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q20 | uncomfortable | 0 | Around 1500, the innovation of the angled bastion was developed in Italy. With developments such as these, Italy pioneered permanent artillery fortifications, which took over from the defensive role of castles. From this evolved star forts, also known as "trace italienne". The elite responsible for castle construction had to choose between the new type that could withstand cannon fire and the earlier, more elaborate style. The first was ugly and uncomfortable and the latter was less secure, although it did offer greater aesthetic appeal and value as a status symbol. The second choice proved to be more popular as it became apparent that there was little point in trying to make the site genuinely defensible in the face of cannon. For a variety of reasons, not least of which is that many castles have no recorded history, there is no firm number of castles built in the medieval period. However, it has been estimated that between 75,000 and 100,000 were built in western Europe; of these around 1,700 were in England and Wales and around 14,000 in German-speaking areas. | 6,876 | 0 | The first was ugly and uncomfortable and the latter was less secure, although it did offer greater aesthetic appeal and value as a status symbol. | Did castle guards who valued their comfort like the old style of fortifications? | 578 | Around 1500, the innovation of the angled bastion was developed in Italy. With developments such as these, Italy pioneered permanent artillery fortifications, which took over from the defensive role of castles. From this evolved star forts, also known as "trace italienne". The elite responsible for castle construction had to choose between the new type that could withstand cannon fire and the earlier, more elaborate style. The first was ugly and uncomfortable and the latter was less secure, although it did offer greater aesthetic appeal and value as a status symbol. The second choice proved to be more popular as it became apparent that there was little point in trying to make the site genuinely defensible in the face of cannon. For a variety of reasons, not least of which is that many castles have no recorded history, there is no firm number of castles built in the medieval period. However, it has been estimated that between 75,000 and 100,000 were built in western Europe; of these around 1,700 were in England and Wales and around 14,000 in German-speaking areas. | Around 1500, the innovation of the angled bastion was developed in Italy. With developments such as these, Italy pioneered permanent artillery fortifications, which took over from the defensive role of castles. From this evolved star forts, also known as "trace italienne". The elite responsible for castle construction had to choose between the new type that could withstand cannon fire and the earlier, more elaborate style. The first was ugly and uncomfortable and the latter was less secure, although it did offer greater aesthetic appeal and value as a status symbol. The second choice proved to be more popular as it became apparent that there was little point in trying to make the site genuinely defensible in the face of cannon. For a variety of reasons, not least of which is that many castles have no recorded history, there is no firm number of castles built in the medieval period. However, it has been estimated that between 75,000 and 100,000 were built in western Europe; of these around 1,700 were in England and Wales and around 14,000 in German-speaking areas. [SEP] Did castle guards who valued their comfort like the old style of fortifications? | [
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q20 | uncomfortable | 1 | Around 1500, the innovation of the angled bastion was developed in Italy. With developments such as these, Italy pioneered permanent artillery fortifications, which took over from the defensive role of castles. From this evolved star forts, also known as "trace italienne". The elite responsible for castle construction had to choose between the new type that could withstand cannon fire and the earlier, more elaborate style. The first was ugly and uncomfortable and the latter was less secure, although it did offer greater aesthetic appeal and value as a status symbol. The second choice proved to be more popular as it became apparent that there was little point in trying to make the site genuinely defensible in the face of cannon. For a variety of reasons, not least of which is that many castles have no recorded history, there is no firm number of castles built in the medieval period. However, it has been estimated that between 75,000 and 100,000 were built in western Europe; of these around 1,700 were in England and Wales and around 14,000 in German-speaking areas. | 6,879 | 0 | The first was ugly and uncomfortable and the latter was less secure, although it did offer greater aesthetic appeal and value as a status symbol. | Did castle guards who valued their comfort like the old style of fortifications? | 578 | Around 1500, the innovation of the angled bastion was developed in Italy. With developments such as these, Italy pioneered permanent artillery fortifications, which took over from the defensive role of castles. From this evolved star forts, also known as "trace italienne". The elite responsible for castle construction had to choose between the new type that could withstand cannon fire and the earlier, more elaborate style. The first was ugly and disagreeable to spend time in and the latter was less secure, although it did offer greater aesthetic appeal and value as a status symbol. The second choice proved to be more popular as it became apparent that there was little point in trying to make the site genuinely defensible in the face of cannon. For a variety of reasons, not least of which is that many castles have no recorded history, there is no firm number of castles built in the medieval period. However, it has been estimated that between 75,000 and 100,000 were built in western Europe; of these around 1,700 were in England and Wales and around 14,000 in German-speaking areas. | Around 1500, the innovation of the angled bastion was developed in Italy. With developments such as these, Italy pioneered permanent artillery fortifications, which took over from the defensive role of castles. From this evolved star forts, also known as "trace italienne". The elite responsible for castle construction had to choose between the new type that could withstand cannon fire and the earlier, more elaborate style. The first was ugly and disagreeable to spend time in and the latter was less secure, although it did offer greater aesthetic appeal and value as a status symbol. The second choice proved to be more popular as it became apparent that there was little point in trying to make the site genuinely defensible in the face of cannon. For a variety of reasons, not least of which is that many castles have no recorded history, there is no firm number of castles built in the medieval period. However, it has been estimated that between 75,000 and 100,000 were built in western Europe; of these around 1,700 were in England and Wales and around 14,000 in German-speaking areas. [SEP] Did castle guards who valued their comfort like the old style of fortifications? | [
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q30 | uncomfortable | 2 | Around 1500, the innovation of the angled bastion was developed in Italy. With developments such as these, Italy pioneered permanent artillery fortifications, which took over from the defensive role of castles. From this evolved star forts, also known as "trace italienne". The elite responsible for castle construction had to choose between the new type that could withstand cannon fire and the earlier, more elaborate style. The first was ugly and uncomfortable and the latter was less secure, although it did offer greater aesthetic appeal and value as a status symbol. The second choice proved to be more popular as it became apparent that there was little point in trying to make the site genuinely defensible in the face of cannon. For a variety of reasons, not least of which is that many castles have no recorded history, there is no firm number of castles built in the medieval period. However, it has been estimated that between 75,000 and 100,000 were built in western Europe; of these around 1,700 were in England and Wales and around 14,000 in German-speaking areas. | 6,883 | 0 | The first was ugly and uncomfortable and the latter was less secure, although it did offer greater aesthetic appeal and value as a status symbol. | Did castle guards who valued their comfort like the new style of fortifications? | 578 | Around 1500, the innovation of the angled bastion was developed in Italy. With developments such as these, Italy pioneered permanent artillery fortifications, which took over from the defensive role of castles. From this evolved star forts, also known as "trace italienne". The elite responsible for castle construction had to choose between the new type that could withstand cannon fire and the earlier, more elaborate style. The first was ugly but pleasant to spend time in and the latter was uncomfortable and less secure, although it did offer greater aesthetic appeal and value as a status symbol. The second choice proved to be more popular as it became apparent that there was little point in trying to make the site genuinely defensible in the face of cannon. For a variety of reasons, not least of which is that many castles have no recorded history, there is no firm number of castles built in the medieval period. However, it has been estimated that between 75,000 and 100,000 were built in western Europe; of these around 1,700 were in England and Wales and around 14,000 in German-speaking areas. | Around 1500, the innovation of the angled bastion was developed in Italy. With developments such as these, Italy pioneered permanent artillery fortifications, which took over from the defensive role of castles. From this evolved star forts, also known as "trace italienne". The elite responsible for castle construction had to choose between the new type that could withstand cannon fire and the earlier, more elaborate style. The first was ugly but pleasant to spend time in and the latter was uncomfortable and less secure, although it did offer greater aesthetic appeal and value as a status symbol. The second choice proved to be more popular as it became apparent that there was little point in trying to make the site genuinely defensible in the face of cannon. For a variety of reasons, not least of which is that many castles have no recorded history, there is no firm number of castles built in the medieval period. However, it has been estimated that between 75,000 and 100,000 were built in western Europe; of these around 1,700 were in England and Wales and around 14,000 in German-speaking areas. [SEP] Did castle guards who valued their comfort like the new style of fortifications? | [
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q20 | uncomfortable | 0 | Treatment to reduce fever is generally not required. Treatment of associated pain and inflammation, however, may be useful and help a person rest. Medications such as ibuprofen or paracetamol (acetaminophen) may help with this as well as lower temperature. Measures such as putting a cool damp cloth on the forehead and having a slightly warm bath are not useful and may simply make a person more uncomfortable. Children younger than three months require medical attention, as might people with serious medical problems such as a compromised immune system or people with other symptoms. Hyperthermia does require treatment. | 6,888 | 0 | Measures such as putting a cool damp cloth on the forehead and having a slightly warm bath are not useful and may simply make a person more uncomfortable. | Does the passage suggest that either a warm bath or a cool pad on the forehead actually reduce the level of fever inside the body? | 579 | Treatment to reduce fever is generally not required. Treatment of associated pain and inflammation, however, may be useful and help a person rest. Medications such as ibuprofen or paracetamol (acetaminophen) may help with this as well as lower temperature. Measures such as putting a cool damp cloth on the forehead and having a slightly warm bath are not useful and may simply make a person more uncomfortable. Children younger than three months require medical attention, as might people with serious medical problems such as a compromised immune system or people with other symptoms. Hyperthermia does require treatment. | Treatment to reduce fever is generally not required. Treatment of associated pain and inflammation, however, may be useful and help a person rest. Medications such as ibuprofen or paracetamol (acetaminophen) may help with this as well as lower temperature. Measures such as putting a cool damp cloth on the forehead and having a slightly warm bath are not useful and may simply make a person more uncomfortable. Children younger than three months require medical attention, as might people with serious medical problems such as a compromised immune system or people with other symptoms. Hyperthermia does require treatment. [SEP] Does the passage suggest that either a warm bath or a cool pad on the forehead actually reduce the level of fever inside the body? | [
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q10 | illegal | 0 | The memo described ten techniques which the interrogators wanted to use: "(1) attention grasp, (2) walling, (3) facial hold, (4) facial slap (insult slap), (5) cramped confinement, (6) wall standing, (7) stress positions, (8) sleep deprivation, (9) insects placed in a confinement box, and (10) the waterboard." Many of the techniques were, until then, generally considered illegal. Many other techniques developed by the CIA were held to constitute inhumane and degrading treatment and torture under the United Nations Convention against Torture and Article 3 of the European Convention on Human Rights. | 6,899 | 1 | Many of the techniques were, until then, generally considered illegal. | Could a case for human rights violations be made against any practitioners who had knowingly engaged in any of the ten listed techniques before this memo was publicized, given what the passage makes clear about the law? | 580 | The memo described ten techniques which the interrogators wanted to use: "(1) attention grasp, (2) walling, (3) facial hold, (4) facial slap (insult slap), (5) cramped confinement, (6) wall standing, (7) stress positions, (8) sleep deprivation, (9) insects placed in a confinement box, and (10) the waterboard." Many of the techniques were, until then, generally considered illegal. Many other techniques developed by the CIA were held to constitute inhumane and degrading treatment and torture under the United Nations Convention against Torture and Article 3 of the European Convention on Human Rights. | The memo described ten techniques which the interrogators wanted to use: "(1) attention grasp, (2) walling, (3) facial hold, (4) facial slap (insult slap), (5) cramped confinement, (6) wall standing, (7) stress positions, (8) sleep deprivation, (9) insects placed in a confinement box, and (10) the waterboard." Many of the techniques were, until then, generally considered illegal. Many other techniques developed by the CIA were held to constitute inhumane and degrading treatment and torture under the United Nations Convention against Torture and Article 3 of the European Convention on Human Rights. [SEP] Could a case for human rights violations be made against any practitioners who had knowingly engaged in any of the ten listed techniques before this memo was publicized, given what the passage makes clear about the law? | [
