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Dracula.chapter 24

chapter 24

{"name": "Chapter 24", "url": "https://web.archive.org/web/20210215030733/https://www.novelguide.com/dracula/summaries/chapter24", "summary": "Van Helsing reports that he investigated what ships were scheduled to be sailing to Transylvania. He found only one, the Czarina Catherine. Van Helsing and Arthur spoke with the dockmaster, who told them that a \"tall man, thin and pale,\" garbed all in black except for a straw hat, hurriedly booked passage on the ship. He had a large box with him to be placed on the vessel. Now, Dracula is on his way to the mouth of the Danube. The group must meet the ship there and attack Dracula while he is in his box, during the daylight. Meanwhile, Seward is beginning to have doubts about the men's current policy of keeping Mina in their confidences, given that she has undergone \"the Vampire's baptism of blood.\" As it turns out, Van Helsing has noted more and more the characteristics of vampirism appearing in Mina. He also fears that the mystic contact she had with Dracula may work both ways, and the vampire would have knowledge of their plans and acts. He and Seward agree to keep Mina ignorant. Interestingly, however, Mina herself decides she should no longer participate in the planning, a decision that gives her husband some pause. The group has a window of two weeks to reach Varna, at the mouth of the Danube, in order to intercept the Czarina Catherine. Van Helsing informs Jonathan that he , however, must stay behind to care for Mina. Later that night, Mina makes Jonathan promise--as he once made her promise not to read his Transylvanian diary--that he will tell her nothing of the plans against Dracula--presumably, that she might not unwittingly betray those plans to the enemy. Mina sleeps peacefully, and seems more peaceful and energetic the next day--a sign that Dracula is growing more physically distant. But, unexpectedly, Mina then awakens Jonathan early the next morning, announcing that she must accompany the men to Varna. She thinks her connection to the Count may actually prove useful. Not without some reluctance, which he confides to the men, Van Helsing agrees. He reviews the plan of what must happen when the group reaches Varna: they will board the ship and place a wild rose on Dracula's box, for superstition holds that this will confine the creature. Then, when none are looking, they will open the box, \"and all will be well.\" Nevertheless, Harker draws up his last will and testament, as do the others, before the group's departure.", "analysis": "Not unlike the previous one, this chapter continues to develop the possibility that Van Helsing is a foil to Dracula. The professor himself catalogues the ways in which Dracula is exceptional: \"Look at his persistence and endurance... He find in patience just how is his strength, and what are his powers. He study new tongues. He learn new social life; new environment of old ways, the politic, the law, the finance, the science...\" . Note also how Mina describes Van Helsing's agitation during their meeting: \"He answered in growing passion... he grew more angry and more forceful, till in the end we could not but see wherein was at least some of that personal dominance which made him so long a master amongst men\" . Surely it is no coincidence that Stoker is invoking, for Van Helsing, the same language of \"dominance\" and \"mastery\" that characterized Dracula's conception of himself in Chapter 2. And while Van Helsing's first words following this description--his insistence that the pursuit of Dracula is necessary for Mina's sake and for the sake of all humanity--may mitigate our impression of him at that point, it is worth nothing that Van Helsing, for all his heroism, and the vampire, for all its evilness, may not be much apart in their status as masters of men. It would seem, however, that Stoker expects readers to regard Van Helsing favorably, since his mastery is, unlike Dracula's, geared toward the good of others and not of himself alone. Van Helsing does not pursue power for himself; rather, he seeks to free others from the power of evil . All the same: readers are right to be skeptical of those \"masters of men\" in the real world who claim, as Van Helsing does in this chapter, to be \"ministers of God's own wish... that the world... will not be given over to monsters\" . As this Analysis has suggested previously, mastery of men may define a monster more than any amount of shapeshifting, blood-sucking, or occult natural forces ever can. And, to be fair, Van Helsing's \"praise\" of Dracula also lets Stoker reinforce the vampire's role as anti-Christ: \"Oh, if such a one was to come from God, and not the Devil, what a force for good might he not be in this old world of ours\" . going off \"to pray alone\" , just as Christ did in Gethsemane before his Passion.) Harker's description of the morning after which the group has learned of Dracula's departure in terms that hearken back to Van Helsing's discourse on \"King Laugh,\" for, like the emergence of joy amidst all circumstances to the contrary, Harker is so relieved by Dracula's leaving that the whole experience, even his own ordeal in Transylvania, momentarily seems \"like a long-forgotten dream\" . The moment is fleeting, however, for the scar on Mina's forehead is a visual reminder that all is not well. \" Alas!