to cull this flower?
CYRANO (pushing Christian toward the balcony):
Mount!
ROXANE:
This heart-breathing!. . .
CYRANO:
Mount!
ROXANE:
This brush of bee's wing!. . .
CYRANO:
Mount!
CHRISTIAN (hesitating):
But I feel now, as though 'twere ill done!
ROXANE:
This moment infinite!. . .
CYRANO (still pushing him):
Come, blockhead, mount!
(Christian springs forward, and by means of the bench, the branches, and the
pillars, climbs to the balcony and strides over it.)
CHRISTIAN:
Ah, Roxane!
(He takes her in his arms, and bends over her lips.)
CYRANO:
Aie! Strange pain that wrings my heart!
The kiss, love's feast, so near! I, Lazarus,
Lie at the gate in darkness. Yet to me
Falls still a crumb or two from the rich man's board--
Ay, 'tis my heart receives thee, Roxane--mine!
For on the lips you press you kiss as well
The words I spoke just now!--my words--my words!
(The lutes play):
A sad air,--a gay air: the monk!
(He begins to run as if he came from a long way off, and cries out):
Hola!
ROXANE:
Who is it?
CYRANO:
I--I was but passing by. . .
Is Christian there?
CHRISTIAN (astonished):
Cyrano!
ROXANE:
Good-day, cousin!
CYRANO:
Cousin, good-day!
ROXANE:
I'm coming!
(She disappears into the house. At the back re-enter the friar.)
CHRISTIAN (seeing him):
Back again!
(He follows Roxane.)
| 474 | Act 3, scene 9 | https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act3-scenes5-14 | Christian tells Cyrano that he must have a kiss from Roxane. Cyrano reluctantly agrees | null | 14 | 1 | [
"Cyrano, Christian, Roxane.",
"ROXANE (coming out on the balcony):\n Still there?",
"We spoke of a. . .\n\nCYRANO:\n A kiss!",
"The word is sweet.",
"I see not why your lip should shrink from it;\n If the word burns it,--what would the kiss do?",
"Oh!",
"let it not your bashfulness affright;\n Have you not, all this time, insensibly,\n Left badinage aside, and unalarmed\n Glided from smile to sigh,--from sigh to weeping?",
"Glide gently, imperceptibly, still onward--\n From tear to kiss,--a moment's thrill!--a heartbeat!",
"ROXANE:\n Hush!",
"hush!",
"CYRANO:\n A kiss, when all is said,--what is it?",
"An oath that's ratified,--a sealed promise,\n A heart's avowal claiming confirmation,--\n A rose-dot on the 'i' of 'adoration,'--\n A secret that to mouth, not ear, is whispered,--\n Brush of a bee's wing, that makes time eternal,--\n Communion perfumed like the spring's wild flowers,--\n The heart's relieving in the heart's outbreathing,\n When to the lips the soul's flood rises, brimming!",
"ROXANE:\n Hush!",
"hush!",
"CYRANO:\n A kiss, Madame, is honorable:\n The Queen of France, to a most favored lord\n Did grant a kiss--the Queen herself!",
"ROXANE:\n What then?",
"CYRANO (speaking more warmly):\n Buckingham suffered dumbly,--so have I,--\n Adored his Queen, as loyally as I,--\n Was sad, but faithful,--so am I. . .\n\nROXANE:\n And you\n Are fair as Buckingham!",
"CYRANO (aside--suddenly cooled):\n True,--I forgot!",
"ROXANE:\n Must I then bid thee mount to cull this flower?",
"CYRANO (pushing Christian toward the balcony):\n Mount!",
"ROXANE:\n This heart-breathing!.",
". .\n\nCYRANO:\n Mount!",
"ROXANE:\n This brush of bee's wing!.",
". .\n\nCYRANO:\n Mount!",
"CHRISTIAN (hesitating):\n But I feel now, as though 'twere ill done!",
"ROXANE:\n This moment infinite!.",
". .\n\nCYRANO (still pushing him):\n Come, blockhead, mount!",
"(Christian springs forward, and by means of the bench, the branches, and the\npillars, climbs to the balcony and strides over it.)",
"CHRISTIAN:\n Ah, Roxane!",
"(He takes her in his arms, and bends over her lips.)",
"CYRANO:\n Aie!",
"Strange pain that wrings my heart!",
"The kiss, love's feast, so near!",
"I, Lazarus,\n Lie at the gate in darkness.",
"Yet to me\n Falls still a crumb or two from the rich man's board--\n Ay, 'tis my heart receives thee, Roxane--mine!",
"For on the lips you press you kiss as well\n The words I spoke just now!--my words--my words!",
"(The lutes play):\n A sad air,--a gay air: the monk!",
"(He begins to run as if he came from a long way off, and cries out):\n Hola!",
"ROXANE:\n Who is it?",
"CYRANO:\n I--I was but passing by.",
". .\n Is Christian there?",
"CHRISTIAN (astonished):\n Cyrano!",
"ROXANE:\n Good-day, cousin!",
"CYRANO:\n Cousin, good-day!",
"ROXANE:\n I'm coming!",
"(She disappears into the house.",
"At the back re-enter the friar.)",
"CHRISTIAN (seeing him):\n Back again!",
"(He follows Roxane.)"
] | [
"Cyrano, Christian, Roxane.",
"We spoke of a. . .\n\nCYRANO:\n A kiss!",
"An oath that's ratified,--a sealed promise,\n A heart's avowal claiming confirmation,--\n A rose-dot on the 'i' of 'adoration,'--\n A secret that to mouth, not ear, is whispered,--\n Brush of a bee's wing, that makes time eternal,--\n Communion perfumed like the spring's wild flowers,--\n The heart's relieving in the heart's outbreathing,\n When to the lips the soul's flood rises, brimming!",
"CYRANO:\n A kiss, Madame, is honorable:\n The Queen of France, to a most favored lord\n Did grant a kiss--the Queen herself!",
"ROXANE:\n What then?",
"CHRISTIAN (hesitating):\n But I feel now, as though 'twere ill done!",
". .\n\nCYRANO (still pushing him):\n Come, blockhead, mount!",
"Strange pain that wrings my heart!",
"(He begins to run as if he came from a long way off, and cries out):\n Hola!",
"(He follows Roxane.)"
] | [
"CYRANO (aside--suddenly cooled):\n True,--I forgot!",
"CHRISTIAN (astonished):\n Cyrano!",
". .\n\nCYRANO (still pushing him):\n Come, blockhead, mount!",
". .\n\nCYRANO:\n Mount!",
"Strange pain that wrings my heart!",
"I, Lazarus,\n Lie at the gate in darkness.",
"Yet to me\n Falls still a crumb or two from the rich man's board--\n Ay, 'tis my heart receives thee, Roxane--mine!",
"ROXANE:\n What then?",
"CYRANO:\n I--I was but passing by.",
"(Christian springs forward, and by means of the bench, the branches, and the\npillars, climbs to the balcony and strides over it.)"
] | [
"CYRANO (pushing Christian toward the balcony):\n Mount!",
"ROXANE:\n This heart-breathing!.",
". .\n\nCYRANO:\n Mount!",
"ROXANE:\n This brush of bee's wing!.",
". .\n\nCYRANO:\n Mount!",
"CHRISTIAN (hesitating):\n But I feel now, as though 'twere ill done!",
"ROXANE:\n This moment infinite!.",
". .\n\nCYRANO (still pushing him):\n Come, blockhead, mount!",
"(Christian springs forward, and by means of the bench, the branches, and the\npillars, climbs to the balcony and strides over it.)",
"CHRISTIAN:\n Ah, Roxane!",
"(He takes her in his arms, and bends over her lips.)"
] | [
"Cyrano, Christian, Roxane.",
"ROXANE (coming out on the balcony):\n Still there?",
"We spoke of a. . .\n\nCYRANO:\n A kiss!",
"The word is sweet.",
"I see not why your lip should shrink from it;\n If the word burns it,--what would the kiss do?",
"Oh!",
"let it not your bashfulness affright;\n Have you not, all this time, insensibly,\n Left badinage aside, and unalarmed\n Glided from smile to sigh,--from sigh to weeping?",
"Glide gently, imperceptibly, still onward--\n From tear to kiss,--a moment's thrill!--a heartbeat!",
"ROXANE:\n Hush!",
"hush!",
"CYRANO:\n I--I was but passing by.",
". .\n Is Christian there?",
"CHRISTIAN (astonished):\n Cyrano!",
"ROXANE:\n Good-day, cousin!",
"CYRANO:\n Cousin, good-day!",
"ROXANE:\n I'm coming!",
"(She disappears into the house.",
"At the back re-enter the friar.)",
"CHRISTIAN (seeing him):\n Back again!",
"(He follows Roxane.)"
] | Are fair as Buckingham!
CYRANO (aside--suddenly cooled):
True,--I forgot!
ROXANE:
Must I then bid thee mount to cull this flower?
CYRANO (pushing Christian toward the balcony):
Mount!
ROXANE:
This heart-breathing!.
. .
CYRANO:
Mount!
ROXANE:
This brush of bee's wing!.
. .
CYRANO:
Mount!
CHRISTIAN (hesitating):
But I feel now, as though 'twere ill done!
ROXANE:
This moment infinite!.
. .
CYRANO (still pushing him):
Come, blockhead, mount!
(Christian springs forward, and by means of the bench, the branches, and the
pillars, climbs to the balcony and strides over it.)
CHRISTIAN:
Ah, Roxane!
(He takes her in his arms, and bends over her lips.)
CYRANO:
Aie!
Strange pain that wrings my heart!
The kiss, love's feast, so near!
I, Lazarus,
Lie at the gate in darkness.
Yet to me
Falls still a crumb or two from the rich man's board--
Ay, 'tis my heart receives thee, Roxane--mine!
For on the lips you press you kiss as well
The words I spoke just now!--my words-- | Cyrano, Christian, Roxane.
ROXANE (coming out on the balcony):
Still there?
We spoke of a. . .
CYRANO:
A kiss!
The word is sweet.
I see not why your lip should shrink from it;
If the word burns it,--what would the kiss do?
Oh!
let it not your bashfulness affright;
Have you not, all this time, insensibly,
Left badinage aside, and unalarmed
Glided from smile to sigh,--from sigh to weeping?
Glide gently, imperceptibly, still onward--
From tear to kiss,--a moment's thrill!--a heartbea l
The words I spoke just now!--my words--my words!
(The lutes play):
A sad air,--a gay air: the monk!
(He begins to run as if he came from a long way off, and cries out):
Hola!
ROXANE:
Who is it?
CYRANO:
I--I was but passing by.
. .
Is Christian there?
CHRISTIAN (astonished):
Cyrano!
ROXANE:
Good-day, cousin!
CYRANO:
Cousin, good-day!
ROXANE:
I'm coming!
(She disappears into the house.
At the back re-enter the friar.)
CHRISTIAN (seeing him):
Back again!
(He follows Roxane.) | ng in the heart's outbreathing,
When to the lips the soul's flood rises, brimming!
ROXANE:
Hush!
hush!
CYRANO:
A kiss, Madame, is honorable:
The Queen of France, to a most favored lord
Did grant a kiss--the Queen herself!
ROXANE:
What then?
CYRANO (speaking more warmly):
Buckingham suffered dumbly,--so have I,--
Adored his Queen, as loyally as I,--
Was sad, but faithful,--so am I. . .
ROXANE:
And you
Are fair as Buckingham!
CYRANO (aside--suddenly cooled):
True,--I forgot!
ROXANE:
Must I then bid thee mount to cull this flower?
CYRANO (pushing Christian toward the balcony):
Mount!
ROXANE:
This heart-breathing!.
. .
CYRANO:
Mount!
ROXANE:
This brush of bee's wing!.
. .
CYRANO:
Mount!
CHRISTIAN (hesitating):
But I feel now, as though 'twere ill done!
ROXANE:
This moment infinite!.
. .
CYRANO (still pushing him):
Come, blockhead, mount!
(Christian springs forward, and by means of the bench, the branches, and the
pillars, climbs to the balcony a |
1,254 | true | novelguide | all_chapterized_books/1254-chapters/31.txt | finished_summaries/novelguide/Cyrano de Bergerac/section_5_part_6.txt | Cyrano de Bergerac.act 3.scene 10 | act 3, scene 10 | null | {"name": "Act 3, scene 10", "url": "https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act3-scenes5-14", "summary": "Roxane reappears on her balcony. Cyrano charms her into agreeing to the kiss. He urges Christian to climb up and kiss Roxane. Christian hesitates, saying, \"It feels wrong. But Cyrano urges Christian more insistently, and Christian climbs up onto the balcony and kisses Roxane. Cyrano takes comfort in the thought that his words won the kiss", "analysis": ""} | Cyrano, Christian, Roxane, the friar, Ragueneau.
THE FRIAR:
'Tis here,--I'm sure of it--Madame Madeleine Robin.
CYRANO:
Why, you said Ro-LIN.
THE FRIAR:
No, not I.
B,I,N,BIN!
ROXANE (appearing on the threshold, followed by Ragueneau, who carries a
lantern, and Christian):
What is't?
THE FRIAR:
A letter.
CHRISTIAN:
What?
THE FRIAR (to Roxane):
Oh, it can boot but a holy business!
'Tis from a worthy lord. . .
ROXANE (to Christian):
De Guiche!
CHRISTIAN:
He dares. . .
ROXANE:
Oh, he will not importune me forever!
(Unsealing the letter):
I love you,--therefore--
(She reads in a low voice by the aid of Ragueneau's lantern):
'Lady,
The drums beat;
My regiment buckles its harness on
And starts; but I,--they deem me gone before--
But I stay. I have dared to disobey
Your mandate. I am here in convent walls.
I come to you to-night. By this poor monk--
A simple fool who knows not what he bears--
I send this missive to apprise your ear.
Your lips erewhile have smiled on me, too sweet:
I go not ere I've seen them once again!
I would be private; send each soul away,
Receive alone him,--whose great boldness you
Have deigned, I hope, to pardon, ere he asks,--
He who is ever your--et cetera.'
(To the monk):
Father, this is the matter of the letter:--
(All come near her, and she reads aloud):
'Lady,
The Cardinal's wish is law; albeit
It be to you unwelcome. For this cause
I send these lines--to your fair ear addressed--
By a holy man, discreet, intelligent:
It is our will that you receive from him,
In your own house, the marriage
(She turns the page):
benediction
Straightway, this night. Unknown to all the world
Christian becomes your husband. Him we send.
He is abhorrent to your choice. Let be.
Resign yourself, and this obedience
Will be by Heaven well recompensed. Receive,
Fair lady, all assurance of respect,
From him who ever was, and still remains,
Your humble and obliged--et cetera.'
THE FRIAR (with great delight):
O worthy lord! I knew naught was to fear;
It could be but holy business!
ROXANE (to Christian, in a low voice):
Am I not apt at reading letters?
CHRISTIAN:
Hum!
ROXANE (aloud, with despair):
But this is horrible!
THE FRIAR (who has turned his lantern on Cyrano):
'Tis you?
CHRISTIAN:
'Tis I!
THE FRIAR (turning the light on to him, and as if a doubt struck him on seeing
his beauty):
But. . .
ROXANE (quickly):
I have overlooked the postscript--see:--
'Give twenty pistoles for the Convent.'
THE FRIAR:
. . .Oh!
Most worthy lord!
(To Roxane):
Submit you?
ROXANE (with a martyr's look):
I submit!
(While Ragueneau opens the door, and Christian invites the friar to enter, she
whispers to Cyrano):
Oh, keep De Guiche at bay! He will be here!
Let him not enter till. . .
CYRANO:
I understand!
(To the friar):
What time need you to tie the marriage-knot?
THE FRIAR:
A quarter of an hour.
CYRANO (pushing them all toward the house):
Go! I stay.
ROXANE (to Christian):
Come!. . .
(They enter.)
CYRANO:
Now, how to detain De Guiche so long?
(He jumps on the bench, climbs to the balcony by the wall):
Come!. . .up I go!. . .I have my plan!. . .
(The lutes begin to play a very sad air):
What, ho!
(The tremolo grows more and more weird):
It is a man! ay! 'tis a man this time!
(He is on the balcony, pulls his hat over his eyes, takes off his sword, wraps
himself in his cloak, then leans over):
'Tis not too high!
(He strides across the balcony, and drawing to him a long branch of one of the
trees that are by the garden wall, he hangs on to it with both hands, ready to
let himself fall):
I'll shake this atmosphere!
| 686 | Act 3, scene 10 | https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act3-scenes5-14 | Roxane reappears on her balcony. Cyrano charms her into agreeing to the kiss. He urges Christian to climb up and kiss Roxane. Christian hesitates, saying, "It feels wrong. But Cyrano urges Christian more insistently, and Christian climbs up onto the balcony and kisses Roxane. Cyrano takes comfort in the thought that his words won the kiss | null | 56 | 1 | [
"Cyrano, Christian, Roxane, the friar, Ragueneau.",
"THE FRIAR:\n 'Tis here,--I'm sure of it--Madame Madeleine Robin.",
"CYRANO:\n Why, you said Ro-LIN.",
"THE FRIAR:\n No, not I.\n B,I,N,BIN!",
"ROXANE (appearing on the threshold, followed by Ragueneau, who carries a\nlantern, and Christian):\n What is't?",
"THE FRIAR:\n A letter.",
"CHRISTIAN:\n What?",
"THE FRIAR (to Roxane):\n Oh, it can boot but a holy business!",
"'Tis from a worthy lord.",
". .\n\nROXANE (to Christian):\n De Guiche!",
"CHRISTIAN:\n He dares.",
". .\n\nROXANE:\n Oh, he will not importune me forever!",
"(Unsealing the letter):\n I love you,--therefore--\n(She reads in a low voice by the aid of Ragueneau's lantern):\n 'Lady,\n The drums beat;\n My regiment buckles its harness on\n And starts; but I,--they deem me gone before--\n But I stay.",
"I have dared to disobey\n Your mandate.",
"I am here in convent walls.",
"I come to you to-night.",
"By this poor monk--\n A simple fool who knows not what he bears--\n I send this missive to apprise your ear.",
"Your lips erewhile have smiled on me, too sweet:\n I go not ere I've seen them once again!",
"I would be private; send each soul away,\n Receive alone him,--whose great boldness you\n Have deigned, I hope, to pardon, ere he asks,--\n He who is ever your--et cetera.'",
"(To the monk):\n Father, this is the matter of the letter:--\n(All come near her, and she reads aloud):\n 'Lady,\n The Cardinal's wish is law; albeit\n It be to you unwelcome.",
"For this cause\n I send these lines--to your fair ear addressed--\n By a holy man, discreet, intelligent:\n It is our will that you receive from him,\n In your own house, the marriage\n(She turns the page):\n benediction\n Straightway, this night.",
"Unknown to all the world\n Christian becomes your husband.",
"Him we send.",
"He is abhorrent to your choice.",
"Let be.",
"Resign yourself, and this obedience\n Will be by Heaven well recompensed.",
"Receive,\n Fair lady, all assurance of respect,\n From him who ever was, and still remains,\n Your humble and obliged--et cetera.'",
"THE FRIAR (with great delight):\n O worthy lord!",
"I knew naught was to fear;\n It could be but holy business!",
"ROXANE (to Christian, in a low voice):\n Am I not apt at reading letters?",
"CHRISTIAN:\n Hum!",
"ROXANE (aloud, with despair):\n But this is horrible!",
"THE FRIAR (who has turned his lantern on Cyrano):\n 'Tis you?",
"CHRISTIAN:\n 'Tis I!",
"THE FRIAR (turning the light on to him, and as if a doubt struck him on seeing\nhis beauty):\n But.",
". .\n\nROXANE (quickly):\n I have overlooked the postscript--see:--\n 'Give twenty pistoles for the Convent.'",
"THE FRIAR:\n . . .Oh!",
"Most worthy lord!",
"(To Roxane):\n Submit you?",
"ROXANE (with a martyr's look):\n I submit!",
"(While Ragueneau opens the door, and Christian invites the friar to enter, she\nwhispers to Cyrano):\n Oh, keep De Guiche at bay!",
"He will be here!",
"Let him not enter till.",
". .\n\nCYRANO:\n I understand!",
"(To the friar):\n What time need you to tie the marriage-knot?",
"THE FRIAR:\n A quarter of an hour.",
"CYRANO (pushing them all toward the house):\n Go!",
"I stay.",
"ROXANE (to Christian):\n Come!.",
". .\n\n(They enter.)",
"CYRANO:\n Now, how to detain De Guiche so long?",
"(He jumps on the bench, climbs to the balcony by the wall):\n Come!. .",
".up I go!. .",
".I have my plan!.",
". .\n(The lutes begin to play a very sad air):\n What, ho!",
"(The tremolo grows more and more weird):\n It is a man!",
"ay!",
"'tis a man this time!",
"(He is on the balcony, pulls his hat over his eyes, takes off his sword, wraps\nhimself in his cloak, then leans over):\n 'Tis not too high!",
"(He strides across the balcony, and drawing to him a long branch of one of the\ntrees that are by the garden wall, he hangs on to it with both hands, ready to\nlet himself fall):\n I'll shake this atmosphere!"
] | [
"'Tis from a worthy lord.",
"I come to you to-night.",
"For this cause\n I send these lines--to your fair ear addressed--\n By a holy man, discreet, intelligent:\n It is our will that you receive from him,\n In your own house, the marriage\n(She turns the page):\n benediction\n Straightway, this night.",
"Let be.",
"I knew naught was to fear;\n It could be but holy business!",
"ROXANE (to Christian, in a low voice):\n Am I not apt at reading letters?",
"ROXANE (aloud, with despair):\n But this is horrible!",
"(To Roxane):\n Submit you?",
"Let him not enter till.",
". .\n\n(They enter.)"
] | [
"For this cause\n I send these lines--to your fair ear addressed--\n By a holy man, discreet, intelligent:\n It is our will that you receive from him,\n In your own house, the marriage\n(She turns the page):\n benediction\n Straightway, this night.",
"I would be private; send each soul away,\n Receive alone him,--whose great boldness you\n Have deigned, I hope, to pardon, ere he asks,--\n He who is ever your--et cetera.'",
"He will be here!",
"Cyrano, Christian, Roxane, the friar, Ragueneau.",
"THE FRIAR:\n A quarter of an hour.",
". .\n\nROXANE (quickly):\n I have overlooked the postscript--see:--\n 'Give twenty pistoles for the Convent.'",
"Your lips erewhile have smiled on me, too sweet:\n I go not ere I've seen them once again!",
"THE FRIAR:\n No, not I.\n B,I,N,BIN!",
"I come to you to-night.",
"CYRANO (pushing them all toward the house):\n Go!"
] | [
"Resign yourself, and this obedience\n Will be by Heaven well recompensed.",
"Receive,\n Fair lady, all assurance of respect,\n From him who ever was, and still remains,\n Your humble and obliged--et cetera.'",
"THE FRIAR (with great delight):\n O worthy lord!",
"I knew naught was to fear;\n It could be but holy business!",
"ROXANE (to Christian, in a low voice):\n Am I not apt at reading letters?",
"CHRISTIAN:\n Hum!",
"ROXANE (aloud, with despair):\n But this is horrible!",
"THE FRIAR (who has turned his lantern on Cyrano):\n 'Tis you?",
"CHRISTIAN:\n 'Tis I!",
"THE FRIAR (turning the light on to him, and as if a doubt struck him on seeing\nhis beauty):\n But.",
". .\n\nROXANE (quickly):\n I have overlooked the postscript--see:--\n 'Give twenty pistoles for the Convent.'"
] | [
"Cyrano, Christian, Roxane, the friar, Ragueneau.",
"THE FRIAR:\n 'Tis here,--I'm sure of it--Madame Madeleine Robin.",
"CYRANO:\n Why, you said Ro-LIN.",
"THE FRIAR:\n No, not I.\n B,I,N,BIN!",
"ROXANE (appearing on the threshold, followed by Ragueneau, who carries a\nlantern, and Christian):\n What is't?",
"THE FRIAR:\n A letter.",
"CHRISTIAN:\n What?",
"THE FRIAR (to Roxane):\n Oh, it can boot but a holy business!",
"'Tis from a worthy lord.",
". .\n\nROXANE (to Christian):\n De Guiche!",
"CYRANO:\n Now, how to detain De Guiche so long?",
"(He jumps on the bench, climbs to the balcony by the wall):\n Come!. .",
".up I go!. .",
".I have my plan!.",
". .\n(The lutes begin to play a very sad air):\n What, ho!",
"(The tremolo grows more and more weird):\n It is a man!",
"ay!",
"'tis a man this time!",
"(He is on the balcony, pulls his hat over his eyes, takes off his sword, wraps\nhimself in his cloak, then leans over):\n 'Tis not too high!",
"(He strides across the balcony, and drawing to him a long branch of one of the\ntrees that are by the garden wall, he hangs on to it with both hands, ready to\nlet himself fall):\n I'll shake this atmosphere!"
] | yr's look):
I submit!
(While Ragueneau opens the door, and Christian invites the friar to enter, she
whispers to Cyrano):
Oh, keep De Guiche at bay!
He will be here!
Let him not enter till.
. .
CYRANO:
I understand!
(To the friar):
What time need you to tie the marriage-knot?
THE FRIAR:
A quarter of an hour.
CYRANO (pushing them all toward the house):
Go!
I stay.
ROXANE (to Christian):
Come!.
. .
(They enter.)
CYRANO:
Now, how to detain De Guiche so long?
(He jumps on the bench, climbs to the balcony by the wall):
Come!. .
.up I go!. .
.I have my plan!.
. .
(The lutes begin to play a very sad air):
What, ho!
(The tremolo grows more and more weird):
It is a man!
ay!
'tis a man this time!
(He is on the balcony, pulls his hat over his eyes, takes off his sword, wraps
himself in his cloak, then leans over):
'Tis not too high!
(He strides across the balcony, and drawing to him a long branch of one of the
trees that are by the garden wall, he hangs on to it with bot | Cyrano, Christian, Roxane, the friar, Ragueneau.
THE FRIAR:
'Tis here,--I'm sure of it--Madame Madeleine Robin.
CYRANO:
Why, you said Ro-LIN.
THE FRIAR:
No, not I.
B,I,N,BIN!
ROXANE (appearing on the threshold, followed by Ragueneau, who carries a
lantern, and Christian):
What is't?
THE FRIAR:
A letter.
CHRISTIAN:
What?
THE FRIAR (to Roxane):
Oh, it can boot but a holy business!
'Tis from a worthy lord.
. .
ROXANE (to Christian):
De Guiche!
CHRISTIAN:
He dares.
. .
ROXANE:
ave my plan!.
. .
(The lutes begin to play a very sad air):
What, ho!
(The tremolo grows more and more weird):
It is a man!
ay!
'tis a man this time!
(He is on the balcony, pulls his hat over his eyes, takes off his sword, wraps
himself in his cloak, then leans over):
'Tis not too high!
(He strides across the balcony, and drawing to him a long branch of one of the
trees that are by the garden wall, he hangs on to it with both hands, ready to
let himself fall):
I'll shake this atmosphere! | oud):
'Lady,
The Cardinal's wish is law; albeit
It be to you unwelcome.
For this cause
I send these lines--to your fair ear addressed--
By a holy man, discreet, intelligent:
It is our will that you receive from him,
In your own house, the marriage
(She turns the page):
benediction
Straightway, this night.
Unknown to all the world
Christian becomes your husband.
Him we send.
He is abhorrent to your choice.
Let be.
Resign yourself, and this obedience
Will be by Heaven well recompensed.
Receive,
Fair lady, all assurance of respect,
From him who ever was, and still remains,
Your humble and obliged--et cetera.'
THE FRIAR (with great delight):
O worthy lord!
I knew naught was to fear;
It could be but holy business!
ROXANE (to Christian, in a low voice):
Am I not apt at reading letters?
CHRISTIAN:
Hum!
ROXANE (aloud, with despair):
But this is horrible!
THE FRIAR (who has turned his lantern on Cyrano):
'Tis you?
CHRISTIAN:
'Tis I!
THE FRIAR (turnin |
1,254 | true | novelguide | all_chapterized_books/1254-chapters/32.txt | finished_summaries/novelguide/Cyrano de Bergerac/section_5_part_7.txt | Cyrano de Bergerac.act 3.scene 11 | act 3, scene 11 | null | {"name": "Act 3, scene 11", "url": "https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act3-scenes5-14", "summary": "The monk reappears, having discovered that Roxane does live here. He brings a letter to Roxane from de Guiche. In the letter, de Guiche says that he has not gone to the war but has remained behind, hiding in a nearby convent. He intends to visit Roxane tonight. Pretending to read the letter aloud, Roxane says that de Guiche wants Christian to marry Roxane immediately; the monk will conduct the ceremony. The monk hesitates, but when Roxane pretends to discover a postscript promising a large donation to the convent, he agrees to marry them. The monk, Christian, and Roxane go into the house for the ceremony. Roxane asks Cyrano to keep de Guiche outside, talking, to prevent him disturbing the wedding", "analysis": ""} | Cyrano, De Guiche.
DE GUICHE (who enters, masked, feeling his way in the dark):
What can that cursed Friar be about?
CYRANO:
The devil!. . .If he knows my voice!
(Letting go with one hand, he pretends to turn an invisible key. Solemnly):
Cric! Crac!
Assume thou, Cyrano, to serve the turn,
The accent of thy native Bergerac!. . .
DE GUICHE (looking at the house):
'Tis there. I see dim,--this mask hinders me!
(He is about to enter, when Cyrano leaps from the balcony, holding on to the
branch, which bends, dropping him between the door and De Guiche; he pretends
to fall heavily, as from a great height, and lies flat on the ground,
motionless, as if stunned. De Guiche starts back):
What's this?
(When he looks up, the branch has sprung back into its place. He sees only
the sky, and is lost in amazement):
Where fell that man from?
CYRANO (sitting up, and speaking with a Gascon accent):
From the moon!
DE GUICHE:
From?. . .
CYRANO (in a dreamy voice):
What's o'clock?
DE GUICHE:
He's lost his mind, for sure!
CYRANO:
What hour? What country this? What month? What day?
DE GUICHE:
But. . .
CYRANO:
I am stupefied!
DE GUICHE:
Sir!
CYRANO:
Like a bomb
I fell from the moon!
DE GUICHE (impatiently):
Come now!
CYRANO (rising, in a terrible voice):
I say,--the moon!
DE GUICHE (recoiling):
Good, good! let it be so!. . .He's raving mad!
CYRANO (walking up to him):
I say from the moon! I mean no metaphor!. . .
DE GUICHE:
But. . .
CYRANO:
Was't a hundred years--a minute, since?
--I cannot guess what time that fall embraced!--
That I was in that saffron-colored ball?
DE GUICHE (shrugging his shoulders):
Good! let me pass!
CYRANO (intercepting him):
Where am I? Tell the truth!
Fear not to tell! Oh, spare me not! Where? where?
Have I fallen like a shooting star?
DE GUICHE:
Morbleu!
CYRANO:
The fall was lightning-quick! no time to choose
Where I should fall--I know not where it be!
Oh, tell me! Is it on a moon or earth,
that my posterior weight has landed me?
DE GUICHE:
I tell you, Sir. . .
CYRANO (with a screech of terror, which makes De Guiche start back):
No? Can it be? I'm on
A planet where men have black faces?
DE GUICHE (putting a hand to his face):
What?
CYRANO (feigning great alarm):
Am I in Africa? A native you?
DE GUICHE (who has remembered his mask):
This mask of mine. . .
CYRANO (pretending to be reassured):
In Venice? ha!--or Rome?
DE GUICHE (trying to pass):
A lady waits. .
CYRANO (quite reassured):
Oh-ho! I am in Paris!
DE GUICHE (smiling in spite of himself):
The fool is comical!
CYRANO:
You laugh?
DE GUICHE:
I laugh,
But would get by!
CYRANO (beaming with joy):
I have shot back to Paris!
(Quite at ease, laughing, dusting himself, bowing):
Come--pardon me--by the last water-spout,
Covered with ether,--accident of travel!
My eyes still full of star-dust, and my spurs
Encumbered by the planets' filaments!
(Picking something off his sleeve):
Ha! on my doublet?--ah, a comet's hair!. . .
(He puffs as if to blow it away.)
DE GUICHE (beside himself):
Sir!. . .
CYRANO (just as he is about to pass, holds out his leg as if to show him
something and stops him):
In my leg--the calf--there is a tooth
Of the Great Bear, and, passing Neptune close,
I would avoid his trident's point, and fell,
Thus sitting, plump, right in the Scales! My weight
Is marked, still registered, up there in heaven!
(Hurriedly preventing De Guiche from passing, and detaining him by the button
of his doublet):
I swear to you that if you squeezed my nose
It would spout milk!
DE GUICHE:
Milk?
CYRANO:
From the Milky Way!
DE GUICHE:
Oh, go to hell!
CYRANO (crossing his arms):
I fall, Sir, out of heaven!
Now, would you credit it, that as I fell
I saw that Sirius wears a nightcap? True!
(Confidentially):
The other Bear is still too small to bite.
(Laughing):
I went through the Lyre, but I snapped a cord;
(Grandiloquent):
I mean to write the whole thing in a book;
The small gold stars, that, wrapped up in my cloak,
I carried safe away at no small risks,
Will serve for asterisks i' the printed page!
DE GUICHE:
Come, make an end! I want. . .
CYRANO:
Oh-ho! You are sly!
DE GUICHE:
Sir!
CYRANO:
You would worm all out of me!--the way
The moon is made, and if men breathe and live
In its rotund cucurbita?
DE GUICHE (angrily):
No, no!
I want. . .
CYRANO:
Ha, ha!--to know how I got up?
Hark, it was by a method all my own.
DE GUICHE (wearied):
He's mad!
CYRANO(contemptuously):
No! not for me the stupid eagle
Of Regiomontanus, nor the timid
Pigeon of Archytas--neither of those!
DE GUICHE:
Ay, 'tis a fool! But 'tis a learned fool!
CYRANO:
No imitator I of other men!
(De Guiche has succeeded in getting by, and goes toward Roxane's door. Cyrano
follows him, ready to stop him by force):
Six novel methods, all, this brain invented!
DE GUICHE (turning round):
Six?
CYRANO (volubly):
First, with body naked as your hand,
Festooned about with crystal flacons, full
O' th' tears the early morning dew distils;
My body to the sun's fierce rays exposed
To let it suck me up, as 't sucks the dew!
DE GUICHE (surprised, making one step toward Cyrano):
Ah! that makes one!
CYRANO (stepping back, and enticing him further away):
And then, the second way,
To generate wind--for my impetus--
To rarefy air, in a cedar case,
By mirrors placed icosahedron-wise.
DE GUICHE (making another step):
Two!
CYRANO (still stepping backward):
Or--for I have some mechanic skill--
To make a grasshopper, with springs of steel,
And launch myself by quick succeeding fires
Saltpeter-fed to the stars' pastures blue!
DE GUICHE (unconsciously following him and counting on his fingers):
Three!
CYRANO:
Or (since fumes have property to mount)--
To charge a globe with fumes, sufficiently
To carry me aloft!
DE GUICHE (same play, more and more astonished):
Well, that makes four!
CYRANO:
Or smear myself with marrow from a bull,
Since, at the lowest point of Zodiac,
Phoebus well loves to suck that marrow up!
DE GUICHE (amazed):
Five!
CYRANO (who, while speaking, had drawn him to the other side of the square
near a bench):
Sitting on an iron platform--thence
To throw a magnet in the air. This is
A method well conceived--the magnet flown,
Infallibly the iron will pursue:
Then quick! relaunch your magnet, and you thus
Can mount and mount unmeasured distances!
DE GUICHE:
Here are six excellent expedients!
Which of the six chose you?
CYRANO:
Why, none!--a seventh!
DE GUICHE:
Astonishing! What was it?
CYRANO:
I'll recount.
DE GUICHE:
This wild eccentric becomes interesting!
CYRANO (making a noise like the waves, with weird gestures):
Houuh! Houuh!
DE GUICHE:
Well.
CYRANO:
You have guessed?
DE GUICHE:
Not I!
CYRANO:
The tide!
I' th' witching hour when the moon woos the wave,
I laid me, fresh from a sea-bath, on the shore--
And, failing not to put head foremost--for
The hair holds the sea-water in its mesh--
I rose in air, straight! straight! like angel's flight,
And mounted, mounted, gently, effortless,. . .
When lo! a sudden shock! Then. . .
DE GUICHE (overcome by curiosity, sitting down on the bench):
Then?
CYRANO:
Oh! then. . .
(Suddenly returning to his natural voice):
The quarter's gone--I'll hinder you no more:
The marriage-vows are made.
DE GUICHE (springing up):
What? Am I mad?
That voice?
(The house-door opens. Lackeys appear carrying lighted candelabra. Light.
Cyrano gracefully uncovers):
That nose--Cyrano?
CYRANO (bowing):
Cyrano.
While we were chatting, they have plighted troth.
DE GUICHE:
Who?
(He turns round. Tableau. Behind the lackeys appear Roxane and Christian,
holding each other by the hand. The friar follows them, smiling. Ragueneau
also holds a candlestick. The duenna closes the rear, bewildered, having made
a hasty toilet):
Heavens!
| 1,430 | Act 3, scene 11 | https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act3-scenes5-14 | The monk reappears, having discovered that Roxane does live here. He brings a letter to Roxane from de Guiche. In the letter, de Guiche says that he has not gone to the war but has remained behind, hiding in a nearby convent. He intends to visit Roxane tonight. Pretending to read the letter aloud, Roxane says that de Guiche wants Christian to marry Roxane immediately; the monk will conduct the ceremony. The monk hesitates, but when Roxane pretends to discover a postscript promising a large donation to the convent, he agrees to marry them. The monk, Christian, and Roxane go into the house for the ceremony. Roxane asks Cyrano to keep de Guiche outside, talking, to prevent him disturbing the wedding | null | 121 | 1 | [
"Cyrano, De Guiche.",
"DE GUICHE (who enters, masked, feeling his way in the dark):\n What can that cursed Friar be about?",
"CYRANO:\n The devil!. .",
".If he knows my voice!",
"(Letting go with one hand, he pretends to turn an invisible key.",
"Solemnly):\n Cric!",
"Crac!",
"Assume thou, Cyrano, to serve the turn,\n The accent of thy native Bergerac!.",
". .\n\nDE GUICHE (looking at the house):\n 'Tis there.",
"I see dim,--this mask hinders me!",
"(He is about to enter, when Cyrano leaps from the balcony, holding on to the\nbranch, which bends, dropping him between the door and De Guiche; he pretends\nto fall heavily, as from a great height, and lies flat on the ground,\nmotionless, as if stunned.",
"De Guiche starts back):\n What's this?",
"(When he looks up, the branch has sprung back into its place.",
"He sees only\nthe sky, and is lost in amazement):\n Where fell that man from?",
"CYRANO (sitting up, and speaking with a Gascon accent):\n From the moon!",
"DE GUICHE:\n From?.",
". .\n\nCYRANO (in a dreamy voice):\n What's o'clock?",
"DE GUICHE:\n He's lost his mind, for sure!",
"CYRANO:\n What hour?",
"What country this?",
"What month?",
"What day?",
"DE GUICHE:\n But.",
". .\n\nCYRANO:\n I am stupefied!",
"DE GUICHE:\n Sir!",
"CYRANO:\n Like a bomb\n I fell from the moon!",
"DE GUICHE (impatiently):\n Come now!",
"CYRANO (rising, in a terrible voice):\n I say,--the moon!",
"DE GUICHE (recoiling):\n Good, good!",
"let it be so!. .",
".He's raving mad!",
"CYRANO (walking up to him):\n I say from the moon!",
"I mean no metaphor!.",
". .\n\nDE GUICHE:\n But.",
". .\n\nCYRANO:\n Was't a hundred years--a minute, since?",
"--I cannot guess what time that fall embraced!--\n That I was in that saffron-colored ball?",
"DE GUICHE (shrugging his shoulders):\n Good!",
"let me pass!",
"CYRANO (intercepting him):\n Where am I?",
"Tell the truth!",
"Fear not to tell!",
"Oh, spare me not!",
"Where?",
"where?",
"Have I fallen like a shooting star?",
"DE GUICHE:\n Morbleu!",
"CYRANO:\n The fall was lightning-quick!",
"no time to choose\n Where I should fall--I know not where it be!",
"Oh, tell me!",
"Is it on a moon or earth,\n that my posterior weight has landed me?",
"DE GUICHE:\n I tell you, Sir.",
". .\n\nCYRANO (with a screech of terror, which makes De Guiche start back):\n No?",
"Can it be?",
"I'm on\n A planet where men have black faces?",
"DE GUICHE (putting a hand to his face):\n What?",
"CYRANO (feigning great alarm):\n Am I in Africa?",
"A native you?",
"DE GUICHE (who has remembered his mask):\n This mask of mine.",
". .\n\nCYRANO (pretending to be reassured):\n In Venice?",
"ha!--or Rome?",
"DE GUICHE (trying to pass):\n A lady waits. .\n\nCYRANO (quite reassured):\n Oh-ho!",
"I am in Paris!",
"DE GUICHE (smiling in spite of himself):\n The fool is comical!",
"CYRANO:\n You laugh?",
"DE GUICHE:\n I laugh,\n But would get by!",
"CYRANO (beaming with joy):\n I have shot back to Paris!",
"(Quite at ease, laughing, dusting himself, bowing):\n Come--pardon me--by the last water-spout,\n Covered with ether,--accident of travel!",
"My eyes still full of star-dust, and my spurs\n Encumbered by the planets' filaments!",
"(Picking something off his sleeve):\n Ha!",
"on my doublet?--ah, a comet's hair!.",
". .\n\n(He puffs as if to blow it away.)",
"DE GUICHE (beside himself):\n Sir!.",
". .\n\nCYRANO (just as he is about to pass, holds out his leg as if to show him\nsomething and stops him):\n In my leg--the calf--there is a tooth\n Of the Great Bear, and, passing Neptune close,\n I would avoid his trident's point, and fell,\n Thus sitting, plump, right in the Scales!",
"My weight\n Is marked, still registered, up there in heaven!",
"(Hurriedly preventing De Guiche from passing, and detaining him by the button\nof his doublet):\n I swear to you that if you squeezed my nose\n It would spout milk!",
"DE GUICHE:\n Milk?",
"CYRANO:\n From the Milky Way!",
"DE GUICHE:\n Oh, go to hell!",
"CYRANO (crossing his arms):\n I fall, Sir, out of heaven!",
"Now, would you credit it, that as I fell\n I saw that Sirius wears a nightcap?",
"True!",
"(Confidentially):\n The other Bear is still too small to bite.",
"(Laughing):\n I went through the Lyre, but I snapped a cord;\n(Grandiloquent):\n I mean to write the whole thing in a book;\n The small gold stars, that, wrapped up in my cloak,\n I carried safe away at no small risks,\n Will serve for asterisks i' the printed page!",
"DE GUICHE:\n Come, make an end!",
"I want.",
". .\n\nCYRANO:\n Oh-ho!",
"You are sly!",
"DE GUICHE:\n Sir!",
"CYRANO:\n You would worm all out of me!--the way\n The moon is made, and if men breathe and live\n In its rotund cucurbita?",
"DE GUICHE (angrily):\n No, no!",
"I want.",
". .\n\nCYRANO:\n Ha, ha!--to know how I got up?",
"Hark, it was by a method all my own.",
"DE GUICHE (wearied):\n He's mad!",
"CYRANO(contemptuously):\n No!",
"not for me the stupid eagle\n Of Regiomontanus, nor the timid\n Pigeon of Archytas--neither of those!",
"DE GUICHE:\n Ay, 'tis a fool!",
"But 'tis a learned fool!",
"CYRANO:\n No imitator I of other men!",
"(De Guiche has succeeded in getting by, and goes toward Roxane's door.",
"Cyrano\nfollows him, ready to stop him by force):\n Six novel methods, all, this brain invented!",
"DE GUICHE (turning round):\n Six?",
"CYRANO (volubly):\n First, with body naked as your hand,\n Festooned about with crystal flacons, full\n O' th' tears the early morning dew distils;\n My body to the sun's fierce rays exposed\n To let it suck me up, as 't sucks the dew!",
"DE GUICHE (surprised, making one step toward Cyrano):\n Ah!",
"that makes one!",
"CYRANO (stepping back, and enticing him further away):\n And then, the second way,\n To generate wind--for my impetus--\n To rarefy air, in a cedar case,\n By mirrors placed icosahedron-wise.",
"DE GUICHE (making another step):\n Two!",
"CYRANO (still stepping backward):\n Or--for I have some mechanic skill--\n To make a grasshopper, with springs of steel,\n And launch myself by quick succeeding fires\n Saltpeter-fed to the stars' pastures blue!",
"DE GUICHE (unconsciously following him and counting on his fingers):\n Three!",
"CYRANO:\n Or (since fumes have property to mount)--\n To charge a globe with fumes, sufficiently\n To carry me aloft!",
"DE GUICHE (same play, more and more astonished):\n Well, that makes four!",
"CYRANO:\n Or smear myself with marrow from a bull,\n Since, at the lowest point of Zodiac,\n Phoebus well loves to suck that marrow up!",
"DE GUICHE (amazed):\n Five!",
"CYRANO (who, while speaking, had drawn him to the other side of the square\nnear a bench):\n Sitting on an iron platform--thence\n To throw a magnet in the air.",
"This is\n A method well conceived--the magnet flown,\n Infallibly the iron will pursue:\n Then quick!",
"relaunch your magnet, and you thus\n Can mount and mount unmeasured distances!",
"DE GUICHE:\n Here are six excellent expedients!",
"Which of the six chose you?",
"CYRANO:\n Why, none!--a seventh!",
"DE GUICHE:\n Astonishing!",
"What was it?",
"CYRANO:\n I'll recount.",
"DE GUICHE:\n This wild eccentric becomes interesting!",
"CYRANO (making a noise like the waves, with weird gestures):\n Houuh!",
"Houuh!",
"DE GUICHE:\n Well.",
"CYRANO:\n You have guessed?",
"DE GUICHE:\n Not I!",
"CYRANO:\n The tide!",
"I' th' witching hour when the moon woos the wave,\n I laid me, fresh from a sea-bath, on the shore--\n And, failing not to put head foremost--for\n The hair holds the sea-water in its mesh--\n I rose in air, straight!",
"straight!",
"like angel's flight,\n And mounted, mounted, gently, effortless,.",
". .",
"When lo!",
"a sudden shock!",
"Then.",
". .\n\nDE GUICHE (overcome by curiosity, sitting down on the bench):\n Then?",
"CYRANO:\n Oh!",
"then.",
". .\n(Suddenly returning to his natural voice):\n The quarter's gone--I'll hinder you no more:\n The marriage-vows are made.",
"DE GUICHE (springing up):\n What?",
"Am I mad?",
"That voice?",
"(The house-door opens.",
"Lackeys appear carrying lighted candelabra.",
"Light.",
"Cyrano gracefully uncovers):\n That nose--Cyrano?",
"CYRANO (bowing):\n Cyrano.",
"While we were chatting, they have plighted troth.",
"DE GUICHE:\n Who?",
"(He turns round.",
"Tableau.",
"Behind the lackeys appear Roxane and Christian,\nholding each other by the hand.",
"The friar follows them, smiling.",
"Ragueneau\nalso holds a candlestick.",
"The duenna closes the rear, bewildered, having made\na hasty toilet):\n Heavens!"
] | [
"CYRANO:\n The devil!. .",
"DE GUICHE:\n But.",
"DE GUICHE:\n Sir!",
"let me pass!",
"ha!--or Rome?",
"(Quite at ease, laughing, dusting himself, bowing):\n Come--pardon me--by the last water-spout,\n Covered with ether,--accident of travel!",
". .\n\n(He puffs as if to blow it away.)",
"DE GUICHE:\n Not I!",
"DE GUICHE (springing up):\n What?",
"While we were chatting, they have plighted troth."
] | [
"CYRANO:\n Like a bomb\n I fell from the moon!",
"CYRANO (volubly):\n First, with body naked as your hand,\n Festooned about with crystal flacons, full\n O' th' tears the early morning dew distils;\n My body to the sun's fierce rays exposed\n To let it suck me up, as 't sucks the dew!",
"DE GUICHE:\n From?.",
"DE GUICHE:\n He's lost his mind, for sure!",
"Is it on a moon or earth,\n that my posterior weight has landed me?",
"I see dim,--this mask hinders me!",
"When lo!",
"CYRANO:\n Or (since fumes have property to mount)--\n To charge a globe with fumes, sufficiently\n To carry me aloft!",
". .\n\nCYRANO (in a dreamy voice):\n What's o'clock?",
"(The house-door opens."
] | [
"My weight\n Is marked, still registered, up there in heaven!",
"(Hurriedly preventing De Guiche from passing, and detaining him by the button\nof his doublet):\n I swear to you that if you squeezed my nose\n It would spout milk!",
"DE GUICHE:\n Milk?",
"CYRANO:\n From the Milky Way!",
"DE GUICHE:\n Oh, go to hell!",
"CYRANO (crossing his arms):\n I fall, Sir, out of heaven!",
"Now, would you credit it, that as I fell\n I saw that Sirius wears a nightcap?",
"True!",
"(Confidentially):\n The other Bear is still too small to bite.",
"(Laughing):\n I went through the Lyre, but I snapped a cord;\n(Grandiloquent):\n I mean to write the whole thing in a book;\n The small gold stars, that, wrapped up in my cloak,\n I carried safe away at no small risks,\n Will serve for asterisks i' the printed page!",
"DE GUICHE:\n Come, make an end!"
] | [
"Cyrano, De Guiche.",
"DE GUICHE (who enters, masked, feeling his way in the dark):\n What can that cursed Friar be about?",
"CYRANO:\n The devil!. .",
".If he knows my voice!",
"(Letting go with one hand, he pretends to turn an invisible key.",
"Solemnly):\n Cric!",
"Crac!",
"Assume thou, Cyrano, to serve the turn,\n The accent of thy native Bergerac!.",
". .\n\nDE GUICHE (looking at the house):\n 'Tis there.",
"I see dim,--this mask hinders me!",
"Cyrano gracefully uncovers):\n That nose--Cyrano?",
"CYRANO (bowing):\n Cyrano.",
"While we were chatting, they have plighted troth.",
"DE GUICHE:\n Who?",
"(He turns round.",
"Tableau.",
"Behind the lackeys appear Roxane and Christian,\nholding each other by the hand.",
"The friar follows them, smiling.",
"Ragueneau\nalso holds a candlestick.",
"The duenna closes the rear, bewildered, having made\na hasty toilet):\n Heavens!"
] | yrano):
Ah!
that makes one!
CYRANO (stepping back, and enticing him further away):
And then, the second way,
To generate wind--for my impetus--
To rarefy air, in a cedar case,
By mirrors placed icosahedron-wise.
DE GUICHE (making another step):
Two!
CYRANO (still stepping backward):
Or--for I have some mechanic skill--
To make a grasshopper, with springs of steel,
And launch myself by quick succeeding fires
Saltpeter-fed to the stars' pastures blue!
DE GUICHE (unconsciously following him and counting on his fingers):
Three!
CYRANO:
Or (since fumes have property to mount)--
To charge a globe with fumes, sufficiently
To carry me aloft!
DE GUICHE (same play, more and more astonished):
Well, that makes four!
CYRANO:
Or smear myself with marrow from a bull,
Since, at the lowest point of Zodiac,
Phoebus well loves to suck that marrow up!
DE GUICHE (amazed):
Five!
CYRANO (who, while speaking, had drawn him to the other side of the square
near a bench):
| Cyrano, De Guiche.
DE GUICHE (who enters, masked, feeling his way in the dark):
What can that cursed Friar be about?
CYRANO:
The devil!. .
.If he knows my voice!
(Letting go with one hand, he pretends to turn an invisible key.
Solemnly):
Cric!
Crac!
Assume thou, Cyrano, to serve the turn,
The accent of thy native Bergerac!.
. .
DE GUICHE (looking at the house):
'Tis there.
I see dim,--this mask hinders me!
(He is about to enter, when Cyrano leaps from the balcony, holding on to the
br hat?
Am I mad?
That voice?
(The house-door opens.
Lackeys appear carrying lighted candelabra.
Light.
Cyrano gracefully uncovers):
That nose--Cyrano?
CYRANO (bowing):
Cyrano.
While we were chatting, they have plighted troth.
DE GUICHE:
Who?
(He turns round.
Tableau.
Behind the lackeys appear Roxane and Christian,
holding each other by the hand.
The friar follows them, smiling.
Ragueneau
also holds a candlestick.
The duenna closes the rear, bewildered, having made
a hasty toilet):
Heavens! | rom passing, and detaining him by the button
of his doublet):
I swear to you that if you squeezed my nose
It would spout milk!
DE GUICHE:
Milk?
CYRANO:
From the Milky Way!
DE GUICHE:
Oh, go to hell!
CYRANO (crossing his arms):
I fall, Sir, out of heaven!
Now, would you credit it, that as I fell
I saw that Sirius wears a nightcap?
True!
(Confidentially):
The other Bear is still too small to bite.
(Laughing):
I went through the Lyre, but I snapped a cord;
(Grandiloquent):
I mean to write the whole thing in a book;
The small gold stars, that, wrapped up in my cloak,
I carried safe away at no small risks,
Will serve for asterisks i' the printed page!
DE GUICHE:
Come, make an end!
I want.
. .
CYRANO:
Oh-ho!
You are sly!
DE GUICHE:
Sir!
CYRANO:
You would worm all out of me!--the way
The moon is made, and if men breathe and live
In its rotund cucurbita?
DE GUICHE (angrily):
No, no!
I want.
. .
CYRANO:
Ha, ha!--to know how I got up?
Hark, it was by a |
1,254 | true | novelguide | all_chapterized_books/1254-chapters/33.txt | finished_summaries/novelguide/Cyrano de Bergerac/section_5_part_8.txt | Cyrano de Bergerac.act 3.scene 12 | act 3, scene 12 | null | {"name": "Act 3, scene 12", "url": "https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act3-scenes5-14", "summary": "Cyrano pulls his hat down over his eyes and waits on the balcony for de Guiche", "analysis": ""} | The same. Roxane, Christian, the friar, Ragueneau, lackeys, the duenna.
DE GUICHE (to Roxane):
You?
(Recognizing Christian, in amazement):
He?
(Bowing, with admiration, to Roxane):
Cunningly contrived!
(To Cyrano):
My compliments--Sir Apparatus-maker!
Your story would arrest at Peter's gate
Saints eager for their Paradise! Note well
The details. 'Faith! They'd make a stirring book!
CYRANO (bowing):
I shall not fail to follow your advice.
THE FRIAR (showing with satisfaction the two lovers to De Guiche):
A handsome couple, son, made one by you!
DE GUICHE (with a freezing look):
Ay!
(To Roxane):
Bid your bridegroom, Madame, fond farewell.
ROXANE:
Why so?
DE GUICHE (to Christian):
Even now the regiment departs.
Join it!
ROXANE:
It goes to battle?
DE GUICHE:
Without doubt.
ROXANE:
But the Cadets go not?
DE GUICHE:
Oh ay! they go.
(Drawing out the paper he had put in his pocket):
Here is the order.
(To Christian):
Baron, bear it, quick!
ROXANE (throwing herself in Christian's arms):
Christian!
DE GUICHE (sneeringly to Cyrano):
The wedding-night is far, methinks!
CYRANO (aside):
He thinks to give me pain of death by this!
CHRISTIAN (to Roxane):
Oh! once again! Your lips!
CYRANO:
Come, come, enough!
CHRISTIAN (still kissing Roxane):
--'Tis hard to leave her, you know not. . .
CYRANO (trying to draw him away):
I know.
(Sound of drums beating a march in the distance.)
DE GUICHE:
The regiment starts!
ROXANE (To Cyrano, holding back Christian, whom Cyrano is drawing away):
Oh!--I trust him you!
Promise me that no risks shall put his life
In danger!
CYRANO:
I will try my best, but promise. . .
That I cannot!
ROXANE:
But swear he shall be prudent?
CYRANO:
Again, I'll do my best, but. . .
ROXANE:
In the siege
Let him not suffer!
CYRANO:
All that man can do,
I. . .
ROXANE:
That he shall be faithful!
CYRANO:
Doubtless, but. . .
ROXANE:
That he will write oft?
CYRANO (pausing):
That, I promise you!
Curtain.
| 338 | Act 3, scene 12 | https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act3-scenes5-14 | Cyrano pulls his hat down over his eyes and waits on the balcony for de Guiche | null | 16 | 1 | [
"The same.",
"Roxane, Christian, the friar, Ragueneau, lackeys, the duenna.",
"DE GUICHE (to Roxane):\n You?",
"(Recognizing Christian, in amazement):\n He?",
"(Bowing, with admiration, to Roxane):\n Cunningly contrived!",
"(To Cyrano):\n My compliments--Sir Apparatus-maker!",
"Your story would arrest at Peter's gate\n Saints eager for their Paradise!",
"Note well\n The details.",
"'Faith!",
"They'd make a stirring book!",
"CYRANO (bowing):\n I shall not fail to follow your advice.",
"THE FRIAR (showing with satisfaction the two lovers to De Guiche):\n A handsome couple, son, made one by you!",
"DE GUICHE (with a freezing look):\n Ay!",
"(To Roxane):\n Bid your bridegroom, Madame, fond farewell.",
"ROXANE:\n Why so?",
"DE GUICHE (to Christian):\n Even now the regiment departs.",
"Join it!",
"ROXANE:\n It goes to battle?",
"DE GUICHE:\n Without doubt.",
"ROXANE:\n But the Cadets go not?",
"DE GUICHE:\n Oh ay!",
"they go.",
"(Drawing out the paper he had put in his pocket):\n Here is the order.",
"(To Christian):\n Baron, bear it, quick!",
"ROXANE (throwing herself in Christian's arms):\n Christian!",
"DE GUICHE (sneeringly to Cyrano):\n The wedding-night is far, methinks!",
"CYRANO (aside):\n He thinks to give me pain of death by this!",
"CHRISTIAN (to Roxane):\n Oh!",
"once again!",
"Your lips!",
"CYRANO:\n Come, come, enough!",
"CHRISTIAN (still kissing Roxane):\n --'Tis hard to leave her, you know not.",
". .\n\nCYRANO (trying to draw him away):\n I know.",
"(Sound of drums beating a march in the distance.)",
"DE GUICHE:\n The regiment starts!",
"ROXANE (To Cyrano, holding back Christian, whom Cyrano is drawing away):\n Oh!--I trust him you!",
"Promise me that no risks shall put his life\n In danger!",
"CYRANO:\n I will try my best, but promise.",
". .\n That I cannot!",
"ROXANE:\n But swear he shall be prudent?",
"CYRANO:\n Again, I'll do my best, but.",
". .\n\nROXANE:\n In the siege\n Let him not suffer!",
"CYRANO:\n All that man can do,\n I. . .\n\nROXANE:\n That he shall be faithful!",
"CYRANO:\n Doubtless, but.",
". .\n\nROXANE:\n That he will write oft?",
"CYRANO (pausing):\n That, I promise you!",
"Curtain."
] | [
"Roxane, Christian, the friar, Ragueneau, lackeys, the duenna.",
"(Bowing, with admiration, to Roxane):\n Cunningly contrived!",
"DE GUICHE (to Christian):\n Even now the regiment departs.",
"ROXANE:\n But the Cadets go not?",
"(To Christian):\n Baron, bear it, quick!",
"DE GUICHE (sneeringly to Cyrano):\n The wedding-night is far, methinks!",
"ROXANE:\n But swear he shall be prudent?",
". .\n\nROXANE:\n In the siege\n Let him not suffer!",
"CYRANO:\n All that man can do,\n I. . .\n\nROXANE:\n That he shall be faithful!",
"CYRANO:\n Doubtless, but."
] | [
"CYRANO (bowing):\n I shall not fail to follow your advice.",
"Note well\n The details.",
". .\n\nCYRANO (trying to draw him away):\n I know.",
"Your story would arrest at Peter's gate\n Saints eager for their Paradise!",
"(Recognizing Christian, in amazement):\n He?",
"CYRANO:\n I will try my best, but promise.",
"they go.",
"(Bowing, with admiration, to Roxane):\n Cunningly contrived!",
"DE GUICHE (to Christian):\n Even now the regiment departs.",
". .\n\nROXANE:\n In the siege\n Let him not suffer!"
] | [
"DE GUICHE:\n Without doubt.",
"ROXANE:\n But the Cadets go not?",
"DE GUICHE:\n Oh ay!",
"they go.",
"(Drawing out the paper he had put in his pocket):\n Here is the order.",
"(To Christian):\n Baron, bear it, quick!",
"ROXANE (throwing herself in Christian's arms):\n Christian!",
"DE GUICHE (sneeringly to Cyrano):\n The wedding-night is far, methinks!",
"CYRANO (aside):\n He thinks to give me pain of death by this!",
"CHRISTIAN (to Roxane):\n Oh!",
"once again!"
] | [
"The same.",
"Roxane, Christian, the friar, Ragueneau, lackeys, the duenna.",
"DE GUICHE (to Roxane):\n You?",
"(Recognizing Christian, in amazement):\n He?",
"(Bowing, with admiration, to Roxane):\n Cunningly contrived!",
"(To Cyrano):\n My compliments--Sir Apparatus-maker!",
"Your story would arrest at Peter's gate\n Saints eager for their Paradise!",
"Note well\n The details.",
"'Faith!",
"They'd make a stirring book!",
"CYRANO:\n I will try my best, but promise.",
". .\n That I cannot!",
"ROXANE:\n But swear he shall be prudent?",
"CYRANO:\n Again, I'll do my best, but.",
". .\n\nROXANE:\n In the siege\n Let him not suffer!",
"CYRANO:\n All that man can do,\n I. . .\n\nROXANE:\n That he shall be faithful!",
"CYRANO:\n Doubtless, but.",
". .\n\nROXANE:\n That he will write oft?",
"CYRANO (pausing):\n That, I promise you!",
"Curtain."
] | farewell.
ROXANE:
Why so?
DE GUICHE (to Christian):
Even now the regiment departs.
Join it!
ROXANE:
It goes to battle?
DE GUICHE:
Without doubt.
ROXANE:
But the Cadets go not?
DE GUICHE:
Oh ay!
they go.
(Drawing out the paper he had put in his pocket):
Here is the order.
(To Christian):
Baron, bear it, quick!
ROXANE (throwing herself in Christian's arms):
Christian!
DE GUICHE (sneeringly to Cyrano):
The wedding-night is far, methinks!
CYRANO (aside):
He thinks to give me pain of death by this!
CHRISTIAN (to Roxane):
Oh!
once again!
Your lips!
CYRANO:
Come, come, enough!
CHRISTIAN (still kissing Roxane):
--'Tis hard to leave her, you know not.
. .
CYRANO (trying to draw him away):
I know.
(Sound of drums beating a march in the distance.)
DE GUICHE:
The regiment starts!
ROXANE (To Cyrano, holding back Christian, whom Cyrano is drawing away):
Oh!--I trust him you!
Promise me that no risks shall put his life
In danger!
CYRANO:
I will try my best, but | The same.
Roxane, Christian, the friar, Ragueneau, lackeys, the duenna.
DE GUICHE (to Roxane):
You?
(Recognizing Christian, in amazement):
He?
(Bowing, with admiration, to Roxane):
Cunningly contrived!
(To Cyrano):
My compliments--Sir Apparatus-maker!
Your story would arrest at Peter's gate
Saints eager for their Paradise!
Note well
The details.
'Faith!
They'd make a stirring book!
CYRANO (bowing):
I shall not fail to follow your advice.
THE FRIAR (showing with satisfaction the two n, whom Cyrano is drawing away):
Oh!--I trust him you!
Promise me that no risks shall put his life
In danger!
CYRANO:
I will try my best, but promise.
. .
That I cannot!
ROXANE:
But swear he shall be prudent?
CYRANO:
Again, I'll do my best, but.
. .
ROXANE:
In the siege
Let him not suffer!
CYRANO:
All that man can do,
I. . .
ROXANE:
That he shall be faithful!
CYRANO:
Doubtless, but.
. .
ROXANE:
That he will write oft?
CYRANO (pausing):
That, I promise you!
Curtain. | vers to De Guiche):
A handsome couple, son, made one by you!
DE GUICHE (with a freezing look):
Ay!
(To Roxane):
Bid your bridegroom, Madame, fond farewell.
ROXANE:
Why so?
DE GUICHE (to Christian):
Even now the regiment departs.
Join it!
ROXANE:
It goes to battle?
DE GUICHE:
Without doubt.
ROXANE:
But the Cadets go not?
DE GUICHE:
Oh ay!
they go.
(Drawing out the paper he had put in his pocket):
Here is the order.
(To Christian):
Baron, bear it, quick!
ROXANE (throwing herself in Christian's arms):
Christian!
DE GUICHE (sneeringly to Cyrano):
The wedding-night is far, methinks!
CYRANO (aside):
He thinks to give me pain of death by this!
CHRISTIAN (to Roxane):
Oh!
once again!
Your lips!
CYRANO:
Come, come, enough!
CHRISTIAN (still kissing Roxane):
--'Tis hard to leave her, you know not.
. .
CYRANO (trying to draw him away):
I know.
(Sound of drums beating a march in the distance.)
DE GUICHE:
The regiment starts!
ROXANE (To Cyrano, holding back Chris |
1,254 | true | novelguide | all_chapterized_books/1254-chapters/35.txt | finished_summaries/novelguide/Cyrano de Bergerac/section_6_part_1.txt | Cyrano de Bergerac.act 4.scene 1 | act 4, scene 1 | null | {"name": "act 4, scene 1", "url": "https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act4-scenes1-5", "summary": "The scene shifts to the encampment of Carbon's regiment at the siege of Arras, just before dawn. Christian is asleep. Le Bret and Carbon are keeping watch. They look thin, and Carbon remarks to Le Bret that they have run out of food. The sound of gunfire is heard. Cyrano arrives. Every morning, he crosses the enemy line to post a letter to Roxane, keeping his promise to her. He vanishes into a tent to write another letter", "analysis": ""} | Christian, Carbon de Castel-Jaloux, Le Bret, the cadets, then Cyrano.
LE BRET:
'Tis terrible.
CARBON:
Not a morsel left.
LE BRET:
Mordioux!
CARBON (making a sign that he should speak lower):
Curse under your breath. You will awake them.
(To the cadets):
Hush! Sleep on.
(To Le Bret):
He who sleeps, dines!
LE BRET:
But that is sorry comfort for the sleepless!. . .
What starvation!
(Firing is heard in the distance.)
CARBON:
Oh, plague take their firing! 'Twill wake my sons.
(To the cadets, who lift up their heads):
Sleep on!
(Firing is again heard, nearer this time.)
A CADET (moving):
The devil!. . .Again.
CARBON:
'Tis nothing! 'Tis Cyrano coming back!
(Those who have lifted up their heads prepare to sleep again.)
A SENTINEL (from without):
Ventrebieu! Who goes there?
THE VOICE Of CYRANO:
Bergerac.
The SENTINEL (who is on the redoubt):
Ventrebieu! Who goes there?
CYRANO (appearing at the top):
Bergerac, idiot!
(He comes down; Le Bret advances anxiously to meet him.)
LE BRET:
Heavens!
CYRANO (making signs that he should not awake the others):
Hush!
LE BRET:
Wounded?
CYRANO:
Oh! you know it has become their custom to shoot at me every morning and to
miss me.
LE BRET:
This passes all! To take letters at each day's dawn. To risk. . .
CYRANO (stopping before Christian):
I promised he should write often.
(He looks at him):
He sleeps. How pale he is! But how handsome still, despite his sufferings.
If his poor little lady-love knew that he is dying of hunger. . .
LE BRET:
Get you quick to bed.
CYRANO:
Nay, never scold, Le Bret. I ran but little risk. I have found me a spot
to pass the Spanish lines, where each night they lie drunk.
LE BRET:
You should try to bring us back provision.
CYRANO:
A man must carry no weight who would get by there! But there will be
surprise for us this night. The French will eat or die. . .if I mistake not!
LE BRET:
Oh!. . .tell me!. . .
CYRANO:
Nay, not yet. I am not certain. . .You will see!
CARBON:
It is disgraceful that we should starve while we're besieging!
LE BRET:
Alas, how full of complication is this siege of Arras! To think that while
we are besieging, we should ourselves be caught in a trap and besieged by the
Cardinal Infante of Spain.
CYRANO:
It were well done if he should be besieged in his turn.
LE BRET:
I am in earnest.
CYRANO:
Oh! indeed!
LE BRET:
To think you risk a life so precious. . .for the sake of a letter. .
.Thankless one.
(Seeing him turning to enter the tent):
Where are you going?
CYRANO:
I am going to write another.
(He enters the tent and disappears.)
| 472 | act 4, scene 1 | https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act4-scenes1-5 | The scene shifts to the encampment of Carbon's regiment at the siege of Arras, just before dawn. Christian is asleep. Le Bret and Carbon are keeping watch. They look thin, and Carbon remarks to Le Bret that they have run out of food. The sound of gunfire is heard. Cyrano arrives. Every morning, he crosses the enemy line to post a letter to Roxane, keeping his promise to her. He vanishes into a tent to write another letter | null | 78 | 1 | [
"Christian, Carbon de Castel-Jaloux, Le Bret, the cadets, then Cyrano.",
"LE BRET:\n 'Tis terrible.",
"CARBON:\n Not a morsel left.",
"LE BRET:\n Mordioux!",
"CARBON (making a sign that he should speak lower):\n Curse under your breath.",
"You will awake them.",
"(To the cadets):\n Hush!",
"Sleep on.",
"(To Le Bret):\n He who sleeps, dines!",
"LE BRET:\n But that is sorry comfort for the sleepless!.",
". .\n What starvation!",
"(Firing is heard in the distance.)",
"CARBON:\n Oh, plague take their firing!",
"'Twill wake my sons.",
"(To the cadets, who lift up their heads):\n Sleep on!",
"(Firing is again heard, nearer this time.)",
"A CADET (moving):\n The devil!. .",
".Again.",
"CARBON:\n 'Tis nothing!",
"'Tis Cyrano coming back!",
"(Those who have lifted up their heads prepare to sleep again.)",
"A SENTINEL (from without):\n Ventrebieu!",
"Who goes there?",
"THE VOICE Of CYRANO:\n Bergerac.",
"The SENTINEL (who is on the redoubt):\n Ventrebieu!",
"Who goes there?",
"CYRANO (appearing at the top):\n Bergerac, idiot!",
"(He comes down; Le Bret advances anxiously to meet him.)",
"LE BRET:\n Heavens!",
"CYRANO (making signs that he should not awake the others):\n Hush!",
"LE BRET:\n Wounded?",
"CYRANO:\n Oh!",
"you know it has become their custom to shoot at me every morning and to\nmiss me.",
"LE BRET:\n This passes all!",
"To take letters at each day's dawn.",
"To risk.",
". .\n\nCYRANO (stopping before Christian):\n I promised he should write often.",
"(He looks at him):\n He sleeps.",
"How pale he is!",
"But how handsome still, despite his sufferings.",
"If his poor little lady-love knew that he is dying of hunger.",
". .",
"LE BRET:\n Get you quick to bed.",
"CYRANO:\n Nay, never scold, Le Bret.",
"I ran but little risk.",
"I have found me a spot\nto pass the Spanish lines, where each night they lie drunk.",
"LE BRET:\n You should try to bring us back provision.",
"CYRANO:\n A man must carry no weight who would get by there!",
"But there will be\nsurprise for us this night.",
"The French will eat or die. . .if I mistake not!",
"LE BRET:\n Oh!. .",
".tell me!.",
". .\n\nCYRANO:\n Nay, not yet.",
"I am not certain. . .You will see!",
"CARBON:\n It is disgraceful that we should starve while we're besieging!",
"LE BRET:\n Alas, how full of complication is this siege of Arras!",
"To think that while\nwe are besieging, we should ourselves be caught in a trap and besieged by the\nCardinal Infante of Spain.",
"CYRANO:\n It were well done if he should be besieged in his turn.",
"LE BRET:\n I am in earnest.",
"CYRANO:\n Oh!",
"indeed!",
"LE BRET:\n To think you risk a life so precious. . .for the sake of a letter. .\n.Thankless one.",
"(Seeing him turning to enter the tent):\n Where are you going?",
"CYRANO:\n I am going to write another.",
"(He enters the tent and disappears.)"
] | [
". .\n What starvation!",
"'Twill wake my sons.",
"'Tis Cyrano coming back!",
"LE BRET:\n Wounded?",
"LE BRET:\n This passes all!",
"To risk.",
"(He looks at him):\n He sleeps.",
"I ran but little risk.",
"indeed!",
"CYRANO:\n I am going to write another."
] | [
"LE BRET:\n To think you risk a life so precious. . .for the sake of a letter. .\n.Thankless one.",
".tell me!.",
"LE BRET:\n You should try to bring us back provision.",
"CYRANO (appearing at the top):\n Bergerac, idiot!",
"To risk.",
"Who goes there?",
"(Those who have lifted up their heads prepare to sleep again.)",
"LE BRET:\n But that is sorry comfort for the sleepless!.",
"LE BRET:\n Heavens!",
"(To the cadets):\n Hush!"
] | [
"(He comes down; Le Bret advances anxiously to meet him.)",
"LE BRET:\n Heavens!",
"CYRANO (making signs that he should not awake the others):\n Hush!",
"LE BRET:\n Wounded?",
"CYRANO:\n Oh!",
"you know it has become their custom to shoot at me every morning and to\nmiss me.",
"LE BRET:\n This passes all!",
"To take letters at each day's dawn.",
"To risk.",
". .\n\nCYRANO (stopping before Christian):\n I promised he should write often.",
"(He looks at him):\n He sleeps."
] | [
"Christian, Carbon de Castel-Jaloux, Le Bret, the cadets, then Cyrano.",
"LE BRET:\n 'Tis terrible.",
"CARBON:\n Not a morsel left.",
"LE BRET:\n Mordioux!",
"CARBON (making a sign that he should speak lower):\n Curse under your breath.",
"You will awake them.",
"(To the cadets):\n Hush!",
"Sleep on.",
"(To Le Bret):\n He who sleeps, dines!",
"LE BRET:\n But that is sorry comfort for the sleepless!.",
"LE BRET:\n Alas, how full of complication is this siege of Arras!",
"To think that while\nwe are besieging, we should ourselves be caught in a trap and besieged by the\nCardinal Infante of Spain.",
"CYRANO:\n It were well done if he should be besieged in his turn.",
"LE BRET:\n I am in earnest.",
"CYRANO:\n Oh!",
"indeed!",
"LE BRET:\n To think you risk a life so precious. . .for the sake of a letter. .\n.Thankless one.",
"(Seeing him turning to enter the tent):\n Where are you going?",
"CYRANO:\n I am going to write another.",
"(He enters the tent and disappears.)"
] | fore Christian):
I promised he should write often.
(He looks at him):
He sleeps.
How pale he is!
But how handsome still, despite his sufferings.
If his poor little lady-love knew that he is dying of hunger.
. .
LE BRET:
Get you quick to bed.
CYRANO:
Nay, never scold, Le Bret.
I ran but little risk.
I have found me a spot
to pass the Spanish lines, where each night they lie drunk.
LE BRET:
You should try to bring us back provision.
CYRANO:
A man must carry no weight who would get by there!
But there will be
surprise for us this night.
The French will eat or die. . .if I mistake not!
LE BRET:
Oh!. .
.tell me!.
. .
CYRANO:
Nay, not yet.
I am not certain. . .You will see!
CARBON:
It is disgraceful that we should starve while we're besieging!
LE BRET:
Alas, how full of complication is this siege of Arras!
To think that while
we are besieging, we should ourselves be caught in a trap and besieged by the
Cardinal Infante of Spain.
CYRANO:
It were well done if he should b | Christian, Carbon de Castel-Jaloux, Le Bret, the cadets, then Cyrano.
LE BRET:
'Tis terrible.
CARBON:
Not a morsel left.
LE BRET:
Mordioux!
CARBON (making a sign that he should speak lower):
Curse under your breath.
You will awake them.
(To the cadets):
Hush!
Sleep on.
(To Le Bret):
He who sleeps, dines!
LE BRET:
But that is sorry comfort for the sleepless!.
. .
What starvation!
(Firing is heard in the distance.)
CARBON:
Oh, plague take their firing!
'Twill wake my sons.
(To th is this siege of Arras!
To think that while
we are besieging, we should ourselves be caught in a trap and besieged by the
Cardinal Infante of Spain.
CYRANO:
It were well done if he should be besieged in his turn.
LE BRET:
I am in earnest.
CYRANO:
Oh!
indeed!
LE BRET:
To think you risk a life so precious. . .for the sake of a letter. .
.Thankless one.
(Seeing him turning to enter the tent):
Where are you going?
CYRANO:
I am going to write another.
(He enters the tent and disappears.) | ICE Of CYRANO:
Bergerac.
The SENTINEL (who is on the redoubt):
Ventrebieu!
Who goes there?
CYRANO (appearing at the top):
Bergerac, idiot!
(He comes down; Le Bret advances anxiously to meet him.)
LE BRET:
Heavens!
CYRANO (making signs that he should not awake the others):
Hush!
LE BRET:
Wounded?
CYRANO:
Oh!
you know it has become their custom to shoot at me every morning and to
miss me.
LE BRET:
This passes all!
To take letters at each day's dawn.
To risk.
. .
CYRANO (stopping before Christian):
I promised he should write often.
(He looks at him):
He sleeps.
How pale he is!
But how handsome still, despite his sufferings.
If his poor little lady-love knew that he is dying of hunger.
. .
LE BRET:
Get you quick to bed.
CYRANO:
Nay, never scold, Le Bret.
I ran but little risk.
I have found me a spot
to pass the Spanish lines, where each night they lie drunk.
LE BRET:
You should try to bring us back provision.
CYRANO:
A man must carry no weight who would get by t |
1,254 | true | novelguide | all_chapterized_books/1254-chapters/36.txt | finished_summaries/novelguide/Cyrano de Bergerac/section_6_part_2.txt | Cyrano de Bergerac.act 4.scene 2 | act 4, scene 2 | null | {"name": "act 4, scene 2", "url": "https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act4-scenes1-5", "summary": "Reveille sounds. The Guards wake up and immediately start complaining about how hungry they are. Carbon asks Cyrano to come of the tent and entertain the men", "analysis": ""} | The same, all but Cyrano. The day is breaking in a rosy light. The town of
Arras is golden in the horizon. The report of cannon is heard in the
distance, followed immediately by the beating of drums far away to the left.
Other drums are heard much nearer. Sounds of stirring in the camp. Voices of
officers in the distance.
CARBON (sighing):
The reveille!
(The cadets move and stretch themselves):
Nourishing sleep! Thou art at an end!. . .I know well what will be their
first cry!
A CADET (sitting up):
I am so hungry!
ANOTHER:
I am dying of hunger.
TOGETHER:
Oh!
CARBON:
Up with you!
THIRD CADET:
--Cannot move a limb.
FOURTH CADET:
Nor can I.
THE FIRST (looking at himself in a bit of armor):
My tongue is yellow. The air at this season of the year is hard to digest.
ANOTHER:
My coronet for a bit of Chester!
ANOTHER:
If none can furnish to my gaster wherewith to make a pint of chyle, I shall
retire to my tent--like Achilles!
ANOTHER:
Oh! something! were it but a crust!
CARBON (going to the tent and calling softly):
Cyrano!
ALL THE CADETS:
We are dying!
CARBON (continuing to speak under his breath at the opening of the tent):
Come to my aid, you, who have the art of quick retort and gay jest. Come,
hearten them up.
SECOND CADET (rushing toward another who is munching something):
What are you crunching there?
FIRST CADET:
Cannon-wads soaked in axle-grease! 'Tis poor hunting round about Arras!
A CADET (entering):
I have been after game.
ANOTHER (following him):
And I after fish.
ALL (rushing to the two newcomers):
Well! what have you brought?--a pheasant?--a carp?--Come, show us quick!
THE ANGLER:
A gudgeon!
THE SPORTSMAN:
A sparrow!
ALL TOGETHER (beside themselves):
'Tis more than can be borne! We will mutiny!
CARBON:
Cyrano! Come to my help.
(The daylight has now come.)
| 321 | act 4, scene 2 | https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act4-scenes1-5 | Reveille sounds. The Guards wake up and immediately start complaining about how hungry they are. Carbon asks Cyrano to come of the tent and entertain the men | null | 27 | 1 | [
"The same, all but Cyrano.",
"The day is breaking in a rosy light.",
"The town of\nArras is golden in the horizon.",
"The report of cannon is heard in the\ndistance, followed immediately by the beating of drums far away to the left.",
"Other drums are heard much nearer.",
"Sounds of stirring in the camp.",
"Voices of\nofficers in the distance.",
"CARBON (sighing):\n The reveille!",
"(The cadets move and stretch themselves):\n Nourishing sleep!",
"Thou art at an end!. .",
".I know well what will be their\nfirst cry!",
"A CADET (sitting up):\n I am so hungry!",
"ANOTHER:\n I am dying of hunger.",
"TOGETHER:\n Oh!",
"CARBON:\n Up with you!",
"THIRD CADET:\n --Cannot move a limb.",
"FOURTH CADET:\n Nor can I.",
"THE FIRST (looking at himself in a bit of armor):\n My tongue is yellow.",
"The air at this season of the year is hard to digest.",
"ANOTHER:\n My coronet for a bit of Chester!",
"ANOTHER:\n If none can furnish to my gaster wherewith to make a pint of chyle, I shall\nretire to my tent--like Achilles!",
"ANOTHER:\n Oh!",
"something!",
"were it but a crust!",
"CARBON (going to the tent and calling softly):\n Cyrano!",
"ALL THE CADETS:\n We are dying!",
"CARBON (continuing to speak under his breath at the opening of the tent):\n Come to my aid, you, who have the art of quick retort and gay jest.",
"Come,\nhearten them up.",
"SECOND CADET (rushing toward another who is munching something):\n What are you crunching there?",
"FIRST CADET:\n Cannon-wads soaked in axle-grease!",
"'Tis poor hunting round about Arras!",
"A CADET (entering):\n I have been after game.",
"ANOTHER (following him):\n And I after fish.",
"ALL (rushing to the two newcomers):\n Well!",
"what have you brought?--a pheasant?--a carp?--Come, show us quick!",
"THE ANGLER:\n A gudgeon!",
"THE SPORTSMAN:\n A sparrow!",
"ALL TOGETHER (beside themselves):\n 'Tis more than can be borne!",
"We will mutiny!",
"CARBON:\n Cyrano!",
"Come to my help.",
"(The daylight has now come.)"
] | [
"Voices of\nofficers in the distance.",
"A CADET (sitting up):\n I am so hungry!",
"ANOTHER:\n I am dying of hunger.",
"THIRD CADET:\n --Cannot move a limb.",
"FOURTH CADET:\n Nor can I.",
"The air at this season of the year is hard to digest.",
"were it but a crust!",
"FIRST CADET:\n Cannon-wads soaked in axle-grease!",
"ANOTHER (following him):\n And I after fish.",
"CARBON:\n Cyrano!"
] | [
"ALL THE CADETS:\n We are dying!",
"Sounds of stirring in the camp.",
"CARBON:\n Up with you!",
"Other drums are heard much nearer.",
"FIRST CADET:\n Cannon-wads soaked in axle-grease!",
"CARBON (continuing to speak under his breath at the opening of the tent):\n Come to my aid, you, who have the art of quick retort and gay jest.",
"The air at this season of the year is hard to digest.",
"(The cadets move and stretch themselves):\n Nourishing sleep!",
"The town of\nArras is golden in the horizon.",
"THE ANGLER:\n A gudgeon!"
] | [
"FOURTH CADET:\n Nor can I.",
"THE FIRST (looking at himself in a bit of armor):\n My tongue is yellow.",
"The air at this season of the year is hard to digest.",
"ANOTHER:\n My coronet for a bit of Chester!",
"ANOTHER:\n If none can furnish to my gaster wherewith to make a pint of chyle, I shall\nretire to my tent--like Achilles!",
"ANOTHER:\n Oh!",
"something!",
"were it but a crust!",
"CARBON (going to the tent and calling softly):\n Cyrano!",
"ALL THE CADETS:\n We are dying!",
"CARBON (continuing to speak under his breath at the opening of the tent):\n Come to my aid, you, who have the art of quick retort and gay jest."
] | [
"The same, all but Cyrano.",
"The day is breaking in a rosy light.",
"The town of\nArras is golden in the horizon.",
"The report of cannon is heard in the\ndistance, followed immediately by the beating of drums far away to the left.",
"Other drums are heard much nearer.",
"Sounds of stirring in the camp.",
"Voices of\nofficers in the distance.",
"CARBON (sighing):\n The reveille!",
"(The cadets move and stretch themselves):\n Nourishing sleep!",
"Thou art at an end!. .",
"ANOTHER (following him):\n And I after fish.",
"ALL (rushing to the two newcomers):\n Well!",
"what have you brought?--a pheasant?--a carp?--Come, show us quick!",
"THE ANGLER:\n A gudgeon!",
"THE SPORTSMAN:\n A sparrow!",
"ALL TOGETHER (beside themselves):\n 'Tis more than can be borne!",
"We will mutiny!",
"CARBON:\n Cyrano!",
"Come to my help.",
"(The daylight has now come.)"
] | can I.
THE FIRST (looking at himself in a bit of armor):
My tongue is yellow.
The air at this season of the year is hard to digest.
ANOTHER:
My coronet for a bit of Chester!
ANOTHER:
If none can furnish to my gaster wherewith to make a pint of chyle, I shall
retire to my tent--like Achilles!
ANOTHER:
Oh!
something!
were it but a crust!
CARBON (going to the tent and calling softly):
Cyrano!
ALL THE CADETS:
We are dying!
CARBON (continuing to speak under his breath at the opening of the tent):
Come to my aid, you, who have the art of quick retort and gay jest.
Come,
hearten them up.
SECOND CADET (rushing toward another who is munching something):
What are you crunching there?
FIRST CADET:
Cannon-wads soaked in axle-grease!
'Tis poor hunting round about Arras!
A CADET (entering):
I have been after game.
ANOTHER (following him):
And I after fish.
ALL (rushing to the two newcomers):
Well!
what have you brought?--a pheasant?--a carp?--Come, show us quick!
THE ANGLER: | The same, all but Cyrano.
The day is breaking in a rosy light.
The town of
Arras is golden in the horizon.
The report of cannon is heard in the
distance, followed immediately by the beating of drums far away to the left.
Other drums are heard much nearer.
Sounds of stirring in the camp.
Voices of
officers in the distance.
CARBON (sighing):
The reveille!
(The cadets move and stretch themselves):
Nourishing sleep!
Thou art at an end!. .
.I know well what will be their
first cry!
A CADET (sitti nching there?
FIRST CADET:
Cannon-wads soaked in axle-grease!
'Tis poor hunting round about Arras!
A CADET (entering):
I have been after game.
ANOTHER (following him):
And I after fish.
ALL (rushing to the two newcomers):
Well!
what have you brought?--a pheasant?--a carp?--Come, show us quick!
THE ANGLER:
A gudgeon!
THE SPORTSMAN:
A sparrow!
ALL TOGETHER (beside themselves):
'Tis more than can be borne!
We will mutiny!
CARBON:
Cyrano!
Come to my help.
(The daylight has now come.) | Thou art at an end!. .
.I know well what will be their
first cry!
A CADET (sitting up):
I am so hungry!
ANOTHER:
I am dying of hunger.
TOGETHER:
Oh!
CARBON:
Up with you!
THIRD CADET:
--Cannot move a limb.
FOURTH CADET:
Nor can I.
THE FIRST (looking at himself in a bit of armor):
My tongue is yellow.
The air at this season of the year is hard to digest.
ANOTHER:
My coronet for a bit of Chester!
ANOTHER:
If none can furnish to my gaster wherewith to make a pint of chyle, I shall
retire to my tent--like Achilles!
ANOTHER:
Oh!
something!
were it but a crust!
CARBON (going to the tent and calling softly):
Cyrano!
ALL THE CADETS:
We are dying!
CARBON (continuing to speak under his breath at the opening of the tent):
Come to my aid, you, who have the art of quick retort and gay jest.
Come,
hearten them up.
SECOND CADET (rushing toward another who is munching something):
What are you crunching there?
FIRST CADET:
Cannon-wads soaked in axle-grease!
'Tis poor hunting |
1,254 | true | novelguide | all_chapterized_books/1254-chapters/37.txt | finished_summaries/novelguide/Cyrano de Bergerac/section_6_part_3.txt | Cyrano de Bergerac.act 4.scene 3 | act 4, scene 3 | null | {"name": "act 4, scene 3", "url": "https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act4-scenes1-5", "summary": "Cyrano comes out of the tent and restores the men's morale with his witty banter. He gets a piper to play an old Gascon song, which reminds the men of their homeland. There is a murmur of disapproval as de Guiche is seen approaching. Cyrano asks the men to start a game of cards, so that de Guiche will not see them suffer", "analysis": ""} | The SAME. Cyrano.
CYRANO (appearing from the tent, very calm, with a pen stuck behind his ear
and a book in his hand):
What is wrong?
(Silence. To the first cadet):
Why drag you your legs so sorrowfully?
THE CADET:
I have something in my heels which weighs them down.
CYRANO:
And what may that be?
THE CADET:
My stomach!
CYRANO:
So have I, 'faith!
THE CADET:
It must be in your way?
CYRANO:
Nay, I am all the taller.
A THIRD:
My stomach's hollow.
CYRANO:
'Faith, 'twill make a fine drum to sound the assault.
ANOTHER:
I have a ringing in my ears.
CYRANO:
No, no, 'tis false; a hungry stomach has no ears.
ANOTHER:
Oh, to eat something--something oily!
CYRANO (pulling off the cadet's helmet and holding it out to him):
Behold your salad!
ANOTHER:
What, in God's name, can we devour?
CYRANO (throwing him the book which he is carrying):
The 'Iliad'.
ANOTHER:
The first minister in Paris has his four meals a day!
CYRANO:
'Twere courteous an he sent you a few partridges!
THE SAME:
And why not? with wine, too!
CYRANO:
A little Burgundy. Richelieu, s'il vous plait!
THE SAME:
He could send it by one of his friars.
CYRANO:
Ay! by His Eminence Joseph himself.
ANOTHER:
I am as ravenous as an ogre!
CYRANO:
Eat your patience, then.
THE FIRST CADET (shrugging his shoulders):
Always your pointed word!
CYRANO:
Ay, pointed words!
I would fain die thus, some soft summer eve,
Making a pointed word for a good cause.
--To make a soldier's end by soldier's sword,
Wielded by some brave adversary--die
On blood-stained turf, not on a fever-bed,
A point upon my lips, a point within my heart.
CRIES FROM ALL:
I'm hungry!
CYRANO (crossing his arms):
All your thoughts of meat and drink!
Bertrand the fifer!--you were shepherd once,--
Draw from its double leathern case your fife,
Play to these greedy, guzzling soldiers. Play
Old country airs with plaintive rhythm recurring,
Where lurk sweet echoes of the dear home-voices,
Each note of which calls like a little sister,
Those airs slow, slow ascending, as the smoke-wreaths
Rise from the hearthstones of our native hamlets,
Their music strikes the ear like Gascon patois!. . .
(The old man seats himself, and gets his flute ready):
Your flute was now a warrior in durance;
But on its stem your fingers are a-dancing
A bird-like minuet! O flute! Remember
That flutes were made of reeds first, not laburnum;
Make us a music pastoral days recalling--
The soul-time of your youth, in country pastures!. . .
(The old man begins to play the airs of Languedoc):
Hark to the music, Gascons!. . .'Tis no longer
The piercing fife of camp--but 'neath his fingers
The flute of the woods! No more the call to combat,
'Tis now the love-song of the wandering goat-herds!. . .
Hark!. . .'tis the valley, the wet landes, the forest,
The sunburnt shepherd-boy with scarlet beret,
The dusk of evening on the Dordogne river,--
'Tis Gascony! Hark, Gascons, to the music!
(The cadets sit with bowed heads; their eyes have a far-off look as if
dreaming, and they surreptitiously wipe away their tears with their cuffs and
the corner of their cloaks.)
CARBON (to Cyrano in a whisper):
But you make them weep!
CYRANO:
Ay, for homesickness. A nobler pain than hunger,--'tis of the soul, not of
the body! I am well pleased to see their pain change its viscera. Heart-ache
is better than stomach-ache.
CARBON:
But you weaken their courage by playing thus on their heart-strings!
CYRANO (making a sign to a drummer to approach):
Not I. The hero that sleeps in Gascon blood is ever ready to awake in them.
'Twould suffice. . .
(He makes a signal; the drum beats.)
ALL THE CADETS (stand up and rush to take arms):
What? What is it?
CYRANO (smiling):
You see! One roll of the drum is enough! Good-by dreams, regrets, native
land, love. . .All that the pipe called forth the drum has chased away!
A CADET (looking toward the back of the stage):
Ho! here comes Monsieur de Guiche.
ALL THE CADETS (muttering):
Ugh!. . .Ugh!. . .
CYRANO (smiling):
A flattering welcome!
A CADET:
We are sick to death of him!
ANOTHER CADET:
--With his lace collar over his armor, playing the fine gentleman!
ANOTHER:
As if one wore linen over steel!
THE FIRST:
It were good for a bandage had he boils on his neck.
THE SECOND:
Another plotting courtier!
ANOTHER CADET:
His uncle's own nephew!
CARBON:
For all that--a Gascon.
THE FIRST:
Ay, false Gascon!. . .trust him not. . .
Gascons should ever be crack-brained. . .
Naught more dangerous than a rational Gascon.
LE BRET:
How pale he is!
ANOTHER:
Oh! he is hungry, just like us poor devils; but under his cuirass, with its
fine gilt nails, his stomach-ache glitters brave in the sun.
CYRANO (hurriedly):
Let us not seem to suffer either! Out with your cards, pipes, and dice. . .
(All begin spreading out the games on the drums, the stools, the ground, and
on their cloaks, and light long pipes):
And I shall read Descartes.
(He walks up and down, reading a little book which he has drawn from his
pocket. Tableau. Enter De Guiche. All appear absorbed and happy. He is
very pale. He goes up to Carbon.)
| 934 | act 4, scene 3 | https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act4-scenes1-5 | Cyrano comes out of the tent and restores the men's morale with his witty banter. He gets a piper to play an old Gascon song, which reminds the men of their homeland. There is a murmur of disapproval as de Guiche is seen approaching. Cyrano asks the men to start a game of cards, so that de Guiche will not see them suffer | null | 63 | 1 | [
"The SAME.",
"Cyrano.",
"CYRANO (appearing from the tent, very calm, with a pen stuck behind his ear\nand a book in his hand):\n What is wrong?",
"(Silence.",
"To the first cadet):\n Why drag you your legs so sorrowfully?",
"THE CADET:\n I have something in my heels which weighs them down.",
"CYRANO:\n And what may that be?",
"THE CADET:\n My stomach!",
"CYRANO:\n So have I, 'faith!",
"THE CADET:\n It must be in your way?",
"CYRANO:\n Nay, I am all the taller.",
"A THIRD:\n My stomach's hollow.",
"CYRANO:\n 'Faith, 'twill make a fine drum to sound the assault.",
"ANOTHER:\n I have a ringing in my ears.",
"CYRANO:\n No, no, 'tis false; a hungry stomach has no ears.",
"ANOTHER:\n Oh, to eat something--something oily!",
"CYRANO (pulling off the cadet's helmet and holding it out to him):\n Behold your salad!",
"ANOTHER:\n What, in God's name, can we devour?",
"CYRANO (throwing him the book which he is carrying):\n The 'Iliad'.",
"ANOTHER:\n The first minister in Paris has his four meals a day!",
"CYRANO:\n 'Twere courteous an he sent you a few partridges!",
"THE SAME:\n And why not?",
"with wine, too!",
"CYRANO:\n A little Burgundy.",
"Richelieu, s'il vous plait!",
"THE SAME:\n He could send it by one of his friars.",
"CYRANO:\n Ay!",
"by His Eminence Joseph himself.",
"ANOTHER:\n I am as ravenous as an ogre!",
"CYRANO:\n Eat your patience, then.",
"THE FIRST CADET (shrugging his shoulders):\n Always your pointed word!",
"CYRANO:\n Ay, pointed words!",
"I would fain die thus, some soft summer eve,\n Making a pointed word for a good cause.",
"--To make a soldier's end by soldier's sword,\n Wielded by some brave adversary--die\n On blood-stained turf, not on a fever-bed,\n A point upon my lips, a point within my heart.",
"CRIES FROM ALL:\n I'm hungry!",
"CYRANO (crossing his arms):\n All your thoughts of meat and drink!",
"Bertrand the fifer!--you were shepherd once,--\n Draw from its double leathern case your fife,\n Play to these greedy, guzzling soldiers.",
"Play\n Old country airs with plaintive rhythm recurring,\n Where lurk sweet echoes of the dear home-voices,\n Each note of which calls like a little sister,\n Those airs slow, slow ascending, as the smoke-wreaths\n Rise from the hearthstones of our native hamlets,\n Their music strikes the ear like Gascon patois!.",
". .\n(The old man seats himself, and gets his flute ready):\n Your flute was now a warrior in durance;\n But on its stem your fingers are a-dancing\n A bird-like minuet!",
"O flute!",
"Remember\n That flutes were made of reeds first, not laburnum;\n Make us a music pastoral days recalling--\n The soul-time of your youth, in country pastures!.",
". .\n(The old man begins to play the airs of Languedoc):\n Hark to the music, Gascons!.",
". .'Tis no longer\n The piercing fife of camp--but 'neath his fingers\n The flute of the woods!",
"No more the call to combat,\n 'Tis now the love-song of the wandering goat-herds!.",
". .\n Hark!.",
". .'tis the valley, the wet landes, the forest,\n The sunburnt shepherd-boy with scarlet beret,\n The dusk of evening on the Dordogne river,--\n 'Tis Gascony!",
"Hark, Gascons, to the music!",
"(The cadets sit with bowed heads; their eyes have a far-off look as if\ndreaming, and they surreptitiously wipe away their tears with their cuffs and\nthe corner of their cloaks.)",
"CARBON (to Cyrano in a whisper):\n But you make them weep!",
"CYRANO:\n Ay, for homesickness.",
"A nobler pain than hunger,--'tis of the soul, not of\nthe body!",
"I am well pleased to see their pain change its viscera.",
"Heart-ache\nis better than stomach-ache.",
"CARBON:\n But you weaken their courage by playing thus on their heart-strings!",
"CYRANO (making a sign to a drummer to approach):\n Not I.",
"The hero that sleeps in Gascon blood is ever ready to awake in them.",
"'Twould suffice.",
". .\n\n(He makes a signal; the drum beats.)",
"ALL THE CADETS (stand up and rush to take arms):\n What?",
"What is it?",
"CYRANO (smiling):\n You see!",
"One roll of the drum is enough!",
"Good-by dreams, regrets, native\nland, love. . .All that the pipe called forth the drum has chased away!",
"A CADET (looking toward the back of the stage):\n Ho!",
"here comes Monsieur de Guiche.",
"ALL THE CADETS (muttering):\n Ugh!. .",
".Ugh!.",
". .\n\nCYRANO (smiling):\n A flattering welcome!",
"A CADET:\n We are sick to death of him!",
"ANOTHER CADET:\n --With his lace collar over his armor, playing the fine gentleman!",
"ANOTHER:\n As if one wore linen over steel!",
"THE FIRST:\n It were good for a bandage had he boils on his neck.",
"THE SECOND:\n Another plotting courtier!",
"ANOTHER CADET:\n His uncle's own nephew!",
"CARBON:\n For all that--a Gascon.",
"THE FIRST:\n Ay, false Gascon!. .",
".trust him not.",
". .\n Gascons should ever be crack-brained.",
". .\n Naught more dangerous than a rational Gascon.",
"LE BRET:\n How pale he is!",
"ANOTHER:\n Oh!",
"he is hungry, just like us poor devils; but under his cuirass, with its\nfine gilt nails, his stomach-ache glitters brave in the sun.",
"CYRANO (hurriedly):\n Let us not seem to suffer either!",
"Out with your cards, pipes, and dice.",
". .\n(All begin spreading out the games on the drums, the stools, the ground, and\non their cloaks, and light long pipes):\n And I shall read Descartes.",
"(He walks up and down, reading a little book which he has drawn from his\npocket.",
"Tableau.",
"Enter De Guiche.",
"All appear absorbed and happy.",
"He is\nvery pale.",
"He goes up to Carbon.)"
] | [
"Cyrano.",
"CYRANO:\n A little Burgundy.",
"ANOTHER:\n I am as ravenous as an ogre!",
"Hark, Gascons, to the music!",
"Heart-ache\nis better than stomach-ache.",
"here comes Monsieur de Guiche.",
"A CADET:\n We are sick to death of him!",
"ANOTHER:\n Oh!",
"Tableau.",
"He is\nvery pale."
] | [
"Play\n Old country airs with plaintive rhythm recurring,\n Where lurk sweet echoes of the dear home-voices,\n Each note of which calls like a little sister,\n Those airs slow, slow ascending, as the smoke-wreaths\n Rise from the hearthstones of our native hamlets,\n Their music strikes the ear like Gascon patois!.",
"CYRANO:\n And what may that be?",
"CYRANO:\n Ay!",
"ANOTHER CADET:\n --With his lace collar over his armor, playing the fine gentleman!",
"Cyrano.",
"No more the call to combat,\n 'Tis now the love-song of the wandering goat-herds!.",
"THE SECOND:\n Another plotting courtier!",
"What is it?",
"ANOTHER:\n I am as ravenous as an ogre!",
"ANOTHER:\n I have a ringing in my ears."
] | [
"Remember\n That flutes were made of reeds first, not laburnum;\n Make us a music pastoral days recalling--\n The soul-time of your youth, in country pastures!.",
". .\n(The old man begins to play the airs of Languedoc):\n Hark to the music, Gascons!.",
". .'Tis no longer\n The piercing fife of camp--but 'neath his fingers\n The flute of the woods!",
"No more the call to combat,\n 'Tis now the love-song of the wandering goat-herds!.",
". .\n Hark!.",
". .'tis the valley, the wet landes, the forest,\n The sunburnt shepherd-boy with scarlet beret,\n The dusk of evening on the Dordogne river,--\n 'Tis Gascony!",
"Hark, Gascons, to the music!",
"(The cadets sit with bowed heads; their eyes have a far-off look as if\ndreaming, and they surreptitiously wipe away their tears with their cuffs and\nthe corner of their cloaks.)",
"CARBON (to Cyrano in a whisper):\n But you make them weep!",
"CYRANO:\n Ay, for homesickness.",
"A nobler pain than hunger,--'tis of the soul, not of\nthe body!"
] | [
"The SAME.",
"Cyrano.",
"CYRANO (appearing from the tent, very calm, with a pen stuck behind his ear\nand a book in his hand):\n What is wrong?",
"(Silence.",
"To the first cadet):\n Why drag you your legs so sorrowfully?",
"THE CADET:\n I have something in my heels which weighs them down.",
"CYRANO:\n And what may that be?",
"THE CADET:\n My stomach!",
"CYRANO:\n So have I, 'faith!",
"THE CADET:\n It must be in your way?",
"he is hungry, just like us poor devils; but under his cuirass, with its\nfine gilt nails, his stomach-ache glitters brave in the sun.",
"CYRANO (hurriedly):\n Let us not seem to suffer either!",
"Out with your cards, pipes, and dice.",
". .\n(All begin spreading out the games on the drums, the stools, the ground, and\non their cloaks, and light long pipes):\n And I shall read Descartes.",
"(He walks up and down, reading a little book which he has drawn from his\npocket.",
"Tableau.",
"Enter De Guiche.",
"All appear absorbed and happy.",
"He is\nvery pale.",
"He goes up to Carbon.)"
] | n Paris has his four meals a day!
CYRANO:
'Twere courteous an he sent you a few partridges!
THE SAME:
And why not?
with wine, too!
CYRANO:
A little Burgundy.
Richelieu, s'il vous plait!
THE SAME:
He could send it by one of his friars.
CYRANO:
Ay!
by His Eminence Joseph himself.
ANOTHER:
I am as ravenous as an ogre!
CYRANO:
Eat your patience, then.
THE FIRST CADET (shrugging his shoulders):
Always your pointed word!
CYRANO:
Ay, pointed words!
I would fain die thus, some soft summer eve,
Making a pointed word for a good cause.
--To make a soldier's end by soldier's sword,
Wielded by some brave adversary--die
On blood-stained turf, not on a fever-bed,
A point upon my lips, a point within my heart.
CRIES FROM ALL:
I'm hungry!
CYRANO (crossing his arms):
All your thoughts of meat and drink!
Bertrand the fifer!--you were shepherd once,--
Draw from its double leathern case your fife,
Play to these greedy, guzzling soldiers.
Play
Old country airs with plaint | The SAME.
Cyrano.
CYRANO (appearing from the tent, very calm, with a pen stuck behind his ear
and a book in his hand):
What is wrong?
(Silence.
To the first cadet):
Why drag you your legs so sorrowfully?
THE CADET:
I have something in my heels which weighs them down.
CYRANO:
And what may that be?
THE CADET:
My stomach!
CYRANO:
So have I, 'faith!
THE CADET:
It must be in your way?
CYRANO:
Nay, I am all the taller.
A THIRD:
My stomach's hollow.
CYRANO:
'Faith, 'twill make a fin uirass, with its
fine gilt nails, his stomach-ache glitters brave in the sun.
CYRANO (hurriedly):
Let us not seem to suffer either!
Out with your cards, pipes, and dice.
. .
(All begin spreading out the games on the drums, the stools, the ground, and
on their cloaks, and light long pipes):
And I shall read Descartes.
(He walks up and down, reading a little book which he has drawn from his
pocket.
Tableau.
Enter De Guiche.
All appear absorbed and happy.
He is
very pale.
He goes up to Carbon.) | from the hearthstones of our native hamlets,
Their music strikes the ear like Gascon patois!.
. .
(The old man seats himself, and gets his flute ready):
Your flute was now a warrior in durance;
But on its stem your fingers are a-dancing
A bird-like minuet!
O flute!
Remember
That flutes were made of reeds first, not laburnum;
Make us a music pastoral days recalling--
The soul-time of your youth, in country pastures!.
. .
(The old man begins to play the airs of Languedoc):
Hark to the music, Gascons!.
. .'Tis no longer
The piercing fife of camp--but 'neath his fingers
The flute of the woods!
No more the call to combat,
'Tis now the love-song of the wandering goat-herds!.
. .
Hark!.
. .'tis the valley, the wet landes, the forest,
The sunburnt shepherd-boy with scarlet beret,
The dusk of evening on the Dordogne river,--
'Tis Gascony!
Hark, Gascons, to the music!
(The cadets sit with bowed heads; their eyes have a far-off look as if
dreaming, and they surreptiti |
1,254 | true | novelguide | all_chapterized_books/1254-chapters/38.txt | finished_summaries/novelguide/Cyrano de Bergerac/section_6_part_4.txt | Cyrano de Bergerac.act 4.scene 4 | act 4, scene 4 | null | {"name": "act 4, scene 4", "url": "https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act4-scenes1-5", "summary": "De Guiche arrives and boasts about his courage on the battlefield the previous day. Cyrano asks him about his white plume of feathers. De Guiche explains that he threw away his white plume to confuse the Spaniards, and led his troops in a charge that broke through the enemy line. A silence falls upon the Guards. Cyrano says that a courageous man would not have thrown away his white plume, whatever the danger, and that he himself would be proud to wear it. De Guiche replies that Cyrano is only saying this because he knows the plume is lost on the battlefield. Cyrano pulls the plume from his pocket and hands it to de Guiche. After a pause, de Guiche collects his thoughts, seizes the plume, and waves it at a man, who runs off. De Guiche explains that the man is a double agent who will take a message to the Spaniards. De Guiche has just given the signal for the Spaniards to attack the Guards. Many Guardsmen will die, but the ruse will buy time for the French until the Marshal arrives with reinforcements. The Spanish attack is likely to come in one hour's time. Cyrano thanks de Guiche for giving them the opportunity to die with honor. Christian thinks sadly of Roxane and wishes that he could put his thoughts in a letter to her. Cyrano, who expected the Spanish to attack today, produces a letter that he has already written. Christian notices a tear stain on it. Cyrano admits that the thought of never seeing Roxane again is terrible. Christian grows uneasy and may be about to guess Cyrano's secret when they are interrupted by the arrival of a carriage. The Guards are astonished to see Roxane get out", "analysis": ""} | The same. De Guiche.
DE GUICHE (to Carbon):
Good-day!
(They examine each other. Aside, with satisfaction):
He's green.
CARBON (aside):
He has nothing left but eyes.
DE GUICHE (looking at the cadets):
Here are the rebels! Ay, Sirs, on all sides
I hear that in your ranks you scoff at me;
That the Cadets, these loutish, mountain-bred,
Poor country squires, and barons of Perigord,
Scarce find for me--their Colonel--a disdain
Sufficient! call me plotter, wily courtier!
It does not please their mightiness to see
A point-lace collar on my steel cuirass,--
And they enrage, because a man, in sooth,
May be no ragged-robin, yet a Gascon!
(Silence. All smoke and play):
Shall I command your Captain punish you?
No.
CARBON:
I am free, moreover,--will not punish--
DE GUICHE:
Ah!
CARBON:
I have paid my company--'tis mine.
I bow but to headquarters.
DE GUICHE:
So?--in faith!
That will suffice.
(Addressing himself to the cadets):
I can despise your taunts
'Tis well known how I bear me in the war;
At Bapaume, yesterday, they saw the rage
With which I beat back the Count of Bucquoi;
Assembling my own men, I fell on his,
And charged three separate times!
CYRANO (without lifting his eyes from his book):
And your white scarf?
DE GUICHE (surprised and gratified):
You know that detail?. . .Troth! It happened thus:
While caracoling to recall the troops
For the third charge, a band of fugitives
Bore me with them, close by the hostile ranks:
I was in peril--capture, sudden death!--
When I thought of the good expedient
To loosen and let fall the scarf which told
My military rank; thus I contrived
--Without attention waked--to leave the foes,
And suddenly returning, reinforced
With my own men, to scatter them! And now,
--What say you, Sir?
(The cadets pretend not to be listening, but the cards and the dice-boxes
remain suspended in their hands, the smoke of their pipes in their cheeks.
They wait.)
CYRANO:
I say, that Henri Quatre
Had not, by any dangerous odds, been forced
To strip himself of his white helmet plume.
(Silent delight. The cards fall, the dice rattle. The smoke is puffed.)
DE GUICHE:
The ruse succeeded, though!
(Same suspension of play, etc.)
CYRANO:
Oh, may be! But
One does not lightly abdicate the honor
To serve as target to the enemy
(Cards, dice, fall again, and the cadets smoke with evident delight):
Had I been present when your scarf fell low,
--Our courage, Sir, is of a different sort--
I would have picked it up and put it on.
DE GUICHE:
Oh, ay! Another Gascon boast!
CYRANO:
A boast?
Lend it to me. I pledge myself, to-night,
--With it across my breast,--to lead th' assault.
DE GUICHE:
Another Gascon vaunt! You know the scarf
Lies with the enemy, upon the brink
Of the stream,. . .the place is riddled now with shot,--
No one can fetch it hither!
CYRANO (drawing the scarf from his pocket, and holding it out to him):
Here it is.
(Silence. The cadets stifle their laughter in their cards and dice-boxes. De
Guiche turns and looks at them; they instantly become grave, and set to play.
One of them whistles indifferently the air just played by the fifer.)
DE GUICHE (taking the scarf):
I thank you. It will now enable me
To make a signal,--that I had forborne
To make--till now.
(He goes to the rampart, climbs it, and waves the scarf thrice.)
ALL:
What's that?
THE SENTINEL (from the top of the rampart):
See you yon man
Down there, who runs?. . .
DE GUICHE (descending):
'Tis a false Spanish spy
Who is extremely useful to my ends.
The news he carries to the enemy
Are those I prompt him with--so, in a word,
We have an influence on their decisions!
CYRANO:
Scoundrel!
DE GUICHE (carelessly knotting on his scarf):
'Tis opportune. What were we saying?
Ah! I have news for you. Last evening
--To victual us--the Marshal did attempt
A final effort:--secretly he went
To Dourlens, where the King's provisions be.
But--to return to camp more easily--
He took with him a goodly force of troops.
Those who attacked us now would have fine sport!
Half of the army's absent from the camp!
CARBON:
Ay, if the Spaniards knew, 'twere ill for us,
But they know nothing of it?
DE GUICHE:
Oh! they know.
They will attack us.
CARBON:
Ah!
DE GUICHE:
For my false spy
Came to warn me of their attack. He said,
'I can decide the point for their assault;
Where would you have it? I will tell them 'tis
The least defended--they'll attempt you there.'
I answered, 'Good. Go out of camp, but watch
My signal. Choose the point from whence it comes.'
CARBON (to cadets):
Make ready!
(All rise; sounds of swords and belts being buckled.)
DE GUICHE:
'Twill be in an hour.
FIRST CADET:
Good!. . .
(They all sit down again and take up their games.)
DE GUICHE (to Carbon):
Time must be gained. The Marshal will return.
CARBON:
How gain it?
DE GUICHE:
You will all be good enough
To let yourselves to be killed.
CYRANO:
Vengeance! oho!
DE GUICHE:
I do not say that, if I loved you well,
I had chosen you and yours,--but, as things stand,--
Your courage yielding to no corps the palm--
I serve my King, and serve my grudge as well.
CYRANO:
Permit that I express my gratitude. . .
DE GUICHE:
I know you love to fight against five score;
You will not now complain of paltry odds.
(He goes up with Carbon.)
CYRANO (to the cadets):
We shall add to the Gascon coat of arms,
With its six bars of blue and gold, one more--
The blood-red bar that was a-missing there!
(De Guiche speaks in a low voice with Carbon at the back. Orders are given.
Preparations go forward. Cyrano goes up to Christian, who stands with crossed
arms.)
CYRANO (putting his hand on Christian's shoulder):
Christian!
CHRISTIAN (shaking his head):
Roxane!
CYRANO:
Alas!
CHRISTIAN:
At least, I'd send
My heart's farewell to her in a fair letter!. . .
CYRANO:
I had suspicion it would be to-day,
(He draws a letter out of his doublet):
And had already writ. . .
CHRISTIAN:
Show!
CYRANO:
Will you. . .?
CHRISTIAN (taking the letter):
Ay!
(He opens and reads it):
Hold!
CYRANO:
What?
CHRISTIAN:
This little spot!
CYRANO (taking the letter, with an innocent look):
A spot?
CHRISTIAN:
A tear!
CYRANO:
Poets, at last,--by dint of counterfeiting--
Take counterfeit for true--that is the charm!
This farewell letter,--it was passing sad,
I wept myself in writing it!
CHRISTIAN:
Wept? why?
CYRANO:
Oh!. . .death itself is hardly terrible,. . .
--But, ne'er to see her more! That is death's sting!
--For. . .I shall never. . .
(Christian looks at him):
We shall. . .
(Quickly):
I mean, you. . .
CHRISTIAN (snatching the letter from him):
Give me that letter!
(A rumor, far off in the camp.)
VOICE Of SENTINEL:
Who goes there? Halloo!
(Shots--voices--carriage-bells.)
CARBON:
What is it?
A SENTINEL (on the rampart):
'Tis a carriage!
(All rush to see.)
CRIES:
In the camp?
It enters!--It comes from the enemy!
--Fire!--No!--The coachman cries!--What does he say?
--'On the King's service!'
(Everyone is on the rampart, staring. The bells come nearer.)
DE GUICHE:
The King's service? How?
(All descend and draw up in line.)
CARBON:
Uncover, all!
DE GUICHE:
The King's! Draw up in line!
Let him describe his curve as it befits!
(The carriage enters at full speed covered with dust and mud. The curtains
are drawn close. Two lackeys behind. It is pulled up suddenly.)
CARBON:
Beat a salute!
(A roll of drums. The cadets uncover.)
DE GUICHE:
Lower the carriage-steps!
(Two cadets rush forward. The door opens.)
ROXANE (jumping down from the carriage):
Good-day!
(All are bowing to the ground, but at the sound of a woman's voice every head
is instantly raised.)
| 1,412 | act 4, scene 4 | https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act4-scenes1-5 | De Guiche arrives and boasts about his courage on the battlefield the previous day. Cyrano asks him about his white plume of feathers. De Guiche explains that he threw away his white plume to confuse the Spaniards, and led his troops in a charge that broke through the enemy line. A silence falls upon the Guards. Cyrano says that a courageous man would not have thrown away his white plume, whatever the danger, and that he himself would be proud to wear it. De Guiche replies that Cyrano is only saying this because he knows the plume is lost on the battlefield. Cyrano pulls the plume from his pocket and hands it to de Guiche. After a pause, de Guiche collects his thoughts, seizes the plume, and waves it at a man, who runs off. De Guiche explains that the man is a double agent who will take a message to the Spaniards. De Guiche has just given the signal for the Spaniards to attack the Guards. Many Guardsmen will die, but the ruse will buy time for the French until the Marshal arrives with reinforcements. The Spanish attack is likely to come in one hour's time. Cyrano thanks de Guiche for giving them the opportunity to die with honor. Christian thinks sadly of Roxane and wishes that he could put his thoughts in a letter to her. Cyrano, who expected the Spanish to attack today, produces a letter that he has already written. Christian notices a tear stain on it. Cyrano admits that the thought of never seeing Roxane again is terrible. Christian grows uneasy and may be about to guess Cyrano's secret when they are interrupted by the arrival of a carriage. The Guards are astonished to see Roxane get out | null | 293 | 1 | [
"The same.",
"De Guiche.",
"DE GUICHE (to Carbon):\n Good-day!",
"(They examine each other.",
"Aside, with satisfaction):\n He's green.",
"CARBON (aside):\n He has nothing left but eyes.",
"DE GUICHE (looking at the cadets):\n Here are the rebels!",
"Ay, Sirs, on all sides\n I hear that in your ranks you scoff at me;\n That the Cadets, these loutish, mountain-bred,\n Poor country squires, and barons of Perigord,\n Scarce find for me--their Colonel--a disdain\n Sufficient!",
"call me plotter, wily courtier!",
"It does not please their mightiness to see\n A point-lace collar on my steel cuirass,--\n And they enrage, because a man, in sooth,\n May be no ragged-robin, yet a Gascon!",
"(Silence.",
"All smoke and play):\n Shall I command your Captain punish you?",
"No.",
"CARBON:\n I am free, moreover,--will not punish--\n\nDE GUICHE:\n Ah!",
"CARBON:\n I have paid my company--'tis mine.",
"I bow but to headquarters.",
"DE GUICHE:\n So?--in faith!",
"That will suffice.",
"(Addressing himself to the cadets):\n I can despise your taunts\n 'Tis well known how I bear me in the war;\n At Bapaume, yesterday, they saw the rage\n With which I beat back the Count of Bucquoi;\n Assembling my own men, I fell on his,\n And charged three separate times!",
"CYRANO (without lifting his eyes from his book):\n And your white scarf?",
"DE GUICHE (surprised and gratified):\n You know that detail?. .",
".Troth!",
"It happened thus:\n While caracoling to recall the troops\n For the third charge, a band of fugitives\n Bore me with them, close by the hostile ranks:\n I was in peril--capture, sudden death!--\n When I thought of the good expedient\n To loosen and let fall the scarf which told\n My military rank; thus I contrived\n --Without attention waked--to leave the foes,\n And suddenly returning, reinforced\n With my own men, to scatter them!",
"And now,\n --What say you, Sir?",
"(The cadets pretend not to be listening, but the cards and the dice-boxes\nremain suspended in their hands, the smoke of their pipes in their cheeks.",
"They wait.)",
"CYRANO:\n I say, that Henri Quatre\n Had not, by any dangerous odds, been forced\n To strip himself of his white helmet plume.",
"(Silent delight.",
"The cards fall, the dice rattle.",
"The smoke is puffed.)",
"DE GUICHE:\n The ruse succeeded, though!",
"(Same suspension of play, etc.)",
"CYRANO:\n Oh, may be!",
"But\n One does not lightly abdicate the honor\n To serve as target to the enemy\n(Cards, dice, fall again, and the cadets smoke with evident delight):\n Had I been present when your scarf fell low,\n --Our courage, Sir, is of a different sort--\n I would have picked it up and put it on.",
"DE GUICHE:\n Oh, ay!",
"Another Gascon boast!",
"CYRANO:\n A boast?",
"Lend it to me.",
"I pledge myself, to-night,\n --With it across my breast,--to lead th' assault.",
"DE GUICHE:\n Another Gascon vaunt!",
"You know the scarf\n Lies with the enemy, upon the brink\n Of the stream,. . .the place is riddled now with shot,--\n No one can fetch it hither!",
"CYRANO (drawing the scarf from his pocket, and holding it out to him):\n Here it is.",
"(Silence.",
"The cadets stifle their laughter in their cards and dice-boxes.",
"De\nGuiche turns and looks at them; they instantly become grave, and set to play.",
"One of them whistles indifferently the air just played by the fifer.)",
"DE GUICHE (taking the scarf):\n I thank you.",
"It will now enable me\n To make a signal,--that I had forborne\n To make--till now.",
"(He goes to the rampart, climbs it, and waves the scarf thrice.)",
"ALL:\n What's that?",
"THE SENTINEL (from the top of the rampart):\n See you yon man\n Down there, who runs?.",
". .\n\nDE GUICHE (descending):\n 'Tis a false Spanish spy\n Who is extremely useful to my ends.",
"The news he carries to the enemy\n Are those I prompt him with--so, in a word,\n We have an influence on their decisions!",
"CYRANO:\n Scoundrel!",
"DE GUICHE (carelessly knotting on his scarf):\n 'Tis opportune.",
"What were we saying?",
"Ah!",
"I have news for you.",
"Last evening\n --To victual us--the Marshal did attempt\n A final effort:--secretly he went\n To Dourlens, where the King's provisions be.",
"But--to return to camp more easily--\n He took with him a goodly force of troops.",
"Those who attacked us now would have fine sport!",
"Half of the army's absent from the camp!",
"CARBON:\n Ay, if the Spaniards knew, 'twere ill for us,\n But they know nothing of it?",
"DE GUICHE:\n Oh!",
"they know.",
"They will attack us.",
"CARBON:\n Ah!",
"DE GUICHE:\n For my false spy\n Came to warn me of their attack.",
"He said,\n 'I can decide the point for their assault;\n Where would you have it?",
"I will tell them 'tis\n The least defended--they'll attempt you there.'",
"I answered, 'Good.",
"Go out of camp, but watch\n My signal.",
"Choose the point from whence it comes.'",
"CARBON (to cadets):\n Make ready!",
"(All rise; sounds of swords and belts being buckled.)",
"DE GUICHE:\n 'Twill be in an hour.",
"FIRST CADET:\n Good!.",
". .\n\n(They all sit down again and take up their games.)",
"DE GUICHE (to Carbon):\n Time must be gained.",
"The Marshal will return.",
"CARBON:\n How gain it?",
"DE GUICHE:\n You will all be good enough\n To let yourselves to be killed.",
"CYRANO:\n Vengeance!",
"oho!",
"DE GUICHE:\n I do not say that, if I loved you well,\n I had chosen you and yours,--but, as things stand,--\n Your courage yielding to no corps the palm--\n I serve my King, and serve my grudge as well.",
"CYRANO:\n Permit that I express my gratitude.",
". .\n\nDE GUICHE:\n I know you love to fight against five score;\n You will not now complain of paltry odds.",
"(He goes up with Carbon.)",
"CYRANO (to the cadets):\n We shall add to the Gascon coat of arms,\n With its six bars of blue and gold, one more--\n The blood-red bar that was a-missing there!",
"(De Guiche speaks in a low voice with Carbon at the back.",
"Orders are given.",
"Preparations go forward.",
"Cyrano goes up to Christian, who stands with crossed\narms.)",
"CYRANO (putting his hand on Christian's shoulder):\n Christian!",
"CHRISTIAN (shaking his head):\n Roxane!",
"CYRANO:\n Alas!",
"CHRISTIAN:\n At least, I'd send\n My heart's farewell to her in a fair letter!.",
". .\n\nCYRANO:\n I had suspicion it would be to-day,\n(He draws a letter out of his doublet):\n And had already writ.",
". .\n\nCHRISTIAN:\n Show!",
"CYRANO:\n Will you. .",
".?",
"CHRISTIAN (taking the letter):\n Ay!",
"(He opens and reads it):\n Hold!",
"CYRANO:\n What?",
"CHRISTIAN:\n This little spot!",
"CYRANO (taking the letter, with an innocent look):\n A spot?",
"CHRISTIAN:\n A tear!",
"CYRANO:\n Poets, at last,--by dint of counterfeiting--\n Take counterfeit for true--that is the charm!",
"This farewell letter,--it was passing sad,\n I wept myself in writing it!",
"CHRISTIAN:\n Wept?",
"why?",
"CYRANO:\n Oh!. .",
".death itself is hardly terrible,.",
". .\n --But, ne'er to see her more!",
"That is death's sting!",
"--For. . .I shall never.",
". .\n(Christian looks at him):\n We shall.",
". .\n(Quickly):\n I mean, you.",
". .\n\nCHRISTIAN (snatching the letter from him):\n Give me that letter!",
"(A rumor, far off in the camp.)",
"VOICE Of SENTINEL:\n Who goes there?",
"Halloo!",
"(Shots--voices--carriage-bells.)",
"CARBON:\n What is it?",
"A SENTINEL (on the rampart):\n 'Tis a carriage!",
"(All rush to see.)",
"CRIES:\n In the camp?",
"It enters!--It comes from the enemy!",
"--Fire!--No!--The coachman cries!--What does he say?",
"--'On the King's service!'",
"(Everyone is on the rampart, staring.",
"The bells come nearer.)",
"DE GUICHE:\n The King's service?",
"How?",
"(All descend and draw up in line.)",
"CARBON:\n Uncover, all!",
"DE GUICHE:\n The King's!",
"Draw up in line!",
"Let him describe his curve as it befits!",
"(The carriage enters at full speed covered with dust and mud.",
"The curtains\nare drawn close.",
"Two lackeys behind.",
"It is pulled up suddenly.)",
"CARBON:\n Beat a salute!",
"(A roll of drums.",
"The cadets uncover.)",
"DE GUICHE:\n Lower the carriage-steps!",
"(Two cadets rush forward.",
"The door opens.)",
"ROXANE (jumping down from the carriage):\n Good-day!",
"(All are bowing to the ground, but at the sound of a woman's voice every head\nis instantly raised.)"
] | [
"No.",
"CARBON:\n I am free, moreover,--will not punish--\n\nDE GUICHE:\n Ah!",
"That will suffice.",
"And now,\n --What say you, Sir?",
"I pledge myself, to-night,\n --With it across my breast,--to lead th' assault.",
"He said,\n 'I can decide the point for their assault;\n Where would you have it?",
"CARBON (to cadets):\n Make ready!",
"CYRANO:\n Permit that I express my gratitude.",
"CYRANO:\n What?",
"(The carriage enters at full speed covered with dust and mud."
] | [
"The cards fall, the dice rattle.",
"CYRANO:\n Vengeance!",
"--Fire!--No!--The coachman cries!--What does he say?",
"They wait.)",
"Orders are given.",
"DE GUICHE:\n The King's service?",
"CYRANO:\n Alas!",
"(He opens and reads it):\n Hold!",
"(Silence.",
"Draw up in line!"
] | [
"I answered, 'Good.",
"Go out of camp, but watch\n My signal.",
"Choose the point from whence it comes.'",
"CARBON (to cadets):\n Make ready!",
"(All rise; sounds of swords and belts being buckled.)",
"DE GUICHE:\n 'Twill be in an hour.",
"FIRST CADET:\n Good!.",
". .\n\n(They all sit down again and take up their games.)",
"DE GUICHE (to Carbon):\n Time must be gained.",
"The Marshal will return.",
"CARBON:\n How gain it?"
] | [
"The same.",
"De Guiche.",
"DE GUICHE (to Carbon):\n Good-day!",
"(They examine each other.",
"Aside, with satisfaction):\n He's green.",
"CARBON (aside):\n He has nothing left but eyes.",
"DE GUICHE (looking at the cadets):\n Here are the rebels!",
"Ay, Sirs, on all sides\n I hear that in your ranks you scoff at me;\n That the Cadets, these loutish, mountain-bred,\n Poor country squires, and barons of Perigord,\n Scarce find for me--their Colonel--a disdain\n Sufficient!",
"call me plotter, wily courtier!",
"It does not please their mightiness to see\n A point-lace collar on my steel cuirass,--\n And they enrage, because a man, in sooth,\n May be no ragged-robin, yet a Gascon!",
"Two lackeys behind.",
"It is pulled up suddenly.)",
"CARBON:\n Beat a salute!",
"(A roll of drums.",
"The cadets uncover.)",
"DE GUICHE:\n Lower the carriage-steps!",
"(Two cadets rush forward.",
"The door opens.)",
"ROXANE (jumping down from the carriage):\n Good-day!",
"(All are bowing to the ground, but at the sound of a woman's voice every head\nis instantly raised.)"
] | mit that I express my gratitude.
. .
DE GUICHE:
I know you love to fight against five score;
You will not now complain of paltry odds.
(He goes up with Carbon.)
CYRANO (to the cadets):
We shall add to the Gascon coat of arms,
With its six bars of blue and gold, one more--
The blood-red bar that was a-missing there!
(De Guiche speaks in a low voice with Carbon at the back.
Orders are given.
Preparations go forward.
Cyrano goes up to Christian, who stands with crossed
arms.)
CYRANO (putting his hand on Christian's shoulder):
Christian!
CHRISTIAN (shaking his head):
Roxane!
CYRANO:
Alas!
CHRISTIAN:
At least, I'd send
My heart's farewell to her in a fair letter!.
. .
CYRANO:
I had suspicion it would be to-day,
(He draws a letter out of his doublet):
And had already writ.
. .
CHRISTIAN:
Show!
CYRANO:
Will you. .
.?
CHRISTIAN (taking the letter):
Ay!
(He opens and reads it):
Hold!
CYRANO:
What?
CHRISTIAN:
This little spot!
CYRANO (taking the letter, wit | The same.
De Guiche.
DE GUICHE (to Carbon):
Good-day!
(They examine each other.
Aside, with satisfaction):
He's green.
CARBON (aside):
He has nothing left but eyes.
DE GUICHE (looking at the cadets):
Here are the rebels!
Ay, Sirs, on all sides
I hear that in your ranks you scoff at me;
That the Cadets, these loutish, mountain-bred,
Poor country squires, and barons of Perigord,
Scarce find for me--their Colonel--a disdain
Sufficient!
call me plotter, wily courtier!
It does not p g's!
Draw up in line!
Let him describe his curve as it befits!
(The carriage enters at full speed covered with dust and mud.
The curtains
are drawn close.
Two lackeys behind.
It is pulled up suddenly.)
CARBON:
Beat a salute!
(A roll of drums.
The cadets uncover.)
DE GUICHE:
Lower the carriage-steps!
(Two cadets rush forward.
The door opens.)
ROXANE (jumping down from the carriage):
Good-day!
(All are bowing to the ground, but at the sound of a woman's voice every head
is instantly raised.) | )
ALL:
What's that?
THE SENTINEL (from the top of the rampart):
See you yon man
Down there, who runs?.
. .
DE GUICHE (descending):
'Tis a false Spanish spy
Who is extremely useful to my ends.
The news he carries to the enemy
Are those I prompt him with--so, in a word,
We have an influence on their decisions!
CYRANO:
Scoundrel!
DE GUICHE (carelessly knotting on his scarf):
'Tis opportune.
What were we saying?
Ah!
I have news for you.
Last evening
--To victual us--the Marshal did attempt
A final effort:--secretly he went
To Dourlens, where the King's provisions be.
But--to return to camp more easily--
He took with him a goodly force of troops.
Those who attacked us now would have fine sport!
Half of the army's absent from the camp!
CARBON:
Ay, if the Spaniards knew, 'twere ill for us,
But they know nothing of it?
DE GUICHE:
Oh!
they know.
They will attack us.
CARBON:
Ah!
DE GUICHE:
For my false spy
Came to warn me of their attack.
He said,
'I can d |
1,254 | true | novelguide | all_chapterized_books/1254-chapters/39.txt | finished_summaries/novelguide/Cyrano de Bergerac/section_6_part_5.txt | Cyrano de Bergerac.act 4.scene 5 | act 4, scene 5 | null | {"name": "act 4, scene 5", "url": "https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act4-scenes1-5", "summary": "Roxane says she came to the battlefield because she got fed up with writing. She crossed the Spanish lines and was shot at. When she was stopped by Spaniards, she told them she was going to see her lover and they let her pass. De Guiche, Christian, and Cyrano all tell her that she must leave immediately, as they will soon be under attack. Roxane insists that she will stay, saying that if Christian dies, she wants to die beside him. De Guiche protests that their position is the weakest of all; Cyrano adds that this is why de Guiche assigned them to it. Roxane realizes that de Guiche has deliberately sent Christian to his death, and this makes her all the more determined to stay. She suggests that de Guiche might like to leave before the fighting starts. A furious de Guiche leaves to check the cannon, saying that he will return soon.", "analysis": "of scenes 1-5. With the beginning of the tone shifts from boisterous comedy and satire to a more tragic note. At the battlefront, the Guards are starving and demoralized. Only Cyrano retains a positive outlook, and is called upon by Carbon to cheer up the men, which he does. Cyrano's resilience can be attributed for the most part to his extraordinarily courageous and resourceful nature, but may be partly due to his love for Roxane and his focus on writing letters to her. De Guiche, too, darkens in tone, shifting from his former role as stage villain opposing the young lovers to a potential murderer. He hopes that Christian, his rival in love of Roxane, will die on the battlefield. He also wants vengeance against Cyrano for repeatedly humiliating him. To this end, he has arranged for the Guards to be stationed in the weakest position and signals to a double agent to let the Spanish know that they can attack. It is significant that he uses his white plume of feathers to signal the attack. De Guiche has already thrown this plume away on the battlefield in order to save his own skin. The plume becomes a symbol of courage and honor, and de Guiche's treatment of it shows his cowardice and duplicity. Although he justifies his action militarily by claiming that allowing the Spanish to slaughter the Guards will buy time for the French, it seems a murderously cruel and vindictive way to gain his ends. Cyrano's risking his own life to pick up the plume and his insistence that he would be proud to wear it sets him up in contrast with de Guiche. Where de Guiche is cowardly, Cyrano is brave; where de Guiche uses deception to save his own life, Cyrano stands for truth. Roxane shows her spirit and courage by choosing to join Christian on the battlefield and, if necessary, to die with him. Her refusal to be discouraged or deflected from her purpose mirrors Cyrano's buoyant spirits. Again, she is shown to be a fitting lover for Cyrano, not for the rather bland Christian. Suspense escalates around Cyrano's secret as Christian seems about to guess it, when they are interrupted by the arrival of Roxane's coach. The men's collaborative deception seems increasingly unsustainable"} | The same. Roxane.
DE GUICHE:
On the King's service! You?
ROXANE:
Ay,--King Love's! What other king?
CYRANO:
Great God!
CHRISTIAN (rushing forward):
Why have you come?
ROXANE:
This siege--'tis too long!
CHRISTIAN:
But why?. . .
ROXANE:
I will tell you all!
CYRANO (who, at the sound of her voice, has stood still, rooted to the ground,
afraid to raise his eyes):
My God! dare I look at her?
DE GUICHE:
You cannot remain here!
ROXANE (merrily):
But I say yes! Who will push a drum hither for me?
(She seats herself on the drum they roll forward):
So! I thank you.
(She laughs):
My carriage was fired at
(proudly):
by the patrol! Look! would you not think 'twas made of a pumpkin, like
Cinderella's chariot in the tale,--and the footmen out of rats?
(Sending a kiss with her lips to Christian):
Good-morrow!
(Examining them all):
You look not merry, any of you! Ah! know you that 'tis a long road to get
to Arras?
(Seeing Cyrano):
Cousin, delighted!
CYRANO (coming up to her):
But how, in Heaven's name?. . .
ROXANE:
How found I the way to the army? It was simple enough, for I had but to
pass on and on, as far as I saw the country laid waste. Ah, what horrors were
there! Had I not seen, then I could never have believed it! Well, gentlemen,
if such be the service of your King, I would fainer serve mine!
CYRANO:
But 'tis sheer madness! Where in the fiend's name did you get through?
ROXANE:
Where? Through the Spanish lines.
FIRST CADET:
--For subtle craft, give me a woman!
DE GUICHE:
But how did you pass through their lines?
LE BRET:
Faith! that must have been a hard matter!. . .
ROXANE:
None too hard. I but drove quietly forward in my carriage, and when some
hidalgo of haughty mien would have stayed me, lo! I showed at the window my
sweetest smile, and these Senors being (with no disrespect to you) the most
gallant gentlemen in the world,--I passed on!
CARBON:
True, that smile is a passport! But you must have been asked frequently to
give an account of where you were going, Madame?
ROXANE:
Yes, frequently. Then I would answer, 'I go to see my lover.' At that word
the very fiercest Spaniard of them all would gravely shut the carriage-door,
and, with a gesture that a king might envy, make signal to his men to lower
the muskets leveled at me;--then, with melancholy but withal very graceful
dignity--his beaver held to the wind that the plumes might flutter bravely, he
would bow low, saying to me, 'Pass on, Senorita!'
CHRISTIAN:
But, Roxane. . .
ROXANE:
Forgive me that I said, 'my lover!' But bethink you, had I said 'my
husband,' not one of them had let me pass!
CHRISTIAN:
But. . .
ROXANE:
What ails you?
DE GUICHE:
You must leave this place!
ROXANE:
I?
CYRANO:
And that instantly!
LE BRET:
No time to lose.
CHRISTIAN:
Indeed, you must.
ROXANE:
But wherefore must I?
CHRISTIAN (embarrassed):
'Tis that. . .
CYRANO (the same):
--In three quarters of an hour. . .
DE GUICHE (the same):
--Or for. . .
CARBON (the same):
It were best. . .
LE BRET (the same):
You might. . .
ROXANE:
You are going to fight?--I stay here.
ALL:
No, no!
ROXANE:
He is my husband!
(She throws herself into Christian's arms):
They shall kill us both together!
CHRISTIAN:
Why do you look at me thus?
ROXANE:
I will tell you why!
DE GUICHE (in despair):
'Tis a post of mortal danger!
ROXANE (turning round):
Mortal danger!
CYRANO:
Proof enough, that he has put us here!
ROXANE (to De Guiche):
So, Sir, you would have made a widow of me?
DE GUICHE:
Nay, on my oath. . .
ROXANE:
I will not go! I am reckless now, and I shall not stir from here!--Besides,
'tis amusing!
CYRANO:
Oh-ho! So our precieuse is a heroine!
ROXANE:
Monsieur de Bergerac, I am your cousin.
A CADET:
We will defend you well!
ROXANE (more and more excited):
I have no fear of that, my friends!
ANOTHER (in ecstasy):
The whole camp smells sweet of orris-root!
ROXANE:
And, by good luck, I have chosen a hat that will suit well with the
battlefield!
(Looking at De Guiche):
But were it not wisest that the Count retire?
They may begin the attack.
DE GUICHE:
That is not to be brooked! I go to inspect the cannon, and shall return.
You have still time--think better of it!
ROXANE:
Never!
(De Guiche goes out.)
| 770 | act 4, scene 5 | https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act4-scenes1-5 | Roxane says she came to the battlefield because she got fed up with writing. She crossed the Spanish lines and was shot at. When she was stopped by Spaniards, she told them she was going to see her lover and they let her pass. De Guiche, Christian, and Cyrano all tell her that she must leave immediately, as they will soon be under attack. Roxane insists that she will stay, saying that if Christian dies, she wants to die beside him. De Guiche protests that their position is the weakest of all; Cyrano adds that this is why de Guiche assigned them to it. Roxane realizes that de Guiche has deliberately sent Christian to his death, and this makes her all the more determined to stay. She suggests that de Guiche might like to leave before the fighting starts. A furious de Guiche leaves to check the cannon, saying that he will return soon. | of scenes 1-5. With the beginning of the tone shifts from boisterous comedy and satire to a more tragic note. At the battlefront, the Guards are starving and demoralized. Only Cyrano retains a positive outlook, and is called upon by Carbon to cheer up the men, which he does. Cyrano's resilience can be attributed for the most part to his extraordinarily courageous and resourceful nature, but may be partly due to his love for Roxane and his focus on writing letters to her. De Guiche, too, darkens in tone, shifting from his former role as stage villain opposing the young lovers to a potential murderer. He hopes that Christian, his rival in love of Roxane, will die on the battlefield. He also wants vengeance against Cyrano for repeatedly humiliating him. To this end, he has arranged for the Guards to be stationed in the weakest position and signals to a double agent to let the Spanish know that they can attack. It is significant that he uses his white plume of feathers to signal the attack. De Guiche has already thrown this plume away on the battlefield in order to save his own skin. The plume becomes a symbol of courage and honor, and de Guiche's treatment of it shows his cowardice and duplicity. Although he justifies his action militarily by claiming that allowing the Spanish to slaughter the Guards will buy time for the French, it seems a murderously cruel and vindictive way to gain his ends. Cyrano's risking his own life to pick up the plume and his insistence that he would be proud to wear it sets him up in contrast with de Guiche. Where de Guiche is cowardly, Cyrano is brave; where de Guiche uses deception to save his own life, Cyrano stands for truth. Roxane shows her spirit and courage by choosing to join Christian on the battlefield and, if necessary, to die with him. Her refusal to be discouraged or deflected from her purpose mirrors Cyrano's buoyant spirits. Again, she is shown to be a fitting lover for Cyrano, not for the rather bland Christian. Suspense escalates around Cyrano's secret as Christian seems about to guess it, when they are interrupted by the arrival of Roxane's coach. The men's collaborative deception seems increasingly unsustainable | 154 | 383 | [
"The same.",
"Roxane.",
"DE GUICHE:\n On the King's service!",
"You?",
"ROXANE:\n Ay,--King Love's!",
"What other king?",
"CYRANO:\n Great God!",
"CHRISTIAN (rushing forward):\n Why have you come?",
"ROXANE:\n This siege--'tis too long!",
"CHRISTIAN:\n But why?.",
". .\n\nROXANE:\n I will tell you all!",
"CYRANO (who, at the sound of her voice, has stood still, rooted to the ground,\nafraid to raise his eyes):\n My God!",
"dare I look at her?",
"DE GUICHE:\n You cannot remain here!",
"ROXANE (merrily):\n But I say yes!",
"Who will push a drum hither for me?",
"(She seats herself on the drum they roll forward):\n So!",
"I thank you.",
"(She laughs):\n My carriage was fired at\n(proudly):\n by the patrol!",
"Look!",
"would you not think 'twas made of a pumpkin, like\nCinderella's chariot in the tale,--and the footmen out of rats?",
"(Sending a kiss with her lips to Christian):\n Good-morrow!",
"(Examining them all):\n You look not merry, any of you!",
"Ah!",
"know you that 'tis a long road to get\nto Arras?",
"(Seeing Cyrano):\n Cousin, delighted!",
"CYRANO (coming up to her):\n But how, in Heaven's name?.",
". .\n\nROXANE:\n How found I the way to the army?",
"It was simple enough, for I had but to\npass on and on, as far as I saw the country laid waste.",
"Ah, what horrors were\nthere!",
"Had I not seen, then I could never have believed it!",
"Well, gentlemen,\nif such be the service of your King, I would fainer serve mine!",
"CYRANO:\n But 'tis sheer madness!",
"Where in the fiend's name did you get through?",
"ROXANE:\n Where?",
"Through the Spanish lines.",
"FIRST CADET:\n --For subtle craft, give me a woman!",
"DE GUICHE:\n But how did you pass through their lines?",
"LE BRET:\n Faith!",
"that must have been a hard matter!.",
". .\n\nROXANE:\n None too hard.",
"I but drove quietly forward in my carriage, and when some\nhidalgo of haughty mien would have stayed me, lo!",
"I showed at the window my\nsweetest smile, and these Senors being (with no disrespect to you) the most\ngallant gentlemen in the world,--I passed on!",
"CARBON:\n True, that smile is a passport!",
"But you must have been asked frequently to\ngive an account of where you were going, Madame?",
"ROXANE:\n Yes, frequently.",
"Then I would answer, 'I go to see my lover.'",
"At that word\nthe very fiercest Spaniard of them all would gravely shut the carriage-door,\nand, with a gesture that a king might envy, make signal to his men to lower\nthe muskets leveled at me;--then, with melancholy but withal very graceful\ndignity--his beaver held to the wind that the plumes might flutter bravely, he\nwould bow low, saying to me, 'Pass on, Senorita!'",
"CHRISTIAN:\n But, Roxane.",
". .\n\nROXANE:\n Forgive me that I said, 'my lover!'",
"But bethink you, had I said 'my\nhusband,' not one of them had let me pass!",
"CHRISTIAN:\n But.",
". .\n\nROXANE:\n What ails you?",
"DE GUICHE:\n You must leave this place!",
"ROXANE:\n I?",
"CYRANO:\n And that instantly!",
"LE BRET:\n No time to lose.",
"CHRISTIAN:\n Indeed, you must.",
"ROXANE:\n But wherefore must I?",
"CHRISTIAN (embarrassed):\n 'Tis that.",
". .\n\nCYRANO (the same):\n --In three quarters of an hour.",
". .\n\nDE GUICHE (the same):\n --Or for.",
". .",
"CARBON (the same):\n It were best.",
". .",
"LE BRET (the same):\n You might.",
". .\n\nROXANE:\n You are going to fight?--I stay here.",
"ALL:\n No, no!",
"ROXANE:\n He is my husband!",
"(She throws herself into Christian's arms):\n They shall kill us both together!",
"CHRISTIAN:\n Why do you look at me thus?",
"ROXANE:\n I will tell you why!",
"DE GUICHE (in despair):\n 'Tis a post of mortal danger!",
"ROXANE (turning round):\n Mortal danger!",
"CYRANO:\n Proof enough, that he has put us here!",
"ROXANE (to De Guiche):\n So, Sir, you would have made a widow of me?",
"DE GUICHE:\n Nay, on my oath.",
". .\n\nROXANE:\n I will not go!",
"I am reckless now, and I shall not stir from here!--Besides,\n'tis amusing!",
"CYRANO:\n Oh-ho!",
"So our precieuse is a heroine!",
"ROXANE:\n Monsieur de Bergerac, I am your cousin.",
"A CADET:\n We will defend you well!",
"ROXANE (more and more excited):\n I have no fear of that, my friends!",
"ANOTHER (in ecstasy):\n The whole camp smells sweet of orris-root!",
"ROXANE:\n And, by good luck, I have chosen a hat that will suit well with the\nbattlefield!",
"(Looking at De Guiche):\n But were it not wisest that the Count retire?",
"They may begin the attack.",
"DE GUICHE:\n That is not to be brooked!",
"I go to inspect the cannon, and shall return.",
"You have still time--think better of it!",
"ROXANE:\n Never!",
"(De Guiche goes out.)"
] | [
"CYRANO (who, at the sound of her voice, has stood still, rooted to the ground,\nafraid to raise his eyes):\n My God!",
"Where in the fiend's name did you get through?",
"ROXANE:\n Yes, frequently.",
"Then I would answer, 'I go to see my lover.'",
"At that word\nthe very fiercest Spaniard of them all would gravely shut the carriage-door,\nand, with a gesture that a king might envy, make signal to his men to lower\nthe muskets leveled at me;--then, with melancholy but withal very graceful\ndignity--his beaver held to the wind that the plumes might flutter bravely, he\nwould bow low, saying to me, 'Pass on, Senorita!'",
"CHRISTIAN:\n But.",
"CHRISTIAN:\n Why do you look at me thus?",
"DE GUICHE (in despair):\n 'Tis a post of mortal danger!",
"I go to inspect the cannon, and shall return.",
"You have still time--think better of it!"
] | [
"ROXANE:\n Yes, frequently.",
"(She throws herself into Christian's arms):\n They shall kill us both together!",
"At that word\nthe very fiercest Spaniard of them all would gravely shut the carriage-door,\nand, with a gesture that a king might envy, make signal to his men to lower\nthe muskets leveled at me;--then, with melancholy but withal very graceful\ndignity--his beaver held to the wind that the plumes might flutter bravely, he\nwould bow low, saying to me, 'Pass on, Senorita!'",
"CYRANO:\n Great God!",
". .",
"ANOTHER (in ecstasy):\n The whole camp smells sweet of orris-root!",
"You?",
"I am reckless now, and I shall not stir from here!--Besides,\n'tis amusing!",
"ROXANE:\n I will tell you why!",
". .\n\nCYRANO (the same):\n --In three quarters of an hour."
] | [
"I but drove quietly forward in my carriage, and when some\nhidalgo of haughty mien would have stayed me, lo!",
"I showed at the window my\nsweetest smile, and these Senors being (with no disrespect to you) the most\ngallant gentlemen in the world,--I passed on!",
"CARBON:\n True, that smile is a passport!",
"But you must have been asked frequently to\ngive an account of where you were going, Madame?",
"ROXANE:\n Yes, frequently.",
"Then I would answer, 'I go to see my lover.'",
"At that word\nthe very fiercest Spaniard of them all would gravely shut the carriage-door,\nand, with a gesture that a king might envy, make signal to his men to lower\nthe muskets leveled at me;--then, with melancholy but withal very graceful\ndignity--his beaver held to the wind that the plumes might flutter bravely, he\nwould bow low, saying to me, 'Pass on, Senorita!'",
"CHRISTIAN:\n But, Roxane.",
". .\n\nROXANE:\n Forgive me that I said, 'my lover!'",
"But bethink you, had I said 'my\nhusband,' not one of them had let me pass!",
"CHRISTIAN:\n But."
] | [
"The same.",
"Roxane.",
"DE GUICHE:\n On the King's service!",
"You?",
"ROXANE:\n Ay,--King Love's!",
"What other king?",
"CYRANO:\n Great God!",
"CHRISTIAN (rushing forward):\n Why have you come?",
"ROXANE:\n This siege--'tis too long!",
"CHRISTIAN:\n But why?.",
"ROXANE (more and more excited):\n I have no fear of that, my friends!",
"ANOTHER (in ecstasy):\n The whole camp smells sweet of orris-root!",
"ROXANE:\n And, by good luck, I have chosen a hat that will suit well with the\nbattlefield!",
"(Looking at De Guiche):\n But were it not wisest that the Count retire?",
"They may begin the attack.",
"DE GUICHE:\n That is not to be brooked!",
"I go to inspect the cannon, and shall return.",
"You have still time--think better of it!",
"ROXANE:\n Never!",
"(De Guiche goes out.)"
] | f them had let me pass!
CHRISTIAN:
But.
. .
ROXANE:
What ails you?
DE GUICHE:
You must leave this place!
ROXANE:
I?
CYRANO:
And that instantly!
LE BRET:
No time to lose.
CHRISTIAN:
Indeed, you must.
ROXANE:
But wherefore must I?
CHRISTIAN (embarrassed):
'Tis that.
. .
CYRANO (the same):
--In three quarters of an hour.
. .
DE GUICHE (the same):
--Or for.
. .
CARBON (the same):
It were best.
. .
LE BRET (the same):
You might.
. .
ROXANE:
You are going to fight?--I stay here.
ALL:
No, no!
ROXANE:
He is my husband!
(She throws herself into Christian's arms):
They shall kill us both together!
CHRISTIAN:
Why do you look at me thus?
ROXANE:
I will tell you why!
DE GUICHE (in despair):
'Tis a post of mortal danger!
ROXANE (turning round):
Mortal danger!
CYRANO:
Proof enough, that he has put us here!
ROXANE (to De Guiche):
So, Sir, you would have made a widow of me?
DE GUICHE:
Nay, on my oath.
. .
ROXANE:
I will not go!
I am reckless now, a | The same.
Roxane.
DE GUICHE:
On the King's service!
You?
ROXANE:
Ay,--King Love's!
What other king?
CYRANO:
Great God!
CHRISTIAN (rushing forward):
Why have you come?
ROXANE:
This siege--'tis too long!
CHRISTIAN:
But why?.
. .
ROXANE:
I will tell you all!
CYRANO (who, at the sound of her voice, has stood still, rooted to the ground,
afraid to raise his eyes):
My God!
dare I look at her?
DE GUICHE:
You cannot remain here!
ROXANE (merrily):
But I say yes!
Who will push a drum u well!
ROXANE (more and more excited):
I have no fear of that, my friends!
ANOTHER (in ecstasy):
The whole camp smells sweet of orris-root!
ROXANE:
And, by good luck, I have chosen a hat that will suit well with the
battlefield!
(Looking at De Guiche):
But were it not wisest that the Count retire?
They may begin the attack.
DE GUICHE:
That is not to be brooked!
I go to inspect the cannon, and shall return.
You have still time--think better of it!
ROXANE:
Never!
(De Guiche goes out.) | oo hard.
I but drove quietly forward in my carriage, and when some
hidalgo of haughty mien would have stayed me, lo!
I showed at the window my
sweetest smile, and these Senors being (with no disrespect to you) the most
gallant gentlemen in the world,--I passed on!
CARBON:
True, that smile is a passport!
But you must have been asked frequently to
give an account of where you were going, Madame?
ROXANE:
Yes, frequently.
Then I would answer, 'I go to see my lover.'
At that word
the very fiercest Spaniard of them all would gravely shut the carriage-door,
and, with a gesture that a king might envy, make signal to his men to lower
the muskets leveled at me;--then, with melancholy but withal very graceful
dignity--his beaver held to the wind that the plumes might flutter bravely, he
would bow low, saying to me, 'Pass on, Senorita!'
CHRISTIAN:
But, Roxane.
. .
ROXANE:
Forgive me that I said, 'my lover!'
But bethink you, had I said 'my
husband,' not one of them had let me pass!
CHRISTIA |
1,254 | true | novelguide | all_chapterized_books/1254-chapters/40.txt | finished_summaries/novelguide/Cyrano de Bergerac/section_7_part_1.txt | Cyrano de Bergerac.act 4.scene 6 | act 4, scene 6 | null | {"name": "act 4, scene 6", "url": "https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act4-scenes6-10", "summary": "Carbon presents the Guards to Roxane, and asks her to give them her handkerchief to use as a banner, which she does. One of the men complains of hunger. To their delight, Roxane produces Ragueneau from her carriage, along with food for everyone. Roxane busies herself with ensuring that all the men are served with food and drink. Le Bret notices that de Guiche is approaching, and everyone quickly hides the food", "analysis": ""} | The same, all but De Guiche.
CHRISTIAN (entreatingly):
Roxane!
ROXANE:
No!
FIRST CADET (to the others):
She stays!
ALL (hurrying, hustling each other, tidying themselves):
A comb!--Soap!--My uniform is torn!--A needle!--A ribbon!--Lend your
mirror!--My cuffs!--Your curling-iron!--A razor!. . .
ROXANE (to Cyrano, who still pleads with her):
No! Naught shall make me stir from this spot!
CARBON (who, like the others, has been buckling, dusting, brushing his hat,
settling his plume, and drawing on his cuffs, advances to Roxane, and
ceremoniously):
It is perchance more seemly, since things are thus, that I present to you
some of these gentlemen who are about to have the honor of dying before your
eyes.
(Roxane bows, and stands leaning on Christian's arm, while Carbon introduces
the cadets to her):
Baron de Peyrescous de Colignac!
THE CADET (with a low reverence):
Madame. . .
CARBON (continuing):
Baron de Casterac de Cahuzac,--Vidame de Malgouyre Estressac Lesbas
d'Escarabiot, Chevalier d'Antignac-Juzet, Baron Hillot de Blagnac-Salechan de
Castel Crabioules. . .
ROXANE:
But how many names have you each?
BARON HILLOT:
Scores!
CARBON (to Roxane):
Pray, upon the hand that holds your kerchief.
ROXANE (opens her hand, and the handkerchief falls):
Why?
(The whole company start forward to pick it up.)
CARBON (quickly raising it):
My company had no flag. But now, by my faith, they will have the fairest in
all the camp!
ROXANE (smiling):
'Tis somewhat small.
CARBON (tying the handkerchief on the staff of his lance):
But--'tis of lace!
A CADET (to the rest):
I could die happy, having seen so sweet a face, if I had something in my
stomach--were it but a nut!
CARBON (who has overheard, indignantly):
Shame on you! What, talk of eating when a lovely woman!. . .
ROXANE:
But your camp air is keen; I myself am famished. Pasties, cold fricassee,
old wines--there is my bill of fare? Pray bring it all here.
(Consternation.)
A CADET:
All that?
ANOTHER:
But where on earth find it?
ROXANE (quietly):
In my carriage.
ALL:
How?
ROXANE:
Now serve up--carve! Look a little closer at my coachman, gentlemen, and
you will recognize a man most welcome. All the sauces can be sent to table
hot, if we will!
THE CADETS (rushing pellmell to the carriage):
'Tis Ragueneau!
(Acclamations):
Oh, oh!
ROXANE (looking after them):
Poor fellows!
CYRANO (kissing her hand):
Kind fairy!
RAGUENEAU (standing on the box like a quack doctor at a fair):
Gentlemen!. . .
(General delight.)
THE CADETS:
Bravo! bravo!
RAGUENEAU:
. . .The Spaniards, gazing on a lady so dainty fair, overlooked the fare so
dainty!. . .
(Applause.)
CYRANO (in a whisper to Christian):
Hark, Christian!
RAGUENEAU:
. . .And, occupied with gallantry, perceived not--
(His draws a plate from under the seat, and holds it up):
--The galantine!. . .
(Applause. The galantine passes from hand to hand.)
CYRANO (still whispering to Christian):
Prythee, one word!
RAGUENEAU:
And Venus so attracted their eyes that Diana could secretly pass by with--
(He holds up a shoulder of mutton):
--her fawn!
(Enthusiasm. Twenty hands are held out to seize the shoulder of mutton.)
CYRANO (in a low whisper to Christian):
I must speak to you!
ROXANE (to the cadets, who come down, their arms laden with food):
Put it all on the ground!
(She lays all out on the grass, aided by the two imperturbable lackeys who
were behind the carriage.)
ROXANE (to Christian, just as Cyrano is drawing him apart):
Come, make yourself of use!
(Christian comes to help her. Cyrano's uneasiness increases.)
RAGUENEAU:
Truffled peacock!
FIRST CADET (radiant, coming down, cutting a big slice of ham):
By the mass! We shall not brave the last hazard without having had a
gullet-full!--
(quickly correcting himself on seeing Roxane):
--Pardon! A Balthazar feast!
RAGUENEAU (throwing down the carriage cushions):
The cushions are stuffed with ortolans!
(Hubbub. They tear open and turn out the contents of the cushions. Bursts of
laughter--merriment.)
THIRD CADET:
Ah! Viedaze!
RAGUENEAU (throwing down to the cadets bottles of red wine):
Flasks of rubies!--
(and white wine):
--Flasks of topaz!
ROXANE (throwing a folded tablecloth at Cyrano's head):
Unfold me that napkin!--Come, come! be nimble!
RAGUENEAU (waving a lantern):
Each of the carriage-lamps is a little larder!
CYRANO (in a low voice to Christian, as they arrange the cloth together):
I must speak with you ere you speak to her.
RAGUENEAU:
My whip-handle is an Arles sausage!
ROXANE (pouring out wine, helping):
Since we are to die, let the rest of the army shift for itself. All for the
Gascons! And mark! if De Guiche comes, let no one invite him!
(Going from one to the other):
There! there! You have time enough! Do not eat too fast!--Drink a little.-
-Why are you crying?
FIRST CADET:
It is all so good!. . .
ROXANE:
Tut!--Red or white?--Some bread for Monsieur de Carbon!--a knife! Pass your
plate!--a little of the crust? Some more? Let me help you!--Some champagne?-
-A wing?
CYRANO (who follows her, his arms laden with dishes, helping her to wait on
everybody):
How I worship her!
ROXANE (going up to Christian):
What will you?
CHRISTIAN:
Nothing.
ROXANE:
Nay, nay, take this biscuit, steeped in muscat; come!. . .but two drops!
CHRISTIAN (trying to detain her):
Oh! tell me why you came?
ROXANE:
Wait; my first duty is to these poor fellows.--Hush! In a few minutes. . .
LE BRET (who had gone up to pass a loaf on the end of a lance to the sentry on
the rampart):
De Guiche!
CYRANO:
Quick! hide flasks, plates, pie-dishes, game-baskets! Hurry!--Let us all
look unconscious!
(To Ragueneau):
Up on your seat!--Is everything covered up?
(In an instant all has been pushed into the tents, or hidden under doublets,
cloaks, and beavers. De Guiche enters hurriedly--stops suddenly, sniffing the
air. Silence.)
| 954 | act 4, scene 6 | https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act4-scenes6-10 | Carbon presents the Guards to Roxane, and asks her to give them her handkerchief to use as a banner, which she does. One of the men complains of hunger. To their delight, Roxane produces Ragueneau from her carriage, along with food for everyone. Roxane busies herself with ensuring that all the men are served with food and drink. Le Bret notices that de Guiche is approaching, and everyone quickly hides the food | null | 72 | 1 | [
"The same, all but De Guiche.",
"CHRISTIAN (entreatingly):\n Roxane!",
"ROXANE:\n No!",
"FIRST CADET (to the others):\n She stays!",
"ALL (hurrying, hustling each other, tidying themselves):\n A comb!--Soap!--My uniform is torn!--A needle!--A ribbon!--Lend your\nmirror!--My cuffs!--Your curling-iron!--A razor!.",
". .\n\nROXANE (to Cyrano, who still pleads with her):\n No!",
"Naught shall make me stir from this spot!",
"CARBON (who, like the others, has been buckling, dusting, brushing his hat,\nsettling his plume, and drawing on his cuffs, advances to Roxane, and\nceremoniously):\n It is perchance more seemly, since things are thus, that I present to you\nsome of these gentlemen who are about to have the honor of dying before your\neyes.",
"(Roxane bows, and stands leaning on Christian's arm, while Carbon introduces\nthe cadets to her):\n Baron de Peyrescous de Colignac!",
"THE CADET (with a low reverence):\n Madame.",
". .",
"CARBON (continuing):\n Baron de Casterac de Cahuzac,--Vidame de Malgouyre Estressac Lesbas\nd'Escarabiot, Chevalier d'Antignac-Juzet, Baron Hillot de Blagnac-Salechan de\nCastel Crabioules.",
". .\n\nROXANE:\n But how many names have you each?",
"BARON HILLOT:\n Scores!",
"CARBON (to Roxane):\n Pray, upon the hand that holds your kerchief.",
"ROXANE (opens her hand, and the handkerchief falls):\n Why?",
"(The whole company start forward to pick it up.)",
"CARBON (quickly raising it):\n My company had no flag.",
"But now, by my faith, they will have the fairest in\nall the camp!",
"ROXANE (smiling):\n 'Tis somewhat small.",
"CARBON (tying the handkerchief on the staff of his lance):\n But--'tis of lace!",
"A CADET (to the rest):\n I could die happy, having seen so sweet a face, if I had something in my\nstomach--were it but a nut!",
"CARBON (who has overheard, indignantly):\n Shame on you!",
"What, talk of eating when a lovely woman!.",
". .\n\nROXANE:\n But your camp air is keen; I myself am famished.",
"Pasties, cold fricassee,\nold wines--there is my bill of fare?",
"Pray bring it all here.",
"(Consternation.)",
"A CADET:\n All that?",
"ANOTHER:\n But where on earth find it?",
"ROXANE (quietly):\n In my carriage.",
"ALL:\n How?",
"ROXANE:\n Now serve up--carve!",
"Look a little closer at my coachman, gentlemen, and\nyou will recognize a man most welcome.",
"All the sauces can be sent to table\nhot, if we will!",
"THE CADETS (rushing pellmell to the carriage):\n 'Tis Ragueneau!",
"(Acclamations):\n Oh, oh!",
"ROXANE (looking after them):\n Poor fellows!",
"CYRANO (kissing her hand):\n Kind fairy!",
"RAGUENEAU (standing on the box like a quack doctor at a fair):\n Gentlemen!.",
". .\n\n(General delight.)",
"THE CADETS:\n Bravo!",
"bravo!",
"RAGUENEAU:\n . . .The Spaniards, gazing on a lady so dainty fair, overlooked the fare so\ndainty!.",
". .",
"(Applause.)",
"CYRANO (in a whisper to Christian):\n Hark, Christian!",
"RAGUENEAU:\n . . .And, occupied with gallantry, perceived not--\n(His draws a plate from under the seat, and holds it up):\n --The galantine!.",
". .\n\n(Applause.",
"The galantine passes from hand to hand.)",
"CYRANO (still whispering to Christian):\n Prythee, one word!",
"RAGUENEAU:\n And Venus so attracted their eyes that Diana could secretly pass by with--\n(He holds up a shoulder of mutton):\n --her fawn!",
"(Enthusiasm.",
"Twenty hands are held out to seize the shoulder of mutton.)",
"CYRANO (in a low whisper to Christian):\n I must speak to you!",
"ROXANE (to the cadets, who come down, their arms laden with food):\n Put it all on the ground!",
"(She lays all out on the grass, aided by the two imperturbable lackeys who\nwere behind the carriage.)",
"ROXANE (to Christian, just as Cyrano is drawing him apart):\n Come, make yourself of use!",
"(Christian comes to help her.",
"Cyrano's uneasiness increases.)",
"RAGUENEAU:\n Truffled peacock!",
"FIRST CADET (radiant, coming down, cutting a big slice of ham):\n By the mass!",
"We shall not brave the last hazard without having had a\ngullet-full!--\n(quickly correcting himself on seeing Roxane):\n --Pardon!",
"A Balthazar feast!",
"RAGUENEAU (throwing down the carriage cushions):\n The cushions are stuffed with ortolans!",
"(Hubbub.",
"They tear open and turn out the contents of the cushions.",
"Bursts of\nlaughter--merriment.)",
"THIRD CADET:\n Ah!",
"Viedaze!",
"RAGUENEAU (throwing down to the cadets bottles of red wine):\n Flasks of rubies!--\n(and white wine):\n --Flasks of topaz!",
"ROXANE (throwing a folded tablecloth at Cyrano's head):\n Unfold me that napkin!--Come, come!",
"be nimble!",
"RAGUENEAU (waving a lantern):\n Each of the carriage-lamps is a little larder!",
"CYRANO (in a low voice to Christian, as they arrange the cloth together):\n I must speak with you ere you speak to her.",
"RAGUENEAU:\n My whip-handle is an Arles sausage!",
"ROXANE (pouring out wine, helping):\n Since we are to die, let the rest of the army shift for itself.",
"All for the\nGascons!",
"And mark!",
"if De Guiche comes, let no one invite him!",
"(Going from one to the other):\n There!",
"there!",
"You have time enough!",
"Do not eat too fast!--Drink a little.-\n-Why are you crying?",
"FIRST CADET:\n It is all so good!.",
". .\n\nROXANE:\n Tut!--Red or white?--Some bread for Monsieur de Carbon!--a knife!",
"Pass your\nplate!--a little of the crust?",
"Some more?",
"Let me help you!--Some champagne?-\n-A wing?",
"CYRANO (who follows her, his arms laden with dishes, helping her to wait on\neverybody):\n How I worship her!",
"ROXANE (going up to Christian):\n What will you?",
"CHRISTIAN:\n Nothing.",
"ROXANE:\n Nay, nay, take this biscuit, steeped in muscat; come!. .",
".but two drops!",
"CHRISTIAN (trying to detain her):\n Oh!",
"tell me why you came?",
"ROXANE:\n Wait; my first duty is to these poor fellows.--Hush!",
"In a few minutes.",
". .",
"LE BRET (who had gone up to pass a loaf on the end of a lance to the sentry on\nthe rampart):\n De Guiche!",
"CYRANO:\n Quick!",
"hide flasks, plates, pie-dishes, game-baskets!",
"Hurry!--Let us all\nlook unconscious!",
"(To Ragueneau):\n Up on your seat!--Is everything covered up?",
"(In an instant all has been pushed into the tents, or hidden under doublets,\ncloaks, and beavers.",
"De Guiche enters hurriedly--stops suddenly, sniffing the\nair.",
"Silence.)"
] | [
"ALL (hurrying, hustling each other, tidying themselves):\n A comb!--Soap!--My uniform is torn!--A needle!--A ribbon!--Lend your\nmirror!--My cuffs!--Your curling-iron!--A razor!.",
"ROXANE (opens her hand, and the handkerchief falls):\n Why?",
"CARBON (quickly raising it):\n My company had no flag.",
". .\n\nROXANE:\n But your camp air is keen; I myself am famished.",
"Cyrano's uneasiness increases.)",
"FIRST CADET (radiant, coming down, cutting a big slice of ham):\n By the mass!",
"They tear open and turn out the contents of the cushions.",
"Viedaze!",
"De Guiche enters hurriedly--stops suddenly, sniffing the\nair.",
"Silence.)"
] | [
"CARBON (tying the handkerchief on the staff of his lance):\n But--'tis of lace!",
"THIRD CADET:\n Ah!",
"(Acclamations):\n Oh, oh!",
"RAGUENEAU (throwing down the carriage cushions):\n The cushions are stuffed with ortolans!",
"CYRANO:\n Quick!",
"(In an instant all has been pushed into the tents, or hidden under doublets,\ncloaks, and beavers.",
"Silence.)",
"(Hubbub.",
"All for the\nGascons!",
"(Enthusiasm."
] | [
". .\n\n(Applause.",
"The galantine passes from hand to hand.)",
"CYRANO (still whispering to Christian):\n Prythee, one word!",
"RAGUENEAU:\n And Venus so attracted their eyes that Diana could secretly pass by with--\n(He holds up a shoulder of mutton):\n --her fawn!",
"(Enthusiasm.",
"Twenty hands are held out to seize the shoulder of mutton.)",
"CYRANO (in a low whisper to Christian):\n I must speak to you!",
"ROXANE (to the cadets, who come down, their arms laden with food):\n Put it all on the ground!",
"(She lays all out on the grass, aided by the two imperturbable lackeys who\nwere behind the carriage.)",
"ROXANE (to Christian, just as Cyrano is drawing him apart):\n Come, make yourself of use!",
"(Christian comes to help her."
] | [
"The same, all but De Guiche.",
"CHRISTIAN (entreatingly):\n Roxane!",
"ROXANE:\n No!",
"FIRST CADET (to the others):\n She stays!",
"ALL (hurrying, hustling each other, tidying themselves):\n A comb!--Soap!--My uniform is torn!--A needle!--A ribbon!--Lend your\nmirror!--My cuffs!--Your curling-iron!--A razor!.",
". .\n\nROXANE (to Cyrano, who still pleads with her):\n No!",
"Naught shall make me stir from this spot!",
"CARBON (who, like the others, has been buckling, dusting, brushing his hat,\nsettling his plume, and drawing on his cuffs, advances to Roxane, and\nceremoniously):\n It is perchance more seemly, since things are thus, that I present to you\nsome of these gentlemen who are about to have the honor of dying before your\neyes.",
"(Roxane bows, and stands leaning on Christian's arm, while Carbon introduces\nthe cadets to her):\n Baron de Peyrescous de Colignac!",
"THE CADET (with a low reverence):\n Madame.",
"In a few minutes.",
". .",
"LE BRET (who had gone up to pass a loaf on the end of a lance to the sentry on\nthe rampart):\n De Guiche!",
"CYRANO:\n Quick!",
"hide flasks, plates, pie-dishes, game-baskets!",
"Hurry!--Let us all\nlook unconscious!",
"(To Ragueneau):\n Up on your seat!--Is everything covered up?",
"(In an instant all has been pushed into the tents, or hidden under doublets,\ncloaks, and beavers.",
"De Guiche enters hurriedly--stops suddenly, sniffing the\nair.",
"Silence.)"
] | inuing):
Baron de Casterac de Cahuzac,--Vidame de Malgouyre Estressac Lesbas
d'Escarabiot, Chevalier d'Antignac-Juzet, Baron Hillot de Blagnac-Salechan de
Castel Crabioules.
. .
ROXANE:
But how many names have you each?
BARON HILLOT:
Scores!
CARBON (to Roxane):
Pray, upon the hand that holds your kerchief.
ROXANE (opens her hand, and the handkerchief falls):
Why?
(The whole company start forward to pick it up.)
CARBON (quickly raising it):
My company had no flag.
But now, by my faith, they will have the fairest in
all the camp!
ROXANE (smiling):
'Tis somewhat small.
CARBON (tying the handkerchief on the staff of his lance):
But--'tis of lace!
A CADET (to the rest):
I could die happy, having seen so sweet a face, if I had something in my
stomach--were it but a nut!
CARBON (who has overheard, indignantly):
Shame on you!
What, talk of eating when a lovely woman!.
. .
ROXANE:
But your camp air is keen; I myself am famished.
Pasties, cold fricassee,
old wines--there | The same, all but De Guiche.
CHRISTIAN (entreatingly):
Roxane!
ROXANE:
No!
FIRST CADET (to the others):
She stays!
ALL (hurrying, hustling each other, tidying themselves):
A comb!--Soap!--My uniform is torn!--A needle!--A ribbon!--Lend your
mirror!--My cuffs!--Your curling-iron!--A razor!.
. .
ROXANE (to Cyrano, who still pleads with her):
No!
Naught shall make me stir from this spot!
CARBON (who, like the others, has been buckling, dusting, brushing his hat,
settling his plume, and d t duty is to these poor fellows.--Hush!
In a few minutes.
. .
LE BRET (who had gone up to pass a loaf on the end of a lance to the sentry on
the rampart):
De Guiche!
CYRANO:
Quick!
hide flasks, plates, pie-dishes, game-baskets!
Hurry!--Let us all
look unconscious!
(To Ragueneau):
Up on your seat!--Is everything covered up?
(In an instant all has been pushed into the tents, or hidden under doublets,
cloaks, and beavers.
De Guiche enters hurriedly--stops suddenly, sniffing the
air.
Silence.) | ike a quack doctor at a fair):
Gentlemen!.
. .
(General delight.)
THE CADETS:
Bravo!
bravo!
RAGUENEAU:
. . .The Spaniards, gazing on a lady so dainty fair, overlooked the fare so
dainty!.
. .
(Applause.)
CYRANO (in a whisper to Christian):
Hark, Christian!
RAGUENEAU:
. . .And, occupied with gallantry, perceived not--
(His draws a plate from under the seat, and holds it up):
--The galantine!.
. .
(Applause.
The galantine passes from hand to hand.)
CYRANO (still whispering to Christian):
Prythee, one word!
RAGUENEAU:
And Venus so attracted their eyes that Diana could secretly pass by with--
(He holds up a shoulder of mutton):
--her fawn!
(Enthusiasm.
Twenty hands are held out to seize the shoulder of mutton.)
CYRANO (in a low whisper to Christian):
I must speak to you!
ROXANE (to the cadets, who come down, their arms laden with food):
Put it all on the ground!
(She lays all out on the grass, aided by the two imperturbable lackeys who
were behind the carriage.)
ROXA |
1,254 | true | novelguide | all_chapterized_books/1254-chapters/41.txt | finished_summaries/novelguide/Cyrano de Bergerac/section_7_part_2.txt | Cyrano de Bergerac.act 4.scene 7 | act 4, scene 7 | null | {"name": "Act 4, scene 7", "url": "https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act4-scenes6-10", "summary": "De Guiche returns and again asks Roxane to leave. When she refuses, he resolves to stay and fight too. The men are impressed by his courage, wondering if de Guiche too is a Gascon, and offer him some food. He refuses to eat their left-overs, and betrays a hint of a Gascon accent, making them all the more certain that he is one of them. Cyrano takes Christian to one side and confesses that he sent Roxane more letters than Christian thought. He wrote to her every day, sometimes twice a day. Christian realizes that with each letter, Cyrano had to risk his life crossing enemy lines. He suspects Cyrano's secret, but once again, they are interrupted by Roxane. Cyrano disappears into a tent", "analysis": ""} | The same. De Guiche.
DE GUICHE:
It smells good here.
A CADET (humming):
Lo! Lo-lo!
DE GUICHE (looking at him):
What is the matter?--You are very red.
THE CADET:
The matter?--Nothing!--'Tis my blood--boiling at the thought of the coming
battle!
ANOTHER:
Poum, poum--poum. . .
DE GUICHE (turning round):
What's that?
THE CADET (slightly drunk):
Nothing!. . .'Tis a song!--a little. . .
DE GUICHE:
You are merry, my friend!
THE CADET:
The approach of danger is intoxicating!
DE GUICHE (calling Carbon de Castel-Jaloux, to give him an order):
Captain! I. . .
(He stops short on seeing him):
Plague take me! but you look bravely, too!
CARBON (crimson in the face, hiding a bottle behind his back, with an evasive
movement):
Oh!. . .
DE GUICHE:
I have one cannon left, and have had it carried there--
(he points behind the scenes):
--in that corner. . .Your men can use it in case of need.
A CADET (reeling slightly):
Charming attention!
ANOTHER (with a gracious smile):
Kind solicitude!
DE GUICHE:
How? they are all gone crazy?
(Drily):
As you are not used to cannon, beware of the recoil.
FIRST CADET:
Pooh!
DE GUICHE (furious, going up to him):
But. . .
THE CADET:
Gascon cannons never recoil!
DE GUICHE (taking him by the arm and shaking him):
You are tipsy!--but what with?
THE CADET (grandiloquently):
--With the smell of powder!
DE GUICHE (shrugging his shoulders and pushing him away, then going quickly to
Roxane):
Briefly, Madame, what decision do you deign to take?
ROXANE:
I stay here.
DE GUICHE:
You must fly!
ROXANE:
No! I will stay.
DE GUICHE:
Since things are thus, give me a musket, one of you!
CARBON:
Wherefore?
DE GUICHE:
Because I too--mean to remain.
CYRANO:
At last! This is true valor, Sir!
FIRST CADET:
Then you are Gascon after all, spite of your lace collar?
ROXANE:
What is all this?
DE GUICHE:
I leave no woman in peril.
SECOND CADET (to the first):
Hark you! Think you not we might give him something to eat?
(All the viands reappear as if by magic.)
DE GUICHE (whose eyes sparkle):
Victuals!
THE THIRD CADET:
Yes, you'll see them coming from under every coat!
DE GUICHE (controlling himself, haughtily):
Do you think I will eat your leavings?
CYRANO (saluting him):
You make progress.
DE GUICHE (proudly, with a light touch of accent on the word 'breaking'):
I will fight without br-r-eaking my fast!
FIRST CADET (with wild delight):
Br-r-r-eaking! He has got the accent!
DE GUICHE (laughing):
I?
THE CADET:
'Tis a Gascon!
(All begin to dance.)
CARBON DE CASTEL-JALOUX (who had disappeared behind the rampart, reappearing
on the ridge):
I have drawn my pikemen up in line. They are a resolute troop.
(He points to a row of pikes, the tops of which are seen over the ridge.)
DE GUICHE (bowing to Roxane):
Will you accept my hand, and accompany me while I review them?
(She takes it, and they go up toward the rampart. All uncover and follow
them.)
CHRISTIAN (going to Cyrano, eagerly):
Tell me quickly!
(As Roxane appears on the ridge, the tops of the lances disappear, lowered for
the salute, and a shout is raised. She bows.)
THE PIKEMEN (outside):
Vivat!
CHRISTIAN:
What is this secret?
CYRANO:
If Roxane should. . .
CHRISTIAN:
Should?. . .
CYRANO:
Speak of the letters?. . .
CHRISTIAN:
Yes, I know!. . .
CYRANO:
Do not spoil all by seeming surprised. . .
CHRISTIAN:
At what?
CYRANO:
I must explain to you!. . .Oh! 'tis no great matter--I but thought of it to-
day on seeing her. You have. . .
CHRISTIAN:
Tell quickly!
CYRANO:
You have. . .written to her oftener than you think. . .
CHRISTIAN:
How so?
CYRANO:
Thus, 'faith! I had taken it in hand to express your flame for you!. . .At
times I wrote without saying, 'I am writing!'
CHRISTIAN:
Ah!. . .
CYRANO:
'Tis simple enough!
CHRISTIAN:
But how did you contrive, since we have been cut off, thus. . .to?. . .
CYRANO:
. . .Oh! before dawn. . .I was able to get through. . .
CHRISTIAN (folding his arms):
That was simple, too? And how oft, pray you, have I written?. . .Twice in
the week?. . .Three times?. . .Four?. . .
CYRANO:
More often still.
CHRISTIAN:
What! Every day?
CYRANO:
Yes, every day,--twice.
CHRISTIAN (violently):
And that became so mad a joy for you, that you braved death. . .
CYRANO (seeing Roxane returning):
Hush! Not before her!
(He goes hurriedly into his tent.)
| 758 | Act 4, scene 7 | https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act4-scenes6-10 | De Guiche returns and again asks Roxane to leave. When she refuses, he resolves to stay and fight too. The men are impressed by his courage, wondering if de Guiche too is a Gascon, and offer him some food. He refuses to eat their left-overs, and betrays a hint of a Gascon accent, making them all the more certain that he is one of them. Cyrano takes Christian to one side and confesses that he sent Roxane more letters than Christian thought. He wrote to her every day, sometimes twice a day. Christian realizes that with each letter, Cyrano had to risk his life crossing enemy lines. He suspects Cyrano's secret, but once again, they are interrupted by Roxane. Cyrano disappears into a tent | null | 124 | 1 | [
"The same.",
"De Guiche.",
"DE GUICHE:\n It smells good here.",
"A CADET (humming):\n Lo!",
"Lo-lo!",
"DE GUICHE (looking at him):\n What is the matter?--You are very red.",
"THE CADET:\n The matter?--Nothing!--'Tis my blood--boiling at the thought of the coming\nbattle!",
"ANOTHER:\n Poum, poum--poum.",
". .\n\nDE GUICHE (turning round):\n What's that?",
"THE CADET (slightly drunk):\n Nothing!.",
". .'Tis a song!--a little.",
". .\n\nDE GUICHE:\n You are merry, my friend!",
"THE CADET:\n The approach of danger is intoxicating!",
"DE GUICHE (calling Carbon de Castel-Jaloux, to give him an order):\n Captain!",
"I. . .\n(He stops short on seeing him):\n Plague take me!",
"but you look bravely, too!",
"CARBON (crimson in the face, hiding a bottle behind his back, with an evasive\nmovement):\n Oh!.",
". .\n\nDE GUICHE:\n I have one cannon left, and have had it carried there--\n(he points behind the scenes):\n --in that corner. . .Your men can use it in case of need.",
"A CADET (reeling slightly):\n Charming attention!",
"ANOTHER (with a gracious smile):\n Kind solicitude!",
"DE GUICHE:\n How?",
"they are all gone crazy?",
"(Drily):\n As you are not used to cannon, beware of the recoil.",
"FIRST CADET:\n Pooh!",
"DE GUICHE (furious, going up to him):\n But.",
". .",
"THE CADET:\n Gascon cannons never recoil!",
"DE GUICHE (taking him by the arm and shaking him):\n You are tipsy!--but what with?",
"THE CADET (grandiloquently):\n --With the smell of powder!",
"DE GUICHE (shrugging his shoulders and pushing him away, then going quickly to\nRoxane):\n Briefly, Madame, what decision do you deign to take?",
"ROXANE:\n I stay here.",
"DE GUICHE:\n You must fly!",
"ROXANE:\n No!",
"I will stay.",
"DE GUICHE:\n Since things are thus, give me a musket, one of you!",
"CARBON:\n Wherefore?",
"DE GUICHE:\n Because I too--mean to remain.",
"CYRANO:\n At last!",
"This is true valor, Sir!",
"FIRST CADET:\n Then you are Gascon after all, spite of your lace collar?",
"ROXANE:\n What is all this?",
"DE GUICHE:\n I leave no woman in peril.",
"SECOND CADET (to the first):\n Hark you!",
"Think you not we might give him something to eat?",
"(All the viands reappear as if by magic.)",
"DE GUICHE (whose eyes sparkle):\n Victuals!",
"THE THIRD CADET:\n Yes, you'll see them coming from under every coat!",
"DE GUICHE (controlling himself, haughtily):\n Do you think I will eat your leavings?",
"CYRANO (saluting him):\n You make progress.",
"DE GUICHE (proudly, with a light touch of accent on the word 'breaking'):\n I will fight without br-r-eaking my fast!",
"FIRST CADET (with wild delight):\n Br-r-r-eaking!",
"He has got the accent!",
"DE GUICHE (laughing):\n I?",
"THE CADET:\n 'Tis a Gascon!",
"(All begin to dance.)",
"CARBON DE CASTEL-JALOUX (who had disappeared behind the rampart, reappearing\non the ridge):\n I have drawn my pikemen up in line.",
"They are a resolute troop.",
"(He points to a row of pikes, the tops of which are seen over the ridge.)",
"DE GUICHE (bowing to Roxane):\n Will you accept my hand, and accompany me while I review them?",
"(She takes it, and they go up toward the rampart.",
"All uncover and follow\nthem.)",
"CHRISTIAN (going to Cyrano, eagerly):\n Tell me quickly!",
"(As Roxane appears on the ridge, the tops of the lances disappear, lowered for\nthe salute, and a shout is raised.",
"She bows.)",
"THE PIKEMEN (outside):\n Vivat!",
"CHRISTIAN:\n What is this secret?",
"CYRANO:\n If Roxane should.",
". .\n\nCHRISTIAN:\n Should?.",
". .\n\nCYRANO:\n Speak of the letters?.",
". .\n\nCHRISTIAN:\n Yes, I know!.",
". .\n\nCYRANO:\n Do not spoil all by seeming surprised.",
". .\n\nCHRISTIAN:\n At what?",
"CYRANO:\n I must explain to you!. .",
".Oh!",
"'tis no great matter--I but thought of it to-\nday on seeing her.",
"You have.",
". .\n\nCHRISTIAN:\n Tell quickly!",
"CYRANO:\n You have. . .written to her oftener than you think.",
". .\n\nCHRISTIAN:\n How so?",
"CYRANO:\n Thus, 'faith!",
"I had taken it in hand to express your flame for you!. .",
".At\ntimes I wrote without saying, 'I am writing!'",
"CHRISTIAN:\n Ah!.",
". .\n\nCYRANO:\n 'Tis simple enough!",
"CHRISTIAN:\n But how did you contrive, since we have been cut off, thus. . .to?.",
". .\n\nCYRANO:\n . . .Oh!",
"before dawn. . .I was able to get through.",
". .\n\nCHRISTIAN (folding his arms):\n That was simple, too?",
"And how oft, pray you, have I written?. .",
".Twice in\nthe week?. .",
".Three times?. .",
".Four?.",
". .\n\nCYRANO:\n More often still.",
"CHRISTIAN:\n What!",
"Every day?",
"CYRANO:\n Yes, every day,--twice.",
"CHRISTIAN (violently):\n And that became so mad a joy for you, that you braved death.",
". .\n\nCYRANO (seeing Roxane returning):\n Hush!",
"Not before her!",
"(He goes hurriedly into his tent.)"
] | [
"De Guiche.",
"DE GUICHE (looking at him):\n What is the matter?--You are very red.",
"ROXANE:\n I stay here.",
"THE THIRD CADET:\n Yes, you'll see them coming from under every coat!",
"CYRANO:\n If Roxane should.",
". .\n\nCYRANO:\n Do not spoil all by seeming surprised.",
". .\n\nCHRISTIAN:\n How so?",
". .\n\nCYRANO:\n . . .Oh!",
". .\n\nCYRANO:\n More often still.",
"CHRISTIAN:\n What!"
] | [
"De Guiche.",
"THE CADET:\n Gascon cannons never recoil!",
"(All the viands reappear as if by magic.)",
". .\n\nCHRISTIAN:\n At what?",
". .\n\nCYRANO:\n Speak of the letters?.",
". .\n\nCHRISTIAN:\n How so?",
"DE GUICHE (taking him by the arm and shaking him):\n You are tipsy!--but what with?",
"She bows.)",
". .\n\nCYRANO:\n . . .Oh!",
"He has got the accent!"
] | [
"DE GUICHE (whose eyes sparkle):\n Victuals!",
"THE THIRD CADET:\n Yes, you'll see them coming from under every coat!",
"DE GUICHE (controlling himself, haughtily):\n Do you think I will eat your leavings?",
"CYRANO (saluting him):\n You make progress.",
"DE GUICHE (proudly, with a light touch of accent on the word 'breaking'):\n I will fight without br-r-eaking my fast!",
"FIRST CADET (with wild delight):\n Br-r-r-eaking!",
"He has got the accent!",
"DE GUICHE (laughing):\n I?",
"THE CADET:\n 'Tis a Gascon!",
"(All begin to dance.)",
"CARBON DE CASTEL-JALOUX (who had disappeared behind the rampart, reappearing\non the ridge):\n I have drawn my pikemen up in line."
] | [
"The same.",
"De Guiche.",
"DE GUICHE:\n It smells good here.",
"A CADET (humming):\n Lo!",
"Lo-lo!",
"DE GUICHE (looking at him):\n What is the matter?--You are very red.",
"THE CADET:\n The matter?--Nothing!--'Tis my blood--boiling at the thought of the coming\nbattle!",
"ANOTHER:\n Poum, poum--poum.",
". .\n\nDE GUICHE (turning round):\n What's that?",
"THE CADET (slightly drunk):\n Nothing!.",
".Three times?. .",
".Four?.",
". .\n\nCYRANO:\n More often still.",
"CHRISTIAN:\n What!",
"Every day?",
"CYRANO:\n Yes, every day,--twice.",
"CHRISTIAN (violently):\n And that became so mad a joy for you, that you braved death.",
". .\n\nCYRANO (seeing Roxane returning):\n Hush!",
"Not before her!",
"(He goes hurriedly into his tent.)"
] | rt, reappearing
on the ridge):
I have drawn my pikemen up in line.
They are a resolute troop.
(He points to a row of pikes, the tops of which are seen over the ridge.)
DE GUICHE (bowing to Roxane):
Will you accept my hand, and accompany me while I review them?
(She takes it, and they go up toward the rampart.
All uncover and follow
them.)
CHRISTIAN (going to Cyrano, eagerly):
Tell me quickly!
(As Roxane appears on the ridge, the tops of the lances disappear, lowered for
the salute, and a shout is raised.
She bows.)
THE PIKEMEN (outside):
Vivat!
CHRISTIAN:
What is this secret?
CYRANO:
If Roxane should.
. .
CHRISTIAN:
Should?.
. .
CYRANO:
Speak of the letters?.
. .
CHRISTIAN:
Yes, I know!.
. .
CYRANO:
Do not spoil all by seeming surprised.
. .
CHRISTIAN:
At what?
CYRANO:
I must explain to you!. .
.Oh!
'tis no great matter--I but thought of it to-
day on seeing her.
You have.
. .
CHRISTIAN:
Tell quickly!
CYRANO:
You have. . .written to her oftener than yo | The same.
De Guiche.
DE GUICHE:
It smells good here.
A CADET (humming):
Lo!
Lo-lo!
DE GUICHE (looking at him):
What is the matter?--You are very red.
THE CADET:
The matter?--Nothing!--'Tis my blood--boiling at the thought of the coming
battle!
ANOTHER:
Poum, poum--poum.
. .
DE GUICHE (turning round):
What's that?
THE CADET (slightly drunk):
Nothing!.
. .'Tis a song!--a little.
. .
DE GUICHE:
You are merry, my friend!
THE CADET:
The approach of danger is intoxicating!
DE GUICH o?.
. .
CYRANO:
. . .Oh!
before dawn. . .I was able to get through.
. .
CHRISTIAN (folding his arms):
That was simple, too?
And how oft, pray you, have I written?. .
.Twice in
the week?. .
.Three times?. .
.Four?.
. .
CYRANO:
More often still.
CHRISTIAN:
What!
Every day?
CYRANO:
Yes, every day,--twice.
CHRISTIAN (violently):
And that became so mad a joy for you, that you braved death.
. .
CYRANO (seeing Roxane returning):
Hush!
Not before her!
(He goes hurriedly into his tent.) | too--mean to remain.
CYRANO:
At last!
This is true valor, Sir!
FIRST CADET:
Then you are Gascon after all, spite of your lace collar?
ROXANE:
What is all this?
DE GUICHE:
I leave no woman in peril.
SECOND CADET (to the first):
Hark you!
Think you not we might give him something to eat?
(All the viands reappear as if by magic.)
DE GUICHE (whose eyes sparkle):
Victuals!
THE THIRD CADET:
Yes, you'll see them coming from under every coat!
DE GUICHE (controlling himself, haughtily):
Do you think I will eat your leavings?
CYRANO (saluting him):
You make progress.
DE GUICHE (proudly, with a light touch of accent on the word 'breaking'):
I will fight without br-r-eaking my fast!
FIRST CADET (with wild delight):
Br-r-r-eaking!
He has got the accent!
DE GUICHE (laughing):
I?
THE CADET:
'Tis a Gascon!
(All begin to dance.)
CARBON DE CASTEL-JALOUX (who had disappeared behind the rampart, reappearing
on the ridge):
I have drawn my pikemen up in line.
They are a resolute |
1,254 | true | novelguide | all_chapterized_books/1254-chapters/42.txt | finished_summaries/novelguide/Cyrano de Bergerac/section_7_part_3.txt | Cyrano de Bergerac.act 4.scene 8 | act 4, scene 8 | null | {"name": "Act 4, scene 8", "url": "https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act4-scenes6-10", "summary": "Christian asks Roxane why she risked her life to come to the battlefield. She tells him that it was because of his wonderful letters. At first, she says, she loved him for his beauty, but then she was a foolish, shallow girl. Now, his beauty no longer matters, and she loves the soul that shone through in his letters. She would love him even if he were ugly. Christian is miserable at this news, as he realizes that it is Cyrano whom she loves. Roxane cannot understand why he is unhappy. As he tries to control his emotions, he sends Roxane off to speak to the men to lift their spirits before they die", "analysis": ""} | Roxane, Christian. In the distance cadets coming and going. Carbon and De
Guiche give orders.
ROXANE (running up to Christian):
Ah, Christian, at last!. . .
CHRISTIAN (taking her hands):
Now tell me why--
Why, by these fearful paths so perilous--
Across these ranks of ribald soldiery,
You have come?
ROXANE:
Love, your letters brought me here!
CHRISTIAN:
What say you?
ROXANE:
'Tis your fault if I ran risks!
Your letters turned my head! Ah! all this month,
How many!--and the last one ever bettered
The one that went before!
CHRISTIAN:
What!--for a few
Inconsequent love-letters!
ROXANE:
Hold your peace!
Ah! you cannot conceive it! Ever since
That night, when, in a voice all new to me,
Under my window you revealed your soul--
Ah! ever since I have adored you! Now
Your letters all this whole month long!--meseemed
As if I heard that voice so tender, true,
Sheltering, close! Thy fault, I say! It drew me,
The voice o' th' night! Oh! wise Penelope
Would ne'er have stayed to broider on her hearthstone,
If her Ulysses could have writ such letters!
But would have cast away her silken bobbins,
And fled to join him, mad for love as Helen!
CHRISTIAN:
But. . .
ROXANE:
I read, read again--grew faint for love;
I was thine utterly. Each separate page
Was like a fluttering flower-petal, loosed
From your own soul, and wafted thus to mine.
Imprinted in each burning word was love
Sincere, all-powerful. . .
CHRISTIAN:
A love sincere!
Can that be felt, Roxane!
ROXANE:
Ay, that it can!
CHRISTIAN:
You come. . .?
ROXANE:
O, Christian, my true lord, I come--
(Were I to throw myself, here, at your knees,
You would raise me--but 'tis my soul I lay
At your feet--you can raise it nevermore!)
--I come to crave your pardon. (Ay, 'tis time
To sue for pardon, now that death may come!)
For the insult done to you when, frivolous,
At first I loved you only for your face!
CHRISTIAN (horror-stricken):
Roxane!
ROXANE:
And later, love--less frivolous--
Like a bird that spreads its wings, but can not fly--
Arrested by your beauty, by your soul
Drawn close--I loved for both at once!
CHRISTIAN:
And now?
ROXANE:
Ah! you yourself have triumphed o'er yourself,
And now, I love you only for your soul!
CHRISTIAN (stepping backward):
Roxane!
ROXANE:
Be happy. To be loved for beauty--
A poor disguise that time so soon wears threadbare--
Must be to noble souls--to souls aspiring--
A torture. Your dear thoughts have now effaced
That beauty that so won me at the outset.
Now I see clearer--and I no more see it!
CHRISTIAN:
Oh!. . .
ROXANE:
You are doubtful of such victory?
CHRISTIAN (pained):
Roxane!
ROXANE:
I see you cannot yet believe it.
Such love. . .?
CHRISTIAN:
I do not ask such love as that!
I would be loved more simply; for. . .
ROXANE:
For that
Which they have all in turns loved in thee?--
Shame!
Oh! be loved henceforth in a better way!
CHRISTIAN:
No! the first love was best!
ROXANE:
Ah! how you err!
'Tis now that I love best--love well! 'Tis that
Which is thy true self, see!--that I adore!
Were your brilliance dimmed. . .
CHRISTIAN:
Hush!
ROXANE:
I should love still!
Ay, if your beauty should to-day depart. . .
CHRISTIAN:
Say not so!
ROXANE:
Ay, I say it!
CHRISTIAN:
Ugly? How?
ROXANE:
Ugly! I swear I'd love you still!
CHRISTIAN:
My God!
ROXANE:
Are you content at last?
CHRISTIAN (in a choked voice):
Ay!. . .
ROXANE:
What is wrong?
CHRISTIAN (gently pushing her away):
Nothing. . .I have two words to say:--one second. . .
ROXANE:
But?. . .
CHRISTIAN (pointing to the cadets):
Those poor fellows, shortly doomed to death,--
My love deprives them of the sight of you:
Go,--speak to them--smile on them ere they die!
ROXANE (deeply affected):
Dear Christian!. . .
(She goes up to the cadets, who respectfully crowd round her.)
| 728 | Act 4, scene 8 | https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act4-scenes6-10 | Christian asks Roxane why she risked her life to come to the battlefield. She tells him that it was because of his wonderful letters. At first, she says, she loved him for his beauty, but then she was a foolish, shallow girl. Now, his beauty no longer matters, and she loves the soul that shone through in his letters. She would love him even if he were ugly. Christian is miserable at this news, as he realizes that it is Cyrano whom she loves. Roxane cannot understand why he is unhappy. As he tries to control his emotions, he sends Roxane off to speak to the men to lift their spirits before they die | null | 114 | 1 | [
"Roxane, Christian.",
"In the distance cadets coming and going.",
"Carbon and De\nGuiche give orders.",
"ROXANE (running up to Christian):\n Ah, Christian, at last!.",
". .\n\nCHRISTIAN (taking her hands):\n Now tell me why--\n Why, by these fearful paths so perilous--\n Across these ranks of ribald soldiery,\n You have come?",
"ROXANE:\n Love, your letters brought me here!",
"CHRISTIAN:\n What say you?",
"ROXANE:\n 'Tis your fault if I ran risks!",
"Your letters turned my head!",
"Ah!",
"all this month,\n How many!--and the last one ever bettered\n The one that went before!",
"CHRISTIAN:\n What!--for a few\n Inconsequent love-letters!",
"ROXANE:\n Hold your peace!",
"Ah!",
"you cannot conceive it!",
"Ever since\n That night, when, in a voice all new to me,\n Under my window you revealed your soul--\n Ah!",
"ever since I have adored you!",
"Now\n Your letters all this whole month long!--meseemed\n As if I heard that voice so tender, true,\n Sheltering, close!",
"Thy fault, I say!",
"It drew me,\n The voice o' th' night!",
"Oh!",
"wise Penelope\n Would ne'er have stayed to broider on her hearthstone,\n If her Ulysses could have writ such letters!",
"But would have cast away her silken bobbins,\n And fled to join him, mad for love as Helen!",
"CHRISTIAN:\n But.",
". .\n\nROXANE:\n I read, read again--grew faint for love;\n I was thine utterly.",
"Each separate page\n Was like a fluttering flower-petal, loosed\n From your own soul, and wafted thus to mine.",
"Imprinted in each burning word was love\n Sincere, all-powerful.",
". .\n\nCHRISTIAN:\n A love sincere!",
"Can that be felt, Roxane!",
"ROXANE:\n Ay, that it can!",
"CHRISTIAN:\n You come. .",
".?",
"ROXANE:\n O, Christian, my true lord, I come--\n (Were I to throw myself, here, at your knees,\n You would raise me--but 'tis my soul I lay\n At your feet--you can raise it nevermore!)",
"--I come to crave your pardon.",
"(Ay, 'tis time\n To sue for pardon, now that death may come!)",
"For the insult done to you when, frivolous,\n At first I loved you only for your face!",
"CHRISTIAN (horror-stricken):\n Roxane!",
"ROXANE:\n And later, love--less frivolous--\n Like a bird that spreads its wings, but can not fly--\n Arrested by your beauty, by your soul\n Drawn close--I loved for both at once!",
"CHRISTIAN:\n And now?",
"ROXANE:\n Ah!",
"you yourself have triumphed o'er yourself,\n And now, I love you only for your soul!",
"CHRISTIAN (stepping backward):\n Roxane!",
"ROXANE:\n Be happy.",
"To be loved for beauty--\n A poor disguise that time so soon wears threadbare--\n Must be to noble souls--to souls aspiring--\n A torture.",
"Your dear thoughts have now effaced\n That beauty that so won me at the outset.",
"Now I see clearer--and I no more see it!",
"CHRISTIAN:\n Oh!.",
". .\n\nROXANE:\n You are doubtful of such victory?",
"CHRISTIAN (pained):\n Roxane!",
"ROXANE:\n I see you cannot yet believe it.",
"Such love. .",
".?",
"CHRISTIAN:\n I do not ask such love as that!",
"I would be loved more simply; for.",
". .\n\nROXANE:\n For that\n Which they have all in turns loved in thee?--\n Shame!",
"Oh!",
"be loved henceforth in a better way!",
"CHRISTIAN:\n No!",
"the first love was best!",
"ROXANE:\n Ah!",
"how you err!",
"'Tis now that I love best--love well!",
"'Tis that\n Which is thy true self, see!--that I adore!",
"Were your brilliance dimmed.",
". .\n\nCHRISTIAN:\n Hush!",
"ROXANE:\n I should love still!",
"Ay, if your beauty should to-day depart.",
". .\n\nCHRISTIAN:\n Say not so!",
"ROXANE:\n Ay, I say it!",
"CHRISTIAN:\n Ugly?",
"How?",
"ROXANE:\n Ugly!",
"I swear I'd love you still!",
"CHRISTIAN:\n My God!",
"ROXANE:\n Are you content at last?",
"CHRISTIAN (in a choked voice):\n Ay!.",
". .\n\nROXANE:\n What is wrong?",
"CHRISTIAN (gently pushing her away):\n Nothing. . .I have two words to say:--one second.",
". .\n\nROXANE:\n But?.",
". .\n\nCHRISTIAN (pointing to the cadets):\n Those poor fellows, shortly doomed to death,--\n My love deprives them of the sight of you:\n Go,--speak to them--smile on them ere they die!",
"ROXANE (deeply affected):\n Dear Christian!.",
". .\n\n(She goes up to the cadets, who respectfully crowd round her.)"
] | [
"In the distance cadets coming and going.",
"Your letters turned my head!",
"Now\n Your letters all this whole month long!--meseemed\n As if I heard that voice so tender, true,\n Sheltering, close!",
"wise Penelope\n Would ne'er have stayed to broider on her hearthstone,\n If her Ulysses could have writ such letters!",
"ROXANE:\n Ay, that it can!",
"--I come to crave your pardon.",
"For the insult done to you when, frivolous,\n At first I loved you only for your face!",
"CHRISTIAN:\n Oh!.",
"CHRISTIAN:\n I do not ask such love as that!",
"CHRISTIAN:\n Ugly?"
] | [
"Thy fault, I say!",
"CHRISTIAN:\n And now?",
"CHRISTIAN (gently pushing her away):\n Nothing. . .I have two words to say:--one second.",
"In the distance cadets coming and going.",
"you cannot conceive it!",
"Carbon and De\nGuiche give orders.",
"ROXANE:\n 'Tis your fault if I ran risks!",
"ROXANE (running up to Christian):\n Ah, Christian, at last!.",
"How?",
"ROXANE (deeply affected):\n Dear Christian!."
] | [
"CHRISTIAN (horror-stricken):\n Roxane!",
"ROXANE:\n And later, love--less frivolous--\n Like a bird that spreads its wings, but can not fly--\n Arrested by your beauty, by your soul\n Drawn close--I loved for both at once!",
"CHRISTIAN:\n And now?",
"ROXANE:\n Ah!",
"you yourself have triumphed o'er yourself,\n And now, I love you only for your soul!",
"CHRISTIAN (stepping backward):\n Roxane!",
"ROXANE:\n Be happy.",
"To be loved for beauty--\n A poor disguise that time so soon wears threadbare--\n Must be to noble souls--to souls aspiring--\n A torture.",
"Your dear thoughts have now effaced\n That beauty that so won me at the outset.",
"Now I see clearer--and I no more see it!",
"CHRISTIAN:\n Oh!."
] | [
"Roxane, Christian.",
"In the distance cadets coming and going.",
"Carbon and De\nGuiche give orders.",
"ROXANE (running up to Christian):\n Ah, Christian, at last!.",
". .\n\nCHRISTIAN (taking her hands):\n Now tell me why--\n Why, by these fearful paths so perilous--\n Across these ranks of ribald soldiery,\n You have come?",
"ROXANE:\n Love, your letters brought me here!",
"CHRISTIAN:\n What say you?",
"ROXANE:\n 'Tis your fault if I ran risks!",
"Your letters turned my head!",
"Ah!",
"I swear I'd love you still!",
"CHRISTIAN:\n My God!",
"ROXANE:\n Are you content at last?",
"CHRISTIAN (in a choked voice):\n Ay!.",
". .\n\nROXANE:\n What is wrong?",
"CHRISTIAN (gently pushing her away):\n Nothing. . .I have two words to say:--one second.",
". .\n\nROXANE:\n But?.",
". .\n\nCHRISTIAN (pointing to the cadets):\n Those poor fellows, shortly doomed to death,--\n My love deprives them of the sight of you:\n Go,--speak to them--smile on them ere they die!",
"ROXANE (deeply affected):\n Dear Christian!.",
". .\n\n(She goes up to the cadets, who respectfully crowd round her.)"
] | !.
. .
ROXANE:
You are doubtful of such victory?
CHRISTIAN (pained):
Roxane!
ROXANE:
I see you cannot yet believe it.
Such love. .
.?
CHRISTIAN:
I do not ask such love as that!
I would be loved more simply; for.
. .
ROXANE:
For that
Which they have all in turns loved in thee?--
Shame!
Oh!
be loved henceforth in a better way!
CHRISTIAN:
No!
the first love was best!
ROXANE:
Ah!
how you err!
'Tis now that I love best--love well!
'Tis that
Which is thy true self, see!--that I adore!
Were your brilliance dimmed.
. .
CHRISTIAN:
Hush!
ROXANE:
I should love still!
Ay, if your beauty should to-day depart.
. .
CHRISTIAN:
Say not so!
ROXANE:
Ay, I say it!
CHRISTIAN:
Ugly?
How?
ROXANE:
Ugly!
I swear I'd love you still!
CHRISTIAN:
My God!
ROXANE:
Are you content at last?
CHRISTIAN (in a choked voice):
Ay!.
. .
ROXANE:
What is wrong?
CHRISTIAN (gently pushing her away):
Nothing. . .I have two words to say:--one second.
. .
ROXANE:
But?.
. .
CHRISTIA | Roxane, Christian.
In the distance cadets coming and going.
Carbon and De
Guiche give orders.
ROXANE (running up to Christian):
Ah, Christian, at last!.
. .
CHRISTIAN (taking her hands):
Now tell me why--
Why, by these fearful paths so perilous--
Across these ranks of ribald soldiery,
You have come?
ROXANE:
Love, your letters brought me here!
CHRISTIAN:
What say you?
ROXANE:
'Tis your fault if I ran risks!
Your letters turned my head!
Ah!
all this month,
How many!--and the las Are you content at last?
CHRISTIAN (in a choked voice):
Ay!.
. .
ROXANE:
What is wrong?
CHRISTIAN (gently pushing her away):
Nothing. . .I have two words to say:--one second.
. .
ROXANE:
But?.
. .
CHRISTIAN (pointing to the cadets):
Those poor fellows, shortly doomed to death,--
My love deprives them of the sight of you:
Go,--speak to them--smile on them ere they die!
ROXANE (deeply affected):
Dear Christian!.
. .
(She goes up to the cadets, who respectfully crowd round her.) | -powerful.
. .
CHRISTIAN:
A love sincere!
Can that be felt, Roxane!
ROXANE:
Ay, that it can!
CHRISTIAN:
You come. .
.?
ROXANE:
O, Christian, my true lord, I come--
(Were I to throw myself, here, at your knees,
You would raise me--but 'tis my soul I lay
At your feet--you can raise it nevermore!)
--I come to crave your pardon.
(Ay, 'tis time
To sue for pardon, now that death may come!)
For the insult done to you when, frivolous,
At first I loved you only for your face!
CHRISTIAN (horror-stricken):
Roxane!
ROXANE:
And later, love--less frivolous--
Like a bird that spreads its wings, but can not fly--
Arrested by your beauty, by your soul
Drawn close--I loved for both at once!
CHRISTIAN:
And now?
ROXANE:
Ah!
you yourself have triumphed o'er yourself,
And now, I love you only for your soul!
CHRISTIAN (stepping backward):
Roxane!
ROXANE:
Be happy.
To be loved for beauty--
A poor disguise that time so soon wears threadbare--
Must be to noble souls--to |
1,254 | true | novelguide | all_chapterized_books/1254-chapters/43.txt | finished_summaries/novelguide/Cyrano de Bergerac/section_7_part_4.txt | Cyrano de Bergerac.act 4.scene 9 | act 4, scene 9 | null | {"name": "Act 4, scene 9", "url": "https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act4-scenes6-10", "summary": "Christian tells Cyrano that Roxane no longer loves him; it is Cyrano whom she loves. Christian also says it is plain that Cyrano returns her love. Cyrano admits that this is so. Christian tells Cyrano to tell her their secret. Cyrano says he cannot, as he is so ugly. Christian points out that Roxane said she would love him even if he were ugly. He adds that Cyrano should not lose the chance of happiness just because he is handsome. As Christian leaves to go to the sentry-post, he says that Cyrano must ask Roxane to choose between them", "analysis": ""} | Christian, Cyrano. At back Roxane talking to Carbon and some cadets.
CHRISTIAN (calling toward Cyrano's tent):
Cyrano!
CYRANO (reappearing, fully armed):
What? Why so pale?
CHRISTIAN:
She does not love me!
CYRANO:
What?
CHRISTIAN:
'Tis you she loves!
CYRANO:
No!
CHRISTIAN:
--For she loves me only for my soul!
CYRANO:
Truly?
CHRISTIAN:
Yes! Thus--you see, that soul is you,. . .
Therefore, 'tis you she loves!--And you--love her!
CYRANO:
I?
CHRISTIAN:
Oh, I know it!
CYRANO:
Ay, 'tis true!
CHRISTIAN:
You love
To madness!
CYRANO:
Ay! and worse!
CHRISTIAN:
Then tell her so!
CYRANO:
No!
CHRISTIAN:
And why not?
CYRANO:
Look at my face!--be answered!
CHRISTIAN:
She'd love me--were I ugly.
CYRANO:
Said she so?
CHRISTIAN:
Ay! in those words!
CYRANO:
I'm glad she told you that!
But pooh!--believe it not! I am well pleased
She thought to tell you. Take it not for truth.
Never grow ugly:--she'd reproach me then!
CHRISTIAN:
That I intend discovering!
CYRANO:
No! I beg!
CHRISTIAN:
Ay! she shall choose between us!--Tell her all!
CYRANO:
No! no! I will not have it! Spare me this!
CHRISTIAN:
Because my face is haply fair, shall I
Destroy your happiness? 'Twere too unjust!
CYRANO:
And I,--because by Nature's freak I have
The gift to say--all that perchance you feel.
Shall I be fatal to your happiness?
CHRISTIAN:
Tell all!
CYRANO:
It is ill done to tempt me thus!
CHRISTIAN:
Too long I've borne about within myself
A rival to myself--I'll make an end!
CYRANO:
Christian!
CHRISTIAN:
Our union, without witness--secret--
Clandestine--can be easily dissolved
If we survive.
CYRANO:
My God!--he still persists!
CHRISTIAN:
I will be loved myself--or not at all!
--I'll go see what they do--there, at the end
Of the post: speak to her, and then let her choose
One of us two!
CYRANO:
It will be you.
CHRISTIAN:
Pray God!
(He calls):
Roxane!
CYRANO:
No! no!
ROXANE (coming up quickly):
What?
CHRISTIAN:
Cyrano has things
Important for your ear. . .
(She hastens to Cyrano. Christian goes out.)
| 357 | Act 4, scene 9 | https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act4-scenes6-10 | Christian tells Cyrano that Roxane no longer loves him; it is Cyrano whom she loves. Christian also says it is plain that Cyrano returns her love. Cyrano admits that this is so. Christian tells Cyrano to tell her their secret. Cyrano says he cannot, as he is so ugly. Christian points out that Roxane said she would love him even if he were ugly. He adds that Cyrano should not lose the chance of happiness just because he is handsome. As Christian leaves to go to the sentry-post, he says that Cyrano must ask Roxane to choose between them | null | 99 | 1 | [
"Christian, Cyrano.",
"At back Roxane talking to Carbon and some cadets.",
"CHRISTIAN (calling toward Cyrano's tent):\n Cyrano!",
"CYRANO (reappearing, fully armed):\n What?",
"Why so pale?",
"CHRISTIAN:\n She does not love me!",
"CYRANO:\n What?",
"CHRISTIAN:\n 'Tis you she loves!",
"CYRANO:\n No!",
"CHRISTIAN:\n --For she loves me only for my soul!",
"CYRANO:\n Truly?",
"CHRISTIAN:\n Yes!",
"Thus--you see, that soul is you,.",
". .",
"Therefore, 'tis you she loves!--And you--love her!",
"CYRANO:\n I?",
"CHRISTIAN:\n Oh, I know it!",
"CYRANO:\n Ay, 'tis true!",
"CHRISTIAN:\n You love\n To madness!",
"CYRANO:\n Ay!",
"and worse!",
"CHRISTIAN:\n Then tell her so!",
"CYRANO:\n No!",
"CHRISTIAN:\n And why not?",
"CYRANO:\n Look at my face!--be answered!",
"CHRISTIAN:\n She'd love me--were I ugly.",
"CYRANO:\n Said she so?",
"CHRISTIAN:\n Ay!",
"in those words!",
"CYRANO:\n I'm glad she told you that!",
"But pooh!--believe it not!",
"I am well pleased\n She thought to tell you.",
"Take it not for truth.",
"Never grow ugly:--she'd reproach me then!",
"CHRISTIAN:\n That I intend discovering!",
"CYRANO:\n No!",
"I beg!",
"CHRISTIAN:\n Ay!",
"she shall choose between us!--Tell her all!",
"CYRANO:\n No!",
"no!",
"I will not have it!",
"Spare me this!",
"CHRISTIAN:\n Because my face is haply fair, shall I\n Destroy your happiness?",
"'Twere too unjust!",
"CYRANO:\n And I,--because by Nature's freak I have\n The gift to say--all that perchance you feel.",
"Shall I be fatal to your happiness?",
"CHRISTIAN:\n Tell all!",
"CYRANO:\n It is ill done to tempt me thus!",
"CHRISTIAN:\n Too long I've borne about within myself\n A rival to myself--I'll make an end!",
"CYRANO:\n Christian!",
"CHRISTIAN:\n Our union, without witness--secret--\n Clandestine--can be easily dissolved\n If we survive.",
"CYRANO:\n My God!--he still persists!",
"CHRISTIAN:\n I will be loved myself--or not at all!",
"--I'll go see what they do--there, at the end\n Of the post: speak to her, and then let her choose\n One of us two!",
"CYRANO:\n It will be you.",
"CHRISTIAN:\n Pray God!",
"(He calls):\n Roxane!",
"CYRANO:\n No!",
"no!",
"ROXANE (coming up quickly):\n What?",
"CHRISTIAN:\n Cyrano has things\n Important for your ear.",
". .\n\n(She hastens to Cyrano.",
"Christian goes out.)"
] | [
"Why so pale?",
"CHRISTIAN:\n She does not love me!",
". .",
"Therefore, 'tis you she loves!--And you--love her!",
"CHRISTIAN:\n Then tell her so!",
"CYRANO:\n Look at my face!--be answered!",
"CHRISTIAN:\n Ay!",
"CYRANO:\n No!",
"no!",
"(He calls):\n Roxane!"
] | [
"Never grow ugly:--she'd reproach me then!",
"Christian, Cyrano.",
"and worse!",
"CHRISTIAN:\n I will be loved myself--or not at all!",
"CHRISTIAN:\n Tell all!",
"'Twere too unjust!",
"I beg!",
"CHRISTIAN:\n Because my face is haply fair, shall I\n Destroy your happiness?",
"CYRANO:\n What?",
"CYRANO:\n I'm glad she told you that!"
] | [
"CHRISTIAN:\n Ay!",
"in those words!",
"CYRANO:\n I'm glad she told you that!",
"But pooh!--believe it not!",
"I am well pleased\n She thought to tell you.",
"Take it not for truth.",
"Never grow ugly:--she'd reproach me then!",
"CHRISTIAN:\n That I intend discovering!",
"CYRANO:\n No!",
"I beg!",
"CHRISTIAN:\n Ay!"
] | [
"Christian, Cyrano.",
"At back Roxane talking to Carbon and some cadets.",
"CHRISTIAN (calling toward Cyrano's tent):\n Cyrano!",
"CYRANO (reappearing, fully armed):\n What?",
"Why so pale?",
"CHRISTIAN:\n She does not love me!",
"CYRANO:\n What?",
"CHRISTIAN:\n 'Tis you she loves!",
"CYRANO:\n No!",
"CHRISTIAN:\n --For she loves me only for my soul!",
"--I'll go see what they do--there, at the end\n Of the post: speak to her, and then let her choose\n One of us two!",
"CYRANO:\n It will be you.",
"CHRISTIAN:\n Pray God!",
"(He calls):\n Roxane!",
"CYRANO:\n No!",
"no!",
"ROXANE (coming up quickly):\n What?",
"CHRISTIAN:\n Cyrano has things\n Important for your ear.",
". .\n\n(She hastens to Cyrano.",
"Christian goes out.)"
] | CHRISTIAN:
'Tis you she loves!
CYRANO:
No!
CHRISTIAN:
--For she loves me only for my soul!
CYRANO:
Truly?
CHRISTIAN:
Yes!
Thus--you see, that soul is you,.
. .
Therefore, 'tis you she loves!--And you--love her!
CYRANO:
I?
CHRISTIAN:
Oh, I know it!
CYRANO:
Ay, 'tis true!
CHRISTIAN:
You love
To madness!
CYRANO:
Ay!
and worse!
CHRISTIAN:
Then tell her so!
CYRANO:
No!
CHRISTIAN:
And why not?
CYRANO:
Look at my face!--be answered!
CHRISTIAN:
She'd love me--were I ugly.
CYRANO:
Said she so?
CHRISTIAN:
Ay!
in those words!
CYRANO:
I'm glad she told you that!
But pooh!--believe it not!
I am well pleased
She thought to tell you.
Take it not for truth.
Never grow ugly:--she'd reproach me then!
CHRISTIAN:
That I intend discovering!
CYRANO:
No!
I beg!
CHRISTIAN:
Ay!
she shall choose between us!--Tell her all!
CYRANO:
No!
no!
I will not have it!
Spare me this!
CHRISTIAN:
Because my face is haply fair, shall I
Destroy your happiness?
'Twere too unju | Christian, Cyrano.
At back Roxane talking to Carbon and some cadets.
CHRISTIAN (calling toward Cyrano's tent):
Cyrano!
CYRANO (reappearing, fully armed):
What?
Why so pale?
CHRISTIAN:
She does not love me!
CYRANO:
What?
CHRISTIAN:
'Tis you she loves!
CYRANO:
No!
CHRISTIAN:
--For she loves me only for my soul!
CYRANO:
Truly?
CHRISTIAN:
Yes!
Thus--you see, that soul is you,.
. .
Therefore, 'tis you she loves!--And you--love her!
CYRANO:
I?
CHRISTIAN:
Oh, I know it!
CYRANO:
ret--
Clandestine--can be easily dissolved
If we survive.
CYRANO:
My God!--he still persists!
CHRISTIAN:
I will be loved myself--or not at all!
--I'll go see what they do--there, at the end
Of the post: speak to her, and then let her choose
One of us two!
CYRANO:
It will be you.
CHRISTIAN:
Pray God!
(He calls):
Roxane!
CYRANO:
No!
no!
ROXANE (coming up quickly):
What?
CHRISTIAN:
Cyrano has things
Important for your ear.
. .
(She hastens to Cyrano.
Christian goes out.) | ness!
CYRANO:
Ay!
and worse!
CHRISTIAN:
Then tell her so!
CYRANO:
No!
CHRISTIAN:
And why not?
CYRANO:
Look at my face!--be answered!
CHRISTIAN:
She'd love me--were I ugly.
CYRANO:
Said she so?
CHRISTIAN:
Ay!
in those words!
CYRANO:
I'm glad she told you that!
But pooh!--believe it not!
I am well pleased
She thought to tell you.
Take it not for truth.
Never grow ugly:--she'd reproach me then!
CHRISTIAN:
That I intend discovering!
CYRANO:
No!
I beg!
CHRISTIAN:
Ay!
she shall choose between us!--Tell her all!
CYRANO:
No!
no!
I will not have it!
Spare me this!
CHRISTIAN:
Because my face is haply fair, shall I
Destroy your happiness?
'Twere too unjust!
CYRANO:
And I,--because by Nature's freak I have
The gift to say--all that perchance you feel.
Shall I be fatal to your happiness?
CHRISTIAN:
Tell all!
CYRANO:
It is ill done to tempt me thus!
CHRISTIAN:
Too long I've borne about within myself
A rival to myself--I'll make an end!
CYRANO:
Christian!
|
1,254 | true | novelguide | all_chapterized_books/1254-chapters/44.txt | finished_summaries/novelguide/Cyrano de Bergerac/section_7_part_5.txt | Cyrano de Bergerac.act 4.scene 10 | act 4, scene 10 | null | {"name": "Act 4, scene 10", "url": "https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act4-scenes6-10", "summary": "Cyrano and Roxane discuss her conversation with Christian. Musket fire is heard offstage. Cyrano asks Roxane if it is true that she would love him even if he were ugly, or even disfigured. She confirms that she would. Cyrano is ecstatic, and is on the brink of revealing his secret to Roxane. Before he can speak, however, Le Bret rushes in and whispers something in Cyrano's ear. Cyrano, anguished, cries that it is too late: he can never tell Roxane his feelings. Some men enter, carrying Christian. He is dying. Le Bret tells Cyrano that he was the first to die. Roxane, distraught, throws herself on Christian's body. Cyrano whispers in his ear that he told Roxane their secret, and asked her to choose between them: she chose Christian. Christian dies. The battle begins all around them. Roxane notices a letter addressed to her in Christian's pocket. It is Cyrano's latest letter. Roxane praises Christian's fine intellect, sensitivity, and gift for poetry to Cyrano. Cyrano reflects that he can die happy today, as she is really weeping for him. De Guiche enters, with a head wound. Roxane notices that the letter in Christian's pocket is stained with blood and tears. She is on the verge of fainting. Cyrano asks de Guiche to take her away, as he is going to charge against the Spanish. Cyrano also tells de Guiche that he has proved his worth. De Guiche agrees to take Roxane away, and tells Cyrano that if the Guards can hold the line even for half an hour, the main forces will have returned and they can beat the Spanish. A wounded Carbon runs in with some other men, with the news that the French line is breaking. Cyrano says the Spanish will pay for two things: Christian's death and his own hopes of happiness. Cyrano plants the standard, Roxane's handkerchief, in the ground, and rallies the troops.", "analysis": "of Act 4, scenes 6-10. The play's action regarding Cyrano and Christian's collaboration comes to a climax in this section. This escalating internal conflict is paralleled by the external conflict of the battle between the French and the Spanish. De Guiche rapidly metamorphoses from villain to sympathetic character, even with a tinge of the hero. Inspired by Roxane's refusal to leave the battlefield, he too decides to stay. In addition, he endears himself to the Guards by the trace of the Gascon accent that emerges in his speech, and his proud refusal to eat the other men's leftovers. The men's decision that he is a Gascon, just like them, and Cyrano's appreciative words as he sends him away with Roxane, completes his redemption. Though the change in de Guiche may be considered too sudden to be convincing, its dramatic purpose is to remove him from the plot so that the action can focus on the main story involving Cyrano, Christian, and Roxane. There is bitter irony in the fact that Roxane's good news that she has risked her life to tell Christian is the worst thing that he could possibly hear. It tells him that in fact, Roxane loves Cyrano, and Christian's one claim on her affections, his outward beauty, has become irrelevant. With this development, Christian becomes redundant. Cyrano's chivalry is apparent, however, in his whispering to the dying Christian that he told Roxane their secret and asked her to choose between them, and that she chose Christian. Cyrano ensures that Christian dies happy and fulfilled in his role as Roxane's lover. Christian's death does, however, push the irony and the tragedy of the play to new heights. It means that Cyrano can never tell Roxane his secret, as to do so would betray his friend, Christian, and make a mockery of her mourning. Cyrano's anguished cry of \"Too late. on hearing of Christian's death in scene 10 expresses his sorrow and despair that he can never be united with Roxane"} | Roxane, Cyrano. Then Le Bret, Carbon de Castel-Jaloux, the cadets, Ragueneau,
De Guiche, etc.
ROXANE:
Important, how?
CYRANO (in despair. to Roxane):
He's gone! 'Tis naught!--Oh, you know how he sees
Importance in a trifle!
ROXANE (warmly):
Did he doubt
Of what I said?--Ah, yes, I saw he doubted!
CYRANO (taking her hand):
But are you sure you told him all the truth?
ROXANE:
Yes, I would love him were he. . .
(She hesitates.)
CYRANO:
Does that word
Embarrass you before my face, Roxane?
ROXANE:
I. . .
CYRANO (smiling sadly):
'Twill not hurt me! Say it! If he were
Ugly!. . .
ROXANE:
Yes, ugly!
(Musket report outside):
Hark! I hear a shot!
CYRANO (ardently):
Hideous!
ROXANE:
Hideous! yes!
CYRANO:
Disfigured.
ROXANE:
Ay!
CYRANO:
Grotesque?
ROXANE:
He could not be grotesque to me!
CYRANO:
You'd love the same?. . .
ROXANE:
The same--nay, even more!
CYRANO (losing command over himself--aside):
My God! it's true, perchance, love waits me there!
(To Roxane):
I. . .Roxane. . .listen. . .
LE BRET (entering hurriedly--to Cyrano):
Cyrano!
CYRANO (turning round):
What?
LE BRET:
Hush!
(He whispers something to him.)
CYRANO (letting go Roxane's hand and exclaiming):
Ah, God!
ROXANE:
What is it?
CYRANO (to himself--stunned):
All is over now.
(Renewed reports.)
ROXANE:
What is the matter? Hark! another shot!
(She goes up to look outside.)
CYRANO:
It is too late, now I can never tell!
ROXANE (trying to rush out):
What has chanced?
CYRANO (rushing to stop her):
Nothing!
(Some cadets enter, trying to hide something they are carrying, and close
round it to prevent Roxane approaching.)
ROXANE:
And those men?
(Cyrano draws her away):
What were you just about to say before. . .?
CYRANO:
What was I saying? Nothing now, I swear!
(Solemnly):
I swear that Christian's soul, his nature, were. . .
(Hastily correcting himself):
Nay, that they are, the noblest, greatest. . .
ROXANE:
Were?
(With a loud scream):
Oh!
(She rushes up, pushing every one aside.)
CYRANO:
All is over now!
ROXANE (seeing Christian lying on the ground, wrapped in his cloak):
O Christian!
LE BRET (to Cyrano):
Struck by first shot of the enemy!
(Roxane flings herself down by Christian. Fresh reports of cannon--clash of
arms--clamor--beating of drums.)
CARBON (with sword in the air):
O come! Your muskets.
(Followed by the cadets, he passes to the other side of the ramparts.)
ROXANE:
Christian!
THE VOICE OF CARBON (from the other side):
Ho! make haste!
ROXANE:
Christian!
CARBON:
FORM LINE!
ROXANE:
Christian!
CARBON:
HANDLE YOUR MATCH!
(Ragueneau rushes up, bringing water in a helmet.)
CHRISTIAN (in a dying voice):
Roxane!
CYRANO (quickly, whispering into Christian's ear, while Roxane distractedly
tears a piece of linen from his breast, which she dips into the water, trying
to stanch the bleeding):
I told her all. She loves you still.
(Christian closes his eyes.)
ROXANE:
How, my sweet love?
CARBON:
DRAW RAMRODS!
ROXANE (to Cyrano):
He is not dead?
CARBON:
OPEN YOUR CHARGES WITH YOUR TEETH!
ROXANE:
His cheek
Grows cold against my own!
CARBON:
READY! PRESENT!
ROXANE (seeing a letter in Christian's doublet):
A letter!. . .
'Tis for me!
(She opens it.)
CYRANO (aside):
My letter!
CARBON:
FIRE!
(Musket reports--shouts--noise of battle.)
CYRANO (trying to disengage his hand, which Roxane on her knees is holding):
But, Roxane, hark, they fight!
ROXANE (detaining him):
Stay yet awhile.
For he is dead. You knew him, you alone.
(Weeping quietly):
Ah, was not his a beauteous soul, a soul
Wondrous!
CYRANO (standing up--bareheaded):
Ay, Roxane.
ROXANE:
An inspired poet?
CYRANO:
Ay, Roxane.
ROXANE:
And a mind sublime?
CYRANO:
Oh, yes!
ROXANE:
A heart too deep for common minds to plumb,
A spirit subtle, charming?
CYRANO (firmly):
Ay, Roxane.
ROXANE (flinging herself on the dead body):
Dead, my love!
CYRANO (aside--drawing his sword):
Ay, and let me die to-day,
Since, all unconscious, she mourns me--in him!
(Sounds of trumpets in the distance.)
DE GUICHE (appearing on the ramparts--bareheaded--with a wound on his
forehead--in a voice of thunder):
It is the signal! Trumpet flourishes!
The French bring the provisions into camp!
Hold but the place awhile!
ROXANE:
See, there is blood
Upon the letter--tears!
A VOICE (outside--shouting):
Surrender!
VOICE OF CADETS:
No!
RAGUENEAU (standing on the top of his carriage, watches the battle over the
edge of the ramparts):
The danger's ever greater!
CYRANO (to De Guiche--pointing to Roxane):
I will charge!
Take her away!
ROXANE (kissing the letter--in a half-extinguished voice):
O God! his tears! his blood!. . .
RAGUENEAU (jumping down from the carriage and rushing toward her):
She's swooned away!
DE GUICHE (on the rampart--to the cadets--with fury):
Stand fast!
A VOICE (outside):
Lay down your arms!
THE CADETS:
No!
CYRANO (to De Guiche):
Now that you have proved your valor, Sir,
(Pointing to Roxane):
Fly, and save her!
DE GUICHE (rushing to Roxane, and carrying her away in his arms):
So be it! Gain but time,
The victory's ours!
CYRANO:
Good.
(Calling out to Roxane, whom De Guiche, aided by Ragueneau, is bearing away in
a fainting condition):
Farewell, Roxane!
(Tumult. Shouts. Cadets reappear, wounded, falling on the scene. Cyrano,
rushing to the battle, is stopped by Carbon de Castel-Jaloux, who is streaming
with blood.)
CARBON:
We are breaking! I am wounded--wounded twice!
CYRANO (shouting to the Gascons):
GASCONS! HO, GASCONS! NEVER TURN YOUR BACKS!
(To Carbon, whom he is supporting):
Have no fear! I have two deaths to avenge:
My friend who's slain;--and my dead happiness!
(They come down, Cyrano brandishing the lance to which is attached Roxane's
handkerchief):
Float there! laced kerchief broidered with her name!
(He sticks it in the ground and shouts to the cadets):
FALL ON THEM, GASCONS! CRUSH THEM!
(To the fifer):
Fifer, play!
(The fife plays. The wounded try to rise. Some cadets, falling one over the
other down the slope, group themselves round Cyrano and the little flag. The
carriage is crowded with men inside and outside, and, bristling with
arquebuses, is turned into a fortress.)
A CADET (appearing on the crest, beaten backward, but still fighting, cries):
They're climbing the redoubt!
(and falls dead.)
CYRANO:
Let us salute them!
(The rampart is covered instantly by a formidable row of enemies. The
standards of the Imperialists are raised):
Fire!
(General discharge.)
A CRY IN THE ENEMY'S RANKS:
Fire!
(A deadly answering volley. The cadets fall on all sides.)
A SPANISH OFFICER (uncovering):
Who are these men who rush on death?
CYRANO (reciting, erect, amid a storm of bullets):
The bold Cadets of Gascony,
Of Carbon of Castel-Jaloux!
Brawling, swaggering boastfully,
(He rushes forward, followed by a few survivors):
The bold Cadets. . .
(His voice is drowned in the battle.)
Curtain.
| 1,120 | Act 4, scene 10 | https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act4-scenes6-10 | Cyrano and Roxane discuss her conversation with Christian. Musket fire is heard offstage. Cyrano asks Roxane if it is true that she would love him even if he were ugly, or even disfigured. She confirms that she would. Cyrano is ecstatic, and is on the brink of revealing his secret to Roxane. Before he can speak, however, Le Bret rushes in and whispers something in Cyrano's ear. Cyrano, anguished, cries that it is too late: he can never tell Roxane his feelings. Some men enter, carrying Christian. He is dying. Le Bret tells Cyrano that he was the first to die. Roxane, distraught, throws herself on Christian's body. Cyrano whispers in his ear that he told Roxane their secret, and asked her to choose between them: she chose Christian. Christian dies. The battle begins all around them. Roxane notices a letter addressed to her in Christian's pocket. It is Cyrano's latest letter. Roxane praises Christian's fine intellect, sensitivity, and gift for poetry to Cyrano. Cyrano reflects that he can die happy today, as she is really weeping for him. De Guiche enters, with a head wound. Roxane notices that the letter in Christian's pocket is stained with blood and tears. She is on the verge of fainting. Cyrano asks de Guiche to take her away, as he is going to charge against the Spanish. Cyrano also tells de Guiche that he has proved his worth. De Guiche agrees to take Roxane away, and tells Cyrano that if the Guards can hold the line even for half an hour, the main forces will have returned and they can beat the Spanish. A wounded Carbon runs in with some other men, with the news that the French line is breaking. Cyrano says the Spanish will pay for two things: Christian's death and his own hopes of happiness. Cyrano plants the standard, Roxane's handkerchief, in the ground, and rallies the troops. | of Act 4, scenes 6-10. The play's action regarding Cyrano and Christian's collaboration comes to a climax in this section. This escalating internal conflict is paralleled by the external conflict of the battle between the French and the Spanish. De Guiche rapidly metamorphoses from villain to sympathetic character, even with a tinge of the hero. Inspired by Roxane's refusal to leave the battlefield, he too decides to stay. In addition, he endears himself to the Guards by the trace of the Gascon accent that emerges in his speech, and his proud refusal to eat the other men's leftovers. The men's decision that he is a Gascon, just like them, and Cyrano's appreciative words as he sends him away with Roxane, completes his redemption. Though the change in de Guiche may be considered too sudden to be convincing, its dramatic purpose is to remove him from the plot so that the action can focus on the main story involving Cyrano, Christian, and Roxane. There is bitter irony in the fact that Roxane's good news that she has risked her life to tell Christian is the worst thing that he could possibly hear. It tells him that in fact, Roxane loves Cyrano, and Christian's one claim on her affections, his outward beauty, has become irrelevant. With this development, Christian becomes redundant. Cyrano's chivalry is apparent, however, in his whispering to the dying Christian that he told Roxane their secret and asked her to choose between them, and that she chose Christian. Cyrano ensures that Christian dies happy and fulfilled in his role as Roxane's lover. Christian's death does, however, push the irony and the tragedy of the play to new heights. It means that Cyrano can never tell Roxane his secret, as to do so would betray his friend, Christian, and make a mockery of her mourning. Cyrano's anguished cry of "Too late. on hearing of Christian's death in scene 10 expresses his sorrow and despair that he can never be united with Roxane | 318 | 333 | [
"Roxane, Cyrano.",
"Then Le Bret, Carbon de Castel-Jaloux, the cadets, Ragueneau,\nDe Guiche, etc.",
"ROXANE:\n Important, how?",
"CYRANO (in despair.",
"to Roxane):\n He's gone!",
"'Tis naught!--Oh, you know how he sees\n Importance in a trifle!",
"ROXANE (warmly):\n Did he doubt\n Of what I said?--Ah, yes, I saw he doubted!",
"CYRANO (taking her hand):\n But are you sure you told him all the truth?",
"ROXANE:\n Yes, I would love him were he.",
". .\n\n(She hesitates.)",
"CYRANO:\n Does that word\n Embarrass you before my face, Roxane?",
"ROXANE:\n I. . .\n\nCYRANO (smiling sadly):\n 'Twill not hurt me!",
"Say it!",
"If he were\n Ugly!.",
". .\n\nROXANE:\n Yes, ugly!",
"(Musket report outside):\n Hark!",
"I hear a shot!",
"CYRANO (ardently):\n Hideous!",
"ROXANE:\n Hideous!",
"yes!",
"CYRANO:\n Disfigured.",
"ROXANE:\n Ay!",
"CYRANO:\n Grotesque?",
"ROXANE:\n He could not be grotesque to me!",
"CYRANO:\n You'd love the same?.",
". .\n\nROXANE:\n The same--nay, even more!",
"CYRANO (losing command over himself--aside):\n My God!",
"it's true, perchance, love waits me there!",
"(To Roxane):\n I. . .Roxane. . .listen.",
". .",
"LE BRET (entering hurriedly--to Cyrano):\n Cyrano!",
"CYRANO (turning round):\n What?",
"LE BRET:\n Hush!",
"(He whispers something to him.)",
"CYRANO (letting go Roxane's hand and exclaiming):\n Ah, God!",
"ROXANE:\n What is it?",
"CYRANO (to himself--stunned):\n All is over now.",
"(Renewed reports.)",
"ROXANE:\n What is the matter?",
"Hark!",
"another shot!",
"(She goes up to look outside.)",
"CYRANO:\n It is too late, now I can never tell!",
"ROXANE (trying to rush out):\n What has chanced?",
"CYRANO (rushing to stop her):\n Nothing!",
"(Some cadets enter, trying to hide something they are carrying, and close\nround it to prevent Roxane approaching.)",
"ROXANE:\n And those men?",
"(Cyrano draws her away):\n What were you just about to say before. .",
".?",
"CYRANO:\n What was I saying?",
"Nothing now, I swear!",
"(Solemnly):\n I swear that Christian's soul, his nature, were.",
". .\n(Hastily correcting himself):\n Nay, that they are, the noblest, greatest.",
". .\n\nROXANE:\n Were?",
"(With a loud scream):\n Oh!",
"(She rushes up, pushing every one aside.)",
"CYRANO:\n All is over now!",
"ROXANE (seeing Christian lying on the ground, wrapped in his cloak):\n O Christian!",
"LE BRET (to Cyrano):\n Struck by first shot of the enemy!",
"(Roxane flings herself down by Christian.",
"Fresh reports of cannon--clash of\narms--clamor--beating of drums.)",
"CARBON (with sword in the air):\n O come!",
"Your muskets.",
"(Followed by the cadets, he passes to the other side of the ramparts.)",
"ROXANE:\n Christian!",
"THE VOICE OF CARBON (from the other side):\n Ho!",
"make haste!",
"ROXANE:\n Christian!",
"CARBON:\n FORM LINE!",
"ROXANE:\n Christian!",
"CARBON:\n HANDLE YOUR MATCH!",
"(Ragueneau rushes up, bringing water in a helmet.)",
"CHRISTIAN (in a dying voice):\n Roxane!",
"CYRANO (quickly, whispering into Christian's ear, while Roxane distractedly\ntears a piece of linen from his breast, which she dips into the water, trying\nto stanch the bleeding):\n I told her all.",
"She loves you still.",
"(Christian closes his eyes.)",
"ROXANE:\n How, my sweet love?",
"CARBON:\n DRAW RAMRODS!",
"ROXANE (to Cyrano):\n He is not dead?",
"CARBON:\n OPEN YOUR CHARGES WITH YOUR TEETH!",
"ROXANE:\n His cheek\n Grows cold against my own!",
"CARBON:\n READY!",
"PRESENT!",
"ROXANE (seeing a letter in Christian's doublet):\n A letter!.",
". .\n 'Tis for me!",
"(She opens it.)",
"CYRANO (aside):\n My letter!",
"CARBON:\n FIRE!",
"(Musket reports--shouts--noise of battle.)",
"CYRANO (trying to disengage his hand, which Roxane on her knees is holding):\n But, Roxane, hark, they fight!",
"ROXANE (detaining him):\n Stay yet awhile.",
"For he is dead.",
"You knew him, you alone.",
"(Weeping quietly):\n Ah, was not his a beauteous soul, a soul\n Wondrous!",
"CYRANO (standing up--bareheaded):\n Ay, Roxane.",
"ROXANE:\n An inspired poet?",
"CYRANO:\n Ay, Roxane.",
"ROXANE:\n And a mind sublime?",
"CYRANO:\n Oh, yes!",
"ROXANE:\n A heart too deep for common minds to plumb,\n A spirit subtle, charming?",
"CYRANO (firmly):\n Ay, Roxane.",
"ROXANE (flinging herself on the dead body):\n Dead, my love!",
"CYRANO (aside--drawing his sword):\n Ay, and let me die to-day,\n Since, all unconscious, she mourns me--in him!",
"(Sounds of trumpets in the distance.)",
"DE GUICHE (appearing on the ramparts--bareheaded--with a wound on his\nforehead--in a voice of thunder):\n It is the signal!",
"Trumpet flourishes!",
"The French bring the provisions into camp!",
"Hold but the place awhile!",
"ROXANE:\n See, there is blood\n Upon the letter--tears!",
"A VOICE (outside--shouting):\n Surrender!",
"VOICE OF CADETS:\n No!",
"RAGUENEAU (standing on the top of his carriage, watches the battle over the\nedge of the ramparts):\n The danger's ever greater!",
"CYRANO (to De Guiche--pointing to Roxane):\n I will charge!",
"Take her away!",
"ROXANE (kissing the letter--in a half-extinguished voice):\n O God!",
"his tears!",
"his blood!.",
". .\n\nRAGUENEAU (jumping down from the carriage and rushing toward her):\n She's swooned away!",
"DE GUICHE (on the rampart--to the cadets--with fury):\n Stand fast!",
"A VOICE (outside):\n Lay down your arms!",
"THE CADETS:\n No!",
"CYRANO (to De Guiche):\n Now that you have proved your valor, Sir,\n(Pointing to Roxane):\n Fly, and save her!",
"DE GUICHE (rushing to Roxane, and carrying her away in his arms):\n So be it!",
"Gain but time,\n The victory's ours!",
"CYRANO:\n Good.",
"(Calling out to Roxane, whom De Guiche, aided by Ragueneau, is bearing away in\na fainting condition):\n Farewell, Roxane!",
"(Tumult.",
"Shouts.",
"Cadets reappear, wounded, falling on the scene.",
"Cyrano,\nrushing to the battle, is stopped by Carbon de Castel-Jaloux, who is streaming\nwith blood.)",
"CARBON:\n We are breaking!",
"I am wounded--wounded twice!",
"CYRANO (shouting to the Gascons):\n GASCONS!",
"HO, GASCONS!",
"NEVER TURN YOUR BACKS!",
"(To Carbon, whom he is supporting):\n Have no fear!",
"I have two deaths to avenge:\n My friend who's slain;--and my dead happiness!",
"(They come down, Cyrano brandishing the lance to which is attached Roxane's\nhandkerchief):\n Float there!",
"laced kerchief broidered with her name!",
"(He sticks it in the ground and shouts to the cadets):\n FALL ON THEM, GASCONS!",
"CRUSH THEM!",
"(To the fifer):\n Fifer, play!",
"(The fife plays.",
"The wounded try to rise.",
"Some cadets, falling one over the\nother down the slope, group themselves round Cyrano and the little flag.",
"The\ncarriage is crowded with men inside and outside, and, bristling with\narquebuses, is turned into a fortress.)",
"A CADET (appearing on the crest, beaten backward, but still fighting, cries):\n They're climbing the redoubt!",
"(and falls dead.)",
"CYRANO:\n Let us salute them!",
"(The rampart is covered instantly by a formidable row of enemies.",
"The\nstandards of the Imperialists are raised):\n Fire!",
"(General discharge.)",
"A CRY IN THE ENEMY'S RANKS:\n Fire!",
"(A deadly answering volley.",
"The cadets fall on all sides.)",
"A SPANISH OFFICER (uncovering):\n Who are these men who rush on death?",
"CYRANO (reciting, erect, amid a storm of bullets):\n The bold Cadets of Gascony,\n Of Carbon of Castel-Jaloux!",
"Brawling, swaggering boastfully,\n(He rushes forward, followed by a few survivors):\n The bold Cadets.",
". .\n\n(His voice is drowned in the battle.)",
"Curtain."
] | [
"CYRANO (to himself--stunned):\n All is over now.",
"(Renewed reports.)",
"(Cyrano draws her away):\n What were you just about to say before. .",
"ROXANE:\n Christian!",
"CYRANO (quickly, whispering into Christian's ear, while Roxane distractedly\ntears a piece of linen from his breast, which she dips into the water, trying\nto stanch the bleeding):\n I told her all.",
"(She opens it.)",
"(Weeping quietly):\n Ah, was not his a beauteous soul, a soul\n Wondrous!",
"CYRANO:\n Oh, yes!",
"A VOICE (outside--shouting):\n Surrender!",
"VOICE OF CADETS:\n No!"
] | [
"CYRANO:\n It is too late, now I can never tell!",
". .\n\nROXANE:\n The same--nay, even more!",
"CRUSH THEM!",
"ROXANE:\n A heart too deep for common minds to plumb,\n A spirit subtle, charming?",
"If he were\n Ugly!.",
"A VOICE (outside--shouting):\n Surrender!",
"ROXANE:\n Christian!",
"The wounded try to rise.",
". .\n\nROXANE:\n Yes, ugly!",
"his tears!"
] | [
"(Christian closes his eyes.)",
"ROXANE:\n How, my sweet love?",
"CARBON:\n DRAW RAMRODS!",
"ROXANE (to Cyrano):\n He is not dead?",
"CARBON:\n OPEN YOUR CHARGES WITH YOUR TEETH!",
"ROXANE:\n His cheek\n Grows cold against my own!",
"CARBON:\n READY!",
"PRESENT!",
"ROXANE (seeing a letter in Christian's doublet):\n A letter!.",
". .\n 'Tis for me!",
"(She opens it.)"
] | [
"Roxane, Cyrano.",
"Then Le Bret, Carbon de Castel-Jaloux, the cadets, Ragueneau,\nDe Guiche, etc.",
"ROXANE:\n Important, how?",
"CYRANO (in despair.",
"to Roxane):\n He's gone!",
"'Tis naught!--Oh, you know how he sees\n Importance in a trifle!",
"ROXANE (warmly):\n Did he doubt\n Of what I said?--Ah, yes, I saw he doubted!",
"CYRANO (taking her hand):\n But are you sure you told him all the truth?",
"ROXANE:\n Yes, I would love him were he.",
". .\n\n(She hesitates.)",
"The\nstandards of the Imperialists are raised):\n Fire!",
"(General discharge.)",
"A CRY IN THE ENEMY'S RANKS:\n Fire!",
"(A deadly answering volley.",
"The cadets fall on all sides.)",
"A SPANISH OFFICER (uncovering):\n Who are these men who rush on death?",
"CYRANO (reciting, erect, amid a storm of bullets):\n The bold Cadets of Gascony,\n Of Carbon of Castel-Jaloux!",
"Brawling, swaggering boastfully,\n(He rushes forward, followed by a few survivors):\n The bold Cadets.",
". .\n\n(His voice is drowned in the battle.)",
"Curtain."
] | agueneau, is bearing away in
a fainting condition):
Farewell, Roxane!
(Tumult.
Shouts.
Cadets reappear, wounded, falling on the scene.
Cyrano,
rushing to the battle, is stopped by Carbon de Castel-Jaloux, who is streaming
with blood.)
CARBON:
We are breaking!
I am wounded--wounded twice!
CYRANO (shouting to the Gascons):
GASCONS!
HO, GASCONS!
NEVER TURN YOUR BACKS!
(To Carbon, whom he is supporting):
Have no fear!
I have two deaths to avenge:
My friend who's slain;--and my dead happiness!
(They come down, Cyrano brandishing the lance to which is attached Roxane's
handkerchief):
Float there!
laced kerchief broidered with her name!
(He sticks it in the ground and shouts to the cadets):
FALL ON THEM, GASCONS!
CRUSH THEM!
(To the fifer):
Fifer, play!
(The fife plays.
The wounded try to rise.
Some cadets, falling one over the
other down the slope, group themselves round Cyrano and the little flag.
The
carriage is crowded with men inside and outside, and, bristling with
arque | Roxane, Cyrano.
Then Le Bret, Carbon de Castel-Jaloux, the cadets, Ragueneau,
De Guiche, etc.
ROXANE:
Important, how?
CYRANO (in despair.
to Roxane):
He's gone!
'Tis naught!--Oh, you know how he sees
Importance in a trifle!
ROXANE (warmly):
Did he doubt
Of what I said?--Ah, yes, I saw he doubted!
CYRANO (taking her hand):
But are you sure you told him all the truth?
ROXANE:
Yes, I would love him were he.
. .
(She hesitates.)
CYRANO:
Does that word
Embarrass you before my face, andards of the Imperialists are raised):
Fire!
(General discharge.)
A CRY IN THE ENEMY'S RANKS:
Fire!
(A deadly answering volley.
The cadets fall on all sides.)
A SPANISH OFFICER (uncovering):
Who are these men who rush on death?
CYRANO (reciting, erect, amid a storm of bullets):
The bold Cadets of Gascony,
Of Carbon of Castel-Jaloux!
Brawling, swaggering boastfully,
(He rushes forward, followed by a few survivors):
The bold Cadets.
. .
(His voice is drowned in the battle.)
Curtain. | AW RAMRODS!
ROXANE (to Cyrano):
He is not dead?
CARBON:
OPEN YOUR CHARGES WITH YOUR TEETH!
ROXANE:
His cheek
Grows cold against my own!
CARBON:
READY!
PRESENT!
ROXANE (seeing a letter in Christian's doublet):
A letter!.
. .
'Tis for me!
(She opens it.)
CYRANO (aside):
My letter!
CARBON:
FIRE!
(Musket reports--shouts--noise of battle.)
CYRANO (trying to disengage his hand, which Roxane on her knees is holding):
But, Roxane, hark, they fight!
ROXANE (detaining him):
Stay yet awhile.
For he is dead.
You knew him, you alone.
(Weeping quietly):
Ah, was not his a beauteous soul, a soul
Wondrous!
CYRANO (standing up--bareheaded):
Ay, Roxane.
ROXANE:
An inspired poet?
CYRANO:
Ay, Roxane.
ROXANE:
And a mind sublime?
CYRANO:
Oh, yes!
ROXANE:
A heart too deep for common minds to plumb,
A spirit subtle, charming?
CYRANO (firmly):
Ay, Roxane.
ROXANE (flinging herself on the dead body):
Dead, my love!
CYRANO (aside--drawing his sword):
Ay, and let me die |
1,254 | true | novelguide | all_chapterized_books/1254-chapters/46.txt | finished_summaries/novelguide/Cyrano de Bergerac/section_8_part_1.txt | Cyrano de Bergerac.act 5.scene 1 | act 5, scene 1 | null | {"name": "act 5, scene 1", "url": "https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act5-scenes1-6", "summary": "It is fifteen years later, in 1655. The action opens in the garden of the convent into which Roxane has retired. The nuns are talking about Cyrano, who they say has visited Roxane regularly for the fourteen years since she came to live there. He is the only person who makes her smile. Mother Margaret, the head of the convent, mentions that he is so poor that on some days he does not eat", "analysis": ""} | Mother Marguerite, Sister Martha, Sister Claire, other sisters.
SISTER MARTHA (to Mother Marguerite):
Sister Claire glanced in the mirror, once--nay, twice, to see if her coif
suited.
MOTHER MARGUERITE (to Sister Claire):
'Tis not well.
SISTER CLAIRE:
But I saw Sister Martha take a plum
Out of the tart.
MOTHER MARGUERITE (to Sister Martha):
That was ill done, my sister.
SISTER CLAIRE:
A little glance!
SISTER MARTHA:
And such a little plum!
MOTHER MARGUERITE:
I shall tell this to Monsieur Cyrano.
SISTER CLAIRE:
Nay, prithee do not!--he will mock!
SISTER MARTHA:
He'll say we nuns are vain!
SISTER CLAIRE:
And greedy!
MOTHER MARGUERITE (smiling):
Ay, and kind!
SISTER CLAIRE:
Is it not true, pray, Mother Marguerite,
That he has come, each week, on Saturday
For ten years, to the convent?
MOTHER MARGUERITE:
Ay! and more!
Ever since--fourteen years ago--the day
His cousin brought here, 'midst our woolen coifs,
The worldly mourning of her widow's veil,
Like a blackbird's wing among the convent doves!
SISTER MARTHA:
He only has the skill to turn her mind
From grief--unsoftened yet by Time--unhealed!
ALL THE SISTERS:
He is so droll!--It's cheerful when he comes!--
He teases us!--But we all like him well!--
--We make him pasties of angelica!
SISTER MARTHA:
But, he is not a faithful Catholic!
SISTER CLAIRE:
We will convert him!
THE SISTERS:
Yes! Yes!
MOTHER MARGUERITE:
I forbid,
My daughters, you attempt that subject. Nay,
Weary him not--he might less oft come here!
SISTER MARTHA:
But. . .God. . .
MOTHER MARGUERITE:
Nay, never fear! God knows him well!
SISTER MARTHA:
But--every Saturday, when he arrives,
He tells me, 'Sister, I eat meat on Friday!'
MOTHER MARGUERITE:
Ah! says he so? Well, the last time he came
Food had not passed his lips for two whole days!
SISTER MARTHA:
Mother!
MOTHER MARGUERITE:
He's poor.
SISTER MARTHA:
Who told you so, dear Mother?
MOTHER MARGUERITE:
Monsieur Le Bret.
SISTER MARTHA:
None help him?
MOTHER MARGUERITE:
He permits not.
(In an alley at the back Roxane appears, dressed in black, with a widow's coif
and veil. De Guiche, imposing-looking and visibly aged, walks by her side.
They saunter slowly. Mother Marguerite rises):
'Tis time we go in; Madame Madeleine
Walks in the garden with a visitor.
SISTER MARTHA (to Sister Claire, in a low voice):
The Marshal of Grammont?
SISTER CLAIRE (looking at him):
'Tis he, I think.
SISTER MARTHA:
'Tis many months now since he came to see her.
THE SISTERS:
He is so busy!--The Court,--the camp!. . .
SISTER CLAIRE:
The world!
(They go out. De Guiche and Roxane come forward in silence, and stop close to
the embroidery frame.)
| 456 | act 5, scene 1 | https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act5-scenes1-6 | It is fifteen years later, in 1655. The action opens in the garden of the convent into which Roxane has retired. The nuns are talking about Cyrano, who they say has visited Roxane regularly for the fourteen years since she came to live there. He is the only person who makes her smile. Mother Margaret, the head of the convent, mentions that he is so poor that on some days he does not eat | null | 74 | 1 | [
"Mother Marguerite, Sister Martha, Sister Claire, other sisters.",
"SISTER MARTHA (to Mother Marguerite):\n Sister Claire glanced in the mirror, once--nay, twice, to see if her coif\nsuited.",
"MOTHER MARGUERITE (to Sister Claire):\n 'Tis not well.",
"SISTER CLAIRE:\n But I saw Sister Martha take a plum\n Out of the tart.",
"MOTHER MARGUERITE (to Sister Martha):\n That was ill done, my sister.",
"SISTER CLAIRE:\n A little glance!",
"SISTER MARTHA:\n And such a little plum!",
"MOTHER MARGUERITE:\n I shall tell this to Monsieur Cyrano.",
"SISTER CLAIRE:\n Nay, prithee do not!--he will mock!",
"SISTER MARTHA:\n He'll say we nuns are vain!",
"SISTER CLAIRE:\n And greedy!",
"MOTHER MARGUERITE (smiling):\n Ay, and kind!",
"SISTER CLAIRE:\n Is it not true, pray, Mother Marguerite,\n That he has come, each week, on Saturday\n For ten years, to the convent?",
"MOTHER MARGUERITE:\n Ay!",
"and more!",
"Ever since--fourteen years ago--the day\n His cousin brought here, 'midst our woolen coifs,\n The worldly mourning of her widow's veil,\n Like a blackbird's wing among the convent doves!",
"SISTER MARTHA:\n He only has the skill to turn her mind\n From grief--unsoftened yet by Time--unhealed!",
"ALL THE SISTERS:\n He is so droll!--It's cheerful when he comes!--\n He teases us!--But we all like him well!--\n --We make him pasties of angelica!",
"SISTER MARTHA:\n But, he is not a faithful Catholic!",
"SISTER CLAIRE:\n We will convert him!",
"THE SISTERS:\n Yes!",
"Yes!",
"MOTHER MARGUERITE:\n I forbid,\n My daughters, you attempt that subject.",
"Nay,\n Weary him not--he might less oft come here!",
"SISTER MARTHA:\n But. . .God.",
". .",
"MOTHER MARGUERITE:\n Nay, never fear!",
"God knows him well!",
"SISTER MARTHA:\n But--every Saturday, when he arrives,\n He tells me, 'Sister, I eat meat on Friday!'",
"MOTHER MARGUERITE:\n Ah!",
"says he so?",
"Well, the last time he came\n Food had not passed his lips for two whole days!",
"SISTER MARTHA:\n Mother!",
"MOTHER MARGUERITE:\n He's poor.",
"SISTER MARTHA:\n Who told you so, dear Mother?",
"MOTHER MARGUERITE:\n Monsieur Le Bret.",
"SISTER MARTHA:\n None help him?",
"MOTHER MARGUERITE:\n He permits not.",
"(In an alley at the back Roxane appears, dressed in black, with a widow's coif\nand veil.",
"De Guiche, imposing-looking and visibly aged, walks by her side.",
"They saunter slowly.",
"Mother Marguerite rises):\n 'Tis time we go in; Madame Madeleine\n Walks in the garden with a visitor.",
"SISTER MARTHA (to Sister Claire, in a low voice):\n The Marshal of Grammont?",
"SISTER CLAIRE (looking at him):\n 'Tis he, I think.",
"SISTER MARTHA:\n 'Tis many months now since he came to see her.",
"THE SISTERS:\n He is so busy!--The Court,--the camp!.",
". .",
"SISTER CLAIRE:\n The world!",
"(They go out.",
"De Guiche and Roxane come forward in silence, and stop close to\nthe embroidery frame.)"
] | [
"MOTHER MARGUERITE:\n I shall tell this to Monsieur Cyrano.",
"SISTER CLAIRE:\n Nay, prithee do not!--he will mock!",
"and more!",
"Yes!",
"Nay,\n Weary him not--he might less oft come here!",
"MOTHER MARGUERITE:\n Nay, never fear!",
"SISTER MARTHA:\n But--every Saturday, when he arrives,\n He tells me, 'Sister, I eat meat on Friday!'",
"Well, the last time he came\n Food had not passed his lips for two whole days!",
"SISTER MARTHA (to Sister Claire, in a low voice):\n The Marshal of Grammont?",
". ."
] | [
"THE SISTERS:\n Yes!",
"SISTER MARTHA:\n He'll say we nuns are vain!",
"SISTER MARTHA:\n But, he is not a faithful Catholic!",
"SISTER MARTHA:\n Who told you so, dear Mother?",
"(In an alley at the back Roxane appears, dressed in black, with a widow's coif\nand veil.",
"MOTHER MARGUERITE (to Sister Claire):\n 'Tis not well.",
"SISTER MARTHA:\n 'Tis many months now since he came to see her.",
"MOTHER MARGUERITE:\n I shall tell this to Monsieur Cyrano.",
"SISTER CLAIRE:\n Is it not true, pray, Mother Marguerite,\n That he has come, each week, on Saturday\n For ten years, to the convent?",
"SISTER CLAIRE:\n We will convert him!"
] | [
"THE SISTERS:\n Yes!",
"Yes!",
"MOTHER MARGUERITE:\n I forbid,\n My daughters, you attempt that subject.",
"Nay,\n Weary him not--he might less oft come here!",
"SISTER MARTHA:\n But. . .God.",
". .",
"MOTHER MARGUERITE:\n Nay, never fear!",
"God knows him well!",
"SISTER MARTHA:\n But--every Saturday, when he arrives,\n He tells me, 'Sister, I eat meat on Friday!'",
"MOTHER MARGUERITE:\n Ah!",
"says he so?"
] | [
"Mother Marguerite, Sister Martha, Sister Claire, other sisters.",
"SISTER MARTHA (to Mother Marguerite):\n Sister Claire glanced in the mirror, once--nay, twice, to see if her coif\nsuited.",
"MOTHER MARGUERITE (to Sister Claire):\n 'Tis not well.",
"SISTER CLAIRE:\n But I saw Sister Martha take a plum\n Out of the tart.",
"MOTHER MARGUERITE (to Sister Martha):\n That was ill done, my sister.",
"SISTER CLAIRE:\n A little glance!",
"SISTER MARTHA:\n And such a little plum!",
"MOTHER MARGUERITE:\n I shall tell this to Monsieur Cyrano.",
"SISTER CLAIRE:\n Nay, prithee do not!--he will mock!",
"SISTER MARTHA:\n He'll say we nuns are vain!",
"They saunter slowly.",
"Mother Marguerite rises):\n 'Tis time we go in; Madame Madeleine\n Walks in the garden with a visitor.",
"SISTER MARTHA (to Sister Claire, in a low voice):\n The Marshal of Grammont?",
"SISTER CLAIRE (looking at him):\n 'Tis he, I think.",
"SISTER MARTHA:\n 'Tis many months now since he came to see her.",
"THE SISTERS:\n He is so busy!--The Court,--the camp!.",
". .",
"SISTER CLAIRE:\n The world!",
"(They go out.",
"De Guiche and Roxane come forward in silence, and stop close to\nthe embroidery frame.)"
] | HA:
But, he is not a faithful Catholic!
SISTER CLAIRE:
We will convert him!
THE SISTERS:
Yes!
Yes!
MOTHER MARGUERITE:
I forbid,
My daughters, you attempt that subject.
Nay,
Weary him not--he might less oft come here!
SISTER MARTHA:
But. . .God.
. .
MOTHER MARGUERITE:
Nay, never fear!
God knows him well!
SISTER MARTHA:
But--every Saturday, when he arrives,
He tells me, 'Sister, I eat meat on Friday!'
MOTHER MARGUERITE:
Ah!
says he so?
Well, the last time he came
Food had not passed his lips for two whole days!
SISTER MARTHA:
Mother!
MOTHER MARGUERITE:
He's poor.
SISTER MARTHA:
Who told you so, dear Mother?
MOTHER MARGUERITE:
Monsieur Le Bret.
SISTER MARTHA:
None help him?
MOTHER MARGUERITE:
He permits not.
(In an alley at the back Roxane appears, dressed in black, with a widow's coif
and veil.
De Guiche, imposing-looking and visibly aged, walks by her side.
They saunter slowly.
Mother Marguerite rises):
'Tis time we go in; Madame Madeleine
Walks i | Mother Marguerite, Sister Martha, Sister Claire, other sisters.
SISTER MARTHA (to Mother Marguerite):
Sister Claire glanced in the mirror, once--nay, twice, to see if her coif
suited.
MOTHER MARGUERITE (to Sister Claire):
'Tis not well.
SISTER CLAIRE:
But I saw Sister Martha take a plum
Out of the tart.
MOTHER MARGUERITE (to Sister Martha):
That was ill done, my sister.
SISTER CLAIRE:
A little glance!
SISTER MARTHA:
And such a little plum!
MOTHER MARGUERITE:
I shall tell this to y saunter slowly.
Mother Marguerite rises):
'Tis time we go in; Madame Madeleine
Walks in the garden with a visitor.
SISTER MARTHA (to Sister Claire, in a low voice):
The Marshal of Grammont?
SISTER CLAIRE (looking at him):
'Tis he, I think.
SISTER MARTHA:
'Tis many months now since he came to see her.
THE SISTERS:
He is so busy!--The Court,--the camp!.
. .
SISTER CLAIRE:
The world!
(They go out.
De Guiche and Roxane come forward in silence, and stop close to
the embroidery frame.) | Ever since--fourteen years ago--the day
His cousin brought here, 'midst our woolen coifs,
The worldly mourning of her widow's veil,
Like a blackbird's wing among the convent doves!
SISTER MARTHA:
He only has the skill to turn her mind
From grief--unsoftened yet by Time--unhealed!
ALL THE SISTERS:
He is so droll!--It's cheerful when he comes!--
He teases us!--But we all like him well!--
--We make him pasties of angelica!
SISTER MARTHA:
But, he is not a faithful Catholic!
SISTER CLAIRE:
We will convert him!
THE SISTERS:
Yes!
Yes!
MOTHER MARGUERITE:
I forbid,
My daughters, you attempt that subject.
Nay,
Weary him not--he might less oft come here!
SISTER MARTHA:
But. . .God.
. .
MOTHER MARGUERITE:
Nay, never fear!
God knows him well!
SISTER MARTHA:
But--every Saturday, when he arrives,
He tells me, 'Sister, I eat meat on Friday!'
MOTHER MARGUERITE:
Ah!
says he so?
Well, the last time he came
Food had not passed his lips for two whole days!
SISTER MART |
1,254 | true | novelguide | all_chapterized_books/1254-chapters/47.txt | finished_summaries/novelguide/Cyrano de Bergerac/section_8_part_2.txt | Cyrano de Bergerac.act 5.scene 2 | act 5, scene 2 | null | {"name": "Act 5, scene 2", "url": "https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act5-scenes1-6", "summary": "Roxane enters with de Guiche, who is visiting her. He is now the Duc de Grammont and one of the most powerful men in France. De Guiche asks her whether she intends to waste her beauty living in the convent forever, guarding Christian's memory. She says that she does, and that she still keeps his last letter next to her heart. He asks her whether she forgives him for sending Christian to his death; she says that she must, since she lives in the convent. She adds that she still feels Christian's love all around her. He asks if Cyrano still visits her. She replies that he visits every week and tells her all the news. Le Bret enters and reports that Cyrano is suffering from poverty, hunger, and loneliness. De Guiche comments that Cyrano should not be pitied too much because he has lived the life he chose, free and not obligated to anyone. De Guiche adds that he himself has everything, while Cyrano has nothing, yet he would still like to shake his hand. He envies Cyrano, as it seems he can have no regrets about his life. De Guiche takes Le Bret aside and warns him that Cyrano has made enemies. De Guiche overheard one influential person saying, \"Cyrano might have an accident. Ragueneau arrives to visit Roxane. He has fallen on hard times. He gave up his shop to become a writer, but has found himself doing a series of other jobs", "analysis": ""} | Roxane; the Duke de Grammont, formerly Count de Guiche. Then Le Bret and
Ragueneau.
THE DUKE:
And you stay here still--ever vainly fair,
Ever in weeds?
ROXANE:
Ever.
THE DUKE:
Still faithful?
ROXANE:
Still.
THE DUKE (after a pause):
Am I forgiven?
ROXANE:
Ay, since I am here.
(Another pause.)
THE DUKE:
His was a soul, you say?. . .
ROXANE:
Ah!--when you knew him!
THE DUKE:
Ah, may be!. . .I, perchance, too little knew him!
. . .And his last letter, ever next your heart?
ROXANE:
Hung from this chain, a gentle scapulary.
THE DUKE:
And, dead, you love him still?
ROXANE:
At times,--meseems
He is but partly dead--our hearts still speak,
As if his love, still living, wrapped me round!
THE DUKE (after another pause):
Cyrano comes to see you?
ROXANE:
Often, ay.
Dear, kind old friend! We call him my 'Gazette.'
He never fails to come: beneath this tree
They place his chair, if it be fine:--I wait,
I broider;--the clock strikes;--at the last stroke
I hear,--for now I never turn to look--
Too sure to hear his cane tap down the steps;
He seats himself:--with gentle raillery
He mocks my tapestry that's never done;
He tells me all the gossip of the week. . .
(Le Bret appears on the steps):
Why, here's Le Bret!
(Le Bret descends):
How goes it with our friend?
LE BRET:
Ill!--very ill.
THE DUKE:
How?
ROXANE (to the Duke):
He exaggerates!
LE BRET:
All that I prophesied: desertion, want!. . .
His letters now make him fresh enemies!--
Attacking the sham nobles, sham devout,
Sham brave,--the thieving authors,--all the world!
ROXANE:
Ah! but his sword still holds them all in check;
None get the better of him.
THE DUKE (shaking his head):
Time will show!
LE BRET:
Ah, but I fear for him--not man's attack,--
Solitude--hunger--cold December days,
That wolf-like steal into his chamber drear:--
Lo! the assassins that I fear for him!
Each day he tightens by one hole his belt:
That poor nose--tinted like old ivory:
He has retained one shabby suit of serge.
THE DUKE:
Ay, there is one who has no prize of Fortune!--
Yet is not to be pitied!
LE BRET (with a bitter smile):
My Lord Marshal!. . .
THE DUKE:
Pity him not! He has lived out his vows,
Free in his thoughts, as in his actions free!
LE BRET (in the same tone):
My Lord!. . .
THE DUKE (haughtily):
True! I have all, and he has naught;. . .
Yet I were proud to take his hand!
(Bowing to Roxane):
Adieu!
ROXANE:
I go with you.
(The Duke bows to Le Bret, and goes with Roxane toward the steps.)
THE DUKE (pausing, while she goes up):
Ay, true,--I envy him.
Look you, when life is brimful of success
--Though the past hold no action foul--one feels
A thousand self-disgusts, of which the sum
Is not remorse, but a dim, vague unrest;
And, as one mounts the steps of worldly fame,
The Duke's furred mantles trail within their folds
A sound of dead illusions, vain regrets,
A rustle--scarce a whisper--like as when,
Mounting the terrace steps, by your mourning robe
Sweeps in its train the dying autumn leaves.
ROXANE (ironically):
You are pensive?
THE DUKE:
True! I am!
(As he is going out, suddenly):
Monsieur Le Bret!
(To Roxane):
A word, with your permission?
(He goes to Le Bret, and in a low voice):
True, that none
Dare to attack your friend;--but many hate him;
Yesterday, at the Queen's card-play, 'twas said
'That Cyrano may die--by accident!'
Let him stay in--be prudent!
LE BRET (raising his arms to heaven):
Prudent! He!. . .
He's coming here. I'll warn him--but!. . .
ROXANE (who has stayed on the steps, to a sister who comes toward her):
What is it?
THE SISTER:
Ragueneau would see you, Madame.
ROXANE:
Let him come.
(To the Duke and Le Bret):
He comes to tell his troubles. Having been
An author (save the mark!)--poor fellow--now
By turns he's singer. . .
LE BRET:
Bathing-man. . .
ROXANE:
Then actor. . .
LE BRET:
Beadle. . .
ROXANE:
Wig-maker. . .
LE BRET:
Teacher of the lute. . .
ROXANE:
What will he be to-day, by chance?
RAGUENEAU (entering hurriedly):
Ah! Madame!
(He sees Le Bret):
Ah! you here, Sir!
ROXANE (smiling):
Tell all your miseries
To him; I will return anon.
RAGUENEAU:
But, Madame. . .
(Roxane goes out with the Duke. Ragueneau goes toward Le Bret.)
| 802 | Act 5, scene 2 | https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act5-scenes1-6 | Roxane enters with de Guiche, who is visiting her. He is now the Duc de Grammont and one of the most powerful men in France. De Guiche asks her whether she intends to waste her beauty living in the convent forever, guarding Christian's memory. She says that she does, and that she still keeps his last letter next to her heart. He asks her whether she forgives him for sending Christian to his death; she says that she must, since she lives in the convent. She adds that she still feels Christian's love all around her. He asks if Cyrano still visits her. She replies that he visits every week and tells her all the news. Le Bret enters and reports that Cyrano is suffering from poverty, hunger, and loneliness. De Guiche comments that Cyrano should not be pitied too much because he has lived the life he chose, free and not obligated to anyone. De Guiche adds that he himself has everything, while Cyrano has nothing, yet he would still like to shake his hand. He envies Cyrano, as it seems he can have no regrets about his life. De Guiche takes Le Bret aside and warns him that Cyrano has made enemies. De Guiche overheard one influential person saying, "Cyrano might have an accident. Ragueneau arrives to visit Roxane. He has fallen on hard times. He gave up his shop to become a writer, but has found himself doing a series of other jobs | null | 246 | 1 | [
"Roxane; the Duke de Grammont, formerly Count de Guiche.",
"Then Le Bret and\nRagueneau.",
"THE DUKE:\n And you stay here still--ever vainly fair,\n Ever in weeds?",
"ROXANE:\n Ever.",
"THE DUKE:\n Still faithful?",
"ROXANE:\n Still.",
"THE DUKE (after a pause):\n Am I forgiven?",
"ROXANE:\n Ay, since I am here.",
"(Another pause.)",
"THE DUKE:\n His was a soul, you say?.",
". .\n\nROXANE:\n Ah!--when you knew him!",
"THE DUKE:\n Ah, may be!. .",
".I, perchance, too little knew him!",
". . .And his last letter, ever next your heart?",
"ROXANE:\n Hung from this chain, a gentle scapulary.",
"THE DUKE:\n And, dead, you love him still?",
"ROXANE:\n At times,--meseems\n He is but partly dead--our hearts still speak,\n As if his love, still living, wrapped me round!",
"THE DUKE (after another pause):\n Cyrano comes to see you?",
"ROXANE:\n Often, ay.",
"Dear, kind old friend!",
"We call him my 'Gazette.'",
"He never fails to come: beneath this tree\n They place his chair, if it be fine:--I wait,\n I broider;--the clock strikes;--at the last stroke\n I hear,--for now I never turn to look--\n Too sure to hear his cane tap down the steps;\n He seats himself:--with gentle raillery\n He mocks my tapestry that's never done;\n He tells me all the gossip of the week.",
". .\n(Le Bret appears on the steps):\n Why, here's Le Bret!",
"(Le Bret descends):\n How goes it with our friend?",
"LE BRET:\n Ill!--very ill.",
"THE DUKE:\n How?",
"ROXANE (to the Duke):\n He exaggerates!",
"LE BRET:\n All that I prophesied: desertion, want!.",
". .\n His letters now make him fresh enemies!--\n Attacking the sham nobles, sham devout,\n Sham brave,--the thieving authors,--all the world!",
"ROXANE:\n Ah!",
"but his sword still holds them all in check;\n None get the better of him.",
"THE DUKE (shaking his head):\n Time will show!",
"LE BRET:\n Ah, but I fear for him--not man's attack,--\n Solitude--hunger--cold December days,\n That wolf-like steal into his chamber drear:--\n Lo!",
"the assassins that I fear for him!",
"Each day he tightens by one hole his belt:\n That poor nose--tinted like old ivory:\n He has retained one shabby suit of serge.",
"THE DUKE:\n Ay, there is one who has no prize of Fortune!--\n Yet is not to be pitied!",
"LE BRET (with a bitter smile):\n My Lord Marshal!.",
". .",
"THE DUKE:\n Pity him not!",
"He has lived out his vows,\n Free in his thoughts, as in his actions free!",
"LE BRET (in the same tone):\n My Lord!.",
". .",
"THE DUKE (haughtily):\n True!",
"I have all, and he has naught;.",
". .",
"Yet I were proud to take his hand!",
"(Bowing to Roxane):\n Adieu!",
"ROXANE:\n I go with you.",
"(The Duke bows to Le Bret, and goes with Roxane toward the steps.)",
"THE DUKE (pausing, while she goes up):\n Ay, true,--I envy him.",
"Look you, when life is brimful of success\n --Though the past hold no action foul--one feels\n A thousand self-disgusts, of which the sum\n Is not remorse, but a dim, vague unrest;\n And, as one mounts the steps of worldly fame,\n The Duke's furred mantles trail within their folds\n A sound of dead illusions, vain regrets,\n A rustle--scarce a whisper--like as when,\n Mounting the terrace steps, by your mourning robe\n Sweeps in its train the dying autumn leaves.",
"ROXANE (ironically):\n You are pensive?",
"THE DUKE:\n True!",
"I am!",
"(As he is going out, suddenly):\n Monsieur Le Bret!",
"(To Roxane):\n A word, with your permission?",
"(He goes to Le Bret, and in a low voice):\n True, that none\n Dare to attack your friend;--but many hate him;\n Yesterday, at the Queen's card-play, 'twas said\n 'That Cyrano may die--by accident!'",
"Let him stay in--be prudent!",
"LE BRET (raising his arms to heaven):\n Prudent!",
"He!.",
". .",
"He's coming here.",
"I'll warn him--but!.",
". .\n\nROXANE (who has stayed on the steps, to a sister who comes toward her):\n What is it?",
"THE SISTER:\n Ragueneau would see you, Madame.",
"ROXANE:\n Let him come.",
"(To the Duke and Le Bret):\n He comes to tell his troubles.",
"Having been\n An author (save the mark!)",
"--poor fellow--now\n By turns he's singer.",
". .",
"LE BRET:\n Bathing-man.",
". .\n\nROXANE:\n Then actor.",
". .",
"LE BRET:\n Beadle.",
". .\n\nROXANE:\n Wig-maker.",
". .",
"LE BRET:\n Teacher of the lute.",
". .\n\nROXANE:\n What will he be to-day, by chance?",
"RAGUENEAU (entering hurriedly):\n Ah!",
"Madame!",
"(He sees Le Bret):\n Ah!",
"you here, Sir!",
"ROXANE (smiling):\n Tell all your miseries\n To him; I will return anon.",
"RAGUENEAU:\n But, Madame.",
". .\n\n(Roxane goes out with the Duke.",
"Ragueneau goes toward Le Bret.)"
] | [
". .\n\nROXANE:\n Ah!--when you knew him!",
"ROXANE:\n At times,--meseems\n He is but partly dead--our hearts still speak,\n As if his love, still living, wrapped me round!",
"THE DUKE:\n Ay, there is one who has no prize of Fortune!--\n Yet is not to be pitied!",
". .",
". .",
"LE BRET (raising his arms to heaven):\n Prudent!",
"He!.",
"He's coming here.",
"LE BRET:\n Bathing-man.",
". .\n\n(Roxane goes out with the Duke."
] | [
"Look you, when life is brimful of success\n --Though the past hold no action foul--one feels\n A thousand self-disgusts, of which the sum\n Is not remorse, but a dim, vague unrest;\n And, as one mounts the steps of worldly fame,\n The Duke's furred mantles trail within their folds\n A sound of dead illusions, vain regrets,\n A rustle--scarce a whisper--like as when,\n Mounting the terrace steps, by your mourning robe\n Sweeps in its train the dying autumn leaves.",
"LE BRET:\n Beadle.",
"ROXANE:\n Often, ay.",
"THE DUKE:\n Pity him not!",
"Then Le Bret and\nRagueneau.",
"Roxane; the Duke de Grammont, formerly Count de Guiche.",
"Each day he tightens by one hole his belt:\n That poor nose--tinted like old ivory:\n He has retained one shabby suit of serge.",
"LE BRET (with a bitter smile):\n My Lord Marshal!.",
"LE BRET:\n All that I prophesied: desertion, want!.",
"He has lived out his vows,\n Free in his thoughts, as in his actions free!"
] | [
"THE DUKE:\n Pity him not!",
"He has lived out his vows,\n Free in his thoughts, as in his actions free!",
"LE BRET (in the same tone):\n My Lord!.",
". .",
"THE DUKE (haughtily):\n True!",
"I have all, and he has naught;.",
". .",
"Yet I were proud to take his hand!",
"(Bowing to Roxane):\n Adieu!",
"ROXANE:\n I go with you.",
"(The Duke bows to Le Bret, and goes with Roxane toward the steps.)"
] | [
"Roxane; the Duke de Grammont, formerly Count de Guiche.",
"Then Le Bret and\nRagueneau.",
"THE DUKE:\n And you stay here still--ever vainly fair,\n Ever in weeds?",
"ROXANE:\n Ever.",
"THE DUKE:\n Still faithful?",
"ROXANE:\n Still.",
"THE DUKE (after a pause):\n Am I forgiven?",
"ROXANE:\n Ay, since I am here.",
"(Another pause.)",
"THE DUKE:\n His was a soul, you say?.",
"LE BRET:\n Teacher of the lute.",
". .\n\nROXANE:\n What will he be to-day, by chance?",
"RAGUENEAU (entering hurriedly):\n Ah!",
"Madame!",
"(He sees Le Bret):\n Ah!",
"you here, Sir!",
"ROXANE (smiling):\n Tell all your miseries\n To him; I will return anon.",
"RAGUENEAU:\n But, Madame.",
". .\n\n(Roxane goes out with the Duke.",
"Ragueneau goes toward Le Bret.)"
] |
Look you, when life is brimful of success
--Though the past hold no action foul--one feels
A thousand self-disgusts, of which the sum
Is not remorse, but a dim, vague unrest;
And, as one mounts the steps of worldly fame,
The Duke's furred mantles trail within their folds
A sound of dead illusions, vain regrets,
A rustle--scarce a whisper--like as when,
Mounting the terrace steps, by your mourning robe
Sweeps in its train the dying autumn leaves.
ROXANE (ironically):
You are pensive?
THE DUKE:
True!
I am!
(As he is going out, suddenly):
Monsieur Le Bret!
(To Roxane):
A word, with your permission?
(He goes to Le Bret, and in a low voice):
True, that none
Dare to attack your friend;--but many hate him;
Yesterday, at the Queen's card-play, 'twas said
'That Cyrano may die--by accident!'
Let him stay in--be prudent!
LE BRET (raising his arms to heaven):
Prudent!
He!.
. .
He's coming here.
I'll warn him--but!.
. .
ROXANE (who has stayed on the steps, to a | Roxane; the Duke de Grammont, formerly Count de Guiche.
Then Le Bret and
Ragueneau.
THE DUKE:
And you stay here still--ever vainly fair,
Ever in weeds?
ROXANE:
Ever.
THE DUKE:
Still faithful?
ROXANE:
Still.
THE DUKE (after a pause):
Am I forgiven?
ROXANE:
Ay, since I am here.
(Another pause.)
THE DUKE:
His was a soul, you say?.
. .
ROXANE:
Ah!--when you knew him!
THE DUKE:
Ah, may be!. .
.I, perchance, too little knew him!
. . .And his last letter, ever next your heart?
ROXA ve the mark!)
--poor fellow--now
By turns he's singer.
. .
LE BRET:
Bathing-man.
. .
ROXANE:
Then actor.
. .
LE BRET:
Beadle.
. .
ROXANE:
Wig-maker.
. .
LE BRET:
Teacher of the lute.
. .
ROXANE:
What will he be to-day, by chance?
RAGUENEAU (entering hurriedly):
Ah!
Madame!
(He sees Le Bret):
Ah!
you here, Sir!
ROXANE (smiling):
Tell all your miseries
To him; I will return anon.
RAGUENEAU:
But, Madame.
. .
(Roxane goes out with the Duke.
Ragueneau goes toward Le Bret.) | ne get the better of him.
THE DUKE (shaking his head):
Time will show!
LE BRET:
Ah, but I fear for him--not man's attack,--
Solitude--hunger--cold December days,
That wolf-like steal into his chamber drear:--
Lo!
the assassins that I fear for him!
Each day he tightens by one hole his belt:
That poor nose--tinted like old ivory:
He has retained one shabby suit of serge.
THE DUKE:
Ay, there is one who has no prize of Fortune!--
Yet is not to be pitied!
LE BRET (with a bitter smile):
My Lord Marshal!.
. .
THE DUKE:
Pity him not!
He has lived out his vows,
Free in his thoughts, as in his actions free!
LE BRET (in the same tone):
My Lord!.
. .
THE DUKE (haughtily):
True!
I have all, and he has naught;.
. .
Yet I were proud to take his hand!
(Bowing to Roxane):
Adieu!
ROXANE:
I go with you.
(The Duke bows to Le Bret, and goes with Roxane toward the steps.)
THE DUKE (pausing, while she goes up):
Ay, true,--I envy him.
Look you, when life is brimful of success
|
1,254 | true | novelguide | all_chapterized_books/1254-chapters/48.txt | finished_summaries/novelguide/Cyrano de Bergerac/section_8_part_3.txt | Cyrano de Bergerac.act 5.scene 3 | act 5, scene 3 | null | {"name": "Act 5, scene 3", "url": "https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act5-scenes1-6", "summary": "Roxane leaves to talk to de Guiche. Ragueneau tells Le Bret that Cyrano has been seriously injured and is unconscious. As he walked under a window, a man dropped a log of wood on his head. Le Bret is sure that it is no accident. A doctor has said that if Cyrano gets up, he will die", "analysis": ""} | Le Bret, Ragueneau.
RAGUENEAU:
Since you are here, 'tis best she should not know!
I was going to your friend just now--was but
A few steps from the house, when I saw him
Go out. I hurried to him. Saw him turn
The corner. . .suddenly, from out a window
Where he was passing--was it chance?. . .may be!
A lackey let fall a large piece of wood.
LE BRET:
Cowards! O Cyrano!
RAGUENEAU:
I ran--I saw. . .
LE BRET:
'Tis hideous!
RAGUENEAU:
Saw our poet, Sir--our friend--
Struck to the ground--a large wound in his head!
LE BRET:
He's dead?
RAGUENEAU:
No--but--I bore him to his room. . .
Ah! his room! What a thing to see!--that garret!
LE BRET:
He suffers?
RAGUENEAU:
No, his consciousness has flown.
LE BRET:
Saw you a doctor?
RAGUENEAU:
One was kind--he came.
LE BRET:
My poor Cyrano!--We must not tell this
To Roxane suddenly.--What said this leech?--
RAGUENEAU:
Said,--what, I know not--fever, meningitis!--
Ah! could you see him--all his head bound up!--
But let us haste!--There's no one by his bed!--
And if he try to rise, Sir, he might die!
LE BRET (dragging him toward the right):
Come! Through the chapel! 'Tis the quickest way!
ROXANE (appearing on the steps, and seeing Le Bret go away by the colonnade
leading to the chapel door):
Monsieur le Bret!
(Le Bret and Ragueneau disappear without answering):
Le Bret goes--when I call!
'Tis some new trouble of good Ragueneau's.
(She descends the steps.)
| 265 | Act 5, scene 3 | https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act5-scenes1-6 | Roxane leaves to talk to de Guiche. Ragueneau tells Le Bret that Cyrano has been seriously injured and is unconscious. As he walked under a window, a man dropped a log of wood on his head. Le Bret is sure that it is no accident. A doctor has said that if Cyrano gets up, he will die | null | 57 | 1 | [
"Le Bret, Ragueneau.",
"RAGUENEAU:\n Since you are here, 'tis best she should not know!",
"I was going to your friend just now--was but\n A few steps from the house, when I saw him\n Go out.",
"I hurried to him.",
"Saw him turn\n The corner. . .suddenly, from out a window\n Where he was passing--was it chance?. .",
".may be!",
"A lackey let fall a large piece of wood.",
"LE BRET:\n Cowards!",
"O Cyrano!",
"RAGUENEAU:\n I ran--I saw.",
". .",
"LE BRET:\n 'Tis hideous!",
"RAGUENEAU:\n Saw our poet, Sir--our friend--\n Struck to the ground--a large wound in his head!",
"LE BRET:\n He's dead?",
"RAGUENEAU:\n No--but--I bore him to his room.",
". .\n Ah!",
"his room!",
"What a thing to see!--that garret!",
"LE BRET:\n He suffers?",
"RAGUENEAU:\n No, his consciousness has flown.",
"LE BRET:\n Saw you a doctor?",
"RAGUENEAU:\n One was kind--he came.",
"LE BRET:\n My poor Cyrano!--We must not tell this\n To Roxane suddenly.--What said this leech?--\n\nRAGUENEAU:\n Said,--what, I know not--fever, meningitis!--\n Ah!",
"could you see him--all his head bound up!--\n But let us haste!--There's no one by his bed!--\n And if he try to rise, Sir, he might die!",
"LE BRET (dragging him toward the right):\n Come!",
"Through the chapel!",
"'Tis the quickest way!",
"ROXANE (appearing on the steps, and seeing Le Bret go away by the colonnade\nleading to the chapel door):\n Monsieur le Bret!",
"(Le Bret and Ragueneau disappear without answering):\n Le Bret goes--when I call!",
"'Tis some new trouble of good Ragueneau's.",
"(She descends the steps.)"
] | [
"RAGUENEAU:\n Since you are here, 'tis best she should not know!",
".may be!",
"O Cyrano!",
"LE BRET:\n 'Tis hideous!",
"RAGUENEAU:\n No--but--I bore him to his room.",
"LE BRET:\n He suffers?",
"RAGUENEAU:\n No, his consciousness has flown.",
"RAGUENEAU:\n One was kind--he came.",
"'Tis some new trouble of good Ragueneau's.",
"(She descends the steps.)"
] | [
". .",
"'Tis the quickest way!",
"O Cyrano!",
"RAGUENEAU:\n No--but--I bore him to his room.",
"(Le Bret and Ragueneau disappear without answering):\n Le Bret goes--when I call!",
"Saw him turn\n The corner. . .suddenly, from out a window\n Where he was passing--was it chance?. .",
"'Tis some new trouble of good Ragueneau's.",
"A lackey let fall a large piece of wood.",
"Through the chapel!",
"What a thing to see!--that garret!"
] | [
". .",
"LE BRET:\n 'Tis hideous!",
"RAGUENEAU:\n Saw our poet, Sir--our friend--\n Struck to the ground--a large wound in his head!",
"LE BRET:\n He's dead?",
"RAGUENEAU:\n No--but--I bore him to his room.",
". .\n Ah!",
"his room!",
"What a thing to see!--that garret!",
"LE BRET:\n He suffers?",
"RAGUENEAU:\n No, his consciousness has flown.",
"LE BRET:\n Saw you a doctor?"
] | [
"Le Bret, Ragueneau.",
"RAGUENEAU:\n Since you are here, 'tis best she should not know!",
"I was going to your friend just now--was but\n A few steps from the house, when I saw him\n Go out.",
"I hurried to him.",
"Saw him turn\n The corner. . .suddenly, from out a window\n Where he was passing--was it chance?. .",
".may be!",
"A lackey let fall a large piece of wood.",
"LE BRET:\n Cowards!",
"O Cyrano!",
"RAGUENEAU:\n I ran--I saw.",
"RAGUENEAU:\n One was kind--he came.",
"LE BRET:\n My poor Cyrano!--We must not tell this\n To Roxane suddenly.--What said this leech?--\n\nRAGUENEAU:\n Said,--what, I know not--fever, meningitis!--\n Ah!",
"could you see him--all his head bound up!--\n But let us haste!--There's no one by his bed!--\n And if he try to rise, Sir, he might die!",
"LE BRET (dragging him toward the right):\n Come!",
"Through the chapel!",
"'Tis the quickest way!",
"ROXANE (appearing on the steps, and seeing Le Bret go away by the colonnade\nleading to the chapel door):\n Monsieur le Bret!",
"(Le Bret and Ragueneau disappear without answering):\n Le Bret goes--when I call!",
"'Tis some new trouble of good Ragueneau's.",
"(She descends the steps.)"
] | l a large piece of wood.
LE BRET:
Cowards!
O Cyrano!
RAGUENEAU:
I ran--I saw.
. .
LE BRET:
'Tis hideous!
RAGUENEAU:
Saw our poet, Sir--our friend--
Struck to the ground--a large wound in his head!
LE BRET:
He's dead?
RAGUENEAU:
No--but--I bore him to his room.
. .
Ah!
his room!
What a thing to see!--that garret!
LE BRET:
He suffers?
RAGUENEAU:
No, his consciousness has flown.
LE BRET:
Saw you a doctor?
RAGUENEAU:
One was kind--he came.
LE BRET:
My poor Cyrano!--We must not tell this
To Roxane suddenly.--What said this leech?--
RAGUENEAU:
Said,--what, I know not--fever, meningitis!--
Ah!
could you see him--all his head bound up!--
But let us haste!--There's no one by his bed!--
And if he try to rise, Sir, he might die!
LE BRET (dragging him toward the right):
Come!
Through the chapel!
'Tis the quickest way!
ROXANE (appearing on the steps, and seeing Le Bret go away by the colonnade
leading to the chapel door):
Monsieur le Bret!
(Le Bret and Rague | Le Bret, Ragueneau.
RAGUENEAU:
Since you are here, 'tis best she should not know!
I was going to your friend just now--was but
A few steps from the house, when I saw him
Go out.
I hurried to him.
Saw him turn
The corner. . .suddenly, from out a window
Where he was passing--was it chance?. .
.may be!
A lackey let fall a large piece of wood.
LE BRET:
Cowards!
O Cyrano!
RAGUENEAU:
I ran--I saw.
. .
LE BRET:
'Tis hideous!
RAGUENEAU:
Saw our poet, Sir--our friend--
Struck to the g you see him--all his head bound up!--
But let us haste!--There's no one by his bed!--
And if he try to rise, Sir, he might die!
LE BRET (dragging him toward the right):
Come!
Through the chapel!
'Tis the quickest way!
ROXANE (appearing on the steps, and seeing Le Bret go away by the colonnade
leading to the chapel door):
Monsieur le Bret!
(Le Bret and Ragueneau disappear without answering):
Le Bret goes--when I call!
'Tis some new trouble of good Ragueneau's.
(She descends the steps.) | . .suddenly, from out a window
Where he was passing--was it chance?. .
.may be!
A lackey let fall a large piece of wood.
LE BRET:
Cowards!
O Cyrano!
RAGUENEAU:
I ran--I saw.
. .
LE BRET:
'Tis hideous!
RAGUENEAU:
Saw our poet, Sir--our friend--
Struck to the ground--a large wound in his head!
LE BRET:
He's dead?
RAGUENEAU:
No--but--I bore him to his room.
. .
Ah!
his room!
What a thing to see!--that garret!
LE BRET:
He suffers?
RAGUENEAU:
No, his consciousness has flown.
LE BRET:
Saw you a doctor?
RAGUENEAU:
One was kind--he came.
LE BRET:
My poor Cyrano!--We must not tell this
To Roxane suddenly.--What said this leech?--
RAGUENEAU:
Said,--what, I know not--fever, meningitis!--
Ah!
could you see him--all his head bound up!--
But let us haste!--There's no one by his bed!--
And if he try to rise, Sir, he might die!
LE BRET (dragging him toward the right):
Come!
Through the chapel!
'Tis the quickest way!
ROXANE (appearing on the steps, and seeing Le |
1,254 | true | novelguide | all_chapterized_books/1254-chapters/49.txt | finished_summaries/novelguide/Cyrano de Bergerac/section_8_part_4.txt | Cyrano de Bergerac.act 5.scene 4 | act 5, scene 4 | null | {"name": "Act 5, scene 4", "url": "https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act5-scenes1-6", "summary": "Roxane sits doing her needlework and wonders why Cyrano is late for his usual visit", "analysis": ""} | Roxane alone. Two sisters, for a moment.
ROXANE:
Ah! what a beauty in September's close!
My sorrow's eased. April's joy dazzled it,
But autumn wins it with her dying calm.
(She seats herself at the embroidery frame. Two sisters come out of the
house, and bring a large armchair under the tree):
There comes the famous armchair where he sits,
Dear faithful friend!
SISTER MARTHA:
It is the parlor's best!
ROXANE:
Thanks, sister.
(The sisters go):
He'll be here now.
(She seats herself. A clock strikes):
The hour strikes.
--My silks?--Why, now, the hour's struck!
How strange
To be behind his time, at last, to-day!
Perhaps the portress--where's my thimble?. . .
Here!--Is preaching to him.
(A pause):
Yes, she must be preaching!
Surely he must come soon!--Ah, a dead leaf!--
(She brushes off the leaf from her work):
Nothing, besides, could--scissors?--In my bag!
--Could hinder him. . .
A SISTER (coming to the steps):
Monsieur de Bergerac.
| 171 | Act 5, scene 4 | https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act5-scenes1-6 | Roxane sits doing her needlework and wonders why Cyrano is late for his usual visit | null | 15 | 1 | [
"Roxane alone.",
"Two sisters, for a moment.",
"ROXANE:\n Ah!",
"what a beauty in September's close!",
"My sorrow's eased.",
"April's joy dazzled it,\n But autumn wins it with her dying calm.",
"(She seats herself at the embroidery frame.",
"Two sisters come out of the\nhouse, and bring a large armchair under the tree):\n There comes the famous armchair where he sits,\n Dear faithful friend!",
"SISTER MARTHA:\n It is the parlor's best!",
"ROXANE:\n Thanks, sister.",
"(The sisters go):\n He'll be here now.",
"(She seats herself.",
"A clock strikes):\n The hour strikes.",
"--My silks?--Why, now, the hour's struck!",
"How strange\n To be behind his time, at last, to-day!",
"Perhaps the portress--where's my thimble?.",
". .",
"Here!--Is preaching to him.",
"(A pause):\n Yes, she must be preaching!",
"Surely he must come soon!--Ah, a dead leaf!--\n(She brushes off the leaf from her work):\n Nothing, besides, could--scissors?--In my bag!",
"--Could hinder him.",
". .\n\nA SISTER (coming to the steps):\n Monsieur de Bergerac."
] | [
"Roxane alone.",
"what a beauty in September's close!",
"(She seats herself at the embroidery frame.",
"Two sisters come out of the\nhouse, and bring a large armchair under the tree):\n There comes the famous armchair where he sits,\n Dear faithful friend!",
"SISTER MARTHA:\n It is the parlor's best!",
"(The sisters go):\n He'll be here now.",
"A clock strikes):\n The hour strikes.",
"How strange\n To be behind his time, at last, to-day!",
"Here!--Is preaching to him.",
"(A pause):\n Yes, she must be preaching!"
] | [
"--My silks?--Why, now, the hour's struck!",
"ROXANE:\n Thanks, sister.",
"(She seats herself.",
"My sorrow's eased.",
"Two sisters, for a moment.",
". .",
"April's joy dazzled it,\n But autumn wins it with her dying calm.",
"Here!--Is preaching to him.",
"--Could hinder him.",
"ROXANE:\n Ah!"
] | [
"(She seats herself at the embroidery frame.",
"Two sisters come out of the\nhouse, and bring a large armchair under the tree):\n There comes the famous armchair where he sits,\n Dear faithful friend!",
"SISTER MARTHA:\n It is the parlor's best!",
"ROXANE:\n Thanks, sister.",
"(The sisters go):\n He'll be here now.",
"(She seats herself.",
"A clock strikes):\n The hour strikes.",
"--My silks?--Why, now, the hour's struck!",
"How strange\n To be behind his time, at last, to-day!",
"Perhaps the portress--where's my thimble?.",
". ."
] | [
"Roxane alone.",
"Two sisters, for a moment.",
"ROXANE:\n Ah!",
"what a beauty in September's close!",
"My sorrow's eased.",
"April's joy dazzled it,\n But autumn wins it with her dying calm.",
"(She seats herself at the embroidery frame.",
"Two sisters come out of the\nhouse, and bring a large armchair under the tree):\n There comes the famous armchair where he sits,\n Dear faithful friend!",
"SISTER MARTHA:\n It is the parlor's best!",
"ROXANE:\n Thanks, sister.",
"A clock strikes):\n The hour strikes.",
"--My silks?--Why, now, the hour's struck!",
"How strange\n To be behind his time, at last, to-day!",
"Perhaps the portress--where's my thimble?.",
". .",
"Here!--Is preaching to him.",
"(A pause):\n Yes, she must be preaching!",
"Surely he must come soon!--Ah, a dead leaf!--\n(She brushes off the leaf from her work):\n Nothing, besides, could--scissors?--In my bag!",
"--Could hinder him.",
". .\n\nA SISTER (coming to the steps):\n Monsieur de Bergerac."
] | Roxane alone.
Two sisters, for a moment.
ROXANE:
Ah!
what a beauty in September's close!
My sorrow's eased.
April's joy dazzled it,
But autumn wins it with her dying calm.
(She seats herself at the embroidery frame.
Two sisters come out of the
house, and bring a large armchair under the tree):
There comes the famous armchair where he sits,
Dear faithful friend!
SISTER MARTHA:
It is the parlor's best!
ROXANE:
Thanks, sister.
(The sisters go):
He'll be here now.
(She seats herself.
A clock strikes):
The hour strikes.
--My silks?--Why, now, the hour's struck!
How strange
To be behind his time, at last, to-day!
Perhaps the portress--where's my thimble?.
. .
Here!--Is preaching to him.
(A pause):
Yes, she must be preaching!
Surely he must come soon!--Ah, a dead leaf!--
(She brushes off the leaf from her work):
Nothing, besides, could--scissors?--In my bag!
--Could hinder him.
. .
A SISTER (coming to the steps):
Monsieur de Bergerac. | Roxane alone.
Two sisters, for a moment.
ROXANE:
Ah!
what a beauty in September's close!
My sorrow's eased.
April's joy dazzled it,
But autumn wins it with her dying calm.
(She seats herself at the embroidery frame.
Two sisters come out , she must be preaching!
Surely he must come soon!--Ah, a dead leaf!--
(She brushes off the leaf from her work):
Nothing, besides, could--scissors?--In my bag!
--Could hinder him.
. .
A SISTER (coming to the steps):
Monsieur de Bergerac. | f the
house, and bring a large armchair under the tree):
There comes the famous armchair where he sits,
Dear faithful friend!
SISTER MARTHA:
It is the parlor's best!
ROXANE:
Thanks, sister.
(The sisters go):
He'll be here now.
(She seats herself.
A clock strikes):
The hour strikes.
--My silks?--Why, now, the hour's struck!
How strange
To be behind his time, at last, to-day!
Perhaps the portress--where's my thimble?.
. .
Here!--Is preaching to him.
(A pause):
Yes, |
1,254 | true | novelguide | all_chapterized_books/1254-chapters/50.txt | finished_summaries/novelguide/Cyrano de Bergerac/section_8_part_5.txt | Cyrano de Bergerac.act 5.scene 5 | act 5, scene 5 | null | {"name": "Act 5, scene 5", "url": "https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act5-scenes1-6", "summary": "Cyrano enters, looking pale and walking with difficulty. He warns her that he may have to leave before evening. He teases Sister Martha and surprises her by saying that she can pray for him this evening. As he begins to tell Roxane the latest gossip, he is obviously struggling to continue. He almost faints, but tells Roxane it is an old war wound. Roxane tells him that her wound is in her heart, under Christian's letter. She says that the letter is stained with blood and tears. Cyrano asks to read it. Cyrano begins to read the letter aloud. The letter says that the writer will die today, and says goodbye to \"My dearest love\" Roxane. Roxane suddenly realizes that she has heard that voice before, beneath her balcony. She notices that it has grown so dark by now that Cyrano cannot possibly see to read, but still he is speaking the words in the letter. She realizes that it is he who has loved her all these years, he who spoke to her from beneath the balcony and who wrote the letters. Cyrano denies that he loved her, saying that Christian did. She does not believe him. She asks why he kept silent for fourteen years about a letter that Christian did not write. Cyrano replies, \"The tears were mine, but Christian shed the blood. Roxane asks why he has broken his silence today", "analysis": ""} | Roxane, Cyrano and, for a moment, Sister Martha.
ROXANE (without turning round):
What was I saying?. . .
(She embroiders. Cyrano, very pale, his hat pulled down over his eyes,
appears. The sister who had announced him retires. He descends the steps
slowly, with a visible difficulty in holding himself upright, bearing heavily
on his cane. Roxane still works at her tapestry):
Time has dimmed the tints. . .
How harmonize them now?
(To Cyrano, with playful reproach):
For the first time
Late!--For the first time, all these fourteen years!
CYRANO (who has succeeded in reaching the chair, and has seated himself--in a
lively voice, which is in great contrast with his pale face):
Ay! It is villainous! I raged--was stayed. . .
ROXANE:
By?. . .
CYRANO:
By a bold, unwelcome visitor.
ROXANE (absently, working):
Some creditor?
CYRANO:
Ay, cousin,--the last creditor
Who has a debt to claim from me.
ROXANE:
And you
Have paid it?
CYRANO:
No, not yet! I put it off;
--Said, 'Cry you mercy; this is Saturday,
When I have get a standing rendezvous
That naught defers. Call in an hour's time!'
ROXANE (carelessly):
Oh, well, a creditor can always wait!
I shall not let you go ere twilight falls.
CYRANO:
Haply, perforce, I quit you ere it falls!
(He shuts his eyes, and is silent for a moment. Sister Martha crosses the
park from the chapel to the flight of steps. Roxane, seeing her, signs to her
to approach.)
ROXANE (to Cyrano):
How now? You have not teased the Sister?
CYRANO (hastily opening his eyes):
True!
(In a comically loud voice):
Sister! come here!
(The sister glides up to him):
Ha! ha! What? Those bright eyes
Bent ever on the ground?
SISTER MARTHA (who makes a movement of astonishment on seeing his face):
Oh!
CYRANO (in a whisper, pointing to Roxane):
Hush! 'tis naught!--
(Loudly, in a blustering voice):
I broke fast yesterday!
SISTER MARTHA (aside):
I know, I know!
That's how he is so pale! Come presently
To the refectory, I'll make you drink
A famous bowl of soup. . .You'll come?
CYRANO:
Ay, ay!
SISTER MARTHA:
There, see! You are more reasonable to-day!
ROXANE (who hears them whispering):
The Sister would convert you?
SISTER MARTHA:
Nay, not I!
CYRANO:
Hold! but it's true! You preach to me no more,
You, once so glib with holy words! I am
Astonished!. . .
(With burlesque fury):
Stay, I will surprise you too!
Hark! I permit you. . .
(He pretends to be seeking for something to tease her with, and to have found
it):
. . .It is something new!--
To--pray for me, to-night, at chapel-time!
ROXANE:
Oh! oh!
CYRANO (laughing):
Good Sister Martha is struck dumb!
SISTER MARTHA (gently):
I did not wait your leave to pray for you.
(She goes out.)
CYRANO (turning to Roxane, who is still bending over her work):
That tapestry! Beshrew me if my eyes
Will ever see it finished!
ROXANE:
I was sure
To hear that well-known jest!
(A light breeze causes the leaves to fall.)
CYRANO:
The autumn leaves!
ROXANE (lifting her head, and looking down the distant alley):
Soft golden brown, like a Venetian's hair.
--See how they fall!
CYRANO:
Ay, see how brave they fall,
In their last journey downward from the bough,
To rot within the clay; yet, lovely still,
Hiding the horror of the last decay,
With all the wayward grace of careless flight!
ROXANE:
What, melancholy--you?
CYRANO (collecting himself):
Nay, nay, Roxane!
ROXANE:
Then let the dead leaves fall the way they will. . .
And chat. What, have you nothing new to tell,
My Court Gazette?
CYRANO:
Listen.
ROXANE:
Ah!
CYRANO (growing whiter and whiter):
Saturday
The nineteenth: having eaten to excess
Of pear-conserve, the King felt feverish;
The lancet quelled this treasonable revolt,
And the august pulse beats at normal pace.
At the Queen's ball on Sunday thirty score
Of best white waxen tapers were consumed.
Our troops, they say, have chased the Austrians.
Four sorcerers were hanged. The little dog
Of Madame d'Athis took a dose. . .
ROXANE:
I bid
You hold your tongue, Monsieur de Bergerac!
CYRANO:
Monday--not much--Claire changed protector.
ROXANE:
Oh!
CYRANO (whose face changes more and more):
Tuesday, the Court repaired to Fontainebleau.
Wednesday, the Montglat said to Comte de Fiesque. . .
No! Thursday--Mancini, Queen of France! (almost!)
Friday, the Monglat to Count Fiesque said--'Yes!'
And Saturday the twenty-sixth. . .
(He closes his eyes. His head falls forward. Silence.)
ROXANE (surprised at his voice ceasing, turns round, looks at him, and rising,
terrified):
He swoons!
(She runs toward him crying):
Cyrano!
CYRANO (opening his eyes, in an unconcerned voice):
What is this?
(He sees Roxane bending over him, and, hastily pressing his hat on his head,
and shrinking back in his chair):
Nay, on my word
'Tis nothing! Let me be!
ROXANE:
But. . .
CYRANO:
That old wound
Of Arras, sometimes,--as you know. . .
ROXANE:
Dear friend!
CYRANO:
'Tis nothing, 'twill pass soon;
(He smiles with an effort):
See!--it has passed!
ROXANE:
Each of us has his wound; ay, I have mine,--
Never healed up--not healed yet, my old wound!
(She puts her hand on her breast):
'Tis here, beneath this letter brown with age,
All stained with tear-drops, and still stained with blood.
(Twilight begins to fall.)
CYRANO:
His letter! Ah! you promised me one day
That I should read it.
ROXANE:
What would you?--His letter?
CYRANO:
Yes, I would fain,--to-day. . .
ROXANE (giving the bag hung at her neck):
See! here it is!
CYRANO (taking it):
Have I your leave to open?
ROXANE:
Open--read!
(She comes back to her tapestry frame, folds it up, sorts her wools.)
CYRANO (reading):
'Roxane, adieu! I soon must die!
This very night, beloved; and I
Feel my soul heavy with love untold.
I die! No more, as in days of old,
My loving, longing eyes will feast
On your least gesture--ay, the least!
I mind me the way you touch your cheek
With your finger, softly, as you speak!
Ah me! I know that gesture well!
My heart cries out!--I cry "Farewell"!'
ROXANE:
But how you read that letter! One would think. . .
CYRANO (continuing to read):
'My life, my love, my jewel, my sweet,
My heart has been yours in every beat!'
(The shades of evening fall imperceptibly.)
ROXANE:
You read in such a voice--so strange--and yet--
It is not the first time I hear that voice!
(She comes nearer very softly, without his perceiving it, passes behind his
chair, and, noiselessly leaning over him, looks at the letter. The darkness
deepens.)
CYRANO:
'Here, dying, and there, in the land on high,
I am he who loved, who loves you,--I. . .'
ROXANE (putting her hand on his shoulder):
How can you read? It is too dark to see!
(He starts, turns, sees her close to him. Suddenly alarmed, he holds his head
down. Then in the dusk, which has now completely enfolded them, she says,
very slowly, with clasped hands):
And, fourteen years long, he has played this part
Of the kind old friend who comes to laugh and chat.
CYRANO:
Roxane!
ROXANE:
'Twas you!
CYRANO:
No, never; Roxane, no!
ROXANE:
I should have guessed, each time he said my name!
CYRANO:
No, it was not I!
ROXANE:
It was you!
CYRANO:
I swear!
ROXANE:
I see through all the generous counterfeit--
The letters--you!
CYRANO:
No.
ROXANE:
The sweet, mad love-words!
You!
CYRANO:
No!
ROXANE:
The voice that thrilled the night--you, you!
CYRANO:
I swear you err.
ROXANE:
The soul--it was your soul!
CYRANO:
I loved you not.
ROXANE:
You loved me not?
CYRANO:
'Twas he!
ROXANE:
You loved me!
CYRANO:
No!
ROXANE:
See! how you falter now!
CYRANO:
No, my sweet love, I never loved you!
ROXANE:
Ah!
Things dead, long dead, see! how they rise again!
--Why, why keep silence all these fourteen years,
When, on this letter, which he never wrote,
The tears were your tears?
CYRANO (holding out the letter to her):
The bloodstains were his.
ROXANE:
Why, then, that noble silence,--kept so long--
Broken to-day for the first time--why?
CYRANO:
Why?. . .
(Le Bret and Ragueneau enter running.)
| 1,444 | Act 5, scene 5 | https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act5-scenes1-6 | Cyrano enters, looking pale and walking with difficulty. He warns her that he may have to leave before evening. He teases Sister Martha and surprises her by saying that she can pray for him this evening. As he begins to tell Roxane the latest gossip, he is obviously struggling to continue. He almost faints, but tells Roxane it is an old war wound. Roxane tells him that her wound is in her heart, under Christian's letter. She says that the letter is stained with blood and tears. Cyrano asks to read it. Cyrano begins to read the letter aloud. The letter says that the writer will die today, and says goodbye to "My dearest love" Roxane. Roxane suddenly realizes that she has heard that voice before, beneath her balcony. She notices that it has grown so dark by now that Cyrano cannot possibly see to read, but still he is speaking the words in the letter. She realizes that it is he who has loved her all these years, he who spoke to her from beneath the balcony and who wrote the letters. Cyrano denies that he loved her, saying that Christian did. She does not believe him. She asks why he kept silent for fourteen years about a letter that Christian did not write. Cyrano replies, "The tears were mine, but Christian shed the blood. Roxane asks why he has broken his silence today | null | 235 | 1 | [
"Roxane, Cyrano and, for a moment, Sister Martha.",
"ROXANE (without turning round):\n What was I saying?.",
". .\n(She embroiders.",
"Cyrano, very pale, his hat pulled down over his eyes,\nappears.",
"The sister who had announced him retires.",
"He descends the steps\nslowly, with a visible difficulty in holding himself upright, bearing heavily\non his cane.",
"Roxane still works at her tapestry):\n Time has dimmed the tints.",
". .\n How harmonize them now?",
"(To Cyrano, with playful reproach):\n For the first time\n Late!--For the first time, all these fourteen years!",
"CYRANO (who has succeeded in reaching the chair, and has seated himself--in a\nlively voice, which is in great contrast with his pale face):\n Ay!",
"It is villainous!",
"I raged--was stayed.",
". .\n\nROXANE:\n By?.",
". .\n\nCYRANO:\n By a bold, unwelcome visitor.",
"ROXANE (absently, working):\n Some creditor?",
"CYRANO:\n Ay, cousin,--the last creditor\n Who has a debt to claim from me.",
"ROXANE:\n And you\n Have paid it?",
"CYRANO:\n No, not yet!",
"I put it off;\n --Said, 'Cry you mercy; this is Saturday,\n When I have get a standing rendezvous\n That naught defers.",
"Call in an hour's time!'",
"ROXANE (carelessly):\n Oh, well, a creditor can always wait!",
"I shall not let you go ere twilight falls.",
"CYRANO:\n Haply, perforce, I quit you ere it falls!",
"(He shuts his eyes, and is silent for a moment.",
"Sister Martha crosses the\npark from the chapel to the flight of steps.",
"Roxane, seeing her, signs to her\nto approach.)",
"ROXANE (to Cyrano):\n How now?",
"You have not teased the Sister?",
"CYRANO (hastily opening his eyes):\n True!",
"(In a comically loud voice):\n Sister!",
"come here!",
"(The sister glides up to him):\n Ha!",
"ha!",
"What?",
"Those bright eyes\n Bent ever on the ground?",
"SISTER MARTHA (who makes a movement of astonishment on seeing his face):\n Oh!",
"CYRANO (in a whisper, pointing to Roxane):\n Hush!",
"'tis naught!--\n(Loudly, in a blustering voice):\n I broke fast yesterday!",
"SISTER MARTHA (aside):\n I know, I know!",
"That's how he is so pale!",
"Come presently\n To the refectory, I'll make you drink\n A famous bowl of soup. . .You'll come?",
"CYRANO:\n Ay, ay!",
"SISTER MARTHA:\n There, see!",
"You are more reasonable to-day!",
"ROXANE (who hears them whispering):\n The Sister would convert you?",
"SISTER MARTHA:\n Nay, not I!",
"CYRANO:\n Hold!",
"but it's true!",
"You preach to me no more,\n You, once so glib with holy words!",
"I am\n Astonished!.",
". .\n(With burlesque fury):\n Stay, I will surprise you too!",
"Hark!",
"I permit you.",
". .\n(He pretends to be seeking for something to tease her with, and to have found\nit):\n . . .It is something new!--\n To--pray for me, to-night, at chapel-time!",
"ROXANE:\n Oh!",
"oh!",
"CYRANO (laughing):\n Good Sister Martha is struck dumb!",
"SISTER MARTHA (gently):\n I did not wait your leave to pray for you.",
"(She goes out.)",
"CYRANO (turning to Roxane, who is still bending over her work):\n That tapestry!",
"Beshrew me if my eyes\n Will ever see it finished!",
"ROXANE:\n I was sure\n To hear that well-known jest!",
"(A light breeze causes the leaves to fall.)",
"CYRANO:\n The autumn leaves!",
"ROXANE (lifting her head, and looking down the distant alley):\n Soft golden brown, like a Venetian's hair.",
"--See how they fall!",
"CYRANO:\n Ay, see how brave they fall,\n In their last journey downward from the bough,\n To rot within the clay; yet, lovely still,\n Hiding the horror of the last decay,\n With all the wayward grace of careless flight!",
"ROXANE:\n What, melancholy--you?",
"CYRANO (collecting himself):\n Nay, nay, Roxane!",
"ROXANE:\n Then let the dead leaves fall the way they will.",
". .\n And chat.",
"What, have you nothing new to tell,\n My Court Gazette?",
"CYRANO:\n Listen.",
"ROXANE:\n Ah!",
"CYRANO (growing whiter and whiter):\n Saturday\n The nineteenth: having eaten to excess\n Of pear-conserve, the King felt feverish;\n The lancet quelled this treasonable revolt,\n And the august pulse beats at normal pace.",
"At the Queen's ball on Sunday thirty score\n Of best white waxen tapers were consumed.",
"Our troops, they say, have chased the Austrians.",
"Four sorcerers were hanged.",
"The little dog\n Of Madame d'Athis took a dose.",
". .\n\nROXANE:\n I bid\n You hold your tongue, Monsieur de Bergerac!",
"CYRANO:\n Monday--not much--Claire changed protector.",
"ROXANE:\n Oh!",
"CYRANO (whose face changes more and more):\n Tuesday, the Court repaired to Fontainebleau.",
"Wednesday, the Montglat said to Comte de Fiesque.",
". .\n No!",
"Thursday--Mancini, Queen of France!",
"(almost!)",
"Friday, the Monglat to Count Fiesque said--'Yes!'",
"And Saturday the twenty-sixth.",
". .\n\n(He closes his eyes.",
"His head falls forward.",
"Silence.)",
"ROXANE (surprised at his voice ceasing, turns round, looks at him, and rising,\nterrified):\n He swoons!",
"(She runs toward him crying):\n Cyrano!",
"CYRANO (opening his eyes, in an unconcerned voice):\n What is this?",
"(He sees Roxane bending over him, and, hastily pressing his hat on his head,\nand shrinking back in his chair):\n Nay, on my word\n 'Tis nothing!",
"Let me be!",
"ROXANE:\n But.",
". .\n\nCYRANO:\n That old wound\n Of Arras, sometimes,--as you know.",
". .\n\nROXANE:\n Dear friend!",
"CYRANO:\n 'Tis nothing, 'twill pass soon;\n(He smiles with an effort):\n See!--it has passed!",
"ROXANE:\n Each of us has his wound; ay, I have mine,--\n Never healed up--not healed yet, my old wound!",
"(She puts her hand on her breast):\n 'Tis here, beneath this letter brown with age,\n All stained with tear-drops, and still stained with blood.",
"(Twilight begins to fall.)",
"CYRANO:\n His letter!",
"Ah!",
"you promised me one day\n That I should read it.",
"ROXANE:\n What would you?--His letter?",
"CYRANO:\n Yes, I would fain,--to-day.",
". .\n\nROXANE (giving the bag hung at her neck):\n See!",
"here it is!",
"CYRANO (taking it):\n Have I your leave to open?",
"ROXANE:\n Open--read!",
"(She comes back to her tapestry frame, folds it up, sorts her wools.)",
"CYRANO (reading):\n 'Roxane, adieu!",
"I soon must die!",
"This very night, beloved; and I\n Feel my soul heavy with love untold.",
"I die!",
"No more, as in days of old,\n My loving, longing eyes will feast\n On your least gesture--ay, the least!",
"I mind me the way you touch your cheek\n With your finger, softly, as you speak!",
"Ah me!",
"I know that gesture well!",
"My heart cries out!--I cry \"Farewell\"!'",
"ROXANE:\n But how you read that letter!",
"One would think.",
". .\n\nCYRANO (continuing to read):\n 'My life, my love, my jewel, my sweet,\n My heart has been yours in every beat!'",
"(The shades of evening fall imperceptibly.)",
"ROXANE:\n You read in such a voice--so strange--and yet--\n It is not the first time I hear that voice!",
"(She comes nearer very softly, without his perceiving it, passes behind his\nchair, and, noiselessly leaning over him, looks at the letter.",
"The darkness\ndeepens.)",
"CYRANO:\n 'Here, dying, and there, in the land on high,\n I am he who loved, who loves you,--I. . .'\n\nROXANE (putting her hand on his shoulder):\n How can you read?",
"It is too dark to see!",
"(He starts, turns, sees her close to him.",
"Suddenly alarmed, he holds his head\ndown.",
"Then in the dusk, which has now completely enfolded them, she says,\nvery slowly, with clasped hands):\n And, fourteen years long, he has played this part\n Of the kind old friend who comes to laugh and chat.",
"CYRANO:\n Roxane!",
"ROXANE:\n 'Twas you!",
"CYRANO:\n No, never; Roxane, no!",
"ROXANE:\n I should have guessed, each time he said my name!",
"CYRANO:\n No, it was not I!",
"ROXANE:\n It was you!",
"CYRANO:\n I swear!",
"ROXANE:\n I see through all the generous counterfeit--\n The letters--you!",
"CYRANO:\n No.",
"ROXANE:\n The sweet, mad love-words!",
"You!",
"CYRANO:\n No!",
"ROXANE:\n The voice that thrilled the night--you, you!",
"CYRANO:\n I swear you err.",
"ROXANE:\n The soul--it was your soul!",
"CYRANO:\n I loved you not.",
"ROXANE:\n You loved me not?",
"CYRANO:\n 'Twas he!",
"ROXANE:\n You loved me!",
"CYRANO:\n No!",
"ROXANE:\n See!",
"how you falter now!",
"CYRANO:\n No, my sweet love, I never loved you!",
"ROXANE:\n Ah!",
"Things dead, long dead, see!",
"how they rise again!",
"--Why, why keep silence all these fourteen years,\n When, on this letter, which he never wrote,\n The tears were your tears?",
"CYRANO (holding out the letter to her):\n The bloodstains were his.",
"ROXANE:\n Why, then, that noble silence,--kept so long--\n Broken to-day for the first time--why?",
"CYRANO:\n Why?.",
". .\n\n(Le Bret and Ragueneau enter running.)"
] | [
"Roxane, Cyrano and, for a moment, Sister Martha.",
"ROXANE (without turning round):\n What was I saying?.",
"ROXANE:\n Ah!",
"CYRANO (growing whiter and whiter):\n Saturday\n The nineteenth: having eaten to excess\n Of pear-conserve, the King felt feverish;\n The lancet quelled this treasonable revolt,\n And the august pulse beats at normal pace.",
"The little dog\n Of Madame d'Athis took a dose.",
"CYRANO:\n Yes, I would fain,--to-day.",
". .\n\nCYRANO (continuing to read):\n 'My life, my love, my jewel, my sweet,\n My heart has been yours in every beat!'",
"ROXANE:\n You read in such a voice--so strange--and yet--\n It is not the first time I hear that voice!",
"(She comes nearer very softly, without his perceiving it, passes behind his\nchair, and, noiselessly leaning over him, looks at the letter.",
"ROXANE:\n See!"
] | [
"ROXANE:\n I was sure\n To hear that well-known jest!",
"'tis naught!--\n(Loudly, in a blustering voice):\n I broke fast yesterday!",
". .\n(He pretends to be seeking for something to tease her with, and to have found\nit):\n . . .It is something new!--\n To--pray for me, to-night, at chapel-time!",
"SISTER MARTHA:\n Nay, not I!",
". .\n\nCYRANO:\n That old wound\n Of Arras, sometimes,--as you know.",
"CYRANO:\n No!",
". .\n\nROXANE:\n I bid\n You hold your tongue, Monsieur de Bergerac!",
"ha!",
"My heart cries out!--I cry \"Farewell\"!'",
". .\n(With burlesque fury):\n Stay, I will surprise you too!"
] | [
"The little dog\n Of Madame d'Athis took a dose.",
". .\n\nROXANE:\n I bid\n You hold your tongue, Monsieur de Bergerac!",
"CYRANO:\n Monday--not much--Claire changed protector.",
"ROXANE:\n Oh!",
"CYRANO (whose face changes more and more):\n Tuesday, the Court repaired to Fontainebleau.",
"Wednesday, the Montglat said to Comte de Fiesque.",
". .\n No!",
"Thursday--Mancini, Queen of France!",
"(almost!)",
"Friday, the Monglat to Count Fiesque said--'Yes!'",
"And Saturday the twenty-sixth."
] | [
"Roxane, Cyrano and, for a moment, Sister Martha.",
"ROXANE (without turning round):\n What was I saying?.",
". .\n(She embroiders.",
"Cyrano, very pale, his hat pulled down over his eyes,\nappears.",
"The sister who had announced him retires.",
"He descends the steps\nslowly, with a visible difficulty in holding himself upright, bearing heavily\non his cane.",
"Roxane still works at her tapestry):\n Time has dimmed the tints.",
". .\n How harmonize them now?",
"(To Cyrano, with playful reproach):\n For the first time\n Late!--For the first time, all these fourteen years!",
"CYRANO (who has succeeded in reaching the chair, and has seated himself--in a\nlively voice, which is in great contrast with his pale face):\n Ay!",
"how you falter now!",
"CYRANO:\n No, my sweet love, I never loved you!",
"ROXANE:\n Ah!",
"Things dead, long dead, see!",
"how they rise again!",
"--Why, why keep silence all these fourteen years,\n When, on this letter, which he never wrote,\n The tears were your tears?",
"CYRANO (holding out the letter to her):\n The bloodstains were his.",
"ROXANE:\n Why, then, that noble silence,--kept so long--\n Broken to-day for the first time--why?",
"CYRANO:\n Why?.",
". .\n\n(Le Bret and Ragueneau enter running.)"
] | neath this letter brown with age,
All stained with tear-drops, and still stained with blood.
(Twilight begins to fall.)
CYRANO:
His letter!
Ah!
you promised me one day
That I should read it.
ROXANE:
What would you?--His letter?
CYRANO:
Yes, I would fain,--to-day.
. .
ROXANE (giving the bag hung at her neck):
See!
here it is!
CYRANO (taking it):
Have I your leave to open?
ROXANE:
Open--read!
(She comes back to her tapestry frame, folds it up, sorts her wools.)
CYRANO (reading):
'Roxane, adieu!
I soon must die!
This very night, beloved; and I
Feel my soul heavy with love untold.
I die!
No more, as in days of old,
My loving, longing eyes will feast
On your least gesture--ay, the least!
I mind me the way you touch your cheek
With your finger, softly, as you speak!
Ah me!
I know that gesture well!
My heart cries out!--I cry "Farewell"!'
ROXANE:
But how you read that letter!
One would think.
. .
CYRANO (continuing to read):
'My life, my love, my jewel, my swee | Roxane, Cyrano and, for a moment, Sister Martha.
ROXANE (without turning round):
What was I saying?.
. .
(She embroiders.
Cyrano, very pale, his hat pulled down over his eyes,
appears.
The sister who had announced him retires.
He descends the steps
slowly, with a visible difficulty in holding himself upright, bearing heavily
on his cane.
Roxane still works at her tapestry):
Time has dimmed the tints.
. .
How harmonize them now?
(To Cyrano, with playful reproach):
For the first time
Lat o!
ROXANE:
See!
how you falter now!
CYRANO:
No, my sweet love, I never loved you!
ROXANE:
Ah!
Things dead, long dead, see!
how they rise again!
--Why, why keep silence all these fourteen years,
When, on this letter, which he never wrote,
The tears were your tears?
CYRANO (holding out the letter to her):
The bloodstains were his.
ROXANE:
Why, then, that noble silence,--kept so long--
Broken to-day for the first time--why?
CYRANO:
Why?.
. .
(Le Bret and Ragueneau enter running.) | RANO:
Listen.
ROXANE:
Ah!
CYRANO (growing whiter and whiter):
Saturday
The nineteenth: having eaten to excess
Of pear-conserve, the King felt feverish;
The lancet quelled this treasonable revolt,
And the august pulse beats at normal pace.
At the Queen's ball on Sunday thirty score
Of best white waxen tapers were consumed.
Our troops, they say, have chased the Austrians.
Four sorcerers were hanged.
The little dog
Of Madame d'Athis took a dose.
. .
ROXANE:
I bid
You hold your tongue, Monsieur de Bergerac!
CYRANO:
Monday--not much--Claire changed protector.
ROXANE:
Oh!
CYRANO (whose face changes more and more):
Tuesday, the Court repaired to Fontainebleau.
Wednesday, the Montglat said to Comte de Fiesque.
. .
No!
Thursday--Mancini, Queen of France!
(almost!)
Friday, the Monglat to Count Fiesque said--'Yes!'
And Saturday the twenty-sixth.
. .
(He closes his eyes.
His head falls forward.
Silence.)
ROXANE (surprised at his voice ceasing, turns round, looks at |
1,254 | true | novelguide | all_chapterized_books/1254-chapters/51.txt | finished_summaries/novelguide/Cyrano de Bergerac/section_8_part_6.txt | Cyrano de Bergerac.act 5.scene 6 | act 5, scene 6 | null | {"name": "Act 5, scene 6", "url": "https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act5-scenes1-6", "summary": "Le Bret and Ragueneau rush in, crying that Cyrano's coming here will kill him. Cyrano tells Roxane his last piece of news: \"Today. Monsieur de Bergerac was murdered. He takes off his hat and reveals his bandaged head. Roxane is distraught. Cyrano says he always expected to die on the point of a hero's sword, but instead he has been struck down from behind with a lump of wood, by a servant. Even his death, he adds, is \"laughable. Ragueneau tells Cyrano that Moliere has been stealing jokes and scenes that Cyrano has written to put in his plays. Cyrano says that it does not matter as long as the scene worked. Ragueneau says that the audience laughed and laughed. Cyrano comments that his role in life has been to feed lines to others. He tells Roxane that when Christian courted her under the balcony, he was feeding him his lines, but it was Christian who climbed up to claim the kiss from her. Roxane says that Cyrano cannot die, and that she loves him. She says that she has only ever loved one man, and now she is losing him again. Cyrano becomes delirious. He sees that his death is approaching. He stands up, his sword in his hand, to meet death. He says he thinks that death is looking at his nose. He begins to fence his old enemies: Lies, Compromise, Spite, Cowardice, and Stupidity. He says that they can take his poet's crown and lover's garland, yet he will go into God's presence with one thing that he will take unstained out of this world. Roxane, kissing him, asks him what it is. He answers, \"My white plume.", "analysis": "of Act 5, scenes 1-6. The last act of the play jumps forward in time fifteen years, to resolve the plotlines that still involve the main characters after Christian's death. The time of year and the time of day are symbolic of Cyrano's approaching death. The mood of this act, while it retains elements of comedy, comments pessimistically on the fate of a less-than-honorable man and an honorable man. De Guiche has achieved great worldly success by compromising his principles, not to any serious extent, but enough to prompt unease in his conscience. Cyrano, in contrast has not compromised his ideals. But he is poor, hungry, and has made powerful enemies by writing satirical works. This point reinforces one of the themes of the play: the degraded nature of a society that has lost touch with the honorable values of old. The manner of Cyrano's death reflects and comments on his life. It is simultaneously comic and tragic. He does not die on the point of a hero's sword, but is dispatched in a far less honorable fashion by a servant in the pay of a powerful enemy who slyly drops a log of wood on his head. As he is dying, he reflects that his role has always been to remain \"Off in the wings, feeding the lines to others. As a consequence, he has been denied recognition for his literary efforts and the chance to be loved by Roxane. Finally, she finds out his secret, but in a final tragic irony, it is too late: Cyrano is about to die. In his final moments, Cyrano fences not a human enemy, but abstract qualities that he has opposed in his life: Lies, Compromise, Spite, Cowardice, and Stupidity. It could be said, in some interpretations of the play, that in his dealings with Roxane, Cyrano has indeed lied, compromised, acted stupidly, and surrendered to cowardice, because due to his ugly appearance, he feared that Roxane could not love him. But even in this behavior, Cyrano's honor has shone through. He consistently defended Christian's memory and Christian's right to Roxane's love, sacrificing his own interests in the process. Because of this, there is no irony in Cyrano's final claim to appear before God with one unstained thing: his white plume, a symbol of courage, leadership, and honor"} | The same. Le Bret and Ragueneau.
LE BRET:
What madness! Here? I knew it well!
CYRANO (smiling and sitting up):
What now?
LE BRET:
He has brought his death by coming, Madame.
ROXANE:
God!
Ah, then! that faintness of a moment since. . .?
CYRANO:
Why, true! It interrupted the 'Gazette:'
. . .Saturday, twenty-sixth, at dinner-time,
Assassination of De Bergerac.
(He takes off his hat; they see his head bandaged.)
ROXANE:
What says he? Cyrano!--His head all bound!
Ah, what has chanced? How?--Who?. . .
CYRANO:
'To be struck down,
Pierced by sword i' the heart, from a hero's hand!'
That I had dreamed. O mockery of Fate!
--Killed, I! of all men--in an ambuscade!
Struck from behind, and by a lackey's hand!
'Tis very well. I am foiled, foiled in all,
Even in my death.
RAGUENEAU:
Ah, Monsieur!. . .
CYRANO (holding out his hand to him):
Ragueneau,
Weep not so bitterly!. . .What do you now,
Old comrade?
RAGUENEAU (amid his tears):
Trim the lights for Moliere's stage.
CYRANO:
Moliere!
RAGUENEAU:
Yes; but I shall leave to-morrow.
I cannot bear it!--Yesterday, they played
'Scapin'--I saw he'd thieved a scene from you!
LE BRET:
What! a whole scene?
RAGUENEAU:
Oh, yes, indeed, Monsieur,
The famous one, 'Que Diable allait-il faire?'
LE BRET:
Moliere has stolen that?
CYRANO:
Tut! He did well!. . .
(to Ragueneau):
How went the scene? It told--I think it told?
RAGUENEAU (sobbing):
Ah! how they laughed!
CYRANO:
Look you, it was my life
To be the prompter every one forgets!
(To Roxane):
That night when 'neath your window Christian spoke
--Under your balcony, you remember? Well!
There was the allegory of my whole life:
I, in the shadow, at the ladder's foot,
While others lightly mount to Love and Fame!
Just! very just! Here on the threshold drear
Of death, I pay my tribute with the rest,
To Moliere's genius,--Christian's fair face!
(The chapel-bell chimes. The nuns are seen passing down the alley at the
back, to say their office):
Let them go pray, go pray, when the bell rings!
ROXANE (rising and calling):
Sister! Sister!
CYRANO (holding her fast):
Call no one. Leave me not;
When you come back, I should be gone for aye.
(The nuns have all entered the chapel. The organ sounds):
I was somewhat fain for music--hark! 'tis come.
ROXANE:
Live, for I love you!
CYRANO:
No, In fairy tales
When to the ill-starred Prince the lady says
'I love you!' all his ugliness fades fast--
But I remain the same, up to the last!
ROXANE:
I have marred your life--I, I!
CYRANO:
You blessed my life!
Never on me had rested woman's love.
My mother even could not find me fair:
I had no sister; and, when grown a man,
I feared the mistress who would mock at me.
But I have had your friendship--grace to you
A woman's charm has passed across my path.
LE BRET (pointing to the moon, which is seen between the trees):
Your other lady-love is come.
CYRANO (smiling):
I see.
ROXANE:
I loved but once, yet twice I lose my love!
CYRANO:
Hark you, Le Bret! I soon shall reach the moon.
To-night, alone, with no projectile's aid!. . .
LE BRET:
What are you saying?
CYRANO:
I tell you, it is there,
There, that they send me for my Paradise,
There I shall find at last the souls I love,
In exile,--Galileo--Socrates!
LE BRET (rebelliously):
No, no! It is too clumsy, too unjust!
So great a heart! So great a poet! Die
Like this? what, die. . .?
CYRANO:
Hark to Le Bret, who scolds!
LE BRET (weeping):
Dear friend. . .
CYRANO (starting up, his eyes wild):
What ho! Cadets of Gascony!
The elemental mass--ah yes! The hic. . .
LE BRET:
His science still--he raves!
CYRANO:
Copernicus
Said. . .
ROXANE:
Oh!
CYRANO:
Mais que diable allait-il faire,
Mais que diable allait-il faire dans cette galere?. . .
Philosopher, metaphysician,
Rhymer, brawler, and musician,
Famed for his lunar expedition,
And the unnumbered duels he fought,--
And lover also,--by interposition!--
Here lies Hercule Savinien
De Cyrano de Bergerac,
Who was everything, yet was naught.
I cry you pardon, but I may not stay;
See, the moon-ray that comes to call me hence!
(He has fallen back in his chair; the sobs of Roxane recall him to reality; he
looks long at her, and, touching her veil):
I would not bid you mourn less faithfully
That good, brave Christian: I would only ask
That when my body shall be cold in clay
You wear those sable mourning weeds for two,
And mourn awhile for me, in mourning him.
ROXANE:
I swear it you!. . .
CYRANO (shivering violently, then suddenly rising):
Not there! what, seated?--no!
(They spring toward him):
Let no one hold me up--
(He props himself against the tree):
Only the tree!
(Silence):
It comes. E'en now my feet have turned to stone,
My hands are gloved with lead!
(He stands erect):
But since Death comes,
I meet him still afoot,
(He draws his sword):
And sword in hand!
LE BRET:
Cyrano!
ROXANE (half fainting):
Cyrano!
(All shrink back in terror.)
CYRANO:
Why, I well believe
He dares to mock my nose? Ho! insolent!
(He raises his sword):
What say you? It is useless? Ay, I know
But who fights ever hoping for success?
I fought for lost cause, and for fruitless quest!
You there, who are you!--You are thousands!
Ah!
I know you now, old enemies of mine!
Falsehood!
(He strikes in air with his sword):
Have at you! Ha! and Compromise!
Prejudice, Treachery!. . .
(He strikes):
Surrender, I?
Parley? No, never! You too, Folly,--you?
I know that you will lay me low at last;
Let be! Yet I fall fighting, fighting still!
(He makes passes in the air, and stops, breathless):
You strip from me the laurel and the rose!
Take all! Despite you there is yet one thing
I hold against you all, and when, to-night,
I enter Christ's fair courts, and, lowly bowed,
Sweep with doffed casque the heavens' threshold blue,
One thing is left, that, void of stain or smutch,
I bear away despite you.
(He springs forward, his sword raised; it falls from his hand; he staggers,
falls back into the arms of Le Bret and Ragueneau.)
ROXANE (bending and kissing his forehead):
'Tis?. . .
CYRANO (opening his eyes, recognizing her, and smiling):
MY PANACHE.
Curtain.
| 1,175 | Act 5, scene 6 | https://web.archive.org/web/20210212220419/https://www.novelguide.com/cyrano-de-bergerac/summaries/act5-scenes1-6 | Le Bret and Ragueneau rush in, crying that Cyrano's coming here will kill him. Cyrano tells Roxane his last piece of news: "Today. Monsieur de Bergerac was murdered. He takes off his hat and reveals his bandaged head. Roxane is distraught. Cyrano says he always expected to die on the point of a hero's sword, but instead he has been struck down from behind with a lump of wood, by a servant. Even his death, he adds, is "laughable. Ragueneau tells Cyrano that Moliere has been stealing jokes and scenes that Cyrano has written to put in his plays. Cyrano says that it does not matter as long as the scene worked. Ragueneau says that the audience laughed and laughed. Cyrano comments that his role in life has been to feed lines to others. He tells Roxane that when Christian courted her under the balcony, he was feeding him his lines, but it was Christian who climbed up to claim the kiss from her. Roxane says that Cyrano cannot die, and that she loves him. She says that she has only ever loved one man, and now she is losing him again. Cyrano becomes delirious. He sees that his death is approaching. He stands up, his sword in his hand, to meet death. He says he thinks that death is looking at his nose. He begins to fence his old enemies: Lies, Compromise, Spite, Cowardice, and Stupidity. He says that they can take his poet's crown and lover's garland, yet he will go into God's presence with one thing that he will take unstained out of this world. Roxane, kissing him, asks him what it is. He answers, "My white plume. | of Act 5, scenes 1-6. The last act of the play jumps forward in time fifteen years, to resolve the plotlines that still involve the main characters after Christian's death. The time of year and the time of day are symbolic of Cyrano's approaching death. The mood of this act, while it retains elements of comedy, comments pessimistically on the fate of a less-than-honorable man and an honorable man. De Guiche has achieved great worldly success by compromising his principles, not to any serious extent, but enough to prompt unease in his conscience. Cyrano, in contrast has not compromised his ideals. But he is poor, hungry, and has made powerful enemies by writing satirical works. This point reinforces one of the themes of the play: the degraded nature of a society that has lost touch with the honorable values of old. The manner of Cyrano's death reflects and comments on his life. It is simultaneously comic and tragic. He does not die on the point of a hero's sword, but is dispatched in a far less honorable fashion by a servant in the pay of a powerful enemy who slyly drops a log of wood on his head. As he is dying, he reflects that his role has always been to remain "Off in the wings, feeding the lines to others. As a consequence, he has been denied recognition for his literary efforts and the chance to be loved by Roxane. Finally, she finds out his secret, but in a final tragic irony, it is too late: Cyrano is about to die. In his final moments, Cyrano fences not a human enemy, but abstract qualities that he has opposed in his life: Lies, Compromise, Spite, Cowardice, and Stupidity. It could be said, in some interpretations of the play, that in his dealings with Roxane, Cyrano has indeed lied, compromised, acted stupidly, and surrendered to cowardice, because due to his ugly appearance, he feared that Roxane could not love him. But even in this behavior, Cyrano's honor has shone through. He consistently defended Christian's memory and Christian's right to Roxane's love, sacrificing his own interests in the process. Because of this, there is no irony in Cyrano's final claim to appear before God with one unstained thing: his white plume, a symbol of courage, leadership, and honor | 282 | 391 | [
"The same.",
"Le Bret and Ragueneau.",
"LE BRET:\n What madness!",
"Here?",
"I knew it well!",
"CYRANO (smiling and sitting up):\n What now?",
"LE BRET:\n He has brought his death by coming, Madame.",
"ROXANE:\n God!",
"Ah, then!",
"that faintness of a moment since. .",
".?",
"CYRANO:\n Why, true!",
"It interrupted the 'Gazette:'\n . . .Saturday, twenty-sixth, at dinner-time,\n Assassination of De Bergerac.",
"(He takes off his hat; they see his head bandaged.)",
"ROXANE:\n What says he?",
"Cyrano!--His head all bound!",
"Ah, what has chanced?",
"How?--Who?.",
". .\n\nCYRANO:\n 'To be struck down,\n Pierced by sword i' the heart, from a hero's hand!'",
"That I had dreamed.",
"O mockery of Fate!",
"--Killed, I!",
"of all men--in an ambuscade!",
"Struck from behind, and by a lackey's hand!",
"'Tis very well.",
"I am foiled, foiled in all,\n Even in my death.",
"RAGUENEAU:\n Ah, Monsieur!.",
". .\n\nCYRANO (holding out his hand to him):\n Ragueneau,\n Weep not so bitterly!. .",
".What do you now,\n Old comrade?",
"RAGUENEAU (amid his tears):\n Trim the lights for Moliere's stage.",
"CYRANO:\n Moliere!",
"RAGUENEAU:\n Yes; but I shall leave to-morrow.",
"I cannot bear it!--Yesterday, they played\n 'Scapin'--I saw he'd thieved a scene from you!",
"LE BRET:\n What!",
"a whole scene?",
"RAGUENEAU:\n Oh, yes, indeed, Monsieur,\n The famous one, 'Que Diable allait-il faire?'",
"LE BRET:\n Moliere has stolen that?",
"CYRANO:\n Tut!",
"He did well!.",
". .\n(to Ragueneau):\n How went the scene?",
"It told--I think it told?",
"RAGUENEAU (sobbing):\n Ah!",
"how they laughed!",
"CYRANO:\n Look you, it was my life\n To be the prompter every one forgets!",
"(To Roxane):\n That night when 'neath your window Christian spoke\n --Under your balcony, you remember?",
"Well!",
"There was the allegory of my whole life:\n I, in the shadow, at the ladder's foot,\n While others lightly mount to Love and Fame!",
"Just!",
"very just!",
"Here on the threshold drear\n Of death, I pay my tribute with the rest,\n To Moliere's genius,--Christian's fair face!",
"(The chapel-bell chimes.",
"The nuns are seen passing down the alley at the\nback, to say their office):\n Let them go pray, go pray, when the bell rings!",
"ROXANE (rising and calling):\n Sister!",
"Sister!",
"CYRANO (holding her fast):\n Call no one.",
"Leave me not;\n When you come back, I should be gone for aye.",
"(The nuns have all entered the chapel.",
"The organ sounds):\n I was somewhat fain for music--hark!",
"'tis come.",
"ROXANE:\n Live, for I love you!",
"CYRANO:\n No, In fairy tales\n When to the ill-starred Prince the lady says\n 'I love you!'",
"all his ugliness fades fast--\n But I remain the same, up to the last!",
"ROXANE:\n I have marred your life--I, I!",
"CYRANO:\n You blessed my life!",
"Never on me had rested woman's love.",
"My mother even could not find me fair:\n I had no sister; and, when grown a man,\n I feared the mistress who would mock at me.",
"But I have had your friendship--grace to you\n A woman's charm has passed across my path.",
"LE BRET (pointing to the moon, which is seen between the trees):\n Your other lady-love is come.",
"CYRANO (smiling):\n I see.",
"ROXANE:\n I loved but once, yet twice I lose my love!",
"CYRANO:\n Hark you, Le Bret!",
"I soon shall reach the moon.",
"To-night, alone, with no projectile's aid!.",
". .",
"LE BRET:\n What are you saying?",
"CYRANO:\n I tell you, it is there,\n There, that they send me for my Paradise,\n There I shall find at last the souls I love,\n In exile,--Galileo--Socrates!",
"LE BRET (rebelliously):\n No, no!",
"It is too clumsy, too unjust!",
"So great a heart!",
"So great a poet!",
"Die\n Like this?",
"what, die. .",
".?",
"CYRANO:\n Hark to Le Bret, who scolds!",
"LE BRET (weeping):\n Dear friend.",
". .\n\nCYRANO (starting up, his eyes wild):\n What ho!",
"Cadets of Gascony!",
"The elemental mass--ah yes!",
"The hic.",
". .",
"LE BRET:\n His science still--he raves!",
"CYRANO:\n Copernicus\n Said.",
". .\n\nROXANE:\n Oh!",
"CYRANO:\n Mais que diable allait-il faire,\n Mais que diable allait-il faire dans cette galere?.",
". .\n Philosopher, metaphysician,\n Rhymer, brawler, and musician,\n Famed for his lunar expedition,\n And the unnumbered duels he fought,--\n And lover also,--by interposition!--\n Here lies Hercule Savinien\n De Cyrano de Bergerac,\n Who was everything, yet was naught.",
"I cry you pardon, but I may not stay;\n See, the moon-ray that comes to call me hence!",
"(He has fallen back in his chair; the sobs of Roxane recall him to reality; he\nlooks long at her, and, touching her veil):\n I would not bid you mourn less faithfully\n That good, brave Christian: I would only ask\n That when my body shall be cold in clay\n You wear those sable mourning weeds for two,\n And mourn awhile for me, in mourning him.",
"ROXANE:\n I swear it you!.",
". .\n\nCYRANO (shivering violently, then suddenly rising):\n Not there!",
"what, seated?--no!",
"(They spring toward him):\n Let no one hold me up--\n(He props himself against the tree):\n Only the tree!",
"(Silence):\n It comes.",
"E'en now my feet have turned to stone,\n My hands are gloved with lead!",
"(He stands erect):\n But since Death comes,\n I meet him still afoot,\n(He draws his sword):\n And sword in hand!",
"LE BRET:\n Cyrano!",
"ROXANE (half fainting):\n Cyrano!",
"(All shrink back in terror.)",
"CYRANO:\n Why, I well believe\n He dares to mock my nose?",
"Ho!",
"insolent!",
"(He raises his sword):\n What say you?",
"It is useless?",
"Ay, I know\n But who fights ever hoping for success?",
"I fought for lost cause, and for fruitless quest!",
"You there, who are you!--You are thousands!",
"Ah!",
"I know you now, old enemies of mine!",
"Falsehood!",
"(He strikes in air with his sword):\n Have at you!",
"Ha!",
"and Compromise!",
"Prejudice, Treachery!.",
". .\n(He strikes):\n Surrender, I?",
"Parley?",
"No, never!",
"You too, Folly,--you?",
"I know that you will lay me low at last;\n Let be!",
"Yet I fall fighting, fighting still!",
"(He makes passes in the air, and stops, breathless):\n You strip from me the laurel and the rose!",
"Take all!",
"Despite you there is yet one thing\n I hold against you all, and when, to-night,\n I enter Christ's fair courts, and, lowly bowed,\n Sweep with doffed casque the heavens' threshold blue,\n One thing is left, that, void of stain or smutch,\n I bear away despite you.",
"(He springs forward, his sword raised; it falls from his hand; he staggers,\nfalls back into the arms of Le Bret and Ragueneau.)",
"ROXANE (bending and kissing his forehead):\n 'Tis?.",
". .\n\nCYRANO (opening his eyes, recognizing her, and smiling):\n MY PANACHE.",
"Curtain."
] | [
"CYRANO (smiling and sitting up):\n What now?",
"ROXANE:\n God!",
"(He takes off his hat; they see his head bandaged.)",
"Ah, what has chanced?",
". .\n(to Ragueneau):\n How went the scene?",
"It told--I think it told?",
". .\n\nCYRANO (shivering violently, then suddenly rising):\n Not there!",
"You there, who are you!--You are thousands!",
"I know you now, old enemies of mine!",
"Take all!"
] | [
"My mother even could not find me fair:\n I had no sister; and, when grown a man,\n I feared the mistress who would mock at me.",
"He did well!.",
"I cannot bear it!--Yesterday, they played\n 'Scapin'--I saw he'd thieved a scene from you!",
". .\n\nCYRANO (starting up, his eyes wild):\n What ho!",
"CYRANO (smiling):\n I see.",
"--Killed, I!",
"LE BRET (pointing to the moon, which is seen between the trees):\n Your other lady-love is come.",
"LE BRET:\n His science still--he raves!",
"O mockery of Fate!",
"Ah, then!"
] | [
"ROXANE:\n I have marred your life--I, I!",
"CYRANO:\n You blessed my life!",
"Never on me had rested woman's love.",
"My mother even could not find me fair:\n I had no sister; and, when grown a man,\n I feared the mistress who would mock at me.",
"But I have had your friendship--grace to you\n A woman's charm has passed across my path.",
"LE BRET (pointing to the moon, which is seen between the trees):\n Your other lady-love is come.",
"CYRANO (smiling):\n I see.",
"ROXANE:\n I loved but once, yet twice I lose my love!",
"CYRANO:\n Hark you, Le Bret!",
"I soon shall reach the moon.",
"To-night, alone, with no projectile's aid!."
] | [
"The same.",
"Le Bret and Ragueneau.",
"LE BRET:\n What madness!",
"Here?",
"I knew it well!",
"CYRANO (smiling and sitting up):\n What now?",
"LE BRET:\n He has brought his death by coming, Madame.",
"ROXANE:\n God!",
"Ah, then!",
"that faintness of a moment since. .",
"You too, Folly,--you?",
"I know that you will lay me low at last;\n Let be!",
"Yet I fall fighting, fighting still!",
"(He makes passes in the air, and stops, breathless):\n You strip from me the laurel and the rose!",
"Take all!",
"Despite you there is yet one thing\n I hold against you all, and when, to-night,\n I enter Christ's fair courts, and, lowly bowed,\n Sweep with doffed casque the heavens' threshold blue,\n One thing is left, that, void of stain or smutch,\n I bear away despite you.",
"(He springs forward, his sword raised; it falls from his hand; he staggers,\nfalls back into the arms of Le Bret and Ragueneau.)",
"ROXANE (bending and kissing his forehead):\n 'Tis?.",
". .\n\nCYRANO (opening his eyes, recognizing her, and smiling):\n MY PANACHE.",
"Curtain."
] | and for fruitless quest!
You there, who are you!--You are thousands!
Ah!
I know you now, old enemies of mine!
Falsehood!
(He strikes in air with his sword):
Have at you!
Ha!
and Compromise!
Prejudice, Treachery!.
. .
(He strikes):
Surrender, I?
Parley?
No, never!
You too, Folly,--you?
I know that you will lay me low at last;
Let be!
Yet I fall fighting, fighting still!
(He makes passes in the air, and stops, breathless):
You strip from me the laurel and the rose!
Take all!
Despite you there is yet one thing
I hold against you all, and when, to-night,
I enter Christ's fair courts, and, lowly bowed,
Sweep with doffed casque the heavens' threshold blue,
One thing is left, that, void of stain or smutch,
I bear away despite you.
(He springs forward, his sword raised; it falls from his hand; he staggers,
falls back into the arms of Le Bret and Ragueneau.)
ROXANE (bending and kissing his forehead):
'Tis?.
. .
CYRANO (opening his eyes, recognizing her, and smiling):
MY | The same.
Le Bret and Ragueneau.
LE BRET:
What madness!
Here?
I knew it well!
CYRANO (smiling and sitting up):
What now?
LE BRET:
He has brought his death by coming, Madame.
ROXANE:
God!
Ah, then!
that faintness of a moment since. .
.?
CYRANO:
Why, true!
It interrupted the 'Gazette:'
. . .Saturday, twenty-sixth, at dinner-time,
Assassination of De Bergerac.
(He takes off his hat; they see his head bandaged.)
ROXANE:
What says he?
Cyrano!--His head all bound!
Ah, what has chanced? hing
I hold against you all, and when, to-night,
I enter Christ's fair courts, and, lowly bowed,
Sweep with doffed casque the heavens' threshold blue,
One thing is left, that, void of stain or smutch,
I bear away despite you.
(He springs forward, his sword raised; it falls from his hand; he staggers,
falls back into the arms of Le Bret and Ragueneau.)
ROXANE (bending and kissing his forehead):
'Tis?.
. .
CYRANO (opening his eyes, recognizing her, and smiling):
MY PANACHE.
Curtain. | ther even could not find me fair:
I had no sister; and, when grown a man,
I feared the mistress who would mock at me.
But I have had your friendship--grace to you
A woman's charm has passed across my path.
LE BRET (pointing to the moon, which is seen between the trees):
Your other lady-love is come.
CYRANO (smiling):
I see.
ROXANE:
I loved but once, yet twice I lose my love!
CYRANO:
Hark you, Le Bret!
I soon shall reach the moon.
To-night, alone, with no projectile's aid!.
. .
LE BRET:
What are you saying?
CYRANO:
I tell you, it is there,
There, that they send me for my Paradise,
There I shall find at last the souls I love,
In exile,--Galileo--Socrates!
LE BRET (rebelliously):
No, no!
It is too clumsy, too unjust!
So great a heart!
So great a poet!
Die
Like this?
what, die. .
.?
CYRANO:
Hark to Le Bret, who scolds!
LE BRET (weeping):
Dear friend.
. .
CYRANO (starting up, his eyes wild):
What ho!
Cadets of Gascony!
The elemental mass--ah yes!
The hic.