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q30 | illegal | 0 | The memo described ten techniques which the interrogators wanted to use: "(1) attention grasp, (2) walling, (3) facial hold, (4) facial slap (insult slap), (5) cramped confinement, (6) wall standing, (7) stress positions, (8) sleep deprivation, (9) insects placed in a confinement box, and (10) the waterboard." Many of the techniques were, until then, generally considered illegal. Many other techniques developed by the CIA were held to constitute inhumane and degrading treatment and torture under the United Nations Convention against Torture and Article 3 of the European Convention on Human Rights. | 6,901 | 1 | Many of the techniques were, until then, generally considered illegal. | If a sitting CIA director is to be held fully accountable for any and all conduct of subordinate officers, would the legal judgment laid out in the passage make the then-current spy chief liable for prosecution related to any or all of those ten interrogation techniques that had occurred up to or after the time that this memo was publicized? | 580 | The memo described ten techniques which the interrogators wanted to use: "(1) attention grasp, (2) walling, (3) facial hold, (4) facial slap (insult slap), (5) cramped confinement, (6) wall standing, (7) stress positions, (8) sleep deprivation, (9) insects placed in a confinement box, and (10) the waterboard." Many of the techniques were, until then, generally considered illegal. Many other techniques developed by the CIA were held to constitute inhumane and degrading treatment and torture under the United Nations Convention against Torture and Article 3 of the European Convention on Human Rights. | The memo described ten techniques which the interrogators wanted to use: "(1) attention grasp, (2) walling, (3) facial hold, (4) facial slap (insult slap), (5) cramped confinement, (6) wall standing, (7) stress positions, (8) sleep deprivation, (9) insects placed in a confinement box, and (10) the waterboard." Many of the techniques were, until then, generally considered illegal. Many other techniques developed by the CIA were held to constitute inhumane and degrading treatment and torture under the United Nations Convention against Torture and Article 3 of the European Convention on Human Rights. [SEP] If a sitting CIA director is to be held fully accountable for any and all conduct of subordinate officers, would the legal judgment laid out in the passage make the then-current spy chief liable for prosecution related to any or all of those ten interrogation techniques that had occurred up to or after the time that this memo was publicized? | [
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q10 | illegal | 1 | The memo described ten techniques which the interrogators wanted to use: "(1) attention grasp, (2) walling, (3) facial hold, (4) facial slap (insult slap), (5) cramped confinement, (6) wall standing, (7) stress positions, (8) sleep deprivation, (9) insects placed in a confinement box, and (10) the waterboard." Many of the techniques were, until then, generally considered illegal. Many other techniques developed by the CIA were held to constitute inhumane and degrading treatment and torture under the United Nations Convention against Torture and Article 3 of the European Convention on Human Rights. | 6,902 | 1 | Many of the techniques were, until then, generally considered illegal. | Could a case for human rights violations be made against any practitioners who had knowingly engaged in any of the ten listed techniques before this memo was publicized, given what the passage makes clear about the law? | 580 | The memo described ten techniques which the interrogators wanted to use: "(1) attention grasp, (2) walling, (3) facial hold, (4) facial slap (insult slap), (5) cramped confinement, (6) wall standing, (7) stress positions, (8) sleep deprivation, (9) insects placed in a confinement box, and (10) the waterboard." Up until that point, many of these techniques were mostly considered to be prohibited under the law. Many other techniques developed by the CIA were held to constitute inhumane and degrading treatment and torture under the United Nations Convention against Torture and Article 3 of the European Convention on Human Rights. | The memo described ten techniques which the interrogators wanted to use: "(1) attention grasp, (2) walling, (3) facial hold, (4) facial slap (insult slap), (5) cramped confinement, (6) wall standing, (7) stress positions, (8) sleep deprivation, (9) insects placed in a confinement box, and (10) the waterboard." Up until that point, many of these techniques were mostly considered to be prohibited under the law. Many other techniques developed by the CIA were held to constitute inhumane and degrading treatment and torture under the United Nations Convention against Torture and Article 3 of the European Convention on Human Rights. [SEP] Could a case for human rights violations be made against any practitioners who had knowingly engaged in any of the ten listed techniques before this memo was publicized, given what the passage makes clear about the law? | [
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q20 | illegal | 1 | The memo described ten techniques which the interrogators wanted to use: "(1) attention grasp, (2) walling, (3) facial hold, (4) facial slap (insult slap), (5) cramped confinement, (6) wall standing, (7) stress positions, (8) sleep deprivation, (9) insects placed in a confinement box, and (10) the waterboard." Many of the techniques were, until then, generally considered illegal. Many other techniques developed by the CIA were held to constitute inhumane and degrading treatment and torture under the United Nations Convention against Torture and Article 3 of the European Convention on Human Rights. | 6,903 | 2 | Many of the techniques were, until then, generally considered illegal. | Does the passage imply that other interrogation techniques used by the CIA, but not explicitly enumerated, were worse (or at least, less forgivable under written law) than the ten laid out in said passage? | 580 | The memo described ten techniques which the interrogators wanted to use: "(1) attention grasp, (2) walling, (3) facial hold, (4) facial slap (insult slap), (5) cramped confinement, (6) wall standing, (7) stress positions, (8) sleep deprivation, (9) insects placed in a confinement box, and (10) the waterboard." Up until that point, many of these techniques were mostly considered to be prohibited under the law. Many other techniques developed by the CIA were held to constitute inhumane and degrading treatment and torture under the United Nations Convention against Torture and Article 3 of the European Convention on Human Rights. | The memo described ten techniques which the interrogators wanted to use: "(1) attention grasp, (2) walling, (3) facial hold, (4) facial slap (insult slap), (5) cramped confinement, (6) wall standing, (7) stress positions, (8) sleep deprivation, (9) insects placed in a confinement box, and (10) the waterboard." Up until that point, many of these techniques were mostly considered to be prohibited under the law. Many other techniques developed by the CIA were held to constitute inhumane and degrading treatment and torture under the United Nations Convention against Torture and Article 3 of the European Convention on Human Rights. [SEP] Does the passage imply that other interrogation techniques used by the CIA, but not explicitly enumerated, were worse (or at least, less forgivable under written law) than the ten laid out in said passage? | [
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q10 | illegal | 2 | The memo described ten techniques which the interrogators wanted to use: "(1) attention grasp, (2) walling, (3) facial hold, (4) facial slap (insult slap), (5) cramped confinement, (6) wall standing, (7) stress positions, (8) sleep deprivation, (9) insects placed in a confinement box, and (10) the waterboard." Many of the techniques were, until then, generally considered illegal. Many other techniques developed by the CIA were held to constitute inhumane and degrading treatment and torture under the United Nations Convention against Torture and Article 3 of the European Convention on Human Rights. | 6,905 | 0 | Many of the techniques were, until then, generally considered illegal. | Could a case for human rights violations be made against any practitioners who had knowingly engaged in any of the ten listed techniques before this memo was publicized, given what the passage makes clear about the law? | 580 | The memo described ten techniques which the interrogators wanted to use: "(1) attention grasp, (2) walling, (3) facial hold, (4) facial slap (insult slap), (5) cramped confinement, (6) wall standing, (7) stress positions, (8) sleep deprivation, (9) insects placed in a confinement box, and (10) the waterboard." Although they are now illegal, many of these techniques were condoned under the law until that time. Many other techniques developed by the CIA were held to constitute inhumane and degrading treatment and torture under the United Nations Convention against Torture and Article 3 of the European Convention on Human Rights. | The memo described ten techniques which the interrogators wanted to use: "(1) attention grasp, (2) walling, (3) facial hold, (4) facial slap (insult slap), (5) cramped confinement, (6) wall standing, (7) stress positions, (8) sleep deprivation, (9) insects placed in a confinement box, and (10) the waterboard." Although they are now illegal, many of these techniques were condoned under the law until that time. Many other techniques developed by the CIA were held to constitute inhumane and degrading treatment and torture under the United Nations Convention against Torture and Article 3 of the European Convention on Human Rights. [SEP] Could a case for human rights violations be made against any practitioners who had knowingly engaged in any of the ten listed techniques before this memo was publicized, given what the passage makes clear about the law? | [
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q30 | illegal | 2 | The memo described ten techniques which the interrogators wanted to use: "(1) attention grasp, (2) walling, (3) facial hold, (4) facial slap (insult slap), (5) cramped confinement, (6) wall standing, (7) stress positions, (8) sleep deprivation, (9) insects placed in a confinement box, and (10) the waterboard." Many of the techniques were, until then, generally considered illegal. Many other techniques developed by the CIA were held to constitute inhumane and degrading treatment and torture under the United Nations Convention against Torture and Article 3 of the European Convention on Human Rights. | 6,907 | 0 | Many of the techniques were, until then, generally considered illegal. | If a sitting CIA director is to be held fully accountable for any and all conduct of subordinate officers, would the legal judgment laid out in the passage make the then-current spy chief liable for prosecution related to any or all of those ten interrogation techniques that had occurred up to or after the time that this memo was publicized? | 580 | The memo described ten techniques which the interrogators wanted to use: "(1) attention grasp, (2) walling, (3) facial hold, (4) facial slap (insult slap), (5) cramped confinement, (6) wall standing, (7) stress positions, (8) sleep deprivation, (9) insects placed in a confinement box, and (10) the waterboard." Although they are now illegal, many of these techniques were condoned under the law until that time. Many other techniques developed by the CIA were held to constitute inhumane and degrading treatment and torture under the United Nations Convention against Torture and Article 3 of the European Convention on Human Rights. | The memo described ten techniques which the interrogators wanted to use: "(1) attention grasp, (2) walling, (3) facial hold, (4) facial slap (insult slap), (5) cramped confinement, (6) wall standing, (7) stress positions, (8) sleep deprivation, (9) insects placed in a confinement box, and (10) the waterboard." Although they are now illegal, many of these techniques were condoned under the law until that time. Many other techniques developed by the CIA were held to constitute inhumane and degrading treatment and torture under the United Nations Convention against Torture and Article 3 of the European Convention on Human Rights. [SEP] If a sitting CIA director is to be held fully accountable for any and all conduct of subordinate officers, would the legal judgment laid out in the passage make the then-current spy chief liable for prosecution related to any or all of those ten interrogation techniques that had occurred up to or after the time that this memo was publicized? | [
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q10 | illegal | 3 | The memo described ten techniques which the interrogators wanted to use: "(1) attention grasp, (2) walling, (3) facial hold, (4) facial slap (insult slap), (5) cramped confinement, (6) wall standing, (7) stress positions, (8) sleep deprivation, (9) insects placed in a confinement box, and (10) the waterboard." Many of the techniques were, until then, generally considered illegal. Many other techniques developed by the CIA were held to constitute inhumane and degrading treatment and torture under the United Nations Convention against Torture and Article 3 of the European Convention on Human Rights. | 6,908 | 0 | Many of the techniques were, until then, generally considered illegal. | Could a case for human rights violations be made against any practitioners who had knowingly engaged in any of the ten listed techniques before this memo was publicized, given what the passage makes clear about the law? | 580 | The memo described ten techniques which the interrogators wanted to use: "(1) attention grasp, (2) walling, (3) facial hold, (4) facial slap (insult slap), (5) cramped confinement, (6) wall standing, (7) stress positions, (8) sleep deprivation, (9) insects placed in a confinement box, and (10) the waterboard." After the memo was publicized, a consensus by the courts found that those specific techniques, as practiced, were and would remain legal. Many other techniques developed by the CIA were held to constitute inhumane and degrading treatment and torture under the United Nations Convention against Torture and Article 3 of the European Convention on Human Rights. | The memo described ten techniques which the interrogators wanted to use: "(1) attention grasp, (2) walling, (3) facial hold, (4) facial slap (insult slap), (5) cramped confinement, (6) wall standing, (7) stress positions, (8) sleep deprivation, (9) insects placed in a confinement box, and (10) the waterboard." After the memo was publicized, a consensus by the courts found that those specific techniques, as practiced, were and would remain legal. Many other techniques developed by the CIA were held to constitute inhumane and degrading treatment and torture under the United Nations Convention against Torture and Article 3 of the European Convention on Human Rights. [SEP] Could a case for human rights violations be made against any practitioners who had knowingly engaged in any of the ten listed techniques before this memo was publicized, given what the passage makes clear about the law? | [
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q20 | illegal | 3 | The memo described ten techniques which the interrogators wanted to use: "(1) attention grasp, (2) walling, (3) facial hold, (4) facial slap (insult slap), (5) cramped confinement, (6) wall standing, (7) stress positions, (8) sleep deprivation, (9) insects placed in a confinement box, and (10) the waterboard." Many of the techniques were, until then, generally considered illegal. Many other techniques developed by the CIA were held to constitute inhumane and degrading treatment and torture under the United Nations Convention against Torture and Article 3 of the European Convention on Human Rights. | 6,909 | 1 | Many of the techniques were, until then, generally considered illegal. | Does the passage imply that other interrogation techniques used by the CIA, but not explicitly enumerated, were worse (or at least, less forgivable under written law) than the ten laid out in said passage? | 580 | The memo described ten techniques which the interrogators wanted to use: "(1) attention grasp, (2) walling, (3) facial hold, (4) facial slap (insult slap), (5) cramped confinement, (6) wall standing, (7) stress positions, (8) sleep deprivation, (9) insects placed in a confinement box, and (10) the waterboard." After the memo was publicized, a consensus by the courts found that those specific techniques, as practiced, were and would remain legal. Many other techniques developed by the CIA were held to constitute inhumane and degrading treatment and torture under the United Nations Convention against Torture and Article 3 of the European Convention on Human Rights. | The memo described ten techniques which the interrogators wanted to use: "(1) attention grasp, (2) walling, (3) facial hold, (4) facial slap (insult slap), (5) cramped confinement, (6) wall standing, (7) stress positions, (8) sleep deprivation, (9) insects placed in a confinement box, and (10) the waterboard." After the memo was publicized, a consensus by the courts found that those specific techniques, as practiced, were and would remain legal. Many other techniques developed by the CIA were held to constitute inhumane and degrading treatment and torture under the United Nations Convention against Torture and Article 3 of the European Convention on Human Rights. [SEP] Does the passage imply that other interrogation techniques used by the CIA, but not explicitly enumerated, were worse (or at least, less forgivable under written law) than the ten laid out in said passage? | [
