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Sverre Jordan (25 May 1889 – 10 January 1972) was a Norwegian composer, orchestra conductor, and pianist. Biography Jordan was born into the family of insurance agent Kaspar Joachim Jordan (1859–1924) and Anne Marie Margrethe Kjærbye (1866–1935) from Denmark. From 1918 to 1949 he was married to the actress Magda Blanc, then in 1949 to actress Nina Sandvik Kristensen (29 March 1920 – 30 October 1996). The family had a significant musical background, and there is a painting with Grandpa Caspar Jordan at the spinet. An aunt of his was a well known pianist in Denmark, but Jordan was not destined to become "the musician" of the family. After middle school graduation at Bergen katedralskole his father wanted him to attend the new trade school in Bergen. Then he worked for some years for the oil company Vestlandske Petroleumskompagni, before his father recognised that music would determine his son's further life. In 1959 he was made a Knight of the 1st order in the Royal Norwegian Order of St. Olav. Music In 1906 he made his first composition Nat. He went to Berlin and studied under Teresa Carreño and Conrad Ansorge from 1907 to 1914, and studied composition with Wilhelm Klatte. His piano debut took place in Bergen, 1911. He studied piano with Nina Hagerup (Mrs Grieg), and went on a successful world tour for eight years. He performed as an accompanist with Kirsten Flagstad and Marian Anderson. In 1932, he became musical director of Den Nationale Scene, the theatre in Bergen. He led opera performances and pieces for theatre. In addition, he was conductor of Harmonien, the predecessor of the Bergen Philharmonic Orchestra and its associated choir. Here he gave about a hundred concerts. In the meantime, he taught and wrote articles as musical reviewer for Morgenavisen in Bergen. For 50 years (1916–66), he was chairman of the Philharmonic's Music Board of Directors, for several years the Chairman of the program Committee. From the start, he was also in the program Committee and advised for the Bergen International Festival. He was an honorary member of the Bergen Filharmoniske Orkester, and was awarded the gold medal chain in 1966. In the Grieghallen, there is furnished an honorary place for Sverre Jordan. Works His body of work consists of approximately 200 opus numbered works divided into over 85 opuses. He further expanded on the Norwegian romance style used by Edvard Grieg and Ole Bull. This makes him somewhat conservative concerning developments within the classical music of the 20th century. While still young he could be characterized as radically innovative. Theathre music (in selection) Halte-Hulda (lyriks: B. Bjørnson), op. 20, performed in 1919. Purpur (lyriks: H. Meidell), op. 24, performed in 1923. Children's comedy Kari, Mari og Prinsen, op. 48. Romeo and Juliet (lyriks: W. Shakespeare), op. 55, performed in 1951. Jean de France (lyriks: L. Holberg) for 4 musicians, op. 62, performed in 1956. Magritt (lyriks: J. Falkberget/Isefjær), op. 72, performed in 1960. Orchestral works (in selection) 1911: Suite in the Old Style, op. 4. 1921: Norvegiana, op. 22. 1938: Holberg Silhuoets, op. 39. 1945: Norwegian Suite, op. 47. 1950: Norwegian Rapsody, op. 53. 1953: Three Vals Intermezzi, op. 58. 1959: Festspill Opening, op. 67. 1960: Serenade for Strings, op. 68. 1962: Legend, op. 78. Lyrical Suite, op. 85. Solo instruments with orchestra 1945: Piano Concerto no. 1 in E minor, op. 45. 1947: Cellokonserto in D minor, op. 45. 1957; Horn Concerto in C major, op. 63. 1963: Concerto Piccolo for Piano and Orchestra in F major, op. 77. 1966: Fiolinkonsert in G minor, op. 82. Vocals with orchestra (in selection) 1917: Feberdigte (lyriks: K. Hamsun), op. 13. 1928: Norge (lyriks: N. Grieg), Cantata for soloists, choir and Orchestra, op. 32. 1957: Kongen (lyriks: N. Grieg), melodrama for choir and Orchestra, op. 64. Chamber music 1917: Sonata no. 1 in G minor for Violin and Piano, op. 16. 1955: Sonatina for Flaute and Piano, op. 61. 1958: Trio no. 1 for Piano, Violin and Cello in F major, op. 65. 1963: Trio no. 2 in C minor, op. 76. 1960: Strykekvartett in A minor, op. 71. Piano concerts (in selection) 1963: Sonata in G minor, op. 79. Choir works 2 Sange for blandet kor, op. 17 2 Sange for mannskor, op. 28 2 mannskorsanger, op. 49 2 Sange for mannskor, op. 59 2 åndelige sange for kor, op. 74 Flagget for blandet kor, op. 84 Bibliography 1954: Edvard Grieg, an overview of his life and work. 1973: Fra et langt kunstnerliv (auto biography). Concert 30 October 1911: Concert with Cally Monrad, in the theatre of Stavanger with works of Jordan. References External links Biography at Norsk Biografisk Leksikon Foto Flagstad met Jordan

spouse

Sverre Jordan (25 May 1889 – 10 January 1972) was a Norwegian composer, orchestra conductor, and pianist. Biography Jordan was born into the family of insurance agent Kaspar Joachim Jordan (1859–1924) and Anne Marie Margrethe Kjærbye (1866–1935) from Denmark. From 1918 to 1949 he was married to the actress Magda Blanc, then in 1949 to actress Nina Sandvik Kristensen (29 March 1920 – 30 October 1996). The family had a significant musical background, and there is a painting with Grandpa Caspar Jordan at the spinet. An aunt of his was a well known pianist in Denmark, but Jordan was not destined to become "the musician" of the family. After middle school graduation at Bergen katedralskole his father wanted him to attend the new trade school in Bergen. Then he worked for some years for the oil company Vestlandske Petroleumskompagni, before his father recognised that music would determine his son's further life. In 1959 he was made a Knight of the 1st order in the Royal Norwegian Order of St. Olav. Music In 1906 he made his first composition Nat. He went to Berlin and studied under Teresa Carreño and Conrad Ansorge from 1907 to 1914, and studied composition with Wilhelm Klatte. His piano debut took place in Bergen, 1911. He studied piano with Nina Hagerup (Mrs Grieg), and went on a successful world tour for eight years. He performed as an accompanist with Kirsten Flagstad and Marian Anderson. In 1932, he became musical director of Den Nationale Scene, the theatre in Bergen. He led opera performances and pieces for theatre. In addition, he was conductor of Harmonien, the predecessor of the Bergen Philharmonic Orchestra and its associated choir. Here he gave about a hundred concerts. In the meantime, he taught and wrote articles as musical reviewer for Morgenavisen in Bergen. For 50 years (1916–66), he was chairman of the Philharmonic's Music Board of Directors, for several years the Chairman of the program Committee. From the start, he was also in the program Committee and advised for the Bergen International Festival. He was an honorary member of the Bergen Filharmoniske Orkester, and was awarded the gold medal chain in 1966. In the Grieghallen, there is furnished an honorary place for Sverre Jordan. Works His body of work consists of approximately 200 opus numbered works divided into over 85 opuses. He further expanded on the Norwegian romance style used by Edvard Grieg and Ole Bull. This makes him somewhat conservative concerning developments within the classical music of the 20th century. While still young he could be characterized as radically innovative. Theathre music (in selection) Halte-Hulda (lyriks: B. Bjørnson), op. 20, performed in 1919. Purpur (lyriks: H. Meidell), op. 24, performed in 1923. Children's comedy Kari, Mari og Prinsen, op. 48. Romeo and Juliet (lyriks: W. Shakespeare), op. 55, performed in 1951. Jean de France (lyriks: L. Holberg) for 4 musicians, op. 62, performed in 1956. Magritt (lyriks: J. Falkberget/Isefjær), op. 72, performed in 1960. Orchestral works (in selection) 1911: Suite in the Old Style, op. 4. 1921: Norvegiana, op. 22. 1938: Holberg Silhuoets, op. 39. 1945: Norwegian Suite, op. 47. 1950: Norwegian Rapsody, op. 53. 1953: Three Vals Intermezzi, op. 58. 1959: Festspill Opening, op. 67. 1960: Serenade for Strings, op. 68. 1962: Legend, op. 78. Lyrical Suite, op. 85. Solo instruments with orchestra 1945: Piano Concerto no. 1 in E minor, op. 45. 1947: Cellokonserto in D minor, op. 45. 1957; Horn Concerto in C major, op. 63. 1963: Concerto Piccolo for Piano and Orchestra in F major, op. 77. 1966: Fiolinkonsert in G minor, op. 82. Vocals with orchestra (in selection) 1917: Feberdigte (lyriks: K. Hamsun), op. 13. 1928: Norge (lyriks: N. Grieg), Cantata for soloists, choir and Orchestra, op. 32. 1957: Kongen (lyriks: N. Grieg), melodrama for choir and Orchestra, op. 64. Chamber music 1917: Sonata no. 1 in G minor for Violin and Piano, op. 16. 1955: Sonatina for Flaute and Piano, op. 61. 1958: Trio no. 1 for Piano, Violin and Cello in F major, op. 65. 1963: Trio no. 2 in C minor, op. 76. 1960: Strykekvartett in A minor, op. 71. Piano concerts (in selection) 1963: Sonata in G minor, op. 79. Choir works 2 Sange for blandet kor, op. 17 2 Sange for mannskor, op. 28 2 mannskorsanger, op. 49 2 Sange for mannskor, op. 59 2 åndelige sange for kor, op. 74 Flagget for blandet kor, op. 84 Bibliography 1954: Edvard Grieg, an overview of his life and work. 1973: Fra et langt kunstnerliv (auto biography). Concert 30 October 1911: Concert with Cally Monrad, in the theatre of Stavanger with works of Jordan. References External links Biography at Norsk Biografisk Leksikon Foto Flagstad met Jordan

occupation

Sverre Jordan (25 May 1889 – 10 January 1972) was a Norwegian composer, orchestra conductor, and pianist. Biography Jordan was born into the family of insurance agent Kaspar Joachim Jordan (1859–1924) and Anne Marie Margrethe Kjærbye (1866–1935) from Denmark. From 1918 to 1949 he was married to the actress Magda Blanc, then in 1949 to actress Nina Sandvik Kristensen (29 March 1920 – 30 October 1996). The family had a significant musical background, and there is a painting with Grandpa Caspar Jordan at the spinet. An aunt of his was a well known pianist in Denmark, but Jordan was not destined to become "the musician" of the family. After middle school graduation at Bergen katedralskole his father wanted him to attend the new trade school in Bergen. Then he worked for some years for the oil company Vestlandske Petroleumskompagni, before his father recognised that music would determine his son's further life. In 1959 he was made a Knight of the 1st order in the Royal Norwegian Order of St. Olav. Music In 1906 he made his first composition Nat. He went to Berlin and studied under Teresa Carreño and Conrad Ansorge from 1907 to 1914, and studied composition with Wilhelm Klatte. His piano debut took place in Bergen, 1911. He studied piano with Nina Hagerup (Mrs Grieg), and went on a successful world tour for eight years. He performed as an accompanist with Kirsten Flagstad and Marian Anderson. In 1932, he became musical director of Den Nationale Scene, the theatre in Bergen. He led opera performances and pieces for theatre. In addition, he was conductor of Harmonien, the predecessor of the Bergen Philharmonic Orchestra and its associated choir. Here he gave about a hundred concerts. In the meantime, he taught and wrote articles as musical reviewer for Morgenavisen in Bergen. For 50 years (1916–66), he was chairman of the Philharmonic's Music Board of Directors, for several years the Chairman of the program Committee. From the start, he was also in the program Committee and advised for the Bergen International Festival. He was an honorary member of the Bergen Filharmoniske Orkester, and was awarded the gold medal chain in 1966. In the Grieghallen, there is furnished an honorary place for Sverre Jordan. Works His body of work consists of approximately 200 opus numbered works divided into over 85 opuses. He further expanded on the Norwegian romance style used by Edvard Grieg and Ole Bull. This makes him somewhat conservative concerning developments within the classical music of the 20th century. While still young he could be characterized as radically innovative. Theathre music (in selection) Halte-Hulda (lyriks: B. Bjørnson), op. 20, performed in 1919. Purpur (lyriks: H. Meidell), op. 24, performed in 1923. Children's comedy Kari, Mari og Prinsen, op. 48. Romeo and Juliet (lyriks: W. Shakespeare), op. 55, performed in 1951. Jean de France (lyriks: L. Holberg) for 4 musicians, op. 62, performed in 1956. Magritt (lyriks: J. Falkberget/Isefjær), op. 72, performed in 1960. Orchestral works (in selection) 1911: Suite in the Old Style, op. 4. 1921: Norvegiana, op. 22. 1938: Holberg Silhuoets, op. 39. 1945: Norwegian Suite, op. 47. 1950: Norwegian Rapsody, op. 53. 1953: Three Vals Intermezzi, op. 58. 1959: Festspill Opening, op. 67. 1960: Serenade for Strings, op. 68. 1962: Legend, op. 78. Lyrical Suite, op. 85. Solo instruments with orchestra 1945: Piano Concerto no. 1 in E minor, op. 45. 1947: Cellokonserto in D minor, op. 45. 1957; Horn Concerto in C major, op. 63. 1963: Concerto Piccolo for Piano and Orchestra in F major, op. 77. 1966: Fiolinkonsert in G minor, op. 82. Vocals with orchestra (in selection) 1917: Feberdigte (lyriks: K. Hamsun), op. 13. 1928: Norge (lyriks: N. Grieg), Cantata for soloists, choir and Orchestra, op. 32. 1957: Kongen (lyriks: N. Grieg), melodrama for choir and Orchestra, op. 64. Chamber music 1917: Sonata no. 1 in G minor for Violin and Piano, op. 16. 1955: Sonatina for Flaute and Piano, op. 61. 1958: Trio no. 1 for Piano, Violin and Cello in F major, op. 65. 1963: Trio no. 2 in C minor, op. 76. 1960: Strykekvartett in A minor, op. 71. Piano concerts (in selection) 1963: Sonata in G minor, op. 79. Choir works 2 Sange for blandet kor, op. 17 2 Sange for mannskor, op. 28 2 mannskorsanger, op. 49 2 Sange for mannskor, op. 59 2 åndelige sange for kor, op. 74 Flagget for blandet kor, op. 84 Bibliography 1954: Edvard Grieg, an overview of his life and work. 1973: Fra et langt kunstnerliv (auto biography). Concert 30 October 1911: Concert with Cally Monrad, in the theatre of Stavanger with works of Jordan. References External links Biography at Norsk Biografisk Leksikon Foto Flagstad met Jordan

family name

Sverre Jordan (25 May 1889 – 10 January 1972) was a Norwegian composer, orchestra conductor, and pianist. Biography Jordan was born into the family of insurance agent Kaspar Joachim Jordan (1859–1924) and Anne Marie Margrethe Kjærbye (1866–1935) from Denmark. From 1918 to 1949 he was married to the actress Magda Blanc, then in 1949 to actress Nina Sandvik Kristensen (29 March 1920 – 30 October 1996). The family had a significant musical background, and there is a painting with Grandpa Caspar Jordan at the spinet. An aunt of his was a well known pianist in Denmark, but Jordan was not destined to become "the musician" of the family. After middle school graduation at Bergen katedralskole his father wanted him to attend the new trade school in Bergen. Then he worked for some years for the oil company Vestlandske Petroleumskompagni, before his father recognised that music would determine his son's further life. In 1959 he was made a Knight of the 1st order in the Royal Norwegian Order of St. Olav. Music In 1906 he made his first composition Nat. He went to Berlin and studied under Teresa Carreño and Conrad Ansorge from 1907 to 1914, and studied composition with Wilhelm Klatte. His piano debut took place in Bergen, 1911. He studied piano with Nina Hagerup (Mrs Grieg), and went on a successful world tour for eight years. He performed as an accompanist with Kirsten Flagstad and Marian Anderson. In 1932, he became musical director of Den Nationale Scene, the theatre in Bergen. He led opera performances and pieces for theatre. In addition, he was conductor of Harmonien, the predecessor of the Bergen Philharmonic Orchestra and its associated choir. Here he gave about a hundred concerts. In the meantime, he taught and wrote articles as musical reviewer for Morgenavisen in Bergen. For 50 years (1916–66), he was chairman of the Philharmonic's Music Board of Directors, for several years the Chairman of the program Committee. From the start, he was also in the program Committee and advised for the Bergen International Festival. He was an honorary member of the Bergen Filharmoniske Orkester, and was awarded the gold medal chain in 1966. In the Grieghallen, there is furnished an honorary place for Sverre Jordan. Works His body of work consists of approximately 200 opus numbered works divided into over 85 opuses. He further expanded on the Norwegian romance style used by Edvard Grieg and Ole Bull. This makes him somewhat conservative concerning developments within the classical music of the 20th century. While still young he could be characterized as radically innovative. Theathre music (in selection) Halte-Hulda (lyriks: B. Bjørnson), op. 20, performed in 1919. Purpur (lyriks: H. Meidell), op. 24, performed in 1923. Children's comedy Kari, Mari og Prinsen, op. 48. Romeo and Juliet (lyriks: W. Shakespeare), op. 55, performed in 1951. Jean de France (lyriks: L. Holberg) for 4 musicians, op. 62, performed in 1956. Magritt (lyriks: J. Falkberget/Isefjær), op. 72, performed in 1960. Orchestral works (in selection) 1911: Suite in the Old Style, op. 4. 1921: Norvegiana, op. 22. 1938: Holberg Silhuoets, op. 39. 1945: Norwegian Suite, op. 47. 1950: Norwegian Rapsody, op. 53. 1953: Three Vals Intermezzi, op. 58. 1959: Festspill Opening, op. 67. 1960: Serenade for Strings, op. 68. 1962: Legend, op. 78. Lyrical Suite, op. 85. Solo instruments with orchestra 1945: Piano Concerto no. 1 in E minor, op. 45. 1947: Cellokonserto in D minor, op. 45. 1957; Horn Concerto in C major, op. 63. 1963: Concerto Piccolo for Piano and Orchestra in F major, op. 77. 1966: Fiolinkonsert in G minor, op. 82. Vocals with orchestra (in selection) 1917: Feberdigte (lyriks: K. Hamsun), op. 13. 1928: Norge (lyriks: N. Grieg), Cantata for soloists, choir and Orchestra, op. 32. 1957: Kongen (lyriks: N. Grieg), melodrama for choir and Orchestra, op. 64. Chamber music 1917: Sonata no. 1 in G minor for Violin and Piano, op. 16. 1955: Sonatina for Flaute and Piano, op. 61. 1958: Trio no. 1 for Piano, Violin and Cello in F major, op. 65. 1963: Trio no. 2 in C minor, op. 76. 1960: Strykekvartett in A minor, op. 71. Piano concerts (in selection) 1963: Sonata in G minor, op. 79. Choir works 2 Sange for blandet kor, op. 17 2 Sange for mannskor, op. 28 2 mannskorsanger, op. 49 2 Sange for mannskor, op. 59 2 åndelige sange for kor, op. 74 Flagget for blandet kor, op. 84 Bibliography 1954: Edvard Grieg, an overview of his life and work. 1973: Fra et langt kunstnerliv (auto biography). Concert 30 October 1911: Concert with Cally Monrad, in the theatre of Stavanger with works of Jordan. References External links Biography at Norsk Biografisk Leksikon Foto Flagstad met Jordan

given name

Sverre Jordan (25 May 1889 – 10 January 1972) was a Norwegian composer, orchestra conductor, and pianist. Biography Jordan was born into the family of insurance agent Kaspar Joachim Jordan (1859–1924) and Anne Marie Margrethe Kjærbye (1866–1935) from Denmark. From 1918 to 1949 he was married to the actress Magda Blanc, then in 1949 to actress Nina Sandvik Kristensen (29 March 1920 – 30 October 1996). The family had a significant musical background, and there is a painting with Grandpa Caspar Jordan at the spinet. An aunt of his was a well known pianist in Denmark, but Jordan was not destined to become "the musician" of the family. After middle school graduation at Bergen katedralskole his father wanted him to attend the new trade school in Bergen. Then he worked for some years for the oil company Vestlandske Petroleumskompagni, before his father recognised that music would determine his son's further life. In 1959 he was made a Knight of the 1st order in the Royal Norwegian Order of St. Olav. Music In 1906 he made his first composition Nat. He went to Berlin and studied under Teresa Carreño and Conrad Ansorge from 1907 to 1914, and studied composition with Wilhelm Klatte. His piano debut took place in Bergen, 1911. He studied piano with Nina Hagerup (Mrs Grieg), and went on a successful world tour for eight years. He performed as an accompanist with Kirsten Flagstad and Marian Anderson. In 1932, he became musical director of Den Nationale Scene, the theatre in Bergen. He led opera performances and pieces for theatre. In addition, he was conductor of Harmonien, the predecessor of the Bergen Philharmonic Orchestra and its associated choir. Here he gave about a hundred concerts. In the meantime, he taught and wrote articles as musical reviewer for Morgenavisen in Bergen. For 50 years (1916–66), he was chairman of the Philharmonic's Music Board of Directors, for several years the Chairman of the program Committee. From the start, he was also in the program Committee and advised for the Bergen International Festival. He was an honorary member of the Bergen Filharmoniske Orkester, and was awarded the gold medal chain in 1966. In the Grieghallen, there is furnished an honorary place for Sverre Jordan. Works His body of work consists of approximately 200 opus numbered works divided into over 85 opuses. He further expanded on the Norwegian romance style used by Edvard Grieg and Ole Bull. This makes him somewhat conservative concerning developments within the classical music of the 20th century. While still young he could be characterized as radically innovative. Theathre music (in selection) Halte-Hulda (lyriks: B. Bjørnson), op. 20, performed in 1919. Purpur (lyriks: H. Meidell), op. 24, performed in 1923. Children's comedy Kari, Mari og Prinsen, op. 48. Romeo and Juliet (lyriks: W. Shakespeare), op. 55, performed in 1951. Jean de France (lyriks: L. Holberg) for 4 musicians, op. 62, performed in 1956. Magritt (lyriks: J. Falkberget/Isefjær), op. 72, performed in 1960. Orchestral works (in selection) 1911: Suite in the Old Style, op. 4. 1921: Norvegiana, op. 22. 1938: Holberg Silhuoets, op. 39. 1945: Norwegian Suite, op. 47. 1950: Norwegian Rapsody, op. 53. 1953: Three Vals Intermezzi, op. 58. 1959: Festspill Opening, op. 67. 1960: Serenade for Strings, op. 68. 1962: Legend, op. 78. Lyrical Suite, op. 85. Solo instruments with orchestra 1945: Piano Concerto no. 1 in E minor, op. 45. 1947: Cellokonserto in D minor, op. 45. 1957; Horn Concerto in C major, op. 63. 1963: Concerto Piccolo for Piano and Orchestra in F major, op. 77. 1966: Fiolinkonsert in G minor, op. 82. Vocals with orchestra (in selection) 1917: Feberdigte (lyriks: K. Hamsun), op. 13. 1928: Norge (lyriks: N. Grieg), Cantata for soloists, choir and Orchestra, op. 32. 1957: Kongen (lyriks: N. Grieg), melodrama for choir and Orchestra, op. 64. Chamber music 1917: Sonata no. 1 in G minor for Violin and Piano, op. 16. 1955: Sonatina for Flaute and Piano, op. 61. 1958: Trio no. 1 for Piano, Violin and Cello in F major, op. 65. 1963: Trio no. 2 in C minor, op. 76. 1960: Strykekvartett in A minor, op. 71. Piano concerts (in selection) 1963: Sonata in G minor, op. 79. Choir works 2 Sange for blandet kor, op. 17 2 Sange for mannskor, op. 28 2 mannskorsanger, op. 49 2 Sange for mannskor, op. 59 2 åndelige sange for kor, op. 74 Flagget for blandet kor, op. 84 Bibliography 1954: Edvard Grieg, an overview of his life and work. 1973: Fra et langt kunstnerliv (auto biography). Concert 30 October 1911: Concert with Cally Monrad, in the theatre of Stavanger with works of Jordan. References External links Biography at Norsk Biografisk Leksikon Foto Flagstad met Jordan

instrument

The 1864 Melbourne Cup was a two-mile handicap horse race which took place on Thursday, 3 November 1864. This year was the fourth running of the Melbourne Cup. Lantern carried just 6st 3 lb (39.5 kg) to defeat Poet and Rose of Denmark finished third. The race was run in heavy going and Lantern's time of 3 minutes and 52 second equaled the 1861 Melbourne Cup for the slowest winning time. Lantern then became the first horse to win the Cup and the VRC Derby in the same year though unlike today the Derby was run after the Cup. The Derby was run a day after the Cup and after winning there he returned to win over a mile the next day to win three races in three straight days. Lantern had to be put down after he broke down in the Ballarat Cup days later.This is the list of placegetters for the 1864 Melbourne Cup. See also Melbourne Cup List of Melbourne Cup winners Victoria Racing Club References External links 1864 Melbourne Cup footyjumpers.com

instance of

Toronto's 100 Years is a book by Jesse Edgar Middleton, published by Toronto's Centennial Committee in 1934. Set in a modern typeface, it contains 82 inside illustrations and numerous advertisements for Toronto businesses. The book begins with the founding of Toronto on the banks of the Lake Ontario's north shore by Colonel John Graves Simcoe in 1793. It goes on to detail its subsequent rise into one of Canada's largest cities. The book uses American English, much as Toronto's Globe newspaper did, despite the federal government's usage of British English (in actuality Canadian English), since Confederation. Contents The sections are titled "A Glance at the Beginning", "The Folks Who Built Toronto", "Domestic Life", "Political Life", "Municipal Life", "Parks and Services", "Educational Life", "Commerce and Industry", "Professional Life", "Military Affairs", "Artistic Life", "Sporting Life", "Church Life", "The Great Commissions" and "An Epilogue". Other chapters include an overview of Toronto's first extensive industry, a hide-tanning factory opened by Jesse Ketchum in 1812, which began a march of industry which now totals over 100 manufacturers within the Toronto area. The Epilogue, or Appendix, is made up of several articles, such as "The Order of a Service of Thanksgiving and Prayer, March 5th, 1934", "City Council 1934", and "Centennial Committees". References Jesse Edgar Middleton, Toronto's 100 Years. Toronto, ON: The Corporation of the City of Toronto, 1934. ISBN 1-897338-45-7

country

Kang Dong-jin (강동진, Korean pronunciation: [kaŋ.doŋ.dʑin] or [kaŋ] [toŋ.dʑin]; born 23 December 1987) is a South Korean professional racing cyclist. He rode at the 2015 UCI Track Cycling World Championships. He competed at the 2006 and 2014 Asian Games.In 2010 he was suspended for two years after he failed a drug test for methyltestosterone doping. References External links Kang Dong-jin at Cycling Archives

country of citizenship

Kang Dong-jin (강동진, Korean pronunciation: [kaŋ.doŋ.dʑin] or [kaŋ] [toŋ.dʑin]; born 23 December 1987) is a South Korean professional racing cyclist. He rode at the 2015 UCI Track Cycling World Championships. He competed at the 2006 and 2014 Asian Games.In 2010 he was suspended for two years after he failed a drug test for methyltestosterone doping. References External links Kang Dong-jin at Cycling Archives

native language

Kang Dong-jin (강동진, Korean pronunciation: [kaŋ.doŋ.dʑin] or [kaŋ] [toŋ.dʑin]; born 23 December 1987) is a South Korean professional racing cyclist. He rode at the 2015 UCI Track Cycling World Championships. He competed at the 2006 and 2014 Asian Games.In 2010 he was suspended for two years after he failed a drug test for methyltestosterone doping. References External links Kang Dong-jin at Cycling Archives