. |
6,053 | true | gradesaver | all_chapterized_books/6053-chapters/volume_1_chapters_1_to_14.txt | finished_summaries/gradesaver/Evelina/section_0_part_0.txt | Evelina.volume 1.chapters 1-14 | volume 1, letter 1-14 | null | {"name": "Volume I, Letter I - Volume I, Letter XIV", "url": "https://web.archive.org/web/20201126171702/https://www.gradesaver.com/evelina-or-the-history-of-a-young-ladys-entrance-into-the-world/study-guide/summary-volume-i-letter-i--volume-i-letter-xiv", "summary": "The novel is comprised of letters in three volumes. The heading to each letter provides its sender and recipient, as well as its date. While this summary gives synopsis of the novel's plot, it should be understood that all information is from the perspective of whoever is writing the current letter. The first few letters are sent between the Rev. Mr. Villars and Lady Howard. Lady Howard writes first, telling him of a letter she had recently received from Madame Duval, who despises Villars. Duval wishes to reunite with Evelina, her granddaughter. Evelina had been bequeathed to Villars when her own mother had died in his care. Neither Lady Howard nor her own daughter Mrs. Mirvan wish Evelina to be returned to Madame Duval. Mr. Villars responds with an account of Evelina's past. He explains that he had once been the tutor of a Mr. Evelyn, a young man who married Madame Duval, then working as a tavern waiting girl. Their marriage was very unhappy in spite of their daughter Miss Caroline Evelyn, and he lived only two years after getting married. Mr. Evelyn had provided a small amount of money for his daughter upon his death, but he entrusted her care and education to Mr. Villars. Though Madame Duval remained responsible for Miss Evelyn's fortune, she was a \"low-bred and illiberal woman.\" Mr. Villars raised Miss Evelyn until she was eighteen. He describes her as a virtuous and lovely creature, but laments that she rashly consented to marry the profligate Sir John Belmont. She suffered under his mistreatment - which was worst after he learned she had no access to her mother's fortune - and she died not long after she birthed their daughter. Belmont meanwhile had burnt their marriage certificate and denied any connection to her or their daughter. From that time onwards, Mr. Villars raised their child, Evelina. Lady Howard writes back to ask if Evelina might come stay with them at Howard Grove, her estate. She reminds him how many happy days her granddaughter Maria and Evelina had passed there together as children, and believes it would greatly please them both to reunite. She further proposes that Mrs. Mirvan could take both girls to London in the spring. Mr. Villars accedes to the proposal, acknowledging that Evelina would have an excellent time. He worries about her innocence, however. She is technically wealthy but has had no access to any wealth since her father had denied their connection. Further, his cruelty means she is not legally considered a legitimate child. For these reasons, he believes she should abstain from visiting London. Mr. Villars counsels Lady Howard to \"shine in the splendor of high life, but suffer my child still to enjoy the pleasure of humble retirement, with a mind to which greater views are unknown.\" He tells Lady Howard how he had always called her by the last name of Anville , and he tells her other circumstances surrounding her birth. After Evelina arrives in Howard Grove, Lady Howard writes Villars that the girl is a little angel possessed of gentle manners, natural grace, ingenuous character, and striking beauty. She is growing close with Maria. Lady Howard writes again to ask whether Evelina might join Maria and Mrs. Mirvan to meet Captain Mirvan, her son-in-law who is returning to England after an absence of seven years. She insists that they will not stay in the city for too long. The next letter is from Evelina to Mr. Villars. She writes to personally ask whether she may go to London. She truly hopes for his permission but will abide by his decision. Mr. Villars responds that he can deny her nothing, and she is free to go. Evelina writes to Mr. Villars after they arrive, to tell him that they had attended the Drury Lane Theater. She admits that the houses and streets of London are not as impressive as she expected, but that the theater was lovely. She admires the fashion of the Londoners very much. It had been arranged for the party to attend a ball given by Mrs. Stanley, a fashionable friend of Mrs. Mirvan's. They shopped together for silks in the city, and Evelina was struck by how the shops are tended primarily by men who are both impressively informed and \"so finical, so affected\" in their work. She also had her hair dressed, and marvels at its appearance. Her next set of letters are about the extraordinary private ball they attended. She was surprised by the gentlemen there, who sauntered back and forth carelessly, as though wishing to keep the ladies in suspense over whom they would next ask to dance. One extremely foppish man asked Evelina to dance, and she awkwardly excused herself. Another man, far more well-dressed, handsome and polite than the first, soon proposed a dance, and she accepted. However, the experience terrified her and she could barely talk despite his elegant, expressive conversation. She eventually snuck away from him, but was mortified to learn that he was Lord Orville, a nobleman. She noticed him looking around for her, but was embarrassed with this world she did not understand. He finally found her, and inquired whether she was ill, or if he had perhaps offended her somehow. She awkwardly assuaged his concerns, and consented to let him bring her refreshment. She remained flummoxed and flustered, and could not stop thinking about the extent of Lord Orville's understanding and good manners. They were sitting together when the foppish man from earlier accosted them to ask Evelina why she had refused him, but accepted Lord Orville. She burst out laughing at his ridiculousness, but was sobered to remember these \"rules of assemblies\" that dictated the impropriety of refusing an offer and then accepting another. Evelina found Mrs. Mirvan playing cards with the other older ladies, and told her of her misadventures. She then accepted another dance with Lord Orville, but was still unable to converse intelligently because of her anxiety. She was excessively surprised when, at the end of the evening, he told her that it was an honor to dance with her. Evelina's letters continue. She writes to Mr. Villars that Maria had overheard a man at the ball asking Lord Orville whom he was dancing with. This man had referred to Evelina as an angel. The foppish man joined them, and told them Evelina must be of ill-breeding. Lord Orville told them he knew nothing of her birth, but remarked that she was very quiet except when she laughed at the \"coxcomb's\" ridiculousness. Later that morning, Lord Orville called to inquire about their health. Evelina feels that London has grown tiresome, and she wishes to return to Howard Grove. During their excursions into the city, Evelina saw Lord Orville again and felt hurt to consider the opinion he must hold of her. He was so agreeable and amiable that his opinion matters to her, and she hates to think of how stupid she must have seemed in her inability to speak. Thinking of this put her in an ill humor and she declined more sightseeing. Captain Mirvan arrived, and proved himself disagreeable, rude, and gross. Evelina reluctantly agreed to go to another assembly with Maria and the elder Mirvans. She saw Lord Orville there, and thought how much more desirable it would be to dance with him than with a stranger. She was asked to dance by a man with whom she did not want to be involved, and she decided to lie and tell him she was already engaged. To her dismay, he did not politely leave her alone but followed her around, teasing and persecuting her. She was peeved by his jesting, callous, and obnoxious manner. He even ventured to claim that she had made up her partner. She finally asked him to leave her alone, but he refused, instead continuing to follow her about. She tried to seek solace with Mrs. Mirvan and Captain Mirvan, but they could not make him leave either. She finally consented to dance with him after he had exhausted her resolution. She was also pushed into identifying Lord Orville as her partner, which she realized was a mistake since the obnoxious man might try to speak with Lord Orville and tell him she had falsely used his name. Lord Orville and Mrs. Mirvan together approached Evelina and the man. The man unsubtly insinuated that Evelina had lied using Lord Orville's name, and, overcome, she burst into tears. Lord Orville perceived what had been going on, and politely led her to a seat, saying quietly, \"Be not distressed, I beseech you; I shall ever think my name honoured by your making use of it.\" Evelina decided she would never go to an assembly again. She also learned her persecutor's name - Sir Clement Willoughby. She worried that Lord Orville now thought her \"bold and presuming.\" She concludes this letter by commenting how ignorant and inexperienced she is for this town. In her next letter, Evelina writes to Mr. Villars of how an older, French woman approached the Mirvans as they exited the party. She was distressed because she was lost from her company. Mrs. Mirvan pitied her and offered her a ride in their carriage. Captain Mirvan did not want to do this, as he is excessively prejudiced against foreigners. Indeed, the woman and the Captain soon began to argue hotly about the relative merits and shortcomings of the English and the French. To everyone's surprise, it turned out that the woman was Madame Duval, Evelina's grandmother. Evelina calls the resulting interview \"the most afflicting I can ever know.\" Madame Duval wished to talk to Evelina immediately, but they convinced her that Evelina should visit her house the next morning. Mrs. Mirvan accompanied her the next day. The meeting the night before seemed to have affected Madame Duval, as she was very emotional toward Evelina. She was, however, very rude when speaking of Mr. Villars. Evelina writes that her grandmother looks to be just under fifty, and \"dresses very gaily, paints very high, and the traces of former beauty are still very visible in her face.\" It was decided that the party would remain in London for a few days more; they did not want Madame Duval at Howard Grove, and it was not polite to immediately leave the city now that she was there. Evelina can hardly wait to return to Mr. Villars at Berry Hill.", "analysis": "Most of this novel is concerned with the marked contrast between Evelina's sweet simplicity and the confusing world of manners that she encounters. Most of the novel's themes - class, gender, civility - manifest out of this conflict. Evelina is painted almost right away as a pastoral angel. Certainly, this is clear in the way Lady Howard and the Mirvans describe her. However, it is also apparent in the way her beauty attracts pretty much every man she meets. Her connection to Berry Hill, which is removed from any and all fashionable society, paints her as a pastoral beauty, one supremely innocent of all vice, and she certainly lives up to this impossible description through her effusively gentle and loving letters to Mr. Villars. However, she also possesses great insight, both into the world around her and into the people who inhabit it, which makes her a strong narrator. She can be both in conflict with the world, and eloquent about why it is confusing. Most of Burney's ultimate messages will derive from the irony that such a sweet, wonderful girl is necessarily battered by a world that professes to prize such virtues. Her journey, which has already begun by the end of these letters, will be an attempt to maintain such virtue in a world that seems to have little use for it. However, the sweet and innocent Evelina's entry into fashionable London society is a memorable reading experience not just for offering profound wit and insight into 18th century social norms, but also for its catalogue of contemporary London entertainments and cultural offerings. Evelina's first taste of the city's entertainment is the Drury Lane Theatre, which was open from September to May. It held about 2,300 people and had four classes of seating: boxes, for the very fashionable and wealthy; the pit, for Londoners and their wives, critics, and courtesans; the middle gallery, for middling folk; and the fourth, for the lowest sort of people. David Garrick was an actor and co-manager of the theatre from 1747-1776, and was a personal favorite of Frances Burney's. This first cultural adventure is just one of many that Evelina passes during the novel, and her letters throughout her stays in London demonstrate that she has a keen eye for quality entertainment - such as opera - and that her commentary is valuable despite her youth and ignorance. Others locations mentioned in the first handful of letters are the Mall in St. James Park, the Palace, the opera, and Ranelagh. The first of these, the Mall in St. James Park, was one of London's several royal parks. During the 18th century, the Mall was a straight gravel path through the park, about a half mile in length. It was frequented by men and women of fashion and was hence a place to see and be seen, but it was also home to courtesans and other lascivious, low folk. The Palace is, of course, Buckingham Palace, and was known as the \"Queen's Palace,\" since it was given to Queen Charlotte by George III in 1775. The opera that Evelina later mentions is the all-Italian opera at King's Theatre in the Haymarket. It was a very fashionable place, but suffered financially throughout the 18th century. Burney frequented the operas there, and was thus well-qualified to write about them. Finally, Ranelagh, which is referred to later in the novel as well, was a very famous London pleasure-garden and a place of public amusement established on the site of Ranelagh House in Chelsea. It had garden walks, canals, orchestra performances, dances, masquerades, and the ever-popular promenade along the Rotunda. Evelina writes of her first ridotto and assembly. A ridotto was, as described by Vivien Jones in the annotations to the Oxford World's Classics edition of the novel, \"a public social entertainment which included music and dancing... was first introduced to England in 1722... is strictly speaking a form of outdoor entertainment.\" Much of the novel's important drama occurs at assemblies. An assembly was a prominent feature of 18th century life; it was a gathering for dancing, card playing, conversing, and matchmaking. In some ways, it serves as a microcosm of high society, since it functions by highly regimented modes of behavior. Evelina's ignorance of high society becomes quite manifest at these. She marvels at the types of men she encounter, and fumbles at the rules of accepting dance invitations. However, despite the fact that she does not know precisely how to behave, she is still a naturally sensible and intelligent young woman and makes the correct judgments regarding the people she meets. That her good sense is one of the qualities that leads her to bumble is something of an irony, suggesting that high society has less use for insight and character than it does for pretense and ceremony. The modern reader might be surprised to discover that there were actual rules to these assemblies, and they were often posted on the door of assembly rooms. It was indeed the height of bad manners to refuse one gentleman for a dance and then accept another for the same dance. Jones points out that the assemblies followed the rules laid out at the beginning of the 18th century by Richard \"Beau\" Nash, Master of Ceremonies at the Bath Assembly Rooms. These rues stipulated the correct dress code and standards of behavior, the start and end times of the event, and how dances were to be conducted. Dr. Johnson, the preeminent 18th century English editor, poet, essayist, biographer, critic, and scholar offers some telling insight into some of the terminology used in Evelina . He defines \"foppish\" as: \"Vain in show; foolishly ostentatious; vain of dress,\" and a fop as a man who was \"fond of show, dress, and flutter.\" Evelina identifies Mr. Lovel as a fop, but Sir Clement, Lord Merton, and Mr. Coverley also fit this description. Dr. Johnson also defines the term sensible, which means \"having moral perception; having the quality of being affected by moral good or ill\" and \"Having quick intellectual feeling; being strongly or easily affected.\" It is very apparent that Evelina, while not a noblewoman, possesses a great deal of sensibility."} | <CHAPTER>
LETTER I LADY HOWARD TO THE REV. MR. VILLARS
Howard Grove, Kent.
CAN any thing, my good Sir, be more painful to a friendly mind, than
a necessity of communicating disagreeable intelligence? Indeed it is
sometimes difficult to determine, whether the relator or the receiver
of evil tidings is most to be pitied.
I have just had a letter from Madame Duval; she is totally at a loss
in what manner to behave; she seems desirous to repair the wrongs she
has done, yet wishes the world to believe her blameless. She would
fain cast upon another the odium of those misfortunes for which she
alone is answerable. Her letter is violent, sometimes abusive, and
that of you!-you, to whom she is under obligations which are greater
even than her faults, but to whose advice she wickedly imputes all the
sufferings of her much injured daughter, the late Lady Belmont. The
chief purport of her writing I will acquaint you with; the letter
itself is not worthy your notice.
She tells me that she has, for many years past, been in continual
expectation of making a journey to England, which prevented her
writing for information concerning this melancholy subject, by giving
her hopes of making personal inquiries; but family occurrences have
still detained her in France, which country she now sees no prospect
of quitting. She has, therefore, lately used her utmost endeavors
to obtain a faithful account of whatever related to her ill-advised
daughter; the result of which giving her some reason to apprehend,
that, upon her death-bed, she bequeathed an infant orphan to the world,
she most graciously says, that if you, with whom she understands the
child is placed, will procure authentic proofs of its relationship to
her, you may sent it to Paris, where she will properly provide for it.
This woman is, undoubtedly, at length, self-convicted of her most
unnatural behaviour; it is evident, from her writing, that she is
still as vulgar and illiterate as when her first husband, Mr. Evelyn,
had the weakness to marry her; nor does she at all apologize for
addressing herself to me, though I was only once in her company.
Her letter has excited in my daughter Mirvan, a strong desire to be
informed of the motives which induced Madame Duval to abandon the
unfortunate Lady Belmont, at a time when a mother's protection was
peculiarly necessary for her peace and her reputation. Notwithstanding
I was personally acquainted with all the parties concerned in that
affair, the subject always appeared of too delicate a nature to be
spoken of with the principals; I cannot, therefore, satisfy Mrs. Mirvan
otherwise than by applying to you.
By saying that you may send the child, Madame Duval aims at conferring,
where she most owes obligation. I pretend not to give you advice;
you, to whose generous protection this helpless orphan is indebted
for every thing, are the best and only judge of what she ought to
do; but I am much concerned at the trouble and uneasiness which this
unworthy woman may occasion you.
My daughter and my grandchild join with me in desiring to be most
kindly remembered to the amiable girl; and they bid me remind you, that
the annual visit to Howard Grove, which we were formerly promised,
has been discontinued for more than four years. I am, dear Sir,
with great regard, Your most obedient friend and servant, M. HOWARD.
</CHAPTER>
<CHAPTER>
LETTER II MR. VILLARS TO LADY HOWARD
Berry Hill, Dorsetshire.
YOUR Ladyship did but too well foresee the perplexity and uneasiness
of which Madame Duval's letter has been productive. However, I ought
rather to be thankful that I have so many years remained unmolested,
than repine at my present embarrassment; since it proves, at least,
that this wretched woman is at length awakened to remorse.
In regard to my answer, I must humbly request your Ladyship to write
to this effect: "That I would not, upon any account, intentionally
offend Madame Duval; but that I have weighty, nay unanswerable
reasons for detaining her grand-daughter at present in England;
the principal of which is, that it was the earnest desire of one
to whose will she owes implicit duty. Madame Duval may be assured,
that she meets with the utmost attention and tenderness; that her
education, however short of my wishes, almost exceeds my abilities;
and I flatter myself, when the time arrives that she shall pay her
duty to her grand-mother, Madame Duval will find no reason to be
dissatisfied with what has been done for her."
Your Ladyship will not, I am sure, be surprised at this answer. Madame
Duval is by no means a proper companion or guardian for a young woman:
she is at once uneducated and unprincipled; ungentle in temper, and
unamiable in her manners. I have long known that she has persuaded
herself to harbour an aversion for me-Unhappy woman! I can only regard
her as an object of pity!
I dare not hesitate at a request from Mrs. Mirvan; yet, in complying
with it, I shall, for her own sake, be as concise as I possibly can;
since the cruel transactions which preceded the birth of my ward can
afford no entertainment to a mind so humane as her's.
Your Ladyship may probably have heard, that I had the honour to
accompany Mr. Evelyn, the grandfather of my young charge, when
upon his travels, in the capacity of a tutor. His unhappy marriage,
immediately upon his return to England, with Madame Duval, then a
waiting-girl at a tavern, contrary to the advice and entreaties of
all his friends, among whom I was myself the most urgent, induced
him to abandon his native land, and fix his abode in France.
Thither he was followed by shame and repentance; feelings which
his heart was not framed to support; for, notwithstanding he had
been too weak to resist the allurements of beauty, which nature,
though a niggard to her of every other boon, had with a lavish hand
bestowed on his wife; yet he was a young man of excellent character,
and, till thus unaccountably infatuated, of unblemished conduct. He
survived this ill-judged marriage but two years. Upon his death-bed,
with an unsteady hand, he wrote me the following note:
"My friend, forget your resentment, in favour of your humanity;-a
father, trembling for the welfare of his child, bequeaths her to your
care. O Villars! hear! pity! And relieve me!"
Had my circumstances permitted me, I should have answered these words
by an immediate journey to Paris; but I was obliged to act by the
agency of a friend, who was upon the spot, and present at the opening
of the will.
Mr. Evelyn left to me a legacy of a thousand pounds, and the sole
guardianship of his daughter's person till her eighteenth year;
conjuring me, in the most affecting terms, to take the charge of her
education till she was able to act with propriety for herself; but,
in regard to fortune, he left her wholly dependent on her mother,
to whose tenderness he earnestly recommended her.
Thus, though he would not, to a woman low-bred and illiberal as
Mrs. Evelyn, trust the conduct and morals of his daughter, he
nevertheless thought proper to secure to her the respect and duty
to which, from her own child, were certainly her due; but unhappily,
it never occurred to him that the mother, on her part, could fail in
affection or justice.
Miss Evelyn, Madam, from the second to the eighteenth year of her
life, was brought up under my care, and, except when at school
under my roof. I need not speak to your Ladyship of the virtues
of that excellent young creature. She loved me as her father; nor
was Mrs. Villars less valued by her; while to me she became so dear,
that her loss was little less afflicting than that which I have since
sustained of Mrs. Villars herself.
At that period of her life we parted; her mother, then married to
Monsieur Duval, sent for her to Paris. How often have I since regretted
that I did not accompany her thither! Protected and supported by me,
the misery and disgrace which awaited her might perhaps have been
avoided. But, to be brief-Madame Duval, at the instigation of her
husband, earnestly, or rather tyrannically, endeavoured to effect a
union between Miss Evelyn and one of his nephews. And, when she found
her power inadequate to her attempt, enraged at her non-compliance,
she treated her with the grossest unkindness, and threatened her with
poverty and ruin.
Miss Evelyn, to whom wrath and violence had hitherto been strangers,
soon grew weary of such usage; and rashly, and without a witness,
consented to a private marriage with Sir John Belmont, a very
profligate young man, who had but too successfully found means to
insinuate himself into her favour. He promised to conduct her to
England-he did.-O, Madam, you know the rest!-Disappointed of the
fortune he expected, by the inexorable rancour of the Duvals, he
infamously burnt the certificate of their marriage, and denied that
they had ever been united.
She flew to me for protection. With what mixed transports of joy and
anguish did I again see her! By my advice, she endeavoured to procure
proofs of her marriage-but in vain; her credulity had been no match
for his art.
Every body believed her innocent, from the guiltless tenor of her
unspotted youth, and from the known libertinism of her barbarous
betrayer. Yet her sufferings were too acute for her slender frame;
and the same moment that gave birth to her infant, put an end at once
to the sorrows and the life of its mother.
The rage of Madame Duval at her elopement, abated not while this
injured victim of cruelty yet drew breath. She probably intended, in
time, to have pardoned her; but time was not allowed. When she was
informed of her death, I have been told, that the agonies of grief
and remorse, with which she was seized, occasioned her a severe fit
of illness. But, from the time of her recovery to the date of her
letter to your Ladyship, I had never heard that she manifested any
desire to be made acquainted with the circumstances which attended
the death of Lady Belmont, and the birth of her helpless child.
That child, Madam, shall never, while life is lent me, know the loss
she has sustained. I have cherished, succoured, and supported her,
from her earliest infancy to her sixteenth year; and so amply has she
repaid my care and affection, that my fondest wish is now circumscribed
by the desire of bestowing her on one who may be sensible of her worth,
and then sinking to eternal rest in her arms.
Thus it has happened, that the education of the father, daughter,
and grand-daughter, has devolved on me. What infinite misery have the
two first caused me! Should the fate of the dear survivor be equally
adverse, how wretched will be the end of my cares-the end of my days!
Even had Madame Duval merited the charge she claims, I fear my
fortitude would have been unequal to such a parting; but being such
as she is, not only my affection, but my humanity, recoils, at the
barbarous idea of deserting the sacred trust reposed in me. Indeed,
I could but ill support her former yearly visits to the respectable
mansion at Howard Grove: pardon me, dear Madam, and do not think me
insensible of the honour which your Ladyship's condescension confers
upon us both; but so deep is the impression which the misfortunes
of her mother have made on my heart, that she does not, even for
a moment, quit my sight without exciting apprehensions and terrors
which almost overpower me. Such, Madam, is my tenderness, and such
my weakness!-But she is the only tie I have upon earth, and I trust
to your Ladyship's goodness not to judge of my feelings with severity.
I beg leave to present my humble respects to Mrs. and Miss Mirvan;
and have the honour to be, Madam, your Ladyship's most obedient and
most humble servant, ARTHUR VILLARS.
</CHAPTER>
<CHAPTER>
LETTER III LADY HOWARD TO THE REV. MR. VILLARS
[Written some months after the last]
Howard Grove, March 8.
Dear and Rev. Sir,
YOUR last letter gave me infinite pleasure: after so long and tedious
an illness, how grateful to yourself and to your friends must be your
returning health! You have the hearty wishes of every individual of
this place for its continuance and increase.
Will you not think I take advantage of your acknowledged recovery,
if I once more venture to mention your pupil and Howard Grove
together? Yet you must remember the patience with which we submitted
to your desire of not parting with her during the bad state of your
health, tho' it was with much reluctance we forbore to solicit her
company. My grand-daughter in particular, has scarce been able to
repress her eagerness to again meet the friend of her infancy; and
for my own part, it is very strongly my wish to manifest the regard I
had for the unfortunate Lady Belmont, by proving serviceable to her
child; which seems to me the best respect that can be paid to her
memory. Permit me, therefore, to lay before you a plan which Mrs.
Mirvan and I have formed, in consequence of your restoration to health.
I would not frighten you;-but do you think you could bear to part
with your young companion for two or three months? Mrs. Mirvan
proposes to spend the ensuing spring in London, whither for the
first time, my grandchild will accompany her: Now, my good friend,
it is very earnestly their wish to enlarge and enliven their party by
the addition of your amiable ward, who would share, equally with her
own daughter, the care and attention of Mrs. Mirvan. Do not start
at this proposal; it is time that she should see something of the
world. When young people are too rigidly sequestered from it, their
lively and romantic imaginations paint it to them as a paradise of
which they have been beguiled; but when they are shown it properly,
and in due time, they see it such as it really is, equally shared by
pain and pleasure, hope and disappointment.
You have nothing to apprehend from her meeting with Sir John Belmont,
as that abandoned man is now abroad, and not expected home this year.
Well, my good Sir, what say you to our scheme? I hope it will meet
with your approbation; but if it should not, be assured I can never
object to any decision of one who is so much respected and esteemed
as Mr. Villars, by His most faithful, humble servant, M. HOWARD.
</CHAPTER>
<CHAPTER>
LETTER IV MR. VILLARS TO LADY HOWARD
Berry Hill, March 12.
I AM grieved, Madam, to appear obstinate, and I blush to incur
the imputation of selfishness. In detaining my young charge thus
long with myself in the country, I consulted not solely my own
inclination. Destined, in all probability, to possess a very moderate
fortune, I wished to contract her views to something within it. The
mind is but too naturally prone to pleasure, but too easily yielded
to dissipation: it has been my study to guard her against their
delusions, by preparing her to expect-and to despise them. But the
time draws on for experience and observation to take the place of
instruction: if I have in some measure, rendered her capable of using
one with discretion, and making the other with improvement, I shall
rejoice myself with the assurance of having largely contributed to her
welfare. She is now of an age that happiness is eager to attend,-let
her then enjoy it! I commit her to the protection of your Ladyship,
and only hope she may be found worthy half the goodness I am satisfied
she will meet with at your hospitable mansion.
Thus far, Madam, I cheerfully submit to your desire. In confiding my
ward to the care of Lady Howard, I can feel no uneasiness from her
absence, but what will arise from the loss of her company, since I
shall be as well convinced of her safety as if she were under my own
roof.-But can your Ladyship be serious in proposing to introduce her
to the gaieties of a London life? Permit me to ask, for what end,
or for what purpose? A youthful mind is seldom totally free from
ambition; to curb that, is the first step to contentment, since to
diminish expectation is to increase enjoyment. I apprehend nothing
more than too much raising her hopes and her views, which the natural
vivacity of her disposition would render but too easy to effect.
The town-acquaintance of Mrs. Mirvan are all in the circle of high
life; this artless young creature, with too much beauty to escape
notice, has too much sensibility to be indifferent to it; but she
has too little wealth to be sought with propriety by men of the
fashionable world.
Consider Madam, the peculiar cruelty of her situation. Only child of
a wealthy Baronet, whose person she has never seen, whose character
she has reason to abhor, and whose name she is forbidden to claim;
entitled as she is to lawfully inherit his fortune and estate, is
there any probability that he will properly own her? And while he
continues to persevere in disavowing his marriage with Miss Evelyn,
she shall never, at the expense of her mother's honour, receive a
part of her right as the donation of his bounty.
And as to Mr. Evelyn's estate, I have no doubt but that Madame Duval
and her relations will dispose of it among themselves.
It seems, therefore, as if this deserted child, though legally heiress
to two large fortunes, must owe all her rational expectations to
adoption and friendship. Yet her income will be such as may make her
happy, if she is disposed to be so in private life; though it will
by no means allow her to enjoy the luxury of a London fine lady.
Let Miss Mirvan, then, Madam, shine in all the splendour of high life;
but suffer my child still to enjoy the pleasures of humble retirement,
with a mind to which greater views are unknown.
I hope this reasoning will be honoured with your approbation; and
I have yet another motive which has some weight with me: I would
not willingly give offence to any human being; and surely Madame
Duval might accuse me of injustice, if, while I refuse to let her
grand-daughter wait upon her, I consent that she should join a party
of pleasure to London.
In sending her to Howard Grove, not one of these scruples arise;
and therefore Mrs. Clinton, a most worthy woman, formerly her nurse,
and now my housekeeper, shall attend her thither next week.
Though I have always called her by the name of Anville, and reported
in this neighbourhood that her father, my intimate friend, left her to
my guardianship; yet I have thought it necessary she should herself
be acquainted with the melancholy circumstances attending her birth:
for though I am very desirous of guarding her from curiosity and
impertinence, by concealing her name, family, and story, yet I would
not leave it in the power of chance to shock her gentle nature with
a tale of so much sorrow.
You must not, Madam, expect too much from my pupil; she is quite
a little rustic, and knows nothing of the world; and though her
education has been the best I could bestow in this retired place,
to which Dorchester, the nearest town, is seven miles distant, yet
I shall not be surprised if you should discover in her a thousand
deficiencies of which I have never dreamt. She must be very much
altered since she was last at Howard Grove. But I will say nothing
of her; I leave her to your Ladyship's own observations, of which
I beg a faithful relation; and am, Dear Madam, with great respect,
Your obedient and most humble Servant, ARTHUR VILLARS.
</CHAPTER>
<CHAPTER>
LETTER V MR. VILLARS TO LADY HOWARD
March 18.
Dear Madam,
THIS letter will be delivered to you by my child-the child of my
adoption-my affection! Unblest with one natural friend, she merits
a thousand. I send her to you innocent as an angel, and artless as
purity itself; and I send you with her the heart of your friend, the
only hope he has on earth, the subject of his tenderest thoughts, and
the object of his latest cares. She is one, Madam, for whom alone I
have lately wished to live; and she is one whom to serve I would with
transport die! Restore her but to me all innocence as you receive her,
and the fondest hope of my heart will be amply gratified. A. VILLARS.
</CHAPTER>
<CHAPTER>
LETTER VI LADY HOWARD TO THE REV. MR. VILLARS
Howard Grove.
Dear Rev. Sir,
THE solemn manner in which you have committed your child to my care,
has in some measure damped the pleasure which I receive from the
trust, as it makes me fear that you suffer from your compliance, in
which case I shall very sincerely blame myself for the earnestness
with which I have requested this favour: but remember, my good Sir,
she is within a few days summons; and be assured, I will not detain
her a moment longer than you wish.
You desire my opinion of her.
She is a little angel! I cannot wonder that you sought to monopolize
her: neither ought you, at finding it impossible.
Her face and person answer my most refined ideas of complete beauty:
and this, though a subject of praise less important to you, or, to
me than any other, is yet so striking, it is not possible to pass
it unnoticed. Had I not known from whom she received her education,
I should at first sight of so perfect a face, have been in pain for
her understanding; since it has been long and justly remarked, that
folly has ever sought alliance with beauty.
She has the same gentleness in her manners, the same natural graces
in her motions, that I formerly so much admired in her mother. Her
character seems truly ingenuous and simple; and at the same time
that nature has blessed her with an excellent understanding and great
quickness of parts, she has a certain air of inexperience and innocency
that is extremely interesting.
You have not reason to regret the retirement in which she has lived;
since that politeness which is acquired by an acquaintance with high
life, is in her so well supplied by a natural desire of obliging,
joined to a deportment infinitely engaging.
I observe, with great satisfaction, a growing affection between
this amiable girl and my grand-daughter, whose heart is as free
from selfishness or conceit, as that of her young friend is from
all guile. Their regard may be mutually useful, since much is to be
expected from emulation where nothing is to be feared from envy. I
would have them love each other as sisters, and reciprocally supply
the place of that tender and happy relationship to which neither of
them has a natural claim.
Be satisfied, my good Sir, that your child shall meet with the same
attention as our own. We all join in most hearty wishes for your health
and happiness, and in returning our sincere thanks for the favour you
have conferred on us. I am, dear Sir, Your most faithful servant,
M. HOWARD.
</CHAPTER>
<CHAPTER>
LETTER VII LADY HOWARD TO THE REV. MR. VILLARS
Howard Grove, March 26.
BE not alarmed, my worthy friend, at my so speedily troubling you
again; I seldom use the ceremony of waiting for answers, or writing
with any regularity, and I have at present immediate occasion for
begging your patience.
Mrs. Mirvan has just received a letter from her long absent husband,
containing the welcome news of his hoping to reach London by
the beginning of next week. My daughter and the Captain have been
separated almost seven years, and it would therefore be needless to
say what joy, surprise, and consequently confusion, his at present
unexpected return has caused at Howard Grove. Mrs. Mirvan, you cannot
doubt, will go instantly to town to meet him; her daughter is under
a thousand obligations to attend her; I grieve that her mother cannot.
And now, my good Sir, I almost blush to proceed;-but, tell me, may I
ask-will you permit-that your child may accompany them? Do not think
us unreasonable, but consider the many inducements which conspire to
make London the happiest place at present she can be in. The joyful
occasion of the journey; the gaiety of the whole party, opposed to
the dull life she must lead, if left here with a solitary old woman
for her sole companion, while she so well knows the cheerfulness and
felicity enjoyed by the rest of the family,-are circumstances that
seem to merit your consideration. Mrs. Mirvan desires me to assure
you that one week is all she asks, as she is certain that the Captain,
who hates London, will be eager to revisit Howard Grove; and Maria is
so very earnest in wishing to have the company of her friend, that,
if you are inexorable, she will be deprived of half the pleasure she
otherwise hopes to receive.
However, I will not, my good Sir, deceive you into an opinion that
they intend to live in a retired manner, as that cannot be fairly
expected. But you have no reason to be uneasy concerning Madame Duval;
she has not any correspondent in England, and obtains no intelligence
but by common report. She must be a stranger to the name your child
bears; and, even should she hear of this excursion, so short a time
as a week or less spent in town upon so particular an occasion,
though previous to their meeting, cannot be construed into disrespect
to herself.
Mrs. Mirvan desires me to assure you, that if you will oblige her,
her two children shall equally share her time and her attention. She
has sent a commission to a friend in town to take a house for her;
and while she waits for an answer concerning it, I shall for one
from you to our petition. However, your child is writing herself;
and that, I doubt not, will more avail than all we can possible urge.
My daughter desires her best compliments to you if, she says, you
will grant her request but not else.
Adieu, my dear Sir, we all hope every thing from your goodness.
M. HOWARD.
</CHAPTER>
<CHAPTER>
LETTER VIII EVELINA TO THE REV. MR. VILLARS
Howard Grove, March 26.
THIS house seems to be the house of joy; every face wears a smile,
and a laugh is at every body's service. It is quite amusing to walk
about and see the general confusion; a room leading to the garden
is fitting up for Captain Mirvan's study. Lady Howard does not sit a
moment in a place; Miss Mirvan is making caps; every body so busy!-such
flying from room to room!-so many orders given, and retracted, and
given again! nothing but hurry and perturbation.
Well but, my dear Sir, I am desired to make a request to you. I hope
you will not think me an encroacher; Lady Howard insists upon my
writing!-yet I hardly know how to go on; a petition implies a want
and have you left me one? No, indeed.
I am half ashamed of myself for beginning this letter. But these dear
ladies are so pressing-I cannot, for my life, resist wishing for the
pleasures they offer me,-provided you do not disapprove them.
They are to make a very short stay in town. The Captain will meet them
in a day or two. Mrs. Mirvan and her sweet daughter both go; what a
happy party! Yet, I am not very eager to accompany them: at least
I shall be contented to remain where I am, if you desire that I should.
Assured, my dearest Sir, of your goodness, your bounty, and your
indulgent kindness, ought I to form a wish that has not your
sanction? Decide for me, therefore, without the least apprehension
that I shall be uneasy or discontented. While I am yet in suspense,
perhaps I may hope; but I am most certain that when you have once
determined I shall not repine.
They tell me that London is now in full splendour. Two playhouses
are open,-the Opera-house,-Ranelagh,-and the Pantheon.-You see I have
learned all their names. However, pray don't suppose that I make any
point of going, for I shall hardly sigh, to see them depart without me,
though I shall probably never meet with such another opportunity. And,
indeed, their domestic happiness will be so great,-it is natural to
wish to partake of it.
I believe I am bewitched! I made a resolution, when I began, that
I would not be urgent; but my pen-or rather my thoughts, will not
suffer me to keep it-for I acknowledge, I must acknowledge, I cannot
help wishing for your permission.
I almost repent already that I have made this confession; pray forget
that you have read it, if this journey is displeasing to you. But
I will not write any longer; for the more I think of this affair,
the less indifferent to it I find myself.
Adieu, my most honoured, most reverenced, most beloved father! for
by what other name can I call you? I have no happiness or sorrow,
no hope or fear, but what your kindness bestows, or your displeasure
may cause. You will not, I am sure, send a refusal without reasons
unanswerable, and therefore I shall cheerfully acquiesce. Yet I
hope-I hope you will be able to permit me to go! I am, with the
utmost affection, gratitude, and duty, your EVELINA -
I cannot to you sign ANVILLE, and what other name may I claim?
</CHAPTER>
<CHAPTER>
LETTER IX MR. VILLARS TO EVELINA
Berry Hill, March 28.
TO resist the urgency of intreaty, is a power which I have not yet
acquired: I aim not at an authority which deprives you of liberty,
yet I would fain guide myself by a prudence which should save me the
pangs of repentance. Your impatience to fly to a place which your
imagination has painted to you in colors so attractive, surprises me
not; I have only to hope, that the liveliness of your fancy may not
deceive you: to refuse, would be raising it still higher. To see my
Evelina happy, is to see myself without a wish: go, then my child;
and may that Heaven, which alone can direct, preserve and strengthen
you! To that, my love, will I daily offer prayers for your felicity. O
may it guard, watch over you, defend you from danger, save you from
distress, and keep vice as distant from your person as from your heart!
And to me, may it grant, the ultimate blessing of closing these aged
eyes in the arms of one so dear-so deservedly beloved! ARTHUR VILLARS.
</CHAPTER>
<CHAPTER>
LETTER X EVELINA TO THE REV. MR. VILLARS
Queen Ann Street, London, Saturday, April 2.
THIS moment arrived. Just going to Drury Lane Theatre. The celebrated
Mr. Garrick performs Ranger. I am quite in ecstasy. So is Miss
Mirvan. How fortunate that he should happen to play! We would not
let Mrs. Mirvan rest till she consented to go. Her chief objection
was to our dress, for we have had no time to Londonize ourselves; but
we teased her into compliance, and so we are to sit in some obscure
place that she may not be seen. As to me, I should be alike unknown
in the most conspicuous or most private part of the house.
I can write no more now. I have hardly time to breathe-only just this,
the houses and streets are not quite so superb as I expected. However,
I have seen nothing yet, so I ought not to judge.
Well; adieu, my dearest Sir, for the present; I could not forbear
writing a few words instantly on my arrival, though I suppose my letter
of thanks for your consent is still on the road. Saturday Night.
O, my dear Sir, in what raptures am I returned? Well may Mr. Garrick
be so celebrated, so universally admired-I had not any idea of so
great a performer.
Such ease! such vivacity in his manner! such grace in his motions! such
fire and meaning in his eyes!-I could hardly believe he had studied
a written part, for every word seemed to be uttered from the impulse
of the moment.
His action-at once so graceful and so free!-his voice-so clear,
so melodious, yet so wonderfully various in its tones!-Such
animation!-every look speaks!
I would have given the world to have had the whole play acted over
again. And when he danced-O, how I envied Clarinda! I almost wished
to have jumped on the stage and joined them.
I am afraid you will think me mad, so I won't say any more; yet,
I really believe Mr. Garrick would make you mad too if you could see
him. I intend to ask Mrs. Mirvan to go to the play every night while
we stay in town. She is extremely kind to me; and Maria, her charming
daughter, is the sweetest girl in the world.
I shall write to you every evening all that passes in the day, and
that in the same manner as, if I could see, I should tell you. Sunday.
This morning we went to Portland chapel; and afterwards we walked
in the mall of St. James's Park, which by no means answered my
expectations: it is a long straight walk of dirty gravel, very uneasy
to the feet; and at each end instead of an open prospect, nothing is
to be seen but houses built of brick. When Mrs. Mirvan pointed out
the Palace to me-I think I was never much more surprised.
However, the walk was very agreeable to us; every body looked gay,
and seemed pleased; and the ladies were so much dressed, that Miss
Mirvan and I could do nothing but look at them. Mrs. Mirvan met
several of her friends. No wonder, for I never saw so many people
assembled together before. I looked about for some of my acquaintance,
but in vain; for I saw not one person that I knew, which is very odd,
for all the world seemed there.
Mrs. Mirvan says we are not to walk in the Park again next Sunday,
even if we should be in town, because there is better company in
Kensington Gardens; but really if you had seen how much every body
was dressed, you would not think that possible. Monday.
We are to go this evening to a private ball, given by Mrs. Stanley,
a very fashionable lady of Mrs. Mirvan's acquaintance.
We have been a-shopping as Mrs. Mirvan calls it, all this morning,
to buy silks, caps, gauzes, and so forth.
The shops are really very entertaining, especially the mercers; there
seem to be six or seven men belonging to each shop; and every one took
care by bowing and smirking, to be noticed. We were conducted from
one to another, and carried from room to room with so much ceremony,
that at I was almost afraid to go on.
I thought I should never have chosen a silk: for they produced so
many, I knew not which to fix upon; and they recommended them all so
strongly, that I fancy they thought I only wanted persuasion to buy
every thing they showed me. And, indeed, they took so much trouble,
that I was almost ashamed I could not.
At the milliners, the ladies we met were so much dressed, that I should
rather have imagined they were making visits than purchases. But
what most diverted me was, that we were more frequently served
by men than by women; and such men! so finical, so affected! they
seemed to understand every part of a woman's dress better than we
do ourselves; and they recommended caps and ribbands with an air of
so much importance, that I wished to ask them how long they had left
off wearing them.
The dispatch with which they work in these great shops is amazing,
for they have promised me a complete suit of linen against the evening.
I have just had my hair dressed. You can't think how oddly my head
feels; full of powder and black pins, and a great cushion on the top
of it. I believe you would hardly know me, for my face looks quite
different to what it did before my hair was dressed. When I shall
be able to make use of a comb for myself I cannot tell; for my hair
is so much entangled, frizzled they call it, that I fear it will be
very difficult.
I am half afraid of this ball to-night; for, you know, I have never
danced but at school: however, Miss Mirvan says there is nothing in
it. Yet, I wish it was over.
Adieu, my dear Sir, pray excuse the wretched stuff I write; perhaps
I may improve by being in this town, and then my letters will be less
unworthy your reading. Meantime, I am, Your dutiful and affectionate,
though unpolished, EVELINA.
Poor Miss Mirvan cannot wear one of the caps she made, because they
dress her hair too large for them.
</CHAPTER>
<CHAPTER>
LETTER XI EVELINA IN CONTINUATION
Queen Ann Street, April 5, Tuesday Morning.
I HAVE a vast deal to say, and shall give all this morning to my pen.
As to my plan of writing every evening the adventures of the day,
I find it impracticable; for the diversions here are so very late,
that if I begin my letters after them, I could not go to bed at all.
We passed a most extraordinary evening. A private ball this was called,
so I expected to have seen about four or five couple; but Lord! my
dear Sir, I believe I saw half the world! Two very large rooms were
full of company; in one were cards for the elderly ladies, and in
the other were the dancers. My mamma Mirvan, for she always calls me
her child, said she would sit with Maria and me till we were provided
with partners, and then join the card-players.
The gentlemen, as they passed and repassed, looked as if they thought
we were quite at their disposal, and only waiting for the honour of
their commands; and they sauntered about, in a careless, indolent
manner, as if with a view to keep us in suspense. I don't speak of
this in regard to Miss Mirvan and myself only, but to the ladies in
general: and I thought it so provoking, that I determined in my own
mind that, far from humouring such airs, I would rather not dance
at all, than with any one who would seem to think me ready to accept
the first partner who would condescend to take me.
Not long after, a young man, who had for some time looked at us with a
kind of negligent impertinence, advanced on tiptoe towards me; he had
a set smile on his face, and his dress was so foppish, that I really
believed he even wished to be stared at; and yet he was very ugly.
Bowing almost to the ground with a sort of swing, and waving his
hand, with the greatest conceit, after a short and silly pause, he
said, "Madam-may I presume?"-and stopt, offering to take my hand. I
drew it back, but could scarce forbear laughing. "Allow me, Madam,"
continued he, affectedly breaking off every half moment, "the honour
and happiness-if I am not so unhappy as to address you too late-to
have the happiness and honour-"
Again he would have taken my hand; but bowing my head, I begged to
be excused, and turned to Miss Mirvan to conceal my laughter. He then
desired to know if I had already engaged myself to some more fortunate
man? I said No, and that I believed I should not dance at all. He would
keep himself he told me, disengaged, in hopes I should relent; and
then, uttering some ridiculous speeches of sorrow and disappointment,
though his face still wore the same invariable smile, he retreated.
It so happened, as we have since recollected, that during this little
dialogue Mrs. Mirvan was conversing with the lady of the house. And
very soon after, another gentleman, who seemed about six-and-twenty
years old, gaily but not foppishly dressed, and indeed extremely
handsome, with an air of mixed politeness and gallantry, desired to
know if I was engaged, or would honour him with my hand. So he was
pleased to say, though I am sure I know not what honour he could
receive from me; but these sort of expressions, I find, are used
as words of course, without any distinction of persons, or study
of propriety.
Well, I bowed, and I am sure I coloured; for indeed I was frightened
at the thoughts of dancing before so many people, all strangers, and,
which was worse, with a stranger: however, that was unavoidable;
for, though I looked round the room several times, I could not see
one person that I knew. And so he took my hand, and led me to join
in the dance.
The minuets were over before we arrived, for we were kept late by
the milliners making us wait for our things.
He seemed very desirous of entering into conversation with me; but
I was seized with such a panic, that I could hardly speak a word,
and nothing but the shame of so soon changing my mind prevented my
returning to my seat, and declining to dance at all.
He appeared to be surprised at my terror, which I believe was but
too apparent: however, he asked no questions, though I fear he must
think it very strange, for I did not choose to tell him it was owing
to my never before dancing but with a school-girl.
His conversation was sensible and spirited; his air, and address
were open and noble; his manners gentle, attentive, and infinitely
engaging; his person is all elegance, and his countenance the most
animated and expressive I have ever seen.
In a short time we were joined by Miss Mirvan, who stood next couple
to us. But how I was startled when she whispered me that my partner
was a nobleman! This gave me a new alarm: how will he be provoked,
thought I, when he finds what a simple rustic he has honoured with
his choice! one whose ignorance of the world makes her perpetually
fear doing something wrong!
That he should be so much my superior in every way, quite disconcerted
me; and you will suppose my spirits were not much raised, when I
heard a lady, in passing us, say, "This is the most difficult dance
I ever saw."
"O dear, then" cried Maria to her partner, "with your leave, I'll
sit down till the next."
"So will I too, then," cried I, "for I am sure I can hardly stand."
"But you must speak to your partner first," answered she; for he
had turned aside to talk with some gentlemen. However, I had not
sufficient courage to address him; and so away we all three tript,
and seated ourselves at another end of the room.
But, unfortunately for me, Miss Mirvan soon after suffered herself to
be prevailed upon to attempt the dance; and just as she rose to go,
she cried, "My dear, yonder is your partner, Lord Orville walking
about the room in search of you."
"Don't leave me then, dear girl!" cried I; but she was obliged to
go. And now I was more uneasy than ever; I would have given the world
to have seen Mrs. Mirvan, and begged of her to make my apologies;
for what, thought I, can I possibly say to him in excuse for running
away? He must either conclude me a fool, or half mad; for any one
brought up in the great world, and accustomed to its ways, can have
no idea of such sort of fears as mine.
My confusion increased when I observed that he was every where seeking
me, with apparent perplexity and surprise; but when, at last, I saw
him move towards the place where I sat, I was ready to sink with
shame and distress. I found it absolutely impossible to keep my seat,
because I could not think of a word to say for myself; and so I rose,
and walked hastily towards the card-room, resolving to stay with
Mrs. Mirvan the rest of the evening, and not to dance at all. But
before I could find her, Lord Orville saw and approached me.
He begged to know if I was not well? You may easily imagine how much
I was embarrassed. I made no answer; but hung my head like a fool,
and looked on my fan.
He then, with an air the most respectfully serious, asked if he had
been so unhappy as to offend me?
"No, indeed!" cried I; and, in hopes of changing the discourse, and
preventing his further inquiries, I desired to know if he had seen
the young lady who had been conversing with me?
No;-but would I honour him with any commands to her?
"O, by no means!"
Was there any other person with whom I wished to speak?
I said no, before I knew I had answered at all.
Should he have the pleasure of bringing me any refreshment?
I bowed, almost involuntarily. And away he flew.
I was quite ashamed of being so troublesome, and so much above
myself as these seeming airs made me appear; but indeed I was too
much confused to think or act with any consistency.
If he had not been as swift as lightning, I don't know whether I
should not have stolen away again; but he returned in a moment. When
I had drank a glass of lemonade, he hoped, he said, that I would
again honour him with my hand, as a new dance was just begun. I had
not the presence of mind to say a single word, and so I let him once
more lead me to the place I had left.
Shocked to find how silly, how childish a part I had acted, my former
fears of dancing before such a company, and with such a partner,
returned more forcibly than ever. I suppose he perceived my uneasiness;
for he entreated me to sit down again if dancing was disagreeable to
me. But I was quite satisfied with the folly I had already shewn; and
therefore declined his offer, though I was really scarce able to stand.
Under such conscious disadvantages, you may easily imagine my dear Sir,
how ill I acquitted myself. But, though I both expected and deserved
to find him very much mortified and displeased at his ill fortune in
the choice he had made; yet, to my very great relief, he appeared to
be even contented, and very much assisted and encouraged me. These
people in high life have too much presence of mind, I believe, to
seem disconcerted, or out of humour, however they may feel: for had
I been the person of the most consequence in the room, I could not
have met with more attention and respect.
When the dance was over, seeing me still very much flurried, he led
me to a seat, saying that he would not suffer me to fatigue myself
from politeness.
And then, if my capacity, or even, if my spirits had been better, in
how animated a conversation I might have been engaged! it was then
I saw that the rank of Lord Orville was his least recommendation,
his understanding and his manners being far more distinguished. His
remarks upon the company in general were so apt, so just, so lively,
I am almost surprised myself that they did not reanimate me; but,
indeed, I was too well convinced of the ridiculous part I had myself
played before so nice an observer, to be able to enjoy his pleasantry:
so self-compassion gave me feeling for others. Yet I had not the
courage to attempt either to defend them or to rally in my turn;
but listened to him in silent embarrassment.
When he found this, he changed the subject, and talked of public
places, and public performers; but he soon discovered that I was
totally ignorant of them.
He then, very ingeniously, turned the discourse to the amusements
and occupations of the country.
It now struck me that he was resolved to try whether or not I was
capable of talking upon any subject. This put so great a restraint
upon my thoughts, that I was unable to go further than a monosyllable,
and not ever so far, when I could possibly avoid it.
We were sitting in this manner, he conversing with all gaiety, I
looking down with all foolishness, when that fop who had first asked
me to dance, with a most ridiculous solemnity approached, and, after
a profound bow or two, said, "I humbly beg pardon, Madam,-and of you
too, my Lord,-for breaking in upon such agreeable conversation-which
must, doubtless, be more delectable-than what I have the honour
to offer-but-"
I interrupted him-I blush for my folly,-with laughing; yet I could not
help it; for, added to the man's stately foppishness, (and he actually
took snuff between every three words) when I looked around at Lord
Orville, I saw such extreme surprise in his face,-the cause of which
appeared so absurd, that I could not for my life preserve my gravity.
I had not laughed before from the time I had left Miss Mirvan, and I
had much better have cried then; Lord Orville actually stared at me;
the beau, I know not his name, looked quite enraged. "Refrain-Madam,"
said he, with an important air, "a few moments refrain!-I have but
a sentence to trouble you with.-May I know to what accident I must
attribute not having the honour of your hand?"
"Accident, Sir!" repeated I, much astonished.
"Yes, accident, Madam;-for surely,-I must take the liberty to
observe-pardon me, Madam,-it ought to be no common one-that should
tempt a lady-so young a one too,-to be guilty of ill-manners."
A confused idea now for the first time entered my head, of something
I had heard of the rules of an assembly; but I was never at one
before,-I have only danced at school,-and so giddy and heedless I
was, that I had not once considered the impropriety of refusing one
partner, and afterwards accepting another. I was thunderstruck at the
recollection: but, while these thoughts were rushing into my head,
Lord Orville with some warmth, said, "This Lady, Sir, is incapable
of meriting such an accusation!"
The creature-for I am very angry with him-made a low bow and with a
grin the most malicious I ever saw, "My Lord," said he, "far be it
from me to accuse the lady, for having the discernment to distinguish
and prefer-the superior attractions of your Lordship."
Again he bowed and walked off.
Was ever any thing so provoking? I was ready to die with shame. "What
a coxcomb!" exclaimed Lord Orville: while I, without knowing what
I did, rose hastily, and moving off, "I can't imagine," cried I,
"where Mrs. Mirvan has hid herself!"
"Give me leave to see," answered he. I bowed and sat down again,
not daring to meet his eyes; for what must he think of me, between
my blunder, and the supposed preference?
He returned in a moment, and told me that Mrs. Mirvan was at cards,
but would be glad to see me; and I went immediately. There was but
one chair vacant; so, to my great relief, Lord Orville presently left
us. I then told Mrs. Mirvan my disasters; and she good-naturedly
blamed herself for not having better instructed me; but said, she had
taken it for granted that I must know such common customs. However,
the man may, I think, be satisfied with his pretty speech and carry
his resentment no farther.
In a short time Lord Orville returned. I consented, with the best grace
I could, to go down another dance, for I had had time to recollect
myself; and therefore resolved to use some exertion, and, if possible,
to appear less a fool than I had hitherto done; for it occurred to me,
that, insignificant as I was, compared to a man of his rank and figure;
yet, since he had been so unfortunate as to make choice of me for a
partner, why I should endeavour to make the best of it.
The dance, however, was short, and he spoke very little; so I had no
opportunity of putting my resolution in practice. He was satisfied, I
suppose, with his former successless efforts to draw me out or, rather,
I fancied he had been inquiring who I was. This again disconcerted me;
and the spirits I had determined to exert, again failed me. Tired,
ashamed, and mortified, I begged to sit down till we returned home,
which I did soon after. Lord Orville did me the honour to hand me to
the coach, talking all the way of the honour I had done him! O these
fashionable people!
Well, my dear Sir, was it not a strange evening? I could not help
being thus particular, because, to me, every thing is so new. But it
is now time to conclude. I am, with all love and duty, your EVELINA.
</CHAPTER>
<CHAPTER>
LETTER XII EVELINA IN CONTINUATION
Tuesday, April 5.
THERE is to be no end to the troubles of last night. I have this
moment, between persuasion and laughter, gathered from Maria the most
curious dialogue that ever I heard. You will at first be startled at
my vanity; but, my dear Sir, have patience!
It must have passed while I was sitting with Mrs. Mirvan, in the
card-room. Maria was taking some refreshment, and saw Lord Orville
advancing for the same purpose himself; but he did not know her,
though she immediately recollected him. Presently after, a very
gay-looking man, stepping hastily up to him cried, "Why, my Lord,
what have you done with your lovely partner?"
"Nothing!" answered Lord Orville with a smile and a shrug.
"By Jove," cried the man, "she is the most beautiful creature I ever
saw in my life!"
Lord Orville, as he well might, laughed; but answered, "Yes, a pretty
modest-looking girl."
"O my Lord!" cried the madman, "she is an angel!"
"A silent one," returned he.
"Why ay, my Lord, how stands she as to that? She looks all intelligence
and expression."
"A poor weak girl!" answered Lord Orville, shaking his head.
"By Jove," cried the other, "I am glad to hear it!"
At that moment, the same odious creature who had been my former
tormentor, joined them. Addressing Lord Orville with great respect,
he said, "I beg pardon, my Lord,-if I was-as I fear might be the
case-rather too severe in my censure of the lady who is honoured with
your protection-but, my Lord, ill-breeding is apt to provoke a man."
"Ill-breeding!" cried my unknown champion, "impossible! that elegant
face can never be so vile a mask!"
"O Sir, as to that," answered he, "you must allow me to judge;
for though I pay all deference to your opinion-in other things-yet
I hope you will grant-and I appeal to your Lordship also-that I am
not totally despicable as a judge of good or ill-manners."
"I was so wholly ignorant," said Lord Orville, gravely, "of the
provocation you might have had, that I could not but be surprised at
your singular resentment."
"It was far from my intention," answered he, "to offend your lordship;
but, really, for a person who is nobody, to give herself such airs,-I
own I could not command my passion. For, my Lord, though I have made
diligent inquiry-I cannot learn who she is."
"By what I can make out," cried my defender, "she must be a country
parson's daughter."
"He! he! he! very good, 'pon honour!" cried the fop;-"well, so I
could have sworn by her manners."
And then, delighted at his own wit, he laughed, and went away, as I
suppose, to repeat it.
"But what the deuce is all this?" demanded the other.
"Why a very foolish affair," answered Lord Orville; "your Helen
first refused this coxcomb, and then-danced with me. This is all I
can gather of it."
"O, Orville," returned he, "you are a happy man!-But ill-bred? -I
can never believe it! And she looks too sensible to be ignorant."
"Whether ignorant or mischievous, I will not pretend to determine;
but certain it is, she attended to all I could say to her, though I
have really fatigued myself with fruitless endeavours to entertain
her, with the most immovable gravity; but no sooner did Lovel begin
his complaint, than she was seized with a fit of laughing, first
affronting the poor beau, and then enjoying his mortification."
"Ha! ha! ha! why there is some genius in that, my Lord, perhaps
rather-rustic."
Here Maria was called to dance, and so heard no more.
Now, tell me, my dear Sir, did you ever know any thing more
provoking? "A poor weak girl!" "ignorant or mischievous!" What
mortifying words! I am resolved, however, that I will never again be
tempted to go to an assembly. I wish I had been in Dorsetshire.
Well, after this, you will not be surprised that Lord Orville contented
himself with an inquiry after our healths this morning, by his servant,
without troubling himself to call, as Miss Mirvan had told me he would;
but perhaps it may be only a country custom.
I would not live here for the world. I care not how soon we
leave town. London soon grows tiresome. I wish the Captain would
come. Mrs. Mirvan talks of the opera for this evening; however,
I am very indifferent about it. Wednesday Morning.
Well, my dear Sir, I have been pleased against my will, I could almost
say; for I must own I went out in very ill humour, which I think you
cannot wonder at: but the music and the singing were charming; they
soothed me into a pleasure the most grateful, the best suited to my
present disposition in the world. I hope to persuade Mrs. Mirvan to
go again on Saturday. I wish the opera was every night. It is, of all
entertainments, the sweetest and most delightful. Some of the songs
seemed to melt my very soul. It was what they call a serious opera,
as the comic first singer was ill.
To-night we go to Ranelagh. If any of those three gentlemen who
conversed so freely about me should be there-but I won't think of it.
Thursday Morning.
Well, my dear Sir, we went to Ranelagh. It is a charming place; and
the brilliancy of the lights, on my first entrance, made me almost
think I was in some enchanted castle or fairy palace, for all looked
like magic to me.
The very first person I saw was Lord Orville. I felt so confused!-but
he did not see me. After tea, Mrs. Mirvan being tired, Maria and
I walked round the room alone. Then again we saw him, standing by
the orchestra. We, too, stopt to hear a singer. He bowed to me; I
courtesied, and I am sure I coloured. We soon walked on, not liking
our situation; however, he did not follow us; and when we passed by
the orchestra again, he was gone. Afterwards, in the course of the
evening, we met him several times; but he was always with some party,
and never spoke to us, though whenever he chanced to meet my eyes,
he condescended to bow.
I cannot but be hurt at the opinion he entertains of me. It is true
my own behaviour incurred it-yet he is himself the most agreeable,
and, seemingly, the most amiable man in the world, and therefore it
is that I am grieved to be thought ill of by him: for of whose esteem
ought we to be ambitious, if not of those who most merit our own?-But
it is too late to reflect upon this now. Well I can't help it.-However,
I think I have done with assemblies.
This morning was destined for seeing sights, auctions, curious shops,
and so forth; but my head ached, and I was not in a humour to be
amused, and so I made them go without me, though very unwillingly. They
are all kindness.
And now I am sorry I did not accompany them, for I know not what
to do with myself. I had resolved not to go to the play to-night;
but I believe I shall. In short, I hardly care whether I do or not.
* * * * *
I thought I had done wrong! Mrs. Mirvan and Maria have been half the
town over, and so entertained!-while I, like a fool, staid at home
to do nothing. And, at the auction in Pall-mall, who should they
meet but Lord Orville. He sat next to Mrs. Mirvan, and they talked
a great deal together; but she gave me no account of the conversation.
I may never have such another opportunity of seeing London; I am quite
sorry that I was not of the party; but I deserve this mortification,
for having indulged my ill-humour. Thursday Night.
We are just returned from the play, which was King Lear, and has made
me very sad. We did not see any body we knew.
Well, adieu, it is too late to write more. Friday.
Captain Mirvan is arrived. I have not spirits to give an account of
his introduction, for he has really shocked me. I do not like him. He
seems to be surly, vulgar, and disagreeable.
Almost the same moment that Maria was presented to him, he began
some rude jests upon the bad shape of her nose, and called her a tall
ill-formed thing. She bore it with the utmost good-humour; but that
kind and sweet-tempered woman, Mrs. Mirvan, deserved a better lot. I
am amazed she would marry him.
For my own part, I have been so shy, that I have hardly spoken to
him, or he to me. I cannot imagine why the family was so rejoiced
at his return. If he had spent his whole life abroad, I should have
supposed they might rather have been thankful than sorrowful. However,
I hope they do not think so ill of him as I do. At least, I am sure
they have too much prudence to make it known. Saturday Night.
We have been to the opera, and I am still more pleased than I was
on Tuesday. I could have thought myself in Paradise, but for the
continual talking of the company around me. We sat in the pit, where
every body was dressed in so high a style, that if I had been less
delighted with the performance, my eyes would have found me sufficient
entertainment from looking at the ladies.
I was very glad I did not sit next the Captain; for he could not bear
the music or singers, and was extremely gross in his observations
of both. When the opera was over, we went into a place called the
coffee-room where ladies, as well as gentlemen, assemble. There are
all sorts of refreshments, and the company walk about, and chat with
the same ease and freedom as in a private room.
On Monday we go to a ridotto, and on Wednesday we return to Howard
Grove. The Captain says he won't stay here to be smoked with filth
any longer; but, having been seven years smoked with a burning sun,
he will retire to the country, and sink into a fair weather chap.
Adieu, my dear Sir.
</CHAPTER>
<CHAPTER>
LETTER XIII EVELINA IN CONTINUATION
Tuesday, April 12. My dear Sir,
WE came home from the ridotto so late, or rather so early that it
was not possible for me to write. Indeed, we did not go -you will be
frightened to hear it-till past eleven o'clock: but no body does. A
terrible reverse of the order of nature! We sleep with the sun,
and wake with the moon.
The room was very magnificent, the lights and decorations were
brilliant, and the company gay and splendid. But I should have told
you, that I made many objections to being of the party, according
to the resolution I had formed. However, Maria laughed me out of my
scruples, and so once again I went to an assembly.
Miss Mirvan danced a minuet; but I had not the courage to follow
her example. In our walks I saw Lord Orville. He was quite alone,
but did not observe us. Yet, as he seemed of no party, I thought
it was not impossible that he might join us; and though I did not
wish much to dance at all-yet, as I was more acquainted with him
than with any other person in the room, I must own I could not help
thinking it would be infinitely more desirable to dance again with him
than with an entire stranger. To be sure, after all that had passed,
it was very ridiculous to suppose it even probable that Lord Orville
would again honour me with his choice; yet I am compelled to confess
my absurdity, by way of explaining what follows.
Miss Mirvan was soon engaged; and presently after a very fashionable
gay looking man, who seemed about thirty years of age, addressed
himself to me, and begged to have the honour of dancing with me. Now
Maria's partner was a gentleman of Mrs. Mirvan's acquaintance; for
she had told us it was highly improper for young women to dance with
strangers at any public assembly. Indeed it was by no means my wish
so to do: yet I did not like to confine myself from dancing at all;
neither did I dare refuse this gentleman as I had done Mr. Lovel,
and then, if any acquaintance should offer, accept him: and so, all
these reasons combining, induced me to tell him-yet I blush to write
it to you!-that I was already engaged; by which I meant to keep myself
at liberty to a dance, or not, as matters should fall out.
I suppose my consciousness betrayed my artifice, for he looked at me
as if incredulous; and, instead of being satisfied with my answer
and leaving me, according to my expectation, he walked at my side,
and, with the greatest ease imaginable, began a conversation in the
free style which only belongs to old and intimate acquaintance. But,
what was most provoking, he asked me a thousand questions concerning
the partner to whom I was engaged. And at last he said, "Is it really
possible that a man whom you have honoured with your acceptance can
fail to be at hand to profit from your goodness?"
I felt extremely foolish; and begged Mrs. Mirvan to lead to a seat;
which she very obligingly did. The Captain sat next her; and to my
great surprise, this gentleman thought proper to follow, and seat
himself next to me.
"What an insensible!" continued he; "why, Madam, you are missing the
most delightful dance in the world!-The man must be either mad or a
fool-Which do you incline to think him yourself?"
"Neither, Sir," answered I, in some confusion.
He begged my pardon for the freedom of his supposition, saying,
"I really was off my guard, from astonishment that any man can be
so much and so unaccountably his own enemy. But where, Madam, can he
possibly be!-has he left the room!-or has not he been in it?"
"Indeed, Sir," said I peevishly, "I know nothing of him."
"I don't wonder that you are disconcerted, Madam; it is really very
provoking. The best part of the evening will be absolutely lost. He
deserves not that you should wait for him."
"I do not, Sir," said I, "and I beg you not to-"
"Mortifying, indeed, Madam," interrupted he, "a lady to wait for a
gentleman!-O fie!-careless fellow!-What can detain him?-Will you give
me leave to seek him?"
"If you please, Sir," answered I; quite terrified lest Mrs. Mirvan
should attend to him; for she looked very much surprised at seeing
me enter into conversation with a stranger.
"With all my heart," cried he; "pray, what coat has he on?"
"Indeed I never looked at it."
"Out upon him!" cried he; "What! did he address you in a coat not
worth looking at?-What a shabby wretch!"
How ridiculous! I really could not help laughing, which I fear
encouraged him, for he went on.
"Charming creature!-and can you really bear ill usage with so much
sweetness? Can you, like patience on a monument, smile in the midst
of disappointment? For my part, though I am not the offended person,
my indignation is so great, that I long to kick the fellow round
the room!-unless, indeed,-(hesitating and looking earnestly at me,)
unless, indeed,-it is a partner of your own creating?"
I was dreadfully abashed, and could not make an answer.
"But no!" cried he (again, and with warmth,) "It cannot be that you
are so cruel! Softness itself is painted in your eyes.-You could not,
surely, have the barbarity so wantonly to trifle with my misery."
I turned away from this nonsense with real disgust, Mrs. Mirvan saw
my confusion, but was perplexed what to think of it, and I could
not explain to her the cause, lest the Captain should hear me. I
therefore proposed to walk; she consented, and we all rose; but,
would you believe it? this man had the assurance to rise too, and
walk close by my side, as if of my party!
"Now," cried he, "I hope we shall see this ingrate.-Is that
he?"-pointing to an old man who was lame, "or that?" And in this
manner he asked me of whoever was old or ugly in the room. I made
no sort of answer: and when he found that I was resolutely silent,
and walked on as much as I could without observing him, he suddenly
stamped his foot, and cried out in a passion, "Fool! idiot! booby!"
I turned hastily toward him: "O, Madam," continued he, "forgive my
vehemence; but I am distracted to think there should exist a wretch
who can slight a blessing for which I would forfeit my life!-O that I
could but meet him, I would soon-But I grow angry: pardon me, Madam,
my passions are violent, and your injuries affect me!"
I began to apprehend he was a madman, and stared at him with the
utmost astonishment. "I see you are moved, Madam," said he; "generous
creature!-but don't be alarmed, I am cool again, I am indeed,-upon
my soul I am;-I entreat you, most lovely of mortals! I intreat you
to be easy."
"Indeed, Sir," said I very seriously, "I must insist upon your leaving
me; you are quite a stranger to me, and I am both unused, and averse
to your language and your manners."
This seemed to have some effect on him. He made me a low bow, begged
my pardon, and vowed he would not for the world offend me.
"Then, Sir, you must leave me," cried I. "I am gone, Madam, I am
gone!" with a most tragical air; and he marched away at a quick pace,
out of sight in a moment; but before I had time to congratulate myself,
he was again at my elbow.
"And could you really let me go, and not be sorry?-Can you see me
suffer torments inexpressible, and yet retain all your favour for
that miscreant who flies you?-Ungrateful puppy!-I could bastinado him!"
"For Heaven's sake, my dear," cried Mrs. Mirvan, "who is he talking
of?"
"Indeed-I do not know, Madam," said I; "but I wish he would leave me."
"What's all that there?" cried the Captain.
The man made a low bow, and said, "Only, Sir, a slight objection
which this young lady makes to dancing with me, and which I am
endeavouring to obviate. I shall think myself greatly honoured if
you will intercede for me."
"That lady, Sir," said the Captain coldly, "is her own mistress." And
he walked sullenly on.
"You, Madam," said the man (who looked delighted, to Mrs. Mirvan),
"You, I hope, will have the goodness to speak for me."
"Sir," answered she gravely, "I have not the pleasure of being
acquainted with you."
"I hope when you have, Ma'am," cried he, undaunted, "you will honour
me with your approbation: but, while I am yet unknown to you, it would
be truly generous in you to countenance me; and I flatter myself,
Madam, that you will not have cause to repent it."
Mrs. Mirvan, with an embarrassed air, replied, "I do not at all mean,
Sir, to doubt your being a gentleman,-but-"
"But what, Madam?-that doubt removed, why a but?"
"Well, Sir," said Mrs. Mirvan (with a good humoured smile), "I will
even treat you with your own plainness, and try what effect that will
have on you: I must therefore tell you, once for all-"
"O pardon me, Madam!" interrupted he, eagerly, "you must not proceed
with those words once for all; no, if I have been too plain, and
though a man, deserve a rebuke, remember, dear ladies that if you copy,
you ought in justice to excuse me."
We both stared at the man's strange behaviour.
"Be nobler than your sex," continued he, turning to me, "honour me
with one dance, and give up the ingrate who has merited so ill your
patience."
Mrs. Mirvan looked with astonishment at us both.
"Who does he speak of, my dear?-you never mentioned-"
"O, Madam!" exclaimed he, "he was not worth mentioning-it is a pity he
was ever though of; but let us forget his existence. One dance is all
I solicit. Permit me, Madam, the honour of this young lady's hand;
it will be a favour I shall ever most gratefully acknowledge."
"Sir," answered she, "favours and strangers have with me no
connection."
"If you have hitherto," said he, "confined your benevolence to your
intimate friends, suffer me to be the first for whom your charity
is enlarged."
"Well, Sir, I know not what to say to you,-but-"
He stopt her but with so many urgent entreaties that she at last told
me, I must either go down one dance, or avoid his importunities by
returning home. I hesitated which alternative to chose; but this
impetuous man at length prevailed, and I was obliged to consent to
dance with him.
And thus was my deviation from truth punished; and thus did this
man's determined boldness conquer.
During the dance, before we were too much engaged in it for
conversation, he was extremely provoking about my partner, and tried
every means in his power to make me own that I had deceived him;
which, though I would not so far humble myself as to acknowledge,
was indeed but too obvious.
Lord Orville, I fancy, did not dance at all. He seemed to have a
large acquaintance, and joined several different parties: but you
will easily suppose, I was not much pleased to see him, in a few
minutes after I was gone, walk towards the place I had just left,
and bow to and join Mrs. Mirvan!
How unlucky I thought myself, that I had not longer withstood this
stranger's importunities! The moment we had gone down the dance, I was
hastening away from him; but he stopt me, and said, that I could by no
means return to my party without giving offence, before we had done
our duty of walking up the dance. As I know nothing at all of these
rules and customs I was obliged to submit to his directions; but I
fancy I looked rather uneasy, for he took notice of my inattention,
saying, in his free way, "Whence that anxiety?-Why are those lovely
eyes perpetually averted?"
"I wish you would say no more to me, Sir," cried I peevishly; "you
have already destroyed all my happiness for this evening."
"Good Heaven! What is it I have done?-How have I merited this scorn?"
"You have tormented me to death; you have forced me from my friends,
and intruded yourself upon me, against my will, for a partner."
"Surely, my dear Madam, we ought to be better friends, since
there seems to be something of sympathy in the frankness of our
dispositions.-And yet, were you not an angel-how do you think I could
brooke such contempt?"
"If I have offended you," cried I, "you have but to leave me-and O
how I wish you would!"
"My dear creature," said he, half laughing, "why where could you
be educated?"
"Where I most sincerely wish I now was!"
"How conscious you must be, all beautiful that you are, that those
charming airs serve only to heighten the bloom of your complexion!"
"Your freedom, Sir, where you are more acquainted, may perhaps be
less disagreeable; but to me -"
"You do me justice," cried he, interrupting me, "yes, I do indeed
improve upon acquaintance; you will hereafter be quite charmed
with me."
"Hereafter, Sir, I hope I shall never-"
"O hush!-hush!-have you forgot the situation in which I found you?-Have
you forgot, that when deserted, I pursued you,-when betrayed, I adored
you?-but for me-"
"But for you, Sir, I might perhaps have been happy."
"What then, am I to conclude that, but for me, your partner would
have appeared?-poor fellow!-and did my presence awe him?"
"I wish his presence, Sir, could awe you!"
"His presence!-perhaps then you see him?"
"Perhaps, Sir, I do," cried I, quite wearied of his raillery.
"Where? Where?-for Heaven's sake show me the wretch!"
"Wretch, Sir!"
"O, a very savage!-a sneaking, shame-faced, despicable puppy!"
I know not what bewitched me-but my pride was hurt, and my spirits
were tired, and-in short, I had the folly, looking at Lord Orville,
to repeat, "Despicable, you think?"
His eyes instantly followed mine; "Why, is that the gentleman?"
I made no answer; I could not affirm, and I would not deny:-for I
hoped to be relieved from his teasing by his mistake.
The very moment we had done what he called our duty, I eagerly desired
to return to Mrs. Mirvan.
"To your partner, I presume, Madam?" said he, very gravely.
This quite confounded me. I dreaded lest this mischievous man ignorant
of his rank, should address himself to Lord Orville, and say something
which might expose my artifice. Fool! to involve myself in such
difficulties! I now feared what I had before wished; and therefore,
to avoid Lord Orville, I was obliged myself to propose going down
another dance, though I was ready to sink with shame while I spoke.
"But your partner, Ma'am?" said he, affecting a very solemn air,
"perhaps he may resent my detaining you: if you will give me leave
to ask his consent-"
"Not for the universe."
"Who is he, Madam?"
I wished myself a hundred miles off. He repeated his question,
"What is his name?"
"Nothing-nobody-I don't know-"
He assumed a most important solemnity: "How!-not know?-Give me leave,
my dear Madam, to recommend this caution to you: Never dance in public
with a stranger,-with one whose name you are unacquainted with,-who
may be a mere adventurer,-a man of no character, consider to what
impertinence you may expose yourself."
Was ever anything so ridiculous? I could not help laughing, in spite
of my vexation.
At this instant, Mrs. Mirvan, followed by Lord Orville, walked up to
us. You will easily believe it was not difficult for me to recover
my gravity; but what was my consternation, when this strange man,
destined to be the scourge of my artifice, exclaimed, "Ha! My Lord
Orville!-I protest I did not know your Lordship. What can I say for my
usurpation?-Yet, faith, my Lord, such a prize was not to be neglected."
My shame and confusion were unspeakable. Who could have supposed or
foreseen that this man knew Lord Orville? But falsehood is not more
unjustifiable than unsafe.
Lord Orville-well he might-looked all amazement.
"The philosophic coldness of your Lordship," continued this odious
creature, "every man is not endowed with. I have used my utmost
endeavours to entertain this lady, though I fear without success;
and your lordship will not be a little flattered, if acquainted with
the difficulty which attended my procuring the honour of only one
dance." Then, turning to me, who was sinking with shame, while Lord
Orville stood motionless, and Mrs. Mirvan astonished,-he suddenly
seized my hand, saying, "Think, my Lord, what must be my reluctance
to resign this fair hand to your Lordship!"
In the same instant, Lord Orville took it of him; I coloured violently,
and made an effort to recover it. "You do me too much honour, Sir,"
cried he, (with an air of gallantry, pressing it to his lips before
he let it go;) "however, I shall be happy to profit by it, if this
lady," turning to Mrs. Mirvan, "will permit me to seek for her party."
To compel him thus to dance, I could not endure; and eagerly called
out, "By no means-not for the world!-I must beg-"
"Will you honour me, Madam, with your commands," cried my tormentor;
"may I seek the lady's party?"
"No, Sir," answered I, turning from him.
"What shall be done, my dear?" said Mrs. Mirvan.
"Nothing, Ma'am;-anything, I mean-"
"But do you dance, or not? you see his Lordship waits."
"I hope not-I beg that-I would not for the world-I am sure I ought
to-to-"
I could not speak; but that confident man, determining to discover
whether or not I had deceived him, said to Lord Orville, who
stood suspended, "My Lord, this affair, which at present seems
perplexed, I will briefly explain:-this lady proposed to me another
dance,-nothing could have made me more happy,-I only wished for your
Lordship's permission; which, if now granted, will, I am persuaded,
set everything right."
I glowed with indignation. "No, Sir-it is your absence, and that alone,
can set everything right."
"For Heaven's sake, my dear," cried Mrs. Mirvan, who could no
longer contain her surprise, "what does all this mean?-were you
pre-engaged?-had Lord Orville-"
"No, Madam," cried I, "only-only I did not know that gentleman,-and
so-and so I thought-I intended-I-"
Overpowered by all that had passed, I had not strength to make my
mortifying explanation;-my spirits quite failed me, and I burst
into tears.
They all seemed shocked and amazed.
"What is the matter, my dearest love?" cried Mrs. Mirvan, with
kindest concern.
"What have I done!" exclaimed my evil genius, and ran officiously
for a glass of water.
However, a hint was sufficient for Lord Orville, who comprehended all
I would have explained. He immediately led me to a seat, and said in
a low voice, "Be not distressed, I beseech you: I shall ever think
my name honoured by your making use of it."
This politeness relieved me. A general murmur had alarmed Miss Mirvan,
who flew instantly to me; while Lord Orville the moment Mrs. Mirvan
had taken the water, led my tormentor away.
"For Heaven's sake, dear Madam," cried I, "let me go home;-indeed I
cannot stay here any longer."
"Let us all go," cried my kind Maria.
"But the Captain, what will he say-I had better go home in a chair."
Mrs. Mirvan consented, and I rose to depart. Lord Orville and that
man both came to me. The first, with an attention I but ill-merited
from him, led me to a chair; while the other followed, pestering me
with apologies. I wished to have made mine to Lord Orville, but was
too much ashamed.
It was about one o'clock. Mrs. Mirvan's servants saw me home.
And now,-what again shall ever tempt me to an assembly? I dread to
hear what you will think of me, my most dear and honoured Sir: you
will need your utmost partiality to receive me without displeasure.
This morning Lord Orville has sent to inquire after our health; and
Sir Clement Willoughby, for that, I find, is the name of my persecutor,
has called; but I would not go down stairs till he was gone.
And now, my dear Sir, I can somewhat account for the strange,
provoking, and ridiculous conduct of this Sir Clement last night;
for Miss Mirvan says he is the very man with whom she heard Lord
Orville conversing at Mrs. Stanley's, when I was spoken of in so
mortifying a manner. He was pleased to say he was glad to hear I was
a fool; and therefore, I suppose, he concluded he might talk as much
nonsense as he pleased to me: however, I am very indifferent as to
his opinion;-but for Lord Orville,-if then he thought me an idiot,
now, I am sure, he must suppose me both bold and presuming. Make use
of his name!-what impertinence-he can never know how it happened,-he
can only imagine it was from an excess of vanity;-well, however,
I shall leave this bad city to-morrow, and never again will I enter it.
The Captain intends to take us to-night to the Fantoccini. I cannot
bear that Captain; I can give you no idea how gross he is. I heartily
rejoice that he was not present at the disagreeable conclusion of
yesterday's adventure, for I am sure he would have contributed to my
confusion; which might, perhaps, have diverted him, as he seldom or
never smiles but at some other person's expense.
And here I conclude my London letters,-and without any regret; for I
am too inexperienced and ignorant to conduct myself with propriety
in this town, where everything is new to me, and many things are
unaccountable and perplexing.
Adieu, my dear Sir; Heaven restore me safely to you! I wish I was to go
immediately to Berry Hill; yet the wish is ungrateful to Mrs. Mirvan,
and therefore I will repress it. I shall write an account of the
Fantoccini from Howard Grove. We have not been to half the public
places that are now open, though I dare say you will think we have
been to all. But they are almost as innumerable as the persons who
fill them.
</CHAPTER>
<CHAPTER>
LETTER XIV. EVELINA IN CONTINUATION.
Queen Ann Street, April 13.
HOW much will you be surprised, my dearest Sir, at receiving another
letter, from London, of your Evelina's writing! But, believe me, it
was not my fault, neither is it my happiness, that I am still here:
our journey has been postponed by an accident equally unexpected
and disagreeable.
We went last night to see the Fantoccini, where we had infinite
entertainment from the performance of a little comedy in French and
Italian, by puppets, so admirably managed, that they both astonished
and diverted us all, except the Captain, who has a fixed and most
prejudiced hatred of whatever is not English.
When it was over, while we waited for the coach, a tall elderly woman
brushed quickly past us, calling out, "My God, what shall I do?"
"Why, what would you do?" cried the Captain.
"Ma foi, Monsieur," answered she, "I have lost my company, and in
this place I don't know nobody."
There was something foreign in her accent, though it was difficult
to discover whether she was an English or a French woman. She was
very well dressed; and seemed so entirely at a loss what to do,
that Mrs. Mirvan proposed to the Captain to assist her.
"Assist her!" cried he, "ay, with all my heart;-let a link-boy call
her a coach."
There was not one to be had, and it rained very fast.
"Mon Dieu!" exclaimed the stranger, "what shall become of me? Je
suis au desespoir!"
"Dear Sir," cried Miss Mirvan, "pray let us take the poor lady into
our coach. She is quite alone, and a foreigner-"
"She's never the better for that," answered he: "she may be a woman
of the town, for anything you know."
"She does not appear such," said Mrs. Mirvan; "and indeed she seems
so much distressed, that we shall but follow the golden rule, if we
carry her to her lodgings."
"You are mighty fond of new acquaintance," returned he; "but first
let us know if she be going our way."
Upon inquiry, we found that she lived in Oxford Road; and, after
some disputing, the Captain surlily, and, with a very bad grace,
consented to admit her into his coach; though he soon convinced us,
that he was determined she should not be too much obliged to him,
for he seemed absolutely bent upon quarrelling with her: for which
strange inhospitality I can assign no other reason, than that she
appeared to be a foreigner.
The conversation began, by her telling us, that she had been in England
only two days; that the gentlemen belonging to her were Parisians,
and had left her to see for a hackney-coach, as her own carriage was
abroad; and that she had waited for them till she was quite frightened,
and concluded that they had lost themselves.
"And pray," said the Captain, "why did you go to a public place
without an Englishman?"
"Ma foi, Sir," answered she, "because none of my acquaintance is
in town."
"Why then," said he, "I'll tell you what, your best way is to go out
of it yourself."
"Pardi, Monsieur," returned she, "and so I shall; for, I promise you,
I think the English a parcel of brutes; and I'll go back to France
as fast as I can, for I would not live among none of you."
"Who wants you?" cried the Captain: "do you suppose, Madam French,
we have not enough of other nations to pick our pockets already? I'll
warrant you, there's no need for you for to put in your oar."
"Pick your pockets, Sir! I wish nobody wanted to pick your pockets no
more than I do; and I'll promise you you'd be safe enough. But there's
no nation under the sun can beat the English for ill-politeness:
for my part, I hate the very sight of them; and so I shall only
just visit a person of quality or two of my particular acquaintance,
and then I shall go back again to France."
"Ay, do," cried he; "and then go to the devil together, for that's
the fittest voyage for the French and the quality."
"We'll take care, however," cried the stranger with great vehemence,
"not to admit none of your vulgar unmannered English among us."
"O never fear," returned he, coolly, "we shan't dispute the point
with you; you and the quality may have the devil all to yourselves."
Desirous of changing the subject of a conversation which now became
very alarming, Miss Mirvan called out, "Lord, how slow the man drives!"
"Never mind, Moll," said her father, "I'll warrant you he'll drive
fast enough to-morrow, when you are going to Howard Grove."
"To Howard Grove!" exclaimed the stranger, "why, mon Dieu, do you
know Lady Howard?"
"Why, what if we do?" answered he; "that's nothing to you; she's none
of your quality, I'll promise you."
"Who told you that?" cried she; "you don't know nothing about the
matter! besides, you're the ill-bredest person ever I see: and as
to your knowing Lady Howard, I don't believe no such a thing; unless,
indeed, you are her steward."
The Captain, swearing terribly, said, with great fury, "You would
much sooner be taken for her wash-woman."
"Her wash-woman, indeed?-Ha, ha, ha, why you han't no eyes; did you
ever see a wash-woman in such a gown as this?-Besides, I'm no such
mean person, for I'm as good as Lady Howard, and as rich too; and
besides, I'm now come to England to visit her."
"You may spare yourself that there trouble," said the Captain,
"she has paupers enough about her already."
"Paupers, Mister!-no more a pauper than yourself, nor so much
neither;-but you are a low, dirty fellow, and I shan't stoop to take
no more notice of you."
"Dirty fellow!" exclaimed the Captain, seizing both her wrists, "hark
you, Mrs. Frog, you'd best hold your tongue; for I must make bold to
tell you, if you don't, that I shall make no ceremony of tripping you
out of the window, and there you may lie in the mud till some of your
Monseers come to help you out of it."
Their increasing passion quite terrified us; and Mrs. Mirvan was
beginning to remonstrate with the Captain, when we were all silenced
by what follows.
"Let me go, villain that you are, let me go, or I'll promise you I'll
get you put to prison for this usage. I'm no common person, I assure
you; and, ma foi, I'll go to Justice Fielding about you; for I'm a
person of fashion, and I'll make you know it, or my name a'n't Duval."
I heard no more: amazed, frightened, and unspeakably shocked, an
involuntary exclamation of Gracious Heaven! escaped me, and, more
dead than alive, I sunk into Mrs. Mirvan's arms. But let me draw a
veil over a scene too cruel for a heart so compassionately tender as
your's; it is sufficient that you know this supposed foreigner proved
to be Madame Duval,-the grandmother of your Evelina!
O, Sir, to discover so near a relation in a woman, who had thus
introduced herself!-what would become of me, were it not for you,
my protector, my friend, and my refuge?
My extreme concern, and Mrs. Mirvan's surprise, immediately betrayed
me. But, I will not shock you with the manner of her acknowledging
me, or the bitterness, the grossness -I cannot otherwise express
myself,-with which she spoke of those unhappy past transactions
you have so pathetically related to me. All the misery of a much
injured parent, dear, though never seen, regretted, though never
known, crowded so forcibly upon my memory, that they rendered this
interview-one only excepted-the most afflicting I can ever know.
When we stopt at her lodgings, she desired me to accompany her into
the house, and said she could easily procure a room for me to sleep
in. Alarmed and trembling, I turned to Mrs. Mirvan. "My daughter,
Madam," said that sweet woman, "cannot so abruptly part with her young
friend; you must allow a little time to wean them from each other."
"Pardon me, Ma'am," answered Madame Duval, (who, from the time of her
being known, somewhat softened her manners) "Miss can't possibly be
so nearly connected to this child as I am."
"No matter for that," cried the Captain, (who espoused my cause to
satisfy his own pique, tho' an awkward apology had passed between them)
"she was sent to us; and so, dy'e see, we don't choose for to part
with her."
I promised to wait upon her at what time she pleased the next day;
and, after a short debate, she desired me to breakfast with her,
and we proceeded to Queen Ann Street.
What an unfortunate adventure! I could not close my eyes the whole
night. A thousand times I wished I had never left Berry Hill: however,
my return thither shall be accelerated to the utmost of my power;
and, once more in that abode of tranquil happiness, I will suffer no
temptation to allure me elsewhere.
Mrs. Mirvan was so kind as to accompany me to Madame Duval's house
this morning. The Captain, too, offered his service; which I declined,
from a fear she should suppose I meant to insult her.
She frowned most terribly upon Mrs. Mirvan; but she received me with
as much tenderness as I believe she is capable of feeling. Indeed,
our meeting seems really to have affected her; for when, overcome by
the variety of emotions which the sight of her occasioned, I almost
fainted in her arms, she burst into tears, and said, "let me not lose
my poor daughter a second time!" This unexpected humanity softened
me extremely; but she very soon excited my warmest indignation, by
the ungrateful mention she made of the best of men, my dear and most
generous benefactor. However, grief and anger mutually gave way to
terror, upon her avowing the intention of her visiting England was
to make me return with her to France. This, she said, was a plan she
had formed from the instant she had heard of my birth; which, she
protested, did not reach her ears till I must have been twelve years
of age; but Monsieur Duval, who she declared was the worst husband
in the world, would not permit her to do any thing she wished: he
had been dead but three months; which had been employed in arranging
certain affairs, that were no sooner settled, than she set off for
England. She was already out of mourning, for she said nobody here
could tell how long she had been a widow.
She must have been married very early in life: what her age is I do
not know; but she really looks to be less than fifty. She dresses
very gaily, paints very high, and the traces of former beauty are
still very visible in her face.
I know not when, or how, this visit would have ended, had not the
Captain called for Mrs. Mirvan, and absolutely insisted upon my
attending her. He is become, very suddenly, so warmly my friend, that
I quite dread his officiousness. Mrs. Mirvan, however, whose principal
study seems to be healing those wounds which her husband inflicts,
appeased Madame Duval's wrath, by a very polite invitation to drink
tea and spend the evening here. Not without great difficulty was
the Captain prevailed upon to defer his journey some time longer;
but what could be done? It would have been indecent for me to have
quitted town the very instant I discovered that Madame Duval was in it;
and to have staid here solely under her protection-Mrs. Mirvan, thank
Heaven, was too kind for such a thought. That she should follow us to
Howard Grove, I almost equally dreaded. It is therefore determined,
that we remain in London for some days, or a week: though the Captain
has declared that the old French hag, as he is pleased to call her,
shall fare never the better for it.
My only hope is to get safe to Berry Hill; where, counselled and
sheltered by you, I shall have nothing more to fear. Adieu, my ever
dear and most honoured Sir! I shall have no happiness till I am again
with you.
</CHAPTER>
| 15,110 | Volume I, Letter I - Volume I, Letter XIV | https://web.archive.org/web/20201126171702/https://www.gradesaver.com/evelina-or-the-history-of-a-young-ladys-entrance-into-the-world/study-guide/summary-volume-i-letter-i--volume-i-letter-xiv | The novel is comprised of letters in three volumes. The heading to each letter provides its sender and recipient, as well as its date. While this summary gives synopsis of the novel's plot, it should be understood that all information is from the perspective of whoever is writing the current letter. The first few letters are sent between the Rev. Mr. Villars and Lady Howard. Lady Howard writes first, telling him of a letter she had recently received from Madame Duval, who despises Villars. Duval wishes to reunite with Evelina, her granddaughter. Evelina had been bequeathed to Villars when her own mother had died in his care. Neither Lady Howard nor her own daughter Mrs. Mirvan wish Evelina to be returned to Madame Duval. Mr. Villars responds with an account of Evelina's past. He explains that he had once been the tutor of a Mr. Evelyn, a young man who married Madame Duval, then working as a tavern waiting girl. Their marriage was very unhappy in spite of their daughter Miss Caroline Evelyn, and he lived only two years after getting married. Mr. Evelyn had provided a small amount of money for his daughter upon his death, but he entrusted her care and education to Mr. Villars. Though Madame Duval remained responsible for Miss Evelyn's fortune, she was a "low-bred and illiberal woman." Mr. Villars raised Miss Evelyn until she was eighteen. He describes her as a virtuous and lovely creature, but laments that she rashly consented to marry the profligate Sir John Belmont. She suffered under his mistreatment - which was worst after he learned she had no access to her mother's fortune - and she died not long after she birthed their daughter. Belmont meanwhile had burnt their marriage certificate and denied any connection to her or their daughter. From that time onwards, Mr. Villars raised their child, Evelina. Lady Howard writes back to ask if Evelina might come stay with them at Howard Grove, her estate. She reminds him how many happy days her granddaughter Maria and Evelina had passed there together as children, and believes it would greatly please them both to reunite. She further proposes that Mrs. Mirvan could take both girls to London in the spring. Mr. Villars accedes to the proposal, acknowledging that Evelina would have an excellent time. He worries about her innocence, however. She is technically wealthy but has had no access to any wealth since her father had denied their connection. Further, his cruelty means she is not legally considered a legitimate child. For these reasons, he believes she should abstain from visiting London. Mr. Villars counsels Lady Howard to "shine in the splendor of high life, but suffer my child still to enjoy the pleasure of humble retirement, with a mind to which greater views are unknown." He tells Lady Howard how he had always called her by the last name of Anville , and he tells her other circumstances surrounding her birth. After Evelina arrives in Howard Grove, Lady Howard writes Villars that the girl is a little angel possessed of gentle manners, natural grace, ingenuous character, and striking beauty. She is growing close with Maria. Lady Howard writes again to ask whether Evelina might join Maria and Mrs. Mirvan to meet Captain Mirvan, her son-in-law who is returning to England after an absence of seven years. She insists that they will not stay in the city for too long. The next letter is from Evelina to Mr. Villars. She writes to personally ask whether she may go to London. She truly hopes for his permission but will abide by his decision. Mr. Villars responds that he can deny her nothing, and she is free to go. Evelina writes to Mr. Villars after they arrive, to tell him that they had attended the Drury Lane Theater. She admits that the houses and streets of London are not as impressive as she expected, but that the theater was lovely. She admires the fashion of the Londoners very much. It had been arranged for the party to attend a ball given by Mrs. Stanley, a fashionable friend of Mrs. Mirvan's. They shopped together for silks in the city, and Evelina was struck by how the shops are tended primarily by men who are both impressively informed and "so finical, so affected" in their work. She also had her hair dressed, and marvels at its appearance. Her next set of letters are about the extraordinary private ball they attended. She was surprised by the gentlemen there, who sauntered back and forth carelessly, as though wishing to keep the ladies in suspense over whom they would next ask to dance. One extremely foppish man asked Evelina to dance, and she awkwardly excused herself. Another man, far more well-dressed, handsome and polite than the first, soon proposed a dance, and she accepted. However, the experience terrified her and she could barely talk despite his elegant, expressive conversation. She eventually snuck away from him, but was mortified to learn that he was Lord Orville, a nobleman. She noticed him looking around for her, but was embarrassed with this world she did not understand. He finally found her, and inquired whether she was ill, or if he had perhaps offended her somehow. She awkwardly assuaged his concerns, and consented to let him bring her refreshment. She remained flummoxed and flustered, and could not stop thinking about the extent of Lord Orville's understanding and good manners. They were sitting together when the foppish man from earlier accosted them to ask Evelina why she had refused him, but accepted Lord Orville. She burst out laughing at his ridiculousness, but was sobered to remember these "rules of assemblies" that dictated the impropriety of refusing an offer and then accepting another. Evelina found Mrs. Mirvan playing cards with the other older ladies, and told her of her misadventures. She then accepted another dance with Lord Orville, but was still unable to converse intelligently because of her anxiety. She was excessively surprised when, at the end of the evening, he told her that it was an honor to dance with her. Evelina's letters continue. She writes to Mr. Villars that Maria had overheard a man at the ball asking Lord Orville whom he was dancing with. This man had referred to Evelina as an angel. The foppish man joined them, and told them Evelina must be of ill-breeding. Lord Orville told them he knew nothing of her birth, but remarked that she was very quiet except when she laughed at the "coxcomb's" ridiculousness. Later that morning, Lord Orville called to inquire about their health. Evelina feels that London has grown tiresome, and she wishes to return to Howard Grove. During their excursions into the city, Evelina saw Lord Orville again and felt hurt to consider the opinion he must hold of her. He was so agreeable and amiable that his opinion matters to her, and she hates to think of how stupid she must have seemed in her inability to speak. Thinking of this put her in an ill humor and she declined more sightseeing. Captain Mirvan arrived, and proved himself disagreeable, rude, and gross. Evelina reluctantly agreed to go to another assembly with Maria and the elder Mirvans. She saw Lord Orville there, and thought how much more desirable it would be to dance with him than with a stranger. She was asked to dance by a man with whom she did not want to be involved, and she decided to lie and tell him she was already engaged. To her dismay, he did not politely leave her alone but followed her around, teasing and persecuting her. She was peeved by his jesting, callous, and obnoxious manner. He even ventured to claim that she had made up her partner. She finally asked him to leave her alone, but he refused, instead continuing to follow her about. She tried to seek solace with Mrs. Mirvan and Captain Mirvan, but they could not make him leave either. She finally consented to dance with him after he had exhausted her resolution. She was also pushed into identifying Lord Orville as her partner, which she realized was a mistake since the obnoxious man might try to speak with Lord Orville and tell him she had falsely used his name. Lord Orville and Mrs. Mirvan together approached Evelina and the man. The man unsubtly insinuated that Evelina had lied using Lord Orville's name, and, overcome, she burst into tears. Lord Orville perceived what had been going on, and politely led her to a seat, saying quietly, "Be not distressed, I beseech you; I shall ever think my name honoured by your making use of it." Evelina decided she would never go to an assembly again. She also learned her persecutor's name - Sir Clement Willoughby. She worried that Lord Orville now thought her "bold and presuming." She concludes this letter by commenting how ignorant and inexperienced she is for this town. In her next letter, Evelina writes to Mr. Villars of how an older, French woman approached the Mirvans as they exited the party. She was distressed because she was lost from her company. Mrs. Mirvan pitied her and offered her a ride in their carriage. Captain Mirvan did not want to do this, as he is excessively prejudiced against foreigners. Indeed, the woman and the Captain soon began to argue hotly about the relative merits and shortcomings of the English and the French. To everyone's surprise, it turned out that the woman was Madame Duval, Evelina's grandmother. Evelina calls the resulting interview "the most afflicting I can ever know." Madame Duval wished to talk to Evelina immediately, but they convinced her that Evelina should visit her house the next morning. Mrs. Mirvan accompanied her the next day. The meeting the night before seemed to have affected Madame Duval, as she was very emotional toward Evelina. She was, however, very rude when speaking of Mr. Villars. Evelina writes that her grandmother looks to be just under fifty, and "dresses very gaily, paints very high, and the traces of former beauty are still very visible in her face." It was decided that the party would remain in London for a few days more; they did not want Madame Duval at Howard Grove, and it was not polite to immediately leave the city now that she was there. Evelina can hardly wait to return to Mr. Villars at Berry Hill. | Most of this novel is concerned with the marked contrast between Evelina's sweet simplicity and the confusing world of manners that she encounters. Most of the novel's themes - class, gender, civility - manifest out of this conflict. Evelina is painted almost right away as a pastoral angel. Certainly, this is clear in the way Lady Howard and the Mirvans describe her. However, it is also apparent in the way her beauty attracts pretty much every man she meets. Her connection to Berry Hill, which is removed from any and all fashionable society, paints her as a pastoral beauty, one supremely innocent of all vice, and she certainly lives up to this impossible description through her effusively gentle and loving letters to Mr. Villars. However, she also possesses great insight, both into the world around her and into the people who inhabit it, which makes her a strong narrator. She can be both in conflict with the world, and eloquent about why it is confusing. Most of Burney's ultimate messages will derive from the irony that such a sweet, wonderful girl is necessarily battered by a world that professes to prize such virtues. Her journey, which has already begun by the end of these letters, will be an attempt to maintain such virtue in a world that seems to have little use for it. However, the sweet and innocent Evelina's entry into fashionable London society is a memorable reading experience not just for offering profound wit and insight into 18th century social norms, but also for its catalogue of contemporary London entertainments and cultural offerings. Evelina's first taste of the city's entertainment is the Drury Lane Theatre, which was open from September to May. It held about 2,300 people and had four classes of seating: boxes, for the very fashionable and wealthy; the pit, for Londoners and their wives, critics, and courtesans; the middle gallery, for middling folk; and the fourth, for the lowest sort of people. David Garrick was an actor and co-manager of the theatre from 1747-1776, and was a personal favorite of Frances Burney's. This first cultural adventure is just one of many that Evelina passes during the novel, and her letters throughout her stays in London demonstrate that she has a keen eye for quality entertainment - such as opera - and that her commentary is valuable despite her youth and ignorance. Others locations mentioned in the first handful of letters are the Mall in St. James Park, the Palace, the opera, and Ranelagh. The first of these, the Mall in St. James Park, was one of London's several royal parks. During the 18th century, the Mall was a straight gravel path through the park, about a half mile in length. It was frequented by men and women of fashion and was hence a place to see and be seen, but it was also home to courtesans and other lascivious, low folk. The Palace is, of course, Buckingham Palace, and was known as the "Queen's Palace," since it was given to Queen Charlotte by George III in 1775. The opera that Evelina later mentions is the all-Italian opera at King's Theatre in the Haymarket. It was a very fashionable place, but suffered financially throughout the 18th century. Burney frequented the operas there, and was thus well-qualified to write about them. Finally, Ranelagh, which is referred to later in the novel as well, was a very famous London pleasure-garden and a place of public amusement established on the site of Ranelagh House in Chelsea. It had garden walks, canals, orchestra performances, dances, masquerades, and the ever-popular promenade along the Rotunda. Evelina writes of her first ridotto and assembly. A ridotto was, as described by Vivien Jones in the annotations to the Oxford World's Classics edition of the novel, "a public social entertainment which included music and dancing... was first introduced to England in 1722... is strictly speaking a form of outdoor entertainment." Much of the novel's important drama occurs at assemblies. An assembly was a prominent feature of 18th century life; it was a gathering for dancing, card playing, conversing, and matchmaking. In some ways, it serves as a microcosm of high society, since it functions by highly regimented modes of behavior. Evelina's ignorance of high society becomes quite manifest at these. She marvels at the types of men she encounter, and fumbles at the rules of accepting dance invitations. However, despite the fact that she does not know precisely how to behave, she is still a naturally sensible and intelligent young woman and makes the correct judgments regarding the people she meets. That her good sense is one of the qualities that leads her to bumble is something of an irony, suggesting that high society has less use for insight and character than it does for pretense and ceremony. The modern reader might be surprised to discover that there were actual rules to these assemblies, and they were often posted on the door of assembly rooms. It was indeed the height of bad manners to refuse one gentleman for a dance and then accept another for the same dance. Jones points out that the assemblies followed the rules laid out at the beginning of the 18th century by Richard "Beau" Nash, Master of Ceremonies at the Bath Assembly Rooms. These rues stipulated the correct dress code and standards of behavior, the start and end times of the event, and how dances were to be conducted. Dr. Johnson, the preeminent 18th century English editor, poet, essayist, biographer, critic, and scholar offers some telling insight into some of the terminology used in Evelina . He defines "foppish" as: "Vain in show; foolishly ostentatious; vain of dress," and a fop as a man who was "fond of show, dress, and flutter." Evelina identifies Mr. Lovel as a fop, but Sir Clement, Lord Merton, and Mr. Coverley also fit this description. Dr. Johnson also defines the term sensible, which means "having moral perception; having the quality of being affected by moral good or ill" and "Having quick intellectual feeling; being strongly or easily affected." It is very apparent that Evelina, while not a noblewoman, possesses a great deal of sensibility. | 1,744 | 1,030 | [
"<CHAPTER>\nLETTER I LADY HOWARD TO THE REV.",
"MR. VILLARS\n\nHoward Grove, Kent.",
"CAN any thing, my good Sir, be more painful to a friendly mind, than\na necessity of communicating disagreeable intelligence?",
"Indeed it is\nsometimes difficult to determine, whether the relator or the receiver\nof evil tidings is most to be pitied.",
"I have just had a letter from Madame Duval; she is totally at a loss\nin what manner to behave; she seems desirous to repair the wrongs she\nhas done, yet wishes the world to believe her blameless.",
"She would\nfain cast upon another the odium of those misfortunes for which she\nalone is answerable.",
"Her letter is violent, sometimes abusive, and\nthat of you!-you, to whom she is under obligations which are greater\neven than her faults, but to whose advice she wickedly imputes all the\nsufferings of her much injured daughter, the late Lady Belmont.",
"The\nchief purport of her writing I will acquaint you with; the letter\nitself is not worthy your notice.",
"She tells me that she has, for many years past, been in continual\nexpectation of making a journey to England, which prevented her\nwriting for information concerning this melancholy subject, by giving\nher hopes of making personal inquiries; but family occurrences have\nstill detained her in France, which country she now sees no prospect\nof quitting.",
"She has, therefore, lately used her utmost endeavors\nto obtain a faithful account of whatever related to her ill-advised\ndaughter; the result of which giving her some reason to apprehend,\nthat, upon her death-bed, she bequeathed an infant orphan to the world,\nshe most graciously says, that if you, with whom she understands the\nchild is placed, will procure authentic proofs of its relationship to\nher, you may sent it to Paris, where she will properly provide for it.",
"This woman is, undoubtedly, at length, self-convicted of her most\nunnatural behaviour; it is evident, from her writing, that she is\nstill as vulgar and illiterate as when her first husband, Mr. Evelyn,\nhad the weakness to marry her; nor does she at all apologize for\naddressing herself to me, though I was only once in her company.",
"Her letter has excited in my daughter Mirvan, a strong desire to be\ninformed of the motives which induced Madame Duval to abandon the\nunfortunate Lady Belmont, at a time when a mother's protection was\npeculiarly necessary for her peace and her reputation.",
"Notwithstanding\nI was personally acquainted with all the parties concerned in that\naffair, the subject always appeared of too delicate a nature to be\nspoken of with the principals; I cannot, therefore, satisfy Mrs. Mirvan\notherwise than by applying to you.",
"By saying that you may send the child, Madame Duval aims at conferring,\nwhere she most owes obligation.",
"I pretend not to give you advice;\nyou, to whose generous protection this helpless orphan is indebted\nfor every thing, are the best and only judge of what she ought to\ndo; but I am much concerned at the trouble and uneasiness which this\nunworthy woman may occasion you.",
"My daughter and my grandchild join with me in desiring to be most\nkindly remembered to the amiable girl; and they bid me remind you, that\nthe annual visit to Howard Grove, which we were formerly promised,\nhas been discontinued for more than four years.",
"I am, dear Sir,\nwith great regard, Your most obedient friend and servant, M. HOWARD.",
"</CHAPTER>\n<CHAPTER>\nLETTER II MR. VILLARS TO LADY HOWARD\n\nBerry Hill, Dorsetshire.",
"YOUR Ladyship did but too well foresee the perplexity and uneasiness\nof which Madame Duval's letter has been productive.",
"However, I ought\nrather to be thankful that I have so many years remained unmolested,\nthan repine at my present embarrassment; since it proves, at least,\nthat this wretched woman is at length awakened to remorse.",
"In regard to my answer, I must humbly request your Ladyship to write\nto this effect: \"That I would not, upon any account, intentionally\noffend Madame Duval; but that I have weighty, nay unanswerable\nreasons for detaining her grand-daughter at present in England;\nthe principal of which is, that it was the earnest desire of one\nto whose will she owes implicit duty.",
"Madame Duval may be assured,\nthat she meets with the utmost attention and tenderness; that her\neducation, however short of my wishes, almost exceeds my abilities;\nand I flatter myself, when the time arrives that she shall pay her\nduty to her grand-mother, Madame Duval will find no reason to be\ndissatisfied with what has been done for her.\"",
"Your Ladyship will not, I am sure, be surprised at this answer.",
"Madame\nDuval is by no means a proper companion or guardian for a young woman:\nshe is at once uneducated and unprincipled; ungentle in temper, and\nunamiable in her manners.",
"I have long known that she has persuaded\nherself to harbour an aversion for me-Unhappy woman!",
"I can only regard\nher as an object of pity!",
"I dare not hesitate at a request from Mrs. Mirvan; yet, in complying\nwith it, I shall, for her own sake, be as concise as I possibly can;\nsince the cruel transactions which preceded the birth of my ward can\nafford no entertainment to a mind so humane as her's.",
"Your Ladyship may probably have heard, that I had the honour to\naccompany Mr. Evelyn, the grandfather of my young charge, when\nupon his travels, in the capacity of a tutor.",
"His unhappy marriage,\nimmediately upon his return to England, with Madame Duval, then a\nwaiting-girl at a tavern, contrary to the advice and entreaties of\nall his friends, among whom I was myself the most urgent, induced\nhim to abandon his native land, and fix his abode in France.",
"Thither he was followed by shame and repentance; feelings which\nhis heart was not framed to support; for, notwithstanding he had\nbeen too weak to resist the allurements of beauty, which nature,\nthough a niggard to her of every other boon, had with a lavish hand\nbestowed on his wife; yet he was a young man of excellent character,\nand, till thus unaccountably infatuated, of unblemished conduct.",
"He\nsurvived this ill-judged marriage but two years.",
"Upon his death-bed,\nwith an unsteady hand, he wrote me the following note:\n\n\n\"My friend, forget your resentment, in favour of your humanity;-a\nfather, trembling for the welfare of his child, bequeaths her to your\ncare.",
"O Villars!",
"hear!",
"pity!",
"And relieve me!\"",
"Had my circumstances permitted me, I should have answered these words\nby an immediate journey to Paris; but I was obliged to act by the\nagency of a friend, who was upon the spot, and present at the opening\nof the will.",
"Mr. Evelyn left to me a legacy of a thousand pounds, and the sole\nguardianship of his daughter's person till her eighteenth year;\nconjuring me, in the most affecting terms, to take the charge of her\neducation till she was able to act with propriety for herself; but,\nin regard to fortune, he left her wholly dependent on her mother,\nto whose tenderness he earnestly recommended her.",
"Thus, though he would not, to a woman low-bred and illiberal as\nMrs. Evelyn, trust the conduct and morals of his daughter, he\nnevertheless thought proper to secure to her the respect and duty\nto which, from her own child, were certainly her due; but unhappily,\nit never occurred to him that the mother, on her part, could fail in\naffection or justice.",
"Miss Evelyn, Madam, from the second to the eighteenth year of her\nlife, was brought up under my care, and, except when at school\nunder my roof.",
"I need not speak to your Ladyship of the virtues\nof that excellent young creature.",
"She loved me as her father; nor\nwas Mrs. Villars less valued by her; while to me she became so dear,\nthat her loss was little less afflicting than that which I have since\nsustained of Mrs. Villars herself.",
"At that period of her life we parted; her mother, then married to\nMonsieur Duval, sent for her to Paris.",
"How often have I since regretted\nthat I did not accompany her thither!",
"Protected and supported by me,\nthe misery and disgrace which awaited her might perhaps have been\navoided.",
"But, to be brief-Madame Duval, at the instigation of her\nhusband, earnestly, or rather tyrannically, endeavoured to effect a\nunion between Miss Evelyn and one of his nephews.",
"And, when she found\nher power inadequate to her attempt, enraged at her non-compliance,\nshe treated her with the grossest unkindness, and threatened her with\npoverty and ruin.",
"Miss Evelyn, to whom wrath and violence had hitherto been strangers,\nsoon grew weary of such usage; and rashly, and without a witness,\nconsented to a private marriage with Sir John Belmont, a very\nprofligate young man, who had but too successfully found means to\ninsinuate himself into her favour.",
"He promised to conduct her to\nEngland-he did.-O, Madam, you know the rest!-Disappointed of the\nfortune he expected, by the inexorable rancour of the Duvals, he\ninfamously burnt the certificate of their marriage, and denied that\nthey had ever been united.",
"She flew to me for protection.",
"With what mixed transports of joy and\nanguish did I again see her!",
"By my advice, she endeavoured to procure\nproofs of her marriage-but in vain; her credulity had been no match\nfor his art.",
"Every body believed her innocent, from the guiltless tenor of her\nunspotted youth, and from the known libertinism of her barbarous\nbetrayer.",
"Yet her sufferings were too acute for her slender frame;\nand the same moment that gave birth to her infant, put an end at once\nto the sorrows and the life of its mother.",
"The rage of Madame Duval at her elopement, abated not while this\ninjured victim of cruelty yet drew breath.",
"She probably intended, in\ntime, to have pardoned her; but time was not allowed.",
"When she was\ninformed of her death, I have been told, that the agonies of grief\nand remorse, with which she was seized, occasioned her a severe fit\nof illness.",
"But, from the time of her recovery to the date of her\nletter to your Ladyship, I had never heard that she manifested any\ndesire to be made acquainted with the circumstances which attended\nthe death of Lady Belmont, and the birth of her helpless child.",
"That child, Madam, shall never, while life is lent me, know the loss\nshe has sustained.",
"I have cherished, succoured, and supported her,\nfrom her earliest infancy to her sixteenth year; and so amply has she\nrepaid my care and affection, that my fondest wish is now circumscribed\nby the desire of bestowing her on one who may be sensible of her worth,\nand then sinking to eternal rest in her arms.",
"Thus it has happened, that the education of the father, daughter,\nand grand-daughter, has devolved on me.",
"What infinite misery have the\ntwo first caused me!",
"Should the fate of the dear survivor be equally\nadverse, how wretched will be the end of my cares-the end of my days!",
"Even had Madame Duval merited the charge she claims, I fear my\nfortitude would have been unequal to such a parting; but being such\nas she is, not only my affection, but my humanity, recoils, at the\nbarbarous idea of deserting the sacred trust reposed in me.",
"Indeed,\nI could but ill support her former yearly visits to the respectable\nmansion at Howard Grove: pardon me, dear Madam, and do not think me\ninsensible of the honour which your Ladyship's condescension confers\nupon us both; but so deep is the impression which the misfortunes\nof her mother have made on my heart, that she does not, even for\na moment, quit my sight without exciting apprehensions and terrors\nwhich almost overpower me.",
"Such, Madam, is my tenderness, and such\nmy weakness!-But she is the only tie I have upon earth, and I trust\nto your Ladyship's goodness not to judge of my feelings with severity.",
"I beg leave to present my humble respects to Mrs. and Miss Mirvan;\nand have the honour to be, Madam, your Ladyship's most obedient and\nmost humble servant, ARTHUR VILLARS.",
"</CHAPTER>\n<CHAPTER>\nLETTER III LADY HOWARD TO THE REV.",
"MR. VILLARS\n\n\n[Written some months after the last]\n\nHoward Grove, March 8.",
"Dear and Rev.",
"Sir,\n\n\nYOUR last letter gave me infinite pleasure: after so long and tedious\nan illness, how grateful to yourself and to your friends must be your\nreturning health!",
"You have the hearty wishes of every individual of\nthis place for its continuance and increase.",
"Will you not think I take advantage of your acknowledged recovery,\nif I once more venture to mention your pupil and Howard Grove\ntogether?",
"Yet you must remember the patience with which we submitted\nto your desire of not parting with her during the bad state of your\nhealth, tho' it was with much reluctance we forbore to solicit her\ncompany.",
"My grand-daughter in particular, has scarce been able to\nrepress her eagerness to again meet the friend of her infancy; and\nfor my own part, it is very strongly my wish to manifest the regard I\nhad for the unfortunate Lady Belmont, by proving serviceable to her\nchild; which seems to me the best respect that can be paid to her\nmemory.",
"Permit me, therefore, to lay before you a plan which Mrs.\nMirvan and I have formed, in consequence of your restoration to health.",
"I would not frighten you;-but do you think you could bear to part\nwith your young companion for two or three months?",
"Mrs. Mirvan\nproposes to spend the ensuing spring in London, whither for the\nfirst time, my grandchild will accompany her: Now, my good friend,\nit is very earnestly their wish to enlarge and enliven their party by\nthe addition of your amiable ward, who would share, equally with her\nown daughter, the care and attention of Mrs. Mirvan.",
"Do not start\nat this proposal; it is time that she should see something of the\nworld.",
"When young people are too rigidly sequestered from it, their\nlively and romantic imaginations paint it to them as a paradise of\nwhich they have been beguiled; but when they are shown it properly,\nand in due time, they see it such as it really is, equally shared by\npain and pleasure, hope and disappointment.",
"You have nothing to apprehend from her meeting with Sir John Belmont,\nas that abandoned man is now abroad, and not expected home this year.",
"Well, my good Sir, what say you to our scheme?",
"I hope it will meet\nwith your approbation; but if it should not, be assured I can never\nobject to any decision of one who is so much respected and esteemed\nas Mr. Villars, by His most faithful, humble servant, M. HOWARD.",
"</CHAPTER>\n<CHAPTER>\nLETTER IV MR. VILLARS TO LADY HOWARD\n\nBerry Hill, March 12.",
"I AM grieved, Madam, to appear obstinate, and I blush to incur\nthe imputation of selfishness.",
"In detaining my young charge thus\nlong with myself in the country, I consulted not solely my own\ninclination.",
"Destined, in all probability, to possess a very moderate\nfortune, I wished to contract her views to something within it.",
"The\nmind is but too naturally prone to pleasure, but too easily yielded\nto dissipation: it has been my study to guard her against their\ndelusions, by preparing her to expect-and to despise them.",
"But the\ntime draws on for experience and observation to take the place of\ninstruction: if I have in some measure, rendered her capable of using\none with discretion, and making the other with improvement, I shall\nrejoice myself with the assurance of having largely contributed to her\nwelfare.",
"She is now of an age that happiness is eager to attend,-let\nher then enjoy it!",
"I commit her to the protection of your Ladyship,\nand only hope she may be found worthy half the goodness I am satisfied\nshe will meet with at your hospitable mansion.",
"Thus far, Madam, I cheerfully submit to your desire.",
"In confiding my\nward to the care of Lady Howard, I can feel no uneasiness from her\nabsence, but what will arise from the loss of her company, since I\nshall be as well convinced of her safety as if she were under my own\nroof.-But can your Ladyship be serious in proposing to introduce her\nto the gaieties of a London life?",
"Permit me to ask, for what end,\nor for what purpose?",
"A youthful mind is seldom totally free from\nambition; to curb that, is the first step to contentment, since to\ndiminish expectation is to increase enjoyment.",
"I apprehend nothing\nmore than too much raising her hopes and her views, which the natural\nvivacity of her disposition would render but too easy to effect.",
"The town-acquaintance of Mrs. Mirvan are all in the circle of high\nlife; this artless young creature, with too much beauty to escape\nnotice, has too much sensibility to be indifferent to it; but she\nhas too little wealth to be sought with propriety by men of the\nfashionable world.",
"Consider Madam, the peculiar cruelty of her situation.",
"Only child of\na wealthy Baronet, whose person she has never seen, whose character\nshe has reason to abhor, and whose name she is forbidden to claim;\nentitled as she is to lawfully inherit his fortune and estate, is\nthere any probability that he will properly own her?",
"And while he\ncontinues to persevere in disavowing his marriage with Miss Evelyn,\nshe shall never, at the expense of her mother's honour, receive a\npart of her right as the donation of his bounty.",
"And as to Mr. Evelyn's estate, I have no doubt but that Madame Duval\nand her relations will dispose of it among themselves.",
"It seems, therefore, as if this deserted child, though legally heiress\nto two large fortunes, must owe all her rational expectations to\nadoption and friendship.",
"Yet her income will be such as may make her\nhappy, if she is disposed to be so in private life; though it will\nby no means allow her to enjoy the luxury of a London fine lady.",
"Let Miss Mirvan, then, Madam, shine in all the splendour of high life;\nbut suffer my child still to enjoy the pleasures of humble retirement,\nwith a mind to which greater views are unknown.",
"I hope this reasoning will be honoured with your approbation; and\nI have yet another motive which has some weight with me: I would\nnot willingly give offence to any human being; and surely Madame\nDuval might accuse me of injustice, if, while I refuse to let her\ngrand-daughter wait upon her, I consent that she should join a party\nof pleasure to London.",
"In sending her to Howard Grove, not one of these scruples arise;\nand therefore Mrs. Clinton, a most worthy woman, formerly her nurse,\nand now my housekeeper, shall attend her thither next week.",
"Though I have always called her by the name of Anville, and reported\nin this neighbourhood that her father, my intimate friend, left her to\nmy guardianship; yet I have thought it necessary she should herself\nbe acquainted with the melancholy circumstances attending her birth:\nfor though I am very desirous of guarding her from curiosity and\nimpertinence, by concealing her name, family, and story, yet I would\nnot leave it in the power of chance to shock her gentle nature with\na tale of so much sorrow.",
"You must not, Madam, expect too much from my pupil; she is quite\na little rustic, and knows nothing of the world; and though her\neducation has been the best I could bestow in this retired place,\nto which Dorchester, the nearest town, is seven miles distant, yet\nI shall not be surprised if you should discover in her a thousand\ndeficiencies of which I have never dreamt.",
"She must be very much\naltered since she was last at Howard Grove.",
"But I will say nothing\nof her; I leave her to your Ladyship's own observations, of which\nI beg a faithful relation; and am, Dear Madam, with great respect,\nYour obedient and most humble Servant, ARTHUR VILLARS.",
"</CHAPTER>\n<CHAPTER>\nLETTER V MR. VILLARS TO LADY HOWARD\n\nMarch 18.",
"Dear Madam,\n\nTHIS letter will be delivered to you by my child-the child of my\nadoption-my affection!",
"Unblest with one natural friend, she merits\na thousand.",
"I send her to you innocent as an angel, and artless as\npurity itself; and I send you with her the heart of your friend, the\nonly hope he has on earth, the subject of his tenderest thoughts, and\nthe object of his latest cares.",
"She is one, Madam, for whom alone I\nhave lately wished to live; and she is one whom to serve I would with\ntransport die!",
"Restore her but to me all innocence as you receive her,\nand the fondest hope of my heart will be amply gratified.",
"A. VILLARS.",
"</CHAPTER>\n<CHAPTER>\nLETTER VI LADY HOWARD TO THE REV.",
"MR. VILLARS\n\nHoward Grove.",
"Dear Rev.",
"Sir,\n\n\nTHE solemn manner in which you have committed your child to my care,\nhas in some measure damped the pleasure which I receive from the\ntrust, as it makes me fear that you suffer from your compliance, in\nwhich case I shall very sincerely blame myself for the earnestness\nwith which I have requested this favour: but remember, my good Sir,\nshe is within a few days summons; and be assured, I will not detain\nher a moment longer than you wish.",
"You desire my opinion of her.",
"She is a little angel!",
"I cannot wonder that you sought to monopolize\nher: neither ought you, at finding it impossible.",
"Her face and person answer my most refined ideas of complete beauty:\nand this, though a subject of praise less important to you, or, to\nme than any other, is yet so striking, it is not possible to pass\nit unnoticed.",
"Had I not known from whom she received her education,\nI should at first sight of so perfect a face, have been in pain for\nher understanding; since it has been long and justly remarked, that\nfolly has ever sought alliance with beauty.",
"She has the same gentleness in her manners, the same natural graces\nin her motions, that I formerly so much admired in her mother.",
"Her\ncharacter seems truly ingenuous and simple; and at the same time\nthat nature has blessed her with an excellent understanding and great\nquickness of parts, she has a certain air of inexperience and innocency\nthat is extremely interesting.",
"You have not reason to regret the retirement in which she has lived;\nsince that politeness which is acquired by an acquaintance with high\nlife, is in her so well supplied by a natural desire of obliging,\njoined to a deportment infinitely engaging.",
"I observe, with great satisfaction, a growing affection between\nthis amiable girl and my grand-daughter, whose heart is as free\nfrom selfishness or conceit, as that of her young friend is from\nall guile.",
"Their regard may be mutually useful, since much is to be\nexpected from emulation where nothing is to be feared from envy.",
"I\nwould have them love each other as sisters, and reciprocally supply\nthe place of that tender and happy relationship to which neither of\nthem has a natural claim.",
"Be satisfied, my good Sir, that your child shall meet with the same\nattention as our own.",
"We all join in most hearty wishes for your health\nand happiness, and in returning our sincere thanks for the favour you\nhave conferred on us.",
"I am, dear Sir, Your most faithful servant,\nM. HOWARD.",
"</CHAPTER>\n<CHAPTER>\nLETTER VII LADY HOWARD TO THE REV.",
"MR. VILLARS\n\nHoward Grove, March 26.",
"BE not alarmed, my worthy friend, at my so speedily troubling you\nagain; I seldom use the ceremony of waiting for answers, or writing\nwith any regularity, and I have at present immediate occasion for\nbegging your patience.",
"Mrs. Mirvan has just received a letter from her long absent husband,\ncontaining the welcome news of his hoping to reach London by\nthe beginning of next week.",
"My daughter and the Captain have been\nseparated almost seven years, and it would therefore be needless to\nsay what joy, surprise, and consequently confusion, his at present\nunexpected return has caused at Howard Grove.",
"Mrs. Mirvan, you cannot\ndoubt, will go instantly to town to meet him; her daughter is under\na thousand obligations to attend her; I grieve that her mother cannot.",
"And now, my good Sir, I almost blush to proceed;-but, tell me, may I\nask-will you permit-that your child may accompany them?",
"Do not think\nus unreasonable, but consider the many inducements which conspire to\nmake London the happiest place at present she can be in.",
"The joyful\noccasion of the journey; the gaiety of the whole party, opposed to\nthe dull life she must lead, if left here with a solitary old woman\nfor her sole companion, while she so well knows the cheerfulness and\nfelicity enjoyed by the rest of the family,-are circumstances that\nseem to merit your consideration.",
"Mrs. Mirvan desires me to assure\nyou that one week is all she asks, as she is certain that the Captain,\nwho hates London, will be eager to revisit Howard Grove; and Maria is\nso very earnest in wishing to have the company of her friend, that,\nif you are inexorable, she will be deprived of half the pleasure she\notherwise hopes to receive.",
"However, I will not, my good Sir, deceive you into an opinion that\nthey intend to live in a retired manner, as that cannot be fairly\nexpected.",
"But you have no reason to be uneasy concerning Madame Duval;\nshe has not any correspondent in England, and obtains no intelligence\nbut by common report.",
"She must be a stranger to the name your child\nbears; and, even should she hear of this excursion, so short a time\nas a week or less spent in town upon so particular an occasion,\nthough previous to their meeting, cannot be construed into disrespect\nto herself.",
"Mrs. Mirvan desires me to assure you, that if you will oblige her,\nher two children shall equally share her time and her attention.",
"She\nhas sent a commission to a friend in town to take a house for her;\nand while she waits for an answer concerning it, I shall for one\nfrom you to our petition.",
"However, your child is writing herself;\nand that, I doubt not, will more avail than all we can possible urge.",
"My daughter desires her best compliments to you if, she says, you\nwill grant her request but not else.",
"Adieu, my dear Sir, we all hope every thing from your goodness.",
"M. HOWARD.",
"</CHAPTER>\n<CHAPTER>\nLETTER VIII EVELINA TO THE REV.",
"MR. VILLARS\n\nHoward Grove, March 26.",
"THIS house seems to be the house of joy; every face wears a smile,\nand a laugh is at every body's service.",
"It is quite amusing to walk\nabout and see the general confusion; a room leading to the garden\nis fitting up for Captain Mirvan's study.",
"Lady Howard does not sit a\nmoment in a place; Miss Mirvan is making caps; every body so busy!-such\nflying from room to room!-so many orders given, and retracted, and\ngiven again!",
"nothing but hurry and perturbation.",
"Well but, my dear Sir, I am desired to make a request to you.",
"I hope\nyou will not think me an encroacher; Lady Howard insists upon my\nwriting!-yet I hardly know how to go on; a petition implies a want\nand have you left me one?",
"No, indeed.",
"I am half ashamed of myself for beginning this letter.",
"But these dear\nladies are so pressing-I cannot, for my life, resist wishing for the\npleasures they offer me,-provided you do not disapprove them.",
"They are to make a very short stay in town.",
"The Captain will meet them\nin a day or two.",
"Mrs. Mirvan and her sweet daughter both go; what a\nhappy party!",
"Yet, I am not very eager to accompany them: at least\nI shall be contented to remain where I am, if you desire that I should.",
"Assured, my dearest Sir, of your goodness, your bounty, and your\nindulgent kindness, ought I to form a wish that has not your\nsanction?",
"Decide for me, therefore, without the least apprehension\nthat I shall be uneasy or discontented.",
"While I am yet in suspense,\nperhaps I may hope; but I am most certain that when you have once\ndetermined I shall not repine.",
"They tell me that London is now in full splendour.",
"Two playhouses\nare open,-the Opera-house,-Ranelagh,-and the Pantheon.-You see I have\nlearned all their names.",
"However, pray don't suppose that I make any\npoint of going, for I shall hardly sigh, to see them depart without me,\nthough I shall probably never meet with such another opportunity.",
"And,\nindeed, their domestic happiness will be so great,-it is natural to\nwish to partake of it.",
"I believe I am bewitched!",
"I made a resolution, when I began, that\nI would not be urgent; but my pen-or rather my thoughts, will not\nsuffer me to keep it-for I acknowledge, I must acknowledge, I cannot\nhelp wishing for your permission.",
"I almost repent already that I have made this confession; pray forget\nthat you have read it, if this journey is displeasing to you.",
"But\nI will not write any longer; for the more I think of this affair,\nthe less indifferent to it I find myself.",
"Adieu, my most honoured, most reverenced, most beloved father!",
"for\nby what other name can I call you?",
"I have no happiness or sorrow,\nno hope or fear, but what your kindness bestows, or your displeasure\nmay cause.",
"You will not, I am sure, send a refusal without reasons\nunanswerable, and therefore I shall cheerfully acquiesce.",
"Yet I\nhope-I hope you will be able to permit me to go!",
"I am, with the\nutmost affection, gratitude, and duty, your EVELINA -\n\n\nI cannot to you sign ANVILLE, and what other name may I claim?",
"</CHAPTER>\n<CHAPTER>\nLETTER IX MR. VILLARS TO EVELINA\n\nBerry Hill, March 28.",
"TO resist the urgency of intreaty, is a power which I have not yet\nacquired: I aim not at an authority which deprives you of liberty,\nyet I would fain guide myself by a prudence which should save me the\npangs of repentance.",
"Your impatience to fly to a place which your\nimagination has painted to you in colors so attractive, surprises me\nnot; I have only to hope, that the liveliness of your fancy may not\ndeceive you: to refuse, would be raising it still higher.",
"To see my\nEvelina happy, is to see myself without a wish: go, then my child;\nand may that Heaven, which alone can direct, preserve and strengthen\nyou!",
"To that, my love, will I daily offer prayers for your felicity.",
"O\nmay it guard, watch over you, defend you from danger, save you from\ndistress, and keep vice as distant from your person as from your heart!",
"And to me, may it grant, the ultimate blessing of closing these aged\neyes in the arms of one so dear-so deservedly beloved!",
"ARTHUR VILLARS.",
"</CHAPTER>\n<CHAPTER>\nLETTER X EVELINA TO THE REV.",
"MR. VILLARS \n\nQueen Ann Street, London, Saturday, April 2.",
"THIS moment arrived.",
"Just going to Drury Lane Theatre.",
"The celebrated\nMr. Garrick performs Ranger.",
"I am quite in ecstasy.",
"So is Miss\nMirvan.",
"How fortunate that he should happen to play!",
"We would not\nlet Mrs. Mirvan rest till she consented to go.",
"Her chief objection\nwas to our dress, for we have had no time to Londonize ourselves; but\nwe teased her into compliance, and so we are to sit in some obscure\nplace that she may not be seen.",
"As to me, I should be alike unknown\nin the most conspicuous or most private part of the house.",
"I can write no more now.",
"I have hardly time to breathe-only just this,\nthe houses and streets are not quite so superb as I expected.",
"However,\nI have seen nothing yet, so I ought not to judge.",
"Well; adieu, my dearest Sir, for the present; I could not forbear\nwriting a few words instantly on my arrival, though I suppose my letter\nof thanks for your consent is still on the road.",
"Saturday Night.",
"O, my dear Sir, in what raptures am I returned?",
"Well may Mr. Garrick\nbe so celebrated, so universally admired-I had not any idea of so\ngreat a performer.",
"Such ease!",
"such vivacity in his manner!",
"such grace in his motions!",
"such\nfire and meaning in his eyes!-I could hardly believe he had studied\na written part, for every word seemed to be uttered from the impulse\nof the moment.",
"His action-at once so graceful and so free!-his voice-so clear,\nso melodious, yet so wonderfully various in its tones!-Such\nanimation!-every look speaks!",
"I would have given the world to have had the whole play acted over\nagain.",
"And when he danced-O, how I envied Clarinda!",
"I almost wished\nto have jumped on the stage and joined them.",
"I am afraid you will think me mad, so I won't say any more; yet,\nI really believe Mr. Garrick would make you mad too if you could see\nhim.",
"I intend to ask Mrs. Mirvan to go to the play every night while\nwe stay in town.",
"She is extremely kind to me; and Maria, her charming\ndaughter, is the sweetest girl in the world.",
"I shall write to you every evening all that passes in the day, and\nthat in the same manner as, if I could see, I should tell you.",
"Sunday.",
"This morning we went to Portland chapel; and afterwards we walked\nin the mall of St. James's Park, which by no means answered my\nexpectations: it is a long straight walk of dirty gravel, very uneasy\nto the feet; and at each end instead of an open prospect, nothing is\nto be seen but houses built of brick.",
"When Mrs. Mirvan pointed out\nthe Palace to me-I think I was never much more surprised.",
"However, the walk was very agreeable to us; every body looked gay,\nand seemed pleased; and the ladies were so much dressed, that Miss\nMirvan and I could do nothing but look at them.",
"Mrs. Mirvan met\nseveral of her friends.",
"No wonder, for I never saw so many people\nassembled together before.",
"I looked about for some of my acquaintance,\nbut in vain; for I saw not one person that I knew, which is very odd,\nfor all the world seemed there.",
"Mrs. Mirvan says we are not to walk in the Park again next Sunday,\neven if we should be in town, because there is better company in\nKensington Gardens; but really if you had seen how much every body\nwas dressed, you would not think that possible.",
"Monday.",
"We are to go this evening to a private ball, given by Mrs. Stanley,\na very fashionable lady of Mrs. Mirvan's acquaintance.",
"We have been a-shopping as Mrs. Mirvan calls it, all this morning,\nto buy silks, caps, gauzes, and so forth.",
"The shops are really very entertaining, especially the mercers; there\nseem to be six or seven men belonging to each shop; and every one took\ncare by bowing and smirking, to be noticed.",
"We were conducted from\none to another, and carried from room to room with so much ceremony,\nthat at I was almost afraid to go on.",
"I thought I should never have chosen a silk: for they produced so\nmany, I knew not which to fix upon; and they recommended them all so\nstrongly, that I fancy they thought I only wanted persuasion to buy\nevery thing they showed me.",
"And, indeed, they took so much trouble,\nthat I was almost ashamed I could not.",
"At the milliners, the ladies we met were so much dressed, that I should\nrather have imagined they were making visits than purchases.",
"But\nwhat most diverted me was, that we were more frequently served\nby men than by women; and such men!",
"so finical, so affected!",
"they\nseemed to understand every part of a woman's dress better than we\ndo ourselves; and they recommended caps and ribbands with an air of\nso much importance, that I wished to ask them how long they had left\noff wearing them.",
"The dispatch with which they work in these great shops is amazing,\nfor they have promised me a complete suit of linen against the evening.",
"I have just had my hair dressed.",
"You can't think how oddly my head\nfeels; full of powder and black pins, and a great cushion on the top\nof it.",
"I believe you would hardly know me, for my face looks quite\ndifferent to what it did before my hair was dressed.",
"When I shall\nbe able to make use of a comb for myself I cannot tell; for my hair\nis so much entangled, frizzled they call it, that I fear it will be\nvery difficult.",
"I am half afraid of this ball to-night; for, you know, I have never\ndanced but at school: however, Miss Mirvan says there is nothing in\nit.",
"Yet, I wish it was over.",
"Adieu, my dear Sir, pray excuse the wretched stuff I write; perhaps\nI may improve by being in this town, and then my letters will be less\nunworthy your reading.",
"Meantime, I am, Your dutiful and affectionate,\nthough unpolished, EVELINA.",
"Poor Miss Mirvan cannot wear one of the caps she made, because they\ndress her hair too large for them.",
"</CHAPTER>\n<CHAPTER>\nLETTER XI EVELINA IN CONTINUATION\n\nQueen Ann Street, April 5, Tuesday Morning.",
"I HAVE a vast deal to say, and shall give all this morning to my pen.",
"As to my plan of writing every evening the adventures of the day,\nI find it impracticable; for the diversions here are so very late,\nthat if I begin my letters after them, I could not go to bed at all.",
"We passed a most extraordinary evening.",
"A private ball this was called,\nso I expected to have seen about four or five couple; but Lord!",
"my\ndear Sir, I believe I saw half the world!",
"Two very large rooms were\nfull of company; in one were cards for the elderly ladies, and in\nthe other were the dancers.",
"My mamma Mirvan, for she always calls me\nher child, said she would sit with Maria and me till we were provided\nwith partners, and then join the card-players.",
"The gentlemen, as they passed and repassed, looked as if they thought\nwe were quite at their disposal, and only waiting for the honour of\ntheir commands; and they sauntered about, in a careless, indolent\nmanner, as if with a view to keep us in suspense.",
"I don't speak of\nthis in regard to Miss Mirvan and myself only, but to the ladies in\ngeneral: and I thought it so provoking, that I determined in my own\nmind that, far from humouring such airs, I would rather not dance\nat all, than with any one who would seem to think me ready to accept\nthe first partner who would condescend to take me.",
"Not long after, a young man, who had for some time looked at us with a\nkind of negligent impertinence, advanced on tiptoe towards me; he had\na set smile on his face, and his dress was so foppish, that I really\nbelieved he even wished to be stared at; and yet he was very ugly.",
"Bowing almost to the ground with a sort of swing, and waving his\nhand, with the greatest conceit, after a short and silly pause, he\nsaid, \"Madam-may I presume?",
"\"-and stopt, offering to take my hand.",
"I\ndrew it back, but could scarce forbear laughing.",
"\"Allow me, Madam,\"\ncontinued he, affectedly breaking off every half moment, \"the honour\nand happiness-if I am not so unhappy as to address you too late-to\nhave the happiness and honour-\"\n\n\nAgain he would have taken my hand; but bowing my head, I begged to\nbe excused, and turned to Miss Mirvan to conceal my laughter.",
"He then\ndesired to know if I had already engaged myself to some more fortunate\nman?",
"I said No, and that I believed I should not dance at all.",
"He would\nkeep himself he told me, disengaged, in hopes I should relent; and\nthen, uttering some ridiculous speeches of sorrow and disappointment,\nthough his face still wore the same invariable smile, he retreated.",
"It so happened, as we have since recollected, that during this little\ndialogue Mrs. Mirvan was conversing with the lady of the house.",
"And\nvery soon after, another gentleman, who seemed about six-and-twenty\nyears old, gaily but not foppishly dressed, and indeed extremely\nhandsome, with an air of mixed politeness and gallantry, desired to\nknow if I was engaged, or would honour him with my hand.",
"So he was\npleased to say, though I am sure I know not what honour he could\nreceive from me; but these sort of expressions, I find, are used\nas words of course, without any distinction of persons, or study\nof propriety.",
"Well, I bowed, and I am sure I coloured; for indeed I was frightened\nat the thoughts of dancing before so many people, all strangers, and,\nwhich was worse, with a stranger: however, that was unavoidable;\nfor, though I looked round the room several times, I could not see\none person that I knew.",
"And so he took my hand, and led me to join\nin the dance.",
"The minuets were over before we arrived, for we were kept late by\nthe milliners making us wait for our things.",
"He seemed very desirous of entering into conversation with me; but\nI was seized with such a panic, that I could hardly speak a word,\nand nothing but the shame of so soon changing my mind prevented my\nreturning to my seat, and declining to dance at all.",
"He appeared to be surprised at my terror, which I believe was but\ntoo apparent: however, he asked no questions, though I fear he must\nthink it very strange, for I did not choose to tell him it was owing\nto my never before dancing but with a school-girl.",
"His conversation was sensible and spirited; his air, and address\nwere open and noble; his manners gentle, attentive, and infinitely\nengaging; his person is all elegance, and his countenance the most\nanimated and expressive I have ever seen.",
"In a short time we were joined by Miss Mirvan, who stood next couple\nto us.",
"But how I was startled when she whispered me that my partner\nwas a nobleman!",
"This gave me a new alarm: how will he be provoked,\nthought I, when he finds what a simple rustic he has honoured with\nhis choice!",
"one whose ignorance of the world makes her perpetually\nfear doing something wrong!",
"That he should be so much my superior in every way, quite disconcerted\nme; and you will suppose my spirits were not much raised, when I\nheard a lady, in passing us, say, \"This is the most difficult dance\nI ever saw.\"",
"\"O dear, then\" cried Maria to her partner, \"with your leave, I'll\nsit down till the next.\"",
"\"So will I too, then,\" cried I, \"for I am sure I can hardly stand.\"",
"\"But you must speak to your partner first,\" answered she; for he\nhad turned aside to talk with some gentlemen.",
"However, I had not\nsufficient courage to address him; and so away we all three tript,\nand seated ourselves at another end of the room.",
"But, unfortunately for me, Miss Mirvan soon after suffered herself to\nbe prevailed upon to attempt the dance; and just as she rose to go,\nshe cried, \"My dear, yonder is your partner, Lord Orville walking\nabout the room in search of you.\"",
"\"Don't leave me then, dear girl!\"",
"cried I; but she was obliged to\ngo.",
"And now I was more uneasy than ever; I would have given the world\nto have seen Mrs. Mirvan, and begged of her to make my apologies;\nfor what, thought I, can I possibly say to him in excuse for running\naway?",
"He must either conclude me a fool, or half mad; for any one\nbrought up in the great world, and accustomed to its ways, can have\nno idea of such sort of fears as mine.",
"My confusion increased when I observed that he was every where seeking\nme, with apparent perplexity and surprise; but when, at last, I saw\nhim move towards the place where I sat, I was ready to sink with\nshame and distress.",
"I found it absolutely impossible to keep my seat,\nbecause I could not think of a word to say for myself; and so I rose,\nand walked hastily towards the card-room, resolving to stay with\nMrs. Mirvan the rest of the evening, and not to dance at all.",
"But\nbefore I could find her, Lord Orville saw and approached me.",
"He begged to know if I was not well?",
"You may easily imagine how much\nI was embarrassed.",
"I made no answer; but hung my head like a fool,\nand looked on my fan.",
"He then, with an air the most respectfully serious, asked if he had\nbeen so unhappy as to offend me?",
"\"No, indeed!\"",
"cried I; and, in hopes of changing the discourse, and\npreventing his further inquiries, I desired to know if he had seen\nthe young lady who had been conversing with me?",
"No;-but would I honour him with any commands to her?",
"\"O, by no means!\"",
"Was there any other person with whom I wished to speak?",
"I said no, before I knew I had answered at all.",
"Should he have the pleasure of bringing me any refreshment?",
"I bowed, almost involuntarily.",
"And away he flew.",
"I was quite ashamed of being so troublesome, and so much above\nmyself as these seeming airs made me appear; but indeed I was too\nmuch confused to think or act with any consistency.",
"If he had not been as swift as lightning, I don't know whether I\nshould not have stolen away again; but he returned in a moment.",
"When\nI had drank a glass of lemonade, he hoped, he said, that I would\nagain honour him with my hand, as a new dance was just begun.",
"I had\nnot the presence of mind to say a single word, and so I let him once\nmore lead me to the place I had left.",
"Shocked to find how silly, how childish a part I had acted, my former\nfears of dancing before such a company, and with such a partner,\nreturned more forcibly than ever.",
"I suppose he perceived my uneasiness;\nfor he entreated me to sit down again if dancing was disagreeable to\nme.",
"But I was quite satisfied with the folly I had already shewn; and\ntherefore declined his offer, though I was really scarce able to stand.",
"Under such conscious disadvantages, you may easily imagine my dear Sir,\nhow ill I acquitted myself.",
"But, though I both expected and deserved\nto find him very much mortified and displeased at his ill fortune in\nthe choice he had made; yet, to my very great relief, he appeared to\nbe even contented, and very much assisted and encouraged me.",
"These\npeople in high life have too much presence of mind, I believe, to\nseem disconcerted, or out of humour, however they may feel: for had\nI been the person of the most consequence in the room, I could not\nhave met with more attention and respect.",
"When the dance was over, seeing me still very much flurried, he led\nme to a seat, saying that he would not suffer me to fatigue myself\nfrom politeness.",
"And then, if my capacity, or even, if my spirits had been better, in\nhow animated a conversation I might have been engaged!",
"it was then\nI saw that the rank of Lord Orville was his least recommendation,\nhis understanding and his manners being far more distinguished.",
"His\nremarks upon the company in general were so apt, so just, so lively,\nI am almost surprised myself that they did not reanimate me; but,\nindeed, I was too well convinced of the ridiculous part I had myself\nplayed before so nice an observer, to be able to enjoy his pleasantry:\nso self-compassion gave me feeling for others.",
"Yet I had not the\ncourage to attempt either to defend them or to rally in my turn;\nbut listened to him in silent embarrassment.",
"When he found this, he changed the subject, and talked of public\nplaces, and public performers; but he soon discovered that I was\ntotally ignorant of them.",
"He then, very ingeniously, turned the discourse to the amusements\nand occupations of the country.",
"It now struck me that he was resolved to try whether or not I was\ncapable of talking upon any subject.",
"This put so great a restraint\nupon my thoughts, that I was unable to go further than a monosyllable,\nand not ever so far, when I could possibly avoid it.",
"We were sitting in this manner, he conversing with all gaiety, I\nlooking down with all foolishness, when that fop who had first asked\nme to dance, with a most ridiculous solemnity approached, and, after\na profound bow or two, said, \"I humbly beg pardon, Madam,-and of you\ntoo, my Lord,-for breaking in upon such agreeable conversation-which\nmust, doubtless, be more delectable-than what I have the honour\nto offer-but-\"\n\n\nI interrupted him-I blush for my folly,-with laughing; yet I could not\nhelp it; for, added to the man's stately foppishness, (and he actually\ntook snuff between every three words) when I looked around at Lord\nOrville, I saw such extreme surprise in his face,-the cause of which\nappeared so absurd, that I could not for my life preserve my gravity.",
"I had not laughed before from the time I had left Miss Mirvan, and I\nhad much better have cried then; Lord Orville actually stared at me;\nthe beau, I know not his name, looked quite enraged.",
"\"Refrain-Madam,\"\nsaid he, with an important air, \"a few moments refrain!-I have but\na sentence to trouble you with.-May I know to what accident I must\nattribute not having the honour of your hand?\"",
"\"Accident, Sir!\"",
"repeated I, much astonished.",
"\"Yes, accident, Madam;-for surely,-I must take the liberty to\nobserve-pardon me, Madam,-it ought to be no common one-that should\ntempt a lady-so young a one too,-to be guilty of ill-manners.\"",
"A confused idea now for the first time entered my head, of something\nI had heard of the rules of an assembly; but I was never at one\nbefore,-I have only danced at school,-and so giddy and heedless I\nwas, that I had not once considered the impropriety of refusing one\npartner, and afterwards accepting another.",
"I was thunderstruck at the\nrecollection: but, while these thoughts were rushing into my head,\nLord Orville with some warmth, said, \"This Lady, Sir, is incapable\nof meriting such an accusation!\"",
"The creature-for I am very angry with him-made a low bow and with a\ngrin the most malicious I ever saw, \"My Lord,\" said he, \"far be it\nfrom me to accuse the lady, for having the discernment to distinguish\nand prefer-the superior attractions of your Lordship.\"",
"Again he bowed and walked off.",
"Was ever any thing so provoking?",
"I was ready to die with shame.",
"\"What\na coxcomb!\"",
"exclaimed Lord Orville: while I, without knowing what\nI did, rose hastily, and moving off, \"I can't imagine,\" cried I,\n\"where Mrs. Mirvan has hid herself!\"",
"\"Give me leave to see,\" answered he.",
"I bowed and sat down again,\nnot daring to meet his eyes; for what must he think of me, between\nmy blunder, and the supposed preference?",
"He returned in a moment, and told me that Mrs. Mirvan was at cards,\nbut would be glad to see me; and I went immediately.",
"There was but\none chair vacant; so, to my great relief, Lord Orville presently left\nus.",
"I then told Mrs. Mirvan my disasters; and she good-naturedly\nblamed herself for not having better instructed me; but said, she had\ntaken it for granted that I must know such common customs.",
"However,\nthe man may, I think, be satisfied with his pretty speech and carry\nhis resentment no farther.",
"In a short time Lord Orville returned.",
"I consented, with the best grace\nI could, to go down another dance, for I had had time to recollect\nmyself; and therefore resolved to use some exertion, and, if possible,\nto appear less a fool than I had hitherto done; for it occurred to me,\nthat, insignificant as I was, compared to a man of his rank and figure;\nyet, since he had been so unfortunate as to make choice of me for a\npartner, why I should endeavour to make the best of it.",
"The dance, however, was short, and he spoke very little; so I had no\nopportunity of putting my resolution in practice.",
"He was satisfied, I\nsuppose, with his former successless efforts to draw me out or, rather,\nI fancied he had been inquiring who I was.",
"This again disconcerted me;\nand the spirits I had determined to exert, again failed me.",
"Tired,\nashamed, and mortified, I begged to sit down till we returned home,\nwhich I did soon after.",
"Lord Orville did me the honour to hand me to\nthe coach, talking all the way of the honour I had done him!",
"O these\nfashionable people!",
"Well, my dear Sir, was it not a strange evening?",
"I could not help\nbeing thus particular, because, to me, every thing is so new.",
"But it\nis now time to conclude.",
"I am, with all love and duty, your EVELINA.",
"</CHAPTER>\n<CHAPTER>\nLETTER XII EVELINA IN CONTINUATION\n\nTuesday, April 5.",
"THERE is to be no end to the troubles of last night.",
"I have this\nmoment, between persuasion and laughter, gathered from Maria the most\ncurious dialogue that ever I heard.",
"You will at first be startled at\nmy vanity; but, my dear Sir, have patience!",
"It must have passed while I was sitting with Mrs. Mirvan, in the\ncard-room.",
"Maria was taking some refreshment, and saw Lord Orville\nadvancing for the same purpose himself; but he did not know her,\nthough she immediately recollected him.",
"Presently after, a very\ngay-looking man, stepping hastily up to him cried, \"Why, my Lord,\nwhat have you done with your lovely partner?\"",
"\"Nothing!\"",
"answered Lord Orville with a smile and a shrug.",
"\"By Jove,\" cried the man, \"she is the most beautiful creature I ever\nsaw in my life!\"",
"Lord Orville, as he well might, laughed; but answered, \"Yes, a pretty\nmodest-looking girl.\"",
"\"O my Lord!\"",
"cried the madman, \"she is an angel!\"",
"\"A silent one,\" returned he.",
"\"Why ay, my Lord, how stands she as to that?",
"She looks all intelligence\nand expression.\"",
"\"A poor weak girl!\"",
"answered Lord Orville, shaking his head.",
"\"By Jove,\" cried the other, \"I am glad to hear it!\"",
"At that moment, the same odious creature who had been my former\ntormentor, joined them.",
"Addressing Lord Orville with great respect,\nhe said, \"I beg pardon, my Lord,-if I was-as I fear might be the\ncase-rather too severe in my censure of the lady who is honoured with\nyour protection-but, my Lord, ill-breeding is apt to provoke a man.\"",
"\"Ill-breeding!\"",
"cried my unknown champion, \"impossible!",
"that elegant\nface can never be so vile a mask!\"",
"\"O Sir, as to that,\" answered he, \"you must allow me to judge;\nfor though I pay all deference to your opinion-in other things-yet\nI hope you will grant-and I appeal to your Lordship also-that I am\nnot totally despicable as a judge of good or ill-manners.\"",
"\"I was so wholly ignorant,\" said Lord Orville, gravely, \"of the\nprovocation you might have had, that I could not but be surprised at\nyour singular resentment.\"",
"\"It was far from my intention,\" answered he, \"to offend your lordship;\nbut, really, for a person who is nobody, to give herself such airs,-I\nown I could not command my passion.",
"For, my Lord, though I have made\ndiligent inquiry-I cannot learn who she is.\"",
"\"By what I can make out,\" cried my defender, \"she must be a country\nparson's daughter.\"",
"\"He!",
"he!",
"he!",
"very good, 'pon honour!\"",
"cried the fop;-\"well, so I\ncould have sworn by her manners.\"",
"And then, delighted at his own wit, he laughed, and went away, as I\nsuppose, to repeat it.",
"\"But what the deuce is all this?\"",
"demanded the other.",
"\"Why a very foolish affair,\" answered Lord Orville; \"your Helen\nfirst refused this coxcomb, and then-danced with me.",
"This is all I\ncan gather of it.\"",
"\"O, Orville,\" returned he, \"you are a happy man!-But ill-bred?",
"-I\ncan never believe it!",
"And she looks too sensible to be ignorant.\"",
"\"Whether ignorant or mischievous, I will not pretend to determine;\nbut certain it is, she attended to all I could say to her, though I\nhave really fatigued myself with fruitless endeavours to entertain\nher, with the most immovable gravity; but no sooner did Lovel begin\nhis complaint, than she was seized with a fit of laughing, first\naffronting the poor beau, and then enjoying his mortification.\"",
"\"Ha!",
"ha!",
"ha!",
"why there is some genius in that, my Lord, perhaps\nrather-rustic.\"",
"Here Maria was called to dance, and so heard no more.",
"Now, tell me, my dear Sir, did you ever know any thing more\nprovoking?",
"\"A poor weak girl!\"",
"\"ignorant or mischievous!\"",
"What\nmortifying words!",
"I am resolved, however, that I will never again be\ntempted to go to an assembly.",
"I wish I had been in Dorsetshire.",
"Well, after this, you will not be surprised that Lord Orville contented\nhimself with an inquiry after our healths this morning, by his servant,\nwithout troubling himself to call, as Miss Mirvan had told me he would;\nbut perhaps it may be only a country custom.",
"I would not live here for the world.",
"I care not how soon we\nleave town.",
"London soon grows tiresome.",
"I wish the Captain would\ncome.",
"Mrs. Mirvan talks of the opera for this evening; however,\nI am very indifferent about it.",
"Wednesday Morning.",
"Well, my dear Sir, I have been pleased against my will, I could almost\nsay; for I must own I went out in very ill humour, which I think you\ncannot wonder at: but the music and the singing were charming; they\nsoothed me into a pleasure the most grateful, the best suited to my\npresent disposition in the world.",
"I hope to persuade Mrs. Mirvan to\ngo again on Saturday.",
"I wish the opera was every night.",
"It is, of all\nentertainments, the sweetest and most delightful.",
"Some of the songs\nseemed to melt my very soul.",
"It was what they call a serious opera,\nas the comic first singer was ill.\n\n\nTo-night we go to Ranelagh.",
"If any of those three gentlemen who\nconversed so freely about me should be there-but I won't think of it.",
"Thursday Morning.",
"Well, my dear Sir, we went to Ranelagh.",
"It is a charming place; and\nthe brilliancy of the lights, on my first entrance, made me almost\nthink I was in some enchanted castle or fairy palace, for all looked\nlike magic to me.",
"The very first person I saw was Lord Orville.",
"I felt so confused!-but\nhe did not see me.",
"After tea, Mrs. Mirvan being tired, Maria and\nI walked round the room alone.",
"Then again we saw him, standing by\nthe orchestra.",
"We, too, stopt to hear a singer.",
"He bowed to me; I\ncourtesied, and I am sure I coloured.",
"We soon walked on, not liking\nour situation; however, he did not follow us; and when we passed by\nthe orchestra again, he was gone.",
"Afterwards, in the course of the\nevening, we met him several times; but he was always with some party,\nand never spoke to us, though whenever he chanced to meet my eyes,\nhe condescended to bow.",
"I cannot but be hurt at the opinion he entertains of me.",
"It is true\nmy own behaviour incurred it-yet he is himself the most agreeable,\nand, seemingly, the most amiable man in the world, and therefore it\nis that I am grieved to be thought ill of by him: for of whose esteem\nought we to be ambitious, if not of those who most merit our own?-But\nit is too late to reflect upon this now.",
"Well I can't help it.-However,\nI think I have done with assemblies.",
"This morning was destined for seeing sights, auctions, curious shops,\nand so forth; but my head ached, and I was not in a humour to be\namused, and so I made them go without me, though very unwillingly.",
"They\nare all kindness.",
"And now I am sorry I did not accompany them, for I know not what\nto do with myself.",
"I had resolved not to go to the play to-night;\nbut I believe I shall.",
"In short, I hardly care whether I do or not.",
"* * * * *\n\n\nI thought I had done wrong!",
"Mrs. Mirvan and Maria have been half the\ntown over, and so entertained!-while I, like a fool, staid at home\nto do nothing.",
"And, at the auction in Pall-mall, who should they\nmeet but Lord Orville.",
"He sat next to Mrs. Mirvan, and they talked\na great deal together; but she gave me no account of the conversation.",
"I may never have such another opportunity of seeing London; I am quite\nsorry that I was not of the party; but I deserve this mortification,\nfor having indulged my ill-humour.",
"Thursday Night.",
"We are just returned from the play, which was King Lear, and has made\nme very sad.",
"We did not see any body we knew.",
"Well, adieu, it is too late to write more.",
"Friday.",
"Captain Mirvan is arrived.",
"I have not spirits to give an account of\nhis introduction, for he has really shocked me.",
"I do not like him.",
"He\nseems to be surly, vulgar, and disagreeable.",
"Almost the same moment that Maria was presented to him, he began\nsome rude jests upon the bad shape of her nose, and called her a tall\nill-formed thing.",
"She bore it with the utmost good-humour; but that\nkind and sweet-tempered woman, Mrs. Mirvan, deserved a better lot.",
"I\nam amazed she would marry him.",
"For my own part, I have been so shy, that I have hardly spoken to\nhim, or he to me.",
"I cannot imagine why the family was so rejoiced\nat his return.",
"If he had spent his whole life abroad, I should have\nsupposed they might rather have been thankful than sorrowful.",
"However,\nI hope they do not think so ill of him as I do.",
"At least, I am sure\nthey have too much prudence to make it known.",
"Saturday Night.",
"We have been to the opera, and I am still more pleased than I was\non Tuesday.",
"I could have thought myself in Paradise, but for the\ncontinual talking of the company around me.",
"We sat in the pit, where\nevery body was dressed in so high a style, that if I had been less\ndelighted with the performance, my eyes would have found me sufficient\nentertainment from looking at the ladies.",
"I was very glad I did not sit next the Captain; for he could not bear\nthe music or singers, and was extremely gross in his observations\nof both.",
"When the opera was over, we went into a place called the\ncoffee-room where ladies, as well as gentlemen, assemble.",
"There are\nall sorts of refreshments, and the company walk about, and chat with\nthe same ease and freedom as in a private room.",
"On Monday we go to a ridotto, and on Wednesday we return to Howard\nGrove.",
"The Captain says he won't stay here to be smoked with filth\nany longer; but, having been seven years smoked with a burning sun,\nhe will retire to the country, and sink into a fair weather chap.",
"Adieu, my dear Sir.",
"</CHAPTER>\n<CHAPTER>\nLETTER XIII EVELINA IN CONTINUATION\n\nTuesday, April 12.",
"My dear Sir,\n\n\nWE came home from the ridotto so late, or rather so early that it\nwas not possible for me to write.",
"Indeed, we did not go -you will be\nfrightened to hear it-till past eleven o'clock: but no body does.",
"A\nterrible reverse of the order of nature!",
"We sleep with the sun,\nand wake with the moon.",
"The room was very magnificent, the lights and decorations were\nbrilliant, and the company gay and splendid.",
"But I should have told\nyou, that I made many objections to being of the party, according\nto the resolution I had formed.",
"However, Maria laughed me out of my\nscruples, and so once again I went to an assembly.",
"Miss Mirvan danced a minuet; but I had not the courage to follow\nher example.",
"In our walks I saw Lord Orville.",
"He was quite alone,\nbut did not observe us.",
"Yet, as he seemed of no party, I thought\nit was not impossible that he might join us; and though I did not\nwish much to dance at all-yet, as I was more acquainted with him\nthan with any other person in the room, I must own I could not help\nthinking it would be infinitely more desirable to dance again with him\nthan with an entire stranger.",
"To be sure, after all that had passed,\nit was very ridiculous to suppose it even probable that Lord Orville\nwould again honour me with his choice; yet I am compelled to confess\nmy absurdity, by way of explaining what follows.",
"Miss Mirvan was soon engaged; and presently after a very fashionable\ngay looking man, who seemed about thirty years of age, addressed\nhimself to me, and begged to have the honour of dancing with me.",
"Now\nMaria's partner was a gentleman of Mrs. Mirvan's acquaintance; for\nshe had told us it was highly improper for young women to dance with\nstrangers at any public assembly.",
"Indeed it was by no means my wish\nso to do: yet I did not like to confine myself from dancing at all;\nneither did I dare refuse this gentleman as I had done Mr. Lovel,\nand then, if any acquaintance should offer, accept him: and so, all\nthese reasons combining, induced me to tell him-yet I blush to write\nit to you!-that I was already engaged; by which I meant to keep myself\nat liberty to a dance, or not, as matters should fall out.",
"I suppose my consciousness betrayed my artifice, for he looked at me\nas if incredulous; and, instead of being satisfied with my answer\nand leaving me, according to my expectation, he walked at my side,\nand, with the greatest ease imaginable, began a conversation in the\nfree style which only belongs to old and intimate acquaintance.",
"But,\nwhat was most provoking, he asked me a thousand questions concerning\nthe partner to whom I was engaged.",
"And at last he said, \"Is it really\npossible that a man whom you have honoured with your acceptance can\nfail to be at hand to profit from your goodness?\"",
"I felt extremely foolish; and begged Mrs. Mirvan to lead to a seat;\nwhich she very obligingly did.",
"The Captain sat next her; and to my\ngreat surprise, this gentleman thought proper to follow, and seat\nhimself next to me.",
"\"What an insensible!\"",
"continued he; \"why, Madam, you are missing the\nmost delightful dance in the world!-The man must be either mad or a\nfool-Which do you incline to think him yourself?\"",
"\"Neither, Sir,\" answered I, in some confusion.",
"He begged my pardon for the freedom of his supposition, saying,\n\"I really was off my guard, from astonishment that any man can be\nso much and so unaccountably his own enemy.",
"But where, Madam, can he\npossibly be!-has he left the room!-or has not he been in it?\"",
"\"Indeed, Sir,\" said I peevishly, \"I know nothing of him.\"",
"\"I don't wonder that you are disconcerted, Madam; it is really very\nprovoking.",
"The best part of the evening will be absolutely lost.",
"He\ndeserves not that you should wait for him.\"",
"\"I do not, Sir,\" said I, \"and I beg you not to-\"\n\n\n\"Mortifying, indeed, Madam,\" interrupted he, \"a lady to wait for a\ngentleman!-O fie!-careless fellow!-What can detain him?-Will you give\nme leave to seek him?\"",
"\"If you please, Sir,\" answered I; quite terrified lest Mrs. Mirvan\nshould attend to him; for she looked very much surprised at seeing\nme enter into conversation with a stranger.",
"\"With all my heart,\" cried he; \"pray, what coat has he on?\"",
"\"Indeed I never looked at it.\"",
"\"Out upon him!\"",
"cried he; \"What!",
"did he address you in a coat not\nworth looking at?-What a shabby wretch!\"",
"How ridiculous!",
"I really could not help laughing, which I fear\nencouraged him, for he went on.",
"\"Charming creature!-and can you really bear ill usage with so much\nsweetness?",
"Can you, like patience on a monument, smile in the midst\nof disappointment?",
"For my part, though I am not the offended person,\nmy indignation is so great, that I long to kick the fellow round\nthe room!-unless, indeed,-(hesitating and looking earnestly at me,)\nunless, indeed,-it is a partner of your own creating?\"",
"I was dreadfully abashed, and could not make an answer.",
"\"But no!\"",
"cried he (again, and with warmth,) \"It cannot be that you\nare so cruel!",
"Softness itself is painted in your eyes.-You could not,\nsurely, have the barbarity so wantonly to trifle with my misery.\"",
"I turned away from this nonsense with real disgust, Mrs. Mirvan saw\nmy confusion, but was perplexed what to think of it, and I could\nnot explain to her the cause, lest the Captain should hear me.",
"I\ntherefore proposed to walk; she consented, and we all rose; but,\nwould you believe it?",
"this man had the assurance to rise too, and\nwalk close by my side, as if of my party!",
"\"Now,\" cried he, \"I hope we shall see this ingrate.-Is that\nhe?",
"\"-pointing to an old man who was lame, \"or that?\"",
"And in this\nmanner he asked me of whoever was old or ugly in the room.",
"I made\nno sort of answer: and when he found that I was resolutely silent,\nand walked on as much as I could without observing him, he suddenly\nstamped his foot, and cried out in a passion, \"Fool!",
"idiot!",
"booby!\"",
"I turned hastily toward him: \"O, Madam,\" continued he, \"forgive my\nvehemence; but I am distracted to think there should exist a wretch\nwho can slight a blessing for which I would forfeit my life!-O that I\ncould but meet him, I would soon-But I grow angry: pardon me, Madam,\nmy passions are violent, and your injuries affect me!\"",
"I began to apprehend he was a madman, and stared at him with the\nutmost astonishment.",
"\"I see you are moved, Madam,\" said he; \"generous\ncreature!-but don't be alarmed, I am cool again, I am indeed,-upon\nmy soul I am;-I entreat you, most lovely of mortals!",
"I intreat you\nto be easy.\"",
"\"Indeed, Sir,\" said I very seriously, \"I must insist upon your leaving\nme; you are quite a stranger to me, and I am both unused, and averse\nto your language and your manners.\"",
"This seemed to have some effect on him.",
"He made me a low bow, begged\nmy pardon, and vowed he would not for the world offend me.",
"\"Then, Sir, you must leave me,\" cried I.",
"\"I am gone, Madam, I am\ngone!\"",
"with a most tragical air; and he marched away at a quick pace,\nout of sight in a moment; but before I had time to congratulate myself,\nhe was again at my elbow.",
"\"And could you really let me go, and not be sorry?-Can you see me\nsuffer torments inexpressible, and yet retain all your favour for\nthat miscreant who flies you?-Ungrateful puppy!-I could bastinado him!\"",
"\"For Heaven's sake, my dear,\" cried Mrs. Mirvan, \"who is he talking\nof?\"",
"\"Indeed-I do not know, Madam,\" said I; \"but I wish he would leave me.\"",
"\"What's all that there?\"",
"cried the Captain.",
"The man made a low bow, and said, \"Only, Sir, a slight objection\nwhich this young lady makes to dancing with me, and which I am\nendeavouring to obviate.",
"I shall think myself greatly honoured if\nyou will intercede for me.\"",
"\"That lady, Sir,\" said the Captain coldly, \"is her own mistress.\"",
"And\nhe walked sullenly on.",
"\"You, Madam,\" said the man (who looked delighted, to Mrs. Mirvan),\n\"You, I hope, will have the goodness to speak for me.\"",
"\"Sir,\" answered she gravely, \"I have not the pleasure of being\nacquainted with you.\"",
"\"I hope when you have, Ma'am,\" cried he, undaunted, \"you will honour\nme with your approbation: but, while I am yet unknown to you, it would\nbe truly generous in you to countenance me; and I flatter myself,\nMadam, that you will not have cause to repent it.\"",
"Mrs. Mirvan, with an embarrassed air, replied, \"I do not at all mean,\nSir, to doubt your being a gentleman,-but-\"\n\n\n\"But what, Madam?-that doubt removed, why a but?\"",
"\"Well, Sir,\" said Mrs. Mirvan (with a good humoured smile), \"I will\neven treat you with your own plainness, and try what effect that will\nhave on you: I must therefore tell you, once for all-\"\n\n\n\"O pardon me, Madam!\"",
"interrupted he, eagerly, \"you must not proceed\nwith those words once for all; no, if I have been too plain, and\nthough a man, deserve a rebuke, remember, dear ladies that if you copy,\nyou ought in justice to excuse me.\"",
"We both stared at the man's strange behaviour.",
"\"Be nobler than your sex,\" continued he, turning to me, \"honour me\nwith one dance, and give up the ingrate who has merited so ill your\npatience.\"",
"Mrs. Mirvan looked with astonishment at us both.",
"\"Who does he speak of, my dear?-you never mentioned-\"\n\n\n\"O, Madam!\"",
"exclaimed he, \"he was not worth mentioning-it is a pity he\nwas ever though of; but let us forget his existence.",
"One dance is all\nI solicit.",
"Permit me, Madam, the honour of this young lady's hand;\nit will be a favour I shall ever most gratefully acknowledge.\"",
"\"Sir,\" answered she, \"favours and strangers have with me no\nconnection.\"",
"\"If you have hitherto,\" said he, \"confined your benevolence to your\nintimate friends, suffer me to be the first for whom your charity\nis enlarged.\"",
"\"Well, Sir, I know not what to say to you,-but-\"\n\n\nHe stopt her but with so many urgent entreaties that she at last told\nme, I must either go down one dance, or avoid his importunities by\nreturning home.",
"I hesitated which alternative to chose; but this\nimpetuous man at length prevailed, and I was obliged to consent to\ndance with him.",
"And thus was my deviation from truth punished; and thus did this\nman's determined boldness conquer.",
"During the dance, before we were too much engaged in it for\nconversation, he was extremely provoking about my partner, and tried\nevery means in his power to make me own that I had deceived him;\nwhich, though I would not so far humble myself as to acknowledge,\nwas indeed but too obvious.",
"Lord Orville, I fancy, did not dance at all.",
"He seemed to have a\nlarge acquaintance, and joined several different parties: but you\nwill easily suppose, I was not much pleased to see him, in a few\nminutes after I was gone, walk towards the place I had just left,\nand bow to and join Mrs. Mirvan!",
"How unlucky I thought myself, that I had not longer withstood this\nstranger's importunities!",
"The moment we had gone down the dance, I was\nhastening away from him; but he stopt me, and said, that I could by no\nmeans return to my party without giving offence, before we had done\nour duty of walking up the dance.",
"As I know nothing at all of these\nrules and customs I was obliged to submit to his directions; but I\nfancy I looked rather uneasy, for he took notice of my inattention,\nsaying, in his free way, \"Whence that anxiety?-Why are those lovely\neyes perpetually averted?\"",
"\"I wish you would say no more to me, Sir,\" cried I peevishly; \"you\nhave already destroyed all my happiness for this evening.\"",
"\"Good Heaven!",
"What is it I have done?-How have I merited this scorn?\"",
"\"You have tormented me to death; you have forced me from my friends,\nand intruded yourself upon me, against my will, for a partner.\"",
"\"Surely, my dear Madam, we ought to be better friends, since\nthere seems to be something of sympathy in the frankness of our\ndispositions.-And yet, were you not an angel-how do you think I could\nbrooke such contempt?\"",
"\"If I have offended you,\" cried I, \"you have but to leave me-and O\nhow I wish you would!\"",
"\"My dear creature,\" said he, half laughing, \"why where could you\nbe educated?\"",
"\"Where I most sincerely wish I now was!\"",
"\"How conscious you must be, all beautiful that you are, that those\ncharming airs serve only to heighten the bloom of your complexion!\"",
"\"Your freedom, Sir, where you are more acquainted, may perhaps be\nless disagreeable; but to me -\"\n\n\n\"You do me justice,\" cried he, interrupting me, \"yes, I do indeed\nimprove upon acquaintance; you will hereafter be quite charmed\nwith me.\"",
"\"Hereafter, Sir, I hope I shall never-\"\n\n\n\"O hush!-hush!-have you forgot the situation in which I found you?-Have\nyou forgot, that when deserted, I pursued you,-when betrayed, I adored\nyou?-but for me-\"\n\n\n\"But for you, Sir, I might perhaps have been happy.\"",
"\"What then, am I to conclude that, but for me, your partner would\nhave appeared?-poor fellow!-and did my presence awe him?\"",
"\"I wish his presence, Sir, could awe you!\"",
"\"His presence!-perhaps then you see him?\"",
"\"Perhaps, Sir, I do,\" cried I, quite wearied of his raillery.",
"\"Where?",
"Where?-for Heaven's sake show me the wretch!\"",
"\"Wretch, Sir!\"",
"\"O, a very savage!-a sneaking, shame-faced, despicable puppy!\"",
"I know not what bewitched me-but my pride was hurt, and my spirits\nwere tired, and-in short, I had the folly, looking at Lord Orville,\nto repeat, \"Despicable, you think?\"",
"His eyes instantly followed mine; \"Why, is that the gentleman?\"",
"I made no answer; I could not affirm, and I would not deny:-for I\nhoped to be relieved from his teasing by his mistake.",
"The very moment we had done what he called our duty, I eagerly desired\nto return to Mrs. Mirvan.",
"\"To your partner, I presume, Madam?\"",
"said he, very gravely.",
"This quite confounded me.",
"I dreaded lest this mischievous man ignorant\nof his rank, should address himself to Lord Orville, and say something\nwhich might expose my artifice.",
"Fool!",
"to involve myself in such\ndifficulties!",
"I now feared what I had before wished; and therefore,\nto avoid Lord Orville, I was obliged myself to propose going down\nanother dance, though I was ready to sink with shame while I spoke.",
"\"But your partner, Ma'am?\"",
"said he, affecting a very solemn air,\n\"perhaps he may resent my detaining you: if you will give me leave\nto ask his consent-\"\n\n\n\"Not for the universe.\"",
"\"Who is he, Madam?\"",
"I wished myself a hundred miles off.",
"He repeated his question,\n\"What is his name?\"",
"\"Nothing-nobody-I don't know-\"\n\n\nHe assumed a most important solemnity: \"How!-not know?-Give me leave,\nmy dear Madam, to recommend this caution to you: Never dance in public\nwith a stranger,-with one whose name you are unacquainted with,-who\nmay be a mere adventurer,-a man of no character, consider to what\nimpertinence you may expose yourself.\"",
"Was ever anything so ridiculous?",
"I could not help laughing, in spite\nof my vexation.",
"At this instant, Mrs. Mirvan, followed by Lord Orville, walked up to\nus.",
"You will easily believe it was not difficult for me to recover\nmy gravity; but what was my consternation, when this strange man,\ndestined to be the scourge of my artifice, exclaimed, \"Ha!",
"My Lord\nOrville!-I protest I did not know your Lordship.",
"What can I say for my\nusurpation?-Yet, faith, my Lord, such a prize was not to be neglected.\"",
"My shame and confusion were unspeakable.",
"Who could have supposed or\nforeseen that this man knew Lord Orville?",
"But falsehood is not more\nunjustifiable than unsafe.",
"Lord Orville-well he might-looked all amazement.",
"\"The philosophic coldness of your Lordship,\" continued this odious\ncreature, \"every man is not endowed with.",
"I have used my utmost\nendeavours to entertain this lady, though I fear without success;\nand your lordship will not be a little flattered, if acquainted with\nthe difficulty which attended my procuring the honour of only one\ndance.\"",
"Then, turning to me, who was sinking with shame, while Lord\nOrville stood motionless, and Mrs. Mirvan astonished,-he suddenly\nseized my hand, saying, \"Think, my Lord, what must be my reluctance\nto resign this fair hand to your Lordship!\"",
"In the same instant, Lord Orville took it of him; I coloured violently,\nand made an effort to recover it.",
"\"You do me too much honour, Sir,\"\ncried he, (with an air of gallantry, pressing it to his lips before\nhe let it go;) \"however, I shall be happy to profit by it, if this\nlady,\" turning to Mrs. Mirvan, \"will permit me to seek for her party.\"",
"To compel him thus to dance, I could not endure; and eagerly called\nout, \"By no means-not for the world!-I must beg-\"\n\n\n\"Will you honour me, Madam, with your commands,\" cried my tormentor;\n\"may I seek the lady's party?\"",
"\"No, Sir,\" answered I, turning from him.",
"\"What shall be done, my dear?\"",
"said Mrs. Mirvan.",
"\"Nothing, Ma'am;-anything, I mean-\"\n\n\n\"But do you dance, or not?",
"you see his Lordship waits.\"",
"\"I hope not-I beg that-I would not for the world-I am sure I ought\nto-to-\"\n\n\nI could not speak; but that confident man, determining to discover\nwhether or not I had deceived him, said to Lord Orville, who\nstood suspended, \"My Lord, this affair, which at present seems\nperplexed, I will briefly explain:-this lady proposed to me another\ndance,-nothing could have made me more happy,-I only wished for your\nLordship's permission; which, if now granted, will, I am persuaded,\nset everything right.\"",
"I glowed with indignation.",
"\"No, Sir-it is your absence, and that alone,\ncan set everything right.\"",
"\"For Heaven's sake, my dear,\" cried Mrs. Mirvan, who could no\nlonger contain her surprise, \"what does all this mean?-were you\npre-engaged?-had Lord Orville-\"\n\n\n\"No, Madam,\" cried I, \"only-only I did not know that gentleman,-and\nso-and so I thought-I intended-I-\"\n\n\nOverpowered by all that had passed, I had not strength to make my\nmortifying explanation;-my spirits quite failed me, and I burst\ninto tears.",
"They all seemed shocked and amazed.",
"\"What is the matter, my dearest love?\"",
"cried Mrs. Mirvan, with\nkindest concern.",
"\"What have I done!\"",
"exclaimed my evil genius, and ran officiously\nfor a glass of water.",
"However, a hint was sufficient for Lord Orville, who comprehended all\nI would have explained.",
"He immediately led me to a seat, and said in\na low voice, \"Be not distressed, I beseech you: I shall ever think\nmy name honoured by your making use of it.\"",
"This politeness relieved me.",
"A general murmur had alarmed Miss Mirvan,\nwho flew instantly to me; while Lord Orville the moment Mrs. Mirvan\nhad taken the water, led my tormentor away.",
"\"For Heaven's sake, dear Madam,\" cried I, \"let me go home;-indeed I\ncannot stay here any longer.\"",
"\"Let us all go,\" cried my kind Maria.",
"\"But the Captain, what will he say-I had better go home in a chair.\"",
"Mrs. Mirvan consented, and I rose to depart.",
"Lord Orville and that\nman both came to me.",
"The first, with an attention I but ill-merited\nfrom him, led me to a chair; while the other followed, pestering me\nwith apologies.",
"I wished to have made mine to Lord Orville, but was\ntoo much ashamed.",
"It was about one o'clock.",
"Mrs. Mirvan's servants saw me home.",
"And now,-what again shall ever tempt me to an assembly?",
"I dread to\nhear what you will think of me, my most dear and honoured Sir: you\nwill need your utmost partiality to receive me without displeasure.",
"This morning Lord Orville has sent to inquire after our health; and\nSir Clement Willoughby, for that, I find, is the name of my persecutor,\nhas called; but I would not go down stairs till he was gone.",
"And now, my dear Sir, I can somewhat account for the strange,\nprovoking, and ridiculous conduct of this Sir Clement last night;\nfor Miss Mirvan says he is the very man with whom she heard Lord\nOrville conversing at Mrs. Stanley's, when I was spoken of in so\nmortifying a manner.",
"He was pleased to say he was glad to hear I was\na fool; and therefore, I suppose, he concluded he might talk as much\nnonsense as he pleased to me: however, I am very indifferent as to\nhis opinion;-but for Lord Orville,-if then he thought me an idiot,\nnow, I am sure, he must suppose me both bold and presuming.",
"Make use\nof his name!-what impertinence-he can never know how it happened,-he\ncan only imagine it was from an excess of vanity;-well, however,\nI shall leave this bad city to-morrow, and never again will I enter it.",
"The Captain intends to take us to-night to the Fantoccini.",
"I cannot\nbear that Captain; I can give you no idea how gross he is.",
"I heartily\nrejoice that he was not present at the disagreeable conclusion of\nyesterday's adventure, for I am sure he would have contributed to my\nconfusion; which might, perhaps, have diverted him, as he seldom or\nnever smiles but at some other person's expense.",
"And here I conclude my London letters,-and without any regret; for I\nam too inexperienced and ignorant to conduct myself with propriety\nin this town, where everything is new to me, and many things are\nunaccountable and perplexing.",
"Adieu, my dear Sir; Heaven restore me safely to you!",
"I wish I was to go\nimmediately to Berry Hill; yet the wish is ungrateful to Mrs. Mirvan,\nand therefore I will repress it.",
"I shall write an account of the\nFantoccini from Howard Grove.",
"We have not been to half the public\nplaces that are now open, though I dare say you will think we have\nbeen to all.",
"But they are almost as innumerable as the persons who\nfill them.",
"</CHAPTER>\n<CHAPTER>\nLETTER XIV.",
"EVELINA IN CONTINUATION.",
"Queen Ann Street, April 13.",
"HOW much will you be surprised, my dearest Sir, at receiving another\nletter, from London, of your Evelina's writing!",
"But, believe me, it\nwas not my fault, neither is it my happiness, that I am still here:\nour journey has been postponed by an accident equally unexpected\nand disagreeable.",
"We went last night to see the Fantoccini, where we had infinite\nentertainment from the performance of a little comedy in French and\nItalian, by puppets, so admirably managed, that they both astonished\nand diverted us all, except the Captain, who has a fixed and most\nprejudiced hatred of whatever is not English.",
"When it was over, while we waited for the coach, a tall elderly woman\nbrushed quickly past us, calling out, \"My God, what shall I do?\"",
"\"Why, what would you do?\"",
"cried the Captain.",
"\"Ma foi, Monsieur,\" answered she, \"I have lost my company, and in\nthis place I don't know nobody.\"",
"There was something foreign in her accent, though it was difficult\nto discover whether she was an English or a French woman.",
"She was\nvery well dressed; and seemed so entirely at a loss what to do,\nthat Mrs. Mirvan proposed to the Captain to assist her.",
"\"Assist her!\"",
"cried he, \"ay, with all my heart;-let a link-boy call\nher a coach.\"",
"There was not one to be had, and it rained very fast.",
"\"Mon Dieu!\"",
"exclaimed the stranger, \"what shall become of me?",
"Je\nsuis au desespoir!\"",
"\"Dear Sir,\" cried Miss Mirvan, \"pray let us take the poor lady into\nour coach.",
"She is quite alone, and a foreigner-\"\n\n\n\"She's never the better for that,\" answered he: \"she may be a woman\nof the town, for anything you know.\"",
"\"She does not appear such,\" said Mrs. Mirvan; \"and indeed she seems\nso much distressed, that we shall but follow the golden rule, if we\ncarry her to her lodgings.\"",
"\"You are mighty fond of new acquaintance,\" returned he; \"but first\nlet us know if she be going our way.\"",
"Upon inquiry, we found that she lived in Oxford Road; and, after\nsome disputing, the Captain surlily, and, with a very bad grace,\nconsented to admit her into his coach; though he soon convinced us,\nthat he was determined she should not be too much obliged to him,\nfor he seemed absolutely bent upon quarrelling with her: for which\nstrange inhospitality I can assign no other reason, than that she\nappeared to be a foreigner.",
"The conversation began, by her telling us, that she had been in England\nonly two days; that the gentlemen belonging to her were Parisians,\nand had left her to see for a hackney-coach, as her own carriage was\nabroad; and that she had waited for them till she was quite frightened,\nand concluded that they had lost themselves.",
"\"And pray,\" said the Captain, \"why did you go to a public place\nwithout an Englishman?\"",
"\"Ma foi, Sir,\" answered she, \"because none of my acquaintance is\nin town.\"",
"\"Why then,\" said he, \"I'll tell you what, your best way is to go out\nof it yourself.\"",
"\"Pardi, Monsieur,\" returned she, \"and so I shall; for, I promise you,\nI think the English a parcel of brutes; and I'll go back to France\nas fast as I can, for I would not live among none of you.\"",
"\"Who wants you?\"",
"cried the Captain: \"do you suppose, Madam French,\nwe have not enough of other nations to pick our pockets already?",
"I'll\nwarrant you, there's no need for you for to put in your oar.\"",
"\"Pick your pockets, Sir!",
"I wish nobody wanted to pick your pockets no\nmore than I do; and I'll promise you you'd be safe enough.",
"But there's\nno nation under the sun can beat the English for ill-politeness:\nfor my part, I hate the very sight of them; and so I shall only\njust visit a person of quality or two of my particular acquaintance,\nand then I shall go back again to France.\"",
"\"Ay, do,\" cried he; \"and then go to the devil together, for that's\nthe fittest voyage for the French and the quality.\"",
"\"We'll take care, however,\" cried the stranger with great vehemence,\n\"not to admit none of your vulgar unmannered English among us.\"",
"\"O never fear,\" returned he, coolly, \"we shan't dispute the point\nwith you; you and the quality may have the devil all to yourselves.\"",
"Desirous of changing the subject of a conversation which now became\nvery alarming, Miss Mirvan called out, \"Lord, how slow the man drives!\"",
"\"Never mind, Moll,\" said her father, \"I'll warrant you he'll drive\nfast enough to-morrow, when you are going to Howard Grove.\"",
"\"To Howard Grove!\"",
"exclaimed the stranger, \"why, mon Dieu, do you\nknow Lady Howard?\"",
"\"Why, what if we do?\"",
"answered he; \"that's nothing to you; she's none\nof your quality, I'll promise you.\"",
"\"Who told you that?\"",
"cried she; \"you don't know nothing about the\nmatter!",
"besides, you're the ill-bredest person ever I see: and as\nto your knowing Lady Howard, I don't believe no such a thing; unless,\nindeed, you are her steward.\"",
"The Captain, swearing terribly, said, with great fury, \"You would\nmuch sooner be taken for her wash-woman.\"",
"\"Her wash-woman, indeed?-Ha, ha, ha, why you han't no eyes; did you\never see a wash-woman in such a gown as this?-Besides, I'm no such\nmean person, for I'm as good as Lady Howard, and as rich too; and\nbesides, I'm now come to England to visit her.\"",
"\"You may spare yourself that there trouble,\" said the Captain,\n\"she has paupers enough about her already.\"",
"\"Paupers, Mister!-no more a pauper than yourself, nor so much\nneither;-but you are a low, dirty fellow, and I shan't stoop to take\nno more notice of you.\"",
"\"Dirty fellow!\"",
"exclaimed the Captain, seizing both her wrists, \"hark\nyou, Mrs. Frog, you'd best hold your tongue; for I must make bold to\ntell you, if you don't, that I shall make no ceremony of tripping you\nout of the window, and there you may lie in the mud till some of your\nMonseers come to help you out of it.\"",
"Their increasing passion quite terrified us; and Mrs. Mirvan was\nbeginning to remonstrate with the Captain, when we were all silenced\nby what follows.",
"\"Let me go, villain that you are, let me go, or I'll promise you I'll\nget you put to prison for this usage.",
"I'm no common person, I assure\nyou; and, ma foi, I'll go to Justice Fielding about you; for I'm a\nperson of fashion, and I'll make you know it, or my name a'n't Duval.\"",
"I heard no more: amazed, frightened, and unspeakably shocked, an\ninvoluntary exclamation of Gracious Heaven!",
"escaped me, and, more\ndead than alive, I sunk into Mrs. Mirvan's arms.",
"But let me draw a\nveil over a scene too cruel for a heart so compassionately tender as\nyour's; it is sufficient that you know this supposed foreigner proved\nto be Madame Duval,-the grandmother of your Evelina!",
"O, Sir, to discover so near a relation in a woman, who had thus\nintroduced herself!-what would become of me, were it not for you,\nmy protector, my friend, and my refuge?",
"My extreme concern, and Mrs. Mirvan's surprise, immediately betrayed\nme.",
"But, I will not shock you with the manner of her acknowledging\nme, or the bitterness, the grossness -I cannot otherwise express\nmyself,-with which she spoke of those unhappy past transactions\nyou have so pathetically related to me.",
"All the misery of a much\ninjured parent, dear, though never seen, regretted, though never\nknown, crowded so forcibly upon my memory, that they rendered this\ninterview-one only excepted-the most afflicting I can ever know.",
"When we stopt at her lodgings, she desired me to accompany her into\nthe house, and said she could easily procure a room for me to sleep\nin.",
"Alarmed and trembling, I turned to Mrs. Mirvan.",
"\"My daughter,\nMadam,\" said that sweet woman, \"cannot so abruptly part with her young\nfriend; you must allow a little time to wean them from each other.\"",
"\"Pardon me, Ma'am,\" answered Madame Duval, (who, from the time of her\nbeing known, somewhat softened her manners) \"Miss can't possibly be\nso nearly connected to this child as I am.\"",
"\"No matter for that,\" cried the Captain, (who espoused my cause to\nsatisfy his own pique, tho' an awkward apology had passed between them)\n\"she was sent to us; and so, dy'e see, we don't choose for to part\nwith her.\"",
"I promised to wait upon her at what time she pleased the next day;\nand, after a short debate, she desired me to breakfast with her,\nand we proceeded to Queen Ann Street.",
"What an unfortunate adventure!",
"I could not close my eyes the whole\nnight.",
"A thousand times I wished I had never left Berry Hill: however,\nmy return thither shall be accelerated to the utmost of my power;\nand, once more in that abode of tranquil happiness, I will suffer no\ntemptation to allure me elsewhere.",
"Mrs. Mirvan was so kind as to accompany me to Madame Duval's house\nthis morning.",
"The Captain, too, offered his service; which I declined,\nfrom a fear she should suppose I meant to insult her.",
"She frowned most terribly upon Mrs. Mirvan; but she received me with\nas much tenderness as I believe she is capable of feeling.",
"Indeed,\nour meeting seems really to have affected her; for when, overcome by\nthe variety of emotions which the sight of her occasioned, I almost\nfainted in her arms, she burst into tears, and said, \"let me not lose\nmy poor daughter a second time!\"",
"This unexpected humanity softened\nme extremely; but she very soon excited my warmest indignation, by\nthe ungrateful mention she made of the best of men, my dear and most\ngenerous benefactor.",
"However, grief and anger mutually gave way to\nterror, upon her avowing the intention of her visiting England was\nto make me return with her to France.",
"This, she said, was a plan she\nhad formed from the instant she had heard of my birth; which, she\nprotested, did not reach her ears till I must have been twelve years\nof age; but Monsieur Duval, who she declared was the worst husband\nin the world, would not permit her to do any thing she wished: he\nhad been dead but three months; which had been employed in arranging\ncertain affairs, that were no sooner settled, than she set off for\nEngland.",
"She was already out of mourning, for she said nobody here\ncould tell how long she had been a widow.",
"She must have been married very early in life: what her age is I do\nnot know; but she really looks to be less than fifty.",
"She dresses\nvery gaily, paints very high, and the traces of former beauty are\nstill very visible in her face.",
"I know not when, or how, this visit would have ended, had not the\nCaptain called for Mrs. Mirvan, and absolutely insisted upon my\nattending her.",
"He is become, very suddenly, so warmly my friend, that\nI quite dread his officiousness.",
"Mrs. Mirvan, however, whose principal\nstudy seems to be healing those wounds which her husband inflicts,\nappeased Madame Duval's wrath, by a very polite invitation to drink\ntea and spend the evening here.",
"Not without great difficulty was\nthe Captain prevailed upon to defer his journey some time longer;\nbut what could be done?",
"It would have been indecent for me to have\nquitted town the very instant I discovered that Madame Duval was in it;\nand to have staid here solely under her protection-Mrs. Mirvan, thank\nHeaven, was too kind for such a thought.",
"That she should follow us to\nHoward Grove, I almost equally dreaded.",
"It is therefore determined,\nthat we remain in London for some days, or a week: though the Captain\nhas declared that the old French hag, as he is pleased to call her,\nshall fare never the better for it.",
"My only hope is to get safe to Berry Hill; where, counselled and\nsheltered by you, I shall have nothing more to fear.",
"Adieu, my ever\ndear and most honoured Sir!",
"I shall have no happiness till I am again\nwith you.",
"</CHAPTER>"
] | [
"I dare not hesitate at a request from Mrs. Mirvan; yet, in complying\nwith it, I shall, for her own sake, be as concise as I possibly can;\nsince the cruel transactions which preceded the birth of my ward can\nafford no entertainment to a mind so humane as her's.",
"The rage of Madame Duval at her elopement, abated not while this\ninjured victim of cruelty yet drew breath.",
"I beg leave to present my humble respects to Mrs. and Miss Mirvan;\nand have the honour to be, Madam, your Ladyship's most obedient and\nmost humble servant, ARTHUR VILLARS.",
"</CHAPTER>\n<CHAPTER>\nLETTER V MR. VILLARS TO LADY HOWARD\n\nMarch 18.",
"Mrs. Mirvan desires me to assure you, that if you will oblige her,\nher two children shall equally share her time and her attention.",
"I am quite in ecstasy.",
"No;-but would I honour him with any commands to her?",
"It must have passed while I was sitting with Mrs. Mirvan, in the\ncard-room.",
"Afterwards, in the course of the\nevening, we met him several times; but he was always with some party,\nand never spoke to us, though whenever he chanced to meet my eyes,\nhe condescended to bow.",
"Can you, like patience on a monument, smile in the midst\nof disappointment?"
] | [
"\"Your freedom, Sir, where you are more acquainted, may perhaps be\nless disagreeable; but to me -\"\n\n\n\"You do me justice,\" cried he, interrupting me, \"yes, I do indeed\nimprove upon acquaintance; you will hereafter be quite charmed\nwith me.\"",
"And,\nindeed, their domestic happiness will be so great,-it is natural to\nwish to partake of it.",
"On Monday we go to a ridotto, and on Wednesday we return to Howard\nGrove.",
"Yet I had not the\ncourage to attempt either to defend them or to rally in my turn;\nbut listened to him in silent embarrassment.",
"why there is some genius in that, my Lord, perhaps\nrather-rustic.\"",
"I am afraid you will think me mad, so I won't say any more; yet,\nI really believe Mr. Garrick would make you mad too if you could see\nhim.",
"She is quite alone, and a foreigner-\"\n\n\n\"She's never the better for that,\" answered he: \"she may be a woman\nof the town, for anything you know.\"",
"Almost the same moment that Maria was presented to him, he began\nsome rude jests upon the bad shape of her nose, and called her a tall\nill-formed thing.",
"And she looks too sensible to be ignorant.\"",
"Two very large rooms were\nfull of company; in one were cards for the elderly ladies, and in\nthe other were the dancers."
] | [
"\"A poor weak girl!\"",
"answered Lord Orville, shaking his head.",
"\"By Jove,\" cried the other, \"I am glad to hear it!\"",
"At that moment, the same odious creature who had been my former\ntormentor, joined them.",
"Addressing Lord Orville with great respect,\nhe said, \"I beg pardon, my Lord,-if I was-as I fear might be the\ncase-rather too severe in my censure of the lady who is honoured with\nyour protection-but, my Lord, ill-breeding is apt to provoke a man.\"",
"\"Ill-breeding!\"",
"cried my unknown champion, \"impossible!",
"that elegant\nface can never be so vile a mask!\"",
"\"O Sir, as to that,\" answered he, \"you must allow me to judge;\nfor though I pay all deference to your opinion-in other things-yet\nI hope you will grant-and I appeal to your Lordship also-that I am\nnot totally despicable as a judge of good or ill-manners.\"",
"\"I was so wholly ignorant,\" said Lord Orville, gravely, \"of the\nprovocation you might have had, that I could not but be surprised at\nyour singular resentment.\"",
"\"It was far from my intention,\" answered he, \"to offend your lordship;\nbut, really, for a person who is nobody, to give herself such airs,-I\nown I could not command my passion."
] | [
"<CHAPTER>\nLETTER I LADY HOWARD TO THE REV.",
"MR. VILLARS\n\nHoward Grove, Kent.",
"CAN any thing, my good Sir, be more painful to a friendly mind, than\na necessity of communicating disagreeable intelligence?",
"Indeed it is\nsometimes difficult to determine, whether the relator or the receiver\nof evil tidings is most to be pitied.",
"I have just had a letter from Madame Duval; she is totally at a loss\nin what manner to behave; she seems desirous to repair the wrongs she\nhas done, yet wishes the world to believe her blameless.",
"She would\nfain cast upon another the odium of those misfortunes for which she\nalone is answerable.",
"Her letter is violent, sometimes abusive, and\nthat of you!-you, to whom she is under obligations which are greater\neven than her faults, but to whose advice she wickedly imputes all the\nsufferings of her much injured daughter, the late Lady Belmont.",
"The\nchief purport of her writing I will acquaint you with; the letter\nitself is not worthy your notice.",
"She tells me that she has, for many years past, been in continual\nexpectation of making a journey to England, which prevented her\nwriting for information concerning this melancholy subject, by giving\nher hopes of making personal inquiries; but family occurrences have\nstill detained her in France, which country she now sees no prospect\nof quitting.",
"She has, therefore, lately used her utmost endeavors\nto obtain a faithful account of whatever related to her ill-advised\ndaughter; the result of which giving her some reason to apprehend,\nthat, upon her death-bed, she bequeathed an infant orphan to the world,\nshe most graciously says, that if you, with whom she understands the\nchild is placed, will procure authentic proofs of its relationship to\nher, you may sent it to Paris, where she will properly provide for it.",
"He is become, very suddenly, so warmly my friend, that\nI quite dread his officiousness.",
"Mrs. Mirvan, however, whose principal\nstudy seems to be healing those wounds which her husband inflicts,\nappeased Madame Duval's wrath, by a very polite invitation to drink\ntea and spend the evening here.",
"Not without great difficulty was\nthe Captain prevailed upon to defer his journey some time longer;\nbut what could be done?",
"It would have been indecent for me to have\nquitted town the very instant I discovered that Madame Duval was in it;\nand to have staid here solely under her protection-Mrs. Mirvan, thank\nHeaven, was too kind for such a thought.",
"That she should follow us to\nHoward Grove, I almost equally dreaded.",
"It is therefore determined,\nthat we remain in London for some days, or a week: though the Captain\nhas declared that the old French hag, as he is pleased to call her,\nshall fare never the better for it.",
"My only hope is to get safe to Berry Hill; where, counselled and\nsheltered by you, I shall have nothing more to fear.",
"Adieu, my ever\ndear and most honoured Sir!",
"I shall have no happiness till I am again\nwith you.",
"</CHAPTER>"
] | r two of my particular acquaintance,
and then I shall go back again to France."
"Ay, do," cried he; "and then go to the devil together, for that's
the fittest voyage for the French and the quality."
"We'll take care, however," cried the stranger with great vehemence,
"not to admit none of your vulgar unmannered English among us."
"O never fear," returned he, coolly, "we shan't dispute the point
with you; you and the quality may have the devil all to yourselves."
Desirous of changing the subject of a conversation which now became
very alarming, Miss Mirvan called out, "Lord, how slow the man drives!"
"Never mind, Moll," said her father, "I'll warrant you he'll drive
fast enough to-morrow, when you are going to Howard Grove."
"To Howard Grove!"
exclaimed the stranger, "why, mon Dieu, do you
know Lady Howard?"
"Why, what if we do?"
answered he; "that's nothing to you; she's none
of your quality, I'll promise you."
"Who told you that?"
cried she; "you don't know nothing about the
matter!
b | <CHAPTER>
LETTER I LADY HOWARD TO THE REV.
MR. VILLARS
Howard Grove, Kent.
CAN any thing, my good Sir, be more painful to a friendly mind, than
a necessity of communicating disagreeable intelligence?
Indeed it is
sometimes difficult to determine, whether the relator or the receiver
of evil tidings is most to be pitied.
I have just had a letter from Madame Duval; she is totally at a loss
in what manner to behave; she seems desirous to repair the wrongs she
has done, yet wishes the world to belie ught.
That she should follow us to
Howard Grove, I almost equally dreaded.
It is therefore determined,
that we remain in London for some days, or a week: though the Captain
has declared that the old French hag, as he is pleased to call her,
shall fare never the better for it.
My only hope is to get safe to Berry Hill; where, counselled and
sheltered by you, I shall have nothing more to fear.
Adieu, my ever
dear and most honoured Sir!
I shall have no happiness till I am again
with you.
</CHAPTER> | subject.
This put so great a restraint
upon my thoughts, that I was unable to go further than a monosyllable,
and not ever so far, when I could possibly avoid it.
We were sitting in this manner, he conversing with all gaiety, I
looking down with all foolishness, when that fop who had first asked
me to dance, with a most ridiculous solemnity approached, and, after
a profound bow or two, said, "I humbly beg pardon, Madam,-and of you
too, my Lord,-for breaking in upon such agreeable conversation-which
must, doubtless, be more delectable-than what I have the honour
to offer-but-"
I interrupted him-I blush for my folly,-with laughing; yet I could not
help it; for, added to the man's stately foppishness, (and he actually
took snuff between every three words) when I looked around at Lord
Orville, I saw such extreme surprise in his face,-the cause of which
appeared so absurd, that I could not for my life preserve my gravity.
I had not laughed before from the time I had left Miss Mirvan, and I |
6,053 | true | gradesaver | all_chapterized_books/6053-chapters/volume_1_chapters_15_to_21.txt | finished_summaries/gradesaver/Evelina/section_1_part_0.txt | Evelina.volume 1.chapters 15-21 | volume 1, letter 15-21 | null | {"name": "Volume I, Letter XV - Volume I, Letter XXI", "url": "https://web.archive.org/web/20201126171702/https://www.gradesaver.com/evelina-or-the-history-of-a-young-ladys-entrance-into-the-world/study-guide/summary-volume-i-letter-xv--volume-i-letter-xxi", "summary": "Mr. Villars writes to Evelina that he is distressed by her situation. He counsels her to avoid becoming like Madame Duval, but also to treat her grandmother with respect and deference. He feels uneasy about her experience with London life, and worries how the change back to remote Berry Hill will suit Evelina. Evelina writes him back to explain how Madame Duval is traveling a companion - a Frenchman named Monsieur Du Bois. He speaks very little English. She also tells him how the group decided to go to Ranelagh. Sir Clement Willoughby arrived on the morning of the trip, and managed to get on Captain Mirvan's good side by joining in his insults to Madame Duval. As a result, he was invited to Ranelagh. The party thus went on their way, but everyone was in ill humor. At Ranelagh, they learned that Lord Orville was also there, and he joined their party. His appearance \"gave universal restraint to every body.\" However, it was not long before Madame Duval recommenced her vociferous arguments with the Captain and Sir Clement. Mrs. Mirvan, Maria, Evelina, and Lord Orville left them to conduct their own more pleasant conversation, although Evelina could not speak, so embarrassed she was by her assumption of Lord Orville's contemptuous opinion towards her. On the way home in the driving rain, the coach broke down. Sir Clement carried Evelina back to Ranelagh in his arms, and set her before a fire. He knelt before her, and began to apologize for his behavior at the ridotto, but he was interrupted by the entrance of everyone else except Madame Duval. She and Monsieur Du Bois finally showed up, covered in mud. Madame Duval was raging mad; it took her some time before she could explain that Monsieur had tried to lift her over some mud, but had tripped. The Captain was roaring in ecstasy and would not forebear teasing them. Finally, Madame Duval grew so angry that she spat in the Captain's face, and he violently grabbed her shoulders. The group then prepared to leave, but had to wait quite a while yet for a new hackney coach. In her continued letters, Evelina tells how she called on Madame Duval the day after the journey. She found the woman in bed, cursing the Captain in the bitterest fashion. However, Madame Duval did ask Evelina many questions about her life, and insisted the girl should be taken to Paris. Evelina was also introduced to Madame Duval's nephew, Mr. Branghton, and his three children. Mr. Branghton expressed much contempt for those who lived outside the city. His son, Young Branghton, was \"weaker in understanding, and more gay in his temper.\" Miss Branghton, the eldest daughter, was not ugly but did look \"proud, ill-tempered, and conceited.\" Miss Polly, the younger daughter, was pretty enough, but was also foolish and ignorant. Their conversation centered around the young people's ages, their heights, and finally Evelina's dress. Evelina found that they spoke too long on such banal subjects. The group then discussed the theaters, though Evelina overheard Madame Duval speaking of her to Mr. Branghton. The group decided to attend the opera together, but Evelina hoped they would not go if she was to be expected to attend with them. The next morning, Evelina discovered Lord Orville alone in the drawing room downstairs at her lodgings, waiting to join the Mirvans for breakfast. They spoke for a few moments. Evelina mentioned she would be leaving soon, and Lord Orville took her hand and said, \"I think, that whoever has once seen Miss Anville, must receive an impression never to be forgotten.\" This compliment completely surprised Evelina, and she nervously withdrew her hand, and left to check on Mrs. Mirvan. She wonders why she has not yet found an opportunity to apologize to Lord Orville for her behavior at the ridotto. She further writes to Mr. Villars of Lord Orville's pleasing conversation at breakfast that morning; his manners are \"so elegant, so gentle, so unassuming, that they at once engage, esteem, and diffuse complacence.\" Mrs. Mirvan later invited Madame Duval to dinner, and the latter accepted. Evelina was surprised, because she thought her grandmother would shy away from more potential conflict with the Captain. Indeed, once at dinner, the two argued most of the time. Halfway through the meal, Sir Clement came in. His easiness astonished Evelina as overly familiar, but that behavior was precisely why the Captain enjoyed him. The group decided to head to Cox's Museum, but Evelina could barely enjoy it. She felt very embarrassed by the captain's loud, gross, and rude behavior in public. That evening, the group went to the Drury Lane Theater and was joined by Lord Orville. The play was a bit shocking, especially for the ladies. At one point, the foppish man from the first party - Mr. Lovel - entered their box. He began to tease Evelina about all the customs and manners of London that she did not understand. Sir Clement and Lord Orville clearly did not much care for Mr. Lovel, and responded coldly to some of his statements. Lovel surprised the group when he claimed that he only came to plays to \"shew that one's alive,\" not to actually watch them. Captain Mirvan was particularly amused by the idea that someone would attend a play but not know what was going on in it. Mr. Lovel further annoyed Evelina when he asked her what she thought of the play's young country lady character, Miss Prue. Provoked, Evelina answered that she did not think anything of her. By the end of the conversation, Evelina was aghast at this \"malicious and impertinent\" man who talked to her the way he did. She felt that there should be a rulebook provided to all young people upon their first introduction to society. In her next letter, Evelina tells Mr. Villars that she has volumes to write. She and Maria were dressing for the opera one night when the Miss Branghtons burst into the room, with orders to take her with them to the opera. She refused, saying she was already engaged to attend with the Mirvans. They were so rude and forward that she did not feel too bad for refusing them. They left in anger, but were succeeded by Madame Duval, who arrived full of fury. Frightened by her grandmother's anger, Evelina agreed to go with them. Evelina was very conscious of how overdressed she was for their seats , but they would not let her change. After an embarrassing encounter with the ticket seller - Mr. Branghton thought the opera was too expensive and only consented to the cheapest spot - they took their seats, far away from the stage. Evelina was exceedingly uncomfortable with their ignorance and coarseness. When the opera began, they tormented Evelina by talking, complaining about the opera's foreign language, and making fun of her for being engrossed in the drama onstage. She saw her friends seated elsewhere, and noticed Lord Orville as well. Mr. Branghton found much fault with the opera, first criticizing it for being first too short when he thought it was over, and then for being too long when it continued. When the show ended, the Branghtons rejoiced. They rudely offered their opinions of it, and Evelina felt \"this family is so low-bred and vulgar, that I should be equally ashamed of such a connexion in the country, or any where.\" As they waited to exit their section, she observed Sir Clement coming towards them and tried to think how she could avoid any further humiliation. Nobody save the Mirvans knew of her family connections , and she did not want to be associated with the Branghtons. She allowed Sir Clement to quickly lead her from the gallery, rudely telling Madame Duval that she would ride home with Mrs. Mirvan. She was gone before they could ask any questions. Unfortunately, she discovered that the Mirvans had already left; her plan was foiled. The situation became more awkward when they encountered Lord Orville. He offered her his coach and said he would find another way home, but Sir Clement managed to steer her into his own chariot. On the way home, Sir Clement profusely complimented her, giving many \"fine speeches\" about his adoration. She was shocked into silence and continually tried to recall her hand from his grasp. She noticed that it was taking a long time to get to her lodgings, and worried that Sir Clement had told his coachman to take a different route. She grew terrified, and she put her head out of the window to demand that the coachman stop. Sir Clement tried to calm her, and finally told his coachman to get her home quickly. He apologized profusely, and begged for her pardon. When they arrived at their destination, he fell to his knees and begged so ardently for her forgiveness that she felt compelled to grant it. At the house, she saw that Lord Orville was waiting there; he said he could not return home until he knew she was safe. This angered Sir Clement. Both men left, and Maria told Evelina that Lord Orville had seemed very anxious and impatient about her safe return.", "analysis": "Evelina continues to brave the treacherous London scene, encountering foppish and ill-bred men, her coarse kinsmen, and confusing attentions from Lord Orville. Throughout the novel, Evelina evinces an uneasiness and anxiety that is acute and relatively consistent. To a large extent, this is due to her ignorance of city life. However, in this section, she has started to learn how to better navigate social expectation, and yet she remains extremely anxious. For instance, she makes several comments that show she begins to understand that good-breeding and social rules do not make good people. She notes how Mr. Lovel ought to be taught better manners , and notes that the ugly behavior of the Branghtons would be equally out of place in the country as it is in the city. Her anxiety is in fact due to much more than her unfamiliarity with London. Navigating the social scene for women was not an easy task for anyone, as they were beset with dangers of varying degrees. In her article on the \"female difficulties\" in Evelina, Susan Staves identifies the threats faced by the heroine. Staves first addresses the actual threats of physical violence. Evelina is slapped roughly by her grandmother, and repeatedly grabbed by Sir Clement and other men in the gardens. Being separated from her companions usually leads to physical confrontations with men; this happens at Vauxhall Gardens and Marybone Gardens later on. Staves notes that the heroines in Samuel Richardson's novels also encountered violence, but not in the same fashion as Evelina does; his heroines are \"not subjected to the pervasive anonymous violence Evelina encounters,\" since they are not in public as much. Evelina's \"terrors seem more immediate and real,\" and \"most important, Evelina is usually too frightened to provide dignified condemnations or moral analyses of her persecutors' vices.\" Evelina is also worried about physic threats, and hopes her delicacy will not be compromised. Staves tries to define delicacy in the context of this novel, writing that \"true delicacy is opposed to cruelty, impertinence, and boldness; it is also superior to artificial decorums. False delicacy invokes lesser conventions to ignore the real needs of others.\" Almost every other character in the novel suffers from a want of delicacy, and in some cases it is the most 'refined' characters who most lack it. Consider Mr. Lovel, the Branghtons, or even the well-spoken and generally well-behaved Sir Clement Willoughby. His assault in the carriage is both physically and physically threatening to her; her body, peace of mind, and potentially her chaste reputation are at stake. Staves looks into the question of what the novel is trying to say about delicacy and gender: does it seem to deny differences between the masculine and feminine ideals? On one hand, Mr. Villars later praises the way in which Evelina handled the Mr. Macartney-pistol episode, attributing her success to her masculine characteristics. Burney also heeded the 18th century tendency to praise feminine characteristics in men. Overall, though, the novel suggests a \"discrete identity\" of female delicacy, one that must be protected both for oneself and for the benefit of others. Evelina is quite aware of how she appears to others, and in many ways hates being accosted mostly because of how it appears. She seems to care more about being thought indelicate rather than actually being so. This was not a stupid fear, however, since \"being thought to be indelicate is a serious social reality, not something to be dismissed in mere appearance.\" If a woman was thought to have lost her delicacy, it made her more privy to lascivious behavior and even rape from the men that now knew her to be a \"lost woman.\" This is why Evelina is later so upset when she discoveres the true nature of her female saviors at the Marybone Gardens; associating with prostitutes would raise questions about herself. Overall, there are many difficulties that Evelina faces: there are physical limitations of women which make them prey to men's physical power, and there are psychological restraints that provide real and forced ignorance of many subjects. Evelina clearly demonstrates how difficult to was to be a young lady forced to navigate the perplexing public sphere. Burney's great achievement is that Evelina possesses both an eloquent insight, and a perspective of another life. Whereas someone like Miss Branghton, even if she did have Evelina's eloquence and sensitivity, only knows city life, Evelina knows of her pastoral life at Berry Hill and hence has special insight into the true horrors a woman faces, horrors that a woman brought up in society is far too easily taught to take for granted."} | <CHAPTER>
LETTER XV MR. VILLARS TO EVELINA
Berry Hill, April 16.
IN the belief and hope that my Evelina would, ere now, have bid adieu
to London, I had intended to have deferred writing, till I heard
of her return to Howard Grove; but the letter I have this moment
received, with intelligence of Madame Duval's arrival in England,
demands an immediate answer.
Her journey hither equally grieves and alarms me. How much did I
pity my child, when I read of a discovery at once so unexpected
and unwished! I have long dreaded this meeting and its consequence;
to claim you seems naturally to follow acknowledging you. I am well
acquainted with her disposition, and have for many years foreseen
the contest which now threatens us.
Cruel as are the circumstances of this affair, you must not, my
love, suffer it to depress your spirits: remember, that while life
is lent me, I will devote it to your service; and, for future time,
I will make such provisions as shall seem to me most conducive to
your future happiness. Secure of my protection, and relying on my
tenderness, let no apprehensions of Madame Duval disturb your peace:
conduct yourself towards her with all the respect and deference due
to so near a relation, remembering always, that the failure of duty
on her part, can by no means justify any neglect on your's. Indeed,
the more forcibly you are struck with improprieties and misconduct
in another, the greater should be your observance and diligence
to avoid even the shadow of similar errors. Be careful, therefore,
that no remissness of attention, no indifference of obliging, make
known to her the independence I assure you of; but when she fixes
the time for her leaving England, trust to me the task of refusing
your attending her: disagreeable to myself, I own, it will be; yet
to you it would be improper, if not impossible.
In regard to her opinion of me, I am more sorry than surprised at
her determined blindness; the palliation which she feels the want of,
for her own conduct, leads her to seek for failings in all who were
concerned in those unhapppy transactions which she has so much reason
to lament. And this, as it is the cause, so we must in some measure
consider it as the excuse of her inveteracy.
How grateful to me are your wishes to return to Berry Hill! Your
lengthened stay in London, and the dissipation in which I find you
are involved, fill me with uneasiness. I mean not, however, that I
would have you sequester yourself from the party to which you belong,
since Mrs. Mirvan might thence infer a reproof which your youth and
her kindness would render inexcusable. I will not, therefore, enlarge
upon this subject; but content myself with telling you, that I shall
heartily rejoice when I hear of your safe arrival at Howard Grove,
for which place I hope you will be preparing at the time you receive
this letter.
I cannot too much thank you, my best Evelina, for the minuteness of
your communications. Continue to me this indulgence, for I should be
miserable if in ignorance of your proceedings.
How new to you is the scene of life in which you are
engaged!-balls-plays-operas-ridottos!-Ah, my child! At your return
hither, how will you bear the change? My heart trembles for your
future tranquility.-Yet I will hope every thing from the unsullied
whiteness of your soul, and the native liveliness of your disposition.
I am sure I need not say, how much more I was pleased with the
mistakes of your inexperience at the private ball, than with the
attempted adoption of more fashionable manners at the ridotto. But
your confusion and mortifications were such as to entirely silence
all reproofs on my part.
I hope you will see no more of Sir Clement Willoughby, whose
conversation and boldness are extremely disgustful to me. I was
gratified by the good nature of Lord Orville, upon your making use
of his name; but I hope you will never again put it to such a trial.
Heaven bless thee, my dear child! And grant that neither misfortune
nor vice may ever rob thee of that gaiety of heart, which, resulting
from innocence, while it constitutes your own, contributes also to
the felicity of all who know you! ARTHUR VILLARS.
</CHAPTER>
<CHAPTER>
LETTER XVI EVELINA TO THE REV. MR. VILLARS
Queen Ann Street, Thursday morning, April 14.
BEFORE our dinner was over yesterday Madame Duval came to tea; though
it will lessen your surprise, to hear that it was near five o'clock,
for we never dine till the day is almost over. She was asked into
another room while the table was cleared, and then was invited to
partake of the dessert.
She was attended by a French gentleman, whom she introduced by the
name of Monsieur Du Bois: Mrs. Mirvan received them both with her
usual politeness; but the Captain looked very much displeased; and
after a short silence, very sternly said to Madame Duval, "Pray who
asked you to bring that there spark with you?"
"O," cried she, "I never go no where without him."
Another short silence ensued, which was terminated by the Captain's
turning roughly to the foreigner, and saying, "Do you know, Monseer,
that you are the first Frenchman I ever let come into my house?"
Monsieur Du Bois made a profound bow. He speaks no English, and
understands it so imperfectly, that he might possibly imagine he had
received a compliment.
Mrs. Mirvan endeavourd to divert the Captain's ill-humour,
by starting new subjects: but he left to her all the trouble of
supporting them, and leant back in his chair in gloomy silence,
except when any opportunity offered of uttering some sarcasm upon
the French. Finding her efforts to render the evening agreeable were
fruitless, Mrs. Mirvan proposed a party to Ranelagh. Madame Duval
joyfully consented to it; and the Captain though he railed against
the dissipation of the women, did not oppose it; and therefore Maria
and I ran up stairs to dress ourselves.
Before we were ready, word was brought us that Sir Clement Willoughby
was in the drawing-room. He introduced himself under the pretence
of inquiring after all our healths, and entered the room with the
easy air of an old acquaintance; though Mrs. Mirvan confessed that
he seemed embarrassed when he found how coldly he was received,
not only by the Captain, but by herself.
I was extremely disconcerted at the thoughts of seeing this man again,
and did not go downstairs till I was called to tea. He was then
deeply engaged in a discourse upon French manners with Madame Duval
and the Captain; and the subject seemed so entirely to engross him,
that he did not, at first, observe my entrance into the room. Their
conversation was supported with great vehemence; the Captain roughly
maintaining the superiority of the English in every particular,
and Madame Duval warmly refusing to allow of it in any; while Sir
Clement exerted all his powers of argument and of ridicule, to second
and strengthen whatever was advanced by the Captain: for he had the
sagacity to discover, that he could take no method so effectual for
making the master of the house his friend, as to make Madame Duval his
enemy; and indeed, in a very short time, he had reason to congratulate
himself upon his successful discernment.
As soon as he saw me, he made a most respectful bow, and hoped I had
not suffered from the fatigue of the ridotto: I made no other answer
than a slight inclination of the head, for I was very much ashamed
of that whole affair. He then returned to the disputants; where he
managed the argument so skilfully, at once provoking Madame Duval,
and delighting the Captain, that I could not forbear admiring his
address, though I condemned his subtlety. Mrs. Mirvan, dreading such
violent antagonists, attempted frequently to change the subject; and
she might have succeeded, but for the interposition of Sir Clement,
who would not suffer it to be given up, and supported it with such
humour and satire, that he seems to have won the Captain's heart;
though their united forces so enraged and overpowered Madame Duval,
that she really trembled with passion.
I was very glad when Mrs. Mirvan said it was time to be gone. Sir
Clement arose to take leave; but the Captain very cordially invited
him to join our party: he had an engagement, he said, but would give
it up to have that pleasure.
Some little confusion ensued in regard to our manner of setting
off. Mrs. Mirvan offered Madame Duval a place in her coach, and
proposed that we four females should go all together; however, this
she rejected, declaring she would by no means go so far without a
gentleman, and wondering so polite a lady could make so English a
proposal. Sir Clement Willoughby said, his chariot was waiting at
the door, and begged to know if it could be of any use. It was at
last decided, that a hackney-coach should be called for Monsieur Du
Bois and Madame Duval, in which the Captain, and, at his request,
Sir Clement, went also; Mrs. and Miss Mirvan and I had a peaceful
and comfortable ride by ourselves.
I doubt not but they quarrelled all the way; for when we met at
Ranelagh every one seemed out of humour; and though we joined parties,
poor Madame Duval was avoided as much as possible by all but me.
The room was so very much crowded, that but for the uncommon assiduity
of Sir Clement Willoughby, we should not have been able to procure
a box (which is the name given to the arched recesses that are
appropriated for tea-parties) till half the company had retired. As
we were taking possession of our places, some ladies of Mrs. Mirvan's
acquaintance stopped to speak to her, and persuaded her to take a
round with them. When she returned to us, what was my surprise, to
see that Lord Orville had joined her party! The ladies walked on:
Mrs. Mirvan seated herself, and made a slight, though respectful,
invitation to Lord Orville to drink his tea with us; which, to my no
small consternation, he accepted.
I felt a confusion unspeakable at again seeing him, from the
recollection of the ridotto adventure: nor did my situation lessen it;
for I was seated between Madame Duval and Sir Clement, who seemed
as little as myself to desire Lord Orville's presence. Indeed, the
continual wrangling and ill-breeding of Captain Mirvan and Madame
Duval made me blush that I belonged to them. And poor Mrs. Mirvan
and her amiable daughter had still less reason to be satisfied.
A general silence ensued after he was seated: his appearance, from
different motives, gave an universal restraint to every body. What his
own reasons were for honouring us with his company, I cannot imagine;
unless, indeed, he had a curiosity to know whether I should invent
any new impertinence concerning him.
The first speech was made by Madame Duval, who said, "It's quite a
shocking thing to see ladies come to so genteel a place as Ranelagh
with hats on; it has a monstrous vulgar look: I can't think what they
wear them for. There is no such a thing to be seen in Paris."
"Indeed," cried Sir Clement, "I must own myself no advocate for
hats; I am sorry the ladies ever invented or adopted so tantalizing
a fashion: for, where there is beauty, they only serve to shade it;
and, where there is none, to excite a most unavailing curiosity. I
fancy they were originally worn by some young and whimsical coquette."
"More likely," answered the Captain, "they were invented by some
wrinkled old hag, who'd a mind for to keep the young fellows in chace,
let them be never so weary."
"I don't know what you may do in England," cried Madame Duval, "but
I know in Paris no woman needn't be at such a trouble as that to be
taken very genteel notice of."
"Why, will you pretend for to say," returned the Captain, "that they
don't distinguish the old from the young there as well as here?"
"They don't make no distinguishments at all," said she; "they're
vastly too polite."
"More fools they!" cried the Captain, sneeringly.
"Would to Heaven," cried, Sir Clement, "that, for our own sakes,
we Englishmen too were blest with so accommodating a blindness!"
"Why the devil do you make such a prayer as that?" demanded the
Captain: "them are the first foolish words I've heard you speak;
but I suppose you're not much used to that sort of work. Did you ever
make a prayer before, since you were a sniveler?"
"Ay, now," cried Madame Duval, "that's another of the unpolitenesses
of you English, to go to talking of such things as that: now in Paris
nobody never says nothing about religion, no more than about politics."
"Why then," answered he, "it's a sign they take no more care of
their souls than of their country, and so both one and t'other go to
old Nick."
"Well, if they do," said she, "who's the worse, so long as they don't
say nothing about it? It's the tiresomest thing in the world to be
always talking of them sort of things, and nobody that's ever been
abroad troubles their heads about them."
"Pray then," cried the Captain, "since you know so much of the matter,
be so good as to tell us what they do trouble their heads about?-Hey,
Sir Clement! han't we a right to know that much?"
"A very comprehensive question," said Sir Clement, "and I expect much
instruction from the lady's answer."
"Come, Madam," continued the Captain, "never flinch; speak at once;
don't stop for thinking."
"I assure you I am not going," answered she; "for as to what they
do do, why they've enough to do, I promise you, what with one thing
or another."
"But what, what do they do, these famous Monseers?" demanded the
Captain; "can't you tell us? do they game?-or drink?-or fiddle?-or are
they jockeys?-or do they spend all their time in flummering old women?"
"As to that, Sir-but indeed I shan't trouble myself to answer such a
parcel of low questions, so don't ask me no more about it." And then,
to my great vexation, turning to Lord Orville, she said, "Pray, Sir,
was you ever in Paris?"
He only bowed.
"And pray, Sir, how did you like it?"
This comprehensive question, as Sir Clement would have called it,
though it made him smile, also made him hesitate; however, his answer
was expressive of his approbation.
"I thought you would like it, Sir, because you look so like a
gentleman. As to the Captain, and as to that other gentleman, why
they may very well not like what they don't know: for I suppose, Sir,
you was never abroad?"
"Only three years, Ma'am," answered Sir Clement, drily.
"Well, that's very surprising! I should never have thought it: however,
I dare say you only kept company with the English."
"Why, pray, who should he keep company with?" cried the Captain:
"what I suppose you'd have him ashamed of his own nation, like some
other people not a thousand miles off, on purpose to make his own
nation ashamed of him?"
"I'm sure it would be a very good thing if you'd go abroad yourself."
"How will you make out that, hey, Madam? come, please to tell me,
where would be the good of that?"
"Where! why a great deal. They'd make quite another person of you."
"What, I suppose you'd have me to learn to cut capers?-and dress like
a monkey?-and palaver in French gibberish?-hey, would you?-And powder,
and daub, and make myself up, like some other folks?"
"I would have you learn to be more politer, Sir, and not to talk to
ladies in such a rude, old-fashion way as this. You, Sir, as have been
in Paris," again addressing herself to Lord Orville, "can tell this
English gentleman how he'd be despised, if he was to talk in such an
ungenteel manner as this before any foreigners. Why, there isn't a
hairdresser, nor a shoemaker, nor nobody, that wouldn't blush to be
in your company."
"Why, look ye, Madam," answered the Captain, "as to your hair-pinchers
and shoe-blacks, you may puff off their manners, and welcome; and I
am heartily glad you like 'em so well: but as to me, since you must
needs make so free of your advice, I must e'en tell you, I never kept
company with any such gentry."
"Come, ladies and gentlemen," said Mrs. Mirvan, "as many of you as have
done tea, I invite to walk with me." Maria and I started up instantly;
Lord Orville followed; and I question whether we were not half round
the room ere the angry disputants knew that we had left the box.
As the husband of Mrs. Mirvan had borne so large a share in
the disagreeable altercation, Lord Orville forbore to make any
comments upon it; so that the subject was immediately dropt, and the
conversation became calmly sociable, and politely cheerful, and, to
every body but me, must have been highly agreeable:-but, as to myself,
I was so eagerly desirous of making some apology to Lord Orville,
for the impertinence of which he must have thought me guilty at the
ridotto, and yet so utterly unable to assume sufficient courage to
speak to him, concerning an affair in which I had so terribly exposed
myself, that I hardly ventured to say a word all the time we were
walking. Besides, the knowledge of his contemptuous opinion haunted and
dispirited me, and made me fear he might possibly misconstrue whatever
I should say. So that, far from enjoying a conversation which might, at
any other time, have delighted me, I continued silent, uncomfortable,
and ashamed. O, Sir, shall I ever again involve myself in so foolish
an embarrassment? I am sure that, if I do, I shall deserve greater
mortification.
We were not joined by the rest of the party till we had taken three
or four turns around the room; and then they were so quarrelsome,
that Mrs. Mirvan complained of being fatigued and proposed going
home. No one dissented. Lord Orville joined another party, having first
made an offer of his services, which the gentlemen declined, and we
proceeded to an outward room, where we waited for the carriages. It
was settled that we should return to town in the same manner we came
to Ranelagh; and, accordingly, Monsieur Du Bois handed Madame Duval
into a hackney coach, and was just preparing to follow her, when she
screamed, and jumped hastily out, declaring she was wet through all
her clothes. Indeed, upon examination the coach was found to be in a
dismal condition; for the weather proved very bad, and the rain had,
though I know not how, made its way into the carriage.
Mrs. and Miss Mirvan, and myself, were already disposed of as before;
but no sooner did the Captain hear this account, than, without any
ceremony, he was so civil as to immediately take possession of the
vacant seat in his own coach, leaving Madame Duval and Monsieur
Du Bois to take care of themselves. As to Sir Clement Willoughby,
his own chariot was in waiting.
I instantly begged permission to offer Madame Duval my own place, and
made a motion to get out; but Mrs. Mirvan stopped me, saying, that
I should then be obliged to return to town with only the foreigner,
or Sir Clement.
"O never mind the old beldame," cried the Captain, "she's
weather-proof, I'll answer for her; and besides, as we are all, I hope,
English, why she'll meet with no worse than she expects from us."
"I do not mean to defend her," said Mrs. Mirvan; "but indeed, as she
belongs to our party, we cannot, with any decency, leave the place
till she is, by some means, accommodated."
"Lord, my dear," cried the Captain, whom the distress of Madame Duval
had put into very good humour, "why, she'll break her heart if she
meets with any civility from a filthy Englishman."
Mrs. Mirvan, however, prevailed; and we all got out of the coach, to
wait till Madame Duval could meet with some better carriage. We found
her, attended by Monsieur Du Bois, standing amongst the servants, and
very busy in wiping her negligee, and endeavouring to save it from
being stained by the wet, as she said it was a new Lyons silk. Sir
Clement Willoughby offered her the use of his chariot, but she had been
too much piqued by his raillery to accept it. We waited some time,
but in vain; for no hackney-coach could be procured. The Captain,
at last, was persuaded to accompany Sir Clement himself, and we four
females were handed into Mrs. Mirvan's carriage, though not before
Madame Duval had insisted upon our making room for Monsieur Du Bois,
to which the Captain only consented in preference to being incommoded
by him in Sir Clement's chariot.
Our party drove off first. We were silent and unsociable; for the
difficulties attending this arrangement had made every one languid
and fatigued. Unsociable, I must own, we continued; but very short
was the duration of our silence, as we had not proceeded thirty yards
before every voice was heard at once-for the coach broke down! I
suppose we concluded, of course, that we were all half killed, by
the violent shrieks that seemed to come from every mouth. The chariot
was stopped, the servants came to our assistance, and we were taken
out of the carriage, without having been at all hurt. The night was
dark and wet; but I had scarce touched the ground when I was lifted
suddenly from it by Sir Clement Willoughby, who begged permission to
assist me, though he did not wait to have it granted, but carried me
in his arms back to Ranelagh.
He enquired very earnestly if I was not hurt by the accident? I assured
him I was perfectly safe, and free from injury; and desired he would
leave me, and return to the rest of the party, for I was very uneasy
to know whether they had been equally fortunate. He told me he was
happy in being honoured with my commands, and would joyfully execute
them; but insisted upon first conducting me to a warm room, as I had
not wholly escaped being wet. He did not regard my objections; but
made me follow him to an apartment, where we found an excellent fire,
and some company waiting for carriages. I readily accepted a seat,
and then begged he would go.
And go, indeed, he did; but he returned in a moment, telling me
that the rain was more violent than ever, and that he had sent his
servants to offer their assistance, and acquaint the Mirvans of my
situation. I was very mad that he would not go himself; but as my
acquaintance with him was so very slight, I did not think proper to
urge him contrary to his inclination.
Well, he drew a chair close to mine; and, after again enquiring how
I did, said, in a low voice, "You will pardon me, Miss Anville, if
the eagerness I feel to vindicate myself, induces me to snatch this
opportunity of making sincere acknowledgments for the impertinence
with which I tormented you at the last ridotto. I can assure you,
Madam, I have been a true and sorrowful penitent ever since; but-shall
I tell you honestly what encouraged me to-"
He stopt, but I said nothing; for I thought instantly of the
conversation Miss Mirvan had overheard, and supposed he was going to
tell me himself what part Lord Orville had borne in it; and really
I did not wish to hear it repeated. Indeed, the rest of his speech
convinces me that such was his intention; with what view I know not,
except to make a merit of his defending me.
"And yet," he continued, "my excuse may only expose my own credulity,
and want of judgment and penetration. I will, therefore, merely
beseech your pardon, and hope that some future time-"
Just then the door was opened by Sir Clement's servant, and I had the
pleasure of seeing the Captain, Mrs. and Miss Mirvan, enter the room.
"O ho!" cried the former, "you have got a good warm berth here; but
we shall beat up your quarters. Here, Lucy, Moll, come to the fire,
and dry your trumpery. But, hey-day-why, where's old Madame French?"
"Good God," cried I, "is not Madame Duval then with you?"
"With me! No,-thank God."
I was very uneasy to know what might have become of her; and, if they
would have suffered me, I should have gone in search of her myself;
but all the servants were dispatched to find her; and the Captain said,
we might be very sure her French beau would take care of her.
We waited some time without any tidings, and were soon the only party
in the room. My uneasiness increased so much that Sir Clement now
made a voluntary offer of seeking her. However, the same moment that
he opened the door with this design, she presented herself at it,
attended by Monsieur Du Bois.
"I was this instant, Madam," said he, "coming to see for you."
"You are mighty good, truly," cried she, "to come when all the
mischief's over."
She then entered,-in such a condition!-entirely covered with mud,
and in so great a rage, it was with difficulty she could speak. We all
expressed our concern, and offered our assistance-except the Captain,
who no sooner beheld her than he burst out into a loud laugh.
We endeavoured, by our enquiries and condolements, to prevent her
attending to him; and she was for some time so wholly engrossed by her
anger and her distress, that we succeeded without much trouble. We
begged her to inform us how this accident happened. "How!" repeated
she,-"why it was all along of your all going away,-and there poor
Monsieur Du Bois-but it wasn't his fault,-for he's as bad off as me."
All eyes were then turned to Monsieur Du Bois, whose clothes were in
the same miserable plight with those of Madame Duval; and who, wet,
shivering, and disconsolate, had crept to the fire.
The Captain laughed yet more heartily; while Mrs. Mirvan, ashamed of
his rudeness, repeated her inquiries to Madame Duval; who answered,
"Why, as we were a-coming along, all in the rain, Monsieur Du Bois
was so obliging, though I'm sure it was an unlucky obligingness
for me, as to lift me up in his arms to carry me over a place that
was ankle-deep in mud; but instead of my being ever the better for
it, just as we were in the worst part,-I'm sure I wish we had been
fifty miles off,-for somehow or other his foot slipt,-at least, I
suppose so,-though I can't think how it happened, for I'm so such
great weight;-but, however that was, down we both came, together,
all in the mud; and the more we tried to get up, the more deeper we
got covered with the nastiness-and my new Lyons negligee, too, quite
spoilt!-however, it's well we got up at all, for we might have laid
there till now, for aught you all cared; nobody never came near us."
This recital put the Captain into an ecstasy; he went from the lady to
the gentleman, and from the gentleman to the lady, to enjoy alternately
the sight of their distress. He really shouted with pleasure; and,
shaking Monsieur Du Bois strenuously by the hand, wished him joy of
having touched English ground; and then he held a candle to Madame
Duval, that he might have a more complete view of her disaster,
declaring repeatedly, that he had never been better pleased in
his life.
The rage of poor Madame Duval was unspeakable; she dashed the candle
out of his hand, stamping upon the floor, and, at last, spat in
his face.
This action seemed immediately to calm them both, as the joy of the
Captain was converted into resentment, and the wrath of Madame Duval
into fear: for he put his hands upon her shoulders, and gave her
so violent a shake, that she screamed out for help; assuring her,
at the same time, that if she had been one ounce less old, or less
ugly, she should have had it all returned in her own face.
Monsieur Du Bois, who had seated himself very quietly at the fire,
approached them, and expostulated very warmly with the Captain;
but he was neither understood nor regarded; and Madame Duval was not
released till she quite sobbed with passion.
When they were parted, I intreated her to permit the woman who has
charge of the ladies' cloaks to assist in drying her clothes; she
consented, and we did what was possible to save her from catching
cold. We were obliged to wait in this disagreeable situation near an
hour before a hackney-coach could be found; and then we were disposed
in the same manner as before our accident.
I am going this morning to see poor Madame Duval, and to inquire after
her health, which I think must have suffered by her last night's
misfortunes; though, indeed, she seems to be naturally strong and
hearty.
Adieu, my dear Sir, till to-morrow.
</CHAPTER>
<CHAPTER>
LETTER XVII EVELINA IN CONTINUATION
Friday Morning, April 15.
SIR CLEMENT WILLOUGHBY called here yesterday at noon, and Captain
Mirvan invited him to dinner. For my part I spent the day in a manner
the most uncomfortable imaginable.
I found Madame Duval at breakfast in bed, though Monsieur Du Bois was
in the chamber; which so much astonished me, that I was, involuntarily,
retiring, without considering how odd an appearance my retreat would
have, when Madame Duval called me back, and laughed very heartily at
my ignorance of foreign customs.
The conversation, however, very soon took a more serious turn; for
she began, with great bitterness, to inveigh against the barbarous
brutality of that fellow the Captain, and the horrible ill-breeding
of the English in general, declaring, she should make her escape
with all expedition from so beastly a nation. But nothing can be more
strangely absurd, than to hear politeness recommended in language so
repugnant to it as that of Madame Duval.
She lamented, very mournfully, the fate of her Lyons silk; and
protested she had rather have parted with all the rest of her wardrobe,
because it was the first gown she had bought to wear upon leaving off
her weeds. She has a very bad cold, and Monsieur Du Bois is so hoarse,
he can hardly speak.
She insisted upon my staying with her all day; as she intended, she
said, to introduce me to some of my own relations. I would very fain
have excused myself, but she did not allow me any choice.
Till the arrival of these relations, one continued series of questions
on her side, and of answers on mine, filled up all the time we
passed together. Her curiosity was insatiable; she inquired into
every action of my life, and every particular that had fallen under
my observation in the lives of all I knew. Again, she was so cruel
as to avow the most inveterate rancour against the sole benefactor
her deserted child and grand-child have met with; and such was the
indignation her ingratitude raised, that I would actually have quitted
her presence and house, had she not, in a manner the most peremptory,
absolutely forbid me. But what, good Heaven! can induce her to such
shocking injustice? O, my friend and father! I have no command of
myself when this subject is started.
She talked very much of taking me to Paris, and said I greatly
wanted the polish of a French education. She lamented that I had
been brought up in the country, which, she observed, had given me
a very bumpkinish air. However, she bid me not despair, for she had
known many girls much worse than me, who had become very fine ladies
after a few years residence abroad; and she particularly instanced
a Miss Polly Moore, daughter of a chandler's-shop woman, who, by an
accident not worth relating, happened to be sent to Paris, where,
from an awkward ill-bred girl, she so much improved, that she has
since been taken for a woman of quality.
The relations to whom she was pleased to introduce me, consisted
of a Mr. Branghton, who is her nephew, and three of his children,
the eldest of which is a son, and the two younger are daughters.
Mr. Branghton appears about forty years of age. He does not seem
to want a common understanding, though he is very contracted and
prejudiced: he has spent his whole time in the city, and I believe
feels a great contempt for all who reside elsewhere.
His son seems weaker in his understanding, and more gay in his
temper; but his gaiety is that of a foolish, overgrown school-boy,
whose mirth consists in noise and disturbance. He disdains his father
for his close attention to business, and love of money; though he
seems himself to have no talents, spirit, or generosity, to make him
superior to either. His chief delight appears to be tormenting and
ridiculing his sisters; who, in return, most heartily despise him.
Miss Branghton, the eldest daughter, is by no means ugly; but looks
proud, ill-tempered, and conceited. She hates the city, though without
knowing why; for it is easy to discover she has lived no where else.
Miss Polly Branghton is rather pretty, very foolish, very ignorant,
very giddy, and, I believe, very good-natured.
The first half-hour was allotted to making themselves comfortable;
for they complained of having had a very dirty walk, as they came on
foot from Snow Hill, where Mr. Branghton keeps a silversmith's shop;
and the young ladies had not only their coats to brush, and shoes to
dry, but to adjust their head-dress, which their bonnets had totally
discomposed.
The manner in which Madame Duval was pleased to introduce me to this
family extremely shocked me. "Here, my dears," said she, "here's a
relation you little thought of; but you must know, my poor daughter
Caroline had this child after she run away from me,-though I never
knew nothing of it, not I, for a long while after; for they took care
to keep it a secret from me, though the poor child has never a friend
in the world besides."
"Miss seems very tender-hearted, aunt," said Miss Polly; "and to be
sure she's not to blame for her mama's undutifulness, for she couldn't
help it."
"Lord, no," answered she, "and I never took no notice of it to her:
for, indeed, as to that, my own poor daughter wasn't so much to blame
as you may think; for she'd never have gone astray, if it had not
been for that meddling old parson I told you of."
"If aunt pleases," said young Mr. Branghton, "we'll talk o' somewhat
else, for Miss looks very uneasy-like."
The next subject that was chosen was the age of the three young
Branghtons and myself. The son is twenty; the daughters upon hearing
that I was seventeen, said that was just the age of Miss Polly; but
their brother, after a long dispute, proved that she was two years
older, to the great anger of both sisters, who agreed that he was
very ill-natured and spiteful.
When this point was settled, the question was put, Which was
tallest?-We were desired to measure, as the Branghtons were all of
different opinions. None of them, however, disputed my being the
tallest in the company; but, in regard to one another, they were
extremely quarrelsome: the brother insisted upon their measuring fair,
and not with heads and heels; but they would by no means consent to
lose those privileges of our sex; and therefore the young man was cast,
as shortest; though he appealed to all present upon the injustice of
the decree.
This ceremony over, the young ladies begun, very freely, to examine
my dress, and to interrogate me concerning it. "This apron's
your own work, I suppose, Miss? but these sprigs a'n't in fashion
now. Pray, if it is not impertinent, what might you give a yard for
this lutestring?-Do you make your own caps, Miss?" and many other
questions equally interesting and well-bred.
Then they asked me how I liked London? and whether I should not think
the country a very dull place, when I returned thither? "Miss must
try if she can't get a good husband," said Mr. Branghton, "and then
she may stay and live here."
The next topic was public places, or rather the theatres, for they
knew of no other; and the merits and defects of all the actors and
actresses were discussed: the young man here took the lead, and seemed
to be very conversant on the subject. But during this time, what was
my concern, and, suffer me to add, my indignation, when I found, by
some words I occasionally heard, that Madame Duval was entertaining
Mr. Branghton with all the most secret and cruel particulars of my
situation! The eldest daughter was soon drawn to them by the recital;
the youngest and the son still kept their places; intending, I believe,
to divert me, though the conversation was all their own.
In a few minutes, Miss Branghton coming suddenly up to her sister,
exclaimed, "Lord, Polly, only think! Miss never saw her papa!"
"Lord, how odd!" cried the other; "why, then, Miss, I suppose you
wouldn't know him?"
This was quite too much for me; I rose hastily, and ran out of
the room: but I soon regretted I had so little command of myself;
for the two sisters both followed, and insisted upon comforting me,
notwithstanding my earnest intreaties to be left alone.
As soon as I returned to the company, Madame Duval said, "Why, my dear,
what was the matter with you? why did you run away so?"
This question almost made me run again, for I knew not how to
answer it. But, is it not very extraordinary, that she can put me
in situations so shocking, and then wonder to find me sensible of
any concern?
Mr. Branghton junior now inquired of me, whether I had seen the Tower,
or St. Paul's church? and upon my answering in the negative, they
proposed making a party to shew them to me. Among other questions,
they also asked, if I had ever seen such a thing as an opera? I told
them I had. "Well," said Mr. Branghton, "I never saw one in my life,
so long as I've lived in London; and I never desire to see one,
if I live here as much longer."
"Lord, papa," cried Miss Polly, "why not? you might as well for once,
for the curiosity of the thing: besides, Miss Pomfret saw one, and
she says it was very pretty."
"Miss will think us very vulgar," said Miss Branghton, "to live in
London, and never have been to an opera; but it's no fault of mine,
I assure you, Miss, only papa don't like to go."
The result was, that a party was proposed, and agreed to, for some
early opportunity. I did not dare contradict them; but I said
that my time, while I remained in town, was at the disposal of
Mrs. Mirvan. However, I am sure I will not attend them, if I can
possibly avoid doing so.
When we parted, Madame Duval desired to see me the next day; and the
Branghtons told me, that the first time I went towards Snow Hill,
they should be very glad if I would call upon them.
I wish we may not meet again till that time arrives.
I am sure I shall not be very ambitious of being known to any more of
my relations, if they have any resemblance to those whose acquaintance
I have been introduced to already.
</CHAPTER>
<CHAPTER>
LETTER XVIII EVELINA IN CONTINUATION
I HAD just finished my letter to you this morning, when a violent
rapping at the door made me run down stairs; and who should I see in
the drawing room, but-Lord Orville!
He was quite alone, for the family had not assembled to breakfast. He
inquired first of mine, then of the health of Mrs. and Miss Mirvan,
with a degree of concern that rather surprised me, till he said he had
just been informed of the accident we had met with at Ranelagh. He
expressed his sorrow upon the occasion with utmost politeness, and
lamented that he had not been so fortunate as to hear of it in time to
offer his services. "But I think," he added, "Sir Clement Willoughby
had the honour of assisting you?"
"He was with Captain Mirvan, my Lord."
"I had heard of his being of your party."
I hope that flighty man has not been telling Lord Orville he only
assisted me! however, he did not pursue the subject: but said, "This
accident though extremely unfortunate, will not, I hope, be the means
of frightening you from gracing Ranelagh with your presence in future?"
"Our time, my Lord, for London, is almost expired already."
"Indeed! do you leave town so very soon?"
"O yes, my Lord, our stay has already exceeded our intentions."
"Are you, then, so particularly partial to the country?"
"We merely came to town, my Lord, to meet Captain Mirvan."
"And does Miss Anville feel no concern at the idea of the many mourners
her absence will occasion?"
"O, my Lord,-I'm sure you don't think-" I stopt there; for, indeed,
I hardly knew what I was going to say. My foolish embarrassment, I
suppose, was the cause of what followed; for he came to me, and took
my hand saying, "I do think, that whoever has once seen Miss Anville,
must receive an impression never to be forgotten."
This compliment,-from Lord Orville,-so surprised me, that I could
not speak; but felt myself change colour, and stood for some moments
silent, and looking down: however, the instant I recollected my
situation, I withdrew my hand, and told him that I would see if
Mrs. Mirvan was not dressed. He did not oppose me-so away I went.
I met them all on the stairs, and returned with them to breakfast.
I have since been extremely angry with myself for neglecting so
excellent an opportunity of apologizing for my behaviour at the
ridotto: but, to own the truth, that affair never once occurred to me
during the short tete-e-tete which we had together. But, if ever
we should happen to be so situated again, I will certainly mention it;
for I am inexpressibly concerned at the thought of his harbouring an
opinion that I am bold or impertinent, and I could almost kill myself
for having given him the shadow of a reason for so shocking an idea.
But was not it very odd that he should make me such a compliment? I
expected it not from him;-but gallantry, I believe, is common to all
men, whatever other qualities they may have in particular.
Our breakfast was the most agreeable meal, if it may be called a meal,
that we have had since we came to town. Indeed, but for Madame Duval,
I should like London extremely.
The conversation of Lord Orville is really delightful. His manners are
so elegant, so gentle, so unassuming, that they at once engage esteem,
and diffuse complacence. Far from being indolently satisfied with his
own accomplishments, as I have already observed many men here are,
though without any pretensions to his merit, he is most assiduously
attentive to please and to serve all who are in his company, and,
though his success is invariable, he never manifests the smallest
degree of consciousness.
I could wish that you, my dearest Sir, knew Lord Orville, because I
am sure you would love him; and I have felt that wish for no other
person I have seen since I came to London. I sometimes imagine, that
when his youth is flown, his vivacity abated, and his life is devoted
to retirement, he will, perhaps, resemble him whom I most love and
honour. His present sweetness, politeness, and diffidence, seem to
promise in future the same benevolence, dignity, and goodness. But
I must not expatiate upon this subject.
When Lord Orville was gone,-and he made but a very short visit,-I
was preparing, most reluctantly, to wait upon Madame Duval; but
Mrs. Mirvan proposed to the Captain, that she should be invited to
dinner in Queen Ann Street; and he readily consented, for he said he
wished to ask after her Lyons negligee.
The invitation is accepted, and we expect her every moment. But to me,
it is very strange, that a woman who is the uncontrolled mistress
of her time, fortune, and actions, should choose to expose herself
voluntarily to the rudeness of a man who is openly determined to
make her his sport. But she has very few acquaintance; and, I fancy,
scarce knows how to employ herself.
How great is my obligation to Mrs. Mirvan, for bestowing her
time in a manner so disagreeable to herself, merely to promote my
happiness! Every dispute in which her undeserving husband engages, is
productive of pain and uneasiness to herself; of this I am so sensible,
that I even besought her not to send to Madame Duval; but she declared
she could not bear to have me pass all my time, while in town, with her
only. Indeed she could not be more kind to me, were she your daughter.
</CHAPTER>
<CHAPTER>
LETTER XIX EVELINA IN CONTINUATION
Saturday Morning, April 16.
MADAM DUVAL was accompanied by Monsieur Du Bois. I am surprised that
she should choose to introduce him where he is so unwelcome: and,
indeed, it is strange that they should be so constantly together,
though I believe I should have taken notice of it, but that Captain
Mirvan is perpetually rallying me upon my grandmama's beau.
They were both received by Mrs. Mirvan with her usual good-breeding;
but the Captain, most provokingly, attacked her immediately, saying,
"Now, Madame, you that have lived abroad, please to tell me this here:
Which did you like best, the warm room at Ranelagh, or the cold bath
you went into afterwards? though I assure you, you look so well,
that I should advise you to take another dip."
"Ma foi, Sir," cried she, "nobody asked for your advice, so you may
as well keep it to yourself: besides, it's no such great joke to be
splashed, and to catch cold, and spoil all one's things, whatever
you may think of it."
"Splashed, quoth-a!-why I thought you were soused all over.-Come,
come, don't mince the matter, never spoil a good story; you know you
hadn't a dry thread about you-'Fore George, I shall never think on't
without hollooing! such a poor forlorn draggle-tailed-gentlewoman! and
poor Monseer French, here, like a drowned rat, by your side!-"
"Well, the worse pickle we was in, so much the worser in you not to
help us; for you knowed where we were fast enough, because, while I
laid in the mud, I'm pretty sure I heard you snigger: so it's like
enough you jostled us down yourself; for Monsieur Du Bois says, that
he is sure he had a great jolt given him, or he shouldn't have fell."
The Captain laughed so immoderately, that he really gave me also a
suspicion that he was not entirely innocent of the charge: however,
he disclaimed it very peremptorily.
"Why then," continued she, "if you didn't do that, why didn't you
come to help us?"
"Who, I?-what, do you suppose I had forgot I was an Englishman,
a filthy, beastly Englishman?"
"Very well, Sir, very well; but I was a fool to expect any better,
for it's all of a piece with the rest; you know, you wanted to fling
me out of the coach-window, the very first time ever I see you:
but I'll never go to Ranelagh with you no more, that I'm resolved;
for I dare say, if the horses had runn'd over me, as I laid in that
nastiness, you'd never have stirred a step to save me."
"Lord, no, to be sure, Ma'am, not for the world! I know your opinion
of our nation too well, to affront you by supposing a Frenchman would
want my assistance to protect you. Did you think that Monseer here,
and I had changed characters, and that he should pop you into the mud,
and I help you out of it? Ha, ha, ha!"
"O very well, Sir, laugh on, it's like your manners; however, if
poor Monsieur Du Bois hadn't met with that unlucky accident himself
I shouldn't have wanted nobody's help."
"O, I promise you, Madame, you'd never have had mine; I knew my
distance better: and as to your being a little ducked, or so, why,
to be sure, Monseer and you settled that between yourselves; so it
was no business of mine."
"What, then, I suppose you want to make me believe as Monsieur Du
Bois served me that trick o'purpose?"
"O' purpose! ay, certainly; whoever doubted that? Do you think a
Frenchman ever made a blunder? If he had been some clumsy-footed
English fellow, indeed, it might have been accidental: but what
the devil signifies all your hopping and capering with your
dancing-masters, if you can't balance yourselves upright?"
In the midst of this dialogue, Sir Clement Willoughby made his
appearance. He affects to enter the house with the freedom of an old
acquaintance; and this very easiness, which, to me, is astonishing,
is what most particularly recommends him to the Captain. Indeed,
he seems very successfully to study all the humours of that gentleman.
After having heartily welcomed him, "You are just come in time, my
boy," said he, "to settle a little matter of a dispute between this
here gentlewoman and I; do you know she has been trying to persuade
me, that she did not above half like the ducking Monseer gave her
t'other night."
"I should have hoped," said Sir Clement, with the utmost gravity, "that
the friendship subsisting between that lady and gentleman would have
guarded them against any actions professed disagreeable to each other:
but, probably, they might not have discussed the matter previously;
in which case the gentleman, I must own, seems to have been guilty of
inattention, since, in my humble opinion, it was his business first
to have inquired whether the lady preferred soft or hard ground,
before he dropt her."
"O very fine, gentlemen, very fine," cried Madame Duval, "you may try
to set us together by the ears as much as you will; but I'm not such
an ignorant person as to be made a fool of so easily; so you needn't
talk no more about it, for I sees into your designs."
Monsieur Du Bois, who was just able to discover the subject upon
which the conversation turned, made his defence, in French, with
great solemnity: he hoped, he said, that the company would at least
acknowledge he did not come from a nation of brutes; and consequently,
that to wilfully offend any lady, was, to him, utterly impossible;
but that, on the contrary, in endeavouring, as was his duty, to save
and guard her, he had himself suffered, in a manner which he would
forbear to relate, but which, he greatly apprehended, he should feel
the ill effects of for many months: and then, with a countenance
exceedingly lengthened, he added, that he hoped it would not be
attributed to him as national prejudice, when he owned that he must,
to the best of his memory, aver, that his unfortunate fall was owing
to a sudden but violent push, which, he was shocked to say, some
malevolent person, with a design to his injury, must certainly have
given him; but whether with a view to mortify him, by making him let
the lady fall, or whether merely to spoil his clothes, he could not
pretend to determine.
This disputation was, at last, concluded by Mrs. Mirvan's proposing
that we should all go to Cox's Museum. Nobody objected, and carriages
were immediately ordered.
In our way down stairs, Madame Duval, in a very passionate manner,
said, "Ma foi, if I wouldn't give fifty guineas only to know who gave
us that shove!"
This Museum is very astonishing, and very superb; yet if afforded me
but little pleasure, for it is a mere show, though a wonderful one.
Sir Clement Willoughby, in our walk round the room, asked me what my
opinion was of this brilliant spectacle!
"It is a very fine, and very ingenious," answered I; "and yet-I don't
know how it is-but I seem to miss something."
"Excellently answered!" cried he; "you have exactly defined my own
feelings, though in a manner I should never have arrived at. But
I was certain your taste was too well formed, to be pleased at the
expense of your understanding."
"Pardi," cried Madame Duval, "I hope you two is difficult enough! I'm
sure if you don't like this you like nothing; for it's the grandest,
prettiest, finest sight that ever I see in England."
"What," cried the Captain with a sneer, "I suppose this may be in
your French taste? it's like enough, for it's all kickshaw work. But
pr'ythee, friend," turning to the person who explained the devices,
"will you tell me the use of all this? for I'm not enough of a conjuror
to find it out."
"Use, indeed!" repeated Madame Duval, disdainfully; "Lord if every
thing's to be useful!-"
"Why, Sir, as to that, Sir," said our conductor, "the ingenuity of
the mechanism-the beauty of the workmanship-the-undoubtedly, Sir, any
person of taste may easily discern the utility of such extraordinary
performances."
"Why then, Sir," answered the Captain, "your person of taste must
be either a coxcomb, or a Frenchman; though, for the matter of that,
'tis the same thing."
Just then our attention was attracted by a pine-apple; which, suddenly
opening, discovered a nest of birds, which immediately began to
sing. "Well," cried Madame Duval, "this is prettier than all the rest!
I declare, in all my travels, I never see nothing eleganter."
"Hark ye, friend," said the Captain, "hast never another pine-apple?"
"Sir?-"
"Because, if thou hast, pr'ythee give it us without the birds;
for, d'ye see, I'm no Frenchman, and should relish something more
substantial."
This entertainment concluded with a concert of mechanical music: I
cannot explain how it was produced, but the effect was pleasing. Madame
Duval was in ecstasies; and the Captain flung himself into so many
ridiculous distortions, by way of mimicking her, that he engaged the
attention of all the company; and, in the midst of the performance of
the Coronation Anthem, while Madame Duval was affecting to beat time,
and uttering many expressions of delight, he called suddenly for salts,
which a lady, apprehending some distress, politely handed to him,
and which, instantly applying to the nostrils of poor Madame Duval,
she involuntarily snuffed up such a quantity, that the pain and
surprise made her scream aloud. When she recovered, she reproached
him with her usual vehemence; but he protested he had taken that
measure out of pure friendship, as he concluded, from her raptures,
that she was going into hysterics. This excuse by no means appeased
her, and they had a violent quarrel; but the only effect her anger
had on the Captain, was to increase his diversion. Indeed, he laughs
and talks so terribly loud in public, that he frequently makes us
ashamed of belonging to him.
Madame Duval, notwithstanding her wrath, made no scruple of returning
to dine in Queen Ann Street. Mrs. Mirvan had secured places for the
play at Drury-Lane Theatre, and, though ever uneasy in her company, she
very politely invited Madame Duval to be of our party; however, she had
a bad cold and chose to nurse it. I was sorry for her indisposition;
but I knew not how to be sorry she did not accompany us, for she is-I
must not say what, but very unlike other people.
</CHAPTER>
<CHAPTER>
LETTER XX EVELINA IN CONTINUATION
OUR places were in the front row of a side-box. Sir Clement Willoughby,
who knew our intention, was at the door of the theatre, and handed
us from the carriage.
We had not been seated five minutes before Lord Orville, whom we saw in
the stage-box, came to us; and he honoured us with his company all the
evening; Miss Mirvan and I both rejoiced that Madam Duval was absent,
as we hoped for the enjoyment of some conversation, uninterrupted
by her quarrels with the Captain: but I soon found that her presence
would have made very little alteration; for as far was I from daring
to speak, that I knew not where even to look.
The play was Love for Love; and though it is fraught with wit and
entertainment I hope I shall never see it represented again; for it
is so extremely indelicate-to use the softest word I can-that Miss
Mirvan and I were perpetually out of countenance, and could neither
make any observations ourselves, nor venture to listen to those of
others. This was the most provoking, as Lord Orville was in excellent
spirits, and exceedingly entertaining.
When the play was over, I flattered myself I should be able to look
about me with less restraint, as we intended to stay the farce; but
the curtain had hardly dropped, when the box-door opened, and in came
Mr. Lovel, the man by whose foppery and impertinence I was so much
teased at the ball where I first saw Lord Orville.
I turned away my head, and began talking to Miss Mirvan; for I was
desirous to avoid speaking to him-but in vain; for, as soon as he had
made his compliments to Lord Orville and Sir Clement Willoughby, who
returned them very coldly, he bent his head forward and said to me,
"I hope, Ma'am, you have enjoyed your health since I had the honour-I
beg ten thousand pardons, but, I protest I was going to say the honour
of dancing with you-however, I mean the honour of seeing you dance?"
He spoke with a self-complacency that convinced me that he had studied
this address, by way of making reprisals for my conduct at the ball;
I therefore bowed slightly, but made no answer.
After a short silence he again called my attention, by saying, in an
easy, negligent way, "I think, Ma'am, you was never in town before?"
"No, Sir."
"So I did presume. Doubtless, Ma'am, every thing must be infinitely
novel to you. Our customs, our manners, and les etiquettes de nous
autres, can have little very resemblance to those you have been used
to. I imagine, Ma'am, your retirement is at no very small distance
from the capital?"
I was so much disconcerted at this sneering speech, that I said not
a word; though I have since thought my vexation both stimulated and
delighted him.
"The air we breathe here, however, Ma'am," continued he, very
conceitedly, "though foreign to that you have been accustomed to,
has not I hope been at variance with your health?"
"Mr. Lovel," said Lord Orville, "could not your eye have spared
that question?"
"O, my Lord," answered he, "if health were the only cause of a lady's
bloom, my eye, I grant, had been infallible from the first glance;
but-"
"Come, come," cried Mrs. Mirvan, "I must beg no insinuations of that
sort: Miss Anville's colour, as you have successfully tried, may,
you see, be heightened; but, I assure you, it would be past your
skill to lessen it."
"'Pon honour, Madam," returned he, "you wrong me; I presumed not to
infer that rouge was the only succedaneum for health; but, really,
I have known so many different causes for a lady's colour, such as
flushing-anger-mauvaise honte-and so forth, that I never dare decide
to which it may be owing."
"As to such causes as them there," cried the Captain, "they must
belong to those that they keep company with."
"Very true, Captain," said Sir Clement; "the natural complexion has
nothing to do with the occasional sallies of the passions, or any
accidental causes."
"No, truly," returned the Captain: "for now here's me, why I look like
any other man; just now; and yet, if you were to put me in a passion,
'fore George, you'd soon see me have as fine a high colour as any
painted Jezebel in all this place, be she never so bedaubed."
"But," said Lord Orville, "the difference of natural and of artificial
colour seems to me very easily discerned; that of nature is mottled
and varying; that of art set, and too smooth; it wants that animation,
that glow, that indescribable something, which, even now that I see
it, wholly surpasses all my powers of expression."
"Your Lordship," said Sir Clement, "is universally acknowledged to
be a connoisseur in beauty."
"And you, Sir Clement," returned he, "an enthusiast."
"I am proud to own it," cried Sir Clement; "in such a cause, and before
such objects, enthusiasm is simply the consequence of not being blind."
"Pr'ythee, a truce with all this palavering," cried the Captain:
"the women are vain enough already; no need for to puff 'em up more."
"We must all submit to the commanding officer," said Sir Clement:
"therefore, let us call another subject. Pray, ladies, how have you
been entertained with the play?"
"Want of entertainment," said Mrs. Mirvan, "is its least fault; but I
own there are objections to it, which I should be glad to see removed."
"I could have ventured to answer for the ladies," said Lord Orville,
"since I am sure this is not a play that can be honoured with their
approbation."
"What, I suppose it is not sentimental enough!" cried the Captain,
"or else it is too good for them; for I'll maintain it's one of the
best comedies in our language, and has more wit in one scene than
there is in all the new plays put together."
"For my part," said Mr. Lovel, "I confess I seldom listen to the
players: one has so much to do, in looking about and finding out one's
acquaintance, that, really, one has no time to mind the stage. Pray,"
most affectedly fixing his eyes upon a diamond ring on his little
finger, "pray-what was the play to-night?"
"Why, what the D-l," cried the Captain, "do you come to the play
without knowing what it is?"
"O yes, Sir, yes, very frequently: I have no time to read play-bills;
one merely comes to meet one's friends, and shew that one's alive."
"Ha, ha, ha!-and so," cried the Captain, "it costs you five shillings
a-night just to shew you're alive! Well, faith, my friends should
all think me dead and underground before I'd be at that expense for
'em. Howsomever-this here you may take from me-they'll find you out
fast enough if you have anything to give 'em.-And so you've been here
all this time, and don't know what the play was?"
"Why, really Sir, a play requires so much attention,-it is scarce
possible to keep awake if one listens;-for, indeed, by the time it
is evening, one has been so fatigued with dining,-or wine,-or the
house,-or studying,-that it is-it is perfectly an impossibility. But,
now I think of it, I believe I have a bill in my pocket; O, ay,
here it is-Love for Love, ay,-true, ha, ha!-how could I be so stupid!"
"O, easily enough, as to that, I warrant you," said the Captain;
"but, by my soul, this is one of the best jokes I ever heard!-Come
to a play, and not know what it is!-Why, I suppose you wouldn't have
found it out, if they had fob'd you off with a scraping of fiddlers,
or an opera?-Ha, ha, ha!-Why, now, I should have thought you might
have taken some notice of one Mr. Tattle, that is in this play!"
This sarcasm, which caused a general smile, made him colour: but,
turning to the Captain with a look of conceit, which implied that he
had a retort ready, he said, "Pray, Sir, give me leave to ask-What
do you think of one Mr. Ben, who is also in this play?"
The Captain, regarding him with the utmost contempt, answered in a loud
voice, "Think of him!-why, I think he is a man!" And then, staring
full in his face, he struck his cane on the ground with a violence
that made him start. He did not however, choose to take any notice
of this: but, having bit his nails some time in manifest confusion,
he turned very quick to me, and in a sneering tone of voice, said,
"For my part, I was most struck with the country young lady, Miss Prue;
pray what do you think of her, Ma'am?"
"Indeed, Sir," cried I, very much provoked, "I think-that is, I do
not think any thing about her."
"Well, really, Ma'am, you prodigiously surprise me!-mais, apparemment
ce n'est qu'une facon de parler? -though I should beg your pardon,
for probably you do not understand French?"
I made no answer, for I thought his rudeness intolerable; but Sir
Clement, with great warmth, said, "I am surprised that you can suppose
such an object as Miss Prue would engage the attention of Miss Anville
even for a moment."
"O, Sir," returned this fop, "'tis the first character in the piece!-so
well drawn!-so much the thing!-such true country breeding-such rural
ignorance! ha, ha, ha!-'tis most admirably hit off, 'pon honour!"
I could almost have cried, that such impertinence should be leveled
at me; and yet, chagrined as I was, I could never behold Lord Orville
and this man at the same time, and feel any regret for the cause I
had given of displeasure.
"The only female in the play," said Lord Orville, "worthy of being
mentioned to these ladies is Angelica."
"Angelica," cried Sir Clement, "is a noble girl; she tries her lover
severely, but she rewards him generously."
"Yet, in a trial so long," said Mrs. Mirvan, "there seems rather too
much consciousness of her power."
"Since my opinion has the sanction of Mrs. Mirvan," added Lord
Orville, "I will venture to say, that Angelica bestows her hand
rather with the air of a benefactress, than with the tenderness of
a mistress. Generosity without delicacy, like wit without judgment,
generally gives as much pain as pleasure. The uncertainty in which
she keeps Valentine, and her manner of trifling with his temper,
give no very favourable idea of her own."
"Well, my Lord," said Mr. Lovel, "it must, however, be owned, that
uncertainty is not the ton among our ladies at present; nay, indeed,
I think they say,-though faith," taking a pinch of snuff, "I hope it
is not true-but they say, that we now are most shy and backward."
The curtain then drew up, and our conversation ceased. Mr. Lovel,
finding we chose to attend to the players, left the box. How strange
it is, Sir, that this man, not contented with the large share of
foppery and nonsense which he has from nature, should think proper
to affect yet more! for what he said of Tattle and of Miss Prue,
convinced me that he really had listened to the play, though he was
so ridiculous and foolish as to pretend ignorance.
But how malicious and impertinent is this creature to talk to me in
such a manner! I am sure I hope I shall never see him again. I should
have despised him heartily as a fop, had he never spoken to me at
all; but now, that he thinks proper to resent his supposed ill-usage,
I am really quite afraid of him.
The entertainment was, The Duece is in Him; which Lord Orville observed
to be the most finished and elegant petit piece that was ever written
in English.
In our way home, Mrs. Mirvan put me into some consternation by saying,
it was evident, from the resentment which this Mr. Lovel harbours
of my conduct, that he would think it a provocation sufficiently
important for a duel, if his courage equaled his wrath.
I am terrified at the very idea. Good Heaven! that a man so weak
and frivolous should be so revengeful! However, if bravery would
have excited him to affront Lord Orville, how much reason have I to
rejoice that cowardice makes him contended with venting his spleen
upon me! But we shall leave town soon, and, I hope, see him no more.
It was some consolation to me to hear from Miss Mirvan, that, while
he was speaking to me so cavalierly, Lord Orville regarded him with
great indignation.
But, really, I think there ought to be a book of the laws and
customs -e;-la-mode, presented to all young people upon their first
introduction into public company.
To-night we go to the opera, where I expect very great pleasure. We
shall have the same party as at the play, for Lord Orville said he
should be there, and would look for us.
</CHAPTER>
<CHAPTER>
LETTER XXI EVELINA IN CONTINUATION
I HAVE a volume to write of the adventures
of yesterday. In the afternoon,-at Berry Hill I should have said the
evening, for it was almost six o'clock,-while Miss Mirvan and I were
dressing for the opera, and in high spirits from the expectation of
great entertainment and pleasure, we heard a carriage stop at the door,
and concluded that Sir Clement Willoughby, with his usual assiduity,
was come to attend us to the Haymarket; but, in a few moments, what
was our surprise to see our chamber door flung open, and the two Miss
Branghtons enter the room! They advanced to me with great familiarity,
saying, "How do you do, Cousin?-so we've caught you at the glass!-well,
I'm determined I'll tell my brother of that!"
Miss Mirvan, who had never before seen them, and could not at first
imagine who they were, looked so much astonished, that I was ready
to laugh myself, till the eldest said, "We're come to take you to
the opera, Miss; papa and my brother are below, and we are to call
for your grand-mama as we go along."
"I am very sorry," answered I, "that you should have taken so much
trouble, as I am engaged already."
"Engaged! Lord, Miss, never mind that," cried the youngest; "this
young lady will make your excuses I dare say; it's only doing as one
would be done by, you know."
"Indeed Ma'am," said Miss Mirvan, "I shall myself be very sorry to
be deprived of Miss Anville's company this evening."
"Well, Miss, that is not so very good-natured in you," said Miss
Branghton, "considering we only come to give our cousin pleasure;
it's no good to us; it's all upon her account; for we came, I don't
know how much round about to take her up."
"I am extremely obliged to you," said I, "and very sorry you have
lost so much time; but I cannot possibly help it, for I engaged myself
without knowing you would call."
"Lord, what signifies that?" said Miss Polly, "you're no old maid,
and so you needn't be so very formal: besides I dare say those you
are engaged to a'n't half so near related to you as we are."
"I must beg you not to press me any further, for I assure you it is
not in my power to attend you."
"Why, we came all out of the city on purpose: besides, your grand-mama
expects you;-and, pray, what are we to say to her?"
"Tell her, if you please, that I am much concerned,-but that I am
pre-engaged."
"And who to?" demanded the abrupt Miss Branghton.
"To Mrs. Mirvan,-and a large party."
"And, pray, what are you all going to do, that it would be such a
mighty matter for you to come along with us?"
"We are all going to-to the opera."
"O dear, if that be all, why can't we go altogether?"
I was extremely disconcerted at this forward and ignorant behaviour,
and yet their rudeness very much lessened my concern at refusing
them. Indeed, their dress was such as would have rendered their scheme
of accompanying our party impracticable, even if I had desired it;
and this, as they did not themselves find it out, I was obliged,
in terms the least mortifying I could think of, to tell them.
They were very much chagrined, and asked where I should sit.
"In the pit," answered I.
"In the pit," repeated Miss Branghton; "well, really, I must own,
I should never have supposed that my gown was not good enough for
the pit: but come, Polly, let's go; if Miss does not think us fine
enough for her, why to be sure she may choose."
Surprised at this ignorance, I would have explained to them, that the
pit at the opera required the same dress as the boxes; but they were
so much affronted they would not hear me; and, in great displeasure,
left the room, saying, they would not have troubled me, only they
thought I should not be proud with my own relations, and that they
had at least as good a right to my company as strangers.
I endeavoured to apologize, and would have sent a long message to
Madame Duval: but they hastened away without listening to me; and
I could not follow them down stairs, because I was not dressed. The
last words I heard them say were, "Well, her grandmama will be in a
fine passion, that's one good thing."
Though I was extremely mad at this visit, yet I so heartily rejoiced at
their going, that I would not suffer myself to think gravely about it.
Soon after, Sir Clement actually came, and we all went down
stairs. Mrs. Mirvan ordered tea; and we were engaged in a very lively
conversation, when the servant announced Madame Duval, who instantly
followed him into the room.
Her face was the colour of scarlet, and her eyes sparkled with
fury. She came up to me with a hasty step, saying, "So, Miss, you
refuses to come to me, do you? And pray who are you, to dare to
disobey me?"
I was quite frightened;-I made no answer;-I even attempted to rise,
and could not, but sat still, mute and motionless.
Everybody but Miss Mirvan seemed in the utmost astonishment; and
the Captain rising and approaching Madame Duval, with a voice of
authority, said, "Why, how now, Mrs. Turkey-cock, what's put you into
this here fluster?"
"It's nothing to you," answered she, "so you may as well hold your
tongue; for I shan't be called to no account by you, I assure you."
"There you're out, Madame Fury," returned he; "for you must know,
I never suffer anybody to be in a passion in my house, but myself."
"But you shall," cried she, in a great rage; "for I'll be in as great
a passion as ever I please, without asking your leave: so don't give
yourself no more airs about it. And as for you Miss," again advancing
to me, "I order you to follow me this moment, or else I'll make you
repent it all your life." And, with these words, she flung out of
the room.
I was in such extreme terror, at being addressed and threatened in a
manner to which I am so wholly unused, that I almost thought I should
have fainted.
"Don't be alarmed, my love," cried Mrs. Mirvan, "but stay where you
are, and I will follow Madame Duval, and try to bring her to reason."
Miss Mirvan took my hand, and most kindly endeavoured to raise my
spirits. Sir Clement, too, approached me, with an air so interested
in my distress, that I could not but feel myself obliged to him; and,
taking my other hand, said, "For Heaven's sake, my dear Madam, compose
yourself: surely the violence of such a wretch ought merely to move
your contempt; she can have no right, I imagine, to lay her commands
upon you, and I only wish that you would allow me to speak to her."
"O no! not for the world!-indeed, I believe,-I am afraid-I had better
follow her."
"Follow her! Good God, my dear Miss Anville, would you trust yourself
with a mad woman? for what else can you call a creature whose passions
are so insolent? No, no; send her word at once to leave the house,
and tell her you desire that she will never see you again."
"O, Sir! you don't know who you talk of!-it would ill become me to
send Madame Duval such a message."
"But why," cried he, (looking very inquisitive,) "why should you
scruple to treat her as she deserves?"
I then found that his aim was to discover the nature of her connection
with me; but I felt so much ashamed of my near relationship to her,
that I could not persuade myself to answer him, and only intreated
that he would leave her to Mrs. Mirvan, who just then entered the room.
Before she could speak to me, the Captain, called out, "Well, Goody,
what have you done with Madame French? is she cooled a little? cause
if she ben't, I've just thought of a most excellent device to bring
her to."
"My dear Evelina," said Mrs. Mirvan, "I have been vainly endeavouring
to appease her; I pleaded your engagement, and promised your future
attendance: but I am sorry to say, my love, that I fear her rage will
end in a total breach (which I think you had better avoid) if she is
any further opposed."
"Then I will go to her, Madam," cried I; "and, indeed, it is now no
matter, for I should not be able to recover my spirits sufficiently
to enjoy much pleasure any where this evening."
Sir Clement began a very warm expostulation and intreaty, that I would
not go; but I begged him to desist, and told him, very honestly, that,
if my compliance were not indispensably necessary I should require
no persuasion to stay. He then took my hand, to lead me down stairs;
but the Captain desired him to be quiet, saying he would 'squire me
himself, "because" he added, (exultingly rubbing his hands) "I have
a wipe ready for the old lady, which may serve her to chew as she
goes along."
We found her in the parlour, "O you're come at last, Miss, are
you?-fine airs you give yourself, indeed!-ma foi, if you hadn't
come, you might have staid, I assure you, and have been a beggar,
for your pains."
"Heyday, Madam," cried the Captain, (prancing forward, with a look of
great glee) "what, a'n't you got out of that there passion yet? why
then, I'll tell you what to do to cool yourself; call upon your old
friend, Monseer Slippery, who was with you at Ranelagh, and give my
service to him, and tell him, if he sets any store by your health,
that I desire he'll give you such another souse as he did before:
he'll know what I mean, and I'll warrant you he'll do't for my sake."
"Let him, if he dares!" cried Madame Duval; "but I shan't stay to
answer you no more; you are a vulgar fellow;-and so, child, let us
leave him to himself."
"Hark ye, Madam," cried the Captain, "you'd best not call names;
because, d'ye see, if you do, I shall make bold to shew you the door."
She changed colour, and saying, "Pardi, I can shew it myself," hurried
out of the room, and I followed her into a hackney-coach. But, before
we drove off, the Captain, looking out of the parlour window, called
out "D'ye hear, Madam, don't forget my message to Monseer."
You will believe our ride was not the most agreeable in the world;
indeed, it would be difficult to say which was least pleased, Madame
Duval or me, though the reasons of our discontent were so different:
however, Madame Duval soon got the start of me; for we had hardly
turned out of Queen Ann Street, when a man, running full speed,
stopt the coach. He came up to the window, and I saw he was the
Captain's servant. He had a broad grin on his face, and panted for
breath. Madame Duval demanded his business: "Madam," answered he,
"my master desires his compliments to you, and-and-and he says he
wishes it well over with you. He! he! he!-"
Madame Duval instantly darted forward, and gave him a violent blow on
the face; "Take that back for your answer, sirrah," cried she, "and
learn not to grin at your betters another time. Coachman, drive on!"
The servant was in a violent passion, and swore terribly; but we were
soon out of hearing.
The rage of Madame Duval was greater than ever; and she inveighed
against the Captain with such fury, that I was even apprehensive
she would have returned to his house, purposely to reproach him,
which she repeatedly threatened to do; nor would she, I believe,
have hesitated a moment, but that, notwithstanding her violence,
he has really made her afraid of him.
When we came to her lodgings we found all the Branghtons in the
passage, impatiently waiting for us with the door open.
"Only see, here's Miss!" cried the brother.
"Well, I declare I thought as much!" said the younger sister.
"Why, Miss," said Mr. Branghton, "I think you might as well have
come with your cousins at once; it's throwing money in the dirt,
to pay two coaches for one fare."
"Lord, father," cried the son, "make no words about that; for I'll
pay for the coach that Miss had."
"O, I know very well," answered Mr. Branghton, "that you're always
more ready to spend than to earn."
I then interfered, and begged that I might myself be allowed to pay
the fare, as the expense was incurred upon my account; they all said
no, and proposed that the same coach should carry us to the opera.
While this passed the Miss Branghtons were examining my dress, which,
indeed, was very improper for my company; and, as I was extremely
unwilling to be so conspicuous amongst them, I requested Madame Duval
to borrow a hat or bonnet for me of the people of the house. But
she never wears either herself, and thinks them very English and
barbarous; therefore she insisted that I should go full dressed,
as I had prepared myself for the pit, though I made many objections.
We were then all crowded into the same carriage; but when we arrived
at the opera-house, I contrived to pay the coachman. They made a
great many speeches; but Mr. Branghton's reflection had determined
me not to be indebted to him.
If I had not been too much chagrined to laugh, I should have been
extremely diverted at their ignorance of whatever belongs to an
opera. In the first place they could not tell at what door we ought
to enter, and we wandered about for some time, without knowing
which way to turn: they did not choose to apply to me, though I was
the only person of the party who had ever before been at an opera;
because they were unwilling to suppose that their country counsin,
as they were pleased to call me, should be better acquainted with
any London public place than themselves. I was very indifferent and
careless upon this subject; but not a little uneasy at finding that
my dress, so different from that of the company to which I belonged,
attracted general notice and observation.
In a short time, however, we arrived at one of the door-keeper's
bars. Mr. Branghton demanded for what part of the house they
took money? They answered, the pit; and regarded us all with great
earnestness. The son then advancing, said "Sir, if you please, I beg
that I may treat Miss."
"We'll settle that another time," answered Mr. Branghton, and put
down a guinea.
Two tickets of admission were given to him.
Mr. Branghton, in his turn, now stared at the door-keeper, and demanded
what he meant by giving him only two tickets for a guinea.
"Only two, Sir!" said the man; "why, don't you know that the tickets
are half-a guinea each?"
"Half-a-guinea each!" repeated Mr. Branghton, "why, I never heard of
such a thing in my life! And pray, Sir, how many will they admit?"
"Just as usual, Sir, one person each."
"But one person for half-a-guinea!-why, I only want to sit in the
pit, friend."
"Had not the ladies better sit in the gallery, Sir; for they'll hardly
choose to go into the pit with their hats on?"
"O, as to that," cried Miss Branghton, "if our hats are too high we'll
take them off when we get in. I sha'n't mind, it, for I did my hair
on purpose."
Another party then approaching, the door-keeper could no longer attend
to Mr. Branghton; who, taking up the guinea, told him it should be
long enough before he'd see it again, and walked away.
The young ladies, in some confusion, expressed their surprise that
their papa should not know the opera prices, which, for their parts,
they had read in the papers a thousand times.
"The price of stocks," said he, "is enough for me to see after; and
I took it for granted it was the same thing here as at the playhouse."
"I knew well enough what the price was," said the son; "but I would
not speak, because I thought perhaps they'd take less, as we're such
a large party."
The sisters both laughed very contemptuously at this idea, and
asked him if he ever heard of people's abating any thing at a public
place? I don't know whether I have or not," answered he; "but I am
sure if they would, you'd like it so much the worse."
"Very true, Tom," cried Mr. Branghton; "tell a woman that any thing
is reasonable, and she'll be sure to hate it."
"Well," said Miss Polly, "I hope that aunt and Miss will be of our
side, for papa always takes part with Tom."
"Come, come," cried Madame Duval, "if you stand talking here, we
shan't get no place at all."
Mr. Branghton then enquired the way to the gallery; and, when we came
to the door-keeper, demanded what was to pay.
"The usual price, Sir," said the man.
"Then give me change," cried Mr. Branghton, again putting down
his guinea.
"For how many, Sir?"
"Why-let's see,-for six."
"For six, Sir? why, you're given me but a guinea."
"But a guinea! why, how much would you have? I suppose it is'n't
half-a-guinea a piece here too?"
"No, Sir, only five shillings."
Mr. Branghton again took up his unfortunate guinea, and protested he
would not submit to no such imposition. I then proposed that we should
return home, but Madame Duval would not consent; and we were conducted,
by a woman who sells books of the opera, to another gallery-door,
where, after some disputing, Mr. Branghton at last paid, and we all
went up stairs.
Madame Duval complained very much of the trouble of going so high:
but Mr. Branghton desired her not to hold the place too cheap;
"for, whatever you think," cried he, "I assure you I paid pit price;
so don't suppose I come here to save my money."
"Well, to be sure," said Miss Branghton, "there's no judging of a
place by the outside, else, I must needs say, there's nothing very
extraordinary in the stair-case."
But, when we entered the gallery their amazement and disappointment
became general. For a few instants, they looked at one another without
speaking, and then they all broke silence at once.
"Lord, papa," exclaimed Miss Polly, "why, you have brought us to the
one-shilling gallery!"
"I'll be glad to give you two shillings, though," answered he,
"to pay. I was never so fooled out of my money before, since the
house of my birth. Either the door-keeper's a knave, or this is the
greatest imposition that ever was put upon the public."
"Ma foi," cried Madame Duval, "I never sat in such a mean place in
all my life;-why, it's as high-we shan't see nothing."
"I thought at the time," said Mr. Branghton, "that three shillings was
an exorbitant price for a place in the gallery: but as we'd been asked
so much at the other doors, why I paid it without many words; but,
then, to be sure, thinks I, it can never be like any other gallery,
we shall see some crinkum-crankum or other for our money; but I find
it's as arrant a take-in as ever I met with."
"Why, it's as like the twelve-penny gallery at Drury Lane," cried
the son, "as two peas are to one another. I never knew father so
bit before."
"Lord," said Miss Branghton, "I thought it would have been quite a
fine place,-all over, I don't know what,-and done quite in taste."
In this manner they continued to express their dissatisfaction till
the curtain drew up; after which their observations were very curious.
They made no allowance for the customs, or even for the language,
of another country; but formed all their remarks upon comparisons
with the English theatre.
Notwithstanding my vexation at having been forced into a party so
very disagreeable, and that, too, from one so much-so very much the
contrary-yet, would they have suffered me to listen, I should have
forgotten every thing unpleasant, and felt nothing but delight in
hearing the sweet voice of Signor Millico, the first singer; but they
tormented me with continual talking.
"What a jabbering they make!" cried Mr. Branghton, "there's no
knowing a word they say. Pray, what's the reason they can't as well
sing in English?-but I suppose the fine folks would not like it,
if they could understand it."
"How unnatural their action is!" said the son: "why, now, who ever
saw an Englishman put himself in such out-of-the-way postures?"
"For my part," said Miss Polly, "I think it's very pretty, only I
don't know what it means."
"Lord, what does that signify," cried her sister; "mayn't one like a
thing without being so very particular?-You may see that Miss likes
it, and I don't suppose she knows more of the matter than we do."
A gentleman, soon after, was so obliging as to make room in the front
row for Miss Branghton and me. We had no sooner seated ourselves,
than Miss Branghton exclaimed, "Good gracious! only see!-why, Polly,
all the people in the pit are without hats, dressed like anything!"
"Lord, so they are," cried Miss Polly; "well, I never saw the
like!-it's worth coming to the opera, if one saw nothing else."
I was then able to distinguish the happy party I had left; and I saw
that Lord Orville had seated himself next to Mrs. Mirvan. Sir Clement
had his eyes perpetually cast towards the five-shilling gallery,
where I suppose he concluded that we were seated; however, before the
opera was over, I have reason to believe that he had discovered me,
high and distant as I was from him. Probably he distinguished me by
my head-dress.
At the end of the first act, as the green curtain dropped to prepare
for the dance, they imagined that the opera was done; and Mr. Branghton
expressed great indignation that he had been tricked out of his money
with so little trouble. "Now, if any Englishman was to do such an
impudent thing as this," said he, "why, he'd be pelted;-but here,
one of these outlandish gentry may do just what he pleases, and come
on, and squeak out a song or two, and then pocket your money without
further ceremony."
However, so determined he was to be dissatisfied, that, before the
conclusion of the third act, he found still more fault with the opera
for being too long; and wondered whether they thought their singing
good enough to serve us for supper.
During the symphony of a song of Signor Millico's, in the second act,
young Mr. Branghton said, "It's my belief that that fellow's going
to sing another song!-why, there's nothing but singing!-I wonder when
they'll speak."
This song, which was slow and pathetic, caught all my attention,
and I leaned my head forward to avoid hearing their observations,
that I might listen without interruption: but, upon turning round,
when the song was over, I found that I was the object of general
diversion to the whole party; for the Miss Branghtons were tittering,
and the two gentlemen making signs and faces at me, implying their
contempt of my affectation.
This discovery determined me to appear as inattentive as themselves;
but I was very much provoked at being thus prevented enjoying the
only pleasure, which, in such a party, was within my power.
"So Miss," said Mr. Branghton, "you're quite in the fashion, I see-so
you like operas? Well, I'm not so polite; I can't like nonsense,
let it be never so much the taste."
"But pray, Miss," said the son, "what makes that fellow look so
doleful while he is singing?"
"Probably because the character he performs is in distress."
"Why, then, I think he might as well let alone singing till he's in
better cue: it's out of all nature for a man to be piping when he's
in distress. For my part, I never sing but when I'm merry; yet I love
a song as well as most people."
When the curtain dropt they all rejoiced.
"How do you like it?"-and "How do you like it?" passed from one
to another with looks of the utmost contempt. "As for me," said
Mr. Branghton, "they've caught me once; but if ever they do again,
I'll give 'em leave to sing me to Bedlam for my pains: for such a
heap of stuff never did I hear: there isn't one ounce of sense in
the whole opera, nothing but one continued squeaking and squalling
from beginning to end."
"If I had been in the pit," said Madame Duval, "I should have liked it
vastly, for music is my passion; but sitting in such a place as this,
is quite unbearable."
Miss Branghton, looking at me, declared, that she was not genteel
enough to admire it.
Miss Polly confessed, that, if they would but sing English, she would
like it very well.
The brother wished he could raise a riot in the house, because then
he might get his money again.
And, finally, they all agreed that it was monstrous dear.
During the last dance, I perceived standing near the gallery-door,
Sir Clement Willoughby. I was extremely vexed, and would have given
the world to have avoided being seen by him: my chief objection was,
from the apprehension that he would hear Miss Branghton call me
cousin.-I fear you will think this London journey has made me grow
very proud; but indeed this family is so low-bred and vulgar, that
I should be equally ashamed of such a connection in the country,
or anywhere. And really I had already been so much chagrined that
Sir Clement had been a witness of Madame Duval's power over me,
that I could not bear to be exposed to any further mortification.
As the seats cleared, by parties going away, Sir Clement approached
nearer to us. The Miss Branghtons observed with surprise, what a
fine gentleman was come into the gallery; and they gave me great
reason to expect, that they would endeavour to attract his notice,
by familiarity with me, whenever he should join us; and so I formed a
sort of plan to prevent any conversation. I'm afraid you will think
it wrong; and so I do myself now;-but, at the time, I only considered
how I might avoid immediate humiliation.
As soon as he was within two seats of us, he spoke to me: "I am
very happy, Miss Anville, to have found you, for the ladies below
have each an humble attendant, and therefore I am come to offer my
services here."
"Why then," cried I, (not without hesitating) "if you please,-I will
join them."
"Will you allow me the honour of conducting you?" cried he eagerly;
and, instantly taking my hand, he would have marched away with me:
but I turned to Madame Duval, and said, "As our party is so large,
Madame, if you will give me leave, I will go down to Mrs. Mirvan,
that I may not crowd you in the coach."
And then, without waiting for an answer, I suffered Sir Clement to
hand me out of the gallery.
Madame Duval, I doubt not, will be very angry; and so I am with myself
now, and therefore I cannot be surprised: but Mr. Branghton, I am
sure, will easily comfort himself, in having escaped the additional
coach-expense of carrying me to Queen Ann Street; as to his daughters,
they had no time to speak; but I saw they were in utter amazement.
My intention was to join Mrs. Mirvan, and accompany her home. Sir
Clement was in high spirits and good humour; and all the way he went,
I was fool enough to rejoice in secret at the success of my plan;
nor was it till I got down stairs, and amidst the servants, that any
difficulty occurred to me of meeting with my friends.
I then asked Sir Clement, how I should contrive to acquaint Mrs. Mirvan
that I had left Madame Duval?
"I fear it will be almost impossible to find her," answered he;
"but you can have no objection to permitting me to see you safe home."
He then desired his servant, who was waiting, to order his chariot
to draw up.
This quite startled me; I turned to him hastily, and said that I
could not think of going away without Mrs. Mirvan.
"But how can we meet with her?" cried he; "you will not choose to
go into the pit yourself; I cannot send a servant there; and it is
impossible for me to go and leave you alone."
The truth of this was indisputable, and totally silenced me. Yet,
as soon as I could recollect myself, I determined not to go into
his chariot, and told him I believed I had best return to my party
up stairs.
He would not hear of this; and earnestly intreated me not to withdraw
the trust I had reposed in him.
While he was speaking, I saw Lord Orville, with several ladies and
gentlemen, coming from the pit passage: unfortunately he saw me too,
and, leaving his company, advanced instantly towards me, and with an
air and voice of surprise, said, "Good God, do I see Miss Anville!"
I now most severely felt the folly of my plan, and the awkwardness
of my situation: however, I hastened to tell him, though in a
hesitating manner, that I was waiting for Mrs. Mirvan; but what was my
disappointment, when he acquainted me that she was already gone home!
I was inexpressibly distressed; to suffer Lord Orville to think
me satisfied with the single protection of Sir Clement Willoughby,
I could not bear; yet I was more than ever averse to returning to a
party which I dreaded his seeing. I stood some moments in suspense,
and could not help exclaiming, "Good Heaven, what can I do!"
"Why, my dear madam," cried Sir Clement, "should you be thus
uneasy?-you will reach Queen Ann Street almost as soon as Mrs. Mirvan,
and I am sure you cannot doubt being as safe."
I made no answer, and Lord Orville then said, "My coach is here; and
my servants are ready to take any commands Miss Anville will honour
me with for them. I shall myself go home in a chair, and therefore-"
How grateful did I feel for a proposal so considerate, and made
with so much delicacy! I should gladly have accepted it, had I been
permitted, but Sir Clement would not let him even finish his speech;
he interrupted him with evident displeasure, and said, "My Lord,
my own chariot is now at the door."
And just then the servant came, and told him the carriage was ready. He
begged to have the honour of conducting me to it, and would have taken
my hand; but I drew it back, saying, "I can't-I can't indeed! pray
go by yourself-and as to me, let me have a chair."
"Impossible," cried he with vehemence, "I cannot think of trusting
you with strange chairmen,-I cannot answer it to Mrs. Mirvan;-come,
dear Madam, we shall be home in five minutes."
Again I stood suspended. With what joy would I then have compromised
with my pride, to have been once more with Madame Duval and the
Branghtons, provided I had not met with Lord Orville! However, I
flatter myself that he not only saw but pitied my embarrassment; for
he said in a tone of voice unusually softened, "To offer my services
in the presence of Sir Clement Willoughby would be superfluous; but
I hope I need not assure Miss Anville how happy it would make me to
be of the least use to her."
I courtsied my thanks. Sir Clement, with great earnestness, pressed
me to go; and while I was thus uneasily deliberating what to do, the
dance, I suppose, finished, for the people crowded down stairs. Had
Lord Orville then repeated his offer, I would have accepted it
notwithstanding Sir Clement's repugnance; but I fancy he thought it
would be impertinent. In a very few minutes I heard Madame Duval's
voice, as she descended from the gallery. "Well," cried I hastily,
"if I must go-" I stopt; but Sir Clement immediately handed me
into his chariot, called out, "Queen Ann Street," and then jumped
in himself. Lord Orville, with a bow and a half smile, wished me
good night.
My concern was so great at being seen and left by Lord Orville in so
strange a situation, that I should have been best pleased to have
remained wholly silent during our ride home; but Sir Clement took
care to prevent that.
He began by making many complaints of my unwillingness to trust myself
with him, and begged to know what could be the reason? This question
so much embarrassed me, that I could not tell what to answer; but
only said, that I was sorry to have taken up so much of his time.
"O Miss Anville," cried he, taking my hand, "if you knew with what
transport I would dedicate to you not only the present but all the
future time allotted to me, you would not injure me by making such
an apology."
I could not think of a word to say to this, nor to a great many other
equally fine speeches with which he ran on; though I would fain have
withdrawn my hand, and made almost continual attempts; but in vain,
for he actually grasped it between both his, without any regard to
my resistance.
Soon after, he said that he believed the coachman was going the wrong
way; and he called to his servant, and gave him directions. Then
again addressing himself to me, "How often, how assiduously have I
sought an opportunity of speaking to you, without the presence of
that brute, Captain Mirvan! Fortune has now kindly favoured me with
one; and permit me," again seizing my hand, "permit me to use it in
telling you that I adore you."
I was quite thunderstruck at this abrupt and unexpected
declaration. For some moments I was silent; but when I recovered
from my surprise, I said, "Indeed, Sir, if you were determined to
make me repent leaving my own party so foolishly, you have very
well succeeded."
"My dearest life," cried he, "is it possible you can be so cruel? Can
your nature and your countenance be so totally opposite? Can the
sweet bloom upon those charming cheeks, which appears as much the
result of good-humour as of beauty-"
"O, Sir," cried I, interrupting him, "this is very fine; but I had
hoped we had had enough of this sort of conversation at the ridotto,
and I did not expect you would so soon resume it."
"What I then said, my sweet reproacher, was the effect of a mistaken,
a profane idea, that your understanding held no competition with your
beauty; but now, now that I find you equally incomparable in both, all
words, all powers of speech, are too feeble to express the admiration
I feel of your excellencies."
"Indeed," cried I, "if your thoughts had any connection with your
language, you would never suppose that I could give credit to praise
so very much above my desert."
This speech, which I made very gravely, occasioned still stronger
protestations; which he continued to pour forth, and I continued to
disclaim, till I began to wonder that we were not in Queen Ann Street,
and begged he would desire the coachman to drive faster.
"And does this little moment," cried he, "which is the first of
happiness I have ever known, does it already appear so very long
to you?"
"I am afraid the man has mistaken the way," answered I, "or else we
should ere now have been at our journey's end. I must beg you will
speak to him."
"And can you think me so much my own enemy?-if my good genius has
inspired the man with a desire of prolonging my happiness, can you
expect that I should counteract its indulgence?"
I now began to apprehend that he had himself ordered the man to go
a wrong way; and I was so much alarmed at the idea, that, the very
instant it occurred to me, I let down the glass, and made a sudden
effort to open the chariot-door myself, with a view of jumping into
the street; but he caught hold of me, exclaiming, "For Heaven's sake,
what is the matter?"
"I-I don't know," cried I (quite out of breath), "but I am sure the
man goes wrong; and if you will not speak to him, I am determined I
will get out myself."
"You amaze me," answered he (still holding me), "I cannot imagine
what you apprehend. Surely you can have no doubts of my honour?"
He drew me towards him as he spoke. I was frightened dreadfully,
and could hardly say, "No, Sir, no,-none at all: only Mrs. Mirvan,-I
think she will be uneasy."
"Whence this alarm, my dearest angel?-What can you fear?-my life is
at your devotion, and can you, then, doubt my protection?"
And so saying, he passionately kissed my hand.
Never, in my whole life, have I been so terrified. I broke forcibly
from him, and, putting my head out of the window, called aloud to the
man to stop. Where we then were, I know not; but I saw not a human
being, or I should have called for help.
Sir Clement, with great earnestness, endeavoured to appease and
compose me: "If you do not intend to murder me," cried I, "for mercy's,
for pity's sake, let me get out!"
"Compose your spirits, my dearest life," cried he, "and I will do
everything you would have me." And then he called to the man himself,
and bid him make haste to Queen Ann Street. "This stupid fellow,"
continued he, "has certainly mistaken my orders; but I hope you are
now fully satisfied."
I made no answer, but kept my head at the window watching which way he
drove, but without any comfort to myself, as I was quite unacquainted
with either the right or the wrong.
Sir Clement now poured forth abundant protestations of honour, and
assurances of respect, intreating my pardon for having offended me,
and beseeching my good opinion: but I was quite silent, having too much
apprehension to make reproaches, and too much anger to speak without.
In this manner we went through several streets, till at last, to my
great terror, he suddenly ordered the man to stop, and said, "Miss
Anville, we are now within twenty yards of your house; but I cannot
bear to part with you, till you generously forgive me for the offence
you have taken, and promise not to make it known to the Mirvan's."
I hesitated between fear and indignation.
"Your reluctance to speak redoubles my contrition for having displeased
you, since it shews the reliance I might have on a promise which you
will not give without consideration."
"I am very, very much distressed," cried I; "you ask a promise which
you must be sensible I ought not to grant, and yet dare not refuse."
"Drive on!" cried he to the coachman;-"Miss Anville, I will not compel
you; I will exact no promise, but trust wholly to your generosity."
This rather softened me; which advantage he no sooner received, than
he determined to avail himself of; for he flung himself on his knees,
and pleaded with so much submission, that I was really obliged to
forgive him, because his humiliation made me quite ashamed: and,
after that, he would not let me rest till I gave him my word that I
would not complain of him to Mrs. Mirvan.
My own folly and pride, which had put me in his power, were pleas
which I could not but attend to in his favour. However, I shall take
very particular care never to be again alone with him.
When, at last, we arrived at our house, I was so overjoyed, that I
should certainly have pardoned him then, if I had not before. As he
handed me up stairs, he scolded his servant aloud, and very angrily,
for having gone so much out of the way. Miss Mirvan ran out to meet
me; -and who should I see behind her, but Lord Orville!
All my joy now vanished, and gave place to shame and confusion; for
I could not endure that he should know how long a time Sir Clement
and I had been together, since I was not at liberty to assign any
reason for it.
They all expressed great satisfaction at seeing me; and said they
had been extremely uneasy and surprised that I was so long coming
home, as they had heard from Lord Orville that I was not with Madame
Duval. Sir Clement, in an affected passion, said, that his booby of
a servant had misunderstood his orders, and was driving us to the
upper end of Piccadilly. For my part, I only coloured; for though I
would not forfeit my word, I yet disdained to confirm a tale in which
I had myself no belief.
Lord Orville, with great politeness, congratulated me, that the
troubles of the evening had so happily ended; and said, that he had
found it impossible to return home, before he enquired after my safety.
In a very short time he took his leave, and Sir Clement followed
him. As soon as they were gone, Mrs. Mirvan, though with great
softness, blamed me for having quitted Madame Duval. I assured her,
and with truth, that for the future I would be more prudent.
The adventures of the evening so much disconcerted me, that I could
not sleep all night. I am under the most cruel apprehensions lest
Lord Orville should suppose my being on the gallery-stairs with Sir
Clement was a concerted scheme, and even that our continuing so long
together in his chariot was with my approbation, since I did not say a
word on the subject, nor express my dissatisfaction at the coachman's
pretended blunder.
Yet his coming hither to wait our arrival though it seems to imply
some doubt, shews also some anxiety. Indeed, Miss Mirvan says,
that he appeared extremely anxious, nay, uneasy and impatient for
my return. If I did not fear to flatter myself, I should think it
not impossible but that he had a suspicion of Sir Clement's design,
and was therefore concerned for my safety.
What a long letter is this! however, I shall not write many more from
London; for the Captain said this morning, that he would leave town
on Tuesday next. Madame Duval will dine here to-day, and then she
is to be told his intention.
I am very much amazed that she accepted Mrs. Mirvan's invitation, as
she was in such wrath yesterday. I fear that to-day I shall myself be
the principal object of her displeasure; but I must submit patiently,
for I cannot defend myself.
Adieu, my dearest Sir. Should this letter be productive of any
uneasiness to you, more than ever shall I repent the heedless
imprudence which it recites.
</CHAPTER>
| 17,249 | Volume I, Letter XV - Volume I, Letter XXI | https://web.archive.org/web/20201126171702/https://www.gradesaver.com/evelina-or-the-history-of-a-young-ladys-entrance-into-the-world/study-guide/summary-volume-i-letter-xv--volume-i-letter-xxi | Mr. Villars writes to Evelina that he is distressed by her situation. He counsels her to avoid becoming like Madame Duval, but also to treat her grandmother with respect and deference. He feels uneasy about her experience with London life, and worries how the change back to remote Berry Hill will suit Evelina. Evelina writes him back to explain how Madame Duval is traveling a companion - a Frenchman named Monsieur Du Bois. He speaks very little English. She also tells him how the group decided to go to Ranelagh. Sir Clement Willoughby arrived on the morning of the trip, and managed to get on Captain Mirvan's good side by joining in his insults to Madame Duval. As a result, he was invited to Ranelagh. The party thus went on their way, but everyone was in ill humor. At Ranelagh, they learned that Lord Orville was also there, and he joined their party. His appearance "gave universal restraint to every body." However, it was not long before Madame Duval recommenced her vociferous arguments with the Captain and Sir Clement. Mrs. Mirvan, Maria, Evelina, and Lord Orville left them to conduct their own more pleasant conversation, although Evelina could not speak, so embarrassed she was by her assumption of Lord Orville's contemptuous opinion towards her. On the way home in the driving rain, the coach broke down. Sir Clement carried Evelina back to Ranelagh in his arms, and set her before a fire. He knelt before her, and began to apologize for his behavior at the ridotto, but he was interrupted by the entrance of everyone else except Madame Duval. She and Monsieur Du Bois finally showed up, covered in mud. Madame Duval was raging mad; it took her some time before she could explain that Monsieur had tried to lift her over some mud, but had tripped. The Captain was roaring in ecstasy and would not forebear teasing them. Finally, Madame Duval grew so angry that she spat in the Captain's face, and he violently grabbed her shoulders. The group then prepared to leave, but had to wait quite a while yet for a new hackney coach. In her continued letters, Evelina tells how she called on Madame Duval the day after the journey. She found the woman in bed, cursing the Captain in the bitterest fashion. However, Madame Duval did ask Evelina many questions about her life, and insisted the girl should be taken to Paris. Evelina was also introduced to Madame Duval's nephew, Mr. Branghton, and his three children. Mr. Branghton expressed much contempt for those who lived outside the city. His son, Young Branghton, was "weaker in understanding, and more gay in his temper." Miss Branghton, the eldest daughter, was not ugly but did look "proud, ill-tempered, and conceited." Miss Polly, the younger daughter, was pretty enough, but was also foolish and ignorant. Their conversation centered around the young people's ages, their heights, and finally Evelina's dress. Evelina found that they spoke too long on such banal subjects. The group then discussed the theaters, though Evelina overheard Madame Duval speaking of her to Mr. Branghton. The group decided to attend the opera together, but Evelina hoped they would not go if she was to be expected to attend with them. The next morning, Evelina discovered Lord Orville alone in the drawing room downstairs at her lodgings, waiting to join the Mirvans for breakfast. They spoke for a few moments. Evelina mentioned she would be leaving soon, and Lord Orville took her hand and said, "I think, that whoever has once seen Miss Anville, must receive an impression never to be forgotten." This compliment completely surprised Evelina, and she nervously withdrew her hand, and left to check on Mrs. Mirvan. She wonders why she has not yet found an opportunity to apologize to Lord Orville for her behavior at the ridotto. She further writes to Mr. Villars of Lord Orville's pleasing conversation at breakfast that morning; his manners are "so elegant, so gentle, so unassuming, that they at once engage, esteem, and diffuse complacence." Mrs. Mirvan later invited Madame Duval to dinner, and the latter accepted. Evelina was surprised, because she thought her grandmother would shy away from more potential conflict with the Captain. Indeed, once at dinner, the two argued most of the time. Halfway through the meal, Sir Clement came in. His easiness astonished Evelina as overly familiar, but that behavior was precisely why the Captain enjoyed him. The group decided to head to Cox's Museum, but Evelina could barely enjoy it. She felt very embarrassed by the captain's loud, gross, and rude behavior in public. That evening, the group went to the Drury Lane Theater and was joined by Lord Orville. The play was a bit shocking, especially for the ladies. At one point, the foppish man from the first party - Mr. Lovel - entered their box. He began to tease Evelina about all the customs and manners of London that she did not understand. Sir Clement and Lord Orville clearly did not much care for Mr. Lovel, and responded coldly to some of his statements. Lovel surprised the group when he claimed that he only came to plays to "shew that one's alive," not to actually watch them. Captain Mirvan was particularly amused by the idea that someone would attend a play but not know what was going on in it. Mr. Lovel further annoyed Evelina when he asked her what she thought of the play's young country lady character, Miss Prue. Provoked, Evelina answered that she did not think anything of her. By the end of the conversation, Evelina was aghast at this "malicious and impertinent" man who talked to her the way he did. She felt that there should be a rulebook provided to all young people upon their first introduction to society. In her next letter, Evelina tells Mr. Villars that she has volumes to write. She and Maria were dressing for the opera one night when the Miss Branghtons burst into the room, with orders to take her with them to the opera. She refused, saying she was already engaged to attend with the Mirvans. They were so rude and forward that she did not feel too bad for refusing them. They left in anger, but were succeeded by Madame Duval, who arrived full of fury. Frightened by her grandmother's anger, Evelina agreed to go with them. Evelina was very conscious of how overdressed she was for their seats , but they would not let her change. After an embarrassing encounter with the ticket seller - Mr. Branghton thought the opera was too expensive and only consented to the cheapest spot - they took their seats, far away from the stage. Evelina was exceedingly uncomfortable with their ignorance and coarseness. When the opera began, they tormented Evelina by talking, complaining about the opera's foreign language, and making fun of her for being engrossed in the drama onstage. She saw her friends seated elsewhere, and noticed Lord Orville as well. Mr. Branghton found much fault with the opera, first criticizing it for being first too short when he thought it was over, and then for being too long when it continued. When the show ended, the Branghtons rejoiced. They rudely offered their opinions of it, and Evelina felt "this family is so low-bred and vulgar, that I should be equally ashamed of such a connexion in the country, or any where." As they waited to exit their section, she observed Sir Clement coming towards them and tried to think how she could avoid any further humiliation. Nobody save the Mirvans knew of her family connections , and she did not want to be associated with the Branghtons. She allowed Sir Clement to quickly lead her from the gallery, rudely telling Madame Duval that she would ride home with Mrs. Mirvan. She was gone before they could ask any questions. Unfortunately, she discovered that the Mirvans had already left; her plan was foiled. The situation became more awkward when they encountered Lord Orville. He offered her his coach and said he would find another way home, but Sir Clement managed to steer her into his own chariot. On the way home, Sir Clement profusely complimented her, giving many "fine speeches" about his adoration. She was shocked into silence and continually tried to recall her hand from his grasp. She noticed that it was taking a long time to get to her lodgings, and worried that Sir Clement had told his coachman to take a different route. She grew terrified, and she put her head out of the window to demand that the coachman stop. Sir Clement tried to calm her, and finally told his coachman to get her home quickly. He apologized profusely, and begged for her pardon. When they arrived at their destination, he fell to his knees and begged so ardently for her forgiveness that she felt compelled to grant it. At the house, she saw that Lord Orville was waiting there; he said he could not return home until he knew she was safe. This angered Sir Clement. Both men left, and Maria told Evelina that Lord Orville had seemed very anxious and impatient about her safe return. | Evelina continues to brave the treacherous London scene, encountering foppish and ill-bred men, her coarse kinsmen, and confusing attentions from Lord Orville. Throughout the novel, Evelina evinces an uneasiness and anxiety that is acute and relatively consistent. To a large extent, this is due to her ignorance of city life. However, in this section, she has started to learn how to better navigate social expectation, and yet she remains extremely anxious. For instance, she makes several comments that show she begins to understand that good-breeding and social rules do not make good people. She notes how Mr. Lovel ought to be taught better manners , and notes that the ugly behavior of the Branghtons would be equally out of place in the country as it is in the city. Her anxiety is in fact due to much more than her unfamiliarity with London. Navigating the social scene for women was not an easy task for anyone, as they were beset with dangers of varying degrees. In her article on the "female difficulties" in Evelina, Susan Staves identifies the threats faced by the heroine. Staves first addresses the actual threats of physical violence. Evelina is slapped roughly by her grandmother, and repeatedly grabbed by Sir Clement and other men in the gardens. Being separated from her companions usually leads to physical confrontations with men; this happens at Vauxhall Gardens and Marybone Gardens later on. Staves notes that the heroines in Samuel Richardson's novels also encountered violence, but not in the same fashion as Evelina does; his heroines are "not subjected to the pervasive anonymous violence Evelina encounters," since they are not in public as much. Evelina's "terrors seem more immediate and real," and "most important, Evelina is usually too frightened to provide dignified condemnations or moral analyses of her persecutors' vices." Evelina is also worried about physic threats, and hopes her delicacy will not be compromised. Staves tries to define delicacy in the context of this novel, writing that "true delicacy is opposed to cruelty, impertinence, and boldness; it is also superior to artificial decorums. False delicacy invokes lesser conventions to ignore the real needs of others." Almost every other character in the novel suffers from a want of delicacy, and in some cases it is the most 'refined' characters who most lack it. Consider Mr. Lovel, the Branghtons, or even the well-spoken and generally well-behaved Sir Clement Willoughby. His assault in the carriage is both physically and physically threatening to her; her body, peace of mind, and potentially her chaste reputation are at stake. Staves looks into the question of what the novel is trying to say about delicacy and gender: does it seem to deny differences between the masculine and feminine ideals? On one hand, Mr. Villars later praises the way in which Evelina handled the Mr. Macartney-pistol episode, attributing her success to her masculine characteristics. Burney also heeded the 18th century tendency to praise feminine characteristics in men. Overall, though, the novel suggests a "discrete identity" of female delicacy, one that must be protected both for oneself and for the benefit of others. Evelina is quite aware of how she appears to others, and in many ways hates being accosted mostly because of how it appears. She seems to care more about being thought indelicate rather than actually being so. This was not a stupid fear, however, since "being thought to be indelicate is a serious social reality, not something to be dismissed in mere appearance." If a woman was thought to have lost her delicacy, it made her more privy to lascivious behavior and even rape from the men that now knew her to be a "lost woman." This is why Evelina is later so upset when she discoveres the true nature of her female saviors at the Marybone Gardens; associating with prostitutes would raise questions about herself. Overall, there are many difficulties that Evelina faces: there are physical limitations of women which make them prey to men's physical power, and there are psychological restraints that provide real and forced ignorance of many subjects. Evelina clearly demonstrates how difficult to was to be a young lady forced to navigate the perplexing public sphere. Burney's great achievement is that Evelina possesses both an eloquent insight, and a perspective of another life. Whereas someone like Miss Branghton, even if she did have Evelina's eloquence and sensitivity, only knows city life, Evelina knows of her pastoral life at Berry Hill and hence has special insight into the true horrors a woman faces, horrors that a woman brought up in society is far too easily taught to take for granted. | 1,540 | 769 | [
"<CHAPTER>\nLETTER XV MR. VILLARS TO EVELINA\n\nBerry Hill, April 16.",
"IN the belief and hope that my Evelina would, ere now, have bid adieu\nto London, I had intended to have deferred writing, till I heard\nof her return to Howard Grove; but the letter I have this moment\nreceived, with intelligence of Madame Duval's arrival in England,\ndemands an immediate answer.",
"Her journey hither equally grieves and alarms me.",
"How much did I\npity my child, when I read of a discovery at once so unexpected\nand unwished!",
"I have long dreaded this meeting and its consequence;\nto claim you seems naturally to follow acknowledging you.",
"I am well\nacquainted with her disposition, and have for many years foreseen\nthe contest which now threatens us.",
"Cruel as are the circumstances of this affair, you must not, my\nlove, suffer it to depress your spirits: remember, that while life\nis lent me, I will devote it to your service; and, for future time,\nI will make such provisions as shall seem to me most conducive to\nyour future happiness.",
"Secure of my protection, and relying on my\ntenderness, let no apprehensions of Madame Duval disturb your peace:\nconduct yourself towards her with all the respect and deference due\nto so near a relation, remembering always, that the failure of duty\non her part, can by no means justify any neglect on your's.",
"Indeed,\nthe more forcibly you are struck with improprieties and misconduct\nin another, the greater should be your observance and diligence\nto avoid even the shadow of similar errors.",
"Be careful, therefore,\nthat no remissness of attention, no indifference of obliging, make\nknown to her the independence I assure you of; but when she fixes\nthe time for her leaving England, trust to me the task of refusing\nyour attending her: disagreeable to myself, I own, it will be; yet\nto you it would be improper, if not impossible.",
"In regard to her opinion of me, I am more sorry than surprised at\nher determined blindness; the palliation which she feels the want of,\nfor her own conduct, leads her to seek for failings in all who were\nconcerned in those unhapppy transactions which she has so much reason\nto lament.",
"And this, as it is the cause, so we must in some measure\nconsider it as the excuse of her inveteracy.",
"How grateful to me are your wishes to return to Berry Hill!",
"Your\nlengthened stay in London, and the dissipation in which I find you\nare involved, fill me with uneasiness.",
"I mean not, however, that I\nwould have you sequester yourself from the party to which you belong,\nsince Mrs. Mirvan might thence infer a reproof which your youth and\nher kindness would render inexcusable.",
"I will not, therefore, enlarge\nupon this subject; but content myself with telling you, that I shall\nheartily rejoice when I hear of your safe arrival at Howard Grove,\nfor which place I hope you will be preparing at the time you receive\nthis letter.",
"I cannot too much thank you, my best Evelina, for the minuteness of\nyour communications.",
"Continue to me this indulgence, for I should be\nmiserable if in ignorance of your proceedings.",
"How new to you is the scene of life in which you are\nengaged!-balls-plays-operas-ridottos!-Ah, my child!",
"At your return\nhither, how will you bear the change?",
"My heart trembles for your\nfuture tranquility.-Yet I will hope every thing from the unsullied\nwhiteness of your soul, and the native liveliness of your disposition.",
"I am sure I need not say, how much more I was pleased with the\nmistakes of your inexperience at the private ball, than with the\nattempted adoption of more fashionable manners at the ridotto.",
"But\nyour confusion and mortifications were such as to entirely silence\nall reproofs on my part.",
"I hope you will see no more of Sir Clement Willoughby, whose\nconversation and boldness are extremely disgustful to me.",
"I was\ngratified by the good nature of Lord Orville, upon your making use\nof his name; but I hope you will never again put it to such a trial.",
"Heaven bless thee, my dear child!",
"And grant that neither misfortune\nnor vice may ever rob thee of that gaiety of heart, which, resulting\nfrom innocence, while it constitutes your own, contributes also to\nthe felicity of all who know you!",
"ARTHUR VILLARS.",
"</CHAPTER>\n<CHAPTER>\nLETTER XVI EVELINA TO THE REV.",
"MR. VILLARS\n\nQueen Ann Street, Thursday morning, April 14.",
"BEFORE our dinner was over yesterday Madame Duval came to tea; though\nit will lessen your surprise, to hear that it was near five o'clock,\nfor we never dine till the day is almost over.",
"She was asked into\nanother room while the table was cleared, and then was invited to\npartake of the dessert.",
"She was attended by a French gentleman, whom she introduced by the\nname of Monsieur Du Bois: Mrs. Mirvan received them both with her\nusual politeness; but the Captain looked very much displeased; and\nafter a short silence, very sternly said to Madame Duval, \"Pray who\nasked you to bring that there spark with you?\"",
"\"O,\" cried she, \"I never go no where without him.\"",
"Another short silence ensued, which was terminated by the Captain's\nturning roughly to the foreigner, and saying, \"Do you know, Monseer,\nthat you are the first Frenchman I ever let come into my house?\"",
"Monsieur Du Bois made a profound bow.",
"He speaks no English, and\nunderstands it so imperfectly, that he might possibly imagine he had\nreceived a compliment.",
"Mrs. Mirvan endeavourd to divert the Captain's ill-humour,\nby starting new subjects: but he left to her all the trouble of\nsupporting them, and leant back in his chair in gloomy silence,\nexcept when any opportunity offered of uttering some sarcasm upon\nthe French.",
"Finding her efforts to render the evening agreeable were\nfruitless, Mrs. Mirvan proposed a party to Ranelagh.",
"Madame Duval\njoyfully consented to it; and the Captain though he railed against\nthe dissipation of the women, did not oppose it; and therefore Maria\nand I ran up stairs to dress ourselves.",
"Before we were ready, word was brought us that Sir Clement Willoughby\nwas in the drawing-room.",
"He introduced himself under the pretence\nof inquiring after all our healths, and entered the room with the\neasy air of an old acquaintance; though Mrs. Mirvan confessed that\nhe seemed embarrassed when he found how coldly he was received,\nnot only by the Captain, but by herself.",
"I was extremely disconcerted at the thoughts of seeing this man again,\nand did not go downstairs till I was called to tea.",
"He was then\ndeeply engaged in a discourse upon French manners with Madame Duval\nand the Captain; and the subject seemed so entirely to engross him,\nthat he did not, at first, observe my entrance into the room.",
"Their\nconversation was supported with great vehemence; the Captain roughly\nmaintaining the superiority of the English in every particular,\nand Madame Duval warmly refusing to allow of it in any; while Sir\nClement exerted all his powers of argument and of ridicule, to second\nand strengthen whatever was advanced by the Captain: for he had the\nsagacity to discover, that he could take no method so effectual for\nmaking the master of the house his friend, as to make Madame Duval his\nenemy; and indeed, in a very short time, he had reason to congratulate\nhimself upon his successful discernment.",
"As soon as he saw me, he made a most respectful bow, and hoped I had\nnot suffered from the fatigue of the ridotto: I made no other answer\nthan a slight inclination of the head, for I was very much ashamed\nof that whole affair.",
"He then returned to the disputants; where he\nmanaged the argument so skilfully, at once provoking Madame Duval,\nand delighting the Captain, that I could not forbear admiring his\naddress, though I condemned his subtlety.",
"Mrs. Mirvan, dreading such\nviolent antagonists, attempted frequently to change the subject; and\nshe might have succeeded, but for the interposition of Sir Clement,\nwho would not suffer it to be given up, and supported it with such\nhumour and satire, that he seems to have won the Captain's heart;\nthough their united forces so enraged and overpowered Madame Duval,\nthat she really trembled with passion.",
"I was very glad when Mrs. Mirvan said it was time to be gone.",
"Sir\nClement arose to take leave; but the Captain very cordially invited\nhim to join our party: he had an engagement, he said, but would give\nit up to have that pleasure.",
"Some little confusion ensued in regard to our manner of setting\noff.",
"Mrs. Mirvan offered Madame Duval a place in her coach, and\nproposed that we four females should go all together; however, this\nshe rejected, declaring she would by no means go so far without a\ngentleman, and wondering so polite a lady could make so English a\nproposal.",
"Sir Clement Willoughby said, his chariot was waiting at\nthe door, and begged to know if it could be of any use.",
"It was at\nlast decided, that a hackney-coach should be called for Monsieur Du\nBois and Madame Duval, in which the Captain, and, at his request,\nSir Clement, went also; Mrs. and Miss Mirvan and I had a peaceful\nand comfortable ride by ourselves.",
"I doubt not but they quarrelled all the way; for when we met at\nRanelagh every one seemed out of humour; and though we joined parties,\npoor Madame Duval was avoided as much as possible by all but me.",
"The room was so very much crowded, that but for the uncommon assiduity\nof Sir Clement Willoughby, we should not have been able to procure\na box (which is the name given to the arched recesses that are\nappropriated for tea-parties) till half the company had retired.",
"As\nwe were taking possession of our places, some ladies of Mrs. Mirvan's\nacquaintance stopped to speak to her, and persuaded her to take a\nround with them.",
"When she returned to us, what was my surprise, to\nsee that Lord Orville had joined her party!",
"The ladies walked on:\nMrs. Mirvan seated herself, and made a slight, though respectful,\ninvitation to Lord Orville to drink his tea with us; which, to my no\nsmall consternation, he accepted.",
"I felt a confusion unspeakable at again seeing him, from the\nrecollection of the ridotto adventure: nor did my situation lessen it;\nfor I was seated between Madame Duval and Sir Clement, who seemed\nas little as myself to desire Lord Orville's presence.",
"Indeed, the\ncontinual wrangling and ill-breeding of Captain Mirvan and Madame\nDuval made me blush that I belonged to them.",
"And poor Mrs. Mirvan\nand her amiable daughter had still less reason to be satisfied.",
"A general silence ensued after he was seated: his appearance, from\ndifferent motives, gave an universal restraint to every body.",
"What his\nown reasons were for honouring us with his company, I cannot imagine;\nunless, indeed, he had a curiosity to know whether I should invent\nany new impertinence concerning him.",
"The first speech was made by Madame Duval, who said, \"It's quite a\nshocking thing to see ladies come to so genteel a place as Ranelagh\nwith hats on; it has a monstrous vulgar look: I can't think what they\nwear them for.",
"There is no such a thing to be seen in Paris.\"",
"\"Indeed,\" cried Sir Clement, \"I must own myself no advocate for\nhats; I am sorry the ladies ever invented or adopted so tantalizing\na fashion: for, where there is beauty, they only serve to shade it;\nand, where there is none, to excite a most unavailing curiosity.",
"I\nfancy they were originally worn by some young and whimsical coquette.\"",
"\"More likely,\" answered the Captain, \"they were invented by some\nwrinkled old hag, who'd a mind for to keep the young fellows in chace,\nlet them be never so weary.\"",
"\"I don't know what you may do in England,\" cried Madame Duval, \"but\nI know in Paris no woman needn't be at such a trouble as that to be\ntaken very genteel notice of.\"",
"\"Why, will you pretend for to say,\" returned the Captain, \"that they\ndon't distinguish the old from the young there as well as here?\"",
"\"They don't make no distinguishments at all,\" said she; \"they're\nvastly too polite.\"",
"\"More fools they!\"",
"cried the Captain, sneeringly.",
"\"Would to Heaven,\" cried, Sir Clement, \"that, for our own sakes,\nwe Englishmen too were blest with so accommodating a blindness!\"",
"\"Why the devil do you make such a prayer as that?\"",
"demanded the\nCaptain: \"them are the first foolish words I've heard you speak;\nbut I suppose you're not much used to that sort of work.",
"Did you ever\nmake a prayer before, since you were a sniveler?\"",
"\"Ay, now,\" cried Madame Duval, \"that's another of the unpolitenesses\nof you English, to go to talking of such things as that: now in Paris\nnobody never says nothing about religion, no more than about politics.\"",
"\"Why then,\" answered he, \"it's a sign they take no more care of\ntheir souls than of their country, and so both one and t'other go to\nold Nick.\"",
"\"Well, if they do,\" said she, \"who's the worse, so long as they don't\nsay nothing about it?",
"It's the tiresomest thing in the world to be\nalways talking of them sort of things, and nobody that's ever been\nabroad troubles their heads about them.\"",
"\"Pray then,\" cried the Captain, \"since you know so much of the matter,\nbe so good as to tell us what they do trouble their heads about?-Hey,\nSir Clement!",
"han't we a right to know that much?\"",
"\"A very comprehensive question,\" said Sir Clement, \"and I expect much\ninstruction from the lady's answer.\"",
"\"Come, Madam,\" continued the Captain, \"never flinch; speak at once;\ndon't stop for thinking.\"",
"\"I assure you I am not going,\" answered she; \"for as to what they\ndo do, why they've enough to do, I promise you, what with one thing\nor another.\"",
"\"But what, what do they do, these famous Monseers?\"",
"demanded the\nCaptain; \"can't you tell us?",
"do they game?-or drink?-or fiddle?-or are\nthey jockeys?-or do they spend all their time in flummering old women?\"",
"\"As to that, Sir-but indeed I shan't trouble myself to answer such a\nparcel of low questions, so don't ask me no more about it.\"",
"And then,\nto my great vexation, turning to Lord Orville, she said, \"Pray, Sir,\nwas you ever in Paris?\"",
"He only bowed.",
"\"And pray, Sir, how did you like it?\"",
"This comprehensive question, as Sir Clement would have called it,\nthough it made him smile, also made him hesitate; however, his answer\nwas expressive of his approbation.",
"\"I thought you would like it, Sir, because you look so like a\ngentleman.",
"As to the Captain, and as to that other gentleman, why\nthey may very well not like what they don't know: for I suppose, Sir,\nyou was never abroad?\"",
"\"Only three years, Ma'am,\" answered Sir Clement, drily.",
"\"Well, that's very surprising!",
"I should never have thought it: however,\nI dare say you only kept company with the English.\"",
"\"Why, pray, who should he keep company with?\"",
"cried the Captain:\n\"what I suppose you'd have him ashamed of his own nation, like some\nother people not a thousand miles off, on purpose to make his own\nnation ashamed of him?\"",
"\"I'm sure it would be a very good thing if you'd go abroad yourself.\"",
"\"How will you make out that, hey, Madam?",
"come, please to tell me,\nwhere would be the good of that?\"",
"\"Where!",
"why a great deal.",
"They'd make quite another person of you.\"",
"\"What, I suppose you'd have me to learn to cut capers?-and dress like\na monkey?-and palaver in French gibberish?-hey, would you?-And powder,\nand daub, and make myself up, like some other folks?\"",
"\"I would have you learn to be more politer, Sir, and not to talk to\nladies in such a rude, old-fashion way as this.",
"You, Sir, as have been\nin Paris,\" again addressing herself to Lord Orville, \"can tell this\nEnglish gentleman how he'd be despised, if he was to talk in such an\nungenteel manner as this before any foreigners.",
"Why, there isn't a\nhairdresser, nor a shoemaker, nor nobody, that wouldn't blush to be\nin your company.\"",
"\"Why, look ye, Madam,\" answered the Captain, \"as to your hair-pinchers\nand shoe-blacks, you may puff off their manners, and welcome; and I\nam heartily glad you like 'em so well: but as to me, since you must\nneeds make so free of your advice, I must e'en tell you, I never kept\ncompany with any such gentry.\"",
"\"Come, ladies and gentlemen,\" said Mrs. Mirvan, \"as many of you as have\ndone tea, I invite to walk with me.\"",
"Maria and I started up instantly;\nLord Orville followed; and I question whether we were not half round\nthe room ere the angry disputants knew that we had left the box.",
"As the husband of Mrs. Mirvan had borne so large a share in\nthe disagreeable altercation, Lord Orville forbore to make any\ncomments upon it; so that the subject was immediately dropt, and the\nconversation became calmly sociable, and politely cheerful, and, to\nevery body but me, must have been highly agreeable:-but, as to myself,\nI was so eagerly desirous of making some apology to Lord Orville,\nfor the impertinence of which he must have thought me guilty at the\nridotto, and yet so utterly unable to assume sufficient courage to\nspeak to him, concerning an affair in which I had so terribly exposed\nmyself, that I hardly ventured to say a word all the time we were\nwalking.",
"Besides, the knowledge of his contemptuous opinion haunted and\ndispirited me, and made me fear he might possibly misconstrue whatever\nI should say.",
"So that, far from enjoying a conversation which might, at\nany other time, have delighted me, I continued silent, uncomfortable,\nand ashamed.",
"O, Sir, shall I ever again involve myself in so foolish\nan embarrassment?",
"I am sure that, if I do, I shall deserve greater\nmortification.",
"We were not joined by the rest of the party till we had taken three\nor four turns around the room; and then they were so quarrelsome,\nthat Mrs. Mirvan complained of being fatigued and proposed going\nhome.",
"No one dissented.",
"Lord Orville joined another party, having first\nmade an offer of his services, which the gentlemen declined, and we\nproceeded to an outward room, where we waited for the carriages.",
"It\nwas settled that we should return to town in the same manner we came\nto Ranelagh; and, accordingly, Monsieur Du Bois handed Madame Duval\ninto a hackney coach, and was just preparing to follow her, when she\nscreamed, and jumped hastily out, declaring she was wet through all\nher clothes.",
"Indeed, upon examination the coach was found to be in a\ndismal condition; for the weather proved very bad, and the rain had,\nthough I know not how, made its way into the carriage.",
"Mrs. and Miss Mirvan, and myself, were already disposed of as before;\nbut no sooner did the Captain hear this account, than, without any\nceremony, he was so civil as to immediately take possession of the\nvacant seat in his own coach, leaving Madame Duval and Monsieur\nDu Bois to take care of themselves.",
"As to Sir Clement Willoughby,\nhis own chariot was in waiting.",
"I instantly begged permission to offer Madame Duval my own place, and\nmade a motion to get out; but Mrs. Mirvan stopped me, saying, that\nI should then be obliged to return to town with only the foreigner,\nor Sir Clement.",
"\"O never mind the old beldame,\" cried the Captain, \"she's\nweather-proof, I'll answer for her; and besides, as we are all, I hope,\nEnglish, why she'll meet with no worse than she expects from us.\"",
"\"I do not mean to defend her,\" said Mrs. Mirvan; \"but indeed, as she\nbelongs to our party, we cannot, with any decency, leave the place\ntill she is, by some means, accommodated.\"",
"\"Lord, my dear,\" cried the Captain, whom the distress of Madame Duval\nhad put into very good humour, \"why, she'll break her heart if she\nmeets with any civility from a filthy Englishman.\"",
"Mrs. Mirvan, however, prevailed; and we all got out of the coach, to\nwait till Madame Duval could meet with some better carriage.",
"We found\nher, attended by Monsieur Du Bois, standing amongst the servants, and\nvery busy in wiping her negligee, and endeavouring to save it from\nbeing stained by the wet, as she said it was a new Lyons silk.",
"Sir\nClement Willoughby offered her the use of his chariot, but she had been\ntoo much piqued by his raillery to accept it.",
"We waited some time,\nbut in vain; for no hackney-coach could be procured.",
"The Captain,\nat last, was persuaded to accompany Sir Clement himself, and we four\nfemales were handed into Mrs. Mirvan's carriage, though not before\nMadame Duval had insisted upon our making room for Monsieur Du Bois,\nto which the Captain only consented in preference to being incommoded\nby him in Sir Clement's chariot.",
"Our party drove off first.",
"We were silent and unsociable; for the\ndifficulties attending this arrangement had made every one languid\nand fatigued.",
"Unsociable, I must own, we continued; but very short\nwas the duration of our silence, as we had not proceeded thirty yards\nbefore every voice was heard at once-for the coach broke down!",
"I\nsuppose we concluded, of course, that we were all half killed, by\nthe violent shrieks that seemed to come from every mouth.",
"The chariot\nwas stopped, the servants came to our assistance, and we were taken\nout of the carriage, without having been at all hurt.",
"The night was\ndark and wet; but I had scarce touched the ground when I was lifted\nsuddenly from it by Sir Clement Willoughby, who begged permission to\nassist me, though he did not wait to have it granted, but carried me\nin his arms back to Ranelagh.",
"He enquired very earnestly if I was not hurt by the accident?",
"I assured\nhim I was perfectly safe, and free from injury; and desired he would\nleave me, and return to the rest of the party, for I was very uneasy\nto know whether they had been equally fortunate.",
"He told me he was\nhappy in being honoured with my commands, and would joyfully execute\nthem; but insisted upon first conducting me to a warm room, as I had\nnot wholly escaped being wet.",
"He did not regard my objections; but\nmade me follow him to an apartment, where we found an excellent fire,\nand some company waiting for carriages.",
"I readily accepted a seat,\nand then begged he would go.",
"And go, indeed, he did; but he returned in a moment, telling me\nthat the rain was more violent than ever, and that he had sent his\nservants to offer their assistance, and acquaint the Mirvans of my\nsituation.",
"I was very mad that he would not go himself; but as my\nacquaintance with him was so very slight, I did not think proper to\nurge him contrary to his inclination.",
"Well, he drew a chair close to mine; and, after again enquiring how\nI did, said, in a low voice, \"You will pardon me, Miss Anville, if\nthe eagerness I feel to vindicate myself, induces me to snatch this\nopportunity of making sincere acknowledgments for the impertinence\nwith which I tormented you at the last ridotto.",
"I can assure you,\nMadam, I have been a true and sorrowful penitent ever since; but-shall\nI tell you honestly what encouraged me to-\"\n\n\nHe stopt, but I said nothing; for I thought instantly of the\nconversation Miss Mirvan had overheard, and supposed he was going to\ntell me himself what part Lord Orville had borne in it; and really\nI did not wish to hear it repeated.",
"Indeed, the rest of his speech\nconvinces me that such was his intention; with what view I know not,\nexcept to make a merit of his defending me.",
"\"And yet,\" he continued, \"my excuse may only expose my own credulity,\nand want of judgment and penetration.",
"I will, therefore, merely\nbeseech your pardon, and hope that some future time-\"\n\n\nJust then the door was opened by Sir Clement's servant, and I had the\npleasure of seeing the Captain, Mrs. and Miss Mirvan, enter the room.",
"\"O ho!\"",
"cried the former, \"you have got a good warm berth here; but\nwe shall beat up your quarters.",
"Here, Lucy, Moll, come to the fire,\nand dry your trumpery.",
"But, hey-day-why, where's old Madame French?\"",
"\"Good God,\" cried I, \"is not Madame Duval then with you?\"",
"\"With me!",
"No,-thank God.\"",
"I was very uneasy to know what might have become of her; and, if they\nwould have suffered me, I should have gone in search of her myself;\nbut all the servants were dispatched to find her; and the Captain said,\nwe might be very sure her French beau would take care of her.",
"We waited some time without any tidings, and were soon the only party\nin the room.",
"My uneasiness increased so much that Sir Clement now\nmade a voluntary offer of seeking her.",
"However, the same moment that\nhe opened the door with this design, she presented herself at it,\nattended by Monsieur Du Bois.",
"\"I was this instant, Madam,\" said he, \"coming to see for you.\"",
"\"You are mighty good, truly,\" cried she, \"to come when all the\nmischief's over.\"",
"She then entered,-in such a condition!-entirely covered with mud,\nand in so great a rage, it was with difficulty she could speak.",
"We all\nexpressed our concern, and offered our assistance-except the Captain,\nwho no sooner beheld her than he burst out into a loud laugh.",
"We endeavoured, by our enquiries and condolements, to prevent her\nattending to him; and she was for some time so wholly engrossed by her\nanger and her distress, that we succeeded without much trouble.",
"We\nbegged her to inform us how this accident happened.",
"\"How!\"",
"repeated\nshe,-\"why it was all along of your all going away,-and there poor\nMonsieur Du Bois-but it wasn't his fault,-for he's as bad off as me.\"",
"All eyes were then turned to Monsieur Du Bois, whose clothes were in\nthe same miserable plight with those of Madame Duval; and who, wet,\nshivering, and disconsolate, had crept to the fire.",
"The Captain laughed yet more heartily; while Mrs. Mirvan, ashamed of\nhis rudeness, repeated her inquiries to Madame Duval; who answered,\n\"Why, as we were a-coming along, all in the rain, Monsieur Du Bois\nwas so obliging, though I'm sure it was an unlucky obligingness\nfor me, as to lift me up in his arms to carry me over a place that\nwas ankle-deep in mud; but instead of my being ever the better for\nit, just as we were in the worst part,-I'm sure I wish we had been\nfifty miles off,-for somehow or other his foot slipt,-at least, I\nsuppose so,-though I can't think how it happened, for I'm so such\ngreat weight;-but, however that was, down we both came, together,\nall in the mud; and the more we tried to get up, the more deeper we\ngot covered with the nastiness-and my new Lyons negligee, too, quite\nspoilt!-however, it's well we got up at all, for we might have laid\nthere till now, for aught you all cared; nobody never came near us.\"",
"This recital put the Captain into an ecstasy; he went from the lady to\nthe gentleman, and from the gentleman to the lady, to enjoy alternately\nthe sight of their distress.",
"He really shouted with pleasure; and,\nshaking Monsieur Du Bois strenuously by the hand, wished him joy of\nhaving touched English ground; and then he held a candle to Madame\nDuval, that he might have a more complete view of her disaster,\ndeclaring repeatedly, that he had never been better pleased in\nhis life.",
"The rage of poor Madame Duval was unspeakable; she dashed the candle\nout of his hand, stamping upon the floor, and, at last, spat in\nhis face.",
"This action seemed immediately to calm them both, as the joy of the\nCaptain was converted into resentment, and the wrath of Madame Duval\ninto fear: for he put his hands upon her shoulders, and gave her\nso violent a shake, that she screamed out for help; assuring her,\nat the same time, that if she had been one ounce less old, or less\nugly, she should have had it all returned in her own face.",
"Monsieur Du Bois, who had seated himself very quietly at the fire,\napproached them, and expostulated very warmly with the Captain;\nbut he was neither understood nor regarded; and Madame Duval was not\nreleased till she quite sobbed with passion.",
"When they were parted, I intreated her to permit the woman who has\ncharge of the ladies' cloaks to assist in drying her clothes; she\nconsented, and we did what was possible to save her from catching\ncold.",
"We were obliged to wait in this disagreeable situation near an\nhour before a hackney-coach could be found; and then we were disposed\nin the same manner as before our accident.",
"I am going this morning to see poor Madame Duval, and to inquire after\nher health, which I think must have suffered by her last night's\nmisfortunes; though, indeed, she seems to be naturally strong and\nhearty.",
"Adieu, my dear Sir, till to-morrow.",
"</CHAPTER>\n<CHAPTER>\nLETTER XVII EVELINA IN CONTINUATION\n\nFriday Morning, April 15.",
"SIR CLEMENT WILLOUGHBY called here yesterday at noon, and Captain\nMirvan invited him to dinner.",
"For my part I spent the day in a manner\nthe most uncomfortable imaginable.",
"I found Madame Duval at breakfast in bed, though Monsieur Du Bois was\nin the chamber; which so much astonished me, that I was, involuntarily,\nretiring, without considering how odd an appearance my retreat would\nhave, when Madame Duval called me back, and laughed very heartily at\nmy ignorance of foreign customs.",
"The conversation, however, very soon took a more serious turn; for\nshe began, with great bitterness, to inveigh against the barbarous\nbrutality of that fellow the Captain, and the horrible ill-breeding\nof the English in general, declaring, she should make her escape\nwith all expedition from so beastly a nation.",
"But nothing can be more\nstrangely absurd, than to hear politeness recommended in language so\nrepugnant to it as that of Madame Duval.",
"She lamented, very mournfully, the fate of her Lyons silk; and\nprotested she had rather have parted with all the rest of her wardrobe,\nbecause it was the first gown she had bought to wear upon leaving off\nher weeds.",
"She has a very bad cold, and Monsieur Du Bois is so hoarse,\nhe can hardly speak.",
"She insisted upon my staying with her all day; as she intended, she\nsaid, to introduce me to some of my own relations.",
"I would very fain\nhave excused myself, but she did not allow me any choice.",
"Till the arrival of these relations, one continued series of questions\non her side, and of answers on mine, filled up all the time we\npassed together.",
"Her curiosity was insatiable; she inquired into\nevery action of my life, and every particular that had fallen under\nmy observation in the lives of all I knew.",
"Again, she was so cruel\nas to avow the most inveterate rancour against the sole benefactor\nher deserted child and grand-child have met with; and such was the\nindignation her ingratitude raised, that I would actually have quitted\nher presence and house, had she not, in a manner the most peremptory,\nabsolutely forbid me.",
"But what, good Heaven!",
"can induce her to such\nshocking injustice?",
"O, my friend and father!",
"I have no command of\nmyself when this subject is started.",
"She talked very much of taking me to Paris, and said I greatly\nwanted the polish of a French education.",
"She lamented that I had\nbeen brought up in the country, which, she observed, had given me\na very bumpkinish air.",
"However, she bid me not despair, for she had\nknown many girls much worse than me, who had become very fine ladies\nafter a few years residence abroad; and she particularly instanced\na Miss Polly Moore, daughter of a chandler's-shop woman, who, by an\naccident not worth relating, happened to be sent to Paris, where,\nfrom an awkward ill-bred girl, she so much improved, that she has\nsince been taken for a woman of quality.",
"The relations to whom she was pleased to introduce me, consisted\nof a Mr. Branghton, who is her nephew, and three of his children,\nthe eldest of which is a son, and the two younger are daughters.",
"Mr. Branghton appears about forty years of age.",
"He does not seem\nto want a common understanding, though he is very contracted and\nprejudiced: he has spent his whole time in the city, and I believe\nfeels a great contempt for all who reside elsewhere.",
"His son seems weaker in his understanding, and more gay in his\ntemper; but his gaiety is that of a foolish, overgrown school-boy,\nwhose mirth consists in noise and disturbance.",
"He disdains his father\nfor his close attention to business, and love of money; though he\nseems himself to have no talents, spirit, or generosity, to make him\nsuperior to either.",
"His chief delight appears to be tormenting and\nridiculing his sisters; who, in return, most heartily despise him.",
"Miss Branghton, the eldest daughter, is by no means ugly; but looks\nproud, ill-tempered, and conceited.",
"She hates the city, though without\nknowing why; for it is easy to discover she has lived no where else.",
"Miss Polly Branghton is rather pretty, very foolish, very ignorant,\nvery giddy, and, I believe, very good-natured.",
"The first half-hour was allotted to making themselves comfortable;\nfor they complained of having had a very dirty walk, as they came on\nfoot from Snow Hill, where Mr. Branghton keeps a silversmith's shop;\nand the young ladies had not only their coats to brush, and shoes to\ndry, but to adjust their head-dress, which their bonnets had totally\ndiscomposed.",
"The manner in which Madame Duval was pleased to introduce me to this\nfamily extremely shocked me.",
"\"Here, my dears,\" said she, \"here's a\nrelation you little thought of; but you must know, my poor daughter\nCaroline had this child after she run away from me,-though I never\nknew nothing of it, not I, for a long while after; for they took care\nto keep it a secret from me, though the poor child has never a friend\nin the world besides.\"",
"\"Miss seems very tender-hearted, aunt,\" said Miss Polly; \"and to be\nsure she's not to blame for her mama's undutifulness, for she couldn't\nhelp it.\"",
"\"Lord, no,\" answered she, \"and I never took no notice of it to her:\nfor, indeed, as to that, my own poor daughter wasn't so much to blame\nas you may think; for she'd never have gone astray, if it had not\nbeen for that meddling old parson I told you of.\"",
"\"If aunt pleases,\" said young Mr. Branghton, \"we'll talk o' somewhat\nelse, for Miss looks very uneasy-like.\"",
"The next subject that was chosen was the age of the three young\nBranghtons and myself.",
"The son is twenty; the daughters upon hearing\nthat I was seventeen, said that was just the age of Miss Polly; but\ntheir brother, after a long dispute, proved that she was two years\nolder, to the great anger of both sisters, who agreed that he was\nvery ill-natured and spiteful.",
"When this point was settled, the question was put, Which was\ntallest?-We were desired to measure, as the Branghtons were all of\ndifferent opinions.",
"None of them, however, disputed my being the\ntallest in the company; but, in regard to one another, they were\nextremely quarrelsome: the brother insisted upon their measuring fair,\nand not with heads and heels; but they would by no means consent to\nlose those privileges of our sex; and therefore the young man was cast,\nas shortest; though he appealed to all present upon the injustice of\nthe decree.",
"This ceremony over, the young ladies begun, very freely, to examine\nmy dress, and to interrogate me concerning it.",
"\"This apron's\nyour own work, I suppose, Miss?",
"but these sprigs a'n't in fashion\nnow.",
"Pray, if it is not impertinent, what might you give a yard for\nthis lutestring?-Do you make your own caps, Miss?\"",
"and many other\nquestions equally interesting and well-bred.",
"Then they asked me how I liked London?",
"and whether I should not think\nthe country a very dull place, when I returned thither?",
"\"Miss must\ntry if she can't get a good husband,\" said Mr. Branghton, \"and then\nshe may stay and live here.\"",
"The next topic was public places, or rather the theatres, for they\nknew of no other; and the merits and defects of all the actors and\nactresses were discussed: the young man here took the lead, and seemed\nto be very conversant on the subject.",
"But during this time, what was\nmy concern, and, suffer me to add, my indignation, when I found, by\nsome words I occasionally heard, that Madame Duval was entertaining\nMr. Branghton with all the most secret and cruel particulars of my\nsituation!",
"The eldest daughter was soon drawn to them by the recital;\nthe youngest and the son still kept their places; intending, I believe,\nto divert me, though the conversation was all their own.",
"In a few minutes, Miss Branghton coming suddenly up to her sister,\nexclaimed, \"Lord, Polly, only think!",
"Miss never saw her papa!\"",
"\"Lord, how odd!\"",
"cried the other; \"why, then, Miss, I suppose you\nwouldn't know him?\"",
"This was quite too much for me; I rose hastily, and ran out of\nthe room: but I soon regretted I had so little command of myself;\nfor the two sisters both followed, and insisted upon comforting me,\nnotwithstanding my earnest intreaties to be left alone.",
"As soon as I returned to the company, Madame Duval said, \"Why, my dear,\nwhat was the matter with you?",
"why did you run away so?\"",
"This question almost made me run again, for I knew not how to\nanswer it.",
"But, is it not very extraordinary, that she can put me\nin situations so shocking, and then wonder to find me sensible of\nany concern?",
"Mr. Branghton junior now inquired of me, whether I had seen the Tower,\nor St. Paul's church?",
"and upon my answering in the negative, they\nproposed making a party to shew them to me.",
"Among other questions,\nthey also asked, if I had ever seen such a thing as an opera?",
"I told\nthem I had.",
"\"Well,\" said Mr. Branghton, \"I never saw one in my life,\nso long as I've lived in London; and I never desire to see one,\nif I live here as much longer.\"",
"\"Lord, papa,\" cried Miss Polly, \"why not?",
"you might as well for once,\nfor the curiosity of the thing: besides, Miss Pomfret saw one, and\nshe says it was very pretty.\"",
"\"Miss will think us very vulgar,\" said Miss Branghton, \"to live in\nLondon, and never have been to an opera; but it's no fault of mine,\nI assure you, Miss, only papa don't like to go.\"",
"The result was, that a party was proposed, and agreed to, for some\nearly opportunity.",
"I did not dare contradict them; but I said\nthat my time, while I remained in town, was at the disposal of\nMrs. Mirvan.",
"However, I am sure I will not attend them, if I can\npossibly avoid doing so.",
"When we parted, Madame Duval desired to see me the next day; and the\nBranghtons told me, that the first time I went towards Snow Hill,\nthey should be very glad if I would call upon them.",
"I wish we may not meet again till that time arrives.",
"I am sure I shall not be very ambitious of being known to any more of\nmy relations, if they have any resemblance to those whose acquaintance\nI have been introduced to already.",
"</CHAPTER>\n<CHAPTER>\nLETTER XVIII EVELINA IN CONTINUATION\n\n\nI HAD just finished my letter to you this morning, when a violent\nrapping at the door made me run down stairs; and who should I see in\nthe drawing room, but-Lord Orville!",
"He was quite alone, for the family had not assembled to breakfast.",
"He\ninquired first of mine, then of the health of Mrs. and Miss Mirvan,\nwith a degree of concern that rather surprised me, till he said he had\njust been informed of the accident we had met with at Ranelagh.",
"He\nexpressed his sorrow upon the occasion with utmost politeness, and\nlamented that he had not been so fortunate as to hear of it in time to\noffer his services.",
"\"But I think,\" he added, \"Sir Clement Willoughby\nhad the honour of assisting you?\"",
"\"He was with Captain Mirvan, my Lord.\"",
"\"I had heard of his being of your party.\"",
"I hope that flighty man has not been telling Lord Orville he only\nassisted me!",
"however, he did not pursue the subject: but said, \"This\naccident though extremely unfortunate, will not, I hope, be the means\nof frightening you from gracing Ranelagh with your presence in future?\"",
"\"Our time, my Lord, for London, is almost expired already.\"",
"\"Indeed!",
"do you leave town so very soon?\"",
"\"O yes, my Lord, our stay has already exceeded our intentions.\"",
"\"Are you, then, so particularly partial to the country?\"",
"\"We merely came to town, my Lord, to meet Captain Mirvan.\"",
"\"And does Miss Anville feel no concern at the idea of the many mourners\nher absence will occasion?\"",
"\"O, my Lord,-I'm sure you don't think-\" I stopt there; for, indeed,\nI hardly knew what I was going to say.",
"My foolish embarrassment, I\nsuppose, was the cause of what followed; for he came to me, and took\nmy hand saying, \"I do think, that whoever has once seen Miss Anville,\nmust receive an impression never to be forgotten.\"",
"This compliment,-from Lord Orville,-so surprised me, that I could\nnot speak; but felt myself change colour, and stood for some moments\nsilent, and looking down: however, the instant I recollected my\nsituation, I withdrew my hand, and told him that I would see if\nMrs. Mirvan was not dressed.",
"He did not oppose me-so away I went.",
"I met them all on the stairs, and returned with them to breakfast.",
"I have since been extremely angry with myself for neglecting so\nexcellent an opportunity of apologizing for my behaviour at the\nridotto: but, to own the truth, that affair never once occurred to me\nduring the short tete-e-tete which we had together.",
"But, if ever\nwe should happen to be so situated again, I will certainly mention it;\nfor I am inexpressibly concerned at the thought of his harbouring an\nopinion that I am bold or impertinent, and I could almost kill myself\nfor having given him the shadow of a reason for so shocking an idea.",
"But was not it very odd that he should make me such a compliment?",
"I\nexpected it not from him;-but gallantry, I believe, is common to all\nmen, whatever other qualities they may have in particular.",
"Our breakfast was the most agreeable meal, if it may be called a meal,\nthat we have had since we came to town.",
"Indeed, but for Madame Duval,\nI should like London extremely.",
"The conversation of Lord Orville is really delightful.",
"His manners are\nso elegant, so gentle, so unassuming, that they at once engage esteem,\nand diffuse complacence.",
"Far from being indolently satisfied with his\nown accomplishments, as I have already observed many men here are,\nthough without any pretensions to his merit, he is most assiduously\nattentive to please and to serve all who are in his company, and,\nthough his success is invariable, he never manifests the smallest\ndegree of consciousness.",
"I could wish that you, my dearest Sir, knew Lord Orville, because I\nam sure you would love him; and I have felt that wish for no other\nperson I have seen since I came to London.",
"I sometimes imagine, that\nwhen his youth is flown, his vivacity abated, and his life is devoted\nto retirement, he will, perhaps, resemble him whom I most love and\nhonour.",
"His present sweetness, politeness, and diffidence, seem to\npromise in future the same benevolence, dignity, and goodness.",
"But\nI must not expatiate upon this subject.",
"When Lord Orville was gone,-and he made but a very short visit,-I\nwas preparing, most reluctantly, to wait upon Madame Duval; but\nMrs. Mirvan proposed to the Captain, that she should be invited to\ndinner in Queen Ann Street; and he readily consented, for he said he\nwished to ask after her Lyons negligee.",
"The invitation is accepted, and we expect her every moment.",
"But to me,\nit is very strange, that a woman who is the uncontrolled mistress\nof her time, fortune, and actions, should choose to expose herself\nvoluntarily to the rudeness of a man who is openly determined to\nmake her his sport.",
"But she has very few acquaintance; and, I fancy,\nscarce knows how to employ herself.",
"How great is my obligation to Mrs. Mirvan, for bestowing her\ntime in a manner so disagreeable to herself, merely to promote my\nhappiness!",
"Every dispute in which her undeserving husband engages, is\nproductive of pain and uneasiness to herself; of this I am so sensible,\nthat I even besought her not to send to Madame Duval; but she declared\nshe could not bear to have me pass all my time, while in town, with her\nonly.",
"Indeed she could not be more kind to me, were she your daughter.",
"</CHAPTER>\n<CHAPTER>\nLETTER XIX EVELINA IN CONTINUATION\n\nSaturday Morning, April 16.",
"MADAM DUVAL was accompanied by Monsieur Du Bois.",
"I am surprised that\nshe should choose to introduce him where he is so unwelcome: and,\nindeed, it is strange that they should be so constantly together,\nthough I believe I should have taken notice of it, but that Captain\nMirvan is perpetually rallying me upon my grandmama's beau.",
"They were both received by Mrs. Mirvan with her usual good-breeding;\nbut the Captain, most provokingly, attacked her immediately, saying,\n\"Now, Madame, you that have lived abroad, please to tell me this here:\nWhich did you like best, the warm room at Ranelagh, or the cold bath\nyou went into afterwards?",
"though I assure you, you look so well,\nthat I should advise you to take another dip.\"",
"\"Ma foi, Sir,\" cried she, \"nobody asked for your advice, so you may\nas well keep it to yourself: besides, it's no such great joke to be\nsplashed, and to catch cold, and spoil all one's things, whatever\nyou may think of it.\"",
"\"Splashed, quoth-a!-why I thought you were soused all over.-Come,\ncome, don't mince the matter, never spoil a good story; you know you\nhadn't a dry thread about you-'Fore George, I shall never think on't\nwithout hollooing!",
"such a poor forlorn draggle-tailed-gentlewoman!",
"and\npoor Monseer French, here, like a drowned rat, by your side!-\"\n\n\n\"Well, the worse pickle we was in, so much the worser in you not to\nhelp us; for you knowed where we were fast enough, because, while I\nlaid in the mud, I'm pretty sure I heard you snigger: so it's like\nenough you jostled us down yourself; for Monsieur Du Bois says, that\nhe is sure he had a great jolt given him, or he shouldn't have fell.\"",
"The Captain laughed so immoderately, that he really gave me also a\nsuspicion that he was not entirely innocent of the charge: however,\nhe disclaimed it very peremptorily.",
"\"Why then,\" continued she, \"if you didn't do that, why didn't you\ncome to help us?\"",
"\"Who, I?-what, do you suppose I had forgot I was an Englishman,\na filthy, beastly Englishman?\"",
"\"Very well, Sir, very well; but I was a fool to expect any better,\nfor it's all of a piece with the rest; you know, you wanted to fling\nme out of the coach-window, the very first time ever I see you:\nbut I'll never go to Ranelagh with you no more, that I'm resolved;\nfor I dare say, if the horses had runn'd over me, as I laid in that\nnastiness, you'd never have stirred a step to save me.\"",
"\"Lord, no, to be sure, Ma'am, not for the world!",
"I know your opinion\nof our nation too well, to affront you by supposing a Frenchman would\nwant my assistance to protect you.",
"Did you think that Monseer here,\nand I had changed characters, and that he should pop you into the mud,\nand I help you out of it?",
"Ha, ha, ha!\"",
"\"O very well, Sir, laugh on, it's like your manners; however, if\npoor Monsieur Du Bois hadn't met with that unlucky accident himself\nI shouldn't have wanted nobody's help.\"",
"\"O, I promise you, Madame, you'd never have had mine; I knew my\ndistance better: and as to your being a little ducked, or so, why,\nto be sure, Monseer and you settled that between yourselves; so it\nwas no business of mine.\"",
"\"What, then, I suppose you want to make me believe as Monsieur Du\nBois served me that trick o'purpose?\"",
"\"O' purpose!",
"ay, certainly; whoever doubted that?",
"Do you think a\nFrenchman ever made a blunder?",
"If he had been some clumsy-footed\nEnglish fellow, indeed, it might have been accidental: but what\nthe devil signifies all your hopping and capering with your\ndancing-masters, if you can't balance yourselves upright?\"",
"In the midst of this dialogue, Sir Clement Willoughby made his\nappearance.",
"He affects to enter the house with the freedom of an old\nacquaintance; and this very easiness, which, to me, is astonishing,\nis what most particularly recommends him to the Captain.",
"Indeed,\nhe seems very successfully to study all the humours of that gentleman.",
"After having heartily welcomed him, \"You are just come in time, my\nboy,\" said he, \"to settle a little matter of a dispute between this\nhere gentlewoman and I; do you know she has been trying to persuade\nme, that she did not above half like the ducking Monseer gave her\nt'other night.\"",
"\"I should have hoped,\" said Sir Clement, with the utmost gravity, \"that\nthe friendship subsisting between that lady and gentleman would have\nguarded them against any actions professed disagreeable to each other:\nbut, probably, they might not have discussed the matter previously;\nin which case the gentleman, I must own, seems to have been guilty of\ninattention, since, in my humble opinion, it was his business first\nto have inquired whether the lady preferred soft or hard ground,\nbefore he dropt her.\"",
"\"O very fine, gentlemen, very fine,\" cried Madame Duval, \"you may try\nto set us together by the ears as much as you will; but I'm not such\nan ignorant person as to be made a fool of so easily; so you needn't\ntalk no more about it, for I sees into your designs.\"",
"Monsieur Du Bois, who was just able to discover the subject upon\nwhich the conversation turned, made his defence, in French, with\ngreat solemnity: he hoped, he said, that the company would at least\nacknowledge he did not come from a nation of brutes; and consequently,\nthat to wilfully offend any lady, was, to him, utterly impossible;\nbut that, on the contrary, in endeavouring, as was his duty, to save\nand guard her, he had himself suffered, in a manner which he would\nforbear to relate, but which, he greatly apprehended, he should feel\nthe ill effects of for many months: and then, with a countenance\nexceedingly lengthened, he added, that he hoped it would not be\nattributed to him as national prejudice, when he owned that he must,\nto the best of his memory, aver, that his unfortunate fall was owing\nto a sudden but violent push, which, he was shocked to say, some\nmalevolent person, with a design to his injury, must certainly have\ngiven him; but whether with a view to mortify him, by making him let\nthe lady fall, or whether merely to spoil his clothes, he could not\npretend to determine.",
"This disputation was, at last, concluded by Mrs. Mirvan's proposing\nthat we should all go to Cox's Museum.",
"Nobody objected, and carriages\nwere immediately ordered.",
"In our way down stairs, Madame Duval, in a very passionate manner,\nsaid, \"Ma foi, if I wouldn't give fifty guineas only to know who gave\nus that shove!\"",
"This Museum is very astonishing, and very superb; yet if afforded me\nbut little pleasure, for it is a mere show, though a wonderful one.",
"Sir Clement Willoughby, in our walk round the room, asked me what my\nopinion was of this brilliant spectacle!",
"\"It is a very fine, and very ingenious,\" answered I; \"and yet-I don't\nknow how it is-but I seem to miss something.\"",
"\"Excellently answered!\"",
"cried he; \"you have exactly defined my own\nfeelings, though in a manner I should never have arrived at.",
"But\nI was certain your taste was too well formed, to be pleased at the\nexpense of your understanding.\"",
"\"Pardi,\" cried Madame Duval, \"I hope you two is difficult enough!",
"I'm\nsure if you don't like this you like nothing; for it's the grandest,\nprettiest, finest sight that ever I see in England.\"",
"\"What,\" cried the Captain with a sneer, \"I suppose this may be in\nyour French taste?",
"it's like enough, for it's all kickshaw work.",
"But\npr'ythee, friend,\" turning to the person who explained the devices,\n\"will you tell me the use of all this?",
"for I'm not enough of a conjuror\nto find it out.\"",
"\"Use, indeed!\"",
"repeated Madame Duval, disdainfully; \"Lord if every\nthing's to be useful!-\"\n\n\"Why, Sir, as to that, Sir,\" said our conductor, \"the ingenuity of\nthe mechanism-the beauty of the workmanship-the-undoubtedly, Sir, any\nperson of taste may easily discern the utility of such extraordinary\nperformances.\"",
"\"Why then, Sir,\" answered the Captain, \"your person of taste must\nbe either a coxcomb, or a Frenchman; though, for the matter of that,\n'tis the same thing.\"",
"Just then our attention was attracted by a pine-apple; which, suddenly\nopening, discovered a nest of birds, which immediately began to\nsing.",
"\"Well,\" cried Madame Duval, \"this is prettier than all the rest!",
"I declare, in all my travels, I never see nothing eleganter.\"",
"\"Hark ye, friend,\" said the Captain, \"hast never another pine-apple?\"",
"\"Sir?-\"\n\n\"Because, if thou hast, pr'ythee give it us without the birds;\nfor, d'ye see, I'm no Frenchman, and should relish something more\nsubstantial.\"",
"This entertainment concluded with a concert of mechanical music: I\ncannot explain how it was produced, but the effect was pleasing.",
"Madame\nDuval was in ecstasies; and the Captain flung himself into so many\nridiculous distortions, by way of mimicking her, that he engaged the\nattention of all the company; and, in the midst of the performance of\nthe Coronation Anthem, while Madame Duval was affecting to beat time,\nand uttering many expressions of delight, he called suddenly for salts,\nwhich a lady, apprehending some distress, politely handed to him,\nand which, instantly applying to the nostrils of poor Madame Duval,\nshe involuntarily snuffed up such a quantity, that the pain and\nsurprise made her scream aloud.",
"When she recovered, she reproached\nhim with her usual vehemence; but he protested he had taken that\nmeasure out of pure friendship, as he concluded, from her raptures,\nthat she was going into hysterics.",
"This excuse by no means appeased\nher, and they had a violent quarrel; but the only effect her anger\nhad on the Captain, was to increase his diversion.",
"Indeed, he laughs\nand talks so terribly loud in public, that he frequently makes us\nashamed of belonging to him.",
"Madame Duval, notwithstanding her wrath, made no scruple of returning\nto dine in Queen Ann Street.",
"Mrs. Mirvan had secured places for the\nplay at Drury-Lane Theatre, and, though ever uneasy in her company, she\nvery politely invited Madame Duval to be of our party; however, she had\na bad cold and chose to nurse it.",
"I was sorry for her indisposition;\nbut I knew not how to be sorry she did not accompany us, for she is-I\nmust not say what, but very unlike other people.",
"</CHAPTER>\n<CHAPTER>\nLETTER XX EVELINA IN CONTINUATION\n\n\nOUR places were in the front row of a side-box.",
"Sir Clement Willoughby,\nwho knew our intention, was at the door of the theatre, and handed\nus from the carriage.",
"We had not been seated five minutes before Lord Orville, whom we saw in\nthe stage-box, came to us; and he honoured us with his company all the\nevening; Miss Mirvan and I both rejoiced that Madam Duval was absent,\nas we hoped for the enjoyment of some conversation, uninterrupted\nby her quarrels with the Captain: but I soon found that her presence\nwould have made very little alteration; for as far was I from daring\nto speak, that I knew not where even to look.",
"The play was Love for Love; and though it is fraught with wit and\nentertainment I hope I shall never see it represented again; for it\nis so extremely indelicate-to use the softest word I can-that Miss\nMirvan and I were perpetually out of countenance, and could neither\nmake any observations ourselves, nor venture to listen to those of\nothers.",
"This was the most provoking, as Lord Orville was in excellent\nspirits, and exceedingly entertaining.",
"When the play was over, I flattered myself I should be able to look\nabout me with less restraint, as we intended to stay the farce; but\nthe curtain had hardly dropped, when the box-door opened, and in came\nMr. Lovel, the man by whose foppery and impertinence I was so much\nteased at the ball where I first saw Lord Orville.",
"I turned away my head, and began talking to Miss Mirvan; for I was\ndesirous to avoid speaking to him-but in vain; for, as soon as he had\nmade his compliments to Lord Orville and Sir Clement Willoughby, who\nreturned them very coldly, he bent his head forward and said to me,\n\"I hope, Ma'am, you have enjoyed your health since I had the honour-I\nbeg ten thousand pardons, but, I protest I was going to say the honour\nof dancing with you-however, I mean the honour of seeing you dance?\"",
"He spoke with a self-complacency that convinced me that he had studied\nthis address, by way of making reprisals for my conduct at the ball;\nI therefore bowed slightly, but made no answer.",
"After a short silence he again called my attention, by saying, in an\neasy, negligent way, \"I think, Ma'am, you was never in town before?\"",
"\"No, Sir.\"",
"\"So I did presume.",
"Doubtless, Ma'am, every thing must be infinitely\nnovel to you.",
"Our customs, our manners, and les etiquettes de nous\nautres, can have little very resemblance to those you have been used\nto.",
"I imagine, Ma'am, your retirement is at no very small distance\nfrom the capital?\"",
"I was so much disconcerted at this sneering speech, that I said not\na word; though I have since thought my vexation both stimulated and\ndelighted him.",
"\"The air we breathe here, however, Ma'am,\" continued he, very\nconceitedly, \"though foreign to that you have been accustomed to,\nhas not I hope been at variance with your health?\"",
"\"Mr. Lovel,\" said Lord Orville, \"could not your eye have spared\nthat question?\"",
"\"O, my Lord,\" answered he, \"if health were the only cause of a lady's\nbloom, my eye, I grant, had been infallible from the first glance;\nbut-\"\n\n\"Come, come,\" cried Mrs. Mirvan, \"I must beg no insinuations of that\nsort: Miss Anville's colour, as you have successfully tried, may,\nyou see, be heightened; but, I assure you, it would be past your\nskill to lessen it.\"",
"\"'Pon honour, Madam,\" returned he, \"you wrong me; I presumed not to\ninfer that rouge was the only succedaneum for health; but, really,\nI have known so many different causes for a lady's colour, such as\nflushing-anger-mauvaise honte-and so forth, that I never dare decide\nto which it may be owing.\"",
"\"As to such causes as them there,\" cried the Captain, \"they must\nbelong to those that they keep company with.\"",
"\"Very true, Captain,\" said Sir Clement; \"the natural complexion has\nnothing to do with the occasional sallies of the passions, or any\naccidental causes.\"",
"\"No, truly,\" returned the Captain: \"for now here's me, why I look like\nany other man; just now; and yet, if you were to put me in a passion,\n'fore George, you'd soon see me have as fine a high colour as any\npainted Jezebel in all this place, be she never so bedaubed.\"",
"\"But,\" said Lord Orville, \"the difference of natural and of artificial\ncolour seems to me very easily discerned; that of nature is mottled\nand varying; that of art set, and too smooth; it wants that animation,\nthat glow, that indescribable something, which, even now that I see\nit, wholly surpasses all my powers of expression.\"",
"\"Your Lordship,\" said Sir Clement, \"is universally acknowledged to\nbe a connoisseur in beauty.\"",
"\"And you, Sir Clement,\" returned he, \"an enthusiast.\"",
"\"I am proud to own it,\" cried Sir Clement; \"in such a cause, and before\nsuch objects, enthusiasm is simply the consequence of not being blind.\"",
"\"Pr'ythee, a truce with all this palavering,\" cried the Captain:\n\"the women are vain enough already; no need for to puff 'em up more.\"",
"\"We must all submit to the commanding officer,\" said Sir Clement:\n\"therefore, let us call another subject.",
"Pray, ladies, how have you\nbeen entertained with the play?\"",
"\"Want of entertainment,\" said Mrs. Mirvan, \"is its least fault; but I\nown there are objections to it, which I should be glad to see removed.\"",
"\"I could have ventured to answer for the ladies,\" said Lord Orville,\n\"since I am sure this is not a play that can be honoured with their\napprobation.\"",
"\"What, I suppose it is not sentimental enough!\"",
"cried the Captain,\n\"or else it is too good for them; for I'll maintain it's one of the\nbest comedies in our language, and has more wit in one scene than\nthere is in all the new plays put together.\"",
"\"For my part,\" said Mr. Lovel, \"I confess I seldom listen to the\nplayers: one has so much to do, in looking about and finding out one's\nacquaintance, that, really, one has no time to mind the stage.",
"Pray,\"\nmost affectedly fixing his eyes upon a diamond ring on his little\nfinger, \"pray-what was the play to-night?\"",
"\"Why, what the D-l,\" cried the Captain, \"do you come to the play\nwithout knowing what it is?\"",
"\"O yes, Sir, yes, very frequently: I have no time to read play-bills;\none merely comes to meet one's friends, and shew that one's alive.\"",
"\"Ha, ha, ha!-and so,\" cried the Captain, \"it costs you five shillings\na-night just to shew you're alive!",
"Well, faith, my friends should\nall think me dead and underground before I'd be at that expense for\n'em.",
"Howsomever-this here you may take from me-they'll find you out\nfast enough if you have anything to give 'em.-And so you've been here\nall this time, and don't know what the play was?\"",
"\"Why, really Sir, a play requires so much attention,-it is scarce\npossible to keep awake if one listens;-for, indeed, by the time it\nis evening, one has been so fatigued with dining,-or wine,-or the\nhouse,-or studying,-that it is-it is perfectly an impossibility.",
"But,\nnow I think of it, I believe I have a bill in my pocket; O, ay,\nhere it is-Love for Love, ay,-true, ha, ha!-how could I be so stupid!\"",
"\"O, easily enough, as to that, I warrant you,\" said the Captain;\n\"but, by my soul, this is one of the best jokes I ever heard!-Come\nto a play, and not know what it is!-Why, I suppose you wouldn't have\nfound it out, if they had fob'd you off with a scraping of fiddlers,\nor an opera?-Ha, ha, ha!-Why, now, I should have thought you might\nhave taken some notice of one Mr. Tattle, that is in this play!\"",
"This sarcasm, which caused a general smile, made him colour: but,\nturning to the Captain with a look of conceit, which implied that he\nhad a retort ready, he said, \"Pray, Sir, give me leave to ask-What\ndo you think of one Mr. Ben, who is also in this play?\"",
"The Captain, regarding him with the utmost contempt, answered in a loud\nvoice, \"Think of him!-why, I think he is a man!\"",
"And then, staring\nfull in his face, he struck his cane on the ground with a violence\nthat made him start.",
"He did not however, choose to take any notice\nof this: but, having bit his nails some time in manifest confusion,\nhe turned very quick to me, and in a sneering tone of voice, said,\n\"For my part, I was most struck with the country young lady, Miss Prue;\npray what do you think of her, Ma'am?\"",
"\"Indeed, Sir,\" cried I, very much provoked, \"I think-that is, I do\nnot think any thing about her.\"",
"\"Well, really, Ma'am, you prodigiously surprise me!-mais, apparemment\nce n'est qu'une facon de parler?",
"-though I should beg your pardon,\nfor probably you do not understand French?\"",
"I made no answer, for I thought his rudeness intolerable; but Sir\nClement, with great warmth, said, \"I am surprised that you can suppose\nsuch an object as Miss Prue would engage the attention of Miss Anville\neven for a moment.\"",
"\"O, Sir,\" returned this fop, \"'tis the first character in the piece!-so\nwell drawn!-so much the thing!-such true country breeding-such rural\nignorance!",
"ha, ha, ha!-'tis most admirably hit off, 'pon honour!\"",
"I could almost have cried, that such impertinence should be leveled\nat me; and yet, chagrined as I was, I could never behold Lord Orville\nand this man at the same time, and feel any regret for the cause I\nhad given of displeasure.",
"\"The only female in the play,\" said Lord Orville, \"worthy of being\nmentioned to these ladies is Angelica.\"",
"\"Angelica,\" cried Sir Clement, \"is a noble girl; she tries her lover\nseverely, but she rewards him generously.\"",
"\"Yet, in a trial so long,\" said Mrs. Mirvan, \"there seems rather too\nmuch consciousness of her power.\"",
"\"Since my opinion has the sanction of Mrs. Mirvan,\" added Lord\nOrville, \"I will venture to say, that Angelica bestows her hand\nrather with the air of a benefactress, than with the tenderness of\na mistress.",
"Generosity without delicacy, like wit without judgment,\ngenerally gives as much pain as pleasure.",
"The uncertainty in which\nshe keeps Valentine, and her manner of trifling with his temper,\ngive no very favourable idea of her own.\"",
"\"Well, my Lord,\" said Mr. Lovel, \"it must, however, be owned, that\nuncertainty is not the ton among our ladies at present; nay, indeed,\nI think they say,-though faith,\" taking a pinch of snuff, \"I hope it\nis not true-but they say, that we now are most shy and backward.\"",
"The curtain then drew up, and our conversation ceased.",
"Mr. Lovel,\nfinding we chose to attend to the players, left the box.",
"How strange\nit is, Sir, that this man, not contented with the large share of\nfoppery and nonsense which he has from nature, should think proper\nto affect yet more!",
"for what he said of Tattle and of Miss Prue,\nconvinced me that he really had listened to the play, though he was\nso ridiculous and foolish as to pretend ignorance.",
"But how malicious and impertinent is this creature to talk to me in\nsuch a manner!",
"I am sure I hope I shall never see him again.",
"I should\nhave despised him heartily as a fop, had he never spoken to me at\nall; but now, that he thinks proper to resent his supposed ill-usage,\nI am really quite afraid of him.",
"The entertainment was, The Duece is in Him; which Lord Orville observed\nto be the most finished and elegant petit piece that was ever written\nin English.",
"In our way home, Mrs. Mirvan put me into some consternation by saying,\nit was evident, from the resentment which this Mr. Lovel harbours\nof my conduct, that he would think it a provocation sufficiently\nimportant for a duel, if his courage equaled his wrath.",
"I am terrified at the very idea.",
"Good Heaven!",
"that a man so weak\nand frivolous should be so revengeful!",
"However, if bravery would\nhave excited him to affront Lord Orville, how much reason have I to\nrejoice that cowardice makes him contended with venting his spleen\nupon me!",
"But we shall leave town soon, and, I hope, see him no more.",
"It was some consolation to me to hear from Miss Mirvan, that, while\nhe was speaking to me so cavalierly, Lord Orville regarded him with\ngreat indignation.",
"But, really, I think there ought to be a book of the laws and\ncustoms -e;-la-mode, presented to all young people upon their first\nintroduction into public company.",
"To-night we go to the opera, where I expect very great pleasure.",
"We\nshall have the same party as at the play, for Lord Orville said he\nshould be there, and would look for us.",
"</CHAPTER>\n<CHAPTER>\nLETTER XXI EVELINA IN CONTINUATION\n\nI HAVE a volume to write of the adventures\nof yesterday.",
"In the afternoon,-at Berry Hill I should have said the\nevening, for it was almost six o'clock,-while Miss Mirvan and I were\ndressing for the opera, and in high spirits from the expectation of\ngreat entertainment and pleasure, we heard a carriage stop at the door,\nand concluded that Sir Clement Willoughby, with his usual assiduity,\nwas come to attend us to the Haymarket; but, in a few moments, what\nwas our surprise to see our chamber door flung open, and the two Miss\nBranghtons enter the room!",
"They advanced to me with great familiarity,\nsaying, \"How do you do, Cousin?-so we've caught you at the glass!-well,\nI'm determined I'll tell my brother of that!\"",
"Miss Mirvan, who had never before seen them, and could not at first\nimagine who they were, looked so much astonished, that I was ready\nto laugh myself, till the eldest said, \"We're come to take you to\nthe opera, Miss; papa and my brother are below, and we are to call\nfor your grand-mama as we go along.\"",
"\"I am very sorry,\" answered I, \"that you should have taken so much\ntrouble, as I am engaged already.\"",
"\"Engaged!",
"Lord, Miss, never mind that,\" cried the youngest; \"this\nyoung lady will make your excuses I dare say; it's only doing as one\nwould be done by, you know.\"",
"\"Indeed Ma'am,\" said Miss Mirvan, \"I shall myself be very sorry to\nbe deprived of Miss Anville's company this evening.\"",
"\"Well, Miss, that is not so very good-natured in you,\" said Miss\nBranghton, \"considering we only come to give our cousin pleasure;\nit's no good to us; it's all upon her account; for we came, I don't\nknow how much round about to take her up.\"",
"\"I am extremely obliged to you,\" said I, \"and very sorry you have\nlost so much time; but I cannot possibly help it, for I engaged myself\nwithout knowing you would call.\"",
"\"Lord, what signifies that?\"",
"said Miss Polly, \"you're no old maid,\nand so you needn't be so very formal: besides I dare say those you\nare engaged to a'n't half so near related to you as we are.\"",
"\"I must beg you not to press me any further, for I assure you it is\nnot in my power to attend you.\"",
"\"Why, we came all out of the city on purpose: besides, your grand-mama\nexpects you;-and, pray, what are we to say to her?\"",
"\"Tell her, if you please, that I am much concerned,-but that I am\npre-engaged.\"",
"\"And who to?\"",
"demanded the abrupt Miss Branghton.",
"\"To Mrs. Mirvan,-and a large party.\"",
"\"And, pray, what are you all going to do, that it would be such a\nmighty matter for you to come along with us?\"",
"\"We are all going to-to the opera.\"",
"\"O dear, if that be all, why can't we go altogether?\"",
"I was extremely disconcerted at this forward and ignorant behaviour,\nand yet their rudeness very much lessened my concern at refusing\nthem.",
"Indeed, their dress was such as would have rendered their scheme\nof accompanying our party impracticable, even if I had desired it;\nand this, as they did not themselves find it out, I was obliged,\nin terms the least mortifying I could think of, to tell them.",
"They were very much chagrined, and asked where I should sit.",
"\"In the pit,\" answered I.",
"\"In the pit,\" repeated Miss Branghton; \"well, really, I must own,\nI should never have supposed that my gown was not good enough for\nthe pit: but come, Polly, let's go; if Miss does not think us fine\nenough for her, why to be sure she may choose.\"",
"Surprised at this ignorance, I would have explained to them, that the\npit at the opera required the same dress as the boxes; but they were\nso much affronted they would not hear me; and, in great displeasure,\nleft the room, saying, they would not have troubled me, only they\nthought I should not be proud with my own relations, and that they\nhad at least as good a right to my company as strangers.",
"I endeavoured to apologize, and would have sent a long message to\nMadame Duval: but they hastened away without listening to me; and\nI could not follow them down stairs, because I was not dressed.",
"The\nlast words I heard them say were, \"Well, her grandmama will be in a\nfine passion, that's one good thing.\"",
"Though I was extremely mad at this visit, yet I so heartily rejoiced at\ntheir going, that I would not suffer myself to think gravely about it.",
"Soon after, Sir Clement actually came, and we all went down\nstairs.",
"Mrs. Mirvan ordered tea; and we were engaged in a very lively\nconversation, when the servant announced Madame Duval, who instantly\nfollowed him into the room.",
"Her face was the colour of scarlet, and her eyes sparkled with\nfury.",
"She came up to me with a hasty step, saying, \"So, Miss, you\nrefuses to come to me, do you?",
"And pray who are you, to dare to\ndisobey me?\"",
"I was quite frightened;-I made no answer;-I even attempted to rise,\nand could not, but sat still, mute and motionless.",
"Everybody but Miss Mirvan seemed in the utmost astonishment; and\nthe Captain rising and approaching Madame Duval, with a voice of\nauthority, said, \"Why, how now, Mrs. Turkey-cock, what's put you into\nthis here fluster?\"",
"\"It's nothing to you,\" answered she, \"so you may as well hold your\ntongue; for I shan't be called to no account by you, I assure you.\"",
"\"There you're out, Madame Fury,\" returned he; \"for you must know,\nI never suffer anybody to be in a passion in my house, but myself.\"",
"\"But you shall,\" cried she, in a great rage; \"for I'll be in as great\na passion as ever I please, without asking your leave: so don't give\nyourself no more airs about it.",
"And as for you Miss,\" again advancing\nto me, \"I order you to follow me this moment, or else I'll make you\nrepent it all your life.\"",
"And, with these words, she flung out of\nthe room.",
"I was in such extreme terror, at being addressed and threatened in a\nmanner to which I am so wholly unused, that I almost thought I should\nhave fainted.",
"\"Don't be alarmed, my love,\" cried Mrs. Mirvan, \"but stay where you\nare, and I will follow Madame Duval, and try to bring her to reason.\"",
"Miss Mirvan took my hand, and most kindly endeavoured to raise my\nspirits.",
"Sir Clement, too, approached me, with an air so interested\nin my distress, that I could not but feel myself obliged to him; and,\ntaking my other hand, said, \"For Heaven's sake, my dear Madam, compose\nyourself: surely the violence of such a wretch ought merely to move\nyour contempt; she can have no right, I imagine, to lay her commands\nupon you, and I only wish that you would allow me to speak to her.\"",
"\"O no!",
"not for the world!-indeed, I believe,-I am afraid-I had better\nfollow her.\"",
"\"Follow her!",
"Good God, my dear Miss Anville, would you trust yourself\nwith a mad woman?",
"for what else can you call a creature whose passions\nare so insolent?",
"No, no; send her word at once to leave the house,\nand tell her you desire that she will never see you again.\"",
"\"O, Sir!",
"you don't know who you talk of!-it would ill become me to\nsend Madame Duval such a message.\"",
"\"But why,\" cried he, (looking very inquisitive,) \"why should you\nscruple to treat her as she deserves?\"",
"I then found that his aim was to discover the nature of her connection\nwith me; but I felt so much ashamed of my near relationship to her,\nthat I could not persuade myself to answer him, and only intreated\nthat he would leave her to Mrs. Mirvan, who just then entered the room.",
"Before she could speak to me, the Captain, called out, \"Well, Goody,\nwhat have you done with Madame French?",
"is she cooled a little?",
"cause\nif she ben't, I've just thought of a most excellent device to bring\nher to.\"",
"\"My dear Evelina,\" said Mrs. Mirvan, \"I have been vainly endeavouring\nto appease her; I pleaded your engagement, and promised your future\nattendance: but I am sorry to say, my love, that I fear her rage will\nend in a total breach (which I think you had better avoid) if she is\nany further opposed.\"",
"\"Then I will go to her, Madam,\" cried I; \"and, indeed, it is now no\nmatter, for I should not be able to recover my spirits sufficiently\nto enjoy much pleasure any where this evening.\"",
"Sir Clement began a very warm expostulation and intreaty, that I would\nnot go; but I begged him to desist, and told him, very honestly, that,\nif my compliance were not indispensably necessary I should require\nno persuasion to stay.",
"He then took my hand, to lead me down stairs;\nbut the Captain desired him to be quiet, saying he would 'squire me\nhimself, \"because\" he added, (exultingly rubbing his hands) \"I have\na wipe ready for the old lady, which may serve her to chew as she\ngoes along.\"",
"We found her in the parlour, \"O you're come at last, Miss, are\nyou?-fine airs you give yourself, indeed!-ma foi, if you hadn't\ncome, you might have staid, I assure you, and have been a beggar,\nfor your pains.\"",
"\"Heyday, Madam,\" cried the Captain, (prancing forward, with a look of\ngreat glee) \"what, a'n't you got out of that there passion yet?",
"why\nthen, I'll tell you what to do to cool yourself; call upon your old\nfriend, Monseer Slippery, who was with you at Ranelagh, and give my\nservice to him, and tell him, if he sets any store by your health,\nthat I desire he'll give you such another souse as he did before:\nhe'll know what I mean, and I'll warrant you he'll do't for my sake.\"",
"\"Let him, if he dares!\"",
"cried Madame Duval; \"but I shan't stay to\nanswer you no more; you are a vulgar fellow;-and so, child, let us\nleave him to himself.\"",
"\"Hark ye, Madam,\" cried the Captain, \"you'd best not call names;\nbecause, d'ye see, if you do, I shall make bold to shew you the door.\"",
"She changed colour, and saying, \"Pardi, I can shew it myself,\" hurried\nout of the room, and I followed her into a hackney-coach.",
"But, before\nwe drove off, the Captain, looking out of the parlour window, called\nout \"D'ye hear, Madam, don't forget my message to Monseer.\"",
"You will believe our ride was not the most agreeable in the world;\nindeed, it would be difficult to say which was least pleased, Madame\nDuval or me, though the reasons of our discontent were so different:\nhowever, Madame Duval soon got the start of me; for we had hardly\nturned out of Queen Ann Street, when a man, running full speed,\nstopt the coach.",
"He came up to the window, and I saw he was the\nCaptain's servant.",
"He had a broad grin on his face, and panted for\nbreath.",
"Madame Duval demanded his business: \"Madam,\" answered he,\n\"my master desires his compliments to you, and-and-and he says he\nwishes it well over with you.",
"He!",
"he!",
"he!-\"\n\nMadame Duval instantly darted forward, and gave him a violent blow on\nthe face; \"Take that back for your answer, sirrah,\" cried she, \"and\nlearn not to grin at your betters another time.",
"Coachman, drive on!\"",
"The servant was in a violent passion, and swore terribly; but we were\nsoon out of hearing.",
"The rage of Madame Duval was greater than ever; and she inveighed\nagainst the Captain with such fury, that I was even apprehensive\nshe would have returned to his house, purposely to reproach him,\nwhich she repeatedly threatened to do; nor would she, I believe,\nhave hesitated a moment, but that, notwithstanding her violence,\nhe has really made her afraid of him.",
"When we came to her lodgings we found all the Branghtons in the\npassage, impatiently waiting for us with the door open.",
"\"Only see, here's Miss!\"",
"cried the brother.",
"\"Well, I declare I thought as much!\"",
"said the younger sister.",
"\"Why, Miss,\" said Mr. Branghton, \"I think you might as well have\ncome with your cousins at once; it's throwing money in the dirt,\nto pay two coaches for one fare.\"",
"\"Lord, father,\" cried the son, \"make no words about that; for I'll\npay for the coach that Miss had.\"",
"\"O, I know very well,\" answered Mr. Branghton, \"that you're always\nmore ready to spend than to earn.\"",
"I then interfered, and begged that I might myself be allowed to pay\nthe fare, as the expense was incurred upon my account; they all said\nno, and proposed that the same coach should carry us to the opera.",
"While this passed the Miss Branghtons were examining my dress, which,\nindeed, was very improper for my company; and, as I was extremely\nunwilling to be so conspicuous amongst them, I requested Madame Duval\nto borrow a hat or bonnet for me of the people of the house.",
"But\nshe never wears either herself, and thinks them very English and\nbarbarous; therefore she insisted that I should go full dressed,\nas I had prepared myself for the pit, though I made many objections.",
"We were then all crowded into the same carriage; but when we arrived\nat the opera-house, I contrived to pay the coachman.",
"They made a\ngreat many speeches; but Mr. Branghton's reflection had determined\nme not to be indebted to him.",
"If I had not been too much chagrined to laugh, I should have been\nextremely diverted at their ignorance of whatever belongs to an\nopera.",
"In the first place they could not tell at what door we ought\nto enter, and we wandered about for some time, without knowing\nwhich way to turn: they did not choose to apply to me, though I was\nthe only person of the party who had ever before been at an opera;\nbecause they were unwilling to suppose that their country counsin,\nas they were pleased to call me, should be better acquainted with\nany London public place than themselves.",
"I was very indifferent and\ncareless upon this subject; but not a little uneasy at finding that\nmy dress, so different from that of the company to which I belonged,\nattracted general notice and observation.",
"In a short time, however, we arrived at one of the door-keeper's\nbars.",
"Mr. Branghton demanded for what part of the house they\ntook money?",
"They answered, the pit; and regarded us all with great\nearnestness.",
"The son then advancing, said \"Sir, if you please, I beg\nthat I may treat Miss.\"",
"\"We'll settle that another time,\" answered Mr. Branghton, and put\ndown a guinea.",
"Two tickets of admission were given to him.",
"Mr. Branghton, in his turn, now stared at the door-keeper, and demanded\nwhat he meant by giving him only two tickets for a guinea.",
"\"Only two, Sir!\"",
"said the man; \"why, don't you know that the tickets\nare half-a guinea each?\"",
"\"Half-a-guinea each!\"",
"repeated Mr. Branghton, \"why, I never heard of\nsuch a thing in my life!",
"And pray, Sir, how many will they admit?\"",
"\"Just as usual, Sir, one person each.\"",
"\"But one person for half-a-guinea!-why, I only want to sit in the\npit, friend.\"",
"\"Had not the ladies better sit in the gallery, Sir; for they'll hardly\nchoose to go into the pit with their hats on?\"",
"\"O, as to that,\" cried Miss Branghton, \"if our hats are too high we'll\ntake them off when we get in.",
"I sha'n't mind, it, for I did my hair\non purpose.\"",
"Another party then approaching, the door-keeper could no longer attend\nto Mr. Branghton; who, taking up the guinea, told him it should be\nlong enough before he'd see it again, and walked away.",
"The young ladies, in some confusion, expressed their surprise that\ntheir papa should not know the opera prices, which, for their parts,\nthey had read in the papers a thousand times.",
"\"The price of stocks,\" said he, \"is enough for me to see after; and\nI took it for granted it was the same thing here as at the playhouse.\"",
"\"I knew well enough what the price was,\" said the son; \"but I would\nnot speak, because I thought perhaps they'd take less, as we're such\na large party.\"",
"The sisters both laughed very contemptuously at this idea, and\nasked him if he ever heard of people's abating any thing at a public\nplace?",
"I don't know whether I have or not,\" answered he; \"but I am\nsure if they would, you'd like it so much the worse.\"",
"\"Very true, Tom,\" cried Mr. Branghton; \"tell a woman that any thing\nis reasonable, and she'll be sure to hate it.\"",
"\"Well,\" said Miss Polly, \"I hope that aunt and Miss will be of our\nside, for papa always takes part with Tom.\"",
"\"Come, come,\" cried Madame Duval, \"if you stand talking here, we\nshan't get no place at all.\"",
"Mr. Branghton then enquired the way to the gallery; and, when we came\nto the door-keeper, demanded what was to pay.",
"\"The usual price, Sir,\" said the man.",
"\"Then give me change,\" cried Mr. Branghton, again putting down\nhis guinea.",
"\"For how many, Sir?\"",
"\"Why-let's see,-for six.\"",
"\"For six, Sir?",
"why, you're given me but a guinea.\"",
"\"But a guinea!",
"why, how much would you have?",
"I suppose it is'n't\nhalf-a-guinea a piece here too?\"",
"\"No, Sir, only five shillings.\"",
"Mr. Branghton again took up his unfortunate guinea, and protested he\nwould not submit to no such imposition.",
"I then proposed that we should\nreturn home, but Madame Duval would not consent; and we were conducted,\nby a woman who sells books of the opera, to another gallery-door,\nwhere, after some disputing, Mr. Branghton at last paid, and we all\nwent up stairs.",
"Madame Duval complained very much of the trouble of going so high:\nbut Mr. Branghton desired her not to hold the place too cheap;\n\"for, whatever you think,\" cried he, \"I assure you I paid pit price;\nso don't suppose I come here to save my money.\"",
"\"Well, to be sure,\" said Miss Branghton, \"there's no judging of a\nplace by the outside, else, I must needs say, there's nothing very\nextraordinary in the stair-case.\"",
"But, when we entered the gallery their amazement and disappointment\nbecame general.",
"For a few instants, they looked at one another without\nspeaking, and then they all broke silence at once.",
"\"Lord, papa,\" exclaimed Miss Polly, \"why, you have brought us to the\none-shilling gallery!\"",
"\"I'll be glad to give you two shillings, though,\" answered he,\n\"to pay.",
"I was never so fooled out of my money before, since the\nhouse of my birth.",
"Either the door-keeper's a knave, or this is the\ngreatest imposition that ever was put upon the public.\"",
"\"Ma foi,\" cried Madame Duval, \"I never sat in such a mean place in\nall my life;-why, it's as high-we shan't see nothing.\"",
"\"I thought at the time,\" said Mr. Branghton, \"that three shillings was\nan exorbitant price for a place in the gallery: but as we'd been asked\nso much at the other doors, why I paid it without many words; but,\nthen, to be sure, thinks I, it can never be like any other gallery,\nwe shall see some crinkum-crankum or other for our money; but I find\nit's as arrant a take-in as ever I met with.\"",
"\"Why, it's as like the twelve-penny gallery at Drury Lane,\" cried\nthe son, \"as two peas are to one another.",
"I never knew father so\nbit before.\"",
"\"Lord,\" said Miss Branghton, \"I thought it would have been quite a\nfine place,-all over, I don't know what,-and done quite in taste.\"",
"In this manner they continued to express their dissatisfaction till\nthe curtain drew up; after which their observations were very curious.",
"They made no allowance for the customs, or even for the language,\nof another country; but formed all their remarks upon comparisons\nwith the English theatre.",
"Notwithstanding my vexation at having been forced into a party so\nvery disagreeable, and that, too, from one so much-so very much the\ncontrary-yet, would they have suffered me to listen, I should have\nforgotten every thing unpleasant, and felt nothing but delight in\nhearing the sweet voice of Signor Millico, the first singer; but they\ntormented me with continual talking.",
"\"What a jabbering they make!\"",
"cried Mr. Branghton, \"there's no\nknowing a word they say.",
"Pray, what's the reason they can't as well\nsing in English?-but I suppose the fine folks would not like it,\nif they could understand it.\"",
"\"How unnatural their action is!\"",
"said the son: \"why, now, who ever\nsaw an Englishman put himself in such out-of-the-way postures?\"",
"\"For my part,\" said Miss Polly, \"I think it's very pretty, only I\ndon't know what it means.\"",
"\"Lord, what does that signify,\" cried her sister; \"mayn't one like a\nthing without being so very particular?-You may see that Miss likes\nit, and I don't suppose she knows more of the matter than we do.\"",
"A gentleman, soon after, was so obliging as to make room in the front\nrow for Miss Branghton and me.",
"We had no sooner seated ourselves,\nthan Miss Branghton exclaimed, \"Good gracious!",
"only see!-why, Polly,\nall the people in the pit are without hats, dressed like anything!\"",
"\"Lord, so they are,\" cried Miss Polly; \"well, I never saw the\nlike!-it's worth coming to the opera, if one saw nothing else.\"",
"I was then able to distinguish the happy party I had left; and I saw\nthat Lord Orville had seated himself next to Mrs. Mirvan.",
"Sir Clement\nhad his eyes perpetually cast towards the five-shilling gallery,\nwhere I suppose he concluded that we were seated; however, before the\nopera was over, I have reason to believe that he had discovered me,\nhigh and distant as I was from him.",
"Probably he distinguished me by\nmy head-dress.",
"At the end of the first act, as the green curtain dropped to prepare\nfor the dance, they imagined that the opera was done; and Mr. Branghton\nexpressed great indignation that he had been tricked out of his money\nwith so little trouble.",
"\"Now, if any Englishman was to do such an\nimpudent thing as this,\" said he, \"why, he'd be pelted;-but here,\none of these outlandish gentry may do just what he pleases, and come\non, and squeak out a song or two, and then pocket your money without\nfurther ceremony.\"",
"However, so determined he was to be dissatisfied, that, before the\nconclusion of the third act, he found still more fault with the opera\nfor being too long; and wondered whether they thought their singing\ngood enough to serve us for supper.",
"During the symphony of a song of Signor Millico's, in the second act,\nyoung Mr. Branghton said, \"It's my belief that that fellow's going\nto sing another song!-why, there's nothing but singing!-I wonder when\nthey'll speak.\"",
"This song, which was slow and pathetic, caught all my attention,\nand I leaned my head forward to avoid hearing their observations,\nthat I might listen without interruption: but, upon turning round,\nwhen the song was over, I found that I was the object of general\ndiversion to the whole party; for the Miss Branghtons were tittering,\nand the two gentlemen making signs and faces at me, implying their\ncontempt of my affectation.",
"This discovery determined me to appear as inattentive as themselves;\nbut I was very much provoked at being thus prevented enjoying the\nonly pleasure, which, in such a party, was within my power.",
"\"So Miss,\" said Mr. Branghton, \"you're quite in the fashion, I see-so\nyou like operas?",
"Well, I'm not so polite; I can't like nonsense,\nlet it be never so much the taste.\"",
"\"But pray, Miss,\" said the son, \"what makes that fellow look so\ndoleful while he is singing?\"",
"\"Probably because the character he performs is in distress.\"",
"\"Why, then, I think he might as well let alone singing till he's in\nbetter cue: it's out of all nature for a man to be piping when he's\nin distress.",
"For my part, I never sing but when I'm merry; yet I love\na song as well as most people.\"",
"When the curtain dropt they all rejoiced.",
"\"How do you like it?",
"\"-and \"How do you like it?\"",
"passed from one\nto another with looks of the utmost contempt.",
"\"As for me,\" said\nMr. Branghton, \"they've caught me once; but if ever they do again,\nI'll give 'em leave to sing me to Bedlam for my pains: for such a\nheap of stuff never did I hear: there isn't one ounce of sense in\nthe whole opera, nothing but one continued squeaking and squalling\nfrom beginning to end.\"",
"\"If I had been in the pit,\" said Madame Duval, \"I should have liked it\nvastly, for music is my passion; but sitting in such a place as this,\nis quite unbearable.\"",
"Miss Branghton, looking at me, declared, that she was not genteel\nenough to admire it.",
"Miss Polly confessed, that, if they would but sing English, she would\nlike it very well.",
"The brother wished he could raise a riot in the house, because then\nhe might get his money again.",
"And, finally, they all agreed that it was monstrous dear.",
"During the last dance, I perceived standing near the gallery-door,\nSir Clement Willoughby.",
"I was extremely vexed, and would have given\nthe world to have avoided being seen by him: my chief objection was,\nfrom the apprehension that he would hear Miss Branghton call me\ncousin.-I fear you will think this London journey has made me grow\nvery proud; but indeed this family is so low-bred and vulgar, that\nI should be equally ashamed of such a connection in the country,\nor anywhere.",
"And really I had already been so much chagrined that\nSir Clement had been a witness of Madame Duval's power over me,\nthat I could not bear to be exposed to any further mortification.",
"As the seats cleared, by parties going away, Sir Clement approached\nnearer to us.",
"The Miss Branghtons observed with surprise, what a\nfine gentleman was come into the gallery; and they gave me great\nreason to expect, that they would endeavour to attract his notice,\nby familiarity with me, whenever he should join us; and so I formed a\nsort of plan to prevent any conversation.",
"I'm afraid you will think\nit wrong; and so I do myself now;-but, at the time, I only considered\nhow I might avoid immediate humiliation.",
"As soon as he was within two seats of us, he spoke to me: \"I am\nvery happy, Miss Anville, to have found you, for the ladies below\nhave each an humble attendant, and therefore I am come to offer my\nservices here.\"",
"\"Why then,\" cried I, (not without hesitating) \"if you please,-I will\njoin them.\"",
"\"Will you allow me the honour of conducting you?\"",
"cried he eagerly;\nand, instantly taking my hand, he would have marched away with me:\nbut I turned to Madame Duval, and said, \"As our party is so large,\nMadame, if you will give me leave, I will go down to Mrs. Mirvan,\nthat I may not crowd you in the coach.\"",
"And then, without waiting for an answer, I suffered Sir Clement to\nhand me out of the gallery.",
"Madame Duval, I doubt not, will be very angry; and so I am with myself\nnow, and therefore I cannot be surprised: but Mr. Branghton, I am\nsure, will easily comfort himself, in having escaped the additional\ncoach-expense of carrying me to Queen Ann Street; as to his daughters,\nthey had no time to speak; but I saw they were in utter amazement.",
"My intention was to join Mrs. Mirvan, and accompany her home.",
"Sir\nClement was in high spirits and good humour; and all the way he went,\nI was fool enough to rejoice in secret at the success of my plan;\nnor was it till I got down stairs, and amidst the servants, that any\ndifficulty occurred to me of meeting with my friends.",
"I then asked Sir Clement, how I should contrive to acquaint Mrs. Mirvan\nthat I had left Madame Duval?",
"\"I fear it will be almost impossible to find her,\" answered he;\n\"but you can have no objection to permitting me to see you safe home.\"",
"He then desired his servant, who was waiting, to order his chariot\nto draw up.",
"This quite startled me; I turned to him hastily, and said that I\ncould not think of going away without Mrs. Mirvan.",
"\"But how can we meet with her?\"",
"cried he; \"you will not choose to\ngo into the pit yourself; I cannot send a servant there; and it is\nimpossible for me to go and leave you alone.\"",
"The truth of this was indisputable, and totally silenced me.",
"Yet,\nas soon as I could recollect myself, I determined not to go into\nhis chariot, and told him I believed I had best return to my party\nup stairs.",
"He would not hear of this; and earnestly intreated me not to withdraw\nthe trust I had reposed in him.",
"While he was speaking, I saw Lord Orville, with several ladies and\ngentlemen, coming from the pit passage: unfortunately he saw me too,\nand, leaving his company, advanced instantly towards me, and with an\nair and voice of surprise, said, \"Good God, do I see Miss Anville!\"",
"I now most severely felt the folly of my plan, and the awkwardness\nof my situation: however, I hastened to tell him, though in a\nhesitating manner, that I was waiting for Mrs. Mirvan; but what was my\ndisappointment, when he acquainted me that she was already gone home!",
"I was inexpressibly distressed; to suffer Lord Orville to think\nme satisfied with the single protection of Sir Clement Willoughby,\nI could not bear; yet I was more than ever averse to returning to a\nparty which I dreaded his seeing.",
"I stood some moments in suspense,\nand could not help exclaiming, \"Good Heaven, what can I do!\"",
"\"Why, my dear madam,\" cried Sir Clement, \"should you be thus\nuneasy?-you will reach Queen Ann Street almost as soon as Mrs. Mirvan,\nand I am sure you cannot doubt being as safe.\"",
"I made no answer, and Lord Orville then said, \"My coach is here; and\nmy servants are ready to take any commands Miss Anville will honour\nme with for them.",
"I shall myself go home in a chair, and therefore-\"\n\nHow grateful did I feel for a proposal so considerate, and made\nwith so much delicacy!",
"I should gladly have accepted it, had I been\npermitted, but Sir Clement would not let him even finish his speech;\nhe interrupted him with evident displeasure, and said, \"My Lord,\nmy own chariot is now at the door.\"",
"And just then the servant came, and told him the carriage was ready.",
"He\nbegged to have the honour of conducting me to it, and would have taken\nmy hand; but I drew it back, saying, \"I can't-I can't indeed!",
"pray\ngo by yourself-and as to me, let me have a chair.\"",
"\"Impossible,\" cried he with vehemence, \"I cannot think of trusting\nyou with strange chairmen,-I cannot answer it to Mrs. Mirvan;-come,\ndear Madam, we shall be home in five minutes.\"",
"Again I stood suspended.",
"With what joy would I then have compromised\nwith my pride, to have been once more with Madame Duval and the\nBranghtons, provided I had not met with Lord Orville!",
"However, I\nflatter myself that he not only saw but pitied my embarrassment; for\nhe said in a tone of voice unusually softened, \"To offer my services\nin the presence of Sir Clement Willoughby would be superfluous; but\nI hope I need not assure Miss Anville how happy it would make me to\nbe of the least use to her.\"",
"I courtsied my thanks.",
"Sir Clement, with great earnestness, pressed\nme to go; and while I was thus uneasily deliberating what to do, the\ndance, I suppose, finished, for the people crowded down stairs.",
"Had\nLord Orville then repeated his offer, I would have accepted it\nnotwithstanding Sir Clement's repugnance; but I fancy he thought it\nwould be impertinent.",
"In a very few minutes I heard Madame Duval's\nvoice, as she descended from the gallery.",
"\"Well,\" cried I hastily,\n\"if I must go-\" I stopt; but Sir Clement immediately handed me\ninto his chariot, called out, \"Queen Ann Street,\" and then jumped\nin himself.",
"Lord Orville, with a bow and a half smile, wished me\ngood night.",
"My concern was so great at being seen and left by Lord Orville in so\nstrange a situation, that I should have been best pleased to have\nremained wholly silent during our ride home; but Sir Clement took\ncare to prevent that.",
"He began by making many complaints of my unwillingness to trust myself\nwith him, and begged to know what could be the reason?",
"This question\nso much embarrassed me, that I could not tell what to answer; but\nonly said, that I was sorry to have taken up so much of his time.",
"\"O Miss Anville,\" cried he, taking my hand, \"if you knew with what\ntransport I would dedicate to you not only the present but all the\nfuture time allotted to me, you would not injure me by making such\nan apology.\"",
"I could not think of a word to say to this, nor to a great many other\nequally fine speeches with which he ran on; though I would fain have\nwithdrawn my hand, and made almost continual attempts; but in vain,\nfor he actually grasped it between both his, without any regard to\nmy resistance.",
"Soon after, he said that he believed the coachman was going the wrong\nway; and he called to his servant, and gave him directions.",
"Then\nagain addressing himself to me, \"How often, how assiduously have I\nsought an opportunity of speaking to you, without the presence of\nthat brute, Captain Mirvan!",
"Fortune has now kindly favoured me with\none; and permit me,\" again seizing my hand, \"permit me to use it in\ntelling you that I adore you.\"",
"I was quite thunderstruck at this abrupt and unexpected\ndeclaration.",
"For some moments I was silent; but when I recovered\nfrom my surprise, I said, \"Indeed, Sir, if you were determined to\nmake me repent leaving my own party so foolishly, you have very\nwell succeeded.\"",
"\"My dearest life,\" cried he, \"is it possible you can be so cruel?",
"Can\nyour nature and your countenance be so totally opposite?",
"Can the\nsweet bloom upon those charming cheeks, which appears as much the\nresult of good-humour as of beauty-\"\n\n\"O, Sir,\" cried I, interrupting him, \"this is very fine; but I had\nhoped we had had enough of this sort of conversation at the ridotto,\nand I did not expect you would so soon resume it.\"",
"\"What I then said, my sweet reproacher, was the effect of a mistaken,\na profane idea, that your understanding held no competition with your\nbeauty; but now, now that I find you equally incomparable in both, all\nwords, all powers of speech, are too feeble to express the admiration\nI feel of your excellencies.\"",
"\"Indeed,\" cried I, \"if your thoughts had any connection with your\nlanguage, you would never suppose that I could give credit to praise\nso very much above my desert.\"",
"This speech, which I made very gravely, occasioned still stronger\nprotestations; which he continued to pour forth, and I continued to\ndisclaim, till I began to wonder that we were not in Queen Ann Street,\nand begged he would desire the coachman to drive faster.",
"\"And does this little moment,\" cried he, \"which is the first of\nhappiness I have ever known, does it already appear so very long\nto you?\"",
"\"I am afraid the man has mistaken the way,\" answered I, \"or else we\nshould ere now have been at our journey's end.",
"I must beg you will\nspeak to him.\"",
"\"And can you think me so much my own enemy?-if my good genius has\ninspired the man with a desire of prolonging my happiness, can you\nexpect that I should counteract its indulgence?\"",
"I now began to apprehend that he had himself ordered the man to go\na wrong way; and I was so much alarmed at the idea, that, the very\ninstant it occurred to me, I let down the glass, and made a sudden\neffort to open the chariot-door myself, with a view of jumping into\nthe street; but he caught hold of me, exclaiming, \"For Heaven's sake,\nwhat is the matter?\"",
"\"I-I don't know,\" cried I (quite out of breath), \"but I am sure the\nman goes wrong; and if you will not speak to him, I am determined I\nwill get out myself.\"",
"\"You amaze me,\" answered he (still holding me), \"I cannot imagine\nwhat you apprehend.",
"Surely you can have no doubts of my honour?\"",
"He drew me towards him as he spoke.",
"I was frightened dreadfully,\nand could hardly say, \"No, Sir, no,-none at all: only Mrs. Mirvan,-I\nthink she will be uneasy.\"",
"\"Whence this alarm, my dearest angel?-What can you fear?-my life is\nat your devotion, and can you, then, doubt my protection?\"",
"And so saying, he passionately kissed my hand.",
"Never, in my whole life, have I been so terrified.",
"I broke forcibly\nfrom him, and, putting my head out of the window, called aloud to the\nman to stop.",
"Where we then were, I know not; but I saw not a human\nbeing, or I should have called for help.",
"Sir Clement, with great earnestness, endeavoured to appease and\ncompose me: \"If you do not intend to murder me,\" cried I, \"for mercy's,\nfor pity's sake, let me get out!\"",
"\"Compose your spirits, my dearest life,\" cried he, \"and I will do\neverything you would have me.\"",
"And then he called to the man himself,\nand bid him make haste to Queen Ann Street.",
"\"This stupid fellow,\"\ncontinued he, \"has certainly mistaken my orders; but I hope you are\nnow fully satisfied.\"",
"I made no answer, but kept my head at the window watching which way he\ndrove, but without any comfort to myself, as I was quite unacquainted\nwith either the right or the wrong.",
"Sir Clement now poured forth abundant protestations of honour, and\nassurances of respect, intreating my pardon for having offended me,\nand beseeching my good opinion: but I was quite silent, having too much\napprehension to make reproaches, and too much anger to speak without.",
"In this manner we went through several streets, till at last, to my\ngreat terror, he suddenly ordered the man to stop, and said, \"Miss\nAnville, we are now within twenty yards of your house; but I cannot\nbear to part with you, till you generously forgive me for the offence\nyou have taken, and promise not to make it known to the Mirvan's.\"",
"I hesitated between fear and indignation.",
"\"Your reluctance to speak redoubles my contrition for having displeased\nyou, since it shews the reliance I might have on a promise which you\nwill not give without consideration.\"",
"\"I am very, very much distressed,\" cried I; \"you ask a promise which\nyou must be sensible I ought not to grant, and yet dare not refuse.\"",
"\"Drive on!\"",
"cried he to the coachman;-\"Miss Anville, I will not compel\nyou; I will exact no promise, but trust wholly to your generosity.\"",
"This rather softened me; which advantage he no sooner received, than\nhe determined to avail himself of; for he flung himself on his knees,\nand pleaded with so much submission, that I was really obliged to\nforgive him, because his humiliation made me quite ashamed: and,\nafter that, he would not let me rest till I gave him my word that I\nwould not complain of him to Mrs. Mirvan.",
"My own folly and pride, which had put me in his power, were pleas\nwhich I could not but attend to in his favour.",
"However, I shall take\nvery particular care never to be again alone with him.",
"When, at last, we arrived at our house, I was so overjoyed, that I\nshould certainly have pardoned him then, if I had not before.",
"As he\nhanded me up stairs, he scolded his servant aloud, and very angrily,\nfor having gone so much out of the way.",
"Miss Mirvan ran out to meet\nme; -and who should I see behind her, but Lord Orville!",
"All my joy now vanished, and gave place to shame and confusion; for\nI could not endure that he should know how long a time Sir Clement\nand I had been together, since I was not at liberty to assign any\nreason for it.",
"They all expressed great satisfaction at seeing me; and said they\nhad been extremely uneasy and surprised that I was so long coming\nhome, as they had heard from Lord Orville that I was not with Madame\nDuval.",
"Sir Clement, in an affected passion, said, that his booby of\na servant had misunderstood his orders, and was driving us to the\nupper end of Piccadilly.",
"For my part, I only coloured; for though I\nwould not forfeit my word, I yet disdained to confirm a tale in which\nI had myself no belief.",
"Lord Orville, with great politeness, congratulated me, that the\ntroubles of the evening had so happily ended; and said, that he had\nfound it impossible to return home, before he enquired after my safety.",
"In a very short time he took his leave, and Sir Clement followed\nhim.",
"As soon as they were gone, Mrs. Mirvan, though with great\nsoftness, blamed me for having quitted Madame Duval.",
"I assured her,\nand with truth, that for the future I would be more prudent.",
"The adventures of the evening so much disconcerted me, that I could\nnot sleep all night.",
"I am under the most cruel apprehensions lest\nLord Orville should suppose my being on the gallery-stairs with Sir\nClement was a concerted scheme, and even that our continuing so long\ntogether in his chariot was with my approbation, since I did not say a\nword on the subject, nor express my dissatisfaction at the coachman's\npretended blunder.",
"Yet his coming hither to wait our arrival though it seems to imply\nsome doubt, shews also some anxiety.",
"Indeed, Miss Mirvan says,\nthat he appeared extremely anxious, nay, uneasy and impatient for\nmy return.",
"If I did not fear to flatter myself, I should think it\nnot impossible but that he had a suspicion of Sir Clement's design,\nand was therefore concerned for my safety.",
"What a long letter is this!",
"however, I shall not write many more from\nLondon; for the Captain said this morning, that he would leave town\non Tuesday next.",
"Madame Duval will dine here to-day, and then she\nis to be told his intention.",
"I am very much amazed that she accepted Mrs. Mirvan's invitation, as\nshe was in such wrath yesterday.",
"I fear that to-day I shall myself be\nthe principal object of her displeasure; but I must submit patiently,\nfor I cannot defend myself.",
"Adieu, my dearest Sir.",
"Should this letter be productive of any\nuneasiness to you, more than ever shall I repent the heedless\nimprudence which it recites.",
"</CHAPTER>"
] | [
"I cannot too much thank you, my best Evelina, for the minuteness of\nyour communications.",
"What his\nown reasons were for honouring us with his company, I cannot imagine;\nunless, indeed, he had a curiosity to know whether I should invent\nany new impertinence concerning him.",
"He did not however, choose to take any notice\nof this: but, having bit his nails some time in manifest confusion,\nhe turned very quick to me, and in a sneering tone of voice, said,\n\"For my part, I was most struck with the country young lady, Miss Prue;\npray what do you think of her, Ma'am?\"",
"When we came to her lodgings we found all the Branghtons in the\npassage, impatiently waiting for us with the door open.",
"cried the brother.",
"\"The price of stocks,\" said he, \"is enough for me to see after; and\nI took it for granted it was the same thing here as at the playhouse.\"",
"\"Well, to be sure,\" said Miss Branghton, \"there's no judging of a\nplace by the outside, else, I must needs say, there's nothing very\nextraordinary in the stair-case.\"",
"cried he eagerly;\nand, instantly taking my hand, he would have marched away with me:\nbut I turned to Madame Duval, and said, \"As our party is so large,\nMadame, if you will give me leave, I will go down to Mrs. Mirvan,\nthat I may not crowd you in the coach.\"",
"\"I fear it will be almost impossible to find her,\" answered he;\n\"but you can have no objection to permitting me to see you safe home.\"",
"I must beg you will\nspeak to him.\""
] | [
"I will not, therefore, enlarge\nupon this subject; but content myself with telling you, that I shall\nheartily rejoice when I hear of your safe arrival at Howard Grove,\nfor which place I hope you will be preparing at the time you receive\nthis letter.",
"We all\nexpressed our concern, and offered our assistance-except the Captain,\nwho no sooner beheld her than he burst out into a loud laugh.",
"\"For my part,\" said Mr. Lovel, \"I confess I seldom listen to the\nplayers: one has so much to do, in looking about and finding out one's\nacquaintance, that, really, one has no time to mind the stage.",
"How new to you is the scene of life in which you are\nengaged!-balls-plays-operas-ridottos!-Ah, my child!",
"Madame Duval demanded his business: \"Madam,\" answered he,\n\"my master desires his compliments to you, and-and-and he says he\nwishes it well over with you.",
"\"The price of stocks,\" said he, \"is enough for me to see after; and\nI took it for granted it was the same thing here as at the playhouse.\"",
"I made no answer, for I thought his rudeness intolerable; but Sir\nClement, with great warmth, said, \"I am surprised that you can suppose\nsuch an object as Miss Prue would engage the attention of Miss Anville\neven for a moment.\"",
"only see!-why, Polly,\nall the people in the pit are without hats, dressed like anything!\"",
"\"Why, my dear madam,\" cried Sir Clement, \"should you be thus\nuneasy?-you will reach Queen Ann Street almost as soon as Mrs. Mirvan,\nand I am sure you cannot doubt being as safe.\"",
"\"And yet,\" he continued, \"my excuse may only expose my own credulity,\nand want of judgment and penetration."