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q30 | illegal | 3 | The memo described ten techniques which the interrogators wanted to use: "(1) attention grasp, (2) walling, (3) facial hold, (4) facial slap (insult slap), (5) cramped confinement, (6) wall standing, (7) stress positions, (8) sleep deprivation, (9) insects placed in a confinement box, and (10) the waterboard." Many of the techniques were, until then, generally considered illegal. Many other techniques developed by the CIA were held to constitute inhumane and degrading treatment and torture under the United Nations Convention against Torture and Article 3 of the European Convention on Human Rights. | 6,910 | 0 | Many of the techniques were, until then, generally considered illegal. | If a sitting CIA director is to be held fully accountable for any and all conduct of subordinate officers, would the legal judgment laid out in the passage make the then-current spy chief liable for prosecution related to any or all of those ten interrogation techniques that had occurred up to or after the time that this memo was publicized? | 580 | The memo described ten techniques which the interrogators wanted to use: "(1) attention grasp, (2) walling, (3) facial hold, (4) facial slap (insult slap), (5) cramped confinement, (6) wall standing, (7) stress positions, (8) sleep deprivation, (9) insects placed in a confinement box, and (10) the waterboard." After the memo was publicized, a consensus by the courts found that those specific techniques, as practiced, were and would remain legal. Many other techniques developed by the CIA were held to constitute inhumane and degrading treatment and torture under the United Nations Convention against Torture and Article 3 of the European Convention on Human Rights. | The memo described ten techniques which the interrogators wanted to use: "(1) attention grasp, (2) walling, (3) facial hold, (4) facial slap (insult slap), (5) cramped confinement, (6) wall standing, (7) stress positions, (8) sleep deprivation, (9) insects placed in a confinement box, and (10) the waterboard." After the memo was publicized, a consensus by the courts found that those specific techniques, as practiced, were and would remain legal. Many other techniques developed by the CIA were held to constitute inhumane and degrading treatment and torture under the United Nations Convention against Torture and Article 3 of the European Convention on Human Rights. [SEP] If a sitting CIA director is to be held fully accountable for any and all conduct of subordinate officers, would the legal judgment laid out in the passage make the then-current spy chief liable for prosecution related to any or all of those ten interrogation techniques that had occurred up to or after the time that this memo was publicized? | [
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q30 | unlike | 0 | This was later adopted in Ancient Greece as the "gamos" and "engeysis" rituals, although unlike in Judaism the contract made in front of witness was only verbal. The giving of a ring was eventually borrowed from Judaism by Roman marriage law, with the fiancé presenting it after swearing the oath of marriage intent, and presenting of the gifts at the engagement party. | 6,913 | 0 | This was later adopted in Ancient Greece as the "gamos" and "engeysis" rituals, although unlike in Judaism the contract made in front of witness was only verbal. | From what we can learn about some of the earliest Jewish weddings, is it possible that a strictly Orthodox follower of Judaism in the present day might object to such acts as the signing of marriage licenses, or possibly even whimsical acts such as stepping on a glass, as these are inconsistent with the original, somber spoken affairs? | 581 | This was later adopted in Ancient Greece as the "gamos" and "engeysis" rituals, although unlike in Judaism the contract made in front of witness was only verbal. The giving of a ring was eventually borrowed from Judaism by Roman marriage law, with the fiancé presenting it after swearing the oath of marriage intent, and presenting of the gifts at the engagement party. | This was later adopted in Ancient Greece as the "gamos" and "engeysis" rituals, although unlike in Judaism the contract made in front of witness was only verbal. The giving of a ring was eventually borrowed from Judaism by Roman marriage law, with the fiancé presenting it after swearing the oath of marriage intent, and presenting of the gifts at the engagement party. [SEP] From what we can learn about some of the earliest Jewish weddings, is it possible that a strictly Orthodox follower of Judaism in the present day might object to such acts as the signing of marriage licenses, or possibly even whimsical acts such as stepping on a glass, as these are inconsistent with the original, somber spoken affairs? | [
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q10 | unlike | 2 | This was later adopted in Ancient Greece as the "gamos" and "engeysis" rituals, although unlike in Judaism the contract made in front of witness was only verbal. The giving of a ring was eventually borrowed from Judaism by Roman marriage law, with the fiancé presenting it after swearing the oath of marriage intent, and presenting of the gifts at the engagement party. | 6,917 | 0 | This was later adopted in Ancient Greece as the "gamos" and "engeysis" rituals, although unlike in Judaism the contract made in front of witness was only verbal. | From this passage, is it reasonable to assume that Jewish wedding ceremonies included the exchange of rings and possible other physical acts as early as the time of Ancient Greece? | 581 | This was later adopted in Ancient Greece as the "gamos" and "engeysis" rituals, and similar to the tradition of Judaism (and unlike modern ceremonies) the contract made in front of witness was only verbal. The giving of a ring was eventually borrowed from Judaism by Roman marriage law, with the fiancé presenting it after swearing the oath of marriage intent, and presenting of the gifts at the engagement party. | This was later adopted in Ancient Greece as the "gamos" and "engeysis" rituals, and similar to the tradition of Judaism (and unlike modern ceremonies) the contract made in front of witness was only verbal. The giving of a ring was eventually borrowed from Judaism by Roman marriage law, with the fiancé presenting it after swearing the oath of marriage intent, and presenting of the gifts at the engagement party. [SEP] From this passage, is it reasonable to assume that Jewish wedding ceremonies included the exchange of rings and possible other physical acts as early as the time of Ancient Greece? | [
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q20 | unlike | 2 | This was later adopted in Ancient Greece as the "gamos" and "engeysis" rituals, although unlike in Judaism the contract made in front of witness was only verbal. The giving of a ring was eventually borrowed from Judaism by Roman marriage law, with the fiancé presenting it after swearing the oath of marriage intent, and presenting of the gifts at the engagement party. | 6,918 | 1 | This was later adopted in Ancient Greece as the "gamos" and "engeysis" rituals, although unlike in Judaism the contract made in front of witness was only verbal. | Does the passage imply that the act of giving a ring at a wedding could have emerged in Jewish practice some time between the era of Ancient Greece and the time of the Roman Empire, since there was likely no such unspoken activity in Jewish weddings of the former time period? | 581 | This was later adopted in Ancient Greece as the "gamos" and "engeysis" rituals, and similar to the tradition of Judaism (and unlike modern ceremonies) the contract made in front of witness was only verbal. The giving of a ring was eventually borrowed from Judaism by Roman marriage law, with the fiancé presenting it after swearing the oath of marriage intent, and presenting of the gifts at the engagement party. | This was later adopted in Ancient Greece as the "gamos" and "engeysis" rituals, and similar to the tradition of Judaism (and unlike modern ceremonies) the contract made in front of witness was only verbal. The giving of a ring was eventually borrowed from Judaism by Roman marriage law, with the fiancé presenting it after swearing the oath of marriage intent, and presenting of the gifts at the engagement party. [SEP] Does the passage imply that the act of giving a ring at a wedding could have emerged in Jewish practice some time between the era of Ancient Greece and the time of the Roman Empire, since there was likely no such unspoken activity in Jewish weddings of the former time period? | [
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q30 | except | 0 | Kaye was an aviation enthusiast and pilot. His interest was sparked by his longtime friend, choreographer Michael Kidd, who had recently earned his private pilot's license. Kaye began studying for his own pilot's license in 1959. An enthusiastic and accomplished golfer, he gave up golf in favor of flying. The first plane Kaye owned was a Piper Aztec. Kaye received his first license as a private pilot of multi-engine aircraft, not being certified for operating a single-engine plane until six years later. He was an accomplished pilot, rated for aircraft ranging from single-engine light aircraft to multi-engine jets. Kaye held a commercial pilot's license and had flown every type of aircraft except military planes. | 6,925 | 2 | Kaye held a commercial pilot's license and had flown every type of aircraft except military planes. | If an airplane that Kaye had flown during his life was one of a model that had also been used for military purpose, would the military version have been used strictly in a cargo or transport role? | 582 | Kaye was an aviation enthusiast and pilot. His interest was sparked by his longtime friend, choreographer Michael Kidd, who had recently earned his private pilot's license. Kaye began studying for his own pilot's license in 1959. An enthusiastic and accomplished golfer, he gave up golf in favor of flying. The first plane Kaye owned was a Piper Aztec. Kaye received his first license as a private pilot of multi-engine aircraft, not being certified for operating a single-engine plane until six years later. He was an accomplished pilot, rated for aircraft ranging from single-engine light aircraft to multi-engine jets. Kaye held a commercial pilot's license and had flown every type of aircraft except military planes. | Kaye was an aviation enthusiast and pilot. His interest was sparked by his longtime friend, choreographer Michael Kidd, who had recently earned his private pilot's license. Kaye began studying for his own pilot's license in 1959. An enthusiastic and accomplished golfer, he gave up golf in favor of flying. The first plane Kaye owned was a Piper Aztec. Kaye received his first license as a private pilot of multi-engine aircraft, not being certified for operating a single-engine plane until six years later. He was an accomplished pilot, rated for aircraft ranging from single-engine light aircraft to multi-engine jets. Kaye held a commercial pilot's license and had flown every type of aircraft except military planes. [SEP] If an airplane that Kaye had flown during his life was one of a model that had also been used for military purpose, would the military version have been used strictly in a cargo or transport role? | [
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q10 | except | 1 | Kaye was an aviation enthusiast and pilot. His interest was sparked by his longtime friend, choreographer Michael Kidd, who had recently earned his private pilot's license. Kaye began studying for his own pilot's license in 1959. An enthusiastic and accomplished golfer, he gave up golf in favor of flying. The first plane Kaye owned was a Piper Aztec. Kaye received his first license as a private pilot of multi-engine aircraft, not being certified for operating a single-engine plane until six years later. He was an accomplished pilot, rated for aircraft ranging from single-engine light aircraft to multi-engine jets. Kaye held a commercial pilot's license and had flown every type of aircraft except military planes. | 6,926 | 0 | Kaye held a commercial pilot's license and had flown every type of aircraft except military planes. | From the way Kaye's career is described, would you expect that he had served in either the Air Force, or in an Air National Guard unit at one point? | 582 | Kaye was an aviation enthusiast and pilot. His interest was sparked by his longtime friend, choreographer Michael Kidd, who had recently earned his private pilot's license. Kaye began studying for his own pilot's license in 1959. An enthusiastic and accomplished golfer, he gave up golf in favor of flying. The first plane Kaye owned was a Piper Aztec. Kaye received his first license as a private pilot of multi-engine aircraft, not being certified for operating a single-engine plane until six years later. He was an accomplished pilot, rated for aircraft ranging from single-engine light aircraft to multi-engine jets. Kaye was a licensed commercial pilot and, with the exception of military planes, he had experience flying every type of aircraft. | Kaye was an aviation enthusiast and pilot. His interest was sparked by his longtime friend, choreographer Michael Kidd, who had recently earned his private pilot's license. Kaye began studying for his own pilot's license in 1959. An enthusiastic and accomplished golfer, he gave up golf in favor of flying. The first plane Kaye owned was a Piper Aztec. Kaye received his first license as a private pilot of multi-engine aircraft, not being certified for operating a single-engine plane until six years later. He was an accomplished pilot, rated for aircraft ranging from single-engine light aircraft to multi-engine jets. Kaye was a licensed commercial pilot and, with the exception of military planes, he had experience flying every type of aircraft. [SEP] From the way Kaye's career is described, would you expect that he had served in either the Air Force, or in an Air National Guard unit at one point? | [
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q20 | except | 1 | Kaye was an aviation enthusiast and pilot. His interest was sparked by his longtime friend, choreographer Michael Kidd, who had recently earned his private pilot's license. Kaye began studying for his own pilot's license in 1959. An enthusiastic and accomplished golfer, he gave up golf in favor of flying. The first plane Kaye owned was a Piper Aztec. Kaye received his first license as a private pilot of multi-engine aircraft, not being certified for operating a single-engine plane until six years later. He was an accomplished pilot, rated for aircraft ranging from single-engine light aircraft to multi-engine jets. Kaye held a commercial pilot's license and had flown every type of aircraft except military planes. | 6,927 | 0 | Kaye held a commercial pilot's license and had flown every type of aircraft except military planes. | Would you expect that Kaye, given his enthusiasm and broad experience, would have had experience flying vintage warbirds--civilian-owned airframes of vintage fighters from World War II? | 582 | Kaye was an aviation enthusiast and pilot. His interest was sparked by his longtime friend, choreographer Michael Kidd, who had recently earned his private pilot's license. Kaye began studying for his own pilot's license in 1959. An enthusiastic and accomplished golfer, he gave up golf in favor of flying. The first plane Kaye owned was a Piper Aztec. Kaye received his first license as a private pilot of multi-engine aircraft, not being certified for operating a single-engine plane until six years later. He was an accomplished pilot, rated for aircraft ranging from single-engine light aircraft to multi-engine jets. Kaye was a licensed commercial pilot and, with the exception of military planes, he had experience flying every type of aircraft. | Kaye was an aviation enthusiast and pilot. His interest was sparked by his longtime friend, choreographer Michael Kidd, who had recently earned his private pilot's license. Kaye began studying for his own pilot's license in 1959. An enthusiastic and accomplished golfer, he gave up golf in favor of flying. The first plane Kaye owned was a Piper Aztec. Kaye received his first license as a private pilot of multi-engine aircraft, not being certified for operating a single-engine plane until six years later. He was an accomplished pilot, rated for aircraft ranging from single-engine light aircraft to multi-engine jets. Kaye was a licensed commercial pilot and, with the exception of military planes, he had experience flying every type of aircraft. [SEP] Would you expect that Kaye, given his enthusiasm and broad experience, would have had experience flying vintage warbirds--civilian-owned airframes of vintage fighters from World War II? | [