family name

Kang Dong-jin (강동진, Korean pronunciation: [kaŋ.doŋ.dʑin] or [kaŋ] [toŋ.dʑin]; born 23 December 1987) is a South Korean professional racing cyclist. He rode at the 2015 UCI Track Cycling World Championships. He competed at the 2006 and 2014 Asian Games.In 2010 he was suspended for two years after he failed a drug test for methyltestosterone doping. References External links Kang Dong-jin at Cycling Archives

given name

Kang Dong-jin (강동진, Korean pronunciation: [kaŋ.doŋ.dʑin] or [kaŋ] [toŋ.dʑin]; born 23 December 1987) is a South Korean professional racing cyclist. He rode at the 2015 UCI Track Cycling World Championships. He competed at the 2006 and 2014 Asian Games.In 2010 he was suspended for two years after he failed a drug test for methyltestosterone doping. References External links Kang Dong-jin at Cycling Archives

languages spoken, written or signed

Kang Dong-jin (강동진, Korean pronunciation: [kaŋ.doŋ.dʑin] or [kaŋ] [toŋ.dʑin]; born 23 December 1987) is a South Korean professional racing cyclist. He rode at the 2015 UCI Track Cycling World Championships. He competed at the 2006 and 2014 Asian Games.In 2010 he was suspended for two years after he failed a drug test for methyltestosterone doping. References External links Kang Dong-jin at Cycling Archives

name in native language

Inexhaustible Chalice (Russian: Неупиваемая чаша; also known in English as Inexaustible Cup or Non-intoxicating Chalice) is a wonderworking icon of the Mother of God (Θεοτόκος (Theotokos) or Богородица (Bogoroditsa)) which revealed itself in Serpukhov, Russia in 1878. The icon is venerated in the Russian Orthodox Church and has become known for healing those who suffer from alcoholism, drug abuse and other forms of addiction. The Icon The icon of the "Inexhaustible Chalice" depicts the Theotokos with hands raised in the orans position, similar to icons of Our Lady of the Sign. The Christ Child is shown standing in a chalice with both hands raised in blessing. The icon is a variant of the icon of "Our Lady of Nicea", also known as “Your Womb Becomes the Holy Table.” The difference between the two is that the Nicean icon shows the Theotokos with Her head inclined to one side, sometimes with eyes downcast, whereas She is depicted in the "Inexhaustible Chalice" icon with Her head straight and looking at the viewer. Appearance of the Icon In 1878, a peasant of the Tula province—a retired soldier who had a passion for alcohol for many years— saw a certain elder in a vision who commanded him to go to the Vladychny Convent in Serpukhov, to find the Icon “The Inexhaustible Cup” and to hold a molieben before it. The old, penniless soldier, exhausted by his hard drinking, had absolutely no strength to go to Serpukhov. Soon the holy elder appeared twice more and the poor elderly soldier literally crawled to the convent on all fours. On the very first night of his ascetic journey the man suddenly felt that his legs began to obey him again. Reaching the convent, he put its nuns to confusion as they knew nothing of the icon with this name. Then a nun remembered of an icon that hung in the convent passageway from the St. George Church which portrayed a chalice. Everybody was greatly amazed when they saw the inscription “The Inexhaustible Cup” on the back of the icon. Remarkably, when the man came up to the shrine of St. Varlaam, he at once recognized in him the holy elder who had appeared to him in the vision and commanded to go to the Mother of God for healing from alcoholism. The news of the wondrous miracle rapidly spread over many towns and villages: from everywhere those possessed with this terrible passion flocked to the miracle-working icon, venerated “The Inexhaustible Chalice”, and gave up drinking; thus peace and quiet began to reign in their homes—and all this was through the prayers of the Protectress of mankind.After the October Revolution, the original "Inexhaustible Chalice" icon was moved to St. Nicholas Cathedral. During the years 1919-1928 eight copies were painted. After the cathedral was closed in 1929, most of its icons were burned and the fate of the wonder-working icon and the eight copies is unknown. Veneration of the Icon following Collapse of Communism In 1991, the men's Vysotsky Monastery in Serpukhov, founded in 1374 by St. Sergius of Radonezh, was reopened under the direction of Archimandrite Joseph (Balabanov, now Bishop of Birobidzhan and Kuldursk). In 1992, the iconographer Alexander Sokolov painted a new copy of the icon in the Byzantine style. It had been determined by Archimandrite Joseph that the prototype icon was of Byzantine style, based on a description written by the Russian Orthodox priest and martyr, Jacob Ivanovich Brilliantov. In 1993 it was installed in the Vysotsky Monastery, where it is now venerated as wonder-working, particularly in healing from addiction. This icon has become renowned throughout all of Russia and throughout the Orthodox world. The Vysotsky Monastery has since become the major shrine of the icon of the "Inexhaustible Chalice". In the 1995, the women's Vladychny Convent, site of the original manifestation of the "Inexhaustible Cup", was reopened. In 1996, a copy, painted in the "academic" style based on a 1912 drawing, was enshrined. This icon too has become miraculous, streaming myrrh and witnesses seeing the eyes of the Theotokos moving. In an interview, Abbess Alexia of the Vladychny Convent stated an icon of the "Inexhaustible Chalice", presumed to be the miraculous original of 1878, had been found in a private art collection. It is uncertain whether the icon can be redeemed.The icon has been painted in many styles and several copies throughout Russia are regarded as miraculous. In 1997, in recognition of its veneration, its commemoration was entered into the official liturgical calendar of the Russian Orthodox Church with the blessing of the late Patriarch Alexy II. The feast day is listed as May 5 O.S./May 18 N.S., the date of the repose of St. Varlaam. The Vladychny Convent continues to celebrate the feast day of the "Inexhaustible Chalice" on November 27 O.S./ December 10 N.S., the feast day of Our Lady of the Sign.An akathist and molieben to the "Inexhaustible Chalice" have been composed in Russian and English.People suffering from alcoholism, drug addiction, and other dependencies continue to appeal to God for help and healing through the icon of the Inexhaustible Chalice. The Icon in Recovery Programs After the icon was glorified as being miraculous in 1878, the Alexander Nevsky Cathedral in Serpakhov organized the "St. Alexander Nevsky Brotherhood of Sobriety."Since the early 1990s, sixty drug rehabilitation centers in Russia are run by the Russian Orthodox Church.The Pokrov-Tervenichesky convent has a skeet dedicated to the "Inexhaustible Chalice", where men and women suffering from addictions go through a recovery program.The Fellowship of the Inexhaustible Cup was formed "to provide and establish a network of intercessory prayer and support among its members in order to combat the many destructive forces of addictions." References External links Official website of the Vysotsky Monastery Official website of the Vladychny Convent The Fellowship of the Inexhaustible Cup The Anti-alcoholism Icon Pravoslavie.ru article in English

country

Inexhaustible Chalice (Russian: Неупиваемая чаша; also known in English as Inexaustible Cup or Non-intoxicating Chalice) is a wonderworking icon of the Mother of God (Θεοτόκος (Theotokos) or Богородица (Bogoroditsa)) which revealed itself in Serpukhov, Russia in 1878. The icon is venerated in the Russian Orthodox Church and has become known for healing those who suffer from alcoholism, drug abuse and other forms of addiction. The Icon The icon of the "Inexhaustible Chalice" depicts the Theotokos with hands raised in the orans position, similar to icons of Our Lady of the Sign. The Christ Child is shown standing in a chalice with both hands raised in blessing. The icon is a variant of the icon of "Our Lady of Nicea", also known as “Your Womb Becomes the Holy Table.” The difference between the two is that the Nicean icon shows the Theotokos with Her head inclined to one side, sometimes with eyes downcast, whereas She is depicted in the "Inexhaustible Chalice" icon with Her head straight and looking at the viewer. Appearance of the Icon In 1878, a peasant of the Tula province—a retired soldier who had a passion for alcohol for many years— saw a certain elder in a vision who commanded him to go to the Vladychny Convent in Serpukhov, to find the Icon “The Inexhaustible Cup” and to hold a molieben before it. The old, penniless soldier, exhausted by his hard drinking, had absolutely no strength to go to Serpukhov. Soon the holy elder appeared twice more and the poor elderly soldier literally crawled to the convent on all fours. On the very first night of his ascetic journey the man suddenly felt that his legs began to obey him again. Reaching the convent, he put its nuns to confusion as they knew nothing of the icon with this name. Then a nun remembered of an icon that hung in the convent passageway from the St. George Church which portrayed a chalice. Everybody was greatly amazed when they saw the inscription “The Inexhaustible Cup” on the back of the icon. Remarkably, when the man came up to the shrine of St. Varlaam, he at once recognized in him the holy elder who had appeared to him in the vision and commanded to go to the Mother of God for healing from alcoholism. The news of the wondrous miracle rapidly spread over many towns and villages: from everywhere those possessed with this terrible passion flocked to the miracle-working icon, venerated “The Inexhaustible Chalice”, and gave up drinking; thus peace and quiet began to reign in their homes—and all this was through the prayers of the Protectress of mankind.After the October Revolution, the original "Inexhaustible Chalice" icon was moved to St. Nicholas Cathedral. During the years 1919-1928 eight copies were painted. After the cathedral was closed in 1929, most of its icons were burned and the fate of the wonder-working icon and the eight copies is unknown. Veneration of the Icon following Collapse of Communism In 1991, the men's Vysotsky Monastery in Serpukhov, founded in 1374 by St. Sergius of Radonezh, was reopened under the direction of Archimandrite Joseph (Balabanov, now Bishop of Birobidzhan and Kuldursk). In 1992, the iconographer Alexander Sokolov painted a new copy of the icon in the Byzantine style. It had been determined by Archimandrite Joseph that the prototype icon was of Byzantine style, based on a description written by the Russian Orthodox priest and martyr, Jacob Ivanovich Brilliantov. In 1993 it was installed in the Vysotsky Monastery, where it is now venerated as wonder-working, particularly in healing from addiction. This icon has become renowned throughout all of Russia and throughout the Orthodox world. The Vysotsky Monastery has since become the major shrine of the icon of the "Inexhaustible Chalice". In the 1995, the women's Vladychny Convent, site of the original manifestation of the "Inexhaustible Cup", was reopened. In 1996, a copy, painted in the "academic" style based on a 1912 drawing, was enshrined. This icon too has become miraculous, streaming myrrh and witnesses seeing the eyes of the Theotokos moving. In an interview, Abbess Alexia of the Vladychny Convent stated an icon of the "Inexhaustible Chalice", presumed to be the miraculous original of 1878, had been found in a private art collection. It is uncertain whether the icon can be redeemed.The icon has been painted in many styles and several copies throughout Russia are regarded as miraculous. In 1997, in recognition of its veneration, its commemoration was entered into the official liturgical calendar of the Russian Orthodox Church with the blessing of the late Patriarch Alexy II. The feast day is listed as May 5 O.S./May 18 N.S., the date of the repose of St. Varlaam. The Vladychny Convent continues to celebrate the feast day of the "Inexhaustible Chalice" on November 27 O.S./ December 10 N.S., the feast day of Our Lady of the Sign.An akathist and molieben to the "Inexhaustible Chalice" have been composed in Russian and English.People suffering from alcoholism, drug addiction, and other dependencies continue to appeal to God for help and healing through the icon of the Inexhaustible Chalice. The Icon in Recovery Programs After the icon was glorified as being miraculous in 1878, the Alexander Nevsky Cathedral in Serpakhov organized the "St. Alexander Nevsky Brotherhood of Sobriety."Since the early 1990s, sixty drug rehabilitation centers in Russia are run by the Russian Orthodox Church.The Pokrov-Tervenichesky convent has a skeet dedicated to the "Inexhaustible Chalice", where men and women suffering from addictions go through a recovery program.The Fellowship of the Inexhaustible Cup was formed "to provide and establish a network of intercessory prayer and support among its members in order to combat the many destructive forces of addictions." References External links Official website of the Vysotsky Monastery Official website of the Vladychny Convent The Fellowship of the Inexhaustible Cup The Anti-alcoholism Icon Pravoslavie.ru article in English

instance of

Inexhaustible Chalice (Russian: Неупиваемая чаша; also known in English as Inexaustible Cup or Non-intoxicating Chalice) is a wonderworking icon of the Mother of God (Θεοτόκος (Theotokos) or Богородица (Bogoroditsa)) which revealed itself in Serpukhov, Russia in 1878. The icon is venerated in the Russian Orthodox Church and has become known for healing those who suffer from alcoholism, drug abuse and other forms of addiction. The Icon The icon of the "Inexhaustible Chalice" depicts the Theotokos with hands raised in the orans position, similar to icons of Our Lady of the Sign. The Christ Child is shown standing in a chalice with both hands raised in blessing. The icon is a variant of the icon of "Our Lady of Nicea", also known as “Your Womb Becomes the Holy Table.” The difference between the two is that the Nicean icon shows the Theotokos with Her head inclined to one side, sometimes with eyes downcast, whereas She is depicted in the "Inexhaustible Chalice" icon with Her head straight and looking at the viewer. Appearance of the Icon In 1878, a peasant of the Tula province—a retired soldier who had a passion for alcohol for many years— saw a certain elder in a vision who commanded him to go to the Vladychny Convent in Serpukhov, to find the Icon “The Inexhaustible Cup” and to hold a molieben before it. The old, penniless soldier, exhausted by his hard drinking, had absolutely no strength to go to Serpukhov. Soon the holy elder appeared twice more and the poor elderly soldier literally crawled to the convent on all fours. On the very first night of his ascetic journey the man suddenly felt that his legs began to obey him again. Reaching the convent, he put its nuns to confusion as they knew nothing of the icon with this name. Then a nun remembered of an icon that hung in the convent passageway from the St. George Church which portrayed a chalice. Everybody was greatly amazed when they saw the inscription “The Inexhaustible Cup” on the back of the icon. Remarkably, when the man came up to the shrine of St. Varlaam, he at once recognized in him the holy elder who had appeared to him in the vision and commanded to go to the Mother of God for healing from alcoholism. The news of the wondrous miracle rapidly spread over many towns and villages: from everywhere those possessed with this terrible passion flocked to the miracle-working icon, venerated “The Inexhaustible Chalice”, and gave up drinking; thus peace and quiet began to reign in their homes—and all this was through the prayers of the Protectress of mankind.After the October Revolution, the original "Inexhaustible Chalice" icon was moved to St. Nicholas Cathedral. During the years 1919-1928 eight copies were painted. After the cathedral was closed in 1929, most of its icons were burned and the fate of the wonder-working icon and the eight copies is unknown. Veneration of the Icon following Collapse of Communism In 1991, the men's Vysotsky Monastery in Serpukhov, founded in 1374 by St. Sergius of Radonezh, was reopened under the direction of Archimandrite Joseph (Balabanov, now Bishop of Birobidzhan and Kuldursk). In 1992, the iconographer Alexander Sokolov painted a new copy of the icon in the Byzantine style. It had been determined by Archimandrite Joseph that the prototype icon was of Byzantine style, based on a description written by the Russian Orthodox priest and martyr, Jacob Ivanovich Brilliantov. In 1993 it was installed in the Vysotsky Monastery, where it is now venerated as wonder-working, particularly in healing from addiction. This icon has become renowned throughout all of Russia and throughout the Orthodox world. The Vysotsky Monastery has since become the major shrine of the icon of the "Inexhaustible Chalice". In the 1995, the women's Vladychny Convent, site of the original manifestation of the "Inexhaustible Cup", was reopened. In 1996, a copy, painted in the "academic" style based on a 1912 drawing, was enshrined. This icon too has become miraculous, streaming myrrh and witnesses seeing the eyes of the Theotokos moving. In an interview, Abbess Alexia of the Vladychny Convent stated an icon of the "Inexhaustible Chalice", presumed to be the miraculous original of 1878, had been found in a private art collection. It is uncertain whether the icon can be redeemed.The icon has been painted in many styles and several copies throughout Russia are regarded as miraculous. In 1997, in recognition of its veneration, its commemoration was entered into the official liturgical calendar of the Russian Orthodox Church with the blessing of the late Patriarch Alexy II. The feast day is listed as May 5 O.S./May 18 N.S., the date of the repose of St. Varlaam. The Vladychny Convent continues to celebrate the feast day of the "Inexhaustible Chalice" on November 27 O.S./ December 10 N.S., the feast day of Our Lady of the Sign.An akathist and molieben to the "Inexhaustible Chalice" have been composed in Russian and English.People suffering from alcoholism, drug addiction, and other dependencies continue to appeal to God for help and healing through the icon of the Inexhaustible Chalice. The Icon in Recovery Programs After the icon was glorified as being miraculous in 1878, the Alexander Nevsky Cathedral in Serpakhov organized the "St. Alexander Nevsky Brotherhood of Sobriety."Since the early 1990s, sixty drug rehabilitation centers in Russia are run by the Russian Orthodox Church.The Pokrov-Tervenichesky convent has a skeet dedicated to the "Inexhaustible Chalice", where men and women suffering from addictions go through a recovery program.The Fellowship of the Inexhaustible Cup was formed "to provide and establish a network of intercessory prayer and support among its members in order to combat the many destructive forces of addictions." References External links Official website of the Vysotsky Monastery Official website of the Vladychny Convent The Fellowship of the Inexhaustible Cup The Anti-alcoholism Icon Pravoslavie.ru article in English

located in the administrative territorial entity

Inexhaustible Chalice (Russian: Неупиваемая чаша; also known in English as Inexaustible Cup or Non-intoxicating Chalice) is a wonderworking icon of the Mother of God (Θεοτόκος (Theotokos) or Богородица (Bogoroditsa)) which revealed itself in Serpukhov, Russia in 1878. The icon is venerated in the Russian Orthodox Church and has become known for healing those who suffer from alcoholism, drug abuse and other forms of addiction. The Icon The icon of the "Inexhaustible Chalice" depicts the Theotokos with hands raised in the orans position, similar to icons of Our Lady of the Sign. The Christ Child is shown standing in a chalice with both hands raised in blessing. The icon is a variant of the icon of "Our Lady of Nicea", also known as “Your Womb Becomes the Holy Table.” The difference between the two is that the Nicean icon shows the Theotokos with Her head inclined to one side, sometimes with eyes downcast, whereas She is depicted in the "Inexhaustible Chalice" icon with Her head straight and looking at the viewer. Appearance of the Icon In 1878, a peasant of the Tula province—a retired soldier who had a passion for alcohol for many years— saw a certain elder in a vision who commanded him to go to the Vladychny Convent in Serpukhov, to find the Icon “The Inexhaustible Cup” and to hold a molieben before it. The old, penniless soldier, exhausted by his hard drinking, had absolutely no strength to go to Serpukhov. Soon the holy elder appeared twice more and the poor elderly soldier literally crawled to the convent on all fours. On the very first night of his ascetic journey the man suddenly felt that his legs began to obey him again. Reaching the convent, he put its nuns to confusion as they knew nothing of the icon with this name. Then a nun remembered of an icon that hung in the convent passageway from the St. George Church which portrayed a chalice. Everybody was greatly amazed when they saw the inscription “The Inexhaustible Cup” on the back of the icon. Remarkably, when the man came up to the shrine of St. Varlaam, he at once recognized in him the holy elder who had appeared to him in the vision and commanded to go to the Mother of God for healing from alcoholism. The news of the wondrous miracle rapidly spread over many towns and villages: from everywhere those possessed with this terrible passion flocked to the miracle-working icon, venerated “The Inexhaustible Chalice”, and gave up drinking; thus peace and quiet began to reign in their homes—and all this was through the prayers of the Protectress of mankind.After the October Revolution, the original "Inexhaustible Chalice" icon was moved to St. Nicholas Cathedral. During the years 1919-1928 eight copies were painted. After the cathedral was closed in 1929, most of its icons were burned and the fate of the wonder-working icon and the eight copies is unknown. Veneration of the Icon following Collapse of Communism In 1991, the men's Vysotsky Monastery in Serpukhov, founded in 1374 by St. Sergius of Radonezh, was reopened under the direction of Archimandrite Joseph (Balabanov, now Bishop of Birobidzhan and Kuldursk). In 1992, the iconographer Alexander Sokolov painted a new copy of the icon in the Byzantine style. It had been determined by Archimandrite Joseph that the prototype icon was of Byzantine style, based on a description written by the Russian Orthodox priest and martyr, Jacob Ivanovich Brilliantov. In 1993 it was installed in the Vysotsky Monastery, where it is now venerated as wonder-working, particularly in healing from addiction. This icon has become renowned throughout all of Russia and throughout the Orthodox world. The Vysotsky Monastery has since become the major shrine of the icon of the "Inexhaustible Chalice". In the 1995, the women's Vladychny Convent, site of the original manifestation of the "Inexhaustible Cup", was reopened. In 1996, a copy, painted in the "academic" style based on a 1912 drawing, was enshrined. This icon too has become miraculous, streaming myrrh and witnesses seeing the eyes of the Theotokos moving. In an interview, Abbess Alexia of the Vladychny Convent stated an icon of the "Inexhaustible Chalice", presumed to be the miraculous original of 1878, had been found in a private art collection. It is uncertain whether the icon can be redeemed.The icon has been painted in many styles and several copies throughout Russia are regarded as miraculous. In 1997, in recognition of its veneration, its commemoration was entered into the official liturgical calendar of the Russian Orthodox Church with the blessing of the late Patriarch Alexy II. The feast day is listed as May 5 O.S./May 18 N.S., the date of the repose of St. Varlaam. The Vladychny Convent continues to celebrate the feast day of the "Inexhaustible Chalice" on November 27 O.S./ December 10 N.S., the feast day of Our Lady of the Sign.An akathist and molieben to the "Inexhaustible Chalice" have been composed in Russian and English.People suffering from alcoholism, drug addiction, and other dependencies continue to appeal to God for help and healing through the icon of the Inexhaustible Chalice. The Icon in Recovery Programs After the icon was glorified as being miraculous in 1878, the Alexander Nevsky Cathedral in Serpakhov organized the "St. Alexander Nevsky Brotherhood of Sobriety."Since the early 1990s, sixty drug rehabilitation centers in Russia are run by the Russian Orthodox Church.The Pokrov-Tervenichesky convent has a skeet dedicated to the "Inexhaustible Chalice", where men and women suffering from addictions go through a recovery program.The Fellowship of the Inexhaustible Cup was formed "to provide and establish a network of intercessory prayer and support among its members in order to combat the many destructive forces of addictions." References External links Official website of the Vysotsky Monastery Official website of the Vladychny Convent The Fellowship of the Inexhaustible Cup The Anti-alcoholism Icon Pravoslavie.ru article in English

collection

Inexhaustible Chalice (Russian: Неупиваемая чаша; also known in English as Inexaustible Cup or Non-intoxicating Chalice) is a wonderworking icon of the Mother of God (Θεοτόκος (Theotokos) or Богородица (Bogoroditsa)) which revealed itself in Serpukhov, Russia in 1878. The icon is venerated in the Russian Orthodox Church and has become known for healing those who suffer from alcoholism, drug abuse and other forms of addiction. The Icon The icon of the "Inexhaustible Chalice" depicts the Theotokos with hands raised in the orans position, similar to icons of Our Lady of the Sign. The Christ Child is shown standing in a chalice with both hands raised in blessing. The icon is a variant of the icon of "Our Lady of Nicea", also known as “Your Womb Becomes the Holy Table.” The difference between the two is that the Nicean icon shows the Theotokos with Her head inclined to one side, sometimes with eyes downcast, whereas She is depicted in the "Inexhaustible Chalice" icon with Her head straight and looking at the viewer. Appearance of the Icon In 1878, a peasant of the Tula province—a retired soldier who had a passion for alcohol for many years— saw a certain elder in a vision who commanded him to go to the Vladychny Convent in Serpukhov, to find the Icon “The Inexhaustible Cup” and to hold a molieben before it. The old, penniless soldier, exhausted by his hard drinking, had absolutely no strength to go to Serpukhov. Soon the holy elder appeared twice more and the poor elderly soldier literally crawled to the convent on all fours. On the very first night of his ascetic journey the man suddenly felt that his legs began to obey him again. Reaching the convent, he put its nuns to confusion as they knew nothing of the icon with this name. Then a nun remembered of an icon that hung in the convent passageway from the St. George Church which portrayed a chalice. Everybody was greatly amazed when they saw the inscription “The Inexhaustible Cup” on the back of the icon. Remarkably, when the man came up to the shrine of St. Varlaam, he at once recognized in him the holy elder who had appeared to him in the vision and commanded to go to the Mother of God for healing from alcoholism. The news of the wondrous miracle rapidly spread over many towns and villages: from everywhere those possessed with this terrible passion flocked to the miracle-working icon, venerated “The Inexhaustible Chalice”, and gave up drinking; thus peace and quiet began to reign in their homes—and all this was through the prayers of the Protectress of mankind.After the October Revolution, the original "Inexhaustible Chalice" icon was moved to St. Nicholas Cathedral. During the years 1919-1928 eight copies were painted. After the cathedral was closed in 1929, most of its icons were burned and the fate of the wonder-working icon and the eight copies is unknown. Veneration of the Icon following Collapse of Communism In 1991, the men's Vysotsky Monastery in Serpukhov, founded in 1374 by St. Sergius of Radonezh, was reopened under the direction of Archimandrite Joseph (Balabanov, now Bishop of Birobidzhan and Kuldursk). In 1992, the iconographer Alexander Sokolov painted a new copy of the icon in the Byzantine style. It had been determined by Archimandrite Joseph that the prototype icon was of Byzantine style, based on a description written by the Russian Orthodox priest and martyr, Jacob Ivanovich Brilliantov. In 1993 it was installed in the Vysotsky Monastery, where it is now venerated as wonder-working, particularly in healing from addiction. This icon has become renowned throughout all of Russia and throughout the Orthodox world. The Vysotsky Monastery has since become the major shrine of the icon of the "Inexhaustible Chalice". In the 1995, the women's Vladychny Convent, site of the original manifestation of the "Inexhaustible Cup", was reopened. In 1996, a copy, painted in the "academic" style based on a 1912 drawing, was enshrined. This icon too has become miraculous, streaming myrrh and witnesses seeing the eyes of the Theotokos moving. In an interview, Abbess Alexia of the Vladychny Convent stated an icon of the "Inexhaustible Chalice", presumed to be the miraculous original of 1878, had been found in a private art collection. It is uncertain whether the icon can be redeemed.The icon has been painted in many styles and several copies throughout Russia are regarded as miraculous. In 1997, in recognition of its veneration, its commemoration was entered into the official liturgical calendar of the Russian Orthodox Church with the blessing of the late Patriarch Alexy II. The feast day is listed as May 5 O.S./May 18 N.S., the date of the repose of St. Varlaam. The Vladychny Convent continues to celebrate the feast day of the "Inexhaustible Chalice" on November 27 O.S./ December 10 N.S., the feast day of Our Lady of the Sign.An akathist and molieben to the "Inexhaustible Chalice" have been composed in Russian and English.People suffering from alcoholism, drug addiction, and other dependencies continue to appeal to God for help and healing through the icon of the Inexhaustible Chalice. The Icon in Recovery Programs After the icon was glorified as being miraculous in 1878, the Alexander Nevsky Cathedral in Serpakhov organized the "St. Alexander Nevsky Brotherhood of Sobriety."Since the early 1990s, sixty drug rehabilitation centers in Russia are run by the Russian Orthodox Church.The Pokrov-Tervenichesky convent has a skeet dedicated to the "Inexhaustible Chalice", where men and women suffering from addictions go through a recovery program.The Fellowship of the Inexhaustible Cup was formed "to provide and establish a network of intercessory prayer and support among its members in order to combat the many destructive forces of addictions." References External links Official website of the Vysotsky Monastery Official website of the Vladychny Convent The Fellowship of the Inexhaustible Cup The Anti-alcoholism Icon Pravoslavie.ru article in English

location

Mahamadwadi Dam, (or Mohamod Wadi Dam) is an earthfill dam on Gad river near Nardave in Kankavli taluka of Sindhudurg district, in the state of Maharashtra in India. Specifications The height of the dam above lowest foundation is 59.33 m (194.7 ft) while the length is 1,590 m (5,220 ft). The volume content is 12,000 km3 (2,900 cu mi) and gross storage capacity is 93,374.00 km3 (22,401.61 cu mi). Purpose Irrigation Hydroelectricity See also Dams in Maharashtra List of reservoirs and dams in India == References ==

country

Mahamadwadi Dam, (or Mohamod Wadi Dam) is an earthfill dam on Gad river near Nardave in Kankavli taluka of Sindhudurg district, in the state of Maharashtra in India. Specifications The height of the dam above lowest foundation is 59.33 m (194.7 ft) while the length is 1,590 m (5,220 ft). The volume content is 12,000 km3 (2,900 cu mi) and gross storage capacity is 93,374.00 km3 (22,401.61 cu mi). Purpose Irrigation Hydroelectricity See also Dams in Maharashtra List of reservoirs and dams in India == References ==

instance of

Beznovci (pronounced [bɛˈznoːu̯tsi]; Hungarian: Búzahely) is a village in the Municipality of Puconci in the Prekmurje region of Slovenia. Geography Beznovci lies on both sides of Beznovci Creek (Beznovski potok), a tributary of the Ledava River. Morphologically, it is partially a ribbon development and partially clustered. It includes the main settlement of Stari Beznovci along with the hamlets of Sinicova Graba, Bizikov Rob, Šerugov Gres, Spodnji Beznovci, and Novi Beznovci. The soil is marly to the north, a mix of marl and sand in the central area, and sandy to the south. History A fire station was built in Beznovci in 1950, and in 1960 it was expanded into a town hall. Until 1952, Stari Beznovci and Novi Beznovci were separate settlements. References External links Beznovci on Geopedia

country

Beznovci (pronounced [bɛˈznoːu̯tsi]; Hungarian: Búzahely) is a village in the Municipality of Puconci in the Prekmurje region of Slovenia. Geography Beznovci lies on both sides of Beznovci Creek (Beznovski potok), a tributary of the Ledava River. Morphologically, it is partially a ribbon development and partially clustered. It includes the main settlement of Stari Beznovci along with the hamlets of Sinicova Graba, Bizikov Rob, Šerugov Gres, Spodnji Beznovci, and Novi Beznovci. The soil is marly to the north, a mix of marl and sand in the central area, and sandy to the south. History A fire station was built in Beznovci in 1950, and in 1960 it was expanded into a town hall. Until 1952, Stari Beznovci and Novi Beznovci were separate settlements. References External links Beznovci on Geopedia

located in the administrative territorial entity

Beznovci (pronounced [bɛˈznoːu̯tsi]; Hungarian: Búzahely) is a village in the Municipality of Puconci in the Prekmurje region of Slovenia. Geography Beznovci lies on both sides of Beznovci Creek (Beznovski potok), a tributary of the Ledava River. Morphologically, it is partially a ribbon development and partially clustered. It includes the main settlement of Stari Beznovci along with the hamlets of Sinicova Graba, Bizikov Rob, Šerugov Gres, Spodnji Beznovci, and Novi Beznovci. The soil is marly to the north, a mix of marl and sand in the central area, and sandy to the south. History A fire station was built in Beznovci in 1950, and in 1960 it was expanded into a town hall. Until 1952, Stari Beznovci and Novi Beznovci were separate settlements. References External links Beznovci on Geopedia