] | [
"When the play was over, I flattered myself I should be able to look\nabout me with less restraint, as we intended to stay the farce; but\nthe curtain had hardly dropped, when the box-door opened, and in came\nMr. Lovel, the man by whose foppery and impertinence I was so much\nteased at the ball where I first saw Lord Orville.",
"I turned away my head, and began talking to Miss Mirvan; for I was\ndesirous to avoid speaking to him-but in vain; for, as soon as he had\nmade his compliments to Lord Orville and Sir Clement Willoughby, who\nreturned them very coldly, he bent his head forward and said to me,\n\"I hope, Ma'am, you have enjoyed your health since I had the honour-I\nbeg ten thousand pardons, but, I protest I was going to say the honour\nof dancing with you-however, I mean the honour of seeing you dance?\"",
"He spoke with a self-complacency that convinced me that he had studied\nthis address, by way of making reprisals for my conduct at the ball;\nI therefore bowed slightly, but made no answer.",
"After a short silence he again called my attention, by saying, in an\neasy, negligent way, \"I think, Ma'am, you was never in town before?\"",
"\"No, Sir.\"",
"\"So I did presume.",
"Doubtless, Ma'am, every thing must be infinitely\nnovel to you.",
"Our customs, our manners, and les etiquettes de nous\nautres, can have little very resemblance to those you have been used\nto.",
"I imagine, Ma'am, your retirement is at no very small distance\nfrom the capital?\"",
"I was so much disconcerted at this sneering speech, that I said not\na word; though I have since thought my vexation both stimulated and\ndelighted him.",
"\"The air we breathe here, however, Ma'am,\" continued he, very\nconceitedly, \"though foreign to that you have been accustomed to,\nhas not I hope been at variance with your health?\""
] | [
"<CHAPTER>\nLETTER XV MR. VILLARS TO EVELINA\n\nBerry Hill, April 16.",
"IN the belief and hope that my Evelina would, ere now, have bid adieu\nto London, I had intended to have deferred writing, till I heard\nof her return to Howard Grove; but the letter I have this moment\nreceived, with intelligence of Madame Duval's arrival in England,\ndemands an immediate answer.",
"Her journey hither equally grieves and alarms me.",
"How much did I\npity my child, when I read of a discovery at once so unexpected\nand unwished!",
"I have long dreaded this meeting and its consequence;\nto claim you seems naturally to follow acknowledging you.",
"I am well\nacquainted with her disposition, and have for many years foreseen\nthe contest which now threatens us.",
"Cruel as are the circumstances of this affair, you must not, my\nlove, suffer it to depress your spirits: remember, that while life\nis lent me, I will devote it to your service; and, for future time,\nI will make such provisions as shall seem to me most conducive to\nyour future happiness.",
"Secure of my protection, and relying on my\ntenderness, let no apprehensions of Madame Duval disturb your peace:\nconduct yourself towards her with all the respect and deference due\nto so near a relation, remembering always, that the failure of duty\non her part, can by no means justify any neglect on your's.",
"Indeed,\nthe more forcibly you are struck with improprieties and misconduct\nin another, the greater should be your observance and diligence\nto avoid even the shadow of similar errors.",
"Be careful, therefore,\nthat no remissness of attention, no indifference of obliging, make\nknown to her the independence I assure you of; but when she fixes\nthe time for her leaving England, trust to me the task of refusing\nyour attending her: disagreeable to myself, I own, it will be; yet\nto you it would be improper, if not impossible.",
"Indeed, Miss Mirvan says,\nthat he appeared extremely anxious, nay, uneasy and impatient for\nmy return.",
"If I did not fear to flatter myself, I should think it\nnot impossible but that he had a suspicion of Sir Clement's design,\nand was therefore concerned for my safety.",
"What a long letter is this!",
"however, I shall not write many more from\nLondon; for the Captain said this morning, that he would leave town\non Tuesday next.",
"Madame Duval will dine here to-day, and then she\nis to be told his intention.",
"I am very much amazed that she accepted Mrs. Mirvan's invitation, as\nshe was in such wrath yesterday.",
"I fear that to-day I shall myself be\nthe principal object of her displeasure; but I must submit patiently,\nfor I cannot defend myself.",
"Adieu, my dearest Sir.",
"Should this letter be productive of any\nuneasiness to you, more than ever shall I repent the heedless\nimprudence which it recites.",
"</CHAPTER>"
] | at having been forced into a party so
very disagreeable, and that, too, from one so much-so very much the
contrary-yet, would they have suffered me to listen, I should have
forgotten every thing unpleasant, and felt nothing but delight in
hearing the sweet voice of Signor Millico, the first singer; but they
tormented me with continual talking.
"What a jabbering they make!"
cried Mr. Branghton, "there's no
knowing a word they say.
Pray, what's the reason they can't as well
sing in English?-but I suppose the fine folks would not like it,
if they could understand it."
"How unnatural their action is!"
said the son: "why, now, who ever
saw an Englishman put himself in such out-of-the-way postures?"
"For my part," said Miss Polly, "I think it's very pretty, only I
don't know what it means."
"Lord, what does that signify," cried her sister; "mayn't one like a
thing without being so very particular?-You may see that Miss likes
it, and I don't suppose she knows more of the matter than we do."
A | <CHAPTER>
LETTER XV MR. VILLARS TO EVELINA
Berry Hill, April 16.
IN the belief and hope that my Evelina would, ere now, have bid adieu
to London, I had intended to have deferred writing, till I heard
of her return to Howard Grove; but the letter I have this moment
received, with intelligence of Madame Duval's arrival in England,
demands an immediate answer.
Her journey hither equally grieves and alarms me.
How much did I
pity my child, when I read of a discovery at once so unexpected
and unwis own
on Tuesday next.
Madame Duval will dine here to-day, and then she
is to be told his intention.
I am very much amazed that she accepted Mrs. Mirvan's invitation, as
she was in such wrath yesterday.
I fear that to-day I shall myself be
the principal object of her displeasure; but I must submit patiently,
for I cannot defend myself.
Adieu, my dearest Sir.
Should this letter be productive of any
uneasiness to you, more than ever shall I repent the heedless
imprudence which it recites.
</CHAPTER> | untarily snuffed up such a quantity, that the pain and
surprise made her scream aloud.
When she recovered, she reproached
him with her usual vehemence; but he protested he had taken that
measure out of pure friendship, as he concluded, from her raptures,
that she was going into hysterics.
This excuse by no means appeased
her, and they had a violent quarrel; but the only effect her anger
had on the Captain, was to increase his diversion.
Indeed, he laughs
and talks so terribly loud in public, that he frequently makes us
ashamed of belonging to him.
Madame Duval, notwithstanding her wrath, made no scruple of returning
to dine in Queen Ann Street.
Mrs. Mirvan had secured places for the
play at Drury-Lane Theatre, and, though ever uneasy in her company, she
very politely invited Madame Duval to be of our party; however, she had
a bad cold and chose to nurse it.
I was sorry for her indisposition;
but I knew not how to be sorry she did not accompany us, for she is-I
must not say what, but ver |
6,053 | true | gradesaver | all_chapterized_books/6053-chapters/volume_1_chapters_22_to_31.txt | finished_summaries/gradesaver/Evelina/section_2_part_0.txt | Evelina.volume 1.chapters 22-31 | volume 1, letter 22-31 | null | {"name": "Volume I, Letter XXII - Volume I, Letter XXXI", "url": "https://web.archive.org/web/20201126171702/https://www.gradesaver.com/evelina-or-the-history-of-a-young-ladys-entrance-into-the-world/study-guide/summary-volume-i-letter-xxii--volume-i-letter-xxxi", "summary": "Evelina continues to write to Mr. Villars of her adventures. Mrs. Mirvan spoke with Evelina, telling her how Lord Orville had reprimanded Mr. Lovel for his behavior at the opera. Evelina feels relieved to learn this, and praises the \"quiet courage\" of Lord Orville. At a dinner to which she was invited, Madame Duval scolded Evelina for two hours about her rudeness in leaving the opera. The conversation then turned to the party's plans to leave London. Madame Duval did not like this turn of events, and argued Evelina should stay in London. It was finally decided that Madame Duval would return with them to Howard Grove to continue spending time with her granddaughter. Though this alternative pleased no one, there was no other viable option. Evelina continues her letters, writing about her final adventures in London. The group spent some time at the Pantheon; Evelina admired the architecture. Sir Clement Willoughby was there, and Evelina was struck how by little embarrassment he showed over his behavior on the evening of the opera. Lord Orville and Mr. Lovel were also there, and Evelina was glad that the latter fellow no longer troubled her. The party went to tea while in that vicinity, and Evelina noticed another gentleman at Lord Orville's table who stared at her for the entire duration of tea-time. . She was startled to learn that he was a Lord; it is unfathomable that one of his rank could be so rude. The men at the table discussed the beauty of the building. The Captain, coarse as ever, teased Mr. Lovel about having not known what the play was about a few nights before. The young women were asked if they liked the opera, and though they replied in the affirmative, they were quickly shamed into silence when the Captain derided them for their opinions. The Captain also criticized Cox's Museum and Ranelagh, which surprised the company. Lord Merton, whose name Evelina does not yet procure, jested and teased her in a vulgar manner throughout the evening. When it was time for him and his party to depart, he insisted that Maria and Evelina attend. They declined the invitation, and Evelina was dismayed by the \"great liberty in this Lord, notwithstanding his rank, to treat me so freely.\" They insisted that they wished to return home. Several of the ladies tripped gaily away to their next event, but the Lord stayed behind to pay profuse compliments to Evelina. This annoyed her, especially because Lord Orville was speaking gravely to Mrs. Mirvan, and she wished to know what he said. It seemed that he was displeased with the particular attention the Lord paid to Evelina. In her letter, Evelina ruminates on the differences between men of rank. Some are like Lord Orville, with a \"politeness that knows no intermission,\" while others like Lord Merton seem to lack all good breeding. Everyone was in low spirits when they returned to the house. However, to their surprise, Lord Orville arrived soon after them to pay his respects before they left for the country. Sir Clement also arrived, and Evelina was piqued when the Captain offered him a visit to Howard Grove. Mr. Villars next writes to Evelina, advising that the nobleman is far less dangerous than Sir Clement because the latter \"contrives to avoid all appearance of intentional evil. He is far more dangerous, because more artful...\" He expresses his approbation of Lord Orville. He almost regrets permitting her to visit London, since her guileless and innocent nature is not fit for such environs. Evelina writes back to describe her experiences at Howard Grove, lamenting how Madame Duval and the Captain have ruined this once peaceful place. They quarrel violently and constantly. Lady Howard, however, was gracious and kind in welcoming them back. In another letter, she writes of an altogether shocking proposal made by Madame Duval, who believes they should attempt to legally prove Evelina's birthright and thereby procure the inheritance she is owed by her father Sir John Belmont. Madame Duval believes Evelina has a grand future waiting, and that the girl should spend time in Paris. As Evelina puts it, Madame Duval \"had it in her head to make something of me, and that they should soon call me by another name than that of Anville.\" This scheme had been instigated by the Branghtons. This plan caused great disturbance in the family. The only person who approved was Lady Howard. Evelina, for her part, is saddened about this indifferent father, and is little inclined to confront him, especially through legal means and for the purpose of money. Lady Howard next writes to Mr. Villars, explaining why she approves of Madame Duval's plan. She explains that \"your lovely charge, now first entering into life, has merit which ought not to be buried in obscurity.\" Though Mr. Villars does not agree, Lady Howard writes to Paris anyway, in hopes that her letter will reach Sir John Belmont.", "analysis": "Evelina continues to encounter a world in which social recognition is ironically disconnected from true human value. Lord Merton, though yet unnamed, is a total cad, more forward than anyone has yet been with her, and yet his name is more valuable than even Lord Orville's. Sir Clement remains a threat to her, mostly because, as Mr. Villars wisely indicates, he keeps his intentions hidden. Despite his social standing, his actions are insidious, and he is entirely oblivious to the constant threat this poses to the women he professes to care for. And the plan proposed by Madame Duval is shaped as one meant to ensure social respectability, but is actually motivated almost entirely by greed. The life of these aristocrats is full of pettiness and selfishness, which is one of the main reasons Evelina is at such odds with it. And yet she remains transfixed by the luxuries and entertainments of London, most likely because Burney herself was. Modern readers may not know the Pantheon in England; it was a public assembly room located in Oxford Street, and was known as the \"winter Ranelagh.\" It held winter balls, masquerades and concerts, all of which were very popular with the fashionable set. Samuel Johnson and his biographer James Boswell visited the site not long after it opened in 1772, but they preferred Ranelagh. Boswell's Life of Johnson relates how they argued whether anyone there was actually happy, and Dr. Johnson said, \"Yes, Sir, there are many happy people here. There are many people here who are watching hundreds, and who think hundreds are watching them.\" Captain Mirvan is one of Burney's most distasteful creations; he is misogynist, xenophobic, ill-bred, loud, vulgar, and frequently cruel. However, his opinions are merely exaggerations of a very real social pressure that women faced. In this set of letters, he voices his opinion that fashionable and educated young women neglect their traditional, natural domestic duties in favor of frivolous diversions. In her annotations to the Oxford World's Classics edition of the novel, Vivien Jones comments, \"Whereas most eighteenth century commentators are more likely to see a different education as the solution, Captain Mirvan's appeal is to violence and the law.\" He believes that Evelina and Maria's opinions are valueless, and thus shames them into silence. This silence represents the role women were forced to play in the 18th century; they possessed no identity of their own, and were placed under their father/guardian/husband's aegis in all respects. Mr. Villars, in contrast, remains an extremely positive force in Evelina's life. While he is deliberately vocal in his opinions for his young charge, he does not deny her what she asks, and praises her strength of character. Again, this kindness can be attributed to his separation from society; because he willfully avoids the world, he is not polluted by its forces. Of course, it is telling that he never enters the action of the novel, since it suggests the rather unrealistic nature of such a man. He serves more as a counterpoint than as an actual solution to the problems suggested in the narrative. Near the close of this first volume, Evelina is horrified to discover her grandmother's plan to confront her father and force her inheritance. She is more driven by fear and grief than by greed. One of those fears is that it would entail acting outside of her prescribed gender roles. Mr. Villars, ever the traditionalist, agrees, writing how this plan is antipathetic to female delicacy. The public scrutiny that would follow from a lawsuit would violate the conduct-book tradition of limited female presence in the public eye. Consider what John Gregory wrote in a contemporary guidebook: \"one of the chief beauties in a female character, is that of modest reserve, that retiring delicacy, which avoids the public eye, and is disconcerted even at the gaze of admiration.\" One of the implicit arguments against such limitations is the work itself. Though she had to publish the work anonymously, any audience who eventually realized she was a woman would be surprised not only by her accomplishment, but by her cleverness and erudition. Consider an allusion made to John Locke in this set of letters. Mr. Villars makes a particularly erudite comment in describing his disapprobation of the lawsuit plan to Lady Howard: he writes that \"As soon as I would discuss the effect of sound with the deaf, or the nature of colors with the blind, as aim at illuminating with conviction a mind so warped by prejudice, so much the slave of unruly and illiberal passions.\" In using this example as an analogy for meaninglessness, he is referring to the ideas of John Locke, as expressed in his Essay Concerning Human Understanding . Vivien Jones comments on this allusion in her annotations, \"ideas are not innate and can only be developed on the basis of physical stimuli, therefore the names of colours or sounds to the blind or deaf would be examples of words, which are, in his words, 'not intelligible at all'.\" Burney's effortless use of such erudite and complicated examples evidence her abilities."} | <CHAPTER>
LETTER XXII EVELINA IN CONTINUATION
Monday Morning, April 18.
MRS. MIRVAN has just communicated to me an anecdote concerning Lord
Orville, which has much surprised, half pleased, and half pained me.
While they were sitting together during the opera, he told her that
he had been greatly concerned at the impertinence which the young
lady under her protection had suffered from Mr. Lovel; but that he
had the pleasure of assuring her, she had no future disturbance to
apprehend from him.
Mrs. Mirvan, with great eagerness, begged he would explain himself;
and said she hoped he had not thought so insignificant an affair
worthy his serious attention.
"There is nothing," answered he, "which requires more immediate notice
than impertinence, for it ever encroaches when it is tolerated." He
then added, that he believed he ought to apologize for the liberty
he had taken in interfering; but that, as he regarded himself in the
light of a party concerned, from having had the honour of dancing
with Miss Anville, he could not possibly reconcile to himself a
patient neutrality.
He then proceeded to tell her, that he had waited upon Mr. Lovel the
morning after the play; that the visit had proved an amicable one,
but the particulars were neither entertaining nor necessary: he only
assured her, Miss Anville might be perfectly easy, since Mr. Lovel
had engaged his honour never more to mention, or even to hint at what
had passed at Mrs. Stanley's assembly.
Mrs. Mirvan expressed her satisfaction at this conclusion, and thanked
him for his polite attention to her young friend.
"It would be needless," said he, "to request that this affair may
never transpire, since Mrs. Mirvan cannot but see the necessity of
keeping it inviolably secret; but I thought it incumbent upon me,
as the young lady is under your protection, to assure both you and
her of Mr. Lovel's future respect."
Had I known of this visit previous to Lord Orville's making it, what
dreadful uneasiness would it have cost me! Yet that he should so much
interest himself in securing me from offence, gives me, I must own,
an internal pleasure, greater than I can express; for I feared he
had too contemptuous an opinion of me, to take any trouble upon my
account. Though, after all, this interference might rather be to
satisfy his own delicacy, than from thinking well of me.
But how cool, how quiet is true courage! Who, from seeing Lord Orville
at the play, would have imagined his resentment would have hazarded
his life? yet his displeasure was evident, though his real bravery and
his politeness equally guarded him from entering into any discussion
in our presence.
Madame Duval, as I expected, was most terribly angry yesterday:
she scolded me for, I believe, two hours, on account of having
left her; and protested she had been so much surprised at my going,
without giving her time to answer, that she hardly knew whether she
was awake or asleep. But she assured me that if ever I did so again,
she would never more take me into public. And she expressed an equal
degree of displeasure against Sir Clement, because he had not even
spoken to her, and because he was always of the Captain's side in
an argument. The Captain, as bound in honour, warmly defended him,
and then followed a dispute in the usual style.
After dinner, Mrs. Mirvan introduced the subject of our leaving
London. Madame Duval said she would stay a month or two longer. The
Captain told her she was welcome, but that he and his family should
go into the country on Tuesday morning.
A most disagreeable scene followed. Madame Duval insisted upon keeping
me with her; but Mrs. Mirvan said, that as I was actually engaged on
a visit to Lady Howard, who had only consented to my leaving her for
a few days, she could not think of returning without me.
Perhaps, if the Captain had not interfered, the good-breeding and
mildness of Mrs. Mirvan might have had some effect upon Madame Duval;
but he passes no opportunity of provoking her; and therefore made
so many gross and rude speeches, all of which she retorted, that,
in conclusion, she vowed she would sooner go to law in right of her
relationship, than that I should be taken away from her.
I heard this account from Mrs. Mirvan, who was so kindly considerate
as to give me a pretence for quitting the room as soon as this
dispute began, lest Madame Duval should refer to me, and insist on
my obedience.
The final result of the conversation was, that, to soften matters for
the present, Madame Duval should make one in the party to Howard Grove,
whither we are positively to go next Wednesday. And though we are
none of us satisfied with this plan, we know not how to form a better.
Mrs. Mirvan is now writing to Lady Howard, to excuse bringing this
unexpected guest, and prevent the disagreeable surprise which must
otherwise attend her reception. This dear lady seems eternally studying
my happiness and advantage.
To-night we go to the Pantheon, which is the last diversion we shall
partake of in London; for to-morrow- * * * * *
This moment, my dearest Sir, I have received your kind letter.
If you thought us too dissipated the first week, I almost fear to
know what you will think of us this second;-however, the Pantheon this
evening will probably be the last public place which I shall ever see.
The assurance of your support and protection in regard to Madame Duval,
though what I never doubted, excites my utmost gratitude. How,
indeed, cherished under your roof, the happy object of your
constant indulgence, how could I have borne to become the slave of
her tyrannical humours? -Pardon me that I speak so hardly of her;
but whenever the idea of passing my days with her occurs to me, the
comparison which naturally follows, takes from me all that forbearance
which, I believe, I owe her.
You are already displeased with Sir Clement: to be sure, then, his
behaviour after the opera will not make his peace with you. Indeed
the more I reflect upon it, the more angry I am. I was entirely in
his power, and it was cruel in him to cause me so much terror.
O, my dearest Sir, were I but worthy the prayers and the wishes
you offer for me, the utmost ambition of my heart would be fully
satisfied! but I greatly fear you will find me, now that I am out of
the reach of your assisting prudence, more weak and imperfect than
you could have expected.
I have not now time to write another word, for I must immediately
hasten to dress for the evening.
</CHAPTER>
<CHAPTER>
LETTER XXIII EVELINA IN CONTINUATION
Queen Ann Street, Tuesday, April 19.
THERE is something to me half melancholy in writing an account of our
last adventures in London. However, as this day is merely appropriated
to packing and preparations for our journey, and as I shall shortly
have no more adventures to write, I think I may as well complete my
town journal at once: and, when you have it all together, I hope,
my dear Sir, you will send me your observations and thoughts upon it
to Howard Grove.
About eight o'clock we went to the Pantheon. I was extremely struck
with the beauty of the building, which greatly surpassed whatever
I could have expected or imagined. Yet it has more the appearance
of a chapel than of a place of diversion; and, though I was quite
charmed with the magnificence of the room, I felt that I could
not be as gay and thoughtless there as at Ranelagh; for there is
something in it which rather inspires awe and solemnity, than mirth
and pleasure. However, perhaps it may only have this effect upon such
a novice as myself.
I should have said, that our party consisted only of Captain, Mrs. and
Miss Mirvan, as Madame Duval spent the day in the city;-which I own
I could not lament.
There was a great deal of company; but the first person we saw was Sir
Clement Willoughby. He addressed us with his usual ease, and joined
us for the whole evening. I felt myself very uneasy in his presence;
for I could not look at him, nor hear him speak, without recollecting
the chariot adventure; but, to my great amazement, I observed that
he looked at me without the least apparent discomposure, though,
certainly, he ought not to think of his behaviour without blushing. I
really wish I had not forgiven him, and then he could not have ventured
to speak to me any more.
There was an exceeding good concert, but too much talking to hear
it well. Indeed I am quite astonished to find how little music
is attended to in silence; for, though every body seems to admire,
hardly any body listens.
We did not see Lord Orville till we went into the tea-room, which
is large, low, and under ground, and serves merely as a foil to the
apartments above; he then sat next to us. He seemed to belong to a
large party, chiefly of ladies; but, among the gentlemen attending
them, I perceived Mr. Lovel.
I was extremely irresolute whether or not I ought to make any
acknowledgments to Lord Orville for his generous conduct in securing
me from the future impertinence of that man; and I thought, that,
as he had seemed to allow Mrs. Mirvan to acquaint me, though no one
else, of the measures which he had taken, he might perhaps suppose me
ungrateful if silent: however, I might have spared myself the trouble
of deliberating, as I never once had the shadow of an opportunity of
speaking unheard by Sir Clement. On the contrary, he was so exceedingly
officious and forward, that I could not say a word to any body but
instantly he bent his head forward, with an air of profound attention,
as if I had addressed myself wholly to him; and yet I never once
looked at him, and would not have spoken to him on any account.
Indeed, Mrs. Mirvan herself, though unacquainted with the behaviour of
Sir Clement after the opera, says it is not right for a young woman to
be seen so frequently in public with the same gentleman; and, if our
stay in town was to be lengthened, she would endeavour to represent
to the Captain the impropriety of allowing his constant attendance;
for Sir Clement with all his easiness, could not be so eternally of
our parties, if the Captain was less fond of his company.
At the same table with Lord Orville sat a gentleman,-I call him so
only because he was at the same table,-who, almost from the moment
I was seated, fixed his eyes steadfastly on my face, and never once
removed them to any other object during tea-time, notwithstanding my
dislike of his staring must, I am sure, have been very evident. I was
quite surprised, that a man, whose boldness was so offensive, could
have gained admission into a party of which Lord Orville made one;
for I naturally concluded him to be some low-bred, uneducated man;
and I thought my idea was indubitably confirmed, when I heard him say
to Sir Clement Willoughby, in an audible whisper,-which is a mode of
speech very distressing and disagreeable to bystanders,-"For Heaven's
sake, Willoughby, who is that lovely creature?"
But what was my amazement, when, listening attentively for the answer,
though my head was turned another way, I heard Sir Clement say,
"I am sorry I cannot inform your Lordship, but I am ignorant myself."
Lordship! how extraordinary! that a nobleman, accustomed, in all
probability, to the first rank of company in the kingdom, from his
earliest infancy, can possibly be deficient in good manners, however
faulty in morals and principles! Even Sir Clement Willoughby appeared
modest in comparison with this person.
During tea, a conversation was commenced upon the times, fashions,
and public places, in which the company of both tables joined. It
began by Sir Clement's inquiring of Miss Mirvan and of me, if the
Pantheon had answered our expectations.
We both readily agreed that it had greatly exceeded them.
"Ay, to be sure," said the Captain, "why, you don't suppose they'd
confess they didn't like it, do you? Whatever's the fashion, they
must like, of course;-or else, I'd be bound for it, they'd own,
that there never was such a dull place as this here invented."
"And has, then, this building," said Lord Orville, "no merit that may
serve to lessen your censure? Will not your eye, Sir, speak something
in its favour?"
"Eye!" cried the Lord, (I don't know his name,) "and is there any eye
here, that can find pleasure in looking at dead walls or statues, when
such heavenly living objects as I now see demand all their admiration?"
"O, certainly," said Lord Orville, "the lifeless symmetry of
architecture, however beautiful the design and proportion, no man would
be so mad as to put in competition with the animated charms of nature:
but when, as to-night, the eye may be regaled at the same time, and
in one view, with all the excellence of art, and all the perfection
of nature, I cannot think that either suffer by being seen together."
"I grant, my Lord," said Sir Clement, "that the cool eye of
unimpassioned philosophy may view both with equal attention, and
equal safety; but, where the heart is not so well guarded, it is
apt to interfere, and render, even to the eye, all objects but one
insipid and uninteresting."
"Aye, Aye," cried the Captain, "you may talk what you will of your
eye here, and your eye there, and, for the matter of that, to be sure
you have two,-but we all know they both squint one way."
"Far be it from me," said Lord Orville, "to dispute the magnetic
power of beauty, which irresistibly draws and attracts whatever has
soul and sympathy: and I am happy to acknowledge, that though we
have now no gods to occupy a mansion professedly built for them,
yet we have secured their better halves, for we have goddesses to
whom we all most willingly bow down." And then with a very droll air,
he made a profound reverence to the ladies.
"They'd need to be goddesses with a vengeance," said the Captain,
"for they're mortal dear to look at. Howsomever, I should be glad
to know what you can see in e'er a face among them that's worth
half-a-guinea for a sight."
"Half-a-guinea!" exclaimed that same Lord, "I would give half I am
worth for a sight of only one, provided I make my own choice. And,
prithee, how can money be better employed than in the service of
fine women?"
"If the ladies of his own party can pardon the Captain's speech," said
Sir Clement, "I think he has a fair claim to the forgiveness of all."
"Then you depend very much, as I doubt not but you may," said Lord
Orville, "upon the general sweetness of the sex;-but as to the ladies
of the Captain's party, they may easily pardon, for they cannot
be hurt."
"But they must have a devilish good conceit of themselves, though,"
said the Captain, "to believe all that. Howsomever, whether or no,
I should be glad to be told by some of you, who seem to be knowing
in them things, what kind of diversion can be found in such a place
as this here, for one who has had, long ago, his full of face-hunting?"
Every body laughed, but nobody spoke.
"Why, look you there now," continued the Captain, "you're all at a dead
stand!-not a man among you can answer that there question. Why, then,
I must make bold to conclude, that you all come here for no manner
of purpose but to stare at one another's pretty faces:-though, for
the matter of that, half of 'em are plaguy ugly;-and, as to t'other
half,-I believe it's none of God's manufactory."
"What the ladies may come hither for, Sir," said Mr. Lovel, (stroking
his ruffles, and looking down,) "it would ill become us to determine;
but as to we men, doubtless we can have no other view than to admire
them."
"If I ben't mistaken," cried the Captain, (looking earnestly in
his face,)
"you are that same person we saw at Love for Love t'other night;
ben't you?"
Mr. Lovel bowed.
"Why, then, Gentlemen," continued he, with a loud laugh, "I must tell
you a most excellent good joke;-when all was over, as sure as you're
alive, he asked what the play was! Ha, ha, ha!"
"Sir," said Mr. Lovel, colouring, "if you were as much used to
town-life as I
am,-which, I presume, is not precisely the case,-I fancy you would
not find so much diversion from a circumstance so common."
"Common! What, is it common?" repeated the Captain; "why then,
'fore George,
such chaps are more fit to be sent to school, and well disciplined with
a cat-o'-nine tails, than to poke their heads into a play-house. Why,
a play is the only thing left, now-a-days, that has a grain of sense
in it; for as to all the rest of your public places, d'ye see, if
they were all put together, I wouldn't give that for 'em!" (snapping
his fingers.) "And now we're talking of them sort of things, there's
your operas,-I should like to know, now, what any of you can find to
say for them."
Lord Orville, who was most able to have answered, seemed by no means
to think
the Captain worthy an argument, upon a subject concerning which he
had neither knowledge nor feeling: but, turning to us, he said, "The
ladies are silent, and we seem to have engrossed the conversation to
ourselves, in which we are much more our own enemies than theirs. But,"
addressing himself to Miss Mirvan and me, "I am most desirous to hear
the opinions of these young ladies, to whom all public places must,
as yet, be new."
We both, and with eagerness, declared that we had received as much,
if not
more pleasure, at the opera than any where: but we had better have
been silent; for the Captain, quite displeased, said, "What signifies
asking them girls? Do you think they know their own minds yet? Ask
'em after any thing that's called diversion, and you're sure they'll
say it's vastly fine-they are a set of parrots, and speak by rote,
for they all say the same thing: but ask 'em how they like making
puddings and pies, and I'll warrant you'll pose 'em. As to them operas,
I desire I may hear no more of their liking such nonsense; and for
you, Moll" (to his daughter,) "I charge you, as you value my favour,
that you'll never again be so impertinent as to have a taste of your
own before my face. There are fools enough in the world, without
your adding to their number. I'll have no daughter of mine affect
them sort of megrims. It is a shame they a'n't put down; and if I'd
my will, there's not a magistrate in this town but should be knocked
on the head for suffering them. If you've a mind to praise any thing,
why you may praise a play, and welcome, for I like it myself."
This reproof effectually silenced us both for the rest of the
evening. Nay,
indeed, for some minutes it seemed to silence every body else; till Mr.
Lovel, not willing to lose an opportunity of returning the Captain's
sarcasm, said, "Why, really Sir, it is but natural to be most pleased
with what is most familiar; and, I think, of all our diversions,
there is not one so much in common between us and the country as a
play. Not a village but has its barns and comedians; and as for the
stage business, why it may be pretty equally done any where; and even
in regard to us, and the canaille, confined as we all are within the
semi-circle of a theatre, there is no place where the distinction is
less obvious."
While the Captain seemed considering for Mr. Lovel's meaning,
Lord Orville,
probably with a view to prevent his finding it, changed the subject
to Cox's Museum, and asked what he thought of it?
"Think!-"said he, "why I think as how it i'n't worth thinking
about. I like
no such jemcracks. It is only fit, in my mind, for monkeys:-though,
for aught I know, they too might turn up their noses at it."
"May we ask your Lordship's own opinion?" said Mrs. Mirvan.
"The mechanism," answered he, "is wonderfully ingenioous: I am sorry
it is
turned to no better account; but its purport is so frivolous, so
very remote from all aim at instruction or utility, that the sight
of so fine a show leaves a regret on the mind, that so much work,
and so much ingenuity, should not be better bestowed."
"The truth is," said the Captain, "that in all this huge town,
so full as it
is of folks of all sorts, there i'n't so much as one public place,
besides the play-house, where a man, that's to say, a man who is a
man, ought not to be ashamed to shew his face. T'other day they got
me to a ridotto: but, I believe, it will be long enough before they
get me to another. I knew no more what to do with myself, than if my
ship's company had been metamorphosed into Frenchman. Then, again,
there's your famous Ranelagh, that you make such a fuss about;-why
what a dull place is that!-it's the worst of all."
"Ranelagh dull!"-"Ranelagh dull!-was echoed from mouth to mouth;
and all
the ladies, as if of one accord, regarded the Captain with looks of
the most ironical contempt.
"As to Ranelagh," said Mr. Lovell, "most indubitably, though the
price is
blebian, it is by no means adapted to the plebian taste. It requires
a certain acquaintance with high life, and-and-and something
of-of-something d'un vrai gout, to be really sensible of its
merit. Those whose-whose connections, and so forth, are not among
les gens comme il faut, can feel nothing but ennui at such a place
as Ranelagh."
"Ranelagh!" cried Lord -, "O, tis the divinest place under heaven,-or,
indeed,-for aught I know-"
"O you creature!" cried a pretty, but affected young lady, patting him
with her fan, "you sha'n't talk so; I know what you are going to say;
but, positively, I won't sit by you, if you're so wicked."
"And how can one sit by you, and be good?" said he, "when only to
look at you
is enough to make one wicked-or wish to be so?"
"Fie, my Lord!" returned she, "you really are insufferable. I don't
think I
shall speak to you again these seven years."
"What a metamorphosis," cried Lord Orville," should you make a
patriarch of
his Lordship."
"Seven years!" said he, "dear Madam, be contented with telling me
you will
not speak to me after seven years, and I will endeavour to submit."
"O, very well, my Lord," answered she, "pray date the end of our
speaking to each other as early as you please, I'll promise to agree
to your time."
"You know, dear Madam," said he, sipping his tea, "you know I only
live in
your sight."
"O yes, my Lord, I have long known that. But I begin to fear we
shall be too
late for Ranelagh this evening."
"O no, Madame," said Mr. Lovel, looking at his watch, "it is but
just past
ten."
"No more!" cried she, "O then we shall do very well."
All the ladies now started up, and declared they had no time to lose.
"Why, what the D-l," cried the Captain, leaning forward with both
his arms
on the table," are you going to Ranelagh at this time of night?"
The ladies looked at one another, and smiled.
"To Ranelagh?" cried Lord -, "yes, and I hope you are going too;
for we
cannot possibly excuse these ladies."
"I go to Ranelagh?-if I do, I'll be -."
Everybody now stood up; and the stranger Lord, coming round to me,
said, "You
go, I hope?"
"No, my Lord, I believe not."
"O you cannot, must not be so barbarous." And he took my hand,
and ran on,
saying such fine speeches, and compliments, that I might almost have
supposed myself a goddess, and him a pagan paying me adoration. As
soon as I possibly could, I drew back my hand; but he frequently,
in the course of conversation, contrived to take it again, though it
was extremely disagreeable to me; and the more so, as I saw that Lord
Orville had his eyes fixed upon us, with a gravity of attention that
made me uneasy.
And, surely, my dear Sir, it was a great liberty in this lord,
not withstanding his rank, to treat me so freely. As to Sir Clement,
he seemed in misery.
They all endeavoured to prevail with the Captain to join the
Ranelagh party;
and this lord told me, in a low voice, that it was tearing his heart
out to go without me.
During this conversation Mr. Lovel came forward, and assuming a look
of surprise, made me a bow, and inquired how I did, protesting upon
his honour, that he had not seen me before, or would have sooner paid
his respects to me.
Though his politeness was evidently constrained, yet I was very glad
to be
thus assured of having nothing more to fear from him.
The Captain, far from listening to their persuasions of accompanying
them to
Ranelagh, was quite in a passion at the proposal, and vowed he would
sooner go to the Blackhole in Calcutta.
"But," said Lord -, "if the ladies will take their tea at Ranelagh,
you may depend upon our seeing them safe home; for we shall be proud
of the honour of attending them."
"May be so," said the Captain, "but I'll tell you what, if one
of these
places ben't enough for them to-night, why to-morrow they shall go
to ne'er a one."
We instantly declared ourselves ready to go home.
"It is not for yourselves that we petition," said Lord -. "But for us;
if you have any charity, you will not be so cruel as to deny us; we
only beg you to prolong our happiness for a few minutes,-the favour
is but a small one for you to grant, though so great a one for us
to receive."
"To tell you a piece of my mind," said the Captain, surlily,
"I think you
might as well not give the girls so much of this palaver; they'll take
it all for gospel. As to Moll, why she's well enough, but nothing
extraordinary; though, perhaps, you may persuade her that her pug
nose is all the fashion; and as to the other, why she's good white
and red to be sure; but what of that?-I'll warrant she'll moulder
away as fast as her neighbours."
"Is there," cried Lord -, "another man in this place, who, seeing such
objects, could make such a speech?"
"As to that there," returned the Captain, "I don't know whether
there be or
no, and, to make free, I don't care; for I sha'n't go for to model
myself by any of these fair-weather chaps, who dare not so much
as say their souls are their own,-and, for aught I know, no more
they ben't. I'm almost as much ashamed of my countrymen as if I was
a Frenchman, and I believe in my heart there i'n't a pin to choose
between them; and, before long, we shall hear the very sailors talking
that lingo, and see never a swabber without a bag and a sword."
"He, he, he!-well, 'pon honour," cried Mr. Lovel, "you gentlemen of
the ocean
have a most severe way of judging."
"Severe! 'fore George, that is impossible; for, to cut the matter
short, the
men, as they call themselves, are no better than monkeys; and as to
the women, why they are mere dolls. So now you've got my opinion of
this subject; and I so wish you good night."
The ladies, who were very impatient to be gone, made their courtsies,
and
tripped away, followed by all the gentlemen of their party, except
the lord before mentioned, and, Lord Orville, who stayed to make
inquiries of Mrs. Mirvan concerning our leaving town; and then
saying, with his usual politeness, something civil to each of us,
with a very grave air he quitted us.
Lord - remained some minutes longer, which he spent in making a
profusion of
compliments to me; by which he prevented my hearing distinctly what
Lord Orville said, to my great vexation, especially as he looked-I
thought so, at least-as if displeased at his particularity of behaviour
to me.
In going to an outward room, to wait for the carriage, I walked, and
could not possibly avoid it, between this nobleman and Sir Clement
Willoughby, and, when the servant said the coach stopped the way,
though the latter offered me his hand, which I should much have
preferred, this same lord, without any ceremony, took mine himself;
and Sir Clement, with a look extremely provoked, conducted Mrs. Mirvan.
In all ranks and all stations of life, how strangely do characters and
manners differ! Lord Orville, with a politeness which knows no
intermission, and makes no distinction, is as unassuming and modest
as if he had never mixed with the great, and was totally ignorant
of every qualification he possesses; this other lord, though lavish
of compliments and fine speeches, seems to me an entire stranger to
real good-breeding; whoever strikes his fancy, engrosses his whole
attention. He is forward and bold; has an air of haughtiness towards
men, and a look of libertinism towards woman; and his conscious quality
seems to have given him a freedom in his way of speaking to either sex,
that is very little short of rudeness.
When we returned home, we were all low-spirited. The evening's
entertainment
had displeased the Captain; and his displeasure, I believe,
disconcerted us all.
And here I thought to have concluded my letter; but, to my great
surprise,
just now we had a visit from Lord Orville. He called, he said, to
pay his respects to us before we left town, and made many inquiries
concerning our return; and, when Mrs Mirvan told him we were going
into the country without any view of again quitting it, he expressed
concern in such terms-so polite, so flattering, so serious-that I
could hardly forbear being sorry for myself. Were I to go immediately
to Berry Hill, I am sure I should feel nothing but joy;-but, now we
are joined by this Captain, and Madame Duval, I must own I expect
very little pleasure at Howard Grove.
Before Lord Orville went, Sir Clement Willoughby called. He was
more grave
than I had ever seen him; and made several attempts to speak to me in
a low voice, and to assure me that his regret upon the occasion of
our journey was entirely upon my account. But I was not in spirits,
and could not bear to be teased by him. However, he has so well
paid his court to Captain Mirvan, that he gave him a very hearty
invitation to the Grove. At this he brightened,-and just then Lord
Orville took leave.
No doubt but he was disgusted at this ill-timed, ill-bred partiality;
for
surely it was very wrong to make an invitation before Lord Orville
in which he was not included! I was so much chagrined, that, as soon
as he went, I left the room; and I shall not go down stairs till Sir
Clement is gone.
Lord Orville cannot but observe his assiduous endeavours to ingratiate
himself into my favour; and does not this extravagant civility
of Captain Mirvan give him reason to suppose that it meets with
our general approbation? I cannot thimk upon this subject without
inexpressible uneasiness; and yet I can think of nothing else.
Adieu, my dearest Sir. Pray write to me immediately. How many
long letters
has this one short fortnight produced! More than I may probably
ever write again. I fear I shall have tired you with reading them;
but you will now have time to rest, for I shall find but little to
say in future.
And now, most honoured Sir, with all the follies and imperfections
which I
have thus faithfully recounted, can you, and with unabated kindness,
suffer me to sign myself Your dutiful and most affectionate EVELINA?
</CHAPTER>
<CHAPTER>
LETTER XXIV MR VILLARS TO EVELINA
Berry Hill, April 22.
HOW much do I rejoice that I can again address my letters to Howard
Grove! My Evelina would have grieved had she known the anxiety of my
mind during her residence in the great world. My apprehensions have
been inexpressibly alarming; and your journal, at once exciting and
relieving my fears, has almost wholly occupied me since the time of
your dating it from London.
Sir Clement Willoughby must be an artful designing man: I am extremely
irritated at his conduct. The passion he pretends for you has neither
sincerity nor honour; the manner and the opportunities he has chosen
to declare it, are bordering upon insult.
His unworthy behaviour after the opera, convinces me, that, had
not your
vehemence frightened him, Queen Ann Street would have been the last
place whither he would have ordered his chariot. O, my child, how
thankful am I for your escape! I need not now, I am sure, enlarge
upon your indiscretion and want of thought, in so hastily trusting
yourself with a man so little known to you, and whose gaiety and
flightiness should have put you on your guard.
The nobleman you met at the Pantheon, bold and forward as you describe
him to
be, gives me no apprehension; a man who appears so openly licentious,
and who makes his attack with so little regard to decorum, is one who,
to a mind such as my Evelina's, can never be seen but with the disgust
which his manners ought to excite.
But Sir Clement, though he seeks occasion to give real offence,
contrives to
avoid all appearance of intentional evil. He is far more dangerous,
because more artful: but I am happy to observe, that he seems to
have made no impression upon your heart; and therefore a very little
care and prudence may secure you from those designs which I fear he
has formed.
Lord Orville appears to be of a better order of beings. His spirited
conduct
to the meanly impertinent Lovel, and his anxiety for you after the
opera, prove him to be a man of sense and feeling. Doubtless he thought
there was much reason to tremble for your safety while exposed to
the power of Sir Clement; and he acted with a regard to real honour,
that will always incline me to think well of him, in so immediately
acquainting the Mirvan family with your situation. Many men of this
age, from a false and pretended delicacy to a friend, would have
quietly pursued their own affairs, and thought it more honourable
to leave an unsuspecting young creature to the mercy of a libertine,
than to risk his displeasure by taking measures for her security.
Your evident concern at leaving London is very natural, and yet
it afflicts
me. I ever dreaded your being too much pleased with a life of
dissipation, which youth and vivacity render but too alluring; and
I almost regret the consent for your journey, which I had not the
resolution to withhold.
Alas, my child, the artfulness of your nature, and the simplicity
of your
education, alike unfit you for the thorny paths of the great and
busy world. The supposed obscurity of your birth and situation,
makes you liable to a thousand disagreeable adventures. Not only
my views, but my hopes for your future life, have ever centered in
the country. Shall I own to you, that, however I may differ from
Captain Mirvan in other respects, yet my opinion of the town, its
manners, inhabitants, and diversions, is much upon upon a level with
his own? Indeed it is the general harbour of fraud and of folly, of
duplicity and of impertinence; and I wish few things more fervently,
than that you may have taken a lasting leave of it.
Remember, however, that I only speak in regard to a public and
dissipated
life; in private families we may doubtless find as much goodness,
honesty, and virtue, in London as in the country.
If contented with a retired station, I still hope I shall live to
see my
Evelina the ornament of her neighbourhood, and the pride and delight
of her family; and giving and receiving joy from such society as may
best deserve her affection, and employing herself in such useful and
innocent occupations as may secure and merit the tenderest love of her
friends, and the worthiest satisfaction of her own heart. Such are my
hopes, and such have been my expectations. Disappointment them not,
my beloved child; but cheer me with a few lines, that may assure me,
this one short fortnight spent in town has not undone the work of
seventeen years spent in the country. ARTHUR VILLARS.
</CHAPTER>
<CHAPTER>
LETTER XXV EVELINA TO THE REV. MR. VILLARS
Howard Grove, April 25.
NO, my dear Sir, no: the work of seventeen years remains such as
it was, ever unworthy your time and your labour; but not more so
now-at least I hope not,-than before that fortnight which has so much
alarmed you.
And yet I must confess, that I am not half so happy here at present
as I was
ere I went to town: but the change is in the place, not in me. Captain
Mirvan and Madame Duval have ruined Howard Grove. The harmony that
reigned here is disturbed, our schemes are broken, our way of life is
altered, and our comfort is destroyed. But do not suppose London to
be the source of these evils; for, had our excursion been any where
else, so disagreeable an addition to our household must have caused
the same change at our return.
I was sure you would be displeased with Sir Clement Willoughby, and
therefore I am by no means surprised at what you say of him; but
for Lord Orville-I must own I had greatly feared that my weak and
imperfect account would not have procured him the good opinion which
he so well deserves, and which I am delighted to find you seem to
have of him. O, Sir, could I have done justice to the merit of which
I believe him posessed;-could I have painted him to you such as he
appeared to me;-then, indeed, you would have had some idea of the
claim which he has to your approbation!
After the last letter which I wrote in town, nothing more passed
previous to
our journey hither, except a very violent quarrel between Captain
Mirvan and Madame Duval. As the Captain intended to travel on
horseback, he had settled that we four females should make use of
his coach. Madame Duval did not come to Queen Ann Street till the
carriage had waited some time at the door; and then, attended by
Monsieur Du Bois, she made her appearance.
The Captain, impatient to be gone, would not suffer them to enter
the house,
but insisted that we should immediately get into the coach. We obeyed;
but were no sooner seated, than Madame Duval said, "Come, Monsieur
Du Bois, these girls can make very good room for you; sit closer,
children."
Mrs. Mirvan looked quite confounded; and M. Du Bois, after making some
apologies about crowding us, actually got into the coach, on the side
with Miss Mirvan and me. But no sooner was he seated, than the Captain,
who had observed this transaction very quietly, walked up to the
coach door, saying, "What, neither with your leave, nor by your leave?"
M. Du Bois seemed rather shocked, and began to make abundance of
excuses: but
the Captain neither understood nor regarded him, and, very roughly,
said, "Look'ee, Monseer, this here may be a French fashion for aught I
know,-but give and take is fair in all nations; and so now, d'ye see,
I'll make bold to show you an English one."
And then, seizing his wrist, he made him jump out of the coach.
M. Du Bois instantly put his hand upon his sword, and threatened to
resent this indignity. The Captain, holding up his stick, bid him draw
at his peril. Mrs. Mirvan, greatly alarmed, got out of the coach, and,
standing between them, intreated her husband to re-enter the house.
"None of your clack!" cried he angrily; "what the D-l, do you
suppose I
can't manage a Frenchman?"
Meantime, Madame Duval called out to M. Du Bois, "Eh, laissez-le,
mon ami, ne
le corrigez pas; c'est une villaine bete qui n'en vaut pas la peine."
"Monsieur le Capitaine," cried M. Du Bois, "voulez-vous bien ne
demander pardon?"
"O ho, you demand pardon, do you?" said the Captain," I thought as
much; I
thought you'd come to;-so you have lost your relish for an English
salutation, have you?" strutting up to him with looks of defiance.
A crowd was now gathering, and Mrs. Mirvan again besought her husband
to go
into the house.
"Why, what a plague is the woman afraid of?-Did you ever know
a Frenchman
that could not take an affront?-I warrant Monseer knows what he is
about;-don't you Monseer?"
M. Du Bois, not understanding him, only said, "plait-il, Monsieur?"
"No, nor dish me neither," answered the Captain; "but, be that as
it may,
what signifies our parleying here? If you've any thing to propose,
speak at once; if not, why let us go on our journey without more ado."
"Parbleu, je n'entends rien, moi!" cried M. Du Bois, shrugging up his
shoulders, and looking very dismal.
Mrs. Mirvan then advanced to him, and said in French, that she was
sure the
Captain had not any intention to affront him, and begged he would
desist from a dispute which could only be productive of mutual
misunderstanding, as neither of them knew the language of the other.
This sensible remonstrance had the desired effect; and M. Du Bois,
making a
bow to every one except the Captain, very wisely gave up the point,
and took leave.
We then hoped to proceed quietly on our journey; but the turbulent
Captain
would not yet permit us. He approached Madame Duval with an exulting
air, and said, "Why, how's this, Madame? what, has your champion
deserted you? why, I thought you told me, that you old gentlewomen
had it all your own way among them French sparks?"
"As to that, Sir," answered she, "it's not of no consequence what you
thought; for a person who can behave in such a low way, may think
what he pleases for me, for I sha'n't mind."
"Why then, Mistress, since you must needs make so free," cried he,
"please to
tell me the reason you took the liberty for to ask any of your
followers into my coach without my leave? Answer me to that."
"Why, then, pray, Sir," returned she, "tell me the reaon why you
took the
liberty to treat the gentleman in such an unpolite way, as to take
and pull him neck and heels out? I'm sure he hadn't done nothing to
affront you, nor nobody else; and I don't know what great hurt he
would have done you, by just sitting still in the coach; he would
not have eat it."
"What, do you think, then, that my horses have nothing to do but
to carry
about your snivelling Frenchmen? If you do, Madam, I must make bold
to tell you, you are out, for I'll see 'em hang'd first."
"More brute you, then! For they've never carried nobody half so good."
"Why, look'ee, Madam, if you must needs provoke me, I'll tell you
a piece of
my mind; you must know, I can see as far into a millstone as another
man; and so, if you thought for to fob me off with another one of your
smirking French puppies for a son-in-law, why you'll find yourself
in a hobble, that's all."
"Sir, you're a-but I won't say what;-but I protest I hadn't no such
a thought, no more hadn't Monsieur Du Bois."
"My dear," said Mrs. Mirvan, "we shall be very late."
"Well, well," answered he, "get away then; off with you as fast as
you can,
it's high time. As to Molly, she's fine lady enough in all conscience;
I want none of your French chaps to make her worse."
And so saying he mounted his horse and we drove off. And I could
not but
think, with regret, of the different feelings we experienced upon
leaving London, to what had belonged to our entering it.
During the journey Madame Duval was so very violent against the
Captain, that
she obliged Mrs. Mirvan to tell her, that, when in her presence,
she must beg her to choose some other subject of discourse.
We had a most affectionate reception from Lady Howard, whose
kindness and
hospitality cannot fail of making every body happy who is disposed
so to be.
Adieu, my dearest Sir. I hope, though I have hitherto neglected
to mention
it, that you have always remembered me to whoever has made any inquiry
concerning me.
</CHAPTER>
<CHAPTER>
LETTER XXVI EVELINA TO THE REV. MR. VILLARS
Howard Grove, April 27.
O MY dear Sir, I now write in the greatest uneasiness! Madame Duval
has made a proposal which terrifies me to death, and which was as
unexpected as it is shocking.
She had been employed for some hours this afternoon in reading
letters from
London: and, just about tea-time, she sent for me into her room, and
said, with a look of great satisfaction, "Come here, child, I've got
some very good news to tell you: something that will surprise you,
I'll give you my word, for you ha'n't no notion of it."
I begged her to explain herself; and then, in terms which I cannot
repeat, she said she had been considering what a shame it was to
see me such a poor country, shame-faced thing, when I ought to be a
fine lady; and that she had long, and upon several occasions, blushed
for me, though she must own the fault was none of mine; for nothing
better could be expected from a girl who had been so immured. However,
she assured me she had, at length, hit upon a plan, which would make
quite another creature of me.
I waited, without much impatience, to hear what this preface led to;
but I
was soon awakened to more lively sensations, when she aquainted me,
that her intention was to prove my birthright, and to claim, by law,
the inheritance of my real family!
It would be impossible for me to express my extreme consternation
when she
thus unfolded her scheme. My surprise and terror were equally great;
I could say nothing: I heard her with a silence which I had not the
power to break.
She then expatiated very warmly upon the advantages I should reap from
her plan; talked in a high style of my future grandeur; assured me
how heartily I should despise almost every body and every thing I had
hitherto seen; predicted my marrying into some family of the first
rank in the kingdom; and, finally, said I should spend a few months in
Paris, where my education and manners might receive their last polish.
She enlarged also upon the delight she should have, in common
with myself,
from mortifying the pride of certain people, and showing them that
she was not to be slighted with impunity.
In the midst of this discourse, I was relieved by a summons to
tea. Madame
Duval was in great spirits; but my emotion was too painful for
concealment, and every body enquired into the cause. I would fain
have waived the subject, but Madame Duval was determined to make it
public. She told tham that she had it in her head to make something
of me, and that they should soon call me by another name than that
of Anville; and yet that she was not going to have the child married
neither.
I could not endure to hear her proceed, and was going to leave
the room;
which, when Lady Howard perceived, she begged Madame Duval would
defer her intelligence to some other opportunity; but she was so
eager to communicate her scheme, that she could bear no delay;
and therefore they suffered me to go without opposition. Indeed,
whenever my situation or affairs are mentioned by Madame Duval,
she speaks of them with such bluntness and severity, that I cannot
be enjoined a task more cruel than to hear her.
I was afterwards accquainted with some particulars of the conversation
by
Miss Mirvan; who told me that Madame Duval informed them of her plan
wih the utmost complacency, and seemed to think herself very fortunate
in having suggested it; but, soon after, she accidentally betrayed,
that she had been instigated to the scheme by her relations the
Branghtons, whose letters, which she received today, first mentioned
the proposal. She declared that she would have nothing to do with
any roundabout ways, but go openly and instantly to law, in order to
prove my birth, real name, and title to the estate of my ancestors.
How impertinent and officious in these Branghtons, to interfere
thus in my concerns! You can hardly imagine what a disturbance this
plan has made in the family. The Captain, without enquiring into any
particulars of the affair, has peremptorily declared himself against
it, merely because it has been proposed by Madame Duval; and they
have battled the point together with great violence. Mrs. Mirvan says,
she will not even think, till she hears your opinion. But Lady Howard,
to my great surprise, openly avows her appprobation of Madame Duval's
intention; however, she will write her reasons and sentiments upon
the subject to you herself.
As to Miss Mirvan, she is my second self, and neither hopes nor
fears but as
I do. And as to me,-I know not what to say, nor even what to wish; I
have often thought my fate peculiarly cruel, to have but one parent,
and from that one to be banished for ever;-while, on the other side,
I have but too well known and felt the propriety of the separation. And
yet, you may much better imagine, than I can express, the internal
anguish which sometimes oppresses my heart, when I reflect upon the
strange indifference that must occasion a father never to make the
least enquiry after the health, the welfare, or even the life of
his child!
O Sir, to me the loss is nothing!-greatly, sweetly, and most
benevolently
have you guarded me from feeling it; but for him, I grieve indeed!-I
must be divested, not merely of all filial piety, but of all humanity,
could I ever think upon this subject, and not be wounded to the soul.
Again I must repeat, I know not what to wish; think for me, therefore,
my dearest Sir, and suffer my doubting mind, that knows not which way
to direct its hopes, to be guided by your wisdom and unerring counsel.
EVELINA.
</CHAPTER>
<CHAPTER>
LETTER XXVII LADY HOWARD TO THE REV. MR. VILLARS
Howard Grove.
Dear Sir,
I CANNOT give a greater proof of the high opinion I have of your
candour, than by the liberty I am now going to take, of presuming to
offer you advice, upon a subject concerning which you have so just a
claim to act for yourself; but I know you have too unaffected a love
of justice, to be partially tenacious of your own judgment.
Madame Duval has been proposing a scheme which has put us all in
commotion,
and against which, at first, in common with the rest of my family,
I exclaimed: but, upon more mature consideration, I own my objections
have almost wholly vanished.
This scheme is no other than to commence a lawsuit with Sir John
Belmont, to prove the validity of his marriage with Miss Evelyn; the
necessary consequence of which proof will be, securing his fortune
and estate to his daughter.
And why, my dear Sir, should not this be? I know that, upon first
hearing,
such a plan conveys ideas that must shock you; but I know, too,
that your mind is superior to being governed by prejudices, or
to opposing any important cause on account of a few disagreeable
attendant circumstances.
Your lovely charge, now first entering into life, has merit which
ought not
to be buried in obscurity. She seems born for an ornament to the world.
Nature has been bountiful to her of whatever she had to bestow; and
the peculiar attention you have given to her education, has formed her
mind to a degree of excellence, that in one so young I have scarce
ever seen equalled. Fortune alone has hitherto been sparing of her
gifts; and she, too, now opens the way which leads to all that is
left to wish for her.
What your reasons may have been, my good Sir, for so carefully
concealing the
birth, name, and pretensions of this amiable girl, and forbearing to
make any claim upon Sir John Belmont, I am totally a stranger to; but,
without knowing, I respect them, from the high opinion that I have
of your character and judgment: but I hope they are not insuperable;
for I cannot but think, that it was never designed for one who seems
meant to grace the world, to have her life devoted to retirement.
Surely Sir John Belmont, wretch as he has shown himself, could never
see his
accomplished daughter, and not be proud to own her, and eager to
secure her the inheritance of his fortune. The admiration she met
with in town, though merely the effect of her external attractions,
was such, that Mrs. Mirvan assures me, she would have had the most
splendid offers, had there not seemed to be some mystery in regard
to her birth, which, she was well informed was assiduously, though
vainly, endeavoured to be discovered.
Can it be right, my dear Sir, that this promising young creature
should be deprived of the fortune and rank of life to which she is
lawfully entitled, and which you have prepared her to support and to
use so nobly? To despise riches may, indeed, be philosophic; but to
dispense them worthily must, surely, be more beneficial to mankind.
Perhaps a few years, or indeed a much shorter time, may make this
scheme impracticable: Sir John, tho' yet young, leads a life too
dissipated for long duration; and when too late, we may regret that
something was not sooner done: for it will be next to impossible, after
he is gone, to settle or prove anything with his heirs and executors.
Pardon the earnestness with which I write my sense of this affair;
but your charming ward has made me so warmly her friend, that I cannot
be indifferent upon a subject of such importance to her future life.
Adieu, my dear Sir;-send me speedily an answer to this remonstrance,
and believe me to be, -c. M. HOWARD.
</CHAPTER>
<CHAPTER>
LETTER XXVIII MR VILLARS TO LADY HOWARD
Berry Hill, May 2.
YOUR letter, Madam, has opened a source of anxiety, to which I look
forward with dread, and which, to see closed, I scarcely dare expect. I
am unwilling to oppose my opinion to that of your Ladyship; nor,
indeed, can I, but by arguments which I believe will rather rank me
as a hermit ignorant of the world, and fit only for my cell, than as
a proper guardian, in an age such as this, for an accomplished young
woman. Yet, thus called upon, it behoves me to explain, and endeavour
to vindicate, the reasons by which I have been hitherto guided.
The mother of this dear child,-who was led to destruction by her own
imprudence, the hardness of heart of Madame Duval, and the villany of
Sir John Belmont,-was once, what her daughter is now, the best beloved
of my heart: and her memory, so long as my own holds, I shall love,
mourn and honour! On the fatal day that her gentle soul left its
mansion, and not many hours ere she ceased to breathe, I solemnly
plighted my faith, That her child if it lived, should know no father
but myself, or her acknowledged husband.
You cannot, Madam, suppose that I found much difficulty in adhering
to this promise, and forbearing to make any claim upon Sir John
Belmont. Could I feel an affection the most paternal for this poor
sufferer, and not abominate her destroyer? Could I wish to deliver to
him, who had so basely betrayed the mother, the helpless and innocent
offspring, who, born in so much sorrow, seemed entitled to all the
compassionate tenderness of pity?
For many years, the name alone of that man, accidentally spoken in my
hearing, almost divested me of my Christianity, and scarce could I
forbear to execrate him. Yet I sought not, neither did I desire, to
deprive him of his child, had he with any appearance of contrition,
or, indeed, of humanity, endeavoured to become less unworthy such a
blessing;-but he is a stranger to all parental feelings, and has with
a savage insensibility, forborne to enquire even into the existence
of this sweet orphan, though the situation of his injured wife was
but too well known to him.
You wish to be acquainted with my intentions.-I must acknowledge
they were such as I now perceive would not be honoured with your
Ladyship's approbation; for though I have sometimes thought of
presenting Evelina to her father, and demanding the justice which
is her due, yet, at other times, I have both disdained and feared
the application; disdained lest it should be refused; and feared,
lest it should be accepted!
Lady Belmont, who was firmly persuaded of her approaching dissolution,
frequently and earnestly besought me, that if her infant was a female,
I would not abandon her to the direction of a man so wholly unfit to
take the charge of her education: but, should she be importunately
demanded, that I would retire with her abroad, and carefully conceal
her from Sir John, till some apparent change in his sentiments and
conduct should announce him less improper for such a trust. And
often would she say, "Should the poor babe have any feelings
correspondent with its mother's, it will have no want while under
your protection." Alas! she had no sooner quitted it herself, than
she was plunged into a gulph of misery, that swallowed up her peace,
reputation, and life.
During the childhood of Evelina, I suggested a thousand plans for the
security of her birth-right;-but I as many times rejected them. I
was in a perpetual conflict, between the desire that she should
have justice done her, and the apprehension that, while I improved
her fortune, I should endanger her mind. However, as her character
began to be formed, and her disposition to be displayed, my perplexity
abated; the road before me seemed less thorny and intricate, and I
thought I could perceive the right path from the wrong: for when I
observed the artless openness the ingenuous simplicity of her nature;
when I saw that her guileless and innocent soul fancied all the world
to be pure and disinterested as herself, and that her heart was open
to every impression with which love, pity, or art might assail it;-then
did I flatter myself, that to follow my own inclination, and to secure
her welfare, was the same thing; since, to expose her to the snares and
dangers inevitably encircling a house of which the master is dissipated
and unprincipled, without the guidance of a mother, or any prudent and
sensible female, seemed to me no less than suffering her to stumble
into some dreadful pit, when the sun is in its meridian. My plan,
therefore, was not merely to educate and to cherish her as my own, but
to adopt her the heiress of my small fortune, and to bestow her upon
some worthy man, with whom she might spend her days in tranquility,
cheerfulness, and good-humour, untainted by vice, folly, or ambition.
So much for the time past. Such have been the motives by which I have
been governed; and I hope they will be allowed not merely to account
for, but also to justify, the conduct which has resulted from them. It
now remains to speak of the time to come.
And here, indeed, I am sensible of difficulties which I almost despair
of surmounting according to my wishes. I pay the highest deference to
your Ladyship's opinion, which it is extremely painful to me not to
concur with;-yet I am so well acquainted with your goodness, that I
presume to hope it would not be absolutely impossible for me to offer
such arguments as might lead you to think with me, that this young
creature's chance of happiness seems less doubtful in retirement, than
it would be in the gay and dissipated world. But why should I perplex
your Ladyship with reasoning that can turn to so little account? for,
alas! what arguments, what persuasions, can I make use of, with any
prospect of success, to such a woman as Madame Duval? Her character
and the violence of her disposition, intimidate me from making the
attempt: she is too ignorant for instruction, too obstinate for
intreaty, and too weak for reason.
I will not, therefore, enter into a contest from which I have nothing
to expect but altercation and impertinence. As soon would I discuss the
effect of sound with the deaf, or the nature of colours with the blind,
as aim at illuminating with conviction a mind so warped by prejudice,
so much the slave of unruly and illiberal passions. Unused as she
is to control, persuasion would but harden, and opposition incense
her. I yield, therefore, to the necessity which compels my reluctant
acquiescence; and shall now turn all my thoughts upon considering
of such methods for the conducting this enterprise, as may be most
conducive to the happiness of my child and least liable to wound
her sensibility.
The law-suit, therefore, I wholly and absolutely disapprove.
Will you, my dear Madam, forgive the freedom of an old man, if I
own myself greatly surprised, that you could, even for a moment,
listen to a plan so violent, so public, so totally repugnant to all
female delicacy? I am satisfied your Ladyship has not weighed this
project. There was a time, indeed, when to assert the innocence
of Lady Belmont, and to blazon to the world the wrongs, not guilt,
by which she suffered, I proposed, nay attempted, a similar plan:
but then all assistance and encouragement was denied. How cruel to
the remembrance I bear of her woes is this tardy resentment of Madame
Duval! She was deaf to the voice of Nature, though she has hearkened
to that of Ambition.
Never can I consent to have this dear and timid girl brought forward to
the notice of the world by such a method; a method which will subject
her to all the impertinence of curiosity, the sneers of conjecture, and
the stings of ridicule. And for what?-the attainment of wealth which
she does not want, and the gratification of vanity which she does not
feel. A child to appear against a father!-no, Madam, old and infirm
as I am, I would even yet sooner convey her myself to some remote
part of the world, though I were sure of dying in the expedition.
Far different had been the motives which would have stimulated
her unhappy mother to such a proceeding; all her felicity in this
world was irretrievably lost; her life was become a burthen to her;
and her fair fame, which she had early been taught to prize above
all other things, had received a mortal wound: therefore, to clear
her own honour, and to secure from blemish the birth of her child,
was all the good which fortune had reserved herself the power of
bestowing. But even this last consolation was withheld from her!
Let milder measures be adopted: and-since it must be so-let application
be made to Sir John Belmont, but as to a law-suit, I hope, upon this
subject, never more to hear it mentioned.
With Madame Duval, all pleas of delicacy would be ineffectual;
her scheme must be opposed by arguments better suited to her
understanding. I will not, therefore, talk of its impropriety, but
endeavour to prove its inutility. Have the goodness, then, to tell
her, that her own intentions would be frustrated by her plan; since,
should the lawsuit be commenced, and even should the cause be gained,
Sir John Belmont would still have it in his power, and, if irritated,
no doubt in his inclination, to cut off her grand-daughter with
a shilling.
She cannot do better herself than to remain quiet and inactive
in the affair: the long and mutual animosity between her and Sir
John will make her interference merely productive of debates and
ill-will. Neither would I have Evelina appear till summoned. And as
to myself, I must wholly decline acting; though I will, with unwearied
zeal, devote all my thoughts to giving counsel: but, in truth, I have
neither inclination nor spirits adequate to engaging personally with
this man.
My opinion is, that he would pay more respect to a letter from your
Ladyship upon this subject, than from any other person. I, therefore,
advise and hope, that you will yourself take the trouble of writing
to him, in order to open the affair. When he shall be inclined to see
Evelina, I have for him a posthumous letter, which his much injured
lady left to be presented to him, if ever such a meeting should
take place.
The views of the Branghtons, in suggesting this scheme, are obviously
interested. They hope, by securing to Evelina the fortune of her
father, to induce Madame Duval to settle her own upon themselves. In
this, however, they would probably be mistaken; for little minds have
ever a propensity to bestow their wealth upon those who are already
in affluence; and, therefore, the less her grandchild requires her
assistance, the more gladly she will give it.
I have but one thing more to add, from which, however, I can by no
means recede: my word so solemnly given to Lady Belmont, that her
child should never be owned but with her self, must be inviolably
adhered to. I am, dear Madam, with great respect, Your Ladyship's
most obedient servant, ARTHUR VILLARS.
</CHAPTER>
<CHAPTER>
LETTER XXIX MR. VILLARS TO EVELINA
Berry Hill, May 2.
HOW sincerely do I sympathise in the uneasiness and concern which
my beloved Evelina has so much reason to feel! The cruel scheme in
agitation is equally repugnant to my judgment and my inclination;-yet
to oppose it seems impracticable. To follow the dictates of my own
heart, I should instantly recall you to myself, and never more consent
to your being separated from me; but the manners and opinion of the
world demand a different conduct. Hope, however, for the best, and be
satisfied you shall meet with no indignity; if you are not received
into your own family as you ought to be, and with the distinction that
is your due, you shall leave it for ever; and once again restored to
my protection, secure your own tranquillity, and make, as you have
hitherto done, all the happiness of my life. ARTHUR VILLARS.
</CHAPTER>
<CHAPTER>
LETTER XXX EVELINA TO THE REV. MR. VILLARS
Howard Grove, May 6.
THE die is thrown, and I attend the event in trembling! Lady Howard
has written to Paris, and sent her letter to town, to be forwarded in
the ambassador's packet; and, in less than a fortnight, therefore, she
expects an answer. O, Sir, with what anxious impatience shall I wait
its arrival! upon it seems to depend the fate of my future life. My
solicitude is so great, and my suspense so painful, that I cannot
rest a moment in peace, or turn my thoughts into any other channel.
Deeply interested as I now am in the event, most sincerely do I
regret that the plan was ever proposed. Methinks it cannot end to
my satisfaction: for either I must be torn from the arms of my more
than father,-or I must have the misery of being finally convinced,
that I am cruelly rejected by him who has the natural claim to that
dear title, which to write, mention, or think of, fills my whole soul
with filial tenderness.
The subject is discussed here eternally. Captain Mirvan and Madame
Duval, as usual, quarrel whenever it is started: but I am so wholly
engrossed by my own reflections, that I cannot even listen to them. My
imagination changes the scene perpetually: one moment, I am embraced
by a kind and relenting parent, who takes me to that heart from
which I have hitherto been banished, and supplicates, through me,
peace and forgiveness from the ashes of my mother!-at another, he
regards me with detestation, considers me as the living image of an
injured saint, and repulses me with horror!-But I will not afflict
you with the melancholy phantasms of my brain; I will endeavour to
compose my mind to a more tranquil state, and forbear to write again
till I have in some measure succeeded.
May Heaven bless you, my dearest Sir! and long, long may it continue
you on earth, to bless Your grateful EVELINA
</CHAPTER>
<CHAPTER>
LETTER XXXI LADY HOWARD TO SIR JOHN BELMONT, BART
Howard Grove, May 5.
Sir,
YOU will, doubtless, be surprised at receiving a letter from one who
had for so short a period the honour of your acquaintance, and that
at so great a distance of time; but the motive which has induced me to
take this liberty is of so delicate a nature, that were I to commence
making apologies for my officiousness, I fear my letter would be too
long for your patience.
You have, probably, already conjectured the subject upon which I
mean to treat. My regard for Mr. Evelyn, and his amiable daughter,
was well known to you: nor can I ever cease to be interested in
whatever belongs to their memory or family.
I must own myself somewhat distressed in what manner to introduce the
purport of my writing; yet as I think that, in affairs of this kind,
frankness is the first requisite to a good understanding between
the parties concerned, I will neither torment you nor myself with
punctilious ceremonies, but proceed instantly and openly to the
business which occasions my giving you this trouble.
I presume, Sir, it would be superfluous to tell you, that your child
resides still in Dorsetshire, and is still under the protection
of the Reverend Mr. Villars, in whose house she was born: for,
though no enquiries concerning her have reached his ears, or mine,
I can never suppose it possible you have forborne to make them. It
only remains, therefore, to tell you, that your daughter is now
grown up; that she has been educated with the utmost care, and the
utmost success; and that she is now a most deserving, accomplished,
and amiable young woman.
Whatever may be your view for her future destination in life, it seems
time to declare it. She is greatly admired, and, I doubt not, will
be very much sought after: it is proper, therefore, that her future
expectations, and your pleasure concerning her, should be made known.
Believe me, Sir, she merits your utmost attention and regard. You
could not see and know her, and remain unmoved by those sensations of
affection which belong to so near and tender a relationship. She is
the lovely resemblance of her lovely mother;-pardon, Sir, the liberty
I take in mentioning that unfortunate lady; but I think it behoves
me, upon this occasion, to shew the esteem I felt for her: allow me,
therefore, to say, and be not offended at my freedom, that the memory
of that excellent lady has but too long remained under the aspersions
of calumny; surely it is time to vindicate her fame;-and how can that
be done in a manner more eligible, more grateful to her friends, or
more honourable to yourself, than by openly receiving as your child,
the daughter of the late Lady Belmont?
The venerable man who has had the care of her education, deserves
your warmest acknowledgments, for the unremitting pains he has taken,
and the attention he has shewn in the discharge of his trust. Indeed
she has been peculiarly fortunate in meeting with such a friend and
guardian; a more worthy man, or one whose character seems nearer to
perfection, does not exist.
Permit me to assure you, Sir, she will amply repay whatever regard and
favour you may hereafter shew her, by the comfort and happiness you
cannot fail to find in her affection and duty. To be owned properly
by you is the first wish of her heart; and, I am sure, that to merit
your approbation will be the first study of her life.
I fear that you will think this address impertinent; but I must rest
upon the goodness of my intention to plead my excuse. I am, Sir,
Your most obedient humble servant, M. HOWARD.
</CHAPTER>
| 11,408 | Volume I, Letter XXII - Volume I, Letter XXXI | https://web.archive.org/web/20201126171702/https://www.gradesaver.com/evelina-or-the-history-of-a-young-ladys-entrance-into-the-world/study-guide/summary-volume-i-letter-xxii--volume-i-letter-xxxi | Evelina continues to write to Mr. Villars of her adventures. Mrs. Mirvan spoke with Evelina, telling her how Lord Orville had reprimanded Mr. Lovel for his behavior at the opera. Evelina feels relieved to learn this, and praises the "quiet courage" of Lord Orville. At a dinner to which she was invited, Madame Duval scolded Evelina for two hours about her rudeness in leaving the opera. The conversation then turned to the party's plans to leave London. Madame Duval did not like this turn of events, and argued Evelina should stay in London. It was finally decided that Madame Duval would return with them to Howard Grove to continue spending time with her granddaughter. Though this alternative pleased no one, there was no other viable option. Evelina continues her letters, writing about her final adventures in London. The group spent some time at the Pantheon; Evelina admired the architecture. Sir Clement Willoughby was there, and Evelina was struck how by little embarrassment he showed over his behavior on the evening of the opera. Lord Orville and Mr. Lovel were also there, and Evelina was glad that the latter fellow no longer troubled her. The party went to tea while in that vicinity, and Evelina noticed another gentleman at Lord Orville's table who stared at her for the entire duration of tea-time. . She was startled to learn that he was a Lord; it is unfathomable that one of his rank could be so rude. The men at the table discussed the beauty of the building. The Captain, coarse as ever, teased Mr. Lovel about having not known what the play was about a few nights before. The young women were asked if they liked the opera, and though they replied in the affirmative, they were quickly shamed into silence when the Captain derided them for their opinions. The Captain also criticized Cox's Museum and Ranelagh, which surprised the company. Lord Merton, whose name Evelina does not yet procure, jested and teased her in a vulgar manner throughout the evening. When it was time for him and his party to depart, he insisted that Maria and Evelina attend. They declined the invitation, and Evelina was dismayed by the "great liberty in this Lord, notwithstanding his rank, to treat me so freely." They insisted that they wished to return home. Several of the ladies tripped gaily away to their next event, but the Lord stayed behind to pay profuse compliments to Evelina. This annoyed her, especially because Lord Orville was speaking gravely to Mrs. Mirvan, and she wished to know what he said. It seemed that he was displeased with the particular attention the Lord paid to Evelina. In her letter, Evelina ruminates on the differences between men of rank. Some are like Lord Orville, with a "politeness that knows no intermission," while others like Lord Merton seem to lack all good breeding. Everyone was in low spirits when they returned to the house. However, to their surprise, Lord Orville arrived soon after them to pay his respects before they left for the country. Sir Clement also arrived, and Evelina was piqued when the Captain offered him a visit to Howard Grove. Mr. Villars next writes to Evelina, advising that the nobleman is far less dangerous than Sir Clement because the latter "contrives to avoid all appearance of intentional evil. He is far more dangerous, because more artful..." He expresses his approbation of Lord Orville. He almost regrets permitting her to visit London, since her guileless and innocent nature is not fit for such environs. Evelina writes back to describe her experiences at Howard Grove, lamenting how Madame Duval and the Captain have ruined this once peaceful place. They quarrel violently and constantly. Lady Howard, however, was gracious and kind in welcoming them back. In another letter, she writes of an altogether shocking proposal made by Madame Duval, who believes they should attempt to legally prove Evelina's birthright and thereby procure the inheritance she is owed by her father Sir John Belmont. Madame Duval believes Evelina has a grand future waiting, and that the girl should spend time in Paris. As Evelina puts it, Madame Duval "had it in her head to make something of me, and that they should soon call me by another name than that of Anville." This scheme had been instigated by the Branghtons. This plan caused great disturbance in the family. The only person who approved was Lady Howard. Evelina, for her part, is saddened about this indifferent father, and is little inclined to confront him, especially through legal means and for the purpose of money. Lady Howard next writes to Mr. Villars, explaining why she approves of Madame Duval's plan. She explains that "your lovely charge, now first entering into life, has merit which ought not to be buried in obscurity." Though Mr. Villars does not agree, Lady Howard writes to Paris anyway, in hopes that her letter will reach Sir John Belmont. | Evelina continues to encounter a world in which social recognition is ironically disconnected from true human value. Lord Merton, though yet unnamed, is a total cad, more forward than anyone has yet been with her, and yet his name is more valuable than even Lord Orville's. Sir Clement remains a threat to her, mostly because, as Mr. Villars wisely indicates, he keeps his intentions hidden. Despite his social standing, his actions are insidious, and he is entirely oblivious to the constant threat this poses to the women he professes to care for. And the plan proposed by Madame Duval is shaped as one meant to ensure social respectability, but is actually motivated almost entirely by greed. The life of these aristocrats is full of pettiness and selfishness, which is one of the main reasons Evelina is at such odds with it. And yet she remains transfixed by the luxuries and entertainments of London, most likely because Burney herself was. Modern readers may not know the Pantheon in England; it was a public assembly room located in Oxford Street, and was known as the "winter Ranelagh." It held winter balls, masquerades and concerts, all of which were very popular with the fashionable set. Samuel Johnson and his biographer James Boswell visited the site not long after it opened in 1772, but they preferred Ranelagh. Boswell's Life of Johnson relates how they argued whether anyone there was actually happy, and Dr. Johnson said, "Yes, Sir, there are many happy people here. There are many people here who are watching hundreds, and who think hundreds are watching them." Captain Mirvan is one of Burney's most distasteful creations; he is misogynist, xenophobic, ill-bred, loud, vulgar, and frequently cruel. However, his opinions are merely exaggerations of a very real social pressure that women faced. In this set of letters, he voices his opinion that fashionable and educated young women neglect their traditional, natural domestic duties in favor of frivolous diversions. In her annotations to the Oxford World's Classics edition of the novel, Vivien Jones comments, "Whereas most eighteenth century commentators are more likely to see a different education as the solution, Captain Mirvan's appeal is to violence and the law." He believes that Evelina and Maria's opinions are valueless, and thus shames them into silence. This silence represents the role women were forced to play in the 18th century; they possessed no identity of their own, and were placed under their father/guardian/husband's aegis in all respects. Mr. Villars, in contrast, remains an extremely positive force in Evelina's life. While he is deliberately vocal in his opinions for his young charge, he does not deny her what she asks, and praises her strength of character. Again, this kindness can be attributed to his separation from society; because he willfully avoids the world, he is not polluted by its forces. Of course, it is telling that he never enters the action of the novel, since it suggests the rather unrealistic nature of such a man. He serves more as a counterpoint than as an actual solution to the problems suggested in the narrative. Near the close of this first volume, Evelina is horrified to discover her grandmother's plan to confront her father and force her inheritance. She is more driven by fear and grief than by greed. One of those fears is that it would entail acting outside of her prescribed gender roles. Mr. Villars, ever the traditionalist, agrees, writing how this plan is antipathetic to female delicacy. The public scrutiny that would follow from a lawsuit would violate the conduct-book tradition of limited female presence in the public eye. Consider what John Gregory wrote in a contemporary guidebook: "one of the chief beauties in a female character, is that of modest reserve, that retiring delicacy, which avoids the public eye, and is disconcerted even at the gaze of admiration." One of the implicit arguments against such limitations is the work itself. Though she had to publish the work anonymously, any audience who eventually realized she was a woman would be surprised not only by her accomplishment, but by her cleverness and erudition. Consider an allusion made to John Locke in this set of letters. Mr. Villars makes a particularly erudite comment in describing his disapprobation of the lawsuit plan to Lady Howard: he writes that "As soon as I would discuss the effect of sound with the deaf, or the nature of colors with the blind, as aim at illuminating with conviction a mind so warped by prejudice, so much the slave of unruly and illiberal passions." In using this example as an analogy for meaninglessness, he is referring to the ideas of John Locke, as expressed in his Essay Concerning Human Understanding . Vivien Jones comments on this allusion in her annotations, "ideas are not innate and can only be developed on the basis of physical stimuli, therefore the names of colours or sounds to the blind or deaf would be examples of words, which are, in his words, 'not intelligible at all'." Burney's effortless use of such erudite and complicated examples evidence her abilities. | 827 | 850 | [
"<CHAPTER>\nLETTER XXII EVELINA IN CONTINUATION\n\nMonday Morning, April 18.",
"MRS. MIRVAN has just communicated to me an anecdote concerning Lord\nOrville, which has much surprised, half pleased, and half pained me.",
"While they were sitting together during the opera, he told her that\nhe had been greatly concerned at the impertinence which the young\nlady under her protection had suffered from Mr. Lovel; but that he\nhad the pleasure of assuring her, she had no future disturbance to\napprehend from him.",
"Mrs. Mirvan, with great eagerness, begged he would explain himself;\nand said she hoped he had not thought so insignificant an affair\nworthy his serious attention.",
"\"There is nothing,\" answered he, \"which requires more immediate notice\nthan impertinence, for it ever encroaches when it is tolerated.\"",
"He\nthen added, that he believed he ought to apologize for the liberty\nhe had taken in interfering; but that, as he regarded himself in the\nlight of a party concerned, from having had the honour of dancing\nwith Miss Anville, he could not possibly reconcile to himself a\npatient neutrality.",
"He then proceeded to tell her, that he had waited upon Mr. Lovel the\nmorning after the play; that the visit had proved an amicable one,\nbut the particulars were neither entertaining nor necessary: he only\nassured her, Miss Anville might be perfectly easy, since Mr. Lovel\nhad engaged his honour never more to mention, or even to hint at what\nhad passed at Mrs. Stanley's assembly.",
"Mrs. Mirvan expressed her satisfaction at this conclusion, and thanked\nhim for his polite attention to her young friend.",
"\"It would be needless,\" said he, \"to request that this affair may\nnever transpire, since Mrs. Mirvan cannot but see the necessity of\nkeeping it inviolably secret; but I thought it incumbent upon me,\nas the young lady is under your protection, to assure both you and\nher of Mr. Lovel's future respect.\"",
"Had I known of this visit previous to Lord Orville's making it, what\ndreadful uneasiness would it have cost me!",
"Yet that he should so much\ninterest himself in securing me from offence, gives me, I must own,\nan internal pleasure, greater than I can express; for I feared he\nhad too contemptuous an opinion of me, to take any trouble upon my\naccount.",
"Though, after all, this interference might rather be to\nsatisfy his own delicacy, than from thinking well of me.",
"But how cool, how quiet is true courage!",
"Who, from seeing Lord Orville\nat the play, would have imagined his resentment would have hazarded\nhis life?",
"yet his displeasure was evident, though his real bravery and\nhis politeness equally guarded him from entering into any discussion\nin our presence.",
"Madame Duval, as I expected, was most terribly angry yesterday:\nshe scolded me for, I believe, two hours, on account of having\nleft her; and protested she had been so much surprised at my going,\nwithout giving her time to answer, that she hardly knew whether she\nwas awake or asleep.",
"But she assured me that if ever I did so again,\nshe would never more take me into public.",
"And she expressed an equal\ndegree of displeasure against Sir Clement, because he had not even\nspoken to her, and because he was always of the Captain's side in\nan argument.",
"The Captain, as bound in honour, warmly defended him,\nand then followed a dispute in the usual style.",
"After dinner, Mrs. Mirvan introduced the subject of our leaving\nLondon.",
"Madame Duval said she would stay a month or two longer.",
"The\nCaptain told her she was welcome, but that he and his family should\ngo into the country on Tuesday morning.",
"A most disagreeable scene followed.",
"Madame Duval insisted upon keeping\nme with her; but Mrs. Mirvan said, that as I was actually engaged on\na visit to Lady Howard, who had only consented to my leaving her for\na few days, she could not think of returning without me.",
"Perhaps, if the Captain had not interfered, the good-breeding and\nmildness of Mrs. Mirvan might have had some effect upon Madame Duval;\nbut he passes no opportunity of provoking her; and therefore made\nso many gross and rude speeches, all of which she retorted, that,\nin conclusion, she vowed she would sooner go to law in right of her\nrelationship, than that I should be taken away from her.",
"I heard this account from Mrs. Mirvan, who was so kindly considerate\nas to give me a pretence for quitting the room as soon as this\ndispute began, lest Madame Duval should refer to me, and insist on\nmy obedience.",
"The final result of the conversation was, that, to soften matters for\nthe present, Madame Duval should make one in the party to Howard Grove,\nwhither we are positively to go next Wednesday.",
"And though we are\nnone of us satisfied with this plan, we know not how to form a better.",
"Mrs. Mirvan is now writing to Lady Howard, to excuse bringing this\nunexpected guest, and prevent the disagreeable surprise which must\notherwise attend her reception.",
"This dear lady seems eternally studying\nmy happiness and advantage.",
"To-night we go to the Pantheon, which is the last diversion we shall\npartake of in London; for to-morrow- * * * * *\n\n\nThis moment, my dearest Sir, I have received your kind letter.",
"If you thought us too dissipated the first week, I almost fear to\nknow what you will think of us this second;-however, the Pantheon this\nevening will probably be the last public place which I shall ever see.",
"The assurance of your support and protection in regard to Madame Duval,\nthough what I never doubted, excites my utmost gratitude.",
"How,\nindeed, cherished under your roof, the happy object of your\nconstant indulgence, how could I have borne to become the slave of\nher tyrannical humours?",
"-Pardon me that I speak so hardly of her;\nbut whenever the idea of passing my days with her occurs to me, the\ncomparison which naturally follows, takes from me all that forbearance\nwhich, I believe, I owe her.",
"You are already displeased with Sir Clement: to be sure, then, his\nbehaviour after the opera will not make his peace with you.",
"Indeed\nthe more I reflect upon it, the more angry I am.",
"I was entirely in\nhis power, and it was cruel in him to cause me so much terror.",
"O, my dearest Sir, were I but worthy the prayers and the wishes\nyou offer for me, the utmost ambition of my heart would be fully\nsatisfied!",
"but I greatly fear you will find me, now that I am out of\nthe reach of your assisting prudence, more weak and imperfect than\nyou could have expected.",
"I have not now time to write another word, for I must immediately\nhasten to dress for the evening.",
"</CHAPTER>\n<CHAPTER>\nLETTER XXIII EVELINA IN CONTINUATION\n\nQueen Ann Street, Tuesday, April 19.",
"THERE is something to me half melancholy in writing an account of our\nlast adventures in London.",
"However, as this day is merely appropriated\nto packing and preparations for our journey, and as I shall shortly\nhave no more adventures to write, I think I may as well complete my\ntown journal at once: and, when you have it all together, I hope,\nmy dear Sir, you will send me your observations and thoughts upon it\nto Howard Grove.",
"About eight o'clock we went to the Pantheon.",
"I was extremely struck\nwith the beauty of the building, which greatly surpassed whatever\nI could have expected or imagined.",
"Yet it has more the appearance\nof a chapel than of a place of diversion; and, though I was quite\ncharmed with the magnificence of the room, I felt that I could\nnot be as gay and thoughtless there as at Ranelagh; for there is\nsomething in it which rather inspires awe and solemnity, than mirth\nand pleasure.",
"However, perhaps it may only have this effect upon such\na novice as myself.",
"I should have said, that our party consisted only of Captain, Mrs. and\nMiss Mirvan, as Madame Duval spent the day in the city;-which I own\nI could not lament.",
"There was a great deal of company; but the first person we saw was Sir\nClement Willoughby.",
"He addressed us with his usual ease, and joined\nus for the whole evening.",
"I felt myself very uneasy in his presence;\nfor I could not look at him, nor hear him speak, without recollecting\nthe chariot adventure; but, to my great amazement, I observed that\nhe looked at me without the least apparent discomposure, though,\ncertainly, he ought not to think of his behaviour without blushing.",
"I\nreally wish I had not forgiven him, and then he could not have ventured\nto speak to me any more.",
"There was an exceeding good concert, but too much talking to hear\nit well.",
"Indeed I am quite astonished to find how little music\nis attended to in silence; for, though every body seems to admire,\nhardly any body listens.",
"We did not see Lord Orville till we went into the tea-room, which\nis large, low, and under ground, and serves merely as a foil to the\napartments above; he then sat next to us.",
"He seemed to belong to a\nlarge party, chiefly of ladies; but, among the gentlemen attending\nthem, I perceived Mr. Lovel.",
"I was extremely irresolute whether or not I ought to make any\nacknowledgments to Lord Orville for his generous conduct in securing\nme from the future impertinence of that man; and I thought, that,\nas he had seemed to allow Mrs. Mirvan to acquaint me, though no one\nelse, of the measures which he had taken, he might perhaps suppose me\nungrateful if silent: however, I might have spared myself the trouble\nof deliberating, as I never once had the shadow of an opportunity of\nspeaking unheard by Sir Clement.",
"On the contrary, he was so exceedingly\nofficious and forward, that I could not say a word to any body but\ninstantly he bent his head forward, with an air of profound attention,\nas if I had addressed myself wholly to him; and yet I never once\nlooked at him, and would not have spoken to him on any account.",
"Indeed, Mrs. Mirvan herself, though unacquainted with the behaviour of\nSir Clement after the opera, says it is not right for a young woman to\nbe seen so frequently in public with the same gentleman; and, if our\nstay in town was to be lengthened, she would endeavour to represent\nto the Captain the impropriety of allowing his constant attendance;\nfor Sir Clement with all his easiness, could not be so eternally of\nour parties, if the Captain was less fond of his company.",
"At the same table with Lord Orville sat a gentleman,-I call him so\nonly because he was at the same table,-who, almost from the moment\nI was seated, fixed his eyes steadfastly on my face, and never once\nremoved them to any other object during tea-time, notwithstanding my\ndislike of his staring must, I am sure, have been very evident.",
"I was\nquite surprised, that a man, whose boldness was so offensive, could\nhave gained admission into a party of which Lord Orville made one;\nfor I naturally concluded him to be some low-bred, uneducated man;\nand I thought my idea was indubitably confirmed, when I heard him say\nto Sir Clement Willoughby, in an audible whisper,-which is a mode of\nspeech very distressing and disagreeable to bystanders,-\"For Heaven's\nsake, Willoughby, who is that lovely creature?\"",
"But what was my amazement, when, listening attentively for the answer,\nthough my head was turned another way, I heard Sir Clement say,\n\"I am sorry I cannot inform your Lordship, but I am ignorant myself.\"",
"Lordship!",
"how extraordinary!",
"that a nobleman, accustomed, in all\nprobability, to the first rank of company in the kingdom, from his\nearliest infancy, can possibly be deficient in good manners, however\nfaulty in morals and principles!",
"Even Sir Clement Willoughby appeared\nmodest in comparison with this person.",
"During tea, a conversation was commenced upon the times, fashions,\nand public places, in which the company of both tables joined.",
"It\nbegan by Sir Clement's inquiring of Miss Mirvan and of me, if the\nPantheon had answered our expectations.",
"We both readily agreed that it had greatly exceeded them.",
"\"Ay, to be sure,\" said the Captain, \"why, you don't suppose they'd\nconfess they didn't like it, do you?",
"Whatever's the fashion, they\nmust like, of course;-or else, I'd be bound for it, they'd own,\nthat there never was such a dull place as this here invented.\"",
"\"And has, then, this building,\" said Lord Orville, \"no merit that may\nserve to lessen your censure?",
"Will not your eye, Sir, speak something\nin its favour?\"",
"\"Eye!\"",
"cried the Lord, (I don't know his name,) \"and is there any eye\nhere, that can find pleasure in looking at dead walls or statues, when\nsuch heavenly living objects as I now see demand all their admiration?\"",
"\"O, certainly,\" said Lord Orville, \"the lifeless symmetry of\narchitecture, however beautiful the design and proportion, no man would\nbe so mad as to put in competition with the animated charms of nature:\nbut when, as to-night, the eye may be regaled at the same time, and\nin one view, with all the excellence of art, and all the perfection\nof nature, I cannot think that either suffer by being seen together.\"",
"\"I grant, my Lord,\" said Sir Clement, \"that the cool eye of\nunimpassioned philosophy may view both with equal attention, and\nequal safety; but, where the heart is not so well guarded, it is\napt to interfere, and render, even to the eye, all objects but one\ninsipid and uninteresting.\"",
"\"Aye, Aye,\" cried the Captain, \"you may talk what you will of your\neye here, and your eye there, and, for the matter of that, to be sure\nyou have two,-but we all know they both squint one way.\"",
"\"Far be it from me,\" said Lord Orville, \"to dispute the magnetic\npower of beauty, which irresistibly draws and attracts whatever has\nsoul and sympathy: and I am happy to acknowledge, that though we\nhave now no gods to occupy a mansion professedly built for them,\nyet we have secured their better halves, for we have goddesses to\nwhom we all most willingly bow down.\"",
"And then with a very droll air,\nhe made a profound reverence to the ladies.",
"\"They'd need to be goddesses with a vengeance,\" said the Captain,\n\"for they're mortal dear to look at.",
"Howsomever, I should be glad\nto know what you can see in e'er a face among them that's worth\nhalf-a-guinea for a sight.\"",
"\"Half-a-guinea!\"",
"exclaimed that same Lord, \"I would give half I am\nworth for a sight of only one, provided I make my own choice.",
"And,\nprithee, how can money be better employed than in the service of\nfine women?\"",
"\"If the ladies of his own party can pardon the Captain's speech,\" said\nSir Clement, \"I think he has a fair claim to the forgiveness of all.\"",
"\"Then you depend very much, as I doubt not but you may,\" said Lord\nOrville, \"upon the general sweetness of the sex;-but as to the ladies\nof the Captain's party, they may easily pardon, for they cannot\nbe hurt.\"",
"\"But they must have a devilish good conceit of themselves, though,\"\nsaid the Captain, \"to believe all that.",
"Howsomever, whether or no,\nI should be glad to be told by some of you, who seem to be knowing\nin them things, what kind of diversion can be found in such a place\nas this here, for one who has had, long ago, his full of face-hunting?\"",
"Every body laughed, but nobody spoke.",
"\"Why, look you there now,\" continued the Captain, \"you're all at a dead\nstand!-not a man among you can answer that there question.",
"Why, then,\nI must make bold to conclude, that you all come here for no manner\nof purpose but to stare at one another's pretty faces:-though, for\nthe matter of that, half of 'em are plaguy ugly;-and, as to t'other\nhalf,-I believe it's none of God's manufactory.\"",
"\"What the ladies may come hither for, Sir,\" said Mr. Lovel, (stroking\nhis ruffles, and looking down,) \"it would ill become us to determine;\nbut as to we men, doubtless we can have no other view than to admire\nthem.\"",
"\"If I ben't mistaken,\" cried the Captain, (looking earnestly in\n his face,)\n\"you are that same person we saw at Love for Love t'other night;\nben't you?\"",
"Mr. Lovel bowed.",
"\"Why, then, Gentlemen,\" continued he, with a loud laugh, \"I must tell\nyou a most excellent good joke;-when all was over, as sure as you're\nalive, he asked what the play was!",
"Ha, ha, ha!\"",
"\"Sir,\" said Mr. Lovel, colouring, \"if you were as much used to\n town-life as I\nam,-which, I presume, is not precisely the case,-I fancy you would\nnot find so much diversion from a circumstance so common.\"",
"\"Common!",
"What, is it common?\"",
"repeated the Captain; \"why then,\n 'fore George,\nsuch chaps are more fit to be sent to school, and well disciplined with\na cat-o'-nine tails, than to poke their heads into a play-house.",
"Why,\na play is the only thing left, now-a-days, that has a grain of sense\nin it; for as to all the rest of your public places, d'ye see, if\nthey were all put together, I wouldn't give that for 'em!\"",
"(snapping\nhis fingers.)",
"\"And now we're talking of them sort of things, there's\nyour operas,-I should like to know, now, what any of you can find to\nsay for them.\"",
"Lord Orville, who was most able to have answered, seemed by no means\n to think\nthe Captain worthy an argument, upon a subject concerning which he\nhad neither knowledge nor feeling: but, turning to us, he said, \"The\nladies are silent, and we seem to have engrossed the conversation to\nourselves, in which we are much more our own enemies than theirs.",
"But,\"\naddressing himself to Miss Mirvan and me, \"I am most desirous to hear\nthe opinions of these young ladies, to whom all public places must,\nas yet, be new.\"",
"We both, and with eagerness, declared that we had received as much,\n if not\nmore pleasure, at the opera than any where: but we had better have\nbeen silent; for the Captain, quite displeased, said, \"What signifies\nasking them girls?",
"Do you think they know their own minds yet?",
"Ask\n'em after any thing that's called diversion, and you're sure they'll\nsay it's vastly fine-they are a set of parrots, and speak by rote,\nfor they all say the same thing: but ask 'em how they like making\npuddings and pies, and I'll warrant you'll pose 'em.",
"As to them operas,\nI desire I may hear no more of their liking such nonsense; and for\nyou, Moll\" (to his daughter,) \"I charge you, as you value my favour,\nthat you'll never again be so impertinent as to have a taste of your\nown before my face.",
"There are fools enough in the world, without\nyour adding to their number.",
"I'll have no daughter of mine affect\nthem sort of megrims.",
"It is a shame they a'n't put down; and if I'd\nmy will, there's not a magistrate in this town but should be knocked\non the head for suffering them.",
"If you've a mind to praise any thing,\nwhy you may praise a play, and welcome, for I like it myself.\"",
"This reproof effectually silenced us both for the rest of the\n evening.",
"Nay,\nindeed, for some minutes it seemed to silence every body else; till Mr.\nLovel, not willing to lose an opportunity of returning the Captain's\nsarcasm, said, \"Why, really Sir, it is but natural to be most pleased\nwith what is most familiar; and, I think, of all our diversions,\nthere is not one so much in common between us and the country as a\nplay.",
"Not a village but has its barns and comedians; and as for the\nstage business, why it may be pretty equally done any where; and even\nin regard to us, and the canaille, confined as we all are within the\nsemi-circle of a theatre, there is no place where the distinction is\nless obvious.\"",
"While the Captain seemed considering for Mr. Lovel's meaning,\n Lord Orville,\nprobably with a view to prevent his finding it, changed the subject\nto Cox's Museum, and asked what he thought of it?",
"\"Think!-\"said he, \"why I think as how it i'n't worth thinking\n about.",
"I like\nno such jemcracks.",
"It is only fit, in my mind, for monkeys:-though,\nfor aught I know, they too might turn up their noses at it.\"",
"\"May we ask your Lordship's own opinion?\"",
"said Mrs. Mirvan.",
"\"The mechanism,\" answered he, \"is wonderfully ingenioous: I am sorry\n it is\nturned to no better account; but its purport is so frivolous, so\nvery remote from all aim at instruction or utility, that the sight\nof so fine a show leaves a regret on the mind, that so much work,\nand so much ingenuity, should not be better bestowed.\"",
"\"The truth is,\" said the Captain, \"that in all this huge town,\n so full as it\nis of folks of all sorts, there i'n't so much as one public place,\nbesides the play-house, where a man, that's to say, a man who is a\nman, ought not to be ashamed to shew his face.",
"T'other day they got\nme to a ridotto: but, I believe, it will be long enough before they\nget me to another.",
"I knew no more what to do with myself, than if my\nship's company had been metamorphosed into Frenchman.",
"Then, again,\nthere's your famous Ranelagh, that you make such a fuss about;-why\nwhat a dull place is that!-it's the worst of all.\"",
"\"Ranelagh dull!",
"\"-\"Ranelagh dull!-was echoed from mouth to mouth;\n and all\nthe ladies, as if of one accord, regarded the Captain with looks of\nthe most ironical contempt.",
"\"As to Ranelagh,\" said Mr. Lovell, \"most indubitably, though the\n price is\nblebian, it is by no means adapted to the plebian taste.",
"It requires\na certain acquaintance with high life, and-and-and something\nof-of-something d'un vrai gout, to be really sensible of its\nmerit.",
"Those whose-whose connections, and so forth, are not among\nles gens comme il faut, can feel nothing but ennui at such a place\nas Ranelagh.\"",
"\"Ranelagh!\"",
"cried Lord -, \"O, tis the divinest place under heaven,-or,\nindeed,-for aught I know-\"\n\n\"O you creature!\"",
"cried a pretty, but affected young lady, patting him\nwith her fan, \"you sha'n't talk so; I know what you are going to say;\nbut, positively, I won't sit by you, if you're so wicked.\"",
"\"And how can one sit by you, and be good?\"",
"said he, \"when only to\n look at you\nis enough to make one wicked-or wish to be so?\"",
"\"Fie, my Lord!\"",
"returned she, \"you really are insufferable.",
"I don't\n think I\nshall speak to you again these seven years.\"",
"\"What a metamorphosis,\" cried Lord Orville,\" should you make a\n patriarch of\nhis Lordship.\"",
"\"Seven years!\"",
"said he, \"dear Madam, be contented with telling me\n you will\nnot speak to me after seven years, and I will endeavour to submit.\"",
"\"O, very well, my Lord,\" answered she, \"pray date the end of our\nspeaking to each other as early as you please, I'll promise to agree\nto your time.\"",
"\"You know, dear Madam,\" said he, sipping his tea, \"you know I only\n live in\nyour sight.\"",
"\"O yes, my Lord, I have long known that.",
"But I begin to fear we\n shall be too\nlate for Ranelagh this evening.\"",
"\"O no, Madame,\" said Mr. Lovel, looking at his watch, \"it is but\n just past\nten.\"",
"\"No more!\"",
"cried she, \"O then we shall do very well.\"",
"All the ladies now started up, and declared they had no time to lose.",
"\"Why, what the D-l,\" cried the Captain, leaning forward with both\n his arms\non the table,\" are you going to Ranelagh at this time of night?\"",
"The ladies looked at one another, and smiled.",
"\"To Ranelagh?\"",
"cried Lord -, \"yes, and I hope you are going too;\n for we\ncannot possibly excuse these ladies.\"",
"\"I go to Ranelagh?-if I do, I'll be -.\"",
"Everybody now stood up; and the stranger Lord, coming round to me,\n said, \"You\ngo, I hope?\"",
"\"No, my Lord, I believe not.\"",
"\"O you cannot, must not be so barbarous.\"",
"And he took my hand,\n and ran on,\nsaying such fine speeches, and compliments, that I might almost have\nsupposed myself a goddess, and him a pagan paying me adoration.",
"As\nsoon as I possibly could, I drew back my hand; but he frequently,\nin the course of conversation, contrived to take it again, though it\nwas extremely disagreeable to me; and the more so, as I saw that Lord\nOrville had his eyes fixed upon us, with a gravity of attention that\nmade me uneasy.",
"And, surely, my dear Sir, it was a great liberty in this lord,\nnot withstanding his rank, to treat me so freely.",
"As to Sir Clement,\nhe seemed in misery.",
"They all endeavoured to prevail with the Captain to join the\n Ranelagh party;\nand this lord told me, in a low voice, that it was tearing his heart\nout to go without me.",
"During this conversation Mr. Lovel came forward, and assuming a look\nof surprise, made me a bow, and inquired how I did, protesting upon\nhis honour, that he had not seen me before, or would have sooner paid\nhis respects to me.",
"Though his politeness was evidently constrained, yet I was very glad\n to be\nthus assured of having nothing more to fear from him.",
"The Captain, far from listening to their persuasions of accompanying\n them to\nRanelagh, was quite in a passion at the proposal, and vowed he would\nsooner go to the Blackhole in Calcutta.",
"\"But,\" said Lord -, \"if the ladies will take their tea at Ranelagh,\nyou may depend upon our seeing them safe home; for we shall be proud\nof the honour of attending them.\"",
"\"May be so,\" said the Captain, \"but I'll tell you what, if one\n of these\nplaces ben't enough for them to-night, why to-morrow they shall go\nto ne'er a one.\"",
"We instantly declared ourselves ready to go home.",
"\"It is not for yourselves that we petition,\" said Lord -.",
"\"But for us;\nif you have any charity, you will not be so cruel as to deny us; we\nonly beg you to prolong our happiness for a few minutes,-the favour\nis but a small one for you to grant, though so great a one for us\nto receive.\"",
"\"To tell you a piece of my mind,\" said the Captain, surlily,\n \"I think you\nmight as well not give the girls so much of this palaver; they'll take\nit all for gospel.",
"As to Moll, why she's well enough, but nothing\nextraordinary; though, perhaps, you may persuade her that her pug\nnose is all the fashion; and as to the other, why she's good white\nand red to be sure; but what of that?-I'll warrant she'll moulder\naway as fast as her neighbours.\"",
"\"Is there,\" cried Lord -, \"another man in this place, who, seeing such\nobjects, could make such a speech?\"",
"\"As to that there,\" returned the Captain, \"I don't know whether\n there be or\nno, and, to make free, I don't care; for I sha'n't go for to model\nmyself by any of these fair-weather chaps, who dare not so much\nas say their souls are their own,-and, for aught I know, no more\nthey ben't.",
"I'm almost as much ashamed of my countrymen as if I was\na Frenchman, and I believe in my heart there i'n't a pin to choose\nbetween them; and, before long, we shall hear the very sailors talking\nthat lingo, and see never a swabber without a bag and a sword.\"",
"\"He, he, he!-well, 'pon honour,\" cried Mr. Lovel, \"you gentlemen of\n the ocean\nhave a most severe way of judging.\"",
"\"Severe!",
"'fore George, that is impossible; for, to cut the matter\n short, the\nmen, as they call themselves, are no better than monkeys; and as to\nthe women, why they are mere dolls.",
"So now you've got my opinion of\nthis subject; and I so wish you good night.\"",
"The ladies, who were very impatient to be gone, made their courtsies,\n and\ntripped away, followed by all the gentlemen of their party, except\nthe lord before mentioned, and, Lord Orville, who stayed to make\ninquiries of Mrs. Mirvan concerning our leaving town; and then\nsaying, with his usual politeness, something civil to each of us,\nwith a very grave air he quitted us.",
"Lord - remained some minutes longer, which he spent in making a\n profusion of\ncompliments to me; by which he prevented my hearing distinctly what\nLord Orville said, to my great vexation, especially as he looked-I\nthought so, at least-as if displeased at his particularity of behaviour\nto me.",
"In going to an outward room, to wait for the carriage, I walked, and\ncould not possibly avoid it, between this nobleman and Sir Clement\nWilloughby, and, when the servant said the coach stopped the way,\nthough the latter offered me his hand, which I should much have\npreferred, this same lord, without any ceremony, took mine himself;\nand Sir Clement, with a look extremely provoked, conducted Mrs. Mirvan.",
"In all ranks and all stations of life, how strangely do characters and\nmanners differ!",
"Lord Orville, with a politeness which knows no\nintermission, and makes no distinction, is as unassuming and modest\nas if he had never mixed with the great, and was totally ignorant\nof every qualification he possesses; this other lord, though lavish\nof compliments and fine speeches, seems to me an entire stranger to\nreal good-breeding; whoever strikes his fancy, engrosses his whole\nattention.",
"He is forward and bold; has an air of haughtiness towards\nmen, and a look of libertinism towards woman; and his conscious quality\nseems to have given him a freedom in his way of speaking to either sex,\nthat is very little short of rudeness.",
"When we returned home, we were all low-spirited.",
"The evening's\n entertainment\nhad displeased the Captain; and his displeasure, I believe,\ndisconcerted us all.",
"And here I thought to have concluded my letter; but, to my great\n surprise,\njust now we had a visit from Lord Orville.",
"He called, he said, to\npay his respects to us before we left town, and made many inquiries\nconcerning our return; and, when Mrs Mirvan told him we were going\ninto the country without any view of again quitting it, he expressed\nconcern in such terms-so polite, so flattering, so serious-that I\ncould hardly forbear being sorry for myself.",
"Were I to go immediately\nto Berry Hill, I am sure I should feel nothing but joy;-but, now we\nare joined by this Captain, and Madame Duval, I must own I expect\nvery little pleasure at Howard Grove.",
"Before Lord Orville went, Sir Clement Willoughby called.",
"He was\n more grave\nthan I had ever seen him; and made several attempts to speak to me in\na low voice, and to assure me that his regret upon the occasion of\nour journey was entirely upon my account.",
"But I was not in spirits,\nand could not bear to be teased by him.",
"However, he has so well\npaid his court to Captain Mirvan, that he gave him a very hearty\ninvitation to the Grove.",
"At this he brightened,-and just then Lord\nOrville took leave.",
"No doubt but he was disgusted at this ill-timed, ill-bred partiality;\n for\nsurely it was very wrong to make an invitation before Lord Orville\nin which he was not included!",
"I was so much chagrined, that, as soon\nas he went, I left the room; and I shall not go down stairs till Sir\nClement is gone.",
"Lord Orville cannot but observe his assiduous endeavours to ingratiate\nhimself into my favour; and does not this extravagant civility\nof Captain Mirvan give him reason to suppose that it meets with\nour general approbation?",
"I cannot thimk upon this subject without\ninexpressible uneasiness; and yet I can think of nothing else.",
"Adieu, my dearest Sir.",
"Pray write to me immediately.",
"How many\n long letters\nhas this one short fortnight produced!",
"More than I may probably\never write again.",
"I fear I shall have tired you with reading them;\nbut you will now have time to rest, for I shall find but little to\nsay in future.",
"And now, most honoured Sir, with all the follies and imperfections\n which I\nhave thus faithfully recounted, can you, and with unabated kindness,\nsuffer me to sign myself Your dutiful and most affectionate EVELINA?",
"</CHAPTER>\n<CHAPTER>\nLETTER XXIV MR VILLARS TO EVELINA\n\nBerry Hill, April 22.",
"HOW much do I rejoice that I can again address my letters to Howard\nGrove!",
"My Evelina would have grieved had she known the anxiety of my\nmind during her residence in the great world.",
"My apprehensions have\nbeen inexpressibly alarming; and your journal, at once exciting and\nrelieving my fears, has almost wholly occupied me since the time of\nyour dating it from London.",
"Sir Clement Willoughby must be an artful designing man: I am extremely\nirritated at his conduct.",
"The passion he pretends for you has neither\nsincerity nor honour; the manner and the opportunities he has chosen\nto declare it, are bordering upon insult.",
"His unworthy behaviour after the opera, convinces me, that, had\n not your\nvehemence frightened him, Queen Ann Street would have been the last\nplace whither he would have ordered his chariot.",
"O, my child, how\nthankful am I for your escape!",
"I need not now, I am sure, enlarge\nupon your indiscretion and want of thought, in so hastily trusting\nyourself with a man so little known to you, and whose gaiety and\nflightiness should have put you on your guard.",
"The nobleman you met at the Pantheon, bold and forward as you describe\n him to\nbe, gives me no apprehension; a man who appears so openly licentious,\nand who makes his attack with so little regard to decorum, is one who,\nto a mind such as my Evelina's, can never be seen but with the disgust\nwhich his manners ought to excite.",
"But Sir Clement, though he seeks occasion to give real offence,\n contrives to\navoid all appearance of intentional evil.",
"He is far more dangerous,\nbecause more artful: but I am happy to observe, that he seems to\nhave made no impression upon your heart; and therefore a very little\ncare and prudence may secure you from those designs which I fear he\nhas formed.",
"Lord Orville appears to be of a better order of beings.",
"His spirited\n conduct\nto the meanly impertinent Lovel, and his anxiety for you after the\nopera, prove him to be a man of sense and feeling.",
"Doubtless he thought\nthere was much reason to tremble for your safety while exposed to\nthe power of Sir Clement; and he acted with a regard to real honour,\nthat will always incline me to think well of him, in so immediately\nacquainting the Mirvan family with your situation.",
"Many men of this\nage, from a false and pretended delicacy to a friend, would have\nquietly pursued their own affairs, and thought it more honourable\nto leave an unsuspecting young creature to the mercy of a libertine,\nthan to risk his displeasure by taking measures for her security.",
"Your evident concern at leaving London is very natural, and yet\n it afflicts\nme.",
"I ever dreaded your being too much pleased with a life of\ndissipation, which youth and vivacity render but too alluring; and\nI almost regret the consent for your journey, which I had not the\nresolution to withhold.",
"Alas, my child, the artfulness of your nature, and the simplicity\n of your\neducation, alike unfit you for the thorny paths of the great and\nbusy world.",
"The supposed obscurity of your birth and situation,\nmakes you liable to a thousand disagreeable adventures.",
"Not only\nmy views, but my hopes for your future life, have ever centered in\nthe country.",
"Shall I own to you, that, however I may differ from\nCaptain Mirvan in other respects, yet my opinion of the town, its\nmanners, inhabitants, and diversions, is much upon upon a level with\nhis own?",
"Indeed it is the general harbour of fraud and of folly, of\nduplicity and of impertinence; and I wish few things more fervently,\nthan that you may have taken a lasting leave of it.",
"Remember, however, that I only speak in regard to a public and\n dissipated\nlife; in private families we may doubtless find as much goodness,\nhonesty, and virtue, in London as in the country.",
"If contented with a retired station, I still hope I shall live to\n see my\nEvelina the ornament of her neighbourhood, and the pride and delight\nof her family; and giving and receiving joy from such society as may\nbest deserve her affection, and employing herself in such useful and\ninnocent occupations as may secure and merit the tenderest love of her\nfriends, and the worthiest satisfaction of her own heart.",
"Such are my\nhopes, and such have been my expectations.",
"Disappointment them not,\nmy beloved child; but cheer me with a few lines, that may assure me,\nthis one short fortnight spent in town has not undone the work of\nseventeen years spent in the country.",
"ARTHUR VILLARS.",
"</CHAPTER>\n<CHAPTER>\nLETTER XXV EVELINA TO THE REV.",
"MR. VILLARS\n\nHoward Grove, April 25.",
"NO, my dear Sir, no: the work of seventeen years remains such as\nit was, ever unworthy your time and your labour; but not more so\nnow-at least I hope not,-than before that fortnight which has so much\nalarmed you.",
"And yet I must confess, that I am not half so happy here at present\n as I was\nere I went to town: but the change is in the place, not in me.",
"Captain\nMirvan and Madame Duval have ruined Howard Grove.",
"The harmony that\nreigned here is disturbed, our schemes are broken, our way of life is\naltered, and our comfort is destroyed.",
"But do not suppose London to\nbe the source of these evils; for, had our excursion been any where\nelse, so disagreeable an addition to our household must have caused\nthe same change at our return.",
"I was sure you would be displeased with Sir Clement Willoughby, and\ntherefore I am by no means surprised at what you say of him; but\nfor Lord Orville-I must own I had greatly feared that my weak and\nimperfect account would not have procured him the good opinion which\nhe so well deserves, and which I am delighted to find you seem to\nhave of him.",
"O, Sir, could I have done justice to the merit of which\nI believe him posessed;-could I have painted him to you such as he\nappeared to me;-then, indeed, you would have had some idea of the\nclaim which he has to your approbation!",
"After the last letter which I wrote in town, nothing more passed\n previous to\nour journey hither, except a very violent quarrel between Captain\nMirvan and Madame Duval.",
"As the Captain intended to travel on\nhorseback, he had settled that we four females should make use of\nhis coach.",
"Madame Duval did not come to Queen Ann Street till the\ncarriage had waited some time at the door; and then, attended by\nMonsieur Du Bois, she made her appearance.",
"The Captain, impatient to be gone, would not suffer them to enter\n the house,\nbut insisted that we should immediately get into the coach.",
"We obeyed;\nbut were no sooner seated, than Madame Duval said, \"Come, Monsieur\nDu Bois, these girls can make very good room for you; sit closer,\nchildren.\"",
"Mrs. Mirvan looked quite confounded; and M. Du Bois, after making some\napologies about crowding us, actually got into the coach, on the side\nwith Miss Mirvan and me.",
"But no sooner was he seated, than the Captain,\nwho had observed this transaction very quietly, walked up to the\ncoach door, saying, \"What, neither with your leave, nor by your leave?\"",
"M. Du Bois seemed rather shocked, and began to make abundance of\n excuses: but\nthe Captain neither understood nor regarded him, and, very roughly,\nsaid, \"Look'ee, Monseer, this here may be a French fashion for aught I\nknow,-but give and take is fair in all nations; and so now, d'ye see,\nI'll make bold to show you an English one.\"",
"And then, seizing his wrist, he made him jump out of the coach.",
"M. Du Bois instantly put his hand upon his sword, and threatened to\nresent this indignity.",
"The Captain, holding up his stick, bid him draw\nat his peril.",
"Mrs. Mirvan, greatly alarmed, got out of the coach, and,\nstanding between them, intreated her husband to re-enter the house.",
"\"None of your clack!\"",
"cried he angrily; \"what the D-l, do you\n suppose I\ncan't manage a Frenchman?\"",
"Meantime, Madame Duval called out to M. Du Bois, \"Eh, laissez-le,\n mon ami, ne\nle corrigez pas; c'est une villaine bete qui n'en vaut pas la peine.\"",
"\"Monsieur le Capitaine,\" cried M. Du Bois, \"voulez-vous bien ne\ndemander pardon?\"",
"\"O ho, you demand pardon, do you?\"",
"said the Captain,\" I thought as\n much; I\nthought you'd come to;-so you have lost your relish for an English\nsalutation, have you?\"",
"strutting up to him with looks of defiance.",
"A crowd was now gathering, and Mrs. Mirvan again besought her husband\n to go\ninto the house.",
"\"Why, what a plague is the woman afraid of?-Did you ever know\n a Frenchman\nthat could not take an affront?-I warrant Monseer knows what he is\nabout;-don't you Monseer?\"",
"M. Du Bois, not understanding him, only said, \"plait-il, Monsieur?\"",
"\"No, nor dish me neither,\" answered the Captain; \"but, be that as\n it may,\nwhat signifies our parleying here?",
"If you've any thing to propose,\nspeak at once; if not, why let us go on our journey without more ado.\"",
"\"Parbleu, je n'entends rien, moi!\"",
"cried M. Du Bois, shrugging up his\nshoulders, and looking very dismal.",
"Mrs. Mirvan then advanced to him, and said in French, that she was\n sure the\nCaptain had not any intention to affront him, and begged he would\ndesist from a dispute which could only be productive of mutual\nmisunderstanding, as neither of them knew the language of the other.",
"This sensible remonstrance had the desired effect; and M. Du Bois,\n making a\nbow to every one except the Captain, very wisely gave up the point,\nand took leave.",
"We then hoped to proceed quietly on our journey; but the turbulent\n Captain\nwould not yet permit us.",
"He approached Madame Duval with an exulting\nair, and said, \"Why, how's this, Madame?",
"what, has your champion\ndeserted you?",
"why, I thought you told me, that you old gentlewomen\nhad it all your own way among them French sparks?\"",
"\"As to that, Sir,\" answered she, \"it's not of no consequence what you\nthought; for a person who can behave in such a low way, may think\nwhat he pleases for me, for I sha'n't mind.\"",
"\"Why then, Mistress, since you must needs make so free,\" cried he,\n \"please to\ntell me the reason you took the liberty for to ask any of your\nfollowers into my coach without my leave?",
"Answer me to that.\"",
"\"Why, then, pray, Sir,\" returned she, \"tell me the reaon why you\n took the\nliberty to treat the gentleman in such an unpolite way, as to take\nand pull him neck and heels out?",
"I'm sure he hadn't done nothing to\naffront you, nor nobody else; and I don't know what great hurt he\nwould have done you, by just sitting still in the coach; he would\nnot have eat it.\"",
"\"What, do you think, then, that my horses have nothing to do but\n to carry\nabout your snivelling Frenchmen?",
"If you do, Madam, I must make bold\nto tell you, you are out, for I'll see 'em hang'd first.\"",
"\"More brute you, then!",
"For they've never carried nobody half so good.\"",
"\"Why, look'ee, Madam, if you must needs provoke me, I'll tell you\n a piece of\nmy mind; you must know, I can see as far into a millstone as another\nman; and so, if you thought for to fob me off with another one of your\nsmirking French puppies for a son-in-law, why you'll find yourself\nin a hobble, that's all.\"",
"\"Sir, you're a-but I won't say what;-but I protest I hadn't no such\na thought, no more hadn't Monsieur Du Bois.\"",
"\"My dear,\" said Mrs. Mirvan, \"we shall be very late.\"",
"\"Well, well,\" answered he, \"get away then; off with you as fast as\n you can,\nit's high time.",
"As to Molly, she's fine lady enough in all conscience;\nI want none of your French chaps to make her worse.\"",
"And so saying he mounted his horse and we drove off.",
"And I could\n not but\nthink, with regret, of the different feelings we experienced upon\nleaving London, to what had belonged to our entering it.",
"During the journey Madame Duval was so very violent against the\n Captain, that\nshe obliged Mrs. Mirvan to tell her, that, when in her presence,\nshe must beg her to choose some other subject of discourse.",
"We had a most affectionate reception from Lady Howard, whose\n kindness and\nhospitality cannot fail of making every body happy who is disposed\nso to be.",
"Adieu, my dearest Sir.",
"I hope, though I have hitherto neglected\n to mention\nit, that you have always remembered me to whoever has made any inquiry\nconcerning me.",
"</CHAPTER>\n<CHAPTER>\nLETTER XXVI EVELINA TO THE REV.",
"MR. VILLARS\n\nHoward Grove, April 27.",
"O MY dear Sir, I now write in the greatest uneasiness!",
"Madame Duval\nhas made a proposal which terrifies me to death, and which was as\nunexpected as it is shocking.",
"She had been employed for some hours this afternoon in reading\n letters from\nLondon: and, just about tea-time, she sent for me into her room, and\nsaid, with a look of great satisfaction, \"Come here, child, I've got\nsome very good news to tell you: something that will surprise you,\nI'll give you my word, for you ha'n't no notion of it.\"",
"I begged her to explain herself; and then, in terms which I cannot\nrepeat, she said she had been considering what a shame it was to\nsee me such a poor country, shame-faced thing, when I ought to be a\nfine lady; and that she had long, and upon several occasions, blushed\nfor me, though she must own the fault was none of mine; for nothing\nbetter could be expected from a girl who had been so immured.",
"However,\nshe assured me she had, at length, hit upon a plan, which would make\nquite another creature of me.",
"I waited, without much impatience, to hear what this preface led to;\n but I\nwas soon awakened to more lively sensations, when she aquainted me,\nthat her intention was to prove my birthright, and to claim, by law,\nthe inheritance of my real family!",
"It would be impossible for me to express my extreme consternation\n when she\nthus unfolded her scheme.",
"My surprise and terror were equally great;\nI could say nothing: I heard her with a silence which I had not the\npower to break.",
"She then expatiated very warmly upon the advantages I should reap from\nher plan; talked in a high style of my future grandeur; assured me\nhow heartily I should despise almost every body and every thing I had\nhitherto seen; predicted my marrying into some family of the first\nrank in the kingdom; and, finally, said I should spend a few months in\nParis, where my education and manners might receive their last polish.",
"She enlarged also upon the delight she should have, in common\n with myself,\nfrom mortifying the pride of certain people, and showing them that\nshe was not to be slighted with impunity.",
"In the midst of this discourse, I was relieved by a summons to\n tea.",
"Madame\nDuval was in great spirits; but my emotion was too painful for\nconcealment, and every body enquired into the cause.",
"I would fain\nhave waived the subject, but Madame Duval was determined to make it\npublic.",
"She told tham that she had it in her head to make something\nof me, and that they should soon call me by another name than that\nof Anville; and yet that she was not going to have the child married\nneither.",
"I could not endure to hear her proceed, and was going to leave\n the room;\nwhich, when Lady Howard perceived, she begged Madame Duval would\ndefer her intelligence to some other opportunity; but she was so\neager to communicate her scheme, that she could bear no delay;\nand therefore they suffered me to go without opposition.",
"Indeed,\nwhenever my situation or affairs are mentioned by Madame Duval,\nshe speaks of them with such bluntness and severity, that I cannot\nbe enjoined a task more cruel than to hear her.",
"I was afterwards accquainted with some particulars of the conversation\n by\nMiss Mirvan; who told me that Madame Duval informed them of her plan\nwih the utmost complacency, and seemed to think herself very fortunate\nin having suggested it; but, soon after, she accidentally betrayed,\nthat she had been instigated to the scheme by her relations the\nBranghtons, whose letters, which she received today, first mentioned\nthe proposal.",
"She declared that she would have nothing to do with\nany roundabout ways, but go openly and instantly to law, in order to\nprove my birth, real name, and title to the estate of my ancestors.",
"How impertinent and officious in these Branghtons, to interfere\nthus in my concerns!",
"You can hardly imagine what a disturbance this\nplan has made in the family.",
"The Captain, without enquiring into any\nparticulars of the affair, has peremptorily declared himself against\nit, merely because it has been proposed by Madame Duval; and they\nhave battled the point together with great violence.",
"Mrs. Mirvan says,\nshe will not even think, till she hears your opinion.",
"But Lady Howard,\nto my great surprise, openly avows her appprobation of Madame Duval's\nintention; however, she will write her reasons and sentiments upon\nthe subject to you herself.",
"As to Miss Mirvan, she is my second self, and neither hopes nor\n fears but as\nI do.",
"And as to me,-I know not what to say, nor even what to wish; I\nhave often thought my fate peculiarly cruel, to have but one parent,\nand from that one to be banished for ever;-while, on the other side,\nI have but too well known and felt the propriety of the separation.",
"And\nyet, you may much better imagine, than I can express, the internal\nanguish which sometimes oppresses my heart, when I reflect upon the\nstrange indifference that must occasion a father never to make the\nleast enquiry after the health, the welfare, or even the life of\nhis child!",
"O Sir, to me the loss is nothing!-greatly, sweetly, and most\n benevolently\nhave you guarded me from feeling it; but for him, I grieve indeed!-I\nmust be divested, not merely of all filial piety, but of all humanity,\ncould I ever think upon this subject, and not be wounded to the soul.",
"Again I must repeat, I know not what to wish; think for me, therefore,\nmy dearest Sir, and suffer my doubting mind, that knows not which way\nto direct its hopes, to be guided by your wisdom and unerring counsel.",
"EVELINA.",
"</CHAPTER>\n<CHAPTER>\nLETTER XXVII LADY HOWARD TO THE REV.",
"MR. VILLARS\n\n\nHoward Grove.",
"Dear Sir,\n\n\nI CANNOT give a greater proof of the high opinion I have of your\ncandour, than by the liberty I am now going to take, of presuming to\noffer you advice, upon a subject concerning which you have so just a\nclaim to act for yourself; but I know you have too unaffected a love\nof justice, to be partially tenacious of your own judgment.",
"Madame Duval has been proposing a scheme which has put us all in\n commotion,\nand against which, at first, in common with the rest of my family,\nI exclaimed: but, upon more mature consideration, I own my objections\nhave almost wholly vanished.",
"This scheme is no other than to commence a lawsuit with Sir John\nBelmont, to prove the validity of his marriage with Miss Evelyn; the\nnecessary consequence of which proof will be, securing his fortune\nand estate to his daughter.",
"And why, my dear Sir, should not this be?",
"I know that, upon first\n hearing,\nsuch a plan conveys ideas that must shock you; but I know, too,\nthat your mind is superior to being governed by prejudices, or\nto opposing any important cause on account of a few disagreeable\nattendant circumstances.",
"Your lovely charge, now first entering into life, has merit which\n ought not\nto be buried in obscurity.",
"She seems born for an ornament to the world.",
"Nature has been bountiful to her of whatever she had to bestow; and\nthe peculiar attention you have given to her education, has formed her\nmind to a degree of excellence, that in one so young I have scarce\never seen equalled.",
"Fortune alone has hitherto been sparing of her\ngifts; and she, too, now opens the way which leads to all that is\nleft to wish for her.",
"What your reasons may have been, my good Sir, for so carefully\n concealing the\nbirth, name, and pretensions of this amiable girl, and forbearing to\nmake any claim upon Sir John Belmont, I am totally a stranger to; but,\nwithout knowing, I respect them, from the high opinion that I have\nof your character and judgment: but I hope they are not insuperable;\nfor I cannot but think, that it was never designed for one who seems\nmeant to grace the world, to have her life devoted to retirement.",
"Surely Sir John Belmont, wretch as he has shown himself, could never\n see his\naccomplished daughter, and not be proud to own her, and eager to\nsecure her the inheritance of his fortune.",
"The admiration she met\nwith in town, though merely the effect of her external attractions,\nwas such, that Mrs. Mirvan assures me, she would have had the most\nsplendid offers, had there not seemed to be some mystery in regard\nto her birth, which, she was well informed was assiduously, though\nvainly, endeavoured to be discovered.",
"Can it be right, my dear Sir, that this promising young creature\nshould be deprived of the fortune and rank of life to which she is\nlawfully entitled, and which you have prepared her to support and to\nuse so nobly?",
"To despise riches may, indeed, be philosophic; but to\ndispense them worthily must, surely, be more beneficial to mankind.",
"Perhaps a few years, or indeed a much shorter time, may make this\nscheme impracticable: Sir John, tho' yet young, leads a life too\ndissipated for long duration; and when too late, we may regret that\nsomething was not sooner done: for it will be next to impossible, after\nhe is gone, to settle or prove anything with his heirs and executors.",
"Pardon the earnestness with which I write my sense of this affair;\nbut your charming ward has made me so warmly her friend, that I cannot\nbe indifferent upon a subject of such importance to her future life.",
"Adieu, my dear Sir;-send me speedily an answer to this remonstrance,\nand believe me to be, -c. M. HOWARD.",
"</CHAPTER>\n<CHAPTER>\nLETTER XXVIII MR VILLARS TO LADY HOWARD\n\nBerry Hill, May 2.",
"YOUR letter, Madam, has opened a source of anxiety, to which I look\nforward with dread, and which, to see closed, I scarcely dare expect.",
"I\nam unwilling to oppose my opinion to that of your Ladyship; nor,\nindeed, can I, but by arguments which I believe will rather rank me\nas a hermit ignorant of the world, and fit only for my cell, than as\na proper guardian, in an age such as this, for an accomplished young\nwoman.",
"Yet, thus called upon, it behoves me to explain, and endeavour\nto vindicate, the reasons by which I have been hitherto guided.",
"The mother of this dear child,-who was led to destruction by her own\nimprudence, the hardness of heart of Madame Duval, and the villany of\nSir John Belmont,-was once, what her daughter is now, the best beloved\nof my heart: and her memory, so long as my own holds, I shall love,\nmourn and honour!",
"On the fatal day that her gentle soul left its\nmansion, and not many hours ere she ceased to breathe, I solemnly\nplighted my faith, That her child if it lived, should know no father\nbut myself, or her acknowledged husband.",
"You cannot, Madam, suppose that I found much difficulty in adhering\nto this promise, and forbearing to make any claim upon Sir John\nBelmont.",
"Could I feel an affection the most paternal for this poor\nsufferer, and not abominate her destroyer?",
"Could I wish to deliver to\nhim, who had so basely betrayed the mother, the helpless and innocent\noffspring, who, born in so much sorrow, seemed entitled to all the\ncompassionate tenderness of pity?",
"For many years, the name alone of that man, accidentally spoken in my\nhearing, almost divested me of my Christianity, and scarce could I\nforbear to execrate him.",
"Yet I sought not, neither did I desire, to\ndeprive him of his child, had he with any appearance of contrition,\nor, indeed, of humanity, endeavoured to become less unworthy such a\nblessing;-but he is a stranger to all parental feelings, and has with\na savage insensibility, forborne to enquire even into the existence\nof this sweet orphan, though the situation of his injured wife was\nbut too well known to him.",
"You wish to be acquainted with my intentions.-I must acknowledge\nthey were such as I now perceive would not be honoured with your\nLadyship's approbation; for though I have sometimes thought of\npresenting Evelina to her father, and demanding the justice which\nis her due, yet, at other times, I have both disdained and feared\nthe application; disdained lest it should be refused; and feared,\nlest it should be accepted!",
"Lady Belmont, who was firmly persuaded of her approaching dissolution,\nfrequently and earnestly besought me, that if her infant was a female,\nI would not abandon her to the direction of a man so wholly unfit to\ntake the charge of her education: but, should she be importunately\ndemanded, that I would retire with her abroad, and carefully conceal\nher from Sir John, till some apparent change in his sentiments and\nconduct should announce him less improper for such a trust.",
"And\noften would she say, \"Should the poor babe have any feelings\ncorrespondent with its mother's, it will have no want while under\nyour protection.\"",
"Alas!",
"she had no sooner quitted it herself, than\nshe was plunged into a gulph of misery, that swallowed up her peace,\nreputation, and life.",
"During the childhood of Evelina, I suggested a thousand plans for the\nsecurity of her birth-right;-but I as many times rejected them.",
"I\nwas in a perpetual conflict, between the desire that she should\nhave justice done her, and the apprehension that, while I improved\nher fortune, I should endanger her mind.",
"However, as her character\nbegan to be formed, and her disposition to be displayed, my perplexity\nabated; the road before me seemed less thorny and intricate, and I\nthought I could perceive the right path from the wrong: for when I\nobserved the artless openness the ingenuous simplicity of her nature;\nwhen I saw that her guileless and innocent soul fancied all the world\nto be pure and disinterested as herself, and that her heart was open\nto every impression with which love, pity, or art might assail it;-then\ndid I flatter myself, that to follow my own inclination, and to secure\nher welfare, was the same thing; since, to expose her to the snares and\ndangers inevitably encircling a house of which the master is dissipated\nand unprincipled, without the guidance of a mother, or any prudent and\nsensible female, seemed to me no less than suffering her to stumble\ninto some dreadful pit, when the sun is in its meridian.",
"My plan,\ntherefore, was not merely to educate and to cherish her as my own, but\nto adopt her the heiress of my small fortune, and to bestow her upon\nsome worthy man, with whom she might spend her days in tranquility,\ncheerfulness, and good-humour, untainted by vice, folly, or ambition.",
"So much for the time past.",
"Such have been the motives by which I have\nbeen governed; and I hope they will be allowed not merely to account\nfor, but also to justify, the conduct which has resulted from them.",
"It\nnow remains to speak of the time to come.",
"And here, indeed, I am sensible of difficulties which I almost despair\nof surmounting according to my wishes.",
"I pay the highest deference to\nyour Ladyship's opinion, which it is extremely painful to me not to\nconcur with;-yet I am so well acquainted with your goodness, that I\npresume to hope it would not be absolutely impossible for me to offer\nsuch arguments as might lead you to think with me, that this young\ncreature's chance of happiness seems less doubtful in retirement, than\nit would be in the gay and dissipated world.",
"But why should I perplex\nyour Ladyship with reasoning that can turn to so little account?",
"for,\nalas!",
"what arguments, what persuasions, can I make use of, with any\nprospect of success, to such a woman as Madame Duval?",
"Her character\nand the violence of her disposition, intimidate me from making the\nattempt: she is too ignorant for instruction, too obstinate for\nintreaty, and too weak for reason.",
"I will not, therefore, enter into a contest from which I have nothing\nto expect but altercation and impertinence.",
"As soon would I discuss the\neffect of sound with the deaf, or the nature of colours with the blind,\nas aim at illuminating with conviction a mind so warped by prejudice,\nso much the slave of unruly and illiberal passions.",
"Unused as she\nis to control, persuasion would but harden, and opposition incense\nher.",
"I yield, therefore, to the necessity which compels my reluctant\nacquiescence; and shall now turn all my thoughts upon considering\nof such methods for the conducting this enterprise, as may be most\nconducive to the happiness of my child and least liable to wound\nher sensibility.",
"The law-suit, therefore, I wholly and absolutely disapprove.",
"Will you, my dear Madam, forgive the freedom of an old man, if I\nown myself greatly surprised, that you could, even for a moment,\nlisten to a plan so violent, so public, so totally repugnant to all\nfemale delicacy?",
"I am satisfied your Ladyship has not weighed this\nproject.",
"There was a time, indeed, when to assert the innocence\nof Lady Belmont, and to blazon to the world the wrongs, not guilt,\nby which she suffered, I proposed, nay attempted, a similar plan:\nbut then all assistance and encouragement was denied.",
"How cruel to\nthe remembrance I bear of her woes is this tardy resentment of Madame\nDuval!",
"She was deaf to the voice of Nature, though she has hearkened\nto that of Ambition.",
"Never can I consent to have this dear and timid girl brought forward to\nthe notice of the world by such a method; a method which will subject\nher to all the impertinence of curiosity, the sneers of conjecture, and\nthe stings of ridicule.",
"And for what?-the attainment of wealth which\nshe does not want, and the gratification of vanity which she does not\nfeel.",
"A child to appear against a father!-no, Madam, old and infirm\nas I am, I would even yet sooner convey her myself to some remote\npart of the world, though I were sure of dying in the expedition.",
"Far different had been the motives which would have stimulated\nher unhappy mother to such a proceeding; all her felicity in this\nworld was irretrievably lost; her life was become a burthen to her;\nand her fair fame, which she had early been taught to prize above\nall other things, had received a mortal wound: therefore, to clear\nher own honour, and to secure from blemish the birth of her child,\nwas all the good which fortune had reserved herself the power of\nbestowing.",
"But even this last consolation was withheld from her!",
"Let milder measures be adopted: and-since it must be so-let application\nbe made to Sir John Belmont, but as to a law-suit, I hope, upon this\nsubject, never more to hear it mentioned.",
"With Madame Duval, all pleas of delicacy would be ineffectual;\nher scheme must be opposed by arguments better suited to her\nunderstanding.",
"I will not, therefore, talk of its impropriety, but\nendeavour to prove its inutility.",
"Have the goodness, then, to tell\nher, that her own intentions would be frustrated by her plan; since,\nshould the lawsuit be commenced, and even should the cause be gained,\nSir John Belmont would still have it in his power, and, if irritated,\nno doubt in his inclination, to cut off her grand-daughter with\na shilling.",
"She cannot do better herself than to remain quiet and inactive\nin the affair: the long and mutual animosity between her and Sir\nJohn will make her interference merely productive of debates and\nill-will.",
"Neither would I have Evelina appear till summoned.",
"And as\nto myself, I must wholly decline acting; though I will, with unwearied\nzeal, devote all my thoughts to giving counsel: but, in truth, I have\nneither inclination nor spirits adequate to engaging personally with\nthis man.",
"My opinion is, that he would pay more respect to a letter from your\nLadyship upon this subject, than from any other person.",
"I, therefore,\nadvise and hope, that you will yourself take the trouble of writing\nto him, in order to open the affair.",
"When he shall be inclined to see\nEvelina, I have for him a posthumous letter, which his much injured\nlady left to be presented to him, if ever such a meeting should\ntake place.",
"The views of the Branghtons, in suggesting this scheme, are obviously\ninterested.",
"They hope, by securing to Evelina the fortune of her\nfather, to induce Madame Duval to settle her own upon themselves.",
"In\nthis, however, they would probably be mistaken; for little minds have\never a propensity to bestow their wealth upon those who are already\nin affluence; and, therefore, the less her grandchild requires her\nassistance, the more gladly she will give it.",
"I have but one thing more to add, from which, however, I can by no\nmeans recede: my word so solemnly given to Lady Belmont, that her\nchild should never be owned but with her self, must be inviolably\nadhered to.",
"I am, dear Madam, with great respect, Your Ladyship's\nmost obedient servant, ARTHUR VILLARS.",
"</CHAPTER>\n<CHAPTER>\nLETTER XXIX MR. VILLARS TO EVELINA\n\nBerry Hill, May 2.",
"HOW sincerely do I sympathise in the uneasiness and concern which\nmy beloved Evelina has so much reason to feel!",
"The cruel scheme in\nagitation is equally repugnant to my judgment and my inclination;-yet\nto oppose it seems impracticable.",
"To follow the dictates of my own\nheart, I should instantly recall you to myself, and never more consent\nto your being separated from me; but the manners and opinion of the\nworld demand a different conduct.",
"Hope, however, for the best, and be\nsatisfied you shall meet with no indignity; if you are not received\ninto your own family as you ought to be, and with the distinction that\nis your due, you shall leave it for ever; and once again restored to\nmy protection, secure your own tranquillity, and make, as you have\nhitherto done, all the happiness of my life.",
"ARTHUR VILLARS.",
"</CHAPTER>\n<CHAPTER>\nLETTER XXX EVELINA TO THE REV.",
"MR. VILLARS\n\nHoward Grove, May 6.",
"THE die is thrown, and I attend the event in trembling!",
"Lady Howard\nhas written to Paris, and sent her letter to town, to be forwarded in\nthe ambassador's packet; and, in less than a fortnight, therefore, she\nexpects an answer.",
"O, Sir, with what anxious impatience shall I wait\nits arrival!",
"upon it seems to depend the fate of my future life.",
"My\nsolicitude is so great, and my suspense so painful, that I cannot\nrest a moment in peace, or turn my thoughts into any other channel.",
"Deeply interested as I now am in the event, most sincerely do I\nregret that the plan was ever proposed.",
"Methinks it cannot end to\nmy satisfaction: for either I must be torn from the arms of my more\nthan father,-or I must have the misery of being finally convinced,\nthat I am cruelly rejected by him who has the natural claim to that\ndear title, which to write, mention, or think of, fills my whole soul\nwith filial tenderness.",
"The subject is discussed here eternally.",
"Captain Mirvan and Madame\nDuval, as usual, quarrel whenever it is started: but I am so wholly\nengrossed by my own reflections, that I cannot even listen to them.",
"My\nimagination changes the scene perpetually: one moment, I am embraced\nby a kind and relenting parent, who takes me to that heart from\nwhich I have hitherto been banished, and supplicates, through me,\npeace and forgiveness from the ashes of my mother!-at another, he\nregards me with detestation, considers me as the living image of an\ninjured saint, and repulses me with horror!-But I will not afflict\nyou with the melancholy phantasms of my brain; I will endeavour to\ncompose my mind to a more tranquil state, and forbear to write again\ntill I have in some measure succeeded.",
"May Heaven bless you, my dearest Sir!",
"and long, long may it continue\nyou on earth, to bless Your grateful EVELINA\n\n\n</CHAPTER>\n<CHAPTER>\nLETTER XXXI LADY HOWARD TO SIR JOHN BELMONT, BART\n\nHoward Grove, May 5.",
"Sir,\n\nYOU will, doubtless, be surprised at receiving a letter from one who\nhad for so short a period the honour of your acquaintance, and that\nat so great a distance of time; but the motive which has induced me to\ntake this liberty is of so delicate a nature, that were I to commence\nmaking apologies for my officiousness, I fear my letter would be too\nlong for your patience.",
"You have, probably, already conjectured the subject upon which I\nmean to treat.",
"My regard for Mr. Evelyn, and his amiable daughter,\nwas well known to you: nor can I ever cease to be interested in\nwhatever belongs to their memory or family.",
"I must own myself somewhat distressed in what manner to introduce the\npurport of my writing; yet as I think that, in affairs of this kind,\nfrankness is the first requisite to a good understanding between\nthe parties concerned, I will neither torment you nor myself with\npunctilious ceremonies, but proceed instantly and openly to the\nbusiness which occasions my giving you this trouble.",
"I presume, Sir, it would be superfluous to tell you, that your child\nresides still in Dorsetshire, and is still under the protection\nof the Reverend Mr. Villars, in whose house she was born: for,\nthough no enquiries concerning her have reached his ears, or mine,\nI can never suppose it possible you have forborne to make them.",
"It\nonly remains, therefore, to tell you, that your daughter is now\ngrown up; that she has been educated with the utmost care, and the\nutmost success; and that she is now a most deserving, accomplished,\nand amiable young woman.",
"Whatever may be your view for her future destination in life, it seems\ntime to declare it.",
"She is greatly admired, and, I doubt not, will\nbe very much sought after: it is proper, therefore, that her future\nexpectations, and your pleasure concerning her, should be made known.",
"Believe me, Sir, she merits your utmost attention and regard.",
"You\ncould not see and know her, and remain unmoved by those sensations of\naffection which belong to so near and tender a relationship.",
"She is\nthe lovely resemblance of her lovely mother;-pardon, Sir, the liberty\nI take in mentioning that unfortunate lady; but I think it behoves\nme, upon this occasion, to shew the esteem I felt for her: allow me,\ntherefore, to say, and be not offended at my freedom, that the memory\nof that excellent lady has but too long remained under the aspersions\nof calumny; surely it is time to vindicate her fame;-and how can that\nbe done in a manner more eligible, more grateful to her friends, or\nmore honourable to yourself, than by openly receiving as your child,\nthe daughter of the late Lady Belmont?",
"The venerable man who has had the care of her education, deserves\nyour warmest acknowledgments, for the unremitting pains he has taken,\nand the attention he has shewn in the discharge of his trust.",
"Indeed\nshe has been peculiarly fortunate in meeting with such a friend and\nguardian; a more worthy man, or one whose character seems nearer to\nperfection, does not exist.",
"Permit me to assure you, Sir, she will amply repay whatever regard and\nfavour you may hereafter shew her, by the comfort and happiness you\ncannot fail to find in her affection and duty.",
"To be owned properly\nby you is the first wish of her heart; and, I am sure, that to merit\nyour approbation will be the first study of her life.",
"I fear that you will think this address impertinent; but I must rest\nupon the goodness of my intention to plead my excuse.",
"I am, Sir,\nYour most obedient humble servant, M. HOWARD.",
"</CHAPTER>"
] | [
"He addressed us with his usual ease, and joined\nus for the whole evening.",
"\"O, very well, my Lord,\" answered she, \"pray date the end of our\nspeaking to each other as early as you please, I'll promise to agree\nto your time.\"",
"\"Why, what the D-l,\" cried the Captain, leaning forward with both\n his arms\non the table,\" are you going to Ranelagh at this time of night?\"",
"\"No, my Lord, I believe not.\"",
"\"No, nor dish me neither,\" answered the Captain; \"but, be that as\n it may,\nwhat signifies our parleying here?",
"We then hoped to proceed quietly on our journey; but the turbulent\n Captain\nwould not yet permit us.",
"why, I thought you told me, that you old gentlewomen\nhad it all your own way among them French sparks?\"",
"She enlarged also upon the delight she should have, in common\n with myself,\nfrom mortifying the pride of certain people, and showing them that\nshe was not to be slighted with impunity.",
"And\nyet, you may much better imagine, than I can express, the internal\nanguish which sometimes oppresses my heart, when I reflect upon the\nstrange indifference that must occasion a father never to make the\nleast enquiry after the health, the welfare, or even the life of\nhis child!",
"It\nonly remains, therefore, to tell you, that your daughter is now\ngrown up; that she has been educated with the utmost care, and the\nutmost success; and that she is now a most deserving, accomplished,\nand amiable young woman."
] | [
"He then proceeded to tell her, that he had waited upon Mr. Lovel the\nmorning after the play; that the visit had proved an amicable one,\nbut the particulars were neither entertaining nor necessary: he only\nassured her, Miss Anville might be perfectly easy, since Mr. Lovel\nhad engaged his honour never more to mention, or even to hint at what\nhad passed at Mrs. Stanley's assembly.",
"It is only fit, in my mind, for monkeys:-though,\nfor aught I know, they too might turn up their noses at it.\"",
"\"Half-a-guinea!\"",
"I have but one thing more to add, from which, however, I can by no\nmeans recede: my word so solemnly given to Lady Belmont, that her\nchild should never be owned but with her self, must be inviolably\nadhered to.",
"He seemed to belong to a\nlarge party, chiefly of ladies; but, among the gentlemen attending\nthem, I perceived Mr. Lovel.",
"My\nimagination changes the scene perpetually: one moment, I am embraced\nby a kind and relenting parent, who takes me to that heart from\nwhich I have hitherto been banished, and supplicates, through me,\npeace and forgiveness from the ashes of my mother!-at another, he\nregards me with detestation, considers me as the living image of an\ninjured saint, and repulses me with horror!-But I will not afflict\nyou with the melancholy phantasms of my brain; I will endeavour to\ncompose my mind to a more tranquil state, and forbear to write again\ntill I have in some measure succeeded.",
"\"Sir, you're a-but I won't say what;-but I protest I hadn't no such\na thought, no more hadn't Monsieur Du Bois.\"",
"He was\n more grave\nthan I had ever seen him; and made several attempts to speak to me in\na low voice, and to assure me that his regret upon the occasion of\nour journey was entirely upon my account.",
"Let milder measures be adopted: and-since it must be so-let application\nbe made to Sir John Belmont, but as to a law-suit, I hope, upon this\nsubject, never more to hear it mentioned.",
"And\noften would she say, \"Should the poor babe have any feelings\ncorrespondent with its mother's, it will have no want while under\nyour protection.\""
] | [
"I need not now, I am sure, enlarge\nupon your indiscretion and want of thought, in so hastily trusting\nyourself with a man so little known to you, and whose gaiety and\nflightiness should have put you on your guard.",
"The nobleman you met at the Pantheon, bold and forward as you describe\n him to\nbe, gives me no apprehension; a man who appears so openly licentious,\nand who makes his attack with so little regard to decorum, is one who,\nto a mind such as my Evelina's, can never be seen but with the disgust\nwhich his manners ought to excite.",
"But Sir Clement, though he seeks occasion to give real offence,\n contrives to\navoid all appearance of intentional evil.",
"He is far more dangerous,\nbecause more artful: but I am happy to observe, that he seems to\nhave made no impression upon your heart; and therefore a very little\ncare and prudence may secure you from those designs which I fear he\nhas formed.",
"Lord Orville appears to be of a better order of beings.",
"His spirited\n conduct\nto the meanly impertinent Lovel, and his anxiety for you after the\nopera, prove him to be a man of sense and feeling.",
"Doubtless he thought\nthere was much reason to tremble for your safety while exposed to\nthe power of Sir Clement; and he acted with a regard to real honour,\nthat will always incline me to think well of him, in so immediately\nacquainting the Mirvan family with your situation.",
"Many men of this\nage, from a false and pretended delicacy to a friend, would have\nquietly pursued their own affairs, and thought it more honourable\nto leave an unsuspecting young creature to the mercy of a libertine,\nthan to risk his displeasure by taking measures for her security.",
"Your evident concern at leaving London is very natural, and yet\n it afflicts\nme.",
"I ever dreaded your being too much pleased with a life of\ndissipation, which youth and vivacity render but too alluring; and\nI almost regret the consent for your journey, which I had not the\nresolution to withhold.",
"Alas, my child, the artfulness of your nature, and the simplicity\n of your\neducation, alike unfit you for the thorny paths of the great and\nbusy world."
] | [
"<CHAPTER>\nLETTER XXII EVELINA IN CONTINUATION\n\nMonday Morning, April 18.",
"MRS. MIRVAN has just communicated to me an anecdote concerning Lord\nOrville, which has much surprised, half pleased, and half pained me.",
"While they were sitting together during the opera, he told her that\nhe had been greatly concerned at the impertinence which the young\nlady under her protection had suffered from Mr. Lovel; but that he\nhad the pleasure of assuring her, she had no future disturbance to\napprehend from him.",
"Mrs. Mirvan, with great eagerness, begged he would explain himself;\nand said she hoped he had not thought so insignificant an affair\nworthy his serious attention.",
"\"There is nothing,\" answered he, \"which requires more immediate notice\nthan impertinence, for it ever encroaches when it is tolerated.\"",
"He\nthen added, that he believed he ought to apologize for the liberty\nhe had taken in interfering; but that, as he regarded himself in the\nlight of a party concerned, from having had the honour of dancing\nwith Miss Anville, he could not possibly reconcile to himself a\npatient neutrality.",
"He then proceeded to tell her, that he had waited upon Mr. Lovel the\nmorning after the play; that the visit had proved an amicable one,\nbut the particulars were neither entertaining nor necessary: he only\nassured her, Miss Anville might be perfectly easy, since Mr. Lovel\nhad engaged his honour never more to mention, or even to hint at what\nhad passed at Mrs. Stanley's assembly.",
"Mrs. Mirvan expressed her satisfaction at this conclusion, and thanked\nhim for his polite attention to her young friend.",
"\"It would be needless,\" said he, \"to request that this affair may\nnever transpire, since Mrs. Mirvan cannot but see the necessity of\nkeeping it inviolably secret; but I thought it incumbent upon me,\nas the young lady is under your protection, to assure both you and\nher of Mr. Lovel's future respect.\"",
"Had I known of this visit previous to Lord Orville's making it, what\ndreadful uneasiness would it have cost me!",
"Believe me, Sir, she merits your utmost attention and regard.",
"You\ncould not see and know her, and remain unmoved by those sensations of\naffection which belong to so near and tender a relationship.",
"She is\nthe lovely resemblance of her lovely mother;-pardon, Sir, the liberty\nI take in mentioning that unfortunate lady; but I think it behoves\nme, upon this occasion, to shew the esteem I felt for her: allow me,\ntherefore, to say, and be not offended at my freedom, that the memory\nof that excellent lady has but too long remained under the aspersions\nof calumny; surely it is time to vindicate her fame;-and how can that\nbe done in a manner more eligible, more grateful to her friends, or\nmore honourable to yourself, than by openly receiving as your child,\nthe daughter of the late Lady Belmont?",
"The venerable man who has had the care of her education, deserves\nyour warmest acknowledgments, for the unremitting pains he has taken,\nand the attention he has shewn in the discharge of his trust.",
"Indeed\nshe has been peculiarly fortunate in meeting with such a friend and\nguardian; a more worthy man, or one whose character seems nearer to\nperfection, does not exist.",
"Permit me to assure you, Sir, she will amply repay whatever regard and\nfavour you may hereafter shew her, by the comfort and happiness you\ncannot fail to find in her affection and duty.",
"To be owned properly\nby you is the first wish of her heart; and, I am sure, that to merit\nyour approbation will be the first study of her life.",
"I fear that you will think this address impertinent; but I must rest\nupon the goodness of my intention to plead my excuse.",
"I am, Sir,\nYour most obedient humble servant, M. HOWARD.",
"</CHAPTER>"
] | to be told by some of you, who seem to be knowing
in them things, what kind of diversion can be found in such a place
as this here, for one who has had, long ago, his full of face-hunting?"
Every body laughed, but nobody spoke.
"Why, look you there now," continued the Captain, "you're all at a dead
stand!-not a man among you can answer that there question.
Why, then,
I must make bold to conclude, that you all come here for no manner
of purpose but to stare at one another's pretty faces:-though, for
the matter of that, half of 'em are plaguy ugly;-and, as to t'other
half,-I believe it's none of God's manufactory."
"What the ladies may come hither for, Sir," said Mr. Lovel, (stroking
his ruffles, and looking down,) "it would ill become us to determine;
but as to we men, doubtless we can have no other view than to admire
them."
"If I ben't mistaken," cried the Captain, (looking earnestly in
his face,)
"you are that same person we saw at Love for Love t'other night;
ben't you?"
Mr. Lovel | <CHAPTER>
LETTER XXII EVELINA IN CONTINUATION
Monday Morning, April 18.
MRS. MIRVAN has just communicated to me an anecdote concerning Lord
Orville, which has much surprised, half pleased, and half pained me.
While they were sitting together during the opera, he told her that
he had been greatly concerned at the impertinence which the young
lady under her protection had suffered from Mr. Lovel; but that he
had the pleasure of assuring her, she had no future disturbance to
apprehend from him.
Mr you, Sir, she will amply repay whatever regard and
favour you may hereafter shew her, by the comfort and happiness you
cannot fail to find in her affection and duty.
To be owned properly
by you is the first wish of her heart; and, I am sure, that to merit
your approbation will be the first study of her life.
I fear that you will think this address impertinent; but I must rest
upon the goodness of my intention to plead my excuse.
I am, Sir,
Your most obedient humble servant, M. HOWARD.
</CHAPTER> | a lasting leave of it.
Remember, however, that I only speak in regard to a public and
dissipated
life; in private families we may doubtless find as much goodness,
honesty, and virtue, in London as in the country.
If contented with a retired station, I still hope I shall live to
see my
Evelina the ornament of her neighbourhood, and the pride and delight
of her family; and giving and receiving joy from such society as may
best deserve her affection, and employing herself in such useful and
innocent occupations as may secure and merit the tenderest love of her
friends, and the worthiest satisfaction of her own heart.
Such are my
hopes, and such have been my expectations.
Disappointment them not,
my beloved child; but cheer me with a few lines, that may assure me,
this one short fortnight spent in town has not undone the work of
seventeen years spent in the country.
ARTHUR VILLARS.
</CHAPTER>
<CHAPTER>
LETTER XXV EVELINA TO THE REV.
MR. VILLARS
Howard Grove, April 25.
NO, my dear Sir, no |
6,053 | true | gradesaver | all_chapterized_books/6053-chapters/volume_2_chapters_1_to_11.txt | finished_summaries/gradesaver/Evelina/section_3_part_0.txt | Evelina.volume 2.chapters 1-11 | volume 2, letter 1-11 | null | {"name": "Volume II, Letter I - Volume II, Letter XI", "url": "https://web.archive.org/web/20201126171702/https://www.gradesaver.com/evelina-or-the-history-of-a-young-ladys-entrance-into-the-world/study-guide/summary-volume-ii-letter-i--volume-ii-letter-xi", "summary": "Evelina continues to write to Mr. Villars of her time at Howard Grove. Howard Grove was enlivened by a visit from Sir Clement Willoughby. The Captain was extremely excited to see his friend, and hoped Sir Clement would help him annoy the \"old French-woman.\" Evelina, however, was dismayed to see their plans to do so put into place. One morning at breakfast, the Captain convinced Madame Duval that Monsieur Du Bois was in trouble with the law. He was shifty enough that she believed him, and she soon began to inquire after her friend with the appropriate authorities. That evening, a letter arrived stating that Du Bois had been imprisoned for \"suspicion of treasonable practices against the government.\" It had been written by the Captain, but Madame Duval did not realize it. Evelina could hardly believe that Madame Duval fell for this ruse. Upon request, Evelina commissioned a chariot to bring Madame Duval into town so she could investigate the claims. She also accompanied her grandmother. Evelina was ashamed to be involved in the affair, but feared the Captain might turn on her if she did not comply. In town, they learned that Monsieur Du Bois had \"escaped,\" and ordered the coachman to return home. Obviously, this information had been planted by the Captain. While heading back to Howard Grove, their coachman warned the women that thieves were about. This news, which Evelina knew to be part of the Captain's plan, terrified Madame Duval, who assumed they would be murdered. Because of the warning, they left their money and valuables with a friend. It was not long until two masked men accosted the chariot. One held Evelina, while the other pulled Madame Duval from the carriage despite her shrieks and resistance. Evelina soon realized it was Sir Clement who held her, as he entered the carriage to sit by her. He forcefully told her of his affection until she begged him to desist, and demanded he stop the cruelty towards her grandmother. The man in the other mask came back, laughing and saying that \"I've done for her!\" It was clearly the Captain in the other mask. After the men left, Evelina demanded the footman lead her to Madame Duval. She found her grandmother in a ditch, \"roaring, and in the utmost agony of rage and terror.\" Her feet were tied together with a strong rope fastened to the upper branch of a tree. She was in complete disorder - her clothes were torn or in disarray, her head curls had fallen off, and she was covered in dirt and dust. On the ride back to Howard Grove, Evelina asked Madame Duval for an account of what had happened. Madame Duval said that the robber dragged her down the road, and then shook her extremely hard. Pretending to be angry that they had no valuables, he revealed a rope, which she thought he would use to hang her. She screamed excessively, but he never said a word. He used the rope to tie her up and leave her in the state that Evelina found her in. Evelina almost wanted to laugh at the story, but she was mostly irritated with the Captain \"for carrying his love of tormenting - sport, he calls it - to such barbarous and unjustifiable extremes.\" At Howard Grove, Madame Duval went quickly upstairs. The men did not appear until supper, during which the Captain was in raptures over the prank's success. The next day, he wanted to do nothing but devise new ways in which to torture her. Evelina asked Mrs. Mirvan to talk to her husband about ceasing these torments, but Mrs. Mirvan said it was fruitless. Evelina announced she would make the request of Sir Clement, but Mrs. Mirvan warned her that it was sometimes unwise to make requests of men \"who are too desirous of receiving them.\" Indeed, the idea of asking Sir Clement for anything gave her pause. Evelina first confronted the Captain with her request. It made him gloomy. Later, Sir Clement found Evelina in private to say that he wished to honor her request, but would have to leave town suddenly so as to not anger the Captain for abandoning their plans. He implored her for one word or look of approbation, threatening that without it, he saw no reason to help her. After bearing his demands silently, she offered a sarcastic admonishment and then hurriedly left. To her surprise, Sir Clement left that evening anyway. She admits in her letter that his presence is conspicuous at dinner since he tends to pleasant and agreeable while in large company. That same evening, Madame Duval was puzzled when a letter from Monsieur Du Bois made no mention of imprisonment. The next letter is Sir John Belmont's short reply to Lady Howard. He wishes well for Evelina, but has nothing further to offer her. He also makes a veiled accusation of ill behavior on the part of Mr. Villars. Evelina writes to Mr. Villars of her profound distress at her father's rejection. She can barely think of anything else in her anguish. She also tells how Madame Duval was incensed by the letter, and hinted that she might go to Paris to demand justice face-to-face. Mr. Villars writes to Evelina to comfort her. He warns her to be careful of Sir Clement. He then writes to Lady Howard, mentioning how Madame Duval had visited him and was, as ever, exceedingly unpleasant. She demanded that Evelina live with her in London, threatening to withhold any fortune due the girl if he did not comply. He hates the idea, but is forced by this threat to reach a compromise: Evelina will live with her grandmother in London for one month. He then writes to inform Evelina of this plan, warning her to be a prudent judge and guardian of her delicate reputation. Evelina soon writes to Mr. Villars about her arrival in London. Though Evelina has separate lodgings with Madame Duval, her grandmother took her immediately to Mr. Branghton's house. While there, Madame Duval learned the truth about Monsieur Du Bois. As expected, she grew violently angry to realize what the Captain had done. She complains of the Branghton house, which is small and inconvenient. Downstairs is a shop where they conduct business; it is very uncomfortable to sit in, yet they are there all the time. While there, she once again encountered the Miss Branghtons. It was not a very cordial reception. They laughed uproariously when Madame Duval told her story of the \"robbers,\" which incensed the older woman. In talking with the two sisters, Evelina noted their \"extreme want of affection, and good-nature\" which \"increased the distaste I already felt for .\" Evelina writes to Maria Mirvan, complaining how different London is while living amongst the Branghtons. She no longer found it gay, but instead found it dull and gloomy. She then writes to Mr. Villars of how dinners were held at the Branghton house. They intended to dine in the room of their boarder, Mr. Smith, but he argued his room was only fit for after-dinner tea. Dinner was \"ill-served, ill-cooked, and ill-managed,\" and the family argued incessantly. While passing through the shop on the way to tea after dinner, they encountered the Branghton's other lodger - a very melancholy and serious young man named Mr. Macartney . Miss Branghton explained that she believes him to be a Scottish poet because of his demeanor, and because they found scraps of poetry in his room. They showed Evelina what they had found, and she read, \"an internal wretchedness, which, I own, affects me.\" While at Mr. Smith's for tea, he began to address himself to Evelina in a \"style of gallantry equally new and disagreeable to me.\" His manners were far worse than Sir Clement's. She spent the rest of the evening in painful attention to this \"irksome young man.\"", "analysis": "Burney's perspective as a woman grows more pronounced as the novel continues. In this set of letters, several incidents highlight her understanding of women as constantly in danger from male aggression. With the robbery prank, Captain Mirvan exceeds his previous torture of Madame Duval. It is an altogether strange and uncomfortable episode that serves as a demonstration of violence against women. The Captain's misogyny grows from verbal assaults into actual physical abuse. The psychological effect of his gleeful persecution is also much heightened by this particular attack; he is no longer sitting face-to-face with Madame Duval and trading insults, but is now constructing a situation to cultivate tremendous fear, anxiety, rage, and humiliation. What's more, he does all of this without having to take any responsibility for it. Madame Duval is treated like refuse, her femininity assaulted and mocked, and her person touched in an inappropriate way. Were the Captain's antagonist male, he would not have had recourse to the kneejerk fears that a woman felt while traveling unprotected. This episode reveals the length to which the Captain's hatred of women and foreigners extended, and, on a more macro scale, the ill treatment which women received at the hands of men in the 18th century. Further, Evelina's beauty has become not only a liability, but also a torture to her. Sir Clement's niceties are revealed as hypocritical when he threatens to continue torturing Madame Duval if Evelina is not sweet to him. He manipulates the delicacy that society forces women to maintain, and is less interested in actually deserving it than he is in receiving it. It is almost as though he fetishizes this feminine delicacy, which in turn suggests it is not just women he is interested in, but moreover his masculine control over them. This interpretation can easily be applied to the robbery prank as well. The episode with Mr. Smith, while less physically threatening, also touches on Evelina's helplessness. Decorum requires her to sit as this manner-less ass accosts her, showing no subtlety in his aggression. On a different subject, the epistolary structure of the novel begs some consideration. Why did Frances Burney write Evelina as a series of letters, rather than as a straightforward novel, and what points or themes does that reveal? In her influential critical article on the subject, Irene Tucker discusses letters and the theory of property. She sees Evelina's epistolary form as \" the paradox of owning letters into a paradox about property, representation, and, ultimately, the nature of the self.\" In other words, the idea of 'owning' a relationship through a person's letters is a complicated idea that touches on how we define ourselves. The complexities of the relationships between writers and recipients of letters is increased dramatically when they are part of an epistolary novel. Tucker expands her discussion to include properties of letters, and thereby touch on the novel's complexities. First, a real-world letter has an identifiable author and is addressed to a specific person. In an epistolary novel, there is also a second writer and addressee - the author of the novel and the novel's readers. Secondly, a letter implies an \"I,\" which in the novel is still the fictional construction of the novel's author. Thirdly, letters in an epistolary novel are dated to help the narrative movement by marking the passage of time, but they do not provide any real-world context of time. The reader's perspective is complicated because s/he does not know whether s/he is reading the letters as they are being written, as they are being read by their recipient, or at some other independent moment. Fourthly, letters are always written without any foreknowledge or an understanding of the future; they cannot trace out a destiny and are naturally fragmented. Thus, in Evelina, there is a tension between this fragmentation and the novel's unity. Fifthly, there is a \"splitting of material and ideal forms of the letter\" in that \"the idea of the letter is invoked, while many of the material aspects are held in abeyance\" in an epistolary novel. Burney has to control all the events of the story as author, while the form of letters sits in stark contrast to this kind of control and omniscience. All of these contradictions parallel Evelina's complicated place in the world. Burney places Evelina, a disowned heiress, \"at the center of the contradictions regarding property and identity.\" Mr. Villars, her guardian, reveals through his letters that he considers Evelina to be somewhat his property; there are similarities between him sending out letters and \"sending out\" Evelina into the world. The form of the letters changes throughout the novel. They are first short and very much like traditional letters. Later, however, as Evelina writes, they are longer and more novel-like. Evelina's letters show how she is growing apart from Mr. Villars as well. She is first hesitant to write, but then embraces her identity as a letter-writing subject and writes copiously. Tucker notes, \"the substitution of the ideality of the letter for the materiality of Evelina's actual body hence becomes a necessary condition of her developing autonomy.\" She becomes \"irreducibly different\" from Mr. Villars, and becomes progressively more confident in shaping her own life. Thus, Burney traces her primary growth not through the language of an omniscient narrator, but instead through the changing form of the letters Evelina writes."} | <CHAPTER>
LETTER XXXII EVELINA TO THE REV. MR. VILLARS
Howard Grove, Kent, May 10.
OUR house has been enlivened to-day by the arrival of a London visitor;
and the necessity I have been under of concealing the uneasiness of
my mind, has made me exert myself so effectually, that I even think
it is really diminished; or, at least, my thoughts are not so totally,
so very anxiously, occupied by one subject only as they lately were.
I was strolling this morning with Miss Mirvan, down a lane about
a mile from the Grove, when we heard the trampling of horses; and,
fearing the narrowness of the passage, we were turning hastily back,
but stopped upon hearing a voice call out, "Pray, Ladies, don't be
frightened, for I will walk my horse." We turned again, and then saw
Sir Clement Willoughby. He dismounted; and approaching us with the
reins in his hand, presently recollected us. "Good Heaven," cried
he, with his usual quickness, "do I see Miss Anville ?-and you too,
Miss Mirvan?"
He immediately ordered his servant to take charge of his horse; and
then, advancing to us, took a hand of each, which he pressed to his
lips, and said a thousand fine things concerning his good fortune,
our improved looks, and the charms of the country, when inhabited
by such rural deities. "The town, Ladies, has languished since your
absence;-or, at least, I have so much languished myself, as to be
absolutely insensible to all it had to offer. One refreshing breeze,
such as I now enjoy, awakens me to new vigour, life, and spirit. But I
never before had the good luck to see the country in such perfection."
"Has not almost every body left town, Sir?" said Miss Mirvan.
"I am ashamed to answer you, Madam,-but indeed it is as full as ever,
and will continue so till after the birth-day. However, you Ladies
were so little seen, that there are but few who know what it has
lost. For my own part, I felt it too sensibly, to be able to endure
the place any longer."
"Is there any body remaining there, that we were acquainted
with?" cried I.
"O yes, Ma'am." And then he named two or three persons we have seen
when with him; but he did not mention Lord Orville, and I would not
ask him, lest he should think me curious. Perhaps, if he stays here
some time, he may speak of him by accident.
He was proceeding in this complimentary style, when we were met by
the Captain; who no sooner perceived Sir Clement, than he hastened
up to him, gave him a hearty shake of the hand, a cordial slap on the
back, and some other equally gentle tokens of satisfaction, assuring
him of his great joy at his visit, and declaring he was as glad to
see him as if he had been a messenger who brought news that a French
ship was sunk. Sir Clement, on the other side, expressed himself with
equal warmth; and protested he had been so eager to pay his respects
to Captain Mirvan, that he had left London in its full lustre, and a
thousand engagements unanswered, merely to give himself that pleasure.
"We shall have rare sport," said the Captain; "for, do you know, the
old French-woman is among us? 'Fore George, I have scarce made any
use of her yet, by reason I have had nobody with me that could enjoy a
joke: howsomever, it shall go hard but we'll have some diversion now."
Sir Clement very much approved of the proposal; and we then went into
the house, where he had a very grave reception from Mrs. Mirvan, who
is by no means pleased with his visit, and a look of much discontent
from Madame Duval, who said to me in a low voice, "I'd as soon have
seen Old Nick as that man, for he's the most impertinentest person
in the world, and isn't never of my side."
The Captain is now actually occupied in contriving some scheme, which,
he says, is to pay the old Dowager off; and so eager and delighted is
he at the idea, that he can scarcely restrain his raptures sufficiently
to conceal his design even from herself. I wish, however, since I do
not dare put Madame Duval upon her guard, that he had the delicacy
not to acquaint me with his intention.
</CHAPTER>
<CHAPTER>
LETTER XXXIII EVELINA IN CONTINUATION
May 13th.
THE Captain's operations are begun,-and, I hope, ended; for, indeed,
poor Madame Duval has already but too much reason to regret Sir
Clement's visit to Howard Grove.
Yesterday morning, during breakfast, as the Captain was reading the
newspaper, Sir Clement suddenly begged to look at it, saying, he wanted
to know if there was any account of a transaction, at which he had
been present the evening before his journey hither, concerning a poor
Frenchman, who had got into a scrape which might cost him his life.
The Captain demanded particulars; and then Sir Clement told a
long story of being with a party of country friends at the Tower,
and hearing a man call out for mercy in French; and that, when he
inquired into the occasion of his distress, he was informed that he
had been taken up upon suspicion of treasonable practices against the
government. "The poor fellow," continued he, "no sooner found that I
spoke French, than he besought me to hear him, protesting that he had
no evil designs; that he had been but a short time in England, and
only waited the return of a lady from the country to quit it for ever."
Madame Duval changed colour, and listened with the utmost attention.
"Now, though I by no means approve of so many foreigners continually
flocking into our country," added he, addressing himself to the
Captain, "yet I could not help pitying the poor wretch, because
he did not know enough of English to make his defence; however, I
found it impossible to assist him; for the mob would not suffer me
to interfere. In truth, I am afraid he was but roughly handled."
"Why, did they duck him?" said the Captain.
"Something of that sort," answered he.
"So much the better! so much the better!" cried the Captain, "an
impudent French puppy! I'll bet you what you will he was a rascal. I
only wish all his countrymen were served the same."
"I wish you had been in his place, with all my soul!" cried Madame
Duval, warmly;-"but pray, Sir, did'n't nobody know who this poor
gentleman was?"
"Why I did hear his name," answered Sir Clement, "but I cannot
recollect it."
"It wasn't-it wasn't-Du Bois?" stammered out Madame Duval.
"The very name!" answered he: "yes, Du Bois, I remember it now."
Madame Duval's cup fell from her hand, as she repeated "Du
Bois! Monsieur Du Bois, did you say?"
"Du Bois! why, that's my friend," cried the Captain, "that's Monseer
Slippery, i'n't it?-Why, he's plaguy fond of sousing work; howsomever,
I'll be sworn they gave him his fill of it."
"And I'll be sworn," cried Madame Duval, "that you're a-but I don't
believe nothing about it, so you needn't be so overjoyed, for I dare
say it was no more Monsieur Du Bois than I am."
"I thought at the time," said Sir Clement, very gravely, "that I had
seen the gentleman before; and now I recollect, I think it was in
company with you, Madame."
"With me, Sir?" cried Madame Duval.
"Say you so?" said the Captain; "why then it must be he, as sure
as you're alive!-Well, but, my good friend, what will they do with
poor Monseer?"
"It is difficult to say," answered Sir Clement, very thoughtfully;
"but I should suppose, that if he has not good friends to appear for
him, he will be in a very unpleasant situation; for these are serious
sorts of affairs."
"Why, do you think they'll hang him?" demanded the Captain.
Sir Clement shook his head, but made no answer.
Madame Duval could no longer contain her agitation; she started
from her chair, repeating, with a voice half-choked, "Hang him!-they
can't,-they sha'n't-let them at their peril!-However, it's all false,
and I won't believe a word of it;-but I'll go to town this very moment,
and see M. Du Bois myself;-I won't wait for nothing."
Mrs. Mirvan begged her not to be alarmed; but she flew out of the
room, and up stairs into her own apartment. Lady Howard blamed both
the gentlemen for having been so abrupt, and followed her. I would
have accompanied her, but the Captain stopped me; and, having first
laughed very heartily, said he was going to read his commission to
his ship's company.
"Now, do you see," said he, "as to Lady Howard, I sha'n't pretend for
to enlist her into my service, and so I shall e'en leave her to make
it out as well as she can; but as to all you, I expect obedience and
submission to orders; I am now upon a hazardous expedition, having
undertaken to convoy a crazy vessel to the shore of Mortification; so,
d'ye see, if any of you have anything to propose that will forward the
enterprise,-why speak and welcome; but if any of you, that are of my
chosen crew, capitulate, or enter into any treaty with the enemy,-I
shall look upon you as mutinying, and turn you adrift."
Having finished this harangue, which was interlarded with many
expressions, and sea-phrases, that I cannot recollect, he gave Sir
Clement a wink of intelligence, and left us to ourselves.
Indeed, notwithstanding the attempts I so frequently make of writing
some of the Captain's conversation, I can only give you a faint idea
of his language; for almost every other word he utters is accompanied
by an oath, which, I am sure, would be as unpleasant for you to read,
as for me to write: and, besides, he makes use of a thousand sea-terms,
which are to me quite unintelligible.
Poor Madame Duval sent to inquire at all probable places, whether
she could be conveyed to town in any stage-coach: but the Captain's
servant brought her for answer, that no London stage would pass
near Howard Grove till to-day. She then sent to order a chaise;
but was soon assured, that no horses could be procured. She was so
much inflamed by these disappointments, that she threatened to set
out for town on foot; and it was with difficulty that Lady Howard
dissuaded her from this mad scheme.
The whole morning was filled up with these inquiries. But when we
were all assembled to dinner, she endeavoured to appear perfectly
unconcerned, and repeatedly protested that she gave not any credit
to the report, as far as it regarded M. Du Bois, being very certain
that he was not the person in question.
The Captain used the most provoking efforts to convince her that she
deceived herself; while Sir Clement, with more art, though not less
malice, affected to be of her opinion; but, at the same time that he
pretended to relieve her uneasiness, by saying that he doubted not
having mistaken the name, he took care to enlarge upon the danger to
which the unknown gentleman was exposed, and expressed great concern
at his perilous situation.
Dinner was hardly removed, when a letter was delivered to Madam
Duval. The moment she had read it, she hastily demanded from whom
it came.
"A country boy brought it," answered the servant," but he would
not wait."
"Run after him this instant!" cried she, "and be sure you bring him
back. Mon Dieu! quelle aventure! que feraije?"
"What's the matter? what's the matter?" said the Captain.
"Why nothing-nothing's the matter. O mon Dieu!"
And she rose, and walked about the room.
"Why, what,-has Monseer sent to you?" continued the Captain: "is that
there letter from him?"
"No,-it i'n't;-besides, if it is, it's nothing to you."
"O then, I'm sure it is! Pray now, Madam, don't be so close;
come tell us all about it-what does he say? how did he relish the
horse-pond?-which did he find best, sousing single or double? 'Fore
George, 'twas plaguy unlucky you was not with him!"
"It's no such a thing, Sir," cried she, very angrily; "and if you're
so very fond of a horse-pond, I wish you'd put yourself into one,
and not be always a thinking about other people's being served so."
The man then came in to acquaint her they could not overtake the
boy. She scolded violently, and was in such perturbation, that Lady
Howard interfered, and begged to know the cause of her uneasiness,
and whether she could assist her.
Madame Duval cast her eyes upon the Captain and Sir Clement, and said
she should be glad to speak to her Ladyship without so many witnesses.
"Well, then, Miss Anville," said the Captain, turning to me, "do you
and Molly go into another room, and stay there till Mrs. Duval has
opened her mind to us."
"So you may think, Sir," cried she, "but who's fool then? no, no,
you needn't trouble yourself to make a ninny of me neither, for I'm
not so easily taken in, I'll assure you."
Lady Howard then invited her into the dressing-room, and I was desired
to attend her.
As soon as we had shut the door, "O my Lady," exclaimed Madam Duval,
"here's the most cruelest thing in the world has happened!-but that
Captain is such a beast, I can't say nothing before him,-but it's
all true! poor M. Du Bois is tooked up!"
Lady Howard begged her to be comforted, saying that, as M. Du Bois
was certainly innocent, there could be no doubt of his ability to
clear himself.
"To be sure, my Lady," answered she, "I know he is innocent; and to
be sure they'll never be so wicked as to hang him for nothing?"
"Certainly not," replied Lady Howard; "you have no reason to be
uneasy. This is not a country where punishment is inflicted without
proof."
"Very true, my Lady: but the worst thing is this; I cannot bear
that that fellow the Captain should know about it; for if he does,
I sha'n't never hear the last of it;-no more won't poor M. Du Bois."
"Well, well," said Lady Howard, "shew me the letter, and I will
endeavour to advise you."
The letter was then produced. It was signed by the clerk of a country
justice; who acquainted her, that a prisoner, then upon trial for
suspicion of treasonable practices against the government, was just
upon the point of being committed to jail; but having declared that
he was known to her, this clerk had been prevailed upon to write,
in order to enquire if she really could speak to the character and
family of a Frenchman who called himself Pierre Du Bois.
When I heard the letter, I was quite amazed at its success. So
improbable did it seem, that a foreigner should be taken before
a country justice of peace, for a crime of so dangerous a nature,
that I cannot imagine how Madame Duval could be alarmed, even for
a moment. But, with all her violence of temper, I see that she is
easily frightened, and in fact, more cowardly than many who have not
half her spirit; and so little does she reflect upon circumstances,
or probability, that she is continually the dupe of her own-I ought
not to say ignorance, but yet I can think of no other word.
I believe that Lady Howard, from the beginning of the transaction,
suspected some contrivance of the Captain; and this letter, I am
sure, must confirm her suspicion: however, though she is not at all
pleased with his frolic, yet she would not hazard the consequence of
discovering his designs: her looks, her manner, and her character,
made me draw this conclusion from her apparent perplexity; for not a
word did she say that implied any doubt of the authenticity of the
letter. Indeed there seems to be a sort of tacit agreement between
her and the Captain, that she should not appear to be acquainted with
his schemes; by which means she at once avoids quarrels, and supports
her dignity.
While she was considering what to propose, Madame Duval begged to
have the use of her Ladyship's chariot, that she might go immediately
to the assistance of her friend. Lady Howard politely assured her,
that it should be extremely at her service; and then Madame Duval
besought her not to own to the Captain what had happened, protesting
that she could not endure he should know poor M. Du Bois had met with
so unfortunate an accident. Lady Howard could not help smiling, though
she readily promised not to inform the Captain of the affair. As to
me, she desired my attendance; which I was by no means rejoiced at,
as I was certain that she was going upon a fruitless errand.
I was then commissioned to order the chariot.
At the foot of the stairs I met the Captain, who was most impatiently
waiting the result of the conference. In an instant we were joined
by Sir Clement. A thousand inquiries were then made concerning Madame
Duval's opinion of the letter, and her intentions upon it: and when I
would have left them, Sir Clement, pretending equal eagerness with
the Captain, caught my hand, and repeatedly detained me, to ask
some frivolous question, to the answer of which he must be totally
indifferent. At length, however, I broke from them; they retired into
the parlour, and I executed my commission.
The carriage was soon ready; and Madame Duval, having begged Lady
Howard to say she was not well, stole softly down stairs, desiring me
to follow her. The chariot was ordered at the garden-door; and, when
we were seated, she told the man, according to the clerk's directions,
to drive to Mr. Justice Tyrell's, asking at the same time, how many
miles off he lived?
I expected he would have answered, that he knew of no such person;
but, to my great surprise, he said, "Why, 'Squire Tyrell lives about
nine miles beyond the park."
"Drive fast, then," cried she, "and you sha'n't be no worse for it."
During our ride, which was extremely tedious, she tormented herself
with a thousand fears for M. Du Bois's safety; and piqued herself
very much upon having escaped unseen by the Captain, not only that
she avoided his triumph, but because she knew him to be so much M. Du
Bois's enemy, that she was sure he would prejudice the justice against
him, and endeavour to take away his life. For my part, I was quite
ashamed of being engaged in so ridiculous an affair, and could only
think of the absurd appearance we should make upon our arrival at
Mr. Tyrell's.
When we had been out near two hours, and expected every moment to
stop at the place of our destination, I observed that Lady Howard's
servant, who attended us on horseback, rode on forward till he was
out of sight: and soon after returning, came up to the chariot window,
and delivering a note to Madame Duval, said he had met a boy who was
just coming with it to Howard Grove from the clerk of Mr. Tyrell.
While she was reading it, he rode round to the other window, and making
a sign for secrecy, put into my hand a slip of paper, on which was
written, "Whatever happens, be not alarmed-for you are safe-though
you endanger all mankind!"
I readily imagined that Sir Clement must be the author of this note,
which prepared me to expect some disagreeable adventure: but I had
no time to ponder upon it; for Madame Duval had no sooner read her
own letter, than, in an angry tone of voice, she exclaimed, "Why,
now, what a thing is this! here we're come all this way for nothing!"
She gave me the note; which informed her, that she need not trouble
herself to go to Mr. Tyrell's, as the prisoner had had the address to
escape. I congratulated her upon this fortunate incident; but she was
so much concerned at having rode so far in vain, that she seemed to
be less pleased than provoked. However, she ordered the man to make
what haste he could home, as she hoped, at least, to return before
the Captain should suspect what had passed.
The carriage turned about; and we journeyed so quietly for near an
hour, that
I began to flatter myself we should be suffered to proceed to Howard
Grove without any molestation, when suddenly, the footman called out,
"John, are we going right?"
"Why, I a'n't sure," said the coachman, "But I'm afraid we turned
wrong."
"What do you mean by that, sirrah?" said Madame Duval; "why, if you
lose your
way, we shall all be in the dark."
"I think we should turn to the left," said the footman.
"To the left!" answered the other; "No, no, I'm partly sure we should
turn to
the right."
"You had better make some enquiry," said I.
"Ma foi!" cried Madame Duval, "we're in a fine hole here!-they
neither of
them know no more than the post. However, I'll tell my Lady as sure
as you're born, you'd better find the way."
"Let's try this lane," said the footman.
"No," said the coachman, "that's the road to Canterbury; we had best
go straight on."
"Why, that's the direct London road," returned the footman, "and
will lead us
twenty miles about."
"Pardi," cried Madame Duval, "why, they won't go one way nor
t'other! and now we're come all this jaunt for nothing, I suppose we
shan't get home to-night!"
"Let's go back to the public-house," said the footman, "and ask for a
guide."
"No, no," said the other, "if we stay here a few minutes, somebody
or other
will pass by; and the horses are almost knocked up already."
"Well, I protest," cried Madame Duval, "I'd give a guinea to see
them sots
both horse-whipped! As sure as I'm alive they're drunk! Ten to one
but they'll overturn us next."
After much debating, they at length agreed to go on till we came to
some inn,
or met with a passenger who could direct us. We soon arrived at a
farm-house, and the footman alighted, and went into it.
In a few minutes he returned, and told us we might proceed, for that
he had
procured a direction: "But," added he, "it seems there are some
thieves hereabouts; and so the best way will be for you to leave
your watches and your purses with the farmer, whom I know very well,
and who is an honest man, and a tenant of my Lady's."
"Thieves!" cried Madame Duval, looking aghast; "the Lord help
us!-I've no
doubt but we shall be all murdered!"
The farmer came up to us, and we gave him all we were worth, and
the servants
followed our example. We then proceeded; and Madame Duval's anger
so entirely subsided, that, in the mildest manner imaginable, she
intreated them to make haste, and promised to tell their Lady how
diligent and obliging they had been. She perpetually stopped them,
to ask if they apprehended any danger; and was at length so much
overpowered by her fears, that she made the footman fasten his horse
to the back of the carriage, and then come and seat himself within
it. My endeavours to encourage her were fruitless: she sat in the
middle, held the man by the arm, and protested that if he did but
save her life, she would make his fortune. Her uneasiness gave me much
concern, and it was with the utmost difficulty I forbore to acquaint
her that she was imposed upon; but the mutual fear of the Captain's
resentment to me, and of her own to him, neither of which would have
any moderation, deterred me. As to the footman, he was evidently in
torture from restraining his laughter; and I observed that he was
frequently obliged to make most horrid grimaces, from pretended fear,
in order to conceal his risibility.
Very soon after, "The robbers are coming!" cried the coachman.
The footman opened the door, and jumped out of the chariot.
Madame Duval gave a loud scream.
I could no longer preserve my silence. "For Heaven's sake, my dear
Madame," said I, "don't be alarmed,-you are in no danger,-you are
quite safe,-there is nothing but-"
Here the chariot was stopped by two men in masks; who at each side
put in
their hands as if for our purses. Madame Duval sunk to the bottom
of the chariot, and implored their mercy. I shrieked involuntarily,
although prepared for the attack: one of them held me fast, while
the other tore poor Madame Duval out of the carriage, in spite of
her cries, threats, and resistance.
I was really frightened, and trembled exceedingly. "My angel!" cried
the man who held me, "you cannot surely be alarmed,-do you not know
me?-I shall hold myself in eternal abhorrence, if I have really
terrified you."
"Indeed, Sir Clement, you have," cried I:-"but, for Heaven's sake,
where is Madame Duval?-why is she forced away?"
"She is perfectly safe; the Captain has her in charge: but suffer
me now, my
adored Miss Anville, to take the only opportunity that is allowed me,
to speak upon another, a much dearer, much sweeter subject."
And then he hastily came into the chariot, and seated himself next to
me. I would fain have disengaged myself from him, but he would not let
me: "Deny me not, most charming of women," cried he, "deny me not this
only moment that is lent me, to pour forth my soul into your gentle
ears,-to tell you how much I suffer from your absence,-how much I dread
your displeasure,-and how cruelly I am affected by your coldness!"
"O, Sir, this is no time for such language;-pray leave me, pray go
to the
relief of Madame Duval,-I cannot bear that she should be treated with
such indignity."
"And will you,-can you command my absence?-When may I speak to you,
if not
now?-Does the Captain suffer me to breathe a moment out of his
sight?-and are not a thousand impertinent people for ever at your
elbow?"
"Indeed, Sir Clement, you must change your style, or I will not hear
you. The
impertinent people you mean are among my best friends; and you would
not, if you really wished me well, speak of them so disrespectfully."
"Wish you well!-O, Miss Anville, point but out to me how, in what
manner, I
may convince you of the fervour of my passion;-tell me but what
services you will accept from me,-and you shall find my life, my
fortune, my whole soul at your devotion."
"I want nothing, Sir, that you can offer;-I beg you not to talk to
me so-so
strangely. Pray leave me; and pray assure yourself you cannot take
any method so successless to show any regard for me, as entering into
schemes so frightful to Madame Duval, and so disagreeable to myself."
"The scheme was the Captain's: I even opposed it: though, I own,
I could not
refuse myself the so-long-wished-for happiness of speaking to you
once more, without so many of-your friends to watch me. And I had
flattered myself, that the note I charged the footman to give you,
would have prevented the alarm you have received."
"Well Sir, you have now, I hope, said enough; and, if you will not go
yourself to see for Madame Duval, at least suffer me to inquire what
is become of her."
"And when may I speak to you again?"
"No matter when,-I don't know,-perhaps-"
"Perhaps what, my angel?"
"Perhaps never, Sir,-if you torment me thus."
"Never! O, Miss Anville, how cruel, how piercing to my soul is
that icy
word!-Indeed I cannot endure such displeasure."
"Then, Sir, you must not provoke it. Pray leave me directly."
"I will Madam: but let me, at least, make a merit of my
obedience,-allow me
to hope that you will, in future, be less averse to trusting yourself
for a few moments alone with me"
I was surprised at the freedom of this request: but, while I hesitated
how to
answer it, the other mask came up to the chariot-door, and, in a voice
almost stifled with laughter said, "I've done for her!-the old buck
is safe;-but we must sheer off directly, or we shall be all ground."
Sir Clement instantly left me, mounted his horse, and rode off. The
Captain
having given some directions to the servants, followed him.
I was both uneasy and impatient to know the fate of Madame Duval, and
immediately got out of the chariot to seek her. I desired the footman
to show me which way she was gone; he pointed with his finger by
way of answer, and I saw that he dared not trust his voice to make
any other. I walked on at a very quick pace, and soon, to my great
consternation, perceived the poor lady seated upright in a ditch. I
flew to her with unfeigned concern at her situation. She was sobbing,
nay, almost roaring, and in the utmost agony of rage and terror. As
soon as she saw me, she redoubled her cries; but her voice was so
broken, I could not understand a word she said. I was so much shocked,
that it was with difficulty I forebore exclaiming against the cruelty
of the Captain for thus wantonly ill-treating her; and I could not
forgive myself for having passively suffered the deception. I used my
utmost endeavours to comfort her, assuring her of our present safety,
and begging her to rise and return to the chariot.
Almost bursting with passion, she pointed to her feet, and with
frightful
violence she actually tore the ground with her hands.
I then saw that her feet were tied together with a strong rope, which
was fastened to the upper branch of a tree, even with a hedge which
ran along the ditch where she sat. I endeavoured to untie the knot;
but soon found it was infinitely beyond my strength. I was, therefore,
obliged to apply to the footman; but, being very unwilling to add to
his mirth by the sight of Madame Duval's situation. I desired him to
lend me a knife: I returned with it, and cut the rope. Her feet were
soon disentangled; and then, though with great difficulty, I assisted
her to rise. But what was my astonishment, when, the moment she was
up, she hit me a violent slap on the face! I retreated from her with
precipitation and dread: and she then loaded me with reproaches, which,
though almost unintelligible, convinced me that she imagined I had
voluntarily deserted her; but she seemed not to have the slightest
suspicion that she had not been attacked by real robbers.
I was so much surprised and confounded at the blow, that, for some
time, I
suffered her to rave without making any answer; but her extreme
agitation, and real suffering, soon dispelled my anger, which all
turned into compassion. I then told her, that I had been forcibly
detained from following her, and assured her of my real sorrow of
her ill-usage.
She began to be somewhat appeased; and I again intreated her to
return to the
carriage, or give me leave to order that it should draw up to the
place where we stood. She made no answer, till I told her, that the
longer we remained still, the greater would be the danger of our
ride home. Struck with this hint, she suddenly, and with hasty steps,
moved forward.
Her dress was in such disorder, that I was quite sorry to have
her figure
exposed to the servants, who all of them, in imitation of her master,
hold her in derision: however the disgrace was unavoidable.
The ditch, happily, was almost quite dry, or she must have suffered
still
more seriously; yet so forlorn, so miserable a figure, I never before
saw her. Her head-dress had fallen off, her linen was torn, her
negligee had not a pin left in it, her petticoats she was obliged to
hold on, and her shoes were perpetually slipping off. She was covered
with dirt, weeds, and filth, and her face was really horrible; for
the pomatum and powder from her head, and the dust from the road,
were quite pasted on her skin by her tears, which, with her rouge,
made so frightful a mixture, that she hardly looked human.
The servants were ready to die with laughter the moment they saw her;
but not
all my remonstrances could prevail upon her to get into the carriage,
till she had most vehemently reproached them both for not rescuing
her. The footman, fixing his eyes on the ground, as if fearful of
again trusting himself to look at her, protested that the robbers had
vowed they would shoot him if he moved an inch, and that one of them
had stayed to watch the chariot, while the other carried her off,
adding, that the reason of their behaving so barbarously, was to
revenge our having secured our purses. Notwithstanding, her anger,
she gave immediate credit to what he said; and really imagined that her
want of money had irritated the pretended robbers to treat her with
such cruelty. I determined, therefore, to be carefully upon my guard
not to betray the imposition, which could now answer no other purpose,
then occasioning an irreparable breach between her and the Captain.
Just as we were seated in the chariot, she discovered the loss which
her head
had sustained, and called out, "My God! what is become of my hair?-why,
the villain has stole all my curls!"
She then ordered the man to run and see if he could find any of them
in the
ditch. He went, and presently returning, produced a great quantity of
hair, in such nasty condition, that I was amazed she would take it;
and the man, as he delivered it to her, found it impossible to keep
his countenance; which she no sooner observed, than all her stormy
passions were again raised. She flung the battered curls in his face,
saying, "Sirrah, what do you grin for? I wish you'd been served so
yourself, and you wouldn't have found it no such joke; you are the
impudentest fellow ever I see; and if I find you dare grin at me any
more, I shall make no ceremony of boxing your ears."
Satisfied with the threat, the man hastily retired, and we drove on.
Her anger now subsiding into grief, she began most sorrowfully to
lament her
case. "I believe," she cried, "never nobody was so unlucky as I
am! and so here, because I ha'n't had misfortunes enough already,
that puppy has made me lose my curls!-Why, I can't see nobody without
them:-only look at me,-I was never so bad off in my life before. Pardi,
if I'd know'd as much, I'd have brought two or three sets with me:
but I'd never a thought of such a thing as this."
Finding her now somewhat pacified, I ventured to ask an account of her
adventure, which I will endeavour to write in her own words.
"Why, child, all this misfortune comes of that puppy's making us
leave our
money behind us; for, as soon as the robber see I did put nothing
in his hands, he lugged me out of the chariot by main force, and I
verily thought he'd have murdered me. He was as strong as a lion;
I was no more in his hands than a child. But I believe never nobody
was so abused before; for he dragged me down the road, pulling and
hauling me all the way, as if'd no more feeling than a horse. I'm
sure I wish I could see that man cut up and quartered alive! however,
he'll come to the gallows, that's one good thing. So soon as we'd
got out of sight of the chariot, though he needn't have been afraid,
for if he'd beat me to a mummy, those cowardly fellows wouldn't have
said nothing to it-so, when I was got there, what does he do, but
all of a sudden he takes me by both the shoulders, and he gives me
such a shake!-Mon Dieu I shall never forget it, if I live to be an
hundred. I'm sure I dare say I'm out of joint all over. And though
I made as much noise as I ever could, he took no more notice of
it than nothing at all; there he stood, shaking me in that manner,
as if he was doing it for a wager. I'm determined, if it costs me
all my fortune, I'll see that villain hanged. He shall be found out,
if there's e'er a justice in England. So when he had shook me till he
was tired, and I felt all over like a jelly, without saying never a
word, he takes and pops me into the ditch! I'm sure, I thought he'd
have murdered me, as much as ever I thought any thing in my life;
for he kept bumping me about, as if he thought nothing too bad for
me. However, I'm resolved I'll never leave my purse behind me again,
the longest day I have to live. So when he couldn't stand over me
no longer, he holds out his hands again for my money; but he was as
cunning as could be, for he wouldn't speak a word, because I shouldn't
swear to his voice; however, that sha'n't save him, for I'll swear to
him any day in the year, if I can but catch him. So, when I told him I
had no money, he fell to jerking me again, just as if he had but that
moment begun! And, after that, he got me close by a tree, and out of
his pocket he pulls a great cord!-It's a wonder I did not swoon away:
for as sure as you're alive, he was going to hang to me that tree. I
screamed like any thing mad, and told him if he would but spare my
life, I'd never prosecute him, nor tell anybody what he'd done to me:
so he stood some time quite in a brown study, a-thinking what he should
do. And so, after that, he forced me to sit down in the ditch, and he
tied my feet together, just as you see them: and then, as if he had
not done enough, he twitched off my cap, and without saying nothing,
got on his horse and left me in that condition; thinking, I suppose,
that I might lie there and perish."
Though this narrative almost compelled me to laugh, yet I was really
irritated with the Captain, for carrying his love of tormenting,-sport,
he calls it,-to such barbarous and unjustifiable extremes. I consoled
and soothed her, as well as I was able: and told her, that since
M. Du Bois had escaped, I hoped, when she recovered from her fright,
all would end well.
"Fright, child!" repeated she,-"why that's not half:-I promise you,
I wish it
was: but here I'm bruised from top to toe and it's well if ever I have
the right use of my limbs again. However, I'm glad the villain got
nothing but his trouble for his pains. But here the worst is to come,
for I can't go out, because I've got no curls, and so he'll be escaped
before I can get to the justice to stop him. I'm resolved I'll tell
Lady Howard how her man served me; for if he hadn't made me fling
'em away, I dare say I would have pinned them up well enough for
the country."
"Perhaps Lady Howard may be able to lend you a cap that will wear
without
them."
"Lady Howard, indeed! why, do you think I'd wear one of her
dowdies? No, I'll
promise you, I sha'n't put on no such disguisement. It's the unluckiest
thing in the world that I did not make the man pick up the curls again;
but he put me in such a passion, I could not think of nothing. I
know I can't get none at Howard Grove for love nor money: for of
all the stupid places ever I see, that Howard Grove is the worst;
there's never no getting nothing one wants."
This sort of conversation lasted till we arrived at our journey's end;
and then a new distress occurred: Madame Duval was eager to speak
to Lady Lady Howard and Mrs. Mirvan, and to relate her misfortunes:
but she could not endure that Sir Clement or the Captain should
see her in such disorder; so she said they were so ill-natured,
that instead of pitying her, they would only make a jest of her
disasters. She therefore sent me first into the house, to wait for an
opportunity of their being out of the way, that she might steal up
stairs unobserved. In this I succeeded, as the gentlemen thought it
most prudent not to seem watching for her; though they both contrived
to divert themselves with peeping at her as she passed.
She went immediately to bed, where she had her supper. Lady Howard
and Mrs. Mirvan both of them very kindly sat with her, and listened
to her tale with compassionate attention: while Miss Mirvan and I
retired to our own room, where I was very glad to end the troubles
of the day in a comfortable conversation.
The Captain's raptures, during supper, at the success of his plan,
were boundless. I spoke afterwards to Mrs. Mirvan with the openness
which her kindness encourages, and begged her to remonstrate with
him upon the cruelty of tormenting Madame Duval so causelessly. She
promised to take the first opportunity of starting up the subject:
but said he was at present so much elated, that he would not listen
to her with any patience. However, should he make any new efforts to
molest her, I can by no means consent to be passive. Had I imagined
he would have been so violent, I would have risked his anger in her
defense much sooner.
She had kept her bed all day, and declares she is almost bruised
to death.
Adieu, my dear Sir. What a long letter have I written! I could almost
fancy I sent it to you from London!
</CHAPTER>
<CHAPTER>
LETTER XXXIV EVELINA IN CONTINUATION
Howard Grove, May 15.
THIS insatiable Captain, if left to himself, would not, I believe,
rest, till he had tormented Madame Duval into a fever. He seems
to have no delight but in terrifying or provoking her; and all his
thoughts apparently turn upon inventing such methods as may do it
most effectually.
She had her breakfast again in bed yesterday morning: but during ours,
the Captain, with a very significant look at Sir Clement, gave us to
understand, that he thought she had now rested long enough to bear
the hardships of a fresh campaign.
His meaning was obvious: and, therefore, I resolved to endeavour
immediately to put a stop to his intended exploits. When breakfast
was over, I followed Mrs. Mirvan out of the parlour, and begged
her to lose no time in pleading the cause of Madame Duval with the
Captain. "My love," answered she, "I have already expostulated with
him; but all I can say is fruitless, while his favourite, Sir Clement,
contrives to urge him on."
"Then I will go and speak to Sir Clement," said I, "for I know he
will desist if I request him."
"Have I care, my dear!" said she, smiling: "it is sometimes dangerous
to make requests to men who are too desirous of receiving them."
"Well, then, my dear Madam, will you give me leave to speak myself
to the Captain?"
"Willingly: nay, I will accompany you to him."
I thanked her, and we went to seek him. He was walking in the garden
with Sir Clement. Mrs. Mirvan most obligingly made an opening for my
purpose, by saying, "Mr. Mirvan, I have brought a petitioner with me."
"Why, what's the matter now?" cried he.
I was fearful of making him angry, and stammered very much, when I
told him, I hoped he had no new plan for alarming Madame Duval.
"New plan!" cried he; "why, you don't suppose the old one would do
again, do you? Not but what it was a very good one, only I doubt she
wouldn't bite."
"Indeed, Sir," said I, "she had already suffered too much; and I
hope you will pardon me, if I take the liberty of telling you, that I
think it my my duty to do all in my power to prevent her being again
so much terrified."
A sullen gloominess instantly clouded his face, and, turning short
from me, he said, I might do as I pleased, but that I should much
sooner repent than repair my officiousness.
I was too much disconcerted at this rebuff to attempt making any
answer: and finding that Sir Clement warmly espoused my cause,
I walked away, and left them to discuss the point together.
Mrs. Mirvan, who never speaks to the Captain when he is out of humour,
was glad to follow me, and with her usual sweetness made a thousand
apologies for her husband's ill-manners.
When I left her, I went to Madame Duval, who was just risen, and
employed in examining the clothes she had on the day of her ill usage.
"Here's a sight!" she cried. "Come, here child,-only look-Pardi, so
long as I've lived, I never see so much before! Why, all my things
are spoilt; and what's worse, my sacque was as good as new. Here's
the second negligee I've used in this manner! - I'm sure I was a
fool to put it on in such a lonesome place as this; however if I
stay here these ten years, I'll never put on another good gown,
that I'm resolved."
"Will you let the maid try if she can iron it out, or clean it, Ma'am?"
"No, she'll only make bad worse.-But look here, now, here's
a cloak! Mon Dieu! why it looks like a dish-clout! Of all the
unluckiness that ever I met, this is the worst! for, do you know, I
bought it but the day before I left Paris!-Besides, into the bargain,
my cap's quite gone: where the villain twitched it, I don't know;
but I never see no more of it from that time to this. Now you must
know that this was the becomingest cap I had in the world, for I've
never another with pink ribbon in it; and, to tell you the truth,
if I hadn't thought to have seen M. Du Bois, I'd no more have put
it on than I'd have flown; for as to what one wears in such a stupid
place as this, it signifies no more than nothing at all."
She then told me, that she had been thinking all night of a contrivance
to hinder the Captain from finding out her loss of curls; which was
having a large gauge handkerchief pinned over her head as a hood,
and saying she had the tooth-ache.
"To tell you the truth," added she, "I believe that Captain is one
of the worst men in the world; he's always making a joke of me;
and as to his being a gentleman, he has no more manners than a bear,
for he's always upon the grin when one's in distress; and, I declare
I'd rather be done anything to than laughed at, for, to my mind,
it's one or other the disagreeablest thing in the world."
Mrs. Mirvan, I found, had been endeavouring to dissuade her from the
design she had formed of having recourse to the law, in order to find
out the supposed robbers; for she dreads a discovery of the Captain,
during Madam Duval's stay at Howard Grove, as it could not fail being
productive of infinite commotion. She has, therefore, taken great
pains to show the inutility of applying to justice, unless she were
more able to describe the offenders against whom she would appear;
and has assured her, that as she neither heard their voices, nor saw
their faces, she cannot possibly swear to their persons, or obtain
any redress.
Madame Duval, in telling me this, extremely lamented her hard fate,
that she was thus prevented from revenging her injuries; which,
however, she vowed she would not be persuaded to pocket tamely:
"because," added she, "if such villains as these are let to have
their own way, and nobody takes no notice of their impudence, they'll
make no more ado than nothing at all of tying people in ditches,
and such things as that: however, I shall consult with M. Du Bois,
as soon as I can ferret out where he's hid himself. I'm sure I've a
right to his advice, for it's all along of his gaping about at the
Tower that I've met with these misfortunes."
"M. Du Bois," said I, "will, I am sure, be very sorry when he hears
what has happened."
"And what good will that do now?-that won't unspoil all my clothes;
I can tell him, I a'n't much obliged to him, though it's no fault
of his;-yet it i'n't the less provokinger for that. I'm sure, if he
had been there, to have seen me served in that manner, and put neck
and heels into a ditch, he'd no more have thought it was me than
the Pope of Rome. I'll promise you, whatever you may think of it,
I sha'n't have no rest, night nor day, till I find out that rogue."
"I have no doubt, Madam, but you will soon discover him."
"Pardi, if I do, I'll hang him, as sure as fate!-but what's the oddest,
is, that he should take such a special spite against me above all the
rest! it was as much for nothing as could be; for I don't know what
I had done, so particular bad, to be used in that manner: I'm sure,
I hadn't given no offence, as I know of, for I never see his face all
the time: and as to screaming a little, I think it's very hard if one
mustn't do such a thing as that, when one's put in fear of one's life."
During this conversation, she endeavoured to adjust her headdress,
but could not at all please herself. Indeed, had I not been present,
I should have thought it impossible for a woman, at her time of life,
to be so very difficult in regard to dress. What she may have in
view, I cannot imagine, but the labour of the toilette seems the
chief business of her life.
When I left her, in my way down stairs, I met Sir Clement; who with
great earnestness, said he must not be denied the honour of a moment's
conversation with me; and then, without waiting for an answer, he
led me to the garden; at the door of which, however, I absolutely
insisted upon stopping.
He seemed very serious, and said, in a grave tone of voice, "At length,
Miss Anville, I flatter myself I have hit upon an expedient that will
oblige you; and therefore, though it is death to myself, I will put
in practice."
I begged him to explain himself.
"I saw your desire of saving Madame Duval, and scarce could I refrain
giving the brutal Captain my real opinion of his savage conduct;
but I am unwilling to quarrel with him, lest I should be denied
entrance into a house which you inhabit; I have been endeavouring
to prevail with him to give up his absurd new scheme, but I find
him impenetrable:-I have therefore determined to make a pretense for
suddenly leaving this place, dear as it is to me, and containing all
I most admire and adore;-and I will stay in town till the violence
of this boobyish humour is abated."
He stopped; but I was silent, for I knew not what I ought to
say. He took my hand, which he pressed to his lips, saying, "And
must I then, Miss Anville, must I quit you-sacrifice voluntarily my
greatest felicity:-and yet not be honoured with one word, one look
of approbation?"
I withdrew my hand, and said with half a laugh, "You know so well,
Sir Clement, the value of the favours you confer, that it would be
superfluous for me to point it out."
"Charming, charming girl! how does your wit, your understanding, rise
upon me daily: and must I, can I part with you?-will no other method-"
"O, Sir, do you so soon repent the good office you had planned for
Madame Duval?"
"For Madame Duval!-cruel creature, and will you not even suffer me
to place to your account the sacrifice I am about to make?"
"You must place it, Sir, to what account you please; but I am too
much in haste now to stay here any longer."
And then I would have left him; but he held me, and rather impatiently
said, "If, then, I cannot be so happy as to oblige you, Miss Anville,
you must not be surprised should I seek to oblige myself. If my scheme
is not honoured with your approbation, for which alone it was formed,
why should I, to my own infinite dissatisfaction, pursue it?"
We were then, for a few minutes, both silent; I was really unwilling
he should give up a plan which would so effectually break into
the Captain's designs, and, at the same time, save me the pain
of disobliging him; and I should instantly and thankfully have
accepted his offered civility, had not Mrs. Mirvan's caution made
me fearful. However, when he pressed me to speak, I said, in an
ironical voice, "I had thought, Sir, that the very strong sense you
have yourself of the favour you propose to me, would sufficiently have
repaid you; but, as I was mistaken, I must thank you myself. And now,"
making a low courtesy, "I hope, Sir, you are satisfied."
"Loveliest of thy sex-" he began; but I forced myself from him and
ran upstairs.
Soon after Miss Mirvan told me that Sir Clement had just received a
letter, which obliged him instantly to leave the Grove, and that he
had actually ordered a chaise. I then acquainted her with the real
state of the affair. Indeed, I conceal nothing from her; she is so
gentle and sweet-tempered, that it gives me great pleasure to place
an entire confidence in her.
At dinner, I must own, we all missed him; for though the flightiness
of his behaviour to me, when we are by ourselves is very distressing;
yet, in large companies, and general conversation, he is extremely
entertaining and agreeable. As to the Captain, he has been so much
chagrined at his departure, that he has scarce spoken a word since
he went: but Madame Duval, who made her first public appearance since
her accident, was quite in raptures that she escaped seeing him.
The money which we left at the farm-house has been returned to
us. What pains the Captain must have taken to arrange and manage the
adventures which he chose we should meet with! Yet he must certainly be
discovered; for Madame Duval is already very much perplexed, at having
received a letter this morning from M. Du Bois, in which he makes no
mention of his imprisonment. However, she has so little suspicion,
that she imputes his silence upon the subject to his fears that the
letter might be intercepted.
Not one opportunity could I meet with, while Sir Clement was here,
to enquire
after his friend Lord Orville: but I think it was strange he should
never mention him unasked. Indeed, I rather wonder that Mrs. Mirvan
herself did not introduce the subject, for she always seemed
particularly attentive to him.
And now, once more, all my thoughts involuntarily turn upon the
letter I so
soon expect from Paris. This visit of Sir Clement has, however,
somewhat diverted my fears; and, therefore, I am very glad he made
it at this time. Adieu, my dear Sir.
</CHAPTER>
<CHAPTER>
LETTER XXXV SIR JOHN BELMONT TO LADY HOWARD
Paris, May 11.
Madam,
I HAVE this moment the honour of your Ladyship's Letter, and I will
not wait another, before I return an answer.
It seldom happens that a man, though extolled as a saint, is really
without
blemish; or that another, though reviled as a devil, is really
without humanity. Perhaps the time is not very distant, when I may
have the honour to convince your Ladyship of this truth, in regard
to Mr. Villars and myself.
As to the young lady, whom Mr. Villars so obligingly proposes
presenting to
me, I wish her all the happiness to which, by your ladyship's account,
she seems entitled; and, if she has a third part of the merit of her
to whom you compare her, I doubt not but Mr. Villars will be more
successful in every other application he may make for her advantage,
that he can ever be in any with which he may be pleased to favour me.
I have the honour to be Madam, Your Ladyship's most humble, and most
obedient servant, JOHN BELMONT.
</CHAPTER>
<CHAPTER>
LETTER XXXVI EVELINA TO THE REV. MR. VILLARS
Howard Grove, May 18.
WELL, my dear Sir, all is now over! the letter so anxiously expected
is at length arrived, and my doom is fixed. The various feelings
which oppress me, I have not language to describe; nor need I-you
know my heart, you have yourself formed it-and its sensations upon
this occasion you may but too readily imagine.
Outcast as I am, and rejected for ever by him to whom I of right
belong-shall
I now implore your continued protection?-No, no;-I will not offend
your generous heart, which, open to distress, has no wish but to
relieve it, with an application that would seem to imply a doubt. I
am more secure than ever of your kindness, since you now know upon
that is my sole dependence.
I endeavour to bear this stroke with composure, and in such a manner
as if I
had already received your counsel and consolation. Yet, at times,
my emotions are almost too much for me. O, Sir, what a letter for a
parent to write! Must I not myself be deaf to the voice of nature,
if I could endure to be thus absolutely abandoned without regret? I
dare not even to you, nor would I, could I help it, to myself,
acknowledge all that I might think; for, indeed, I have sometimes
sentiments upon this rejection, which my strongest sense of duty can
scarcely correct. Yet, suffer me to ask-might not this answer have
been softened?-was it not enough to disclaim me for ever, without
treating me with contempt, and wounding me with derision?
But while I am thus thinking of myself, I forget how much more he is
the object of sorrow than I am! Alas! what amends can he make himself
for the anguish he is hoarding up for time to come! My heart bleeds
for him, whenever this reflection occurs to me.
What is said of you, my protector, my friend, my benefactor! I dare
not trust
myself to comment upon. Gracious Heaven! what a return for goodness
so unparalleled!
I would fain endeavour to divert my thoughts from this subject;
but even that
is not in my power; for, afflicting as this letter is to me, I find
that it will not be allowed to conclude the affair, though it does
all my expectations; for Madame Duval has determined not to let it
rest here. She heard the letter in great wrath, and protested she
would not be so easily answered; she regretted her facility in having
been prevailed upon to yield the direction of this affair to those
who knew not how to manage it, and vowed she would herself undertake
and conduct it in future.
It is in vain that I have pleaded against her resolution, and
besought her to forbear an attack where she has nothing to expect but
resentment: especially as there seems to be a hint, that Lady Howard
will one day be more openly dealt with. She will not hear me: she is
furiously bent upon a project which is terrible to think of;-for she
means to go herself to Paris, take me with her, and there, face to
face, demand justice!
How to appease or to persuade her, I know not; but for the universe
would I not be dragged, in such a manner, to an interview so awful,
with a parent I have never yet beheld!
Lady Howard and Mrs. Mirvan are both of them infinitely shocked at
the present state of affairs, and they seem to be even more kind to
me than ever; and my dear Maria, who is the friend of my heart, uses
her utmost efforts to console me; and, when she fails in her design,
with still greater kindness she sympathises in my sorrow.
I very much rejoice, however, that Sir Clement Willoughby had left
us before this letter arrived. I am sure the general confusion of
the house would otherwise have betrayed to him the whole of a tale
which I now, more than ever, wish to have buried in oblivion.
Lady Howard thinks I ought not to disoblige Madame Duval, yet she
acknowledges the impropriety of my accompanying her abroad on such
an enterprise. Indeed, I would rather die than force myself into his
presence. But so vehement is Madame Duval, that she would instantly
have compelled me to attend her to town, in her way to Paris, had
not Lady Howard so far exerted herself, as to declare she could by no
means consent to my quitting her house, till she gave me up to you,
by whose permission I had entered it.
She was extremely angry at this denial; and the Captain, by his sneers
and raillery, so much increased her rage, that she has positively
declared, should your next letter dispute her authority to guide me
by her own pleasure, she will, without hesitation, make a journey to
Berry Hill, and teach you to know who she is.
Should she put this threat in execution, nothing could give me greater
uneasiness: for her violence and volubility would almost distract you.
Unable as I am to act for myself, or to judge what conduct I ought
to pursue, how grateful do I feel myself, that I have such a guide
and director to counsel and instruct me as yourself!
Adieu, my dearest Sir! Heaven, I trust, will never let me live to be
repulsed, and derided by you, to whom I may now sign myself, wholly
your EVELINA.
</CHAPTER>
<CHAPTER>
LETTER XXXVII MR. VILLARS TO EVELINA
Berry Hill, May 21.
LET not my Evelina be depressed by a stroke of fortune for which
she is not responsible. No breach of duty on your part has incurred
the unkindness which has been shown you; nor have you, by any act of
imprudence, provoked either censure or reproach. Let me intreat you,
therefore, my dearest child, to support yourself with that courage
which your innocency ought to inspire: and let all the affliction
you allow yourself be for him only who, not having that support,
must one day be but too severely sensible how much he wants it.
The hint thrown out concerning myself is wholly unintelligible to me:
my heart, I dare own, fully acquits me of vice; but without blemish,
I have never ventured to pronounce myself. However, it seems his
intention to be hereafter more explicit; and then,-should anything
appear, that has on my part contributed to those misfortunes we lament,
let me at least say, that the most partial of my friends cannot be
so much astonished as I shall myself be at such a discovery.
The mention, also, of any future applications I may make, is equally
beyond my comprehension. But I will not dwell upon a subject, which
almost compels from me reflections that cannot but be wounding to a
heart so formed for filial tenderness as my Evelina's. There is an
air of mystery throughout the letter, the explanation of which I will
await in silence.
The scheme of Madame Duval is such as might be reasonably expected from
a woman so little inured to disappointment, and so totally incapable
of considering the delicacy of your situation. Your averseness
to her plan gives me pleasure, for it exactly corresponds with my
own. Why will she not make the journey she projects by herself? She
would not have even the wish of an opposition to encounter. And then,
once more, might my child and myself be left to the quiet enjoyment
of that peaceful happiness, which she alone has interrupted. As to
her coming hither, I could, indeed, dispense with such a visit; but,
if she will not be satisfied with my refusal by letter, I must submit
to the task of giving it her in person.
My impatience for your return is increased by your account of Sir
Clement Willoughby's visit to Howard Grove. I am but little surprised
at the perseverance of his assiduities to interest you in his favour;
but I am very much hurt that you should be exposed to addresses, which,
by their privacy, have an air that shocks me. You cannot, my love,
be too circumspect; the slightest carelessness on your part will be
taken advantage of by a man of his disposition. It is not sufficient
for you to be reserved: his conduct even calls for your resentment;
and should he again, as will doubtless be his endeavour, contrive
to solicit your favour in private, let your disdain and displeasure
be so marked, as to constrain a change in his behaviour. Though,
indeed, should his visit be repeated while you remain at the Grove,
Lady Howard must pardon me if I shorten yours.
Adieu, my child. You will always make my respects to the hospitable
family to which we are so much obliged.
</CHAPTER>
<CHAPTER>
LETTER XXXVIII MR. VILLARS TO LADY HOWARD
Berry Hill, May 27.
Dear Madam,
I BELIEVE your Ladyship will not be surprised at hearing I have had
a visit from Madame Duval, as I doubt not her having made known her
intention before she left Howard Grove. I would gladly have excused
myself this meeting, could I have avoided it decently; but, after so
long a journey, it was not possible to refuse her admittance.
She told me, that she came to Berry Hill, in consequence of a letter
I had sent to her grand-daughter, in which I forbid her going to
Paris. Very roughly she then called me to account for the authority
which I had assumed; and, had I been disposed to have argued with
her, she would very angrily have disputed the right by which I used
it. But I declined all debating. I therefore listened very quietly,
till she had so much fatigued herself with talking, that she was glad,
in her turn, to be silent. And then, I begged to know the purport of
her visit.
She answered, that she came to make me relinquish the power I had
usurped over her grand-daughter; and assured me she would not quit
the place till she succeeded.
But I will not trouble your Ladyship with the particulars of this
disagreeable conversation; nor should I, but on account of the result,
have chosen so unpleasant a subject for your perusal. However, I will
be as concise as I possibly can, that the better occupations of your
Ladyship's time may be less impeded.
When she found me inexorable in refusing Evelina's attending her to
Paris, she peremptorily insisted that she should at least live with
her in London till Sir John Belmont's return. I remonstrated against
this scheme with all the energy in my power; but the contest was vain;
she lost her patience, and I my time. She declared, that if I was
resolute in opposing her, she would instantly make a will, in which
she would leave all her fortune to strangers, though, otherwise,
she intended her grand-daughter for her sole heiress.
To me, I own, this threat seemed of little consequence; I have long
accustomed myself to think, that, with a competency, of which she is
sure, my child might be as happy as in the possession of millions;
but the incertitude of her future fate deters me from following
implicitly the dictates of my present judgement. The connections she
may hereafter form, the style of life for which she may be destined,
and the future family to which she may belong, are considerations
which give but too much weight to the menaces of Madame Duval. In
short, Madam, after a discourse infinitely tedious, I was obliged,
though very reluctantly, to compromise with this ungovernable woman,
by consenting that Evelina should pass one month with her.
I never made a concession with so bad a grace, or so much regret. The
violence and vulgarity of this woman, her total ignorance of propriety,
the family to which she is related, and the company she is likely to
keep, are objections so forcible to her having the charge of this dear
child, that nothing less than my diffidence of the right I have of
depriving her of so large a fortune, would have induced me to listen
to her proposal. Indeed we parted, at last, equally discontented;
she at what I had refused, I at what I had granted.
It now only remains for me to return your Ladyship my humble
acknowledgments for the kindness which you have so liberally shown
to my ward; and to beg you would have the goodness to part with her
when Madame Duval thinks proper to claim the promise which she has
extorted from me. I am, Dear Madam, &c. ARTHUR VILLARS.
</CHAPTER>
<CHAPTER>
LETTER XXXIX MR. VILLARS TO EVELINA
Berry Hill, May 28.
WITH a reluctance which occasions me inexpressible uneasiness, I
have been almost compelled to consent that my Evelina should quit the
protection of the hospitable and respectable Lady Howard, and accompany
Madame Duval to a city which I had hoped she would never again have
entered. But alas, my dear child, we are the slaves of custom, the
dupes of prejudice, and dare not stem the torrent of an opposing
world, even though our judgements condemn our compliance! However,
since the die is cast, we must endeavor to make the best of it.
You will have the occasion, in the course of the month you are to
pass with Madame Duval, for all the circumspection and prudence you
can call to your aid. She will not, I know, propose any thing to you
which she thinks wrong herself; but you must learn not only to judge
but to act for yourself; if any schemes are started, any engagements
made, which your understanding represents to you as improper, exert
yourself resolutely in avoiding them; and do not, by a too passive
facility, risk the censure of the world, or your own future regret.
You cannot too assiduously attend to Madame Duval herself; but I
would wish you to mix as little as possible with her associates, who
are not likely to be among those whose acquaintance would reflect
credit upon you. Remember, my dear Evelina, nothing is so delicate
as the reputation of a woman; it is at once the most beautiful and
most brittle of all human things.
Adieu, my beloved child; I shall be but ill at ease till this month
is elapsed. A.V.
</CHAPTER>
<CHAPTER>
LETTER XL EVELINA TO THE REV. MR. VILLARS
London, June 6.
ONCE more, my dearest Sir, I write to you from this great
city. Yesterday morning, with the truest concern, I quitted the dear
inhabitants of Howard Grove, and most impatiently shall I count the
days till I see them again. Lady Howard and Mrs. Mirvan took leave
of me with the most flattering kindness; but indeed I knew not how to
part with Maria, whose own apparent sorrow redoubled mine. She made
me promise to send her a letter every post: and I shall write to her
with the same freedom, and almost the same confidence, you allow me
to make use of to yourself.
The Captain was very civil to me: but he wrangled with poor Madame
Duval to the last moment; and, taking me aside, just before we got
into the chaise, he said, "Hark'ee, Miss Anville, I've a favour for
to ask of you, which is this; that you will write us word how the
old gentlewoman finds herself, when she sees it was all a trick;
and what the French lubber says to it, and all about it."
I answered that I would obey him, though I was very little pleased
with the commission, which, to me, was highly improper; but he will
either treat me as an informer, or make me a party in his frolic.
As soon as we drove away, Madame Duval, with much satisfaction,
exclaimed, "Dieu merci, we've got off at last! I'm sure I never desire
to see that place again. It's a wonder I've got away alive; for I
believe I've had the worst luck ever was known, from the time I set
my foot upon the threshold. I know I wish I'd never a gone. Besides,
into the bargain, it's the most dullest place in all Christendom:
there's never no diversions, nor nothing at all."
Then she bewailed M. Du Bois; concerning whose adventures she continued
to make various conjectures during the rest of our journey.
When I asked her what part of London she should reside in, she told me
that Mr. Branghton was to meet us at an inn, and would conduct us to
a lodging. Accordingly, we proceeded to a house in Bishopsgate Street,
and were led by a waiter into a room where we found Mr. Branghton.
He received us very civilly; but seemed rather surprised at seeing
me, saying, "Why, I didn't think of your bringing Miss; however,
she's very welcome."
"I'll tell you how it was," said Madame Duval: "you must know I've
a mind to take the girl to Paris, that she may see something of the
world, and improve herself a little; besides, I've another reason,
that you and I will talk more about. But, do you know, that meddling
old parson, as I told you of, would not let her go: however, I'm
resolved I'll be even with him; for I shall take her on with me,
without saying never a word more to nobody."
I started at this intimation, which very much surprised me. But, I am
very glad she has discovered her intention, as I shall be carefully
upon my guard not to venture from town with her.
Mr. Branghton then hoped we had passed our time agreeably in the
country.
"O Lord, cousin," cried she, "I've been the miserablest creature in
the world! I'm sure all the horses in London sha'n't drag me into
the country again of one while: why, how do you think I've been
served?-only guess."
"Indeed, cousin, I can't pretend to do that."
"Why then I'll tell you. Do you know I've been robbed!-that is,
the villain would have robbed me if he could, only I'd secured all
my money."
"Why, then cousin, I think your loss can't have been very great."
"O Lord, you don't know what you're a saying; you're talking in the
unthinkingest manner in the world: why, it was all along of not having
no money that I met with that misfortune."
"How's that, cousin? I don't see what great misfortune you can have
met with, if you'd secured all your money."
"That's because you don't know nothing of the matter: for there the
villain came to the chaise; and, because we hadn't got nothing to give
him, though he'd no more right to our money than the man in the moon,
yet, do you know, he fell into the greatest passion ever you see,
and abused me in such a manner, and put me in a ditch, and got a rope
o'purpose to hang me;-and I'm sure, if that wasn't misfortune enough,
why I don't know what is."
"This is a hard case, indeed, cousin. But why don't you go to Justice
Fielding?"
"O as to that, I'm a going to him directly; but only I want first to
see M. Du Bois; for the oddest thing of all is, that he has wrote to
me, and never said nothing of where he is, nor what's become of him,
nor nothing else."
"M. Du Bois! why, he's at my house at this very time."
"M. Du Bois at your house! well, I declare this is the surprisingest
part of all: However, I assure you, I think he might have comed for me,
as well as you, considering what I have gone through on his account;
for, to tell you the truth, it was all along of him that I met with
that accident; so I don't take it very kind of him, I promise you."
"Well, but cousin, tell me some of the particulars of this affair."
"As to the particulars, I'm sure they'd make your hair stand on end
to hear them; however, the beginning of it all was through the fault
of M. Du Bois: but, I'll assure you, he may take care of himself
in future, since he don't so much as come to see if I'm dead or
alive.-But, there, I went for him to a justice of peace, and rode
all out of the way, and did every thing in the world, and was used
worser than a dog, and all for the sake of serving of him; and now,
you see, he don't so much-well, I was a fool for my pains.-However,
he may get somebody else to be treated so another time; for, if he's
taken up every day in the week, I'll never go after him no more."
This occasioned an explanation; in the course of which Madame Duval,
to her utter amazement, heard that M. Du Bois had never left London
during her absence! nor did Mr. Branghton believe that he had ever
been to the Tower, or met with any kind of accident.
Almost instantly the whole truth of the transaction seemed to rush
upon her mind, and her wrath was inconceivably violent. She asked me
a thousand questions in a breath; but, fortunately, was too vehement
to attend to my embarrassment, which must otherwise have betrayed my
knowledge of the deceit. Revenge was her first wish; and she vowed
she would go the next morning to Justice Fielding, and inquire what
punishment she might lawfully inflict upon the Captain for his assault.
I believe we were an hour at Bishopsgate Street before poor Madame
Duval could allow any thing to be mentioned but her own story; at any
length, however, Mr. Branghton told her, that M. Du Bois, and all
his own family, were waiting for her at his house. A hackney-coach
was then called, and we proceeded to Snow Hill.
Mr. Branghton's house is small and inconvenient; though his shop,
which takes in all the ground floor, is large and commodious. I
believe I told you before, that he is a silver-smith.
We were conducted up two pairs of stairs: for the dining-room,
Mr. Branghton told us, was let. His two daughters, their brother,
M. Du Bois, and a young man, were at tea. They had waited some time
for Madame Duval, but I found they had not any expectation that I
should accompany her; and the young ladies, I believe, were rather
more surprised than pleased when I made my appearance; for they seemed
hurt that I should see their apartment. Indeed, I would willingly
have saved them that pain, had it been in my power.
The first person who saw me was M. Du Bois, "Ah, mon Dieu!" exclaimed
he, "voila Mademoiselle!"
"Goodness," cried young Branghton, "if there isn't Miss!"
"Lord, so there is!" said Miss Polly; "well, I'm sure I should never
have dreamed of Miss's coming."
"Nor I neither, I'm sure," cried Miss Branghton, "or else I would not
have been in this room to see her: I'm quite ashamed about it;-only
not thinking of seeing any body but my aunt-however, Tom, it's all
your fault; for, you know very well I wanted to borrow Mr. Smith's
room, only you were so grumpy you would not let me."
"Lord, what signifies?" said her brother; "I dare be sworn Miss has
been up two pair of stairs before now;-ha'n't you, Miss?"
I begged that I might not give them the least disturbance; and assured
them that I had not any choice in regard to what room we sat in.
"Well," said Miss Polly, "when you come next, Miss, we'll have
Mr. Smith's room: and it's a very pretty one, and only up one pair
of stairs, and nicely furnished, and every thing."
"To say the truth," said Miss Branghton, "I thought that my cousin
would not, upon any account, have come to town in the summer-time;
for it's not at all the fashion ;-so, to be sure, thinks I, she'll
stay till September, when the play-houses open."
This was my reception, which I believe you will not call a very
cordial one. Madame Duval, who, after having severely reprimanded
M. Du Bois for his negligence, was just entering upon the story of
her misfortunes, now wholly engaged the company.
M. Du Bois listened to her with a look of the utmost horror, repeatedly
lifting up his eyes and hands, and exclaiming, "O ciel! quel barbare!"
The young ladies gave her the most earnest attention; but their
brother, and the young man, kept a broad grin upon their faces during
the whole recital. She was, however, too much engaged to observe them;
but, when she mentioned having been tied in a ditch, young Branghton,
no longer able to contain himself, burst into a loud laugh, declaring
that he had never heard any thing so funny in his life! His laugh
was heartily re-echoed by his friend; the Miss Branghtons could not
resist the example; and poor Madame Duval, to her extreme amazement,
was absolutely overpowered and stopped by the violence of their mirth.
For some minutes the room seemed quite in an uproar; the rage of Madame
Duval, the astonishment of M. Du Bois, and the angry interrogatories
of Mr. Branghton, on one side; the convulsive tittering of the
sisters, and the loud laughs of the young men, on the other,
occasioned such noise, passion and confusion, that had any one
stopped an instant on the stairs, he must have concluded himself in
Bedlam. At length, however, the father brought them to order; and,
half-laughing, half-frightened, they made Madame Duval some very
awkward apologies. But she would not be prevailed upon to continue
her narrative, till they had protested they were laughing at the
Captain, and not at her. Appeased by this, she resumed her story;
which by the help of stuffing handkerchiefs into their mouths, the
young people heard with tolerable decency.
Every body agreed, that the ill-usage the Captain had given her was
actionable; and Mr. Branghton said, he was sure she might recover
what damages she pleased, since she had been put in fear of her life.
She then, with great delight, declared, that she would lose no time
in satisfying her revenge, and vowed she would not be contented with
less than half his fortune: "For though," she said, "I don't put no
value upon the money, because, Dieu merci, I ha'n't no want of it,
yet I don't wish for nothing so much as to punish that fellow; for
I'm sure, whatever's the cause of it, he owes me a great grudge,
and I know no more what it's for than you do; but he's always been
doing me one spite or another ever since I knew him."
Soon after tea, Miss Branghton took an opportunity to tell me, in a
whisper, that the young man I saw was a lover of her sister's, that
his name was Brown, and that he was a haberdasher: with many other
particulars of his circumstances and family; and then she declared
her utter aversion to the thoughts of such a match; but added, that
her sister had no manner of spirit or ambition, though, for her part,
she would ten times rather die an old maid, than marry any person
but a gentleman. "And, for that matter," added she, "I believe Polly
herself don't care much for him, only she's in such a hurry, because,
I suppose, she's a mind to be married before me; however, she's very
welcome; for, I'm sure, I don't care a pin's point whether I ever
marry at all;-it's all one to me."
Some time after this, Miss Polly contrived to tell her story. She
assured me, with much tittering, that her sister was in a great fright
lest she should be married first. "So I make her believe that I will,"
continued she; "for I dearly love to plague her a little; though,
I declare, I don't intend to have Mr. Brown in reality;-I'm sure I
don't like him half well enough,-do you, Miss?"
"It is not possible for me to judge of his merits," said I, "as I am
entirely a stranger to him."
"But what do you think of him, Miss?"
"Why, really, I-I don't know."
"But do you think him handsome? Some people reckon him to have a
good pretty person;-but I'm sure, for my part, I think he's monstrous
ugly:-don't you, Miss?"
"I am no judge,-but I think his person is very-very well."
"Very well! -Why, pray Miss," in a tone of vexation, "what fault can
you find with it?"
"O, none at all!"
"I'm sure you must be very ill-natured if you could. Now there's Biddy
says she thinks nothing of him,-but I know it's all out of spite. You
must know, Miss, it makes her as mad as can be that I should have
a lover before her; but she's so proud that nobody will court her,
and I often tell her she'll die an old maid. But the thing is, she
has taken it into her head to have a liking for Mr. Smith, as lodges
on the first floor; but, Lord, he'll never have her, for he's quite a
fine gentleman; and besides, Mr. Brown heard him say one day, that he'd
never marry as long as he lived, for he'd no opinion of matrimony."
"And did you tell your sister this?"
"O, to be sure, I told her directly; but she did not mind me; however,
if she will be a fool she must."
This extreme want of affection and good-nature increased the distaste I
already felt for these unamiable sisters; and a confidence so entirely
unsolicited and unnecessary, manifested equally their folly and their
want of decency.
I was very glad when the time for our departing arrived. Mr. Branghton
said our lodgings were in Holborn, that we might be near his house,
and neighbourly. He accompanied us to them himself.
Our rooms are large, and not inconvenient; our landlord is an hosier. I
am sure I have a thousand reasons to rejoice that I am so little known:
for my present situation is, in every respect, very unenviable; and
I would not, for the world, be seen by any acquaintance of Mrs. Mirvan.
This morning, Madame Duval, attended by all the Branghtons, actually
went to a Justice in the neighborhood, to report the Captain's ill
usage of her. I had great difficulty in excusing myself from being of
the party, which would have given me very serious concern. Indeed,
I was extremely anxious, though at home, till I heard the result of
the application, for I dread to think of the uneasiness which such
an affair would occasion the amiable Mrs. Mirvan. But, fortunately,
Madame Duval has received very little encouragement to proceed in
her design; for she has been informed, that, as she neither heard
the voice, nor saw the face of the person suspected, she will find
difficulty to cast him upon conjecture, and will have but little
probability of gaining her cause, unless she can procure witnesses
of the transaction. Mr. Branghton, therefore, who has considered all
the circumstances of the affair, is of the opinion; the lawsuit will
not only be expensive, but tedious and hazardous, and has advised
against it. Madame Duval, though very unwillingly, has acquiesced
in his decision; but vows, that if she ever is so affronted again,
she will be revenged, even if she ruins herself. I am extremely glad
that this ridiculous adventure seems now likely to end without more
serious consequences.
Adieu, my dearest Sir. My direction is at Mr. Dawkin's, a hosier in
High Holborn.
</CHAPTER>
<CHAPTER>
LETTER XLI EVELINA TO MISS MIRVAN
June 7th
I HAVE no words, my sweet friend, to express the thankfulness I
feel for the unbounded kindness which you, your dear mother, and the
much-honoured Lady Howard, have shown me; and still less can I find
language to tell you with what reluctance I parted from such dear and
generous friends, whose goodness reflects, at once, so much honour
on their own hearts, and on her to whom it has been so liberally
bestowed. But I will not repeat what I have already written to the
kind Mrs. Mirvan; I will remember your admonitions, and confine to my
own breast that gratitude with which you have filled it, and teach my
pen to dwell upon subjects less painful to my generous correspondent.
O, Maria! London now seems no longer the same place where I lately
enjoyed so much happiness; every thing is new and strange to me; even
the town itself has not the same aspect.-My situation so altered!-my
home so different!-my companions so changed!-But you well know my
averseness to this journey.
Indeed, to me, London now seems a desert: that gay and busy appearance
it so lately wore, is now succeeded by a look of gloom, fatigue,
and lassitude; the air seems stagnant, the heat is intense, the
dust intolerable, and the inhabitants illiterate and under-bred;
At least, such is the face of things in the part of town where I at
present reside.
Tell me, my dear Maria, do you never retrace in your memory the time
we passed here when together? to mine it recurs for ever! And yet
I think I rather recollect a dream, or some visionary fancy, than
a reality.-That I should ever have been known to Lord Orville,-that
I should have spoken to-have danced with him,-seems now a romantic
illusion: and that elegant politeness, that flattering attention, that
high-bred delicacy, which so much distinguished him above all other
men, and which struck us with so much admiration, I now retrace the
remembrance of rather as belonging to an object of ideal perfection,
formed by my own imagination, than to a being of the same race and
nature as those with whom I at present converse.
I have no news for you, my dear Miss Mirvan; for all that I could
venture to say of Madame Duval I have already written to your sweet
mother; and as to adventures, I have none to record. Situated as
I now am, I heartily hope I shall not meet with any; my wish is to
remain quiet and unnoticed.
Adieu! excuse the gravity of this letter; and believe me, your most
sincerely Affectionate and obliged EVELINA ANVILLE.
</CHAPTER>
<CHAPTER>
LETTER XLII EVELINA TO THE REV. MR. VILLARS
Holborn, June 9.
YESTERDAY morning we received an invitation to dine and spend the day
at Mr. Branghton's; and M. Du Bois, who was also invited, called to
conduct us to Snow Hill.
Young Branghton received us at the door; and the first words he spoke
were, "Do you know, sisters a'n't dressed yet."
Then, hurrying us into the house, he said to me, "Come, Miss, you
shall go upstairs and catch 'em,-I dare say they're at the glass."
He would have taken my hand; but I declined this civility, and begged
to follow Madame Duval.
Mr. Branghton then appeared, and led the way himself. We went, as
before, up two pairs of stairs; but the moment the father opened
the door, the daughters both gave a loud scream. We all stopped;
and then Miss Branghton called out, "Lord, Papa, what do you bring
the company up here for? why, Polly and I a'n't half dressed."
"More shame for you," answered he; "here's your aunt, and cousin,
and M. Du Bois, all waiting, and ne'er a room to take them to."
"Who'd have thought of their coming so soon?" cried she: "I am sure
for my part I thought Miss was used to nothing but quality hours."
"Why, I sha'n't be ready this half-hour yet," said Miss Polly;
"can't they stay in the shop till we're dressed?"
Mr. Branghton was very angry, and scolded them violently: however,
we were obliged to descend, and stools were procured for us in the
shop, where we found the brother, who was highly delighted, he said,
that his sisters had been catched; and he thought proper to entertain
me with a long account of their tediousness, and the many quarrels
they all had together.
When, at length, these ladies were equipped to their satisfaction,
they made their appearance; but before any conversation was suffered
to pass between them and us, they had a long and most disagreeable
dialogue with their father, to whose reprimands, though so justly
incurred, they replied with the utmost pertness while their brother
all the time laughed aloud.
The moment they perceived this, they were so much provoked, that,
instead of making any apologies to Madame Duval, they next began to
quarrel with him. "Tom, what do you laugh for? I wonder what business
you have to be always a laughing when Papa scolds us?"
"Then what business have you to be such a while getting on your
clothes? You're never ready, you know well enough."
"Lord, Sir, I wonder what's that to you! I wish you'd mind your own
affairs, and not trouble yourself about ours. How should a boy like
you know any thing?"
"A boy, indeed! not such a boy, neither: I'll warrant you'll be glad
to be as young when you come to be old maids."
This sort of dialogue we were amused with till dinner was ready,
when we again mounted up two pairs of stairs.
In our way, Miss Polly told me that her sister had asked Mr. Smith
for his room to dine in, but he had refused to lend it; "because,"
she said, "one day it happened to be a little greased: however, we
shall have it to drink tea in, and then, perhaps, you may see him;
and I assure you he's quite like one of the quality, and dresses as
fine, and goes to balls and dances, and every thing, quite in taste;
and besides, Miss, he keeps a foot-boy of his own too."
The dinner was ill-served, ill-cooked, and ill-managed. The maid
who waited had so often to go down stairs for something that was
forgotten, that the Branghtons were perpetually obliged to rise
from table themselves, to get plates, knives, and forks, bread or
beer. Had they been without pretensions, all this would have seemed
of no consequence; but they aimed at appearing to advantage, and even
fancied they succeeded. However, the most disagreeable part of our
fare was that the whole family continually disputed whose turn it
was to rise, and whose to be allowed to sit still.
When this meal was over, Madame Duval, ever eager to discourse upon
her travels, entered into an argument with Mr. Branghton, and, in
broken English, M. Du Bois, concerning the French nation: and Miss
Polly, then addressing herself to me, said "Don't you think, Miss,
it's very dull sitting up stairs here? we'd better go down to shop,
and then we shall see the people go by."
"Lord, Poll," said the brother, "you're always wanting to be staring
and gaping; and I'm sure you needn't be so fond of showing yourself,
for you're ugly enough to frighten a horse."
"Ugly, indeed! I wonder which is best, you or me. But, I tell you
what, Tom, you've no need to give yourself such airs; for, if you do,
I'll tell Miss of-you know what-"
"Who cares if you do? you may tell what you will; I don't mind-"
"Indeed," cried I, "I do not desire to hear any secrets."
"O, but I'm resolved I'll tell you, because Tom's so very spiteful. You
must know, Miss, t'other night-"
"Poll," cried the brother, "if you tell of that, Miss shall know all
about your meeting young Brown,-you know when!-So I'll be quits with
you one way or other."
Miss Polly coloured, and again proposed our going down stairs till
Mr. Smith's room was ready for our reception.
"Aye, so we will," said Miss Branghton; "I'll assure you, cousin,
we have some very genteel people pass by our shop sometimes. Polly
and I always go and sit there when we've cleaned ourselves."
"Yes, Miss," cried the brother, "they do nothing else all day long,
when father don't scold them. But the best fun is, when they've
got all their dirty things on, and all their hair about their ears,
sometimes I send young Brown up stairs to them: and then there's such a
fuss!-There, they hide themselves, and run away, and squeal and squall,
like any thing mad: and so then I puts the two cats into the room, and
I gives them a good whipping, and so that sets them a squalling too;
so there's such a noise and such an uproar!-Lord, you can't think,
Miss, what fun it is!"
This occasioned a fresh quarrel with the sisters; at the end of which,
it was at length decided that we should go to the shop.
In our way down stairs, Miss Branghton said aloud, "I wonder when
Mr. Smith's room will be ready."
"So do I," answered Polly; "I'm sure we should not do any harm to
it now."
This hint had not the desired effect; for we were suffered to proceed
very quietly.
As we entered the shop, I observed a young man in deep mourning
leaning against the wall, with his arms folded, and his eyes fixed on
the ground, apparently in profound and melancholy meditation; but the
moment he perceived us, he started, and, making a passing bow, very
abruptly retired. As I found he was permitted to go quite unnoticed,
I could not forbear enquiring who he was.
"Lord!" answered Miss Branghton, "he's nothing but a poor Scotch poet."
"For my part," said Miss Polly, "I believe he's just starved, for I
don't find he has anything to live upon."
"Live upon!" cried the brother; "why, he's a poet, you know, so he
may live upon learning."
"Aye, and good enough for him, too," said Miss Branghton; "for he's
as proud as he's poor."
"Like enough," replied the brother; "but, for all that, you won't
find he will live without meat and drink: no, no, catch a Scotchman
at that if you can! why, they only come here for what they can get."
"I'm sure," said Miss Branghton, "I wonder Papa'll be such a fool
as to let him stay in the house, for I dare say he'll never pay for
his lodging."
"Why, no more he would, if he could get another lodger. You know
the bill has been put up this fortnight. Miss, if you should hear
of a person that wants a room, I assure you it is a very good one,
for all it's up three pair of stairs."
I answered, that as I had no acquaintance in London, I had not any
chance of assisting them: but both my compassion and my curiosity
were excited for this poor young man; and I asked them some further
particulars concerning him.
They then acquainted me, that they had only known him three
months. When he first lodged with them, he agreed to board also;
but had lately told them he would eat by himself, though they all
believed he had hardly ever tasted a morsel of meat since he left
their table. They said, that he had always appeared very low-spirited;
but for the last month he had been duller than ever; and, all of a
sudden, he had put himself into mourning, though they knew not for
whom, nor for what; but they supposed it was only for convenience,
as no person had ever been to see or enquire for him since his
residence amongst them: and they were sure he was very poor, as he
had not paid for his lodgings the last three weeks: and, finally,
they concluded he was a poet, or else half-crazy, because they had,
at different times, found scraps of poetry in his room.
They then produced some unfinished verses, written on small pieces of
paper, unconnected, and of a most melancholy cast. Among them was the
fragment of an ode, which, at my request, they lent to me to copy;
and as you may perhaps like to see it, I will write it now.
O LIFE! thou lingering dream of grief, of pain, And every
ill that Nature can sustain,
Strange, mutable, and wild!
Now flattering with Hope most fair, Depressing now with
fell Despair,
The nurse of Guilt, the slave of Pride,
That, like a wayward child,
Who, to himself a foe,
Sees joy alone in what's denied,
In what is granted, woe!
O thou poor, feeble, fleeting, pow'r, By Vice seduc'd, by
Folly woo'd, By Mis'ry, Shame, Remorse, pursu'd; And as thy
toilsome steps proceed, Seeming to Youth the fairest flow'r,
Proving to Age the rankest weed,
A gilded but a bitter pill,
Of varied, great, and complicated ill!
These lines are harsh, but they indicate an internal wretchedness,
which I own, affects me. Surely this young man must be involved
in misfortunes of no common nature but I cannot imagine what can
induce him to remain with this unfeeling family, where he is, most
unworthily, despised for being poor, and most illiberally detested
for being a Scotchman. He may, indeed, have motives, which he cannot
surmount, for submitting to such a situation. Whatever they are,
I most heartily pity him, and cannot but wish it were in my power to
afford him some relief.
During this conversation, Mr. Smith's foot-boy came to Miss Branghton,
and informed her, that his master said she might have the room now
when she liked it, for that he was presently going out.
This very genteel message, though it perfectly satisfied the Miss
Branghtons, by no means added to my desire of being introduced to this
gentleman; and upon their rising, with intention to accept his offer,
I begged they would excuse my attending them, and said I would sit
with Madame Duval till the tea was ready.
I therefore once more went up two pair of stairs with young
Branghton, who insisted upon accompanying me; and there we remained
till Mr. Smith's foot-boy summoned us to tea, when I followed Madame
Duval into the dining-room.
The Miss Branghtons were seated at one window, and Mr. Smith was
lolling indolently out of the other. They all approached us at our
entrance; and Mr. Smith, probably to show he was master of the
department, most officiously handed me to a great chair at the upper
end of the room, without taking any notice of Madame Duval, till I
rose and offered her my own seat.
Leaving the rest of the company to entertain themselves, he very
abruptly began to address himself to me, in a style of gallantry
equally new and disagreeable to me. It is true, no man can possibly pay
me greater compliments, or make more fine speeches, than Sir Clement
Willoughby: yet his language, though too flowery, is always that of a
gentleman; and his address and manners are so very superior to those
of the inhabitants of this house, that, to make any comparison between
him and Mr. Smith, would be extremely unjust. This latter seems very
desirous of appearing a man of gaiety and spirit; but his vivacity
is so low-bred, and his whole behaviour so forward and disagreeable,
that I should prefer the company of dullness itself, even as that
goddess is described by Pope, to that of this sprightly young man.
He made many apologies that he had not lent his room for our dinner,
which he said, he should certainly have done, had he seen me first:
and he assured me, that when I came again, he should be very glad to
oblige me.
I told him, and with sincerity, that every part of the house was
equally indifferent to me.
"Why, Ma'am, the truth is, Miss Biddy and Polly take no care of any
thing; else, I'm sure, they should be always welcome to my room; for
I'm never so happy as in obliging the ladies,-that's my character,
Ma'am:-but, really, the last time they had it, every thing was made
so greasy and so nasty, that, upon my word, to a man who wishes to
have things a little genteel, it was quite cruel. Now, as to you,
Ma'am, it's quite another thing, for I should not mind if every thing
I had was spoilt, for the sake of having the pleasure to oblige you;
and I assure you, Ma'am, it makes me quite happy that I have a room
good enough to receive you."
This elegant speech was followed by many others so much in the
same style, that to write them would be superfluous; and as he did
not allow me a moment to speak to any other person, the rest of the
evening was consumed in a painful attention to this irksome young man,
who seemed to intend appearing before me to the utmost advantage.
Adieu, my dear Sir. I fear you will be sick of reading about this
family; yet I must write of them, or not of any, since I mix with
no other. Happy I shall be when I quit them all, and again return to
Berry Hill.
</CHAPTER>
| 16,534 | Volume II, Letter I - Volume II, Letter XI | https://web.archive.org/web/20201126171702/https://www.gradesaver.com/evelina-or-the-history-of-a-young-ladys-entrance-into-the-world/study-guide/summary-volume-ii-letter-i--volume-ii-letter-xi | Evelina continues to write to Mr. Villars of her time at Howard Grove. Howard Grove was enlivened by a visit from Sir Clement Willoughby. The Captain was extremely excited to see his friend, and hoped Sir Clement would help him annoy the "old French-woman." Evelina, however, was dismayed to see their plans to do so put into place. One morning at breakfast, the Captain convinced Madame Duval that Monsieur Du Bois was in trouble with the law. He was shifty enough that she believed him, and she soon began to inquire after her friend with the appropriate authorities. That evening, a letter arrived stating that Du Bois had been imprisoned for "suspicion of treasonable practices against the government." It had been written by the Captain, but Madame Duval did not realize it. Evelina could hardly believe that Madame Duval fell for this ruse. Upon request, Evelina commissioned a chariot to bring Madame Duval into town so she could investigate the claims. She also accompanied her grandmother. Evelina was ashamed to be involved in the affair, but feared the Captain might turn on her if she did not comply. In town, they learned that Monsieur Du Bois had "escaped," and ordered the coachman to return home. Obviously, this information had been planted by the Captain. While heading back to Howard Grove, their coachman warned the women that thieves were about. This news, which Evelina knew to be part of the Captain's plan, terrified Madame Duval, who assumed they would be murdered. Because of the warning, they left their money and valuables with a friend. It was not long until two masked men accosted the chariot. One held Evelina, while the other pulled Madame Duval from the carriage despite her shrieks and resistance. Evelina soon realized it was Sir Clement who held her, as he entered the carriage to sit by her. He forcefully told her of his affection until she begged him to desist, and demanded he stop the cruelty towards her grandmother. The man in the other mask came back, laughing and saying that "I've done for her!" It was clearly the Captain in the other mask. After the men left, Evelina demanded the footman lead her to Madame Duval. She found her grandmother in a ditch, "roaring, and in the utmost agony of rage and terror." Her feet were tied together with a strong rope fastened to the upper branch of a tree. She was in complete disorder - her clothes were torn or in disarray, her head curls had fallen off, and she was covered in dirt and dust. On the ride back to Howard Grove, Evelina asked Madame Duval for an account of what had happened. Madame Duval said that the robber dragged her down the road, and then shook her extremely hard. Pretending to be angry that they had no valuables, he revealed a rope, which she thought he would use to hang her. She screamed excessively, but he never said a word. He used the rope to tie her up and leave her in the state that Evelina found her in. Evelina almost wanted to laugh at the story, but she was mostly irritated with the Captain "for carrying his love of tormenting - sport, he calls it - to such barbarous and unjustifiable extremes." At Howard Grove, Madame Duval went quickly upstairs. The men did not appear until supper, during which the Captain was in raptures over the prank's success. The next day, he wanted to do nothing but devise new ways in which to torture her. Evelina asked Mrs. Mirvan to talk to her husband about ceasing these torments, but Mrs. Mirvan said it was fruitless. Evelina announced she would make the request of Sir Clement, but Mrs. Mirvan warned her that it was sometimes unwise to make requests of men "who are too desirous of receiving them." Indeed, the idea of asking Sir Clement for anything gave her pause. Evelina first confronted the Captain with her request. It made him gloomy. Later, Sir Clement found Evelina in private to say that he wished to honor her request, but would have to leave town suddenly so as to not anger the Captain for abandoning their plans. He implored her for one word or look of approbation, threatening that without it, he saw no reason to help her. After bearing his demands silently, she offered a sarcastic admonishment and then hurriedly left. To her surprise, Sir Clement left that evening anyway. She admits in her letter that his presence is conspicuous at dinner since he tends to pleasant and agreeable while in large company. That same evening, Madame Duval was puzzled when a letter from Monsieur Du Bois made no mention of imprisonment. The next letter is Sir John Belmont's short reply to Lady Howard. He wishes well for Evelina, but has nothing further to offer her. He also makes a veiled accusation of ill behavior on the part of Mr. Villars. Evelina writes to Mr. Villars of her profound distress at her father's rejection. She can barely think of anything else in her anguish. She also tells how Madame Duval was incensed by the letter, and hinted that she might go to Paris to demand justice face-to-face. Mr. Villars writes to Evelina to comfort her. He warns her to be careful of Sir Clement. He then writes to Lady Howard, mentioning how Madame Duval had visited him and was, as ever, exceedingly unpleasant. She demanded that Evelina live with her in London, threatening to withhold any fortune due the girl if he did not comply. He hates the idea, but is forced by this threat to reach a compromise: Evelina will live with her grandmother in London for one month. He then writes to inform Evelina of this plan, warning her to be a prudent judge and guardian of her delicate reputation. Evelina soon writes to Mr. Villars about her arrival in London. Though Evelina has separate lodgings with Madame Duval, her grandmother took her immediately to Mr. Branghton's house. While there, Madame Duval learned the truth about Monsieur Du Bois. As expected, she grew violently angry to realize what the Captain had done. She complains of the Branghton house, which is small and inconvenient. Downstairs is a shop where they conduct business; it is very uncomfortable to sit in, yet they are there all the time. While there, she once again encountered the Miss Branghtons. It was not a very cordial reception. They laughed uproariously when Madame Duval told her story of the "robbers," which incensed the older woman. In talking with the two sisters, Evelina noted their "extreme want of affection, and good-nature" which "increased the distaste I already felt for ." Evelina writes to Maria Mirvan, complaining how different London is while living amongst the Branghtons. She no longer found it gay, but instead found it dull and gloomy. She then writes to Mr. Villars of how dinners were held at the Branghton house. They intended to dine in the room of their boarder, Mr. Smith, but he argued his room was only fit for after-dinner tea. Dinner was "ill-served, ill-cooked, and ill-managed," and the family argued incessantly. While passing through the shop on the way to tea after dinner, they encountered the Branghton's other lodger - a very melancholy and serious young man named Mr. Macartney . Miss Branghton explained that she believes him to be a Scottish poet because of his demeanor, and because they found scraps of poetry in his room. They showed Evelina what they had found, and she read, "an internal wretchedness, which, I own, affects me." While at Mr. Smith's for tea, he began to address himself to Evelina in a "style of gallantry equally new and disagreeable to me." His manners were far worse than Sir Clement's. She spent the rest of the evening in painful attention to this "irksome young man." | Burney's perspective as a woman grows more pronounced as the novel continues. In this set of letters, several incidents highlight her understanding of women as constantly in danger from male aggression. With the robbery prank, Captain Mirvan exceeds his previous torture of Madame Duval. It is an altogether strange and uncomfortable episode that serves as a demonstration of violence against women. The Captain's misogyny grows from verbal assaults into actual physical abuse. The psychological effect of his gleeful persecution is also much heightened by this particular attack; he is no longer sitting face-to-face with Madame Duval and trading insults, but is now constructing a situation to cultivate tremendous fear, anxiety, rage, and humiliation. What's more, he does all of this without having to take any responsibility for it. Madame Duval is treated like refuse, her femininity assaulted and mocked, and her person touched in an inappropriate way. Were the Captain's antagonist male, he would not have had recourse to the kneejerk fears that a woman felt while traveling unprotected. This episode reveals the length to which the Captain's hatred of women and foreigners extended, and, on a more macro scale, the ill treatment which women received at the hands of men in the 18th century. Further, Evelina's beauty has become not only a liability, but also a torture to her. Sir Clement's niceties are revealed as hypocritical when he threatens to continue torturing Madame Duval if Evelina is not sweet to him. He manipulates the delicacy that society forces women to maintain, and is less interested in actually deserving it than he is in receiving it. It is almost as though he fetishizes this feminine delicacy, which in turn suggests it is not just women he is interested in, but moreover his masculine control over them. This interpretation can easily be applied to the robbery prank as well. The episode with Mr. Smith, while less physically threatening, also touches on Evelina's helplessness. Decorum requires her to sit as this manner-less ass accosts her, showing no subtlety in his aggression. On a different subject, the epistolary structure of the novel begs some consideration. Why did Frances Burney write Evelina as a series of letters, rather than as a straightforward novel, and what points or themes does that reveal? In her influential critical article on the subject, Irene Tucker discusses letters and the theory of property. She sees Evelina's epistolary form as " the paradox of owning letters into a paradox about property, representation, and, ultimately, the nature of the self." In other words, the idea of 'owning' a relationship through a person's letters is a complicated idea that touches on how we define ourselves. The complexities of the relationships between writers and recipients of letters is increased dramatically when they are part of an epistolary novel. Tucker expands her discussion to include properties of letters, and thereby touch on the novel's complexities. First, a real-world letter has an identifiable author and is addressed to a specific person. In an epistolary novel, there is also a second writer and addressee - the author of the novel and the novel's readers. Secondly, a letter implies an "I," which in the novel is still the fictional construction of the novel's author. Thirdly, letters in an epistolary novel are dated to help the narrative movement by marking the passage of time, but they do not provide any real-world context of time. The reader's perspective is complicated because s/he does not know whether s/he is reading the letters as they are being written, as they are being read by their recipient, or at some other independent moment. Fourthly, letters are always written without any foreknowledge or an understanding of the future; they cannot trace out a destiny and are naturally fragmented. Thus, in Evelina, there is a tension between this fragmentation and the novel's unity. Fifthly, there is a "splitting of material and ideal forms of the letter" in that "the idea of the letter is invoked, while many of the material aspects are held in abeyance" in an epistolary novel. Burney has to control all the events of the story as author, while the form of letters sits in stark contrast to this kind of control and omniscience. All of these contradictions parallel Evelina's complicated place in the world. Burney places Evelina, a disowned heiress, "at the center of the contradictions regarding property and identity." Mr. Villars, her guardian, reveals through his letters that he considers Evelina to be somewhat his property; there are similarities between him sending out letters and "sending out" Evelina into the world. The form of the letters changes throughout the novel. They are first short and very much like traditional letters. Later, however, as Evelina writes, they are longer and more novel-like. Evelina's letters show how she is growing apart from Mr. Villars as well. She is first hesitant to write, but then embraces her identity as a letter-writing subject and writes copiously. Tucker notes, "the substitution of the ideality of the letter for the materiality of Evelina's actual body hence becomes a necessary condition of her developing autonomy." She becomes "irreducibly different" from Mr. Villars, and becomes progressively more confident in shaping her own life. Thus, Burney traces her primary growth not through the language of an omniscient narrator, but instead through the changing form of the letters Evelina writes. | 1,319 | 893 | [
"<CHAPTER>\nLETTER XXXII EVELINA TO THE REV.",
"MR. VILLARS\n\nHoward Grove, Kent, May 10.",
"OUR house has been enlivened to-day by the arrival of a London visitor;\nand the necessity I have been under of concealing the uneasiness of\nmy mind, has made me exert myself so effectually, that I even think\nit is really diminished; or, at least, my thoughts are not so totally,\nso very anxiously, occupied by one subject only as they lately were.",
"I was strolling this morning with Miss Mirvan, down a lane about\na mile from the Grove, when we heard the trampling of horses; and,\nfearing the narrowness of the passage, we were turning hastily back,\nbut stopped upon hearing a voice call out, \"Pray, Ladies, don't be\nfrightened, for I will walk my horse.\"",
"We turned again, and then saw\nSir Clement Willoughby.",
"He dismounted; and approaching us with the\nreins in his hand, presently recollected us.",
"\"Good Heaven,\" cried\nhe, with his usual quickness, \"do I see Miss Anville ?-and you too,\nMiss Mirvan?\"",
"He immediately ordered his servant to take charge of his horse; and\nthen, advancing to us, took a hand of each, which he pressed to his\nlips, and said a thousand fine things concerning his good fortune,\nour improved looks, and the charms of the country, when inhabited\nby such rural deities.",
"\"The town, Ladies, has languished since your\nabsence;-or, at least, I have so much languished myself, as to be\nabsolutely insensible to all it had to offer.",
"One refreshing breeze,\nsuch as I now enjoy, awakens me to new vigour, life, and spirit.",
"But I\nnever before had the good luck to see the country in such perfection.\"",
"\"Has not almost every body left town, Sir?\"",
"said Miss Mirvan.",
"\"I am ashamed to answer you, Madam,-but indeed it is as full as ever,\nand will continue so till after the birth-day.",
"However, you Ladies\nwere so little seen, that there are but few who know what it has\nlost.",
"For my own part, I felt it too sensibly, to be able to endure\nthe place any longer.\"",
"\"Is there any body remaining there, that we were acquainted\nwith?\"",
"cried I.",
"\"O yes, Ma'am.\"",
"And then he named two or three persons we have seen\nwhen with him; but he did not mention Lord Orville, and I would not\nask him, lest he should think me curious.",
"Perhaps, if he stays here\nsome time, he may speak of him by accident.",
"He was proceeding in this complimentary style, when we were met by\nthe Captain; who no sooner perceived Sir Clement, than he hastened\nup to him, gave him a hearty shake of the hand, a cordial slap on the\nback, and some other equally gentle tokens of satisfaction, assuring\nhim of his great joy at his visit, and declaring he was as glad to\nsee him as if he had been a messenger who brought news that a French\nship was sunk.",
"Sir Clement, on the other side, expressed himself with\nequal warmth; and protested he had been so eager to pay his respects\nto Captain Mirvan, that he had left London in its full lustre, and a\nthousand engagements unanswered, merely to give himself that pleasure.",
"\"We shall have rare sport,\" said the Captain; \"for, do you know, the\nold French-woman is among us?",
"'Fore George, I have scarce made any\nuse of her yet, by reason I have had nobody with me that could enjoy a\njoke: howsomever, it shall go hard but we'll have some diversion now.\"",
"Sir Clement very much approved of the proposal; and we then went into\nthe house, where he had a very grave reception from Mrs. Mirvan, who\nis by no means pleased with his visit, and a look of much discontent\nfrom Madame Duval, who said to me in a low voice, \"I'd as soon have\nseen Old Nick as that man, for he's the most impertinentest person\nin the world, and isn't never of my side.\"",
"The Captain is now actually occupied in contriving some scheme, which,\nhe says, is to pay the old Dowager off; and so eager and delighted is\nhe at the idea, that he can scarcely restrain his raptures sufficiently\nto conceal his design even from herself.",
"I wish, however, since I do\nnot dare put Madame Duval upon her guard, that he had the delicacy\nnot to acquaint me with his intention.",
"</CHAPTER>\n<CHAPTER>\nLETTER XXXIII EVELINA IN CONTINUATION\n\n\nMay 13th.",
"THE Captain's operations are begun,-and, I hope, ended; for, indeed,\npoor Madame Duval has already but too much reason to regret Sir\nClement's visit to Howard Grove.",
"Yesterday morning, during breakfast, as the Captain was reading the\nnewspaper, Sir Clement suddenly begged to look at it, saying, he wanted\nto know if there was any account of a transaction, at which he had\nbeen present the evening before his journey hither, concerning a poor\nFrenchman, who had got into a scrape which might cost him his life.",
"The Captain demanded particulars; and then Sir Clement told a\nlong story of being with a party of country friends at the Tower,\nand hearing a man call out for mercy in French; and that, when he\ninquired into the occasion of his distress, he was informed that he\nhad been taken up upon suspicion of treasonable practices against the\ngovernment.",
"\"The poor fellow,\" continued he, \"no sooner found that I\nspoke French, than he besought me to hear him, protesting that he had\nno evil designs; that he had been but a short time in England, and\nonly waited the return of a lady from the country to quit it for ever.\"",
"Madame Duval changed colour, and listened with the utmost attention.",
"\"Now, though I by no means approve of so many foreigners continually\nflocking into our country,\" added he, addressing himself to the\nCaptain, \"yet I could not help pitying the poor wretch, because\nhe did not know enough of English to make his defence; however, I\nfound it impossible to assist him; for the mob would not suffer me\nto interfere.",
"In truth, I am afraid he was but roughly handled.\"",
"\"Why, did they duck him?\"",
"said the Captain.",
"\"Something of that sort,\" answered he.",
"\"So much the better!",
"so much the better!\"",
"cried the Captain, \"an\nimpudent French puppy!",
"I'll bet you what you will he was a rascal.",
"I\nonly wish all his countrymen were served the same.\"",
"\"I wish you had been in his place, with all my soul!\"",
"cried Madame\nDuval, warmly;-\"but pray, Sir, did'n't nobody know who this poor\ngentleman was?\"",
"\"Why I did hear his name,\" answered Sir Clement, \"but I cannot\nrecollect it.\"",
"\"It wasn't-it wasn't-Du Bois?\"",
"stammered out Madame Duval.",
"\"The very name!\"",
"answered he: \"yes, Du Bois, I remember it now.\"",
"Madame Duval's cup fell from her hand, as she repeated \"Du\nBois!",
"Monsieur Du Bois, did you say?\"",
"\"Du Bois!",
"why, that's my friend,\" cried the Captain, \"that's Monseer\nSlippery, i'n't it?-Why, he's plaguy fond of sousing work; howsomever,\nI'll be sworn they gave him his fill of it.\"",
"\"And I'll be sworn,\" cried Madame Duval, \"that you're a-but I don't\nbelieve nothing about it, so you needn't be so overjoyed, for I dare\nsay it was no more Monsieur Du Bois than I am.\"",
"\"I thought at the time,\" said Sir Clement, very gravely, \"that I had\nseen the gentleman before; and now I recollect, I think it was in\ncompany with you, Madame.\"",
"\"With me, Sir?\"",
"cried Madame Duval.",
"\"Say you so?\"",
"said the Captain; \"why then it must be he, as sure\nas you're alive!-Well, but, my good friend, what will they do with\npoor Monseer?\"",
"\"It is difficult to say,\" answered Sir Clement, very thoughtfully;\n\"but I should suppose, that if he has not good friends to appear for\nhim, he will be in a very unpleasant situation; for these are serious\nsorts of affairs.\"",
"\"Why, do you think they'll hang him?\"",
"demanded the Captain.",
"Sir Clement shook his head, but made no answer.",
"Madame Duval could no longer contain her agitation; she started\nfrom her chair, repeating, with a voice half-choked, \"Hang him!-they\ncan't,-they sha'n't-let them at their peril!-However, it's all false,\nand I won't believe a word of it;-but I'll go to town this very moment,\nand see M. Du Bois myself;-I won't wait for nothing.\"",
"Mrs. Mirvan begged her not to be alarmed; but she flew out of the\nroom, and up stairs into her own apartment.",
"Lady Howard blamed both\nthe gentlemen for having been so abrupt, and followed her.",
"I would\nhave accompanied her, but the Captain stopped me; and, having first\nlaughed very heartily, said he was going to read his commission to\nhis ship's company.",
"\"Now, do you see,\" said he, \"as to Lady Howard, I sha'n't pretend for\nto enlist her into my service, and so I shall e'en leave her to make\nit out as well as she can; but as to all you, I expect obedience and\nsubmission to orders; I am now upon a hazardous expedition, having\nundertaken to convoy a crazy vessel to the shore of Mortification; so,\nd'ye see, if any of you have anything to propose that will forward the\nenterprise,-why speak and welcome; but if any of you, that are of my\nchosen crew, capitulate, or enter into any treaty with the enemy,-I\nshall look upon you as mutinying, and turn you adrift.\"",
"Having finished this harangue, which was interlarded with many\nexpressions, and sea-phrases, that I cannot recollect, he gave Sir\nClement a wink of intelligence, and left us to ourselves.",
"Indeed, notwithstanding the attempts I so frequently make of writing\nsome of the Captain's conversation, I can only give you a faint idea\nof his language; for almost every other word he utters is accompanied\nby an oath, which, I am sure, would be as unpleasant for you to read,\nas for me to write: and, besides, he makes use of a thousand sea-terms,\nwhich are to me quite unintelligible.",
"Poor Madame Duval sent to inquire at all probable places, whether\nshe could be conveyed to town in any stage-coach: but the Captain's\nservant brought her for answer, that no London stage would pass\nnear Howard Grove till to-day.",
"She then sent to order a chaise;\nbut was soon assured, that no horses could be procured.",
"She was so\nmuch inflamed by these disappointments, that she threatened to set\nout for town on foot; and it was with difficulty that Lady Howard\ndissuaded her from this mad scheme.",
"The whole morning was filled up with these inquiries.",
"But when we\nwere all assembled to dinner, she endeavoured to appear perfectly\nunconcerned, and repeatedly protested that she gave not any credit\nto the report, as far as it regarded M. Du Bois, being very certain\nthat he was not the person in question.",
"The Captain used the most provoking efforts to convince her that she\ndeceived herself; while Sir Clement, with more art, though not less\nmalice, affected to be of her opinion; but, at the same time that he\npretended to relieve her uneasiness, by saying that he doubted not\nhaving mistaken the name, he took care to enlarge upon the danger to\nwhich the unknown gentleman was exposed, and expressed great concern\nat his perilous situation.",
"Dinner was hardly removed, when a letter was delivered to Madam\nDuval.",
"The moment she had read it, she hastily demanded from whom\nit came.",
"\"A country boy brought it,\" answered the servant,\" but he would\nnot wait.\"",
"\"Run after him this instant!\"",
"cried she, \"and be sure you bring him\nback.",
"Mon Dieu!",
"quelle aventure!",
"que feraije?\"",
"\"What's the matter?",
"what's the matter?\"",
"said the Captain.",
"\"Why nothing-nothing's the matter.",
"O mon Dieu!\"",
"And she rose, and walked about the room.",
"\"Why, what,-has Monseer sent to you?\"",
"continued the Captain: \"is that\nthere letter from him?\"",
"\"No,-it i'n't;-besides, if it is, it's nothing to you.\"",
"\"O then, I'm sure it is!",
"Pray now, Madam, don't be so close;\ncome tell us all about it-what does he say?",
"how did he relish the\nhorse-pond?-which did he find best, sousing single or double?",
"'Fore\nGeorge, 'twas plaguy unlucky you was not with him!\"",
"\"It's no such a thing, Sir,\" cried she, very angrily; \"and if you're\nso very fond of a horse-pond, I wish you'd put yourself into one,\nand not be always a thinking about other people's being served so.\"",
"The man then came in to acquaint her they could not overtake the\nboy.",
"She scolded violently, and was in such perturbation, that Lady\nHoward interfered, and begged to know the cause of her uneasiness,\nand whether she could assist her.",
"Madame Duval cast her eyes upon the Captain and Sir Clement, and said\nshe should be glad to speak to her Ladyship without so many witnesses.",
"\"Well, then, Miss Anville,\" said the Captain, turning to me, \"do you\nand Molly go into another room, and stay there till Mrs. Duval has\nopened her mind to us.\"",
"\"So you may think, Sir,\" cried she, \"but who's fool then?",
"no, no,\nyou needn't trouble yourself to make a ninny of me neither, for I'm\nnot so easily taken in, I'll assure you.\"",
"Lady Howard then invited her into the dressing-room, and I was desired\nto attend her.",
"As soon as we had shut the door, \"O my Lady,\" exclaimed Madam Duval,\n\"here's the most cruelest thing in the world has happened!-but that\nCaptain is such a beast, I can't say nothing before him,-but it's\nall true!",
"poor M. Du Bois is tooked up!\"",
"Lady Howard begged her to be comforted, saying that, as M. Du Bois\nwas certainly innocent, there could be no doubt of his ability to\nclear himself.",
"\"To be sure, my Lady,\" answered she, \"I know he is innocent; and to\nbe sure they'll never be so wicked as to hang him for nothing?\"",
"\"Certainly not,\" replied Lady Howard; \"you have no reason to be\nuneasy.",
"This is not a country where punishment is inflicted without\nproof.\"",
"\"Very true, my Lady: but the worst thing is this; I cannot bear\nthat that fellow the Captain should know about it; for if he does,\nI sha'n't never hear the last of it;-no more won't poor M. Du Bois.\"",
"\"Well, well,\" said Lady Howard, \"shew me the letter, and I will\nendeavour to advise you.\"",
"The letter was then produced.",
"It was signed by the clerk of a country\njustice; who acquainted her, that a prisoner, then upon trial for\nsuspicion of treasonable practices against the government, was just\nupon the point of being committed to jail; but having declared that\nhe was known to her, this clerk had been prevailed upon to write,\nin order to enquire if she really could speak to the character and\nfamily of a Frenchman who called himself Pierre Du Bois.",
"When I heard the letter, I was quite amazed at its success.",
"So\nimprobable did it seem, that a foreigner should be taken before\na country justice of peace, for a crime of so dangerous a nature,\nthat I cannot imagine how Madame Duval could be alarmed, even for\na moment.",
"But, with all her violence of temper, I see that she is\neasily frightened, and in fact, more cowardly than many who have not\nhalf her spirit; and so little does she reflect upon circumstances,\nor probability, that she is continually the dupe of her own-I ought\nnot to say ignorance, but yet I can think of no other word.",
"I believe that Lady Howard, from the beginning of the transaction,\nsuspected some contrivance of the Captain; and this letter, I am\nsure, must confirm her suspicion: however, though she is not at all\npleased with his frolic, yet she would not hazard the consequence of\ndiscovering his designs: her looks, her manner, and her character,\nmade me draw this conclusion from her apparent perplexity; for not a\nword did she say that implied any doubt of the authenticity of the\nletter.",
"Indeed there seems to be a sort of tacit agreement between\nher and the Captain, that she should not appear to be acquainted with\nhis schemes; by which means she at once avoids quarrels, and supports\nher dignity.",
"While she was considering what to propose, Madame Duval begged to\nhave the use of her Ladyship's chariot, that she might go immediately\nto the assistance of her friend.",
"Lady Howard politely assured her,\nthat it should be extremely at her service; and then Madame Duval\nbesought her not to own to the Captain what had happened, protesting\nthat she could not endure he should know poor M. Du Bois had met with\nso unfortunate an accident.",
"Lady Howard could not help smiling, though\nshe readily promised not to inform the Captain of the affair.",
"As to\nme, she desired my attendance; which I was by no means rejoiced at,\nas I was certain that she was going upon a fruitless errand.",
"I was then commissioned to order the chariot.",
"At the foot of the stairs I met the Captain, who was most impatiently\nwaiting the result of the conference.",
"In an instant we were joined\nby Sir Clement.",
"A thousand inquiries were then made concerning Madame\nDuval's opinion of the letter, and her intentions upon it: and when I\nwould have left them, Sir Clement, pretending equal eagerness with\nthe Captain, caught my hand, and repeatedly detained me, to ask\nsome frivolous question, to the answer of which he must be totally\nindifferent.",
"At length, however, I broke from them; they retired into\nthe parlour, and I executed my commission.",
"The carriage was soon ready; and Madame Duval, having begged Lady\nHoward to say she was not well, stole softly down stairs, desiring me\nto follow her.",
"The chariot was ordered at the garden-door; and, when\nwe were seated, she told the man, according to the clerk's directions,\nto drive to Mr. Justice Tyrell's, asking at the same time, how many\nmiles off he lived?",
"I expected he would have answered, that he knew of no such person;\nbut, to my great surprise, he said, \"Why, 'Squire Tyrell lives about\nnine miles beyond the park.\"",
"\"Drive fast, then,\" cried she, \"and you sha'n't be no worse for it.\"",
"During our ride, which was extremely tedious, she tormented herself\nwith a thousand fears for M. Du Bois's safety; and piqued herself\nvery much upon having escaped unseen by the Captain, not only that\nshe avoided his triumph, but because she knew him to be so much M. Du\nBois's enemy, that she was sure he would prejudice the justice against\nhim, and endeavour to take away his life.",
"For my part, I was quite\nashamed of being engaged in so ridiculous an affair, and could only\nthink of the absurd appearance we should make upon our arrival at\nMr. Tyrell's.",
"When we had been out near two hours, and expected every moment to\nstop at the place of our destination, I observed that Lady Howard's\nservant, who attended us on horseback, rode on forward till he was\nout of sight: and soon after returning, came up to the chariot window,\nand delivering a note to Madame Duval, said he had met a boy who was\njust coming with it to Howard Grove from the clerk of Mr. Tyrell.",
"While she was reading it, he rode round to the other window, and making\na sign for secrecy, put into my hand a slip of paper, on which was\nwritten, \"Whatever happens, be not alarmed-for you are safe-though\nyou endanger all mankind!\"",
"I readily imagined that Sir Clement must be the author of this note,\nwhich prepared me to expect some disagreeable adventure: but I had\nno time to ponder upon it; for Madame Duval had no sooner read her\nown letter, than, in an angry tone of voice, she exclaimed, \"Why,\nnow, what a thing is this!",
"here we're come all this way for nothing!\"",
"She gave me the note; which informed her, that she need not trouble\nherself to go to Mr. Tyrell's, as the prisoner had had the address to\nescape.",
"I congratulated her upon this fortunate incident; but she was\nso much concerned at having rode so far in vain, that she seemed to\nbe less pleased than provoked.",
"However, she ordered the man to make\nwhat haste he could home, as she hoped, at least, to return before\nthe Captain should suspect what had passed.",
"The carriage turned about; and we journeyed so quietly for near an\n hour, that\nI began to flatter myself we should be suffered to proceed to Howard\nGrove without any molestation, when suddenly, the footman called out,\n\"John, are we going right?\"",
"\"Why, I a'n't sure,\" said the coachman, \"But I'm afraid we turned\n wrong.\"",
"\"What do you mean by that, sirrah?\"",
"said Madame Duval; \"why, if you\n lose your\nway, we shall all be in the dark.\"",
"\"I think we should turn to the left,\" said the footman.",
"\"To the left!\"",
"answered the other; \"No, no, I'm partly sure we should\n turn to\nthe right.\"",
"\"You had better make some enquiry,\" said I.",
"\"Ma foi!\"",
"cried Madame Duval, \"we're in a fine hole here!-they\n neither of\nthem know no more than the post.",
"However, I'll tell my Lady as sure\nas you're born, you'd better find the way.\"",
"\"Let's try this lane,\" said the footman.",
"\"No,\" said the coachman, \"that's the road to Canterbury; we had best\ngo straight on.\"",
"\"Why, that's the direct London road,\" returned the footman, \"and\n will lead us\ntwenty miles about.\"",
"\"Pardi,\" cried Madame Duval, \"why, they won't go one way nor\nt'other!",
"and now we're come all this jaunt for nothing, I suppose we\nshan't get home to-night!\"",
"\"Let's go back to the public-house,\" said the footman, \"and ask for a\nguide.\"",
"\"No, no,\" said the other, \"if we stay here a few minutes, somebody\n or other\nwill pass by; and the horses are almost knocked up already.\"",
"\"Well, I protest,\" cried Madame Duval, \"I'd give a guinea to see\n them sots\nboth horse-whipped!",
"As sure as I'm alive they're drunk!",
"Ten to one\nbut they'll overturn us next.\"",
"After much debating, they at length agreed to go on till we came to\n some inn,\nor met with a passenger who could direct us.",
"We soon arrived at a\nfarm-house, and the footman alighted, and went into it.",
"In a few minutes he returned, and told us we might proceed, for that\n he had\nprocured a direction: \"But,\" added he, \"it seems there are some\nthieves hereabouts; and so the best way will be for you to leave\nyour watches and your purses with the farmer, whom I know very well,\nand who is an honest man, and a tenant of my Lady's.\"",
"\"Thieves!\"",
"cried Madame Duval, looking aghast; \"the Lord help\n us!-I've no\ndoubt but we shall be all murdered!\"",
"The farmer came up to us, and we gave him all we were worth, and\n the servants\nfollowed our example.",
"We then proceeded; and Madame Duval's anger\nso entirely subsided, that, in the mildest manner imaginable, she\nintreated them to make haste, and promised to tell their Lady how\ndiligent and obliging they had been.",
"She perpetually stopped them,\nto ask if they apprehended any danger; and was at length so much\noverpowered by her fears, that she made the footman fasten his horse\nto the back of the carriage, and then come and seat himself within\nit.",
"My endeavours to encourage her were fruitless: she sat in the\nmiddle, held the man by the arm, and protested that if he did but\nsave her life, she would make his fortune.",
"Her uneasiness gave me much\nconcern, and it was with the utmost difficulty I forbore to acquaint\nher that she was imposed upon; but the mutual fear of the Captain's\nresentment to me, and of her own to him, neither of which would have\nany moderation, deterred me.",
"As to the footman, he was evidently in\ntorture from restraining his laughter; and I observed that he was\nfrequently obliged to make most horrid grimaces, from pretended fear,\nin order to conceal his risibility.",
"Very soon after, \"The robbers are coming!\"",
"cried the coachman.",
"The footman opened the door, and jumped out of the chariot.",
"Madame Duval gave a loud scream.",
"I could no longer preserve my silence.",
"\"For Heaven's sake, my dear\nMadame,\" said I, \"don't be alarmed,-you are in no danger,-you are\nquite safe,-there is nothing but-\"\n\n Here the chariot was stopped by two men in masks; who at each side\n put in\ntheir hands as if for our purses.",
"Madame Duval sunk to the bottom\nof the chariot, and implored their mercy.",
"I shrieked involuntarily,\nalthough prepared for the attack: one of them held me fast, while\nthe other tore poor Madame Duval out of the carriage, in spite of\nher cries, threats, and resistance.",
"I was really frightened, and trembled exceedingly.",
"\"My angel!\"",
"cried\nthe man who held me, \"you cannot surely be alarmed,-do you not know\nme?-I shall hold myself in eternal abhorrence, if I have really\nterrified you.\"",
"\"Indeed, Sir Clement, you have,\" cried I:-\"but, for Heaven's sake,\nwhere is Madame Duval?-why is she forced away?\"",
"\"She is perfectly safe; the Captain has her in charge: but suffer\n me now, my\nadored Miss Anville, to take the only opportunity that is allowed me,\nto speak upon another, a much dearer, much sweeter subject.\"",
"And then he hastily came into the chariot, and seated himself next to\nme.",
"I would fain have disengaged myself from him, but he would not let\nme: \"Deny me not, most charming of women,\" cried he, \"deny me not this\nonly moment that is lent me, to pour forth my soul into your gentle\nears,-to tell you how much I suffer from your absence,-how much I dread\nyour displeasure,-and how cruelly I am affected by your coldness!\"",
"\"O, Sir, this is no time for such language;-pray leave me, pray go\n to the\nrelief of Madame Duval,-I cannot bear that she should be treated with\nsuch indignity.\"",
"\"And will you,-can you command my absence?-When may I speak to you,\n if not\nnow?-Does the Captain suffer me to breathe a moment out of his\nsight?-and are not a thousand impertinent people for ever at your\nelbow?\"",
"\"Indeed, Sir Clement, you must change your style, or I will not hear\n you.",
"The\nimpertinent people you mean are among my best friends; and you would\nnot, if you really wished me well, speak of them so disrespectfully.\"",
"\"Wish you well!-O, Miss Anville, point but out to me how, in what\n manner, I\nmay convince you of the fervour of my passion;-tell me but what\nservices you will accept from me,-and you shall find my life, my\nfortune, my whole soul at your devotion.\"",
"\"I want nothing, Sir, that you can offer;-I beg you not to talk to\n me so-so\nstrangely.",
"Pray leave me; and pray assure yourself you cannot take\nany method so successless to show any regard for me, as entering into\nschemes so frightful to Madame Duval, and so disagreeable to myself.\"",
"\"The scheme was the Captain's: I even opposed it: though, I own,\n I could not\nrefuse myself the so-long-wished-for happiness of speaking to you\nonce more, without so many of-your friends to watch me.",
"And I had\nflattered myself, that the note I charged the footman to give you,\nwould have prevented the alarm you have received.\"",
"\"Well Sir, you have now, I hope, said enough; and, if you will not go\nyourself to see for Madame Duval, at least suffer me to inquire what\nis become of her.\"",
"\"And when may I speak to you again?\"",
"\"No matter when,-I don't know,-perhaps-\"\n\n \"Perhaps what, my angel?\"",
"\"Perhaps never, Sir,-if you torment me thus.\"",
"\"Never!",
"O, Miss Anville, how cruel, how piercing to my soul is\n that icy\nword!-Indeed I cannot endure such displeasure.\"",
"\"Then, Sir, you must not provoke it.",
"Pray leave me directly.\"",
"\"I will Madam: but let me, at least, make a merit of my\n obedience,-allow me\nto hope that you will, in future, be less averse to trusting yourself\nfor a few moments alone with me\"\n\n I was surprised at the freedom of this request: but, while I hesitated\n how to\nanswer it, the other mask came up to the chariot-door, and, in a voice\nalmost stifled with laughter said, \"I've done for her!-the old buck\nis safe;-but we must sheer off directly, or we shall be all ground.\"",
"Sir Clement instantly left me, mounted his horse, and rode off.",
"The\n Captain\nhaving given some directions to the servants, followed him.",
"I was both uneasy and impatient to know the fate of Madame Duval, and\nimmediately got out of the chariot to seek her.",
"I desired the footman\nto show me which way she was gone; he pointed with his finger by\nway of answer, and I saw that he dared not trust his voice to make\nany other.",
"I walked on at a very quick pace, and soon, to my great\nconsternation, perceived the poor lady seated upright in a ditch.",
"I\nflew to her with unfeigned concern at her situation.",
"She was sobbing,\nnay, almost roaring, and in the utmost agony of rage and terror.",
"As\nsoon as she saw me, she redoubled her cries; but her voice was so\nbroken, I could not understand a word she said.",
"I was so much shocked,\nthat it was with difficulty I forebore exclaiming against the cruelty\nof the Captain for thus wantonly ill-treating her; and I could not\nforgive myself for having passively suffered the deception.",
"I used my\nutmost endeavours to comfort her, assuring her of our present safety,\nand begging her to rise and return to the chariot.",
"Almost bursting with passion, she pointed to her feet, and with\n frightful\nviolence she actually tore the ground with her hands.",
"I then saw that her feet were tied together with a strong rope, which\nwas fastened to the upper branch of a tree, even with a hedge which\nran along the ditch where she sat.",
"I endeavoured to untie the knot;\nbut soon found it was infinitely beyond my strength.",
"I was, therefore,\nobliged to apply to the footman; but, being very unwilling to add to\nhis mirth by the sight of Madame Duval's situation.",
"I desired him to\nlend me a knife: I returned with it, and cut the rope.",
"Her feet were\nsoon disentangled; and then, though with great difficulty, I assisted\nher to rise.",
"But what was my astonishment, when, the moment she was\nup, she hit me a violent slap on the face!",
"I retreated from her with\nprecipitation and dread: and she then loaded me with reproaches, which,\nthough almost unintelligible, convinced me that she imagined I had\nvoluntarily deserted her; but she seemed not to have the slightest\nsuspicion that she had not been attacked by real robbers.",
"I was so much surprised and confounded at the blow, that, for some\n time, I\nsuffered her to rave without making any answer; but her extreme\nagitation, and real suffering, soon dispelled my anger, which all\nturned into compassion.",
"I then told her, that I had been forcibly\ndetained from following her, and assured her of my real sorrow of\nher ill-usage.",
"She began to be somewhat appeased; and I again intreated her to\n return to the\ncarriage, or give me leave to order that it should draw up to the\nplace where we stood.",
"She made no answer, till I told her, that the\nlonger we remained still, the greater would be the danger of our\nride home.",
"Struck with this hint, she suddenly, and with hasty steps,\nmoved forward.",
"Her dress was in such disorder, that I was quite sorry to have\n her figure\nexposed to the servants, who all of them, in imitation of her master,\nhold her in derision: however the disgrace was unavoidable.",
"The ditch, happily, was almost quite dry, or she must have suffered\n still\nmore seriously; yet so forlorn, so miserable a figure, I never before\nsaw her.",
"Her head-dress had fallen off, her linen was torn, her\nnegligee had not a pin left in it, her petticoats she was obliged to\nhold on, and her shoes were perpetually slipping off.",
"She was covered\nwith dirt, weeds, and filth, and her face was really horrible; for\nthe pomatum and powder from her head, and the dust from the road,\nwere quite pasted on her skin by her tears, which, with her rouge,\nmade so frightful a mixture, that she hardly looked human.",
"The servants were ready to die with laughter the moment they saw her;\n but not\nall my remonstrances could prevail upon her to get into the carriage,\ntill she had most vehemently reproached them both for not rescuing\nher.",
"The footman, fixing his eyes on the ground, as if fearful of\nagain trusting himself to look at her, protested that the robbers had\nvowed they would shoot him if he moved an inch, and that one of them\nhad stayed to watch the chariot, while the other carried her off,\nadding, that the reason of their behaving so barbarously, was to\nrevenge our having secured our purses.",
"Notwithstanding, her anger,\nshe gave immediate credit to what he said; and really imagined that her\nwant of money had irritated the pretended robbers to treat her with\nsuch cruelty.",
"I determined, therefore, to be carefully upon my guard\nnot to betray the imposition, which could now answer no other purpose,\nthen occasioning an irreparable breach between her and the Captain.",
"Just as we were seated in the chariot, she discovered the loss which\n her head\nhad sustained, and called out, \"My God!",
"what is become of my hair?-why,\nthe villain has stole all my curls!\"",
"She then ordered the man to run and see if he could find any of them\n in the\nditch.",
"He went, and presently returning, produced a great quantity of\nhair, in such nasty condition, that I was amazed she would take it;\nand the man, as he delivered it to her, found it impossible to keep\nhis countenance; which she no sooner observed, than all her stormy\npassions were again raised.",
"She flung the battered curls in his face,\nsaying, \"Sirrah, what do you grin for?",
"I wish you'd been served so\nyourself, and you wouldn't have found it no such joke; you are the\nimpudentest fellow ever I see; and if I find you dare grin at me any\nmore, I shall make no ceremony of boxing your ears.\"",
"Satisfied with the threat, the man hastily retired, and we drove on.",
"Her anger now subsiding into grief, she began most sorrowfully to\n lament her\ncase.",
"\"I believe,\" she cried, \"never nobody was so unlucky as I\nam!",
"and so here, because I ha'n't had misfortunes enough already,\nthat puppy has made me lose my curls!-Why, I can't see nobody without\nthem:-only look at me,-I was never so bad off in my life before.",
"Pardi,\nif I'd know'd as much, I'd have brought two or three sets with me:\nbut I'd never a thought of such a thing as this.\"",
"Finding her now somewhat pacified, I ventured to ask an account of her\nadventure, which I will endeavour to write in her own words.",
"\"Why, child, all this misfortune comes of that puppy's making us\n leave our\nmoney behind us; for, as soon as the robber see I did put nothing\nin his hands, he lugged me out of the chariot by main force, and I\nverily thought he'd have murdered me.",
"He was as strong as a lion;\nI was no more in his hands than a child.",
"But I believe never nobody\nwas so abused before; for he dragged me down the road, pulling and\nhauling me all the way, as if'd no more feeling than a horse.",
"I'm\nsure I wish I could see that man cut up and quartered alive!",
"however,\nhe'll come to the gallows, that's one good thing.",
"So soon as we'd\ngot out of sight of the chariot, though he needn't have been afraid,\nfor if he'd beat me to a mummy, those cowardly fellows wouldn't have\nsaid nothing to it-so, when I was got there, what does he do, but\nall of a sudden he takes me by both the shoulders, and he gives me\nsuch a shake!-Mon Dieu I shall never forget it, if I live to be an\nhundred.",
"I'm sure I dare say I'm out of joint all over.",
"And though\nI made as much noise as I ever could, he took no more notice of\nit than nothing at all; there he stood, shaking me in that manner,\nas if he was doing it for a wager.",
"I'm determined, if it costs me\nall my fortune, I'll see that villain hanged.",
"He shall be found out,\nif there's e'er a justice in England.",
"So when he had shook me till he\nwas tired, and I felt all over like a jelly, without saying never a\nword, he takes and pops me into the ditch!",
"I'm sure, I thought he'd\nhave murdered me, as much as ever I thought any thing in my life;\nfor he kept bumping me about, as if he thought nothing too bad for\nme.",
"However, I'm resolved I'll never leave my purse behind me again,\nthe longest day I have to live.",
"So when he couldn't stand over me\nno longer, he holds out his hands again for my money; but he was as\ncunning as could be, for he wouldn't speak a word, because I shouldn't\nswear to his voice; however, that sha'n't save him, for I'll swear to\nhim any day in the year, if I can but catch him.",
"So, when I told him I\nhad no money, he fell to jerking me again, just as if he had but that\nmoment begun!",
"And, after that, he got me close by a tree, and out of\nhis pocket he pulls a great cord!-It's a wonder I did not swoon away:\nfor as sure as you're alive, he was going to hang to me that tree.",
"I\nscreamed like any thing mad, and told him if he would but spare my\nlife, I'd never prosecute him, nor tell anybody what he'd done to me:\nso he stood some time quite in a brown study, a-thinking what he should\ndo.",
"And so, after that, he forced me to sit down in the ditch, and he\ntied my feet together, just as you see them: and then, as if he had\nnot done enough, he twitched off my cap, and without saying nothing,\ngot on his horse and left me in that condition; thinking, I suppose,\nthat I might lie there and perish.\"",
"Though this narrative almost compelled me to laugh, yet I was really\nirritated with the Captain, for carrying his love of tormenting,-sport,\nhe calls it,-to such barbarous and unjustifiable extremes.",
"I consoled\nand soothed her, as well as I was able: and told her, that since\nM. Du Bois had escaped, I hoped, when she recovered from her fright,\nall would end well.",
"\"Fright, child!\"",
"repeated she,-\"why that's not half:-I promise you,\n I wish it\nwas: but here I'm bruised from top to toe and it's well if ever I have\nthe right use of my limbs again.",
"However, I'm glad the villain got\nnothing but his trouble for his pains.",
"But here the worst is to come,\nfor I can't go out, because I've got no curls, and so he'll be escaped\nbefore I can get to the justice to stop him.",
"I'm resolved I'll tell\nLady Howard how her man served me; for if he hadn't made me fling\n'em away, I dare say I would have pinned them up well enough for\nthe country.\"",
"\"Perhaps Lady Howard may be able to lend you a cap that will wear\n without\nthem.\"",
"\"Lady Howard, indeed!",
"why, do you think I'd wear one of her\n dowdies?",
"No, I'll\npromise you, I sha'n't put on no such disguisement.",
"It's the unluckiest\nthing in the world that I did not make the man pick up the curls again;\nbut he put me in such a passion, I could not think of nothing.",
"I\nknow I can't get none at Howard Grove for love nor money: for of\nall the stupid places ever I see, that Howard Grove is the worst;\nthere's never no getting nothing one wants.\"",
"This sort of conversation lasted till we arrived at our journey's end;\nand then a new distress occurred: Madame Duval was eager to speak\nto Lady Lady Howard and Mrs. Mirvan, and to relate her misfortunes:\nbut she could not endure that Sir Clement or the Captain should\nsee her in such disorder; so she said they were so ill-natured,\nthat instead of pitying her, they would only make a jest of her\ndisasters.",
"She therefore sent me first into the house, to wait for an\nopportunity of their being out of the way, that she might steal up\nstairs unobserved.",
"In this I succeeded, as the gentlemen thought it\nmost prudent not to seem watching for her; though they both contrived\nto divert themselves with peeping at her as she passed.",
"She went immediately to bed, where she had her supper.",
"Lady Howard\nand Mrs. Mirvan both of them very kindly sat with her, and listened\nto her tale with compassionate attention: while Miss Mirvan and I\nretired to our own room, where I was very glad to end the troubles\nof the day in a comfortable conversation.",
"The Captain's raptures, during supper, at the success of his plan,\nwere boundless.",
"I spoke afterwards to Mrs. Mirvan with the openness\nwhich her kindness encourages, and begged her to remonstrate with\nhim upon the cruelty of tormenting Madame Duval so causelessly.",
"She\npromised to take the first opportunity of starting up the subject:\nbut said he was at present so much elated, that he would not listen\nto her with any patience.",
"However, should he make any new efforts to\nmolest her, I can by no means consent to be passive.",
"Had I imagined\nhe would have been so violent, I would have risked his anger in her\ndefense much sooner.",
"She had kept her bed all day, and declares she is almost bruised\nto death.",
"Adieu, my dear Sir.",
"What a long letter have I written!",
"I could almost\nfancy I sent it to you from London!",
"</CHAPTER>\n<CHAPTER>\nLETTER XXXIV EVELINA IN CONTINUATION\n\n\nHoward Grove, May 15.",
"THIS insatiable Captain, if left to himself, would not, I believe,\nrest, till he had tormented Madame Duval into a fever.",
"He seems\nto have no delight but in terrifying or provoking her; and all his\nthoughts apparently turn upon inventing such methods as may do it\nmost effectually.",
"She had her breakfast again in bed yesterday morning: but during ours,\nthe Captain, with a very significant look at Sir Clement, gave us to\nunderstand, that he thought she had now rested long enough to bear\nthe hardships of a fresh campaign.",
"His meaning was obvious: and, therefore, I resolved to endeavour\nimmediately to put a stop to his intended exploits.",
"When breakfast\nwas over, I followed Mrs. Mirvan out of the parlour, and begged\nher to lose no time in pleading the cause of Madame Duval with the\nCaptain.",
"\"My love,\" answered she, \"I have already expostulated with\nhim; but all I can say is fruitless, while his favourite, Sir Clement,\ncontrives to urge him on.\"",
"\"Then I will go and speak to Sir Clement,\" said I, \"for I know he\nwill desist if I request him.\"",
"\"Have I care, my dear!\"",
"said she, smiling: \"it is sometimes dangerous\nto make requests to men who are too desirous of receiving them.\"",
"\"Well, then, my dear Madam, will you give me leave to speak myself\nto the Captain?\"",
"\"Willingly: nay, I will accompany you to him.\"",
"I thanked her, and we went to seek him.",
"He was walking in the garden\nwith Sir Clement.",
"Mrs. Mirvan most obligingly made an opening for my\npurpose, by saying, \"Mr. Mirvan, I have brought a petitioner with me.\"",
"\"Why, what's the matter now?\"",
"cried he.",
"I was fearful of making him angry, and stammered very much, when I\ntold him, I hoped he had no new plan for alarming Madame Duval.",
"\"New plan!\"",
"cried he; \"why, you don't suppose the old one would do\nagain, do you?",
"Not but what it was a very good one, only I doubt she\nwouldn't bite.\"",
"\"Indeed, Sir,\" said I, \"she had already suffered too much; and I\nhope you will pardon me, if I take the liberty of telling you, that I\nthink it my my duty to do all in my power to prevent her being again\nso much terrified.\"",
"A sullen gloominess instantly clouded his face, and, turning short\nfrom me, he said, I might do as I pleased, but that I should much\nsooner repent than repair my officiousness.",
"I was too much disconcerted at this rebuff to attempt making any\nanswer: and finding that Sir Clement warmly espoused my cause,\nI walked away, and left them to discuss the point together.",
"Mrs. Mirvan, who never speaks to the Captain when he is out of humour,\nwas glad to follow me, and with her usual sweetness made a thousand\napologies for her husband's ill-manners.",
"When I left her, I went to Madame Duval, who was just risen, and\nemployed in examining the clothes she had on the day of her ill usage.",
"\"Here's a sight!\"",
"she cried.",
"\"Come, here child,-only look-Pardi, so\nlong as I've lived, I never see so much before!",
"Why, all my things\nare spoilt; and what's worse, my sacque was as good as new.",
"Here's\nthe second negligee I've used in this manner!",
"- I'm sure I was a\nfool to put it on in such a lonesome place as this; however if I\nstay here these ten years, I'll never put on another good gown,\nthat I'm resolved.\"",
"\"Will you let the maid try if she can iron it out, or clean it, Ma'am?\"",
"\"No, she'll only make bad worse.-But look here, now, here's\na cloak!",
"Mon Dieu!",
"why it looks like a dish-clout!",
"Of all the\nunluckiness that ever I met, this is the worst!",
"for, do you know, I\nbought it but the day before I left Paris!-Besides, into the bargain,\nmy cap's quite gone: where the villain twitched it, I don't know;\nbut I never see no more of it from that time to this.",
"Now you must\nknow that this was the becomingest cap I had in the world, for I've\nnever another with pink ribbon in it; and, to tell you the truth,\nif I hadn't thought to have seen M. Du Bois, I'd no more have put\nit on than I'd have flown; for as to what one wears in such a stupid\nplace as this, it signifies no more than nothing at all.\"",
"She then told me, that she had been thinking all night of a contrivance\nto hinder the Captain from finding out her loss of curls; which was\nhaving a large gauge handkerchief pinned over her head as a hood,\nand saying she had the tooth-ache.",
"\"To tell you the truth,\" added she, \"I believe that Captain is one\nof the worst men in the world; he's always making a joke of me;\nand as to his being a gentleman, he has no more manners than a bear,\nfor he's always upon the grin when one's in distress; and, I declare\nI'd rather be done anything to than laughed at, for, to my mind,\nit's one or other the disagreeablest thing in the world.\"",
"Mrs. Mirvan, I found, had been endeavouring to dissuade her from the\ndesign she had formed of having recourse to the law, in order to find\nout the supposed robbers; for she dreads a discovery of the Captain,\nduring Madam Duval's stay at Howard Grove, as it could not fail being\nproductive of infinite commotion.",
"She has, therefore, taken great\npains to show the inutility of applying to justice, unless she were\nmore able to describe the offenders against whom she would appear;\nand has assured her, that as she neither heard their voices, nor saw\ntheir faces, she cannot possibly swear to their persons, or obtain\nany redress.",
"Madame Duval, in telling me this, extremely lamented her hard fate,\nthat she was thus prevented from revenging her injuries; which,\nhowever, she vowed she would not be persuaded to pocket tamely:\n\"because,\" added she, \"if such villains as these are let to have\ntheir own way, and nobody takes no notice of their impudence, they'll\nmake no more ado than nothing at all of tying people in ditches,\nand such things as that: however, I shall consult with M. Du Bois,\nas soon as I can ferret out where he's hid himself.",
"I'm sure I've a\nright to his advice, for it's all along of his gaping about at the\nTower that I've met with these misfortunes.\"",
"\"M. Du Bois,\" said I, \"will, I am sure, be very sorry when he hears\nwhat has happened.\"",
"\"And what good will that do now?-that won't unspoil all my clothes;\nI can tell him, I a'n't much obliged to him, though it's no fault\nof his;-yet it i'n't the less provokinger for that.",
"I'm sure, if he\nhad been there, to have seen me served in that manner, and put neck\nand heels into a ditch, he'd no more have thought it was me than\nthe Pope of Rome.",
"I'll promise you, whatever you may think of it,\nI sha'n't have no rest, night nor day, till I find out that rogue.\"",
"\"I have no doubt, Madam, but you will soon discover him.\"",
"\"Pardi, if I do, I'll hang him, as sure as fate!-but what's the oddest,\nis, that he should take such a special spite against me above all the\nrest!",
"it was as much for nothing as could be; for I don't know what\nI had done, so particular bad, to be used in that manner: I'm sure,\nI hadn't given no offence, as I know of, for I never see his face all\nthe time: and as to screaming a little, I think it's very hard if one\nmustn't do such a thing as that, when one's put in fear of one's life.\"",
"During this conversation, she endeavoured to adjust her headdress,\nbut could not at all please herself.",
"Indeed, had I not been present,\nI should have thought it impossible for a woman, at her time of life,\nto be so very difficult in regard to dress.",
"What she may have in\nview, I cannot imagine, but the labour of the toilette seems the\nchief business of her life.",
"When I left her, in my way down stairs, I met Sir Clement; who with\ngreat earnestness, said he must not be denied the honour of a moment's\nconversation with me; and then, without waiting for an answer, he\nled me to the garden; at the door of which, however, I absolutely\ninsisted upon stopping.",
"He seemed very serious, and said, in a grave tone of voice, \"At length,\nMiss Anville, I flatter myself I have hit upon an expedient that will\noblige you; and therefore, though it is death to myself, I will put\nin practice.\"",
"I begged him to explain himself.",
"\"I saw your desire of saving Madame Duval, and scarce could I refrain\ngiving the brutal Captain my real opinion of his savage conduct;\nbut I am unwilling to quarrel with him, lest I should be denied\nentrance into a house which you inhabit; I have been endeavouring\nto prevail with him to give up his absurd new scheme, but I find\nhim impenetrable:-I have therefore determined to make a pretense for\nsuddenly leaving this place, dear as it is to me, and containing all\nI most admire and adore;-and I will stay in town till the violence\nof this boobyish humour is abated.\"",
"He stopped; but I was silent, for I knew not what I ought to\nsay.",
"He took my hand, which he pressed to his lips, saying, \"And\nmust I then, Miss Anville, must I quit you-sacrifice voluntarily my\ngreatest felicity:-and yet not be honoured with one word, one look\nof approbation?\"",
"I withdrew my hand, and said with half a laugh, \"You know so well,\nSir Clement, the value of the favours you confer, that it would be\nsuperfluous for me to point it out.\"",
"\"Charming, charming girl!",
"how does your wit, your understanding, rise\nupon me daily: and must I, can I part with you?-will no other method-\"\n\n\"O, Sir, do you so soon repent the good office you had planned for\nMadame Duval?\"",
"\"For Madame Duval!-cruel creature, and will you not even suffer me\nto place to your account the sacrifice I am about to make?\"",
"\"You must place it, Sir, to what account you please; but I am too\nmuch in haste now to stay here any longer.\"",
"And then I would have left him; but he held me, and rather impatiently\nsaid, \"If, then, I cannot be so happy as to oblige you, Miss Anville,\nyou must not be surprised should I seek to oblige myself.",
"If my scheme\nis not honoured with your approbation, for which alone it was formed,\nwhy should I, to my own infinite dissatisfaction, pursue it?\"",
"We were then, for a few minutes, both silent; I was really unwilling\nhe should give up a plan which would so effectually break into\nthe Captain's designs, and, at the same time, save me the pain\nof disobliging him; and I should instantly and thankfully have\naccepted his offered civility, had not Mrs. Mirvan's caution made\nme fearful.",
"However, when he pressed me to speak, I said, in an\nironical voice, \"I had thought, Sir, that the very strong sense you\nhave yourself of the favour you propose to me, would sufficiently have\nrepaid you; but, as I was mistaken, I must thank you myself.",
"And now,\"\nmaking a low courtesy, \"I hope, Sir, you are satisfied.\"",
"\"Loveliest of thy sex-\" he began; but I forced myself from him and\nran upstairs.",
"Soon after Miss Mirvan told me that Sir Clement had just received a\nletter, which obliged him instantly to leave the Grove, and that he\nhad actually ordered a chaise.",
"I then acquainted her with the real\nstate of the affair.",
"Indeed, I conceal nothing from her; she is so\ngentle and sweet-tempered, that it gives me great pleasure to place\nan entire confidence in her.",
"At dinner, I must own, we all missed him; for though the flightiness\nof his behaviour to me, when we are by ourselves is very distressing;\nyet, in large companies, and general conversation, he is extremely\nentertaining and agreeable.",
"As to the Captain, he has been so much\nchagrined at his departure, that he has scarce spoken a word since\nhe went: but Madame Duval, who made her first public appearance since\nher accident, was quite in raptures that she escaped seeing him.",
"The money which we left at the farm-house has been returned to\nus.",
"What pains the Captain must have taken to arrange and manage the\nadventures which he chose we should meet with!",
"Yet he must certainly be\ndiscovered; for Madame Duval is already very much perplexed, at having\nreceived a letter this morning from M. Du Bois, in which he makes no\nmention of his imprisonment.",
"However, she has so little suspicion,\nthat she imputes his silence upon the subject to his fears that the\nletter might be intercepted.",
"Not one opportunity could I meet with, while Sir Clement was here,\n to enquire\nafter his friend Lord Orville: but I think it was strange he should\nnever mention him unasked.",
"Indeed, I rather wonder that Mrs. Mirvan\nherself did not introduce the subject, for she always seemed\nparticularly attentive to him.",
"And now, once more, all my thoughts involuntarily turn upon the\n letter I so\nsoon expect from Paris.",
"This visit of Sir Clement has, however,\nsomewhat diverted my fears; and, therefore, I am very glad he made\nit at this time.",
"Adieu, my dear Sir.",
"</CHAPTER>\n<CHAPTER>\nLETTER XXXV SIR JOHN BELMONT TO LADY HOWARD\n\n\n\nParis, May 11.",
"Madam,\n\nI HAVE this moment the honour of your Ladyship's Letter, and I will\nnot wait another, before I return an answer.",
"It seldom happens that a man, though extolled as a saint, is really\n without\nblemish; or that another, though reviled as a devil, is really\nwithout humanity.",
"Perhaps the time is not very distant, when I may\nhave the honour to convince your Ladyship of this truth, in regard\nto Mr. Villars and myself.",
"As to the young lady, whom Mr. Villars so obligingly proposes\n presenting to\nme, I wish her all the happiness to which, by your ladyship's account,\nshe seems entitled; and, if she has a third part of the merit of her\nto whom you compare her, I doubt not but Mr. Villars will be more\nsuccessful in every other application he may make for her advantage,\nthat he can ever be in any with which he may be pleased to favour me.",
"I have the honour to be Madam, Your Ladyship's most humble, and most\nobedient servant, JOHN BELMONT.",
"</CHAPTER>\n<CHAPTER>\nLETTER XXXVI EVELINA TO THE REV.",
"MR. VILLARS\n\nHoward Grove, May 18.",
"WELL, my dear Sir, all is now over!",
"the letter so anxiously expected\nis at length arrived, and my doom is fixed.",
"The various feelings\nwhich oppress me, I have not language to describe; nor need I-you\nknow my heart, you have yourself formed it-and its sensations upon\nthis occasion you may but too readily imagine.",
"Outcast as I am, and rejected for ever by him to whom I of right\n belong-shall\nI now implore your continued protection?-No, no;-I will not offend\nyour generous heart, which, open to distress, has no wish but to\nrelieve it, with an application that would seem to imply a doubt.",
"I\nam more secure than ever of your kindness, since you now know upon\nthat is my sole dependence.",
"I endeavour to bear this stroke with composure, and in such a manner\n as if I\nhad already received your counsel and consolation.",
"Yet, at times,\nmy emotions are almost too much for me.",
"O, Sir, what a letter for a\nparent to write!",
"Must I not myself be deaf to the voice of nature,\nif I could endure to be thus absolutely abandoned without regret?",
"I\ndare not even to you, nor would I, could I help it, to myself,\nacknowledge all that I might think; for, indeed, I have sometimes\nsentiments upon this rejection, which my strongest sense of duty can\nscarcely correct.",
"Yet, suffer me to ask-might not this answer have\nbeen softened?-was it not enough to disclaim me for ever, without\ntreating me with contempt, and wounding me with derision?",
"But while I am thus thinking of myself, I forget how much more he is\nthe object of sorrow than I am!",
"Alas!",
"what amends can he make himself\nfor the anguish he is hoarding up for time to come!",
"My heart bleeds\nfor him, whenever this reflection occurs to me.",
"What is said of you, my protector, my friend, my benefactor!",
"I dare\n not trust\nmyself to comment upon.",
"Gracious Heaven!",
"what a return for goodness\nso unparalleled!",
"I would fain endeavour to divert my thoughts from this subject;\n but even that\nis not in my power; for, afflicting as this letter is to me, I find\nthat it will not be allowed to conclude the affair, though it does\nall my expectations; for Madame Duval has determined not to let it\nrest here.",
"She heard the letter in great wrath, and protested she\nwould not be so easily answered; she regretted her facility in having\nbeen prevailed upon to yield the direction of this affair to those\nwho knew not how to manage it, and vowed she would herself undertake\nand conduct it in future.",
"It is in vain that I have pleaded against her resolution, and\nbesought her to forbear an attack where she has nothing to expect but\nresentment: especially as there seems to be a hint, that Lady Howard\nwill one day be more openly dealt with.",
"She will not hear me: she is\nfuriously bent upon a project which is terrible to think of;-for she\nmeans to go herself to Paris, take me with her, and there, face to\nface, demand justice!",
"How to appease or to persuade her, I know not; but for the universe\nwould I not be dragged, in such a manner, to an interview so awful,\nwith a parent I have never yet beheld!",
"Lady Howard and Mrs. Mirvan are both of them infinitely shocked at\nthe present state of affairs, and they seem to be even more kind to\nme than ever; and my dear Maria, who is the friend of my heart, uses\nher utmost efforts to console me; and, when she fails in her design,\nwith still greater kindness she sympathises in my sorrow.",
"I very much rejoice, however, that Sir Clement Willoughby had left\nus before this letter arrived.",
"I am sure the general confusion of\nthe house would otherwise have betrayed to him the whole of a tale\nwhich I now, more than ever, wish to have buried in oblivion.",
"Lady Howard thinks I ought not to disoblige Madame Duval, yet she\nacknowledges the impropriety of my accompanying her abroad on such\nan enterprise.",
"Indeed, I would rather die than force myself into his\npresence.",
"But so vehement is Madame Duval, that she would instantly\nhave compelled me to attend her to town, in her way to Paris, had\nnot Lady Howard so far exerted herself, as to declare she could by no\nmeans consent to my quitting her house, till she gave me up to you,\nby whose permission I had entered it.",
"She was extremely angry at this denial; and the Captain, by his sneers\nand raillery, so much increased her rage, that she has positively\ndeclared, should your next letter dispute her authority to guide me\nby her own pleasure, she will, without hesitation, make a journey to\nBerry Hill, and teach you to know who she is.",
"Should she put this threat in execution, nothing could give me greater\nuneasiness: for her violence and volubility would almost distract you.",
"Unable as I am to act for myself, or to judge what conduct I ought\nto pursue, how grateful do I feel myself, that I have such a guide\nand director to counsel and instruct me as yourself!",
"Adieu, my dearest Sir!",
"Heaven, I trust, will never let me live to be\nrepulsed, and derided by you, to whom I may now sign myself, wholly\nyour EVELINA.",
"</CHAPTER>\n<CHAPTER>\nLETTER XXXVII MR. VILLARS TO EVELINA\n\nBerry Hill, May 21.",
"LET not my Evelina be depressed by a stroke of fortune for which\nshe is not responsible.",
"No breach of duty on your part has incurred\nthe unkindness which has been shown you; nor have you, by any act of\nimprudence, provoked either censure or reproach.",
"Let me intreat you,\ntherefore, my dearest child, to support yourself with that courage\nwhich your innocency ought to inspire: and let all the affliction\nyou allow yourself be for him only who, not having that support,\nmust one day be but too severely sensible how much he wants it.",
"The hint thrown out concerning myself is wholly unintelligible to me:\nmy heart, I dare own, fully acquits me of vice; but without blemish,\nI have never ventured to pronounce myself.",
"However, it seems his\nintention to be hereafter more explicit; and then,-should anything\nappear, that has on my part contributed to those misfortunes we lament,\nlet me at least say, that the most partial of my friends cannot be\nso much astonished as I shall myself be at such a discovery.",
"The mention, also, of any future applications I may make, is equally\nbeyond my comprehension.",
"But I will not dwell upon a subject, which\nalmost compels from me reflections that cannot but be wounding to a\nheart so formed for filial tenderness as my Evelina's.",
"There is an\nair of mystery throughout the letter, the explanation of which I will\nawait in silence.",
"The scheme of Madame Duval is such as might be reasonably expected from\na woman so little inured to disappointment, and so totally incapable\nof considering the delicacy of your situation.",
"Your averseness\nto her plan gives me pleasure, for it exactly corresponds with my\nown.",
"Why will she not make the journey she projects by herself?",
"She\nwould not have even the wish of an opposition to encounter.",
"And then,\nonce more, might my child and myself be left to the quiet enjoyment\nof that peaceful happiness, which she alone has interrupted.",
"As to\nher coming hither, I could, indeed, dispense with such a visit; but,\nif she will not be satisfied with my refusal by letter, I must submit\nto the task of giving it her in person.",
"My impatience for your return is increased by your account of Sir\nClement Willoughby's visit to Howard Grove.",
"I am but little surprised\nat the perseverance of his assiduities to interest you in his favour;\nbut I am very much hurt that you should be exposed to addresses, which,\nby their privacy, have an air that shocks me.",
"You cannot, my love,\nbe too circumspect; the slightest carelessness on your part will be\ntaken advantage of by a man of his disposition.",
"It is not sufficient\nfor you to be reserved: his conduct even calls for your resentment;\nand should he again, as will doubtless be his endeavour, contrive\nto solicit your favour in private, let your disdain and displeasure\nbe so marked, as to constrain a change in his behaviour.",
"Though,\nindeed, should his visit be repeated while you remain at the Grove,\nLady Howard must pardon me if I shorten yours.",
"Adieu, my child.",
"You will always make my respects to the hospitable\nfamily to which we are so much obliged.",
"</CHAPTER>\n<CHAPTER>\nLETTER XXXVIII MR. VILLARS TO LADY HOWARD\n\nBerry Hill, May 27.",
"Dear Madam,\n\n\nI BELIEVE your Ladyship will not be surprised at hearing I have had\na visit from Madame Duval, as I doubt not her having made known her\nintention before she left Howard Grove.",
"I would gladly have excused\nmyself this meeting, could I have avoided it decently; but, after so\nlong a journey, it was not possible to refuse her admittance.",
"She told me, that she came to Berry Hill, in consequence of a letter\nI had sent to her grand-daughter, in which I forbid her going to\nParis.",
"Very roughly she then called me to account for the authority\nwhich I had assumed; and, had I been disposed to have argued with\nher, she would very angrily have disputed the right by which I used\nit.",
"But I declined all debating.",
"I therefore listened very quietly,\ntill she had so much fatigued herself with talking, that she was glad,\nin her turn, to be silent.",
"And then, I begged to know the purport of\nher visit.",
"She answered, that she came to make me relinquish the power I had\nusurped over her grand-daughter; and assured me she would not quit\nthe place till she succeeded.",
"But I will not trouble your Ladyship with the particulars of this\ndisagreeable conversation; nor should I, but on account of the result,\nhave chosen so unpleasant a subject for your perusal.",
"However, I will\nbe as concise as I possibly can, that the better occupations of your\nLadyship's time may be less impeded.",
"When she found me inexorable in refusing Evelina's attending her to\nParis, she peremptorily insisted that she should at least live with\nher in London till Sir John Belmont's return.",
"I remonstrated against\nthis scheme with all the energy in my power; but the contest was vain;\nshe lost her patience, and I my time.",
"She declared, that if I was\nresolute in opposing her, she would instantly make a will, in which\nshe would leave all her fortune to strangers, though, otherwise,\nshe intended her grand-daughter for her sole heiress.",
"To me, I own, this threat seemed of little consequence; I have long\naccustomed myself to think, that, with a competency, of which she is\nsure, my child might be as happy as in the possession of millions;\nbut the incertitude of her future fate deters me from following\nimplicitly the dictates of my present judgement.",
"The connections she\nmay hereafter form, the style of life for which she may be destined,\nand the future family to which she may belong, are considerations\nwhich give but too much weight to the menaces of Madame Duval.",
"In\nshort, Madam, after a discourse infinitely tedious, I was obliged,\nthough very reluctantly, to compromise with this ungovernable woman,\nby consenting that Evelina should pass one month with her.",
"I never made a concession with so bad a grace, or so much regret.",
"The\nviolence and vulgarity of this woman, her total ignorance of propriety,\nthe family to which she is related, and the company she is likely to\nkeep, are objections so forcible to her having the charge of this dear\nchild, that nothing less than my diffidence of the right I have of\ndepriving her of so large a fortune, would have induced me to listen\nto her proposal.",
"Indeed we parted, at last, equally discontented;\nshe at what I had refused, I at what I had granted.",
"It now only remains for me to return your Ladyship my humble\nacknowledgments for the kindness which you have so liberally shown\nto my ward; and to beg you would have the goodness to part with her\nwhen Madame Duval thinks proper to claim the promise which she has\nextorted from me.",
"I am, Dear Madam, &c. ARTHUR VILLARS.",
"</CHAPTER>\n<CHAPTER>\nLETTER XXXIX MR. VILLARS TO EVELINA\n\nBerry Hill, May 28.",
"WITH a reluctance which occasions me inexpressible uneasiness, I\nhave been almost compelled to consent that my Evelina should quit the\nprotection of the hospitable and respectable Lady Howard, and accompany\nMadame Duval to a city which I had hoped she would never again have\nentered.",
"But alas, my dear child, we are the slaves of custom, the\ndupes of prejudice, and dare not stem the torrent of an opposing\nworld, even though our judgements condemn our compliance!",
"However,\nsince the die is cast, we must endeavor to make the best of it.",
"You will have the occasion, in the course of the month you are to\npass with Madame Duval, for all the circumspection and prudence you\ncan call to your aid.",
"She will not, I know, propose any thing to you\nwhich she thinks wrong herself; but you must learn not only to judge\nbut to act for yourself; if any schemes are started, any engagements\nmade, which your understanding represents to you as improper, exert\nyourself resolutely in avoiding them; and do not, by a too passive\nfacility, risk the censure of the world, or your own future regret.",
"You cannot too assiduously attend to Madame Duval herself; but I\nwould wish you to mix as little as possible with her associates, who\nare not likely to be among those whose acquaintance would reflect\ncredit upon you.",
"Remember, my dear Evelina, nothing is so delicate\nas the reputation of a woman; it is at once the most beautiful and\nmost brittle of all human things.",
"Adieu, my beloved child; I shall be but ill at ease till this month\nis elapsed.",
"A.V.",
"</CHAPTER>\n<CHAPTER>\nLETTER XL EVELINA TO THE REV.",
"MR. VILLARS\n\nLondon, June 6.",
"ONCE more, my dearest Sir, I write to you from this great\ncity.",
"Yesterday morning, with the truest concern, I quitted the dear\ninhabitants of Howard Grove, and most impatiently shall I count the\ndays till I see them again.",
"Lady Howard and Mrs. Mirvan took leave\nof me with the most flattering kindness; but indeed I knew not how to\npart with Maria, whose own apparent sorrow redoubled mine.",
"She made\nme promise to send her a letter every post: and I shall write to her\nwith the same freedom, and almost the same confidence, you allow me\nto make use of to yourself.",
"The Captain was very civil to me: but he wrangled with poor Madame\nDuval to the last moment; and, taking me aside, just before we got\ninto the chaise, he said, \"Hark'ee, Miss Anville, I've a favour for\nto ask of you, which is this; that you will write us word how the\nold gentlewoman finds herself, when she sees it was all a trick;\nand what the French lubber says to it, and all about it.\"",
"I answered that I would obey him, though I was very little pleased\nwith the commission, which, to me, was highly improper; but he will\neither treat me as an informer, or make me a party in his frolic.",
"As soon as we drove away, Madame Duval, with much satisfaction,\nexclaimed, \"Dieu merci, we've got off at last!",
"I'm sure I never desire\nto see that place again.",
"It's a wonder I've got away alive; for I\nbelieve I've had the worst luck ever was known, from the time I set\nmy foot upon the threshold.",
"I know I wish I'd never a gone.",
"Besides,\ninto the bargain, it's the most dullest place in all Christendom:\nthere's never no diversions, nor nothing at all.\"",
"Then she bewailed M. Du Bois; concerning whose adventures she continued\nto make various conjectures during the rest of our journey.",
"When I asked her what part of London she should reside in, she told me\nthat Mr. Branghton was to meet us at an inn, and would conduct us to\na lodging.",
"Accordingly, we proceeded to a house in Bishopsgate Street,\nand were led by a waiter into a room where we found Mr. Branghton.",
"He received us very civilly; but seemed rather surprised at seeing\nme, saying, \"Why, I didn't think of your bringing Miss; however,\nshe's very welcome.\"",
"\"I'll tell you how it was,\" said Madame Duval: \"you must know I've\na mind to take the girl to Paris, that she may see something of the\nworld, and improve herself a little; besides, I've another reason,\nthat you and I will talk more about.",
"But, do you know, that meddling\nold parson, as I told you of, would not let her go: however, I'm\nresolved I'll be even with him; for I shall take her on with me,\nwithout saying never a word more to nobody.\"",
"I started at this intimation, which very much surprised me.",
"But, I am\nvery glad she has discovered her intention, as I shall be carefully\nupon my guard not to venture from town with her.",
"Mr. Branghton then hoped we had passed our time agreeably in the\ncountry.",
"\"O Lord, cousin,\" cried she, \"I've been the miserablest creature in\nthe world!",
"I'm sure all the horses in London sha'n't drag me into\nthe country again of one while: why, how do you think I've been\nserved?-only guess.\"",
"\"Indeed, cousin, I can't pretend to do that.\"",
"\"Why then I'll tell you.",
"Do you know I've been robbed!-that is,\nthe villain would have robbed me if he could, only I'd secured all\nmy money.\"",
"\"Why, then cousin, I think your loss can't have been very great.\"",
"\"O Lord, you don't know what you're a saying; you're talking in the\nunthinkingest manner in the world: why, it was all along of not having\nno money that I met with that misfortune.\"",
"\"How's that, cousin?",
"I don't see what great misfortune you can have\nmet with, if you'd secured all your money.\"",
"\"That's because you don't know nothing of the matter: for there the\nvillain came to the chaise; and, because we hadn't got nothing to give\nhim, though he'd no more right to our money than the man in the moon,\nyet, do you know, he fell into the greatest passion ever you see,\nand abused me in such a manner, and put me in a ditch, and got a rope\no'purpose to hang me;-and I'm sure, if that wasn't misfortune enough,\nwhy I don't know what is.\"",
"\"This is a hard case, indeed, cousin.",
"But why don't you go to Justice\nFielding?\"",
"\"O as to that, I'm a going to him directly; but only I want first to\nsee M. Du Bois; for the oddest thing of all is, that he has wrote to\nme, and never said nothing of where he is, nor what's become of him,\nnor nothing else.\"",
"\"M. Du Bois!",
"why, he's at my house at this very time.\"",
"\"M. Du Bois at your house!",
"well, I declare this is the surprisingest\npart of all: However, I assure you, I think he might have comed for me,\nas well as you, considering what I have gone through on his account;\nfor, to tell you the truth, it was all along of him that I met with\nthat accident; so I don't take it very kind of him, I promise you.\"",
"\"Well, but cousin, tell me some of the particulars of this affair.\"",
"\"As to the particulars, I'm sure they'd make your hair stand on end\nto hear them; however, the beginning of it all was through the fault\nof M. Du Bois: but, I'll assure you, he may take care of himself\nin future, since he don't so much as come to see if I'm dead or\nalive.-But, there, I went for him to a justice of peace, and rode\nall out of the way, and did every thing in the world, and was used\nworser than a dog, and all for the sake of serving of him; and now,\nyou see, he don't so much-well, I was a fool for my pains.-However,\nhe may get somebody else to be treated so another time; for, if he's\ntaken up every day in the week, I'll never go after him no more.\"",
"This occasioned an explanation; in the course of which Madame Duval,\nto her utter amazement, heard that M. Du Bois had never left London\nduring her absence!",
"nor did Mr. Branghton believe that he had ever\nbeen to the Tower, or met with any kind of accident.",
"Almost instantly the whole truth of the transaction seemed to rush\nupon her mind, and her wrath was inconceivably violent.",
"She asked me\na thousand questions in a breath; but, fortunately, was too vehement\nto attend to my embarrassment, which must otherwise have betrayed my\nknowledge of the deceit.",
"Revenge was her first wish; and she vowed\nshe would go the next morning to Justice Fielding, and inquire what\npunishment she might lawfully inflict upon the Captain for his assault.",
"I believe we were an hour at Bishopsgate Street before poor Madame\nDuval could allow any thing to be mentioned but her own story; at any\nlength, however, Mr. Branghton told her, that M. Du Bois, and all\nhis own family, were waiting for her at his house.",
"A hackney-coach\nwas then called, and we proceeded to Snow Hill.",
"Mr. Branghton's house is small and inconvenient; though his shop,\nwhich takes in all the ground floor, is large and commodious.",
"I\nbelieve I told you before, that he is a silver-smith.",
"We were conducted up two pairs of stairs: for the dining-room,\nMr. Branghton told us, was let.",
"His two daughters, their brother,\nM. Du Bois, and a young man, were at tea.",
"They had waited some time\nfor Madame Duval, but I found they had not any expectation that I\nshould accompany her; and the young ladies, I believe, were rather\nmore surprised than pleased when I made my appearance; for they seemed\nhurt that I should see their apartment.",
"Indeed, I would willingly\nhave saved them that pain, had it been in my power.",
"The first person who saw me was M. Du Bois, \"Ah, mon Dieu!\"",
"exclaimed\nhe, \"voila Mademoiselle!\"",
"\"Goodness,\" cried young Branghton, \"if there isn't Miss!\"",
"\"Lord, so there is!\"",
"said Miss Polly; \"well, I'm sure I should never\nhave dreamed of Miss's coming.\"",
"\"Nor I neither, I'm sure,\" cried Miss Branghton, \"or else I would not\nhave been in this room to see her: I'm quite ashamed about it;-only\nnot thinking of seeing any body but my aunt-however, Tom, it's all\nyour fault; for, you know very well I wanted to borrow Mr. Smith's\nroom, only you were so grumpy you would not let me.\"",
"\"Lord, what signifies?\"",
"said her brother; \"I dare be sworn Miss has\nbeen up two pair of stairs before now;-ha'n't you, Miss?\"",
"I begged that I might not give them the least disturbance; and assured\nthem that I had not any choice in regard to what room we sat in.",
"\"Well,\" said Miss Polly, \"when you come next, Miss, we'll have\nMr. Smith's room: and it's a very pretty one, and only up one pair\nof stairs, and nicely furnished, and every thing.\"",
"\"To say the truth,\" said Miss Branghton, \"I thought that my cousin\nwould not, upon any account, have come to town in the summer-time;\nfor it's not at all the fashion ;-so, to be sure, thinks I, she'll\nstay till September, when the play-houses open.\"",
"This was my reception, which I believe you will not call a very\ncordial one.",
"Madame Duval, who, after having severely reprimanded\nM. Du Bois for his negligence, was just entering upon the story of\nher misfortunes, now wholly engaged the company.",
"M. Du Bois listened to her with a look of the utmost horror, repeatedly\nlifting up his eyes and hands, and exclaiming, \"O ciel!",
"quel barbare!\"",
"The young ladies gave her the most earnest attention; but their\nbrother, and the young man, kept a broad grin upon their faces during\nthe whole recital.",
"She was, however, too much engaged to observe them;\nbut, when she mentioned having been tied in a ditch, young Branghton,\nno longer able to contain himself, burst into a loud laugh, declaring\nthat he had never heard any thing so funny in his life!",
"His laugh\nwas heartily re-echoed by his friend; the Miss Branghtons could not\nresist the example; and poor Madame Duval, to her extreme amazement,\nwas absolutely overpowered and stopped by the violence of their mirth.",
"For some minutes the room seemed quite in an uproar; the rage of Madame\nDuval, the astonishment of M. Du Bois, and the angry interrogatories\nof Mr. Branghton, on one side; the convulsive tittering of the\nsisters, and the loud laughs of the young men, on the other,\noccasioned such noise, passion and confusion, that had any one\nstopped an instant on the stairs, he must have concluded himself in\nBedlam.",
"At length, however, the father brought them to order; and,\nhalf-laughing, half-frightened, they made Madame Duval some very\nawkward apologies.",
"But she would not be prevailed upon to continue\nher narrative, till they had protested they were laughing at the\nCaptain, and not at her.",
"Appeased by this, she resumed her story;\nwhich by the help of stuffing handkerchiefs into their mouths, the\nyoung people heard with tolerable decency.",
"Every body agreed, that the ill-usage the Captain had given her was\nactionable; and Mr. Branghton said, he was sure she might recover\nwhat damages she pleased, since she had been put in fear of her life.",
"She then, with great delight, declared, that she would lose no time\nin satisfying her revenge, and vowed she would not be contented with\nless than half his fortune: \"For though,\" she said, \"I don't put no\nvalue upon the money, because, Dieu merci, I ha'n't no want of it,\nyet I don't wish for nothing so much as to punish that fellow; for\nI'm sure, whatever's the cause of it, he owes me a great grudge,\nand I know no more what it's for than you do; but he's always been\ndoing me one spite or another ever since I knew him.\"",
"Soon after tea, Miss Branghton took an opportunity to tell me, in a\nwhisper, that the young man I saw was a lover of her sister's, that\nhis name was Brown, and that he was a haberdasher: with many other\nparticulars of his circumstances and family; and then she declared\nher utter aversion to the thoughts of such a match; but added, that\nher sister had no manner of spirit or ambition, though, for her part,\nshe would ten times rather die an old maid, than marry any person\nbut a gentleman.",
"\"And, for that matter,\" added she, \"I believe Polly\nherself don't care much for him, only she's in such a hurry, because,\nI suppose, she's a mind to be married before me; however, she's very\nwelcome; for, I'm sure, I don't care a pin's point whether I ever\nmarry at all;-it's all one to me.\"",
"Some time after this, Miss Polly contrived to tell her story.",
"She\nassured me, with much tittering, that her sister was in a great fright\nlest she should be married first.",
"\"So I make her believe that I will,\"\ncontinued she; \"for I dearly love to plague her a little; though,\nI declare, I don't intend to have Mr. Brown in reality;-I'm sure I\ndon't like him half well enough,-do you, Miss?\"",
"\"It is not possible for me to judge of his merits,\" said I, \"as I am\nentirely a stranger to him.\"",
"\"But what do you think of him, Miss?\"",
"\"Why, really, I-I don't know.\"",
"\"But do you think him handsome?",
"Some people reckon him to have a\ngood pretty person;-but I'm sure, for my part, I think he's monstrous\nugly:-don't you, Miss?\"",
"\"I am no judge,-but I think his person is very-very well.\"",
"\"Very well!",
"-Why, pray Miss,\" in a tone of vexation, \"what fault can\nyou find with it?\"",
"\"O, none at all!\"",
"\"I'm sure you must be very ill-natured if you could.",
"Now there's Biddy\nsays she thinks nothing of him,-but I know it's all out of spite.",
"You\nmust know, Miss, it makes her as mad as can be that I should have\na lover before her; but she's so proud that nobody will court her,\nand I often tell her she'll die an old maid.",
"But the thing is, she\nhas taken it into her head to have a liking for Mr. Smith, as lodges\non the first floor; but, Lord, he'll never have her, for he's quite a\nfine gentleman; and besides, Mr. Brown heard him say one day, that he'd\nnever marry as long as he lived, for he'd no opinion of matrimony.\"",
"\"And did you tell your sister this?\"",
"\"O, to be sure, I told her directly; but she did not mind me; however,\nif she will be a fool she must.\"",
"This extreme want of affection and good-nature increased the distaste I\nalready felt for these unamiable sisters; and a confidence so entirely\nunsolicited and unnecessary, manifested equally their folly and their\nwant of decency.",
"I was very glad when the time for our departing arrived.",
"Mr. Branghton\nsaid our lodgings were in Holborn, that we might be near his house,\nand neighbourly.",
"He accompanied us to them himself.",
"Our rooms are large, and not inconvenient; our landlord is an hosier.",
"I\nam sure I have a thousand reasons to rejoice that I am so little known:\nfor my present situation is, in every respect, very unenviable; and\nI would not, for the world, be seen by any acquaintance of Mrs. Mirvan.",
"This morning, Madame Duval, attended by all the Branghtons, actually\nwent to a Justice in the neighborhood, to report the Captain's ill\nusage of her.",
"I had great difficulty in excusing myself from being of\nthe party, which would have given me very serious concern.",
"Indeed,\nI was extremely anxious, though at home, till I heard the result of\nthe application, for I dread to think of the uneasiness which such\nan affair would occasion the amiable Mrs. Mirvan.",
"But, fortunately,\nMadame Duval has received very little encouragement to proceed in\nher design; for she has been informed, that, as she neither heard\nthe voice, nor saw the face of the person suspected, she will find\ndifficulty to cast him upon conjecture, and will have but little\nprobability of gaining her cause, unless she can procure witnesses\nof the transaction.",
"Mr. Branghton, therefore, who has considered all\nthe circumstances of the affair, is of the opinion; the lawsuit will\nnot only be expensive, but tedious and hazardous, and has advised\nagainst it.",
"Madame Duval, though very unwillingly, has acquiesced\nin his decision; but vows, that if she ever is so affronted again,\nshe will be revenged, even if she ruins herself.",
"I am extremely glad\nthat this ridiculous adventure seems now likely to end without more\nserious consequences.",
"Adieu, my dearest Sir.",
"My direction is at Mr. Dawkin's, a hosier in\nHigh Holborn.",
"</CHAPTER>\n<CHAPTER>\nLETTER XLI EVELINA TO MISS MIRVAN\n\nJune 7th\n\n\nI HAVE no words, my sweet friend, to express the thankfulness I\nfeel for the unbounded kindness which you, your dear mother, and the\nmuch-honoured Lady Howard, have shown me; and still less can I find\nlanguage to tell you with what reluctance I parted from such dear and\ngenerous friends, whose goodness reflects, at once, so much honour\non their own hearts, and on her to whom it has been so liberally\nbestowed.",
"But I will not repeat what I have already written to the\nkind Mrs. Mirvan; I will remember your admonitions, and confine to my\nown breast that gratitude with which you have filled it, and teach my\npen to dwell upon subjects less painful to my generous correspondent.",
"O, Maria!",
"London now seems no longer the same place where I lately\nenjoyed so much happiness; every thing is new and strange to me; even\nthe town itself has not the same aspect.-My situation so altered!-my\nhome so different!-my companions so changed!-But you well know my\naverseness to this journey.",
"Indeed, to me, London now seems a desert: that gay and busy appearance\nit so lately wore, is now succeeded by a look of gloom, fatigue,\nand lassitude; the air seems stagnant, the heat is intense, the\ndust intolerable, and the inhabitants illiterate and under-bred;\nAt least, such is the face of things in the part of town where I at\npresent reside.",
"Tell me, my dear Maria, do you never retrace in your memory the time\nwe passed here when together?",
"to mine it recurs for ever!",
"And yet\nI think I rather recollect a dream, or some visionary fancy, than\na reality.-That I should ever have been known to Lord Orville,-that\nI should have spoken to-have danced with him,-seems now a romantic\nillusion: and that elegant politeness, that flattering attention, that\nhigh-bred delicacy, which so much distinguished him above all other\nmen, and which struck us with so much admiration, I now retrace the\nremembrance of rather as belonging to an object of ideal perfection,\nformed by my own imagination, than to a being of the same race and\nnature as those with whom I at present converse.",
"I have no news for you, my dear Miss Mirvan; for all that I could\nventure to say of Madame Duval I have already written to your sweet\nmother; and as to adventures, I have none to record.",
"Situated as\nI now am, I heartily hope I shall not meet with any; my wish is to\nremain quiet and unnoticed.",
"Adieu!",
"excuse the gravity of this letter; and believe me, your most\nsincerely Affectionate and obliged EVELINA ANVILLE.",
"</CHAPTER>\n<CHAPTER>\nLETTER XLII EVELINA TO THE REV.",
"MR. VILLARS\n\nHolborn, June 9.",
"YESTERDAY morning we received an invitation to dine and spend the day\nat Mr. Branghton's; and M. Du Bois, who was also invited, called to\nconduct us to Snow Hill.",
"Young Branghton received us at the door; and the first words he spoke\nwere, \"Do you know, sisters a'n't dressed yet.\"",
"Then, hurrying us into the house, he said to me, \"Come, Miss, you\nshall go upstairs and catch 'em,-I dare say they're at the glass.\"",
"He would have taken my hand; but I declined this civility, and begged\nto follow Madame Duval.",
"Mr. Branghton then appeared, and led the way himself.",
"We went, as\nbefore, up two pairs of stairs; but the moment the father opened\nthe door, the daughters both gave a loud scream.",
"We all stopped;\nand then Miss Branghton called out, \"Lord, Papa, what do you bring\nthe company up here for?",
"why, Polly and I a'n't half dressed.\"",
"\"More shame for you,\" answered he; \"here's your aunt, and cousin,\nand M. Du Bois, all waiting, and ne'er a room to take them to.\"",
"\"Who'd have thought of their coming so soon?\"",
"cried she: \"I am sure\nfor my part I thought Miss was used to nothing but quality hours.\"",
"\"Why, I sha'n't be ready this half-hour yet,\" said Miss Polly;\n\"can't they stay in the shop till we're dressed?\"",
"Mr. Branghton was very angry, and scolded them violently: however,\nwe were obliged to descend, and stools were procured for us in the\nshop, where we found the brother, who was highly delighted, he said,\nthat his sisters had been catched; and he thought proper to entertain\nme with a long account of their tediousness, and the many quarrels\nthey all had together.",
"When, at length, these ladies were equipped to their satisfaction,\nthey made their appearance; but before any conversation was suffered\nto pass between them and us, they had a long and most disagreeable\ndialogue with their father, to whose reprimands, though so justly\nincurred, they replied with the utmost pertness while their brother\nall the time laughed aloud.",
"The moment they perceived this, they were so much provoked, that,\ninstead of making any apologies to Madame Duval, they next began to\nquarrel with him.",
"\"Tom, what do you laugh for?",
"I wonder what business\nyou have to be always a laughing when Papa scolds us?\"",
"\"Then what business have you to be such a while getting on your\nclothes?",
"You're never ready, you know well enough.\"",
"\"Lord, Sir, I wonder what's that to you!",
"I wish you'd mind your own\naffairs, and not trouble yourself about ours.",
"How should a boy like\nyou know any thing?\"",
"\"A boy, indeed!",
"not such a boy, neither: I'll warrant you'll be glad\nto be as young when you come to be old maids.\"",
"This sort of dialogue we were amused with till dinner was ready,\nwhen we again mounted up two pairs of stairs.",
"In our way, Miss Polly told me that her sister had asked Mr. Smith\nfor his room to dine in, but he had refused to lend it; \"because,\"\nshe said, \"one day it happened to be a little greased: however, we\nshall have it to drink tea in, and then, perhaps, you may see him;\nand I assure you he's quite like one of the quality, and dresses as\nfine, and goes to balls and dances, and every thing, quite in taste;\nand besides, Miss, he keeps a foot-boy of his own too.\"",
"The dinner was ill-served, ill-cooked, and ill-managed.",
"The maid\nwho waited had so often to go down stairs for something that was\nforgotten, that the Branghtons were perpetually obliged to rise\nfrom table themselves, to get plates, knives, and forks, bread or\nbeer.",
"Had they been without pretensions, all this would have seemed\nof no consequence; but they aimed at appearing to advantage, and even\nfancied they succeeded.",
"However, the most disagreeable part of our\nfare was that the whole family continually disputed whose turn it\nwas to rise, and whose to be allowed to sit still.",
"When this meal was over, Madame Duval, ever eager to discourse upon\nher travels, entered into an argument with Mr. Branghton, and, in\nbroken English, M. Du Bois, concerning the French nation: and Miss\nPolly, then addressing herself to me, said \"Don't you think, Miss,\nit's very dull sitting up stairs here?",
"we'd better go down to shop,\nand then we shall see the people go by.\"",
"\"Lord, Poll,\" said the brother, \"you're always wanting to be staring\nand gaping; and I'm sure you needn't be so fond of showing yourself,\nfor you're ugly enough to frighten a horse.\"",
"\"Ugly, indeed!",
"I wonder which is best, you or me.",
"But, I tell you\nwhat, Tom, you've no need to give yourself such airs; for, if you do,\nI'll tell Miss of-you know what-\"\n\n\n\"Who cares if you do?",
"you may tell what you will; I don't mind-\"\n\n\n\"Indeed,\" cried I, \"I do not desire to hear any secrets.\"",
"\"O, but I'm resolved I'll tell you, because Tom's so very spiteful.",
"You\nmust know, Miss, t'other night-\"\n\n\n\"Poll,\" cried the brother, \"if you tell of that, Miss shall know all\nabout your meeting young Brown,-you know when!-So I'll be quits with\nyou one way or other.\"",
"Miss Polly coloured, and again proposed our going down stairs till\nMr. Smith's room was ready for our reception.",
"\"Aye, so we will,\" said Miss Branghton; \"I'll assure you, cousin,\nwe have some very genteel people pass by our shop sometimes.",
"Polly\nand I always go and sit there when we've cleaned ourselves.\"",
"\"Yes, Miss,\" cried the brother, \"they do nothing else all day long,\nwhen father don't scold them.",
"But the best fun is, when they've\ngot all their dirty things on, and all their hair about their ears,\nsometimes I send young Brown up stairs to them: and then there's such a\nfuss!-There, they hide themselves, and run away, and squeal and squall,\nlike any thing mad: and so then I puts the two cats into the room, and\nI gives them a good whipping, and so that sets them a squalling too;\nso there's such a noise and such an uproar!-Lord, you can't think,\nMiss, what fun it is!\"",
"This occasioned a fresh quarrel with the sisters; at the end of which,\nit was at length decided that we should go to the shop.",
"In our way down stairs, Miss Branghton said aloud, \"I wonder when\nMr. Smith's room will be ready.\"",
"\"So do I,\" answered Polly; \"I'm sure we should not do any harm to\nit now.\"",
"This hint had not the desired effect; for we were suffered to proceed\nvery quietly.",
"As we entered the shop, I observed a young man in deep mourning\nleaning against the wall, with his arms folded, and his eyes fixed on\nthe ground, apparently in profound and melancholy meditation; but the\nmoment he perceived us, he started, and, making a passing bow, very\nabruptly retired.",
"As I found he was permitted to go quite unnoticed,\nI could not forbear enquiring who he was.",
"\"Lord!\"",
"answered Miss Branghton, \"he's nothing but a poor Scotch poet.\"",
"\"For my part,\" said Miss Polly, \"I believe he's just starved, for I\ndon't find he has anything to live upon.\"",
"\"Live upon!\"",
"cried the brother; \"why, he's a poet, you know, so he\nmay live upon learning.\"",
"\"Aye, and good enough for him, too,\" said Miss Branghton; \"for he's\nas proud as he's poor.\"",
"\"Like enough,\" replied the brother; \"but, for all that, you won't\nfind he will live without meat and drink: no, no, catch a Scotchman\nat that if you can!",
"why, they only come here for what they can get.\"",
"\"I'm sure,\" said Miss Branghton, \"I wonder Papa'll be such a fool\nas to let him stay in the house, for I dare say he'll never pay for\nhis lodging.\"",
"\"Why, no more he would, if he could get another lodger.",
"You know\nthe bill has been put up this fortnight.",
"Miss, if you should hear\nof a person that wants a room, I assure you it is a very good one,\nfor all it's up three pair of stairs.\"",
"I answered, that as I had no acquaintance in London, I had not any\nchance of assisting them: but both my compassion and my curiosity\nwere excited for this poor young man; and I asked them some further\nparticulars concerning him.",
"They then acquainted me, that they had only known him three\nmonths.",
"When he first lodged with them, he agreed to board also;\nbut had lately told them he would eat by himself, though they all\nbelieved he had hardly ever tasted a morsel of meat since he left\ntheir table.",
"They said, that he had always appeared very low-spirited;\nbut for the last month he had been duller than ever; and, all of a\nsudden, he had put himself into mourning, though they knew not for\nwhom, nor for what; but they supposed it was only for convenience,\nas no person had ever been to see or enquire for him since his\nresidence amongst them: and they were sure he was very poor, as he\nhad not paid for his lodgings the last three weeks: and, finally,\nthey concluded he was a poet, or else half-crazy, because they had,\nat different times, found scraps of poetry in his room.",
"They then produced some unfinished verses, written on small pieces of\npaper, unconnected, and of a most melancholy cast.",
"Among them was the\nfragment of an ode, which, at my request, they lent to me to copy;\nand as you may perhaps like to see it, I will write it now.",
"O LIFE!",
"thou lingering dream of grief, of pain, And every\n ill that Nature can sustain,\n Strange, mutable, and wild!",
"Now flattering with Hope most fair, Depressing now with\n fell Despair,\n The nurse of Guilt, the slave of Pride,\n That, like a wayward child,\n Who, to himself a foe,\n Sees joy alone in what's denied,\n In what is granted, woe!",
"O thou poor, feeble, fleeting, pow'r, By Vice seduc'd, by\n Folly woo'd, By Mis'ry, Shame, Remorse, pursu'd; And as thy\n toilsome steps proceed, Seeming to Youth the fairest flow'r,\n Proving to Age the rankest weed,\n A gilded but a bitter pill,\n Of varied, great, and complicated ill!",
"These lines are harsh, but they indicate an internal wretchedness,\nwhich I own, affects me.",
"Surely this young man must be involved\nin misfortunes of no common nature but I cannot imagine what can\ninduce him to remain with this unfeeling family, where he is, most\nunworthily, despised for being poor, and most illiberally detested\nfor being a Scotchman.",
"He may, indeed, have motives, which he cannot\nsurmount, for submitting to such a situation.",
"Whatever they are,\nI most heartily pity him, and cannot but wish it were in my power to\nafford him some relief.",
"During this conversation, Mr. Smith's foot-boy came to Miss Branghton,\nand informed her, that his master said she might have the room now\nwhen she liked it, for that he was presently going out.",
"This very genteel message, though it perfectly satisfied the Miss\nBranghtons, by no means added to my desire of being introduced to this\ngentleman; and upon their rising, with intention to accept his offer,\nI begged they would excuse my attending them, and said I would sit\nwith Madame Duval till the tea was ready.",
"I therefore once more went up two pair of stairs with young\nBranghton, who insisted upon accompanying me; and there we remained\ntill Mr. Smith's foot-boy summoned us to tea, when I followed Madame\nDuval into the dining-room.",
"The Miss Branghtons were seated at one window, and Mr. Smith was\nlolling indolently out of the other.",
"They all approached us at our\nentrance; and Mr. Smith, probably to show he was master of the\ndepartment, most officiously handed me to a great chair at the upper\nend of the room, without taking any notice of Madame Duval, till I\nrose and offered her my own seat.",
"Leaving the rest of the company to entertain themselves, he very\nabruptly began to address himself to me, in a style of gallantry\nequally new and disagreeable to me.",
"It is true, no man can possibly pay\nme greater compliments, or make more fine speeches, than Sir Clement\nWilloughby: yet his language, though too flowery, is always that of a\ngentleman; and his address and manners are so very superior to those\nof the inhabitants of this house, that, to make any comparison between\nhim and Mr. Smith, would be extremely unjust.",
"This latter seems very\ndesirous of appearing a man of gaiety and spirit; but his vivacity\nis so low-bred, and his whole behaviour so forward and disagreeable,\nthat I should prefer the company of dullness itself, even as that\ngoddess is described by Pope, to that of this sprightly young man.",
"He made many apologies that he had not lent his room for our dinner,\nwhich he said, he should certainly have done, had he seen me first:\nand he assured me, that when I came again, he should be very glad to\noblige me.",
"I told him, and with sincerity, that every part of the house was\nequally indifferent to me.",
"\"Why, Ma'am, the truth is, Miss Biddy and Polly take no care of any\nthing; else, I'm sure, they should be always welcome to my room; for\nI'm never so happy as in obliging the ladies,-that's my character,\nMa'am:-but, really, the last time they had it, every thing was made\nso greasy and so nasty, that, upon my word, to a man who wishes to\nhave things a little genteel, it was quite cruel.",
"Now, as to you,\nMa'am, it's quite another thing, for I should not mind if every thing\nI had was spoilt, for the sake of having the pleasure to oblige you;\nand I assure you, Ma'am, it makes me quite happy that I have a room\ngood enough to receive you.\"",
"This elegant speech was followed by many others so much in the\nsame style, that to write them would be superfluous; and as he did\nnot allow me a moment to speak to any other person, the rest of the\nevening was consumed in a painful attention to this irksome young man,\nwho seemed to intend appearing before me to the utmost advantage.",
"Adieu, my dear Sir.",
"I fear you will be sick of reading about this\nfamily; yet I must write of them, or not of any, since I mix with\nno other.",
"Happy I shall be when I quit them all, and again return to\nBerry Hill.",
"</CHAPTER>"
] | [
"\"Now, do you see,\" said he, \"as to Lady Howard, I sha'n't pretend for\nto enlist her into my service, and so I shall e'en leave her to make\nit out as well as she can; but as to all you, I expect obedience and\nsubmission to orders; I am now upon a hazardous expedition, having\nundertaken to convoy a crazy vessel to the shore of Mortification; so,\nd'ye see, if any of you have anything to propose that will forward the\nenterprise,-why speak and welcome; but if any of you, that are of my\nchosen crew, capitulate, or enter into any treaty with the enemy,-I\nshall look upon you as mutinying, and turn you adrift.\"",
"The whole morning was filled up with these inquiries.",
"said Madame Duval; \"why, if you\n lose your\nway, we shall all be in the dark.\"",
"The footman opened the door, and jumped out of the chariot.",
"I was really frightened, and trembled exceedingly.",
"I\nscreamed like any thing mad, and told him if he would but spare my\nlife, I'd never prosecute him, nor tell anybody what he'd done to me:\nso he stood some time quite in a brown study, a-thinking what he should\ndo.",
"This sort of conversation lasted till we arrived at our journey's end;\nand then a new distress occurred: Madame Duval was eager to speak\nto Lady Lady Howard and Mrs. Mirvan, and to relate her misfortunes:\nbut she could not endure that Sir Clement or the Captain should\nsee her in such disorder; so she said they were so ill-natured,\nthat instead of pitying her, they would only make a jest of her\ndisasters.",
"She then told me, that she had been thinking all night of a contrivance\nto hinder the Captain from finding out her loss of curls; which was\nhaving a large gauge handkerchief pinned over her head as a hood,\nand saying she had the tooth-ache.",
"I endeavour to bear this stroke with composure, and in such a manner\n as if I\nhad already received your counsel and consolation.",
"We went, as\nbefore, up two pairs of stairs; but the moment the father opened\nthe door, the daughters both gave a loud scream."