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q30 | except | 1 | Kaye was an aviation enthusiast and pilot. His interest was sparked by his longtime friend, choreographer Michael Kidd, who had recently earned his private pilot's license. Kaye began studying for his own pilot's license in 1959. An enthusiastic and accomplished golfer, he gave up golf in favor of flying. The first plane Kaye owned was a Piper Aztec. Kaye received his first license as a private pilot of multi-engine aircraft, not being certified for operating a single-engine plane until six years later. He was an accomplished pilot, rated for aircraft ranging from single-engine light aircraft to multi-engine jets. Kaye held a commercial pilot's license and had flown every type of aircraft except military planes. | 6,928 | 2 | Kaye held a commercial pilot's license and had flown every type of aircraft except military planes. | If an airplane that Kaye had flown during his life was one of a model that had also been used for military purpose, would the military version have been used strictly in a cargo or transport role? | 582 | Kaye was an aviation enthusiast and pilot. His interest was sparked by his longtime friend, choreographer Michael Kidd, who had recently earned his private pilot's license. Kaye began studying for his own pilot's license in 1959. An enthusiastic and accomplished golfer, he gave up golf in favor of flying. The first plane Kaye owned was a Piper Aztec. Kaye received his first license as a private pilot of multi-engine aircraft, not being certified for operating a single-engine plane until six years later. He was an accomplished pilot, rated for aircraft ranging from single-engine light aircraft to multi-engine jets. Kaye was a licensed commercial pilot and, with the exception of military planes, he had experience flying every type of aircraft. | Kaye was an aviation enthusiast and pilot. His interest was sparked by his longtime friend, choreographer Michael Kidd, who had recently earned his private pilot's license. Kaye began studying for his own pilot's license in 1959. An enthusiastic and accomplished golfer, he gave up golf in favor of flying. The first plane Kaye owned was a Piper Aztec. Kaye received his first license as a private pilot of multi-engine aircraft, not being certified for operating a single-engine plane until six years later. He was an accomplished pilot, rated for aircraft ranging from single-engine light aircraft to multi-engine jets. Kaye was a licensed commercial pilot and, with the exception of military planes, he had experience flying every type of aircraft. [SEP] If an airplane that Kaye had flown during his life was one of a model that had also been used for military purpose, would the military version have been used strictly in a cargo or transport role? | [
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q20 | except | 3 | Kaye was an aviation enthusiast and pilot. His interest was sparked by his longtime friend, choreographer Michael Kidd, who had recently earned his private pilot's license. Kaye began studying for his own pilot's license in 1959. An enthusiastic and accomplished golfer, he gave up golf in favor of flying. The first plane Kaye owned was a Piper Aztec. Kaye received his first license as a private pilot of multi-engine aircraft, not being certified for operating a single-engine plane until six years later. He was an accomplished pilot, rated for aircraft ranging from single-engine light aircraft to multi-engine jets. Kaye held a commercial pilot's license and had flown every type of aircraft except military planes. | 6,933 | 1 | Kaye held a commercial pilot's license and had flown every type of aircraft except military planes. | Would you expect that Kaye, given his enthusiasm and broad experience, would have had experience flying vintage warbirds--civilian-owned airframes of vintage fighters from World War II? | 582 | Kaye was an aviation enthusiast and pilot. His interest was sparked by his longtime friend, choreographer Michael Kidd, who had recently earned his private pilot's license. Kaye began studying for his own pilot's license in 1959. An enthusiastic and accomplished golfer, he gave up golf in favor of flying. The first plane Kaye owned was a Piper Aztec. Kaye received his first license as a private pilot of multi-engine aircraft, not being certified for operating a single-engine plane until six years later. He was an accomplished pilot, rated for aircraft ranging from single-engine light aircraft to multi-engine jets. Kaye held a commercial pilot's license and had flown every type of aircraft, including demonstration flights of all major categories of military craft. | Kaye was an aviation enthusiast and pilot. His interest was sparked by his longtime friend, choreographer Michael Kidd, who had recently earned his private pilot's license. Kaye began studying for his own pilot's license in 1959. An enthusiastic and accomplished golfer, he gave up golf in favor of flying. The first plane Kaye owned was a Piper Aztec. Kaye received his first license as a private pilot of multi-engine aircraft, not being certified for operating a single-engine plane until six years later. He was an accomplished pilot, rated for aircraft ranging from single-engine light aircraft to multi-engine jets. Kaye held a commercial pilot's license and had flown every type of aircraft, including demonstration flights of all major categories of military craft. [SEP] Would you expect that Kaye, given his enthusiasm and broad experience, would have had experience flying vintage warbirds--civilian-owned airframes of vintage fighters from World War II? | [
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q30 | except | 3 | Kaye was an aviation enthusiast and pilot. His interest was sparked by his longtime friend, choreographer Michael Kidd, who had recently earned his private pilot's license. Kaye began studying for his own pilot's license in 1959. An enthusiastic and accomplished golfer, he gave up golf in favor of flying. The first plane Kaye owned was a Piper Aztec. Kaye received his first license as a private pilot of multi-engine aircraft, not being certified for operating a single-engine plane until six years later. He was an accomplished pilot, rated for aircraft ranging from single-engine light aircraft to multi-engine jets. Kaye held a commercial pilot's license and had flown every type of aircraft except military planes. | 6,934 | 0 | Kaye held a commercial pilot's license and had flown every type of aircraft except military planes. | If an airplane that Kaye had flown during his life was one of a model that had also been used for military purpose, would the military version have been used strictly in a cargo or transport role? | 582 | Kaye was an aviation enthusiast and pilot. His interest was sparked by his longtime friend, choreographer Michael Kidd, who had recently earned his private pilot's license. Kaye began studying for his own pilot's license in 1959. An enthusiastic and accomplished golfer, he gave up golf in favor of flying. The first plane Kaye owned was a Piper Aztec. Kaye received his first license as a private pilot of multi-engine aircraft, not being certified for operating a single-engine plane until six years later. He was an accomplished pilot, rated for aircraft ranging from single-engine light aircraft to multi-engine jets. Kaye held a commercial pilot's license and had flown every type of aircraft, including demonstration flights of all major categories of military craft. | Kaye was an aviation enthusiast and pilot. His interest was sparked by his longtime friend, choreographer Michael Kidd, who had recently earned his private pilot's license. Kaye began studying for his own pilot's license in 1959. An enthusiastic and accomplished golfer, he gave up golf in favor of flying. The first plane Kaye owned was a Piper Aztec. Kaye received his first license as a private pilot of multi-engine aircraft, not being certified for operating a single-engine plane until six years later. He was an accomplished pilot, rated for aircraft ranging from single-engine light aircraft to multi-engine jets. Kaye held a commercial pilot's license and had flown every type of aircraft, including demonstration flights of all major categories of military craft. [SEP] If an airplane that Kaye had flown during his life was one of a model that had also been used for military purpose, would the military version have been used strictly in a cargo or transport role? | [
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q10 | didn't | 0 | King's mother began giving her real music lessons when she was four with King climbing the stool, made higher still by a phone book. With her mother sitting beside her, King learned music theory and elementary piano technique, including how to read notation and execute proper note timing. King wanted to learn as much as possible: "My mother never forced me to practice. She didn't have to. I wanted so much to master the popular songs that poured out of the radio." | 6,935 | 1 | She didn't have to. | Does it sound like King's mother recognized her daughter's potential from the start? | 583 | King's mother began giving her real music lessons when she was four with King climbing the stool, made higher still by a phone book. With her mother sitting beside her, King learned music theory and elementary piano technique, including how to read notation and execute proper note timing. King wanted to learn as much as possible: "My mother never forced me to practice. She didn't have to. I wanted so much to master the popular songs that poured out of the radio." | King's mother began giving her real music lessons when she was four with King climbing the stool, made higher still by a phone book. With her mother sitting beside her, King learned music theory and elementary piano technique, including how to read notation and execute proper note timing. King wanted to learn as much as possible: "My mother never forced me to practice. She didn't have to. I wanted so much to master the popular songs that poured out of the radio." [SEP] Does it sound like King's mother recognized her daughter's potential from the start? | [
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q20 | didn't | 0 | King's mother began giving her real music lessons when she was four with King climbing the stool, made higher still by a phone book. With her mother sitting beside her, King learned music theory and elementary piano technique, including how to read notation and execute proper note timing. King wanted to learn as much as possible: "My mother never forced me to practice. She didn't have to. I wanted so much to master the popular songs that poured out of the radio." | 6,936 | 0 | She didn't have to. | Would it be reasonable to assume that King's mother, though enthusiastic about music, was pessimistic about the career prospects in that field, and wanted her daughter to pursue other interests as well? | 583 | King's mother began giving her real music lessons when she was four with King climbing the stool, made higher still by a phone book. With her mother sitting beside her, King learned music theory and elementary piano technique, including how to read notation and execute proper note timing. King wanted to learn as much as possible: "My mother never forced me to practice. She didn't have to. I wanted so much to master the popular songs that poured out of the radio." | King's mother began giving her real music lessons when she was four with King climbing the stool, made higher still by a phone book. With her mother sitting beside her, King learned music theory and elementary piano technique, including how to read notation and execute proper note timing. King wanted to learn as much as possible: "My mother never forced me to practice. She didn't have to. I wanted so much to master the popular songs that poured out of the radio." [SEP] Would it be reasonable to assume that King's mother, though enthusiastic about music, was pessimistic about the career prospects in that field, and wanted her daughter to pursue other interests as well? | [
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q20 | didn't | 3 | King's mother began giving her real music lessons when she was four with King climbing the stool, made higher still by a phone book. With her mother sitting beside her, King learned music theory and elementary piano technique, including how to read notation and execute proper note timing. King wanted to learn as much as possible: "My mother never forced me to practice. She didn't have to. I wanted so much to master the popular songs that poured out of the radio." | 6,945 | 1 | She didn't have to. | Would it be reasonable to assume that King's mother, though enthusiastic about music, was pessimistic about the career prospects in that field, and wanted her daughter to pursue other interests as well? | 583 | King's mother began giving her real music lessons when she was four with King climbing the stool, made higher still by a phone book. With her mother sitting beside her, King learned music theory and elementary piano technique, including how to read notation and execute proper note timing. King wanted to learn as much as possible: "My mother never forced me to practice. She actually didn't want me to practice so much. I wanted so much to master the popular songs that poured out of the radio." | King's mother began giving her real music lessons when she was four with King climbing the stool, made higher still by a phone book. With her mother sitting beside her, King learned music theory and elementary piano technique, including how to read notation and execute proper note timing. King wanted to learn as much as possible: "My mother never forced me to practice. She actually didn't want me to practice so much. I wanted so much to master the popular songs that poured out of the radio." [SEP] Would it be reasonable to assume that King's mother, though enthusiastic about music, was pessimistic about the career prospects in that field, and wanted her daughter to pursue other interests as well? | [
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q10 | unaware | 0 | Miller began work on writing the screenplay for "The Misfits" in 1960, directed by John Huston and starring Monroe. But it was during the filming that Miller and Monroe's relationship hit difficulties, and he later said that the filming was one of the lowest points in his life. Monroe was taking drugs to help her sleep and more drugs to help her wake up, which caused her to arrive on the set late and then have trouble remembering her lines. Huston was unaware that Miller and Monroe were having problems in their private life. He recalled later, "I was impertinent enough to say to Arthur that to allow her to take drugs of any kind was criminal and utterly irresponsible. Shortly after that I realized that she wouldn't listen to Arthur at all; he had no say over her actions." | 6,947 | 1 | Huston was unaware that Miller and Monroe were having problems in their private life. | Would about the worst thing you could say about Huston at this time be that he was simply naive to think that a married couple could smoothly handle the rigors of working together on a movie production? | 584 | Miller began work on writing the screenplay for "The Misfits" in 1960, directed by John Huston and starring Monroe. But it was during the filming that Miller and Monroe's relationship hit difficulties, and he later said that the filming was one of the lowest points in his life. Monroe was taking drugs to help her sleep and more drugs to help her wake up, which caused her to arrive on the set late and then have trouble remembering her lines. Huston was unaware that Miller and Monroe were having problems in their private life. He recalled later, "I was impertinent enough to say to Arthur that to allow her to take drugs of any kind was criminal and utterly irresponsible. Shortly after that I realized that she wouldn't listen to Arthur at all; he had no say over her actions." | Miller began work on writing the screenplay for "The Misfits" in 1960, directed by John Huston and starring Monroe. But it was during the filming that Miller and Monroe's relationship hit difficulties, and he later said that the filming was one of the lowest points in his life. Monroe was taking drugs to help her sleep and more drugs to help her wake up, which caused her to arrive on the set late and then have trouble remembering her lines. Huston was unaware that Miller and Monroe were having problems in their private life. He recalled later, "I was impertinent enough to say to Arthur that to allow her to take drugs of any kind was criminal and utterly irresponsible. Shortly after that I realized that she wouldn't listen to Arthur at all; he had no say over her actions." [SEP] Would about the worst thing you could say about Huston at this time be that he was simply naive to think that a married couple could smoothly handle the rigors of working together on a movie production? | [
