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hawke 's film , a boring , pretentious waste of nearly two hours , does n't tell you anything except that the chelsea hotel today is populated by whiny , pathetic , starving and untalented artistes .

often very funny collegiate gross-out comedy

its own clichés

a question for philosophers , not filmmakers ;

there may have been a good film in `` trouble every day , '' but it is not what is on the screen

the first lousy guy ritchie imitation

a buoyant romantic comedy about friendship , love , and the truth

occasion

to provide an enjoyable 100 minutes in a movie theater

concept doofus

get a kick out of goofy brits

that extra little something that makes it worth checking out at theaters

serious movie-goers embarking upon this journey will find that the road to perdition leads to a satisfying destination .

a rote exercise in both animation and storytelling

( and fairly unbelievable ) finale

only scratches the surface

something vital about the movie

an experience in understanding a unique culture that is presented with universal appeal

is n't afraid to provoke introspection in both its characters and its audience

cinematic postcard

a thriller

's also uninspired , lacking the real talent and wit to elevate it beyond its formula to the level of classic romantic comedy to which it aspires .

... bibbidy-bobbidi-bland .

that are powerful and moving without stooping to base melodrama

follow the same blueprint from hundreds of other films ,

memorable for a peculiar malaise that renders its tension flaccid and ,

a dull , inconsistent , dishonest female bonding picture .

might try paying less attention to the miniseries and more attention to the film it is about .

director george hickenlooper has had some success with documentaries , but here his sense of story and his juvenile camera movements smack of a film school undergrad , and his maudlin ending might not have gotten him into film school in the first place .

natural and

bargain-basement special

no wit , only labored gags

has a huge heart

a compelling story of musical passion against governmental odds .

puts the dutiful efforts of more disciplined grade-grubbers

look at a slice of counterculture that might be best forgotten

a questionable kind of inexcusable dumb innocence

in amusing us

it was only a matter of time before some savvy producer saw the potential success inherent in the mixture of bullock bubble and hugh goo .

the laramie project is worthwhile for reminding us that this sort of thing does , in fact , still happen in america

quirky , odd movies and/or the ironic

it 's one of the worst of the entire franchise .

this three-hour endurance test

well-paced and

unexpectedly sweet story

awfully good , achingly human

the heart of the film

like a bunch of talented thesps slumming it

the character to unearth the quaking essence of passion , grief and fear

of his reserved but existential poignancy

creative animation work

it 's thanks to huston 's revelatory performance .

really get inside of them

lust and love

that it could have been a hoot in a bad-movie way if the laborious pacing and endless exposition had been tightened

helped give a spark to `` chasing amy '' and `` changing lanes '' falls flat as thinking man cia agent jack ryan in this summer 's new action film , `` the sum of all fears

gaping plot holes sink this ` sub '

laughing

there 's an excellent 90-minute film here ; unfortunately , it runs for 170 .

is ) the comedy equivalent of saddam hussein ,

ominous mood and tension

competent direction

burns 's strongest film

hold onto what 's left of his passe ' chopsocky glory

want a real movie

hollywood disregard

weaving a theme throughout this funny film

a potentially good comic premise

a revealing look at the collaborative process and a timely , tongue-in-cheek profile of the corporate circus that is the recording industry in the current climate of mergers and downsizing

i heard that apollo 13 was going to be released in imax format

soulless techno-tripe

to take us on his sentimental journey of the heart

originality ai n't on the menu , but there 's never a dull moment in the giant spider invasion comic chiller

of continuity errors

it is about a domestic unit finding their way to joy

sent back to the tailor for some major alterations

none of the crackle of `` fatal attraction '' , `` 9 1/2 weeks '' ,

is left slightly unfulfilled

deserving of its oscar nomination

the journey is worth your time , especially if you have ellen pompeo sitting next to you for the ride .

not for the striking , quietly vulnerable personality of ms. ambrose

the poor quality of pokemon 4

joyous films that leaps over national boundaries and celebrates universal human nature .

likely to please audiences who like movies that demand four hankies

lawrence unleashes his trademark misogyny -- er , comedy -- like a human volcano or an overflowing septic tank ,

the story and ensuing complications are too manipulative

rock solid family fun

will keep you watching , as will the fight scenes .

a barf bag

300 years of russian history and culture

winning portrayal

of warmth and humor

sporadic bursts of liveliness , some so-so slapstick

will have you talking 'til the end of the year

that is the recording industry in the current climate of mergers and downsizing

cliched

the real-life story is genuinely inspirational

wonderfully warm

, interestingly told film .

the story has some nice twists but the ending and some of the back-story is a little tired .