] | [
"He took my hand, which he pressed to his lips, saying, \"And\nmust I then, Miss Anville, must I quit you-sacrifice voluntarily my\ngreatest felicity:-and yet not be honoured with one word, one look\nof approbation?\"",
"\"Come, here child,-only look-Pardi, so\nlong as I've lived, I never see so much before!",
"This morning, Madame Duval, attended by all the Branghtons, actually\nwent to a Justice in the neighborhood, to report the Captain's ill\nusage of her.",
"She then told me, that she had been thinking all night of a contrivance\nto hinder the Captain from finding out her loss of curls; which was\nhaving a large gauge handkerchief pinned over her head as a hood,\nand saying she had the tooth-ache.",
"Pardi,\nif I'd know'd as much, I'd have brought two or three sets with me:\nbut I'd never a thought of such a thing as this.\"",
"Miss, if you should hear\nof a person that wants a room, I assure you it is a very good one,\nfor all it's up three pair of stairs.\"",
"But, do you know, that meddling\nold parson, as I told you of, would not let her go: however, I'm\nresolved I'll be even with him; for I shall take her on with me,\nwithout saying never a word more to nobody.\"",
"And then he hastily came into the chariot, and seated himself next to\nme.",
"He went, and presently returning, produced a great quantity of\nhair, in such nasty condition, that I was amazed she would take it;\nand the man, as he delivered it to her, found it impossible to keep\nhis countenance; which she no sooner observed, than all her stormy\npassions were again raised.",
"I wish you'd been served so\nyourself, and you wouldn't have found it no such joke; you are the\nimpudentest fellow ever I see; and if I find you dare grin at me any\nmore, I shall make no ceremony of boxing your ears.\""
] | [
"I'll promise you, whatever you may think of it,\nI sha'n't have no rest, night nor day, till I find out that rogue.\"",
"\"I have no doubt, Madam, but you will soon discover him.\"",
"\"Pardi, if I do, I'll hang him, as sure as fate!-but what's the oddest,\nis, that he should take such a special spite against me above all the\nrest!",
"it was as much for nothing as could be; for I don't know what\nI had done, so particular bad, to be used in that manner: I'm sure,\nI hadn't given no offence, as I know of, for I never see his face all\nthe time: and as to screaming a little, I think it's very hard if one\nmustn't do such a thing as that, when one's put in fear of one's life.\"",
"During this conversation, she endeavoured to adjust her headdress,\nbut could not at all please herself.",
"Indeed, had I not been present,\nI should have thought it impossible for a woman, at her time of life,\nto be so very difficult in regard to dress.",
"What she may have in\nview, I cannot imagine, but the labour of the toilette seems the\nchief business of her life.",
"When I left her, in my way down stairs, I met Sir Clement; who with\ngreat earnestness, said he must not be denied the honour of a moment's\nconversation with me; and then, without waiting for an answer, he\nled me to the garden; at the door of which, however, I absolutely\ninsisted upon stopping.",
"He seemed very serious, and said, in a grave tone of voice, \"At length,\nMiss Anville, I flatter myself I have hit upon an expedient that will\noblige you; and therefore, though it is death to myself, I will put\nin practice.\"",
"I begged him to explain himself.",
"\"I saw your desire of saving Madame Duval, and scarce could I refrain\ngiving the brutal Captain my real opinion of his savage conduct;\nbut I am unwilling to quarrel with him, lest I should be denied\nentrance into a house which you inhabit; I have been endeavouring\nto prevail with him to give up his absurd new scheme, but I find\nhim impenetrable:-I have therefore determined to make a pretense for\nsuddenly leaving this place, dear as it is to me, and containing all\nI most admire and adore;-and I will stay in town till the violence\nof this boobyish humour is abated.\""
] | [
"<CHAPTER>\nLETTER XXXII EVELINA TO THE REV.",
"MR. VILLARS\n\nHoward Grove, Kent, May 10.",
"OUR house has been enlivened to-day by the arrival of a London visitor;\nand the necessity I have been under of concealing the uneasiness of\nmy mind, has made me exert myself so effectually, that I even think\nit is really diminished; or, at least, my thoughts are not so totally,\nso very anxiously, occupied by one subject only as they lately were.",
"I was strolling this morning with Miss Mirvan, down a lane about\na mile from the Grove, when we heard the trampling of horses; and,\nfearing the narrowness of the passage, we were turning hastily back,\nbut stopped upon hearing a voice call out, \"Pray, Ladies, don't be\nfrightened, for I will walk my horse.\"",
"We turned again, and then saw\nSir Clement Willoughby.",
"He dismounted; and approaching us with the\nreins in his hand, presently recollected us.",
"\"Good Heaven,\" cried\nhe, with his usual quickness, \"do I see Miss Anville ?-and you too,\nMiss Mirvan?\"",
"He immediately ordered his servant to take charge of his horse; and\nthen, advancing to us, took a hand of each, which he pressed to his\nlips, and said a thousand fine things concerning his good fortune,\nour improved looks, and the charms of the country, when inhabited\nby such rural deities.",
"\"The town, Ladies, has languished since your\nabsence;-or, at least, I have so much languished myself, as to be\nabsolutely insensible to all it had to offer.",
"One refreshing breeze,\nsuch as I now enjoy, awakens me to new vigour, life, and spirit.",
"This latter seems very\ndesirous of appearing a man of gaiety and spirit; but his vivacity\nis so low-bred, and his whole behaviour so forward and disagreeable,\nthat I should prefer the company of dullness itself, even as that\ngoddess is described by Pope, to that of this sprightly young man.",
"He made many apologies that he had not lent his room for our dinner,\nwhich he said, he should certainly have done, had he seen me first:\nand he assured me, that when I came again, he should be very glad to\noblige me.",
"I told him, and with sincerity, that every part of the house was\nequally indifferent to me.",
"\"Why, Ma'am, the truth is, Miss Biddy and Polly take no care of any\nthing; else, I'm sure, they should be always welcome to my room; for\nI'm never so happy as in obliging the ladies,-that's my character,\nMa'am:-but, really, the last time they had it, every thing was made\nso greasy and so nasty, that, upon my word, to a man who wishes to\nhave things a little genteel, it was quite cruel.",
"Now, as to you,\nMa'am, it's quite another thing, for I should not mind if every thing\nI had was spoilt, for the sake of having the pleasure to oblige you;\nand I assure you, Ma'am, it makes me quite happy that I have a room\ngood enough to receive you.\"",
"This elegant speech was followed by many others so much in the\nsame style, that to write them would be superfluous; and as he did\nnot allow me a moment to speak to any other person, the rest of the\nevening was consumed in a painful attention to this irksome young man,\nwho seemed to intend appearing before me to the utmost advantage.",
"Adieu, my dear Sir.",
"I fear you will be sick of reading about this\nfamily; yet I must write of them, or not of any, since I mix with\nno other.",
"Happy I shall be when I quit them all, and again return to\nBerry Hill.",
"</CHAPTER>"
] |
Situated as
I now am, I heartily hope I shall not meet with any; my wish is to
remain quiet and unnoticed.
Adieu!
excuse the gravity of this letter; and believe me, your most
sincerely Affectionate and obliged EVELINA ANVILLE.
</CHAPTER>
<CHAPTER>
LETTER XLII EVELINA TO THE REV.
MR. VILLARS
Holborn, June 9.
YESTERDAY morning we received an invitation to dine and spend the day
at Mr. Branghton's; and M. Du Bois, who was also invited, called to
conduct us to Snow Hill.
Young Branghton received us at the door; and the first words he spoke
were, "Do you know, sisters a'n't dressed yet."
Then, hurrying us into the house, he said to me, "Come, Miss, you
shall go upstairs and catch 'em,-I dare say they're at the glass."
He would have taken my hand; but I declined this civility, and begged
to follow Madame Duval.
Mr. Branghton then appeared, and led the way himself.
We went, as
before, up two pairs of stairs; but the moment the father opened
the door, the daughters both gave a loud scream.
| <CHAPTER>
LETTER XXXII EVELINA TO THE REV.
MR. VILLARS
Howard Grove, Kent, May 10.
OUR house has been enlivened to-day by the arrival of a London visitor;
and the necessity I have been under of concealing the uneasiness of
my mind, has made me exert myself so effectually, that I even think
it is really diminished; or, at least, my thoughts are not so totally,
so very anxiously, occupied by one subject only as they lately were.
I was strolling this morning with Miss Mirvan, down a lane about
a m the
same style, that to write them would be superfluous; and as he did
not allow me a moment to speak to any other person, the rest of the
evening was consumed in a painful attention to this irksome young man,
who seemed to intend appearing before me to the utmost advantage.
Adieu, my dear Sir.
I fear you will be sick of reading about this
family; yet I must write of them, or not of any, since I mix with
no other.
Happy I shall be when I quit them all, and again return to
Berry Hill.
</CHAPTER> | please; but I am too
much in haste now to stay here any longer."
And then I would have left him; but he held me, and rather impatiently
said, "If, then, I cannot be so happy as to oblige you, Miss Anville,
you must not be surprised should I seek to oblige myself.
If my scheme
is not honoured with your approbation, for which alone it was formed,
why should I, to my own infinite dissatisfaction, pursue it?"
We were then, for a few minutes, both silent; I was really unwilling
he should give up a plan which would so effectually break into
the Captain's designs, and, at the same time, save me the pain
of disobliging him; and I should instantly and thankfully have
accepted his offered civility, had not Mrs. Mirvan's caution made
me fearful.
However, when he pressed me to speak, I said, in an
ironical voice, "I had thought, Sir, that the very strong sense you
have yourself of the favour you propose to me, would sufficiently have
repaid you; but, as I was mistaken, I must thank you myself.
An |
6,053 | true | gradesaver | all_chapterized_books/6053-chapters/volume_2_chapters_12_to_19.txt | finished_summaries/gradesaver/Evelina/section_4_part_0.txt | Evelina.volume 2.chapters 12-19 | volume 2, letter 12-19 | null | {"name": "Volume II, Letter XII -Volume II, Letter XIX", "url": "https://web.archive.org/web/20201126171702/https://www.gradesaver.com/evelina-or-the-history-of-a-young-ladys-entrance-into-the-world/study-guide/summary-volume-ii-letter-xii-volume-ii-letter-xix", "summary": "Evelina continues her letters to Mr. Villars. Mr. Smith called upon Evelina to invite her to the Hampstead Assembly, but she refused him. Despite his surprise and persistence, she would not change her mind. Finally, he appealed to Madame Duval through flattery, and succeeded in winning that lady's favor. The next day, Evelina saw the young Scottish man at the Branghton's shop. He was turning the corner up the stairs when she saw a pistol fall from his pocket. She was dumbfounded, and, realizing that he intended to commit suicide, she followed him upstairs to stop him. She rushed into his room and grabbed his arm, falling down by his side. He was utterly shocked, and Evelina grew embarrassed. She tried to take the pistols, imploring him to have mercy on himself. On his knees before her, he passionately called her his angel, and Evelina quickly seized the pistols and exited the room. He followed her downstairs, but their conversation was interrupted by the Branghtons. Evelina fainted from the encounter, and the Branghtons roused her with their loud talking. She told them what had happened. That day the \"rashness and misery of this ill-fated young man engrossed all thoughts,\" she writes to Mr. Villars. The next day, the Branghtons invited she and Madame Duval to dinner. They talked rudely about their lodger, until they were interrupted by the arrival of Mr. Smith. The party then amused themselves by reflecting on all the London locations Evelina had not seen. The next day, Evelina was sent back to the Branghtons while Madame Duval remained in bed with her vapors. Evelina saw Mr. Macartney reading in the corner of the shop, but was not able to speak with him. Instead, she sat with Miss Polly and her lover Mr. Brown, a situation that made her uncomfortable. Mr. Smith arrived sometime later to join the whole family. Evelina became increasingly irritated by him. She was also sensible of the family's rudeness in front of Mr. Macartney. She tried to \"shew civility to this unhappy man, whose misfortunes, with this family, only render him an object of scorn.\" She was happy that Monsieur Du Bois was there, because he was the only one who was kind and respectful to the Scot. A few days later, they journeyed to Vauxhall as a group: Madame Duval, Evelina, the Branghtons, Monsieur Du Bois, Mr. Brown, and Mr. Smith. Evelina enjoyed the hautbois concerto, finding it very enchanting. She also found the lights appealing, but greatly disliked her company. Mr. Smith annoyed her by attaching himself to her for the entire experience. Thankfully, she found some respite in the company of Monsieur Du Bois. The party had supper, and then the girls were given permission to walk about the gardens together. Miss Branghton proposed that they stroll along the dark walks, and Miss Polly agreed since it would allow her to playfully hide from Mr. Brown. The plan concerned Evelina, who worried they would get lost from their group, but she had no choice but to follow them. They soon encountered a boisterous and riotous group of young men who rushed upon them. One of them grabbed Evelina and called her a \"pretty little creature.\" She pulled away and ran up the walk, right into another group of men. One of them caught her hands and aggressively asked where she was going. Terrified she implored them to let her pass. One man in the group recognized her voice: Sir Clement Willoughby. He quickly pulled her away from the young men, astonished by her presence there. She found his attention annoying, and did not want him to see the company she was with. He followed her, however, asking her questions and complimenting her, then begging her forgiveness when she grew angry. They finally found her party, and she knew she could no longer conceal them from Sir Clement. He was astonished when he met them. Madame Duval, of course, was incensed to see the man who she knew had been involved in the Captain's schemes. Evelina was perturbed by Sir Clement's manners towards her, which adapted depending on the company they were in. Here, he seemed bolder and less restrained than when around the Mirvans. When inquiring about her situation with this party, he was far too open and blunt. The Branghton girls finally returned from the walks, and then the party looked at art for awhile. Everyone seemed in awe of Sir Clement, and his presence obviously made Mr. Smith jealous. When it was time to leave, Sir Clement managed to finagle his way into the same carriage as Madame Duval and Evelina, which distressed her since she did not want him to see where she was staying. Madame Duval was infuriated that he was with them. When they arrived, Evelina noticed him looking over the abode. The next morning, Miss Branghton and Mr. Smith were full of questions about Sir Clement. After a while, Clement himself entered the room to notify Evelina that he was heading towards Howard Grove the next day, and to inquire if she had any messages to send there. He then sat with the family, and discoursed on a variety of subjects. The group was disinclined to reply, each person for his or her own reason - Madame Duval was angry, Mr. Smith was afraid, young Branghton was ashamed, and the sisters were enamored. Finally, Madame Duval could forebear no longer, and she angrily accused Sir Clement of engineering the robbery prank. Her intensity made Sir Clement nervous, which in turn helped everyone else relax, so proud they were of how Madame Duval excoriated him. His attempts to defend himself made him behave awkwardly. He finally insisted he would depart, which subdued everyone else. Before he left, he asked Evelina why she kept company with such people. Evelina continues her letters to Mr. Villars. She writes of an encounter she had with Mr. Macartney, who generally seemed very shy and disordered around her. He tried to speak to her one day, to ask her who she was and why she seemed to be the \"arbitress and ruler of the destiny of such a wretch as I am?\" When she said she had merely meant to help him, he praised her voice. She was called upstairs by the Branghtons before any more was said. Mr. Villars writes to Evelina, praising her bravery in the case of Mr. Macartney, and lamenting the poor man's situation. Mr. Villars wonders whether the man's behavior is influenced by guilt and misconduct, rather than misfortune. He also once more criticizes Sir Clement. Evelina writes back, confessing that his conjectures on Macartney leave her uneasy, though his appearance suggests misery rather than guilt to her. Maria had recently written to her with news that Sir Clement had returned to Howard Grove, to the great delight of Captain Mirvan. Mr. Smith visited Evelina, and again insisted she should accompany him to the Hampstead Assembly. Once he appealed to Madame Duval, offering both ladies tickets, Evelina was forced to accept. He smugly expressed happiness over his victory. On the night of the assembly, the Branghtons quarreled in their usual coarse manner as Evelina got ready. Young Branghton warned Evelina to be wary of Mr. Smith, who often admitted he had no desire to marry. Mr. Smith, looking at Evelina, told Young Branghton, \"if I did marry, it should be your cousin.\" Evelina was shocked at his forthrightness. At the assembly, she watched her grandmother dance with Mr. Smith, while she delighted in being alone. She did have to reject many suitors, however. She equally refused to dance with Mr. Smith, no matter how hard he tried to recruit her. He grew frustrated with her abstinence, and commented that he would never again trouble to get tickets for a young lady if he was only to dance with her grandmother.", "analysis": "The concept of marriage becomes more prominent in this set of letters. This is to be expected, considering how inextricably linked the theme was to most 18th century literature written by and about women. Frances Burney had rejected a proposal when she was very young, and this novel, written a year later, was in many ways a response to that situation. In this book, she details the ever-present reality of a young woman's need to marry. She created a smart, intuitive, and virtuous young heroine to navigate the \"marriage market,\" as scholar Judith Newton deems it. Newton's article explains how, in Evelina, Burney is \"firmly committed to the assumption that marriage is a woman's only destiny and to the understanding that she achieves this destiny through displaying herself and waiting to be chosen.\" Of course, this situation means that a woman might often be viewed as overstocked merchandise or even as helpless prey. That Burney's intelligent heroine is nevertheless devoid of significant options is a damning enough condemnation of the reality, but that neither the author nor the protagonist even question this state of affairs is even worse. In the world of Evelina, men behave badly, and view women very much as commodities. Burney seems to accept this as unalterable fact, but she does not shy away from representing how oppressive it can be for women. Mr. Smith is the best example of a man who knows he is a \"buyer in a buyer's market,\" and therefore believes he can impress his will upon women. Recall the first assembly Evelina attends, and her observation that men there act as if they bestow gifts by asking a woman to dance. In the pleasure gardens, her situation becomes overwhelmingly oppressive; Evelina is grabbed, accosted, leered at, and finally \"rescued\" by Sir Clement, who uses the opportunity to try and seduce her. There is no sense that she has escaped an unjust situation; instead, the men feel lucky to now have her attention. The unkind men in the novel - Lord Merton, Mr. Smith, Mr. Lovel - are distinguished from Sir Clement because the latter man \"imposes upon his pursuit of Evelina the courtly fiction that she is Cinderella, the beautiful but distant object.\" He is thrilled to see her as sexual prey, and pursues her with a hunter's persistence - that is, he is not concerned with her feelings, but only with manipulating her feelings. He continues to play-act the role of a 'Prince Charming'; consider his profuse contrition after Evelina discovered he was driving aimlessly after the opera. However, Evelina prefers his advances to those of men like Mr. Smith because the former at least pretends that the pursuit has an air of civility. So naturally, Lord Orville stands in stark contrast to almost every other man. In some ways, he is the center of the fiction for Burney. Newton writes, \"That a man like Orville exists, that he ignores all the usual requirements of marriage, that he permanently confers upon Evelina the identity of Cinderella is a fiction so complete that Burney is moved either to anticipate the reader's disbelief or to reassure us that our hero has not been parted from his judgment.\" He is too good to be true and \"his extraordinary virtues are both wish fulfillment and compensation.\" He is both a dramatic and thematic necessity, since he provides counterpoint to a novel that would be overly pessimistic otherwise, but Burney has to take great pains to keep him dramatically interesting, as will be seen with his letter in coming sections. Newton also details Evelina's personal growth in the face of this 'marriage market'. Evelina does develop a defense against these forceful men, but she cannot truly maintain that defense, since she would ultimately have to abdicate that power to be a suitable wife. Lord Orville will have to intervene on her behalf multiple times in the third volume of the novel, as he will surely continue to do so in his role of husband. Considering that the third volume is where a protagonist would usually show the most agency, it is telling that this novel's protagonist will rely on another for that purpose. Overall, Evelina's encounter with the world \"is a woman's traditional encounter; it is a time of waiting, a time of transition, during which she is transferred from the protection of one male authority to the protection of another.\" The quality that makes Evelina dramatically interesting is her pastoral upbringing - she has a perspective on the cruel absurdity of her situation that a girl brought up solely in such society would never have. However, Evelina's journey is not a true bildungsroman because she cannot truly achieve the personal growth that a young man can. In other words, Burney somewhat lacks the original perspective Evelina does - we could imagine the latter finally realizing that the 'marriage market' is a sham, except that her creator is unwilling to go there. Fanny Burney wrote a novel that reveals an acceptance of a woman's role in the world, though there is a cynical edge in Lord Orville, since she can only temper her cynicism by \" fictions\" like him."} | <CHAPTER>
LETTER XLIII EVELINA IN CONTINUATION
June 10th
THIS morning Mr. Smith called,
on purpose, he said, to offer me a ticket for the next Hampstead
assembly. I thanked him, but desired to be excused accepting it: he
would not, however, be denied, nor answered; and, in a manner both
vehement and free, pressed and urged his offer, till I was wearied to
death: but, when he found me resolute, he seemed thunderstruck with
amazement, and thought proper to desire I would tell him my reasons.
Obvious as they must surely have been to any other person, they
were such as I knew not how to repeat to him; and, when he found I
hesitated, he said, "Indeed, Ma'am, you are too modest; I assure you
the ticket is quite at your service, and I shall be very happy to
dance with you; so pray don't be so coy."
"Indeed, Sir," returned I, "you are mistaken; I never supposed you
would offer a ticket without wishing it should be accepted; but it
would answer no purpose to mention the reasons which make me decline
it, since they cannot possibly be removed."
This speech seemed very much to mortify him; which I could not be
concerned at, as I did not choose to be treated by him with so much
freedom. When he was, at last, convinced that his application to me
was ineffectual, he addressed himself to Madame Duval, and begged she
would interfere in his favour; offering at the same time to procure
another ticket for herself.
"Ma foi, Sir," answered she, angrily, "you might as well have had
the complaisance to ask me before; for, I assure you, I don't approve
of no such rudeness: however, you may keep your tickets to yourself,
for we don't want none of 'em."
This rebuke almost overset him; he made many apologies, and said that
he should certainly have first applied to her, but that he had no
notion the young lady would have refused him, and, on the contrary,
had concluded that she would have assisted him to persuade Madame
Duval herself.
This excuse appeased her; and he pleaded his cause so successfully,
that, to my great chagrin, he gained it, and Madame Duval promised
that she would go herself, and take me to the Hampstead assembly
whenever he pleased.
Mr. Smith then, approaching me with an air of triumph, said, "Well,
Ma'am, now I think you can't possibly keep to your denial."
I made no answer; and he soon took leave, tho' not till he had so
wonderfully gained the favour of Madame Duval, that she declared,
when he was gone, he was the prettiest young man she had seen since
she came to England.
As soon as I could find an opportunity, I ventured, in the most humble
manner, to intreat Madame Duval would not insist upon my attending
her to this ball; and represented to her, as well as I was able,
the impropriety of my accepting any present from a man so entirely
unknown to me: but she laughed at my scruples; called me a foolish,
ignorant country-girl; and said she should make it her business to
teach me something of the world.
This ball is to be next week. I am sure it is not more improper for,
than unpleasant to me, and I will use every possible endeavour to
avoid it. Perhaps I may apply to Miss Branghton for advice, as I
believe she will be willing to assist me, from disliking, equally
with myself, that I should dance with Mr. Smith.
June 11th
O, my dear Sir! I have been shocked to death; and yet at the same
time delighted beyond expression, in the hope that I have happily
been the instrument of saving a human creature from destruction.
This morning Madame Duval said she would invite the Branghton family
to return our visit to-morrow; and, not choosing to rise herself,-for
she generally spends the morning in bed,-she desired me to wait upon
them with her message. M. Du Bois, who just then called, insisted
upon attending me.
Mr. Branghton was in the shop, and told us that his son and daughter
were out; but desired me to step up stairs, as he very soon expected
them home. This I did, leaving M. Du Bois below. I went into the
room where we had dined the day before; and, by a wonderful chance,
I happened to seat myself, that I had a view of the stairs, and yet
could not be seen from them.
In about ten minutes time, I saw, passing by the door, with a look
perturbed and affrighted, the same young man I mentioned in my last
letter. Not heeding, as I suppose, how he went, in turning the corner
of the stairs, which are narrow and winding, his foot slipped and he
fell; but almost instantly rising, I plainly perceived the end of a
pistol, which started from his pocket by hitting against the stairs.
I was inexpressibly shocked. All that I had heard of his misery
occurring to my memory, made me conclude that he was, at that very
moment, meditating suicide! Struck with the dreadful idea, all my
strength seemed to fail me. He moved on slowly, yet I soon lost sight
of him; I sat motionless with terror; all power of action forsook me;
and I grew almost stiff with horror; till recollecting that it was
yet possible to prevent the fatal deed, all my faculties seemed to
return, with the hope of saving him.
My first thought was to fly to Mr. Branghton; but I feared, that an
instant of time lost might for ever be rued; and, therefore, guided
by the impulse of my apprehensions, as well as I was able I followed
him up stairs, stepping very softly, and obliged to support myself
by the banisters.
When I came within a few stairs of the landing-place I stopped;
for I could then see into his room, as he had not yet shut the door.
He had put the pistol upon a table, and had his hand in his pocket,
whence, in a few moments, he took out another: he then emptied
something on the table from a small leather bag; after which, taking
up both the pistols, one in each hand, he dropt hastily upon his knees,
and called out, "O, God!-forgive me!"
In a moment strength and courage seemed lent to me as by inspiration:
I started, and rushing precipitately into the room, just caught
his arm, and then, overcome by my own fears, I fell down at his side
breathless and senseless. My recovery, however, was, I believe, almost
instantaneous; and then the sight of this unhappy man, regarding me
with a look of unutterable astonishment, mixed with concern, presently
restored to me my recollection. I arose, though with difficulty;
he did the same; the pistols, as I soon saw, were both on the floor.
Unwilling to leave them, and, indeed, too weak to move, I leant one
hand on the table, and then stood perfectly still; while he, his eyes
cast wildly towards me, seemed too infinitely amazed to be capable
of either speech or action.
I believe we were some minutes in this extraordinary situation; but,
as my strength returned, I felt myself both ashamed and awkward, and
moved towards the door. Pale and motionless, he suffered me to pass,
without changing his posture, or uttering a syllable; and, indeed,
He look'd a bloodless image of despair.-POPE.
When I reached the door, I turned round; I looked fearfully at
the pistols, and, impelled by an emotion I could not repress,
I hastily stepped back, with an intention of carrying them away:
but their wretched owner, perceiving my design, and recovering from
his astonishment, darting suddenly down, seized them both himself.
Wild with fright, and scarce knowing what I did, I caught, almost
involuntarily, hold of both his arms, and exclaimed, "O, Sir! have
mercy on yourself!"
The guilty pistols fell from his hands, which, disengaging from me,
he fervently clasped, and cried, "Sweet Heaven! is this thy angel?"
Encouraged by such gentleness, I again attempted to take the pistols;
but, with a look half frantic, he again prevented me, saying "What
would you do?"
"Awaken you," I cried, with a courage I now wonder at, "to worthier
thoughts, and rescue you from perdition."
I then seized the pistols; he said not a word,-he made no effort to
stop me;-I glided quick by him, and tottered down stairs ere he had
recovered from the extremest amazement.
The moment I reached again the room I had so fearfully left, I threw
away the pistols, and flinging myself on the first chair, gave free
vent to the feelings I had most painfully stifled, in a violent burst
of tears, which, indeed, proved a happy relief to me.
In this situation I remained some time; but when, at length, I lifted
up my head, the first object I saw was the poor man who had occasioned
my terror, standing, as if petrified, at the door, and gazing at me
with eyes of wild wonder.
I started from the chair; but trembled so excessively, that I almost
instantly sunk again into it. He then, though without advancing, and,
in a faultering voice, said, "Whoever, or whatever you are, relieve
me, I pray you, from the suspense under which my soul labours-and
tell me if indeed I do not dream?"
To this address, so singular, and so solemn, I had not then the
presence of mind to frame any answer; but as I presently perceived
that his eyes turned from me to the pistols, and that he seemed to
intend regaining them, I exerted all my strength, and saying, "O,
for Heaven's sake forbear!" I rose and took them myself.
"Do my sense deceive me!" cried he, "do I live-? And do you?"
As he spoke he advanced towards me; and I, still guarding the pistols,
retreated, saying, "No, no-you must not-must not have them!"
"Why-for what purpose, tell me!-do you withhold them?"-
"To give you time to think,-to save you from eternal misery; -and,
I hope, to reserve you for mercy and forgiveness."
"Wonderful!" cried he, with uplifted hands and eyes, "most wonderful!"
For some time he seemed wrapped in deep thought, till a sudden noise
of tongues below announcing the approach of the Branghtons, made
him start from his reverie: he sprung hastily forward, -dropt on one
knee,-caught hold of my gown, which he pressed to his lips; and then,
quick as lightning, he rose, and flew up stairs to his own room.
There was something in the whole of this extraordinary and shocking
adventure, really too affecting to be borne; and so entirely had I
spent my spirits, and exhausted my courage, that before the Branghtons
reached me, I had sunk on the ground without sense or motion.
I believe I must have been a very horrid sight to them on their
entrance into the room; for to all appearance, I seemed to have
suffered a violent death, either by my own rashness, or the cruelty
of some murderer, as the pistols had fallen close by my side.
How soon I recovered I know not; but, probably I was more indebted
to the loudness of their cries than to their assistance; for they
all concluded that I was dead, and, for some time, did not make any
effort to revive me.
Scarcely could I recollect where, or indeed what, I was, ere they
poured upon me such a torrent of questions and enquiries, that I
was almost stunned by their vociferation. However, as soon, and
as well as I was able, I endeavoured to satisfy their curiosity,
by recounting what had happened as clearly as was in my power. They
all looked aghast at the recital; but, not being well enough to enter
into any discussions, I begged to have a chair called, and to return
instantly home.
Before I left them, I recommended, with great earnestness, a vigilant
observance of their unhappy lodger; and that they would take care to
keep from him, if possible, all means of self-destruction.
M. Du Bois, who seemed extremely concerned at my indisposition, walked
by the side of the chair, and saw me safe to my own apartment.
The rashness and the misery of this ill-fated young man engross
all my thoughts. If indeed, he is bent upon destroying himself, all
efforts to save him will be fruitless. How much do I wish it were in
my power to discover the nature of the malady which thus maddens him
and to offer or to procure alleviation to his sufferings! I am sure,
my dearest Sir, you will be much concerned for this poor man; and,
were you here, I doubt not but you would find some method of awakening
him from the error which blinds him, and of pouring the balm of peace
and comfort into his afflicted soul.
</CHAPTER>
<CHAPTER>
LETTER XLIV EVELINA IN CONTINUATION
Holborn, June 13th.
YESTERDAY all the Branghtons dined here. Our conversation was almost
wholly concerning the adventure of the day before. Mr. Branghton said,
that his first thought was instantly to turn his lodger out of doors,
"Lest," continued he, "his killing himself in my house should bring
me into any trouble: but then I was afraid I should never get the
money that he owes me; whereas, if he dies in my house, I have a
right to all he leaves behind him, if he goes off in my debt. Indeed,
I would put him in prison,-but what should I get by that? he could not
earn anything there to pay me: so I considered about it some time,
and then I determined to ask him, point-blank, for my money out of
hand. And so I did; but he told me he'd pay me next week: however,
I gave him to understand, that though I was no Scotchman, yet, I did
not like to be over-reached any more than he: so he then gave me a
ring, which, to my certain knowledge, must be worth ten guineas, and
told me he would not part with it for his life, and a good deal more
such sort of stuff, but that I might keep it until he could pay me."
"It is ten to one, father," said young Branghton, "if he came fairly
by it."
"Very likely not," answered he; "but that will make no great
difference, for I shall be able to prove my right to it all one."
What principles! I could hardly stay in the room.
"I'm determined," said the son, "I'll take some opportunity to
affront him soon, now I know how poor he is, because of the airs he
gave himself when he first came."
"And pray how was that, child?" said Madame Duval.
"Why, you never knew such a fuss in your life as he made, because one
day at dinner I only happened to say, that I supposed he had never
got such a good meal in his life before he came to England: there, he
fell in such a passion as you can't think: but for my part, I took no
notice of it: for to be sure, thinks I, he must needs be a gentleman,
or he'd never go to be so angry about it. However, he won't put his
tricks upon me again in a hurry."
"Well," said Miss Polly, "he's grown quite another creature to what
he was, and he doesn't run away from us, nor hide himself, nor any
thing; and he's as civil as can be, and he's always in the shop, and
he saunters about the stairs, and he looks at every body as comes in."
"Why, you may see what he's after plain enough," said Mr. Branghton;
"he wants to see Miss again."
"Ha, ha, ha! Lord, how I should laugh," said the son, "if he should
have fell in love with Miss!"
"I'm sure," said Miss Branghton, "Miss is welcome; but, for my part,
I should be quite ashamed of such a beggarly conquest."
Such was the conversation till tea-time, when the appearance of
Mr. Smith gave a new turn to the discourse.
Miss Branghton desired me to remark with what a smart air he entered
the room, and asked me if he had not very much a quality look?
"Come," cried he, advancing to us, "you ladies must not sit together;
wherever I go I always make it a rule to part the ladies."
And then, handing Miss Branghton to the next chair, he seated himself
between us.
"Well, now, ladies, I think we sit very well. What say you? for my
part I think it was a very good motion."
"If my cousin likes it," said Miss Branghton, "I'm sure I've no
objection."
"O," cried he, "I always study what the ladies like,-that's my first
thought. And, indeed, it is but natural that you should like best
to sit by the gentlemen, for what can you find to say to one another?"
"Say!" cried young Branghton; "O, never you think of that, they'll
find enough to say, I'll be sworn. You know the women are never tired
of talking."
"Come, come, Tom," said Mr. Smith, "don't be severe upon the ladies;
when I'm by, you know I always take their part."
Soon after, when Miss Branghton offered me some cake, this man of
gallantry said, "Well, if I was that lady, I'd never take any thing
from a woman."
"Why not, Sir?"
"Because I should be afraid of being poisoned for being so handsome."
"Who is severe upon the ladies now?" said I.
"Why, really, Ma'am, it was a slip of the tongue; I did not intend
to say such a thing; but one can't always be on one's guard."
Soon after, the conversation turning upon public places, young
Branghton asked if I had ever been to George's at Hampstead?
"Indeed, I never heard the place mentioned."
"Didn't you, Miss," cried he eagerly; "why, then you've a deal of
fun to come, I'll promise you; and, I tell you what, I'll treat you
there some Sunday, soon. So now, Bid and Poll, be sure you don't tell
Miss about the chairs, and all that, for I've a mind to surprise her;
and if I pay, I think I've a right to have it my own way."
"George's at Hampstead!" repeated Mr. Smith contemptuously; "how
came you to think the young lady would like to go to such a low
place as that! But, pray, Ma'am, have you ever been to Don Saltero's
at Chelsea?"
"No, Sir."
"No!-nay, then I must insist on having the pleasure of conducting
you there before long. I assure you, Ma'am, many genteel people go,
or else, I give you my word, I should not recommend it."
"Pray, cousin," said Mr. Branghton, "have you been at Sadler's
Wells yet?"
"No, Sir."
"No! why, then you've seen nothing!"
"Pray, Miss," said the son, "how do you like the Tower of London?"
"I have never been to it, Sir."
"Goodness!" exclaimed he, "not seen the Tower!-why, may be, you ha'n't
been o' top of the Monument, neither?"
"No, indeed, I have not."
"Why, then, you might as well not have come to London for aught I see,
for you've been no where."
"Pray, Miss," said Polly, "have you been all over Paul's Church yet?"
"No, Ma'am."
"Well, but, Ma'am," said Mr. Smith, "how do you like Vauxhall and
Marybone?"
"I never saw either, Sir."
"No-God bless me!-you really surprise me,-why Vauxhall is the first
pleasure in life!-I know nothing like it.-Well, Ma'am, you must
have been with strange people, indeed, not to have taken you to
Vauxhall. Why you have seen nothing of London yet. However, we must
try if we can't make you amends."
In the course of this catechism, many other places were mentioned,
of which I have forgotten the names; but the looks of surprise and
contempt that my repeated negatives incurred were very diverting.
"Come," said Mr. Smith, after tea, "as this lady has been with such
a queer set of people, let's show her the difference; suppose we go
somewhere to-night!-I love to do things with spirit!-Come, ladies,
where shall we go? For my part I should like Foote's-but the ladies
must choose; I never speak myself."
"Well, Mr. Smith is always in such spirits!" said Miss Branghton.
"Why, yes, Ma'am, yes, thank God, pretty good spirits;-I have not yet
the cares of the world upon me;-I am not married,-ha, ha, ha!-you'll
excuse me, ladies,-but I can't help laughing!"
No objection being made, to my great relief we all proceeded to the
little theatre in the Haymarket, where I was extremely entertained
by the performance of the Minor and the Commissary.
They all returned hither to supper.
</CHAPTER>
<CHAPTER>
LETTER XLV EVELINA IN CONTINUATION
June 15th.
YESTERDAY morning Madame Duval again sent me to Mr. Branghton's,
attended by M. Du Bois, to make some party for the evening, because
she had had the vapours the preceding day from staying at home.
As I entered the shop, I perceived the unfortunate North Briton
seated in a corner, with a book in his hand. He cast his melancholy
eyes up as we came in; and, I believe, immediately recollected my
face-for he started, and changed colour. I delivered Madame Duval's
message to Mr. Branghton, who told me I should find Polly up stairs,
but that the others were gone out.
Up stairs, therefore, I went; and, seated on a window, with Mr. Brown
at her side, sat Miss Polly. I felt a little awkward at disturbing
them, and much more so at their behaviour afterwards; for, as soon
as the common enquiries were over, Mr. Brown grew so fond and so
foolish, that I was extremely disgusted. Polly, all the time, only
rebuked him with, "La, now, Mr. Brown, do be quiet, can't you?-you
should not behave so before company.-Why, now, what will Miss think
of me?"-While her looks plainly showed not merely the pleasure,
but the pride which she took in his caresses.
I did not by any means think it necessary to punish myself by
witnessing their tenderness; and therefore telling them I would see
if Miss Branghton were returned home, I soon left them, and against
descended into the shop.
"So, Miss, you've come again," said Mr. Branghton; "what, I suppose
you've a mind to sit a little in the shop, and see how the world goes,
hey, Miss?"
I made no answer; and M. Du Bois instantly brought me a chair.
The unhappy stranger, who had risen at my entrance, again seated
himself; and though his head leant towards his book, I could not help
observing, his eyes were most intently and earnestly turned towards me.
M. Du Bois, as well as his broken English would allow him, endeavoured
to entertain us till the return of Miss Branghton and her brother.
"Lord, how tired I am!" cried the former; "I have not a foot to stand
upon." And, then, without any ceremony, she flung herself into the
chair from which I had risen to receive her.
"You tired!" said the brother; "why, then, what must I be, that have
walked twice as far?" And, with equal politeness, he paid the same
compliment to M. Du Bois which his sister had done to me.
Two chairs and three stools completed the furniture of the shop;
and Mr. Branghton, who chose to keep his own seat himself, desired
M. Du Bois to take another; and then seeing that I was without any,
called out to the stranger, "Come, Mr. Macartney, lend us your stool."
Shocked at their rudeness, I declined the offer; and, approaching
Miss Branghton, said, "If you will be so good as to make room for me
on your chair, there will be no occasion to disturb that gentleman."
"Lord, what signifies that?" cried the brother; "he has had his share
of sitting, I'll be sworn."
"And, if he has not," said the sister, "he has a chair up stairs;
and the shop is our own, I hope."
This grossness so much disgusted me, that I took the stool, and
carrying it back to Mr. Macartney myself, I returned him thanks as
civilly as I could for his politeness, but said that I had rather
stand.
He looked at me as if unaccustomed to such attention, bowed very
respectfully, but neither spoke nor yet made use of it.
I soon found that I was an object of derision to all present, except
M. Du Bois; and therefore, I begged Mr. Branghton would give me an
answer for Madame Duval, as I was in haste to return.
"Well, then, Tom,-Biddy, where have you a mind to go tonight? your
aunt and Miss want to be abroad and amongst them."
"Why, then, Papa," said Miss Branghton, "we'll go to Don
Saltero's. Mr. Smith likes that place, so may be he'll go along
with us."
"No, no," said the son, "I'm for White-Conduit House; so let's
go there."
"White-Conduit House, indeed!" cried his sister; "no, Tom, that
I won't."
"Why, then, let it alone; nobody wants your company;-we shall do as
well without you, I'll be sworn, and better too."
"I'll tell you what, Tom, if you don't hold your tongue, I'll make
you repent it,-that I assure you."
Just then Mr. Smith came into the shop, which he seemed to intend
passing through; but when he saw me, he stopped, and began a most
courteous enquiry after my health, protesting, that, had he known I
was there, he should have come down sooner. "But, bless me, Ma'am,"
added he, "what is the reason you stand?" and then he flew to bring
me the seat from which I had just parted.
"Mr. Smith, you are come in very good time," said Mr. Branghton,
"to end a dispute between my son and daughter, about where they shall
all go to-night."
"O, fie, Tom,-dispute with a lady!" cried Mr. Smith. "Now, as for me,
I'm for where you will, provided this young lady is of the party;-one
place is the same as another to me, so that it be but agreeable to
the ladies.-I would go any where with you, Ma'am," (to me) "unless,
indeed, it were to church; -ha, ha, ha!-You'll excuse me, Ma'am; but,
really, I never could conquer my fear of a parson;-ha, ha, ha!-Really,
ladies, I beg your pardon for being so rude; but I can't help laughing
for my life!"
"I was just saying, Mr. Smith," said Miss Branghton, "that I should
like to go to Don Saltero's;-now, pray, where should you like to go?"
"Why, really, Miss Biddy, you know I always let the ladies decide; I
never fix any thing myself; but I should suppose it would be rather
hot at the coffee-house:-however, pray, ladies, settle it among
yourselves;-I'm agreeable to whatever you choose."
It was easy for me to discover, that this man, with all his parade of
conformity, objects to every thing that is not proposed by himself:
but he is so much admired by this family for his gentility, that he
thinks himself a complete fine gentleman!
"Come," said Mr. Branghton, "the best way will be to put it to the
vote, and then every body will speak their minds. Biddy, call Poll
down stairs. We'll start fair."
"Lord, Papa," said Miss Branghton, "why can't you as well send
Tom?-you're always sending me of the errands."
A dispute then ensued, but Miss Branghton was obliged to yield.
When Mr. Brown and Miss Polly made their appearance, the latter
uttered many complaints of having been called, saying, she did not
want to come, and was very well where she was.
"Now, ladies, your votes," cried Mr. Smith; "and so, Ma'am (to me),
we'll begin with you. What place shall you like best?" and then, in
a whisper, he added, "I assure you, I shall say the same as you do,
whether I like it or not."
I said, that as I was ignorant what choice was in my power, I must
beg to hear their decisions first. This was reluctantly assented to;
and then Miss Branghton voted for Saltero's Coffee-house; her sister,
for a party to Mother Red Cap's; the brother for White-Conduit House;
Mr. Brown, for Bagnigge Wells; Mr. Braughton, for Sadler's Wells;
and Mr. Smith, for Vauxhall.
"Well now, Ma'am," said Mr. Smith, "we have all spoken, and so you
must give the casting vote. Come, what will you fix upon?"
"Sir," answered I, "I was to speak last."
"Well, so you will," said Miss Branghton, "for we've all spoke first."
"Pardon me," returned I, "the voting has not yet been quite general."
And I turned towards Mr. Macartney, to whom I wished extremely to
show that I was not of the same brutal nature with those by whom he
was treated so grossly.
"Why, pray," said Mr. Branghton, "who have we left out? would you have
the cats and dogs vote?"
"No, Sir," cried I, with some spirit, "I would have that gentleman
vote,-if, indeed, he is not superior to joining our party."
They all looked at me, as if they doubted whether or not they had
heard me right: but, in a few moments, their surprise gave way to a
rude burst of laughter.
Very much displeased, I told M. Du Bois that if he was not ready to
go, I would have a coach called for myself.
O yes, he said, he was always ready to attend me.
Mr. Smith then, advancing, attempted to take my hand, and begged me
not to leave them till I had settled the evening's plans.
"I have nothing, Sir," said I, "to do with it, as it is my intention
to stay at home; and therefore Mr. Branghton will be so good as to
send Madame Duval word what place is fixed upon, when it is convenient
to him."
And then, making a slight courtesy, I left them.
How much does my disgust for these people increase my pity for poor Mr.
Macartney! I will not see them when I can avoid so doing; but I am
determined to take every opportunity in my power to show civility to
this unhappy man, whose misfortunes with this family, only render him
an object of scorn. I was, however, very well pleased with M. Du Bois,
who, far from joining in their mirth, expressed himself extremely
shocked at their ill-breeding.
We had not walked ten yards before we were followed by Mr. Smith,
who came to make excuses, and to assure me they were only joking, and
hoped I took nothing ill; for if I did, he would make a quarrel of it
himself with the Branghtons, rather than I should receive any offense.
I begged him not to take any trouble about so immaterial an affair,
and assured him I should not myself. He was so officious, that he
would not be prevailed upon to return home, till he had walked with
us to Mr. Dawkins's.
Madame Duval was very much displeased that I brought her so little
satisfaction. White-Conduit House was at last fixed upon; and,
notwithstanding my great dislike of such parties and such places,
I was obliged to accompany them.
Very disagreeable, and much according to my expectations, the
evening proved. There were many people all smart and gaudy, and so
pert and low-bred, that I could hardly endure being amongst them;
but the party to which, unfortunately, I belonged, seemed all at home.
</CHAPTER>
<CHAPTER>
LETTER XLVI EVELINA TO THE REV. MR. VILLARS
Holborn, June 17th.
YESTERDAY Mr. Smith carried his point of making a party for Vauxhall,
consisting of Madame Duval, M. Du Bois, all the Branghtons, Mr. Brown,
himself,-and me!-for I find all endeavours vain to escape any thing
which these people desire I should not.
There were twenty disputes previous to our setting out; first, as to
the time of our going: Mr. Branghton, his son, and young Brown, were
for six o'clock; and all the ladies and Mr. Smith were for eight;-the
latter, however, conquered.
Then, as to the way we should go; some were for a boat, others for
a coach, and Mr. Branghton himself was for walking; but the boat
at length was decided upon. Indeed this was the only part of the
expedition that was agreeable to me; for the Thames was delightfully
pleasant.
The garden is very pretty, but too formal; I should have been better
pleased, had it consisted less of straight walks, where
Grove nods at grove, each alley has its brother.
The trees, the numerous lights, and the company in the circle round
the orchestra make a most brilliant and gay appearance; and had I been
with a party less disagreeable to me, I should have thought it a place
formed for animation and pleasure. There was a concert; in the course
of which a hautbois concerto was so charmingly played, that I could
have thought myself upon enchanted ground, had I had spirits more
gentle to associate with. The hautbois in the open air is heavenly.
Mr. Smith endeavoured to attach himself to me, with such officious
assiduity and impertinent freedom, that he quite sickened me. Indeed
M. Du Bois was the only man of the party to whom, voluntarily, I
ever addressed myself. He is civil and respectful, and I have found
nobody else so since I left Howard Grove. His English is very bad;
but I prefer it to speaking French myself, which I dare not venture
to do. I converse with him frequently, both to disengage myself from
others, and to oblige Madame Duval, who is always pleased when he is
attended to.
As we were walking about the orchestra, I heard a bell ring; and,
in a moment, Mr. Smith, flying up to me, caught my hand, and, with a
motion too quick to be resisted, ran away with me many yards before I
had breath to ask his meaning, though I struggled as well as I could,
to get from him. At last, however, I insisted upon stopping: "Stopping,
Ma'am!" cried he, "why we must run on or we shall lose the cascade!"
And then again he hurried me away, mixing with a crowd of people,
all running with so much velocity, that I could not imagine what had
raised such an alarm. We were soon followed by the rest of the party;
and my surprise and ignorance proved a source of diversion to them
all, which was not exhausted the whole evening. Young Branghton,
in particular, laughed till he could hardly stand.
The scene of the cascade I thought extremely pretty, and the general
effect striking and lively.
But this was not the only surprise which was to divert them at my
expense; for they led me about the garden purposely to enjoy my first
sight of various other deceptions.
About ten o'clock, Mr. Smith having chosen a box in a very conpicuous
place, we all went to supper. Much fault was found with every thing
that was ordered, though not a morsel of any thing was left; and the
dearness of the provisions, with conjectures upon what profit was
made by them, supplied discourse during the whole meal.
When wine and cyder were brought, Mr. Smith said, "Now let's enjoy
ourselves; now is the time, or never. Well, Ma'am, and how do you
like Vauxhall?"
"Like it!" cried young Branghton; "why, how can she help liking
it? she has never seen such a place before, that I'll answer for."
"For my part," said Miss Branghton, "I like it because it is not
vulgar."
"This must have been a fine treat for you, Miss," said Mr. Branghton;
"why, I suppose you was never so happy in all your life before?"
I endeavoured to express my satisfaction with some pleasure; yet,
I believe, they were much amazed at my coldness.
"Miss ought to stay in town till the last night," said young Branghton;
"and then, it's my belief, she'd say something to it! Why, Lord,
it's the best night of any; there's always a riot,-and there the folks
run about,-and then there's such squealing and squalling!-and, there,
all the lamps are broke,-and the women run skimper scamper.-I declare
I would not take five guineas to miss the last night!"
I was very glad when they all grew tired of sitting, and called for
the waiter to pay the bill. The Miss Branghtons said they would walk
on while the gentlemen settled the account, and asked me to accompany
them; which, however, I declined.
"You girls may do as you please," said Madame Duval; "but as to me,
I promise you, I sha'n't go nowhere without the gentlemen."
"No more, I suppose, will my cousin," said Miss Branghton, looking
reproachfully towards Mr. Smith.
This reflection, which I feared would flatter his vanity, made me most
unfortunately request Madame Duval's permission to attend them. She
granted it; and away we went, having promised to meet in the room.
To the room, therefore, I would immediately have gone: but the sisters
agreed that they would first have a little pleasure; and they tittered
and talked so loud, that they attracted universal notice.
"Lord, Polly," said the eldest, "suppose we were to take a turn in
the dark walks!"
"Aye, do," answered she; "and then we'll hide ourselves, and then
Mr. Brown will think we are lost."
I remonstrated very warmly against this plan, telling them it would
endanger our missing the rest of the party all the evening.
"O dear," cried Miss Branghton, "I thought how uneasy Miss would be
without a beau!"
This impertinence I did not think worth answering; and, quite by
compulsion, I followed them down a long alley, in which there was
hardly any light.
By the time we came near the end, a large party of gentlemen,
apparently very riotous, and who were hallooing, leaning on one
another, and laughing immoderately, seemed to rush suddenly from
behind some trees, and meeting us face to face, put their arms at
their sides, and formed a kind of circle, which first stopped our
proceeding, and then our retreating, for we were presently entirely
enclosed. The Miss Branghtons screamed aloud, and I was frightened
exceedingly; our screams were answered with bursts of laughter, and
for some minutes we were kept prisoners, till at last one of them,
rudely seizing hold of me, said I was a pretty little creature.
Terrified to death, I struggled with such vehemence to disengage
myself from him, that I succeeded, in spite of his efforts to detain
me; and immediately, and with a swiftness which fear only could have
given me, I flew rather than ran up the walk, hoping to secure my
safety by returning to the lights and company we had so foolishly
left: but before I could possibly accomplish my purpose, I was met
by another party of men, one of whom placed himself so directly in
my way, calling out, "Whither so fast, my love?"-that I could only
have proceeded by running into his arms.
In a moment both my hands, by different persons, were caught hold of,
and one of them, in a most familiar manner, desired, when I ran next,
to accompany me in a race; while the rest of the party stood still
and laughed.
I was almost distracted with terror, and so breathless with running,
that I could not speak; till another, advancing, said, I was as
handsome as an angel, and desired to be of the party. I then just
articulated, "For Heaven's sake, gentlemen, let me pass!"
Another then rushing suddenly forward, exclaimed, "Heaven and
earth! What voice is that?-"
"The voice of the prettiest little actress I have seen this age,"
answered one of my persecutors.
"No,-no,-no-" I panted out, "I am no actress-pray let me go,-pray
let me pass-"
"By all that's sacred," cried the same voice, which I then knew for
Sir Clement Willoughby's, "'tis herself!"
"Sir Clement Willoughby!" cried I. "O, Sir, assist-assist me-or I
shall die with terror!"
"Gentlemen," cried he, disengaging them all from me in an instant,
"pray leave this lady to me."
Loud laughs proceeded from every mouth, and two or three said
Willoughby has all the luck! But one of them, in a passionate manner,
vowed he would not give me up, for that he had the first right to me,
and would support it.
"You are mistaken," said Sir Clement, "this lady is-I will explain
myself to you another time; but, I assure you, you are all mistaken."
And then taking my willing hand, he led me off, amidst the loud
acclamations, laughter, and gross merriment of his impertinent
companions.
As soon as we had escaped from them, Sir Clement, with a voice of
surprise, exclaimed, "My dearest creature, what wonder, what strange
revolution, has brought you to such a place as this?"
Ashamed of my situation, and extremely mortified to be thus recognized
by him, I was for some time silent; and when he repeated his question,
only stammered out, "I have,-I hardly know how,-lost from my party-"
He caught my hand, and eagerly pressing it, in a passionate voice said,
"O that I had sooner met with thee!"
Surprised at a freedom so unexpected, I angrily broke from him, saying,
"Is this the protection you give me, Sir Clement?"
And then I saw, what the perturbation of my mind had prevented my
sooner noticing, that he had led me, though I know not how, into
another of the dark alleys, instead of the place whither I meant to go.
"Good God!" I cried, "where am I?-What way are you going?"
"Where," answered he, "we shall be least observed!"
Astonished at this speech, I stopped short, and declared I would go
no further.
"And why not, my angel?" again endeavouring to take my hand.
My heart beat with resentment; I pushed him away from me with all my
strength, and demanded how he dared treat me with such insolence?
"Insolence!" repeated he.
"Yes, Sir Clement, insolence; from you, who know me, I had a claim
for protection,-not to such treatment as this."
"By Heaven," cried he, with warmth, "you distract me;-why, tell
me,-why do I see you here?-Is this a place for Miss Anville?-these
dark walks!-no party! no companion!-by all that's good I can scarce
believe my senses!"
Extremely offended at this speech, I turned angrily from him: and,
not deigning to make any answer, walked on towards that part of the
garden whence I perceived the lights and company.
He followed me; but we were both some time silent.
"So you will not explain to me your situation?" said he, at length.
"No, Sir," answered I, disdainfully.
"Nor yet-suffer me to make my own interpretation?-"
I could not bear this strange manner of speaking; it made my very
soul shudder,-and I burst into tears.
He flew to me, and actually flung himself at my feet, as if
regardless who might see him, saying, "O, Miss Anville,-loveliest of
women,-forgive my,-my,-I beseech you forgive me;-if I have offended-if
I have hurt you-I could kill myself at the thought!-"
"No matter, Sir, no matter," cried I; "if I can but find my friends,-I
will never speak to-never see you again!"
"Good God!-good Heaven! My dearest life, what is it I have done?-what
is it I have said?-"
"You best know, Sir, what and why: but don't hold me here,-let me be
gone; and do you!"
"Not till you forgive me!-I cannot part with you in anger."
"For shame, for shame, Sir!" cried I, indignantly, "do you suppose I
am to be thus compelled?-do you take advantage of the absence of my
friends to affront me?"
"No, Madam," cried he, rising: "I would sooner forfeit my life than
act so mean a part. But you have flung me into amazement unspeakable,
and you will not condescend to listen to my request of giving me
some explanation."
"The manner, Sir," said I, "in which you spoke that request, made,
and will make, me scorn to answer it."
"Scorn!-I will own to you, I expected not such displeasure from
Miss Anville."
"Perhaps, Sir, if you had, you would less voluntarily have merited it."
"My dearest life, surely it must be known to you, that the man does
not breathe who adores you so passionately, so fervently, so tenderly
as I do!-Why, then, will you delight in perplexing me?-in keeping me
in suspense?-in torturing me with doubt?"
"I, Sir, delight in perplexing you!-you are much mistaken.-Your
suspense, your doubts, your perplexities,-are of your own creating;
and believe me, Sir, they may offend, but they can never delight
me:-but as you have yourself raised, you must yourself satisfy them."
"Good God!-that such haughtiness and such sweetness can inhabit the
same mansion!"
I made no answer; but quickening my pace I walked on silently and
sullenly, till this most impetuous of men, snatching my hand, which he
grasped with violence, besought me to forgive him with such earnestness
of supplication, that, merely to escape his importunities, I was forced
to speak, and in some measure to grant the pardon he requested; though
it was accorded with a very ill grace: but, indeed, I knew not how
to resist the humility of his intreaties: yet never shall I recollect
the occasion he gave me of displeasure, without feeling it renewed.
We now soon arrived in the midst of the general crowd; and, my own
safety being then insured, I grew extremely uneasy for the Miss
Branghtons, whose danger, however imprudently incurred by their own
folly, I too well knew how to tremble for. To this consideration all
my pride of heart yielded, and I determined to seek my party with the
utmost speed; though not without a sigh did I recollect the fruitless
attempt I had made after the opera, of concealing from this man my
unfortunate connections, which I was now obliged to make known.
I hastened, therefore, to the room, with a view of sending young
Branghton to the aid of his sisters. In a very short time I perceived
Madame Duval, and the rest, looking at one of the paintings.
I must own to you honestly, my dear Sir, that an involuntary repugnance
seized me at presenting such a set to Sir Clement,-he who had been used
to see me in parties so different!-My pace slackened as I approached
them,-but they presently perceived me.
"Ah, Mademoiselle!" cried M. Du Bois, "Que je suis charm-e; de vous
voir!"
"Pray, Miss," cried Mr. Brown, "where's Miss Polly?"
"Why, Miss, you've been a long while gone," said Mr. Branghton;
"we thought you'd been lost. But what have you done with your cousins?"
I hesitated,-for Sir Clement regarded me with a look of wonder.
"Pardi," cried Madame Duval, "I shan't let you leave me again in
a hurry. Why, here we've been in such a fright!-and all the while,
I suppose, you've been thinking nothing about the matter."
"Well," said young Branghton," as long as Miss is come back, I don't
mind; for as to Bid and Poll, they can take care of themselves. But
the best joke is, Mr. Smith is gone all about a looking for you."
These speeches were made almost in a breath: but when, at last,
they waited for an answer, I told them, that, in walking up one of
the long alleys, we had been frightened and separated.
"The long alleys!" repeated Mr. Branghton, "and pray, what had you
to do in the long alleys? why, to be sure, you must all of you have
had a mind to be affronted!"
This speech was not more impertinent to me, than surprising to Sir
Clement, who regarded all the party with evident astonishment. However,
I told young Branghton, no time ought to be lost, for that his sisters
might require his immediate protection.
"But how will they get it?" cried this brutal brother: "if they've
a mind to behave in such a manner as that, they ought to protect
themselves; and so they may for me."
"Well," said the simple Mr. Brown, "whether you go or not, I think
I may as well see after Miss Polly."
The father then interfering, insisted that his son should accompany
him; and away they went.
It was now that Madame Duval first perceived Sir Clement; to whom,
turning with a look of great displeasure, she angrily said, "Ma foi,
so you are comed here, of all the people in the world!-I wonder, child,
you would let such a-such a person as that keep company with you."
"I am very sorry, Madam," said Sir Clement, in a tone of surprise,
"if I had been so unfortunate as to offend you; but I believe you
will not regret the honour I now have of attending Miss Anville,
when you hear that I have been so happy as to do her some service."
Just as Madame Duval, with her usual Ma foi, was beginning to
reply, the attention of Sir Clement was wholly drawn from her, by
the appearance of Mr. Smith, who, coming suddenly behind me, and
freely putting his hands of my shoulders, cried, "O ho, my little
runaway, have I found you at last? I have been scampering all over
the gardens for you, for I was determined to find you, if you were
above ground.-But how could you be so cruel as to leave us?"
I turned round to him, and looked with a degree of contempt that I
hoped would have quieted him: but he had not the sense to understand
me; and, attempting to take my hand, he added, "Such a demure-looking
lady as you are, who'd have thought of your leading one such a
dance?-Come, now, don't be so coy; only think what a trouble I have
had in running after you!"
"The trouble, Sir," said I, "was of your own choice,-not mine." And
I walked round to the other side of Madame Duval.
Perhaps I was too proud;-but I could not endure that Sir Clement,
whose eyes followed him with looks of the most surprised curiosity,
should witness his unwelcome familiarity.
Upon my removal he came up to me, and, in a low voice, said, "You
are not, then, with the Mirvans?"
"No, Sir."
"And pray,-may I ask you,-have you left them long?"
"No, Sir."
"How unfortunate I am!-but yesterday I sent to acquaint the Captain
I should reach the Grove by to-morrow noon! However, I shall get away
as fast as possible. Shall you be long in town?"
"I believe not, Sir."
"And then, when you leave it-which way-will you allow me to ask,
which way you shall travel?"
"Indeed,-I don't know."
"Not know!-But do you return to the Mirvans any more?"
"I-I can't tell, Sir."
And then I addressed myself to Madame Duval, with such a pretended
earnestness, that he was obliged to be silent.
As he cannot but observe the great change in my situation, which
he knows not how to account for, there is something in all these
questions, and this unrestrained curiosity, that I did not expect
from a man who, when he pleases, can be so well-bred as Sir Clement
Willoughby. He seems disposed to think that the alteration in my
companions authorises an alteration in his manners. It is true, he
has always treated me with uncommon freedom, but never before with
so disrespectful an abruptness. This observation, which he has given
me cause to make, of his changing with the tide, has sunk him more
in my opinion than any other part of his conduct.
Yet I could almost have laughed when I looked at Mr. Smith, who no
sooner saw me addressed by Sir Clement, than, retreating aloof from
the company, he seemed to lose at once all his happy self-sufficiency
and conceit; looking now at the baronet, now at himself; surveying,
with sorrowful eyes, his dress; struck with his air, his gestures,
his easy gaiety, he gazed at him with envious admiration, and seemed
himself, with conscious inferiority, to shrink into nothing.
Soon after, Mr. Brown, running up to us, called out, "La, what,
i'n't Miss Polly come yet?"
"Come," said Mr. Branghton; "why, I thought you went to fetch her
yourself, didn't you?"
"Yes, but I couldn't find her;-yet I daresay I've been over half
the garden."
"Half? but why did not you go over it all?"
"Why, so I will: but only I thought I'd just come and see if she was
here first."
"But where's Tom?"
"Why, I don't know; for he would not stay with me, all as ever I
could say: for we met some young gentlemen of his acquaintance,
and so he bid me go and look by myself; for he said, says he, I can
divert myself better another way, says he."
This account being given, away again went this silly young man;
and Mr. Branghton, extremely incensed, said he would go and see
after them himself.
"So, now", cried Madame Duval, "he's gone too! why, at this rate,
we shall have to wait for one or other of them all night!"
Observing that Sir Clement seemed disposed to renew his enquiries,
I turned towards one of the paintings, and, pretending to be very much
occupied in looking at it, asked M. Du Bois some questions concerning
the figures.
"O! Mon Dieu!" cried Madame Duval, "don't ask him; your best way is
to ask Mr. Smith, for he's been here the oftenest. Come, Mr. Smith,
I dare say you can tell us all about them."
"Why, yes, Ma'am, yes," said Mr. Smith: who, brightening up at this
application, advanced towards us with an air of assumed importance,
which, however, sat very uneasily upon him, and begged to know what he
should explain first: "For I have attended," said he, "to all these
paintings, and know every thing in them perfectly well; for I am
rather fond of pictures, Ma'am; and, really, I must say, I think, a
pretty pictures is a-a very-is really a very-is something very pretty-"
"So do I too," said Madame Duval; "but pray now, Sir, tell us who
that is meant for," pointing to a figure of Neptune.
"That!-why, that, Ma'am, is,-Lord bless me, I can't think how I
come to be so stupid, but really I have forgot his name;-and yet,
I know it as well as my own too:-however, he's a General, Ma'am,
they are all Generals."
I saw Sir Clement bite his lips; and, indeed, so did I mine.
"Well," said Madame Duval, "it's the oddest dress for a general ever
I see!"
"He seems so capital a figure," said Sir Clement, to Mr. Smith,
"that I imagine he must be Generalissimo of the whole army."
"Yes, Sir, yes," answered Mr. Smith, respectfully bowing, and highly
delighted at being thus referred to, "you are perfectly right;-but I
cannot for my life think of his name;-perhaps, Sir, you may remember
it?"
"No, really," replied Sir Clement, "my acquaintance among the generals
is not so extensive."
The ironical tone of voice in which Sir Clement spoke entirely
disconcerted Mr. Smith; who again retiring to an humble distance,
seemed sensibly mortified at the failure of his attempt to recover
his consequence.
Soon after, Mr. Branghton returned with his youngest daughter, who
he had rescued from a party of insolent young men; but he had not
yet been able to find the eldest. Miss Polly was really frightened,
and declared she would never go into the dark walks again. Her father,
leaving her with us, went in quest of her sister.
While she was relating her adventures, to which nobody listened more
attentively than Sir Clement, we saw Mr. Brown enter the room. "O,
la!" cried Miss Polly, "let me hide myself, and don't tell him
I'm come."
She then placed herself behind Madame Duval, in such a manner that
she could not be seen.
"So Miss Polly is not come yet!" said the simple swain: "well,
I can't think where she can be! I've been looking, and looking,
and looking all about, and can't find her all I can do."
"Well, but, Mr. Brown," said Mr. Smith, "sha'n't you go and look for
the lady again?"
"Yes, Sir," said he, sitting down; "but I must rest me a little bit
first. You can't think how tired I am."
"O fie, Mr. Brown, fie," cried Mr. Smith, winking at us, "tired of
looking for a lady! Go, go, for shame!"
"So I will, Sir, presently; but you'd be tired too, if you had walked
so far: besides, I think she's gone out of the garden, or else I must
have seen something or other of her."
A he, he he! of the tittering Polly, now betrayed her, and so ended
this ingenious little artifice.
At last appeared Mr. Branghton and Miss Biddy, who, with a face of
mixed anger and confusion, addressing herself to me, said, "So, Miss,
so you ran away from me! Well, see if I don't do as much by you some
day or other! But I thought how it would be; you'd no mind to leave
the gentlemen, though you run away from me."
I was so much surprised at this attack, that I could not answer her
for very amazement; and she proceeded to tell us how ill she had
been used, and that two young men had been making her walk up and
down the dark walks by absolute force, and as fast as ever they could
tear her along; and many other particulars, which I will not tire you
with relating. In conclusion, looking at Mr. Smith, she said, "But to
be sure, thought I, at least all the company will be looking for me;
so I little expected to find you all here, talking as comfortably as
ever you can. However, I know I may thank my cousin for it!"
"If you mean me, Madam," said I, very much shocked, "I am quite
ignorant in what manner I can have been accessary to your distress."
"Why, by running away so. If you'd stayed with us, I'll answer for
it Mr. Smith and M. Du Bois would have come to look for us; but I
suppose they could not leave your ladyship."
The folly and unreasonableness of this speech would admit of no
answer. But what a scene was this for Sir Clement! his surprise was
evident; and I must acknowledge my confusion was equally great.
We had now to wait for young Branghton, who did not appear for some
time; and during this interval it was with difficulty that I avoided
Sir Clement, who was on the rack of curiosity, and dying to speak
to me.
When, at last, the hopeful youth returned, a long and frightful quarrel
ensued between him and his father, in which his sisters occasionally
joined, concerning his neglect; and he defended himself only by a
brutal mirth, which he indulged at their expense.
Every one now seemed inclined to depart,-when, as usual, a dispute
arose upon the way of our going, whether in a coach or a boat. After
much debating, it was determined that we should make two parties,
one by the water and the other by land; for Madame Duval declared
she would not, upon any account, go into a boat at night.
Sir Clement then said, that if she had no carriage in waiting, he
should be happy to see her and me safe home, as his was in readiness.
Fury started into her eyes, and passion inflamed every feature, as she
answered, "Pardi, no-you may take care of yourself, if you please; but
as to me, I promise you I sha'n't trust myself with no such person."
He pretended not to comprehend her meaning; yet, to waive a discussion,
acquiesced in her refusal. The coach-party fixed upon, consisted of
Madame Duval, M. Du Bois, Miss Branghton, and myself.
I now began to rejoice, in private, that at least our lodgings
would be neither seen nor known by Sir Clement. We soon met with a
hackney-coach, into which he handed me, and then took leave.
Madame Duval having already given the coachman her direction, he
mounted the box, and we were just driving off, when Sir Clement
exclaimed, "By Heaven, this is the very coach I had in waiting for
myself!"
"This coach, your honour!" said the man; "no, that it i'n't."
Sir Clement, however, swore that it was; and presently, the man,
begging his pardon, said he had really forgotten that he was engaged.
I have no doubt but that this scheme occurred to him at the moment,
and that he made some sign to the coachman, which induced him to
support it; for there is not the least probability that the accident
really happened, as it is most likely his own chariot was in waiting.
The man then opened the coach-door, and Sir Clement, advancing to
it, said "I don't believe there is another carriage to be had, or
I would not incommode you; but, as it may be disagreeable to you to
wait here any longer, I beg you will not get out, for you shall be
set down before I am carried home, if you will be so good as to make
a little room."
And so saying, in he jumped, and seated himself between M. Du Bois
and me, while our astonishment at the whole transaction was too great
for speech. He then ordered the coachman to drive on, according to
the directions he had already received.
For the first ten minutes no one uttered a word; and then, Madame
Duval, no longer able to contain herself, exclaimed, "Ma foi, if this
isn't one of the most impudentest things ever I see!"
Sir Clement, regardless of this rebuke, attended only to me; however I
answered nothing he said, when I could possibly avoid so doing. Miss
Branghton made several attempts to attract his notice, but in vain,
for he would not take the trouble of paying her any regard.
Madame Duval, during the rest of the ride, addressed herself to M. Du
Bois in French, and in that language exclaimed, with great vehemence,
against boldness and assurance.
I was extremely glad when I thought our journey must be nearly at an
end, for my situation was very uneasy to me, as Sir Clement perpetually
endeavoured to take my hand. I looked out of the coach-window, to see
if we were near home: Sir Clement, stooping over me, did the same;
and then, in a voice of infinite wonder, called out, "Where the d-l
is the man driving to?-Why we are in Broad Street, St. Giles's!"
"O, he's very right," cried Madame Duval, "so never trouble your
head about that; for I sha'n't go by no directions of your's, I
promise you."
When, at last, we stopped at an hosier's in High Holborn,-Sir Clement
said nothing, but his eyes, I saw, were very busily employed in
viewing the place, and the situation of the house. The coach, he
said, belong to him, and therefore he insisted upon paying for it;
and then he took leave. M. Du Bois walked home with Miss Branghton,
and Madame Duval and I retired to our apartments.
How disagreeable an evening's adventure! not one of the party seemed
satisfied, except Sir Clement, who was in high spirits: but Madame
Duval was enraged at meeting with him; Mr. Branghton, angry with his
children; the frolic of the Miss Branghtons had exceeded their plan,
and ended in their own distress; their brother was provoked that there
had been no riot; Mr. Brown was tired, and Mr. Smith mortified. As to
myself, I must acknowledge, nothing could be more disagreeable to me,
than being seen by Sir Clement Willoughby with a party at once so
vulgar in themselves, and so familiar to me.
And you, too, my dear Sir, will, I know, be sorry that I have met him;
however, there is no apprehension of his visiting here, as Madame
Duval is far too angry to admit him.
</CHAPTER>
<CHAPTER>
LETTER XLVII. EVELINA TO THE REV. MR. VILLARS.
Holborn, June 18th.
MADAME DUVAL rose very late this morning, and, at one o'clock, we had
but just breakfasted, when Miss Branghton, her brother, Mr. Smith,
and Monsieur Du Bois, called to enquire after our healths.
The civility in young Branghton, I much suspect, was merely the result
of his father's commands; but his sister and Mr. Smith, I soon found,
had motives of their own. Scarce had they spoken to Madame Duval,
when, advancing eagerly to me, "Pray, Ma'am," said Mr. Smith, "who
was that gentleman?"
"Pray, cousin," cried Miss Branghton, "was not he the same gentleman
you ran away with that night at the opera?"
"Goodness! that he was," said young Branghton, "and, I declare,
as soon as ever I saw him, I thought I knew his face."
"I'm sure, I'll defy you to forget him," answered his sister, "if once
you had seen him: he is the finest gentleman I ever saw in my life,
don't you think so, Mr. Smith?"
"Why, you won't give the lady time to speak," said Mr. Smith.-"Pray,
Ma'am, what is the gentleman's name?"
"Willoughby, Sir."
"Willoughby! I think I have heard the name. Pray, Ma'am, is he
married?"
"Lord, no, that he is not," cried Miss Branghton; "he looks too
smart by a great deal for a married man. Pray, cousin, how did you
get acquainted with him?"
"Pray, Miss," said young Branghton, in the same breath, "what's
his business?"
"Indeed I don't know," answered I.
"Something very genteel, I dare say," added Miss Branghton, "because
he dresses so fine."
"It ought to be something that brings in a good income" said Mr. Smith;
"for I'm sure that he did not get that suit of clothes he had on
under thirty or forty pounds; for I know the price of clothes pretty
well.-Pray, Ma'am, can you tell me what he has a-year?"
"Don't talk no more about him," cried Madame Duval, "for I don't
like to hear his name: I believe he's one of the worst persons in the
world; for though I never did him no manner of harm, nor so much as
hurt a hair of his head, I know he was an accomplice with the fellow,
Captain Mirvan, to take away my life."
Everybody, but myself, now crowding around her for an explanation,
a violent rapping at the street-door was unheard; and, without
any previous notice, in the midst of her narration, Sir Clement
Willoughby entered the room. They all started; and, with looks of
guilty confusion, as if they feared his resentment for having listened
to Madame Duval, they scrambled for chairs, and in a moment were all
formally seated.
Sir Clement, after a general bow, singling out Madame Duval, said
with his usual easiness, "I have done myself the honour of waiting
on you, Madame, to enquire if you have any commands to Howard Grove,
whither I am going to-morrow morning."
Then, seeing the storm that gathered in her eyes, before he allowed her
time to answer, he addressed himself to me;-"And if you, Madam, have
any with which you will honour me, I shall be happy to execute them."
"None at all, Sir."
"None! -not to Miss Mirvan!-no message! no letter!"
"I wrote to Miss Mirvan yesterday by the post."
"My application should have been earlier, had I sooner known your
address."
"Ma foi," cried Madame Duval, recovering from her surprise, "I believe
never nobody saw the like of this!"
"Of what, Madam?" cried the undaunted Sir Clement, turning quick
towards her; "I hope no one has offended you!"
"You don't hope no such a thing!" cried she, half choked with passion,
and rising from her chair. This motion was followed by the rest;
and in a moment, every body stood up.
Still Sir Clement was not abashed; affecting to make a bow
of acknowledgment to the company in general, he said, "Pray-I
beg-Ladies,-Gentlemen,-pray don't let me disturb you, pray keep
your seats."
"Pray, Sir," said Miss Branghton, moving a chair towards him, "won't
you sit down yourself?"
"You are extremely good, Ma'am:-rather than make any disturbance-"
And so saying, this strange man seated himself, as did, in an instant
every body else, even Madame Duval herself, who, overpowered by his
boldness, seemed too full for utterance.
He then, and with as much composure as if he had been an expected
guest, began to discourse on the weather,-its uncertainty,-the heat
of the public places in summer,-the emptiness of the town,-and other
such common topics.
Nobody, however, answered him; Mr. Smith seemed afraid, young Branghton
ashamed, M. Du Bois amazed, Madame Duval enraged, and myself determined
not to interfere. All that he could obtain, was the notice of Miss
Branghton, whose nods, smiles, and attention, had some appearance of
entering into conversation with him.
At length, growing tired, I suppose, of engaging every body's eyes,
and nobody's tongue, addressing himself to Madame Duval and to me,
the said, "I regard myself as peculiarly unfortunate, Ladies, in
having fixed upon a time for my visit to Howard Grove, when you are
absent from it."
"So I suppose, Sir, so I suppose," cried Madame Duval, hastily rising,
and the next moment as hastily seating herself;-"you'll be wanting of
somebody to make your game of, and so you may think to get me there
again;-but, I promise you, Sir, you won't find it so easy a matter
to make me a fool; and besides that," raising her voice, "I've found
you out, I assure you; so if ever you go to play your tricks upon me
again, I'll make no more ado, but go directly to a justice of peace;
so, Sir, if you can't think of nothing but making people ride about
the country at all hours of the night, just for your diversion, why,
you'll find I know some justices as well as Justice Tyrrell."
Sir Clement was evidently embarrassed at this attack; yet he affected
a look of surprise, and protested he did not understand her meaning.
"Well," cried she, "if I don't wonder where people can get such
impudence! if you'll say that, you'll say anything: however, if you
swear till you're black in the face, I sha'n't believe you; for nobody
sha'n't persuade me out of my senses, that I'm resolved."
"Doubtless not, Madam," answered he with some hesitation; "and I hope
you do not suspect I ever had such an intention; my respect for you-"
"O, Sir, you're vastly polite all of a sudden! but I know what it's
all for! it's only for what you can get!-You could treat me like
nobody at Howard Grove; but now you see I've a house of my own,
you're mind to wheedle yourself into it; but I sees your design,
so you needn't trouble yourself to take no more trouble about that,
for you shall never get nothing at my house,-not so much as a dish
of tea:-so now, Sir, you see I can play you trick for trick."
There was something so extremely gross in this speech, that it even
disconcerted Sir Clement, who was too much confounded to make any
answer.
It was curious to observe the effect which his embarrassment, added to
the freedom with which Madame Duval addressed him, had upon the rest
of the company. Every one, who before seemed at a loss how or if at
all, to occupy a chair, how filled it with the most easy composure:
and Mr. Smith, whose countenance had exhibited the most striking
picture of mortified envy, now began to recover his usual expression
of satisfied conceit. Young Branghton, too, who had been apparently
awed by the presence of so fine a gentleman, was again himself, rude
and familiar: while his mouth was wide distended into a broad grin,
at hearing his aunt give the beau such a trimming.
Madame Duval, encouraged by this success, looked around her with an
air of triumph, and continued her harangue. "And so, Sir, I suppose
you thought to have had it all your own way, and to have comed here
as often as you pleased, and to have got me to Howard Grove again,
on purpose to have served me as you did before; but you shall see I'm
as cunning as you; so you may go and find somebody else to use in that
manner, and to put your mask on, and to make a fool of; for as to me,
if you go to tell me your stories about the Tower again, for a month
together, I'll never believe 'm no more: and I'll promise you, Sir,
if you think I like such jokes, you'll find I'm no such person."
"I assure you, Ma'am,-upon my honour,-I really don't comprehend-I
fancy there is some misunderstanding-"
"What, I suppose you'll tell me next you don't know nothing of the
matter?"
"Not a word, upon my honour."
O, Sir Clement, thought I, is it thus you prize your honour!
"Pardi," cried Madame Duval, "this is the most provokingest part of
all! why, you might as well tell me I don't know my own name."
"Here is certainly some mistake; for I assure you, Ma'am-"
"Don't assure me nothing," cried Madame Duval, raising her voice;
"I know what I'm saying, and so do you too; for did not you tell me
all that about the Tower, and about M. Du Bois?-why M. Du Bois wasn't
never there, nor nigh it, and so it was all your own invention."
"May there not be two persons of the same name? the mistake was
but natural-"
"Don't tell me of no mistake, for it was all on purpose: besides,
did not you come, all in a mask, to the chariot-door, and help to get
me put in that ditch?-I'll promise you, I've had the greatest mind
in the world to take the law of you ever since; and if ever you do
as much again, so I will, I assure you!"
Here Miss Branghton tittered, Mr. Smith smiled contemptously, and young
Branghton thrust his handkerchief into his mouth to stop his laughter.
The situation of Sir Clement, who saw all that passed, became now
very awkward even to himself, and he stammered very much in saying,
"Surely, Madam-surely you-you cannot do me the-the injustice to
think-that I had any share in the-the-the misfortune which-"
"Ma foi, Sir," cried Madame Duval, with increasing passion, "you'd
best not stand talking to me at that rate: I know it was you; and
if you stay there, a provoking me in such a manner, I'll send for a
constable this minute."
Young Branghton, at these words, in spite of all his efforts, burst
into a loud laugh; nor could either his sister or Mr. Smith, though
with more moderation, forbear joining in his mirth.
Sir Clement darted his eyes towards them with looks of the most angry
contempt; and then told Madame Duval, that he would not now detain
her to make his vindication, but would wait on her some time when
she was alone.
"O Pardi, Sir," cried she, "I don't desire none of your company;
and if you wasn't the most boldest person in the world, you would
not dare look me in the face."
The ha, ha ha's! and he, he, he's! grew more and more uncontrollable,
as if the restraint, from which they had burst, had added to their
violence. Sir Clement could no longer endure being the object who
excited them; and, having no answer ready for Madame Duval, he hastily
stalked towards Mr. Smith and young Branghton, and sternly demanded
what they laughed at?
Struck by the air of importance which he assumed, and alarmed at the
angry tone of his voice, their merriment ceased as instantaneously
as if it had been directed by clock-work; and they stared foolishly,
now at him, now at each other, without making any answer but a simple
"Nothing, Sir."
"O pour le coup," cried Madame Duval, "this is too much! Pray, Sir,
what business have you to come here a ordering people that comes to
see me? I suppose next nobody must laugh but yourself!"
"With me, Madam," said Sir Clement, bowing, "a lady may do any thing,
and consequently there is no liberty in which I shall not be happy
to indulge you: -but it has never been my custom to give the same
licence to gentlemen."
Then, advancing to me, who had sat very quietly on a window during
this scene, he said, "Miss Anville, I may at least acquaint our
friends at Howard Grove that I had the honour of leaving you in
good health." And then, lowering his voice, he added, "For Heaven's
sake, my dearest creature, who are these people? and how came you so
strangely situated?"
"I beg my respects to all the family, Sir," answered I, aloud;
"and I hope you will find them well."
He looked at me reproachfully, but kissed my hand; and then, bowing
to Madame Duval and Miss Branghton, passed hastily by the men, and
made his exit.
I fancy he will not be very eager to repeat his visit; for I should
imagine he has rarely, if ever, been before in a situation so awkward
and disagreeable.
Madame Duval has been all spirits and exultation ever since he
went, and only wishes Captain Mirvan would call, that she might do
the same by him. Mr. Smith, upon hearing that he was a baronet,
and seeing him drive off in a very beautiful chariot, declared that
he would not have laughed upon any account, had he known his rank;
and regretted extremely having missed such an opportunity of making
so genteel an acquaintance. Young Branghton vowed, that if he had
known as much, he would have asked for his custom: and his sister
has sung his praises ever since, protesting she thought all along he
was a man of quality by his look.
</CHAPTER>
<CHAPTER>
LETTER XLVIII. EVELINA IN CONTINUATION.
June 21st.
THE last three evenings have passed tolerably quiet, for the Vauxhall
adventures had given Madame Duval a surfeit of public places: home,
however, soon growing tiresome, she determined to-night, she said,
to relieve her ennui by some amusement; and it was therefore settled,
that we should call upon the Branghtons at their house, and thence
proceed to Marybone Gardens.
But, before we reached Snow Hill, we were caught in a shower of
rain: we hurried into the shop, where the first object I saw was
Mr. Macartney, with a book in his hand, seated in the same corner where
I saw him last; but his looks were still more wretched than before,
his face yet thinner, and his eyes sunk almost hollow into his head. He
lifted them up as we entered, and I even thought that they emitted a
gleam of joy: involuntarily I made to him my first courtesy; he rose
and bowed with a precipitation that manifested surprise and confusion.
In a few minutes were joined by all the family, except Mr. Smith,
who fortunately was engaged.
Had all the future prosperity of our lives depended upon the good
or bad weather of this evening, it could not have been treated
as a subject of greater importance. "Sure, never anything was so
unlucky!"-"Lord, how provoking!"-"It might rain for ever, if it
would hold up now."-These, and such expressions, with many anxious
observations upon the kennels, filled up all the conversation till
the shower was over.
And then a very warm debate arose, whether we should pursue our plan,
or defer it to some finer evening. The Miss Branghtons were for the
former; their father was sure it would rain again; Madame Duval, though
she detested returning home, yet dreaded the dampness of the gardens.
M. Du Bois then proposed going to the top of the house, to examine
whether the clouds looked threatening or peaceable: Miss Branghton,
starting at this proposal, said they might go to Mr. Macartney's room,
if they would, but not to her's.
This was enough for the brother; who, with a loud laugh, declared he
would have some fun; and immediately led the way, calling to us all
to follow. His sisters both ran after, but no one else moved.
In a few minutes young Branghton, coming half-way down stairs, called
out, "Lord, why don't you all come? why, here's Poll's things all
about the room!"
Mr. Branghton then went; and Madame Duval, who cannot bear to be
excluded from whatever is going forward, was handed up stairs by
M. Du Bois.
I hesitated a few moments whether or not to join them; but, soon
perceiving that Mr. Macartney had dropped his book, and that I
engrossed his whole attention, I prepared, from mere embarrassment,
to follow them.
As I went, I heard him move from his chair, and walk slowly after me.
Believing that he wished to speak to me, and earnestly desiring myself
to know if, by your means, I could possibly be of any service to him,
I first slackened my pace, and then turned back. But, though I thus
met him half-way, he seemed to want courage or resolution to address
me; for, when he saw me returning, with a look extremely disordered,
he retreated hastily from me.
Not knowing what I ought to do, I went to the street-door, where I
stood some time, hoping he would be able to recover himself; but,
on the contrary, his agitation increased every moment; he walked
up and down the room in a quick but unsteady pace, seeming equally
distressed and irresolute; and, at length, with a deep sigh, he flung
himself into a chair.
I was so much affected by the appearance of such extreme anguish,
that I could remain no longer in the room: I therefore glided by him
and went up stairs; but, ere I had gone five steps, he precipitately
followed me, and, in a broken voice, called out "Madam!-for Heaven's
sake-"
He stopped; but I instantly descended, restraining, as well as I was
able, the fulness of my own concern. I waited some time, in painful
expectation, for his speaking: all that I had heard of his poverty
occurring to me, I was upon the point of presenting him my purse;
but the fear of mistaking or offending him deterred me. Finding,
however, that he continued silent, I ventured to say, "Did you,-Sir,
wish to speak to me?"
"I did," cried he with quickness, "but now-I cannot!-"
"Perhaps, Sir, another time,-perhaps if you recollect yourself-"
"Another time?" repeated he mournfully; "alas! I look not forward
but to misery and despair!"
"O, Sir," cried I, extremely shocked, "you must not talk thus!-If
you forsake yourself, how can you expect-"
I stopped. "Tell me, tell me," cried he, with eagerness, "who you
are?-whence you come?-and by what strange means you seem to be
arbitress and ruler of the destiny of such a wretch as I am?"
"Would to Heaven," cried I, "I could serve you!"
"You can!"
"And how? Pray tell me how?"
"To tell you-is death to me! yet I will tell you.-I have a right to
your assistance,-you have deprived me of the only resource to which
I could apply,-and therefore-"
"Pray, pray speak," cried I, putting my hand into my pocket; "they
will be down stairs in a moment!"
"I will, Madam.-Can you-will you-I think you will!-may I then-" he
stopped and paused; "say, will you"-then, suddenly turning from me,
"Great Heaven, I cannot speak!" and he went back to the shop.
I now put my purse in my hand, and following him, said, "If,
indeed, Sir, I can assist you, why should you deny me so great a
satisfaction? Will you permit me to-"
I dared not go on; but with a countenance very much softened,
he approached me and said, "Your voice, Madam, is the voice of
compassion!-such a voice as these ears have long been strangers to!"
Just then young Branghton called out vehemently to me to come up
stairs. I seized the opportunity of hastening away: and therefore
saying, "Heaven, Sir, protect and comfort you!" I let fall my purse
upon the ground, not daring to present it to him, and ran up stairs
with the utmost swiftness.
Too well do I know you, my ever honoured Sir, to fear your displeasure
for this action: I must, however, assure you, I shall need no fresh
supply during my stay in town, as I am at little expense, and hope
soon to return to Howard Grove.
Soon, did I say! when not a fortnight is yet expired of the long and
tedious month I must linger out here!
I had many witticisms to endure from the Branghtons, upon account
of my staying so long with the Scotch mope, as they call him; but
I attended to them very little, for my whole heart was filled with
pity and concern. I was very glad to find the Marybone scheme was
deferred, another shower of rain having put a stop to the dissension
upon this subject; the rest of the evening was employed in most
violent quarrelling between Miss Polly and her brother, on account
of the discovery made by the latter of the state of her apartment.
We came home early; and I have stolen from Madame Duval and M. Du Bois,
who is here for ever, to write to my best friend.
I am most sincerely rejoiced, that this opportunity has offered for my
contributing what little relief was in my power to this unhappy man;
and I hope it will be sufficient to enable him to pay his debts to
this pitiless family.
</CHAPTER>
<CHAPTER>
LETTER XLIX. MR. VILLARS TO EVELINA.
Berry Hill.
DISPLEASURE? my Evelina!-you have but done your duty; you have but
shown that humanity without which I should blush to own my child. It
is mine, however, to see that your generosity be not repressed by
your suffering from indulging it; I remit to you, therefore, not
merely a token of my approbation, but an acknowledgment of my desire
to participate in your charity.
O my child, were my fortune equal to my confidence in thy benevolence,
with what transport should I, through thy means, devote it to the
relief of indigent virtue! yet let us not repine at the limitation
of our power; for while our bounty is proportioned to our ability,
the difference of the greater or less donation can weigh but little
in the scale of justice.
In reading your account of the misguided man, whose misery has so
largely excited your compassion, I am led to apprehend that his unhappy
situation is less the effect of misfortune than of misconduct. If he
is reduced to that state of poverty represented by the Branghtons, he
should endeavour, by activity and industry, to retrieve his affairs,
and not pass his time in idle reading in the very shop of his creditor.
The pistol scene made me shudder; the courage with which you pursued
this desperate man, at once delighted and terrified me. Be ever thus,
my dearest Evelina, dauntless in the cause of distress! let no weak
fears, no timid doubts, deter you from the exertion of your duty,
according to the fullest sense of it that Nature has implanted in
your mind. Though gentleness and modesty are the peculiar attributes
of your sex, yet fortitude and firmness, when occasion demands them,
are virtues as noble and as becoming in women as in men: the right
line of conduct is the same for both sexes, though the manner in which
it is pursued may somewhat vary, and be accommodated to the strength
or weakness of the different travellers.
There is, however, something so mysterious in all you have seen
or heard of this wretched man, that I am unwilling to stamp a bad
impression of his character upon so slight and partial a knowledge
of it. Where any thing is doubtful, the ties of society, and the laws
of humanity, claim a favourable interpretation; but remember, my dear
child, that those of discretion have an equal claim to your regard.
As to Sir Clement Willoughby, I know not how to express my indignation
at his conduct. Insolence so insufferable, and the implication of
suspicions so shocking, irritate me to a degree of wrath, which I
hardly thought my almost worn-out passions were capable of again
experiencing. You must converse with him no more: he imagines, from
the pliability of your temper, that he may offend you with impunity;
but his behaviour justifies, nay, calls for your avowed resentment;
do not, therefore, hesitate in forbidding him your sight.
The Branghtons, Mr. Smith, and young Brown, however ill-bred and
disagreeable, are objects too contemptible for serious displeasure;
yet I grieve much that my Evelina should be exposed to their rudeness
and impertinence.
The very day that this tedious month expires, I shall send Mrs. Clinton
to town, who will accompany you to Howard Grove. Your stay there will,
I hope, be short; for I feel daily an increasing impatience to fold
my beloved child to my bosom! ARTHUR VILLARS.
</CHAPTER>
<CHAPTER>
LETTER L. EVELINA TO THE REV. MR. VILLARS.
Holborn, June 27th.
I HAVE just received, my dearest Sir, your kind present, and still
kinder letter. Surely, never had orphan so little to regret as your
grateful Evelina! Though motherless, though worse than fatherless,
bereft from infancy of the two first and greatest blessings of life,
never has she had cause to deplore their loss; never has she felt the
omission of a parent's tenderness, care, or indulgence; never, but
from sorrow for them, had reason to grieve at the separation! Most
thankfully do I receive the token of your approbation, and most
studiously will I endeavour so to dispose of it, as may merit your
generous confidence in my conduct.
Your doubts concerning Mr. Macartney give me some uneasiness. Indeed,
Sir, he has not the appearance of a man whose sorrows are the effect
of guilt. But I hope, before I leave town, to be better acquainted
with his situation, and enabled, with more certainty of his worth,
to recommend him to your favour.
I am very willing to relinquish all acquaintance with Sir Clement
Willoughby, as far as it may depend upon myself so to do; but, indeed
I know not how I should be able to absolutely forbid him my sight.
Miss Mirvan, in her last letter, informs me that he is now at Howard
Grove, where he continues in high favour with the Captain, and is
the life and spirit of the house. My time, since I wrote last, has
passed very quietly, Madame Duval having been kept at home by a bad
cold, and the Branghtons by bad weather. The young man, indeed, has
called two or three times; and his behavior, though equally absurd,
is more unaccountable than ever: he speaks very little, takes hardly
any notice of Madame Duval, and never looks at me without a broad
grin. Sometimes he approaches me, as if with intention to communicate
intelligence of importance; and then, suddenly stopping short, laughs
rudely in my face.
O how happy shall I be, when the worthy Mrs. Clinton arrives!
June 29th.
Yesterday morning, Mr. Smith called to acquaint us that the Hampstead
assembly was to be held that evening; and then he presented Madame
Duval with one ticket, and brought another to me. I thanked him for
his intended civility, but told him I was surprised he had so soon
forgotten my having already declined going to the ball.
"Lord, Ma'am," cried he, "how should I suppose you was in
earnest? come, come, don't be cross; here's your Grandmama ready to
take care of you, so you can have no fair objection, for she'll see
that I don't run away with you. Besides, Ma'am, I got the tickets
on purpose."
"If you were determined, Sir," said I, "in making me this offer,
to allow me no choice of refusal or acceptance, I must think myself
less obliged to your intention than I was willing to do."
"Dear Ma'am," cried he, "you're so smart, there is no speaking to
you;-indeed you are monstrous smart, Ma'am! but come, your Grandmama
shall ask you, and then I know you'll not be so cruel."
Madame Duval was very ready to interfere; she desired me to make no
further opposition, said she should go herself, and insisted upon my
accompanying her. It was in vain that I remonstrated; I only incurred
her anger: and Mr. Smith having given both the tickets to Madame
Duval with an air of triumph, said he should call early in the evening,
and took leave.
I was much chagrined at being thus compelled to owe even the shadow
of an obligation to so forward a young man; but I determined that
nothing should prevail upon me to dance with him, however my refusal
might give offence.
In the afternoon, when he returned, it was evident that he purposed
to both charm and astonish me by his appearance: he was dressed in a
very showy manner, but without any taste; and the inelegant smartness
of his air and deportment, his visible struggle against education to
put on the fine gentleman, added to his frequent conscious glances
at a dress to which he was but little accustomed, very effectually
destroyed his aim of figuring, and rendered all his efforts useless.
During tea entered Miss Branghton and her brother. I was sorry
to observe the consternation of the former, when she perceived
Mr. Smith. I had intended applying to her for advice upon
this occasion, but had been always deterred by her disagreeable
abruptness. Having cast her eyes several times from Mr. Smith to me,
with manifest displeasure, she seated herself sullenly in the window,
scarce answering Madame Duval's enquiries; and when I spoke to her,
turning absolutely away from me.
Mr. Smith, delighted at this mark of his importance, sat indolently
quiet on his chair, endeavouring by his looks rather to display,
than to conceal, his inward satisfaction.
"Good gracious!" cried young Branghton, "why, you're all as fine as
a five-pence! Why, where are you going?"
"To the Hampstead ball," answered Mr. Smith.
"To a ball!" cried he. "Why, what, is aunt going to a ball? Ha,
ha, ha!"
"Yes, to be sure," cried Madame Duval; "I don't know nothing need
hinder me."
"And pray, aunt, will you dance too?"
"Perhaps I may; but I suppose, Sir, that's none of your business,
whether I do or not."
"Lord! well, I should like to go! I should like to see aunt dance
of all things! But the joke is, I don't believe she'll get ever
a partner."
"You're the most rudest boy ever I see," cried Madame Duval, angrily:
"but, I promise you, I'll tell your father what you say, for I've no
notion of such vulgarness."
"Why, Lord, aunt, what are you so angry for? there's no speaking a
word, but you fly into a passion: you're as bad as Biddy, or Poll,
for that, for you're always a-scolding."
"I desire, Tom," cried Miss Branghton, "you'd speak for yourself,
and not make so free with my name."
"There, now, she's up! There's nothing but quarrelling with the women;
it's my belief they like it better than victuals and drink."
"Fie, Tom," cried Mr. Smith, "you never remember your manners before
the ladies: I'm sure you never heard me speak so rude to them."
"Why, Lord, you are a beau; but that's nothing to me. So, if you've
a mind, you may be so polite as to dance with aunt yourself." Then,
with a loud laugh, he declared it would be good fun to see them.
"Let it be never so good, or never so bad," cried Madame Duval,
"you won't see nothing of it, I promise you; so pray don't let
me hear no more of such vulgar pieces of fun; for, I assure you,
I don't like it. And as to my dancing with Mr. Smith, you may see
wonderfuller things than that any day in the week."
"Why, as to that, Ma'am," said Mr. Smith, looking much surprised,
"I always thought you intended to play at cards, and so I thought to
dance with the young lady."
I gladly seized this opportunity to make my declaration, that I should
not dance at all.
"Not dance at all!" repeated Miss Branghton; "yes, that's a likely
matter truly, when people go to balls."
"I wish she mayn't," said the brother; "'cause then Mr. Smith will
have nobody but aunt for a partner. Lord, how mad he'll be!"
"O, as to that," said Mr. Smith, "I don't at all fear of prevailing
with the young lady, if once I get her to the room."
"Indeed, Sir," cried I, much offended by his conceit, "you are
mistaken; and therefore I beg leave to undeceive you, as you may be
assured my resolution will not alter."
"Then, pray, Miss, if it is not impertinent," cried Miss Branghton,
sneeringly, "what do you go for?"
"Merely and solely," answered I, "to comply with the request of
Madame Duval."
"Miss," cried young Branghton, "Bid only wishes it was she, for she
has cast a sheep's eye at Mr. Smith this long while."
"Tom," cried the sister, rising, "I've the greatest mind in the world
to box your ears! How dare you say such a thing of me!"
"No, hang it, Tom, no, that's wrong," said Mr. Smith, simpering;
"it is indeed, to tell the lady's secrets.-But never mind him, Miss
Biddy, for I won't believe him."
"Why, I know Bid would give her ears to go," returned the brother;
"but only Mr. Smith likes Miss best,-so does every body else."
While the sister gave him a very angry answer, Mr. Smith said to me in
a low voice, "Why now, Ma'am, how can you be so cruel as to be so much
handsomer than your cousins? Nobody can look at them when you are by."
"Miss," cried young Branghton, "whatever he says to you don't mind
him for he means no good; I'll give you my word for it, he'll never
marry you; for he has told me again and again, he'll never marry as
long as he lives; besides, if he'd any mind to be married, there's
Bid would have had him long ago, and thanked him too."
"Come, come, Tom, don't tell secrets; you'll make the ladies afraid
of me: but I assure you," lowering his voice, "if I did marry, it
should be your cousin."
Should be!-did you ever, my dear Sir, hear such unauthorised freedom? I
looked at him with a contempt I did not wish to repress, and walked
to the other end of the room.
Very soon after Mr. Smith sent for a hackney-coach. When I would have
taken leave of Miss Branghton, she turned angrily from me, without
making any answer. She supposes, perhaps, that I have rather sought,
than endeavoured to avoid, the notice and civilities of this conceited
young man.
The ball was at the long room at Hampstead.
This room seems very well named, for I believe it would be difficult
to find any other epithet which might with propriety distinguish it,
as it is without ornament, elegance, or any sort of singularity,
and merely to be marked by its length.
I was saved from the importunities of Mr. Smith, the beginning of the
evening, by Madame Duval's declaring her intention to dance the first
two dances with him herself. Mr. Smith's chagrin was very evident;
but as she paid no regard to it, he was necessitated to lead her out.
I was, however, by no means pleased, when she said she was determined
to dance a minuet. Indeed, I was quite astonished, not having had
the least idea she would have consented to, much less proposed,
such an exhibition of her person. She had some trouble to make her
intentions known, as Mr. Smith was rather averse to speaking to the
master of the ceremonies.
During this minuet, how much did I rejoice in being surrounded only
with strangers! She danced in a style so uncommon; her age, her showy
dress, and an unusual quantity of rouge, drew upon her the eyes, and I
fear the derision, of the whole company. Whom she danced with, I know
not; but Mr. Smith was so ill-bred as to laugh at her very openly,
and to speak of her with as much ridicule as was in his power. But I
would neither look at, nor listen to him, nor would I suffer him to
proceed with any speech which he began, expressive to his vexation
at being forced to dance with her. I told him, very gravely, that
complaints upon such a subject might, with less impropriety, be made
to every person in the room than to me.
When she returned to us, she distressed me very much, by asking what I
thought of her minuet. I spoke as civilly as I could; but the coldness
of my compliment evidently disappointed her. She then called upon
Mr. Smith to secure a good place among the country dancers; and away
they went, though not before he had taken the liberty to say to me
in a low voice, "I protest to you, Ma'am, I shall be quite out of
countenance, if any of my acquaintance should see me dancing with
the old lady!"
For a few moments I very much rejoiced at being relieved from this
troublesome man; but scarce had I time to congratulate myself, before
I was accosted by another, who begged the favour of hopping a dance
with me.
I told him that I should not dance at all; but he thought proper to
importune me, very freely, not to be so cruel; and I was obliged to
assume no little haughtiness before I could satisfy him I was serious.
After this, I was addressed much in the same manner, by several other
young men; of whom the appearance and language were equally inelegant
and low-bred; so that I soon found my situation was both disagreeable
and improper, since, as I was quite alone, I fear I must seem rather
to invite than to forbid the offers and notice I received; and yet,
so great was my apprehension of this interpretation, that I am sure,
my dear Sir, you would have laughed had you seen how proudly grave
I appeared.
I knew not whether to be glad or sorry, when Madame Duval and Mr. Smith
returned. The latter instantly renewed his tiresome intreaties, and
Madame Duval said she would go to the card-table; and as soon as she
was accommodated, she desired us to join the dancers.
I will not trouble you with the arguments which followed. Mr. Smith
teased me till I was weary of resistance; and I should at last have
been obliged to submit, had I not fortunately recollected the affair
of Mr. Lovel, and told my persecutor, that it was impossible I should
dance with him, even if I wished it, as I had refused several persons
in his absence.
He was not contented with being extremely chagrined; but took the
liberty, openly and warmly, to expostulate with me upon not having
said I was engaged.
The total disregard with which, involuntarily, I heard him, made him
soon change the subject. In truth, I had no power to attend to him;
for all my thoughts were occupied in re-tracing the transactions
of the two former balls, at which I had been present. The party-the
conversation-the company-O how great the contrast!
In a short time, however, he contrived to draw my attention to himself,
by his extreme impertinence; for he chose to express what he called
his admiration of me, in terms so open and familiar, that he forced
me to express my displeasure with equal plainness.
But how was I surprised, when I found he had the temerity-what else
can I call it?-to impute my resentment to doubts of his honour:
for he said, "My dear Ma'am, you must be a little patient; I assure
you I have no bad designs, I have not upon my word; but, really,
there is no resolving upon such a thing as matrimony all at once;
what with the loss of one's liberty, and what with the ridicule of all
one's acquaintance,-I assure you Ma'am you are the first lady who ever
made me even demur upon this subject; for, after all, my dear Ma'am,
marriage is the devil."
"Your opinion, Sir," answered I, "of either the married or the single
life, can be of no manner of consequence to me; and therefore I would
by no means trouble you to discuss their different merits."
"Why, really, Ma'am, as to your being a little out of sorts, I must
own I can't wonder at it; for, to be sure, marriage is all in all with
the ladies; but with us gentlemen it's quite another thing! Now only
put yourself in my place;-suppose you had such a large acquaintance
of gentlemen as I have,-and that you had always been used to appear a
little-a little smart among them-why, now could you like to let your
self down all at once into a married man?"
I could not tell what to answer; so much conceit, and so much
ignorance, both astonished and silenced me.
"I assure you, Ma'am," added he, "there is not only Miss Biddy,-though
I should have scored to mention her, if her brother had not blab'd,
for I'm quite particular in keeping ladies' secrets,-but there are
a great many other ladies that have been proposed to me;-but I never
thought twice of any of them, that is, not in a serious way:-so you
may very well be proud," offering to take my hand; "for I assure you,
there is nobody so likely to catch me at last as yourself."
"Sir, "cried I, drawing myself back as haughtily as I could, "you are
totally mistaken, if you imagine you have given me any pride I felt
not before, by this conversation; on the contrary, you must allow me
to tell you, I find it too humiliating to bear with it any longer."
I then placed myself behind the chair of Madame Duval: who, when she
heard of the partners I had refused, pitied my ignorance of the world,
but no longer insisted upon my dancing.
Indeed, the extreme vanity of this man, makes me exert a spirit which
I did not, till now, know that I possessed: but I cannot endure that
he should think me at his disposal.
The rest of the evening passed very quietly, as Mr. Smith did not
again attempt speaking to me; except, indeed, after we had left the
room and while Madam Duval was seating herself in the coach, he said,
in a voice of pique, "Next time I take the trouble to get any tickets
for a young lady, I'll make a bargain before-hand, that she shan't
turn me over to her grandmother."
We came home very safe; and thus ended this so long projected and
most disagreeable affair.
</CHAPTER>
| 16,325 | Volume II, Letter XII -Volume II, Letter XIX | https://web.archive.org/web/20201126171702/https://www.gradesaver.com/evelina-or-the-history-of-a-young-ladys-entrance-into-the-world/study-guide/summary-volume-ii-letter-xii-volume-ii-letter-xix | Evelina continues her letters to Mr. Villars. Mr. Smith called upon Evelina to invite her to the Hampstead Assembly, but she refused him. Despite his surprise and persistence, she would not change her mind. Finally, he appealed to Madame Duval through flattery, and succeeded in winning that lady's favor. The next day, Evelina saw the young Scottish man at the Branghton's shop. He was turning the corner up the stairs when she saw a pistol fall from his pocket. She was dumbfounded, and, realizing that he intended to commit suicide, she followed him upstairs to stop him. She rushed into his room and grabbed his arm, falling down by his side. He was utterly shocked, and Evelina grew embarrassed. She tried to take the pistols, imploring him to have mercy on himself. On his knees before her, he passionately called her his angel, and Evelina quickly seized the pistols and exited the room. He followed her downstairs, but their conversation was interrupted by the Branghtons. Evelina fainted from the encounter, and the Branghtons roused her with their loud talking. She told them what had happened. That day the "rashness and misery of this ill-fated young man engrossed all thoughts," she writes to Mr. Villars. The next day, the Branghtons invited she and Madame Duval to dinner. They talked rudely about their lodger, until they were interrupted by the arrival of Mr. Smith. The party then amused themselves by reflecting on all the London locations Evelina had not seen. The next day, Evelina was sent back to the Branghtons while Madame Duval remained in bed with her vapors. Evelina saw Mr. Macartney reading in the corner of the shop, but was not able to speak with him. Instead, she sat with Miss Polly and her lover Mr. Brown, a situation that made her uncomfortable. Mr. Smith arrived sometime later to join the whole family. Evelina became increasingly irritated by him. She was also sensible of the family's rudeness in front of Mr. Macartney. She tried to "shew civility to this unhappy man, whose misfortunes, with this family, only render him an object of scorn." She was happy that Monsieur Du Bois was there, because he was the only one who was kind and respectful to the Scot. A few days later, they journeyed to Vauxhall as a group: Madame Duval, Evelina, the Branghtons, Monsieur Du Bois, Mr. Brown, and Mr. Smith. Evelina enjoyed the hautbois concerto, finding it very enchanting. She also found the lights appealing, but greatly disliked her company. Mr. Smith annoyed her by attaching himself to her for the entire experience. Thankfully, she found some respite in the company of Monsieur Du Bois. The party had supper, and then the girls were given permission to walk about the gardens together. Miss Branghton proposed that they stroll along the dark walks, and Miss Polly agreed since it would allow her to playfully hide from Mr. Brown. The plan concerned Evelina, who worried they would get lost from their group, but she had no choice but to follow them. They soon encountered a boisterous and riotous group of young men who rushed upon them. One of them grabbed Evelina and called her a "pretty little creature." She pulled away and ran up the walk, right into another group of men. One of them caught her hands and aggressively asked where she was going. Terrified she implored them to let her pass. One man in the group recognized her voice: Sir Clement Willoughby. He quickly pulled her away from the young men, astonished by her presence there. She found his attention annoying, and did not want him to see the company she was with. He followed her, however, asking her questions and complimenting her, then begging her forgiveness when she grew angry. They finally found her party, and she knew she could no longer conceal them from Sir Clement. He was astonished when he met them. Madame Duval, of course, was incensed to see the man who she knew had been involved in the Captain's schemes. Evelina was perturbed by Sir Clement's manners towards her, which adapted depending on the company they were in. Here, he seemed bolder and less restrained than when around the Mirvans. When inquiring about her situation with this party, he was far too open and blunt. The Branghton girls finally returned from the walks, and then the party looked at art for awhile. Everyone seemed in awe of Sir Clement, and his presence obviously made Mr. Smith jealous. When it was time to leave, Sir Clement managed to finagle his way into the same carriage as Madame Duval and Evelina, which distressed her since she did not want him to see where she was staying. Madame Duval was infuriated that he was with them. When they arrived, Evelina noticed him looking over the abode. The next morning, Miss Branghton and Mr. Smith were full of questions about Sir Clement. After a while, Clement himself entered the room to notify Evelina that he was heading towards Howard Grove the next day, and to inquire if she had any messages to send there. He then sat with the family, and discoursed on a variety of subjects. The group was disinclined to reply, each person for his or her own reason - Madame Duval was angry, Mr. Smith was afraid, young Branghton was ashamed, and the sisters were enamored. Finally, Madame Duval could forebear no longer, and she angrily accused Sir Clement of engineering the robbery prank. Her intensity made Sir Clement nervous, which in turn helped everyone else relax, so proud they were of how Madame Duval excoriated him. His attempts to defend himself made him behave awkwardly. He finally insisted he would depart, which subdued everyone else. Before he left, he asked Evelina why she kept company with such people. Evelina continues her letters to Mr. Villars. She writes of an encounter she had with Mr. Macartney, who generally seemed very shy and disordered around her. He tried to speak to her one day, to ask her who she was and why she seemed to be the "arbitress and ruler of the destiny of such a wretch as I am?" When she said she had merely meant to help him, he praised her voice. She was called upstairs by the Branghtons before any more was said. Mr. Villars writes to Evelina, praising her bravery in the case of Mr. Macartney, and lamenting the poor man's situation. Mr. Villars wonders whether the man's behavior is influenced by guilt and misconduct, rather than misfortune. He also once more criticizes Sir Clement. Evelina writes back, confessing that his conjectures on Macartney leave her uneasy, though his appearance suggests misery rather than guilt to her. Maria had recently written to her with news that Sir Clement had returned to Howard Grove, to the great delight of Captain Mirvan. Mr. Smith visited Evelina, and again insisted she should accompany him to the Hampstead Assembly. Once he appealed to Madame Duval, offering both ladies tickets, Evelina was forced to accept. He smugly expressed happiness over his victory. On the night of the assembly, the Branghtons quarreled in their usual coarse manner as Evelina got ready. Young Branghton warned Evelina to be wary of Mr. Smith, who often admitted he had no desire to marry. Mr. Smith, looking at Evelina, told Young Branghton, "if I did marry, it should be your cousin." Evelina was shocked at his forthrightness. At the assembly, she watched her grandmother dance with Mr. Smith, while she delighted in being alone. She did have to reject many suitors, however. She equally refused to dance with Mr. Smith, no matter how hard he tried to recruit her. He grew frustrated with her abstinence, and commented that he would never again trouble to get tickets for a young lady if he was only to dance with her grandmother. | The concept of marriage becomes more prominent in this set of letters. This is to be expected, considering how inextricably linked the theme was to most 18th century literature written by and about women. Frances Burney had rejected a proposal when she was very young, and this novel, written a year later, was in many ways a response to that situation. In this book, she details the ever-present reality of a young woman's need to marry. She created a smart, intuitive, and virtuous young heroine to navigate the "marriage market," as scholar Judith Newton deems it. Newton's article explains how, in Evelina, Burney is "firmly committed to the assumption that marriage is a woman's only destiny and to the understanding that she achieves this destiny through displaying herself and waiting to be chosen." Of course, this situation means that a woman might often be viewed as overstocked merchandise or even as helpless prey. That Burney's intelligent heroine is nevertheless devoid of significant options is a damning enough condemnation of the reality, but that neither the author nor the protagonist even question this state of affairs is even worse. In the world of Evelina, men behave badly, and view women very much as commodities. Burney seems to accept this as unalterable fact, but she does not shy away from representing how oppressive it can be for women. Mr. Smith is the best example of a man who knows he is a "buyer in a buyer's market," and therefore believes he can impress his will upon women. Recall the first assembly Evelina attends, and her observation that men there act as if they bestow gifts by asking a woman to dance. In the pleasure gardens, her situation becomes overwhelmingly oppressive; Evelina is grabbed, accosted, leered at, and finally "rescued" by Sir Clement, who uses the opportunity to try and seduce her. There is no sense that she has escaped an unjust situation; instead, the men feel lucky to now have her attention. The unkind men in the novel - Lord Merton, Mr. Smith, Mr. Lovel - are distinguished from Sir Clement because the latter man "imposes upon his pursuit of Evelina the courtly fiction that she is Cinderella, the beautiful but distant object." He is thrilled to see her as sexual prey, and pursues her with a hunter's persistence - that is, he is not concerned with her feelings, but only with manipulating her feelings. He continues to play-act the role of a 'Prince Charming'; consider his profuse contrition after Evelina discovered he was driving aimlessly after the opera. However, Evelina prefers his advances to those of men like Mr. Smith because the former at least pretends that the pursuit has an air of civility. So naturally, Lord Orville stands in stark contrast to almost every other man. In some ways, he is the center of the fiction for Burney. Newton writes, "That a man like Orville exists, that he ignores all the usual requirements of marriage, that he permanently confers upon Evelina the identity of Cinderella is a fiction so complete that Burney is moved either to anticipate the reader's disbelief or to reassure us that our hero has not been parted from his judgment." He is too good to be true and "his extraordinary virtues are both wish fulfillment and compensation." He is both a dramatic and thematic necessity, since he provides counterpoint to a novel that would be overly pessimistic otherwise, but Burney has to take great pains to keep him dramatically interesting, as will be seen with his letter in coming sections. Newton also details Evelina's personal growth in the face of this 'marriage market'. Evelina does develop a defense against these forceful men, but she cannot truly maintain that defense, since she would ultimately have to abdicate that power to be a suitable wife. Lord Orville will have to intervene on her behalf multiple times in the third volume of the novel, as he will surely continue to do so in his role of husband. Considering that the third volume is where a protagonist would usually show the most agency, it is telling that this novel's protagonist will rely on another for that purpose. Overall, Evelina's encounter with the world "is a woman's traditional encounter; it is a time of waiting, a time of transition, during which she is transferred from the protection of one male authority to the protection of another." The quality that makes Evelina dramatically interesting is her pastoral upbringing - she has a perspective on the cruel absurdity of her situation that a girl brought up solely in such society would never have. However, Evelina's journey is not a true bildungsroman because she cannot truly achieve the personal growth that a young man can. In other words, Burney somewhat lacks the original perspective Evelina does - we could imagine the latter finally realizing that the 'marriage market' is a sham, except that her creator is unwilling to go there. Fanny Burney wrote a novel that reveals an acceptance of a woman's role in the world, though there is a cynical edge in Lord Orville, since she can only temper her cynicism by " fictions" like him. | 1,316 | 865 | [
"<CHAPTER>\nLETTER XLIII EVELINA IN CONTINUATION\n\nJune 10th\nTHIS morning Mr. Smith called,\non purpose, he said, to offer me a ticket for the next Hampstead\nassembly.",
"I thanked him, but desired to be excused accepting it: he\nwould not, however, be denied, nor answered; and, in a manner both\nvehement and free, pressed and urged his offer, till I was wearied to\ndeath: but, when he found me resolute, he seemed thunderstruck with\namazement, and thought proper to desire I would tell him my reasons.",
"Obvious as they must surely have been to any other person, they\nwere such as I knew not how to repeat to him; and, when he found I\nhesitated, he said, \"Indeed, Ma'am, you are too modest; I assure you\nthe ticket is quite at your service, and I shall be very happy to\ndance with you; so pray don't be so coy.\"",
"\"Indeed, Sir,\" returned I, \"you are mistaken; I never supposed you\nwould offer a ticket without wishing it should be accepted; but it\nwould answer no purpose to mention the reasons which make me decline\nit, since they cannot possibly be removed.\"",
"This speech seemed very much to mortify him; which I could not be\nconcerned at, as I did not choose to be treated by him with so much\nfreedom.",
"When he was, at last, convinced that his application to me\nwas ineffectual, he addressed himself to Madame Duval, and begged she\nwould interfere in his favour; offering at the same time to procure\nanother ticket for herself.",
"\"Ma foi, Sir,\" answered she, angrily, \"you might as well have had\nthe complaisance to ask me before; for, I assure you, I don't approve\nof no such rudeness: however, you may keep your tickets to yourself,\nfor we don't want none of 'em.\"",
"This rebuke almost overset him; he made many apologies, and said that\nhe should certainly have first applied to her, but that he had no\nnotion the young lady would have refused him, and, on the contrary,\nhad concluded that she would have assisted him to persuade Madame\nDuval herself.",
"This excuse appeased her; and he pleaded his cause so successfully,\nthat, to my great chagrin, he gained it, and Madame Duval promised\nthat she would go herself, and take me to the Hampstead assembly\nwhenever he pleased.",
"Mr. Smith then, approaching me with an air of triumph, said, \"Well,\nMa'am, now I think you can't possibly keep to your denial.\"",
"I made no answer; and he soon took leave, tho' not till he had so\nwonderfully gained the favour of Madame Duval, that she declared,\nwhen he was gone, he was the prettiest young man she had seen since\nshe came to England.",
"As soon as I could find an opportunity, I ventured, in the most humble\nmanner, to intreat Madame Duval would not insist upon my attending\nher to this ball; and represented to her, as well as I was able,\nthe impropriety of my accepting any present from a man so entirely\nunknown to me: but she laughed at my scruples; called me a foolish,\nignorant country-girl; and said she should make it her business to\nteach me something of the world.",
"This ball is to be next week.",
"I am sure it is not more improper for,\nthan unpleasant to me, and I will use every possible endeavour to\navoid it.",
"Perhaps I may apply to Miss Branghton for advice, as I\nbelieve she will be willing to assist me, from disliking, equally\nwith myself, that I should dance with Mr. Smith.",
"June 11th\n\n\nO, my dear Sir!",
"I have been shocked to death; and yet at the same\ntime delighted beyond expression, in the hope that I have happily\nbeen the instrument of saving a human creature from destruction.",
"This morning Madame Duval said she would invite the Branghton family\nto return our visit to-morrow; and, not choosing to rise herself,-for\nshe generally spends the morning in bed,-she desired me to wait upon\nthem with her message.",
"M. Du Bois, who just then called, insisted\nupon attending me.",
"Mr. Branghton was in the shop, and told us that his son and daughter\nwere out; but desired me to step up stairs, as he very soon expected\nthem home.",
"This I did, leaving M. Du Bois below.",
"I went into the\nroom where we had dined the day before; and, by a wonderful chance,\nI happened to seat myself, that I had a view of the stairs, and yet\ncould not be seen from them.",
"In about ten minutes time, I saw, passing by the door, with a look\nperturbed and affrighted, the same young man I mentioned in my last\nletter.",
"Not heeding, as I suppose, how he went, in turning the corner\nof the stairs, which are narrow and winding, his foot slipped and he\nfell; but almost instantly rising, I plainly perceived the end of a\npistol, which started from his pocket by hitting against the stairs.",
"I was inexpressibly shocked.",
"All that I had heard of his misery\noccurring to my memory, made me conclude that he was, at that very\nmoment, meditating suicide!",
"Struck with the dreadful idea, all my\nstrength seemed to fail me.",
"He moved on slowly, yet I soon lost sight\nof him; I sat motionless with terror; all power of action forsook me;\nand I grew almost stiff with horror; till recollecting that it was\nyet possible to prevent the fatal deed, all my faculties seemed to\nreturn, with the hope of saving him.",
"My first thought was to fly to Mr. Branghton; but I feared, that an\ninstant of time lost might for ever be rued; and, therefore, guided\nby the impulse of my apprehensions, as well as I was able I followed\nhim up stairs, stepping very softly, and obliged to support myself\nby the banisters.",
"When I came within a few stairs of the landing-place I stopped;\nfor I could then see into his room, as he had not yet shut the door.",
"He had put the pistol upon a table, and had his hand in his pocket,\nwhence, in a few moments, he took out another: he then emptied\nsomething on the table from a small leather bag; after which, taking\nup both the pistols, one in each hand, he dropt hastily upon his knees,\nand called out, \"O, God!-forgive me!\"",
"In a moment strength and courage seemed lent to me as by inspiration:\nI started, and rushing precipitately into the room, just caught\nhis arm, and then, overcome by my own fears, I fell down at his side\nbreathless and senseless.",
"My recovery, however, was, I believe, almost\ninstantaneous; and then the sight of this unhappy man, regarding me\nwith a look of unutterable astonishment, mixed with concern, presently\nrestored to me my recollection.",
"I arose, though with difficulty;\nhe did the same; the pistols, as I soon saw, were both on the floor.",
"Unwilling to leave them, and, indeed, too weak to move, I leant one\nhand on the table, and then stood perfectly still; while he, his eyes\ncast wildly towards me, seemed too infinitely amazed to be capable\nof either speech or action.",
"I believe we were some minutes in this extraordinary situation; but,\nas my strength returned, I felt myself both ashamed and awkward, and\nmoved towards the door.",
"Pale and motionless, he suffered me to pass,\nwithout changing his posture, or uttering a syllable; and, indeed,\n\n\n\n He look'd a bloodless image of despair.-POPE.",
"When I reached the door, I turned round; I looked fearfully at\nthe pistols, and, impelled by an emotion I could not repress,\nI hastily stepped back, with an intention of carrying them away:\nbut their wretched owner, perceiving my design, and recovering from\nhis astonishment, darting suddenly down, seized them both himself.",
"Wild with fright, and scarce knowing what I did, I caught, almost\ninvoluntarily, hold of both his arms, and exclaimed, \"O, Sir!",
"have\nmercy on yourself!\"",
"The guilty pistols fell from his hands, which, disengaging from me,\nhe fervently clasped, and cried, \"Sweet Heaven!",
"is this thy angel?\"",
"Encouraged by such gentleness, I again attempted to take the pistols;\nbut, with a look half frantic, he again prevented me, saying \"What\nwould you do?\"",
"\"Awaken you,\" I cried, with a courage I now wonder at, \"to worthier\nthoughts, and rescue you from perdition.\"",
"I then seized the pistols; he said not a word,-he made no effort to\nstop me;-I glided quick by him, and tottered down stairs ere he had\nrecovered from the extremest amazement.",
"The moment I reached again the room I had so fearfully left, I threw\naway the pistols, and flinging myself on the first chair, gave free\nvent to the feelings I had most painfully stifled, in a violent burst\nof tears, which, indeed, proved a happy relief to me.",
"In this situation I remained some time; but when, at length, I lifted\nup my head, the first object I saw was the poor man who had occasioned\nmy terror, standing, as if petrified, at the door, and gazing at me\nwith eyes of wild wonder.",
"I started from the chair; but trembled so excessively, that I almost\ninstantly sunk again into it.",
"He then, though without advancing, and,\nin a faultering voice, said, \"Whoever, or whatever you are, relieve\nme, I pray you, from the suspense under which my soul labours-and\ntell me if indeed I do not dream?\"",
"To this address, so singular, and so solemn, I had not then the\npresence of mind to frame any answer; but as I presently perceived\nthat his eyes turned from me to the pistols, and that he seemed to\nintend regaining them, I exerted all my strength, and saying, \"O,\nfor Heaven's sake forbear!\"",
"I rose and took them myself.",
"\"Do my sense deceive me!\"",
"cried he, \"do I live-?",
"And do you?\"",
"As he spoke he advanced towards me; and I, still guarding the pistols,\nretreated, saying, \"No, no-you must not-must not have them!\"",
"\"Why-for what purpose, tell me!-do you withhold them?",
"\"-\n\n\"To give you time to think,-to save you from eternal misery; -and,\nI hope, to reserve you for mercy and forgiveness.\"",
"\"Wonderful!\"",
"cried he, with uplifted hands and eyes, \"most wonderful!\"",
"For some time he seemed wrapped in deep thought, till a sudden noise\nof tongues below announcing the approach of the Branghtons, made\nhim start from his reverie: he sprung hastily forward, -dropt on one\nknee,-caught hold of my gown, which he pressed to his lips; and then,\nquick as lightning, he rose, and flew up stairs to his own room.",
"There was something in the whole of this extraordinary and shocking\nadventure, really too affecting to be borne; and so entirely had I\nspent my spirits, and exhausted my courage, that before the Branghtons\nreached me, I had sunk on the ground without sense or motion.",
"I believe I must have been a very horrid sight to them on their\nentrance into the room; for to all appearance, I seemed to have\nsuffered a violent death, either by my own rashness, or the cruelty\nof some murderer, as the pistols had fallen close by my side.",
"How soon I recovered I know not; but, probably I was more indebted\nto the loudness of their cries than to their assistance; for they\nall concluded that I was dead, and, for some time, did not make any\neffort to revive me.",
"Scarcely could I recollect where, or indeed what, I was, ere they\npoured upon me such a torrent of questions and enquiries, that I\nwas almost stunned by their vociferation.",
"However, as soon, and\nas well as I was able, I endeavoured to satisfy their curiosity,\nby recounting what had happened as clearly as was in my power.",
"They\nall looked aghast at the recital; but, not being well enough to enter\ninto any discussions, I begged to have a chair called, and to return\ninstantly home.",
"Before I left them, I recommended, with great earnestness, a vigilant\nobservance of their unhappy lodger; and that they would take care to\nkeep from him, if possible, all means of self-destruction.",
"M. Du Bois, who seemed extremely concerned at my indisposition, walked\nby the side of the chair, and saw me safe to my own apartment.",
"The rashness and the misery of this ill-fated young man engross\nall my thoughts.",
"If indeed, he is bent upon destroying himself, all\nefforts to save him will be fruitless.",
"How much do I wish it were in\nmy power to discover the nature of the malady which thus maddens him\nand to offer or to procure alleviation to his sufferings!",
"I am sure,\nmy dearest Sir, you will be much concerned for this poor man; and,\nwere you here, I doubt not but you would find some method of awakening\nhim from the error which blinds him, and of pouring the balm of peace\nand comfort into his afflicted soul.",
"</CHAPTER>\n<CHAPTER>\nLETTER XLIV EVELINA IN CONTINUATION\n\nHolborn, June 13th.",
"YESTERDAY all the Branghtons dined here.",
"Our conversation was almost\nwholly concerning the adventure of the day before.",
"Mr. Branghton said,\nthat his first thought was instantly to turn his lodger out of doors,\n\"Lest,\" continued he, \"his killing himself in my house should bring\nme into any trouble: but then I was afraid I should never get the\nmoney that he owes me; whereas, if he dies in my house, I have a\nright to all he leaves behind him, if he goes off in my debt.",
"Indeed,\nI would put him in prison,-but what should I get by that?",
"he could not\nearn anything there to pay me: so I considered about it some time,\nand then I determined to ask him, point-blank, for my money out of\nhand.",
"And so I did; but he told me he'd pay me next week: however,\nI gave him to understand, that though I was no Scotchman, yet, I did\nnot like to be over-reached any more than he: so he then gave me a\nring, which, to my certain knowledge, must be worth ten guineas, and\ntold me he would not part with it for his life, and a good deal more\nsuch sort of stuff, but that I might keep it until he could pay me.\"",
"\"It is ten to one, father,\" said young Branghton, \"if he came fairly\nby it.\"",
"\"Very likely not,\" answered he; \"but that will make no great\ndifference, for I shall be able to prove my right to it all one.\"",
"What principles!",
"I could hardly stay in the room.",
"\"I'm determined,\" said the son, \"I'll take some opportunity to\naffront him soon, now I know how poor he is, because of the airs he\ngave himself when he first came.\"",
"\"And pray how was that, child?\"",
"said Madame Duval.",
"\"Why, you never knew such a fuss in your life as he made, because one\nday at dinner I only happened to say, that I supposed he had never\ngot such a good meal in his life before he came to England: there, he\nfell in such a passion as you can't think: but for my part, I took no\nnotice of it: for to be sure, thinks I, he must needs be a gentleman,\nor he'd never go to be so angry about it.",
"However, he won't put his\ntricks upon me again in a hurry.\"",
"\"Well,\" said Miss Polly, \"he's grown quite another creature to what\nhe was, and he doesn't run away from us, nor hide himself, nor any\nthing; and he's as civil as can be, and he's always in the shop, and\nhe saunters about the stairs, and he looks at every body as comes in.\"",
"\"Why, you may see what he's after plain enough,\" said Mr. Branghton;\n\"he wants to see Miss again.\"",
"\"Ha, ha, ha!",
"Lord, how I should laugh,\" said the son, \"if he should\nhave fell in love with Miss!\"",
"\"I'm sure,\" said Miss Branghton, \"Miss is welcome; but, for my part,\nI should be quite ashamed of such a beggarly conquest.\"",
"Such was the conversation till tea-time, when the appearance of\nMr. Smith gave a new turn to the discourse.",
"Miss Branghton desired me to remark with what a smart air he entered\nthe room, and asked me if he had not very much a quality look?",
"\"Come,\" cried he, advancing to us, \"you ladies must not sit together;\nwherever I go I always make it a rule to part the ladies.\"",
"And then, handing Miss Branghton to the next chair, he seated himself\nbetween us.",
"\"Well, now, ladies, I think we sit very well.",
"What say you?",
"for my\npart I think it was a very good motion.\"",
"\"If my cousin likes it,\" said Miss Branghton, \"I'm sure I've no\nobjection.\"",
"\"O,\" cried he, \"I always study what the ladies like,-that's my first\nthought.",
"And, indeed, it is but natural that you should like best\nto sit by the gentlemen, for what can you find to say to one another?\"",
"\"Say!\"",
"cried young Branghton; \"O, never you think of that, they'll\nfind enough to say, I'll be sworn.",
"You know the women are never tired\nof talking.\"",
"\"Come, come, Tom,\" said Mr. Smith, \"don't be severe upon the ladies;\nwhen I'm by, you know I always take their part.\"",
"Soon after, when Miss Branghton offered me some cake, this man of\ngallantry said, \"Well, if I was that lady, I'd never take any thing\nfrom a woman.\"",
"\"Why not, Sir?\"",
"\"Because I should be afraid of being poisoned for being so handsome.\"",
"\"Who is severe upon the ladies now?\"",
"said I.",
"\"Why, really, Ma'am, it was a slip of the tongue; I did not intend\nto say such a thing; but one can't always be on one's guard.\"",
"Soon after, the conversation turning upon public places, young\nBranghton asked if I had ever been to George's at Hampstead?",
"\"Indeed, I never heard the place mentioned.\"",
"\"Didn't you, Miss,\" cried he eagerly; \"why, then you've a deal of\nfun to come, I'll promise you; and, I tell you what, I'll treat you\nthere some Sunday, soon.",
"So now, Bid and Poll, be sure you don't tell\nMiss about the chairs, and all that, for I've a mind to surprise her;\nand if I pay, I think I've a right to have it my own way.\"",
"\"George's at Hampstead!\"",
"repeated Mr. Smith contemptuously; \"how\ncame you to think the young lady would like to go to such a low\nplace as that!",
"But, pray, Ma'am, have you ever been to Don Saltero's\nat Chelsea?\"",
"\"No, Sir.\"",
"\"No!-nay, then I must insist on having the pleasure of conducting\nyou there before long.",
"I assure you, Ma'am, many genteel people go,\nor else, I give you my word, I should not recommend it.\"",
"\"Pray, cousin,\" said Mr. Branghton, \"have you been at Sadler's\nWells yet?\"",
"\"No, Sir.\"",
"\"No!",
"why, then you've seen nothing!\"",
"\"Pray, Miss,\" said the son, \"how do you like the Tower of London?\"",
"\"I have never been to it, Sir.\"",
"\"Goodness!\"",
"exclaimed he, \"not seen the Tower!-why, may be, you ha'n't\nbeen o' top of the Monument, neither?\"",
"\"No, indeed, I have not.\"",
"\"Why, then, you might as well not have come to London for aught I see,\nfor you've been no where.\"",
"\"Pray, Miss,\" said Polly, \"have you been all over Paul's Church yet?\"",
"\"No, Ma'am.\"",
"\"Well, but, Ma'am,\" said Mr. Smith, \"how do you like Vauxhall and\nMarybone?\"",
"\"I never saw either, Sir.\"",
"\"No-God bless me!-you really surprise me,-why Vauxhall is the first\npleasure in life!-I know nothing like it.-Well, Ma'am, you must\nhave been with strange people, indeed, not to have taken you to\nVauxhall.",
"Why you have seen nothing of London yet.",
"However, we must\ntry if we can't make you amends.\"",
"In the course of this catechism, many other places were mentioned,\nof which I have forgotten the names; but the looks of surprise and\ncontempt that my repeated negatives incurred were very diverting.",
"\"Come,\" said Mr. Smith, after tea, \"as this lady has been with such\na queer set of people, let's show her the difference; suppose we go\nsomewhere to-night!-I love to do things with spirit!-Come, ladies,\nwhere shall we go?",
"For my part I should like Foote's-but the ladies\nmust choose; I never speak myself.\"",
"\"Well, Mr. Smith is always in such spirits!\"",
"said Miss Branghton.",
"\"Why, yes, Ma'am, yes, thank God, pretty good spirits;-I have not yet\nthe cares of the world upon me;-I am not married,-ha, ha, ha!-you'll\nexcuse me, ladies,-but I can't help laughing!\"",
"No objection being made, to my great relief we all proceeded to the\nlittle theatre in the Haymarket, where I was extremely entertained\nby the performance of the Minor and the Commissary.",
"They all returned hither to supper.",
"</CHAPTER>\n<CHAPTER>\nLETTER XLV EVELINA IN CONTINUATION\n\nJune 15th.",
"YESTERDAY morning Madame Duval again sent me to Mr. Branghton's,\nattended by M. Du Bois, to make some party for the evening, because\nshe had had the vapours the preceding day from staying at home.",
"As I entered the shop, I perceived the unfortunate North Briton\nseated in a corner, with a book in his hand.",
"He cast his melancholy\neyes up as we came in; and, I believe, immediately recollected my\nface-for he started, and changed colour.",
"I delivered Madame Duval's\nmessage to Mr. Branghton, who told me I should find Polly up stairs,\nbut that the others were gone out.",
"Up stairs, therefore, I went; and, seated on a window, with Mr. Brown\nat her side, sat Miss Polly.",
"I felt a little awkward at disturbing\nthem, and much more so at their behaviour afterwards; for, as soon\nas the common enquiries were over, Mr. Brown grew so fond and so\nfoolish, that I was extremely disgusted.",
"Polly, all the time, only\nrebuked him with, \"La, now, Mr. Brown, do be quiet, can't you?-you\nshould not behave so before company.-Why, now, what will Miss think\nof me?",
"\"-While her looks plainly showed not merely the pleasure,\nbut the pride which she took in his caresses.",
"I did not by any means think it necessary to punish myself by\nwitnessing their tenderness; and therefore telling them I would see\nif Miss Branghton were returned home, I soon left them, and against\ndescended into the shop.",
"\"So, Miss, you've come again,\" said Mr. Branghton; \"what, I suppose\nyou've a mind to sit a little in the shop, and see how the world goes,\nhey, Miss?\"",
"I made no answer; and M. Du Bois instantly brought me a chair.",
"The unhappy stranger, who had risen at my entrance, again seated\nhimself; and though his head leant towards his book, I could not help\nobserving, his eyes were most intently and earnestly turned towards me.",
"M. Du Bois, as well as his broken English would allow him, endeavoured\nto entertain us till the return of Miss Branghton and her brother.",
"\"Lord, how tired I am!\"",
"cried the former; \"I have not a foot to stand\nupon.\"",
"And, then, without any ceremony, she flung herself into the\nchair from which I had risen to receive her.",
"\"You tired!\"",
"said the brother; \"why, then, what must I be, that have\nwalked twice as far?\"",
"And, with equal politeness, he paid the same\ncompliment to M. Du Bois which his sister had done to me.",
"Two chairs and three stools completed the furniture of the shop;\nand Mr. Branghton, who chose to keep his own seat himself, desired\nM. Du Bois to take another; and then seeing that I was without any,\ncalled out to the stranger, \"Come, Mr. Macartney, lend us your stool.\"",
"Shocked at their rudeness, I declined the offer; and, approaching\nMiss Branghton, said, \"If you will be so good as to make room for me\non your chair, there will be no occasion to disturb that gentleman.\"",
"\"Lord, what signifies that?\"",
"cried the brother; \"he has had his share\nof sitting, I'll be sworn.\"",
"\"And, if he has not,\" said the sister, \"he has a chair up stairs;\nand the shop is our own, I hope.\"",
"This grossness so much disgusted me, that I took the stool, and\ncarrying it back to Mr. Macartney myself, I returned him thanks as\ncivilly as I could for his politeness, but said that I had rather\nstand.",
"He looked at me as if unaccustomed to such attention, bowed very\nrespectfully, but neither spoke nor yet made use of it.",
"I soon found that I was an object of derision to all present, except\nM. Du Bois; and therefore, I begged Mr. Branghton would give me an\nanswer for Madame Duval, as I was in haste to return.",
"\"Well, then, Tom,-Biddy, where have you a mind to go tonight?",
"your\naunt and Miss want to be abroad and amongst them.\"",
"\"Why, then, Papa,\" said Miss Branghton, \"we'll go to Don\nSaltero's.",
"Mr. Smith likes that place, so may be he'll go along\nwith us.\"",
"\"No, no,\" said the son, \"I'm for White-Conduit House; so let's\ngo there.\"",
"\"White-Conduit House, indeed!\"",
"cried his sister; \"no, Tom, that\nI won't.\"",
"\"Why, then, let it alone; nobody wants your company;-we shall do as\nwell without you, I'll be sworn, and better too.\"",
"\"I'll tell you what, Tom, if you don't hold your tongue, I'll make\nyou repent it,-that I assure you.\"",
"Just then Mr. Smith came into the shop, which he seemed to intend\npassing through; but when he saw me, he stopped, and began a most\ncourteous enquiry after my health, protesting, that, had he known I\nwas there, he should have come down sooner.",
"\"But, bless me, Ma'am,\"\nadded he, \"what is the reason you stand?\"",
"and then he flew to bring\nme the seat from which I had just parted.",
"\"Mr. Smith, you are come in very good time,\" said Mr. Branghton,\n\"to end a dispute between my son and daughter, about where they shall\nall go to-night.\"",
"\"O, fie, Tom,-dispute with a lady!\"",
"cried Mr. Smith.",
"\"Now, as for me,\nI'm for where you will, provided this young lady is of the party;-one\nplace is the same as another to me, so that it be but agreeable to\nthe ladies.-I would go any where with you, Ma'am,\" (to me) \"unless,\nindeed, it were to church; -ha, ha, ha!-You'll excuse me, Ma'am; but,\nreally, I never could conquer my fear of a parson;-ha, ha, ha!-Really,\nladies, I beg your pardon for being so rude; but I can't help laughing\nfor my life!\"",
"\"I was just saying, Mr. Smith,\" said Miss Branghton, \"that I should\nlike to go to Don Saltero's;-now, pray, where should you like to go?\"",
"\"Why, really, Miss Biddy, you know I always let the ladies decide; I\nnever fix any thing myself; but I should suppose it would be rather\nhot at the coffee-house:-however, pray, ladies, settle it among\nyourselves;-I'm agreeable to whatever you choose.\"",
"It was easy for me to discover, that this man, with all his parade of\nconformity, objects to every thing that is not proposed by himself:\nbut he is so much admired by this family for his gentility, that he\nthinks himself a complete fine gentleman!",
"\"Come,\" said Mr. Branghton, \"the best way will be to put it to the\nvote, and then every body will speak their minds.",
"Biddy, call Poll\ndown stairs.",
"We'll start fair.\"",
"\"Lord, Papa,\" said Miss Branghton, \"why can't you as well send\nTom?-you're always sending me of the errands.\"",
"A dispute then ensued, but Miss Branghton was obliged to yield.",
"When Mr. Brown and Miss Polly made their appearance, the latter\nuttered many complaints of having been called, saying, she did not\nwant to come, and was very well where she was.",
"\"Now, ladies, your votes,\" cried Mr. Smith; \"and so, Ma'am (to me),\nwe'll begin with you.",
"What place shall you like best?\"",
"and then, in\na whisper, he added, \"I assure you, I shall say the same as you do,\nwhether I like it or not.\"",
"I said, that as I was ignorant what choice was in my power, I must\nbeg to hear their decisions first.",
"This was reluctantly assented to;\nand then Miss Branghton voted for Saltero's Coffee-house; her sister,\nfor a party to Mother Red Cap's; the brother for White-Conduit House;\nMr. Brown, for Bagnigge Wells; Mr. Braughton, for Sadler's Wells;\nand Mr. Smith, for Vauxhall.",
"\"Well now, Ma'am,\" said Mr. Smith, \"we have all spoken, and so you\nmust give the casting vote.",
"Come, what will you fix upon?\"",
"\"Sir,\" answered I, \"I was to speak last.\"",
"\"Well, so you will,\" said Miss Branghton, \"for we've all spoke first.\"",
"\"Pardon me,\" returned I, \"the voting has not yet been quite general.\"",
"And I turned towards Mr. Macartney, to whom I wished extremely to\nshow that I was not of the same brutal nature with those by whom he\nwas treated so grossly.",
"\"Why, pray,\" said Mr. Branghton, \"who have we left out?",
"would you have\nthe cats and dogs vote?\"",
"\"No, Sir,\" cried I, with some spirit, \"I would have that gentleman\nvote,-if, indeed, he is not superior to joining our party.\"",
"They all looked at me, as if they doubted whether or not they had\nheard me right: but, in a few moments, their surprise gave way to a\nrude burst of laughter.",
"Very much displeased, I told M. Du Bois that if he was not ready to\ngo, I would have a coach called for myself.",
"O yes, he said, he was always ready to attend me.",
"Mr. Smith then, advancing, attempted to take my hand, and begged me\nnot to leave them till I had settled the evening's plans.",
"\"I have nothing, Sir,\" said I, \"to do with it, as it is my intention\nto stay at home; and therefore Mr. Branghton will be so good as to\nsend Madame Duval word what place is fixed upon, when it is convenient\nto him.\"",
"And then, making a slight courtesy, I left them.",
"How much does my disgust for these people increase my pity for poor Mr.\nMacartney!",
"I will not see them when I can avoid so doing; but I am\ndetermined to take every opportunity in my power to show civility to\nthis unhappy man, whose misfortunes with this family, only render him\nan object of scorn.",
"I was, however, very well pleased with M. Du Bois,\nwho, far from joining in their mirth, expressed himself extremely\nshocked at their ill-breeding.",
"We had not walked ten yards before we were followed by Mr. Smith,\nwho came to make excuses, and to assure me they were only joking, and\nhoped I took nothing ill; for if I did, he would make a quarrel of it\nhimself with the Branghtons, rather than I should receive any offense.",
"I begged him not to take any trouble about so immaterial an affair,\nand assured him I should not myself.",
"He was so officious, that he\nwould not be prevailed upon to return home, till he had walked with\nus to Mr. Dawkins's.",
"Madame Duval was very much displeased that I brought her so little\nsatisfaction.",
"White-Conduit House was at last fixed upon; and,\nnotwithstanding my great dislike of such parties and such places,\nI was obliged to accompany them.",
"Very disagreeable, and much according to my expectations, the\nevening proved.",
"There were many people all smart and gaudy, and so\npert and low-bred, that I could hardly endure being amongst them;\nbut the party to which, unfortunately, I belonged, seemed all at home.",
"</CHAPTER>\n<CHAPTER>\nLETTER XLVI EVELINA TO THE REV.",
"MR. VILLARS\n\nHolborn, June 17th.",
"YESTERDAY Mr. Smith carried his point of making a party for Vauxhall,\nconsisting of Madame Duval, M. Du Bois, all the Branghtons, Mr. Brown,\nhimself,-and me!-for I find all endeavours vain to escape any thing\nwhich these people desire I should not.",
"There were twenty disputes previous to our setting out; first, as to\nthe time of our going: Mr. Branghton, his son, and young Brown, were\nfor six o'clock; and all the ladies and Mr. Smith were for eight;-the\nlatter, however, conquered.",
"Then, as to the way we should go; some were for a boat, others for\na coach, and Mr. Branghton himself was for walking; but the boat\nat length was decided upon.",
"Indeed this was the only part of the\nexpedition that was agreeable to me; for the Thames was delightfully\npleasant.",
"The garden is very pretty, but too formal; I should have been better\npleased, had it consisted less of straight walks, where\n\n Grove nods at grove, each alley has its brother.",
"The trees, the numerous lights, and the company in the circle round\nthe orchestra make a most brilliant and gay appearance; and had I been\nwith a party less disagreeable to me, I should have thought it a place\nformed for animation and pleasure.",
"There was a concert; in the course\nof which a hautbois concerto was so charmingly played, that I could\nhave thought myself upon enchanted ground, had I had spirits more\ngentle to associate with.",
"The hautbois in the open air is heavenly.",
"Mr. Smith endeavoured to attach himself to me, with such officious\nassiduity and impertinent freedom, that he quite sickened me.",
"Indeed\nM. Du Bois was the only man of the party to whom, voluntarily, I\never addressed myself.",
"He is civil and respectful, and I have found\nnobody else so since I left Howard Grove.",
"His English is very bad;\nbut I prefer it to speaking French myself, which I dare not venture\nto do.",
"I converse with him frequently, both to disengage myself from\nothers, and to oblige Madame Duval, who is always pleased when he is\nattended to.",
"As we were walking about the orchestra, I heard a bell ring; and,\nin a moment, Mr. Smith, flying up to me, caught my hand, and, with a\nmotion too quick to be resisted, ran away with me many yards before I\nhad breath to ask his meaning, though I struggled as well as I could,\nto get from him.",
"At last, however, I insisted upon stopping: \"Stopping,\nMa'am!\"",
"cried he, \"why we must run on or we shall lose the cascade!\"",
"And then again he hurried me away, mixing with a crowd of people,\nall running with so much velocity, that I could not imagine what had\nraised such an alarm.",
"We were soon followed by the rest of the party;\nand my surprise and ignorance proved a source of diversion to them\nall, which was not exhausted the whole evening.",
"Young Branghton,\nin particular, laughed till he could hardly stand.",
"The scene of the cascade I thought extremely pretty, and the general\neffect striking and lively.",
"But this was not the only surprise which was to divert them at my\nexpense; for they led me about the garden purposely to enjoy my first\nsight of various other deceptions.",
"About ten o'clock, Mr. Smith having chosen a box in a very conpicuous\nplace, we all went to supper.",
"Much fault was found with every thing\nthat was ordered, though not a morsel of any thing was left; and the\ndearness of the provisions, with conjectures upon what profit was\nmade by them, supplied discourse during the whole meal.",
"When wine and cyder were brought, Mr. Smith said, \"Now let's enjoy\nourselves; now is the time, or never.",
"Well, Ma'am, and how do you\nlike Vauxhall?\"",
"\"Like it!\"",
"cried young Branghton; \"why, how can she help liking\nit?",
"she has never seen such a place before, that I'll answer for.\"",
"\"For my part,\" said Miss Branghton, \"I like it because it is not\nvulgar.\"",
"\"This must have been a fine treat for you, Miss,\" said Mr. Branghton;\n\"why, I suppose you was never so happy in all your life before?\"",
"I endeavoured to express my satisfaction with some pleasure; yet,\nI believe, they were much amazed at my coldness.",
"\"Miss ought to stay in town till the last night,\" said young Branghton;\n\"and then, it's my belief, she'd say something to it!",
"Why, Lord,\nit's the best night of any; there's always a riot,-and there the folks\nrun about,-and then there's such squealing and squalling!-and, there,\nall the lamps are broke,-and the women run skimper scamper.-I declare\nI would not take five guineas to miss the last night!\"",
"I was very glad when they all grew tired of sitting, and called for\nthe waiter to pay the bill.",
"The Miss Branghtons said they would walk\non while the gentlemen settled the account, and asked me to accompany\nthem; which, however, I declined.",
"\"You girls may do as you please,\" said Madame Duval; \"but as to me,\nI promise you, I sha'n't go nowhere without the gentlemen.\"",
"\"No more, I suppose, will my cousin,\" said Miss Branghton, looking\nreproachfully towards Mr. Smith.",
"This reflection, which I feared would flatter his vanity, made me most\nunfortunately request Madame Duval's permission to attend them.",
"She\ngranted it; and away we went, having promised to meet in the room.",
"To the room, therefore, I would immediately have gone: but the sisters\nagreed that they would first have a little pleasure; and they tittered\nand talked so loud, that they attracted universal notice.",
"\"Lord, Polly,\" said the eldest, \"suppose we were to take a turn in\nthe dark walks!\"",
"\"Aye, do,\" answered she; \"and then we'll hide ourselves, and then\nMr. Brown will think we are lost.\"",
"I remonstrated very warmly against this plan, telling them it would\nendanger our missing the rest of the party all the evening.",
"\"O dear,\" cried Miss Branghton, \"I thought how uneasy Miss would be\nwithout a beau!\"",
"This impertinence I did not think worth answering; and, quite by\ncompulsion, I followed them down a long alley, in which there was\nhardly any light.",
"By the time we came near the end, a large party of gentlemen,\napparently very riotous, and who were hallooing, leaning on one\nanother, and laughing immoderately, seemed to rush suddenly from\nbehind some trees, and meeting us face to face, put their arms at\ntheir sides, and formed a kind of circle, which first stopped our\nproceeding, and then our retreating, for we were presently entirely\nenclosed.",
"The Miss Branghtons screamed aloud, and I was frightened\nexceedingly; our screams were answered with bursts of laughter, and\nfor some minutes we were kept prisoners, till at last one of them,\nrudely seizing hold of me, said I was a pretty little creature.",
"Terrified to death, I struggled with such vehemence to disengage\nmyself from him, that I succeeded, in spite of his efforts to detain\nme; and immediately, and with a swiftness which fear only could have\ngiven me, I flew rather than ran up the walk, hoping to secure my\nsafety by returning to the lights and company we had so foolishly\nleft: but before I could possibly accomplish my purpose, I was met\nby another party of men, one of whom placed himself so directly in\nmy way, calling out, \"Whither so fast, my love?",
"\"-that I could only\nhave proceeded by running into his arms.",
"In a moment both my hands, by different persons, were caught hold of,\nand one of them, in a most familiar manner, desired, when I ran next,\nto accompany me in a race; while the rest of the party stood still\nand laughed.",
"I was almost distracted with terror, and so breathless with running,\nthat I could not speak; till another, advancing, said, I was as\nhandsome as an angel, and desired to be of the party.",
"I then just\narticulated, \"For Heaven's sake, gentlemen, let me pass!\"",
"Another then rushing suddenly forward, exclaimed, \"Heaven and\nearth!",
"What voice is that?-\"\n\n\"The voice of the prettiest little actress I have seen this age,\"\nanswered one of my persecutors.",
"\"No,-no,-no-\" I panted out, \"I am no actress-pray let me go,-pray\nlet me pass-\"\n\n\"By all that's sacred,\" cried the same voice, which I then knew for\nSir Clement Willoughby's, \"'tis herself!\"",
"\"Sir Clement Willoughby!\"",
"cried I.",
"\"O, Sir, assist-assist me-or I\nshall die with terror!\"",
"\"Gentlemen,\" cried he, disengaging them all from me in an instant,\n\"pray leave this lady to me.\"",
"Loud laughs proceeded from every mouth, and two or three said\nWilloughby has all the luck!",
"But one of them, in a passionate manner,\nvowed he would not give me up, for that he had the first right to me,\nand would support it.",
"\"You are mistaken,\" said Sir Clement, \"this lady is-I will explain\nmyself to you another time; but, I assure you, you are all mistaken.\"",
"And then taking my willing hand, he led me off, amidst the loud\nacclamations, laughter, and gross merriment of his impertinent\ncompanions.",
"As soon as we had escaped from them, Sir Clement, with a voice of\nsurprise, exclaimed, \"My dearest creature, what wonder, what strange\nrevolution, has brought you to such a place as this?\"",
"Ashamed of my situation, and extremely mortified to be thus recognized\nby him, I was for some time silent; and when he repeated his question,\nonly stammered out, \"I have,-I hardly know how,-lost from my party-\"\n\nHe caught my hand, and eagerly pressing it, in a passionate voice said,\n\"O that I had sooner met with thee!\"",
"Surprised at a freedom so unexpected, I angrily broke from him, saying,\n\"Is this the protection you give me, Sir Clement?\"",
"And then I saw, what the perturbation of my mind had prevented my\nsooner noticing, that he had led me, though I know not how, into\nanother of the dark alleys, instead of the place whither I meant to go.",
"\"Good God!\"",
"I cried, \"where am I?-What way are you going?\"",
"\"Where,\" answered he, \"we shall be least observed!\"",
"Astonished at this speech, I stopped short, and declared I would go\nno further.",
"\"And why not, my angel?\"",
"again endeavouring to take my hand.",
"My heart beat with resentment; I pushed him away from me with all my\nstrength, and demanded how he dared treat me with such insolence?",
"\"Insolence!\"",
"repeated he.",
"\"Yes, Sir Clement, insolence; from you, who know me, I had a claim\nfor protection,-not to such treatment as this.\"",
"\"By Heaven,\" cried he, with warmth, \"you distract me;-why, tell\nme,-why do I see you here?-Is this a place for Miss Anville?-these\ndark walks!-no party!",
"no companion!-by all that's good I can scarce\nbelieve my senses!\"",
"Extremely offended at this speech, I turned angrily from him: and,\nnot deigning to make any answer, walked on towards that part of the\ngarden whence I perceived the lights and company.",
"He followed me; but we were both some time silent.",
"\"So you will not explain to me your situation?\"",
"said he, at length.",
"\"No, Sir,\" answered I, disdainfully.",
"\"Nor yet-suffer me to make my own interpretation?-\"\n\nI could not bear this strange manner of speaking; it made my very\nsoul shudder,-and I burst into tears.",
"He flew to me, and actually flung himself at my feet, as if\nregardless who might see him, saying, \"O, Miss Anville,-loveliest of\nwomen,-forgive my,-my,-I beseech you forgive me;-if I have offended-if\nI have hurt you-I could kill myself at the thought!-\"\n\n\"No matter, Sir, no matter,\" cried I; \"if I can but find my friends,-I\nwill never speak to-never see you again!\"",
"\"Good God!-good Heaven!",
"My dearest life, what is it I have done?-what\nis it I have said?-\"\n\n\"You best know, Sir, what and why: but don't hold me here,-let me be\ngone; and do you!\"",
"\"Not till you forgive me!-I cannot part with you in anger.\"",
"\"For shame, for shame, Sir!\"",
"cried I, indignantly, \"do you suppose I\nam to be thus compelled?-do you take advantage of the absence of my\nfriends to affront me?\"",
"\"No, Madam,\" cried he, rising: \"I would sooner forfeit my life than\nact so mean a part.",
"But you have flung me into amazement unspeakable,\nand you will not condescend to listen to my request of giving me\nsome explanation.\"",
"\"The manner, Sir,\" said I, \"in which you spoke that request, made,\nand will make, me scorn to answer it.\"",
"\"Scorn!-I will own to you, I expected not such displeasure from\nMiss Anville.\"",
"\"Perhaps, Sir, if you had, you would less voluntarily have merited it.\"",
"\"My dearest life, surely it must be known to you, that the man does\nnot breathe who adores you so passionately, so fervently, so tenderly\nas I do!-Why, then, will you delight in perplexing me?-in keeping me\nin suspense?-in torturing me with doubt?\"",
"\"I, Sir, delight in perplexing you!-you are much mistaken.-Your\nsuspense, your doubts, your perplexities,-are of your own creating;\nand believe me, Sir, they may offend, but they can never delight\nme:-but as you have yourself raised, you must yourself satisfy them.\"",
"\"Good God!-that such haughtiness and such sweetness can inhabit the\nsame mansion!\"",
"I made no answer; but quickening my pace I walked on silently and\nsullenly, till this most impetuous of men, snatching my hand, which he\ngrasped with violence, besought me to forgive him with such earnestness\nof supplication, that, merely to escape his importunities, I was forced\nto speak, and in some measure to grant the pardon he requested; though\nit was accorded with a very ill grace: but, indeed, I knew not how\nto resist the humility of his intreaties: yet never shall I recollect\nthe occasion he gave me of displeasure, without feeling it renewed.",
"We now soon arrived in the midst of the general crowd; and, my own\nsafety being then insured, I grew extremely uneasy for the Miss\nBranghtons, whose danger, however imprudently incurred by their own\nfolly, I too well knew how to tremble for.",
"To this consideration all\nmy pride of heart yielded, and I determined to seek my party with the\nutmost speed; though not without a sigh did I recollect the fruitless\nattempt I had made after the opera, of concealing from this man my\nunfortunate connections, which I was now obliged to make known.",
"I hastened, therefore, to the room, with a view of sending young\nBranghton to the aid of his sisters.",
"In a very short time I perceived\nMadame Duval, and the rest, looking at one of the paintings.",
"I must own to you honestly, my dear Sir, that an involuntary repugnance\nseized me at presenting such a set to Sir Clement,-he who had been used\nto see me in parties so different!-My pace slackened as I approached\nthem,-but they presently perceived me.",
"\"Ah, Mademoiselle!\"",
"cried M. Du Bois, \"Que je suis charm-e; de vous\nvoir!\"",
"\"Pray, Miss,\" cried Mr. Brown, \"where's Miss Polly?\"",
"\"Why, Miss, you've been a long while gone,\" said Mr. Branghton;\n\"we thought you'd been lost.",
"But what have you done with your cousins?\"",
"I hesitated,-for Sir Clement regarded me with a look of wonder.",
"\"Pardi,\" cried Madame Duval, \"I shan't let you leave me again in\na hurry.",
"Why, here we've been in such a fright!-and all the while,\nI suppose, you've been thinking nothing about the matter.\"",
"\"Well,\" said young Branghton,\" as long as Miss is come back, I don't\nmind; for as to Bid and Poll, they can take care of themselves.",
"But\nthe best joke is, Mr. Smith is gone all about a looking for you.\"",
"These speeches were made almost in a breath: but when, at last,\nthey waited for an answer, I told them, that, in walking up one of\nthe long alleys, we had been frightened and separated.",
"\"The long alleys!\"",
"repeated Mr. Branghton, \"and pray, what had you\nto do in the long alleys?",
"why, to be sure, you must all of you have\nhad a mind to be affronted!\"",
"This speech was not more impertinent to me, than surprising to Sir\nClement, who regarded all the party with evident astonishment.",
"However,\nI told young Branghton, no time ought to be lost, for that his sisters\nmight require his immediate protection.",
"\"But how will they get it?\"",
"cried this brutal brother: \"if they've\na mind to behave in such a manner as that, they ought to protect\nthemselves; and so they may for me.\"",
"\"Well,\" said the simple Mr. Brown, \"whether you go or not, I think\nI may as well see after Miss Polly.\"",
"The father then interfering, insisted that his son should accompany\nhim; and away they went.",
"It was now that Madame Duval first perceived Sir Clement; to whom,\nturning with a look of great displeasure, she angrily said, \"Ma foi,\nso you are comed here, of all the people in the world!-I wonder, child,\nyou would let such a-such a person as that keep company with you.\"",
"\"I am very sorry, Madam,\" said Sir Clement, in a tone of surprise,\n\"if I had been so unfortunate as to offend you; but I believe you\nwill not regret the honour I now have of attending Miss Anville,\nwhen you hear that I have been so happy as to do her some service.\"",
"Just as Madame Duval, with her usual Ma foi, was beginning to\nreply, the attention of Sir Clement was wholly drawn from her, by\nthe appearance of Mr. Smith, who, coming suddenly behind me, and\nfreely putting his hands of my shoulders, cried, \"O ho, my little\nrunaway, have I found you at last?",
"I have been scampering all over\nthe gardens for you, for I was determined to find you, if you were\nabove ground.-But how could you be so cruel as to leave us?\"",
"I turned round to him, and looked with a degree of contempt that I\nhoped would have quieted him: but he had not the sense to understand\nme; and, attempting to take my hand, he added, \"Such a demure-looking\nlady as you are, who'd have thought of your leading one such a\ndance?-Come, now, don't be so coy; only think what a trouble I have\nhad in running after you!\"",
"\"The trouble, Sir,\" said I, \"was of your own choice,-not mine.\"",
"And\nI walked round to the other side of Madame Duval.",
"Perhaps I was too proud;-but I could not endure that Sir Clement,\nwhose eyes followed him with looks of the most surprised curiosity,\nshould witness his unwelcome familiarity.",
"Upon my removal he came up to me, and, in a low voice, said, \"You\nare not, then, with the Mirvans?\"",
"\"No, Sir.\"",
"\"And pray,-may I ask you,-have you left them long?\"",
"\"No, Sir.\"",
"\"How unfortunate I am!-but yesterday I sent to acquaint the Captain\nI should reach the Grove by to-morrow noon!",
"However, I shall get away\nas fast as possible.",
"Shall you be long in town?\"",
"\"I believe not, Sir.\"",
"\"And then, when you leave it-which way-will you allow me to ask,\nwhich way you shall travel?\"",
"\"Indeed,-I don't know.\"",
"\"Not know!-But do you return to the Mirvans any more?\"",
"\"I-I can't tell, Sir.\"",
"And then I addressed myself to Madame Duval, with such a pretended\nearnestness, that he was obliged to be silent.",
"As he cannot but observe the great change in my situation, which\nhe knows not how to account for, there is something in all these\nquestions, and this unrestrained curiosity, that I did not expect\nfrom a man who, when he pleases, can be so well-bred as Sir Clement\nWilloughby.",
"He seems disposed to think that the alteration in my\ncompanions authorises an alteration in his manners.",
"It is true, he\nhas always treated me with uncommon freedom, but never before with\nso disrespectful an abruptness.",
"This observation, which he has given\nme cause to make, of his changing with the tide, has sunk him more\nin my opinion than any other part of his conduct.",
"Yet I could almost have laughed when I looked at Mr. Smith, who no\nsooner saw me addressed by Sir Clement, than, retreating aloof from\nthe company, he seemed to lose at once all his happy self-sufficiency\nand conceit; looking now at the baronet, now at himself; surveying,\nwith sorrowful eyes, his dress; struck with his air, his gestures,\nhis easy gaiety, he gazed at him with envious admiration, and seemed\nhimself, with conscious inferiority, to shrink into nothing.",
"Soon after, Mr. Brown, running up to us, called out, \"La, what,\ni'n't Miss Polly come yet?\"",
"\"Come,\" said Mr. Branghton; \"why, I thought you went to fetch her\nyourself, didn't you?\"",
"\"Yes, but I couldn't find her;-yet I daresay I've been over half\nthe garden.\"",
"\"Half?",
"but why did not you go over it all?\"",
"\"Why, so I will: but only I thought I'd just come and see if she was\nhere first.\"",
"\"But where's Tom?\"",
"\"Why, I don't know; for he would not stay with me, all as ever I\ncould say: for we met some young gentlemen of his acquaintance,\nand so he bid me go and look by myself; for he said, says he, I can\ndivert myself better another way, says he.\"",
"This account being given, away again went this silly young man;\nand Mr. Branghton, extremely incensed, said he would go and see\nafter them himself.",
"\"So, now\", cried Madame Duval, \"he's gone too!",
"why, at this rate,\nwe shall have to wait for one or other of them all night!\"",
"Observing that Sir Clement seemed disposed to renew his enquiries,\nI turned towards one of the paintings, and, pretending to be very much\noccupied in looking at it, asked M. Du Bois some questions concerning\nthe figures.",
"\"O!",
"Mon Dieu!\"",
"cried Madame Duval, \"don't ask him; your best way is\nto ask Mr. Smith, for he's been here the oftenest.",
"Come, Mr. Smith,\nI dare say you can tell us all about them.\"",
"\"Why, yes, Ma'am, yes,\" said Mr. Smith: who, brightening up at this\napplication, advanced towards us with an air of assumed importance,\nwhich, however, sat very uneasily upon him, and begged to know what he\nshould explain first: \"For I have attended,\" said he, \"to all these\npaintings, and know every thing in them perfectly well; for I am\nrather fond of pictures, Ma'am; and, really, I must say, I think, a\npretty pictures is a-a very-is really a very-is something very pretty-\"\n\n\"So do I too,\" said Madame Duval; \"but pray now, Sir, tell us who\nthat is meant for,\" pointing to a figure of Neptune.",
"\"That!-why, that, Ma'am, is,-Lord bless me, I can't think how I\ncome to be so stupid, but really I have forgot his name;-and yet,\nI know it as well as my own too:-however, he's a General, Ma'am,\nthey are all Generals.\"",
"I saw Sir Clement bite his lips; and, indeed, so did I mine.",
"\"Well,\" said Madame Duval, \"it's the oddest dress for a general ever\nI see!\"",
"\"He seems so capital a figure,\" said Sir Clement, to Mr. Smith,\n\"that I imagine he must be Generalissimo of the whole army.\"",
"\"Yes, Sir, yes,\" answered Mr. Smith, respectfully bowing, and highly\ndelighted at being thus referred to, \"you are perfectly right;-but I\ncannot for my life think of his name;-perhaps, Sir, you may remember\nit?\"",
"\"No, really,\" replied Sir Clement, \"my acquaintance among the generals\nis not so extensive.\"",
"The ironical tone of voice in which Sir Clement spoke entirely\ndisconcerted Mr. Smith; who again retiring to an humble distance,\nseemed sensibly mortified at the failure of his attempt to recover\nhis consequence.",
"Soon after, Mr. Branghton returned with his youngest daughter, who\nhe had rescued from a party of insolent young men; but he had not\nyet been able to find the eldest.",
"Miss Polly was really frightened,\nand declared she would never go into the dark walks again.",
"Her father,\nleaving her with us, went in quest of her sister.",
"While she was relating her adventures, to which nobody listened more\nattentively than Sir Clement, we saw Mr. Brown enter the room.",
"\"O,\nla!\"",
"cried Miss Polly, \"let me hide myself, and don't tell him\nI'm come.\"",
"She then placed herself behind Madame Duval, in such a manner that\nshe could not be seen.",
"\"So Miss Polly is not come yet!\"",
"said the simple swain: \"well,\nI can't think where she can be!",
"I've been looking, and looking,\nand looking all about, and can't find her all I can do.\"",
"\"Well, but, Mr. Brown,\" said Mr. Smith, \"sha'n't you go and look for\nthe lady again?\"",
"\"Yes, Sir,\" said he, sitting down; \"but I must rest me a little bit\nfirst.",
"You can't think how tired I am.\"",
"\"O fie, Mr. Brown, fie,\" cried Mr. Smith, winking at us, \"tired of\nlooking for a lady!",
"Go, go, for shame!\"",
"\"So I will, Sir, presently; but you'd be tired too, if you had walked\nso far: besides, I think she's gone out of the garden, or else I must\nhave seen something or other of her.\"",
"A he, he he!",
"of the tittering Polly, now betrayed her, and so ended\nthis ingenious little artifice.",
"At last appeared Mr. Branghton and Miss Biddy, who, with a face of\nmixed anger and confusion, addressing herself to me, said, \"So, Miss,\nso you ran away from me!",
"Well, see if I don't do as much by you some\nday or other!",
"But I thought how it would be; you'd no mind to leave\nthe gentlemen, though you run away from me.\"",
"I was so much surprised at this attack, that I could not answer her\nfor very amazement; and she proceeded to tell us how ill she had\nbeen used, and that two young men had been making her walk up and\ndown the dark walks by absolute force, and as fast as ever they could\ntear her along; and many other particulars, which I will not tire you\nwith relating.",
"In conclusion, looking at Mr. Smith, she said, \"But to\nbe sure, thought I, at least all the company will be looking for me;\nso I little expected to find you all here, talking as comfortably as\never you can.",
"However, I know I may thank my cousin for it!\"",
"\"If you mean me, Madam,\" said I, very much shocked, \"I am quite\nignorant in what manner I can have been accessary to your distress.\"",
"\"Why, by running away so.",
"If you'd stayed with us, I'll answer for\nit Mr. Smith and M. Du Bois would have come to look for us; but I\nsuppose they could not leave your ladyship.\"",
"The folly and unreasonableness of this speech would admit of no\nanswer.",
"But what a scene was this for Sir Clement!",
"his surprise was\nevident; and I must acknowledge my confusion was equally great.",
"We had now to wait for young Branghton, who did not appear for some\ntime; and during this interval it was with difficulty that I avoided\nSir Clement, who was on the rack of curiosity, and dying to speak\nto me.",
"When, at last, the hopeful youth returned, a long and frightful quarrel\nensued between him and his father, in which his sisters occasionally\njoined, concerning his neglect; and he defended himself only by a\nbrutal mirth, which he indulged at their expense.",
"Every one now seemed inclined to depart,-when, as usual, a dispute\narose upon the way of our going, whether in a coach or a boat.",
"After\nmuch debating, it was determined that we should make two parties,\none by the water and the other by land; for Madame Duval declared\nshe would not, upon any account, go into a boat at night.",
"Sir Clement then said, that if she had no carriage in waiting, he\nshould be happy to see her and me safe home, as his was in readiness.",
"Fury started into her eyes, and passion inflamed every feature, as she\nanswered, \"Pardi, no-you may take care of yourself, if you please; but\nas to me, I promise you I sha'n't trust myself with no such person.\"",
"He pretended not to comprehend her meaning; yet, to waive a discussion,\nacquiesced in her refusal.",
"The coach-party fixed upon, consisted of\nMadame Duval, M. Du Bois, Miss Branghton, and myself.",
"I now began to rejoice, in private, that at least our lodgings\nwould be neither seen nor known by Sir Clement.",
"We soon met with a\nhackney-coach, into which he handed me, and then took leave.",
"Madame Duval having already given the coachman her direction, he\nmounted the box, and we were just driving off, when Sir Clement\nexclaimed, \"By Heaven, this is the very coach I had in waiting for\nmyself!\"",
"\"This coach, your honour!\"",
"said the man; \"no, that it i'n't.\"",
"Sir Clement, however, swore that it was; and presently, the man,\nbegging his pardon, said he had really forgotten that he was engaged.",
"I have no doubt but that this scheme occurred to him at the moment,\nand that he made some sign to the coachman, which induced him to\nsupport it; for there is not the least probability that the accident\nreally happened, as it is most likely his own chariot was in waiting.",
"The man then opened the coach-door, and Sir Clement, advancing to\nit, said \"I don't believe there is another carriage to be had, or\nI would not incommode you; but, as it may be disagreeable to you to\nwait here any longer, I beg you will not get out, for you shall be\nset down before I am carried home, if you will be so good as to make\na little room.\"",
"And so saying, in he jumped, and seated himself between M. Du Bois\nand me, while our astonishment at the whole transaction was too great\nfor speech.",
"He then ordered the coachman to drive on, according to\nthe directions he had already received.",
"For the first ten minutes no one uttered a word; and then, Madame\nDuval, no longer able to contain herself, exclaimed, \"Ma foi, if this\nisn't one of the most impudentest things ever I see!\"",
"Sir Clement, regardless of this rebuke, attended only to me; however I\nanswered nothing he said, when I could possibly avoid so doing.",
"Miss\nBranghton made several attempts to attract his notice, but in vain,\nfor he would not take the trouble of paying her any regard.",
"Madame Duval, during the rest of the ride, addressed herself to M. Du\nBois in French, and in that language exclaimed, with great vehemence,\nagainst boldness and assurance.",
"I was extremely glad when I thought our journey must be nearly at an\nend, for my situation was very uneasy to me, as Sir Clement perpetually\nendeavoured to take my hand.",
"I looked out of the coach-window, to see\nif we were near home: Sir Clement, stooping over me, did the same;\nand then, in a voice of infinite wonder, called out, \"Where the d-l\nis the man driving to?-Why we are in Broad Street, St.",
"Giles's!\"",
"\"O, he's very right,\" cried Madame Duval, \"so never trouble your\nhead about that; for I sha'n't go by no directions of your's, I\npromise you.\"",
"When, at last, we stopped at an hosier's in High Holborn,-Sir Clement\nsaid nothing, but his eyes, I saw, were very busily employed in\nviewing the place, and the situation of the house.",
"The coach, he\nsaid, belong to him, and therefore he insisted upon paying for it;\nand then he took leave.",
"M. Du Bois walked home with Miss Branghton,\nand Madame Duval and I retired to our apartments.",
"How disagreeable an evening's adventure!",
"not one of the party seemed\nsatisfied, except Sir Clement, who was in high spirits: but Madame\nDuval was enraged at meeting with him; Mr. Branghton, angry with his\nchildren; the frolic of the Miss Branghtons had exceeded their plan,\nand ended in their own distress; their brother was provoked that there\nhad been no riot; Mr. Brown was tired, and Mr. Smith mortified.",
"As to\nmyself, I must acknowledge, nothing could be more disagreeable to me,\nthan being seen by Sir Clement Willoughby with a party at once so\nvulgar in themselves, and so familiar to me.",
"And you, too, my dear Sir, will, I know, be sorry that I have met him;\nhowever, there is no apprehension of his visiting here, as Madame\nDuval is far too angry to admit him.",
"</CHAPTER>\n<CHAPTER>\nLETTER XLVII.",
"EVELINA TO THE REV.",
"MR. VILLARS.",
"Holborn, June 18th.",
"MADAME DUVAL rose very late this morning, and, at one o'clock, we had\nbut just breakfasted, when Miss Branghton, her brother, Mr. Smith,\nand Monsieur Du Bois, called to enquire after our healths.",
"The civility in young Branghton, I much suspect, was merely the result\nof his father's commands; but his sister and Mr. Smith, I soon found,\nhad motives of their own.",
"Scarce had they spoken to Madame Duval,\nwhen, advancing eagerly to me, \"Pray, Ma'am,\" said Mr. Smith, \"who\nwas that gentleman?\"",
"\"Pray, cousin,\" cried Miss Branghton, \"was not he the same gentleman\nyou ran away with that night at the opera?\"",
"\"Goodness!",
"that he was,\" said young Branghton, \"and, I declare,\nas soon as ever I saw him, I thought I knew his face.\"",
"\"I'm sure, I'll defy you to forget him,\" answered his sister, \"if once\nyou had seen him: he is the finest gentleman I ever saw in my life,\ndon't you think so, Mr.",
"Smith?\"",
"\"Why, you won't give the lady time to speak,\" said Mr. Smith.-\"Pray,\nMa'am, what is the gentleman's name?\"",
"\"Willoughby, Sir.\"",
"\"Willoughby!",
"I think I have heard the name.",
"Pray, Ma'am, is he\nmarried?\"",
"\"Lord, no, that he is not,\" cried Miss Branghton; \"he looks too\nsmart by a great deal for a married man.",
"Pray, cousin, how did you\nget acquainted with him?\"",
"\"Pray, Miss,\" said young Branghton, in the same breath, \"what's\nhis business?\"",
"\"Indeed I don't know,\" answered I.",
"\"Something very genteel, I dare say,\" added Miss Branghton, \"because\nhe dresses so fine.\"",
"\"It ought to be something that brings in a good income\" said Mr. Smith;\n\"for I'm sure that he did not get that suit of clothes he had on\nunder thirty or forty pounds; for I know the price of clothes pretty\nwell.-Pray, Ma'am, can you tell me what he has a-year?\"",
"\"Don't talk no more about him,\" cried Madame Duval, \"for I don't\nlike to hear his name: I believe he's one of the worst persons in the\nworld; for though I never did him no manner of harm, nor so much as\nhurt a hair of his head, I know he was an accomplice with the fellow,\nCaptain Mirvan, to take away my life.\"",
"Everybody, but myself, now crowding around her for an explanation,\na violent rapping at the street-door was unheard; and, without\nany previous notice, in the midst of her narration, Sir Clement\nWilloughby entered the room.",
"They all started; and, with looks of\nguilty confusion, as if they feared his resentment for having listened\nto Madame Duval, they scrambled for chairs, and in a moment were all\nformally seated.",
"Sir Clement, after a general bow, singling out Madame Duval, said\nwith his usual easiness, \"I have done myself the honour of waiting\non you, Madame, to enquire if you have any commands to Howard Grove,\nwhither I am going to-morrow morning.\"",
"Then, seeing the storm that gathered in her eyes, before he allowed her\ntime to answer, he addressed himself to me;-\"And if you, Madam, have\nany with which you will honour me, I shall be happy to execute them.\"",
"\"None at all, Sir.\"",
"\"None!",
"-not to Miss Mirvan!-no message!",
"no letter!\"",
"\"I wrote to Miss Mirvan yesterday by the post.\"",
"\"My application should have been earlier, had I sooner known your\naddress.\"",
"\"Ma foi,\" cried Madame Duval, recovering from her surprise, \"I believe\nnever nobody saw the like of this!\"",
"\"Of what, Madam?\"",
"cried the undaunted Sir Clement, turning quick\ntowards her; \"I hope no one has offended you!\"",
"\"You don't hope no such a thing!\"",
"cried she, half choked with passion,\nand rising from her chair.",
"This motion was followed by the rest;\nand in a moment, every body stood up.",
"Still Sir Clement was not abashed; affecting to make a bow\nof acknowledgment to the company in general, he said, \"Pray-I\nbeg-Ladies,-Gentlemen,-pray don't let me disturb you, pray keep\nyour seats.\"",
"\"Pray, Sir,\" said Miss Branghton, moving a chair towards him, \"won't\nyou sit down yourself?\"",
"\"You are extremely good, Ma'am:-rather than make any disturbance-\"\n\nAnd so saying, this strange man seated himself, as did, in an instant\nevery body else, even Madame Duval herself, who, overpowered by his\nboldness, seemed too full for utterance.",
"He then, and with as much composure as if he had been an expected\nguest, began to discourse on the weather,-its uncertainty,-the heat\nof the public places in summer,-the emptiness of the town,-and other\nsuch common topics.",
"Nobody, however, answered him; Mr. Smith seemed afraid, young Branghton\nashamed, M. Du Bois amazed, Madame Duval enraged, and myself determined\nnot to interfere.",
"All that he could obtain, was the notice of Miss\nBranghton, whose nods, smiles, and attention, had some appearance of\nentering into conversation with him.",
"At length, growing tired, I suppose, of engaging every body's eyes,\nand nobody's tongue, addressing himself to Madame Duval and to me,\nthe said, \"I regard myself as peculiarly unfortunate, Ladies, in\nhaving fixed upon a time for my visit to Howard Grove, when you are\nabsent from it.\"",
"\"So I suppose, Sir, so I suppose,\" cried Madame Duval, hastily rising,\nand the next moment as hastily seating herself;-\"you'll be wanting of\nsomebody to make your game of, and so you may think to get me there\nagain;-but, I promise you, Sir, you won't find it so easy a matter\nto make me a fool; and besides that,\" raising her voice, \"I've found\nyou out, I assure you; so if ever you go to play your tricks upon me\nagain, I'll make no more ado, but go directly to a justice of peace;\nso, Sir, if you can't think of nothing but making people ride about\nthe country at all hours of the night, just for your diversion, why,\nyou'll find I know some justices as well as Justice Tyrrell.\"",
"Sir Clement was evidently embarrassed at this attack; yet he affected\na look of surprise, and protested he did not understand her meaning.",
"\"Well,\" cried she, \"if I don't wonder where people can get such\nimpudence!",
"if you'll say that, you'll say anything: however, if you\nswear till you're black in the face, I sha'n't believe you; for nobody\nsha'n't persuade me out of my senses, that I'm resolved.\"",
"\"Doubtless not, Madam,\" answered he with some hesitation; \"and I hope\nyou do not suspect I ever had such an intention; my respect for you-\"\n\n\"O, Sir, you're vastly polite all of a sudden!",
"but I know what it's\nall for!",
"it's only for what you can get!-You could treat me like\nnobody at Howard Grove; but now you see I've a house of my own,\nyou're mind to wheedle yourself into it; but I sees your design,\nso you needn't trouble yourself to take no more trouble about that,\nfor you shall never get nothing at my house,-not so much as a dish\nof tea:-so now, Sir, you see I can play you trick for trick.\"",
"There was something so extremely gross in this speech, that it even\ndisconcerted Sir Clement, who was too much confounded to make any\nanswer.",
"It was curious to observe the effect which his embarrassment, added to\nthe freedom with which Madame Duval addressed him, had upon the rest\nof the company.",
"Every one, who before seemed at a loss how or if at\nall, to occupy a chair, how filled it with the most easy composure:\nand Mr. Smith, whose countenance had exhibited the most striking\npicture of mortified envy, now began to recover his usual expression\nof satisfied conceit.",
"Young Branghton, too, who had been apparently\nawed by the presence of so fine a gentleman, was again himself, rude\nand familiar: while his mouth was wide distended into a broad grin,\nat hearing his aunt give the beau such a trimming.",
"Madame Duval, encouraged by this success, looked around her with an\nair of triumph, and continued her harangue.",
"\"And so, Sir, I suppose\nyou thought to have had it all your own way, and to have comed here\nas often as you pleased, and to have got me to Howard Grove again,\non purpose to have served me as you did before; but you shall see I'm\nas cunning as you; so you may go and find somebody else to use in that\nmanner, and to put your mask on, and to make a fool of; for as to me,\nif you go to tell me your stories about the Tower again, for a month\ntogether, I'll never believe 'm no more: and I'll promise you, Sir,\nif you think I like such jokes, you'll find I'm no such person.\"",
"\"I assure you, Ma'am,-upon my honour,-I really don't comprehend-I\nfancy there is some misunderstanding-\"\n\n\"What, I suppose you'll tell me next you don't know nothing of the\nmatter?\"",
"\"Not a word, upon my honour.\"",
"O, Sir Clement, thought I, is it thus you prize your honour!",
"\"Pardi,\" cried Madame Duval, \"this is the most provokingest part of\nall!",
"why, you might as well tell me I don't know my own name.\"",
"\"Here is certainly some mistake; for I assure you, Ma'am-\"\n\n\"Don't assure me nothing,\" cried Madame Duval, raising her voice;\n\"I know what I'm saying, and so do you too; for did not you tell me\nall that about the Tower, and about M. Du Bois?-why M. Du Bois wasn't\nnever there, nor nigh it, and so it was all your own invention.\"",
"\"May there not be two persons of the same name?",
"the mistake was\nbut natural-\"\n\n\"Don't tell me of no mistake, for it was all on purpose: besides,\ndid not you come, all in a mask, to the chariot-door, and help to get\nme put in that ditch?-I'll promise you, I've had the greatest mind\nin the world to take the law of you ever since; and if ever you do\nas much again, so I will, I assure you!\"",
"Here Miss Branghton tittered, Mr. Smith smiled contemptously, and young\nBranghton thrust his handkerchief into his mouth to stop his laughter.",
"The situation of Sir Clement, who saw all that passed, became now\nvery awkward even to himself, and he stammered very much in saying,\n\"Surely, Madam-surely you-you cannot do me the-the injustice to\nthink-that I had any share in the-the-the misfortune which-\"\n\n\"Ma foi, Sir,\" cried Madame Duval, with increasing passion, \"you'd\nbest not stand talking to me at that rate: I know it was you; and\nif you stay there, a provoking me in such a manner, I'll send for a\nconstable this minute.\"",
"Young Branghton, at these words, in spite of all his efforts, burst\ninto a loud laugh; nor could either his sister or Mr. Smith, though\nwith more moderation, forbear joining in his mirth.",
"Sir Clement darted his eyes towards them with looks of the most angry\ncontempt; and then told Madame Duval, that he would not now detain\nher to make his vindication, but would wait on her some time when\nshe was alone.",
"\"O Pardi, Sir,\" cried she, \"I don't desire none of your company;\nand if you wasn't the most boldest person in the world, you would\nnot dare look me in the face.\"",
"The ha, ha ha's!",
"and he, he, he's!",
"grew more and more uncontrollable,\nas if the restraint, from which they had burst, had added to their\nviolence.",
"Sir Clement could no longer endure being the object who\nexcited them; and, having no answer ready for Madame Duval, he hastily\nstalked towards Mr. Smith and young Branghton, and sternly demanded\nwhat they laughed at?",
"Struck by the air of importance which he assumed, and alarmed at the\nangry tone of his voice, their merriment ceased as instantaneously\nas if it had been directed by clock-work; and they stared foolishly,\nnow at him, now at each other, without making any answer but a simple\n\"Nothing, Sir.\"",
"\"O pour le coup,\" cried Madame Duval, \"this is too much!",
"Pray, Sir,\nwhat business have you to come here a ordering people that comes to\nsee me?",
"I suppose next nobody must laugh but yourself!\"",
"\"With me, Madam,\" said Sir Clement, bowing, \"a lady may do any thing,\nand consequently there is no liberty in which I shall not be happy\nto indulge you: -but it has never been my custom to give the same\nlicence to gentlemen.\"",
"Then, advancing to me, who had sat very quietly on a window during\nthis scene, he said, \"Miss Anville, I may at least acquaint our\nfriends at Howard Grove that I had the honour of leaving you in\ngood health.\"",
"And then, lowering his voice, he added, \"For Heaven's\nsake, my dearest creature, who are these people?",
"and how came you so\nstrangely situated?\"",
"\"I beg my respects to all the family, Sir,\" answered I, aloud;\n\"and I hope you will find them well.\"",
"He looked at me reproachfully, but kissed my hand; and then, bowing\nto Madame Duval and Miss Branghton, passed hastily by the men, and\nmade his exit.",
"I fancy he will not be very eager to repeat his visit; for I should\nimagine he has rarely, if ever, been before in a situation so awkward\nand disagreeable.",
"Madame Duval has been all spirits and exultation ever since he\nwent, and only wishes Captain Mirvan would call, that she might do\nthe same by him.",
"Mr. Smith, upon hearing that he was a baronet,\nand seeing him drive off in a very beautiful chariot, declared that\nhe would not have laughed upon any account, had he known his rank;\nand regretted extremely having missed such an opportunity of making\nso genteel an acquaintance.",
"Young Branghton vowed, that if he had\nknown as much, he would have asked for his custom: and his sister\nhas sung his praises ever since, protesting she thought all along he\nwas a man of quality by his look.",
"</CHAPTER>\n<CHAPTER>\nLETTER XLVIII.",
"EVELINA IN CONTINUATION.",
"June 21st.",
"THE last three evenings have passed tolerably quiet, for the Vauxhall\nadventures had given Madame Duval a surfeit of public places: home,\nhowever, soon growing tiresome, she determined to-night, she said,\nto relieve her ennui by some amusement; and it was therefore settled,\nthat we should call upon the Branghtons at their house, and thence\nproceed to Marybone Gardens.",
"But, before we reached Snow Hill, we were caught in a shower of\nrain: we hurried into the shop, where the first object I saw was\nMr. Macartney, with a book in his hand, seated in the same corner where\nI saw him last; but his looks were still more wretched than before,\nhis face yet thinner, and his eyes sunk almost hollow into his head.",
"He\nlifted them up as we entered, and I even thought that they emitted a\ngleam of joy: involuntarily I made to him my first courtesy; he rose\nand bowed with a precipitation that manifested surprise and confusion.",
"In a few minutes were joined by all the family, except Mr. Smith,\nwho fortunately was engaged.",
"Had all the future prosperity of our lives depended upon the good\nor bad weather of this evening, it could not have been treated\nas a subject of greater importance.",
"\"Sure, never anything was so\nunlucky!",
"\"-\"Lord, how provoking!",
"\"-\"It might rain for ever, if it\nwould hold up now.",
"\"-These, and such expressions, with many anxious\nobservations upon the kennels, filled up all the conversation till\nthe shower was over.",
"And then a very warm debate arose, whether we should pursue our plan,\nor defer it to some finer evening.",
"The Miss Branghtons were for the\nformer; their father was sure it would rain again; Madame Duval, though\nshe detested returning home, yet dreaded the dampness of the gardens.",
"M. Du Bois then proposed going to the top of the house, to examine\nwhether the clouds looked threatening or peaceable: Miss Branghton,\nstarting at this proposal, said they might go to Mr. Macartney's room,\nif they would, but not to her's.",
"This was enough for the brother; who, with a loud laugh, declared he\nwould have some fun; and immediately led the way, calling to us all\nto follow.",
"His sisters both ran after, but no one else moved.",
"In a few minutes young Branghton, coming half-way down stairs, called\nout, \"Lord, why don't you all come?",
"why, here's Poll's things all\nabout the room!\"",
"Mr. Branghton then went; and Madame Duval, who cannot bear to be\nexcluded from whatever is going forward, was handed up stairs by\nM. Du Bois.",
"I hesitated a few moments whether or not to join them; but, soon\nperceiving that Mr. Macartney had dropped his book, and that I\nengrossed his whole attention, I prepared, from mere embarrassment,\nto follow them.",
"As I went, I heard him move from his chair, and walk slowly after me.",
"Believing that he wished to speak to me, and earnestly desiring myself\nto know if, by your means, I could possibly be of any service to him,\nI first slackened my pace, and then turned back.",
"But, though I thus\nmet him half-way, he seemed to want courage or resolution to address\nme; for, when he saw me returning, with a look extremely disordered,\nhe retreated hastily from me.",
"Not knowing what I ought to do, I went to the street-door, where I\nstood some time, hoping he would be able to recover himself; but,\non the contrary, his agitation increased every moment; he walked\nup and down the room in a quick but unsteady pace, seeming equally\ndistressed and irresolute; and, at length, with a deep sigh, he flung\nhimself into a chair.",
"I was so much affected by the appearance of such extreme anguish,\nthat I could remain no longer in the room: I therefore glided by him\nand went up stairs; but, ere I had gone five steps, he precipitately\nfollowed me, and, in a broken voice, called out \"Madam!-for Heaven's\nsake-\"\n\nHe stopped; but I instantly descended, restraining, as well as I was\nable, the fulness of my own concern.",
"I waited some time, in painful\nexpectation, for his speaking: all that I had heard of his poverty\noccurring to me, I was upon the point of presenting him my purse;\nbut the fear of mistaking or offending him deterred me.",
"Finding,\nhowever, that he continued silent, I ventured to say, \"Did you,-Sir,\nwish to speak to me?\"",
"\"I did,\" cried he with quickness, \"but now-I cannot!-\"\n\n\"Perhaps, Sir, another time,-perhaps if you recollect yourself-\"\n\n\"Another time?\"",
"repeated he mournfully; \"alas!",
"I look not forward\nbut to misery and despair!\"",
"\"O, Sir,\" cried I, extremely shocked, \"you must not talk thus!-If\nyou forsake yourself, how can you expect-\"\n\nI stopped.",
"\"Tell me, tell me,\" cried he, with eagerness, \"who you\nare?-whence you come?-and by what strange means you seem to be\narbitress and ruler of the destiny of such a wretch as I am?\"",
"\"Would to Heaven,\" cried I, \"I could serve you!\"",
"\"You can!\"",
"\"And how?",
"Pray tell me how?\"",
"\"To tell you-is death to me!",
"yet I will tell you.-I have a right to\nyour assistance,-you have deprived me of the only resource to which\nI could apply,-and therefore-\"\n\n\"Pray, pray speak,\" cried I, putting my hand into my pocket; \"they\nwill be down stairs in a moment!\"",
"\"I will, Madam.-Can you-will you-I think you will!-may I then-\" he\nstopped and paused; \"say, will you\"-then, suddenly turning from me,\n\"Great Heaven, I cannot speak!\"",
"and he went back to the shop.",
"I now put my purse in my hand, and following him, said, \"If,\nindeed, Sir, I can assist you, why should you deny me so great a\nsatisfaction?",
"Will you permit me to-\"\n\nI dared not go on; but with a countenance very much softened,\nhe approached me and said, \"Your voice, Madam, is the voice of\ncompassion!-such a voice as these ears have long been strangers to!\"",
"Just then young Branghton called out vehemently to me to come up\nstairs.",
"I seized the opportunity of hastening away: and therefore\nsaying, \"Heaven, Sir, protect and comfort you!\"",
"I let fall my purse\nupon the ground, not daring to present it to him, and ran up stairs\nwith the utmost swiftness.",
"Too well do I know you, my ever honoured Sir, to fear your displeasure\nfor this action: I must, however, assure you, I shall need no fresh\nsupply during my stay in town, as I am at little expense, and hope\nsoon to return to Howard Grove.",
"Soon, did I say!",
"when not a fortnight is yet expired of the long and\ntedious month I must linger out here!",
"I had many witticisms to endure from the Branghtons, upon account\nof my staying so long with the Scotch mope, as they call him; but\nI attended to them very little, for my whole heart was filled with\npity and concern.",
"I was very glad to find the Marybone scheme was\ndeferred, another shower of rain having put a stop to the dissension\nupon this subject; the rest of the evening was employed in most\nviolent quarrelling between Miss Polly and her brother, on account\nof the discovery made by the latter of the state of her apartment.",
"We came home early; and I have stolen from Madame Duval and M. Du Bois,\nwho is here for ever, to write to my best friend.",
"I am most sincerely rejoiced, that this opportunity has offered for my\ncontributing what little relief was in my power to this unhappy man;\nand I hope it will be sufficient to enable him to pay his debts to\nthis pitiless family.",
"</CHAPTER>\n<CHAPTER>\nLETTER XLIX.",
"MR. VILLARS TO EVELINA.",
"Berry Hill.",
"DISPLEASURE?",
"my Evelina!-you have but done your duty; you have but\nshown that humanity without which I should blush to own my child.",
"It\nis mine, however, to see that your generosity be not repressed by\nyour suffering from indulging it; I remit to you, therefore, not\nmerely a token of my approbation, but an acknowledgment of my desire\nto participate in your charity.",
"O my child, were my fortune equal to my confidence in thy benevolence,\nwith what transport should I, through thy means, devote it to the\nrelief of indigent virtue!",
"yet let us not repine at the limitation\nof our power; for while our bounty is proportioned to our ability,\nthe difference of the greater or less donation can weigh but little\nin the scale of justice.",
"In reading your account of the misguided man, whose misery has so\nlargely excited your compassion, I am led to apprehend that his unhappy\nsituation is less the effect of misfortune than of misconduct.",
"If he\nis reduced to that state of poverty represented by the Branghtons, he\nshould endeavour, by activity and industry, to retrieve his affairs,\nand not pass his time in idle reading in the very shop of his creditor.",
"The pistol scene made me shudder; the courage with which you pursued\nthis desperate man, at once delighted and terrified me.",
"Be ever thus,\nmy dearest Evelina, dauntless in the cause of distress!",
"let no weak\nfears, no timid doubts, deter you from the exertion of your duty,\naccording to the fullest sense of it that Nature has implanted in\nyour mind.",
"Though gentleness and modesty are the peculiar attributes\nof your sex, yet fortitude and firmness, when occasion demands them,\nare virtues as noble and as becoming in women as in men: the right\nline of conduct is the same for both sexes, though the manner in which\nit is pursued may somewhat vary, and be accommodated to the strength\nor weakness of the different travellers.",
"There is, however, something so mysterious in all you have seen\nor heard of this wretched man, that I am unwilling to stamp a bad\nimpression of his character upon so slight and partial a knowledge\nof it.",
"Where any thing is doubtful, the ties of society, and the laws\nof humanity, claim a favourable interpretation; but remember, my dear\nchild, that those of discretion have an equal claim to your regard.",
"As to Sir Clement Willoughby, I know not how to express my indignation\nat his conduct.",
"Insolence so insufferable, and the implication of\nsuspicions so shocking, irritate me to a degree of wrath, which I\nhardly thought my almost worn-out passions were capable of again\nexperiencing.",
"You must converse with him no more: he imagines, from\nthe pliability of your temper, that he may offend you with impunity;\nbut his behaviour justifies, nay, calls for your avowed resentment;\ndo not, therefore, hesitate in forbidding him your sight.",
"The Branghtons, Mr. Smith, and young Brown, however ill-bred and\ndisagreeable, are objects too contemptible for serious displeasure;\nyet I grieve much that my Evelina should be exposed to their rudeness\nand impertinence.",
"The very day that this tedious month expires, I shall send Mrs. Clinton\nto town, who will accompany you to Howard Grove.",
"Your stay there will,\nI hope, be short; for I feel daily an increasing impatience to fold\nmy beloved child to my bosom!",
"ARTHUR VILLARS.",
"</CHAPTER>\n<CHAPTER>\nLETTER L. EVELINA TO THE REV.",
"MR. VILLARS.",
"Holborn, June 27th.",
"I HAVE just received, my dearest Sir, your kind present, and still\nkinder letter.",
"Surely, never had orphan so little to regret as your\ngrateful Evelina!",
"Though motherless, though worse than fatherless,\nbereft from infancy of the two first and greatest blessings of life,\nnever has she had cause to deplore their loss; never has she felt the\nomission of a parent's tenderness, care, or indulgence; never, but\nfrom sorrow for them, had reason to grieve at the separation!",
"Most\nthankfully do I receive the token of your approbation, and most\nstudiously will I endeavour so to dispose of it, as may merit your\ngenerous confidence in my conduct.",
"Your doubts concerning Mr. Macartney give me some uneasiness.",
"Indeed,\nSir, he has not the appearance of a man whose sorrows are the effect\nof guilt.",
"But I hope, before I leave town, to be better acquainted\nwith his situation, and enabled, with more certainty of his worth,\nto recommend him to your favour.",
"I am very willing to relinquish all acquaintance with Sir Clement\nWilloughby, as far as it may depend upon myself so to do; but, indeed\nI know not how I should be able to absolutely forbid him my sight.",
"Miss Mirvan, in her last letter, informs me that he is now at Howard\nGrove, where he continues in high favour with the Captain, and is\nthe life and spirit of the house.",
"My time, since I wrote last, has\npassed very quietly, Madame Duval having been kept at home by a bad\ncold, and the Branghtons by bad weather.",
"The young man, indeed, has\ncalled two or three times; and his behavior, though equally absurd,\nis more unaccountable than ever: he speaks very little, takes hardly\nany notice of Madame Duval, and never looks at me without a broad\ngrin.",
"Sometimes he approaches me, as if with intention to communicate\nintelligence of importance; and then, suddenly stopping short, laughs\nrudely in my face.",
"O how happy shall I be, when the worthy Mrs. Clinton arrives!",
"June 29th.",
"Yesterday morning, Mr. Smith called to acquaint us that the Hampstead\nassembly was to be held that evening; and then he presented Madame\nDuval with one ticket, and brought another to me.",
"I thanked him for\nhis intended civility, but told him I was surprised he had so soon\nforgotten my having already declined going to the ball.",
"\"Lord, Ma'am,\" cried he, \"how should I suppose you was in\nearnest?",
"come, come, don't be cross; here's your Grandmama ready to\ntake care of you, so you can have no fair objection, for she'll see\nthat I don't run away with you.",
"Besides, Ma'am, I got the tickets\non purpose.\"",
"\"If you were determined, Sir,\" said I, \"in making me this offer,\nto allow me no choice of refusal or acceptance, I must think myself\nless obliged to your intention than I was willing to do.\"",
"\"Dear Ma'am,\" cried he, \"you're so smart, there is no speaking to\nyou;-indeed you are monstrous smart, Ma'am!",
"but come, your Grandmama\nshall ask you, and then I know you'll not be so cruel.\"",
"Madame Duval was very ready to interfere; she desired me to make no\nfurther opposition, said she should go herself, and insisted upon my\naccompanying her.",
"It was in vain that I remonstrated; I only incurred\nher anger: and Mr. Smith having given both the tickets to Madame\nDuval with an air of triumph, said he should call early in the evening,\nand took leave.",
"I was much chagrined at being thus compelled to owe even the shadow\nof an obligation to so forward a young man; but I determined that\nnothing should prevail upon me to dance with him, however my refusal\nmight give offence.",
"In the afternoon, when he returned, it was evident that he purposed\nto both charm and astonish me by his appearance: he was dressed in a\nvery showy manner, but without any taste; and the inelegant smartness\nof his air and deportment, his visible struggle against education to\nput on the fine gentleman, added to his frequent conscious glances\nat a dress to which he was but little accustomed, very effectually\ndestroyed his aim of figuring, and rendered all his efforts useless.",
"During tea entered Miss Branghton and her brother.",
"I was sorry\nto observe the consternation of the former, when she perceived\nMr. Smith.",
"I had intended applying to her for advice upon\nthis occasion, but had been always deterred by her disagreeable\nabruptness.",
"Having cast her eyes several times from Mr. Smith to me,\nwith manifest displeasure, she seated herself sullenly in the window,\nscarce answering Madame Duval's enquiries; and when I spoke to her,\nturning absolutely away from me.",
"Mr. Smith, delighted at this mark of his importance, sat indolently\nquiet on his chair, endeavouring by his looks rather to display,\nthan to conceal, his inward satisfaction.",
"\"Good gracious!\"",
"cried young Branghton, \"why, you're all as fine as\na five-pence!",
"Why, where are you going?\"",
"\"To the Hampstead ball,\" answered Mr. Smith.",
"\"To a ball!\"",
"cried he.",
"\"Why, what, is aunt going to a ball?",
"Ha,\nha, ha!\"",
"\"Yes, to be sure,\" cried Madame Duval; \"I don't know nothing need\nhinder me.\"",
"\"And pray, aunt, will you dance too?\"",
"\"Perhaps I may; but I suppose, Sir, that's none of your business,\nwhether I do or not.\"",
"\"Lord!",
"well, I should like to go!",
"I should like to see aunt dance\nof all things!",
"But the joke is, I don't believe she'll get ever\na partner.\"",
"\"You're the most rudest boy ever I see,\" cried Madame Duval, angrily:\n\"but, I promise you, I'll tell your father what you say, for I've no\nnotion of such vulgarness.\"",
"\"Why, Lord, aunt, what are you so angry for?",
"there's no speaking a\nword, but you fly into a passion: you're as bad as Biddy, or Poll,\nfor that, for you're always a-scolding.\"",
"\"I desire, Tom,\" cried Miss Branghton, \"you'd speak for yourself,\nand not make so free with my name.\"",
"\"There, now, she's up!",
"There's nothing but quarrelling with the women;\nit's my belief they like it better than victuals and drink.\"",
"\"Fie, Tom,\" cried Mr. Smith, \"you never remember your manners before\nthe ladies: I'm sure you never heard me speak so rude to them.\"",
"\"Why, Lord, you are a beau; but that's nothing to me.",
"So, if you've\na mind, you may be so polite as to dance with aunt yourself.\"",
"Then,\nwith a loud laugh, he declared it would be good fun to see them.",
"\"Let it be never so good, or never so bad,\" cried Madame Duval,\n\"you won't see nothing of it, I promise you; so pray don't let\nme hear no more of such vulgar pieces of fun; for, I assure you,\nI don't like it.",
"And as to my dancing with Mr. Smith, you may see\nwonderfuller things than that any day in the week.\"",
"\"Why, as to that, Ma'am,\" said Mr. Smith, looking much surprised,\n\"I always thought you intended to play at cards, and so I thought to\ndance with the young lady.\"",
"I gladly seized this opportunity to make my declaration, that I should\nnot dance at all.",
"\"Not dance at all!\"",
"repeated Miss Branghton; \"yes, that's a likely\nmatter truly, when people go to balls.\"",
"\"I wish she mayn't,\" said the brother; \"'cause then Mr. Smith will\nhave nobody but aunt for a partner.",
"Lord, how mad he'll be!\"",
"\"O, as to that,\" said Mr. Smith, \"I don't at all fear of prevailing\nwith the young lady, if once I get her to the room.\"",
"\"Indeed, Sir,\" cried I, much offended by his conceit, \"you are\nmistaken; and therefore I beg leave to undeceive you, as you may be\nassured my resolution will not alter.\"",
"\"Then, pray, Miss, if it is not impertinent,\" cried Miss Branghton,\nsneeringly, \"what do you go for?\"",
"\"Merely and solely,\" answered I, \"to comply with the request of\nMadame Duval.\"",
"\"Miss,\" cried young Branghton, \"Bid only wishes it was she, for she\nhas cast a sheep's eye at Mr. Smith this long while.\"",
"\"Tom,\" cried the sister, rising, \"I've the greatest mind in the world\nto box your ears!",
"How dare you say such a thing of me!\"",
"\"No, hang it, Tom, no, that's wrong,\" said Mr. Smith, simpering;\n\"it is indeed, to tell the lady's secrets.-But never mind him, Miss\nBiddy, for I won't believe him.\"",
"\"Why, I know Bid would give her ears to go,\" returned the brother;\n\"but only Mr. Smith likes Miss best,-so does every body else.\"",
"While the sister gave him a very angry answer, Mr. Smith said to me in\na low voice, \"Why now, Ma'am, how can you be so cruel as to be so much\nhandsomer than your cousins?",
"Nobody can look at them when you are by.\"",
"\"Miss,\" cried young Branghton, \"whatever he says to you don't mind\nhim for he means no good; I'll give you my word for it, he'll never\nmarry you; for he has told me again and again, he'll never marry as\nlong as he lives; besides, if he'd any mind to be married, there's\nBid would have had him long ago, and thanked him too.\"",
"\"Come, come, Tom, don't tell secrets; you'll make the ladies afraid\nof me: but I assure you,\" lowering his voice, \"if I did marry, it\nshould be your cousin.\"",
"Should be!-did you ever, my dear Sir, hear such unauthorised freedom?",
"I\nlooked at him with a contempt I did not wish to repress, and walked\nto the other end of the room.",
"Very soon after Mr. Smith sent for a hackney-coach.",
"When I would have\ntaken leave of Miss Branghton, she turned angrily from me, without\nmaking any answer.",
"She supposes, perhaps, that I have rather sought,\nthan endeavoured to avoid, the notice and civilities of this conceited\nyoung man.",
"The ball was at the long room at Hampstead.",
"This room seems very well named, for I believe it would be difficult\nto find any other epithet which might with propriety distinguish it,\nas it is without ornament, elegance, or any sort of singularity,\nand merely to be marked by its length.",
"I was saved from the importunities of Mr. Smith, the beginning of the\nevening, by Madame Duval's declaring her intention to dance the first\ntwo dances with him herself.",
"Mr. Smith's chagrin was very evident;\nbut as she paid no regard to it, he was necessitated to lead her out.",
"I was, however, by no means pleased, when she said she was determined\nto dance a minuet.",
"Indeed, I was quite astonished, not having had\nthe least idea she would have consented to, much less proposed,\nsuch an exhibition of her person.",
"She had some trouble to make her\nintentions known, as Mr. Smith was rather averse to speaking to the\nmaster of the ceremonies.",
"During this minuet, how much did I rejoice in being surrounded only\nwith strangers!",
"She danced in a style so uncommon; her age, her showy\ndress, and an unusual quantity of rouge, drew upon her the eyes, and I\nfear the derision, of the whole company.",
"Whom she danced with, I know\nnot; but Mr. Smith was so ill-bred as to laugh at her very openly,\nand to speak of her with as much ridicule as was in his power.",
"But I\nwould neither look at, nor listen to him, nor would I suffer him to\nproceed with any speech which he began, expressive to his vexation\nat being forced to dance with her.",
"I told him, very gravely, that\ncomplaints upon such a subject might, with less impropriety, be made\nto every person in the room than to me.",
"When she returned to us, she distressed me very much, by asking what I\nthought of her minuet.",
"I spoke as civilly as I could; but the coldness\nof my compliment evidently disappointed her.",
"She then called upon\nMr. Smith to secure a good place among the country dancers; and away\nthey went, though not before he had taken the liberty to say to me\nin a low voice, \"I protest to you, Ma'am, I shall be quite out of\ncountenance, if any of my acquaintance should see me dancing with\nthe old lady!\"",
"For a few moments I very much rejoiced at being relieved from this\ntroublesome man; but scarce had I time to congratulate myself, before\nI was accosted by another, who begged the favour of hopping a dance\nwith me.",
"I told him that I should not dance at all; but he thought proper to\nimportune me, very freely, not to be so cruel; and I was obliged to\nassume no little haughtiness before I could satisfy him I was serious.",
"After this, I was addressed much in the same manner, by several other\nyoung men; of whom the appearance and language were equally inelegant\nand low-bred; so that I soon found my situation was both disagreeable\nand improper, since, as I was quite alone, I fear I must seem rather\nto invite than to forbid the offers and notice I received; and yet,\nso great was my apprehension of this interpretation, that I am sure,\nmy dear Sir, you would have laughed had you seen how proudly grave\nI appeared.",
"I knew not whether to be glad or sorry, when Madame Duval and Mr. Smith\nreturned.",
"The latter instantly renewed his tiresome intreaties, and\nMadame Duval said she would go to the card-table; and as soon as she\nwas accommodated, she desired us to join the dancers.",
"I will not trouble you with the arguments which followed.",
"Mr. Smith\nteased me till I was weary of resistance; and I should at last have\nbeen obliged to submit, had I not fortunately recollected the affair\nof Mr. Lovel, and told my persecutor, that it was impossible I should\ndance with him, even if I wished it, as I had refused several persons\nin his absence.",
"He was not contented with being extremely chagrined; but took the\nliberty, openly and warmly, to expostulate with me upon not having\nsaid I was engaged.",
"The total disregard with which, involuntarily, I heard him, made him\nsoon change the subject.",
"In truth, I had no power to attend to him;\nfor all my thoughts were occupied in re-tracing the transactions\nof the two former balls, at which I had been present.",
"The party-the\nconversation-the company-O how great the contrast!",
"In a short time, however, he contrived to draw my attention to himself,\nby his extreme impertinence; for he chose to express what he called\nhis admiration of me, in terms so open and familiar, that he forced\nme to express my displeasure with equal plainness.",
"But how was I surprised, when I found he had the temerity-what else\ncan I call it?-to impute my resentment to doubts of his honour:\nfor he said, \"My dear Ma'am, you must be a little patient; I assure\nyou I have no bad designs, I have not upon my word; but, really,\nthere is no resolving upon such a thing as matrimony all at once;\nwhat with the loss of one's liberty, and what with the ridicule of all\none's acquaintance,-I assure you Ma'am you are the first lady who ever\nmade me even demur upon this subject; for, after all, my dear Ma'am,\nmarriage is the devil.\"",
"\"Your opinion, Sir,\" answered I, \"of either the married or the single\nlife, can be of no manner of consequence to me; and therefore I would\nby no means trouble you to discuss their different merits.\"",
"\"Why, really, Ma'am, as to your being a little out of sorts, I must\nown I can't wonder at it; for, to be sure, marriage is all in all with\nthe ladies; but with us gentlemen it's quite another thing!",
"Now only\nput yourself in my place;-suppose you had such a large acquaintance\nof gentlemen as I have,-and that you had always been used to appear a\nlittle-a little smart among them-why, now could you like to let your\nself down all at once into a married man?\"",
"I could not tell what to answer; so much conceit, and so much\nignorance, both astonished and silenced me.",
"\"I assure you, Ma'am,\" added he, \"there is not only Miss Biddy,-though\nI should have scored to mention her, if her brother had not blab'd,\nfor I'm quite particular in keeping ladies' secrets,-but there are\na great many other ladies that have been proposed to me;-but I never\nthought twice of any of them, that is, not in a serious way:-so you\nmay very well be proud,\" offering to take my hand; \"for I assure you,\nthere is nobody so likely to catch me at last as yourself.\"",
"\"Sir, \"cried I, drawing myself back as haughtily as I could, \"you are\ntotally mistaken, if you imagine you have given me any pride I felt\nnot before, by this conversation; on the contrary, you must allow me\nto tell you, I find it too humiliating to bear with it any longer.\"",
"I then placed myself behind the chair of Madame Duval: who, when she\nheard of the partners I had refused, pitied my ignorance of the world,\nbut no longer insisted upon my dancing.",
"Indeed, the extreme vanity of this man, makes me exert a spirit which\nI did not, till now, know that I possessed: but I cannot endure that\nhe should think me at his disposal.",
"The rest of the evening passed very quietly, as Mr. Smith did not\nagain attempt speaking to me; except, indeed, after we had left the\nroom and while Madam Duval was seating herself in the coach, he said,\nin a voice of pique, \"Next time I take the trouble to get any tickets\nfor a young lady, I'll make a bargain before-hand, that she shan't\nturn me over to her grandmother.\"",
"We came home very safe; and thus ended this so long projected and\nmost disagreeable affair.",
"</CHAPTER>"
] | [
"There was something in the whole of this extraordinary and shocking\nadventure, really too affecting to be borne; and so entirely had I\nspent my spirits, and exhausted my courage, that before the Branghtons\nreached me, I had sunk on the ground without sense or motion.",
"\"And pray how was that, child?\"",
"I assure you, Ma'am, many genteel people go,\nor else, I give you my word, I should not recommend it.\"",
"Just then Mr. Smith came into the shop, which he seemed to intend\npassing through; but when he saw me, he stopped, and began a most\ncourteous enquiry after my health, protesting, that, had he known I\nwas there, he should have come down sooner.",
"Much fault was found with every thing\nthat was ordered, though not a morsel of any thing was left; and the\ndearness of the provisions, with conjectures upon what profit was\nmade by them, supplied discourse during the whole meal.",
"\"O fie, Mr. Brown, fie,\" cried Mr. Smith, winking at us, \"tired of\nlooking for a lady!",
"If you'd stayed with us, I'll answer for\nit Mr. Smith and M. Du Bois would have come to look for us; but I\nsuppose they could not leave your ladyship.\"",
"Had all the future prosperity of our lives depended upon the good\nor bad weather of this evening, it could not have been treated\nas a subject of greater importance.",
"The very day that this tedious month expires, I shall send Mrs. Clinton\nto town, who will accompany you to Howard Grove.",
"The party-the\nconversation-the company-O how great the contrast!"
] | [
"When she returned to us, she distressed me very much, by asking what I\nthought of her minuet.",
"said Miss Branghton.",
"\"Then, pray, Miss, if it is not impertinent,\" cried Miss Branghton,\nsneeringly, \"what do you go for?\"",
"This room seems very well named, for I believe it would be difficult\nto find any other epithet which might with propriety distinguish it,\nas it is without ornament, elegance, or any sort of singularity,\nand merely to be marked by its length.",
"\"Why, you won't give the lady time to speak,\" said Mr. Smith.-\"Pray,\nMa'am, what is the gentleman's name?\"",
"There was a concert; in the course\nof which a hautbois concerto was so charmingly played, that I could\nhave thought myself upon enchanted ground, had I had spirits more\ngentle to associate with.",
"But what have you done with your cousins?\"",
"Wild with fright, and scarce knowing what I did, I caught, almost\ninvoluntarily, hold of both his arms, and exclaimed, \"O, Sir!",
"I told him, very gravely, that\ncomplaints upon such a subject might, with less impropriety, be made\nto every person in the room than to me.",
"EVELINA IN CONTINUATION."
] | [
"\"Not know!-But do you return to the Mirvans any more?\"",
"\"I-I can't tell, Sir.\"",
"And then I addressed myself to Madame Duval, with such a pretended\nearnestness, that he was obliged to be silent.",
"As he cannot but observe the great change in my situation, which\nhe knows not how to account for, there is something in all these\nquestions, and this unrestrained curiosity, that I did not expect\nfrom a man who, when he pleases, can be so well-bred as Sir Clement\nWilloughby.",
"He seems disposed to think that the alteration in my\ncompanions authorises an alteration in his manners.",
"It is true, he\nhas always treated me with uncommon freedom, but never before with\nso disrespectful an abruptness.",
"This observation, which he has given\nme cause to make, of his changing with the tide, has sunk him more\nin my opinion than any other part of his conduct.",
"Yet I could almost have laughed when I looked at Mr. Smith, who no\nsooner saw me addressed by Sir Clement, than, retreating aloof from\nthe company, he seemed to lose at once all his happy self-sufficiency\nand conceit; looking now at the baronet, now at himself; surveying,\nwith sorrowful eyes, his dress; struck with his air, his gestures,\nhis easy gaiety, he gazed at him with envious admiration, and seemed\nhimself, with conscious inferiority, to shrink into nothing.",
"Soon after, Mr. Brown, running up to us, called out, \"La, what,\ni'n't Miss Polly come yet?\"",
"\"Come,\" said Mr. Branghton; \"why, I thought you went to fetch her\nyourself, didn't you?\"",
"\"Yes, but I couldn't find her;-yet I daresay I've been over half\nthe garden.\""
] | [
"<CHAPTER>\nLETTER XLIII EVELINA IN CONTINUATION\n\nJune 10th\nTHIS morning Mr. Smith called,\non purpose, he said, to offer me a ticket for the next Hampstead\nassembly.",
"I thanked him, but desired to be excused accepting it: he\nwould not, however, be denied, nor answered; and, in a manner both\nvehement and free, pressed and urged his offer, till I was wearied to\ndeath: but, when he found me resolute, he seemed thunderstruck with\namazement, and thought proper to desire I would tell him my reasons.",
"Obvious as they must surely have been to any other person, they\nwere such as I knew not how to repeat to him; and, when he found I\nhesitated, he said, \"Indeed, Ma'am, you are too modest; I assure you\nthe ticket is quite at your service, and I shall be very happy to\ndance with you; so pray don't be so coy.\"",
"\"Indeed, Sir,\" returned I, \"you are mistaken; I never supposed you\nwould offer a ticket without wishing it should be accepted; but it\nwould answer no purpose to mention the reasons which make me decline\nit, since they cannot possibly be removed.\"",
"This speech seemed very much to mortify him; which I could not be\nconcerned at, as I did not choose to be treated by him with so much\nfreedom.",
"When he was, at last, convinced that his application to me\nwas ineffectual, he addressed himself to Madame Duval, and begged she\nwould interfere in his favour; offering at the same time to procure\nanother ticket for herself.",
"\"Ma foi, Sir,\" answered she, angrily, \"you might as well have had\nthe complaisance to ask me before; for, I assure you, I don't approve\nof no such rudeness: however, you may keep your tickets to yourself,\nfor we don't want none of 'em.\"",
"This rebuke almost overset him; he made many apologies, and said that\nhe should certainly have first applied to her, but that he had no\nnotion the young lady would have refused him, and, on the contrary,\nhad concluded that she would have assisted him to persuade Madame\nDuval herself.",
"This excuse appeased her; and he pleaded his cause so successfully,\nthat, to my great chagrin, he gained it, and Madame Duval promised\nthat she would go herself, and take me to the Hampstead assembly\nwhenever he pleased.",
"Mr. Smith then, approaching me with an air of triumph, said, \"Well,\nMa'am, now I think you can't possibly keep to your denial.\"",
"\"Why, really, Ma'am, as to your being a little out of sorts, I must\nown I can't wonder at it; for, to be sure, marriage is all in all with\nthe ladies; but with us gentlemen it's quite another thing!",
"Now only\nput yourself in my place;-suppose you had such a large acquaintance\nof gentlemen as I have,-and that you had always been used to appear a\nlittle-a little smart among them-why, now could you like to let your\nself down all at once into a married man?\"",
"I could not tell what to answer; so much conceit, and so much\nignorance, both astonished and silenced me.",
"\"I assure you, Ma'am,\" added he, \"there is not only Miss Biddy,-though\nI should have scored to mention her, if her brother had not blab'd,\nfor I'm quite particular in keeping ladies' secrets,-but there are\na great many other ladies that have been proposed to me;-but I never\nthought twice of any of them, that is, not in a serious way:-so you\nmay very well be proud,\" offering to take my hand; \"for I assure you,\nthere is nobody so likely to catch me at last as yourself.\"",
"\"Sir, \"cried I, drawing myself back as haughtily as I could, \"you are\ntotally mistaken, if you imagine you have given me any pride I felt\nnot before, by this conversation; on the contrary, you must allow me\nto tell you, I find it too humiliating to bear with it any longer.\"",
"I then placed myself behind the chair of Madame Duval: who, when she\nheard of the partners I had refused, pitied my ignorance of the world,\nbut no longer insisted upon my dancing.",
"Indeed, the extreme vanity of this man, makes me exert a spirit which\nI did not, till now, know that I possessed: but I cannot endure that\nhe should think me at his disposal.",
"The rest of the evening passed very quietly, as Mr. Smith did not\nagain attempt speaking to me; except, indeed, after we had left the\nroom and while Madam Duval was seating herself in the coach, he said,\nin a voice of pique, \"Next time I take the trouble to get any tickets\nfor a young lady, I'll make a bargain before-hand, that she shan't\nturn me over to her grandmother.\"",
"We came home very safe; and thus ended this so long projected and\nmost disagreeable affair.",
"</CHAPTER>"
] | ontinues in high favour with the Captain, and is
the life and spirit of the house.
My time, since I wrote last, has
passed very quietly, Madame Duval having been kept at home by a bad
cold, and the Branghtons by bad weather.
The young man, indeed, has
called two or three times; and his behavior, though equally absurd,
is more unaccountable than ever: he speaks very little, takes hardly
any notice of Madame Duval, and never looks at me without a broad
grin.
Sometimes he approaches me, as if with intention to communicate
intelligence of importance; and then, suddenly stopping short, laughs
rudely in my face.
O how happy shall I be, when the worthy Mrs. Clinton arrives!
June 29th.
Yesterday morning, Mr. Smith called to acquaint us that the Hampstead
assembly was to be held that evening; and then he presented Madame
Duval with one ticket, and brought another to me.
I thanked him for
his intended civility, but told him I was surprised he had so soon
forgotten my having already declined goin | <CHAPTER>
LETTER XLIII EVELINA IN CONTINUATION
June 10th
THIS morning Mr. Smith called,
on purpose, he said, to offer me a ticket for the next Hampstead
assembly.
I thanked him, but desired to be excused accepting it: he
would not, however, be denied, nor answered; and, in a manner both
vehement and free, pressed and urged his offer, till I was wearied to
death: but, when he found me resolute, he seemed thunderstruck with
amazement, and thought proper to desire I would tell him my reasons.
Obvi nk me at his disposal.
The rest of the evening passed very quietly, as Mr. Smith did not
again attempt speaking to me; except, indeed, after we had left the
room and while Madam Duval was seating herself in the coach, he said,
in a voice of pique, "Next time I take the trouble to get any tickets
for a young lady, I'll make a bargain before-hand, that she shan't
turn me over to her grandmother."
We came home very safe; and thus ended this so long projected and
most disagreeable affair.
</CHAPTER> | gone too!
why, at this rate,
we shall have to wait for one or other of them all night!"
Observing that Sir Clement seemed disposed to renew his enquiries,
I turned towards one of the paintings, and, pretending to be very much
occupied in looking at it, asked M. Du Bois some questions concerning
the figures.
"O!
Mon Dieu!"
cried Madame Duval, "don't ask him; your best way is
to ask Mr. Smith, for he's been here the oftenest.
Come, Mr. Smith,
I dare say you can tell us all about them."
"Why, yes, Ma'am, yes," said Mr. Smith: who, brightening up at this
application, advanced towards us with an air of assumed importance,
which, however, sat very uneasily upon him, and begged to know what he
should explain first: "For I have attended," said he, "to all these
paintings, and know every thing in them perfectly well; for I am
rather fond of pictures, Ma'am; and, really, I must say, I think, a
pretty pictures is a-a very-is really a very-is something very pretty-"
"So do I too," said Madame Du |
6,053 | true | gradesaver | all_chapterized_books/6053-chapters/volume_2_chapters_20_to_30.txt | finished_summaries/gradesaver/Evelina/section_5_part_0.txt | Evelina.volume 2.chapters 20-30 | volume 2, letter 20-30 | null | {"name": "Volume II, Letter XX - Volume II, Letter XXX", "url": "https://web.archive.org/web/20201126171702/https://www.gradesaver.com/evelina-or-the-history-of-a-young-ladys-entrance-into-the-world/study-guide/summary-volume-ii-letter-xx--volume-ii-letter-xxx", "summary": "Evelina writes to Mr. Villars, including in her correspondence a letter from Mr. Macartney in which he relates to her his sad story. He writes that he had grown up with his mother in Scotland, and never knew his father, whom he was told had died. He had one particularly close friend, who used his fortune to leave Scotland and travel through Europe. Before he left, the friend asked Macartney to meet him in Paris. When Macartney finally complied, he met a young woman there whom he fell in love with. However, when her absent father returned to discover them together, the two men dueled and Macartney felled her father. Believing the man had died, he fled in terror. He later learned that the father had not died, but the news was even worse: that man was in fact Macartney's real father, which means his beloved is his sister. Macartney's life disintegrated from that point onwards, and so he purchased pistols to pursue a life of robbery. Evelina had in fact deterred him from that purpose , for which he is immensely grateful to her. Evelina continues her letters to Mr. Villars from London. She writes about how everyone went to Marybone-gardens. She enjoyed the fireworks and the orchestra there, but one firework was so terrifying that she ran away from it and got lost from her companions. As she wandered around, she encountered a group of men, one of whom accosted her. She was saved only by two young women who pulled her away; she soon realized they were prostitutes, and she tried to get away. Mr. Brown stumbled along while looking for her, and the prostitutes grabbed him as well. When they finally found the rest of their party, Evelina was concerned to see Lord Orville there with them. He seemed to be concerned to find her walking arm-in-arm with these women. Before he left, Lord Orville asked Evelina if he might pay his respects to her before he left town. She agreed. The prostitutes were eventually run off, and the group departed. Evelina reflected on how differently Lord Orville and Sir Clement reacted around her group - the former showed grace and politeness, and acted \"benevolently, not with insolence.\" The next morning, Lord Orville visited Evelina early in the morning. They spoke pleasantly for some time until he embarrassingly brought up the subject of the prostitutes, asking Evelina if she had kept company with them before. When she denied it, both awkwardly apologized to one other. He admitted he had not doubted her, but was made so curious to see her in such company, but was curious. He kissed her hand before he left; she was pleased to once again have his esteem. That same day, however, Evelina was annoyed by two new revelations: a) Madame Duval and Mr. Branghton were conspiring for her to marry Young Branghton; and b) Monsieur Du Bois was also attracted to her, as he confessed to her via note. The family went on a trip to Kensington-gardens, but Evelina was little impressed. She tried not to speak to Young Branghton at all, but felt sorry for avoiding Monsieur Du Bois, as he had always been kind to her. The Branghton girls continually pestered her about Lord Orville. When their father and brother heard that Evelina had once danced with the Lord, they thought this entitled them to make use of his carriage, which was sitting dormant with its driver at the gardens, to head home early. Evelina was mortified by this plan, but they would not desist . Even the footmen mocked their resolve, until one actually went to ask Lord Orville, and returned with word that \"his carriage will always be at Miss Anville's service.\" That night, Evelina felt uneasy; she had just returned to Lord Orville's good opinion, but was now surely sunk by her family's behavior. She was doubly mortified to learn that Young Branghton had attended Lord Orville to apologize about some glass that had been broken in the carriage on their trip home. Young Branghton visited her with this news, and brought Lord Orville's compliments. When she realized he had used her name to gain access to Lord Orville, she angrily fled the room. She was so mortified that she actually wrote Lord Orville a note to apologize. After an excursion with the group the next day, Evelina returned anxious to know whether anyone had called in her absence; both Lord Orville and Sir Clement had. When she and Monsieur du Bois were alone later, however, he dropped to his knees and professed his love to her. Madame Duval entered during this display, and she flew into a passion, since she had considered herself as the object of his affections. She raged that she would not take Evelina to Paris and that she must marry Branghton. Evelina refused to grant her consent, and left the room. She soon thereafter left London. Mr. Villars writes to Evelina that she must come by Berry Hill before she returns to Howard Grove. While at Berry Hill, Evelina writes Miss Mirvan to explain she has stopped a while to visit Mr. Villars before returning to Howard Grove. Her next letter to Maria is full of indignation. In it, she reveals how Lord Orville had indeed written her a response to her note, but his letter was gross and distasteful. It was filled with flowery language and bold sentiments, and sounded very unlike him. She felt deceived and betrayed, and wondered how it was possible he could be so inappropriately forward. She was not flattered that he clearly seemed to love her, since his behavior was loathsome. She decided not to tell Mr. Villars because he held the man in such esteem. Continuing her letters to Miss Mirvan, she writes that Mr. Villars's neighbor and friend Mrs. Selwyn wishes to take Evelina to Bristol. However, she does not want to be separated from her guardian, and has little desire to see any more of the world. Overall, she is quite depressed. Evelina continued to be depressed, and Mr. Villars watched her carefully. He finally confronted her about her sadness, mourning that he had lost his child. He persisted in questioning her, believing that she was bored with the serenity of Berry Hill after having lived such an exciting life in London. Not wanting him to believe she had lost affection for her childhood home, Evelina showed him Lord Orville's letter. He concluded that the man must have been intoxicated when he wrote it; that was the only plausible explanation. Evelina was somewhat relieved, but wondered, \"Why should I allow myself to be humbled by a man who can suffer his reason to be thus abjectly debased...\" Evelina writes to Miss Mirvan again after some time has passed, explaining that she had grown ill and finally agreed to accompany Mrs. Selwyn to Bristol, where she might recover. That woman was clever and had a \"masculine\" understanding; she lost all softness and gentleness. This did not offend Evelina, though she adds that Mr. Villars is annoyed by her \"unmerciful propensity to satire.\"", "analysis": "As Evelina continues to narrate her travels through London, she provides not only an insightful look at this 18th century metropolis for modern readers, but also further example of the limitations a woman faced at that time. Her group undertakes an excursion to Marybone-gardens, which was in west London, and had been opened to the public as a pleasure-garden in 1738. Vivien Jones writes in the annotations that there were \"gravel walks, elegant buildings such as the Great Room and the Orchestra, and regular concerts; and like the Vauxhall the usual fee was a shilling.\" It was famous for its concerts and fireworks displays, but was in decline by 1775, and closed in 1776. That it attracts such a wide swath of people helps explain how both the sophisticated Lord Orville and the boorish Branghtons might be there at the same time. Thus, it makes sense that questions of class and respectability arise in this place. In these gardens, Evelina comes into contact with the two prostitutes. While she and the Branghton girls realize who these women are, Madame Duval remains in ignorance. Jones uses this incident to confront the then-common assumption that places where social classes mixed encouraged an overall lapse of respectability. Whether this assumption is accurate or not, it certainly seems to be so for the upper class. The incident showcases how difficult it was for a young woman to protect her reputation. Evelina may be virtuous, but that's not enough; she has to work assiduously to maintain the impression of virtue. Lord Orville has no reason to suspect she fraternizes with prostitutes, but the appearance is enough to force him to bring up the question. The issue with his letter is significant for this same reason. Evelina writes a simple letter to Lord Orville, apologizing for her family's behavior, but she is utterly shocked by the excess sentiment contained in his response. However, she is in no position to simply write him off as a cad; the mere fact that he wrote that could potentially suggest to others that she had initiated such a flirtatious exchange. Certainly, her reputation had much more to lose than his. Further, the fact that he feels comfortable taking such advantage of her suggests he sees her in an unacceptable light. The sad truth is that it was considered inappropriate for young women even to correspond with men they were not engaged to; this makes up part of trouble faced by Clarissa in Samuel Richardson's novel of the same name. They had too much to lose by it. Two other places of interest are mentioned in this set of letters: Kensington Gardens and the Hotwells. The former had a dynamic landscape design, much of which had been altered at the request of Queen Caroline, wife of George II. Evelina expressed her preference for the modern and open garden style of Kensington as opposed to the formal alleys of Vauxhall; it was also frequented for most of the 1770's by a more genteel class of people. Hyde Park was part of Kensington Gardens, and was a fashionable place to see and be seen. The Hotwells became popular at the end of the 1600's when a pump room and lodging house were built. These springs, renowned for their medicinal properties, attracted a fashionable crowd during their open season from May to September. Finally, Evelina learns the sad story of the Scottish poet in this set of letters. This story does not quite cohere with the rest of the narrative at this point, but will become more significant as Evelina continues. The story is full of both melodramatic and real-world elements. The melodrama consists in the story of unrequited love, and the outrageous coincidence of Macartney's connection with his sister. The real world is reflected by the 'Grand Tour' that the poet's friend takes. The Grand Tour was quite common for wealthy young men, and was meant to enhance their education. Poor men like Macartney, however, hoped to be ordained by the Church of England or Scotland, and to obtain a living by a wealthy patron or a good parish. There is some consideration of class in this story, though it is overshadowed by the dramatic overtones of his sad story."} | <CHAPTER>
LETTER LI. EVELINA IN CONTINUATION.
I HAVE just received a most affecting letter from Mr. Macartney. I
will inclose it, my dear Sir, for your perusal. More than ever have
I cause to rejoice that I was able to assist him. Mr. Macartney to
Miss Anville.
Madam,
IMPRESSED with deepest, the most heartfelt sense of the exalted
humanity with which you have rescued from destruction an unhappy
stranger, allow me, with humblest gratitude, to offer you my fervent
acknowledgments, and to implore your pardon for the terror I have
caused you.
You bid me, Madam, live: I have now, indeed, a motive for life,
since I should not willingly quit the world, while I withhold from
the needy and distressed any share of that charity which a disposition
so noble would otherwise bestow upon them.
The benevolence with which you have interested yourself in my affairs,
induces me to suppose you would wish to be acquainted with the cause
of that desperation from which you snatched me, and the particulars
of that misery of which you have so wonderfully been a witness. Yet,
as this explanation will require that I should divulge secrets of a
nature the most delicate, I must intreat you to regard them as sacred,
even though I forbear to mention the names of the parties concerned.
I was brought up in Scotland, though my mother, who had the sole
care of me, was an English-woman, and had not one relation in that
country. She devoted to me her whole time. The retirement in which we
lived, and the distance from our natural friends, she often told me,
were the effect of an unconquerable melancholy with which she was
seized upon the sudden loss of my father, some time before I was born.
At Aberdeen, where I finished my education, I formed a friendship with
a young man of fortune, which I considered as the chief happiness
of my life:-but, when he quitted his studies, I considered it as my
chief misfortune; for he immediately prepared, by direction of his
friends, to make the tour of Europe. As I was designed for the church,
and had no prospect even of maintenance but from my own industry,
I scarce dared permit even a wish of accompanying him. It is true,
he would joyfully have borne my expenses: but my affection was as free
from meanness as his own; and I made a determination the most solemn,
never to lessen its dignity by submitting to pecuniary obligations.
We corresponded with great regularity, and the most unbounded
confidence, for the space of two years, when he arrived at Lyons in
his way home.
He wrote me thence the most pressing invitation to meet him at Paris,
where he intended to remain some time. My desire to comply with his
request, and shorten our absence, was so earnest, that my mother,
too indulgent to control me lent me what assistance was in her power,
and, in an ill-fated moment, I set out for that capital.
My meeting with this dear friend was the happiest event of my life: he
introduced me to all his acquaintance; and so quickly did time seem to
pass at that delightful period, that the six weeks I had allotted for
my stay were gone, ere I was sensible I had missed so many days. But
I must now own, that the company of my friend was not the sole subject
of my felicity: I became acquainted with a young lady, daughter of an
Englishman of distinction, with whom I formed an attachment, which I
have a thousand times vowed, a thousand times sincerely thought, would
be lasting as my life. She had but just quitted a convent in which
she had been placed when a child, and though English by birth, she
could scarcely speak her native language. Her person and disposition
were equally engaging; but chiefly I adored her for the greatness of
the expectation, which, for my sake, she was willing to resign.
When the time for my residence in Paris expired, I was almost
distracted at the idea of quitting her; yet I had not the courage to
make our attachment known to her father, who might reasonably form
for her such views as would make him reflect, with a contempt which
I could not bear to think of, such an offer as mine. Yet I had free
access to the house, where she seemed to be left almost wholly to
the guidance of an old servant, who was my fast friend.
But, to be brief, the sudden and unexpected return of her father,
one fatal afternoon, proved the beginning of the misery which has ever
since devoured me. I doubt not but he had listened to our conversation;
for he darted into the room with the rage of a madman. Heavens! what a
scene followed!-what abusive language did the shame of a clandestine
affair, and the consciousness of acting ill, induce me to brook! At
length, however, his fury exceeded my patience, he called me a
beggarly, cowardly Scotchman. Fired at the words, I drew my sword;
he, with equal alertness, drew his; for he was not an old man, but,
on the contrary, strong and able as myself. In vain his daughter
pleaded;-in vain did I, repentant of my anger retreat-his reproaches
continued; myself, my country, were loaded with infamy, till no longer
constraining my rage,-we fought,-and he fell!
At that moment I could almost have destroyed myself! The young lady
fainted with terror; the old servant, drawn to us by the noise of the
scuffle, entreated me to escape, and promised to bring intelligence
of what should pass to my apartments. The disturbance which I heard
raised in the house obliged me to comply; and, in a state of mind
inconceivable wretched, I tore myself away.
My friend, whom I found at home, soon discovered the whole affair. It
was near midnight before the woman came. She told me that her master
was living, and her young mistress restored to her senses. The absolute
necessity for my leaving Paris, while any danger remained, was forcibly
argued by my friend: the servant promised to acquaint him of whatever
passed, and he to transmit to me her information. Thus circumstanced,
with the assistance of this dear friend, I effected my departure from
Paris, and, not long after, I returned to Scotland. I would fain have
stopped by the way, that I might have been nearer the scene of all my
concerns; but the low state of my finances denied me that satisfaction.
The miserable situation of my mind was soon discovered by my mother;
nor would she rest till I communicated the cause. She heard my
whole story with an agitation which astonished me:-the name of the
parties concerned seemed to strike her with horror:-but when I said,
We fought, and he fell; -"My son," cried she, "you have then murdered
your father!" and she sunk breathless at my feet. Comments, Madam,
upon such a scene as this, would to you be superfluous, and to me
agonizing: I cannot, for both our sakes, be too concise. When she
recovered, she confessed all the particulars of a tale which she had
hoped never to have revealed.-Alas! the loss she had sustained of my
father was not by death!-bound to her by no ties but those of honour,
he had voluntarily deserted her!-Her settling in Scotland was not
the effect of choice,-she was banished thither by a family but too
justly incensed.-Pardon, Madam, that I cannot be more explicit!
My senses, in the greatness of my misery, actually forsook me, and,
for more than a week, I was wholly delirious. My unfortunate mother was
yet more to pitied; for she pined with unmitigated sorrow, eternally
reproaching herself for the danger to which her too strict silence had
exposed me. When I recovered my reason, my impatience to hear from
Paris almost deprived me of it again; and though the length of time
I waited for letters might justly be attributed to contrary winds,
I could not bear the delay, and was twenty times upon the point of
returning thither at all hazards. At length, however, several letters
arrived at once, and from the most insupportable of my afflictions I
was then relieved; for they acquainted me that the horrors of parricide
were not in reserve for me. They informed me also, that as soon as the
wound was healed, a journey would be made to England, where my unhappy
sister was to be received by an aunt, with whom she was to live.
This intelligence somewhat quieted the violence of my sorrows. I
instantly formed a plan of meeting them in London, and, by revealing
the whole dreadful story, convincing this irritated parent that
he had nothing more to apprehend from his daughter's unfortunate
choice. My mother consented, and gave me a letter to prove the truth
of my assertions. As I could but ill afford to make this journey,
I travelled in the cheapest way that was possible. I took an obscure
lodging,-I need not, Madam, tell you where,-and boarded with the
people of the house.
Here I languished, week after week, vainly hoping for the arrival
of my family; but my impetuosity had blinded me to the imprudence
of which I was guilty in quitting Scotland so hastily. My wounded
father, after his recovery, relapsed, and when I had waited in the
most comfortless situation for six weeks, my friend wrote me word
that the journey was yet deferred for some time longer.
My finances were then nearly exhausted; and I was obliged, though most
unwillingly, to beg further assistance from my mother, that I might
return to Scotland. Oh, Madam!-my answer was not from herself;-it was
written by a lady who had long been her companion, and aquainted me
that she had been taken suddenly ill of a fever,-and was no more!
The compassionate nature of which you have given such noble proofs,
assures me I need not, if I could, paint to you the anguish of a mind
overwhelmed with such accumulated sorrows.
Inclosed was a letter to a near relation, which she had, during
her illness,
with much difficulty, written; and in which, with the strongest
maternal tenderness, she described my deplorable situation, and
intreated his interest to procure me some preferment. Yet so sunk was
I by misfortune, that a fortnight elapsed before I had the courage or
spirit to attempt delivering this letter. I was then compelled to it
by want. To make my appearance with some decency, I was necessitated
myself to the melancholy task of changing my coloured clothes for a
suit of mourning;- and then I proceeded to seek my relation.
I was informed he was not in town.
In this desperate situation, the pride of my heart, which hitherto
had not bowed to adversity, gave way; and I determined to intreat
the assistance of my friend, whose offered services I had a thousand
times rejected. Yet, Madam, so hard is it to root from the mind
its favourite principles or prejudices, call them which you please,
that I lingered another week ere I had the resolution to send away
a letter, which I regarded as the death of my independence.
At length, reduced to my last shilling, shunned insolently by the
people of the house, and almost famished, I sealed this fatal letter;
and, with a heavy heart, determined to take it to the post office. But
Mr. Branghton and his son suffered me not to pass through their
shop with impunity; they insulted me grossly, and threatened me with
imprisonment, if I did not immediately satisfy their demands. Stung
to the soul, I bid them have but a day's patience, and flung from
them in a state of mind too terrible for description.
My letter which I now found would be received too late to save me from
disgrace, I tore into a thousand pieces; and scarce could I refrain
from putting an instantaneous, an unlicensed, a period to my existence.
In this disorder of my senses, I formed the horrible plan of turning
foot-pad; for which purpose I returned to my lodging, and collected
whatever of my apparel I could part with; which I immediately sold,
and with the produce purchased a brace of pistols, powder and shot. I
hope, however, you will believe me, when I most solemnly assure you,
my sole intention was to frighten the passengers I should assault
with these dangerous weapons; which I had not loaded but from a
resolution,-a dreadful one, I own,-to save myself from an ignominious
death if seized. And, indeed, I thought, that if I could but procure
money sufficient to pay Mr. Branghton, and make a journey to Scotland,
I should soon be able to, by the public papers, to discover whom I
had injured, and to make private retribution.
But, Madam, new to every species of villainy, my perturbation was so
great, that I could with difficulty support myself, yet the Branghtons
observed it not as I passed through the shop.
Here I stop:-what followed is better known to yourself. But no time
can ever efface from my memory that moment, when, in the very action
of preparing for my own destruction, or the lawless seizure of the
property of others, you rushed into the room and arrested my arm!-It
was indeed an awful moment!-the hand of Providence seemed to intervene
between me and eternity: I beheld you as an angel!-I thought you dropt
from the clouds!-The earth, indeed, had never presented to my view a
form so celestial!-What wonder, then, that a spectacle so astonishing
should, to a man disordered as I was, appear too beautiful to be human?
And now, Madam, that I have performed this painful task, the more
grateful
one remains of rewarding, as far as is in my power, your generous
goodness, by assuring you it shall not be thrown away. You have
awakened me to a sense of the false pride by which I have been
actuated;-a pride which, while it scorned assistance from a friend,
scrupled not to compel it from a stranger, though at the hazard of
reducing that stranger to a situation as destitute as my own. Yet,
oh! how violent was the struggle which tore my conflicting soul ere
I could persuade myself to profit by the benevolence which you were
so evidently disposed to exert in my favour!
By means of a ring, the gift of my much-regretted mother, I have for
the present satisfied Mr. Branghton; and, by means of your compassion,
I hope to support myself either till I hear from my friend, to whom
at length I have written, or till the relation of my mother returns
to town.
To talk to you, Madam, of paying my debt, would be vain; I never can!
the service you have done me exceeds all power of return: you have
restored me to my senses; you have taught me to curb those passions
which bereft me of them; and, since I cannot avoid calamity, to bear
it as a man! An interposition so wonderfully circumstanced can never
be recollected without benefit. Yet allow me to say, the pecuniary
part of my obligation must be settled by my first ability.
I am, Madam, with the most profound respect, and heartfelt gratitude,
Your obedient, and devoted humble servant, J. MACARTNEY.
</CHAPTER>
<CHAPTER>
LETTER LII. EVELINA IN CONTINUATION.
Holborn, July 1.-5 o'clock in the morning.
O SIR, what and adventure have I to write!-all night it has occupied
my thoughts, and I am now risen thus early to write it to you.
Yesterday it was settled that we should spend the evening in Marybone
Gardens, where M. Torre, a celebrated foreigner, was to exhibit some
fire-works. The party consisted of Madame Duval, all the Branghtons,
M. Du Bois, Mr. Smith, and Mr. Brown.
We were almost the first persons who entered the Gardens, Mr. Branghton
having declared he would have all he could get for his money, which,
at best, was only fooled away at such silly and idle places.
We walked in parties, and very much detached from one
another. Mr. Brown and Miss Polly led the way by themselves; Miss
Branghton and Mr. Smith followed; and the latter seemed determined
to be revenged for my behaviour at the ball, by transferring all
his former attention for me to Miss Branghton, who received it with
an air of exultation; and very frequently they each of them, though
from different motives, looked back, to discover whether I observed
their good intelligence. Madame Duval walked with M. Du Bois, and Mr.
Branghton by himself; but his son would willingly have attached
himself wholly to me; saying frequently, "come, Miss, let's you and
I have a little fun together: you see they have all left us, so now
let's leave them." But I begged to be excused, and went to the other
side of Madame Duval.
This Garden, as it is called, is neither striking for magnificence nor
for beauty; and we were all so dull and languid, that I was extremely
glad when we were summoned to the orchestra, upon the opening of
a concert; in the course of which I had the pleasure of hearing a
concerto on the violin by Mr. Barthelemon, who to me seems a player
of exquisite fancy, feeling and variety.
When notice was given us that the fire-works were preparing we hurried
along to secure good places for the sight; but very soon we were so
encircled and incommoded by the crowd, that Mr. Smith proposed the
ladies should make interest for a form to stand upon: this was soon
effected: and the men then left us to accommodate themselves better;
saying, they would return the moment the exhibition was over.
The fire-work was really beautiful; and told, with wonderful ingenuity,
the story of Orpheus and Eurydice: but, at the moment of the fatal
look which separated them for ever, there was such an explosion
of fire, and so horrible a noise, that we all, as of one accord,
jumpt hastily from the form, and ran away some paces, fearing that
we were in danger of mischief, from the innumerable sparks of fire
which glittered in the air.
For a moment or two I neither knew nor considered whither I had run;
but my
recollection was soon awakened by a stranger's addressing me with,
"Come along with me, my dear, and I'll take care of you."
I started; and then, to my great terror, perceived that I had outrun
all my companions, and saw not one human being I knew! With all the
speed in my power, and forgetful of my first fright, I hastened back
to the place I had left;-but found the form occupied by a new set
of people.
In vain, from side to side, I looked for some face I knew; I
found myself in the midst of a crowd, yet without party, friend,
or acquaintance. I walked in disordered haste from place to place,
without knowing which way to turn, or whither I went. Every other
moment I was spoken to by some bold and unfeeling man; to whom my
distress, which I think must be very apparent, only furnished a
pretence for impertinent witticisms, or free gallantry.
At last a young officer, marching fiercely up to me, said, "You are
a sweet pretty creature, and I enlist you in my service;" and then,
with great violence, he seized my hand. I screamed aloud with fear;
and forcibly snatching it away, I ran hastily up to two ladies,
and cried, "for Heaven's sake, dear ladies, afford me some protection!"
They heard me with a loud laugh, but very readily said, "Ay, let her
walk between us;" and each of them took hold of an arm.
Then, in a drawling, ironical tone of voice, they asked what had
frightened my little Ladyship? I told them my adventure very simply,
and intreated they would have the goodness to assist me in finding
my friends.
O yes, to be sure, they said, I should not want for friends, whilst I
was with them. Mine, I said, would be very grateful for any civilities
with which they might favour me. But imagine, my dear Sir, how I must
have been confounded, when I observed, that every other word I spoke
produced a loud laugh! However, I will not dwell upon a conversation,
which soon, to my inexpressible horror, convinced me I had sought
protection from insult, of those who were themselves most likely to
offer it! You, my dearest Sir, I well know, will both feel for and
pity my terror, which I have no words to describe.
Had I been at liberty, I should have instantly run away from them
when I made the shocking discovery: but, as they held me fast, that
was utterly impossible: and such was my dread of their resentment or
abuse that I did not dare make any open attempt to escape.
They asked me a thousand questions, accompanied by as many halloos,
of who I was, what I was, and whence I came? My answers were very
incoherent;-but what, good Heaven, were my emotions, when, a few
moments afterwards, I perceived advancing our way-Lord Orville!
Never shall I forget what I felt at that instant: had I, indeed,
been sunk to the guilty state which such companions might lead him
to suspect, I could scarce have had feelings more cruelly depressing.
However, to my infinite joy, he passed us without distinguishing me;
though I saw that in a careless manner, his eyes surveyed the party.
As soon as he was gone, one of these unhappy women said, "Do you know
that young fellow?"
Not thinking it possible she should mean Lord Orville by such a term,
I readily answered, "No, Madam."
"Why then," answered she, "you have a monstrous good stare, for a
little county Miss."
I now found I had mistaken her, but was glad to avoid an explanation.
A few minutes after, what was my delight to hear the voice of
Mr. Brown, who called out," Lord, i'n't that Miss what's her name?"
"Thank God," cried I, suddenly springing from them both, "thank God,
I have found my party."
Mr. Brown was, however, alone; and, without knowing what I did,
I took hold of his arm.
"Lord, Miss," cried he, "we've had such a hunt you can't think! some
of them thought you was gone home: but I says, says I, I don't think,
says I, that she's like to go home all alone, says I."
"So that gentleman belongs to you, Miss, does he?" said one of
the women.
"Yes, Madam," answered I, "and I now thank you for your civility;
but as I am safe, will not give you any further trouble."
I courtsied slightly, and would gave walked away; but, most
unfortunately, Madame Duval and the two Miss Branghtons just then
joined us.
They all began to make a thousand enquiries; to which I briefly
answered, that I had been obliged to these two ladies for walking
with me, and would tell them more another time: for, though I felt
great comparative courage, I was yet too much intimidated by their
presence, to dare be explicit.
Nevertheless, I ventured once more to wish them a goodnight, and
proposed seeking Mr. Branghton. These unhappy women listened to all
that was said with a kind of callous curiosity, and seemed determined
not to take any hint. But my vexation was terribly augmented when,
after having whispered something to each other, they very cavalierly
declared, that they intended joining our party! and then, one of
them very boldly took hold of my arm, while the other, going round,
seized that of Mr. Brown; and thus, almost forcibly, we were moved
on between them, and followed by Madame Duval and the Miss Branghton.
It would be very difficult to say which was greatest, my fright,
or Mr. Brown's consternation; who ventured not to make the least
resistance, though his uneasiness made him tremble almost as much
as myself. I would instantly have withdrawn my arm: but it was held
so tight I could not move it; and poor Mr. Brown was circumstanced
in the same manner on the other side; for I heard him say, "Lord,
Ma'am, there's no need to squeeze one's arm so!"
And this was our situation,-for we had not taken three steps, when,-O
sir,-we again met Lord Orville!-but not again did he pass quietly by
us:-unhappily I caught his eye;-both mine immediately were bent to
the ground; but he approached me, and we all stopped.
I then looked up. He bowed. Good God, with what expressive eyes did
he regard me! Never were surprise and concern so strongly marked:-yes,
my dear Sir, he looked greatly concerned: and that, the remembrance of
that, is the only consolation I feel for an evening the most painful
of my life.
What he said I know not; for indeed, I seemed to have neither ears nor
understanding; but I recollect that I only courtsied in silence. He
paused for an instant, as if-I believe so,-as if unwilling to pass
on; and then, finding the whole party detained, he again bowed,
and took leave.
Indeed, my dear Sir, I thought I should have fainted; so great was
my emotion, from shame, vexation, and a thousand other feelings,
for which I have no expressions. I absolutely tore myself from the
woman's arms; and then, disengaging myself from that of Mr. Brown,
I went to Madame Duval, and besought that she would not suffer me to
be again parted from her.
I fancy-that Lord Orville saw what passed; for scarcely was I at
liberty, ere he returned. Methought, my dear Sir, the pleasure,
the surprise of that moment, recompensed me for all the chagrin I
had before felt: for do you not think, that his return manifests,
for a character so quiet, so reserved as Lord Orville's, something
like solicitude in my concerns? such at least was the interpretation
I involuntarily made upon again seeing him.
With a politeness to which I have been sometime very little used,
he apologized for returning; and then inquired after the health of
Mrs. Mirvan, and the rest of the Howard Grove family. The flattering
conjecture which I have just acknowledged, had so wonderfully restored
my spirits, that I believe I never answered him so readily, and with
so little constraint. Very short, however, was the duration of this
conversation; for we were soon most disagreeably interrupted.
The Miss Branghtons, though they saw almost immediately the
characters of the women to whom I had so unfortunately applied,
were, nevertheless, so weak and foolish, as merely to titter at
their behaviour. As to Madame Duval, she was for some time so
strangely imposed upon, that she thought they were two real fine
ladies. Indeed, it is wonderful to see how easily and how frequently
she is deceived. Our disturbance, however, arose from young Brown,
who was now between the two women, by whom his arms were absolutely
pinioned to his sides: for a few minutes his complaints had been only
murmured: but he now called out aloud, "Goodness, Ladies, you hurt
me like any thing! why, I can't walk at all, if you keep pinching my
arms so!"
This speech raised a loud laugh in the women, and redoubled the
tittering of the Miss Branghtons. For my own part, I was most cruelly
confused: while the countenance of Lord Orville manifested a sort of
indignant astonishment; and, from that moment, he spoke to me no more
till he took leave.
Madame Duval, who now began to suspect her company, proposed our taking
the first box we saw empty, bespeaking a supper, and waiting till Mr.
Branghton should find us.
Miss Polly mentioned one she had remarked, to which we all turned.
Madame Duval instantly seated herself; and the two bold women, forcing
the frightened Mr. Brown to go between them, followed her example.
Lord Orville, with an air of gravity that wounded my very soul,
then wished me good night. I said not a word; but my face, if it had
any connection with my heart, must have looked melancholy indeed:
and so I have some reason to believe it did; for he added with much
more softness, though no less dignity, "Will Miss Anville allow me
to ask her address, and to pay my respects to her before I leave town?"
O how I changed colour at this unexpected request!-yet, what was the
mortification I suffered in answering, "My Lord, I am-in Holborn!"
He then bowed and left us.
What, what can he think of this adventure! how strangely how cruelly
have all appearances turned against me! Had I been blessed with any
presence of mind, I should instantly have explained to him the accident
which occasioned my being in such terrible company:-but I have none!
As to the rest of the evening, I cannot relate the particulars of what
passed; for, to you, I only write of what I think; and I can think
of nothing but this unfortunate, this disgraceful meeting. These
two wretched women continued to torment us all, but especially poor
Mr. Brown, who seemed to afford them uncommon diversion, till we were
discovered by Mr. Branghton, who very soon found means to release us
from their persecutions, by frightening them away. We stayed but a
short time after they left us, which was all employed in explanation.
Whatever may be the construction which Lord Orville may put upon this
affair, to me it cannot fail of being unfavourable; to be seen-gracious
Heaven! to be seen in company with two women of such character!-How
vainly, how proudly have I wished to avoid meeting him when only
with the Branghtons and Madame Duval;-but now, how joyful should I
be had he seen me to no greater disadvantage!-Holborn, too! what a
direction! he who had always-but I will not torment you, my dearest
Sir, with any more of my mortifying conjectures and apprehensions:
perhaps he may call,-and then I shall have an opportunity of explaining
to him all the most shocking part of the adventure. And yet, as I did
not tell him at whose house I lived, he may not be able to discover me;
I merely said in Holborn; and he, who I suppose saw my embarrassment,
forbore to ask any other direction.
Well, I must take my chance!
Yet let me, in the justice to Lord Orville, and in justice to the high
opinion I have always entertained of his honour and delicacy,-let
me observe the difference of his behaviour, when nearly in the same
situation, to that of Sir Clement Willoughby. He had, at least,
equal cause to depreciate me in his opinion, and to mortify and sink
me in my own; but far different was his conduct:-perplexed, indeed,
he looked, and much surprised:-but it was benevolently, not with
insolence. I am even inclined to think, that he could not see a young
creature whom he had so lately known in a higher sphere, appear so
suddenly, so strangely, so disgracefully altered in her situation,
without some pity and concern. But whatever might be his doubts and
suspicions, far from suffering them to influence his behaviour, he
spoke, he looked with the same politeness and attention with which
he had always honoured me when countenanced by Mrs. Mirvan.
Once again, let me drop this subject.
In every mortification, every disturbance, how grateful to my heart,
how sweet to my recollection, is the certainty of your never-failing
tenderness, sympathy and protection! Oh, Sir, could I upon this
subject, could I write as I feel,-how animated would be the language
of your devoted EVELINA.
</CHAPTER>
<CHAPTER>
LETTER LIII. EVELINA IN CONTINUATION.
Holborn, July 1st.
LISTLESS, uneasy, and without either spirit or courage to employ
myself, from the time I had finished my last letter, I indolently
seated myself at the window, where, while I waited Madame Duval's
summons to breakfast, I perceived, among the carriages which passed
by, a coronet-coach, and in a few minutes, from the window of it,
Lord Orville! I instantly retreated, but not I believe, unseen;
for the coach immediately drove up to our door.
Indeed, my dear Sir, I must own I was greatly agitated; the idea
of receiving Lord Orville by myself,-the knowledge that his visit
was entirely to me,-the wish of explaining the unfortunate adventure
of yesterday,-and the mortification of my present circumstances,-all
these thoughts, occurring to me nearly at the same time, occasioned me
more anxiety, confusion, and perplexity, than I can possibly express.
I believe he meant to sent up his name; but the maid, unused to such
a ceremony, forgot it by the way, and only told me, that a great
Lord was below, and desired to see me; and, the next moment, he
appeared himself.
If, formerly, when in the circle of high life, and accustomed to its
manners, I so much admired and distinguished the grace, the elegance
of Lord Orville, think Sir, how they must strike me now,-now, when
far removed from that splendid circle, I live with those to whom even
civility is unknown, and decorum a stranger!
I am sure I received him very awkwardly: depressed by a situation
so disagreeable-could I do otherwise? When his first enquiries were
made, "I think myself very fortunate," he said, "in meeting with Miss
Anville at home, and still more so in finding her disengaged."
I only courtsied. He then talked of Mrs. Mirvan, asked how long I
had been in town, and other such general questions, which happily
gave me time to recover from my embarrassment. After which he said,
"If Miss Anville will allow me the honour of sitting by her a few
minutes (for we were both standing) I will venture to tell her the
motive which, next to enquiring after her health, has prompted me to
wait on her thus early."
We were then both seated; and, after a short pause, he said, "How to
apologize for so great a liberty as I am upon the point of taking,
I know not;-shall I, therefore, rely wholly upon your goodness,
and not apologize at all?"
I only bowed.
"I should be extremely sorry to appear impertinent,-yet hardly know
how to avoid it."
"Impertinent! O, my Lord," cried I, eagerly, "that, I am sure,
is impossible!"
"You are very good," answered he, "and encourage me to be ingenuous-"
Again he stopped: but my expectation was too great for speech. At
last, without looking at me, in a low voice, and hesitating manner,
he said, "Were those ladies with whom I saw you last night ever in
your company before?"
"No, my Lord," cried I, rising and colouring violently, "nor will
they ever be again."
He rose too; and, with an air of the most condescending concern, said,
"Pardon, Madam, the abruptness of a question which I knew not how
to introduce as I ought, and for which I have no excuse to offer but
my respect for Mrs. Mirvan, joined to the sincerest wishes for your
happiness: yet I fear I have gone too far!"
"I am very sensible of the honour of your lordship's attention,"
said I; "but-"
"Permit me to assure you," cried he, finding I hesitated, "that
officiousness is not my characteristic; and that I would by no means
have risked your displeasure, had I not been fully satisfied you were
too generous to be offended without a real cause of offence."
"Offended!" cried I, "no, my Lord, I am only grieved-grieved,
indeed! to find myself in a situation so unfortunate as to be obliged
to make explanations, which cannot but mortify and shock me."
"It is I alone," cried he, with some eagerness, "who am shocked, as
it is I who deserve to be mortified. I seek no explanation, for I have
no doubt; but in mistaking me, Miss Anville injures herself: allow me
therefore, frankly and openly, to tell you the intention of my visit."
I bowed, and we both returned to our seats.
"I will own myself to have been greatly surprised," continued he,
"when I met you yesterday evening, in company with two persons who
I was sensible merited not the honour of your notice: nor was it
easy for me to conjecture the cause of your being so situated; yet,
believe me, my incertitude did not for a moment do you injury. I was
satisfied that their characters must be unknown to you; and I thought,
with concern, of the shock you would sustain when you discovered their
unworthiness. I should not, however, upon so short an acquaintance,
have usurped the privilege of intimacy, in giving my unasked sentiments
upon so delicate a subject, had I not known that credulity is the
sister of innocence, and therefore feared you might be deceived. A
something which I could not resist, urged me to the freedom I have
taken to caution you; but I shall not easily forgive myself if I have
been so unfortunate as to give you pain."
The pride which his first question had excited, now subsided into
delight and gratitude; and I instantly related to him, as well as I
could, the accident which had occasioned my joining the unhappy women
with whom he had met me. He listened with an attention so flattering,
seemed so much interested during the recital, and, when I had done,
thanked me in terms so polite, for what he was pleased to call my
condescension, that I was almost ashamed either to look at or hear him.
Soon after the maid came to tell me, that Madame Duval desired to
have breakfast made in her own room.
"I fear," cried Lord Orville, instantly rising, "that I have intruded
upon your time;-yet who, so situated, could do otherwise?" Then,
taking my hand, "Will Miss Anville allow me thus to seal my peace?" he
pressed it to his lips, and took leave.
Generous, noble Lord Orville! how disinterested his conduct! how
delicate his whole behaviour! Willing to advise, yet afraid to
wound me!-Can I ever, in future, regret the adventure I met with at
Marybone, since it has been productive of a visit so flattering? Had
my mortifications been still more humiliating, my terrors still
more alarming, such a mark of esteem-may I not call it so?-from Lord
Orville, would have made me ample amends.
And indeed, my dear Sir, I require some consolation in my present
very disagreeable situation; for, since he went, two incidents have
happened, that, had not my spirits been particularly elated, would
greatly have disconcerted me.
During breakfast, Madame Duval, very abruptly, asked, if I should
like to be married? and added, that Mr. Branghton had been proposing
a match for me with his son. Surprised, and, I must own, provoked,
I assured her that in thinking of me, Mr. Branghton would very vainly
lose his time.
"Why," cried she, "I have had grander views for you myself, if once
I could get you to Paris, and make you be owned; but if I can't do
that, and you can do no better, why, as you are both my relations,
I think to leave my fortune between you; and then, if you marry,
you never need want for nothing."
I begged her not to pursue the subject, as, I assured her,
Mr. Branghton was totally disagreeable to me; but she continued her
admonitions and reflections, with her usual disregard of whatever
I could answer. She charged me, very peremptorily, neither wholly to
discourage, nor yet to accept Mr. Branghton's offer, till she saw what
could be done for me: the young man, she added, had often intended
to speak to me himself, but, not well knowing how to introduce the
subject, he had desired her to pave the way for him.
I scrupled not, warmly and freely, to declare my aversion to this
proposal; but it was to no effect; she concluded, just as she had
begun, by saying, that I should not have him, if I could do better.
Nothing, however, shall persuade me to listen to any other person
concerning this odious affair.
My second cause of uneasiness arises, very unexpectedly, from M. Du
Bois; who, to my infinite surprise, upon Madame Duval's quitting
the room after dinner, put into my hand a note, and immediately left
the house.
This note contains an open declaration of an attachment to me;
which, he says, he should never have presumed to have acknowledged,
had he not been informed that Madame Duval destined my hand to young
Branghton,-a match which he cannot endure to think of. He beseeches
me earnestly to pardon his temerity; professes the most inviolable
respect; and commits his fate to time, patience, and pity.
This conduct in M. du Bois gives me real concern, as I was disposed
to think very well of him. It will not, however, be difficult to
discourage him; and therefore, I shall not acquaint Madame Duval of
his letter, as I have reason to believe it would greatly displease her.
</CHAPTER>
<CHAPTER>
LETTER LIV. EVELINA IN CONTINUATION.
July 3rd.
O SIR, how much uneasiness must I suffer, to counterbalance one short
morning of happiness!
Yesterday the Branghtons proposed a party to Kensington Gardens; and,
as usual, Madame Duval insisted upon my attendance.
We went in a hackney-coach to Piccadilly, and then had a walk through
Hyde Park; which in any other company would have been delightful. I
was much pleased with Kensington Gardens, and think them infinitely
preferable to those of Vauxhall.
Young Branghton was extremely troublesome; he insisted upon walking
by my side, and talked with me almost by compulsion; however, my
reserve and coldness prevented his entering upon the hateful subject
which Madame Duval had prepared me to apprehend. Once, indeed, when
I was accidentally a few yards before the rest, he said, "I suppose,
Miss, aunt has told you about-you know what?-ha'n't she, Miss?"-But
I turned from him without making any answer. Neither Mr. Smith nor
Mr. Brown were of the party; and poor M. Du Bois, when he found that
I avoided him, looked so melancholy, that I was really sorry for him.
While we were strolling round the garden, I perceived, walking with a
party of ladies at some distance, Lord Orville! I instantly retreated
behind Miss Branghton, and kept out of sight till we had passed him;
for I dreaded being seen by him again in a public walk with a party
of which I was ashamed.
Happily I succeeded in my design, and saw no more of him; for a sudden
and violent shower of rain made us all hasten out of the gardens. We
ran till we came to a small green-shop, where we begged shelter. Here
we found ourselves in company with two footmen, whom the rain had
driven into the shop. Their livery I thought I had before seen; and,
upon looking from the window, I perceived the same upon a coachman
belonging to a carriage, which I immediately recollected to be Lord
Orville's.
Fearing to be know, I whispered Miss Branghton not to speak my
name. Had I considered but a moment, I should have been sensible of the
inutility of such a caution, since not one of the party call me by any
other appellation than that of Cousin or of Miss; but I am perpetually
involved in some distress or dilemma from my own heedlessness.
This request excited very strongly her curiosity: and she attacked
me with such eagerness and bluntness of enquiry, that I could not
avoid telling her the reason of my making it, and, consequently,
that I was known to Lord Orville: an acknowledgment which proved
the most unfortunate in the world; for she would not rest till she
had drawn from me the circumstances attending my first making the
acquaintance. Then, calling to her sister, she said, "Lord, Polly,
only think! Miss has danced with a Lord!"
"Well," cried Polly, "that's a thing I should never have thought
of! And pray, Miss, what did he say to you?"
This question was much sooner asked than answered; and they both became
so very inquisitive and earnest, that they soon drew the attention of
Madame Duval and the rest of the party; to whom, in a very short time,
they repeated all they had gathered from me.
"Goodness, then," cried young Branghton, "if I was Miss, if I would
not make free with his Lordship's coach, to take me to town."
"Why, ay," said the father, "there would be some sense in that; that
would be making some use of a Lord's acquaintance, for it would save
us coach-hire."
"Lord, Miss," cried Polly, "I wish you would; for I should like of
all things to ride in a coronet-coach."
"I promise you," said Madame Duval, "I'm glad you've thought of it,
for I don't see no objection;-so let's have the coachman called."
"Not for the world," cried I, very much alarmed: "indeed it is
utterly impossible."
"Why so?" demanded Mr. Branghton: "pray, where's the good of your
knowing a Lord, if your never the better for him?"
"Ma foi, child," said Madame Duval, "you don't know no more of the
world that if you was a baby. Pray, Sir, (to one of the footmen)
tell that coachman to draw up, for I wants to speak to him."
The man stared, but did not move. "Pray, pray, Madame," said I,
"pray, Mr. Branghton, have the goodness to give up this plan; I
know but very little of his Lordship, and cannot, upon any account,
take so great a liberty."
"Don't say nothing about it," said Madam Duval, "for I shall have
it my own way: so, if you won't call the coachman, Sir, I'll promise
you I'll call him myself."
The footman, very impertinently, laughed and turned upon his
heel. Madame Duval, extremely irritated, ran out in the rain, and
beckoned the coachman, who instantly obeyed her summons. Shocked
beyond all expression, I flew after her, and entreated her, with
the utmost earnestness, to let us return in a hackney coach:-but,
oh!-she is impenetrable to persuasion! She told the man she wanted him
to carry her directly to town, and that she would answer for him to
Lord Orville. The man, with a sneer, thanked her, but said he should
answer for himself; and was driving off; when another footman came
up to him, with information that his Lord was gone into Kensington
Palace, and would not want him for an hour or two.
"Why, then, friend," said Mr. Branghton (for we were followed by all
the party), "where will be the great harm of your taking us to town?"
"Besides," said the son, "I'll promise you a pot of beer for my
own share."
These speeches had no other answer from the coachman than a loud
laugh, which was echoed by the insolent footmen. I rejoiced at their
resistance; though I was certain that, if their Lord had witnessed
their impertinence, they would have been instantly dismissed his
service.
"Pardi," cried Madame Duval, "if I don't think all the footmen are
the most impudentest fellows in the kingdom! But I'll promise you
I'll have your master told of your airs; so you'll get no good by 'em."
"Why, pray," said the coachman, rather alarmed, "did my Lord give
you leave to use the coach?"
"It's no matter for that," answered she; "I'm sure if he's a gentleman,
he'd let us have it sooner than we should be wet to the skin; but
I'll promise you he shall know how saucy you've been, for this young
lady knows him very well."
"Ay, that she does," said Miss Polly; "and she's danced with him too."
Oh, how I repented my foolish mismanagement! The men bit their lips,
and looked at one another in some confusion. This was perceived by
our party; who, taking advantage of it, protested they would write
Lord Orville word of their ill behaviour without delay. This quite
startled them; and one of the footmen offered to run to the palace,
and ask his Lord's permission for our having the carriage.
This proposal really made me tremble, and the Branghtons all hung back
upon it; but Madame Duval is never to be dissuaded from a scheme she
has once formed. "Do so," cried she; "and give this child's compliments
to your master; and tell him, as we ha'n't no coach here, we should
be glad to go just as far as Holborn in his."
"No, no, no!" cried I; "don't go,-I know nothing of his Lordship,-I
send no message,-I have nothing to say to him!"
The men, very much perplexed, could with difficulty restrain themselves
from resuming their impertinent mirth. Madame Duval scolded me vary
angrily, and then desired them to go directly. "Pray, then," said
the coachman, "what name is to be given to my Lord?"
"Anville," answered Madame Duval; "tell him Miss Anville wants the
coach; the young lady he danced with once."
I was really in an agony; but the winds could not have been more deaf
to me, than those to whom I pleaded! and therefore the footman, urged
by the repeated threats of Madame Duval, and perhaps recollecting the
name himself, actually went to the palace with this strange message!
He returned in a few minutes; and, bowing to me with the greatest
respect, said, "My Lord desires his compliments, and his carriage
will be always at Miss Anville's service."
I was so much affected by this politeness, and chagrined at the
whole affair, that I could scarce refrain from tears. Madame Duval,
and the Miss Branghtons eagerly jumped into the coach, and desired me
to follow. I would rather have submitted to the severest punishment;
but all resistance was vain.
During the whole ride I said not a word: however, the rest of the party
were so talkative, that my silence was very immaterial. We stopped at
our lodgings; but, when Madame Duval and I alighted, the Branghtons
asked if they could not be carried on to Snow-Hill? The servants,
now all civility, made no objection. Remonstrances from me would,
I too well knew, be fruitless; and therefore, with a heavy heart,
I retired to my room, and left them to their own direction.
Seldom have I passed a night in greater uneasiness.-So lately to
have cleared myself in the good opinion of Lord Orville,-so soon to
forfeit it!-to give him reason to suppose I presumed to boast of his
acquaintance!-to publish his having danced with me!-to take with him
a liberty I should have blushed to have taken with the most intimate
of my friends!-to treat with such impertinent freedom, one who has
honoured me with such distinguished respect!-Indeed, Sir, I could
have met with no accident that would so cruelly have tormented me!
If such were, then, my feelings, imagine,-for I cannot describe,
what I suffered during the scene I am now going to write.
This morning, while I was alone in the dining-room, young Branghton
called. He entered with a most important air; and, strutting up to me,
said, "Miss, Lord Orville sends his compliments to you."
"Lord Orville!" repeated I, much amazed.
"Yes, Miss, Lord Orville; for I know his Lordship now, as well as
you.-And a very civil gentleman he is, for all he's a Lord."
"For Heaven's sake," cried I, "explain yourself."
"Why, you must know, Miss, after we left you, we met with a little
misfortune; but I don't mind it now, for it's all turned out for the
best: but, just as we were a-going up Snow-Hill, plump we comes against
a cart, with such a jogg it almost pulled the coach-wheel off. However,
that i'n't the worst; for, as I went to open the door in a hurry,
a-thinking the coach would be broke down, as ill-luck would have it,
I never minded that the glass was up, and so I poked my head fairly
through it.-Only see, Miss, how I've cut my forehead!"
A much worse accident to himself would not, I believe, at that moment
have given me any concern for him: however, he proceeded with his
account, for I was too much confounded to interrupt him.
"Goodness, Miss, we were in such a stew, us, and the servants, and all,
as you can't think; for, besides the glass being broke, the coachman
said how the coach wouldn't be safe to go back to Kensington. So we
didn't know what to do; however, the footmen said they'd go and tell
his Lordship what had happened. So then father grew quite uneasy like,
for fear of his Lordship's taking offence, and prejudicing us in our
business; so he said I should go this morning and ask his pardon,
cause of having broke the glass. So then I asked the footmen the
direction, and they told me he lived in Berkeley-square; so this
morning I went,-and I soon found out the house."
"You did!" cried I, quite out of breath with apprehension.
"Yes, Miss, and a very fine house it is.-Did you ever see it?"
"No."
"No!-why, then, Miss, I know more of his Lordship than you do,
for all you knew him first. So, when I came to the door, I was in
a peck of troubles, a-thinking what I should say to him: however,
the servants had no mind I should see him; for they told me he was
busy, but I might leave my message. So I was just a-coming away,
when I bethought myself to say I came from you."
"From me!"
"Yes, Miss, for you know, why should I have such a long walk as that
for nothing? So I says to the porter, says I, tell his Lordship, says
I, one wants to speak to him as comes from one Miss Anville, says I."
"Good God," cried I, "and by what authority did you take such
a liberty?"
"Goodness, Miss don't be in such a hurry, for you'll be as glad as me,
when you hear how well it all turned out. So then they made way for
me, and said his Lordship would see me directly: and there I was led
through such a heap of servants, and so many rooms, that my heart
quite misgave me; for I thought, thinks I, he'll be so proud he'll
hardly let me speak; but he's no more proud than I am, and he was
as civil as if I'd been a lord myself. So then I said, I hoped he
wouldn't take it amiss about the glass, for it was quite an accident;
but he bid me not mention it, for it did not signify. And then he
said he hoped you got safe home, and wasn't frightened so I said yes,
and I gave your duty to him."
"My duty to him!" exclaimed I,-"and who gave you leave?-who desired
you?"
"O, I did it out of my own head, just to make him think I came from
you. But I should have told you before, how the footman said he was
going out of town to-morrow evening, and that his sister was soon to
be married, and that he was a-ordering a heap of things for that; so
it come into my head, as he was so affable, that I'd ask him for his
custom. So I says, says I, my Lord, says I, if your Lordship i'n't
engaged particularly, my father is a silversmith, and he'll be very
proud to serve you, says I; and Miss Anville, as danced with you, is
his cousin, and she's my cousin too, and she'd be very much obligated
to you, I'm sure."
"You'll drive me wild," cried I, starting from my seat, "you have
done me an irreparable injury;-but I will hear no more!"-and then I
ran into my own room.
I was half frantic, I really raved; the good opinion of Lord Orville
seemed now irretrievable lost: a faint hope, which in the morning I
had vainly encouraged, that I might see him again, and explain the
transaction, wholly vanished, now I found he was so soon to leave
town: and I could not but conclude, that, for the rest of my life,
he would regard me as an object of utter contempt.
The very idea was a dagger to my heart!-I could not support it,
and-but I blush to proceed-I fear your disapprobation; yet I should
not be conscious of having merited it, but that the repugnance I
feel to relate to you what I have done, makes me suspect I must have
erred. Will you forgive me, if I won that I first wrote an account of
this transaction to Miss Mirvan?-and that I even thought of concealing
it from you?-Short-lived, however, was the ungrateful idea, and sooner
will I risk the justice of your displeasure, than unworthily betray
your generous confidence.
You are now probably prepared for what follows-which is a letter-a
hasty letter, that, in the height of my agitation, I wrote to Lord
Orville.
"My Lord,
"I am so infinitely ashamed of the application made yesterday
for your Lordship's carriage in my name, and so greatly
shocked at hearing how much it was injured, that I cannot
forbear writing a few lines, to clear myself from the
imputation of an impertinence which I blush to be suspected
of, and to acquaint you, that the request for your carriage
was made against my consent, and the visit with which you were
importuned this morning without my knowledge.
"I am inexpressibly concerned at having been the instrument,
however innocently, of so much trouble to your Lordship; but I
beg you to believe, that the reading these lines is the only
part of it which I have given voluntarily. I am, my Lord,
"Your Lordship's most Humble servant, "EVELINA ANVILLE."
I applied to the maid of the house to get this note conveyed to
Berkley-square; but scarce had I parted with it, before I regretted
having written at all; and I was flying down stairs to recover it,
when the voice of Sir Clement Willoughby stopped me. As Madame Duval
had ordered we should be denied to him, I was obliged to return up
stairs; and after he was gone, my application was too late, as the
maid had given it to a porter.
My time did not pass very serenely while he was gone; however, he
brought me no answer, but that Lord Orville was not at home. Whether or
not he will take the trouble to send any,-or whether he will condescend
to call,-or whether the affair will rest as it is, I know not;-but,
in being ignorant, am most cruelly anxious.
<CHAPTER>
LETTER LV.
EVELINA IN CONTINUATION. July 4th.
YOU may now, my dear Sir, send Mrs. Clinton for your Evelina with as
much speed as she can conveniently make the journey, for no further
opposition will be made to her leaving this town: happy had it perhaps
been for her had she never entered it!
This morning Madame Duval desired me to go to Snow-Hill, with an
invitation to the Branghtons and Mr. Smith to spend the evening with
her; and she desired M. Du Bois, who breakfasted with us, to accompany
me. I was very unwilling to obey her, as I neither wished to walk with
M. Du Bois, nor yet to meet young Branghton. And, indeed, another,
a yet more powerful reason, added to my reluctance;-for I thought it
possible that Lord Orville might send some answer, or perhaps might
call, during my absence; however, I did not dare dispute her commands.
Poor M. Du Bois spoke not a word during our walk, which was, I believe,
equally unpleasant to us both. We found all the family assembled in
the shop. Mr. Smith, the moment he perceived me, addressed himself
to Miss Branghton, whom he entertained with all the gallantry in his
power. I rejoice to find that my conduct at the Hampstead ball has had
so good an effect. But young Branghton was extremely troublesome; he
repeatedly laughed in my face, and looked so impertinently significant,
that I was obliged to give up my reserve to M. Du Bois, and enter
into conversation with him merely to avoid such boldness.
"Miss," said Mr. Branghton, "I'm sorry to hear from my son that you
wasn't pleased with what we did about that Lord Orville: but I should
like to know what it was you found fault with, for we did all for
the best."
"Goodness!" cried the son, "why, if you'd seen Miss, you'd have been
surprised-she went out of the room quite in a huff, like-"
"It is too late, now," said I, "to reason upon this subject; but,
for the future, I must take the liberty to request, that my name may
never be made use of without my knowledge. May I tell Madame Duval
that you will do her the favour to accept her invitation?"
"As to me, Ma'am," said Mr. Smith, "I am much obliged to the old
lady, but I have no mind to be taken in by her again; you'll excuse
me, Ma'am."
All the rest promised to come, and I then took leave; but, as I left
the shop, I heard Mr. Branghton say, "Take courage, Tom, she's only
coy." And, before I had walked ten yards, the youth followed.
I was so much offended that I would not look at him, but began to
converse with M. Du Bois, who was now more lively than I had ever
before seen him; for, most unfortunately, he misinterpreted the reason
of my attention to him.
The first intelligence I received when I came home, was, that two
gentlemen had called, and left cards. I eagerly enquired for them,
and read the names of Lord Orville and Sir Clement Willoughby. I by
no means regretted that I missed seeing the latter, but perhaps I may
all my life regret that I missed the former; for probably he has now
left town,-and I may see him no more!
"My goodness," cried young Branghton, rudely looking over me, "only
think of that Lord's coming all this way! It's my belief he'd got
some order ready for father, and so he'd a mind to call and ask you
if I'd told him the truth."
"Pray, Betty," cried I, "how long has he been gone?"
"Not two minutes, Ma'am."
"Why then, I'll lay you any wager, "said young Branghton, "he saw
you and I a-walking up Holborn Hill."
"God forbid!" cried I, impatiently; and, too much chagrined to bear
with any more of his remarks, I ran up stairs; but I heard him say
to M. Du Bois, "Miss is so uppish this morning, that I think I had
better not speak to her again."
I wish M. Du Bois had taken the same resolution; but he chose to
follow me into the dining-room, which he found empty.
"Vous ne l'aimez donc pas, ce garcon, Mademoiselle!" cried he.
"Me!" cried I, "no, I detest him!" for I was sick at heart.
"Ah, tu me rends la vie!" cried he; and, flinging himself at my feet,
he had just caught my hand as the door was opened by Madame Duval.
Hastily, and with marks of guilty confusion in his face, he arose; but
the rage of that lady quite amazed me! Advancing to the retreating
M. Du Bois, she began, in French, an attack, which her extreme
wrath and wonderful volubility almost rendered unintelligible; yet
I understood but too much, since her reproaches convinced me she had
herself proposed being the object of his affection.
He defended himself in a weak and evasive manner; and, upon her
commanding him from her sight, very readily withdrew: and then,
with yet greater violence, she upbraided me with having seduced his
heart, called me an ungrateful, designing girl, and protested she
would neither take me to Paris, nor any more interest herself in my
affairs, unless I would instantly agree to marry young Branghton.
Frightened as I had been at her vehemence, this proposal restored all
my courage; and I frankly told her, that in this point I never could
obey her. More irritated than ever, she ordered me to quit the room.
Such is the present situation of affairs. I shall excuse myself from
seeing the Branghtons this afternoon: indeed, I never wish to see them
again. I am sorry, however innocently, that I have displeased Madame
Duval; yet I shall be very glad to quit this town, for I believe
it does not now contain one person I ever wish to again meet. Had
I but seen Lord Orville, I should regret nothing: I could then have
more fully explained what I so hastily wrote; yet it will always be
a pleasure to me to recollect that he called, since I flatter myself
it was in consequence of his being satisfied with my letter.
Adieu, my dear Sir; the time now approaches when I hope once more
to receive your blessing, and to owe all my joy, all my happiness,
to your kindness.
</CHAPTER>
<CHAPTER>
LETTER LVI. MR. VILLARS TO EVELINA.
Berry Hill, July 7th.
WELCOME, thrice welcome, my darling Evelina, to the arms of the truest,
the fondest of your friends! Mrs. Clinton, who shall hasten to you
with these lines, will conduct you directly hither; for I can consent
no longer to be parted from the child of my bosom!-the comfort of my
age!-the sweet solace of all my infirmities! Your worthy friends at
Howard Grove must pardon me that I rob them of the visit you proposed
to make them before your return to Berry Hill, for I find my fortitude
unequal to a longer separation.
I have much to say to you, many comments to make upon your late
letters, some parts of which give me no little uneasiness; but I
will reserve my remarks for our future conversations. Hasten, then,
to the spot of thy nativity, the abode of thy youth, where never yet
care or sorrow had power to annoy thee.-O that they might ever be
banished this peaceful dwelling!
Adieu, my dearest Evelina! I pray but that thy satisfaction at our
approaching meeting may bear any comparison with mine! ARTHUR VILLARS.
</CHAPTER>
<CHAPTER>
LETTER LVII. EVELINA TO MISS MIRVAN.
Berry Hill, July 14th.
MY Sweet Maria will be much surprised, and I am willing to flatter
myself, concerned, when, instead of her friend, she receives this
letter;-this cold, this inanimate letter, which will but ill express
the feelings of the heart which indites it.
When I wrote to you last Friday, I was in hourly expectation of
seeing Mrs. Clinton, with whom I intended to have set out for Howard
Grove. Mrs. Clinton came; but my plan was necessarily altered,
for she brought me a letter,-the sweetest that ever was penned,
from the best and kindest friend that ever orphan was blessed with,
requiring my immediate attendance at Berry Hill.
I obeyed,-and pardon me if I own I obeyed without reluctance: after
so long a separation, should I not else have been the most ungrateful
of mortals?-And yet,-oh, Maria! though I wished to leave London,
the gratification of my wish afforded me no happiness! and though
I felt an impatience inexpressible to return hither, no words,
no language, can explain the heaviness of heart with which I made
the journey. I believe you would hardly have known me;-indeed,
I hardly know myself. Perhaps, had I first seen you, in your kind
and sympathizing bosom I might have ventured to have reposed every
secret of my soul;-and then-but let me pursue my journal.
Mrs. Clinton delivered Madame Duval a letter from Mr. Villars, which
requested her leave for my return; and, indeed, it was very readily
accorded: yet, when she found, by my willingness to quit town that
M. Du Bois was really indifferent to me, she somewhat softened in my
favour; and declared, that, but for punishing his folly in thinking
of such a child, she would not have consented to my being again buried
in the country.
All the Branghtons called to take leave of me; but I will not write
a word more about them: indeed I cannot, with any patience, think of
that family, to whose forwardness and impertinence is owing all the
uneasiness I at this moment suffer!
So great was the depression of my spirits upon the road, that it was
with great difficulty I could persuade the worthy Mrs. Clinton I was
not ill; but, alas! the situation of my mind was such as would have
rendered any mere bodily pain, by comparison, even enviable!
And yet, when we arrived at Berry Hill,-when the chaise stopped at this
place,-how did my heart throb with joy!-and when, through the window,
I beheld the dearest, the most venerable of men, with uplifted hands,
returning, as I doubt not, thanks for my safe arrival,-good God! I
thought it would have burst my bosom!-I opened the chaise-door myself;
I flew,-for my feet did not seem to touch the ground,-into the parlour:
he had risen to meet me; but the moment I appeared he sunk into his
chair, uttering, with a deep sigh, though his face beamed with delight,
"My God, I thank thee!"
I sprung forward; and, with a pleasure that bordered upon agony, I
embraced his knees, I kissed his hands, I wept over them, but could not
speak: while he, now raising his eyes in thankfulness towards heaven,
now bowing down his reverend head, and folding me in his arms, could
scarce articulate the blessings with which his kind and benevolent
heart overflowed.
O, Miss Mirvan, to be so beloved by the best of men,-should I not be
happy?-Should I have one wish save that of meriting his goodness?-Yet
think me not ungrateful; indeed I am not, although the internal
sadness of my mind unfits me, at present, for enjoying as I ought
the bounties of Providence.
I cannot journalize, cannot arrange my ideas into order.
How little has situation to do with happiness! I had flattered
myself, that, when restored to Berry Hill, I should be restored
to tranquillity: far otherwise have I found it, for never yet had
tranquillity and Evelina so little intercourse.
I blush for what I have written. Can you, Maria, forgive my
gravity? but I restrain it so much, and so painfully, in the presence
of Mr. Villars, that I know not how to deny myself the consolation
of indulging it to you.
Adieu, my dear Miss Mirvan.
Yet one thing I must add: do not let the seriousness of this letter
deceive you; do not impute to a wrong cause the melancholy I confess,
by supposing that the heart of your friend mourns a too great
susceptibility: no, indeed! believe me it never was, never can be,
more assuredly her own than at this moment. So witness in all truth,
Your affectionate, EVELINA.
You will make my excuses to the honoured Lady Howard, and to your
dear mother.
</CHAPTER>
<CHAPTER>
LETTER LVIII. EVELINA TO MISS MIRVAN.
Berry Hill, July 21st.
YOU accuse me of mystery, and charge me with reserve: I cannot doubt
but I must have merited the accusation; yet, to clear myself,-you
know not how painful will be the task. But I cannot resist your kind
entreaties;-indeed I do not wish to resist them; for your friendship
and affection will soothe my chagrin. Had it arisen from any other
cause, not a moment would I have deferred the communication you
ask;-but as it is, I would, were it possible, not only conceal it
from all the world, but endeavour to disbelieve it myself. Yet since
I must tell you, why trifle with your impatience?
I know not how to come to the point; twenty times have I attempted
it in vain;-but I will force myself to proceed.
Oh, Miss Mirvan, could you ever have believed, that one who
seemed formed as a pattern for his fellow-creatures, as a model of
perfection,-one whose elegance surpassed all description,-whose
sweetness of manners disgraced all comparison;-oh, Miss Mirvan,
could you ever have believed that Lord Orville, would have treated
me with indignity?
Never, never again will I trust to appearances;-never confide in my
own weak judgment;-never believe that person to be good who seems
to be amiable! What cruel maxims are we taught by a knowledge of the
world!-But while my own reflections absorb me, I forget you are still
in suspense.
I had just finished the last letter which I wrote to you from London,
when the maid of the house brought me a note. It was given to her,
she said, by a footman, who told her he would call the next day for
an answer.
This note,-but let it speak for itself.
"To Miss Anville.
"With transport, most charming of thy sex, did I read
the letter
with which you yesterday morning favoured me. I am sorry the
affair of the carriage should have given you any concern,
but I am highly flattered by the anxiety you express so
kindly. Believe me, my lovely girl, I am truly sensible
to the honour of your good opinion, and feel myself deeply
penetrated with love and gratitude. The correspondence you
have so sweetly commenced, I shall be proud of continuing;
and I hope the strong sense I have of the favour you do me
will prevent your withdrawing it. Assure yourself, that I
desire nothing more ardently than to pour forth my thanks at
your feet, and to offer those vows which are so justly the
tribute of your charms and accomplishments. In your next
I intreat you to acquaint me how long you shall remain in
town. The servant, whom I shall commission to call for an
answer, has orders to ride post with it to me. My impatience
for his arrival will be very great, though inferior to that
with which I burn to tell you, in person, how much I am,
my sweet girl, your grateful admirer, "ORVILLE."
What a letter! how has my proud heart swelled every line I have
copied! What I wrote to him you know; tell me, then, my dear friend,
do you think it merited such an answer?-and that I have deservedly
incurred the liberty he has taken? I meant nothing but a simple
apology, which I thought as much due to my own character as to his;
yet by the construction he seems to have put upon it, should you not
have imagined it contained the avowal of sentiments which might indeed
have provoked his contempt?
The moment the letter was delivered to me, I retired to my own room
to read it; and so eager was my first perusal, that,-I am ashamed
to own,-it gave me no sensation but of delight. Unsuspicious of
any impropriety from Lord Orville, I perceived not immediately the
impertinence it implied,-I only marked the expressions of his own
regard; and I was so much surprised, that I was unable for some time
to compose myself, or read it again:-I could only walk up and down
the room, repeating to myself, "Good God, is it possible?-am I then
loved by Lord Orville?"
But this dream was soon over, and I awoke to far different
feelings. Upon a second reading I thought every word changed,-it did
not seem the same letter,-I could not find one sentence that I could
look at without blushing: my astonishment was extreme, and it was
succeeded by the utmost indignation.
If, as I am very ready to acknowledge, I erred in writing to Lord
Orville, was it for him to punish the error? If he was offended,
could he not have been silent? If he thought my letter ill-judged,
should he not have pitied my ignorance? have considered my youth,
and allowed for my inexperience?
Oh, Maria! how have I been deceived in this man! Words have no
power to tell the high opinion I had of him; to that was owing the
unfortunate solicitude which prompted my writing; a solicitude I must
for ever repent!
Yet perhaps I have rather reason to rejoice than to grieve, since this
affair has shown me his real disposition, and removed that partiality
which, covering his every imperfection, left only his virtues and
good qualities exposed to view. Had the deception continued much
longer, had my mind received any additional prejudice in his favour,
who knows whither my mistaken ideas might have led me? Indeed I fear I
was in greater danger than I apprehended, or can now think of without
trembling;-for, oh, if this weak heart of mine had been penetrated
with too deep an impression of his merit,-my peace and happiness had
been lost for ever.
I would fain encourage more cheerful thoughts, fain drive from my
mind the melancholy that has taken possession of it; but I cannot
succeed: for, added to the humiliating feelings which so powerfully
oppress me, I have yet another cause of concern;-alas, my dear Maria,
I have broken the tranquillity of the best of men!
I have never had the courage to show him this cruel letter; I could
not bear so greatly to depreciate in his opinion, one whom I had, with
infinite anxiety, raised in it myself. Indeed, my first determination
was to confine my chagrin totally to my own bosom; but your friendly
enquiries have drawn it from me: and now I wish I had made no
concealment from the beginning, since I know not how to account for
a gravity, which not all my endeavours can entirely hide or repress.
My greatest apprehension is, lest he should imagine that my residence
in London has given me a distaste to the country. Every body I see
takes notice of my being altered, and looking pale and ill. I should
be very indifferent to all such observations, did I not perceive
that they draw upon me the eyes of Mr. Villars, which glisten with
affectionate concern.
This morning, in speaking of my London expedition he mentioned Lord
Orville. I felt so much disturbed, that I would instantly have changed
the subject; but he would not allow me, and, very unexpectedly,
he began his panegyric; extolling in strong terms, his manly and
honourable behaviour in regard to the Marybone adventure. My cheeks
glowed with indignation every word he spoke;-so lately as I had myself
fancied him the noblest of his sex, now that I was so well convinced
of my mistake, I could not bear to hear his undeserved praises uttered
by one so really good, so unsuspecting, so pure of heart.
What he thought of my silence and uneasiness I fear to know; but I
hope he will mention the subject no more. I will not, however, with
ungrateful indolence, give way to a sadness which I find infectious to
him who merits the most cheerful exertion of my spirits. I am thankful
that he has forborne to probe my wound; and I will endeavour to heal
it by the consciousness that I have not deserved the indignity I
have received. Yet I cannot but lament to find myself in a world so
deceitful, where we must suspect what we see, distrust what we hear,
and doubt even what we feel!
</CHAPTER>
<CHAPTER>
LETTER LIX. EVELINA IN CONTINUATION.
Berry Hill, July 29th.
I MUST own myself somewhat distressed how to answer your raillery:
yet, believe me, my dear Maria, your suggestions are those of fancy,
not of truth. I am unconscious of the weakness you suspect; yet, to
dispel your doubts, I will animate myself more than ever to conquer
my chagrin, and to recover my spirits.
You wonder, you say, since my heart takes no part in this affair,
why it should make me so unhappy? And can you, acquainted as you
are with the high opinion I entertained of Lord Orville, can you
wonder that so great a disappointment in his character should affect
me? Indeed, had so strange a letter been sent to me from any body,
it could not have failed shocking me; how much more sensibly, then,
must I feel such an affront, when received from the man in the world
I had imagined least capable of giving it?
You are glad I made no reply; assure yourself, my dear friend, had this
letter been the most respectful that could be written, the clandestine
air given to it, by his proposal of sending his servant for my answer,
instead of having it directed to his house, would effectually have
prevented my writing. Indeed, I have an aversion the most sincere to
all mysteries, all private actions; however foolishly and blameably,
in regard to this letter, I have deviated from the open path which,
from my earliest infancy, I was taught to tread.
He talks of my having commenced a correspondence with him: and
could Lord Orville indeed believe I had such a design? believe me
so forward, so bold, so strangely ridiculous? I know not if his man
called or not; but I rejoice that I quitted London before he came,
and without leaving any message for him. What, indeed, could I have
said? it would have been a condescension very unmerited to have taken
any, the least notice of such a letter.
Never shall I cease to wonder how he could write it. Oh, Maria! what,
what could induce him so causelessly to wound and affront one who
would sooner have died than wilfully offended him? -How mortifying
a freedom of style! how cruel an implication conveyed by his thanks
and expressions of gratitude! Is it not astonishing, that any man
can appear so modest, who is so vain?
Every hour I regret the secrecy I have observed with my beloved
Mr. Villars; I know not what bewitched me, but I felt at first a
repugnance to publishing this affair that I could not surmount;-and
now, I am ashamed of confessing that I have any thing to confess! Yet
I deserve to be punished for the false delicacy which occasioned my
silence, since, if Lord Orville himself was contented to forfeit
his character, was it for me, almost at the expense of my own, to
support it?
Yet I believe I should be very easy, now the first shock is over,
and now that I see the whole affair with the resentment it merits,
did not all my good friends in this neighbourhood, who think me
extremely altered, tease me about my gravity, and torment Mr. Villars
with observations upon my dejection and falling away. The subject
is no sooner started, than a deep gloom overspreads his venerable
countenance, and he looks at me with a tenderness so melancholy,
that I know not how to endure the consciousness of exciting it.
Mrs. Selwyn, a lady of large fortune, who lives about three miles from
Berry Hill, and who has always honoured me with very distinguishing
marks of regard, is going, in a short time, to Bristol, and has
proposed to Mr. Villars to take me with her for the recovery of my
health. He seemed very much distressed whether to consent or refuse;
but I, without any hesitation, warmly opposed the scheme, protesting
my health could no where be better than in this pure air. He had
the goodness to thank me for this readiness to stay with him; but he
is all goodness! Oh, that it were in my power to be indeed what, in
the kindness of his heart, he has called me, the comfort of his age,
and solace of his infirmities!
Never do I wish to be again separated from him. If here I am grave,
elsewhere I should be unhappy. In his presence, with a very little
exertion, all the cheerfulness of my disposition seems ready to return;
the benevolence of his countenance reanimates, the harmony of his
temper composes, the purity of his character edifies me! I owe to
him every thing! and, far from finding my debt of gratitude a weight,
the first pride, the first pleasure of my life, is the recollection
of the obligations conferred upon me by a goodness so unequalled.
Once, indeed, I thought there existed another,-who, when time
had wintered o'er his locks, would have shone forth among his
fellow-creatures with the same brightness of worth which dignifies
my honoured Mr. Villars; a brightness how superior in value to that
which results from mere quickness of parts, wit, or imagination! a
brightness, which, not contented with merely diffusing smiles,
and gaining admiration from the sallies of the spirits, reflects a
real and a glorious lustre upon all mankind! Oh, how great was my
error! how ill did I judge! how cruelly have I been deceived!
I will not go to Bristol, though Mrs. Selwyn is very urgent with
me;-but I desire not to see any more of the world! the few months I
have already passed in it, have sufficed to give me a disgust even
to its name.
I hope, too, I shall see Lord Orville no more: accustomed, from my
first knowledge of him, to regard him as a being superior to his race,
his presence, perhaps, might banish my resentment, and I might forget
his ill conduct; for oh, Maria!-I should not know how to see Lord
Orville -and to think of displeasure!
As a sister I loved him;-I could have entrusted him with every
thought of my heart, had he deigned to wish my confidence: so steady
did I think his honour, so feminine his delicacy, and so amiable his
nature! I have a thousand times imagined that the whole study of his
life, and whole purport of his reflections, tended solely to the good
and happiness of others: but I will talk,-write,-think of him no more!
Adieu, my dear friend!
</CHAPTER>
<CHAPTER>
LETTER LX. EVELINA IN CONTINUATION.
Berry Hill, August 10th.
YOU complain of my silence, my dear Miss Mirvan;-but what have I to
write? Narrative does not offer, nor does a lively imagination supply
the deficiency. I have, however, at present, sufficient matter for
a letter, in relating a conversation I had yesterday with Mr. Villars.
Our breakfast had been the most cheerful we have had since my return
hither; and when it was over, he did not, as usual, retire to his
study, but continued to converse with me while I worked. We might,
probably, have passed all the morning thus sociably, but for the
entrance of a farmer, who came to solicit advice concerning some
domestic affairs. They withdrew together into the study.
The moment I was alone my spirits failed me; the exertion with which
I had supported them had fatigued my mind; I flung away my work, and,
leaning my arms on the table, gave way to a train of disagreeable
reflections, which, bursting from the restraint that had smothered
them, filled me with unusual sadness.
This was my situation, when, looking towards the door, which was open,
I perceived Mr. Villars, who was earnestly regarding me. "Is Farmer
Smith gone, Sir?" cried I, hastily rising, and snatching up my work.
"Don't let me disturb you," said he, gravely; "I will go again to
my study."
"Will you, Sir?-I was in hopes you were coming to sit here."
"In hopes!-and why, Evelina, should you hope it?"
This question was so unexpected, that I knew not how to answer it; but,
as I saw he was moving away, I followed, and begged him to return. "No,
my dear, no," said he, with a forced smile, "I only interrupt your
meditations."
Again I knew not what to say; and while I hesitated, he retired. My
heart was with him, but I had not the courage to follow. The idea
of an explanation, brought on in so serious a manner, frightened
me. I recollected the inference you had drawn from my uneasiness,
and I feared that he might make a similar interpretation.
Solitary and thoughtful, I passed the rest of the morning in my own
room. At dinner I again attempted to be cheerful; but Mr. Villars
himself was grave, and I had not sufficient spirits to support a
conversation merely by my own efforts. As soon as dinner was over, he
took a book, and I walked to the window. I believe I remained near an
hour in this situation. All my thoughts were directed to considering
how I might dispel the doubts which I apprehended Mr. Villars had
formed, without acknowledging a circumstance which I had suffered so
much pain merely to conceal. But while I was thus planning for the
future, I forgot the present; and so intent was I upon the subject
which occupied me, that the strange appearance of my unusual inactivity
and extreme thoughtfulness never occurred to me. But when, at last,
I recollected myself, and turned round, I saw that Mr. Villars, who
had parted with his book, was wholly engrossed in attending to me. I
started from my reverie, and, hardly knowing what I said, asked if
he had been reading?
He paused a moment, and then replied, "Yes, my child;-a book that
both afflicts and perplexes me."
He means me, thought I; and therefore I made no answer.
"What if we read it together?" continued he, "will you assist me to
clear its obscurity?"
I knew not what to say; but I sighed involuntarily from the bottom of
my heart. He rose, and approaching me, said, with emotion, "My child,
I can no longer be a silent witness of thy sorrow,-is not thy sorrow
my sorrow?-and ought I to be a stranger to the cause, when I so deeply
sympathize in the effect?"
"Cause, Sir!" cried I, greatly alarmed, "what cause?-I don't know,-I
can't tell-I-"
"Fear not," said he, kindly, "to unbosom thyself to me, my dearest
Evelina; open to me thy whole heart,-it can have no feelings for
which I will not make allowance. Tell me, therefore, what it is that
thus afflicts us both; and who knows but I may suggest some means
of relief?"
"You are too, too good," cried I, greatly embarrassed; "but indeed
I know not what you mean."
"I see," said he, "it is painful to you to speak: suppose, then,
I endeavour to save you by guessing?"
"Impossible! impossible!" cried I, eagerly; "no one living could ever
guess, ever suppose-" I stopped abruptly; for I then recollected I
was acknowledging something was to be guessed: however, he noticed
not my mistake.
"At least let me try," answered he, mildly; "perhaps I may be a better
diviner than you imagine: if I guess every thing that is probable,
surely I must approach near the real reason. Be honest, then, my love,
and speak without reserve;-does not the country, after so much gaiety,
so much variety, does it not appear insipid and tiresome?"
"No, indeed! I love it more than ever, and more than ever do I wish
I had never, never quitted it!"
"Oh, my child! that I had not permitted the journey! My judgment
always opposed it, but my resolution was not proof against persuasion."
"I blush, indeed," cried I, "to recollect my earnestness;-but I have
been my own punisher!"
"It is too late now," answered he, "to reflect upon this subject;
let us endeavour to avoid repentance for the time to come, and
we shall not have erred without reaping some instruction." Then,
seating himself, and making me sit by him, he continued, "I must now
guess again: perhaps you regret the loss of those friends you knew
in town;-perhaps you miss their society, and fear you may see them
no more?-perhaps Lord Orville-"
I could not keep my seat; but, rising hastily, said, "Dear Sir,
ask me nothing more!-for I have nothing to own,-nothing to say;-my
gravity has been merely accidental, and I can give no reason for it
at all.-Shall I fetch you another book?-or will you have this again?"
For some minutes he was totally silent, and I pretended to employ
myself in looking for a book. At last, with a deep sigh, "I see,"
said he, "I see but too plainly, that though Evelina is returned,-I
have lost my child!"
"No, Sir, no," cried I, inexpressibly shocked, "she is more your's
than ever! Without you, the world would be a desert to her, and
life a burthen:-forgive her, then, and,-if you can,-condescend to be,
once more, the confidant of all her thoughts."
"How highly I value, how greatly I wish for her confidence," returned
he, "she cannot but know;-yet to extort, to tear it from her,-my
justice, my affection both revolt at the idea. I am sorry that I was
so earnest with you;-leave me, my dear, leave me, and compose yourself;
we will meet again at tea."
"Do you then refuse to hear me?"
"No, but I abhor to compel you. I have long seen that your mind has
been ill at ease, and mine has largely partaken of your concern:
I forbore to question you; for I hoped that time and absence, from
whatever excited your uneasiness, might best operate in silence:
but, alas! your affliction seems only to augment,-your health
declines,-your look alters!-Oh, Evelina, my aged heart bleeds to see
the change!-bleeds to behold the darling it had cherished, the prop it
had reared for its support, when bowed down by years and infirmities,
sinking itself under the pressure of internal grief!-struggling to
hide what it should seek to participate!-But go, my dear, go to your
own room; we both want composure, and we will talk of this matter
some other time."
"Oh, Sir," cried I, penetrated to the soul, "bid me not leave
you!-think me not so lost to feeling, to gratitude-"
"Not a word of that," interrupted he: "it pains me you should think
upon that subject; pains me you should ever remember that you have not
a natural, an hereditary right to every thing within my power. I meant
not to affect you thus,-I hoped to have soothed you!-but my anxiety
betrayed me to an urgency that has distressed you. Comfort yourself,
my love; and doubt not but that time will stand your friend, and all
will end well."
I burst into tears: with difficulty had I so long restrained them; for
my heart, while it glowed with tenderness and gratitude, was oppressed
with a sense of its own unworthiness. "You are all, all goodness!"
cried I, in a voice scarce audible; "little as I deserve,-unable as
I am to repay, such kindness,-yet my whole soul feels,-thanks you
for it!"
"My dearest child," cried he, "I cannot bear to see thy tears;-for
my sake dry them: such a sight is too much for me: think of that,
Evelina, and take comfort, I charge thee!"
"Say then," cried I, kneeling at his feet, "say then that you
forgive me! that you pardon my reserve,-that you will again suffer
me to tell you my most secret thoughts, and rely upon my promise
never more to forfeit your confidence!-my father!-my protector!-my
ever-honoured,-ever-loved-my best and only friend!-say you forgive
your Evelina, and she will study better to deserve your goodness!"
He raised, he embraced me: he called me his sole joy, his only
earthly hope, and the child of his bosom! He folded me to his heart;
and, while I wept from the fulness of mine, with words of sweetest
kindness and consolation, he soothed and tranquillised me.
Dear to my remembrance will ever be that moment when, banishing
the reserve I had so foolishly planned, and so painfully supported,
I was restored to the confidence of the best of men!
When at length we were again quietly and composedly seated by each
other, and Mr. Villars waited for the explanation I had begged him
to hear, I found myself extremely embarrassed how to introduce the
subject which must lead to it. He saw my distress; and with a kind of
benevolent pleasantry, asked me if I would let him guess any more? I
assented in silence.
"Shall I, then, go back to where I left off?"
"If-if you please;-I believe so,-" said I, stammering.
"Well, then, my love, I think I was speaking of the regret it was
natural you should feel upon quitting those from whom you had received
civility and kindness, with so little certainty of ever seeing
them again, or being able to return their good offices. These are
circumstances that afford but melancholy reflections to young minds;
and the affectionate disposition of my Evelina, open to all social
feelings, must be hurt more than usual by such considerations.-You
are silent, my dear. Shall I name those whom I think most worthy the
regret I speak of? We shall then see if our opinions coincide."
Still I said nothing, and he continued.
"In your London journal, nobody appears in a more amiable, a more
respectable light than Lord Orville; and perhaps-"
"I knew what you would say," cried I, hastily, "and I have long feared
where your suspicions would fall; but indeed, Sir, you are mistaken:
I hate Lord Orville,-he is the last man in the world in whose favour
I should be prejudiced."
I stopped; for Mr. Villars looked at me with such infinite surprise,
that my own warmth made me blush.
"You hate Lord Orville!" repeated he.
I could make no answer; but took from my pocket-book the letter,
and giving it to him, "See, Sir," said I, "how differently the same
man can talk and write!"
He read it three times before he spoke; and then said, "I am so much
astonished, that I know not what I read. When had you this letter?"
I told him. Again he read it, and, after considering its contents
some time, said, "I can form but one conjecture concerning this most
extraordinary performance: he must certainly have been intoxicated
when he wrote it."
"Lord Orville intoxicated!" repeated I: "once I thought him a stranger
to all intemperance;-but it is very possible, for I can believe any
thing now."
"That a man who had behaved with so strict a regard to delicacy,"
continued Mr. Villars, "and who, as far as occasion had allowed,
manifested sentiments the most honourable, should thus insolently,
thus wantonly, insult a modest young woman, in his perfect senses,
I cannot think possible. But, my dear, you should have inclosed
this letter in an empty cover, and have returned it to him again:
such a resentment would at once have become your character, and have
given him an opportunity, in some measure, of clearing his own. He
could not well have read this letter the next morning without being
sensible of the impropriety of having written it."
Oh, Maria! why had I not this thought? I might then have received
some apology; the mortification would then have been his, not
mine. It is true, he could not have reinstated himself so highly in
my opinion as I had once ignorantly placed him, since the conviction
of such intemperance would have levelled him with the rest of his
imperfect race; yet my humbled pride might have been consoled by
his acknowledgments.
But why should I allow myself to be humbled by a man who can suffer
his reason to be thus abjectly debased, when I am exalted by one who
knows no vice, and scarcely a failing, but by hearsay? To think of his
kindness, and reflect upon his praises, might animate and comfort me
even in the midst of affliction. "Your indignation," said he, "is the
result of virtue; you fancied Lord Orville was without fault-he had
the appearance of infinite worthiness, and you supposed his character
accorded with appearance: guileless yourself, how could you prepare
against the duplicity of another? Your disappointment has but been
proportioned to your expectations, and you have chiefly owed its
severity to the innocence which hid its approach."
I will bid these words dwell ever in my memory, and they shall
cheer, comfort, and enliven me! This conversation, though extremely
affecting to me at the time it passed, has relieved my mind from much
anxiety. Concealment, my dear Maria, is the foe of tranquillity:
however I may err in future, I will never be disingenuous
in acknowledging my errors. To you and to Mr. Villars I vow an
unremitting confidence.
And yet, though I am more at ease, I am far from well: I have been
some time writing this letter; but I hope I shall send you soon a
more cheerful one.
Adieu, my sweet friend. I intreat you not to acquaint even your dear
mother with this affair; Lord Orville is a favourite with her, and
why should I publish that he deserves not that honour?
</CHAPTER>
<CHAPTER>
LETTER LXI. EVELINA IN CONTINUATION.
Bristol Hotwells, August 28th.
YOU will be again surprised, my dear Maria, at seeing whence I date my
letter: but I have been very ill, and Mr. Villars was so much alarmed,
that he not only insisted upon my accompanying Mrs. Selwyn hither,
but earnestly desired she would hasten her intended journey.
We travelled very slowly, and I did not find myself so much fatigued
as I expected. We are situated upon a most delightful spot; the
prospect is beautiful, the air pure, and the weather very favourable
to invalids. I am already better, and I doubt not but I shall soon
be well; as well, in regard to mere health, as I wish to be.
I cannot express the reluctance with which I parted from my revered
Mr. Villars: it was not like that parting which, last April, preceded
my journey to Howard Grove, when, all expectation and hope, though I
wept, I rejoiced, and, though I sincerely grieved to leave him, I yet
wished to be gone: the sorrow I now felt was unmixed with any livelier
sensation; expectation was vanished, and hope I had none! All that I
held most dear upon earth I quitted; and that upon an errand, to the
success of which I was totally indifferent, the re-establishment of my
health. Had it been to have seen my sweet Maria, or her dear mother,
I should not have repined.
Mrs. Selwyn is very kind and attentive to me. She is extremely clever:
her understanding, indeed, may be called masculine: but, unfortunately,
her manners deserve the same epithet; for, in studying to acquire
the knowledge of the other sex, she has lost all the softness of
her own. In regard to myself, however, as I have neither courage nor
inclination to argue with her, I have never been personally hurt at her
want of gentleness; a virtue which, nevertheless, seems so essential
a part of the female character, that I find myself more awkward, and
less at ease, with a woman who wants it, than I do with a man. She is
not a favourite with Mr. Villars, who has often been disgusted at her
unmerciful propensity to satire: but his anxiety that I should try
the effect of the Bristol waters, overcame his dislike of committing
me to her care. Mrs. Clinton is also here; so that I shall be as well
attended as his utmost partiality could desire.
I will continue to write to you, my dear Miss Mirvan, with as much
constancy as if I had no other correspondent; though, during my
absence from Berry Hill, my letters may, perhaps, be shortened on
account of the minuteness of the journal which I must write to my
beloved Mr. Villars: but you, who know his expectations, and how
many ties bind me to fulfil them, will I am sure, rather excuse any
omission to yourself, than any negligence to him.