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q30 | unaware | 0 | Miller began work on writing the screenplay for "The Misfits" in 1960, directed by John Huston and starring Monroe. But it was during the filming that Miller and Monroe's relationship hit difficulties, and he later said that the filming was one of the lowest points in his life. Monroe was taking drugs to help her sleep and more drugs to help her wake up, which caused her to arrive on the set late and then have trouble remembering her lines. Huston was unaware that Miller and Monroe were having problems in their private life. He recalled later, "I was impertinent enough to say to Arthur that to allow her to take drugs of any kind was criminal and utterly irresponsible. Shortly after that I realized that she wouldn't listen to Arthur at all; he had no say over her actions." | 6,949 | 1 | Huston was unaware that Miller and Monroe were having problems in their private life. | If you read Huston's own private diaries about his experiences on the set of "The Misfits", would his thoughts at the time suggest that he thought the Monroe's conflicts with her screenwriter were no worse than the disagreements that any actor was having, or would be expected to have? | 584 | Miller began work on writing the screenplay for "The Misfits" in 1960, directed by John Huston and starring Monroe. But it was during the filming that Miller and Monroe's relationship hit difficulties, and he later said that the filming was one of the lowest points in his life. Monroe was taking drugs to help her sleep and more drugs to help her wake up, which caused her to arrive on the set late and then have trouble remembering her lines. Huston was unaware that Miller and Monroe were having problems in their private life. He recalled later, "I was impertinent enough to say to Arthur that to allow her to take drugs of any kind was criminal and utterly irresponsible. Shortly after that I realized that she wouldn't listen to Arthur at all; he had no say over her actions." | Miller began work on writing the screenplay for "The Misfits" in 1960, directed by John Huston and starring Monroe. But it was during the filming that Miller and Monroe's relationship hit difficulties, and he later said that the filming was one of the lowest points in his life. Monroe was taking drugs to help her sleep and more drugs to help her wake up, which caused her to arrive on the set late and then have trouble remembering her lines. Huston was unaware that Miller and Monroe were having problems in their private life. He recalled later, "I was impertinent enough to say to Arthur that to allow her to take drugs of any kind was criminal and utterly irresponsible. Shortly after that I realized that she wouldn't listen to Arthur at all; he had no say over her actions." [SEP] If you read Huston's own private diaries about his experiences on the set of "The Misfits", would his thoughts at the time suggest that he thought the Monroe's conflicts with her screenwriter were no worse than the disagreements that any actor was having, or would be expected to have? | [
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q10 | unaware | 1 | Miller began work on writing the screenplay for "The Misfits" in 1960, directed by John Huston and starring Monroe. But it was during the filming that Miller and Monroe's relationship hit difficulties, and he later said that the filming was one of the lowest points in his life. Monroe was taking drugs to help her sleep and more drugs to help her wake up, which caused her to arrive on the set late and then have trouble remembering her lines. Huston was unaware that Miller and Monroe were having problems in their private life. He recalled later, "I was impertinent enough to say to Arthur that to allow her to take drugs of any kind was criminal and utterly irresponsible. Shortly after that I realized that she wouldn't listen to Arthur at all; he had no say over her actions." | 6,950 | 1 | Huston was unaware that Miller and Monroe were having problems in their private life. | Would about the worst thing you could say about Huston at this time be that he was simply naive to think that a married couple could smoothly handle the rigors of working together on a movie production? | 584 | Miller began work on writing the screenplay for "The Misfits" in 1960, directed by John Huston and starring Monroe. But it was during the filming that Miller and Monroe's relationship hit difficulties, and he later said that the filming was one of the lowest points in his life. Monroe was taking drugs to help her sleep and more drugs to help her wake up, which caused her to arrive on the set late and then have trouble remembering her lines. Huston did not even know that there were any problems in the private lives of Miller and Monroe. He recalled later, "I was impertinent enough to say to Arthur that to allow her to take drugs of any kind was criminal and utterly irresponsible. Shortly after that I realized that she wouldn't listen to Arthur at all; he had no say over her actions." | Miller began work on writing the screenplay for "The Misfits" in 1960, directed by John Huston and starring Monroe. But it was during the filming that Miller and Monroe's relationship hit difficulties, and he later said that the filming was one of the lowest points in his life. Monroe was taking drugs to help her sleep and more drugs to help her wake up, which caused her to arrive on the set late and then have trouble remembering her lines. Huston did not even know that there were any problems in the private lives of Miller and Monroe. He recalled later, "I was impertinent enough to say to Arthur that to allow her to take drugs of any kind was criminal and utterly irresponsible. Shortly after that I realized that she wouldn't listen to Arthur at all; he had no say over her actions." [SEP] Would about the worst thing you could say about Huston at this time be that he was simply naive to think that a married couple could smoothly handle the rigors of working together on a movie production? | [
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q30 | unaware | 1 | Miller began work on writing the screenplay for "The Misfits" in 1960, directed by John Huston and starring Monroe. But it was during the filming that Miller and Monroe's relationship hit difficulties, and he later said that the filming was one of the lowest points in his life. Monroe was taking drugs to help her sleep and more drugs to help her wake up, which caused her to arrive on the set late and then have trouble remembering her lines. Huston was unaware that Miller and Monroe were having problems in their private life. He recalled later, "I was impertinent enough to say to Arthur that to allow her to take drugs of any kind was criminal and utterly irresponsible. Shortly after that I realized that she wouldn't listen to Arthur at all; he had no say over her actions." | 6,952 | 1 | Huston was unaware that Miller and Monroe were having problems in their private life. | If you read Huston's own private diaries about his experiences on the set of "The Misfits", would his thoughts at the time suggest that he thought the Monroe's conflicts with her screenwriter were no worse than the disagreements that any actor was having, or would be expected to have? | 584 | Miller began work on writing the screenplay for "The Misfits" in 1960, directed by John Huston and starring Monroe. But it was during the filming that Miller and Monroe's relationship hit difficulties, and he later said that the filming was one of the lowest points in his life. Monroe was taking drugs to help her sleep and more drugs to help her wake up, which caused her to arrive on the set late and then have trouble remembering her lines. Huston did not even know that there were any problems in the private lives of Miller and Monroe. He recalled later, "I was impertinent enough to say to Arthur that to allow her to take drugs of any kind was criminal and utterly irresponsible. Shortly after that I realized that she wouldn't listen to Arthur at all; he had no say over her actions." | Miller began work on writing the screenplay for "The Misfits" in 1960, directed by John Huston and starring Monroe. But it was during the filming that Miller and Monroe's relationship hit difficulties, and he later said that the filming was one of the lowest points in his life. Monroe was taking drugs to help her sleep and more drugs to help her wake up, which caused her to arrive on the set late and then have trouble remembering her lines. Huston did not even know that there were any problems in the private lives of Miller and Monroe. He recalled later, "I was impertinent enough to say to Arthur that to allow her to take drugs of any kind was criminal and utterly irresponsible. Shortly after that I realized that she wouldn't listen to Arthur at all; he had no say over her actions." [SEP] If you read Huston's own private diaries about his experiences on the set of "The Misfits", would his thoughts at the time suggest that he thought the Monroe's conflicts with her screenwriter were no worse than the disagreements that any actor was having, or would be expected to have? | [
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q10 | unaware | 2 | Miller began work on writing the screenplay for "The Misfits" in 1960, directed by John Huston and starring Monroe. But it was during the filming that Miller and Monroe's relationship hit difficulties, and he later said that the filming was one of the lowest points in his life. Monroe was taking drugs to help her sleep and more drugs to help her wake up, which caused her to arrive on the set late and then have trouble remembering her lines. Huston was unaware that Miller and Monroe were having problems in their private life. He recalled later, "I was impertinent enough to say to Arthur that to allow her to take drugs of any kind was criminal and utterly irresponsible. Shortly after that I realized that she wouldn't listen to Arthur at all; he had no say over her actions." | 6,953 | 0 | Huston was unaware that Miller and Monroe were having problems in their private life. | Would about the worst thing you could say about Huston at this time be that he was simply naive to think that a married couple could smoothly handle the rigors of working together on a movie production? | 584 | Miller began work on writing the screenplay for "The Misfits" in 1960, directed by John Huston and starring Monroe. But it was during the filming that Miller and Monroe's relationship hit difficulties, and he later said that the filming was one of the lowest points in his life. Monroe was taking drugs to help her sleep and more drugs to help her wake up, which caused her to arrive on the set late and then have trouble remembering her lines. Huston knew at that point that Miller and Monroe were having problems in their private life, but tried to ensure that the production staff were unaware. He recalled later, "I was impertinent enough to say to Arthur that to allow her to take drugs of any kind was criminal and utterly irresponsible. Shortly after that I realized that she wouldn't listen to Arthur at all; he had no say over her actions." | Miller began work on writing the screenplay for "The Misfits" in 1960, directed by John Huston and starring Monroe. But it was during the filming that Miller and Monroe's relationship hit difficulties, and he later said that the filming was one of the lowest points in his life. Monroe was taking drugs to help her sleep and more drugs to help her wake up, which caused her to arrive on the set late and then have trouble remembering her lines. Huston knew at that point that Miller and Monroe were having problems in their private life, but tried to ensure that the production staff were unaware. He recalled later, "I was impertinent enough to say to Arthur that to allow her to take drugs of any kind was criminal and utterly irresponsible. Shortly after that I realized that she wouldn't listen to Arthur at all; he had no say over her actions." [SEP] Would about the worst thing you could say about Huston at this time be that he was simply naive to think that a married couple could smoothly handle the rigors of working together on a movie production? | [
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q30 | unaware | 2 | Miller began work on writing the screenplay for "The Misfits" in 1960, directed by John Huston and starring Monroe. But it was during the filming that Miller and Monroe's relationship hit difficulties, and he later said that the filming was one of the lowest points in his life. Monroe was taking drugs to help her sleep and more drugs to help her wake up, which caused her to arrive on the set late and then have trouble remembering her lines. Huston was unaware that Miller and Monroe were having problems in their private life. He recalled later, "I was impertinent enough to say to Arthur that to allow her to take drugs of any kind was criminal and utterly irresponsible. Shortly after that I realized that she wouldn't listen to Arthur at all; he had no say over her actions." | 6,955 | 0 | Huston was unaware that Miller and Monroe were having problems in their private life. | If you read Huston's own private diaries about his experiences on the set of "The Misfits", would his thoughts at the time suggest that he thought the Monroe's conflicts with her screenwriter were no worse than the disagreements that any actor was having, or would be expected to have? | 584 | Miller began work on writing the screenplay for "The Misfits" in 1960, directed by John Huston and starring Monroe. But it was during the filming that Miller and Monroe's relationship hit difficulties, and he later said that the filming was one of the lowest points in his life. Monroe was taking drugs to help her sleep and more drugs to help her wake up, which caused her to arrive on the set late and then have trouble remembering her lines. Huston knew at that point that Miller and Monroe were having problems in their private life, but tried to ensure that the production staff were unaware. He recalled later, "I was impertinent enough to say to Arthur that to allow her to take drugs of any kind was criminal and utterly irresponsible. Shortly after that I realized that she wouldn't listen to Arthur at all; he had no say over her actions." | Miller began work on writing the screenplay for "The Misfits" in 1960, directed by John Huston and starring Monroe. But it was during the filming that Miller and Monroe's relationship hit difficulties, and he later said that the filming was one of the lowest points in his life. Monroe was taking drugs to help her sleep and more drugs to help her wake up, which caused her to arrive on the set late and then have trouble remembering her lines. Huston knew at that point that Miller and Monroe were having problems in their private life, but tried to ensure that the production staff were unaware. He recalled later, "I was impertinent enough to say to Arthur that to allow her to take drugs of any kind was criminal and utterly irresponsible. Shortly after that I realized that she wouldn't listen to Arthur at all; he had no say over her actions." [SEP] If you read Huston's own private diaries about his experiences on the set of "The Misfits", would his thoughts at the time suggest that he thought the Monroe's conflicts with her screenwriter were no worse than the disagreements that any actor was having, or would be expected to have? | [