\" Harker laments. \"How can I disbelieve!... Whilst lasts, there can be no disbelief\" . Stoker here may be alluding, again to the story of Doubting Thomas in John 20. Thomas would not believe that Jesus had been raised from death to new life unless he saw the scars in Jesus' nails and side; similarly, but ironically, Harker cannot believe in a new life for himself and Mina because he sees Mina's scar. The possibility that Harker's journal entry may be meant to carry biblical overtones seems likely given that the incident also prompts Harker to reflect on what or who is guiding them in their hunt of Dracula: \"There is something of a guiding purpose manifest throughout, which is comforting. Mina says that perhaps we are the instruments of ultimate good\" . Although, according to the dockmaster's report, Count Dracula is still very much a Strong Man with whom to be reckoned, we also are given some tantalizing hints that he is already somewhat diminished. As Leonard Wolf notes, \"Dracula's straw hat is another of Stoker's masterful touches. The disordered King Vampire, in flight, is shorn of his dignity as he is made to run\" . This image may lend some credence to Harker's faith in a guiding purpose. It may function as a visual clue toward Dracula's ultimate downfall."}

This to Jonathan Harker. You are to stay with your dear Madam Mina. We shall go to make our search--if I can call it so, for it is not search but knowing, and we seek confirmation only. But do you stay and take care of her to-day. This is your best and most holiest office. This day nothing can find him here. Let me tell you that so you will know what we four know already, for I have tell them. He, our enemy, have gone away; he have gone back to his Castle in Transylvania. I know it so well, as if a great hand of fire wrote it on the wall. He have prepare for this in some way, and that last earth-box was ready to ship somewheres. For this he took the money; for this he hurry at the last, lest we catch him before the sun go down. It was his last hope, save that he might hide in the tomb that he think poor Miss Lucy, being as he thought like him, keep open to him. But there was not of time. When that fail he make straight for his last resource--his last earth-work I might say did I wish _double entente_. He is clever, oh, so clever! he know that his game here was finish; and so he decide he go back home. He find ship going by the route he came, and he go in it. We go off now to find what ship, and whither bound; when we have discover that, we come back and tell you all. Then we will comfort you and poor dear Madam Mina with new hope. For it will be hope when you think it over: that all is not lost. This very creature that we pursue, he take hundreds of years to get so far as London; and yet in one day, when we know of the disposal of him we drive him out. He is finite, though he is powerful to do much harm and suffers not as we do. But we are strong, each in our purpose; and we are all more strong together. Take heart afresh, dear husband of Madam Mina. This battle is but begun, and in the end we shall win--so sure as that God sits on high to watch over His children. Therefore be of much comfort till we return. VAN HELSING. _Jonathan Harker's Journal._ _4 October._--When I read to Mina, Van Helsing's message in the phonograph, the poor girl brightened up considerably. Already the certainty that the Count is out of the country has given her comfort; and comfort is strength to her. For my own part, now that his horrible danger is not face to face with us, it seems almost impossible to believe in it. Even my own terrible experiences in Castle Dracula seem like a long-forgotten dream. Here in the crisp autumn air in the bright sunlight---- Alas! how can I disbelieve! In the midst of my thought my eye fell on the red scar on my poor darling's white forehead. Whilst that lasts, there can be no disbelief. And afterwards the very memory of it will keep faith crystal clear. Mina and I fear to be idle, so we have been over all the diaries again and again. Somehow, although the reality seems greater each time, the pain and the fear seem less. There is something of a guiding purpose manifest throughout, which is comforting. Mina says that perhaps we are the instruments of ultimate good. It may be! I shall try to think as she does. We have never spoken to each other yet of the future. It is better to wait till we see the Professor and the others after their investigations. The day is running by more quickly than I ever thought a day could run for me again. It is now three o'clock. _Mina Harker's