</CHAPTER>
| 16,097 | Volume II, Letter XX - Volume II, Letter XXX | https://web.archive.org/web/20201126171702/https://www.gradesaver.com/evelina-or-the-history-of-a-young-ladys-entrance-into-the-world/study-guide/summary-volume-ii-letter-xx--volume-ii-letter-xxx | Evelina writes to Mr. Villars, including in her correspondence a letter from Mr. Macartney in which he relates to her his sad story. He writes that he had grown up with his mother in Scotland, and never knew his father, whom he was told had died. He had one particularly close friend, who used his fortune to leave Scotland and travel through Europe. Before he left, the friend asked Macartney to meet him in Paris. When Macartney finally complied, he met a young woman there whom he fell in love with. However, when her absent father returned to discover them together, the two men dueled and Macartney felled her father. Believing the man had died, he fled in terror. He later learned that the father had not died, but the news was even worse: that man was in fact Macartney's real father, which means his beloved is his sister. Macartney's life disintegrated from that point onwards, and so he purchased pistols to pursue a life of robbery. Evelina had in fact deterred him from that purpose , for which he is immensely grateful to her. Evelina continues her letters to Mr. Villars from London. She writes about how everyone went to Marybone-gardens. She enjoyed the fireworks and the orchestra there, but one firework was so terrifying that she ran away from it and got lost from her companions. As she wandered around, she encountered a group of men, one of whom accosted her. She was saved only by two young women who pulled her away; she soon realized they were prostitutes, and she tried to get away. Mr. Brown stumbled along while looking for her, and the prostitutes grabbed him as well. When they finally found the rest of their party, Evelina was concerned to see Lord Orville there with them. He seemed to be concerned to find her walking arm-in-arm with these women. Before he left, Lord Orville asked Evelina if he might pay his respects to her before he left town. She agreed. The prostitutes were eventually run off, and the group departed. Evelina reflected on how differently Lord Orville and Sir Clement reacted around her group - the former showed grace and politeness, and acted "benevolently, not with insolence." The next morning, Lord Orville visited Evelina early in the morning. They spoke pleasantly for some time until he embarrassingly brought up the subject of the prostitutes, asking Evelina if she had kept company with them before. When she denied it, both awkwardly apologized to one other. He admitted he had not doubted her, but was made so curious to see her in such company, but was curious. He kissed her hand before he left; she was pleased to once again have his esteem. That same day, however, Evelina was annoyed by two new revelations: a) Madame Duval and Mr. Branghton were conspiring for her to marry Young Branghton; and b) Monsieur Du Bois was also attracted to her, as he confessed to her via note. The family went on a trip to Kensington-gardens, but Evelina was little impressed. She tried not to speak to Young Branghton at all, but felt sorry for avoiding Monsieur Du Bois, as he had always been kind to her. The Branghton girls continually pestered her about Lord Orville. When their father and brother heard that Evelina had once danced with the Lord, they thought this entitled them to make use of his carriage, which was sitting dormant with its driver at the gardens, to head home early. Evelina was mortified by this plan, but they would not desist . Even the footmen mocked their resolve, until one actually went to ask Lord Orville, and returned with word that "his carriage will always be at Miss Anville's service." That night, Evelina felt uneasy; she had just returned to Lord Orville's good opinion, but was now surely sunk by her family's behavior. She was doubly mortified to learn that Young Branghton had attended Lord Orville to apologize about some glass that had been broken in the carriage on their trip home. Young Branghton visited her with this news, and brought Lord Orville's compliments. When she realized he had used her name to gain access to Lord Orville, she angrily fled the room. She was so mortified that she actually wrote Lord Orville a note to apologize. After an excursion with the group the next day, Evelina returned anxious to know whether anyone had called in her absence; both Lord Orville and Sir Clement had. When she and Monsieur du Bois were alone later, however, he dropped to his knees and professed his love to her. Madame Duval entered during this display, and she flew into a passion, since she had considered herself as the object of his affections. She raged that she would not take Evelina to Paris and that she must marry Branghton. Evelina refused to grant her consent, and left the room. She soon thereafter left London. Mr. Villars writes to Evelina that she must come by Berry Hill before she returns to Howard Grove. While at Berry Hill, Evelina writes Miss Mirvan to explain she has stopped a while to visit Mr. Villars before returning to Howard Grove. Her next letter to Maria is full of indignation. In it, she reveals how Lord Orville had indeed written her a response to her note, but his letter was gross and distasteful. It was filled with flowery language and bold sentiments, and sounded very unlike him. She felt deceived and betrayed, and wondered how it was possible he could be so inappropriately forward. She was not flattered that he clearly seemed to love her, since his behavior was loathsome. She decided not to tell Mr. Villars because he held the man in such esteem. Continuing her letters to Miss Mirvan, she writes that Mr. Villars's neighbor and friend Mrs. Selwyn wishes to take Evelina to Bristol. However, she does not want to be separated from her guardian, and has little desire to see any more of the world. Overall, she is quite depressed. Evelina continued to be depressed, and Mr. Villars watched her carefully. He finally confronted her about her sadness, mourning that he had lost his child. He persisted in questioning her, believing that she was bored with the serenity of Berry Hill after having lived such an exciting life in London. Not wanting him to believe she had lost affection for her childhood home, Evelina showed him Lord Orville's letter. He concluded that the man must have been intoxicated when he wrote it; that was the only plausible explanation. Evelina was somewhat relieved, but wondered, "Why should I allow myself to be humbled by a man who can suffer his reason to be thus abjectly debased..." Evelina writes to Miss Mirvan again after some time has passed, explaining that she had grown ill and finally agreed to accompany Mrs. Selwyn to Bristol, where she might recover. That woman was clever and had a "masculine" understanding; she lost all softness and gentleness. This did not offend Evelina, though she adds that Mr. Villars is annoyed by her "unmerciful propensity to satire." | As Evelina continues to narrate her travels through London, she provides not only an insightful look at this 18th century metropolis for modern readers, but also further example of the limitations a woman faced at that time. Her group undertakes an excursion to Marybone-gardens, which was in west London, and had been opened to the public as a pleasure-garden in 1738. Vivien Jones writes in the annotations that there were "gravel walks, elegant buildings such as the Great Room and the Orchestra, and regular concerts; and like the Vauxhall the usual fee was a shilling." It was famous for its concerts and fireworks displays, but was in decline by 1775, and closed in 1776. That it attracts such a wide swath of people helps explain how both the sophisticated Lord Orville and the boorish Branghtons might be there at the same time. Thus, it makes sense that questions of class and respectability arise in this place. In these gardens, Evelina comes into contact with the two prostitutes. While she and the Branghton girls realize who these women are, Madame Duval remains in ignorance. Jones uses this incident to confront the then-common assumption that places where social classes mixed encouraged an overall lapse of respectability. Whether this assumption is accurate or not, it certainly seems to be so for the upper class. The incident showcases how difficult it was for a young woman to protect her reputation. Evelina may be virtuous, but that's not enough; she has to work assiduously to maintain the impression of virtue. Lord Orville has no reason to suspect she fraternizes with prostitutes, but the appearance is enough to force him to bring up the question. The issue with his letter is significant for this same reason. Evelina writes a simple letter to Lord Orville, apologizing for her family's behavior, but she is utterly shocked by the excess sentiment contained in his response. However, she is in no position to simply write him off as a cad; the mere fact that he wrote that could potentially suggest to others that she had initiated such a flirtatious exchange. Certainly, her reputation had much more to lose than his. Further, the fact that he feels comfortable taking such advantage of her suggests he sees her in an unacceptable light. The sad truth is that it was considered inappropriate for young women even to correspond with men they were not engaged to; this makes up part of trouble faced by Clarissa in Samuel Richardson's novel of the same name. They had too much to lose by it. Two other places of interest are mentioned in this set of letters: Kensington Gardens and the Hotwells. The former had a dynamic landscape design, much of which had been altered at the request of Queen Caroline, wife of George II. Evelina expressed her preference for the modern and open garden style of Kensington as opposed to the formal alleys of Vauxhall; it was also frequented for most of the 1770's by a more genteel class of people. Hyde Park was part of Kensington Gardens, and was a fashionable place to see and be seen. The Hotwells became popular at the end of the 1600's when a pump room and lodging house were built. These springs, renowned for their medicinal properties, attracted a fashionable crowd during their open season from May to September. Finally, Evelina learns the sad story of the Scottish poet in this set of letters. This story does not quite cohere with the rest of the narrative at this point, but will become more significant as Evelina continues. The story is full of both melodramatic and real-world elements. The melodrama consists in the story of unrequited love, and the outrageous coincidence of Macartney's connection with his sister. The real world is reflected by the 'Grand Tour' that the poet's friend takes. The Grand Tour was quite common for wealthy young men, and was meant to enhance their education. Poor men like Macartney, however, hoped to be ordained by the Church of England or Scotland, and to obtain a living by a wealthy patron or a good parish. There is some consideration of class in this story, though it is overshadowed by the dramatic overtones of his sad story. | 1,189 | 707 | [
"<CHAPTER>\nLETTER LI.",
"EVELINA IN CONTINUATION.",
"I HAVE just received a most affecting letter from Mr. Macartney.",
"I\nwill inclose it, my dear Sir, for your perusal.",
"More than ever have\nI cause to rejoice that I was able to assist him.",
"Mr. Macartney to\nMiss Anville.",
"Madam,\n\nIMPRESSED with deepest, the most heartfelt sense of the exalted\nhumanity with which you have rescued from destruction an unhappy\nstranger, allow me, with humblest gratitude, to offer you my fervent\nacknowledgments, and to implore your pardon for the terror I have\ncaused you.",
"You bid me, Madam, live: I have now, indeed, a motive for life,\nsince I should not willingly quit the world, while I withhold from\nthe needy and distressed any share of that charity which a disposition\nso noble would otherwise bestow upon them.",
"The benevolence with which you have interested yourself in my affairs,\ninduces me to suppose you would wish to be acquainted with the cause\nof that desperation from which you snatched me, and the particulars\nof that misery of which you have so wonderfully been a witness.",
"Yet,\nas this explanation will require that I should divulge secrets of a\nnature the most delicate, I must intreat you to regard them as sacred,\neven though I forbear to mention the names of the parties concerned.",
"I was brought up in Scotland, though my mother, who had the sole\ncare of me, was an English-woman, and had not one relation in that\ncountry.",
"She devoted to me her whole time.",
"The retirement in which we\nlived, and the distance from our natural friends, she often told me,\nwere the effect of an unconquerable melancholy with which she was\nseized upon the sudden loss of my father, some time before I was born.",
"At Aberdeen, where I finished my education, I formed a friendship with\na young man of fortune, which I considered as the chief happiness\nof my life:-but, when he quitted his studies, I considered it as my\nchief misfortune; for he immediately prepared, by direction of his\nfriends, to make the tour of Europe.",
"As I was designed for the church,\nand had no prospect even of maintenance but from my own industry,\nI scarce dared permit even a wish of accompanying him.",
"It is true,\nhe would joyfully have borne my expenses: but my affection was as free\nfrom meanness as his own; and I made a determination the most solemn,\nnever to lessen its dignity by submitting to pecuniary obligations.",
"We corresponded with great regularity, and the most unbounded\nconfidence, for the space of two years, when he arrived at Lyons in\nhis way home.",
"He wrote me thence the most pressing invitation to meet him at Paris,\nwhere he intended to remain some time.",
"My desire to comply with his\nrequest, and shorten our absence, was so earnest, that my mother,\ntoo indulgent to control me lent me what assistance was in her power,\nand, in an ill-fated moment, I set out for that capital.",
"My meeting with this dear friend was the happiest event of my life: he\nintroduced me to all his acquaintance; and so quickly did time seem to\npass at that delightful period, that the six weeks I had allotted for\nmy stay were gone, ere I was sensible I had missed so many days.",
"But\nI must now own, that the company of my friend was not the sole subject\nof my felicity: I became acquainted with a young lady, daughter of an\nEnglishman of distinction, with whom I formed an attachment, which I\nhave a thousand times vowed, a thousand times sincerely thought, would\nbe lasting as my life.",
"She had but just quitted a convent in which\nshe had been placed when a child, and though English by birth, she\ncould scarcely speak her native language.",
"Her person and disposition\nwere equally engaging; but chiefly I adored her for the greatness of\nthe expectation, which, for my sake, she was willing to resign.",
"When the time for my residence in Paris expired, I was almost\ndistracted at the idea of quitting her; yet I had not the courage to\nmake our attachment known to her father, who might reasonably form\nfor her such views as would make him reflect, with a contempt which\nI could not bear to think of, such an offer as mine.",
"Yet I had free\naccess to the house, where she seemed to be left almost wholly to\nthe guidance of an old servant, who was my fast friend.",
"But, to be brief, the sudden and unexpected return of her father,\none fatal afternoon, proved the beginning of the misery which has ever\nsince devoured me.",
"I doubt not but he had listened to our conversation;\nfor he darted into the room with the rage of a madman.",
"Heavens!",
"what a\nscene followed!-what abusive language did the shame of a clandestine\naffair, and the consciousness of acting ill, induce me to brook!",
"At\nlength, however, his fury exceeded my patience, he called me a\nbeggarly, cowardly Scotchman.",
"Fired at the words, I drew my sword;\nhe, with equal alertness, drew his; for he was not an old man, but,\non the contrary, strong and able as myself.",
"In vain his daughter\npleaded;-in vain did I, repentant of my anger retreat-his reproaches\ncontinued; myself, my country, were loaded with infamy, till no longer\nconstraining my rage,-we fought,-and he fell!",
"At that moment I could almost have destroyed myself!",
"The young lady\nfainted with terror; the old servant, drawn to us by the noise of the\nscuffle, entreated me to escape, and promised to bring intelligence\nof what should pass to my apartments.",
"The disturbance which I heard\nraised in the house obliged me to comply; and, in a state of mind\ninconceivable wretched, I tore myself away.",
"My friend, whom I found at home, soon discovered the whole affair.",
"It\nwas near midnight before the woman came.",
"She told me that her master\nwas living, and her young mistress restored to her senses.",
"The absolute\nnecessity for my leaving Paris, while any danger remained, was forcibly\nargued by my friend: the servant promised to acquaint him of whatever\npassed, and he to transmit to me her information.",
"Thus circumstanced,\nwith the assistance of this dear friend, I effected my departure from\nParis, and, not long after, I returned to Scotland.",
"I would fain have\nstopped by the way, that I might have been nearer the scene of all my\nconcerns; but the low state of my finances denied me that satisfaction.",
"The miserable situation of my mind was soon discovered by my mother;\nnor would she rest till I communicated the cause.",
"She heard my\nwhole story with an agitation which astonished me:-the name of the\nparties concerned seemed to strike her with horror:-but when I said,\nWe fought, and he fell; -\"My son,\" cried she, \"you have then murdered\nyour father!\"",
"and she sunk breathless at my feet.",
"Comments, Madam,\nupon such a scene as this, would to you be superfluous, and to me\nagonizing: I cannot, for both our sakes, be too concise.",
"When she\nrecovered, she confessed all the particulars of a tale which she had\nhoped never to have revealed.-Alas!",
"the loss she had sustained of my\nfather was not by death!-bound to her by no ties but those of honour,\nhe had voluntarily deserted her!-Her settling in Scotland was not\nthe effect of choice,-she was banished thither by a family but too\njustly incensed.-Pardon, Madam, that I cannot be more explicit!",
"My senses, in the greatness of my misery, actually forsook me, and,\nfor more than a week, I was wholly delirious.",
"My unfortunate mother was\nyet more to pitied; for she pined with unmitigated sorrow, eternally\nreproaching herself for the danger to which her too strict silence had\nexposed me.",
"When I recovered my reason, my impatience to hear from\nParis almost deprived me of it again; and though the length of time\nI waited for letters might justly be attributed to contrary winds,\nI could not bear the delay, and was twenty times upon the point of\nreturning thither at all hazards.",
"At length, however, several letters\narrived at once, and from the most insupportable of my afflictions I\nwas then relieved; for they acquainted me that the horrors of parricide\nwere not in reserve for me.",
"They informed me also, that as soon as the\nwound was healed, a journey would be made to England, where my unhappy\nsister was to be received by an aunt, with whom she was to live.",
"This intelligence somewhat quieted the violence of my sorrows.",
"I\ninstantly formed a plan of meeting them in London, and, by revealing\nthe whole dreadful story, convincing this irritated parent that\nhe had nothing more to apprehend from his daughter's unfortunate\nchoice.",
"My mother consented, and gave me a letter to prove the truth\nof my assertions.",
"As I could but ill afford to make this journey,\nI travelled in the cheapest way that was possible.",
"I took an obscure\nlodging,-I need not, Madam, tell you where,-and boarded with the\npeople of the house.",
"Here I languished, week after week, vainly hoping for the arrival\nof my family; but my impetuosity had blinded me to the imprudence\nof which I was guilty in quitting Scotland so hastily.",
"My wounded\nfather, after his recovery, relapsed, and when I had waited in the\nmost comfortless situation for six weeks, my friend wrote me word\nthat the journey was yet deferred for some time longer.",
"My finances were then nearly exhausted; and I was obliged, though most\nunwillingly, to beg further assistance from my mother, that I might\nreturn to Scotland.",
"Oh, Madam!-my answer was not from herself;-it was\nwritten by a lady who had long been her companion, and aquainted me\nthat she had been taken suddenly ill of a fever,-and was no more!",
"The compassionate nature of which you have given such noble proofs,\nassures me I need not, if I could, paint to you the anguish of a mind\noverwhelmed with such accumulated sorrows.",
"Inclosed was a letter to a near relation, which she had, during\n her illness,\nwith much difficulty, written; and in which, with the strongest\nmaternal tenderness, she described my deplorable situation, and\nintreated his interest to procure me some preferment.",
"Yet so sunk was\nI by misfortune, that a fortnight elapsed before I had the courage or\nspirit to attempt delivering this letter.",
"I was then compelled to it\nby want.",
"To make my appearance with some decency, I was necessitated\nmyself to the melancholy task of changing my coloured clothes for a\nsuit of mourning;- and then I proceeded to seek my relation.",
"I was informed he was not in town.",
"In this desperate situation, the pride of my heart, which hitherto\nhad not bowed to adversity, gave way; and I determined to intreat\nthe assistance of my friend, whose offered services I had a thousand\ntimes rejected.",
"Yet, Madam, so hard is it to root from the mind\nits favourite principles or prejudices, call them which you please,\nthat I lingered another week ere I had the resolution to send away\na letter, which I regarded as the death of my independence.",
"At length, reduced to my last shilling, shunned insolently by the\npeople of the house, and almost famished, I sealed this fatal letter;\nand, with a heavy heart, determined to take it to the post office.",
"But\nMr. Branghton and his son suffered me not to pass through their\nshop with impunity; they insulted me grossly, and threatened me with\nimprisonment, if I did not immediately satisfy their demands.",
"Stung\nto the soul, I bid them have but a day's patience, and flung from\nthem in a state of mind too terrible for description.",
"My letter which I now found would be received too late to save me from\ndisgrace, I tore into a thousand pieces; and scarce could I refrain\nfrom putting an instantaneous, an unlicensed, a period to my existence.",
"In this disorder of my senses, I formed the horrible plan of turning\nfoot-pad; for which purpose I returned to my lodging, and collected\nwhatever of my apparel I could part with; which I immediately sold,\nand with the produce purchased a brace of pistols, powder and shot.",
"I\nhope, however, you will believe me, when I most solemnly assure you,\nmy sole intention was to frighten the passengers I should assault\nwith these dangerous weapons; which I had not loaded but from a\nresolution,-a dreadful one, I own,-to save myself from an ignominious\ndeath if seized.",
"And, indeed, I thought, that if I could but procure\nmoney sufficient to pay Mr. Branghton, and make a journey to Scotland,\nI should soon be able to, by the public papers, to discover whom I\nhad injured, and to make private retribution.",
"But, Madam, new to every species of villainy, my perturbation was so\ngreat, that I could with difficulty support myself, yet the Branghtons\nobserved it not as I passed through the shop.",
"Here I stop:-what followed is better known to yourself.",
"But no time\ncan ever efface from my memory that moment, when, in the very action\nof preparing for my own destruction, or the lawless seizure of the\nproperty of others, you rushed into the room and arrested my arm!-It\nwas indeed an awful moment!-the hand of Providence seemed to intervene\nbetween me and eternity: I beheld you as an angel!-I thought you dropt\nfrom the clouds!-The earth, indeed, had never presented to my view a\nform so celestial!-What wonder, then, that a spectacle so astonishing\nshould, to a man disordered as I was, appear too beautiful to be human?",
"And now, Madam, that I have performed this painful task, the more\n grateful\none remains of rewarding, as far as is in my power, your generous\ngoodness, by assuring you it shall not be thrown away.",
"You have\nawakened me to a sense of the false pride by which I have been\nactuated;-a pride which, while it scorned assistance from a friend,\nscrupled not to compel it from a stranger, though at the hazard of\nreducing that stranger to a situation as destitute as my own.",
"Yet,\noh!",
"how violent was the struggle which tore my conflicting soul ere\nI could persuade myself to profit by the benevolence which you were\nso evidently disposed to exert in my favour!",
"By means of a ring, the gift of my much-regretted mother, I have for\nthe present satisfied Mr. Branghton; and, by means of your compassion,\nI hope to support myself either till I hear from my friend, to whom\nat length I have written, or till the relation of my mother returns\nto town.",
"To talk to you, Madam, of paying my debt, would be vain; I never can!",
"the service you have done me exceeds all power of return: you have\nrestored me to my senses; you have taught me to curb those passions\nwhich bereft me of them; and, since I cannot avoid calamity, to bear\nit as a man!",
"An interposition so wonderfully circumstanced can never\nbe recollected without benefit.",
"Yet allow me to say, the pecuniary\npart of my obligation must be settled by my first ability.",
"I am, Madam, with the most profound respect, and heartfelt gratitude,\nYour obedient, and devoted humble servant, J. MACARTNEY.",
"</CHAPTER>\n<CHAPTER>\nLETTER LII.",
"EVELINA IN CONTINUATION.",
"Holborn, July 1.-5 o'clock in the morning.",
"O SIR, what and adventure have I to write!-all night it has occupied\nmy thoughts, and I am now risen thus early to write it to you.",
"Yesterday it was settled that we should spend the evening in Marybone\nGardens, where M. Torre, a celebrated foreigner, was to exhibit some\nfire-works.",
"The party consisted of Madame Duval, all the Branghtons,\nM. Du Bois, Mr. Smith, and Mr. Brown.",
"We were almost the first persons who entered the Gardens, Mr. Branghton\nhaving declared he would have all he could get for his money, which,\nat best, was only fooled away at such silly and idle places.",
"We walked in parties, and very much detached from one\nanother.",
"Mr. Brown and Miss Polly led the way by themselves; Miss\nBranghton and Mr. Smith followed; and the latter seemed determined\nto be revenged for my behaviour at the ball, by transferring all\nhis former attention for me to Miss Branghton, who received it with\nan air of exultation; and very frequently they each of them, though\nfrom different motives, looked back, to discover whether I observed\ntheir good intelligence.",
"Madame Duval walked with M. Du Bois, and Mr.\nBranghton by himself; but his son would willingly have attached\nhimself wholly to me; saying frequently, \"come, Miss, let's you and\nI have a little fun together: you see they have all left us, so now\nlet's leave them.\"",
"But I begged to be excused, and went to the other\nside of Madame Duval.",
"This Garden, as it is called, is neither striking for magnificence nor\nfor beauty; and we were all so dull and languid, that I was extremely\nglad when we were summoned to the orchestra, upon the opening of\na concert; in the course of which I had the pleasure of hearing a\nconcerto on the violin by Mr. Barthelemon, who to me seems a player\nof exquisite fancy, feeling and variety.",
"When notice was given us that the fire-works were preparing we hurried\nalong to secure good places for the sight; but very soon we were so\nencircled and incommoded by the crowd, that Mr. Smith proposed the\nladies should make interest for a form to stand upon: this was soon\neffected: and the men then left us to accommodate themselves better;\nsaying, they would return the moment the exhibition was over.",
"The fire-work was really beautiful; and told, with wonderful ingenuity,\nthe story of Orpheus and Eurydice: but, at the moment of the fatal\nlook which separated them for ever, there was such an explosion\nof fire, and so horrible a noise, that we all, as of one accord,\njumpt hastily from the form, and ran away some paces, fearing that\nwe were in danger of mischief, from the innumerable sparks of fire\nwhich glittered in the air.",
"For a moment or two I neither knew nor considered whither I had run;\n but my\nrecollection was soon awakened by a stranger's addressing me with,\n\"Come along with me, my dear, and I'll take care of you.\"",
"I started; and then, to my great terror, perceived that I had outrun\nall my companions, and saw not one human being I knew!",
"With all the\nspeed in my power, and forgetful of my first fright, I hastened back\nto the place I had left;-but found the form occupied by a new set\nof people.",
"In vain, from side to side, I looked for some face I knew; I\nfound myself in the midst of a crowd, yet without party, friend,\nor acquaintance.",
"I walked in disordered haste from place to place,\nwithout knowing which way to turn, or whither I went.",
"Every other\nmoment I was spoken to by some bold and unfeeling man; to whom my\ndistress, which I think must be very apparent, only furnished a\npretence for impertinent witticisms, or free gallantry.",
"At last a young officer, marching fiercely up to me, said, \"You are\na sweet pretty creature, and I enlist you in my service;\" and then,\nwith great violence, he seized my hand.",
"I screamed aloud with fear;\nand forcibly snatching it away, I ran hastily up to two ladies,\nand cried, \"for Heaven's sake, dear ladies, afford me some protection!\"",
"They heard me with a loud laugh, but very readily said, \"Ay, let her\nwalk between us;\" and each of them took hold of an arm.",
"Then, in a drawling, ironical tone of voice, they asked what had\nfrightened my little Ladyship?",
"I told them my adventure very simply,\nand intreated they would have the goodness to assist me in finding\nmy friends.",
"O yes, to be sure, they said, I should not want for friends, whilst I\nwas with them.",
"Mine, I said, would be very grateful for any civilities\nwith which they might favour me.",
"But imagine, my dear Sir, how I must\nhave been confounded, when I observed, that every other word I spoke\nproduced a loud laugh!",
"However, I will not dwell upon a conversation,\nwhich soon, to my inexpressible horror, convinced me I had sought\nprotection from insult, of those who were themselves most likely to\noffer it!",
"You, my dearest Sir, I well know, will both feel for and\npity my terror, which I have no words to describe.",
"Had I been at liberty, I should have instantly run away from them\nwhen I made the shocking discovery: but, as they held me fast, that\nwas utterly impossible: and such was my dread of their resentment or\nabuse that I did not dare make any open attempt to escape.",
"They asked me a thousand questions, accompanied by as many halloos,\nof who I was, what I was, and whence I came?",
"My answers were very\nincoherent;-but what, good Heaven, were my emotions, when, a few\nmoments afterwards, I perceived advancing our way-Lord Orville!",
"Never shall I forget what I felt at that instant: had I, indeed,\nbeen sunk to the guilty state which such companions might lead him\nto suspect, I could scarce have had feelings more cruelly depressing.",
"However, to my infinite joy, he passed us without distinguishing me;\nthough I saw that in a careless manner, his eyes surveyed the party.",
"As soon as he was gone, one of these unhappy women said, \"Do you know\nthat young fellow?\"",
"Not thinking it possible she should mean Lord Orville by such a term,\nI readily answered, \"No, Madam.\"",
"\"Why then,\" answered she, \"you have a monstrous good stare, for a\nlittle county Miss.\"",
"I now found I had mistaken her, but was glad to avoid an explanation.",
"A few minutes after, what was my delight to hear the voice of\nMr. Brown, who called out,\" Lord, i'n't that Miss what's her name?\"",
"\"Thank God,\" cried I, suddenly springing from them both, \"thank God,\nI have found my party.\"",
"Mr. Brown was, however, alone; and, without knowing what I did,\nI took hold of his arm.",
"\"Lord, Miss,\" cried he, \"we've had such a hunt you can't think!",
"some\nof them thought you was gone home: but I says, says I, I don't think,\nsays I, that she's like to go home all alone, says I.\"",
"\"So that gentleman belongs to you, Miss, does he?\"",
"said one of\nthe women.",
"\"Yes, Madam,\" answered I, \"and I now thank you for your civility;\nbut as I am safe, will not give you any further trouble.\"",
"I courtsied slightly, and would gave walked away; but, most\nunfortunately, Madame Duval and the two Miss Branghtons just then\njoined us.",
"They all began to make a thousand enquiries; to which I briefly\nanswered, that I had been obliged to these two ladies for walking\nwith me, and would tell them more another time: for, though I felt\ngreat comparative courage, I was yet too much intimidated by their\npresence, to dare be explicit.",
"Nevertheless, I ventured once more to wish them a goodnight, and\nproposed seeking Mr. Branghton.",
"These unhappy women listened to all\nthat was said with a kind of callous curiosity, and seemed determined\nnot to take any hint.",
"But my vexation was terribly augmented when,\nafter having whispered something to each other, they very cavalierly\ndeclared, that they intended joining our party!",
"and then, one of\nthem very boldly took hold of my arm, while the other, going round,\nseized that of Mr. Brown; and thus, almost forcibly, we were moved\non between them, and followed by Madame Duval and the Miss Branghton.",
"It would be very difficult to say which was greatest, my fright,\nor Mr. Brown's consternation; who ventured not to make the least\nresistance, though his uneasiness made him tremble almost as much\nas myself.",
"I would instantly have withdrawn my arm: but it was held\nso tight I could not move it; and poor Mr. Brown was circumstanced\nin the same manner on the other side; for I heard him say, \"Lord,\nMa'am, there's no need to squeeze one's arm so!\"",
"And this was our situation,-for we had not taken three steps, when,-O\nsir,-we again met Lord Orville!-but not again did he pass quietly by\nus:-unhappily I caught his eye;-both mine immediately were bent to\nthe ground; but he approached me, and we all stopped.",
"I then looked up.",
"He bowed.",
"Good God, with what expressive eyes did\nhe regard me!",
"Never were surprise and concern so strongly marked:-yes,\nmy dear Sir, he looked greatly concerned: and that, the remembrance of\nthat, is the only consolation I feel for an evening the most painful\nof my life.",
"What he said I know not; for indeed, I seemed to have neither ears nor\nunderstanding; but I recollect that I only courtsied in silence.",
"He\npaused for an instant, as if-I believe so,-as if unwilling to pass\non; and then, finding the whole party detained, he again bowed,\nand took leave.",
"Indeed, my dear Sir, I thought I should have fainted; so great was\nmy emotion, from shame, vexation, and a thousand other feelings,\nfor which I have no expressions.",
"I absolutely tore myself from the\nwoman's arms; and then, disengaging myself from that of Mr. Brown,\nI went to Madame Duval, and besought that she would not suffer me to\nbe again parted from her.",
"I fancy-that Lord Orville saw what passed; for scarcely was I at\nliberty, ere he returned.",
"Methought, my dear Sir, the pleasure,\nthe surprise of that moment, recompensed me for all the chagrin I\nhad before felt: for do you not think, that his return manifests,\nfor a character so quiet, so reserved as Lord Orville's, something\nlike solicitude in my concerns?",
"such at least was the interpretation\nI involuntarily made upon again seeing him.",
"With a politeness to which I have been sometime very little used,\nhe apologized for returning; and then inquired after the health of\nMrs. Mirvan, and the rest of the Howard Grove family.",
"The flattering\nconjecture which I have just acknowledged, had so wonderfully restored\nmy spirits, that I believe I never answered him so readily, and with\nso little constraint.",
"Very short, however, was the duration of this\nconversation; for we were soon most disagreeably interrupted.",
"The Miss Branghtons, though they saw almost immediately the\ncharacters of the women to whom I had so unfortunately applied,\nwere, nevertheless, so weak and foolish, as merely to titter at\ntheir behaviour.",
"As to Madame Duval, she was for some time so\nstrangely imposed upon, that she thought they were two real fine\nladies.",
"Indeed, it is wonderful to see how easily and how frequently\nshe is deceived.",
"Our disturbance, however, arose from young Brown,\nwho was now between the two women, by whom his arms were absolutely\npinioned to his sides: for a few minutes his complaints had been only\nmurmured: but he now called out aloud, \"Goodness, Ladies, you hurt\nme like any thing!",
"why, I can't walk at all, if you keep pinching my\narms so!\"",
"This speech raised a loud laugh in the women, and redoubled the\ntittering of the Miss Branghtons.",
"For my own part, I was most cruelly\nconfused: while the countenance of Lord Orville manifested a sort of\nindignant astonishment; and, from that moment, he spoke to me no more\ntill he took leave.",
"Madame Duval, who now began to suspect her company, proposed our taking\nthe first box we saw empty, bespeaking a supper, and waiting till Mr.\nBranghton should find us.",
"Miss Polly mentioned one she had remarked, to which we all turned.",
"Madame Duval instantly seated herself; and the two bold women, forcing\nthe frightened Mr. Brown to go between them, followed her example.",
"Lord Orville, with an air of gravity that wounded my very soul,\nthen wished me good night.",
"I said not a word; but my face, if it had\nany connection with my heart, must have looked melancholy indeed:\nand so I have some reason to believe it did; for he added with much\nmore softness, though no less dignity, \"Will Miss Anville allow me\nto ask her address, and to pay my respects to her before I leave town?\"",
"O how I changed colour at this unexpected request!-yet, what was the\nmortification I suffered in answering, \"My Lord, I am-in Holborn!\"",
"He then bowed and left us.",
"What, what can he think of this adventure!",
"how strangely how cruelly\nhave all appearances turned against me!",
"Had I been blessed with any\npresence of mind, I should instantly have explained to him the accident\nwhich occasioned my being in such terrible company:-but I have none!",
"As to the rest of the evening, I cannot relate the particulars of what\npassed; for, to you, I only write of what I think; and I can think\nof nothing but this unfortunate, this disgraceful meeting.",
"These\ntwo wretched women continued to torment us all, but especially poor\nMr. Brown, who seemed to afford them uncommon diversion, till we were\ndiscovered by Mr. Branghton, who very soon found means to release us\nfrom their persecutions, by frightening them away.",
"We stayed but a\nshort time after they left us, which was all employed in explanation.",
"Whatever may be the construction which Lord Orville may put upon this\naffair, to me it cannot fail of being unfavourable; to be seen-gracious\nHeaven!",
"to be seen in company with two women of such character!-How\nvainly, how proudly have I wished to avoid meeting him when only\nwith the Branghtons and Madame Duval;-but now, how joyful should I\nbe had he seen me to no greater disadvantage!-Holborn, too!",
"what a\ndirection!",
"he who had always-but I will not torment you, my dearest\nSir, with any more of my mortifying conjectures and apprehensions:\nperhaps he may call,-and then I shall have an opportunity of explaining\nto him all the most shocking part of the adventure.",
"And yet, as I did\nnot tell him at whose house I lived, he may not be able to discover me;\nI merely said in Holborn; and he, who I suppose saw my embarrassment,\nforbore to ask any other direction.",
"Well, I must take my chance!",
"Yet let me, in the justice to Lord Orville, and in justice to the high\nopinion I have always entertained of his honour and delicacy,-let\nme observe the difference of his behaviour, when nearly in the same\nsituation, to that of Sir Clement Willoughby.",
"He had, at least,\nequal cause to depreciate me in his opinion, and to mortify and sink\nme in my own; but far different was his conduct:-perplexed, indeed,\nhe looked, and much surprised:-but it was benevolently, not with\ninsolence.",
"I am even inclined to think, that he could not see a young\ncreature whom he had so lately known in a higher sphere, appear so\nsuddenly, so strangely, so disgracefully altered in her situation,\nwithout some pity and concern.",
"But whatever might be his doubts and\nsuspicions, far from suffering them to influence his behaviour, he\nspoke, he looked with the same politeness and attention with which\nhe had always honoured me when countenanced by Mrs. Mirvan.",
"Once again, let me drop this subject.",
"In every mortification, every disturbance, how grateful to my heart,\nhow sweet to my recollection, is the certainty of your never-failing\ntenderness, sympathy and protection!",
"Oh, Sir, could I upon this\nsubject, could I write as I feel,-how animated would be the language\nof your devoted EVELINA.",
"</CHAPTER>\n<CHAPTER>\nLETTER LIII.",
"EVELINA IN CONTINUATION.",
"Holborn, July 1st.",
"LISTLESS, uneasy, and without either spirit or courage to employ\nmyself, from the time I had finished my last letter, I indolently\nseated myself at the window, where, while I waited Madame Duval's\nsummons to breakfast, I perceived, among the carriages which passed\nby, a coronet-coach, and in a few minutes, from the window of it,\nLord Orville!",
"I instantly retreated, but not I believe, unseen;\nfor the coach immediately drove up to our door.",
"Indeed, my dear Sir, I must own I was greatly agitated; the idea\nof receiving Lord Orville by myself,-the knowledge that his visit\nwas entirely to me,-the wish of explaining the unfortunate adventure\nof yesterday,-and the mortification of my present circumstances,-all\nthese thoughts, occurring to me nearly at the same time, occasioned me\nmore anxiety, confusion, and perplexity, than I can possibly express.",
"I believe he meant to sent up his name; but the maid, unused to such\na ceremony, forgot it by the way, and only told me, that a great\nLord was below, and desired to see me; and, the next moment, he\nappeared himself.",
"If, formerly, when in the circle of high life, and accustomed to its\nmanners, I so much admired and distinguished the grace, the elegance\nof Lord Orville, think Sir, how they must strike me now,-now, when\nfar removed from that splendid circle, I live with those to whom even\ncivility is unknown, and decorum a stranger!",
"I am sure I received him very awkwardly: depressed by a situation\nso disagreeable-could I do otherwise?",
"When his first enquiries were\nmade, \"I think myself very fortunate,\" he said, \"in meeting with Miss\nAnville at home, and still more so in finding her disengaged.\"",
"I only courtsied.",
"He then talked of Mrs. Mirvan, asked how long I\nhad been in town, and other such general questions, which happily\ngave me time to recover from my embarrassment.",
"After which he said,\n\"If Miss Anville will allow me the honour of sitting by her a few\nminutes (for we were both standing) I will venture to tell her the\nmotive which, next to enquiring after her health, has prompted me to\nwait on her thus early.\"",
"We were then both seated; and, after a short pause, he said, \"How to\napologize for so great a liberty as I am upon the point of taking,\nI know not;-shall I, therefore, rely wholly upon your goodness,\nand not apologize at all?\"",
"I only bowed.",
"\"I should be extremely sorry to appear impertinent,-yet hardly know\nhow to avoid it.\"",
"\"Impertinent!",
"O, my Lord,\" cried I, eagerly, \"that, I am sure,\nis impossible!\"",
"\"You are very good,\" answered he, \"and encourage me to be ingenuous-\"\n\n\nAgain he stopped: but my expectation was too great for speech.",
"At\nlast, without looking at me, in a low voice, and hesitating manner,\nhe said, \"Were those ladies with whom I saw you last night ever in\nyour company before?\"",
"\"No, my Lord,\" cried I, rising and colouring violently, \"nor will\nthey ever be again.\"",
"He rose too; and, with an air of the most condescending concern, said,\n\"Pardon, Madam, the abruptness of a question which I knew not how\nto introduce as I ought, and for which I have no excuse to offer but\nmy respect for Mrs. Mirvan, joined to the sincerest wishes for your\nhappiness: yet I fear I have gone too far!\"",
"\"I am very sensible of the honour of your lordship's attention,\"\nsaid I; \"but-\"\n\n\n\"Permit me to assure you,\" cried he, finding I hesitated, \"that\nofficiousness is not my characteristic; and that I would by no means\nhave risked your displeasure, had I not been fully satisfied you were\ntoo generous to be offended without a real cause of offence.\"",
"\"Offended!\"",
"cried I, \"no, my Lord, I am only grieved-grieved,\nindeed!",
"to find myself in a situation so unfortunate as to be obliged\nto make explanations, which cannot but mortify and shock me.\"",
"\"It is I alone,\" cried he, with some eagerness, \"who am shocked, as\nit is I who deserve to be mortified.",
"I seek no explanation, for I have\nno doubt; but in mistaking me, Miss Anville injures herself: allow me\ntherefore, frankly and openly, to tell you the intention of my visit.\"",
"I bowed, and we both returned to our seats.",
"\"I will own myself to have been greatly surprised,\" continued he,\n\"when I met you yesterday evening, in company with two persons who\nI was sensible merited not the honour of your notice: nor was it\neasy for me to conjecture the cause of your being so situated; yet,\nbelieve me, my incertitude did not for a moment do you injury.",
"I was\nsatisfied that their characters must be unknown to you; and I thought,\nwith concern, of the shock you would sustain when you discovered their\nunworthiness.",
"I should not, however, upon so short an acquaintance,\nhave usurped the privilege of intimacy, in giving my unasked sentiments\nupon so delicate a subject, had I not known that credulity is the\nsister of innocence, and therefore feared you might be deceived.",
"A\nsomething which I could not resist, urged me to the freedom I have\ntaken to caution you; but I shall not easily forgive myself if I have\nbeen so unfortunate as to give you pain.\"",
"The pride which his first question had excited, now subsided into\ndelight and gratitude; and I instantly related to him, as well as I\ncould, the accident which had occasioned my joining the unhappy women\nwith whom he had met me.",
"He listened with an attention so flattering,\nseemed so much interested during the recital, and, when I had done,\nthanked me in terms so polite, for what he was pleased to call my\ncondescension, that I was almost ashamed either to look at or hear him.",
"Soon after the maid came to tell me, that Madame Duval desired to\nhave breakfast made in her own room.",
"\"I fear,\" cried Lord Orville, instantly rising, \"that I have intruded\nupon your time;-yet who, so situated, could do otherwise?\"",
"Then,\ntaking my hand, \"Will Miss Anville allow me thus to seal my peace?\"",
"he\npressed it to his lips, and took leave.",
"Generous, noble Lord Orville!",
"how disinterested his conduct!",
"how\ndelicate his whole behaviour!",
"Willing to advise, yet afraid to\nwound me!-Can I ever, in future, regret the adventure I met with at\nMarybone, since it has been productive of a visit so flattering?",
"Had\nmy mortifications been still more humiliating, my terrors still\nmore alarming, such a mark of esteem-may I not call it so?-from Lord\nOrville, would have made me ample amends.",
"And indeed, my dear Sir, I require some consolation in my present\nvery disagreeable situation; for, since he went, two incidents have\nhappened, that, had not my spirits been particularly elated, would\ngreatly have disconcerted me.",
"During breakfast, Madame Duval, very abruptly, asked, if I should\nlike to be married?",
"and added, that Mr. Branghton had been proposing\na match for me with his son.",
"Surprised, and, I must own, provoked,\nI assured her that in thinking of me, Mr. Branghton would very vainly\nlose his time.",
"\"Why,\" cried she, \"I have had grander views for you myself, if once\nI could get you to Paris, and make you be owned; but if I can't do\nthat, and you can do no better, why, as you are both my relations,\nI think to leave my fortune between you; and then, if you marry,\nyou never need want for nothing.\"",
"I begged her not to pursue the subject, as, I assured her,\nMr. Branghton was totally disagreeable to me; but she continued her\nadmonitions and reflections, with her usual disregard of whatever\nI could answer.",
"She charged me, very peremptorily, neither wholly to\ndiscourage, nor yet to accept Mr. Branghton's offer, till she saw what\ncould be done for me: the young man, she added, had often intended\nto speak to me himself, but, not well knowing how to introduce the\nsubject, he had desired her to pave the way for him.",
"I scrupled not, warmly and freely, to declare my aversion to this\nproposal; but it was to no effect; she concluded, just as she had\nbegun, by saying, that I should not have him, if I could do better.",
"Nothing, however, shall persuade me to listen to any other person\nconcerning this odious affair.",
"My second cause of uneasiness arises, very unexpectedly, from M. Du\nBois; who, to my infinite surprise, upon Madame Duval's quitting\nthe room after dinner, put into my hand a note, and immediately left\nthe house.",
"This note contains an open declaration of an attachment to me;\nwhich, he says, he should never have presumed to have acknowledged,\nhad he not been informed that Madame Duval destined my hand to young\nBranghton,-a match which he cannot endure to think of.",
"He beseeches\nme earnestly to pardon his temerity; professes the most inviolable\nrespect; and commits his fate to time, patience, and pity.",
"This conduct in M. du Bois gives me real concern, as I was disposed\nto think very well of him.",
"It will not, however, be difficult to\ndiscourage him; and therefore, I shall not acquaint Madame Duval of\nhis letter, as I have reason to believe it would greatly displease her.",
"</CHAPTER>\n<CHAPTER>\nLETTER LIV.",
"EVELINA IN CONTINUATION.",
"July 3rd.",
"O SIR, how much uneasiness must I suffer, to counterbalance one short\nmorning of happiness!",
"Yesterday the Branghtons proposed a party to Kensington Gardens; and,\nas usual, Madame Duval insisted upon my attendance.",
"We went in a hackney-coach to Piccadilly, and then had a walk through\nHyde Park; which in any other company would have been delightful.",
"I\nwas much pleased with Kensington Gardens, and think them infinitely\npreferable to those of Vauxhall.",
"Young Branghton was extremely troublesome; he insisted upon walking\nby my side, and talked with me almost by compulsion; however, my\nreserve and coldness prevented his entering upon the hateful subject\nwhich Madame Duval had prepared me to apprehend.",
"Once, indeed, when\nI was accidentally a few yards before the rest, he said, \"I suppose,\nMiss, aunt has told you about-you know what?-ha'n't she, Miss?",
"\"-But\nI turned from him without making any answer.",
"Neither Mr. Smith nor\nMr. Brown were of the party; and poor M. Du Bois, when he found that\nI avoided him, looked so melancholy, that I was really sorry for him.",
"While we were strolling round the garden, I perceived, walking with a\nparty of ladies at some distance, Lord Orville!",
"I instantly retreated\nbehind Miss Branghton, and kept out of sight till we had passed him;\nfor I dreaded being seen by him again in a public walk with a party\nof which I was ashamed.",
"Happily I succeeded in my design, and saw no more of him; for a sudden\nand violent shower of rain made us all hasten out of the gardens.",
"We\nran till we came to a small green-shop, where we begged shelter.",
"Here\nwe found ourselves in company with two footmen, whom the rain had\ndriven into the shop.",
"Their livery I thought I had before seen; and,\nupon looking from the window, I perceived the same upon a coachman\nbelonging to a carriage, which I immediately recollected to be Lord\nOrville's.",
"Fearing to be know, I whispered Miss Branghton not to speak my\nname.",
"Had I considered but a moment, I should have been sensible of the\ninutility of such a caution, since not one of the party call me by any\nother appellation than that of Cousin or of Miss; but I am perpetually\ninvolved in some distress or dilemma from my own heedlessness.",
"This request excited very strongly her curiosity: and she attacked\nme with such eagerness and bluntness of enquiry, that I could not\navoid telling her the reason of my making it, and, consequently,\nthat I was known to Lord Orville: an acknowledgment which proved\nthe most unfortunate in the world; for she would not rest till she\nhad drawn from me the circumstances attending my first making the\nacquaintance.",
"Then, calling to her sister, she said, \"Lord, Polly,\nonly think!",
"Miss has danced with a Lord!\"",
"\"Well,\" cried Polly, \"that's a thing I should never have thought\nof!",
"And pray, Miss, what did he say to you?\"",
"This question was much sooner asked than answered; and they both became\nso very inquisitive and earnest, that they soon drew the attention of\nMadame Duval and the rest of the party; to whom, in a very short time,\nthey repeated all they had gathered from me.",
"\"Goodness, then,\" cried young Branghton, \"if I was Miss, if I would\nnot make free with his Lordship's coach, to take me to town.\"",
"\"Why, ay,\" said the father, \"there would be some sense in that; that\nwould be making some use of a Lord's acquaintance, for it would save\nus coach-hire.\"",
"\"Lord, Miss,\" cried Polly, \"I wish you would; for I should like of\nall things to ride in a coronet-coach.\"",
"\"I promise you,\" said Madame Duval, \"I'm glad you've thought of it,\nfor I don't see no objection;-so let's have the coachman called.\"",
"\"Not for the world,\" cried I, very much alarmed: \"indeed it is\nutterly impossible.\"",
"\"Why so?\"",
"demanded Mr. Branghton: \"pray, where's the good of your\nknowing a Lord, if your never the better for him?\"",
"\"Ma foi, child,\" said Madame Duval, \"you don't know no more of the\nworld that if you was a baby.",
"Pray, Sir, (to one of the footmen)\ntell that coachman to draw up, for I wants to speak to him.\"",
"The man stared, but did not move.",
"\"Pray, pray, Madame,\" said I,\n\"pray, Mr. Branghton, have the goodness to give up this plan; I\nknow but very little of his Lordship, and cannot, upon any account,\ntake so great a liberty.\"",
"\"Don't say nothing about it,\" said Madam Duval, \"for I shall have\nit my own way: so, if you won't call the coachman, Sir, I'll promise\nyou I'll call him myself.\"",
"The footman, very impertinently, laughed and turned upon his\nheel.",
"Madame Duval, extremely irritated, ran out in the rain, and\nbeckoned the coachman, who instantly obeyed her summons.",
"Shocked\nbeyond all expression, I flew after her, and entreated her, with\nthe utmost earnestness, to let us return in a hackney coach:-but,\noh!-she is impenetrable to persuasion!",
"She told the man she wanted him\nto carry her directly to town, and that she would answer for him to\nLord Orville.",
"The man, with a sneer, thanked her, but said he should\nanswer for himself; and was driving off; when another footman came\nup to him, with information that his Lord was gone into Kensington\nPalace, and would not want him for an hour or two.",
"\"Why, then, friend,\" said Mr. Branghton (for we were followed by all\nthe party), \"where will be the great harm of your taking us to town?\"",
"\"Besides,\" said the son, \"I'll promise you a pot of beer for my\nown share.\"",
"These speeches had no other answer from the coachman than a loud\nlaugh, which was echoed by the insolent footmen.",
"I rejoiced at their\nresistance; though I was certain that, if their Lord had witnessed\ntheir impertinence, they would have been instantly dismissed his\nservice.",
"\"Pardi,\" cried Madame Duval, \"if I don't think all the footmen are\nthe most impudentest fellows in the kingdom!",
"But I'll promise you\nI'll have your master told of your airs; so you'll get no good by 'em.\"",
"\"Why, pray,\" said the coachman, rather alarmed, \"did my Lord give\nyou leave to use the coach?\"",
"\"It's no matter for that,\" answered she; \"I'm sure if he's a gentleman,\nhe'd let us have it sooner than we should be wet to the skin; but\nI'll promise you he shall know how saucy you've been, for this young\nlady knows him very well.\"",
"\"Ay, that she does,\" said Miss Polly; \"and she's danced with him too.\"",
"Oh, how I repented my foolish mismanagement!",
"The men bit their lips,\nand looked at one another in some confusion.",
"This was perceived by\nour party; who, taking advantage of it, protested they would write\nLord Orville word of their ill behaviour without delay.",
"This quite\nstartled them; and one of the footmen offered to run to the palace,\nand ask his Lord's permission for our having the carriage.",
"This proposal really made me tremble, and the Branghtons all hung back\nupon it; but Madame Duval is never to be dissuaded from a scheme she\nhas once formed.",
"\"Do so,\" cried she; \"and give this child's compliments\nto your master; and tell him, as we ha'n't no coach here, we should\nbe glad to go just as far as Holborn in his.\"",
"\"No, no, no!\"",
"cried I; \"don't go,-I know nothing of his Lordship,-I\nsend no message,-I have nothing to say to him!\"",
"The men, very much perplexed, could with difficulty restrain themselves\nfrom resuming their impertinent mirth.",
"Madame Duval scolded me vary\nangrily, and then desired them to go directly.",
"\"Pray, then,\" said\nthe coachman, \"what name is to be given to my Lord?\"",
"\"Anville,\" answered Madame Duval; \"tell him Miss Anville wants the\ncoach; the young lady he danced with once.\"",
"I was really in an agony; but the winds could not have been more deaf\nto me, than those to whom I pleaded!",
"and therefore the footman, urged\nby the repeated threats of Madame Duval, and perhaps recollecting the\nname himself, actually went to the palace with this strange message!",
"He returned in a few minutes; and, bowing to me with the greatest\nrespect, said, \"My Lord desires his compliments, and his carriage\nwill be always at Miss Anville's service.\"",
"I was so much affected by this politeness, and chagrined at the\nwhole affair, that I could scarce refrain from tears.",
"Madame Duval,\nand the Miss Branghtons eagerly jumped into the coach, and desired me\nto follow.",
"I would rather have submitted to the severest punishment;\nbut all resistance was vain.",
"During the whole ride I said not a word: however, the rest of the party\nwere so talkative, that my silence was very immaterial.",
"We stopped at\nour lodgings; but, when Madame Duval and I alighted, the Branghtons\nasked if they could not be carried on to Snow-Hill?",
"The servants,\nnow all civility, made no objection.",
"Remonstrances from me would,\nI too well knew, be fruitless; and therefore, with a heavy heart,\nI retired to my room, and left them to their own direction.",
"Seldom have I passed a night in greater uneasiness.-So lately to\nhave cleared myself in the good opinion of Lord Orville,-so soon to\nforfeit it!-to give him reason to suppose I presumed to boast of his\nacquaintance!-to publish his having danced with me!-to take with him\na liberty I should have blushed to have taken with the most intimate\nof my friends!-to treat with such impertinent freedom, one who has\nhonoured me with such distinguished respect!-Indeed, Sir, I could\nhave met with no accident that would so cruelly have tormented me!",
"If such were, then, my feelings, imagine,-for I cannot describe,\nwhat I suffered during the scene I am now going to write.",
"This morning, while I was alone in the dining-room, young Branghton\ncalled.",
"He entered with a most important air; and, strutting up to me,\nsaid, \"Miss, Lord Orville sends his compliments to you.\"",
"\"Lord Orville!\"",
"repeated I, much amazed.",
"\"Yes, Miss, Lord Orville; for I know his Lordship now, as well as\nyou.-And a very civil gentleman he is, for all he's a Lord.\"",
"\"For Heaven's sake,\" cried I, \"explain yourself.\"",
"\"Why, you must know, Miss, after we left you, we met with a little\nmisfortune; but I don't mind it now, for it's all turned out for the\nbest: but, just as we were a-going up Snow-Hill, plump we comes against\na cart, with such a jogg it almost pulled the coach-wheel off.",
"However,\nthat i'n't the worst; for, as I went to open the door in a hurry,\na-thinking the coach would be broke down, as ill-luck would have it,\nI never minded that the glass was up, and so I poked my head fairly\nthrough it.-Only see, Miss, how I've cut my forehead!\"",
"A much worse accident to himself would not, I believe, at that moment\nhave given me any concern for him: however, he proceeded with his\naccount, for I was too much confounded to interrupt him.",
"\"Goodness, Miss, we were in such a stew, us, and the servants, and all,\nas you can't think; for, besides the glass being broke, the coachman\nsaid how the coach wouldn't be safe to go back to Kensington.",
"So we\ndidn't know what to do; however, the footmen said they'd go and tell\nhis Lordship what had happened.",
"So then father grew quite uneasy like,\nfor fear of his Lordship's taking offence, and prejudicing us in our\nbusiness; so he said I should go this morning and ask his pardon,\ncause of having broke the glass.",
"So then I asked the footmen the\ndirection, and they told me he lived in Berkeley-square; so this\nmorning I went,-and I soon found out the house.\"",
"\"You did!\"",
"cried I, quite out of breath with apprehension.",
"\"Yes, Miss, and a very fine house it is.-Did you ever see it?\"",
"\"No.\"",
"\"No!-why, then, Miss, I know more of his Lordship than you do,\nfor all you knew him first.",
"So, when I came to the door, I was in\na peck of troubles, a-thinking what I should say to him: however,\nthe servants had no mind I should see him; for they told me he was\nbusy, but I might leave my message.",
"So I was just a-coming away,\nwhen I bethought myself to say I came from you.\"",
"\"From me!\"",
"\"Yes, Miss, for you know, why should I have such a long walk as that\nfor nothing?",
"So I says to the porter, says I, tell his Lordship, says\nI, one wants to speak to him as comes from one Miss Anville, says I.\"",
"\"Good God,\" cried I, \"and by what authority did you take such\na liberty?\"",
"\"Goodness, Miss don't be in such a hurry, for you'll be as glad as me,\nwhen you hear how well it all turned out.",
"So then they made way for\nme, and said his Lordship would see me directly: and there I was led\nthrough such a heap of servants, and so many rooms, that my heart\nquite misgave me; for I thought, thinks I, he'll be so proud he'll\nhardly let me speak; but he's no more proud than I am, and he was\nas civil as if I'd been a lord myself.",
"So then I said, I hoped he\nwouldn't take it amiss about the glass, for it was quite an accident;\nbut he bid me not mention it, for it did not signify.",
"And then he\nsaid he hoped you got safe home, and wasn't frightened so I said yes,\nand I gave your duty to him.\"",
"\"My duty to him!\"",
"exclaimed I,-\"and who gave you leave?-who desired\nyou?\"",
"\"O, I did it out of my own head, just to make him think I came from\nyou.",
"But I should have told you before, how the footman said he was\ngoing out of town to-morrow evening, and that his sister was soon to\nbe married, and that he was a-ordering a heap of things for that; so\nit come into my head, as he was so affable, that I'd ask him for his\ncustom.",
"So I says, says I, my Lord, says I, if your Lordship i'n't\nengaged particularly, my father is a silversmith, and he'll be very\nproud to serve you, says I; and Miss Anville, as danced with you, is\nhis cousin, and she's my cousin too, and she'd be very much obligated\nto you, I'm sure.\"",
"\"You'll drive me wild,\" cried I, starting from my seat, \"you have\ndone me an irreparable injury;-but I will hear no more!",
"\"-and then I\nran into my own room.",
"I was half frantic, I really raved; the good opinion of Lord Orville\nseemed now irretrievable lost: a faint hope, which in the morning I\nhad vainly encouraged, that I might see him again, and explain the\ntransaction, wholly vanished, now I found he was so soon to leave\ntown: and I could not but conclude, that, for the rest of my life,\nhe would regard me as an object of utter contempt.",
"The very idea was a dagger to my heart!-I could not support it,\nand-but I blush to proceed-I fear your disapprobation; yet I should\nnot be conscious of having merited it, but that the repugnance I\nfeel to relate to you what I have done, makes me suspect I must have\nerred.",
"Will you forgive me, if I won that I first wrote an account of\nthis transaction to Miss Mirvan?-and that I even thought of concealing\nit from you?-Short-lived, however, was the ungrateful idea, and sooner\nwill I risk the justice of your displeasure, than unworthily betray\nyour generous confidence.",
"You are now probably prepared for what follows-which is a letter-a\nhasty letter, that, in the height of my agitation, I wrote to Lord\nOrville.",
"\"My Lord,\n\n \"I am so infinitely ashamed of the application made yesterday\n for your Lordship's carriage in my name, and so greatly\n shocked at hearing how much it was injured, that I cannot\n forbear writing a few lines, to clear myself from the\n imputation of an impertinence which I blush to be suspected\n of, and to acquaint you, that the request for your carriage\n was made against my consent, and the visit with which you were\n importuned this morning without my knowledge.",
"\"I am inexpressibly concerned at having been the instrument,\n however innocently, of so much trouble to your Lordship; but I\n beg you to believe, that the reading these lines is the only\n part of it which I have given voluntarily.",
"I am, my Lord,\n\n\n \"Your Lordship's most Humble servant, \"EVELINA ANVILLE.\"",
"I applied to the maid of the house to get this note conveyed to\nBerkley-square; but scarce had I parted with it, before I regretted\nhaving written at all; and I was flying down stairs to recover it,\nwhen the voice of Sir Clement Willoughby stopped me.",
"As Madame Duval\nhad ordered we should be denied to him, I was obliged to return up\nstairs; and after he was gone, my application was too late, as the\nmaid had given it to a porter.",
"My time did not pass very serenely while he was gone; however, he\nbrought me no answer, but that Lord Orville was not at home.",
"Whether or\nnot he will take the trouble to send any,-or whether he will condescend\nto call,-or whether the affair will rest as it is, I know not;-but,\nin being ignorant, am most cruelly anxious.",
"<CHAPTER>\nLETTER LV.",
"EVELINA IN CONTINUATION.",
"July 4th.",
"YOU may now, my dear Sir, send Mrs. Clinton for your Evelina with as\nmuch speed as she can conveniently make the journey, for no further\nopposition will be made to her leaving this town: happy had it perhaps\nbeen for her had she never entered it!",
"This morning Madame Duval desired me to go to Snow-Hill, with an\ninvitation to the Branghtons and Mr. Smith to spend the evening with\nher; and she desired M. Du Bois, who breakfasted with us, to accompany\nme.",
"I was very unwilling to obey her, as I neither wished to walk with\nM. Du Bois, nor yet to meet young Branghton.",
"And, indeed, another,\na yet more powerful reason, added to my reluctance;-for I thought it\npossible that Lord Orville might send some answer, or perhaps might\ncall, during my absence; however, I did not dare dispute her commands.",
"Poor M. Du Bois spoke not a word during our walk, which was, I believe,\nequally unpleasant to us both.",
"We found all the family assembled in\nthe shop.",
"Mr. Smith, the moment he perceived me, addressed himself\nto Miss Branghton, whom he entertained with all the gallantry in his\npower.",
"I rejoice to find that my conduct at the Hampstead ball has had\nso good an effect.",
"But young Branghton was extremely troublesome; he\nrepeatedly laughed in my face, and looked so impertinently significant,\nthat I was obliged to give up my reserve to M. Du Bois, and enter\ninto conversation with him merely to avoid such boldness.",
"\"Miss,\" said Mr. Branghton, \"I'm sorry to hear from my son that you\nwasn't pleased with what we did about that Lord Orville: but I should\nlike to know what it was you found fault with, for we did all for\nthe best.\"",
"\"Goodness!\"",
"cried the son, \"why, if you'd seen Miss, you'd have been\nsurprised-she went out of the room quite in a huff, like-\"\n\n\n\"It is too late, now,\" said I, \"to reason upon this subject; but,\nfor the future, I must take the liberty to request, that my name may\nnever be made use of without my knowledge.",
"May I tell Madame Duval\nthat you will do her the favour to accept her invitation?\"",
"\"As to me, Ma'am,\" said Mr. Smith, \"I am much obliged to the old\nlady, but I have no mind to be taken in by her again; you'll excuse\nme, Ma'am.\"",
"All the rest promised to come, and I then took leave; but, as I left\nthe shop, I heard Mr. Branghton say, \"Take courage, Tom, she's only\ncoy.\"",
"And, before I had walked ten yards, the youth followed.",
"I was so much offended that I would not look at him, but began to\nconverse with M. Du Bois, who was now more lively than I had ever\nbefore seen him; for, most unfortunately, he misinterpreted the reason\nof my attention to him.",
"The first intelligence I received when I came home, was, that two\ngentlemen had called, and left cards.",
"I eagerly enquired for them,\nand read the names of Lord Orville and Sir Clement Willoughby.",
"I by\nno means regretted that I missed seeing the latter, but perhaps I may\nall my life regret that I missed the former; for probably he has now\nleft town,-and I may see him no more!",
"\"My goodness,\" cried young Branghton, rudely looking over me, \"only\nthink of that Lord's coming all this way!",
"It's my belief he'd got\nsome order ready for father, and so he'd a mind to call and ask you\nif I'd told him the truth.\"",
"\"Pray, Betty,\" cried I, \"how long has he been gone?\"",
"\"Not two minutes, Ma'am.\"",
"\"Why then, I'll lay you any wager, \"said young Branghton, \"he saw\nyou and I a-walking up Holborn Hill.\"",
"\"God forbid!\"",
"cried I, impatiently; and, too much chagrined to bear\nwith any more of his remarks, I ran up stairs; but I heard him say\nto M. Du Bois, \"Miss is so uppish this morning, that I think I had\nbetter not speak to her again.\"",
"I wish M. Du Bois had taken the same resolution; but he chose to\nfollow me into the dining-room, which he found empty.",
"\"Vous ne l'aimez donc pas, ce garcon, Mademoiselle!\"",
"cried he.",
"\"Me!\"",
"cried I, \"no, I detest him!\"",
"for I was sick at heart.",
"\"Ah, tu me rends la vie!\"",
"cried he; and, flinging himself at my feet,\nhe had just caught my hand as the door was opened by Madame Duval.",
"Hastily, and with marks of guilty confusion in his face, he arose; but\nthe rage of that lady quite amazed me!",
"Advancing to the retreating\nM. Du Bois, she began, in French, an attack, which her extreme\nwrath and wonderful volubility almost rendered unintelligible; yet\nI understood but too much, since her reproaches convinced me she had\nherself proposed being the object of his affection.",
"He defended himself in a weak and evasive manner; and, upon her\ncommanding him from her sight, very readily withdrew: and then,\nwith yet greater violence, she upbraided me with having seduced his\nheart, called me an ungrateful, designing girl, and protested she\nwould neither take me to Paris, nor any more interest herself in my\naffairs, unless I would instantly agree to marry young Branghton.",
"Frightened as I had been at her vehemence, this proposal restored all\nmy courage; and I frankly told her, that in this point I never could\nobey her.",
"More irritated than ever, she ordered me to quit the room.",
"Such is the present situation of affairs.",
"I shall excuse myself from\nseeing the Branghtons this afternoon: indeed, I never wish to see them\nagain.",
"I am sorry, however innocently, that I have displeased Madame\nDuval; yet I shall be very glad to quit this town, for I believe\nit does not now contain one person I ever wish to again meet.",
"Had\nI but seen Lord Orville, I should regret nothing: I could then have\nmore fully explained what I so hastily wrote; yet it will always be\na pleasure to me to recollect that he called, since I flatter myself\nit was in consequence of his being satisfied with my letter.",
"Adieu, my dear Sir; the time now approaches when I hope once more\nto receive your blessing, and to owe all my joy, all my happiness,\nto your kindness.",
"</CHAPTER>\n\n<CHAPTER>\nLETTER LVI.",
"MR. VILLARS TO EVELINA.",
"Berry Hill, July 7th.",
"WELCOME, thrice welcome, my darling Evelina, to the arms of the truest,\nthe fondest of your friends!",
"Mrs. Clinton, who shall hasten to you\nwith these lines, will conduct you directly hither; for I can consent\nno longer to be parted from the child of my bosom!-the comfort of my\nage!-the sweet solace of all my infirmities!",
"Your worthy friends at\nHoward Grove must pardon me that I rob them of the visit you proposed\nto make them before your return to Berry Hill, for I find my fortitude\nunequal to a longer separation.",
"I have much to say to you, many comments to make upon your late\nletters, some parts of which give me no little uneasiness; but I\nwill reserve my remarks for our future conversations.",
"Hasten, then,\nto the spot of thy nativity, the abode of thy youth, where never yet\ncare or sorrow had power to annoy thee.-O that they might ever be\nbanished this peaceful dwelling!",
"Adieu, my dearest Evelina!",
"I pray but that thy satisfaction at our\napproaching meeting may bear any comparison with mine!",
"ARTHUR VILLARS.",
"</CHAPTER>\n\n<CHAPTER>\n LETTER LVII.",
"EVELINA TO MISS MIRVAN.",
"Berry Hill, July 14th.",
"MY Sweet Maria will be much surprised, and I am willing to flatter\nmyself, concerned, when, instead of her friend, she receives this\nletter;-this cold, this inanimate letter, which will but ill express\nthe feelings of the heart which indites it.",
"When I wrote to you last Friday, I was in hourly expectation of\nseeing Mrs. Clinton, with whom I intended to have set out for Howard\nGrove.",
"Mrs. Clinton came; but my plan was necessarily altered,\nfor she brought me a letter,-the sweetest that ever was penned,\nfrom the best and kindest friend that ever orphan was blessed with,\nrequiring my immediate attendance at Berry Hill.",
"I obeyed,-and pardon me if I own I obeyed without reluctance: after\nso long a separation, should I not else have been the most ungrateful\nof mortals?-And yet,-oh, Maria!",
"though I wished to leave London,\nthe gratification of my wish afforded me no happiness!",
"and though\nI felt an impatience inexpressible to return hither, no words,\nno language, can explain the heaviness of heart with which I made\nthe journey.",
"I believe you would hardly have known me;-indeed,\nI hardly know myself.",
"Perhaps, had I first seen you, in your kind\nand sympathizing bosom I might have ventured to have reposed every\nsecret of my soul;-and then-but let me pursue my journal.",
"Mrs. Clinton delivered Madame Duval a letter from Mr. Villars, which\nrequested her leave for my return; and, indeed, it was very readily\naccorded: yet, when she found, by my willingness to quit town that\nM. Du Bois was really indifferent to me, she somewhat softened in my\nfavour; and declared, that, but for punishing his folly in thinking\nof such a child, she would not have consented to my being again buried\nin the country.",
"All the Branghtons called to take leave of me; but I will not write\na word more about them: indeed I cannot, with any patience, think of\nthat family, to whose forwardness and impertinence is owing all the\nuneasiness I at this moment suffer!",
"So great was the depression of my spirits upon the road, that it was\nwith great difficulty I could persuade the worthy Mrs. Clinton I was\nnot ill; but, alas!",
"the situation of my mind was such as would have\nrendered any mere bodily pain, by comparison, even enviable!",
"And yet, when we arrived at Berry Hill,-when the chaise stopped at this\nplace,-how did my heart throb with joy!-and when, through the window,\nI beheld the dearest, the most venerable of men, with uplifted hands,\nreturning, as I doubt not, thanks for my safe arrival,-good God!",
"I\nthought it would have burst my bosom!-I opened the chaise-door myself;\nI flew,-for my feet did not seem to touch the ground,-into the parlour:\nhe had risen to meet me; but the moment I appeared he sunk into his\nchair, uttering, with a deep sigh, though his face beamed with delight,\n\"My God, I thank thee!\"",
"I sprung forward; and, with a pleasure that bordered upon agony, I\nembraced his knees, I kissed his hands, I wept over them, but could not\nspeak: while he, now raising his eyes in thankfulness towards heaven,\nnow bowing down his reverend head, and folding me in his arms, could\nscarce articulate the blessings with which his kind and benevolent\nheart overflowed.",
"O, Miss Mirvan, to be so beloved by the best of men,-should I not be\nhappy?-Should I have one wish save that of meriting his goodness?-Yet\nthink me not ungrateful; indeed I am not, although the internal\nsadness of my mind unfits me, at present, for enjoying as I ought\nthe bounties of Providence.",
"I cannot journalize, cannot arrange my ideas into order.",
"How little has situation to do with happiness!",
"I had flattered\nmyself, that, when restored to Berry Hill, I should be restored\nto tranquillity: far otherwise have I found it, for never yet had\ntranquillity and Evelina so little intercourse.",
"I blush for what I have written.",
"Can you, Maria, forgive my\ngravity?",
"but I restrain it so much, and so painfully, in the presence\nof Mr. Villars, that I know not how to deny myself the consolation\nof indulging it to you.",
"Adieu, my dear Miss Mirvan.",
"Yet one thing I must add: do not let the seriousness of this letter\ndeceive you; do not impute to a wrong cause the melancholy I confess,\nby supposing that the heart of your friend mourns a too great\nsusceptibility: no, indeed!",
"believe me it never was, never can be,\nmore assuredly her own than at this moment.",
"So witness in all truth,\nYour affectionate, EVELINA.",
"You will make my excuses to the honoured Lady Howard, and to your\ndear mother.",
"</CHAPTER>\n\n<CHAPTER>\nLETTER LVIII.",
"EVELINA TO MISS MIRVAN.",
"Berry Hill, July 21st.",
"YOU accuse me of mystery, and charge me with reserve: I cannot doubt\nbut I must have merited the accusation; yet, to clear myself,-you\nknow not how painful will be the task.",
"But I cannot resist your kind\nentreaties;-indeed I do not wish to resist them; for your friendship\nand affection will soothe my chagrin.",
"Had it arisen from any other\ncause, not a moment would I have deferred the communication you\nask;-but as it is, I would, were it possible, not only conceal it\nfrom all the world, but endeavour to disbelieve it myself.",
"Yet since\nI must tell you, why trifle with your impatience?",
"I know not how to come to the point; twenty times have I attempted\nit in vain;-but I will force myself to proceed.",
"Oh, Miss Mirvan, could you ever have believed, that one who\nseemed formed as a pattern for his fellow-creatures, as a model of\nperfection,-one whose elegance surpassed all description,-whose\nsweetness of manners disgraced all comparison;-oh, Miss Mirvan,\ncould you ever have believed that Lord Orville, would have treated\nme with indignity?",
"Never, never again will I trust to appearances;-never confide in my\nown weak judgment;-never believe that person to be good who seems\nto be amiable!",
"What cruel maxims are we taught by a knowledge of the\nworld!-But while my own reflections absorb me, I forget you are still\nin suspense.",
"I had just finished the last letter which I wrote to you from London,\nwhen the maid of the house brought me a note.",
"It was given to her,\nshe said, by a footman, who told her he would call the next day for\nan answer.",
"This note,-but let it speak for itself.",
"\"To Miss Anville.",
"\"With transport, most charming of thy sex, did I read\n the letter\n with which you yesterday morning favoured me.",
"I am sorry the\n affair of the carriage should have given you any concern,\n but I am highly flattered by the anxiety you express so\n kindly.",
"Believe me, my lovely girl, I am truly sensible\n to the honour of your good opinion, and feel myself deeply\n penetrated with love and gratitude.",
"The correspondence you\n have so sweetly commenced, I shall be proud of continuing;\n and I hope the strong sense I have of the favour you do me\n will prevent your withdrawing it.",
"Assure yourself, that I\n desire nothing more ardently than to pour forth my thanks at\n your feet, and to offer those vows which are so justly the\n tribute of your charms and accomplishments.",
"In your next\n I intreat you to acquaint me how long you shall remain in\n town.",
"The servant, whom I shall commission to call for an\n answer, has orders to ride post with it to me.",
"My impatience\n for his arrival will be very great, though inferior to that\n with which I burn to tell you, in person, how much I am,\n my sweet girl, your grateful admirer, \"ORVILLE.\"",
"What a letter!",
"how has my proud heart swelled every line I have\ncopied!",
"What I wrote to him you know; tell me, then, my dear friend,\ndo you think it merited such an answer?-and that I have deservedly\nincurred the liberty he has taken?",
"I meant nothing but a simple\napology, which I thought as much due to my own character as to his;\nyet by the construction he seems to have put upon it, should you not\nhave imagined it contained the avowal of sentiments which might indeed\nhave provoked his contempt?",
"The moment the letter was delivered to me, I retired to my own room\nto read it; and so eager was my first perusal, that,-I am ashamed\nto own,-it gave me no sensation but of delight.",
"Unsuspicious of\nany impropriety from Lord Orville, I perceived not immediately the\nimpertinence it implied,-I only marked the expressions of his own\nregard; and I was so much surprised, that I was unable for some time\nto compose myself, or read it again:-I could only walk up and down\nthe room, repeating to myself, \"Good God, is it possible?-am I then\nloved by Lord Orville?\"",
"But this dream was soon over, and I awoke to far different\nfeelings.",
"Upon a second reading I thought every word changed,-it did\nnot seem the same letter,-I could not find one sentence that I could\nlook at without blushing: my astonishment was extreme, and it was\nsucceeded by the utmost indignation.",
"If, as I am very ready to acknowledge, I erred in writing to Lord\nOrville, was it for him to punish the error?",
"If he was offended,\ncould he not have been silent?",
"If he thought my letter ill-judged,\nshould he not have pitied my ignorance?",
"have considered my youth,\nand allowed for my inexperience?",
"Oh, Maria!",
"how have I been deceived in this man!",
"Words have no\npower to tell the high opinion I had of him; to that was owing the\nunfortunate solicitude which prompted my writing; a solicitude I must\nfor ever repent!",
"Yet perhaps I have rather reason to rejoice than to grieve, since this\naffair has shown me his real disposition, and removed that partiality\nwhich, covering his every imperfection, left only his virtues and\ngood qualities exposed to view.",
"Had the deception continued much\nlonger, had my mind received any additional prejudice in his favour,\nwho knows whither my mistaken ideas might have led me?",
"Indeed I fear I\nwas in greater danger than I apprehended, or can now think of without\ntrembling;-for, oh, if this weak heart of mine had been penetrated\nwith too deep an impression of his merit,-my peace and happiness had\nbeen lost for ever.",
"I would fain encourage more cheerful thoughts, fain drive from my\nmind the melancholy that has taken possession of it; but I cannot\nsucceed: for, added to the humiliating feelings which so powerfully\noppress me, I have yet another cause of concern;-alas, my dear Maria,\nI have broken the tranquillity of the best of men!",
"I have never had the courage to show him this cruel letter; I could\nnot bear so greatly to depreciate in his opinion, one whom I had, with\ninfinite anxiety, raised in it myself.",
"Indeed, my first determination\nwas to confine my chagrin totally to my own bosom; but your friendly\nenquiries have drawn it from me: and now I wish I had made no\nconcealment from the beginning, since I know not how to account for\na gravity, which not all my endeavours can entirely hide or repress.",
"My greatest apprehension is, lest he should imagine that my residence\nin London has given me a distaste to the country.",
"Every body I see\ntakes notice of my being altered, and looking pale and ill.",
"I should\nbe very indifferent to all such observations, did I not perceive\nthat they draw upon me the eyes of Mr. Villars, which glisten with\naffectionate concern.",
"This morning, in speaking of my London expedition he mentioned Lord\nOrville.",
"I felt so much disturbed, that I would instantly have changed\nthe subject; but he would not allow me, and, very unexpectedly,\nhe began his panegyric; extolling in strong terms, his manly and\nhonourable behaviour in regard to the Marybone adventure.",
"My cheeks\nglowed with indignation every word he spoke;-so lately as I had myself\nfancied him the noblest of his sex, now that I was so well convinced\nof my mistake, I could not bear to hear his undeserved praises uttered\nby one so really good, so unsuspecting, so pure of heart.",
"What he thought of my silence and uneasiness I fear to know; but I\nhope he will mention the subject no more.",
"I will not, however, with\nungrateful indolence, give way to a sadness which I find infectious to\nhim who merits the most cheerful exertion of my spirits.",
"I am thankful\nthat he has forborne to probe my wound; and I will endeavour to heal\nit by the consciousness that I have not deserved the indignity I\nhave received.",
"Yet I cannot but lament to find myself in a world so\ndeceitful, where we must suspect what we see, distrust what we hear,\nand doubt even what we feel!",
"</CHAPTER>\n\n<CHAPTER>\nLETTER LIX.",
"EVELINA IN CONTINUATION.",
"Berry Hill, July 29th.",
"I MUST own myself somewhat distressed how to answer your raillery:\nyet, believe me, my dear Maria, your suggestions are those of fancy,\nnot of truth.",
"I am unconscious of the weakness you suspect; yet, to\ndispel your doubts, I will animate myself more than ever to conquer\nmy chagrin, and to recover my spirits.",
"You wonder, you say, since my heart takes no part in this affair,\nwhy it should make me so unhappy?",
"And can you, acquainted as you\nare with the high opinion I entertained of Lord Orville, can you\nwonder that so great a disappointment in his character should affect\nme?",
"Indeed, had so strange a letter been sent to me from any body,\nit could not have failed shocking me; how much more sensibly, then,\nmust I feel such an affront, when received from the man in the world\nI had imagined least capable of giving it?",
"You are glad I made no reply; assure yourself, my dear friend, had this\nletter been the most respectful that could be written, the clandestine\nair given to it, by his proposal of sending his servant for my answer,\ninstead of having it directed to his house, would effectually have\nprevented my writing.",
"Indeed, I have an aversion the most sincere to\nall mysteries, all private actions; however foolishly and blameably,\nin regard to this letter, I have deviated from the open path which,\nfrom my earliest infancy, I was taught to tread.",
"He talks of my having commenced a correspondence with him: and\ncould Lord Orville indeed believe I had such a design?",
"believe me\nso forward, so bold, so strangely ridiculous?",
"I know not if his man\ncalled or not; but I rejoice that I quitted London before he came,\nand without leaving any message for him.",
"What, indeed, could I have\nsaid?",
"it would have been a condescension very unmerited to have taken\nany, the least notice of such a letter.",
"Never shall I cease to wonder how he could write it.",
"Oh, Maria!",
"what,\nwhat could induce him so causelessly to wound and affront one who\nwould sooner have died than wilfully offended him?",
"-How mortifying\na freedom of style!",
"how cruel an implication conveyed by his thanks\nand expressions of gratitude!",
"Is it not astonishing, that any man\ncan appear so modest, who is so vain?",
"Every hour I regret the secrecy I have observed with my beloved\nMr. Villars; I know not what bewitched me, but I felt at first a\nrepugnance to publishing this affair that I could not surmount;-and\nnow, I am ashamed of confessing that I have any thing to confess!",
"Yet\nI deserve to be punished for the false delicacy which occasioned my\nsilence, since, if Lord Orville himself was contented to forfeit\nhis character, was it for me, almost at the expense of my own, to\nsupport it?",
"Yet I believe I should be very easy, now the first shock is over,\nand now that I see the whole affair with the resentment it merits,\ndid not all my good friends in this neighbourhood, who think me\nextremely altered, tease me about my gravity, and torment Mr. Villars\nwith observations upon my dejection and falling away.",
"The subject\nis no sooner started, than a deep gloom overspreads his venerable\ncountenance, and he looks at me with a tenderness so melancholy,\nthat I know not how to endure the consciousness of exciting it.",
"Mrs. Selwyn, a lady of large fortune, who lives about three miles from\nBerry Hill, and who has always honoured me with very distinguishing\nmarks of regard, is going, in a short time, to Bristol, and has\nproposed to Mr. Villars to take me with her for the recovery of my\nhealth.",
"He seemed very much distressed whether to consent or refuse;\nbut I, without any hesitation, warmly opposed the scheme, protesting\nmy health could no where be better than in this pure air.",
"He had\nthe goodness to thank me for this readiness to stay with him; but he\nis all goodness!",
"Oh, that it were in my power to be indeed what, in\nthe kindness of his heart, he has called me, the comfort of his age,\nand solace of his infirmities!",
"Never do I wish to be again separated from him.",
"If here I am grave,\nelsewhere I should be unhappy.",
"In his presence, with a very little\nexertion, all the cheerfulness of my disposition seems ready to return;\nthe benevolence of his countenance reanimates, the harmony of his\ntemper composes, the purity of his character edifies me!",
"I owe to\nhim every thing!",
"and, far from finding my debt of gratitude a weight,\nthe first pride, the first pleasure of my life, is the recollection\nof the obligations conferred upon me by a goodness so unequalled.",
"Once, indeed, I thought there existed another,-who, when time\nhad wintered o'er his locks, would have shone forth among his\nfellow-creatures with the same brightness of worth which dignifies\nmy honoured Mr. Villars; a brightness how superior in value to that\nwhich results from mere quickness of parts, wit, or imagination!",
"a\nbrightness, which, not contented with merely diffusing smiles,\nand gaining admiration from the sallies of the spirits, reflects a\nreal and a glorious lustre upon all mankind!",
"Oh, how great was my\nerror!",
"how ill did I judge!",
"how cruelly have I been deceived!",
"I will not go to Bristol, though Mrs. Selwyn is very urgent with\nme;-but I desire not to see any more of the world!",
"the few months I\nhave already passed in it, have sufficed to give me a disgust even\nto its name.",
"I hope, too, I shall see Lord Orville no more: accustomed, from my\nfirst knowledge of him, to regard him as a being superior to his race,\nhis presence, perhaps, might banish my resentment, and I might forget\nhis ill conduct; for oh, Maria!-I should not know how to see Lord\nOrville -and to think of displeasure!",
"As a sister I loved him;-I could have entrusted him with every\nthought of my heart, had he deigned to wish my confidence: so steady\ndid I think his honour, so feminine his delicacy, and so amiable his\nnature!",
"I have a thousand times imagined that the whole study of his\nlife, and whole purport of his reflections, tended solely to the good\nand happiness of others: but I will talk,-write,-think of him no more!",
"Adieu, my dear friend!",
"</CHAPTER>\n\n<CHAPTER>\n LETTER LX.",
"EVELINA IN CONTINUATION.",
"Berry Hill, August 10th.",
"YOU complain of my silence, my dear Miss Mirvan;-but what have I to\nwrite?",
"Narrative does not offer, nor does a lively imagination supply\nthe deficiency.",
"I have, however, at present, sufficient matter for\na letter, in relating a conversation I had yesterday with Mr. Villars.",
"Our breakfast had been the most cheerful we have had since my return\nhither; and when it was over, he did not, as usual, retire to his\nstudy, but continued to converse with me while I worked.",
"We might,\nprobably, have passed all the morning thus sociably, but for the\nentrance of a farmer, who came to solicit advice concerning some\ndomestic affairs.",
"They withdrew together into the study.",
"The moment I was alone my spirits failed me; the exertion with which\nI had supported them had fatigued my mind; I flung away my work, and,\nleaning my arms on the table, gave way to a train of disagreeable\nreflections, which, bursting from the restraint that had smothered\nthem, filled me with unusual sadness.",
"This was my situation, when, looking towards the door, which was open,\nI perceived Mr. Villars, who was earnestly regarding me.",
"\"Is Farmer\nSmith gone, Sir?\"",
"cried I, hastily rising, and snatching up my work.",
"\"Don't let me disturb you,\" said he, gravely; \"I will go again to\nmy study.\"",
"\"Will you, Sir?-I was in hopes you were coming to sit here.\"",
"\"In hopes!-and why, Evelina, should you hope it?\"",
"This question was so unexpected, that I knew not how to answer it; but,\nas I saw he was moving away, I followed, and begged him to return.",
"\"No,\nmy dear, no,\" said he, with a forced smile, \"I only interrupt your\nmeditations.\"",
"Again I knew not what to say; and while I hesitated, he retired.",
"My\nheart was with him, but I had not the courage to follow.",
"The idea\nof an explanation, brought on in so serious a manner, frightened\nme.",
"I recollected the inference you had drawn from my uneasiness,\nand I feared that he might make a similar interpretation.",
"Solitary and thoughtful, I passed the rest of the morning in my own\nroom.",
"At dinner I again attempted to be cheerful; but Mr. Villars\nhimself was grave, and I had not sufficient spirits to support a\nconversation merely by my own efforts.",
"As soon as dinner was over, he\ntook a book, and I walked to the window.",
"I believe I remained near an\nhour in this situation.",
"All my thoughts were directed to considering\nhow I might dispel the doubts which I apprehended Mr. Villars had\nformed, without acknowledging a circumstance which I had suffered so\nmuch pain merely to conceal.",
"But while I was thus planning for the\nfuture, I forgot the present; and so intent was I upon the subject\nwhich occupied me, that the strange appearance of my unusual inactivity\nand extreme thoughtfulness never occurred to me.",
"But when, at last,\nI recollected myself, and turned round, I saw that Mr. Villars, who\nhad parted with his book, was wholly engrossed in attending to me.",
"I\nstarted from my reverie, and, hardly knowing what I said, asked if\nhe had been reading?",
"He paused a moment, and then replied, \"Yes, my child;-a book that\nboth afflicts and perplexes me.\"",
"He means me, thought I; and therefore I made no answer.",
"\"What if we read it together?\"",
"continued he, \"will you assist me to\nclear its obscurity?\"",
"I knew not what to say; but I sighed involuntarily from the bottom of\nmy heart.",
"He rose, and approaching me, said, with emotion, \"My child,\nI can no longer be a silent witness of thy sorrow,-is not thy sorrow\nmy sorrow?-and ought I to be a stranger to the cause, when I so deeply\nsympathize in the effect?\"",
"\"Cause, Sir!\"",
"cried I, greatly alarmed, \"what cause?-I don't know,-I\ncan't tell-I-\"\n\n\"Fear not,\" said he, kindly, \"to unbosom thyself to me, my dearest\nEvelina; open to me thy whole heart,-it can have no feelings for\nwhich I will not make allowance.",
"Tell me, therefore, what it is that\nthus afflicts us both; and who knows but I may suggest some means\nof relief?\"",
"\"You are too, too good,\" cried I, greatly embarrassed; \"but indeed\nI know not what you mean.\"",
"\"I see,\" said he, \"it is painful to you to speak: suppose, then,\nI endeavour to save you by guessing?\"",
"\"Impossible!",
"impossible!\"",
"cried I, eagerly; \"no one living could ever\nguess, ever suppose-\" I stopped abruptly; for I then recollected I\nwas acknowledging something was to be guessed: however, he noticed\nnot my mistake.",
"\"At least let me try,\" answered he, mildly; \"perhaps I may be a better\ndiviner than you imagine: if I guess every thing that is probable,\nsurely I must approach near the real reason.",
"Be honest, then, my love,\nand speak without reserve;-does not the country, after so much gaiety,\nso much variety, does it not appear insipid and tiresome?\"",
"\"No, indeed!",
"I love it more than ever, and more than ever do I wish\nI had never, never quitted it!\"",
"\"Oh, my child!",
"that I had not permitted the journey!",
"My judgment\nalways opposed it, but my resolution was not proof against persuasion.\"",
"\"I blush, indeed,\" cried I, \"to recollect my earnestness;-but I have\nbeen my own punisher!\"",
"\"It is too late now,\" answered he, \"to reflect upon this subject;\nlet us endeavour to avoid repentance for the time to come, and\nwe shall not have erred without reaping some instruction.\"",
"Then,\nseating himself, and making me sit by him, he continued, \"I must now\nguess again: perhaps you regret the loss of those friends you knew\nin town;-perhaps you miss their society, and fear you may see them\nno more?-perhaps Lord Orville-\"\n\nI could not keep my seat; but, rising hastily, said, \"Dear Sir,\nask me nothing more!-for I have nothing to own,-nothing to say;-my\ngravity has been merely accidental, and I can give no reason for it\nat all.-Shall I fetch you another book?-or will you have this again?\"",
"For some minutes he was totally silent, and I pretended to employ\nmyself in looking for a book.",
"At last, with a deep sigh, \"I see,\"\nsaid he, \"I see but too plainly, that though Evelina is returned,-I\nhave lost my child!\"",
"\"No, Sir, no,\" cried I, inexpressibly shocked, \"she is more your's\nthan ever!",
"Without you, the world would be a desert to her, and\nlife a burthen:-forgive her, then, and,-if you can,-condescend to be,\nonce more, the confidant of all her thoughts.\"",
"\"How highly I value, how greatly I wish for her confidence,\" returned\nhe, \"she cannot but know;-yet to extort, to tear it from her,-my\njustice, my affection both revolt at the idea.",
"I am sorry that I was\nso earnest with you;-leave me, my dear, leave me, and compose yourself;\nwe will meet again at tea.\"",
"\"Do you then refuse to hear me?\"",
"\"No, but I abhor to compel you.",
"I have long seen that your mind has\nbeen ill at ease, and mine has largely partaken of your concern:\nI forbore to question you; for I hoped that time and absence, from\nwhatever excited your uneasiness, might best operate in silence:\nbut, alas!",
"your affliction seems only to augment,-your health\ndeclines,-your look alters!-Oh, Evelina, my aged heart bleeds to see\nthe change!-bleeds to behold the darling it had cherished, the prop it\nhad reared for its support, when bowed down by years and infirmities,\nsinking itself under the pressure of internal grief!-struggling to\nhide what it should seek to participate!-But go, my dear, go to your\nown room; we both want composure, and we will talk of this matter\nsome other time.\"",
"\"Oh, Sir,\" cried I, penetrated to the soul, \"bid me not leave\nyou!-think me not so lost to feeling, to gratitude-\"\n\n\"Not a word of that,\" interrupted he: \"it pains me you should think\nupon that subject; pains me you should ever remember that you have not\na natural, an hereditary right to every thing within my power.",
"I meant\nnot to affect you thus,-I hoped to have soothed you!-but my anxiety\nbetrayed me to an urgency that has distressed you.",
"Comfort yourself,\nmy love; and doubt not but that time will stand your friend, and all\nwill end well.\"",
"I burst into tears: with difficulty had I so long restrained them; for\nmy heart, while it glowed with tenderness and gratitude, was oppressed\nwith a sense of its own unworthiness.",
"\"You are all, all goodness!\"",
"cried I, in a voice scarce audible; \"little as I deserve,-unable as\nI am to repay, such kindness,-yet my whole soul feels,-thanks you\nfor it!\"",
"\"My dearest child,\" cried he, \"I cannot bear to see thy tears;-for\nmy sake dry them: such a sight is too much for me: think of that,\nEvelina, and take comfort, I charge thee!\"",
"\"Say then,\" cried I, kneeling at his feet, \"say then that you\nforgive me!",
"that you pardon my reserve,-that you will again suffer\nme to tell you my most secret thoughts, and rely upon my promise\nnever more to forfeit your confidence!-my father!-my protector!-my\never-honoured,-ever-loved-my best and only friend!-say you forgive\nyour Evelina, and she will study better to deserve your goodness!\"",
"He raised, he embraced me: he called me his sole joy, his only\nearthly hope, and the child of his bosom!",
"He folded me to his heart;\nand, while I wept from the fulness of mine, with words of sweetest\nkindness and consolation, he soothed and tranquillised me.",
"Dear to my remembrance will ever be that moment when, banishing\nthe reserve I had so foolishly planned, and so painfully supported,\nI was restored to the confidence of the best of men!",
"When at length we were again quietly and composedly seated by each\nother, and Mr. Villars waited for the explanation I had begged him\nto hear, I found myself extremely embarrassed how to introduce the\nsubject which must lead to it.",
"He saw my distress; and with a kind of\nbenevolent pleasantry, asked me if I would let him guess any more?",
"I\nassented in silence.",
"\"Shall I, then, go back to where I left off?\"",
"\"If-if you please;-I believe so,-\" said I, stammering.",
"\"Well, then, my love, I think I was speaking of the regret it was\nnatural you should feel upon quitting those from whom you had received\ncivility and kindness, with so little certainty of ever seeing\nthem again, or being able to return their good offices.",
"These are\ncircumstances that afford but melancholy reflections to young minds;\nand the affectionate disposition of my Evelina, open to all social\nfeelings, must be hurt more than usual by such considerations.-You\nare silent, my dear.",
"Shall I name those whom I think most worthy the\nregret I speak of?",
"We shall then see if our opinions coincide.\"",
"Still I said nothing, and he continued.",
"\"In your London journal, nobody appears in a more amiable, a more\nrespectable light than Lord Orville; and perhaps-\"\n\n\"I knew what you would say,\" cried I, hastily, \"and I have long feared\nwhere your suspicions would fall; but indeed, Sir, you are mistaken:\nI hate Lord Orville,-he is the last man in the world in whose favour\nI should be prejudiced.\"",
"I stopped; for Mr. Villars looked at me with such infinite surprise,\nthat my own warmth made me blush.",
"\"You hate Lord Orville!\"",
"repeated he.",
"I could make no answer; but took from my pocket-book the letter,\nand giving it to him, \"See, Sir,\" said I, \"how differently the same\nman can talk and write!\"",
"He read it three times before he spoke; and then said, \"I am so much\nastonished, that I know not what I read.",
"When had you this letter?\"",
"I told him.",
"Again he read it, and, after considering its contents\nsome time, said, \"I can form but one conjecture concerning this most\nextraordinary performance: he must certainly have been intoxicated\nwhen he wrote it.\"",
"\"Lord Orville intoxicated!\"",
"repeated I: \"once I thought him a stranger\nto all intemperance;-but it is very possible, for I can believe any\nthing now.\"",
"\"That a man who had behaved with so strict a regard to delicacy,\"\ncontinued Mr. Villars, \"and who, as far as occasion had allowed,\nmanifested sentiments the most honourable, should thus insolently,\nthus wantonly, insult a modest young woman, in his perfect senses,\nI cannot think possible.",
"But, my dear, you should have inclosed\nthis letter in an empty cover, and have returned it to him again:\nsuch a resentment would at once have become your character, and have\ngiven him an opportunity, in some measure, of clearing his own.",
"He\ncould not well have read this letter the next morning without being\nsensible of the impropriety of having written it.\"",
"Oh, Maria!",
"why had I not this thought?",
"I might then have received\nsome apology; the mortification would then have been his, not\nmine.",
"It is true, he could not have reinstated himself so highly in\nmy opinion as I had once ignorantly placed him, since the conviction\nof such intemperance would have levelled him with the rest of his\nimperfect race; yet my humbled pride might have been consoled by\nhis acknowledgments.",
"But why should I allow myself to be humbled by a man who can suffer\nhis reason to be thus abjectly debased, when I am exalted by one who\nknows no vice, and scarcely a failing, but by hearsay?",
"To think of his\nkindness, and reflect upon his praises, might animate and comfort me\neven in the midst of affliction.",
"\"Your indignation,\" said he, \"is the\nresult of virtue; you fancied Lord Orville was without fault-he had\nthe appearance of infinite worthiness, and you supposed his character\naccorded with appearance: guileless yourself, how could you prepare\nagainst the duplicity of another?",
"Your disappointment has but been\nproportioned to your expectations, and you have chiefly owed its\nseverity to the innocence which hid its approach.\"",
"I will bid these words dwell ever in my memory, and they shall\ncheer, comfort, and enliven me!",
"This conversation, though extremely\naffecting to me at the time it passed, has relieved my mind from much\nanxiety.",
"Concealment, my dear Maria, is the foe of tranquillity:\nhowever I may err in future, I will never be disingenuous\nin acknowledging my errors.",
"To you and to Mr. Villars I vow an\nunremitting confidence.",
"And yet, though I am more at ease, I am far from well: I have been\nsome time writing this letter; but I hope I shall send you soon a\nmore cheerful one.",
"Adieu, my sweet friend.",
"I intreat you not to acquaint even your dear\nmother with this affair; Lord Orville is a favourite with her, and\nwhy should I publish that he deserves not that honour?",
"</CHAPTER>\n\n<CHAPTER>\n LETTER LXI.",
"EVELINA IN CONTINUATION.",
"Bristol Hotwells, August 28th.",
"YOU will be again surprised, my dear Maria, at seeing whence I date my\nletter: but I have been very ill, and Mr. Villars was so much alarmed,\nthat he not only insisted upon my accompanying Mrs. Selwyn hither,\nbut earnestly desired she would hasten her intended journey.",
"We travelled very slowly, and I did not find myself so much fatigued\nas I expected.",
"We are situated upon a most delightful spot; the\nprospect is beautiful, the air pure, and the weather very favourable\nto invalids.",
"I am already better, and I doubt not but I shall soon\nbe well; as well, in regard to mere health, as I wish to be.",
"I cannot express the reluctance with which I parted from my revered\nMr. Villars: it was not like that parting which, last April, preceded\nmy journey to Howard Grove, when, all expectation and hope, though I\nwept, I rejoiced, and, though I sincerely grieved to leave him, I yet\nwished to be gone: the sorrow I now felt was unmixed with any livelier\nsensation; expectation was vanished, and hope I had none!",
"All that I\nheld most dear upon earth I quitted; and that upon an errand, to the\nsuccess of which I was totally indifferent, the re-establishment of my\nhealth.",
"Had it been to have seen my sweet Maria, or her dear mother,\nI should not have repined.",
"Mrs. Selwyn is very kind and attentive to me.",
"She is extremely clever:\nher understanding, indeed, may be called masculine: but, unfortunately,\nher manners deserve the same epithet; for, in studying to acquire\nthe knowledge of the other sex, she has lost all the softness of\nher own.",
"In regard to myself, however, as I have neither courage nor\ninclination to argue with her, I have never been personally hurt at her\nwant of gentleness; a virtue which, nevertheless, seems so essential\na part of the female character, that I find myself more awkward, and\nless at ease, with a woman who wants it, than I do with a man.",
"She is\nnot a favourite with Mr. Villars, who has often been disgusted at her\nunmerciful propensity to satire: but his anxiety that I should try\nthe effect of the Bristol waters, overcame his dislike of committing\nme to her care.",
"Mrs. Clinton is also here; so that I shall be as well\nattended as his utmost partiality could desire.",
"I will continue to write to you, my dear Miss Mirvan, with as much\nconstancy as if I had no other correspondent; though, during my\nabsence from Berry Hill, my letters may, perhaps, be shortened on\naccount of the minuteness of the journal which I must write to my\nbeloved Mr. Villars: but you, who know his expectations, and how\nmany ties bind me to fulfil them, will I am sure, rather excuse any\nomission to yourself, than any negligence to him.",
"</CHAPTER>"
] | [
"And now, Madam, that I have performed this painful task, the more\n grateful\none remains of rewarding, as far as is in my power, your generous\ngoodness, by assuring you it shall not be thrown away.",
"Good God, with what expressive eyes did\nhe regard me!",
"Our disturbance, however, arose from young Brown,\nwho was now between the two women, by whom his arms were absolutely\npinioned to his sides: for a few minutes his complaints had been only\nmurmured: but he now called out aloud, \"Goodness, Ladies, you hurt\nme like any thing!",
"We stopped at\nour lodgings; but, when Madame Duval and I alighted, the Branghtons\nasked if they could not be carried on to Snow-Hill?",
"Berry Hill, July 7th.",
"Perhaps, had I first seen you, in your kind\nand sympathizing bosom I might have ventured to have reposed every\nsecret of my soul;-and then-but let me pursue my journal.",
"but I restrain it so much, and so painfully, in the presence\nof Mr. Villars, that I know not how to deny myself the consolation\nof indulging it to you.",
"What I wrote to him you know; tell me, then, my dear friend,\ndo you think it merited such an answer?-and that I have deservedly\nincurred the liberty he has taken?",
"cried I, hastily rising, and snatching up my work.",
"\"If-if you please;-I believe so,-\" said I, stammering."
] | [
"At Aberdeen, where I finished my education, I formed a friendship with\na young man of fortune, which I considered as the chief happiness\nof my life:-but, when he quitted his studies, I considered it as my\nchief misfortune; for he immediately prepared, by direction of his\nfriends, to make the tour of Europe.",
"Young Branghton was extremely troublesome; he insisted upon walking\nby my side, and talked with me almost by compulsion; however, my\nreserve and coldness prevented his entering upon the hateful subject\nwhich Madame Duval had prepared me to apprehend.",
"cried I, impatiently; and, too much chagrined to bear\nwith any more of his remarks, I ran up stairs; but I heard him say\nto M. Du Bois, \"Miss is so uppish this morning, that I think I had\nbetter not speak to her again.\"",
"And, indeed, another,\na yet more powerful reason, added to my reluctance;-for I thought it\npossible that Lord Orville might send some answer, or perhaps might\ncall, during my absence; however, I did not dare dispute her commands.",
"Madame Duval instantly seated herself; and the two bold women, forcing\nthe frightened Mr. Brown to go between them, followed her example.",
"This intelligence somewhat quieted the violence of my sorrows.",
"But my vexation was terribly augmented when,\nafter having whispered something to each other, they very cavalierly\ndeclared, that they intended joining our party!",
"I was half frantic, I really raved; the good opinion of Lord Orville\nseemed now irretrievable lost: a faint hope, which in the morning I\nhad vainly encouraged, that I might see him again, and explain the\ntransaction, wholly vanished, now I found he was so soon to leave\ntown: and I could not but conclude, that, for the rest of my life,\nhe would regard me as an object of utter contempt.",
"I instantly retreated\nbehind Miss Branghton, and kept out of sight till we had passed him;\nfor I dreaded being seen by him again in a public walk with a party\nof which I was ashamed.",
"What I wrote to him you know; tell me, then, my dear friend,\ndo you think it merited such an answer?-and that I have deservedly\nincurred the liberty he has taken?"
] | [
"\"Yes, Miss, and a very fine house it is.-Did you ever see it?\"",
"\"No.\"",
"\"No!-why, then, Miss, I know more of his Lordship than you do,\nfor all you knew him first.",
"So, when I came to the door, I was in\na peck of troubles, a-thinking what I should say to him: however,\nthe servants had no mind I should see him; for they told me he was\nbusy, but I might leave my message.",
"So I was just a-coming away,\nwhen I bethought myself to say I came from you.\"",
"\"From me!\"",
"\"Yes, Miss, for you know, why should I have such a long walk as that\nfor nothing?",
"So I says to the porter, says I, tell his Lordship, says\nI, one wants to speak to him as comes from one Miss Anville, says I.\"",
"\"Good God,\" cried I, \"and by what authority did you take such\na liberty?\"",
"\"Goodness, Miss don't be in such a hurry, for you'll be as glad as me,\nwhen you hear how well it all turned out.",
"So then they made way for\nme, and said his Lordship would see me directly: and there I was led\nthrough such a heap of servants, and so many rooms, that my heart\nquite misgave me; for I thought, thinks I, he'll be so proud he'll\nhardly let me speak; but he's no more proud than I am, and he was\nas civil as if I'd been a lord myself."
] | [
"<CHAPTER>\nLETTER LI.",
"EVELINA IN CONTINUATION.",
"I HAVE just received a most affecting letter from Mr. Macartney.",
"I\nwill inclose it, my dear Sir, for your perusal.",
"More than ever have\nI cause to rejoice that I was able to assist him.",
"Mr. Macartney to\nMiss Anville.",
"Madam,\n\nIMPRESSED with deepest, the most heartfelt sense of the exalted\nhumanity with which you have rescued from destruction an unhappy\nstranger, allow me, with humblest gratitude, to offer you my fervent\nacknowledgments, and to implore your pardon for the terror I have\ncaused you.",
"You bid me, Madam, live: I have now, indeed, a motive for life,\nsince I should not willingly quit the world, while I withhold from\nthe needy and distressed any share of that charity which a disposition\nso noble would otherwise bestow upon them.",
"The benevolence with which you have interested yourself in my affairs,\ninduces me to suppose you would wish to be acquainted with the cause\nof that desperation from which you snatched me, and the particulars\nof that misery of which you have so wonderfully been a witness.",
"Yet,\nas this explanation will require that I should divulge secrets of a\nnature the most delicate, I must intreat you to regard them as sacred,\neven though I forbear to mention the names of the parties concerned.",
"I cannot express the reluctance with which I parted from my revered\nMr. Villars: it was not like that parting which, last April, preceded\nmy journey to Howard Grove, when, all expectation and hope, though I\nwept, I rejoiced, and, though I sincerely grieved to leave him, I yet\nwished to be gone: the sorrow I now felt was unmixed with any livelier\nsensation; expectation was vanished, and hope I had none!",
"All that I\nheld most dear upon earth I quitted; and that upon an errand, to the\nsuccess of which I was totally indifferent, the re-establishment of my\nhealth.",
"Had it been to have seen my sweet Maria, or her dear mother,\nI should not have repined.",
"Mrs. Selwyn is very kind and attentive to me.",
"She is extremely clever:\nher understanding, indeed, may be called masculine: but, unfortunately,\nher manners deserve the same epithet; for, in studying to acquire\nthe knowledge of the other sex, she has lost all the softness of\nher own.",
"In regard to myself, however, as I have neither courage nor\ninclination to argue with her, I have never been personally hurt at her\nwant of gentleness; a virtue which, nevertheless, seems so essential\na part of the female character, that I find myself more awkward, and\nless at ease, with a woman who wants it, than I do with a man.",
"She is\nnot a favourite with Mr. Villars, who has often been disgusted at her\nunmerciful propensity to satire: but his anxiety that I should try\nthe effect of the Bristol waters, overcame his dislike of committing\nme to her care.",
"Mrs. Clinton is also here; so that I shall be as well\nattended as his utmost partiality could desire.",
"I will continue to write to you, my dear Miss Mirvan, with as much\nconstancy as if I had no other correspondent; though, during my\nabsence from Berry Hill, my letters may, perhaps, be shortened on\naccount of the minuteness of the journal which I must write to my\nbeloved Mr. Villars: but you, who know his expectations, and how\nmany ties bind me to fulfil them, will I am sure, rather excuse any\nomission to yourself, than any negligence to him.",
"</CHAPTER>"
] |
my sorrow?-and ought I to be a stranger to the cause, when I so deeply
sympathize in the effect?"
"Cause, Sir!"
cried I, greatly alarmed, "what cause?-I don't know,-I
can't tell-I-"
"Fear not," said he, kindly, "to unbosom thyself to me, my dearest
Evelina; open to me thy whole heart,-it can have no feelings for
which I will not make allowance.
Tell me, therefore, what it is that
thus afflicts us both; and who knows but I may suggest some means
of relief?"
"You are too, too good," cried I, greatly embarrassed; "but indeed
I know not what you mean."
"I see," said he, "it is painful to you to speak: suppose, then,
I endeavour to save you by guessing?"
"Impossible!
impossible!"
cried I, eagerly; "no one living could ever
guess, ever suppose-" I stopped abruptly; for I then recollected I
was acknowledging something was to be guessed: however, he noticed
not my mistake.
"At least let me try," answered he, mildly; "perhaps I may be a better
diviner than you imagine: if I guess every thing | <CHAPTER>
LETTER LI.
EVELINA IN CONTINUATION.
I HAVE just received a most affecting letter from Mr. Macartney.
I
will inclose it, my dear Sir, for your perusal.
More than ever have
I cause to rejoice that I was able to assist him.
Mr. Macartney to
Miss Anville.
Madam,
IMPRESSED with deepest, the most heartfelt sense of the exalted
humanity with which you have rescued from destruction an unhappy
stranger, allow me, with humblest gratitude, to offer you my fervent
acknowledgments, and to implore nded as his utmost partiality could desire.
I will continue to write to you, my dear Miss Mirvan, with as much
constancy as if I had no other correspondent; though, during my
absence from Berry Hill, my letters may, perhaps, be shortened on
account of the minuteness of the journal which I must write to my
beloved Mr. Villars: but you, who know his expectations, and how
many ties bind me to fulfil them, will I am sure, rather excuse any
omission to yourself, than any negligence to him.
</CHAPTER> | ,
what I suffered during the scene I am now going to write.
This morning, while I was alone in the dining-room, young Branghton
called.
He entered with a most important air; and, strutting up to me,
said, "Miss, Lord Orville sends his compliments to you."
"Lord Orville!"
repeated I, much amazed.
"Yes, Miss, Lord Orville; for I know his Lordship now, as well as
you.-And a very civil gentleman he is, for all he's a Lord."
"For Heaven's sake," cried I, "explain yourself."
"Why, you must know, Miss, after we left you, we met with a little
misfortune; but I don't mind it now, for it's all turned out for the
best: but, just as we were a-going up Snow-Hill, plump we comes against
a cart, with such a jogg it almost pulled the coach-wheel off.
However,
that i'n't the worst; for, as I went to open the door in a hurry,
a-thinking the coach would be broke down, as ill-luck would have it,
I never minded that the glass was up, and so I poked my head fairly
through it.-Only see, Miss, how I've cut my |
6,053 | true | gradesaver | all_chapterized_books/6053-chapters/volume_3_chapters_1_to_5.txt | finished_summaries/gradesaver/Evelina/section_6_part_0.txt | Evelina.volume 3.chapters 1-5 | volume 3, letter 1-5 | null | {"name": "Volume III, Letter I - Volume III, Letter V", "url": "https://web.archive.org/web/20201126171702/https://www.gradesaver.com/evelina-or-the-history-of-a-young-ladys-entrance-into-the-world/study-guide/summary-volume-iii-letter-i--volume-iii-letter-v", "summary": "Evelina writes to Mr. Villars. Mrs. Selwyn and Evelina walked together once at Bristol, but were bothered by bold young men addressing Evelina. She tried to reject them, but they were persistent. Mrs. Selwyn, in her bold and commanding manner, offered retorts to their behavior. They later encountered Lord Merton - the forward and rude aristocrat Evelina met earlier. This is when she learns his name. He was excessively frank and rude to them, though he vaguely recognized her. Later, they learned that he had only recently been given a title, and that he had spent almost all of his fortune already. He was a known libertine, but he was soon to be married. It was surprising to Evelina to learn that his bride-to-be was Lady Louisa Larpent, the sister of Lord Orville. She continues her letters to Mr. Villars, opening a new one with the excited words that Lord Orville had shown himself to be still possessed of noble behavior; clearly, his letter reflected a moment of intemperance. She then tells how she again met Lord Orville. Mrs. Selwyn and Evelina were invited to the home of Mrs. Beaumont, a friend of Mrs. Selwyn's and the relative of Lord Orville and Lady Louisa. Evelina suddenly saw them enter the room together. Lady Louisa was bored,restless and affected. She barely noticed Evelina. Evelina remembered seeing Lady Louisa at the Pantheon party, and suddenly understood why Lord Orville was so irritate when Lord Merton hit on her. She was especially nervous to encounter Lord Orville, but he was polite, pleasing, friendly, and quick to devote his attention to her. She was instinctively friendly with him, but then forced an emotional distance when she remembered his letter. Her abruptness surprised him, but she could hardly keep it up for very long. Her coldness wore away when she went out driving with him and Mrs. Selwyn. Though she did not participate in the conversation, she was pleased to listen to them. She ultimately concluded it was impractical to be indignant any further. The next day, the two women were invited to Mrs. Beaumont's house for dinner. Mrs. Beaumont was concerned almost solely with nobility of birth; she considered high birth and virtue the same thing. Her \"civility was too formal to be comfortable,\" Evelina writes. She also clearly disapproved of Lady Louisa's choice in Lord Merton due to his personality. Mr. Lovel later joined the company and Evelina was a perturbed by how conspicuously he ignored her, even though she was glad he no longer annoyed her outright. Lord Orville also joined the group, his presence acting as a counterpoint to the apathy and languor of the other young people. Lord Orville was far more polite than the others, and he addressed himself quite pleasantly to Evelina. Lord Merton's friend Mr. Coverley also arrived, and he and Lord Merton began arguing about who was a better phaeton driver. They decided to race each other, but Lady Louisa loudly expressed her displeasure. After this, the conversation turned solely to eating; Evelina was surprised at how knowledgeable Lord Merton, Mr. Lovel, and Mr. Coverley were. It was difficult to determine \"whether they were most to be distinguished as gluttons, or epicures,\" and Evelina became quite disgusted. Later, during tea, Evelina sat alone, a bit sad about how no one seemed to regard her at all. Thankfully, Lord Orville arrived and made her feel quite welcome. The group conversation turned to other ways the men could settle their dispute if they were not to race. Each person in the group was asked to provide an idea. Mrs. Selwyn embarrassed them by calling attention to their ignorace of the classics. Evelina suggested they compose an extempore couplet on a subject, and Mrs. Beaumont suggested the bet should decide who had the best bow. Lord Orville shamed them all, however, by suggesting the money should go to whoever brought the worthiest object to share it with. This subtle remonstrance left everyone chagrined for a short while. Later, Evelina apologized to him for \" your censure,\" since she thought she had been petty by proposing an idea. He insisted that his mockery did not apply to her. Evelina was even more pleased the next day when she learned that she and Mrs. Selwyn were invited to be houseguests of Mrs. Beaumont. She was happy to be in the constant company of Lord Orville, especially because Mrs. Selwyn was kind to her but generally more focused on herself and clever conversation than she was on Evelina's comfort. Indeed, it was very pleasant being around him all the time. Evelina was annoyed, however, to learn from Mrs. Selwyn that Mr. Lovel had mocked her social standing in front of Lady Louisa. She refused to be friendly towards him, even though he was \"important.\" She writes to Mr. Villars about how much she enjoys her time with Lord Orville, commenting, \"the attention with which Lord Orville honours me is as uniform as it is flattering, and seems to result from a benevolence of heart that proves him as much as stranger to caprice as to pride.\" The next morning, Evelina was strolling outside when she saw Mr. Macartney. He had come to find her, to thank her for so positively influencing his life. He explained that he was doing much better. While they talked, Lord Orville came outside looking for her, and found them together. He was about to bring her inside when Macartney asked Evelina if he could see her again; she felt obliged to answer in the positive. This was frightfully embarrassing for both Evelina and Lord Orville, and they walked back to the house in silence. He subtly suggested his concern over this strange man, and Evelina finally offered to later tell him what it all meant. He grew more at ease. They never seemed to find time to talk, however, and Evelina came to realize she had no authority to share Macartney's business with anyone else. She wrote to tell him she could not meet him the next day, but promised to find him before she left Bristol. The next day, Lord Orville and Evelina were awkward around one another. She finally confided that she was not at liberty to tell another's secrets, and he countered that he was only interested in knowing how it affected her. Though she revealed little, she was happy that they parted on good terms", "analysis": "In these letters, Evelina's 'well-bred' companions reveal just as much affectation, coarseness, insensibility, and judgmental attitudes as the Branghtons did. Lady Louisa, Lord Orville's sister, adopts an affected attitude that is most unpleasant. It actually enforces the then-contemporary notion that women were prone to nervous disorders and complaints. She is uptight by design. Mr. Lovel, who thankfully ignores Evelina, feels free to disparage her when she is not in his presence; he calls her a \"toad-eater,\" which, according the Vivien Jones's annotations, is a \"cruelly contemptuous term for someone who depends on their living on acting as a companion or attendant to a more wealthy patron.\" The men, excepting Lord Orville, again reveal their penchant for luxury and excess in their attention to food and frivolous gambling. Their lives are devoted to the pursuit of pleasure and dissipation. For someone like Evelina, who was raised to appreciate simple pleasures, this world seems wasteful and thereby distasteful. Mrs. Selwyn poses a fascinating question about feminism through her abrasive character. Unsurprisingly, the questions she raises are common for Burney's work. Rose Marie Cutting looks at all of Burney's novels to suggest that they are far more valuable than usually acknowledged, because they both depict social problems and invoke feminist ideals. Cutting first considers the heroines of the novels, commenting that they demonstrate independence of judgment, and, although \"naive and inexperienced, they have no trouble in recognizing fools or in repudiating folly.\" They all face a similar economic plight, and suffer much abuse from the men in their environs. There are also characters in Burney's novels that Cutting refers to as \"rebels,\" strong women who defy the stereotypes associated with their sex to claim a high degree of independence. Mrs. Selwyn is an apposite example of a \"feminist\" by this definition. She is neither passive nor dependent, and is fiercely defiant, aggressive, satirical, and ironic. She does not allow the silly men she encounters to get away with their behavior without at least being mocked for it. She incurs the ire of these men and even some of the women - including Evelina - for her bold style, thus affirming the discomfort many people felt at the time with women who acted outside of their prescribed gender roles. That women also find her difficult to handle suggests that all are generally uncomfortable when the expected social order is upended - even those who suffer because of it. It is telling that Mrs. Selwyn is so often described as masculine - this self-possession is not approved of in a female, and so does society discuss it as unnatural, or as a deficiency of some sort. Overall, Burney depicts women's suffering, and by doing so, offers an implicit condemnation of the society that subjected half of its population to cruel treatment and formidable restrictions of movement, expression, and autonomy. She devoted her final novel, The Wanderer , to the theme of suffering. This novel's \"call for self-sufficiency on the part of both sexes perhaps best summarizes Fanny Burney's protest against the humiliating dependency of her sex and her demand for a change in the condition of women.\" In this novel, the condemnation is less harsh but, even when Burney somewhat supports the status quo, her depiction reveals a perspective sensitive to those who are allowed little voice against their oppressors. Finally, a couple of notes on places and terms used in these letters are useful. The pump room was the room where visitors to the Hotwells conversed and took the waters, as well as listened to music. It therefore served as a place for gossip and visiting. Clifton Hills adjoined the Hotwells, and was a fashionable area of Bristol. A phaeton was a four-wheeled carriage that had a covered seat for the driver and at most two seats for passengers. They were very fashionable and could move at great speeds. The Court Calendar listed the details of royal families and their courts."} | <CHAPTER>
LETTER LXII. EVELINA TO THE REV. MR. VILLARS.
Bristol Hotwells, Sept. 12th.
THE first fortnight that I passed here was so quiet, so serene, that
it gave me reason to expect a settled calm during my stay; but if I
may now judge of the time to come, by the present state of my mind,
the calm will be succeeded by a storm, of which I dread the violence!
This morning, in my way to the pump-room with Mrs. Selwyn, we were
both very much incommoded by three gentlemen, who were sauntering by
the side of the Avon, laughing and talking very loud, and lounging so
disagreeably, that we knew not how to pass them. They all three fixed
their eyes very boldly upon me, alternately looking under my hat,
and whispering one another. Mrs. Selwyn assumed an air of uncommon
sternness, and said, "You will please, gentlemen, either to proceed
yourselves, or to suffer us."
"Oh! Ma'am," cried one of them, "we will suffer you with the greatest
pleasure in life."
"You will suffer us both," answered she, "or I am much mistaken:
you had better, therefore, make way quietly; for I should be sorry
to give my servant the trouble of teaching you better manners."
Her commanding air struck them, yet they all chose to laugh; and one
of them wished the fellow would begin his lesson, that he might have
the pleasure of rolling him into the Avon; while another, advancing to
me with a freedom which made me start, said, "By my soul, I did not
know you!-but I am sure I cannot be mistaken;-had not I the honour
of seeing you once at the Pantheon?"
I then recollected the nobleman, who, at that place, had so much
embarrassed me. I courtsied without speaking. They all bowed, and
making, though in a very easy manner, an apology to Mrs. Selwyn,
they suffered us to pass on, but chose to accompany us.
"And where," continued this Lord, "can you so long have hid
yourself? do you know I have been in search of you this age? I could
neither find you out, nor hear of you: not a creature could inform me
what was become of you. I cannot imagine where you could be immured. I
was at two or three public places every night, in hopes of meeting
you. Pray, did you leave town?"
"Yes, my Lord."
"So early in the season!-what could possibly induce you to go before
the birth-day?"
"I had nothing, my Lord, to do with the birth-day."
"By my soul, all the women who had, may rejoice you were away. Have
you been here any time?"
"Not above a fortnight, my Lord."
"A fortnight!-how unlucky that I did not meet you sooner! but I have
had a run of ill luck ever since I came. How long shall you stay?"
"Indeed, my Lord, I don't know."
"Six weeks, I hope; for I shall wish the place at the devil when
you go."
"Do you, then, flatter yourself, my Lord," said Mrs. Selwyn, who
had hitherto listened in silent contempt, "that you shall see such
a beautiful spot as this, when you visit the dominions of the devil?"
"Ha, ha, ha! Faith, my Lord," said one of his companions, who still
walked with us, though the other had taken leave, "the lady is rather
hard upon you."
"Not at all," answered Mrs. Selwyn; "for as I cannot doubt but his
Lordship's rank and interest will secure him a place there, it would
be reflecting on his understanding, to suppose he should not wish to
enlarge and beautify his dwelling."
Much as I was disgusted with this Lord, I must own Mrs. Selwyn's
severity rather surprised me: but you, who have so often observed
it, will not wonder she took so fair an opportunity of indulging
her humour.
"As to places," returned he, totally unmoved, "I am so indifferent
to them, that the devil take me if I care which way I go! objects,
indeed, I am not so easy about; and, therefore, I expect, that those
angels with whose beauty I am so much enraptured in this world, will
have the goodness to afford me some little consolation in the other."
"What, my Lord!" cried Mrs. Selwyn, "would you wish to degrade the
habitation of your friend, by admitting into it the insipid company
of the upper regions?"
"What do you do with yourself this evening?" said his Lordship,
turning to me.
"I shall be at home, my Lord."
"O, -e;-propos,-where are you?"
"Young ladies, my Lord," said Mrs. Selwyn, "are no where."
"Prithee," whispered his Lordship, "is that queer woman your mother?"
Good Heavens, Sir, what words for such a question!
"No, my Lord."
"Your maiden aunt then?"
"No."
"Whoever she is, I wish she would mind her own affairs: I don't know
what the devil a woman lives for after thirty: she is only in other
folk's way. Shall you be at the assembly?"
"I believe not, my Lord."
"No!-why then, how in the world can you contrive to pass your time?"
"In a manner which your Lordship will think very extraordinary,"
cried Mrs. Selwyn, "for the young lady reads."
"Ha, ha, ha! Egad, my Lord," cried the facetious companion, "you are
got into bad hands."
"You had better, Ma'am," answered he, "attack Jack Coverley here,
for you will make nothing of me."
"Of you, my Lord," cried she, "Heaven forbid I should ever entertain
so idle an expectation! I only talk, like a silly woman, for the sake
of talking; but I have by no means so low an opinion of your Lordship,
as to suppose you vulnerable to censure."
"Do, pray, Ma'am," cried he, "turn to Jack Coverley; he's the very
man for you;-he'd be a wit himself if he was not too modest."
"Prithee, my Lord, be quiet," returned the other; "if the lady is
contented to bestow all her favours upon you, why should you make
such a point of my going snacks?"
"Don't be apprehensive, gentlemen," said Mrs. Selwyn, drily, "I am not
romantic;-I have not the least design of doing good to either of you."
"Have not you been ill since I saw you?" said his Lordship, again
addressing himself to me.
"Yes, my Lord."
"I thought so; you are paler than you was, and I suppose that's the
reason I did not recollect you sooner."
"Has not your Lordship too much gallantry," cried Mrs. Selwyn,
"to discover a young lady's illness by her looks?"
"The devil a word can I speak for that woman," said he, in a low voice;
"do, prithee, Jack, take her in hand."
"Excuse me, my Lord," answered Mr. Coverley.
"When shall I see you again?" continued his Lordship; "do you go to
the pump-room every morning?"
"No, my Lord."
"Do you ride out?"
"No, my Lord."
Just then we arrived at the pump-room, and an end was put to our
conversation, if it is not an abuse of words to give such a term to
a string of rude questions and free compliments.
He had not opportunity to say much more to me, as Mrs. Selwyn joined
a large party, and I walked home between two ladies. He had, however,
the curiosity to see us to the door.
Mrs. Selwyn was very eager to know how I had made acquaintance with
this nobleman, whose manners so evidently announced the character of
a confirmed libertine. I could give her very little satisfaction, as
I was ignorant even of his name: but, in the afternoon, Mr. Ridgeway,
the apothecary, gave us very ample information.
As his person was easily described, for he is remarkably tall,
Mr. Ridgeway told us he was Lord Merton, a nobleman who is but lately
come to his title, though he has already dissipated more than half his
fortune; a professed admirer of beauty, but a man of most licentious
character; that among men, his companions consisted chiefly of gamblers
and jockeys, and among women he was rarely admitted.
"Well, Miss Anville," said Mrs. Selwyn, "I am glad I was not more
civil to him. You may depend upon me for keeping him at a distance."
"O, Madam," said Mr. Ridgeway, "he may now be admitted any where,
for he is going to reform."
"Has he, under that notion, persuaded any fool to marry him?"
"Not yet, Madam, but a marriage is expected to take place shortly:
it has been some time in agitation; but the friends of the lady
have obliged her to wait till she is of age: however, her brother,
who has chiefly opposed the match, now that she is near being at her
own disposal, is tolerably quiet. She is very pretty, and will have
a large fortune. We expect her at the Wells every day."
"What is her name?" said Mrs. Selwyn.
"Larpent," answered he: "Lady Louisa Larpent, sister of Lord Orville."
"Lord Orville!" repeated I, all amazement.
"Yes, Ma'am; his Lordship is coming with her. I have had certain
information. They are to be at the Honourable Mrs. Beaumont's. She is
a relation of my Lord's, and has a very fine house upon Clifton Hill."
His Lordship is coming with her! -Good God, what an emotion did those
words give me! How strange, my dear Sir, that, just at this time, he
should visit Bristol! It will be impossible for me to avoid seeing him,
as Mrs. Selwyn is very well acquainted with Mrs. Beaumont. Indeed,
I have had an escape in not being under the same roof with him, for
Mrs. Beaumont invited us to her house immediately upon our arrival;
but the inconvenience of being so distant from the pump-room made
Mrs. Selwyn decline her civility.
Oh that the first meeting were over!-or that I could quit Bristol
without seeing him!-inexpressibly do I dread an interview! Should
the same impertinent freedom be expressed by his looks, which
dictated this cruel letter, I shall not know how to endure either
him or myself. Had I but returned it, I should be easier, because
my sentiments of it would then be known to him; but now, he can only
gather them from my behaviour; and I tremble lest he should mistake my
indignation for confusion!-lest he should misconstrue my reserve into
embarrassment!-for how, my dearest Sir, how shall I be able totally
to divest myself of the respect with which I have been used to think
of him?-the pleasure with which I have been used to see him?
Surely he, as well as I, must recollect the letter at the moment
of our meeting; and he will, probably, mean to gather my thoughts
of it from my looks;-oh that they could but convey to him my real
detestation of impertinence and vanity! then would he see how much
he had mistaken my disposition when he imagined them my due.
There was a time when the very idea that such a man as Lord Merton
should ever be connected with Lord Orville would have both surprised
and shocked me; and even yet I am pleased to hear of his repugnance
to the marriage.
But how strange, that a man of so abandoned a character should be
the choice of a sister of Lord Orville! and how strange, that, almost
at the moment of the union, he should be so importunate in gallantry
to another woman! What a world is this we live in! how corrupt! how
degenerate! well might I be contented to see no more of it! If I
find that the eyes of Lord Orville agree with his pen,-I shall then
think, that of all mankind, the only virtuous individual resides at
Berry Hill.
</CHAPTER>
<CHAPTER>
LETTER LXIII. EVELINA IN CONTINUATION.
Bristol Hotwells, Sept. 16th.
OH, Sir, Lord Orville is still himself! still what, from the moment
I beheld, I believed him to be-all that is amiable in man! and your
happy Evelina, restored at once to spirits and tranquillity, is no
longer sunk in her own opinion, nor discontented with the world;-no
longer, with dejected eyes, sees the prospect of passing her future
days in sadness, doubt, and suspicion!-with revived courage she
now looks forward, and expects to meet with goodness, even among
mankind:-though still she feels, as strongly as ever, the folly of
hoping, in any second instance, to meet with perfection.
Your conjecture was certainly right; Lord Orville, when he wrote that
letter, could not be in his senses. Oh that intemperance should have
power to degrade so low, a man so noble!
This morning I accompanied Mrs. Selwyn to Clifton Hill, where,
beautifully situated, is the house of Mrs. Beaumont. Most uncomfortable
were my feelings during our walk, which was very slow; for the
agitation of my mind made me more than usually sensible how weak I
still continue. As we entered the house, I summoned all my resolution
to my aid, determined rather to die than give Lord Orville reason to
attribute my weakness to a wrong cause. I was happily relieved from my
perturbation, when I saw Mrs. Beaumont was alone. We sat with her for,
I believe, an hour without interruption; and then we saw a phaeton
drive up to the gate, and a lady and gentleman alight from it.
They entered the parlour with the ease of people who were at home.
The gentleman, I soon saw, was Lord Merton: he came shuffling into
the room with his boots on, and his whip in his hand; and having
made something like a bow to Mrs. Beaumont, he turned towards me. His
surprise was very evident; but he took no manner of notice of me. He
waited, I believe, to discover, first, what chance had brought
me to that house, where he did not look much rejoiced at meeting
me. He seated himself very quietly at the window, without speaking
to any body.
Mean time the lady, who seemed very young, hobbling rather than walking
into the room, made a passing courtsy to Mrs. Beaumont, saying,
"How are you, Ma'am?" and then, without noticing any body else,
with an air of languor she flung herself upon a sofa, protesting,
in a most affected voice, and speaking so softly she could hardly be
heard, that she was fatigued to death. "Really, Ma'am, the roads are
so monstrous dusty,-you can't imagine how troublesome the dust is to
one's eyes!-and the sun, too, is monstrous disagreeable!-I dare say
I shall be so tanned: I shan't be fit to be seen this age. Indeed,
my Lord, I won't go out with you any more, for you don't care where
you take one."
"Upon my honour," said Lord Merton, "I took you the pleasantest ride
in England, the fault was in the sun, not me."
"Your Lordship is in the right," said Mrs. Selwyn, "to transfer the
fault to the sun, because it has so many excellencies to counterbalance
partial inconveniences that a little blame will not injure that in
our estimation."
Lord Merton looked by no means delighted at this attack; which
I believe she would not so readily have made, but to revenge his
neglect of us.
"Did you meet your brother, Lady Louisa?" said Mrs. Beaumont.
"No, Ma'am. Is he rode out this morning?"
I then found, what I had before suspected, that this lady was Lord
Orville's sister: how strange, that such near relations should be so
different to each other! There is, indeed, some resemblance in their
features; but, in their manners, not the least.
"Yes," answered Mrs. Beaumont, "and I believe he wished to see you."
"My Lord drove so monstrous fast," said Lady Louisa, "that perhaps
we passed him. He frightened me out of my senses; I declare my head
is quite giddy. Do you know, Ma'am, we have done nothing but quarrel
all the morning?-You can't think how I've scolded; have not I, my
Lord?" and she smiled expressively at Lord Merton.
"You have been, as you always are," said he, twisting his whip with
his fingers, "all sweetness."
"O fie, my Lord," cried she, "I know you don't think so; I know you
think me very ill-natured;-don't you, my Lord?"
"No, upon my honour;-how can your Ladyship ask such a question? Pray
how goes time? my watch stands."
"It is almost three," answered Mrs. Beaumont.
"Lord, Ma'am, you frighten me!" cried Lady Louisa; and then, turning
to Lord Merton, "why now, you wicked creature you, did you not tell
me it was but one?"
Mrs. Selwyn then rose to take leave; but Mrs. Beaumont asked if she
would look at the shrubbery. "I should like it much," answered she,
"but that I fear to fatigue Miss Anville."
Lady Louisa, then, raising her head from her hand, on which it had
leant, turned round to look at me; and having fully satisfied her
curiosity, without any regard to the confusion it gave me, turned
about, and, again leaning on her hand, took no further notice of me.
I declared myself very able to walk, and begged that I might
accompany them. "What say you, Lady Louisa," cried Mrs. Beaumont,
"to a stroll in the garden?"
"Me, Ma'am!-I declare I can't stir a step; the heat is so excessive,
it would kill me. I'm half dead with it already; besides, I shall
have no time to dress. Will any body be here to-day, Ma'am?"
"I believe not, unless Lord Merton will favour us with his company."
"With great pleasure, Madam."
"Well, I declare you don't deserve to be asked," cried Lady Louisa,
"you wicked creature you!-I must tell you one thing, Ma'am,-you
can't think how abominable he was! do you know we met Mr. Lovel in
his new phaeton, and my Lord was so cruel as to drive against it?-we
really flew. I declare I could not breathe. Upon my word, my Lord,
I'll never trust myself with you again,-I won't indeed."
We then went into the garden, leaving them to discuss the point at
their leisure.
Do you remember a pretty but affected young lady I mentioned to
have seen, in Lord Orville's party, at the Pantheon? How little did
I then imagine her to be his sister! yet Lady Louisa Larpent is the
very person. I can now account for the piqued manner of her speaking
to Lord Merton that evening, and I can now account for the air of
displeasure with which Lord Orville marked the undue attention of
his future brother-in-law to me.
We had not walked long, ere, at a distance, I perceived Lord Orville,
who seemed just dismounted from his horse, enter the garden. All
my perturbation returned at the sight of him!-yet I endeavoured to
repress every feeling but resentment. As he approached us, he bowed to
the whole party; but I turned away my head to avoid taking any share
in his civility. Addressing himself immediately to Mrs. Beaumont, he
was beginning to enquire after his sister: but, upon seeing my face,
he suddenly exclaimed, "Miss Anville!-" and then he advanced, and made
his compliments to me,-not with an air of vanity or impertinence, nor
yet with a look of consciousness or shame;-but with a countenance open,
manly, and charming!-with a smile that indicated pleasure, and eyes
that sparkled with delight!-on my side was all that consciousness;
for by him, I really believe, the letter was, at that moment,
entirely forgotten.
With what politeness did he address me! with what sweetness did
he look at me! the very tone of his voice seemed flattering! he
congratulated himself upon his good fortune in meeting with me;-hoped
I should spend some time in Bristol, and enquired, even with anxiety
enquired, if my health was the cause of my journey; in which case
his satisfaction would be converted into apprehension.
Yet, struck as I was with his manner, and charmed to find him such
as he was wont to be, imagine not, my dear Sir, that I forgot the
resentment I owe him, or the cause he has given me of displeasure;
no, my behaviour was such, as I hope, had you seen, you would not
have disapproved: I was grave and distant; I scarce looked at him
when he spoke, or answered him when he was silent.
As he must certainly observe this alteration in my conduct, I think it
could not fail making him both recollect and repent the provocation
he had so causelessly given me; for surely he was not so wholly lost
to reason, as to be now ignorant he had ever offended me.
The moment that, without absolute rudeness, I was able, I turned
entirely from him, and asked Mrs. Selwyn if we should not be late
home? How Lord Orville looked I know not, for I avoided meeting his
eyes; but he did not speak another word as we proceeded to the garden
gate. Indeed, I believe, my abruptness surprised him, for he did not
seem to expect I had so much spirit. And, to own the truth, convinced
as I was of the propriety, nay, necessity, of showing my displeasure,
I yet almost hated myself for receiving his politeness so ungraciously.
When we were taking leave, my eyes accidentally meeting his, I could
not but observe that his gravity equalled my own; for it had entirely
taken place of the smiles and good humour with which he had met me.
"I am afraid this young lady," said Mrs. Beaumont, "is too weak for
another long walk till she is again rested."
"If the ladies will trust to my driving," said Lord Orville, "and
are not afraid of a phaeton, mine shall be ready in a moment."
"You are very good, my Lord, "said Mrs. Selwyn, "but my will is yet
unsigned, and I don't choose to venture in a phaeton with a young
man while that is the case."
"O," cried Mrs. Beaumont, "you need not be afraid of my Lord Orville,
for he is remarkably careful."
"Well, Miss Anville," answered she, "what say you?"
"Indeed," cried I, "I had much rather walk-." But then, looking at
Lord Orville, I perceived in his face a surprise so serious at my
abrupt refusal, that I could not forbear adding, "for I should be
sorry to occasion so much trouble."
Lord Orville, brightening at these words, came forward, and pressed
his offer in a manner not to be denied;-so the phaeton was ordered! And
indeed, my dear Sir,-I know not how it was;-but, from that moment, my
coldness and reserve insensibly wore away! You must not be angry,-it
was my intention, nay, my endeavour, to support them with firmness:
but when I formed the plan, I thought only of the letter,-not of Lord
Orville!-and how is it possible for resentmen to subsist without
provocation? yet, believe me, my dearest Sir, had he sustained the
part he began to act when he wrote this ever-to-be-regretted letter,
your Evelina would have not forfeited her title to your esteem,
by contentedly submitting to be treated with indignity.
We continued in the garden till the phaeton was ready. When we parted
from Mrs. Beaumont, she repeated her invitation to Mrs. Selwyn to
accept an apartment in her house; but the reason I have already
mentioned made it be again declined.
Lord Orville drove very slow, and so cautiously, that, notwithstanding
the height of the phaeton, fear would have been ridiculous. I supported
no part in the conversation; but Mrs. Selwyn extremely well supplied
the place of two. Lord Orville himself did not speak much; but the
excellent sense and refined good-breeding which accompany every word
he utters, give value and weight to whatever he says.
"I suppose, my Lord," said Mrs. Selwyn, when we stopped at our
lodgings, "you would have been extremely confused had we met any
gentlemen who have the honour of knowing you."
"If I had," answered he, gallantly, "it would have been from mere
compassion at their envy."
"No, my Lord," answered she, "it would have been from mere shame,
that, in an age so daring, you alone should be such a coward as to
forbear to frighten women."
"O," cried he, laughing, "when a man is in a fright for himself,
the ladies cannot but be in security; for you have not had half the
apprehension for the safety of your persons, that I have for that
of my heart." He then alighted, handed us out, took leave, and again
mounting the phaeton, was out of sight in a minute.
"Certainly," said Mrs. Selwyn, when he was gone, "there must have
been some mistake in the birth of that young man; he was, undoubtedly,
designed for the last age; for he is really polite!"
And now, my dear Sir, do not you think, according to the present
situation of affairs, I may give up my resentment, without imprudence
or impropriety? I hope you will not blame me. Indeed, had you, like
me, seen his respectful behaviour, you would have been convinced of
the impracticability of supporting any further indignation.
</CHAPTER>
<CHAPTER>
LETTER LXIV. EVELINA IN CONTINUATION.
Bristol Hotwells, Sept. 19th.
YESTERDAY morning Mrs. Selwyn received a card from Mrs. Beaumont,
to ask her to dine with her to-day: and another, to the same purpose,
came to me. The invitation was accepted, and we are but just arrived
from Clifton Hill.
We found Mrs. Beaumont alone in the parlour. I will write you
the character of that lady, in the words of our satirical friend
Mrs. Selwyn. "She is an absolute Court Calendar bigot; for, chancing
herself to be born of a noble and ancient family, she thinks proper to
be of opinion, that birth and virtue are one and the same thing. She
has some good qualities; but they rather originate from pride than
principle, as she piques herself upon being too high-born to be
capable of an unworthy action, and thinks it incumbent upon her
to support the dignity of her ancestry. Fortunately for the world
in general, she has taken it into her head, that condescension is
the most distinguishing virtue of high life; so that the same pride
of family which renders others imperious, is with her the motive of
affability. But her civility is too formal to be comfortable, and too
mechanical to be flattering. That she does me the honour of so much
notice, is merely owing to an accident, which, I am sure, is very
painful to her remembrance; for it so happened, that I once did her
some service, in regard to an apartment at Southampton; and I have
since been informed, that, at the time she accepted my assistance,
she thought I was a woman of quality; and I make no doubt but she was
miserable when she discovered me to be a mere country gentlewoman:
however, her nice notions of decorum have made her load me with
favours ever since. But I am not much flattered by her civilities,
as I am convinced I owe them neither to attachment nor gratitude;
but solely to a desire of cancelling an obligation, which she cannot
brook being under, to one whose name is no where to be found in the
Court Calendar."
You well know, my dear Sir, the delight this lady takes in giving
way to her satirical humour.
Mrs. Beaumont received us very graciously, though she some what
distressed me by the questions she asked concerning my family;-such
as, Whether I was related to the Anvilles in the North?-Whether some
of my name did not live in Lincolnshire? and many other inquiries,
which much embarrassed me.
The conversation next turned upon the intended marriage in her
family. She treated the subject with reserve; but it was evident
she disapproved Lady Louisa's choice. She spoke in terms of the
highest esteem of Lord Orville, calling him, in Marmontel's words,
"Un jeune homme comme il y en a peu."
I did not think this conversation very agreeably interrupted by the
entrance of Mr. Lovel. Indeed I am heartily sorry he is now at the
Hot Wells. He made his compliments with the most obsequious respect
to Mrs. Beaumont, but took no sort of notice of any other person.
In a few minutes Lady Louisa Larpent made her appearance. The same
manners prevailed; for, courtsying, with "I hope you are well, Ma'am,"
to Mrs. Beaumont, she passed straight forward to her seat on the
sofa; where, leaning her head on her hand, she cast her languishing
eyes round the room, with a vacant stare, as if determined, though
she looked, not to see who was in it.
Mr. Lovel, presently approaching her, with reverence the most profound,
hoped her Ladyship was not indisposed.
"Mr. Lovel!" cried she, raising her head, "I declare I did not see you:
have you been here long?"
"By my watch, Madam," said he, "only five minutes,-but by your
Ladyship's absence as many hours."
"O! now I think of it," cried she, "I am very angry with you;-so go
along, do; for I sha'n't speak to you all day."
"Heaven forbid your La'ship's displeasure should last so long! in
such cruel circumstances, a day would seem an age. But in what have
I been so unfortunate as to offend?"
"O, you half killed me the other morning, with terror! I have not yet
recovered from my fright. How could you be so cruel as to drive your
phaeton against my Lord Merton's?"
"'Pon honour, Ma'am, your La'ship does me wrong;-it was all owing
to the horses,-there was no curbing them. I protest I suffered more
than your Ladyship, from the terror of alarming you."
Just then entered Lord Merton; stalking up to Mrs. Beaumont, to
whom alone he bowed, he hoped he had not made her wait; and then,
advancing to Lady Louisa, said, in a careless manner, "How is your
Ladyship this morning?"
"Not well at all," answered she; "I have been dying with the head-ache
ever since I got up."
"Indeed!" cried he, with a countenance wholly unmoved, "I am very
unhappy to hear it. But should not your Ladyship have some advice?"
"I am quite sick of advice," answered she, "Mr. Ridgeway has but just
left me,-but he has done me no good. Nobody here knows what is the
matter with me, yet they all see how indifferent I am."
"Your Ladyship's constitution," said Mr. Lovel, "is infinitely
delicate."
"Indeed it is," cried she, in a low voice, "I am nerve all over!"
"I am glad, however," said Lord Merton, "that you did not take the
air this morning, for Coverley has been driving against me as if he
was mad: he has got two of the finest spirited horses I ever saw."
"Pray my Lord," cried she, "why did not you bring Mr. Coverley with
you? he's a droll creature; I like him monstrously."
"Why, he promised to be here as soon as me. I suppose he'll come
before dinner's over."
In the midst of this trifling conversation Lord Orville made his
appearance. O how different was his address! how superior did he look
and move, to all about him! Having paid his respects to Mrs. Beaumont,
and then to Mrs. Selwyn, he came up to me, and said, "I hope Miss
Anville has not suffered from the fatigue of Monday morning?" Then,
turning to Lady Louisa, who seemed rather surprised at his speaking
to me, he added, "Give me leave, sister, to introduce Miss Anville
to you."
Lady Louisa, half-rising, said, very coldly, that she should be glad
of the honour of knowing me; and then, abruptly turning to Lord Merton
and Mr. Lovel, continued, in a half-whisper, her conversation.
For my part, I had risen and courtsied, and now, feeling very foolish,
I seated myself again: first I blushed at the unexpected politeness
of Lord Orville, and immediately afterwards at the contemptuous
failure of it in his sister. How can that young lady see her brother
so universally admired for his manners and deportment, and yet be
so unamiably opposite to him in hers! but while his mind, enlarged
and noble, rises superior to the little prejudices of rank, hers,
feeble and unsteady, sinks beneath their influence.
Lord Orville, I am sure, was hurt and displeased: he bit his lips, and,
turning from her, addressed himself wholly to me, till we were summoned
to dinner. Do you think I was not grateful for his attention? yes,
indeed, and every angry idea I had entertained was totally obliterated.
As we were seating ourselves at the table, Mr. Coverley came into the
room; he made a thousand apologies in a breath for being so late,
but said he had been retarded by a little accident, for that he
had overturned his phaeton, and broke it all to pieces. Lady Louisa
screamed at this intelligence, and, looking at Lord Merton, declared
she would never go into a phaeton again.
"O," cried he, "never mind Jack Coverley; for he does not know how
to drive."
"My Lord," cried Mr. Coverley, "I'll drive against you for a thousand
pounds."
"Done!" returned the other; "name your day, and we'll each choose
a judge."
"The sooner the better," cried Mr. Coverley; "to-morrow, if the
carriage can be repaired."
"These enterprises," said Mrs. Selwyn, "are very proper for men
of rank, since 'tis a million to one but both parties will be
incapacitated for any better employment."
"For Heaven's sake," cried Lady Louisa, changing colour, "don't talk
so shockingly! Pray, my Lord, pray, Mr. Coverley, don't alarm me in
this manner."
"Compose yourself, Lady Louisa," said Mrs. Beaumont, "the gentlemen
will think better of the scheme; they are neither of them in earnest."
"The very mention of such a scheme," said Lady Louisa, taking out
her salts, "makes me tremble all over! Indeed, my Lord, you have
frightened me to death! I sha'n't eat a morsel of dinner."
"Permit me," said Lord Orville, "to propose some other subject for
the present, and we will discuss this matter another time."
"Pray, brother, excuse me; my Lord must give me his word to drop the
project,-for I declare it has made me sick as death."
"To compromise the matter," said Lord Orville, "suppose, if both
parties are unwilling to give up the bet, that, to make the ladies
easy, we change its object to something less dangerous?"
This proposal was so strongly seconded by all the party, that both
Lord Merton and Mr. Coverley were obliged to comply with it; and it was
then agreed that the affair should be finally settled in the afternoon.
"I shall now be entirely out of conceit with phaetons again," said
Mrs. Selwyn, "though Lord Orville had almost reconciled me to them."
"My Lord Orville!" cried the witty Mr. Coverley, "why, my Lord Orville
is as careful,-egad, as careful as an old woman! Why, I'd drive a
one-horse cart against my Lord's phaeton for a hundred guineas!"
This sally occasioned much laughter; for Mr. Coverley, I find, is
regarded as a man of infinite humour.
"Perhaps, Sir," said Mrs. Selwyn, "you have not discovered the reason
my Lord Orville is so careful?"
"Why, no, Ma'am; I must own I never heard any particular reason
for it."
"Why, then, Sir, I'll tell it you; and I believe you will confess it to
be very particular; his Lordship's friends are not yet tired of him."
Lord Orville laughed and bowed. Mr. Coverley, a little confused, turned
to Lord Merton, and said, "No foul play, my Lord! I remember your
Lordship recommended me to the notice of this lady the other morning,
and, egad, I believe you have been doing me the same office to-day."
"Give you joy, Jack!" cried Lord Merton, with a loud laugh.
After this the conversation turned wholly upon eating, a subject
which was discussed with the utmost delight; and, had I not known
they were men of rank and fashion, I should have imagined that Lord
Merton, Mr. Lovel, and Mr. Coverley, had all been professed cooks;
for they displayed so much knowledge of sauces and made-dishes,
and of the various methods of dressing the same things, that I am
persuaded they must have given much time, and much study, to make
themselves such adepts in this art. It would be very difficult to
determine, whether they were most to be distinguished as gluttons or
epicures; for they were, at once, dainty and voracious, understood the
right and the wrong of every dish, and alike emptied the one and the
other. I should have been quite sick of their remarks, had I not been
entertained by seeing that Lord Orville, who, I am sure, was equally
disgusted, not only read my sentiments, but, by his countenance,
communicated to me his own.
When dinner was over, Mrs. Beaumont recommended the gentlemen to the
care of Lord Orville, and then attended the ladies to the drawing-room.
The conversation, till tea-time, was extremely insipid; Mrs. Selwyn
reserved herself for the gentlemen, Mrs. Beaumont was grave, and Lady
Louisa languid.
But, at tea, every body revived; we were joined by the gentlemen,
and gaiety took the place of dullness.
Since I, as Mr. Lovel says, am Nobody, I seated myself quietly at a
window, and not very near to any body: Lord Merton, Mr. Coverley,
and Mr. Lovel, severally passed me without notice, and surrounded
the chair of Lady Louisa Larpent. I must own, I was rather piqued at
the behaviour of Mr. Lovel, as he had formerly known me. It is true,
I most sincerely despise his foppery; yet I should be grieved to meet
with contempt from any body. But I was by no means sorry to find,
that Lord Merton was determined not to know me before Lady Louisa,
as his neglect relieved me from much embarrassment. As to Mr.
Coverley, his attention or disregard were equally indifferent to
me. Yet, altogether, I feel extremely uncomfortable in finding myself
considered in a light very inferior to the rest of the company.
But when Lord Orville appeared, the scene changed: he came up stairs
last; and, seeing me sit alone, not only spoke to me directly, but
drew a chair next mine, and honoured me with his entire attention.
He enquired very particularly after my health, and hoped I had already
found benefit from the Bristol air. "How little did I imagine,"
added he, "when I had last the pleasure of seeing you in town, that
ill health would in so short a time have brought you hither! I am
ashamed of myself for the satisfaction I feel at seeing you,-yet,
how can I help it?"
He then enquired after the Mirvan family, and spoke of Mrs. Mirvan
in terms of most just praise. "She is gentle and amiable," said he,
"a true feminine character."
"Yes, indeed," answered I: "and her sweet daughter, to say every
thing of her at once, is just the daughter such a mother deserves."
"I am glad of it," said he, "for both their sakes, as such near
relations must always reflect credit or disgrace on each other."
After this he began to speak of the beauties of Clifton; but,
in a few moments, he was interrupted by a call from the company,
to discuss the affair of the wager. Lord Merton and Mr. Coverley,
though they had been discoursing upon the subject some time, could
not fix upon the thing that satisfied them both.
When they asked the assistance of Lord Orville, he proposed that every
body present should vote something; and that the two gentlemen should
draw lots which, from the several votes, should decide the bet.
"We must then begin with the ladies," said Lord Orville; and applied
to Mrs. Selwyn.
"With all my heart," answered she, with her usual readiness; "and,
since the gentlemen are not allowed to risk their necks, suppose we
decide the bet by their heads?"
"By our heads?" cried Mr. Coverley. "Egad, I don't understand you."
"I will then explain myself more fully. As I doubt not but you are
both excellent classics, suppose, for the good of your own memories,
and the entertainment and surprise of the company, the thousand pounds
should fall to the share of him who can repeat by heart the longest
ode of Horace?"
Nobody could help laughing, the two gentlemen applied to excepted;
who seemed, each of them, rather at a loss in what manner to receive
this unexpected proposal. At length Mr. Coverley, bowing low, said,
"Will your Lordship please to begin?"
"Devil take me if I do!" answered he, turning on his heel, and stalking
to the window.
"Come, gentlemen," said Mrs. Selwyn, "why do you hesitate? I am sure
you cannot be afraid of a weak woman? Besides, if you should chance to
be out, Mr. Lovel, I dare say, will have the goodness to assist you."
The laugh now turned against Mr. Lovel, whose change of countenance
manifested no great pleasure at the transition.
"Me, Madam!" said he, colouring; "no, really I must beg to be excused."
"Why so, Sir?"
"Why so, Ma'am!-Why, really-as to that,-'pon honour, Ma'am, you
are rather-a little severe;-for how is it possible for a man who
is in the house, to study the classics? I assure you, Ma'am, (with
an affected shrug) I find quite business enough for my poor head in
studying politics."
"But, did you study politics at school, and at the university?"
"At the university!" repeated he, with an embarrassed look; "why,
as to that, Ma'am,-no, I can't say I did; but then, what with
riding,-and -and-and so forth,-really, one has not much time, even
at the university, for mere reading."
"But, to be sure, Sir, you have read the classics?"
"O dear, yes, Ma'am!-very often,-but not very-not very lately."
"Which of the Odes do you recommend to these gentlemen to begin with?"
"Which of the Odes!-Really, Ma'am, as to that, I have no very
particular choice;-for, to own the truth, that Horace was never a
very great favourite with me."
"In truth I believe you!" said Mrs. Selwyn, very drily.
Lord Merton, again advancing into the circle, with a nod and a laugh,
said, "Give you joy, Lovel!"
Lord Orville next applied to Mrs. Beaumont for her vote.
"It would very agreeably remind me of past times," said she, "when
bowing was in fashion, if the bet was to depend upon the best made
bow."
"Egad, my Lord," cried Mr. Coverley, "there I should beat you hollow,
for your Lordship never bows at all."
"And pray, Sir, do you?" said Mrs. Selwyn.
"Do I, Ma'am?" cried he; "why, only see!"
"I protest," cried she, "I should have taken that for a shrug, if
you had not told me 'twas a bow."
"My lord," cried Mr. Coverley, "let's practise;" and then, most
ridiculously, they pranced about the room, making bows.
"We must now," said Lord Orville, turning to me, "call upon Miss
Anville."
"O no, my Lord," cried I; "indeed I have nothing to propose." He would
not, however, be refused; but urged me so much to say something, that
at last, not to make him wait any longer, I ventured to propose an
extempore couplet upon some given subject. Mr. Coverley instantly
made me a bow, or, according to Mrs. Selwyn, a shrug, crying,
"Thank you, Ma'am; egad, that's my forte!-why, my Lord, the Fates
seem against you."
Lady Louisa was then applied to; and every body seemed eager to
hear her opinion. "I don't know what to say, I declare," cried she,
affectedly; "can't you pass me?"
"By no means," said Lord Merton.
"Is it possible your Ladyship can make so cruel a request?" said
Mr. Lovel.
"Egad," cried Mr. Coverley, "if your Ladyship does not help us in
this dilemma, we shall be forced to return to our phaetons."
"Oh!" cried Lady Louisa, screaming; "you frightful creature, you,
how can you be so abominable?"
I believe this trifling lasted near half an hour; when at length,
every body being tired, it was given up, and she said she would
consider against another time.
Lord Orville now called upon Mr. Lovel; who, after about ten minutes'
deliberation, proposed, with a most important face, to determine the
wager by who should draw the longest straw!
I had much difficulty to forbear laughing at this unmeaning scheme;
but saw, to my great surprise, not the least change of countenance in
any other person: and, since we came home, Mrs. Selwyn has informed me,
that to draw straws is a fashion of betting by no means uncommon. Good
God! my dear Sir, does it not seem as if money were of no value or
service, since those who possess, squander it away in a manner so
infinitely absurd?
It now only remained for Lord Orville to speak; and the attention of
the company showed the expectations he had raised; yet, I believe, they
by no means prevented his proposal from being heard with amazement;
for it was no other, than that the money should be his due, who,
according to the opinion of the judges, should bring the worthiest
object with whom to share it!
They all stared, without speaking. Indeed, I believe every one, for a
moment at least, experienced something like shame, from having either
proposed or countenanced an extravagance so useless and frivolous. For
my part, I was so much struck and affected by a rebuke so noble to
these spendthrifts, that I felt my eyes filled with tears.
The short silence and momentary reflection into which the company was
surprised, Mr. Coverley was the first to dispel, by saying, "Egad,
my Lord, your Lordship has a most remarkable odd way of taking things."
"Faith," said the incorrigible Lord Merton, "if this scheme takes, I
shall fix upon my Swiss to share with me; for I don't know a worthier
fellow breathing."
After a few more of these attempts at wit, the two gentlemen agreed
that they would settle the affair the next morning.
The conversation then took a different turn; but I did not give it
sufficient attention to write any account of it. Not long after,
Lord Orville, resuming his seat near mine, said, "Why is Miss Anville
so thoughtful?"
"I am sorry, my Lord," said I, "to consider myself among those who
have so justly incurred your censure."
"My censure!-you amaze me!"
"Indeed, my Lord, you have made me quite ashamed of myself for having
given my vote so foolishly, when an opportunity offered, if, like your
Lordship, I had had the sense to use it, of showing some humanity."
"You treat this too seriously," said he, smiling; "and I hardly know
if you do not now mean a rebuke to me."
"To you, my Lord!"
"Nay, who are most deserving of it; those who adapt their conversation
to the company, or those who affect to be superior to it?"
"O, my Lord, who else would do you so little justice?"
"I flatter myself," answered he, "that, in fact, your opinion and
mine, in this point, are the same, though you condescended to comply
with the humour of the company. It is for me, therefore, to apologize
for so unseasonable a gravity, which, but for the particular interest
that I now take in the affairs of Lord Merton, I should not have been
so officious to display."
Such a compliment as this could not fail to reconcile me to myself;
and with revived spirits, I entered into a conversation, which he
supported with me till Mrs. Selwyn's carriage was announced; and we
returned home.
During our ride, Mrs. Selwyn very much surprised me, by asking, if
I thought my health would now permit me to give up my morning walks
to the pump-room, for the purpose of spending a week at Clifton? "for
this poor Mrs. Beaumont," added she, "is so eager to have a discharge
in full of her debt to me, that out of mere compassion, I am induced
to listen to her. Besides, she has always a house full of people;
and, though they are chiefly fools and cox-combs, yet there is some
pleasure in cutting them up."
I begged I might not, by any means, prevent her following her
inclination, as my health was now very well established. And so, my
dear Sir, to-morrow we are to be actually the guests of Mrs. Beaumont.
I am not much delighted at this scheme; for, greatly as I am flattered
by the attention of Lord Orville, it is not very comfortable to
be neglected by every body else. Besides, as I am sure I owe the
particularity of his civility to a generous feeling for my situation,
I cannot expect him to support it so long as a week.
How often do I wish, since I am absent from you, that I was under the
protection of Mrs. Mirvan! It is true, Mrs. Selwyn is very obliging,
and, in every respect, treats me as an equal; but she is contented with
behaving well herself, and does not, with a distinguishing politeness,
raise and support me with others. Yet I mean not to blame her, for I
know she is sincerely my friend; but the fact is, she is herself so
much occupied in conversation, when in company, that she has neither
leisure nor thought to attend to the silent.
Well, I must take my chance! But I knew not, till now, how requisite
are birth and fortune to the attainment of respect and civility.
</CHAPTER>
<CHAPTER>
LETTER LXV. EVELINA IN CONTINUATION.
Clifton, Sept. 20th.
HERE I am, my dear Sir, under the same roof, and an inmate of the
same house as Lord Orville! Indeed, if this were not the case, my
situation would be very disagreeable, as you will easily believe,
when I tell you the light in which I am generally considered.
"My dear," said Mrs. Selwyn, "did you ever before meet with that
egregious fop, Lovel?"
I very readily satisfied her as to my acquaintance with him.
"O, then," said she, "I am the less surprised at his ill-nature,
since he has already injured you."
I begged her to explain herself; and then she told me, that while
Lord Orville was speaking to me, Lady Louisa said to Mr. Lovel,
"Do you know who that is?"
"Why, Ma'am, no, 'pon honour," answered he, "I can't absolutely say
I do; I only know she is a kind of a toad-eater. She made her first
appearance in that capacity last spring, when she attended Miss Mirvan,
a young lady of Kent."
How cruel is it, my dear Sir, to be thus exposed to the impertinent
suggestions of a man who is determined to do me ill offices! Lady
Louisa may well despise a toad-eater; but, thank Heaven,
her brother has not heard, or does not credit, the mortifying
appellation. Mrs. Selwyn said, she would advise me to pay my court
to this Mr. Lovel; "for," said she, "though he is malicious, he is
fashionable, and may do you some harm in the great world." But I
should disdain myself as much as I do him, were I capable of such
duplicity as to flatter a man whom I scorn and despise.
We were received by Mrs. Beaumont with great civility, and by Lord
Orville with something more. As to Lady Louisa, she scarcely perceived
that we were in the room.
There has been company here all day, part of which I have spent most
happily: for after tea, when the ladies played at cards, Lord Orville,
who does not, and I, who cannot play, were consequently at our own
disposal; and then his Lordship entered into a conversation with me,
which lasted till supper-time.
Almost insensibly, I find the constraint, the reserve, I have been wont
to feel in his presence, wear away; the politeness, the sweetness,
with which he speaks to me, restore all my natural cheerfulness,
and make me almost as easy as he is himself;-and the more so, as,
if I may judge by his looks, I am rather raised, than sunk of late
in his opinion.
I asked him how the bet was, at last, to be decided? He told me that,
to his great satisfaction, the parties had been prevailed upon to
lower the sum from one thousand to one hundred pounds; and that they
had agreed it should be determined by a race between two old women,
one of whom was to be chosen by each side, and both were to be proved
more than eighty years of age, though, in other respects strong and
healthy as possible.
When I expressed my surprise at this extraordinary method of spending
so much money, "I am charmed," said he, "at the novelty of meeting
with one so unhackneyed in the world, as not to be yet influenced
by custom to forget the use of reason: for certain it is, that the
prevalence of fashion makes the greatest absurdities pass uncensured,
and the mind naturally accommodates itself even to the most ridiculous
improprieties, if they occur frequently."
"I should have hoped," said I, "that the humane proposal made yesterday
by your Lordship, would have had more effect."
"O," cried he, laughing, "I was so far from expecting any success,
that I shall think myself very fortunate if I escape the wit of
Mr. Coverley in a lampoon! yet I spoke openly, because I do not wish
to conceal that I am no friend to gaming."
After this, he took up the New Bath Guide, and read it with me till
supper-time. In our way down stairs, Lady Louisa said, "I thought,
brother, you were engaged this evening?"
"Yes, sister," answered he, "and I have been engaged." And he bowed
to me with an air of gallantry that rather confused me. Sept. 23rd.
Almost insensibly have three days glided on since I wrote last, and so
serenely, that, but for your absence, I could not have formed a wish.
My residence here is much happier than I had dared expect. The
attention with which Lord Orville honours me, is as uniform as it
is flattering, and seems to result from a benevolence of heart that
proves him as much a stranger to caprice as to pride; for, as his
particular civilities arose from a generous resentment at seeing me
neglected, so will they, I trust, continue, as long as I shall, in
any degree, deserve them. I am now not merely easy, but even gay in
his presence: such is the effect of true politeness, that it banishes
all restraint and embarrassment. When we walk out, he condescends
to be my companion, and keeps by my side all the way we go. When we
read, he marks the passages most worthy to be noticed, draws out my
sentiments, and favours me with his own. At table, where he always
sits next to me, he obliges me by a thousand nameless attentions;
while the distinguishing good-breeding with which he treats me,
prevents my repining at the visibly-felt superiority of the rest of
the company. A thousand occasional meetings could not have brought
us to that degree of social freedom, which four days spent under
the same roof have, insensibly, been productive of: and, as my only
friend in this house, Mrs. Selwyn, is too much engrossed in perpetual
conversation to attend much to me, Lord Orville seems to regard me
as a helpless stranger, and, as such, to think me entitled to his
good offices and protection. Indeed, my dear Sir, I have reason to
hope, that the depreciating opinion he formerly entertained of me is
succeeded by one infinitely more partial.-It may be that I flatter
myself; but yet his looks, his attentions, his desire of drawing
me into conversation, and his solicitude to oblige me, all conspire
to make me hope I do not. In short, my dearest Sir, these last four
happy days would repay me for months of sorrow and pain!
</CHAPTER>
<CHAPTER>
LETTER LXVI. EVELINA IN CONTINUATION.
Clifton, Sept. 24th.
THIS morning I came down stairs very early; and supposing that the
family would not assemble for some time, I strolled out, purposing
to take a long walk, in the manner I was wont to do at Berry Hill,
before breakfast: but I had scarce shut the garden-gate, before I
was met by a gentleman, who, immediately bowing to me, I recollected
to be the unhappy Mr. Macartney. Very much surprised, I courtsied,
and stopped till he came up to me. He was still in mourning, but
looked better than when I saw him last, though he had the same air
of melancholy which so much struck me at first sight of him.
Addressing me with the utmost respect, "I am happy, Madam," said he,
"to have met with you so soon. I came to Bristol but yesterday,
and have had no small difficulty in tracing you to Clifton."
"Did you know, then, of my being here?"
"I did, Madam; the sole motive of my journey was to see you. I have
been to Berry Hill, and there I had my intelligence, and, at the same
time, the unwelcome information of your ill health."
"Good God! Sir,-and can you possibly have taken so much trouble?"
"Trouble! O, Madam, could there be any, to return you, the moment I
had the power, my personal acknowledgments for your goodness?"
I then enquired after Madame Duval and the Snow-Hill family. He told
me they were all well, and that Madame Duval proposed soon returning
to Paris. When I congratulated him on looking better, "It is yourself,
Madam," said he, "you should congratulate; for to your humanity alone
it may now be owing that I exist at all." He then told me, that his
affairs were now in a less desperate situation; and that he hoped, by
the assistance of time and reason, to accommodate his mind to a more
cheerful submission to his fate. "The interest you so generously took
in my affliction," added he, "assures me you will not be displeased to
hear of my better fortune; I was therefore eager to acquaint you with
it." He then told me that his friend, the moment he had received his
letter, quitted Paris, and flew to give him his personal assistance and
consolation. With a heavy heart, he acknowledged, he accepted it; "but
yet," he added, "I have accepted it; and therefore, as bound equally
by duty and honour, my first step was to hasten to the benefactress
of my distress, and to return" (presenting me something in a paper)
"the only part of my obligations that can be returned; for the rest,
I have nothing but my gratitude to offer, and must always be contented
to consider myself her debtor."
I congratulated him most sincerely upon his dawning prosperity, but
begged he would not deprive me of the pleasure of being his friend;
and declined receiving the money, till his affairs were more settled.
While this point was in agitation, I heard Lord Orville's voice
inquiring of the gardener if he had seen me? I immediately opened the
garden gate; and his Lordship, advancing to me with quickness, said,
"Good God! Miss Anville, have you been out alone? Breakfast has been
ready some time, and I have been round the garden in search of you."
"Your Lordship has been very good," said I; "but I hope you have
not waited."
"Not waited!" repeated he, smiling: "Do you think we could sit down
quietly to breakfast, with the idea that you had run away from us? But
come," (offering to hand me) "if we do not return, they will suppose
I am run away too; and they very naturally may, as they know the
attraction of the magnet that draws me."
"I will come, my Lord," said I, rather embarrassed, "in two
minutes." Then, turning to Mr. Macartney, with yet more embarrassment,
I wished him good morning.
He advanced towards the garden, with the paper still in his hand.
"No, no," cried I, "some other time."
"May I then, Madam, have the honour of seeing you again?"
I did not dare take the liberty of inviting any body to the house
of Mrs. Beaumont, nor yet had I the presence of mind to make an
excuse; and, therefore, not knowing how to refuse him, I said,
"Perhaps you may be this way again to-morrow morning,-and I believe
I shall walk out before breakfast."
He bowed, and went away; while I, turning again to Lord Orville,
saw his countenance so much altered, that I was frightened at what I
had so hastily said. He did not again offer me his hand; but walked,
silent and slow, by my side. Good Heaven! thought I, what may he not
suppose from this adventure? May he not, by my desire of meeting
Mr. Macartney to-morrow, imagine it was by design I walked out to
meet him to-day? Tormented by this apprehension, I determined to
avail myself of the freedom which his behaviour, since I came hither,
has encouraged; and, since he would not ask any questions, begin
an explanation myself. I therefore slackened my pace to gain time;
and then said, "Was not your Lordship surprised to see me speaking
with a stranger?"
"A stranger?" repeated he; "is it possible that gentleman can be a
stranger to you?"
"No, my Lord," said I, stammering, "not to me -but only it might
look-he might seem-"
"No, believe me," said he, with a forced smile, "I could never suppose
Miss Anville would make an appointment with a stranger."
"An appointment, my Lord?" repeated I, colouring violently.
"Pardon me, Madam," answered he, "but I thought I had heard one."
I was so much confounded that I could not speak: yet, finding he walked
quietly on, I could not endure he should make his own interpretation
of my silence: and therefore, as soon as I recovered from my surprise,
I said, "Indeed, my Lord, you are much mistaken, Mr. Macartney had
particular business with me-and I could not-I knew not, how to refuse
seeing him;-but indeed, my Lord-I had not,-he had not,-" I stammered
so terribly that I could not go on.
"I am very sorry," said he, gravely, "that I have been so unfortunate
as to distress you; but I should not have followed you had I not
imagined you were merely walked out for the air."
"And so I was!" cried I, eagerly, "indeed, my Lord, I was! My meeting
with Mr. Macartney was quite accidental; and, if your Lordship thinks
there is any impropriety in my seeing him to-morrow, I am ready to
give up that intention."
"If I think!" said he, in a tone of surprise; "surely Miss Anville
cannot leave the arbitration of a point so delicate to one who is
ignorant of all the circumstances which attend it?"
"If," said I, "it was worth your Lordship's time to hear them,-you
should not be ignorant of the circumstances which attend it."
"The sweetness of Miss Anville's disposition," said he, in a softened
voice, "I have long admired; and the offer of a communication, which
does me so much honour, is too grateful to me not to be eagerly
caught at."
Just then Mrs. Selwyn opened the parlour window, and our conversation
ended. I was rallied upon my passion for solitary walking; but no
questions were asked me.
When breakfast was over, I hoped to have had some opportunity of
speaking with Lord Orville; but Lord Merton and Mr. Coverley came in,
and insisted up his opinion of the spot they had fixed upon for the
old women's race. The ladies declared they would be of the party;
and accordingly we all went.
The race is to be run in Mrs. Beaumont's garden; the two gentlemen
are as anxious, as if their joint lives depended upon it. They
have at length fixed upon objects; but have found great difficulty
in persuading them to practise running, in order to try their
strength. This grand affair is to be decided next Thursday.
When we returned to the house, the entrance of more company still
prevented my having any conversation with Lord Orville. I was
very much chagrined, as I knew he was engaged at the Hotwells in
the afternoon. Seeing, therefore, no probability of speaking to him
before the time of my meeting Mr. Macartney arrived, I determined that,
rather than risk his ill opinion, I would leave Mr. Macartney to his
own suggestions.
Yet, when I reflected upon his peculiar situation, his poverty, his
sadness, and, more than all the rest, the idea I knew he entertained
of what he calls his obligations to me, I could not resolve upon a
breach of promise, which might be attributed to causes, of all the
others the most offensive to one whom misfortune has made extremely
suspicious of slights and contempt.
After the most uneasy consideration, I at length determined upon
writing an excuse, which would, at once, save me from either meeting
or affronting him. I therefore begged Mrs. Selwyn's leave to send
her man to the Hotwells, which she instantly granted; and then I
wrote the following note:
"To Mr. Macartney.
"SIR,
"As it will not be in my power to walk out to-morrow morning,
I would
by no means give you the trouble of coming to Clifton. I hope,
however, to have the pleasure of seeing you before you quit
Bristol. I am, Sir, your obedient servant, "EVELINA ANVILLE."
I desired the servant to enquire at the pump-room where Mr. Macartney
lived, and returned to the parlour.
As soon as the company dispersed, the ladies retired to dress. I then,
unexpectedly, found myself alone with Lord Orville; who, the moment
I rose to follow Mrs. Selwyn, advanced to me, and said, "Will Miss
Anville pardon my impatience, if I remind her of the promise she was
so good as to make me this morning?"
I stopped, and would have returned to my seat; but before I had time,
the servants came to lay the cloth. He retreated, and went towards
the window; and, while I was considering in what manner to begin,
I could not help asking myself what right I had to communicate the
affairs of Mr. Macartney: and I doubted whether, to clear myself from
one act of imprudence, I had not committed another.
Distressed by this reflection, I thought it best to quit the room,
and give myself some time for consideration before I spoke; and
therefore, only saying I must hasten to dress, I ran up stairs,
rather abruptly I own; and so, I fear, Lord Orville must think. Yet
what could I do? Unused to the situations in which I find myself, and
embarrassed by the slightest difficulties, I seldom, till too late,
discover how I ought to act.
Just as we were all assembled to dinner, Mrs. Selwyn's man, coming
into the parlour, presented to me a letter, and said, "I can't find
out Mr. Macartney, Madam; but the post-office people will let you
know if they hear of him."
I was extremely ashamed of this public message; and, meeting the
eyes of Lord Orville, which were earnestly fixed on me, my confusion
redoubled, and I knew not which way to look. All dinner-time he was
as silent as myself; and the moment it was in my power I left the
table, and went to my own room. Mrs. Selwyn presently followed me;
and her questions obliged me to own almost all the particulars of
my acquaintance with Mr. Macartney, in order to excuse my writing to
him. She said it was a most romantic affair, and spoke her sentiments
with great severity; declaring that she had no doubt but he was an
adventurer and an impostor.
And now, my dear Sir, I am totally at a loss what I ought to do; the
more I reflect, the more sensible I am of the utter impropriety, nay,
treachery, of revealing the story, and publishing the misfortunes and
poverty of Mr. Macartney; who has an undoubted right to my secrecy and
discretion, and whose letter charges me to regard his communication as
sacred.-And yet, the appearance of mystery,-perhaps something worse,
which this affair must have to Lord Orville,-his seriousness,-and
the promise I have made him, are inducements scarce to be resisted
for trusting him with the openness he has reason to expect from me.
I am equally distressed, too, whether or not I should see Mr. Macartney
to-morrow morning.
Oh, Sir, could I now be enlightened by your counsel, from what anxiety
and perplexity should I be relieved!
But now,-I ought not to betray Mr. Macartney, and I will not forfeit
a confidence which would never have been reposed in me, but from
a reliance upon my honour, which I should blush to find myself
unworthy of. Desirous as I am of the good opinion of Lord Orville,
I will endeavour to act as if I was guided by your advice; and,
making it my sole aim to deserve it, leave to time and to fate my
success or disappointment.
Since I have formed this resolution, my mind is more at ease. But I
will not finish my letter till the affair is decided.
Sept. 25th.
I rose very early this morning; and, after a thousand different plans,
not being able to resolve upon giving poor Mr. Macartney leave to
suppose I neglected him, I thought it incumbent upon me to keep my
word, since he had not received my letter; I therefore determined
to make my own apologies, not to stay with him two minutes, and to
excuse myself from meeting him any more.
Yet, uncertain whether I was wrong or right, it was with fear
and trembling that I opened the garden-gate;-judge then, of my
feelings, when the first object I saw was Lord Orville!-he, too,
looked extremely disconcerted, and said, in a hesitating manner,
"Pardon me, Madam,-I did not intend,-I did not imagine you would
have been here so soon-or-or I would not have come."-And then, with
a hasty bow, he passed me, and proceeded to the garden.
I was scarce able to stand, so greatly did I feel myself shocked; but,
upon my saying, almost involuntarily, "Oh, my Lord!"-he turned back,
and, after a short pause, said, "Did you speak to me, Madam?"
I could not immediately answer; I seemed choaked, and was even forced
to support myself by the garden-gate.
Lord Orville, soon recovering his dignity, said, "I know not how
to apologize for being, just now, at this place;-and I cannot,
immediately-if ever -clear myself from the imputation of impertinent
curiosity, to which I fear you will attribute it: however, at
present, I will only intreat your pardon, without detaining you any
longer." Again he bowed, and left me.
For some moments I remained fixed to the same spot, and in the same
position, immoveable, as if I had been transformed to a stone. My first
impulse was to call him back, and instantly tell him the whole affair;
but I checked this desire, though I would have given the world to
have indulged it; something like pride aided what I thought due to
Mr. Macartney, and I determined not only to keep his secret, but to
delay any sort of explanation till Lord Orville should condescend to
request it.
Slowly he walked; and, before he entered the house, he looked back,
but hastily withdrew his eyes, upon finding I observed him.
Indeed, my dear Sir, you cannot easily imagine a situation more
uncomfortable than mine was at that time; to be suspected by Lord
Orville of any clandestine actions wounded my soul; I was too much
discomposed to wait for Mr. Macartney, nor in truth, could I endure to
have the design of my staying so well known. Yet I was so extremely
agitated, that I could hardly move; and I have reason to believe
Lord Orville, from the parlour-window, saw me tottering along; for,
before I had taken five steps, he came out, and, hastening to meet
me, said, "I fear you are not well; pray, allow me (offering his arm)
to assist you."
"No, my Lord," said I, with all the resolution I could assume; yet
I was affected by an attention, at that time so little expected,
and forced to turn away my head to conceal my emotion.
"You must," said he, with earnestness, "indeed you must,-I am sure
you are not well;-refuse me not the honour of assisting you;" and,
almost forcibly, he took my hand, and, drawing it under his arm,
obliged me to lean upon him. That I submitted was partly the effect of
surprise, at an earnestness so uncommon in Lord Orville, and, partly,
that I did not just then dare trust my voice to make any objection.
When we came to the house, he led me into the parlour, and to a
chair, and
begged to know if I would not have a glass of water.
"No, my Lord, I thank you," said I, "I am perfectly recovered;" and,
rising, I walked to the window, where, for some time, I pretended to
be occupied in looking at the garden.
Determined as I was to act honourably by Mr. Macartney, I yet most
anxiously wished to be restored to the good opinion of Lord Orville;
but his silence, and the thoughtfulness of his air, discouraged me
from speaking.
My situation soon grew disagreeable and embarrassing, and I resolved
to return to my chamber till breakfast was ready. To remain longer I
feared might seem asking for his enquiries; and I was sure it would
ill become me to be more eager to speak, than he was to hear.
Just as I reached the door, turning to me hastily, he said, "Are you
going, Miss Anville?"
"I am, my Lord," answered I; yet I stopped.
"Perhaps to return to-but I beg your pardon!" He spoke with a degree
of agitation that made me readily comprehend he meant to the garden;
and I instantly said, "To my own room, my Lord." And again I would have
gone; but, convinced by my answer that I understood him, I believe he
was sorry for the insinuation: he approached me with a very serious
air, though at the same time he forced a smile, and said, "I know
not what evil genius pursues me this morning, but I seem destined to
do or to say something I ought not: I am so much ashamed of myself,
that I can scarce solicit your forgiveness."
"My forgiveness! my Lord?" cried I, abashed, rather than elated by
his condescension; "surely you cannot-you are not serious?"
"Indeed, never more so! yet, if I may be my own interpreter, Miss
Anville's countenance pronounces my pardon."
"I know not, my Lord, how any one can pardon, who never has been
offended."
"You are very good; yet I could expect no less from a sweetness of
disposition which baffles all comparison: you will not think I am an
encroacher, and that I take advantage of your goodness, should I once
more remind you of the promise you vouchsafed me yesterday?"
"No, indeed; on the contrary I shall be very happy to acquit myself
in your Lordship's opinion."
"Acquittal you need not," said he, leading me again to the window;
"yet I
own my curiosity is strongly excited."
When I was seated, I found myself much at a loss what to say; yet,
after a short silence, assuming all the courage in my power, "Will you
not, my Lord," said I, "think me trifling and capricious, should I own
I have repented the promise I made, and should I entreat your Lordship
not to insist upon my strict performance of it?"-I spoke so hastily,
that I did not, at the time, consider the impropriety of what I said.
As he was entirely silent, and profoundly attentive, I continued to
speak without interruption.
"If your Lordship, by any other means, knew the circumstances attending
my acquaintance with Mr. Macartney, I am most sure you would yourself
disapprove my relating them. He is a gentleman, and has been very
unfortunate;-but I am not-I think,-at liberty to say more: yet I am
sure, if he knew your Lordship wished to hear any particulars of his
affairs, he would readily consent to my acknowledging them;-shall I,
my Lord, ask his permission?"
"His affairs!" repeated Lord Orville; "by no means, I have not the
least curiosity about them."
"I beg your Lordship's pardon,-but indeed I had understood the
contrary."
"Is it possible, Madam, you could suppose the affairs of an utter
stranger can excite my curiosity?"
The gravity and coldness with which he asked this question very
much abashed me. But Lord Orville is the most delicate of men! and,
presently recollecting himself, he added, "I mean not to speak with
indifference of any friend of yours,-far from it; any such will always
command my good wishes: yet I own I am rather disappointed; and though
I doubt not the justice of your reason, to which I implicitly submit,
you must not wonder, that, when upon the point of being honoured
with your confidence, I should feel the greatest regret at finding
it withdrawn."
Do you think, my dear sir, I did not, at that moment, require all my
resolution to guard me from frankly telling him whatever he wished
to hear? yet I rejoice that I did not; for, added to the actual wrong
I should have done, Lord Orville himself, when he had heard, would,
I am sure, have blamed me. Fortunately, this thought occurred to me;
an I said, "Your Lordship shall yourself be my judge; the promise
I made, though voluntary, was rash and inconsiderate; yet, had it
concerned myself, I would not have hesitated in fulfilling it; but
the gentleman, whose affairs I should be obliged to relate-"
"Pardon me," cried he, "for interrupting you; yet allow me to assure
you, I have not the slightest desire to be acquainted with his affairs,
further than what belongs to the motives which induced you yesterday
morning-" He stopped; but there was no occasion to say more.
"That, my Lord," cried I, "I will tell you honestly. Mr. Macartney
had some particular business with me, and I could not take the liberty
to ask him hither."
"And why not?-Mr. Beaumont, I am sure-"
"I could not, my Lord, think of intruding upon Mrs. Beaumont's
complaisance; and so, with the same hasty folly I promised your
Lordship, I much more rashly promised to meet him."
"And did you?"
"No, my Lord," said I, colouring, "I returned before he came."
Again, for some time, we were both silent; yet, unwilling to leave him
to reflections which could not but be to my disadvantage, I summoned
sufficient courage to say, "There is no young creature, my Lord,
who so greatly wants, or so earnestly wishes for, the advice and
assistance of her friends, as I do: I am new to the world, and unused
to acting for myself;-my intentions are never willfully blameable,
yet I err perpetually!-I have hitherto been blessed with the most
affectionate of friends, and, indeed, the ablest of men, to guide
and instruct me upon every occasion:-but he is too distant, now,
to be applied to at the moment I want his aid:-and here,-there is
not a human being whose counsel I can ask."
"Would to Heaven," cried he, with a countenance from which all coldness
and gravity were banished, and succeeded by the mildest benevolence,
"that I were worthy,-and capable,-of supplying the place of such a
friend to Miss Anville!"
"You do me but too much honour," said I, "yet I hope your Lordship's
candour,-perhaps I ought to say indulgence,-will make some allowance,
on account of my inexperience, for behaviour so inconsiderate:-May I,
my Lord, hope that you will?"
"May I," cried he, "hope that you will pardon the ill-grace with
which I have
submitted to my disappointment? And that you will permit me (kissing
my hand) thus to seal my peace?"
"Our peace, my Lord!" said I, with revived spirits.
"This, then," said he, again pressing it to his lips, "for our peace:
and now,-are we not friends?"
Just then the door opened, and I had only time to withdraw my hand,
before the ladies came in to breakfast.
I have been, all day, the happiest of human beings!-to be thus
reconciled to Lord Orville, and yet to adhere to my resolution,-what
could I wish for more?-he too has been very cheerful, and more
attentive, more obliging to me than ever. Yet Heaven forbid I should
again be in a similar situation, for I cannot express how much
uneasiness I have suffered from the fear of incurring his ill opinion.
But what will poor Mr. Macartney think of me? Happy as I am, I much
regret the necessity I have been under of disappointing him.
Adieu, my dearest Sir.
</CHAPTER>
| 12,375 | Volume III, Letter I - Volume III, Letter V | https://web.archive.org/web/20201126171702/https://www.gradesaver.com/evelina-or-the-history-of-a-young-ladys-entrance-into-the-world/study-guide/summary-volume-iii-letter-i--volume-iii-letter-v | Evelina writes to Mr. Villars. Mrs. Selwyn and Evelina walked together once at Bristol, but were bothered by bold young men addressing Evelina. She tried to reject them, but they were persistent. Mrs. Selwyn, in her bold and commanding manner, offered retorts to their behavior. They later encountered Lord Merton - the forward and rude aristocrat Evelina met earlier. This is when she learns his name. He was excessively frank and rude to them, though he vaguely recognized her. Later, they learned that he had only recently been given a title, and that he had spent almost all of his fortune already. He was a known libertine, but he was soon to be married. It was surprising to Evelina to learn that his bride-to-be was Lady Louisa Larpent, the sister of Lord Orville. She continues her letters to Mr. Villars, opening a new one with the excited words that Lord Orville had shown himself to be still possessed of noble behavior; clearly, his letter reflected a moment of intemperance. She then tells how she again met Lord Orville. Mrs. Selwyn and Evelina were invited to the home of Mrs. Beaumont, a friend of Mrs. Selwyn's and the relative of Lord Orville and Lady Louisa. Evelina suddenly saw them enter the room together. Lady Louisa was bored,restless and affected. She barely noticed Evelina. Evelina remembered seeing Lady Louisa at the Pantheon party, and suddenly understood why Lord Orville was so irritate when Lord Merton hit on her. She was especially nervous to encounter Lord Orville, but he was polite, pleasing, friendly, and quick to devote his attention to her. She was instinctively friendly with him, but then forced an emotional distance when she remembered his letter. Her abruptness surprised him, but she could hardly keep it up for very long. Her coldness wore away when she went out driving with him and Mrs. Selwyn. Though she did not participate in the conversation, she was pleased to listen to them. She ultimately concluded it was impractical to be indignant any further. The next day, the two women were invited to Mrs. Beaumont's house for dinner. Mrs. Beaumont was concerned almost solely with nobility of birth; she considered high birth and virtue the same thing. Her "civility was too formal to be comfortable," Evelina writes. She also clearly disapproved of Lady Louisa's choice in Lord Merton due to his personality. Mr. Lovel later joined the company and Evelina was a perturbed by how conspicuously he ignored her, even though she was glad he no longer annoyed her outright. Lord Orville also joined the group, his presence acting as a counterpoint to the apathy and languor of the other young people. Lord Orville was far more polite than the others, and he addressed himself quite pleasantly to Evelina. Lord Merton's friend Mr. Coverley also arrived, and he and Lord Merton began arguing about who was a better phaeton driver. They decided to race each other, but Lady Louisa loudly expressed her displeasure. After this, the conversation turned solely to eating; Evelina was surprised at how knowledgeable Lord Merton, Mr. Lovel, and Mr. Coverley were. It was difficult to determine "whether they were most to be distinguished as gluttons, or epicures," and Evelina became quite disgusted. Later, during tea, Evelina sat alone, a bit sad about how no one seemed to regard her at all. Thankfully, Lord Orville arrived and made her feel quite welcome. The group conversation turned to other ways the men could settle their dispute if they were not to race. Each person in the group was asked to provide an idea. Mrs. Selwyn embarrassed them by calling attention to their ignorace of the classics. Evelina suggested they compose an extempore couplet on a subject, and Mrs. Beaumont suggested the bet should decide who had the best bow. Lord Orville shamed them all, however, by suggesting the money should go to whoever brought the worthiest object to share it with. This subtle remonstrance left everyone chagrined for a short while. Later, Evelina apologized to him for " your censure," since she thought she had been petty by proposing an idea. He insisted that his mockery did not apply to her. Evelina was even more pleased the next day when she learned that she and Mrs. Selwyn were invited to be houseguests of Mrs. Beaumont. She was happy to be in the constant company of Lord Orville, especially because Mrs. Selwyn was kind to her but generally more focused on herself and clever conversation than she was on Evelina's comfort. Indeed, it was very pleasant being around him all the time. Evelina was annoyed, however, to learn from Mrs. Selwyn that Mr. Lovel had mocked her social standing in front of Lady Louisa. She refused to be friendly towards him, even though he was "important." She writes to Mr. Villars about how much she enjoys her time with Lord Orville, commenting, "the attention with which Lord Orville honours me is as uniform as it is flattering, and seems to result from a benevolence of heart that proves him as much as stranger to caprice as to pride." The next morning, Evelina was strolling outside when she saw Mr. Macartney. He had come to find her, to thank her for so positively influencing his life. He explained that he was doing much better. While they talked, Lord Orville came outside looking for her, and found them together. He was about to bring her inside when Macartney asked Evelina if he could see her again; she felt obliged to answer in the positive. This was frightfully embarrassing for both Evelina and Lord Orville, and they walked back to the house in silence. He subtly suggested his concern over this strange man, and Evelina finally offered to later tell him what it all meant. He grew more at ease. They never seemed to find time to talk, however, and Evelina came to realize she had no authority to share Macartney's business with anyone else. She wrote to tell him she could not meet him the next day, but promised to find him before she left Bristol. The next day, Lord Orville and Evelina were awkward around one another. She finally confided that she was not at liberty to tell another's secrets, and he countered that he was only interested in knowing how it affected her. Though she revealed little, she was happy that they parted on good terms | In these letters, Evelina's 'well-bred' companions reveal just as much affectation, coarseness, insensibility, and judgmental attitudes as the Branghtons did. Lady Louisa, Lord Orville's sister, adopts an affected attitude that is most unpleasant. It actually enforces the then-contemporary notion that women were prone to nervous disorders and complaints. She is uptight by design. Mr. Lovel, who thankfully ignores Evelina, feels free to disparage her when she is not in his presence; he calls her a "toad-eater," which, according the Vivien Jones's annotations, is a "cruelly contemptuous term for someone who depends on their living on acting as a companion or attendant to a more wealthy patron." The men, excepting Lord Orville, again reveal their penchant for luxury and excess in their attention to food and frivolous gambling. Their lives are devoted to the pursuit of pleasure and dissipation. For someone like Evelina, who was raised to appreciate simple pleasures, this world seems wasteful and thereby distasteful. Mrs. Selwyn poses a fascinating question about feminism through her abrasive character. Unsurprisingly, the questions she raises are common for Burney's work. Rose Marie Cutting looks at all of Burney's novels to suggest that they are far more valuable than usually acknowledged, because they both depict social problems and invoke feminist ideals. Cutting first considers the heroines of the novels, commenting that they demonstrate independence of judgment, and, although "naive and inexperienced, they have no trouble in recognizing fools or in repudiating folly." They all face a similar economic plight, and suffer much abuse from the men in their environs. There are also characters in Burney's novels that Cutting refers to as "rebels," strong women who defy the stereotypes associated with their sex to claim a high degree of independence. Mrs. Selwyn is an apposite example of a "feminist" by this definition. She is neither passive nor dependent, and is fiercely defiant, aggressive, satirical, and ironic. She does not allow the silly men she encounters to get away with their behavior without at least being mocked for it. She incurs the ire of these men and even some of the women - including Evelina - for her bold style, thus affirming the discomfort many people felt at the time with women who acted outside of their prescribed gender roles. That women also find her difficult to handle suggests that all are generally uncomfortable when the expected social order is upended - even those who suffer because of it. It is telling that Mrs. Selwyn is so often described as masculine - this self-possession is not approved of in a female, and so does society discuss it as unnatural, or as a deficiency of some sort. Overall, Burney depicts women's suffering, and by doing so, offers an implicit condemnation of the society that subjected half of its population to cruel treatment and formidable restrictions of movement, expression, and autonomy. She devoted her final novel, The Wanderer , to the theme of suffering. This novel's "call for self-sufficiency on the part of both sexes perhaps best summarizes Fanny Burney's protest against the humiliating dependency of her sex and her demand for a change in the condition of women." In this novel, the condemnation is less harsh but, even when Burney somewhat supports the status quo, her depiction reveals a perspective sensitive to those who are allowed little voice against their oppressors. Finally, a couple of notes on places and terms used in these letters are useful. The pump room was the room where visitors to the Hotwells conversed and took the waters, as well as listened to music. It therefore served as a place for gossip and visiting. Clifton Hills adjoined the Hotwells, and was a fashionable area of Bristol. A phaeton was a four-wheeled carriage that had a covered seat for the driver and at most two seats for passengers. They were very fashionable and could move at great speeds. The Court Calendar listed the details of royal families and their courts. | 1,072 | 657 | [
"<CHAPTER>\nLETTER LXII.",
"EVELINA TO THE REV.",
"MR. VILLARS.",
"Bristol Hotwells, Sept. 12th.",
"THE first fortnight that I passed here was so quiet, so serene, that\nit gave me reason to expect a settled calm during my stay; but if I\nmay now judge of the time to come, by the present state of my mind,\nthe calm will be succeeded by a storm, of which I dread the violence!",
"This morning, in my way to the pump-room with Mrs. Selwyn, we were\nboth very much incommoded by three gentlemen, who were sauntering by\nthe side of the Avon, laughing and talking very loud, and lounging so\ndisagreeably, that we knew not how to pass them.",
"They all three fixed\ntheir eyes very boldly upon me, alternately looking under my hat,\nand whispering one another.",
"Mrs. Selwyn assumed an air of uncommon\nsternness, and said, \"You will please, gentlemen, either to proceed\nyourselves, or to suffer us.\"",
"\"Oh!",
"Ma'am,\" cried one of them, \"we will suffer you with the greatest\npleasure in life.\"",
"\"You will suffer us both,\" answered she, \"or I am much mistaken:\nyou had better, therefore, make way quietly; for I should be sorry\nto give my servant the trouble of teaching you better manners.\"",
"Her commanding air struck them, yet they all chose to laugh; and one\nof them wished the fellow would begin his lesson, that he might have\nthe pleasure of rolling him into the Avon; while another, advancing to\nme with a freedom which made me start, said, \"By my soul, I did not\nknow you!-but I am sure I cannot be mistaken;-had not I the honour\nof seeing you once at the Pantheon?\"",
"I then recollected the nobleman, who, at that place, had so much\nembarrassed me.",
"I courtsied without speaking.",
"They all bowed, and\nmaking, though in a very easy manner, an apology to Mrs. Selwyn,\nthey suffered us to pass on, but chose to accompany us.",
"\"And where,\" continued this Lord, \"can you so long have hid\nyourself?",
"do you know I have been in search of you this age?",
"I could\nneither find you out, nor hear of you: not a creature could inform me\nwhat was become of you.",
"I cannot imagine where you could be immured.",
"I\nwas at two or three public places every night, in hopes of meeting\nyou.",
"Pray, did you leave town?\"",
"\"Yes, my Lord.\"",
"\"So early in the season!-what could possibly induce you to go before\nthe birth-day?\"",
"\"I had nothing, my Lord, to do with the birth-day.\"",
"\"By my soul, all the women who had, may rejoice you were away.",
"Have\nyou been here any time?\"",
"\"Not above a fortnight, my Lord.\"",
"\"A fortnight!-how unlucky that I did not meet you sooner!",
"but I have\nhad a run of ill luck ever since I came.",
"How long shall you stay?\"",
"\"Indeed, my Lord, I don't know.\"",
"\"Six weeks, I hope; for I shall wish the place at the devil when\nyou go.\"",
"\"Do you, then, flatter yourself, my Lord,\" said Mrs. Selwyn, who\nhad hitherto listened in silent contempt, \"that you shall see such\na beautiful spot as this, when you visit the dominions of the devil?\"",
"\"Ha, ha, ha!",
"Faith, my Lord,\" said one of his companions, who still\nwalked with us, though the other had taken leave, \"the lady is rather\nhard upon you.\"",
"\"Not at all,\" answered Mrs. Selwyn; \"for as I cannot doubt but his\nLordship's rank and interest will secure him a place there, it would\nbe reflecting on his understanding, to suppose he should not wish to\nenlarge and beautify his dwelling.\"",
"Much as I was disgusted with this Lord, I must own Mrs. Selwyn's\nseverity rather surprised me: but you, who have so often observed\nit, will not wonder she took so fair an opportunity of indulging\nher humour.",
"\"As to places,\" returned he, totally unmoved, \"I am so indifferent\nto them, that the devil take me if I care which way I go!",
"objects,\nindeed, I am not so easy about; and, therefore, I expect, that those\nangels with whose beauty I am so much enraptured in this world, will\nhave the goodness to afford me some little consolation in the other.\"",
"\"What, my Lord!\"",
"cried Mrs. Selwyn, \"would you wish to degrade the\nhabitation of your friend, by admitting into it the insipid company\nof the upper regions?\"",
"\"What do you do with yourself this evening?\"",
"said his Lordship,\nturning to me.",
"\"I shall be at home, my Lord.\"",
"\"O, -e;-propos,-where are you?\"",
"\"Young ladies, my Lord,\" said Mrs. Selwyn, \"are no where.\"",
"\"Prithee,\" whispered his Lordship, \"is that queer woman your mother?\"",
"Good Heavens, Sir, what words for such a question!",
"\"No, my Lord.\"",
"\"Your maiden aunt then?\"",
"\"No.\"",
"\"Whoever she is, I wish she would mind her own affairs: I don't know\nwhat the devil a woman lives for after thirty: she is only in other\nfolk's way.",
"Shall you be at the assembly?\"",
"\"I believe not, my Lord.\"",
"\"No!-why then, how in the world can you contrive to pass your time?\"",
"\"In a manner which your Lordship will think very extraordinary,\"\ncried Mrs. Selwyn, \"for the young lady reads.\"",
"\"Ha, ha, ha!",
"Egad, my Lord,\" cried the facetious companion, \"you are\ngot into bad hands.\"",
"\"You had better, Ma'am,\" answered he, \"attack Jack Coverley here,\nfor you will make nothing of me.\"",
"\"Of you, my Lord,\" cried she, \"Heaven forbid I should ever entertain\nso idle an expectation!",
"I only talk, like a silly woman, for the sake\nof talking; but I have by no means so low an opinion of your Lordship,\nas to suppose you vulnerable to censure.\"",
"\"Do, pray, Ma'am,\" cried he, \"turn to Jack Coverley; he's the very\nman for you;-he'd be a wit himself if he was not too modest.\"",
"\"Prithee, my Lord, be quiet,\" returned the other; \"if the lady is\ncontented to bestow all her favours upon you, why should you make\nsuch a point of my going snacks?\"",
"\"Don't be apprehensive, gentlemen,\" said Mrs. Selwyn, drily, \"I am not\nromantic;-I have not the least design of doing good to either of you.\"",
"\"Have not you been ill since I saw you?\"",
"said his Lordship, again\naddressing himself to me.",
"\"Yes, my Lord.\"",
"\"I thought so; you are paler than you was, and I suppose that's the\nreason I did not recollect you sooner.\"",
"\"Has not your Lordship too much gallantry,\" cried Mrs. Selwyn,\n\"to discover a young lady's illness by her looks?\"",
"\"The devil a word can I speak for that woman,\" said he, in a low voice;\n\"do, prithee, Jack, take her in hand.\"",
"\"Excuse me, my Lord,\" answered Mr. Coverley.",
"\"When shall I see you again?\"",
"continued his Lordship; \"do you go to\nthe pump-room every morning?\"",
"\"No, my Lord.\"",
"\"Do you ride out?\"",
"\"No, my Lord.\"",
"Just then we arrived at the pump-room, and an end was put to our\nconversation, if it is not an abuse of words to give such a term to\na string of rude questions and free compliments.",
"He had not opportunity to say much more to me, as Mrs. Selwyn joined\na large party, and I walked home between two ladies.",
"He had, however,\nthe curiosity to see us to the door.",
"Mrs. Selwyn was very eager to know how I had made acquaintance with\nthis nobleman, whose manners so evidently announced the character of\na confirmed libertine.",
"I could give her very little satisfaction, as\nI was ignorant even of his name: but, in the afternoon, Mr. Ridgeway,\nthe apothecary, gave us very ample information.",
"As his person was easily described, for he is remarkably tall,\nMr. Ridgeway told us he was Lord Merton, a nobleman who is but lately\ncome to his title, though he has already dissipated more than half his\nfortune; a professed admirer of beauty, but a man of most licentious\ncharacter; that among men, his companions consisted chiefly of gamblers\nand jockeys, and among women he was rarely admitted.",
"\"Well, Miss Anville,\" said Mrs. Selwyn, \"I am glad I was not more\ncivil to him.",
"You may depend upon me for keeping him at a distance.\"",
"\"O, Madam,\" said Mr. Ridgeway, \"he may now be admitted any where,\nfor he is going to reform.\"",
"\"Has he, under that notion, persuaded any fool to marry him?\"",
"\"Not yet, Madam, but a marriage is expected to take place shortly:\nit has been some time in agitation; but the friends of the lady\nhave obliged her to wait till she is of age: however, her brother,\nwho has chiefly opposed the match, now that she is near being at her\nown disposal, is tolerably quiet.",
"She is very pretty, and will have\na large fortune.",
"We expect her at the Wells every day.\"",
"\"What is her name?\"",
"said Mrs. Selwyn.",
"\"Larpent,\" answered he: \"Lady Louisa Larpent, sister of Lord Orville.\"",
"\"Lord Orville!\"",
"repeated I, all amazement.",
"\"Yes, Ma'am; his Lordship is coming with her.",
"I have had certain\ninformation.",
"They are to be at the Honourable Mrs. Beaumont's.",
"She is\na relation of my Lord's, and has a very fine house upon Clifton Hill.\"",
"His Lordship is coming with her!",
"-Good God, what an emotion did those\nwords give me!",
"How strange, my dear Sir, that, just at this time, he\nshould visit Bristol!",
"It will be impossible for me to avoid seeing him,\nas Mrs. Selwyn is very well acquainted with Mrs. Beaumont.",
"Indeed,\nI have had an escape in not being under the same roof with him, for\nMrs. Beaumont invited us to her house immediately upon our arrival;\nbut the inconvenience of being so distant from the pump-room made\nMrs. Selwyn decline her civility.",
"Oh that the first meeting were over!-or that I could quit Bristol\nwithout seeing him!-inexpressibly do I dread an interview!",
"Should\nthe same impertinent freedom be expressed by his looks, which\ndictated this cruel letter, I shall not know how to endure either\nhim or myself.",
"Had I but returned it, I should be easier, because\nmy sentiments of it would then be known to him; but now, he can only\ngather them from my behaviour; and I tremble lest he should mistake my\nindignation for confusion!-lest he should misconstrue my reserve into\nembarrassment!-for how, my dearest Sir, how shall I be able totally\nto divest myself of the respect with which I have been used to think\nof him?-the pleasure with which I have been used to see him?",
"Surely he, as well as I, must recollect the letter at the moment\nof our meeting; and he will, probably, mean to gather my thoughts\nof it from my looks;-oh that they could but convey to him my real\ndetestation of impertinence and vanity!",
"then would he see how much\nhe had mistaken my disposition when he imagined them my due.",
"There was a time when the very idea that such a man as Lord Merton\nshould ever be connected with Lord Orville would have both surprised\nand shocked me; and even yet I am pleased to hear of his repugnance\nto the marriage.",
"But how strange, that a man of so abandoned a character should be\nthe choice of a sister of Lord Orville!",
"and how strange, that, almost\nat the moment of the union, he should be so importunate in gallantry\nto another woman!",
"What a world is this we live in!",
"how corrupt!",
"how\ndegenerate!",
"well might I be contented to see no more of it!",
"If I\nfind that the eyes of Lord Orville agree with his pen,-I shall then\nthink, that of all mankind, the only virtuous individual resides at\nBerry Hill.",
"</CHAPTER>\n\n<CHAPTER>\nLETTER LXIII.",
"EVELINA IN CONTINUATION.",
"Bristol Hotwells, Sept. 16th.",
"OH, Sir, Lord Orville is still himself!",
"still what, from the moment\nI beheld, I believed him to be-all that is amiable in man!",
"and your\nhappy Evelina, restored at once to spirits and tranquillity, is no\nlonger sunk in her own opinion, nor discontented with the world;-no\nlonger, with dejected eyes, sees the prospect of passing her future\ndays in sadness, doubt, and suspicion!-with revived courage she\nnow looks forward, and expects to meet with goodness, even among\nmankind:-though still she feels, as strongly as ever, the folly of\nhoping, in any second instance, to meet with perfection.",
"Your conjecture was certainly right; Lord Orville, when he wrote that\nletter, could not be in his senses.",
"Oh that intemperance should have\npower to degrade so low, a man so noble!",
"This morning I accompanied Mrs. Selwyn to Clifton Hill, where,\nbeautifully situated, is the house of Mrs. Beaumont.",
"Most uncomfortable\nwere my feelings during our walk, which was very slow; for the\nagitation of my mind made me more than usually sensible how weak I\nstill continue.",
"As we entered the house, I summoned all my resolution\nto my aid, determined rather to die than give Lord Orville reason to\nattribute my weakness to a wrong cause.",
"I was happily relieved from my\nperturbation, when I saw Mrs. Beaumont was alone.",
"We sat with her for,\nI believe, an hour without interruption; and then we saw a phaeton\ndrive up to the gate, and a lady and gentleman alight from it.",
"They entered the parlour with the ease of people who were at home.",
"The gentleman, I soon saw, was Lord Merton: he came shuffling into\nthe room with his boots on, and his whip in his hand; and having\nmade something like a bow to Mrs. Beaumont, he turned towards me.",
"His\nsurprise was very evident; but he took no manner of notice of me.",
"He\nwaited, I believe, to discover, first, what chance had brought\nme to that house, where he did not look much rejoiced at meeting\nme.",
"He seated himself very quietly at the window, without speaking\nto any body.",
"Mean time the lady, who seemed very young, hobbling rather than walking\ninto the room, made a passing courtsy to Mrs. Beaumont, saying,\n\"How are you, Ma'am?\"",
"and then, without noticing any body else,\nwith an air of languor she flung herself upon a sofa, protesting,\nin a most affected voice, and speaking so softly she could hardly be\nheard, that she was fatigued to death.",
"\"Really, Ma'am, the roads are\nso monstrous dusty,-you can't imagine how troublesome the dust is to\none's eyes!-and the sun, too, is monstrous disagreeable!-I dare say\nI shall be so tanned: I shan't be fit to be seen this age.",
"Indeed,\nmy Lord, I won't go out with you any more, for you don't care where\nyou take one.\"",
"\"Upon my honour,\" said Lord Merton, \"I took you the pleasantest ride\nin England, the fault was in the sun, not me.\"",
"\"Your Lordship is in the right,\" said Mrs. Selwyn, \"to transfer the\nfault to the sun, because it has so many excellencies to counterbalance\npartial inconveniences that a little blame will not injure that in\nour estimation.\"",
"Lord Merton looked by no means delighted at this attack; which\nI believe she would not so readily have made, but to revenge his\nneglect of us.",
"\"Did you meet your brother, Lady Louisa?\"",
"said Mrs. Beaumont.",
"\"No, Ma'am.",
"Is he rode out this morning?\"",
"I then found, what I had before suspected, that this lady was Lord\nOrville's sister: how strange, that such near relations should be so\ndifferent to each other!",
"There is, indeed, some resemblance in their\nfeatures; but, in their manners, not the least.",
"\"Yes,\" answered Mrs. Beaumont, \"and I believe he wished to see you.\"",
"\"My Lord drove so monstrous fast,\" said Lady Louisa, \"that perhaps\nwe passed him.",
"He frightened me out of my senses; I declare my head\nis quite giddy.",
"Do you know, Ma'am, we have done nothing but quarrel\nall the morning?-You can't think how I've scolded; have not I, my\nLord?\"",
"and she smiled expressively at Lord Merton.",
"\"You have been, as you always are,\" said he, twisting his whip with\nhis fingers, \"all sweetness.\"",
"\"O fie, my Lord,\" cried she, \"I know you don't think so; I know you\nthink me very ill-natured;-don't you, my Lord?\"",
"\"No, upon my honour;-how can your Ladyship ask such a question?",
"Pray\nhow goes time?",
"my watch stands.\"",
"\"It is almost three,\" answered Mrs. Beaumont.",
"\"Lord, Ma'am, you frighten me!\"",
"cried Lady Louisa; and then, turning\nto Lord Merton, \"why now, you wicked creature you, did you not tell\nme it was but one?\"",
"Mrs. Selwyn then rose to take leave; but Mrs. Beaumont asked if she\nwould look at the shrubbery.",
"\"I should like it much,\" answered she,\n\"but that I fear to fatigue Miss Anville.\"",
"Lady Louisa, then, raising her head from her hand, on which it had\nleant, turned round to look at me; and having fully satisfied her\ncuriosity, without any regard to the confusion it gave me, turned\nabout, and, again leaning on her hand, took no further notice of me.",
"I declared myself very able to walk, and begged that I might\naccompany them.",
"\"What say you, Lady Louisa,\" cried Mrs. Beaumont,\n\"to a stroll in the garden?\"",
"\"Me, Ma'am!-I declare I can't stir a step; the heat is so excessive,\nit would kill me.",
"I'm half dead with it already; besides, I shall\nhave no time to dress.",
"Will any body be here to-day, Ma'am?\"",
"\"I believe not, unless Lord Merton will favour us with his company.\"",
"\"With great pleasure, Madam.\"",
"\"Well, I declare you don't deserve to be asked,\" cried Lady Louisa,\n\"you wicked creature you!-I must tell you one thing, Ma'am,-you\ncan't think how abominable he was!",
"do you know we met Mr. Lovel in\nhis new phaeton, and my Lord was so cruel as to drive against it?-we\nreally flew.",
"I declare I could not breathe.",
"Upon my word, my Lord,\nI'll never trust myself with you again,-I won't indeed.\"",
"We then went into the garden, leaving them to discuss the point at\ntheir leisure.",
"Do you remember a pretty but affected young lady I mentioned to\nhave seen, in Lord Orville's party, at the Pantheon?",
"How little did\nI then imagine her to be his sister!",
"yet Lady Louisa Larpent is the\nvery person.",
"I can now account for the piqued manner of her speaking\nto Lord Merton that evening, and I can now account for the air of\ndispleasure with which Lord Orville marked the undue attention of\nhis future brother-in-law to me.",
"We had not walked long, ere, at a distance, I perceived Lord Orville,\nwho seemed just dismounted from his horse, enter the garden.",
"All\nmy perturbation returned at the sight of him!-yet I endeavoured to\nrepress every feeling but resentment.",
"As he approached us, he bowed to\nthe whole party; but I turned away my head to avoid taking any share\nin his civility.",
"Addressing himself immediately to Mrs. Beaumont, he\nwas beginning to enquire after his sister: but, upon seeing my face,\nhe suddenly exclaimed, \"Miss Anville!-\" and then he advanced, and made\nhis compliments to me,-not with an air of vanity or impertinence, nor\nyet with a look of consciousness or shame;-but with a countenance open,\nmanly, and charming!-with a smile that indicated pleasure, and eyes\nthat sparkled with delight!-on my side was all that consciousness;\nfor by him, I really believe, the letter was, at that moment,\nentirely forgotten.",
"With what politeness did he address me!",
"with what sweetness did\nhe look at me!",
"the very tone of his voice seemed flattering!",
"he\ncongratulated himself upon his good fortune in meeting with me;-hoped\nI should spend some time in Bristol, and enquired, even with anxiety\nenquired, if my health was the cause of my journey; in which case\nhis satisfaction would be converted into apprehension.",
"Yet, struck as I was with his manner, and charmed to find him such\nas he was wont to be, imagine not, my dear Sir, that I forgot the\nresentment I owe him, or the cause he has given me of displeasure;\nno, my behaviour was such, as I hope, had you seen, you would not\nhave disapproved: I was grave and distant; I scarce looked at him\nwhen he spoke, or answered him when he was silent.",
"As he must certainly observe this alteration in my conduct, I think it\ncould not fail making him both recollect and repent the provocation\nhe had so causelessly given me; for surely he was not so wholly lost\nto reason, as to be now ignorant he had ever offended me.",
"The moment that, without absolute rudeness, I was able, I turned\nentirely from him, and asked Mrs. Selwyn if we should not be late\nhome?",
"How Lord Orville looked I know not, for I avoided meeting his\neyes; but he did not speak another word as we proceeded to the garden\ngate.",
"Indeed, I believe, my abruptness surprised him, for he did not\nseem to expect I had so much spirit.",
"And, to own the truth, convinced\nas I was of the propriety, nay, necessity, of showing my displeasure,\nI yet almost hated myself for receiving his politeness so ungraciously.",
"When we were taking leave, my eyes accidentally meeting his, I could\nnot but observe that his gravity equalled my own; for it had entirely\ntaken place of the smiles and good humour with which he had met me.",
"\"I am afraid this young lady,\" said Mrs. Beaumont, \"is too weak for\nanother long walk till she is again rested.\"",
"\"If the ladies will trust to my driving,\" said Lord Orville, \"and\nare not afraid of a phaeton, mine shall be ready in a moment.\"",
"\"You are very good, my Lord, \"said Mrs. Selwyn, \"but my will is yet\nunsigned, and I don't choose to venture in a phaeton with a young\nman while that is the case.\"",
"\"O,\" cried Mrs. Beaumont, \"you need not be afraid of my Lord Orville,\nfor he is remarkably careful.\"",
"\"Well, Miss Anville,\" answered she, \"what say you?\"",
"\"Indeed,\" cried I, \"I had much rather walk-.\"",
"But then, looking at\nLord Orville, I perceived in his face a surprise so serious at my\nabrupt refusal, that I could not forbear adding, \"for I should be\nsorry to occasion so much trouble.\"",
"Lord Orville, brightening at these words, came forward, and pressed\nhis offer in a manner not to be denied;-so the phaeton was ordered!",
"And\nindeed, my dear Sir,-I know not how it was;-but, from that moment, my\ncoldness and reserve insensibly wore away!",
"You must not be angry,-it\nwas my intention, nay, my endeavour, to support them with firmness:\nbut when I formed the plan, I thought only of the letter,-not of Lord\nOrville!-and how is it possible for resentmen to subsist without\nprovocation?",
"yet, believe me, my dearest Sir, had he sustained the\npart he began to act when he wrote this ever-to-be-regretted letter,\nyour Evelina would have not forfeited her title to your esteem,\nby contentedly submitting to be treated with indignity.",
"We continued in the garden till the phaeton was ready.",
"When we parted\nfrom Mrs. Beaumont, she repeated her invitation to Mrs. Selwyn to\naccept an apartment in her house; but the reason I have already\nmentioned made it be again declined.",
"Lord Orville drove very slow, and so cautiously, that, notwithstanding\nthe height of the phaeton, fear would have been ridiculous.",
"I supported\nno part in the conversation; but Mrs. Selwyn extremely well supplied\nthe place of two.",
"Lord Orville himself did not speak much; but the\nexcellent sense and refined good-breeding which accompany every word\nhe utters, give value and weight to whatever he says.",
"\"I suppose, my Lord,\" said Mrs. Selwyn, when we stopped at our\nlodgings, \"you would have been extremely confused had we met any\ngentlemen who have the honour of knowing you.\"",
"\"If I had,\" answered he, gallantly, \"it would have been from mere\ncompassion at their envy.\"",
"\"No, my Lord,\" answered she, \"it would have been from mere shame,\nthat, in an age so daring, you alone should be such a coward as to\nforbear to frighten women.\"",
"\"O,\" cried he, laughing, \"when a man is in a fright for himself,\nthe ladies cannot but be in security; for you have not had half the\napprehension for the safety of your persons, that I have for that\nof my heart.\"",
"He then alighted, handed us out, took leave, and again\nmounting the phaeton, was out of sight in a minute.",
"\"Certainly,\" said Mrs. Selwyn, when he was gone, \"there must have\nbeen some mistake in the birth of that young man; he was, undoubtedly,\ndesigned for the last age; for he is really polite!\"",
"And now, my dear Sir, do not you think, according to the present\nsituation of affairs, I may give up my resentment, without imprudence\nor impropriety?",
"I hope you will not blame me.",
"Indeed, had you, like\nme, seen his respectful behaviour, you would have been convinced of\nthe impracticability of supporting any further indignation.",
"</CHAPTER>\n\n<CHAPTER>\nLETTER LXIV.",
"EVELINA IN CONTINUATION.",
"Bristol Hotwells, Sept. 19th.",
"YESTERDAY morning Mrs. Selwyn received a card from Mrs. Beaumont,\nto ask her to dine with her to-day: and another, to the same purpose,\ncame to me.",
"The invitation was accepted, and we are but just arrived\nfrom Clifton Hill.",
"We found Mrs. Beaumont alone in the parlour.",
"I will write you\nthe character of that lady, in the words of our satirical friend\nMrs. Selwyn.",
"\"She is an absolute Court Calendar bigot; for, chancing\nherself to be born of a noble and ancient family, she thinks proper to\nbe of opinion, that birth and virtue are one and the same thing.",
"She\nhas some good qualities; but they rather originate from pride than\nprinciple, as she piques herself upon being too high-born to be\ncapable of an unworthy action, and thinks it incumbent upon her\nto support the dignity of her ancestry.",
"Fortunately for the world\nin general, she has taken it into her head, that condescension is\nthe most distinguishing virtue of high life; so that the same pride\nof family which renders others imperious, is with her the motive of\naffability.",
"But her civility is too formal to be comfortable, and too\nmechanical to be flattering.",
"That she does me the honour of so much\nnotice, is merely owing to an accident, which, I am sure, is very\npainful to her remembrance; for it so happened, that I once did her\nsome service, in regard to an apartment at Southampton; and I have\nsince been informed, that, at the time she accepted my assistance,\nshe thought I was a woman of quality; and I make no doubt but she was\nmiserable when she discovered me to be a mere country gentlewoman:\nhowever, her nice notions of decorum have made her load me with\nfavours ever since.",
"But I am not much flattered by her civilities,\nas I am convinced I owe them neither to attachment nor gratitude;\nbut solely to a desire of cancelling an obligation, which she cannot\nbrook being under, to one whose name is no where to be found in the\nCourt Calendar.\"",
"You well know, my dear Sir, the delight this lady takes in giving\nway to her satirical humour.",
"Mrs. Beaumont received us very graciously, though she some what\ndistressed me by the questions she asked concerning my family;-such\nas, Whether I was related to the Anvilles in the North?-Whether some\nof my name did not live in Lincolnshire?",
"and many other inquiries,\nwhich much embarrassed me.",
"The conversation next turned upon the intended marriage in her\nfamily.",
"She treated the subject with reserve; but it was evident\nshe disapproved Lady Louisa's choice.",
"She spoke in terms of the\nhighest esteem of Lord Orville, calling him, in Marmontel's words,\n\"Un jeune homme comme il y en a peu.\"",
"I did not think this conversation very agreeably interrupted by the\nentrance of Mr. Lovel.",
"Indeed I am heartily sorry he is now at the\nHot Wells.",
"He made his compliments with the most obsequious respect\nto Mrs. Beaumont, but took no sort of notice of any other person.",
"In a few minutes Lady Louisa Larpent made her appearance.",
"The same\nmanners prevailed; for, courtsying, with \"I hope you are well, Ma'am,\"\nto Mrs. Beaumont, she passed straight forward to her seat on the\nsofa; where, leaning her head on her hand, she cast her languishing\neyes round the room, with a vacant stare, as if determined, though\nshe looked, not to see who was in it.",
"Mr. Lovel, presently approaching her, with reverence the most profound,\nhoped her Ladyship was not indisposed.",
"\"Mr.",
"Lovel!\"",
"cried she, raising her head, \"I declare I did not see you:\nhave you been here long?\"",
"\"By my watch, Madam,\" said he, \"only five minutes,-but by your\nLadyship's absence as many hours.\"",
"\"O!",
"now I think of it,\" cried she, \"I am very angry with you;-so go\nalong, do; for I sha'n't speak to you all day.\"",
"\"Heaven forbid your La'ship's displeasure should last so long!",
"in\nsuch cruel circumstances, a day would seem an age.",
"But in what have\nI been so unfortunate as to offend?\"",
"\"O, you half killed me the other morning, with terror!",
"I have not yet\nrecovered from my fright.",
"How could you be so cruel as to drive your\nphaeton against my Lord Merton's?\"",
"\"'Pon honour, Ma'am, your La'ship does me wrong;-it was all owing\nto the horses,-there was no curbing them.",
"I protest I suffered more\nthan your Ladyship, from the terror of alarming you.\"",
"Just then entered Lord Merton; stalking up to Mrs. Beaumont, to\nwhom alone he bowed, he hoped he had not made her wait; and then,\nadvancing to Lady Louisa, said, in a careless manner, \"How is your\nLadyship this morning?\"",
"\"Not well at all,\" answered she; \"I have been dying with the head-ache\never since I got up.\"",
"\"Indeed!\"",
"cried he, with a countenance wholly unmoved, \"I am very\nunhappy to hear it.",
"But should not your Ladyship have some advice?\"",
"\"I am quite sick of advice,\" answered she, \"Mr. Ridgeway has but just\nleft me,-but he has done me no good.",
"Nobody here knows what is the\nmatter with me, yet they all see how indifferent I am.\"",
"\"Your Ladyship's constitution,\" said Mr. Lovel, \"is infinitely\ndelicate.\"",
"\"Indeed it is,\" cried she, in a low voice, \"I am nerve all over!\"",
"\"I am glad, however,\" said Lord Merton, \"that you did not take the\nair this morning, for Coverley has been driving against me as if he\nwas mad: he has got two of the finest spirited horses I ever saw.\"",
"\"Pray my Lord,\" cried she, \"why did not you bring Mr. Coverley with\nyou?",
"he's a droll creature; I like him monstrously.\"",
"\"Why, he promised to be here as soon as me.",
"I suppose he'll come\nbefore dinner's over.\"",
"In the midst of this trifling conversation Lord Orville made his\nappearance.",
"O how different was his address!",
"how superior did he look\nand move, to all about him!",
"Having paid his respects to Mrs. Beaumont,\nand then to Mrs. Selwyn, he came up to me, and said, \"I hope Miss\nAnville has not suffered from the fatigue of Monday morning?\"",
"Then,\nturning to Lady Louisa, who seemed rather surprised at his speaking\nto me, he added, \"Give me leave, sister, to introduce Miss Anville\nto you.\"",
"Lady Louisa, half-rising, said, very coldly, that she should be glad\nof the honour of knowing me; and then, abruptly turning to Lord Merton\nand Mr. Lovel, continued, in a half-whisper, her conversation.",
"For my part, I had risen and courtsied, and now, feeling very foolish,\nI seated myself again: first I blushed at the unexpected politeness\nof Lord Orville, and immediately afterwards at the contemptuous\nfailure of it in his sister.",
"How can that young lady see her brother\nso universally admired for his manners and deportment, and yet be\nso unamiably opposite to him in hers!",
"but while his mind, enlarged\nand noble, rises superior to the little prejudices of rank, hers,\nfeeble and unsteady, sinks beneath their influence.",
"Lord Orville, I am sure, was hurt and displeased: he bit his lips, and,\nturning from her, addressed himself wholly to me, till we were summoned\nto dinner.",
"Do you think I was not grateful for his attention?",
"yes,\nindeed, and every angry idea I had entertained was totally obliterated.",
"As we were seating ourselves at the table, Mr. Coverley came into the\nroom; he made a thousand apologies in a breath for being so late,\nbut said he had been retarded by a little accident, for that he\nhad overturned his phaeton, and broke it all to pieces.",
"Lady Louisa\nscreamed at this intelligence, and, looking at Lord Merton, declared\nshe would never go into a phaeton again.",
"\"O,\" cried he, \"never mind Jack Coverley; for he does not know how\nto drive.\"",
"\"My Lord,\" cried Mr. Coverley, \"I'll drive against you for a thousand\npounds.\"",
"\"Done!\"",
"returned the other; \"name your day, and we'll each choose\na judge.\"",
"\"The sooner the better,\" cried Mr. Coverley; \"to-morrow, if the\ncarriage can be repaired.\"",
"\"These enterprises,\" said Mrs. Selwyn, \"are very proper for men\nof rank, since 'tis a million to one but both parties will be\nincapacitated for any better employment.\"",
"\"For Heaven's sake,\" cried Lady Louisa, changing colour, \"don't talk\nso shockingly!",
"Pray, my Lord, pray, Mr. Coverley, don't alarm me in\nthis manner.\"",
"\"Compose yourself, Lady Louisa,\" said Mrs. Beaumont, \"the gentlemen\nwill think better of the scheme; they are neither of them in earnest.\"",
"\"The very mention of such a scheme,\" said Lady Louisa, taking out\nher salts, \"makes me tremble all over!",
"Indeed, my Lord, you have\nfrightened me to death!",
"I sha'n't eat a morsel of dinner.\"",
"\"Permit me,\" said Lord Orville, \"to propose some other subject for\nthe present, and we will discuss this matter another time.\"",
"\"Pray, brother, excuse me; my Lord must give me his word to drop the\nproject,-for I declare it has made me sick as death.\"",
"\"To compromise the matter,\" said Lord Orville, \"suppose, if both\nparties are unwilling to give up the bet, that, to make the ladies\neasy, we change its object to something less dangerous?\"",
"This proposal was so strongly seconded by all the party, that both\nLord Merton and Mr. Coverley were obliged to comply with it; and it was\nthen agreed that the affair should be finally settled in the afternoon.",
"\"I shall now be entirely out of conceit with phaetons again,\" said\nMrs. Selwyn, \"though Lord Orville had almost reconciled me to them.\"",
"\"My Lord Orville!\"",
"cried the witty Mr. Coverley, \"why, my Lord Orville\nis as careful,-egad, as careful as an old woman!",
"Why, I'd drive a\none-horse cart against my Lord's phaeton for a hundred guineas!\"",
"This sally occasioned much laughter; for Mr. Coverley, I find, is\nregarded as a man of infinite humour.",
"\"Perhaps, Sir,\" said Mrs. Selwyn, \"you have not discovered the reason\nmy Lord Orville is so careful?\"",
"\"Why, no, Ma'am; I must own I never heard any particular reason\nfor it.\"",
"\"Why, then, Sir, I'll tell it you; and I believe you will confess it to\nbe very particular; his Lordship's friends are not yet tired of him.\"",
"Lord Orville laughed and bowed.",
"Mr. Coverley, a little confused, turned\nto Lord Merton, and said, \"No foul play, my Lord!",
"I remember your\nLordship recommended me to the notice of this lady the other morning,\nand, egad, I believe you have been doing me the same office to-day.\"",
"\"Give you joy, Jack!\"",
"cried Lord Merton, with a loud laugh.",
"After this the conversation turned wholly upon eating, a subject\nwhich was discussed with the utmost delight; and, had I not known\nthey were men of rank and fashion, I should have imagined that Lord\nMerton, Mr. Lovel, and Mr. Coverley, had all been professed cooks;\nfor they displayed so much knowledge of sauces and made-dishes,\nand of the various methods of dressing the same things, that I am\npersuaded they must have given much time, and much study, to make\nthemselves such adepts in this art.",
"It would be very difficult to\ndetermine, whether they were most to be distinguished as gluttons or\nepicures; for they were, at once, dainty and voracious, understood the\nright and the wrong of every dish, and alike emptied the one and the\nother.",
"I should have been quite sick of their remarks, had I not been\nentertained by seeing that Lord Orville, who, I am sure, was equally\ndisgusted, not only read my sentiments, but, by his countenance,\ncommunicated to me his own.",
"When dinner was over, Mrs. Beaumont recommended the gentlemen to the\ncare of Lord Orville, and then attended the ladies to the drawing-room.",
"The conversation, till tea-time, was extremely insipid; Mrs. Selwyn\nreserved herself for the gentlemen, Mrs. Beaumont was grave, and Lady\nLouisa languid.",
"But, at tea, every body revived; we were joined by the gentlemen,\nand gaiety took the place of dullness.",
"Since I, as Mr. Lovel says, am Nobody, I seated myself quietly at a\nwindow, and not very near to any body: Lord Merton, Mr. Coverley,\nand Mr. Lovel, severally passed me without notice, and surrounded\nthe chair of Lady Louisa Larpent.",
"I must own, I was rather piqued at\nthe behaviour of Mr. Lovel, as he had formerly known me.",
"It is true,\nI most sincerely despise his foppery; yet I should be grieved to meet\nwith contempt from any body.",
"But I was by no means sorry to find,\nthat Lord Merton was determined not to know me before Lady Louisa,\nas his neglect relieved me from much embarrassment.",
"As to Mr.\nCoverley, his attention or disregard were equally indifferent to\nme.",
"Yet, altogether, I feel extremely uncomfortable in finding myself\nconsidered in a light very inferior to the rest of the company.",
"But when Lord Orville appeared, the scene changed: he came up stairs\nlast; and, seeing me sit alone, not only spoke to me directly, but\ndrew a chair next mine, and honoured me with his entire attention.",
"He enquired very particularly after my health, and hoped I had already\nfound benefit from the Bristol air.",
"\"How little did I imagine,\"\nadded he, \"when I had last the pleasure of seeing you in town, that\nill health would in so short a time have brought you hither!",
"I am\nashamed of myself for the satisfaction I feel at seeing you,-yet,\nhow can I help it?\"",
"He then enquired after the Mirvan family, and spoke of Mrs. Mirvan\nin terms of most just praise.",
"\"She is gentle and amiable,\" said he,\n\"a true feminine character.\"",
"\"Yes, indeed,\" answered I: \"and her sweet daughter, to say every\nthing of her at once, is just the daughter such a mother deserves.\"",
"\"I am glad of it,\" said he, \"for both their sakes, as such near\nrelations must always reflect credit or disgrace on each other.\"",
"After this he began to speak of the beauties of Clifton; but,\nin a few moments, he was interrupted by a call from the company,\nto discuss the affair of the wager.",
"Lord Merton and Mr. Coverley,\nthough they had been discoursing upon the subject some time, could\nnot fix upon the thing that satisfied them both.",
"When they asked the assistance of Lord Orville, he proposed that every\nbody present should vote something; and that the two gentlemen should\ndraw lots which, from the several votes, should decide the bet.",
"\"We must then begin with the ladies,\" said Lord Orville; and applied\nto Mrs. Selwyn.",
"\"With all my heart,\" answered she, with her usual readiness; \"and,\nsince the gentlemen are not allowed to risk their necks, suppose we\ndecide the bet by their heads?\"",
"\"By our heads?\"",
"cried Mr. Coverley.",
"\"Egad, I don't understand you.\"",
"\"I will then explain myself more fully.",
"As I doubt not but you are\nboth excellent classics, suppose, for the good of your own memories,\nand the entertainment and surprise of the company, the thousand pounds\nshould fall to the share of him who can repeat by heart the longest\node of Horace?\"",
"Nobody could help laughing, the two gentlemen applied to excepted;\nwho seemed, each of them, rather at a loss in what manner to receive\nthis unexpected proposal.",
"At length Mr. Coverley, bowing low, said,\n\"Will your Lordship please to begin?\"",
"\"Devil take me if I do!\"",
"answered he, turning on his heel, and stalking\nto the window.",
"\"Come, gentlemen,\" said Mrs. Selwyn, \"why do you hesitate?",
"I am sure\nyou cannot be afraid of a weak woman?",
"Besides, if you should chance to\nbe out, Mr. Lovel, I dare say, will have the goodness to assist you.\"",
"The laugh now turned against Mr. Lovel, whose change of countenance\nmanifested no great pleasure at the transition.",
"\"Me, Madam!\"",
"said he, colouring; \"no, really I must beg to be excused.\"",
"\"Why so, Sir?\"",
"\"Why so, Ma'am!-Why, really-as to that,-'pon honour, Ma'am, you\nare rather-a little severe;-for how is it possible for a man who\nis in the house, to study the classics?",
"I assure you, Ma'am, (with\nan affected shrug) I find quite business enough for my poor head in\nstudying politics.\"",
"\"But, did you study politics at school, and at the university?\"",
"\"At the university!\"",
"repeated he, with an embarrassed look; \"why,\nas to that, Ma'am,-no, I can't say I did; but then, what with\nriding,-and -and-and so forth,-really, one has not much time, even\nat the university, for mere reading.\"",
"\"But, to be sure, Sir, you have read the classics?\"",
"\"O dear, yes, Ma'am!-very often,-but not very-not very lately.\"",
"\"Which of the Odes do you recommend to these gentlemen to begin with?\"",
"\"Which of the Odes!-Really, Ma'am, as to that, I have no very\nparticular choice;-for, to own the truth, that Horace was never a\nvery great favourite with me.\"",
"\"In truth I believe you!\"",
"said Mrs. Selwyn, very drily.",
"Lord Merton, again advancing into the circle, with a nod and a laugh,\nsaid, \"Give you joy, Lovel!\"",
"Lord Orville next applied to Mrs. Beaumont for her vote.",
"\"It would very agreeably remind me of past times,\" said she, \"when\nbowing was in fashion, if the bet was to depend upon the best made\nbow.\"",
"\"Egad, my Lord,\" cried Mr. Coverley, \"there I should beat you hollow,\nfor your Lordship never bows at all.\"",
"\"And pray, Sir, do you?\"",
"said Mrs. Selwyn.",
"\"Do I, Ma'am?\"",
"cried he; \"why, only see!\"",
"\"I protest,\" cried she, \"I should have taken that for a shrug, if\nyou had not told me 'twas a bow.\"",
"\"My lord,\" cried Mr. Coverley, \"let's practise;\" and then, most\nridiculously, they pranced about the room, making bows.",
"\"We must now,\" said Lord Orville, turning to me, \"call upon Miss\nAnville.\"",
"\"O no, my Lord,\" cried I; \"indeed I have nothing to propose.\"",
"He would\nnot, however, be refused; but urged me so much to say something, that\nat last, not to make him wait any longer, I ventured to propose an\nextempore couplet upon some given subject.",
"Mr. Coverley instantly\nmade me a bow, or, according to Mrs. Selwyn, a shrug, crying,\n\"Thank you, Ma'am; egad, that's my forte!-why, my Lord, the Fates\nseem against you.\"",
"Lady Louisa was then applied to; and every body seemed eager to\nhear her opinion.",
"\"I don't know what to say, I declare,\" cried she,\naffectedly; \"can't you pass me?\"",
"\"By no means,\" said Lord Merton.",
"\"Is it possible your Ladyship can make so cruel a request?\"",
"said\nMr. Lovel.",
"\"Egad,\" cried Mr. Coverley, \"if your Ladyship does not help us in\nthis dilemma, we shall be forced to return to our phaetons.\"",
"\"Oh!\"",
"cried Lady Louisa, screaming; \"you frightful creature, you,\nhow can you be so abominable?\"",
"I believe this trifling lasted near half an hour; when at length,\nevery body being tired, it was given up, and she said she would\nconsider against another time.",
"Lord Orville now called upon Mr. Lovel; who, after about ten minutes'\ndeliberation, proposed, with a most important face, to determine the\nwager by who should draw the longest straw!",
"I had much difficulty to forbear laughing at this unmeaning scheme;\nbut saw, to my great surprise, not the least change of countenance in\nany other person: and, since we came home, Mrs. Selwyn has informed me,\nthat to draw straws is a fashion of betting by no means uncommon.",
"Good\nGod!",
"my dear Sir, does it not seem as if money were of no value or\nservice, since those who possess, squander it away in a manner so\ninfinitely absurd?",
"It now only remained for Lord Orville to speak; and the attention of\nthe company showed the expectations he had raised; yet, I believe, they\nby no means prevented his proposal from being heard with amazement;\nfor it was no other, than that the money should be his due, who,\naccording to the opinion of the judges, should bring the worthiest\nobject with whom to share it!",
"They all stared, without speaking.",
"Indeed, I believe every one, for a\nmoment at least, experienced something like shame, from having either\nproposed or countenanced an extravagance so useless and frivolous.",
"For\nmy part, I was so much struck and affected by a rebuke so noble to\nthese spendthrifts, that I felt my eyes filled with tears.",
"The short silence and momentary reflection into which the company was\nsurprised, Mr. Coverley was the first to dispel, by saying, \"Egad,\nmy Lord, your Lordship has a most remarkable odd way of taking things.\"",
"\"Faith,\" said the incorrigible Lord Merton, \"if this scheme takes, I\nshall fix upon my Swiss to share with me; for I don't know a worthier\nfellow breathing.\"",
"After a few more of these attempts at wit, the two gentlemen agreed\nthat they would settle the affair the next morning.",
"The conversation then took a different turn; but I did not give it\nsufficient attention to write any account of it.",
"Not long after,\nLord Orville, resuming his seat near mine, said, \"Why is Miss Anville\nso thoughtful?\"",
"\"I am sorry, my Lord,\" said I, \"to consider myself among those who\nhave so justly incurred your censure.\"",
"\"My censure!-you amaze me!\"",
"\"Indeed, my Lord, you have made me quite ashamed of myself for having\ngiven my vote so foolishly, when an opportunity offered, if, like your\nLordship, I had had the sense to use it, of showing some humanity.\"",
"\"You treat this too seriously,\" said he, smiling; \"and I hardly know\nif you do not now mean a rebuke to me.\"",
"\"To you, my Lord!\"",
"\"Nay, who are most deserving of it; those who adapt their conversation\nto the company, or those who affect to be superior to it?\"",
"\"O, my Lord, who else would do you so little justice?\"",
"\"I flatter myself,\" answered he, \"that, in fact, your opinion and\nmine, in this point, are the same, though you condescended to comply\nwith the humour of the company.",
"It is for me, therefore, to apologize\nfor so unseasonable a gravity, which, but for the particular interest\nthat I now take in the affairs of Lord Merton, I should not have been\nso officious to display.\"",
"Such a compliment as this could not fail to reconcile me to myself;\nand with revived spirits, I entered into a conversation, which he\nsupported with me till Mrs. Selwyn's carriage was announced; and we\nreturned home.",
"During our ride, Mrs. Selwyn very much surprised me, by asking, if\nI thought my health would now permit me to give up my morning walks\nto the pump-room, for the purpose of spending a week at Clifton?",
"\"for\nthis poor Mrs. Beaumont,\" added she, \"is so eager to have a discharge\nin full of her debt to me, that out of mere compassion, I am induced\nto listen to her.",
"Besides, she has always a house full of people;\nand, though they are chiefly fools and cox-combs, yet there is some\npleasure in cutting them up.\"",
"I begged I might not, by any means, prevent her following her\ninclination, as my health was now very well established.",
"And so, my\ndear Sir, to-morrow we are to be actually the guests of Mrs. Beaumont.",
"I am not much delighted at this scheme; for, greatly as I am flattered\nby the attention of Lord Orville, it is not very comfortable to\nbe neglected by every body else.",
"Besides, as I am sure I owe the\nparticularity of his civility to a generous feeling for my situation,\nI cannot expect him to support it so long as a week.",
"How often do I wish, since I am absent from you, that I was under the\nprotection of Mrs. Mirvan!",
"It is true, Mrs. Selwyn is very obliging,\nand, in every respect, treats me as an equal; but she is contented with\nbehaving well herself, and does not, with a distinguishing politeness,\nraise and support me with others.",
"Yet I mean not to blame her, for I\nknow she is sincerely my friend; but the fact is, she is herself so\nmuch occupied in conversation, when in company, that she has neither\nleisure nor thought to attend to the silent.",
"Well, I must take my chance!",
"But I knew not, till now, how requisite\nare birth and fortune to the attainment of respect and civility.",
"</CHAPTER>\n\n<CHAPTER>\nLETTER LXV.",
"EVELINA IN CONTINUATION.",
"Clifton, Sept. 20th.",
"HERE I am, my dear Sir, under the same roof, and an inmate of the\nsame house as Lord Orville!",
"Indeed, if this were not the case, my\nsituation would be very disagreeable, as you will easily believe,\nwhen I tell you the light in which I am generally considered.",
"\"My dear,\" said Mrs. Selwyn, \"did you ever before meet with that\negregious fop, Lovel?\"",
"I very readily satisfied her as to my acquaintance with him.",
"\"O, then,\" said she, \"I am the less surprised at his ill-nature,\nsince he has already injured you.\"",
"I begged her to explain herself; and then she told me, that while\nLord Orville was speaking to me, Lady Louisa said to Mr. Lovel,\n\"Do you know who that is?\"",
"\"Why, Ma'am, no, 'pon honour,\" answered he, \"I can't absolutely say\nI do; I only know she is a kind of a toad-eater.",
"She made her first\nappearance in that capacity last spring, when she attended Miss Mirvan,\na young lady of Kent.\"",
"How cruel is it, my dear Sir, to be thus exposed to the impertinent\nsuggestions of a man who is determined to do me ill offices!",
"Lady\nLouisa may well despise a toad-eater; but, thank Heaven,\nher brother has not heard, or does not credit, the mortifying\nappellation.",
"Mrs. Selwyn said, she would advise me to pay my court\nto this Mr. Lovel; \"for,\" said she, \"though he is malicious, he is\nfashionable, and may do you some harm in the great world.\"",
"But I\nshould disdain myself as much as I do him, were I capable of such\nduplicity as to flatter a man whom I scorn and despise.",
"We were received by Mrs. Beaumont with great civility, and by Lord\nOrville with something more.",
"As to Lady Louisa, she scarcely perceived\nthat we were in the room.",
"There has been company here all day, part of which I have spent most\nhappily: for after tea, when the ladies played at cards, Lord Orville,\nwho does not, and I, who cannot play, were consequently at our own\ndisposal; and then his Lordship entered into a conversation with me,\nwhich lasted till supper-time.",
"Almost insensibly, I find the constraint, the reserve, I have been wont\nto feel in his presence, wear away; the politeness, the sweetness,\nwith which he speaks to me, restore all my natural cheerfulness,\nand make me almost as easy as he is himself;-and the more so, as,\nif I may judge by his looks, I am rather raised, than sunk of late\nin his opinion.",
"I asked him how the bet was, at last, to be decided?",
"He told me that,\nto his great satisfaction, the parties had been prevailed upon to\nlower the sum from one thousand to one hundred pounds; and that they\nhad agreed it should be determined by a race between two old women,\none of whom was to be chosen by each side, and both were to be proved\nmore than eighty years of age, though, in other respects strong and\nhealthy as possible.",
"When I expressed my surprise at this extraordinary method of spending\nso much money, \"I am charmed,\" said he, \"at the novelty of meeting\nwith one so unhackneyed in the world, as not to be yet influenced\nby custom to forget the use of reason: for certain it is, that the\nprevalence of fashion makes the greatest absurdities pass uncensured,\nand the mind naturally accommodates itself even to the most ridiculous\nimproprieties, if they occur frequently.\"",
"\"I should have hoped,\" said I, \"that the humane proposal made yesterday\nby your Lordship, would have had more effect.\"",
"\"O,\" cried he, laughing, \"I was so far from expecting any success,\nthat I shall think myself very fortunate if I escape the wit of\nMr. Coverley in a lampoon!",
"yet I spoke openly, because I do not wish\nto conceal that I am no friend to gaming.\"",
"After this, he took up the New Bath Guide, and read it with me till\nsupper-time.",
"In our way down stairs, Lady Louisa said, \"I thought,\nbrother, you were engaged this evening?\"",
"\"Yes, sister,\" answered he, \"and I have been engaged.\"",
"And he bowed\nto me with an air of gallantry that rather confused me.",
"Sept. 23rd.",
"Almost insensibly have three days glided on since I wrote last, and so\nserenely, that, but for your absence, I could not have formed a wish.",
"My residence here is much happier than I had dared expect.",
"The\nattention with which Lord Orville honours me, is as uniform as it\nis flattering, and seems to result from a benevolence of heart that\nproves him as much a stranger to caprice as to pride; for, as his\nparticular civilities arose from a generous resentment at seeing me\nneglected, so will they, I trust, continue, as long as I shall, in\nany degree, deserve them.",
"I am now not merely easy, but even gay in\nhis presence: such is the effect of true politeness, that it banishes\nall restraint and embarrassment.",
"When we walk out, he condescends\nto be my companion, and keeps by my side all the way we go.",
"When we\nread, he marks the passages most worthy to be noticed, draws out my\nsentiments, and favours me with his own.",
"At table, where he always\nsits next to me, he obliges me by a thousand nameless attentions;\nwhile the distinguishing good-breeding with which he treats me,\nprevents my repining at the visibly-felt superiority of the rest of\nthe company.",
"A thousand occasional meetings could not have brought\nus to that degree of social freedom, which four days spent under\nthe same roof have, insensibly, been productive of: and, as my only\nfriend in this house, Mrs. Selwyn, is too much engrossed in perpetual\nconversation to attend much to me, Lord Orville seems to regard me\nas a helpless stranger, and, as such, to think me entitled to his\ngood offices and protection.",
"Indeed, my dear Sir, I have reason to\nhope, that the depreciating opinion he formerly entertained of me is\nsucceeded by one infinitely more partial.-It may be that I flatter\nmyself; but yet his looks, his attentions, his desire of drawing\nme into conversation, and his solicitude to oblige me, all conspire\nto make me hope I do not.",
"In short, my dearest Sir, these last four\nhappy days would repay me for months of sorrow and pain!",
"</CHAPTER>\n\n<CHAPTER>\n LETTER LXVI.",
"EVELINA IN CONTINUATION.",
"Clifton, Sept. 24th.",
"THIS morning I came down stairs very early; and supposing that the\nfamily would not assemble for some time, I strolled out, purposing\nto take a long walk, in the manner I was wont to do at Berry Hill,\nbefore breakfast: but I had scarce shut the garden-gate, before I\nwas met by a gentleman, who, immediately bowing to me, I recollected\nto be the unhappy Mr. Macartney.",
"Very much surprised, I courtsied,\nand stopped till he came up to me.",
"He was still in mourning, but\nlooked better than when I saw him last, though he had the same air\nof melancholy which so much struck me at first sight of him.",
"Addressing me with the utmost respect, \"I am happy, Madam,\" said he,\n\"to have met with you so soon.",
"I came to Bristol but yesterday,\nand have had no small difficulty in tracing you to Clifton.\"",
"\"Did you know, then, of my being here?\"",
"\"I did, Madam; the sole motive of my journey was to see you.",
"I have\nbeen to Berry Hill, and there I had my intelligence, and, at the same\ntime, the unwelcome information of your ill health.\"",
"\"Good God!",
"Sir,-and can you possibly have taken so much trouble?\"",
"\"Trouble!",
"O, Madam, could there be any, to return you, the moment I\nhad the power, my personal acknowledgments for your goodness?\"",
"I then enquired after Madame Duval and the Snow-Hill family.",
"He told\nme they were all well, and that Madame Duval proposed soon returning\nto Paris.",
"When I congratulated him on looking better, \"It is yourself,\nMadam,\" said he, \"you should congratulate; for to your humanity alone\nit may now be owing that I exist at all.\"",
"He then told me, that his\naffairs were now in a less desperate situation; and that he hoped, by\nthe assistance of time and reason, to accommodate his mind to a more\ncheerful submission to his fate.",
"\"The interest you so generously took\nin my affliction,\" added he, \"assures me you will not be displeased to\nhear of my better fortune; I was therefore eager to acquaint you with\nit.\"",
"He then told me that his friend, the moment he had received his\nletter, quitted Paris, and flew to give him his personal assistance and\nconsolation.",
"With a heavy heart, he acknowledged, he accepted it; \"but\nyet,\" he added, \"I have accepted it; and therefore, as bound equally\nby duty and honour, my first step was to hasten to the benefactress\nof my distress, and to return\" (presenting me something in a paper)\n\"the only part of my obligations that can be returned; for the rest,\nI have nothing but my gratitude to offer, and must always be contented\nto consider myself her debtor.\"",
"I congratulated him most sincerely upon his dawning prosperity, but\nbegged he would not deprive me of the pleasure of being his friend;\nand declined receiving the money, till his affairs were more settled.",
"While this point was in agitation, I heard Lord Orville's voice\ninquiring of the gardener if he had seen me?",
"I immediately opened the\ngarden gate; and his Lordship, advancing to me with quickness, said,\n\"Good God!",
"Miss Anville, have you been out alone?",
"Breakfast has been\nready some time, and I have been round the garden in search of you.\"",
"\"Your Lordship has been very good,\" said I; \"but I hope you have\nnot waited.\"",
"\"Not waited!\"",
"repeated he, smiling: \"Do you think we could sit down\nquietly to breakfast, with the idea that you had run away from us?",
"But\ncome,\" (offering to hand me) \"if we do not return, they will suppose\nI am run away too; and they very naturally may, as they know the\nattraction of the magnet that draws me.\"",
"\"I will come, my Lord,\" said I, rather embarrassed, \"in two\nminutes.\"",
"Then, turning to Mr. Macartney, with yet more embarrassment,\nI wished him good morning.",
"He advanced towards the garden, with the paper still in his hand.",
"\"No, no,\" cried I, \"some other time.\"",
"\"May I then, Madam, have the honour of seeing you again?\"",
"I did not dare take the liberty of inviting any body to the house\nof Mrs. Beaumont, nor yet had I the presence of mind to make an\nexcuse; and, therefore, not knowing how to refuse him, I said,\n\"Perhaps you may be this way again to-morrow morning,-and I believe\nI shall walk out before breakfast.\"",
"He bowed, and went away; while I, turning again to Lord Orville,\nsaw his countenance so much altered, that I was frightened at what I\nhad so hastily said.",
"He did not again offer me his hand; but walked,\nsilent and slow, by my side.",
"Good Heaven!",
"thought I, what may he not\nsuppose from this adventure?",
"May he not, by my desire of meeting\nMr. Macartney to-morrow, imagine it was by design I walked out to\nmeet him to-day?",
"Tormented by this apprehension, I determined to\navail myself of the freedom which his behaviour, since I came hither,\nhas encouraged; and, since he would not ask any questions, begin\nan explanation myself.",
"I therefore slackened my pace to gain time;\nand then said, \"Was not your Lordship surprised to see me speaking\nwith a stranger?\"",
"\"A stranger?\"",
"repeated he; \"is it possible that gentleman can be a\nstranger to you?\"",
"\"No, my Lord,\" said I, stammering, \"not to me -but only it might\nlook-he might seem-\"\n\n\"No, believe me,\" said he, with a forced smile, \"I could never suppose\nMiss Anville would make an appointment with a stranger.\"",
"\"An appointment, my Lord?\"",
"repeated I, colouring violently.",
"\"Pardon me, Madam,\" answered he, \"but I thought I had heard one.\"",
"I was so much confounded that I could not speak: yet, finding he walked\nquietly on, I could not endure he should make his own interpretation\nof my silence: and therefore, as soon as I recovered from my surprise,\nI said, \"Indeed, my Lord, you are much mistaken, Mr. Macartney had\nparticular business with me-and I could not-I knew not, how to refuse\nseeing him;-but indeed, my Lord-I had not,-he had not,-\" I stammered\nso terribly that I could not go on.",
"\"I am very sorry,\" said he, gravely, \"that I have been so unfortunate\nas to distress you; but I should not have followed you had I not\nimagined you were merely walked out for the air.\"",
"\"And so I was!\"",
"cried I, eagerly, \"indeed, my Lord, I was!",
"My meeting\nwith Mr. Macartney was quite accidental; and, if your Lordship thinks\nthere is any impropriety in my seeing him to-morrow, I am ready to\ngive up that intention.\"",
"\"If I think!\"",
"said he, in a tone of surprise; \"surely Miss Anville\ncannot leave the arbitration of a point so delicate to one who is\nignorant of all the circumstances which attend it?\"",
"\"If,\" said I, \"it was worth your Lordship's time to hear them,-you\nshould not be ignorant of the circumstances which attend it.\"",
"\"The sweetness of Miss Anville's disposition,\" said he, in a softened\nvoice, \"I have long admired; and the offer of a communication, which\ndoes me so much honour, is too grateful to me not to be eagerly\ncaught at.\"",
"Just then Mrs. Selwyn opened the parlour window, and our conversation\nended.",
"I was rallied upon my passion for solitary walking; but no\nquestions were asked me.",
"When breakfast was over, I hoped to have had some opportunity of\nspeaking with Lord Orville; but Lord Merton and Mr. Coverley came in,\nand insisted up his opinion of the spot they had fixed upon for the\nold women's race.",
"The ladies declared they would be of the party;\nand accordingly we all went.",
"The race is to be run in Mrs. Beaumont's garden; the two gentlemen\nare as anxious, as if their joint lives depended upon it.",
"They\nhave at length fixed upon objects; but have found great difficulty\nin persuading them to practise running, in order to try their\nstrength.",
"This grand affair is to be decided next Thursday.",
"When we returned to the house, the entrance of more company still\nprevented my having any conversation with Lord Orville.",
"I was\nvery much chagrined, as I knew he was engaged at the Hotwells in\nthe afternoon.",
"Seeing, therefore, no probability of speaking to him\nbefore the time of my meeting Mr. Macartney arrived, I determined that,\nrather than risk his ill opinion, I would leave Mr. Macartney to his\nown suggestions.",
"Yet, when I reflected upon his peculiar situation, his poverty, his\nsadness, and, more than all the rest, the idea I knew he entertained\nof what he calls his obligations to me, I could not resolve upon a\nbreach of promise, which might be attributed to causes, of all the\nothers the most offensive to one whom misfortune has made extremely\nsuspicious of slights and contempt.",
"After the most uneasy consideration, I at length determined upon\nwriting an excuse, which would, at once, save me from either meeting\nor affronting him.",
"I therefore begged Mrs. Selwyn's leave to send\nher man to the Hotwells, which she instantly granted; and then I\nwrote the following note:\n\n \"To Mr. Macartney.",
"\"SIR,\n\n \"As it will not be in my power to walk out to-morrow morning,\n I would\n by no means give you the trouble of coming to Clifton.",
"I hope,\n however, to have the pleasure of seeing you before you quit\n Bristol.",
"I am, Sir, your obedient servant, \"EVELINA ANVILLE.\"",
"I desired the servant to enquire at the pump-room where Mr. Macartney\nlived, and returned to the parlour.",
"As soon as the company dispersed, the ladies retired to dress.",
"I then,\nunexpectedly, found myself alone with Lord Orville; who, the moment\nI rose to follow Mrs. Selwyn, advanced to me, and said, \"Will Miss\nAnville pardon my impatience, if I remind her of the promise she was\nso good as to make me this morning?\"",
"I stopped, and would have returned to my seat; but before I had time,\nthe servants came to lay the cloth.",
"He retreated, and went towards\nthe window; and, while I was considering in what manner to begin,\nI could not help asking myself what right I had to communicate the\naffairs of Mr. Macartney: and I doubted whether, to clear myself from\none act of imprudence, I had not committed another.",
"Distressed by this reflection, I thought it best to quit the room,\nand give myself some time for consideration before I spoke; and\ntherefore, only saying I must hasten to dress, I ran up stairs,\nrather abruptly I own; and so, I fear, Lord Orville must think.",
"Yet\nwhat could I do?",
"Unused to the situations in which I find myself, and\nembarrassed by the slightest difficulties, I seldom, till too late,\ndiscover how I ought to act.",
"Just as we were all assembled to dinner, Mrs. Selwyn's man, coming\ninto the parlour, presented to me a letter, and said, \"I can't find\nout Mr. Macartney, Madam; but the post-office people will let you\nknow if they hear of him.\"",
"I was extremely ashamed of this public message; and, meeting the\neyes of Lord Orville, which were earnestly fixed on me, my confusion\nredoubled, and I knew not which way to look.",
"All dinner-time he was\nas silent as myself; and the moment it was in my power I left the\ntable, and went to my own room.",
"Mrs. Selwyn presently followed me;\nand her questions obliged me to own almost all the particulars of\nmy acquaintance with Mr. Macartney, in order to excuse my writing to\nhim.",
"She said it was a most romantic affair, and spoke her sentiments\nwith great severity; declaring that she had no doubt but he was an\nadventurer and an impostor.",
"And now, my dear Sir, I am totally at a loss what I ought to do; the\nmore I reflect, the more sensible I am of the utter impropriety, nay,\ntreachery, of revealing the story, and publishing the misfortunes and\npoverty of Mr. Macartney; who has an undoubted right to my secrecy and\ndiscretion, and whose letter charges me to regard his communication as\nsacred.-And yet, the appearance of mystery,-perhaps something worse,\nwhich this affair must have to Lord Orville,-his seriousness,-and\nthe promise I have made him, are inducements scarce to be resisted\nfor trusting him with the openness he has reason to expect from me.",
"I am equally distressed, too, whether or not I should see Mr. Macartney\nto-morrow morning.",
"Oh, Sir, could I now be enlightened by your counsel, from what anxiety\nand perplexity should I be relieved!",
"But now,-I ought not to betray Mr. Macartney, and I will not forfeit\na confidence which would never have been reposed in me, but from\na reliance upon my honour, which I should blush to find myself\nunworthy of.",
"Desirous as I am of the good opinion of Lord Orville,\nI will endeavour to act as if I was guided by your advice; and,\nmaking it my sole aim to deserve it, leave to time and to fate my\nsuccess or disappointment.",
"Since I have formed this resolution, my mind is more at ease.",
"But I\nwill not finish my letter till the affair is decided.",
"Sept. 25th.",
"I rose very early this morning; and, after a thousand different plans,\nnot being able to resolve upon giving poor Mr. Macartney leave to\nsuppose I neglected him, I thought it incumbent upon me to keep my\nword, since he had not received my letter; I therefore determined\nto make my own apologies, not to stay with him two minutes, and to\nexcuse myself from meeting him any more.",
"Yet, uncertain whether I was wrong or right, it was with fear\nand trembling that I opened the garden-gate;-judge then, of my\nfeelings, when the first object I saw was Lord Orville!-he, too,\nlooked extremely disconcerted, and said, in a hesitating manner,\n\"Pardon me, Madam,-I did not intend,-I did not imagine you would\nhave been here so soon-or-or I would not have come.",
"\"-And then, with\na hasty bow, he passed me, and proceeded to the garden.",
"I was scarce able to stand, so greatly did I feel myself shocked; but,\nupon my saying, almost involuntarily, \"Oh, my Lord!",
"\"-he turned back,\nand, after a short pause, said, \"Did you speak to me, Madam?\"",
"I could not immediately answer; I seemed choaked, and was even forced\nto support myself by the garden-gate.",
"Lord Orville, soon recovering his dignity, said, \"I know not how\nto apologize for being, just now, at this place;-and I cannot,\nimmediately-if ever -clear myself from the imputation of impertinent\ncuriosity, to which I fear you will attribute it: however, at\npresent, I will only intreat your pardon, without detaining you any\nlonger.\"",
"Again he bowed, and left me.",
"For some moments I remained fixed to the same spot, and in the same\nposition, immoveable, as if I had been transformed to a stone.",
"My first\nimpulse was to call him back, and instantly tell him the whole affair;\nbut I checked this desire, though I would have given the world to\nhave indulged it; something like pride aided what I thought due to\nMr. Macartney, and I determined not only to keep his secret, but to\ndelay any sort of explanation till Lord Orville should condescend to\nrequest it.",
"Slowly he walked; and, before he entered the house, he looked back,\nbut hastily withdrew his eyes, upon finding I observed him.",
"Indeed, my dear Sir, you cannot easily imagine a situation more\nuncomfortable than mine was at that time; to be suspected by Lord\nOrville of any clandestine actions wounded my soul; I was too much\ndiscomposed to wait for Mr. Macartney, nor in truth, could I endure to\nhave the design of my staying so well known.",
"Yet I was so extremely\nagitated, that I could hardly move; and I have reason to believe\nLord Orville, from the parlour-window, saw me tottering along; for,\nbefore I had taken five steps, he came out, and, hastening to meet\nme, said, \"I fear you are not well; pray, allow me (offering his arm)\nto assist you.\"",
"\"No, my Lord,\" said I, with all the resolution I could assume; yet\nI was affected by an attention, at that time so little expected,\nand forced to turn away my head to conceal my emotion.",
"\"You must,\" said he, with earnestness, \"indeed you must,-I am sure\nyou are not well;-refuse me not the honour of assisting you;\" and,\nalmost forcibly, he took my hand, and, drawing it under his arm,\nobliged me to lean upon him.",
"That I submitted was partly the effect of\nsurprise, at an earnestness so uncommon in Lord Orville, and, partly,\nthat I did not just then dare trust my voice to make any objection.",
"When we came to the house, he led me into the parlour, and to a\n chair, and\nbegged to know if I would not have a glass of water.",
"\"No, my Lord, I thank you,\" said I, \"I am perfectly recovered;\" and,\nrising, I walked to the window, where, for some time, I pretended to\nbe occupied in looking at the garden.",
"Determined as I was to act honourably by Mr. Macartney, I yet most\nanxiously wished to be restored to the good opinion of Lord Orville;\nbut his silence, and the thoughtfulness of his air, discouraged me\nfrom speaking.",
"My situation soon grew disagreeable and embarrassing, and I resolved\nto return to my chamber till breakfast was ready.",
"To remain longer I\nfeared might seem asking for his enquiries; and I was sure it would\nill become me to be more eager to speak, than he was to hear.",
"Just as I reached the door, turning to me hastily, he said, \"Are you\ngoing, Miss Anville?\"",
"\"I am, my Lord,\" answered I; yet I stopped.",
"\"Perhaps to return to-but I beg your pardon!\"",
"He spoke with a degree\nof agitation that made me readily comprehend he meant to the garden;\nand I instantly said, \"To my own room, my Lord.\"",
"And again I would have\ngone; but, convinced by my answer that I understood him, I believe he\nwas sorry for the insinuation: he approached me with a very serious\nair, though at the same time he forced a smile, and said, \"I know\nnot what evil genius pursues me this morning, but I seem destined to\ndo or to say something I ought not: I am so much ashamed of myself,\nthat I can scarce solicit your forgiveness.\"",
"\"My forgiveness!",
"my Lord?\"",
"cried I, abashed, rather than elated by\nhis condescension; \"surely you cannot-you are not serious?\"",
"\"Indeed, never more so!",
"yet, if I may be my own interpreter, Miss\nAnville's countenance pronounces my pardon.\"",
"\"I know not, my Lord, how any one can pardon, who never has been\noffended.\"",
"\"You are very good; yet I could expect no less from a sweetness of\ndisposition which baffles all comparison: you will not think I am an\nencroacher, and that I take advantage of your goodness, should I once\nmore remind you of the promise you vouchsafed me yesterday?\"",
"\"No, indeed; on the contrary I shall be very happy to acquit myself\nin your Lordship's opinion.\"",
"\"Acquittal you need not,\" said he, leading me again to the window;\n \"yet I\nown my curiosity is strongly excited.\"",
"When I was seated, I found myself much at a loss what to say; yet,\nafter a short silence, assuming all the courage in my power, \"Will you\nnot, my Lord,\" said I, \"think me trifling and capricious, should I own\nI have repented the promise I made, and should I entreat your Lordship\nnot to insist upon my strict performance of it?",
"\"-I spoke so hastily,\nthat I did not, at the time, consider the impropriety of what I said.",
"As he was entirely silent, and profoundly attentive, I continued to\nspeak without interruption.",
"\"If your Lordship, by any other means, knew the circumstances attending\nmy acquaintance with Mr. Macartney, I am most sure you would yourself\ndisapprove my relating them.",
"He is a gentleman, and has been very\nunfortunate;-but I am not-I think,-at liberty to say more: yet I am\nsure, if he knew your Lordship wished to hear any particulars of his\naffairs, he would readily consent to my acknowledging them;-shall I,\nmy Lord, ask his permission?\"",
"\"His affairs!\"",
"repeated Lord Orville; \"by no means, I have not the\nleast curiosity about them.\"",
"\"I beg your Lordship's pardon,-but indeed I had understood the\ncontrary.\"",
"\"Is it possible, Madam, you could suppose the affairs of an utter\nstranger can excite my curiosity?\"",
"The gravity and coldness with which he asked this question very\nmuch abashed me.",
"But Lord Orville is the most delicate of men!",
"and,\npresently recollecting himself, he added, \"I mean not to speak with\nindifference of any friend of yours,-far from it; any such will always\ncommand my good wishes: yet I own I am rather disappointed; and though\nI doubt not the justice of your reason, to which I implicitly submit,\nyou must not wonder, that, when upon the point of being honoured\nwith your confidence, I should feel the greatest regret at finding\nit withdrawn.\"",
"Do you think, my dear sir, I did not, at that moment, require all my\nresolution to guard me from frankly telling him whatever he wished\nto hear?",
"yet I rejoice that I did not; for, added to the actual wrong\nI should have done, Lord Orville himself, when he had heard, would,\nI am sure, have blamed me.",
"Fortunately, this thought occurred to me;\nan I said, \"Your Lordship shall yourself be my judge; the promise\nI made, though voluntary, was rash and inconsiderate; yet, had it\nconcerned myself, I would not have hesitated in fulfilling it; but\nthe gentleman, whose affairs I should be obliged to relate-\"\n\n\"Pardon me,\" cried he, \"for interrupting you; yet allow me to assure\nyou, I have not the slightest desire to be acquainted with his affairs,\nfurther than what belongs to the motives which induced you yesterday\nmorning-\" He stopped; but there was no occasion to say more.",
"\"That, my Lord,\" cried I, \"I will tell you honestly.",
"Mr. Macartney\nhad some particular business with me, and I could not take the liberty\nto ask him hither.\"",
"\"And why not?-Mr. Beaumont, I am sure-\"\n\n\"I could not, my Lord, think of intruding upon Mrs. Beaumont's\ncomplaisance; and so, with the same hasty folly I promised your\nLordship, I much more rashly promised to meet him.\"",
"\"And did you?\"",
"\"No, my Lord,\" said I, colouring, \"I returned before he came.\"",
"Again, for some time, we were both silent; yet, unwilling to leave him\nto reflections which could not but be to my disadvantage, I summoned\nsufficient courage to say, \"There is no young creature, my Lord,\nwho so greatly wants, or so earnestly wishes for, the advice and\nassistance of her friends, as I do: I am new to the world, and unused\nto acting for myself;-my intentions are never willfully blameable,\nyet I err perpetually!-I have hitherto been blessed with the most\naffectionate of friends, and, indeed, the ablest of men, to guide\nand instruct me upon every occasion:-but he is too distant, now,\nto be applied to at the moment I want his aid:-and here,-there is\nnot a human being whose counsel I can ask.\"",
"\"Would to Heaven,\" cried he, with a countenance from which all coldness\nand gravity were banished, and succeeded by the mildest benevolence,\n\"that I were worthy,-and capable,-of supplying the place of such a\nfriend to Miss Anville!\"",
"\"You do me but too much honour,\" said I, \"yet I hope your Lordship's\ncandour,-perhaps I ought to say indulgence,-will make some allowance,\non account of my inexperience, for behaviour so inconsiderate:-May I,\nmy Lord, hope that you will?\"",
"\"May I,\" cried he, \"hope that you will pardon the ill-grace with\n which I have\nsubmitted to my disappointment?",
"And that you will permit me (kissing\nmy hand) thus to seal my peace?\"",
"\"Our peace, my Lord!\"",
"said I, with revived spirits.",
"\"This, then,\" said he, again pressing it to his lips, \"for our peace:\nand now,-are we not friends?\"",
"Just then the door opened, and I had only time to withdraw my hand,\nbefore the ladies came in to breakfast.",
"I have been, all day, the happiest of human beings!-to be thus\nreconciled to Lord Orville, and yet to adhere to my resolution,-what\ncould I wish for more?-he too has been very cheerful, and more\nattentive, more obliging to me than ever.",
"Yet Heaven forbid I should\nagain be in a similar situation, for I cannot express how much\nuneasiness I have suffered from the fear of incurring his ill opinion.",
"But what will poor Mr. Macartney think of me?",
"Happy as I am, I much\nregret the necessity I have been under of disappointing him.",
"Adieu, my dearest Sir.",
"</CHAPTER>"
] | [
"There is, indeed, some resemblance in their\nfeatures; but, in their manners, not the least.",
"And now, my dear Sir, do not you think, according to the present\nsituation of affairs, I may give up my resentment, without imprudence\nor impropriety?",
"I am\nashamed of myself for the satisfaction I feel at seeing you,-yet,\nhow can I help it?\"",
"I begged I might not, by any means, prevent her following her\ninclination, as my health was now very well established.",
"It is true, Mrs. Selwyn is very obliging,\nand, in every respect, treats me as an equal; but she is contented with\nbehaving well herself, and does not, with a distinguishing politeness,\nraise and support me with others.",
"We were received by Mrs. Beaumont with great civility, and by Lord\nOrville with something more.",
"</CHAPTER>\n\n<CHAPTER>\n LETTER LXVI.",
"repeated he, smiling: \"Do you think we could sit down\nquietly to breakfast, with the idea that you had run away from us?",
"They\nhave at length fixed upon objects; but have found great difficulty\nin persuading them to practise running, in order to try their\nstrength.",
"\"No, indeed; on the contrary I shall be very happy to acquit myself\nin your Lordship's opinion.\""
] | [
"His Lordship is coming with her!",
"He then enquired after the Mirvan family, and spoke of Mrs. Mirvan\nin terms of most just praise.",
"Your conjecture was certainly right; Lord Orville, when he wrote that\nletter, could not be in his senses.",
"I declare I could not breathe.",
"\"May I,\" cried he, \"hope that you will pardon the ill-grace with\n which I have\nsubmitted to my disappointment?",
"Again he bowed, and left me.",
"She spoke in terms of the\nhighest esteem of Lord Orville, calling him, in Marmontel's words,\n\"Un jeune homme comme il y en a peu.\"",
"\"May I then, Madam, have the honour of seeing you again?\"",
"What a world is this we live in!",
"\"I believe not, unless Lord Merton will favour us with his company.\""
] | [
"Lord Orville laughed and bowed.",
"Mr. Coverley, a little confused, turned\nto Lord Merton, and said, \"No foul play, my Lord!",
"I remember your\nLordship recommended me to the notice of this lady the other morning,\nand, egad, I believe you have been doing me the same office to-day.\"",
"\"Give you joy, Jack!\"",
"cried Lord Merton, with a loud laugh.",
"After this the conversation turned wholly upon eating, a subject\nwhich was discussed with the utmost delight; and, had I not known\nthey were men of rank and fashion, I should have imagined that Lord\nMerton, Mr. Lovel, and Mr. Coverley, had all been professed cooks;\nfor they displayed so much knowledge of sauces and made-dishes,\nand of the various methods of dressing the same things, that I am\npersuaded they must have given much time, and much study, to make\nthemselves such adepts in this art.",
"It would be very difficult to\ndetermine, whether they were most to be distinguished as gluttons or\nepicures; for they were, at once, dainty and voracious, understood the\nright and the wrong of every dish, and alike emptied the one and the\nother.",
"I should have been quite sick of their remarks, had I not been\nentertained by seeing that Lord Orville, who, I am sure, was equally\ndisgusted, not only read my sentiments, but, by his countenance,\ncommunicated to me his own.",
"When dinner was over, Mrs. Beaumont recommended the gentlemen to the\ncare of Lord Orville, and then attended the ladies to the drawing-room.",
"The conversation, till tea-time, was extremely insipid; Mrs. Selwyn\nreserved herself for the gentlemen, Mrs. Beaumont was grave, and Lady\nLouisa languid.",
"But, at tea, every body revived; we were joined by the gentlemen,\nand gaiety took the place of dullness."
] | [
"<CHAPTER>\nLETTER LXII.",
"EVELINA TO THE REV.",
"MR. VILLARS.",
"Bristol Hotwells, Sept. 12th.",
"THE first fortnight that I passed here was so quiet, so serene, that\nit gave me reason to expect a settled calm during my stay; but if I\nmay now judge of the time to come, by the present state of my mind,\nthe calm will be succeeded by a storm, of which I dread the violence!",
"This morning, in my way to the pump-room with Mrs. Selwyn, we were\nboth very much incommoded by three gentlemen, who were sauntering by\nthe side of the Avon, laughing and talking very loud, and lounging so\ndisagreeably, that we knew not how to pass them.",
"They all three fixed\ntheir eyes very boldly upon me, alternately looking under my hat,\nand whispering one another.",
"Mrs. Selwyn assumed an air of uncommon\nsternness, and said, \"You will please, gentlemen, either to proceed\nyourselves, or to suffer us.\"",
"\"Oh!",
"Ma'am,\" cried one of them, \"we will suffer you with the greatest\npleasure in life.\"",
"\"Our peace, my Lord!\"",
"said I, with revived spirits.",
"\"This, then,\" said he, again pressing it to his lips, \"for our peace:\nand now,-are we not friends?\"",
"Just then the door opened, and I had only time to withdraw my hand,\nbefore the ladies came in to breakfast.",
"I have been, all day, the happiest of human beings!-to be thus\nreconciled to Lord Orville, and yet to adhere to my resolution,-what\ncould I wish for more?-he too has been very cheerful, and more\nattentive, more obliging to me than ever.",
"Yet Heaven forbid I should\nagain be in a similar situation, for I cannot express how much\nuneasiness I have suffered from the fear of incurring his ill opinion.",
"But what will poor Mr. Macartney think of me?",
"Happy as I am, I much\nregret the necessity I have been under of disappointing him.",
"Adieu, my dearest Sir.",
"</CHAPTER>"
] | ave not I, my
Lord?"
and she smiled expressively at Lord Merton.
"You have been, as you always are," said he, twisting his whip with
his fingers, "all sweetness."
"O fie, my Lord," cried she, "I know you don't think so; I know you
think me very ill-natured;-don't you, my Lord?"
"No, upon my honour;-how can your Ladyship ask such a question?
Pray
how goes time?
my watch stands."
"It is almost three," answered Mrs. Beaumont.
"Lord, Ma'am, you frighten me!"
cried Lady Louisa; and then, turning
to Lord Merton, "why now, you wicked creature you, did you not tell
me it was but one?"
Mrs. Selwyn then rose to take leave; but Mrs. Beaumont asked if she
would look at the shrubbery.
"I should like it much," answered she,
"but that I fear to fatigue Miss Anville."
Lady Louisa, then, raising her head from her hand, on which it had
leant, turned round to look at me; and having fully satisfied her
curiosity, without any regard to the confusion it gave me, turned
about, and, again leaning on her hand, | <CHAPTER>
LETTER LXII.
EVELINA TO THE REV.
MR. VILLARS.
Bristol Hotwells, Sept. 12th.
THE first fortnight that I passed here was so quiet, so serene, that
it gave me reason to expect a settled calm during my stay; but if I
may now judge of the time to come, by the present state of my mind,
the calm will be succeeded by a storm, of which I dread the violence!
This morning, in my way to the pump-room with Mrs. Selwyn, we were
both very much incommoded by three gentlemen, who were sauntering by
the us
reconciled to Lord Orville, and yet to adhere to my resolution,-what
could I wish for more?-he too has been very cheerful, and more
attentive, more obliging to me than ever.
Yet Heaven forbid I should
again be in a similar situation, for I cannot express how much
uneasiness I have suffered from the fear of incurring his ill opinion.
But what will poor Mr. Macartney think of me?
Happy as I am, I much
regret the necessity I have been under of disappointing him.
Adieu, my dearest Sir.
</CHAPTER> | understand you."
"I will then explain myself more fully.
As I doubt not but you are
both excellent classics, suppose, for the good of your own memories,
and the entertainment and surprise of the company, the thousand pounds
should fall to the share of him who can repeat by heart the longest
ode of Horace?"
Nobody could help laughing, the two gentlemen applied to excepted;
who seemed, each of them, rather at a loss in what manner to receive
this unexpected proposal.
At length Mr. Coverley, bowing low, said,
"Will your Lordship please to begin?"
"Devil take me if I do!"
answered he, turning on his heel, and stalking
to the window.
"Come, gentlemen," said Mrs. Selwyn, "why do you hesitate?
I am sure
you cannot be afraid of a weak woman?
Besides, if you should chance to
be out, Mr. Lovel, I dare say, will have the goodness to assist you."
The laugh now turned against Mr. Lovel, whose change of countenance
manifested no great pleasure at the transition.
"Me, Madam!"
said he, colouring; "no, |
6,053 | true | gradesaver | all_chapterized_books/6053-chapters/volume_3_chapters_6_to_15.txt | finished_summaries/gradesaver/Evelina/section_7_part_0.txt | Evelina.volume 3.chapters 6-15 | volume 3, letter 6-15 | null | {"name": "Volume III, Letter VI - Volume III, Letter XV", "url": "https://web.archive.org/web/20201126171702/https://www.gradesaver.com/evelina-or-the-history-of-a-young-ladys-entrance-into-the-world/study-guide/summary-volume-iii-letter-vi--volume-iii-letter-xv", "summary": "Mr. Villars writes to Evelina and confesses his concern that she is too innocent to realize what is happening: Lord Orville is in love with her. Worse, she is attracted to him but does not realize it. As she has not been able to transcend her infatuation, he encourages her to quit him, since \"his sight is baneful to your repose, his society is death to your future tranquility!\" Evelina must not trust in appearances, but instead rely on her guardian's advice. Meanwhile, Evelina writes to him before has received his letter. She relates to him the day of the bet between Lord Merton and Mr. Coverley. The men chose to decide their bet through a footrace between two very old and infirm women. On that day, Lord Merton addressed himself presumptuously and inappropriately to Evelina, ignoring Louisa. When the time for the race came, the two men acted quite despicably in their disinterest in the old woman, and the competition was indeed sad and shameful. Lord Orville looked disapproving. Lord Merton won, and in his drunkenness that followed, he became extremely forward with Evelina. Riled up, she exclaimed a wish to have a brother to protect her, and Lord Orville quickly stepped to her aid with a promise to act as her brother. He then led her and Louisa away. Lady Louisa was both piqued with Lord Merton for his flirtations, and annoyed with her brother for so clearly favoring Evelina to her. Lord Orville proclaimed to Evelina that he would be both her sincere friend and her brother, and that she must accept his services. She was pleased to do so. The next evening, the entire group attended an assembly that Lord Orville had procured tickets to. At one point, Lord Orville danced with a young lady and Evelina overheard who she was: her name was Miss Belmont, and she was the daughter of an heiress. Evelina started; her father must have designated a new heiress in her stead. She spoke with Mrs. Selwyn about it, since that woman was familiar with her history, and she suggested Evelina go to town to research the matter further. Evelina asks Mr. Villars's permission to undertake this endeavor. Evelina also writes Mr. Villars of seeing Mr. Macartney at the pump room, and of that man's request to speak with her. She further details Lord Orville's curiosity on that same subject. She observed how awkward Mr. Macartney became when the young \"Miss Belmont\" entered the pump room, but did not know why he behaved thusly. Lord Orville promised Evelina he would help her fulfill her duty to Mr. Macartney, even though he did not know what it was. He invited the poet to the house and then kindly left them alone for a few moments. To Evelina's utter shock, the young man confessed to Evelina that that Miss Belmont was his former paramour. This meant that Macartney was Evelina's brother. Though she did not alert him to her realization, she did embrace him fervently and promise she would help however she could. Later, Evelina writes to tell Mr. Villars that she had received his letter about Lord Orville. She is flummoxed, broken-hearted, and ashamed. She feels ignorant and beguiled, and laments ever leaving her guardian. She had hoped to set out for Berry Hill immediately, but she was convinced by Mrs. Selwyn to stay a bit longer. She announces her intention to avoid Lord Orville completely. As she details in subsequent letters, her plan was difficult to enact, because he noticed her new coldness and continually inquired as to the cause of it. She later accompanied Mrs. Selwyn to town, and they stopped by the pump room first. To her consternation, all the young men there seemed to be talking about her, whispering odd snatches of verse. She was even more disturbed to run into Sir Clement Willoughby, who said he had been looking for her. He said he was brought to Bristol by accident and did not know she was there, but would have realized it quickly now that she was famous. Evelina inquired what he meant, and he explained that a copy of verse about her had been dropped in and around the pump room. He continued to compliment her, and implored her to spend time with him. She refused. Unfortunately, he quickly endeared himself to Mrs. Selwyn, and she forced Evelina to attend an assembly with them. Back with the group at Clifton, Lord Orville and Sir Clement eyed each other warily, and Lord Orville seemed confused by Evelina's growing aloofness. He tried to privately ask her whether he had offended her, and further asked whether she had known Sir Clement was in town. He was even more astonished to hear that she was engaged to Sir Clement at that night's assembly. Sir Clement continued to accost Evelina throughout the evening, and he showed her the paper of verse that he had copied from the original. It did indeed mention her name, and she believed it to be by Mr. Macartney, who was apt to praise her. Sir Clement bothered her incessantly, asking thousands of pointed questions, especially about Lord Orville. That night, Evelina confesses in a letter that she worries she is not acting honorably towards her former friend Lord Orville. Mr. Villars writes to Evelina about the Miss Belmont situation, ruminating that Miss Belmont may be the child of an after-marriage, but was certainly taking the place to which Evelina had an indisputable right. He deplores John Belmont's cruel treatment of Evelina's mother, and insists that the latter's reputation deserved to be cleared before public opinion. He includes in his correspondence a letter from her \"unhappy mother,\" which had been reserved for Sir Belmont should this very situation ever arise. The letter begs Sir John Belmont, in the most emotional and florid tones, to recognize his true daughter. Evelina writes back to Mr. Villars, detailing how forward and obnoxious Sir Clement was in monopolizing her time and attention. At one point, he found her in the garden, grabbed her hand and would not let her alone. Lord Orville came across them, and she finally asked him forcibly to have Sir Clement release her hand. He asked Sir Clement if he meant to detain her by force, and he proudly released her hand and insisted he did not need Lord Orville's opinion. Evelina flew indoors. Later, she heard about their subsequent conversation from Mrs. Selwyn, who eavesdropped upon it. Lord Orville had asked Sir Clement about his intentions, and Sir Clement rudely answered that he had none, since her birth was low. He also sneeringly asked why Lord Orville was so interested; the latter spoke of how Evelina was \"very young, very inexperienced, yet appears to be left totally to her own direction.\" The two men continued to argue until Mrs. Selwyn left for fear of discovery. Evelina next writes Mr. Villars of how Lord Orville found her alone, and begged to have a private moment. He very simply asked her why she had changed. She was disconcerted at how forthright and honest he was in his entreaty, but she remained silent. He asked her about Sir Clement, and she hotly denied that he mattered to her at all. Lord Orville was remarkably relieved by this. At dinner, he was excessively friendly and gay with Evelina. After dinner, he went into the library to help her choose a few books for her impending journey back to Berry Hill, and he could finally resist no longer. He declared his love and esteem for Evelina, and she could not resist him: \"he drew from me the most sacred secret of my heart!\" She acknowledges to Mr. Villars that there are many questions to address at a later point, but adds that they are blissfully happy. That night, Evelina wept from sheer happiness, and felt the tremendous honor of being chosen as wife by a man like Lord Orville. The next day, he asked to announce their affection publicly, but she implored him to wait until she had taken care of her business in town . He agreed with alacrity. Evelina concludes her letter to Mr. Villars by explaining how the two of them had actually discovered that Lord Orville never wrote that bold and inappropriate letter. He knew nothing about it. She hopes her guardian will think well of Lord Orville, and feel honored by his choice of her.", "analysis": "This set of letters presents examples of the rich behaving very, very badly. Lord Merton, in particular, is a dissolute and lascivious newly-made nobleman who enjoys exploiting and mocking those around him, simply to entertain himself. He does not care about his reputation because he knows his fortune will be secured when he marries Lady Louisa. He is a paragon of \"modern\" manners and stands contrast to the genteel and traditional Lord Orville. Even Mrs. Selwyn's wit and virulent satire can do little to quell the boisterous cruelty and brazen excess of Lord Merton. For all her strength, Lady Louisa is but a tool towards securing Lord Merton's wealth. She has no more power than Evelina does, though she has been raised to affect a superiority. In this way, she is far more pitiable than our heroine, especially when her fiancee so blatantly hits of Evelina in front of her. Lord Merton has replaced Captain Mirvan as the novel's grossest, rudest male, and Mrs. Selwyn has replaced Madame Duval as the older woman supervising Evelina. However, while Lord Merton possesses no redeeming qualities, Mrs. Selwyn remains valuable to Evelina because she protects her, respects her, and gently pushes her into self-awareness. Even though her satire sometimes seems coarse to Evelina, it does suggest to her that she is free to make up her own mind about Lord Orville, and does not need a man - Mr. Villars - to guide her any longer. Another instance of privileged cruelty is the race between the two old women, an episode that puzzles many critics, particularly as regards its origin. Most have tried to find literary, historical or anecdotal precedents for it, but one critic, as Jones points out, is probably right in claiming there was probably no single source. Betting on foot-races was pretty common; young laboring women raced against each other at fairs in \"smock races.\" Jones writes that this scene \"certainly captures the cruelty involved in many eighteenth-century amusements, while the introduction of 'poor old women' focuses on issues involving both gender and social status.\" In other words, the race is itself a cohesive symbol of all the oppressions related throughout the novel. Lord Orville is finally prompted to make his feelings known to Evelina, and it is significant that he does so without knowing the truth about her birth. She has dropped some hints about herself, but he remains oblivious to the exact particulars, and to the impending conflict with her father. Considering how important social status was - and how much of the 'marriage contract' was about securing a valuable commodity in a wife - Lord Orville is admirable in acting from his affection alone. He very clearly leans toward the fictional and unbelievable: while it is not impossible to imagine a young man with manners and a deep sense of decorum, it is unlikely that one in his social position would so blithely pursue a young woman whose birth was unknown. Burney's inclusion of such an angelic man is in many ways a deference towards the system of marriage, since her cynical attitude about people would otherwise overwhelm the book's perspective and make it far more transgressive than it ultimately is. And, of course, it would likely sell more copies it it conformed to what most of society thought, instead of explicitly attacking those thoughts. One note about some historical information is useful. A pamphlet-shop was a place that sold cheaper and unbound publications and was usually frequented by men as opposed to women, who procured their reading material from the circulating library. The fact that Mrs. Selwyn prefers this outlet demonstrates her more masculine education and taste. \"John trot style\" referred to a man who, according to the Oxford English Dictionary, was of \"slow or uncultured intellect, a bumpkin, a clown.\" Vivien Jones's annotations explain that \"the insult suggests that older women are masculinized, as well as stupid.\""} | <CHAPTER>
LETTER LXVII. MR. VILLARS TO EVELINA.
Berry Hill, Sept. 28th.
DEAD to the world, and equally insensible to its pleasures or its
pains, I long since bad adieu to all joy, and defiance to all sorrow,
but what should spring from my Evelina,-sole source, to me, of all
earthly felicity. How strange, then, is it, that the letter in which
she tells me she is the happiest of human beings, should give me most
mortal inquietude!
Alas, my child!-that innocence, the first, best gift of Heaven,
should, of all others, be the blindest to its own danger,-the most
exposed to treachery,-and the least able to defend itself, in a world
where it is little known, less valued, and perpetually deceived!
Would to Heaven you were here!-then, by degrees, and with gentleness,
I might enter upon a subject too delicate for distant discussion. Yet
is it too interesting, and the situation too critical, to allow of
delay.-Oh, my Evelina, your situation is critical indeed!-your peace
of mind is at stake, and every chance for your future happiness may
depend upon the conduct of the present moment.
Hitherto I have forborne to speak with you upon the most important of
all concerns, the state of your heart:-alas, I need no information! I
have been silent, indeed, but I have not been blind.
Long, and with the deepest regret, have I perceived the ascendancy
which Lord Orville has gained upon your mind.-You will start at the
mention of his name,-you will tremble every word you read;-I grieve
to give pain to my gentle Evelina, but I dare not any longer spare her.
Your first meeting with Lord Orville was decisive. Lively, fearless,
free from all other impressions, such a man as you describe him
could not fail of exciting your admiration; and the more dangerously,
because he seemed as unconscious of his power as you of your weakness;
and therefore you had no alarm, either from his vanity of your own
prudence.
Young, animated, entirely off your guard, and thoughtless of
consequences, Imagination took the reins; and Reason, slow-paced,
though sure-footed, was unequal to the race of so eccentric and flighty
a companion. How rapid was then my Evelina's progress through those
regions of fancy and passion whither her new guide conducted her!-She
saw Lord Orville at a ball,-and he was the most amiable of men! -She
met him again at another,-and he had every virtue under Heaven!
I mean not to depreciate the merit of Lord Orville, who, one mysterious
instance alone excepted, seems to have deserved the idea you formed
of his character; but it was not time, it was not the knowledge of
his worth, obtained your regard: your new comrade had not patience
to wait any trial; her glowing pencil, dipt in the vivid colours
of her creative ideas, painted to you, at the moment of your first
acquaintance, all the excellencies, all the good and rare qualities,
which a great length of time and intimacy could alone have really
discovered.
You flattered yourself that your partiality was the effect of esteem,
founded upon a general love of merit, and a principle of justice;
and your heart, which fell the sacrifice of your error, was totally
gone ere you expected it was in danger.
A thousand times have I been upon the point of showing you the
perils of your situation; but the same inexperience which occasioned
your mistake, I hoped, with the assistance of time and absence, would
effect a cure: I was, indeed, most unwilling to destroy your illusion,
while I dared hope it might itself contribute to the restoration of
your tranquillity; since your ignorance of the danger, and force of
your attachment, might possibly prevent that despondency with which
young people, in similar circumstances, are apt to persuade themselves,
that what is only difficult, is absolutely impossible.
But, now, since you have again met, and have become more intimate
than ever, all my hope from silence and seeming ignorance is at an end.
Awake then, my dear, my deluded child, awake to the sense of your
danger, and exert yourself to avoid the evils with which it threatens
you:-evils which, to a mind like yours, are most to be dreaded; secret
repining, and concealed, yet consuming regret! Make a noble effort for
the recovery of your peace, which now, with sorrow I see it, depends
wholly upon the presence of Lord Orville. This effort may indeed be
painful; but trust to my experience, when I assure you it is requisite.
You must quit him!-his sight is baneful to your repose, his society
is death to your future tranquillity! Believe me, my beloved child,
my heart aches for your suffering, while it dictates its necessity.
Could I flatter myself that Lord Orville would, indeed, be sensible
of your worth, and act with a nobleness of mind which should prove
it congenial to your own, then would I leave my Evelina to the
unmolested enjoyment of the cheerful society, and increasing regard,
of a man she so greatly admires: but this is not an age in which we
may trust to appearances; and imprudence is much sooner regretted
than repaired. Your health, you tell me, is much mended:-Can you then
consent to leave Bristol?-not abruptly, that I do not desire, but in a
few days from the time you receive this? I will write to Mrs. Selwyn,
and tell her how much I wish your return; and Mrs. Clinton can take
sufficient care of you.
I have meditated upon every possible expedient that might tend to
your happiness, ere I fixed upon exacting from you a compliance which
I am convinced will be most painful to you; but I can satisfy myself
in none. This will at least be safe; and as to success,-we must leave
it to time.
I am very glad to hear of Mr. Macartney's welfare.
Adieu, my dearest child! Heaven preserve and strengthen you! A.V.
</CHAPTER>
<CHAPTER>
LETTER LXVIII. EVELINA TO THE REV. MR. VILLARS.
Clifton, Sept. 28th.
SWEETLY, most sweetly, have two days more passed since I wrote:
but I have been too much engaged to be exact in my journal.
To-day has been less tranquil. It was destined for the decision of
the important bet, and has been productive of general confusion
throughout the house. It was settled that the race should be run
at five o'clock in the afternoon. Lord Merton breakfasted here, and
staid till noon. He wanted to engage the ladies to bet on his side,
in the true spirit of gaming, without seeing the racers. But he could
only prevail on Lady Louisa, as Mrs. Selwyn said she never laid a wager
against her own wishes, and Mrs. Beaumont would not take sides. As for
me, I was not applied to. It is impossible for negligence to be more
pointed than that of Lord Merton to me, in the presence of Lady Louisa.
But, just before dinner, I happened to be alone in the drawing-room,
when his Lordship suddenly returned; and, coming in with his usual
familiarity, he was beginning, "You see, Lady Louisa,-" but stopping
short, "Pray, where's every body gone?"
"Indeed I don't know, my Lord."
He then shut the door; and, with a great alteration in his face
and manner, advanced eagerly towards me, and said, "How glad I am,
my sweet girl, to meet you, at last, alone! By my soul I began to
think there was a plot against me, for I've never been able to have
you a minute to myself." And very freely he seized my hand.
I was so much surprised at this address, after having been so long
totally neglected, that I could make no other answer, than staring
at him with unfeigned astonishment.
"Why now," continued he, "if you was not the cruellest little angel
in the world, you would have helped me to some expedient: for you
see how I am watched here; Lady Louisa's eyes are never off me. She
gives me a charming foretaste of the pleasures of a wife! However,
it won't last long."
Disgusted to the greatest degree, I attempted to draw away my hand;
but I believe I should not have succeeded if Mrs. Beaumont had not
made her appearance. He turned from me with the greatest assurance,
and said, "How are you, Ma'am?-how is Lady Louisa?-you see I can't
live a moment out of the house."
Could you, my dearest Sir, have believed it possible for such
effrontery to be in man?
Before dinner came Mr. Coverley, and, before five o'clock, Mr. Lovel
and some other company. The place marked out for the race, was a
gravel-walk in Mrs. Beaumont's garden, and the length of the ground
twenty yards. When we were summoned to the course, the two poor old
women made their appearance. Though they seemed very healthy for
their time of life, they yet looked so weak, so infirm, so feeble,
that I could feel no sensation but that of pity at the sight. However,
this was not the general sense of the company; for they no sooner came
forward, than they were greeted with a laugh from every beholder, Lord
Orville excepted, who looked very grave during the whole transaction.
Doubtless he must be greatly discontented at the dissipated conduct and
extravagance of a man, with whom he is soon to be so nearly connected.
For some time, the scene was truly ridiculous: the agitation of the
parties concerned, and the bets that were laid upon the old women,
were absurd beyond measure. Who are you for? and whose side are you
of? was echoed from mouth to mouth by the whole company. Lord Merton
and Mr. Coverley were both so excessively gay and noisy, that I soon
found they had been free in drinking to their success. They handed,
with loud shouts, the old women to the race-ground, and encouraged
them by liberal promises to exert themselves.
When the signal was given for them to set off, the poor creatures,
feeble and frightened, ran against each other: and, neither of them
able to support the shock, they both fell on the ground.
Lord Merton and Mr. Coverley flew to their assistance. Seats were
brought for them; and they each drank a glass of wine. They complained
of being much bruised; for, heavy and helpless, they had not been
able to save themselves, but fell with their whole weight upon the
gravel. However, as they seemed equal sufferers, both parties were
too eager to have the affair deferred.
Again therefore they set off, and hobbled along, nearly even with each
other, for some time; yet frequently, to the inexpressible diversion of
the company, they stumbled and tottered; and the confused hallooing of
"Now, Coverley!" "Now, Merton!" run from side to side during the
whole affair.
Not long after, a foot of one of the poor women slipt, and with great
force she came again to the ground. Involuntarily, I sprung forward to
assist her; but Lord Merton, to whom she did not belong, stopped me,
calling out, "No foul play! No foul play!"
Mr. Coverley then, repeating the same words, went himself to help
her, and insisted that the other should stop. A debate ensued; but
the poor creature was too much hurt to move, and declared her utter
inability to make another attempt. Mr. Coverley was quite brutal:
he swore at her with unmanly rage, and seemed scarce able to refrain
even from striking her.
Lord Merton then, in great rapture, said it was a hollow thing;
but Mr. Coverley contended, that the fall was accidental, and time
should be allowed for the woman to recover. However, all the company
being against him, he was pronounced the loser.
We then went to the drawing-room, to tea. After which, the evening
being remarkably warm, we all walked in the garden. Lord Merton was
quite riotous, and Lady Louisa in high spirits; but Mr. Coverley
endeavoured, in vain, to conceal his chagrin.
As Lord Orville was thoughtful, and walked by himself, I expected that,
as usual, I should pass unnoticed, and be left to my own meditations:
but this was not the case; for Lord Merton, entirely off his guard,
giddy equally from wine and success, was very troublesome to me;
and, regardless of the presence of Lady Louisa, which hitherto has
restrained him even from common civility, he attached himself to me,
during the walk, with a freedom of gallantry that put me extremely
out of countenance. He paid me the most high-flown compliments;
and frequently and forcibly seized my hand, though I repeatedly,
and with undissembled anger, drew it back. Lord Orville, I saw,
watched us with earnestness; and Lady Louisa's smiles were converted
into looks of disdain.
I could not bear to be thus situated; and complaining I was tired,
I quickened my pace, with intention to return to the house; but
Lord Merton, hastily following, caught my hand, and saying the day
was his own, vowed he would not let me go.
"You must, my Lord," cried I, extremely flurried.
"You are the most charming girl in the world," said he, "and never
looked better than at this moment."
"My Lord," cried Mrs. Selwyn, advancing to us, "you don't consider,
that the better Miss Anville looks the more striking is the contrast
with your Lordship; therefore, for your own sake, I would advise you
not to hold her."
"Egad, my Lord," cried Mr. Coverley, "I don't see what right you have
to the best old, and the best young woman too, in the same day."
"Best young woman!" repeated Mr. Lovel; "'pon honour, Jack, you have
made a most unfortunate speech; however, if Lady Louisa can pardon
you,-and her Ladyship is all goodness,-I am sure nobody else can;
for you have committed an outrageous solecism in good manners."
"And pray, Sir," said Mrs. Selwyn, "under what denomination may your
own speech pass?"
Mr. Lovel, turning another way, affected not to hear her: and
Mr. Coverley, bowing to Lady Louisa, said, "Her Ladyship is well
acquainted with my devotion;-but, egad, I don't know how it is,-I
had always an unlucky turn at an epigram, and never could resist a
smart play upon words in my life."
"Pray, my Lord," cried I, "let go my hand! Pray, Mrs. Selwyn, speak
for me."
"My Lord," said Mrs. Selwyn, "in detaining Miss Anville any longer
you only lose time; for we are already as well convinced of your
valour and your strength, as if you were to hold her an age."
"My Lord," said Mrs. Beaumont, "I must beg leave to interfere: I know
not if Lady Louisa can pardon you; but as this young lady is at my
house, I do not choose to have her made uneasy."
"I pardon him!" cried Lady Louisa; "I declare I am monstrous glad to
get rid of him."
"Egad, my Lord," cried Mr. Coverley, "while you are grasping at a
shadow, you'll lose a substance; you'd best make your peace while
you can."
"Pray, Mr. Coverley, be quiet," said Lady Louisa, peevishly; "for I
declare I won't speak to him. Brother," taking hold of Lord Orville's
arm, "will you walk in with me?"
"Would to Heaven," cried I, frightened to see how much Lord Merton
was in liquor, "that I too had a brother!-and then I should not be
exposed to such treatment."
Lord Orville, instantly quitting Lady Louisa, said, "Will Miss Anville
allow me the honour of taking that title?" and then, without waiting
for any answer, he disengaged me from Lord Merton; and, handing me to
Lady Louisa, "Let me," added he, "take equal care of both my sisters;"
and then, desiring her, to take hold of one arm, and begging me to
make use of the other, we reached the house in a moment. Lord Merton,
disordered as he was, attempted not to stop us.
As soon as we entered the house, I withdrew my arm, and courtsied my
thanks, for my heart was too full for speech. Lady Louisa, evidently
hurt at her brother's condescension, and piqued extremely by Lord
Merton's behaviour, silently drew away hers; and biting her lips,
with a look of infinite vexation, walked sullenly up the hall.
Lord Orville asked her if she would not go into the parlour?
"No," answered she, haughtily, "I leave you and your new sister
together:" and then she walked up stairs.
I was quite confounded at the pride and rudeness of this speech. Lord
Orville himself seemed thunderstruck: I turned from him, and went into
the parlour: he followed me, saying, "Must I now apologize to Miss
Anville for the liberty of my interference?-or ought I to apologize,
that I did not, as I wished, interfere sooner?"
"O, my Lord," cried I, with an emotion I could not repress, "it is
from you alone I meet with any respect;-all others treat me with
impertinence, or contempt!"
I am sorry I had not more command of myself, as he had reason just
then to suppose I particularly meant his sister; which, I am sure,
must very much hurt him.
"Good Heaven," cried he, "that so much sweetness and merit can fail
to excite the love and admiration so justly their due! I cannot,-I
dare not express to you half the indignation I feel at this moment!"
"I am sorry, my Lord," said I, more calmly, "to have raised it;
but yet,-in a situation that calls for protection, to meet only with
mortifications,-indeed, but I am ill formed to bear them!"
"My dear Miss Anville," cried he, warmly, "allow me to be your friend;
think of me as if I were indeed your brother; and let me intreat you
to accept my best services, if there is any thing in which I can be
so happy as to show my regard,-my respect for you!"
Before I had time to speak, the rest of the party entered the parlour;
and, as I did not wish to see anything more of Lord Merton, at least
before he had slept, I determined to leave it. Lord Orville, seeing
my design, said, as I passed him, "Will you go?" "Had not I best,
my Lord?" said I. "I am afraid," said he, smiling, "since I must now
speak as your brother, I am afraid you had; -you see you may trust me,
since I can advise against my own interest."
I then left the room, and have been writing ever since. And, methinks,
I can never lament the rudeness of Lord Merton, as it has more than
ever confirmed to me the esteem of Lord Orville.
</CHAPTER>
<CHAPTER>
LETTER LXIX. EVELINA IN CONTINUATION.
Sept. 30th.
OH, Sir, what a strange incident have I to recite! what a field of
conjecture to open!
Yesterday evening we all went to an assembly. Lord Orville presented
tickets to the whole family; and did me the honour, to the no small
surprise of all here, I believe, to dance with me. But every day
abounds in fresh instances of his condescending politeness; and he
now takes every opportunity of calling me his friend and his sister.
Lord Merton offered a ticket to Lady Louisa; but she was so much
incensed against him, that she refused it with the utmost disdain:
neither could he prevail upon her to dance with him; she sat still the
whole evening, and deigned not to look at or speak to him. To me her
behaviour is almost the same: for she is cold, distant, and haughty,
and her eyes express the greatest contempt. But for Lord Orville,
how miserable would my residence here make me!
We were joined in the ball-room by Mr. Coverley, Mr. Lovel, and Lord
Merton, who looked as if he was doing penance, and sat all the evening
next to Lady Louisa, vainly endeavouring to appease her anger.
Lord Orville began the minuets: he danced with a young lady who
seemed to engage the general attention, as she had not been seen here
before. She is pretty, and looks mild and good-humoured.
"Pray, Mr. Lovel," said Lady Louisa, "who is that?"
"Miss Belmont," answered he, "the young heiress: she came to the
Wells yesterday."
Struck with the name, I involuntarily repeated it; but nobody heard me.
"What is her family?" said Mrs. Beaumont.
"Have you not heard of her, Ma'am?" cried he; "she is only daughter
and heiress of Sir John Belmont."
Good Heaven, how did I start! the name struck my ear like a
thunderbolt. Mrs. Selwyn, who immediately looked at me, said,
"Be calm, my dear, and we will learn the truth of all this."
Till then I had never imagined her to be acquainted with my story;
but she has since told me, that she knew my unhappy mother, and was
well informed of the whole affair.
She asked Mr. Lovel a multitude of questions; and I gathered from
his answers, that this young lady was just come from abroad with Sir
John Belmont, who was now in London; that she was under the care of
his sister, Mrs. Paterson; and that she would inherit a considerable
estate.
I cannot express the strange feelings with which I was agitated during
this recital. What, my dearest Sir, can it possibly mean? Did you ever
hear of any after-marriage?-or must I suppose, that, while the lawful
child is rejected, another is adopted?-I know not what to think! I
am bewildered with a contrariety of ideas!
When we came home, Mrs. Selwyn passed more than an hour in my room
conversing upon this subject. She says, that I ought instantly to
go to town, find out my father, and have the affair cleared up. She
assures me I have too strong a resemblance to my dear, though unknown,
mother, to allow of the least hesitation in my being owned, when once
I am seen. For my part, I have no wish but to act by your direction.
I cannot give any account of the evening; so disturbed, so occupied
am I by this subject, that I can think of no other. I have entreated
Mrs. Selwyn to observe the strictest secrecy, and she has promised
that she will. Indeed, she has too much sense to be idly communicative.
Lord Orville took notice of my being absent and silent; but I ventured
not to intrust him with the cause. Fortunately, he was not of the
party at the time Mr. Lovel made the discovery.
Mrs. Selwyn says, that if you approve my going to town, she will
herself accompany me. I had a thousand times rather ask the protection
of Mrs. Mirvan, but, after this offer that will not be possible.
Adieu, my dearest Sir. I am sure you will write immediately, and I
shall be all impatience till your letter arrives.
</CHAPTER>
<CHAPTER>
LETTER LXX. EVELINA IN CONTINUATION.
Oct. 1st.
GOOD God, my dear Sir, what a wonderful tale have I again to
relate! even yet, I am not recovered from my extreme surprise.
Yesterday morning, as soon as I had finished my hasty letter, I was
summoned to attend a walking party to the Hot Wells. It consisted only
of Mrs. Selwyn and Lord Orville. The latter walked by my side all the
way; and his conversation dissipated my uneasiness, and insensibly
restored my serenity.
At the pump-room I saw Mr. Macartney; I courtsied to him twice ere
he would speak to me. When he did, I began to apologize for having
disappointed him; but I did not find it very easy to excuse myself, as
Lord Orville's eyes, with an expression of anxiety that distressed me,
turned from him to me, and me to him, every word I spoke. Convinced,
however, that I had really trifled with Mr. Macartney, I scrupled not
to beg his pardon. He was then not merely appeased, but even grateful.
He requested me to see him to-morrow; but I had not the folly to
be again guilty of an indiscretion; which had already caused me so
much uneasiness; and therefore I told him frankly, that it was not
in my power at present to see him but by accident; and, to prevent
his being offended, I hinted to him the reason I could not receive
him as I wished to do.
When I had satisfied both him and myself upon this subject, I turned to
Lord Orville, and saw, with concern, the gravity of his countenance. I
would have spoken to him, but knew not how; I believe, however, he
read my thoughts; for, in a little time, with a sort of serious smile,
he said, "Does not Mr. Macartney complain of his disappointment?"
"Not much, my Lord."
"And how have you appeased him?" Finding I hesitated what to answer,
"Am I not your brother?" continued he, "and must I not enquire into
your affairs?"
"Certainly, my Lord," said I, laughing. "I only wish it were better
worth your Lordship's while."
"Let me, then, make immediate use of my privilege. When shall you
see Mr. Macartney again?"
"Indeed, my Lord, I can't tell."
"But,-do you know that I shall not suffer my sister to make a private
appointment?"
"Pray, my Lord," cried I earnestly, "use that word no more! Indeed
you shock me extremely."
"That would I not do for the world," cried he, "yet you know not how
warmly, how deeply I am interested, not only in all your concerns,
but in all your actions."
This speech-the most particular one Lord Orville had ever made to me,
ended our conversation at that time; for I was too much struck by it
to make any answer.
Soon after, Mr. Macartney, in a low voice, intreated me not to deny
him the gratification of returning the money. While he was speaking,
the young lady I saw yesterday at the assembly, with the large party,
entered the pump-room. Mr. Macartney turned as pale as death, his
voice faultered, and he seemed not to know what he said. I was myself
almost equally disturbed, by the crowd of confused ideas that occurred
to me. Good Heaven! thought I, why should he be thus agitated?-is it
possible this can be the young lady he loved?-
In a few minutes we quitted the pump-room; and, though I twice wished
Mr. Macartney good morning, he was so absent he did not hear me.
We did not immediately return to Clifton, as Mrs. Selwyn had business
at a pamphlet shop. While she was looking at some new poems, Lord
Orville again asked me when I should see Mr. Macartney?
"Indeed, my Lord," cried I, "I know not, but I would give the universe
for a few moments' conversation with him!" I spoke this with a simple
sincerity, and was not aware of the force of my own words.
"The universe!" repeated he, "Good God, Miss Anville, do you say this
to me?"
"I would say it," returned I, "to any body, my Lord."
"I beg your pardon," said he, in a voice that showed him ill pleased,
"I am answered."
"My Lord," cried I, "you must not judge hardly of me. I spoke
inadvertently; but if you knew the painful suspense I suffer at this
moment, you would not be surprised at what I have said."
"And would a meeting with Mr. Macartney relieve you from that
suspense?"
"Yes, my Lord, two words might be sufficient."
"Would to Heaven," cried he, after a short pause, "that I were worthy
to know their import!"
"Worthy, my Lord!-O, if that were all, your Lordship could ask nothing
I should not be ready to answer! If I were but at liberty to speak, I
should be proud of your Lordship's enquiries: but, indeed, I am not-I
have not any right to communicate the affairs of Mr. Macartney;-your
Lordship cannot suppose I have."
"I will own to you," answered he, "I know not what to suppose;
yet there seems a frankness even in your mystery-and such an air of
openness in your countenance, that I am willing to hope,-" He stopped
a moment, and then added, "This meeting, you say, is essential to
your repose?"
"I did not say that, my Lord; but yet I have the most important
reasons for wishing to speak to him."
He paused a few minutes; and then said, with warmth, "Yes, you shall
speak to him!-I will myself assist you!-Miss Anville, I am sure,
cannot form a wish against propriety: I will ask no questions, I
will rely upon her own purity, and, uninformed, blindfold as I am,
I will serve her with all my power!" And then he went into the shop,
leaving me so strangely affected by his generous behaviour, that I
almost wished to follow him with my thanks.
When Mrs. Selwyn had transacted her affairs, we returned home.
The moment dinner was over, Lord Orville went out, and did not come
back till just as we were summoned to supper. This is the longest
time he has spent from the house since I have been at Clifton; and
you cannot imagine, my dear Sir, how much I missed him. I scarce knew
before how infinitely I am indebted to him alone for the happiness
I have enjoyed since I have been at Mrs. Beaumont's.
As I generally go down stairs last, he came to me, the moment the
ladies had passed by, and said, "Shall you be at home tomorrow
morning?"
"I believe so, my Lord."
"And will you then receive a visitor for me?"
"For you, my Lord?"
"Yes:-I have made acquaintance with Mr. Macartney, and he has promised
to call upon me to-morrow about three o'clock."
And then, taking my hand, he led me down stairs.
O, Sir!-was there ever such another man as Lord Orville?-Yes, one
other now resides at Berry Hill!
This morning there has been a great deal of company here; but at the
time appointed by Lord Orville, doubtless with that consideration,
the parlour is almost always empty, as every body is dressing.
Mrs. Beaumont, however, was not gone up stairs when Mr. Macartney
sent in his name.
Lord Orville immediately said, "Beg the favour of him to walk in. You
see, Madam, that I consider myself as at home."
"I hope so," answered Mrs. Beaumont, "or I should be very uneasy."
Mr. Macartney then entered. I believe we both felt very conscious to
whom the visit was paid: but Lord Orville received him as his own
guest; and not merely entertained him as such while Mrs. Beaumont
remained in the room, but for some time after she had left it, a
delicacy that saved me from the embarrassment I should have felt,
had he immediately quitted us.
In a few minutes, however, he gave Mr. Macartney a book,-for I,
too, by way of pretence for continuing in the room, pretended to be
reading,-and begged he would be so good as to look it over, while he
answered a note, which he would dispatch in a few minutes, and return
to him.
When he was gone, we both parted with our books; and Mr. Macartney,
again producing the paper with the money, besought me to accept it.
"Pray," said I, still declining it, "did you know the young lady who
came into the pump-room yesterday morning?"
"Know her!" repeated he, changing colour, "Oh, but too well!"
"Indeed!"
"Why, Madam, do you ask?"
"I must beseech you to satisfy me further upon this subject; pray
tell me who she is."
"Inviolably as I meant to keep my secret, I can refuse you, Madam,
nothing;-that lady-is the daughter of Sir John Belmont!-of my father!"
"Gracious Heaven!" cried I, involuntarily laying my hand on his arm,
"you are then-" my brother, I would have said, but my voice failed me,
and I burst into tears.
"Oh, Madam," cried he, "what does this mean?-what can thus distress
you?"
I could not answer, but held out my hand to him. He seemed greatly
surprised, and talked in high terms of my condescension.
"Spare yourself," cried I, wiping my eyes, "spare yourself this
mistake,-you have a right to all I can do for you; the similarity of
our circumstances-"
We were then interrupted by the entrance of Mrs. Selwyn; and
Mr. Macartney, finding no probability of our being left alone, was
obliged to take leave, though, I believe, very reluctantly, while in
such suspense.
Mrs. Selwyn, then, by dint of interrogatories, drew from me the state
of this affair. She is so penetrating, that there is no possibility
of evading to give her satisfaction.
Is not this a strange event? Good Heaven! how little did I think
that the visits I so unwillingly paid at Mr. Branghton's would have
introduced me to so near a relation! I will never again regret the
time I spent in town this summer: a circumstance so fortunate will
always make me think of it with pleasure. * * * * * *
I have just received your letter,-and it has almost broken my
heart!-Oh, Sir! the illusion is over, indeed! how vainly have I
flattered, how miserably deceived myself! Long since, doubtful of
the situation of my heart, I dreaded a scrutiny;-but now, now that I
have so long escaped, I began, indeed, to think my safety insured, to
hope that my fears were causeless, and to believe that my good opinion
and esteem of Lord Orville might be owned without suspicion, and felt
without danger;-miserably deceived, indeed! His sight is baneful to
my repose;-his society is death to my future tranquillity! Oh, Lord
Orville! could I have believed that a friendship so grateful to my
heart, so soothing to my distresses, a friendship, which, in every
respect, did me so much honour, would only serve to embitter all my
future moments!-What a strange, what an unhappy circumstance, that
my gratitude, though so justly excited, should be so fatal to my peace!
Yes, Sir, I will quit him;-would to Heaven I could at this
moment! without seeing him again,-without trusting to my now conscious
emotion!-Oh, Lord Orville, how little do you know the evils I owe to
you! how little suppose that, when most dignified by your attention,
I was most to be pitied,-and when most exalted by your notice, you
were most my enemy!
You, Sir, relied upon my ignorance;-I, alas, upon your experience;
and, whenever I doubted the weakness of my heart, the idea that you
did not suspect it, reassured me,-restored my courage, and confirmed
my error!-Yet am I most sensible of the kindness of your silence.
Oh, Sir! why have I ever quitted you? why been exposed to dangers to
which I am so unequal?
But I will leave this place, leave Lord Orville,-leave him, perhaps,
for ever!-no matter; your counsel, your goodness, may teach me how
to recover the peace and the serenity of which my unguarded folly
has beguiled me. To you alone do I trust,-in you alone confide,
for every future hope I may form.
The more I consider the parting with Lord Orville, the less fortitude
do I feel to bear the separation;-the friendship he has shown me,-his
politeness,-his sweetness of manners,-his concern in my affairs,-his
solicitude to oblige me,-all, all to be given up!-
No, I cannot tell him I am going,-I dare not trust myself to take
leave of him,-I will run away without seeing him:-implicitly will I
follow your advice, avoid his sight, and shun his society!
To-morrow morning I will set off for Berry Hill. Mrs. Selwyn and
Mrs. Beaumont shall alone know my intention. And to-day-I will spend
in my own room. The readiness of my obedience is the only atonement
I can offer for the weakness which calls for its exertion.
Can you, will you, most honoured, most dear Sir! sole prop by which
the poor Evelina is supported,-can you, without reproach, without
displeasure, receive the child you have so carefully reared,-from
whose education better fruit might have been expected, and who,
blushing for her unworthiness, fears to meet the eye by which she has
been cherished?-Oh, yes, I am sure you will! Your Evelina's errors
are those of the judgment; and you, I well know, pardon all but those
of the heart!
</CHAPTER>
<CHAPTER>
LETTER LXXI. EVELINA IN CONTINUATION.
Clifton, October 1st.
I HAVE only time, my dearest Sir, for three words, to overtake my
last letter, and prevent your expecting me immediately; for, when I
communicated my intention to Mrs. Selwyn, she would not hear of it,
and declared it would be highly ridiculous for me to go before I
received an answer to my intelligence concerning the journey from
Paris. She has, therefore, insisted upon my waiting till your next
letter arrives. I hope you will not be displeased at my compliance,
though it is rather against my own judgment: but Mrs. Selwyn quite
overpowered me with the force of her arguments. I will, however, see
very little of Lord Orville; I will never come down stairs before
breakfast; give up all my walks in the garden; seat myself next to
Mrs. Selwyn; and not merely avoid his conversation, but shun his
presence. I will exert all the prudence and all the resolution in
my power, to prevent this short delay from giving you any further
uneasiness.
Adieu, my dearest Sir. I shall not now leave Clifton till I have
your directions.
</CHAPTER>
<CHAPTER>
LETTER LXXII. EVELINA IN CONTINUATION.
October 2nd.
YESTERDAY, from the time I received your kind, though heart-piercing
letter, I kept my room,-for I was equally unable and unwilling to
see Lord Orville; but this morning, finding I seemed destined to
pass a few days longer here, I endeavoured to calm my spirits, and to
appear as usual; though I determined to avoid him to the utmost of my
power. Indeed, as I entered the parlour, when called to breakfast,
my thoughts were so much occupied with your letter, that I felt as
much confusion at his sight, as if he had himself been informed of
its contents.
Mrs. Beaumont made me a slight compliment upon my recovery, for I
had pleaded illness to excuse keeping my room: Lady Louisa spoke
not a word; but Lord Orville, little imagining himself the cause
of my indisposition, enquired concerning my health with the most
distinguishing politeness. I hardly made any answer; and, for the
first time since I have been here, contrived to sit at some distance
from him.
I could not help observing that my reserve surprised him; yet he
persisted in his civilities, and seemed to wish to remove it. But I
paid him very little attention; and the moment breakfast was over,
instead of taking a book, or walking in the garden, I retired to my
own room.
Soon after, Mrs. Selwyn came to tell me, that Lord Orville had been
proposing I should take an airing, and persuading her to let him
drive us both in his phaeton. She delivered the message with an
archness that made me blush; and added, that an airing, in my Lord
Orville's carriage, could not fail to revive my spirits. There is no
possibility of escaping her discernment; she has frequently rallied
me upon his Lordship's attention,-and, alas!-upon the pleasure with
which I have received it! However, I absolutely refused the offer.
"Well," said she, laughing, "I cannot just now indulge you with any
solicitation; for, to tell you the truth, I have business to transact
at the Wells, and am glad to be excused myself. I would ask you to
walk with me; -but since Lord Orville is refused, I have not the
presumption to hope for success."
"Indeed," cried I, "you are mistaken; I will attend you with pleasure."
"O rare coquetry!" cried she, "surely it must be inherent in our sex,
or it could not have been imbibed at Berry Hill."
I had not spirits to answer her, and therefore put on my hat and
cloak in silence.
"I presume," continued she, drily, "his Lordship may walk with us."
"If so, Madam," said I, "you will have a companion, and I will stay
at home."
"My dear child," cried she, "did you bring the certificate of your
birth with you?"
"Dear Madam, no!"
"Why then, we shall never be known again at Berry Hill."
I felt too conscious to enjoy her pleasantry; but I believe she was
determined to torment me, for she asked if she should inform Lord
Orville that I desired him not to be of the party?
"By no means, Madam; but, indeed, I had rather not walk myself."
"My dear," cried she, "I really do not know you this morning,-you
have certainly been taking a lesson of Lady Louisa."
She then went down stairs; but presently returning, told me she had
acquainted Lord Orville that I did not choose to go out in the phaeton,
but preferred a walk, tete-e-tete with her, by way of variety.
I said nothing, but was really vexed. She bad me go down stairs,
and said she would follow me immediately.
Lord Orville met me in the hall. "I fear," said he, "Miss Anville is
not yet quite well?" and he would have taken my hand, but I turned
from him, and courtsying slightly, went into the parlour.
Mrs. Beaumont and Lady Louisa were at work: Lord Merton was talking
with the latter; for he has now made his peace, and is again received
into favour.
I seated myself, as usual, by the window. Lord Orville, in a few
minutes, came to me, and said, "Why is Miss Anville so grave?"
"Not grave, my Lord," said I, "only stupid;" and I took up a book.
"You will go," said he, after a short pause, "to the assembly
to-night?"
"No, my Lord, certainly not."
"Neither then will I; for I should be sorry to sully the remembrance
I have of the happiness I enjoyed at the last."
Mrs. Selwyn then coming in, general enquiries were made to all but me,
of who would go to the assembly? Lord Orville instantly declared he
had letters to write at home; but every one else settled to go.
I then hastened Mrs. Selwyn away, though not before she had said to
Lord Orville, "Pray, has your Lordship obtained Miss Anville's leave
to favour us with your company?"
"I have not, Madam," answered he, "had the vanity to ask it."
During our walk, Mrs. Selvyn tormented me unmercifully. She told me,
that since I declined any addition to our party, I must, doubtless, be
conscious of my own powers of entertainment; and begged me, therefore,
to exert them freely. I repented a thousand times having consented
to walk alone with her; for though I made the most painful efforts
to appear in spirits, her raillery quite overpowered me.
We went first to the pump-room. It was full of company; and the moment
we entered, I heard a murmuring of, "That's she!" and, to my great
confusion, I saw every eye turned towards me. I pulled my hat over my
face, and, by the assistance of Mrs. Selwyn, endeavoured to screen
myself from observation, nevertheless, I found I was so much the
object of general attention, that I entreated her to hasten away. But
unfortunately she had entered into conversation, very earnestly,
with a gentleman of her acquaintance, and would not listen to me;
but said, that if I was tired of waiting, I might walk on to the
milliner's with the Miss Watkins, two young ladies I had seen at Mrs.
Beaumont's, who were going thither.
I accepted the offer very readily, and away we went. But we had not
gone three yards, before we were followed by a party of young men,
who took every possible opportunity of looking at us, and, as they
walked behind, talked aloud, in a manner at once unintelligible and
absurd. "Yes," cried one," 'tis certainly she!-mark but her blushing
cheek!"
"And then her eye -her downcast eye!"-cried another.
"True, oh most true," said a third, "every beauty is her own!"
"But then," said the first, "her mind,-now the difficulty is, to
find out the truth of that, for she will not say a word."
"She is timid," answered another; "mark but her timid air."
During this conversation, we walked on silent and quick; as we knew
not to whom it was particularly addressed, we were all equally ashamed,
and equally desirous to avoid such unaccountable observations.
Soon after we were caught in a shower of rain. We hurried on; and
these gentlemen, following us, offered their services in the most
pressing manner, begging us to make use of their arms; and, while I
almost ran, in order to avoid their impertinence, I was suddenly met
by Sir Clement Willoughby!
We both started; "Good God!" he exclaimed, "Miss Anville!" and then,
regarding my tormentors with an air of displeasure, he earnestly
enquired, if any thing had alarmed me?
"No, no;" cried I, for I found no difficulty now to disengage myself
from these youths, who, probably, concluding from the commanding air
of Sir Clement, that he had a right to protect me, quietly gave way
to him, and entirely quitted us.
With his usual impetuosity, he then began a thousand enquiries,
accompanied with as many compliments; and he told me, that he
arrived at Bristol but this morning, which he had entirely devoted
to endeavours to discover where I lodged.
"Did you know, then," said I, "that I was at Bristol?"
"Would to Heaven," cried he, "that I could remain in ignorance of your
proceedings with the same contentment you do of mine! then should I not
for ever journey upon the wings of Hope, to meet my own despair! You
cannot even judge of the cruelty of my fate; for the ease and serenity
of your mind incapacitates you from feeling for the agitation of mine!"
The ease and serenity of my mind! alas, how little do I merit those
words!
"But," added he, "had accident brought me hither, had I not known
of your journey, the voice of fame would have proclaimed it to me
instantly upon my arrival."
"The voice of fame!" repeated I.
"Yes, for yours was the first name I heard at the pump-room. But
had I not heard your name, such a description could have painted no
one else."
"Indeed," said I, "I do not understand you." But just then arriving
at the milliner's our conversation ended; for Miss Watkins called me
to look at caps and ribbons.
Sir Clement, however, has the art of being always at home; he was very
soon engaged, as busily as ourselves, in looking at lace ruffles;
yet he took an opportunity of saying to me, in a low voice, "How
charmed I am to see you look so well! I was told you were ill;-but
I never saw you in better health,-never more infinitely lovely!"
I turned away to examine the ribbons, and soon after Mrs. Selwyn made
her appearance. I found that she was acquainted with Sir Clement;
and her manner of speaking to him convinced me that he was a favourite
with her.
When their mutual compliments were over, she turned to me, and said,
"Pray, Miss Anville, how long can you live without nourishment?"
"Indeed, Ma'am," said I, laughing, "I have never tried."
"Because so long, and no longer," answered she, "you may remain
at Bristol."
"Why, what is the matter, Ma'am?"
"The matter!-why, all the ladies are at open war with you,-the whole
pump-room is in confusion; and you, innocent as you pretend to look,
are the cause. However, if you take my advice, you will be very
careful how you eat and drink during your stay."
I begged her to explain herself: and she then told me, that a copy
of verses had been dropped in the pump-room, and read there aloud:
"The beauties of the Wells," said she, "are all mentioned, but you
are the Venus to whom the prize is given."
"Is it then possible," cried Sir Clement, "that you have not seen
these verses?"
"I hardly know," answered I, "whether any body has."
"I assure you," said Mrs. Selwyn, "if you give me the invention of
them, you do me an honour I by no means deserve."
"I wrote down in my tablets," said Sir Clement, "the stanzas which
concern Miss Anville this morning at the pump-room; and I will do
myself the honour of copying them for her this evening."
"But why the part that concerns Miss Anville?" said Mrs. Selwyn;
"Did you ever see her before this morning?"
"O yes," answered he, "I have had that happiness frequently at
Captain Mirvan's. Too, too frequently!" added he, in a low voice, as
Mrs. Selwyn turned to the milliner: and as soon as she was occupied
in examining some trimmings, he came to me, and almost whether I
would or not, entered into conversation with me.
"I have a thousand things," cried he, "to say to you. Pray where
are you?"
"With Mrs. Selwyn, Sir."
"Indeed!-then, for once, chance is my friend. And how long have you
been here?"
"About three weeks."
"Good Heaven! what an anxious search have I had, to discover your
abode, since you so suddenly left town! The termagant, Madame Duval,
refused me all intelligence. Oh, Miss Anville, did you know what I
have endured! the sleepless, restless state of suspense I have been
tortured with, you could not, all cruel as you are, you could not
have received me with such frigid indifference?"
"Received you, Sir!"
"Why, is not my visit to you?" Do you think I should have made this
journey, but for the happiness of again seeing you?"
"Indeed it is possible I might,-since so many others do."
"Cruel, cruel girl! you know that I adore you! you know you are the
mistress of my soul, and arbitress of my fate!"
Mrs. Selwyn then advancing to us, he assumed a more disengaged air,
and asked, if he should not have the pleasure of seeing her in the
evening at the assembly?
"Oh, yes," cried she, "we shall certainly be there; so you may bring
the verses with you, if Miss Anville can wait for them so long."
"I hope then," returned he, "that you will do me the honour to dance
with me?"
I thanked him, but said I should not be at the assembly.
"Not be at the assembly?" cried Mrs. Selwyn, "Why, have you, too,
letters to write?"
She looked at me with a significant archness, that made me colour;
and I hastily answered, "No, indeed, Ma'am!"
"You have not!" cried she, yet more drily; "then pray, my dear,
do you stay at home to help,-or to hinder others?"
"To do neither, Ma'am," answered I, in much confusion; "so, if you
please, I will not stay at home."
"You allow me, then," said Sir Clement, "to hope for the honour of
your hand?"
I only bowed,-for the dread of Mrs. Selwyn's raillery made me not
dare refuse him.
Soon after this we walked home: Sir Clement accompanied us; and the
conversation that passed between Mrs. Selwyn and him was supported
in so lively a manner, that I should have been much entertained,
had my mind been more at ease: but, alas! I could think of nothing
but the capricious, the unmeaning appearance which the alteration
in my conduct must make in the eyes of the Lord Orville! And much
as I wished to avoid him, greatly as I desire to save myself from
having my weakness known to him,-yet I cannot endure to incur his ill
opinion,-and, unacquainted as he is with the reasons by which I am
actuated, how can he fail contemning a change to him so unaccountable?
As we entered the garden, he was the first object we saw. He advanced
to meet us; and I could not help observing, that at sight of each
other both he and Sir Clement changed colour.
We went into the parlour, where we found the same party we had
left. Mrs. Selwyn presented Sir Clement to Mrs. Beaumont; Lady Louisa
and Lord Merton he seemed well acquainted with already.
The conversation was upon the general subjects, of the weather,
the company at the Wells, and the news of the day. But Sir Clement,
drawing his chair next to mine, took every opportunity of addressing
himself to me in particular.
I could not but remark the striking difference of his attention, and
that of Lord Orville: the latter has such gentleness of manners, such
delicacy of conduct, and an air so respectful, that, when he flatters
most, he never distresses; and when he most confers honour, appears
to receive it! The former obtrudes his attention, and forces mine;
it is so pointed, that it always confuses me, and so public, that it
attracts general notice. Indeed I have sometimes thought that he would
rather wish, than dislike to have his partiality for me known, as he
takes great care to prevent my being spoken to by any but himself.
When at length he went away, Lord Orville took his seat, and said,
with a half smile, "Shall I call Sir Clement,-or will you call me
an usurper for taking this place?-You make me no answer?-Must I then
suppose that Sir Clement-"
"It is little worth your Lordship's while," said I, "to suppose any
thing upon so insignificant an occasion."
"Pardon me," cried he;-"to me nothing is insignificant in which you
are concerned."
To this I made no answer; neither did he say any thing more, till the
ladies retired to dress: and then, when I would have followed them,
he stopped me, saying, "One moment, I entreat you!"
I turned back, and he went on, "I greatly fear that I have been so
unfortunate as to offend you; yet so repugnant to my very soul is the
idea, that I know not how to suppose it possible I can unwittingly have
done the thing in the world that, designedly, I would wish to avoid."
"No, indeed, my Lord, you have not," said I.
"You sigh!" cried he, taking my hand, "would to Heaven I were
the sharer of your uneasiness, whencesoever it springs! with what
earnestness would I not struggle to alleviate it!-Tell me, my dear Miss
Anville,-my new-adopted sister, my sweet and most amiable friend!-tell
me, I beseech you, if I can afford you any assistance?"
"None, none, my Lord!" cried I, withdrawing my hand, and moving
towards the door.
"Is it then impossible I can serve you?-Perhaps you wish to see
Mr. Macartney again?"
"No, my Lord." And I held the door open.
"I am not, I own, sorry for that. Yet, oh! Miss Anville, there is a
question,-there is a conjecture,-I know not how to mention, because I
dread the result!-But I see you are in haste;-perhaps in the evening
I may have the honour of a longer conversation.-Yet one thing, will
you have the goodness to allow me to ask?-Did you, this morning,
when you went to the Wells,-did you know whom you should meet there?"
"Who, my Lord?"
"I beg your pardon a thousand times for a curiosity so unlicensed;-but
I will say no more at present."
He bowed, expecting me to go;-and then, with quick steps, but
a heavy heart, I came to my own room. His question, I am sure,
meant Sir Clement Willoughby; and had I not imposed upon myself the
severe task of avoiding, flying Lord Orville, with all my power, I
would instantly have satisfied him of my ignorance of Sir Clement's
journey. And yet more did I long to say something of the assembly,
since I found he depended upon my spending the evening at home.
I did not go down stairs again till the family was assembled to
dinner. My dress, I saw, struck Lord Orville with astonishment; and
I was myself so much ashamed of appearing whimsical and unsteady,
that I could not look up.
"I understood," said Mrs. Beaumont, "that Miss Anville did not go
out this evening."
"Her intention in the morning," said Mrs. Selwyn, "was to stay at
home; but there is a fascinating power in an assembly, which, upon
second thoughts, is not to be resisted."
"The assembly!" cried Lord Orville; "are you then going to the
assembly?"
I made no answer; and we all took our places at table.
It was not without difficulty that I contrived to give up my usual
seat; but I was determined to adhere to the promise in my yesterday's
letter, though I saw that Lord Orville seemed quite confounded at my
visible endeavours to avoid him.
After dinner, we all went into the drawing-room together, as there
were no gentlemen to detain his Lordship; and then, before I could
place myself out of his way, he said, "You are then really going to
the assembly?-May I ask if you shall dance?"
"I believe not,-my Lord."
"If I did not fear," continued he, "that you would be tired of the same
partner at two following assemblies, I would give up my letter-writing
till to-morrow evening, and solicit the honour of your hand."
"If I do dance," said I, in great confusion, "I believe I am engaged."
"Engaged!" cried he, with earnestness, "May I ask to whom?"
"To-Sir Clement Willoughby, my Lord."
He said nothing, but looked very little pleased, and did not address
himself to me any more all the afternoon. Oh, Sir!-thus situated,
how comfortless were the feelings of your Evelina!
Early in the evening, with his accustomed assiduity, Sir Clement came
to conduct us to the assembly. He soon contrived to seat himself
next me, and, in a low voice, paid me so many compliments, that I
knew not which way to look.
Lord Orville hardly spoke a word, and his countenance was grave and
thoughtful; yet, whenever I raised my eyes, his, I perceived, were
directed towards me, though instantly, upon meeting mine, he looked
another way.
In a short time, Sir Clement, taking from his pocket a folded paper,
said, almost in a whisper, "Here, loveliest of women, you will
see a faint, an unsuccessful attempt to paint the object of all my
adoration! yet, weak as are the lines for the purpose, I envy beyond
expression the happy mortal who has dared make the effort."
"I will look at them," said I, "some other time." For, conscious
that I was observed by Lord Orville, I could not bear he should see
me take a written paper, so privately offered, from Sir Clement. But
Sir Clement is an impracticable man, and I never succeeded in any
attempt to frustrate whatever he had planned.
"No," said he, still in a whisper, "you must take them now, while
Lady Louisa is away;" for she and Mrs. Selwyn were gone up stairs to
finish their dress, "as she must by no means see them."
"Indeed," said I, "I have no intention to show them."
"But the only way," answered he, "to avoid suspicion, is to take
them in her absence. I would have read them aloud myself, but that
they are not proper to be seen by any body in this house, yourself
and Mrs. Selwyn excepted."
Then again he presented me the paper, which I now was obliged to take,
as I found declining it was vain. But I was sorry that this action
should be seen, and the whispering remarked, though the purport of
the conversation was left to conjecture.
As I held it in my hand, Sir Clement teazed me to look at it
immediately; and told me, the reason he could not produce the lines
publicly was, that among the ladies who were mentioned, and supposed
to be rejected, was Lady Louisa Larpent. I am much concerned at
this circumstance, as I cannot doubt but that it will render me more
disagreeable to her than ever, if she should hear of it.
I will now copy the verses, which Sir Clement would not let me rest
till I had read.
See last advance, with bashful grace,
Downcast eye, and blushing cheek,
Timid air, and beauteous face,
Anville,-whom the Graces seek.
Though ev'ry beauty is her own,
And though her mind each virtue fills,
Anville,-to her power unknown,
Artless strikes,-unconscious kills.
I am sure, my dear Sir, you will not wonder that a panegyric such
as this should, in reading, give me the greatest confusion; and,
unfortunately, before I had finished it, the ladies returned.
"What have you there, my dear?" said Mrs. Selwyn.
"Nothing, Ma'am," said I, hastily folding, and putting it in my pocket.
"And has nothing," cried she, "the power of rouge?"
I made no answer; a deep sigh, which escaped Lord Orville at that
moment, reached my ears, and gave me sensations-which I dare not
mention!
Lord Merton then handed Lady Louisa and Mrs. Beaumont to the latter's
carriage. Mrs. Selwyn led the way to Sir Clement's, who handed me in
after her.
During the ride I did not once speak; but when I came to the assembly
room, Sir Clement took care that I should not preserve my silence. He
asked me immediately to dance; I begged him to excuse me, and seek
some other partner. But on the contrary, he told me, he was very
glad I would sit still, as he had a million of things to say to me.
He then began to tell me, how much he had suffered from absence;
how greatly he was alarmed when he heard I had left town; and how
cruelly difficult he had found it to trace me; which, at last, he
could only do by sacrificing another week to Captain Mirvan.
"And Howard Grove," continued he, "which, at my first visit,
I thought the most delightful spot upon earth, now appeared to me
the most dismal: the face of the country seemed altered; the walks,
which I had thought most pleasant, were now most stupid: Lady Howard,
who had appeared a cheerful and respectable old lady, now appeared
in the common John Trot style of other aged dames: Mrs. Mirvan,
whom I had esteemed as an amiable piece of still-life, now became so
insipid, that I could hardly keep awake in her company: the daughter,
too, whom I had regarded as a good-humoured, pretty sort of a girl,
now seemed too insignificant for notice: and as to the Captain,
I had always thought him a booby,-but now he appeared a savage!"
"Indeed, Sir Clement," cried I, angrily, "I will not hear you speak
thus of my best friends."
"I beg your pardon," said he, "but the contrast of my two visits was
too striking not to be mentioned."
He then asked what I thought of the verses?
"Either," said I, "they are written ironically, or by some madman."
Such a profusion of compliments ensued, that I was obliged to propose
dancing, in my own defence. When we stood up, "I intended," said he,
"to have discovered the author by his looks; but I find you so much the
general loadstone of attention, that my suspicions change their object
every moment. Surely you must yourself have some knowledge who he is?"
I told him no. Yet, my dear Sir, I must own to you, I have no doubt
but that Mr. Macartney must be the author; no one else would speak
of me so partially; and, indeed, his poetical turn puts it, with me,
beyond dispute.
He asked me a thousand questions concerning Lord Orville; how long he
had been at Bristol?-what time I had spent at Clifton?-whether he rode
out every morning?-whether I ever trusted myself in a phaeton? and
a multitude of other enquiries, all tending to discover if I was
honoured with much of his Lordship's attention, and all made with
his usual freedom and impetuosity.
Fortunately, as I much wished to retire early, Lady Louisa makes a
point of being the first who quit the rooms, and therefore we got
home in very tolerable time.
Lord Orville's reception of us was grave and cold: far from
distinguishing me, as usual, by particular civilities, Lady Louisa
herself could not have seen me enter the room with more frigid
unconcern, nor have more scrupulously avoided honouring me with any
notice. But chiefly I was struck to see, that he suffered Sir Clement,
who stayed supper, to sit between us, without any effort to prevent
him, though till then, he had seemed to be even tenacious of a seat
next mine.
This little circumstance affected me more than I can express; yet
I endeavoured to rejoice at it, since neglect and indifference from
him may be my best friends.-But, alas!-so suddenly, so abruptly to
forfeit his attention!-to lose his friendship!-Oh, Sir, these thoughts
pierced my soul!-scarce could I keep my seat; for not all my efforts
could restrain the tears from trickling down my cheeks: however,
as Lord Orville saw them not, for Sir Clement's head was constantly
between us, I tried to collect my spirits, and succeeded so far as
to keep my place with decency, till Sir Clement took leave; and then,
not daring to trust my eyes to meet those of Lord Orville, I retired.
I have been writing ever since; for, certain that I could not sleep,
I would not go to bed. Tell me, my dearest Sir, if you possibly
can, tell me that you approve my change of conduct,-tell me that
my altered behaviour to Lord Orville is right,-that my flying his
society, and avoiding his civilities, are actions which you would
have dictated.-Tell me this, and the sacrifices I have made will
comfort me in the midst of my regret,-for never, never can I cease
to regret that I have lost the friendship of Lord Orville!-Oh, Sir,
I have slighted,-have rejected,-have thrown it away!-No matter, it
was an honour I merited not to preserve; and now I see,-that my mind
was unequal to sustaining it without danger.
Yet so strong is the desire you have implanted in me to act with
uprightness and propriety, that, however the weakness of my heart
may distress and afflict me, it will never, I humbly trust, render
me wilfully culpable. The wish of doing well governs every other,
as far as concerns my conduct,-for am I not your child?-the creature
of your own forming!-Yet, Oh Sir, friend, parent, of my heart!-my
feelings are all at war with my duties! and, while I most struggle to
acquire self-approbation, my peace, my happiness, my hopes,-are lost!
'Tis you alone can compose a mind so cruelly agitated: you, I well
know, can feel pity for the weakness to which you are a stranger;
and, though you blame the affliction, soothe and comfort the afflicted.
</CHAPTER>
<CHAPTER>
LETTER LXXIII. MR. VILLARS TO EVELINA.
Berry Hill, Oct. 3rd.
YOUR last communication, my dearest child, is indeed astonishing;
that an acknowledged daughter and heiress of Sir John Belmont should
be at Bristol, and still my Evelina bear the name of Anville, is to me
inexplicable; yet the mystery of the letter to Lady Howard prepared
me to expect something extraordinary upon Sir John Belmont's return
to England.
Whoever this young lady may be, it is certain she now takes a place
to which you have a right indisputable. An after-marriage I never
heard of; yet, supposing such a one to have happened, Miss Evelyn was
certainly the first wife, and therefore her daughter must, at least,
be entitled to the name of Belmont.
Either there are circumstances in this affair at present utterly
incomprehensible, or else some strange and most atrocious fraud has
been practiced; which of these two is the case it now behoves us
to enquire.
My reluctance to this step gives way to my conviction of its propriety,
since the reputation of your dear and much-injured mother must
now either be fully cleared from blemish, or receive its final and
indelible wound.
The public appearance of a daughter of Sir John Belmont will revive
the remembrance of Miss Evelyn's story in all who have heard it,-who
the mother was, will be universally demanded,-and if any other Lady
Belmont should be named, the birth of my Evelina will receive a stigma,
against which, honour, truth, and innocence may appeal in vain!-a
stigma, which will eternally blast the fair fame of her virtuous
mother, and cast upon her blameless self the odium of a title, which
not all her purity can rescue from established shame and dishonour!
No, my dear child, no; I will not quietly suffer the ashes of your
mother to be treated with ignominy! her spotless character shall be
justified to the world-her marriage shall be acknowledged, and her
child shall bear the name to which she is lawfully entitled.
It is true, that Mrs. Mirvan would conduct this affair with more
delicacy than Mrs. Selwyn; yet, perhaps, to save time, is of all
considerations the most important, since the longer this mystery
is suffered to continue, the more difficult may be rendered its
explanation. The sooner, therefore, you can set out for town, the
less formidable will be your task.
Let not your timidity, my dear love, depress your spirits: I shall,
indeed, tremble for you at a meeting so singular and so affecting,
yet there can be no doubt of the success of your application: I
enclose a letter from your unhappy mother, written, and reserved
purposely for this occasion: Mrs. Clinton too, who attended her in
her last illness, must accompany you to town.-But, without any other
certificate of your birth, that which you carry in your countenance,
as it could not be affected by artifice, so it cannot admit of a doubt.
And now, my Evelina, committed at length to the care of your real
parent, receive the fervent prayers, wishes, and blessings, of him
who so fondly adopted you!
May'st thou, O child of my bosom! may'st thou, in this change of
situation, experience no change of disposition! but receive with
humility, and support with meekness the elevation to which thou
art rising! May thy manners, language, and deportment, all evince
that modest equanimity, and cheerful gratitude, which not merely
deserve, but dignify prosperity! May'st thou, to the last moments of
an unblemished life, retain thy genuine simplicity, thy singleness
of heart, thy guileless sincerity! And may'st thou, stranger to
ostentation, and superior to insolence, with true greatness of soul
shine forth conspicuous only in beneficence! ARTHUR VILLARS.
</CHAPTER>
<CHAPTER>
LETTER LXXIV. LADY BELMONT TO SIR JOHN BELMONT.
IN the firm hope that the moment of anguish which approaches will
prove the period of my sufferings, once more I address myself to Sir
John Belmont, in behalf of the child, who, if it survives its mother,
will hereafter be the bearer of this letter.
Yet, in what terms,-Oh, most cruel of men!-can the lost Caroline
address you, and not address you in vain? Oh, deaf to the voice of
compassion-deaf to the sting of truth-deaf to every tie of honour-say,
in what terms may the lost Caroline address you, and not address you
in vain!
Shall I call you by the loved, the respected title of husband?-No, you
disclaim it!-the father of my infant?-No, you doom it to infamy!-the
lover who rescued me from a forced marriage?-No, you have yourself
betrayed me!-the friend from whom I hoped succour and protection?-No,
you have consigned me to misery and destruction!
Oh, hardened against every plea of justice, remorse, or pity! how,
and in what manner, may I hope to move thee? Is there one method I
have left untried? remains there one resource unessayed? No! I have
exhausted all the bitterness of reproach, and drained every sluice
of compassion!
Hopeless, and almost desperate, twenty times have I flung away my
pen;-but the feelings of a mother, a mother agonizing for the fate
of her child, again animating my courage, as often I have resumed it.
Perhaps when I am no more, when the measure of my woes is completed,
and the still, silent, unreproaching dust has received my sad
remains,-then, perhaps, when accusation is no longer to be feared,
nor detection to be dreaded, the voice of equity and the cry of nature
may be heard.
Listen, Oh Belmont, to their dictates! reprobate not your child,
though you have reprobated its mother. The evils that are past,
perhaps, when too late, you may wish to recal; the young creature
you have persecuted, perhaps, when too late, you may regret that
you have destroyed;-you may think with horror of the deceptions
you have practised, and the pangs of remorse may follow me to the
tomb:-Oh, Belmont, all my resentment softens into pity at the thought!
what will become of thee, good Heaven, when, with the eye of penitence,
thou reviewest thy past conduct!
Hear, then, the solemn, the last address, with which the unhappy
Caoline will importune thee.
If when the time of thy contrition arrives,-for arrive it must!-when
the sense of thy treachery shall rob thee of almost every other,
if then thy tortured heart shall sigh to expiate thy guilt,-mark the
conditions upon which I leave thee my forgiveness.
Thou knowest I am thy wife!-clear, then, to the world the reputation
thou hast sullied, and receive, as thy lawful successor, the child
who will present thee this, my dying request!
The worthiest, the most benevolent, the best of men, to whose consoling
kindness I owe the little tranquillity I have been able to preserve,
has plighted me his faith, that, upon no other conditions, he will
part with his helpless charge.
Should'st thou, in the features of this deserted innocent, trace the
resemblance of the wretched Caroline,-should its face bear the marks
of its birth, and revive in thy memory the image of its mother, wilt
thou not, Belmont, wilt thou not therefore renounce it?-Oh, babe of my
fondest affection! for whom already I experience all the tenderness of
maternal pity! look not like thy unfortunate mother,-lest the parent,
whom the hand of death may spare, shall be snatched from thee by the
more cruel means of unnatural antipathy!
I can write no more. The small share of serenity I have painfully
acquired, will not bear the shock of the dreadful ideas that crowd
upon me.
Adieu,-for ever!-
Yet, Oh!-shall I not, in this last farewell, which thou wilt not read
till every stormy passion is extinct, and the kind grave has embosomed
all my sorrows,-shall I not offer to the man, once so dear to me, a
ray of consolation to those afflictions he has in reserve? Suffer me,
then, to tell thee, that my pity far exceeds my indignation,-that I
will pray for thee in my last moments, and that the recollection of
the love I once bore thee, shall swallow up every other!
Once more, adieu! CAROLINE BELMONT.
</CHAPTER>
<CHAPTER>
LETTER LXXV. EVELINA TO THE REV. MR. VILLARS.
Clifton, Oct. 3rd.
THIS morning I saw from my window, that Lord Orville was walking in
the garden; but I would not go down stairs till breakfast was ready:
and then, he paid me his compliments almost as coldly as Lady Louisa
paid hers.
I took my usual place, and Mrs. Belmont, Lady Louisa, and Mrs. Selwyn,
entered into their usual conversation.-Not so your Evelina:
disregarded, silent, and melancholy, she sat like a cypher, whom,
to nobody belonging, by nobody was noticed.
Ill brooking such a situation, and unable to suport the neglect of
Lord Orville, the moment breakfast was over I left the room, and
was going up stairs; when, very unpleasantly, I was stopped by Sir
Clement Willoughby, who, flying into the hall, prevented my proceeding.
He enquired very particularly after my health, and entreated me to
return into the parlour. Unwillingly, I consented, but thought any
thing preferable to continuing alone with him; and he would neither
leave me, nor suffer me to pass on. Yet, in returning, I felt not a
little ashamed at appearing thus to take the visit of Sir Clement to
myself. And, indeed, he endeavoured, by his manner of addressing me,
to give it that air.
He stayed, I believe, an hour; nor would he, perhaps, even then have
gone, had not Mrs. Beaumont broken up the party, by proposing an
airing in her coach. Lady Louisa consented to accompany her; but
Mrs. Selwyn, when applied to, said, "If my Lord, or Sir Clement,
will join us, I shall be happy to make one;-but really a trio of
females will be nervous to the last degree."
Sir Clement readily agreed to attend them; indeed, he makes it his
evident study to court the favour of Mrs. Beaumont. Lord Orville
excused himself from going out; and I retired to my own room. What
he did with himself I know not, for I would not go down stairs till
dinner was ready: his coldness, though my own change of behaviour
had occasioned it, so cruelly depresses my spirits, that I know not
how to support myself in his presence.
At dinner, I found Sir Clement again of the party. Indeed, he manages
every thing his own way; for Mrs. Beaumont, though by no means easy
to please, seems quite at his disposal.
The dinner, the afternoon, and the evening, were to me the most
irksome imaginable: I was tormented by the assiduity of Sir Clement,
who not only took, but made opportunities of speaking to me,-and
I was hurt,-Oh, how inexpressibly hurt!-that Lord Orville not only
forebore, as hitherto, seeking, he even neglected all occasions of
talking with me!
I begin to think, my dear Sir, that the sudden alteration in my
behaviour was ill-judged and improper; for, as I had received no
offence, as the cause of the change was upon my account, not his,
I should not have assumed, so abruptly, a reserve for which I dared
assign no reason,-nor have shunned his presence so obviously, without
considering the strange appearance of such a conduct.
Alas, my dearest Sir, that my reflections should always be too late to
serve me! dearly, indeed, do I purchase experience! and much, I fear,
I shall suffer yet more severely, from the heedless indiscretion
of my temper, ere I attain that prudence and consideration, which,
by foreseeing distant consequences, may rule and direct in present
exigencies. Oct. 4th.
Yesterday morning every body rode out, except Mrs. Selwyn and myself;
and we two sat for some time together in her room; but, as soon as
I could, I quitted her, to saunter in the garden; for she diverts
herself so unmercifully with rallying me, either upon my gravity, or
concerning Lord Orville,-that I dread having any conversation with her.
Here I believe I spent an hour by myself; when, hearing the
garden-gate open, I went into an arbour at the end of a long walk,
where, ruminating, very unpleasantly, upon my future prospects, I
remained quietly seated but a few minutes, before I was interrupted
by the appearance of Sir Clement Willoughby.
I started; and would have left the arbour, but he prevented me. Indeed,
I am almost certain he had heard in the house where I was, as it is
not, otherwise, probable he would have strolled down the garden alone.
"Stop, stop," cried he, "loveliest and most beloved of women, stop
and hear me!"
Then, making me keep my place, he sat down by me, and would have
taken my hand; but I drew it back, and said I could not stay.
"Can you, then," cried he, "refuse me the smallest gratification,
though, but yesterday, I almost suffered martyrdom for the pleasure
of seeing you?"
"Martyrdom! Sir Clement."
"Yes, beauteous insensible! martyrdom: for did I not compel myself
to be immured in a carriage, the tedious length of a whole morning,
with the three most fatiguing women in England?"
"Upon my word, the ladies are extremely obliged to you."
"Oh," returned he, "they have, every one of them, so copious a share
of their own personal esteem, that they have no right to repine at
the failure of it in the world; and, indeed, they will themselves be
the last to discover it."
"How little," cried I, "are those ladies aware of such severity from
you!"
"They are guarded," answered he, "so happily and so securely by their
own conceit, that they are not aware of it from any body. Oh, Miss
Anville, to be torn away from you, in order to be shut up with them,-is
there a human being, except your cruel self, could forbear to pity me?"
"I believe, Sir Clement, however hardly you may choose to judge of
them, your situation, by the world in general, would rather have been
envied than pitied."
"The world in general," answered he, "has the same opinion of them
that I have myself: Mrs. Beaumont is every where laughed at, Lady
Louisa ridiculed, and Mrs. Selwyn hated."
"Good God, Sir Clement, what cruel strength of words do you use!"
"It is you, my angel, are to blame, since your perfections have
rendered their faults so glaring. I protest to you, during our whole
ride, I thought the carriage drawn by snails. The absurd pride of
Mrs. Beaumont, and the respect she exacts, are at once insufferable
and stupifying; had I never before been in her company, I should
have concluded that this had been her first airing from the herald's
office,-and wished her nothing worse, than that it might also be the
last. I assure you, that but for gaining the freedom of her house,
I would fly her as I would plague, pestilence, and famine. Mrs.
Selwyn, indeed, afforded some relief from this formality, but the
unbounded license of her tongue-"
"O, Sir Clement, do you object to that?"
"Yes, my sweet reproacher, in a woman I do; in a woman I think it
intolerable. She has wit, I acknowledge, and more understanding
than half her sex put together; but she keeps alive a perpetual
expectation of satire, that spreads a general uneasiness among all who
are in her presence; and she talks so much, that even the best things
she says weary the attention. As to the little Louisa, 'tis such a
pretty piece of languor, that 'tis almost cruel to speak rationally
about her,-else I should say, she is a mere compound of affectation,
impertinence, and airs."
"I am quite amazed," said I, "that, with such opinions, you can behave
to them all with so much attention and civility."
"Civility! my angel,-why I could worship, could adore them, only to
procure myself a moment of your conversation! Have you not seen me pay
my court to the gross Captain Mirvan, and the virago Madame Duval? Were
it possible that a creature so horrid could be formed, as to partake of
the worst qualities of all these characters,-a creature who should have
the haughtiness of Mrs. Beaumont, the brutality of Captain Mirvan,
the self-conceit of Mrs. Selwyn, the affectation of Lady Louisa,
and the vulgarity of Madame Duval,-even to such a monster as that I
would pay homage, and pour forth adulation, only to obtain one word,
one look from my adored Miss Anville!"
"Sir Clement," said I, "you are greatly mistaken if you suppose this
duplicity of character recommends you to my good opinion. But I must
take this opportunity of begging you never more to talk to me in
this strain."
"Oh, Miss Anville, your reproofs, your coldness, pierce me to the
soul! look upon me with less rigour, and make me what you please;-you
shall govern and direct all my actions,-you shall new-form, new-model
me:-I will not have even a wish but of your suggestion; only deign
to look upon me with pity-if not with favour!"
"Suffer me, Sir," said I, very gravely, "to make use of this occasion
to put a final conclusion to such expressions. I entreat you never
again to address me in a language so flighty and so unwelcome. You
have already given me great uneasiness; and I must frankly assure
you, that if you do not desire to banish me from wherever you are,
you will adopt a very different style and conduct in future."
I then rose, and was going, but he flung himself at my feet to prevent
me, exclaiming, in a most passionate manner, "Good God! Miss Anville,
what do you say?-is it, can it be possible, that, so unmoved, that,
with such petrifying indifference, you can tear from me even the
remotest hope!"
"I know not, Sir," said I, endeavouring to disengage myself from him,
"what hope you mean, but I am sure that I never intended to give
you any."
"You distract me," cried he, "I cannot endure such scorn;-I beseech
you to have some moderation in your cruelty, lest you make me
desperate:-say, then, that you pity me,-O fairest inexorable! loveliest
tyrant!-say, tell me, at least, that you pity me!"
Just then, who should come in sight, as if intending to pass by
the arbour, but Lord Orville! Good Heaven, how did I start! and he,
the moment he saw me, turned pale, and was hastily retiring;-but I
called out "Lord Orville!-Sir Clement, release me,-let go my hand!"
Sir Clement, in some confusion, suddenly rose, but still grasped
my hand. Lord Orville, who had turned back, was again walking away;
but, still struggling to disengage myself, I called out "Pray, pray,
my Lord, don't go!-Sir Clement, I insist upon your releasing me!"
Lord Orville then, hastily approaching us, said, with great spirit,
"Sir Clement, you cannot wish to detain Miss Anville by force!"
"Neither, my Lord," cried Sir Clement, proudly, "do I request the
honour of your Lordship's interference."
However, he let go my hand, and I immediately ran into the house.
I was now frightened to death, lest Sir Clement's mortified pride
should provoke him to affront Lord Orville: I therefore ran hastily to
Mrs. Selwyn, and entreated her, in a manner hardly to be understood,
to walk towards the arbour. She asked no questions, for she is quick
as lightening in taking a hint, but instantly hastened into the garden.
Imagine, my dear Sir, how wretched I must be till I saw her
return! scarce could I restrain myself from running back: however,
I checked my impatience, and waited, though in agonies, till she came.
And now, my dear Sir, I have a conversation to write, the most
interesting to me that I ever heard. The comments and questions with
which Mrs. Selwyn interrupted her account I shall not mention; for
they are such as you may very easily suppose.
Lord Orville and Sir Clement were both seated very quietly in the
arbour: and Mrs. Selwyn, standing still, as soon as she was within
a few yards of them, heard Sir Clement say, "Your question, my Lord,
alarms me, and I can by no means answer it, unless you will allow me
to propose another."
"Undoubtedly, Sir."
"You ask me, my Lord, what are my intentions?-I should be very happy
to be satisfied as to your Lordship's."
"I have never, Sir, professed any."
Here they were both, for a few moments, silent; and then Sir Clement
said, "To what, my Lord, must I then impute your desire of knowing
mine?"
"To an unaffected interest in Miss Anville's welfare."
"Such an interest," said Sir Clement, drily, "is indeed very generous;
but, except in a father,-a brother,-or a lover-"
"Sir Clement," interrupted his Lordship, "I know your inference;
and I acknowledge I have not the right of enquiry which any of those
three titles bestow; and yet I confess the warmest wishes to serve
her and to see her happy. Will you, then, excuse me, if I take the
liberty to repeat my question?"
"Yes, if your Lordship will excuse my repeating, that I think it a
rather extraordinary one."
"It may be so," said Lord Orville; "but this young lady seems to
be peculiarly situated; she is very young, very inexperienced,
yet appears to be left totally to her own direction. She does not,
I believe, see the dangers to which she is exposed, and I will own
to you, I feel a strong desire to point them out."
"I don't rightly understand your Lordship,-but I think you cannot
mean to prejudice her against me?"
"Her sentiments of you, Sir, are as much unknown to me, as your
intentions towards her. Perhaps, were I acquainted with either,
my officiousness might be at an end: but I presume not to ask upon
what terms-"
Here he stopped; and Sir Clement said, "You know, my Lord, I am not
given to despair; I am by no means such a puppy as to tell you I am
upon sure ground; however, perseverance-"
"You are, then, determined to perservere?"
"I am, my Lord."
"Pardon me, then, Sir Clement, if I speak to you with freedom. This
young lady, though she seems alone, and, in some measure, unprotected,
is not entirely without friends; she has been extremely well educated,
and accustomed to good company; she has a natural love of virtue,
and a mind that might adorn any station, however exalted: is such
a young lady, Sir Clement, a proper object to trifle with?-for your
principles, excuse me, Sir, are well known."
"As to that, my Lord, let Miss Anville look to herself; she has an
excellent understanding, and needs no counsellor."
"Her understanding is indeed excellent; but she is too young for
suspicion, and has an artlessness of disposition I never saw equalled."
"My Lord," cried Sir Clement, warmly, "your praises make me doubt
your disinterestedness, and there exists not the man, whom I would
so unwillingly have for a rival as yourself. But you must give me
leave to say, you have greatly deceived me in regard to this affair."
"How so, Sir?" cried Lord Orville, with equal warmth.
"You were pleased, my Lord," answered Sir Clement, "upon our first
conversation concerning this young lady, to speak to her in terms by
no means suited to your present encomiums; you said she was a poor,
weak, ignorant girl, and I had great reason to believe you had a most
contemptuous opinion of her."
"It is very true," said Lord Orville, "that I did not, at our first
acquaintance, do justice to the merits of Miss Anville; but I knew
not then how new she was to the world; at present, however, I am
convinced, that whatever might appear strange in her behaviour, was
simply the effect of inexperience, timidity, and a retired education;
for I find her informed, sensible, and intelligent. She is not,
indeed, like most modern young ladies, to be known in half an hour:
her modest worth, and fearful excellence, require both time and
encouragement to show themselves. She does not, beautiful as she is,
seize the soul by surprise, but, with more dangerous fascination,
she steals it almost imperceptibly."