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q10 | unaware | 3 | Miller began work on writing the screenplay for "The Misfits" in 1960, directed by John Huston and starring Monroe. But it was during the filming that Miller and Monroe's relationship hit difficulties, and he later said that the filming was one of the lowest points in his life. Monroe was taking drugs to help her sleep and more drugs to help her wake up, which caused her to arrive on the set late and then have trouble remembering her lines. Huston was unaware that Miller and Monroe were having problems in their private life. He recalled later, "I was impertinent enough to say to Arthur that to allow her to take drugs of any kind was criminal and utterly irresponsible. Shortly after that I realized that she wouldn't listen to Arthur at all; he had no say over her actions." | 6,956 | 0 | Huston was unaware that Miller and Monroe were having problems in their private life. | Would about the worst thing you could say about Huston at this time be that he was simply naive to think that a married couple could smoothly handle the rigors of working together on a movie production? | 584 | Miller began work on writing the screenplay for "The Misfits" in 1960, directed by John Huston and starring Monroe. But it was during the filming that Miller and Monroe's relationship hit difficulties, and he later said that the filming was one of the lowest points in his life. Monroe was taking drugs to help her sleep and more drugs to help her wake up, which caused her to arrive on the set late and then have trouble remembering her lines. Huston knew from the earliest stages of pre-production that Miller and Monroe were having problems in their private life. He recalled later, "I was impertinent enough to say to Arthur that to allow her to take drugs of any kind was criminal and utterly irresponsible. Shortly after that I realized that she wouldn't listen to Arthur at all; he had no say over her actions." | Miller began work on writing the screenplay for "The Misfits" in 1960, directed by John Huston and starring Monroe. But it was during the filming that Miller and Monroe's relationship hit difficulties, and he later said that the filming was one of the lowest points in his life. Monroe was taking drugs to help her sleep and more drugs to help her wake up, which caused her to arrive on the set late and then have trouble remembering her lines. Huston knew from the earliest stages of pre-production that Miller and Monroe were having problems in their private life. He recalled later, "I was impertinent enough to say to Arthur that to allow her to take drugs of any kind was criminal and utterly irresponsible. Shortly after that I realized that she wouldn't listen to Arthur at all; he had no say over her actions." [SEP] Would about the worst thing you could say about Huston at this time be that he was simply naive to think that a married couple could smoothly handle the rigors of working together on a movie production? | [
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q20 | unaware | 3 | Miller began work on writing the screenplay for "The Misfits" in 1960, directed by John Huston and starring Monroe. But it was during the filming that Miller and Monroe's relationship hit difficulties, and he later said that the filming was one of the lowest points in his life. Monroe was taking drugs to help her sleep and more drugs to help her wake up, which caused her to arrive on the set late and then have trouble remembering her lines. Huston was unaware that Miller and Monroe were having problems in their private life. He recalled later, "I was impertinent enough to say to Arthur that to allow her to take drugs of any kind was criminal and utterly irresponsible. Shortly after that I realized that she wouldn't listen to Arthur at all; he had no say over her actions." | 6,957 | 1 | Huston was unaware that Miller and Monroe were having problems in their private life. | If Huston was to look back on the choices he had made in his life, would he say that he should have hired a different screenwriter for "The Misfits", based on what he was aware of before filming began? | 584 | Miller began work on writing the screenplay for "The Misfits" in 1960, directed by John Huston and starring Monroe. But it was during the filming that Miller and Monroe's relationship hit difficulties, and he later said that the filming was one of the lowest points in his life. Monroe was taking drugs to help her sleep and more drugs to help her wake up, which caused her to arrive on the set late and then have trouble remembering her lines. Huston knew from the earliest stages of pre-production that Miller and Monroe were having problems in their private life. He recalled later, "I was impertinent enough to say to Arthur that to allow her to take drugs of any kind was criminal and utterly irresponsible. Shortly after that I realized that she wouldn't listen to Arthur at all; he had no say over her actions." | Miller began work on writing the screenplay for "The Misfits" in 1960, directed by John Huston and starring Monroe. But it was during the filming that Miller and Monroe's relationship hit difficulties, and he later said that the filming was one of the lowest points in his life. Monroe was taking drugs to help her sleep and more drugs to help her wake up, which caused her to arrive on the set late and then have trouble remembering her lines. Huston knew from the earliest stages of pre-production that Miller and Monroe were having problems in their private life. He recalled later, "I was impertinent enough to say to Arthur that to allow her to take drugs of any kind was criminal and utterly irresponsible. Shortly after that I realized that she wouldn't listen to Arthur at all; he had no say over her actions." [SEP] If Huston was to look back on the choices he had made in his life, would he say that he should have hired a different screenwriter for "The Misfits", based on what he was aware of before filming began? | [
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q30 | unaware | 3 | Miller began work on writing the screenplay for "The Misfits" in 1960, directed by John Huston and starring Monroe. But it was during the filming that Miller and Monroe's relationship hit difficulties, and he later said that the filming was one of the lowest points in his life. Monroe was taking drugs to help her sleep and more drugs to help her wake up, which caused her to arrive on the set late and then have trouble remembering her lines. Huston was unaware that Miller and Monroe were having problems in their private life. He recalled later, "I was impertinent enough to say to Arthur that to allow her to take drugs of any kind was criminal and utterly irresponsible. Shortly after that I realized that she wouldn't listen to Arthur at all; he had no say over her actions." | 6,958 | 0 | Huston was unaware that Miller and Monroe were having problems in their private life. | If you read Huston's own private diaries about his experiences on the set of "The Misfits", would his thoughts at the time suggest that he thought the Monroe's conflicts with her screenwriter were no worse than the disagreements that any actor was having, or would be expected to have? | 584 | Miller began work on writing the screenplay for "The Misfits" in 1960, directed by John Huston and starring Monroe. But it was during the filming that Miller and Monroe's relationship hit difficulties, and he later said that the filming was one of the lowest points in his life. Monroe was taking drugs to help her sleep and more drugs to help her wake up, which caused her to arrive on the set late and then have trouble remembering her lines. Huston knew from the earliest stages of pre-production that Miller and Monroe were having problems in their private life. He recalled later, "I was impertinent enough to say to Arthur that to allow her to take drugs of any kind was criminal and utterly irresponsible. Shortly after that I realized that she wouldn't listen to Arthur at all; he had no say over her actions." | Miller began work on writing the screenplay for "The Misfits" in 1960, directed by John Huston and starring Monroe. But it was during the filming that Miller and Monroe's relationship hit difficulties, and he later said that the filming was one of the lowest points in his life. Monroe was taking drugs to help her sleep and more drugs to help her wake up, which caused her to arrive on the set late and then have trouble remembering her lines. Huston knew from the earliest stages of pre-production that Miller and Monroe were having problems in their private life. He recalled later, "I was impertinent enough to say to Arthur that to allow her to take drugs of any kind was criminal and utterly irresponsible. Shortly after that I realized that she wouldn't listen to Arthur at all; he had no say over her actions." [SEP] If you read Huston's own private diaries about his experiences on the set of "The Misfits", would his thoughts at the time suggest that he thought the Monroe's conflicts with her screenwriter were no worse than the disagreements that any actor was having, or would be expected to have? | [
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q10 | unsuccessful | 1 | In 1993, a young schoolgirl was killed in an unsuccessful attempt on the life of the Egyptian prime minister, Atef Sedki. Egyptian public opinion turned against Islamist bombings, and the police arrested 280 of al-Jihad's members and executed 6. In June 1995, an attempt to assassinate Egyptian president Mubarak led to the expulsion of Egyptian Islamic Jihad (EIJ), and in May 1996, of bin Laden from Sudan. | 6,962 | 1 | In 1993, a young schoolgirl was killed in an unsuccessful attempt on the life of the Egyptian prime minister, Atef Sedki. | Is it likely that Atef Sedki attended the funeral of the schoolgirl killed in 1993? | 585 | In 1993, a young schoolgirl was killed in a failed attempt on the life of the Egyptian prime minister, Atef Sedki. Egyptian public opinion turned against Islamist bombings, and the police arrested 280 of al-Jihad's members and executed 6. In June 1995, an attempt to assassinate Egyptian president Mubarak led to the expulsion of Egyptian Islamic Jihad (EIJ), and in May 1996, of bin Laden from Sudan. | In 1993, a young schoolgirl was killed in a failed attempt on the life of the Egyptian prime minister, Atef Sedki. Egyptian public opinion turned against Islamist bombings, and the police arrested 280 of al-Jihad's members and executed 6. In June 1995, an attempt to assassinate Egyptian president Mubarak led to the expulsion of Egyptian Islamic Jihad (EIJ), and in May 1996, of bin Laden from Sudan. [SEP] Is it likely that Atef Sedki attended the funeral of the schoolgirl killed in 1993? | [
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q30 | unsuccessful | 1 | In 1993, a young schoolgirl was killed in an unsuccessful attempt on the life of the Egyptian prime minister, Atef Sedki. Egyptian public opinion turned against Islamist bombings, and the police arrested 280 of al-Jihad's members and executed 6. In June 1995, an attempt to assassinate Egyptian president Mubarak led to the expulsion of Egyptian Islamic Jihad (EIJ), and in May 1996, of bin Laden from Sudan. | 6,964 | 2 | In 1993, a young schoolgirl was killed in an unsuccessful attempt on the life of the Egyptian prime minister, Atef Sedki. | If someone claims to have the receipt from the purchase of Atef Sedki's casket and the date listed on the receipt is March 27th, 1997, is it a forgery? | 585 | In 1993, a young schoolgirl was killed in a failed attempt on the life of the Egyptian prime minister, Atef Sedki. Egyptian public opinion turned against Islamist bombings, and the police arrested 280 of al-Jihad's members and executed 6. In June 1995, an attempt to assassinate Egyptian president Mubarak led to the expulsion of Egyptian Islamic Jihad (EIJ), and in May 1996, of bin Laden from Sudan. | In 1993, a young schoolgirl was killed in a failed attempt on the life of the Egyptian prime minister, Atef Sedki. Egyptian public opinion turned against Islamist bombings, and the police arrested 280 of al-Jihad's members and executed 6. In June 1995, an attempt to assassinate Egyptian president Mubarak led to the expulsion of Egyptian Islamic Jihad (EIJ), and in May 1996, of bin Laden from Sudan. [SEP] If someone claims to have the receipt from the purchase of Atef Sedki's casket and the date listed on the receipt is March 27th, 1997, is it a forgery? | [
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q10 | unsuccessful | 2 | In 1993, a young schoolgirl was killed in an unsuccessful attempt on the life of the Egyptian prime minister, Atef Sedki. Egyptian public opinion turned against Islamist bombings, and the police arrested 280 of al-Jihad's members and executed 6. In June 1995, an attempt to assassinate Egyptian president Mubarak led to the expulsion of Egyptian Islamic Jihad (EIJ), and in May 1996, of bin Laden from Sudan. | 6,965 | 0 | In 1993, a young schoolgirl was killed in an unsuccessful attempt on the life of the Egyptian prime minister, Atef Sedki. | Is it likely that Atef Sedki attended the funeral of the schoolgirl killed in 1993? | 585 | In 1993, a young schoolgirl was killed in a successful attempt on the life of the unsuccessful Egyptian prime minister, Atef Sedki. Egyptian public opinion turned against Islamist bombings, and the police arrested 280 of al-Jihad's members and executed 6. In June 1995, an attempt to assassinate Egyptian president Mubarak led to the expulsion of Egyptian Islamic Jihad (EIJ), and in May 1996, of bin Laden from Sudan. | In 1993, a young schoolgirl was killed in a successful attempt on the life of the unsuccessful Egyptian prime minister, Atef Sedki. Egyptian public opinion turned against Islamist bombings, and the police arrested 280 of al-Jihad's members and executed 6. In June 1995, an attempt to assassinate Egyptian president Mubarak led to the expulsion of Egyptian Islamic Jihad (EIJ), and in May 1996, of bin Laden from Sudan. [SEP] Is it likely that Atef Sedki attended the funeral of the schoolgirl killed in 1993? | [
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q10 | no | 0 | In 1920 Pace amicably dissolved his partnership with Handy, with whom he also collaborated as lyricist. Pace formed Pace Phonograph Company and Black Swan Records and many of the employees went with him. Handy continued to operate the publishing company as a family-owned business. He published works of other black composers as well as his own, which included more than 150 sacred compositions and folk song arrangements and about 60 blues compositions. In the 1920s, he founded the Handy Record Company in New York City; while this label released no records, Handy organized recording sessions with it, and some of those recordings were eventually released on Paramount Records and Black Swan Records. So successful was "Saint Louis Blues" that in 1929 he and director Dudley Murphy collaborated on a RCA motion picture of the same name, which was to be shown before the main attraction. Handy suggested blues singer Bessie Smith for the starring role because the song had made her popular. The movie was filmed in June and was shown in movie houses throughout the United States from 1929 to 1932. | 6,971 | 1 | In the 1920s, he founded the Handy Record Company in New York City; while this label released no records, Handy organized recording sessions with it, and some of those recordings were eventually released on Paramount Records and Black Swan Records. | The IRS have what is known as the "Hobby Loss Rule" to prevent people from writing off expenses that were never seriously intended for business purposes. From the way that Handy Record Company is described here, could the reader reasonably conclude that Handy himself might have been violating the spirit of this rule and not actually trying to earn real revenue? | 586 | In 1920 Pace amicably dissolved his partnership with Handy, with whom he also collaborated as lyricist. Pace formed Pace Phonograph Company and Black Swan Records and many of the employees went with him. Handy continued to operate the publishing company as a family-owned business. He published works of other black composers as well as his own, which included more than 150 sacred compositions and folk song arrangements and about 60 blues compositions. In the 1920s, he founded the Handy Record Company in New York City; while this label released no records, Handy organized recording sessions with it, and some of those recordings were eventually released on Paramount Records and Black Swan Records. So successful was "Saint Louis Blues" that in 1929 he and director Dudley Murphy collaborated on a RCA motion picture of the same name, which was to be shown before the main attraction. Handy suggested blues singer Bessie Smith for the starring role because the song had made her popular. The movie was filmed in June and was shown in movie houses throughout the United States from 1929 to 1932. | In 1920 Pace amicably dissolved his partnership with Handy, with whom he also collaborated as lyricist. Pace formed Pace Phonograph Company and Black Swan Records and many of the employees went with him. Handy continued to operate the publishing company as a family-owned business. He published works of other black composers as well as his own, which included more than 150 sacred compositions and folk song arrangements and about 60 blues compositions. In the 1920s, he founded the Handy Record Company in New York City; while this label released no records, Handy organized recording sessions with it, and some of those recordings were eventually released on Paramount Records and Black Swan Records. So successful was "Saint Louis Blues" that in 1929 he and director Dudley Murphy collaborated on a RCA motion picture of the same name, which was to be shown before the main attraction. Handy suggested blues singer Bessie Smith for the starring role because the song had made her popular. The movie was filmed in June and was shown in movie houses throughout the United States from 1929 to 1932. [SEP] The IRS have what is known as the "Hobby Loss Rule" to prevent people from writing off expenses that were never seriously intended for business purposes. From the way that Handy Record Company is described here, could the reader reasonably conclude that Handy himself might have been violating the spirit of this rule and not actually trying to earn real revenue? | [