Journal._ _5 October, 5 p. m._--Our meeting for report. Present: Professor Van Helsing, Lord Godalming, Dr. Seward, Mr. Quincey Morris, Jonathan Harker, Mina Harker. Dr. Van Helsing described what steps were taken during the day to discover on what boat and whither bound Count Dracula made his escape:-- "As I knew that he wanted to get back to Transylvania, I felt sure that he must go by the Danube mouth; or by somewhere in the Black Sea, since by that way he come. It was a dreary blank that was before us. _Omne ignotum pro magnifico_; and so with heavy hearts we start to find what ships leave for the Black Sea last night. He was in sailing ship, since Madam Mina tell of sails being set. These not so important as to go in your list of the shipping in the _Times_, and so we go, by suggestion of Lord Godalming, to your Lloyd's, where are note of all ships that sail, however so small. There we find that only one Black-Sea-bound ship go out with the tide. She is the _Czarina Catherine_, and she sail from Doolittle's Wharf for Varna, and thence on to other parts and up the Danube. 'Soh!' said I, 'this is the ship whereon is the Count.' So off we go to Doolittle's Wharf, and there we find a man in an office of wood so small that the man look bigger than the office. From him we inquire of the goings of the _Czarina Catherine_. He swear much, and he red face and loud of voice, but he good fellow all the same; and when Quincey give him something from his pocket which crackle as he roll it up, and put it in a so small bag which he have hid deep in his clothing, he still better fellow and humble servant to us. He come with us, and ask many men who are rough and hot; these be better fellows too when they have been no more thirsty. They say much of blood and bloom, and of others which I comprehend not, though I guess what they mean; but nevertheless they tell us all things which we want to know. "They make known to us among them, how last afternoon at about five o'clock comes a man so hurry. A tall man, thin and pale, with high nose and teeth so white, and eyes that seem to be burning. That he be all in black, except that he have a hat of straw which suit not him or the time. That he scatter his money in making quick inquiry as to what ship sails for the Black Sea and for where. Some took him to the office and then to the ship, where he will not go aboard but halt at shore end of gang-plank, and ask that the captain come to him. The captain come, when told that he will be pay well; and though he swear much at the first he agree to term. Then the thin man go and some one tell him where horse and cart can be hired. He go there and soon he come again, himself driving cart on which a great box; this he himself lift down, though it take several to put it on truck for the ship. He give much talk to captain as to how and where his box is to be place; but the captain like it not and swear at him in many tongues, and tell him that if he like he can come and see where it shall be. But he say 'no'; that he come not yet, for that he have much to do. Whereupon the captain tell him that he had better be quick--with blood--for that his ship will leave the place--of blood--before the turn of the tide--with blood. Then the thin man smile and say that of course he must go when he think fit; but he will be surprise if he go quite so soon. The captain swear again, polyglot, and the thin man make him bow, and thank him, and say that he will so far intrude on his kindness as to come aboard before the sailing. Final the captain, more red than ever, and in more tongues tell him that he doesn't want no Frenchmen--with bloom upon them and also with blood--in his ship--with blood on her also. And so, after asking where there might be close at hand a ship where he might purchase ship forms, he departed. "No one knew where he went 'or bloomin' well cared,' as they said, for they had something else to think of--well with blood again; for it soon became apparent to all that the _Czarina Catherine_ would not sail as was expected. A thin mist began to creep up from the river, and it grew, and grew; till soon a dense fog enveloped the ship and all around her. The captain swore polyglot--very polyglot--polyglot with bloom and blood; but he could do nothing. The water rose and rose; and he began to fear that he would lose the tide altogether. He was in no friendly mood, when just at full tide, the thin man came up the gang-plank again and asked to see where his box had been stowed. Then the captain replied that he wished that he and his box--old and with much bloom and blood--were in hell. But the thin man did not be offend, and went down with the mate and saw where it was place, and came up and stood awhile on deck in fog. He must have come off by himself, for none notice him. Indeed they thought not of him; for soon the fog begin to melt away, and all was clear again. My friends of the thirst and the language that was of bloom and blood laughed, as they told how the captain's swears exceeded even