"Enough, my Lord," cried Sir Clement, "your solicitude for her welfare
is now sufficiently explained."
"My friendship and esteem," returned Lord Orville, "I do not wish to
disguise; but assure yourself, Sir Clement, I should not have troubled
you upon this subject, had Miss Anville and I ever conversed but as
friends. However, since you do not choose to avow your intentions,
we must drop the subject."
"My intentions," cried he, "I will frankly own, are hardly known
to myself. I think Miss Anville the loveliest of her sex; and,
were I a marrying man, she, of all the women I have seen, I would
fix upon for a wife: but I believe that not even the philosophy of
your Lordship would recommend me to a connection of that sort, with
a girl of obscure birth, whose only dowry is her beauty, and who is
evidently in a state of dependency."
"Sir Clement," cried Lord Orville, with some heat, "we will discuss
this point no further; we are both free agents, and must act for
ourselves."
Here Mrs. Selwyn, fearing a surprise, and finding my apprehensions
of danger were groundless, retired hastily into another walk, and
soon after came to give me this account.
Good Heaven, what a man is this Sir Clement! So designing, though so
easy; so deliberately artful, though so flighty! Greatly, however, is
he mistaken, all confident as he seems; for the girl, obscure, poor,
dependent as she is, far from wishing the honour of his alliance,
would not only now, but always have rejected it.
As to Lord Orville,-but I will not trust my pen to mention him,-tell
me, my dear sir, what you think of him?-tell me if he is not
the noblest of men?-and if you can either wonder at, or blame my
admiration?
The idea of being seen immediately by either party, after so singular
a conversation, was both awkward and distressing to me; but I was
obliged to appear at dinner. Sir Clement, I saw, was absent and
uneasy; he watched me, he watched Lord Orville, and was evidently
disturbed in his mind. Whenever he spoke to me, I turned from him
with undisguised disdain, for I am too much irritated against him,
to bear with his ill-meant assiduities any longer.
But, not once,-not a moment, did I dare meet the eyes of Lord
Orville! All consciousness myself, I dreaded his penetration, and
directed mine every way-but towards his. The rest of the day I never
quitted Mrs. Selwyn.
Adieu, my dear Sir: to-morrow I expect your directions, whether I am
to return to Berry Hill, or once more to visit London.
</CHAPTER>
<CHAPTER>
LETTER LXXVI. EVELINA IN CONTINUATION.
Oct. 6th.
AND now, my dearest Sir, if the perturbation of my spirits will allow
me, I will finish my last letter from Clifton Hill. This morning,
though I did not go down stairs early, Lord Orville was the only
person in the parlour when I entered it. I felt no small confusion
at seeing him alone, after having so long and successfully avoided
such a meeting. As soon as the usual compliments were over, I would
have left the room, but he stopped me by saying, "If I disturb you
Miss Anville, I am gone."
"My Lord," said I, rather embarrassed, "I did not mean to stay."
"I flattered myself," cried he, "I should have had a moment's
conversation with you."
I then turned back; and he seemed himself in some perplexity: but,
after a short pause, "You are very good," said he, "to indulge my
request; I have, indeed, for some time past, most ardently desired
an opportunity of speaking to you."
Again he paused; but I said nothing, so he went on.
"You allowed me, Madam, a few days since, you allowed me to lay
claim to your friendship,-to interest myself in your affairs,-to call
you by the affectionate title of sister;-and the honour you did me,
no man could have been more sensible of; I am ignorant, therefore,
how I have been so unfortunate as to forfeit it:-but, at present,
all is changed! you fly me,-your averted eye shuns to meet mine,
and you sedulously avoid my conversation."
I was extremely disconcerted at this grave, and but too just
accusation, and I am sure I must look very simple;-but I made no
answer.
"You will not, I hope," continued he, "condemn me unheard; if there
is any thing I have done,-or any thing I have neglected, tell me,
I beseech you, what, and it shall be the whole study of my thoughts
how to deserve your pardon."
"Oh, my Lord," cried I, penetrated at once with shame and gratitude,
"your too, too great politeness oppresses me!-you have done nothing,-I
have never dreamt of offence-if there is any pardon to be asked it
is rather for me, than for you to ask it."
"You are all sweetness and condescension!" cried he, "and I flatter
myself you will again allow me to claim those titles which I find
myself so unable to forego. Yet, occupied as I am, with an idea
that gives me the greatest uneasiness, I hope you will not think
me impertinent, if I still solicit, still intreat, nay implore, you
to tell me, to what cause your late sudden, and to me most painful,
reserve was owing?"
"Indeed, my Lord," said I, stammering, "I don't,-I can't,-indeed,
my Lord,-"
"I am sorry to distress you," said he, "and ashamed to be so
urgent,-yet I know not how to be satisfied while in ignorance,-and
the time when the change happened, makes me apprehend,-may I, Miss
Anville, tell you what it makes me apprehend?"
"Certainly, my Lord."
"Tell me, then,-and pardon a question most essentially important
to me;-Had, or had not, Sir Clement Willoughby any share in causing
your inquietude?"
"No, my Lord," answered I, with firmness, "none in the world."
"A thousand, thousand thanks!" cried he: "you have relieved me from a
weight of conjecture which I supported very painfully. But one thing
more; is it, in any measure, to Sir Clement that I may attribute the
alteration in your behaviour to myself, which, I could not but observe,
began the very day after his arrival at the Hot Wells?"
"To Sir Clement, my Lord," said I, "attribute nothing. He is the last
man in the world who would have any influence over my conduct."
"And will you, then, restore to me that share of confidence and favour
with which you honoured me before he came?"
Just then, to my great relief,-for I knew not what to say,-Mrs.
Beaumont opened the door, and in a few minutes we went to breakfast.
Lord Orville was all gaiety; never did I see him more lively or more
agreeable. Very soon after, Sir Clement Willoughby called, to pay
his respects, he said, to Mrs. Beaumont. I then came to my own room,
where, indulging my reflections, which, now soothed, and now alarmed
me, I remained very quietly, till I received your most kind letter.
Oh, Sir, how sweet are the prayers you offer for your Evelina! how
grateful to her are the blessings you pour upon her head!-You commit
me to my real parent,-Ah, Guardian, Friend, Protector of my youth,-by
whom my helpless infancy was cherished, my mind formed, my very life
preserved,-you are the Parent my heart acknowledges, and to you do
I vow eternal duty, gratitude, and affection!
I look forward to the approaching interview with more fear than hope;
but, important as is this subject, I am just now wholly engrossed
with another, which I must hasten to communicate.
I immediately acquainted Mrs. Selwyn with the purport of your
letter. She was charmed to find your opinion agreed with her own,
and settled that we should go to town to-morrow morning: and a chaise
is actually ordered to be here by one o'clock.
She then desired me to pack up my clothes; and said she must go
herself to make speeches and tell lies to Mrs. Beaumont.
When I went down stairs to dinner, Lord Orville, who was still in
excellent spirits, reproached me for secluding myself so much from
the company. He sat next me,-he would sit next me,-at table; and he
might, I am sure, repeat what he once said of me before, that he
almost exhausted himself in fruitless endeavours to entertain me;
-for, indeed, I was not to be entertained: I was totally spiritless
and dejected; the idea of the approaching meeting,-and Oh, Sir,
the idea of the approaching parting,-gave a heaviness to my heart
that I could neither conquer nor repress. I even regretted the half
explanation that had passed, and wished Lord Orville had supported
his own reserve, and suffered me to support mine.
However, when, during dinner, Mrs. Beaumont spoke of our journey,
my gravity was no longer singular; a cloud instantly overspread the
countenance of Lord Orville, and he became nearly as thoughtful and
as silent as myself.
We all went together to the drawing-room. After a short and
unentertaining conversation, Mrs. Selwyn said she must prepare for
her journey, and begged me to see for some books she had left in
the parlour.
And here, while I was looking for them, I was followed by Lord
Orville. He shut the door after he came in, and, approaching me with
a look of anxiety, said, "Is this true, Miss Anville, are you going?"
"I believe so, my Lord," said I, still looking for the books.
"So suddenly, so unexpectedly must I lose you?"
"No great loss, my Lord," cried I, endeavouring to speak cheerfully.
"Is it possible," said he gravely, "Miss Anville can doubt my
sincerity?"
"I can't imagine," cried I, "what Mrs. Selwyn has done with these
books."
"Would to Heaven," continued he, "I might flatter myself you would
allow me to prove it!"
"I must run up stairs," cried I, greatly confused, "and ask what she
has done with them."
"You are going, then," cried he, taking my hand, "and you give me not
the smallest hope of your return!-will you not, then, my too lovely
friend!-will you not, at least, teach me, with fortitude like your own,
to support your absence?"
"My Lord," cried I, endeavouring to disengage my hand, "pray let
me go!"
"I will," cried he, to my inexpressible confusion, dropping on one
knee, "if you wish to leave me!"
"O, my Lord," exclaimed I, "rise, I beseech you, rise!-such a posture
to me!-surely your Lordship is not so cruel as to mock me!"
"Mock you!" repeated he earnestly, "no I revere you! I esteem and
I admire you above all human beings! you are the friend to whom my
soul is attached as to its better half! you are the most amiable,
the most perfect of women! and you are dearer to me than language
has the power of telling."
I attempt not to describe my sensations at that moment; I scarce
breathed; I doubted if I existed,-the blood forsook my cheeks,
and my feet refused to sustain me: Lord Orville, hastily rising,
supported me to a chair, upon which I sunk, almost lifeless.
For a few minutes, we neither of us spoke; and then, seeing me recover,
Lord Orville, though in terms hardly articulate, intreated my pardon
for his abruptness. The moment my strength returned, I attempted to
rise, but he would not permit me.
I cannot write the scene that followed, though every word is
engraven on my heart; but his protestations, his expressions, were
too flattering for repetition: nor would he, in spite of my repeated
efforts to leave him, suffer me to escape:-in short, my dear Sir,
I was not proof against his solicitations-and he drew from me the
most sacred secret of my heart!
I know not how long we were together; but Lord Orville was upon his
knees, when the door was opened by Mrs. Selwyn!-To tell you, Sir,
the shame with which I overwhelmed, would be impossible;-I snatched
my hand from Lord Orville,-he, too, started and rose, and Mrs. Selwyn,
for some instants, stood facing us both in silence.
At last, "My Lord" said she, sarcastically, "have you been so good
as to help Miss Anville to look for my books?"
"Yes, Madam," answered he, attempting to rally, "and I hope we shall
soon be able to find them."
"Your Lordship is extremely kind," said she, drily, "but I can by
no means consent to take up any more of your time." Then looking on
the window-seat, she presently found the books, and added, "Come,
here are just three, and so like the servants in the Drummer, this
important affair may give employment to us all." She then presented
one of them to Lord Orville, another to me, and taking a third herself,
with a most provoking look, she left the room.
I would instantly have followed her; but Lord Orville, who could not
help laughing, begged me to stay a minute, as he had many important
matters to discuss.
"No, indeed, my Lord, I cannot,-perhaps I have already stayed too
long."
"Does Miss Anville so soon repent her goodness?"
"I scarce know what I do, my Lord,-I am quite bewildered!"
"One hour's conversation," cried he, "will, I hope, compose your
spirits, and confirm my happiness. When, then, may I hope to see you
alone?-shall you walk in the garden to-morrow before breakfast?"
"No, no, my Lord; you must not, a second time, reproach me with making
an appointment."
"Do you then," said he, laughing, "reserve that honour only for
Mr. Macartney?"
"Mr. Mccartney," said I, "is poor, and thinks himself obliged to me;
otherwise-"
"Poverty," cried he, "I will not plead; but, if being obliged to you
has any weight, who shall dispute my title to an appointment?"
"My Lord, I can stay no longer,-Mrs. Selwyn will lose all patience."
"Deprive her not of the pleasure of her conjectures,-but tell me,
are you under Mrs. Selwyn's care?"
"Only for the present, my Lord."
"Not a few are the questions I have to ask Miss Anville: among them,
the most important is, whether she depends wholly on herself, or
whether there is any other person for whose interest I must solicit?"
"I hardly know, my Lord, I hardly know myself to whom I most belong."
"Suffer, suffer me, then," cried he, with warmth, "to hasten the time
when that shall no longer admit a doubt!-when your grateful Orville
may call you all his own!"
At length, but with difficulty, I broke from him. I went, however, to
my own room, for I was too much agitated to follow Mrs. Selwyn. Good
God, my dear Sir, what a scene! surely the meeting for which I shall
prepare to-morrow cannot so greatly affect me! To be loved by Lord
Orville,-to be the honoured choice of his noble heart,-my happiness
seemed too infinite to be borne, and I wept, even bitterly I wept,
from the excess of joy which overpowered me.
In this state of almost painful felicity I continued till I was
summoned to tea. When I re-entered the drawing room, I rejoiced much
to find it full of company, as the confusion with which I met Lord
Orville was rendered the less observable.
Immediately after tea, most of the company played at cards,-and
then-till supper time, Lord Orville devoted himself wholly to me.
He saw that my eyes were red, and would not let me rest till he
made me confess the cause; and when, though most reluctantly, I had
acknowledged my weakness, I could with difficulty refrain from weeping
again at the gratitude he expressed.
He earnestly desired to know if my journey could not be postponed! and
when I no, entreated permission to attend me to town.
"Oh, my Lord," cried I, "what a request!"
"The sooner," answered he, "I make my devotion to you in public,
the sooner I may expect, from your delicacy, you will convince the
world you encourage no mere danglers."
"You teach me, then, my Lord, the inference I might expect, if
I complied."
"And can you wonder I should seek to hasten the happy time, when
no scruples, no discretion will demand our separation? and the most
punctilious delicacy will rather promote, than oppose, my happiness
in attending you?"
To this I was silent, and he re-urged his request.
"My Lord," said I, "you ask what I have no power to grant. This
journey will deprive me of all right to act for myself."
"What does Miss Anville mean?"
"I cannot now explain myself; indeed, if I could, the task would be
both painful and tedious."
"O, Miss Anville," cried he, "when may I hope to date the period of
this mystery? when flatter myself that my promised friend will indeed
honour me with her confidence?"
"My Lord," said I, "I mean not to affect any mystery,-but my affairs
are so circumstanced, that a long and most unhappy story can alone
explain them. However, if a short suspense will give your Lordship
any uneasiness,-"
"My beloved Miss Anville," cried he, eagerly, "pardon my
impatience!-You shall tell me nothing you would wish to conceal,-I
will wait your own time for information, and trust to your goodness
for its speed."
"There is nothing, my Lord, I wish to conceal,-to postpone an
explanation is all I desire."
He then requested, that, since I would not allow him to accompany
me to town, I would permit him to write to me, and promise to answer
his letters.
A sudden recollection of the two letters which had already passed
between us occurring to me, I hastily answered, "No, indeed, my Lord!-"
"I am extremely sorry," said he, gravely, "that you think me too
presumptuous. I must own I had flattered myself, that, to soften the
inquietude of an absence, which seems attended by so many inexplicable
circumstances, would not have been to incur your displeasure." This
seriousness hurt me; and I could not forbear saying, "Can you indeed
desire, my Lord, that I should, a second time, expose myself, by an
unguarded readiness, to write to you?"
"A second time! unguarded readiness!" repeated he; "you amaze me!"
"Has your Lordship then quite forgot the foolish letter I was so
imprudent as to send you when in town?"
"I have not the least idea," cried he, "of what you mean."
"Why then, my Lord," said I, "we had better let the subject drop."
"Impossible!" cried he, "I cannot rest without an explanation!"
And then, he obliged me to speak very openly of both the letters: but,
my dear Sir, imagine my surprise, when he assured me, in the most
solemn manner, that, far from having ever written me a single line,
he had never received, seen, or heard of my letter!
This subject, which caused mutual astonishment and perplexity to us
both, entirely engrossed us for the rest of the evening; and he made
me promise to show him the letter I had received in his name to-morrow
morning, that he might endeavour to discover the author.
After supper, the conversation became general.
And now, my dearest Sir, may I not call for your congratulations upon
the events of this day? a day never to be recollected by me but with
the most grateful joy! I know how much you are inclined to think well
of Lord Orville; I cannot, therefore, apprehend that my frankness to
him will displease you. Perhaps the time is not very distant, when
your Evelina's choice may receive the sanction of her best friend's
judgment and approbation,-which seems now all she has to wish!
In regard to the change in my situation which must first take place,
surely I cannot be blamed for what has passed! the partiality of Lord
Orville must not only reflect honour upon me, but upon all to whom
I do, or may belong.
Adieu, most dear Sir, I will write again when I arrive at London.
</CHAPTER>
| 16,887 | Volume III, Letter VI - Volume III, Letter XV | https://web.archive.org/web/20201126171702/https://www.gradesaver.com/evelina-or-the-history-of-a-young-ladys-entrance-into-the-world/study-guide/summary-volume-iii-letter-vi--volume-iii-letter-xv | Mr. Villars writes to Evelina and confesses his concern that she is too innocent to realize what is happening: Lord Orville is in love with her. Worse, she is attracted to him but does not realize it. As she has not been able to transcend her infatuation, he encourages her to quit him, since "his sight is baneful to your repose, his society is death to your future tranquility!" Evelina must not trust in appearances, but instead rely on her guardian's advice. Meanwhile, Evelina writes to him before has received his letter. She relates to him the day of the bet between Lord Merton and Mr. Coverley. The men chose to decide their bet through a footrace between two very old and infirm women. On that day, Lord Merton addressed himself presumptuously and inappropriately to Evelina, ignoring Louisa. When the time for the race came, the two men acted quite despicably in their disinterest in the old woman, and the competition was indeed sad and shameful. Lord Orville looked disapproving. Lord Merton won, and in his drunkenness that followed, he became extremely forward with Evelina. Riled up, she exclaimed a wish to have a brother to protect her, and Lord Orville quickly stepped to her aid with a promise to act as her brother. He then led her and Louisa away. Lady Louisa was both piqued with Lord Merton for his flirtations, and annoyed with her brother for so clearly favoring Evelina to her. Lord Orville proclaimed to Evelina that he would be both her sincere friend and her brother, and that she must accept his services. She was pleased to do so. The next evening, the entire group attended an assembly that Lord Orville had procured tickets to. At one point, Lord Orville danced with a young lady and Evelina overheard who she was: her name was Miss Belmont, and she was the daughter of an heiress. Evelina started; her father must have designated a new heiress in her stead. She spoke with Mrs. Selwyn about it, since that woman was familiar with her history, and she suggested Evelina go to town to research the matter further. Evelina asks Mr. Villars's permission to undertake this endeavor. Evelina also writes Mr. Villars of seeing Mr. Macartney at the pump room, and of that man's request to speak with her. She further details Lord Orville's curiosity on that same subject. She observed how awkward Mr. Macartney became when the young "Miss Belmont" entered the pump room, but did not know why he behaved thusly. Lord Orville promised Evelina he would help her fulfill her duty to Mr. Macartney, even though he did not know what it was. He invited the poet to the house and then kindly left them alone for a few moments. To Evelina's utter shock, the young man confessed to Evelina that that Miss Belmont was his former paramour. This meant that Macartney was Evelina's brother. Though she did not alert him to her realization, she did embrace him fervently and promise she would help however she could. Later, Evelina writes to tell Mr. Villars that she had received his letter about Lord Orville. She is flummoxed, broken-hearted, and ashamed. She feels ignorant and beguiled, and laments ever leaving her guardian. She had hoped to set out for Berry Hill immediately, but she was convinced by Mrs. Selwyn to stay a bit longer. She announces her intention to avoid Lord Orville completely. As she details in subsequent letters, her plan was difficult to enact, because he noticed her new coldness and continually inquired as to the cause of it. She later accompanied Mrs. Selwyn to town, and they stopped by the pump room first. To her consternation, all the young men there seemed to be talking about her, whispering odd snatches of verse. She was even more disturbed to run into Sir Clement Willoughby, who said he had been looking for her. He said he was brought to Bristol by accident and did not know she was there, but would have realized it quickly now that she was famous. Evelina inquired what he meant, and he explained that a copy of verse about her had been dropped in and around the pump room. He continued to compliment her, and implored her to spend time with him. She refused. Unfortunately, he quickly endeared himself to Mrs. Selwyn, and she forced Evelina to attend an assembly with them. Back with the group at Clifton, Lord Orville and Sir Clement eyed each other warily, and Lord Orville seemed confused by Evelina's growing aloofness. He tried to privately ask her whether he had offended her, and further asked whether she had known Sir Clement was in town. He was even more astonished to hear that she was engaged to Sir Clement at that night's assembly. Sir Clement continued to accost Evelina throughout the evening, and he showed her the paper of verse that he had copied from the original. It did indeed mention her name, and she believed it to be by Mr. Macartney, who was apt to praise her. Sir Clement bothered her incessantly, asking thousands of pointed questions, especially about Lord Orville. That night, Evelina confesses in a letter that she worries she is not acting honorably towards her former friend Lord Orville. Mr. Villars writes to Evelina about the Miss Belmont situation, ruminating that Miss Belmont may be the child of an after-marriage, but was certainly taking the place to which Evelina had an indisputable right. He deplores John Belmont's cruel treatment of Evelina's mother, and insists that the latter's reputation deserved to be cleared before public opinion. He includes in his correspondence a letter from her "unhappy mother," which had been reserved for Sir Belmont should this very situation ever arise. The letter begs Sir John Belmont, in the most emotional and florid tones, to recognize his true daughter. Evelina writes back to Mr. Villars, detailing how forward and obnoxious Sir Clement was in monopolizing her time and attention. At one point, he found her in the garden, grabbed her hand and would not let her alone. Lord Orville came across them, and she finally asked him forcibly to have Sir Clement release her hand. He asked Sir Clement if he meant to detain her by force, and he proudly released her hand and insisted he did not need Lord Orville's opinion. Evelina flew indoors. Later, she heard about their subsequent conversation from Mrs. Selwyn, who eavesdropped upon it. Lord Orville had asked Sir Clement about his intentions, and Sir Clement rudely answered that he had none, since her birth was low. He also sneeringly asked why Lord Orville was so interested; the latter spoke of how Evelina was "very young, very inexperienced, yet appears to be left totally to her own direction." The two men continued to argue until Mrs. Selwyn left for fear of discovery. Evelina next writes Mr. Villars of how Lord Orville found her alone, and begged to have a private moment. He very simply asked her why she had changed. She was disconcerted at how forthright and honest he was in his entreaty, but she remained silent. He asked her about Sir Clement, and she hotly denied that he mattered to her at all. Lord Orville was remarkably relieved by this. At dinner, he was excessively friendly and gay with Evelina. After dinner, he went into the library to help her choose a few books for her impending journey back to Berry Hill, and he could finally resist no longer. He declared his love and esteem for Evelina, and she could not resist him: "he drew from me the most sacred secret of my heart!" She acknowledges to Mr. Villars that there are many questions to address at a later point, but adds that they are blissfully happy. That night, Evelina wept from sheer happiness, and felt the tremendous honor of being chosen as wife by a man like Lord Orville. The next day, he asked to announce their affection publicly, but she implored him to wait until she had taken care of her business in town . He agreed with alacrity. Evelina concludes her letter to Mr. Villars by explaining how the two of them had actually discovered that Lord Orville never wrote that bold and inappropriate letter. He knew nothing about it. She hopes her guardian will think well of Lord Orville, and feel honored by his choice of her. | This set of letters presents examples of the rich behaving very, very badly. Lord Merton, in particular, is a dissolute and lascivious newly-made nobleman who enjoys exploiting and mocking those around him, simply to entertain himself. He does not care about his reputation because he knows his fortune will be secured when he marries Lady Louisa. He is a paragon of "modern" manners and stands contrast to the genteel and traditional Lord Orville. Even Mrs. Selwyn's wit and virulent satire can do little to quell the boisterous cruelty and brazen excess of Lord Merton. For all her strength, Lady Louisa is but a tool towards securing Lord Merton's wealth. She has no more power than Evelina does, though she has been raised to affect a superiority. In this way, she is far more pitiable than our heroine, especially when her fiancee so blatantly hits of Evelina in front of her. Lord Merton has replaced Captain Mirvan as the novel's grossest, rudest male, and Mrs. Selwyn has replaced Madame Duval as the older woman supervising Evelina. However, while Lord Merton possesses no redeeming qualities, Mrs. Selwyn remains valuable to Evelina because she protects her, respects her, and gently pushes her into self-awareness. Even though her satire sometimes seems coarse to Evelina, it does suggest to her that she is free to make up her own mind about Lord Orville, and does not need a man - Mr. Villars - to guide her any longer. Another instance of privileged cruelty is the race between the two old women, an episode that puzzles many critics, particularly as regards its origin. Most have tried to find literary, historical or anecdotal precedents for it, but one critic, as Jones points out, is probably right in claiming there was probably no single source. Betting on foot-races was pretty common; young laboring women raced against each other at fairs in "smock races." Jones writes that this scene "certainly captures the cruelty involved in many eighteenth-century amusements, while the introduction of 'poor old women' focuses on issues involving both gender and social status." In other words, the race is itself a cohesive symbol of all the oppressions related throughout the novel. Lord Orville is finally prompted to make his feelings known to Evelina, and it is significant that he does so without knowing the truth about her birth. She has dropped some hints about herself, but he remains oblivious to the exact particulars, and to the impending conflict with her father. Considering how important social status was - and how much of the 'marriage contract' was about securing a valuable commodity in a wife - Lord Orville is admirable in acting from his affection alone. He very clearly leans toward the fictional and unbelievable: while it is not impossible to imagine a young man with manners and a deep sense of decorum, it is unlikely that one in his social position would so blithely pursue a young woman whose birth was unknown. Burney's inclusion of such an angelic man is in many ways a deference towards the system of marriage, since her cynical attitude about people would otherwise overwhelm the book's perspective and make it far more transgressive than it ultimately is. And, of course, it would likely sell more copies it it conformed to what most of society thought, instead of explicitly attacking those thoughts. One note about some historical information is useful. A pamphlet-shop was a place that sold cheaper and unbound publications and was usually frequented by men as opposed to women, who procured their reading material from the circulating library. The fact that Mrs. Selwyn prefers this outlet demonstrates her more masculine education and taste. "John trot style" referred to a man who, according to the Oxford English Dictionary, was of "slow or uncultured intellect, a bumpkin, a clown." Vivien Jones's annotations explain that "the insult suggests that older women are masculinized, as well as stupid." | 1,409 | 653 | [
"<CHAPTER>\n LETTER LXVII.",
"MR. VILLARS TO EVELINA.",
"Berry Hill, Sept. 28th.",
"DEAD to the world, and equally insensible to its pleasures or its\npains, I long since bad adieu to all joy, and defiance to all sorrow,\nbut what should spring from my Evelina,-sole source, to me, of all\nearthly felicity.",
"How strange, then, is it, that the letter in which\nshe tells me she is the happiest of human beings, should give me most\nmortal inquietude!",
"Alas, my child!-that innocence, the first, best gift of Heaven,\nshould, of all others, be the blindest to its own danger,-the most\nexposed to treachery,-and the least able to defend itself, in a world\nwhere it is little known, less valued, and perpetually deceived!",
"Would to Heaven you were here!-then, by degrees, and with gentleness,\nI might enter upon a subject too delicate for distant discussion.",
"Yet\nis it too interesting, and the situation too critical, to allow of\ndelay.-Oh, my Evelina, your situation is critical indeed!-your peace\nof mind is at stake, and every chance for your future happiness may\ndepend upon the conduct of the present moment.",
"Hitherto I have forborne to speak with you upon the most important of\nall concerns, the state of your heart:-alas, I need no information!",
"I\nhave been silent, indeed, but I have not been blind.",
"Long, and with the deepest regret, have I perceived the ascendancy\nwhich Lord Orville has gained upon your mind.-You will start at the\nmention of his name,-you will tremble every word you read;-I grieve\nto give pain to my gentle Evelina, but I dare not any longer spare her.",
"Your first meeting with Lord Orville was decisive.",
"Lively, fearless,\nfree from all other impressions, such a man as you describe him\ncould not fail of exciting your admiration; and the more dangerously,\nbecause he seemed as unconscious of his power as you of your weakness;\nand therefore you had no alarm, either from his vanity of your own\nprudence.",
"Young, animated, entirely off your guard, and thoughtless of\nconsequences, Imagination took the reins; and Reason, slow-paced,\nthough sure-footed, was unequal to the race of so eccentric and flighty\na companion.",
"How rapid was then my Evelina's progress through those\nregions of fancy and passion whither her new guide conducted her!-She\nsaw Lord Orville at a ball,-and he was the most amiable of men!",
"-She\nmet him again at another,-and he had every virtue under Heaven!",
"I mean not to depreciate the merit of Lord Orville, who, one mysterious\ninstance alone excepted, seems to have deserved the idea you formed\nof his character; but it was not time, it was not the knowledge of\nhis worth, obtained your regard: your new comrade had not patience\nto wait any trial; her glowing pencil, dipt in the vivid colours\nof her creative ideas, painted to you, at the moment of your first\nacquaintance, all the excellencies, all the good and rare qualities,\nwhich a great length of time and intimacy could alone have really\ndiscovered.",
"You flattered yourself that your partiality was the effect of esteem,\nfounded upon a general love of merit, and a principle of justice;\nand your heart, which fell the sacrifice of your error, was totally\ngone ere you expected it was in danger.",
"A thousand times have I been upon the point of showing you the\nperils of your situation; but the same inexperience which occasioned\nyour mistake, I hoped, with the assistance of time and absence, would\neffect a cure: I was, indeed, most unwilling to destroy your illusion,\nwhile I dared hope it might itself contribute to the restoration of\nyour tranquillity; since your ignorance of the danger, and force of\nyour attachment, might possibly prevent that despondency with which\nyoung people, in similar circumstances, are apt to persuade themselves,\nthat what is only difficult, is absolutely impossible.",
"But, now, since you have again met, and have become more intimate\nthan ever, all my hope from silence and seeming ignorance is at an end.",
"Awake then, my dear, my deluded child, awake to the sense of your\ndanger, and exert yourself to avoid the evils with which it threatens\nyou:-evils which, to a mind like yours, are most to be dreaded; secret\nrepining, and concealed, yet consuming regret!",
"Make a noble effort for\nthe recovery of your peace, which now, with sorrow I see it, depends\nwholly upon the presence of Lord Orville.",
"This effort may indeed be\npainful; but trust to my experience, when I assure you it is requisite.",
"You must quit him!-his sight is baneful to your repose, his society\nis death to your future tranquillity!",
"Believe me, my beloved child,\nmy heart aches for your suffering, while it dictates its necessity.",
"Could I flatter myself that Lord Orville would, indeed, be sensible\nof your worth, and act with a nobleness of mind which should prove\nit congenial to your own, then would I leave my Evelina to the\nunmolested enjoyment of the cheerful society, and increasing regard,\nof a man she so greatly admires: but this is not an age in which we\nmay trust to appearances; and imprudence is much sooner regretted\nthan repaired.",
"Your health, you tell me, is much mended:-Can you then\nconsent to leave Bristol?-not abruptly, that I do not desire, but in a\nfew days from the time you receive this?",
"I will write to Mrs. Selwyn,\nand tell her how much I wish your return; and Mrs. Clinton can take\nsufficient care of you.",
"I have meditated upon every possible expedient that might tend to\nyour happiness, ere I fixed upon exacting from you a compliance which\nI am convinced will be most painful to you; but I can satisfy myself\nin none.",
"This will at least be safe; and as to success,-we must leave\nit to time.",
"I am very glad to hear of Mr. Macartney's welfare.",
"Adieu, my dearest child!",
"Heaven preserve and strengthen you!",
"A.V.",
"</CHAPTER>\n\n<CHAPTER>\n LETTER LXVIII.",
"EVELINA TO THE REV.",
"MR. VILLARS.",
"Clifton, Sept. 28th.",
"SWEETLY, most sweetly, have two days more passed since I wrote:\nbut I have been too much engaged to be exact in my journal.",
"To-day has been less tranquil.",
"It was destined for the decision of\nthe important bet, and has been productive of general confusion\nthroughout the house.",
"It was settled that the race should be run\nat five o'clock in the afternoon.",
"Lord Merton breakfasted here, and\nstaid till noon.",
"He wanted to engage the ladies to bet on his side,\nin the true spirit of gaming, without seeing the racers.",
"But he could\nonly prevail on Lady Louisa, as Mrs. Selwyn said she never laid a wager\nagainst her own wishes, and Mrs. Beaumont would not take sides.",
"As for\nme, I was not applied to.",
"It is impossible for negligence to be more\npointed than that of Lord Merton to me, in the presence of Lady Louisa.",
"But, just before dinner, I happened to be alone in the drawing-room,\nwhen his Lordship suddenly returned; and, coming in with his usual\nfamiliarity, he was beginning, \"You see, Lady Louisa,-\" but stopping\nshort, \"Pray, where's every body gone?\"",
"\"Indeed I don't know, my Lord.\"",
"He then shut the door; and, with a great alteration in his face\nand manner, advanced eagerly towards me, and said, \"How glad I am,\nmy sweet girl, to meet you, at last, alone!",
"By my soul I began to\nthink there was a plot against me, for I've never been able to have\nyou a minute to myself.\"",
"And very freely he seized my hand.",
"I was so much surprised at this address, after having been so long\ntotally neglected, that I could make no other answer, than staring\nat him with unfeigned astonishment.",
"\"Why now,\" continued he, \"if you was not the cruellest little angel\nin the world, you would have helped me to some expedient: for you\nsee how I am watched here; Lady Louisa's eyes are never off me.",
"She\ngives me a charming foretaste of the pleasures of a wife!",
"However,\nit won't last long.\"",
"Disgusted to the greatest degree, I attempted to draw away my hand;\nbut I believe I should not have succeeded if Mrs. Beaumont had not\nmade her appearance.",
"He turned from me with the greatest assurance,\nand said, \"How are you, Ma'am?-how is Lady Louisa?-you see I can't\nlive a moment out of the house.\"",
"Could you, my dearest Sir, have believed it possible for such\neffrontery to be in man?",
"Before dinner came Mr. Coverley, and, before five o'clock, Mr. Lovel\nand some other company.",
"The place marked out for the race, was a\ngravel-walk in Mrs. Beaumont's garden, and the length of the ground\ntwenty yards.",
"When we were summoned to the course, the two poor old\nwomen made their appearance.",
"Though they seemed very healthy for\ntheir time of life, they yet looked so weak, so infirm, so feeble,\nthat I could feel no sensation but that of pity at the sight.",
"However,\nthis was not the general sense of the company; for they no sooner came\nforward, than they were greeted with a laugh from every beholder, Lord\nOrville excepted, who looked very grave during the whole transaction.",
"Doubtless he must be greatly discontented at the dissipated conduct and\nextravagance of a man, with whom he is soon to be so nearly connected.",
"For some time, the scene was truly ridiculous: the agitation of the\nparties concerned, and the bets that were laid upon the old women,\nwere absurd beyond measure.",
"Who are you for?",
"and whose side are you\nof?",
"was echoed from mouth to mouth by the whole company.",
"Lord Merton\nand Mr. Coverley were both so excessively gay and noisy, that I soon\nfound they had been free in drinking to their success.",
"They handed,\nwith loud shouts, the old women to the race-ground, and encouraged\nthem by liberal promises to exert themselves.",
"When the signal was given for them to set off, the poor creatures,\nfeeble and frightened, ran against each other: and, neither of them\nable to support the shock, they both fell on the ground.",
"Lord Merton and Mr. Coverley flew to their assistance.",
"Seats were\nbrought for them; and they each drank a glass of wine.",
"They complained\nof being much bruised; for, heavy and helpless, they had not been\nable to save themselves, but fell with their whole weight upon the\ngravel.",
"However, as they seemed equal sufferers, both parties were\ntoo eager to have the affair deferred.",
"Again therefore they set off, and hobbled along, nearly even with each\nother, for some time; yet frequently, to the inexpressible diversion of\nthe company, they stumbled and tottered; and the confused hallooing of\n\"Now, Coverley!\"",
"\"Now, Merton!\"",
"run from side to side during the\nwhole affair.",
"Not long after, a foot of one of the poor women slipt, and with great\nforce she came again to the ground.",
"Involuntarily, I sprung forward to\nassist her; but Lord Merton, to whom she did not belong, stopped me,\ncalling out, \"No foul play!",
"No foul play!\"",
"Mr. Coverley then, repeating the same words, went himself to help\nher, and insisted that the other should stop.",
"A debate ensued; but\nthe poor creature was too much hurt to move, and declared her utter\ninability to make another attempt.",
"Mr. Coverley was quite brutal:\nhe swore at her with unmanly rage, and seemed scarce able to refrain\neven from striking her.",
"Lord Merton then, in great rapture, said it was a hollow thing;\nbut Mr. Coverley contended, that the fall was accidental, and time\nshould be allowed for the woman to recover.",
"However, all the company\nbeing against him, he was pronounced the loser.",
"We then went to the drawing-room, to tea.",
"After which, the evening\nbeing remarkably warm, we all walked in the garden.",
"Lord Merton was\nquite riotous, and Lady Louisa in high spirits; but Mr. Coverley\nendeavoured, in vain, to conceal his chagrin.",
"As Lord Orville was thoughtful, and walked by himself, I expected that,\nas usual, I should pass unnoticed, and be left to my own meditations:\nbut this was not the case; for Lord Merton, entirely off his guard,\ngiddy equally from wine and success, was very troublesome to me;\nand, regardless of the presence of Lady Louisa, which hitherto has\nrestrained him even from common civility, he attached himself to me,\nduring the walk, with a freedom of gallantry that put me extremely\nout of countenance.",
"He paid me the most high-flown compliments;\nand frequently and forcibly seized my hand, though I repeatedly,\nand with undissembled anger, drew it back.",
"Lord Orville, I saw,\nwatched us with earnestness; and Lady Louisa's smiles were converted\ninto looks of disdain.",
"I could not bear to be thus situated; and complaining I was tired,\nI quickened my pace, with intention to return to the house; but\nLord Merton, hastily following, caught my hand, and saying the day\nwas his own, vowed he would not let me go.",
"\"You must, my Lord,\" cried I, extremely flurried.",
"\"You are the most charming girl in the world,\" said he, \"and never\nlooked better than at this moment.\"",
"\"My Lord,\" cried Mrs. Selwyn, advancing to us, \"you don't consider,\nthat the better Miss Anville looks the more striking is the contrast\nwith your Lordship; therefore, for your own sake, I would advise you\nnot to hold her.\"",
"\"Egad, my Lord,\" cried Mr. Coverley, \"I don't see what right you have\nto the best old, and the best young woman too, in the same day.\"",
"\"Best young woman!\"",
"repeated Mr. Lovel; \"'pon honour, Jack, you have\nmade a most unfortunate speech; however, if Lady Louisa can pardon\nyou,-and her Ladyship is all goodness,-I am sure nobody else can;\nfor you have committed an outrageous solecism in good manners.\"",
"\"And pray, Sir,\" said Mrs. Selwyn, \"under what denomination may your\nown speech pass?\"",
"Mr. Lovel, turning another way, affected not to hear her: and\nMr. Coverley, bowing to Lady Louisa, said, \"Her Ladyship is well\nacquainted with my devotion;-but, egad, I don't know how it is,-I\nhad always an unlucky turn at an epigram, and never could resist a\nsmart play upon words in my life.\"",
"\"Pray, my Lord,\" cried I, \"let go my hand!",
"Pray, Mrs. Selwyn, speak\nfor me.\"",
"\"My Lord,\" said Mrs. Selwyn, \"in detaining Miss Anville any longer\nyou only lose time; for we are already as well convinced of your\nvalour and your strength, as if you were to hold her an age.\"",
"\"My Lord,\" said Mrs. Beaumont, \"I must beg leave to interfere: I know\nnot if Lady Louisa can pardon you; but as this young lady is at my\nhouse, I do not choose to have her made uneasy.\"",
"\"I pardon him!\"",
"cried Lady Louisa; \"I declare I am monstrous glad to\nget rid of him.\"",
"\"Egad, my Lord,\" cried Mr. Coverley, \"while you are grasping at a\nshadow, you'll lose a substance; you'd best make your peace while\nyou can.\"",
"\"Pray, Mr. Coverley, be quiet,\" said Lady Louisa, peevishly; \"for I\ndeclare I won't speak to him.",
"Brother,\" taking hold of Lord Orville's\narm, \"will you walk in with me?\"",
"\"Would to Heaven,\" cried I, frightened to see how much Lord Merton\nwas in liquor, \"that I too had a brother!-and then I should not be\nexposed to such treatment.\"",
"Lord Orville, instantly quitting Lady Louisa, said, \"Will Miss Anville\nallow me the honour of taking that title?\"",
"and then, without waiting\nfor any answer, he disengaged me from Lord Merton; and, handing me to\nLady Louisa, \"Let me,\" added he, \"take equal care of both my sisters;\"\nand then, desiring her, to take hold of one arm, and begging me to\nmake use of the other, we reached the house in a moment.",
"Lord Merton,\ndisordered as he was, attempted not to stop us.",
"As soon as we entered the house, I withdrew my arm, and courtsied my\nthanks, for my heart was too full for speech.",
"Lady Louisa, evidently\nhurt at her brother's condescension, and piqued extremely by Lord\nMerton's behaviour, silently drew away hers; and biting her lips,\nwith a look of infinite vexation, walked sullenly up the hall.",
"Lord Orville asked her if she would not go into the parlour?",
"\"No,\" answered she, haughtily, \"I leave you and your new sister\ntogether:\" and then she walked up stairs.",
"I was quite confounded at the pride and rudeness of this speech.",
"Lord\nOrville himself seemed thunderstruck: I turned from him, and went into\nthe parlour: he followed me, saying, \"Must I now apologize to Miss\nAnville for the liberty of my interference?-or ought I to apologize,\nthat I did not, as I wished, interfere sooner?\"",
"\"O, my Lord,\" cried I, with an emotion I could not repress, \"it is\nfrom you alone I meet with any respect;-all others treat me with\nimpertinence, or contempt!\"",
"I am sorry I had not more command of myself, as he had reason just\nthen to suppose I particularly meant his sister; which, I am sure,\nmust very much hurt him.",
"\"Good Heaven,\" cried he, \"that so much sweetness and merit can fail\nto excite the love and admiration so justly their due!",
"I cannot,-I\ndare not express to you half the indignation I feel at this moment!\"",
"\"I am sorry, my Lord,\" said I, more calmly, \"to have raised it;\nbut yet,-in a situation that calls for protection, to meet only with\nmortifications,-indeed, but I am ill formed to bear them!\"",
"\"My dear Miss Anville,\" cried he, warmly, \"allow me to be your friend;\nthink of me as if I were indeed your brother; and let me intreat you\nto accept my best services, if there is any thing in which I can be\nso happy as to show my regard,-my respect for you!\"",
"Before I had time to speak, the rest of the party entered the parlour;\nand, as I did not wish to see anything more of Lord Merton, at least\nbefore he had slept, I determined to leave it.",
"Lord Orville, seeing\nmy design, said, as I passed him, \"Will you go?\"",
"\"Had not I best,\nmy Lord?\"",
"said I.",
"\"I am afraid,\" said he, smiling, \"since I must now\nspeak as your brother, I am afraid you had; -you see you may trust me,\nsince I can advise against my own interest.\"",
"I then left the room, and have been writing ever since.",
"And, methinks,\nI can never lament the rudeness of Lord Merton, as it has more than\never confirmed to me the esteem of Lord Orville.",
"</CHAPTER>\n\n<CHAPTER>\n LETTER LXIX.",
"EVELINA IN CONTINUATION.",
"Sept. 30th.",
"OH, Sir, what a strange incident have I to recite!",
"what a field of\nconjecture to open!",
"Yesterday evening we all went to an assembly.",
"Lord Orville presented\ntickets to the whole family; and did me the honour, to the no small\nsurprise of all here, I believe, to dance with me.",
"But every day\nabounds in fresh instances of his condescending politeness; and he\nnow takes every opportunity of calling me his friend and his sister.",
"Lord Merton offered a ticket to Lady Louisa; but she was so much\nincensed against him, that she refused it with the utmost disdain:\nneither could he prevail upon her to dance with him; she sat still the\nwhole evening, and deigned not to look at or speak to him.",
"To me her\nbehaviour is almost the same: for she is cold, distant, and haughty,\nand her eyes express the greatest contempt.",
"But for Lord Orville,\nhow miserable would my residence here make me!",
"We were joined in the ball-room by Mr. Coverley, Mr. Lovel, and Lord\nMerton, who looked as if he was doing penance, and sat all the evening\nnext to Lady Louisa, vainly endeavouring to appease her anger.",
"Lord Orville began the minuets: he danced with a young lady who\nseemed to engage the general attention, as she had not been seen here\nbefore.",
"She is pretty, and looks mild and good-humoured.",
"\"Pray, Mr. Lovel,\" said Lady Louisa, \"who is that?\"",
"\"Miss Belmont,\" answered he, \"the young heiress: she came to the\nWells yesterday.\"",
"Struck with the name, I involuntarily repeated it; but nobody heard me.",
"\"What is her family?\"",
"said Mrs. Beaumont.",
"\"Have you not heard of her, Ma'am?\"",
"cried he; \"she is only daughter\nand heiress of Sir John Belmont.\"",
"Good Heaven, how did I start!",
"the name struck my ear like a\nthunderbolt.",
"Mrs. Selwyn, who immediately looked at me, said,\n\"Be calm, my dear, and we will learn the truth of all this.\"",
"Till then I had never imagined her to be acquainted with my story;\nbut she has since told me, that she knew my unhappy mother, and was\nwell informed of the whole affair.",
"She asked Mr. Lovel a multitude of questions; and I gathered from\nhis answers, that this young lady was just come from abroad with Sir\nJohn Belmont, who was now in London; that she was under the care of\nhis sister, Mrs. Paterson; and that she would inherit a considerable\nestate.",
"I cannot express the strange feelings with which I was agitated during\nthis recital.",
"What, my dearest Sir, can it possibly mean?",
"Did you ever\nhear of any after-marriage?-or must I suppose, that, while the lawful\nchild is rejected, another is adopted?-I know not what to think!",
"I\nam bewildered with a contrariety of ideas!",
"When we came home, Mrs. Selwyn passed more than an hour in my room\nconversing upon this subject.",
"She says, that I ought instantly to\ngo to town, find out my father, and have the affair cleared up.",
"She\nassures me I have too strong a resemblance to my dear, though unknown,\nmother, to allow of the least hesitation in my being owned, when once\nI am seen.",
"For my part, I have no wish but to act by your direction.",
"I cannot give any account of the evening; so disturbed, so occupied\nam I by this subject, that I can think of no other.",
"I have entreated\nMrs. Selwyn to observe the strictest secrecy, and she has promised\nthat she will.",
"Indeed, she has too much sense to be idly communicative.",
"Lord Orville took notice of my being absent and silent; but I ventured\nnot to intrust him with the cause.",
"Fortunately, he was not of the\nparty at the time Mr. Lovel made the discovery.",
"Mrs. Selwyn says, that if you approve my going to town, she will\nherself accompany me.",
"I had a thousand times rather ask the protection\nof Mrs. Mirvan, but, after this offer that will not be possible.",
"Adieu, my dearest Sir.",
"I am sure you will write immediately, and I\nshall be all impatience till your letter arrives.",
"</CHAPTER>\n\n<CHAPTER>\nLETTER LXX.",
"EVELINA IN CONTINUATION.",
"Oct. 1st.",
"GOOD God, my dear Sir, what a wonderful tale have I again to\nrelate!",
"even yet, I am not recovered from my extreme surprise.",
"Yesterday morning, as soon as I had finished my hasty letter, I was\nsummoned to attend a walking party to the Hot Wells.",
"It consisted only\nof Mrs. Selwyn and Lord Orville.",
"The latter walked by my side all the\nway; and his conversation dissipated my uneasiness, and insensibly\nrestored my serenity.",
"At the pump-room I saw Mr. Macartney; I courtsied to him twice ere\nhe would speak to me.",
"When he did, I began to apologize for having\ndisappointed him; but I did not find it very easy to excuse myself, as\nLord Orville's eyes, with an expression of anxiety that distressed me,\nturned from him to me, and me to him, every word I spoke.",
"Convinced,\nhowever, that I had really trifled with Mr. Macartney, I scrupled not\nto beg his pardon.",
"He was then not merely appeased, but even grateful.",
"He requested me to see him to-morrow; but I had not the folly to\nbe again guilty of an indiscretion; which had already caused me so\nmuch uneasiness; and therefore I told him frankly, that it was not\nin my power at present to see him but by accident; and, to prevent\nhis being offended, I hinted to him the reason I could not receive\nhim as I wished to do.",
"When I had satisfied both him and myself upon this subject, I turned to\nLord Orville, and saw, with concern, the gravity of his countenance.",
"I\nwould have spoken to him, but knew not how; I believe, however, he\nread my thoughts; for, in a little time, with a sort of serious smile,\nhe said, \"Does not Mr. Macartney complain of his disappointment?\"",
"\"Not much, my Lord.\"",
"\"And how have you appeased him?\"",
"Finding I hesitated what to answer,\n\"Am I not your brother?\"",
"continued he, \"and must I not enquire into\nyour affairs?\"",
"\"Certainly, my Lord,\" said I, laughing.",
"\"I only wish it were better\nworth your Lordship's while.\"",
"\"Let me, then, make immediate use of my privilege.",
"When shall you\nsee Mr. Macartney again?\"",
"\"Indeed, my Lord, I can't tell.\"",
"\"But,-do you know that I shall not suffer my sister to make a private\nappointment?\"",
"\"Pray, my Lord,\" cried I earnestly, \"use that word no more!",
"Indeed\nyou shock me extremely.\"",
"\"That would I not do for the world,\" cried he, \"yet you know not how\nwarmly, how deeply I am interested, not only in all your concerns,\nbut in all your actions.\"",
"This speech-the most particular one Lord Orville had ever made to me,\nended our conversation at that time; for I was too much struck by it\nto make any answer.",
"Soon after, Mr. Macartney, in a low voice, intreated me not to deny\nhim the gratification of returning the money.",
"While he was speaking,\nthe young lady I saw yesterday at the assembly, with the large party,\nentered the pump-room.",
"Mr. Macartney turned as pale as death, his\nvoice faultered, and he seemed not to know what he said.",
"I was myself\nalmost equally disturbed, by the crowd of confused ideas that occurred\nto me.",
"Good Heaven!",
"thought I, why should he be thus agitated?-is it\npossible this can be the young lady he loved?-\n\nIn a few minutes we quitted the pump-room; and, though I twice wished\nMr. Macartney good morning, he was so absent he did not hear me.",
"We did not immediately return to Clifton, as Mrs. Selwyn had business\nat a pamphlet shop.",
"While she was looking at some new poems, Lord\nOrville again asked me when I should see Mr. Macartney?",
"\"Indeed, my Lord,\" cried I, \"I know not, but I would give the universe\nfor a few moments' conversation with him!\"",
"I spoke this with a simple\nsincerity, and was not aware of the force of my own words.",
"\"The universe!\"",
"repeated he, \"Good God, Miss Anville, do you say this\nto me?\"",
"\"I would say it,\" returned I, \"to any body, my Lord.\"",
"\"I beg your pardon,\" said he, in a voice that showed him ill pleased,\n\"I am answered.\"",
"\"My Lord,\" cried I, \"you must not judge hardly of me.",
"I spoke\ninadvertently; but if you knew the painful suspense I suffer at this\nmoment, you would not be surprised at what I have said.\"",
"\"And would a meeting with Mr. Macartney relieve you from that\nsuspense?\"",
"\"Yes, my Lord, two words might be sufficient.\"",
"\"Would to Heaven,\" cried he, after a short pause, \"that I were worthy\nto know their import!\"",
"\"Worthy, my Lord!-O, if that were all, your Lordship could ask nothing\nI should not be ready to answer!",
"If I were but at liberty to speak, I\nshould be proud of your Lordship's enquiries: but, indeed, I am not-I\nhave not any right to communicate the affairs of Mr. Macartney;-your\nLordship cannot suppose I have.\"",
"\"I will own to you,\" answered he, \"I know not what to suppose;\nyet there seems a frankness even in your mystery-and such an air of\nopenness in your countenance, that I am willing to hope,-\" He stopped\na moment, and then added, \"This meeting, you say, is essential to\nyour repose?\"",
"\"I did not say that, my Lord; but yet I have the most important\nreasons for wishing to speak to him.\"",
"He paused a few minutes; and then said, with warmth, \"Yes, you shall\nspeak to him!-I will myself assist you!-Miss Anville, I am sure,\ncannot form a wish against propriety: I will ask no questions, I\nwill rely upon her own purity, and, uninformed, blindfold as I am,\nI will serve her with all my power!\"",
"And then he went into the shop,\nleaving me so strangely affected by his generous behaviour, that I\nalmost wished to follow him with my thanks.",
"When Mrs. Selwyn had transacted her affairs, we returned home.",
"The moment dinner was over, Lord Orville went out, and did not come\nback till just as we were summoned to supper.",
"This is the longest\ntime he has spent from the house since I have been at Clifton; and\nyou cannot imagine, my dear Sir, how much I missed him.",
"I scarce knew\nbefore how infinitely I am indebted to him alone for the happiness\nI have enjoyed since I have been at Mrs. Beaumont's.",
"As I generally go down stairs last, he came to me, the moment the\nladies had passed by, and said, \"Shall you be at home tomorrow\nmorning?\"",
"\"I believe so, my Lord.\"",
"\"And will you then receive a visitor for me?\"",
"\"For you, my Lord?\"",
"\"Yes:-I have made acquaintance with Mr. Macartney, and he has promised\nto call upon me to-morrow about three o'clock.\"",
"And then, taking my hand, he led me down stairs.",
"O, Sir!-was there ever such another man as Lord Orville?-Yes, one\nother now resides at Berry Hill!",
"This morning there has been a great deal of company here; but at the\ntime appointed by Lord Orville, doubtless with that consideration,\nthe parlour is almost always empty, as every body is dressing.",
"Mrs. Beaumont, however, was not gone up stairs when Mr. Macartney\nsent in his name.",
"Lord Orville immediately said, \"Beg the favour of him to walk in.",
"You\nsee, Madam, that I consider myself as at home.\"",
"\"I hope so,\" answered Mrs. Beaumont, \"or I should be very uneasy.\"",
"Mr. Macartney then entered.",
"I believe we both felt very conscious to\nwhom the visit was paid: but Lord Orville received him as his own\nguest; and not merely entertained him as such while Mrs. Beaumont\nremained in the room, but for some time after she had left it, a\ndelicacy that saved me from the embarrassment I should have felt,\nhad he immediately quitted us.",
"In a few minutes, however, he gave Mr. Macartney a book,-for I,\ntoo, by way of pretence for continuing in the room, pretended to be\nreading,-and begged he would be so good as to look it over, while he\nanswered a note, which he would dispatch in a few minutes, and return\nto him.",
"When he was gone, we both parted with our books; and Mr. Macartney,\nagain producing the paper with the money, besought me to accept it.",
"\"Pray,\" said I, still declining it, \"did you know the young lady who\ncame into the pump-room yesterday morning?\"",
"\"Know her!\"",
"repeated he, changing colour, \"Oh, but too well!\"",
"\"Indeed!\"",
"\"Why, Madam, do you ask?\"",
"\"I must beseech you to satisfy me further upon this subject; pray\ntell me who she is.\"",
"\"Inviolably as I meant to keep my secret, I can refuse you, Madam,\nnothing;-that lady-is the daughter of Sir John Belmont!-of my father!\"",
"\"Gracious Heaven!\"",
"cried I, involuntarily laying my hand on his arm,\n\"you are then-\" my brother, I would have said, but my voice failed me,\nand I burst into tears.",
"\"Oh, Madam,\" cried he, \"what does this mean?-what can thus distress\nyou?\"",
"I could not answer, but held out my hand to him.",
"He seemed greatly\nsurprised, and talked in high terms of my condescension.",
"\"Spare yourself,\" cried I, wiping my eyes, \"spare yourself this\nmistake,-you have a right to all I can do for you; the similarity of\nour circumstances-\"\n\nWe were then interrupted by the entrance of Mrs. Selwyn; and\nMr. Macartney, finding no probability of our being left alone, was\nobliged to take leave, though, I believe, very reluctantly, while in\nsuch suspense.",
"Mrs. Selwyn, then, by dint of interrogatories, drew from me the state\nof this affair.",
"She is so penetrating, that there is no possibility\nof evading to give her satisfaction.",
"Is not this a strange event?",
"Good Heaven!",
"how little did I think\nthat the visits I so unwillingly paid at Mr. Branghton's would have\nintroduced me to so near a relation!",
"I will never again regret the\ntime I spent in town this summer: a circumstance so fortunate will\nalways make me think of it with pleasure.",
"* * * * * *\n\n\nI have just received your letter,-and it has almost broken my\nheart!-Oh, Sir!",
"the illusion is over, indeed!",
"how vainly have I\nflattered, how miserably deceived myself!",
"Long since, doubtful of\nthe situation of my heart, I dreaded a scrutiny;-but now, now that I\nhave so long escaped, I began, indeed, to think my safety insured, to\nhope that my fears were causeless, and to believe that my good opinion\nand esteem of Lord Orville might be owned without suspicion, and felt\nwithout danger;-miserably deceived, indeed!",
"His sight is baneful to\nmy repose;-his society is death to my future tranquillity!",
"Oh, Lord\nOrville!",
"could I have believed that a friendship so grateful to my\nheart, so soothing to my distresses, a friendship, which, in every\nrespect, did me so much honour, would only serve to embitter all my\nfuture moments!-What a strange, what an unhappy circumstance, that\nmy gratitude, though so justly excited, should be so fatal to my peace!",
"Yes, Sir, I will quit him;-would to Heaven I could at this\nmoment!",
"without seeing him again,-without trusting to my now conscious\nemotion!-Oh, Lord Orville, how little do you know the evils I owe to\nyou!",
"how little suppose that, when most dignified by your attention,\nI was most to be pitied,-and when most exalted by your notice, you\nwere most my enemy!",
"You, Sir, relied upon my ignorance;-I, alas, upon your experience;\nand, whenever I doubted the weakness of my heart, the idea that you\ndid not suspect it, reassured me,-restored my courage, and confirmed\nmy error!-Yet am I most sensible of the kindness of your silence.",
"Oh, Sir!",
"why have I ever quitted you?",
"why been exposed to dangers to\nwhich I am so unequal?",
"But I will leave this place, leave Lord Orville,-leave him, perhaps,\nfor ever!-no matter; your counsel, your goodness, may teach me how\nto recover the peace and the serenity of which my unguarded folly\nhas beguiled me.",
"To you alone do I trust,-in you alone confide,\nfor every future hope I may form.",
"The more I consider the parting with Lord Orville, the less fortitude\ndo I feel to bear the separation;-the friendship he has shown me,-his\npoliteness,-his sweetness of manners,-his concern in my affairs,-his\nsolicitude to oblige me,-all, all to be given up!-\n\nNo, I cannot tell him I am going,-I dare not trust myself to take\nleave of him,-I will run away without seeing him:-implicitly will I\nfollow your advice, avoid his sight, and shun his society!",
"To-morrow morning I will set off for Berry Hill.",
"Mrs. Selwyn and\nMrs. Beaumont shall alone know my intention.",
"And to-day-I will spend\nin my own room.",
"The readiness of my obedience is the only atonement\nI can offer for the weakness which calls for its exertion.",
"Can you, will you, most honoured, most dear Sir!",
"sole prop by which\nthe poor Evelina is supported,-can you, without reproach, without\ndispleasure, receive the child you have so carefully reared,-from\nwhose education better fruit might have been expected, and who,\nblushing for her unworthiness, fears to meet the eye by which she has\nbeen cherished?-Oh, yes, I am sure you will!",
"Your Evelina's errors\nare those of the judgment; and you, I well know, pardon all but those\nof the heart!",
"</CHAPTER>\n\n<CHAPTER>\nLETTER LXXI.",
"EVELINA IN CONTINUATION.",
"Clifton, October 1st.",
"I HAVE only time, my dearest Sir, for three words, to overtake my\nlast letter, and prevent your expecting me immediately; for, when I\ncommunicated my intention to Mrs. Selwyn, she would not hear of it,\nand declared it would be highly ridiculous for me to go before I\nreceived an answer to my intelligence concerning the journey from\nParis.",
"She has, therefore, insisted upon my waiting till your next\nletter arrives.",
"I hope you will not be displeased at my compliance,\nthough it is rather against my own judgment: but Mrs. Selwyn quite\noverpowered me with the force of her arguments.",
"I will, however, see\nvery little of Lord Orville; I will never come down stairs before\nbreakfast; give up all my walks in the garden; seat myself next to\nMrs. Selwyn; and not merely avoid his conversation, but shun his\npresence.",
"I will exert all the prudence and all the resolution in\nmy power, to prevent this short delay from giving you any further\nuneasiness.",
"Adieu, my dearest Sir.",
"I shall not now leave Clifton till I have\nyour directions.",
"</CHAPTER>\n\n<CHAPTER>\n LETTER LXXII.",
"EVELINA IN CONTINUATION.",
"October 2nd.",
"YESTERDAY, from the time I received your kind, though heart-piercing\nletter, I kept my room,-for I was equally unable and unwilling to\nsee Lord Orville; but this morning, finding I seemed destined to\npass a few days longer here, I endeavoured to calm my spirits, and to\nappear as usual; though I determined to avoid him to the utmost of my\npower.",
"Indeed, as I entered the parlour, when called to breakfast,\nmy thoughts were so much occupied with your letter, that I felt as\nmuch confusion at his sight, as if he had himself been informed of\nits contents.",
"Mrs. Beaumont made me a slight compliment upon my recovery, for I\nhad pleaded illness to excuse keeping my room: Lady Louisa spoke\nnot a word; but Lord Orville, little imagining himself the cause\nof my indisposition, enquired concerning my health with the most\ndistinguishing politeness.",
"I hardly made any answer; and, for the\nfirst time since I have been here, contrived to sit at some distance\nfrom him.",
"I could not help observing that my reserve surprised him; yet he\npersisted in his civilities, and seemed to wish to remove it.",
"But I\npaid him very little attention; and the moment breakfast was over,\ninstead of taking a book, or walking in the garden, I retired to my\nown room.",
"Soon after, Mrs. Selwyn came to tell me, that Lord Orville had been\nproposing I should take an airing, and persuading her to let him\ndrive us both in his phaeton.",
"She delivered the message with an\narchness that made me blush; and added, that an airing, in my Lord\nOrville's carriage, could not fail to revive my spirits.",
"There is no\npossibility of escaping her discernment; she has frequently rallied\nme upon his Lordship's attention,-and, alas!-upon the pleasure with\nwhich I have received it!",
"However, I absolutely refused the offer.",
"\"Well,\" said she, laughing, \"I cannot just now indulge you with any\nsolicitation; for, to tell you the truth, I have business to transact\nat the Wells, and am glad to be excused myself.",
"I would ask you to\nwalk with me; -but since Lord Orville is refused, I have not the\npresumption to hope for success.\"",
"\"Indeed,\" cried I, \"you are mistaken; I will attend you with pleasure.\"",
"\"O rare coquetry!\"",
"cried she, \"surely it must be inherent in our sex,\nor it could not have been imbibed at Berry Hill.\"",
"I had not spirits to answer her, and therefore put on my hat and\ncloak in silence.",
"\"I presume,\" continued she, drily, \"his Lordship may walk with us.\"",
"\"If so, Madam,\" said I, \"you will have a companion, and I will stay\nat home.\"",
"\"My dear child,\" cried she, \"did you bring the certificate of your\nbirth with you?\"",
"\"Dear Madam, no!\"",
"\"Why then, we shall never be known again at Berry Hill.\"",
"I felt too conscious to enjoy her pleasantry; but I believe she was\ndetermined to torment me, for she asked if she should inform Lord\nOrville that I desired him not to be of the party?",
"\"By no means, Madam; but, indeed, I had rather not walk myself.\"",
"\"My dear,\" cried she, \"I really do not know you this morning,-you\nhave certainly been taking a lesson of Lady Louisa.\"",
"She then went down stairs; but presently returning, told me she had\nacquainted Lord Orville that I did not choose to go out in the phaeton,\nbut preferred a walk, tete-e-tete with her, by way of variety.",
"I said nothing, but was really vexed.",
"She bad me go down stairs,\nand said she would follow me immediately.",
"Lord Orville met me in the hall.",
"\"I fear,\" said he, \"Miss Anville is\nnot yet quite well?\"",
"and he would have taken my hand, but I turned\nfrom him, and courtsying slightly, went into the parlour.",
"Mrs. Beaumont and Lady Louisa were at work: Lord Merton was talking\nwith the latter; for he has now made his peace, and is again received\ninto favour.",
"I seated myself, as usual, by the window.",
"Lord Orville, in a few\nminutes, came to me, and said, \"Why is Miss Anville so grave?\"",
"\"Not grave, my Lord,\" said I, \"only stupid;\" and I took up a book.",
"\"You will go,\" said he, after a short pause, \"to the assembly\nto-night?\"",
"\"No, my Lord, certainly not.\"",
"\"Neither then will I; for I should be sorry to sully the remembrance\nI have of the happiness I enjoyed at the last.\"",
"Mrs. Selwyn then coming in, general enquiries were made to all but me,\nof who would go to the assembly?",
"Lord Orville instantly declared he\nhad letters to write at home; but every one else settled to go.",
"I then hastened Mrs. Selwyn away, though not before she had said to\nLord Orville, \"Pray, has your Lordship obtained Miss Anville's leave\nto favour us with your company?\"",
"\"I have not, Madam,\" answered he, \"had the vanity to ask it.\"",
"During our walk, Mrs. Selvyn tormented me unmercifully.",
"She told me,\nthat since I declined any addition to our party, I must, doubtless, be\nconscious of my own powers of entertainment; and begged me, therefore,\nto exert them freely.",
"I repented a thousand times having consented\nto walk alone with her; for though I made the most painful efforts\nto appear in spirits, her raillery quite overpowered me.",
"We went first to the pump-room.",
"It was full of company; and the moment\nwe entered, I heard a murmuring of, \"That's she!\"",
"and, to my great\nconfusion, I saw every eye turned towards me.",
"I pulled my hat over my\nface, and, by the assistance of Mrs. Selwyn, endeavoured to screen\nmyself from observation, nevertheless, I found I was so much the\nobject of general attention, that I entreated her to hasten away.",
"But\nunfortunately she had entered into conversation, very earnestly,\nwith a gentleman of her acquaintance, and would not listen to me;\nbut said, that if I was tired of waiting, I might walk on to the\nmilliner's with the Miss Watkins, two young ladies I had seen at Mrs.\nBeaumont's, who were going thither.",
"I accepted the offer very readily, and away we went.",
"But we had not\ngone three yards, before we were followed by a party of young men,\nwho took every possible opportunity of looking at us, and, as they\nwalked behind, talked aloud, in a manner at once unintelligible and\nabsurd.",
"\"Yes,\" cried one,\" 'tis certainly she!-mark but her blushing\ncheek!\"",
"\"And then her eye -her downcast eye!",
"\"-cried another.",
"\"True, oh most true,\" said a third, \"every beauty is her own!\"",
"\"But then,\" said the first, \"her mind,-now the difficulty is, to\nfind out the truth of that, for she will not say a word.\"",
"\"She is timid,\" answered another; \"mark but her timid air.\"",
"During this conversation, we walked on silent and quick; as we knew\nnot to whom it was particularly addressed, we were all equally ashamed,\nand equally desirous to avoid such unaccountable observations.",
"Soon after we were caught in a shower of rain.",
"We hurried on; and\nthese gentlemen, following us, offered their services in the most\npressing manner, begging us to make use of their arms; and, while I\nalmost ran, in order to avoid their impertinence, I was suddenly met\nby Sir Clement Willoughby!",
"We both started; \"Good God!\"",
"he exclaimed, \"Miss Anville!\"",
"and then,\nregarding my tormentors with an air of displeasure, he earnestly\nenquired, if any thing had alarmed me?",
"\"No, no;\" cried I, for I found no difficulty now to disengage myself\nfrom these youths, who, probably, concluding from the commanding air\nof Sir Clement, that he had a right to protect me, quietly gave way\nto him, and entirely quitted us.",
"With his usual impetuosity, he then began a thousand enquiries,\naccompanied with as many compliments; and he told me, that he\narrived at Bristol but this morning, which he had entirely devoted\nto endeavours to discover where I lodged.",
"\"Did you know, then,\" said I, \"that I was at Bristol?\"",
"\"Would to Heaven,\" cried he, \"that I could remain in ignorance of your\nproceedings with the same contentment you do of mine!",
"then should I not\nfor ever journey upon the wings of Hope, to meet my own despair!",
"You\ncannot even judge of the cruelty of my fate; for the ease and serenity\nof your mind incapacitates you from feeling for the agitation of mine!\"",
"The ease and serenity of my mind!",
"alas, how little do I merit those\nwords!",
"\"But,\" added he, \"had accident brought me hither, had I not known\nof your journey, the voice of fame would have proclaimed it to me\ninstantly upon my arrival.\"",
"\"The voice of fame!\"",
"repeated I.",
"\"Yes, for yours was the first name I heard at the pump-room.",
"But\nhad I not heard your name, such a description could have painted no\none else.\"",
"\"Indeed,\" said I, \"I do not understand you.\"",
"But just then arriving\nat the milliner's our conversation ended; for Miss Watkins called me\nto look at caps and ribbons.",
"Sir Clement, however, has the art of being always at home; he was very\nsoon engaged, as busily as ourselves, in looking at lace ruffles;\nyet he took an opportunity of saying to me, in a low voice, \"How\ncharmed I am to see you look so well!",
"I was told you were ill;-but\nI never saw you in better health,-never more infinitely lovely!\"",
"I turned away to examine the ribbons, and soon after Mrs. Selwyn made\nher appearance.",
"I found that she was acquainted with Sir Clement;\nand her manner of speaking to him convinced me that he was a favourite\nwith her.",
"When their mutual compliments were over, she turned to me, and said,\n\"Pray, Miss Anville, how long can you live without nourishment?\"",
"\"Indeed, Ma'am,\" said I, laughing, \"I have never tried.\"",
"\"Because so long, and no longer,\" answered she, \"you may remain\nat Bristol.\"",
"\"Why, what is the matter, Ma'am?\"",
"\"The matter!-why, all the ladies are at open war with you,-the whole\npump-room is in confusion; and you, innocent as you pretend to look,\nare the cause.",
"However, if you take my advice, you will be very\ncareful how you eat and drink during your stay.\"",
"I begged her to explain herself: and she then told me, that a copy\nof verses had been dropped in the pump-room, and read there aloud:\n\"The beauties of the Wells,\" said she, \"are all mentioned, but you\nare the Venus to whom the prize is given.\"",
"\"Is it then possible,\" cried Sir Clement, \"that you have not seen\nthese verses?\"",
"\"I hardly know,\" answered I, \"whether any body has.\"",
"\"I assure you,\" said Mrs. Selwyn, \"if you give me the invention of\nthem, you do me an honour I by no means deserve.\"",
"\"I wrote down in my tablets,\" said Sir Clement, \"the stanzas which\nconcern Miss Anville this morning at the pump-room; and I will do\nmyself the honour of copying them for her this evening.\"",
"\"But why the part that concerns Miss Anville?\"",
"said Mrs. Selwyn;\n\"Did you ever see her before this morning?\"",
"\"O yes,\" answered he, \"I have had that happiness frequently at\nCaptain Mirvan's.",
"Too, too frequently!\"",
"added he, in a low voice, as\nMrs. Selwyn turned to the milliner: and as soon as she was occupied\nin examining some trimmings, he came to me, and almost whether I\nwould or not, entered into conversation with me.",
"\"I have a thousand things,\" cried he, \"to say to you.",
"Pray where\nare you?\"",
"\"With Mrs. Selwyn, Sir.\"",
"\"Indeed!-then, for once, chance is my friend.",
"And how long have you\nbeen here?\"",
"\"About three weeks.\"",
"\"Good Heaven!",
"what an anxious search have I had, to discover your\nabode, since you so suddenly left town!",
"The termagant, Madame Duval,\nrefused me all intelligence.",
"Oh, Miss Anville, did you know what I\nhave endured!",
"the sleepless, restless state of suspense I have been\ntortured with, you could not, all cruel as you are, you could not\nhave received me with such frigid indifference?\"",
"\"Received you, Sir!\"",
"\"Why, is not my visit to you?\"",
"Do you think I should have made this\njourney, but for the happiness of again seeing you?\"",
"\"Indeed it is possible I might,-since so many others do.\"",
"\"Cruel, cruel girl!",
"you know that I adore you!",
"you know you are the\nmistress of my soul, and arbitress of my fate!\"",
"Mrs. Selwyn then advancing to us, he assumed a more disengaged air,\nand asked, if he should not have the pleasure of seeing her in the\nevening at the assembly?",
"\"Oh, yes,\" cried she, \"we shall certainly be there; so you may bring\nthe verses with you, if Miss Anville can wait for them so long.\"",
"\"I hope then,\" returned he, \"that you will do me the honour to dance\nwith me?\"",
"I thanked him, but said I should not be at the assembly.",
"\"Not be at the assembly?\"",
"cried Mrs. Selwyn, \"Why, have you, too,\nletters to write?\"",
"She looked at me with a significant archness, that made me colour;\nand I hastily answered, \"No, indeed, Ma'am!\"",
"\"You have not!\"",
"cried she, yet more drily; \"then pray, my dear,\ndo you stay at home to help,-or to hinder others?\"",
"\"To do neither, Ma'am,\" answered I, in much confusion; \"so, if you\nplease, I will not stay at home.\"",
"\"You allow me, then,\" said Sir Clement, \"to hope for the honour of\nyour hand?\"",
"I only bowed,-for the dread of Mrs. Selwyn's raillery made me not\ndare refuse him.",
"Soon after this we walked home: Sir Clement accompanied us; and the\nconversation that passed between Mrs. Selwyn and him was supported\nin so lively a manner, that I should have been much entertained,\nhad my mind been more at ease: but, alas!",
"I could think of nothing\nbut the capricious, the unmeaning appearance which the alteration\nin my conduct must make in the eyes of the Lord Orville!",
"And much\nas I wished to avoid him, greatly as I desire to save myself from\nhaving my weakness known to him,-yet I cannot endure to incur his ill\nopinion,-and, unacquainted as he is with the reasons by which I am\nactuated, how can he fail contemning a change to him so unaccountable?",
"As we entered the garden, he was the first object we saw.",
"He advanced\nto meet us; and I could not help observing, that at sight of each\nother both he and Sir Clement changed colour.",
"We went into the parlour, where we found the same party we had\nleft.",
"Mrs. Selwyn presented Sir Clement to Mrs. Beaumont; Lady Louisa\nand Lord Merton he seemed well acquainted with already.",
"The conversation was upon the general subjects, of the weather,\nthe company at the Wells, and the news of the day.",
"But Sir Clement,\ndrawing his chair next to mine, took every opportunity of addressing\nhimself to me in particular.",
"I could not but remark the striking difference of his attention, and\nthat of Lord Orville: the latter has such gentleness of manners, such\ndelicacy of conduct, and an air so respectful, that, when he flatters\nmost, he never distresses; and when he most confers honour, appears\nto receive it!",
"The former obtrudes his attention, and forces mine;\nit is so pointed, that it always confuses me, and so public, that it\nattracts general notice.",
"Indeed I have sometimes thought that he would\nrather wish, than dislike to have his partiality for me known, as he\ntakes great care to prevent my being spoken to by any but himself.",
"When at length he went away, Lord Orville took his seat, and said,\nwith a half smile, \"Shall I call Sir Clement,-or will you call me\nan usurper for taking this place?-You make me no answer?-Must I then\nsuppose that Sir Clement-\"\n\n\"It is little worth your Lordship's while,\" said I, \"to suppose any\nthing upon so insignificant an occasion.\"",
"\"Pardon me,\" cried he;-\"to me nothing is insignificant in which you\nare concerned.\"",
"To this I made no answer; neither did he say any thing more, till the\nladies retired to dress: and then, when I would have followed them,\nhe stopped me, saying, \"One moment, I entreat you!\"",
"I turned back, and he went on, \"I greatly fear that I have been so\nunfortunate as to offend you; yet so repugnant to my very soul is the\nidea, that I know not how to suppose it possible I can unwittingly have\ndone the thing in the world that, designedly, I would wish to avoid.\"",
"\"No, indeed, my Lord, you have not,\" said I.",
"\"You sigh!\"",
"cried he, taking my hand, \"would to Heaven I were\nthe sharer of your uneasiness, whencesoever it springs!",
"with what\nearnestness would I not struggle to alleviate it!-Tell me, my dear Miss\nAnville,-my new-adopted sister, my sweet and most amiable friend!-tell\nme, I beseech you, if I can afford you any assistance?\"",
"\"None, none, my Lord!\"",
"cried I, withdrawing my hand, and moving\ntowards the door.",
"\"Is it then impossible I can serve you?-Perhaps you wish to see\nMr. Macartney again?\"",
"\"No, my Lord.\"",
"And I held the door open.",
"\"I am not, I own, sorry for that.",
"Yet, oh!",
"Miss Anville, there is a\nquestion,-there is a conjecture,-I know not how to mention, because I\ndread the result!-But I see you are in haste;-perhaps in the evening\nI may have the honour of a longer conversation.-Yet one thing, will\nyou have the goodness to allow me to ask?-Did you, this morning,\nwhen you went to the Wells,-did you know whom you should meet there?\"",
"\"Who, my Lord?\"",
"\"I beg your pardon a thousand times for a curiosity so unlicensed;-but\nI will say no more at present.\"",
"He bowed, expecting me to go;-and then, with quick steps, but\na heavy heart, I came to my own room.",
"His question, I am sure,\nmeant Sir Clement Willoughby; and had I not imposed upon myself the\nsevere task of avoiding, flying Lord Orville, with all my power, I\nwould instantly have satisfied him of my ignorance of Sir Clement's\njourney.",
"And yet more did I long to say something of the assembly,\nsince I found he depended upon my spending the evening at home.",
"I did not go down stairs again till the family was assembled to\ndinner.",
"My dress, I saw, struck Lord Orville with astonishment; and\nI was myself so much ashamed of appearing whimsical and unsteady,\nthat I could not look up.",
"\"I understood,\" said Mrs. Beaumont, \"that Miss Anville did not go\nout this evening.\"",
"\"Her intention in the morning,\" said Mrs. Selwyn, \"was to stay at\nhome; but there is a fascinating power in an assembly, which, upon\nsecond thoughts, is not to be resisted.\"",
"\"The assembly!\"",
"cried Lord Orville; \"are you then going to the\nassembly?\"",
"I made no answer; and we all took our places at table.",
"It was not without difficulty that I contrived to give up my usual\nseat; but I was determined to adhere to the promise in my yesterday's\nletter, though I saw that Lord Orville seemed quite confounded at my\nvisible endeavours to avoid him.",
"After dinner, we all went into the drawing-room together, as there\nwere no gentlemen to detain his Lordship; and then, before I could\nplace myself out of his way, he said, \"You are then really going to\nthe assembly?-May I ask if you shall dance?\"",
"\"I believe not,-my Lord.\"",
"\"If I did not fear,\" continued he, \"that you would be tired of the same\npartner at two following assemblies, I would give up my letter-writing\ntill to-morrow evening, and solicit the honour of your hand.\"",
"\"If I do dance,\" said I, in great confusion, \"I believe I am engaged.\"",
"\"Engaged!\"",
"cried he, with earnestness, \"May I ask to whom?\"",
"\"To-Sir Clement Willoughby, my Lord.\"",
"He said nothing, but looked very little pleased, and did not address\nhimself to me any more all the afternoon.",
"Oh, Sir!-thus situated,\nhow comfortless were the feelings of your Evelina!",
"Early in the evening, with his accustomed assiduity, Sir Clement came\nto conduct us to the assembly.",
"He soon contrived to seat himself\nnext me, and, in a low voice, paid me so many compliments, that I\nknew not which way to look.",
"Lord Orville hardly spoke a word, and his countenance was grave and\nthoughtful; yet, whenever I raised my eyes, his, I perceived, were\ndirected towards me, though instantly, upon meeting mine, he looked\nanother way.",
"In a short time, Sir Clement, taking from his pocket a folded paper,\nsaid, almost in a whisper, \"Here, loveliest of women, you will\nsee a faint, an unsuccessful attempt to paint the object of all my\nadoration!",
"yet, weak as are the lines for the purpose, I envy beyond\nexpression the happy mortal who has dared make the effort.\"",
"\"I will look at them,\" said I, \"some other time.\"",
"For, conscious\nthat I was observed by Lord Orville, I could not bear he should see\nme take a written paper, so privately offered, from Sir Clement.",
"But\nSir Clement is an impracticable man, and I never succeeded in any\nattempt to frustrate whatever he had planned.",
"\"No,\" said he, still in a whisper, \"you must take them now, while\nLady Louisa is away;\" for she and Mrs. Selwyn were gone up stairs to\nfinish their dress, \"as she must by no means see them.\"",
"\"Indeed,\" said I, \"I have no intention to show them.\"",
"\"But the only way,\" answered he, \"to avoid suspicion, is to take\nthem in her absence.",
"I would have read them aloud myself, but that\nthey are not proper to be seen by any body in this house, yourself\nand Mrs. Selwyn excepted.\"",
"Then again he presented me the paper, which I now was obliged to take,\nas I found declining it was vain.",
"But I was sorry that this action\nshould be seen, and the whispering remarked, though the purport of\nthe conversation was left to conjecture.",
"As I held it in my hand, Sir Clement teazed me to look at it\nimmediately; and told me, the reason he could not produce the lines\npublicly was, that among the ladies who were mentioned, and supposed\nto be rejected, was Lady Louisa Larpent.",
"I am much concerned at\nthis circumstance, as I cannot doubt but that it will render me more\ndisagreeable to her than ever, if she should hear of it.",
"I will now copy the verses, which Sir Clement would not let me rest\ntill I had read.",
"See last advance, with bashful grace,\n Downcast eye, and blushing cheek,\n Timid air, and beauteous face,\n Anville,-whom the Graces seek.",
"Though ev'ry beauty is her own,\n And though her mind each virtue fills,\n Anville,-to her power unknown,\n Artless strikes,-unconscious kills.",
"I am sure, my dear Sir, you will not wonder that a panegyric such\nas this should, in reading, give me the greatest confusion; and,\nunfortunately, before I had finished it, the ladies returned.",
"\"What have you there, my dear?\"",
"said Mrs. Selwyn.",
"\"Nothing, Ma'am,\" said I, hastily folding, and putting it in my pocket.",
"\"And has nothing,\" cried she, \"the power of rouge?\"",
"I made no answer; a deep sigh, which escaped Lord Orville at that\nmoment, reached my ears, and gave me sensations-which I dare not\nmention!",
"Lord Merton then handed Lady Louisa and Mrs. Beaumont to the latter's\ncarriage.",
"Mrs. Selwyn led the way to Sir Clement's, who handed me in\nafter her.",
"During the ride I did not once speak; but when I came to the assembly\nroom, Sir Clement took care that I should not preserve my silence.",
"He\nasked me immediately to dance; I begged him to excuse me, and seek\nsome other partner.",
"But on the contrary, he told me, he was very\nglad I would sit still, as he had a million of things to say to me.",
"He then began to tell me, how much he had suffered from absence;\nhow greatly he was alarmed when he heard I had left town; and how\ncruelly difficult he had found it to trace me; which, at last, he\ncould only do by sacrificing another week to Captain Mirvan.",
"\"And Howard Grove,\" continued he, \"which, at my first visit,\nI thought the most delightful spot upon earth, now appeared to me\nthe most dismal: the face of the country seemed altered; the walks,\nwhich I had thought most pleasant, were now most stupid: Lady Howard,\nwho had appeared a cheerful and respectable old lady, now appeared\nin the common John Trot style of other aged dames: Mrs. Mirvan,\nwhom I had esteemed as an amiable piece of still-life, now became so\ninsipid, that I could hardly keep awake in her company: the daughter,\ntoo, whom I had regarded as a good-humoured, pretty sort of a girl,\nnow seemed too insignificant for notice: and as to the Captain,\nI had always thought him a booby,-but now he appeared a savage!\"",
"\"Indeed, Sir Clement,\" cried I, angrily, \"I will not hear you speak\nthus of my best friends.\"",
"\"I beg your pardon,\" said he, \"but the contrast of my two visits was\ntoo striking not to be mentioned.\"",
"He then asked what I thought of the verses?",
"\"Either,\" said I, \"they are written ironically, or by some madman.\"",
"Such a profusion of compliments ensued, that I was obliged to propose\ndancing, in my own defence.",
"When we stood up, \"I intended,\" said he,\n\"to have discovered the author by his looks; but I find you so much the\ngeneral loadstone of attention, that my suspicions change their object\nevery moment.",
"Surely you must yourself have some knowledge who he is?\"",
"I told him no.",
"Yet, my dear Sir, I must own to you, I have no doubt\nbut that Mr. Macartney must be the author; no one else would speak\nof me so partially; and, indeed, his poetical turn puts it, with me,\nbeyond dispute.",
"He asked me a thousand questions concerning Lord Orville; how long he\nhad been at Bristol?-what time I had spent at Clifton?-whether he rode\nout every morning?-whether I ever trusted myself in a phaeton?",
"and\na multitude of other enquiries, all tending to discover if I was\nhonoured with much of his Lordship's attention, and all made with\nhis usual freedom and impetuosity.",
"Fortunately, as I much wished to retire early, Lady Louisa makes a\npoint of being the first who quit the rooms, and therefore we got\nhome in very tolerable time.",
"Lord Orville's reception of us was grave and cold: far from\ndistinguishing me, as usual, by particular civilities, Lady Louisa\nherself could not have seen me enter the room with more frigid\nunconcern, nor have more scrupulously avoided honouring me with any\nnotice.",
"But chiefly I was struck to see, that he suffered Sir Clement,\nwho stayed supper, to sit between us, without any effort to prevent\nhim, though till then, he had seemed to be even tenacious of a seat\nnext mine.",
"This little circumstance affected me more than I can express; yet\nI endeavoured to rejoice at it, since neglect and indifference from\nhim may be my best friends.-But, alas!-so suddenly, so abruptly to\nforfeit his attention!-to lose his friendship!-Oh, Sir, these thoughts\npierced my soul!-scarce could I keep my seat; for not all my efforts\ncould restrain the tears from trickling down my cheeks: however,\nas Lord Orville saw them not, for Sir Clement's head was constantly\nbetween us, I tried to collect my spirits, and succeeded so far as\nto keep my place with decency, till Sir Clement took leave; and then,\nnot daring to trust my eyes to meet those of Lord Orville, I retired.",
"I have been writing ever since; for, certain that I could not sleep,\nI would not go to bed.",
"Tell me, my dearest Sir, if you possibly\ncan, tell me that you approve my change of conduct,-tell me that\nmy altered behaviour to Lord Orville is right,-that my flying his\nsociety, and avoiding his civilities, are actions which you would\nhave dictated.-Tell me this, and the sacrifices I have made will\ncomfort me in the midst of my regret,-for never, never can I cease\nto regret that I have lost the friendship of Lord Orville!-Oh, Sir,\nI have slighted,-have rejected,-have thrown it away!-No matter, it\nwas an honour I merited not to preserve; and now I see,-that my mind\nwas unequal to sustaining it without danger.",
"Yet so strong is the desire you have implanted in me to act with\nuprightness and propriety, that, however the weakness of my heart\nmay distress and afflict me, it will never, I humbly trust, render\nme wilfully culpable.",
"The wish of doing well governs every other,\nas far as concerns my conduct,-for am I not your child?-the creature\nof your own forming!-Yet, Oh Sir, friend, parent, of my heart!-my\nfeelings are all at war with my duties!",
"and, while I most struggle to\nacquire self-approbation, my peace, my happiness, my hopes,-are lost!",
"'Tis you alone can compose a mind so cruelly agitated: you, I well\nknow, can feel pity for the weakness to which you are a stranger;\nand, though you blame the affliction, soothe and comfort the afflicted.",
"</CHAPTER>\n\n<CHAPTER>\nLETTER LXXIII.",
"MR. VILLARS TO EVELINA.",
"Berry Hill, Oct. 3rd.",
"YOUR last communication, my dearest child, is indeed astonishing;\nthat an acknowledged daughter and heiress of Sir John Belmont should\nbe at Bristol, and still my Evelina bear the name of Anville, is to me\ninexplicable; yet the mystery of the letter to Lady Howard prepared\nme to expect something extraordinary upon Sir John Belmont's return\nto England.",
"Whoever this young lady may be, it is certain she now takes a place\nto which you have a right indisputable.",
"An after-marriage I never\nheard of; yet, supposing such a one to have happened, Miss Evelyn was\ncertainly the first wife, and therefore her daughter must, at least,\nbe entitled to the name of Belmont.",
"Either there are circumstances in this affair at present utterly\nincomprehensible, or else some strange and most atrocious fraud has\nbeen practiced; which of these two is the case it now behoves us\nto enquire.",
"My reluctance to this step gives way to my conviction of its propriety,\nsince the reputation of your dear and much-injured mother must\nnow either be fully cleared from blemish, or receive its final and\nindelible wound.",
"The public appearance of a daughter of Sir John Belmont will revive\nthe remembrance of Miss Evelyn's story in all who have heard it,-who\nthe mother was, will be universally demanded,-and if any other Lady\nBelmont should be named, the birth of my Evelina will receive a stigma,\nagainst which, honour, truth, and innocence may appeal in vain!-a\nstigma, which will eternally blast the fair fame of her virtuous\nmother, and cast upon her blameless self the odium of a title, which\nnot all her purity can rescue from established shame and dishonour!",
"No, my dear child, no; I will not quietly suffer the ashes of your\nmother to be treated with ignominy!",
"her spotless character shall be\njustified to the world-her marriage shall be acknowledged, and her\nchild shall bear the name to which she is lawfully entitled.",
"It is true, that Mrs. Mirvan would conduct this affair with more\ndelicacy than Mrs. Selwyn; yet, perhaps, to save time, is of all\nconsiderations the most important, since the longer this mystery\nis suffered to continue, the more difficult may be rendered its\nexplanation.",
"The sooner, therefore, you can set out for town, the\nless formidable will be your task.",
"Let not your timidity, my dear love, depress your spirits: I shall,\nindeed, tremble for you at a meeting so singular and so affecting,\nyet there can be no doubt of the success of your application: I\nenclose a letter from your unhappy mother, written, and reserved\npurposely for this occasion: Mrs. Clinton too, who attended her in\nher last illness, must accompany you to town.-But, without any other\ncertificate of your birth, that which you carry in your countenance,\nas it could not be affected by artifice, so it cannot admit of a doubt.",
"And now, my Evelina, committed at length to the care of your real\nparent, receive the fervent prayers, wishes, and blessings, of him\nwho so fondly adopted you!",
"May'st thou, O child of my bosom!",
"may'st thou, in this change of\nsituation, experience no change of disposition!",
"but receive with\nhumility, and support with meekness the elevation to which thou\nart rising!",
"May thy manners, language, and deportment, all evince\nthat modest equanimity, and cheerful gratitude, which not merely\ndeserve, but dignify prosperity!",
"May'st thou, to the last moments of\nan unblemished life, retain thy genuine simplicity, thy singleness\nof heart, thy guileless sincerity!",
"And may'st thou, stranger to\nostentation, and superior to insolence, with true greatness of soul\nshine forth conspicuous only in beneficence!",
"ARTHUR VILLARS.",
"</CHAPTER>\n\n<CHAPTER>\nLETTER LXXIV.",
"LADY BELMONT TO SIR JOHN BELMONT.",
"IN the firm hope that the moment of anguish which approaches will\nprove the period of my sufferings, once more I address myself to Sir\nJohn Belmont, in behalf of the child, who, if it survives its mother,\nwill hereafter be the bearer of this letter.",
"Yet, in what terms,-Oh, most cruel of men!-can the lost Caroline\naddress you, and not address you in vain?",
"Oh, deaf to the voice of\ncompassion-deaf to the sting of truth-deaf to every tie of honour-say,\nin what terms may the lost Caroline address you, and not address you\nin vain!",
"Shall I call you by the loved, the respected title of husband?-No, you\ndisclaim it!-the father of my infant?-No, you doom it to infamy!-the\nlover who rescued me from a forced marriage?-No, you have yourself\nbetrayed me!-the friend from whom I hoped succour and protection?-No,\nyou have consigned me to misery and destruction!",
"Oh, hardened against every plea of justice, remorse, or pity!",
"how,\nand in what manner, may I hope to move thee?",
"Is there one method I\nhave left untried?",
"remains there one resource unessayed?",
"No!",
"I have\nexhausted all the bitterness of reproach, and drained every sluice\nof compassion!",
"Hopeless, and almost desperate, twenty times have I flung away my\npen;-but the feelings of a mother, a mother agonizing for the fate\nof her child, again animating my courage, as often I have resumed it.",
"Perhaps when I am no more, when the measure of my woes is completed,\nand the still, silent, unreproaching dust has received my sad\nremains,-then, perhaps, when accusation is no longer to be feared,\nnor detection to be dreaded, the voice of equity and the cry of nature\nmay be heard.",
"Listen, Oh Belmont, to their dictates!",
"reprobate not your child,\nthough you have reprobated its mother.",
"The evils that are past,\nperhaps, when too late, you may wish to recal; the young creature\nyou have persecuted, perhaps, when too late, you may regret that\nyou have destroyed;-you may think with horror of the deceptions\nyou have practised, and the pangs of remorse may follow me to the\ntomb:-Oh, Belmont, all my resentment softens into pity at the thought!",
"what will become of thee, good Heaven, when, with the eye of penitence,\nthou reviewest thy past conduct!",
"Hear, then, the solemn, the last address, with which the unhappy\nCaoline will importune thee.",
"If when the time of thy contrition arrives,-for arrive it must!-when\nthe sense of thy treachery shall rob thee of almost every other,\nif then thy tortured heart shall sigh to expiate thy guilt,-mark the\nconditions upon which I leave thee my forgiveness.",
"Thou knowest I am thy wife!-clear, then, to the world the reputation\nthou hast sullied, and receive, as thy lawful successor, the child\nwho will present thee this, my dying request!",
"The worthiest, the most benevolent, the best of men, to whose consoling\nkindness I owe the little tranquillity I have been able to preserve,\nhas plighted me his faith, that, upon no other conditions, he will\npart with his helpless charge.",
"Should'st thou, in the features of this deserted innocent, trace the\nresemblance of the wretched Caroline,-should its face bear the marks\nof its birth, and revive in thy memory the image of its mother, wilt\nthou not, Belmont, wilt thou not therefore renounce it?-Oh, babe of my\nfondest affection!",
"for whom already I experience all the tenderness of\nmaternal pity!",
"look not like thy unfortunate mother,-lest the parent,\nwhom the hand of death may spare, shall be snatched from thee by the\nmore cruel means of unnatural antipathy!",
"I can write no more.",
"The small share of serenity I have painfully\nacquired, will not bear the shock of the dreadful ideas that crowd\nupon me.",
"Adieu,-for ever!-\n\nYet, Oh!-shall I not, in this last farewell, which thou wilt not read\ntill every stormy passion is extinct, and the kind grave has embosomed\nall my sorrows,-shall I not offer to the man, once so dear to me, a\nray of consolation to those afflictions he has in reserve?",
"Suffer me,\nthen, to tell thee, that my pity far exceeds my indignation,-that I\nwill pray for thee in my last moments, and that the recollection of\nthe love I once bore thee, shall swallow up every other!",
"Once more, adieu!",
"CAROLINE BELMONT.",
"</CHAPTER>\n\n<CHAPTER>\nLETTER LXXV.",
"EVELINA TO THE REV.",
"MR. VILLARS.",
"Clifton, Oct. 3rd.",
"THIS morning I saw from my window, that Lord Orville was walking in\nthe garden; but I would not go down stairs till breakfast was ready:\nand then, he paid me his compliments almost as coldly as Lady Louisa\npaid hers.",
"I took my usual place, and Mrs. Belmont, Lady Louisa, and Mrs. Selwyn,\nentered into their usual conversation.-Not so your Evelina:\ndisregarded, silent, and melancholy, she sat like a cypher, whom,\nto nobody belonging, by nobody was noticed.",
"Ill brooking such a situation, and unable to suport the neglect of\nLord Orville, the moment breakfast was over I left the room, and\nwas going up stairs; when, very unpleasantly, I was stopped by Sir\nClement Willoughby, who, flying into the hall, prevented my proceeding.",
"He enquired very particularly after my health, and entreated me to\nreturn into the parlour.",
"Unwillingly, I consented, but thought any\nthing preferable to continuing alone with him; and he would neither\nleave me, nor suffer me to pass on.",
"Yet, in returning, I felt not a\nlittle ashamed at appearing thus to take the visit of Sir Clement to\nmyself.",
"And, indeed, he endeavoured, by his manner of addressing me,\nto give it that air.",
"He stayed, I believe, an hour; nor would he, perhaps, even then have\ngone, had not Mrs. Beaumont broken up the party, by proposing an\nairing in her coach.",
"Lady Louisa consented to accompany her; but\nMrs. Selwyn, when applied to, said, \"If my Lord, or Sir Clement,\nwill join us, I shall be happy to make one;-but really a trio of\nfemales will be nervous to the last degree.\"",
"Sir Clement readily agreed to attend them; indeed, he makes it his\nevident study to court the favour of Mrs. Beaumont.",
"Lord Orville\nexcused himself from going out; and I retired to my own room.",
"What\nhe did with himself I know not, for I would not go down stairs till\ndinner was ready: his coldness, though my own change of behaviour\nhad occasioned it, so cruelly depresses my spirits, that I know not\nhow to support myself in his presence.",
"At dinner, I found Sir Clement again of the party.",
"Indeed, he manages\nevery thing his own way; for Mrs. Beaumont, though by no means easy\nto please, seems quite at his disposal.",
"The dinner, the afternoon, and the evening, were to me the most\nirksome imaginable: I was tormented by the assiduity of Sir Clement,\nwho not only took, but made opportunities of speaking to me,-and\nI was hurt,-Oh, how inexpressibly hurt!-that Lord Orville not only\nforebore, as hitherto, seeking, he even neglected all occasions of\ntalking with me!",
"I begin to think, my dear Sir, that the sudden alteration in my\nbehaviour was ill-judged and improper; for, as I had received no\noffence, as the cause of the change was upon my account, not his,\nI should not have assumed, so abruptly, a reserve for which I dared\nassign no reason,-nor have shunned his presence so obviously, without\nconsidering the strange appearance of such a conduct.",
"Alas, my dearest Sir, that my reflections should always be too late to\nserve me!",
"dearly, indeed, do I purchase experience!",
"and much, I fear,\nI shall suffer yet more severely, from the heedless indiscretion\nof my temper, ere I attain that prudence and consideration, which,\nby foreseeing distant consequences, may rule and direct in present\nexigencies.",
"Oct. 4th.",
"Yesterday morning every body rode out, except Mrs. Selwyn and myself;\nand we two sat for some time together in her room; but, as soon as\nI could, I quitted her, to saunter in the garden; for she diverts\nherself so unmercifully with rallying me, either upon my gravity, or\nconcerning Lord Orville,-that I dread having any conversation with her.",
"Here I believe I spent an hour by myself; when, hearing the\ngarden-gate open, I went into an arbour at the end of a long walk,\nwhere, ruminating, very unpleasantly, upon my future prospects, I\nremained quietly seated but a few minutes, before I was interrupted\nby the appearance of Sir Clement Willoughby.",
"I started; and would have left the arbour, but he prevented me.",
"Indeed,\nI am almost certain he had heard in the house where I was, as it is\nnot, otherwise, probable he would have strolled down the garden alone.",
"\"Stop, stop,\" cried he, \"loveliest and most beloved of women, stop\nand hear me!\"",
"Then, making me keep my place, he sat down by me, and would have\ntaken my hand; but I drew it back, and said I could not stay.",
"\"Can you, then,\" cried he, \"refuse me the smallest gratification,\nthough, but yesterday, I almost suffered martyrdom for the pleasure\nof seeing you?\"",
"\"Martyrdom!",
"Sir Clement.\"",
"\"Yes, beauteous insensible!",
"martyrdom: for did I not compel myself\nto be immured in a carriage, the tedious length of a whole morning,\nwith the three most fatiguing women in England?\"",
"\"Upon my word, the ladies are extremely obliged to you.\"",
"\"Oh,\" returned he, \"they have, every one of them, so copious a share\nof their own personal esteem, that they have no right to repine at\nthe failure of it in the world; and, indeed, they will themselves be\nthe last to discover it.\"",
"\"How little,\" cried I, \"are those ladies aware of such severity from\nyou!\"",
"\"They are guarded,\" answered he, \"so happily and so securely by their\nown conceit, that they are not aware of it from any body.",
"Oh, Miss\nAnville, to be torn away from you, in order to be shut up with them,-is\nthere a human being, except your cruel self, could forbear to pity me?\"",
"\"I believe, Sir Clement, however hardly you may choose to judge of\nthem, your situation, by the world in general, would rather have been\nenvied than pitied.\"",
"\"The world in general,\" answered he, \"has the same opinion of them\nthat I have myself: Mrs. Beaumont is every where laughed at, Lady\nLouisa ridiculed, and Mrs. Selwyn hated.\"",
"\"Good God, Sir Clement, what cruel strength of words do you use!\"",
"\"It is you, my angel, are to blame, since your perfections have\nrendered their faults so glaring.",
"I protest to you, during our whole\nride, I thought the carriage drawn by snails.",
"The absurd pride of\nMrs. Beaumont, and the respect she exacts, are at once insufferable\nand stupifying; had I never before been in her company, I should\nhave concluded that this had been her first airing from the herald's\noffice,-and wished her nothing worse, than that it might also be the\nlast.",
"I assure you, that but for gaining the freedom of her house,\nI would fly her as I would plague, pestilence, and famine.",
"Mrs.\nSelwyn, indeed, afforded some relief from this formality, but the\nunbounded license of her tongue-\"\n\n\"O, Sir Clement, do you object to that?\"",
"\"Yes, my sweet reproacher, in a woman I do; in a woman I think it\nintolerable.",
"She has wit, I acknowledge, and more understanding\nthan half her sex put together; but she keeps alive a perpetual\nexpectation of satire, that spreads a general uneasiness among all who\nare in her presence; and she talks so much, that even the best things\nshe says weary the attention.",
"As to the little Louisa, 'tis such a\npretty piece of languor, that 'tis almost cruel to speak rationally\nabout her,-else I should say, she is a mere compound of affectation,\nimpertinence, and airs.\"",
"\"I am quite amazed,\" said I, \"that, with such opinions, you can behave\nto them all with so much attention and civility.\"",
"\"Civility!",
"my angel,-why I could worship, could adore them, only to\nprocure myself a moment of your conversation!",
"Have you not seen me pay\nmy court to the gross Captain Mirvan, and the virago Madame Duval?",
"Were\nit possible that a creature so horrid could be formed, as to partake of\nthe worst qualities of all these characters,-a creature who should have\nthe haughtiness of Mrs. Beaumont, the brutality of Captain Mirvan,\nthe self-conceit of Mrs. Selwyn, the affectation of Lady Louisa,\nand the vulgarity of Madame Duval,-even to such a monster as that I\nwould pay homage, and pour forth adulation, only to obtain one word,\none look from my adored Miss Anville!\"",
"\"Sir Clement,\" said I, \"you are greatly mistaken if you suppose this\nduplicity of character recommends you to my good opinion.",
"But I must\ntake this opportunity of begging you never more to talk to me in\nthis strain.\"",
"\"Oh, Miss Anville, your reproofs, your coldness, pierce me to the\nsoul!",
"look upon me with less rigour, and make me what you please;-you\nshall govern and direct all my actions,-you shall new-form, new-model\nme:-I will not have even a wish but of your suggestion; only deign\nto look upon me with pity-if not with favour!\"",
"\"Suffer me, Sir,\" said I, very gravely, \"to make use of this occasion\nto put a final conclusion to such expressions.",
"I entreat you never\nagain to address me in a language so flighty and so unwelcome.",
"You\nhave already given me great uneasiness; and I must frankly assure\nyou, that if you do not desire to banish me from wherever you are,\nyou will adopt a very different style and conduct in future.\"",
"I then rose, and was going, but he flung himself at my feet to prevent\nme, exclaiming, in a most passionate manner, \"Good God!",
"Miss Anville,\nwhat do you say?-is it, can it be possible, that, so unmoved, that,\nwith such petrifying indifference, you can tear from me even the\nremotest hope!\"",
"\"I know not, Sir,\" said I, endeavouring to disengage myself from him,\n\"what hope you mean, but I am sure that I never intended to give\nyou any.\"",
"\"You distract me,\" cried he, \"I cannot endure such scorn;-I beseech\nyou to have some moderation in your cruelty, lest you make me\ndesperate:-say, then, that you pity me,-O fairest inexorable!",
"loveliest\ntyrant!-say, tell me, at least, that you pity me!\"",
"Just then, who should come in sight, as if intending to pass by\nthe arbour, but Lord Orville!",
"Good Heaven, how did I start!",
"and he,\nthe moment he saw me, turned pale, and was hastily retiring;-but I\ncalled out \"Lord Orville!-Sir Clement, release me,-let go my hand!\"",
"Sir Clement, in some confusion, suddenly rose, but still grasped\nmy hand.",
"Lord Orville, who had turned back, was again walking away;\nbut, still struggling to disengage myself, I called out \"Pray, pray,\nmy Lord, don't go!-Sir Clement, I insist upon your releasing me!\"",
"Lord Orville then, hastily approaching us, said, with great spirit,\n\"Sir Clement, you cannot wish to detain Miss Anville by force!\"",
"\"Neither, my Lord,\" cried Sir Clement, proudly, \"do I request the\nhonour of your Lordship's interference.\"",
"However, he let go my hand, and I immediately ran into the house.",
"I was now frightened to death, lest Sir Clement's mortified pride\nshould provoke him to affront Lord Orville: I therefore ran hastily to\nMrs. Selwyn, and entreated her, in a manner hardly to be understood,\nto walk towards the arbour.",
"She asked no questions, for she is quick\nas lightening in taking a hint, but instantly hastened into the garden.",
"Imagine, my dear Sir, how wretched I must be till I saw her\nreturn!",
"scarce could I restrain myself from running back: however,\nI checked my impatience, and waited, though in agonies, till she came.",
"And now, my dear Sir, I have a conversation to write, the most\ninteresting to me that I ever heard.",
"The comments and questions with\nwhich Mrs. Selwyn interrupted her account I shall not mention; for\nthey are such as you may very easily suppose.",
"Lord Orville and Sir Clement were both seated very quietly in the\narbour: and Mrs. Selwyn, standing still, as soon as she was within\na few yards of them, heard Sir Clement say, \"Your question, my Lord,\nalarms me, and I can by no means answer it, unless you will allow me\nto propose another.\"",
"\"Undoubtedly, Sir.\"",
"\"You ask me, my Lord, what are my intentions?-I should be very happy\nto be satisfied as to your Lordship's.\"",
"\"I have never, Sir, professed any.\"",
"Here they were both, for a few moments, silent; and then Sir Clement\nsaid, \"To what, my Lord, must I then impute your desire of knowing\nmine?\"",
"\"To an unaffected interest in Miss Anville's welfare.\"",
"\"Such an interest,\" said Sir Clement, drily, \"is indeed very generous;\nbut, except in a father,-a brother,-or a lover-\"\n\n\"Sir Clement,\" interrupted his Lordship, \"I know your inference;\nand I acknowledge I have not the right of enquiry which any of those\nthree titles bestow; and yet I confess the warmest wishes to serve\nher and to see her happy.",
"Will you, then, excuse me, if I take the\nliberty to repeat my question?\"",
"\"Yes, if your Lordship will excuse my repeating, that I think it a\nrather extraordinary one.\"",
"\"It may be so,\" said Lord Orville; \"but this young lady seems to\nbe peculiarly situated; she is very young, very inexperienced,\nyet appears to be left totally to her own direction.",
"She does not,\nI believe, see the dangers to which she is exposed, and I will own\nto you, I feel a strong desire to point them out.\"",
"\"I don't rightly understand your Lordship,-but I think you cannot\nmean to prejudice her against me?\"",
"\"Her sentiments of you, Sir, are as much unknown to me, as your\nintentions towards her.",
"Perhaps, were I acquainted with either,\nmy officiousness might be at an end: but I presume not to ask upon\nwhat terms-\"\n\nHere he stopped; and Sir Clement said, \"You know, my Lord, I am not\ngiven to despair; I am by no means such a puppy as to tell you I am\nupon sure ground; however, perseverance-\"\n\n\"You are, then, determined to perservere?\"",
"\"I am, my Lord.\"",
"\"Pardon me, then, Sir Clement, if I speak to you with freedom.",
"This\nyoung lady, though she seems alone, and, in some measure, unprotected,\nis not entirely without friends; she has been extremely well educated,\nand accustomed to good company; she has a natural love of virtue,\nand a mind that might adorn any station, however exalted: is such\na young lady, Sir Clement, a proper object to trifle with?-for your\nprinciples, excuse me, Sir, are well known.\"",
"\"As to that, my Lord, let Miss Anville look to herself; she has an\nexcellent understanding, and needs no counsellor.\"",
"\"Her understanding is indeed excellent; but she is too young for\nsuspicion, and has an artlessness of disposition I never saw equalled.\"",
"\"My Lord,\" cried Sir Clement, warmly, \"your praises make me doubt\nyour disinterestedness, and there exists not the man, whom I would\nso unwillingly have for a rival as yourself.",
"But you must give me\nleave to say, you have greatly deceived me in regard to this affair.\"",
"\"How so, Sir?\"",
"cried Lord Orville, with equal warmth.",
"\"You were pleased, my Lord,\" answered Sir Clement, \"upon our first\nconversation concerning this young lady, to speak to her in terms by\nno means suited to your present encomiums; you said she was a poor,\nweak, ignorant girl, and I had great reason to believe you had a most\ncontemptuous opinion of her.\"",
"\"It is very true,\" said Lord Orville, \"that I did not, at our first\nacquaintance, do justice to the merits of Miss Anville; but I knew\nnot then how new she was to the world; at present, however, I am\nconvinced, that whatever might appear strange in her behaviour, was\nsimply the effect of inexperience, timidity, and a retired education;\nfor I find her informed, sensible, and intelligent.",
"She is not,\nindeed, like most modern young ladies, to be known in half an hour:\nher modest worth, and fearful excellence, require both time and\nencouragement to show themselves.",
"She does not, beautiful as she is,\nseize the soul by surprise, but, with more dangerous fascination,\nshe steals it almost imperceptibly.\"",
"\"Enough, my Lord,\" cried Sir Clement, \"your solicitude for her welfare\nis now sufficiently explained.\"",
"\"My friendship and esteem,\" returned Lord Orville, \"I do not wish to\ndisguise; but assure yourself, Sir Clement, I should not have troubled\nyou upon this subject, had Miss Anville and I ever conversed but as\nfriends.",
"However, since you do not choose to avow your intentions,\nwe must drop the subject.\"",
"\"My intentions,\" cried he, \"I will frankly own, are hardly known\nto myself.",
"I think Miss Anville the loveliest of her sex; and,\nwere I a marrying man, she, of all the women I have seen, I would\nfix upon for a wife: but I believe that not even the philosophy of\nyour Lordship would recommend me to a connection of that sort, with\na girl of obscure birth, whose only dowry is her beauty, and who is\nevidently in a state of dependency.\"",
"\"Sir Clement,\" cried Lord Orville, with some heat, \"we will discuss\nthis point no further; we are both free agents, and must act for\nourselves.\"",
"Here Mrs. Selwyn, fearing a surprise, and finding my apprehensions\nof danger were groundless, retired hastily into another walk, and\nsoon after came to give me this account.",
"Good Heaven, what a man is this Sir Clement!",
"So designing, though so\neasy; so deliberately artful, though so flighty!",
"Greatly, however, is\nhe mistaken, all confident as he seems; for the girl, obscure, poor,\ndependent as she is, far from wishing the honour of his alliance,\nwould not only now, but always have rejected it.",
"As to Lord Orville,-but I will not trust my pen to mention him,-tell\nme, my dear sir, what you think of him?-tell me if he is not\nthe noblest of men?-and if you can either wonder at, or blame my\nadmiration?",
"The idea of being seen immediately by either party, after so singular\na conversation, was both awkward and distressing to me; but I was\nobliged to appear at dinner.",
"Sir Clement, I saw, was absent and\nuneasy; he watched me, he watched Lord Orville, and was evidently\ndisturbed in his mind.",
"Whenever he spoke to me, I turned from him\nwith undisguised disdain, for I am too much irritated against him,\nto bear with his ill-meant assiduities any longer.",
"But, not once,-not a moment, did I dare meet the eyes of Lord\nOrville!",
"All consciousness myself, I dreaded his penetration, and\ndirected mine every way-but towards his.",
"The rest of the day I never\nquitted Mrs. Selwyn.",
"Adieu, my dear Sir: to-morrow I expect your directions, whether I am\nto return to Berry Hill, or once more to visit London.",
"</CHAPTER>\n\n<CHAPTER>\nLETTER LXXVI.",
"EVELINA IN CONTINUATION.",
"Oct. 6th.",
"AND now, my dearest Sir, if the perturbation of my spirits will allow\nme, I will finish my last letter from Clifton Hill.",
"This morning,\nthough I did not go down stairs early, Lord Orville was the only\nperson in the parlour when I entered it.",
"I felt no small confusion\nat seeing him alone, after having so long and successfully avoided\nsuch a meeting.",
"As soon as the usual compliments were over, I would\nhave left the room, but he stopped me by saying, \"If I disturb you\nMiss Anville, I am gone.\"",
"\"My Lord,\" said I, rather embarrassed, \"I did not mean to stay.\"",
"\"I flattered myself,\" cried he, \"I should have had a moment's\nconversation with you.\"",
"I then turned back; and he seemed himself in some perplexity: but,\nafter a short pause, \"You are very good,\" said he, \"to indulge my\nrequest; I have, indeed, for some time past, most ardently desired\nan opportunity of speaking to you.\"",
"Again he paused; but I said nothing, so he went on.",
"\"You allowed me, Madam, a few days since, you allowed me to lay\nclaim to your friendship,-to interest myself in your affairs,-to call\nyou by the affectionate title of sister;-and the honour you did me,\nno man could have been more sensible of; I am ignorant, therefore,\nhow I have been so unfortunate as to forfeit it:-but, at present,\nall is changed!",
"you fly me,-your averted eye shuns to meet mine,\nand you sedulously avoid my conversation.\"",
"I was extremely disconcerted at this grave, and but too just\naccusation, and I am sure I must look very simple;-but I made no\nanswer.",
"\"You will not, I hope,\" continued he, \"condemn me unheard; if there\nis any thing I have done,-or any thing I have neglected, tell me,\nI beseech you, what, and it shall be the whole study of my thoughts\nhow to deserve your pardon.\"",
"\"Oh, my Lord,\" cried I, penetrated at once with shame and gratitude,\n\"your too, too great politeness oppresses me!-you have done nothing,-I\nhave never dreamt of offence-if there is any pardon to be asked it\nis rather for me, than for you to ask it.\"",
"\"You are all sweetness and condescension!\"",
"cried he, \"and I flatter\nmyself you will again allow me to claim those titles which I find\nmyself so unable to forego.",
"Yet, occupied as I am, with an idea\nthat gives me the greatest uneasiness, I hope you will not think\nme impertinent, if I still solicit, still intreat, nay implore, you\nto tell me, to what cause your late sudden, and to me most painful,\nreserve was owing?\"",
"\"Indeed, my Lord,\" said I, stammering, \"I don't,-I can't,-indeed,\nmy Lord,-\"\n\n\"I am sorry to distress you,\" said he, \"and ashamed to be so\nurgent,-yet I know not how to be satisfied while in ignorance,-and\nthe time when the change happened, makes me apprehend,-may I, Miss\nAnville, tell you what it makes me apprehend?\"",
"\"Certainly, my Lord.\"",
"\"Tell me, then,-and pardon a question most essentially important\nto me;-Had, or had not, Sir Clement Willoughby any share in causing\nyour inquietude?\"",
"\"No, my Lord,\" answered I, with firmness, \"none in the world.\"",
"\"A thousand, thousand thanks!\"",
"cried he: \"you have relieved me from a\nweight of conjecture which I supported very painfully.",
"But one thing\nmore; is it, in any measure, to Sir Clement that I may attribute the\nalteration in your behaviour to myself, which, I could not but observe,\nbegan the very day after his arrival at the Hot Wells?\"",
"\"To Sir Clement, my Lord,\" said I, \"attribute nothing.",
"He is the last\nman in the world who would have any influence over my conduct.\"",
"\"And will you, then, restore to me that share of confidence and favour\nwith which you honoured me before he came?\"",
"Just then, to my great relief,-for I knew not what to say,-Mrs.\nBeaumont opened the door, and in a few minutes we went to breakfast.",
"Lord Orville was all gaiety; never did I see him more lively or more\nagreeable.",
"Very soon after, Sir Clement Willoughby called, to pay\nhis respects, he said, to Mrs. Beaumont.",
"I then came to my own room,\nwhere, indulging my reflections, which, now soothed, and now alarmed\nme, I remained very quietly, till I received your most kind letter.",
"Oh, Sir, how sweet are the prayers you offer for your Evelina!",
"how\ngrateful to her are the blessings you pour upon her head!-You commit\nme to my real parent,-Ah, Guardian, Friend, Protector of my youth,-by\nwhom my helpless infancy was cherished, my mind formed, my very life\npreserved,-you are the Parent my heart acknowledges, and to you do\nI vow eternal duty, gratitude, and affection!",
"I look forward to the approaching interview with more fear than hope;\nbut, important as is this subject, I am just now wholly engrossed\nwith another, which I must hasten to communicate.",
"I immediately acquainted Mrs. Selwyn with the purport of your\nletter.",
"She was charmed to find your opinion agreed with her own,\nand settled that we should go to town to-morrow morning: and a chaise\nis actually ordered to be here by one o'clock.",
"She then desired me to pack up my clothes; and said she must go\nherself to make speeches and tell lies to Mrs. Beaumont.",
"When I went down stairs to dinner, Lord Orville, who was still in\nexcellent spirits, reproached me for secluding myself so much from\nthe company.",
"He sat next me,-he would sit next me,-at table; and he\nmight, I am sure, repeat what he once said of me before, that he\nalmost exhausted himself in fruitless endeavours to entertain me;\n-for, indeed, I was not to be entertained: I was totally spiritless\nand dejected; the idea of the approaching meeting,-and Oh, Sir,\nthe idea of the approaching parting,-gave a heaviness to my heart\nthat I could neither conquer nor repress.",
"I even regretted the half\nexplanation that had passed, and wished Lord Orville had supported\nhis own reserve, and suffered me to support mine.",
"However, when, during dinner, Mrs. Beaumont spoke of our journey,\nmy gravity was no longer singular; a cloud instantly overspread the\ncountenance of Lord Orville, and he became nearly as thoughtful and\nas silent as myself.",
"We all went together to the drawing-room.",
"After a short and\nunentertaining conversation, Mrs. Selwyn said she must prepare for\nher journey, and begged me to see for some books she had left in\nthe parlour.",
"And here, while I was looking for them, I was followed by Lord\nOrville.",
"He shut the door after he came in, and, approaching me with\na look of anxiety, said, \"Is this true, Miss Anville, are you going?\"",
"\"I believe so, my Lord,\" said I, still looking for the books.",
"\"So suddenly, so unexpectedly must I lose you?\"",
"\"No great loss, my Lord,\" cried I, endeavouring to speak cheerfully.",
"\"Is it possible,\" said he gravely, \"Miss Anville can doubt my\nsincerity?\"",
"\"I can't imagine,\" cried I, \"what Mrs. Selwyn has done with these\nbooks.\"",
"\"Would to Heaven,\" continued he, \"I might flatter myself you would\nallow me to prove it!\"",
"\"I must run up stairs,\" cried I, greatly confused, \"and ask what she\nhas done with them.\"",
"\"You are going, then,\" cried he, taking my hand, \"and you give me not\nthe smallest hope of your return!-will you not, then, my too lovely\nfriend!-will you not, at least, teach me, with fortitude like your own,\nto support your absence?\"",
"\"My Lord,\" cried I, endeavouring to disengage my hand, \"pray let\nme go!\"",
"\"I will,\" cried he, to my inexpressible confusion, dropping on one\nknee, \"if you wish to leave me!\"",
"\"O, my Lord,\" exclaimed I, \"rise, I beseech you, rise!-such a posture\nto me!-surely your Lordship is not so cruel as to mock me!\"",
"\"Mock you!\"",
"repeated he earnestly, \"no I revere you!",
"I esteem and\nI admire you above all human beings!",
"you are the friend to whom my\nsoul is attached as to its better half!",
"you are the most amiable,\nthe most perfect of women!",
"and you are dearer to me than language\nhas the power of telling.\"",
"I attempt not to describe my sensations at that moment; I scarce\nbreathed; I doubted if I existed,-the blood forsook my cheeks,\nand my feet refused to sustain me: Lord Orville, hastily rising,\nsupported me to a chair, upon which I sunk, almost lifeless.",
"For a few minutes, we neither of us spoke; and then, seeing me recover,\nLord Orville, though in terms hardly articulate, intreated my pardon\nfor his abruptness.",
"The moment my strength returned, I attempted to\nrise, but he would not permit me.",
"I cannot write the scene that followed, though every word is\nengraven on my heart; but his protestations, his expressions, were\ntoo flattering for repetition: nor would he, in spite of my repeated\nefforts to leave him, suffer me to escape:-in short, my dear Sir,\nI was not proof against his solicitations-and he drew from me the\nmost sacred secret of my heart!",
"I know not how long we were together; but Lord Orville was upon his\nknees, when the door was opened by Mrs. Selwyn!-To tell you, Sir,\nthe shame with which I overwhelmed, would be impossible;-I snatched\nmy hand from Lord Orville,-he, too, started and rose, and Mrs. Selwyn,\nfor some instants, stood facing us both in silence.",
"At last, \"My Lord\" said she, sarcastically, \"have you been so good\nas to help Miss Anville to look for my books?\"",
"\"Yes, Madam,\" answered he, attempting to rally, \"and I hope we shall\nsoon be able to find them.\"",
"\"Your Lordship is extremely kind,\" said she, drily, \"but I can by\nno means consent to take up any more of your time.\"",
"Then looking on\nthe window-seat, she presently found the books, and added, \"Come,\nhere are just three, and so like the servants in the Drummer, this\nimportant affair may give employment to us all.\"",
"She then presented\none of them to Lord Orville, another to me, and taking a third herself,\nwith a most provoking look, she left the room.",
"I would instantly have followed her; but Lord Orville, who could not\nhelp laughing, begged me to stay a minute, as he had many important\nmatters to discuss.",
"\"No, indeed, my Lord, I cannot,-perhaps I have already stayed too\nlong.\"",
"\"Does Miss Anville so soon repent her goodness?\"",
"\"I scarce know what I do, my Lord,-I am quite bewildered!\"",
"\"One hour's conversation,\" cried he, \"will, I hope, compose your\nspirits, and confirm my happiness.",
"When, then, may I hope to see you\nalone?-shall you walk in the garden to-morrow before breakfast?\"",
"\"No, no, my Lord; you must not, a second time, reproach me with making\nan appointment.\"",
"\"Do you then,\" said he, laughing, \"reserve that honour only for\nMr.",
"Macartney?\"",
"\"Mr. Mccartney,\" said I, \"is poor, and thinks himself obliged to me;\notherwise-\"\n\n\"Poverty,\" cried he, \"I will not plead; but, if being obliged to you\nhas any weight, who shall dispute my title to an appointment?\"",
"\"My Lord, I can stay no longer,-Mrs. Selwyn will lose all patience.\"",
"\"Deprive her not of the pleasure of her conjectures,-but tell me,\nare you under Mrs. Selwyn's care?\"",
"\"Only for the present, my Lord.\"",
"\"Not a few are the questions I have to ask Miss Anville: among them,\nthe most important is, whether she depends wholly on herself, or\nwhether there is any other person for whose interest I must solicit?\"",
"\"I hardly know, my Lord, I hardly know myself to whom I most belong.\"",
"\"Suffer, suffer me, then,\" cried he, with warmth, \"to hasten the time\nwhen that shall no longer admit a doubt!-when your grateful Orville\nmay call you all his own!\"",
"At length, but with difficulty, I broke from him.",
"I went, however, to\nmy own room, for I was too much agitated to follow Mrs. Selwyn.",
"Good\nGod, my dear Sir, what a scene!",
"surely the meeting for which I shall\nprepare to-morrow cannot so greatly affect me!",
"To be loved by Lord\nOrville,-to be the honoured choice of his noble heart,-my happiness\nseemed too infinite to be borne, and I wept, even bitterly I wept,\nfrom the excess of joy which overpowered me.",
"In this state of almost painful felicity I continued till I was\nsummoned to tea.",
"When I re-entered the drawing room, I rejoiced much\nto find it full of company, as the confusion with which I met Lord\nOrville was rendered the less observable.",
"Immediately after tea, most of the company played at cards,-and\nthen-till supper time, Lord Orville devoted himself wholly to me.",
"He saw that my eyes were red, and would not let me rest till he\nmade me confess the cause; and when, though most reluctantly, I had\nacknowledged my weakness, I could with difficulty refrain from weeping\nagain at the gratitude he expressed.",
"He earnestly desired to know if my journey could not be postponed!",
"and\nwhen I no, entreated permission to attend me to town.",
"\"Oh, my Lord,\" cried I, \"what a request!\"",
"\"The sooner,\" answered he, \"I make my devotion to you in public,\nthe sooner I may expect, from your delicacy, you will convince the\nworld you encourage no mere danglers.\"",
"\"You teach me, then, my Lord, the inference I might expect, if\nI complied.\"",
"\"And can you wonder I should seek to hasten the happy time, when\nno scruples, no discretion will demand our separation?",
"and the most\npunctilious delicacy will rather promote, than oppose, my happiness\nin attending you?\"",
"To this I was silent, and he re-urged his request.",
"\"My Lord,\" said I, \"you ask what I have no power to grant.",
"This\njourney will deprive me of all right to act for myself.\"",
"\"What does Miss Anville mean?\"",
"\"I cannot now explain myself; indeed, if I could, the task would be\nboth painful and tedious.\"",
"\"O, Miss Anville,\" cried he, \"when may I hope to date the period of\nthis mystery?",
"when flatter myself that my promised friend will indeed\nhonour me with her confidence?\"",
"\"My Lord,\" said I, \"I mean not to affect any mystery,-but my affairs\nare so circumstanced, that a long and most unhappy story can alone\nexplain them.",
"However, if a short suspense will give your Lordship\nany uneasiness,-\"\n\n\"My beloved Miss Anville,\" cried he, eagerly, \"pardon my\nimpatience!-You shall tell me nothing you would wish to conceal,-I\nwill wait your own time for information, and trust to your goodness\nfor its speed.\"",
"\"There is nothing, my Lord, I wish to conceal,-to postpone an\nexplanation is all I desire.\"",
"He then requested, that, since I would not allow him to accompany\nme to town, I would permit him to write to me, and promise to answer\nhis letters.",
"A sudden recollection of the two letters which had already passed\nbetween us occurring to me, I hastily answered, \"No, indeed, my Lord!-\"\n\n\"I am extremely sorry,\" said he, gravely, \"that you think me too\npresumptuous.",
"I must own I had flattered myself, that, to soften the\ninquietude of an absence, which seems attended by so many inexplicable\ncircumstances, would not have been to incur your displeasure.\"",
"This\nseriousness hurt me; and I could not forbear saying, \"Can you indeed\ndesire, my Lord, that I should, a second time, expose myself, by an\nunguarded readiness, to write to you?\"",
"\"A second time!",
"unguarded readiness!\"",
"repeated he; \"you amaze me!\"",
"\"Has your Lordship then quite forgot the foolish letter I was so\nimprudent as to send you when in town?\"",
"\"I have not the least idea,\" cried he, \"of what you mean.\"",
"\"Why then, my Lord,\" said I, \"we had better let the subject drop.\"",
"\"Impossible!\"",
"cried he, \"I cannot rest without an explanation!\"",
"And then, he obliged me to speak very openly of both the letters: but,\nmy dear Sir, imagine my surprise, when he assured me, in the most\nsolemn manner, that, far from having ever written me a single line,\nhe had never received, seen, or heard of my letter!",
"This subject, which caused mutual astonishment and perplexity to us\nboth, entirely engrossed us for the rest of the evening; and he made\nme promise to show him the letter I had received in his name to-morrow\nmorning, that he might endeavour to discover the author.",
"After supper, the conversation became general.",
"And now, my dearest Sir, may I not call for your congratulations upon\nthe events of this day?",
"a day never to be recollected by me but with\nthe most grateful joy!",
"I know how much you are inclined to think well\nof Lord Orville; I cannot, therefore, apprehend that my frankness to\nhim will displease you.",
"Perhaps the time is not very distant, when\nyour Evelina's choice may receive the sanction of her best friend's\njudgment and approbation,-which seems now all she has to wish!",
"In regard to the change in my situation which must first take place,\nsurely I cannot be blamed for what has passed!",
"the partiality of Lord\nOrville must not only reflect honour upon me, but upon all to whom\nI do, or may belong.",
"Adieu, most dear Sir, I will write again when I arrive at London.",
"</CHAPTER>"
] | [
"He paused a few minutes; and then said, with warmth, \"Yes, you shall\nspeak to him!-I will myself assist you!-Miss Anville, I am sure,\ncannot form a wish against propriety: I will ask no questions, I\nwill rely upon her own purity, and, uninformed, blindfold as I am,\nI will serve her with all my power!\"",
"I HAVE only time, my dearest Sir, for three words, to overtake my\nlast letter, and prevent your expecting me immediately; for, when I\ncommunicated my intention to Mrs. Selwyn, she would not hear of it,\nand declared it would be highly ridiculous for me to go before I\nreceived an answer to my intelligence concerning the journey from\nParis.",
"\"The voice of fame!\"",
"Pray where\nare you?\"",
"\"I am not, I own, sorry for that.",
"remains there one resource unessayed?",
"No!",
"He enquired very particularly after my health, and entreated me to\nreturn into the parlour.",
"\"My friendship and esteem,\" returned Lord Orville, \"I do not wish to\ndisguise; but assure yourself, Sir Clement, I should not have troubled\nyou upon this subject, had Miss Anville and I ever conversed but as\nfriends.",
"\"My Lord,\" said I, rather embarrassed, \"I did not mean to stay.\""
] | [
"Doubtless he must be greatly discontented at the dissipated conduct and\nextravagance of a man, with whom he is soon to be so nearly connected.",
"I am very glad to hear of Mr. Macartney's welfare.",
"yet, weak as are the lines for the purpose, I envy beyond\nexpression the happy mortal who has dared make the effort.\"",
"Sir Clement, in some confusion, suddenly rose, but still grasped\nmy hand.",
"\"Why, Madam, do you ask?\"",
"EVELINA IN CONTINUATION.",
"Lord Orville then, hastily approaching us, said, with great spirit,\n\"Sir Clement, you cannot wish to detain Miss Anville by force!\"",
"\"My Lord,\" said I, rather embarrassed, \"I did not mean to stay.\"",
"The dinner, the afternoon, and the evening, were to me the most\nirksome imaginable: I was tormented by the assiduity of Sir Clement,\nwho not only took, but made opportunities of speaking to me,-and\nI was hurt,-Oh, how inexpressibly hurt!-that Lord Orville not only\nforebore, as hitherto, seeking, he even neglected all occasions of\ntalking with me!",
"He wanted to engage the ladies to bet on his side,\nin the true spirit of gaming, without seeing the racers."
] | [
"Mrs. Selwyn then advancing to us, he assumed a more disengaged air,\nand asked, if he should not have the pleasure of seeing her in the\nevening at the assembly?",
"\"Oh, yes,\" cried she, \"we shall certainly be there; so you may bring\nthe verses with you, if Miss Anville can wait for them so long.\"",
"\"I hope then,\" returned he, \"that you will do me the honour to dance\nwith me?\"",
"I thanked him, but said I should not be at the assembly.",
"\"Not be at the assembly?\"",
"cried Mrs. Selwyn, \"Why, have you, too,\nletters to write?\"",
"She looked at me with a significant archness, that made me colour;\nand I hastily answered, \"No, indeed, Ma'am!\"",
"\"You have not!\"",
"cried she, yet more drily; \"then pray, my dear,\ndo you stay at home to help,-or to hinder others?\"",
"\"To do neither, Ma'am,\" answered I, in much confusion; \"so, if you\nplease, I will not stay at home.\"",
"\"You allow me, then,\" said Sir Clement, \"to hope for the honour of\nyour hand?\""
] | [
"<CHAPTER>\n LETTER LXVII.",
"MR. VILLARS TO EVELINA.",
"Berry Hill, Sept. 28th.",
"DEAD to the world, and equally insensible to its pleasures or its\npains, I long since bad adieu to all joy, and defiance to all sorrow,\nbut what should spring from my Evelina,-sole source, to me, of all\nearthly felicity.",
"How strange, then, is it, that the letter in which\nshe tells me she is the happiest of human beings, should give me most\nmortal inquietude!",
"Alas, my child!-that innocence, the first, best gift of Heaven,\nshould, of all others, be the blindest to its own danger,-the most\nexposed to treachery,-and the least able to defend itself, in a world\nwhere it is little known, less valued, and perpetually deceived!",
"Would to Heaven you were here!-then, by degrees, and with gentleness,\nI might enter upon a subject too delicate for distant discussion.",
"Yet\nis it too interesting, and the situation too critical, to allow of\ndelay.-Oh, my Evelina, your situation is critical indeed!-your peace\nof mind is at stake, and every chance for your future happiness may\ndepend upon the conduct of the present moment.",
"Hitherto I have forborne to speak with you upon the most important of\nall concerns, the state of your heart:-alas, I need no information!",
"I\nhave been silent, indeed, but I have not been blind.",
"This subject, which caused mutual astonishment and perplexity to us\nboth, entirely engrossed us for the rest of the evening; and he made\nme promise to show him the letter I had received in his name to-morrow\nmorning, that he might endeavour to discover the author.",
"After supper, the conversation became general.",
"And now, my dearest Sir, may I not call for your congratulations upon\nthe events of this day?",
"a day never to be recollected by me but with\nthe most grateful joy!",
"I know how much you are inclined to think well\nof Lord Orville; I cannot, therefore, apprehend that my frankness to\nhim will displease you.",
"Perhaps the time is not very distant, when\nyour Evelina's choice may receive the sanction of her best friend's\njudgment and approbation,-which seems now all she has to wish!",
"In regard to the change in my situation which must first take place,\nsurely I cannot be blamed for what has passed!",
"the partiality of Lord\nOrville must not only reflect honour upon me, but upon all to whom\nI do, or may belong.",
"Adieu, most dear Sir, I will write again when I arrive at London.",
"</CHAPTER>"
] | standing, and needs no counsellor."
"Her understanding is indeed excellent; but she is too young for
suspicion, and has an artlessness of disposition I never saw equalled."
"My Lord," cried Sir Clement, warmly, "your praises make me doubt
your disinterestedness, and there exists not the man, whom I would
so unwillingly have for a rival as yourself.
But you must give me
leave to say, you have greatly deceived me in regard to this affair."
"How so, Sir?"
cried Lord Orville, with equal warmth.
"You were pleased, my Lord," answered Sir Clement, "upon our first
conversation concerning this young lady, to speak to her in terms by
no means suited to your present encomiums; you said she was a poor,
weak, ignorant girl, and I had great reason to believe you had a most
contemptuous opinion of her."
"It is very true," said Lord Orville, "that I did not, at our first
acquaintance, do justice to the merits of Miss Anville; but I knew
not then how new she was to the world; at present, however, I am
| <CHAPTER>
LETTER LXVII.
MR. VILLARS TO EVELINA.
Berry Hill, Sept. 28th.
DEAD to the world, and equally insensible to its pleasures or its
pains, I long since bad adieu to all joy, and defiance to all sorrow,
but what should spring from my Evelina,-sole source, to me, of all
earthly felicity.
How strange, then, is it, that the letter in which
she tells me she is the happiest of human beings, should give me most
mortal inquietude!
Alas, my child!-that innocence, the first, best gift of Heaven,
sh im will displease you.
Perhaps the time is not very distant, when
your Evelina's choice may receive the sanction of her best friend's
judgment and approbation,-which seems now all she has to wish!
In regard to the change in my situation which must first take place,
surely I cannot be blamed for what has passed!
the partiality of Lord
Orville must not only reflect honour upon me, but upon all to whom
I do, or may belong.
Adieu, most dear Sir, I will write again when I arrive at London.
</CHAPTER> | illoughby; and had I not imposed upon myself the
severe task of avoiding, flying Lord Orville, with all my power, I
would instantly have satisfied him of my ignorance of Sir Clement's
journey.
And yet more did I long to say something of the assembly,
since I found he depended upon my spending the evening at home.
I did not go down stairs again till the family was assembled to
dinner.
My dress, I saw, struck Lord Orville with astonishment; and
I was myself so much ashamed of appearing whimsical and unsteady,
that I could not look up.
"I understood," said Mrs. Beaumont, "that Miss Anville did not go
out this evening."
"Her intention in the morning," said Mrs. Selwyn, "was to stay at
home; but there is a fascinating power in an assembly, which, upon
second thoughts, is not to be resisted."
"The assembly!"
cried Lord Orville; "are you then going to the
assembly?"
I made no answer; and we all took our places at table.
It was not without difficulty that I contrived to give up my usual
seat; b |
6,053 | true | gradesaver | all_chapterized_books/6053-chapters/volume_3_chapters_16_to_23.txt | finished_summaries/gradesaver/Evelina/section_8_part_0.txt | Evelina.volume 3.chapters 16-23 | volume 3, letter 16-23 | null | {"name": "Volume III, Letter XVI - Volume III, Letter XXIII", "url": "https://web.archive.org/web/20201126171702/https://www.gradesaver.com/evelina-or-the-history-of-a-young-ladys-entrance-into-the-world/study-guide/summary-volume-iii-letter-xvi--volume-iii-letter-xxiii", "summary": "Evelina continues to write to Mr. Villars. In the morning during breakfast, Lord Orville asked Evelina if he could privately speak with her later, about the rude letter she had received. Later that day, Evelina was alone when Sir Clement Willoughby came into the room unexpectedly. When he saw that letter in her hand, he grew passionately agitated, asking her over and over again if the note had disgusted her, why she had not burned it, and whether she loved Lord Orville. She would not answer, even after he grow so distressed that he rudely exited the room as soon as others entered. That evening, Mrs. Selwyn tried to, in her ironic and piercing manner, determine why he had behaved with such panic. Evelina and Mr. Macartney met again at the house, using Lord Orville's invitation to him as a cover to arrange their meeting. He told her he was unable to gain audience with Miss Belmont, even though he had tried. Evelina suddenly exclaimed that she was his sister, and the two clasped hands in emotion. Lord Orville entered and saw this right before Mr. Macartney left. He was a bit surprised but soon pried from Evelina the news that Macartney was her brother. Meanwhile, as she had planned with Evelina, Mrs. Selwyn visited Sir John Belmont to tell him about her. When she returned, her countenance immediately revealed her anger and embarrassment. Sir John had been hostile to what he called the \"ridiculous story,\" and he explained his side of events. Soon after leaving Evelina's mother, a nursemaid brought him his daughter from the estate of Mr. Villars, and he put the girl into a convent to be educated. She had recently returned a grown woman, and was the Miss Belmont currently seen around town. Hence, Evelina must be only a ruse to extort money from him. After Evelina heard this, she was devastated. Lord Orville found her during her grief, and when he tried to comfort her, she sobbed that she was unworthy of him. Later, Mrs. Selwyn admitted she had told Lord Orville about the girl's past, and that he was now doubly committed to marrying her. She was excited about the match. She also proposed the next step in the plan: Evelina would attend Mrs. Selwyn on a visit to Sir John Belmont on the next day. Evelina agreed, but trembled at the thought. The next day, Evelina was full of shock and terror when they went to Sir John Belmont's abode. Mrs. Selwyn first confronted him privately; he was in particularly poor spirits at recently learning he had a son in Macartney. Mrs. Selwyn begged him to at least see Evelina once, and he agreed. Evelina thus came face-to-face with her father. When he saw her, he was profoundly affected by fervid emotion and disbelief. He exclaimed that Caroline Evelyn was still alive and breathing before him. He was so distressed that he apologized and ran upstairs, saying that he could never see Evelina's face again. Later, Mrs. Clinton and Mrs. Selwyn tried to understand the story. It seemed that there had been a poor nursemaid who attended Caroline's deathbed, and who also had a daughter. After Caroline died, the nursemaid and her infant daughter disappeared. Considering how much secrecy Mr. Villars had employed in raising Evelina , it seemed likely that Sir John Belmont might never have known about her. Mrs. Selwyn returned to Sir John's house to further investigate the matter. When she returned, she had an answer. She and Sir John questioned the nurse and discovered how the nurse had overheard Mr. Villars promising Caroline that he would raise Evelina. Seeing an opportunity to make her own poor daughter an heiress, she brought the wrong infant to Sir John and claimed it was his daughter from Caroline. Evelina was overjoyed to learn that her father's neglect was not born from cruelty of spirit. The next day, Evelina was shocked with more information - Mrs. Selwyn, Sir John, and even the kindhearted Lord Orville had decided that both girls were to be married immediately. This way, Miss Belmont would not be shamed by losing her noble name before she married Mr. Macartney , and so Evelina could soon reclaim her rightful place as Sir John's heiress. Evelina was overcome with emotion; she largely approved of the plan, but felt even better when Lord Orville promised that they could pass their first month of marriage at Berry Hill. While they remained at Clifton, Evelina noticed a change in Lady Louisa's demeanor. She had obviously learned about both her brother's proposal and Evelina's change in station. As a result, she treated the girl with more civility. Mr. Macartney and Evelina met again, this time with Lord Orville warmly and openly offering his sincere compliments to the man. The time came for Evelina to visit her father again. Their meeting was beset with fervent, consuming emotion on both sides. He was fraught with despair about how he had treated her, and begged her forgiveness. By the time the interview was over, they had reunited and he promised to overcome the guilt her countenance brought him . He would simply need some time to make peace with himself. After the meeting, Mr. Macartney told Evelina that Lord Orville had promised him that they would consider the poor Miss Green - the fake heiress - as a sister and co-heiress, if not in law then in justice. Evelina writes to Mr. Villars of this: \"Oh Lord Orville! - it shall be the sole study of my happy life, to express better than words, the sense I have of your exalted benevolence, and greatness of mind!\" Evelina receives a letter from Sir Clement, explaining that it was he who penned the rude letter and forged Lord Orville's signature. He had found Young Branghton on his way to deliver Evelina's letter, and intercepted it. He does not apologize for doing so, but felt he should explain himself. She marveled at his unrepentant attitude, and wrote him back that she would not be telling anyone about it. Lord Orville also confessed to Evelina that he had originally intended to investigate her past before proposing, but that he became so overcome with emotion that he did so before he had adequate time for it. The group traveled together to Bath to show Evelina the city. There, they encountered Captain Mirvan and his family; upon hearing of Evelina's engagement, Maria had convinced her parents to join her. Evelina loved Bath, but the trip was somewhat soured by the Captain's incessant persecution of Mr. Lovel, who was in attendance. He treated him as he had treated Madame Duval. At one point, he even dressed up a monkey in fine clothes and called him Mr. Lovel's brother. The entire company was shocked, and Mr. Lovel was frightfully embarrassed. Evelina finally receives a letter from Mr. Villars - she had been waiting anxiously for his approval and was profoundly relieved to hear how excited and pleased he was for the couple. The last letter from Evelina to Mr. Villars states that \"this morning, with fearful joy, and trembling gratitude, she united herself for ever with the object of her dearest, her eternal affection!\"", "analysis": "In this last set of letters, it becomes clear that Evelina has successfully navigated the perilous waters of the London social scene, reclaiming her birthright and marrying an extremely eligible man. Moreover, she has done so while retaining her most prized possession - her innocence. This is the novel's primary dramatic conflict: her internal innocence is threatened by a public world characterized by masculine licentiousness and assertiveness. Joanne Cutting-Gray's article on Evelina's innocence offers insight into the novel through a discussion of her namelessness and the act of writing. Evelina has no real name - she is not recognized by her father - and thus can identify herself only by the innocence she is expected to show as a woman. Her name is a diminutive of her mother's last name, which marks her as something of a doll. Almost everyone in the novel is concerned with preserving Evelina's innocence. Mr. Villars warns her in nearly all of the letters of what she will face and how to protect herself. Evelina is, however, not completely a \"tabula rasa of innocence upon which experience is engraved, for she has the reflexive ability to read more than one possible meaning in otherwise socially acceptable behavior.\" She can recognize the bad traits in others and justly condemn them. Further, she is willing to consider a situation's complications. Notice how, before she learns that Lord Orville had not penned the rude letter, she finds herself forgiving him nevertheless. She is willing to consider situations, and not view base behavior as the sum of a person's character. The facade required of women was thus very difficult to maintain: one had to be wise enough to recognize worldliness and stave off men's aggressive advances, but unworldly enough to appear diffident and guileless. Evelina enters a social world where her identity is already limned for her; this requires her to sublimate her own desires, and to allow her reflections to be \"covered over by the veneer of naivete.\" Someone like Sir Clement assumes she merely possesses the latter of the two aforementioned qualities. He only wishes to seduce her, not to marry her, and believes that her guilelessness and naivete will make her an assured victory. That she is strong continually surprises him. Evelina herself tries very diligently to convince everyone that she is powerless and deficient in thought. This unfortunately reduces her potential to further develop as a person; she remains one-dimensional and does not endeavor to be anything except molded by her world. However, as the narrative reveals, \"the Evelina who writes reveals a far more evaluative knowledge of her world than the Evelina she writes about.\" That is, she presents the proper face to society, but in private, is very witty, discriminating, and perceptive. For instance, when Evelina earlier rages over the way the Branghtons secured Lord Orville's carriage, she \"claims her own right to the disclosing as well as concealing power of name and discourse.\" She is clearly frustrated at her role as a nameless female and must assert herself. She must respect her own name, since, as a woman, nobody else will. Throughout the writing of her letters, Evelina discovers meaning and thereby discovers herself. She records what she sees in London, but does much more as well: she learns \"that she is capable of thought and therefore capable of speech.\" The \"persuasive power of her narrative compensates for the confusion and distress that a predetermined innocence causes her,\" Cutting-Gray concludes. She discovers the parallels and patterns in the events that shape the world, and is subsequently able to voice her opinions. As she gathers a greater vocabulary of experience, she gains perspective on events, while always grappling with the perils of innocence. Through writing, she is able to \"share in the composition of her own destiny\" and slough of the role of innocent bystander and passive spectator. The novel's happy ending confirms Evelina's growth, though it does finally reveal some limitations in Burney's perspective of female empowerment. For all of Evelina's personal strength , notice how we rarely hear about deep and witty conversations she has with Lord Orville; instead, she merely mentions to Mr. Villars that such conversations take place. It would perhaps have burst the unbelievable bubble of their relationship to test how a man and woman of their social standing would actually converse. Further, the happy ending is engendered much more by Lord Orville and Mrs. Selwyn than it is by Evelina. She loses agency as a protagonist, and actually relies on other characters to represent her in this final set of letters. The implicit idea is that she has succeeded once she finds a good match, and now she can sit back and let the more masculine forces to orchestrate an appropriate ending."} | <CHAPTER>
LETTER LXXVII. EVELINA IN CONTINUATION.
Clifton, Oct. 7th.
YOU will see, my dear Sir, that I was mistaken in supposing I should
write no more from this place, where my residence now seems more
uncertain than ever.
This morning, during breakfast, Lord Orville took an opportunity to
beg me, in a low voice, to allow him a moment's conversation before
I left Clifton; "May I hope," added he, "that you will stroll into
the garden after breakfast?"
I made no answer, but I believe my looks gave no denial; for, indeed,
I much wished to be satisfied concerning the letter. The moment,
therefore, that I could quit the parlour, I ran up stairs for my
calash; but, before I reached my room, Mrs. Selwyn called after me,
"If you are going to walk, Miss Anville, be so good as to bid Jenny
bring down my hat, and I'll accompany you."
Very much disconcerted, I turned into the drawing-room, without making
any answer, and there I hoped to wait unseen, till she had otherwise
disposed of herself. But, in a few minutes, the door opened, and Sir
Clement Willoughby entered.
Starting at the sight of him, in rising hastily, I let drop the letter
which I had brought for Lord Orville's inspection, and, before I could
recover it, Sir Clement, springing forward, had it in his hand. He
was just presenting it to me, and, at the same time, enquiring after
my health, when the signature caught his eye, and he read aloud,
"Orville."
I endeavoured, eagerly, to snatch it from him, but he would not permit
me; and, holding it fast, in a passionate manner exclaimed, "Good God,
Miss Anville, is it possible you can value such a letter as this?"
The question surprised and confounded me, and I was too much ashamed to
answer him; but, finding he made an attempt to secure it, I prevented
him, and vehemently demanded him to return it.
"Tell me first," said he, holding it above my reach, "tell me if you
have since received any more letters from the same person?"
"No, indeed," cried I, "never!"
"And will you also, sweetest of women, promise that you never will
receive any more? Say that, and you will make me the happiest of men."
"Sir Clement," cried I, greatly confused, "pray give me the letter."
"And will you not first satisfy my doubts?-will you not relieve me
from the torture of the most distracting suspense?-tell me but that
the detested Orville has written to you no more!"
"Sir Clement," cried I, angrily, "you have no right to make any
conditions,-so pray give me the letter directly."
"Why such solicitude about this hateful letter? can it possibly
deserve your eagerness? tell me, with truth, with sincerity tell me,
does it really merit the least anxiety?"
"No matter, Sir," cried I, in great perplexity, "the letter is mine,
and therefore-"
"I must conclude, then," said he, "that the letter deserves your
utmost contempt,-but that the name of Orville is sufficient to make
you prize it."
"Sir Clement," cried I, colouring, "you are quite-you are very much-the
letter is not-"
"O, Miss Anville," cried he, "you blush!-you stammer!-Great Heaven! it
is then all as I feared!"
"I know not," cried I, half-frightened, "what you mean; but I beseech
you to give me the letter, and to compose yourself."
"The letter," cried he, gnashing his teeth, "you shall never see
more! You ought to have burnt it the moment you had read it!" And in
an instant he tore it into a thousand pieces.
Alarmed at a fury so indecently outrageous, I would have run out of
the room; but he caught hold of my gown, and cried, "Not yet, not yet
must you go! I am but half-mad yet, and you must stay to finish your
work. Tell me, therefore, does Orville know your fatal partiality?-Say
yes," added he, trembling with passion, "and I will fly you for ever!"
"For Heaven's sake, Sir Clement," cried I, "release me!-if you do not,
you will force me to call for help."
"Call then," cried he, "inexorable and most unfeeling girl; call,
if you please, and bid all the world witness your triumph;-but could
ten worlds obey your call, I would not part from you till you had
answered me. Tell me, then, does Orville know you love him?"
At any other time, an enquiry so gross would have given me
inexpressible confusion; but now, the wildness of his manner terrified
me, and I only said, "Whatever you wish to know, Sir Clement, I will
tell you another time; but, for the present, I entreat you to let
me go!"
"Enough," cried he, "I understand you!-the art of Orville has
prevailed;-cold, inanimate, phlegmatic as he is, you have rendered
him the most envied of men!-One thing more, and I have done:-Will he
marry you?"
What a question! my cheeks glowed with indignation, and I felt too
proud to make any answer.
"I see, I see how it is," cried he, after a short pause, "and I
find I am undone for ever!" Then, letting loose my gown, he put his
hand to his forehead, and walked up and down the room in a hasty and
agitated manner.
Though now at liberty to go, I had not the courage to leave him:
for his evident distress excited all my compassion. And this was our
situation, when Lady Louisa, Mr Coverley, and Mrs. Beaumont entered
the room.
"Sir Clement Willoughby," said the latter, "I beg your pardon for
making you wait so long, but-"
She had not time for another word; Sir Clement, too much disordered to
know or care what he did, snatched up his hat, and, brushing hastily
past her, flew down stairs, and out of the house.
And with him went my sincerest pity, though I earnestly hope I shall
see him no more. But what, my dear Sir, am I to conclude from his
strange speeches concerning the letter? Does it not seem as if he was
himself the author of it? How else should he be so well acquainted
with the contempt it merits? Neither do I know another human being
who could serve any interest by such a deception. I remember, too,
that just as I had given my own letter to the maid, Sir Clement came
into the shop: probably he prevailed upon her, by some bribery, to
give it to him; and afterwards, by the same means, to deliver to me an
answer of his own writing. Indeed I can in no other manner account for
this affair. Oh, Sir Clement, were you not yourself unhappy, I know not
how I could pardon an artifice that has caused me so much uneasiness!
His abrupt departure occasioned a kind of general consternation.
"Very extraordinary behavior this!" cried Mrs. Beaumont.
"Egad," said Mr. Coverley, "the baronet has a mind to tip us a touch
of the heroics this morning!"
"I declare," cried Miss Louisa, "I never saw any thing so monstrous
in my life! it's quite abominable;-I fancy the man's mad;-I'm sure
he has given me a shocking fright!"
Soon after, Mrs. Selwyn came up stairs with Lord Merton. The former,
advancing hastily to me, said, "Miss Anville, have you an almanack?"
"Me?-no, Madam."
"Who has one, then?"
"Egad," cried Mr. Coverley, "I never bought one in my life; it would
make me quite melancholy to have such a time-keeper in my pocket. I
would as soon walk all day before an hour-glass."
"You are in the right," said Mrs. Selwyn, "not to watch time, lest
you should be betrayed, unawares, into reflecting how you employ it."
"Egad, Ma'am," cried he, "if Time thought no more of me than I do of
Time, I believe I should bid defiance, for one while, to old age and
wrinkles; for deuce take me, if ever I think about it at all."
"Pray, Mr. Coverley," said Mrs. Selwyn, "why do you think it necessary
to tell me this so often?"
"Often!" repeated he; "Egad, Madam, I don't know why I said it now;-but
I'm sure I can't recollect that ever I owned as much before."
"Owned it before!" cried she, "why, my dear Sir, you own it all day
long; for every word, every look, every action proclaims it."
I now not if he understood the full severity of her satire, but he
only turned off with a laugh: and she then applied to Mr. Lovel,
and asked if he had an almanack?
Mr. Lovel, who always looks alarmed when she addresses him, with
some hesitation answered, "I assure you, Ma'am, I have no manner of
antipathy to an almanack,-none in the least,-I assure you;-I dare
say I have four or five."
"Four or five!-pray, may I ask what use you make of so many?"
"Use!-really, Ma'am, as to that,-I don't make any particular use of
them; but one must have them, to tell one the day of the month:-I'm
sure, else I should never keep it in my head."
"And does your time pass so smoothly unmarked, that, without an
almanack, you could not distinguish one day from another?"
"Really, Ma'am," cried he, colouring, "I don't see anything so
very particular in having a few almanacks; other people have them,
I believe, as well as me."
"Don't be offended," cried she, "I have but made a little
digression. All I want to know is, the state of the moon;-for if it
is at the full, I shall be saved a world of conjectures, and know at
once to what cause to attribute the inconsistencies I have witnessed
this morning. In the first place, I heard Lord Orville excuse himself
from going out, because he had business of importance to transact at
home;-yet have I seen him sauntering alone in the garden this half
hour. Miss Anville, on the other hand, I invited to walk out with
me; and, after seeking her every where round the house, I find her
quietly seated in the drawing-room. And, but a few minutes since,
Sir Clement Willoughby, with even more than his usual politeness,
told me he was come to spend the morning here;-when, just now,
I met him flying down stairs, as if pursued by the Furies; and far
from repeating his compliments, or making any excuse, he did not even
answer a question I asked him, but rushed past me, with the rapidity
of a thief from a bailiff!"
"I protest," said Mrs. Beaumont, "I can't think what he meant; such
rudeness, from a man of any family, is quite incomprehensible."
"My Lord," cried Lady Louisa to Lord Merton, "do you know he did the
same by me?-I was just going to ask him what was the matter; but he
ran past me so quick, that I declare he quite dazzled my eyes. You
can't think, my Lord, how he frightened me; I dare say I look as
pale-don't I look very pale, my Lord?"
"Your Ladyship," said Mr. Lovel, "so well becomes the lilies, that
the roses might blush to see themselves so excelled."
"Pray, Mr. Lovel," said Mrs. Selwyn," if the roses should blush,
how would you find it out?"
"Egad," cried Mr. Coverley, "I suppose they must blush, as the saying
is, like a blue dog,-for they are red already."
"Prithee, Jack," said Lord Merton, "don't you pretend to talk about
blushes, that never knew what they were in your life."
"My Lord," said Mrs. Selwyn, "if experience alone can justify
mentioning them, what an admirable treatise upon the subject may we
not expect from your Lordship!"
"O, pray, Ma'am," answered he, "stick to Jack Coverley,-he's your only
man; for my part, I confess I have a mortal aversion to arguments."
"O, fie, my Lord," cried Mrs. Selwyn, "a senator of the nation! a
member of the noblest parliament in the world!-and yet neglect the
art of oratory!"
"Why, faith, my Lord," said Mr. Lovel, "I think, in general, your House
is not much addicted to study; we of the Lower House have indubitably
most application; and, if I did not speak before a superior power
(bowing to Lord Merton) I should presume to add, we have likewise
the most able speakers."
"Mr. Lovel," said Mrs. Selwyn, "you deserve immortality for that
discovery! But for this observation, and the confession of Lord
Merton, I protest that I should have supposed that a peer of the realm,
and an able logician, were synonymous terms."
Lord Merton, turning upon his heel, asked Lady Louisa if she would
take the air before dinner?
"Really," answered she, "I don't know;-I'm afraid it's monstrous
hot; besides (putting her hand to her forehead) I an't half well;
it's quite horrid to have such weak nerves!-the least thing in the
world discomposes me: I declare, that man's oddness has given me such
a shock,-I don't know when I shall recover from it. But I'm a sad,
weak creature;-don't you think I am, my Lord?"
"O, by no means," answered he, "your Ladyship is merely delicate,-and
devil take me if ever I had the least passion for an Amazon."
"I have the honour to be quite of your Lordship's opinion," said
Mr. Lovel, looking maliciously at Mrs. Selwyn; "for I have an
insuperable aversion to strength, either of body or mind, in a female."
"Faith, and so have I," said Mr. Coverley; "for egad, I'd as soon
see a woman chop wood, as hear her chop logic."
"So would every man in his senses," said Lord Merton, "for a
woman wants nothing to recommend her but beauty and good-nature; in
everything else she is either impertinent or unnatural. For my part,
deuce take me if ever I wish to hear a word of sense from a woman as
long as I live!"
"It has always been agreed," said Mrs. Selwyn, looking round her with
the utmost contempt, "that no man ought to be connected with a woman
whose understanding is superior to his own. Now I very much fear,
that to accommodate all this good company, according to such a rule,
would be utterly impracticable, unless we should choose subjects from
Swift's hospital of idiots."
How many enemies, my dear Sir, does this unbounded severity
excite! Lord Merton, however, only whistled; Mr. Coverley sang; and
Mr. Lovel, after biting his lips, said "'Pon honour, that lady-if
she was not a lady-I should be half tempted to observe,-that there
is something,-in such severity,-that is rather, I must say,-rather
oddish."
Just then a servant brought Lady Louisa a note upon a waiter, which
is a ceremony always used to her Ladyship; and I took the opportunity
of this interruption to the conversation to steal out of the room.
I went immediately to the parlour, which I found quite empty; for I
did not dare walk in the garden, after what Mrs. Selwyn had said.
In a few minutes a servant announced Mr. Macartney; saying, as he
entered the room, that he would acquaint Lord Orville he was there.
Mr. Macartney rejoiced much at finding me alone. He told me he had
taken the liberty to enquire for Lord Orville, by way of pretext for
coming to the house.
I then very eagerly enquired if he had seen his father.
"I have, Madam," said he, "and the generous compassion you have shown
made me hasten to acquaint you, that, upon reading my unhappy mother's
letter, he did not hesitate to acknowledge me."
"Good God," cried I, with no little emotion, "how similar are our
circumstances! And did he receive you kindly?"
"I could not, Madam, expect that he would; the cruel, transaction,
which obliged me to fly to Paris, was recent in his memory."
"And,-have you seen the young lady?"
"No, Madam," said he, mournfully, "I was forbid her sight."
"Forbid her sight!-and why?"
"Partly, perhaps, from prudence,-and partly from the remains of a
resentment which will not easily subside. I only requested leave
to acquaint her with my relationship, and to be allowed to call her
sister;-but it was denied me! 'You have no sister,' said Sir John,
'you must forget her existence.' Hard and vain command!"
"You have-you have a sister!" cried I, from an impulse of pity, which
I could not repress; "a sister who is most warmly interested in your
welfare, and who only wants opportunity to manifest her friendship
and regard."
"Gracious Heaven!" cried he, "what does Miss Anville mean?"
"Anville," said I, "is not my real name; Sir John Belmont is my
father,-he is your's,-and I am your sister!-You see, therefore, the
claim we mutually have to each other's regard; we are not merely bound
by the ties of friendship, but by those of blood. I feel for you,
already, all the affection of a sister; I felt it, indeed, before
I knew I was one.-Why, my dear brother, do you not speak?-do you
hesitate to acknowledge me?"
"I am so lost in astonishment," cried he, "that I know not if I
hear right!"-
"I have, then, found a brother," cried I, holding out my hand,
"and he will not own me!"
"Own you!-Oh, Madam," cried he, accepting my offered hand, "is it
indeed possible you can own me? -a poor, wretched adventurer! who so
lately had no support but from your generosity?-whom your benevolence
snatched from utter destruction?-Can you,-Oh, Madam, can you, indeed,
and without a blush, condescend to own such an outcast for a brother?"
"Oh, forbear, forbear," cried I, "is this language proper for a
sister? are we not reciprocally bound to each other?-Will you not
suffer me to expect from you all the good offices in your power?-But
tell me, where is our father at present?"
"At the Hot-Wells, Madam; he arrived there yesterday morning."
I would have proceeded with further questions, but the entrance of
Lord Orville prevented me. The moment he saw us, he started, and
would have retreated; but, drawing my hand from Mr. Macartney's,
I begged him to come in.
For a few moments we were all silent, and, I believe, all in equal
confusion. Mr. Macartney, however, recollecting himself said "I hope
your Lordship will forgive the liberty I have taken in making use of
your name."
Lord Orville, rather coldly, bowed, but said nothing.
Again we were all silent, and then Mr. Macartney took leave.
"I fancy," said Lord Orville, when he was gone, "I have shortened Mr.
Macartney's visit?"
"No, my Lord, not at all."
"I had presumed," said he, with some hesitation, "I should have seen
Miss Anville in the garden;-but I knew not she was so much better
engaged."
Before I could answer, a servant came to tell me the chaise was ready,
and that Mrs. Selwyn was enquiring for me.
"I will wait on her immediately," cried I, and away I was running;
but Lord Orville, stopping me, said, with great emotion, "Is it thus,
Miss Anville, you leave me?"
"My Lord," cried I, "how can I help it?-perhaps, soon, some better
opportunity may offer-"
"Good Heaven!" cried he, "do you take me for a Stoic! what better
opportunity may I hope for?-is not the chaise come?-are you not
going? have you even deigned to tell me whither?"
"My journey, my Lord, will now be deferred. Mr. Macartney has brought
me intelligence which renders it at present unnecessary."
"Mr. Macartney," said he, gravely, "seems to have great influence;-yet
he is a very young counsellor."
"Is it possible, my Lord, Mr. Macartney can give you the least
uneasiness?"
"My dearest Miss Anville," said he, taking my hand, "I see, and I
adore the purity of your mind, superior as it is to all little arts,
and all apprehensions of suspicion; and I should do myself, as well as
you, injustice, if I were capable of harbouring the smallest doubts of
that goodness which makes you mine forever: nevertheless, pardon me,
if I own myself surprised,-nay, alarmed, at these frequent meetings
with so young a man as Mr. Macartney."
"My Lord," cried I, eager to clear myself, "Mr. Macartney is my
brother."
"Your brother! you amaze me!-What strange mystery, then, makes his
relationship a secret?"
Just then Mrs. Selwyn opened the door. "O, you are here!" cried she:
"Pray, is my Lord so kind as to assist you in preparing for your
journey, or in retarding it?"
"I should be most happy," said Lord Orville, smiling, "if it were in
my power to do the latter."
I then acquainted her with Mr. Macartney's communication.
She immediately ordered the chaise away: and then took me into her
own room, to consider what should be done.
A few minutes sufficed to determine her; and she wrote the following
note.
"To Sir John Belmont, Bart."
"MRS. SELWYN presents her compliments to Sir John Belmont;
and, if he is at leisure, will be glad to wait on him this
morning, upon business of importance."
She then ordered her man to enquire at the pump-room for a direction;
and went herself to Mrs. Beaumont to apologize for deferring her
journey.
An answer was presently returned, that Sir John would be glad to
see her.
She would have had me immediately accompany her to the Hot-Wells; but
I entreated her to spare me the distress of so abrupt an introduction,
and to pave the way for my reception. She consented rather reluctantly,
and, attended only by her servant, walked to the Wells.
She was not absent two hours; yet so miserably did time seem to
linger, that I thought a thousand accidents had happened, and feared
she would never return. I passed the whole time in my own room,
for I was too much agitated even to converse with Lord Orville.
The instant that, from my window, I saw her returning, I flew down
stairs, and met her in the garden.
We both walked to the arbour.
Her looks, in which both disappointment and anger were expressed,
presently announced to me the failure of her embassy. Finding that
she did not speak, I asked her, in a faltering voice, whether or not
I had a father?
"You have not, my dear!" said she abruptly.
"Very well, Madam," said I, with tolerable calmness, "let the chaise
then be ordered again;-I will go to Berry Hill;-and there, I trust,
I shall still find one!"
It was some time ere she could give, or I could hear, the account of
her visit; and then she related it in a hasty manner; yet, I believe
I can recollect every word.
"I found Sir John alone. He received me with the utmost politeness. I
did not keep him a moment in suspense as to the purport of my
visit. But I had no sooner made it known, than, with a supercilious
smile, he said, 'And have you, Madam, been prevailed upon to revive
that ridiculous old story?' Ridiculous, I told him, was a term which
he would find no one else do him the favour to make use of, in speaking
of the horrible actions belonging to the old story he made so light of;
'actions' continued I, 'which would dye still deeper the black annals
of Nero or Caligula.' He attempted in vain to rally; for I pursued him
with all the severity in my power, and ceased not painting the enormity
of his crime till I stung him to the quick, and, in a voice of passion
and impatience, he said, 'No more, Madam,-this is not a subject upon
which I need a monitor.' 'Make then,' cried I, 'the only reparation
in your power.-Your daughter is now at Clifton; send for her hither;
and, in the face of the world, proclaim the legitimacy of her birth,
and clear the reputation of your injured wife.' 'Madam,' said he,
'you are much mistaken, if you suppose I waited for the honour of this
visit before I did what little justice now depends upon me, to the
memory of that unfortunate woman: her daughter has been my care from
her infancy; I have taken her into my house; she bears my name; and
she will be my sole heiress.' For some time this assertion appeared
so absurd, that I only laughed at it: but, at last, he assured me,
I had myself been imposed upon; for that very woman who attended
Lady Belmont in her last illness, conveyed the child to him while
he was in London, before she was a year old. 'Unwilling,' he added,
'at that time to confirm the rumour of my being married, I sent the
woman with the child to France: as soon as she was old enough, I put
her into a convent, where she has been properly educated, and now
I have taken her home. I have acknowledged her for my lawful child,
and paid, at length, to the memory of her unhappy mother a tribute
of fame, which has made me wish to hide myself hereafter from all
the world.' This whole story sounded so improbable, that I did not
scruple to tell him I discredited every word. He then rung his bell;
and, enquiring if his hair-dresser was come, said he was sorry to
leave me; but that, if I would favour him with my company to-morrow,
he would do himself the honour of introducing Miss Belmont to me,
instead of troubling me to introduce her to him. I rose in great
indignation; and assuring him I would make his conduct as public as
it was infamous-I left the house."
Good Heaven, how strange the recital! how incomprehensible an
affair! The Miss Belmont then who is actually at Bristol, passes
for the daughter of my unhappy mother!-passes, in short, for your
Evelina! Who she can be, or what this tale can mean, I have not
any idea.
Mrs. Selwyn soon after left me to my own reflections. Indeed they were
not very pleasant. Quietly as I had borne her relation, the moment
I was alone I felt most bitterly both the disgrace and sorrow of a
rejection so cruelly inexplicable.
I know not how long I might have continued in this situation, had
I not been awakened from my melancholy reverie by the voice of Lord
Orville. "May I come in," cried he, "or shall I interrupt you?"
I was silent, and he seated himself next me.
"I fear," he continued, "Miss Anville will think I persecute her:
yet so much as I have to say, and so much as I wish to hear, with so
few opportunities for either, she cannot wonder-and I hope she will
not be offended-that I seize with such avidity every moment in my
power to converse with her. You are grave," added he, taking my hand;
"I hope the pleasure it gives to me, will not be a subject of pain to
you? -You are silent!-Something, I am sure, has afflicted you:-would
to Heaven I were able to console you!-Would to Heaven I were worthy
to participate in your sorrows!"
My heart was too full to bear this kindness, and I could only answer by
my tears. "Good Heaven," cried he, "how you alarm me!-My love, my sweet
Miss Anville, deny me no longer to be the sharer of your griefs!-tell
me, at least, that you have not withdrawn your esteem!-that you do
not repent the goodness you have shown me!-that you still think me
the same grateful Orville, whose heart you have deigned to accept!"
"Oh, my Lord," cried I, "your generosity overpowers me!" And I wept
like an infant. For now, that all my hopes of being acknowledged
seemed finally crushed, I felt the nobleness of his disinterested
regard so forcibly, that I could scarce breathe under the weight of
gratitude which oppressed me.
He seemed greatly shocked; and, in terms the most flattering, the
most respectfully tender, he at once soothed my distress, and urged
me to tell him its cause.
"My Lord," said I, when I was able to speak, "you little know what
an outcast you have honoured with your choice!-a child of bounty,-an
orphan from infancy,-dependant, even for subsistence, dependent, upon
the kindness of compassion!-Rejected by my natural friends,-disowned
for ever by my nearest relation,-Oh, my Lord, so circumstanced,
can I deserve the distinction with which you honour me? No, no,
I feel the inequality too painfully;-you must leave me, my Lord;
you must suffer me to return to obscurity; and there, in the bosom
of my first, best, my only friend,-I will pour forth all the grief
of my heart!-while you, my Lord, must seek elsewhere-"
I could not proceed; my whole soul recoiled against the charge I
would have given, and my voice refused to utter it.
"Never," cried he, warmly, "my heart is your's, and I swear to you an
attachment eternal!-You prepare me, indeed, for a tale of horror, and
I am almost breathless with expectation;-but so firm is my conviction,
that, whatever are your misfortunes, to have merited them is not of the
number, that I feel myself more strongly, more invincibly devoted to
you than ever!-Tell me but where I may find this noble friend, whose
virtues you have already taught me to reverence,-and I will fly to
obtain his consent and intercession, that henceforward our fates my be
indissolubly united;-and then shall it be the sole study of my life to
endeavor to soften your past,-and guard you from future misfortunes!"
I had just raised my eyes to answer this most generous of men, when
the first object they met was Mrs. Selwyn.
"So, my dear," cried she, "what, still courting the rural shades!-I
thought ere now you would have been satiated with this retired seat,
and I have been seeking you all over the house. But I find the
only way to meet with you,-is to enquire for Lord Orville. However,
don't let me disturb your meditation; you are possibly planning some
pastoral dialogue."
And, with this provoking speech, she walked on.
In the greatest confusion I was quitting the arbour, when Lord Orville
said, "Permit me to follow Mrs. Selwyn;-it is time to put an end to
all impertinent conjectures; will you allow me to speak to her openly?"
I assented in silence, and he left me.
I then went to my own room, where I continued till I was summoned to
dinner; after which, Mrs. Selwyn invited me to hers.
The moment she had shut the door, "Your Ladyship'" said she, "will,
I hope, be seated."
"Ma'am!" cried I, staring.
"O the sweet innocent! So you don't know what I mean?-but, my dear,
my sole view is to accustom you a little to your dignity elect, lest,
when you are addressed by your title, you should look another way, from
an apprehension of listening to a discourse not meant for you to hear."
Having, in this manner, diverted herself with my confusion, till her
raillery was almost exhausted, she congratulated me very seriously
upon the partiality of Lord Orville, and painted to me, in the
strongest terms, his disinterested desire of being married to me
immediately. She had told him, she said, my whole story, and yet
he was willing, nay eager, that our union should take place of any
further application to my family. "Now, my dear," continued she,
"I advise you by all means to marry him directly; nothing can be
more precarious than our success with Sir John; and the young men of
this age are not to be trusted with too much time for deliberation,
where their interests are concerned."
"Good God, Madam," cried I, "do you think I would hurry Lord Orville?"
"Well, do as you will," said she, "luckily you have an excellent
subject for Quixotism;-otherwise this delay might prove your ruin;
but Lord Orville is almost as romantic as if he had been born and
bred at Berry Hill."
She then proposed, as no better expedient seemed likely to be
suggested, that I should accompany her at once in her visit to the
Hot-Wells to-morrow morning.
The very idea made me tremble; yet she represented so strongly the
necessity of pursuing this unhappy affair with spirit, or giving it
totally up, that, wanting her force of argument, I was almost obliged
to yield to her proposal.
In the evening we all walked in the garden; and Lord Orville, who
never quitted my side, told me he had been listening to a tale, which
though it had removed the perplexities that had so long tormented him,
had penetrated him with sorrow and compassion. I acquainted him with
Mrs. Selwyn's plan for to-morrow, and confessed the extreme terror
it gave me. He then, in a manner almost unanswerable, besought me
to leave to him the conduct of the affair, by consenting to be his
before an interview took place.
I could not but acknowledge my sense of his generosity; but I told him
I was wholly dependent upon you; and that I was certain your opinion
would be the same as mine; which was, that it would be highly improper
I should dispose of myself for ever, so very near the time which must
finally decide by whose authority I ought to be guided. The subject of
this dreaded meeting, with the thousand conjectures and apprehensions
to which it gives birth, employed all our conversation then, as it
has all my thoughts since.
Heaven only knows how I shall support myself, when the long
expected-the wished-yet terrible moment arrives, that will prostrate
me at the feet of the nearest, the most reverenced of all relations,
whom my heart yearns to know, and longs to love!
</CHAPTER>
<CHAPTER>
LETTER LXXVIII. EVELINA IN CONTINUATION.
Oct. 9th.
I COULD not write yesterday, so violent was the agitation of my
mind;-but I will not, now, lose a moment till I have hastened to
my best friend an account of the transactions of a day I can never
recollect without emotion.
Mrs. Selwyn determined upon sending no message, "Lest," said she,
"Sir John, fatigued with the very idea of my reproaches, should
endeavour to avoid a meeting. He cannot but see who you are, whether
he will do you justice or not."
We went early, and in Mrs. Beaumont's chariot; into which Lord Orville,
uttering words of the kindest encouragement, handed us both.
My uneasiness, during the ride, was excessive; but, when we stopped at
the door, I was almost senseless with terror! the meeting, at last,
was not so dreadful as that moment! I believe I was carried into
the house; but I scarce recollect what was done with me: however,
I know we remained some time in the parlour before Mrs. Selwyn could
send any message up stairs.
When I was somewhat recovered, I intreated her to let me return home,
assuring her I felt myself quite unequal to supporting the interview.
"No," said she; "you must stay now: your fears will but gain strength
by delay; and we must not have such a shock as this repeated." Then,
turning to the servant, she sent up her name.
An answer was brought, that he was going out in great haste, but
would attend her immediately. I turned so sick, that Mrs. Selwyn was
apprehensive I should have fainted; and, opening a door which led to
an inner apartment, she begged me to wait there till I was somewhat
composed, and till she had prepared for my reception.
Glad of every moment's reprieve, I willingly agreed to the proposal;
and Mrs. Selwyn had but just time to shut me in, before her presence
was necessary.
The voice of a father -Oh, dear and revered name!-which then, for the
first time, struck my ears, affected me in a manner I cannot describe,
though it was only employed in giving orders to a servant as he came
down stairs.
Then, entering the parlour, I heard him say, "I am sorry, Madam,
I made you wait; but I have an engagement which now calls me away:
however, if you have any commands for me, I shall be glad of the
honour of your company some other time."
"I am come, Sir," said Mrs. Selwyn, "to introduce your daughter
to you."
"I am infinitely obliged to you," answered he; "but I have just had
the satisfaction of breakfasting with her. Ma'am, your most obedient."
"You refuse, then, to see her?"
"I am much indebted to you, Madam, for this desire of increasing
my family; but you must excuse me if I decline taking advantage of
it. I have already a daughter, to whom I owe everything; and it is
not three days since that I had the pleasure of discovering a son: how
many more sons and daughters may be brought to me, I am yet to learn;
but I am already perfectly satisfied with the size of my family."
"Had you a thousand children, Sir John," said Mrs. Selwyn, "this
only one, of which Lady Belmont was the mother, ought to be most
distinguished; and, far from avoiding her sight, you should thank your
stars, in humble gratitude, that there yet remains in your power the
smallest opportunity of doing the injured wife you have destroyed,
the poor justice of acknowledging her child!"
"I am very unwilling, Madam," answered he, "to enter into any
discussion of this point; but you are determined to compel me to
speak. There lives not at this time the human being, who should
talk to me of the regret due to the memory of that ill-fated woman;
no one can feel it so severely as myself; but let me, nevertheless,
assure you, I have already done all that remained in my power to
prove the respect she merited from me: her child I have educated,
and owned for my lawful heiress: if, madam, you can suggest to me
any other means by which I may more fully do her justice, and more
clearly manifest her innocence, name them to me; and, though they
should wound my character still deeper, I will perform them readily."
"All this sounds vastly well," returned Mrs. Selwyn; "but I must own
it is rather too enigmatical for my faculties of comprehension. You
can, however, have no objection to seeing this young lady."
"None in the world."
"Come forth, then, my dear," cried she, opening the door; "come forth
and see your father!" Then, taking my trembling hand, she led me
forward. I would have withdrawn it and retreated; but, as he advanced
instantly towards me, I found myself already before him.
What a moment for your Evelina-an involuntary scream escaped me, and,
covering my face with my hands, I sunk on the floor.
He had, however, seen me first; for, in a voice scarce articulate,
he exclaimed, "My God! does Caroline Evelyn still live!"
Mrs. Selwyn said something, but I could not listen to her; and in a
few minutes he added, "Lift up thy head-if my sight has not blasted
thee!-lift up thy head, thou image of my long lost Caroline!"
Affected beyond measure, I half arose, and embraced his knees, while
yet on my own.
"Yes, yes," cried he, looking earnestly in my face, "I see, I see thou
art her child! she lives-she breathes,-she is present to my view!-Oh,
God, that she indeed lived!-Go, child, go," added he, wildly starting,
and pushing me from him: "take her away, Madam,-I cannot bear to look
at her!" And then, breaking hastily from me, he rushed out of the room.
Speechless, motionless myself, I attempted not to stop him; but
Mrs. Selwyn,
hastening after him, caught hold of his arm: "Leave me, Madam," cried
he, with quickness, "and take care of the poor child:-bid her not
think me unkind; tell her, I would at this moment plunge a dagger in
my heart to serve her: but she has set my brain on fire; and I can see
her no more!" Then, with a violence almost frantic, he ran up stairs.
Oh, Sir, had I not indeed cause to dread this interview?-an
interview so
unspeakably painful and afflicting to us both! Mrs. Selwyn would have
immediately returned to Clifton; but I entreated her to wait some time,
in the hope that my unhappy father, when his first emotion was over,
would again bear me in his sight. However, he soon after sent his
servant to enquire how I did; and to tell Mrs. Selwyn he was much
indisposed, but would hope for the honour of seeing her to-morrow,
at any time she would please to appoint.
She fixed upon ten o'clock in the morning; and then, with a heavy
heart, I
got into the chariot. Those afflicting words, I can see her no
more! were never a moment absent from my mind.
Yet the sight of Lord Orville, who handed us from the carriage,
gave some
relief to the sadness of my thoughts. I could not, however, enter
upon the painful subject; but, begging Mrs. Selwyn to satisfy him,
I went to my own room.
As soon as I communicated to the good Mrs. Clinton the present
situation of
my affairs, an idea occurred to her which seemed to clear up all the
mystery of my having been so long disowned.
The woman, she says, who attended my ever-to-be-regretted mother in
her last
illness, and who nursed me the first four months of my life, soon
after being discharged from your house, left Berry Hill entirely,
with her baby, who was but six weeks older than myself. Mrs. Clinton
remembers, that her quitting the place appeared, at the time, very
extraordinary to the neighbours; but, as she was never heard of
afterwards, she was by degrees quite forgotten.
The moment this was mentioned, it struck Mrs. Selwyn, as well as
Mrs. Clinton
herself, that my father had been imposed upon; and that the nurse, who
said she had brought his child to him, had, in fact, carried her own.
The name by which I was known, the secrecy observed in regard to
my family,
and the retirement in which I lived, all conspired to render this
scheme, however daring and fraudulent, by no means impracticable; and,
in short, the idea was no sooner started, than conviction seemed to
follow it.
Mrs. Selwyn determined immediately to discover the truth or mistake
of this
conjecture; therefore, the moment she had dined, she walked to the
Hot Wells, attended by Mrs. Clinton.
I waited in my room till her return; and then heard the following
account of
her visit:
She found my poor father in great agitation. She immediately informed
him of
the occasion of her so speedy return, and of her suspicions of the
woman who had pretended to convey to him his child. Interrupting her
with quickness, he said he had just sent her from his presence; that
the certainty I carried in my countenance of my real birth, made him,
the moment he had recovered from a surprise which had almost deprived
him of reason, suspect, himself, the imposition she mentioned. He
had therefore sent for the woman, and questioned her with the utmost
austerity; she turned pale, and was extremely embarrassed; but still
she persisted in affirming, that she had really brought him the
daughter of Lady Belmont. His perplexity, he said, almost distracted
him: he had always observed, that his daughter bore no resemblance
to either of her parents; but, as he had never doubted the veracity
of the nurse, this circumstance did not give birth to any suspicion.
At Mrs. Selwyn's desire, the woman was again called, and interrogated
with
equal art and severity; her confusion was evident, and her answers
often contradictory; yet she still declared she was no impostor. "We
will see that in a minute," said Mrs. Selwyn; and then desired
Mrs. Clinton might be called up stairs. The poor wretch, changing
colour, would have escaped out of the room; but, being prevented,
dropt on her knees, and implored forgiveness. A confession of the
whole affair was then extorted from her.
Doubtless, my dear Sir, you must remember Dame Green, who was my
first nurse.
The deceit she has practised was suggested, she says, by a conversation
she overheard; in which my unhappy mother besought you, that, if her
child survived her, you would take the sole care of its education;
and, in particular, if it should be a female, you would by no means
part with her in early life. You not only consented, she says, but
assured her you would even retire abroad with me yourself, if my
father should importunately demand me. Her own child, she said,
was then in her arms; and she could not forbear wishing it were
possible to give her the fortune which seemed so little valued for
me. This wish once raised was not easily suppressed; on the contrary,
what at first appeared a mere idle desire, in a short time seemed
a feasible scheme. Her husband was dead, and she had little regard
for any body but her child; and, in short, having saved money for
the journey, she contrived to enquire a direction to my father;
and, telling her neighbours she was going to settle in Devonshire,
she set out on her expedition.
When Mrs. Selwyn asked her how she dared perpetrate such a fraud, she
protested she had no ill designs; but that, as Miss would be never
the worse for it, she thought it pity nobody should be the better.
Her success we are already acquainted with. Indeed everything
seemed to
contribute towards it: my father had no correspondent at Berry Hill;
the child was instantly sent to France; where, being brought up in
as much retirement as myself, nothing but accident could discover
the fraud.
And here let me indulge myself in observing, and rejoicing to
observe, that
the total neglect I thought I met with was not the effect of
insensibility or unkindness, but of imposition and error; and that,
at the very time we concluded I was unnaturally rejected, my deluded
father meant to show me most favour and protection.
He acknowledges that Lady Howard's letter flung him into some
perplexity: he
immediately communicated it to Dame Green, who confessed it was
the greatest shock she had ever received in her life; yet she had
the art and boldness to assert, that Lady Howard must herself have
been deceived: and as she had, from the beginning of her enterprise,
declared she had stolen away the child without your knowledge, he
concluded that some deceit was then intended him; and this thought
occasioned his abrupt answer.
Dame Green owned, that, from the moment the journey to England
was settled,
she gave herself up for lost. All her hope was to have had her
daughter married before it took place; for which reason she had so
much promoted Mr. Macartney's addresses; for though such a match was
inadequate to the pretensions of Miss Belmont, she well knew it was
far superior to those her daughter could form after the discovery of
her birth.
My first enquiry was, if this innocent daughter was yet acquainted
with the
affair? "No," Mrs. Selwyn said; nor was any plan settled how to divulge
it to her. Poor unfortunate girl! how hard is her fate! She is entitled
to my kindest offices, and I shall always consider her as my sister.
I then asked whether my father would again allow me to see him!
"Why, no, my dear, not yet," answered she; "he declares the sight
of you is
too much for him: however, we are to settle everything concerning
you to-morrow; for this woman took up all our time to-day."
This morning, therefore, she is again gone to the Hot Wells. I am
waiting in
all impatience for her return; but, as I know you will be anxious
for the account this letter contains, I will not delay sending it.
</CHAPTER>
<CHAPTER>
LETTER LXXIX. EVELINA IN CONTINUATION.
October 9th.
HOW agitated, my dear Sir, is the present life of your Evelina! every
day
seems important, and one event only a prelude to another.
Mrs. Selwyn, upon her return this morning from the Hot Wells,
entering my
room very abruptly, said, "Oh, my dear, I have terrible news for you!"
"For me, Ma'am!-Good God! what now?"
"Arm yourself," cried she, "with all your Berry Hill philosophy;-con
over
every lesson of fortitude or resignation you ever learnt in your
life;-for know,-you are next week to be married to Lord Orville!"
Doubt, astonishment, and a kind of perturbation I cannot describe,
made this
abrupt communication alarm me extremely; and, almost breathless,
I could only exclaim, "Good God, Madam, what do you tell me!"
"You may well be frightened, my dear," said she, ironically;
"for really
there is something mighty terrific in becoming, at once, the wife of
the man you adore,-and a Countess!"
I entreated her to spare her raillery, and tell me her real
meaning. She
could not prevail with herself to grant the first request, though
she readily complied with the second.
My poor father, she said, was still in the utmost uneasiness: he
entered upon
his affairs with great openness, and told her, he was equally
disturbed how to dispose either of the daughter he had discovered,
or the daughter he was now to give up; the former he dreaded to trust
himself with again beholding, and the latter he knew not how to shock
with the intelligence of her disgrace. Mrs. Selwyn then acquainted
him with my situation in regard to Lord Orville: this delighted him
extremely; and, when he heard of his Lordship's eagerness, he said he
was himself of opinion, the sooner the union took place the better;
and, in return, he informed her of the affair of Mr. Macartney. "And,
after a very long conversation," continued Mrs. Selwyn, "we agreed,
that the most eligible scheme for all parties would be, to have both
the real and the fictitious daughter married without delay. Therefore,
if either of you have any inclination to pull caps for the title of
Miss Belmont, you must do it with all speed, as next week will take
from both of you all pretensions to it."
"Next week!-dear Madam, what a strange plan!-without my being
consulted,-without applying to Mr. Villars,-without even the
concurrence of Lord Orville!"
"As to consulting you, my dear, it was out of all question;
because, you
know, young ladies' hearts and hands are always to be given with
reluctance;-as to Mr. Villars, it is sufficient we know him for your
friend;-and as for Lord Orville, he is a party concerned."
"A party concerned!-you amaze me!"
"Why, yes; for, as I found our consultation likely to redound to his
advantage, I persuaded Sir John to send for him."
"Send for him!-Good God!"
"Yes; and Sir John agreed. I told the servant, that if he could not
hear of
his Lordship in the house, he might be pretty certain of encountering
him in the arbour.-Why do you colour, my dear?-Well, he was with us in
a moment: I introduced him to Sir John; and we proceeded to business."
"I am very, very sorry for it!-Lord Orville must himself think
this conduct
strangely precipitate."
"No, my dear, you are mistaken; Lord Orville has too much good sense.
Everything was then discussed in a rational manner. You are to be
married privately, though not secretly, and then go to one of his
Lordship's country seats: and poor little Miss Green and your brother,
who have no house of their own, must go to one of Sir John's."
"But why, my dear Madam, why all this haste? why may we not be
allowed a
little longer time?"
"I could give you a thousand reasons," answered she, "but that I
am tolerably
certain two or three will be more than you can controvert, even with
all the logic of genuine coquetry. In the first place, you doubtless
wish to quit the house of Mrs. Beaumont: to whose, then, can you with
such propriety remove as to Lord Orville's?"
"Surely, Madam," cried I, "I am not more destitute now than when
I thought
myself an orphan."
"Your father, my dear," answered she, "is willing to save the
little impostor
as much of the mortification of her disgrace as is in his power;
now, if you immediately take her place, according to your right,
as Miss Belmont, why, not all that either of you can do for her,
will prevent her being eternally stigmatized as the bantling of Dame
Green, wash-woman and wet nurse, of Berry Hill, Dorsetshire. Now such
a genealogy will not be very flattering, even to Mr. Macartney, who,
all-dismal as he is, you will find by no means wanting in pride and
self-consequence."
"For the universe," interrupted I, "I would not be accessary to the
degradation you mention; but surely, Madam, I may return to Berry
Hill?"
"By no means," said she; "for though compassion may make us wish to
save the
poor girl the confusion of an immediate and public fall, yet justice
demands you should appear henceforward in no other light than that
of Sir John Belmont's daughter. Besides, between friends, I, who know
the world, can see that half this prodigious delicacy for the little
usurper is the mere result of self-interest; for, while her affairs
are hushed up, Sir John's, you know, are kept from being brought
further to light. Now the double marriage we have projected obviates
all rational objections. Sir John will give you immediately L.30,000;
all settlements, and so forth, will be made for you in the name of
Evelina Belmont:-Mr. Macartney will at the same time take poor Polly
Green; and yet, at first, it will only be generally known that a
daughter of Sir John Belmont is married."
In this manner, though she did not convince me, yet the quickness
of her
arguments silenced and perplexed me. I enquired, however, if I might
not be permitted to again see my father, or whether I must regard
myself as banished his presence for ever?
"My dear," said she, "he does not know you: he concludes that you
have been
brought up to detest him; and therefore he is rather prepared to
dread than to love you."
This answer made me very unhappy: I wished, most impatiently, to
remove his
prejudice, and endeavour, by dutiful assiduity, to engage his kindness;
yet knew not how to propose seeing him, while conscious he wished to
avoid me.
This evening, as soon as the company was engaged with cards,
Lord Orville
exerted his utmost eloquence to reconcile me to this hasty plan;
but how was I startled when he told me that next Tuesday was the day
appointed by my father to be the most important of my life!
"Next Tuesday!" repeated I, quite out of breath, "Oh, my Lord!-"
"My sweet Evelina," said he, "the day which will make me the
happiest of
mortals, would probably appear awful to you, were it to be deferred
a twelvemonth. Mrs. Selwyn has, doubtless, acquainted you with the
many motives which, independent of my eagerness, require it to be
speedy; suffer, therefore, its acceleration, and generously complete
my felicity, by endeavouring to suffer it without repugnance."
"Indeed, my Lord, I would not wilfully raise objections, nor do I
desire to
appear insensible of the honour of your good opinion;-but
there is something in this plan-so very hasty-so unreasonably
precipitate:-besides, I shall have no time to hear from Berry
Hill;-and believe me, my Lord, I should be for ever miserable,
were I, in an affair so important, to act without the sanction of
Mr. Villars's advice."
He offered to wait on you himself: but I told him I had rather write
to you.
And then he proposed, that, instead of my immediately accompanying him
to Lincolnshire, we should first pass a month at my native Berry Hill.
This was, indeed, a grateful proposal to me, and I listened to it with
undisguised pleasure. And, in short, I was obliged to consent to
a compromise in merely deferring the day till Thursday! He readily
undertook to engage my father's concurrence in this little delay;
and I besought him, at the same time, to make use of his influence
to obtain me a second interview, and to represent the deep concern
I felt in being thus banished his sight.
He would then have spoken of settlements; but I assured him I
was almost
ignorant of the word.
And now, my dearest Sir, what is your opinion of these hasty
proceedings?
Believe me, I half regret the simple facility with which I have
suffered myself to be hurried into compliance; and, should you start
but the smallest objection, I will yet insist upon being allowed
more time.
I must now write a concise account of the state of my affairs
to Howard
Grove, and to Madame Duval.
Adieu, dearest and most honoured Sir! everything at present depends
upon your
single decision; to which, though I yield in trembling, I yield
implicitly.
</CHAPTER>
<CHAPTER>
LETTER LXXX. EVELINA IN CONTINUATION.
Oct. 11th.
YESTERDAY morning, as soon as breakfast was over, Lord Orville went
to the
Hot Wells, to wait upon my father with my double petition.
Mrs. Beaumont then, in general terms, proposed a walk in the
garden. Mrs.
Selwyn said she had letters to write; but Lady Louisa rose to
accompany Mrs. Beaumont.
I had had some reason to imagine, from the notice with which her
Ladyship had
honoured me during breakfast, that her brother had acquainted her with
my present situation: and her behaviour now confirmed my conjectures:
for, when I would have gone up stairs, instead of suffering me,
as usual, to pass disregarded, she called after me with an affected
surprise, "Miss Anville, don't you walk with us?"
There seemed something so little-minded in this sudden change
of conduct,
that, from an involuntary motion of contempt, I thanked her with a
coldness like her own, and declined her offer. Yet, observing that
she blushed extremely at my refusal, and recollecting she was sister
to Lord Orville, my indignation subsided; and, upon Mrs. Beaumont
repeating the invitation, I accepted it.
Our walk proved extremely dull: Mrs. Beaumont, who never says much,
was more
silent than usual; Lady Louisa strove in vain to lay aside the
restraint and distance she has hitherto preserved; and, as to me, I
was too conscious of the circumstances to which I owed their attention,
to feel either pride or pleasure from receiving it.
Lord Orville was not long absent: he joined us in the garden with
a look of
gaiety and good humour that revived us all. "You are just the party,"
said he, "I wished to see together. Will you, Madam (taking my hand),
allow me the honour of introducing you, by your real name, to two of
my nearest relations? Mrs. Beaumont, give me leave to present to
you the daughter of Sir John Belmont, a young lady who, I am sure,
must long since have engaged your esteem and admiration, though you
were a stranger to her birth."
"My Lord," said Mrs. Beaumont, graciously saluting me, "the young
lady's rank
in life, your Lordship's recommendation, or her own merit, would, any
one of them, have been sufficient to have entitled her to my regard;
and I hope she has always met with that respect in my house which is
so much her due; though, had I been sooner made acquainted with her
family, I should doubtless have better known how to have secured it."
"Miss Belmont," said Lord Orville, "can receive no lustre from family,
whatever she may give to it. Louisa, you will, I am sure, be happy to
make yourself an interest in the friendship of Miss Belmont, whom I
hope shortly (kissing my hand, and joining it with her Ladyship's)
to have the happiness of presenting to you by yet another name,
and by the most endearing of all titles."
I believe it would be difficult to say whose cheeks were, at that
moment, of
the deepest dye, Lady Louisa's or my own; for the conscious pride
with which she has hitherto slighted me, gave to her an embarrassment
which equalled the confusion that an introduction so unexpected
gave to me. She saluted me, however; and, with a faint smile said,
"I shall esteem myself very happy to profit by the honour of Miss
Belmont's acquaintance."
I only courtsied, and we walked on; but it was evident, from the
little
surprise they expressed, that they had been already informed of the
state of the affair.
We were soon after joined by more company: and Lord Orville then,
in a low
voice, took an opportunity to tell me the success of his visit. In the
first place, Thursday was agreed to; and, in the second, my father,
he said, was much concerned to hear of my uneasiness; sent me his
blessing; and complied with my request of seeing him, with the same
readiness he should agree to any other I could make. Lord Orville,
therefore, settled that I should wait upon him in the evening, and,
at his particular request, unaccompanied by Mrs. Selwyn.
This kind message, and the prospect of so soon seeing him, gave
me sensations
of mixed pleasure and pain, which wholly occupied my mind till the
time of my going to the Hot Wells.
Mrs. Beaumont lent me her chariot, and Lord Orville absolutely
insisted upon
attending me. "If you go alone," said he, "Mrs. Selwyn will certainly
be offended; but if you allow me to conduct you, though she may give
the freer scope to her raillery, she cannot possibly be affronted:
and we had much better suffer her laughter, than provoke her satire."
Indeed, I must own, I had no reason to regret being so accompanied;
for his
conversation supported my spirits from drooping, and made the ride
seem so short, that we actually stopped at my father's door, before
I knew we had proceeded ten yards.
He handed me from the carriage, and conducted me to the parlour,
at the door
of which I was met by Mr. Macartney. "Ah, my dear brother," cried I,
"how happy am I to see you here!"
He bowed, and thanked me. Lord Orville, then, holding out his hand,
said,
"Mr. Macartney, I hope we shall be better acquainted; I promise myself
much pleasure from cultivating your friendship."
"Your Lordship does me but too much honour," answered Mr. Macartney.
"But where," cried I, "is my sister? for so I must already call,
and always
consider her:-I am afraid she avoids me;-you must endeavour, my
dear brother, to prepossess her in my favour, and reconcile her to
owning me."
"Oh, Madam," cried he, "you are all goodness and benevolence! but
at present
I hope you will excuse her, for I fear she has hardly fortitude
sufficient to see you: in a short time perhaps-"
"In a very short time, then," said Lord Orville, "I hope you will
yourself
introduce her, and that we shall have the pleasure of wishing you both
joy:-allow me, my Evelina, to say we, and permit me, in your name,
as well as my own, to entreat that the first guests we shall have
the happiness of receiving may be Mr. and Mrs. Macartney."
A servant then came to beg I would walk up stairs.
I besought Lord Orville to accompany me; but he feared the displeasure
of Sir
John, who had desired to see me alone. He led me, however, to the
foot of the stairs, and made the kindest efforts to give me courage:
but indeed he did not succeed; for the interview appeared to me in
all its terrors, and left me no feeling but apprehension.
The moment I reached the landing-place, the drawing-room door was
opened: and
my father, with a voice of kindness, called out, "My child, is it you?"
"Yes, Sir," cried I, springing forward, and kneeling at his feet,
"it is your
child, if you will own her!"
He knelt by my side, and, folding me in his arms, "Own thee,"
repeated he,
"yes, my poor girl, and Heaven knows with what bitter
contrition!" Then, raising both himself and me, he brought me into the
drawing-room, shut the door, and took me to the window; where, looking
at me with great earnestness, "Poor unhappy Caroline!" cried he; and,
to my inexpressible concern, he burst into tears. Need I tell you,
my dear Sir, how mine flowed at the sight?
I would again have embraced his knees; but, hurrying from me, he flung
himself upon a sofa, and, leaning his face on his arms, seemed for
some time absorbed in bitterness of grief.
I ventured not to interrupt a sorrow I so much respected; but
waited in
silence, and at a distance, till he recovered from its violence. But
then it seemed in a moment to give way to a kind of frantic fury;
for starting suddenly, with a sternness which at once surprised and
frightened me, "Child," cried he, "hast thou yet sufficiently humbled
thy father?-if thou hast, be contented with this proof of my weakness,
and no longer force thyself into my presence!"
Thunderstruck by a command so unexpected, I stood still and
speechless, and
doubted whether my own ears did not deceive me.
"Oh go, go!" cried he, passionately; "in pity-in compassion,-if
thou valuest my senses, leave me,-and for ever!"
"I will, I will," cried I, greatly terrified; and I moved hastily
towards the
door: yet, stopping when I reached it, and, almost involuntarily,
dropping on my knees, "Vouchsafe," cried I, "Oh, Sir, vouchsafe
but once to bless your daughter, and her sight shall never more
offend you!"
"Alas," cried he, in a softened voice, "I am not worthy to bless
thee!-I am
not worthy to call thee daughter!-I am not worthy that the fair
light of Heaven should visit my eyes!-Oh God! that I could but call
back the time ere thou wast born,-or else bury its remembrance in
eternal oblivion!"
"Would to Heaven," cried I, "that the sight of me were less terrible
to you!
that, instead of irritating, I could soothe your sorrows!-Oh Sir, how
thankfully would I then prove my duty, even at the hazard of my life!"
"Are you so kind?" cried he, gently; "come hither, child;-rise,
Evelina:-Alas, it is for me to kneel,-not you;-and I would kneel,-I
would crawl upon the earth,-I would kiss the dust,-could I, by such
submission, obtain the forgiveness of the representative of the most
injured of women!"
"Oh, Sir," exclaimed I, "that you could but read my heart!-that you
could but
see the filial tenderness and concern with which it overflows!-you
would not then talk thus,-you would not then banish me your presence,
and exclude me from your affection!"
"Good God," cried he, "is it then possible that you do not hate
me?-Can the
child of the wronged Caroline look at,-and not execrate me? Wast thou
not born to abhor, and bred to curse me? Did not thy mother bequeath
thee her blessing on condition that thou should'st detest and avoid
me ?"
"Oh no, no, no!" cried I; "think not so unkindly of her, nor so
hardly of
me." I then took from my pocketbook her last letter; and, pressing
it to my lips, with a trembling hand, and still upon my knees, I held
it out to him.
Hastily snatching it from me, "Great Heaven!" cried he, "'tis her
writing-Whence comes this?-who gave it you-why had I it not sooner?"
I made no answer; his vehemence intimidated me, and I ventured not
to move
from the suppliant posture in which I had put myself.
He went from me to the window, where his eyes were for some time
rivetted
upon the direction of the letter, though his hand shook so violently
he could hardly hold it. Then, bringing it to me, "Open it,"-cried
he,-"for I cannot!"
I had myself hardly strength to obey him: but when I had, he took
it back,
and walked hastily up and down the room, as if dreading to read it. At
length, turning to me, "Do you know," cried he, "its contents?"
"No, Sir," answered I, "it has never been unsealed."
He then again went to the window, and began reading. Having hastily
run it
over, he cast up his eyes with a look of desperation; the letter fell
from his hand, and he exclaimed, "Yes! thou art sainted!-thou art
blessed!-and I am cursed for ever!" He continued some time fixed in
this melancholy position; after which, casting himself with violence
upon the ground, "Oh wretch," cried he, "unworthy life and light,
in what dungeon canst thou hide thy head?"
I could restrain myself no longer; I rose and went to him; I did
not dare
speak; but, with pity and concern unutterable, I wept and hung
over him.
Soon after, starting up, he again seized the letter, exclaiming,
"Acknowledge
thee, Caroline!-yes, with my heart's best blood would I acknowledge
thee!-Oh that thou could'st witness the agony of my soul!-Ten thousand
daggers could not have wounded me like this letter!"
Then, after again reading it, "Evelina," he cried, "she charges me
to receive
thee;-wilt thou, in obedience to her will, own for thy father the
destroyer of thy mother?"
What a dreadful question!-I shuddered, but could not speak.
"To clear her fame, and receive her child," continued he, looking
stedfastly
at the letter, "are the conditions upon which she leaves me her
forgiveness: her fame I have already cleared;-and Oh, how willingly
would I take her child to my bosom, fold her to my heart,-call upon
her to mitigate my anguish, and pour the balm of comfort on my wounds,
were I not conscious I deserve not to receive it, and that all my
affliction is the result of my own guilt!"
It was in vain I attempted to speak; horror and grief took from me
all power
of utterance.
He then read aloud from the letter, "Look not like thy unfortunate
mother!"
"Sweet soul, with what bitterness of spirit hast thou written!-Come
hither, Evelina: Gracious Heaven! (looking earnestly at me) never
was likeness more striking!-the eyes-the face-the form-Oh, my child,
my child!" Imagine, Sir,-for I can never describe my feelings, when
I saw him sink upon his knees before me! "Oh, dear resemblance of
thy murdered mother!-Oh, all that remains of the most injured of
women! behold thy father at thy feet!-bending thus lowly to implore
you would not hate him.-Oh, then, thou representative of my departed
wife, speak to me in her name, and say that the remorse which tears
my soul tortures me not in vain!"
"Oh, rise, rise, my beloved father," cried I, attempting to assist
him; "I
cannot bear to see you thus; reverse not the law of nature; rise
yourself, and bless your kneeling daughter!"
"May Heaven bless thee, my child!-"cried he, "for I dare not." He
then rose;
and, embracing me most affectionately, added, "I see, I see that thou
art all kindness, softness, and tenderness; I need not have feared
thee, thou art all the fondest father could wish, and I will try to
frame my mind to less painful sensations at thy sight. Perhaps the
time may come, when I may know the comfort of such a daughter;-at
present I am only fit to be alone: dreadful as are my reflections,
they ought merely to torment myself.-Adieu, my child;-be not angry,-I
cannot stay with thee;-Oh, Evelina! thy countenance is a dagger to
my heart!-just so thy mother looked,-just so-"
Tears and sighs seemed to choak him;-and, waving his hand, he would
have left
me;-but, clinging to him, "Oh, Sir," cried I, "will you so soon
abandon me?-am I again an orphan!-Oh, my dear, my long-lost father,
leave me not, I beseech you! take pity on your child, and rob her
not of the parent she so fondly hoped would cherish her!"
"You know not what you ask," cried he; "the emotions which now rend
my soul
are more than my reason can endure; suffer me then, to leave
you;-impute it not to unkindness, but think of me as well as thou
canst. Lord Orville has behaved nobly;-I believe he will make thee
happy." Then, again embracing me, "God bless thee, my dear child,"
cried he, "God bless thee, my Evelina!-endeavour to love,-at least
not to hate me,-and to make me an interest in thy filial bosom,
by thinking of me as thy father."
I could not speak; I kissed his hands on my knees: and then, with
yet more
emotion, he again blessed me, and hurried out of the room,-leaving
me almost drowned in tears.
Oh, Sir, all goodness as you are, how much will you feel for your
Evelina,
during a scene of such agitation! I pray Heaven to accept the tribute
of his remorse, and restore him to tranquillity!
When I was sufficiently composed to return to the parlour, I
found Lord
Orville waiting for me with the utmost anxiety:-and then a new scene of
emotion, though of a far different nature, awaited me; for I learned
by Mr. Macartney, that this noblest of men had insisted the so-long
supposed Miss Belmont should be considered, indeed, as my sister,
and as the co-heiress of my father; though not in law, in justice, he
says, she ought ever to be treated as the daughter of Sir John Belmont.
Oh! Lord Orville!-it shall be the sole study of my happy life,
to express,
better than by words, the sense I have of your exalted benevolence
and greatness of mind!
</CHAPTER>
<CHAPTER>
LETTER LXXXI. EVELINA IN CONTINUATION.
Clifton, Oct. 12th.
THIS morning, early, I received the following letter from Sir Clement
Willoughby:
"To Miss Anville.
"I HAVE this moment received intelligence that preparations
are actually making for your marriage with Lord Orville.
"Imagine not that I write with the imbecile idea of
rendering those
preparations abortive. No, I am not so mad. My sole view is
to explain the motive of my conduct in a particular instance,
and to obviate the accusation of treachery which may be laid
to my charge.
"My unguarded behaviour, when I last saw you, has, probably,
already
acquainted you, that the letter I then saw you reading was
written by myself. For your further satisfaction, let me have
the honour of informing you, that the letter you had designed
for Lord Orville, had fallen into my hands.
"However I may have been urged on by a passion the most
violent that
ever warmed the heart of man, I can by no means calmly submit
to be stigmatized for an action seemingly so dishonourable;
and it is for this reason that I trouble you with this
justification.
"Lord Orville,-the happy Orville, whom you are so ready to
bless,-had made me believe he loved you not;-nay, that he
held you in contempt.
"Such were my thoughts of his sentiments of you, when I got
possession of the letter you meant to send him. I pretend
not to vindicate either the means I used to obtain it, or
the action of breaking the seal; but I was impelled, by an
impetuous curiosity, to discover the terms upon which you
wrote to him.
"The letter, however, was wholly unintelligible to me,
and the
perusal of it only added to my perplexity.
"A tame suspense I was not born to endure, and I determined
to clear
my doubts at all hazards and events.
"I answered it, therefore, in Orville's name.
"The views which I am now going to acknowledge, must,
infallibly,
incur your displeasure;-yet I scorn all palliation.
"Briefly, then, I concealed your letter to prevent a
discovery of
your capacity; and I wrote you an answer, which I hoped would
prevent your wishing for any other.
"I am well aware of every thing which can be said upon
this subject.
Lord Orville will, possibly, think himself ill-used; but I am
extremely indifferent as to his opinion; nor do I now write
by way of offering any apology to him, but merely to make
known to yourself the reasons by which I have been governed.
"I intend to set off next week for the Continent. Should his
Lordship have any commands for me in the mean time, I shall
be glad to receive them. I say not this by way of defiance,-I
should blush to be suspected of so doing through an indirect
channel; but simply that, if you show him this letter, he
may know I dare defend, as well as excuse, my conduct.
"CLEMENT WILLOUGHBY."
What a strange letter! how proud and how piqued does its writer
appear! To
what alternate meanness and rashness do the passions lead, when reason
and self-denial do not oppose them! Sir Clement is conscious he has
acted dishonourably; yet the same unbridled vehemence, which urged
him to gratify a blameable curiosity, will sooner prompt him to risk
his life, than, confess his misconduct. The rudeness of his manner of
writing to me, springs, from the same cause: the proof which he has
received of my indifference to him, has stung him to the soul, and he
has neither the delicacy nor forbearance to disguise his displeasure.
I determined not to show this letter to Lord Orville, and thought
it most
prudent to let Sir Clement know I should not. I therefore wrote the
following note:
"To Sir Clement Willoughby.
"SIR,
"The letter you have been pleased to address to me, is
so little
calculated to afford Lord Orville any satisfaction, that you
may depend upon my carefully keeping it from his sight. I will
bear you no resentment for what is past; but I most earnestly
intreat, nay implore, that you will not write again, while in
your present frame of mind, by any channel, direct or indirect.
"I hope you will have much pleasure in your promised
expedition; and
I beg leave to assure you of my good wishes."
Not knowing by what name to sign, I was obliged to send it without any.
The preparations which Sir Clement mentions, go on just as if your
consent were arrived: it is in vain that I expostulate; Lord Orville
says, should any objections be raised, all shall be given up; but
that, as his hopes forbid him to expect any, he must proceed as if
already assured of your concurrence.
We have had, this afternoon, a most interesting conversation, in
which we have traced our sentiments of each other from our first
acquaintance. I have made him confess how ill he thought of me upon
my foolish giddiness at Mrs. Stanley's ball; but he flatters me
with assurances, that every succeeding time he saw me, I appeared to
something less and less disadvantage.
When I expressed my amazement that he could honour with his choice a
girl who seemed so infinitely, in every respect, beneath his alliance,
he frankly owned, that he had fully intended making more minute
inquiries into my family and connections; particularly concerning
those people he saw me with at Marybone, before he acknowledged his
prepossession in my favour: but seeing me again, put him quite off
his guard; and, "divesting him of prudence, left him nothing but
love." These were his words; and yet, he has repeatedly assured me,
that his partiality has known no bounds from the time of my residing
at Clifton. * * * * * *
Mr. Macartney has just been with me, on an embassy from my father. He
has sent me his kindest love and assurances of favour; and desired
to know if I am happy in the prospect of changing my situation,
and if there is any thing I can name which he can do for me. And, at
the same time, Mr. Macartney delivered to me a draught on my father's
banker for a thousand pounds, which he insisted that I should receive
entirely for my own use, and expend in equipping myself properly for
the new rank of life to which I seem destined.
I am sure I need not say how much I was penetrated by this goodness:
I wrote my thanks, and acknowledged, frankly, that if I could see
him restored to tranquillity, my heart would be without a wish.
</CHAPTER>
<CHAPTER>
LETTER LXXXII. EVELINA IN CONTINUATION.
Clifton, Oct. 13th.
THE time approaches now when I hope we shall meet;-yet I cannot
sleep;-great joy is a restless as sorrow,-and therefore I will continue
my journal.
As I had never had an opportunity of seeing Bath, a party was formed
last night for showing me that celebrated city; and this morning, after
breakfast, we set out in three phaetons. Lady Louisa and Mrs. Beaumont
with Lord Merton; Mr. Coverley, Mr. Lovel, and Mrs. Selwyn; and myself
with Lord Orville.
We had hardly proceeded half a mile, when a gentleman from the
post-chaise which came gallopping after us, called out to the
servants, "Holla, my lads!-pray, is one Miss Anville in any of them
thing-em-bobs?"
I immediately recollected the voice of Captain Mirvan; and Lord
Orville stopped the phaeton. He was out of the chaise, and with us
in a moment. "So, Miss Anville," cried he, "how do you do? So I hear
you're Miss Belmont now;-pray, how does old Madame French do?"
"Madame Duval," said I, "is, I believe, very well."
"I hope she is in good case," said he, winking significantly, "and
won't flinch at seeing service: she has laid by long enough to refit
and be made tight. And pray how does poor Monseer Doleful do? Is he
as lank-jawed as ever?"
"They are neither of them," said I, "in Bristol."
"No!" cried he, with a look of disappointment; "but surely the old
dowager intends coming to the wedding! 'twill be a most excellent
opportunity to show off her best Lyons silk. Besides, I purpose to
dance a new fashioned jig with her. Don't you know when she'll come?"
"I have no reason to expect her at all."
"No!-'Fore George, this here's the worst news I'd wish to hear!-why
I've thought of nothing all the way, but what trick I should serve
her."
"You have been very obliging!" said I, laughing.
"O, I promise you," cried he, "our Moll would never have wheedled
me into this jaunt, if I'd known she was not here; for, to let you
into the secret, I fully intended to have treated the old buck with
another frolic."
"Did Miss Mirvan, then, persuade you to this journey?"
"Yes, and we've been travelling all night."
"We!" cried I: "Is Miss Mirvan, then, with you?"
"What, Molly?-yes, she's in that there chaise."
"Good God, Sir, why did you not tell me sooner?" cried I; and
immediately, with Lord Orville's assistance, I jumped out of the
phaeton, and ran to the dear girl. Lord Orville opened the chaise
door; and I am sure I need not tell you what unfeigned joy accompanied
our meeting.
We both begged we might not be parted during the ride; and Lord
Orville was so good as to invite Captain Mirvan into his phaeton.
I think I was hardly ever more rejoiced than at this so seasonable
visit from my dear Maria; who had no sooner heard the situation of
my affairs, than with the assistance of Lady Howard, and her kind
mother, she besought her father with such earnestness to consent
to the journey, that he had not been able to withstand their united
intreaties; though she owned that, had he not expected to have met with
Madame Duval, she believes he would not so readily have yielded. They
arrived at Mrs. Beaumont's but a few minutes after we were out of
sight, and overtook us without much difficulty.
I say nothing of our conversation, because you may so well suppose
both the subjects we chose, and our manner of discussing them.
We all stopped at a great hotel, where we were obliged to enquire for
a room, as Lady Louisa, fatigued to death, desired to take something
before we began our rambles.
As soon as the party was assembled, the Captain, abruptly saluting me,
said, "So, Miss Belmont, I wish you joy; so I hear you've quarrelled
with your new name already?"
"Me!-no, indeed, Sir."
"Then please for to tell me the reason you're in such a hurry to
change it?"
"Miss Belmont!" cried Mr. Lovel. Looking around him with the utmost
astonishment: "I beg pardon;-but, if it is not impertinent,-I must
beg leave to say I always understood that lady's name was Anville."
"'Fore George," cried the Captain, "it runs in my head, I've seen you
somewhere before! And now I think on't, pray a'n't you the person
I saw at the play one night, and who didn't know, all the time,
whether it was a tragedy or a comedy, or a concert of fiddlers?"
"I believe, Sir," said Mr. Lovel, stammering, "I, had once,-I think-the
pleasure of seeing you last spring."
"Aye, and if I live an hundred springs," answered he, "I shall never
forget it; by Jingo, it has served me for a most excellent good joke
ever since. Well, howsomever, I'm glad to see you still in the land
of the living," (shaking him roughly by the hand.) "Pray, if a body
may be so bold, how much a night may you give at present to keep the
undertakers aloof?"
"Me, Sir!" said Mr. Lovel, very much discomposed; "I protest I never
thought myself in such imminent danger as to-really, Sir, I don't
understand you."
"O, you don't! why then I'll make free for to explain myself. Gentlemen
and Ladies, I'll tell you what; do you know this here gentleman,
simple as he sits there, pays five shillings a-night to let his
friends know he's alive!"
"And very cheap too," said Mrs. Selwyn, "if we consider the value of
the intelligence."
Lady Louisa being now refreshed, we proceeded upon our expedition.
The charming city of Bath answered all my expectations. The
Crescent, the prospect from it, and the elegant symmetry of the
Circus, delighted me. The Parades, I own, rather disappointed me;
one of them is scarce preferable to some of the best paved streets
in London; and the other, though it affords a beautiful prospect,
a charming view of Prior Park and of the Avon, yet wanted something
in itself of more striking elegance than a mere broad pavement,
to satisfy the ideas I had formed of it.
At the pump-room, I was amazed at the public exhibition of the ladies
in the bath; it is true, their heads are covered with bonnets; but
the very idea of being seen, in such a situation, by whoever pleases
to look, is indelicate.
"'Fore George," said the Captain, looking into the bath, "this would
be a most excellent place for old Madame French to dance a fandango
in! By Jingo, I wou'dn't wish for better sport than to swing her
round this here pond!"
"She would be very much obliged to you," said Lord Orville, "for so
extraordinary a mark of your favour."
"Why, to let you know," answered the Captain, "she hit my fancy
mightily; I never took so much to an old tabby before."
"Really now," cried Mr. Lovel, looking also into the bath, "I must
confess it is, to me, very incomprehensible why the ladies choose
that frightful unbecoming dress to bathe in! I have often pondered
very seriously upon the subject, but could never hit upon the reason."
"Well, I declare," said Lady Louisa, "I should like of all things
to set something new a-going; I always hated bathing, because one
can get no pretty dress for it! now do, there's a good creature,
try to help me to something."
"Who, me!-O, dear Ma'am," said he, simpering, "I can't pretend to
assist a person of your Ladyship's tastes; besides, I have not the
least head for fashions.-I really don't think I ever invented above
three in my life! But I never had the least turn for dress,-never
any notion of fancy or elegance."
"O fie, Mr. Lovel! how can you talk so?-don't we all know that you
lead the ton in the beau monde? I declare, I think you dress better
than any body."
"O, dear Ma'am, you confuse me to the last degree! I dress well!-I
protest I don't think I'm ever fit to be seen! I'm often shocked to
death to think what a figure I go. If your Ladyship will believe me,
I was full half an hour this morning thinking what I should put on!"
"Odds my life," cried the Captain, "I wish I'd been near you! I warrant
I'd have quickened your motions a little; Half an hour thinking what
you'd put on; and who the deuce do you think cares the snuff of a
candle whether you've any thing on or not?"
"O pray, Captain," cried Mrs. Selwyn, "don't be angry with the
gentleman for thinking, whatever be the cause, for I assure you he
makes no common practice of offending in that way."
"Really, Ma'am, you're prodigiously kind," said Mr. Lovel, angrily.
"Pray now," said the Captain, "did you ever get a ducking in that
there place yourself?"
"A ducking, Sir!" repeated Mr. Lovel: "I protest I think that's rather
an odd term!-but if you mean a bathing, it is an honour I have had
many times."
"And pray, if a body may be so bold, what do you do with that
frizle-frize top of your own? Why, I'll lay you what you will, there
is fat and grease enough on your crown to buoy you up, if you were
to go in head downwards."
"And I don't know," cried Mrs. Selwyn, "but that might be the easiest
way; for I'm sure it would be the lightest."
"For the matter of that there," said the Captain, "you must make
him a soldier, before you can tell which is lightest, head or
heels. Howsomever, I'd lay ten pounds to a shilling, I could whisk
him so dexterously over into the pool, that he should light plump
upon his foretop and turn round like a tetotum."
"Done!" cried Lord Merton; "I take your odds."
"Will you?" returned he; "why, then, 'fore George, I'd do it as soon
as say Jack Robinson."
"He, he!" faintly laughed Mr. Lovel, as he moved abruptly from the
window; "'pon honour, this is pleasant enough; but I don't see what
right any body has to lay wagers about one without one's consent."
"There, Lovel, you are out," cried Mr. Coverley, "any man may lay
what wager about you he will; your consent is nothing to the purpose:
he may lay that your nose is a sky-blue, if he pleases."
"Ay," said Mrs. Selwyn, "or that your mind is more adorned than your
person;-or any absurdity whatsoever."
"I protest," said Mr. Lovel, "I think it's a very disagreeable
privilege, and I must beg that nobody may take such a liberty with me."
"Like enough you may," cried the Captain;" but what's that to the
purpose? Suppose I've a mind to lay that you've never a tooth in
your head-pray, how will you hinder me?"
"You'll allow me, at least, Sir, to take the liberty of asking how
you'll prove it?"
"How?-why, by knocking them all down your throat."
"Knocking them all down my throat, Sir!" repeated Mr. Lovel, with a
look of horror; "I protest I never heard any thing so shocking in my
life! And I must beg leave to observe, that no wager, in my opinion,
could justify such a barbarous action."
Here Lord Orville interfered, and hurried us to our carriages.
We returned in the same order we came. Mrs. Beaumont invited all
the party to dinner, and has been so obliging as to beg Miss Mirvan
may continue at her house during her stay. The Captain will lodge at
the Wells.
The first half-hour after our return was devoted to hearing Mr. Lovel's
apologies for dining in his riding-dress.
Mrs. Beaumont then, addressing herself to Miss Mirvan and me, inquired
how we liked Bath?
"I hope," said Mr. Lovel, "the ladies do not call this seeing Bath."
"No!-what should ail 'em?" cried the Captain, "do you suppose they
put their eyes in their pockets?"
"No, Sir; but I fancy you will find no person-that is-no person of
any condition-call going about a few places in a morning seeing Bath."
"Mayhap, then," said the literal Captain, "you think we should see
it better by going about at midnight?"
"No, Sir, no," said Mr. Lovel, with a supercilious smile, "I perceive
you don't understand me;-we should never call it seeing Bath, without
going at the right season."
"Why, what a plague, then," demanded he, "can you only see at one
season of the year?"
Mr. Lovel again smiled; but seemed superior to making any answer.
"The Bath amusements," said Lord Orville, "have a sameness in them,
which, after a short time, renders them rather insipid; but the
greatest objection that can be made to the place, is the encouragement
it gives to gamesters."
"Why, I hope, my Lord, you would not think of abolishing gaming,"
cried Lord Merton, "'tis the very zest of life! Devil take me if I
could live without it."
"I am sorry for it," said Lord Orville, gravely, and looking at
Lady Louisa.
"Your Lordship is no judge of this subject," continued the other;
"but if once we could get you to a gaming-table, you'd never be happy
away from it!"
"I hope, my Lord," cried Lady Louisa, "that nobody here ever occasions
your quitting it."
"Your Ladyship," said Lord Merton, recollecting himself, "has power
to make me quit any thing."
"Except herself," said Mr. Coverley. "Egad, my Lord, I think I've
helpt you out there!"
"You men of wit, Jack," answered his Lordship, "are always ready;-for
my part, I don't pretend to any talents that way."
"Really, my Lord?" asked the sarcastic Mrs. Selwyn; "well, that is
wonderful, considering success would be so much in your power."
"Pray, Ma'am," said Mr. Lovel to Lady Louisa, "has your Ladyship
heard the news?"
"News!-what news?"
"Why, the report circulating at the Wells concerning a certain person."
"O Lord, no: pray tell me what it is?"
"O no, Ma'am, I beg your La'ship will excuse me; 'tis a profound
secret, and I would not have mentioned it, if I had not thought you
knew it."
"Lord, now, how can you be so monstrous? I declare, now, you're a
provoking creature! But come, I know you'll tell me;-won't you now?"
"Your La'ship knows I am but too happy to obey you; but, 'pon honour,
I can't speak a word, if you won't all promise me the most inviolable
secrecy."
"I wish you'd wait for that from me," said the Captain, "and I'll
give you my word you'd be dumb for one while. Secrecy, quoth-a!-'Fore
George, I wonder you an't ashamed to mention such a word, when you
talk of telling it to a woman. Though, for the matter of that, I'd
as lieve blab it to the whole sex at once, as to go for to tell it
to such a thing as you."
"Such a thing as me, Sir!" said Mr. Lovel, letting fall his knife
and fork, and looking very important; "I really have not the honour
to understand your expression."
"It's all one for that," said the Captain; "you may have it explained
whenever you like it."
"'Pon honour, Sir," returned Mr. Lovel, "I must take the liberty to
tell you, that I should be extremely offended, but that I suppose
it to be some sea-phrase; and therefore I'll let it pass without
further notice."
Lord Orville, then, to change the discourse, asked Miss Mirvan if
she should spend the ensuing winter in London?
"No, to be sure," said the Captain, "what should she for? She saw
all that was to be seen before."
"Is London, then," said Mr. Lovel, smiling at Lady Louisa, "only to
be regarded as a sight?"
"Why, pray, Mr. Wiseacre, how are you pleased for to regard it
yourself?-Answer me to that."
"O Sir, my opinion, I fancy, you would hardly find intelligible. I
don't understand sea-phrases enough to define it to your
comprehension. Does not your La'ship think the task would be rather
difficult?"
"O Lard, yes," cried Lady Louisa; "I declare I'd as soon teach my
parrot to talk Welsh."
"Ha! ha! ha! Admirable;-'Pon honour, your La'ship's quite in luck
to-day; but that, indeed, your La'ship is every day. Though, to be
sure, it is but candid to acknowledge, that the gentlemen of the ocean
have a set of ideas, as well as a dialect, so opposite to our's, that
it is by no means surprising they should regard London as a mere show,
that may be seen by being looked at. Ha! ha! ha!"
"Ha! ha!" echoed Lady Louisa; "Well, I declare you are the drollest
creature."
"He! he! 'Pon honour, I can't help laughing at the conceit of seeing
London in a few weeks!"
"And what a plague should hinder you?" cried the Captain; "do you
want to spend a day in every street?"
Here again Lady Louisa and Mr. Lovel interchanged smiles.
"Why, I warrant you, if I had the showing it, I'd haul you from
St. James's to Wapping the very first morning."
The smiles were now, with added contempt, repeated; which the Captain
observing, looked very fiercely at Mr. Lovel, and said, "Hark'ee my
spark, none of your grinning!-'tis a lingo I don't understand; and
if you give me any more of it, I shall go near to lend you a box o'
the ear."
"I protest, Sir," said Mr. Lovel, turning extremely pale, "I think
it's taking a very particular liberty with a person, to talk to one
in such a style as this!"
"It's like you may," returned the Captain: "but give a good gulp, and
I'll warrant you'll swallow it." Then, calling for a glass of ale, with
a very provoking and significant nod, he drank to his easy digestion.
Mr. Lovel made no answer, but looked extremely sullen; and, soon after,
we left the gentlemen to themselves.
I had then two letters delivered to me; one from Lady Howard and
Mrs. Mirvan, which contained the kindest congratulations; and the
other from Madame Duval;-but not a word from you,-to my no small
surprise and concern.
Madame Duval seems greatly rejoiced at my late intelligence: a violent
cold, she says, prevents her coming to Bristol. The Branghtons, she
tells me, are all well; Miss Polly is soon to be married to Mr. Brown;
but Mr. Smith has changed his lodgings, "which," she adds, "has made
the house extremely dull. However, that's not the worst news; pardi,
I wish it was! but I've been used like nobody,-for Monsieur Du Bois
has had the baseness to go back to France without me." In conclusion,
she assures me, as you prognosticated she would, that I shall be sole
heiress of all she is worth, when Lady Orville.
At tea-time, we were joined by all the gentlemen but Captain Mirvan,
who went to the hotel where he was to sleep, and made his daughter
accompany him, to separate her trumpery, as he called it, from his
clothes.
As soon as they were gone, Mr. Lovel, who still appeared extremely
sulky, said, "I protest, I never saw such a vulgar, abusive fellow
in my life, as that Captain: 'pon honour, I believe he came here for
no purpose in the world but to pick a quarrel; however, for my part,
I vow I wo'n't humour him."
"I declare," cried Lady Louisa, "he put me in a monstrous fright;-I
never heard any body talk so shocking in my life!"
"I think," said Mrs. Selwyn, with great solemnity, "he threatened to
box your ears, Mr. Lovel;-did not he?"
"Really, Ma'am," said Mr. Lovel, colouring, "if one was to mind every
thing those low kind of people say, one should never be at rest for
one impertinence or other; so I think the best way is to be above
taking any notice of them."
"What," said Mrs. Selwyn, with the same gravity, "and so receive the
blow in silence!"
During this discourse, I heard the Captain's chaise stop at the door,
and ran downstairs to meet Maria. She was alone, and told me that
her father, who, she was sure, had some scheme in agitation against
Mr. Lovel, had sent her on before him. We continued in the parlour
till his return, and were joined by Lord Orville, who begged me not to
insist on a patience so unnatural, as submitting to be excluded our
society. And let me, my dear Sir, with a grateful heart let me own,
I never before passed half an hour in such perfect felicity.
I believe we were all sorry when the Captain returned; yet his
inward satisfaction, from however different a cause, did not seem
inferior to what our's had been. He chucked Maria under the chin,
rubbed his hands, and was scarce able to contain the fullness of his
glee. We all attended him to the drawing room; where, having composed
his countenance, without any previous attention to Mrs. Beaumont,
he marched up to Mr. Lovel, and abruptly said, "Pray, have you e'er
a brother in these here parts?"
"Me, Sir?-no, thank Heaven, I'm free from all encumbrances of that
sort."
"Well," cried the Captain, "I met a person just now so like you,
I could have sworn he had been your twin brother."
"It would have been a most singular pleasure to me," said Mr. Lovel,
"if I also could have seen him; for, really, I have not the least
notion what sort of a person I am, and I have a prodigious curiosity
to know."
Just then the Captain's servant, opening the door, said, "A little
gentleman below desires to see one Mr. Lovel."
"Beg him to walk up stairs," said Mrs. Beaumont. "But, pray what is
the reason William is out of the way?"
The man shut the door without any answer.
"I can't imagine who it is," said Mr. Lovel: "I recollect no little
gentleman of my acquaintance now at Bristol,-except, indeed the Marquis
of Charlton;-but I don't much fancy it can be him. Let me see, who
else is there so very little?"
A confused noise among the servants now drew all eyes towards the
door: the impatient Captain hastened to open it; and then, clapping
his hands, called out, "'Fore George, 'tis the same person I took
for your relation!"
And then, to the utter astonishment of every body but himself, he
hauled into the room a monkey, full-dressed, and extravagantly -e;
la mode!
The dismay of the company was almost general. Poor Mr. Lovel seemed
thunderstruck with indignation and surprise: Lady Louisa began a
scream, which for some time was incessant; Miss Mirvan and I jumped
involuntarily upon the seats of our chairs; Mrs. Beaumont herself
followed our example; Lord Orville placed himself before me as a guard;
and Mrs. Selwyn, Lord Merton, and Mr. Coverley, burst into a loud,
immoderate, ungovernable fit of laughter, in which they were joined by
the Captain, till, unable to support himself, he rolled on the floor.
The first voice which made its way through this general noise was that
of Lady Louisa, which her fright and screaming rendered extremely
shrill. "Take it away!" cried she, "take the monster away;-I shall
faint, I shall faint if you don't!"
Mr. Lovel, irritated beyond endurance, angrily demanded of the Captain
what he meant?
"Mean?" cried the Captain, as soon as he was able to speak; "why
only to shew you in your proper colours." Then rising, and pointing
to the monkey, "Why now, ladies and gentlemen, I'll be judged by you
all!-Did you ever see any thing more like?-Odds my life, if it wasn't
for this here tail, you wouldn't know one from t'other."
"Sir," cried Mr. Lovel, stamping, "I shall take a time to make you
feel my wrath."
"Come now," continued the regardless Captain, "just for the fun's sake,
doff your coat and waistcoat, and swop with Monseer Grinagain here;
and I'll warrant you'll not know yourself which is which."
"Not know myself from a monkey!-I assure you, Sir, I'm not to be used
in this manner, and I won't bear it-curse me if I will!"
"Why, hey-day!" cried the Captain, "what, is master in a passion?-well,
don't be angry:-come, he shan't hurt you;-here, shake a paw with
him:-why, he'll do you no harm, man!-come, kiss and be friends!"
"Who, I?" cried Mr. Lovel, almost mad with vexation; "as I'm a living
creature, I would not touch him for a thousand worlds!"
"Send him a challenge," cried Mr. Coverley, "and I'll be your second."
"Ay, do," said the Captain; "and I'll be second to my friend, Monseer
Clapperclaw here. Come to it at once!-tooth and nail!"
"God forbid!" cried Mr. Lovel, retreating, "I would sooner trust my
person with a mad bull!"
"I don't like the look of him myself," said Lord Merton, "for he
grins most horribly."
"Oh, I'm frightened out of my senses!" cried Lady Louisa, "take him
away, or I shall die!"
"Captain," said Lord Orville, "the ladies are alarmed; and I must
beg you would send the monkey away."
"Why, where can be the mighty harm of one monkey more than
another?" answered the Captain: "howsomever, if its agreeable to the
ladies, suppose we turn them out together?"
"What do you mean by that, Sir?" cried Mr. Lovel, lifting up his cane.
"What do you mean?" cried the Captain, fiercely, "be so good as to
down with your cane."
Poor Mr. Lovel, too much intimidated to stand his ground, yet too
much enraged to submit, turned hastily round, and, forgetful of
consequences, vented his passion by giving a furious blow to the
monkey.
The creature darting forwards, sprung instantly upon him; and,
clinging round his neck, fastened his teeth to one of his ears.
I was really sorry for the poor man; who, though an egregious fop,
had committed no offence that merited such chastisement.
It was impossible now to distinguish whose screams were loudest,
those of Mr. Lovel, or of the terrified Lady Louisa, who I believe,
thought her own turn was approaching: but the unrelenting Captain
roared with joy.
Not so Lord Orville: ever humane, generous, and benevolent he quitted
his charge, who he saw was wholly out of danger, and seizing the monkey
by the collar, made him loosen the ear; and then with a sudden swing,
flung him out of the room, and shut the door.
Poor Mr. Lovel, almost fainting with terror, sunk upon the floor,
crying out, "Oh, I shall die, I shall die!-Oh, I'm bit to death!"
"Captain Mirvan," said Mrs. Beaumont, with no little indignation,
"I must own I don't perceive the wit of this action; and I am sorry
to have such cruelty practised in my house."
"Why Lord, Ma'am," said the Captain, when his rapture abated
sufficiently for speech, "how could I tell they'd fall out so?-By
jingo, I brought him to be a messmate for t'other."
"Egad," said Mr. Coverley, "I would not have been served so for a
thousand pounds."
"Why, then, there's the odds of it," said the Captain; "for you
see he is served so for nothing. But come," turning to Mr. Lovel,
"be of good heart, all may end well yet, and you and Monseer Longtail
be as good friends as ever."
"I'm surprised, Mrs. Beaumont," cried Mr. Lovel, starting up, "that
you can suffer a person under your roof to be treated so inhumanly."
"What argufies so many words?" said the unfeeling Captain; "it is but
a slit of the ear; it only looks as if you had been in the pillory."
"Very true," added Mrs. Selwyn; "and who knows but it may acquire
you the credit of being an anti-ministerial writer?"
"I protest," cried Mr. Lovel, looking ruefully at his dress, "my new
riding suit's all over blood!"
"Ha, ha, ha," cried the Captain, "see what comes of studying for an
hour what you shall put on!"
Mr. Lovel then walked to the glass; and, looking at the place,
exclaimed, "Oh heaven, what a monstrous wound! my ear will never be
fit to be seen again!"
"Why then," said the Captain, "you must hide it;-'tis but wearing
a wig."
"A wig!" repeated the affrighted Mr. Lovel; "I wear a wig?-no, not
if you would give me a thousand pounds an hour!"
"I declare," said Lady Louisa, "I never heard such a shocking proposal
in my life!"
Lord Orville, then, seeing no prospect that the altercation would
cease, proposed to the Captain to walk. He assented; and having given
Mr. Lovel a nod of exultation, accompanied his Lordship down stairs.
"'Pon honour," said Mr. Lovel, the moment the door was shut, "that
fellow is the greatest brute in nature! he ought not to be admitted
into a civilized society."
"Lovel," said Mr. Coverley, affecting to whisper, "you must certainly
pink him: you must not put up with such an affront."
"Sir," said Mr. Lovel, "with any common person I should not deliberate
an instant; but really with a fellow who has done nothing but fight
all his life, 'pon honour, Sir, I can't think of it!"
"Lovel," said Lord Merton, in the same voice, "you must call him
to account."
"Every man," said he, pettishly, "is the best judge of his own affairs;
and I don't ask the honour of any person's advice."
"Egad, Lovel," said Mr. Coverley, "you're in for it!-you can't possibly
be off!"
"Sir," cried he, very impatiently, "upon any proper occasion I should
be as ready to show my courage as any body; but as to fighting for
such a trifle as this-I protest I should blush to think of it!"
"A trifle!" cried Mrs. Selwyn, "good Heaven! and have you made this
astonishing riot about a trifle?"
"Ma'am," answered the poor wretch, in great confusion, "I did not
know at first but that my cheek might have been bit; but as 'tis no
worse, why, it does not a great deal signify. Mrs. Beaumont, I have
the honour to wish you a good evening; I'm sure my carriage must be
waiting." And then, very abruptly, he left the room.
What a commotion has this mischief-loving Captain raised! Were I
to remain here long, even the society of my dear Maria could scarce
compensate for the disturbances which he excites.
When he returned, and heard of the quiet exit of Mr. Lovel, his triumph
was intolerable. "I think, I think," he cried, "I have peppered him
well! I'll warrant he won't give an hour tomorrow morning to settling
what he shall put on; why, his coat," turning to me, "would be a most
excellent match for old Madame Furbelow's best Lyons silk! 'Fore
George, I'd desire no better sport than to have that there old cat
here to go her snacks!"
All the company the, Lord Orville, Miss Mirvan, and myself excepted,
played at cards; and we -oh, how much better did we pass our time!
While we were engaged in a most delightful conversation, a servant
brought me a letter, which he told me had by some accident been
mislaid. Judge of my feelings when I saw, my dearest Sir, your revered
hand-writing! My emotions soon betrayed to Lord Orville whom the
letter was from; the importance of the contents he well knew; and,
assuring me I should not be seen by the card-players, he besought me
to open it without delay.
Open it, indeed, I did-but read it I could not;-the willing, yet
awful consent you have granted-the tenderness of your expressions-the
certainty that no obstacle remained to my eternal union with the loved
owner of my heart, gave me sensations too various, and, though joyful,
too little placid for observation. Finding myself unable to proceed,
and blinded by the tears of gratitude and delight, which started into
my eyes, I gave over the attempt of reading till I retired to my own
room; and, having no voice to answer the enquiries of Lord Orville,
I put the letter into his hands, and left it to speak both for me
and itself.
Lord Orville was himself affected by your kindness: he kissed the
letter as he returned it; and, pressing my hand affectionately to
his heart, "Your are now," said he, in a low voice, "all my own! Oh,
my Evelina, how will my soul find room for its happiness?-it seems
already bursting!" I could make no reply, indeed I hardly spoke
another word the rest of the evening; so little talkative is the
fulness of contentment.
O, my dearest Sir, the thankfulness of my heart I must pour forth at
our meeting, when, at your feet, my happiness receives its confirmation
from your blessing; and when my noble-minded, my beloved Lord Orville,
presents to you the highly-honoured, and thrice-happy Evelina.
A few lines I will endeavour to write on Thursday, which shall be
sent off express, to give you, should nothing intervene, yet more
certain assurance of our meeting.
Now then, therefore, for the first-and probably the last time I
shall ever own the name, permit me to sign myself, Most dear Sir,
your gratefully affectionate, EVELINA BELMONT.
Lady Louisa, at her own particular desire, will be present at the
ceremony, as well as Miss Mirvan and Mrs. Selwyn: Mr. Macartney will,
the same morning, be united to my foster-sister; and my father himself
will give us both away.
</CHAPTER>
<CHAPTER>
LETTER LXXXIII. MR. VILLARS TO EVELINA.
EVERY wish of my soul is now fulfilled-for the felicity of my Evelina
is equal to her worthiness!
Yes, my child, thy happiness is engraved in golden characters upon
the tablets of my heart; and their impression is indelible: for,
should the rude and deep-searching hand of Misfortune attempt to
pluck them from their repository, the fleeting fabric of life would
give way; and in tearing from my vitals the nourishment by which they
are supported, she would but grasp at a shadow insensible to her touch.
Give thee my consent?-Oh thou joy, comfort, and pride of my life, how
cold is that word to express the fervency of my approbation! Yes, I do
indeed give thee my consent; and so thankfully, that, with the humblest
gratitude to Providence, I would seal it with the remnant of my days.
Hasten then, my love, to bless me with thy presence, and to receive
the blessings with which my fond heart overflows!-And oh, my Evelina,
hear and assist in one only, humble, but ardent prayer, which yet
animates my devotions: That the height of bliss to which thou art
rising may not render thee giddy, but that the purity of thy mind may
form the brightest splendour of thy prosperity!-and that the weak
and aged frame of thy almost idolizing parent, nearly worn out by
time, past afflictions, and infirmities, may yet be able to sustain
a meeting with all its better part holds dear; and then, that all the
wounds which the former severity of fortune inflicted, may be healed
and purified by the ultimate consolation of pouring forth my dying
words in blessings on my child!-closing these joy-streaming eyes in
her presence, and breathing my last faint sighs in her loved arms!
Grieve not, oh child of my care! Grieve not at the inevitable
moment! but may thy own end be equally propitious! Oh, may'st thou,
when full of days, and full of honour, sink down as gently to rest!-be
loved as kindly, watched as tenderly, as thy happy father! And mayest
thou, when thy glass is run, be sweetly, but not bitterly, mourned by
some remaining darling of thy affections-some yet surviving Evelina!
ARTHUR VILLARS.
</CHAPTER>
<CHAPTER>
LETTER LXXXIV. EVELINA TO THE REV. MR. VILLARS.
ALL is over, my dearest Sir; and the fate of your Evelina is
decided! This morning, with fearful joy and trembling gratitude,
she united herself for ever with the object of her dearest, her
eternal affection.
I have time for no more; the chaise now waits which is to conduct
me to dear Berry Hill, and to the arms of the best of men. EVELINA.
THE END.
</CHAPTER>
| 18,383 | Volume III, Letter XVI - Volume III, Letter XXIII | https://web.archive.org/web/20201126171702/https://www.gradesaver.com/evelina-or-the-history-of-a-young-ladys-entrance-into-the-world/study-guide/summary-volume-iii-letter-xvi--volume-iii-letter-xxiii | Evelina continues to write to Mr. Villars. In the morning during breakfast, Lord Orville asked Evelina if he could privately speak with her later, about the rude letter she had received. Later that day, Evelina was alone when Sir Clement Willoughby came into the room unexpectedly. When he saw that letter in her hand, he grew passionately agitated, asking her over and over again if the note had disgusted her, why she had not burned it, and whether she loved Lord Orville. She would not answer, even after he grow so distressed that he rudely exited the room as soon as others entered. That evening, Mrs. Selwyn tried to, in her ironic and piercing manner, determine why he had behaved with such panic. Evelina and Mr. Macartney met again at the house, using Lord Orville's invitation to him as a cover to arrange their meeting. He told her he was unable to gain audience with Miss Belmont, even though he had tried. Evelina suddenly exclaimed that she was his sister, and the two clasped hands in emotion. Lord Orville entered and saw this right before Mr. Macartney left. He was a bit surprised but soon pried from Evelina the news that Macartney was her brother. Meanwhile, as she had planned with Evelina, Mrs. Selwyn visited Sir John Belmont to tell him about her. When she returned, her countenance immediately revealed her anger and embarrassment. Sir John had been hostile to what he called the "ridiculous story," and he explained his side of events. Soon after leaving Evelina's mother, a nursemaid brought him his daughter from the estate of Mr. Villars, and he put the girl into a convent to be educated. She had recently returned a grown woman, and was the Miss Belmont currently seen around town. Hence, Evelina must be only a ruse to extort money from him. After Evelina heard this, she was devastated. Lord Orville found her during her grief, and when he tried to comfort her, she sobbed that she was unworthy of him. Later, Mrs. Selwyn admitted she had told Lord Orville about the girl's past, and that he was now doubly committed to marrying her. She was excited about the match. She also proposed the next step in the plan: Evelina would attend Mrs. Selwyn on a visit to Sir John Belmont on the next day. Evelina agreed, but trembled at the thought. The next day, Evelina was full of shock and terror when they went to Sir John Belmont's abode. Mrs. Selwyn first confronted him privately; he was in particularly poor spirits at recently learning he had a son in Macartney. Mrs. Selwyn begged him to at least see Evelina once, and he agreed. Evelina thus came face-to-face with her father. When he saw her, he was profoundly affected by fervid emotion and disbelief. He exclaimed that Caroline Evelyn was still alive and breathing before him. He was so distressed that he apologized and ran upstairs, saying that he could never see Evelina's face again. Later, Mrs. Clinton and Mrs. Selwyn tried to understand the story. It seemed that there had been a poor nursemaid who attended Caroline's deathbed, and who also had a daughter. After Caroline died, the nursemaid and her infant daughter disappeared. Considering how much secrecy Mr. Villars had employed in raising Evelina , it seemed likely that Sir John Belmont might never have known about her. Mrs. Selwyn returned to Sir John's house to further investigate the matter. When she returned, she had an answer. She and Sir John questioned the nurse and discovered how the nurse had overheard Mr. Villars promising Caroline that he would raise Evelina. Seeing an opportunity to make her own poor daughter an heiress, she brought the wrong infant to Sir John and claimed it was his daughter from Caroline. Evelina was overjoyed to learn that her father's neglect was not born from cruelty of spirit. The next day, Evelina was shocked with more information - Mrs. Selwyn, Sir John, and even the kindhearted Lord Orville had decided that both girls were to be married immediately. This way, Miss Belmont would not be shamed by losing her noble name before she married Mr. Macartney , and so Evelina could soon reclaim her rightful place as Sir John's heiress. Evelina was overcome with emotion; she largely approved of the plan, but felt even better when Lord Orville promised that they could pass their first month of marriage at Berry Hill. While they remained at Clifton, Evelina noticed a change in Lady Louisa's demeanor. She had obviously learned about both her brother's proposal and Evelina's change in station. As a result, she treated the girl with more civility. Mr. Macartney and Evelina met again, this time with Lord Orville warmly and openly offering his sincere compliments to the man. The time came for Evelina to visit her father again. Their meeting was beset with fervent, consuming emotion on both sides. He was fraught with despair about how he had treated her, and begged her forgiveness. By the time the interview was over, they had reunited and he promised to overcome the guilt her countenance brought him . He would simply need some time to make peace with himself. After the meeting, Mr. Macartney told Evelina that Lord Orville had promised him that they would consider the poor Miss Green - the fake heiress - as a sister and co-heiress, if not in law then in justice. Evelina writes to Mr. Villars of this: "Oh Lord Orville! - it shall be the sole study of my happy life, to express better than words, the sense I have of your exalted benevolence, and greatness of mind!" Evelina receives a letter from Sir Clement, explaining that it was he who penned the rude letter and forged Lord Orville's signature. He had found Young Branghton on his way to deliver Evelina's letter, and intercepted it. He does not apologize for doing so, but felt he should explain himself. She marveled at his unrepentant attitude, and wrote him back that she would not be telling anyone about it. Lord Orville also confessed to Evelina that he had originally intended to investigate her past before proposing, but that he became so overcome with emotion that he did so before he had adequate time for it. The group traveled together to Bath to show Evelina the city. There, they encountered Captain Mirvan and his family; upon hearing of Evelina's engagement, Maria had convinced her parents to join her. Evelina loved Bath, but the trip was somewhat soured by the Captain's incessant persecution of Mr. Lovel, who was in attendance. He treated him as he had treated Madame Duval. At one point, he even dressed up a monkey in fine clothes and called him Mr. Lovel's brother. The entire company was shocked, and Mr. Lovel was frightfully embarrassed. Evelina finally receives a letter from Mr. Villars - she had been waiting anxiously for his approval and was profoundly relieved to hear how excited and pleased he was for the couple. The last letter from Evelina to Mr. Villars states that "this morning, with fearful joy, and trembling gratitude, she united herself for ever with the object of her dearest, her eternal affection!" | In this last set of letters, it becomes clear that Evelina has successfully navigated the perilous waters of the London social scene, reclaiming her birthright and marrying an extremely eligible man. Moreover, she has done so while retaining her most prized possession - her innocence. This is the novel's primary dramatic conflict: her internal innocence is threatened by a public world characterized by masculine licentiousness and assertiveness. Joanne Cutting-Gray's article on Evelina's innocence offers insight into the novel through a discussion of her namelessness and the act of writing. Evelina has no real name - she is not recognized by her father - and thus can identify herself only by the innocence she is expected to show as a woman. Her name is a diminutive of her mother's last name, which marks her as something of a doll. Almost everyone in the novel is concerned with preserving Evelina's innocence. Mr. Villars warns her in nearly all of the letters of what she will face and how to protect herself. Evelina is, however, not completely a "tabula rasa of innocence upon which experience is engraved, for she has the reflexive ability to read more than one possible meaning in otherwise socially acceptable behavior." She can recognize the bad traits in others and justly condemn them. Further, she is willing to consider a situation's complications. Notice how, before she learns that Lord Orville had not penned the rude letter, she finds herself forgiving him nevertheless. She is willing to consider situations, and not view base behavior as the sum of a person's character. The facade required of women was thus very difficult to maintain: one had to be wise enough to recognize worldliness and stave off men's aggressive advances, but unworldly enough to appear diffident and guileless. Evelina enters a social world where her identity is already limned for her; this requires her to sublimate her own desires, and to allow her reflections to be "covered over by the veneer of naivete." Someone like Sir Clement assumes she merely possesses the latter of the two aforementioned qualities. He only wishes to seduce her, not to marry her, and believes that her guilelessness and naivete will make her an assured victory. That she is strong continually surprises him. Evelina herself tries very diligently to convince everyone that she is powerless and deficient in thought. This unfortunately reduces her potential to further develop as a person; she remains one-dimensional and does not endeavor to be anything except molded by her world. However, as the narrative reveals, "the Evelina who writes reveals a far more evaluative knowledge of her world than the Evelina she writes about." That is, she presents the proper face to society, but in private, is very witty, discriminating, and perceptive. For instance, when Evelina earlier rages over the way the Branghtons secured Lord Orville's carriage, she "claims her own right to the disclosing as well as concealing power of name and discourse." She is clearly frustrated at her role as a nameless female and must assert herself. She must respect her own name, since, as a woman, nobody else will. Throughout the writing of her letters, Evelina discovers meaning and thereby discovers herself. She records what she sees in London, but does much more as well: she learns "that she is capable of thought and therefore capable of speech." The "persuasive power of her narrative compensates for the confusion and distress that a predetermined innocence causes her," Cutting-Gray concludes. She discovers the parallels and patterns in the events that shape the world, and is subsequently able to voice her opinions. As she gathers a greater vocabulary of experience, she gains perspective on events, while always grappling with the perils of innocence. Through writing, she is able to "share in the composition of her own destiny" and slough of the role of innocent bystander and passive spectator. The novel's happy ending confirms Evelina's growth, though it does finally reveal some limitations in Burney's perspective of female empowerment. For all of Evelina's personal strength , notice how we rarely hear about deep and witty conversations she has with Lord Orville; instead, she merely mentions to Mr. Villars that such conversations take place. It would perhaps have burst the unbelievable bubble of their relationship to test how a man and woman of their social standing would actually converse. Further, the happy ending is engendered much more by Lord Orville and Mrs. Selwyn than it is by Evelina. She loses agency as a protagonist, and actually relies on other characters to represent her in this final set of letters. The implicit idea is that she has succeeded once she finds a good match, and now she can sit back and let the more masculine forces to orchestrate an appropriate ending. | 1,208 | 796 | [
"<CHAPTER>\nLETTER LXXVII.",
"EVELINA IN CONTINUATION.",
"Clifton, Oct. 7th.",
"YOU will see, my dear Sir, that I was mistaken in supposing I should\nwrite no more from this place, where my residence now seems more\nuncertain than ever.",
"This morning, during breakfast, Lord Orville took an opportunity to\nbeg me, in a low voice, to allow him a moment's conversation before\nI left Clifton; \"May I hope,\" added he, \"that you will stroll into\nthe garden after breakfast?\"",
"I made no answer, but I believe my looks gave no denial; for, indeed,\nI much wished to be satisfied concerning the letter.",
"The moment,\ntherefore, that I could quit the parlour, I ran up stairs for my\ncalash; but, before I reached my room, Mrs. Selwyn called after me,\n\"If you are going to walk, Miss Anville, be so good as to bid Jenny\nbring down my hat, and I'll accompany you.\"",
"Very much disconcerted, I turned into the drawing-room, without making\nany answer, and there I hoped to wait unseen, till she had otherwise\ndisposed of herself.",
"But, in a few minutes, the door opened, and Sir\nClement Willoughby entered.",
"Starting at the sight of him, in rising hastily, I let drop the letter\nwhich I had brought for Lord Orville's inspection, and, before I could\nrecover it, Sir Clement, springing forward, had it in his hand.",
"He\nwas just presenting it to me, and, at the same time, enquiring after\nmy health, when the signature caught his eye, and he read aloud,\n\"Orville.\"",
"I endeavoured, eagerly, to snatch it from him, but he would not permit\nme; and, holding it fast, in a passionate manner exclaimed, \"Good God,\nMiss Anville, is it possible you can value such a letter as this?\"",
"The question surprised and confounded me, and I was too much ashamed to\nanswer him; but, finding he made an attempt to secure it, I prevented\nhim, and vehemently demanded him to return it.",
"\"Tell me first,\" said he, holding it above my reach, \"tell me if you\nhave since received any more letters from the same person?\"",
"\"No, indeed,\" cried I, \"never!\"",
"\"And will you also, sweetest of women, promise that you never will\nreceive any more?",
"Say that, and you will make me the happiest of men.\"",
"\"Sir Clement,\" cried I, greatly confused, \"pray give me the letter.\"",
"\"And will you not first satisfy my doubts?-will you not relieve me\nfrom the torture of the most distracting suspense?-tell me but that\nthe detested Orville has written to you no more!\"",
"\"Sir Clement,\" cried I, angrily, \"you have no right to make any\nconditions,-so pray give me the letter directly.\"",
"\"Why such solicitude about this hateful letter?",
"can it possibly\ndeserve your eagerness?",
"tell me, with truth, with sincerity tell me,\ndoes it really merit the least anxiety?\"",
"\"No matter, Sir,\" cried I, in great perplexity, \"the letter is mine,\nand therefore-\"\n\n\n\"I must conclude, then,\" said he, \"that the letter deserves your\nutmost contempt,-but that the name of Orville is sufficient to make\nyou prize it.\"",
"\"Sir Clement,\" cried I, colouring, \"you are quite-you are very much-the\nletter is not-\"\n\n\n\"O, Miss Anville,\" cried he, \"you blush!-you stammer!-Great Heaven!",
"it\nis then all as I feared!\"",
"\"I know not,\" cried I, half-frightened, \"what you mean; but I beseech\nyou to give me the letter, and to compose yourself.\"",
"\"The letter,\" cried he, gnashing his teeth, \"you shall never see\nmore!",
"You ought to have burnt it the moment you had read it!\"",
"And in\nan instant he tore it into a thousand pieces.",
"Alarmed at a fury so indecently outrageous, I would have run out of\nthe room; but he caught hold of my gown, and cried, \"Not yet, not yet\nmust you go!",
"I am but half-mad yet, and you must stay to finish your\nwork.",
"Tell me, therefore, does Orville know your fatal partiality?-Say\nyes,\" added he, trembling with passion, \"and I will fly you for ever!\"",
"\"For Heaven's sake, Sir Clement,\" cried I, \"release me!-if you do not,\nyou will force me to call for help.\"",
"\"Call then,\" cried he, \"inexorable and most unfeeling girl; call,\nif you please, and bid all the world witness your triumph;-but could\nten worlds obey your call, I would not part from you till you had\nanswered me.",
"Tell me, then, does Orville know you love him?\"",
"At any other time, an enquiry so gross would have given me\ninexpressible confusion; but now, the wildness of his manner terrified\nme, and I only said, \"Whatever you wish to know, Sir Clement, I will\ntell you another time; but, for the present, I entreat you to let\nme go!\"",
"\"Enough,\" cried he, \"I understand you!-the art of Orville has\nprevailed;-cold, inanimate, phlegmatic as he is, you have rendered\nhim the most envied of men!-One thing more, and I have done:-Will he\nmarry you?\"",
"What a question!",
"my cheeks glowed with indignation, and I felt too\nproud to make any answer.",
"\"I see, I see how it is,\" cried he, after a short pause, \"and I\nfind I am undone for ever!\"",
"Then, letting loose my gown, he put his\nhand to his forehead, and walked up and down the room in a hasty and\nagitated manner.",
"Though now at liberty to go, I had not the courage to leave him:\nfor his evident distress excited all my compassion.",
"And this was our\nsituation, when Lady Louisa, Mr Coverley, and Mrs. Beaumont entered\nthe room.",
"\"Sir Clement Willoughby,\" said the latter, \"I beg your pardon for\nmaking you wait so long, but-\"\n\n\nShe had not time for another word; Sir Clement, too much disordered to\nknow or care what he did, snatched up his hat, and, brushing hastily\npast her, flew down stairs, and out of the house.",
"And with him went my sincerest pity, though I earnestly hope I shall\nsee him no more.",
"But what, my dear Sir, am I to conclude from his\nstrange speeches concerning the letter?",
"Does it not seem as if he was\nhimself the author of it?",
"How else should he be so well acquainted\nwith the contempt it merits?",
"Neither do I know another human being\nwho could serve any interest by such a deception.",
"I remember, too,\nthat just as I had given my own letter to the maid, Sir Clement came\ninto the shop: probably he prevailed upon her, by some bribery, to\ngive it to him; and afterwards, by the same means, to deliver to me an\nanswer of his own writing.",
"Indeed I can in no other manner account for\nthis affair.",
"Oh, Sir Clement, were you not yourself unhappy, I know not\nhow I could pardon an artifice that has caused me so much uneasiness!",
"His abrupt departure occasioned a kind of general consternation.",
"\"Very extraordinary behavior this!\"",
"cried Mrs. Beaumont.",
"\"Egad,\" said Mr. Coverley, \"the baronet has a mind to tip us a touch\nof the heroics this morning!\"",
"\"I declare,\" cried Miss Louisa, \"I never saw any thing so monstrous\nin my life!",
"it's quite abominable;-I fancy the man's mad;-I'm sure\nhe has given me a shocking fright!\"",
"Soon after, Mrs. Selwyn came up stairs with Lord Merton.",
"The former,\nadvancing hastily to me, said, \"Miss Anville, have you an almanack?\"",
"\"Me?-no, Madam.\"",
"\"Who has one, then?\"",
"\"Egad,\" cried Mr. Coverley, \"I never bought one in my life; it would\nmake me quite melancholy to have such a time-keeper in my pocket.",
"I\nwould as soon walk all day before an hour-glass.\"",
"\"You are in the right,\" said Mrs. Selwyn, \"not to watch time, lest\nyou should be betrayed, unawares, into reflecting how you employ it.\"",
"\"Egad, Ma'am,\" cried he, \"if Time thought no more of me than I do of\nTime, I believe I should bid defiance, for one while, to old age and\nwrinkles; for deuce take me, if ever I think about it at all.\"",
"\"Pray, Mr. Coverley,\" said Mrs. Selwyn, \"why do you think it necessary\nto tell me this so often?\"",
"\"Often!\"",
"repeated he; \"Egad, Madam, I don't know why I said it now;-but\nI'm sure I can't recollect that ever I owned as much before.\"",
"\"Owned it before!\"",
"cried she, \"why, my dear Sir, you own it all day\nlong; for every word, every look, every action proclaims it.\"",
"I now not if he understood the full severity of her satire, but he\nonly turned off with a laugh: and she then applied to Mr. Lovel,\nand asked if he had an almanack?",
"Mr. Lovel, who always looks alarmed when she addresses him, with\nsome hesitation answered, \"I assure you, Ma'am, I have no manner of\nantipathy to an almanack,-none in the least,-I assure you;-I dare\nsay I have four or five.\"",
"\"Four or five!-pray, may I ask what use you make of so many?\"",
"\"Use!-really, Ma'am, as to that,-I don't make any particular use of\nthem; but one must have them, to tell one the day of the month:-I'm\nsure, else I should never keep it in my head.\"",
"\"And does your time pass so smoothly unmarked, that, without an\nalmanack, you could not distinguish one day from another?\"",
"\"Really, Ma'am,\" cried he, colouring, \"I don't see anything so\nvery particular in having a few almanacks; other people have them,\nI believe, as well as me.\"",
"\"Don't be offended,\" cried she, \"I have but made a little\ndigression.",
"All I want to know is, the state of the moon;-for if it\nis at the full, I shall be saved a world of conjectures, and know at\nonce to what cause to attribute the inconsistencies I have witnessed\nthis morning.",
"In the first place, I heard Lord Orville excuse himself\nfrom going out, because he had business of importance to transact at\nhome;-yet have I seen him sauntering alone in the garden this half\nhour.",
"Miss Anville, on the other hand, I invited to walk out with\nme; and, after seeking her every where round the house, I find her\nquietly seated in the drawing-room.",
"And, but a few minutes since,\nSir Clement Willoughby, with even more than his usual politeness,\ntold me he was come to spend the morning here;-when, just now,\nI met him flying down stairs, as if pursued by the Furies; and far\nfrom repeating his compliments, or making any excuse, he did not even\nanswer a question I asked him, but rushed past me, with the rapidity\nof a thief from a bailiff!\"",
"\"I protest,\" said Mrs. Beaumont, \"I can't think what he meant; such\nrudeness, from a man of any family, is quite incomprehensible.\"",
"\"My Lord,\" cried Lady Louisa to Lord Merton, \"do you know he did the\nsame by me?-I was just going to ask him what was the matter; but he\nran past me so quick, that I declare he quite dazzled my eyes.",
"You\ncan't think, my Lord, how he frightened me; I dare say I look as\npale-don't I look very pale, my Lord?\"",
"\"Your Ladyship,\" said Mr. Lovel, \"so well becomes the lilies, that\nthe roses might blush to see themselves so excelled.\"",
"\"Pray, Mr. Lovel,\" said Mrs. Selwyn,\" if the roses should blush,\nhow would you find it out?\"",
"\"Egad,\" cried Mr. Coverley, \"I suppose they must blush, as the saying\nis, like a blue dog,-for they are red already.\"",
"\"Prithee, Jack,\" said Lord Merton, \"don't you pretend to talk about\nblushes, that never knew what they were in your life.\"",
"\"My Lord,\" said Mrs. Selwyn, \"if experience alone can justify\nmentioning them, what an admirable treatise upon the subject may we\nnot expect from your Lordship!\"",
"\"O, pray, Ma'am,\" answered he, \"stick to Jack Coverley,-he's your only\nman; for my part, I confess I have a mortal aversion to arguments.\"",
"\"O, fie, my Lord,\" cried Mrs. Selwyn, \"a senator of the nation!",
"a\nmember of the noblest parliament in the world!-and yet neglect the\nart of oratory!\"",
"\"Why, faith, my Lord,\" said Mr. Lovel, \"I think, in general, your House\nis not much addicted to study; we of the Lower House have indubitably\nmost application; and, if I did not speak before a superior power\n(bowing to Lord Merton) I should presume to add, we have likewise\nthe most able speakers.\"",
"\"Mr. Lovel,\" said Mrs. Selwyn, \"you deserve immortality for that\ndiscovery!",
"But for this observation, and the confession of Lord\nMerton, I protest that I should have supposed that a peer of the realm,\nand an able logician, were synonymous terms.\"",
"Lord Merton, turning upon his heel, asked Lady Louisa if she would\ntake the air before dinner?",
"\"Really,\" answered she, \"I don't know;-I'm afraid it's monstrous\nhot; besides (putting her hand to her forehead) I an't half well;\nit's quite horrid to have such weak nerves!-the least thing in the\nworld discomposes me: I declare, that man's oddness has given me such\na shock,-I don't know when I shall recover from it.",
"But I'm a sad,\nweak creature;-don't you think I am, my Lord?\"",
"\"O, by no means,\" answered he, \"your Ladyship is merely delicate,-and\ndevil take me if ever I had the least passion for an Amazon.\"",
"\"I have the honour to be quite of your Lordship's opinion,\" said\nMr. Lovel, looking maliciously at Mrs. Selwyn; \"for I have an\ninsuperable aversion to strength, either of body or mind, in a female.\"",
"\"Faith, and so have I,\" said Mr. Coverley; \"for egad, I'd as soon\nsee a woman chop wood, as hear her chop logic.\"",
"\"So would every man in his senses,\" said Lord Merton, \"for a\nwoman wants nothing to recommend her but beauty and good-nature; in\neverything else she is either impertinent or unnatural.",
"For my part,\ndeuce take me if ever I wish to hear a word of sense from a woman as\nlong as I live!\"",
"\"It has always been agreed,\" said Mrs. Selwyn, looking round her with\nthe utmost contempt, \"that no man ought to be connected with a woman\nwhose understanding is superior to his own.",
"Now I very much fear,\nthat to accommodate all this good company, according to such a rule,\nwould be utterly impracticable, unless we should choose subjects from\nSwift's hospital of idiots.\"",
"How many enemies, my dear Sir, does this unbounded severity\nexcite!",
"Lord Merton, however, only whistled; Mr. Coverley sang; and\nMr. Lovel, after biting his lips, said \"'Pon honour, that lady-if\nshe was not a lady-I should be half tempted to observe,-that there\nis something,-in such severity,-that is rather, I must say,-rather\noddish.\"",
"Just then a servant brought Lady Louisa a note upon a waiter, which\nis a ceremony always used to her Ladyship; and I took the opportunity\nof this interruption to the conversation to steal out of the room.",
"I went immediately to the parlour, which I found quite empty; for I\ndid not dare walk in the garden, after what Mrs. Selwyn had said.",
"In a few minutes a servant announced Mr. Macartney; saying, as he\nentered the room, that he would acquaint Lord Orville he was there.",
"Mr. Macartney rejoiced much at finding me alone.",
"He told me he had\ntaken the liberty to enquire for Lord Orville, by way of pretext for\ncoming to the house.",
"I then very eagerly enquired if he had seen his father.",
"\"I have, Madam,\" said he, \"and the generous compassion you have shown\nmade me hasten to acquaint you, that, upon reading my unhappy mother's\nletter, he did not hesitate to acknowledge me.\"",
"\"Good God,\" cried I, with no little emotion, \"how similar are our\ncircumstances!",
"And did he receive you kindly?\"",
"\"I could not, Madam, expect that he would; the cruel, transaction,\nwhich obliged me to fly to Paris, was recent in his memory.\"",
"\"And,-have you seen the young lady?\"",
"\"No, Madam,\" said he, mournfully, \"I was forbid her sight.\"",
"\"Forbid her sight!-and why?\"",
"\"Partly, perhaps, from prudence,-and partly from the remains of a\nresentment which will not easily subside.",
"I only requested leave\nto acquaint her with my relationship, and to be allowed to call her\nsister;-but it was denied me!",
"'You have no sister,' said Sir John,\n'you must forget her existence.'",
"Hard and vain command!\"",
"\"You have-you have a sister!\"",
"cried I, from an impulse of pity, which\nI could not repress; \"a sister who is most warmly interested in your\nwelfare, and who only wants opportunity to manifest her friendship\nand regard.\"",
"\"Gracious Heaven!\"",
"cried he, \"what does Miss Anville mean?\"",
"\"Anville,\" said I, \"is not my real name; Sir John Belmont is my\nfather,-he is your's,-and I am your sister!-You see, therefore, the\nclaim we mutually have to each other's regard; we are not merely bound\nby the ties of friendship, but by those of blood.",
"I feel for you,\nalready, all the affection of a sister; I felt it, indeed, before\nI knew I was one.-Why, my dear brother, do you not speak?-do you\nhesitate to acknowledge me?\"",
"\"I am so lost in astonishment,\" cried he, \"that I know not if I\nhear right!",
"\"-\n\n\n\"I have, then, found a brother,\" cried I, holding out my hand,\n\"and he will not own me!\"",
"\"Own you!-Oh, Madam,\" cried he, accepting my offered hand, \"is it\nindeed possible you can own me?",
"-a poor, wretched adventurer!",
"who so\nlately had no support but from your generosity?-whom your benevolence\nsnatched from utter destruction?-Can you,-Oh, Madam, can you, indeed,\nand without a blush, condescend to own such an outcast for a brother?\"",
"\"Oh, forbear, forbear,\" cried I, \"is this language proper for a\nsister?",
"are we not reciprocally bound to each other?-Will you not\nsuffer me to expect from you all the good offices in your power?-But\ntell me, where is our father at present?\"",
"\"At the Hot-Wells, Madam; he arrived there yesterday morning.\"",
"I would have proceeded with further questions, but the entrance of\nLord Orville prevented me.",
"The moment he saw us, he started, and\nwould have retreated; but, drawing my hand from Mr. Macartney's,\nI begged him to come in.",
"For a few moments we were all silent, and, I believe, all in equal\nconfusion.",
"Mr. Macartney, however, recollecting himself said \"I hope\nyour Lordship will forgive the liberty I have taken in making use of\nyour name.\"",
"Lord Orville, rather coldly, bowed, but said nothing.",
"Again we were all silent, and then Mr. Macartney took leave.",
"\"I fancy,\" said Lord Orville, when he was gone, \"I have shortened Mr.\nMacartney's visit?\"",
"\"No, my Lord, not at all.\"",
"\"I had presumed,\" said he, with some hesitation, \"I should have seen\nMiss Anville in the garden;-but I knew not she was so much better\nengaged.\"",
"Before I could answer, a servant came to tell me the chaise was ready,\nand that Mrs. Selwyn was enquiring for me.",
"\"I will wait on her immediately,\" cried I, and away I was running;\nbut Lord Orville, stopping me, said, with great emotion, \"Is it thus,\nMiss Anville, you leave me?\"",
"\"My Lord,\" cried I, \"how can I help it?-perhaps, soon, some better\nopportunity may offer-\"\n\n\n\"Good Heaven!\"",
"cried he, \"do you take me for a Stoic!",
"what better\nopportunity may I hope for?-is not the chaise come?-are you not\ngoing?",
"have you even deigned to tell me whither?\"",
"\"My journey, my Lord, will now be deferred.",
"Mr. Macartney has brought\nme intelligence which renders it at present unnecessary.\"",
"\"Mr. Macartney,\" said he, gravely, \"seems to have great influence;-yet\nhe is a very young counsellor.\"",
"\"Is it possible, my Lord, Mr. Macartney can give you the least\nuneasiness?\"",
"\"My dearest Miss Anville,\" said he, taking my hand, \"I see, and I\nadore the purity of your mind, superior as it is to all little arts,\nand all apprehensions of suspicion; and I should do myself, as well as\nyou, injustice, if I were capable of harbouring the smallest doubts of\nthat goodness which makes you mine forever: nevertheless, pardon me,\nif I own myself surprised,-nay, alarmed, at these frequent meetings\nwith so young a man as Mr.",
"Macartney.\"",
"\"My Lord,\" cried I, eager to clear myself, \"Mr. Macartney is my\nbrother.\"",
"\"Your brother!",
"you amaze me!-What strange mystery, then, makes his\nrelationship a secret?\"",
"Just then Mrs. Selwyn opened the door.",
"\"O, you are here!\"",
"cried she:\n\"Pray, is my Lord so kind as to assist you in preparing for your\njourney, or in retarding it?\"",
"\"I should be most happy,\" said Lord Orville, smiling, \"if it were in\nmy power to do the latter.\"",
"I then acquainted her with Mr. Macartney's communication.",
"She immediately ordered the chaise away: and then took me into her\nown room, to consider what should be done.",
"A few minutes sufficed to determine her; and she wrote the following\nnote.",
"\"To Sir John Belmont, Bart.\"",
"\"MRS. SELWYN presents her compliments to Sir John Belmont;\n and, if he is at leisure, will be glad to wait on him this\n morning, upon business of importance.\"",
"She then ordered her man to enquire at the pump-room for a direction;\nand went herself to Mrs. Beaumont to apologize for deferring her\njourney.",
"An answer was presently returned, that Sir John would be glad to\nsee her.",
"She would have had me immediately accompany her to the Hot-Wells; but\nI entreated her to spare me the distress of so abrupt an introduction,\nand to pave the way for my reception.",
"She consented rather reluctantly,\nand, attended only by her servant, walked to the Wells.",
"She was not absent two hours; yet so miserably did time seem to\nlinger, that I thought a thousand accidents had happened, and feared\nshe would never return.",
"I passed the whole time in my own room,\nfor I was too much agitated even to converse with Lord Orville.",
"The instant that, from my window, I saw her returning, I flew down\nstairs, and met her in the garden.",
"We both walked to the arbour.",
"Her looks, in which both disappointment and anger were expressed,\npresently announced to me the failure of her embassy.",
"Finding that\nshe did not speak, I asked her, in a faltering voice, whether or not\nI had a father?",
"\"You have not, my dear!\"",
"said she abruptly.",
"\"Very well, Madam,\" said I, with tolerable calmness, \"let the chaise\nthen be ordered again;-I will go to Berry Hill;-and there, I trust,\nI shall still find one!\"",
"It was some time ere she could give, or I could hear, the account of\nher visit; and then she related it in a hasty manner; yet, I believe\nI can recollect every word.",
"\"I found Sir John alone.",
"He received me with the utmost politeness.",
"I\ndid not keep him a moment in suspense as to the purport of my\nvisit.",
"But I had no sooner made it known, than, with a supercilious\nsmile, he said, 'And have you, Madam, been prevailed upon to revive\nthat ridiculous old story?'",
"Ridiculous, I told him, was a term which\nhe would find no one else do him the favour to make use of, in speaking\nof the horrible actions belonging to the old story he made so light of;\n'actions' continued I, 'which would dye still deeper the black annals\nof Nero or Caligula.'",
"He attempted in vain to rally; for I pursued him\nwith all the severity in my power, and ceased not painting the enormity\nof his crime till I stung him to the quick, and, in a voice of passion\nand impatience, he said, 'No more, Madam,-this is not a subject upon\nwhich I need a monitor.'",
"'Make then,' cried I, 'the only reparation\nin your power.-Your daughter is now at Clifton; send for her hither;\nand, in the face of the world, proclaim the legitimacy of her birth,\nand clear the reputation of your injured wife.'",
"'Madam,' said he,\n'you are much mistaken, if you suppose I waited for the honour of this\nvisit before I did what little justice now depends upon me, to the\nmemory of that unfortunate woman: her daughter has been my care from\nher infancy; I have taken her into my house; she bears my name; and\nshe will be my sole heiress.'",
"For some time this assertion appeared\nso absurd, that I only laughed at it: but, at last, he assured me,\nI had myself been imposed upon; for that very woman who attended\nLady Belmont in her last illness, conveyed the child to him while\nhe was in London, before she was a year old.",
"'Unwilling,' he added,\n'at that time to confirm the rumour of my being married, I sent the\nwoman with the child to France: as soon as she was old enough, I put\nher into a convent, where she has been properly educated, and now\nI have taken her home.",
"I have acknowledged her for my lawful child,\nand paid, at length, to the memory of her unhappy mother a tribute\nof fame, which has made me wish to hide myself hereafter from all\nthe world.'",
"This whole story sounded so improbable, that I did not\nscruple to tell him I discredited every word.",
"He then rung his bell;\nand, enquiring if his hair-dresser was come, said he was sorry to\nleave me; but that, if I would favour him with my company to-morrow,\nhe would do himself the honour of introducing Miss Belmont to me,\ninstead of troubling me to introduce her to him.",
"I rose in great\nindignation; and assuring him I would make his conduct as public as\nit was infamous-I left the house.\"",
"Good Heaven, how strange the recital!",
"how incomprehensible an\naffair!",
"The Miss Belmont then who is actually at Bristol, passes\nfor the daughter of my unhappy mother!-passes, in short, for your\nEvelina!",
"Who she can be, or what this tale can mean, I have not\nany idea.",
"Mrs. Selwyn soon after left me to my own reflections.",
"Indeed they were\nnot very pleasant.",
"Quietly as I had borne her relation, the moment\nI was alone I felt most bitterly both the disgrace and sorrow of a\nrejection so cruelly inexplicable.",
"I know not how long I might have continued in this situation, had\nI not been awakened from my melancholy reverie by the voice of Lord\nOrville.",
"\"May I come in,\" cried he, \"or shall I interrupt you?\"",
"I was silent, and he seated himself next me.",
"\"I fear,\" he continued, \"Miss Anville will think I persecute her:\nyet so much as I have to say, and so much as I wish to hear, with so\nfew opportunities for either, she cannot wonder-and I hope she will\nnot be offended-that I seize with such avidity every moment in my\npower to converse with her.",
"You are grave,\" added he, taking my hand;\n\"I hope the pleasure it gives to me, will not be a subject of pain to\nyou?",
"-You are silent!-Something, I am sure, has afflicted you:-would\nto Heaven I were able to console you!-Would to Heaven I were worthy\nto participate in your sorrows!\"",
"My heart was too full to bear this kindness, and I could only answer by\nmy tears.",
"\"Good Heaven,\" cried he, \"how you alarm me!-My love, my sweet\nMiss Anville, deny me no longer to be the sharer of your griefs!-tell\nme, at least, that you have not withdrawn your esteem!-that you do\nnot repent the goodness you have shown me!-that you still think me\nthe same grateful Orville, whose heart you have deigned to accept!\"",
"\"Oh, my Lord,\" cried I, \"your generosity overpowers me!\"",
"And I wept\nlike an infant.",
"For now, that all my hopes of being acknowledged\nseemed finally crushed, I felt the nobleness of his disinterested\nregard so forcibly, that I could scarce breathe under the weight of\ngratitude which oppressed me.",
"He seemed greatly shocked; and, in terms the most flattering, the\nmost respectfully tender, he at once soothed my distress, and urged\nme to tell him its cause.",
"\"My Lord,\" said I, when I was able to speak, \"you little know what\nan outcast you have honoured with your choice!-a child of bounty,-an\norphan from infancy,-dependant, even for subsistence, dependent, upon\nthe kindness of compassion!-Rejected by my natural friends,-disowned\nfor ever by my nearest relation,-Oh, my Lord, so circumstanced,\ncan I deserve the distinction with which you honour me?",
"No, no,\nI feel the inequality too painfully;-you must leave me, my Lord;\nyou must suffer me to return to obscurity; and there, in the bosom\nof my first, best, my only friend,-I will pour forth all the grief\nof my heart!-while you, my Lord, must seek elsewhere-\"\n\n\nI could not proceed; my whole soul recoiled against the charge I\nwould have given, and my voice refused to utter it.",
"\"Never,\" cried he, warmly, \"my heart is your's, and I swear to you an\nattachment eternal!-You prepare me, indeed, for a tale of horror, and\nI am almost breathless with expectation;-but so firm is my conviction,\nthat, whatever are your misfortunes, to have merited them is not of the\nnumber, that I feel myself more strongly, more invincibly devoted to\nyou than ever!-Tell me but where I may find this noble friend, whose\nvirtues you have already taught me to reverence,-and I will fly to\nobtain his consent and intercession, that henceforward our fates my be\nindissolubly united;-and then shall it be the sole study of my life to\nendeavor to soften your past,-and guard you from future misfortunes!\"",
"I had just raised my eyes to answer this most generous of men, when\nthe first object they met was Mrs. Selwyn.",
"\"So, my dear,\" cried she, \"what, still courting the rural shades!-I\nthought ere now you would have been satiated with this retired seat,\nand I have been seeking you all over the house.",
"But I find the\nonly way to meet with you,-is to enquire for Lord Orville.",
"However,\ndon't let me disturb your meditation; you are possibly planning some\npastoral dialogue.\"",
"And, with this provoking speech, she walked on.",
"In the greatest confusion I was quitting the arbour, when Lord Orville\nsaid, \"Permit me to follow Mrs. Selwyn;-it is time to put an end to\nall impertinent conjectures; will you allow me to speak to her openly?\"",
"I assented in silence, and he left me.",
"I then went to my own room, where I continued till I was summoned to\ndinner; after which, Mrs. Selwyn invited me to hers.",
"The moment she had shut the door, \"Your Ladyship'\" said she, \"will,\nI hope, be seated.\"",
"\"Ma'am!\"",
"cried I, staring.",
"\"O the sweet innocent!",
"So you don't know what I mean?-but, my dear,\nmy sole view is to accustom you a little to your dignity elect, lest,\nwhen you are addressed by your title, you should look another way, from\nan apprehension of listening to a discourse not meant for you to hear.\"",
"Having, in this manner, diverted herself with my confusion, till her\nraillery was almost exhausted, she congratulated me very seriously\nupon the partiality of Lord Orville, and painted to me, in the\nstrongest terms, his disinterested desire of being married to me\nimmediately.",
"She had told him, she said, my whole story, and yet\nhe was willing, nay eager, that our union should take place of any\nfurther application to my family.",
"\"Now, my dear,\" continued she,\n\"I advise you by all means to marry him directly; nothing can be\nmore precarious than our success with Sir John; and the young men of\nthis age are not to be trusted with too much time for deliberation,\nwhere their interests are concerned.\"",
"\"Good God, Madam,\" cried I, \"do you think I would hurry Lord Orville?\"",
"\"Well, do as you will,\" said she, \"luckily you have an excellent\nsubject for Quixotism;-otherwise this delay might prove your ruin;\nbut Lord Orville is almost as romantic as if he had been born and\nbred at Berry Hill.\"",
"She then proposed, as no better expedient seemed likely to be\nsuggested, that I should accompany her at once in her visit to the\nHot-Wells to-morrow morning.",
"The very idea made me tremble; yet she represented so strongly the\nnecessity of pursuing this unhappy affair with spirit, or giving it\ntotally up, that, wanting her force of argument, I was almost obliged\nto yield to her proposal.",
"In the evening we all walked in the garden; and Lord Orville, who\nnever quitted my side, told me he had been listening to a tale, which\nthough it had removed the perplexities that had so long tormented him,\nhad penetrated him with sorrow and compassion.",
"I acquainted him with\nMrs. Selwyn's plan for to-morrow, and confessed the extreme terror\nit gave me.",
"He then, in a manner almost unanswerable, besought me\nto leave to him the conduct of the affair, by consenting to be his\nbefore an interview took place.",
"I could not but acknowledge my sense of his generosity; but I told him\nI was wholly dependent upon you; and that I was certain your opinion\nwould be the same as mine; which was, that it would be highly improper\nI should dispose of myself for ever, so very near the time which must\nfinally decide by whose authority I ought to be guided.",
"The subject of\nthis dreaded meeting, with the thousand conjectures and apprehensions\nto which it gives birth, employed all our conversation then, as it\nhas all my thoughts since.",
"Heaven only knows how I shall support myself, when the long\nexpected-the wished-yet terrible moment arrives, that will prostrate\nme at the feet of the nearest, the most reverenced of all relations,\nwhom my heart yearns to know, and longs to love!",
"</CHAPTER>\n\n<CHAPTER>\nLETTER LXXVIII.",
"EVELINA IN CONTINUATION.",
"Oct. 9th.",
"I COULD not write yesterday, so violent was the agitation of my\nmind;-but I will not, now, lose a moment till I have hastened to\nmy best friend an account of the transactions of a day I can never\nrecollect without emotion.",
"Mrs. Selwyn determined upon sending no message, \"Lest,\" said she,\n\"Sir John, fatigued with the very idea of my reproaches, should\nendeavour to avoid a meeting.",
"He cannot but see who you are, whether\nhe will do you justice or not.\"",
"We went early, and in Mrs. Beaumont's chariot; into which Lord Orville,\nuttering words of the kindest encouragement, handed us both.",
"My uneasiness, during the ride, was excessive; but, when we stopped at\nthe door, I was almost senseless with terror!",
"the meeting, at last,\nwas not so dreadful as that moment!",
"I believe I was carried into\nthe house; but I scarce recollect what was done with me: however,\nI know we remained some time in the parlour before Mrs. Selwyn could\nsend any message up stairs.",
"When I was somewhat recovered, I intreated her to let me return home,\nassuring her I felt myself quite unequal to supporting the interview.",
"\"No,\" said she; \"you must stay now: your fears will but gain strength\nby delay; and we must not have such a shock as this repeated.\"",
"Then,\nturning to the servant, she sent up her name.",
"An answer was brought, that he was going out in great haste, but\nwould attend her immediately.",
"I turned so sick, that Mrs. Selwyn was\napprehensive I should have fainted; and, opening a door which led to\nan inner apartment, she begged me to wait there till I was somewhat\ncomposed, and till she had prepared for my reception.",
"Glad of every moment's reprieve, I willingly agreed to the proposal;\nand Mrs. Selwyn had but just time to shut me in, before her presence\nwas necessary.",
"The voice of a father -Oh, dear and revered name!-which then, for the\nfirst time, struck my ears, affected me in a manner I cannot describe,\nthough it was only employed in giving orders to a servant as he came\ndown stairs.",
"Then, entering the parlour, I heard him say, \"I am sorry, Madam,\nI made you wait; but I have an engagement which now calls me away:\nhowever, if you have any commands for me, I shall be glad of the\nhonour of your company some other time.\"",
"\"I am come, Sir,\" said Mrs. Selwyn, \"to introduce your daughter\nto you.\"",
"\"I am infinitely obliged to you,\" answered he; \"but I have just had\nthe satisfaction of breakfasting with her.",
"Ma'am, your most obedient.\"",
"\"You refuse, then, to see her?\"",
"\"I am much indebted to you, Madam, for this desire of increasing\nmy family; but you must excuse me if I decline taking advantage of\nit.",
"I have already a daughter, to whom I owe everything; and it is\nnot three days since that I had the pleasure of discovering a son: how\nmany more sons and daughters may be brought to me, I am yet to learn;\nbut I am already perfectly satisfied with the size of my family.\"",
"\"Had you a thousand children, Sir John,\" said Mrs. Selwyn, \"this\nonly one, of which Lady Belmont was the mother, ought to be most\ndistinguished; and, far from avoiding her sight, you should thank your\nstars, in humble gratitude, that there yet remains in your power the\nsmallest opportunity of doing the injured wife you have destroyed,\nthe poor justice of acknowledging her child!\"",
"\"I am very unwilling, Madam,\" answered he, \"to enter into any\ndiscussion of this point; but you are determined to compel me to\nspeak.",
"There lives not at this time the human being, who should\ntalk to me of the regret due to the memory of that ill-fated woman;\nno one can feel it so severely as myself; but let me, nevertheless,\nassure you, I have already done all that remained in my power to\nprove the respect she merited from me: her child I have educated,\nand owned for my lawful heiress: if, madam, you can suggest to me\nany other means by which I may more fully do her justice, and more\nclearly manifest her innocence, name them to me; and, though they\nshould wound my character still deeper, I will perform them readily.\"",
"\"All this sounds vastly well,\" returned Mrs. Selwyn; \"but I must own\nit is rather too enigmatical for my faculties of comprehension.",
"You\ncan, however, have no objection to seeing this young lady.\"",
"\"None in the world.\"",
"\"Come forth, then, my dear,\" cried she, opening the door; \"come forth\nand see your father!\"",
"Then, taking my trembling hand, she led me\nforward.",
"I would have withdrawn it and retreated; but, as he advanced\ninstantly towards me, I found myself already before him.",
"What a moment for your Evelina-an involuntary scream escaped me, and,\ncovering my face with my hands, I sunk on the floor.",
"He had, however, seen me first; for, in a voice scarce articulate,\nhe exclaimed, \"My God!",
"does Caroline Evelyn still live!\"",
"Mrs. Selwyn said something, but I could not listen to her; and in a\nfew minutes he added, \"Lift up thy head-if my sight has not blasted\nthee!-lift up thy head, thou image of my long lost Caroline!\"",
"Affected beyond measure, I half arose, and embraced his knees, while\nyet on my own.",
"\"Yes, yes,\" cried he, looking earnestly in my face, \"I see, I see thou\nart her child!",
"she lives-she breathes,-she is present to my view!-Oh,\nGod, that she indeed lived!-Go, child, go,\" added he, wildly starting,\nand pushing me from him: \"take her away, Madam,-I cannot bear to look\nat her!\"",
"And then, breaking hastily from me, he rushed out of the room.",
"Speechless, motionless myself, I attempted not to stop him; but\n Mrs. Selwyn,\nhastening after him, caught hold of his arm: \"Leave me, Madam,\" cried\nhe, with quickness, \"and take care of the poor child:-bid her not\nthink me unkind; tell her, I would at this moment plunge a dagger in\nmy heart to serve her: but she has set my brain on fire; and I can see\nher no more!\"",
"Then, with a violence almost frantic, he ran up stairs.",
"Oh, Sir, had I not indeed cause to dread this interview?-an\n interview so\nunspeakably painful and afflicting to us both!",
"Mrs. Selwyn would have\nimmediately returned to Clifton; but I entreated her to wait some time,\nin the hope that my unhappy father, when his first emotion was over,\nwould again bear me in his sight.",
"However, he soon after sent his\nservant to enquire how I did; and to tell Mrs. Selwyn he was much\nindisposed, but would hope for the honour of seeing her to-morrow,\nat any time she would please to appoint.",
"She fixed upon ten o'clock in the morning; and then, with a heavy\n heart, I\ngot into the chariot.",
"Those afflicting words, I can see her no\nmore!",
"were never a moment absent from my mind.",
"Yet the sight of Lord Orville, who handed us from the carriage,\n gave some\nrelief to the sadness of my thoughts.",
"I could not, however, enter\nupon the painful subject; but, begging Mrs. Selwyn to satisfy him,\nI went to my own room.",
"As soon as I communicated to the good Mrs. Clinton the present\n situation of\nmy affairs, an idea occurred to her which seemed to clear up all the\nmystery of my having been so long disowned.",
"The woman, she says, who attended my ever-to-be-regretted mother in\n her last\nillness, and who nursed me the first four months of my life, soon\nafter being discharged from your house, left Berry Hill entirely,\nwith her baby, who was but six weeks older than myself.",
"Mrs. Clinton\nremembers, that her quitting the place appeared, at the time, very\nextraordinary to the neighbours; but, as she was never heard of\nafterwards, she was by degrees quite forgotten.",
"The moment this was mentioned, it struck Mrs. Selwyn, as well as\n Mrs. Clinton\nherself, that my father had been imposed upon; and that the nurse, who\nsaid she had brought his child to him, had, in fact, carried her own.",
"The name by which I was known, the secrecy observed in regard to\n my family,\nand the retirement in which I lived, all conspired to render this\nscheme, however daring and fraudulent, by no means impracticable; and,\nin short, the idea was no sooner started, than conviction seemed to\nfollow it.",
"Mrs. Selwyn determined immediately to discover the truth or mistake\n of this\nconjecture; therefore, the moment she had dined, she walked to the\nHot Wells, attended by Mrs. Clinton.",
"I waited in my room till her return; and then heard the following\n account of\nher visit:\n\n\n She found my poor father in great agitation.",
"She immediately informed\n him of\nthe occasion of her so speedy return, and of her suspicions of the\nwoman who had pretended to convey to him his child.",
"Interrupting her\nwith quickness, he said he had just sent her from his presence; that\nthe certainty I carried in my countenance of my real birth, made him,\nthe moment he had recovered from a surprise which had almost deprived\nhim of reason, suspect, himself, the imposition she mentioned.",
"He\nhad therefore sent for the woman, and questioned her with the utmost\nausterity; she turned pale, and was extremely embarrassed; but still\nshe persisted in affirming, that she had really brought him the\ndaughter of Lady Belmont.",
"His perplexity, he said, almost distracted\nhim: he had always observed, that his daughter bore no resemblance\nto either of her parents; but, as he had never doubted the veracity\nof the nurse, this circumstance did not give birth to any suspicion.",
"At Mrs. Selwyn's desire, the woman was again called, and interrogated\n with\nequal art and severity; her confusion was evident, and her answers\noften contradictory; yet she still declared she was no impostor.",
"\"We\nwill see that in a minute,\" said Mrs. Selwyn; and then desired\nMrs. Clinton might be called up stairs.",
"The poor wretch, changing\ncolour, would have escaped out of the room; but, being prevented,\ndropt on her knees, and implored forgiveness.",
"A confession of the\nwhole affair was then extorted from her.",
"Doubtless, my dear Sir, you must remember Dame Green, who was my\n first nurse.",
"The deceit she has practised was suggested, she says, by a conversation\nshe overheard; in which my unhappy mother besought you, that, if her\nchild survived her, you would take the sole care of its education;\nand, in particular, if it should be a female, you would by no means\npart with her in early life.",
"You not only consented, she says, but\nassured her you would even retire abroad with me yourself, if my\nfather should importunately demand me.",
"Her own child, she said,\nwas then in her arms; and she could not forbear wishing it were\npossible to give her the fortune which seemed so little valued for\nme.",
"This wish once raised was not easily suppressed; on the contrary,\nwhat at first appeared a mere idle desire, in a short time seemed\na feasible scheme.",
"Her husband was dead, and she had little regard\nfor any body but her child; and, in short, having saved money for\nthe journey, she contrived to enquire a direction to my father;\nand, telling her neighbours she was going to settle in Devonshire,\nshe set out on her expedition.",
"When Mrs. Selwyn asked her how she dared perpetrate such a fraud, she\nprotested she had no ill designs; but that, as Miss would be never\nthe worse for it, she thought it pity nobody should be the better.",
"Her success we are already acquainted with.",
"Indeed everything\n seemed to\ncontribute towards it: my father had no correspondent at Berry Hill;\nthe child was instantly sent to France; where, being brought up in\nas much retirement as myself, nothing but accident could discover\nthe fraud.",
"And here let me indulge myself in observing, and rejoicing to\n observe, that\nthe total neglect I thought I met with was not the effect of\ninsensibility or unkindness, but of imposition and error; and that,\nat the very time we concluded I was unnaturally rejected, my deluded\nfather meant to show me most favour and protection.",
"He acknowledges that Lady Howard's letter flung him into some\n perplexity: he\nimmediately communicated it to Dame Green, who confessed it was\nthe greatest shock she had ever received in her life; yet she had\nthe art and boldness to assert, that Lady Howard must herself have\nbeen deceived: and as she had, from the beginning of her enterprise,\ndeclared she had stolen away the child without your knowledge, he\nconcluded that some deceit was then intended him; and this thought\noccasioned his abrupt answer.",
"Dame Green owned, that, from the moment the journey to England\n was settled,\nshe gave herself up for lost.",
"All her hope was to have had her\ndaughter married before it took place; for which reason she had so\nmuch promoted Mr. Macartney's addresses; for though such a match was\ninadequate to the pretensions of Miss Belmont, she well knew it was\nfar superior to those her daughter could form after the discovery of\nher birth.",
"My first enquiry was, if this innocent daughter was yet acquainted\n with the\naffair?",
"\"No,\" Mrs. Selwyn said; nor was any plan settled how to divulge\nit to her.",
"Poor unfortunate girl!",
"how hard is her fate!",
"She is entitled\nto my kindest offices, and I shall always consider her as my sister.",
"I then asked whether my father would again allow me to see him!",
"\"Why, no, my dear, not yet,\" answered she; \"he declares the sight\n of you is\ntoo much for him: however, we are to settle everything concerning\nyou to-morrow; for this woman took up all our time to-day.\"",
"This morning, therefore, she is again gone to the Hot Wells.",
"I am\n waiting in\nall impatience for her return; but, as I know you will be anxious\nfor the account this letter contains, I will not delay sending it.",
"</CHAPTER>\n\n<CHAPTER>\nLETTER LXXIX.",
"EVELINA IN CONTINUATION.",
"October 9th.",
"HOW agitated, my dear Sir, is the present life of your Evelina!",
"every\n day\nseems important, and one event only a prelude to another.",
"Mrs. Selwyn, upon her return this morning from the Hot Wells,\n entering my\nroom very abruptly, said, \"Oh, my dear, I have terrible news for you!\"",
"\"For me, Ma'am!-Good God!",
"what now?\"",
"\"Arm yourself,\" cried she, \"with all your Berry Hill philosophy;-con\n over\nevery lesson of fortitude or resignation you ever learnt in your\nlife;-for know,-you are next week to be married to Lord Orville!\"",
"Doubt, astonishment, and a kind of perturbation I cannot describe,\n made this\nabrupt communication alarm me extremely; and, almost breathless,\nI could only exclaim, \"Good God, Madam, what do you tell me!\"",
"\"You may well be frightened, my dear,\" said she, ironically;\n \"for really\nthere is something mighty terrific in becoming, at once, the wife of\nthe man you adore,-and a Countess!\"",
"I entreated her to spare her raillery, and tell me her real\n meaning.",
"She\ncould not prevail with herself to grant the first request, though\nshe readily complied with the second.",
"My poor father, she said, was still in the utmost uneasiness: he\n entered upon\nhis affairs with great openness, and told her, he was equally\ndisturbed how to dispose either of the daughter he had discovered,\nor the daughter he was now to give up; the former he dreaded to trust\nhimself with again beholding, and the latter he knew not how to shock\nwith the intelligence of her disgrace.",
"Mrs. Selwyn then acquainted\nhim with my situation in regard to Lord Orville: this delighted him\nextremely; and, when he heard of his Lordship's eagerness, he said he\nwas himself of opinion, the sooner the union took place the better;\nand, in return, he informed her of the affair of Mr. Macartney.",
"\"And,\nafter a very long conversation,\" continued Mrs. Selwyn, \"we agreed,\nthat the most eligible scheme for all parties would be, to have both\nthe real and the fictitious daughter married without delay.",
"Therefore,\nif either of you have any inclination to pull caps for the title of\nMiss Belmont, you must do it with all speed, as next week will take\nfrom both of you all pretensions to it.\"",
"\"Next week!-dear Madam, what a strange plan!-without my being\nconsulted,-without applying to Mr. Villars,-without even the\nconcurrence of Lord Orville!\"",
"\"As to consulting you, my dear, it was out of all question;\n because, you\nknow, young ladies' hearts and hands are always to be given with\nreluctance;-as to Mr. Villars, it is sufficient we know him for your\nfriend;-and as for Lord Orville, he is a party concerned.\"",
"\"A party concerned!-you amaze me!\"",
"\"Why, yes; for, as I found our consultation likely to redound to his\nadvantage, I persuaded Sir John to send for him.\"",
"\"Send for him!-Good God!\"",
"\"Yes; and Sir John agreed.",
"I told the servant, that if he could not\n hear of\nhis Lordship in the house, he might be pretty certain of encountering\nhim in the arbour.-Why do you colour, my dear?-Well, he was with us in\na moment: I introduced him to Sir John; and we proceeded to business.\"",
"\"I am very, very sorry for it!-Lord Orville must himself think\n this conduct\nstrangely precipitate.\"",
"\"No, my dear, you are mistaken; Lord Orville has too much good sense.",
"Everything was then discussed in a rational manner.",
"You are to be\nmarried privately, though not secretly, and then go to one of his\nLordship's country seats: and poor little Miss Green and your brother,\nwho have no house of their own, must go to one of Sir John's.\"",
"\"But why, my dear Madam, why all this haste?",
"why may we not be\n allowed a\nlittle longer time?\"",
"\"I could give you a thousand reasons,\" answered she, \"but that I\n am tolerably\ncertain two or three will be more than you can controvert, even with\nall the logic of genuine coquetry.",
"In the first place, you doubtless\nwish to quit the house of Mrs. Beaumont: to whose, then, can you with\nsuch propriety remove as to Lord Orville's?\"",
"\"Surely, Madam,\" cried I, \"I am not more destitute now than when\n I thought\nmyself an orphan.\"",
"\"Your father, my dear,\" answered she, \"is willing to save the\n little impostor\nas much of the mortification of her disgrace as is in his power;\nnow, if you immediately take her place, according to your right,\nas Miss Belmont, why, not all that either of you can do for her,\nwill prevent her being eternally stigmatized as the bantling of Dame\nGreen, wash-woman and wet nurse, of Berry Hill, Dorsetshire.",
"Now such\na genealogy will not be very flattering, even to Mr. Macartney, who,\nall-dismal as he is, you will find by no means wanting in pride and\nself-consequence.\"",
"\"For the universe,\" interrupted I, \"I would not be accessary to the\ndegradation you mention; but surely, Madam, I may return to Berry\nHill?\"",
"\"By no means,\" said she; \"for though compassion may make us wish to\n save the\npoor girl the confusion of an immediate and public fall, yet justice\ndemands you should appear henceforward in no other light than that\nof Sir John Belmont's daughter.",
"Besides, between friends, I, who know\nthe world, can see that half this prodigious delicacy for the little\nusurper is the mere result of self-interest; for, while her affairs\nare hushed up, Sir John's, you know, are kept from being brought\nfurther to light.",
"Now the double marriage we have projected obviates\nall rational objections.",
"Sir John will give you immediately L.30,000;\nall settlements, and so forth, will be made for you in the name of\nEvelina Belmont:-Mr. Macartney will at the same time take poor Polly\nGreen; and yet, at first, it will only be generally known that a\ndaughter of Sir John Belmont is married.\"",
"In this manner, though she did not convince me, yet the quickness\n of her\narguments silenced and perplexed me.",
"I enquired, however, if I might\nnot be permitted to again see my father, or whether I must regard\nmyself as banished his presence for ever?",
"\"My dear,\" said she, \"he does not know you: he concludes that you\n have been\nbrought up to detest him; and therefore he is rather prepared to\ndread than to love you.\"",
"This answer made me very unhappy: I wished, most impatiently, to\n remove his\nprejudice, and endeavour, by dutiful assiduity, to engage his kindness;\nyet knew not how to propose seeing him, while conscious he wished to\navoid me.",
"This evening, as soon as the company was engaged with cards,\n Lord Orville\nexerted his utmost eloquence to reconcile me to this hasty plan;\nbut how was I startled when he told me that next Tuesday was the day\nappointed by my father to be the most important of my life!",
"\"Next Tuesday!\"",
"repeated I, quite out of breath, \"Oh, my Lord!-\"\n\n\n \"My sweet Evelina,\" said he, \"the day which will make me the\n happiest of\nmortals, would probably appear awful to you, were it to be deferred\na twelvemonth.",
"Mrs. Selwyn has, doubtless, acquainted you with the\nmany motives which, independent of my eagerness, require it to be\nspeedy; suffer, therefore, its acceleration, and generously complete\nmy felicity, by endeavouring to suffer it without repugnance.\"",
"\"Indeed, my Lord, I would not wilfully raise objections, nor do I\n desire to\nappear insensible of the honour of your good opinion;-but\nthere is something in this plan-so very hasty-so unreasonably\nprecipitate:-besides, I shall have no time to hear from Berry\nHill;-and believe me, my Lord, I should be for ever miserable,\nwere I, in an affair so important, to act without the sanction of\nMr. Villars's advice.\"",
"He offered to wait on you himself: but I told him I had rather write\n to you.",
"And then he proposed, that, instead of my immediately accompanying him\nto Lincolnshire, we should first pass a month at my native Berry Hill.",
"This was, indeed, a grateful proposal to me, and I listened to it with\nundisguised pleasure.",
"And, in short, I was obliged to consent to\na compromise in merely deferring the day till Thursday!",
"He readily\nundertook to engage my father's concurrence in this little delay;\nand I besought him, at the same time, to make use of his influence\nto obtain me a second interview, and to represent the deep concern\nI felt in being thus banished his sight.",
"He would then have spoken of settlements; but I assured him I\n was almost\nignorant of the word.",
"And now, my dearest Sir, what is your opinion of these hasty\n proceedings?",
"Believe me, I half regret the simple facility with which I have\nsuffered myself to be hurried into compliance; and, should you start\nbut the smallest objection, I will yet insist upon being allowed\nmore time.",
"I must now write a concise account of the state of my affairs\n to Howard\nGrove, and to Madame Duval.",
"Adieu, dearest and most honoured Sir!",
"everything at present depends\n upon your\nsingle decision; to which, though I yield in trembling, I yield\nimplicitly.",
"</CHAPTER>\n\n<CHAPTER>\nLETTER LXXX.",
"EVELINA IN CONTINUATION.",
"Oct. 11th.",
"YESTERDAY morning, as soon as breakfast was over, Lord Orville went\n to the\nHot Wells, to wait upon my father with my double petition.",
"Mrs. Beaumont then, in general terms, proposed a walk in the\n garden.",
"Mrs.\nSelwyn said she had letters to write; but Lady Louisa rose to\naccompany Mrs. Beaumont.",
"I had had some reason to imagine, from the notice with which her\n Ladyship had\nhonoured me during breakfast, that her brother had acquainted her with\nmy present situation: and her behaviour now confirmed my conjectures:\nfor, when I would have gone up stairs, instead of suffering me,\nas usual, to pass disregarded, she called after me with an affected\nsurprise, \"Miss Anville, don't you walk with us?\"",
"There seemed something so little-minded in this sudden change\n of conduct,\nthat, from an involuntary motion of contempt, I thanked her with a\ncoldness like her own, and declined her offer.",
"Yet, observing that\nshe blushed extremely at my refusal, and recollecting she was sister\nto Lord Orville, my indignation subsided; and, upon Mrs. Beaumont\nrepeating the invitation, I accepted it.",
"Our walk proved extremely dull: Mrs. Beaumont, who never says much,\n was more\nsilent than usual; Lady Louisa strove in vain to lay aside the\nrestraint and distance she has hitherto preserved; and, as to me, I\nwas too conscious of the circumstances to which I owed their attention,\nto feel either pride or pleasure from receiving it.",
"Lord Orville was not long absent: he joined us in the garden with\n a look of\ngaiety and good humour that revived us all.",
"\"You are just the party,\"\nsaid he, \"I wished to see together.",
"Will you, Madam (taking my hand),\nallow me the honour of introducing you, by your real name, to two of\nmy nearest relations?",
"Mrs. Beaumont, give me leave to present to\nyou the daughter of Sir John Belmont, a young lady who, I am sure,\nmust long since have engaged your esteem and admiration, though you\nwere a stranger to her birth.\"",
"\"My Lord,\" said Mrs. Beaumont, graciously saluting me, \"the young\n lady's rank\nin life, your Lordship's recommendation, or her own merit, would, any\none of them, have been sufficient to have entitled her to my regard;\nand I hope she has always met with that respect in my house which is\nso much her due; though, had I been sooner made acquainted with her\nfamily, I should doubtless have better known how to have secured it.\"",
"\"Miss Belmont,\" said Lord Orville, \"can receive no lustre from family,\nwhatever she may give to it.",
"Louisa, you will, I am sure, be happy to\nmake yourself an interest in the friendship of Miss Belmont, whom I\nhope shortly (kissing my hand, and joining it with her Ladyship's)\nto have the happiness of presenting to you by yet another name,\nand by the most endearing of all titles.\"",
"I believe it would be difficult to say whose cheeks were, at that\n moment, of\nthe deepest dye, Lady Louisa's or my own; for the conscious pride\nwith which she has hitherto slighted me, gave to her an embarrassment\nwhich equalled the confusion that an introduction so unexpected\ngave to me.",
"She saluted me, however; and, with a faint smile said,\n\"I shall esteem myself very happy to profit by the honour of Miss\nBelmont's acquaintance.\"",
"I only courtsied, and we walked on; but it was evident, from the\n little\nsurprise they expressed, that they had been already informed of the\nstate of the affair.",
"We were soon after joined by more company: and Lord Orville then,\n in a low\nvoice, took an opportunity to tell me the success of his visit.",
"In the\nfirst place, Thursday was agreed to; and, in the second, my father,\nhe said, was much concerned to hear of my uneasiness; sent me his\nblessing; and complied with my request of seeing him, with the same\nreadiness he should agree to any other I could make.",
"Lord Orville,\ntherefore, settled that I should wait upon him in the evening, and,\nat his particular request, unaccompanied by Mrs. Selwyn.",
"This kind message, and the prospect of so soon seeing him, gave\n me sensations\nof mixed pleasure and pain, which wholly occupied my mind till the\ntime of my going to the Hot Wells.",
"Mrs. Beaumont lent me her chariot, and Lord Orville absolutely\n insisted upon\nattending me.",
"\"If you go alone,\" said he, \"Mrs. Selwyn will certainly\nbe offended; but if you allow me to conduct you, though she may give\nthe freer scope to her raillery, she cannot possibly be affronted:\nand we had much better suffer her laughter, than provoke her satire.\"",
"Indeed, I must own, I had no reason to regret being so accompanied;\n for his\nconversation supported my spirits from drooping, and made the ride\nseem so short, that we actually stopped at my father's door, before\nI knew we had proceeded ten yards.",
"He handed me from the carriage, and conducted me to the parlour,\n at the door\nof which I was met by Mr. Macartney.",
"\"Ah, my dear brother,\" cried I,\n\"how happy am I to see you here!\"",
"He bowed, and thanked me.",
"Lord Orville, then, holding out his hand,\n said,\n\"Mr. Macartney, I hope we shall be better acquainted; I promise myself\nmuch pleasure from cultivating your friendship.\"",
"\"Your Lordship does me but too much honour,\" answered Mr. Macartney.",
"\"But where,\" cried I, \"is my sister?",
"for so I must already call,\n and always\nconsider her:-I am afraid she avoids me;-you must endeavour, my\ndear brother, to prepossess her in my favour, and reconcile her to\nowning me.\"",
"\"Oh, Madam,\" cried he, \"you are all goodness and benevolence!",
"but\n at present\nI hope you will excuse her, for I fear she has hardly fortitude\nsufficient to see you: in a short time perhaps-\"\n\n\n \"In a very short time, then,\" said Lord Orville, \"I hope you will\n yourself\nintroduce her, and that we shall have the pleasure of wishing you both\njoy:-allow me, my Evelina, to say we, and permit me, in your name,\nas well as my own, to entreat that the first guests we shall have\nthe happiness of receiving may be Mr. and Mrs.",
"Macartney.\"",
"A servant then came to beg I would walk up stairs.",
"I besought Lord Orville to accompany me; but he feared the displeasure\n of Sir\nJohn, who had desired to see me alone.",
"He led me, however, to the\nfoot of the stairs, and made the kindest efforts to give me courage:\nbut indeed he did not succeed; for the interview appeared to me in\nall its terrors, and left me no feeling but apprehension.",
"The moment I reached the landing-place, the drawing-room door was\n opened: and\nmy father, with a voice of kindness, called out, \"My child, is it you?\"",
"\"Yes, Sir,\" cried I, springing forward, and kneeling at his feet,\n \"it is your\nchild, if you will own her!\"",
"He knelt by my side, and, folding me in his arms, \"Own thee,\"\n repeated he,\n\"yes, my poor girl, and Heaven knows with what bitter\ncontrition!\"",
"Then, raising both himself and me, he brought me into the\ndrawing-room, shut the door, and took me to the window; where, looking\nat me with great earnestness, \"Poor unhappy Caroline!\"",
"cried he; and,\nto my inexpressible concern, he burst into tears.",
"Need I tell you,\nmy dear Sir, how mine flowed at the sight?",
"I would again have embraced his knees; but, hurrying from me, he flung\nhimself upon a sofa, and, leaning his face on his arms, seemed for\nsome time absorbed in bitterness of grief.",
"I ventured not to interrupt a sorrow I so much respected; but\n waited in\nsilence, and at a distance, till he recovered from its violence.",
"But\nthen it seemed in a moment to give way to a kind of frantic fury;\nfor starting suddenly, with a sternness which at once surprised and\nfrightened me, \"Child,\" cried he, \"hast thou yet sufficiently humbled\nthy father?-if thou hast, be contented with this proof of my weakness,\nand no longer force thyself into my presence!\"",
"Thunderstruck by a command so unexpected, I stood still and\n speechless, and\ndoubted whether my own ears did not deceive me.",
"\"Oh go, go!\"",
"cried he, passionately; \"in pity-in compassion,-if\n thou valuest my senses, leave me,-and for ever!\"",
"\"I will, I will,\" cried I, greatly terrified; and I moved hastily\n towards the\ndoor: yet, stopping when I reached it, and, almost involuntarily,\ndropping on my knees, \"Vouchsafe,\" cried I, \"Oh, Sir, vouchsafe\nbut once to bless your daughter, and her sight shall never more\noffend you!\"",
"\"Alas,\" cried he, in a softened voice, \"I am not worthy to bless\n thee!-I am\nnot worthy to call thee daughter!-I am not worthy that the fair\nlight of Heaven should visit my eyes!-Oh God!",
"that I could but call\nback the time ere thou wast born,-or else bury its remembrance in\neternal oblivion!\"",
"\"Would to Heaven,\" cried I, \"that the sight of me were less terrible\n to you!",
"that, instead of irritating, I could soothe your sorrows!-Oh Sir, how\nthankfully would I then prove my duty, even at the hazard of my life!\"",
"\"Are you so kind?\"",
"cried he, gently; \"come hither, child;-rise,\nEvelina:-Alas, it is for me to kneel,-not you;-and I would kneel,-I\nwould crawl upon the earth,-I would kiss the dust,-could I, by such\nsubmission, obtain the forgiveness of the representative of the most\ninjured of women!\"",
"\"Oh, Sir,\" exclaimed I, \"that you could but read my heart!-that you\n could but\nsee the filial tenderness and concern with which it overflows!-you\nwould not then talk thus,-you would not then banish me your presence,\nand exclude me from your affection!\"",
"\"Good God,\" cried he, \"is it then possible that you do not hate\n me?-Can the\nchild of the wronged Caroline look at,-and not execrate me?",
"Wast thou\nnot born to abhor, and bred to curse me?",
"Did not thy mother bequeath\nthee her blessing on condition that thou should'st detest and avoid\nme ?\"",
"\"Oh no, no, no!\"",
"cried I; \"think not so unkindly of her, nor so\n hardly of\nme.\"",
"I then took from my pocketbook her last letter; and, pressing\nit to my lips, with a trembling hand, and still upon my knees, I held\nit out to him.",
"Hastily snatching it from me, \"Great Heaven!\"",
"cried he, \"'tis her\nwriting-Whence comes this?-who gave it you-why had I it not sooner?\"",
"I made no answer; his vehemence intimidated me, and I ventured not\n to move\nfrom the suppliant posture in which I had put myself.",
"He went from me to the window, where his eyes were for some time\n rivetted\nupon the direction of the letter, though his hand shook so violently\nhe could hardly hold it.",
"Then, bringing it to me, \"Open it,\"-cried\nhe,-\"for I cannot!\"",
"I had myself hardly strength to obey him: but when I had, he took\n it back,\nand walked hastily up and down the room, as if dreading to read it.",
"At\nlength, turning to me, \"Do you know,\" cried he, \"its contents?\"",
"\"No, Sir,\" answered I, \"it has never been unsealed.\"",
"He then again went to the window, and began reading.",
"Having hastily\n run it\nover, he cast up his eyes with a look of desperation; the letter fell\nfrom his hand, and he exclaimed, \"Yes!",
"thou art sainted!-thou art\nblessed!-and I am cursed for ever!\"",
"He continued some time fixed in\nthis melancholy position; after which, casting himself with violence\nupon the ground, \"Oh wretch,\" cried he, \"unworthy life and light,\nin what dungeon canst thou hide thy head?\"",
"I could restrain myself no longer; I rose and went to him; I did\n not dare\nspeak; but, with pity and concern unutterable, I wept and hung\nover him.",
"Soon after, starting up, he again seized the letter, exclaiming,\n \"Acknowledge\nthee, Caroline!-yes, with my heart's best blood would I acknowledge\nthee!-Oh that thou could'st witness the agony of my soul!-Ten thousand\ndaggers could not have wounded me like this letter!\"",
"Then, after again reading it, \"Evelina,\" he cried, \"she charges me\n to receive\nthee;-wilt thou, in obedience to her will, own for thy father the\ndestroyer of thy mother?\"",
"What a dreadful question!-I shuddered, but could not speak.",
"\"To clear her fame, and receive her child,\" continued he, looking\n stedfastly\nat the letter, \"are the conditions upon which she leaves me her\nforgiveness: her fame I have already cleared;-and Oh, how willingly\nwould I take her child to my bosom, fold her to my heart,-call upon\nher to mitigate my anguish, and pour the balm of comfort on my wounds,\nwere I not conscious I deserve not to receive it, and that all my\naffliction is the result of my own guilt!\"",
"It was in vain I attempted to speak; horror and grief took from me\n all power\nof utterance.",
"He then read aloud from the letter, \"Look not like thy unfortunate\n mother!\"",
"\"Sweet soul, with what bitterness of spirit hast thou written!-Come\nhither, Evelina: Gracious Heaven!",
"(looking earnestly at me) never\nwas likeness more striking!-the eyes-the face-the form-Oh, my child,\nmy child!\"",
"Imagine, Sir,-for I can never describe my feelings, when\nI saw him sink upon his knees before me!",
"\"Oh, dear resemblance of\nthy murdered mother!-Oh, all that remains of the most injured of\nwomen!",
"behold thy father at thy feet!-bending thus lowly to implore\nyou would not hate him.-Oh, then, thou representative of my departed\nwife, speak to me in her name, and say that the remorse which tears\nmy soul tortures me not in vain!\"",
"\"Oh, rise, rise, my beloved father,\" cried I, attempting to assist\n him; \"I\ncannot bear to see you thus; reverse not the law of nature; rise\nyourself, and bless your kneeling daughter!\"",
"\"May Heaven bless thee, my child!-\"cried he, \"for I dare not.\"",
"He\n then rose;\nand, embracing me most affectionately, added, \"I see, I see that thou\nart all kindness, softness, and tenderness; I need not have feared\nthee, thou art all the fondest father could wish, and I will try to\nframe my mind to less painful sensations at thy sight.",
"Perhaps the\ntime may come, when I may know the comfort of such a daughter;-at\npresent I am only fit to be alone: dreadful as are my reflections,\nthey ought merely to torment myself.-Adieu, my child;-be not angry,-I\ncannot stay with thee;-Oh, Evelina!",
"thy countenance is a dagger to\nmy heart!-just so thy mother looked,-just so-\"\n\n\n Tears and sighs seemed to choak him;-and, waving his hand, he would\n have left\nme;-but, clinging to him, \"Oh, Sir,\" cried I, \"will you so soon\nabandon me?-am I again an orphan!-Oh, my dear, my long-lost father,\nleave me not, I beseech you!",
"take pity on your child, and rob her\nnot of the parent she so fondly hoped would cherish her!\"",
"\"You know not what you ask,\" cried he; \"the emotions which now rend\n my soul\nare more than my reason can endure; suffer me then, to leave\nyou;-impute it not to unkindness, but think of me as well as thou\ncanst.",
"Lord Orville has behaved nobly;-I believe he will make thee\nhappy.\"",
"Then, again embracing me, \"God bless thee, my dear child,\"\ncried he, \"God bless thee, my Evelina!-endeavour to love,-at least\nnot to hate me,-and to make me an interest in thy filial bosom,\nby thinking of me as thy father.\"",
"I could not speak; I kissed his hands on my knees: and then, with\n yet more\nemotion, he again blessed me, and hurried out of the room,-leaving\nme almost drowned in tears.",
"Oh, Sir, all goodness as you are, how much will you feel for your\n Evelina,\nduring a scene of such agitation!",
"I pray Heaven to accept the tribute\nof his remorse, and restore him to tranquillity!",
"When I was sufficiently composed to return to the parlour, I\n found Lord\nOrville waiting for me with the utmost anxiety:-and then a new scene of\nemotion, though of a far different nature, awaited me; for I learned\nby Mr. Macartney, that this noblest of men had insisted the so-long\nsupposed Miss Belmont should be considered, indeed, as my sister,\nand as the co-heiress of my father; though not in law, in justice, he\nsays, she ought ever to be treated as the daughter of Sir John Belmont.",
"Oh!",
"Lord Orville!-it shall be the sole study of my happy life,\n to express,\nbetter than by words, the sense I have of your exalted benevolence\nand greatness of mind!",
"</CHAPTER>\n\n<CHAPTER>\nLETTER LXXXI.",
"EVELINA IN CONTINUATION.",
"Clifton, Oct. 12th.",
"THIS morning, early, I received the following letter from Sir Clement\nWilloughby:\n\n\n \"To Miss Anville.",
"\"I HAVE this moment received intelligence that preparations\n are actually making for your marriage with Lord Orville.",
"\"Imagine not that I write with the imbecile idea of\n rendering those\n preparations abortive.",
"No, I am not so mad.",
"My sole view is\n to explain the motive of my conduct in a particular instance,\n and to obviate the accusation of treachery which may be laid\n to my charge.",
"\"My unguarded behaviour, when I last saw you, has, probably,\n already\n acquainted you, that the letter I then saw you reading was\n written by myself.",
"For your further satisfaction, let me have\n the honour of informing you, that the letter you had designed\n for Lord Orville, had fallen into my hands.",
"\"However I may have been urged on by a passion the most\n violent that\n ever warmed the heart of man, I can by no means calmly submit\n to be stigmatized for an action seemingly so dishonourable;\n and it is for this reason that I trouble you with this\n justification.",
"\"Lord Orville,-the happy Orville, whom you are so ready to\n bless,-had made me believe he loved you not;-nay, that he\n held you in contempt.",
"\"Such were my thoughts of his sentiments of you, when I got\n possession of the letter you meant to send him.",
"I pretend\n not to vindicate either the means I used to obtain it, or\n the action of breaking the seal; but I was impelled, by an\n impetuous curiosity, to discover the terms upon which you\n wrote to him.",
"\"The letter, however, was wholly unintelligible to me,\n and the\n perusal of it only added to my perplexity.",
"\"A tame suspense I was not born to endure, and I determined\n to clear\n my doubts at all hazards and events.",
"\"I answered it, therefore, in Orville's name.",
"\"The views which I am now going to acknowledge, must,\n infallibly,\n incur your displeasure;-yet I scorn all palliation.",
"\"Briefly, then, I concealed your letter to prevent a\n discovery of\n your capacity; and I wrote you an answer, which I hoped would\n prevent your wishing for any other.",
"\"I am well aware of every thing which can be said upon\n this subject.",
"Lord Orville will, possibly, think himself ill-used; but I am\n extremely indifferent as to his opinion; nor do I now write\n by way of offering any apology to him, but merely to make\n known to yourself the reasons by which I have been governed.",
"\"I intend to set off next week for the Continent.",
"Should his\n Lordship have any commands for me in the mean time, I shall\n be glad to receive them.",
"I say not this by way of defiance,-I\n should blush to be suspected of so doing through an indirect\n channel; but simply that, if you show him this letter, he\n may know I dare defend, as well as excuse, my conduct.",
"\"CLEMENT WILLOUGHBY.\"",
"What a strange letter!",
"how proud and how piqued does its writer\n appear!",
"To\nwhat alternate meanness and rashness do the passions lead, when reason\nand self-denial do not oppose them!",
"Sir Clement is conscious he has\nacted dishonourably; yet the same unbridled vehemence, which urged\nhim to gratify a blameable curiosity, will sooner prompt him to risk\nhis life, than, confess his misconduct.",
"The rudeness of his manner of\nwriting to me, springs, from the same cause: the proof which he has\nreceived of my indifference to him, has stung him to the soul, and he\nhas neither the delicacy nor forbearance to disguise his displeasure.",
"I determined not to show this letter to Lord Orville, and thought\n it most\nprudent to let Sir Clement know I should not.",
"I therefore wrote the\nfollowing note:\n\n\n \"To Sir Clement Willoughby.",
"\"SIR,\n\n\n \"The letter you have been pleased to address to me, is\n so little\n calculated to afford Lord Orville any satisfaction, that you\n may depend upon my carefully keeping it from his sight.",
"I will\n bear you no resentment for what is past; but I most earnestly\n intreat, nay implore, that you will not write again, while in\n your present frame of mind, by any channel, direct or indirect.",
"\"I hope you will have much pleasure in your promised\n expedition; and\n I beg leave to assure you of my good wishes.\"",
"Not knowing by what name to sign, I was obliged to send it without any.",
"The preparations which Sir Clement mentions, go on just as if your\nconsent were arrived: it is in vain that I expostulate; Lord Orville\nsays, should any objections be raised, all shall be given up; but\nthat, as his hopes forbid him to expect any, he must proceed as if\nalready assured of your concurrence.",
"We have had, this afternoon, a most interesting conversation, in\nwhich we have traced our sentiments of each other from our first\nacquaintance.",
"I have made him confess how ill he thought of me upon\nmy foolish giddiness at Mrs. Stanley's ball; but he flatters me\nwith assurances, that every succeeding time he saw me, I appeared to\nsomething less and less disadvantage.",
"When I expressed my amazement that he could honour with his choice a\ngirl who seemed so infinitely, in every respect, beneath his alliance,\nhe frankly owned, that he had fully intended making more minute\ninquiries into my family and connections; particularly concerning\nthose people he saw me with at Marybone, before he acknowledged his\nprepossession in my favour: but seeing me again, put him quite off\nhis guard; and, \"divesting him of prudence, left him nothing but\nlove.\"",
"These were his words; and yet, he has repeatedly assured me,\nthat his partiality has known no bounds from the time of my residing\nat Clifton.",
"* * * * * *\n\n\nMr. Macartney has just been with me, on an embassy from my father.",
"He\nhas sent me his kindest love and assurances of favour; and desired\nto know if I am happy in the prospect of changing my situation,\nand if there is any thing I can name which he can do for me.",
"And, at\nthe same time, Mr. Macartney delivered to me a draught on my father's\nbanker for a thousand pounds, which he insisted that I should receive\nentirely for my own use, and expend in equipping myself properly for\nthe new rank of life to which I seem destined.",
"I am sure I need not say how much I was penetrated by this goodness:\nI wrote my thanks, and acknowledged, frankly, that if I could see\nhim restored to tranquillity, my heart would be without a wish.",
"</CHAPTER>\n\n<CHAPTER>\nLETTER LXXXII.",
"EVELINA IN CONTINUATION.",
"Clifton, Oct. 13th.",
"THE time approaches now when I hope we shall meet;-yet I cannot\nsleep;-great joy is a restless as sorrow,-and therefore I will continue\nmy journal.",
"As I had never had an opportunity of seeing Bath, a party was formed\nlast night for showing me that celebrated city; and this morning, after\nbreakfast, we set out in three phaetons.",
"Lady Louisa and Mrs. Beaumont\nwith Lord Merton; Mr. Coverley, Mr. Lovel, and Mrs. Selwyn; and myself\nwith Lord Orville.",
"We had hardly proceeded half a mile, when a gentleman from the\npost-chaise which came gallopping after us, called out to the\nservants, \"Holla, my lads!-pray, is one Miss Anville in any of them\nthing-em-bobs?\"",
"I immediately recollected the voice of Captain Mirvan; and Lord\nOrville stopped the phaeton.",
"He was out of the chaise, and with us\nin a moment.",
"\"So, Miss Anville,\" cried he, \"how do you do?",
"So I hear\nyou're Miss Belmont now;-pray, how does old Madame French do?\"",
"\"Madame Duval,\" said I, \"is, I believe, very well.\"",
"\"I hope she is in good case,\" said he, winking significantly, \"and\nwon't flinch at seeing service: she has laid by long enough to refit\nand be made tight.",
"And pray how does poor Monseer Doleful do?",
"Is he\nas lank-jawed as ever?\"",
"\"They are neither of them,\" said I, \"in Bristol.\"",
"\"No!\"",
"cried he, with a look of disappointment; \"but surely the old\ndowager intends coming to the wedding!",
"'twill be a most excellent\nopportunity to show off her best Lyons silk.",
"Besides, I purpose to\ndance a new fashioned jig with her.",
"Don't you know when she'll come?\"",
"\"I have no reason to expect her at all.\"",
"\"No!-'Fore George, this here's the worst news I'd wish to hear!-why\nI've thought of nothing all the way, but what trick I should serve\nher.\"",
"\"You have been very obliging!\"",
"said I, laughing.",
"\"O, I promise you,\" cried he, \"our Moll would never have wheedled\nme into this jaunt, if I'd known she was not here; for, to let you\ninto the secret, I fully intended to have treated the old buck with\nanother frolic.\"",
"\"Did Miss Mirvan, then, persuade you to this journey?\"",
"\"Yes, and we've been travelling all night.\"",
"\"We!\"",
"cried I: \"Is Miss Mirvan, then, with you?\"",
"\"What, Molly?-yes, she's in that there chaise.\"",
"\"Good God, Sir, why did you not tell me sooner?\"",
"cried I; and\nimmediately, with Lord Orville's assistance, I jumped out of the\nphaeton, and ran to the dear girl.",
"Lord Orville opened the chaise\ndoor; and I am sure I need not tell you what unfeigned joy accompanied\nour meeting.",
"We both begged we might not be parted during the ride; and Lord\nOrville was so good as to invite Captain Mirvan into his phaeton.",
"I think I was hardly ever more rejoiced than at this so seasonable\nvisit from my dear Maria; who had no sooner heard the situation of\nmy affairs, than with the assistance of Lady Howard, and her kind\nmother, she besought her father with such earnestness to consent\nto the journey, that he had not been able to withstand their united\nintreaties; though she owned that, had he not expected to have met with\nMadame Duval, she believes he would not so readily have yielded.",
"They\narrived at Mrs. Beaumont's but a few minutes after we were out of\nsight, and overtook us without much difficulty.",
"I say nothing of our conversation, because you may so well suppose\nboth the subjects we chose, and our manner of discussing them.",
"We all stopped at a great hotel, where we were obliged to enquire for\na room, as Lady Louisa, fatigued to death, desired to take something\nbefore we began our rambles.",
"As soon as the party was assembled, the Captain, abruptly saluting me,\nsaid, \"So, Miss Belmont, I wish you joy; so I hear you've quarrelled\nwith your new name already?\"",
"\"Me!-no, indeed, Sir.\"",
"\"Then please for to tell me the reason you're in such a hurry to\nchange it?\"",
"\"Miss Belmont!\"",
"cried Mr. Lovel.",
"Looking around him with the utmost\nastonishment: \"I beg pardon;-but, if it is not impertinent,-I must\nbeg leave to say I always understood that lady's name was Anville.\"",
"\"'Fore George,\" cried the Captain, \"it runs in my head, I've seen you\nsomewhere before!",
"And now I think on't, pray a'n't you the person\nI saw at the play one night, and who didn't know, all the time,\nwhether it was a tragedy or a comedy, or a concert of fiddlers?\"",
"\"I believe, Sir,\" said Mr. Lovel, stammering, \"I, had once,-I think-the\npleasure of seeing you last spring.\"",
"\"Aye, and if I live an hundred springs,\" answered he, \"I shall never\nforget it; by Jingo, it has served me for a most excellent good joke\never since.",
"Well, howsomever, I'm glad to see you still in the land\nof the living,\" (shaking him roughly by the hand.)",
"\"Pray, if a body\nmay be so bold, how much a night may you give at present to keep the\nundertakers aloof?\"",
"\"Me, Sir!\"",
"said Mr. Lovel, very much discomposed; \"I protest I never\nthought myself in such imminent danger as to-really, Sir, I don't\nunderstand you.\"",
"\"O, you don't!",
"why then I'll make free for to explain myself.",
"Gentlemen\nand Ladies, I'll tell you what; do you know this here gentleman,\nsimple as he sits there, pays five shillings a-night to let his\nfriends know he's alive!\"",
"\"And very cheap too,\" said Mrs. Selwyn, \"if we consider the value of\nthe intelligence.\"",
"Lady Louisa being now refreshed, we proceeded upon our expedition.",
"The charming city of Bath answered all my expectations.",
"The\nCrescent, the prospect from it, and the elegant symmetry of the\nCircus, delighted me.",
"The Parades, I own, rather disappointed me;\none of them is scarce preferable to some of the best paved streets\nin London; and the other, though it affords a beautiful prospect,\na charming view of Prior Park and of the Avon, yet wanted something\nin itself of more striking elegance than a mere broad pavement,\nto satisfy the ideas I had formed of it.",
"At the pump-room, I was amazed at the public exhibition of the ladies\nin the bath; it is true, their heads are covered with bonnets; but\nthe very idea of being seen, in such a situation, by whoever pleases\nto look, is indelicate.",
"\"'Fore George,\" said the Captain, looking into the bath, \"this would\nbe a most excellent place for old Madame French to dance a fandango\nin!",
"By Jingo, I wou'dn't wish for better sport than to swing her\nround this here pond!\"",
"\"She would be very much obliged to you,\" said Lord Orville, \"for so\nextraordinary a mark of your favour.\"",
"\"Why, to let you know,\" answered the Captain, \"she hit my fancy\nmightily; I never took so much to an old tabby before.\"",
"\"Really now,\" cried Mr. Lovel, looking also into the bath, \"I must\nconfess it is, to me, very incomprehensible why the ladies choose\nthat frightful unbecoming dress to bathe in!",
"I have often pondered\nvery seriously upon the subject, but could never hit upon the reason.\"",
"\"Well, I declare,\" said Lady Louisa, \"I should like of all things\nto set something new a-going; I always hated bathing, because one\ncan get no pretty dress for it!",
"now do, there's a good creature,\ntry to help me to something.\"",
"\"Who, me!-O, dear Ma'am,\" said he, simpering, \"I can't pretend to\nassist a person of your Ladyship's tastes; besides, I have not the\nleast head for fashions.-I really don't think I ever invented above\nthree in my life!",
"But I never had the least turn for dress,-never\nany notion of fancy or elegance.\"",
"\"O fie, Mr. Lovel!",
"how can you talk so?-don't we all know that you\nlead the ton in the beau monde?",
"I declare, I think you dress better\nthan any body.\"",
"\"O, dear Ma'am, you confuse me to the last degree!",
"I dress well!-I\nprotest I don't think I'm ever fit to be seen!",
"I'm often shocked to\ndeath to think what a figure I go.",
"If your Ladyship will believe me,\nI was full half an hour this morning thinking what I should put on!\"",
"\"Odds my life,\" cried the Captain, \"I wish I'd been near you!",
"I warrant\nI'd have quickened your motions a little; Half an hour thinking what\nyou'd put on; and who the deuce do you think cares the snuff of a\ncandle whether you've any thing on or not?\"",
"\"O pray, Captain,\" cried Mrs. Selwyn, \"don't be angry with the\ngentleman for thinking, whatever be the cause, for I assure you he\nmakes no common practice of offending in that way.\"",
"\"Really, Ma'am, you're prodigiously kind,\" said Mr. Lovel, angrily.",
"\"Pray now,\" said the Captain, \"did you ever get a ducking in that\nthere place yourself?\"",
"\"A ducking, Sir!\"",
"repeated Mr. Lovel: \"I protest I think that's rather\nan odd term!-but if you mean a bathing, it is an honour I have had\nmany times.\"",
"\"And pray, if a body may be so bold, what do you do with that\nfrizle-frize top of your own?",
"Why, I'll lay you what you will, there\nis fat and grease enough on your crown to buoy you up, if you were\nto go in head downwards.\"",
"\"And I don't know,\" cried Mrs. Selwyn, \"but that might be the easiest\nway; for I'm sure it would be the lightest.\"",
"\"For the matter of that there,\" said the Captain, \"you must make\nhim a soldier, before you can tell which is lightest, head or\nheels.",
"Howsomever, I'd lay ten pounds to a shilling, I could whisk\nhim so dexterously over into the pool, that he should light plump\nupon his foretop and turn round like a tetotum.\"",
"\"Done!\"",
"cried Lord Merton; \"I take your odds.\"",
"\"Will you?\"",
"returned he; \"why, then, 'fore George, I'd do it as soon\nas say Jack Robinson.\"",
"\"He, he!\"",
"faintly laughed Mr. Lovel, as he moved abruptly from the\nwindow; \"'pon honour, this is pleasant enough; but I don't see what\nright any body has to lay wagers about one without one's consent.\"",
"\"There, Lovel, you are out,\" cried Mr. Coverley, \"any man may lay\nwhat wager about you he will; your consent is nothing to the purpose:\nhe may lay that your nose is a sky-blue, if he pleases.\"",
"\"Ay,\" said Mrs. Selwyn, \"or that your mind is more adorned than your\nperson;-or any absurdity whatsoever.\"",
"\"I protest,\" said Mr. Lovel, \"I think it's a very disagreeable\nprivilege, and I must beg that nobody may take such a liberty with me.\"",
"\"Like enough you may,\" cried the Captain;\" but what's that to the\npurpose?",
"Suppose I've a mind to lay that you've never a tooth in\nyour head-pray, how will you hinder me?\"",
"\"You'll allow me, at least, Sir, to take the liberty of asking how\nyou'll prove it?\"",
"\"How?-why, by knocking them all down your throat.\"",
"\"Knocking them all down my throat, Sir!\"",
"repeated Mr. Lovel, with a\nlook of horror; \"I protest I never heard any thing so shocking in my\nlife!",
"And I must beg leave to observe, that no wager, in my opinion,\ncould justify such a barbarous action.\"",
"Here Lord Orville interfered, and hurried us to our carriages.",
"We returned in the same order we came.",
"Mrs. Beaumont invited all\nthe party to dinner, and has been so obliging as to beg Miss Mirvan\nmay continue at her house during her stay.",
"The Captain will lodge at\nthe Wells.",
"The first half-hour after our return was devoted to hearing Mr. Lovel's\napologies for dining in his riding-dress.",
"Mrs. Beaumont then, addressing herself to Miss Mirvan and me, inquired\nhow we liked Bath?",
"\"I hope,\" said Mr. Lovel, \"the ladies do not call this seeing Bath.\"",
"\"No!-what should ail 'em?\"",
"cried the Captain, \"do you suppose they\nput their eyes in their pockets?\"",
"\"No, Sir; but I fancy you will find no person-that is-no person of\nany condition-call going about a few places in a morning seeing Bath.\"",
"\"Mayhap, then,\" said the literal Captain, \"you think we should see\nit better by going about at midnight?\"",
"\"No, Sir, no,\" said Mr. Lovel, with a supercilious smile, \"I perceive\nyou don't understand me;-we should never call it seeing Bath, without\ngoing at the right season.\"",
"\"Why, what a plague, then,\" demanded he, \"can you only see at one\nseason of the year?\"",
"Mr. Lovel again smiled; but seemed superior to making any answer.",
"\"The Bath amusements,\" said Lord Orville, \"have a sameness in them,\nwhich, after a short time, renders them rather insipid; but the\ngreatest objection that can be made to the place, is the encouragement\nit gives to gamesters.\"",
"\"Why, I hope, my Lord, you would not think of abolishing gaming,\"\ncried Lord Merton, \"'tis the very zest of life!",
"Devil take me if I\ncould live without it.\"",
"\"I am sorry for it,\" said Lord Orville, gravely, and looking at\nLady Louisa.",
"\"Your Lordship is no judge of this subject,\" continued the other;\n\"but if once we could get you to a gaming-table, you'd never be happy\naway from it!\"",
"\"I hope, my Lord,\" cried Lady Louisa, \"that nobody here ever occasions\nyour quitting it.\"",
"\"Your Ladyship,\" said Lord Merton, recollecting himself, \"has power\nto make me quit any thing.\"",
"\"Except herself,\" said Mr. Coverley.",
"\"Egad, my Lord, I think I've\nhelpt you out there!\"",
"\"You men of wit, Jack,\" answered his Lordship, \"are always ready;-for\nmy part, I don't pretend to any talents that way.\"",
"\"Really, my Lord?\"",
"asked the sarcastic Mrs. Selwyn; \"well, that is\nwonderful, considering success would be so much in your power.\"",
"\"Pray, Ma'am,\" said Mr. Lovel to Lady Louisa, \"has your Ladyship\nheard the news?\"",
"\"News!-what news?\"",
"\"Why, the report circulating at the Wells concerning a certain person.\"",
"\"O Lord, no: pray tell me what it is?\"",
"\"O no, Ma'am, I beg your La'ship will excuse me; 'tis a profound\nsecret, and I would not have mentioned it, if I had not thought you\nknew it.\"",
"\"Lord, now, how can you be so monstrous?",
"I declare, now, you're a\nprovoking creature!",
"But come, I know you'll tell me;-won't you now?\"",
"\"Your La'ship knows I am but too happy to obey you; but, 'pon honour,\nI can't speak a word, if you won't all promise me the most inviolable\nsecrecy.\"",
"\"I wish you'd wait for that from me,\" said the Captain, \"and I'll\ngive you my word you'd be dumb for one while.",
"Secrecy, quoth-a!-'Fore\nGeorge, I wonder you an't ashamed to mention such a word, when you\ntalk of telling it to a woman.",
"Though, for the matter of that, I'd\nas lieve blab it to the whole sex at once, as to go for to tell it\nto such a thing as you.\"",
"\"Such a thing as me, Sir!\"",
"said Mr. Lovel, letting fall his knife\nand fork, and looking very important; \"I really have not the honour\nto understand your expression.\"",
"\"It's all one for that,\" said the Captain; \"you may have it explained\nwhenever you like it.\"",
"\"'Pon honour, Sir,\" returned Mr. Lovel, \"I must take the liberty to\ntell you, that I should be extremely offended, but that I suppose\nit to be some sea-phrase; and therefore I'll let it pass without\nfurther notice.\"",
"Lord Orville, then, to change the discourse, asked Miss Mirvan if\nshe should spend the ensuing winter in London?",
"\"No, to be sure,\" said the Captain, \"what should she for?",
"She saw\nall that was to be seen before.\"",
"\"Is London, then,\" said Mr. Lovel, smiling at Lady Louisa, \"only to\nbe regarded as a sight?\"",
"\"Why, pray, Mr. Wiseacre, how are you pleased for to regard it\nyourself?-Answer me to that.\"",
"\"O Sir, my opinion, I fancy, you would hardly find intelligible.",
"I\ndon't understand sea-phrases enough to define it to your\ncomprehension.",
"Does not your La'ship think the task would be rather\ndifficult?\"",
"\"O Lard, yes,\" cried Lady Louisa; \"I declare I'd as soon teach my\nparrot to talk Welsh.\"",
"\"Ha!",
"ha!",
"ha!",
"Admirable;-'Pon honour, your La'ship's quite in luck\nto-day; but that, indeed, your La'ship is every day.",
"Though, to be\nsure, it is but candid to acknowledge, that the gentlemen of the ocean\nhave a set of ideas, as well as a dialect, so opposite to our's, that\nit is by no means surprising they should regard London as a mere show,\nthat may be seen by being looked at.",
"Ha!",
"ha!",
"ha!\"",
"\"Ha!",
"ha!\"",
"echoed Lady Louisa; \"Well, I declare you are the drollest\ncreature.\"",
"\"He!",
"he!",
"'Pon honour, I can't help laughing at the conceit of seeing\nLondon in a few weeks!\"",
"\"And what a plague should hinder you?\"",
"cried the Captain; \"do you\nwant to spend a day in every street?\"",
"Here again Lady Louisa and Mr. Lovel interchanged smiles.",
"\"Why, I warrant you, if I had the showing it, I'd haul you from\nSt. James's to Wapping the very first morning.\"",
"The smiles were now, with added contempt, repeated; which the Captain\nobserving, looked very fiercely at Mr. Lovel, and said, \"Hark'ee my\nspark, none of your grinning!-'tis a lingo I don't understand; and\nif you give me any more of it, I shall go near to lend you a box o'\nthe ear.\"",
"\"I protest, Sir,\" said Mr. Lovel, turning extremely pale, \"I think\nit's taking a very particular liberty with a person, to talk to one\nin such a style as this!\"",
"\"It's like you may,\" returned the Captain: \"but give a good gulp, and\nI'll warrant you'll swallow it.\"",
"Then, calling for a glass of ale, with\na very provoking and significant nod, he drank to his easy digestion.",
"Mr. Lovel made no answer, but looked extremely sullen; and, soon after,\nwe left the gentlemen to themselves.",
"I had then two letters delivered to me; one from Lady Howard and\nMrs. Mirvan, which contained the kindest congratulations; and the\nother from Madame Duval;-but not a word from you,-to my no small\nsurprise and concern.",
"Madame Duval seems greatly rejoiced at my late intelligence: a violent\ncold, she says, prevents her coming to Bristol.",
"The Branghtons, she\ntells me, are all well; Miss Polly is soon to be married to Mr. Brown;\nbut Mr. Smith has changed his lodgings, \"which,\" she adds, \"has made\nthe house extremely dull.",
"However, that's not the worst news; pardi,\nI wish it was!",
"but I've been used like nobody,-for Monsieur Du Bois\nhas had the baseness to go back to France without me.\"",
"In conclusion,\nshe assures me, as you prognosticated she would, that I shall be sole\nheiress of all she is worth, when Lady Orville.",
"At tea-time, we were joined by all the gentlemen but Captain Mirvan,\nwho went to the hotel where he was to sleep, and made his daughter\naccompany him, to separate her trumpery, as he called it, from his\nclothes.",
"As soon as they were gone, Mr. Lovel, who still appeared extremely\nsulky, said, \"I protest, I never saw such a vulgar, abusive fellow\nin my life, as that Captain: 'pon honour, I believe he came here for\nno purpose in the world but to pick a quarrel; however, for my part,\nI vow I wo'n't humour him.\"",
"\"I declare,\" cried Lady Louisa, \"he put me in a monstrous fright;-I\nnever heard any body talk so shocking in my life!\"",
"\"I think,\" said Mrs. Selwyn, with great solemnity, \"he threatened to\nbox your ears, Mr. Lovel;-did not he?\"",
"\"Really, Ma'am,\" said Mr. Lovel, colouring, \"if one was to mind every\nthing those low kind of people say, one should never be at rest for\none impertinence or other; so I think the best way is to be above\ntaking any notice of them.\"",
"\"What,\" said Mrs. Selwyn, with the same gravity, \"and so receive the\nblow in silence!\"",
"During this discourse, I heard the Captain's chaise stop at the door,\nand ran downstairs to meet Maria.",
"She was alone, and told me that\nher father, who, she was sure, had some scheme in agitation against\nMr. Lovel, had sent her on before him.",
"We continued in the parlour\ntill his return, and were joined by Lord Orville, who begged me not to\ninsist on a patience so unnatural, as submitting to be excluded our\nsociety.",
"And let me, my dear Sir, with a grateful heart let me own,\nI never before passed half an hour in such perfect felicity.",
"I believe we were all sorry when the Captain returned; yet his\ninward satisfaction, from however different a cause, did not seem\ninferior to what our's had been.",
"He chucked Maria under the chin,\nrubbed his hands, and was scarce able to contain the fullness of his\nglee.",
"We all attended him to the drawing room; where, having composed\nhis countenance, without any previous attention to Mrs. Beaumont,\nhe marched up to Mr. Lovel, and abruptly said, \"Pray, have you e'er\na brother in these here parts?\"",
"\"Me, Sir?-no, thank Heaven, I'm free from all encumbrances of that\nsort.\"",
"\"Well,\" cried the Captain, \"I met a person just now so like you,\nI could have sworn he had been your twin brother.\"",
"\"It would have been a most singular pleasure to me,\" said Mr. Lovel,\n\"if I also could have seen him; for, really, I have not the least\nnotion what sort of a person I am, and I have a prodigious curiosity\nto know.\"",
"Just then the Captain's servant, opening the door, said, \"A little\ngentleman below desires to see one Mr.",
"Lovel.\"",
"\"Beg him to walk up stairs,\" said Mrs. Beaumont.",
"\"But, pray what is\nthe reason William is out of the way?\"",
"The man shut the door without any answer.",
"\"I can't imagine who it is,\" said Mr. Lovel: \"I recollect no little\ngentleman of my acquaintance now at Bristol,-except, indeed the Marquis\nof Charlton;-but I don't much fancy it can be him.",
"Let me see, who\nelse is there so very little?\"",
"A confused noise among the servants now drew all eyes towards the\ndoor: the impatient Captain hastened to open it; and then, clapping\nhis hands, called out, \"'Fore George, 'tis the same person I took\nfor your relation!\"",
"And then, to the utter astonishment of every body but himself, he\nhauled into the room a monkey, full-dressed, and extravagantly -e;\nla mode!",
"The dismay of the company was almost general.",
"Poor Mr. Lovel seemed\nthunderstruck with indignation and surprise: Lady Louisa began a\nscream, which for some time was incessant; Miss Mirvan and I jumped\ninvoluntarily upon the seats of our chairs; Mrs. Beaumont herself\nfollowed our example; Lord Orville placed himself before me as a guard;\nand Mrs. Selwyn, Lord Merton, and Mr. Coverley, burst into a loud,\nimmoderate, ungovernable fit of laughter, in which they were joined by\nthe Captain, till, unable to support himself, he rolled on the floor.",
"The first voice which made its way through this general noise was that\nof Lady Louisa, which her fright and screaming rendered extremely\nshrill.",
"\"Take it away!\"",
"cried she, \"take the monster away;-I shall\nfaint, I shall faint if you don't!\"",
"Mr. Lovel, irritated beyond endurance, angrily demanded of the Captain\nwhat he meant?",
"\"Mean?\"",
"cried the Captain, as soon as he was able to speak; \"why\nonly to shew you in your proper colours.\"",
"Then rising, and pointing\nto the monkey, \"Why now, ladies and gentlemen, I'll be judged by you\nall!-Did you ever see any thing more like?-Odds my life, if it wasn't\nfor this here tail, you wouldn't know one from t'other.\"",
"\"Sir,\" cried Mr. Lovel, stamping, \"I shall take a time to make you\nfeel my wrath.\"",
"\"Come now,\" continued the regardless Captain, \"just for the fun's sake,\ndoff your coat and waistcoat, and swop with Monseer Grinagain here;\nand I'll warrant you'll not know yourself which is which.\"",
"\"Not know myself from a monkey!-I assure you, Sir, I'm not to be used\nin this manner, and I won't bear it-curse me if I will!\"",
"\"Why, hey-day!\"",
"cried the Captain, \"what, is master in a passion?-well,\ndon't be angry:-come, he shan't hurt you;-here, shake a paw with\nhim:-why, he'll do you no harm, man!-come, kiss and be friends!\"",
"\"Who, I?\"",
"cried Mr. Lovel, almost mad with vexation; \"as I'm a living\ncreature, I would not touch him for a thousand worlds!\"",
"\"Send him a challenge,\" cried Mr. Coverley, \"and I'll be your second.\"",
"\"Ay, do,\" said the Captain; \"and I'll be second to my friend, Monseer\nClapperclaw here.",
"Come to it at once!-tooth and nail!\"",
"\"God forbid!\"",
"cried Mr. Lovel, retreating, \"I would sooner trust my\nperson with a mad bull!\"",
"\"I don't like the look of him myself,\" said Lord Merton, \"for he\ngrins most horribly.\"",
"\"Oh, I'm frightened out of my senses!\"",
"cried Lady Louisa, \"take him\naway, or I shall die!\"",
"\"Captain,\" said Lord Orville, \"the ladies are alarmed; and I must\nbeg you would send the monkey away.\"",
"\"Why, where can be the mighty harm of one monkey more than\nanother?\"",
"answered the Captain: \"howsomever, if its agreeable to the\nladies, suppose we turn them out together?\"",
"\"What do you mean by that, Sir?\"",
"cried Mr. Lovel, lifting up his cane.",
"\"What do you mean?\"",
"cried the Captain, fiercely, \"be so good as to\ndown with your cane.\"",
"Poor Mr. Lovel, too much intimidated to stand his ground, yet too\nmuch enraged to submit, turned hastily round, and, forgetful of\nconsequences, vented his passion by giving a furious blow to the\nmonkey.",
"The creature darting forwards, sprung instantly upon him; and,\nclinging round his neck, fastened his teeth to one of his ears.",
"I was really sorry for the poor man; who, though an egregious fop,\nhad committed no offence that merited such chastisement.",
"It was impossible now to distinguish whose screams were loudest,\nthose of Mr. Lovel, or of the terrified Lady Louisa, who I believe,\nthought her own turn was approaching: but the unrelenting Captain\nroared with joy.",
"Not so Lord Orville: ever humane, generous, and benevolent he quitted\nhis charge, who he saw was wholly out of danger, and seizing the monkey\nby the collar, made him loosen the ear; and then with a sudden swing,\nflung him out of the room, and shut the door.",
"Poor Mr. Lovel, almost fainting with terror, sunk upon the floor,\ncrying out, \"Oh, I shall die, I shall die!-Oh, I'm bit to death!\"",
"\"Captain Mirvan,\" said Mrs. Beaumont, with no little indignation,\n\"I must own I don't perceive the wit of this action; and I am sorry\nto have such cruelty practised in my house.\"",
"\"Why Lord, Ma'am,\" said the Captain, when his rapture abated\nsufficiently for speech, \"how could I tell they'd fall out so?-By\njingo, I brought him to be a messmate for t'other.\"",
"\"Egad,\" said Mr. Coverley, \"I would not have been served so for a\nthousand pounds.\"",
"\"Why, then, there's the odds of it,\" said the Captain; \"for you\nsee he is served so for nothing.",
"But come,\" turning to Mr. Lovel,\n\"be of good heart, all may end well yet, and you and Monseer Longtail\nbe as good friends as ever.\"",
"\"I'm surprised, Mrs. Beaumont,\" cried Mr. Lovel, starting up, \"that\nyou can suffer a person under your roof to be treated so inhumanly.\"",
"\"What argufies so many words?\"",
"said the unfeeling Captain; \"it is but\na slit of the ear; it only looks as if you had been in the pillory.\"",
"\"Very true,\" added Mrs. Selwyn; \"and who knows but it may acquire\nyou the credit of being an anti-ministerial writer?\"",
"\"I protest,\" cried Mr. Lovel, looking ruefully at his dress, \"my new\nriding suit's all over blood!\"",
"\"Ha, ha, ha,\" cried the Captain, \"see what comes of studying for an\nhour what you shall put on!\"",
"Mr. Lovel then walked to the glass; and, looking at the place,\nexclaimed, \"Oh heaven, what a monstrous wound!",
"my ear will never be\nfit to be seen again!\"",
"\"Why then,\" said the Captain, \"you must hide it;-'tis but wearing\na wig.\"",
"\"A wig!\"",
"repeated the affrighted Mr. Lovel; \"I wear a wig?-no, not\nif you would give me a thousand pounds an hour!\"",
"\"I declare,\" said Lady Louisa, \"I never heard such a shocking proposal\nin my life!\"",
"Lord Orville, then, seeing no prospect that the altercation would\ncease, proposed to the Captain to walk.",
"He assented; and having given\nMr. Lovel a nod of exultation, accompanied his Lordship down stairs.",
"\"'Pon honour,\" said Mr. Lovel, the moment the door was shut, \"that\nfellow is the greatest brute in nature!",
"he ought not to be admitted\ninto a civilized society.\"",
"\"Lovel,\" said Mr. Coverley, affecting to whisper, \"you must certainly\npink him: you must not put up with such an affront.\"",
"\"Sir,\" said Mr. Lovel, \"with any common person I should not deliberate\nan instant; but really with a fellow who has done nothing but fight\nall his life, 'pon honour, Sir, I can't think of it!\"",
"\"Lovel,\" said Lord Merton, in the same voice, \"you must call him\nto account.\"",
"\"Every man,\" said he, pettishly, \"is the best judge of his own affairs;\nand I don't ask the honour of any person's advice.\"",
"\"Egad, Lovel,\" said Mr. Coverley, \"you're in for it!-you can't possibly\nbe off!\"",
"\"Sir,\" cried he, very impatiently, \"upon any proper occasion I should\nbe as ready to show my courage as any body; but as to fighting for\nsuch a trifle as this-I protest I should blush to think of it!\"",
"\"A trifle!\"",
"cried Mrs. Selwyn, \"good Heaven!",
"and have you made this\nastonishing riot about a trifle?\"",
"\"Ma'am,\" answered the poor wretch, in great confusion, \"I did not\nknow at first but that my cheek might have been bit; but as 'tis no\nworse, why, it does not a great deal signify.",
"Mrs. Beaumont, I have\nthe honour to wish you a good evening; I'm sure my carriage must be\nwaiting.\"",
"And then, very abruptly, he left the room.",
"What a commotion has this mischief-loving Captain raised!",
"Were I\nto remain here long, even the society of my dear Maria could scarce\ncompensate for the disturbances which he excites.",
"When he returned, and heard of the quiet exit of Mr. Lovel, his triumph\nwas intolerable.",
"\"I think, I think,\" he cried, \"I have peppered him\nwell!",
"I'll warrant he won't give an hour tomorrow morning to settling\nwhat he shall put on; why, his coat,\" turning to me, \"would be a most\nexcellent match for old Madame Furbelow's best Lyons silk!",
"'Fore\nGeorge, I'd desire no better sport than to have that there old cat\nhere to go her snacks!\"",
"All the company the, Lord Orville, Miss Mirvan, and myself excepted,\nplayed at cards; and we -oh, how much better did we pass our time!",
"While we were engaged in a most delightful conversation, a servant\nbrought me a letter, which he told me had by some accident been\nmislaid.",
"Judge of my feelings when I saw, my dearest Sir, your revered\nhand-writing!",
"My emotions soon betrayed to Lord Orville whom the\nletter was from; the importance of the contents he well knew; and,\nassuring me I should not be seen by the card-players, he besought me\nto open it without delay.",
"Open it, indeed, I did-but read it I could not;-the willing, yet\nawful consent you have granted-the tenderness of your expressions-the\ncertainty that no obstacle remained to my eternal union with the loved\nowner of my heart, gave me sensations too various, and, though joyful,\ntoo little placid for observation.",
"Finding myself unable to proceed,\nand blinded by the tears of gratitude and delight, which started into\nmy eyes, I gave over the attempt of reading till I retired to my own\nroom; and, having no voice to answer the enquiries of Lord Orville,\nI put the letter into his hands, and left it to speak both for me\nand itself.",
"Lord Orville was himself affected by your kindness: he kissed the\nletter as he returned it; and, pressing my hand affectionately to\nhis heart, \"Your are now,\" said he, in a low voice, \"all my own!",
"Oh,\nmy Evelina, how will my soul find room for its happiness?-it seems\nalready bursting!\"",
"I could make no reply, indeed I hardly spoke\nanother word the rest of the evening; so little talkative is the\nfulness of contentment.",
"O, my dearest Sir, the thankfulness of my heart I must pour forth at\nour meeting, when, at your feet, my happiness receives its confirmation\nfrom your blessing; and when my noble-minded, my beloved Lord Orville,\npresents to you the highly-honoured, and thrice-happy Evelina.",
"A few lines I will endeavour to write on Thursday, which shall be\nsent off express, to give you, should nothing intervene, yet more\ncertain assurance of our meeting.",
"Now then, therefore, for the first-and probably the last time I\nshall ever own the name, permit me to sign myself, Most dear Sir,\nyour gratefully affectionate, EVELINA BELMONT.",
"Lady Louisa, at her own particular desire, will be present at the\nceremony, as well as Miss Mirvan and Mrs. Selwyn: Mr. Macartney will,\nthe same morning, be united to my foster-sister; and my father himself\nwill give us both away.",
"</CHAPTER>\n\n<CHAPTER>\nLETTER LXXXIII.",
"MR. VILLARS TO EVELINA.",
"EVERY wish of my soul is now fulfilled-for the felicity of my Evelina\nis equal to her worthiness!",
"Yes, my child, thy happiness is engraved in golden characters upon\nthe tablets of my heart; and their impression is indelible: for,\nshould the rude and deep-searching hand of Misfortune attempt to\npluck them from their repository, the fleeting fabric of life would\ngive way; and in tearing from my vitals the nourishment by which they\nare supported, she would but grasp at a shadow insensible to her touch.",
"Give thee my consent?-Oh thou joy, comfort, and pride of my life, how\ncold is that word to express the fervency of my approbation!",
"Yes, I do\nindeed give thee my consent; and so thankfully, that, with the humblest\ngratitude to Providence, I would seal it with the remnant of my days.",
"Hasten then, my love, to bless me with thy presence, and to receive\nthe blessings with which my fond heart overflows!-And oh, my Evelina,\nhear and assist in one only, humble, but ardent prayer, which yet\nanimates my devotions: That the height of bliss to which thou art\nrising may not render thee giddy, but that the purity of thy mind may\nform the brightest splendour of thy prosperity!-and that the weak\nand aged frame of thy almost idolizing parent, nearly worn out by\ntime, past afflictions, and infirmities, may yet be able to sustain\na meeting with all its better part holds dear; and then, that all the\nwounds which the former severity of fortune inflicted, may be healed\nand purified by the ultimate consolation of pouring forth my dying\nwords in blessings on my child!-closing these joy-streaming eyes in\nher presence, and breathing my last faint sighs in her loved arms!",
"Grieve not, oh child of my care!",
"Grieve not at the inevitable\nmoment!",
"but may thy own end be equally propitious!",
"Oh, may'st thou,\nwhen full of days, and full of honour, sink down as gently to rest!-be\nloved as kindly, watched as tenderly, as thy happy father!",
"And mayest\nthou, when thy glass is run, be sweetly, but not bitterly, mourned by\nsome remaining darling of thy affections-some yet surviving Evelina!",
"ARTHUR VILLARS.",
"</CHAPTER>\n<CHAPTER>\nLETTER LXXXIV.",
"EVELINA TO THE REV.",
"MR. VILLARS.",
"ALL is over, my dearest Sir; and the fate of your Evelina is\ndecided!",
"This morning, with fearful joy and trembling gratitude,\nshe united herself for ever with the object of her dearest, her\neternal affection.",
"I have time for no more; the chaise now waits which is to conduct\nme to dear Berry Hill, and to the arms of the best of men.",
"EVELINA.",
"THE END.",
"</CHAPTER>"
] | [
"Mrs. Selwyn, upon her return this morning from the Hot Wells,\n entering my\nroom very abruptly, said, \"Oh, my dear, I have terrible news for you!\"",
"\"Why, yes; for, as I found our consultation likely to redound to his\nadvantage, I persuaded Sir John to send for him.\"",
"cried he, gently; \"come hither, child;-rise,\nEvelina:-Alas, it is for me to kneel,-not you;-and I would kneel,-I\nwould crawl upon the earth,-I would kiss the dust,-could I, by such\nsubmission, obtain the forgiveness of the representative of the most\ninjured of women!\"",
"(looking earnestly at me) never\nwas likeness more striking!-the eyes-the face-the form-Oh, my child,\nmy child!\"",
"These were his words; and yet, he has repeatedly assured me,\nthat his partiality has known no bounds from the time of my residing\nat Clifton.",
"\"And very cheap too,\" said Mrs. Selwyn, \"if we consider the value of\nthe intelligence.\"",
"Mrs. Beaumont invited all\nthe party to dinner, and has been so obliging as to beg Miss Mirvan\nmay continue at her house during her stay.",
"\"Egad, my Lord, I think I've\nhelpt you out there!\"",
"She was alone, and told me that\nher father, who, she was sure, had some scheme in agitation against\nMr. Lovel, had sent her on before him.",
"I could make no reply, indeed I hardly spoke\nanother word the rest of the evening; so little talkative is the\nfulness of contentment."