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q20 | no | 0 | In 1920 Pace amicably dissolved his partnership with Handy, with whom he also collaborated as lyricist. Pace formed Pace Phonograph Company and Black Swan Records and many of the employees went with him. Handy continued to operate the publishing company as a family-owned business. He published works of other black composers as well as his own, which included more than 150 sacred compositions and folk song arrangements and about 60 blues compositions. In the 1920s, he founded the Handy Record Company in New York City; while this label released no records, Handy organized recording sessions with it, and some of those recordings were eventually released on Paramount Records and Black Swan Records. So successful was "Saint Louis Blues" that in 1929 he and director Dudley Murphy collaborated on a RCA motion picture of the same name, which was to be shown before the main attraction. Handy suggested blues singer Bessie Smith for the starring role because the song had made her popular. The movie was filmed in June and was shown in movie houses throughout the United States from 1929 to 1932. | 6,972 | 1 | In the 1920s, he founded the Handy Record Company in New York City; while this label released no records, Handy organized recording sessions with it, and some of those recordings were eventually released on Paramount Records and Black Swan Records. | If an antiques dealer was offering a recording of a song from early to mid 1920s, with what appeared to be a genuine Handy Record Company logo and the original cash-register receipts, would you be advised to walk away from such an obvious fake? | 586 | In 1920 Pace amicably dissolved his partnership with Handy, with whom he also collaborated as lyricist. Pace formed Pace Phonograph Company and Black Swan Records and many of the employees went with him. Handy continued to operate the publishing company as a family-owned business. He published works of other black composers as well as his own, which included more than 150 sacred compositions and folk song arrangements and about 60 blues compositions. In the 1920s, he founded the Handy Record Company in New York City; while this label released no records, Handy organized recording sessions with it, and some of those recordings were eventually released on Paramount Records and Black Swan Records. So successful was "Saint Louis Blues" that in 1929 he and director Dudley Murphy collaborated on a RCA motion picture of the same name, which was to be shown before the main attraction. Handy suggested blues singer Bessie Smith for the starring role because the song had made her popular. The movie was filmed in June and was shown in movie houses throughout the United States from 1929 to 1932. | In 1920 Pace amicably dissolved his partnership with Handy, with whom he also collaborated as lyricist. Pace formed Pace Phonograph Company and Black Swan Records and many of the employees went with him. Handy continued to operate the publishing company as a family-owned business. He published works of other black composers as well as his own, which included more than 150 sacred compositions and folk song arrangements and about 60 blues compositions. In the 1920s, he founded the Handy Record Company in New York City; while this label released no records, Handy organized recording sessions with it, and some of those recordings were eventually released on Paramount Records and Black Swan Records. So successful was "Saint Louis Blues" that in 1929 he and director Dudley Murphy collaborated on a RCA motion picture of the same name, which was to be shown before the main attraction. Handy suggested blues singer Bessie Smith for the starring role because the song had made her popular. The movie was filmed in June and was shown in movie houses throughout the United States from 1929 to 1932. [SEP] If an antiques dealer was offering a recording of a song from early to mid 1920s, with what appeared to be a genuine Handy Record Company logo and the original cash-register receipts, would you be advised to walk away from such an obvious fake? | [
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q20 | no | 1 | In 1920 Pace amicably dissolved his partnership with Handy, with whom he also collaborated as lyricist. Pace formed Pace Phonograph Company and Black Swan Records and many of the employees went with him. Handy continued to operate the publishing company as a family-owned business. He published works of other black composers as well as his own, which included more than 150 sacred compositions and folk song arrangements and about 60 blues compositions. In the 1920s, he founded the Handy Record Company in New York City; while this label released no records, Handy organized recording sessions with it, and some of those recordings were eventually released on Paramount Records and Black Swan Records. So successful was "Saint Louis Blues" that in 1929 he and director Dudley Murphy collaborated on a RCA motion picture of the same name, which was to be shown before the main attraction. Handy suggested blues singer Bessie Smith for the starring role because the song had made her popular. The movie was filmed in June and was shown in movie houses throughout the United States from 1929 to 1932. | 6,975 | 1 | In the 1920s, he founded the Handy Record Company in New York City; while this label released no records, Handy organized recording sessions with it, and some of those recordings were eventually released on Paramount Records and Black Swan Records. | If an antiques dealer was offering a recording of a song from early to mid 1920s, with what appeared to be a genuine Handy Record Company logo and the original cash-register receipts, would you be advised to walk away from such an obvious fake? | 586 | In 1920 Pace amicably dissolved his partnership with Handy, with whom he also collaborated as lyricist. Pace formed Pace Phonograph Company and Black Swan Records and many of the employees went with him. Handy continued to operate the publishing company as a family-owned business. He published works of other black composers as well as his own, which included more than 150 sacred compositions and folk song arrangements and about 60 blues compositions. Handy also started the Handy Record Company in New York City in that same decade, and while the label never released any of their own records, Handy himself did organize some recording sessions under the label's name, and some of the works produced therein were later released by Black Swan Records and Paramount Records. So successful was "Saint Louis Blues" that in 1929 he and director Dudley Murphy collaborated on a RCA motion picture of the same name, which was to be shown before the main attraction. Handy suggested blues singer Bessie Smith for the starring role because the song had made her popular. The movie was filmed in June and was shown in movie houses throughout the United States from 1929 to 1932. | In 1920 Pace amicably dissolved his partnership with Handy, with whom he also collaborated as lyricist. Pace formed Pace Phonograph Company and Black Swan Records and many of the employees went with him. Handy continued to operate the publishing company as a family-owned business. He published works of other black composers as well as his own, which included more than 150 sacred compositions and folk song arrangements and about 60 blues compositions. Handy also started the Handy Record Company in New York City in that same decade, and while the label never released any of their own records, Handy himself did organize some recording sessions under the label's name, and some of the works produced therein were later released by Black Swan Records and Paramount Records. So successful was "Saint Louis Blues" that in 1929 he and director Dudley Murphy collaborated on a RCA motion picture of the same name, which was to be shown before the main attraction. Handy suggested blues singer Bessie Smith for the starring role because the song had made her popular. The movie was filmed in June and was shown in movie houses throughout the United States from 1929 to 1932. [SEP] If an antiques dealer was offering a recording of a song from early to mid 1920s, with what appeared to be a genuine Handy Record Company logo and the original cash-register receipts, would you be advised to walk away from such an obvious fake? | [
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q10 | no | 2 | In 1920 Pace amicably dissolved his partnership with Handy, with whom he also collaborated as lyricist. Pace formed Pace Phonograph Company and Black Swan Records and many of the employees went with him. Handy continued to operate the publishing company as a family-owned business. He published works of other black composers as well as his own, which included more than 150 sacred compositions and folk song arrangements and about 60 blues compositions. In the 1920s, he founded the Handy Record Company in New York City; while this label released no records, Handy organized recording sessions with it, and some of those recordings were eventually released on Paramount Records and Black Swan Records. So successful was "Saint Louis Blues" that in 1929 he and director Dudley Murphy collaborated on a RCA motion picture of the same name, which was to be shown before the main attraction. Handy suggested blues singer Bessie Smith for the starring role because the song had made her popular. The movie was filmed in June and was shown in movie houses throughout the United States from 1929 to 1932. | 6,977 | 0 | In the 1920s, he founded the Handy Record Company in New York City; while this label released no records, Handy organized recording sessions with it, and some of those recordings were eventually released on Paramount Records and Black Swan Records. | The IRS have what is known as the "Hobby Loss Rule" to prevent people from writing off expenses that were never seriously intended for business purposes. From the way that Handy Record Company is described here, could the reader reasonably conclude that Handy himself might have been violating the spirit of this rule and not actually trying to earn real revenue? | 586 | In 1920 Pace amicably dissolved his partnership with Handy, with whom he also collaborated as lyricist. Pace formed Pace Phonograph Company and Black Swan Records and many of the employees went with him. Handy continued to operate the publishing company as a family-owned business. He published works of other black composers as well as his own, which included more than 150 sacred compositions and folk song arrangements and about 60 blues compositions. In the 1920s, he founded the Handy Record Company in New York City; while this label released no records that were especially successful, Handy organized recording sessions with it, and some of those recordings were eventually released on Paramount Records and Black Swan Records. So successful was "Saint Louis Blues" that in 1929 he and director Dudley Murphy collaborated on a RCA motion picture of the same name, which was to be shown before the main attraction. Handy suggested blues singer Bessie Smith for the starring role because the song had made her popular. The movie was filmed in June and was shown in movie houses throughout the United States from 1929 to 1932. | In 1920 Pace amicably dissolved his partnership with Handy, with whom he also collaborated as lyricist. Pace formed Pace Phonograph Company and Black Swan Records and many of the employees went with him. Handy continued to operate the publishing company as a family-owned business. He published works of other black composers as well as his own, which included more than 150 sacred compositions and folk song arrangements and about 60 blues compositions. In the 1920s, he founded the Handy Record Company in New York City; while this label released no records that were especially successful, Handy organized recording sessions with it, and some of those recordings were eventually released on Paramount Records and Black Swan Records. So successful was "Saint Louis Blues" that in 1929 he and director Dudley Murphy collaborated on a RCA motion picture of the same name, which was to be shown before the main attraction. Handy suggested blues singer Bessie Smith for the starring role because the song had made her popular. The movie was filmed in June and was shown in movie houses throughout the United States from 1929 to 1932. [SEP] The IRS have what is known as the "Hobby Loss Rule" to prevent people from writing off expenses that were never seriously intended for business purposes. From the way that Handy Record Company is described here, could the reader reasonably conclude that Handy himself might have been violating the spirit of this rule and not actually trying to earn real revenue? | [