Commons category

Annett Böhm (born 8 August 1980 in Meerane, Saxony, East Germany) is a German Judoka. Career She began practicing Judo in PSC Glauchau/Meerane at the age of 7 years. Her first coaches were Erhard and Michael Hinke. In 1995 she went to a sport boarding school in Leipzig where she trained as part of the high performance Judo group. Böhm finished her Master of Sport science at the University of Leipzig in 2005. In 2007, she started to study journalism. Her coach since 1999 has been Norbert Littkopf. He was for several years also the coach of the German women's national team. Her first major success was in 1997, when she won the gold medal at the European Junior Championships in Ljubljana, Slovenia. Two years later she won the silver medal. She gained 5th place at the 2000 European Championships in Wrocław, Poland and won her first gold medal at the German National Championships. In her first World Championships in 2003 in Osaka, Japan, she surprisingly won the bronze medal. This qualified her for the 2004 Summer Olympics in Athens, Greece. In Athens she won a bronze medal in the middleweight (‍–‍70 kg) division. She beat opponents Quin Dongya (China) and Catherine Roberge (Canada). In the semi-final she lost her only fight against Edith Bosch (Netherlands). After this fight, Böhm beat Catherine Jacques (Belgium) in only 38 seconds with an ippon-score (Te-Guruma) for a bronze medal. In 2005, Böhm sustained several injuries. Six weeks before the 2005 World Championships in Cairo, Egypt, she broke her left foot. Nevertheless, she battled through her injuries to narrowly miss bronze. In the following year she had several surgical procedures, which prevented her from going to the 2006 European Championships. In 2007, she qualified for the World Championships in Rio de Janeiro, Brazil. She only won one fight, placing her 9th place. This meant that she did not achieve direct qualification for the 2008 Summer Olympics in Beijing, China. However, in 2008 she returned to her old form. She won bronze medals at the Super World Cup in Paris, France, and Sofia, Bulgaria. This placed her among the top 5 on the European ranking list, which qualified her for the Olympics. At the 2008 Beijing Olympics, she lost the bronze medal match of the middleweight (‍–‍70 kg) division to American Ronda Rousey. Photos References External links Annett Böhm at the International Judo Federation Annett Böhm at JudoInside.com Annett Böhm at Olympedia Annett Böhm at Olympics at Sports-Reference.com (archived) Annett Böhm at databaseOlympics.com (archived) Olympia Sport Leipzig GmbH (OSL)- Sport Marketing Agency European Judo Union – Olympic Classification Ranking List Deutscher Judobund (DJB)- Results Videos of Annett Böhm (judovision.org) Annett Böhm Achievements 1995-2008 (PDF 65 Kb)

place of birth

Annett Böhm (born 8 August 1980 in Meerane, Saxony, East Germany) is a German Judoka. Career She began practicing Judo in PSC Glauchau/Meerane at the age of 7 years. Her first coaches were Erhard and Michael Hinke. In 1995 she went to a sport boarding school in Leipzig where she trained as part of the high performance Judo group. Böhm finished her Master of Sport science at the University of Leipzig in 2005. In 2007, she started to study journalism. Her coach since 1999 has been Norbert Littkopf. He was for several years also the coach of the German women's national team. Her first major success was in 1997, when she won the gold medal at the European Junior Championships in Ljubljana, Slovenia. Two years later she won the silver medal. She gained 5th place at the 2000 European Championships in Wrocław, Poland and won her first gold medal at the German National Championships. In her first World Championships in 2003 in Osaka, Japan, she surprisingly won the bronze medal. This qualified her for the 2004 Summer Olympics in Athens, Greece. In Athens she won a bronze medal in the middleweight (‍–‍70 kg) division. She beat opponents Quin Dongya (China) and Catherine Roberge (Canada). In the semi-final she lost her only fight against Edith Bosch (Netherlands). After this fight, Böhm beat Catherine Jacques (Belgium) in only 38 seconds with an ippon-score (Te-Guruma) for a bronze medal. In 2005, Böhm sustained several injuries. Six weeks before the 2005 World Championships in Cairo, Egypt, she broke her left foot. Nevertheless, she battled through her injuries to narrowly miss bronze. In the following year she had several surgical procedures, which prevented her from going to the 2006 European Championships. In 2007, she qualified for the World Championships in Rio de Janeiro, Brazil. She only won one fight, placing her 9th place. This meant that she did not achieve direct qualification for the 2008 Summer Olympics in Beijing, China. However, in 2008 she returned to her old form. She won bronze medals at the Super World Cup in Paris, France, and Sofia, Bulgaria. This placed her among the top 5 on the European ranking list, which qualified her for the Olympics. At the 2008 Beijing Olympics, she lost the bronze medal match of the middleweight (‍–‍70 kg) division to American Ronda Rousey. Photos References External links Annett Böhm at the International Judo Federation Annett Böhm at JudoInside.com Annett Böhm at Olympedia Annett Böhm at Olympics at Sports-Reference.com (archived) Annett Böhm at databaseOlympics.com (archived) Olympia Sport Leipzig GmbH (OSL)- Sport Marketing Agency European Judo Union – Olympic Classification Ranking List Deutscher Judobund (DJB)- Results Videos of Annett Böhm (judovision.org) Annett Böhm Achievements 1995-2008 (PDF 65 Kb)

country of citizenship

Annett Böhm (born 8 August 1980 in Meerane, Saxony, East Germany) is a German Judoka. Career She began practicing Judo in PSC Glauchau/Meerane at the age of 7 years. Her first coaches were Erhard and Michael Hinke. In 1995 she went to a sport boarding school in Leipzig where she trained as part of the high performance Judo group. Böhm finished her Master of Sport science at the University of Leipzig in 2005. In 2007, she started to study journalism. Her coach since 1999 has been Norbert Littkopf. He was for several years also the coach of the German women's national team. Her first major success was in 1997, when she won the gold medal at the European Junior Championships in Ljubljana, Slovenia. Two years later she won the silver medal. She gained 5th place at the 2000 European Championships in Wrocław, Poland and won her first gold medal at the German National Championships. In her first World Championships in 2003 in Osaka, Japan, she surprisingly won the bronze medal. This qualified her for the 2004 Summer Olympics in Athens, Greece. In Athens she won a bronze medal in the middleweight (‍–‍70 kg) division. She beat opponents Quin Dongya (China) and Catherine Roberge (Canada). In the semi-final she lost her only fight against Edith Bosch (Netherlands). After this fight, Böhm beat Catherine Jacques (Belgium) in only 38 seconds with an ippon-score (Te-Guruma) for a bronze medal. In 2005, Böhm sustained several injuries. Six weeks before the 2005 World Championships in Cairo, Egypt, she broke her left foot. Nevertheless, she battled through her injuries to narrowly miss bronze. In the following year she had several surgical procedures, which prevented her from going to the 2006 European Championships. In 2007, she qualified for the World Championships in Rio de Janeiro, Brazil. She only won one fight, placing her 9th place. This meant that she did not achieve direct qualification for the 2008 Summer Olympics in Beijing, China. However, in 2008 she returned to her old form. She won bronze medals at the Super World Cup in Paris, France, and Sofia, Bulgaria. This placed her among the top 5 on the European ranking list, which qualified her for the Olympics. At the 2008 Beijing Olympics, she lost the bronze medal match of the middleweight (‍–‍70 kg) division to American Ronda Rousey. Photos References External links Annett Böhm at the International Judo Federation Annett Böhm at JudoInside.com Annett Böhm at Olympedia Annett Böhm at Olympics at Sports-Reference.com (archived) Annett Böhm at databaseOlympics.com (archived) Olympia Sport Leipzig GmbH (OSL)- Sport Marketing Agency European Judo Union – Olympic Classification Ranking List Deutscher Judobund (DJB)- Results Videos of Annett Böhm (judovision.org) Annett Böhm Achievements 1995-2008 (PDF 65 Kb)

Commons category

Annett Böhm (born 8 August 1980 in Meerane, Saxony, East Germany) is a German Judoka. Career She began practicing Judo in PSC Glauchau/Meerane at the age of 7 years. Her first coaches were Erhard and Michael Hinke. In 1995 she went to a sport boarding school in Leipzig where she trained as part of the high performance Judo group. Böhm finished her Master of Sport science at the University of Leipzig in 2005. In 2007, she started to study journalism. Her coach since 1999 has been Norbert Littkopf. He was for several years also the coach of the German women's national team. Her first major success was in 1997, when she won the gold medal at the European Junior Championships in Ljubljana, Slovenia. Two years later she won the silver medal. She gained 5th place at the 2000 European Championships in Wrocław, Poland and won her first gold medal at the German National Championships. In her first World Championships in 2003 in Osaka, Japan, she surprisingly won the bronze medal. This qualified her for the 2004 Summer Olympics in Athens, Greece. In Athens she won a bronze medal in the middleweight (‍–‍70 kg) division. She beat opponents Quin Dongya (China) and Catherine Roberge (Canada). In the semi-final she lost her only fight against Edith Bosch (Netherlands). After this fight, Böhm beat Catherine Jacques (Belgium) in only 38 seconds with an ippon-score (Te-Guruma) for a bronze medal. In 2005, Böhm sustained several injuries. Six weeks before the 2005 World Championships in Cairo, Egypt, she broke her left foot. Nevertheless, she battled through her injuries to narrowly miss bronze. In the following year she had several surgical procedures, which prevented her from going to the 2006 European Championships. In 2007, she qualified for the World Championships in Rio de Janeiro, Brazil. She only won one fight, placing her 9th place. This meant that she did not achieve direct qualification for the 2008 Summer Olympics in Beijing, China. However, in 2008 she returned to her old form. She won bronze medals at the Super World Cup in Paris, France, and Sofia, Bulgaria. This placed her among the top 5 on the European ranking list, which qualified her for the Olympics. At the 2008 Beijing Olympics, she lost the bronze medal match of the middleweight (‍–‍70 kg) division to American Ronda Rousey. Photos References External links Annett Böhm at the International Judo Federation Annett Böhm at JudoInside.com Annett Böhm at Olympedia Annett Böhm at Olympics at Sports-Reference.com (archived) Annett Böhm at databaseOlympics.com (archived) Olympia Sport Leipzig GmbH (OSL)- Sport Marketing Agency European Judo Union – Olympic Classification Ranking List Deutscher Judobund (DJB)- Results Videos of Annett Böhm (judovision.org) Annett Böhm Achievements 1995-2008 (PDF 65 Kb)

sport

Annett Böhm (born 8 August 1980 in Meerane, Saxony, East Germany) is a German Judoka. Career She began practicing Judo in PSC Glauchau/Meerane at the age of 7 years. Her first coaches were Erhard and Michael Hinke. In 1995 she went to a sport boarding school in Leipzig where she trained as part of the high performance Judo group. Böhm finished her Master of Sport science at the University of Leipzig in 2005. In 2007, she started to study journalism. Her coach since 1999 has been Norbert Littkopf. He was for several years also the coach of the German women's national team. Her first major success was in 1997, when she won the gold medal at the European Junior Championships in Ljubljana, Slovenia. Two years later she won the silver medal. She gained 5th place at the 2000 European Championships in Wrocław, Poland and won her first gold medal at the German National Championships. In her first World Championships in 2003 in Osaka, Japan, she surprisingly won the bronze medal. This qualified her for the 2004 Summer Olympics in Athens, Greece. In Athens she won a bronze medal in the middleweight (‍–‍70 kg) division. She beat opponents Quin Dongya (China) and Catherine Roberge (Canada). In the semi-final she lost her only fight against Edith Bosch (Netherlands). After this fight, Böhm beat Catherine Jacques (Belgium) in only 38 seconds with an ippon-score (Te-Guruma) for a bronze medal. In 2005, Böhm sustained several injuries. Six weeks before the 2005 World Championships in Cairo, Egypt, she broke her left foot. Nevertheless, she battled through her injuries to narrowly miss bronze. In the following year she had several surgical procedures, which prevented her from going to the 2006 European Championships. In 2007, she qualified for the World Championships in Rio de Janeiro, Brazil. She only won one fight, placing her 9th place. This meant that she did not achieve direct qualification for the 2008 Summer Olympics in Beijing, China. However, in 2008 she returned to her old form. She won bronze medals at the Super World Cup in Paris, France, and Sofia, Bulgaria. This placed her among the top 5 on the European ranking list, which qualified her for the Olympics. At the 2008 Beijing Olympics, she lost the bronze medal match of the middleweight (‍–‍70 kg) division to American Ronda Rousey. Photos References External links Annett Böhm at the International Judo Federation Annett Böhm at JudoInside.com Annett Böhm at Olympedia Annett Böhm at Olympics at Sports-Reference.com (archived) Annett Böhm at databaseOlympics.com (archived) Olympia Sport Leipzig GmbH (OSL)- Sport Marketing Agency European Judo Union – Olympic Classification Ranking List Deutscher Judobund (DJB)- Results Videos of Annett Böhm (judovision.org) Annett Böhm Achievements 1995-2008 (PDF 65 Kb)

family name

Annett Böhm (born 8 August 1980 in Meerane, Saxony, East Germany) is a German Judoka. Career She began practicing Judo in PSC Glauchau/Meerane at the age of 7 years. Her first coaches were Erhard and Michael Hinke. In 1995 she went to a sport boarding school in Leipzig where she trained as part of the high performance Judo group. Böhm finished her Master of Sport science at the University of Leipzig in 2005. In 2007, she started to study journalism. Her coach since 1999 has been Norbert Littkopf. He was for several years also the coach of the German women's national team. Her first major success was in 1997, when she won the gold medal at the European Junior Championships in Ljubljana, Slovenia. Two years later she won the silver medal. She gained 5th place at the 2000 European Championships in Wrocław, Poland and won her first gold medal at the German National Championships. In her first World Championships in 2003 in Osaka, Japan, she surprisingly won the bronze medal. This qualified her for the 2004 Summer Olympics in Athens, Greece. In Athens she won a bronze medal in the middleweight (‍–‍70 kg) division. She beat opponents Quin Dongya (China) and Catherine Roberge (Canada). In the semi-final she lost her only fight against Edith Bosch (Netherlands). After this fight, Böhm beat Catherine Jacques (Belgium) in only 38 seconds with an ippon-score (Te-Guruma) for a bronze medal. In 2005, Böhm sustained several injuries. Six weeks before the 2005 World Championships in Cairo, Egypt, she broke her left foot. Nevertheless, she battled through her injuries to narrowly miss bronze. In the following year she had several surgical procedures, which prevented her from going to the 2006 European Championships. In 2007, she qualified for the World Championships in Rio de Janeiro, Brazil. She only won one fight, placing her 9th place. This meant that she did not achieve direct qualification for the 2008 Summer Olympics in Beijing, China. However, in 2008 she returned to her old form. She won bronze medals at the Super World Cup in Paris, France, and Sofia, Bulgaria. This placed her among the top 5 on the European ranking list, which qualified her for the Olympics. At the 2008 Beijing Olympics, she lost the bronze medal match of the middleweight (‍–‍70 kg) division to American Ronda Rousey. Photos References External links Annett Böhm at the International Judo Federation Annett Böhm at JudoInside.com Annett Böhm at Olympedia Annett Böhm at Olympics at Sports-Reference.com (archived) Annett Böhm at databaseOlympics.com (archived) Olympia Sport Leipzig GmbH (OSL)- Sport Marketing Agency European Judo Union – Olympic Classification Ranking List Deutscher Judobund (DJB)- Results Videos of Annett Böhm (judovision.org) Annett Böhm Achievements 1995-2008 (PDF 65 Kb)

given name

Annett Böhm (born 8 August 1980 in Meerane, Saxony, East Germany) is a German Judoka. Career She began practicing Judo in PSC Glauchau/Meerane at the age of 7 years. Her first coaches were Erhard and Michael Hinke. In 1995 she went to a sport boarding school in Leipzig where she trained as part of the high performance Judo group. Böhm finished her Master of Sport science at the University of Leipzig in 2005. In 2007, she started to study journalism. Her coach since 1999 has been Norbert Littkopf. He was for several years also the coach of the German women's national team. Her first major success was in 1997, when she won the gold medal at the European Junior Championships in Ljubljana, Slovenia. Two years later she won the silver medal. She gained 5th place at the 2000 European Championships in Wrocław, Poland and won her first gold medal at the German National Championships. In her first World Championships in 2003 in Osaka, Japan, she surprisingly won the bronze medal. This qualified her for the 2004 Summer Olympics in Athens, Greece. In Athens she won a bronze medal in the middleweight (‍–‍70 kg) division. She beat opponents Quin Dongya (China) and Catherine Roberge (Canada). In the semi-final she lost her only fight against Edith Bosch (Netherlands). After this fight, Böhm beat Catherine Jacques (Belgium) in only 38 seconds with an ippon-score (Te-Guruma) for a bronze medal. In 2005, Böhm sustained several injuries. Six weeks before the 2005 World Championships in Cairo, Egypt, she broke her left foot. Nevertheless, she battled through her injuries to narrowly miss bronze. In the following year she had several surgical procedures, which prevented her from going to the 2006 European Championships. In 2007, she qualified for the World Championships in Rio de Janeiro, Brazil. She only won one fight, placing her 9th place. This meant that she did not achieve direct qualification for the 2008 Summer Olympics in Beijing, China. However, in 2008 she returned to her old form. She won bronze medals at the Super World Cup in Paris, France, and Sofia, Bulgaria. This placed her among the top 5 on the European ranking list, which qualified her for the Olympics. At the 2008 Beijing Olympics, she lost the bronze medal match of the middleweight (‍–‍70 kg) division to American Ronda Rousey. Photos References External links Annett Böhm at the International Judo Federation Annett Böhm at JudoInside.com Annett Böhm at Olympedia Annett Böhm at Olympics at Sports-Reference.com (archived) Annett Böhm at databaseOlympics.com (archived) Olympia Sport Leipzig GmbH (OSL)- Sport Marketing Agency European Judo Union – Olympic Classification Ranking List Deutscher Judobund (DJB)- Results Videos of Annett Böhm (judovision.org) Annett Böhm Achievements 1995-2008 (PDF 65 Kb)

Commons gallery

Annett Böhm (born 8 August 1980 in Meerane, Saxony, East Germany) is a German Judoka. Career She began practicing Judo in PSC Glauchau/Meerane at the age of 7 years. Her first coaches were Erhard and Michael Hinke. In 1995 she went to a sport boarding school in Leipzig where she trained as part of the high performance Judo group. Böhm finished her Master of Sport science at the University of Leipzig in 2005. In 2007, she started to study journalism. Her coach since 1999 has been Norbert Littkopf. He was for several years also the coach of the German women's national team. Her first major success was in 1997, when she won the gold medal at the European Junior Championships in Ljubljana, Slovenia. Two years later she won the silver medal. She gained 5th place at the 2000 European Championships in Wrocław, Poland and won her first gold medal at the German National Championships. In her first World Championships in 2003 in Osaka, Japan, she surprisingly won the bronze medal. This qualified her for the 2004 Summer Olympics in Athens, Greece. In Athens she won a bronze medal in the middleweight (‍–‍70 kg) division. She beat opponents Quin Dongya (China) and Catherine Roberge (Canada). In the semi-final she lost her only fight against Edith Bosch (Netherlands). After this fight, Böhm beat Catherine Jacques (Belgium) in only 38 seconds with an ippon-score (Te-Guruma) for a bronze medal. In 2005, Böhm sustained several injuries. Six weeks before the 2005 World Championships in Cairo, Egypt, she broke her left foot. Nevertheless, she battled through her injuries to narrowly miss bronze. In the following year she had several surgical procedures, which prevented her from going to the 2006 European Championships. In 2007, she qualified for the World Championships in Rio de Janeiro, Brazil. She only won one fight, placing her 9th place. This meant that she did not achieve direct qualification for the 2008 Summer Olympics in Beijing, China. However, in 2008 she returned to her old form. She won bronze medals at the Super World Cup in Paris, France, and Sofia, Bulgaria. This placed her among the top 5 on the European ranking list, which qualified her for the Olympics. At the 2008 Beijing Olympics, she lost the bronze medal match of the middleweight (‍–‍70 kg) division to American Ronda Rousey. Photos References External links Annett Böhm at the International Judo Federation Annett Böhm at JudoInside.com Annett Böhm at Olympedia Annett Böhm at Olympics at Sports-Reference.com (archived) Annett Böhm at databaseOlympics.com (archived) Olympia Sport Leipzig GmbH (OSL)- Sport Marketing Agency European Judo Union – Olympic Classification Ranking List Deutscher Judobund (DJB)- Results Videos of Annett Böhm (judovision.org) Annett Böhm Achievements 1995-2008 (PDF 65 Kb)

participant in

Annett Böhm (born 8 August 1980 in Meerane, Saxony, East Germany) is a German Judoka. Career She began practicing Judo in PSC Glauchau/Meerane at the age of 7 years. Her first coaches were Erhard and Michael Hinke. In 1995 she went to a sport boarding school in Leipzig where she trained as part of the high performance Judo group. Böhm finished her Master of Sport science at the University of Leipzig in 2005. In 2007, she started to study journalism. Her coach since 1999 has been Norbert Littkopf. He was for several years also the coach of the German women's national team. Her first major success was in 1997, when she won the gold medal at the European Junior Championships in Ljubljana, Slovenia. Two years later she won the silver medal. She gained 5th place at the 2000 European Championships in Wrocław, Poland and won her first gold medal at the German National Championships. In her first World Championships in 2003 in Osaka, Japan, she surprisingly won the bronze medal. This qualified her for the 2004 Summer Olympics in Athens, Greece. In Athens she won a bronze medal in the middleweight (‍–‍70 kg) division. She beat opponents Quin Dongya (China) and Catherine Roberge (Canada). In the semi-final she lost her only fight against Edith Bosch (Netherlands). After this fight, Böhm beat Catherine Jacques (Belgium) in only 38 seconds with an ippon-score (Te-Guruma) for a bronze medal. In 2005, Böhm sustained several injuries. Six weeks before the 2005 World Championships in Cairo, Egypt, she broke her left foot. Nevertheless, she battled through her injuries to narrowly miss bronze. In the following year she had several surgical procedures, which prevented her from going to the 2006 European Championships. In 2007, she qualified for the World Championships in Rio de Janeiro, Brazil. She only won one fight, placing her 9th place. This meant that she did not achieve direct qualification for the 2008 Summer Olympics in Beijing, China. However, in 2008 she returned to her old form. She won bronze medals at the Super World Cup in Paris, France, and Sofia, Bulgaria. This placed her among the top 5 on the European ranking list, which qualified her for the Olympics. At the 2008 Beijing Olympics, she lost the bronze medal match of the middleweight (‍–‍70 kg) division to American Ronda Rousey. Photos References External links Annett Böhm at the International Judo Federation Annett Böhm at JudoInside.com Annett Böhm at Olympedia Annett Böhm at Olympics at Sports-Reference.com (archived) Annett Böhm at databaseOlympics.com (archived) Olympia Sport Leipzig GmbH (OSL)- Sport Marketing Agency European Judo Union – Olympic Classification Ranking List Deutscher Judobund (DJB)- Results Videos of Annett Böhm (judovision.org) Annett Böhm Achievements 1995-2008 (PDF 65 Kb)

languages spoken, written or signed

Hamro Lok Sanskriti (Nepali: हाम्रो लोक संस्कृति, lit. 'Our Folk Culture') is a 1956 book by Satya Mohan Joshi. It is about the folk culture of Nepal. The book won the Madan Puraskar, Nepal's highest literary honour. Background In 1943, Satya Mohan Joshi worked at Nepal's Department of Industrial and Commercial Intelligence; he surveyed and created reports about the social economy in two districts Tanahun and Lamjung. As he visited the districts, Joshi saw people singing in various areas including fields, jungles, and Chautara (a place where people communicate and share information). In the afternoon, the villagers would sing songs with madals and performed Maruni, Kaura, Chudka, Sorathi, and Jhyamrey dances. Music was an extensive part of the villagers' life which fascinated Joshi.He wanted to reveal these songs throughout Nepal but the country did not have radio stations until 1951, instead he published the songs in a literary magazine Sarada. Balkrishna Sama, an editor of the magazine, recommended that he should provide contexts for each song so Joshi wrote about their histories and his own analysis. In the start, he found it difficult to write context about the song because no one had penned about the culture of Nepal. Afterwards, he collected the published lyrics from the magazine and issued the book Hamro Lok Sanskriti. While Joshi was working on publishing the book, he met poet Gopal Prasad Rimal who encouraged him to "treasure the folk culture, the stories, songs, and lifestyle of Nepal's rural population". Release and legacy In 1956, the first Madan Puraskar, Nepal's highest literary honour, ceremony was held and it was the first book to win the award, alongside two other books General Bhimsen Thapa Ra Tatkalin Nepal, and Adhikbibhav Sthirbidhoot Utpadhak. Joshi later stated that the book was not his creation rather it was villagers' so "the credit should go to them". He later assisted to create numerous organizations to preserve the culture of Nepal. Joshi went on to win two more Madan Puraskar for Nepali Rastriya Mudra (1957), and Karnali Lok Sanskriti (1971). See also Karnali Lok Sanskriti Mahakavi Devkota Limbuwanko Etihasik Dastavej Sangraha == References ==