] | [
"Indeed, I must own, I had no reason to regret being so accompanied;\n for his\nconversation supported my spirits from drooping, and made the ride\nseem so short, that we actually stopped at my father's door, before\nI knew we had proceeded ten yards.",
"\"Oh, forbear, forbear,\" cried I, \"is this language proper for a\nsister?",
"What a question!",
"my cheeks glowed with indignation, and I felt too\nproud to make any answer.",
"\"Prithee, Jack,\" said Lord Merton, \"don't you pretend to talk about\nblushes, that never knew what they were in your life.\"",
"Clifton, Oct. 7th.",
"Then, with a violence almost frantic, he ran up stairs.",
"said Mr. Lovel, letting fall his knife\nand fork, and looking very important; \"I really have not the honour\nto understand your expression.\"",
"\"Mayhap, then,\" said the literal Captain, \"you think we should see\nit better by going about at midnight?\"",
"He led me, however, to the\nfoot of the stairs, and made the kindest efforts to give me courage:\nbut indeed he did not succeed; for the interview appeared to me in\nall its terrors, and left me no feeling but apprehension."
] | [
"for so I must already call,\n and always\nconsider her:-I am afraid she avoids me;-you must endeavour, my\ndear brother, to prepossess her in my favour, and reconcile her to\nowning me.\"",
"\"Oh, Madam,\" cried he, \"you are all goodness and benevolence!",
"but\n at present\nI hope you will excuse her, for I fear she has hardly fortitude\nsufficient to see you: in a short time perhaps-\"\n\n\n \"In a very short time, then,\" said Lord Orville, \"I hope you will\n yourself\nintroduce her, and that we shall have the pleasure of wishing you both\njoy:-allow me, my Evelina, to say we, and permit me, in your name,\nas well as my own, to entreat that the first guests we shall have\nthe happiness of receiving may be Mr. and Mrs.",
"Macartney.\"",
"A servant then came to beg I would walk up stairs.",
"I besought Lord Orville to accompany me; but he feared the displeasure\n of Sir\nJohn, who had desired to see me alone.",
"He led me, however, to the\nfoot of the stairs, and made the kindest efforts to give me courage:\nbut indeed he did not succeed; for the interview appeared to me in\nall its terrors, and left me no feeling but apprehension.",
"The moment I reached the landing-place, the drawing-room door was\n opened: and\nmy father, with a voice of kindness, called out, \"My child, is it you?\"",
"\"Yes, Sir,\" cried I, springing forward, and kneeling at his feet,\n \"it is your\nchild, if you will own her!\"",
"He knelt by my side, and, folding me in his arms, \"Own thee,\"\n repeated he,\n\"yes, my poor girl, and Heaven knows with what bitter\ncontrition!\"",
"Then, raising both himself and me, he brought me into the\ndrawing-room, shut the door, and took me to the window; where, looking\nat me with great earnestness, \"Poor unhappy Caroline!\""
] | [
"<CHAPTER>\nLETTER LXXVII.",
"EVELINA IN CONTINUATION.",
"Clifton, Oct. 7th.",
"YOU will see, my dear Sir, that I was mistaken in supposing I should\nwrite no more from this place, where my residence now seems more\nuncertain than ever.",
"This morning, during breakfast, Lord Orville took an opportunity to\nbeg me, in a low voice, to allow him a moment's conversation before\nI left Clifton; \"May I hope,\" added he, \"that you will stroll into\nthe garden after breakfast?\"",
"I made no answer, but I believe my looks gave no denial; for, indeed,\nI much wished to be satisfied concerning the letter.",
"The moment,\ntherefore, that I could quit the parlour, I ran up stairs for my\ncalash; but, before I reached my room, Mrs. Selwyn called after me,\n\"If you are going to walk, Miss Anville, be so good as to bid Jenny\nbring down my hat, and I'll accompany you.\"",
"Very much disconcerted, I turned into the drawing-room, without making\nany answer, and there I hoped to wait unseen, till she had otherwise\ndisposed of herself.",
"But, in a few minutes, the door opened, and Sir\nClement Willoughby entered.",
"Starting at the sight of him, in rising hastily, I let drop the letter\nwhich I had brought for Lord Orville's inspection, and, before I could\nrecover it, Sir Clement, springing forward, had it in his hand.",
"ARTHUR VILLARS.",
"</CHAPTER>\n<CHAPTER>\nLETTER LXXXIV.",
"EVELINA TO THE REV.",
"MR. VILLARS.",
"ALL is over, my dearest Sir; and the fate of your Evelina is\ndecided!",
"This morning, with fearful joy and trembling gratitude,\nshe united herself for ever with the object of her dearest, her\neternal affection.",
"I have time for no more; the chaise now waits which is to conduct\nme to dear Berry Hill, and to the arms of the best of men.",
"EVELINA.",
"THE END.",
"</CHAPTER>"
] | ow," said the Captain, "did you ever get a ducking in that
there place yourself?"
"A ducking, Sir!"
repeated Mr. Lovel: "I protest I think that's rather
an odd term!-but if you mean a bathing, it is an honour I have had
many times."
"And pray, if a body may be so bold, what do you do with that
frizle-frize top of your own?
Why, I'll lay you what you will, there
is fat and grease enough on your crown to buoy you up, if you were
to go in head downwards."
"And I don't know," cried Mrs. Selwyn, "but that might be the easiest
way; for I'm sure it would be the lightest."
"For the matter of that there," said the Captain, "you must make
him a soldier, before you can tell which is lightest, head or
heels.
Howsomever, I'd lay ten pounds to a shilling, I could whisk
him so dexterously over into the pool, that he should light plump
upon his foretop and turn round like a tetotum."
"Done!"
cried Lord Merton; "I take your odds."
"Will you?"
returned he; "why, then, 'fore George, I'd do it as soon
as | <CHAPTER>
LETTER LXXVII.
EVELINA IN CONTINUATION.
Clifton, Oct. 7th.
YOU will see, my dear Sir, that I was mistaken in supposing I should
write no more from this place, where my residence now seems more
uncertain than ever.
This morning, during breakfast, Lord Orville took an opportunity to
beg me, in a low voice, to allow him a moment's conversation before
I left Clifton; "May I hope," added he, "that you will stroll into
the garden after breakfast?"
I made no answer, but I believe my looks gav arling of thy affections-some yet surviving Evelina!
ARTHUR VILLARS.
</CHAPTER>
<CHAPTER>
LETTER LXXXIV.
EVELINA TO THE REV.
MR. VILLARS.
ALL is over, my dearest Sir; and the fate of your Evelina is
decided!
This morning, with fearful joy and trembling gratitude,
she united herself for ever with the object of her dearest, her
eternal affection.
I have time for no more; the chaise now waits which is to conduct
me to dear Berry Hill, and to the arms of the best of men.
EVELINA.
THE END.
</CHAPTER> | "
There seemed something so little-minded in this sudden change
of conduct,
that, from an involuntary motion of contempt, I thanked her with a
coldness like her own, and declined her offer.
Yet, observing that
she blushed extremely at my refusal, and recollecting she was sister
to Lord Orville, my indignation subsided; and, upon Mrs. Beaumont
repeating the invitation, I accepted it.
Our walk proved extremely dull: Mrs. Beaumont, who never says much,
was more
silent than usual; Lady Louisa strove in vain to lay aside the
restraint and distance she has hitherto preserved; and, as to me, I
was too conscious of the circumstances to which I owed their attention,
to feel either pride or pleasure from receiving it.
Lord Orville was not long absent: he joined us in the garden with
a look of
gaiety and good humour that revived us all.
"You are just the party,"
said he, "I wished to see together.
Will you, Madam (taking my hand),
allow me the honour of introducing you, by your real name, to tw |
1,134 | true | gradesaver | all_chapterized_books/1134-chapters/act_1.txt | finished_summaries/gradesaver/The Winter's Tale/section_0_part_0.txt | The Winter's Tale.act 1.scene 1-scene 2 | act 1 | null | {"name": "Act 1", "url": "https://web.archive.org/web/20210411083408/https://www.gradesaver.com/the-winters-tale/study-guide/summary-act-1", "summary": "Scene One is a short conversation between Archidamus, a Bohemian courtier, and Camillo, a Sicilian courtier and trusted friend of Leontes, King of Sicilia. Archidamus praises the generous hospitality he has been treated to in Sicilia, apologizing for any inadequacies Camillo might experience should he travel to Bohemia. Camillo talks about the friendship between Leontes and Polixenes, King of Bohemia. The two rulers were raised together since boyhood, although now their responsibilities as kings keep them apart. Both courtiers agree that Prince Mamillius of Sicilia shows great promise. Scene ii: Enter Leontes, Hermione, Mamillius, Polixenes, Camillo, and Attendants. Polixenes proclaims his intent to return home. He has been staying as a guest in the court of Leontes for nine months, and he fears that troubles may start at home if he stays away much longer. Leontes tries, without any success, to convince Polixenes to stay a short while longer. At Leontes' request, Hermione, Leontes' queen, tries to convince Polixenes to stay. She is eloquent and persuasive, and Polixenes gives in. She then asks to hear more stories from the kings' boyhood days together. Polixenes paints a picture of innocence and pure friendship in days before the two men knew anything of women. Hermione is extremely affectionate to Polixenes, treating him with great love because he is her husband's best and oldest friend. In asides to the audience, Leontes reveals that he is insanely jealous of Polixenes and Hermione. He is convinced that they are secretly committing adultery, although he has no hard evidence on which to base his suspicions. In full view of the others, he asks his young son Mamillius questions loaded with double meanings about whether or not the child is his boy. When Hermione and Polixenes ask if Leontes is feeling well, he replies that he is only unsettled because Mamillius reminds him of himself in the days of his own childhood. Leontes asks if Polixenes' son back in Bohemia is as dear as Mamillius, and Polixenes speaks of the great love he has for his own boy. Hermione, Polixenes, and the Attendants exit, leaving Leontes to continue his strange, angry conversation with his uncomprehending son. Mamillius exits, and Leontes, in an aside, speaks of how the tryst between Polixenes and Hermione must be obvious to everyone. He questions Camillo, who is clearly unaware of the king's suspicions. The king, convinced that Camillo is either stupid or playing dumb, grows increasingly irate. When he finally tells Camillo of what he suspects, the advisor is horrified and does not believe it. Leontes' grows increasingly furious, and Camillo, seeing the king's conviction, seems to give in. At Leontes' expressed desire to see Polixenes dead of poison, he offers to carry out the task. His condition is that Leontes' keep the queen in her present status, and do nothing to stain her honor. The king agrees, and Camillo affirms again that he will poison Polixenes. The king leaves, and Camillo reveals to the audience that he is horrified by the task set before him. He is a loyal courtier, but he believes Polixenes and Hermione are innocent. He resolves not to do it. Polixenes enters, disturbed by his most recent brush with Leontes. He asks Camillo about the change in the king's manner, and Camillo initially refuses to give a straightforward answer. When Polixenes continues to entreat Camillo, worried that his safety might be at risk, Camillo tells him the truth. He agrees to help Polixenes, using his authority as Leontes' most trusted advisor to ensure a safe escape for Polixenes and all of his men. Camillo says that he will serve at Polixenes' court, since in helping Polixenes he can no longer stay in Sicilia. Polixenes' ship has been ready for departure for days, and Polixenes assures Camillo that he will remember this service.", "analysis": "Scene One establishes characters and situation. We learn that the kings of Sicilia and Bohemia have been good friends since childhood, and that Sicilia has a young prince who shows great promise. Although Archidamus is not particularly important as a character, Camillo is one of the play's most important characters. From his praise of his king and his prince, we see that he is a faithful and patriotic courtier, full of love for his position. He is an ideal advisor, happiest when he has a good ruler to serve. In Scene Two, Shakespeare gives us a deep psychological portrait of Leontes. Directors control the level of the flirtatiousness between Hermione and Polixenes in productions of The Winter's Tale, but an important part of the characterization of Leontes is that his fears are not grounded in any real impropriety. The less proof he has, the more crazed he becomes. Although people at court speak often of how much Mamillius resembles him, he persists in the delusion that the child's paternity is questionable. And when his most trusted advisor insists that Hermione is innocent, his rage shows unequivocally that he will not have his delusions questioned. He dwells obsessively on the idea of being a known cuckold, a man whose wife is an adulterer, although Camillo's responses indicate that no one at court views the king that way. A recurring theme in many of Shakespeare's plays is the conflict between marriage and friendship. In The Winter's Tale, Shakespeare continues to play with this familiar theme, although in a more oblique manner. The boyhood days of Leontes are mentioned with some prominence in Scene Two, and the discussion of the old days becomes a counterpoint to his current jealous rage. Polixenes stresses their boyhood days as pre-sexual, days before they knew women and the duties of marriage. Hermione chides that she and Polixenes' wife must be devils, because they have lured the men out of these days of innocence. Her joke has serious undertones. The introduction of women into the lives of Polixenes and Leontes puts an end to the days without responsibility. In Scene Two, we watch Leontes return to the days without responsibility in two parallel ways: he remembers the days of his youth, and he puts aside responsibilities as a man, husband, father, and king in favor of jealousy and rage. Manhood brings power, but Leontes' masculinity is fragile; it is something that can be lost, and its integrity depends on keeping his wife faithful. For that, he only has her word. Once suspicion becomes paranoid delusion, Leontes' manhood is threatened. He imagines his oldest friend as a rival, a rival who seeks to be more of a man than Leontes by conquering Leontes' wife. Three closely connected themes come play themselves out in Scene Two. The responsibility of kings, the threat of tyranny, and the connection between the king as head of the family and the king as head of state : these are important themes not only in The Winter's Tale, but in many of Shakespeare's plays. These three themes are often at work when a Shakespearean ruler transforms himself from good king to bad king, good father/husband to bad father/husband, good man to bad man. By indulging in his groundless paranoia, Leontes transforms himself from good king to bad king, and a large part of this change comes because of his failure to live up to his roles as husband and father. Marriage brings with it great duty, and as Shakespeare depicts it, a king's duties as husband and father are inseparable from his duties as head of state. In his indulgence in jealousy and paranoid fantasy, the king separates himself from his duties. The responsibility of kings is a common Shakespearean theme; one of those responsibilities is to produce an heir and raise that heir into adulthood. Having produced an heir, Leontes shirks his duty to be a good father. Leontes questions the paternity of Mamillius, and so absolves himself of the responsibility to provide for the boy's safety, happiness, and wellbeing. Leontes' outrageous behavior will eventually cost him the life of his heir Mamillius, as well as the loss of his second child, Perdita. When Leontes' looks into his son's face and claims that he sees himself in the days of his youth, he is explaining his strange behavior dishonestly, but the words of his response emphasize his longing to return to a world without duty. A tragic aspect of Leontes' fall is that he cannot regain the happiness of his boyhood by reenacting its irresponsibility. The consequences are not freedom, but tragedy. His delusions include a terrible betrayal of his boyhood friend. His obsession makes him unable to rule effectively as king. Part of kingship is the ability to benefit from the counsel of wise advisors like Camillo, and here we watch as Camillo's rational advice does little but drive Leontes further into his delusions. In ordering the assassination of Polixenes, Leontes orders an act that is barbaric and potentially harmful to his state. Poisoning Polixenes will not be without repercussions for his country; the connection between the state's health and the king's personal affairs becomes clear when Camillo tells Leontes that he must not sully Hermione's honor. Hermione must be kept as queen to protect Sicilia from scandal and loss of honor among her allies. Camillo's suggestion is not only about saving face; he is concerned for the security of his country. The death of Polixenes while he is a guest in Sicilia would have massive repercussions for Leontes' kingdom; his act is not only a violation of friendship, but of his important duties to his people. Camillo, the faithful advisor, is a man of conscience. He has a powerful sense of duty; his training and talents are geared towards aiding a king to rule effectively, but he does not allow his loyalty to override his sense of right and wrong. The conflict between duty and conscience is an important theme in The Winter's Tale, and Camillo's resolves to serve his sense of right and wrong before any king. Camillo's decision ultimately makes the play's happy ending possible. His choice is the first in a series of events that protects The Winter's Tale from the momentum towards tragedy set up by Leontes' jealousy."} | Sicilia. The palace of LEONTES
Enter CAMILLO and ARCHIDAMUS
ARCHIDAMUS. If you shall chance, Camillo, to visit Bohemia, on
the
like occasion whereon my services are now on foot, you shall
see,
as I have said, great difference betwixt our Bohemia and your
Sicilia.
CAMILLO. I think this coming summer the King of Sicilia means
to
pay Bohemia the visitation which he justly owes him.
ARCHIDAMUS. Wherein our entertainment shall shame us we will be
justified in our loves; for indeed-
CAMILLO. Beseech you-
ARCHIDAMUS. Verily, I speak it in the freedom of my knowledge:
we
cannot with such magnificence, in so rare- I know not what to
say. We will give you sleepy drinks, that your senses,
unintelligent of our insufficience, may, though they cannot
praise us, as little accuse us.
CAMILLO. You pay a great deal too dear for what's given freely.
ARCHIDAMUS. Believe me, I speak as my understanding instructs
me
and as mine honesty puts it to utterance.
CAMILLO. Sicilia cannot show himself overkind to Bohemia. They
were
train'd together in their childhoods; and there rooted
betwixt
them then such an affection which cannot choose but branch
now.
Since their more mature dignities and royal necessities made
separation of their society, their encounters, though not
personal, have been royally attorneyed with interchange of
gifts,
letters, loving embassies; that they have seem'd to be
together,
though absent; shook hands, as over a vast; and embrac'd as
it
were from the ends of opposed winds. The heavens continue
their
loves!
ARCHIDAMUS. I think there is not in the world either malice or
matter to alter it. You have an unspeakable comfort of your
young
Prince Mamillius; it is a gentleman of the greatest promise
that
ever came into my note.
CAMILLO. I very well agree with you in the hopes of him. It is
a
gallant child; one that indeed physics the subject, makes old
hearts fresh; they that went on crutches ere he was born
desire
yet their life to see him a man.
ARCHIDAMUS. Would they else be content to die?
CAMILLO. Yes; if there were no other excuse why they should
desire
to live.
ARCHIDAMUS. If the King had no son, they would desire to live
on
crutches till he had one.
Exeunt
Sicilia. The palace of LEONTES
Enter LEONTES, POLIXENES, HERMIONE, MAMILLIUS, CAMILLO, and
ATTENDANTS
POLIXENES. Nine changes of the wat'ry star hath been
The shepherd's note since we have left our throne
Without a burden. Time as long again
Would be fill'd up, my brother, with our thanks;
And yet we should for perpetuity
Go hence in debt. And therefore, like a cipher,
Yet standing in rich place, I multiply
With one 'We thank you' many thousands moe
That go before it.
LEONTES. Stay your thanks a while,
And pay them when you part.
POLIXENES. Sir, that's to-morrow.
I am question'd by my fears of what may chance
Or breed upon our absence, that may blow
No sneaping winds at home, to make us say
'This is put forth too truly.' Besides, I have stay'd
To tire your royalty.
LEONTES. We are tougher, brother,
Than you can put us to't.
POLIXENES. No longer stay.
LEONTES. One sev'night longer.
POLIXENES. Very sooth, to-morrow.
LEONTES. We'll part the time between's then; and in that
I'll no gainsaying.
POLIXENES. Press me not, beseech you, so.
There is no tongue that moves, none, none i' th' world,
So soon as yours could win me. So it should now,
Were there necessity in your request, although
'Twere needful I denied it. My affairs
Do even drag me homeward; which to hinder
Were in your love a whip to me; my stay
To you a charge and trouble. To save both,
Farewell, our brother.
LEONTES. Tongue-tied, our Queen? Speak you.
HERMIONE. I had thought, sir, to have held my peace until
You had drawn oaths from him not to stay. You, sir,
Charge him too coldly. Tell him you are sure
All in Bohemia's well- this satisfaction
The by-gone day proclaim'd. Say this to him,
He's beat from his best ward.
LEONTES. Well said, Hermione.
HERMIONE. To tell he longs to see his son were strong;
But let him say so then, and let him go;
But let him swear so, and he shall not stay;
We'll thwack him hence with distaffs.
[To POLIXENES] Yet of your royal presence I'll
adventure the borrow of a week. When at Bohemia
You take my lord, I'll give him my commission
To let him there a month behind the gest
Prefix'd for's parting.- Yet, good deed, Leontes,
I love thee not a jar o' th' clock behind
What lady she her lord.- You'll stay?
POLIXENES. No, madam.
HERMIONE. Nay, but you will?
POLIXENES. I may not, verily.
HERMIONE. Verily!
You put me off with limber vows; but I,
Though you would seek t' unsphere the stars with oaths,
Should yet say 'Sir, no going.' Verily,
You shall not go; a lady's 'verily' is
As potent as a lord's. Will go yet?
Force me to keep you as a prisoner,
Not like a guest; so you shall pay your fees
When you depart, and save your thanks. How say you?
My prisoner or my guest? By your dread 'verily,'
One of them you shall be.
POLIXENES. Your guest, then, madam:
To be your prisoner should import offending;
Which is for me less easy to commit
Than you to punish.
HERMIONE. Not your gaoler then,
But your kind. hostess. Come, I'll question you
Of my lord's tricks and yours when you were boys.
You were pretty lordings then!
POLIXENES. We were, fair Queen,
Two lads that thought there was no more behind
But such a day to-morrow as to-day,
And to be boy eternal.
HERMIONE. Was not my lord
The verier wag o' th' two?
POLIXENES. We were as twinn'd lambs that did frisk i' th' sun
And bleat the one at th' other. What we chang'd
Was innocence for innocence; we knew not
The doctrine of ill-doing, nor dream'd
That any did. Had we pursu'd that life,
And our weak spirits ne'er been higher rear'd
With stronger blood, we should have answer'd heaven
Boldly 'Not guilty,' the imposition clear'd
Hereditary ours.
HERMIONE. By this we gather
You have tripp'd since.
POLIXENES. O my most sacred lady,
Temptations have since then been born to 's, for
In those unfledg'd days was my wife a girl;
Your precious self had then not cross'd the eyes
Of my young playfellow.
HERMIONE. Grace to boot!
Of this make no conclusion, lest you say
Your queen and I are devils. Yet, go on;
Th' offences we have made you do we'll answer,
If you first sinn'd with us, and that with us
You did continue fault, and that you slipp'd not
With any but with us.
LEONTES. Is he won yet?
HERMIONE. He'll stay, my lord.
LEONTES. At my request he would not.
Hermione, my dearest, thou never spok'st
To better purpose.
HERMIONE. Never?
LEONTES. Never but once.
HERMIONE. What! Have I twice said well? When was't before?
I prithee tell me; cram's with praise, and make's
As fat as tame things. One good deed dying tongueless
Slaughters a thousand waiting upon that.
Our praises are our wages; you may ride's
With one soft kiss a thousand furlongs ere
With spur we heat an acre. But to th' goal:
My last good deed was to entreat his stay;
What was my first? It has an elder sister,
Or I mistake you. O, would her name were Grace!
But once before I spoke to th' purpose- When?
Nay, let me have't; I long.
LEONTES. Why, that was when
Three crabbed months had sour'd themselves to death,
Ere I could make thee open thy white hand
And clap thyself my love; then didst thou utter
'I am yours for ever.'
HERMIONE. 'Tis Grace indeed.
Why, lo you now, I have spoke to th' purpose twice:
The one for ever earn'd a royal husband;
Th' other for some while a friend.
[Giving her hand to POLIXENES]
LEONTES. [Aside] Too hot, too hot!
To mingle friendship far is mingling bloods.
I have tremor cordis on me; my heart dances,
But not for joy, not joy. This entertainment
May a free face put on; derive a liberty
From heartiness, from bounty, fertile bosom,
And well become the agent. 'T may, I grant;
But to be paddling palms and pinching fingers,
As now they are, and making practis'd smiles
As in a looking-glass; and then to sigh, as 'twere
The mort o' th' deer. O, that is entertainment
My bosom likes not, nor my brows! Mamillius,
Art thou my boy?
MAMILLIUS. Ay, my good lord.
LEONTES. I' fecks!
Why, that's my bawcock. What! hast smutch'd thy nose?
They say it is a copy out of mine. Come, Captain,
We must be neat- not neat, but cleanly, Captain.
And yet the steer, the heifer, and the calf,
Are all call'd neat.- Still virginalling
Upon his palm?- How now, you wanton calf,
Art thou my calf?
MAMILLIUS. Yes, if you will, my lord.
LEONTES. Thou want'st a rough pash and the shoots that I have,
To be full like me; yet they say we are
Almost as like as eggs. Women say so,
That will say anything. But were they false
As o'er-dy'd blacks, as wind, as waters- false
As dice are to be wish'd by one that fixes
No bourn 'twixt his and mine; yet were it true
To say this boy were like me. Come, sir page,
Look on me with your welkin eye. Sweet villain!
Most dear'st! my collop! Can thy dam?- may't be?
Affection! thy intention stabs the centre.
Thou dost make possible things not so held,
Communicat'st with dreams- how can this be?-
With what's unreal thou coactive art,
And fellow'st nothing. Then 'tis very credent
Thou mayst co-join with something; and thou dost-
And that beyond commission; and I find it,
And that to the infection of my brains
And hard'ning of my brows.
POLIXENES. What means Sicilia?
HERMIONE. He something seems unsettled.
POLIXENES. How, my lord!
What cheer? How is't with you, best brother?
HERMIONE. You look
As if you held a brow of much distraction.
Are you mov'd, my lord?
LEONTES. No, in good earnest.
How sometimes nature will betray its folly,
Its tenderness, and make itself a pastime
To harder bosoms! Looking on the lines
Of my boy's face, methoughts I did recoil
Twenty-three years; and saw myself unbreech'd,
In my green velvet coat; my dagger muzzl'd,
Lest it should bite its master and so prove,
As ornaments oft do, too dangerous.
How like, methought, I then was to this kernel,
This squash, this gentleman. Mine honest friend,
Will you take eggs for money?
MAMILLIUS. No, my lord, I'll fight.
LEONTES. You will? Why, happy man be's dole! My brother,
Are you so fond of your young prince as we
Do seem to be of ours?
POLIXENES. If at home, sir,
He's all my exercise, my mirth, my matter;
Now my sworn friend, and then mine enemy;
My parasite, my soldier, statesman, all.
He makes a July's day short as December,
And with his varying childness cures in me
Thoughts that would thick my blood.
LEONTES. So stands this squire
Offic'd with me. We two will walk, my lord,
And leave you to your graver steps. Hermione,
How thou lov'st us show in our brother's welcome;
Let what is dear in Sicily be cheap;
Next to thyself and my young rover, he's
Apparent to my heart.
HERMIONE. If you would seek us,
We are yours i' th' garden. Shall's attend you there?
LEONTES. To your own bents dispose you; you'll be found,
Be you beneath the sky. [Aside] I am angling now,
Though you perceive me not how I give line.
Go to, go to!
How she holds up the neb, the bill to him!
And arms her with the boldness of a wife
To her allowing husband!
Exeunt POLIXENES, HERMIONE, and ATTENDANTS
Gone already!
Inch-thick, knee-deep, o'er head and ears a fork'd one!
Go, play, boy, play; thy mother plays, and I
Play too; but so disgrac'd a part, whose issue
Will hiss me to my grave. Contempt and clamour
Will be my knell. Go, play, boy, play. There have been,
Or I am much deceiv'd, cuckolds ere now;
And many a man there is, even at this present,
Now while I speak this, holds his wife by th' arm
That little thinks she has been sluic'd in's absence,
And his pond fish'd by his next neighbour, by
Sir Smile, his neighbour. Nay, there's comfort in't,
Whiles other men have gates and those gates open'd,
As mine, against their will. Should all despair
That hath revolted wives, the tenth of mankind
Would hang themselves. Physic for't there's none;
It is a bawdy planet, that will strike
Where 'tis predominant; and 'tis pow'rfull, think it,
From east, west, north, and south. Be it concluded,
No barricado for a belly. Know't,
It will let in and out the enemy
With bag and baggage. Many thousand on's
Have the disease, and feel't not. How now, boy!
MAMILLIUS. I am like you, they say.
LEONTES. Why, that's some comfort.
What! Camillo there?
CAMILLO. Ay, my good lord.
LEONTES. Go play, Mamillius; thou'rt an honest man.
Exit MAMILLIUS
Camillo, this great sir will yet stay longer.
CAMILLO. You had much ado to make his anchor hold;
When you cast out, it still came home.
LEONTES. Didst note it?
CAMILLO. He would not stay at your petitions; made
His business more material.
LEONTES. Didst perceive it?
[Aside] They're here with me already; whisp'ring, rounding,
'Sicilia is a so-forth.' 'Tis far gone
When I shall gust it last.- How came't, Camillo,
That he did stay?
CAMILLO. At the good Queen's entreaty.
LEONTES. 'At the Queen's' be't. 'Good' should be pertinent;
But so it is, it is not. Was this taken
By any understanding pate but thine?
For thy conceit is soaking, will draw in
More than the common blocks. Not noted, is't,
But of the finer natures, by some severals
Of head-piece extraordinary? Lower messes
Perchance are to this business purblind? Say.
CAMILLO. Business, my lord? I think most understand
Bohemia stays here longer.
LEONTES. Ha?
CAMILLO. Stays here longer.
LEONTES. Ay, but why?
CAMILLO. To satisfy your Highness, and the entreaties
Of our most gracious mistress.
LEONTES. Satisfy
Th' entreaties of your mistress! Satisfy!
Let that suffice. I have trusted thee, Camillo,
With all the nearest things to my heart, as well
My chamber-councils, wherein, priest-like, thou
Hast cleans'd my bosom- I from thee departed
Thy penitent reform'd; but we have been
Deceiv'd in thy integrity, deceiv'd
In that which seems so.
CAMILLO. Be it forbid, my lord!
LEONTES. To bide upon't: thou art not honest; or,
If thou inclin'st that way, thou art a coward,
Which hoxes honesty behind, restraining
From course requir'd; or else thou must be counted
A servant grafted in my serious trust,
And therein negligent; or else a fool
That seest a game play'd home, the rich stake drawn,
And tak'st it all for jest.
CAMILLO. My gracious lord,
I may be negligent, foolish, and fearful:
In every one of these no man is free
But that his negligence, his folly, fear,
Among the infinite doings of the world,
Sometime puts forth. In your affairs, my lord,
If ever I were wilfull-negligent,
It was my folly; if industriously
I play'd the fool, it was my negligence,
Not weighing well the end; if ever fearful
To do a thing where I the issue doubted,
Whereof the execution did cry out
Against the non-performance, 'twas a fear
Which oft infects the wisest. These, my lord,
Are such allow'd infirmities that honesty
Is never free of. But, beseech your Grace,
Be plainer with me; let me know my trespass
By its own visage; if I then deny it,
'Tis none of mine.
LEONTES. Ha' not you seen, Camillo-
But that's past doubt; you have, or your eye-glass
Is thicker than a cuckold's horn- or heard-
For to a vision so apparent rumour
Cannot be mute- or thought- for cogitation
Resides not in that man that does not think-
My wife is slippery? If thou wilt confess-
Or else be impudently negative,
To have nor eyes nor ears nor thought- then say
My wife's a hobby-horse, deserves a name
As rank as any flax-wench that puts to
Before her troth-plight. Say't and justify't.
CAMILLO. I would not be a stander-by to hear
My sovereign mistress clouded so, without
My present vengeance taken. Shrew my heart!
You never spoke what did become you less
Than this; which to reiterate were sin
As deep as that, though true.
LEONTES. Is whispering nothing?
Is leaning cheek to cheek? Is meeting noses?
Kissing with inside lip? Stopping the career
Of laughter with a sigh?- a note infallible
Of breaking honesty. Horsing foot on foot?
Skulking in corners? Wishing clocks more swift;
Hours, minutes; noon, midnight? And all eyes
Blind with the pin and web but theirs, theirs only,
That would unseen be wicked- is this nothing?
Why, then the world and all that's in't is nothing;
The covering sky is nothing; Bohemia nothing;
My is nothing; nor nothing have these nothings,
If this be nothing.
CAMILLO. Good my lord, be cur'd
Of this diseas'd opinion, and betimes;
For 'tis most dangerous.
LEONTES. Say it be, 'tis true.
CAMILLO. No, no, my lord.
LEONTES. It is; you lie, you lie.
I say thou liest, Camillo, and I hate thee;
Pronounce thee a gross lout, a mindless slave,
Or else a hovering temporizer that
Canst with thine eyes at once see good and evil,
Inclining to them both. Were my wife's liver
Infected as her life, she would not live
The running of one glass.
CAMILLO. Who does her?
LEONTES. Why, he that wears her like her medal, hanging
About his neck, Bohemia; who- if I
Had servants true about me that bare eyes
To see alike mine honour as their profits,
Their own particular thrifts, they would do that
Which should undo more doing. Ay, and thou,
His cupbearer- whom I from meaner form
Have bench'd and rear'd to worship; who mayst see,
Plainly as heaven sees earth and earth sees heaven,
How I am gall'd- mightst bespice a cup
To give mine enemy a lasting wink;
Which draught to me were cordial.
CAMILLO. Sir, my lord,
I could do this; and that with no rash potion,
But with a ling'ring dram that should not work
Maliciously like poison. But I cannot
Believe this crack to be in my dread mistress,
So sovereignly being honourable.
I have lov'd thee-
LEONTES. Make that thy question, and go rot!
Dost think I am so muddy, so unsettled,
To appoint myself in this vexation; sully
The purity and whiteness of my sheets-
Which to preserve is sleep, which being spotted
Is goads, thorns, nettles, tails of wasps;
Give scandal to the blood o' th' Prince, my son-
Who I do think is mine, and love as mine-
Without ripe moving to 't? Would I do this?
Could man so blench?
CAMILLO. I must believe you, sir.
I do; and will fetch off Bohemia for't;
Provided that, when he's remov'd, your Highness
Will take again your queen as yours at first,
Even for your son's sake; and thereby for sealing
The injury of tongues in courts and kingdoms
Known and allied to yours.
LEONTES. Thou dost advise me
Even so as I mine own course have set down.
I'll give no blemish to her honour, none.
CAMILLO. My lord,
Go then; and with a countenance as clear
As friendship wears at feasts, keep with Bohemia
And with your queen. I am his cupbearer;
If from me he have wholesome beverage,
Account me not your servant.
LEONTES. This is all:
Do't, and thou hast the one half of my heart;
Do't not, thou split'st thine own.
CAMILLO. I'll do't, my lord.
LEONTES. I will seem friendly, as thou hast advis'd me. Exit
CAMILLO. O miserable lady! But, for me,
What case stand I in? I must be the poisoner
Of good Polixenes; and my ground to do't
Is the obedience to a master; one
Who, in rebellion with himself, will have
All that are his so too. To do this deed,
Promotion follows. If I could find example
Of thousands that had struck anointed kings
And flourish'd after, I'd not do't; but since
Nor brass, nor stone, nor parchment, bears not one,
Let villainy itself forswear't. I must
Forsake the court. To do't, or no, is certain
To me a break-neck. Happy star reign now!
Here comes Bohemia.
Enter POLIXENES
POLIXENES. This is strange. Methinks
My favour here begins to warp. Not speak?
Good day, Camillo.
CAMILLO. Hail, most royal sir!
POLIXENES. What is the news i' th' court?
CAMILLO. None rare, my lord.
POLIXENES. The King hath on him such a countenance
As he had lost some province, and a region
Lov'd as he loves himself; even now I met him
With customary compliment, when he,
Wafting his eyes to th' contrary and falling
A lip of much contempt, speeds from me;
So leaves me to consider what is breeding
That changes thus his manners.
CAMILLO. I dare not know, my lord.
POLIXENES. How, dare not! Do not. Do you know, and dare not
Be intelligent to me? 'Tis thereabouts;
For, to yourself, what you do know, you must,
And cannot say you dare not. Good Camillo,
Your chang'd complexions are to me a mirror
Which shows me mine chang'd too; for I must be
A party in this alteration, finding
Myself thus alter'd with't.
CAMILLO. There is a sickness
Which puts some of us in distemper; but
I cannot name the disease; and it is caught
Of you that yet are well.
POLIXENES. How! caught of me?
Make me not sighted like the basilisk;
I have look'd on thousands who have sped the better
By my regard, but kill'd none so. Camillo-
As you are certainly a gentleman; thereto
Clerk-like experienc'd, which no less adorns
Our gentry than our parents' noble names,
In whose success we are gentle- I beseech you,
If you know aught which does behove my knowledge
Thereof to be inform'd, imprison't not
In ignorant concealment.
CAMILLO. I may not answer.
POLIXENES. A sickness caught of me, and yet I well?
I must be answer'd. Dost thou hear, Camillo?
I conjure thee, by all the parts of man
Which honour does acknowledge, whereof the least
Is not this suit of mine, that thou declare
What incidency thou dost guess of harm
Is creeping toward me; how far off, how near;
Which way to be prevented, if to be;
If not, how best to bear it.
CAMILLO. Sir, I will tell you;
Since I am charg'd in honour, and by him
That I think honourable. Therefore mark my counsel,
Which must be ev'n as swiftly followed as
I mean to utter it, or both yourself and me
Cry lost, and so goodnight.
POLIXENES. On, good Camillo.
CAMILLO. I am appointed him to murder you.
POLIXENES. By whom, Camillo?
CAMILLO. By the King.
POLIXENES. For what?
CAMILLO. He thinks, nay, with all confidence he swears,
As he had seen 't or been an instrument
To vice you to't, that you have touch'd his queen
Forbiddenly.
POLIXENES. O, then my best blood turn
To an infected jelly, and my name
Be yok'd with his that did betray the Best!
Turn then my freshest reputation to
A savour that may strike the dullest nostril
Where I arrive, and my approach be shunn'd,
Nay, hated too, worse than the great'st infection
That e'er was heard or read!
CAMILLO. Swear his thought over
By each particular star in heaven and
By all their influences, you may as well
Forbid the sea for to obey the moon
As or by oath remove or counsel shake
The fabric of his folly, whose foundation
Is pil'd upon his faith and will continue
The standing of his body.
POLIXENES. How should this grow?
CAMILLO. I know not; but I am sure 'tis safer to
Avoid what's grown than question how 'tis born.
If therefore you dare trust my honesty,
That lies enclosed in this trunk which you
Shall bear along impawn'd, away to-night.
Your followers I will whisper to the business;
And will, by twos and threes, at several posterns,
Clear them o' th' city. For myself, I'll put
My fortunes to your service, which are here
By this discovery lost. Be not uncertain,
For, by the honour of my parents, I
Have utt'red truth; which if you seek to prove,
I dare not stand by; nor shall you be safer
Than one condemn'd by the King's own mouth, thereon
His execution sworn.
POLIXENES. I do believe thee:
I saw his heart in's face. Give me thy hand;
Be pilot to me, and thy places shall
Still neighbour mine. My ships are ready, and
My people did expect my hence departure
Two days ago. This jealousy
Is for a precious creature; as she's rare,
Must it be great; and, as his person's mighty,
Must it be violent; and as he does conceive
He is dishonour'd by a man which ever
Profess'd to him, why, his revenges must
In that be made more bitter. Fear o'ershades me.
Good expedition be my friend, and comfort
The gracious Queen, part of this theme, but nothing
Of his ill-ta'en suspicion! Come, Camillo;
I will respect thee as a father, if
Thou bear'st my life off hence. Let us avoid.
CAMILLO. It is in mine authority to command
The keys of all the posterns. Please your Highness
To take the urgent hour. Come, sir, away. Exeunt
| 5,962 | Act 1 | https://web.archive.org/web/20210411083408/https://www.gradesaver.com/the-winters-tale/study-guide/summary-act-1 | Scene One is a short conversation between Archidamus, a Bohemian courtier, and Camillo, a Sicilian courtier and trusted friend of Leontes, King of Sicilia. Archidamus praises the generous hospitality he has been treated to in Sicilia, apologizing for any inadequacies Camillo might experience should he travel to Bohemia. Camillo talks about the friendship between Leontes and Polixenes, King of Bohemia. The two rulers were raised together since boyhood, although now their responsibilities as kings keep them apart. Both courtiers agree that Prince Mamillius of Sicilia shows great promise. Scene ii: Enter Leontes, Hermione, Mamillius, Polixenes, Camillo, and Attendants. Polixenes proclaims his intent to return home. He has been staying as a guest in the court of Leontes for nine months, and he fears that troubles may start at home if he stays away much longer. Leontes tries, without any success, to convince Polixenes to stay a short while longer. At Leontes' request, Hermione, Leontes' queen, tries to convince Polixenes to stay. She is eloquent and persuasive, and Polixenes gives in. She then asks to hear more stories from the kings' boyhood days together. Polixenes paints a picture of innocence and pure friendship in days before the two men knew anything of women. Hermione is extremely affectionate to Polixenes, treating him with great love because he is her husband's best and oldest friend. In asides to the audience, Leontes reveals that he is insanely jealous of Polixenes and Hermione. He is convinced that they are secretly committing adultery, although he has no hard evidence on which to base his suspicions. In full view of the others, he asks his young son Mamillius questions loaded with double meanings about whether or not the child is his boy. When Hermione and Polixenes ask if Leontes is feeling well, he replies that he is only unsettled because Mamillius reminds him of himself in the days of his own childhood. Leontes asks if Polixenes' son back in Bohemia is as dear as Mamillius, and Polixenes speaks of the great love he has for his own boy. Hermione, Polixenes, and the Attendants exit, leaving Leontes to continue his strange, angry conversation with his uncomprehending son. Mamillius exits, and Leontes, in an aside, speaks of how the tryst between Polixenes and Hermione must be obvious to everyone. He questions Camillo, who is clearly unaware of the king's suspicions. The king, convinced that Camillo is either stupid or playing dumb, grows increasingly irate. When he finally tells Camillo of what he suspects, the advisor is horrified and does not believe it. Leontes' grows increasingly furious, and Camillo, seeing the king's conviction, seems to give in. At Leontes' expressed desire to see Polixenes dead of poison, he offers to carry out the task. His condition is that Leontes' keep the queen in her present status, and do nothing to stain her honor. The king agrees, and Camillo affirms again that he will poison Polixenes. The king leaves, and Camillo reveals to the audience that he is horrified by the task set before him. He is a loyal courtier, but he believes Polixenes and Hermione are innocent. He resolves not to do it. Polixenes enters, disturbed by his most recent brush with Leontes. He asks Camillo about the change in the king's manner, and Camillo initially refuses to give a straightforward answer. When Polixenes continues to entreat Camillo, worried that his safety might be at risk, Camillo tells him the truth. He agrees to help Polixenes, using his authority as Leontes' most trusted advisor to ensure a safe escape for Polixenes and all of his men. Camillo says that he will serve at Polixenes' court, since in helping Polixenes he can no longer stay in Sicilia. Polixenes' ship has been ready for departure for days, and Polixenes assures Camillo that he will remember this service. | Scene One establishes characters and situation. We learn that the kings of Sicilia and Bohemia have been good friends since childhood, and that Sicilia has a young prince who shows great promise. Although Archidamus is not particularly important as a character, Camillo is one of the play's most important characters. From his praise of his king and his prince, we see that he is a faithful and patriotic courtier, full of love for his position. He is an ideal advisor, happiest when he has a good ruler to serve. In Scene Two, Shakespeare gives us a deep psychological portrait of Leontes. Directors control the level of the flirtatiousness between Hermione and Polixenes in productions of The Winter's Tale, but an important part of the characterization of Leontes is that his fears are not grounded in any real impropriety. The less proof he has, the more crazed he becomes. Although people at court speak often of how much Mamillius resembles him, he persists in the delusion that the child's paternity is questionable. And when his most trusted advisor insists that Hermione is innocent, his rage shows unequivocally that he will not have his delusions questioned. He dwells obsessively on the idea of being a known cuckold, a man whose wife is an adulterer, although Camillo's responses indicate that no one at court views the king that way. A recurring theme in many of Shakespeare's plays is the conflict between marriage and friendship. In The Winter's Tale, Shakespeare continues to play with this familiar theme, although in a more oblique manner. The boyhood days of Leontes are mentioned with some prominence in Scene Two, and the discussion of the old days becomes a counterpoint to his current jealous rage. Polixenes stresses their boyhood days as pre-sexual, days before they knew women and the duties of marriage. Hermione chides that she and Polixenes' wife must be devils, because they have lured the men out of these days of innocence. Her joke has serious undertones. The introduction of women into the lives of Polixenes and Leontes puts an end to the days without responsibility. In Scene Two, we watch Leontes return to the days without responsibility in two parallel ways: he remembers the days of his youth, and he puts aside responsibilities as a man, husband, father, and king in favor of jealousy and rage. Manhood brings power, but Leontes' masculinity is fragile; it is something that can be lost, and its integrity depends on keeping his wife faithful. For that, he only has her word. Once suspicion becomes paranoid delusion, Leontes' manhood is threatened. He imagines his oldest friend as a rival, a rival who seeks to be more of a man than Leontes by conquering Leontes' wife. Three closely connected themes come play themselves out in Scene Two. The responsibility of kings, the threat of tyranny, and the connection between the king as head of the family and the king as head of state : these are important themes not only in The Winter's Tale, but in many of Shakespeare's plays. These three themes are often at work when a Shakespearean ruler transforms himself from good king to bad king, good father/husband to bad father/husband, good man to bad man. By indulging in his groundless paranoia, Leontes transforms himself from good king to bad king, and a large part of this change comes because of his failure to live up to his roles as husband and father. Marriage brings with it great duty, and as Shakespeare depicts it, a king's duties as husband and father are inseparable from his duties as head of state. In his indulgence in jealousy and paranoid fantasy, the king separates himself from his duties. The responsibility of kings is a common Shakespearean theme; one of those responsibilities is to produce an heir and raise that heir into adulthood. Having produced an heir, Leontes shirks his duty to be a good father. Leontes questions the paternity of Mamillius, and so absolves himself of the responsibility to provide for the boy's safety, happiness, and wellbeing. Leontes' outrageous behavior will eventually cost him the life of his heir Mamillius, as well as the loss of his second child, Perdita. When Leontes' looks into his son's face and claims that he sees himself in the days of his youth, he is explaining his strange behavior dishonestly, but the words of his response emphasize his longing to return to a world without duty. A tragic aspect of Leontes' fall is that he cannot regain the happiness of his boyhood by reenacting its irresponsibility. The consequences are not freedom, but tragedy. His delusions include a terrible betrayal of his boyhood friend. His obsession makes him unable to rule effectively as king. Part of kingship is the ability to benefit from the counsel of wise advisors like Camillo, and here we watch as Camillo's rational advice does little but drive Leontes further into his delusions. In ordering the assassination of Polixenes, Leontes orders an act that is barbaric and potentially harmful to his state. Poisoning Polixenes will not be without repercussions for his country; the connection between the state's health and the king's personal affairs becomes clear when Camillo tells Leontes that he must not sully Hermione's honor. Hermione must be kept as queen to protect Sicilia from scandal and loss of honor among her allies. Camillo's suggestion is not only about saving face; he is concerned for the security of his country. The death of Polixenes while he is a guest in Sicilia would have massive repercussions for Leontes' kingdom; his act is not only a violation of friendship, but of his important duties to his people. Camillo, the faithful advisor, is a man of conscience. He has a powerful sense of duty; his training and talents are geared towards aiding a king to rule effectively, but he does not allow his loyalty to override his sense of right and wrong. The conflict between duty and conscience is an important theme in The Winter's Tale, and Camillo's resolves to serve his sense of right and wrong before any king. Camillo's decision ultimately makes the play's happy ending possible. His choice is the first in a series of events that protects The Winter's Tale from the momentum towards tragedy set up by Leontes' jealousy. | 635 | 1,050 | [
"Sicilia.",
"The palace of LEONTES\n\nEnter CAMILLO and ARCHIDAMUS\n\n ARCHIDAMUS.",
"If you shall chance, Camillo, to visit Bohemia, on\nthe\n like occasion whereon my services are now on foot, you shall\nsee,\n as I have said, great difference betwixt our Bohemia and your\n Sicilia.",
"CAMILLO.",
"I think this coming summer the King of Sicilia means\nto\n pay Bohemia the visitation which he justly owes him.",
"ARCHIDAMUS.",
"Wherein our entertainment shall shame us we will be\n justified in our loves; for indeed-\n CAMILLO.",
"Beseech you-\n ARCHIDAMUS.",
"Verily, I speak it in the freedom of my knowledge:\nwe\n cannot with such magnificence, in so rare- I know not what to\n say.",
"We will give you sleepy drinks, that your senses,\n unintelligent of our insufficience, may, though they cannot\n praise us, as little accuse us.",
"CAMILLO.",
"You pay a great deal too dear for what's given freely.",
"ARCHIDAMUS.",
"Believe me, I speak as my understanding instructs\nme\n and as mine honesty puts it to utterance.",
"CAMILLO.",
"Sicilia cannot show himself overkind to Bohemia.",
"They\nwere\n train'd together in their childhoods; and there rooted\nbetwixt\n them then such an affection which cannot choose but branch\nnow.",
"Since their more mature dignities and royal necessities made\n separation of their society, their encounters, though not\n personal, have been royally attorneyed with interchange of\ngifts,\n letters, loving embassies; that they have seem'd to be\ntogether,\n though absent; shook hands, as over a vast; and embrac'd as\nit\n were from the ends of opposed winds.",
"The heavens continue\ntheir\n loves!",
"ARCHIDAMUS.",
"I think there is not in the world either malice or\n matter to alter it.",
"You have an unspeakable comfort of your\nyoung\n Prince Mamillius; it is a gentleman of the greatest promise\nthat\n ever came into my note.",
"CAMILLO.",
"I very well agree with you in the hopes of him.",
"It is\na\n gallant child; one that indeed physics the subject, makes old\n hearts fresh; they that went on crutches ere he was born\ndesire\n yet their life to see him a man.",
"ARCHIDAMUS.",
"Would they else be content to die?",
"CAMILLO.",
"Yes; if there were no other excuse why they should\ndesire\n to live.",
"ARCHIDAMUS.",
"If the King had no son, they would desire to live\non\n crutches till he had one.",
"Exeunt\n\n\n\n\n\nSicilia.",
"The palace of LEONTES\n\nEnter LEONTES, POLIXENES, HERMIONE, MAMILLIUS, CAMILLO, and\nATTENDANTS\n\n POLIXENES.",
"Nine changes of the wat'ry star hath been\n The shepherd's note since we have left our throne\n Without a burden.",
"Time as long again\n Would be fill'd up, my brother, with our thanks;\n And yet we should for perpetuity\n Go hence in debt.",
"And therefore, like a cipher,\n Yet standing in rich place, I multiply\n With one 'We thank you' many thousands moe\n That go before it.",
"LEONTES.",
"Stay your thanks a while,\n And pay them when you part.",
"POLIXENES.",
"Sir, that's to-morrow.",
"I am question'd by my fears of what may chance\n Or breed upon our absence, that may blow\n No sneaping winds at home, to make us say\n 'This is put forth too truly.'",
"Besides, I have stay'd\n To tire your royalty.",
"LEONTES.",
"We are tougher, brother,\n Than you can put us to't.",
"POLIXENES.",
"No longer stay.",
"LEONTES.",
"One sev'night longer.",
"POLIXENES.",
"Very sooth, to-morrow.",
"LEONTES.",
"We'll part the time between's then; and in that\n I'll no gainsaying.",
"POLIXENES.",
"Press me not, beseech you, so.",
"There is no tongue that moves, none, none i' th' world,\n So soon as yours could win me.",
"So it should now,\n Were there necessity in your request, although\n 'Twere needful I denied it.",
"My affairs\n Do even drag me homeward; which to hinder\n Were in your love a whip to me; my stay\n To you a charge and trouble.",
"To save both,\n Farewell, our brother.",
"LEONTES.",
"Tongue-tied, our Queen?",
"Speak you.",
"HERMIONE.",
"I had thought, sir, to have held my peace until\n You had drawn oaths from him not to stay.",
"You, sir,\n Charge him too coldly.",
"Tell him you are sure\n All in Bohemia's well- this satisfaction\n The by-gone day proclaim'd.",
"Say this to him,\n He's beat from his best ward.",
"LEONTES.",
"Well said, Hermione.",
"HERMIONE.",
"To tell he longs to see his son were strong;\n But let him say so then, and let him go;\n But let him swear so, and he shall not stay;\n We'll thwack him hence with distaffs.",
"[To POLIXENES] Yet of your royal presence I'll\n adventure the borrow of a week.",
"When at Bohemia\n You take my lord, I'll give him my commission\n To let him there a month behind the gest\n Prefix'd for's parting.- Yet, good deed, Leontes,\n I love thee not a jar o' th' clock behind\n What lady she her lord.- You'll stay?",
"POLIXENES.",
"No, madam.",
"HERMIONE.",
"Nay, but you will?",
"POLIXENES.",
"I may not, verily.",
"HERMIONE.",
"Verily!",
"You put me off with limber vows; but I,\n Though you would seek t' unsphere the stars with oaths,\n Should yet say 'Sir, no going.'",
"Verily,\n You shall not go; a lady's 'verily' is\n As potent as a lord's.",
"Will go yet?",
"Force me to keep you as a prisoner,\n Not like a guest; so you shall pay your fees\n When you depart, and save your thanks.",
"How say you?",
"My prisoner or my guest?",
"By your dread 'verily,'\n One of them you shall be.",
"POLIXENES.",
"Your guest, then, madam:\n To be your prisoner should import offending;\n Which is for me less easy to commit\n Than you to punish.",
"HERMIONE.",
"Not your gaoler then,\n But your kind.",
"hostess.",
"Come, I'll question you\n Of my lord's tricks and yours when you were boys.",
"You were pretty lordings then!",
"POLIXENES.",
"We were, fair Queen,\n Two lads that thought there was no more behind\n But such a day to-morrow as to-day,\n And to be boy eternal.",
"HERMIONE.",
"Was not my lord\n The verier wag o' th' two?",
"POLIXENES.",
"We were as twinn'd lambs that did frisk i' th' sun\n And bleat the one at th' other.",
"What we chang'd\n Was innocence for innocence; we knew not\n The doctrine of ill-doing, nor dream'd\n That any did.",
"Had we pursu'd that life,\n And our weak spirits ne'er been higher rear'd\n With stronger blood, we should have answer'd heaven\n Boldly 'Not guilty,' the imposition clear'd\n Hereditary ours.",
"HERMIONE.",
"By this we gather\n You have tripp'd since.",
"POLIXENES.",
"O my most sacred lady,\n Temptations have since then been born to 's, for\n In those unfledg'd days was my wife a girl;\n Your precious self had then not cross'd the eyes\n Of my young playfellow.",
"HERMIONE.",
"Grace to boot!",
"Of this make no conclusion, lest you say\n Your queen and I are devils.",
"Yet, go on;\n Th' offences we have made you do we'll answer,\n If you first sinn'd with us, and that with us\n You did continue fault, and that you slipp'd not\n With any but with us.",
"LEONTES.",
"Is he won yet?",
"HERMIONE.",
"He'll stay, my lord.",
"LEONTES.",
"At my request he would not.",
"Hermione, my dearest, thou never spok'st\n To better purpose.",
"HERMIONE.",
"Never?",
"LEONTES.",
"Never but once.",
"HERMIONE.",
"What!",
"Have I twice said well?",
"When was't before?",
"I prithee tell me; cram's with praise, and make's\n As fat as tame things.",
"One good deed dying tongueless\n Slaughters a thousand waiting upon that.",
"Our praises are our wages; you may ride's\n With one soft kiss a thousand furlongs ere\n With spur we heat an acre.",
"But to th' goal:\n My last good deed was to entreat his stay;\n What was my first?",
"It has an elder sister,\n Or I mistake you.",
"O, would her name were Grace!",
"But once before I spoke to th' purpose- When?",
"Nay, let me have't; I long.",
"LEONTES.",
"Why, that was when\n Three crabbed months had sour'd themselves to death,\n Ere I could make thee open thy white hand\n And clap thyself my love; then didst thou utter\n 'I am yours for ever.'",
"HERMIONE.",
"'Tis Grace indeed.",
"Why, lo you now, I have spoke to th' purpose twice:\n The one for ever earn'd a royal husband;\n Th' other for some while a friend.",
"[Giving her hand to POLIXENES]\n LEONTES.",
"[Aside] Too hot, too hot!",
"To mingle friendship far is mingling bloods.",
"I have tremor cordis on me; my heart dances,\n But not for joy, not joy.",
"This entertainment\n May a free face put on; derive a liberty\n From heartiness, from bounty, fertile bosom,\n And well become the agent.",
"'T may, I grant;\n But to be paddling palms and pinching fingers,\n As now they are, and making practis'd smiles\n As in a looking-glass; and then to sigh, as 'twere\n The mort o' th' deer.",
"O, that is entertainment\n My bosom likes not, nor my brows!",
"Mamillius,\n Art thou my boy?",
"MAMILLIUS.",
"Ay, my good lord.",
"LEONTES.",
"I' fecks!",
"Why, that's my bawcock.",
"What!",
"hast smutch'd thy nose?",
"They say it is a copy out of mine.",
"Come, Captain,\n We must be neat- not neat, but cleanly, Captain.",
"And yet the steer, the heifer, and the calf,\n Are all call'd neat.- Still virginalling\n Upon his palm?- How now, you wanton calf,\n Art thou my calf?",
"MAMILLIUS.",
"Yes, if you will, my lord.",
"LEONTES.",
"Thou want'st a rough pash and the shoots that I have,\n To be full like me; yet they say we are\n Almost as like as eggs.",
"Women say so,\n That will say anything.",
"But were they false\n As o'er-dy'd blacks, as wind, as waters- false\n As dice are to be wish'd by one that fixes\n No bourn 'twixt his and mine; yet were it true\n To say this boy were like me.",
"Come, sir page,\n Look on me with your welkin eye.",
"Sweet villain!",
"Most dear'st!",
"my collop!",
"Can thy dam?- may't be?",
"Affection!",
"thy intention stabs the centre.",
"Thou dost make possible things not so held,\n Communicat'st with dreams- how can this be?-\n With what's unreal thou coactive art,\n And fellow'st nothing.",
"Then 'tis very credent\n Thou mayst co-join with something; and thou dost-\n And that beyond commission; and I find it,\n And that to the infection of my brains\n And hard'ning of my brows.",
"POLIXENES.",
"What means Sicilia?",
"HERMIONE.",
"He something seems unsettled.",
"POLIXENES.",
"How, my lord!",
"What cheer?",
"How is't with you, best brother?",
"HERMIONE.",
"You look\n As if you held a brow of much distraction.",
"Are you mov'd, my lord?",
"LEONTES.",
"No, in good earnest.",
"How sometimes nature will betray its folly,\n Its tenderness, and make itself a pastime\n To harder bosoms!",
"Looking on the lines\n Of my boy's face, methoughts I did recoil\n Twenty-three years; and saw myself unbreech'd,\n In my green velvet coat; my dagger muzzl'd,\n Lest it should bite its master and so prove,\n As ornaments oft do, too dangerous.",
"How like, methought, I then was to this kernel,\n This squash, this gentleman.",
"Mine honest friend,\n Will you take eggs for money?",
"MAMILLIUS.",
"No, my lord, I'll fight.",
"LEONTES.",
"You will?",
"Why, happy man be's dole!",
"My brother,\n Are you so fond of your young prince as we\n Do seem to be of ours?",
"POLIXENES.",
"If at home, sir,\n He's all my exercise, my mirth, my matter;\n Now my sworn friend, and then mine enemy;\n My parasite, my soldier, statesman, all.",
"He makes a July's day short as December,\n And with his varying childness cures in me\n Thoughts that would thick my blood.",
"LEONTES.",
"So stands this squire\n Offic'd with me.",
"We two will walk, my lord,\n And leave you to your graver steps.",
"Hermione,\n How thou lov'st us show in our brother's welcome;\n Let what is dear in Sicily be cheap;\n Next to thyself and my young rover, he's\n Apparent to my heart.",
"HERMIONE.",
"If you would seek us,\n We are yours i' th' garden.",
"Shall's attend you there?",
"LEONTES.",
"To your own bents dispose you; you'll be found,\n Be you beneath the sky.",
"[Aside] I am angling now,\n Though you perceive me not how I give line.",
"Go to, go to!",
"How she holds up the neb, the bill to him!",
"And arms her with the boldness of a wife\n To her allowing husband!",
"Exeunt POLIXENES, HERMIONE, and ATTENDANTS\n\n Gone already!",
"Inch-thick, knee-deep, o'er head and ears a fork'd one!",
"Go, play, boy, play; thy mother plays, and I\n Play too; but so disgrac'd a part, whose issue\n Will hiss me to my grave.",
"Contempt and clamour\n Will be my knell.",
"Go, play, boy, play.",
"There have been,\n Or I am much deceiv'd, cuckolds ere now;\n And many a man there is, even at this present,\n Now while I speak this, holds his wife by th' arm\n That little thinks she has been sluic'd in's absence,\n And his pond fish'd by his next neighbour, by\n Sir Smile, his neighbour.",
"Nay, there's comfort in't,\n Whiles other men have gates and those gates open'd,\n As mine, against their will.",
"Should all despair\n That hath revolted wives, the tenth of mankind\n Would hang themselves.",
"Physic for't there's none;\n It is a bawdy planet, that will strike\n Where 'tis predominant; and 'tis pow'rfull, think it,\n From east, west, north, and south.",
"Be it concluded,\n No barricado for a belly.",
"Know't,\n It will let in and out the enemy\n With bag and baggage.",
"Many thousand on's\n Have the disease, and feel't not.",
"How now, boy!",
"MAMILLIUS.",
"I am like you, they say.",
"LEONTES.",
"Why, that's some comfort.",
"What!",
"Camillo there?",
"CAMILLO.",
"Ay, my good lord.",
"LEONTES.",
"Go play, Mamillius; thou'rt an honest man.",
"Exit MAMILLIUS\n Camillo, this great sir will yet stay longer.",
"CAMILLO.",
"You had much ado to make his anchor hold;\n When you cast out, it still came home.",
"LEONTES.",
"Didst note it?",
"CAMILLO.",
"He would not stay at your petitions; made\n His business more material.",
"LEONTES.",
"Didst perceive it?",
"[Aside] They're here with me already; whisp'ring, rounding,\n 'Sicilia is a so-forth.'",
"'Tis far gone\n When I shall gust it last.- How came't, Camillo,\n That he did stay?",
"CAMILLO.",
"At the good Queen's entreaty.",
"LEONTES.",
"'At the Queen's' be't.",
"'Good' should be pertinent;\n But so it is, it is not.",
"Was this taken\n By any understanding pate but thine?",
"For thy conceit is soaking, will draw in\n More than the common blocks.",
"Not noted, is't,\n But of the finer natures, by some severals\n Of head-piece extraordinary?",
"Lower messes\n Perchance are to this business purblind?",
"Say.",
"CAMILLO.",
"Business, my lord?",
"I think most understand\n Bohemia stays here longer.",
"LEONTES.",
"Ha?",
"CAMILLO.",
"Stays here longer.",
"LEONTES.",
"Ay, but why?",
"CAMILLO.",
"To satisfy your Highness, and the entreaties\n Of our most gracious mistress.",
"LEONTES.",
"Satisfy\n Th' entreaties of your mistress!",
"Satisfy!",
"Let that suffice.",
"I have trusted thee, Camillo,\n With all the nearest things to my heart, as well\n My chamber-councils, wherein, priest-like, thou\n Hast cleans'd my bosom- I from thee departed\n Thy penitent reform'd; but we have been\n Deceiv'd in thy integrity, deceiv'd\n In that which seems so.",
"CAMILLO.",
"Be it forbid, my lord!",
"LEONTES.",
"To bide upon't: thou art not honest; or,\n If thou inclin'st that way, thou art a coward,\n Which hoxes honesty behind, restraining\n From course requir'd; or else thou must be counted\n A servant grafted in my serious trust,\n And therein negligent; or else a fool\n That seest a game play'd home, the rich stake drawn,\n And tak'st it all for jest.",
"CAMILLO.",
"My gracious lord,\n I may be negligent, foolish, and fearful:\n In every one of these no man is free\n But that his negligence, his folly, fear,\n Among the infinite doings of the world,\n Sometime puts forth.",
"In your affairs, my lord,\n If ever I were wilfull-negligent,\n It was my folly; if industriously\n I play'd the fool, it was my negligence,\n Not weighing well the end; if ever fearful\n To do a thing where I the issue doubted,\n Whereof the execution did cry out\n Against the non-performance, 'twas a fear\n Which oft infects the wisest.",
"These, my lord,\n Are such allow'd infirmities that honesty\n Is never free of.",
"But, beseech your Grace,\n Be plainer with me; let me know my trespass\n By its own visage; if I then deny it,\n 'Tis none of mine.",
"LEONTES.",
"Ha' not you seen, Camillo-\n But that's past doubt; you have, or your eye-glass\n Is thicker than a cuckold's horn- or heard-\n For to a vision so apparent rumour\n Cannot be mute- or thought- for cogitation\n Resides not in that man that does not think-\n My wife is slippery?",
"If thou wilt confess-\n Or else be impudently negative,\n To have nor eyes nor ears nor thought- then say\n My wife's a hobby-horse, deserves a name\n As rank as any flax-wench that puts to\n Before her troth-plight.",
"Say't and justify't.",
"CAMILLO.",
"I would not be a stander-by to hear\n My sovereign mistress clouded so, without\n My present vengeance taken.",
"Shrew my heart!",
"You never spoke what did become you less\n Than this; which to reiterate were sin\n As deep as that, though true.",
"LEONTES.",
"Is whispering nothing?",
"Is leaning cheek to cheek?",
"Is meeting noses?",
"Kissing with inside lip?",
"Stopping the career\n Of laughter with a sigh?- a note infallible\n Of breaking honesty.",
"Horsing foot on foot?",
"Skulking in corners?",
"Wishing clocks more swift;\n Hours, minutes; noon, midnight?",
"And all eyes\n Blind with the pin and web but theirs, theirs only,\n That would unseen be wicked- is this nothing?",
"Why, then the world and all that's in't is nothing;\n The covering sky is nothing; Bohemia nothing;\n My is nothing; nor nothing have these nothings,\n If this be nothing.",
"CAMILLO.",
"Good my lord, be cur'd\n Of this diseas'd opinion, and betimes;\n For 'tis most dangerous.",
"LEONTES.",
"Say it be, 'tis true.",
"CAMILLO.",
"No, no, my lord.",
"LEONTES.",
"It is; you lie, you lie.",
"I say thou liest, Camillo, and I hate thee;\n Pronounce thee a gross lout, a mindless slave,\n Or else a hovering temporizer that\n Canst with thine eyes at once see good and evil,\n Inclining to them both.",
"Were my wife's liver\n Infected as her life, she would not live\n The running of one glass.",
"CAMILLO.",
"Who does her?",
"LEONTES.",
"Why, he that wears her like her medal, hanging\n About his neck, Bohemia; who- if I\n Had servants true about me that bare eyes\n To see alike mine honour as their profits,\n Their own particular thrifts, they would do that\n Which should undo more doing.",
"Ay, and thou,\n His cupbearer- whom I from meaner form\n Have bench'd and rear'd to worship; who mayst see,\n Plainly as heaven sees earth and earth sees heaven,\n How I am gall'd- mightst bespice a cup\n To give mine enemy a lasting wink;\n Which draught to me were cordial.",
"CAMILLO.",
"Sir, my lord,\n I could do this; and that with no rash potion,\n But with a ling'ring dram that should not work\n Maliciously like poison.",
"But I cannot\n Believe this crack to be in my dread mistress,\n So sovereignly being honourable.",
"I have lov'd thee-\n LEONTES.",
"Make that thy question, and go rot!",
"Dost think I am so muddy, so unsettled,\n To appoint myself in this vexation; sully\n The purity and whiteness of my sheets-\n Which to preserve is sleep, which being spotted\n Is goads, thorns, nettles, tails of wasps;\n Give scandal to the blood o' th' Prince, my son-\n Who I do think is mine, and love as mine-\n Without ripe moving to 't?",
"Would I do this?",
"Could man so blench?",
"CAMILLO.",
"I must believe you, sir.",
"I do; and will fetch off Bohemia for't;\n Provided that, when he's remov'd, your Highness\n Will take again your queen as yours at first,\n Even for your son's sake; and thereby for sealing\n The injury of tongues in courts and kingdoms\n Known and allied to yours.",
"LEONTES.",
"Thou dost advise me\n Even so as I mine own course have set down.",
"I'll give no blemish to her honour, none.",
"CAMILLO.",
"My lord,\n Go then; and with a countenance as clear\n As friendship wears at feasts, keep with Bohemia\n And with your queen.",
"I am his cupbearer;\n If from me he have wholesome beverage,\n Account me not your servant.",
"LEONTES.",
"This is all:\n Do't, and thou hast the one half of my heart;\n Do't not, thou split'st thine own.",
"CAMILLO.",
"I'll do't, my lord.",
"LEONTES.",
"I will seem friendly, as thou hast advis'd me.",
"Exit\n CAMILLO.",
"O miserable lady!",
"But, for me,\n What case stand I in?",
"I must be the poisoner\n Of good Polixenes; and my ground to do't\n Is the obedience to a master; one\n Who, in rebellion with himself, will have\n All that are his so too.",
"To do this deed,\n Promotion follows.",
"If I could find example\n Of thousands that had struck anointed kings\n And flourish'd after, I'd not do't; but since\n Nor brass, nor stone, nor parchment, bears not one,\n Let villainy itself forswear't.",
"I must\n Forsake the court.",
"To do't, or no, is certain\n To me a break-neck.",
"Happy star reign now!",
"Here comes Bohemia.",
"Enter POLIXENES\n\n POLIXENES.",
"This is strange.",
"Methinks\n My favour here begins to warp.",
"Not speak?",
"Good day, Camillo.",
"CAMILLO.",
"Hail, most royal sir!",
"POLIXENES.",
"What is the news i' th' court?",
"CAMILLO.",
"None rare, my lord.",
"POLIXENES.",
"The King hath on him such a countenance\n As he had lost some province, and a region\n Lov'd as he loves himself; even now I met him\n With customary compliment, when he,\n Wafting his eyes to th' contrary and falling\n A lip of much contempt, speeds from me;\n So leaves me to consider what is breeding\n That changes thus his manners.",
"CAMILLO.",
"I dare not know, my lord.",
"POLIXENES.",
"How, dare not!",
"Do not.",
"Do you know, and dare not\n Be intelligent to me?",
"'Tis thereabouts;\n For, to yourself, what you do know, you must,\n And cannot say you dare not.",
"Good Camillo,\n Your chang'd complexions are to me a mirror\n Which shows me mine chang'd too; for I must be\n A party in this alteration, finding\n Myself thus alter'd with't.",
"CAMILLO.",
"There is a sickness\n Which puts some of us in distemper; but\n I cannot name the disease; and it is caught\n Of you that yet are well.",
"POLIXENES.",
"How!",
"caught of me?",
"Make me not sighted like the basilisk;\n I have look'd on thousands who have sped the better\n By my regard, but kill'd none so.",
"Camillo-\n As you are certainly a gentleman; thereto\n Clerk-like experienc'd, which no less adorns\n Our gentry than our parents' noble names,\n In whose success we are gentle- I beseech you,\n If you know aught which does behove my knowledge\n Thereof to be inform'd, imprison't not\n In ignorant concealment.",
"CAMILLO.",
"I may not answer.",
"POLIXENES.",
"A sickness caught of me, and yet I well?",
"I must be answer'd.",
"Dost thou hear, Camillo?",
"I conjure thee, by all the parts of man\n Which honour does acknowledge, whereof the least\n Is not this suit of mine, that thou declare\n What incidency thou dost guess of harm\n Is creeping toward me; how far off, how near;\n Which way to be prevented, if to be;\n If not, how best to bear it.",
"CAMILLO.",
"Sir, I will tell you;\n Since I am charg'd in honour, and by him\n That I think honourable.",
"Therefore mark my counsel,\n Which must be ev'n as swiftly followed as\n I mean to utter it, or both yourself and me\n Cry lost, and so goodnight.",
"POLIXENES.",
"On, good Camillo.",
"CAMILLO.",
"I am appointed him to murder you.",
"POLIXENES.",
"By whom, Camillo?",
"CAMILLO.",
"By the King.",
"POLIXENES.",
"For what?",
"CAMILLO.",
"He thinks, nay, with all confidence he swears,\n As he had seen 't or been an instrument\n To vice you to't, that you have touch'd his queen\n Forbiddenly.",
"POLIXENES.",
"O, then my best blood turn\n To an infected jelly, and my name\n Be yok'd with his that did betray the Best!",
"Turn then my freshest reputation to\n A savour that may strike the dullest nostril\n Where I arrive, and my approach be shunn'd,\n Nay, hated too, worse than the great'st infection\n That e'er was heard or read!",
"CAMILLO.",
"Swear his thought over\n By each particular star in heaven and\n By all their influences, you may as well\n Forbid the sea for to obey the moon\n As or by oath remove or counsel shake\n The fabric of his folly, whose foundation\n Is pil'd upon his faith and will continue\n The standing of his body.",
"POLIXENES.",
"How should this grow?",
"CAMILLO.",
"I know not; but I am sure 'tis safer to\n Avoid what's grown than question how 'tis born.",
"If therefore you dare trust my honesty,\n That lies enclosed in this trunk which you\n Shall bear along impawn'd, away to-night.",
"Your followers I will whisper to the business;\n And will, by twos and threes, at several posterns,\n Clear them o' th' city.",
"For myself, I'll put\n My fortunes to your service, which are here\n By this discovery lost.",
"Be not uncertain,\n For, by the honour of my parents, I\n Have utt'red truth; which if you seek to prove,\n I dare not stand by; nor shall you be safer\n Than one condemn'd by the King's own mouth, thereon\n His execution sworn.",
"POLIXENES.",
"I do believe thee:\n I saw his heart in's face.",
"Give me thy hand;\n Be pilot to me, and thy places shall\n Still neighbour mine.",
"My ships are ready, and\n My people did expect my hence departure\n Two days ago.",
"This jealousy\n Is for a precious creature; as she's rare,\n Must it be great; and, as his person's mighty,\n Must it be violent; and as he does conceive\n He is dishonour'd by a man which ever\n Profess'd to him, why, his revenges must\n In that be made more bitter.",
"Fear o'ershades me.",
"Good expedition be my friend, and comfort\n The gracious Queen, part of this theme, but nothing\n Of his ill-ta'en suspicion!",
"Come, Camillo;\n I will respect thee as a father, if\n Thou bear'st my life off hence.",
"Let us avoid.",
"CAMILLO.",
"It is in mine authority to command\n The keys of all the posterns.",
"Please your Highness\n To take the urgent hour.",
"Come, sir, away.",
"Exeunt"
] | [
"Besides, I have stay'd\n To tire your royalty.",
"My affairs\n Do even drag me homeward; which to hinder\n Were in your love a whip to me; my stay\n To you a charge and trouble.",
"Well said, Hermione.",
"O, that is entertainment\n My bosom likes not, nor my brows!",
"LEONTES.",
"Satisfy!",
"Make that thy question, and go rot!",
"CAMILLO.",
"CAMILLO.",
"Come, Camillo;\n I will respect thee as a father, if\n Thou bear'st my life off hence."
] | [
"Yes, if you will, my lord.",
"Hail, most royal sir!",
"POLIXENES.",
"LEONTES.",
"Tongue-tied, our Queen?",
"Most dear'st!",
"CAMILLO.",
"CAMILLO.",
"Could man so blench?",
"O, then my best blood turn\n To an infected jelly, and my name\n Be yok'd with his that did betray the Best!"
] | [
"[Aside] I am angling now,\n Though you perceive me not how I give line.",
"Go to, go to!",
"How she holds up the neb, the bill to him!",
"And arms her with the boldness of a wife\n To her allowing husband!",
"Exeunt POLIXENES, HERMIONE, and ATTENDANTS\n\n Gone already!",
"Inch-thick, knee-deep, o'er head and ears a fork'd one!",
"Go, play, boy, play; thy mother plays, and I\n Play too; but so disgrac'd a part, whose issue\n Will hiss me to my grave.",
"Contempt and clamour\n Will be my knell.",
"Go, play, boy, play.",
"There have been,\n Or I am much deceiv'd, cuckolds ere now;\n And many a man there is, even at this present,\n Now while I speak this, holds his wife by th' arm\n That little thinks she has been sluic'd in's absence,\n And his pond fish'd by his next neighbour, by\n Sir Smile, his neighbour.",
"Nay, there's comfort in't,\n Whiles other men have gates and those gates open'd,\n As mine, against their will."
] | [
"Sicilia.",
"The palace of LEONTES\n\nEnter CAMILLO and ARCHIDAMUS\n\n ARCHIDAMUS.",
"If you shall chance, Camillo, to visit Bohemia, on\nthe\n like occasion whereon my services are now on foot, you shall\nsee,\n as I have said, great difference betwixt our Bohemia and your\n Sicilia.",
"CAMILLO.",
"I think this coming summer the King of Sicilia means\nto\n pay Bohemia the visitation which he justly owes him.",
"ARCHIDAMUS.",
"Wherein our entertainment shall shame us we will be\n justified in our loves; for indeed-\n CAMILLO.",
"Beseech you-\n ARCHIDAMUS.",
"Verily, I speak it in the freedom of my knowledge:\nwe\n cannot with such magnificence, in so rare- I know not what to\n say.",
"We will give you sleepy drinks, that your senses,\n unintelligent of our insufficience, may, though they cannot\n praise us, as little accuse us.",
"This jealousy\n Is for a precious creature; as she's rare,\n Must it be great; and, as his person's mighty,\n Must it be violent; and as he does conceive\n He is dishonour'd by a man which ever\n Profess'd to him, why, his revenges must\n In that be made more bitter.",
"Fear o'ershades me.",
"Good expedition be my friend, and comfort\n The gracious Queen, part of this theme, but nothing\n Of his ill-ta'en suspicion!",
"Come, Camillo;\n I will respect thee as a father, if\n Thou bear'st my life off hence.",
"Let us avoid.",
"CAMILLO.",
"It is in mine authority to command\n The keys of all the posterns.",
"Please your Highness\n To take the urgent hour.",
"Come, sir, away.",
"Exeunt"
] | contempt, speeds from me;
So leaves me to consider what is breeding
That changes thus his manners.
CAMILLO.
I dare not know, my lord.
POLIXENES.
How, dare not!
Do not.
Do you know, and dare not
Be intelligent to me?
'Tis thereabouts;
For, to yourself, what you do know, you must,
And cannot say you dare not.
Good Camillo,
Your chang'd complexions are to me a mirror
Which shows me mine chang'd too; for I must be
A party in this alteration, finding
Myself thus alter'd with't.
CAMILLO.
There is a sickness
Which puts some of us in distemper; but
I cannot name the disease; and it is caught
Of you that yet are well.
POLIXENES.
How!
caught of me?
Make me not sighted like the basilisk;
I have look'd on thousands who have sped the better
By my regard, but kill'd none so.
Camillo-
As you are certainly a gentleman; thereto
Clerk-like experienc'd, which no less adorns
Our gentry than our parents' noble names,
In whose success w | Sicilia.
The palace of LEONTES
Enter CAMILLO and ARCHIDAMUS
ARCHIDAMUS.
If you shall chance, Camillo, to visit Bohemia, on
the
like occasion whereon my services are now on foot, you shall
see,
as I have said, great difference betwixt our Bohemia and your
Sicilia.
CAMILLO.
I think this coming summer the King of Sicilia means
to
pay Bohemia the visitation which he justly owes him.
ARCHIDAMUS.
Wherein our entertainment shall shame us we will be
justified in our loves; for in man which ever
Profess'd to him, why, his revenges must
In that be made more bitter.
Fear o'ershades me.
Good expedition be my friend, and comfort
The gracious Queen, part of this theme, but nothing
Of his ill-ta'en suspicion!
Come, Camillo;
I will respect thee as a father, if
Thou bear'st my life off hence.
Let us avoid.
CAMILLO.
It is in mine authority to command
The keys of all the posterns.
Please your Highness
To take the urgent hour.
Come, sir, away.
Exeunt | ic'd in's absence,
And his pond fish'd by his next neighbour, by
Sir Smile, his neighbour.
Nay, there's comfort in't,
Whiles other men have gates and those gates open'd,
As mine, against their will.
Should all despair
That hath revolted wives, the tenth of mankind
Would hang themselves.
Physic for't there's none;
It is a bawdy planet, that will strike
Where 'tis predominant; and 'tis pow'rfull, think it,
From east, west, north, and south.
Be it concluded,
No barricado for a belly.
Know't,
It will let in and out the enemy
With bag and baggage.
Many thousand on's
Have the disease, and feel't not.
How now, boy!
MAMILLIUS.
I am like you, they say.
LEONTES.
Why, that's some comfort.
What!
Camillo there?
CAMILLO.
Ay, my good lord.
LEONTES.
Go play, Mamillius; thou'rt an honest man.
Exit MAMILLIUS
Camillo, this great sir will yet stay longer.
CAMILLO.
You had much ado to make his anchor hold;
When you cast out, it still came home.
LEO |
1,134 | true | gradesaver | all_chapterized_books/1134-chapters/act_2.txt | finished_summaries/gradesaver/The Winter's Tale/section_1_part_0.txt | The Winter's Tale.act 2.scene 1-scene 3 | act 2 | null | {"name": "Act 2", "url": "https://web.archive.org/web/20210411083408/https://www.gradesaver.com/the-winters-tale/study-guide/summary-act-2", "summary": "Hermione sits with her ladies-in-waiting and Mamillius. The child is mischievous and charming, delighting his mother and her ladies with irreverent humor. Leontes enters with Antigonus and various unnamed lords. They are telling him about the flight of Camillo and Polixenes, and their news makes Leontes feel certain that his suspicions were correct. He now believes that Camillo was a double agent working for Polixenes. He has Mamillius taken from Hermione, and he cruelly insults Hermione in full view of the lords and Hermione's ladies. He says that she has committed adultery, and Hermione bears his insults with dignity. When he tells her that she is to be put in prison, she insists that her ladies accompany her because she is pregnant and needs their help. The lords weep as she is escorted out, and she tells them that they would have reason to weep if she were guilty; for the innocent, suffering leads to grace. She brings her women with her as she goes to her prison. Antigonus tries without success to make Leontes reconsider his suspicions. He professes absolute faith in the queen's virtue, but Leontes remains unconvinced. From Leontes' point of view, the truth of the matter is apparent, and he seeks no counsel from his men in determining whether or not his suspicions are correct; he has been all the more convinced by Camillo's flight. The king announces that he has sent messengers to Apollo's oracle at Delphos to ask about the queen's fidelity. Although he has no doubt as to what the answer will be, the oracle will at least put the minds of his subjects at ease. Scene ii: Paulina, courtier and wife of Antigonus, tries to see the queen in her cell, but the guard will not let her pass. Instead, the jailer will allow Emilia, one of Hermione's ladies-in-waiting, to come out and speak for the queen. Emilia reveals that Hermione has had her baby, a healthy daughter. Paulina resolves to take the baby to the king, in hopes that the sight of his daughter will restore his senses to him. The jailer has anxieties about releasing the child, but Paulina convinces him that the baby should not be in prison. She also assures him that she will protect him from harm. Scene iii: Leontes, alone, speaks of burning the queen to put his mind at rest. A servant enters, and from their conversation we learn that Prince Mamillius has been sick since his mother's imprisonment. Leontes tells the servant to tend to the boy. He then bemoans the fact that he cannot harm Polixenes, whose kingdom and allies put him beyond Leontes' reach. Since he cannot harm Camillo and Polixenes, he will satisfy himself by dealing with Hermione. Paulina enters, along with Antigonus, servants, and lords. She fearlessly confronts the king, defending the queen's innocence and condemning the king's tyrannical behavior. She refuses to do anything but praise the queen's character. The king mocks Antigonus for being unable to control his wife, but Paulina brushes these comments aside. She tries to convince the king that the infant is his by pointing out the strong physical resemblance between the monarch and the child, but the king remains unmoved. He keeps telling Antigonus to control his wife better, but Antigonus does not bother trying. Paulina leaves the child, hoping that Leontes will soften and come to his senses. The king orders Antigonus to destroy the child. Leontes accuses Antigonus of instructing his wife to behave as she has, which Antigonus denies, with the lords backing his word. The king refuses to believe them. He asks Antigonus what he would be willing to sacrifice to save the child's life, and Antigonus replies that he would give anything. Leontes asks him to swear to do his bidding, in order to save the life of the child, and Antigonus swears. The king orders Antigonus to take the child and leave it in a wild and remote place, to be saved or killed according to the dictates of chance. If Antigonus does not do so, he and Paulina will both be executed. Antigonus is compelled to obey because he has given his word, but he is loath to carry out the king's orders. He goes to it miserably. A servant enters with the news that Dion and Cleomenes have arrived back from the oracle. Leontes announces his attention to have the queen put on trial.", "analysis": "Act 2 opens with the idyllic scene of the prince playing with his mother and the ladies-in-waiting. The charm and happiness of the moment makes the contrast with the jealousy of Leontes all the more jarring. Shakespeare is giving us a glimpse of the normal pattern of their family life, which invites greater sympathy for the queen and prince and gives us a sense of what Leontes is destroying. Leontes' delusions isolate him from his family and his court. He removes his wife and son from his company, and he continues to believe fervently in Hermione's infidelity even though everyone at court thinks the idea is ludicrous. He is completely alone in his suspicions, insisting on them most violently when someone at court tries to contradict him. These scenes reveal a king who is withdrawing further and further into his own paranoid fantasies. He interprets Camillo's flight with Polixenes as conclusive proof of his suspicions, ignoring the fact that if Camillo, Hermione, and Polixenes were innocent Camillo would do exactly the same thing. The theme of tyranny is present throughout Act 2, as Leontes' throne protects him from the need for rationality, compassion, and listening to counsel. Paulina is one of Shakespeare's most fearless heroines, defiantly scolding the king and defending her queen. Scene Two shows us that she commands a great deal of respect in Sicilia: Emilia is relieved when she learns that Paulina will plea for Hermione to Leontes, and the jailer defers to Paulina's authority and believes her when she promises to protect him. Directors have a great deal of influence over how Act 2, Scene Three is played. In some productions, Leontes does not take Paulina seriously, and bears her mostly by ignoring her. She is able to get away with scolding him because he does not view her as an equal; this interpretation is consistent with the manner in which he tries to silence her. Notice that Leontes addresses Antigonus, Paulina's husband, rather than her. He criticizes Antigonus for being unable to control his wife, and the scene can be played to make Paulina almost comic. On the other hand, the scene can be played to make Paulina incredibly threatening. Played this way, Leontes addresses her husband because he has no idea how to deal with a strong woman. Both the comic and threatening interpretations of Paulina's character are grounded in her gender. The fact that she is a woman can mean either that she is taken less seriously by the lords or that the men are disabled by her strength. From the characters' discussion of the oracle, we know that we are meant to assume that the oracle will speak the truth. Interestingly enough, this viewpoint was totally against the religious teachings of Shakespeare's England. Many theological writings of the time had determined that there was no divine inspiration for the oracles of the ancients, but Shakespeare asks us to take the oracle's word as truth. Throughout The Winter's Tale, Shakespeare creates an atmosphere of the fantastic, in part by creating a world in which the mythology of the ancient Greeks is accepted without rational skepticism or Christian prejudice. Significantly, the idea of a dependable oracle also grounds Truth in the play, giving characters a reliable source of judgments and a sure knowledge of divine will. The fantastic qualities of the play and the accessibility of the truth help to disarm the tragedy that Leontes' jealousy might provoke in another Shakespearean drama."} | Sicilia. The palace of LEONTES
Enter HERMIONE, MAMILLIUS, and LADIES
HERMIONE. Take the boy to you; he so troubles me,
'Tis past enduring.
FIRST LADY. Come, my gracious lord,
Shall I be your playfellow?
MAMILLIUS. No, I'll none of you.
FIRST LADY. Why, my sweet lord?
MAMILLIUS. You'll kiss me hard, and speak to me as if
I were a baby still. I love you better.
SECOND LADY. And why so, my lord?
MAMILLIUS. Not for because
Your brows are blacker; yet black brows, they say,
Become some women best; so that there be not
Too much hair there, but in a semicircle
Or a half-moon made with a pen.
SECOND LADY. Who taught't this?
MAMILLIUS. I learn'd it out of women's faces. Pray now,
What colour are your eyebrows?
FIRST LADY. Blue, my lord.
MAMILLIUS. Nay, that's a mock. I have seen a lady's nose
That has been blue, but not her eyebrows.
FIRST LADY. Hark ye:
The Queen your mother rounds apace. We shall
Present our services to a fine new prince
One of these days; and then you'd wanton with us,
If we would have you.
SECOND LADY. She is spread of late
Into a goodly bulk. Good time encounter her!
HERMIONE. What wisdom stirs amongst you? Come, sir, now
I am for you again. Pray you sit by us,
And tell's a tale.
MAMILLIUS. Merry or sad shall't be?
HERMIONE. As merry as you will.
MAMILLIUS. A sad tale's best for winter. I have one
Of sprites and goblins.
HERMIONE. Let's have that, good sir.
Come on, sit down; come on, and do your best
To fright me with your sprites; you're pow'rfull at it.
MAMILLIUS. There was a man-
HERMIONE. Nay, come, sit down; then on.
MAMILLIUS. Dwelt by a churchyard- I will tell it softly;
Yond crickets shall not hear it.
HERMIONE. Come on then,
And give't me in mine ear.
Enter LEONTES, ANTIGONUS, LORDS, and OTHERS
LEONTES. he met there? his train? Camillo with him?
FIRST LORD. Behind the tuft of pines I met them; never
Saw I men scour so on their way. I ey'd them
Even to their ships.
LEONTES. How blest am I
In my just censure, in my true opinion!
Alack, for lesser knowledge! How accurs'd
In being so blest! There may be in the cup
A spider steep'd, and one may drink, depart,
And yet partake no venom, for his knowledge
Is not infected; but if one present
Th' abhorr'd ingredient to his eye, make known
How he hath drunk, he cracks his gorge, his sides,
With violent hefts. I have drunk, and seen the spider.
Camillo was his help in this, his pander.
There is a plot against my life, my crown;
All's true that is mistrusted. That false villain
Whom I employ'd was pre-employ'd by him;
He has discover'd my design, and I
Remain a pinch'd thing; yea, a very trick
For them to play at will. How came the posterns
So easily open?
FIRST LORD. By his great authority;
Which often hath no less prevail'd than so
On your command.
LEONTES. I know't too well.
Give me the boy. I am glad you did not nurse him;
Though he does bear some signs of me, yet you
Have too much blood in him.
HERMIONE. What is this? Sport?
LEONTES. Bear the boy hence; he shall not come about her;
Away with him; and let her sport herself
[MAMILLIUS is led out]
With that she's big with- for 'tis Polixenes
Has made thee swell thus.
HERMIONE. But I'd say he had not,
And I'll be sworn you would believe my saying,
Howe'er you lean to th' nayward.
LEONTES. You, my lords,
Look on her, mark her well; be but about
To say 'She is a goodly lady' and
The justice of your hearts will thereto ad
'Tis pity she's not honest- honourable.'
Praise her but for this her without-door form,
Which on my faith deserves high speech, and straight
The shrug, the hum or ha, these petty brands
That calumny doth use- O, I am out!-
That mercy does, for calumny will sear
Virtue itself- these shrugs, these hum's and ha's,
When you have said she's goodly, come between,
Ere you can say she's honest. But be't known,
From him that has most cause to grieve it should be,
She's an adultress.
HERMIONE. Should a villain say so,
The most replenish'd villain in the world,
He were as much more villain: you, my lord,
Do but mistake.
LEONTES. You have mistook, my lady,
Polixenes for Leontes. O thou thing!
Which I'll not call a creature of thy place,
Lest barbarism, making me the precedent,
Should a like language use to all degrees
And mannerly distinguishment leave out
Betwixt the prince and beggar. I have said
She's an adultress; I have said with whom.
More, she's a traitor; and Camillo is
A federary with her, and one that knows
What she should shame to know herself
But with her most vile principal- that she's
A bed-swerver, even as bad as those
That vulgars give bold'st titles; ay, and privy
To this their late escape.
HERMIONE. No, by my life,
Privy to none of this. How will this grieve you,
When you shall come to clearer knowledge, that
You thus have publish'd me! Gentle my lord,
You scarce can right me throughly then to say
You did mistake.
LEONTES. No; if I mistake
In those foundations which I build upon,
The centre is not big enough to bear
A school-boy's top. Away with her to prison.
He who shall speak for her is afar off guilty
But that he speaks.
HERMIONE. There's some ill planet reigns.
I must be patient till the heavens look
With an aspect more favourable. Good my lords,
I am not prone to weeping, as our sex
Commonly are- the want of which vain dew
Perchance shall dry your pities- but I have
That honourable grief lodg'd here which burns
Worse than tears drown. Beseech you all, my lords,
With thoughts so qualified as your charities
Shall best instruct you, measure me; and so
The King's will be perform'd!
LEONTES. [To the GUARD] Shall I be heard?
HERMIONE. Who is't that goes with me? Beseech your highness
My women may be with me, for you see
My plight requires it. Do not weep, good fools;
There is no cause; when you shall know your mistress
Has deserv'd prison, then abound in tears
As I come out: this action I now go on
Is for my better grace. Adieu, my lord.
I never wish'd to see you sorry; now
I trust I shall. My women, come; you have leave.
LEONTES. Go, do our bidding; hence!
Exeunt HERMIONE, guarded, and LADIES
FIRST LORD. Beseech your Highness, call the Queen again.
ANTIGONUS. Be certain what you do, sir, lest your justice
Prove violence, in the which three great ones suffer,
Yourself, your queen, your son.
FIRST LORD. For her, my lord,
I dare my life lay down- and will do't, sir,
Please you t' accept it- that the Queen is spotless
I' th' eyes of heaven and to you- I mean
In this which you accuse her.
ANTIGONUS. If it prove
She's otherwise, I'll keep my stables where
I lodge my wife; I'll go in couples with her;
Than when I feel and see her no farther trust her;
For every inch of woman in the world,
Ay, every dram of woman's flesh is false,
If she be.
LEONTES. Hold your peaces.
FIRST LORD. Good my lord-
ANTIGONUS. It is for you we speak, not for ourselves.
You are abus'd, and by some putter-on
That will be damn'd for't. Would I knew the villain!
I would land-damn him. Be she honour-flaw'd-
I have three daughters: the eldest is eleven;
The second and the third, nine and some five;
If this prove true, they'll pay for 't. By mine honour,
I'll geld 'em all; fourteen they shall not see
To bring false generations. They are co-heirs;
And I had rather glib myself than they
Should not produce fair issue.
LEONTES. Cease; no more.
You smell this business with a sense as cold
As is a dead man's nose; but I do see't and feel't
As you feel doing thus; and see withal
The instruments that feel.
ANTIGONUS. If it be so,
We need no grave to bury honesty;
There's not a grain of it the face to sweeten
Of the whole dungy earth.
LEONTES. What! Lack I credit?
FIRST LORD. I had rather you did lack than I, my lord,
Upon this ground; and more it would content me
To have her honour true than your suspicion,
Be blam'd for't how you might.
LEONTES. Why, what need we
Commune with you of this, but rather follow
Our forceful instigation? Our prerogative
Calls not your counsels; but our natural goodness
Imparts this; which, if you- or stupified
Or seeming so in skill- cannot or will not
Relish a truth like us, inform yourselves
We need no more of your advice. The matter,
The loss, the gain, the ord'ring on't, is all
Properly ours.
ANTIGONUS. And I wish, my liege,
You had only in your silent judgment tried it,
Without more overture.
LEONTES. How could that be?
Either thou art most ignorant by age,
Or thou wert born a fool. Camillo's flight,
Added to their familiarity-
Which was as gross as ever touch'd conjecture,
That lack'd sight only, nought for approbation
But only seeing, all other circumstances
Made up to th' deed- doth push on this proceeding.
Yet, for a greater confirmation-
For, in an act of this importance, 'twere
Most piteous to be wild- I have dispatch'd in post
To sacred Delphos, to Apollo's temple,
Cleomenes and Dion, whom you know
Of stuff'd sufficiency. Now, from the oracle
They will bring all, whose spiritual counsel had,
Shall stop or spur me. Have I done well?
FIRST LORD. Well done, my lord.
LEONTES. Though I am satisfied, and need no more
Than what I know, yet shall the oracle
Give rest to th' minds of others such as he
Whose ignorant credulity will not
Come up to th' truth. So have we thought it good
From our free person she should be confin'd,
Lest that the treachery of the two fled hence
Be left her to perform. Come, follow us;
We are to speak in public; for this business
Will raise us all.
ANTIGONUS. [Aside] To laughter, as I take it,
If the good truth were known.
Exeunt
Sicilia. A prison
Enter PAULINA, a GENTLEMAN, and ATTENDANTS
PAULINA. The keeper of the prison- call to him;
Let him have knowledge who I am. Exit GENTLEMAN
Good lady!
No court in Europe is too good for thee;
What dost thou then in prison?
Re-enter GENTLEMAN with the GAOLER
Now, good sir,
You know me, do you not?
GAOLER. For a worthy lady,
And one who much I honour.
PAULINA. Pray you, then,
Conduct me to the Queen.
GAOLER. I may not, madam;
To the contrary I have express commandment.
PAULINA. Here's ado, to lock up honesty and honour from
Th' access of gentle visitors! Is't lawful, pray you,
To see her women- any of them? Emilia?
GAOLER. So please you, madam,
To put apart these your attendants,
Shall bring Emilia forth.
PAULINA. I pray now, call her.
Withdraw yourselves. Exeunt ATTENDANTS
GAOLER. And, madam,
I must be present at your conference.
PAULINA. Well, be't so, prithee. Exit GAOLER
Here's such ado to make no stain a stain
As passes colouring.
Re-enter GAOLER, with EMILIA
Dear gentlewoman,
How fares our gracious lady?
EMILIA. As well as one so great and so forlorn
May hold together. On her frights and griefs,
Which never tender lady hath borne greater,
She is, something before her time, deliver'd.
PAULINA. A boy?
EMILIA. A daughter, and a goodly babe,
Lusty, and like to live. The Queen receives
Much comfort in't; says 'My poor prisoner,
I am as innocent as you.'
PAULINA. I dare be sworn.
These dangerous unsafe lunes i' th' King, beshrew them!
He must be told on't, and he shall. The office
Becomes a woman best; I'll take't upon me;
If I prove honey-mouth'd, let my tongue blister,
And never to my red-look'd anger be
The trumpet any more. Pray you, Emilia,
Commend my best obedience to the Queen;
If she dares trust me with her little babe,
I'll show't the King, and undertake to be
Her advocate to th' loud'st. We do not know
How he may soften at the sight o' th' child:
The silence often of pure innocence
Persuades when speaking fails.
EMILIA. Most worthy madam,
Your honour and your goodness is so evident
That your free undertaking cannot miss
A thriving issue; there is no lady living
So meet for this great errand. Please your ladyship
To visit the next room, I'll presently
Acquaint the Queen of your most noble offer
Who but to-day hammer'd of this design,
But durst not tempt a minister of honour,
Lest she should be denied.
PAULINA. Tell her, Emilia,
I'll use that tongue I have; if wit flow from't
As boldness from my bosom, let't not be doubted
I shall do good.
EMILIA. Now be you blest for it!
I'll to the Queen. Please you come something nearer.
GAOLER. Madam, if't please the Queen to send the babe,
I know not what I shall incur to pass it,
Having no warrant.
PAULINA. You need not fear it, sir.
This child was prisoner to the womb, and is
By law and process of great Nature thence
Freed and enfranchis'd- not a party to
The anger of the King, nor guilty of,
If any be, the trespass of the Queen.
GAOLER. I do believe it.
PAULINA. Do not you fear. Upon mine honour, I
Will stand betwixt you and danger. Exeunt
Sicilia. The palace of LEONTES
Enter LEONTES, ANTIGONUS, LORDS, and SERVANTS
LEONTES. Nor night nor day no rest! It is but weakness
To bear the matter thus- mere weakness. If
The cause were not in being- part o' th' cause,
She, th' adultress; for the harlot king
Is quite beyond mine arm, out of the blank
And level of my brain, plot-proof; but she
I can hook to me- say that she were gone,
Given to the fire, a moiety of my rest
Might come to me again. Who's there?
FIRST SERVANT. My lord?
LEONTES. How does the boy?
FIRST SERVANT. He took good rest to-night;
'Tis hop'd his sickness is discharg'd.
LEONTES. To see his nobleness!
Conceiving the dishonour of his mother,
He straight declin'd, droop'd, took it deeply,
Fasten'd and fix'd the shame on't in himself,
Threw off his spirit, his appetite, his sleep,
And downright languish'd. Leave me solely. Go,
See how he fares. [Exit SERVANT] Fie, fie! no thought of
him!
The very thought of my revenges that way
Recoil upon me- in himself too mighty,
And in his parties, his alliance. Let him be,
Until a time may serve; for present vengeance,
Take it on her. Camillo and Polixenes
Laugh at me, make their pastime at my sorrow.
They should not laugh if I could reach them; nor
Shall she, within my pow'r.
Enter PAULINA, with a CHILD
FIRST LORD. You must not enter.
PAULINA. Nay, rather, good my lords, be second to me.
Fear you his tyrannous passion more, alas,
Than the Queen's life? A gracious innocent soul,
More free than he is jealous.
ANTIGONUS. That's enough.
SECOND SERVANT. Madam, he hath not slept to-night; commanded
None should come at him.
PAULINA. Not so hot, good sir;
I come to bring him sleep. 'Tis such as you,
That creep like shadows by him, and do sigh
At each his needless heavings- such as you
Nourish the cause of his awaking: I
Do come with words as medicinal as true,
Honest as either, to purge him of that humour
That presses him from sleep.
LEONTES. What noise there, ho?
PAULINA. No noise, my lord; but needful conference
About some gossips for your Highness.
LEONTES. How!
Away with that audacious lady! Antigonus,
I charg'd thee that she should not come about me;
I knew she would.
ANTIGONUS. I told her so, my lord,
On your displeasure's peril, and on mine,
She should not visit you.
LEONTES. What, canst not rule her?
PAULINA. From all dishonesty he can: in this,
Unless he take the course that you have done-
Commit me for committing honour- trust it,
He shall not rule me.
ANTIGONUS. La you now, you hear!
When she will take the rein, I let her run;
But she'll not stumble.
PAULINA. Good my liege, I come-
And I beseech you hear me, who professes
Myself your loyal servant, your physician,
Your most obedient counsellor; yet that dares
Less appear so, in comforting your evils,
Than such as most seem yours- I say I come
From your good Queen.
LEONTES. Good Queen!
PAULINA. Good Queen, my lord, good Queen- I say good Queen;
And would by combat make her good, so were I
A man, the worst about you.
LEONTES. Force her hence.
PAULINA. Let him that makes but trifles of his eyes
First hand me. On mine own accord I'll off;
But first I'll do my errand. The good Queen,
For she is good, hath brought you forth a daughter;
Here 'tis; commends it to your blessing.
[Laying down the child]
LEONTES. Out!
A mankind witch! Hence with her, out o' door!
A most intelligencing bawd!
PAULINA. Not so.
I am as ignorant in that as you
In so entitling me; and no less honest
Than you are mad; which is enough, I'll warrant,
As this world goes, to pass for honest.
LEONTES. Traitors!
Will you not push her out? Give her the bastard.
[To ANTIGONUS] Thou dotard, thou art woman-tir'd, unroosted
By thy Dame Partlet here. Take up the bastard;
Take't up, I say; give't to thy crone.
PAULINA. For ever
Unvenerable be thy hands, if thou
Tak'st up the Princess by that forced baseness
Which he has put upon't!
LEONTES. He dreads his wife.
PAULINA. So I would you did; then 'twere past all doubt
You'd call your children yours.
LEONTES. A nest of traitors!
ANTIGONUS. I am none, by this good light.
PAULINA. Nor I; nor any
But one that's here; and that's himself; for he
The sacred honour of himself, his Queen's,
His hopeful son's, his babe's, betrays to slander,
Whose sting is sharper than the sword's; and will not-
For, as the case now stands, it is a curse
He cannot be compell'd to 't- once remove
The root of his opinion, which is rotten
As ever oak or stone was sound.
LEONTES. A callat
Of boundless tongue, who late hath beat her husband,
And now baits me! This brat is none of mine;
It is the issue of Polixenes.
Hence with it, and together with the dam
Commit them to the fire.
PAULINA. It is yours.
And, might we lay th' old proverb to your charge,
So like you 'tis the worse. Behold, my lords,
Although the print be little, the whole matter
And copy of the father- eye, nose, lip,
The trick of's frown, his forehead; nay, the valley,
The pretty dimples of his chin and cheek; his smiles;
The very mould and frame of hand, nail, finger.
And thou, good goddess Nature, which hast made it
So like to him that got it, if thou hast
The ordering of the mind too, 'mongst all colours
No yellow in't, lest she suspect, as he does,
Her children not her husband's!
LEONTES. A gross hag!
And, lozel, thou art worthy to be hang'd
That wilt not stay her tongue.
ANTIGONUS. Hang all the husbands
That cannot do that feat, you'll leave yourself
Hardly one subject.
LEONTES. Once more, take her hence.
PAULINA. A most unworthy and unnatural lord
Can do no more.
LEONTES. I'll ha' thee burnt.
PAULINA. I care not.
It is an heretic that makes the fire,
Not she which burns in't. I'll not call you tyrant
But this most cruel usage of your Queen-
Not able to produce more accusation
Than your own weak-hing'd fancy- something savours
Of tyranny, and will ignoble make you,
Yea, scandalous to the world.
LEONTES. On your allegiance,
Out of the chamber with her! Were I a tyrant,
Where were her life? She durst not call me so,
If she did know me one. Away with her!
PAULINA. I pray you, do not push me; I'll be gone.
Look to your babe, my lord; 'tis yours. Jove send her
A better guiding spirit! What needs these hands?
You that are thus so tender o'er his follies
Will never do him good, not one of you.
So, so. Farewell; we are gone. Exit
LEONTES. Thou, traitor, hast set on thy wife to this.
My child! Away with't. Even thou, that hast
A heart so tender o'er it, take it hence,
And see it instantly consum'd with fire;
Even thou, and none but thou. Take it up straight.
Within this hour bring me word 'tis done,
And by good testimony, or I'll seize thy life,
With that thou else call'st thine. If thou refuse,
And wilt encounter with my wrath, say so;
The bastard brains with these my proper hands
Shall I dash out. Go, take it to the fire;
For thou set'st on thy wife.
ANTIGONUS. I did not, sir.
These lords, my noble fellows, if they please,
Can clear me in't.
LORDS. We can. My royal liege,
He is not guilty of her coming hither.
LEONTES. You're liars all.
FIRST LORD. Beseech your Highness, give us better credit.
We have always truly serv'd you; and beseech
So to esteem of us; and on our knees we beg,
As recompense of our dear services
Past and to come, that you do change this purpose,
Which being so horrible, so bloody, must
Lead on to some foul issue. We all kneel.
LEONTES. I am a feather for each wind that blows.
Shall I live on to see this bastard kneel
And call me father? Better burn it now
Than curse it then. But be it; let it live.
It shall not neither. [To ANTIGONUS] You, Sir, come you
hither.
You that have been so tenderly officious
With Lady Margery, your midwife there,
To save this bastard's life- for 'tis a bastard,
So sure as this beard's grey- what will you adventure
To save this brat's life?
ANTIGONUS. Anything, my lord,
That my ability may undergo,
And nobleness impose. At least, thus much:
I'll pawn the little blood which I have left
To save the innocent- anything possible.
LEONTES. It shall be possible. Swear by this sword
Thou wilt perform my bidding.
ANTIGONUS. I will, my lord.
LEONTES. Mark, and perform it- seest thou? For the fail
Of any point in't shall not only be
Death to thyself, but to thy lewd-tongu'd wife,
Whom for this time we pardon. We enjoin thee,
As thou art liegeman to us, that thou carry
This female bastard hence; and that thou bear it
To some remote and desert place, quite out
Of our dominions; and that there thou leave it,
Without more mercy, to it own protection
And favour of the climate. As by strange fortune
It came to us, I do in justice charge thee,
On thy soul's peril and thy body's torture,
That thou commend it strangely to some place
Where chance may nurse or end it. Take it up.
ANTIGONUS. I swear to do this, though a present death
Had been more merciful. Come on, poor babe.
Some powerful spirit instruct the kites and ravens
To be thy nurses! Wolves and bears, they say,
Casting their savageness aside, have done
Like offices of pity. Sir, be prosperous
In more than this deed does require! And blessing
Against this cruelty fight on thy side,
Poor thing, condemn'd to loss! Exit with the child
LEONTES. No, I'll not rear
Another's issue.
Enter a SERVANT
SERVANT. Please your Highness, posts
From those you sent to th' oracle are come
An hour since. Cleomenes and Dion,
Being well arriv'd from Delphos, are both landed,
Hasting to th' court.
FIRST LORD. So please you, sir, their speed
Hath been beyond account.
LEONTES. Twenty-three days
They have been absent; 'tis good speed; foretells
The great Apollo suddenly will have
The truth of this appear. Prepare you, lords;
Summon a session, that we may arraign
Our most disloyal lady; for, as she hath
Been publicly accus'd, so shall she have
A just and open trial. While she lives,
My heart will be a burden to me. Leave me;
And think upon my bidding. Exeunt
| 5,909 | Act 2 | https://web.archive.org/web/20210411083408/https://www.gradesaver.com/the-winters-tale/study-guide/summary-act-2 | Hermione sits with her ladies-in-waiting and Mamillius. The child is mischievous and charming, delighting his mother and her ladies with irreverent humor. Leontes enters with Antigonus and various unnamed lords. They are telling him about the flight of Camillo and Polixenes, and their news makes Leontes feel certain that his suspicions were correct. He now believes that Camillo was a double agent working for Polixenes. He has Mamillius taken from Hermione, and he cruelly insults Hermione in full view of the lords and Hermione's ladies. He says that she has committed adultery, and Hermione bears his insults with dignity. When he tells her that she is to be put in prison, she insists that her ladies accompany her because she is pregnant and needs their help. The lords weep as she is escorted out, and she tells them that they would have reason to weep if she were guilty; for the innocent, suffering leads to grace. She brings her women with her as she goes to her prison. Antigonus tries without success to make Leontes reconsider his suspicions. He professes absolute faith in the queen's virtue, but Leontes remains unconvinced. From Leontes' point of view, the truth of the matter is apparent, and he seeks no counsel from his men in determining whether or not his suspicions are correct; he has been all the more convinced by Camillo's flight. The king announces that he has sent messengers to Apollo's oracle at Delphos to ask about the queen's fidelity. Although he has no doubt as to what the answer will be, the oracle will at least put the minds of his subjects at ease. Scene ii: Paulina, courtier and wife of Antigonus, tries to see the queen in her cell, but the guard will not let her pass. Instead, the jailer will allow Emilia, one of Hermione's ladies-in-waiting, to come out and speak for the queen. Emilia reveals that Hermione has had her baby, a healthy daughter. Paulina resolves to take the baby to the king, in hopes that the sight of his daughter will restore his senses to him. The jailer has anxieties about releasing the child, but Paulina convinces him that the baby should not be in prison. She also assures him that she will protect him from harm. Scene iii: Leontes, alone, speaks of burning the queen to put his mind at rest. A servant enters, and from their conversation we learn that Prince Mamillius has been sick since his mother's imprisonment. Leontes tells the servant to tend to the boy. He then bemoans the fact that he cannot harm Polixenes, whose kingdom and allies put him beyond Leontes' reach. Since he cannot harm Camillo and Polixenes, he will satisfy himself by dealing with Hermione. Paulina enters, along with Antigonus, servants, and lords. She fearlessly confronts the king, defending the queen's innocence and condemning the king's tyrannical behavior. She refuses to do anything but praise the queen's character. The king mocks Antigonus for being unable to control his wife, but Paulina brushes these comments aside. She tries to convince the king that the infant is his by pointing out the strong physical resemblance between the monarch and the child, but the king remains unmoved. He keeps telling Antigonus to control his wife better, but Antigonus does not bother trying. Paulina leaves the child, hoping that Leontes will soften and come to his senses. The king orders Antigonus to destroy the child. Leontes accuses Antigonus of instructing his wife to behave as she has, which Antigonus denies, with the lords backing his word. The king refuses to believe them. He asks Antigonus what he would be willing to sacrifice to save the child's life, and Antigonus replies that he would give anything. Leontes asks him to swear to do his bidding, in order to save the life of the child, and Antigonus swears. The king orders Antigonus to take the child and leave it in a wild and remote place, to be saved or killed according to the dictates of chance. If Antigonus does not do so, he and Paulina will both be executed. Antigonus is compelled to obey because he has given his word, but he is loath to carry out the king's orders. He goes to it miserably. A servant enters with the news that Dion and Cleomenes have arrived back from the oracle. Leontes announces his attention to have the queen put on trial. | Act 2 opens with the idyllic scene of the prince playing with his mother and the ladies-in-waiting. The charm and happiness of the moment makes the contrast with the jealousy of Leontes all the more jarring. Shakespeare is giving us a glimpse of the normal pattern of their family life, which invites greater sympathy for the queen and prince and gives us a sense of what Leontes is destroying. Leontes' delusions isolate him from his family and his court. He removes his wife and son from his company, and he continues to believe fervently in Hermione's infidelity even though everyone at court thinks the idea is ludicrous. He is completely alone in his suspicions, insisting on them most violently when someone at court tries to contradict him. These scenes reveal a king who is withdrawing further and further into his own paranoid fantasies. He interprets Camillo's flight with Polixenes as conclusive proof of his suspicions, ignoring the fact that if Camillo, Hermione, and Polixenes were innocent Camillo would do exactly the same thing. The theme of tyranny is present throughout Act 2, as Leontes' throne protects him from the need for rationality, compassion, and listening to counsel. Paulina is one of Shakespeare's most fearless heroines, defiantly scolding the king and defending her queen. Scene Two shows us that she commands a great deal of respect in Sicilia: Emilia is relieved when she learns that Paulina will plea for Hermione to Leontes, and the jailer defers to Paulina's authority and believes her when she promises to protect him. Directors have a great deal of influence over how Act 2, Scene Three is played. In some productions, Leontes does not take Paulina seriously, and bears her mostly by ignoring her. She is able to get away with scolding him because he does not view her as an equal; this interpretation is consistent with the manner in which he tries to silence her. Notice that Leontes addresses Antigonus, Paulina's husband, rather than her. He criticizes Antigonus for being unable to control his wife, and the scene can be played to make Paulina almost comic. On the other hand, the scene can be played to make Paulina incredibly threatening. Played this way, Leontes addresses her husband because he has no idea how to deal with a strong woman. Both the comic and threatening interpretations of Paulina's character are grounded in her gender. The fact that she is a woman can mean either that she is taken less seriously by the lords or that the men are disabled by her strength. From the characters' discussion of the oracle, we know that we are meant to assume that the oracle will speak the truth. Interestingly enough, this viewpoint was totally against the religious teachings of Shakespeare's England. Many theological writings of the time had determined that there was no divine inspiration for the oracles of the ancients, but Shakespeare asks us to take the oracle's word as truth. Throughout The Winter's Tale, Shakespeare creates an atmosphere of the fantastic, in part by creating a world in which the mythology of the ancient Greeks is accepted without rational skepticism or Christian prejudice. Significantly, the idea of a dependable oracle also grounds Truth in the play, giving characters a reliable source of judgments and a sure knowledge of divine will. The fantastic qualities of the play and the accessibility of the truth help to disarm the tragedy that Leontes' jealousy might provoke in another Shakespearean drama. | 738 | 578 | [
"Sicilia.",
"The palace of LEONTES\n\nEnter HERMIONE, MAMILLIUS, and LADIES\n\n HERMIONE.",
"Take the boy to you; he so troubles me,\n 'Tis past enduring.",
"FIRST LADY.",
"Come, my gracious lord,\n Shall I be your playfellow?",
"MAMILLIUS.",
"No, I'll none of you.",
"FIRST LADY.",
"Why, my sweet lord?",
"MAMILLIUS.",
"You'll kiss me hard, and speak to me as if\n I were a baby still.",
"I love you better.",
"SECOND LADY.",
"And why so, my lord?",
"MAMILLIUS.",
"Not for because\n Your brows are blacker; yet black brows, they say,\n Become some women best; so that there be not\n Too much hair there, but in a semicircle\n Or a half-moon made with a pen.",
"SECOND LADY.",
"Who taught't this?",
"MAMILLIUS.",
"I learn'd it out of women's faces.",
"Pray now,\n What colour are your eyebrows?",
"FIRST LADY.",
"Blue, my lord.",
"MAMILLIUS.",
"Nay, that's a mock.",
"I have seen a lady's nose\n That has been blue, but not her eyebrows.",
"FIRST LADY.",
"Hark ye:\n The Queen your mother rounds apace.",
"We shall\n Present our services to a fine new prince\n One of these days; and then you'd wanton with us,\n If we would have you.",
"SECOND LADY.",
"She is spread of late\n Into a goodly bulk.",
"Good time encounter her!",
"HERMIONE.",
"What wisdom stirs amongst you?",
"Come, sir, now\n I am for you again.",
"Pray you sit by us,\n And tell's a tale.",
"MAMILLIUS.",
"Merry or sad shall't be?",
"HERMIONE.",
"As merry as you will.",
"MAMILLIUS.",
"A sad tale's best for winter.",
"I have one\n Of sprites and goblins.",
"HERMIONE.",
"Let's have that, good sir.",
"Come on, sit down; come on, and do your best\n To fright me with your sprites; you're pow'rfull at it.",
"MAMILLIUS.",
"There was a man-\n HERMIONE.",
"Nay, come, sit down; then on.",
"MAMILLIUS.",
"Dwelt by a churchyard- I will tell it softly;\n Yond crickets shall not hear it.",
"HERMIONE.",
"Come on then,\n And give't me in mine ear.",
"Enter LEONTES, ANTIGONUS, LORDS, and OTHERS\n\n LEONTES.",
"he met there?",
"his train?",
"Camillo with him?",
"FIRST LORD.",
"Behind the tuft of pines I met them; never\n Saw I men scour so on their way.",
"I ey'd them\n Even to their ships.",
"LEONTES.",
"How blest am I\n In my just censure, in my true opinion!",
"Alack, for lesser knowledge!",
"How accurs'd\n In being so blest!",
"There may be in the cup\n A spider steep'd, and one may drink, depart,\n And yet partake no venom, for his knowledge\n Is not infected; but if one present\n Th' abhorr'd ingredient to his eye, make known\n How he hath drunk, he cracks his gorge, his sides,\n With violent hefts.",
"I have drunk, and seen the spider.",
"Camillo was his help in this, his pander.",
"There is a plot against my life, my crown;\n All's true that is mistrusted.",
"That false villain\n Whom I employ'd was pre-employ'd by him;\n He has discover'd my design, and I\n Remain a pinch'd thing; yea, a very trick\n For them to play at will.",
"How came the posterns\n So easily open?",
"FIRST LORD.",
"By his great authority;\n Which often hath no less prevail'd than so\n On your command.",
"LEONTES.",
"I know't too well.",
"Give me the boy.",
"I am glad you did not nurse him;\n Though he does bear some signs of me, yet you\n Have too much blood in him.",
"HERMIONE.",
"What is this?",
"Sport?",
"LEONTES.",
"Bear the boy hence; he shall not come about her;\n Away with him; and let her sport herself\n [MAMILLIUS is led out]\n With that she's big with- for 'tis Polixenes\n Has made thee swell thus.",
"HERMIONE.",
"But I'd say he had not,\n And I'll be sworn you would believe my saying,\n Howe'er you lean to th' nayward.",
"LEONTES.",
"You, my lords,\n Look on her, mark her well; be but about\n To say 'She is a goodly lady' and\n The justice of your hearts will thereto ad\n 'Tis pity she's not honest- honourable.'",
"Praise her but for this her without-door form,\n Which on my faith deserves high speech, and straight\n The shrug, the hum or ha, these petty brands\n That calumny doth use- O, I am out!-\n That mercy does, for calumny will sear\n Virtue itself- these shrugs, these hum's and ha's,\n When you have said she's goodly, come between,\n Ere you can say she's honest.",
"But be't known,\n From him that has most cause to grieve it should be,\n She's an adultress.",
"HERMIONE.",
"Should a villain say so,\n The most replenish'd villain in the world,\n He were as much more villain: you, my lord,\n Do but mistake.",
"LEONTES.",
"You have mistook, my lady,\n Polixenes for Leontes.",
"O thou thing!",
"Which I'll not call a creature of thy place,\n Lest barbarism, making me the precedent,\n Should a like language use to all degrees\n And mannerly distinguishment leave out\n Betwixt the prince and beggar.",
"I have said\n She's an adultress; I have said with whom.",
"More, she's a traitor; and Camillo is\n A federary with her, and one that knows\n What she should shame to know herself\n But with her most vile principal- that she's\n A bed-swerver, even as bad as those\n That vulgars give bold'st titles; ay, and privy\n To this their late escape.",
"HERMIONE.",
"No, by my life,\n Privy to none of this.",
"How will this grieve you,\n When you shall come to clearer knowledge, that\n You thus have publish'd me!",
"Gentle my lord,\n You scarce can right me throughly then to say\n You did mistake.",
"LEONTES.",
"No; if I mistake\n In those foundations which I build upon,\n The centre is not big enough to bear\n A school-boy's top.",
"Away with her to prison.",
"He who shall speak for her is afar off guilty\n But that he speaks.",
"HERMIONE.",
"There's some ill planet reigns.",
"I must be patient till the heavens look\n With an aspect more favourable.",
"Good my lords,\n I am not prone to weeping, as our sex\n Commonly are- the want of which vain dew\n Perchance shall dry your pities- but I have\n That honourable grief lodg'd here which burns\n Worse than tears drown.",
"Beseech you all, my lords,\n With thoughts so qualified as your charities\n Shall best instruct you, measure me; and so\n The King's will be perform'd!",
"LEONTES.",
"[To the GUARD] Shall I be heard?",
"HERMIONE.",
"Who is't that goes with me?",
"Beseech your highness\n My women may be with me, for you see\n My plight requires it.",
"Do not weep, good fools;\n There is no cause; when you shall know your mistress\n Has deserv'd prison, then abound in tears\n As I come out: this action I now go on\n Is for my better grace.",
"Adieu, my lord.",
"I never wish'd to see you sorry; now\n I trust I shall.",
"My women, come; you have leave.",
"LEONTES.",
"Go, do our bidding; hence!",
"Exeunt HERMIONE, guarded, and LADIES\n FIRST LORD.",
"Beseech your Highness, call the Queen again.",
"ANTIGONUS.",
"Be certain what you do, sir, lest your justice\n Prove violence, in the which three great ones suffer,\n Yourself, your queen, your son.",
"FIRST LORD.",
"For her, my lord,\n I dare my life lay down- and will do't, sir,\n Please you t' accept it- that the Queen is spotless\n I' th' eyes of heaven and to you- I mean\n In this which you accuse her.",
"ANTIGONUS.",
"If it prove\n She's otherwise, I'll keep my stables where\n I lodge my wife; I'll go in couples with her;\n Than when I feel and see her no farther trust her;\n For every inch of woman in the world,\n Ay, every dram of woman's flesh is false,\n If she be.",
"LEONTES.",
"Hold your peaces.",
"FIRST LORD.",
"Good my lord-\n ANTIGONUS.",
"It is for you we speak, not for ourselves.",
"You are abus'd, and by some putter-on\n That will be damn'd for't.",
"Would I knew the villain!",
"I would land-damn him.",
"Be she honour-flaw'd-\n I have three daughters: the eldest is eleven;\n The second and the third, nine and some five;\n If this prove true, they'll pay for 't.",
"By mine honour,\n I'll geld 'em all; fourteen they shall not see\n To bring false generations.",
"They are co-heirs;\n And I had rather glib myself than they\n Should not produce fair issue.",
"LEONTES.",
"Cease; no more.",
"You smell this business with a sense as cold\n As is a dead man's nose; but I do see't and feel't\n As you feel doing thus; and see withal\n The instruments that feel.",
"ANTIGONUS.",
"If it be so,\n We need no grave to bury honesty;\n There's not a grain of it the face to sweeten\n Of the whole dungy earth.",
"LEONTES.",
"What!",
"Lack I credit?",
"FIRST LORD.",
"I had rather you did lack than I, my lord,\n Upon this ground; and more it would content me\n To have her honour true than your suspicion,\n Be blam'd for't how you might.",
"LEONTES.",
"Why, what need we\n Commune with you of this, but rather follow\n Our forceful instigation?",
"Our prerogative\n Calls not your counsels; but our natural goodness\n Imparts this; which, if you- or stupified\n Or seeming so in skill- cannot or will not\n Relish a truth like us, inform yourselves\n We need no more of your advice.",
"The matter,\n The loss, the gain, the ord'ring on't, is all\n Properly ours.",
"ANTIGONUS.",
"And I wish, my liege,\n You had only in your silent judgment tried it,\n Without more overture.",
"LEONTES.",
"How could that be?",
"Either thou art most ignorant by age,\n Or thou wert born a fool.",
"Camillo's flight,\n Added to their familiarity-\n Which was as gross as ever touch'd conjecture,\n That lack'd sight only, nought for approbation\n But only seeing, all other circumstances\n Made up to th' deed- doth push on this proceeding.",
"Yet, for a greater confirmation-\n For, in an act of this importance, 'twere\n Most piteous to be wild- I have dispatch'd in post\n To sacred Delphos, to Apollo's temple,\n Cleomenes and Dion, whom you know\n Of stuff'd sufficiency.",
"Now, from the oracle\n They will bring all, whose spiritual counsel had,\n Shall stop or spur me.",
"Have I done well?",
"FIRST LORD.",
"Well done, my lord.",
"LEONTES.",
"Though I am satisfied, and need no more\n Than what I know, yet shall the oracle\n Give rest to th' minds of others such as he\n Whose ignorant credulity will not\n Come up to th' truth.",
"So have we thought it good\n From our free person she should be confin'd,\n Lest that the treachery of the two fled hence\n Be left her to perform.",
"Come, follow us;\n We are to speak in public; for this business\n Will raise us all.",
"ANTIGONUS.",
"[Aside] To laughter, as I take it,\n If the good truth were known.",
"Exeunt\n\n\n\n\n\nSicilia.",
"A prison\n\nEnter PAULINA, a GENTLEMAN, and ATTENDANTS\n\n PAULINA.",
"The keeper of the prison- call to him;\n Let him have knowledge who I am.",
"Exit GENTLEMAN\n Good lady!",
"No court in Europe is too good for thee;\n What dost thou then in prison?",
"Re-enter GENTLEMAN with the GAOLER\n\n Now, good sir,\n You know me, do you not?",
"GAOLER.",
"For a worthy lady,\n And one who much I honour.",
"PAULINA.",
"Pray you, then,\n Conduct me to the Queen.",
"GAOLER.",
"I may not, madam;\n To the contrary I have express commandment.",
"PAULINA.",
"Here's ado, to lock up honesty and honour from\n Th' access of gentle visitors!",
"Is't lawful, pray you,\n To see her women- any of them?",
"Emilia?",
"GAOLER.",
"So please you, madam,\n To put apart these your attendants,\n Shall bring Emilia forth.",
"PAULINA.",
"I pray now, call her.",
"Withdraw yourselves.",
"Exeunt ATTENDANTS\n GAOLER.",
"And, madam,\n I must be present at your conference.",
"PAULINA.",
"Well, be't so, prithee.",
"Exit GAOLER\n Here's such ado to make no stain a stain\n As passes colouring.",
"Re-enter GAOLER, with EMILIA\n\n Dear gentlewoman,\n How fares our gracious lady?",
"EMILIA.",
"As well as one so great and so forlorn\n May hold together.",
"On her frights and griefs,\n Which never tender lady hath borne greater,\n She is, something before her time, deliver'd.",
"PAULINA.",
"A boy?",
"EMILIA.",
"A daughter, and a goodly babe,\n Lusty, and like to live.",
"The Queen receives\n Much comfort in't; says 'My poor prisoner,\n I am as innocent as you.'",
"PAULINA.",
"I dare be sworn.",
"These dangerous unsafe lunes i' th' King, beshrew them!",
"He must be told on't, and he shall.",
"The office\n Becomes a woman best; I'll take't upon me;\n If I prove honey-mouth'd, let my tongue blister,\n And never to my red-look'd anger be\n The trumpet any more.",
"Pray you, Emilia,\n Commend my best obedience to the Queen;\n If she dares trust me with her little babe,\n I'll show't the King, and undertake to be\n Her advocate to th' loud'st.",
"We do not know\n How he may soften at the sight o' th' child:\n The silence often of pure innocence\n Persuades when speaking fails.",
"EMILIA.",
"Most worthy madam,\n Your honour and your goodness is so evident\n That your free undertaking cannot miss\n A thriving issue; there is no lady living\n So meet for this great errand.",
"Please your ladyship\n To visit the next room, I'll presently\n Acquaint the Queen of your most noble offer\n Who but to-day hammer'd of this design,\n But durst not tempt a minister of honour,\n Lest she should be denied.",
"PAULINA.",
"Tell her, Emilia,\n I'll use that tongue I have; if wit flow from't\n As boldness from my bosom, let't not be doubted\n I shall do good.",
"EMILIA.",
"Now be you blest for it!",
"I'll to the Queen.",
"Please you come something nearer.",
"GAOLER.",
"Madam, if't please the Queen to send the babe,\n I know not what I shall incur to pass it,\n Having no warrant.",
"PAULINA.",
"You need not fear it, sir.",
"This child was prisoner to the womb, and is\n By law and process of great Nature thence\n Freed and enfranchis'd- not a party to\n The anger of the King, nor guilty of,\n If any be, the trespass of the Queen.",
"GAOLER.",
"I do believe it.",
"PAULINA.",
"Do not you fear.",
"Upon mine honour, I\n Will stand betwixt you and danger.",
"Exeunt\n\n\n\n\n\nSicilia.",
"The palace of LEONTES\n\nEnter LEONTES, ANTIGONUS, LORDS, and SERVANTS\n\n LEONTES.",
"Nor night nor day no rest!",
"It is but weakness\n To bear the matter thus- mere weakness.",
"If\n The cause were not in being- part o' th' cause,\n She, th' adultress; for the harlot king\n Is quite beyond mine arm, out of the blank\n And level of my brain, plot-proof; but she\n I can hook to me- say that she were gone,\n Given to the fire, a moiety of my rest\n Might come to me again.",
"Who's there?",
"FIRST SERVANT.",
"My lord?",
"LEONTES.",
"How does the boy?",
"FIRST SERVANT.",
"He took good rest to-night;\n 'Tis hop'd his sickness is discharg'd.",
"LEONTES.",
"To see his nobleness!",
"Conceiving the dishonour of his mother,\n He straight declin'd, droop'd, took it deeply,\n Fasten'd and fix'd the shame on't in himself,\n Threw off his spirit, his appetite, his sleep,\n And downright languish'd.",
"Leave me solely.",
"Go,\n See how he fares.",
"[Exit SERVANT] Fie, fie!",
"no thought of\nhim!",
"The very thought of my revenges that way\n Recoil upon me- in himself too mighty,\n And in his parties, his alliance.",
"Let him be,\n Until a time may serve; for present vengeance,\n Take it on her.",
"Camillo and Polixenes\n Laugh at me, make their pastime at my sorrow.",
"They should not laugh if I could reach them; nor\n Shall she, within my pow'r.",
"Enter PAULINA, with a CHILD\n\n FIRST LORD.",
"You must not enter.",
"PAULINA.",
"Nay, rather, good my lords, be second to me.",
"Fear you his tyrannous passion more, alas,\n Than the Queen's life?",
"A gracious innocent soul,\n More free than he is jealous.",
"ANTIGONUS.",
"That's enough.",
"SECOND SERVANT.",
"Madam, he hath not slept to-night; commanded\n None should come at him.",
"PAULINA.",
"Not so hot, good sir;\n I come to bring him sleep.",
"'Tis such as you,\n That creep like shadows by him, and do sigh\n At each his needless heavings- such as you\n Nourish the cause of his awaking: I\n Do come with words as medicinal as true,\n Honest as either, to purge him of that humour\n That presses him from sleep.",
"LEONTES.",
"What noise there, ho?",
"PAULINA.",
"No noise, my lord; but needful conference\n About some gossips for your Highness.",
"LEONTES.",
"How!",
"Away with that audacious lady!",
"Antigonus,\n I charg'd thee that she should not come about me;\n I knew she would.",
"ANTIGONUS.",
"I told her so, my lord,\n On your displeasure's peril, and on mine,\n She should not visit you.",
"LEONTES.",
"What, canst not rule her?",
"PAULINA.",
"From all dishonesty he can: in this,\n Unless he take the course that you have done-\n Commit me for committing honour- trust it,\n He shall not rule me.",
"ANTIGONUS.",
"La you now, you hear!",
"When she will take the rein, I let her run;\n But she'll not stumble.",
"PAULINA.",
"Good my liege, I come-\n And I beseech you hear me, who professes\n Myself your loyal servant, your physician,\n Your most obedient counsellor; yet that dares\n Less appear so, in comforting your evils,\n Than such as most seem yours- I say I come\n From your good Queen.",
"LEONTES.",
"Good Queen!",
"PAULINA.",
"Good Queen, my lord, good Queen- I say good Queen;\n And would by combat make her good, so were I\n A man, the worst about you.",
"LEONTES.",
"Force her hence.",
"PAULINA.",
"Let him that makes but trifles of his eyes\n First hand me.",
"On mine own accord I'll off;\n But first I'll do my errand.",
"The good Queen,\n For she is good, hath brought you forth a daughter;\n Here 'tis; commends it to your blessing.",
"[Laying down the child]\n LEONTES.",
"Out!",
"A mankind witch!",
"Hence with her, out o' door!",
"A most intelligencing bawd!",
"PAULINA.",
"Not so.",
"I am as ignorant in that as you\n In so entitling me; and no less honest\n Than you are mad; which is enough, I'll warrant,\n As this world goes, to pass for honest.",
"LEONTES.",
"Traitors!",
"Will you not push her out?",
"Give her the bastard.",
"[To ANTIGONUS] Thou dotard, thou art woman-tir'd, unroosted\n By thy Dame Partlet here.",
"Take up the bastard;\n Take't up, I say; give't to thy crone.",
"PAULINA.",
"For ever\n Unvenerable be thy hands, if thou\n Tak'st up the Princess by that forced baseness\n Which he has put upon't!",
"LEONTES.",
"He dreads his wife.",
"PAULINA.",
"So I would you did; then 'twere past all doubt\n You'd call your children yours.",
"LEONTES.",
"A nest of traitors!",
"ANTIGONUS.",
"I am none, by this good light.",
"PAULINA.",
"Nor I; nor any\n But one that's here; and that's himself; for he\n The sacred honour of himself, his Queen's,\n His hopeful son's, his babe's, betrays to slander,\n Whose sting is sharper than the sword's; and will not-\n For, as the case now stands, it is a curse\n He cannot be compell'd to 't- once remove\n The root of his opinion, which is rotten\n As ever oak or stone was sound.",
"LEONTES.",
"A callat\n Of boundless tongue, who late hath beat her husband,\n And now baits me!",
"This brat is none of mine;\n It is the issue of Polixenes.",
"Hence with it, and together with the dam\n Commit them to the fire.",
"PAULINA.",
"It is yours.",
"And, might we lay th' old proverb to your charge,\n So like you 'tis the worse.",
"Behold, my lords,\n Although the print be little, the whole matter\n And copy of the father- eye, nose, lip,\n The trick of's frown, his forehead; nay, the valley,\n The pretty dimples of his chin and cheek; his smiles;\n The very mould and frame of hand, nail, finger.",
"And thou, good goddess Nature, which hast made it\n So like to him that got it, if thou hast\n The ordering of the mind too, 'mongst all colours\n No yellow in't, lest she suspect, as he does,\n Her children not her husband's!",
"LEONTES.",
"A gross hag!",
"And, lozel, thou art worthy to be hang'd\n That wilt not stay her tongue.",
"ANTIGONUS.",
"Hang all the husbands\n That cannot do that feat, you'll leave yourself\n Hardly one subject.",
"LEONTES.",
"Once more, take her hence.",
"PAULINA.",
"A most unworthy and unnatural lord\n Can do no more.",
"LEONTES.",
"I'll ha' thee burnt.",
"PAULINA.",
"I care not.",
"It is an heretic that makes the fire,\n Not she which burns in't.",
"I'll not call you tyrant\n But this most cruel usage of your Queen-\n Not able to produce more accusation\n Than your own weak-hing'd fancy- something savours\n Of tyranny, and will ignoble make you,\n Yea, scandalous to the world.",
"LEONTES.",
"On your allegiance,\n Out of the chamber with her!",
"Were I a tyrant,\n Where were her life?",
"She durst not call me so,\n If she did know me one.",
"Away with her!",
"PAULINA.",
"I pray you, do not push me; I'll be gone.",
"Look to your babe, my lord; 'tis yours.",
"Jove send her\n A better guiding spirit!",
"What needs these hands?",
"You that are thus so tender o'er his follies\n Will never do him good, not one of you.",
"So, so.",
"Farewell; we are gone.",
"Exit\n LEONTES.",
"Thou, traitor, hast set on thy wife to this.",
"My child!",
"Away with't.",
"Even thou, that hast\n A heart so tender o'er it, take it hence,\n And see it instantly consum'd with fire;\n Even thou, and none but thou.",
"Take it up straight.",
"Within this hour bring me word 'tis done,\n And by good testimony, or I'll seize thy life,\n With that thou else call'st thine.",
"If thou refuse,\n And wilt encounter with my wrath, say so;\n The bastard brains with these my proper hands\n Shall I dash out.",
"Go, take it to the fire;\n For thou set'st on thy wife.",
"ANTIGONUS.",
"I did not, sir.",
"These lords, my noble fellows, if they please,\n Can clear me in't.",
"LORDS.",
"We can.",
"My royal liege,\n He is not guilty of her coming hither.",
"LEONTES.",
"You're liars all.",
"FIRST LORD.",
"Beseech your Highness, give us better credit.",
"We have always truly serv'd you; and beseech\n So to esteem of us; and on our knees we beg,\n As recompense of our dear services\n Past and to come, that you do change this purpose,\n Which being so horrible, so bloody, must\n Lead on to some foul issue.",
"We all kneel.",
"LEONTES.",
"I am a feather for each wind that blows.",
"Shall I live on to see this bastard kneel\n And call me father?",
"Better burn it now\n Than curse it then.",
"But be it; let it live.",
"It shall not neither.",
"[To ANTIGONUS] You, Sir, come you\nhither.",
"You that have been so tenderly officious\n With Lady Margery, your midwife there,\n To save this bastard's life- for 'tis a bastard,\n So sure as this beard's grey- what will you adventure\n To save this brat's life?",
"ANTIGONUS.",
"Anything, my lord,\n That my ability may undergo,\n And nobleness impose.",
"At least, thus much:\n I'll pawn the little blood which I have left\n To save the innocent- anything possible.",
"LEONTES.",
"It shall be possible.",
"Swear by this sword\n Thou wilt perform my bidding.",
"ANTIGONUS.",
"I will, my lord.",
"LEONTES.",
"Mark, and perform it- seest thou?",
"For the fail\n Of any point in't shall not only be\n Death to thyself, but to thy lewd-tongu'd wife,\n Whom for this time we pardon.",
"We enjoin thee,\n As thou art liegeman to us, that thou carry\n This female bastard hence; and that thou bear it\n To some remote and desert place, quite out\n Of our dominions; and that there thou leave it,\n Without more mercy, to it own protection\n And favour of the climate.",
"As by strange fortune\n It came to us, I do in justice charge thee,\n On thy soul's peril and thy body's torture,\n That thou commend it strangely to some place\n Where chance may nurse or end it.",
"Take it up.",
"ANTIGONUS.",
"I swear to do this, though a present death\n Had been more merciful.",
"Come on, poor babe.",
"Some powerful spirit instruct the kites and ravens\n To be thy nurses!",
"Wolves and bears, they say,\n Casting their savageness aside, have done\n Like offices of pity.",
"Sir, be prosperous\n In more than this deed does require!",
"And blessing\n Against this cruelty fight on thy side,\n Poor thing, condemn'd to loss!",
"Exit with the child\n LEONTES.",
"No, I'll not rear\n Another's issue.",
"Enter a SERVANT\n\n SERVANT.",
"Please your Highness, posts\n From those you sent to th' oracle are come\n An hour since.",
"Cleomenes and Dion,\n Being well arriv'd from Delphos, are both landed,\n Hasting to th' court.",
"FIRST LORD.",
"So please you, sir, their speed\n Hath been beyond account.",
"LEONTES.",
"Twenty-three days\n They have been absent; 'tis good speed; foretells\n The great Apollo suddenly will have\n The truth of this appear.",
"Prepare you, lords;\n Summon a session, that we may arraign\n Our most disloyal lady; for, as she hath\n Been publicly accus'd, so shall she have\n A just and open trial.",
"While she lives,\n My heart will be a burden to me.",
"Leave me;\n And think upon my bidding.",
"Exeunt"
] | [
"MAMILLIUS.",
"Behind the tuft of pines I met them; never\n Saw I men scour so on their way.",
"Away with her to prison.",
"Who is't that goes with me?",
"Madam, if't please the Queen to send the babe,\n I know not what I shall incur to pass it,\n Having no warrant.",
"PAULINA.",
"'Tis such as you,\n That creep like shadows by him, and do sigh\n At each his needless heavings- such as you\n Nourish the cause of his awaking: I\n Do come with words as medicinal as true,\n Honest as either, to purge him of that humour\n That presses him from sleep.",
"How!",
"Go, take it to the fire;\n For thou set'st on thy wife.",
"You're liars all."
] | [
"PAULINA.",
"On mine own accord I'll off;\n But first I'll do my errand.",
"How!",
"How will this grieve you,\n When you shall come to clearer knowledge, that\n You thus have publish'd me!",
"The very thought of my revenges that way\n Recoil upon me- in himself too mighty,\n And in his parties, his alliance.",
"Twenty-three days\n They have been absent; 'tis good speed; foretells\n The great Apollo suddenly will have\n The truth of this appear.",
"I do believe it.",
"I never wish'd to see you sorry; now\n I trust I shall.",
"PAULINA.",
"Our prerogative\n Calls not your counsels; but our natural goodness\n Imparts this; which, if you- or stupified\n Or seeming so in skill- cannot or will not\n Relish a truth like us, inform yourselves\n We need no more of your advice."
] | [
"I dare be sworn.",
"These dangerous unsafe lunes i' th' King, beshrew them!",
"He must be told on't, and he shall.",
"The office\n Becomes a woman best; I'll take't upon me;\n If I prove honey-mouth'd, let my tongue blister,\n And never to my red-look'd anger be\n The trumpet any more.",
"Pray you, Emilia,\n Commend my best obedience to the Queen;\n If she dares trust me with her little babe,\n I'll show't the King, and undertake to be\n Her advocate to th' loud'st.",
"We do not know\n How he may soften at the sight o' th' child:\n The silence often of pure innocence\n Persuades when speaking fails.",
"EMILIA.",
"Most worthy madam,\n Your honour and your goodness is so evident\n That your free undertaking cannot miss\n A thriving issue; there is no lady living\n So meet for this great errand.",
"Please your ladyship\n To visit the next room, I'll presently\n Acquaint the Queen of your most noble offer\n Who but to-day hammer'd of this design,\n But durst not tempt a minister of honour,\n Lest she should be denied.",
"PAULINA.",
"Tell her, Emilia,\n I'll use that tongue I have; if wit flow from't\n As boldness from my bosom, let't not be doubted\n I shall do good."
] | [
"Sicilia.",
"The palace of LEONTES\n\nEnter HERMIONE, MAMILLIUS, and LADIES\n\n HERMIONE.",
"Take the boy to you; he so troubles me,\n 'Tis past enduring.",
"FIRST LADY.",
"Come, my gracious lord,\n Shall I be your playfellow?",
"MAMILLIUS.",
"No, I'll none of you.",
"FIRST LADY.",
"Why, my sweet lord?",
"MAMILLIUS.",
"Please your Highness, posts\n From those you sent to th' oracle are come\n An hour since.",
"Cleomenes and Dion,\n Being well arriv'd from Delphos, are both landed,\n Hasting to th' court.",
"FIRST LORD.",
"So please you, sir, their speed\n Hath been beyond account.",
"LEONTES.",
"Twenty-three days\n They have been absent; 'tis good speed; foretells\n The great Apollo suddenly will have\n The truth of this appear.",
"Prepare you, lords;\n Summon a session, that we may arraign\n Our most disloyal lady; for, as she hath\n Been publicly accus'd, so shall she have\n A just and open trial.",
"While she lives,\n My heart will be a burden to me.",
"Leave me;\n And think upon my bidding.",
"Exeunt"
] | credit.
We have always truly serv'd you; and beseech
So to esteem of us; and on our knees we beg,
As recompense of our dear services
Past and to come, that you do change this purpose,
Which being so horrible, so bloody, must
Lead on to some foul issue.
We all kneel.
LEONTES.
I am a feather for each wind that blows.
Shall I live on to see this bastard kneel
And call me father?
Better burn it now
Than curse it then.
But be it; let it live.
It shall not neither.
[To ANTIGONUS] You, Sir, come you
hither.
You that have been so tenderly officious
With Lady Margery, your midwife there,
To save this bastard's life- for 'tis a bastard,
So sure as this beard's grey- what will you adventure
To save this brat's life?
ANTIGONUS.
Anything, my lord,
That my ability may undergo,
And nobleness impose.
At least, thus much:
I'll pawn the little blood which I have left
To save the innocent- anything possible.
LEONTES.
It shall be possible.
Swear | Sicilia.
The palace of LEONTES
Enter HERMIONE, MAMILLIUS, and LADIES
HERMIONE.
Take the boy to you; he so troubles me,
'Tis past enduring.
FIRST LADY.
Come, my gracious lord,
Shall I be your playfellow?
MAMILLIUS.
No, I'll none of you.
FIRST LADY.
Why, my sweet lord?
MAMILLIUS.
You'll kiss me hard, and speak to me as if
I were a baby still.
I love you better.
SECOND LADY.
And why so, my lord?
MAMILLIUS.
Not for because
Your brows are blacker; yet black brows, they say,
Be LORD.
So please you, sir, their speed
Hath been beyond account.
LEONTES.
Twenty-three days
They have been absent; 'tis good speed; foretells
The great Apollo suddenly will have
The truth of this appear.
Prepare you, lords;
Summon a session, that we may arraign
Our most disloyal lady; for, as she hath
Been publicly accus'd, so shall she have
A just and open trial.
While she lives,
My heart will be a burden to me.
Leave me;
And think upon my bidding.
Exeunt | .
PAULINA.
A boy?
EMILIA.
A daughter, and a goodly babe,
Lusty, and like to live.
The Queen receives
Much comfort in't; says 'My poor prisoner,
I am as innocent as you.'
PAULINA.
I dare be sworn.
These dangerous unsafe lunes i' th' King, beshrew them!
He must be told on't, and he shall.
The office
Becomes a woman best; I'll take't upon me;
If I prove honey-mouth'd, let my tongue blister,
And never to my red-look'd anger be
The trumpet any more.
Pray you, Emilia,
Commend my best obedience to the Queen;
If she dares trust me with her little babe,
I'll show't the King, and undertake to be
Her advocate to th' loud'st.
We do not know
How he may soften at the sight o' th' child:
The silence often of pure innocence
Persuades when speaking fails.
EMILIA.
Most worthy madam,
Your honour and your goodness is so evident
That your free undertaking cannot miss
A thriving issue; there is no lady living
So meet for this great erran |
1,134 | true | gradesaver | all_chapterized_books/1134-chapters/act_3.txt | finished_summaries/gradesaver/The Winter's Tale/section_2_part_0.txt | The Winter's Tale.act 3.scene 1-scene 3 | act 3 | null | {"name": "Act 3", "url": "https://web.archive.org/web/20210411083408/https://www.gradesaver.com/the-winters-tale/study-guide/summary-act-3", "summary": "Cleomenes and Dion, the courtiers dispatched by Leontes to the oracle at Delphi, speak with wonder about the ceremony they witnessed at the shrine. They hope that the oracle's judgment will help Queen Hermione. Scene ii: The trial of Hermione. With dignity and restraint, Hermione defends her chastity and condemns the injustice that has been done to her. Leontes remains as stubborn and angry as ever, attacking and threatening Hermione while she counters him eloquently. An officer breaks the seal on the message from the oracle and reads: Hermione, Polixenes, and Camillo are innocent and Leontes is a jealous tyrant. The oracle also predicts that Leontes will be without an heir unless the lost daughter is found. The court is delighted, but Leontes denounces the words of the oracle as false. But then a servant enters, bringing terrible news: Prince Mamillius is dead, killed by anxiety about his mother's fate. Leontes believes that the gods have killed the child as punishment to the king, and finally he realizes that he has been in error. Hermione swoons, and is helped out of the room by Paulina and several officers. Leontes is now fully penitent, asking the gods' forgiveness and promising to make amends. Paulina reenters and lashes out at the king, condemning his tyranny and jealousy. Hermione is dead. Paulina continues to rebuke the king harshly, but when she sees his grief and penitence she regrets her roughness. Leontes says that he will have queen and prince buried in the same grave, and he will grieve for the rest of his days. Scene iii: Antigonus, carrying the baby, enters with a mariner. They have set down on the shores of Bohemia, and the sailor is nervous because the sky is threatening. He fears the gods are angry with them because of what they are doing, and he warns Antigonus not to wander too far or too long, because this land is famous for its wild beasts. After the sailor exits, Antigonus tells the baby that he saw Hermione's spirit last night in a dream. The ghost wept and then told him that the child's name is Perdita, because she is lost. Hermione's ghost also informed Antigonus that because of his hand in the child's abandonment, Antigonus will never see his wife again. Antigonus believes that the dream is a sign of Hermione's death. He has either come to believe or forced himself to believe Leontes' suspicions, and so he is abandoning the child in the wilds of Bohemia, the land of her supposed father. He leaves the child with a bundle and a box. He regrets his task, but he feels bound by his oath. Then he suddenly exits, pursued by a bear. A Shepherd wanders onstage, complaining about young people and looking for two lost sheep; instead of finding them, he stumbles onto Perdita. He believes she must be the unwanted illegitimate offspring of two servants, and he resolves to take care of her. His son enters, having just witnessed two fantastic scenes. On the sea, a ship was swallowed up by the waves, and on land, a bear killed and began to devour a nobleman. The Shepherd's Son has no idea who these victims were, although the audience knows immediately that he is talking about Antigonus and the ship that carried him from Sicilia. The Shepherd feels pity for the dead, but he also has great hope for the child that he has found: \"Thou met'st with things dying, I with things newborn\" . The Shepherd and his son find that the box left with the baby is full of gold, and he now believes that the child is a changeling, a child left by fairies. The Shepherd's Son announces his intent to return to the scene of the bear attack so he can bury whatever is left of the nobleman's body.", "analysis": "We see in the exchange between Cleomenes and Dion that the people of Sicilia have a great deal of respect and love for Queen Hermione. When put on trial, she is an exemplar of a specific kind of strength. Although the setting is pagan, her forbearance and resolve follow Christian models of virtue, particularly passive and feminine virtue. She wishes that her father, the emperor of Russia, might see her, but to provide comfort rather than a means to revenge. Her suffering is almost completely passive; she trusts to the gods to provide testimony on her behalf, and chooses to nobly endure suffering rather than try to escape or more actively oppose the king. At the end of the play, when she is miraculously restored, she takes him back without question. One of The Winter's Tale's important themes is the drive to preserve and restore order, with that order being embodied in patriarchy, the king, and the royal family. Ironically, women like Hermione and Paulina are often the key preservers of this patriarchal order. Hermione's virtue comes in part through her sense of her place; although she criticizes Leontes' treatment of her, she is ultimately obedient to her husband. When on trial, she points out that the love she showed Polixenes was consistent with what Leontes himself commanded, and this obedience to her husband's will is part of why people praise her. Although Leontes behaves like a tyrant, no character tries to remove the king from his throne. The action of the play is to repair the damage caused by Leontes' jealousy, but note what characters are not willing to do: Camillo flees, Hermione endures, and Paulina, though she criticizes the king, will eventually restore his wife to him. Unlike tragedy, where a man of high position falls because of excesses or flaws in his character, here that momentum is totally disarmed. A happy ending is possible because so many characters, though critical of Leontes' tyranny, are ultimately loyal to him and work tirelessly to restore to him what he himself has destroyed. When obedience to Leontes becomes impossible because of the dictates of conscience, loyalty to his office and position remains. Paulina confronts him fearlessly, but even she tells the lord who bars her way that she comes to bring Leontes comfort and sleep. And once she sees that Leontes is remorseful, she forgives him even though he has caused the death of Hermione and Mamillius, and eventually causes the death of Paulina's husband. Camillo, who of all the king's beloved most directly disobeys him, must immediately replace his old master with a new one. Camillo is incomplete without a monarch to serve. And even Camillo, in the end, will long to return to Sicilia and the king that he could not obey with a clear conscience. The king's recognition of his error and his subsequent remorse come about as suddenly as did his jealousy. Though we are meant to take the word of the oracle as truth, Leontes initially does not. The much-awaited word of the oracle is quickly brushed aside, and it is the death of his son moments later that suddenly convinces Leontes that he has been wrong. The king believes that he is being punished by Apollo. But why should he interpret the boy's death this way, when moments earlier he was convinced that he was not Mamillius' true father? It is possible to argue that Mamillius' death convinces him of the oracle's accuracy because it fulfills the prediction that Leontes would go without an heir until the retrieval of his daughter. And yet that explanation seems unconvincing, because Leontes' remorse comes so quickly after he hears the news of Mamillius' death; there seems to be no time to realize that the oracle's prophecy is being fulfilled. Leontes himself certainly never explains his reversal this way. He comes around because he interprets the boy's death as retribution from the gods, even though other explanations seem more plausible. Shakespeare's portrayal of Leontes' remorse is not about a triumph of reason. Instead, the king's reversal is a canny and penetrating depiction of the power of guilt, which, in this case, is strong enough to break down Leontes' delusions. Although until now he has persevered in his fantasies with the single-mindedness of a madman, there are signs earlier in the play that some part of him recognizes the truth. In Act 2, Scene Three, he hears the news about Mamillius' illness with some degree of concern, and he instructs the servant to make sure that the child is given proper care. Is this compassion normal for Leontes? In that same scene, he orders his infant daughter to death by exposure to the elements and thinks happily of setting fire to his wife: clearly, he is not feeling any strong need to treat anyone with compassion or mercy. Yet some concern remains for his boy. In Act 3, his sudden remorse betrays some knowledge Leontes must have of his wife's faithfulness. He can only interpret Mamillius' death as punishment if he believes that the child is his. Mamillius' sudden death from sickness, caused by the boy's anxiety, which in turn was caused by the king's treatment of Hermione, finally sticks to Leontes' conscience. Sorrow and then guilt set in, accomplishing what the words of the oracle could not. Leontes has deliberately persevered in his delusions, isolating himself from love of his wife and son, from compassion, and from his court. Guilt returns him to them. A close look at Antigonus and Camillo illuminates the important theme of conflict between loyalty and conscience. Shakespeare sets up strong parallels between Camillo and Antigonus, making each man an alternate version of the other . The difference is that Camillo follows his conscience. Although he has told his king that he will commit murder, instead he chooses to help the intended victim to escape. Antigonus, on the other hand, sticks to his oath and leaves an infant to what seems to be a certain death. The gods do not validate his choice: although the ghost of Hermione seems to recognize that Antigonus acts under extreme pressure , the gods still punish him for his role in Perdita's abandonment. Self-deception has been necessary for him to be able to do what he knows is wrong: although he previously defended Hermione's virtue, in Scene Three he seems to have accepted that Perdita is a bastard. To ease his conscience, he has convinced himself that Leontes' absurd suspicions are the truth. Shakespeare calls attention to Antigonus' failure through the character's name. It is a male form of \"Antigone,\" the great heroine of Sophocles' drama who defies the king and dies for her beliefs . Although Sophocles' play was not performed for the English audiences of Shakespeare's time, the story was known, and Antigonus' ignoble and comic death becomes all the more embarrassing in light of Antigone's glorious martyrdom. His comic death at the hands of an angry bear is a rich moment. Many critics have pointed to his death as the play's moment of transformation from tragedy to comedy and romance. The Shepherd calls attention to Scene Three as a time of contrasts and cycles. His son finds death, but the Shepherd finds life; the rest of the play will move towards repairing the damage that Leontes has caused. Bears hibernate during the winter and then emerge during spring, acting out the death and rebirth alluded to by the shepherd. The fact that Perdita is found by shepherds also has obvious Christian connotations. Like the good shepherd of Christ's parables, the Shepherd is looking for his lost sheep. He finds the infant instead, and immediately the old man feels compassion for the child. Shakespeare synthesizes Christian and pagan worldviews to create a new myth of death and rebirth in The Winter's Tale, and miraculous death and rebirth is one of the play's most important themes. The next act is set in the countryside during a time of feasting, and the pastoral setting is a welcome change from the oppressive atmosphere of the tyrant-ruled Sicilian court."} | Sicilia. On the road to the Capital
Enter CLEOMENES and DION
CLEOMENES. The climate's delicate, the air most sweet,
Fertile the isle, the temple much surpassing
The common praise it bears.
DION. I shall report,
For most it caught me, the celestial habits-
Methinks I so should term them- and the reverence
Of the grave wearers. O, the sacrifice!
How ceremonious, solemn, and unearthly,
It was i' th' off'ring!
CLEOMENES. But of all, the burst
And the ear-deaf'ning voice o' th' oracle,
Kin to Jove's thunder, so surpris'd my sense
That I was nothing.
DION. If th' event o' th' journey
Prove as successful to the Queen- O, be't so!-
As it hath been to us rare, pleasant, speedy,
The time is worth the use on't.
CLEOMENES. Great Apollo
Turn all to th' best! These proclamations,
So forcing faults upon Hermione,
I little like.
DION. The violent carriage of it
Will clear or end the business. When the oracle-
Thus by Apollo's great divine seal'd up-
Shall the contents discover, something rare
Even then will rush to knowledge. Go; fresh horses.
And gracious be the issue! Exeunt
Sicilia. A court of justice
Enter LEONTES, LORDS, and OFFICERS
LEONTES. This sessions, to our great grief we pronounce,
Even pushes 'gainst our heart- the party tried,
The daughter of a king, our wife, and one
Of us too much belov'd. Let us be clear'd
Of being tyrannous, since we so openly
Proceed in justice, which shall have due course,
Even to the guilt or the purgation.
Produce the prisoner.
OFFICER. It is his Highness' pleasure that the Queen
Appear in person here in court.
Enter HERMIONE, as to her trial, PAULINA, and LADIES
Silence!
LEONTES. Read the indictment.
OFFICER. [Reads] 'Hermione, Queen to the worthy Leontes, King
of
Sicilia, thou art here accused and arraigned of high treason,
in
committing adultery with Polixenes, King of Bohemia; and
conspiring with Camillo to take away the life of our
sovereign
lord the King, thy royal husband: the pretence whereof being
by
circumstances partly laid open, thou, Hermione, contrary to
the
faith and allegiance of true subject, didst counsel and aid
them,
for their better safety, to fly away by night.'
HERMIONE. Since what I am to say must be but that
Which contradicts my accusation, and
The testimony on my part no other
But what comes from myself, it shall scarce boot me
To say 'Not guilty.' Mine integrity
Being counted falsehood shall, as I express it,
Be so receiv'd. But thus- if pow'rs divine
Behold our human actions, as they do,
I doubt not then but innocence shall make
False accusation blush, and tyranny
Tremble at patience. You, my lord, best know-
Who least will seem to do so- my past life
Hath been as continent, as chaste, as true,
As I am now unhappy; which is more
Than history can pattern, though devis'd
And play'd to take spectators; for behold me-
A fellow of the royal bed, which owe
A moiety of the throne, a great king's daughter,
The mother to a hopeful prince- here standing
To prate and talk for life and honour fore
Who please to come and hear. For life, I prize it
As I weigh grief, which I would spare; for honour,
'Tis a derivative from me to mine,
And only that I stand for. I appeal
To your own conscience, sir, before Polixenes
Came to your court, how I was in your grace,
How merited to be so; since he came,
With what encounter so uncurrent I
Have strain'd t' appear thus; if one jot beyond
The bound of honour, or in act or will
That way inclining, hard'ned be the hearts
Of all that hear me, and my near'st of kin
Cry fie upon my grave!
LEONTES. I ne'er heard yet
That any of these bolder vices wanted
Less impudence to gainsay what they did
Than to perform it first.
HERMIONE. That's true enough;
Though 'tis a saying, sir, not due to me.
LEONTES. You will not own it.
HERMIONE. More than mistress of
Which comes to me in name of fault, I must not
At all acknowledge. For Polixenes,
With whom I am accus'd, I do confess
I lov'd him as in honour he requir'd;
With such a kind of love as might become
A lady like me; with a love even such,
So and no other, as yourself commanded;
Which not to have done, I think had been in me
Both disobedience and ingratitude
To you and toward your friend; whose love had spoke,
Ever since it could speak, from an infant, freely,
That it was yours. Now for conspiracy:
I know not how it tastes, though it be dish'd
For me to try how; all I know of it
Is that Camillo was an honest man;
And why he left your court, the gods themselves,
Wotting no more than I, are ignorant.
LEONTES. You knew of his departure, as you know
What you have underta'en to do in's absence.
HERMIONE. Sir,
You speak a language that I understand not.
My life stands in the level of your dreams,
Which I'll lay down.
LEONTES. Your actions are my dreams.
You had a bastard by Polixenes,
And I but dream'd it. As you were past all shame-
Those of your fact are so- so past all truth;
Which to deny concerns more than avails; for as
Thy brat hath been cast out, like to itself,
No father owning it- which is indeed
More criminal in thee than it- so thou
Shalt feel our justice; in whose easiest passage
Look for no less than death.
HERMIONE. Sir, spare your threats.
The bug which you would fright me with I seek.
To me can life be no commodity.
The crown and comfort of my life, your favour,
I do give lost, for I do feel it gone,
But know not how it went; my second joy
And first fruits of my body, from his presence
I am barr'd, like one infectious; my third comfort,
Starr'd most unluckily, is from my breast-
The innocent milk in it most innocent mouth-
Hal'd out to murder; myself on every post
Proclaim'd a strumpet; with immodest hatred
The child-bed privilege denied, which 'longs
To women of all fashion; lastly, hurried
Here to this place, i' th' open air, before
I have got strength of limit. Now, my liege,
Tell me what blessings I have here alive
That I should fear to die. Therefore proceed.
But yet hear this- mistake me not: no life,
I prize it not a straw, but for mine honour
Which I would free- if I shall be condemn'd
Upon surmises, all proofs sleeping else
But what your jealousies awake, I tell you
'Tis rigour, and not law. Your honours all,
I do refer me to the oracle:
Apollo be my judge!
FIRST LORD. This your request
Is altogether just. Therefore, bring forth,
And in Apollo's name, his oracle.
Exeunt certain OFFICERS
HERMIONE. The Emperor of Russia was my father;
O that he were alive, and here beholding
His daughter's trial! that he did but see
The flatness of my misery; yet with eyes
Of pity, not revenge!
Re-enter OFFICERS, with CLEOMENES and DION
OFFICER. You here shall swear upon this sword of justice
That you, Cleomenes and Dion, have
Been both at Delphos, and from thence have brought
This seal'd-up oracle, by the hand deliver'd
Of great Apollo's priest; and that since then
You have not dar'd to break the holy seal
Nor read the secrets in't.
CLEOMENES, DION. All this we swear.
LEONTES. Break up the seals and read.
OFFICER. [Reads] 'Hermione is chaste; Polixenes blameless;
Camillo a true subject; Leontes a jealous tyrant; his
innocent
babe truly begotten; and the King shall live without an heir,
if
that which is lost be not found.'
LORDS. Now blessed be the great Apollo!
HERMIONE. Praised!
LEONTES. Hast thou read truth?
OFFICER. Ay, my lord; even so
As it is here set down.
LEONTES. There is no truth at all i' th' oracle.
The sessions shall proceed. This is mere falsehood.
Enter a SERVANT
SERVANT. My lord the King, the King!
LEONTES. What is the business?
SERVANT. O sir, I shall be hated to report it:
The Prince your son, with mere conceit and fear
Of the Queen's speed, is gone.
LEONTES. How! Gone?
SERVANT. Is dead.
LEONTES. Apollo's angry; and the heavens themselves
Do strike at my injustice. [HERMIONE swoons]
How now, there!
PAULINA. This news is mortal to the Queen. Look down
And see what death is doing.
LEONTES. Take her hence.
Her heart is but o'ercharg'd; she will recover.
I have too much believ'd mine own suspicion.
Beseech you tenderly apply to her
Some remedies for life.
Exeunt PAULINA and LADIES with HERMIONE
Apollo, pardon
My great profaneness 'gainst thine oracle.
I'll reconcile me to Polixenes,
New woo my queen, recall the good Camillo-
Whom I proclaim a man of truth, of mercy.
For, being transported by my jealousies
To bloody thoughts and to revenge, I chose
Camillo for the minister to poison
My friend Polixenes; which had been done
But that the good mind of Camillo tardied
My swift command, though I with death and with
Reward did threaten and encourage him,
Not doing it and being done. He, most humane
And fill'd with honour, to my kingly guest
Unclasp'd my practice, quit his fortunes here,
Which you knew great, and to the certain hazard
Of all incertainties himself commended,
No richer than his honour. How he glisters
Thorough my rust! And how his piety
Does my deeds make the blacker!
Re-enter PAULINA
PAULINA. Woe the while!
O, cut my lace, lest my heart, cracking it,
Break too!
FIRST LORD. What fit is this, good lady?
PAULINA. What studied torments, tyrant, hast for me?
What wheels, racks, fires? what flaying, boiling
In leads or oils? What old or newer torture
Must I receive, whose every word deserves
To taste of thy most worst? Thy tyranny
Together working with thy jealousies,
Fancies too weak for boys, too green and idle
For girls of nine- O, think what they have done,
And then run mad indeed, stark mad; for all
Thy by-gone fooleries were but spices of it.
That thou betray'dst Polixenes, 'twas nothing;
That did but show thee, of a fool, inconstant,
And damnable ingrateful. Nor was't much
Thou wouldst have poison'd good Camillo's honour,
To have him kill a king- poor trespasses,
More monstrous standing by; whereof I reckon
The casting forth to crows thy baby daughter
To be or none or little, though a devil
Would have shed water out of fire ere done't;
Nor is't directly laid to thee, the death
Of the young Prince, whose honourable thoughts-
Thoughts high for one so tender- cleft the heart
That could conceive a gross and foolish sire
Blemish'd his gracious dam. This is not, no,
Laid to thy answer; but the last- O lords,
When I have said, cry 'Woe!'- the Queen, the Queen,
The sweet'st, dear'st creature's dead; and vengeance
For't not dropp'd down yet.
FIRST LORD. The higher pow'rs forbid!
PAULINA. I say she's dead; I'll swear't. If word nor oath
Prevail not, go and see. If you can bring
Tincture or lustre in her lip, her eye,
Heat outwardly or breath within, I'll serve you
As I would do the gods. But, O thou tyrant!
Do not repent these things, for they are heavier
Than all thy woes can stir; therefore betake thee
To nothing but despair. A thousand knees
Ten thousand years together, naked, fasting,
Upon a barren mountain, and still winter
In storm perpetual, could not move the gods
To look that way thou wert.
LEONTES. Go on, go on.
Thou canst not speak too much; I have deserv'd
All tongues to talk their bitt'rest.
FIRST LORD. Say no more;
Howe'er the business goes, you have made fault
I' th' boldness of your speech.
PAULINA. I am sorry for't.
All faults I make, when I shall come to know them.
I do repent. Alas, I have show'd too much
The rashness of a woman! He is touch'd
To th' noble heart. What's gone and what's past help
Should be past grief. Do not receive affliction
At my petition; I beseech you, rather
Let me be punish'd that have minded you
Of what you should forget. Now, good my liege,
Sir, royal sir, forgive a foolish woman.
The love I bore your queen- lo, fool again!
I'll speak of her no more, nor of your children;
I'll not remember you of my own lord,
Who is lost too. Take your patience to you,
And I'll say nothing.
LEONTES. Thou didst speak but well
When most the truth; which I receive much better
Than to be pitied of thee. Prithee, bring me
To the dead bodies of my queen and son.
One grave shall be for both. Upon them shall
The causes of their death appear, unto
Our shame perpetual. Once a day I'll visit
The chapel where they lie; and tears shed there
Shall be my recreation. So long as nature
Will bear up with this exercise, so long
I daily vow to use it. Come, and lead me
To these sorrows. Exeunt
Bohemia. The sea-coast
Enter ANTIGONUS with the CHILD, and a MARINER
ANTIGONUS. Thou art perfect then our ship hath touch'd upon
The deserts of Bohemia?
MARINER. Ay, my lord, and fear
We have landed in ill time; the skies look grimly
And threaten present blusters. In my conscience,
The heavens with that we have in hand are angry
And frown upon 's.
ANTIGONUS. Their sacred wills be done! Go, get aboard;
Look to thy bark. I'll not be long before
I call upon thee.
MARINER. Make your best haste; and go not
Too far i' th' land; 'tis like to be loud weather;
Besides, this place is famous for the creatures
Of prey that keep upon't.
ANTIGONUS. Go thou away;
I'll follow instantly.
MARINER. I am glad at heart
To be so rid o' th' business. Exit
ANTIGONUS. Come, poor babe.
I have heard, but not believ'd, the spirits o' th' dead
May walk again. If such thing be, thy mother
Appear'd to me last night; for ne'er was dream
So like a waking. To me comes a creature,
Sometimes her head on one side some another-
I never saw a vessel of like sorrow,
So fill'd and so becoming; in pure white robes,
Like very sanctity, she did approach
My cabin where I lay; thrice bow'd before me;
And, gasping to begin some speech, her eyes
Became two spouts; the fury spent, anon
Did this break from her: 'Good Antigonus,
Since fate, against thy better disposition,
Hath made thy person for the thrower-out
Of my poor babe, according to thine oath,
Places remote enough are in Bohemia,
There weep, and leave it crying; and, for the babe
Is counted lost for ever, Perdita
I prithee call't. For this ungentle business,
Put on thee by my lord, thou ne'er shalt see
Thy wife Paulina more.' so, with shrieks,
She melted into air. Affrighted much,
I did in time collect myself, and thought
This was so and no slumber. Dreams are toys;
Yet, for this once, yea, superstitiously,
I will be squar'd by this. I do believe
Hermione hath suffer'd death, and that
Apollo would, this being indeed the issue
Of King Polixenes, it should here be laid,
Either for life or death, upon the earth
Of its right father. Blossom, speed thee well!
[Laying down the child]
There lie, and there thy character; there these
[Laying down a bundle]
Which may, if fortune please, both breed thee, pretty,
And still rest thine. The storm begins. Poor wretch,
That for thy mother's fault art thus expos'd
To loss and what may follow! Weep I cannot,
But my heart bleeds; and most accurs'd am I
To be by oath enjoin'd to this. Farewell!
The day frowns more and more. Thou'rt like to have
A lullaby too rough; I never saw
The heavens so dim by day. [Noise of hunt within] A savage
clamour!
Well may I get aboard! This is the chase;
I am gone for ever. Exit, pursued by a bear
Enter an old SHEPHERD
SHEPHERD. I would there were no age between ten and three and
twenty, or that youth would sleep out the rest; for there is
nothing in the between but getting wenches with child,
wronging
the ancientry, stealing, fighting- [Horns] Hark you now!
Would
any but these boil'd brains of nineteen and two and twenty
hunt
this weather? They have scar'd away two of my best sheep,
which I
fear the wolf will sooner find than the master. If any where
I
have them, 'tis by the sea-side, browsing of ivy. Good luck,
an't
be thy will! What have we here? [Taking up the child] Mercy
on's, a barne! A very pretty barne. A boy or a child, I
wonder? A
pretty one; a very pretty one- sure, some scape. Though I am
not
bookish, yet I can read waiting-gentlewoman in the scape.
This
has been some stair-work, some trunk-work, some
behind-door-work;
they were warmer that got this than the poor thing is here.
I'll
take it up for pity; yet I'll tarry till my son come; he
halloo'd
but even now. Whoa-ho-hoa!
Enter CLOWN
CLOWN. Hilloa, loa!
SHEPHERD. What, art so near? If thou'lt see a thing to talk on
when
thou art dead and rotten, come hither. What ail'st thou, man?
CLOWN. I have seen two such sights, by sea and by land! But I
am
not to say it is a sea, for it is now the sky; betwixt the
firmament and it you cannot thrust a bodkin's point.
SHEPHERD. Why, boy, how is it?
CLOWN. I would you did but see how it chafes, how it rages, how
it
takes up the shore! But that's not to the point. O, the most
piteous cry of the poor souls! Sometimes to see 'em, and not
to
see 'em; now the ship boring the moon with her mainmast, and
anon
swallowed with yeast and froth, as you'd thrust a cork into a
hogshead. And then for the land service- to see how the bear
tore
out his shoulder-bone; how he cried to me for help, and said
his
name was Antigonus, a nobleman! But to make an end of the
ship-
to see how the sea flap-dragon'd it; but first, how the poor
souls roared, and the sea mock'd them; and how the poor
gentleman
roared, and the bear mock'd him, both roaring louder than the
sea
or weather.
SHEPHERD. Name of mercy, when was this, boy?
CLOWN. Now, now; I have not wink'd since I saw these sights;
the
men are not yet cold under water, nor the bear half din'd on
the
gentleman; he's at it now.
SHEPHERD. Would I had been by to have help'd the old man!
CLOWN. I would you had been by the ship-side, to have help'd
her;
there your charity would have lack'd footing.
SHEPHERD. Heavy matters, heavy matters! But look thee here,
boy.
Now bless thyself; thou met'st with things dying, I with
things
new-born. Here's a sight for thee; look thee, a bearing-cloth
for
a squire's child! Look thee here; take up, take up, boy;
open't.
So, let's see- it was told me I should be rich by the
fairies.
This is some changeling. Open't. What's within, boy?
CLOWN. You're a made old man; if the sins of your youth are
forgiven you, you're well to live. Gold! all gold!
SHEPHERD. This is fairy gold, boy, and 'twill prove so. Up
with't,
keep it close. Home, home, the next way! We are lucky, boy;
and
to be so still requires nothing but secrecy. Let my sheep go.
Come, good boy, the next way home.
CLOWN. Go you the next way with your findings. I'll go see if
the
bear be gone from the gentleman, and how much he hath eaten.
They
are never curst but when they are hungry. If there be any of
him
left, I'll bury it.
SHEPHERD. That's a good deed. If thou mayest discern by that
which
is left of him what he is, fetch me to th' sight of him.
CLOWN. Marry, will I; and you shall help to put him i' th'
ground.
SHEPHERD. 'Tis a lucky day, boy; and we'll do good deeds on't.
Exeunt
| 4,916 | Act 3 | https://web.archive.org/web/20210411083408/https://www.gradesaver.com/the-winters-tale/study-guide/summary-act-3 | Cleomenes and Dion, the courtiers dispatched by Leontes to the oracle at Delphi, speak with wonder about the ceremony they witnessed at the shrine. They hope that the oracle's judgment will help Queen Hermione. Scene ii: The trial of Hermione. With dignity and restraint, Hermione defends her chastity and condemns the injustice that has been done to her. Leontes remains as stubborn and angry as ever, attacking and threatening Hermione while she counters him eloquently. An officer breaks the seal on the message from the oracle and reads: Hermione, Polixenes, and Camillo are innocent and Leontes is a jealous tyrant. The oracle also predicts that Leontes will be without an heir unless the lost daughter is found. The court is delighted, but Leontes denounces the words of the oracle as false. But then a servant enters, bringing terrible news: Prince Mamillius is dead, killed by anxiety about his mother's fate. Leontes believes that the gods have killed the child as punishment to the king, and finally he realizes that he has been in error. Hermione swoons, and is helped out of the room by Paulina and several officers. Leontes is now fully penitent, asking the gods' forgiveness and promising to make amends. Paulina reenters and lashes out at the king, condemning his tyranny and jealousy. Hermione is dead. Paulina continues to rebuke the king harshly, but when she sees his grief and penitence she regrets her roughness. Leontes says that he will have queen and prince buried in the same grave, and he will grieve for the rest of his days. Scene iii: Antigonus, carrying the baby, enters with a mariner. They have set down on the shores of Bohemia, and the sailor is nervous because the sky is threatening. He fears the gods are angry with them because of what they are doing, and he warns Antigonus not to wander too far or too long, because this land is famous for its wild beasts. After the sailor exits, Antigonus tells the baby that he saw Hermione's spirit last night in a dream. The ghost wept and then told him that the child's name is Perdita, because she is lost. Hermione's ghost also informed Antigonus that because of his hand in the child's abandonment, Antigonus will never see his wife again. Antigonus believes that the dream is a sign of Hermione's death. He has either come to believe or forced himself to believe Leontes' suspicions, and so he is abandoning the child in the wilds of Bohemia, the land of her supposed father. He leaves the child with a bundle and a box. He regrets his task, but he feels bound by his oath. Then he suddenly exits, pursued by a bear. A Shepherd wanders onstage, complaining about young people and looking for two lost sheep; instead of finding them, he stumbles onto Perdita. He believes she must be the unwanted illegitimate offspring of two servants, and he resolves to take care of her. His son enters, having just witnessed two fantastic scenes. On the sea, a ship was swallowed up by the waves, and on land, a bear killed and began to devour a nobleman. The Shepherd's Son has no idea who these victims were, although the audience knows immediately that he is talking about Antigonus and the ship that carried him from Sicilia. The Shepherd feels pity for the dead, but he also has great hope for the child that he has found: "Thou met'st with things dying, I with things newborn" . The Shepherd and his son find that the box left with the baby is full of gold, and he now believes that the child is a changeling, a child left by fairies. The Shepherd's Son announces his intent to return to the scene of the bear attack so he can bury whatever is left of the nobleman's body. | We see in the exchange between Cleomenes and Dion that the people of Sicilia have a great deal of respect and love for Queen Hermione. When put on trial, she is an exemplar of a specific kind of strength. Although the setting is pagan, her forbearance and resolve follow Christian models of virtue, particularly passive and feminine virtue. She wishes that her father, the emperor of Russia, might see her, but to provide comfort rather than a means to revenge. Her suffering is almost completely passive; she trusts to the gods to provide testimony on her behalf, and chooses to nobly endure suffering rather than try to escape or more actively oppose the king. At the end of the play, when she is miraculously restored, she takes him back without question. One of The Winter's Tale's important themes is the drive to preserve and restore order, with that order being embodied in patriarchy, the king, and the royal family. Ironically, women like Hermione and Paulina are often the key preservers of this patriarchal order. Hermione's virtue comes in part through her sense of her place; although she criticizes Leontes' treatment of her, she is ultimately obedient to her husband. When on trial, she points out that the love she showed Polixenes was consistent with what Leontes himself commanded, and this obedience to her husband's will is part of why people praise her. Although Leontes behaves like a tyrant, no character tries to remove the king from his throne. The action of the play is to repair the damage caused by Leontes' jealousy, but note what characters are not willing to do: Camillo flees, Hermione endures, and Paulina, though she criticizes the king, will eventually restore his wife to him. Unlike tragedy, where a man of high position falls because of excesses or flaws in his character, here that momentum is totally disarmed. A happy ending is possible because so many characters, though critical of Leontes' tyranny, are ultimately loyal to him and work tirelessly to restore to him what he himself has destroyed. When obedience to Leontes becomes impossible because of the dictates of conscience, loyalty to his office and position remains. Paulina confronts him fearlessly, but even she tells the lord who bars her way that she comes to bring Leontes comfort and sleep. And once she sees that Leontes is remorseful, she forgives him even though he has caused the death of Hermione and Mamillius, and eventually causes the death of Paulina's husband. Camillo, who of all the king's beloved most directly disobeys him, must immediately replace his old master with a new one. Camillo is incomplete without a monarch to serve. And even Camillo, in the end, will long to return to Sicilia and the king that he could not obey with a clear conscience. The king's recognition of his error and his subsequent remorse come about as suddenly as did his jealousy. Though we are meant to take the word of the oracle as truth, Leontes initially does not. The much-awaited word of the oracle is quickly brushed aside, and it is the death of his son moments later that suddenly convinces Leontes that he has been wrong. The king believes that he is being punished by Apollo. But why should he interpret the boy's death this way, when moments earlier he was convinced that he was not Mamillius' true father? It is possible to argue that Mamillius' death convinces him of the oracle's accuracy because it fulfills the prediction that Leontes would go without an heir until the retrieval of his daughter. And yet that explanation seems unconvincing, because Leontes' remorse comes so quickly after he hears the news of Mamillius' death; there seems to be no time to realize that the oracle's prophecy is being fulfilled. Leontes himself certainly never explains his reversal this way. He comes around because he interprets the boy's death as retribution from the gods, even though other explanations seem more plausible. Shakespeare's portrayal of Leontes' remorse is not about a triumph of reason. Instead, the king's reversal is a canny and penetrating depiction of the power of guilt, which, in this case, is strong enough to break down Leontes' delusions. Although until now he has persevered in his fantasies with the single-mindedness of a madman, there are signs earlier in the play that some part of him recognizes the truth. In Act 2, Scene Three, he hears the news about Mamillius' illness with some degree of concern, and he instructs the servant to make sure that the child is given proper care. Is this compassion normal for Leontes? In that same scene, he orders his infant daughter to death by exposure to the elements and thinks happily of setting fire to his wife: clearly, he is not feeling any strong need to treat anyone with compassion or mercy. Yet some concern remains for his boy. In Act 3, his sudden remorse betrays some knowledge Leontes must have of his wife's faithfulness. He can only interpret Mamillius' death as punishment if he believes that the child is his. Mamillius' sudden death from sickness, caused by the boy's anxiety, which in turn was caused by the king's treatment of Hermione, finally sticks to Leontes' conscience. Sorrow and then guilt set in, accomplishing what the words of the oracle could not. Leontes has deliberately persevered in his delusions, isolating himself from love of his wife and son, from compassion, and from his court. Guilt returns him to them. A close look at Antigonus and Camillo illuminates the important theme of conflict between loyalty and conscience. Shakespeare sets up strong parallels between Camillo and Antigonus, making each man an alternate version of the other . The difference is that Camillo follows his conscience. Although he has told his king that he will commit murder, instead he chooses to help the intended victim to escape. Antigonus, on the other hand, sticks to his oath and leaves an infant to what seems to be a certain death. The gods do not validate his choice: although the ghost of Hermione seems to recognize that Antigonus acts under extreme pressure , the gods still punish him for his role in Perdita's abandonment. Self-deception has been necessary for him to be able to do what he knows is wrong: although he previously defended Hermione's virtue, in Scene Three he seems to have accepted that Perdita is a bastard. To ease his conscience, he has convinced himself that Leontes' absurd suspicions are the truth. Shakespeare calls attention to Antigonus' failure through the character's name. It is a male form of "Antigone," the great heroine of Sophocles' drama who defies the king and dies for her beliefs . Although Sophocles' play was not performed for the English audiences of Shakespeare's time, the story was known, and Antigonus' ignoble and comic death becomes all the more embarrassing in light of Antigone's glorious martyrdom. His comic death at the hands of an angry bear is a rich moment. Many critics have pointed to his death as the play's moment of transformation from tragedy to comedy and romance. The Shepherd calls attention to Scene Three as a time of contrasts and cycles. His son finds death, but the Shepherd finds life; the rest of the play will move towards repairing the damage that Leontes has caused. Bears hibernate during the winter and then emerge during spring, acting out the death and rebirth alluded to by the shepherd. The fact that Perdita is found by shepherds also has obvious Christian connotations. Like the good shepherd of Christ's parables, the Shepherd is looking for his lost sheep. He finds the infant instead, and immediately the old man feels compassion for the child. Shakespeare synthesizes Christian and pagan worldviews to create a new myth of death and rebirth in The Winter's Tale, and miraculous death and rebirth is one of the play's most important themes. The next act is set in the countryside during a time of feasting, and the pastoral setting is a welcome change from the oppressive atmosphere of the tyrant-ruled Sicilian court. | 643 | 1,349 | [
"Sicilia.",
"On the road to the Capital\n\nEnter CLEOMENES and DION\n\n CLEOMENES.",
"The climate's delicate, the air most sweet,\n Fertile the isle, the temple much surpassing\n The common praise it bears.",
"DION.",
"I shall report,\n For most it caught me, the celestial habits-\n Methinks I so should term them- and the reverence\n Of the grave wearers.",
"O, the sacrifice!",
"How ceremonious, solemn, and unearthly,\n It was i' th' off'ring!",
"CLEOMENES.",
"But of all, the burst\n And the ear-deaf'ning voice o' th' oracle,\n Kin to Jove's thunder, so surpris'd my sense\n That I was nothing.",
"DION.",
"If th' event o' th' journey\n Prove as successful to the Queen- O, be't so!-\n As it hath been to us rare, pleasant, speedy,\n The time is worth the use on't.",
"CLEOMENES.",
"Great Apollo\n Turn all to th' best!",
"These proclamations,\n So forcing faults upon Hermione,\n I little like.",
"DION.",
"The violent carriage of it\n Will clear or end the business.",
"When the oracle-\n Thus by Apollo's great divine seal'd up-\n Shall the contents discover, something rare\n Even then will rush to knowledge.",
"Go; fresh horses.",
"And gracious be the issue!",
"Exeunt\n\n\n\n\n\nSicilia.",
"A court of justice\n\nEnter LEONTES, LORDS, and OFFICERS\n\n LEONTES.",
"This sessions, to our great grief we pronounce,\n Even pushes 'gainst our heart- the party tried,\n The daughter of a king, our wife, and one\n Of us too much belov'd.",
"Let us be clear'd\n Of being tyrannous, since we so openly\n Proceed in justice, which shall have due course,\n Even to the guilt or the purgation.",
"Produce the prisoner.",
"OFFICER.",
"It is his Highness' pleasure that the Queen\n Appear in person here in court.",
"Enter HERMIONE, as to her trial, PAULINA, and LADIES\n\n Silence!",
"LEONTES.",
"Read the indictment.",
"OFFICER.",
"[Reads] 'Hermione, Queen to the worthy Leontes, King\nof\n Sicilia, thou art here accused and arraigned of high treason,\nin\n committing adultery with Polixenes, King of Bohemia; and\n conspiring with Camillo to take away the life of our\nsovereign\n lord the King, thy royal husband: the pretence whereof being\nby\n circumstances partly laid open, thou, Hermione, contrary to\nthe\n faith and allegiance of true subject, didst counsel and aid\nthem,\n for their better safety, to fly away by night.'",
"HERMIONE.",
"Since what I am to say must be but that\n Which contradicts my accusation, and\n The testimony on my part no other\n But what comes from myself, it shall scarce boot me\n To say 'Not guilty.'",
"Mine integrity\n Being counted falsehood shall, as I express it,\n Be so receiv'd.",
"But thus- if pow'rs divine\n Behold our human actions, as they do,\n I doubt not then but innocence shall make\n False accusation blush, and tyranny\n Tremble at patience.",
"You, my lord, best know-\n Who least will seem to do so- my past life\n Hath been as continent, as chaste, as true,\n As I am now unhappy; which is more\n Than history can pattern, though devis'd\n And play'd to take spectators; for behold me-\n A fellow of the royal bed, which owe\n A moiety of the throne, a great king's daughter,\n The mother to a hopeful prince- here standing\n To prate and talk for life and honour fore\n Who please to come and hear.",
"For life, I prize it\n As I weigh grief, which I would spare; for honour,\n 'Tis a derivative from me to mine,\n And only that I stand for.",
"I appeal\n To your own conscience, sir, before Polixenes\n Came to your court, how I was in your grace,\n How merited to be so; since he came,\n With what encounter so uncurrent I\n Have strain'd t' appear thus; if one jot beyond\n The bound of honour, or in act or will\n That way inclining, hard'ned be the hearts\n Of all that hear me, and my near'st of kin\n Cry fie upon my grave!",
"LEONTES.",
"I ne'er heard yet\n That any of these bolder vices wanted\n Less impudence to gainsay what they did\n Than to perform it first.",
"HERMIONE.",
"That's true enough;\n Though 'tis a saying, sir, not due to me.",
"LEONTES.",
"You will not own it.",
"HERMIONE.",
"More than mistress of\n Which comes to me in name of fault, I must not\n At all acknowledge.",
"For Polixenes,\n With whom I am accus'd, I do confess\n I lov'd him as in honour he requir'd;\n With such a kind of love as might become\n A lady like me; with a love even such,\n So and no other, as yourself commanded;\n Which not to have done, I think had been in me\n Both disobedience and ingratitude\n To you and toward your friend; whose love had spoke,\n Ever since it could speak, from an infant, freely,\n That it was yours.",
"Now for conspiracy:\n I know not how it tastes, though it be dish'd\n For me to try how; all I know of it\n Is that Camillo was an honest man;\n And why he left your court, the gods themselves,\n Wotting no more than I, are ignorant.",
"LEONTES.",
"You knew of his departure, as you know\n What you have underta'en to do in's absence.",
"HERMIONE.",
"Sir,\n You speak a language that I understand not.",
"My life stands in the level of your dreams,\n Which I'll lay down.",
"LEONTES.",
"Your actions are my dreams.",
"You had a bastard by Polixenes,\n And I but dream'd it.",
"As you were past all shame-\n Those of your fact are so- so past all truth;\n Which to deny concerns more than avails; for as\n Thy brat hath been cast out, like to itself,\n No father owning it- which is indeed\n More criminal in thee than it- so thou\n Shalt feel our justice; in whose easiest passage\n Look for no less than death.",
"HERMIONE.",
"Sir, spare your threats.",
"The bug which you would fright me with I seek.",
"To me can life be no commodity.",
"The crown and comfort of my life, your favour,\n I do give lost, for I do feel it gone,\n But know not how it went; my second joy\n And first fruits of my body, from his presence\n I am barr'd, like one infectious; my third comfort,\n Starr'd most unluckily, is from my breast-\n The innocent milk in it most innocent mouth-\n Hal'd out to murder; myself on every post\n Proclaim'd a strumpet; with immodest hatred\n The child-bed privilege denied, which 'longs\n To women of all fashion; lastly, hurried\n Here to this place, i' th' open air, before\n I have got strength of limit.",
"Now, my liege,\n Tell me what blessings I have here alive\n That I should fear to die.",
"Therefore proceed.",
"But yet hear this- mistake me not: no life,\n I prize it not a straw, but for mine honour\n Which I would free- if I shall be condemn'd\n Upon surmises, all proofs sleeping else\n But what your jealousies awake, I tell you\n 'Tis rigour, and not law.",
"Your honours all,\n I do refer me to the oracle:\n Apollo be my judge!",
"FIRST LORD.",
"This your request\n Is altogether just.",
"Therefore, bring forth,\n And in Apollo's name, his oracle.",
"Exeunt certain OFFICERS\n HERMIONE.",
"The Emperor of Russia was my father;\n O that he were alive, and here beholding\n His daughter's trial!",
"that he did but see\n The flatness of my misery; yet with eyes\n Of pity, not revenge!",
"Re-enter OFFICERS, with CLEOMENES and DION\n\n OFFICER.",
"You here shall swear upon this sword of justice\n That you, Cleomenes and Dion, have\n Been both at Delphos, and from thence have brought\n This seal'd-up oracle, by the hand deliver'd\n Of great Apollo's priest; and that since then\n You have not dar'd to break the holy seal\n Nor read the secrets in't.",
"CLEOMENES, DION.",
"All this we swear.",
"LEONTES.",
"Break up the seals and read.",
"OFFICER.",
"[Reads] 'Hermione is chaste; Polixenes blameless;\n Camillo a true subject; Leontes a jealous tyrant; his\ninnocent\n babe truly begotten; and the King shall live without an heir,\nif\n that which is lost be not found.'",
"LORDS.",
"Now blessed be the great Apollo!",
"HERMIONE.",
"Praised!",
"LEONTES.",
"Hast thou read truth?",
"OFFICER.",
"Ay, my lord; even so\n As it is here set down.",
"LEONTES.",
"There is no truth at all i' th' oracle.",
"The sessions shall proceed.",
"This is mere falsehood.",
"Enter a SERVANT\n\n SERVANT.",
"My lord the King, the King!",
"LEONTES.",
"What is the business?",
"SERVANT.",
"O sir, I shall be hated to report it:\n The Prince your son, with mere conceit and fear\n Of the Queen's speed, is gone.",
"LEONTES.",
"How!",
"Gone?",
"SERVANT.",
"Is dead.",
"LEONTES.",
"Apollo's angry; and the heavens themselves\n Do strike at my injustice.",
"[HERMIONE swoons]\n How now, there!",
"PAULINA.",
"This news is mortal to the Queen.",
"Look down\n And see what death is doing.",
"LEONTES.",
"Take her hence.",
"Her heart is but o'ercharg'd; she will recover.",
"I have too much believ'd mine own suspicion.",
"Beseech you tenderly apply to her\n Some remedies for life.",
"Exeunt PAULINA and LADIES with HERMIONE\n Apollo, pardon\n My great profaneness 'gainst thine oracle.",
"I'll reconcile me to Polixenes,\n New woo my queen, recall the good Camillo-\n Whom I proclaim a man of truth, of mercy.",
"For, being transported by my jealousies\n To bloody thoughts and to revenge, I chose\n Camillo for the minister to poison\n My friend Polixenes; which had been done\n But that the good mind of Camillo tardied\n My swift command, though I with death and with\n Reward did threaten and encourage him,\n Not doing it and being done.",
"He, most humane\n And fill'd with honour, to my kingly guest\n Unclasp'd my practice, quit his fortunes here,\n Which you knew great, and to the certain hazard\n Of all incertainties himself commended,\n No richer than his honour.",
"How he glisters\n Thorough my rust!",
"And how his piety\n Does my deeds make the blacker!",
"Re-enter PAULINA\n\n PAULINA.",
"Woe the while!",
"O, cut my lace, lest my heart, cracking it,\n Break too!",
"FIRST LORD.",
"What fit is this, good lady?",
"PAULINA.",
"What studied torments, tyrant, hast for me?",
"What wheels, racks, fires?",
"what flaying, boiling\n In leads or oils?",
"What old or newer torture\n Must I receive, whose every word deserves\n To taste of thy most worst?",
"Thy tyranny\n Together working with thy jealousies,\n Fancies too weak for boys, too green and idle\n For girls of nine- O, think what they have done,\n And then run mad indeed, stark mad; for all\n Thy by-gone fooleries were but spices of it.",
"That thou betray'dst Polixenes, 'twas nothing;\n That did but show thee, of a fool, inconstant,\n And damnable ingrateful.",
"Nor was't much\n Thou wouldst have poison'd good Camillo's honour,\n To have him kill a king- poor trespasses,\n More monstrous standing by; whereof I reckon\n The casting forth to crows thy baby daughter\n To be or none or little, though a devil\n Would have shed water out of fire ere done't;\n Nor is't directly laid to thee, the death\n Of the young Prince, whose honourable thoughts-\n Thoughts high for one so tender- cleft the heart\n That could conceive a gross and foolish sire\n Blemish'd his gracious dam.",
"This is not, no,\n Laid to thy answer; but the last- O lords,\n When I have said, cry 'Woe!",
"'- the Queen, the Queen,\n The sweet'st, dear'st creature's dead; and vengeance\n For't not dropp'd down yet.",
"FIRST LORD.",
"The higher pow'rs forbid!",
"PAULINA.",
"I say she's dead; I'll swear't.",
"If word nor oath\n Prevail not, go and see.",
"If you can bring\n Tincture or lustre in her lip, her eye,\n Heat outwardly or breath within, I'll serve you\n As I would do the gods.",
"But, O thou tyrant!",
"Do not repent these things, for they are heavier\n Than all thy woes can stir; therefore betake thee\n To nothing but despair.",
"A thousand knees\n Ten thousand years together, naked, fasting,\n Upon a barren mountain, and still winter\n In storm perpetual, could not move the gods\n To look that way thou wert.",
"LEONTES.",
"Go on, go on.",
"Thou canst not speak too much; I have deserv'd\n All tongues to talk their bitt'rest.",
"FIRST LORD.",
"Say no more;\n Howe'er the business goes, you have made fault\n I' th' boldness of your speech.",
"PAULINA.",
"I am sorry for't.",
"All faults I make, when I shall come to know them.",
"I do repent.",
"Alas, I have show'd too much\n The rashness of a woman!",
"He is touch'd\n To th' noble heart.",
"What's gone and what's past help\n Should be past grief.",
"Do not receive affliction\n At my petition; I beseech you, rather\n Let me be punish'd that have minded you\n Of what you should forget.",
"Now, good my liege,\n Sir, royal sir, forgive a foolish woman.",
"The love I bore your queen- lo, fool again!",
"I'll speak of her no more, nor of your children;\n I'll not remember you of my own lord,\n Who is lost too.",
"Take your patience to you,\n And I'll say nothing.",
"LEONTES.",
"Thou didst speak but well\n When most the truth; which I receive much better\n Than to be pitied of thee.",
"Prithee, bring me\n To the dead bodies of my queen and son.",
"One grave shall be for both.",
"Upon them shall\n The causes of their death appear, unto\n Our shame perpetual.",
"Once a day I'll visit\n The chapel where they lie; and tears shed there\n Shall be my recreation.",
"So long as nature\n Will bear up with this exercise, so long\n I daily vow to use it.",
"Come, and lead me\n To these sorrows.",
"Exeunt\n\n\n\n\n\nBohemia.",
"The sea-coast\n\nEnter ANTIGONUS with the CHILD, and a MARINER\n\n ANTIGONUS.",
"Thou art perfect then our ship hath touch'd upon\n The deserts of Bohemia?",
"MARINER.",
"Ay, my lord, and fear\n We have landed in ill time; the skies look grimly\n And threaten present blusters.",
"In my conscience,\n The heavens with that we have in hand are angry\n And frown upon 's.",
"ANTIGONUS.",
"Their sacred wills be done!",
"Go, get aboard;\n Look to thy bark.",
"I'll not be long before\n I call upon thee.",
"MARINER.",
"Make your best haste; and go not\n Too far i' th' land; 'tis like to be loud weather;\n Besides, this place is famous for the creatures\n Of prey that keep upon't.",
"ANTIGONUS.",
"Go thou away;\n I'll follow instantly.",
"MARINER.",
"I am glad at heart\n To be so rid o' th' business.",
"Exit\n ANTIGONUS.",
"Come, poor babe.",
"I have heard, but not believ'd, the spirits o' th' dead\n May walk again.",
"If such thing be, thy mother\n Appear'd to me last night; for ne'er was dream\n So like a waking.",
"To me comes a creature,\n Sometimes her head on one side some another-\n I never saw a vessel of like sorrow,\n So fill'd and so becoming; in pure white robes,\n Like very sanctity, she did approach\n My cabin where I lay; thrice bow'd before me;\n And, gasping to begin some speech, her eyes\n Became two spouts; the fury spent, anon\n Did this break from her: 'Good Antigonus,\n Since fate, against thy better disposition,\n Hath made thy person for the thrower-out\n Of my poor babe, according to thine oath,\n Places remote enough are in Bohemia,\n There weep, and leave it crying; and, for the babe\n Is counted lost for ever, Perdita\n I prithee call't.",
"For this ungentle business,\n Put on thee by my lord, thou ne'er shalt see\n Thy wife Paulina more.'",
"so, with shrieks,\n She melted into air.",
"Affrighted much,\n I did in time collect myself, and thought\n This was so and no slumber.",
"Dreams are toys;\n Yet, for this once, yea, superstitiously,\n I will be squar'd by this.",
"I do believe\n Hermione hath suffer'd death, and that\n Apollo would, this being indeed the issue\n Of King Polixenes, it should here be laid,\n Either for life or death, upon the earth\n Of its right father.",
"Blossom, speed thee well!",
"[Laying down the child]\n There lie, and there thy character; there these\n [Laying down a bundle]\n Which may, if fortune please, both breed thee, pretty,\n And still rest thine.",
"The storm begins.",
"Poor wretch,\n That for thy mother's fault art thus expos'd\n To loss and what may follow!",
"Weep I cannot,\n But my heart bleeds; and most accurs'd am I\n To be by oath enjoin'd to this.",
"Farewell!",
"The day frowns more and more.",
"Thou'rt like to have\n A lullaby too rough; I never saw\n The heavens so dim by day.",
"[Noise of hunt within] A savage\n clamour!",
"Well may I get aboard!",
"This is the chase;\n I am gone for ever.",
"Exit, pursued by a bear\n\n Enter an old SHEPHERD\n\n SHEPHERD.",
"I would there were no age between ten and three and\n twenty, or that youth would sleep out the rest; for there is\n nothing in the between but getting wenches with child,\nwronging\n the ancientry, stealing, fighting- [Horns] Hark you now!",
"Would\n any but these boil'd brains of nineteen and two and twenty\nhunt\n this weather?",
"They have scar'd away two of my best sheep,\nwhich I\n fear the wolf will sooner find than the master.",
"If any where\nI\n have them, 'tis by the sea-side, browsing of ivy.",
"Good luck,\nan't\n be thy will!",
"What have we here?",
"[Taking up the child] Mercy\n\n on's, a barne!",
"A very pretty barne.",
"A boy or a child, I\nwonder?",
"A\n pretty one; a very pretty one- sure, some scape.",
"Though I am\nnot\n bookish, yet I can read waiting-gentlewoman in the scape.",
"This\n has been some stair-work, some trunk-work, some\nbehind-door-work;\n they were warmer that got this than the poor thing is here.",
"I'll\n take it up for pity; yet I'll tarry till my son come; he\nhalloo'd\n but even now.",
"Whoa-ho-hoa!",
"Enter CLOWN\n\n CLOWN.",
"Hilloa, loa!",
"SHEPHERD.",
"What, art so near?",
"If thou'lt see a thing to talk on\nwhen\n thou art dead and rotten, come hither.",
"What ail'st thou, man?",
"CLOWN.",
"I have seen two such sights, by sea and by land!",
"But I\nam\n not to say it is a sea, for it is now the sky; betwixt the\n firmament and it you cannot thrust a bodkin's point.",
"SHEPHERD.",
"Why, boy, how is it?",
"CLOWN.",
"I would you did but see how it chafes, how it rages, how\nit\n takes up the shore!",
"But that's not to the point.",
"O, the most\n piteous cry of the poor souls!",
"Sometimes to see 'em, and not\nto\n see 'em; now the ship boring the moon with her mainmast, and\nanon\n swallowed with yeast and froth, as you'd thrust a cork into a\n hogshead.",
"And then for the land service- to see how the bear\ntore\n out his shoulder-bone; how he cried to me for help, and said\nhis\n name was Antigonus, a nobleman!",
"But to make an end of the\nship-\n to see how the sea flap-dragon'd it; but first, how the poor\n souls roared, and the sea mock'd them; and how the poor\ngentleman\n roared, and the bear mock'd him, both roaring louder than the\nsea\n or weather.",
"SHEPHERD.",
"Name of mercy, when was this, boy?",
"CLOWN.",
"Now, now; I have not wink'd since I saw these sights;\nthe\n men are not yet cold under water, nor the bear half din'd on\nthe\n gentleman; he's at it now.",
"SHEPHERD.",
"Would I had been by to have help'd the old man!",
"CLOWN.",
"I would you had been by the ship-side, to have help'd\nher;\n there your charity would have lack'd footing.",
"SHEPHERD.",
"Heavy matters, heavy matters!",
"But look thee here,\nboy.",
"Now bless thyself; thou met'st with things dying, I with\nthings\n new-born.",
"Here's a sight for thee; look thee, a bearing-cloth\nfor\n a squire's child!",
"Look thee here; take up, take up, boy;\nopen't.",
"So, let's see- it was told me I should be rich by the\nfairies.",
"This is some changeling.",
"Open't.",
"What's within, boy?",
"CLOWN.",
"You're a made old man; if the sins of your youth are\n forgiven you, you're well to live.",
"Gold!",
"all gold!",
"SHEPHERD.",
"This is fairy gold, boy, and 'twill prove so.",
"Up\nwith't,\n keep it close.",
"Home, home, the next way!",
"We are lucky, boy;\nand\n to be so still requires nothing but secrecy.",
"Let my sheep go.",
"Come, good boy, the next way home.",
"CLOWN.",
"Go you the next way with your findings.",
"I'll go see if\nthe\n bear be gone from the gentleman, and how much he hath eaten.",
"They\n are never curst but when they are hungry.",
"If there be any of\nhim\n left, I'll bury it.",
"SHEPHERD.",
"That's a good deed.",
"If thou mayest discern by that\nwhich\n is left of him what he is, fetch me to th' sight of him.",
"CLOWN.",
"Marry, will I; and you shall help to put him i' th'\nground.",
"SHEPHERD.",
"'Tis a lucky day, boy; and we'll do good deeds on't.",
"Exeunt"
] | [
"OFFICER.",
"LEONTES.",
"Look down\n And see what death is doing.",
"This is not, no,\n Laid to thy answer; but the last- O lords,\n When I have said, cry 'Woe!",
"If any where\nI\n have them, 'tis by the sea-side, browsing of ivy.",
"What ail'st thou, man?",
"CLOWN.",
"I would you did but see how it chafes, how it rages, how\nit\n takes up the shore!",
"Would I had been by to have help'd the old man!",
"If thou mayest discern by that\nwhich\n is left of him what he is, fetch me to th' sight of him."
] | [
"But I\nam\n not to say it is a sea, for it is now the sky; betwixt the\n firmament and it you cannot thrust a bodkin's point.",
"Your actions are my dreams.",
"'Tis a lucky day, boy; and we'll do good deeds on't.",
"For life, I prize it\n As I weigh grief, which I would spare; for honour,\n 'Tis a derivative from me to mine,\n And only that I stand for.",
"SERVANT.",
"LEONTES.",
"You knew of his departure, as you know\n What you have underta'en to do in's absence.",
"Sir,\n You speak a language that I understand not.",
"Great Apollo\n Turn all to th' best!",
"I have heard, but not believ'd, the spirits o' th' dead\n May walk again."
] | [
"FIRST LORD.",
"The higher pow'rs forbid!",
"PAULINA.",
"I say she's dead; I'll swear't.",
"If word nor oath\n Prevail not, go and see.",
"If you can bring\n Tincture or lustre in her lip, her eye,\n Heat outwardly or breath within, I'll serve you\n As I would do the gods.",
"But, O thou tyrant!",
"Do not repent these things, for they are heavier\n Than all thy woes can stir; therefore betake thee\n To nothing but despair.",
"A thousand knees\n Ten thousand years together, naked, fasting,\n Upon a barren mountain, and still winter\n In storm perpetual, could not move the gods\n To look that way thou wert.",
"LEONTES.",
"Go on, go on."
] | [
"Sicilia.",
"On the road to the Capital\n\nEnter CLEOMENES and DION\n\n CLEOMENES.",
"The climate's delicate, the air most sweet,\n Fertile the isle, the temple much surpassing\n The common praise it bears.",
"DION.",
"I shall report,\n For most it caught me, the celestial habits-\n Methinks I so should term them- and the reverence\n Of the grave wearers.",
"O, the sacrifice!",
"How ceremonious, solemn, and unearthly,\n It was i' th' off'ring!",
"CLEOMENES.",
"But of all, the burst\n And the ear-deaf'ning voice o' th' oracle,\n Kin to Jove's thunder, so surpris'd my sense\n That I was nothing.",
"DION.",
"They\n are never curst but when they are hungry.",
"If there be any of\nhim\n left, I'll bury it.",
"SHEPHERD.",
"That's a good deed.",
"If thou mayest discern by that\nwhich\n is left of him what he is, fetch me to th' sight of him.",
"CLOWN.",
"Marry, will I; and you shall help to put him i' th'\nground.",
"SHEPHERD.",
"'Tis a lucky day, boy; and we'll do good deeds on't.",
"Exeunt"
] | nd of honour, or in act or will
That way inclining, hard'ned be the hearts
Of all that hear me, and my near'st of kin
Cry fie upon my grave!
LEONTES.
I ne'er heard yet
That any of these bolder vices wanted
Less impudence to gainsay what they did
Than to perform it first.
HERMIONE.
That's true enough;
Though 'tis a saying, sir, not due to me.
LEONTES.
You will not own it.
HERMIONE.
More than mistress of
Which comes to me in name of fault, I must not
At all acknowledge.
For Polixenes,
With whom I am accus'd, I do confess
I lov'd him as in honour he requir'd;
With such a kind of love as might become
A lady like me; with a love even such,
So and no other, as yourself commanded;
Which not to have done, I think had been in me
Both disobedience and ingratitude
To you and toward your friend; whose love had spoke,
Ever since it could speak, from an infant, freely,
That it was yours.
Now for conspiracy:
I know not ho | Sicilia.
On the road to the Capital
Enter CLEOMENES and DION
CLEOMENES.
The climate's delicate, the air most sweet,
Fertile the isle, the temple much surpassing
The common praise it bears.
DION.
I shall report,
For most it caught me, the celestial habits-
Methinks I so should term them- and the reverence
Of the grave wearers.
O, the sacrifice!
How ceremonious, solemn, and unearthly,
It was i' th' off'ring!
CLEOMENES.
But of all, the burst
And the ear-deaf'ning voi home.
CLOWN.
Go you the next way with your findings.
I'll go see if
the
bear be gone from the gentleman, and how much he hath eaten.
They
are never curst but when they are hungry.
If there be any of
him
left, I'll bury it.
SHEPHERD.
That's a good deed.
If thou mayest discern by that
which
is left of him what he is, fetch me to th' sight of him.
CLOWN.
Marry, will I; and you shall help to put him i' th'
ground.
SHEPHERD.
'Tis a lucky day, boy; and we'll do good deeds on't.
Exeunt | s
Thorough my rust!
And how his piety
Does my deeds make the blacker!
Re-enter PAULINA
PAULINA.
Woe the while!
O, cut my lace, lest my heart, cracking it,
Break too!
FIRST LORD.
What fit is this, good lady?
PAULINA.
What studied torments, tyrant, hast for me?
What wheels, racks, fires?
what flaying, boiling
In leads or oils?
What old or newer torture
Must I receive, whose every word deserves
To taste of thy most worst?
Thy tyranny
Together working with thy jealousies,
Fancies too weak for boys, too green and idle
For girls of nine- O, think what they have done,
And then run mad indeed, stark mad; for all
Thy by-gone fooleries were but spices of it.
That thou betray'dst Polixenes, 'twas nothing;
That did but show thee, of a fool, inconstant,
And damnable ingrateful.
Nor was't much
Thou wouldst have poison'd good Camillo's honour,
To have him kill a king- poor trespasses,
More monstrous standing by; whereof I reckon
Th |
1,134 | true | gradesaver | all_chapterized_books/1134-chapters/act_4.txt | finished_summaries/gradesaver/The Winter's Tale/section_3_part_0.txt | The Winter's Tale.act 4.scene 1-scene 4 | act 4 | null | {"name": "Act 4", "url": "https://web.archive.org/web/20210411083408/https://www.gradesaver.com/the-winters-tale/study-guide/summary-act-4", "summary": "Father Time, the chorus of this play, tells the audience that sixteen years have passed since the end of Act 3. We leave behind Leontes, grieving in Sicilia, and come to Bohemia. Perdita, now a young woman, grows in grace and beauty. Father Time asks us also to remember that Polixenes has a son, Florizell, who is now a young man. Scene ii: Camillo is asking Polixenes to allow him to return home. Leontes has asked Camillo to come back, and Camillo longs to see his homeland and his old master. Polixenes has come to depend on Camillo's administrative abilities, and urges the courtier to stay. Their conversation implies that Bohemia and Sicilia enjoy restored relations, although the friendship between the kings has never recovered. Polixenes asks if Camillo knows the whereabouts of Prince Florizell, who lately is often absent. The king has heard that Florizell often visits the house of a shepherd who has a beautiful daughter. He asks Camillo to go with him, disguised, in order to find out what Florizell has been doing. Scene iii: Autolycus, a young man formerly in the service of the prince, now makes his living as a con artist. He pretends that he has been wounded by highway robbers. The unsuspecting Shepherd's Son, out buying supplies and ingredients for the sheep-shearing feast, stops to help him. While the Shepherd's Son is distracted, the rogue swipes the dim man's purse. When Autolycus hears about the sheep-shearing festival, he sees an opportunity to strike again. Scene iv: Florizell and Perdita speak to each other lovingly at the Shepherd's house. She wears a nice dress for the festival, while the prince is disguised as a young peasant. We learn that they first met because his hunting falcon flew out over the grounds of Perdita's home. Florizell is aglow with love for Perdita, but she is nervous about the prince's rank. She fears that if his father finds out, it will be a disaster for her and her family. We learn that although the two youths are in love, they have not consummated the affair. Florizell tells Perdita that he will risk being disowned for her. Enter the Shepherd, the Shepherd's Son, Mopsa, Dorcas, shepherds and shepherdesses, servants, musicians, and Polixenes and Camillo in disguise. The Shepherd encourages his daughter to devote herself wholeheartedly to the role of hostess, describing how his deceased wife was a hostess worth emulating. Perdita obeys her father and is charming and gracious to the guests. Polixenes and Camillo are impressed by the girl's beauty and bearing. Polixenes talks to the Shepherd, asking the identity of the young man with Perdita. The Shepherd does not know Florizell's true identity; he believes that Florizell is a country youth named Doricles. He tells the disguised king that the boy and Perdita are in love, and the Shepherd approves of the match. A servant announces the approach of a ballad-singer selling ribbons and other trinkets, and the Shepherd's Son eagerly calls for him to be brought in. Perdita warns that the ballad singer must not use obscene words. In comes the singer, who is none other than Autolycus. He sings a song about the wares he sells. We learn that the Shepherd's Son and the girl Mopsa are a pair, although Dorcas often playfully flirts with him. The three sing a ballad with Autolycus, and they all exit, with the Shepherd's Son promising to buy trifles for both women. A servant announces the approach of rustics who have dressed themselves as satyrs. The Shepherd, worried that he is boring his guests with too much \"homely foolery,\" is about to send the satyrs away, but Polixenes is delighted by the prospect of dancing satyrs and insists that they be brought in. After the dance, Polixenes chats with Florizell, who has not recognized him. Florizell eloquently proclaims his love of Perdita, and Perdita indicates that she feels the same way. The Shepherd approves the match. The disguised Polixenes asks Florizell if he has a father, and if his father knows of this match. Florizell admits that his father knows nothing, nor will he know. Polixenes presses him to tell his father, and the Shepherd agrees that Florizell's father should know. When Florizell still refuses to share the important news with his father, Polixenes reveals himself. Furious, he disowns his son and threatens the Shepherd and Perdita. The Shepherd will escape harm this time, but if Perdita sees Florizell again she will be executed. Polixenes exits. Perdita was about to tell him that the same sun shines on the court and on her cottage, but now the chance is past and her concern is for the safety of her and her family. She asks Florizell to leave. The Shepherd is angry with both children for their deception, and he exits in a huff. Florizell is undeterred by his father's disapproval. He still wants to marry Perdita. Camillo, now revealed, tries to caution the prince about rash behavior, but the prince has made his choice. He will marry Perdita and, if necessary, flee Bohemia. In an aside, Camillo wonders if he can help the prince to escape as well as use the event to his advantage, so that he can once again see Sicilia and his old master, King Leontes. Camillo has a plan. Florizell and Perdita should go to Sicilia, where King Leontes will welcome them. In their absence, Camillo will try to convince Polixenes to accept his son's decision. Florizell and Perdita will pretend to be emissaries of Polixenes, with letters and instructions from Camillo to make the act believable. Autolycus re-enters, having sold all of his junk. Camillo pays him to switch clothes with Florizell, so that the prince can escape in disguise. The hat is given to Perdita. In an aside, Camillo reveals that he will tell the king where the children have gone, in hopes that the king will follow them to Sicilia. Camillo will accompany him, and the old courtier will be able to see his homeland once again. Perdita, Camillo, and Florizell exit. Autolycus knows Camillo and the prince, but he decides not to tell the king, because the act of honesty would not suit his knavish character. The Shepherd and the Shepherd's Son re-enter, discussing their plight. The Shepherd's Son convinces the Shepherd that they must tell Polixenes that Perdita is a changeling. Autolycus approaches them, pretending to be a great courtier. He warns the men that the king is furious, and fools them into believing that the king plans brutal tortures for all those involved in Florizell's courtship of Perdita. He tells them that if needs be, he will present them to the king and put in a good word for them. The Shepherd and the Shepherd's Son are duped, and they give Autolycus gold to thank him for his help. Autolycus reveals in an aside to the audience that he will work to benefit his old master, the prince, in hopes that he may achieve some advancement. While helping the prince, there is no hurt in conning the peasants out of a little more gold.", "analysis": "The shift in tone and focus between Act 2 and Act 3 is one of the most dramatic transitions in Shakespeare. Suddenly, the tragic momentum set up by Leontes' irrational jealousy and tyrannical behavior is left behind; at the request of the chorus, Father Time, we leave the world of Sicilia and enter the pastoral world of Bohemia's countryside. The focus here is the love story of Perdita and Florizell, set in an idyllic landscape of shepherds, rogues, and peasants dressed as forest satyrs. The court of Bohemia never enters our consideration; when we do see courtiers and royalty, they are foundlings unaware of their true identity or they are in disguise. Nature and its regenerative powers dominate the stage. When we first see Florizell and Perdita, he compares her to a goddess of nature, and later, men dressed as mythical satyrs dance for our entertainment. Shakespeare is creating a charming rural world full of allusions to the nature deities of ancient Greece. Depictions of the pastoral have a long tradition in English literature. A pastoral is an idealized literary portrait of life in the country, often involving shepherds and shepherdesses who are surprisingly literate and given to speaking in verse. To many of the Londoners who saw Shakespeare's plays, the pastoral was a form of escapism to a life that was removed from the hubbub of the city. Literate aristocrats, fond throughout the ages of romanticizing poverty that they do not share, enjoyed the fantasy images of sheep tending, quaint festivals, and poetry-spouting peasants. These pastorals depicted a world that was supposedly more simple and beautiful than the lives of the urban or the rich. Here, the pastoral setting contributes to the important theme of death and rebirth. Leontes has caused the deaths of his wife and son and the apparent death of his daughter. Yet Perdita has miraculously survived, and her restoration to her father will seem, to the grieving court of Sicilia, like a miraculous resurrection. The idealized world of Bohemia's countryside is the site of nature's cycles, which parallel the loss and death of the first three acts followed by the renewal and restoration in Acts Four and Five. The dangers of tyranny are present in Act 4, but this time Polixenes is the man at fault. His anger with his son is understandable, but it is also excessive. When he threatens Perdita with physical violence, it is the act of a man whose throne will protect him even if he terrorizes his subjects. Tyranny separates a king from his people; remember Leontes' delusions and his tyrannical behavior, which isolated him farther and farther from his court and family. The Winter's Tale warns against this kind of isolation: good kingship means guarding against it. Perdita's intended words of advice to the king are to the point: \"I was not much afeard, for once or twice / I was about to speak and tell him plainly / The selfsame sun that shines upon his court / Hides not his visage from our cottage but / Looks on all alike\" . Monarchs should be responsible, like everyone else, for the proper treatment of friends and family; kings are linked even to their poorest subjects by a common humanity. Throughout Shakespeare's plays, a king forgets these truths at his peril. Yet in this play, Shakespeare goes easy on Leontes and Polixenes. They are allowed, despite their misuses of their power, to have a happy ending. Fate is generous and forgiving. Polixenes never even has to apologize for his rough treatment of Perdita and her adoptive family, nor does he have to learn the lesson that Perdita was about to share with him. His problem with his son's marriage takes care of itself when Perdita's true parentage is revealed. Although both kings at different points misuse their power, the play does not leave them isolated. Leontes and Polixenes learn their lessons or half-learn them; either way, fate accommodates them and restores their relationships with friends and family."} | Enter TIME, the CHORUS
TIME. I, that please some, try all, both joy and terror
Of good and bad, that makes and unfolds error,
Now take upon me, in the name of Time,
To use my wings. Impute it not a crime
To me or my swift passage that I slide
O'er sixteen years, and leave the growth untried
Of that wide gap, since it is in my pow'r
To o'erthrow law, and in one self-born hour
To plant and o'erwhelm custom. Let me pass
The same I am, ere ancient'st order was
Or what is now receiv'd. I witness to
The times that brought them in; so shall I do
To th' freshest things now reigning, and make stale
The glistering of this present, as my tale
Now seems to it. Your patience this allowing,
I turn my glass, and give my scene such growing
As you had slept between. Leontes leaving-
Th' effects of his fond jealousies so grieving
That he shuts up himself- imagine me,
Gentle spectators, that I now may be
In fair Bohemia; and remember well
I mention'd a son o' th' King's, which Florizel
I now name to you; and with speed so pace
To speak of Perdita, now grown in grace
Equal with wond'ring. What of her ensues
I list not prophesy; but let Time's news
Be known when 'tis brought forth. A shepherd's daughter,
And what to her adheres, which follows after,
Is th' argument of Time. Of this allow,
If ever you have spent time worse ere now;
If never, yet that Time himself doth say
He wishes earnestly you never may. Exit
Bohemia. The palace of POLIXENES
Enter POLIXENES and CAMILLO
POLIXENES. I pray thee, good Camillo, be no more importunate:
'tis
a sickness denying thee anything; a death to grant this.
CAMILLO. It is fifteen years since I saw my country; though I
have
for the most part been aired abroad, I desire to lay my bones
there. Besides, the penitent King, my master, hath sent for
me;
to whose feeling sorrows I might be some allay, or I o'erween
to
think so, which is another spur to my departure.
POLIXENES. As thou lov'st me, Camillo, wipe not out the rest of
thy
services by leaving me now. The need I have of thee thine own
goodness hath made. Better not to have had thee than thus to
want
thee; thou, having made me businesses which none without thee
can
sufficiently manage, must either stay to execute them
thyself, or
take away with thee the very services thou hast done; which
if I
have not enough considered- as too much I cannot- to be more
thankful to thee shall be my study; and my profit therein the
heaping friendships. Of that fatal country Sicilia, prithee,
speak no more; whose very naming punishes me with the
remembrance
of that penitent, as thou call'st him, and reconciled king,
my
brother; whose loss of his most precious queen and children
are
even now to be afresh lamented. Say to me, when saw'st thou
the
Prince Florizel, my son? Kings are no less unhappy, their
issue
not being gracious, than they are in losing them when they
have
approved their virtues.
CAMILLO. Sir, it is three days since I saw the Prince. What his
happier affairs may be are to me unknown; but I have
missingly
noted he is of late much retired from court, and is less
frequent
to his princely exercises than formerly he hath appeared.
POLIXENES. I have considered so much, Camillo, and with some
care,
so far that I have eyes under my service which look upon his
removedness; from whom I have this intelligence, that he is
seldom from the house of a most homely shepherd- a man, they
say,
that from very nothing, and beyond the imagination of his
neighbours, is grown into an unspeakable estate.
CAMILLO. I have heard, sir, of such a man, who hath a daughter
of
most rare note. The report of her is extended more than can
be
thought to begin from such a cottage.
POLIXENES. That's likewise part of my intelligence; but, I
fear, the
angle that plucks our son thither. Thou shalt accompany us to
the
place; where we will, not appearing what we are, have some
question with the shepherd; from whose simplicity I think it
not
uneasy to get the cause of my son's resort thither. Prithee
be my
present partner in this business, and lay aside the thoughts
of
Sicilia.
CAMILLO. I willingly obey your command.
POLIXENES. My best Camillo! We must disguise ourselves.
Exeunt
Bohemia. A road near the SHEPHERD'S cottage
Enter AUTOLYCUS, singing
When daffodils begin to peer,
With heigh! the doxy over the dale,
Why, then comes in the sweet o' the year,
For the red blood reigns in the winter's pale.
The white sheet bleaching on the hedge,
With heigh! the sweet birds, O, how they sing!
Doth set my pugging tooth on edge,
For a quart of ale is a dish for a king.
The lark, that tirra-lirra chants,
With heigh! with heigh! the thrush and the jay,
Are summer songs for me and my aunts,
While we lie tumbling in the hay.
I have serv'd Prince Florizel, and in my time wore
three-pile;
but now I am out of service.
But shall I go mourn for that, my dear?
The pale moon shines by night;
And when I wander here and there,
I then do most go right.
If tinkers may have leave to live,
And bear the sow-skin budget,
Then my account I well may give
And in the stocks avouch it.
My traffic is sheets; when the kite builds, look to lesser
linen.
My father nam'd me Autolycus; who, being, I as am, litter'd
under
Mercury, was likewise a snapper-up of unconsidered trifles.
With
die and drab I purchas'd this caparison; and my revenue is
the
silly-cheat. Gallows and knock are too powerful on the
highway;
beating and hanging are terrors to me; for the life to come,
I
sleep out the thought of it. A prize! a prize!
Enter CLOWN
CLOWN. Let me see: every 'leven wether tods; every tod yields
pound
and odd shilling; fifteen hundred shorn, what comes the wool
to?
AUTOLYCUS. [Aside] If the springe hold, the cock's mine.
CLOWN. I cannot do 't without counters. Let me see: what am I
to
buy for our sheep-shearing feast? Three pound of sugar, five
pound of currants, rice- what will this sister of mine do
with
rice? But my father hath made her mistress of the feast, and
she
lays it on. She hath made me four and twenty nosegays for the
shearers- three-man song-men all, and very good ones; but
they
are most of them means and bases; but one Puritan amongst
them,
and he sings psalms to hornpipes. I must have saffron to
colour
the warden pies; mace; dates- none, that's out of my note;
nutmegs, seven; race or two of ginger, but that I may beg;
four
pound of prunes, and as many of raisins o' th' sun.
AUTOLYCUS. [Grovelling on the ground] O that ever I was born!
CLOWN. I' th' name of me!
AUTOLYCUS. O, help me, help me! Pluck but off these rags; and
then,
death, death!
CLOWN. Alack, poor soul! thou hast need of more rags to lay on
thee, rather than have these off.
AUTOLYCUS. O sir, the loathsomeness of them offend me more than
the
stripes I have received, which are mighty ones and millions.
CLOWN. Alas, poor man! a million of beating may come to a great
matter.
AUTOLYCUS. I am robb'd, sir, and beaten; my money and apparel
ta'en
from me, and these detestable things put upon me.
CLOWN. What, by a horseman or a footman?
AUTOLYCUS. A footman, sweet sir, a footman.
CLOWN. Indeed, he should be a footman, by the garments he has
left
with thee; if this be a horseman's coat, it hath seen very
hot
service. Lend me thy hand, I'll help thee. Come, lend me thy
hand. [Helping him up]
AUTOLYCUS. O, good sir, tenderly, O!
CLOWN. Alas, poor soul!
AUTOLYCUS. O, good sir, softly, good sir; I fear, sir, my
shoulder
blade is out.
CLOWN. How now! Canst stand?
AUTOLYCUS. Softly, dear sir [Picks his pocket]; good sir,
softly.
You ha' done me a charitable office.
CLOWN. Dost lack any money? I have a little money for thee.
AUTOLYCUS. No, good sweet sir; no, I beseech you, sir. I have a
kinsman not past three quarters of a mile hence, unto whom I
was
going; I shall there have money or anything I want. Offer me
no
money, I pray you; that kills my heart.
CLOWN. What manner of fellow was he that robb'd you?
AUTOLYCUS. A fellow, sir, that I have known to go about with
troll-my-dames; I knew him once a servant of the Prince. I
cannot
tell, good sir, for which of his virtues it was, but he was
certainly whipt out of the court.
CLOWN. His vices, you would say; there's no virtue whipt out of
the
court. They cherish it to make it stay there; and yet it will
no
more but abide.
AUTOLYCUS. Vices, I would say, sir. I know this man well; he
hath
been since an ape-bearer; then a process-server, a bailiff;
then
he compass'd a motion of the Prodigal Son, and married a
tinker's
wife within a mile where my land and living lies; and, having
flown over many knavish professions, he settled only in
rogue.
Some call him Autolycus.
CLOWN. Out upon him! prig, for my life, prig! He haunts wakes,
fairs, and bear-baitings.
AUTOLYCUS. Very true, sir; he, sir, he; that's the rogue that
put
me into this apparel.
CLOWN. Not a more cowardly rogue in all Bohemia; if you had but
look'd big and spit at him, he'd have run.
AUTOLYCUS. I must confess to you, sir, I am no fighter; I am
false
of heart that way, and that he knew, I warrant him.
CLOWN. How do you now?
AUTOLYCUS. Sweet sir, much better than I was; I can stand and
walk.
I will even take my leave of you and pace softly towards my
kinsman's.
CLOWN. Shall I bring thee on the way?
AUTOLYCUS. No, good-fac'd sir; no, sweet sir.
CLOWN. Then fare thee well. I must go buy spices for our
sheep-shearing.
AUTOLYCUS. Prosper you, sweet sir! Exit CLOWN
Your purse is not hot enough to purchase your spice. I'll be
with
you at your sheep-shearing too. If I make not this cheat
bring
out another, and the shearers prove sheep, let me be
unroll'd,
and my name put in the book of virtue!
[Sings]
Jog on, jog on, the footpath way,
And merrily hent the stile-a;
A merry heart goes all the day,
Your sad tires in a mile-a. Exit
Bohemia. The SHEPHERD'S cottage
Enter FLORIZEL and PERDITA
FLORIZEL. These your unusual weeds to each part of you
Do give a life- no shepherdess, but Flora
Peering in April's front. This your sheep-shearing
Is as a meeting of the petty gods,
And you the Queen on't.
PERDITA. Sir, my gracious lord,
To chide at your extremes it not becomes me-
O, pardon that I name them! Your high self,
The gracious mark o' th' land, you have obscur'd
With a swain's wearing; and me, poor lowly maid,
Most goddess-like prank'd up. But that our feasts
In every mess have folly, and the feeders
Digest it with a custom, I should blush
To see you so attir'd; swoon, I think,
To show myself a glass.
FLORIZEL. I bless the time
When my good falcon made her flight across
Thy father's ground.
PERDITA. Now Jove afford you cause!
To me the difference forges dread; your greatness
Hath not been us'd to fear. Even now I tremble
To think your father, by some accident,
Should pass this way, as you did. O, the Fates!
How would he look to see his work, so noble,
Vilely bound up? What would he say? Or how
Should I, in these my borrowed flaunts, behold
The sternness of his presence?
FLORIZEL. Apprehend
Nothing but jollity. The gods themselves,
Humbling their deities to love, have taken
The shapes of beasts upon them: Jupiter
Became a bull and bellow'd; the green Neptune
A ram and bleated; and the fire-rob'd god,
Golden Apollo, a poor humble swain,
As I seem now. Their transformations
Were never for a piece of beauty rarer,
Nor in a way so chaste, since my desires
Run not before mine honour, nor my lusts
Burn hotter than my faith.
PERDITA. O, but, sir,
Your resolution cannot hold when 'tis
Oppos'd, as it must be, by th' pow'r of the King.
One of these two must be necessities,
Which then will speak, that you must change this purpose,
Or I my life.
FLORIZEL. Thou dearest Perdita,
With these forc'd thoughts, I prithee, darken not
The mirth o' th' feast. Or I'll be thine, my fair,
Or not my father's; for I cannot be
Mine own, nor anything to any, if
I be not thine. To this I am most constant,
Though destiny say no. Be merry, gentle;
Strangle such thoughts as these with any thing
That you behold the while. Your guests are coming.
Lift up your countenance, as it were the day
Of celebration of that nuptial which
We two have sworn shall come.
PERDITA. O Lady Fortune,
Stand you auspicious!
FLORIZEL. See, your guests approach.
Address yourself to entertain them sprightly,
And let's be red with mirth.
Enter SHEPHERD, with POLIXENES and CAMILLO, disguised;
CLOWN, MOPSA, DORCAS, with OTHERS
SHEPHERD. Fie, daughter! When my old wife liv'd, upon
This day she was both pantler, butler, cook;
Both dame and servant; welcom'd all; serv'd all;
Would sing her song and dance her turn; now here
At upper end o' th' table, now i' th' middle;
On his shoulder, and his; her face o' fire
With labour, and the thing she took to quench it
She would to each one sip. You are retired,
As if you were a feasted one, and not
The hostess of the meeting. Pray you bid
These unknown friends to's welcome, for it is
A way to make us better friends, more known.
Come, quench your blushes, and present yourself
That which you are, Mistress o' th' Feast. Come on,
And bid us welcome to your sheep-shearing,
As your good flock shall prosper.
PERDITA. [To POLIXENES] Sir, welcome.
It is my father's will I should take on me
The hostess-ship o' th' day. [To CAMILLO]
You're welcome, sir.
Give me those flow'rs there, Dorcas. Reverend sirs,
For you there's rosemary and rue; these keep
Seeming and savour all the winter long.
Grace and remembrance be to you both!
And welcome to our shearing.
POLIXENES. Shepherdess-
A fair one are you- well you fit our ages
With flow'rs of winter.
PERDITA. Sir, the year growing ancient,
Not yet on summer's death nor on the birth
Of trembling winter, the fairest flow'rs o' th' season
Are our carnations and streak'd gillyvors,
Which some call nature's bastards. Of that kind
Our rustic garden's barren; and I care not
To get slips of them.
POLIXENES. Wherefore, gentle maiden,
Do you neglect them?
PERDITA. For I have heard it said
There is an art which in their piedness shares
With great creating nature.
POLIXENES. Say there be;
Yet nature is made better by no mean
But nature makes that mean; so over that art
Which you say adds to nature, is an art
That nature makes. You see, sweet maid, we marry
A gentler scion to the wildest stock,
And make conceive a bark of baser kind
By bud of nobler race. This is an art
Which does mend nature- change it rather; but
The art itself is nature.
PERDITA. So it is.
POLIXENES. Then make your garden rich in gillyvors,
And do not call them bastards.
PERDITA. I'll not put
The dibble in earth to set one slip of them;
No more than were I painted I would wish
This youth should say 'twere well, and only therefore
Desire to breed by me. Here's flow'rs for you:
Hot lavender, mints, savory, marjoram;
The marigold, that goes to bed wi' th' sun,
And with him rises weeping; these are flow'rs
Of middle summer, and I think they are given
To men of middle age. Y'are very welcome.
CAMILLO. I should leave grazing, were I of your flock,
And only live by gazing.
PERDITA. Out, alas!
You'd be so lean that blasts of January
Would blow you through and through. Now, my fair'st friend,
I would I had some flow'rs o' th' spring that might
Become your time of day- and yours, and yours,
That wear upon your virgin branches yet
Your maidenheads growing. O Proserpina,
From the flowers now that, frighted, thou let'st fall
From Dis's waggon!- daffodils,
That come before the swallow dares, and take
The winds of March with beauty; violets, dim
But sweeter than the lids of Juno's eyes
Or Cytherea's breath; pale primroses,
That die unmarried ere they can behold
Bright Phoebus in his strength- a malady
Most incident to maids; bold oxlips, and
The crown-imperial; lilies of all kinds,
The flow'r-de-luce being one. O, these I lack
To make you garlands of, and my sweet friend
To strew him o'er and o'er!
FLORIZEL. What, like a corse?
PERDITA. No; like a bank for love to lie and play on;
Not like a corse; or if- not to be buried,
But quick, and in mine arms. Come, take your flow'rs.
Methinks I play as I have seen them do
In Whitsun pastorals. Sure, this robe of mine
Does change my disposition.
FLORIZEL. What you do
Still betters what is done. When you speak, sweet,
I'd have you do it ever. When you sing,
I'd have you buy and sell so; so give alms;
Pray so; and, for the ord'ring your affairs,
To sing them too. When you do dance, I wish you
A wave o' th' sea, that you might ever do
Nothing but that; move still, still so,
And own no other function. Each your doing,
So singular in each particular,
Crowns what you are doing in the present deeds,
That all your acts are queens.
PERDITA. O Doricles,
Your praises are too large. But that your youth,
And the true blood which peeps fairly through't,
Do plainly give you out an unstain'd shepherd,
With wisdom I might fear, my Doricles,
You woo'd me the false way.
FLORIZEL. I think you have
As little skill to fear as I have purpose
To put you to't. But, come; our dance, I pray.
Your hand, my Perdita; so turtles pair
That never mean to part.
PERDITA. I'll swear for 'em.
POLIXENES. This is the prettiest low-born lass that ever
Ran on the green-sward; nothing she does or seems
But smacks of something greater than herself,
Too noble for this place.
CAMILLO. He tells her something
That makes her blood look out. Good sooth, she is
The queen of curds and cream.
CLOWN. Come on, strike up.
DORCAS. Mopsa must be your mistress; marry, garlic,
To mend her kissing with!
MOPSA. Now, in good time!
CLOWN. Not a word, a word; we stand upon our manners.
Come, strike up. [Music]
Here a dance Of SHEPHERDS and SHEPHERDESSES
POLIXENES. Pray, good shepherd, what fair swain is this
Which dances with your daughter?
SHEPHERD. They call him Doricles, and boasts himself
To have a worthy feeding; but I have it
Upon his own report, and I believe it:
He looks like sooth. He says he loves my daughter;
I think so too; for never gaz'd the moon
Upon the water as he'll stand and read,
As 'twere my daughter's eyes; and, to be plain,
I think there is not half a kiss to choose
Who loves another best.
POLIXENES. She dances featly.
SHEPHERD. So she does any thing; though I report it
That should be silent. If young Doricles
Do light upon her, she shall bring him that
Which he not dreams of.
Enter a SERVANT
SERVANT. O master, if you did but hear the pedlar at the door,
you
would never dance again after a tabor and pipe; no, the
bagpipe
could not move you. He sings several tunes faster than you'll
tell money; he utters them as he had eaten ballads, and all
men's
ears grew to his tunes.
CLOWN. He could never come better; he shall come in. I love a
ballad but even too well, if it be doleful matter merrily set
down, or a very pleasant thing indeed and sung lamentably.
SERVANT. He hath songs for man or woman of all sizes; no
milliner
can so fit his customers with gloves. He has the prettiest
love-songs for maids; so without bawdry, which is strange;
with
such delicate burdens of dildos and fadings, 'jump her and
thump
her'; and where some stretch-mouth'd rascal would, as it
were,
mean mischief, and break a foul gap into the matter, he makes
the
maid to answer 'Whoop, do me no harm, good man'- puts him
off,
slights him, with 'Whoop, do me no harm, good man.'
POLIXENES. This is a brave fellow.
CLOWN. Believe me, thou talkest of an admirable conceited
fellow.
Has he any unbraided wares?
SERVANT. He hath ribbons of all the colours i' th' rainbow;
points,
more than all the lawyers in Bohemia can learnedly handle,
though
they come to him by th' gross; inkles, caddisses, cambrics,
lawns. Why he sings 'em over as they were gods or goddesses;
you
would think a smock were she-angel, he so chants to the
sleeve-hand and the work about the square on't.
CLOWN. Prithee bring him in; and let him approach singing.
PERDITA. Forewarn him that he use no scurrilous words in's
tunes.
Exit SERVANT
CLOWN. You have of these pedlars that have more in them than
you'd
think, sister.
PERDITA. Ay, good brother, or go about to think.
Enter AUTOLYCUS, Singing
Lawn as white as driven snow;
Cypress black as e'er was crow;
Gloves as sweet as damask roses;
Masks for faces and for noses;
Bugle bracelet, necklace amber,
Perfume for a lady's chamber;
Golden quoifs and stomachers,
For my lads to give their dears;
Pins and poking-sticks of steel-
What maids lack from head to heel.
Come, buy of me, come; come buy, come buy;
Buy, lads, or else your lasses cry.
Come, buy.
CLOWN. If I were not in love with Mopsa, thou shouldst take no
money of me; but being enthrall'd as I am, it will also be
the
bondage of certain ribbons and gloves.
MOPSA. I was promis'd them against the feast; but they come not
too
late now.
DORCAS. He hath promis'd you more than that, or there be liars.
MOPSA. He hath paid you all he promis'd you. May be he has paid
you
more, which will shame you to give him again.
CLOWN. Is there no manners left among maids? Will they wear
their
plackets where they should bear their faces? Is there not
milking-time, when you are going to bed, or kiln-hole, to
whistle
off these secrets, but you must be tittle-tattling before all
our
guests? 'Tis well they are whisp'ring. Clammer your tongues,
and
not a word more.
MOPSA. I have done. Come, you promis'd me a tawdry-lace, and a
pair
of sweet gloves.
CLOWN. Have I not told thee how I was cozen'd by the way, and
lost
all my money?
AUTOLYCUS. And indeed, sir, there are cozeners abroad;
therefore it
behoves men to be wary.
CLOWN. Fear not thou, man; thou shalt lose nothing here.
AUTOLYCUS. I hope so, sir; for I have about me many parcels of
charge.
CLOWN. What hast here? Ballads?
MOPSA. Pray now, buy some. I love a ballad in print a-life, for
then we are sure they are true.
AUTOLYCUS. Here's one to a very doleful tune: how a usurer's
wife
was brought to bed of twenty money-bags at a burden, and how
she
long'd to eat adders' heads and toads carbonado'd.
MOPSA. Is it true, think you?
AUTOLYCUS. Very true, and but a month old.
DORCAS. Bless me from marrying a usurer!
AUTOLYCUS. Here's the midwife's name to't, one Mistress
Taleporter,
and five or six honest wives that were present. Why should I
carry lies abroad?
MOPSA. Pray you now, buy it.
CLOWN. Come on, lay it by; and let's first see moe ballads;
we'll
buy the other things anon.
AUTOLYCUS. Here's another ballad, of a fish that appeared upon
the
coast on Wednesday the fourscore of April, forty thousand
fathom
above water, and sung this ballad against the hard hearts of
maids. It was thought she was a woman, and was turn'd into a
cold
fish for she would not exchange flesh with one that lov'd
her.
The ballad is very pitiful, and as true.
DORCAS. Is it true too, think you?
AUTOLYCUS. Five justices' hands at it; and witnesses more than
my
pack will hold.
CLOWN. Lay it by too. Another.
AUTOLYCUS. This is a merry ballad, but a very pretty one.
MOPSA. Let's have some merry ones.
AUTOLYCUS. Why, this is a passing merry one, and goes to the
tune
of 'Two maids wooing a man.' There's scarce a maid westward
but
she sings it; 'tis in request, I can tell you.
MOPSA. can both sing it. If thou'lt bear a part, thou shalt
hear;
'tis in three parts.
DORCAS. We had the tune on't a month ago.
AUTOLYCUS. I can bear my part; you must know 'tis my
occupation.
Have at it with you.
SONG
AUTOLYCUS. Get you hence, for I must go
Where it fits not you to know.
DORCAS. Whither?
MOPSA. O, whither?
DORCAS. Whither?
MOPSA. It becomes thy oath full well
Thou to me thy secrets tell.
DORCAS. Me too! Let me go thither
MOPSA. Or thou goest to th' grange or mill.
DORCAS. If to either, thou dost ill.
AUTOLYCUS. Neither.
DORCAS. What, neither?
AUTOLYCUS. Neither.
DORCAS. Thou hast sworn my love to be.
MOPSA. Thou hast sworn it more to me.
Then whither goest? Say, whither?
CLOWN. We'll have this song out anon by ourselves; my father
and
the gentlemen are in sad talk, and we'll not trouble them.
Come,
bring away thy pack after me. Wenches, I'll buy for you both.
Pedlar, let's have the first choice. Follow me, girls.
Exit with DORCAS and MOPSA
AUTOLYCUS. And you shall pay well for 'em.
Exit AUTOLYCUS, Singing
Will you buy any tape,
Or lace for your cape,
My dainty duck, my dear-a?
Any silk, any thread,
Any toys for your head,
Of the new'st and fin'st, fin'st wear-a?
Come to the pedlar;
Money's a meddler
That doth utter all men's ware-a.
Re-enter SERVANT
SERVANT. Master, there is three carters, three shepherds, three
neat-herds, three swineherds, that have made themselves all
men
of hair; they call themselves Saltiers, and they have dance
which
the wenches say is a gallimaufry of gambols, because they are
not
in't; but they themselves are o' th' mind, if it be not too
rough
for some that know little but bowling, it will please
plentifully.
SHEPHERD. Away! We'll none on't; here has been too much homely
foolery already. I know, sir, we weary you.
POLIXENES. You weary those that refresh us. Pray, let's see
these
four threes of herdsmen.
SERVANT. One three of them, by their own report, sir, hath
danc'd
before the King; and not the worst of the three but jumps
twelve
foot and a half by th' squier.
SHEPHERD. Leave your prating; since these good men are pleas'd,
let
them come in; but quickly now.
SERVANT. Why, they stay at door, sir. Exit
Here a dance of twelve SATYRS
POLIXENES. [To SHEPHERD] O, father, you'll know more of that
hereafter.
[To CAMILLO] Is it not too far gone? 'Tis time to part them.
He's simple and tells much. [To FLORIZEL] How now, fair
shepherd!
Your heart is full of something that does take
Your mind from feasting. Sooth, when I was young
And handed love as you do, I was wont
To load my she with knacks; I would have ransack'd
The pedlar's silken treasury and have pour'd it
To her acceptance: you have let him go
And nothing marted with him. If your lass
Interpretation should abuse and call this
Your lack of love or bounty, you were straited
For a reply, at least if you make a care
Of happy holding her.
FLORIZEL. Old sir, I know
She prizes not such trifles as these are.
The gifts she looks from me are pack'd and lock'd
Up in my heart, which I have given already,
But not deliver'd. O, hear me breathe my life
Before this ancient sir, whom, it should seem,
Hath sometime lov'd. I take thy hand- this hand,
As soft as dove's down and as white as it,
Or Ethiopian's tooth, or the fann'd snow that's bolted
By th' northern blasts twice o'er.
POLIXENES. What follows this?
How prettily the young swain seems to wash
The hand was fair before! I have put you out.
But to your protestation; let me hear
What you profess.
FLORIZEL. Do, and be witness to't.
POLIXENES. And this my neighbour too?
FLORIZEL. And he, and more
Than he, and men- the earth, the heavens, and all:
That, were I crown'd the most imperial monarch,
Thereof most worthy, were I the fairest youth
That ever made eye swerve, had force and knowledge
More than was ever man's, I would not prize them
Without her love; for her employ them all;
Commend them and condemn them to her service
Or to their own perdition.
POLIXENES. Fairly offer'd.
CAMILLO. This shows a sound affection.
SHEPHERD. But, my daughter,
Say you the like to him?
PERDITA. I cannot speak
So well, nothing so well; no, nor mean better.
By th' pattern of mine own thoughts I cut out
The purity of his.
SHEPHERD. Take hands, a bargain!
And, friends unknown, you shall bear witness to't:
I give my daughter to him, and will make
Her portion equal his.
FLORIZEL. O, that must be
I' th' virtue of your daughter. One being dead,
I shall have more than you can dream of yet;
Enough then for your wonder. But come on,
Contract us fore these witnesses.
SHEPHERD. Come, your hand;
And, daughter, yours.
POLIXENES. Soft, swain, awhile, beseech you;
Have you a father?
FLORIZEL. I have, but what of him?
POLIXENES. Knows he of this?
FLORIZEL. He neither does nor shall.
POLIXENES. Methinks a father
Is at the nuptial of his son a guest
That best becomes the table. Pray you, once more,
Is not your father grown incapable
Of reasonable affairs? Is he not stupid
With age and alt'ring rheums? Can he speak, hear,
Know man from man, dispute his own estate?
Lies he not bed-rid, and again does nothing
But what he did being childish?
FLORIZEL. No, good sir;
He has his health, and ampler strength indeed
Than most have of his age.
POLIXENES. By my white beard,
You offer him, if this be so, a wrong
Something unfilial. Reason my son
Should choose himself a wife; but as good reason
The father- all whose joy is nothing else
But fair posterity- should hold some counsel
In such a business.
FLORIZEL. I yield all this;
But, for some other reasons, my grave sir,
Which 'tis not fit you know, I not acquaint
My father of this business.
POLIXENES. Let him know't.
FLORIZEL. He shall not.
POLIXENES. Prithee let him.
FLORIZEL. No, he must not.
SHEPHERD. Let him, my son; he shall not need to grieve
At knowing of thy choice.
FLORIZEL. Come, come, he must not.
Mark our contract.
POLIXENES. [Discovering himself] Mark your divorce, young
sir,
Whom son I dare not call; thou art too base
To be acknowledg'd- thou a sceptre's heir,
That thus affects a sheep-hook! Thou, old traitor,
I am sorry that by hanging thee I can but
Shorten thy life one week. And thou, fresh piece
Of excellent witchcraft, who of force must know
The royal fool thou cop'st with-
SHEPHERD. O, my heart!
POLIXENES. I'll have thy beauty scratch'd with briers and made
More homely than thy state. For thee, fond boy,
If I may ever know thou dost but sigh
That thou no more shalt see this knack- as never
I mean thou shalt- we'll bar thee from succession;
Not hold thee of our blood, no, not our kin,
Farre than Deucalion off. Mark thou my words.
Follow us to the court. Thou churl, for this time,
Though full of our displeasure, yet we free thee
From the dead blow of it. And you, enchantment,
Worthy enough a herdsman- yea, him too
That makes himself, but for our honour therein,
Unworthy thee- if ever henceforth thou
These rural latches to his entrance open,
Or hoop his body more with thy embraces,
I will devise a death as cruel for thee
As thou art tender to't. Exit
PERDITA. Even here undone!
I was not much afeard; for once or twice
I was about to speak and tell him plainly
The self-same sun that shines upon his court
Hides not his visage from our cottage, but
Looks on alike. [To FLORIZEL] Will't please you, sir, be
gone?
I told you what would come of this. Beseech you,
Of your own state take care. This dream of mine-
Being now awake, I'll queen it no inch farther,
But milk my ewes and weep.
CAMILLO. Why, how now, father!
Speak ere thou diest.
SHEPHERD. I cannot speak nor think,
Nor dare to know that which I know. [To FLORIZEL] O sir,
You have undone a man of fourscore-three
That thought to fill his grave in quiet, yea,
To die upon the bed my father died,
To lie close by his honest bones; but now
Some hangman must put on my shroud and lay me
Where no priest shovels in dust. [To PERDITA] O cursed
wretch,
That knew'st this was the Prince, and wouldst adventure
To mingle faith with him!- Undone, undone!
If I might die within this hour, I have liv'd
To die when I desire. Exit
FLORIZEL. Why look you so upon me?
I am but sorry, not afeard; delay'd,
But nothing alt'red. What I was, I am:
More straining on for plucking back; not following
My leash unwillingly.
CAMILLO. Gracious, my lord,
You know your father's temper. At this time
He will allow no speech- which I do guess
You do not purpose to him- and as hardly
Will he endure your sight as yet, I fear;
Then, till the fury of his Highness settle,
Come not before him.
FLORIZEL. I not purpose it.
I think Camillo?
CAMILLO. Even he, my lord.
PERDITA. How often have I told you 'twould be thus!
How often said my dignity would last
But till 'twere known!
FLORIZEL. It cannot fail but by
The violation of my faith; and then
Let nature crush the sides o' th' earth together
And mar the seeds within! Lift up thy looks.
From my succession wipe me, father; I
Am heir to my affection.
CAMILLO. Be advis'd.
FLORIZEL. I am- and by my fancy; if my reason
Will thereto be obedient, I have reason;
If not, my senses, better pleas'd with madness,
Do bid it welcome.
CAMILLO. This is desperate, sir.
FLORIZEL. So call it; but it does fulfil my vow:
I needs must think it honesty. Camillo,
Not for Bohemia, nor the pomp that may
Be thereat glean'd, for all the sun sees or
The close earth wombs, or the profound seas hides
In unknown fathoms, will I break my oath
To this my fair belov'd. Therefore, I pray you,
As you have ever been my father's honour'd friend,
When he shall miss me- as, in faith, I mean not
To see him any more- cast your good counsels
Upon his passion. Let myself and Fortune
Tug for the time to come. This you may know,
And so deliver: I am put to sea
With her who here I cannot hold on shore.
And most opportune to her need I have
A vessel rides fast by, but not prepar'd
For this design. What course I mean to hold
Shall nothing benefit your knowledge, nor
Concern me the reporting.
CAMILLO. O my lord,
I would your spirit were easier for advice.
Or stronger for your need.
FLORIZEL. Hark, Perdita. [Takes her aside]
[To CAMILLO] I'll hear you by and by.
CAMILLO. He's irremovable,
Resolv'd for flight. Now were I happy if
His going I could frame to serve my turn,
Save him from danger, do him love and honour,
Purchase the sight again of dear Sicilia
And that unhappy king, my master, whom
I so much thirst to see.
FLORIZEL. Now, good Camillo,
I am so fraught with curious business that
I leave out ceremony.
CAMILLO. Sir, I think
You have heard of my poor services i' th' love
That I have borne your father?
FLORIZEL. Very nobly
Have you deserv'd. It is my father's music
To speak your deeds; not little of his care
To have them recompens'd as thought on.
CAMILLO. Well, my lord,
If you may please to think I love the King,
And through him what's nearest to him, which is
Your gracious self, embrace but my direction.
If your more ponderous and settled project
May suffer alteration, on mine honour,
I'll point you where you shall have such receiving
As shall become your Highness; where you may
Enjoy your mistress, from the whom, I see,
There's no disjunction to be made but by,
As heavens forfend! your ruin- marry her;
And with my best endeavours in your absence
Your discontenting father strive to qualify,
And bring him up to liking.
FLORIZEL. How, Camillo,
May this, almost a miracle, be done?
That I may call thee something more than man,
And after that trust to thee.
CAMILLO. Have you thought on
A place whereto you'll go?
FLORIZEL. Not any yet;
But as th' unthought-on accident is guilty
To what we wildly do, so we profess
Ourselves to be the slaves of chance and flies
Of every wind that blows.
CAMILLO. Then list to me.
This follows, if you will not change your purpose
But undergo this flight: make for Sicilia,
And there present yourself and your fair princess-
For so, I see, she must be- fore Leontes.
She shall be habited as it becomes
The partner of your bed. Methinks I see
Leontes opening his free arms and weeping
His welcomes forth; asks thee there 'Son, forgiveness!'
As 'twere i' th' father's person; kisses the hands
Of your fresh princess; o'er and o'er divides him
'Twixt his unkindness and his kindness- th' one
He chides to hell, and bids the other grow
Faster than thought or time.
FLORIZEL. Worthy Camillo,
What colour for my visitation shall I
Hold up before him?
CAMILLO. Sent by the King your father
To greet him and to give him comforts. Sir,
The manner of your bearing towards him, with
What you as from your father shall deliver,
Things known betwixt us three, I'll write you down;
The which shall point you forth at every sitting
What you must say, that he shall not perceive
But that you have your father's bosom there
And speak his very heart.
FLORIZEL. I am bound to you.
There is some sap in this.
CAMILLO. A course more promising
Than a wild dedication of yourselves
To unpath'd waters, undream'd shores, most certain
To miseries enough; no hope to help you,
But as you shake off one to take another;
Nothing so certain as your anchors, who
Do their best office if they can but stay you
Where you'll be loath to be. Besides, you know
Prosperity's the very bond of love,
Whose fresh complexion and whose heart together
Affliction alters.
PERDITA. One of these is true:
I think affliction may subdue the cheek,
But not take in the mind.
CAMILLO. Yea, say you so?
There shall not at your father's house these seven years
Be born another such.
FLORIZEL. My good Camillo,
She is as forward of her breeding as
She is i' th' rear o' our birth.
CAMILLO. I cannot say 'tis pity
She lacks instructions, for she seems a mistress
To most that teach.
PERDITA. Your pardon, sir; for this
I'll blush you thanks.
FLORIZEL. My prettiest Perdita!
But, O, the thorns we stand upon! Camillo-
Preserver of my father, now of me;
The medicine of our house- how shall we do?
We are not furnish'd like Bohemia's son;
Nor shall appear in Sicilia.
CAMILLO. My lord,
Fear none of this. I think you know my fortunes
Do all lie there. It shall be so my care
To have you royally appointed as if
The scene you play were mine. For instance, sir,
That you may know you shall not want- one word.
[They talk aside]
Re-enter AUTOLYCUS
AUTOLYCUS. Ha, ha! what a fool Honesty is! and Trust, his sworn
brother, a very simple gentleman! I have sold all my
trumpery;
not a counterfeit stone, not a ribbon, glass, pomander,
brooch,
table-book, ballad, knife, tape, glove, shoe-tie, bracelet,
horn-ring, to keep my pack from fasting. They throng who
should
buy first, as if my trinkets had been hallowed and brought a
benediction to the buyer; by which means I saw whose purse
was
best in picture; and what I saw, to my good use I rememb'red.
My
clown, who wants but something to be a reasonable man, grew
so in
love with the wenches' song that he would not stir his
pettitoes
till he had both tune and words, which so drew the rest of
the
herd to me that all their other senses stuck in ears. You
might
have pinch'd a placket, it was senseless; 'twas nothing to
geld a
codpiece of a purse; I would have fil'd keys off that hung in
chains. No hearing, no feeling, but my sir's song, and
admiring
the nothing of it. So that in this time of lethargy I pick'd
and
cut most of their festival purses; and had not the old man
come
in with whoobub against his daughter and the King's son and
scar'd my choughs from the chaff, I had not left a purse
alive in
the whole army.
CAMILLO, FLORIZEL, and PERDITA come forward
CAMILLO. Nay, but my letters, by this means being there
So soon as you arrive, shall clear that doubt.
FLORIZEL. And those that you'll procure from King Leontes?
CAMILLO. Shall satisfy your father.
PERDITA. Happy be you!
All that you speak shows fair.
CAMILLO. [seeing AUTOLYCUS] Who have we here?
We'll make an instrument of this; omit
Nothing may give us aid.
AUTOLYCUS. [Aside] If they have overheard me now- why,
hanging.
CAMILLO. How now, good fellow! Why shak'st thou so?
Fear not, man; here's no harm intended to thee.
AUTOLYCUS. I am a poor fellow, sir.
CAMILLO. Why, be so still; here's nobody will steal that from
thee.
Yet for the outside of thy poverty we must make an exchange;
therefore discase thee instantly- thou must think there's a
necessity in't- and change garments with this gentleman.
Though
the pennyworth on his side be the worst, yet hold thee,
there's
some boot. [Giving money]
AUTOLYCUS. I am a poor fellow, sir. [Aside] I know ye well
enough.
CAMILLO. Nay, prithee dispatch. The gentleman is half flay'd
already.
AUTOLYCUS. Are you in camest, sir? [Aside] I smell the trick
on't.
FLORIZEL. Dispatch, I prithee.
AUTOLYCUS. Indeed, I have had earnest; but I cannot with
conscience
take it.
CAMILLO. Unbuckle, unbuckle.
FLORIZEL and AUTOLYCUS exchange garments
Fortunate mistress- let my prophecy
Come home to ye!- you must retire yourself
Into some covert; take your sweetheart's hat
And pluck it o'er your brows, muffle your face,
Dismantle you, and, as you can, disliken
The truth of your own seeming, that you may-
For I do fear eyes over- to shipboard
Get undescried.
PERDITA. I see the play so lies
That I must bear a part.
CAMILLO. No remedy.
Have you done there?
FLORIZEL. Should I now meet my father,
He would not call me son.
CAMILLO. Nay, you shall have no hat.
[Giving it to PERDITA]
Come, lady, come. Farewell, my friend.
AUTOLYCUS. Adieu, sir.
FLORIZEL. O Perdita, what have we twain forgot!
Pray you a word. [They converse apart]
CAMILLO. [Aside] What I do next shall be to tell the King
Of this escape, and whither they are bound;
Wherein my hope is I shall so prevail
To force him after; in whose company
I shall re-view Sicilia, for whose sight
I have a woman's longing.
FLORIZEL. Fortune speed us!
Thus we set on, Camillo, to th' sea-side.
CAMILLO. The swifter speed the better.
Exeunt FLORIZEL, PERDITA, and CAMILLO
AUTOLYCUS. I understand the business, I hear it. To have an
open
ear, a quick eye, and a nimble hand, is necessary for a
cut-purse; a good nose is requisite also, to smell out work
for
th' other senses. I see this is the time that the unjust man
doth
thrive. What an exchange had this been without boot! What a
boot
is here with this exchange! Sure, the gods do this year
connive
at us, and we may do anything extempore. The Prince himself
is
about a piece of iniquity- stealing away from his father with
his
clog at his heels. If I thought it were a piece of honesty to
acquaint the King withal, I would not do't. I hold it the
more
knavery to conceal it; and therein am I constant to my
profession.
Re-enter CLOWN and SHEPHERD
Aside, aside- here is more matter for a hot brain. Every
lane's
end, every shop, church, session, hanging, yields a careful
man
work.
CLOWN. See, see; what a man you are now! There is no other way
but
to tell the King she's a changeling and none of your flesh
and
blood.
SHEPHERD. Nay, but hear me.
CLOWN. Nay- but hear me.
SHEPHERD. Go to, then.
CLOWN. She being none of your flesh and blood, your flesh and
blood
has not offended the King; and so your flesh and blood is not
to
be punish'd by him. Show those things you found about her,
those
secret things- all but what she has with her. This being
done,
let the law go whistle; I warrant you.
SHEPHERD. I will tell the King all, every word- yea, and his
son's
pranks too; who, I may say, is no honest man, neither to his
father nor to me, to go about to make me the King's
brother-in-law.
CLOWN. Indeed, brother-in-law was the farthest off you could
have
been to him; and then your blood had been the dearer by I
know
how much an ounce.
AUTOLYCUS. [Aside] Very wisely, puppies!
SHEPHERD. Well, let us to the King. There is that in this
fardel
will make him scratch his beard.
AUTOLYCUS. [Aside] I know not what impediment this complaint
may
be to the flight of my master.
CLOWN. Pray heartily he be at palace.
AUTOLYCUS. [Aside] Though I am not naturally honest, I am so
sometimes by chance. Let me pocket up my pedlar's excrement.
[Takes off his false beard] How now, rustics! Whither are
you
bound?
SHEPHERD. To th' palace, an it like your worship.
AUTOLYCUS. Your affairs there, what, with whom, the condition
of
that fardel, the place of your dwelling, your names, your
ages,
of what having, breeding, and anything that is fitting to be
known- discover.
CLOWN. We are but plain fellows, sir.
AUTOLYCUS. A lie: you are rough and hairy. Let me have no
lying; it
becomes none but tradesmen, and they often give us soldiers
the
lie; but we pay them for it with stamped coin, not stabbing
steel; therefore they do not give us the lie.
CLOWN. Your worship had like to have given us one, if you had
not
taken yourself with the manner.
SHEPHERD. Are you a courtier, an't like you, sir?
AUTOLYCUS. Whether it like me or no, I am a courtier. Seest
thou
not the air of the court in these enfoldings? Hath not my
gait in
it the measure of the court? Receives not thy nose
court-odour
from me? Reflect I not on thy baseness court-contempt?
Think'st
thou, for that I insinuate, that toaze from thee thy
business, I
am therefore no courtier? I am courtier cap-a-pe, and one
that
will either push on or pluck back thy business there;
whereupon I
command the to open thy affair.
SHEPHERD. My business, sir, is to the King.
AUTOLYCUS. What advocate hast thou to him?
SHEPHERD. I know not, an't like you.
CLOWN. Advocate's the court-word for a pheasant; say you have
none.
SHEPHERD. None, sir; I have no pheasant, cock nor hen.
AUTOLYCUS. How blessed are we that are not simple men!
Yet nature might have made me as these are,
Therefore I will not disdain.
CLOWN. This cannot be but a great courtier.
SHEPHERD. His garments are rich, but he wears them not
handsomely.
CLOWN. He seems to be the more noble in being fantastical.
A great man, I'll warrant; I know by the picking on's teeth.
AUTOLYCUS. The fardel there? What's i' th' fardel? Wherefore
that
box?
SHEPHERD. Sir, there lies such secrets in this fardel and box
which
none must know but the King; and which he shall know within
this
hour, if I may come to th' speech of him.
AUTOLYCUS. Age, thou hast lost thy labour.
SHEPHERD. Why, Sir?
AUTOLYCUS. The King is not at the palace; he is gone aboard a
new
ship to purge melancholy and air himself; for, if thou be'st
capable of things serious, thou must know the King is full of
grief.
SHEPHERD. So 'tis said, sir- about his son, that should have
married a shepherd's daughter.
AUTOLYCUS. If that shepherd be not in hand-fast, let him fly;
the
curses he shall have, the tortures he shall feel, will break
the
back of man, the heart of monster.
CLOWN. Think you so, sir?
AUTOLYCUS. Not he alone shall suffer what wit can make heavy
and
vengeance bitter; but those that are germane to him, though
remov'd fifty times, shall all come under the hangman- which,
though it be great pity, yet it is necessary. An old
sheep-whistling rogue, a ram-tender, to offer to have his
daughter come into grace! Some say he shall be ston'd; but
that
death is too soft for him, say I. Draw our throne into a
sheep-cote!- all deaths are too few, the sharpest too easy.
CLOWN. Has the old man e'er a son, sir, do you hear, an't like
you,
sir?
AUTOLYCUS. He has a son- who shall be flay'd alive; then
'nointed
over with honey, set on the head of a wasp's nest; then stand
till he be three quarters and a dram dead; then recover'd
again
with aqua-vitae or some other hot infusion; then, raw as he
is,
and in the hottest day prognostication proclaims, shall he be
set
against a brick wall, the sun looking with a southward eye
upon
him, where he is to behold him with flies blown to death. But
what talk we of these traitorly rascals, whose miseries are
to be
smil'd at, their offences being so capital? Tell me, for you
seem
to be honest plain men, what you have to the King. Being
something gently consider'd, I'll bring you where he is
aboard,
tender your persons to his presence, whisper him in your
behalfs;
and if it be in man besides the King to effect your suits,
here
is man shall do it.
CLOWN. He seems to be of great authority. Close with him, give
him
gold; and though authority be a stubborn bear, yet he is oft
led
by the nose with gold. Show the inside of your purse to the
outside of his hand, and no more ado. Remember- ston'd and
flay'd
alive.
SHEPHERD. An't please you, sir, to undertake the business for
us,
here is that gold I have. I'll make it as much more, and
leave
this young man in pawn till I bring it you.
AUTOLYCUS. After I have done what I promised?
SHEPHERD. Ay, sir.
AUTOLYCUS. Well, give me the moiety. Are you a party in this
business?
CLOWN. In some sort, sir; but though my case be a pitiful one,
I
hope I shall not be flay'd out of it.
AUTOLYCUS. O, that's the case of the shepherd's son! Hang him,
he'll be made an example.
CLOWN. Comfort, good comfort! We must to the King and show our
strange sights. He must know 'tis none of your daughter nor
my
sister; we are gone else. Sir, I will give you as much as
this
old man does, when the business is performed; and remain, as
he
says, your pawn till it be brought you.
AUTOLYCUS. I will trust you. Walk before toward the sea-side;
go on
the right-hand; I will but look upon the hedge, and follow
you.
CLOWN. We are blest in this man, as I may say, even blest.
SHEPHERD. Let's before, as he bids us. He was provided to do us
good. Exeunt SHEPHERD and CLOWN
AUTOLYCUS. If I had a mind to be honest, I see Fortune would
not
suffer me: she drops booties in my mouth. I am courted now
with a
double occasion- gold, and a means to do the Prince my master
good; which who knows how that may turn back to my
advancement? I
will bring these two moles, these blind ones, aboard him. If
he
think it fit to shore them again, and that the complaint they
have to the King concerns him nothing, let him call me rogue
for
being so far officious; for I am proof against that title,
and
what shame else belongs to't. To him will I present them.
There
may be matter in it. Exit
| 12,763 | Act 4 | https://web.archive.org/web/20210411083408/https://www.gradesaver.com/the-winters-tale/study-guide/summary-act-4 | Father Time, the chorus of this play, tells the audience that sixteen years have passed since the end of Act 3. We leave behind Leontes, grieving in Sicilia, and come to Bohemia. Perdita, now a young woman, grows in grace and beauty. Father Time asks us also to remember that Polixenes has a son, Florizell, who is now a young man. Scene ii: Camillo is asking Polixenes to allow him to return home. Leontes has asked Camillo to come back, and Camillo longs to see his homeland and his old master. Polixenes has come to depend on Camillo's administrative abilities, and urges the courtier to stay. Their conversation implies that Bohemia and Sicilia enjoy restored relations, although the friendship between the kings has never recovered. Polixenes asks if Camillo knows the whereabouts of Prince Florizell, who lately is often absent. The king has heard that Florizell often visits the house of a shepherd who has a beautiful daughter. He asks Camillo to go with him, disguised, in order to find out what Florizell has been doing. Scene iii: Autolycus, a young man formerly in the service of the prince, now makes his living as a con artist. He pretends that he has been wounded by highway robbers. The unsuspecting Shepherd's Son, out buying supplies and ingredients for the sheep-shearing feast, stops to help him. While the Shepherd's Son is distracted, the rogue swipes the dim man's purse. When Autolycus hears about the sheep-shearing festival, he sees an opportunity to strike again. Scene iv: Florizell and Perdita speak to each other lovingly at the Shepherd's house. She wears a nice dress for the festival, while the prince is disguised as a young peasant. We learn that they first met because his hunting falcon flew out over the grounds of Perdita's home. Florizell is aglow with love for Perdita, but she is nervous about the prince's rank. She fears that if his father finds out, it will be a disaster for her and her family. We learn that although the two youths are in love, they have not consummated the affair. Florizell tells Perdita that he will risk being disowned for her. Enter the Shepherd, the Shepherd's Son, Mopsa, Dorcas, shepherds and shepherdesses, servants, musicians, and Polixenes and Camillo in disguise. The Shepherd encourages his daughter to devote herself wholeheartedly to the role of hostess, describing how his deceased wife was a hostess worth emulating. Perdita obeys her father and is charming and gracious to the guests. Polixenes and Camillo are impressed by the girl's beauty and bearing. Polixenes talks to the Shepherd, asking the identity of the young man with Perdita. The Shepherd does not know Florizell's true identity; he believes that Florizell is a country youth named Doricles. He tells the disguised king that the boy and Perdita are in love, and the Shepherd approves of the match. A servant announces the approach of a ballad-singer selling ribbons and other trinkets, and the Shepherd's Son eagerly calls for him to be brought in. Perdita warns that the ballad singer must not use obscene words. In comes the singer, who is none other than Autolycus. He sings a song about the wares he sells. We learn that the Shepherd's Son and the girl Mopsa are a pair, although Dorcas often playfully flirts with him. The three sing a ballad with Autolycus, and they all exit, with the Shepherd's Son promising to buy trifles for both women. A servant announces the approach of rustics who have dressed themselves as satyrs. The Shepherd, worried that he is boring his guests with too much "homely foolery," is about to send the satyrs away, but Polixenes is delighted by the prospect of dancing satyrs and insists that they be brought in. After the dance, Polixenes chats with Florizell, who has not recognized him. Florizell eloquently proclaims his love of Perdita, and Perdita indicates that she feels the same way. The Shepherd approves the match. The disguised Polixenes asks Florizell if he has a father, and if his father knows of this match. Florizell admits that his father knows nothing, nor will he know. Polixenes presses him to tell his father, and the Shepherd agrees that Florizell's father should know. When Florizell still refuses to share the important news with his father, Polixenes reveals himself. Furious, he disowns his son and threatens the Shepherd and Perdita. The Shepherd will escape harm this time, but if Perdita sees Florizell again she will be executed. Polixenes exits. Perdita was about to tell him that the same sun shines on the court and on her cottage, but now the chance is past and her concern is for the safety of her and her family. She asks Florizell to leave. The Shepherd is angry with both children for their deception, and he exits in a huff. Florizell is undeterred by his father's disapproval. He still wants to marry Perdita. Camillo, now revealed, tries to caution the prince about rash behavior, but the prince has made his choice. He will marry Perdita and, if necessary, flee Bohemia. In an aside, Camillo wonders if he can help the prince to escape as well as use the event to his advantage, so that he can once again see Sicilia and his old master, King Leontes. Camillo has a plan. Florizell and Perdita should go to Sicilia, where King Leontes will welcome them. In their absence, Camillo will try to convince Polixenes to accept his son's decision. Florizell and Perdita will pretend to be emissaries of Polixenes, with letters and instructions from Camillo to make the act believable. Autolycus re-enters, having sold all of his junk. Camillo pays him to switch clothes with Florizell, so that the prince can escape in disguise. The hat is given to Perdita. In an aside, Camillo reveals that he will tell the king where the children have gone, in hopes that the king will follow them to Sicilia. Camillo will accompany him, and the old courtier will be able to see his homeland once again. Perdita, Camillo, and Florizell exit. Autolycus knows Camillo and the prince, but he decides not to tell the king, because the act of honesty would not suit his knavish character. The Shepherd and the Shepherd's Son re-enter, discussing their plight. The Shepherd's Son convinces the Shepherd that they must tell Polixenes that Perdita is a changeling. Autolycus approaches them, pretending to be a great courtier. He warns the men that the king is furious, and fools them into believing that the king plans brutal tortures for all those involved in Florizell's courtship of Perdita. He tells them that if needs be, he will present them to the king and put in a good word for them. The Shepherd and the Shepherd's Son are duped, and they give Autolycus gold to thank him for his help. Autolycus reveals in an aside to the audience that he will work to benefit his old master, the prince, in hopes that he may achieve some advancement. While helping the prince, there is no hurt in conning the peasants out of a little more gold. | The shift in tone and focus between Act 2 and Act 3 is one of the most dramatic transitions in Shakespeare. Suddenly, the tragic momentum set up by Leontes' irrational jealousy and tyrannical behavior is left behind; at the request of the chorus, Father Time, we leave the world of Sicilia and enter the pastoral world of Bohemia's countryside. The focus here is the love story of Perdita and Florizell, set in an idyllic landscape of shepherds, rogues, and peasants dressed as forest satyrs. The court of Bohemia never enters our consideration; when we do see courtiers and royalty, they are foundlings unaware of their true identity or they are in disguise. Nature and its regenerative powers dominate the stage. When we first see Florizell and Perdita, he compares her to a goddess of nature, and later, men dressed as mythical satyrs dance for our entertainment. Shakespeare is creating a charming rural world full of allusions to the nature deities of ancient Greece. Depictions of the pastoral have a long tradition in English literature. A pastoral is an idealized literary portrait of life in the country, often involving shepherds and shepherdesses who are surprisingly literate and given to speaking in verse. To many of the Londoners who saw Shakespeare's plays, the pastoral was a form of escapism to a life that was removed from the hubbub of the city. Literate aristocrats, fond throughout the ages of romanticizing poverty that they do not share, enjoyed the fantasy images of sheep tending, quaint festivals, and poetry-spouting peasants. These pastorals depicted a world that was supposedly more simple and beautiful than the lives of the urban or the rich. Here, the pastoral setting contributes to the important theme of death and rebirth. Leontes has caused the deaths of his wife and son and the apparent death of his daughter. Yet Perdita has miraculously survived, and her restoration to her father will seem, to the grieving court of Sicilia, like a miraculous resurrection. The idealized world of Bohemia's countryside is the site of nature's cycles, which parallel the loss and death of the first three acts followed by the renewal and restoration in Acts Four and Five. The dangers of tyranny are present in Act 4, but this time Polixenes is the man at fault. His anger with his son is understandable, but it is also excessive. When he threatens Perdita with physical violence, it is the act of a man whose throne will protect him even if he terrorizes his subjects. Tyranny separates a king from his people; remember Leontes' delusions and his tyrannical behavior, which isolated him farther and farther from his court and family. The Winter's Tale warns against this kind of isolation: good kingship means guarding against it. Perdita's intended words of advice to the king are to the point: "I was not much afeard, for once or twice / I was about to speak and tell him plainly / The selfsame sun that shines upon his court / Hides not his visage from our cottage but / Looks on all alike" . Monarchs should be responsible, like everyone else, for the proper treatment of friends and family; kings are linked even to their poorest subjects by a common humanity. Throughout Shakespeare's plays, a king forgets these truths at his peril. Yet in this play, Shakespeare goes easy on Leontes and Polixenes. They are allowed, despite their misuses of their power, to have a happy ending. Fate is generous and forgiving. Polixenes never even has to apologize for his rough treatment of Perdita and her adoptive family, nor does he have to learn the lesson that Perdita was about to share with him. His problem with his son's marriage takes care of itself when Perdita's true parentage is revealed. Although both kings at different points misuse their power, the play does not leave them isolated. Leontes and Polixenes learn their lessons or half-learn them; either way, fate accommodates them and restores their relationships with friends and family. | 1,187 | 667 | [
"Enter TIME, the CHORUS\n\n TIME.",
"I, that please some, try all, both joy and terror\n Of good and bad, that makes and unfolds error,\n Now take upon me, in the name of Time,\n To use my wings.",
"Impute it not a crime\n To me or my swift passage that I slide\n O'er sixteen years, and leave the growth untried\n Of that wide gap, since it is in my pow'r\n To o'erthrow law, and in one self-born hour\n To plant and o'erwhelm custom.",
"Let me pass\n The same I am, ere ancient'st order was\n Or what is now receiv'd.",
"I witness to\n The times that brought them in; so shall I do\n To th' freshest things now reigning, and make stale\n The glistering of this present, as my tale\n Now seems to it.",
"Your patience this allowing,\n I turn my glass, and give my scene such growing\n As you had slept between.",
"Leontes leaving-\n Th' effects of his fond jealousies so grieving\n That he shuts up himself- imagine me,\n Gentle spectators, that I now may be\n In fair Bohemia; and remember well\n I mention'd a son o' th' King's, which Florizel\n I now name to you; and with speed so pace\n To speak of Perdita, now grown in grace\n Equal with wond'ring.",
"What of her ensues\n I list not prophesy; but let Time's news\n Be known when 'tis brought forth.",
"A shepherd's daughter,\n And what to her adheres, which follows after,\n Is th' argument of Time.",
"Of this allow,\n If ever you have spent time worse ere now;\n If never, yet that Time himself doth say\n He wishes earnestly you never may.",
"Exit\n\n\n\n\n\nBohemia.",
"The palace of POLIXENES\n\nEnter POLIXENES and CAMILLO\n\n POLIXENES.",
"I pray thee, good Camillo, be no more importunate:\n'tis\n a sickness denying thee anything; a death to grant this.",
"CAMILLO.",
"It is fifteen years since I saw my country; though I\nhave\n for the most part been aired abroad, I desire to lay my bones\n there.",
"Besides, the penitent King, my master, hath sent for\nme;\n to whose feeling sorrows I might be some allay, or I o'erween\nto\n think so, which is another spur to my departure.",
"POLIXENES.",
"As thou lov'st me, Camillo, wipe not out the rest of\nthy\n services by leaving me now.",
"The need I have of thee thine own\n goodness hath made.",
"Better not to have had thee than thus to\nwant\n thee; thou, having made me businesses which none without thee\ncan\n sufficiently manage, must either stay to execute them\nthyself, or\n take away with thee the very services thou hast done; which\nif I\n have not enough considered- as too much I cannot- to be more\n thankful to thee shall be my study; and my profit therein the\n heaping friendships.",
"Of that fatal country Sicilia, prithee,\n speak no more; whose very naming punishes me with the\nremembrance\n of that penitent, as thou call'st him, and reconciled king,\nmy\n brother; whose loss of his most precious queen and children\nare\n even now to be afresh lamented.",
"Say to me, when saw'st thou\nthe\n Prince Florizel, my son?",
"Kings are no less unhappy, their\nissue\n not being gracious, than they are in losing them when they\nhave\n approved their virtues.",
"CAMILLO.",
"Sir, it is three days since I saw the Prince.",
"What his\n happier affairs may be are to me unknown; but I have\nmissingly\n noted he is of late much retired from court, and is less\nfrequent\n to his princely exercises than formerly he hath appeared.",
"POLIXENES.",
"I have considered so much, Camillo, and with some\ncare,\n so far that I have eyes under my service which look upon his\n removedness; from whom I have this intelligence, that he is\n seldom from the house of a most homely shepherd- a man, they\nsay,\n that from very nothing, and beyond the imagination of his\n neighbours, is grown into an unspeakable estate.",
"CAMILLO.",
"I have heard, sir, of such a man, who hath a daughter\nof\n most rare note.",
"The report of her is extended more than can\nbe\n thought to begin from such a cottage.",
"POLIXENES.",
"That's likewise part of my intelligence; but, I\nfear, the\n angle that plucks our son thither.",
"Thou shalt accompany us to\nthe\n place; where we will, not appearing what we are, have some\n question with the shepherd; from whose simplicity I think it\nnot\n uneasy to get the cause of my son's resort thither.",
"Prithee\nbe my\n present partner in this business, and lay aside the thoughts\nof\n Sicilia.",
"CAMILLO.",
"I willingly obey your command.",
"POLIXENES.",
"My best Camillo!",
"We must disguise ourselves.",
"Exeunt\n\n\n\n\n\nBohemia.",
"A road near the SHEPHERD'S cottage\n\nEnter AUTOLYCUS, singing\n\n When daffodils begin to peer,\n With heigh!",
"the doxy over the dale,\n Why, then comes in the sweet o' the year,\n For the red blood reigns in the winter's pale.",
"The white sheet bleaching on the hedge,\n With heigh!",
"the sweet birds, O, how they sing!",
"Doth set my pugging tooth on edge,\n For a quart of ale is a dish for a king.",
"The lark, that tirra-lirra chants,\n With heigh!",
"with heigh!",
"the thrush and the jay,\n Are summer songs for me and my aunts,\n While we lie tumbling in the hay.",
"I have serv'd Prince Florizel, and in my time wore\nthree-pile;\n but now I am out of service.",
"But shall I go mourn for that, my dear?",
"The pale moon shines by night;\n And when I wander here and there,\n I then do most go right.",
"If tinkers may have leave to live,\n And bear the sow-skin budget,\n Then my account I well may give\n And in the stocks avouch it.",
"My traffic is sheets; when the kite builds, look to lesser\nlinen.",
"My father nam'd me Autolycus; who, being, I as am, litter'd\nunder\n Mercury, was likewise a snapper-up of unconsidered trifles.",
"With\n die and drab I purchas'd this caparison; and my revenue is\nthe\n silly-cheat.",
"Gallows and knock are too powerful on the\nhighway;\n beating and hanging are terrors to me; for the life to come,\nI\n sleep out the thought of it.",
"A prize!",
"a prize!",
"Enter CLOWN\n\n CLOWN.",
"Let me see: every 'leven wether tods; every tod yields\npound\n and odd shilling; fifteen hundred shorn, what comes the wool\nto?",
"AUTOLYCUS.",
"[Aside] If the springe hold, the cock's mine.",
"CLOWN.",
"I cannot do 't without counters.",
"Let me see: what am I\nto\n buy for our sheep-shearing feast?",
"Three pound of sugar, five\n pound of currants, rice- what will this sister of mine do\nwith\n rice?",
"But my father hath made her mistress of the feast, and\nshe\n lays it on.",
"She hath made me four and twenty nosegays for the\n shearers- three-man song-men all, and very good ones; but\nthey\n are most of them means and bases; but one Puritan amongst\nthem,\n and he sings psalms to hornpipes.",
"I must have saffron to\ncolour\n the warden pies; mace; dates- none, that's out of my note;\n nutmegs, seven; race or two of ginger, but that I may beg;\nfour\n pound of prunes, and as many of raisins o' th' sun.",
"AUTOLYCUS.",
"[Grovelling on the ground] O that ever I was born!",
"CLOWN.",
"I' th' name of me!",
"AUTOLYCUS.",
"O, help me, help me!",
"Pluck but off these rags; and\nthen,\n death, death!",
"CLOWN.",
"Alack, poor soul!",
"thou hast need of more rags to lay on\n thee, rather than have these off.",
"AUTOLYCUS.",
"O sir, the loathsomeness of them offend me more than\nthe\n stripes I have received, which are mighty ones and millions.",
"CLOWN.",
"Alas, poor man!",
"a million of beating may come to a great\n matter.",
"AUTOLYCUS.",
"I am robb'd, sir, and beaten; my money and apparel\nta'en\n from me, and these detestable things put upon me.",
"CLOWN.",
"What, by a horseman or a footman?",
"AUTOLYCUS.",
"A footman, sweet sir, a footman.",
"CLOWN.",
"Indeed, he should be a footman, by the garments he has\nleft\n with thee; if this be a horseman's coat, it hath seen very\nhot\n service.",
"Lend me thy hand, I'll help thee.",
"Come, lend me thy\n hand.",
"[Helping him up]\n AUTOLYCUS.",
"O, good sir, tenderly, O!",
"CLOWN.",
"Alas, poor soul!",
"AUTOLYCUS.",
"O, good sir, softly, good sir; I fear, sir, my\nshoulder\n blade is out.",
"CLOWN.",
"How now!",
"Canst stand?",
"AUTOLYCUS.",
"Softly, dear sir [Picks his pocket]; good sir,\nsoftly.",
"You ha' done me a charitable office.",
"CLOWN.",
"Dost lack any money?",
"I have a little money for thee.",
"AUTOLYCUS.",
"No, good sweet sir; no, I beseech you, sir.",
"I have a\n kinsman not past three quarters of a mile hence, unto whom I\nwas\n going; I shall there have money or anything I want.",
"Offer me\nno\n money, I pray you; that kills my heart.",
"CLOWN.",
"What manner of fellow was he that robb'd you?",
"AUTOLYCUS.",
"A fellow, sir, that I have known to go about with\n troll-my-dames; I knew him once a servant of the Prince.",
"I\ncannot\n tell, good sir, for which of his virtues it was, but he was\n certainly whipt out of the court.",
"CLOWN.",
"His vices, you would say; there's no virtue whipt out of\nthe\n court.",
"They cherish it to make it stay there; and yet it will\nno\n more but abide.",
"AUTOLYCUS.",
"Vices, I would say, sir.",
"I know this man well; he\nhath\n been since an ape-bearer; then a process-server, a bailiff;\nthen\n he compass'd a motion of the Prodigal Son, and married a\ntinker's\n wife within a mile where my land and living lies; and, having\n flown over many knavish professions, he settled only in\nrogue.",
"Some call him Autolycus.",
"CLOWN.",
"Out upon him!",
"prig, for my life, prig!",
"He haunts wakes,\n fairs, and bear-baitings.",
"AUTOLYCUS.",
"Very true, sir; he, sir, he; that's the rogue that\nput\n me into this apparel.",
"CLOWN.",
"Not a more cowardly rogue in all Bohemia; if you had but\n look'd big and spit at him, he'd have run.",
"AUTOLYCUS.",
"I must confess to you, sir, I am no fighter; I am\nfalse\n of heart that way, and that he knew, I warrant him.",
"CLOWN.",
"How do you now?",
"AUTOLYCUS.",
"Sweet sir, much better than I was; I can stand and\nwalk.",
"I will even take my leave of you and pace softly towards my\n kinsman's.",
"CLOWN.",
"Shall I bring thee on the way?",
"AUTOLYCUS.",
"No, good-fac'd sir; no, sweet sir.",
"CLOWN.",
"Then fare thee well.",
"I must go buy spices for our\n sheep-shearing.",
"AUTOLYCUS.",
"Prosper you, sweet sir!",
"Exit CLOWN\n Your purse is not hot enough to purchase your spice.",
"I'll be\nwith\n you at your sheep-shearing too.",
"If I make not this cheat\nbring\n out another, and the shearers prove sheep, let me be\nunroll'd,\n and my name put in the book of virtue!",
"[Sings]\n Jog on, jog on, the footpath way,\n And merrily hent the stile-a;\n A merry heart goes all the day,\n Your sad tires in a mile-a.",
"Exit\n\n\n\n\n\nBohemia.",
"The SHEPHERD'S cottage\n\nEnter FLORIZEL and PERDITA\n\n FLORIZEL.",
"These your unusual weeds to each part of you\n Do give a life- no shepherdess, but Flora\n Peering in April's front.",
"This your sheep-shearing\n Is as a meeting of the petty gods,\n And you the Queen on't.",
"PERDITA.",
"Sir, my gracious lord,\n To chide at your extremes it not becomes me-\n O, pardon that I name them!",
"Your high self,\n The gracious mark o' th' land, you have obscur'd\n With a swain's wearing; and me, poor lowly maid,\n Most goddess-like prank'd up.",
"But that our feasts\n In every mess have folly, and the feeders\n Digest it with a custom, I should blush\n To see you so attir'd; swoon, I think,\n To show myself a glass.",
"FLORIZEL.",
"I bless the time\n When my good falcon made her flight across\n Thy father's ground.",
"PERDITA.",
"Now Jove afford you cause!",
"To me the difference forges dread; your greatness\n Hath not been us'd to fear.",
"Even now I tremble\n To think your father, by some accident,\n Should pass this way, as you did.",
"O, the Fates!",
"How would he look to see his work, so noble,\n Vilely bound up?",
"What would he say?",
"Or how\n Should I, in these my borrowed flaunts, behold\n The sternness of his presence?",
"FLORIZEL.",
"Apprehend\n Nothing but jollity.",
"The gods themselves,\n Humbling their deities to love, have taken\n The shapes of beasts upon them: Jupiter\n Became a bull and bellow'd; the green Neptune\n A ram and bleated; and the fire-rob'd god,\n Golden Apollo, a poor humble swain,\n As I seem now.",
"Their transformations\n Were never for a piece of beauty rarer,\n Nor in a way so chaste, since my desires\n Run not before mine honour, nor my lusts\n Burn hotter than my faith.",
"PERDITA.",
"O, but, sir,\n Your resolution cannot hold when 'tis\n Oppos'd, as it must be, by th' pow'r of the King.",
"One of these two must be necessities,\n Which then will speak, that you must change this purpose,\n Or I my life.",
"FLORIZEL.",
"Thou dearest Perdita,\n With these forc'd thoughts, I prithee, darken not\n The mirth o' th' feast.",
"Or I'll be thine, my fair,\n Or not my father's; for I cannot be\n Mine own, nor anything to any, if\n I be not thine.",
"To this I am most constant,\n Though destiny say no.",
"Be merry, gentle;\n Strangle such thoughts as these with any thing\n That you behold the while.",
"Your guests are coming.",
"Lift up your countenance, as it were the day\n Of celebration of that nuptial which\n We two have sworn shall come.",
"PERDITA.",
"O Lady Fortune,\n Stand you auspicious!",
"FLORIZEL.",
"See, your guests approach.",
"Address yourself to entertain them sprightly,\n And let's be red with mirth.",
"Enter SHEPHERD, with POLIXENES and CAMILLO, disguised;\n CLOWN, MOPSA, DORCAS, with OTHERS\n\n SHEPHERD.",
"Fie, daughter!",
"When my old wife liv'd, upon\n This day she was both pantler, butler, cook;\n Both dame and servant; welcom'd all; serv'd all;\n Would sing her song and dance her turn; now here\n At upper end o' th' table, now i' th' middle;\n On his shoulder, and his; her face o' fire\n With labour, and the thing she took to quench it\n She would to each one sip.",
"You are retired,\n As if you were a feasted one, and not\n The hostess of the meeting.",
"Pray you bid\n These unknown friends to's welcome, for it is\n A way to make us better friends, more known.",
"Come, quench your blushes, and present yourself\n That which you are, Mistress o' th' Feast.",
"Come on,\n And bid us welcome to your sheep-shearing,\n As your good flock shall prosper.",
"PERDITA.",
"[To POLIXENES] Sir, welcome.",
"It is my father's will I should take on me\n The hostess-ship o' th' day.",
"[To CAMILLO]\n You're welcome, sir.",
"Give me those flow'rs there, Dorcas.",
"Reverend sirs,\n For you there's rosemary and rue; these keep\n Seeming and savour all the winter long.",
"Grace and remembrance be to you both!",
"And welcome to our shearing.",
"POLIXENES.",
"Shepherdess-\n A fair one are you- well you fit our ages\n With flow'rs of winter.",
"PERDITA.",
"Sir, the year growing ancient,\n Not yet on summer's death nor on the birth\n Of trembling winter, the fairest flow'rs o' th' season\n Are our carnations and streak'd gillyvors,\n Which some call nature's bastards.",
"Of that kind\n Our rustic garden's barren; and I care not\n To get slips of them.",
"POLIXENES.",
"Wherefore, gentle maiden,\n Do you neglect them?",
"PERDITA.",
"For I have heard it said\n There is an art which in their piedness shares\n With great creating nature.",
"POLIXENES.",
"Say there be;\n Yet nature is made better by no mean\n But nature makes that mean; so over that art\n Which you say adds to nature, is an art\n That nature makes.",
"You see, sweet maid, we marry\n A gentler scion to the wildest stock,\n And make conceive a bark of baser kind\n By bud of nobler race.",
"This is an art\n Which does mend nature- change it rather; but\n The art itself is nature.",
"PERDITA.",
"So it is.",
"POLIXENES.",
"Then make your garden rich in gillyvors,\n And do not call them bastards.",
"PERDITA.",
"I'll not put\n The dibble in earth to set one slip of them;\n No more than were I painted I would wish\n This youth should say 'twere well, and only therefore\n Desire to breed by me.",
"Here's flow'rs for you:\n Hot lavender, mints, savory, marjoram;\n The marigold, that goes to bed wi' th' sun,\n And with him rises weeping; these are flow'rs\n Of middle summer, and I think they are given\n To men of middle age.",
"Y'are very welcome.",
"CAMILLO.",
"I should leave grazing, were I of your flock,\n And only live by gazing.",
"PERDITA.",
"Out, alas!",
"You'd be so lean that blasts of January\n Would blow you through and through.",
"Now, my fair'st friend,\n I would I had some flow'rs o' th' spring that might\n Become your time of day- and yours, and yours,\n That wear upon your virgin branches yet\n Your maidenheads growing.",
"O Proserpina,\n From the flowers now that, frighted, thou let'st fall\n From Dis's waggon!- daffodils,\n That come before the swallow dares, and take\n The winds of March with beauty; violets, dim\n But sweeter than the lids of Juno's eyes\n Or Cytherea's breath; pale primroses,\n That die unmarried ere they can behold\n Bright Phoebus in his strength- a malady\n Most incident to maids; bold oxlips, and\n The crown-imperial; lilies of all kinds,\n The flow'r-de-luce being one.",
"O, these I lack\n To make you garlands of, and my sweet friend\n To strew him o'er and o'er!",
"FLORIZEL.",
"What, like a corse?",
"PERDITA.",
"No; like a bank for love to lie and play on;\n Not like a corse; or if- not to be buried,\n But quick, and in mine arms.",
"Come, take your flow'rs.",
"Methinks I play as I have seen them do\n In Whitsun pastorals.",
"Sure, this robe of mine\n Does change my disposition.",
"FLORIZEL.",
"What you do\n Still betters what is done.",
"When you speak, sweet,\n I'd have you do it ever.",
"When you sing,\n I'd have you buy and sell so; so give alms;\n Pray so; and, for the ord'ring your affairs,\n To sing them too.",
"When you do dance, I wish you\n A wave o' th' sea, that you might ever do\n Nothing but that; move still, still so,\n And own no other function.",
"Each your doing,\n So singular in each particular,\n Crowns what you are doing in the present deeds,\n That all your acts are queens.",
"PERDITA.",
"O Doricles,\n Your praises are too large.",
"But that your youth,\n And the true blood which peeps fairly through't,\n Do plainly give you out an unstain'd shepherd,\n With wisdom I might fear, my Doricles,\n You woo'd me the false way.",
"FLORIZEL.",
"I think you have\n As little skill to fear as I have purpose\n To put you to't.",
"But, come; our dance, I pray.",
"Your hand, my Perdita; so turtles pair\n That never mean to part.",
"PERDITA.",
"I'll swear for 'em.",
"POLIXENES.",
"This is the prettiest low-born lass that ever\n Ran on the green-sward; nothing she does or seems\n But smacks of something greater than herself,\n Too noble for this place.",
"CAMILLO.",
"He tells her something\n That makes her blood look out.",
"Good sooth, she is\n The queen of curds and cream.",
"CLOWN.",
"Come on, strike up.",
"DORCAS.",
"Mopsa must be your mistress; marry, garlic,\n To mend her kissing with!",
"MOPSA.",
"Now, in good time!",
"CLOWN.",
"Not a word, a word; we stand upon our manners.",
"Come, strike up.",
"[Music]\n\n Here a dance Of SHEPHERDS and SHEPHERDESSES\n\n POLIXENES.",
"Pray, good shepherd, what fair swain is this\n Which dances with your daughter?",
"SHEPHERD.",
"They call him Doricles, and boasts himself\n To have a worthy feeding; but I have it\n Upon his own report, and I believe it:\n He looks like sooth.",
"He says he loves my daughter;\n I think so too; for never gaz'd the moon\n Upon the water as he'll stand and read,\n As 'twere my daughter's eyes; and, to be plain,\n I think there is not half a kiss to choose\n Who loves another best.",
"POLIXENES.",
"She dances featly.",
"SHEPHERD.",
"So she does any thing; though I report it\n That should be silent.",
"If young Doricles\n Do light upon her, she shall bring him that\n Which he not dreams of.",
"Enter a SERVANT\n\n SERVANT.",
"O master, if you did but hear the pedlar at the door,\nyou\n would never dance again after a tabor and pipe; no, the\nbagpipe\n could not move you.",
"He sings several tunes faster than you'll\n tell money; he utters them as he had eaten ballads, and all\nmen's\n ears grew to his tunes.",
"CLOWN.",
"He could never come better; he shall come in.",
"I love a\n ballad but even too well, if it be doleful matter merrily set\n down, or a very pleasant thing indeed and sung lamentably.",
"SERVANT.",
"He hath songs for man or woman of all sizes; no\nmilliner\n can so fit his customers with gloves.",
"He has the prettiest\n love-songs for maids; so without bawdry, which is strange;\nwith\n such delicate burdens of dildos and fadings, 'jump her and\nthump\n her'; and where some stretch-mouth'd rascal would, as it\nwere,\n mean mischief, and break a foul gap into the matter, he makes\nthe\n maid to answer 'Whoop, do me no harm, good man'- puts him\noff,\n slights him, with 'Whoop, do me no harm, good man.'",
"POLIXENES.",
"This is a brave fellow.",
"CLOWN.",
"Believe me, thou talkest of an admirable conceited\nfellow.",
"Has he any unbraided wares?",
"SERVANT.",
"He hath ribbons of all the colours i' th' rainbow;\npoints,\n more than all the lawyers in Bohemia can learnedly handle,\nthough\n they come to him by th' gross; inkles, caddisses, cambrics,\n lawns.",
"Why he sings 'em over as they were gods or goddesses;\nyou\n would think a smock were she-angel, he so chants to the\n sleeve-hand and the work about the square on't.",
"CLOWN.",
"Prithee bring him in; and let him approach singing.",
"PERDITA.",
"Forewarn him that he use no scurrilous words in's\ntunes.",
"Exit SERVANT\n CLOWN.",
"You have of these pedlars that have more in them than\nyou'd\n think, sister.",
"PERDITA.",
"Ay, good brother, or go about to think.",
"Enter AUTOLYCUS, Singing\n\n Lawn as white as driven snow;\n Cypress black as e'er was crow;\n Gloves as sweet as damask roses;\n Masks for faces and for noses;\n Bugle bracelet, necklace amber,\n Perfume for a lady's chamber;\n Golden quoifs and stomachers,\n For my lads to give their dears;\n Pins and poking-sticks of steel-\n What maids lack from head to heel.",
"Come, buy of me, come; come buy, come buy;\n Buy, lads, or else your lasses cry.",
"Come, buy.",
"CLOWN.",
"If I were not in love with Mopsa, thou shouldst take no\n money of me; but being enthrall'd as I am, it will also be\nthe\n bondage of certain ribbons and gloves.",
"MOPSA.",
"I was promis'd them against the feast; but they come not\ntoo\n late now.",
"DORCAS.",
"He hath promis'd you more than that, or there be liars.",
"MOPSA.",
"He hath paid you all he promis'd you.",
"May be he has paid\nyou\n more, which will shame you to give him again.",
"CLOWN.",
"Is there no manners left among maids?",
"Will they wear\ntheir\n plackets where they should bear their faces?",
"Is there not\n milking-time, when you are going to bed, or kiln-hole, to\nwhistle\n off these secrets, but you must be tittle-tattling before all\nour\n guests?",
"'Tis well they are whisp'ring.",
"Clammer your tongues,\nand\n not a word more.",
"MOPSA.",
"I have done.",
"Come, you promis'd me a tawdry-lace, and a\npair\n of sweet gloves.",
"CLOWN.",
"Have I not told thee how I was cozen'd by the way, and\nlost\n all my money?",
"AUTOLYCUS.",
"And indeed, sir, there are cozeners abroad;\ntherefore it\n behoves men to be wary.",
"CLOWN.",
"Fear not thou, man; thou shalt lose nothing here.",
"AUTOLYCUS.",
"I hope so, sir; for I have about me many parcels of\n charge.",
"CLOWN.",
"What hast here?",
"Ballads?",
"MOPSA.",
"Pray now, buy some.",
"I love a ballad in print a-life, for\n then we are sure they are true.",
"AUTOLYCUS.",
"Here's one to a very doleful tune: how a usurer's\nwife\n was brought to bed of twenty money-bags at a burden, and how\nshe\n long'd to eat adders' heads and toads carbonado'd.",
"MOPSA.",
"Is it true, think you?",
"AUTOLYCUS.",
"Very true, and but a month old.",
"DORCAS.",
"Bless me from marrying a usurer!",
"AUTOLYCUS.",
"Here's the midwife's name to't, one Mistress\nTaleporter,\n and five or six honest wives that were present.",
"Why should I\n carry lies abroad?",
"MOPSA.",
"Pray you now, buy it.",
"CLOWN.",
"Come on, lay it by; and let's first see moe ballads;\nwe'll\n buy the other things anon.",
"AUTOLYCUS.",
"Here's another ballad, of a fish that appeared upon\nthe\n coast on Wednesday the fourscore of April, forty thousand\nfathom\n above water, and sung this ballad against the hard hearts of\n maids.",
"It was thought she was a woman, and was turn'd into a\ncold\n fish for she would not exchange flesh with one that lov'd\nher.",
"The ballad is very pitiful, and as true.",
"DORCAS.",
"Is it true too, think you?",
"AUTOLYCUS.",
"Five justices' hands at it; and witnesses more than\nmy\n pack will hold.",
"CLOWN.",
"Lay it by too.",
"Another.",
"AUTOLYCUS.",
"This is a merry ballad, but a very pretty one.",
"MOPSA.",
"Let's have some merry ones.",
"AUTOLYCUS.",
"Why, this is a passing merry one, and goes to the\ntune\n of 'Two maids wooing a man.'",
"There's scarce a maid westward\nbut\n she sings it; 'tis in request, I can tell you.",
"MOPSA.",
"can both sing it.",
"If thou'lt bear a part, thou shalt\nhear;\n 'tis in three parts.",
"DORCAS.",
"We had the tune on't a month ago.",
"AUTOLYCUS.",
"I can bear my part; you must know 'tis my\noccupation.",
"Have at it with you.",
"SONG\n\n AUTOLYCUS.",
"Get you hence, for I must go\n Where it fits not you to know.",
"DORCAS.",
"Whither?",
"MOPSA.",
"O, whither?",
"DORCAS.",
"Whither?",
"MOPSA.",
"It becomes thy oath full well\n Thou to me thy secrets tell.",
"DORCAS.",
"Me too!",
"Let me go thither\n MOPSA.",
"Or thou goest to th' grange or mill.",
"DORCAS.",
"If to either, thou dost ill.\n AUTOLYCUS.",
"Neither.",
"DORCAS.",
"What, neither?",
"AUTOLYCUS.",
"Neither.",
"DORCAS.",
"Thou hast sworn my love to be.",
"MOPSA.",
"Thou hast sworn it more to me.",
"Then whither goest?",
"Say, whither?",
"CLOWN.",
"We'll have this song out anon by ourselves; my father\nand\n the gentlemen are in sad talk, and we'll not trouble them.",
"Come,\n bring away thy pack after me.",
"Wenches, I'll buy for you both.",
"Pedlar, let's have the first choice.",
"Follow me, girls.",
"Exit with DORCAS and MOPSA\n AUTOLYCUS.",
"And you shall pay well for 'em.",
"Exit AUTOLYCUS, Singing\n\n Will you buy any tape,\n Or lace for your cape,\n My dainty duck, my dear-a?",
"Any silk, any thread,\n Any toys for your head,\n Of the new'st and fin'st, fin'st wear-a?",
"Come to the pedlar;\n Money's a meddler\n That doth utter all men's ware-a.",
"Re-enter SERVANT\n\n SERVANT.",
"Master, there is three carters, three shepherds, three\n neat-herds, three swineherds, that have made themselves all\nmen\n of hair; they call themselves Saltiers, and they have dance\nwhich\n the wenches say is a gallimaufry of gambols, because they are\nnot\n in't; but they themselves are o' th' mind, if it be not too\nrough\n for some that know little but bowling, it will please\n plentifully.",
"SHEPHERD.",
"Away!",
"We'll none on't; here has been too much homely\n foolery already.",
"I know, sir, we weary you.",
"POLIXENES.",
"You weary those that refresh us.",
"Pray, let's see\nthese\n four threes of herdsmen.",
"SERVANT.",
"One three of them, by their own report, sir, hath\ndanc'd\n before the King; and not the worst of the three but jumps\ntwelve\n foot and a half by th' squier.",
"SHEPHERD.",
"Leave your prating; since these good men are pleas'd,\nlet\n them come in; but quickly now.",
"SERVANT.",
"Why, they stay at door, sir.",
"Exit\n\n Here a dance of twelve SATYRS\n\n POLIXENES.",
"[To SHEPHERD] O, father, you'll know more of that\n hereafter.",
"[To CAMILLO] Is it not too far gone?",
"'Tis time to part them.",
"He's simple and tells much.",
"[To FLORIZEL] How now, fair\n shepherd!",
"Your heart is full of something that does take\n Your mind from feasting.",
"Sooth, when I was young\n And handed love as you do, I was wont\n To load my she with knacks; I would have ransack'd\n The pedlar's silken treasury and have pour'd it\n To her acceptance: you have let him go\n And nothing marted with him.",
"If your lass\n Interpretation should abuse and call this\n Your lack of love or bounty, you were straited\n For a reply, at least if you make a care\n Of happy holding her.",
"FLORIZEL.",
"Old sir, I know\n She prizes not such trifles as these are.",
"The gifts she looks from me are pack'd and lock'd\n Up in my heart, which I have given already,\n But not deliver'd.",
"O, hear me breathe my life\n Before this ancient sir, whom, it should seem,\n Hath sometime lov'd.",
"I take thy hand- this hand,\n As soft as dove's down and as white as it,\n Or Ethiopian's tooth, or the fann'd snow that's bolted\n By th' northern blasts twice o'er.",
"POLIXENES.",
"What follows this?",
"How prettily the young swain seems to wash\n The hand was fair before!",
"I have put you out.",
"But to your protestation; let me hear\n What you profess.",
"FLORIZEL.",
"Do, and be witness to't.",
"POLIXENES.",
"And this my neighbour too?",
"FLORIZEL.",
"And he, and more\n Than he, and men- the earth, the heavens, and all:\n That, were I crown'd the most imperial monarch,\n Thereof most worthy, were I the fairest youth\n That ever made eye swerve, had force and knowledge\n More than was ever man's, I would not prize them\n Without her love; for her employ them all;\n Commend them and condemn them to her service\n Or to their own perdition.",
"POLIXENES.",
"Fairly offer'd.",
"CAMILLO.",
"This shows a sound affection.",
"SHEPHERD.",
"But, my daughter,\n Say you the like to him?",
"PERDITA.",
"I cannot speak\n So well, nothing so well; no, nor mean better.",
"By th' pattern of mine own thoughts I cut out\n The purity of his.",
"SHEPHERD.",
"Take hands, a bargain!",
"And, friends unknown, you shall bear witness to't:\n I give my daughter to him, and will make\n Her portion equal his.",
"FLORIZEL.",
"O, that must be\n I' th' virtue of your daughter.",
"One being dead,\n I shall have more than you can dream of yet;\n Enough then for your wonder.",
"But come on,\n Contract us fore these witnesses.",
"SHEPHERD.",
"Come, your hand;\n And, daughter, yours.",
"POLIXENES.",
"Soft, swain, awhile, beseech you;\n Have you a father?",
"FLORIZEL.",
"I have, but what of him?",
"POLIXENES.",
"Knows he of this?",
"FLORIZEL.",
"He neither does nor shall.",
"POLIXENES.",
"Methinks a father\n Is at the nuptial of his son a guest\n That best becomes the table.",
"Pray you, once more,\n Is not your father grown incapable\n Of reasonable affairs?",
"Is he not stupid\n With age and alt'ring rheums?",
"Can he speak, hear,\n Know man from man, dispute his own estate?",
"Lies he not bed-rid, and again does nothing\n But what he did being childish?",
"FLORIZEL.",
"No, good sir;\n He has his health, and ampler strength indeed\n Than most have of his age.",
"POLIXENES.",
"By my white beard,\n You offer him, if this be so, a wrong\n Something unfilial.",
"Reason my son\n Should choose himself a wife; but as good reason\n The father- all whose joy is nothing else\n But fair posterity- should hold some counsel\n In such a business.",
"FLORIZEL.",
"I yield all this;\n But, for some other reasons, my grave sir,\n Which 'tis not fit you know, I not acquaint\n My father of this business.",
"POLIXENES.",
"Let him know't.",
"FLORIZEL.",
"He shall not.",
"POLIXENES.",
"Prithee let him.",
"FLORIZEL.",
"No, he must not.",
"SHEPHERD.",
"Let him, my son; he shall not need to grieve\n At knowing of thy choice.",
"FLORIZEL.",
"Come, come, he must not.",
"Mark our contract.",
"POLIXENES.",
"[Discovering himself] Mark your divorce, young\nsir,\n Whom son I dare not call; thou art too base\n To be acknowledg'd- thou a sceptre's heir,\n That thus affects a sheep-hook!",
"Thou, old traitor,\n I am sorry that by hanging thee I can but\n Shorten thy life one week.",
"And thou, fresh piece\n Of excellent witchcraft, who of force must know\n The royal fool thou cop'st with-\n SHEPHERD.",
"O, my heart!",
"POLIXENES.",
"I'll have thy beauty scratch'd with briers and made\n More homely than thy state.",
"For thee, fond boy,\n If I may ever know thou dost but sigh\n That thou no more shalt see this knack- as never\n I mean thou shalt- we'll bar thee from succession;\n Not hold thee of our blood, no, not our kin,\n Farre than Deucalion off.",
"Mark thou my words.",
"Follow us to the court.",
"Thou churl, for this time,\n Though full of our displeasure, yet we free thee\n From the dead blow of it.",
"And you, enchantment,\n Worthy enough a herdsman- yea, him too\n That makes himself, but for our honour therein,\n Unworthy thee- if ever henceforth thou\n These rural latches to his entrance open,\n Or hoop his body more with thy embraces,\n I will devise a death as cruel for thee\n As thou art tender to't.",
"Exit\n PERDITA.",
"Even here undone!",
"I was not much afeard; for once or twice\n I was about to speak and tell him plainly\n The self-same sun that shines upon his court\n Hides not his visage from our cottage, but\n Looks on alike.",
"[To FLORIZEL] Will't please you, sir, be\ngone?",
"I told you what would come of this.",
"Beseech you,\n Of your own state take care.",
"This dream of mine-\n Being now awake, I'll queen it no inch farther,\n But milk my ewes and weep.",
"CAMILLO.",
"Why, how now, father!",
"Speak ere thou diest.",
"SHEPHERD.",
"I cannot speak nor think,\n Nor dare to know that which I know.",
"[To FLORIZEL] O sir,\n You have undone a man of fourscore-three\n That thought to fill his grave in quiet, yea,\n To die upon the bed my father died,\n To lie close by his honest bones; but now\n Some hangman must put on my shroud and lay me\n Where no priest shovels in dust.",
"[To PERDITA] O cursed\nwretch,\n That knew'st this was the Prince, and wouldst adventure\n To mingle faith with him!- Undone, undone!",
"If I might die within this hour, I have liv'd\n To die when I desire.",
"Exit\n FLORIZEL.",
"Why look you so upon me?",
"I am but sorry, not afeard; delay'd,\n But nothing alt'red.",
"What I was, I am:\n More straining on for plucking back; not following\n My leash unwillingly.",
"CAMILLO.",
"Gracious, my lord,\n You know your father's temper.",
"At this time\n He will allow no speech- which I do guess\n You do not purpose to him- and as hardly\n Will he endure your sight as yet, I fear;\n Then, till the fury of his Highness settle,\n Come not before him.",
"FLORIZEL.",
"I not purpose it.",
"I think Camillo?",
"CAMILLO.",
"Even he, my lord.",
"PERDITA.",
"How often have I told you 'twould be thus!",
"How often said my dignity would last\n But till 'twere known!",
"FLORIZEL.",
"It cannot fail but by\n The violation of my faith; and then\n Let nature crush the sides o' th' earth together\n And mar the seeds within!",
"Lift up thy looks.",
"From my succession wipe me, father; I\n Am heir to my affection.",
"CAMILLO.",
"Be advis'd.",
"FLORIZEL.",
"I am- and by my fancy; if my reason\n Will thereto be obedient, I have reason;\n If not, my senses, better pleas'd with madness,\n Do bid it welcome.",
"CAMILLO.",
"This is desperate, sir.",
"FLORIZEL.",
"So call it; but it does fulfil my vow:\n I needs must think it honesty.",
"Camillo,\n Not for Bohemia, nor the pomp that may\n Be thereat glean'd, for all the sun sees or\n The close earth wombs, or the profound seas hides\n In unknown fathoms, will I break my oath\n To this my fair belov'd.",
"Therefore, I pray you,\n As you have ever been my father's honour'd friend,\n When he shall miss me- as, in faith, I mean not\n To see him any more- cast your good counsels\n Upon his passion.",
"Let myself and Fortune\n Tug for the time to come.",
"This you may know,\n And so deliver: I am put to sea\n With her who here I cannot hold on shore.",
"And most opportune to her need I have\n A vessel rides fast by, but not prepar'd\n For this design.",
"What course I mean to hold\n Shall nothing benefit your knowledge, nor\n Concern me the reporting.",
"CAMILLO.",
"O my lord,\n I would your spirit were easier for advice.",
"Or stronger for your need.",
"FLORIZEL.",
"Hark, Perdita.",
"[Takes her aside]\n [To CAMILLO] I'll hear you by and by.",
"CAMILLO.",
"He's irremovable,\n Resolv'd for flight.",
"Now were I happy if\n His going I could frame to serve my turn,\n Save him from danger, do him love and honour,\n Purchase the sight again of dear Sicilia\n And that unhappy king, my master, whom\n I so much thirst to see.",
"FLORIZEL.",
"Now, good Camillo,\n I am so fraught with curious business that\n I leave out ceremony.",
"CAMILLO.",
"Sir, I think\n You have heard of my poor services i' th' love\n That I have borne your father?",
"FLORIZEL.",
"Very nobly\n Have you deserv'd.",
"It is my father's music\n To speak your deeds; not little of his care\n To have them recompens'd as thought on.",
"CAMILLO.",
"Well, my lord,\n If you may please to think I love the King,\n And through him what's nearest to him, which is\n Your gracious self, embrace but my direction.",
"If your more ponderous and settled project\n May suffer alteration, on mine honour,\n I'll point you where you shall have such receiving\n As shall become your Highness; where you may\n Enjoy your mistress, from the whom, I see,\n There's no disjunction to be made but by,\n As heavens forfend!",
"your ruin- marry her;\n And with my best endeavours in your absence\n Your discontenting father strive to qualify,\n And bring him up to liking.",
"FLORIZEL.",
"How, Camillo,\n May this, almost a miracle, be done?",
"That I may call thee something more than man,\n And after that trust to thee.",
"CAMILLO.",
"Have you thought on\n A place whereto you'll go?",
"FLORIZEL.",
"Not any yet;\n But as th' unthought-on accident is guilty\n To what we wildly do, so we profess\n Ourselves to be the slaves of chance and flies\n Of every wind that blows.",
"CAMILLO.",
"Then list to me.",
"This follows, if you will not change your purpose\n But undergo this flight: make for Sicilia,\n And there present yourself and your fair princess-\n For so, I see, she must be- fore Leontes.",
"She shall be habited as it becomes\n The partner of your bed.",
"Methinks I see\n Leontes opening his free arms and weeping\n His welcomes forth; asks thee there 'Son, forgiveness!'",
"As 'twere i' th' father's person; kisses the hands\n Of your fresh princess; o'er and o'er divides him\n 'Twixt his unkindness and his kindness- th' one\n He chides to hell, and bids the other grow\n Faster than thought or time.",
"FLORIZEL.",
"Worthy Camillo,\n What colour for my visitation shall I\n Hold up before him?",
"CAMILLO.",
"Sent by the King your father\n To greet him and to give him comforts.",
"Sir,\n The manner of your bearing towards him, with\n What you as from your father shall deliver,\n Things known betwixt us three, I'll write you down;\n The which shall point you forth at every sitting\n What you must say, that he shall not perceive\n But that you have your father's bosom there\n And speak his very heart.",
"FLORIZEL.",
"I am bound to you.",
"There is some sap in this.",
"CAMILLO.",
"A course more promising\n Than a wild dedication of yourselves\n To unpath'd waters, undream'd shores, most certain\n To miseries enough; no hope to help you,\n But as you shake off one to take another;\n Nothing so certain as your anchors, who\n Do their best office if they can but stay you\n Where you'll be loath to be.",
"Besides, you know\n Prosperity's the very bond of love,\n Whose fresh complexion and whose heart together\n Affliction alters.",
"PERDITA.",
"One of these is true:\n I think affliction may subdue the cheek,\n But not take in the mind.",
"CAMILLO.",
"Yea, say you so?",
"There shall not at your father's house these seven years\n Be born another such.",
"FLORIZEL.",
"My good Camillo,\n She is as forward of her breeding as\n She is i' th' rear o' our birth.",
"CAMILLO.",
"I cannot say 'tis pity\n She lacks instructions, for she seems a mistress\n To most that teach.",
"PERDITA.",
"Your pardon, sir; for this\n I'll blush you thanks.",
"FLORIZEL.",
"My prettiest Perdita!",
"But, O, the thorns we stand upon!",
"Camillo-\n Preserver of my father, now of me;\n The medicine of our house- how shall we do?",
"We are not furnish'd like Bohemia's son;\n Nor shall appear in Sicilia.",
"CAMILLO.",
"My lord,\n Fear none of this.",
"I think you know my fortunes\n Do all lie there.",
"It shall be so my care\n To have you royally appointed as if\n The scene you play were mine.",
"For instance, sir,\n That you may know you shall not want- one word.",
"[They talk aside]\n\n Re-enter AUTOLYCUS\n\n AUTOLYCUS.",
"Ha, ha!",
"what a fool Honesty is!",
"and Trust, his sworn\n brother, a very simple gentleman!",
"I have sold all my\ntrumpery;\n not a counterfeit stone, not a ribbon, glass, pomander,\nbrooch,\n table-book, ballad, knife, tape, glove, shoe-tie, bracelet,\n horn-ring, to keep my pack from fasting.",
"They throng who\nshould\n buy first, as if my trinkets had been hallowed and brought a\n benediction to the buyer; by which means I saw whose purse\nwas\n best in picture; and what I saw, to my good use I rememb'red.",
"My\n clown, who wants but something to be a reasonable man, grew\nso in\n love with the wenches' song that he would not stir his\npettitoes\n till he had both tune and words, which so drew the rest of\nthe\n herd to me that all their other senses stuck in ears.",
"You\nmight\n have pinch'd a placket, it was senseless; 'twas nothing to\ngeld a\n codpiece of a purse; I would have fil'd keys off that hung in\n chains.",
"No hearing, no feeling, but my sir's song, and\nadmiring\n the nothing of it.",
"So that in this time of lethargy I pick'd\nand\n cut most of their festival purses; and had not the old man\ncome\n in with whoobub against his daughter and the King's son and\n scar'd my choughs from the chaff, I had not left a purse\nalive in\n the whole army.",
"CAMILLO, FLORIZEL, and PERDITA come forward\n\n CAMILLO.",
"Nay, but my letters, by this means being there\n So soon as you arrive, shall clear that doubt.",
"FLORIZEL.",
"And those that you'll procure from King Leontes?",
"CAMILLO.",
"Shall satisfy your father.",
"PERDITA.",
"Happy be you!",
"All that you speak shows fair.",
"CAMILLO.",
"[seeing AUTOLYCUS] Who have we here?",
"We'll make an instrument of this; omit\n Nothing may give us aid.",
"AUTOLYCUS.",
"[Aside] If they have overheard me now- why,\nhanging.",
"CAMILLO.",
"How now, good fellow!",
"Why shak'st thou so?",
"Fear not, man; here's no harm intended to thee.",
"AUTOLYCUS.",
"I am a poor fellow, sir.",
"CAMILLO.",
"Why, be so still; here's nobody will steal that from\nthee.",
"Yet for the outside of thy poverty we must make an exchange;\n therefore discase thee instantly- thou must think there's a\n necessity in't- and change garments with this gentleman.",
"Though\n the pennyworth on his side be the worst, yet hold thee,\nthere's\n some boot.",
"[Giving money]\n AUTOLYCUS.",
"I am a poor fellow, sir.",
"[Aside] I know ye well\n enough.",
"CAMILLO.",
"Nay, prithee dispatch.",
"The gentleman is half flay'd\n already.",
"AUTOLYCUS.",
"Are you in camest, sir?",
"[Aside] I smell the trick\n on't.",
"FLORIZEL.",
"Dispatch, I prithee.",
"AUTOLYCUS.",
"Indeed, I have had earnest; but I cannot with\nconscience\n take it.",
"CAMILLO.",
"Unbuckle, unbuckle.",
"FLORIZEL and AUTOLYCUS exchange garments\n\n Fortunate mistress- let my prophecy\n Come home to ye!- you must retire yourself\n Into some covert; take your sweetheart's hat\n And pluck it o'er your brows, muffle your face,\n Dismantle you, and, as you can, disliken\n The truth of your own seeming, that you may-\n For I do fear eyes over- to shipboard\n Get undescried.",
"PERDITA.",
"I see the play so lies\n That I must bear a part.",
"CAMILLO.",
"No remedy.",
"Have you done there?",
"FLORIZEL.",
"Should I now meet my father,\n He would not call me son.",
"CAMILLO.",
"Nay, you shall have no hat.",
"[Giving it to PERDITA]\n Come, lady, come.",
"Farewell, my friend.",
"AUTOLYCUS.",
"Adieu, sir.",
"FLORIZEL.",
"O Perdita, what have we twain forgot!",
"Pray you a word.",
"[They converse apart]\n CAMILLO.",
"[Aside] What I do next shall be to tell the King\n Of this escape, and whither they are bound;\n Wherein my hope is I shall so prevail\n To force him after; in whose company\n I shall re-view Sicilia, for whose sight\n I have a woman's longing.",
"FLORIZEL.",
"Fortune speed us!",
"Thus we set on, Camillo, to th' sea-side.",
"CAMILLO.",
"The swifter speed the better.",
"Exeunt FLORIZEL, PERDITA, and CAMILLO\n AUTOLYCUS.",
"I understand the business, I hear it.",
"To have an\nopen\n ear, a quick eye, and a nimble hand, is necessary for a\n cut-purse; a good nose is requisite also, to smell out work\nfor\n th' other senses.",
"I see this is the time that the unjust man\ndoth\n thrive.",
"What an exchange had this been without boot!",
"What a\nboot\n is here with this exchange!",
"Sure, the gods do this year\nconnive\n at us, and we may do anything extempore.",
"The Prince himself\nis\n about a piece of iniquity- stealing away from his father with\nhis\n clog at his heels.",
"If I thought it were a piece of honesty to\n acquaint the King withal, I would not do't.",
"I hold it the\nmore\n knavery to conceal it; and therein am I constant to my\n profession.",
"Re-enter CLOWN and SHEPHERD\n\n Aside, aside- here is more matter for a hot brain.",
"Every\nlane's\n end, every shop, church, session, hanging, yields a careful\nman\n work.",
"CLOWN.",
"See, see; what a man you are now!",
"There is no other way\nbut\n to tell the King she's a changeling and none of your flesh\nand\n blood.",
"SHEPHERD.",
"Nay, but hear me.",
"CLOWN.",
"Nay- but hear me.",
"SHEPHERD.",
"Go to, then.",
"CLOWN.",
"She being none of your flesh and blood, your flesh and\nblood\n has not offended the King; and so your flesh and blood is not\nto\n be punish'd by him.",
"Show those things you found about her,\nthose\n secret things- all but what she has with her.",
"This being\ndone,\n let the law go whistle; I warrant you.",
"SHEPHERD.",
"I will tell the King all, every word- yea, and his\nson's\n pranks too; who, I may say, is no honest man, neither to his\n father nor to me, to go about to make me the King's\n brother-in-law.",
"CLOWN.",
"Indeed, brother-in-law was the farthest off you could\nhave\n been to him; and then your blood had been the dearer by I\nknow\n how much an ounce.",
"AUTOLYCUS.",
"[Aside] Very wisely, puppies!",
"SHEPHERD.",
"Well, let us to the King.",
"There is that in this\nfardel\n will make him scratch his beard.",
"AUTOLYCUS.",
"[Aside] I know not what impediment this complaint\nmay\n be to the flight of my master.",
"CLOWN.",
"Pray heartily he be at palace.",
"AUTOLYCUS.",
"[Aside] Though I am not naturally honest, I am so\n sometimes by chance.",
"Let me pocket up my pedlar's excrement.",
"[Takes off his false beard] How now, rustics!",
"Whither are\nyou\n bound?",
"SHEPHERD.",
"To th' palace, an it like your worship.",
"AUTOLYCUS.",
"Your affairs there, what, with whom, the condition\nof\n that fardel, the place of your dwelling, your names, your\nages,\n of what having, breeding, and anything that is fitting to be\n known- discover.",
"CLOWN.",
"We are but plain fellows, sir.",
"AUTOLYCUS.",
"A lie: you are rough and hairy.",
"Let me have no\nlying; it\n becomes none but tradesmen, and they often give us soldiers\nthe\n lie; but we pay them for it with stamped coin, not stabbing\n steel; therefore they do not give us the lie.",
"CLOWN.",
"Your worship had like to have given us one, if you had\nnot\n taken yourself with the manner.",
"SHEPHERD.",
"Are you a courtier, an't like you, sir?",
"AUTOLYCUS.",
"Whether it like me or no, I am a courtier.",
"Seest\nthou\n not the air of the court in these enfoldings?",
"Hath not my\ngait in\n it the measure of the court?",
"Receives not thy nose\ncourt-odour\n from me?",
"Reflect I not on thy baseness court-contempt?",
"Think'st\n thou, for that I insinuate, that toaze from thee thy\nbusiness, I\n am therefore no courtier?",
"I am courtier cap-a-pe, and one\nthat\n will either push on or pluck back thy business there;\nwhereupon I\n command the to open thy affair.",
"SHEPHERD.",
"My business, sir, is to the King.",
"AUTOLYCUS.",
"What advocate hast thou to him?",
"SHEPHERD.",
"I know not, an't like you.",
"CLOWN.",
"Advocate's the court-word for a pheasant; say you have\nnone.",
"SHEPHERD.",
"None, sir; I have no pheasant, cock nor hen.",
"AUTOLYCUS.",
"How blessed are we that are not simple men!",
"Yet nature might have made me as these are,\n Therefore I will not disdain.",
"CLOWN.",
"This cannot be but a great courtier.",
"SHEPHERD.",
"His garments are rich, but he wears them not\nhandsomely.",
"CLOWN.",
"He seems to be the more noble in being fantastical.",
"A great man, I'll warrant; I know by the picking on's teeth.",
"AUTOLYCUS.",
"The fardel there?",
"What's i' th' fardel?",
"Wherefore\nthat\n box?",
"SHEPHERD.",
"Sir, there lies such secrets in this fardel and box\nwhich\n none must know but the King; and which he shall know within\nthis\n hour, if I may come to th' speech of him.",
"AUTOLYCUS.",
"Age, thou hast lost thy labour.",
"SHEPHERD.",
"Why, Sir?",
"AUTOLYCUS.",
"The King is not at the palace; he is gone aboard a\nnew\n ship to purge melancholy and air himself; for, if thou be'st\n capable of things serious, thou must know the King is full of\n grief.",
"SHEPHERD.",
"So 'tis said, sir- about his son, that should have\n married a shepherd's daughter.",
"AUTOLYCUS.",
"If that shepherd be not in hand-fast, let him fly;\nthe\n curses he shall have, the tortures he shall feel, will break\nthe\n back of man, the heart of monster.",
"CLOWN.",
"Think you so, sir?",
"AUTOLYCUS.",
"Not he alone shall suffer what wit can make heavy\nand\n vengeance bitter; but those that are germane to him, though\n remov'd fifty times, shall all come under the hangman- which,\n though it be great pity, yet it is necessary.",
"An old\n sheep-whistling rogue, a ram-tender, to offer to have his\n daughter come into grace!",
"Some say he shall be ston'd; but\nthat\n death is too soft for him, say I.",
"Draw our throne into a\n sheep-cote!- all deaths are too few, the sharpest too easy.",
"CLOWN.",
"Has the old man e'er a son, sir, do you hear, an't like\nyou,\n sir?",
"AUTOLYCUS.",
"He has a son- who shall be flay'd alive; then\n'nointed\n over with honey, set on the head of a wasp's nest; then stand\n till he be three quarters and a dram dead; then recover'd\nagain\n with aqua-vitae or some other hot infusion; then, raw as he\nis,\n and in the hottest day prognostication proclaims, shall he be\nset\n against a brick wall, the sun looking with a southward eye\nupon\n him, where he is to behold him with flies blown to death.",
"But\n what talk we of these traitorly rascals, whose miseries are\nto be\n smil'd at, their offences being so capital?",
"Tell me, for you\nseem\n to be honest plain men, what you have to the King.",
"Being\n something gently consider'd, I'll bring you where he is\naboard,\n tender your persons to his presence, whisper him in your\nbehalfs;\n and if it be in man besides the King to effect your suits,\nhere\n is man shall do it.",
"CLOWN.",
"He seems to be of great authority.",
"Close with him, give\nhim\n gold; and though authority be a stubborn bear, yet he is oft\nled\n by the nose with gold.",
"Show the inside of your purse to the\n outside of his hand, and no more ado.",
"Remember- ston'd and\nflay'd\n alive.",
"SHEPHERD.",
"An't please you, sir, to undertake the business for\nus,\n here is that gold I have.",
"I'll make it as much more, and\nleave\n this young man in pawn till I bring it you.",
"AUTOLYCUS.",
"After I have done what I promised?",
"SHEPHERD.",
"Ay, sir.",
"AUTOLYCUS.",
"Well, give me the moiety.",
"Are you a party in this\n business?",
"CLOWN.",
"In some sort, sir; but though my case be a pitiful one,\nI\n hope I shall not be flay'd out of it.",
"AUTOLYCUS.",
"O, that's the case of the shepherd's son!",
"Hang him,\n he'll be made an example.",
"CLOWN.",
"Comfort, good comfort!",
"We must to the King and show our\n strange sights.",
"He must know 'tis none of your daughter nor\nmy\n sister; we are gone else.",
"Sir, I will give you as much as\nthis\n old man does, when the business is performed; and remain, as\nhe\n says, your pawn till it be brought you.",
"AUTOLYCUS.",
"I will trust you.",
"Walk before toward the sea-side;\ngo on\n the right-hand; I will but look upon the hedge, and follow\nyou.",
"CLOWN.",
"We are blest in this man, as I may say, even blest.",
"SHEPHERD.",
"Let's before, as he bids us.",
"He was provided to do us\n good.",
"Exeunt SHEPHERD and CLOWN\n AUTOLYCUS.",
"If I had a mind to be honest, I see Fortune would\nnot\n suffer me: she drops booties in my mouth.",
"I am courted now\nwith a\n double occasion- gold, and a means to do the Prince my master\n good; which who knows how that may turn back to my\nadvancement?",
"I\n will bring these two moles, these blind ones, aboard him.",
"If\nhe\n think it fit to shore them again, and that the complaint they\n have to the King concerns him nothing, let him call me rogue\nfor\n being so far officious; for I am proof against that title,\nand\n what shame else belongs to't.",
"To him will I present them.",
"There\n may be matter in it.",
"Exit"
] | [
"But my father hath made her mistress of the feast, and\nshe\n lays it on.",
"I have a\n kinsman not past three quarters of a mile hence, unto whom I\nwas\n going; I shall there have money or anything I want.",
"Come, take your flow'rs.",
"Is it true, think you?",
"Let me go thither\n MOPSA.",
"POLIXENES.",
"CAMILLO.",
"[Aside] I know ye well\n enough.",
"SHEPHERD.",
"SHEPHERD."
] | [
"SHEPHERD.",
"DORCAS.",
"Alas, poor soul!",
"What his\n happier affairs may be are to me unknown; but I have\nmissingly\n noted he is of late much retired from court, and is less\nfrequent\n to his princely exercises than formerly he hath appeared.",
"Dispatch, I prithee.",
"Ha, ha!",
"SHEPHERD.",
"CLOWN.",
"CAMILLO.",
"Ay, good brother, or go about to think."
] | [
"You weary those that refresh us.",
"Pray, let's see\nthese\n four threes of herdsmen.",
"SERVANT.",
"One three of them, by their own report, sir, hath\ndanc'd\n before the King; and not the worst of the three but jumps\ntwelve\n foot and a half by th' squier.",
"SHEPHERD.",
"Leave your prating; since these good men are pleas'd,\nlet\n them come in; but quickly now.",
"SERVANT.",
"Why, they stay at door, sir.",
"Exit\n\n Here a dance of twelve SATYRS\n\n POLIXENES.",
"[To SHEPHERD] O, father, you'll know more of that\n hereafter.",
"[To CAMILLO] Is it not too far gone?"
] | [
"Enter TIME, the CHORUS\n\n TIME.",
"I, that please some, try all, both joy and terror\n Of good and bad, that makes and unfolds error,\n Now take upon me, in the name of Time,\n To use my wings.",
"Impute it not a crime\n To me or my swift passage that I slide\n O'er sixteen years, and leave the growth untried\n Of that wide gap, since it is in my pow'r\n To o'erthrow law, and in one self-born hour\n To plant and o'erwhelm custom.",
"Let me pass\n The same I am, ere ancient'st order was\n Or what is now receiv'd.",
"I witness to\n The times that brought them in; so shall I do\n To th' freshest things now reigning, and make stale\n The glistering of this present, as my tale\n Now seems to it.",
"Your patience this allowing,\n I turn my glass, and give my scene such growing\n As you had slept between.",
"Leontes leaving-\n Th' effects of his fond jealousies so grieving\n That he shuts up himself- imagine me,\n Gentle spectators, that I now may be\n In fair Bohemia; and remember well\n I mention'd a son o' th' King's, which Florizel\n I now name to you; and with speed so pace\n To speak of Perdita, now grown in grace\n Equal with wond'ring.",
"What of her ensues\n I list not prophesy; but let Time's news\n Be known when 'tis brought forth.",
"A shepherd's daughter,\n And what to her adheres, which follows after,\n Is th' argument of Time.",
"Of this allow,\n If ever you have spent time worse ere now;\n If never, yet that Time himself doth say\n He wishes earnestly you never may.",
"Let's before, as he bids us.",
"He was provided to do us\n good.",
"Exeunt SHEPHERD and CLOWN\n AUTOLYCUS.",
"If I had a mind to be honest, I see Fortune would\nnot\n suffer me: she drops booties in my mouth.",
"I am courted now\nwith a\n double occasion- gold, and a means to do the Prince my master\n good; which who knows how that may turn back to my\nadvancement?",
"I\n will bring these two moles, these blind ones, aboard him.",
"If\nhe\n think it fit to shore them again, and that the complaint they\n have to the King concerns him nothing, let him call me rogue\nfor\n being so far officious; for I am proof against that title,\nand\n what shame else belongs to't.",
"To him will I present them.",
"There\n may be matter in it.",
"Exit"
] | ty we must make an exchange;
therefore discase thee instantly- thou must think there's a
necessity in't- and change garments with this gentleman.
Though
the pennyworth on his side be the worst, yet hold thee,
there's
some boot.
[Giving money]
AUTOLYCUS.
I am a poor fellow, sir.
[Aside] I know ye well
enough.
CAMILLO.
Nay, prithee dispatch.
The gentleman is half flay'd
already.
AUTOLYCUS.
Are you in camest, sir?
[Aside] I smell the trick
on't.
FLORIZEL.
Dispatch, I prithee.
AUTOLYCUS.
Indeed, I have had earnest; but I cannot with
conscience
take it.
CAMILLO.
Unbuckle, unbuckle.
FLORIZEL and AUTOLYCUS exchange garments
Fortunate mistress- let my prophecy
Come home to ye!- you must retire yourself
Into some covert; take your sweetheart's hat
And pluck it o'er your brows, muffle your face,
Dismantle you, and, as you can, disliken
The truth of your own seeming, that you may-
For I do fear eyes over- to shipboard
Get undesc | Enter TIME, the CHORUS
TIME.
I, that please some, try all, both joy and terror
Of good and bad, that makes and unfolds error,
Now take upon me, in the name of Time,
To use my wings.
Impute it not a crime
To me or my swift passage that I slide
O'er sixteen years, and leave the growth untried
Of that wide gap, since it is in my pow'r
To o'erthrow law, and in one self-born hour
To plant and o'erwhelm custom.
Let me pass
The same I am, ere ancient'st order was
double occasion- gold, and a means to do the Prince my master
good; which who knows how that may turn back to my
advancement?
I
will bring these two moles, these blind ones, aboard him.
If
he
think it fit to shore them again, and that the complaint they
have to the King concerns him nothing, let him call me rogue
for
being so far officious; for I am proof against that title,
and
what shame else belongs to't.
To him will I present them.
There
may be matter in it.
Exit | th DORCAS and MOPSA
AUTOLYCUS.
And you shall pay well for 'em.
Exit AUTOLYCUS, Singing
Will you buy any tape,
Or lace for your cape,
My dainty duck, my dear-a?
Any silk, any thread,
Any toys for your head,
Of the new'st and fin'st, fin'st wear-a?
Come to the pedlar;
Money's a meddler
That doth utter all men's ware-a.
Re-enter SERVANT
SERVANT.
Master, there is three carters, three shepherds, three
neat-herds, three swineherds, that have made themselves all
men
of hair; they call themselves Saltiers, and they have dance
which
the wenches say is a gallimaufry of gambols, because they are
not
in't; but they themselves are o' th' mind, if it be not too
rough
for some that know little but bowling, it will please
plentifully.
SHEPHERD.
Away!
We'll none on't; here has been too much homely
foolery already.
I know, sir, we weary you.
POLIXENES.
You weary those that refresh us.
Pr |
1,134 | true | gradesaver | all_chapterized_books/1134-chapters/act_5.txt | finished_summaries/gradesaver/The Winter's Tale/section_4_part_0.txt | The Winter's Tale.act 5.scene 1-scene 3 | act 5 | null | {"name": "Act 5", "url": "https://web.archive.org/web/20210411083408/https://www.gradesaver.com/the-winters-tale/study-guide/summary-act-5", "summary": "The courtiers comfort Leontes, who has never forgiven himself for the deaths of Mamillius and Hermione. Paulina's words to the king include a dose of harsh honesty. Though the other courtiers want him to remarry, Paulina urges him not to do it. She reminds him of Apollo's prophecy, which proclaimed that Leontes would have no heir unless the lost daughter were found. To remarry for the purposes of producing an heir would therefore be futile. She persuades him never to remarry again unless Paulina chooses the bride. Leontes agrees, and Paulina says that if she is to have her way, he will never marry until his queen draws breath again. A servant announces the arrival of Florizell and his wife. Because the visit is sudden and unexpected, Leontes suspects that Florizell comes because of some accident or disaster. The servant praises Florizell's wife, whom he has assumed is a princess. When he says that the princess is peerless among women past and present, Paulina takes exception to the compliment, because she will not have her old queen, Hermione, ranked second to anyone. The servant apologizes but promises that Paulina, too, will be awed by the girl. Florizell and Perdita enter, and Leontes greets them with great emotion and warmth. Florizell pretends that Perdita is a princess of Libya, and that they are newly married. But a servant interrupts them, bringing news that Polixenes is in Sicilia. He has come for his son, who fled Bohemia with a shepherd's daughter. The Shepherd and the Shepherd's Son are with him. Florizell correctly infers that Camillo has betrayed him. To Perdita's great alarm, the servant reports that Shepherd and Shepherd's Son were begging the king for mercy, who ignored their pleas and threatened them with great harm. Leontes is not angry about the deception, and he speaks comforting words to the prince. Florizell asks Leontes to speak on behalf of the young couple, and the king promises that he will try to help them. Scene ii: The truth about Perdita's parentage has been revealed. We never see the event happen onstage; instead, we hear about it in a conversation between three gentleman and Autolycus. When the Shepherd produced the items that he found with the infant Perdita, which included garments and jewels that belonged to Hermione and letters written by Antigonus, all those present realized the truth. The two royal families and their attendant advisors and friends were overcome by joy and sorrow. Paulina rejoiced to see the oracle fulfilled, but she mourned for the loss of her husband. Leontes was overwhelmed by the miraculous return of his daughter, but it reminded him afresh of Hermione's death. The whole scene, one gentleman promised, would have moved anyone who witnessed it. Leontes, Polixenes, Florizell, Perdita, Camillo, Paulina, and various lords have all gone to Paulina's house. There, a statue of Hermione is nearing completion. They go there to view the statue and sup together. Alone with the audience, Autolycus says that earlier on the prince's ship he tried to tell Florizell that Perdita was a foundling, but Perdita and Florizell were too busy with seasickness to listen to him. His chances for advancement seem slim, but he takes it all in stride. The Shepherd and the Shepherd's Son enter, now decked out in fine clothes. They are overjoyed at their new good fortune, proclaiming themselves to be gentlemen; kings and courtiers have thanked them and called them brother for taking care of Perdita. Autolycus asks forgiveness for the tricks he played on them, and he also requests that they put in a good word for him with Florizell. The Shepherd's Son promises to be his advocate. Scene iii: In Paulina's house, Paulina draws back the curtain to reveal the statue of Hermione. The statue is remarkably lifelike, and it is made to look like an older Hermione, as if the queen had lived and aged these past sixteen years. The likeness of Hermione stirs up deep emotions for Perdita, who has never known a mother. Leontes is moved to great sorrow by the statue, and Paulina offers repeatedly to draw the curtain so as to spare him pain. Paulina then offers to make the statue move, although she fears to do so if any consider this magic unnatural. At the king's urging, Paulina wakes the statue, miraculously restoring Hermione to life. All are amazed. Hermione takes her king by the hand. Paulina presents Perdita to Hermione, and the queen lovingly asks her daughter to tell her everything that has happened while the queen has been gone. Paulina encourages them to go together and enjoy the reunification of their family, while she stays behind to mourn the loss of Antigonus. Leontes tells her to leave her sorrow behind. He wants her to fulfill her vow to take a husband of the king's choosing, just as he agreed to remarry the wife she chose for him. Leontes chooses Camillo, a perfect match for Paulina. For all the wrongs he committed against Polixenes and Hermione, Leontes begs forgiveness. With Paulina leading the way, the characters exit. Finally, reunited family and friends will share what has happened to them since their separation sixteen years ago.", "analysis": "We return in the final act to the grieving court of Sicilia, still sorrowful for the queen's death and anxious about the stability of their kingdom, which remains without an heir. Act 5 restores stability and solves the problems of both kings without any revolution. The queen and daughter Leontes lost return to him miraculously. For Polixenes, the commoner his son wanted to marry has turned out to be a princess, and no less, she is the daughter of his oldest friend. The happy ending is fantastic, so full of magic and unlikely coincidences that characters constantly remark that if the events they have witnessed were retold as a story, no one would believe it. A \"winter's tale\" is a long story to be told by a warm fire, often one full of fantasy and clever invention. But the audience is not being told a story: we are allowed, along with the characters, to witness the wondrous events of the play. The most fantastic event of the show, Hermione's miraculous resurrection, is also one of the most powerful. Shakespeare's audience might have had some anxiety about the magical resurrection of the dead, but Leontes remarks that the effects of Paulina's magic are so wondrous that her craft must be embraced as natural and good. The pagan and pastoral elements of the play also help to deflect the charge of witchcraft. Act 4 immersed the audience in a healing and restorative world of nature and romance. The Greek and Christian stories of regeneration and resurrection have prepared us for this ending, as has the pagan myth of Pygmalion, in which a sculptor's creation comes to life through the aid of the gods. Lines in Act 5 foreshadow the resurrection. When Paulina tells the king that he will never marry until his wife draws breath again, the talk of Hermione's resurrection is a prediction rather than a rhetorical device. And when the gentlemen discuss the revealing of Perdita's parentage, one of them remarks that even those \"most marble there changed color\" . The phrase means that even the most hard-hearted were moved, but the gentleman is also unwittingly foreshadowing the restoration of the one who is literally \"most marble,\" the statue of Hermione. She changes color when the blush of life enters her cheeks again. In moving towards the happy ending, more than magic is required. Paulina and Hermione join the ranks of other Shakespearean women who work to preserve or restore the status quo. The two women represent vastly different kinds of feminine virtue. Hermione is the passive, obedient wife, who without question takes back the husband who caused the death of herself and her son. Paulina is the sharp-tongued, fearless, and shrewish woman who never shirks from scolding any wrongdoer, even if he happens to be the king. But Paulina, too, is ultimately loyal to Leontes and his throne. Her magic restores his wife to him, and she obeys him when he asks her to marry Camillo. Paulina is strong-willed and admirable, and her counsel is especially needed after the departure of the wise and competent Camillo, but she is no revolutionary. All of the characters of the play remain deeply loyal to the two kings. Camillo obeys his conscience, but once Leontes repents, Camillo longs to see his old master again. Shakespeare presents us with admirable heroes who speak their minds, like Paulina, or obey their consciences, like Camillo; and yet these heroes must work within the system of patriarchy and monarchy. Both heroes are distinguished by their loyalty. Kings err, but for the happy ending to be possible they must be forgiven. The play's joyous ending makes a strong statement about social bonds and monarchy; its vision of what it means to be a good king and a good subject is both optimistic and conservative. The family of Leontes provides a model for a wide array of other social structures and hierarchies, including the families of subjects and the larger family of the nation. Preservation or restoration of these structures, including restoring and protecting patriarchs who abuse their power, is the central struggle of this play. The prophecy of the oracle gives us a sense that the hand of providence is at work. In delivering a message about truth and God, Apollo's prediction functions as Teiresias the seer functions in the plays of Sophocles: yes, there is a divine plan, and yes, sometimes parts of it are accessible to man. There is truth, something to aspire to, and there is meaning and order. Finally, the prophecy of Apollo has been fulfilled, and Perdita has returned home to be reunified with her father and mother. The play ends with restored order and great happiness. For modern audiences who have grown up under democracy and who also might view the idea of providence with great skepticism, The Winter's Tale can be a strange and even unsettling play. But its faith in existing social structures and the benign hand of the divine also make this play one of Shakespeare's most hopeful and uplifting works. In the reunification of Leontes' family and the new marriage of Perdita, The Winter's Tale leaves us with an optimistic vision of order and renewal."} |
ACT V. SCENE I.
Sicilia. The palace of LEONTES
Enter LEONTES, CLEOMENES, DION, PAULINA, and OTHERS
CLEOMENES. Sir, you have done enough, and have perform'd
A saint-like sorrow. No fault could you make
Which you have not redeem'd; indeed, paid down
More penitence than done trespass. At the last,
Do as the heavens have done: forget your evil;
With them forgive yourself.
LEONTES. Whilst I remember
Her and her virtues, I cannot forget
My blemishes in them, and so still think of
The wrong I did myself; which was so much
That heirless it hath made my kingdom, and
Destroy'd the sweet'st companion that e'er man
Bred his hopes out of.
PAULINA. True, too true, my lord.
If, one by one, you wedded all the world,
Or from the all that are took something good
To make a perfect woman, she you kill'd
Would be unparallel'd.
LEONTES. I think so. Kill'd!
She I kill'd! I did so; but thou strik'st me
Sorely, to say I did. It is as bitter
Upon thy tongue as in my thought. Now, good now,
Say so but seldom.
CLEOMENES. Not at all, good lady.
You might have spoken a thousand things that would
Have done the time more benefit, and grac'd
Your kindness better.
PAULINA. You are one of those
Would have him wed again.
DION. If you would not so,
You pity not the state, nor the remembrance
Of his most sovereign name; consider little
What dangers, by his Highness' fail of issue,
May drop upon his kingdom and devour
Incertain lookers-on. What were more holy
Than to rejoice the former queen is well?
What holier than, for royalty's repair,
For present comfort, and for future good,
To bless the bed of majesty again
With a sweet fellow to't?
PAULINA. There is none worthy,
Respecting her that's gone. Besides, the gods
Will have fulfill'd their secret purposes;
For has not the divine Apollo said,
Is't not the tenour of his oracle,
That King Leontes shall not have an heir
Till his lost child be found? Which that it shall,
Is all as monstrous to our human reason
As my Antigonus to break his grave
And come again to me; who, on my life,
Did perish with the infant. 'Tis your counsel
My lord should to the heavens be contrary,
Oppose against their wills. [To LEONTES] Care not for
issue;
The crown will find an heir. Great Alexander
Left his to th' worthiest; so his successor
Was like to be the best.
LEONTES. Good Paulina,
Who hast the memory of Hermione,
I know, in honour, O that ever I
Had squar'd me to thy counsel! Then, even now,
I might have look'd upon my queen's full eyes,
Have taken treasure from her lips-
PAULINA. And left them
More rich for what they yielded.
LEONTES. Thou speak'st truth.
No more such wives; therefore, no wife. One worse,
And better us'd, would make her sainted spirit
Again possess her corpse, and on this stage,
Where we offend her now, appear soul-vex'd,
And begin 'Why to me'-
PAULINA. Had she such power,
She had just cause.
LEONTES. She had; and would incense me
To murder her I married.
PAULINA. I should so.
Were I the ghost that walk'd, I'd bid you mark
Her eye, and tell me for what dull part in't
You chose her; then I'd shriek, that even your ears
Should rift to hear me; and the words that follow'd
Should be 'Remember mine.'
LEONTES. Stars, stars,
And all eyes else dead coals! Fear thou no wife;
I'll have no wife, Paulina.
PAULINA. Will you swear
Never to marry but by my free leave?
LEONTES. Never, Paulina; so be blest my spirit!
PAULINA. Then, good my lords, bear witness to his oath.
CLEOMENES. You tempt him over-much.
PAULINA. Unless another,
As like Hermione as is her picture,
Affront his eye.
CLEOMENES. Good madam-
PAULINA. I have done.
Yet, if my lord will marry- if you will, sir,
No remedy but you will- give me the office
To choose you a queen. She shall not be so young
As was your former; but she shall be such
As, walk'd your first queen's ghost, it should take joy
To see her in your arms.
LEONTES. My true Paulina,
We shall not marry till thou bid'st us.
PAULINA. That
Shall be when your first queen's again in breath;
Never till then.
Enter a GENTLEMAN
GENTLEMAN. One that gives out himself Prince Florizel,
Son of Polixenes, with his princess- she
The fairest I have yet beheld- desires access
To your high presence.
LEONTES. What with him? He comes not
Like to his father's greatness. His approach,
So out of circumstance and sudden, tells us
'Tis not a visitation fram'd, but forc'd
By need and accident. What train?
GENTLEMAN. But few,
And those but mean.
LEONTES. His princess, say you, with him?
GENTLEMAN. Ay; the most peerless piece of earth, I think,
That e'er the sun shone bright on.
PAULINA. O Hermione,
As every present time doth boast itself
Above a better gone, so must thy grave
Give way to what's seen now! Sir, you yourself
Have said and writ so, but your writing now
Is colder than that theme: 'She had not been,
Nor was not to be equall'd.' Thus your verse
Flow'd with her beauty once; 'tis shrewdly ebb'd,
To say you have seen a better.
GENTLEMAN. Pardon, madam.
The one I have almost forgot- your pardon;
The other, when she has obtain'd your eye,
Will have your tongue too. This is a creature,
Would she begin a sect, might quench the zeal
Of all professors else, make proselytes
Of who she but bid follow.
PAULINA. How! not women?
GENTLEMAN. Women will love her that she is a woman
More worth than any man; men, that she is
The rarest of all women.
LEONTES. Go, Cleomenes;
Yourself, assisted with your honour'd friends,
Bring them to our embracement. Exeunt
Still, 'tis strange
He thus should steal upon us.
PAULINA. Had our prince,
Jewel of children, seen this hour, he had pair'd
Well with this lord; there was not full a month
Between their births.
LEONTES. Prithee no more; cease. Thou know'st
He dies to me again when talk'd of. Sure,
When I shall see this gentleman, thy speeches
Will bring me to consider that which may
Unfurnish me of reason.
Re-enter CLEOMENES, with FLORIZEL, PERDITA, and
ATTENDANTS
They are come.
Your mother was most true to wedlock, Prince;
For she did print your royal father off,
Conceiving you. Were I but twenty-one,
Your father's image is so hit in you
His very air, that I should call you brother,
As I did him, and speak of something wildly
By us perform'd before. Most dearly welcome!
And your fair princess- goddess! O, alas!
I lost a couple that 'twixt heaven and earth
Might thus have stood begetting wonder as
You, gracious couple, do. And then I lost-
All mine own folly- the society,
Amity too, of your brave father, whom,
Though bearing misery, I desire my life
Once more to look on him.
FLORIZEL. By his command
Have I here touch'd Sicilia, and from him
Give you all greetings that a king, at friend,
Can send his brother; and, but infirmity,
Which waits upon worn times, hath something seiz'd
His wish'd ability, he had himself
The lands and waters 'twixt your throne and his
Measur'd, to look upon you; whom he loves,
He bade me say so, more than all the sceptres
And those that bear them living.
LEONTES. O my brother-
Good gentleman!- the wrongs I have done thee stir
Afresh within me; and these thy offices,
So rarely kind, are as interpreters
Of my behind-hand slackness! Welcome hither,
As is the spring to th' earth. And hath he too
Expos'd this paragon to th' fearful usage,
At least ungentle, of the dreadful Neptune,
To greet a man not worth her pains, much less
Th' adventure of her person?
FLORIZEL. Good, my lord,
She came from Libya.
LEONTES. Where the warlike Smalus,
That noble honour'd lord, is fear'd and lov'd?
FLORIZEL. Most royal sir, from thence; from him whose daughter
His tears proclaim'd his, parting with her; thence,
A prosperous south-wind friendly, we have cross'd,
To execute the charge my father gave me
For visiting your Highness. My best train
I have from your Sicilian shores dismiss'd;
Who for Bohemia bend, to signify
Not only my success in Libya, sir,
But my arrival and my wife's in safety
Here where we are.
LEONTES. The blessed gods
Purge all infection from our air whilst you
Do climate here! You have a holy father,
A graceful gentleman, against whose person,
So sacred as it is, I have done sin,
For which the heavens, taking angry note,
Have left me issueless; and your father's blest,
As he from heaven merits it, with you,
Worthy his goodness. What might I have been,
Might I a son and daughter now have look'd on,
Such goodly things as you!
Enter a LORD
LORD. Most noble sir,
That which I shall report will bear no credit,
Were not the proof so nigh. Please you, great sir,
Bohemia greets you from himself by me;
Desires you to attach his son, who has-
His dignity and duty both cast off-
Fled from his father, from his hopes, and with
A shepherd's daughter.
LEONTES. Where's Bohemia? Speak.
LORD. Here in your city; I now came from him.
I speak amazedly; and it becomes
My marvel and my message. To your court
Whiles he was hast'ning- in the chase, it seems,
Of this fair couple- meets he on the way
The father of this seeming lady and
Her brother, having both their country quitted
With this young prince.
FLORIZEL. Camillo has betray'd me;
Whose honour and whose honesty till now
Endur'd all weathers.
LORD. Lay't so to his charge;
He's with the King your father.
LEONTES. Who? Camillo?
LORD. Camillo, sir; I spake with him; who now
Has these poor men in question. Never saw I
Wretches so quake. They kneel, they kiss the earth;
Forswear themselves as often as they speak.
Bohemia stops his ears, and threatens them
With divers deaths in death.
PERDITA. O my poor father!
The heaven sets spies upon us, will not have
Our contract celebrated.
LEONTES. You are married?
FLORIZEL. We are not, sir, nor are we like to be;
The stars, I see, will kiss the valleys first.
The odds for high and low's alike.
LEONTES. My lord,
Is this the daughter of a king?
FLORIZEL. She is,
When once she is my wife.
LEONTES. That 'once,' I see by your good father's speed,
Will come on very slowly. I am sorry,
Most sorry, you have broken from his liking
Where you were tied in duty; and as sorry
Your choice is not so rich in worth as beauty,
That you might well enjoy her.
FLORIZEL. Dear, look up.
Though Fortune, visible an enemy,
Should chase us with my father, pow'r no jot
Hath she to change our loves. Beseech you, sir,
Remember since you ow'd no more to time
Than I do now. With thought of such affections,
Step forth mine advocate; at your request
My father will grant precious things as trifles.