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q20 | no | 2 | In 1920 Pace amicably dissolved his partnership with Handy, with whom he also collaborated as lyricist. Pace formed Pace Phonograph Company and Black Swan Records and many of the employees went with him. Handy continued to operate the publishing company as a family-owned business. He published works of other black composers as well as his own, which included more than 150 sacred compositions and folk song arrangements and about 60 blues compositions. In the 1920s, he founded the Handy Record Company in New York City; while this label released no records, Handy organized recording sessions with it, and some of those recordings were eventually released on Paramount Records and Black Swan Records. So successful was "Saint Louis Blues" that in 1929 he and director Dudley Murphy collaborated on a RCA motion picture of the same name, which was to be shown before the main attraction. Handy suggested blues singer Bessie Smith for the starring role because the song had made her popular. The movie was filmed in June and was shown in movie houses throughout the United States from 1929 to 1932. | 6,978 | 0 | In the 1920s, he founded the Handy Record Company in New York City; while this label released no records, Handy organized recording sessions with it, and some of those recordings were eventually released on Paramount Records and Black Swan Records. | If an antiques dealer was offering a recording of a song from early to mid 1920s, with what appeared to be a genuine Handy Record Company logo and the original cash-register receipts, would you be advised to walk away from such an obvious fake? | 586 | In 1920 Pace amicably dissolved his partnership with Handy, with whom he also collaborated as lyricist. Pace formed Pace Phonograph Company and Black Swan Records and many of the employees went with him. Handy continued to operate the publishing company as a family-owned business. He published works of other black composers as well as his own, which included more than 150 sacred compositions and folk song arrangements and about 60 blues compositions. In the 1920s, he founded the Handy Record Company in New York City; while this label released no records that were especially successful, Handy organized recording sessions with it, and some of those recordings were eventually released on Paramount Records and Black Swan Records. So successful was "Saint Louis Blues" that in 1929 he and director Dudley Murphy collaborated on a RCA motion picture of the same name, which was to be shown before the main attraction. Handy suggested blues singer Bessie Smith for the starring role because the song had made her popular. The movie was filmed in June and was shown in movie houses throughout the United States from 1929 to 1932. | In 1920 Pace amicably dissolved his partnership with Handy, with whom he also collaborated as lyricist. Pace formed Pace Phonograph Company and Black Swan Records and many of the employees went with him. Handy continued to operate the publishing company as a family-owned business. He published works of other black composers as well as his own, which included more than 150 sacred compositions and folk song arrangements and about 60 blues compositions. In the 1920s, he founded the Handy Record Company in New York City; while this label released no records that were especially successful, Handy organized recording sessions with it, and some of those recordings were eventually released on Paramount Records and Black Swan Records. So successful was "Saint Louis Blues" that in 1929 he and director Dudley Murphy collaborated on a RCA motion picture of the same name, which was to be shown before the main attraction. Handy suggested blues singer Bessie Smith for the starring role because the song had made her popular. The movie was filmed in June and was shown in movie houses throughout the United States from 1929 to 1932. [SEP] If an antiques dealer was offering a recording of a song from early to mid 1920s, with what appeared to be a genuine Handy Record Company logo and the original cash-register receipts, would you be advised to walk away from such an obvious fake? | [
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q10 | no | 3 | In 1920 Pace amicably dissolved his partnership with Handy, with whom he also collaborated as lyricist. Pace formed Pace Phonograph Company and Black Swan Records and many of the employees went with him. Handy continued to operate the publishing company as a family-owned business. He published works of other black composers as well as his own, which included more than 150 sacred compositions and folk song arrangements and about 60 blues compositions. In the 1920s, he founded the Handy Record Company in New York City; while this label released no records, Handy organized recording sessions with it, and some of those recordings were eventually released on Paramount Records and Black Swan Records. So successful was "Saint Louis Blues" that in 1929 he and director Dudley Murphy collaborated on a RCA motion picture of the same name, which was to be shown before the main attraction. Handy suggested blues singer Bessie Smith for the starring role because the song had made her popular. The movie was filmed in June and was shown in movie houses throughout the United States from 1929 to 1932. | 6,980 | 0 | In the 1920s, he founded the Handy Record Company in New York City; while this label released no records, Handy organized recording sessions with it, and some of those recordings were eventually released on Paramount Records and Black Swan Records. | The IRS have what is known as the "Hobby Loss Rule" to prevent people from writing off expenses that were never seriously intended for business purposes. From the way that Handy Record Company is described here, could the reader reasonably conclude that Handy himself might have been violating the spirit of this rule and not actually trying to earn real revenue? | 586 | In 1920 Pace amicably dissolved his partnership with Handy, with whom he also collaborated as lyricist. Pace formed Pace Phonograph Company and Black Swan Records and many of the employees went with him. Handy continued to operate the publishing company as a family-owned business. He published works of other black composers as well as his own, which included more than 150 sacred compositions and folk song arrangements and about 60 blues compositions. In the 1920s, he founded the Handy Record Company in New York City; while this label's records were respectably successful for their time, Handy was better remembered for the recording sessions he organized with it, because some of those recordings were eventually released on Paramount Records and Black Swan Records. So successful was "Saint Louis Blues" that in 1929 he and director Dudley Murphy collaborated on a RCA motion picture of the same name, which was to be shown before the main attraction. Handy suggested blues singer Bessie Smith for the starring role because the song had made her popular. The movie was filmed in June and was shown in movie houses throughout the United States from 1929 to 1932. | In 1920 Pace amicably dissolved his partnership with Handy, with whom he also collaborated as lyricist. Pace formed Pace Phonograph Company and Black Swan Records and many of the employees went with him. Handy continued to operate the publishing company as a family-owned business. He published works of other black composers as well as his own, which included more than 150 sacred compositions and folk song arrangements and about 60 blues compositions. In the 1920s, he founded the Handy Record Company in New York City; while this label's records were respectably successful for their time, Handy was better remembered for the recording sessions he organized with it, because some of those recordings were eventually released on Paramount Records and Black Swan Records. So successful was "Saint Louis Blues" that in 1929 he and director Dudley Murphy collaborated on a RCA motion picture of the same name, which was to be shown before the main attraction. Handy suggested blues singer Bessie Smith for the starring role because the song had made her popular. The movie was filmed in June and was shown in movie houses throughout the United States from 1929 to 1932. [SEP] The IRS have what is known as the "Hobby Loss Rule" to prevent people from writing off expenses that were never seriously intended for business purposes. From the way that Handy Record Company is described here, could the reader reasonably conclude that Handy himself might have been violating the spirit of this rule and not actually trying to earn real revenue? | [
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q20 | no | 3 | In 1920 Pace amicably dissolved his partnership with Handy, with whom he also collaborated as lyricist. Pace formed Pace Phonograph Company and Black Swan Records and many of the employees went with him. Handy continued to operate the publishing company as a family-owned business. He published works of other black composers as well as his own, which included more than 150 sacred compositions and folk song arrangements and about 60 blues compositions. In the 1920s, he founded the Handy Record Company in New York City; while this label released no records, Handy organized recording sessions with it, and some of those recordings were eventually released on Paramount Records and Black Swan Records. So successful was "Saint Louis Blues" that in 1929 he and director Dudley Murphy collaborated on a RCA motion picture of the same name, which was to be shown before the main attraction. Handy suggested blues singer Bessie Smith for the starring role because the song had made her popular. The movie was filmed in June and was shown in movie houses throughout the United States from 1929 to 1932. | 6,981 | 0 | In the 1920s, he founded the Handy Record Company in New York City; while this label released no records, Handy organized recording sessions with it, and some of those recordings were eventually released on Paramount Records and Black Swan Records. | If an antiques dealer was offering a recording of a song from early to mid 1920s, with what appeared to be a genuine Handy Record Company logo and the original cash-register receipts, would you be advised to walk away from such an obvious fake? | 586 | In 1920 Pace amicably dissolved his partnership with Handy, with whom he also collaborated as lyricist. Pace formed Pace Phonograph Company and Black Swan Records and many of the employees went with him. Handy continued to operate the publishing company as a family-owned business. He published works of other black composers as well as his own, which included more than 150 sacred compositions and folk song arrangements and about 60 blues compositions. In the 1920s, he founded the Handy Record Company in New York City; while this label's records were respectably successful for their time, Handy was better remembered for the recording sessions he organized with it, because some of those recordings were eventually released on Paramount Records and Black Swan Records. So successful was "Saint Louis Blues" that in 1929 he and director Dudley Murphy collaborated on a RCA motion picture of the same name, which was to be shown before the main attraction. Handy suggested blues singer Bessie Smith for the starring role because the song had made her popular. The movie was filmed in June and was shown in movie houses throughout the United States from 1929 to 1932. | In 1920 Pace amicably dissolved his partnership with Handy, with whom he also collaborated as lyricist. Pace formed Pace Phonograph Company and Black Swan Records and many of the employees went with him. Handy continued to operate the publishing company as a family-owned business. He published works of other black composers as well as his own, which included more than 150 sacred compositions and folk song arrangements and about 60 blues compositions. In the 1920s, he founded the Handy Record Company in New York City; while this label's records were respectably successful for their time, Handy was better remembered for the recording sessions he organized with it, because some of those recordings were eventually released on Paramount Records and Black Swan Records. So successful was "Saint Louis Blues" that in 1929 he and director Dudley Murphy collaborated on a RCA motion picture of the same name, which was to be shown before the main attraction. Handy suggested blues singer Bessie Smith for the starring role because the song had made her popular. The movie was filmed in June and was shown in movie houses throughout the United States from 1929 to 1932. [SEP] If an antiques dealer was offering a recording of a song from early to mid 1920s, with what appeared to be a genuine Handy Record Company logo and the original cash-register receipts, would you be advised to walk away from such an obvious fake? | [
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q10 | unknown | 0 | These plays and entremeses made up "Ocho Comedias y ocho entreméses nuevos, nunca representados" ("Eight Comedies and Eight New Interludes, Never Before Performed"), which appeared in 1615. The dates and order of composition of Cervantes' entremeses are unknown. Faithful to the spirit of Lope de Rueda, Cervantes endowed them with novelistic elements, such as simplified plot, the type of descriptions normally associated with a novel, and character development. Cervantes included some of his dramas among the works he was most satisfied with. | 6,983 | 0 | The dates and order of composition of Cervantes' entremeses are unknown. | Do historians know which entremese Cervantes wrote first? | 587 | These plays and entremeses made up "Ocho Comedias y ocho entreméses nuevos, nunca representados" ("Eight Comedies and Eight New Interludes, Never Before Performed"), which appeared in 1615. The dates and order of composition of Cervantes' entremeses are unknown. Faithful to the spirit of Lope de Rueda, Cervantes endowed them with novelistic elements, such as simplified plot, the type of descriptions normally associated with a novel, and character development. Cervantes included some of his dramas among the works he was most satisfied with. | These plays and entremeses made up "Ocho Comedias y ocho entreméses nuevos, nunca representados" ("Eight Comedies and Eight New Interludes, Never Before Performed"), which appeared in 1615. The dates and order of composition of Cervantes' entremeses are unknown. Faithful to the spirit of Lope de Rueda, Cervantes endowed them with novelistic elements, such as simplified plot, the type of descriptions normally associated with a novel, and character development. Cervantes included some of his dramas among the works he was most satisfied with. [SEP] Do historians know which entremese Cervantes wrote first? | [
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q10 | unconditional | 0 | The Allies invaded French North Africa in November 1942, securing the surrender of Vichy French forces within days of landing. At the January 1943 Casablanca Conference, the Allies agreed to defeat Axis forces in North Africa and then launch an invasion of Sicily, with an attack on France to take place in 1944. At the conference, Roosevelt also announced that he would only accept the unconditional surrender of Germany, Japan, and Italy. In February 1943, the Soviet Union won a major victory at the Battle of Stalingrad, and in May 1943, the Allies secured the surrender of over 250,000 German and Italian soldiers in North Africa, ending the North African Campaign. The Allies launched an invasion of Sicily in July 1943, capturing the island by the end of the following month. In September 1943, the Allies secured an armistice from Italian Prime Minister Pietro Badoglio, but Germany quickly restored Mussolini to power. The Allied invasion of mainland Italy commenced in September 1943, but the Italian Campaign continued until 1945 as German and Italian troops resisted the Allied advance. | 7,023 | 1 | At the conference, Roosevelt also announced that he would only accept the unconditional surrender of Germany, Japan, and Italy. | From this passage, would the reader consider Roosevelt to be a strict hardliner when it came to the surrender of the Axis powers in World War II? | 590 | The Allies invaded French North Africa in November 1942, securing the surrender of Vichy French forces within days of landing. At the January 1943 Casablanca Conference, the Allies agreed to defeat Axis forces in North Africa and then launch an invasion of Sicily, with an attack on France to take place in 1944. At the conference, Roosevelt also announced that he would only accept the unconditional surrender of Germany, Japan, and Italy. In February 1943, the Soviet Union won a major victory at the Battle of Stalingrad, and in May 1943, the Allies secured the surrender of over 250,000 German and Italian soldiers in North Africa, ending the North African Campaign. The Allies launched an invasion of Sicily in July 1943, capturing the island by the end of the following month. In September 1943, the Allies secured an armistice from Italian Prime Minister Pietro Badoglio, but Germany quickly restored Mussolini to power. The Allied invasion of mainland Italy commenced in September 1943, but the Italian Campaign continued until 1945 as German and Italian troops resisted the Allied advance. | The Allies invaded French North Africa in November 1942, securing the surrender of Vichy French forces within days of landing. At the January 1943 Casablanca Conference, the Allies agreed to defeat Axis forces in North Africa and then launch an invasion of Sicily, with an attack on France to take place in 1944. At the conference, Roosevelt also announced that he would only accept the unconditional surrender of Germany, Japan, and Italy. In February 1943, the Soviet Union won a major victory at the Battle of Stalingrad, and in May 1943, the Allies secured the surrender of over 250,000 German and Italian soldiers in North Africa, ending the North African Campaign. The Allies launched an invasion of Sicily in July 1943, capturing the island by the end of the following month. In September 1943, the Allies secured an armistice from Italian Prime Minister Pietro Badoglio, but Germany quickly restored Mussolini to power. The Allied invasion of mainland Italy commenced in September 1943, but the Italian Campaign continued until 1945 as German and Italian troops resisted the Allied advance. [SEP] From this passage, would the reader consider Roosevelt to be a strict hardliner when it came to the surrender of the Axis powers in World War II? | [
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