instance of

Hamro Lok Sanskriti (Nepali: हाम्रो लोक संस्कृति, lit. 'Our Folk Culture') is a 1956 book by Satya Mohan Joshi. It is about the folk culture of Nepal. The book won the Madan Puraskar, Nepal's highest literary honour. Background In 1943, Satya Mohan Joshi worked at Nepal's Department of Industrial and Commercial Intelligence; he surveyed and created reports about the social economy in two districts Tanahun and Lamjung. As he visited the districts, Joshi saw people singing in various areas including fields, jungles, and Chautara (a place where people communicate and share information). In the afternoon, the villagers would sing songs with madals and performed Maruni, Kaura, Chudka, Sorathi, and Jhyamrey dances. Music was an extensive part of the villagers' life which fascinated Joshi.He wanted to reveal these songs throughout Nepal but the country did not have radio stations until 1951, instead he published the songs in a literary magazine Sarada. Balkrishna Sama, an editor of the magazine, recommended that he should provide contexts for each song so Joshi wrote about their histories and his own analysis. In the start, he found it difficult to write context about the song because no one had penned about the culture of Nepal. Afterwards, he collected the published lyrics from the magazine and issued the book Hamro Lok Sanskriti. While Joshi was working on publishing the book, he met poet Gopal Prasad Rimal who encouraged him to "treasure the folk culture, the stories, songs, and lifestyle of Nepal's rural population". Release and legacy In 1956, the first Madan Puraskar, Nepal's highest literary honour, ceremony was held and it was the first book to win the award, alongside two other books General Bhimsen Thapa Ra Tatkalin Nepal, and Adhikbibhav Sthirbidhoot Utpadhak. Joshi later stated that the book was not his creation rather it was villagers' so "the credit should go to them". He later assisted to create numerous organizations to preserve the culture of Nepal. Joshi went on to win two more Madan Puraskar for Nepali Rastriya Mudra (1957), and Karnali Lok Sanskriti (1971). See also Karnali Lok Sanskriti Mahakavi Devkota Limbuwanko Etihasik Dastavej Sangraha == References ==

author

Hamro Lok Sanskriti (Nepali: हाम्रो लोक संस्कृति, lit. 'Our Folk Culture') is a 1956 book by Satya Mohan Joshi. It is about the folk culture of Nepal. The book won the Madan Puraskar, Nepal's highest literary honour. Background In 1943, Satya Mohan Joshi worked at Nepal's Department of Industrial and Commercial Intelligence; he surveyed and created reports about the social economy in two districts Tanahun and Lamjung. As he visited the districts, Joshi saw people singing in various areas including fields, jungles, and Chautara (a place where people communicate and share information). In the afternoon, the villagers would sing songs with madals and performed Maruni, Kaura, Chudka, Sorathi, and Jhyamrey dances. Music was an extensive part of the villagers' life which fascinated Joshi.He wanted to reveal these songs throughout Nepal but the country did not have radio stations until 1951, instead he published the songs in a literary magazine Sarada. Balkrishna Sama, an editor of the magazine, recommended that he should provide contexts for each song so Joshi wrote about their histories and his own analysis. In the start, he found it difficult to write context about the song because no one had penned about the culture of Nepal. Afterwards, he collected the published lyrics from the magazine and issued the book Hamro Lok Sanskriti. While Joshi was working on publishing the book, he met poet Gopal Prasad Rimal who encouraged him to "treasure the folk culture, the stories, songs, and lifestyle of Nepal's rural population". Release and legacy In 1956, the first Madan Puraskar, Nepal's highest literary honour, ceremony was held and it was the first book to win the award, alongside two other books General Bhimsen Thapa Ra Tatkalin Nepal, and Adhikbibhav Sthirbidhoot Utpadhak. Joshi later stated that the book was not his creation rather it was villagers' so "the credit should go to them". He later assisted to create numerous organizations to preserve the culture of Nepal. Joshi went on to win two more Madan Puraskar for Nepali Rastriya Mudra (1957), and Karnali Lok Sanskriti (1971). See also Karnali Lok Sanskriti Mahakavi Devkota Limbuwanko Etihasik Dastavej Sangraha == References ==

award received

Hamro Lok Sanskriti (Nepali: हाम्रो लोक संस्कृति, lit. 'Our Folk Culture') is a 1956 book by Satya Mohan Joshi. It is about the folk culture of Nepal. The book won the Madan Puraskar, Nepal's highest literary honour. Background In 1943, Satya Mohan Joshi worked at Nepal's Department of Industrial and Commercial Intelligence; he surveyed and created reports about the social economy in two districts Tanahun and Lamjung. As he visited the districts, Joshi saw people singing in various areas including fields, jungles, and Chautara (a place where people communicate and share information). In the afternoon, the villagers would sing songs with madals and performed Maruni, Kaura, Chudka, Sorathi, and Jhyamrey dances. Music was an extensive part of the villagers' life which fascinated Joshi.He wanted to reveal these songs throughout Nepal but the country did not have radio stations until 1951, instead he published the songs in a literary magazine Sarada. Balkrishna Sama, an editor of the magazine, recommended that he should provide contexts for each song so Joshi wrote about their histories and his own analysis. In the start, he found it difficult to write context about the song because no one had penned about the culture of Nepal. Afterwards, he collected the published lyrics from the magazine and issued the book Hamro Lok Sanskriti. While Joshi was working on publishing the book, he met poet Gopal Prasad Rimal who encouraged him to "treasure the folk culture, the stories, songs, and lifestyle of Nepal's rural population". Release and legacy In 1956, the first Madan Puraskar, Nepal's highest literary honour, ceremony was held and it was the first book to win the award, alongside two other books General Bhimsen Thapa Ra Tatkalin Nepal, and Adhikbibhav Sthirbidhoot Utpadhak. Joshi later stated that the book was not his creation rather it was villagers' so "the credit should go to them". He later assisted to create numerous organizations to preserve the culture of Nepal. Joshi went on to win two more Madan Puraskar for Nepali Rastriya Mudra (1957), and Karnali Lok Sanskriti (1971). See also Karnali Lok Sanskriti Mahakavi Devkota Limbuwanko Etihasik Dastavej Sangraha == References ==

published in

The 1973 U.S. Clay Court Championships was a combined men's and women's tennis tournament held at the Woodstock Country Club in Indianapolis in the United States and played on outdoor clay courts. It was part of the men's Grand Prix and women's International Grand Prix. It was the fifth edition of the tournament and was held from August 13 through August 19, 1973. Second-seeded Manuel Orantes won the men's singles title and accompanying $16,000 prize money while Chris Evert took the women's title and the $6,000 first prize. Finals Men's singles Manuel Orantes defeated Georges Goven 6–4, 6–1, 6–4 It was Orantes' 4th title of the year and the 11th of his career. Women's singles Chris Evert defeated Veronica Burton 6–4, 6–3 It was Evert's 9th title of the year and the 20th of her career. Men's doubles Frew McMillan / Bob Carmichael defeated Manuel Orantes / Ion Țiriac 6–3, 6–4 Women's doubles Patti Hogan / Sharon Walsh defeated Fiorella Bonicelli / Isabel Fernández de Soto 6–4, 6–4 == References ==

located in the administrative territorial entity

The 1973 U.S. Clay Court Championships was a combined men's and women's tennis tournament held at the Woodstock Country Club in Indianapolis in the United States and played on outdoor clay courts. It was part of the men's Grand Prix and women's International Grand Prix. It was the fifth edition of the tournament and was held from August 13 through August 19, 1973. Second-seeded Manuel Orantes won the men's singles title and accompanying $16,000 prize money while Chris Evert took the women's title and the $6,000 first prize. Finals Men's singles Manuel Orantes defeated Georges Goven 6–4, 6–1, 6–4 It was Orantes' 4th title of the year and the 11th of his career. Women's singles Chris Evert defeated Veronica Burton 6–4, 6–3 It was Evert's 9th title of the year and the 20th of her career. Men's doubles Frew McMillan / Bob Carmichael defeated Manuel Orantes / Ion Țiriac 6–3, 6–4 Women's doubles Patti Hogan / Sharon Walsh defeated Fiorella Bonicelli / Isabel Fernández de Soto 6–4, 6–4 == References ==

location

The 1973 U.S. Clay Court Championships was a combined men's and women's tennis tournament held at the Woodstock Country Club in Indianapolis in the United States and played on outdoor clay courts. It was part of the men's Grand Prix and women's International Grand Prix. It was the fifth edition of the tournament and was held from August 13 through August 19, 1973. Second-seeded Manuel Orantes won the men's singles title and accompanying $16,000 prize money while Chris Evert took the women's title and the $6,000 first prize. Finals Men's singles Manuel Orantes defeated Georges Goven 6–4, 6–1, 6–4 It was Orantes' 4th title of the year and the 11th of his career. Women's singles Chris Evert defeated Veronica Burton 6–4, 6–3 It was Evert's 9th title of the year and the 20th of her career. Men's doubles Frew McMillan / Bob Carmichael defeated Manuel Orantes / Ion Țiriac 6–3, 6–4 Women's doubles Patti Hogan / Sharon Walsh defeated Fiorella Bonicelli / Isabel Fernández de Soto 6–4, 6–4 == References ==

sport

The 1973 U.S. Clay Court Championships was a combined men's and women's tennis tournament held at the Woodstock Country Club in Indianapolis in the United States and played on outdoor clay courts. It was part of the men's Grand Prix and women's International Grand Prix. It was the fifth edition of the tournament and was held from August 13 through August 19, 1973. Second-seeded Manuel Orantes won the men's singles title and accompanying $16,000 prize money while Chris Evert took the women's title and the $6,000 first prize. Finals Men's singles Manuel Orantes defeated Georges Goven 6–4, 6–1, 6–4 It was Orantes' 4th title of the year and the 11th of his career. Women's singles Chris Evert defeated Veronica Burton 6–4, 6–3 It was Evert's 9th title of the year and the 20th of her career. Men's doubles Frew McMillan / Bob Carmichael defeated Manuel Orantes / Ion Țiriac 6–3, 6–4 Women's doubles Patti Hogan / Sharon Walsh defeated Fiorella Bonicelli / Isabel Fernández de Soto 6–4, 6–4 == References ==

surface played on

Petrus van der Velden (5 May 1837 – 11 November 1913), who is also known as Paulus van der Velden, was a Dutch artist who spent much of his later career in New Zealand. Early life and career in the Netherlands Petrus van der Velden was born in Rotterdam; his parents were Jacoba van Essel and Joannes van der Velden, a warehouse manager. Petrus began drawing lessons at around the age of 13 and subsequently apprenticed as a lithographer. In 1858 he founded a lithographic printing company in Rotterdam with business partner J. G. Zijderman. The earliest known paintings by van der Velden date to around 1864; in 1867 he wound up the printing business and began painting and exhibiting full-time. He studied at the academies in Rotterdam and Berlin. He registered at the Academy of Art, Rotterdam in 1868. After a stay on the island of Marken (1871–73) he lived in or near The Hague until 1888 and was part of the Hague School in artistic and stylistic origins. During this period he painted mainly genre scenes such as The Dutch Funeral (1872, collection of the Christchurch Art Gallery) and the Old Cellist (1887, The Hague, Gemeentemus.); he also produced some landscapes, for example Snow on the Sand Dunes (1889–90, collection of the Museum of New Zealand Te Papa Tongarewa). His work of this period displays a tension between Naturalism and Romantic Realism in the style of Jozef Israëls. Life and career in New Zealand It is not known exactly why Van der Velden emigrated to New Zealand in 1890 with his wife and children (one daughter and two sons), aged 53, but he was supported by Gerrit van Asch, the founder of the Sumner School for the Deaf. Van der Velden arrived in Christchurch, where he stayed until 1898. It was during the 1890s that van der Velden discovered Otira Gorge on the West Coast, which provided him with his most successful and enduring subject. The first trip took place in January–February 1891 and the primary work produced was Waterfall in the Otira (aka Mountain Stream) (1891). Van der Velden treated the Otira landscape as an opportunity to evoke the sublime, and sought out appropriate opportunities to depict it; as a student of his later recalled: When I was last at Otira, a resident of the place who remembered van der Velden told me that the Dutchman was evidently quite mad. Evidently? Yes; because at all those times when the thunder rolled, and wind howled, and rain poured, van der Velden would go into the Gorge, whereas all those times when the sun shone from a cloudless sky, he would lie with his back to the grass near the hotel and sleep. Waterfall in the Otira was shown in art society exhibitions in Auckland, Christchurch and Dunedin, and met with considerable critical acclaim. The painting was acquired by the Otago Art Society for the Dunedin Public Art Gallery collection in 1893 for the significant sum of £300. Van der Velden returned to the Otira Gorge and Arthurs Pass areas in the winter of 1893, when he added Mount Rolleston to his Otira motifs. Although van der Velden only made two sketching trips to Otira, he returned to the subjects many times, including when living in Wellington in the 1910s. Examples of these later works include Mount Rolleston, Otira Gorge, West Coast, New Zealand (circa 1911), now in the collection of the Museum of New Zealand Te Papa Tongarewa, and Otira Gorge (1912) in the collection of Auckland Art Gallery. By 1894 van der Velden had taken on students, among whom were Sydney Thompson, Robert Procter, Cecil Kelly, Elizabeth Kelly, Leonard Booth, and Raymond McIntyre. His teaching method placed emphasis on acquiring an intimate acquaintance with the subject by doing a great many drawings and studies. Life and career in Australia Van der Velden and family sailed to Sydney in April 1898. Little is known of his time in Sydney, although a work painted in Christchurch, Disillusioned (also known as The sorrowful future) was sold to the Art Gallery of New South Wales for £400.Sophia van der Velden died in Australia on 1 May 1899. Their daughter Riek returned to New Zealand in 1890. Van der Velden spent the first three months of 1901 living at the Carrington Hospital for Convalescents at Camden outside Sydney. Return to New Zealand and death In Sydney van der Velden met his second wife, Australia Wahlberg. In January 1904 he and Australia departed for Wellington, New Zealand: they were married in Wellington two weeks after their arrival, on 4 February. Their son Noel was born on Christmas Day, 1905 but died 26 days later.A second child, the couple's daughter Melba (named for Dame Nellie Melba, whom the painter greatly admired) was born in May. During a visit to Auckland van der Velden contracted bronchitis and died of heart failure on 11 November 1913. He was buried in an unmarked grave in Waikaraka cemetery; Australia and Melba van der Velden returned to Sydney in 1914. Gallery Works by Petrus Van der Velden Further information Biography in 1966 Encyclopaedia of New Zealand Biography in Oxford Art Online Gordon H. Brown and Hamish Keith. An Introduction to New Zealand Painting 1839–1967. Auckland: Collins, 1969. T.L. Rodney Wilson, Petrus van der Velden: 1837–1913. Wellington: Reed, 1979. T.L. Rodney Wilson, Notes towards a van der Velden Mythology, Art New Zealand, no 4, February/March 1977 T.L. Rodney Wilson, Petrus van der Velden: The Marken and Otira Series, Art New Zealand, no 1, August/September 1976 Conserving Paintings: Petrus van der Velden’s Marken funeral barge video, Museum of New Zealand Te Papa Tongarewa Curator Rebecca Rice on Petrus van der Velden's Storm at Wellington Heads, Museum of New Zealand Te Papa Tongarewa References External links Media related to Petrus van der Velden at Wikimedia Commons

place of birth

Petrus van der Velden (5 May 1837 – 11 November 1913), who is also known as Paulus van der Velden, was a Dutch artist who spent much of his later career in New Zealand. Early life and career in the Netherlands Petrus van der Velden was born in Rotterdam; his parents were Jacoba van Essel and Joannes van der Velden, a warehouse manager. Petrus began drawing lessons at around the age of 13 and subsequently apprenticed as a lithographer. In 1858 he founded a lithographic printing company in Rotterdam with business partner J. G. Zijderman. The earliest known paintings by van der Velden date to around 1864; in 1867 he wound up the printing business and began painting and exhibiting full-time. He studied at the academies in Rotterdam and Berlin. He registered at the Academy of Art, Rotterdam in 1868. After a stay on the island of Marken (1871–73) he lived in or near The Hague until 1888 and was part of the Hague School in artistic and stylistic origins. During this period he painted mainly genre scenes such as The Dutch Funeral (1872, collection of the Christchurch Art Gallery) and the Old Cellist (1887, The Hague, Gemeentemus.); he also produced some landscapes, for example Snow on the Sand Dunes (1889–90, collection of the Museum of New Zealand Te Papa Tongarewa). His work of this period displays a tension between Naturalism and Romantic Realism in the style of Jozef Israëls. Life and career in New Zealand It is not known exactly why Van der Velden emigrated to New Zealand in 1890 with his wife and children (one daughter and two sons), aged 53, but he was supported by Gerrit van Asch, the founder of the Sumner School for the Deaf. Van der Velden arrived in Christchurch, where he stayed until 1898. It was during the 1890s that van der Velden discovered Otira Gorge on the West Coast, which provided him with his most successful and enduring subject. The first trip took place in January–February 1891 and the primary work produced was Waterfall in the Otira (aka Mountain Stream) (1891). Van der Velden treated the Otira landscape as an opportunity to evoke the sublime, and sought out appropriate opportunities to depict it; as a student of his later recalled: When I was last at Otira, a resident of the place who remembered van der Velden told me that the Dutchman was evidently quite mad. Evidently? Yes; because at all those times when the thunder rolled, and wind howled, and rain poured, van der Velden would go into the Gorge, whereas all those times when the sun shone from a cloudless sky, he would lie with his back to the grass near the hotel and sleep. Waterfall in the Otira was shown in art society exhibitions in Auckland, Christchurch and Dunedin, and met with considerable critical acclaim. The painting was acquired by the Otago Art Society for the Dunedin Public Art Gallery collection in 1893 for the significant sum of £300. Van der Velden returned to the Otira Gorge and Arthurs Pass areas in the winter of 1893, when he added Mount Rolleston to his Otira motifs. Although van der Velden only made two sketching trips to Otira, he returned to the subjects many times, including when living in Wellington in the 1910s. Examples of these later works include Mount Rolleston, Otira Gorge, West Coast, New Zealand (circa 1911), now in the collection of the Museum of New Zealand Te Papa Tongarewa, and Otira Gorge (1912) in the collection of Auckland Art Gallery. By 1894 van der Velden had taken on students, among whom were Sydney Thompson, Robert Procter, Cecil Kelly, Elizabeth Kelly, Leonard Booth, and Raymond McIntyre. His teaching method placed emphasis on acquiring an intimate acquaintance with the subject by doing a great many drawings and studies. Life and career in Australia Van der Velden and family sailed to Sydney in April 1898. Little is known of his time in Sydney, although a work painted in Christchurch, Disillusioned (also known as The sorrowful future) was sold to the Art Gallery of New South Wales for £400.Sophia van der Velden died in Australia on 1 May 1899. Their daughter Riek returned to New Zealand in 1890. Van der Velden spent the first three months of 1901 living at the Carrington Hospital for Convalescents at Camden outside Sydney. Return to New Zealand and death In Sydney van der Velden met his second wife, Australia Wahlberg. In January 1904 he and Australia departed for Wellington, New Zealand: they were married in Wellington two weeks after their arrival, on 4 February. Their son Noel was born on Christmas Day, 1905 but died 26 days later.A second child, the couple's daughter Melba (named for Dame Nellie Melba, whom the painter greatly admired) was born in May. During a visit to Auckland van der Velden contracted bronchitis and died of heart failure on 11 November 1913. He was buried in an unmarked grave in Waikaraka cemetery; Australia and Melba van der Velden returned to Sydney in 1914. Gallery Works by Petrus Van der Velden Further information Biography in 1966 Encyclopaedia of New Zealand Biography in Oxford Art Online Gordon H. Brown and Hamish Keith. An Introduction to New Zealand Painting 1839–1967. Auckland: Collins, 1969. T.L. Rodney Wilson, Petrus van der Velden: 1837–1913. Wellington: Reed, 1979. T.L. Rodney Wilson, Notes towards a van der Velden Mythology, Art New Zealand, no 4, February/March 1977 T.L. Rodney Wilson, Petrus van der Velden: The Marken and Otira Series, Art New Zealand, no 1, August/September 1976 Conserving Paintings: Petrus van der Velden’s Marken funeral barge video, Museum of New Zealand Te Papa Tongarewa Curator Rebecca Rice on Petrus van der Velden's Storm at Wellington Heads, Museum of New Zealand Te Papa Tongarewa References External links Media related to Petrus van der Velden at Wikimedia Commons

place of death

Petrus van der Velden (5 May 1837 – 11 November 1913), who is also known as Paulus van der Velden, was a Dutch artist who spent much of his later career in New Zealand. Early life and career in the Netherlands Petrus van der Velden was born in Rotterdam; his parents were Jacoba van Essel and Joannes van der Velden, a warehouse manager. Petrus began drawing lessons at around the age of 13 and subsequently apprenticed as a lithographer. In 1858 he founded a lithographic printing company in Rotterdam with business partner J. G. Zijderman. The earliest known paintings by van der Velden date to around 1864; in 1867 he wound up the printing business and began painting and exhibiting full-time. He studied at the academies in Rotterdam and Berlin. He registered at the Academy of Art, Rotterdam in 1868. After a stay on the island of Marken (1871–73) he lived in or near The Hague until 1888 and was part of the Hague School in artistic and stylistic origins. During this period he painted mainly genre scenes such as The Dutch Funeral (1872, collection of the Christchurch Art Gallery) and the Old Cellist (1887, The Hague, Gemeentemus.); he also produced some landscapes, for example Snow on the Sand Dunes (1889–90, collection of the Museum of New Zealand Te Papa Tongarewa). His work of this period displays a tension between Naturalism and Romantic Realism in the style of Jozef Israëls. Life and career in New Zealand It is not known exactly why Van der Velden emigrated to New Zealand in 1890 with his wife and children (one daughter and two sons), aged 53, but he was supported by Gerrit van Asch, the founder of the Sumner School for the Deaf. Van der Velden arrived in Christchurch, where he stayed until 1898. It was during the 1890s that van der Velden discovered Otira Gorge on the West Coast, which provided him with his most successful and enduring subject. The first trip took place in January–February 1891 and the primary work produced was Waterfall in the Otira (aka Mountain Stream) (1891). Van der Velden treated the Otira landscape as an opportunity to evoke the sublime, and sought out appropriate opportunities to depict it; as a student of his later recalled: When I was last at Otira, a resident of the place who remembered van der Velden told me that the Dutchman was evidently quite mad. Evidently? Yes; because at all those times when the thunder rolled, and wind howled, and rain poured, van der Velden would go into the Gorge, whereas all those times when the sun shone from a cloudless sky, he would lie with his back to the grass near the hotel and sleep. Waterfall in the Otira was shown in art society exhibitions in Auckland, Christchurch and Dunedin, and met with considerable critical acclaim. The painting was acquired by the Otago Art Society for the Dunedin Public Art Gallery collection in 1893 for the significant sum of £300. Van der Velden returned to the Otira Gorge and Arthurs Pass areas in the winter of 1893, when he added Mount Rolleston to his Otira motifs. Although van der Velden only made two sketching trips to Otira, he returned to the subjects many times, including when living in Wellington in the 1910s. Examples of these later works include Mount Rolleston, Otira Gorge, West Coast, New Zealand (circa 1911), now in the collection of the Museum of New Zealand Te Papa Tongarewa, and Otira Gorge (1912) in the collection of Auckland Art Gallery. By 1894 van der Velden had taken on students, among whom were Sydney Thompson, Robert Procter, Cecil Kelly, Elizabeth Kelly, Leonard Booth, and Raymond McIntyre. His teaching method placed emphasis on acquiring an intimate acquaintance with the subject by doing a great many drawings and studies. Life and career in Australia Van der Velden and family sailed to Sydney in April 1898. Little is known of his time in Sydney, although a work painted in Christchurch, Disillusioned (also known as The sorrowful future) was sold to the Art Gallery of New South Wales for £400.Sophia van der Velden died in Australia on 1 May 1899. Their daughter Riek returned to New Zealand in 1890. Van der Velden spent the first three months of 1901 living at the Carrington Hospital for Convalescents at Camden outside Sydney. Return to New Zealand and death In Sydney van der Velden met his second wife, Australia Wahlberg. In January 1904 he and Australia departed for Wellington, New Zealand: they were married in Wellington two weeks after their arrival, on 4 February. Their son Noel was born on Christmas Day, 1905 but died 26 days later.A second child, the couple's daughter Melba (named for Dame Nellie Melba, whom the painter greatly admired) was born in May. During a visit to Auckland van der Velden contracted bronchitis and died of heart failure on 11 November 1913. He was buried in an unmarked grave in Waikaraka cemetery; Australia and Melba van der Velden returned to Sydney in 1914. Gallery Works by Petrus Van der Velden Further information Biography in 1966 Encyclopaedia of New Zealand Biography in Oxford Art Online Gordon H. Brown and Hamish Keith. An Introduction to New Zealand Painting 1839–1967. Auckland: Collins, 1969. T.L. Rodney Wilson, Petrus van der Velden: 1837–1913. Wellington: Reed, 1979. T.L. Rodney Wilson, Notes towards a van der Velden Mythology, Art New Zealand, no 4, February/March 1977 T.L. Rodney Wilson, Petrus van der Velden: The Marken and Otira Series, Art New Zealand, no 1, August/September 1976 Conserving Paintings: Petrus van der Velden’s Marken funeral barge video, Museum of New Zealand Te Papa Tongarewa Curator Rebecca Rice on Petrus van der Velden's Storm at Wellington Heads, Museum of New Zealand Te Papa Tongarewa References External links Media related to Petrus van der Velden at Wikimedia Commons