LEONTES. Would he do so, I'd beg your precious mistress,
Which he counts but a trifle.
PAULINA. Sir, my liege,
Your eye hath too much youth in't. Not a month
Fore your queen died, she was more worth such gazes
Than what you look on now.
LEONTES. I thought of her
Even in these looks I made. [To FLORIZEL] But your petition
Is yet unanswer'd. I will to your father.
Your honour not o'erthrown by your desires,
I am friend to them and you. Upon which errand
I now go toward him; therefore, follow me,
And mark what way I make. Come, good my lord. Exeunt
Sicilia. Before the palace of LEONTES
Enter AUTOLYCUS and a GENTLEMAN
AUTOLYCUS. Beseech you, sir, were you present at this relation?
FIRST GENTLEMAN. I was by at the opening of the fardel, heard
the
old shepherd deliver the manner how he found it; whereupon,
after
a little amazedness, we were all commanded out of the
chamber;
only this, methought I heard the shepherd say he found the
child.
AUTOLYCUS. I would most gladly know the issue of it.
FIRST GENTLEMAN. I make a broken delivery of the business; but
the
changes I perceived in the King and Camillo were very notes
of
admiration. They seem'd almost, with staring on one another,
to
tear the cases of their eyes; there was speech in their
dumbness,
language in their very gesture; they look'd as they had heard
of
a world ransom'd, or one destroyed. A notable passion of
wonder
appeared in them; but the wisest beholder that knew no more
but
seeing could not say if th' importance were joy or sorrow-
but in
the extremity of the one it must needs be.
Enter another GENTLEMAN
Here comes a gentleman that happily knows more. The news,
Rogero?
SECOND GENTLEMAN. Nothing but bonfires. The oracle is
fulfill'd:
the King's daughter is found. Such a deal of wonder is broken
out
within this hour that ballad-makers cannot be able to express
it.
Enter another GENTLEMAN
Here comes the Lady Paulina's steward; he can deliver you
more.
How goes it now, sir? This news, which is call'd true, is so
like
an old tale that the verity of it is in strong suspicion. Has
the
King found his heir?
THIRD GENTLEMAN. Most true, if ever truth were pregnant by
circumstance. That which you hear you'll swear you see, there
is
such unity in the proofs. The mantle of Queen Hermione's; her
jewel about the neck of it; the letters of Antigonus found
with
it, which they know to be his character; the majesty of the
creature in resemblance of the mother; the affection of
nobleness
which nature shows above her breeding; and many other
evidences-
proclaim her with all certainty to be the King's daughter.
Did
you see the meeting of the two kings?
SECOND GENTLEMAN. No.
THIRD GENTLEMAN. Then you have lost a sight which was to be
seen,
cannot be spoken of. There might you have beheld one joy
crown
another, so and in such manner that it seem'd sorrow wept to
take
leave of them; for their joy waded in tears. There was
casting up
of eyes, holding up of hands, with countenance of such
distraction that they were to be known by garment, not by
favour.
Our king, being ready to leap out of himself for joy of his
found
daughter, as if that joy were now become a loss, cries 'O,
thy
mother, thy mother!' then asks Bohemia forgiveness; then
embraces
his son-in-law; then again worries he his daughter with
clipping
her. Now he thanks the old shepherd, which stands by like a
weather-bitten conduit of many kings' reigns. I never heard
of
such another encounter, which lames report to follow it and
undoes description to do it.
SECOND GENTLEMAN. What, pray you, became of Antigonus, that
carried
hence the child?
THIRD GENTLEMAN. Like an old tale still, which will have matter
to
rehearse, though credit be asleep and not an ear open: he was
torn to pieces with a bear. This avouches the shepherd's son,
who
has not only his innocence, which seems much, to justify him,
but
a handkerchief and rings of his that Paulina knows.
FIRST GENTLEMAN. What became of his bark and his followers?
THIRD GENTLEMAN. Wreck'd the same instant of their master's
death,
and in the view of the shepherd; so that all the instruments
which aided to expose the child were even then lost when it
was
found. But, O, the noble combat that 'twixt joy and sorrow
was
fought in Paulina! She had one eye declin'd for the loss of
her
husband, another elevated that the oracle was fulfill'd. She
lifted the Princess from the earth, and so locks her in
embracing
as if she would pin her to her heart, that she might no more
be
in danger of losing.
FIRST GENTLEMAN. The dignity of this act was worth the audience
of
kings and princes; for by such was it acted.
THIRD GENTLEMAN. One of the prettiest touches of all, and that
which angl'd for mine eyes- caught the water, though not the
fish- was, when at the relation of the Queen's death, with
the
manner how she came to't bravely confess'd and lamented by
the
King, how attentivenes wounded his daughter; till, from one
sign
of dolour to another, she did with an 'Alas!'- I would fain
say-
bleed tears; for I am sure my heart wept blood. Who was most
marble there changed colour; some swooned, all sorrowed. If
all
the world could have seen't, the woe had been universal.
FIRST GENTLEMAN. Are they returned to the court?
THIRD GENTLEMAN. No. The Princess hearing of her mother's
statue,
which is in the keeping of Paulina- a piece many years in
doing
and now newly perform'd by that rare Italian master, Julio
Romano, who, had he himself eternity and could put breath
into
his work, would beguile nature of her custom, so perfectly he
is
her ape. He so near to Hermione hath done Hermione that they
say
one would speak to her and stand in hope of answer- thither
with
all greediness of affection are they gone, and there they
intend
to sup.
SECOND GENTLEMAN. I thought she had some great matter there in
hand; for she hath privately twice or thrice a day, ever
since
the death of Hermione, visited that removed house. Shall we
thither, and with our company piece the rejoicing?
FIRST GENTLEMAN. Who would be thence that has the benefit of
access? Every wink of an eye some new grace will be born. Our
absence makes us unthrifty to our knowledge. Let's along.
Exeunt GENTLEMEN
AUTOLYCUS. Now, had I not the dash of my former life in me,
would
preferment drop on my head. I brought the old man and his son
aboard the Prince; told him I heard them talk of a fardel and
I
know not what; but he at that time over-fond of the
shepherd's
daughter- so he then took her to be- who began to be much
sea-sick, and himself little better, extremity of weather
continuing, this mystery remained undiscover'd. But 'tis all
one
to me; for had I been the finder-out of this secret, it would
not
have relish'd among my other discredits.
Enter SHEPHERD and CLOWN
Here come those I have done good to against my will, and
already
appearing in the blossoms of their fortune.
SHEPHERD. Come, boy; I am past moe children, but thy sons and
daughters will be all gentlemen born.
CLOWN. You are well met, sir. You denied to fight with me this
other day, because I was no gentleman born. See you these
clothes? Say you see them not and think me still no gentleman
born. You were best say these robes are not gentlemen born.
Give
me the lie, do; and try whether I am not now a gentleman
born.
AUTOLYCUS. I know you are now, sir, a gentleman born.
CLOWN. Ay, and have been so any time these four hours.
SHEPHERD. And so have I, boy.
CLOWN. So you have; but I was a gentleman born before my
father;
for the King's son took me by the hand and call'd me brother;
and
then the two kings call'd my father brother; and then the
Prince,
my brother, and the Princess, my sister, call'd my father
father.
And so we wept; and there was the first gentleman-like tears
that
ever we shed.
SHEPHERD. We may live, son, to shed many more.
CLOWN. Ay; or else 'twere hard luck, being in so preposterous
estate as we are.
AUTOLYCUS. I humbly beseech you, sir, to pardon me all the
faults I
have committed to your worship, and to give me your good
report
to the Prince my master.
SHEPHERD. Prithee, son, do; for we must be gentle, now we are
gentlemen.
CLOWN. Thou wilt amend thy life?
AUTOLYCUS. Ay, an it like your good worship.
CLOWN. Give me thy hand. I will swear to the Prince thou art as
honest a true fellow as any is in Bohemia.
SHEPHERD. You may say it, but not swear it.
CLOWN. Not swear it, now I am a gentleman? Let boors and
franklins
say it: I'll swear it.
SHEPHERD. How if it be false, son?
CLOWN. If it be ne'er so false, a true gentleman may swear it
in
the behalf of his friend. And I'll swear to the Prince thou
art a
tall fellow of thy hands and that thou wilt not be drunk; but
I
know thou art no tall fellow of thy hands and that thou wilt
be
drunk. But I'll swear it; and I would thou wouldst be a tall
fellow of thy hands.
AUTOLYCUS. I will prove so, sir, to my power.
CLOWN. Ay, by any means, prove a tall fellow. If I do not
wonder
how thou dar'st venture to be drunk not being a tall fellow,
trust me not. Hark! the kings and the princes, our kindred,
are
going to see the Queen's picture. Come, follow us; we'll be
thy
good masters. Exeunt
Sicilia. A chapel in PAULINA's house
Enter LEONTES, POLIXENES, FLORIZEL, PERDITA, CAMILLO, PAULINA,
LORDS and ATTENDANTS
LEONTES. O grave and good Paulina, the great comfort
That I have had of thee!
PAULINA. What, sovereign sir,
I did not well, I meant well. All my services
You have paid home; but that you have vouchsaf'd,
With your crown'd brother and these your contracted
Heirs of your kingdoms, my poor house to visit,
It is a surplus of your grace, which never
My life may last to answer.
LEONTES. O Paulina,
We honour you with trouble; but we came
To see the statue of our queen. Your gallery
Have we pass'd through, not without much content
In many singularities; but we saw not
That which my daughter came to look upon,
The statue of her mother.
PAULINA. As she liv'd peerless,
So her dead likeness, I do well believe,
Excels whatever yet you look'd upon
Or hand of man hath done; therefore I keep it
Lonely, apart. But here it is. Prepare
To see the life as lively mock'd as ever
Still sleep mock'd death. Behold; and say 'tis well.
[PAULINA draws a curtain, and discovers HERMIONE
standing like a statue]
I like your silence; it the more shows off
Your wonder; but yet speak. First, you, my liege.
Comes it not something near?
LEONTES. Her natural posture!
Chide me, dear stone, that I may say indeed
Thou art Hermione; or rather, thou art she
In thy not chiding; for she was as tender
As infancy and grace. But yet, Paulina,
Hermione was not so much wrinkled, nothing
So aged as this seems.
POLIXENES. O, not by much!
PAULINA. So much the more our carver's excellence,
Which lets go by some sixteen years and makes her
As she liv'd now.
LEONTES. As now she might have done,
So much to my good comfort as it is
Now piercing to my soul. O, thus she stood,
Even with such life of majesty- warm life,
As now it coldly stands- when first I woo'd her!
I am asham'd. Does not the stone rebuke me
For being more stone than it? O royal piece,
There's magic in thy majesty, which has
My evils conjur'd to remembrance, and
From thy admiring daughter took the spirits,
Standing like stone with thee!
PERDITA. And give me leave,
And do not say 'tis superstition that
I kneel, and then implore her blessing. Lady,
Dear queen, that ended when I but began,
Give me that hand of yours to kiss.
PAULINA. O, patience!
The statue is but newly fix'd, the colour's
Not dry.
CAMILLO. My lord, your sorrow was too sore laid on,
Which sixteen winters cannot blow away,
So many summers dry. Scarce any joy
Did ever so long live; no sorrow
But kill'd itself much sooner.
POLIXENES. Dear my brother,
Let him that was the cause of this have pow'r
To take off so much grief from you as he
Will piece up in himself.
PAULINA. Indeed, my lord,
If I had thought the sight of my poor image
Would thus have wrought you- for the stone is mine-
I'd not have show'd it.
LEONTES. Do not draw the curtain.
PAULINA. No longer shall you gaze on't, lest your fancy
May think anon it moves.
LEONTES. Let be, let be.
Would I were dead, but that methinks already-
What was he that did make it? See, my lord,
Would you not deem it breath'd, and that those veins
Did verily bear blood?
POLIXENES. Masterly done!
The very life seems warm upon her lip.
LEONTES. The fixture of her eye has motion in't,
As we are mock'd with art.
PAULINA. I'll draw the curtain.
My lord's almost so far transported that
He'll think anon it lives.
LEONTES. O sweet Paulina,
Make me to think so twenty years together!
No settled senses of the world can match
The pleasure of that madness. Let 't alone.
PAULINA. I am sorry, sir, I have thus far stirr'd you; but
I could afflict you farther.
LEONTES. Do, Paulina;
For this affliction has a taste as sweet
As any cordial comfort. Still, methinks,
There is an air comes from her. What fine chisel
Could ever yet cut breath? Let no man mock me,
For I will kiss her.
PAULINA. Good my lord, forbear.
The ruddiness upon her lip is wet;
You'll mar it if you kiss it; stain your own
With oily painting. Shall I draw the curtain?
LEONTES. No, not these twenty years.
PERDITA. So long could I
Stand by, a looker-on.
PAULINA. Either forbear,
Quit presently the chapel, or resolve you
For more amazement. If you can behold it,
I'll make the statue move indeed, descend,
And take you by the hand, but then you'll think-
Which I protest against- I am assisted
By wicked powers.
LEONTES. What you can make her do
I am content to look on; what to speak
I am content to hear; for 'tis as easy
To make her speak as move.
PAULINA. It is requir'd
You do awake your faith. Then all stand still;
Or those that think it is unlawful business
I am about, let them depart.
LEONTES. Proceed.
No foot shall stir.
PAULINA. Music, awake her: strike. [Music]
'Tis time; descend; be stone no more; approach;
Strike all that look upon with marvel. Come;
I'll fill your grave up. Stir; nay, come away.
Bequeath to death your numbness, for from him
Dear life redeems you. You perceive she stirs.
[HERMIONE comes down from the pedestal]
Start not; her actions shall be holy as
You hear my spell is lawful. Do not shun her
Until you see her die again; for then
You kill her double. Nay, present your hand.
When she was young you woo'd her; now in age
Is she become the suitor?
LEONTES. O, she's warm!
If this be magic, let it be an art
Lawful as eating.
POLIXENES. She embraces him.
CAMILLO. She hangs about his neck.
If she pertain to life, let her speak too.
POLIXENES. Ay, and make it manifest where she has liv'd,
Or how stol'n from the dead.
PAULINA. That she is living,
Were it but told you, should be hooted at
Like an old tale; but it appears she lives
Though yet she speak not. Mark a little while.
Please you to interpose, fair madam. Kneel,
And pray your mother's blessing. Turn, good lady;
Our Perdita is found.
HERMIONE. You gods, look down,
And from your sacred vials pour your graces
Upon my daughter's head! Tell me, mine own,
Where hast thou been preserv'd? Where liv'd? How found
Thy father's court? For thou shalt hear that I,
Knowing by Paulina that the oracle
Gave hope thou wast in being, have preserv'd
Myself to see the issue.
PAULINA. There's time enough for that,
Lest they desire upon this push to trouble
Your joys with like relation. Go together,
You precious winners all; your exultation
Partake to every one. I, an old turtle,
Will wing me to some wither'd bough, and there
My mate, that's never to be found again,
Lament till I am lost.
LEONTES. O peace, Paulina!
Thou shouldst a husband take by my consent,
As I by thine a wife. This is a match,
And made between's by vows. Thou hast found mine;
But how, is to be question'd; for I saw her,
As I thought, dead; and have, in vain, said many
A prayer upon her grave. I'll not seek far-
For him, I partly know his mind- to find thee
An honourable husband. Come, Camillo,
And take her by the hand whose worth and honesty
Is richly noted, and here justified
By us, a pair of kings. Let's from this place.
What! look upon my brother. Both your pardons,
That e'er I put between your holy looks
My ill suspicion. This your son-in-law,
And son unto the King, whom heavens directing,
Is troth-plight to your daughter. Good Paulina,
Lead us from hence where we may leisurely
Each one demand and answer to his part
Perform'd in this wide gap of time since first
We were dissever'd. Hastily lead away. Exeunt
THE END
| 6,771 | Act 5 | https://web.archive.org/web/20210411083408/https://www.gradesaver.com/the-winters-tale/study-guide/summary-act-5 | The courtiers comfort Leontes, who has never forgiven himself for the deaths of Mamillius and Hermione. Paulina's words to the king include a dose of harsh honesty. Though the other courtiers want him to remarry, Paulina urges him not to do it. She reminds him of Apollo's prophecy, which proclaimed that Leontes would have no heir unless the lost daughter were found. To remarry for the purposes of producing an heir would therefore be futile. She persuades him never to remarry again unless Paulina chooses the bride. Leontes agrees, and Paulina says that if she is to have her way, he will never marry until his queen draws breath again. A servant announces the arrival of Florizell and his wife. Because the visit is sudden and unexpected, Leontes suspects that Florizell comes because of some accident or disaster. The servant praises Florizell's wife, whom he has assumed is a princess. When he says that the princess is peerless among women past and present, Paulina takes exception to the compliment, because she will not have her old queen, Hermione, ranked second to anyone. The servant apologizes but promises that Paulina, too, will be awed by the girl. Florizell and Perdita enter, and Leontes greets them with great emotion and warmth. Florizell pretends that Perdita is a princess of Libya, and that they are newly married. But a servant interrupts them, bringing news that Polixenes is in Sicilia. He has come for his son, who fled Bohemia with a shepherd's daughter. The Shepherd and the Shepherd's Son are with him. Florizell correctly infers that Camillo has betrayed him. To Perdita's great alarm, the servant reports that Shepherd and Shepherd's Son were begging the king for mercy, who ignored their pleas and threatened them with great harm. Leontes is not angry about the deception, and he speaks comforting words to the prince. Florizell asks Leontes to speak on behalf of the young couple, and the king promises that he will try to help them. Scene ii: The truth about Perdita's parentage has been revealed. We never see the event happen onstage; instead, we hear about it in a conversation between three gentleman and Autolycus. When the Shepherd produced the items that he found with the infant Perdita, which included garments and jewels that belonged to Hermione and letters written by Antigonus, all those present realized the truth. The two royal families and their attendant advisors and friends were overcome by joy and sorrow. Paulina rejoiced to see the oracle fulfilled, but she mourned for the loss of her husband. Leontes was overwhelmed by the miraculous return of his daughter, but it reminded him afresh of Hermione's death. The whole scene, one gentleman promised, would have moved anyone who witnessed it. Leontes, Polixenes, Florizell, Perdita, Camillo, Paulina, and various lords have all gone to Paulina's house. There, a statue of Hermione is nearing completion. They go there to view the statue and sup together. Alone with the audience, Autolycus says that earlier on the prince's ship he tried to tell Florizell that Perdita was a foundling, but Perdita and Florizell were too busy with seasickness to listen to him. His chances for advancement seem slim, but he takes it all in stride. The Shepherd and the Shepherd's Son enter, now decked out in fine clothes. They are overjoyed at their new good fortune, proclaiming themselves to be gentlemen; kings and courtiers have thanked them and called them brother for taking care of Perdita. Autolycus asks forgiveness for the tricks he played on them, and he also requests that they put in a good word for him with Florizell. The Shepherd's Son promises to be his advocate. Scene iii: In Paulina's house, Paulina draws back the curtain to reveal the statue of Hermione. The statue is remarkably lifelike, and it is made to look like an older Hermione, as if the queen had lived and aged these past sixteen years. The likeness of Hermione stirs up deep emotions for Perdita, who has never known a mother. Leontes is moved to great sorrow by the statue, and Paulina offers repeatedly to draw the curtain so as to spare him pain. Paulina then offers to make the statue move, although she fears to do so if any consider this magic unnatural. At the king's urging, Paulina wakes the statue, miraculously restoring Hermione to life. All are amazed. Hermione takes her king by the hand. Paulina presents Perdita to Hermione, and the queen lovingly asks her daughter to tell her everything that has happened while the queen has been gone. Paulina encourages them to go together and enjoy the reunification of their family, while she stays behind to mourn the loss of Antigonus. Leontes tells her to leave her sorrow behind. He wants her to fulfill her vow to take a husband of the king's choosing, just as he agreed to remarry the wife she chose for him. Leontes chooses Camillo, a perfect match for Paulina. For all the wrongs he committed against Polixenes and Hermione, Leontes begs forgiveness. With Paulina leading the way, the characters exit. Finally, reunited family and friends will share what has happened to them since their separation sixteen years ago. | We return in the final act to the grieving court of Sicilia, still sorrowful for the queen's death and anxious about the stability of their kingdom, which remains without an heir. Act 5 restores stability and solves the problems of both kings without any revolution. The queen and daughter Leontes lost return to him miraculously. For Polixenes, the commoner his son wanted to marry has turned out to be a princess, and no less, she is the daughter of his oldest friend. The happy ending is fantastic, so full of magic and unlikely coincidences that characters constantly remark that if the events they have witnessed were retold as a story, no one would believe it. A "winter's tale" is a long story to be told by a warm fire, often one full of fantasy and clever invention. But the audience is not being told a story: we are allowed, along with the characters, to witness the wondrous events of the play. The most fantastic event of the show, Hermione's miraculous resurrection, is also one of the most powerful. Shakespeare's audience might have had some anxiety about the magical resurrection of the dead, but Leontes remarks that the effects of Paulina's magic are so wondrous that her craft must be embraced as natural and good. The pagan and pastoral elements of the play also help to deflect the charge of witchcraft. Act 4 immersed the audience in a healing and restorative world of nature and romance. The Greek and Christian stories of regeneration and resurrection have prepared us for this ending, as has the pagan myth of Pygmalion, in which a sculptor's creation comes to life through the aid of the gods. Lines in Act 5 foreshadow the resurrection. When Paulina tells the king that he will never marry until his wife draws breath again, the talk of Hermione's resurrection is a prediction rather than a rhetorical device. And when the gentlemen discuss the revealing of Perdita's parentage, one of them remarks that even those "most marble there changed color" . The phrase means that even the most hard-hearted were moved, but the gentleman is also unwittingly foreshadowing the restoration of the one who is literally "most marble," the statue of Hermione. She changes color when the blush of life enters her cheeks again. In moving towards the happy ending, more than magic is required. Paulina and Hermione join the ranks of other Shakespearean women who work to preserve or restore the status quo. The two women represent vastly different kinds of feminine virtue. Hermione is the passive, obedient wife, who without question takes back the husband who caused the death of herself and her son. Paulina is the sharp-tongued, fearless, and shrewish woman who never shirks from scolding any wrongdoer, even if he happens to be the king. But Paulina, too, is ultimately loyal to Leontes and his throne. Her magic restores his wife to him, and she obeys him when he asks her to marry Camillo. Paulina is strong-willed and admirable, and her counsel is especially needed after the departure of the wise and competent Camillo, but she is no revolutionary. All of the characters of the play remain deeply loyal to the two kings. Camillo obeys his conscience, but once Leontes repents, Camillo longs to see his old master again. Shakespeare presents us with admirable heroes who speak their minds, like Paulina, or obey their consciences, like Camillo; and yet these heroes must work within the system of patriarchy and monarchy. Both heroes are distinguished by their loyalty. Kings err, but for the happy ending to be possible they must be forgiven. The play's joyous ending makes a strong statement about social bonds and monarchy; its vision of what it means to be a good king and a good subject is both optimistic and conservative. The family of Leontes provides a model for a wide array of other social structures and hierarchies, including the families of subjects and the larger family of the nation. Preservation or restoration of these structures, including restoring and protecting patriarchs who abuse their power, is the central struggle of this play. The prophecy of the oracle gives us a sense that the hand of providence is at work. In delivering a message about truth and God, Apollo's prediction functions as Teiresias the seer functions in the plays of Sophocles: yes, there is a divine plan, and yes, sometimes parts of it are accessible to man. There is truth, something to aspire to, and there is meaning and order. Finally, the prophecy of Apollo has been fulfilled, and Perdita has returned home to be reunified with her father and mother. The play ends with restored order and great happiness. For modern audiences who have grown up under democracy and who also might view the idea of providence with great skepticism, The Winter's Tale can be a strange and even unsettling play. But its faith in existing social structures and the benign hand of the divine also make this play one of Shakespeare's most hopeful and uplifting works. In the reunification of Leontes' family and the new marriage of Perdita, The Winter's Tale leaves us with an optimistic vision of order and renewal. | 867 | 868 | [
"\nACT V. SCENE I.\nSicilia.",
"The palace of LEONTES\n\nEnter LEONTES, CLEOMENES, DION, PAULINA, and OTHERS\n\n CLEOMENES.",
"Sir, you have done enough, and have perform'd\n A saint-like sorrow.",
"No fault could you make\n Which you have not redeem'd; indeed, paid down\n More penitence than done trespass.",
"At the last,\n Do as the heavens have done: forget your evil;\n With them forgive yourself.",
"LEONTES.",
"Whilst I remember\n Her and her virtues, I cannot forget\n My blemishes in them, and so still think of\n The wrong I did myself; which was so much\n That heirless it hath made my kingdom, and\n Destroy'd the sweet'st companion that e'er man\n Bred his hopes out of.",
"PAULINA.",
"True, too true, my lord.",
"If, one by one, you wedded all the world,\n Or from the all that are took something good\n To make a perfect woman, she you kill'd\n Would be unparallel'd.",
"LEONTES.",
"I think so.",
"Kill'd!",
"She I kill'd!",
"I did so; but thou strik'st me\n Sorely, to say I did.",
"It is as bitter\n Upon thy tongue as in my thought.",
"Now, good now,\n Say so but seldom.",
"CLEOMENES.",
"Not at all, good lady.",
"You might have spoken a thousand things that would\n Have done the time more benefit, and grac'd\n Your kindness better.",
"PAULINA.",
"You are one of those\n Would have him wed again.",
"DION.",
"If you would not so,\n You pity not the state, nor the remembrance\n Of his most sovereign name; consider little\n What dangers, by his Highness' fail of issue,\n May drop upon his kingdom and devour\n Incertain lookers-on.",
"What were more holy\n Than to rejoice the former queen is well?",
"What holier than, for royalty's repair,\n For present comfort, and for future good,\n To bless the bed of majesty again\n With a sweet fellow to't?",
"PAULINA.",
"There is none worthy,\n Respecting her that's gone.",
"Besides, the gods\n Will have fulfill'd their secret purposes;\n For has not the divine Apollo said,\n Is't not the tenour of his oracle,\n That King Leontes shall not have an heir\n Till his lost child be found?",
"Which that it shall,\n Is all as monstrous to our human reason\n As my Antigonus to break his grave\n And come again to me; who, on my life,\n Did perish with the infant.",
"'Tis your counsel\n My lord should to the heavens be contrary,\n Oppose against their wills.",
"[To LEONTES] Care not for\nissue;\n The crown will find an heir.",
"Great Alexander\n Left his to th' worthiest; so his successor\n Was like to be the best.",
"LEONTES.",
"Good Paulina,\n Who hast the memory of Hermione,\n I know, in honour, O that ever I\n Had squar'd me to thy counsel!",
"Then, even now,\n I might have look'd upon my queen's full eyes,\n Have taken treasure from her lips-\n PAULINA.",
"And left them\n More rich for what they yielded.",
"LEONTES.",
"Thou speak'st truth.",
"No more such wives; therefore, no wife.",
"One worse,\n And better us'd, would make her sainted spirit\n Again possess her corpse, and on this stage,\n Where we offend her now, appear soul-vex'd,\n And begin 'Why to me'-\n PAULINA.",
"Had she such power,\n She had just cause.",
"LEONTES.",
"She had; and would incense me\n To murder her I married.",
"PAULINA.",
"I should so.",
"Were I the ghost that walk'd, I'd bid you mark\n Her eye, and tell me for what dull part in't\n You chose her; then I'd shriek, that even your ears\n Should rift to hear me; and the words that follow'd\n Should be 'Remember mine.'",
"LEONTES.",
"Stars, stars,\n And all eyes else dead coals!",
"Fear thou no wife;\n I'll have no wife, Paulina.",
"PAULINA.",
"Will you swear\n Never to marry but by my free leave?",
"LEONTES.",
"Never, Paulina; so be blest my spirit!",
"PAULINA.",
"Then, good my lords, bear witness to his oath.",
"CLEOMENES.",
"You tempt him over-much.",
"PAULINA.",
"Unless another,\n As like Hermione as is her picture,\n Affront his eye.",
"CLEOMENES.",
"Good madam-\n PAULINA.",
"I have done.",
"Yet, if my lord will marry- if you will, sir,\n No remedy but you will- give me the office\n To choose you a queen.",
"She shall not be so young\n As was your former; but she shall be such\n As, walk'd your first queen's ghost, it should take joy\n To see her in your arms.",
"LEONTES.",
"My true Paulina,\n We shall not marry till thou bid'st us.",
"PAULINA.",
"That\n Shall be when your first queen's again in breath;\n Never till then.",
"Enter a GENTLEMAN\n\n GENTLEMAN.",
"One that gives out himself Prince Florizel,\n Son of Polixenes, with his princess- she\n The fairest I have yet beheld- desires access\n To your high presence.",
"LEONTES.",
"What with him?",
"He comes not\n Like to his father's greatness.",
"His approach,\n So out of circumstance and sudden, tells us\n 'Tis not a visitation fram'd, but forc'd\n By need and accident.",
"What train?",
"GENTLEMAN.",
"But few,\n And those but mean.",
"LEONTES.",
"His princess, say you, with him?",
"GENTLEMAN.",
"Ay; the most peerless piece of earth, I think,\n That e'er the sun shone bright on.",
"PAULINA.",
"O Hermione,\n As every present time doth boast itself\n Above a better gone, so must thy grave\n Give way to what's seen now!",
"Sir, you yourself\n Have said and writ so, but your writing now\n Is colder than that theme: 'She had not been,\n Nor was not to be equall'd.'",
"Thus your verse\n Flow'd with her beauty once; 'tis shrewdly ebb'd,\n To say you have seen a better.",
"GENTLEMAN.",
"Pardon, madam.",
"The one I have almost forgot- your pardon;\n The other, when she has obtain'd your eye,\n Will have your tongue too.",
"This is a creature,\n Would she begin a sect, might quench the zeal\n Of all professors else, make proselytes\n Of who she but bid follow.",
"PAULINA.",
"How!",
"not women?",
"GENTLEMAN.",
"Women will love her that she is a woman\n More worth than any man; men, that she is\n The rarest of all women.",
"LEONTES.",
"Go, Cleomenes;\n Yourself, assisted with your honour'd friends,\n Bring them to our embracement.",
"Exeunt\n Still, 'tis strange\n He thus should steal upon us.",
"PAULINA.",
"Had our prince,\n Jewel of children, seen this hour, he had pair'd\n Well with this lord; there was not full a month\n Between their births.",
"LEONTES.",
"Prithee no more; cease.",
"Thou know'st\n He dies to me again when talk'd of.",
"Sure,\n When I shall see this gentleman, thy speeches\n Will bring me to consider that which may\n Unfurnish me of reason.",
"Re-enter CLEOMENES, with FLORIZEL, PERDITA, and\n ATTENDANTS\n\n They are come.",
"Your mother was most true to wedlock, Prince;\n For she did print your royal father off,\n Conceiving you.",
"Were I but twenty-one,\n Your father's image is so hit in you\n His very air, that I should call you brother,\n As I did him, and speak of something wildly\n By us perform'd before.",
"Most dearly welcome!",
"And your fair princess- goddess!",
"O, alas!",
"I lost a couple that 'twixt heaven and earth\n Might thus have stood begetting wonder as\n You, gracious couple, do.",
"And then I lost-\n All mine own folly- the society,\n Amity too, of your brave father, whom,\n Though bearing misery, I desire my life\n Once more to look on him.",
"FLORIZEL.",
"By his command\n Have I here touch'd Sicilia, and from him\n Give you all greetings that a king, at friend,\n Can send his brother; and, but infirmity,\n Which waits upon worn times, hath something seiz'd\n His wish'd ability, he had himself\n The lands and waters 'twixt your throne and his\n Measur'd, to look upon you; whom he loves,\n He bade me say so, more than all the sceptres\n And those that bear them living.",
"LEONTES.",
"O my brother-\n Good gentleman!- the wrongs I have done thee stir\n Afresh within me; and these thy offices,\n So rarely kind, are as interpreters\n Of my behind-hand slackness!",
"Welcome hither,\n As is the spring to th' earth.",
"And hath he too\n Expos'd this paragon to th' fearful usage,\n At least ungentle, of the dreadful Neptune,\n To greet a man not worth her pains, much less\n Th' adventure of her person?",
"FLORIZEL.",
"Good, my lord,\n She came from Libya.",
"LEONTES.",
"Where the warlike Smalus,\n That noble honour'd lord, is fear'd and lov'd?",
"FLORIZEL.",
"Most royal sir, from thence; from him whose daughter\n His tears proclaim'd his, parting with her; thence,\n A prosperous south-wind friendly, we have cross'd,\n To execute the charge my father gave me\n For visiting your Highness.",
"My best train\n I have from your Sicilian shores dismiss'd;\n Who for Bohemia bend, to signify\n Not only my success in Libya, sir,\n But my arrival and my wife's in safety\n Here where we are.",
"LEONTES.",
"The blessed gods\n Purge all infection from our air whilst you\n Do climate here!",
"You have a holy father,\n A graceful gentleman, against whose person,\n So sacred as it is, I have done sin,\n For which the heavens, taking angry note,\n Have left me issueless; and your father's blest,\n As he from heaven merits it, with you,\n Worthy his goodness.",
"What might I have been,\n Might I a son and daughter now have look'd on,\n Such goodly things as you!",
"Enter a LORD\n\n LORD.",
"Most noble sir,\n That which I shall report will bear no credit,\n Were not the proof so nigh.",
"Please you, great sir,\n Bohemia greets you from himself by me;\n Desires you to attach his son, who has-\n His dignity and duty both cast off-\n Fled from his father, from his hopes, and with\n A shepherd's daughter.",
"LEONTES.",
"Where's Bohemia?",
"Speak.",
"LORD.",
"Here in your city; I now came from him.",
"I speak amazedly; and it becomes\n My marvel and my message.",
"To your court\n Whiles he was hast'ning- in the chase, it seems,\n Of this fair couple- meets he on the way\n The father of this seeming lady and\n Her brother, having both their country quitted\n With this young prince.",
"FLORIZEL.",
"Camillo has betray'd me;\n Whose honour and whose honesty till now\n Endur'd all weathers.",
"LORD.",
"Lay't so to his charge;\n He's with the King your father.",
"LEONTES.",
"Who?",
"Camillo?",
"LORD.",
"Camillo, sir; I spake with him; who now\n Has these poor men in question.",
"Never saw I\n Wretches so quake.",
"They kneel, they kiss the earth;\n Forswear themselves as often as they speak.",
"Bohemia stops his ears, and threatens them\n With divers deaths in death.",
"PERDITA.",
"O my poor father!",
"The heaven sets spies upon us, will not have\n Our contract celebrated.",
"LEONTES.",
"You are married?",
"FLORIZEL.",
"We are not, sir, nor are we like to be;\n The stars, I see, will kiss the valleys first.",
"The odds for high and low's alike.",
"LEONTES.",
"My lord,\n Is this the daughter of a king?",
"FLORIZEL.",
"She is,\n When once she is my wife.",
"LEONTES.",
"That 'once,' I see by your good father's speed,\n Will come on very slowly.",
"I am sorry,\n Most sorry, you have broken from his liking\n Where you were tied in duty; and as sorry\n Your choice is not so rich in worth as beauty,\n That you might well enjoy her.",
"FLORIZEL.",
"Dear, look up.",
"Though Fortune, visible an enemy,\n Should chase us with my father, pow'r no jot\n Hath she to change our loves.",
"Beseech you, sir,\n Remember since you ow'd no more to time\n Than I do now.",
"With thought of such affections,\n Step forth mine advocate; at your request\n My father will grant precious things as trifles.",
"LEONTES.",
"Would he do so, I'd beg your precious mistress,\n Which he counts but a trifle.",
"PAULINA.",
"Sir, my liege,\n Your eye hath too much youth in't.",
"Not a month\n Fore your queen died, she was more worth such gazes\n Than what you look on now.",
"LEONTES.",
"I thought of her\n Even in these looks I made.",
"[To FLORIZEL] But your petition\n Is yet unanswer'd.",
"I will to your father.",
"Your honour not o'erthrown by your desires,\n I am friend to them and you.",
"Upon which errand\n I now go toward him; therefore, follow me,\n And mark what way I make.",
"Come, good my lord.",
"Exeunt\n\n\n\n\n\nSicilia.",
"Before the palace of LEONTES\n\nEnter AUTOLYCUS and a GENTLEMAN\n\n AUTOLYCUS.",
"Beseech you, sir, were you present at this relation?",
"FIRST GENTLEMAN.",
"I was by at the opening of the fardel, heard\nthe\n old shepherd deliver the manner how he found it; whereupon,\nafter\n a little amazedness, we were all commanded out of the\nchamber;\n only this, methought I heard the shepherd say he found the\nchild.",
"AUTOLYCUS.",
"I would most gladly know the issue of it.",
"FIRST GENTLEMAN.",
"I make a broken delivery of the business; but\nthe\n changes I perceived in the King and Camillo were very notes\nof\n admiration.",
"They seem'd almost, with staring on one another,\nto\n tear the cases of their eyes; there was speech in their\ndumbness,\n language in their very gesture; they look'd as they had heard\nof\n a world ransom'd, or one destroyed.",
"A notable passion of\nwonder\n appeared in them; but the wisest beholder that knew no more\nbut\n seeing could not say if th' importance were joy or sorrow-\nbut in\n the extremity of the one it must needs be.",
"Enter another GENTLEMAN\n\n Here comes a gentleman that happily knows more.",
"The news,\nRogero?",
"SECOND GENTLEMAN.",
"Nothing but bonfires.",
"The oracle is\nfulfill'd:\n the King's daughter is found.",
"Such a deal of wonder is broken\nout\n within this hour that ballad-makers cannot be able to express\nit.",
"Enter another GENTLEMAN\n\n Here comes the Lady Paulina's steward; he can deliver you\nmore.",
"How goes it now, sir?",
"This news, which is call'd true, is so\nlike\n an old tale that the verity of it is in strong suspicion.",
"Has\nthe\n King found his heir?",
"THIRD GENTLEMAN.",
"Most true, if ever truth were pregnant by\n circumstance.",
"That which you hear you'll swear you see, there\nis\n such unity in the proofs.",
"The mantle of Queen Hermione's; her\n jewel about the neck of it; the letters of Antigonus found\nwith\n it, which they know to be his character; the majesty of the\n creature in resemblance of the mother; the affection of\nnobleness\n which nature shows above her breeding; and many other\nevidences-\n proclaim her with all certainty to be the King's daughter.",
"Did\n you see the meeting of the two kings?",
"SECOND GENTLEMAN.",
"No.",
"THIRD GENTLEMAN.",
"Then you have lost a sight which was to be\nseen,\n cannot be spoken of.",
"There might you have beheld one joy\ncrown\n another, so and in such manner that it seem'd sorrow wept to\ntake\n leave of them; for their joy waded in tears.",
"There was\ncasting up\n of eyes, holding up of hands, with countenance of such\n distraction that they were to be known by garment, not by\nfavour.",
"Our king, being ready to leap out of himself for joy of his\nfound\n daughter, as if that joy were now become a loss, cries 'O,\nthy\n mother, thy mother!'",
"then asks Bohemia forgiveness; then\nembraces\n his son-in-law; then again worries he his daughter with\nclipping\n her.",
"Now he thanks the old shepherd, which stands by like a\n weather-bitten conduit of many kings' reigns.",
"I never heard\nof\n such another encounter, which lames report to follow it and\n undoes description to do it.",
"SECOND GENTLEMAN.",
"What, pray you, became of Antigonus, that\ncarried\n hence the child?",
"THIRD GENTLEMAN.",
"Like an old tale still, which will have matter\nto\n rehearse, though credit be asleep and not an ear open: he was\n\n torn to pieces with a bear.",
"This avouches the shepherd's son,\nwho\n has not only his innocence, which seems much, to justify him,\nbut\n a handkerchief and rings of his that Paulina knows.",
"FIRST GENTLEMAN.",
"What became of his bark and his followers?",
"THIRD GENTLEMAN.",
"Wreck'd the same instant of their master's\ndeath,\n and in the view of the shepherd; so that all the instruments\n which aided to expose the child were even then lost when it\nwas\n found.",
"But, O, the noble combat that 'twixt joy and sorrow\nwas\n fought in Paulina!",
"She had one eye declin'd for the loss of\nher\n husband, another elevated that the oracle was fulfill'd.",
"She\n lifted the Princess from the earth, and so locks her in\nembracing\n as if she would pin her to her heart, that she might no more\nbe\n in danger of losing.",
"FIRST GENTLEMAN.",
"The dignity of this act was worth the audience\nof\n kings and princes; for by such was it acted.",
"THIRD GENTLEMAN.",
"One of the prettiest touches of all, and that\n which angl'd for mine eyes- caught the water, though not the\n fish- was, when at the relation of the Queen's death, with\nthe\n manner how she came to't bravely confess'd and lamented by\nthe\n King, how attentivenes wounded his daughter; till, from one\nsign\n of dolour to another, she did with an 'Alas!",
"'- I would fain\nsay-\n bleed tears; for I am sure my heart wept blood.",
"Who was most\n marble there changed colour; some swooned, all sorrowed.",
"If\nall\n the world could have seen't, the woe had been universal.",
"FIRST GENTLEMAN.",
"Are they returned to the court?",
"THIRD GENTLEMAN.",
"No.",
"The Princess hearing of her mother's\nstatue,\n which is in the keeping of Paulina- a piece many years in\ndoing\n and now newly perform'd by that rare Italian master, Julio\n Romano, who, had he himself eternity and could put breath\ninto\n his work, would beguile nature of her custom, so perfectly he\nis\n her ape.",
"He so near to Hermione hath done Hermione that they\nsay\n one would speak to her and stand in hope of answer- thither\nwith\n all greediness of affection are they gone, and there they\nintend\n to sup.",
"SECOND GENTLEMAN.",
"I thought she had some great matter there in\n hand; for she hath privately twice or thrice a day, ever\nsince\n the death of Hermione, visited that removed house.",
"Shall we\n thither, and with our company piece the rejoicing?",
"FIRST GENTLEMAN.",
"Who would be thence that has the benefit of\n access?",
"Every wink of an eye some new grace will be born.",
"Our\n\n absence makes us unthrifty to our knowledge.",
"Let's along.",
"Exeunt GENTLEMEN\n AUTOLYCUS.",
"Now, had I not the dash of my former life in me,\nwould\n preferment drop on my head.",
"I brought the old man and his son\n aboard the Prince; told him I heard them talk of a fardel and\nI\n know not what; but he at that time over-fond of the\nshepherd's\n daughter- so he then took her to be- who began to be much\n sea-sick, and himself little better, extremity of weather\n continuing, this mystery remained undiscover'd.",
"But 'tis all\none\n to me; for had I been the finder-out of this secret, it would\nnot\n have relish'd among my other discredits.",
"Enter SHEPHERD and CLOWN\n\n Here come those I have done good to against my will, and\nalready\n appearing in the blossoms of their fortune.",
"SHEPHERD.",
"Come, boy; I am past moe children, but thy sons and\n daughters will be all gentlemen born.",
"CLOWN.",
"You are well met, sir.",
"You denied to fight with me this\n other day, because I was no gentleman born.",
"See you these\n clothes?",
"Say you see them not and think me still no gentleman\n born.",
"You were best say these robes are not gentlemen born.",
"Give\n me the lie, do; and try whether I am not now a gentleman\nborn.",
"AUTOLYCUS.",
"I know you are now, sir, a gentleman born.",
"CLOWN.",
"Ay, and have been so any time these four hours.",
"SHEPHERD.",
"And so have I, boy.",
"CLOWN.",
"So you have; but I was a gentleman born before my\nfather;\n for the King's son took me by the hand and call'd me brother;\nand\n then the two kings call'd my father brother; and then the\nPrince,\n my brother, and the Princess, my sister, call'd my father\nfather.",
"And so we wept; and there was the first gentleman-like tears\nthat\n ever we shed.",
"SHEPHERD.",
"We may live, son, to shed many more.",
"CLOWN.",
"Ay; or else 'twere hard luck, being in so preposterous\n estate as we are.",
"AUTOLYCUS.",
"I humbly beseech you, sir, to pardon me all the\nfaults I\n have committed to your worship, and to give me your good\nreport\n to the Prince my master.",
"SHEPHERD.",
"Prithee, son, do; for we must be gentle, now we are\n gentlemen.",
"CLOWN.",
"Thou wilt amend thy life?",
"AUTOLYCUS.",
"Ay, an it like your good worship.",
"CLOWN.",
"Give me thy hand.",
"I will swear to the Prince thou art as\n honest a true fellow as any is in Bohemia.",
"SHEPHERD.",
"You may say it, but not swear it.",
"CLOWN.",
"Not swear it, now I am a gentleman?",
"Let boors and\nfranklins\n say it: I'll swear it.",
"SHEPHERD.",
"How if it be false, son?",
"CLOWN.",
"If it be ne'er so false, a true gentleman may swear it\nin\n the behalf of his friend.",
"And I'll swear to the Prince thou\nart a\n tall fellow of thy hands and that thou wilt not be drunk; but\nI\n know thou art no tall fellow of thy hands and that thou wilt\nbe\n drunk.",
"But I'll swear it; and I would thou wouldst be a tall\n fellow of thy hands.",
"AUTOLYCUS.",
"I will prove so, sir, to my power.",
"CLOWN.",
"Ay, by any means, prove a tall fellow.",
"If I do not\nwonder\n how thou dar'st venture to be drunk not being a tall fellow,\n trust me not.",
"Hark!",
"the kings and the princes, our kindred,\nare\n going to see the Queen's picture.",
"Come, follow us; we'll be\nthy\n good masters.",
"Exeunt\n\n\n\n\n\nSicilia.",
"A chapel in PAULINA's house\n\nEnter LEONTES, POLIXENES, FLORIZEL, PERDITA, CAMILLO, PAULINA,\nLORDS and ATTENDANTS\n\n LEONTES.",
"O grave and good Paulina, the great comfort\n That I have had of thee!",
"PAULINA.",
"What, sovereign sir,\n I did not well, I meant well.",
"All my services\n You have paid home; but that you have vouchsaf'd,\n With your crown'd brother and these your contracted\n Heirs of your kingdoms, my poor house to visit,\n It is a surplus of your grace, which never\n My life may last to answer.",
"LEONTES.",
"O Paulina,\n We honour you with trouble; but we came\n To see the statue of our queen.",
"Your gallery\n Have we pass'd through, not without much content\n In many singularities; but we saw not\n That which my daughter came to look upon,\n The statue of her mother.",
"PAULINA.",
"As she liv'd peerless,\n So her dead likeness, I do well believe,\n Excels whatever yet you look'd upon\n Or hand of man hath done; therefore I keep it\n Lonely, apart.",
"But here it is.",
"Prepare\n To see the life as lively mock'd as ever\n Still sleep mock'd death.",
"Behold; and say 'tis well.",
"[PAULINA draws a curtain, and discovers HERMIONE\n standing like a statue]\n I like your silence; it the more shows off\n Your wonder; but yet speak.",
"First, you, my liege.",
"Comes it not something near?",
"LEONTES.",
"Her natural posture!",
"Chide me, dear stone, that I may say indeed\n Thou art Hermione; or rather, thou art she\n In thy not chiding; for she was as tender\n As infancy and grace.",
"But yet, Paulina,\n Hermione was not so much wrinkled, nothing\n So aged as this seems.",
"POLIXENES.",
"O, not by much!",
"PAULINA.",
"So much the more our carver's excellence,\n Which lets go by some sixteen years and makes her\n As she liv'd now.",
"LEONTES.",
"As now she might have done,\n So much to my good comfort as it is\n Now piercing to my soul.",
"O, thus she stood,\n Even with such life of majesty- warm life,\n As now it coldly stands- when first I woo'd her!",
"I am asham'd.",
"Does not the stone rebuke me\n For being more stone than it?",
"O royal piece,\n There's magic in thy majesty, which has\n My evils conjur'd to remembrance, and\n From thy admiring daughter took the spirits,\n Standing like stone with thee!",
"PERDITA.",
"And give me leave,\n And do not say 'tis superstition that\n I kneel, and then implore her blessing.",
"Lady,\n Dear queen, that ended when I but began,\n Give me that hand of yours to kiss.",
"PAULINA.",
"O, patience!",
"The statue is but newly fix'd, the colour's\n Not dry.",
"CAMILLO.",
"My lord, your sorrow was too sore laid on,\n Which sixteen winters cannot blow away,\n So many summers dry.",
"Scarce any joy\n Did ever so long live; no sorrow\n But kill'd itself much sooner.",
"POLIXENES.",
"Dear my brother,\n Let him that was the cause of this have pow'r\n To take off so much grief from you as he\n Will piece up in himself.",
"PAULINA.",
"Indeed, my lord,\n If I had thought the sight of my poor image\n Would thus have wrought you- for the stone is mine-\n I'd not have show'd it.",
"LEONTES.",
"Do not draw the curtain.",
"PAULINA.",
"No longer shall you gaze on't, lest your fancy\n May think anon it moves.",
"LEONTES.",
"Let be, let be.",
"Would I were dead, but that methinks already-\n What was he that did make it?",
"See, my lord,\n Would you not deem it breath'd, and that those veins\n Did verily bear blood?",
"POLIXENES.",
"Masterly done!",
"The very life seems warm upon her lip.",
"LEONTES.",
"The fixture of her eye has motion in't,\n As we are mock'd with art.",
"PAULINA.",
"I'll draw the curtain.",
"My lord's almost so far transported that\n He'll think anon it lives.",
"LEONTES.",
"O sweet Paulina,\n Make me to think so twenty years together!",
"No settled senses of the world can match\n The pleasure of that madness.",
"Let 't alone.",
"PAULINA.",
"I am sorry, sir, I have thus far stirr'd you; but\n I could afflict you farther.",
"LEONTES.",
"Do, Paulina;\n For this affliction has a taste as sweet\n As any cordial comfort.",
"Still, methinks,\n There is an air comes from her.",
"What fine chisel\n Could ever yet cut breath?",
"Let no man mock me,\n For I will kiss her.",
"PAULINA.",
"Good my lord, forbear.",
"The ruddiness upon her lip is wet;\n You'll mar it if you kiss it; stain your own\n With oily painting.",
"Shall I draw the curtain?",
"LEONTES.",
"No, not these twenty years.",
"PERDITA.",
"So long could I\n Stand by, a looker-on.",
"PAULINA.",
"Either forbear,\n Quit presently the chapel, or resolve you\n For more amazement.",
"If you can behold it,\n I'll make the statue move indeed, descend,\n And take you by the hand, but then you'll think-\n Which I protest against- I am assisted\n By wicked powers.",
"LEONTES.",
"What you can make her do\n I am content to look on; what to speak\n I am content to hear; for 'tis as easy\n To make her speak as move.",
"PAULINA.",
"It is requir'd\n You do awake your faith.",
"Then all stand still;\n Or those that think it is unlawful business\n I am about, let them depart.",
"LEONTES.",
"Proceed.",
"No foot shall stir.",
"PAULINA.",
"Music, awake her: strike.",
"[Music]\n 'Tis time; descend; be stone no more; approach;\n Strike all that look upon with marvel.",
"Come;\n I'll fill your grave up.",
"Stir; nay, come away.",
"Bequeath to death your numbness, for from him\n Dear life redeems you.",
"You perceive she stirs.",
"[HERMIONE comes down from the pedestal]\n Start not; her actions shall be holy as\n You hear my spell is lawful.",
"Do not shun her\n Until you see her die again; for then\n You kill her double.",
"Nay, present your hand.",
"When she was young you woo'd her; now in age\n Is she become the suitor?",
"LEONTES.",
"O, she's warm!",
"If this be magic, let it be an art\n Lawful as eating.",
"POLIXENES.",
"She embraces him.",
"CAMILLO.",
"She hangs about his neck.",
"If she pertain to life, let her speak too.",
"POLIXENES.",
"Ay, and make it manifest where she has liv'd,\n Or how stol'n from the dead.",
"PAULINA.",
"That she is living,\n Were it but told you, should be hooted at\n Like an old tale; but it appears she lives\n Though yet she speak not.",
"Mark a little while.",
"Please you to interpose, fair madam.",
"Kneel,\n And pray your mother's blessing.",
"Turn, good lady;\n Our Perdita is found.",
"HERMIONE.",
"You gods, look down,\n And from your sacred vials pour your graces\n Upon my daughter's head!",
"Tell me, mine own,\n Where hast thou been preserv'd?",
"Where liv'd?",
"How found\n Thy father's court?",
"For thou shalt hear that I,\n Knowing by Paulina that the oracle\n Gave hope thou wast in being, have preserv'd\n Myself to see the issue.",
"PAULINA.",
"There's time enough for that,\n Lest they desire upon this push to trouble\n Your joys with like relation.",
"Go together,\n You precious winners all; your exultation\n Partake to every one.",
"I, an old turtle,\n Will wing me to some wither'd bough, and there\n My mate, that's never to be found again,\n Lament till I am lost.",
"LEONTES.",
"O peace, Paulina!",
"Thou shouldst a husband take by my consent,\n As I by thine a wife.",
"This is a match,\n And made between's by vows.",
"Thou hast found mine;\n But how, is to be question'd; for I saw her,\n As I thought, dead; and have, in vain, said many\n A prayer upon her grave.",
"I'll not seek far-\n For him, I partly know his mind- to find thee\n An honourable husband.",
"Come, Camillo,\n And take her by the hand whose worth and honesty\n Is richly noted, and here justified\n By us, a pair of kings.",
"Let's from this place.",
"What!",
"look upon my brother.",
"Both your pardons,\n That e'er I put between your holy looks\n My ill suspicion.",
"This your son-in-law,\n And son unto the King, whom heavens directing,\n Is troth-plight to your daughter.",
"Good Paulina,\n Lead us from hence where we may leisurely\n Each one demand and answer to his part\n Perform'd in this wide gap of time since first\n We were dissever'd.",
"Hastily lead away.",
"Exeunt\n\n\nTHE END"
] | [
"What were more holy\n Than to rejoice the former queen is well?",
"That\n Shall be when your first queen's again in breath;\n Never till then.",
"By his command\n Have I here touch'd Sicilia, and from him\n Give you all greetings that a king, at friend,\n Can send his brother; and, but infirmity,\n Which waits upon worn times, hath something seiz'd\n His wish'd ability, he had himself\n The lands and waters 'twixt your throne and his\n Measur'd, to look upon you; whom he loves,\n He bade me say so, more than all the sceptres\n And those that bear them living.",
"We are not, sir, nor are we like to be;\n The stars, I see, will kiss the valleys first.",
"Enter another GENTLEMAN\n\n Here comes the Lady Paulina's steward; he can deliver you\nmore.",
"THIRD GENTLEMAN.",
"FIRST GENTLEMAN.",
"LEONTES.",
"Do not draw the curtain.",
"I am sorry, sir, I have thus far stirr'd you; but\n I could afflict you farther."
] | [
"PAULINA.",
"LEONTES.",
"Please you to interpose, fair madam.",
"By his command\n Have I here touch'd Sicilia, and from him\n Give you all greetings that a king, at friend,\n Can send his brother; and, but infirmity,\n Which waits upon worn times, hath something seiz'd\n His wish'd ability, he had himself\n The lands and waters 'twixt your throne and his\n Measur'd, to look upon you; whom he loves,\n He bade me say so, more than all the sceptres\n And those that bear them living.",
"Lady,\n Dear queen, that ended when I but began,\n Give me that hand of yours to kiss.",
"Now he thanks the old shepherd, which stands by like a\n weather-bitten conduit of many kings' reigns.",
"Besides, the gods\n Will have fulfill'd their secret purposes;\n For has not the divine Apollo said,\n Is't not the tenour of his oracle,\n That King Leontes shall not have an heir\n Till his lost child be found?",
"Both your pardons,\n That e'er I put between your holy looks\n My ill suspicion.",
"Sir, my liege,\n Your eye hath too much youth in't.",
"LEONTES."
] | [
"What, pray you, became of Antigonus, that\ncarried\n hence the child?",
"THIRD GENTLEMAN.",
"Like an old tale still, which will have matter\nto\n rehearse, though credit be asleep and not an ear open: he was\n\n torn to pieces with a bear.",
"This avouches the shepherd's son,\nwho\n has not only his innocence, which seems much, to justify him,\nbut\n a handkerchief and rings of his that Paulina knows.",
"FIRST GENTLEMAN.",
"What became of his bark and his followers?",
"THIRD GENTLEMAN.",
"Wreck'd the same instant of their master's\ndeath,\n and in the view of the shepherd; so that all the instruments\n which aided to expose the child were even then lost when it\nwas\n found.",
"But, O, the noble combat that 'twixt joy and sorrow\nwas\n fought in Paulina!",
"She had one eye declin'd for the loss of\nher\n husband, another elevated that the oracle was fulfill'd.",
"She\n lifted the Princess from the earth, and so locks her in\nembracing\n as if she would pin her to her heart, that she might no more\nbe\n in danger of losing."
] | [
"\nACT V. SCENE I.\nSicilia.",
"The palace of LEONTES\n\nEnter LEONTES, CLEOMENES, DION, PAULINA, and OTHERS\n\n CLEOMENES.",
"Sir, you have done enough, and have perform'd\n A saint-like sorrow.",
"No fault could you make\n Which you have not redeem'd; indeed, paid down\n More penitence than done trespass.",
"At the last,\n Do as the heavens have done: forget your evil;\n With them forgive yourself.",
"LEONTES.",
"Whilst I remember\n Her and her virtues, I cannot forget\n My blemishes in them, and so still think of\n The wrong I did myself; which was so much\n That heirless it hath made my kingdom, and\n Destroy'd the sweet'st companion that e'er man\n Bred his hopes out of.",
"PAULINA.",
"True, too true, my lord.",
"If, one by one, you wedded all the world,\n Or from the all that are took something good\n To make a perfect woman, she you kill'd\n Would be unparallel'd.",
"I'll not seek far-\n For him, I partly know his mind- to find thee\n An honourable husband.",
"Come, Camillo,\n And take her by the hand whose worth and honesty\n Is richly noted, and here justified\n By us, a pair of kings.",
"Let's from this place.",
"What!",
"look upon my brother.",
"Both your pardons,\n That e'er I put between your holy looks\n My ill suspicion.",
"This your son-in-law,\n And son unto the King, whom heavens directing,\n Is troth-plight to your daughter.",
"Good Paulina,\n Lead us from hence where we may leisurely\n Each one demand and answer to his part\n Perform'd in this wide gap of time since first\n We were dissever'd.",
"Hastily lead away.",
"Exeunt\n\n\nTHE END"
] | the great comfort
That I have had of thee!
PAULINA.
What, sovereign sir,
I did not well, I meant well.
All my services
You have paid home; but that you have vouchsaf'd,
With your crown'd brother and these your contracted
Heirs of your kingdoms, my poor house to visit,
It is a surplus of your grace, which never
My life may last to answer.
LEONTES.
O Paulina,
We honour you with trouble; but we came
To see the statue of our queen.
Your gallery
Have we pass'd through, not without much content
In many singularities; but we saw not
That which my daughter came to look upon,
The statue of her mother.
PAULINA.
As she liv'd peerless,
So her dead likeness, I do well believe,
Excels whatever yet you look'd upon
Or hand of man hath done; therefore I keep it
Lonely, apart.
But here it is.
Prepare
To see the life as lively mock'd as ever
Still sleep mock'd death.
Behold; and say 'tis well.
[PAULINA draws a curtain, and disco |
ACT V. SCENE I.
Sicilia.
The palace of LEONTES
Enter LEONTES, CLEOMENES, DION, PAULINA, and OTHERS
CLEOMENES.
Sir, you have done enough, and have perform'd
A saint-like sorrow.
No fault could you make
Which you have not redeem'd; indeed, paid down
More penitence than done trespass.
At the last,
Do as the heavens have done: forget your evil;
With them forgive yourself.
LEONTES.
Whilst I remember
Her and her virtues, I cannot forget
My blemishes in them, and so sti e justified
By us, a pair of kings.
Let's from this place.
What!
look upon my brother.
Both your pardons,
That e'er I put between your holy looks
My ill suspicion.
This your son-in-law,
And son unto the King, whom heavens directing,
Is troth-plight to your daughter.
Good Paulina,
Lead us from hence where we may leisurely
Each one demand and answer to his part
Perform'd in this wide gap of time since first
We were dissever'd.
Hastily lead away.
Exeunt
THE END | her
evidences-
proclaim her with all certainty to be the King's daughter.
Did
you see the meeting of the two kings?
SECOND GENTLEMAN.
No.
THIRD GENTLEMAN.
Then you have lost a sight which was to be
seen,
cannot be spoken of.
There might you have beheld one joy
crown
another, so and in such manner that it seem'd sorrow wept to
take
leave of them; for their joy waded in tears.
There was
casting up
of eyes, holding up of hands, with countenance of such
distraction that they were to be known by garment, not by
favour.
Our king, being ready to leap out of himself for joy of his
found
daughter, as if that joy were now become a loss, cries 'O,
thy
mother, thy mother!'
then asks Bohemia forgiveness; then
embraces
his son-in-law; then again worries he his daughter with
clipping
her.
Now he thanks the old shepherd, which stands by like a
weather-bitten conduit of many kings' reigns.
I never heard
of
such another encounter, which lames report to |
1,134 | false | cliffnotes | all_chapterized_books/1134-chapters/1.txt | finished_summaries/cliffnotes/The Winter's Tale/section_0_part_0.txt | The Winter's Tale.act 1.scene 1 | scene 1 | null | {"name": "Scene 1", "url": "https://web.archive.org/web/20201130173005/https://www.cliffsnotes.com/literature/w/the-winters-tale/summary-and-analysis/act-i-scene-1", "summary": "Archidamus, a lord of Bohemia, tells Camillo, a lord of Sicilia, that should he ever visit Bohemia that he would find great differences between the two countries. Camillo responds that he thinks his king plans an exchange visit during the coming summer. Archidamus predicts that although their entertainments cannot match Sicilia's, they will manage to express their love. When Camillo protests the apology, Archidamus emphasizes that he knows that his country of Bohemia cannot produce \"such magnificence.\" Archidamus then envisions offering drinks that will drug the visitors; if unable to praise their hosts, they will at least not be able to blame them for inadequate \"magnificence.\" Camillo then tells Archidamus that Leontes is being so generous because of the great love that he has had for the Bohemian king since childhood. All of the formal, diplomatic gifts that the kings have exchanged during the intervening years of separation have maintained the strong friendship that still binds them. Camillo calls for help from the heavens to maintain this love. Archidamus comments that no earthly force could be strong enough to alter that love. Then he praises Leontes' son, Prince Mamillius, as the most promising young man he has ever observed. Camillo agrees, claiming that Leontes' elderly subjects remain alive only for the joy of observing Mamillius when he grows to adulthood. Archidamus, more realistically, states that the elderly would find a reason to continue to survive even if Mamillius did not exist.", "analysis": "The conversation between Archidamus and Camillo establishes the two main settings of the play and introduces the theme of deep and lasting friendship between the two kings. We can also infer that Leontes possesses natural riches far beyond those of Polixenes . The fact that no single main character appears in this scene forces our initial focus onto the contrasting settings; Sicilia is established as being the preferable location. While Archidamus bemoans the impossibility of matching the hospitality of Sicilia, he introduces a human temptation that will cause great harm throughout the play -- that is, confusing reality with illusion. First, he is stymied by reality: \"We cannot with such magnificence -- in so rare -- I know not what to say.\" Then, he envisions a means to avoid the reality: \"We will give you sleepy drinks, that your senses, unintelligent of our insufficience, may, though they cannot praise us, as little accuse us.\" A little later, Archidamus reverses his vision and returns to reality, when he counters Camillo's claim about Mamillius: \"They that went on crutches ere he was born desire yet their life to see him a man.\" Archidamus doubts that the elderly would die without the inspiration of Mamillius, and he bluntly declares: \"If the King had no son, they would desire to live on crutches till he had one.\" Archidamus then speaks of the long friendship between the two kings, and he says that he doubts if there is \"in the world either malice or matter to alter it.\" In fact, no reality does exist to alter that friendship, but illusion can, and will, alter it."} | Sicilia. The palace of LEONTES
Enter CAMILLO and ARCHIDAMUS
ARCHIDAMUS. If you shall chance, Camillo, to visit Bohemia, on
the
like occasion whereon my services are now on foot, you shall
see,
as I have said, great difference betwixt our Bohemia and your
Sicilia.
CAMILLO. I think this coming summer the King of Sicilia means
to
pay Bohemia the visitation which he justly owes him.
ARCHIDAMUS. Wherein our entertainment shall shame us we will be
justified in our loves; for indeed-
CAMILLO. Beseech you-
ARCHIDAMUS. Verily, I speak it in the freedom of my knowledge:
we
cannot with such magnificence, in so rare- I know not what to
say. We will give you sleepy drinks, that your senses,
unintelligent of our insufficience, may, though they cannot
praise us, as little accuse us.
CAMILLO. You pay a great deal too dear for what's given freely.
ARCHIDAMUS. Believe me, I speak as my understanding instructs
me
and as mine honesty puts it to utterance.
CAMILLO. Sicilia cannot show himself overkind to Bohemia. They
were
train'd together in their childhoods; and there rooted
betwixt
them then such an affection which cannot choose but branch
now.
Since their more mature dignities and royal necessities made
separation of their society, their encounters, though not
personal, have been royally attorneyed with interchange of
gifts,
letters, loving embassies; that they have seem'd to be
together,
though absent; shook hands, as over a vast; and embrac'd as
it
were from the ends of opposed winds. The heavens continue
their
loves!
ARCHIDAMUS. I think there is not in the world either malice or
matter to alter it. You have an unspeakable comfort of your
young
Prince Mamillius; it is a gentleman of the greatest promise
that
ever came into my note.
CAMILLO. I very well agree with you in the hopes of him. It is
a
gallant child; one that indeed physics the subject, makes old
hearts fresh; they that went on crutches ere he was born
desire
yet their life to see him a man.
ARCHIDAMUS. Would they else be content to die?
CAMILLO. Yes; if there were no other excuse why they should
desire
to live.
ARCHIDAMUS. If the King had no son, they would desire to live
on
crutches till he had one.
Exeunt
| 510 | Scene 1 | https://web.archive.org/web/20201130173005/https://www.cliffsnotes.com/literature/w/the-winters-tale/summary-and-analysis/act-i-scene-1 | Archidamus, a lord of Bohemia, tells Camillo, a lord of Sicilia, that should he ever visit Bohemia that he would find great differences between the two countries. Camillo responds that he thinks his king plans an exchange visit during the coming summer. Archidamus predicts that although their entertainments cannot match Sicilia's, they will manage to express their love. When Camillo protests the apology, Archidamus emphasizes that he knows that his country of Bohemia cannot produce "such magnificence." Archidamus then envisions offering drinks that will drug the visitors; if unable to praise their hosts, they will at least not be able to blame them for inadequate "magnificence." Camillo then tells Archidamus that Leontes is being so generous because of the great love that he has had for the Bohemian king since childhood. All of the formal, diplomatic gifts that the kings have exchanged during the intervening years of separation have maintained the strong friendship that still binds them. Camillo calls for help from the heavens to maintain this love. Archidamus comments that no earthly force could be strong enough to alter that love. Then he praises Leontes' son, Prince Mamillius, as the most promising young man he has ever observed. Camillo agrees, claiming that Leontes' elderly subjects remain alive only for the joy of observing Mamillius when he grows to adulthood. Archidamus, more realistically, states that the elderly would find a reason to continue to survive even if Mamillius did not exist. | The conversation between Archidamus and Camillo establishes the two main settings of the play and introduces the theme of deep and lasting friendship between the two kings. We can also infer that Leontes possesses natural riches far beyond those of Polixenes . The fact that no single main character appears in this scene forces our initial focus onto the contrasting settings; Sicilia is established as being the preferable location. While Archidamus bemoans the impossibility of matching the hospitality of Sicilia, he introduces a human temptation that will cause great harm throughout the play -- that is, confusing reality with illusion. First, he is stymied by reality: "We cannot with such magnificence -- in so rare -- I know not what to say." Then, he envisions a means to avoid the reality: "We will give you sleepy drinks, that your senses, unintelligent of our insufficience, may, though they cannot praise us, as little accuse us." A little later, Archidamus reverses his vision and returns to reality, when he counters Camillo's claim about Mamillius: "They that went on crutches ere he was born desire yet their life to see him a man." Archidamus doubts that the elderly would die without the inspiration of Mamillius, and he bluntly declares: "If the King had no son, they would desire to live on crutches till he had one." Archidamus then speaks of the long friendship between the two kings, and he says that he doubts if there is "in the world either malice or matter to alter it." In fact, no reality does exist to alter that friendship, but illusion can, and will, alter it. | 241 | 271 | [
"Sicilia.",
"The palace of LEONTES\n\nEnter CAMILLO and ARCHIDAMUS\n\n ARCHIDAMUS.",
"If you shall chance, Camillo, to visit Bohemia, on\nthe\n like occasion whereon my services are now on foot, you shall\nsee,\n as I have said, great difference betwixt our Bohemia and your\n Sicilia.",
"CAMILLO.",
"I think this coming summer the King of Sicilia means\nto\n pay Bohemia the visitation which he justly owes him.",
"ARCHIDAMUS.",
"Wherein our entertainment shall shame us we will be\n justified in our loves; for indeed-\n CAMILLO.",
"Beseech you-\n ARCHIDAMUS.",
"Verily, I speak it in the freedom of my knowledge:\nwe\n cannot with such magnificence, in so rare- I know not what to\n say.",
"We will give you sleepy drinks, that your senses,\n unintelligent of our insufficience, may, though they cannot\n praise us, as little accuse us.",
"CAMILLO.",
"You pay a great deal too dear for what's given freely.",
"ARCHIDAMUS.",
"Believe me, I speak as my understanding instructs\nme\n and as mine honesty puts it to utterance.",
"CAMILLO.",
"Sicilia cannot show himself overkind to Bohemia.",
"They\nwere\n train'd together in their childhoods; and there rooted\nbetwixt\n them then such an affection which cannot choose but branch\nnow.",
"Since their more mature dignities and royal necessities made\n separation of their society, their encounters, though not\n personal, have been royally attorneyed with interchange of\ngifts,\n letters, loving embassies; that they have seem'd to be\ntogether,\n though absent; shook hands, as over a vast; and embrac'd as\nit\n were from the ends of opposed winds.",
"The heavens continue\ntheir\n loves!",
"ARCHIDAMUS.",
"I think there is not in the world either malice or\n matter to alter it.",
"You have an unspeakable comfort of your\nyoung\n Prince Mamillius; it is a gentleman of the greatest promise\nthat\n ever came into my note.",
"CAMILLO.",
"I very well agree with you in the hopes of him.",
"It is\na\n gallant child; one that indeed physics the subject, makes old\n hearts fresh; they that went on crutches ere he was born\ndesire\n yet their life to see him a man.",
"ARCHIDAMUS.",
"Would they else be content to die?",
"CAMILLO.",
"Yes; if there were no other excuse why they should\ndesire\n to live.",
"ARCHIDAMUS.",
"If the King had no son, they would desire to live\non\n crutches till he had one.",
"Exeunt"
] | [
"Sicilia.",
"If you shall chance, Camillo, to visit Bohemia, on\nthe\n like occasion whereon my services are now on foot, you shall\nsee,\n as I have said, great difference betwixt our Bohemia and your\n Sicilia.",
"I think this coming summer the King of Sicilia means\nto\n pay Bohemia the visitation which he justly owes him.",
"ARCHIDAMUS.",
"Since their more mature dignities and royal necessities made\n separation of their society, their encounters, though not\n personal, have been royally attorneyed with interchange of\ngifts,\n letters, loving embassies; that they have seem'd to be\ntogether,\n though absent; shook hands, as over a vast; and embrac'd as\nit\n were from the ends of opposed winds.",
"I think there is not in the world either malice or\n matter to alter it.",
"You have an unspeakable comfort of your\nyoung\n Prince Mamillius; it is a gentleman of the greatest promise\nthat\n ever came into my note.",
"CAMILLO.",
"Would they else be content to die?",
"If the King had no son, they would desire to live\non\n crutches till he had one."
] | [
"CAMILLO.",
"It is\na\n gallant child; one that indeed physics the subject, makes old\n hearts fresh; they that went on crutches ere he was born\ndesire\n yet their life to see him a man.",
"I think this coming summer the King of Sicilia means\nto\n pay Bohemia the visitation which he justly owes him.",
"You pay a great deal too dear for what's given freely.",
"I think there is not in the world either malice or\n matter to alter it.",
"Since their more mature dignities and royal necessities made\n separation of their society, their encounters, though not\n personal, have been royally attorneyed with interchange of\ngifts,\n letters, loving embassies; that they have seem'd to be\ntogether,\n though absent; shook hands, as over a vast; and embrac'd as\nit\n were from the ends of opposed winds.",
"ARCHIDAMUS.",
"They\nwere\n train'd together in their childhoods; and there rooted\nbetwixt\n them then such an affection which cannot choose but branch\nnow.",
"The heavens continue\ntheir\n loves!",
"Yes; if there were no other excuse why they should\ndesire\n to live."
] | [
"You pay a great deal too dear for what's given freely.",
"ARCHIDAMUS.",
"Believe me, I speak as my understanding instructs\nme\n and as mine honesty puts it to utterance.",
"CAMILLO.",
"Sicilia cannot show himself overkind to Bohemia.",
"They\nwere\n train'd together in their childhoods; and there rooted\nbetwixt\n them then such an affection which cannot choose but branch\nnow.",
"Since their more mature dignities and royal necessities made\n separation of their society, their encounters, though not\n personal, have been royally attorneyed with interchange of\ngifts,\n letters, loving embassies; that they have seem'd to be\ntogether,\n though absent; shook hands, as over a vast; and embrac'd as\nit\n were from the ends of opposed winds.",
"The heavens continue\ntheir\n loves!",
"ARCHIDAMUS.",
"I think there is not in the world either malice or\n matter to alter it.",
"You have an unspeakable comfort of your\nyoung\n Prince Mamillius; it is a gentleman of the greatest promise\nthat\n ever came into my note."
] | [
"Sicilia.",
"The palace of LEONTES\n\nEnter CAMILLO and ARCHIDAMUS\n\n ARCHIDAMUS.",
"If you shall chance, Camillo, to visit Bohemia, on\nthe\n like occasion whereon my services are now on foot, you shall\nsee,\n as I have said, great difference betwixt our Bohemia and your\n Sicilia.",
"CAMILLO.",
"I think this coming summer the King of Sicilia means\nto\n pay Bohemia the visitation which he justly owes him.",
"ARCHIDAMUS.",
"Wherein our entertainment shall shame us we will be\n justified in our loves; for indeed-\n CAMILLO.",
"Beseech you-\n ARCHIDAMUS.",
"Verily, I speak it in the freedom of my knowledge:\nwe\n cannot with such magnificence, in so rare- I know not what to\n say.",
"We will give you sleepy drinks, that your senses,\n unintelligent of our insufficience, may, though they cannot\n praise us, as little accuse us.",
"CAMILLO.",
"I very well agree with you in the hopes of him.",
"It is\na\n gallant child; one that indeed physics the subject, makes old\n hearts fresh; they that went on crutches ere he was born\ndesire\n yet their life to see him a man.",
"ARCHIDAMUS.",
"Would they else be content to die?",
"CAMILLO.",
"Yes; if there were no other excuse why they should\ndesire\n to live.",
"ARCHIDAMUS.",
"If the King had no son, they would desire to live\non\n crutches till he had one.",
"Exeunt"
] | ifference betwixt our Bohemia and your
Sicilia.
CAMILLO.
I think this coming summer the King of Sicilia means
to
pay Bohemia the visitation which he justly owes him.
ARCHIDAMUS.
Wherein our entertainment shall shame us we will be
justified in our loves; for indeed-
CAMILLO.
Beseech you-
ARCHIDAMUS.
Verily, I speak it in the freedom of my knowledge:
we
cannot with such magnificence, in so rare- I know not what to
say.
We will give you sleepy drinks, that your senses,
unintelligent of our insufficience, may, though they cannot
praise us, as little accuse us.
CAMILLO.
You pay a great deal too dear for what's given freely.
ARCHIDAMUS.
Believe me, I speak as my understanding instructs
me
and as mine honesty puts it to utterance.
CAMILLO.
Sicilia cannot show himself overkind to Bohemia.
They
were
train'd together in their childhoods; and there rooted
betwixt
them then such an affection which cannot choose but branch
now.
Since their more mature dig | Sicilia.
The palace of LEONTES
Enter CAMILLO and ARCHIDAMUS
ARCHIDAMUS.
If you shall chance, Camillo, to visit Bohemia, on
the
like occasion whereon my services are now on foot, you shall
see,
as I have said, great difference betwixt our Bohemia and your
Sicilia.
CAMILLO.
I think this coming summer the King of Sicilia means
to
pay Bohemia the visitation which he justly owes him.
ARCHIDAMUS.
Wherein our entertainment shall shame us we will be
justified in our loves; for in se
that
ever came into my note.
CAMILLO.
I very well agree with you in the hopes of him.
It is
a
gallant child; one that indeed physics the subject, makes old
hearts fresh; they that went on crutches ere he was born
desire
yet their life to see him a man.
ARCHIDAMUS.
Would they else be content to die?
CAMILLO.
Yes; if there were no other excuse why they should
desire
to live.
ARCHIDAMUS.
If the King had no son, they would desire to live
on
crutches till he had one.
Exeunt | not what to
say.
We will give you sleepy drinks, that your senses,
unintelligent of our insufficience, may, though they cannot
praise us, as little accuse us.
CAMILLO.
You pay a great deal too dear for what's given freely.
ARCHIDAMUS.
Believe me, I speak as my understanding instructs
me
and as mine honesty puts it to utterance.
CAMILLO.
Sicilia cannot show himself overkind to Bohemia.
They
were
train'd together in their childhoods; and there rooted
betwixt
them then such an affection which cannot choose but branch
now.
Since their more mature dignities and royal necessities made
separation of their society, their encounters, though not
personal, have been royally attorneyed with interchange of
gifts,
letters, loving embassies; that they have seem'd to be
together,
though absent; shook hands, as over a vast; and embrac'd as
it
were from the ends of opposed winds.
The heavens continue
their
loves!
ARCHIDAMUS.
I think there is not in the wor |
1,134 | false | cliffnotes | all_chapterized_books/1134-chapters/2.txt | finished_summaries/cliffnotes/The Winter's Tale/section_1_part_0.txt | The Winter's Tale.act 1.scene 2 | scene 2 | null | {"name": "Scene 2", "url": "https://web.archive.org/web/20201130173005/https://www.cliffsnotes.com/literature/w/the-winters-tale/summary-and-analysis/act-i-scene-2", "summary": "Leontes, his wife Hermione, Polixenes, Camillo, and a bevy of lords stroll quietly on stage. Polixenes announces that after nine months away from his royal duties, he must return home tomorrow. Leontes urges Polixenes to stay at least another week, but Polixenes insists that he must leave the following day to tend to his duties, although no one could touch him so emotionally as Leontes can. Leontes then urges his wife to speak. Hermione reassures Polixenes that all is surely well in Bohemia; otherwise, he would have heard by now. Thus, he is free to stay. When Polixenes continues to resist the invitation to stay, Hermione declares that he will stay, either as her guest or as her prisoner. Given that choice, Polixenes agrees to stay one more week. Polixenes then enters into a reverie of his boyhood with Leontes. Hermione is curious about Leontes at that age. Polixenes recalls that they were both innocent, as alike as lambs. When teased about their loss of innocence, Polixenes graciously explains that neither of them had yet met the women whom they would eventually wed. Hermione then asks if their wives made them sinners or if they had sinned with others. Noticing the liveliness of their conversation, Leontes calls out: \"Is he won yet?\" Hermione responds that Polixenes will stay. Leontes congratulates his wife on her power of speaking convincingly, saying that only once before has she spoken so well. Hermione is intrigued and asks when was the other time. Leontes responds that it occurred at the end of their courtship when she said, \"I am yours forever.\" Hermione responds that the first time she spoke well earned her a husband; the second time, a good friend. Hermione extends her hand to Polixenes, and they walk away from the others. Leontes fumes over every small gesture that the couple makes. He interprets impropriety, and he calls his son over and unleashes a mixture of double entendres with dirty innuendos. Enraged by jealousy, Leontes examines his son for signs of illegitimacy. Recognizing his emotional distress, he proclaims \"the infection of my brains/ And hardening of my brows.\" Concerned about the change in Leontes' appearance, Polixenes and Hermione ask him if he is all right. Leontes lies, saying that while he was looking at Mamillius, he was reminded of his own \"lost\" youth. Leontes then asks Polixenes if he is fond of his son. Polixenes describes both the frustration and the pride of fatherhood, but despite them both, he says that his son means everything to him. Leontes claims that his son means the same to him. He states that he will walk with his son awhile and urges Polixenes and Hermione to walk elsewhere. Hermione says they will walk to the garden where they can be found if Leontes wants them. After watching the couple's actions, Leontes lashes out at his son: \"Go play, boy, play. Thy mother plays,\" adding that she will \"hiss\" him to his grave. Clearly, the Sicilian king is convinced that his wife is unfaithful -- as are most wives -- in his estimation. Noticing Camillo, Leontes asks him for his version of what has happened. Camillo answers that Polixenes would not stay when Leontes asked him to do so, but changed his mind when Hermione entreated him. Leontes thus assumes that Camillo and others are already whispering about his cuckoldry. But when pressed to confirm Hermione's infidelity, Camillo is shocked, and he criticizes his king. After Leontes attacks Camillo's character and his reliability as a witness for not admitting or noticing that Hermione is \"slippery\" and a \"hobby-horse,\" Camillo retorts: \"You never spoke what did become you less than this.\" Unable to force Camillo to agree with him, Leontes slips into the role of a tyrant. He orders Camillo to poison Polixenes. Camillo agrees this would be easy enough, especially since he is Polixenes' cupbearer, and he promises to poison Polixenes if Leontes promises to treat Hermione as though nothing has happened -- for the sake of their son and for the purpose of forestalling international gossip. After Leontes agrees, Camillo urges Leontes to join Polixenes and Hermione and to seem to be friendly with them. Camillo then reveals to us that he is all too aware what happens to men who would poison a king. Polixenes enters confused and asks Camillo for an explanation of Leontes' unfriendly behavior; Camillo refers vaguely to a sickness. Polixenes presses Camillo for a clearer explanation, and Camillo finally admits that he has been ordered to poison Polixenes because the king suspects him of philandering with Hermione. At first, Polixenes wants to confront Leontes, face-to-face, with a denial, but he is persuaded by Camillo that this would be as useless as forbidding \"the sea . . . to obey the moon.\" Finally, Polixenes accepts Camillo's plan for them to secretly slip away in small groups, and he promises Camillo asylum in return. As Polixenes remembers the rarity and purity of Hermione, he fears that Leontes' insane jealousy of Polixenes will result in violence. The two men then exit to begin their hasty escape.", "analysis": "As hinted by Archidamus in the previous scene, nothing that is real in this world is altering the present situation. Incoherence now even afflicts Leontes: Then 'tis very credent Thou may'st co-join with something; and thou dost, And that beyond commission, and I find it, And that to the infection of my brains And hardening of my brows. Leontes' jealousy in this scene is the key to the quality of the conflict, the probability, and the development of both plot and character throughout the play. The onset of Leontes' jealousy comes without warning, motivation, or justification. Leontes' first jealous reaction is: \"At my request he would not,\" meaning that Polixenes was not swayed by Leontes' entreaties. This statement is reinforced when Leontes reminds Hermione that she had spoken to equally good purpose when she promised him, \"I am yours forever.\" Significantly, since Hermione and Polixenes are both innocent, they both fail to detect the rivalry and the jealousy which Leontes is now displaying. To Leontes, everything that the couple does inflames him; he assumes that they are flaunting their attraction for one another. Most damaging of all to Leontes is his increasing self-seduction by illusion. Observing some innocent courtly handplay, he spits out: \"Too hot, too hot!/ To mingle friendship far is mingling blood.\" Suspecting even the illegitimacy of his son, Mamillius, Leontes imagines the snickering whispers of everyone about his cuckoldry \"Inch-thick, knee-deep, o'er head and ears a forked one!\" He tells Mamillius, sarcastically, to go \"play,\" like his mother, and then he indulges in his fantasies, telling himself that many men consort with their wives without realizing that \"she has been sluiced in's absence.\" He concludes that the problem must be widespread because there is no medicine, no protection against it: No barricado for a belly: know't; It will let in and out the enemy With bag and baggage. At this stage, the innocent charm of his son and the reality offered by Camillo can no longer link Leontes with reality. Thus, the Sicilian king sinks further and further into illusion: Is whispering nothing? Is leaning cheek to cheek? Is meeting noses? Kissing with inside lip? stopping the career Of laughter with a sigh? -- a note infallible Of breaking honesty; -- horsing foot on foot? Skulking in corners? wishing clocks more swift? In vain, Camillo pleads for Leontes to quickly be cured of this diseased opinion\" because of its danger. Here, Leontes turns to tyranny, a transformation that is extremely dangerous because of the power which he commands during his sickness. He commands Camillo to verify the truth of his observations. Camillo refuses. Leontes insists, \"It is; you lie, you lie!/ I say thou liest, Camillo, and I hate thee.\" Stoking his power with anger, he orders Camillo to poison Polixenes. It is no wonder that Camillo perceives himself in a hopeless dilemma and thus turns to Polixenes for help. When Polixenes correctly interprets Camillo's allusion to \"a sickness/ Which puts some of us in distemper\" , the Bohemian king clearly understands the hopelessness of the situation: This jealousy Is for a precious creature. As she's rare, Must it be great; and as his person's mighty, Must it be violent. Affirming the queen's innocence, Polixenes can only wish her well and flee for his life. The major conflict of the play begins to shape the plot: Leontes has flung himself against reality. He is willing to destroy his richest possessions -- the love and loyalty of his family, his best friend, and his court advisers -- for revenge. We can understand Leontes' tyranny because of our knowledge that human nature, when inflamed by jealousy, is often a cause of murder. In addition, Leontes' extraordinary power increases his capacity to murder. Camillo and Polixenes are sufficiently developed as characters to realize that their interpretations of reality leave them helpless before the sick illusion of the king's jealousy. The protests that the audience might feel because their observations of reality conflict with Leontes' conclusions are contained in the protests of Camillo. Shakespeare's stage and acting directions are superb aids for actors during these scenes. For instance, the friendship between the two kings is keenly illustrated with action: \"They have seemed to be together, though absent; shook hands, as over a vast; and embraced, as it were, from the ends of opposed winds.\" Note, too, Shakespeare's clues for the actions of Hermione and Polixenes are ones that must sufficiently motivate Leontes. Intertwined with the warm sharing of childhood memories, these two must act out an enticing, inciting scene of \"paddling palms,\" \"pinching fingers,\" and laughter cut short. This dramatization increases in significance with the knowledge that Shakespeare altered the truly imprudent behavior of Hermione in his source and substituted, instead, the simple, innocent action of handplay to incite Leontes' jealousy. Although no truly exciting action occurs in this scene, the dramatic pace quickens with the infusion of the king's perverted emotions. Jealousy and then fear shatter the peaceful, sleepy grace of the first scene. One other central idea is subtly introduced in this scene. With the seemingly minor theme of youth, Shakespeare begins building the key theme of rebirth -- one of those concepts which separates this group of final plays from the tragedies. As a brief review, remember that Camillo believes that the elderly subjects of Sicilia stay alive merely to experience the promise of Mamillius' youth; remember also the strength of the bonds formed during the innocent youth of the two kings. More specific to the purpose of resolving Leontes' disease, notice references to the healing power of youth, such as \"physics the subject\" and \"makes old hearts fresh.\" Later, when Perdita emerges as the symbol of spring and rebirth, she will belong to a tradition within the world of the play."} | Sicilia. The palace of LEONTES
Enter LEONTES, POLIXENES, HERMIONE, MAMILLIUS, CAMILLO, and
ATTENDANTS
POLIXENES. Nine changes of the wat'ry star hath been
The shepherd's note since we have left our throne
Without a burden. Time as long again
Would be fill'd up, my brother, with our thanks;
And yet we should for perpetuity
Go hence in debt. And therefore, like a cipher,
Yet standing in rich place, I multiply
With one 'We thank you' many thousands moe
That go before it.
LEONTES. Stay your thanks a while,
And pay them when you part.
POLIXENES. Sir, that's to-morrow.
I am question'd by my fears of what may chance
Or breed upon our absence, that may blow
No sneaping winds at home, to make us say
'This is put forth too truly.' Besides, I have stay'd
To tire your royalty.
LEONTES. We are tougher, brother,
Than you can put us to't.
POLIXENES. No longer stay.
LEONTES. One sev'night longer.
POLIXENES. Very sooth, to-morrow.
LEONTES. We'll part the time between's then; and in that
I'll no gainsaying.
POLIXENES. Press me not, beseech you, so.
There is no tongue that moves, none, none i' th' world,
So soon as yours could win me. So it should now,
Were there necessity in your request, although
'Twere needful I denied it. My affairs
Do even drag me homeward; which to hinder
Were in your love a whip to me; my stay
To you a charge and trouble. To save both,
Farewell, our brother.
LEONTES. Tongue-tied, our Queen? Speak you.
HERMIONE. I had thought, sir, to have held my peace until
You had drawn oaths from him not to stay. You, sir,
Charge him too coldly. Tell him you are sure
All in Bohemia's well- this satisfaction
The by-gone day proclaim'd. Say this to him,
He's beat from his best ward.
LEONTES. Well said, Hermione.
HERMIONE. To tell he longs to see his son were strong;
But let him say so then, and let him go;
But let him swear so, and he shall not stay;
We'll thwack him hence with distaffs.
[To POLIXENES] Yet of your royal presence I'll
adventure the borrow of a week. When at Bohemia
You take my lord, I'll give him my commission
To let him there a month behind the gest
Prefix'd for's parting.- Yet, good deed, Leontes,
I love thee not a jar o' th' clock behind
What lady she her lord.- You'll stay?
POLIXENES. No, madam.
HERMIONE. Nay, but you will?
POLIXENES. I may not, verily.
HERMIONE. Verily!
You put me off with limber vows; but I,
Though you would seek t' unsphere the stars with oaths,
Should yet say 'Sir, no going.' Verily,
You shall not go; a lady's 'verily' is
As potent as a lord's. Will go yet?
Force me to keep you as a prisoner,
Not like a guest; so you shall pay your fees
When you depart, and save your thanks. How say you?
My prisoner or my guest? By your dread 'verily,'
One of them you shall be.
POLIXENES. Your guest, then, madam:
To be your prisoner should import offending;
Which is for me less easy to commit
Than you to punish.
HERMIONE. Not your gaoler then,
But your kind. hostess. Come, I'll question you
Of my lord's tricks and yours when you were boys.
You were pretty lordings then!
POLIXENES. We were, fair Queen,
Two lads that thought there was no more behind
But such a day to-morrow as to-day,
And to be boy eternal.
HERMIONE. Was not my lord
The verier wag o' th' two?
POLIXENES. We were as twinn'd lambs that did frisk i' th' sun
And bleat the one at th' other. What we chang'd
Was innocence for innocence; we knew not
The doctrine of ill-doing, nor dream'd
That any did. Had we pursu'd that life,
And our weak spirits ne'er been higher rear'd
With stronger blood, we should have answer'd heaven
Boldly 'Not guilty,' the imposition clear'd
Hereditary ours.
HERMIONE. By this we gather
You have tripp'd since.
POLIXENES. O my most sacred lady,
Temptations have since then been born to 's, for
In those unfledg'd days was my wife a girl;
Your precious self had then not cross'd the eyes
Of my young playfellow.
HERMIONE. Grace to boot!
Of this make no conclusion, lest you say
Your queen and I are devils. Yet, go on;
Th' offences we have made you do we'll answer,
If you first sinn'd with us, and that with us
You did continue fault, and that you slipp'd not
With any but with us.
LEONTES. Is he won yet?
HERMIONE. He'll stay, my lord.
LEONTES. At my request he would not.
Hermione, my dearest, thou never spok'st
To better purpose.
HERMIONE. Never?
LEONTES. Never but once.
HERMIONE. What! Have I twice said well? When was't before?
I prithee tell me; cram's with praise, and make's
As fat as tame things. One good deed dying tongueless
Slaughters a thousand waiting upon that.
Our praises are our wages; you may ride's
With one soft kiss a thousand furlongs ere
With spur we heat an acre. But to th' goal:
My last good deed was to entreat his stay;
What was my first? It has an elder sister,
Or I mistake you. O, would her name were Grace!
But once before I spoke to th' purpose- When?
Nay, let me have't; I long.
LEONTES. Why, that was when
Three crabbed months had sour'd themselves to death,
Ere I could make thee open thy white hand
And clap thyself my love; then didst thou utter
'I am yours for ever.'
HERMIONE. 'Tis Grace indeed.
Why, lo you now, I have spoke to th' purpose twice:
The one for ever earn'd a royal husband;
Th' other for some while a friend.
[Giving her hand to POLIXENES]
LEONTES. [Aside] Too hot, too hot!
To mingle friendship far is mingling bloods.
I have tremor cordis on me; my heart dances,
But not for joy, not joy. This entertainment
May a free face put on; derive a liberty
From heartiness, from bounty, fertile bosom,
And well become the agent. 'T may, I grant;
But to be paddling palms and pinching fingers,
As now they are, and making practis'd smiles
As in a looking-glass; and then to sigh, as 'twere
The mort o' th' deer. O, that is entertainment
My bosom likes not, nor my brows! Mamillius,
Art thou my boy?
MAMILLIUS. Ay, my good lord.
LEONTES. I' fecks!
Why, that's my bawcock. What! hast smutch'd thy nose?
They say it is a copy out of mine. Come, Captain,
We must be neat- not neat, but cleanly, Captain.
And yet the steer, the heifer, and the calf,
Are all call'd neat.- Still virginalling
Upon his palm?- How now, you wanton calf,
Art thou my calf?
MAMILLIUS. Yes, if you will, my lord.
LEONTES. Thou want'st a rough pash and the shoots that I have,
To be full like me; yet they say we are
Almost as like as eggs. Women say so,
That will say anything. But were they false
As o'er-dy'd blacks, as wind, as waters- false
As dice are to be wish'd by one that fixes
No bourn 'twixt his and mine; yet were it true
To say this boy were like me. Come, sir page,
Look on me with your welkin eye. Sweet villain!
Most dear'st! my collop! Can thy dam?- may't be?
Affection! thy intention stabs the centre.
Thou dost make possible things not so held,
Communicat'st with dreams- how can this be?-
With what's unreal thou coactive art,
And fellow'st nothing. Then 'tis very credent
Thou mayst co-join with something; and thou dost-
And that beyond commission; and I find it,
And that to the infection of my brains
And hard'ning of my brows.
POLIXENES. What means Sicilia?
HERMIONE. He something seems unsettled.
POLIXENES. How, my lord!
What cheer? How is't with you, best brother?
HERMIONE. You look
As if you held a brow of much distraction.
Are you mov'd, my lord?
LEONTES. No, in good earnest.
How sometimes nature will betray its folly,
Its tenderness, and make itself a pastime
To harder bosoms! Looking on the lines
Of my boy's face, methoughts I did recoil
Twenty-three years; and saw myself unbreech'd,
In my green velvet coat; my dagger muzzl'd,
Lest it should bite its master and so prove,
As ornaments oft do, too dangerous.
How like, methought, I then was to this kernel,
This squash, this gentleman. Mine honest friend,
Will you take eggs for money?
MAMILLIUS. No, my lord, I'll fight.
LEONTES. You will? Why, happy man be's dole! My brother,
Are you so fond of your young prince as we
Do seem to be of ours?
POLIXENES. If at home, sir,
He's all my exercise, my mirth, my matter;
Now my sworn friend, and then mine enemy;
My parasite, my soldier, statesman, all.
He makes a July's day short as December,
And with his varying childness cures in me
Thoughts that would thick my blood.
LEONTES. So stands this squire
Offic'd with me. We two will walk, my lord,
And leave you to your graver steps. Hermione,
How thou lov'st us show in our brother's welcome;
Let what is dear in Sicily be cheap;
Next to thyself and my young rover, he's
Apparent to my heart.
HERMIONE. If you would seek us,
We are yours i' th' garden. Shall's attend you there?
LEONTES. To your own bents dispose you; you'll be found,
Be you beneath the sky. [Aside] I am angling now,
Though you perceive me not how I give line.
Go to, go to!
How she holds up the neb, the bill to him!
And arms her with the boldness of a wife
To her allowing husband!
Exeunt POLIXENES, HERMIONE, and ATTENDANTS
Gone already!
Inch-thick, knee-deep, o'er head and ears a fork'd one!
Go, play, boy, play; thy mother plays, and I
Play too; but so disgrac'd a part, whose issue
Will hiss me to my grave. Contempt and clamour
Will be my knell. Go, play, boy, play. There have been,
Or I am much deceiv'd, cuckolds ere now;
And many a man there is, even at this present,
Now while I speak this, holds his wife by th' arm
That little thinks she has been sluic'd in's absence,
And his pond fish'd by his next neighbour, by
Sir Smile, his neighbour. Nay, there's comfort in't,
Whiles other men have gates and those gates open'd,
As mine, against their will. Should all despair
That hath revolted wives, the tenth of mankind
Would hang themselves. Physic for't there's none;
It is a bawdy planet, that will strike
Where 'tis predominant; and 'tis pow'rfull, think it,
From east, west, north, and south. Be it concluded,
No barricado for a belly. Know't,
It will let in and out the enemy
With bag and baggage. Many thousand on's
Have the disease, and feel't not. How now, boy!
MAMILLIUS. I am like you, they say.
LEONTES. Why, that's some comfort.
What! Camillo there?
CAMILLO. Ay, my good lord.
LEONTES. Go play, Mamillius; thou'rt an honest man.
Exit MAMILLIUS
Camillo, this great sir will yet stay longer.
CAMILLO. You had much ado to make his anchor hold;
When you cast out, it still came home.
LEONTES. Didst note it?
CAMILLO. He would not stay at your petitions; made
His business more material.
LEONTES. Didst perceive it?
[Aside] They're here with me already; whisp'ring, rounding,
'Sicilia is a so-forth.' 'Tis far gone
When I shall gust it last.- How came't, Camillo,
That he did stay?
CAMILLO. At the good Queen's entreaty.
LEONTES. 'At the Queen's' be't. 'Good' should be pertinent;
But so it is, it is not. Was this taken
By any understanding pate but thine?
For thy conceit is soaking, will draw in
More than the common blocks. Not noted, is't,
But of the finer natures, by some severals
Of head-piece extraordinary? Lower messes
Perchance are to this business purblind? Say.
CAMILLO. Business, my lord? I think most understand
Bohemia stays here longer.
LEONTES. Ha?
CAMILLO. Stays here longer.
LEONTES. Ay, but why?
CAMILLO. To satisfy your Highness, and the entreaties
Of our most gracious mistress.
LEONTES. Satisfy
Th' entreaties of your mistress! Satisfy!
Let that suffice. I have trusted thee, Camillo,
With all the nearest things to my heart, as well
My chamber-councils, wherein, priest-like, thou
Hast cleans'd my bosom- I from thee departed
Thy penitent reform'd; but we have been
Deceiv'd in thy integrity, deceiv'd
In that which seems so.
CAMILLO. Be it forbid, my lord!
LEONTES. To bide upon't: thou art not honest; or,
If thou inclin'st that way, thou art a coward,
Which hoxes honesty behind, restraining
From course requir'd; or else thou must be counted
A servant grafted in my serious trust,
And therein negligent; or else a fool
That seest a game play'd home, the rich stake drawn,
And tak'st it all for jest.
CAMILLO. My gracious lord,
I may be negligent, foolish, and fearful:
In every one of these no man is free
But that his negligence, his folly, fear,
Among the infinite doings of the world,
Sometime puts forth. In your affairs, my lord,
If ever I were wilfull-negligent,
It was my folly; if industriously
I play'd the fool, it was my negligence,
Not weighing well the end; if ever fearful
To do a thing where I the issue doubted,
Whereof the execution did cry out
Against the non-performance, 'twas a fear
Which oft infects the wisest. These, my lord,
Are such allow'd infirmities that honesty
Is never free of. But, beseech your Grace,
Be plainer with me; let me know my trespass
By its own visage; if I then deny it,
'Tis none of mine.
LEONTES. Ha' not you seen, Camillo-
But that's past doubt; you have, or your eye-glass
Is thicker than a cuckold's horn- or heard-
For to a vision so apparent rumour
Cannot be mute- or thought- for cogitation
Resides not in that man that does not think-
My wife is slippery? If thou wilt confess-
Or else be impudently negative,
To have nor eyes nor ears nor thought- then say
My wife's a hobby-horse, deserves a name
As rank as any flax-wench that puts to
Before her troth-plight. Say't and justify't.
CAMILLO. I would not be a stander-by to hear
My sovereign mistress clouded so, without
My present vengeance taken. Shrew my heart!
You never spoke what did become you less
Than this; which to reiterate were sin
As deep as that, though true.
LEONTES. Is whispering nothing?
Is leaning cheek to cheek? Is meeting noses?
Kissing with inside lip? Stopping the career
Of laughter with a sigh?- a note infallible
Of breaking honesty. Horsing foot on foot?
Skulking in corners? Wishing clocks more swift;
Hours, minutes; noon, midnight? And all eyes
Blind with the pin and web but theirs, theirs only,
That would unseen be wicked- is this nothing?
Why, then the world and all that's in't is nothing;
The covering sky is nothing; Bohemia nothing;
My is nothing; nor nothing have these nothings,
If this be nothing.
CAMILLO. Good my lord, be cur'd
Of this diseas'd opinion, and betimes;
For 'tis most dangerous.
LEONTES. Say it be, 'tis true.
CAMILLO. No, no, my lord.
LEONTES. It is; you lie, you lie.
I say thou liest, Camillo, and I hate thee;
Pronounce thee a gross lout, a mindless slave,
Or else a hovering temporizer that
Canst with thine eyes at once see good and evil,
Inclining to them both. Were my wife's liver
Infected as her life, she would not live
The running of one glass.
CAMILLO. Who does her?
LEONTES. Why, he that wears her like her medal, hanging
About his neck, Bohemia; who- if I
Had servants true about me that bare eyes
To see alike mine honour as their profits,
Their own particular thrifts, they would do that
Which should undo more doing. Ay, and thou,
His cupbearer- whom I from meaner form
Have bench'd and rear'd to worship; who mayst see,
Plainly as heaven sees earth and earth sees heaven,
How I am gall'd- mightst bespice a cup
To give mine enemy a lasting wink;
Which draught to me were cordial.
CAMILLO. Sir, my lord,
I could do this; and that with no rash potion,
But with a ling'ring dram that should not work
Maliciously like poison. But I cannot
Believe this crack to be in my dread mistress,
So sovereignly being honourable.
I have lov'd thee-
LEONTES. Make that thy question, and go rot!
Dost think I am so muddy, so unsettled,
To appoint myself in this vexation; sully
The purity and whiteness of my sheets-
Which to preserve is sleep, which being spotted
Is goads, thorns, nettles, tails of wasps;
Give scandal to the blood o' th' Prince, my son-
Who I do think is mine, and love as mine-
Without ripe moving to 't? Would I do this?
Could man so blench?
CAMILLO. I must believe you, sir.
I do; and will fetch off Bohemia for't;
Provided that, when he's remov'd, your Highness
Will take again your queen as yours at first,
Even for your son's sake; and thereby for sealing
The injury of tongues in courts and kingdoms
Known and allied to yours.
LEONTES. Thou dost advise me
Even so as I mine own course have set down.
I'll give no blemish to her honour, none.
CAMILLO. My lord,
Go then; and with a countenance as clear
As friendship wears at feasts, keep with Bohemia
And with your queen. I am his cupbearer;
If from me he have wholesome beverage,
Account me not your servant.
LEONTES. This is all:
Do't, and thou hast the one half of my heart;
Do't not, thou split'st thine own.
CAMILLO. I'll do't, my lord.
LEONTES. I will seem friendly, as thou hast advis'd me. Exit
CAMILLO. O miserable lady! But, for me,
What case stand I in? I must be the poisoner
Of good Polixenes; and my ground to do't
Is the obedience to a master; one
Who, in rebellion with himself, will have
All that are his so too. To do this deed,
Promotion follows. If I could find example
Of thousands that had struck anointed kings
And flourish'd after, I'd not do't; but since
Nor brass, nor stone, nor parchment, bears not one,
Let villainy itself forswear't. I must
Forsake the court. To do't, or no, is certain
To me a break-neck. Happy star reign now!
Here comes Bohemia.
Enter POLIXENES
POLIXENES. This is strange. Methinks
My favour here begins to warp. Not speak?
Good day, Camillo.
CAMILLO. Hail, most royal sir!
POLIXENES. What is the news i' th' court?
CAMILLO. None rare, my lord.
POLIXENES. The King hath on him such a countenance
As he had lost some province, and a region
Lov'd as he loves himself; even now I met him
With customary compliment, when he,
Wafting his eyes to th' contrary and falling
A lip of much contempt, speeds from me;
So leaves me to consider what is breeding
That changes thus his manners.
CAMILLO. I dare not know, my lord.
POLIXENES. How, dare not! Do not. Do you know, and dare not
Be intelligent to me? 'Tis thereabouts;
For, to yourself, what you do know, you must,
And cannot say you dare not. Good Camillo,
Your chang'd complexions are to me a mirror
Which shows me mine chang'd too; for I must be
A party in this alteration, finding
Myself thus alter'd with't.
CAMILLO. There is a sickness
Which puts some of us in distemper; but
I cannot name the disease; and it is caught
Of you that yet are well.
POLIXENES. How! caught of me?
Make me not sighted like the basilisk;
I have look'd on thousands who have sped the better
By my regard, but kill'd none so. Camillo-
As you are certainly a gentleman; thereto
Clerk-like experienc'd, which no less adorns
Our gentry than our parents' noble names,
In whose success we are gentle- I beseech you,
If you know aught which does behove my knowledge
Thereof to be inform'd, imprison't not
In ignorant concealment.
CAMILLO. I may not answer.
POLIXENES. A sickness caught of me, and yet I well?
I must be answer'd. Dost thou hear, Camillo?
I conjure thee, by all the parts of man
Which honour does acknowledge, whereof the least
Is not this suit of mine, that thou declare
What incidency thou dost guess of harm
Is creeping toward me; how far off, how near;
Which way to be prevented, if to be;
If not, how best to bear it.
CAMILLO. Sir, I will tell you;
Since I am charg'd in honour, and by him
That I think honourable. Therefore mark my counsel,
Which must be ev'n as swiftly followed as
I mean to utter it, or both yourself and me
Cry lost, and so goodnight.
POLIXENES. On, good Camillo.
CAMILLO. I am appointed him to murder you.
POLIXENES. By whom, Camillo?
CAMILLO. By the King.
POLIXENES. For what?
CAMILLO. He thinks, nay, with all confidence he swears,
As he had seen 't or been an instrument
To vice you to't, that you have touch'd his queen
Forbiddenly.
POLIXENES. O, then my best blood turn
To an infected jelly, and my name
Be yok'd with his that did betray the Best!
Turn then my freshest reputation to
A savour that may strike the dullest nostril
Where I arrive, and my approach be shunn'd,
Nay, hated too, worse than the great'st infection
That e'er was heard or read!
CAMILLO. Swear his thought over
By each particular star in heaven and
By all their influences, you may as well
Forbid the sea for to obey the moon
As or by oath remove or counsel shake
The fabric of his folly, whose foundation
Is pil'd upon his faith and will continue
The standing of his body.
POLIXENES. How should this grow?
CAMILLO. I know not; but I am sure 'tis safer to
Avoid what's grown than question how 'tis born.
If therefore you dare trust my honesty,
That lies enclosed in this trunk which you
Shall bear along impawn'd, away to-night.
Your followers I will whisper to the business;
And will, by twos and threes, at several posterns,
Clear them o' th' city. For myself, I'll put
My fortunes to your service, which are here
By this discovery lost. Be not uncertain,
For, by the honour of my parents, I
Have utt'red truth; which if you seek to prove,
I dare not stand by; nor shall you be safer
Than one condemn'd by the King's own mouth, thereon
His execution sworn.
POLIXENES. I do believe thee:
I saw his heart in's face. Give me thy hand;
Be pilot to me, and thy places shall
Still neighbour mine. My ships are ready, and
My people did expect my hence departure
Two days ago. This jealousy
Is for a precious creature; as she's rare,
Must it be great; and, as his person's mighty,
Must it be violent; and as he does conceive
He is dishonour'd by a man which ever
Profess'd to him, why, his revenges must
In that be made more bitter. Fear o'ershades me.
Good expedition be my friend, and comfort
The gracious Queen, part of this theme, but nothing
Of his ill-ta'en suspicion! Come, Camillo;
I will respect thee as a father, if
Thou bear'st my life off hence. Let us avoid.
CAMILLO. It is in mine authority to command
The keys of all the posterns. Please your Highness
To take the urgent hour. Come, sir, away. Exeunt
| 5,453 | Scene 2 | https://web.archive.org/web/20201130173005/https://www.cliffsnotes.com/literature/w/the-winters-tale/summary-and-analysis/act-i-scene-2 | Leontes, his wife Hermione, Polixenes, Camillo, and a bevy of lords stroll quietly on stage. Polixenes announces that after nine months away from his royal duties, he must return home tomorrow. Leontes urges Polixenes to stay at least another week, but Polixenes insists that he must leave the following day to tend to his duties, although no one could touch him so emotionally as Leontes can. Leontes then urges his wife to speak. Hermione reassures Polixenes that all is surely well in Bohemia; otherwise, he would have heard by now. Thus, he is free to stay. When Polixenes continues to resist the invitation to stay, Hermione declares that he will stay, either as her guest or as her prisoner. Given that choice, Polixenes agrees to stay one more week. Polixenes then enters into a reverie of his boyhood with Leontes. Hermione is curious about Leontes at that age. Polixenes recalls that they were both innocent, as alike as lambs. When teased about their loss of innocence, Polixenes graciously explains that neither of them had yet met the women whom they would eventually wed. Hermione then asks if their wives made them sinners or if they had sinned with others. Noticing the liveliness of their conversation, Leontes calls out: "Is he won yet?" Hermione responds that Polixenes will stay. Leontes congratulates his wife on her power of speaking convincingly, saying that only once before has she spoken so well. Hermione is intrigued and asks when was the other time. Leontes responds that it occurred at the end of their courtship when she said, "I am yours forever." Hermione responds that the first time she spoke well earned her a husband; the second time, a good friend. Hermione extends her hand to Polixenes, and they walk away from the others. Leontes fumes over every small gesture that the couple makes. He interprets impropriety, and he calls his son over and unleashes a mixture of double entendres with dirty innuendos. Enraged by jealousy, Leontes examines his son for signs of illegitimacy. Recognizing his emotional distress, he proclaims "the infection of my brains/ And hardening of my brows." Concerned about the change in Leontes' appearance, Polixenes and Hermione ask him if he is all right. Leontes lies, saying that while he was looking at Mamillius, he was reminded of his own "lost" youth. Leontes then asks Polixenes if he is fond of his son. Polixenes describes both the frustration and the pride of fatherhood, but despite them both, he says that his son means everything to him. Leontes claims that his son means the same to him. He states that he will walk with his son awhile and urges Polixenes and Hermione to walk elsewhere. Hermione says they will walk to the garden where they can be found if Leontes wants them. After watching the couple's actions, Leontes lashes out at his son: "Go play, boy, play. Thy mother plays," adding that she will "hiss" him to his grave. Clearly, the Sicilian king is convinced that his wife is unfaithful -- as are most wives -- in his estimation. Noticing Camillo, Leontes asks him for his version of what has happened. Camillo answers that Polixenes would not stay when Leontes asked him to do so, but changed his mind when Hermione entreated him. Leontes thus assumes that Camillo and others are already whispering about his cuckoldry. But when pressed to confirm Hermione's infidelity, Camillo is shocked, and he criticizes his king. After Leontes attacks Camillo's character and his reliability as a witness for not admitting or noticing that Hermione is "slippery" and a "hobby-horse," Camillo retorts: "You never spoke what did become you less than this." Unable to force Camillo to agree with him, Leontes slips into the role of a tyrant. He orders Camillo to poison Polixenes. Camillo agrees this would be easy enough, especially since he is Polixenes' cupbearer, and he promises to poison Polixenes if Leontes promises to treat Hermione as though nothing has happened -- for the sake of their son and for the purpose of forestalling international gossip. After Leontes agrees, Camillo urges Leontes to join Polixenes and Hermione and to seem to be friendly with them. Camillo then reveals to us that he is all too aware what happens to men who would poison a king. Polixenes enters confused and asks Camillo for an explanation of Leontes' unfriendly behavior; Camillo refers vaguely to a sickness. Polixenes presses Camillo for a clearer explanation, and Camillo finally admits that he has been ordered to poison Polixenes because the king suspects him of philandering with Hermione. At first, Polixenes wants to confront Leontes, face-to-face, with a denial, but he is persuaded by Camillo that this would be as useless as forbidding "the sea . . . to obey the moon." Finally, Polixenes accepts Camillo's plan for them to secretly slip away in small groups, and he promises Camillo asylum in return. As Polixenes remembers the rarity and purity of Hermione, he fears that Leontes' insane jealousy of Polixenes will result in violence. The two men then exit to begin their hasty escape. | As hinted by Archidamus in the previous scene, nothing that is real in this world is altering the present situation. Incoherence now even afflicts Leontes: Then 'tis very credent Thou may'st co-join with something; and thou dost, And that beyond commission, and I find it, And that to the infection of my brains And hardening of my brows. Leontes' jealousy in this scene is the key to the quality of the conflict, the probability, and the development of both plot and character throughout the play. The onset of Leontes' jealousy comes without warning, motivation, or justification. Leontes' first jealous reaction is: "At my request he would not," meaning that Polixenes was not swayed by Leontes' entreaties. This statement is reinforced when Leontes reminds Hermione that she had spoken to equally good purpose when she promised him, "I am yours forever." Significantly, since Hermione and Polixenes are both innocent, they both fail to detect the rivalry and the jealousy which Leontes is now displaying. To Leontes, everything that the couple does inflames him; he assumes that they are flaunting their attraction for one another. Most damaging of all to Leontes is his increasing self-seduction by illusion. Observing some innocent courtly handplay, he spits out: "Too hot, too hot!/ To mingle friendship far is mingling blood." Suspecting even the illegitimacy of his son, Mamillius, Leontes imagines the snickering whispers of everyone about his cuckoldry "Inch-thick, knee-deep, o'er head and ears a forked one!" He tells Mamillius, sarcastically, to go "play," like his mother, and then he indulges in his fantasies, telling himself that many men consort with their wives without realizing that "she has been sluiced in's absence." He concludes that the problem must be widespread because there is no medicine, no protection against it: No barricado for a belly: know't; It will let in and out the enemy With bag and baggage. At this stage, the innocent charm of his son and the reality offered by Camillo can no longer link Leontes with reality. Thus, the Sicilian king sinks further and further into illusion: Is whispering nothing? Is leaning cheek to cheek? Is meeting noses? Kissing with inside lip? stopping the career Of laughter with a sigh? -- a note infallible Of breaking honesty; -- horsing foot on foot? Skulking in corners? wishing clocks more swift? In vain, Camillo pleads for Leontes to quickly be cured of this diseased opinion" because of its danger. Here, Leontes turns to tyranny, a transformation that is extremely dangerous because of the power which he commands during his sickness. He commands Camillo to verify the truth of his observations. Camillo refuses. Leontes insists, "It is; you lie, you lie!/ I say thou liest, Camillo, and I hate thee." Stoking his power with anger, he orders Camillo to poison Polixenes. It is no wonder that Camillo perceives himself in a hopeless dilemma and thus turns to Polixenes for help. When Polixenes correctly interprets Camillo's allusion to "a sickness/ Which puts some of us in distemper" , the Bohemian king clearly understands the hopelessness of the situation: This jealousy Is for a precious creature. As she's rare, Must it be great; and as his person's mighty, Must it be violent. Affirming the queen's innocence, Polixenes can only wish her well and flee for his life. The major conflict of the play begins to shape the plot: Leontes has flung himself against reality. He is willing to destroy his richest possessions -- the love and loyalty of his family, his best friend, and his court advisers -- for revenge. We can understand Leontes' tyranny because of our knowledge that human nature, when inflamed by jealousy, is often a cause of murder. In addition, Leontes' extraordinary power increases his capacity to murder. Camillo and Polixenes are sufficiently developed as characters to realize that their interpretations of reality leave them helpless before the sick illusion of the king's jealousy. The protests that the audience might feel because their observations of reality conflict with Leontes' conclusions are contained in the protests of Camillo. Shakespeare's stage and acting directions are superb aids for actors during these scenes. For instance, the friendship between the two kings is keenly illustrated with action: "They have seemed to be together, though absent; shook hands, as over a vast; and embraced, as it were, from the ends of opposed winds." Note, too, Shakespeare's clues for the actions of Hermione and Polixenes are ones that must sufficiently motivate Leontes. Intertwined with the warm sharing of childhood memories, these two must act out an enticing, inciting scene of "paddling palms," "pinching fingers," and laughter cut short. This dramatization increases in significance with the knowledge that Shakespeare altered the truly imprudent behavior of Hermione in his source and substituted, instead, the simple, innocent action of handplay to incite Leontes' jealousy. Although no truly exciting action occurs in this scene, the dramatic pace quickens with the infusion of the king's perverted emotions. Jealousy and then fear shatter the peaceful, sleepy grace of the first scene. One other central idea is subtly introduced in this scene. With the seemingly minor theme of youth, Shakespeare begins building the key theme of rebirth -- one of those concepts which separates this group of final plays from the tragedies. As a brief review, remember that Camillo believes that the elderly subjects of Sicilia stay alive merely to experience the promise of Mamillius' youth; remember also the strength of the bonds formed during the innocent youth of the two kings. More specific to the purpose of resolving Leontes' disease, notice references to the healing power of youth, such as "physics the subject" and "makes old hearts fresh." Later, when Perdita emerges as the symbol of spring and rebirth, she will belong to a tradition within the world of the play. | 851 | 968 | [
"Sicilia.",
"The palace of LEONTES\n\nEnter LEONTES, POLIXENES, HERMIONE, MAMILLIUS, CAMILLO, and\nATTENDANTS\n\n POLIXENES.",
"Nine changes of the wat'ry star hath been\n The shepherd's note since we have left our throne\n Without a burden.",
"Time as long again\n Would be fill'd up, my brother, with our thanks;\n And yet we should for perpetuity\n Go hence in debt.",
"And therefore, like a cipher,\n Yet standing in rich place, I multiply\n With one 'We thank you' many thousands moe\n That go before it.",
"LEONTES.",
"Stay your thanks a while,\n And pay them when you part.",
"POLIXENES.",
"Sir, that's to-morrow.",
"I am question'd by my fears of what may chance\n Or breed upon our absence, that may blow\n No sneaping winds at home, to make us say\n 'This is put forth too truly.'",
"Besides, I have stay'd\n To tire your royalty.",
"LEONTES.",
"We are tougher, brother,\n Than you can put us to't.",
"POLIXENES.",
"No longer stay.",
"LEONTES.",
"One sev'night longer.",
"POLIXENES.",
"Very sooth, to-morrow.",
"LEONTES.",
"We'll part the time between's then; and in that\n I'll no gainsaying.",
"POLIXENES.",
"Press me not, beseech you, so.",
"There is no tongue that moves, none, none i' th' world,\n So soon as yours could win me.",
"So it should now,\n Were there necessity in your request, although\n 'Twere needful I denied it.",
"My affairs\n Do even drag me homeward; which to hinder\n Were in your love a whip to me; my stay\n To you a charge and trouble.",
"To save both,\n Farewell, our brother.",
"LEONTES.",
"Tongue-tied, our Queen?",
"Speak you.",
"HERMIONE.",
"I had thought, sir, to have held my peace until\n You had drawn oaths from him not to stay.",
"You, sir,\n Charge him too coldly.",
"Tell him you are sure\n All in Bohemia's well- this satisfaction\n The by-gone day proclaim'd.",
"Say this to him,\n He's beat from his best ward.",
"LEONTES.",
"Well said, Hermione.",
"HERMIONE.",
"To tell he longs to see his son were strong;\n But let him say so then, and let him go;\n But let him swear so, and he shall not stay;\n We'll thwack him hence with distaffs.",
"[To POLIXENES] Yet of your royal presence I'll\n adventure the borrow of a week.",
"When at Bohemia\n You take my lord, I'll give him my commission\n To let him there a month behind the gest\n Prefix'd for's parting.- Yet, good deed, Leontes,\n I love thee not a jar o' th' clock behind\n What lady she her lord.- You'll stay?",
"POLIXENES.",
"No, madam.",
"HERMIONE.",
"Nay, but you will?",
"POLIXENES.",
"I may not, verily.",
"HERMIONE.",
"Verily!",
"You put me off with limber vows; but I,\n Though you would seek t' unsphere the stars with oaths,\n Should yet say 'Sir, no going.'",
"Verily,\n You shall not go; a lady's 'verily' is\n As potent as a lord's.",
"Will go yet?",
"Force me to keep you as a prisoner,\n Not like a guest; so you shall pay your fees\n When you depart, and save your thanks.",
"How say you?",
"My prisoner or my guest?",
"By your dread 'verily,'\n One of them you shall be.",
"POLIXENES.",
"Your guest, then, madam:\n To be your prisoner should import offending;\n Which is for me less easy to commit\n Than you to punish.",
"HERMIONE.",
"Not your gaoler then,\n But your kind.",
"hostess.",
"Come, I'll question you\n Of my lord's tricks and yours when you were boys.",
"You were pretty lordings then!",
"POLIXENES.",
"We were, fair Queen,\n Two lads that thought there was no more behind\n But such a day to-morrow as to-day,\n And to be boy eternal.",
"HERMIONE.",
"Was not my lord\n The verier wag o' th' two?",
"POLIXENES.",
"We were as twinn'd lambs that did frisk i' th' sun\n And bleat the one at th' other.",
"What we chang'd\n Was innocence for innocence; we knew not\n The doctrine of ill-doing, nor dream'd\n That any did.",
"Had we pursu'd that life,\n And our weak spirits ne'er been higher rear'd\n With stronger blood, we should have answer'd heaven\n Boldly 'Not guilty,' the imposition clear'd\n Hereditary ours.",
"HERMIONE.",
"By this we gather\n You have tripp'd since.",
"POLIXENES.",
"O my most sacred lady,\n Temptations have since then been born to 's, for\n In those unfledg'd days was my wife a girl;\n Your precious self had then not cross'd the eyes\n Of my young playfellow.",
"HERMIONE.",
"Grace to boot!",
"Of this make no conclusion, lest you say\n Your queen and I are devils.",
"Yet, go on;\n Th' offences we have made you do we'll answer,\n If you first sinn'd with us, and that with us\n You did continue fault, and that you slipp'd not\n With any but with us.",
"LEONTES.",
"Is he won yet?",
"HERMIONE.",
"He'll stay, my lord.",
"LEONTES.",
"At my request he would not.",
"Hermione, my dearest, thou never spok'st\n To better purpose.",
"HERMIONE.",
"Never?",
"LEONTES.",
"Never but once.",
"HERMIONE.",
"What!",
"Have I twice said well?",
"When was't before?",
"I prithee tell me; cram's with praise, and make's\n As fat as tame things.",
"One good deed dying tongueless\n Slaughters a thousand waiting upon that.",
"Our praises are our wages; you may ride's\n With one soft kiss a thousand furlongs ere\n With spur we heat an acre.",
"But to th' goal:\n My last good deed was to entreat his stay;\n What was my first?",
"It has an elder sister,\n Or I mistake you.",
"O, would her name were Grace!",
"But once before I spoke to th' purpose- When?",
"Nay, let me have't; I long.",
"LEONTES.",
"Why, that was when\n Three crabbed months had sour'd themselves to death,\n Ere I could make thee open thy white hand\n And clap thyself my love; then didst thou utter\n 'I am yours for ever.'",
"HERMIONE.",
"'Tis Grace indeed.",
"Why, lo you now, I have spoke to th' purpose twice:\n The one for ever earn'd a royal husband;\n Th' other for some while a friend.",
"[Giving her hand to POLIXENES]\n LEONTES.",
"[Aside] Too hot, too hot!",
"To mingle friendship far is mingling bloods.",
"I have tremor cordis on me; my heart dances,\n But not for joy, not joy.",
"This entertainment\n May a free face put on; derive a liberty\n From heartiness, from bounty, fertile bosom,\n And well become the agent.",
"'T may, I grant;\n But to be paddling palms and pinching fingers,\n As now they are, and making practis'd smiles\n As in a looking-glass; and then to sigh, as 'twere\n The mort o' th' deer.",
"O, that is entertainment\n My bosom likes not, nor my brows!",
"Mamillius,\n Art thou my boy?",
"MAMILLIUS.",
"Ay, my good lord.",
"LEONTES.",
"I' fecks!",
"Why, that's my bawcock.",
"What!",
"hast smutch'd thy nose?",
"They say it is a copy out of mine.",
"Come, Captain,\n We must be neat- not neat, but cleanly, Captain.",
"And yet the steer, the heifer, and the calf,\n Are all call'd neat.- Still virginalling\n Upon his palm?- How now, you wanton calf,\n Art thou my calf?",
"MAMILLIUS.",
"Yes, if you will, my lord.",
"LEONTES.",
"Thou want'st a rough pash and the shoots that I have,\n To be full like me; yet they say we are\n Almost as like as eggs.",
"Women say so,\n That will say anything.",
"But were they false\n As o'er-dy'd blacks, as wind, as waters- false\n As dice are to be wish'd by one that fixes\n No bourn 'twixt his and mine; yet were it true\n To say this boy were like me.",
"Come, sir page,\n Look on me with your welkin eye.",
"Sweet villain!",
"Most dear'st!",
"my collop!",
"Can thy dam?- may't be?",
"Affection!",
"thy intention stabs the centre.",
"Thou dost make possible things not so held,\n Communicat'st with dreams- how can this be?-\n With what's unreal thou coactive art,\n And fellow'st nothing.",
"Then 'tis very credent\n Thou mayst co-join with something; and thou dost-\n And that beyond commission; and I find it,\n And that to the infection of my brains\n And hard'ning of my brows.",
"POLIXENES.",
"What means Sicilia?",
"HERMIONE.",
"He something seems unsettled.",
"POLIXENES.",
"How, my lord!",
"What cheer?",
"How is't with you, best brother?",
"HERMIONE.",
"You look\n As if you held a brow of much distraction.",
"Are you mov'd, my lord?",
"LEONTES.",
"No, in good earnest.",
"How sometimes nature will betray its folly,\n Its tenderness, and make itself a pastime\n To harder bosoms!",
"Looking on the lines\n Of my boy's face, methoughts I did recoil\n Twenty-three years; and saw myself unbreech'd,\n In my green velvet coat; my dagger muzzl'd,\n Lest it should bite its master and so prove,\n As ornaments oft do, too dangerous.",
"How like, methought, I then was to this kernel,\n This squash, this gentleman.",
"Mine honest friend,\n Will you take eggs for money?",
"MAMILLIUS.",
"No, my lord, I'll fight.",
"LEONTES.",
"You will?",
"Why, happy man be's dole!",
"My brother,\n Are you so fond of your young prince as we\n Do seem to be of ours?",
"POLIXENES.",
"If at home, sir,\n He's all my exercise, my mirth, my matter;\n Now my sworn friend, and then mine enemy;\n My parasite, my soldier, statesman, all.",
"He makes a July's day short as December,\n And with his varying childness cures in me\n Thoughts that would thick my blood.",
"LEONTES.",
"So stands this squire\n Offic'd with me.",
"We two will walk, my lord,\n And leave you to your graver steps.",
"Hermione,\n How thou lov'st us show in our brother's welcome;\n Let what is dear in Sicily be cheap;\n Next to thyself and my young rover, he's\n Apparent to my heart.",
"HERMIONE.",
"If you would seek us,\n We are yours i' th' garden.",
"Shall's attend you there?",
"LEONTES.",
"To your own bents dispose you; you'll be found,\n Be you beneath the sky.",
"[Aside] I am angling now,\n Though you perceive me not how I give line.",
"Go to, go to!",
"How she holds up the neb, the bill to him!",
"And arms her with the boldness of a wife\n To her allowing husband!",
"Exeunt POLIXENES, HERMIONE, and ATTENDANTS\n\n Gone already!",
"Inch-thick, knee-deep, o'er head and ears a fork'd one!",
"Go, play, boy, play; thy mother plays, and I\n Play too; but so disgrac'd a part, whose issue\n Will hiss me to my grave.",
"Contempt and clamour\n Will be my knell.",
"Go, play, boy, play.",
"There have been,\n Or I am much deceiv'd, cuckolds ere now;\n And many a man there is, even at this present,\n Now while I speak this, holds his wife by th' arm\n That little thinks she has been sluic'd in's absence,\n And his pond fish'd by his next neighbour, by\n Sir Smile, his neighbour.",
"Nay, there's comfort in't,\n Whiles other men have gates and those gates open'd,\n As mine, against their will.",
"Should all despair\n That hath revolted wives, the tenth of mankind\n Would hang themselves.",
"Physic for't there's none;\n It is a bawdy planet, that will strike\n Where 'tis predominant; and 'tis pow'rfull, think it,\n From east, west, north, and south.",
"Be it concluded,\n No barricado for a belly.",
"Know't,\n It will let in and out the enemy\n With bag and baggage.",
"Many thousand on's\n Have the disease, and feel't not.",
"How now, boy!",
"MAMILLIUS.",
"I am like you, they say.",
"LEONTES.",
"Why, that's some comfort.",
"What!",
"Camillo there?",
"CAMILLO.",
"Ay, my good lord.",
"LEONTES.",
"Go play, Mamillius; thou'rt an honest man.",
"Exit MAMILLIUS\n Camillo, this great sir will yet stay longer.",
"CAMILLO.",
"You had much ado to make his anchor hold;\n When you cast out, it still came home.",
"LEONTES.",
"Didst note it?",
"CAMILLO.",
"He would not stay at your petitions; made\n His business more material.",
"LEONTES.",
"Didst perceive it?",
"[Aside] They're here with me already; whisp'ring, rounding,\n 'Sicilia is a so-forth.'",
"'Tis far gone\n When I shall gust it last.- How came't, Camillo,\n That he did stay?",
"CAMILLO.",
"At the good Queen's entreaty.",
"LEONTES.",
"'At the Queen's' be't.",
"'Good' should be pertinent;\n But so it is, it is not.",
"Was this taken\n By any understanding pate but thine?",
"For thy conceit is soaking, will draw in\n More than the common blocks.",
"Not noted, is't,\n But of the finer natures, by some severals\n Of head-piece extraordinary?",
"Lower messes\n Perchance are to this business purblind?",
"Say.",
"CAMILLO.",
"Business, my lord?",
"I think most understand\n Bohemia stays here longer.",
"LEONTES.",
"Ha?",
"CAMILLO.",
"Stays here longer.",
"LEONTES.",
"Ay, but why?",
"CAMILLO.",
"To satisfy your Highness, and the entreaties\n Of our most gracious mistress.",
"LEONTES.",
"Satisfy\n Th' entreaties of your mistress!",
"Satisfy!",
"Let that suffice.",
"I have trusted thee, Camillo,\n With all the nearest things to my heart, as well\n My chamber-councils, wherein, priest-like, thou\n Hast cleans'd my bosom- I from thee departed\n Thy penitent reform'd; but we have been\n Deceiv'd in thy integrity, deceiv'd\n In that which seems so.",
"CAMILLO.",
"Be it forbid, my lord!",
"LEONTES.",
"To bide upon't: thou art not honest; or,\n If thou inclin'st that way, thou art a coward,\n Which hoxes honesty behind, restraining\n From course requir'd; or else thou must be counted\n A servant grafted in my serious trust,\n And therein negligent; or else a fool\n That seest a game play'd home, the rich stake drawn,\n And tak'st it all for jest.",
"CAMILLO.",
"My gracious lord,\n I may be negligent, foolish, and fearful:\n In every one of these no man is free\n But that his negligence, his folly, fear,\n Among the infinite doings of the world,\n Sometime puts forth.",
"In your affairs, my lord,\n If ever I were wilfull-negligent,\n It was my folly; if industriously\n I play'd the fool, it was my negligence,\n Not weighing well the end; if ever fearful\n To do a thing where I the issue doubted,\n Whereof the execution did cry out\n Against the non-performance, 'twas a fear\n Which oft infects the wisest.",
"These, my lord,\n Are such allow'd infirmities that honesty\n Is never free of.",
"But, beseech your Grace,\n Be plainer with me; let me know my trespass\n By its own visage; if I then deny it,\n 'Tis none of mine.",
"LEONTES.",
"Ha' not you seen, Camillo-\n But that's past doubt; you have, or your eye-glass\n Is thicker than a cuckold's horn- or heard-\n For to a vision so apparent rumour\n Cannot be mute- or thought- for cogitation\n Resides not in that man that does not think-\n My wife is slippery?",
"If thou wilt confess-\n Or else be impudently negative,\n To have nor eyes nor ears nor thought- then say\n My wife's a hobby-horse, deserves a name\n As rank as any flax-wench that puts to\n Before her troth-plight.",
"Say't and justify't.",
"CAMILLO.",
"I would not be a stander-by to hear\n My sovereign mistress clouded so, without\n My present vengeance taken.",
"Shrew my heart!",
"You never spoke what did become you less\n Than this; which to reiterate were sin\n As deep as that, though true.",
"LEONTES.",
"Is whispering nothing?",
"Is leaning cheek to cheek?",
"Is meeting noses?",
"Kissing with inside lip?",
"Stopping the career\n Of laughter with a sigh?- a note infallible\n Of breaking honesty.",
"Horsing foot on foot?",
"Skulking in corners?",
"Wishing clocks more swift;\n Hours, minutes; noon, midnight?",
"And all eyes\n Blind with the pin and web but theirs, theirs only,\n That would unseen be wicked- is this nothing?",
"Why, then the world and all that's in't is nothing;\n The covering sky is nothing; Bohemia nothing;\n My is nothing; nor nothing have these nothings,\n If this be nothing.",
"CAMILLO.",
"Good my lord, be cur'd\n Of this diseas'd opinion, and betimes;\n For 'tis most dangerous.",
"LEONTES.",
"Say it be, 'tis true.",
"CAMILLO.",
"No, no, my lord.",
"LEONTES.",
"It is; you lie, you lie.",
"I say thou liest, Camillo, and I hate thee;\n Pronounce thee a gross lout, a mindless slave,\n Or else a hovering temporizer that\n Canst with thine eyes at once see good and evil,\n Inclining to them both.",
"Were my wife's liver\n Infected as her life, she would not live\n The running of one glass.",
"CAMILLO.",
"Who does her?",
"LEONTES.",
"Why, he that wears her like her medal, hanging\n About his neck, Bohemia; who- if I\n Had servants true about me that bare eyes\n To see alike mine honour as their profits,\n Their own particular thrifts, they would do that\n Which should undo more doing.",
"Ay, and thou,\n His cupbearer- whom I from meaner form\n Have bench'd and rear'd to worship; who mayst see,\n Plainly as heaven sees earth and earth sees heaven,\n How I am gall'd- mightst bespice a cup\n To give mine enemy a lasting wink;\n Which draught to me were cordial.",
"CAMILLO.",
"Sir, my lord,\n I could do this; and that with no rash potion,\n But with a ling'ring dram that should not work\n Maliciously like poison.",
"But I cannot\n Believe this crack to be in my dread mistress,\n So sovereignly being honourable.",
"I have lov'd thee-\n LEONTES.",
"Make that thy question, and go rot!",
"Dost think I am so muddy, so unsettled,\n To appoint myself in this vexation; sully\n The purity and whiteness of my sheets-\n Which to preserve is sleep, which being spotted\n Is goads, thorns, nettles, tails of wasps;\n Give scandal to the blood o' th' Prince, my son-\n Who I do think is mine, and love as mine-\n Without ripe moving to 't?",
"Would I do this?",
"Could man so blench?",
"CAMILLO.",
"I must believe you, sir.",
"I do; and will fetch off Bohemia for't;\n Provided that, when he's remov'd, your Highness\n Will take again your queen as yours at first,\n Even for your son's sake; and thereby for sealing\n The injury of tongues in courts and kingdoms\n Known and allied to yours.",
"LEONTES.",
"Thou dost advise me\n Even so as I mine own course have set down.",
"I'll give no blemish to her honour, none.",
"CAMILLO.",
"My lord,\n Go then; and with a countenance as clear\n As friendship wears at feasts, keep with Bohemia\n And with your queen.",
"I am his cupbearer;\n If from me he have wholesome beverage,\n Account me not your servant.",
"LEONTES.",
"This is all:\n Do't, and thou hast the one half of my heart;\n Do't not, thou split'st thine own.",
"CAMILLO.",
"I'll do't, my lord.",
"LEONTES.",
"I will seem friendly, as thou hast advis'd me.",
"Exit\n CAMILLO.",
"O miserable lady!",
"But, for me,\n What case stand I in?",
"I must be the poisoner\n Of good Polixenes; and my ground to do't\n Is the obedience to a master; one\n Who, in rebellion with himself, will have\n All that are his so too.",
"To do this deed,\n Promotion follows.",
"If I could find example\n Of thousands that had struck anointed kings\n And flourish'd after, I'd not do't; but since\n Nor brass, nor stone, nor parchment, bears not one,\n Let villainy itself forswear't.",
"I must\n Forsake the court.",
"To do't, or no, is certain\n To me a break-neck.",
"Happy star reign now!",
"Here comes Bohemia.",
"Enter POLIXENES\n\n POLIXENES.",
"This is strange.",
"Methinks\n My favour here begins to warp.",
"Not speak?",
"Good day, Camillo.",
"CAMILLO.",
"Hail, most royal sir!",
"POLIXENES.",
"What is the news i' th' court?",
"CAMILLO.",
"None rare, my lord.",
"POLIXENES.",
"The King hath on him such a countenance\n As he had lost some province, and a region\n Lov'd as he loves himself; even now I met him\n With customary compliment, when he,\n Wafting his eyes to th' contrary and falling\n A lip of much contempt, speeds from me;\n So leaves me to consider what is breeding\n That changes thus his manners.",
"CAMILLO.",
"I dare not know, my lord.",
"POLIXENES.",
"How, dare not!",
"Do not.",
"Do you know, and dare not\n Be intelligent to me?",
"'Tis thereabouts;\n For, to yourself, what you do know, you must,\n And cannot say you dare not.",
"Good Camillo,\n Your chang'd complexions are to me a mirror\n Which shows me mine chang'd too; for I must be\n A party in this alteration, finding\n Myself thus alter'd with't.",
"CAMILLO.",
"There is a sickness\n Which puts some of us in distemper; but\n I cannot name the disease; and it is caught\n Of you that yet are well.",
"POLIXENES.",
"How!",
"caught of me?",
"Make me not sighted like the basilisk;\n I have look'd on thousands who have sped the better\n By my regard, but kill'd none so.",
"Camillo-\n As you are certainly a gentleman; thereto\n Clerk-like experienc'd, which no less adorns\n Our gentry than our parents' noble names,\n In whose success we are gentle- I beseech you,\n If you know aught which does behove my knowledge\n Thereof to be inform'd, imprison't not\n In ignorant concealment.",
"CAMILLO.",
"I may not answer.",
"POLIXENES.",
"A sickness caught of me, and yet I well?",
"I must be answer'd.",
"Dost thou hear, Camillo?",
"I conjure thee, by all the parts of man\n Which honour does acknowledge, whereof the least\n Is not this suit of mine, that thou declare\n What incidency thou dost guess of harm\n Is creeping toward me; how far off, how near;\n Which way to be prevented, if to be;\n If not, how best to bear it.",
"CAMILLO.",
"Sir, I will tell you;\n Since I am charg'd in honour, and by him\n That I think honourable.",
"Therefore mark my counsel,\n Which must be ev'n as swiftly followed as\n I mean to utter it, or both yourself and me\n Cry lost, and so goodnight.",
"POLIXENES.",
"On, good Camillo.",
"CAMILLO.",
"I am appointed him to murder you.",
"POLIXENES.",
"By whom, Camillo?",
"CAMILLO.",
"By the King.",
"POLIXENES.",
"For what?",
"CAMILLO.",
"He thinks, nay, with all confidence he swears,\n As he had seen 't or been an instrument\n To vice you to't, that you have touch'd his queen\n Forbiddenly.",
"POLIXENES.",
"O, then my best blood turn\n To an infected jelly, and my name\n Be yok'd with his that did betray the Best!",
"Turn then my freshest reputation to\n A savour that may strike the dullest nostril\n Where I arrive, and my approach be shunn'd,\n Nay, hated too, worse than the great'st infection\n That e'er was heard or read!",
"CAMILLO.",
"Swear his thought over\n By each particular star in heaven and\n By all their influences, you may as well\n Forbid the sea for to obey the moon\n As or by oath remove or counsel shake\n The fabric of his folly, whose foundation\n Is pil'd upon his faith and will continue\n The standing of his body.",
"POLIXENES.",
"How should this grow?",
"CAMILLO.",
"I know not; but I am sure 'tis safer to\n Avoid what's grown than question how 'tis born.",
"If therefore you dare trust my honesty,\n That lies enclosed in this trunk which you\n Shall bear along impawn'd, away to-night.",
"Your followers I will whisper to the business;\n And will, by twos and threes, at several posterns,\n Clear them o' th' city.",
"For myself, I'll put\n My fortunes to your service, which are here\n By this discovery lost.",
"Be not uncertain,\n For, by the honour of my parents, I\n Have utt'red truth; which if you seek to prove,\n I dare not stand by; nor shall you be safer\n Than one condemn'd by the King's own mouth, thereon\n His execution sworn.",
"POLIXENES.",
"I do believe thee:\n I saw his heart in's face.",
"Give me thy hand;\n Be pilot to me, and thy places shall\n Still neighbour mine.",
"My ships are ready, and\n My people did expect my hence departure\n Two days ago.",
"This jealousy\n Is for a precious creature; as she's rare,\n Must it be great; and, as his person's mighty,\n Must it be violent; and as he does conceive\n He is dishonour'd by a man which ever\n Profess'd to him, why, his revenges must\n In that be made more bitter.",
"Fear o'ershades me.",
"Good expedition be my friend, and comfort\n The gracious Queen, part of this theme, but nothing\n Of his ill-ta'en suspicion!",
"Come, Camillo;\n I will respect thee as a father, if\n Thou bear'st my life off hence.",
"Let us avoid.",
"CAMILLO.",
"It is in mine authority to command\n The keys of all the posterns.",
"Please your Highness\n To take the urgent hour.",
"Come, sir, away.",
"Exeunt"
] | [
"Have I twice said well?",
"MAMILLIUS.",
"If at home, sir,\n He's all my exercise, my mirth, my matter;\n Now my sworn friend, and then mine enemy;\n My parasite, my soldier, statesman, all.",
"LEONTES.",
"These, my lord,\n Are such allow'd infirmities that honesty\n Is never free of.",
"This is all:\n Do't, and thou hast the one half of my heart;\n Do't not, thou split'st thine own.",
"Enter POLIXENES\n\n POLIXENES.",
"POLIXENES.",
"CAMILLO.",
"I do believe thee:\n I saw his heart in's face."
] | [
"Thou dost advise me\n Even so as I mine own course have set down.",
"Contempt and clamour\n Will be my knell.",
"I conjure thee, by all the parts of man\n Which honour does acknowledge, whereof the least\n Is not this suit of mine, that thou declare\n What incidency thou dost guess of harm\n Is creeping toward me; how far off, how near;\n Which way to be prevented, if to be;\n If not, how best to bear it.",
"But, beseech your Grace,\n Be plainer with me; let me know my trespass\n By its own visage; if I then deny it,\n 'Tis none of mine.",
"I must be the poisoner\n Of good Polixenes; and my ground to do't\n Is the obedience to a master; one\n Who, in rebellion with himself, will have\n All that are his so too.",
"Ay, and thou,\n His cupbearer- whom I from meaner form\n Have bench'd and rear'd to worship; who mayst see,\n Plainly as heaven sees earth and earth sees heaven,\n How I am gall'd- mightst bespice a cup\n To give mine enemy a lasting wink;\n Which draught to me were cordial.",
"POLIXENES.",
"By this we gather\n You have tripp'd since.",
"LEONTES.",
"To do't, or no, is certain\n To me a break-neck."
] | [
"How now, boy!",
"MAMILLIUS.",
"I am like you, they say.",
"LEONTES.",
"Why, that's some comfort.",
"What!",
"Camillo there?",
"CAMILLO.",
"Ay, my good lord.",
"LEONTES.",
"Go play, Mamillius; thou'rt an honest man."
] | [
"Sicilia.",
"The palace of LEONTES\n\nEnter LEONTES, POLIXENES, HERMIONE, MAMILLIUS, CAMILLO, and\nATTENDANTS\n\n POLIXENES.",
"Nine changes of the wat'ry star hath been\n The shepherd's note since we have left our throne\n Without a burden.",
"Time as long again\n Would be fill'd up, my brother, with our thanks;\n And yet we should for perpetuity\n Go hence in debt.",
"And therefore, like a cipher,\n Yet standing in rich place, I multiply\n With one 'We thank you' many thousands moe\n That go before it.",
"LEONTES.",
"Stay your thanks a while,\n And pay them when you part.",
"POLIXENES.",
"Sir, that's to-morrow.",
"I am question'd by my fears of what may chance\n Or breed upon our absence, that may blow\n No sneaping winds at home, to make us say\n 'This is put forth too truly.'",
"This jealousy\n Is for a precious creature; as she's rare,\n Must it be great; and, as his person's mighty,\n Must it be violent; and as he does conceive\n He is dishonour'd by a man which ever\n Profess'd to him, why, his revenges must\n In that be made more bitter.",
"Fear o'ershades me.",
"Good expedition be my friend, and comfort\n The gracious Queen, part of this theme, but nothing\n Of his ill-ta'en suspicion!",
"Come, Camillo;\n I will respect thee as a father, if\n Thou bear'st my life off hence.",
"Let us avoid.",
"CAMILLO.",
"It is in mine authority to command\n The keys of all the posterns.",
"Please your Highness\n To take the urgent hour.",
"Come, sir, away.",
"Exeunt"
] | tation to
A savour that may strike the dullest nostril
Where I arrive, and my approach be shunn'd,
Nay, hated too, worse than the great'st infection
That e'er was heard or read!
CAMILLO.
Swear his thought over
By each particular star in heaven and
By all their influences, you may as well
Forbid the sea for to obey the moon
As or by oath remove or counsel shake
The fabric of his folly, whose foundation
Is pil'd upon his faith and will continue
The standing of his body.
POLIXENES.
How should this grow?
CAMILLO.
I know not; but I am sure 'tis safer to
Avoid what's grown than question how 'tis born.
If therefore you dare trust my honesty,
That lies enclosed in this trunk which you
Shall bear along impawn'd, away to-night.
Your followers I will whisper to the business;
And will, by twos and threes, at several posterns,
Clear them o' th' city.
For myself, I'll put
My fortunes to your service, which are here
By this disco | Sicilia.
The palace of LEONTES
Enter LEONTES, POLIXENES, HERMIONE, MAMILLIUS, CAMILLO, and
ATTENDANTS
POLIXENES.
Nine changes of the wat'ry star hath been
The shepherd's note since we have left our throne
Without a burden.
Time as long again
Would be fill'd up, my brother, with our thanks;
And yet we should for perpetuity
Go hence in debt.
And therefore, like a cipher,
Yet standing in rich place, I multiply
With one 'We thank you' many thousands moe
That go be man which ever
Profess'd to him, why, his revenges must
In that be made more bitter.
Fear o'ershades me.
Good expedition be my friend, and comfort
The gracious Queen, part of this theme, but nothing
Of his ill-ta'en suspicion!
Come, Camillo;
I will respect thee as a father, if
Thou bear'st my life off hence.
Let us avoid.
CAMILLO.
It is in mine authority to command
The keys of all the posterns.
Please your Highness
To take the urgent hour.
Come, sir, away.
Exeunt | with me already; whisp'ring, rounding,
'Sicilia is a so-forth.'
'Tis far gone
When I shall gust it last.- How came't, Camillo,
That he did stay?
CAMILLO.
At the good Queen's entreaty.
LEONTES.
'At the Queen's' be't.
'Good' should be pertinent;
But so it is, it is not.
Was this taken
By any understanding pate but thine?
For thy conceit is soaking, will draw in
More than the common blocks.
Not noted, is't,
But of the finer natures, by some severals
Of head-piece extraordinary?
Lower messes
Perchance are to this business purblind?
Say.
CAMILLO.
Business, my lord?
I think most understand
Bohemia stays here longer.
LEONTES.
Ha?
CAMILLO.
Stays here longer.
LEONTES.
Ay, but why?
CAMILLO.
To satisfy your Highness, and the entreaties
Of our most gracious mistress.
LEONTES.
Satisfy
Th' entreaties of your mistress!
Satisfy!
Let that suffice.
I have trusted thee, Camillo,
With all the nearest things to my heart, as well
My chamber-councils, wh |
1,134 | false | cliffnotes | all_chapterized_books/1134-chapters/3.txt | finished_summaries/cliffnotes/The Winter's Tale/section_2_part_0.txt | The Winter's Tale.act 2.scene 1 | scene 1 | null | {"name": "Scene 1", "url": "https://web.archive.org/web/20201130173005/https://www.cliffsnotes.com/literature/w/the-winters-tale/summary-and-analysis/act-ii-scene-1", "summary": "Although Hermione and Mamillius enter together, Hermione immediately turns to her ladies-in-waiting and asks them to take the boy. Mamillius immediately engages the ladies with his precocious wit. One lady teases Mamillius about how much he will want their company after the new prince is born. The second lady observes that Hermione appears to be filling out rapidly, and she wishes her a speedy delivery. Hermione asks what they are talking about, then she asks her son to tell her a tale. \"Merry or sad?\" asks her son. \"As merry as you will,\" Hermione responds. Mamillius decides, \"A sad tale's best for winter.\" Hermione encourages him to try to frighten her with his sprites since he is good at that. Teasingly, he whispers the story to her so that the ladies-in-waiting cannot hear it. Leontes enters with Antigonus and some other lords, just as Leontes is receiving news of the departure of Camillo and Polixenes. He interprets their sudden departure as verification for his accusations, and he says that he finds the knowledge as odious as seeing a spider in a cup from which he has just drunk. Since Camillo was with the departing party, Leontes states that there must indeed be a plot against his life and his crown. In addition, he declares that Camillo must have been employed by Polixenes prior to the plan for poisoning; now, he fears what plots their combined knowledge will inspire them to hatch. Puzzled about how they got through the gates, he is informed that Camillo used his keys. Leontes demands that Hermione give Mamillius to him. Saying that he is glad she did not nurse him, he declares that already she has too much of her blood in him. Astonished, Hermione asks if this is some kind of game. As an answer, Leontes orders Mamillius to be taken out and kept from his mother; cruelly, he adds that Hermione can amuse herself with the child by Polixenes, the one whom she now carries. Hermione denies that the unborn child is Polixenes' and states that she believes her word should be enough to dissuade Leontes from his jealous accusations. Leontes announces to everyone that they may look at her and find her \"goodly,\" but that they cannot find her \"honest\"; Hermione, he says, is an adulteress. Hermione reacts cautiously. Had a villain said that, she says, he would have become more of a villain, but Leontes is simply mistaken. In response, Leontes escalates his accusation. Not only is Hermione an adulteress, but she is a traitor in consort with Camillo and Polixenes -- and had knowledge of their plan to escape. Gently, Hermione denies the accusations and predicts that Leontes will grieve over his statements when he finally knows the truth. She says that he can make this up to her -- but only by declaring his mistake. Leontes, however, is convinced that he has built truth from facts; he orders her to prison and says that anyone who speaks in her behalf will be judged to be as guilty as she is. Hermione observes that \"some ill planet reigns\" and decides to be patient until the disorder is corrected. She tells the lords that, although she is not as prone to tears as most females are, she feels an \"honorable grief.\" She asks the lords to judge her feelings but to obey their king. She then requests that her ladies accompany her to prison in order to help her with her pregnancy. Admonishing her ladies not to weep since there is no cause, she advises them to save their tears in the event that she should ever deserve to be sent to prison. As part of her graceful obedience, she tells Leontes that she never wished to see him sorry, but now she realizes that she will see him eventually very sorry. The king orders them out, and Hermione leaves in the company of her ladies and guards. Immediately, the lords begin to argue against the king's order. Antigonus prophesies that Hermione, Leontes, and Mamillius will all suffer for this act. One lord wagers his life that the queen is innocent. Antigonus pledges to keep his wife in the stables if Hermione is proven guilty, because such a sin would mean that no woman could be faithful. Leontes tells them to keep quiet. Antigonus says that he is sure that Leontes has listened to a liar, and he says that in addition to his pledge to keep his wife in the stables, he vows to geld his daughters to prevent any issue -- if Hermione is proven guilty. Leontes again tells them to be quiet. He says that their senses are dead; only he feels and sees the issues clearly. All honesty, Antigonus says, is dead. Leontes is amazed that his lords do not trust his judgment. At this, one of the lords says that he would prefer to disbelieve his king than to accept this judgment; furthermore, he would prefer to believe in Hermione's honor than in Leontes' suspicions. Leontes declares an end to all advice; since his lords do not seem to be able to discern truth, he will have to rely on his own \"natural goodness\" as judge and counsel. Calling upon royal prerogative, he reminds them that he need not seek their advice in the matter because he has all the power needed to proceed. Then he informs them that he has taken a step to curb any possible rashness; he has sent Cleomenes and Dion to Apollo's temple in Delphos, and he promises to abide by the spiritual counsel of the oracle. When told that he has done well, Leontes quickly adds that he is convinced that he has acted correctly and really needs no more information; he trusts that the oracle will reassure those who cannot now perceive the truth. Meanwhile, Hermione will remain in prison so that she cannot carry out any treasonous plots left undone by the two who fled. Leontes calls on them all to accompany him as he publicly announces the events.", "analysis": "This act's structure is similar to that of Act I. It opens with a sleepy, peaceful pace -- which Leontes will soon shatter. Hermione requests a tale from her son, and Mamillius suggests a sad tale as \"best for winter.\" A \"winter's tale\" means a story to pass the long evening hours of winter, especially a story that its listeners will enjoy when it is retold. With Leontes' entrance and simultaneous reaction to the report about the escape of Camillo and Polixenes, the season of royal discontent disintegrates quickly into general discontent. Because of the play's title and because of Mamillius' \"tale suitable for winter,\" the situation becomes reminiscent of Richard III's phrase, \"the winter of our discontent.\" In effect, Leontes creates a perpetual winter's death without the hope of spring's rebirth and regeneration. Leontes eliminates the hope of rebirth and rehealing when he rejects his unborn child and when he isolates his son. In these \"problem plays,\" rejection usually leaves only tragedy as the possible consequence of the destructive tyranny that Leontes has initiated. His disease must now progress untreated unless the circumstances change. As Leontes destroyed his friendship with Polixenes in the previous act, he now destroys his family. Again, note that nothing that exists in their world justifies altering those relationships: illusion motivates Leontes. He alters everything to suit his sense of 'Justice,\" justice which he metes out unfairly because of misconstrued events. With his jealous imagination still gnawing at him, Leontes leaps to an even more serious accusation against Hermione -- treason. The facts from which he draws this conclusion, however, do not influence others to deduce the same conclusion. A lord reports that he saw Camillo, Polixenes, and Polixenes' attendants rushing to their ships. Immediately, Leontes exclaims: \"How blest am I/ In my just censure, in my true opinion!\" But Leontes fails to remember his own wicked, recently conceived poison plot! Pausing only to regret the knowledge he now has, he declares, with no further information: Camillo was his help in this, his pander. There is a plot against my life, my crown. All's true that is mistrusted. That false villain Whom I employed was pre-employed by him. As Polixenes predicted, Leontes' jealousy \"for a precious creature\" is enormous, and because of his powerful position, that jealousy now turns \"violent.\" In fact, Leontes becomes increasingly paranoid. The disruption of his senses seems alarmingly probable. Declaring that sometimes it's better not to know unpleasant facts, Leontes illustrates this \"truth\" with fevered imagery similar to an unbalanced Lear: There may be in the cup A spider steeped, and one may drink, depart, And yet partake no venom, for his knowledge Is not infected; but if one present The abhorred ingredient to his eye, make known How he hath drunk, he cracks his gorge, his sides, With violent hefts. I have drunk, and seen the spider. This chilling image provides a clue to Leontes' insane -- like disturbances. Later, Leontes decides that Hermione is also involved in the nonexistent plot against him. I have saidShe's an adultress, I have said with whom;More, she's a traitor, and Camillo isA fedary with her . . . To Leontes, the causal sequences of Camillo's departure with Polixenes -- immediately after Leontes' accusation that Polixenes committed adultery with Hermione -- are proof enough that all three of them are involved in a treasonous plot. Of course, Leontes can provide no reasonable motivation for such a plot, and the audience is well aware that they have seen nothing to substantiate the accusation. Again, probability is maintained because the audience's evidence is firmly, unanimously supported by the arguing lords of Sicilia. Leontes now escalates the tyranny that he first exhibited when he conspired with Camillo. As in the scene with Camillo, Leontes is suspicious of anyone who will not substantiate his illusions: thus, he unknowingly denies himself the benefit of more accurate, more truthful observations. Leontes refuses to listen to any opposing opinions. He even exhibits a streak of meanness when he pinches Antigonus; then he reveals even more of his evil nature when he forbids anyone to offer an opposing opinion as he sends Hermione to prison. After it becomes clear that the lords will not cease arguing, he calmly declares: Why, what need we Commune with you of this, but rather follow Our forceful instigation? Our prerogative Calls not your counsels, but our natural goodness Imparts this; which if you, or stupefied Or seeming so in skill, cannot or will not Relish a truth like us, inform yourselves We need no more of your advice. With this speech, Leontes now isolates himself with his insanity. Confused because no one will accept his \"evidence\" or authority, his speech disintegrates into short, violent outbursts, sometimes barely coherent. With everyone and every fact arguing against his actions, Leontes is clearly abusing and misusing Free Will. Hermione, in fact, concludes that \"some ill planet\" reigns; thus, she resigns herself to being patient until the heavens look with a more favorable aspect upon her. All of this is the dramatic basis for the major conflict. We have witnessed the jealous, tyrannical Leontes as he flung his distorted illusions against reality. We watched Leontes escalate the willful destruction of his richest possessions. As a protagonist, he has severed his ties with his family and has isolated them; then he escalated his own isolation from the loyal advice of all who could have helped him see the truth. He has isolated himself from all objective communication, and finally he is left with only his own wrong illusions. Suitably, the setting increasingly becomes a series of confined, isolated fragments. Hermione moves to prison, Mamillius is confined to his quarters, and Leontes places himself apart from anyone who disagrees with him. Characterization is of secondary interest in this scene. Leontes is developed almost as a stereotype to \"Human Nature disrupted by Insanity.\" On the other hand, Hermione's goodness comes close to being unbelievable, were it not for the fact that we see her growing stronger, more self-sufficient, and patient -- as do many pregnant women confronted with emergencies. Perhaps her unshakable pureness and goodness are essential in order to motivate all the underlings to argue with their king, but the audience may well wonder whether such a rare creature could actually exist beyond the stage of this play. The age of Mamillius remains a mystery. Shakespeare portrays him as a spirited, flirtatious, proud and secretive youth -- perhaps a young teenager. But his ties to his mother seem to indicate a much younger child. He lives, and soon dies, and he remains largely an inscrutable mystery."} | Sicilia. The palace of LEONTES
Enter HERMIONE, MAMILLIUS, and LADIES
HERMIONE. Take the boy to you; he so troubles me,
'Tis past enduring.
FIRST LADY. Come, my gracious lord,
Shall I be your playfellow?
MAMILLIUS. No, I'll none of you.
FIRST LADY. Why, my sweet lord?
MAMILLIUS. You'll kiss me hard, and speak to me as if
I were a baby still. I love you better.
SECOND LADY. And why so, my lord?
MAMILLIUS. Not for because
Your brows are blacker; yet black brows, they say,
Become some women best; so that there be not
Too much hair there, but in a semicircle
Or a half-moon made with a pen.
SECOND LADY. Who taught't this?
MAMILLIUS. I learn'd it out of women's faces. Pray now,
What colour are your eyebrows?
FIRST LADY. Blue, my lord.
MAMILLIUS. Nay, that's a mock. I have seen a lady's nose
That has been blue, but not her eyebrows.
FIRST LADY. Hark ye:
The Queen your mother rounds apace. We shall
Present our services to a fine new prince
One of these days; and then you'd wanton with us,
If we would have you.
SECOND LADY. She is spread of late
Into a goodly bulk. Good time encounter her!
HERMIONE. What wisdom stirs amongst you? Come, sir, now
I am for you again. Pray you sit by us,
And tell's a tale.
MAMILLIUS. Merry or sad shall't be?
HERMIONE. As merry as you will.
MAMILLIUS. A sad tale's best for winter. I have one
Of sprites and goblins.
HERMIONE. Let's have that, good sir.
Come on, sit down; come on, and do your best
To fright me with your sprites; you're pow'rfull at it.
MAMILLIUS. There was a man-
HERMIONE. Nay, come, sit down; then on.
MAMILLIUS. Dwelt by a churchyard- I will tell it softly;
Yond crickets shall not hear it.
HERMIONE. Come on then,
And give't me in mine ear.
Enter LEONTES, ANTIGONUS, LORDS, and OTHERS
LEONTES. he met there? his train? Camillo with him?
FIRST LORD. Behind the tuft of pines I met them; never
Saw I men scour so on their way. I ey'd them
Even to their ships.
LEONTES. How blest am I
In my just censure, in my true opinion!
Alack, for lesser knowledge! How accurs'd
In being so blest! There may be in the cup
A spider steep'd, and one may drink, depart,
And yet partake no venom, for his knowledge
Is not infected; but if one present
Th' abhorr'd ingredient to his eye, make known
How he hath drunk, he cracks his gorge, his sides,
With violent hefts. I have drunk, and seen the spider.
Camillo was his help in this, his pander.
There is a plot against my life, my crown;
All's true that is mistrusted. That false villain
Whom I employ'd was pre-employ'd by him;
He has discover'd my design, and I
Remain a pinch'd thing; yea, a very trick
For them to play at will. How came the posterns
So easily open?
FIRST LORD. By his great authority;
Which often hath no less prevail'd than so
On your command.
LEONTES. I know't too well.
Give me the boy. I am glad you did not nurse him;
Though he does bear some signs of me, yet you
Have too much blood in him.
HERMIONE. What is this? Sport?
LEONTES. Bear the boy hence; he shall not come about her;
Away with him; and let her sport herself
[MAMILLIUS is led out]
With that she's big with- for 'tis Polixenes
Has made thee swell thus.
HERMIONE. But I'd say he had not,
And I'll be sworn you would believe my saying,
Howe'er you lean to th' nayward.
LEONTES. You, my lords,
Look on her, mark her well; be but about
To say 'She is a goodly lady' and
The justice of your hearts will thereto ad
'Tis pity she's not honest- honourable.'
Praise her but for this her without-door form,
Which on my faith deserves high speech, and straight
The shrug, the hum or ha, these petty brands
That calumny doth use- O, I am out!-
That mercy does, for calumny will sear
Virtue itself- these shrugs, these hum's and ha's,
When you have said she's goodly, come between,
Ere you can say she's honest. But be't known,
From him that has most cause to grieve it should be,
She's an adultress.
HERMIONE. Should a villain say so,
The most replenish'd villain in the world,
He were as much more villain: you, my lord,
Do but mistake.
LEONTES. You have mistook, my lady,
Polixenes for Leontes. O thou thing!
Which I'll not call a creature of thy place,
Lest barbarism, making me the precedent,
Should a like language use to all degrees
And mannerly distinguishment leave out
Betwixt the prince and beggar. I have said
She's an adultress; I have said with whom.
More, she's a traitor; and Camillo is
A federary with her, and one that knows
What she should shame to know herself
But with her most vile principal- that she's
A bed-swerver, even as bad as those
That vulgars give bold'st titles; ay, and privy
To this their late escape.
HERMIONE. No, by my life,
Privy to none of this. How will this grieve you,
When you shall come to clearer knowledge, that
You thus have publish'd me! Gentle my lord,
You scarce can right me throughly then to say
You did mistake.
LEONTES. No; if I mistake
In those foundations which I build upon,
The centre is not big enough to bear
A school-boy's top. Away with her to prison.
He who shall speak for her is afar off guilty
But that he speaks.
HERMIONE. There's some ill planet reigns.
I must be patient till the heavens look
With an aspect more favourable. Good my lords,
I am not prone to weeping, as our sex
Commonly are- the want of which vain dew
Perchance shall dry your pities- but I have
That honourable grief lodg'd here which burns
Worse than tears drown. Beseech you all, my lords,
With thoughts so qualified as your charities
Shall best instruct you, measure me; and so
The King's will be perform'd!
LEONTES. [To the GUARD] Shall I be heard?
HERMIONE. Who is't that goes with me? Beseech your highness
My women may be with me, for you see
My plight requires it. Do not weep, good fools;
There is no cause; when you shall know your mistress
Has deserv'd prison, then abound in tears
As I come out: this action I now go on
Is for my better grace. Adieu, my lord.
I never wish'd to see you sorry; now
I trust I shall. My women, come; you have leave.
LEONTES. Go, do our bidding; hence!
Exeunt HERMIONE, guarded, and LADIES
FIRST LORD. Beseech your Highness, call the Queen again.
ANTIGONUS. Be certain what you do, sir, lest your justice
Prove violence, in the which three great ones suffer,
Yourself, your queen, your son.
FIRST LORD. For her, my lord,
I dare my life lay down- and will do't, sir,
Please you t' accept it- that the Queen is spotless
I' th' eyes of heaven and to you- I mean
In this which you accuse her.
ANTIGONUS. If it prove
She's otherwise, I'll keep my stables where
I lodge my wife; I'll go in couples with her;
Than when I feel and see her no farther trust her;
For every inch of woman in the world,
Ay, every dram of woman's flesh is false,
If she be.
LEONTES. Hold your peaces.
FIRST LORD. Good my lord-
ANTIGONUS. It is for you we speak, not for ourselves.
You are abus'd, and by some putter-on
That will be damn'd for't. Would I knew the villain!
I would land-damn him. Be she honour-flaw'd-
I have three daughters: the eldest is eleven;
The second and the third, nine and some five;
If this prove true, they'll pay for 't. By mine honour,
I'll geld 'em all; fourteen they shall not see
To bring false generations. They are co-heirs;
And I had rather glib myself than they
Should not produce fair issue.
LEONTES. Cease; no more.
You smell this business with a sense as cold
As is a dead man's nose; but I do see't and feel't
As you feel doing thus; and see withal
The instruments that feel.
ANTIGONUS. If it be so,
We need no grave to bury honesty;
There's not a grain of it the face to sweeten
Of the whole dungy earth.
LEONTES. What! Lack I credit?
FIRST LORD. I had rather you did lack than I, my lord,
Upon this ground; and more it would content me
To have her honour true than your suspicion,
Be blam'd for't how you might.
LEONTES. Why, what need we
Commune with you of this, but rather follow
Our forceful instigation? Our prerogative
Calls not your counsels; but our natural goodness
Imparts this; which, if you- or stupified
Or seeming so in skill- cannot or will not
Relish a truth like us, inform yourselves
We need no more of your advice. The matter,
The loss, the gain, the ord'ring on't, is all
Properly ours.
ANTIGONUS. And I wish, my liege,
You had only in your silent judgment tried it,
Without more overture.
LEONTES. How could that be?
Either thou art most ignorant by age,
Or thou wert born a fool. Camillo's flight,
Added to their familiarity-
Which was as gross as ever touch'd conjecture,
That lack'd sight only, nought for approbation
But only seeing, all other circumstances
Made up to th' deed- doth push on this proceeding.
Yet, for a greater confirmation-
For, in an act of this importance, 'twere
Most piteous to be wild- I have dispatch'd in post
To sacred Delphos, to Apollo's temple,
Cleomenes and Dion, whom you know
Of stuff'd sufficiency. Now, from the oracle
They will bring all, whose spiritual counsel had,
Shall stop or spur me. Have I done well?
FIRST LORD. Well done, my lord.
LEONTES. Though I am satisfied, and need no more
Than what I know, yet shall the oracle
Give rest to th' minds of others such as he
Whose ignorant credulity will not
Come up to th' truth. So have we thought it good
From our free person she should be confin'd,
Lest that the treachery of the two fled hence
Be left her to perform. Come, follow us;
We are to speak in public; for this business
Will raise us all.
ANTIGONUS. [Aside] To laughter, as I take it,
If the good truth were known.
Exeunt
| 2,485 | Scene 1 | https://web.archive.org/web/20201130173005/https://www.cliffsnotes.com/literature/w/the-winters-tale/summary-and-analysis/act-ii-scene-1 | Although Hermione and Mamillius enter together, Hermione immediately turns to her ladies-in-waiting and asks them to take the boy. Mamillius immediately engages the ladies with his precocious wit. One lady teases Mamillius about how much he will want their company after the new prince is born. The second lady observes that Hermione appears to be filling out rapidly, and she wishes her a speedy delivery. Hermione asks what they are talking about, then she asks her son to tell her a tale. "Merry or sad?" asks her son. "As merry as you will," Hermione responds. Mamillius decides, "A sad tale's best for winter." Hermione encourages him to try to frighten her with his sprites since he is good at that. Teasingly, he whispers the story to her so that the ladies-in-waiting cannot hear it. Leontes enters with Antigonus and some other lords, just as Leontes is receiving news of the departure of Camillo and Polixenes. He interprets their sudden departure as verification for his accusations, and he says that he finds the knowledge as odious as seeing a spider in a cup from which he has just drunk. Since Camillo was with the departing party, Leontes states that there must indeed be a plot against his life and his crown. In addition, he declares that Camillo must have been employed by Polixenes prior to the plan for poisoning; now, he fears what plots their combined knowledge will inspire them to hatch. Puzzled about how they got through the gates, he is informed that Camillo used his keys. Leontes demands that Hermione give Mamillius to him. Saying that he is glad she did not nurse him, he declares that already she has too much of her blood in him. Astonished, Hermione asks if this is some kind of game. As an answer, Leontes orders Mamillius to be taken out and kept from his mother; cruelly, he adds that Hermione can amuse herself with the child by Polixenes, the one whom she now carries. Hermione denies that the unborn child is Polixenes' and states that she believes her word should be enough to dissuade Leontes from his jealous accusations. Leontes announces to everyone that they may look at her and find her "goodly," but that they cannot find her "honest"; Hermione, he says, is an adulteress. Hermione reacts cautiously. Had a villain said that, she says, he would have become more of a villain, but Leontes is simply mistaken. In response, Leontes escalates his accusation. Not only is Hermione an adulteress, but she is a traitor in consort with Camillo and Polixenes -- and had knowledge of their plan to escape. Gently, Hermione denies the accusations and predicts that Leontes will grieve over his statements when he finally knows the truth. She says that he can make this up to her -- but only by declaring his mistake. Leontes, however, is convinced that he has built truth from facts; he orders her to prison and says that anyone who speaks in her behalf will be judged to be as guilty as she is. Hermione observes that "some ill planet reigns" and decides to be patient until the disorder is corrected. She tells the lords that, although she is not as prone to tears as most females are, she feels an "honorable grief." She asks the lords to judge her feelings but to obey their king. She then requests that her ladies accompany her to prison in order to help her with her pregnancy. Admonishing her ladies not to weep since there is no cause, she advises them to save their tears in the event that she should ever deserve to be sent to prison. As part of her graceful obedience, she tells Leontes that she never wished to see him sorry, but now she realizes that she will see him eventually very sorry. The king orders them out, and Hermione leaves in the company of her ladies and guards. Immediately, the lords begin to argue against the king's order. Antigonus prophesies that Hermione, Leontes, and Mamillius will all suffer for this act. One lord wagers his life that the queen is innocent. Antigonus pledges to keep his wife in the stables if Hermione is proven guilty, because such a sin would mean that no woman could be faithful. Leontes tells them to keep quiet. Antigonus says that he is sure that Leontes has listened to a liar, and he says that in addition to his pledge to keep his wife in the stables, he vows to geld his daughters to prevent any issue -- if Hermione is proven guilty. Leontes again tells them to be quiet. He says that their senses are dead; only he feels and sees the issues clearly. All honesty, Antigonus says, is dead. Leontes is amazed that his lords do not trust his judgment. At this, one of the lords says that he would prefer to disbelieve his king than to accept this judgment; furthermore, he would prefer to believe in Hermione's honor than in Leontes' suspicions. Leontes declares an end to all advice; since his lords do not seem to be able to discern truth, he will have to rely on his own "natural goodness" as judge and counsel. Calling upon royal prerogative, he reminds them that he need not seek their advice in the matter because he has all the power needed to proceed. Then he informs them that he has taken a step to curb any possible rashness; he has sent Cleomenes and Dion to Apollo's temple in Delphos, and he promises to abide by the spiritual counsel of the oracle. When told that he has done well, Leontes quickly adds that he is convinced that he has acted correctly and really needs no more information; he trusts that the oracle will reassure those who cannot now perceive the truth. Meanwhile, Hermione will remain in prison so that she cannot carry out any treasonous plots left undone by the two who fled. Leontes calls on them all to accompany him as he publicly announces the events. | This act's structure is similar to that of Act I. It opens with a sleepy, peaceful pace -- which Leontes will soon shatter. Hermione requests a tale from her son, and Mamillius suggests a sad tale as "best for winter." A "winter's tale" means a story to pass the long evening hours of winter, especially a story that its listeners will enjoy when it is retold. With Leontes' entrance and simultaneous reaction to the report about the escape of Camillo and Polixenes, the season of royal discontent disintegrates quickly into general discontent. Because of the play's title and because of Mamillius' "tale suitable for winter," the situation becomes reminiscent of Richard III's phrase, "the winter of our discontent." In effect, Leontes creates a perpetual winter's death without the hope of spring's rebirth and regeneration. Leontes eliminates the hope of rebirth and rehealing when he rejects his unborn child and when he isolates his son. In these "problem plays," rejection usually leaves only tragedy as the possible consequence of the destructive tyranny that Leontes has initiated. His disease must now progress untreated unless the circumstances change. As Leontes destroyed his friendship with Polixenes in the previous act, he now destroys his family. Again, note that nothing that exists in their world justifies altering those relationships: illusion motivates Leontes. He alters everything to suit his sense of 'Justice," justice which he metes out unfairly because of misconstrued events. With his jealous imagination still gnawing at him, Leontes leaps to an even more serious accusation against Hermione -- treason. The facts from which he draws this conclusion, however, do not influence others to deduce the same conclusion. A lord reports that he saw Camillo, Polixenes, and Polixenes' attendants rushing to their ships. Immediately, Leontes exclaims: "How blest am I/ In my just censure, in my true opinion!" But Leontes fails to remember his own wicked, recently conceived poison plot! Pausing only to regret the knowledge he now has, he declares, with no further information: Camillo was his help in this, his pander. There is a plot against my life, my crown. All's true that is mistrusted. That false villain Whom I employed was pre-employed by him. As Polixenes predicted, Leontes' jealousy "for a precious creature" is enormous, and because of his powerful position, that jealousy now turns "violent." In fact, Leontes becomes increasingly paranoid. The disruption of his senses seems alarmingly probable. Declaring that sometimes it's better not to know unpleasant facts, Leontes illustrates this "truth" with fevered imagery similar to an unbalanced Lear: There may be in the cup A spider steeped, and one may drink, depart, And yet partake no venom, for his knowledge Is not infected; but if one present The abhorred ingredient to his eye, make known How he hath drunk, he cracks his gorge, his sides, With violent hefts. I have drunk, and seen the spider. This chilling image provides a clue to Leontes' insane -- like disturbances. Later, Leontes decides that Hermione is also involved in the nonexistent plot against him. I have saidShe's an adultress, I have said with whom;More, she's a traitor, and Camillo isA fedary with her . . . To Leontes, the causal sequences of Camillo's departure with Polixenes -- immediately after Leontes' accusation that Polixenes committed adultery with Hermione -- are proof enough that all three of them are involved in a treasonous plot. Of course, Leontes can provide no reasonable motivation for such a plot, and the audience is well aware that they have seen nothing to substantiate the accusation. Again, probability is maintained because the audience's evidence is firmly, unanimously supported by the arguing lords of Sicilia. Leontes now escalates the tyranny that he first exhibited when he conspired with Camillo. As in the scene with Camillo, Leontes is suspicious of anyone who will not substantiate his illusions: thus, he unknowingly denies himself the benefit of more accurate, more truthful observations. Leontes refuses to listen to any opposing opinions. He even exhibits a streak of meanness when he pinches Antigonus; then he reveals even more of his evil nature when he forbids anyone to offer an opposing opinion as he sends Hermione to prison. After it becomes clear that the lords will not cease arguing, he calmly declares: Why, what need we Commune with you of this, but rather follow Our forceful instigation? Our prerogative Calls not your counsels, but our natural goodness Imparts this; which if you, or stupefied Or seeming so in skill, cannot or will not Relish a truth like us, inform yourselves We need no more of your advice. With this speech, Leontes now isolates himself with his insanity. Confused because no one will accept his "evidence" or authority, his speech disintegrates into short, violent outbursts, sometimes barely coherent. With everyone and every fact arguing against his actions, Leontes is clearly abusing and misusing Free Will. Hermione, in fact, concludes that "some ill planet" reigns; thus, she resigns herself to being patient until the heavens look with a more favorable aspect upon her. All of this is the dramatic basis for the major conflict. We have witnessed the jealous, tyrannical Leontes as he flung his distorted illusions against reality. We watched Leontes escalate the willful destruction of his richest possessions. As a protagonist, he has severed his ties with his family and has isolated them; then he escalated his own isolation from the loyal advice of all who could have helped him see the truth. He has isolated himself from all objective communication, and finally he is left with only his own wrong illusions. Suitably, the setting increasingly becomes a series of confined, isolated fragments. Hermione moves to prison, Mamillius is confined to his quarters, and Leontes places himself apart from anyone who disagrees with him. Characterization is of secondary interest in this scene. Leontes is developed almost as a stereotype to "Human Nature disrupted by Insanity." On the other hand, Hermione's goodness comes close to being unbelievable, were it not for the fact that we see her growing stronger, more self-sufficient, and patient -- as do many pregnant women confronted with emergencies. Perhaps her unshakable pureness and goodness are essential in order to motivate all the underlings to argue with their king, but the audience may well wonder whether such a rare creature could actually exist beyond the stage of this play. The age of Mamillius remains a mystery. Shakespeare portrays him as a spirited, flirtatious, proud and secretive youth -- perhaps a young teenager. But his ties to his mother seem to indicate a much younger child. He lives, and soon dies, and he remains largely an inscrutable mystery. | 1,011 | 1,111 | [
"Sicilia.",
"The palace of LEONTES\n\nEnter HERMIONE, MAMILLIUS, and LADIES\n\n HERMIONE.",
"Take the boy to you; he so troubles me,\n 'Tis past enduring.",
"FIRST LADY.",
"Come, my gracious lord,\n Shall I be your playfellow?",
"MAMILLIUS.",
"No, I'll none of you.",
"FIRST LADY.",
"Why, my sweet lord?",
"MAMILLIUS.",
"You'll kiss me hard, and speak to me as if\n I were a baby still.",
"I love you better.",
"SECOND LADY.",
"And why so, my lord?",
"MAMILLIUS.",
"Not for because\n Your brows are blacker; yet black brows, they say,\n Become some women best; so that there be not\n Too much hair there, but in a semicircle\n Or a half-moon made with a pen.",
"SECOND LADY.",
"Who taught't this?",
"MAMILLIUS.",
"I learn'd it out of women's faces.",
"Pray now,\n What colour are your eyebrows?",
"FIRST LADY.",
"Blue, my lord.",
"MAMILLIUS.",
"Nay, that's a mock.",
"I have seen a lady's nose\n That has been blue, but not her eyebrows.",
"FIRST LADY.",
"Hark ye:\n The Queen your mother rounds apace.",
"We shall\n Present our services to a fine new prince\n One of these days; and then you'd wanton with us,\n If we would have you.",
"SECOND LADY.",
"She is spread of late\n Into a goodly bulk.",
"Good time encounter her!",
"HERMIONE.",
"What wisdom stirs amongst you?",
"Come, sir, now\n I am for you again.",
"Pray you sit by us,\n And tell's a tale.",
"MAMILLIUS.",
"Merry or sad shall't be?",
"HERMIONE.",
"As merry as you will.",
"MAMILLIUS.",
"A sad tale's best for winter.",
"I have one\n Of sprites and goblins.",
"HERMIONE.",
"Let's have that, good sir.",
"Come on, sit down; come on, and do your best\n To fright me with your sprites; you're pow'rfull at it.",
"MAMILLIUS.",
"There was a man-\n HERMIONE.",
"Nay, come, sit down; then on.",
"MAMILLIUS.",
"Dwelt by a churchyard- I will tell it softly;\n Yond crickets shall not hear it.",
"HERMIONE.",
"Come on then,\n And give't me in mine ear.",
"Enter LEONTES, ANTIGONUS, LORDS, and OTHERS\n\n LEONTES.",
"he met there?",
"his train?",
"Camillo with him?",
"FIRST LORD.",
"Behind the tuft of pines I met them; never\n Saw I men scour so on their way.",
"I ey'd them\n Even to their ships.",
"LEONTES.",
"How blest am I\n In my just censure, in my true opinion!",
"Alack, for lesser knowledge!",
"How accurs'd\n In being so blest!",
"There may be in the cup\n A spider steep'd, and one may drink, depart,\n And yet partake no venom, for his knowledge\n Is not infected; but if one present\n Th' abhorr'd ingredient to his eye, make known\n How he hath drunk, he cracks his gorge, his sides,\n With violent hefts.",
"I have drunk, and seen the spider.",
"Camillo was his help in this, his pander.",
"There is a plot against my life, my crown;\n All's true that is mistrusted.",
"That false villain\n Whom I employ'd was pre-employ'd by him;\n He has discover'd my design, and I\n Remain a pinch'd thing; yea, a very trick\n For them to play at will.",
"How came the posterns\n So easily open?",
"FIRST LORD.",
"By his great authority;\n Which often hath no less prevail'd than so\n On your command.",
"LEONTES.",
"I know't too well.",
"Give me the boy.",
"I am glad you did not nurse him;\n Though he does bear some signs of me, yet you\n Have too much blood in him.",
"HERMIONE.",
"What is this?",
"Sport?",
"LEONTES.",
"Bear the boy hence; he shall not come about her;\n Away with him; and let her sport herself\n [MAMILLIUS is led out]\n With that she's big with- for 'tis Polixenes\n Has made thee swell thus.",
"HERMIONE.",
"But I'd say he had not,\n And I'll be sworn you would believe my saying,\n Howe'er you lean to th' nayward.",
"LEONTES.",
"You, my lords,\n Look on her, mark her well; be but about\n To say 'She is a goodly lady' and\n The justice of your hearts will thereto ad\n 'Tis pity she's not honest- honourable.'",
"Praise her but for this her without-door form,\n Which on my faith deserves high speech, and straight\n The shrug, the hum or ha, these petty brands\n That calumny doth use- O, I am out!-\n That mercy does, for calumny will sear\n Virtue itself- these shrugs, these hum's and ha's,\n When you have said she's goodly, come between,\n Ere you can say she's honest.",
"But be't known,\n From him that has most cause to grieve it should be,\n She's an adultress.",
"HERMIONE.",
"Should a villain say so,\n The most replenish'd villain in the world,\n He were as much more villain: you, my lord,\n Do but mistake.",
"LEONTES.",
"You have mistook, my lady,\n Polixenes for Leontes.",
"O thou thing!",
"Which I'll not call a creature of thy place,\n Lest barbarism, making me the precedent,\n Should a like language use to all degrees\n And mannerly distinguishment leave out\n Betwixt the prince and beggar.",
"I have said\n She's an adultress; I have said with whom.",
"More, she's a traitor; and Camillo is\n A federary with her, and one that knows\n What she should shame to know herself\n But with her most vile principal- that she's\n A bed-swerver, even as bad as those\n That vulgars give bold'st titles; ay, and privy\n To this their late escape.",
"HERMIONE.",
"No, by my life,\n Privy to none of this.",
"How will this grieve you,\n When you shall come to clearer knowledge, that\n You thus have publish'd me!",
"Gentle my lord,\n You scarce can right me throughly then to say\n You did mistake.",
"LEONTES.",
"No; if I mistake\n In those foundations which I build upon,\n The centre is not big enough to bear\n A school-boy's top.",
"Away with her to prison.",
"He who shall speak for her is afar off guilty\n But that he speaks.",
"HERMIONE.",
"There's some ill planet reigns.",
"I must be patient till the heavens look\n With an aspect more favourable.",
"Good my lords,\n I am not prone to weeping, as our sex\n Commonly are- the want of which vain dew\n Perchance shall dry your pities- but I have\n That honourable grief lodg'd here which burns\n Worse than tears drown.",
"Beseech you all, my lords,\n With thoughts so qualified as your charities\n Shall best instruct you, measure me; and so\n The King's will be perform'd!",
"LEONTES.",
"[To the GUARD] Shall I be heard?",
"HERMIONE.",
"Who is't that goes with me?",
"Beseech your highness\n My women may be with me, for you see\n My plight requires it.",
"Do not weep, good fools;\n There is no cause; when you shall know your mistress\n Has deserv'd prison, then abound in tears\n As I come out: this action I now go on\n Is for my better grace.",
"Adieu, my lord.",
"I never wish'd to see you sorry; now\n I trust I shall.",
"My women, come; you have leave.",
"LEONTES.",
"Go, do our bidding; hence!",
"Exeunt HERMIONE, guarded, and LADIES\n FIRST LORD.",
"Beseech your Highness, call the Queen again.",
"ANTIGONUS.",
"Be certain what you do, sir, lest your justice\n Prove violence, in the which three great ones suffer,\n Yourself, your queen, your son.",
"FIRST LORD.",
"For her, my lord,\n I dare my life lay down- and will do't, sir,\n Please you t' accept it- that the Queen is spotless\n I' th' eyes of heaven and to you- I mean\n In this which you accuse her.",
"ANTIGONUS.",
"If it prove\n She's otherwise, I'll keep my stables where\n I lodge my wife; I'll go in couples with her;\n Than when I feel and see her no farther trust her;\n For every inch of woman in the world,\n Ay, every dram of woman's flesh is false,\n If she be.",
"LEONTES.",
"Hold your peaces.",
"FIRST LORD.",
"Good my lord-\n ANTIGONUS.",
"It is for you we speak, not for ourselves.",
"You are abus'd, and by some putter-on\n That will be damn'd for't.",
"Would I knew the villain!",
"I would land-damn him.",
"Be she honour-flaw'd-\n I have three daughters: the eldest is eleven;\n The second and the third, nine and some five;\n If this prove true, they'll pay for 't.",
"By mine honour,\n I'll geld 'em all; fourteen they shall not see\n To bring false generations.",
"They are co-heirs;\n And I had rather glib myself than they\n Should not produce fair issue.",
"LEONTES.",
"Cease; no more.",
"You smell this business with a sense as cold\n As is a dead man's nose; but I do see't and feel't\n As you feel doing thus; and see withal\n The instruments that feel.",
"ANTIGONUS.",
"If it be so,\n We need no grave to bury honesty;\n There's not a grain of it the face to sweeten\n Of the whole dungy earth.",
"LEONTES.",
"What!",
"Lack I credit?",
"FIRST LORD.",
"I had rather you did lack than I, my lord,\n Upon this ground; and more it would content me\n To have her honour true than your suspicion,\n Be blam'd for't how you might.",
"LEONTES.",
"Why, what need we\n Commune with you of this, but rather follow\n Our forceful instigation?",
"Our prerogative\n Calls not your counsels; but our natural goodness\n Imparts this; which, if you- or stupified\n Or seeming so in skill- cannot or will not\n Relish a truth like us, inform yourselves\n We need no more of your advice.",
"The matter,\n The loss, the gain, the ord'ring on't, is all\n Properly ours.",
"ANTIGONUS.",
"And I wish, my liege,\n You had only in your silent judgment tried it,\n Without more overture.",
"LEONTES.",
"How could that be?",
"Either thou art most ignorant by age,\n Or thou wert born a fool.",
"Camillo's flight,\n Added to their familiarity-\n Which was as gross as ever touch'd conjecture,\n That lack'd sight only, nought for approbation\n But only seeing, all other circumstances\n Made up to th' deed- doth push on this proceeding.",
"Yet, for a greater confirmation-\n For, in an act of this importance, 'twere\n Most piteous to be wild- I have dispatch'd in post\n To sacred Delphos, to Apollo's temple,\n Cleomenes and Dion, whom you know\n Of stuff'd sufficiency.",
"Now, from the oracle\n They will bring all, whose spiritual counsel had,\n Shall stop or spur me.",
"Have I done well?",
"FIRST LORD.",
"Well done, my lord.",
"LEONTES.",
"Though I am satisfied, and need no more\n Than what I know, yet shall the oracle\n Give rest to th' minds of others such as he\n Whose ignorant credulity will not\n Come up to th' truth.",
"So have we thought it good\n From our free person she should be confin'd,\n Lest that the treachery of the two fled hence\n Be left her to perform.",
"Come, follow us;\n We are to speak in public; for this business\n Will raise us all.",
"ANTIGONUS.",
"[Aside] To laughter, as I take it,\n If the good truth were known.",
"Exeunt"
] | [
"Blue, my lord.",
"Hark ye:\n The Queen your mother rounds apace.",
"What wisdom stirs amongst you?",
"MAMILLIUS.",
"How blest am I\n In my just censure, in my true opinion!",
"Alack, for lesser knowledge!",
"By his great authority;\n Which often hath no less prevail'd than so\n On your command.",
"HERMIONE.",
"And I wish, my liege,\n You had only in your silent judgment tried it,\n Without more overture.",
"Though I am satisfied, and need no more\n Than what I know, yet shall the oracle\n Give rest to th' minds of others such as he\n Whose ignorant credulity will not\n Come up to th' truth."
] | [
"FIRST LADY.",
"I had rather you did lack than I, my lord,\n Upon this ground; and more it would content me\n To have her honour true than your suspicion,\n Be blam'd for't how you might.",
"No; if I mistake\n In those foundations which I build upon,\n The centre is not big enough to bear\n A school-boy's top.",
"Nay, come, sit down; then on.",
"LEONTES.",
"MAMILLIUS.",
"Bear the boy hence; he shall not come about her;\n Away with him; and let her sport herself\n [MAMILLIUS is led out]\n With that she's big with- for 'tis Polixenes\n Has made thee swell thus.",
"Take the boy to you; he so troubles me,\n 'Tis past enduring.",
"They are co-heirs;\n And I had rather glib myself than they\n Should not produce fair issue.",
"he met there?"
] | [
"Bear the boy hence; he shall not come about her;\n Away with him; and let her sport herself\n [MAMILLIUS is led out]\n With that she's big with- for 'tis Polixenes\n Has made thee swell thus.",
"HERMIONE.",
"But I'd say he had not,\n And I'll be sworn you would believe my saying,\n Howe'er you lean to th' nayward.",
"LEONTES.",
"You, my lords,\n Look on her, mark her well; be but about\n To say 'She is a goodly lady' and\n The justice of your hearts will thereto ad\n 'Tis pity she's not honest- honourable.'",
"Praise her but for this her without-door form,\n Which on my faith deserves high speech, and straight\n The shrug, the hum or ha, these petty brands\n That calumny doth use- O, I am out!-\n That mercy does, for calumny will sear\n Virtue itself- these shrugs, these hum's and ha's,\n When you have said she's goodly, come between,\n Ere you can say she's honest.",
"But be't known,\n From him that has most cause to grieve it should be,\n She's an adultress.",
"HERMIONE.",
"Should a villain say so,\n The most replenish'd villain in the world,\n He were as much more villain: you, my lord,\n Do but mistake.",
"LEONTES.",
"You have mistook, my lady,\n Polixenes for Leontes."
] | [
"Sicilia.",
"The palace of LEONTES\n\nEnter HERMIONE, MAMILLIUS, and LADIES\n\n HERMIONE.",
"Take the boy to you; he so troubles me,\n 'Tis past enduring.",
"FIRST LADY.",
"Come, my gracious lord,\n Shall I be your playfellow?",
"MAMILLIUS.",
"No, I'll none of you.",
"FIRST LADY.",
"Why, my sweet lord?",
"MAMILLIUS.",
"Have I done well?",
"FIRST LORD.",
"Well done, my lord.",
"LEONTES.",
"Though I am satisfied, and need no more\n Than what I know, yet shall the oracle\n Give rest to th' minds of others such as he\n Whose ignorant credulity will not\n Come up to th' truth.",
"So have we thought it good\n From our free person she should be confin'd,\n Lest that the treachery of the two fled hence\n Be left her to perform.",
"Come, follow us;\n We are to speak in public; for this business\n Will raise us all.",
"ANTIGONUS.",
"[Aside] To laughter, as I take it,\n If the good truth were known.",
"Exeunt"
] | d OTHERS
LEONTES.
he met there?
his train?
Camillo with him?
FIRST LORD.
Behind the tuft of pines I met them; never
Saw I men scour so on their way.
I ey'd them
Even to their ships.
LEONTES.
How blest am I
In my just censure, in my true opinion!
Alack, for lesser knowledge!
How accurs'd
In being so blest!
There may be in the cup
A spider steep'd, and one may drink, depart,
And yet partake no venom, for his knowledge
Is not infected; but if one present
Th' abhorr'd ingredient to his eye, make known
How he hath drunk, he cracks his gorge, his sides,
With violent hefts.
I have drunk, and seen the spider.
Camillo was his help in this, his pander.
There is a plot against my life, my crown;
All's true that is mistrusted.
That false villain
Whom I employ'd was pre-employ'd by him;
He has discover'd my design, and I
Remain a pinch'd thing; yea, a very trick
For them to play at will.
How came the posterns
So easily open?
FIRST L | Sicilia.
The palace of LEONTES
Enter HERMIONE, MAMILLIUS, and LADIES
HERMIONE.
Take the boy to you; he so troubles me,
'Tis past enduring.
FIRST LADY.
Come, my gracious lord,
Shall I be your playfellow?
MAMILLIUS.
No, I'll none of you.
FIRST LADY.
Why, my sweet lord?
MAMILLIUS.
You'll kiss me hard, and speak to me as if
I were a baby still.
I love you better.
SECOND LADY.
And why so, my lord?
MAMILLIUS.
Not for because
Your brows are blacker; yet black brows, they say,
Be d need no more
Than what I know, yet shall the oracle
Give rest to th' minds of others such as he
Whose ignorant credulity will not
Come up to th' truth.
So have we thought it good
From our free person she should be confin'd,
Lest that the treachery of the two fled hence
Be left her to perform.
Come, follow us;
We are to speak in public; for this business
Will raise us all.
ANTIGONUS.
[Aside] To laughter, as I take it,
If the good truth were known.
Exeunt | ince and beggar.
I have said
She's an adultress; I have said with whom.
More, she's a traitor; and Camillo is
A federary with her, and one that knows
What she should shame to know herself
But with her most vile principal- that she's
A bed-swerver, even as bad as those
That vulgars give bold'st titles; ay, and privy
To this their late escape.
HERMIONE.
No, by my life,
Privy to none of this.
How will this grieve you,
When you shall come to clearer knowledge, that
You thus have publish'd me!
Gentle my lord,
You scarce can right me throughly then to say
You did mistake.
LEONTES.
No; if I mistake
In those foundations which I build upon,
The centre is not big enough to bear
A school-boy's top.
Away with her to prison.
He who shall speak for her is afar off guilty
But that he speaks.
HERMIONE.
There's some ill planet reigns.
I must be patient till the heavens look
With an aspect more favourable.
Good my lords,
I am not pro |
1,134 | false | cliffnotes | all_chapterized_books/1134-chapters/4.txt | finished_summaries/cliffnotes/The Winter's Tale/section_3_part_0.txt | The Winter's Tale.act 2.scene 2 | scene 2 | null | {"name": "Scene 2", "url": "https://web.archive.org/web/20201130173005/https://www.cliffsnotes.com/literature/w/the-winters-tale/summary-and-analysis/act-ii-scene-2", "summary": "Paulina and her attendants appear at the prison to request a visit with Hermione. The gaoler replies that he has orders not to allow visitors. Paulina then requests a chance to speak to one of the queen's ladies, Emilia if possible. The gaoler agrees to bring Emilia to Paulina if she dismisses her attendants, and if he himself can attend the conference. Paulina cooperates, but she expresses in asides the building fury that she feels about her good queen's imprisonment. Emilia reports that Hermione is doing as well as one \"so great and so forlorn\" might expect in her situation. Blaming the fears and sadnesses that weigh upon the queen, Emilia reports the premature delivery of a daughter. In spite of the \"dangerous unsafe lunes i' the king,\" Paulina decides to show Leontes his infant daughter, and she pledges a blistering advocacy for the queen. If Hermione will trust her with the infant, Paulina feels that the sight of the innocent baby will persuade Leontes to change his attitude toward the queen. Emilia praises Paulina as the most suitable woman to undertake the brave errand. In fact, she says, Hermione had thought of the same plan but had rejected it because she feared that anyone whom she might ask to do so would turn her down. When Emilia exits to ask for the baby, the gaoler tells Paulina that he cannot allow the baby to leave the prison unless he sees a warrant. Paulina convinces him that the baby entered the prison as an innocent in her mother's womb and therefore needs no warrant in order to leave. This argument easily sways the simple gaoler, but Paulina further soothes his fears by pledging to stand between him and any danger from Leontes.", "analysis": "Compared to Hermione's gentle, obedient reaction to Leontes' tyranny, Paulina's rage is graphically gathering as she prepares to confront her king. Obviously she has no intention of using the diplomatic ploys of Camillo or the other advisers; she will voice only her own absolute outrage at the mistreatment of the innocent. Well aware of the \"lunes\" that now control Leontes, Paulina determines that a direct attack of Truth will shake him loose from his insanity. And clearly, Leontes' actions can be called insane for they have destroyed a peaceful court life and a happy family life. The scene is focused on Hermione's hard and unjust imprisonment and Paulina's resulting rebellion: \"Here's ado,/ To lock up honesty and honor from/ The access of gentle visitors.\" Paulina must claw her way into a position to argue the queen's case. She is not only a singular volunteer, but she is the most qualified person to do so, according to Emilia: \"There is no lady living/ So meet for this great errand.\" Paulina believes that she knows what Leontes really wants, and what truly motivates him. She believes that he wants to love his wife and child, but needs a new cause to do so. She is correct, but only after many tragedies and many years will this be proven. At present, Paulina chooses her own dangerous, unswerving course."} | Sicilia. A prison
Enter PAULINA, a GENTLEMAN, and ATTENDANTS
PAULINA. The keeper of the prison- call to him;
Let him have knowledge who I am. Exit GENTLEMAN
Good lady!
No court in Europe is too good for thee;
What dost thou then in prison?
Re-enter GENTLEMAN with the GAOLER
Now, good sir,
You know me, do you not?
GAOLER. For a worthy lady,
And one who much I honour.
PAULINA. Pray you, then,
Conduct me to the Queen.
GAOLER. I may not, madam;
To the contrary I have express commandment.
PAULINA. Here's ado, to lock up honesty and honour from
Th' access of gentle visitors! Is't lawful, pray you,
To see her women- any of them? Emilia?
GAOLER. So please you, madam,
To put apart these your attendants,
Shall bring Emilia forth.
PAULINA. I pray now, call her.
Withdraw yourselves. Exeunt ATTENDANTS
GAOLER. And, madam,
I must be present at your conference.
PAULINA. Well, be't so, prithee. Exit GAOLER
Here's such ado to make no stain a stain
As passes colouring.
Re-enter GAOLER, with EMILIA
Dear gentlewoman,
How fares our gracious lady?
EMILIA. As well as one so great and so forlorn
May hold together. On her frights and griefs,
Which never tender lady hath borne greater,
She is, something before her time, deliver'd.
PAULINA. A boy?
EMILIA. A daughter, and a goodly babe,
Lusty, and like to live. The Queen receives
Much comfort in't; says 'My poor prisoner,
I am as innocent as you.'
PAULINA. I dare be sworn.
These dangerous unsafe lunes i' th' King, beshrew them!
He must be told on't, and he shall. The office
Becomes a woman best; I'll take't upon me;
If I prove honey-mouth'd, let my tongue blister,
And never to my red-look'd anger be
The trumpet any more. Pray you, Emilia,
Commend my best obedience to the Queen;
If she dares trust me with her little babe,
I'll show't the King, and undertake to be
Her advocate to th' loud'st. We do not know
How he may soften at the sight o' th' child:
The silence often of pure innocence
Persuades when speaking fails.
EMILIA. Most worthy madam,
Your honour and your goodness is so evident
That your free undertaking cannot miss
A thriving issue; there is no lady living
So meet for this great errand. Please your ladyship
To visit the next room, I'll presently
Acquaint the Queen of your most noble offer
Who but to-day hammer'd of this design,
But durst not tempt a minister of honour,
Lest she should be denied.
PAULINA. Tell her, Emilia,
I'll use that tongue I have; if wit flow from't
As boldness from my bosom, let't not be doubted
I shall do good.
EMILIA. Now be you blest for it!
I'll to the Queen. Please you come something nearer.
GAOLER. Madam, if't please the Queen to send the babe,
I know not what I shall incur to pass it,
Having no warrant.
PAULINA. You need not fear it, sir.
This child was prisoner to the womb, and is
By law and process of great Nature thence
Freed and enfranchis'd- not a party to
The anger of the King, nor guilty of,
If any be, the trespass of the Queen.
GAOLER. I do believe it.
PAULINA. Do not you fear. Upon mine honour, I
Will stand betwixt you and danger. Exeunt
| 856 | Scene 2 | https://web.archive.org/web/20201130173005/https://www.cliffsnotes.com/literature/w/the-winters-tale/summary-and-analysis/act-ii-scene-2 | Paulina and her attendants appear at the prison to request a visit with Hermione. The gaoler replies that he has orders not to allow visitors. Paulina then requests a chance to speak to one of the queen's ladies, Emilia if possible. The gaoler agrees to bring Emilia to Paulina if she dismisses her attendants, and if he himself can attend the conference. Paulina cooperates, but she expresses in asides the building fury that she feels about her good queen's imprisonment. Emilia reports that Hermione is doing as well as one "so great and so forlorn" might expect in her situation. Blaming the fears and sadnesses that weigh upon the queen, Emilia reports the premature delivery of a daughter. In spite of the "dangerous unsafe lunes i' the king," Paulina decides to show Leontes his infant daughter, and she pledges a blistering advocacy for the queen. If Hermione will trust her with the infant, Paulina feels that the sight of the innocent baby will persuade Leontes to change his attitude toward the queen. Emilia praises Paulina as the most suitable woman to undertake the brave errand. In fact, she says, Hermione had thought of the same plan but had rejected it because she feared that anyone whom she might ask to do so would turn her down. When Emilia exits to ask for the baby, the gaoler tells Paulina that he cannot allow the baby to leave the prison unless he sees a warrant. Paulina convinces him that the baby entered the prison as an innocent in her mother's womb and therefore needs no warrant in order to leave. This argument easily sways the simple gaoler, but Paulina further soothes his fears by pledging to stand between him and any danger from Leontes. | Compared to Hermione's gentle, obedient reaction to Leontes' tyranny, Paulina's rage is graphically gathering as she prepares to confront her king. Obviously she has no intention of using the diplomatic ploys of Camillo or the other advisers; she will voice only her own absolute outrage at the mistreatment of the innocent. Well aware of the "lunes" that now control Leontes, Paulina determines that a direct attack of Truth will shake him loose from his insanity. And clearly, Leontes' actions can be called insane for they have destroyed a peaceful court life and a happy family life. The scene is focused on Hermione's hard and unjust imprisonment and Paulina's resulting rebellion: "Here's ado,/ To lock up honesty and honor from/ The access of gentle visitors." Paulina must claw her way into a position to argue the queen's case. She is not only a singular volunteer, but she is the most qualified person to do so, according to Emilia: "There is no lady living/ So meet for this great errand." Paulina believes that she knows what Leontes really wants, and what truly motivates him. She believes that he wants to love his wife and child, but needs a new cause to do so. She is correct, but only after many tragedies and many years will this be proven. At present, Paulina chooses her own dangerous, unswerving course. | 292 | 226 | [
"Sicilia.",
"A prison\n\nEnter PAULINA, a GENTLEMAN, and ATTENDANTS\n\n PAULINA.",
"The keeper of the prison- call to him;\n Let him have knowledge who I am.",
"Exit GENTLEMAN\n Good lady!",
"No court in Europe is too good for thee;\n What dost thou then in prison?",
"Re-enter GENTLEMAN with the GAOLER\n\n Now, good sir,\n You know me, do you not?",
"GAOLER.",
"For a worthy lady,\n And one who much I honour.",
"PAULINA.",
"Pray you, then,\n Conduct me to the Queen.",
"GAOLER.",
"I may not, madam;\n To the contrary I have express commandment.",
"PAULINA.",
"Here's ado, to lock up honesty and honour from\n Th' access of gentle visitors!",
"Is't lawful, pray you,\n To see her women- any of them?",
"Emilia?",
"GAOLER.",
"So please you, madam,\n To put apart these your attendants,\n Shall bring Emilia forth.",
"PAULINA.",
"I pray now, call her.",
"Withdraw yourselves.",
"Exeunt ATTENDANTS\n GAOLER.",
"And, madam,\n I must be present at your conference.",
"PAULINA.",
"Well, be't so, prithee.",
"Exit GAOLER\n Here's such ado to make no stain a stain\n As passes colouring.",
"Re-enter GAOLER, with EMILIA\n\n Dear gentlewoman,\n How fares our gracious lady?",
"EMILIA.",
"As well as one so great and so forlorn\n May hold together.",
"On her frights and griefs,\n Which never tender lady hath borne greater,\n She is, something before her time, deliver'd.",
"PAULINA.",
"A boy?",
"EMILIA.",
"A daughter, and a goodly babe,\n Lusty, and like to live.",
"The Queen receives\n Much comfort in't; says 'My poor prisoner,\n I am as innocent as you.'",
"PAULINA.",
"I dare be sworn.",
"These dangerous unsafe lunes i' th' King, beshrew them!",
"He must be told on't, and he shall.",
"The office\n Becomes a woman best; I'll take't upon me;\n If I prove honey-mouth'd, let my tongue blister,\n And never to my red-look'd anger be\n The trumpet any more.",
"Pray you, Emilia,\n Commend my best obedience to the Queen;\n If she dares trust me with her little babe,\n I'll show't the King, and undertake to be\n Her advocate to th' loud'st.",
"We do not know\n How he may soften at the sight o' th' child:\n The silence often of pure innocence\n Persuades when speaking fails.",
"EMILIA.",
"Most worthy madam,\n Your honour and your goodness is so evident\n That your free undertaking cannot miss\n A thriving issue; there is no lady living\n So meet for this great errand.",
"Please your ladyship\n To visit the next room, I'll presently\n Acquaint the Queen of your most noble offer\n Who but to-day hammer'd of this design,\n But durst not tempt a minister of honour,\n Lest she should be denied.",
"PAULINA.",
"Tell her, Emilia,\n I'll use that tongue I have; if wit flow from't\n As boldness from my bosom, let't not be doubted\n I shall do good.",
"EMILIA.",
"Now be you blest for it!",
"I'll to the Queen.",
"Please you come something nearer.",
"GAOLER.",
"Madam, if't please the Queen to send the babe,\n I know not what I shall incur to pass it,\n Having no warrant.",
"PAULINA.",
"You need not fear it, sir.",
"This child was prisoner to the womb, and is\n By law and process of great Nature thence\n Freed and enfranchis'd- not a party to\n The anger of the King, nor guilty of,\n If any be, the trespass of the Queen.",
"GAOLER.",
"I do believe it.",
"PAULINA.",
"Do not you fear.",
"Upon mine honour, I\n Will stand betwixt you and danger.",
"Exeunt"
] | [
"No court in Europe is too good for thee;\n What dost thou then in prison?",
"Re-enter GENTLEMAN with the GAOLER\n\n Now, good sir,\n You know me, do you not?",
"GAOLER.",
"So please you, madam,\n To put apart these your attendants,\n Shall bring Emilia forth.",
"PAULINA.",
"EMILIA.",
"Most worthy madam,\n Your honour and your goodness is so evident\n That your free undertaking cannot miss\n A thriving issue; there is no lady living\n So meet for this great errand.",
"Madam, if't please the Queen to send the babe,\n I know not what I shall incur to pass it,\n Having no warrant.",
"This child was prisoner to the womb, and is\n By law and process of great Nature thence\n Freed and enfranchis'd- not a party to\n The anger of the King, nor guilty of,\n If any be, the trespass of the Queen.",
"Exeunt"
] | [
"Madam, if't please the Queen to send the babe,\n I know not what I shall incur to pass it,\n Having no warrant.",
"This child was prisoner to the womb, and is\n By law and process of great Nature thence\n Freed and enfranchis'd- not a party to\n The anger of the King, nor guilty of,\n If any be, the trespass of the Queen.",
"GAOLER.",
"Exeunt",
"Most worthy madam,\n Your honour and your goodness is so evident\n That your free undertaking cannot miss\n A thriving issue; there is no lady living\n So meet for this great errand.",
"PAULINA.",
"GAOLER.",
"Is't lawful, pray you,\n To see her women- any of them?",
"You need not fear it, sir.",
"A prison\n\nEnter PAULINA, a GENTLEMAN, and ATTENDANTS\n\n PAULINA."
] | [
"Re-enter GAOLER, with EMILIA\n\n Dear gentlewoman,\n How fares our gracious lady?",
"EMILIA.",
"As well as one so great and so forlorn\n May hold together.",
"On her frights and griefs,\n Which never tender lady hath borne greater,\n She is, something before her time, deliver'd.",
"PAULINA.",
"A boy?",
"EMILIA.",
"A daughter, and a goodly babe,\n Lusty, and like to live.",
"The Queen receives\n Much comfort in't; says 'My poor prisoner,\n I am as innocent as you.'",
"PAULINA.",
"I dare be sworn."
] | [
"Sicilia.",
"A prison\n\nEnter PAULINA, a GENTLEMAN, and ATTENDANTS\n\n PAULINA.",
"The keeper of the prison- call to him;\n Let him have knowledge who I am.",
"Exit GENTLEMAN\n Good lady!",
"No court in Europe is too good for thee;\n What dost thou then in prison?",
"Re-enter GENTLEMAN with the GAOLER\n\n Now, good sir,\n You know me, do you not?",
"GAOLER.",
"For a worthy lady,\n And one who much I honour.",
"PAULINA.",
"Pray you, then,\n Conduct me to the Queen.",
"Madam, if't please the Queen to send the babe,\n I know not what I shall incur to pass it,\n Having no warrant.",
"PAULINA.",
"You need not fear it, sir.",
"This child was prisoner to the womb, and is\n By law and process of great Nature thence\n Freed and enfranchis'd- not a party to\n The anger of the King, nor guilty of,\n If any be, the trespass of the Queen.",
"GAOLER.",
"I do believe it.",
"PAULINA.",
"Do not you fear.",
"Upon mine honour, I\n Will stand betwixt you and danger.",
"Exeunt"
] | ER.
I may not, madam;
To the contrary I have express commandment.
PAULINA.
Here's ado, to lock up honesty and honour from
Th' access of gentle visitors!
Is't lawful, pray you,
To see her women- any of them?
Emilia?
GAOLER.
So please you, madam,
To put apart these your attendants,
Shall bring Emilia forth.
PAULINA.
I pray now, call her.
Withdraw yourselves.
Exeunt ATTENDANTS
GAOLER.
And, madam,
I must be present at your conference.
PAULINA.
Well, be't so, prithee.
Exit GAOLER
Here's such ado to make no stain a stain
As passes colouring.
Re-enter GAOLER, with EMILIA
Dear gentlewoman,
How fares our gracious lady?
EMILIA.
As well as one so great and so forlorn
May hold together.
On her frights and griefs,
Which never tender lady hath borne greater,
She is, something before her time, deliver'd.
PAULINA.
A boy?
EMILIA.
A daughter, and a goodly babe,
Lusty, and like to live.
The Queen receives
Much comfort in't; says 'My poor pris | Sicilia.
A prison
Enter PAULINA, a GENTLEMAN, and ATTENDANTS
PAULINA.
The keeper of the prison- call to him;
Let him have knowledge who I am.
Exit GENTLEMAN
Good lady!
No court in Europe is too good for thee;
What dost thou then in prison?
Re-enter GENTLEMAN with the GAOLER
Now, good sir,
You know me, do you not?
GAOLER.
For a worthy lady,
And one who much I honour.
PAULINA.
Pray you, then,
Conduct me to the Queen.
GAOLER.
I may not, madam;
To the contrary I earer.
GAOLER.
Madam, if't please the Queen to send the babe,
I know not what I shall incur to pass it,
Having no warrant.
PAULINA.
You need not fear it, sir.
This child was prisoner to the womb, and is
By law and process of great Nature thence
Freed and enfranchis'd- not a party to
The anger of the King, nor guilty of,
If any be, the trespass of the Queen.
GAOLER.
I do believe it.
PAULINA.
Do not you fear.
Upon mine honour, I
Will stand betwixt you and danger.
Exeunt | so great and so forlorn
May hold together.
On her frights and griefs,
Which never tender lady hath borne greater,
She is, something before her time, deliver'd.
PAULINA.
A boy?
EMILIA.
A daughter, and a goodly babe,
Lusty, and like to live.
The Queen receives
Much comfort in't; says 'My poor prisoner,
I am as innocent as you.'
PAULINA.
I dare be sworn.
These dangerous unsafe lunes i' th' King, beshrew them!
He must be told on't, and he shall.
The office
Becomes a woman best; I'll take't upon me;
If I prove honey-mouth'd, let my tongue blister,
And never to my red-look'd anger be
The trumpet any more.
Pray you, Emilia,
Commend my best obedience to the Queen;
If she dares trust me with her little babe,
I'll show't the King, and undertake to be
Her advocate to th' loud'st.
We do not know
How he may soften at the sight o' th' child:
The silence often of pure innocence
Persuades when speaking fails.
EMILIA.
Most worthy madam |
1,134 | false | cliffnotes | all_chapterized_books/1134-chapters/5.txt | finished_summaries/cliffnotes/The Winter's Tale/section_4_part_0.txt | The Winter's Tale.act 2.scene 3 | scene 3 | null | {"name": "Scene 3", "url": "https://web.archive.org/web/20201130173005/https://www.cliffsnotes.com/literature/w/the-winters-tale/summary-and-analysis/act-ii-scene-3", "summary": "Leontes enters with a group of lords and servants -- captives, really, who must listen to his ravings. He complains, first, that his inability to punish the traitors is causing him to suffer from insomnia. The \"harlot king\" -- Polixenes -- is out of reach, but at least Hermione is under control; now, if he could permanently free himself of her threat, he says, he believes that he might at least rest a little. He considers burning his wife. When a servant reports that Mamillius may be finally recovering from his illness, Leontes says that the boy's problem is guilt about his mother's dishonor. The king then sends the servant to check on the prince and begins to rage about the power and the distance which make it impossible to revenge himself upon Polixenes and Camillo. He imagines at this moment that they are probably laughing at him. At this moment, however, Paulina enters with the baby. When warned that the king has not slept and should not be approached, Paulina argues for the queen and for the truth that shall set the king free. Leontes suddenly explodes at Antigonus for not controlling his wife. Paulina retorts that Antigonus can control her dishonesty, but not her honesty. Paulina pronounces herself a physician and a \"counsellor.\" She champions Leontes' \"good queen\" and presents him with his baby. Leontes reacts with a tantrum. He orders Paulina and \"the bastard\" removed. No one obeys, and so Leontes denounces all in the room as \"traitors.\" Antigonus and Paulina both object to the charge. Paulina retorts that Leontes is cursed by his own slanders. Again, Leontes ridicules Antigonus as being henpecked. He then orders the baby and Hermione to be thrown into a fire. Paulina calls upon all present to mark the baby's resemblance to Leontes. In a frenzy, the king calls for Antigonus to be hanged because he cannot control his wife's speech. Antigonus replies that nearly all the husbands in the kingdom would have to die -- if that is the punishment for a man who cannot control his wife. Leontes then threatens to burn Paulina. She retorts: \"I care not;/ It is an heretic that makes the fire) Not she which burns in't.\" Careful to state that she is not accusing Leontes of being a tyrant, Paulina berates him for his \"cruel usage of your queen,/ Not able to produce more accusation/ Than your own weak-hinged fancy\"; she says that he is \"ignoble\" and \"scandalous to the world.\" Leontes orders Paulina to be taken out of the chamber, then he defends his reputation by claiming that if he were a tyrant he would have killed her. As she is pushed from the chamber, Paulina gives the baby to Leontes and tells everyone that humoring Leontes only makes his madness worse. Freed from Paulina's attacks at last, Leontes penalizes Antigonus for not controlling his wife by ordering him to burn the baby within the hour, or Antigonus and all his family will die. Should Antigonus refuse, Leontes promises to \"dash out\" the brains of the baby. Antigonus and all the lords swear that Antigonus did not send Paulina to attack Leontes. The king, however, declares them all liars. The lords kneel and beg Leontes to repay their past loyal service by refusing to carry through his terrible plan. At first, Leontes contends that it will be better to burn the baby than to later resent her. But he gives Antigonus a chance to offer something in exchange for the baby's life. Antigonus offers anything \"that my ability may undergo/ And nobleness impose.\" He even offers what \"little blood\" he has \"to save the innocent.\" Leontes presents a sword on which Antigonus is to swear that he will do anything ordered. Antigonus does so. Telling Antigonus to listen carefully because failure at any point will forfeit his own life and Paulina's, Leontes orders the old man to carry \"the female bastard\" to a remote place far from Sicilia where the baby must be abandoned. This action will leave the baby's life to Fate and circumstance. Antigonus promises to do the king's bidding although instant death might be more merciful, he says. As he picks the baby up, he calls for \"some powerful spirit\" to instruct wild birds and beasts to nurse her and to bless this tiny innocent who is used so cruelly. As soon as Antigonus exits with the baby, Leontes mutters, \"No, I'll not rear/ Another's issue.\" A messenger announces the return of Cleomenes and Dion from the oracle at Delphos. All are amazed at the brevity of the twenty-three-day round trip. Leontes takes this as a sign that the oracle's message will support the truth that only he has deduced. He confidently orders the lords to prepare a \"just and open trial\" for Hermione during which the \"truth\" of his public accusations will be verified.", "analysis": "Conflict never abates in this scene. Tensions build as everyone on stage contributes to the many attempts to resolve the complications. Leontes, however, continues to speak for illusion, while all the others speak for reality. Leontes, the only character blinded by illusion, wants to throw Hermione, Paulina, and the baby into a cleansing fire. Already desperate from lack of sleep and absence of resolution, he cannot tolerate what is thrust at him by Paulina. In desperation, he orders her hauled from the chambers. That leaves only the baby to punish. He cruelly orders that the baby must be abandoned in a desolate spot where Fate may decide whether or not she lives or dies. These compromises on the lives of Paulina and the baby weaken the illusion that Leontes craves, so he looks forward to the proof that he believes will be contained in the oracle's message. Paulina characterizes herself as a physician and counselor, one who has come to heal the torments caused by Leontes' illusions. She urges the king's advisers to realize that their tolerance of his moods only exacerbates the problem. Leontes, of course, finds Paulina intolerable. She increases his frenzy, and she cures nothing. However, she does prove that her brave confrontations with truth at least can curb the king's tyranny, for he cannot exercise his cruel orders until Paulina is removed from the scene. Unfortunately for the king's family and his subjects, none of the lords follow her example. They continue to appeal to a reasoning power that no longer operates within him. In a final attempt to resolve Leontes' mad conflict, they kneel and beg for him to reward their past faithful service by sparing the life of the baby. Antigonus desperately promises to do anything to spare the baby's life. Their begging, however, inspires only more tyranny. All the focus on the baby, however, does cause Leontes to change his order about her fate, but he does not really alter his cruel tyranny, and he manages to punish Antigonus for supporting his brave and loyal wife, as well as conceiving a cruel death for the innocent baby. At this point, Leontes seems hopelessly desperate. He is insanely irrational; he wants revenge because he needs control. Instead of gaining control, however, every step he takes increases his own frenzy and diminishes all chances for help. Only by accepting reality, including his own contributions to the events, can Leontes regain emotional control of himself and his court. Although the honesty of Camillo, Hermione, and Paulina prevent total mad tyranny, Leontes' frenzy increases. Leontes' \"nature\" can no longer tolerate any limits. He trusts no judgment but his own; thus, he blurts out: \"You're liars all.\" The Elizabethan notion of the Order of the Universe that Leontes should be absolutely duty-bound to imitate has disintegrated before his mad illusions. Only the oracle's message offers hope for resolution of the conflict."} | Sicilia. The palace of LEONTES
Enter LEONTES, ANTIGONUS, LORDS, and SERVANTS
LEONTES. Nor night nor day no rest! It is but weakness
To bear the matter thus- mere weakness. If
The cause were not in being- part o' th' cause,
She, th' adultress; for the harlot king
Is quite beyond mine arm, out of the blank
And level of my brain, plot-proof; but she
I can hook to me- say that she were gone,
Given to the fire, a moiety of my rest
Might come to me again. Who's there?
FIRST SERVANT. My lord?
LEONTES. How does the boy?
FIRST SERVANT. He took good rest to-night;
'Tis hop'd his sickness is discharg'd.
LEONTES. To see his nobleness!
Conceiving the dishonour of his mother,
He straight declin'd, droop'd, took it deeply,
Fasten'd and fix'd the shame on't in himself,
Threw off his spirit, his appetite, his sleep,
And downright languish'd. Leave me solely. Go,
See how he fares. [Exit SERVANT] Fie, fie! no thought of
him!
The very thought of my revenges that way
Recoil upon me- in himself too mighty,
And in his parties, his alliance. Let him be,
Until a time may serve; for present vengeance,
Take it on her. Camillo and Polixenes
Laugh at me, make their pastime at my sorrow.
They should not laugh if I could reach them; nor
Shall she, within my pow'r.
Enter PAULINA, with a CHILD
FIRST LORD. You must not enter.
PAULINA. Nay, rather, good my lords, be second to me.
Fear you his tyrannous passion more, alas,
Than the Queen's life? A gracious innocent soul,
More free than he is jealous.
ANTIGONUS. That's enough.
SECOND SERVANT. Madam, he hath not slept to-night; commanded
None should come at him.
PAULINA. Not so hot, good sir;
I come to bring him sleep. 'Tis such as you,
That creep like shadows by him, and do sigh
At each his needless heavings- such as you
Nourish the cause of his awaking: I
Do come with words as medicinal as true,
Honest as either, to purge him of that humour
That presses him from sleep.
LEONTES. What noise there, ho?
PAULINA. No noise, my lord; but needful conference
About some gossips for your Highness.
LEONTES. How!
Away with that audacious lady! Antigonus,
I charg'd thee that she should not come about me;
I knew she would.
ANTIGONUS. I told her so, my lord,
On your displeasure's peril, and on mine,
She should not visit you.
LEONTES. What, canst not rule her?
PAULINA. From all dishonesty he can: in this,
Unless he take the course that you have done-
Commit me for committing honour- trust it,
He shall not rule me.
ANTIGONUS. La you now, you hear!
When she will take the rein, I let her run;
But she'll not stumble.
PAULINA. Good my liege, I come-
And I beseech you hear me, who professes
Myself your loyal servant, your physician,
Your most obedient counsellor; yet that dares
Less appear so, in comforting your evils,
Than such as most seem yours- I say I come
From your good Queen.
LEONTES. Good Queen!
PAULINA. Good Queen, my lord, good Queen- I say good Queen;
And would by combat make her good, so were I
A man, the worst about you.
LEONTES. Force her hence.
PAULINA. Let him that makes but trifles of his eyes
First hand me. On mine own accord I'll off;
But first I'll do my errand. The good Queen,
For she is good, hath brought you forth a daughter;
Here 'tis; commends it to your blessing.
[Laying down the child]
LEONTES. Out!
A mankind witch! Hence with her, out o' door!
A most intelligencing bawd!
PAULINA. Not so.
I am as ignorant in that as you
In so entitling me; and no less honest
Than you are mad; which is enough, I'll warrant,
As this world goes, to pass for honest.
LEONTES. Traitors!
Will you not push her out? Give her the bastard.
[To ANTIGONUS] Thou dotard, thou art woman-tir'd, unroosted
By thy Dame Partlet here. Take up the bastard;
Take't up, I say; give't to thy crone.
PAULINA. For ever
Unvenerable be thy hands, if thou
Tak'st up the Princess by that forced baseness
Which he has put upon't!
LEONTES. He dreads his wife.
PAULINA. So I would you did; then 'twere past all doubt
You'd call your children yours.
LEONTES. A nest of traitors!
ANTIGONUS. I am none, by this good light.
PAULINA. Nor I; nor any
But one that's here; and that's himself; for he
The sacred honour of himself, his Queen's,
His hopeful son's, his babe's, betrays to slander,
Whose sting is sharper than the sword's; and will not-
For, as the case now stands, it is a curse
He cannot be compell'd to 't- once remove
The root of his opinion, which is rotten
As ever oak or stone was sound.
LEONTES. A callat
Of boundless tongue, who late hath beat her husband,
And now baits me! This brat is none of mine;
It is the issue of Polixenes.
Hence with it, and together with the dam
Commit them to the fire.
PAULINA. It is yours.
And, might we lay th' old proverb to your charge,
So like you 'tis the worse. Behold, my lords,
Although the print be little, the whole matter
And copy of the father- eye, nose, lip,
The trick of's frown, his forehead; nay, the valley,
The pretty dimples of his chin and cheek; his smiles;
The very mould and frame of hand, nail, finger.
And thou, good goddess Nature, which hast made it
So like to him that got it, if thou hast
The ordering of the mind too, 'mongst all colours
No yellow in't, lest she suspect, as he does,
Her children not her husband's!
LEONTES. A gross hag!
And, lozel, thou art worthy to be hang'd
That wilt not stay her tongue.
ANTIGONUS. Hang all the husbands
That cannot do that feat, you'll leave yourself
Hardly one subject.
LEONTES. Once more, take her hence.
PAULINA. A most unworthy and unnatural lord
Can do no more.
LEONTES. I'll ha' thee burnt.
PAULINA. I care not.
It is an heretic that makes the fire,
Not she which burns in't. I'll not call you tyrant
But this most cruel usage of your Queen-
Not able to produce more accusation
Than your own weak-hing'd fancy- something savours
Of tyranny, and will ignoble make you,
Yea, scandalous to the world.
LEONTES. On your allegiance,
Out of the chamber with her! Were I a tyrant,
Where were her life? She durst not call me so,
If she did know me one. Away with her!
PAULINA. I pray you, do not push me; I'll be gone.
Look to your babe, my lord; 'tis yours. Jove send her
A better guiding spirit! What needs these hands?
You that are thus so tender o'er his follies
Will never do him good, not one of you.
So, so. Farewell; we are gone. Exit
LEONTES. Thou, traitor, hast set on thy wife to this.
My child! Away with't. Even thou, that hast
A heart so tender o'er it, take it hence,
And see it instantly consum'd with fire;
Even thou, and none but thou. Take it up straight.
Within this hour bring me word 'tis done,
And by good testimony, or I'll seize thy life,
With that thou else call'st thine. If thou refuse,
And wilt encounter with my wrath, say so;
The bastard brains with these my proper hands
Shall I dash out. Go, take it to the fire;
For thou set'st on thy wife.
ANTIGONUS. I did not, sir.
These lords, my noble fellows, if they please,
Can clear me in't.
LORDS. We can. My royal liege,
He is not guilty of her coming hither.
LEONTES. You're liars all.
FIRST LORD. Beseech your Highness, give us better credit.
We have always truly serv'd you; and beseech
So to esteem of us; and on our knees we beg,
As recompense of our dear services
Past and to come, that you do change this purpose,
Which being so horrible, so bloody, must
Lead on to some foul issue. We all kneel.
LEONTES. I am a feather for each wind that blows.
Shall I live on to see this bastard kneel
And call me father? Better burn it now
Than curse it then. But be it; let it live.
It shall not neither. [To ANTIGONUS] You, Sir, come you
hither.
You that have been so tenderly officious
With Lady Margery, your midwife there,
To save this bastard's life- for 'tis a bastard,
So sure as this beard's grey- what will you adventure
To save this brat's life?
ANTIGONUS. Anything, my lord,
That my ability may undergo,
And nobleness impose. At least, thus much:
I'll pawn the little blood which I have left
To save the innocent- anything possible.
LEONTES. It shall be possible. Swear by this sword
Thou wilt perform my bidding.
ANTIGONUS. I will, my lord.
LEONTES. Mark, and perform it- seest thou? For the fail
Of any point in't shall not only be
Death to thyself, but to thy lewd-tongu'd wife,
Whom for this time we pardon. We enjoin thee,
As thou art liegeman to us, that thou carry
This female bastard hence; and that thou bear it
To some remote and desert place, quite out
Of our dominions; and that there thou leave it,
Without more mercy, to it own protection
And favour of the climate. As by strange fortune
It came to us, I do in justice charge thee,
On thy soul's peril and thy body's torture,
That thou commend it strangely to some place
Where chance may nurse or end it. Take it up.
ANTIGONUS. I swear to do this, though a present death
Had been more merciful. Come on, poor babe.
Some powerful spirit instruct the kites and ravens
To be thy nurses! Wolves and bears, they say,
Casting their savageness aside, have done
Like offices of pity. Sir, be prosperous
In more than this deed does require! And blessing
Against this cruelty fight on thy side,
Poor thing, condemn'd to loss! Exit with the child
LEONTES. No, I'll not rear
Another's issue.
Enter a SERVANT
SERVANT. Please your Highness, posts
From those you sent to th' oracle are come
An hour since. Cleomenes and Dion,
Being well arriv'd from Delphos, are both landed,
Hasting to th' court.
FIRST LORD. So please you, sir, their speed
Hath been beyond account.
LEONTES. Twenty-three days
They have been absent; 'tis good speed; foretells
The great Apollo suddenly will have
The truth of this appear. Prepare you, lords;
Summon a session, that we may arraign
Our most disloyal lady; for, as she hath
Been publicly accus'd, so shall she have
A just and open trial. While she lives,
My heart will be a burden to me. Leave me;
And think upon my bidding. Exeunt
| 2,570 | Scene 3 | https://web.archive.org/web/20201130173005/https://www.cliffsnotes.com/literature/w/the-winters-tale/summary-and-analysis/act-ii-scene-3 | Leontes enters with a group of lords and servants -- captives, really, who must listen to his ravings. He complains, first, that his inability to punish the traitors is causing him to suffer from insomnia. The "harlot king" -- Polixenes -- is out of reach, but at least Hermione is under control; now, if he could permanently free himself of her threat, he says, he believes that he might at least rest a little. He considers burning his wife. When a servant reports that Mamillius may be finally recovering from his illness, Leontes says that the boy's problem is guilt about his mother's dishonor. The king then sends the servant to check on the prince and begins to rage about the power and the distance which make it impossible to revenge himself upon Polixenes and Camillo. He imagines at this moment that they are probably laughing at him. At this moment, however, Paulina enters with the baby. When warned that the king has not slept and should not be approached, Paulina argues for the queen and for the truth that shall set the king free. Leontes suddenly explodes at Antigonus for not controlling his wife. Paulina retorts that Antigonus can control her dishonesty, but not her honesty. Paulina pronounces herself a physician and a "counsellor." She champions Leontes' "good queen" and presents him with his baby. Leontes reacts with a tantrum. He orders Paulina and "the bastard" removed. No one obeys, and so Leontes denounces all in the room as "traitors." Antigonus and Paulina both object to the charge. Paulina retorts that Leontes is cursed by his own slanders. Again, Leontes ridicules Antigonus as being henpecked. He then orders the baby and Hermione to be thrown into a fire. Paulina calls upon all present to mark the baby's resemblance to Leontes. In a frenzy, the king calls for Antigonus to be hanged because he cannot control his wife's speech. Antigonus replies that nearly all the husbands in the kingdom would have to die -- if that is the punishment for a man who cannot control his wife. Leontes then threatens to burn Paulina. She retorts: "I care not;/ It is an heretic that makes the fire) Not she which burns in't." Careful to state that she is not accusing Leontes of being a tyrant, Paulina berates him for his "cruel usage of your queen,/ Not able to produce more accusation/ Than your own weak-hinged fancy"; she says that he is "ignoble" and "scandalous to the world." Leontes orders Paulina to be taken out of the chamber, then he defends his reputation by claiming that if he were a tyrant he would have killed her. As she is pushed from the chamber, Paulina gives the baby to Leontes and tells everyone that humoring Leontes only makes his madness worse. Freed from Paulina's attacks at last, Leontes penalizes Antigonus for not controlling his wife by ordering him to burn the baby within the hour, or Antigonus and all his family will die. Should Antigonus refuse, Leontes promises to "dash out" the brains of the baby. Antigonus and all the lords swear that Antigonus did not send Paulina to attack Leontes. The king, however, declares them all liars. The lords kneel and beg Leontes to repay their past loyal service by refusing to carry through his terrible plan. At first, Leontes contends that it will be better to burn the baby than to later resent her. But he gives Antigonus a chance to offer something in exchange for the baby's life. Antigonus offers anything "that my ability may undergo/ And nobleness impose." He even offers what "little blood" he has "to save the innocent." Leontes presents a sword on which Antigonus is to swear that he will do anything ordered. Antigonus does so. Telling Antigonus to listen carefully because failure at any point will forfeit his own life and Paulina's, Leontes orders the old man to carry "the female bastard" to a remote place far from Sicilia where the baby must be abandoned. This action will leave the baby's life to Fate and circumstance. Antigonus promises to do the king's bidding although instant death might be more merciful, he says. As he picks the baby up, he calls for "some powerful spirit" to instruct wild birds and beasts to nurse her and to bless this tiny innocent who is used so cruelly. As soon as Antigonus exits with the baby, Leontes mutters, "No, I'll not rear/ Another's issue." A messenger announces the return of Cleomenes and Dion from the oracle at Delphos. All are amazed at the brevity of the twenty-three-day round trip. Leontes takes this as a sign that the oracle's message will support the truth that only he has deduced. He confidently orders the lords to prepare a "just and open trial" for Hermione during which the "truth" of his public accusations will be verified. | Conflict never abates in this scene. Tensions build as everyone on stage contributes to the many attempts to resolve the complications. Leontes, however, continues to speak for illusion, while all the others speak for reality. Leontes, the only character blinded by illusion, wants to throw Hermione, Paulina, and the baby into a cleansing fire. Already desperate from lack of sleep and absence of resolution, he cannot tolerate what is thrust at him by Paulina. In desperation, he orders her hauled from the chambers. That leaves only the baby to punish. He cruelly orders that the baby must be abandoned in a desolate spot where Fate may decide whether or not she lives or dies. These compromises on the lives of Paulina and the baby weaken the illusion that Leontes craves, so he looks forward to the proof that he believes will be contained in the oracle's message. Paulina characterizes herself as a physician and counselor, one who has come to heal the torments caused by Leontes' illusions. She urges the king's advisers to realize that their tolerance of his moods only exacerbates the problem. Leontes, of course, finds Paulina intolerable. She increases his frenzy, and she cures nothing. However, she does prove that her brave confrontations with truth at least can curb the king's tyranny, for he cannot exercise his cruel orders until Paulina is removed from the scene. Unfortunately for the king's family and his subjects, none of the lords follow her example. They continue to appeal to a reasoning power that no longer operates within him. In a final attempt to resolve Leontes' mad conflict, they kneel and beg for him to reward their past faithful service by sparing the life of the baby. Antigonus desperately promises to do anything to spare the baby's life. Their begging, however, inspires only more tyranny. All the focus on the baby, however, does cause Leontes to change his order about her fate, but he does not really alter his cruel tyranny, and he manages to punish Antigonus for supporting his brave and loyal wife, as well as conceiving a cruel death for the innocent baby. At this point, Leontes seems hopelessly desperate. He is insanely irrational; he wants revenge because he needs control. Instead of gaining control, however, every step he takes increases his own frenzy and diminishes all chances for help. Only by accepting reality, including his own contributions to the events, can Leontes regain emotional control of himself and his court. Although the honesty of Camillo, Hermione, and Paulina prevent total mad tyranny, Leontes' frenzy increases. Leontes' "nature" can no longer tolerate any limits. He trusts no judgment but his own; thus, he blurts out: "You're liars all." The Elizabethan notion of the Order of the Universe that Leontes should be absolutely duty-bound to imitate has disintegrated before his mad illusions. Only the oracle's message offers hope for resolution of the conflict. | 814 | 483 | [
"Sicilia.",
"The palace of LEONTES\n\nEnter LEONTES, ANTIGONUS, LORDS, and SERVANTS\n\n LEONTES.",
"Nor night nor day no rest!",
"It is but weakness\n To bear the matter thus- mere weakness.",
"If\n The cause were not in being- part o' th' cause,\n She, th' adultress; for the harlot king\n Is quite beyond mine arm, out of the blank\n And level of my brain, plot-proof; but she\n I can hook to me- say that she were gone,\n Given to the fire, a moiety of my rest\n Might come to me again.",
"Who's there?",
"FIRST SERVANT.",
"My lord?",
"LEONTES.",
"How does the boy?",
"FIRST SERVANT.",
"He took good rest to-night;\n 'Tis hop'd his sickness is discharg'd.",
"LEONTES.",
"To see his nobleness!",
"Conceiving the dishonour of his mother,\n He straight declin'd, droop'd, took it deeply,\n Fasten'd and fix'd the shame on't in himself,\n Threw off his spirit, his appetite, his sleep,\n And downright languish'd.",
"Leave me solely.",
"Go,\n See how he fares.",
"[Exit SERVANT] Fie, fie!",
"no thought of\nhim!",
"The very thought of my revenges that way\n Recoil upon me- in himself too mighty,\n And in his parties, his alliance.",
"Let him be,\n Until a time may serve; for present vengeance,\n Take it on her.",
"Camillo and Polixenes\n Laugh at me, make their pastime at my sorrow.",
"They should not laugh if I could reach them; nor\n Shall she, within my pow'r.",
"Enter PAULINA, with a CHILD\n\n FIRST LORD.",
"You must not enter.",
"PAULINA.",
"Nay, rather, good my lords, be second to me.",
"Fear you his tyrannous passion more, alas,\n Than the Queen's life?",
"A gracious innocent soul,\n More free than he is jealous.",
"ANTIGONUS.",
"That's enough.",
"SECOND SERVANT.",
"Madam, he hath not slept to-night; commanded\n None should come at him.",
"PAULINA.",
"Not so hot, good sir;\n I come to bring him sleep.",
"'Tis such as you,\n That creep like shadows by him, and do sigh\n At each his needless heavings- such as you\n Nourish the cause of his awaking: I\n Do come with words as medicinal as true,\n Honest as either, to purge him of that humour\n That presses him from sleep.",
"LEONTES.",
"What noise there, ho?",
"PAULINA.",
"No noise, my lord; but needful conference\n About some gossips for your Highness.",
"LEONTES.",
"How!",
"Away with that audacious lady!",
"Antigonus,\n I charg'd thee that she should not come about me;\n I knew she would.",
"ANTIGONUS.",
"I told her so, my lord,\n On your displeasure's peril, and on mine,\n She should not visit you.",
"LEONTES.",
"What, canst not rule her?",
"PAULINA.",
"From all dishonesty he can: in this,\n Unless he take the course that you have done-\n Commit me for committing honour- trust it,\n He shall not rule me.",
"ANTIGONUS.",
"La you now, you hear!",
"When she will take the rein, I let her run;\n But she'll not stumble.",
"PAULINA.",
"Good my liege, I come-\n And I beseech you hear me, who professes\n Myself your loyal servant, your physician,\n Your most obedient counsellor; yet that dares\n Less appear so, in comforting your evils,\n Than such as most seem yours- I say I come\n From your good Queen.",
"LEONTES.",
"Good Queen!",
"PAULINA.",
"Good Queen, my lord, good Queen- I say good Queen;\n And would by combat make her good, so were I\n A man, the worst about you.",
"LEONTES.",
"Force her hence.",
"PAULINA.",
"Let him that makes but trifles of his eyes\n First hand me.",
"On mine own accord I'll off;\n But first I'll do my errand.",
"The good Queen,\n For she is good, hath brought you forth a daughter;\n Here 'tis; commends it to your blessing.",
"[Laying down the child]\n LEONTES.",
"Out!",
"A mankind witch!",
"Hence with her, out o' door!",
"A most intelligencing bawd!",
"PAULINA.",
"Not so.",
"I am as ignorant in that as you\n In so entitling me; and no less honest\n Than you are mad; which is enough, I'll warrant,\n As this world goes, to pass for honest.",
"LEONTES.",
"Traitors!",
"Will you not push her out?",
"Give her the bastard.",
"[To ANTIGONUS] Thou dotard, thou art woman-tir'd, unroosted\n By thy Dame Partlet here.",
"Take up the bastard;\n Take't up, I say; give't to thy crone.",
"PAULINA.",
"For ever\n Unvenerable be thy hands, if thou\n Tak'st up the Princess by that forced baseness\n Which he has put upon't!",
"LEONTES.",
"He dreads his wife.",
"PAULINA.",
"So I would you did; then 'twere past all doubt\n You'd call your children yours.",
"LEONTES.",
"A nest of traitors!",
"ANTIGONUS.",
"I am none, by this good light.",
"PAULINA.",
"Nor I; nor any\n But one that's here; and that's himself; for he\n The sacred honour of himself, his Queen's,\n His hopeful son's, his babe's, betrays to slander,\n Whose sting is sharper than the sword's; and will not-\n For, as the case now stands, it is a curse\n He cannot be compell'd to 't- once remove\n The root of his opinion, which is rotten\n As ever oak or stone was sound.",
"LEONTES.",
"A callat\n Of boundless tongue, who late hath beat her husband,\n And now baits me!",
"This brat is none of mine;\n It is the issue of Polixenes.",
"Hence with it, and together with the dam\n Commit them to the fire.",
"PAULINA.",
"It is yours.",
"And, might we lay th' old proverb to your charge,\n So like you 'tis the worse.",
"Behold, my lords,\n Although the print be little, the whole matter\n And copy of the father- eye, nose, lip,\n The trick of's frown, his forehead; nay, the valley,\n The pretty dimples of his chin and cheek; his smiles;\n The very mould and frame of hand, nail, finger.",
"And thou, good goddess Nature, which hast made it\n So like to him that got it, if thou hast\n The ordering of the mind too, 'mongst all colours\n No yellow in't, lest she suspect, as he does,\n Her children not her husband's!",
"LEONTES.",
"A gross hag!",
"And, lozel, thou art worthy to be hang'd\n That wilt not stay her tongue.",
"ANTIGONUS.",
"Hang all the husbands\n That cannot do that feat, you'll leave yourself\n Hardly one subject.",
"LEONTES.",
"Once more, take her hence.",
"PAULINA.",
"A most unworthy and unnatural lord\n Can do no more.",
"LEONTES.",
"I'll ha' thee burnt.",
"PAULINA.",
"I care not.",
"It is an heretic that makes the fire,\n Not she which burns in't.",
"I'll not call you tyrant\n But this most cruel usage of your Queen-\n Not able to produce more accusation\n Than your own weak-hing'd fancy- something savours\n Of tyranny, and will ignoble make you,\n Yea, scandalous to the world.",
"LEONTES.",
"On your allegiance,\n Out of the chamber with her!",
"Were I a tyrant,\n Where were her life?",
"She durst not call me so,\n If she did know me one.",
"Away with her!",
"PAULINA.",
"I pray you, do not push me; I'll be gone.",
"Look to your babe, my lord; 'tis yours.",
"Jove send her\n A better guiding spirit!",
"What needs these hands?",
"You that are thus so tender o'er his follies\n Will never do him good, not one of you.",
"So, so.",
"Farewell; we are gone.",
"Exit\n LEONTES.",
"Thou, traitor, hast set on thy wife to this.",
"My child!",
"Away with't.",
"Even thou, that hast\n A heart so tender o'er it, take it hence,\n And see it instantly consum'd with fire;\n Even thou, and none but thou.",
"Take it up straight.",
"Within this hour bring me word 'tis done,\n And by good testimony, or I'll seize thy life,\n With that thou else call'st thine.",
"If thou refuse,\n And wilt encounter with my wrath, say so;\n The bastard brains with these my proper hands\n Shall I dash out.",
"Go, take it to the fire;\n For thou set'st on thy wife.",
"ANTIGONUS.",
"I did not, sir.",
"These lords, my noble fellows, if they please,\n Can clear me in't.",
"LORDS.",
"We can.",
"My royal liege,\n He is not guilty of her coming hither.",
"LEONTES.",
"You're liars all.",
"FIRST LORD.",
"Beseech your Highness, give us better credit.",
"We have always truly serv'd you; and beseech\n So to esteem of us; and on our knees we beg,\n As recompense of our dear services\n Past and to come, that you do change this purpose,\n Which being so horrible, so bloody, must\n Lead on to some foul issue.",
"We all kneel.",
"LEONTES.",
"I am a feather for each wind that blows.",
"Shall I live on to see this bastard kneel\n And call me father?",
"Better burn it now\n Than curse it then.",
"But be it; let it live.",
"It shall not neither.",
"[To ANTIGONUS] You, Sir, come you\nhither.",
"You that have been so tenderly officious\n With Lady Margery, your midwife there,\n To save this bastard's life- for 'tis a bastard,\n So sure as this beard's grey- what will you adventure\n To save this brat's life?",
"ANTIGONUS.",
"Anything, my lord,\n That my ability may undergo,\n And nobleness impose.",
"At least, thus much:\n I'll pawn the little blood which I have left\n To save the innocent- anything possible.",
"LEONTES.",
"It shall be possible.",
"Swear by this sword\n Thou wilt perform my bidding.",
"ANTIGONUS.",
"I will, my lord.",
"LEONTES.",
"Mark, and perform it- seest thou?",
"For the fail\n Of any point in't shall not only be\n Death to thyself, but to thy lewd-tongu'd wife,\n Whom for this time we pardon.",
"We enjoin thee,\n As thou art liegeman to us, that thou carry\n This female bastard hence; and that thou bear it\n To some remote and desert place, quite out\n Of our dominions; and that there thou leave it,\n Without more mercy, to it own protection\n And favour of the climate.",
"As by strange fortune\n It came to us, I do in justice charge thee,\n On thy soul's peril and thy body's torture,\n That thou commend it strangely to some place\n Where chance may nurse or end it.",
"Take it up.",
"ANTIGONUS.",
"I swear to do this, though a present death\n Had been more merciful.",
"Come on, poor babe.",
"Some powerful spirit instruct the kites and ravens\n To be thy nurses!",
"Wolves and bears, they say,\n Casting their savageness aside, have done\n Like offices of pity.",
"Sir, be prosperous\n In more than this deed does require!",
"And blessing\n Against this cruelty fight on thy side,\n Poor thing, condemn'd to loss!",
"Exit with the child\n LEONTES.",
"No, I'll not rear\n Another's issue.",
"Enter a SERVANT\n\n SERVANT.",
"Please your Highness, posts\n From those you sent to th' oracle are come\n An hour since.",
"Cleomenes and Dion,\n Being well arriv'd from Delphos, are both landed,\n Hasting to th' court.",
"FIRST LORD.",
"So please you, sir, their speed\n Hath been beyond account.",
"LEONTES.",
"Twenty-three days\n They have been absent; 'tis good speed; foretells\n The great Apollo suddenly will have\n The truth of this appear.",
"Prepare you, lords;\n Summon a session, that we may arraign\n Our most disloyal lady; for, as she hath\n Been publicly accus'd, so shall she have\n A just and open trial.",
"While she lives,\n My heart will be a burden to me.",
"Leave me;\n And think upon my bidding.",
"Exeunt"
] | [
"That's enough.",
"What noise there, ho?",
"Good Queen!",
"The good Queen,\n For she is good, hath brought you forth a daughter;\n Here 'tis; commends it to your blessing.",
"[Laying down the child]\n LEONTES.",
"ANTIGONUS.",
"PAULINA.",
"Take it up straight.",
"Wolves and bears, they say,\n Casting their savageness aside, have done\n Like offices of pity.",
"While she lives,\n My heart will be a burden to me."
] | [
"Will you not push her out?",
"PAULINA.",
"Hence with it, and together with the dam\n Commit them to the fire.",
"She durst not call me so,\n If she did know me one.",
"No, I'll not rear\n Another's issue.",
"LEONTES.",
"While she lives,\n My heart will be a burden to me.",
"Away with that audacious lady!",
"Conceiving the dishonour of his mother,\n He straight declin'd, droop'd, took it deeply,\n Fasten'd and fix'd the shame on't in himself,\n Threw off his spirit, his appetite, his sleep,\n And downright languish'd.",
"PAULINA."
] | [
"Nor I; nor any\n But one that's here; and that's himself; for he\n The sacred honour of himself, his Queen's,\n His hopeful son's, his babe's, betrays to slander,\n Whose sting is sharper than the sword's; and will not-\n For, as the case now stands, it is a curse\n He cannot be compell'd to 't- once remove\n The root of his opinion, which is rotten\n As ever oak or stone was sound.",
"LEONTES.",
"A callat\n Of boundless tongue, who late hath beat her husband,\n And now baits me!",
"This brat is none of mine;\n It is the issue of Polixenes.",
"Hence with it, and together with the dam\n Commit them to the fire.",
"PAULINA.",
"It is yours.",
"And, might we lay th' old proverb to your charge,\n So like you 'tis the worse.",
"Behold, my lords,\n Although the print be little, the whole matter\n And copy of the father- eye, nose, lip,\n The trick of's frown, his forehead; nay, the valley,\n The pretty dimples of his chin and cheek; his smiles;\n The very mould and frame of hand, nail, finger.",
"And thou, good goddess Nature, which hast made it\n So like to him that got it, if thou hast\n The ordering of the mind too, 'mongst all colours\n No yellow in't, lest she suspect, as he does,\n Her children not her husband's!",
"LEONTES."
] | [
"Sicilia.",
"The palace of LEONTES\n\nEnter LEONTES, ANTIGONUS, LORDS, and SERVANTS\n\n LEONTES.",
"Nor night nor day no rest!",
"It is but weakness\n To bear the matter thus- mere weakness.",
"If\n The cause were not in being- part o' th' cause,\n She, th' adultress; for the harlot king\n Is quite beyond mine arm, out of the blank\n And level of my brain, plot-proof; but she\n I can hook to me- say that she were gone,\n Given to the fire, a moiety of my rest\n Might come to me again.",
"Who's there?",
"FIRST SERVANT.",
"My lord?",
"LEONTES.",
"How does the boy?",
"Please your Highness, posts\n From those you sent to th' oracle are come\n An hour since.",
"Cleomenes and Dion,\n Being well arriv'd from Delphos, are both landed,\n Hasting to th' court.",
"FIRST LORD.",
"So please you, sir, their speed\n Hath been beyond account.",
"LEONTES.",
"Twenty-three days\n They have been absent; 'tis good speed; foretells\n The great Apollo suddenly will have\n The truth of this appear.",
"Prepare you, lords;\n Summon a session, that we may arraign\n Our most disloyal lady; for, as she hath\n Been publicly accus'd, so shall she have\n A just and open trial.",
"While she lives,\n My heart will be a burden to me.",
"Leave me;\n And think upon my bidding.",
"Exeunt"
] | sigh
At each his needless heavings- such as you
Nourish the cause of his awaking: I
Do come with words as medicinal as true,
Honest as either, to purge him of that humour
That presses him from sleep.
LEONTES.
What noise there, ho?
PAULINA.
No noise, my lord; but needful conference
About some gossips for your Highness.
LEONTES.
How!
Away with that audacious lady!
Antigonus,
I charg'd thee that she should not come about me;
I knew she would.
ANTIGONUS.
I told her so, my lord,
On your displeasure's peril, and on mine,
She should not visit you.
LEONTES.
What, canst not rule her?
PAULINA.
From all dishonesty he can: in this,
Unless he take the course that you have done-
Commit me for committing honour- trust it,
He shall not rule me.
ANTIGONUS.
La you now, you hear!
When she will take the rein, I let her run;
But she'll not stumble.
PAULINA.
Good my liege, I come-
And I beseech you hear me, who professes
Myself your loyal serv | Sicilia.
The palace of LEONTES
Enter LEONTES, ANTIGONUS, LORDS, and SERVANTS
LEONTES.
Nor night nor day no rest!
It is but weakness
To bear the matter thus- mere weakness.
If
The cause were not in being- part o' th' cause,
She, th' adultress; for the harlot king
Is quite beyond mine arm, out of the blank
And level of my brain, plot-proof; but she
I can hook to me- say that she were gone,
Given to the fire, a moiety of my rest
Might come to me again.
Who's ther LORD.
So please you, sir, their speed
Hath been beyond account.
LEONTES.
Twenty-three days
They have been absent; 'tis good speed; foretells
The great Apollo suddenly will have
The truth of this appear.
Prepare you, lords;
Summon a session, that we may arraign
Our most disloyal lady; for, as she hath
Been publicly accus'd, so shall she have
A just and open trial.
While she lives,
My heart will be a burden to me.
Leave me;
And think upon my bidding.
Exeunt | ss tongue, who late hath beat her husband,
And now baits me!
This brat is none of mine;
It is the issue of Polixenes.
Hence with it, and together with the dam
Commit them to the fire.
PAULINA.
It is yours.
And, might we lay th' old proverb to your charge,
So like you 'tis the worse.
Behold, my lords,
Although the print be little, the whole matter
And copy of the father- eye, nose, lip,
The trick of's frown, his forehead; nay, the valley,
The pretty dimples of his chin and cheek; his smiles;
The very mould and frame of hand, nail, finger.
And thou, good goddess Nature, which hast made it
So like to him that got it, if thou hast
The ordering of the mind too, 'mongst all colours
No yellow in't, lest she suspect, as he does,
Her children not her husband's!
LEONTES.
A gross hag!
And, lozel, thou art worthy to be hang'd
That wilt not stay her tongue.
ANTIGONUS.
Hang all the husbands
That cannot do that feat, you'll leave yourself
|
1,134 | false | cliffnotes | all_chapterized_books/1134-chapters/6.txt | finished_summaries/cliffnotes/The Winter's Tale/section_5_part_0.txt | The Winter's Tale.act 3.scene 1 | scene 1 | null | {"name": "Scene 1", "url": "https://web.archive.org/web/20201130173005/https://www.cliffsnotes.com/literature/w/the-winters-tale/summary-and-analysis/act-iii-scene-1", "summary": "Walking through the streets of a Sicilian town, Cleomenes and Dion exchange their impressions of the general appearance and, especially, the religious atmosphere that they observed on the \"island of Delphos .\" Cleomenes remembers vividly the thundering voice of the oracle; Dion says that he hopes that the trip will prove as successful for the queen as it has for them. Both messengers are certain that Apollo's divination will clear up all doubts surrounding the accusations against Hermione. The two messengers exit to mount fresh horses in order to speed their delivery of the sealed message.", "analysis": "At first glance, this brief scene seems to serve only as extraneous travelogue. It serves this purpose, but more important, it adds to the dramatic tension as preparations are being made for Hermione's trial. By verifying the \"religious\" authenticity of their visit to Delphos and by anticipating the divine perception of Hermione's innocence, the messengers seem now to bear an unimpeachable testimony against Leontes' tyranny. As was mentioned earlier, the scene also employs the license that is recognizable in the Pastoral Romance genre when Delphos is described as an island."} | Sicilia. On the road to the Capital
Enter CLEOMENES and DION
CLEOMENES. The climate's delicate, the air most sweet,
Fertile the isle, the temple much surpassing
The common praise it bears.
DION. I shall report,
For most it caught me, the celestial habits-
Methinks I so should term them- and the reverence
Of the grave wearers. O, the sacrifice!
How ceremonious, solemn, and unearthly,
It was i' th' off'ring!
CLEOMENES. But of all, the burst
And the ear-deaf'ning voice o' th' oracle,
Kin to Jove's thunder, so surpris'd my sense
That I was nothing.
DION. If th' event o' th' journey
Prove as successful to the Queen- O, be't so!-
As it hath been to us rare, pleasant, speedy,
The time is worth the use on't.
CLEOMENES. Great Apollo
Turn all to th' best! These proclamations,
So forcing faults upon Hermione,
I little like.
DION. The violent carriage of it
Will clear or end the business. When the oracle-
Thus by Apollo's great divine seal'd up-
Shall the contents discover, something rare
Even then will rush to knowledge. Go; fresh horses.
And gracious be the issue! Exeunt
| 282 | Scene 1 | https://web.archive.org/web/20201130173005/https://www.cliffsnotes.com/literature/w/the-winters-tale/summary-and-analysis/act-iii-scene-1 | Walking through the streets of a Sicilian town, Cleomenes and Dion exchange their impressions of the general appearance and, especially, the religious atmosphere that they observed on the "island of Delphos ." Cleomenes remembers vividly the thundering voice of the oracle; Dion says that he hopes that the trip will prove as successful for the queen as it has for them. Both messengers are certain that Apollo's divination will clear up all doubts surrounding the accusations against Hermione. The two messengers exit to mount fresh horses in order to speed their delivery of the sealed message. | At first glance, this brief scene seems to serve only as extraneous travelogue. It serves this purpose, but more important, it adds to the dramatic tension as preparations are being made for Hermione's trial. By verifying the "religious" authenticity of their visit to Delphos and by anticipating the divine perception of Hermione's innocence, the messengers seem now to bear an unimpeachable testimony against Leontes' tyranny. As was mentioned earlier, the scene also employs the license that is recognizable in the Pastoral Romance genre when Delphos is described as an island. | 96 | 90 | [
"Sicilia.",
"On the road to the Capital\n\nEnter CLEOMENES and DION\n\n CLEOMENES.",
"The climate's delicate, the air most sweet,\n Fertile the isle, the temple much surpassing\n The common praise it bears.",
"DION.",
"I shall report,\n For most it caught me, the celestial habits-\n Methinks I so should term them- and the reverence\n Of the grave wearers.",
"O, the sacrifice!",
"How ceremonious, solemn, and unearthly,\n It was i' th' off'ring!",
"CLEOMENES.",
"But of all, the burst\n And the ear-deaf'ning voice o' th' oracle,\n Kin to Jove's thunder, so surpris'd my sense\n That I was nothing.",
"DION.",
"If th' event o' th' journey\n Prove as successful to the Queen- O, be't so!-\n As it hath been to us rare, pleasant, speedy,\n The time is worth the use on't.",
"CLEOMENES.",
"Great Apollo\n Turn all to th' best!",
"These proclamations,\n So forcing faults upon Hermione,\n I little like.",
"DION.",
"The violent carriage of it\n Will clear or end the business.",
"When the oracle-\n Thus by Apollo's great divine seal'd up-\n Shall the contents discover, something rare\n Even then will rush to knowledge.",
"Go; fresh horses.",
"And gracious be the issue!",
"Exeunt"
] | [
"Sicilia.",
"I shall report,\n For most it caught me, the celestial habits-\n Methinks I so should term them- and the reverence\n Of the grave wearers.",
"How ceremonious, solemn, and unearthly,\n It was i' th' off'ring!",
"But of all, the burst\n And the ear-deaf'ning voice o' th' oracle,\n Kin to Jove's thunder, so surpris'd my sense\n That I was nothing.",
"DION.",
"CLEOMENES.",
"DION.",
"The violent carriage of it\n Will clear or end the business.",
"Go; fresh horses.",
"And gracious be the issue!"
] | [
"But of all, the burst\n And the ear-deaf'ning voice o' th' oracle,\n Kin to Jove's thunder, so surpris'd my sense\n That I was nothing.",
"On the road to the Capital\n\nEnter CLEOMENES and DION\n\n CLEOMENES.",
"DION.",
"I shall report,\n For most it caught me, the celestial habits-\n Methinks I so should term them- and the reverence\n Of the grave wearers.",
"O, the sacrifice!",
"The violent carriage of it\n Will clear or end the business.",
"DION.",
"Go; fresh horses.",
"Sicilia.",
"And gracious be the issue!"
] | [
"O, the sacrifice!",
"How ceremonious, solemn, and unearthly,\n It was i' th' off'ring!",
"CLEOMENES.",
"But of all, the burst\n And the ear-deaf'ning voice o' th' oracle,\n Kin to Jove's thunder, so surpris'd my sense\n That I was nothing.",
"DION.",
"If th' event o' th' journey\n Prove as successful to the Queen- O, be't so!-\n As it hath been to us rare, pleasant, speedy,\n The time is worth the use on't.",
"CLEOMENES.",
"Great Apollo\n Turn all to th' best!",
"These proclamations,\n So forcing faults upon Hermione,\n I little like.",
"DION.",
"The violent carriage of it\n Will clear or end the business."
] | [
"Sicilia.",
"On the road to the Capital\n\nEnter CLEOMENES and DION\n\n CLEOMENES.",
"The climate's delicate, the air most sweet,\n Fertile the isle, the temple much surpassing\n The common praise it bears.",
"DION.",
"I shall report,\n For most it caught me, the celestial habits-\n Methinks I so should term them- and the reverence\n Of the grave wearers.",
"O, the sacrifice!",
"How ceremonious, solemn, and unearthly,\n It was i' th' off'ring!",
"CLEOMENES.",
"But of all, the burst\n And the ear-deaf'ning voice o' th' oracle,\n Kin to Jove's thunder, so surpris'd my sense\n That I was nothing.",
"DION.",
"If th' event o' th' journey\n Prove as successful to the Queen- O, be't so!-\n As it hath been to us rare, pleasant, speedy,\n The time is worth the use on't.",
"CLEOMENES.",
"Great Apollo\n Turn all to th' best!",
"These proclamations,\n So forcing faults upon Hermione,\n I little like.",
"DION.",
"The violent carriage of it\n Will clear or end the business.",
"When the oracle-\n Thus by Apollo's great divine seal'd up-\n Shall the contents discover, something rare\n Even then will rush to knowledge.",
"Go; fresh horses.",
"And gracious be the issue!",
"Exeunt"
] | Capital
Enter CLEOMENES and DION
CLEOMENES.
The climate's delicate, the air most sweet,
Fertile the isle, the temple much surpassing
The common praise it bears.
DION.
I shall report,
For most it caught me, the celestial habits-
Methinks I so should term them- and the reverence
Of the grave wearers.
O, the sacrifice!
How ceremonious, solemn, and unearthly,
It was i' th' off'ring!
CLEOMENES.
But of all, the burst
And the ear-deaf'ning voice o' th' oracle,
Kin to Jove's thunder, so surpris'd my sense
That I was nothing.
DION.
If th' event o' th' journey
Prove as successful to the Queen- O, be't so!-
As it hath been to us rare, pleasant, speedy,
The time is worth the use on't.
CLEOMENES.
Great Apollo
Turn all to th' best!
These proclamations,
So forcing faults upon Hermione,
I little like.
DION.
The violent carriage of it
Will clear or end the business.
When the oracle-
Thus by Apollo's great divine seal'd up-
Shal | Sicilia.
On the road to the Capital
Enter CLEOMENES and DION
CLEOMENES.
The climate's delicate, the air most sweet,
Fertile the isle, the temple much surpassing
The common praise it bears.
DION.
I shall report,
For most it caught me, the celestial habits-
Methinks I so should term them- and the reverence
Of the grave wearers.
O, the sacrifice!
How ceremonious, solemn, and unearthly,
It was i' th' off'ring!
CLEOMENES.
But of all, the burst
And the ear-deaf'ning voi ueen- O, be't so!-
As it hath been to us rare, pleasant, speedy,
The time is worth the use on't.
CLEOMENES.
Great Apollo
Turn all to th' best!
These proclamations,
So forcing faults upon Hermione,
I little like.
DION.
The violent carriage of it
Will clear or end the business.
When the oracle-
Thus by Apollo's great divine seal'd up-
Shall the contents discover, something rare
Even then will rush to knowledge.
Go; fresh horses.
And gracious be the issue!
Exeunt | e climate's delicate, the air most sweet,
Fertile the isle, the temple much surpassing
The common praise it bears.
DION.
I shall report,
For most it caught me, the celestial habits-
Methinks I so should term them- and the reverence
Of the grave wearers.
O, the sacrifice!
How ceremonious, solemn, and unearthly,
It was i' th' off'ring!
CLEOMENES.
But of all, the burst
And the ear-deaf'ning voice o' th' oracle,
Kin to Jove's thunder, so surpris'd my sense
That I was nothing.
DION.
If th' event o' th' journey
Prove as successful to the Queen- O, be't so!-
As it hath been to us rare, pleasant, speedy,
The time is worth the use on't.
CLEOMENES.
Great Apollo
Turn all to th' best!
These proclamations,
So forcing faults upon Hermione,
I little like.
DION.
The violent carriage of it
Will clear or end the business.
When the oracle-
Thus by Apollo's great divine seal'd up-
Shall the contents discover, something rare
Even th |
1,134 | false | cliffnotes | all_chapterized_books/1134-chapters/7.txt | finished_summaries/cliffnotes/The Winter's Tale/section_6_part_0.txt | The Winter's Tale.act 3.scene 2 | scene 2 | null | {"name": "Scene 2", "url": "https://web.archive.org/web/20201130173005/https://www.cliffsnotes.com/literature/w/the-winters-tale/summary-and-analysis/act-iii-scene-2", "summary": "Leontes expresses his grief to the lords and officers who enter the scene of the trial. Describing the accused Hermione as the daughter of a king, his wife, and also as someone who is \"too much beloved,\" he urges the beginning of an open trial which can both clear him of all charges of tyranny and can determine Hermione's guilt or innocence. After an officer opens the trial by announcing Hermione's personal appearance, the queen enters with Paulina and her faithful ladies-in-waiting. On Leontes' command, the officer reads the indictment. Hermione is formally \"accused and arraigned of high treason\" for committing adultery with Polixenes, conspiring with Camillo to kill Leontes, and then both advising and aiding \"them, for their better safety, to fly away by night.\" Hermione responds that, so accused, she can do little but deny the accusations. She realizes that a plea of \"not guilty\" will serve little purpose since her integrity has already been \"counted falsehood.\" Instead, she builds this hypothesis into her argument: If powers divine Behold our human actions, as they do, I doubt not then but innocence shall make False accusation blush, and tyranny Tremble at patience. She calls upon Leontes to remember, as the one who best can, her years of true and faithful behavior. Hermione cites her credentials the daughter of a great king, and the mother of a \"hopeful prince\" and in contrast to the humiliation of pleading publicly for her life and honor, she says that as much as she values life and honor, she willingly risks both by requesting specific proof from Leontes in this public forum, to cite even one incident from her life before -- or during Polixenes' visit, which justifies the charges. Leontes mutters about the general impudence of criminals. True, agrees Hermione, but she cannot agree that the generality applies to her. You just won't admit it, answers Leontes. Hermione says that she admits only the facts. First, she loved Polixenes in a way suitable to their rank and honor, as Leontes had commanded her to do. Refusal to do so would have been classified as \"disobedience and ingratitude\" toward both him and his childhood friend. Second, she has no experience in treason. She knows only that Camillo was an honest man. If the gods know no more about his departure than she does, even they must be able to guess why. Again, Leontes responds with generalities. Hermione despairs of understanding him. \"My life stands in the level of your dreams) Which I'll lay down.\" Leontes rants, \"Your actions are my dreams.\" Again, he voices his jealousy, disguised as a legal charge: Hermione has a bastard daughter by Polixenes; thus, she is past shame or truth. As surely as the infant was cast out, shamed because no father would claim it, so shall Hermione suffer the pangs of justice. The easiest of her punishments will be death. Hermione requests respite from Leontes' taunts. The death threat with which he tries to frighten her is the very thing she now wants. Life holds no comfort now that her most worthwhile achievement, his favor, is clearly lost, although the reason for the loss is not clear. Also lost is her second joy, the company of their son, and her third joy, the innocent baby daughter who was murdered before she was weaned. Hermione then lists other experiences that now make death attractive to her. She has suffered from public accusations about her immorality and from the cruel denial of care during childbirth, for which women of all classes yearn. Finally, before she has recovered from childbirth, she has been rushed to this open-air public trial. Accordingly, what lure of life should cause her to fear death? However, as willing as Hermione is for Leontes to proceed with the death sentence, she still yearns for the honorable memory that she deserves: If I shall be condemnedUpon surmises, all proofs sleeping elseBut what your jealousies awake, I tell you'Tis rigour and not law. In a ringing challenge to all who judge her, she exhorts: \"Apollo be my judge!\" One of the lords agrees that her request is just, so he calls for the oracle's message. During the bustle of officers leaving the trial to fetch Cleomenes and Dion, Hermione expresses how much she yearns for the presence of her dead father, the Emperor of Russia, so that someone would regard her with \"pity, not revenge.\" An officer then swears in Cleomenes and Dion, who attest to the condition of the untampered, sealed message from Delphos. Leontes orders the breaking of the seal and the reading of the message. An officer reads: \"Hermione is chaste; Polixenes blameless; Camilio a true subject; Leontes a jealous tyrant; his innocent babe truly begotten; and the King shall live without an heir, if that which is lost be not found.\" The lords and Hermione praise Apollo. Leontes asks: \"Hast thou read truth?\" The officer confirms it. Then, Leontes declares, \"There is no truth at all i' th' oracle./ The sessions shall proceed; this is mere falsehood.\" A servant bursts in to announce, reluctantly, that Mamillius has just died from anxious conjecture about his mother's fate. Leontes cries out: \"Apollo's angry; and the heavens themselves/ Do strike at my injustice.\" Hermione faints. Paulina examines her, then commands Leontes to watch as Hermione dies. Leontes orders that Hermione receive tender care until she recovers. Remorsefully, he confesses that he has \"too much believed mine own suspicion.\" After a party carries Hermione out, Leontes beseeches Apollo to forgive his profanity of the oracle. In a burst of clarity, Leontes promises to earn again the love of Hermione and to restore Camillo to office. Recognizing the damage done by his jealous quest for revenge as well as the probability that Camillo fled because of Leontes' command to poison Polixenes, Leontes praises the glowing honor of Camillo: \"How he glisters/ Through my dark rust!\" Immediately after Leontes' confession, Paulina enters, consumed with hysterical grief. She confronts the \"tyrant\": the consequences of Leontes' jealousy should cause him to flee in despair. Paulina then catalogs the harm caused: betraying Polixenes, dishonoring Camillo for refusing to poison Polixenes, casting his baby daughter to the crows, and causing his young son to die. And now, the good, sweet queen has died. When a lord protests the news, Paulina swears to it and then boldly challenges any of them to bring Hermione to life. Paulina berates Leontes. For this death, repentance is useless; only unending despair can be his future. Leontes urges her to continue. He feels that he deserves every syllable of her bitter, unceasing criticism. A lord chastises Paulina for the bold speech which he deems unsuitable under any circumstances, and Paulina apologizes finally for showing \"the rashness of a woman\" when she observes Leontes' grief. \"What's gone and what's past help/ Should be past grief.\" Again, she requests punishment but, this time, for her error since she caused him to grieve about a matter that he should forget. Paulina asks for the king's forgiveness and promises to stop reminding him about their dead queen, his dead children, or her own lost husband. Clearly, Leontes prefers her truthful speech to her pity. He asks Paulina to lead him to the bodies of his son and wife. After he views them, Leontes wants them to share the same grave, which shall be marked by the shameful causes of their deaths. He promises daily, penitent visits to the chapel where they will be buried.", "analysis": "In this scene, Leontes speaks of the contrasts between his reputation for tyranny and Hermione's reputation for noble innocence. Although he claims that he wants the guilt or innocence of Hermione to be proven, obviously the only way that Leontes can be found innocent of the accusations of tyranny would be to prove Hermione is guilty. Determining her guilt or her innocence, however, is a potentially exclusive proposition. Leontes is using a single motivation -- jealousy -- to prove Hermione guilty in order to prove that he has acted correctly from his sense of \"natural goodness.\" Therefore, Apollo's message will be unacceptable. The trial itself dramatizes the conflict between \"reality\" and Leontes' \"nature,\" but this is not a matter of guilt or innocence. This is clearly illustrated in an exchange between Hermione and Leontes. In despair after trying to elicit facts, Hermione says, \"My life stands in the level of your dreams.\" Leontes retorts: \"Your actions are my dreams.\" Within this structure, the climax of the scene cannot occur with Apollo's message because Leontes must push for his original motivation. Neither facts, as requested by Hermione, nor truth, as delivered from Apollo, will dissuade Leontes. Leontes is not yet ready for redemption. Although his tyranny has been curbed, he has not earned trust from Hermione and Paulina, who must feel certain that Leontes is now stable enough to be trusted. Hermione has already asked Apollo to control Leontes' sick illusions, and Apollo said that \"the king shall live without an heir\" , emphasizing if , \"that which is lost be not found.\" This message clearly cannot reassure the ladies. So, this critical scene sets up the turning point of the plot by requiring the important subplot of rebirth through the healing power of youth. Only then will Order be restored to the Universe. While the plot is maturing, characterization is also developing. For example, Leontes must suffer for his monumental mistake. He realizes that fact as soon as Mamillius dies: \"the heavens themselves/ Do strike at my injustice.\" Consequently, he realizes that after he destroyed his family and kingdom, he began to destroy the natural Order of the Universe. Realizing that altering the Order will not be treated lightly, the king encourages Paulina to remind him of why he suffers throughout his long years of penance. This realization helps focus on the major motivation for Leontes; that is, he needs to renew his love for his wife and child. Thus, this motivation overrides the one which opened this scene -- that is, his vow to prove Hermione guilty. Although the message from Apollo does not change Leontes' jealousy, the news of his son's death shocks him into a realization that he has been wrong and that he has done great harm. This shock climaxes when Paulina announces Hermione's death. Trapped midway between reality and illusion, and shocked by the tragic consequences of his tyranny, Leontes pledges a morbid expression of deep atonement: Once a day I'll visit The chapel where they lie, and tears shed there Shall be my recreation. So long as nature Will bear up with this exercise . . . Thus, Leontes must yet learn the full dimension of love and how to express it. Paulina devotes her life to speaking for the honor of the queen. Interestingly, she seems to recognize the power of subtlety because unlike her previous confrontation with Leontes, here she quickly asks forgiveness for her boldness and rashness with no intention of quitting needling him, as she promises to do."} | Sicilia. A court of justice
Enter LEONTES, LORDS, and OFFICERS
LEONTES. This sessions, to our great grief we pronounce,
Even pushes 'gainst our heart- the party tried,
The daughter of a king, our wife, and one
Of us too much belov'd. Let us be clear'd
Of being tyrannous, since we so openly
Proceed in justice, which shall have due course,
Even to the guilt or the purgation.
Produce the prisoner.
OFFICER. It is his Highness' pleasure that the Queen
Appear in person here in court.
Enter HERMIONE, as to her trial, PAULINA, and LADIES
Silence!
LEONTES. Read the indictment.
OFFICER. [Reads] 'Hermione, Queen to the worthy Leontes, King
of
Sicilia, thou art here accused and arraigned of high treason,
in
committing adultery with Polixenes, King of Bohemia; and
conspiring with Camillo to take away the life of our
sovereign
lord the King, thy royal husband: the pretence whereof being
by
circumstances partly laid open, thou, Hermione, contrary to
the
faith and allegiance of true subject, didst counsel and aid
them,
for their better safety, to fly away by night.'
HERMIONE. Since what I am to say must be but that
Which contradicts my accusation, and
The testimony on my part no other
But what comes from myself, it shall scarce boot me
To say 'Not guilty.' Mine integrity
Being counted falsehood shall, as I express it,
Be so receiv'd. But thus- if pow'rs divine
Behold our human actions, as they do,
I doubt not then but innocence shall make
False accusation blush, and tyranny
Tremble at patience. You, my lord, best know-
Who least will seem to do so- my past life
Hath been as continent, as chaste, as true,
As I am now unhappy; which is more
Than history can pattern, though devis'd
And play'd to take spectators; for behold me-
A fellow of the royal bed, which owe
A moiety of the throne, a great king's daughter,
The mother to a hopeful prince- here standing
To prate and talk for life and honour fore
Who please to come and hear. For life, I prize it
As I weigh grief, which I would spare; for honour,
'Tis a derivative from me to mine,
And only that I stand for. I appeal
To your own conscience, sir, before Polixenes
Came to your court, how I was in your grace,
How merited to be so; since he came,
With what encounter so uncurrent I
Have strain'd t' appear thus; if one jot beyond
The bound of honour, or in act or will
That way inclining, hard'ned be the hearts
Of all that hear me, and my near'st of kin
Cry fie upon my grave!
LEONTES. I ne'er heard yet
That any of these bolder vices wanted
Less impudence to gainsay what they did
Than to perform it first.
HERMIONE. That's true enough;
Though 'tis a saying, sir, not due to me.
LEONTES. You will not own it.
HERMIONE. More than mistress of
Which comes to me in name of fault, I must not
At all acknowledge. For Polixenes,
With whom I am accus'd, I do confess
I lov'd him as in honour he requir'd;
With such a kind of love as might become
A lady like me; with a love even such,
So and no other, as yourself commanded;
Which not to have done, I think had been in me
Both disobedience and ingratitude
To you and toward your friend; whose love had spoke,
Ever since it could speak, from an infant, freely,
That it was yours. Now for conspiracy:
I know not how it tastes, though it be dish'd
For me to try how; all I know of it
Is that Camillo was an honest man;
And why he left your court, the gods themselves,
Wotting no more than I, are ignorant.
LEONTES. You knew of his departure, as you know
What you have underta'en to do in's absence.
HERMIONE. Sir,
You speak a language that I understand not.
My life stands in the level of your dreams,
Which I'll lay down.
LEONTES. Your actions are my dreams.
You had a bastard by Polixenes,
And I but dream'd it. As you were past all shame-
Those of your fact are so- so past all truth;
Which to deny concerns more than avails; for as
Thy brat hath been cast out, like to itself,
No father owning it- which is indeed
More criminal in thee than it- so thou
Shalt feel our justice; in whose easiest passage
Look for no less than death.
HERMIONE. Sir, spare your threats.
The bug which you would fright me with I seek.
To me can life be no commodity.
The crown and comfort of my life, your favour,
I do give lost, for I do feel it gone,
But know not how it went; my second joy
And first fruits of my body, from his presence
I am barr'd, like one infectious; my third comfort,
Starr'd most unluckily, is from my breast-
The innocent milk in it most innocent mouth-
Hal'd out to murder; myself on every post
Proclaim'd a strumpet; with immodest hatred
The child-bed privilege denied, which 'longs
To women of all fashion; lastly, hurried
Here to this place, i' th' open air, before
I have got strength of limit. Now, my liege,
Tell me what blessings I have here alive
That I should fear to die. Therefore proceed.
But yet hear this- mistake me not: no life,
I prize it not a straw, but for mine honour
Which I would free- if I shall be condemn'd
Upon surmises, all proofs sleeping else
But what your jealousies awake, I tell you
'Tis rigour, and not law. Your honours all,
I do refer me to the oracle:
Apollo be my judge!
FIRST LORD. This your request
Is altogether just. Therefore, bring forth,
And in Apollo's name, his oracle.
Exeunt certain OFFICERS
HERMIONE. The Emperor of Russia was my father;
O that he were alive, and here beholding
His daughter's trial! that he did but see
The flatness of my misery; yet with eyes
Of pity, not revenge!
Re-enter OFFICERS, with CLEOMENES and DION
OFFICER. You here shall swear upon this sword of justice
That you, Cleomenes and Dion, have
Been both at Delphos, and from thence have brought
This seal'd-up oracle, by the hand deliver'd
Of great Apollo's priest; and that since then
You have not dar'd to break the holy seal
Nor read the secrets in't.
CLEOMENES, DION. All this we swear.
LEONTES. Break up the seals and read.
OFFICER. [Reads] 'Hermione is chaste; Polixenes blameless;
Camillo a true subject; Leontes a jealous tyrant; his
innocent
babe truly begotten; and the King shall live without an heir,
if
that which is lost be not found.'
LORDS. Now blessed be the great Apollo!
HERMIONE. Praised!
LEONTES. Hast thou read truth?
OFFICER. Ay, my lord; even so
As it is here set down.
LEONTES. There is no truth at all i' th' oracle.
The sessions shall proceed. This is mere falsehood.
Enter a SERVANT
SERVANT. My lord the King, the King!
LEONTES. What is the business?
SERVANT. O sir, I shall be hated to report it:
The Prince your son, with mere conceit and fear
Of the Queen's speed, is gone.
LEONTES. How! Gone?
SERVANT. Is dead.
LEONTES. Apollo's angry; and the heavens themselves
Do strike at my injustice. [HERMIONE swoons]
How now, there!
PAULINA. This news is mortal to the Queen. Look down
And see what death is doing.
LEONTES. Take her hence.
Her heart is but o'ercharg'd; she will recover.
I have too much believ'd mine own suspicion.
Beseech you tenderly apply to her
Some remedies for life.
Exeunt PAULINA and LADIES with HERMIONE
Apollo, pardon
My great profaneness 'gainst thine oracle.
I'll reconcile me to Polixenes,
New woo my queen, recall the good Camillo-
Whom I proclaim a man of truth, of mercy.
For, being transported by my jealousies
To bloody thoughts and to revenge, I chose
Camillo for the minister to poison
My friend Polixenes; which had been done
But that the good mind of Camillo tardied
My swift command, though I with death and with
Reward did threaten and encourage him,
Not doing it and being done. He, most humane
And fill'd with honour, to my kingly guest
Unclasp'd my practice, quit his fortunes here,
Which you knew great, and to the certain hazard
Of all incertainties himself commended,
No richer than his honour. How he glisters
Thorough my rust! And how his piety
Does my deeds make the blacker!
Re-enter PAULINA
PAULINA. Woe the while!
O, cut my lace, lest my heart, cracking it,
Break too!
FIRST LORD. What fit is this, good lady?
PAULINA. What studied torments, tyrant, hast for me?
What wheels, racks, fires? what flaying, boiling
In leads or oils? What old or newer torture
Must I receive, whose every word deserves
To taste of thy most worst? Thy tyranny
Together working with thy jealousies,
Fancies too weak for boys, too green and idle
For girls of nine- O, think what they have done,
And then run mad indeed, stark mad; for all
Thy by-gone fooleries were but spices of it.
That thou betray'dst Polixenes, 'twas nothing;
That did but show thee, of a fool, inconstant,
And damnable ingrateful. Nor was't much
Thou wouldst have poison'd good Camillo's honour,
To have him kill a king- poor trespasses,
More monstrous standing by; whereof I reckon
The casting forth to crows thy baby daughter
To be or none or little, though a devil
Would have shed water out of fire ere done't;
Nor is't directly laid to thee, the death
Of the young Prince, whose honourable thoughts-
Thoughts high for one so tender- cleft the heart
That could conceive a gross and foolish sire
Blemish'd his gracious dam. This is not, no,
Laid to thy answer; but the last- O lords,
When I have said, cry 'Woe!'- the Queen, the Queen,
The sweet'st, dear'st creature's dead; and vengeance
For't not dropp'd down yet.
FIRST LORD. The higher pow'rs forbid!
PAULINA. I say she's dead; I'll swear't. If word nor oath
Prevail not, go and see. If you can bring
Tincture or lustre in her lip, her eye,
Heat outwardly or breath within, I'll serve you
As I would do the gods. But, O thou tyrant!
Do not repent these things, for they are heavier
Than all thy woes can stir; therefore betake thee
To nothing but despair. A thousand knees
Ten thousand years together, naked, fasting,
Upon a barren mountain, and still winter
In storm perpetual, could not move the gods
To look that way thou wert.
LEONTES. Go on, go on.
Thou canst not speak too much; I have deserv'd
All tongues to talk their bitt'rest.
FIRST LORD. Say no more;
Howe'er the business goes, you have made fault
I' th' boldness of your speech.
PAULINA. I am sorry for't.
All faults I make, when I shall come to know them.
I do repent. Alas, I have show'd too much
The rashness of a woman! He is touch'd
To th' noble heart. What's gone and what's past help
Should be past grief. Do not receive affliction
At my petition; I beseech you, rather
Let me be punish'd that have minded you
Of what you should forget. Now, good my liege,
Sir, royal sir, forgive a foolish woman.
The love I bore your queen- lo, fool again!
I'll speak of her no more, nor of your children;
I'll not remember you of my own lord,
Who is lost too. Take your patience to you,
And I'll say nothing.
LEONTES. Thou didst speak but well
When most the truth; which I receive much better
Than to be pitied of thee. Prithee, bring me
To the dead bodies of my queen and son.
One grave shall be for both. Upon them shall
The causes of their death appear, unto
Our shame perpetual. Once a day I'll visit
The chapel where they lie; and tears shed there
Shall be my recreation. So long as nature
Will bear up with this exercise, so long
I daily vow to use it. Come, and lead me
To these sorrows. Exeunt
| 2,906 | Scene 2 | https://web.archive.org/web/20201130173005/https://www.cliffsnotes.com/literature/w/the-winters-tale/summary-and-analysis/act-iii-scene-2 | Leontes expresses his grief to the lords and officers who enter the scene of the trial. Describing the accused Hermione as the daughter of a king, his wife, and also as someone who is "too much beloved," he urges the beginning of an open trial which can both clear him of all charges of tyranny and can determine Hermione's guilt or innocence. After an officer opens the trial by announcing Hermione's personal appearance, the queen enters with Paulina and her faithful ladies-in-waiting. On Leontes' command, the officer reads the indictment. Hermione is formally "accused and arraigned of high treason" for committing adultery with Polixenes, conspiring with Camillo to kill Leontes, and then both advising and aiding "them, for their better safety, to fly away by night." Hermione responds that, so accused, she can do little but deny the accusations. She realizes that a plea of "not guilty" will serve little purpose since her integrity has already been "counted falsehood." Instead, she builds this hypothesis into her argument: If powers divine Behold our human actions, as they do, I doubt not then but innocence shall make False accusation blush, and tyranny Tremble at patience. She calls upon Leontes to remember, as the one who best can, her years of true and faithful behavior. Hermione cites her credentials the daughter of a great king, and the mother of a "hopeful prince" and in contrast to the humiliation of pleading publicly for her life and honor, she says that as much as she values life and honor, she willingly risks both by requesting specific proof from Leontes in this public forum, to cite even one incident from her life before -- or during Polixenes' visit, which justifies the charges. Leontes mutters about the general impudence of criminals. True, agrees Hermione, but she cannot agree that the generality applies to her. You just won't admit it, answers Leontes. Hermione says that she admits only the facts. First, she loved Polixenes in a way suitable to their rank and honor, as Leontes had commanded her to do. Refusal to do so would have been classified as "disobedience and ingratitude" toward both him and his childhood friend. Second, she has no experience in treason. She knows only that Camillo was an honest man. If the gods know no more about his departure than she does, even they must be able to guess why. Again, Leontes responds with generalities. Hermione despairs of understanding him. "My life stands in the level of your dreams) Which I'll lay down." Leontes rants, "Your actions are my dreams." Again, he voices his jealousy, disguised as a legal charge: Hermione has a bastard daughter by Polixenes; thus, she is past shame or truth. As surely as the infant was cast out, shamed because no father would claim it, so shall Hermione suffer the pangs of justice. The easiest of her punishments will be death. Hermione requests respite from Leontes' taunts. The death threat with which he tries to frighten her is the very thing she now wants. Life holds no comfort now that her most worthwhile achievement, his favor, is clearly lost, although the reason for the loss is not clear. Also lost is her second joy, the company of their son, and her third joy, the innocent baby daughter who was murdered before she was weaned. Hermione then lists other experiences that now make death attractive to her. She has suffered from public accusations about her immorality and from the cruel denial of care during childbirth, for which women of all classes yearn. Finally, before she has recovered from childbirth, she has been rushed to this open-air public trial. Accordingly, what lure of life should cause her to fear death? However, as willing as Hermione is for Leontes to proceed with the death sentence, she still yearns for the honorable memory that she deserves: If I shall be condemnedUpon surmises, all proofs sleeping elseBut what your jealousies awake, I tell you'Tis rigour and not law. In a ringing challenge to all who judge her, she exhorts: "Apollo be my judge!" One of the lords agrees that her request is just, so he calls for the oracle's message. During the bustle of officers leaving the trial to fetch Cleomenes and Dion, Hermione expresses how much she yearns for the presence of her dead father, the Emperor of Russia, so that someone would regard her with "pity, not revenge." An officer then swears in Cleomenes and Dion, who attest to the condition of the untampered, sealed message from Delphos. Leontes orders the breaking of the seal and the reading of the message. An officer reads: "Hermione is chaste; Polixenes blameless; Camilio a true subject; Leontes a jealous tyrant; his innocent babe truly begotten; and the King shall live without an heir, if that which is lost be not found." The lords and Hermione praise Apollo. Leontes asks: "Hast thou read truth?" The officer confirms it. Then, Leontes declares, "There is no truth at all i' th' oracle./ The sessions shall proceed; this is mere falsehood." A servant bursts in to announce, reluctantly, that Mamillius has just died from anxious conjecture about his mother's fate. Leontes cries out: "Apollo's angry; and the heavens themselves/ Do strike at my injustice." Hermione faints. Paulina examines her, then commands Leontes to watch as Hermione dies. Leontes orders that Hermione receive tender care until she recovers. Remorsefully, he confesses that he has "too much believed mine own suspicion." After a party carries Hermione out, Leontes beseeches Apollo to forgive his profanity of the oracle. In a burst of clarity, Leontes promises to earn again the love of Hermione and to restore Camillo to office. Recognizing the damage done by his jealous quest for revenge as well as the probability that Camillo fled because of Leontes' command to poison Polixenes, Leontes praises the glowing honor of Camillo: "How he glisters/ Through my dark rust!" Immediately after Leontes' confession, Paulina enters, consumed with hysterical grief. She confronts the "tyrant": the consequences of Leontes' jealousy should cause him to flee in despair. Paulina then catalogs the harm caused: betraying Polixenes, dishonoring Camillo for refusing to poison Polixenes, casting his baby daughter to the crows, and causing his young son to die. And now, the good, sweet queen has died. When a lord protests the news, Paulina swears to it and then boldly challenges any of them to bring Hermione to life. Paulina berates Leontes. For this death, repentance is useless; only unending despair can be his future. Leontes urges her to continue. He feels that he deserves every syllable of her bitter, unceasing criticism. A lord chastises Paulina for the bold speech which he deems unsuitable under any circumstances, and Paulina apologizes finally for showing "the rashness of a woman" when she observes Leontes' grief. "What's gone and what's past help/ Should be past grief." Again, she requests punishment but, this time, for her error since she caused him to grieve about a matter that he should forget. Paulina asks for the king's forgiveness and promises to stop reminding him about their dead queen, his dead children, or her own lost husband. Clearly, Leontes prefers her truthful speech to her pity. He asks Paulina to lead him to the bodies of his son and wife. After he views them, Leontes wants them to share the same grave, which shall be marked by the shameful causes of their deaths. He promises daily, penitent visits to the chapel where they will be buried. | In this scene, Leontes speaks of the contrasts between his reputation for tyranny and Hermione's reputation for noble innocence. Although he claims that he wants the guilt or innocence of Hermione to be proven, obviously the only way that Leontes can be found innocent of the accusations of tyranny would be to prove Hermione is guilty. Determining her guilt or her innocence, however, is a potentially exclusive proposition. Leontes is using a single motivation -- jealousy -- to prove Hermione guilty in order to prove that he has acted correctly from his sense of "natural goodness." Therefore, Apollo's message will be unacceptable. The trial itself dramatizes the conflict between "reality" and Leontes' "nature," but this is not a matter of guilt or innocence. This is clearly illustrated in an exchange between Hermione and Leontes. In despair after trying to elicit facts, Hermione says, "My life stands in the level of your dreams." Leontes retorts: "Your actions are my dreams." Within this structure, the climax of the scene cannot occur with Apollo's message because Leontes must push for his original motivation. Neither facts, as requested by Hermione, nor truth, as delivered from Apollo, will dissuade Leontes. Leontes is not yet ready for redemption. Although his tyranny has been curbed, he has not earned trust from Hermione and Paulina, who must feel certain that Leontes is now stable enough to be trusted. Hermione has already asked Apollo to control Leontes' sick illusions, and Apollo said that "the king shall live without an heir" , emphasizing if , "that which is lost be not found." This message clearly cannot reassure the ladies. So, this critical scene sets up the turning point of the plot by requiring the important subplot of rebirth through the healing power of youth. Only then will Order be restored to the Universe. While the plot is maturing, characterization is also developing. For example, Leontes must suffer for his monumental mistake. He realizes that fact as soon as Mamillius dies: "the heavens themselves/ Do strike at my injustice." Consequently, he realizes that after he destroyed his family and kingdom, he began to destroy the natural Order of the Universe. Realizing that altering the Order will not be treated lightly, the king encourages Paulina to remind him of why he suffers throughout his long years of penance. This realization helps focus on the major motivation for Leontes; that is, he needs to renew his love for his wife and child. Thus, this motivation overrides the one which opened this scene -- that is, his vow to prove Hermione guilty. Although the message from Apollo does not change Leontes' jealousy, the news of his son's death shocks him into a realization that he has been wrong and that he has done great harm. This shock climaxes when Paulina announces Hermione's death. Trapped midway between reality and illusion, and shocked by the tragic consequences of his tyranny, Leontes pledges a morbid expression of deep atonement: Once a day I'll visit The chapel where they lie, and tears shed there Shall be my recreation. So long as nature Will bear up with this exercise . . . Thus, Leontes must yet learn the full dimension of love and how to express it. Paulina devotes her life to speaking for the honor of the queen. Interestingly, she seems to recognize the power of subtlety because unlike her previous confrontation with Leontes, here she quickly asks forgiveness for her boldness and rashness with no intention of quitting needling him, as she promises to do. | 1,250 | 589 | [
"Sicilia.",
"A court of justice\n\nEnter LEONTES, LORDS, and OFFICERS\n\n LEONTES.",
"This sessions, to our great grief we pronounce,\n Even pushes 'gainst our heart- the party tried,\n The daughter of a king, our wife, and one\n Of us too much belov'd.",
"Let us be clear'd\n Of being tyrannous, since we so openly\n Proceed in justice, which shall have due course,\n Even to the guilt or the purgation.",
"Produce the prisoner.",
"OFFICER.",
"It is his Highness' pleasure that the Queen\n Appear in person here in court.",
"Enter HERMIONE, as to her trial, PAULINA, and LADIES\n\n Silence!",
"LEONTES.",
"Read the indictment.",
"OFFICER.",
"[Reads] 'Hermione, Queen to the worthy Leontes, King\nof\n Sicilia, thou art here accused and arraigned of high treason,\nin\n committing adultery with Polixenes, King of Bohemia; and\n conspiring with Camillo to take away the life of our\nsovereign\n lord the King, thy royal husband: the pretence whereof being\nby\n circumstances partly laid open, thou, Hermione, contrary to\nthe\n faith and allegiance of true subject, didst counsel and aid\nthem,\n for their better safety, to fly away by night.'",
"HERMIONE.",
"Since what I am to say must be but that\n Which contradicts my accusation, and\n The testimony on my part no other\n But what comes from myself, it shall scarce boot me\n To say 'Not guilty.'",
"Mine integrity\n Being counted falsehood shall, as I express it,\n Be so receiv'd.",
"But thus- if pow'rs divine\n Behold our human actions, as they do,\n I doubt not then but innocence shall make\n False accusation blush, and tyranny\n Tremble at patience.",
"You, my lord, best know-\n Who least will seem to do so- my past life\n Hath been as continent, as chaste, as true,\n As I am now unhappy; which is more\n Than history can pattern, though devis'd\n And play'd to take spectators; for behold me-\n A fellow of the royal bed, which owe\n A moiety of the throne, a great king's daughter,\n The mother to a hopeful prince- here standing\n To prate and talk for life and honour fore\n Who please to come and hear.",
"For life, I prize it\n As I weigh grief, which I would spare; for honour,\n 'Tis a derivative from me to mine,\n And only that I stand for.",
"I appeal\n To your own conscience, sir, before Polixenes\n Came to your court, how I was in your grace,\n How merited to be so; since he came,\n With what encounter so uncurrent I\n Have strain'd t' appear thus; if one jot beyond\n The bound of honour, or in act or will\n That way inclining, hard'ned be the hearts\n Of all that hear me, and my near'st of kin\n Cry fie upon my grave!",
"LEONTES.",
"I ne'er heard yet\n That any of these bolder vices wanted\n Less impudence to gainsay what they did\n Than to perform it first.",
"HERMIONE.",
"That's true enough;\n Though 'tis a saying, sir, not due to me.",
"LEONTES.",
"You will not own it.",
"HERMIONE.",
"More than mistress of\n Which comes to me in name of fault, I must not\n At all acknowledge.",
"For Polixenes,\n With whom I am accus'd, I do confess\n I lov'd him as in honour he requir'd;\n With such a kind of love as might become\n A lady like me; with a love even such,\n So and no other, as yourself commanded;\n Which not to have done, I think had been in me\n Both disobedience and ingratitude\n To you and toward your friend; whose love had spoke,\n Ever since it could speak, from an infant, freely,\n That it was yours.",
"Now for conspiracy:\n I know not how it tastes, though it be dish'd\n For me to try how; all I know of it\n Is that Camillo was an honest man;\n And why he left your court, the gods themselves,\n Wotting no more than I, are ignorant.",
"LEONTES.",
"You knew of his departure, as you know\n What you have underta'en to do in's absence.",
"HERMIONE.",
"Sir,\n You speak a language that I understand not.",
"My life stands in the level of your dreams,\n Which I'll lay down.",
"LEONTES.",
"Your actions are my dreams.",
"You had a bastard by Polixenes,\n And I but dream'd it.",
"As you were past all shame-\n Those of your fact are so- so past all truth;\n Which to deny concerns more than avails; for as\n Thy brat hath been cast out, like to itself,\n No father owning it- which is indeed\n More criminal in thee than it- so thou\n Shalt feel our justice; in whose easiest passage\n Look for no less than death.",
"HERMIONE.",
"Sir, spare your threats.",
"The bug which you would fright me with I seek.",
"To me can life be no commodity.",
"The crown and comfort of my life, your favour,\n I do give lost, for I do feel it gone,\n But know not how it went; my second joy\n And first fruits of my body, from his presence\n I am barr'd, like one infectious; my third comfort,\n Starr'd most unluckily, is from my breast-\n The innocent milk in it most innocent mouth-\n Hal'd out to murder; myself on every post\n Proclaim'd a strumpet; with immodest hatred\n The child-bed privilege denied, which 'longs\n To women of all fashion; lastly, hurried\n Here to this place, i' th' open air, before\n I have got strength of limit.",
"Now, my liege,\n Tell me what blessings I have here alive\n That I should fear to die.",
"Therefore proceed.",
"But yet hear this- mistake me not: no life,\n I prize it not a straw, but for mine honour\n Which I would free- if I shall be condemn'd\n Upon surmises, all proofs sleeping else\n But what your jealousies awake, I tell you\n 'Tis rigour, and not law.",
"Your honours all,\n I do refer me to the oracle:\n Apollo be my judge!",
"FIRST LORD.",
"This your request\n Is altogether just.",
"Therefore, bring forth,\n And in Apollo's name, his oracle.",
"Exeunt certain OFFICERS\n HERMIONE.",
"The Emperor of Russia was my father;\n O that he were alive, and here beholding\n His daughter's trial!",
"that he did but see\n The flatness of my misery; yet with eyes\n Of pity, not revenge!",
"Re-enter OFFICERS, with CLEOMENES and DION\n\n OFFICER.",
"You here shall swear upon this sword of justice\n That you, Cleomenes and Dion, have\n Been both at Delphos, and from thence have brought\n This seal'd-up oracle, by the hand deliver'd\n Of great Apollo's priest; and that since then\n You have not dar'd to break the holy seal\n Nor read the secrets in't.",
"CLEOMENES, DION.",
"All this we swear.",
"LEONTES.",
"Break up the seals and read.",
"OFFICER.",
"[Reads] 'Hermione is chaste; Polixenes blameless;\n Camillo a true subject; Leontes a jealous tyrant; his\ninnocent\n babe truly begotten; and the King shall live without an heir,\nif\n that which is lost be not found.'",
"LORDS.",
"Now blessed be the great Apollo!",
"HERMIONE.",
"Praised!",
"LEONTES.",
"Hast thou read truth?",
"OFFICER.",
"Ay, my lord; even so\n As it is here set down.",
"LEONTES.",
"There is no truth at all i' th' oracle.",
"The sessions shall proceed.",
"This is mere falsehood.",
"Enter a SERVANT\n\n SERVANT.",
"My lord the King, the King!",
"LEONTES.",
"What is the business?",
"SERVANT.",
"O sir, I shall be hated to report it:\n The Prince your son, with mere conceit and fear\n Of the Queen's speed, is gone.",
"LEONTES.",
"How!",
"Gone?",
"SERVANT.",
"Is dead.",
"LEONTES.",
"Apollo's angry; and the heavens themselves\n Do strike at my injustice.",
"[HERMIONE swoons]\n How now, there!",
"PAULINA.",
"This news is mortal to the Queen.",
"Look down\n And see what death is doing.",
"LEONTES.",
"Take her hence.",
"Her heart is but o'ercharg'd; she will recover.",
"I have too much believ'd mine own suspicion.",
"Beseech you tenderly apply to her\n Some remedies for life.",
"Exeunt PAULINA and LADIES with HERMIONE\n Apollo, pardon\n My great profaneness 'gainst thine oracle.",
"I'll reconcile me to Polixenes,\n New woo my queen, recall the good Camillo-\n Whom I proclaim a man of truth, of mercy.",
"For, being transported by my jealousies\n To bloody thoughts and to revenge, I chose\n Camillo for the minister to poison\n My friend Polixenes; which had been done\n But that the good mind of Camillo tardied\n My swift command, though I with death and with\n Reward did threaten and encourage him,\n Not doing it and being done.",
"He, most humane\n And fill'd with honour, to my kingly guest\n Unclasp'd my practice, quit his fortunes here,\n Which you knew great, and to the certain hazard\n Of all incertainties himself commended,\n No richer than his honour.",
"How he glisters\n Thorough my rust!",
"And how his piety\n Does my deeds make the blacker!",
"Re-enter PAULINA\n\n PAULINA.",
"Woe the while!",
"O, cut my lace, lest my heart, cracking it,\n Break too!",
"FIRST LORD.",
"What fit is this, good lady?",
"PAULINA.",
"What studied torments, tyrant, hast for me?",
"What wheels, racks, fires?",
"what flaying, boiling\n In leads or oils?",
"What old or newer torture\n Must I receive, whose every word deserves\n To taste of thy most worst?",
"Thy tyranny\n Together working with thy jealousies,\n Fancies too weak for boys, too green and idle\n For girls of nine- O, think what they have done,\n And then run mad indeed, stark mad; for all\n Thy by-gone fooleries were but spices of it.",
"That thou betray'dst Polixenes, 'twas nothing;\n That did but show thee, of a fool, inconstant,\n And damnable ingrateful.",
"Nor was't much\n Thou wouldst have poison'd good Camillo's honour,\n To have him kill a king- poor trespasses,\n More monstrous standing by; whereof I reckon\n The casting forth to crows thy baby daughter\n To be or none or little, though a devil\n Would have shed water out of fire ere done't;\n Nor is't directly laid to thee, the death\n Of the young Prince, whose honourable thoughts-\n Thoughts high for one so tender- cleft the heart\n That could conceive a gross and foolish sire\n Blemish'd his gracious dam.",
"This is not, no,\n Laid to thy answer; but the last- O lords,\n When I have said, cry 'Woe!",
"'- the Queen, the Queen,\n The sweet'st, dear'st creature's dead; and vengeance\n For't not dropp'd down yet.",
"FIRST LORD.",
"The higher pow'rs forbid!",
"PAULINA.",
"I say she's dead; I'll swear't.",
"If word nor oath\n Prevail not, go and see.",
"If you can bring\n Tincture or lustre in her lip, her eye,\n Heat outwardly or breath within, I'll serve you\n As I would do the gods.",
"But, O thou tyrant!",
"Do not repent these things, for they are heavier\n Than all thy woes can stir; therefore betake thee\n To nothing but despair.",
"A thousand knees\n Ten thousand years together, naked, fasting,\n Upon a barren mountain, and still winter\n In storm perpetual, could not move the gods\n To look that way thou wert.",
"LEONTES.",
"Go on, go on.",
"Thou canst not speak too much; I have deserv'd\n All tongues to talk their bitt'rest.",
"FIRST LORD.",
"Say no more;\n Howe'er the business goes, you have made fault\n I' th' boldness of your speech.",
"PAULINA.",
"I am sorry for't.",
"All faults I make, when I shall come to know them.",
"I do repent.",
"Alas, I have show'd too much\n The rashness of a woman!",
"He is touch'd\n To th' noble heart.",
"What's gone and what's past help\n Should be past grief.",
"Do not receive affliction\n At my petition; I beseech you, rather\n Let me be punish'd that have minded you\n Of what you should forget.",
"Now, good my liege,\n Sir, royal sir, forgive a foolish woman.",
"The love I bore your queen- lo, fool again!",
"I'll speak of her no more, nor of your children;\n I'll not remember you of my own lord,\n Who is lost too.",
"Take your patience to you,\n And I'll say nothing.",
"LEONTES.",
"Thou didst speak but well\n When most the truth; which I receive much better\n Than to be pitied of thee.",
"Prithee, bring me\n To the dead bodies of my queen and son.",
"One grave shall be for both.",
"Upon them shall\n The causes of their death appear, unto\n Our shame perpetual.",
"Once a day I'll visit\n The chapel where they lie; and tears shed there\n Shall be my recreation.",
"So long as nature\n Will bear up with this exercise, so long\n I daily vow to use it.",
"Come, and lead me\n To these sorrows.",
"Exeunt"
] | [
"Read the indictment.",
"But thus- if pow'rs divine\n Behold our human actions, as they do,\n I doubt not then but innocence shall make\n False accusation blush, and tyranny\n Tremble at patience.",
"For life, I prize it\n As I weigh grief, which I would spare; for honour,\n 'Tis a derivative from me to mine,\n And only that I stand for.",
"LEONTES.",
"Sir,\n You speak a language that I understand not.",
"Therefore, bring forth,\n And in Apollo's name, his oracle.",
"Praised!",
"Look down\n And see what death is doing.",
"Her heart is but o'ercharg'd; she will recover.",
"Exeunt"
] | [
"A thousand knees\n Ten thousand years together, naked, fasting,\n Upon a barren mountain, and still winter\n In storm perpetual, could not move the gods\n To look that way thou wert.",
"But yet hear this- mistake me not: no life,\n I prize it not a straw, but for mine honour\n Which I would free- if I shall be condemn'd\n Upon surmises, all proofs sleeping else\n But what your jealousies awake, I tell you\n 'Tis rigour, and not law.",
"You had a bastard by Polixenes,\n And I but dream'd it.",
"My life stands in the level of your dreams,\n Which I'll lay down.",
"Enter HERMIONE, as to her trial, PAULINA, and LADIES\n\n Silence!",
"The love I bore your queen- lo, fool again!",
"Nor was't much\n Thou wouldst have poison'd good Camillo's honour,\n To have him kill a king- poor trespasses,\n More monstrous standing by; whereof I reckon\n The casting forth to crows thy baby daughter\n To be or none or little, though a devil\n Would have shed water out of fire ere done't;\n Nor is't directly laid to thee, the death\n Of the young Prince, whose honourable thoughts-\n Thoughts high for one so tender- cleft the heart\n That could conceive a gross and foolish sire\n Blemish'd his gracious dam.",
"Sir,\n You speak a language that I understand not.",
"Take her hence.",
"Praised!"
] | [
"There is no truth at all i' th' oracle.",
"The sessions shall proceed.",
"This is mere falsehood.",
"Enter a SERVANT\n\n SERVANT.",
"My lord the King, the King!",
"LEONTES.",
"What is the business?",
"SERVANT.",
"O sir, I shall be hated to report it:\n The Prince your son, with mere conceit and fear\n Of the Queen's speed, is gone.",
"LEONTES.",
"How!"
] | [
"Sicilia.",
"A court of justice\n\nEnter LEONTES, LORDS, and OFFICERS\n\n LEONTES.",
"This sessions, to our great grief we pronounce,\n Even pushes 'gainst our heart- the party tried,\n The daughter of a king, our wife, and one\n Of us too much belov'd.",
"Let us be clear'd\n Of being tyrannous, since we so openly\n Proceed in justice, which shall have due course,\n Even to the guilt or the purgation.",
"Produce the prisoner.",
"OFFICER.",
"It is his Highness' pleasure that the Queen\n Appear in person here in court.",
"Enter HERMIONE, as to her trial, PAULINA, and LADIES\n\n Silence!",
"LEONTES.",
"Read the indictment.",
"Take your patience to you,\n And I'll say nothing.",
"LEONTES.",
"Thou didst speak but well\n When most the truth; which I receive much better\n Than to be pitied of thee.",
"Prithee, bring me\n To the dead bodies of my queen and son.",
"One grave shall be for both.",
"Upon them shall\n The causes of their death appear, unto\n Our shame perpetual.",
"Once a day I'll visit\n The chapel where they lie; and tears shed there\n Shall be my recreation.",
"So long as nature\n Will bear up with this exercise, so long\n I daily vow to use it.",
"Come, and lead me\n To these sorrows.",
"Exeunt"
] |
LEONTES.
Go on, go on.
Thou canst not speak too much; I have deserv'd
All tongues to talk their bitt'rest.
FIRST LORD.
Say no more;
Howe'er the business goes, you have made fault
I' th' boldness of your speech.
PAULINA.
I am sorry for't.
All faults I make, when I shall come to know them.
I do repent.
Alas, I have show'd too much
The rashness of a woman!
He is touch'd
To th' noble heart.
What's gone and what's past help
Should be past grief.
Do not receive affliction
At my petition; I beseech you, rather
Let me be punish'd that have minded you
Of what you should forget.
Now, good my liege,
Sir, royal sir, forgive a foolish woman.
The love I bore your queen- lo, fool again!
I'll speak of her no more, nor of your children;
I'll not remember you of my own lord,
Who is lost too.
Take your patience to you,
And I'll say nothing.
LEONTES.
Thou didst speak but well
When most the truth; which I receive much better
Than to be pitied of | Sicilia.
A court of justice
Enter LEONTES, LORDS, and OFFICERS
LEONTES.
This sessions, to our great grief we pronounce,
Even pushes 'gainst our heart- the party tried,
The daughter of a king, our wife, and one
Of us too much belov'd.
Let us be clear'd
Of being tyrannous, since we so openly
Proceed in justice, which shall have due course,
Even to the guilt or the purgation.
Produce the prisoner.
OFFICER.
It is his Highness' pleasure that the Queen
Appear in person ll
When most the truth; which I receive much better
Than to be pitied of thee.
Prithee, bring me
To the dead bodies of my queen and son.
One grave shall be for both.
Upon them shall
The causes of their death appear, unto
Our shame perpetual.
Once a day I'll visit
The chapel where they lie; and tears shed there
Shall be my recreation.
So long as nature
Will bear up with this exercise, so long
I daily vow to use it.
Come, and lead me
To these sorrows.
Exeunt | not law.
Your honours all,
I do refer me to the oracle:
Apollo be my judge!
FIRST LORD.
This your request
Is altogether just.
Therefore, bring forth,
And in Apollo's name, his oracle.
Exeunt certain OFFICERS
HERMIONE.
The Emperor of Russia was my father;
O that he were alive, and here beholding
His daughter's trial!
that he did but see
The flatness of my misery; yet with eyes
Of pity, not revenge!
Re-enter OFFICERS, with CLEOMENES and DION
OFFICER.
You here shall swear upon this sword of justice
That you, Cleomenes and Dion, have
Been both at Delphos, and from thence have brought
This seal'd-up oracle, by the hand deliver'd
Of great Apollo's priest; and that since then
You have not dar'd to break the holy seal
Nor read the secrets in't.
CLEOMENES, DION.
All this we swear.
LEONTES.
Break up the seals and read.
OFFICER.
[Reads] 'Hermione is chaste; Polixenes blameless;
Camillo a true subject; Leontes a jealous tyrant; his
|
1,134 | false | cliffnotes | all_chapterized_books/1134-chapters/8.txt | finished_summaries/cliffnotes/The Winter's Tale/section_7_part_0.txt | The Winter's Tale.act 3.scene 3 | scene 3 | null | {"name": "Scene 3", "url": "https://web.archive.org/web/20201130173005/https://www.cliffsnotes.com/literature/w/the-winters-tale/summary-and-analysis/act-iii-scene-3", "summary": "Antigonus, who is carrying the hapless royal infant, asks his mariner if they have landed upon \"the deserts of Bohemia.\" The mariner confirms that they have, but he worries about an approaching storm that he interprets as a punishment by the angry heavens. Antigonus orders the mariner to return to take care of the ship and promises to hurry back. The mariner urges Antigonus to stay close to the shore and to hurry and avoid the wild beasts that lurk inland. As Antigonus leaves, the mariner says he will be glad to be finished with this assignment. Meanwhile, Antigonus talks to the infant about a dream he had the night before. Believing Hermione to be dead, Antigonus describes a nightmarish appearance of the queen's spirit. Like a beautiful \"vessel of . . . sorrow,\" the white-robed spirit approached him, bowed three times, then emitted fury, as a configuration of two spouts projected from her eyes. This dream figure acknowledged that a \"fate, against thy better disposition,/ Hath made thy person for the thrower-out/ Of my poor babe.\" She requested that Antigonus leave the baby in Bohemia and name her Perdita, which means \"the lost one.\" Because of the unpleasant duty that Antigonus had pledged to do, Antigonus will never again see Paulina. Then the spectral figure of Hermione disappeared amidst frightening shrieks. Antigonus confesses both his fright and his belief that the events seem too real to be called only a dream. Giving full rein to superstition, he interprets that Hermione is dead and that Apollo has directed the baby to the homeland of her real father, Polixenes. But he is not certain of the fate for the baby. So, he blesses her and tenderly lays her down with her few belongings. At that instant, the storm begins. Poor wretch,That for thy mother's fault art thus exposedTo loss and what may follow! Weep I cannot,But my heart bleeds; and most accursed am ITo be by oath enjoined to this. Farewell! Then, seemingly in confirmation of the dream-prophecy, the storm bursts, and a bear chases Antigonus off the stage. A shepherd enters, grumbling about the useless aggravation caused by boys between the ages of ten and twenty-three. Apparently, he suspects that some youths with the 'boiled brains\" of this age group have been hunting in the storm and have scared off two of his best sheep. Suddenly he sees the \"very pretty\" child, Hermione's daughter. Having already said that boys do nothing but harm, including \"getting wenches with child,\" he assumes this child was born of just such an escapade. Overwhelmed by pity, the shepherd decides to take the baby home. But first, he calls his son, \"the clown,\" to see it: \"What, art so near? If thou'lt see a thing to talk on when thou art dead and rotten, come hither.\" The shepherd notices that his son is upset, so he asks what is wrong. Two different disasters have shaken the boy. First, during a storm that he describes as encompassing the sea and the sky, he heard the screams and watched the deaths of the entire crew aboard a wrecked ship. Then, someone named Antigonus begged for help as a \"bear tore out his shoulder-bone.\" As the sailors yelled for help, \"the sea mocked them,\" and as Antigonus screamed for help, \"the bear mocked him\"; eventually, the clown says, all of the victims were \"roaring louder than the sea or weather.\" The shepherd asks when this happened. Just now, responds his son, too soon for the men to be chilled in the sea or the bear to be \"half dined on the gentleman.\" Both men are distraught at their helplessness. So in contrast, the shepherd draws the clown's attention to \"things new-born,\" and points out \"a bearing-cloth for a Squire's child.\" The shepherd speculates that this baby is a changeling, given to him by fairies to fulfill an old prediction that someday he would be rich. The clown declares that his father will be rich from the gold which is tucked in the baby's wrapping, but the shepherd warns his son to keep the \"fairy gold\" a secret; he wants to hasten home without bothering to search any longer for his missing sheep. The clown tells his father to take everything home; he will return to the place where Antigonus was killed. Reasoning that if the bear ate until it was sated, it will no longer be dangerous; the boy wants to see if there is enough left of Antigonus to bury. After commending his son for his goodness, the shepherd asks to be brought to the scene so that he himself can see if enough is left on Antigonus to identify his origins. As they exit, the shepherd says cheerfully, \"'Tis a lucky day, boy, and we'll do good deeds on I.\"", "analysis": "This scene is structured on irony and laced with sardonic humor. Dramatic irony is first evident when Antigonus swears to faithfully carry out the king's order to abandon the baby; the audience, you should remember, knows full well that Leontes has now repented of his tyranny. There is additional irony here because of the old shepherd's vituperative attacks on young men; obviously, his son does not conform to the shepherd's notion of the norm. Consider also the many tragedies that preceded the shepherd's finding the baby, contrasted with his simple belief that the fairies dropped both the baby and gold in his pathway in order to make him rich. From this point until the end of the play, comedy will be threaded throughout the central plot, which focuses primarily on poetic justice. The comedy here is based on Shakespeare's incorporating the astounding and incredible. Consider that in this scene alone, Shakespeare includes noisy thunder, ghosts, an attacking bear, slapstick humor, fairies, and a rags-to-riches myth! Another use of the astounding that contributes to the plot involves the fate of Antigonus, of Perdita, and that of the mariners. Antigonus and the crew, of course, must die so that no one can report to Bohemia who the infant is, and no one can bring news to Sicilia where the infant was abandoned. Since Antigonus did not select Bohemia as his destination prior to embarking from Sicilia, Perdita is now completely abandoned to Fate. As with all Pastoral Romances, the events in this scene can flourish without insistence upon absolute truth. On the way to the \"deserts of Bohemia,\" Antigonus believes that he experiences a supernatural vision which he incorrectly interprets as proof that Hermione has died and that Perdita was fathered by Polixenes. Equally as confused as Antigonus, the old shepherd irrationally believes that something supernatural guided the fairies to leave him a changeling and the gold for his own fortune. Another element that is consistent with the genre of Pastoral Romance is Shakespeare's moral lessons about virtue and vice. Both Antigonus and the mariner worry about retribution by the heavens for their participation in the heartless, unwarranted punishment of the infant. And this retribution occurs just after Antigonus leaves the infant, stating \"most accursed am L\" A hungry bear chases Antigonus off the stage at the very moment that the thunderstorm breaks. This storm would most certainly have been viewed by Elizabethan audiences as a disruption of the Heavenly Order. Shakespeare's humor softens this horror when the shepherd and clown bury Antigonus because \"'Tis a lucky day\" which calls for \"good deeds.\" Clearly, these two characters are characterized by their rewards for virtue as surely as Leontes is characterized by his punishment for the absence of such virtue. Significantly, all the fantastic elements are used to save Perdita for the healing role that she must play in order for the major conflict to be resolved. Realism, here, is achieved through characterization. Antigonus, already established as a kind of man who is reluctant to carry out the king's orders, contributes to the possible survival of the infant by wrapping a substantial amount of gold in her blankets. The gold must have been his own; certainly, it was not provided by the crazed Leontes. Antigonus' foresight does attract the attention of the shepherd, and although he believes the superstitious possibility that the baby is a changeling , the shepherd is also a good man who never considers killing the baby -- only keeping the gold. He unwaveringly accepts the responsibility to raise the baby -- initially, when he thought it was an abandoned bastard and, later, when he thought that it was an instrument of the fairies. Probability in the plot depends upon the acceptance of illusion: If Perdita were in the hands of these characters on a seacoast of a place called Bohemia where wild bears roamed at the very moment a vicious storm broke, then this might follow. Modern audiences will all surely recognize and forgive this perceived breach of probability. The scene balances comedy and tragedy nicely, introduces new major characters, and it saves the baby for the resolution of renewal and rebirth. Its final dramatic result is that it places Perdita in the very middle of illusion and reality."} | Bohemia. The sea-coast
Enter ANTIGONUS with the CHILD, and a MARINER
ANTIGONUS. Thou art perfect then our ship hath touch'd upon
The deserts of Bohemia?
MARINER. Ay, my lord, and fear
We have landed in ill time; the skies look grimly
And threaten present blusters. In my conscience,
The heavens with that we have in hand are angry
And frown upon 's.
ANTIGONUS. Their sacred wills be done! Go, get aboard;
Look to thy bark. I'll not be long before
I call upon thee.
MARINER. Make your best haste; and go not
Too far i' th' land; 'tis like to be loud weather;
Besides, this place is famous for the creatures
Of prey that keep upon't.
ANTIGONUS. Go thou away;
I'll follow instantly.
MARINER. I am glad at heart
To be so rid o' th' business. Exit
ANTIGONUS. Come, poor babe.
I have heard, but not believ'd, the spirits o' th' dead
May walk again. If such thing be, thy mother
Appear'd to me last night; for ne'er was dream
So like a waking. To me comes a creature,
Sometimes her head on one side some another-
I never saw a vessel of like sorrow,
So fill'd and so becoming; in pure white robes,
Like very sanctity, she did approach
My cabin where I lay; thrice bow'd before me;
And, gasping to begin some speech, her eyes
Became two spouts; the fury spent, anon
Did this break from her: 'Good Antigonus,
Since fate, against thy better disposition,
Hath made thy person for the thrower-out
Of my poor babe, according to thine oath,
Places remote enough are in Bohemia,
There weep, and leave it crying; and, for the babe
Is counted lost for ever, Perdita
I prithee call't. For this ungentle business,
Put on thee by my lord, thou ne'er shalt see
Thy wife Paulina more.' so, with shrieks,
She melted into air. Affrighted much,
I did in time collect myself, and thought
This was so and no slumber. Dreams are toys;
Yet, for this once, yea, superstitiously,
I will be squar'd by this. I do believe
Hermione hath suffer'd death, and that
Apollo would, this being indeed the issue
Of King Polixenes, it should here be laid,
Either for life or death, upon the earth
Of its right father. Blossom, speed thee well!
[Laying down the child]
There lie, and there thy character; there these
[Laying down a bundle]
Which may, if fortune please, both breed thee, pretty,
And still rest thine. The storm begins. Poor wretch,
That for thy mother's fault art thus expos'd
To loss and what may follow! Weep I cannot,
But my heart bleeds; and most accurs'd am I
To be by oath enjoin'd to this. Farewell!
The day frowns more and more. Thou'rt like to have
A lullaby too rough; I never saw
The heavens so dim by day. [Noise of hunt within] A savage
clamour!
Well may I get aboard! This is the chase;
I am gone for ever. Exit, pursued by a bear
Enter an old SHEPHERD
SHEPHERD. I would there were no age between ten and three and
twenty, or that youth would sleep out the rest; for there is
nothing in the between but getting wenches with child,
wronging
the ancientry, stealing, fighting- [Horns] Hark you now!
Would
any but these boil'd brains of nineteen and two and twenty
hunt
this weather? They have scar'd away two of my best sheep,
which I
fear the wolf will sooner find than the master. If any where
I
have them, 'tis by the sea-side, browsing of ivy. Good luck,
an't
be thy will! What have we here? [Taking up the child] Mercy
on's, a barne! A very pretty barne. A boy or a child, I
wonder? A
pretty one; a very pretty one- sure, some scape. Though I am
not
bookish, yet I can read waiting-gentlewoman in the scape.
This
has been some stair-work, some trunk-work, some
behind-door-work;
they were warmer that got this than the poor thing is here.
I'll
take it up for pity; yet I'll tarry till my son come; he
halloo'd
but even now. Whoa-ho-hoa!
Enter CLOWN
CLOWN. Hilloa, loa!
SHEPHERD. What, art so near? If thou'lt see a thing to talk on
when
thou art dead and rotten, come hither. What ail'st thou, man?
CLOWN. I have seen two such sights, by sea and by land! But I
am
not to say it is a sea, for it is now the sky; betwixt the
firmament and it you cannot thrust a bodkin's point.
SHEPHERD. Why, boy, how is it?
CLOWN. I would you did but see how it chafes, how it rages, how
it
takes up the shore! But that's not to the point. O, the most
piteous cry of the poor souls! Sometimes to see 'em, and not
to
see 'em; now the ship boring the moon with her mainmast, and
anon
swallowed with yeast and froth, as you'd thrust a cork into a
hogshead. And then for the land service- to see how the bear
tore
out his shoulder-bone; how he cried to me for help, and said
his
name was Antigonus, a nobleman! But to make an end of the
ship-
to see how the sea flap-dragon'd it; but first, how the poor
souls roared, and the sea mock'd them; and how the poor
gentleman
roared, and the bear mock'd him, both roaring louder than the
sea
or weather.
SHEPHERD. Name of mercy, when was this, boy?
CLOWN. Now, now; I have not wink'd since I saw these sights;
the
men are not yet cold under water, nor the bear half din'd on
the
gentleman; he's at it now.
SHEPHERD. Would I had been by to have help'd the old man!
CLOWN. I would you had been by the ship-side, to have help'd
her;
there your charity would have lack'd footing.
SHEPHERD. Heavy matters, heavy matters! But look thee here,
boy.
Now bless thyself; thou met'st with things dying, I with
things
new-born. Here's a sight for thee; look thee, a bearing-cloth
for
a squire's child! Look thee here; take up, take up, boy;
open't.
So, let's see- it was told me I should be rich by the
fairies.
This is some changeling. Open't. What's within, boy?
CLOWN. You're a made old man; if the sins of your youth are
forgiven you, you're well to live. Gold! all gold!
SHEPHERD. This is fairy gold, boy, and 'twill prove so. Up
with't,
keep it close. Home, home, the next way! We are lucky, boy;
and
to be so still requires nothing but secrecy. Let my sheep go.
Come, good boy, the next way home.
CLOWN. Go you the next way with your findings. I'll go see if
the
bear be gone from the gentleman, and how much he hath eaten.
They
are never curst but when they are hungry. If there be any of
him
left, I'll bury it.
SHEPHERD. That's a good deed. If thou mayest discern by that
which
is left of him what he is, fetch me to th' sight of him.
CLOWN. Marry, will I; and you shall help to put him i' th'
ground.
SHEPHERD. 'Tis a lucky day, boy; and we'll do good deeds on't.
Exeunt
| 1,730 | Scene 3 | https://web.archive.org/web/20201130173005/https://www.cliffsnotes.com/literature/w/the-winters-tale/summary-and-analysis/act-iii-scene-3 | Antigonus, who is carrying the hapless royal infant, asks his mariner if they have landed upon "the deserts of Bohemia." The mariner confirms that they have, but he worries about an approaching storm that he interprets as a punishment by the angry heavens. Antigonus orders the mariner to return to take care of the ship and promises to hurry back. The mariner urges Antigonus to stay close to the shore and to hurry and avoid the wild beasts that lurk inland. As Antigonus leaves, the mariner says he will be glad to be finished with this assignment. Meanwhile, Antigonus talks to the infant about a dream he had the night before. Believing Hermione to be dead, Antigonus describes a nightmarish appearance of the queen's spirit. Like a beautiful "vessel of . . . sorrow," the white-robed spirit approached him, bowed three times, then emitted fury, as a configuration of two spouts projected from her eyes. This dream figure acknowledged that a "fate, against thy better disposition,/ Hath made thy person for the thrower-out/ Of my poor babe." She requested that Antigonus leave the baby in Bohemia and name her Perdita, which means "the lost one." Because of the unpleasant duty that Antigonus had pledged to do, Antigonus will never again see Paulina. Then the spectral figure of Hermione disappeared amidst frightening shrieks. Antigonus confesses both his fright and his belief that the events seem too real to be called only a dream. Giving full rein to superstition, he interprets that Hermione is dead and that Apollo has directed the baby to the homeland of her real father, Polixenes. But he is not certain of the fate for the baby. So, he blesses her and tenderly lays her down with her few belongings. At that instant, the storm begins. Poor wretch,That for thy mother's fault art thus exposedTo loss and what may follow! Weep I cannot,But my heart bleeds; and most accursed am ITo be by oath enjoined to this. Farewell! Then, seemingly in confirmation of the dream-prophecy, the storm bursts, and a bear chases Antigonus off the stage. A shepherd enters, grumbling about the useless aggravation caused by boys between the ages of ten and twenty-three. Apparently, he suspects that some youths with the 'boiled brains" of this age group have been hunting in the storm and have scared off two of his best sheep. Suddenly he sees the "very pretty" child, Hermione's daughter. Having already said that boys do nothing but harm, including "getting wenches with child," he assumes this child was born of just such an escapade. Overwhelmed by pity, the shepherd decides to take the baby home. But first, he calls his son, "the clown," to see it: "What, art so near? If thou'lt see a thing to talk on when thou art dead and rotten, come hither." The shepherd notices that his son is upset, so he asks what is wrong. Two different disasters have shaken the boy. First, during a storm that he describes as encompassing the sea and the sky, he heard the screams and watched the deaths of the entire crew aboard a wrecked ship. Then, someone named Antigonus begged for help as a "bear tore out his shoulder-bone." As the sailors yelled for help, "the sea mocked them," and as Antigonus screamed for help, "the bear mocked him"; eventually, the clown says, all of the victims were "roaring louder than the sea or weather." The shepherd asks when this happened. Just now, responds his son, too soon for the men to be chilled in the sea or the bear to be "half dined on the gentleman." Both men are distraught at their helplessness. So in contrast, the shepherd draws the clown's attention to "things new-born," and points out "a bearing-cloth for a Squire's child." The shepherd speculates that this baby is a changeling, given to him by fairies to fulfill an old prediction that someday he would be rich. The clown declares that his father will be rich from the gold which is tucked in the baby's wrapping, but the shepherd warns his son to keep the "fairy gold" a secret; he wants to hasten home without bothering to search any longer for his missing sheep. The clown tells his father to take everything home; he will return to the place where Antigonus was killed. Reasoning that if the bear ate until it was sated, it will no longer be dangerous; the boy wants to see if there is enough left of Antigonus to bury. After commending his son for his goodness, the shepherd asks to be brought to the scene so that he himself can see if enough is left on Antigonus to identify his origins. As they exit, the shepherd says cheerfully, "'Tis a lucky day, boy, and we'll do good deeds on I." | This scene is structured on irony and laced with sardonic humor. Dramatic irony is first evident when Antigonus swears to faithfully carry out the king's order to abandon the baby; the audience, you should remember, knows full well that Leontes has now repented of his tyranny. There is additional irony here because of the old shepherd's vituperative attacks on young men; obviously, his son does not conform to the shepherd's notion of the norm. Consider also the many tragedies that preceded the shepherd's finding the baby, contrasted with his simple belief that the fairies dropped both the baby and gold in his pathway in order to make him rich. From this point until the end of the play, comedy will be threaded throughout the central plot, which focuses primarily on poetic justice. The comedy here is based on Shakespeare's incorporating the astounding and incredible. Consider that in this scene alone, Shakespeare includes noisy thunder, ghosts, an attacking bear, slapstick humor, fairies, and a rags-to-riches myth! Another use of the astounding that contributes to the plot involves the fate of Antigonus, of Perdita, and that of the mariners. Antigonus and the crew, of course, must die so that no one can report to Bohemia who the infant is, and no one can bring news to Sicilia where the infant was abandoned. Since Antigonus did not select Bohemia as his destination prior to embarking from Sicilia, Perdita is now completely abandoned to Fate. As with all Pastoral Romances, the events in this scene can flourish without insistence upon absolute truth. On the way to the "deserts of Bohemia," Antigonus believes that he experiences a supernatural vision which he incorrectly interprets as proof that Hermione has died and that Perdita was fathered by Polixenes. Equally as confused as Antigonus, the old shepherd irrationally believes that something supernatural guided the fairies to leave him a changeling and the gold for his own fortune. Another element that is consistent with the genre of Pastoral Romance is Shakespeare's moral lessons about virtue and vice. Both Antigonus and the mariner worry about retribution by the heavens for their participation in the heartless, unwarranted punishment of the infant. And this retribution occurs just after Antigonus leaves the infant, stating "most accursed am L" A hungry bear chases Antigonus off the stage at the very moment that the thunderstorm breaks. This storm would most certainly have been viewed by Elizabethan audiences as a disruption of the Heavenly Order. Shakespeare's humor softens this horror when the shepherd and clown bury Antigonus because "'Tis a lucky day" which calls for "good deeds." Clearly, these two characters are characterized by their rewards for virtue as surely as Leontes is characterized by his punishment for the absence of such virtue. Significantly, all the fantastic elements are used to save Perdita for the healing role that she must play in order for the major conflict to be resolved. Realism, here, is achieved through characterization. Antigonus, already established as a kind of man who is reluctant to carry out the king's orders, contributes to the possible survival of the infant by wrapping a substantial amount of gold in her blankets. The gold must have been his own; certainly, it was not provided by the crazed Leontes. Antigonus' foresight does attract the attention of the shepherd, and although he believes the superstitious possibility that the baby is a changeling , the shepherd is also a good man who never considers killing the baby -- only keeping the gold. He unwaveringly accepts the responsibility to raise the baby -- initially, when he thought it was an abandoned bastard and, later, when he thought that it was an instrument of the fairies. Probability in the plot depends upon the acceptance of illusion: If Perdita were in the hands of these characters on a seacoast of a place called Bohemia where wild bears roamed at the very moment a vicious storm broke, then this might follow. Modern audiences will all surely recognize and forgive this perceived breach of probability. The scene balances comedy and tragedy nicely, introduces new major characters, and it saves the baby for the resolution of renewal and rebirth. Its final dramatic result is that it places Perdita in the very middle of illusion and reality. | 804 | 710 | [
"Bohemia.",
"The sea-coast\n\nEnter ANTIGONUS with the CHILD, and a MARINER\n\n ANTIGONUS.",
"Thou art perfect then our ship hath touch'd upon\n The deserts of Bohemia?",
"MARINER.",
"Ay, my lord, and fear\n We have landed in ill time; the skies look grimly\n And threaten present blusters.",
"In my conscience,\n The heavens with that we have in hand are angry\n And frown upon 's.",
"ANTIGONUS.",
"Their sacred wills be done!",
"Go, get aboard;\n Look to thy bark.",
"I'll not be long before\n I call upon thee.",
"MARINER.",
"Make your best haste; and go not\n Too far i' th' land; 'tis like to be loud weather;\n Besides, this place is famous for the creatures\n Of prey that keep upon't.",
"ANTIGONUS.",
"Go thou away;\n I'll follow instantly.",
"MARINER.",
"I am glad at heart\n To be so rid o' th' business.",
"Exit\n ANTIGONUS.",
"Come, poor babe.",
"I have heard, but not believ'd, the spirits o' th' dead\n May walk again.",
"If such thing be, thy mother\n Appear'd to me last night; for ne'er was dream\n So like a waking.",
"To me comes a creature,\n Sometimes her head on one side some another-\n I never saw a vessel of like sorrow,\n So fill'd and so becoming; in pure white robes,\n Like very sanctity, she did approach\n My cabin where I lay; thrice bow'd before me;\n And, gasping to begin some speech, her eyes\n Became two spouts; the fury spent, anon\n Did this break from her: 'Good Antigonus,\n Since fate, against thy better disposition,\n Hath made thy person for the thrower-out\n Of my poor babe, according to thine oath,\n Places remote enough are in Bohemia,\n There weep, and leave it crying; and, for the babe\n Is counted lost for ever, Perdita\n I prithee call't.",
"For this ungentle business,\n Put on thee by my lord, thou ne'er shalt see\n Thy wife Paulina more.'",
"so, with shrieks,\n She melted into air.",
"Affrighted much,\n I did in time collect myself, and thought\n This was so and no slumber.",
"Dreams are toys;\n Yet, for this once, yea, superstitiously,\n I will be squar'd by this.",
"I do believe\n Hermione hath suffer'd death, and that\n Apollo would, this being indeed the issue\n Of King Polixenes, it should here be laid,\n Either for life or death, upon the earth\n Of its right father.",
"Blossom, speed thee well!",
"[Laying down the child]\n There lie, and there thy character; there these\n [Laying down a bundle]\n Which may, if fortune please, both breed thee, pretty,\n And still rest thine.",
"The storm begins.",
"Poor wretch,\n That for thy mother's fault art thus expos'd\n To loss and what may follow!",
"Weep I cannot,\n But my heart bleeds; and most accurs'd am I\n To be by oath enjoin'd to this.",
"Farewell!",
"The day frowns more and more.",
"Thou'rt like to have\n A lullaby too rough; I never saw\n The heavens so dim by day.",
"[Noise of hunt within] A savage\n clamour!",
"Well may I get aboard!",
"This is the chase;\n I am gone for ever.",
"Exit, pursued by a bear\n\n Enter an old SHEPHERD\n\n SHEPHERD.",
"I would there were no age between ten and three and\n twenty, or that youth would sleep out the rest; for there is\n nothing in the between but getting wenches with child,\nwronging\n the ancientry, stealing, fighting- [Horns] Hark you now!",
"Would\n any but these boil'd brains of nineteen and two and twenty\nhunt\n this weather?",
"They have scar'd away two of my best sheep,\nwhich I\n fear the wolf will sooner find than the master.",
"If any where\nI\n have them, 'tis by the sea-side, browsing of ivy.",
"Good luck,\nan't\n be thy will!",
"What have we here?",
"[Taking up the child] Mercy\n\n on's, a barne!",
"A very pretty barne.",
"A boy or a child, I\nwonder?",
"A\n pretty one; a very pretty one- sure, some scape.",
"Though I am\nnot\n bookish, yet I can read waiting-gentlewoman in the scape.",
"This\n has been some stair-work, some trunk-work, some\nbehind-door-work;\n they were warmer that got this than the poor thing is here.",
"I'll\n take it up for pity; yet I'll tarry till my son come; he\nhalloo'd\n but even now.",
"Whoa-ho-hoa!",
"Enter CLOWN\n\n CLOWN.",
"Hilloa, loa!",
"SHEPHERD.",
"What, art so near?",
"If thou'lt see a thing to talk on\nwhen\n thou art dead and rotten, come hither.",
"What ail'st thou, man?",
"CLOWN.",
"I have seen two such sights, by sea and by land!",
"But I\nam\n not to say it is a sea, for it is now the sky; betwixt the\n firmament and it you cannot thrust a bodkin's point.",
"SHEPHERD.",
"Why, boy, how is it?",
"CLOWN.",
"I would you did but see how it chafes, how it rages, how\nit\n takes up the shore!",
"But that's not to the point.",
"O, the most\n piteous cry of the poor souls!",
"Sometimes to see 'em, and not\nto\n see 'em; now the ship boring the moon with her mainmast, and\nanon\n swallowed with yeast and froth, as you'd thrust a cork into a\n hogshead.",
"And then for the land service- to see how the bear\ntore\n out his shoulder-bone; how he cried to me for help, and said\nhis\n name was Antigonus, a nobleman!",
"But to make an end of the\nship-\n to see how the sea flap-dragon'd it; but first, how the poor\n souls roared, and the sea mock'd them; and how the poor\ngentleman\n roared, and the bear mock'd him, both roaring louder than the\nsea\n or weather.",
"SHEPHERD.",
"Name of mercy, when was this, boy?",
"CLOWN.",
"Now, now; I have not wink'd since I saw these sights;\nthe\n men are not yet cold under water, nor the bear half din'd on\nthe\n gentleman; he's at it now.",
"SHEPHERD.",
"Would I had been by to have help'd the old man!",
"CLOWN.",
"I would you had been by the ship-side, to have help'd\nher;\n there your charity would have lack'd footing.",
"SHEPHERD.",
"Heavy matters, heavy matters!",
"But look thee here,\nboy.",
"Now bless thyself; thou met'st with things dying, I with\nthings\n new-born.",
"Here's a sight for thee; look thee, a bearing-cloth\nfor\n a squire's child!",
"Look thee here; take up, take up, boy;\nopen't.",
"So, let's see- it was told me I should be rich by the\nfairies.",
"This is some changeling.",
"Open't.",
"What's within, boy?",
"CLOWN.",
"You're a made old man; if the sins of your youth are\n forgiven you, you're well to live.",
"Gold!",
"all gold!",
"SHEPHERD.",
"This is fairy gold, boy, and 'twill prove so.",
"Up\nwith't,\n keep it close.",
"Home, home, the next way!",
"We are lucky, boy;\nand\n to be so still requires nothing but secrecy.",
"Let my sheep go.",
"Come, good boy, the next way home.",
"CLOWN.",
"Go you the next way with your findings.",
"I'll go see if\nthe\n bear be gone from the gentleman, and how much he hath eaten.",
"They\n are never curst but when they are hungry.",
"If there be any of\nhim\n left, I'll bury it.",
"SHEPHERD.",
"That's a good deed.",
"If thou mayest discern by that\nwhich\n is left of him what he is, fetch me to th' sight of him.",
"CLOWN.",
"Marry, will I; and you shall help to put him i' th'\nground.",
"SHEPHERD.",
"'Tis a lucky day, boy; and we'll do good deeds on't.",
"Exeunt"
] | [
"Come, poor babe.",
"I would there were no age between ten and three and\n twenty, or that youth would sleep out the rest; for there is\n nothing in the between but getting wenches with child,\nwronging\n the ancientry, stealing, fighting- [Horns] Hark you now!",
"Would I had been by to have help'd the old man!",
"Heavy matters, heavy matters!",
"So, let's see- it was told me I should be rich by the\nfairies.",
"all gold!",
"We are lucky, boy;\nand\n to be so still requires nothing but secrecy.",
"Let my sheep go.",
"CLOWN.",
"Go you the next way with your findings."
] | [
"Sometimes to see 'em, and not\nto\n see 'em; now the ship boring the moon with her mainmast, and\nanon\n swallowed with yeast and froth, as you'd thrust a cork into a\n hogshead.",
"What, art so near?",
"I'll\n take it up for pity; yet I'll tarry till my son come; he\nhalloo'd\n but even now.",
"Blossom, speed thee well!",
"Open't.",
"For this ungentle business,\n Put on thee by my lord, thou ne'er shalt see\n Thy wife Paulina more.'",
"I'll go see if\nthe\n bear be gone from the gentleman, and how much he hath eaten.",
"I would you had been by the ship-side, to have help'd\nher;\n there your charity would have lack'd footing.",
"CLOWN.",
"CLOWN."
] | [
"Whoa-ho-hoa!",
"Enter CLOWN\n\n CLOWN.",
"Hilloa, loa!",
"SHEPHERD.",
"What, art so near?",
"If thou'lt see a thing to talk on\nwhen\n thou art dead and rotten, come hither.",
"What ail'st thou, man?",
"CLOWN.",
"I have seen two such sights, by sea and by land!",
"But I\nam\n not to say it is a sea, for it is now the sky; betwixt the\n firmament and it you cannot thrust a bodkin's point.",
"SHEPHERD."
] | [
"Bohemia.",
"The sea-coast\n\nEnter ANTIGONUS with the CHILD, and a MARINER\n\n ANTIGONUS.",
"Thou art perfect then our ship hath touch'd upon\n The deserts of Bohemia?",
"MARINER.",
"Ay, my lord, and fear\n We have landed in ill time; the skies look grimly\n And threaten present blusters.",
"In my conscience,\n The heavens with that we have in hand are angry\n And frown upon 's.",
"ANTIGONUS.",
"Their sacred wills be done!",
"Go, get aboard;\n Look to thy bark.",
"I'll not be long before\n I call upon thee.",
"They\n are never curst but when they are hungry.",
"If there be any of\nhim\n left, I'll bury it.",
"SHEPHERD.",
"That's a good deed.",
"If thou mayest discern by that\nwhich\n is left of him what he is, fetch me to th' sight of him.",
"CLOWN.",
"Marry, will I; and you shall help to put him i' th'\nground.",
"SHEPHERD.",
"'Tis a lucky day, boy; and we'll do good deeds on't.",
"Exeunt"
] | Name of mercy, when was this, boy?
CLOWN.
Now, now; I have not wink'd since I saw these sights;
the
men are not yet cold under water, nor the bear half din'd on
the
gentleman; he's at it now.
SHEPHERD.
Would I had been by to have help'd the old man!
CLOWN.
I would you had been by the ship-side, to have help'd
her;
there your charity would have lack'd footing.
SHEPHERD.
Heavy matters, heavy matters!
But look thee here,
boy.
Now bless thyself; thou met'st with things dying, I with
things
new-born.
Here's a sight for thee; look thee, a bearing-cloth
for
a squire's child!
Look thee here; take up, take up, boy;
open't.
So, let's see- it was told me I should be rich by the
fairies.
This is some changeling.
Open't.
What's within, boy?
CLOWN.
You're a made old man; if the sins of your youth are
forgiven you, you're well to live.
Gold!
all gold!
SHEPHERD.
This is fairy gold, boy, and 'twill prove so.
Up
with't,
keep it close.
Home, home, the next way!
We are lucky, b | Bohemia.
The sea-coast
Enter ANTIGONUS with the CHILD, and a MARINER
ANTIGONUS.
Thou art perfect then our ship hath touch'd upon
The deserts of Bohemia?
MARINER.
Ay, my lord, and fear
We have landed in ill time; the skies look grimly
And threaten present blusters.
In my conscience,
The heavens with that we have in hand are angry
And frown upon 's.
ANTIGONUS.
Their sacred wills be done!
Go, get aboard;
Look to thy bark.
I'll not be long before
I call upon thee.
MAR home.
CLOWN.
Go you the next way with your findings.
I'll go see if
the
bear be gone from the gentleman, and how much he hath eaten.
They
are never curst but when they are hungry.
If there be any of
him
left, I'll bury it.
SHEPHERD.
That's a good deed.
If thou mayest discern by that
which
is left of him what he is, fetch me to th' sight of him.
CLOWN.
Marry, will I; and you shall help to put him i' th'
ground.
SHEPHERD.
'Tis a lucky day, boy; and we'll do good deeds on't.
Exeunt | the chase;
I am gone for ever.
Exit, pursued by a bear
Enter an old SHEPHERD
SHEPHERD.
I would there were no age between ten and three and
twenty, or that youth would sleep out the rest; for there is
nothing in the between but getting wenches with child,
wronging
the ancientry, stealing, fighting- [Horns] Hark you now!
Would
any but these boil'd brains of nineteen and two and twenty
hunt
this weather?
They have scar'd away two of my best sheep,
which I
fear the wolf will sooner find than the master.
If any where
I
have them, 'tis by the sea-side, browsing of ivy.
Good luck,
an't
be thy will!
What have we here?
[Taking up the child] Mercy
on's, a barne!
A very pretty barne.
A boy or a child, I
wonder?
A
pretty one; a very pretty one- sure, some scape.
Though I am
not
bookish, yet I can read waiting-gentlewoman in the scape.
This
has been some stair-work, some trunk-work, some
behind-door-work;
they wer |
1,134 | false | cliffnotes | all_chapterized_books/1134-chapters/9.txt | finished_summaries/cliffnotes/The Winter's Tale/section_8_part_0.txt | The Winter's Tale.act 4.scene 1 | scene 1 | null | {"name": "Scene 1", "url": "https://web.archive.org/web/20201130173005/https://www.cliffsnotes.com/literature/w/the-winters-tale/summary-and-analysis/act-iv-scene-1", "summary": "A Chorus symbolizing Time announces that sixteen years have passed. During those years, Leontes has replaced his jealousy with seclusion, while Florizel and Perdita have grown up and matured in Bohemia.", "analysis": "As in ancient Greek plays, a Chorus substitutes narrative for dramatic action. In addition to preparing the audience for an adult Florizel and Perdita, when next we see them, the narrative transcends the focus from the actions of Leontes to the actions of the Bohemian cast of characters."} | Enter TIME, the CHORUS
TIME. I, that please some, try all, both joy and terror
Of good and bad, that makes and unfolds error,
Now take upon me, in the name of Time,
To use my wings. Impute it not a crime
To me or my swift passage that I slide
O'er sixteen years, and leave the growth untried
Of that wide gap, since it is in my pow'r
To o'erthrow law, and in one self-born hour
To plant and o'erwhelm custom. Let me pass
The same I am, ere ancient'st order was
Or what is now receiv'd. I witness to
The times that brought them in; so shall I do
To th' freshest things now reigning, and make stale
The glistering of this present, as my tale
Now seems to it. Your patience this allowing,
I turn my glass, and give my scene such growing
As you had slept between. Leontes leaving-
Th' effects of his fond jealousies so grieving
That he shuts up himself- imagine me,
Gentle spectators, that I now may be
In fair Bohemia; and remember well
I mention'd a son o' th' King's, which Florizel
I now name to you; and with speed so pace
To speak of Perdita, now grown in grace
Equal with wond'ring. What of her ensues
I list not prophesy; but let Time's news
Be known when 'tis brought forth. A shepherd's daughter,
And what to her adheres, which follows after,
Is th' argument of Time. Of this allow,
If ever you have spent time worse ere now;
If never, yet that Time himself doth say
He wishes earnestly you never may. Exit
| 387 | Scene 1 | https://web.archive.org/web/20201130173005/https://www.cliffsnotes.com/literature/w/the-winters-tale/summary-and-analysis/act-iv-scene-1 | A Chorus symbolizing Time announces that sixteen years have passed. During those years, Leontes has replaced his jealousy with seclusion, while Florizel and Perdita have grown up and matured in Bohemia. | As in ancient Greek plays, a Chorus substitutes narrative for dramatic action. In addition to preparing the audience for an adult Florizel and Perdita, when next we see them, the narrative transcends the focus from the actions of Leontes to the actions of the Bohemian cast of characters. | 31 | 48 | [
"Enter TIME, the CHORUS\n\n TIME.",
"I, that please some, try all, both joy and terror\n Of good and bad, that makes and unfolds error,\n Now take upon me, in the name of Time,\n To use my wings.",
"Impute it not a crime\n To me or my swift passage that I slide\n O'er sixteen years, and leave the growth untried\n Of that wide gap, since it is in my pow'r\n To o'erthrow law, and in one self-born hour\n To plant and o'erwhelm custom.",
"Let me pass\n The same I am, ere ancient'st order was\n Or what is now receiv'd.",
"I witness to\n The times that brought them in; so shall I do\n To th' freshest things now reigning, and make stale\n The glistering of this present, as my tale\n Now seems to it.",
"Your patience this allowing,\n I turn my glass, and give my scene such growing\n As you had slept between.",
"Leontes leaving-\n Th' effects of his fond jealousies so grieving\n That he shuts up himself- imagine me,\n Gentle spectators, that I now may be\n In fair Bohemia; and remember well\n I mention'd a son o' th' King's, which Florizel\n I now name to you; and with speed so pace\n To speak of Perdita, now grown in grace\n Equal with wond'ring.",
"What of her ensues\n I list not prophesy; but let Time's news\n Be known when 'tis brought forth.",
"A shepherd's daughter,\n And what to her adheres, which follows after,\n Is th' argument of Time.",
"Of this allow,\n If ever you have spent time worse ere now;\n If never, yet that Time himself doth say\n He wishes earnestly you never may.",
"Exit"
] | [
"Enter TIME, the CHORUS\n\n TIME.",
"I, that please some, try all, both joy and terror\n Of good and bad, that makes and unfolds error,\n Now take upon me, in the name of Time,\n To use my wings.",
"Impute it not a crime\n To me or my swift passage that I slide\n O'er sixteen years, and leave the growth untried\n Of that wide gap, since it is in my pow'r\n To o'erthrow law, and in one self-born hour\n To plant and o'erwhelm custom.",
"Let me pass\n The same I am, ere ancient'st order was\n Or what is now receiv'd.",
"I witness to\n The times that brought them in; so shall I do\n To th' freshest things now reigning, and make stale\n The glistering of this present, as my tale\n Now seems to it.",
"Your patience this allowing,\n I turn my glass, and give my scene such growing\n As you had slept between.",
"Leontes leaving-\n Th' effects of his fond jealousies so grieving\n That he shuts up himself- imagine me,\n Gentle spectators, that I now may be\n In fair Bohemia; and remember well\n I mention'd a son o' th' King's, which Florizel\n I now name to you; and with speed so pace\n To speak of Perdita, now grown in grace\n Equal with wond'ring.",
"What of her ensues\n I list not prophesy; but let Time's news\n Be known when 'tis brought forth.",
"A shepherd's daughter,\n And what to her adheres, which follows after,\n Is th' argument of Time.",
"Exit"
] | [
"Of this allow,\n If ever you have spent time worse ere now;\n If never, yet that Time himself doth say\n He wishes earnestly you never may.",
"I, that please some, try all, both joy and terror\n Of good and bad, that makes and unfolds error,\n Now take upon me, in the name of Time,\n To use my wings.",
"Your patience this allowing,\n I turn my glass, and give my scene such growing\n As you had slept between.",
"Exit",
"What of her ensues\n I list not prophesy; but let Time's news\n Be known when 'tis brought forth.",
"A shepherd's daughter,\n And what to her adheres, which follows after,\n Is th' argument of Time.",
"Impute it not a crime\n To me or my swift passage that I slide\n O'er sixteen years, and leave the growth untried\n Of that wide gap, since it is in my pow'r\n To o'erthrow law, and in one self-born hour\n To plant and o'erwhelm custom.",
"Enter TIME, the CHORUS\n\n TIME.",
"Let me pass\n The same I am, ere ancient'st order was\n Or what is now receiv'd.",
"Leontes leaving-\n Th' effects of his fond jealousies so grieving\n That he shuts up himself- imagine me,\n Gentle spectators, that I now may be\n In fair Bohemia; and remember well\n I mention'd a son o' th' King's, which Florizel\n I now name to you; and with speed so pace\n To speak of Perdita, now grown in grace\n Equal with wond'ring."
] | [
"I, that please some, try all, both joy and terror\n Of good and bad, that makes and unfolds error,\n Now take upon me, in the name of Time,\n To use my wings.",
"Impute it not a crime\n To me or my swift passage that I slide\n O'er sixteen years, and leave the growth untried\n Of that wide gap, since it is in my pow'r\n To o'erthrow law, and in one self-born hour\n To plant and o'erwhelm custom.",
"Let me pass\n The same I am, ere ancient'st order was\n Or what is now receiv'd.",
"I witness to\n The times that brought them in; so shall I do\n To th' freshest things now reigning, and make stale\n The glistering of this present, as my tale\n Now seems to it.",
"Your patience this allowing,\n I turn my glass, and give my scene such growing\n As you had slept between.",
"Leontes leaving-\n Th' effects of his fond jealousies so grieving\n That he shuts up himself- imagine me,\n Gentle spectators, that I now may be\n In fair Bohemia; and remember well\n I mention'd a son o' th' King's, which Florizel\n I now name to you; and with speed so pace\n To speak of Perdita, now grown in grace\n Equal with wond'ring.",
"What of her ensues\n I list not prophesy; but let Time's news\n Be known when 'tis brought forth.",
"A shepherd's daughter,\n And what to her adheres, which follows after,\n Is th' argument of Time.",
"Of this allow,\n If ever you have spent time worse ere now;\n If never, yet that Time himself doth say\n He wishes earnestly you never may."
] | [
"Enter TIME, the CHORUS\n\n TIME.",
"I, that please some, try all, both joy and terror\n Of good and bad, that makes and unfolds error,\n Now take upon me, in the name of Time,\n To use my wings.",
"Impute it not a crime\n To me or my swift passage that I slide\n O'er sixteen years, and leave the growth untried\n Of that wide gap, since it is in my pow'r\n To o'erthrow law, and in one self-born hour\n To plant and o'erwhelm custom.",
"Let me pass\n The same I am, ere ancient'st order was\n Or what is now receiv'd.",
"I witness to\n The times that brought them in; so shall I do\n To th' freshest things now reigning, and make stale\n The glistering of this present, as my tale\n Now seems to it.",
"Your patience this allowing,\n I turn my glass, and give my scene such growing\n As you had slept between.",
"Leontes leaving-\n Th' effects of his fond jealousies so grieving\n That he shuts up himself- imagine me,\n Gentle spectators, that I now may be\n In fair Bohemia; and remember well\n I mention'd a son o' th' King's, which Florizel\n I now name to you; and with speed so pace\n To speak of Perdita, now grown in grace\n Equal with wond'ring.",
"What of her ensues\n I list not prophesy; but let Time's news\n Be known when 'tis brought forth.",
"A shepherd's daughter,\n And what to her adheres, which follows after,\n Is th' argument of Time.",
"Of this allow,\n If ever you have spent time worse ere now;\n If never, yet that Time himself doth say\n He wishes earnestly you never may.",
"I, that please some, try all, both joy and terror\n Of good and bad, that makes and unfolds error,\n Now take upon me, in the name of Time,\n To use my wings.",
"Impute it not a crime\n To me or my swift passage that I slide\n O'er sixteen years, and leave the growth untried\n Of that wide gap, since it is in my pow'r\n To o'erthrow law, and in one self-born hour\n To plant and o'erwhelm custom.",
"Let me pass\n The same I am, ere ancient'st order was\n Or what is now receiv'd.",
"I witness to\n The times that brought them in; so shall I do\n To th' freshest things now reigning, and make stale\n The glistering of this present, as my tale\n Now seems to it.",
"Your patience this allowing,\n I turn my glass, and give my scene such growing\n As you had slept between.",
"Leontes leaving-\n Th' effects of his fond jealousies so grieving\n That he shuts up himself- imagine me,\n Gentle spectators, that I now may be\n In fair Bohemia; and remember well\n I mention'd a son o' th' King's, which Florizel\n I now name to you; and with speed so pace\n To speak of Perdita, now grown in grace\n Equal with wond'ring.",
"What of her ensues\n I list not prophesy; but let Time's news\n Be known when 'tis brought forth.",
"A shepherd's daughter,\n And what to her adheres, which follows after,\n Is th' argument of Time.",
"Of this allow,\n If ever you have spent time worse ere now;\n If never, yet that Time himself doth say\n He wishes earnestly you never may.",
"Exit"
] | and unfolds error,
Now take upon me, in the name of Time,
To use my wings.
Impute it not a crime
To me or my swift passage that I slide
O'er sixteen years, and leave the growth untried
Of that wide gap, since it is in my pow'r
To o'erthrow law, and in one self-born hour
To plant and o'erwhelm custom.
Let me pass
The same I am, ere ancient'st order was
Or what is now receiv'd.
I witness to
The times that brought them in; so shall I do
To th' freshest things now reigning, and make stale
The glistering of this present, as my tale
Now seems to it.
Your patience this allowing,
I turn my glass, and give my scene such growing
As you had slept between.
Leontes leaving-
Th' effects of his fond jealousies so grieving
That he shuts up himself- imagine me,
Gentle spectators, that I now may be
In fair Bohemia; and remember well
I mention'd a son o' th' King's, which Florizel
I now name to you; and with speed so pace | Enter TIME, the CHORUS
TIME.
I, that please some, try all, both joy and terror
Of good and bad, that makes and unfolds error,
Now take upon me, in the name of Time,
To use my wings.
Impute it not a crime
To me or my swift passage that I slide
O'er sixteen years, and leave the growth untried
Of that wide gap, since it is in my pow'r
To o'erthrow law, and in one self-born hour
To plant and o'erwhelm custom.
Let me pass
The same I am, ere ancient'st order was
o' th' King's, which Florizel
I now name to you; and with speed so pace
To speak of Perdita, now grown in grace
Equal with wond'ring.
What of her ensues
I list not prophesy; but let Time's news
Be known when 'tis brought forth.
A shepherd's daughter,
And what to her adheres, which follows after,
Is th' argument of Time.
Of this allow,
If ever you have spent time worse ere now;
If never, yet that Time himself doth say
He wishes earnestly you never may.
Exit | r sixteen years, and leave the growth untried
Of that wide gap, since it is in my pow'r
To o'erthrow law, and in one self-born hour
To plant and o'erwhelm custom.
Let me pass
The same I am, ere ancient'st order was
Or what is now receiv'd.
I witness to
The times that brought them in; so shall I do
To th' freshest things now reigning, and make stale
The glistering of this present, as my tale
Now seems to it.
Your patience this allowing,
I turn my glass, and give my scene such growing
As you had slept between.
Leontes leaving-
Th' effects of his fond jealousies so grieving
That he shuts up himself- imagine me,
Gentle spectators, that I now may be
In fair Bohemia; and remember well
I mention'd a son o' th' King's, which Florizel
I now name to you; and with speed so pace
To speak of Perdita, now grown in grace
Equal with wond'ring.
What of her ensues
I list not prophesy; but let Time's news
Be known when 'ti |