his usual polyglot, and was more than ever full of picturesque, when on questioning other mariners who were on movement up and down on the river that hour, he found that few of them had seen any of fog at all, except where it lay round the wharf. However, the ship went out on the ebb tide; and was doubtless by morning far down the river mouth. She was by then, when they told us, well out to sea. "And so, my dear Madam Mina, it is that we have to rest for a time, for our enemy is on the sea, with the fog at his command, on his way to the Danube mouth. To sail a ship takes time, go she never so quick; and when we start we go on land more quick, and we meet him there. Our best hope is to come on him when in the box between sunrise and sunset; for then he can make no struggle, and we may deal with him as we should. There are days for us, in which we can make ready our plan. We know all about where he go; for we have seen the owner of the ship, who have shown us invoices and all papers that can be. The box we seek is to be landed in Varna, and to be given to an agent, one Ristics who will there present his credentials; and so our merchant friend will have done his part. When he ask if there be any wrong, for that so, he can telegraph and have inquiry made at Varna, we say 'no'; for what is to be done is not for police or of the customs. It must be done by us alone and in our own way." When Dr. Van Helsing had done speaking, I asked him if he were certain that the Count had remained on board the ship. He replied: "We have the best proof of that: your own evidence, when in the hypnotic trance this morning." I asked him again if it were really necessary that they should pursue the Count, for oh! I dread Jonathan leaving me, and I know that he would surely go if the others went. He answered in growing passion, at first quietly. As he went on, however, he grew more angry and more forceful, till in the end we could not but see wherein was at least some of that personal dominance which made him so long a master amongst men:-- "Yes, it is necessary--necessary--necessary! For your sake in the first, and then for the sake of humanity. This monster has done much harm already, in the narrow scope where he find himself, and in the short time when as yet he was only as a body groping his so small measure in darkness and not knowing. All this have I told these others; you, my dear Madam Mina, will learn it in the phonograph of my friend John, or in that of your husband. I have told them how the measure of leaving his own barren land--barren of peoples--and coming to a new land where life of man teems till they are like the multitude of standing corn, was the work of centuries. Were another of the Un-Dead, like him, to try to do what he has done, perhaps not all the centuries of the world that have been, or that will be, could aid him. With this one, all the forces of nature that are occult and deep and strong must have worked together in some wondrous way. The very place, where he have been alive, Un-Dead for all these centuries, is full of strangeness of the geologic and chemical world. There are deep caverns and fissures that reach none know whither. There have been volcanoes, some of whose openings still send out waters of strange properties, and gases that kill or make to vivify. Doubtless, there is something magnetic or electric in some of these combinations of occult forces which work for physical life in strange way; and in himself were from the first some great qualities. In a hard and warlike time he was celebrate that he have more iron nerve, more subtle brain, more braver heart, than any man. In him some vital principle have in strange way found their utmost; and as his body keep strong and grow and thrive, so his brain grow too. All this without that diabolic aid which is surely to him; for it have to yield to the powers that come from, and are, symbolic of good. And now this is what he is to us. He have infect you--oh, forgive me, my dear, that I must say such; but it is for good of you that I speak. He infect you in such wise, that even if he do no more, you have only to live--to live in your own old, sweet way; and so in time, death, which is of man's common lot and with God's sanction, shall make you like to him. This must not be! We have sworn together that it must not. Thus are we ministers of God's own wish: that the world, and men for whom His Son die, will not be given over to monsters, whose very existence would defame Him. He have allowed us to redeem one soul already, and we go out as the old knights of the Cross to redeem more. Like them we shall travel towards the sunrise; and like them, if we fall, we fall in good cause." He paused and I said:-- "But will not the Count take his rebuff wisely? Since he has been driven from England, will he not avoid it, as a tiger does the village from which he has been hunted?" "Aha!" he said, "your simile of the tiger good, for me, and I shall adopt him. Your man-eater, as they of India call the tiger