country of citizenship

Petrus van der Velden (5 May 1837 – 11 November 1913), who is also known as Paulus van der Velden, was a Dutch artist who spent much of his later career in New Zealand. Early life and career in the Netherlands Petrus van der Velden was born in Rotterdam; his parents were Jacoba van Essel and Joannes van der Velden, a warehouse manager. Petrus began drawing lessons at around the age of 13 and subsequently apprenticed as a lithographer. In 1858 he founded a lithographic printing company in Rotterdam with business partner J. G. Zijderman. The earliest known paintings by van der Velden date to around 1864; in 1867 he wound up the printing business and began painting and exhibiting full-time. He studied at the academies in Rotterdam and Berlin. He registered at the Academy of Art, Rotterdam in 1868. After a stay on the island of Marken (1871–73) he lived in or near The Hague until 1888 and was part of the Hague School in artistic and stylistic origins. During this period he painted mainly genre scenes such as The Dutch Funeral (1872, collection of the Christchurch Art Gallery) and the Old Cellist (1887, The Hague, Gemeentemus.); he also produced some landscapes, for example Snow on the Sand Dunes (1889–90, collection of the Museum of New Zealand Te Papa Tongarewa). His work of this period displays a tension between Naturalism and Romantic Realism in the style of Jozef Israëls. Life and career in New Zealand It is not known exactly why Van der Velden emigrated to New Zealand in 1890 with his wife and children (one daughter and two sons), aged 53, but he was supported by Gerrit van Asch, the founder of the Sumner School for the Deaf. Van der Velden arrived in Christchurch, where he stayed until 1898. It was during the 1890s that van der Velden discovered Otira Gorge on the West Coast, which provided him with his most successful and enduring subject. The first trip took place in January–February 1891 and the primary work produced was Waterfall in the Otira (aka Mountain Stream) (1891). Van der Velden treated the Otira landscape as an opportunity to evoke the sublime, and sought out appropriate opportunities to depict it; as a student of his later recalled: When I was last at Otira, a resident of the place who remembered van der Velden told me that the Dutchman was evidently quite mad. Evidently? Yes; because at all those times when the thunder rolled, and wind howled, and rain poured, van der Velden would go into the Gorge, whereas all those times when the sun shone from a cloudless sky, he would lie with his back to the grass near the hotel and sleep. Waterfall in the Otira was shown in art society exhibitions in Auckland, Christchurch and Dunedin, and met with considerable critical acclaim. The painting was acquired by the Otago Art Society for the Dunedin Public Art Gallery collection in 1893 for the significant sum of £300. Van der Velden returned to the Otira Gorge and Arthurs Pass areas in the winter of 1893, when he added Mount Rolleston to his Otira motifs. Although van der Velden only made two sketching trips to Otira, he returned to the subjects many times, including when living in Wellington in the 1910s. Examples of these later works include Mount Rolleston, Otira Gorge, West Coast, New Zealand (circa 1911), now in the collection of the Museum of New Zealand Te Papa Tongarewa, and Otira Gorge (1912) in the collection of Auckland Art Gallery. By 1894 van der Velden had taken on students, among whom were Sydney Thompson, Robert Procter, Cecil Kelly, Elizabeth Kelly, Leonard Booth, and Raymond McIntyre. His teaching method placed emphasis on acquiring an intimate acquaintance with the subject by doing a great many drawings and studies. Life and career in Australia Van der Velden and family sailed to Sydney in April 1898. Little is known of his time in Sydney, although a work painted in Christchurch, Disillusioned (also known as The sorrowful future) was sold to the Art Gallery of New South Wales for £400.Sophia van der Velden died in Australia on 1 May 1899. Their daughter Riek returned to New Zealand in 1890. Van der Velden spent the first three months of 1901 living at the Carrington Hospital for Convalescents at Camden outside Sydney. Return to New Zealand and death In Sydney van der Velden met his second wife, Australia Wahlberg. In January 1904 he and Australia departed for Wellington, New Zealand: they were married in Wellington two weeks after their arrival, on 4 February. Their son Noel was born on Christmas Day, 1905 but died 26 days later.A second child, the couple's daughter Melba (named for Dame Nellie Melba, whom the painter greatly admired) was born in May. During a visit to Auckland van der Velden contracted bronchitis and died of heart failure on 11 November 1913. He was buried in an unmarked grave in Waikaraka cemetery; Australia and Melba van der Velden returned to Sydney in 1914. Gallery Works by Petrus Van der Velden Further information Biography in 1966 Encyclopaedia of New Zealand Biography in Oxford Art Online Gordon H. Brown and Hamish Keith. An Introduction to New Zealand Painting 1839–1967. Auckland: Collins, 1969. T.L. Rodney Wilson, Petrus van der Velden: 1837–1913. Wellington: Reed, 1979. T.L. Rodney Wilson, Notes towards a van der Velden Mythology, Art New Zealand, no 4, February/March 1977 T.L. Rodney Wilson, Petrus van der Velden: The Marken and Otira Series, Art New Zealand, no 1, August/September 1976 Conserving Paintings: Petrus van der Velden’s Marken funeral barge video, Museum of New Zealand Te Papa Tongarewa Curator Rebecca Rice on Petrus van der Velden's Storm at Wellington Heads, Museum of New Zealand Te Papa Tongarewa References External links Media related to Petrus van der Velden at Wikimedia Commons

occupation

Petrus van der Velden (5 May 1837 – 11 November 1913), who is also known as Paulus van der Velden, was a Dutch artist who spent much of his later career in New Zealand. Early life and career in the Netherlands Petrus van der Velden was born in Rotterdam; his parents were Jacoba van Essel and Joannes van der Velden, a warehouse manager. Petrus began drawing lessons at around the age of 13 and subsequently apprenticed as a lithographer. In 1858 he founded a lithographic printing company in Rotterdam with business partner J. G. Zijderman. The earliest known paintings by van der Velden date to around 1864; in 1867 he wound up the printing business and began painting and exhibiting full-time. He studied at the academies in Rotterdam and Berlin. He registered at the Academy of Art, Rotterdam in 1868. After a stay on the island of Marken (1871–73) he lived in or near The Hague until 1888 and was part of the Hague School in artistic and stylistic origins. During this period he painted mainly genre scenes such as The Dutch Funeral (1872, collection of the Christchurch Art Gallery) and the Old Cellist (1887, The Hague, Gemeentemus.); he also produced some landscapes, for example Snow on the Sand Dunes (1889–90, collection of the Museum of New Zealand Te Papa Tongarewa). His work of this period displays a tension between Naturalism and Romantic Realism in the style of Jozef Israëls. Life and career in New Zealand It is not known exactly why Van der Velden emigrated to New Zealand in 1890 with his wife and children (one daughter and two sons), aged 53, but he was supported by Gerrit van Asch, the founder of the Sumner School for the Deaf. Van der Velden arrived in Christchurch, where he stayed until 1898. It was during the 1890s that van der Velden discovered Otira Gorge on the West Coast, which provided him with his most successful and enduring subject. The first trip took place in January–February 1891 and the primary work produced was Waterfall in the Otira (aka Mountain Stream) (1891). Van der Velden treated the Otira landscape as an opportunity to evoke the sublime, and sought out appropriate opportunities to depict it; as a student of his later recalled: When I was last at Otira, a resident of the place who remembered van der Velden told me that the Dutchman was evidently quite mad. Evidently? Yes; because at all those times when the thunder rolled, and wind howled, and rain poured, van der Velden would go into the Gorge, whereas all those times when the sun shone from a cloudless sky, he would lie with his back to the grass near the hotel and sleep. Waterfall in the Otira was shown in art society exhibitions in Auckland, Christchurch and Dunedin, and met with considerable critical acclaim. The painting was acquired by the Otago Art Society for the Dunedin Public Art Gallery collection in 1893 for the significant sum of £300. Van der Velden returned to the Otira Gorge and Arthurs Pass areas in the winter of 1893, when he added Mount Rolleston to his Otira motifs. Although van der Velden only made two sketching trips to Otira, he returned to the subjects many times, including when living in Wellington in the 1910s. Examples of these later works include Mount Rolleston, Otira Gorge, West Coast, New Zealand (circa 1911), now in the collection of the Museum of New Zealand Te Papa Tongarewa, and Otira Gorge (1912) in the collection of Auckland Art Gallery. By 1894 van der Velden had taken on students, among whom were Sydney Thompson, Robert Procter, Cecil Kelly, Elizabeth Kelly, Leonard Booth, and Raymond McIntyre. His teaching method placed emphasis on acquiring an intimate acquaintance with the subject by doing a great many drawings and studies. Life and career in Australia Van der Velden and family sailed to Sydney in April 1898. Little is known of his time in Sydney, although a work painted in Christchurch, Disillusioned (also known as The sorrowful future) was sold to the Art Gallery of New South Wales for £400.Sophia van der Velden died in Australia on 1 May 1899. Their daughter Riek returned to New Zealand in 1890. Van der Velden spent the first three months of 1901 living at the Carrington Hospital for Convalescents at Camden outside Sydney. Return to New Zealand and death In Sydney van der Velden met his second wife, Australia Wahlberg. In January 1904 he and Australia departed for Wellington, New Zealand: they were married in Wellington two weeks after their arrival, on 4 February. Their son Noel was born on Christmas Day, 1905 but died 26 days later.A second child, the couple's daughter Melba (named for Dame Nellie Melba, whom the painter greatly admired) was born in May. During a visit to Auckland van der Velden contracted bronchitis and died of heart failure on 11 November 1913. He was buried in an unmarked grave in Waikaraka cemetery; Australia and Melba van der Velden returned to Sydney in 1914. Gallery Works by Petrus Van der Velden Further information Biography in 1966 Encyclopaedia of New Zealand Biography in Oxford Art Online Gordon H. Brown and Hamish Keith. An Introduction to New Zealand Painting 1839–1967. Auckland: Collins, 1969. T.L. Rodney Wilson, Petrus van der Velden: 1837–1913. Wellington: Reed, 1979. T.L. Rodney Wilson, Notes towards a van der Velden Mythology, Art New Zealand, no 4, February/March 1977 T.L. Rodney Wilson, Petrus van der Velden: The Marken and Otira Series, Art New Zealand, no 1, August/September 1976 Conserving Paintings: Petrus van der Velden’s Marken funeral barge video, Museum of New Zealand Te Papa Tongarewa Curator Rebecca Rice on Petrus van der Velden's Storm at Wellington Heads, Museum of New Zealand Te Papa Tongarewa References External links Media related to Petrus van der Velden at Wikimedia Commons

Commons category

Petrus van der Velden (5 May 1837 – 11 November 1913), who is also known as Paulus van der Velden, was a Dutch artist who spent much of his later career in New Zealand. Early life and career in the Netherlands Petrus van der Velden was born in Rotterdam; his parents were Jacoba van Essel and Joannes van der Velden, a warehouse manager. Petrus began drawing lessons at around the age of 13 and subsequently apprenticed as a lithographer. In 1858 he founded a lithographic printing company in Rotterdam with business partner J. G. Zijderman. The earliest known paintings by van der Velden date to around 1864; in 1867 he wound up the printing business and began painting and exhibiting full-time. He studied at the academies in Rotterdam and Berlin. He registered at the Academy of Art, Rotterdam in 1868. After a stay on the island of Marken (1871–73) he lived in or near The Hague until 1888 and was part of the Hague School in artistic and stylistic origins. During this period he painted mainly genre scenes such as The Dutch Funeral (1872, collection of the Christchurch Art Gallery) and the Old Cellist (1887, The Hague, Gemeentemus.); he also produced some landscapes, for example Snow on the Sand Dunes (1889–90, collection of the Museum of New Zealand Te Papa Tongarewa). His work of this period displays a tension between Naturalism and Romantic Realism in the style of Jozef Israëls. Life and career in New Zealand It is not known exactly why Van der Velden emigrated to New Zealand in 1890 with his wife and children (one daughter and two sons), aged 53, but he was supported by Gerrit van Asch, the founder of the Sumner School for the Deaf. Van der Velden arrived in Christchurch, where he stayed until 1898. It was during the 1890s that van der Velden discovered Otira Gorge on the West Coast, which provided him with his most successful and enduring subject. The first trip took place in January–February 1891 and the primary work produced was Waterfall in the Otira (aka Mountain Stream) (1891). Van der Velden treated the Otira landscape as an opportunity to evoke the sublime, and sought out appropriate opportunities to depict it; as a student of his later recalled: When I was last at Otira, a resident of the place who remembered van der Velden told me that the Dutchman was evidently quite mad. Evidently? Yes; because at all those times when the thunder rolled, and wind howled, and rain poured, van der Velden would go into the Gorge, whereas all those times when the sun shone from a cloudless sky, he would lie with his back to the grass near the hotel and sleep. Waterfall in the Otira was shown in art society exhibitions in Auckland, Christchurch and Dunedin, and met with considerable critical acclaim. The painting was acquired by the Otago Art Society for the Dunedin Public Art Gallery collection in 1893 for the significant sum of £300. Van der Velden returned to the Otira Gorge and Arthurs Pass areas in the winter of 1893, when he added Mount Rolleston to his Otira motifs. Although van der Velden only made two sketching trips to Otira, he returned to the subjects many times, including when living in Wellington in the 1910s. Examples of these later works include Mount Rolleston, Otira Gorge, West Coast, New Zealand (circa 1911), now in the collection of the Museum of New Zealand Te Papa Tongarewa, and Otira Gorge (1912) in the collection of Auckland Art Gallery. By 1894 van der Velden had taken on students, among whom were Sydney Thompson, Robert Procter, Cecil Kelly, Elizabeth Kelly, Leonard Booth, and Raymond McIntyre. His teaching method placed emphasis on acquiring an intimate acquaintance with the subject by doing a great many drawings and studies. Life and career in Australia Van der Velden and family sailed to Sydney in April 1898. Little is known of his time in Sydney, although a work painted in Christchurch, Disillusioned (also known as The sorrowful future) was sold to the Art Gallery of New South Wales for £400.Sophia van der Velden died in Australia on 1 May 1899. Their daughter Riek returned to New Zealand in 1890. Van der Velden spent the first three months of 1901 living at the Carrington Hospital for Convalescents at Camden outside Sydney. Return to New Zealand and death In Sydney van der Velden met his second wife, Australia Wahlberg. In January 1904 he and Australia departed for Wellington, New Zealand: they were married in Wellington two weeks after their arrival, on 4 February. Their son Noel was born on Christmas Day, 1905 but died 26 days later.A second child, the couple's daughter Melba (named for Dame Nellie Melba, whom the painter greatly admired) was born in May. During a visit to Auckland van der Velden contracted bronchitis and died of heart failure on 11 November 1913. He was buried in an unmarked grave in Waikaraka cemetery; Australia and Melba van der Velden returned to Sydney in 1914. Gallery Works by Petrus Van der Velden Further information Biography in 1966 Encyclopaedia of New Zealand Biography in Oxford Art Online Gordon H. Brown and Hamish Keith. An Introduction to New Zealand Painting 1839–1967. Auckland: Collins, 1969. T.L. Rodney Wilson, Petrus van der Velden: 1837–1913. Wellington: Reed, 1979. T.L. Rodney Wilson, Notes towards a van der Velden Mythology, Art New Zealand, no 4, February/March 1977 T.L. Rodney Wilson, Petrus van der Velden: The Marken and Otira Series, Art New Zealand, no 1, August/September 1976 Conserving Paintings: Petrus van der Velden’s Marken funeral barge video, Museum of New Zealand Te Papa Tongarewa Curator Rebecca Rice on Petrus van der Velden's Storm at Wellington Heads, Museum of New Zealand Te Papa Tongarewa References External links Media related to Petrus van der Velden at Wikimedia Commons

family name

Petrus van der Velden (5 May 1837 – 11 November 1913), who is also known as Paulus van der Velden, was a Dutch artist who spent much of his later career in New Zealand. Early life and career in the Netherlands Petrus van der Velden was born in Rotterdam; his parents were Jacoba van Essel and Joannes van der Velden, a warehouse manager. Petrus began drawing lessons at around the age of 13 and subsequently apprenticed as a lithographer. In 1858 he founded a lithographic printing company in Rotterdam with business partner J. G. Zijderman. The earliest known paintings by van der Velden date to around 1864; in 1867 he wound up the printing business and began painting and exhibiting full-time. He studied at the academies in Rotterdam and Berlin. He registered at the Academy of Art, Rotterdam in 1868. After a stay on the island of Marken (1871–73) he lived in or near The Hague until 1888 and was part of the Hague School in artistic and stylistic origins. During this period he painted mainly genre scenes such as The Dutch Funeral (1872, collection of the Christchurch Art Gallery) and the Old Cellist (1887, The Hague, Gemeentemus.); he also produced some landscapes, for example Snow on the Sand Dunes (1889–90, collection of the Museum of New Zealand Te Papa Tongarewa). His work of this period displays a tension between Naturalism and Romantic Realism in the style of Jozef Israëls. Life and career in New Zealand It is not known exactly why Van der Velden emigrated to New Zealand in 1890 with his wife and children (one daughter and two sons), aged 53, but he was supported by Gerrit van Asch, the founder of the Sumner School for the Deaf. Van der Velden arrived in Christchurch, where he stayed until 1898. It was during the 1890s that van der Velden discovered Otira Gorge on the West Coast, which provided him with his most successful and enduring subject. The first trip took place in January–February 1891 and the primary work produced was Waterfall in the Otira (aka Mountain Stream) (1891). Van der Velden treated the Otira landscape as an opportunity to evoke the sublime, and sought out appropriate opportunities to depict it; as a student of his later recalled: When I was last at Otira, a resident of the place who remembered van der Velden told me that the Dutchman was evidently quite mad. Evidently? Yes; because at all those times when the thunder rolled, and wind howled, and rain poured, van der Velden would go into the Gorge, whereas all those times when the sun shone from a cloudless sky, he would lie with his back to the grass near the hotel and sleep. Waterfall in the Otira was shown in art society exhibitions in Auckland, Christchurch and Dunedin, and met with considerable critical acclaim. The painting was acquired by the Otago Art Society for the Dunedin Public Art Gallery collection in 1893 for the significant sum of £300. Van der Velden returned to the Otira Gorge and Arthurs Pass areas in the winter of 1893, when he added Mount Rolleston to his Otira motifs. Although van der Velden only made two sketching trips to Otira, he returned to the subjects many times, including when living in Wellington in the 1910s. Examples of these later works include Mount Rolleston, Otira Gorge, West Coast, New Zealand (circa 1911), now in the collection of the Museum of New Zealand Te Papa Tongarewa, and Otira Gorge (1912) in the collection of Auckland Art Gallery. By 1894 van der Velden had taken on students, among whom were Sydney Thompson, Robert Procter, Cecil Kelly, Elizabeth Kelly, Leonard Booth, and Raymond McIntyre. His teaching method placed emphasis on acquiring an intimate acquaintance with the subject by doing a great many drawings and studies. Life and career in Australia Van der Velden and family sailed to Sydney in April 1898. Little is known of his time in Sydney, although a work painted in Christchurch, Disillusioned (also known as The sorrowful future) was sold to the Art Gallery of New South Wales for £400.Sophia van der Velden died in Australia on 1 May 1899. Their daughter Riek returned to New Zealand in 1890. Van der Velden spent the first three months of 1901 living at the Carrington Hospital for Convalescents at Camden outside Sydney. Return to New Zealand and death In Sydney van der Velden met his second wife, Australia Wahlberg. In January 1904 he and Australia departed for Wellington, New Zealand: they were married in Wellington two weeks after their arrival, on 4 February. Their son Noel was born on Christmas Day, 1905 but died 26 days later.A second child, the couple's daughter Melba (named for Dame Nellie Melba, whom the painter greatly admired) was born in May. During a visit to Auckland van der Velden contracted bronchitis and died of heart failure on 11 November 1913. He was buried in an unmarked grave in Waikaraka cemetery; Australia and Melba van der Velden returned to Sydney in 1914. Gallery Works by Petrus Van der Velden Further information Biography in 1966 Encyclopaedia of New Zealand Biography in Oxford Art Online Gordon H. Brown and Hamish Keith. An Introduction to New Zealand Painting 1839–1967. Auckland: Collins, 1969. T.L. Rodney Wilson, Petrus van der Velden: 1837–1913. Wellington: Reed, 1979. T.L. Rodney Wilson, Notes towards a van der Velden Mythology, Art New Zealand, no 4, February/March 1977 T.L. Rodney Wilson, Petrus van der Velden: The Marken and Otira Series, Art New Zealand, no 1, August/September 1976 Conserving Paintings: Petrus van der Velden’s Marken funeral barge video, Museum of New Zealand Te Papa Tongarewa Curator Rebecca Rice on Petrus van der Velden's Storm at Wellington Heads, Museum of New Zealand Te Papa Tongarewa References External links Media related to Petrus van der Velden at Wikimedia Commons

given name

Petrus van der Velden (5 May 1837 – 11 November 1913), who is also known as Paulus van der Velden, was a Dutch artist who spent much of his later career in New Zealand. Early life and career in the Netherlands Petrus van der Velden was born in Rotterdam; his parents were Jacoba van Essel and Joannes van der Velden, a warehouse manager. Petrus began drawing lessons at around the age of 13 and subsequently apprenticed as a lithographer. In 1858 he founded a lithographic printing company in Rotterdam with business partner J. G. Zijderman. The earliest known paintings by van der Velden date to around 1864; in 1867 he wound up the printing business and began painting and exhibiting full-time. He studied at the academies in Rotterdam and Berlin. He registered at the Academy of Art, Rotterdam in 1868. After a stay on the island of Marken (1871–73) he lived in or near The Hague until 1888 and was part of the Hague School in artistic and stylistic origins. During this period he painted mainly genre scenes such as The Dutch Funeral (1872, collection of the Christchurch Art Gallery) and the Old Cellist (1887, The Hague, Gemeentemus.); he also produced some landscapes, for example Snow on the Sand Dunes (1889–90, collection of the Museum of New Zealand Te Papa Tongarewa). His work of this period displays a tension between Naturalism and Romantic Realism in the style of Jozef Israëls. Life and career in New Zealand It is not known exactly why Van der Velden emigrated to New Zealand in 1890 with his wife and children (one daughter and two sons), aged 53, but he was supported by Gerrit van Asch, the founder of the Sumner School for the Deaf. Van der Velden arrived in Christchurch, where he stayed until 1898. It was during the 1890s that van der Velden discovered Otira Gorge on the West Coast, which provided him with his most successful and enduring subject. The first trip took place in January–February 1891 and the primary work produced was Waterfall in the Otira (aka Mountain Stream) (1891). Van der Velden treated the Otira landscape as an opportunity to evoke the sublime, and sought out appropriate opportunities to depict it; as a student of his later recalled: When I was last at Otira, a resident of the place who remembered van der Velden told me that the Dutchman was evidently quite mad. Evidently? Yes; because at all those times when the thunder rolled, and wind howled, and rain poured, van der Velden would go into the Gorge, whereas all those times when the sun shone from a cloudless sky, he would lie with his back to the grass near the hotel and sleep. Waterfall in the Otira was shown in art society exhibitions in Auckland, Christchurch and Dunedin, and met with considerable critical acclaim. The painting was acquired by the Otago Art Society for the Dunedin Public Art Gallery collection in 1893 for the significant sum of £300. Van der Velden returned to the Otira Gorge and Arthurs Pass areas in the winter of 1893, when he added Mount Rolleston to his Otira motifs. Although van der Velden only made two sketching trips to Otira, he returned to the subjects many times, including when living in Wellington in the 1910s. Examples of these later works include Mount Rolleston, Otira Gorge, West Coast, New Zealand (circa 1911), now in the collection of the Museum of New Zealand Te Papa Tongarewa, and Otira Gorge (1912) in the collection of Auckland Art Gallery. By 1894 van der Velden had taken on students, among whom were Sydney Thompson, Robert Procter, Cecil Kelly, Elizabeth Kelly, Leonard Booth, and Raymond McIntyre. His teaching method placed emphasis on acquiring an intimate acquaintance with the subject by doing a great many drawings and studies. Life and career in Australia Van der Velden and family sailed to Sydney in April 1898. Little is known of his time in Sydney, although a work painted in Christchurch, Disillusioned (also known as The sorrowful future) was sold to the Art Gallery of New South Wales for £400.Sophia van der Velden died in Australia on 1 May 1899. Their daughter Riek returned to New Zealand in 1890. Van der Velden spent the first three months of 1901 living at the Carrington Hospital for Convalescents at Camden outside Sydney. Return to New Zealand and death In Sydney van der Velden met his second wife, Australia Wahlberg. In January 1904 he and Australia departed for Wellington, New Zealand: they were married in Wellington two weeks after their arrival, on 4 February. Their son Noel was born on Christmas Day, 1905 but died 26 days later.A second child, the couple's daughter Melba (named for Dame Nellie Melba, whom the painter greatly admired) was born in May. During a visit to Auckland van der Velden contracted bronchitis and died of heart failure on 11 November 1913. He was buried in an unmarked grave in Waikaraka cemetery; Australia and Melba van der Velden returned to Sydney in 1914. Gallery Works by Petrus Van der Velden Further information Biography in 1966 Encyclopaedia of New Zealand Biography in Oxford Art Online Gordon H. Brown and Hamish Keith. An Introduction to New Zealand Painting 1839–1967. Auckland: Collins, 1969. T.L. Rodney Wilson, Petrus van der Velden: 1837–1913. Wellington: Reed, 1979. T.L. Rodney Wilson, Notes towards a van der Velden Mythology, Art New Zealand, no 4, February/March 1977 T.L. Rodney Wilson, Petrus van der Velden: The Marken and Otira Series, Art New Zealand, no 1, August/September 1976 Conserving Paintings: Petrus van der Velden’s Marken funeral barge video, Museum of New Zealand Te Papa Tongarewa Curator Rebecca Rice on Petrus van der Velden's Storm at Wellington Heads, Museum of New Zealand Te Papa Tongarewa References External links Media related to Petrus van der Velden at Wikimedia Commons

Commons Creator page

Petrus van der Velden (5 May 1837 – 11 November 1913), who is also known as Paulus van der Velden, was a Dutch artist who spent much of his later career in New Zealand. Early life and career in the Netherlands Petrus van der Velden was born in Rotterdam; his parents were Jacoba van Essel and Joannes van der Velden, a warehouse manager. Petrus began drawing lessons at around the age of 13 and subsequently apprenticed as a lithographer. In 1858 he founded a lithographic printing company in Rotterdam with business partner J. G. Zijderman. The earliest known paintings by van der Velden date to around 1864; in 1867 he wound up the printing business and began painting and exhibiting full-time. He studied at the academies in Rotterdam and Berlin. He registered at the Academy of Art, Rotterdam in 1868. After a stay on the island of Marken (1871–73) he lived in or near The Hague until 1888 and was part of the Hague School in artistic and stylistic origins. During this period he painted mainly genre scenes such as The Dutch Funeral (1872, collection of the Christchurch Art Gallery) and the Old Cellist (1887, The Hague, Gemeentemus.); he also produced some landscapes, for example Snow on the Sand Dunes (1889–90, collection of the Museum of New Zealand Te Papa Tongarewa). His work of this period displays a tension between Naturalism and Romantic Realism in the style of Jozef Israëls. Life and career in New Zealand It is not known exactly why Van der Velden emigrated to New Zealand in 1890 with his wife and children (one daughter and two sons), aged 53, but he was supported by Gerrit van Asch, the founder of the Sumner School for the Deaf. Van der Velden arrived in Christchurch, where he stayed until 1898. It was during the 1890s that van der Velden discovered Otira Gorge on the West Coast, which provided him with his most successful and enduring subject. The first trip took place in January–February 1891 and the primary work produced was Waterfall in the Otira (aka Mountain Stream) (1891). Van der Velden treated the Otira landscape as an opportunity to evoke the sublime, and sought out appropriate opportunities to depict it; as a student of his later recalled: When I was last at Otira, a resident of the place who remembered van der Velden told me that the Dutchman was evidently quite mad. Evidently? Yes; because at all those times when the thunder rolled, and wind howled, and rain poured, van der Velden would go into the Gorge, whereas all those times when the sun shone from a cloudless sky, he would lie with his back to the grass near the hotel and sleep. Waterfall in the Otira was shown in art society exhibitions in Auckland, Christchurch and Dunedin, and met with considerable critical acclaim. The painting was acquired by the Otago Art Society for the Dunedin Public Art Gallery collection in 1893 for the significant sum of £300. Van der Velden returned to the Otira Gorge and Arthurs Pass areas in the winter of 1893, when he added Mount Rolleston to his Otira motifs. Although van der Velden only made two sketching trips to Otira, he returned to the subjects many times, including when living in Wellington in the 1910s. Examples of these later works include Mount Rolleston, Otira Gorge, West Coast, New Zealand (circa 1911), now in the collection of the Museum of New Zealand Te Papa Tongarewa, and Otira Gorge (1912) in the collection of Auckland Art Gallery. By 1894 van der Velden had taken on students, among whom were Sydney Thompson, Robert Procter, Cecil Kelly, Elizabeth Kelly, Leonard Booth, and Raymond McIntyre. His teaching method placed emphasis on acquiring an intimate acquaintance with the subject by doing a great many drawings and studies. Life and career in Australia Van der Velden and family sailed to Sydney in April 1898. Little is known of his time in Sydney, although a work painted in Christchurch, Disillusioned (also known as The sorrowful future) was sold to the Art Gallery of New South Wales for £400.Sophia van der Velden died in Australia on 1 May 1899. Their daughter Riek returned to New Zealand in 1890. Van der Velden spent the first three months of 1901 living at the Carrington Hospital for Convalescents at Camden outside Sydney. Return to New Zealand and death In Sydney van der Velden met his second wife, Australia Wahlberg. In January 1904 he and Australia departed for Wellington, New Zealand: they were married in Wellington two weeks after their arrival, on 4 February. Their son Noel was born on Christmas Day, 1905 but died 26 days later.A second child, the couple's daughter Melba (named for Dame Nellie Melba, whom the painter greatly admired) was born in May. During a visit to Auckland van der Velden contracted bronchitis and died of heart failure on 11 November 1913. He was buried in an unmarked grave in Waikaraka cemetery; Australia and Melba van der Velden returned to Sydney in 1914. Gallery Works by Petrus Van der Velden Further information Biography in 1966 Encyclopaedia of New Zealand Biography in Oxford Art Online Gordon H. Brown and Hamish Keith. An Introduction to New Zealand Painting 1839–1967. Auckland: Collins, 1969. T.L. Rodney Wilson, Petrus van der Velden: 1837–1913. Wellington: Reed, 1979. T.L. Rodney Wilson, Notes towards a van der Velden Mythology, Art New Zealand, no 4, February/March 1977 T.L. Rodney Wilson, Petrus van der Velden: The Marken and Otira Series, Art New Zealand, no 1, August/September 1976 Conserving Paintings: Petrus van der Velden’s Marken funeral barge video, Museum of New Zealand Te Papa Tongarewa Curator Rebecca Rice on Petrus van der Velden's Storm at Wellington Heads, Museum of New Zealand Te Papa Tongarewa References External links Media related to Petrus van der Velden at Wikimedia Commons

has works in the collection

Viktor Stretti, born Vítězslav Otakar Stretti (7 April 1878 in Plasy – 3 March 1957 in Dobříš) was a well known Czech etcher and lithographer. His brother was the etcher Jaromír Stretti-Zamponi. External links Works by or about Viktor Stretti at Wikisource http://www.galerie-vysocina.com/obraz.php?idautor=115 http://www.batz-hausen.de/dvstret.htm http://www.kdykde.cz/vystavy/obrazy/praha/4361___viktor-stretti---vyber-25-grafickych-lisu-z-ranneho-obdobi

place of birth

Viktor Stretti, born Vítězslav Otakar Stretti (7 April 1878 in Plasy – 3 March 1957 in Dobříš) was a well known Czech etcher and lithographer. His brother was the etcher Jaromír Stretti-Zamponi. External links Works by or about Viktor Stretti at Wikisource http://www.galerie-vysocina.com/obraz.php?idautor=115 http://www.batz-hausen.de/dvstret.htm http://www.kdykde.cz/vystavy/obrazy/praha/4361___viktor-stretti---vyber-25-grafickych-lisu-z-ranneho-obdobi

occupation

Viktor Stretti, born Vítězslav Otakar Stretti (7 April 1878 in Plasy – 3 March 1957 in Dobříš) was a well known Czech etcher and lithographer. His brother was the etcher Jaromír Stretti-Zamponi. External links Works by or about Viktor Stretti at Wikisource http://www.galerie-vysocina.com/obraz.php?idautor=115 http://www.batz-hausen.de/dvstret.htm http://www.kdykde.cz/vystavy/obrazy/praha/4361___viktor-stretti---vyber-25-grafickych-lisu-z-ranneho-obdobi

