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hip hop beat

feel more like literary conceits than flesh-and-blood humans

no explanation

funniest and

a chilly , remote , emotionally distant piece ... so dull that its tagline should be

starts off witty and sophisticated and you

a bargain-basement european pickup

, but what really sets the film apart is debrauwer 's refusal to push the easy emotional buttons

shines on all the characters , as the direction is intelligently accomplished

taps into the primal fears of young people trying to cope with the mysterious and brutal nature of adults

lead a group of talented friends astray

it 's just weirdness for the sake of weirdness , and where human nature should be ingratiating , it 's just grating .

this gentle , mesmerizing portrait

genial is the conceit , this is one of those rare pictures that you root for throughout ,

draws the audience into the unexplainable pain and eccentricities that are attached to the concept of loss

spliced together bits and pieces of midnight run and 48 hours ( and , for that matter , shrek )

is so busy making reference to other films and trying to be other films that it fails to have a heart , mind or humor of its own

it lacks the compassion , good-natured humor and the level of insight that made ( eyre 's ) first film something of a sleeper success .

handles it in the most unexpected way

those eternally devoted to the insanity of black will have an intermittently good time .

obscenely bad

devastatingly

i do n't see the point

comes off like a bad imitation of the bard

that excites the imagination and tickles the funny bone

one of its strengths

of masterpiece

into this dream hispanic role with a teeth-clenching gusto

stiff or just plain bad

makes these lives count

jolts the laughs from the audience --

a delightful stimulus

has no point

of isolation and frustration

winning shot

of its music or comic antics , but through the perverse pleasure of watching disney scrape the bottom of its own cracker barrel

feeling guilty for it ... then , miracle of miracles , the movie does a flip-flop .

lewis

that there 's no other reason why anyone should bother remembering it

bogdanovich puts history in perspective and , via kirsten dunst 's remarkable performance , he showcases davies as a young woman of great charm , generosity and diplomacy .

father cliché

domestic tension and unhappiness

the effort is sincere and the results are honest , but the film is so bleak that it 's hardly watchable

called the best korean film of 2002

one of the best rock

it forces you to watch people doing unpleasant things to each other and themselves

of the holiday box office pie

inexpressible and drab wannabe

the hail of bullets , none of which ever seem to hit

like an extended , open-ended poem than a traditionally structured story

's about as convincing as any other arnie musclefest , but has a little too much resonance with real world events and

to hate

to be mesmerised

the people who loved the 1989 paradiso will prefer this new version

a lot of energy

for its success on a patient viewer

while tattoo borrows heavily from both seven and the silence of the lambs , it manages to maintain both a level of sophisticated intrigue and human-scale characters that suck the audience in .

this may be burns 's strongest film since the brothers mcmullen .

turned down

timely , tongue-in-cheek

undramatic

the pile of useless actioners

morton deserves an oscar nomination .

weirdly engaging and unpredictable character pieces

efficiency and an affection for the period

manages to accomplish what few sequels can -- it equals the original and in some ways even betters it

does not work .

it is n't merely offensive

tell a story about the vietnam war before the pathology set in

it irrigates our souls .

a hint of humor

with a big heart

a rollicking adventure for you and all your mateys , regardless of their ages

its most immediate and most obvious pleasure

there are laughs aplenty , and , as a bonus , viewers do n't have to worry about being subjected to farts , urine , feces , semen , or any of the other foul substances that have overrun modern-day comedies

one of those rare films that seems as though it was written for no one , but somehow manages to convince almost everyone that it was put on the screen , just for them .

made a decent ` intro ' documentary

makes us see familiar issues , like racism and homophobia , in a fresh way .

the film goes right over the edge and kills every sense of believability

a beyond-lame satire , teddy bears ' picnic ranks among the most pitiful directing debuts by an esteemed writer-actor .

emotional seesawing

movies with the courage to go over the top and movies that do n't care about being stupid

target audience has n't graduated from junior high school

this intricately structured and well-realized drama

embracing

the film a celluloid litmus test for the intellectual and emotional pedigree of your date and a giant step backward for a director i admire

a meditation on faith and madness , frailty is blood-curdling stuff .

a pretty listless collection

other than its oscar-sweeping franchise predecessor

almost everyone growing up believes their family must look like `` the addams family '' to everyone looking in

have been called freddy gets molested by a dog

moody male hustler

uselessly redundant and shamelessly money-grubbing than most third-rate horror sequels

the film is filled with humorous observations about the general absurdity of modern life as seen through the eyes outsiders , but deftly manages to avoid many of the condescending stereotypes that so often plague films dealing with the mentally ill

which is mostly a bore

an entertaining mix of period drama and flat-out farce that should please history fans

suspect that you 'll be as bored watching morvern callar as the characters are in it .

the problems and characters it reveals are universal and involving , and the film itself -- as well its delightful cast -- is so breezy , pretty and gifted , it really won my heart .

love this movie

... the efforts of its star , kline , to lend some dignity to a dumb story are for naught .