who has once tasted blood of the human, care no more for the other prey, but prowl unceasing till he get him. This that we hunt from our village is a tiger, too, a man-eater, and he never cease to prowl. Nay, in himself he is not one to retire and stay afar. In his life, his living life, he go over the Turkey frontier and attack his enemy on his own ground; he be beaten back, but did he stay? No! He come again, and again, and again. Look at his persistence and endurance. With the child-brain that was to him he have long since conceive the idea of coming to a great city. What does he do? He find out the place of all the world most of promise for him. Then he deliberately set himself down to prepare for the task. He find in patience just how is his strength, and what are his powers. He study new tongues. He learn new social life; new environment of old ways, the politic, the law, the finance, the science, the habit of a new land and a new people who have come to be since he was. His glimpse that he have had, whet his appetite only and enkeen his desire. Nay, it help him to grow as to his brain; for it all prove to him how right he was at the first in his surmises. He have done this alone; all alone! from a ruin tomb in a forgotten land. What more may he not do when the greater world of thought is open to him. He that can smile at death, as we know him; who can flourish in the midst of diseases that kill off whole peoples. Oh, if such an one was to come from God, and not the Devil, what a force for good might he not be in this old world of ours. But we are pledged to set the world free. Our toil must be in silence, and our efforts all in secret; for in this enlightened age, when men believe not even what they see, the doubting of wise men would be his greatest strength. It would be at once his sheath and his armour, and his weapons to destroy us, his enemies, who are willing to peril even our own souls for the safety of one we love--for the good of mankind, and for the honour and glory of God." After a general discussion it was determined that for to-night nothing be definitely settled; that we should all sleep on the facts, and try to think out the proper conclusions. To-morrow, at breakfast, we are to meet again, and, after making our conclusions known to one another, we shall decide on some definite cause of action. * * * * * I feel a wonderful peace and rest to-night. It is as if some haunting presence were removed from me. Perhaps ... My surmise was not finished, could not be; for I caught sight in the mirror of the red mark upon my forehead; and I knew that I was still unclean. _Dr. Seward's Diary._ _5 October._--We all rose early, and I think that sleep did much for each and all of us. When we met at early breakfast there was more general cheerfulness than any of us had ever expected to experience again. It is really wonderful how much resilience there is in human nature. Let any obstructing cause, no matter what, be removed in any way--even by death--and we fly back to first principles of hope and enjoyment. More than once as we sat around the table, my eyes opened in wonder whether the whole of the past days had not been a dream. It was only when I caught sight of the red blotch on Mrs. Harker's forehead that I was brought back to reality. Even now, when I am gravely revolving the matter, it is almost impossible to realise that the cause of all our trouble is still existent. Even Mrs. Harker seems to lose sight of her trouble for whole spells; it is only now and again, when something recalls it to her mind, that she thinks of her terrible scar. We are to meet here in my study in half an hour and decide on our course of action. I see only one immediate difficulty, I know it by instinct rather than reason: we shall all have to speak frankly; and yet I fear that in some mysterious way poor Mrs. Harker's tongue is tied. I _know_ that she forms conclusions of her own, and from all that has been I can guess how brilliant and how true they must be; but she will not, or cannot, give them utterance. I have mentioned this to Van Helsing, and he and I are to talk it over when we are alone. I suppose it is some of that horrid poison which has got into her veins beginning to work. The Count had his own purposes when he gave her what Van Helsing called "the Vampire's baptism of blood." Well, there may be a poison that distils itself out of good things; in an age when the existence of ptomaines is a mystery we should not wonder at anything! One thing I know: that if my instinct be true regarding poor Mrs. Harker's silences, then there is a terrible difficulty--an unknown danger--in the work before us. The same power that compels her silence may compel her speech. I dare not think further; for so I should in my thoughts dishonour a noble woman! Van Helsing is coming to my study a little before the others. I shall try to open the subject with him. * * * * * _Later._--When the Professor came in, we talked over the state of things. I could see that he had