Commons category

Viktor Stretti, born Vítězslav Otakar Stretti (7 April 1878 in Plasy – 3 March 1957 in Dobříš) was a well known Czech etcher and lithographer. His brother was the etcher Jaromír Stretti-Zamponi. External links Works by or about Viktor Stretti at Wikisource http://www.galerie-vysocina.com/obraz.php?idautor=115 http://www.batz-hausen.de/dvstret.htm http://www.kdykde.cz/vystavy/obrazy/praha/4361___viktor-stretti---vyber-25-grafickych-lisu-z-ranneho-obdobi

family name

Viktor Stretti, born Vítězslav Otakar Stretti (7 April 1878 in Plasy – 3 March 1957 in Dobříš) was a well known Czech etcher and lithographer. His brother was the etcher Jaromír Stretti-Zamponi. External links Works by or about Viktor Stretti at Wikisource http://www.galerie-vysocina.com/obraz.php?idautor=115 http://www.batz-hausen.de/dvstret.htm http://www.kdykde.cz/vystavy/obrazy/praha/4361___viktor-stretti---vyber-25-grafickych-lisu-z-ranneho-obdobi

given name

Viktor Stretti, born Vítězslav Otakar Stretti (7 April 1878 in Plasy – 3 March 1957 in Dobříš) was a well known Czech etcher and lithographer. His brother was the etcher Jaromír Stretti-Zamponi. External links Works by or about Viktor Stretti at Wikisource http://www.galerie-vysocina.com/obraz.php?idautor=115 http://www.batz-hausen.de/dvstret.htm http://www.kdykde.cz/vystavy/obrazy/praha/4361___viktor-stretti---vyber-25-grafickych-lisu-z-ranneho-obdobi

languages spoken, written or signed

Viktor Stretti, born Vítězslav Otakar Stretti (7 April 1878 in Plasy – 3 March 1957 in Dobříš) was a well known Czech etcher and lithographer. His brother was the etcher Jaromír Stretti-Zamponi. External links Works by or about Viktor Stretti at Wikisource http://www.galerie-vysocina.com/obraz.php?idautor=115 http://www.batz-hausen.de/dvstret.htm http://www.kdykde.cz/vystavy/obrazy/praha/4361___viktor-stretti---vyber-25-grafickych-lisu-z-ranneho-obdobi

sibling

Viktor Stretti, born Vítězslav Otakar Stretti (7 April 1878 in Plasy – 3 March 1957 in Dobříš) was a well known Czech etcher and lithographer. His brother was the etcher Jaromír Stretti-Zamponi. External links Works by or about Viktor Stretti at Wikisource http://www.galerie-vysocina.com/obraz.php?idautor=115 http://www.batz-hausen.de/dvstret.htm http://www.kdykde.cz/vystavy/obrazy/praha/4361___viktor-stretti---vyber-25-grafickych-lisu-z-ranneho-obdobi

Artnet artist ID

Maria Rita Rossa (born 19 April 1966) is an Italian politician. She is member of the Democratic Party. Maria was born in Alessandria, Italy. Maria is the daughter of Angelo Rossa, he already a member of the Italian Socialist Party, president of the Province of Alessandria and the Piedmont Regional Council in the 1980s. Maria was Mayor of Alessandria from 21 May 2012 to 26 June 2017 and president of the province from 14 October 2014 to 26 June 2017. Maria is married and has children. References External links "Maria Rita Rossa". Ministry of the Interior of Italy. Retrieved 9 March 2019.

place of birth

Maria Rita Rossa (born 19 April 1966) is an Italian politician. She is member of the Democratic Party. Maria was born in Alessandria, Italy. Maria is the daughter of Angelo Rossa, he already a member of the Italian Socialist Party, president of the Province of Alessandria and the Piedmont Regional Council in the 1980s. Maria was Mayor of Alessandria from 21 May 2012 to 26 June 2017 and president of the province from 14 October 2014 to 26 June 2017. Maria is married and has children. References External links "Maria Rita Rossa". Ministry of the Interior of Italy. Retrieved 9 March 2019.

country of citizenship

Maria Rita Rossa (born 19 April 1966) is an Italian politician. She is member of the Democratic Party. Maria was born in Alessandria, Italy. Maria is the daughter of Angelo Rossa, he already a member of the Italian Socialist Party, president of the Province of Alessandria and the Piedmont Regional Council in the 1980s. Maria was Mayor of Alessandria from 21 May 2012 to 26 June 2017 and president of the province from 14 October 2014 to 26 June 2017. Maria is married and has children. References External links "Maria Rita Rossa". Ministry of the Interior of Italy. Retrieved 9 March 2019.

position held

Maria Rita Rossa (born 19 April 1966) is an Italian politician. She is member of the Democratic Party. Maria was born in Alessandria, Italy. Maria is the daughter of Angelo Rossa, he already a member of the Italian Socialist Party, president of the Province of Alessandria and the Piedmont Regional Council in the 1980s. Maria was Mayor of Alessandria from 21 May 2012 to 26 June 2017 and president of the province from 14 October 2014 to 26 June 2017. Maria is married and has children. References External links "Maria Rita Rossa". Ministry of the Interior of Italy. Retrieved 9 March 2019.

member of political party

Maria Rita Rossa (born 19 April 1966) is an Italian politician. She is member of the Democratic Party. Maria was born in Alessandria, Italy. Maria is the daughter of Angelo Rossa, he already a member of the Italian Socialist Party, president of the Province of Alessandria and the Piedmont Regional Council in the 1980s. Maria was Mayor of Alessandria from 21 May 2012 to 26 June 2017 and president of the province from 14 October 2014 to 26 June 2017. Maria is married and has children. References External links "Maria Rita Rossa". Ministry of the Interior of Italy. Retrieved 9 March 2019.

native language

Maria Rita Rossa (born 19 April 1966) is an Italian politician. She is member of the Democratic Party. Maria was born in Alessandria, Italy. Maria is the daughter of Angelo Rossa, he already a member of the Italian Socialist Party, president of the Province of Alessandria and the Piedmont Regional Council in the 1980s. Maria was Mayor of Alessandria from 21 May 2012 to 26 June 2017 and president of the province from 14 October 2014 to 26 June 2017. Maria is married and has children. References External links "Maria Rita Rossa". Ministry of the Interior of Italy. Retrieved 9 March 2019.

occupation

Maria Rita Rossa (born 19 April 1966) is an Italian politician. She is member of the Democratic Party. Maria was born in Alessandria, Italy. Maria is the daughter of Angelo Rossa, he already a member of the Italian Socialist Party, president of the Province of Alessandria and the Piedmont Regional Council in the 1980s. Maria was Mayor of Alessandria from 21 May 2012 to 26 June 2017 and president of the province from 14 October 2014 to 26 June 2017. Maria is married and has children. References External links "Maria Rita Rossa". Ministry of the Interior of Italy. Retrieved 9 March 2019.

given name

Maria Rita Rossa (born 19 April 1966) is an Italian politician. She is member of the Democratic Party. Maria was born in Alessandria, Italy. Maria is the daughter of Angelo Rossa, he already a member of the Italian Socialist Party, president of the Province of Alessandria and the Piedmont Regional Council in the 1980s. Maria was Mayor of Alessandria from 21 May 2012 to 26 June 2017 and president of the province from 14 October 2014 to 26 June 2017. Maria is married and has children. References External links "Maria Rita Rossa". Ministry of the Interior of Italy. Retrieved 9 March 2019.

languages spoken, written or signed

Maria Rita Rossa (born 19 April 1966) is an Italian politician. She is member of the Democratic Party. Maria was born in Alessandria, Italy. Maria is the daughter of Angelo Rossa, he already a member of the Italian Socialist Party, president of the Province of Alessandria and the Piedmont Regional Council in the 1980s. Maria was Mayor of Alessandria from 21 May 2012 to 26 June 2017 and president of the province from 14 October 2014 to 26 June 2017. Maria is married and has children. References External links "Maria Rita Rossa". Ministry of the Interior of Italy. Retrieved 9 March 2019.

name in native language

Forse che sì forse che no (Maybe Yes, Maybe No) is a novel published in 1910 by Gabriele D'Annunzio. As all D'Annunzio's novels, Forse che sì forse che no echoes to a certain extent one of D'Annunzio's own experiences. In particular, this novel echoes D'Annunzio's summer of "erotic frenzy with Donatella [Cross]." D'Annunzio originally planned to title the novel Vertigine. He later attempted to change even Forse che sì forse che no, because they made him notice that the rhythm matched the Neapolitan popular song Funiculì, Funiculà. It is considered the "last great D'Annunzian novel." Plot The novel is set in the world of aviation that was blossoming at the time; it describes the development of passions that bind and divide five bourgeois characters, which are fatally destined to leave a "trail" of pain and death. The story revolves around the birth of a violent love affair between Paolo Tarsis and Isabella Inghirami. In the background, the stories of Vanina and Lunella, sisters of Isabella, and of Aldo, brother of the three, intertwine. The painful discovery of the love story between Paolo and Isabella by Aldo and Vanina causes a precipitous fall towards suicidal tendencies: Aldo and Vanina together attempt suicide by leaning out of a crumbling wall. Vanina is in fact in love with Paolo, but Isabella, although aware of this love, continues her affair with Paolo. At first, Aldo's motivations are not understood, it then emerges towards the end of the novel that he has sexual relations with his sister Isabella.Vanina goes to Paolo to reveal the relationship between her brother and her older sister. Paolo, furious, awaits Isabella's arrival on occasion of which he takes out his anger, beating and insulting her while his sister Vanina returns home and commits suicide. From this moment the progressive crisis of Isabella begins, a character so far very sure and determined, which leads to an unstoppable madness, to the point that Isabella's father and stepmother are forced to hospitalize her in an institution without Paolo being able to find an alternative solution. The love affairs are intertwined with two aerial races, in the first of which Giulio, a friend of Paolo, loses his life while the protagonist comes out victorious. The novel ends with Paolo's landing in Sardinia. == References ==

title

Orin Hargraves (born 1953) is an American lexicographer and writer. His language reference works include Mighty Fine Words and Smashing Expressions: Making Sense of Transatlantic English (Oxford University Press, 2002), Slang Rules!: A Practical Guide for English Learners (Merriam-Webster, 2008), and (with Willard Espy) Words to Rhyme With: A Rhyming Dictionary (2nd edition; Facts on File, 2006). In addition he has contributed definitions and other material to dictionaries and other language reference works issued by Oxford University Press, Cambridge University Press, Longman, Macmillan, HarperCollins, Chambers Harrap, Langenscheidt, Berlitz, Scholastic Corporation, and Merriam-Webster, among others. Biography Orin Knight Hargraves was born on September 14, 1953 in Denver, Colorado. He spent most of his childhood in Creede, Colorado and graduated with honors from the University of Chicago in 1977, concentrating in philosophy, language and literature. His nickname during this period was "Buz". He served in the U.S. Peace Corps in Morocco where he taught English in a government lycée. Later he worked in the publishing software industry in Chicago and London. He began his career in lexicography in 1991 in London. He joined the Dictionary Society of North America in 1993 and was elected its vice president/president elect in 2009. He now resides in Niwot, Colorado. Bibliography Language Reference Slang Rules!: A Practical Guide for English Learners (2008) (ISBN 0-87779-682-3) The Big Book of Spelling Tests (2007) (ISBN 1-57912-696-0) Spell It! study guide for the Scripps National Spelling Bee (2006–8) Words to Rhyme With: A Rhyming Dictionary (co-author with Willard Espy) (2006)(ISBN 0-8160-6304-4) New Words (Editor) (2004)(ISBN 0-19-517282-5) Cucurbits (article in English Today October 2004) (ISSN 0266-0784) Long Distance Lexicography: a View from the Field (article in Dictionaries 2004) (ISSN 0197-6745) Who Owns English? (article in The Vocabula Review, June 2003) Mighty Fine Words and Smashing Expressions: Making Sense of Transatlantic English (2002)(ISBN 0-19-515704-4) Selected Dictionaries and Other Reference Works Contributed to Scholastic Children's Dictionary (2010) ( ISBN 978-0-545-21858-0) Cambridge Academic Content Dictionary (2009) (ISBN 978-0-521-87143-3) Merriam-Webster's Advanced Learner's English Dictionary (2008) (ISBN 978-0-87779-551-3) Cambridge Dictionary of American English (2008) (ISBN 0-521-69198-2) Concise Oxford English Dictionary (2008) (ISBN 0-19-954841-2) CollinsCobuild Advanced Dictionary of American English (2007) (ISBN 1-4240-0363-6 Heinle Picture Dictionary for Children (British English) (2007) (ISBN 1-4240-0849-2) The Language Report 5: English on the move, 2003–2007 (2007) (ISBN 0-19-923388-8) The 5-Minute Linguist: Bite Sized Essays on Language and Languages (2006) (ISBN 978-1-84553-199-7) Berlitz English Pronunciation Program CD (2005) (ISBN 981-246-709-2) Harrap's Spanish and English Dictionary (2005) (ISBN 0-07-144072-0) Oxford Dictionary of English (2005) (ISBN 0-19-861057-2) Collins-Cobuild English Usage (2004) (ISBN 0-00-716346-0) Microsoft Encarta Thesaurus (2004) (ISBN 0-312-98363-8) New Oxford American Dictionary (2004) (ISBN 0-19-517077-6) Cambridge Dictionary of American Idioms (2003) (ISBN 0-521-53271-X) Langenscheidt's Großwörterbuch Muret-Sanders Deutsch-Englisch (2003) (ISBN 3-468-02126-7) Macmillan English Dictionary for Advanced Learners (2002) (ISBN 0-333-96670-8) Oxford Essential Dictionary of the US Military (2001) (ISBN 0-425-18069-7) Merriam-Webster Collegiate Encyclopedia (2000) (ISBN 0-87779-017-5) Encarta World English Dictionary (1999) (ISBN 0-312-22222-X) Longman Interactive American Dictionary CD-ROM (1997) (ISBN 0-582-24795-0) Longman Dictionary of English Language and Culture (1992) (ISBN 0-582-23720-3) Other Writing Culture Shock! London: A Survival Guide to Customs and Etiquette (2007) (ISBN 0-7614-2500-4) Culture Shock! Morocco: A Survival Guide to Customs and Etiquette (2007) (ISBN 0-7614-2502-0) Culture Shock!: Chicago at Your Door (2007) (ISBN 0-7614-5400-4)

place of birth

Orin Hargraves (born 1953) is an American lexicographer and writer. His language reference works include Mighty Fine Words and Smashing Expressions: Making Sense of Transatlantic English (Oxford University Press, 2002), Slang Rules!: A Practical Guide for English Learners (Merriam-Webster, 2008), and (with Willard Espy) Words to Rhyme With: A Rhyming Dictionary (2nd edition; Facts on File, 2006). In addition he has contributed definitions and other material to dictionaries and other language reference works issued by Oxford University Press, Cambridge University Press, Longman, Macmillan, HarperCollins, Chambers Harrap, Langenscheidt, Berlitz, Scholastic Corporation, and Merriam-Webster, among others. Biography Orin Knight Hargraves was born on September 14, 1953 in Denver, Colorado. He spent most of his childhood in Creede, Colorado and graduated with honors from the University of Chicago in 1977, concentrating in philosophy, language and literature. His nickname during this period was "Buz". He served in the U.S. Peace Corps in Morocco where he taught English in a government lycée. Later he worked in the publishing software industry in Chicago and London. He began his career in lexicography in 1991 in London. He joined the Dictionary Society of North America in 1993 and was elected its vice president/president elect in 2009. He now resides in Niwot, Colorado. Bibliography Language Reference Slang Rules!: A Practical Guide for English Learners (2008) (ISBN 0-87779-682-3) The Big Book of Spelling Tests (2007) (ISBN 1-57912-696-0) Spell It! study guide for the Scripps National Spelling Bee (2006–8) Words to Rhyme With: A Rhyming Dictionary (co-author with Willard Espy) (2006)(ISBN 0-8160-6304-4) New Words (Editor) (2004)(ISBN 0-19-517282-5) Cucurbits (article in English Today October 2004) (ISSN 0266-0784) Long Distance Lexicography: a View from the Field (article in Dictionaries 2004) (ISSN 0197-6745) Who Owns English? (article in The Vocabula Review, June 2003) Mighty Fine Words and Smashing Expressions: Making Sense of Transatlantic English (2002)(ISBN 0-19-515704-4) Selected Dictionaries and Other Reference Works Contributed to Scholastic Children's Dictionary (2010) ( ISBN 978-0-545-21858-0) Cambridge Academic Content Dictionary (2009) (ISBN 978-0-521-87143-3) Merriam-Webster's Advanced Learner's English Dictionary (2008) (ISBN 978-0-87779-551-3) Cambridge Dictionary of American English (2008) (ISBN 0-521-69198-2) Concise Oxford English Dictionary (2008) (ISBN 0-19-954841-2) CollinsCobuild Advanced Dictionary of American English (2007) (ISBN 1-4240-0363-6 Heinle Picture Dictionary for Children (British English) (2007) (ISBN 1-4240-0849-2) The Language Report 5: English on the move, 2003–2007 (2007) (ISBN 0-19-923388-8) The 5-Minute Linguist: Bite Sized Essays on Language and Languages (2006) (ISBN 978-1-84553-199-7) Berlitz English Pronunciation Program CD (2005) (ISBN 981-246-709-2) Harrap's Spanish and English Dictionary (2005) (ISBN 0-07-144072-0) Oxford Dictionary of English (2005) (ISBN 0-19-861057-2) Collins-Cobuild English Usage (2004) (ISBN 0-00-716346-0) Microsoft Encarta Thesaurus (2004) (ISBN 0-312-98363-8) New Oxford American Dictionary (2004) (ISBN 0-19-517077-6) Cambridge Dictionary of American Idioms (2003) (ISBN 0-521-53271-X) Langenscheidt's Großwörterbuch Muret-Sanders Deutsch-Englisch (2003) (ISBN 3-468-02126-7) Macmillan English Dictionary for Advanced Learners (2002) (ISBN 0-333-96670-8) Oxford Essential Dictionary of the US Military (2001) (ISBN 0-425-18069-7) Merriam-Webster Collegiate Encyclopedia (2000) (ISBN 0-87779-017-5) Encarta World English Dictionary (1999) (ISBN 0-312-22222-X) Longman Interactive American Dictionary CD-ROM (1997) (ISBN 0-582-24795-0) Longman Dictionary of English Language and Culture (1992) (ISBN 0-582-23720-3) Other Writing Culture Shock! London: A Survival Guide to Customs and Etiquette (2007) (ISBN 0-7614-2500-4) Culture Shock! Morocco: A Survival Guide to Customs and Etiquette (2007) (ISBN 0-7614-2502-0) Culture Shock!: Chicago at Your Door (2007) (ISBN 0-7614-5400-4)

occupation

Orin Hargraves (born 1953) is an American lexicographer and writer. His language reference works include Mighty Fine Words and Smashing Expressions: Making Sense of Transatlantic English (Oxford University Press, 2002), Slang Rules!: A Practical Guide for English Learners (Merriam-Webster, 2008), and (with Willard Espy) Words to Rhyme With: A Rhyming Dictionary (2nd edition; Facts on File, 2006). In addition he has contributed definitions and other material to dictionaries and other language reference works issued by Oxford University Press, Cambridge University Press, Longman, Macmillan, HarperCollins, Chambers Harrap, Langenscheidt, Berlitz, Scholastic Corporation, and Merriam-Webster, among others. Biography Orin Knight Hargraves was born on September 14, 1953 in Denver, Colorado. He spent most of his childhood in Creede, Colorado and graduated with honors from the University of Chicago in 1977, concentrating in philosophy, language and literature. His nickname during this period was "Buz". He served in the U.S. Peace Corps in Morocco where he taught English in a government lycée. Later he worked in the publishing software industry in Chicago and London. He began his career in lexicography in 1991 in London. He joined the Dictionary Society of North America in 1993 and was elected its vice president/president elect in 2009. He now resides in Niwot, Colorado. Bibliography Language Reference Slang Rules!: A Practical Guide for English Learners (2008) (ISBN 0-87779-682-3) The Big Book of Spelling Tests (2007) (ISBN 1-57912-696-0) Spell It! study guide for the Scripps National Spelling Bee (2006–8) Words to Rhyme With: A Rhyming Dictionary (co-author with Willard Espy) (2006)(ISBN 0-8160-6304-4) New Words (Editor) (2004)(ISBN 0-19-517282-5) Cucurbits (article in English Today October 2004) (ISSN 0266-0784) Long Distance Lexicography: a View from the Field (article in Dictionaries 2004) (ISSN 0197-6745) Who Owns English? (article in The Vocabula Review, June 2003) Mighty Fine Words and Smashing Expressions: Making Sense of Transatlantic English (2002)(ISBN 0-19-515704-4) Selected Dictionaries and Other Reference Works Contributed to Scholastic Children's Dictionary (2010) ( ISBN 978-0-545-21858-0) Cambridge Academic Content Dictionary (2009) (ISBN 978-0-521-87143-3) Merriam-Webster's Advanced Learner's English Dictionary (2008) (ISBN 978-0-87779-551-3) Cambridge Dictionary of American English (2008) (ISBN 0-521-69198-2) Concise Oxford English Dictionary (2008) (ISBN 0-19-954841-2) CollinsCobuild Advanced Dictionary of American English (2007) (ISBN 1-4240-0363-6 Heinle Picture Dictionary for Children (British English) (2007) (ISBN 1-4240-0849-2) The Language Report 5: English on the move, 2003–2007 (2007) (ISBN 0-19-923388-8) The 5-Minute Linguist: Bite Sized Essays on Language and Languages (2006) (ISBN 978-1-84553-199-7) Berlitz English Pronunciation Program CD (2005) (ISBN 981-246-709-2) Harrap's Spanish and English Dictionary (2005) (ISBN 0-07-144072-0) Oxford Dictionary of English (2005) (ISBN 0-19-861057-2) Collins-Cobuild English Usage (2004) (ISBN 0-00-716346-0) Microsoft Encarta Thesaurus (2004) (ISBN 0-312-98363-8) New Oxford American Dictionary (2004) (ISBN 0-19-517077-6) Cambridge Dictionary of American Idioms (2003) (ISBN 0-521-53271-X) Langenscheidt's Großwörterbuch Muret-Sanders Deutsch-Englisch (2003) (ISBN 3-468-02126-7) Macmillan English Dictionary for Advanced Learners (2002) (ISBN 0-333-96670-8) Oxford Essential Dictionary of the US Military (2001) (ISBN 0-425-18069-7) Merriam-Webster Collegiate Encyclopedia (2000) (ISBN 0-87779-017-5) Encarta World English Dictionary (1999) (ISBN 0-312-22222-X) Longman Interactive American Dictionary CD-ROM (1997) (ISBN 0-582-24795-0) Longman Dictionary of English Language and Culture (1992) (ISBN 0-582-23720-3) Other Writing Culture Shock! London: A Survival Guide to Customs and Etiquette (2007) (ISBN 0-7614-2500-4) Culture Shock! Morocco: A Survival Guide to Customs and Etiquette (2007) (ISBN 0-7614-2502-0) Culture Shock!: Chicago at Your Door (2007) (ISBN 0-7614-5400-4)

family name

Orin Hargraves (born 1953) is an American lexicographer and writer. His language reference works include Mighty Fine Words and Smashing Expressions: Making Sense of Transatlantic English (Oxford University Press, 2002), Slang Rules!: A Practical Guide for English Learners (Merriam-Webster, 2008), and (with Willard Espy) Words to Rhyme With: A Rhyming Dictionary (2nd edition; Facts on File, 2006). In addition he has contributed definitions and other material to dictionaries and other language reference works issued by Oxford University Press, Cambridge University Press, Longman, Macmillan, HarperCollins, Chambers Harrap, Langenscheidt, Berlitz, Scholastic Corporation, and Merriam-Webster, among others. Biography Orin Knight Hargraves was born on September 14, 1953 in Denver, Colorado. He spent most of his childhood in Creede, Colorado and graduated with honors from the University of Chicago in 1977, concentrating in philosophy, language and literature. His nickname during this period was "Buz". He served in the U.S. Peace Corps in Morocco where he taught English in a government lycée. Later he worked in the publishing software industry in Chicago and London. He began his career in lexicography in 1991 in London. He joined the Dictionary Society of North America in 1993 and was elected its vice president/president elect in 2009. He now resides in Niwot, Colorado. Bibliography Language Reference Slang Rules!: A Practical Guide for English Learners (2008) (ISBN 0-87779-682-3) The Big Book of Spelling Tests (2007) (ISBN 1-57912-696-0) Spell It! study guide for the Scripps National Spelling Bee (2006–8) Words to Rhyme With: A Rhyming Dictionary (co-author with Willard Espy) (2006)(ISBN 0-8160-6304-4) New Words (Editor) (2004)(ISBN 0-19-517282-5) Cucurbits (article in English Today October 2004) (ISSN 0266-0784) Long Distance Lexicography: a View from the Field (article in Dictionaries 2004) (ISSN 0197-6745) Who Owns English? (article in The Vocabula Review, June 2003) Mighty Fine Words and Smashing Expressions: Making Sense of Transatlantic English (2002)(ISBN 0-19-515704-4) Selected Dictionaries and Other Reference Works Contributed to Scholastic Children's Dictionary (2010) ( ISBN 978-0-545-21858-0) Cambridge Academic Content Dictionary (2009) (ISBN 978-0-521-87143-3) Merriam-Webster's Advanced Learner's English Dictionary (2008) (ISBN 978-0-87779-551-3) Cambridge Dictionary of American English (2008) (ISBN 0-521-69198-2) Concise Oxford English Dictionary (2008) (ISBN 0-19-954841-2) CollinsCobuild Advanced Dictionary of American English (2007) (ISBN 1-4240-0363-6 Heinle Picture Dictionary for Children (British English) (2007) (ISBN 1-4240-0849-2) The Language Report 5: English on the move, 2003–2007 (2007) (ISBN 0-19-923388-8) The 5-Minute Linguist: Bite Sized Essays on Language and Languages (2006) (ISBN 978-1-84553-199-7) Berlitz English Pronunciation Program CD (2005) (ISBN 981-246-709-2) Harrap's Spanish and English Dictionary (2005) (ISBN 0-07-144072-0) Oxford Dictionary of English (2005) (ISBN 0-19-861057-2) Collins-Cobuild English Usage (2004) (ISBN 0-00-716346-0) Microsoft Encarta Thesaurus (2004) (ISBN 0-312-98363-8) New Oxford American Dictionary (2004) (ISBN 0-19-517077-6) Cambridge Dictionary of American Idioms (2003) (ISBN 0-521-53271-X) Langenscheidt's Großwörterbuch Muret-Sanders Deutsch-Englisch (2003) (ISBN 3-468-02126-7) Macmillan English Dictionary for Advanced Learners (2002) (ISBN 0-333-96670-8) Oxford Essential Dictionary of the US Military (2001) (ISBN 0-425-18069-7) Merriam-Webster Collegiate Encyclopedia (2000) (ISBN 0-87779-017-5) Encarta World English Dictionary (1999) (ISBN 0-312-22222-X) Longman Interactive American Dictionary CD-ROM (1997) (ISBN 0-582-24795-0) Longman Dictionary of English Language and Culture (1992) (ISBN 0-582-23720-3) Other Writing Culture Shock! London: A Survival Guide to Customs and Etiquette (2007) (ISBN 0-7614-2500-4) Culture Shock! Morocco: A Survival Guide to Customs and Etiquette (2007) (ISBN 0-7614-2502-0) Culture Shock!: Chicago at Your Door (2007) (ISBN 0-7614-5400-4)

given name

Gyula Lázár (8 February 1911 – 27 February 1983) was a Hungarian footballer. He played for the Hungarian national team a total of 49 times between 1931 and 1941.Lazar was in the Hungarian squad for both the 1934 and 1938 World Cups. He played one game in the 1934 tournament, but in 1938 he played in 4 games, including the final against Italy.At the time of the 1938 tournament he was playing his club football with Ferencváros TC. References External links Gyula Lázár at National-Football-Teams.com Gyula Lázár at WorldFootball.net

family name

Gyula Lázár (8 February 1911 – 27 February 1983) was a Hungarian footballer. He played for the Hungarian national team a total of 49 times between 1931 and 1941.Lazar was in the Hungarian squad for both the 1934 and 1938 World Cups. He played one game in the 1934 tournament, but in 1938 he played in 4 games, including the final against Italy.At the time of the 1938 tournament he was playing his club football with Ferencváros TC. References External links Gyula Lázár at National-Football-Teams.com Gyula Lázár at WorldFootball.net

given name

Gyula Lázár (8 February 1911 – 27 February 1983) was a Hungarian footballer. He played for the Hungarian national team a total of 49 times between 1931 and 1941.Lazar was in the Hungarian squad for both the 1934 and 1938 World Cups. He played one game in the 1934 tournament, but in 1938 he played in 4 games, including the final against Italy.At the time of the 1938 tournament he was playing his club football with Ferencváros TC. References External links Gyula Lázár at National-Football-Teams.com Gyula Lázár at WorldFootball.net

languages spoken, written or signed

The following lists events that happened during 1961 in the Grand Duchy of Luxembourg. Incumbents Events January – March 18 March – Representing Luxembourg, Jean-Claude Pascal wins the Eurovision Song Contest 1961 with the song Nous les amoureux. April – June 28 April – Grand Duchess Charlotte declares her eldest son, Hereditary Grand Duke Jean, to be her Lieutenant Representative. 5 May - Prince Félix is appointed to the Council of State. 30 May - Joseph Wolter is appointed to the Council of State 14 June - Joseph Kauffman is appointed to the Council of State July – September 10 July - Félix Worré is appointed to the Council of State 17 July - Alex Bonn is appointed to the Council of State. 7 August - Paul Weber is appointed to the Council of State. 28 August - Victor Bodson is appointed to the Council of State. October – December 8 October – At football, Luxembourg beats Portugal 4–2, recording Luxembourg's first victory in international football since 1951. Births 24 March – Marc Schaeffer, member of the Council of State 17 August – Lydia Mutsch, politician Deaths Footnotes References Thewes, Guy (2006). Les gouvernements du Grand-Duché de Luxembourg depuis 1848 (PDF) (in French) (2006 ed.). Luxembourg City: Service Information et Presse. ISBN 978-2-87999-156-6. Retrieved 12 December 2009.

facet of

Earl Theodore Dunbar (January 17, 1937 – May 29, 1998) was an American jazz guitarist, composer, and educator. Career Born in Port Arthur, Texas, Dunbar trained as a pharmacist at Texas Southern University, but by the 1970s he only did pharmacy work part-time. He was also a trained numerologist and studied other aspects of mysticism. He became interested in jazz at the age of seven. During the 1950s, he joined several groups while studying pharmacy at Texas Southern University. During the 1960s, he worked as a substitute for Wes Montgomery. Dunbar collaborated with Gil Evans, Roy Haynes, Jimmy Heath, Sonny Rollins, McCoy Tyner, and Tony Williams. In 1972 he became one of the first jazz professors at Rutgers University and taught Kevin Eubanks, Vernon Reid, and Peter Bernstein. At one point he received accolades from Ebony and Down Beat. He wrote a series of books on tonal convergence that are inspired and related to the Lydian chromatic concept. The centerpiece of this series is entitled A System of Tonal Convergence for Improvisors Composers and Arrangers. Dunbar died of a stroke in 1998. Discography As leader Opening Remarks (Xanadu, 1978) Secundum Artem (Xanadu, 1980) In Tandem with Kenny Barron (Muse, 1980) Music for Violin & Jazz Quartet with NY5 (Jam, 1981) Jazz Guitarist (Xanadu, 1982) Gentle Time Alone (SteepleChase, 1992) A Tribute to Wes Montgomery Vol. I with Project G-7 (Evidence, 1993) A Tribute to Wes Montgomery Vol. II with Project G-7 (Evidence, 1993) As sideman With Frank Foster Bursting Out! (Challenge, 1978) Chiquito Loco (Bingow, 1979) Shiny Stockings (Challenge, 1979) A Blues Ain't Nothing But a Trip (Bingow, 1981) Swing! (Challenge, 1998)With others Gene Ammons, My Way (Prestige, 1971) Kenny Barron, Peruvian Blue (Muse, 1974) Hamiet Bluiett, Live at the Village Vanguard (Soul Note, 1997) Zachary Breaux, Uptown Groove (Zebra, 1997) Earl Coleman, There's Something About An Old Love with (Xanadu, 1983) Norman Connors, Dark of Light (Cobblestone, 1973) Nathan Davis, I'm A Fool to Want You (Tomorrow, 1995) Richard Davis, Harvest (Muse, 1979) Lou Donaldson, Pretty Things (Blue Note, 1970) Gil Evans, Svengali (Atlantic, 1973) Albert Heath, Kwanza (The First) (Muse, 1974) Willis Jackson, West Africa (Muse, 1974) J. J. Johnson, Vivian (Concord Jazz, 1992) Galt MacDermot, The Nucleus (Kilmarnock, 1971) Susannah McCorkle, As Time Goes by (CBS/Sony, 1987) Charles Mingus, Me Myself An Eye (Atlantic, 1979) Charles Mingus, Something Like a Bird (Atlantic, 1980) Buddy Montgomery, Ties of Love (Landmark, 1987) David "Fathead" Newman, House of David (Atlantic, 1967) David "Fathead" Newman, Resurgence! (Muse, 1981) Don Patterson, The Return of Don Patterson (Muse, 1974) Bernard Purdie, Purdie Good! (Prestige, 1971) Sam Rivers, Sizzle (Impulse!, 1976) Charlie Rouse, Cinnamon Flower (Douglas, 1977) David Schnitter, Thundering (Muse, 1979) David Schnitter, Glowing (Muse, 1981) Janis Siegel, Experiment in White (Wounded Bird, 1982) Johnny "Hammond" Smith, What's Going On (Prestige, 1971) Billy Taylor, The Jazzmobile Allstars (Taylor-Made, 1989) Mel Torme, Night at the Concord Pavilion (Concord, 1990) Mel Torme, Recorded Live at the Fujitsu-Concord Jazz Festival in Japan '90 (Concord Jazz, 1991) Mickey Tucker, Blues in Five Dimensions (SteepleChase, 1990) Mickey Tucker, The Crawl (Muse, 1980) McCoy Tyner, Asante (Blue Note, 1974) Frank Wess, Dear Mr. Basie (Concord Jazz, 1990) Frank Wess, Entre Nous (Concord Jazz, 1991) Randy Weston, Volcano Blues (Verve, 1993) Joe Williams, That Holiday Feelin' (Verve, 1990) Tony Williams, Ego (Polydor, 1971) References External links Ted Dunbar discography at JazzDiscography.com Ted Dunbar discography at Jazzlists

place of birth

Earl Theodore Dunbar (January 17, 1937 – May 29, 1998) was an American jazz guitarist, composer, and educator. Career Born in Port Arthur, Texas, Dunbar trained as a pharmacist at Texas Southern University, but by the 1970s he only did pharmacy work part-time. He was also a trained numerologist and studied other aspects of mysticism. He became interested in jazz at the age of seven. During the 1950s, he joined several groups while studying pharmacy at Texas Southern University. During the 1960s, he worked as a substitute for Wes Montgomery. Dunbar collaborated with Gil Evans, Roy Haynes, Jimmy Heath, Sonny Rollins, McCoy Tyner, and Tony Williams. In 1972 he became one of the first jazz professors at Rutgers University and taught Kevin Eubanks, Vernon Reid, and Peter Bernstein. At one point he received accolades from Ebony and Down Beat. He wrote a series of books on tonal convergence that are inspired and related to the Lydian chromatic concept. The centerpiece of this series is entitled A System of Tonal Convergence for Improvisors Composers and Arrangers. Dunbar died of a stroke in 1998. Discography As leader Opening Remarks (Xanadu, 1978) Secundum Artem (Xanadu, 1980) In Tandem with Kenny Barron (Muse, 1980) Music for Violin & Jazz Quartet with NY5 (Jam, 1981) Jazz Guitarist (Xanadu, 1982) Gentle Time Alone (SteepleChase, 1992) A Tribute to Wes Montgomery Vol. I with Project G-7 (Evidence, 1993) A Tribute to Wes Montgomery Vol. II with Project G-7 (Evidence, 1993) As sideman With Frank Foster Bursting Out! (Challenge, 1978) Chiquito Loco (Bingow, 1979) Shiny Stockings (Challenge, 1979) A Blues Ain't Nothing But a Trip (Bingow, 1981) Swing! (Challenge, 1998)With others Gene Ammons, My Way (Prestige, 1971) Kenny Barron, Peruvian Blue (Muse, 1974) Hamiet Bluiett, Live at the Village Vanguard (Soul Note, 1997) Zachary Breaux, Uptown Groove (Zebra, 1997) Earl Coleman, There's Something About An Old Love with (Xanadu, 1983) Norman Connors, Dark of Light (Cobblestone, 1973) Nathan Davis, I'm A Fool to Want You (Tomorrow, 1995) Richard Davis, Harvest (Muse, 1979) Lou Donaldson, Pretty Things (Blue Note, 1970) Gil Evans, Svengali (Atlantic, 1973) Albert Heath, Kwanza (The First) (Muse, 1974) Willis Jackson, West Africa (Muse, 1974) J. J. Johnson, Vivian (Concord Jazz, 1992) Galt MacDermot, The Nucleus (Kilmarnock, 1971) Susannah McCorkle, As Time Goes by (CBS/Sony, 1987) Charles Mingus, Me Myself An Eye (Atlantic, 1979) Charles Mingus, Something Like a Bird (Atlantic, 1980) Buddy Montgomery, Ties of Love (Landmark, 1987) David "Fathead" Newman, House of David (Atlantic, 1967) David "Fathead" Newman, Resurgence! (Muse, 1981) Don Patterson, The Return of Don Patterson (Muse, 1974) Bernard Purdie, Purdie Good! (Prestige, 1971) Sam Rivers, Sizzle (Impulse!, 1976) Charlie Rouse, Cinnamon Flower (Douglas, 1977) David Schnitter, Thundering (Muse, 1979) David Schnitter, Glowing (Muse, 1981) Janis Siegel, Experiment in White (Wounded Bird, 1982) Johnny "Hammond" Smith, What's Going On (Prestige, 1971) Billy Taylor, The Jazzmobile Allstars (Taylor-Made, 1989) Mel Torme, Night at the Concord Pavilion (Concord, 1990) Mel Torme, Recorded Live at the Fujitsu-Concord Jazz Festival in Japan '90 (Concord Jazz, 1991) Mickey Tucker, Blues in Five Dimensions (SteepleChase, 1990) Mickey Tucker, The Crawl (Muse, 1980) McCoy Tyner, Asante (Blue Note, 1974) Frank Wess, Dear Mr. Basie (Concord Jazz, 1990) Frank Wess, Entre Nous (Concord Jazz, 1991) Randy Weston, Volcano Blues (Verve, 1993) Joe Williams, That Holiday Feelin' (Verve, 1990) Tony Williams, Ego (Polydor, 1971) References External links Ted Dunbar discography at JazzDiscography.com Ted Dunbar discography at Jazzlists

educated at

Earl Theodore Dunbar (January 17, 1937 – May 29, 1998) was an American jazz guitarist, composer, and educator. Career Born in Port Arthur, Texas, Dunbar trained as a pharmacist at Texas Southern University, but by the 1970s he only did pharmacy work part-time. He was also a trained numerologist and studied other aspects of mysticism. He became interested in jazz at the age of seven. During the 1950s, he joined several groups while studying pharmacy at Texas Southern University. During the 1960s, he worked as a substitute for Wes Montgomery. Dunbar collaborated with Gil Evans, Roy Haynes, Jimmy Heath, Sonny Rollins, McCoy Tyner, and Tony Williams. In 1972 he became one of the first jazz professors at Rutgers University and taught Kevin Eubanks, Vernon Reid, and Peter Bernstein. At one point he received accolades from Ebony and Down Beat. He wrote a series of books on tonal convergence that are inspired and related to the Lydian chromatic concept. The centerpiece of this series is entitled A System of Tonal Convergence for Improvisors Composers and Arrangers. Dunbar died of a stroke in 1998. Discography As leader Opening Remarks (Xanadu, 1978) Secundum Artem (Xanadu, 1980) In Tandem with Kenny Barron (Muse, 1980) Music for Violin & Jazz Quartet with NY5 (Jam, 1981) Jazz Guitarist (Xanadu, 1982) Gentle Time Alone (SteepleChase, 1992) A Tribute to Wes Montgomery Vol. I with Project G-7 (Evidence, 1993) A Tribute to Wes Montgomery Vol. II with Project G-7 (Evidence, 1993) As sideman With Frank Foster Bursting Out! (Challenge, 1978) Chiquito Loco (Bingow, 1979) Shiny Stockings (Challenge, 1979) A Blues Ain't Nothing But a Trip (Bingow, 1981) Swing! (Challenge, 1998)With others Gene Ammons, My Way (Prestige, 1971) Kenny Barron, Peruvian Blue (Muse, 1974) Hamiet Bluiett, Live at the Village Vanguard (Soul Note, 1997) Zachary Breaux, Uptown Groove (Zebra, 1997) Earl Coleman, There's Something About An Old Love with (Xanadu, 1983) Norman Connors, Dark of Light (Cobblestone, 1973) Nathan Davis, I'm A Fool to Want You (Tomorrow, 1995) Richard Davis, Harvest (Muse, 1979) Lou Donaldson, Pretty Things (Blue Note, 1970) Gil Evans, Svengali (Atlantic, 1973) Albert Heath, Kwanza (The First) (Muse, 1974) Willis Jackson, West Africa (Muse, 1974) J. J. Johnson, Vivian (Concord Jazz, 1992) Galt MacDermot, The Nucleus (Kilmarnock, 1971) Susannah McCorkle, As Time Goes by (CBS/Sony, 1987) Charles Mingus, Me Myself An Eye (Atlantic, 1979) Charles Mingus, Something Like a Bird (Atlantic, 1980) Buddy Montgomery, Ties of Love (Landmark, 1987) David "Fathead" Newman, House of David (Atlantic, 1967) David "Fathead" Newman, Resurgence! (Muse, 1981) Don Patterson, The Return of Don Patterson (Muse, 1974) Bernard Purdie, Purdie Good! (Prestige, 1971) Sam Rivers, Sizzle (Impulse!, 1976) Charlie Rouse, Cinnamon Flower (Douglas, 1977) David Schnitter, Thundering (Muse, 1979) David Schnitter, Glowing (Muse, 1981) Janis Siegel, Experiment in White (Wounded Bird, 1982) Johnny "Hammond" Smith, What's Going On (Prestige, 1971) Billy Taylor, The Jazzmobile Allstars (Taylor-Made, 1989) Mel Torme, Night at the Concord Pavilion (Concord, 1990) Mel Torme, Recorded Live at the Fujitsu-Concord Jazz Festival in Japan '90 (Concord Jazz, 1991) Mickey Tucker, Blues in Five Dimensions (SteepleChase, 1990) Mickey Tucker, The Crawl (Muse, 1980) McCoy Tyner, Asante (Blue Note, 1974) Frank Wess, Dear Mr. Basie (Concord Jazz, 1990) Frank Wess, Entre Nous (Concord Jazz, 1991) Randy Weston, Volcano Blues (Verve, 1993) Joe Williams, That Holiday Feelin' (Verve, 1990) Tony Williams, Ego (Polydor, 1971) References External links Ted Dunbar discography at JazzDiscography.com Ted Dunbar discography at Jazzlists

occupation

Earl Theodore Dunbar (January 17, 1937 – May 29, 1998) was an American jazz guitarist, composer, and educator. Career Born in Port Arthur, Texas, Dunbar trained as a pharmacist at Texas Southern University, but by the 1970s he only did pharmacy work part-time. He was also a trained numerologist and studied other aspects of mysticism. He became interested in jazz at the age of seven. During the 1950s, he joined several groups while studying pharmacy at Texas Southern University. During the 1960s, he worked as a substitute for Wes Montgomery. Dunbar collaborated with Gil Evans, Roy Haynes, Jimmy Heath, Sonny Rollins, McCoy Tyner, and Tony Williams. In 1972 he became one of the first jazz professors at Rutgers University and taught Kevin Eubanks, Vernon Reid, and Peter Bernstein. At one point he received accolades from Ebony and Down Beat. He wrote a series of books on tonal convergence that are inspired and related to the Lydian chromatic concept. The centerpiece of this series is entitled A System of Tonal Convergence for Improvisors Composers and Arrangers. Dunbar died of a stroke in 1998. Discography As leader Opening Remarks (Xanadu, 1978) Secundum Artem (Xanadu, 1980) In Tandem with Kenny Barron (Muse, 1980) Music for Violin & Jazz Quartet with NY5 (Jam, 1981) Jazz Guitarist (Xanadu, 1982) Gentle Time Alone (SteepleChase, 1992) A Tribute to Wes Montgomery Vol. I with Project G-7 (Evidence, 1993) A Tribute to Wes Montgomery Vol. II with Project G-7 (Evidence, 1993) As sideman With Frank Foster Bursting Out! (Challenge, 1978) Chiquito Loco (Bingow, 1979) Shiny Stockings (Challenge, 1979) A Blues Ain't Nothing But a Trip (Bingow, 1981) Swing! (Challenge, 1998)With others Gene Ammons, My Way (Prestige, 1971) Kenny Barron, Peruvian Blue (Muse, 1974) Hamiet Bluiett, Live at the Village Vanguard (Soul Note, 1997) Zachary Breaux, Uptown Groove (Zebra, 1997) Earl Coleman, There's Something About An Old Love with (Xanadu, 1983) Norman Connors, Dark of Light (Cobblestone, 1973) Nathan Davis, I'm A Fool to Want You (Tomorrow, 1995) Richard Davis, Harvest (Muse, 1979) Lou Donaldson, Pretty Things (Blue Note, 1970) Gil Evans, Svengali (Atlantic, 1973) Albert Heath, Kwanza (The First) (Muse, 1974) Willis Jackson, West Africa (Muse, 1974) J. J. Johnson, Vivian (Concord Jazz, 1992) Galt MacDermot, The Nucleus (Kilmarnock, 1971) Susannah McCorkle, As Time Goes by (CBS/Sony, 1987) Charles Mingus, Me Myself An Eye (Atlantic, 1979) Charles Mingus, Something Like a Bird (Atlantic, 1980) Buddy Montgomery, Ties of Love (Landmark, 1987) David "Fathead" Newman, House of David (Atlantic, 1967) David "Fathead" Newman, Resurgence! (Muse, 1981) Don Patterson, The Return of Don Patterson (Muse, 1974) Bernard Purdie, Purdie Good! (Prestige, 1971) Sam Rivers, Sizzle (Impulse!, 1976) Charlie Rouse, Cinnamon Flower (Douglas, 1977) David Schnitter, Thundering (Muse, 1979) David Schnitter, Glowing (Muse, 1981) Janis Siegel, Experiment in White (Wounded Bird, 1982) Johnny "Hammond" Smith, What's Going On (Prestige, 1971) Billy Taylor, The Jazzmobile Allstars (Taylor-Made, 1989) Mel Torme, Night at the Concord Pavilion (Concord, 1990) Mel Torme, Recorded Live at the Fujitsu-Concord Jazz Festival in Japan '90 (Concord Jazz, 1991) Mickey Tucker, Blues in Five Dimensions (SteepleChase, 1990) Mickey Tucker, The Crawl (Muse, 1980) McCoy Tyner, Asante (Blue Note, 1974) Frank Wess, Dear Mr. Basie (Concord Jazz, 1990) Frank Wess, Entre Nous (Concord Jazz, 1991) Randy Weston, Volcano Blues (Verve, 1993) Joe Williams, That Holiday Feelin' (Verve, 1990) Tony Williams, Ego (Polydor, 1971) References External links Ted Dunbar discography at JazzDiscography.com Ted Dunbar discography at Jazzlists

employer

Earl Theodore Dunbar (January 17, 1937 – May 29, 1998) was an American jazz guitarist, composer, and educator. Career Born in Port Arthur, Texas, Dunbar trained as a pharmacist at Texas Southern University, but by the 1970s he only did pharmacy work part-time. He was also a trained numerologist and studied other aspects of mysticism. He became interested in jazz at the age of seven. During the 1950s, he joined several groups while studying pharmacy at Texas Southern University. During the 1960s, he worked as a substitute for Wes Montgomery. Dunbar collaborated with Gil Evans, Roy Haynes, Jimmy Heath, Sonny Rollins, McCoy Tyner, and Tony Williams. In 1972 he became one of the first jazz professors at Rutgers University and taught Kevin Eubanks, Vernon Reid, and Peter Bernstein. At one point he received accolades from Ebony and Down Beat. He wrote a series of books on tonal convergence that are inspired and related to the Lydian chromatic concept. The centerpiece of this series is entitled A System of Tonal Convergence for Improvisors Composers and Arrangers. Dunbar died of a stroke in 1998. Discography As leader Opening Remarks (Xanadu, 1978) Secundum Artem (Xanadu, 1980) In Tandem with Kenny Barron (Muse, 1980) Music for Violin & Jazz Quartet with NY5 (Jam, 1981) Jazz Guitarist (Xanadu, 1982) Gentle Time Alone (SteepleChase, 1992) A Tribute to Wes Montgomery Vol. I with Project G-7 (Evidence, 1993) A Tribute to Wes Montgomery Vol. II with Project G-7 (Evidence, 1993) As sideman With Frank Foster Bursting Out! (Challenge, 1978) Chiquito Loco (Bingow, 1979) Shiny Stockings (Challenge, 1979) A Blues Ain't Nothing But a Trip (Bingow, 1981) Swing! (Challenge, 1998)With others Gene Ammons, My Way (Prestige, 1971) Kenny Barron, Peruvian Blue (Muse, 1974) Hamiet Bluiett, Live at the Village Vanguard (Soul Note, 1997) Zachary Breaux, Uptown Groove (Zebra, 1997) Earl Coleman, There's Something About An Old Love with (Xanadu, 1983) Norman Connors, Dark of Light (Cobblestone, 1973) Nathan Davis, I'm A Fool to Want You (Tomorrow, 1995) Richard Davis, Harvest (Muse, 1979) Lou Donaldson, Pretty Things (Blue Note, 1970) Gil Evans, Svengali (Atlantic, 1973) Albert Heath, Kwanza (The First) (Muse, 1974) Willis Jackson, West Africa (Muse, 1974) J. J. Johnson, Vivian (Concord Jazz, 1992) Galt MacDermot, The Nucleus (Kilmarnock, 1971) Susannah McCorkle, As Time Goes by (CBS/Sony, 1987) Charles Mingus, Me Myself An Eye (Atlantic, 1979) Charles Mingus, Something Like a Bird (Atlantic, 1980) Buddy Montgomery, Ties of Love (Landmark, 1987) David "Fathead" Newman, House of David (Atlantic, 1967) David "Fathead" Newman, Resurgence! (Muse, 1981) Don Patterson, The Return of Don Patterson (Muse, 1974) Bernard Purdie, Purdie Good! (Prestige, 1971) Sam Rivers, Sizzle (Impulse!, 1976) Charlie Rouse, Cinnamon Flower (Douglas, 1977) David Schnitter, Thundering (Muse, 1979) David Schnitter, Glowing (Muse, 1981) Janis Siegel, Experiment in White (Wounded Bird, 1982) Johnny "Hammond" Smith, What's Going On (Prestige, 1971) Billy Taylor, The Jazzmobile Allstars (Taylor-Made, 1989) Mel Torme, Night at the Concord Pavilion (Concord, 1990) Mel Torme, Recorded Live at the Fujitsu-Concord Jazz Festival in Japan '90 (Concord Jazz, 1991) Mickey Tucker, Blues in Five Dimensions (SteepleChase, 1990) Mickey Tucker, The Crawl (Muse, 1980) McCoy Tyner, Asante (Blue Note, 1974) Frank Wess, Dear Mr. Basie (Concord Jazz, 1990) Frank Wess, Entre Nous (Concord Jazz, 1991) Randy Weston, Volcano Blues (Verve, 1993) Joe Williams, That Holiday Feelin' (Verve, 1990) Tony Williams, Ego (Polydor, 1971) References External links Ted Dunbar discography at JazzDiscography.com Ted Dunbar discography at Jazzlists