something on his mind which he wanted to say, but felt some hesitancy about broaching the subject. After beating about the bush a little, he said suddenly:-- "Friend John, there is something that you and I must talk of alone, just at the first at any rate. Later, we may have to take the others into our confidence"; then he stopped, so I waited; he went on:-- "Madam Mina, our poor, dear Madam Mina is changing." A cold shiver ran through me to find my worst fears thus endorsed. Van Helsing continued:-- "With the sad experience of Miss Lucy, we must this time be warned before things go too far. Our task is now in reality more difficult than ever, and this new trouble makes every hour of the direst importance. I can see the characteristics of the vampire coming in her face. It is now but very, very slight; but it is to be seen if we have eyes to notice without to prejudge. Her teeth are some sharper, and at times her eyes are more hard. But these are not all, there is to her the silence now often; as so it was with Miss Lucy. She did not speak, even when she wrote that which she wished to be known later. Now my fear is this. If it be that she can, by our hypnotic trance, tell what the Count see and hear, is it not more true that he who have hypnotise her first, and who have drink of her very blood and make her drink of his, should, if he will, compel her mind to disclose to him that which she know?" I nodded acquiescence; he went on:-- "Then, what we must do is to prevent this; we must keep her ignorant of our intent, and so she cannot tell what she know not. This is a painful task! Oh, so painful that it heart-break me to think of; but it must be. When to-day we meet, I must tell her that for reason which we will not to speak she must not more be of our council, but be simply guarded by us." He wiped his forehead, which had broken out in profuse perspiration at the thought of the pain which he might have to inflict upon the poor soul already so tortured. I knew that it would be some sort of comfort to him if I told him that I also had come to the same conclusion; for at any rate it would take away the pain of doubt. I told him, and the effect was as I expected. It is now close to the time of our general gathering. Van Helsing has gone away to prepare for the meeting, and his painful part of it. I really believe his purpose is to be able to pray alone. * * * * * _Later._--At the very outset of our meeting a great personal relief was experienced by both Van Helsing and myself. Mrs. Harker had sent a message by her husband to say that she would not join us at present, as she thought it better that we should be free to discuss our movements without her presence to embarrass us. The Professor and I looked at each other for an instant, and somehow we both seemed relieved. For my own part, I thought that if Mrs. Harker realised the danger herself, it was much pain as well as much danger averted. Under the circumstances we agreed, by a questioning look and answer, with finger on lip, to preserve silence in our suspicions, until we should have been able to confer alone again. We went at once into our Plan of Campaign. Van Helsing roughly put the facts before us first:-- "The _Czarina Catherine_ left the Thames yesterday morning. It will take her at the quickest speed she has ever made at least three weeks to reach Varna; but we can travel overland to the same place in three days. Now, if we allow for two days less for the ship's voyage, owing to such weather influences as we know that the Count can bring to bear; and if we allow a whole day and night for any delays which may occur to us, then we have a margin of nearly two weeks. Thus, in order to be quite safe, we must leave here on 17th at latest. Then we shall at any rate be in Varna a day before the ship arrives, and able to make such preparations as may be necessary. Of course we shall all go armed--armed against evil things, spiritual as well as physical." Here Quincey Morris added:-- "I understand that the Count comes from a wolf country, and it may be that he shall get there before us. I propose that we add Winchesters to our armament. I have a kind of belief in a Winchester when there is any trouble of that sort around. Do you remember, Art, when we had the pack after us at Tobolsk? What wouldn't we have given then for a repeater apiece!" "Good!" said Van Helsing, "Winchesters it shall be. Quincey's head is level at all times, but most so when there is to hunt, metaphor be more dishonour to science than wolves be of danger to man. In the meantime we can do nothing here; and as I think that Varna is not familiar to any of us, why not go there more soon? It is as long to wait here as there. To-night and to-morrow we can get ready, and then, if all be well, we four can set out on our journey." "We four?" said Harker interrogatively, looking from one to another of us. "Of course!" answered the Professor quickly, "you must remain to take care of your so sweet wife!" Harker was silent for awhile and then said