genre

Earl Theodore Dunbar (January 17, 1937 – May 29, 1998) was an American jazz guitarist, composer, and educator. Career Born in Port Arthur, Texas, Dunbar trained as a pharmacist at Texas Southern University, but by the 1970s he only did pharmacy work part-time. He was also a trained numerologist and studied other aspects of mysticism. He became interested in jazz at the age of seven. During the 1950s, he joined several groups while studying pharmacy at Texas Southern University. During the 1960s, he worked as a substitute for Wes Montgomery. Dunbar collaborated with Gil Evans, Roy Haynes, Jimmy Heath, Sonny Rollins, McCoy Tyner, and Tony Williams. In 1972 he became one of the first jazz professors at Rutgers University and taught Kevin Eubanks, Vernon Reid, and Peter Bernstein. At one point he received accolades from Ebony and Down Beat. He wrote a series of books on tonal convergence that are inspired and related to the Lydian chromatic concept. The centerpiece of this series is entitled A System of Tonal Convergence for Improvisors Composers and Arrangers. Dunbar died of a stroke in 1998. Discography As leader Opening Remarks (Xanadu, 1978) Secundum Artem (Xanadu, 1980) In Tandem with Kenny Barron (Muse, 1980) Music for Violin & Jazz Quartet with NY5 (Jam, 1981) Jazz Guitarist (Xanadu, 1982) Gentle Time Alone (SteepleChase, 1992) A Tribute to Wes Montgomery Vol. I with Project G-7 (Evidence, 1993) A Tribute to Wes Montgomery Vol. II with Project G-7 (Evidence, 1993) As sideman With Frank Foster Bursting Out! (Challenge, 1978) Chiquito Loco (Bingow, 1979) Shiny Stockings (Challenge, 1979) A Blues Ain't Nothing But a Trip (Bingow, 1981) Swing! (Challenge, 1998)With others Gene Ammons, My Way (Prestige, 1971) Kenny Barron, Peruvian Blue (Muse, 1974) Hamiet Bluiett, Live at the Village Vanguard (Soul Note, 1997) Zachary Breaux, Uptown Groove (Zebra, 1997) Earl Coleman, There's Something About An Old Love with (Xanadu, 1983) Norman Connors, Dark of Light (Cobblestone, 1973) Nathan Davis, I'm A Fool to Want You (Tomorrow, 1995) Richard Davis, Harvest (Muse, 1979) Lou Donaldson, Pretty Things (Blue Note, 1970) Gil Evans, Svengali (Atlantic, 1973) Albert Heath, Kwanza (The First) (Muse, 1974) Willis Jackson, West Africa (Muse, 1974) J. J. Johnson, Vivian (Concord Jazz, 1992) Galt MacDermot, The Nucleus (Kilmarnock, 1971) Susannah McCorkle, As Time Goes by (CBS/Sony, 1987) Charles Mingus, Me Myself An Eye (Atlantic, 1979) Charles Mingus, Something Like a Bird (Atlantic, 1980) Buddy Montgomery, Ties of Love (Landmark, 1987) David "Fathead" Newman, House of David (Atlantic, 1967) David "Fathead" Newman, Resurgence! (Muse, 1981) Don Patterson, The Return of Don Patterson (Muse, 1974) Bernard Purdie, Purdie Good! (Prestige, 1971) Sam Rivers, Sizzle (Impulse!, 1976) Charlie Rouse, Cinnamon Flower (Douglas, 1977) David Schnitter, Thundering (Muse, 1979) David Schnitter, Glowing (Muse, 1981) Janis Siegel, Experiment in White (Wounded Bird, 1982) Johnny "Hammond" Smith, What's Going On (Prestige, 1971) Billy Taylor, The Jazzmobile Allstars (Taylor-Made, 1989) Mel Torme, Night at the Concord Pavilion (Concord, 1990) Mel Torme, Recorded Live at the Fujitsu-Concord Jazz Festival in Japan '90 (Concord Jazz, 1991) Mickey Tucker, Blues in Five Dimensions (SteepleChase, 1990) Mickey Tucker, The Crawl (Muse, 1980) McCoy Tyner, Asante (Blue Note, 1974) Frank Wess, Dear Mr. Basie (Concord Jazz, 1990) Frank Wess, Entre Nous (Concord Jazz, 1991) Randy Weston, Volcano Blues (Verve, 1993) Joe Williams, That Holiday Feelin' (Verve, 1990) Tony Williams, Ego (Polydor, 1971) References External links Ted Dunbar discography at JazzDiscography.com Ted Dunbar discography at Jazzlists

cause of death

Earl Theodore Dunbar (January 17, 1937 – May 29, 1998) was an American jazz guitarist, composer, and educator. Career Born in Port Arthur, Texas, Dunbar trained as a pharmacist at Texas Southern University, but by the 1970s he only did pharmacy work part-time. He was also a trained numerologist and studied other aspects of mysticism. He became interested in jazz at the age of seven. During the 1950s, he joined several groups while studying pharmacy at Texas Southern University. During the 1960s, he worked as a substitute for Wes Montgomery. Dunbar collaborated with Gil Evans, Roy Haynes, Jimmy Heath, Sonny Rollins, McCoy Tyner, and Tony Williams. In 1972 he became one of the first jazz professors at Rutgers University and taught Kevin Eubanks, Vernon Reid, and Peter Bernstein. At one point he received accolades from Ebony and Down Beat. He wrote a series of books on tonal convergence that are inspired and related to the Lydian chromatic concept. The centerpiece of this series is entitled A System of Tonal Convergence for Improvisors Composers and Arrangers. Dunbar died of a stroke in 1998. Discography As leader Opening Remarks (Xanadu, 1978) Secundum Artem (Xanadu, 1980) In Tandem with Kenny Barron (Muse, 1980) Music for Violin & Jazz Quartet with NY5 (Jam, 1981) Jazz Guitarist (Xanadu, 1982) Gentle Time Alone (SteepleChase, 1992) A Tribute to Wes Montgomery Vol. I with Project G-7 (Evidence, 1993) A Tribute to Wes Montgomery Vol. II with Project G-7 (Evidence, 1993) As sideman With Frank Foster Bursting Out! (Challenge, 1978) Chiquito Loco (Bingow, 1979) Shiny Stockings (Challenge, 1979) A Blues Ain't Nothing But a Trip (Bingow, 1981) Swing! (Challenge, 1998)With others Gene Ammons, My Way (Prestige, 1971) Kenny Barron, Peruvian Blue (Muse, 1974) Hamiet Bluiett, Live at the Village Vanguard (Soul Note, 1997) Zachary Breaux, Uptown Groove (Zebra, 1997) Earl Coleman, There's Something About An Old Love with (Xanadu, 1983) Norman Connors, Dark of Light (Cobblestone, 1973) Nathan Davis, I'm A Fool to Want You (Tomorrow, 1995) Richard Davis, Harvest (Muse, 1979) Lou Donaldson, Pretty Things (Blue Note, 1970) Gil Evans, Svengali (Atlantic, 1973) Albert Heath, Kwanza (The First) (Muse, 1974) Willis Jackson, West Africa (Muse, 1974) J. J. Johnson, Vivian (Concord Jazz, 1992) Galt MacDermot, The Nucleus (Kilmarnock, 1971) Susannah McCorkle, As Time Goes by (CBS/Sony, 1987) Charles Mingus, Me Myself An Eye (Atlantic, 1979) Charles Mingus, Something Like a Bird (Atlantic, 1980) Buddy Montgomery, Ties of Love (Landmark, 1987) David "Fathead" Newman, House of David (Atlantic, 1967) David "Fathead" Newman, Resurgence! (Muse, 1981) Don Patterson, The Return of Don Patterson (Muse, 1974) Bernard Purdie, Purdie Good! (Prestige, 1971) Sam Rivers, Sizzle (Impulse!, 1976) Charlie Rouse, Cinnamon Flower (Douglas, 1977) David Schnitter, Thundering (Muse, 1979) David Schnitter, Glowing (Muse, 1981) Janis Siegel, Experiment in White (Wounded Bird, 1982) Johnny "Hammond" Smith, What's Going On (Prestige, 1971) Billy Taylor, The Jazzmobile Allstars (Taylor-Made, 1989) Mel Torme, Night at the Concord Pavilion (Concord, 1990) Mel Torme, Recorded Live at the Fujitsu-Concord Jazz Festival in Japan '90 (Concord Jazz, 1991) Mickey Tucker, Blues in Five Dimensions (SteepleChase, 1990) Mickey Tucker, The Crawl (Muse, 1980) McCoy Tyner, Asante (Blue Note, 1974) Frank Wess, Dear Mr. Basie (Concord Jazz, 1990) Frank Wess, Entre Nous (Concord Jazz, 1991) Randy Weston, Volcano Blues (Verve, 1993) Joe Williams, That Holiday Feelin' (Verve, 1990) Tony Williams, Ego (Polydor, 1971) References External links Ted Dunbar discography at JazzDiscography.com Ted Dunbar discography at Jazzlists

family name

Earl Theodore Dunbar (January 17, 1937 – May 29, 1998) was an American jazz guitarist, composer, and educator. Career Born in Port Arthur, Texas, Dunbar trained as a pharmacist at Texas Southern University, but by the 1970s he only did pharmacy work part-time. He was also a trained numerologist and studied other aspects of mysticism. He became interested in jazz at the age of seven. During the 1950s, he joined several groups while studying pharmacy at Texas Southern University. During the 1960s, he worked as a substitute for Wes Montgomery. Dunbar collaborated with Gil Evans, Roy Haynes, Jimmy Heath, Sonny Rollins, McCoy Tyner, and Tony Williams. In 1972 he became one of the first jazz professors at Rutgers University and taught Kevin Eubanks, Vernon Reid, and Peter Bernstein. At one point he received accolades from Ebony and Down Beat. He wrote a series of books on tonal convergence that are inspired and related to the Lydian chromatic concept. The centerpiece of this series is entitled A System of Tonal Convergence for Improvisors Composers and Arrangers. Dunbar died of a stroke in 1998. Discography As leader Opening Remarks (Xanadu, 1978) Secundum Artem (Xanadu, 1980) In Tandem with Kenny Barron (Muse, 1980) Music for Violin & Jazz Quartet with NY5 (Jam, 1981) Jazz Guitarist (Xanadu, 1982) Gentle Time Alone (SteepleChase, 1992) A Tribute to Wes Montgomery Vol. I with Project G-7 (Evidence, 1993) A Tribute to Wes Montgomery Vol. II with Project G-7 (Evidence, 1993) As sideman With Frank Foster Bursting Out! (Challenge, 1978) Chiquito Loco (Bingow, 1979) Shiny Stockings (Challenge, 1979) A Blues Ain't Nothing But a Trip (Bingow, 1981) Swing! (Challenge, 1998)With others Gene Ammons, My Way (Prestige, 1971) Kenny Barron, Peruvian Blue (Muse, 1974) Hamiet Bluiett, Live at the Village Vanguard (Soul Note, 1997) Zachary Breaux, Uptown Groove (Zebra, 1997) Earl Coleman, There's Something About An Old Love with (Xanadu, 1983) Norman Connors, Dark of Light (Cobblestone, 1973) Nathan Davis, I'm A Fool to Want You (Tomorrow, 1995) Richard Davis, Harvest (Muse, 1979) Lou Donaldson, Pretty Things (Blue Note, 1970) Gil Evans, Svengali (Atlantic, 1973) Albert Heath, Kwanza (The First) (Muse, 1974) Willis Jackson, West Africa (Muse, 1974) J. J. Johnson, Vivian (Concord Jazz, 1992) Galt MacDermot, The Nucleus (Kilmarnock, 1971) Susannah McCorkle, As Time Goes by (CBS/Sony, 1987) Charles Mingus, Me Myself An Eye (Atlantic, 1979) Charles Mingus, Something Like a Bird (Atlantic, 1980) Buddy Montgomery, Ties of Love (Landmark, 1987) David "Fathead" Newman, House of David (Atlantic, 1967) David "Fathead" Newman, Resurgence! (Muse, 1981) Don Patterson, The Return of Don Patterson (Muse, 1974) Bernard Purdie, Purdie Good! (Prestige, 1971) Sam Rivers, Sizzle (Impulse!, 1976) Charlie Rouse, Cinnamon Flower (Douglas, 1977) David Schnitter, Thundering (Muse, 1979) David Schnitter, Glowing (Muse, 1981) Janis Siegel, Experiment in White (Wounded Bird, 1982) Johnny "Hammond" Smith, What's Going On (Prestige, 1971) Billy Taylor, The Jazzmobile Allstars (Taylor-Made, 1989) Mel Torme, Night at the Concord Pavilion (Concord, 1990) Mel Torme, Recorded Live at the Fujitsu-Concord Jazz Festival in Japan '90 (Concord Jazz, 1991) Mickey Tucker, Blues in Five Dimensions (SteepleChase, 1990) Mickey Tucker, The Crawl (Muse, 1980) McCoy Tyner, Asante (Blue Note, 1974) Frank Wess, Dear Mr. Basie (Concord Jazz, 1990) Frank Wess, Entre Nous (Concord Jazz, 1991) Randy Weston, Volcano Blues (Verve, 1993) Joe Williams, That Holiday Feelin' (Verve, 1990) Tony Williams, Ego (Polydor, 1971) References External links Ted Dunbar discography at JazzDiscography.com Ted Dunbar discography at Jazzlists

given name

Earl Theodore Dunbar (January 17, 1937 – May 29, 1998) was an American jazz guitarist, composer, and educator. Career Born in Port Arthur, Texas, Dunbar trained as a pharmacist at Texas Southern University, but by the 1970s he only did pharmacy work part-time. He was also a trained numerologist and studied other aspects of mysticism. He became interested in jazz at the age of seven. During the 1950s, he joined several groups while studying pharmacy at Texas Southern University. During the 1960s, he worked as a substitute for Wes Montgomery. Dunbar collaborated with Gil Evans, Roy Haynes, Jimmy Heath, Sonny Rollins, McCoy Tyner, and Tony Williams. In 1972 he became one of the first jazz professors at Rutgers University and taught Kevin Eubanks, Vernon Reid, and Peter Bernstein. At one point he received accolades from Ebony and Down Beat. He wrote a series of books on tonal convergence that are inspired and related to the Lydian chromatic concept. The centerpiece of this series is entitled A System of Tonal Convergence for Improvisors Composers and Arrangers. Dunbar died of a stroke in 1998. Discography As leader Opening Remarks (Xanadu, 1978) Secundum Artem (Xanadu, 1980) In Tandem with Kenny Barron (Muse, 1980) Music for Violin & Jazz Quartet with NY5 (Jam, 1981) Jazz Guitarist (Xanadu, 1982) Gentle Time Alone (SteepleChase, 1992) A Tribute to Wes Montgomery Vol. I with Project G-7 (Evidence, 1993) A Tribute to Wes Montgomery Vol. II with Project G-7 (Evidence, 1993) As sideman With Frank Foster Bursting Out! (Challenge, 1978) Chiquito Loco (Bingow, 1979) Shiny Stockings (Challenge, 1979) A Blues Ain't Nothing But a Trip (Bingow, 1981) Swing! (Challenge, 1998)With others Gene Ammons, My Way (Prestige, 1971) Kenny Barron, Peruvian Blue (Muse, 1974) Hamiet Bluiett, Live at the Village Vanguard (Soul Note, 1997) Zachary Breaux, Uptown Groove (Zebra, 1997) Earl Coleman, There's Something About An Old Love with (Xanadu, 1983) Norman Connors, Dark of Light (Cobblestone, 1973) Nathan Davis, I'm A Fool to Want You (Tomorrow, 1995) Richard Davis, Harvest (Muse, 1979) Lou Donaldson, Pretty Things (Blue Note, 1970) Gil Evans, Svengali (Atlantic, 1973) Albert Heath, Kwanza (The First) (Muse, 1974) Willis Jackson, West Africa (Muse, 1974) J. J. Johnson, Vivian (Concord Jazz, 1992) Galt MacDermot, The Nucleus (Kilmarnock, 1971) Susannah McCorkle, As Time Goes by (CBS/Sony, 1987) Charles Mingus, Me Myself An Eye (Atlantic, 1979) Charles Mingus, Something Like a Bird (Atlantic, 1980) Buddy Montgomery, Ties of Love (Landmark, 1987) David "Fathead" Newman, House of David (Atlantic, 1967) David "Fathead" Newman, Resurgence! (Muse, 1981) Don Patterson, The Return of Don Patterson (Muse, 1974) Bernard Purdie, Purdie Good! (Prestige, 1971) Sam Rivers, Sizzle (Impulse!, 1976) Charlie Rouse, Cinnamon Flower (Douglas, 1977) David Schnitter, Thundering (Muse, 1979) David Schnitter, Glowing (Muse, 1981) Janis Siegel, Experiment in White (Wounded Bird, 1982) Johnny "Hammond" Smith, What's Going On (Prestige, 1971) Billy Taylor, The Jazzmobile Allstars (Taylor-Made, 1989) Mel Torme, Night at the Concord Pavilion (Concord, 1990) Mel Torme, Recorded Live at the Fujitsu-Concord Jazz Festival in Japan '90 (Concord Jazz, 1991) Mickey Tucker, Blues in Five Dimensions (SteepleChase, 1990) Mickey Tucker, The Crawl (Muse, 1980) McCoy Tyner, Asante (Blue Note, 1974) Frank Wess, Dear Mr. Basie (Concord Jazz, 1990) Frank Wess, Entre Nous (Concord Jazz, 1991) Randy Weston, Volcano Blues (Verve, 1993) Joe Williams, That Holiday Feelin' (Verve, 1990) Tony Williams, Ego (Polydor, 1971) References External links Ted Dunbar discography at JazzDiscography.com Ted Dunbar discography at Jazzlists

instrument

Institut Pendidikan Guru Kampus Tun Abdul Razak (English: Institute of Teacher Education Tun Abdul Razak Campus) or IPG Kampus Tun Abdul Razak (formerly known as Maktab Perguruan Samarahan) is a school in Malaysia under the Ministry of Education. The campus is situated at Jalan Dato Mohd. Musa in Kota Samarahan, Sarawak in East Malaysia. External links Official website

country

Kowale Pańskie-Kolonia (Polish pronunciation: [kɔˈvalɛ ˈpaj̃skʲɛ kɔˈlɔɲa]) is a village in the administrative district of Gmina Kawęczyn, within Turek County, Greater Poland Voivodeship, in west-central Poland. It lies approximately 4 kilometres (2 mi) north of Kawęczyn, 10 km (6 mi) south of Turek, and 122 km (76 mi) south-east of the regional capital Poznań. == References ==

country

Kowale Pańskie-Kolonia (Polish pronunciation: [kɔˈvalɛ ˈpaj̃skʲɛ kɔˈlɔɲa]) is a village in the administrative district of Gmina Kawęczyn, within Turek County, Greater Poland Voivodeship, in west-central Poland. It lies approximately 4 kilometres (2 mi) north of Kawęczyn, 10 km (6 mi) south of Turek, and 122 km (76 mi) south-east of the regional capital Poznań. == References ==

located in the administrative territorial entity

The Marañón poison frog (Excidobates mysteriosus; rana venenosa in Spanish) is a species of frog in the family of the poison dart frogs or Dendrobatidae. It is endemic to Cordillera del Condor in the upper Marañón River drainage of the Cajamarca Department, Peru. At the type locality its natural habitat is primary premontane forest. Breeding takes place in bromeliads. It is threatened by habitat loss. It may also be collected for international trade. == References ==

taxon rank

The Marañón poison frog (Excidobates mysteriosus; rana venenosa in Spanish) is a species of frog in the family of the poison dart frogs or Dendrobatidae. It is endemic to Cordillera del Condor in the upper Marañón River drainage of the Cajamarca Department, Peru. At the type locality its natural habitat is primary premontane forest. Breeding takes place in bromeliads. It is threatened by habitat loss. It may also be collected for international trade. == References ==

parent taxon

The Marañón poison frog (Excidobates mysteriosus; rana venenosa in Spanish) is a species of frog in the family of the poison dart frogs or Dendrobatidae. It is endemic to Cordillera del Condor in the upper Marañón River drainage of the Cajamarca Department, Peru. At the type locality its natural habitat is primary premontane forest. Breeding takes place in bromeliads. It is threatened by habitat loss. It may also be collected for international trade. == References ==

endemic to

The Marañón poison frog (Excidobates mysteriosus; rana venenosa in Spanish) is a species of frog in the family of the poison dart frogs or Dendrobatidae. It is endemic to Cordillera del Condor in the upper Marañón River drainage of the Cajamarca Department, Peru. At the type locality its natural habitat is primary premontane forest. Breeding takes place in bromeliads. It is threatened by habitat loss. It may also be collected for international trade. == References ==

taxon name

The Marañón poison frog (Excidobates mysteriosus; rana venenosa in Spanish) is a species of frog in the family of the poison dart frogs or Dendrobatidae. It is endemic to Cordillera del Condor in the upper Marañón River drainage of the Cajamarca Department, Peru. At the type locality its natural habitat is primary premontane forest. Breeding takes place in bromeliads. It is threatened by habitat loss. It may also be collected for international trade. == References ==

Commons category

Wanderland (commonly referred to as Wanderland Music and Arts Festival) is an annual outdoor music and arts festival held in the Philippines organized by Karpos Multimedia. It showcases international and local live music, and art installations. History Wanderland was founded in 2013 by Karpos Multimedia Inc. Pre-events Wanderband is Wanderland's annual battle of the local independent bands. The winner and runner-up are given the chance to play live at Wanderland Music and Arts Festival. Since 2017, Wanderland launched a similar annual battle for live visual artists. In partnership with JanSport, Wanderland held a prelude mini concert to the Wanderland Music and Arts Festival 2015 entitled Bonfire Sessions at the SM Mall of Asia in Pasay. Wanderland 2020 Due to the COVID-19 pandemic in the Philippines, organizers announced on March 4, 2020, that the music festival would be indefinitely postponed in accordance with quarantine, mass gathering, and social distancing protocols set by the Inter-Agency Task Force for the Management of Emerging Infectious Diseases. Wanderland 2023 After a two-year hiatus due to the COVID-19 pandemic, Karpos announced in November 2022 that they would hold Wanderland again on March 4–5, 2023, which would be billed as Wanderland: The Comeback. For the event, Karpos retained the sports and athletics theme that they initially used for Wanderland 2020. Editions References External links Official website YouTube channel

instance of

The Whinlatter Pass is a mountain pass in the English Lake District. It is located on the B5292 road linking Braithwaite, to the west of Keswick, with High Lorton to the south of Cockermouth.To the north the pass is flanked by Whinlatter fell, while to the south the Whiteside, Hopegill Head and Grisedale Pike fells borders the pass. From the top of the pass, paths climb Whinlatter and Grisedale Pike. There is also a Forestry Commission tourist centre there. The Whinlatter Pass is one of three passes that link the tourist area around Keswick, including Derwent Water and Borrowdale, with the valley of the River Cocker, including the lakes of Buttermere, Crummock Water and Loweswater. From north to south these passes are the Whinlatter Pass, the Newlands Pass, and the Honister Pass. The Whinlatter Pass can be icy in winter, but it is a less severe route than the other two passes.The Pass was used for the first King of the Mountains climb on the second stage of the 2016 Tour of Britain cycle race. See also List of hill passes of the Lake District == References ==

instance of

Brachydesis is a genus of tephritid or fruit flies in the family Tephritidae. Species Brachydesis rivularis (Bezzi, 1924) == References ==

taxon rank

Brachydesis is a genus of tephritid or fruit flies in the family Tephritidae. Species Brachydesis rivularis (Bezzi, 1924) == References ==

parent taxon

Brachydesis is a genus of tephritid or fruit flies in the family Tephritidae. Species Brachydesis rivularis (Bezzi, 1924) == References ==

taxon name

The North Carolina General Assembly of 2015–2016 was the state legislature that was first convened in Raleigh, North Carolina on January 14, 2015 and concluded in December 2016. This was the 151st meeting of the North Carolina General Assembly. Members of the North Carolina Senate and the North Carolina House of Representatives were elected on November 4, 2014. Republicans controlled the Senate and Democrats controlled the House of Representatives. Legislation The legislature passed 123 Session laws during regular sessions. There were four additional sessions dealing with elections and redistricting in which six additional session laws were passed. One particularly controversial session law was Senate Bill 2 (North Carolina General Assembly, 2015 Session) that dealt with an anti-LGBT law and allowed magistrates, assistant registers of deeds, and deputy registers of deeds to recuse themselves from performing duties related to marriage ceremonies due to sincerely held religious objection.Pat McCrory was the Governor of North Carolina and Dan Forest was Lieutenant Governor of North Carolina and President of the Senate during these sessions of the general assembly. Both were Republicans. House of Representatives House Leadership Members of the House The House of Representatives consisted of members representing the 120 districts established from population numbers in the 2010 census. The house members included 26 women, 22 African-Americans, and one Native American. There were 74 Republicans, 45 Democrats and one Independent Representatives from the 120 districts in North Carolina.The following table lists the districts and representatives: Senate Senate Leadership Members of the Senate The Senate consisted of 50 members including 13 female, 11 African-American, 34 Republican, 16 Democrat, 10 new, and 40 returning senators. Fletcher L. Hartsell, Jr. was the most senior senator with 13 terms in the Senate. ↑: Member was first appointed to office. See also 2014 North Carolina Senate election 2014 United States House of Representatives elections in North Carolina Notes References External links Official website (current legislature) Documents of the Senate, 2015-2016 Session Documents of the House, 2015-2016 Session

significant event

The North Carolina General Assembly of 2015–2016 was the state legislature that was first convened in Raleigh, North Carolina on January 14, 2015 and concluded in December 2016. This was the 151st meeting of the North Carolina General Assembly. Members of the North Carolina Senate and the North Carolina House of Representatives were elected on November 4, 2014. Republicans controlled the Senate and Democrats controlled the House of Representatives. Legislation The legislature passed 123 Session laws during regular sessions. There were four additional sessions dealing with elections and redistricting in which six additional session laws were passed. One particularly controversial session law was Senate Bill 2 (North Carolina General Assembly, 2015 Session) that dealt with an anti-LGBT law and allowed magistrates, assistant registers of deeds, and deputy registers of deeds to recuse themselves from performing duties related to marriage ceremonies due to sincerely held religious objection.Pat McCrory was the Governor of North Carolina and Dan Forest was Lieutenant Governor of North Carolina and President of the Senate during these sessions of the general assembly. Both were Republicans. House of Representatives House Leadership Members of the House The House of Representatives consisted of members representing the 120 districts established from population numbers in the 2010 census. The house members included 26 women, 22 African-Americans, and one Native American. There were 74 Republicans, 45 Democrats and one Independent Representatives from the 120 districts in North Carolina.The following table lists the districts and representatives: Senate Senate Leadership Members of the Senate The Senate consisted of 50 members including 13 female, 11 African-American, 34 Republican, 16 Democrat, 10 new, and 40 returning senators. Fletcher L. Hartsell, Jr. was the most senior senator with 13 terms in the Senate. ↑: Member was first appointed to office. See also 2014 North Carolina Senate election 2014 United States House of Representatives elections in North Carolina Notes References External links Official website (current legislature) Documents of the Senate, 2015-2016 Session Documents of the House, 2015-2016 Session

applies to jurisdiction

Krasnoarmeysky (Russian: Красноармейский) is a rural locality (a settlement) in Ertil, Ertilsky District, Voronezh Oblast, Russia. The population was 454 as of 2010. There are 10 streets. Geography Krasnoarmeysky is located 2 km southwest of Ertil (the district's administrative centre) by road. Ertil is the nearest rural locality. == References ==

country