in a hollow voice:-- "Let us talk of that part of it in the morning. I want to consult with Mina." I thought that now was the time for Van Helsing to warn him not to disclose our plans to her; but he took no notice. I looked at him significantly and coughed. For answer he put his finger on his lips and turned away. _Jonathan Harker's Journal._ _5 October, afternoon._--For some time after our meeting this morning I could not think. The new phases of things leave my mind in a state of wonder which allows no room for active thought. Mina's determination not to take any part in the discussion set me thinking; and as I could not argue the matter with her, I could only guess. I am as far as ever from a solution now. The way the others received it, too, puzzled me; the last time we talked of the subject we agreed that there was to be no more concealment of anything amongst us. Mina is sleeping now, calmly and sweetly like a little child. Her lips are curved and her face beams with happiness. Thank God, there are such moments still for her. * * * * * _Later._--How strange it all is. I sat watching Mina's happy sleep, and came as near to being happy myself as I suppose I shall ever be. As the evening drew on, and the earth took its shadows from the sun sinking lower, the silence of the room grew more and more solemn to me. All at once Mina opened her eyes, and looking at me tenderly, said:-- "Jonathan, I want you to promise me something on your word of honour. A promise made to me, but made holily in God's hearing, and not to be broken though I should go down on my knees and implore you with bitter tears. Quick, you must make it to me at once." "Mina," I said, "a promise like that, I cannot make at once. I may have no right to make it." "But, dear one," she said, with such spiritual intensity that her eyes were like pole stars, "it is I who wish it; and it is not for myself. You can ask Dr. Van Helsing if I am not right; if he disagrees you may do as you will. Nay, more, if you all agree, later, you are absolved from the promise." "I promise!" I said, and for a moment she looked supremely happy; though to me all happiness for her was denied by the red scar on her forehead. She said:-- "Promise me that you will not tell me anything of the plans formed for the campaign against the Count. Not by word, or inference, or implication; not at any time whilst this remains to me!" and she solemnly pointed to the scar. I saw that she was in earnest, and said solemnly:-- "I promise!" and as I said it I felt that from that instant a door had been shut between us. * * * * * _Later, midnight._--Mina has been bright and cheerful all the evening. So much so that all the rest seemed to take courage, as if infected somewhat with her gaiety; as a result even I myself felt as if the pall of gloom which weighs us down were somewhat lifted. We all retired early. Mina is now sleeping like a little child; it is a wonderful thing that her faculty of sleep remains to her in the midst of her terrible trouble. Thank God for it, for then at least she can forget her care. Perhaps her example may affect me as her gaiety did to-night. I shall try it. Oh! for a dreamless sleep. * * * * * _6 October, morning._--Another surprise. Mina woke me early, about the same time as yesterday, and asked me to bring Dr. Van Helsing. I thought that it was another occasion for hypnotism, and without question went for the Professor. He had evidently expected some such call, for I found him dressed in his room. His door was ajar, so that he could hear the opening of the door of our room. He came at once; as he passed into the room, he asked Mina if the others might come, too. "No," she said quite simply, "it will not be necessary. You can tell them just as well. I must go with you on your journey." Dr. Van Helsing was as startled as I was. After a moment's pause he asked:-- "But why?" "You must take me with you. I am safer with you, and you shall be safer, too." "But why, dear Madam Mina? You know that your safety is our solemnest duty. We go into danger, to which you are, or may be, more liable than any of us from--from circumstances--things that have been." He paused, embarrassed. As she replied, she raised her finger and pointed to her forehead:-- "I know. That is why I must go. I can tell you now, whilst the sun is coming up; I may not be able again. I know that when the Count wills me I must go. I know that if he tells me to come in secret, I must come by wile; by any device to hoodwink--even Jonathan." God saw the look that she turned on me as she spoke, and if there be indeed a Recording Angel that look is noted to her everlasting honour. I could only clasp her hand. I could not speak; my emotion was too great for even the relief of tears. She went on:-- "You men are brave and strong. You are strong in your numbers, for you can defy that which would break down the human endurance of one who had to guard alone. Besides, I may be of service, since you can hypnotise me and so learn that which even I myself do not know." Dr. Van Helsing said very gravely:-- "Madam Mina, you are, as always, most wise. You shall with us come; and together we shall do that which we go forth to achieve." When he had spoken, Mina's long spell of silence made me look at her. She had fallen back on her pillow asleep; she did not even wake when I had pulled up the blind and let in the sunlight which flooded the room. Van Helsing motioned to me to come with him quietly. We went to his room, and within a minute Lord Godalming, Dr. Seward, and Mr. Morris were with us also. He told them what Mina had said, and went on:-- "In the morning we shall leave for Varna. We have now to deal with a new factor: Madam Mina. Oh, but her soul is true. It is to her an agony to tell us so much as she has done; but it is most right, and we are warned in time. There must be no chance lost, and in Varna we must be ready to act the instant when that ship arrives." "What shall we do exactly?" asked Mr. Morris laconically. The Professor paused before replying:-- "We shall at the first board that ship; then, when we have identified the box, we shall place a branch of the wild rose on it. This we shall fasten, for when it is there none can emerge; so at least says the superstition. And to superstition must we trust at the first; it was man's faith in the early, and it have its root in faith still. Then, when we get the opportunity that we seek, when none are near to see, we shall open the box, and--and all will be well." "I shall not wait for any opportunity," said Morris. "When I see the box I shall open it and destroy the monster, though there were a thousand men looking on, and if I am to be wiped out for it the next moment!" I grasped his hand instinctively and found it as firm as a piece of steel. I think he understood my look; I hope he did. "Good boy," said Dr. Van Helsing. "Brave boy. Quincey is all man. God bless him for it. My child, believe me none of us shall lag behind or pause from any fear. I do but say what we may do--what we must do. But, indeed, indeed we cannot say what we shall do. There are so many things which may happen, and their ways and their ends are so various that until the moment we may not say. We shall all be armed, in all ways; and when the time for the end has come, our effort shall not be lack. Now let us to-day put all our affairs in order. Let all things which touch on others dear to us, and who on us depend, be complete; for none of us can tell what, or when, or how, the end may be. As for me, my own affairs are regulate; and as I have nothing else to do, I shall go make arrangements for the travel. I shall have all tickets and so forth for our journey." There was nothing further to be said, and we parted. I shall now settle up all my affairs of earth, and be ready for whatever may come.... * * * * * _Later._--It is all done; my will is made, and all complete. Mina if she survive is my sole heir. If it should not be so, then the others who have been so good to us shall have remainder. It is now drawing towards the sunset; Mina's uneasiness calls my attention to it. I am sure that there is something on her mind which the time of exact sunset will reveal. These occasions are becoming harrowing times for us all, for each sunrise and sunset opens up some new danger--some new pain, which, however, may in God's will be means to a good end. I write all these things in the diary since my darling must not hear them now; but if it may be that she can see them again, they shall be ready. She is calling to me.

Chapter 24

https://web.archive.org/web/20210215030733/https://www.novelguide.com/dracula/summaries/chapter24

Van Helsing reports that he investigated what ships were scheduled to be sailing to Transylvania. He found only one, the Czarina Catherine. Van Helsing and Arthur spoke with the dockmaster, who told them that a "tall man, thin and pale," garbed all in black except for a straw hat, hurriedly booked passage on the ship. He had a large box with him to be placed on the vessel. Now, Dracula is on his way to the mouth of the Danube. The group must meet the ship there and attack Dracula while he is in his box, during the daylight. Meanwhile, Seward is beginning to have doubts about the men's current policy of keeping Mina in their confidences, given that she has undergone "the Vampire's baptism of blood." As it turns out, Van Helsing has noted more and more the characteristics of vampirism appearing in Mina. He also fears that the mystic contact she had with Dracula may work both ways, and the vampire would have knowledge of their plans and acts. He and Seward agree to keep Mina ignorant. Interestingly, however, Mina herself decides she should no longer participate in the planning, a decision that gives her husband some pause. The group has a window of two weeks to reach Varna, at the mouth of the Danube, in order to intercept the Czarina Catherine. Van Helsing informs Jonathan that he , however, must stay behind to care for Mina. Later that night, Mina makes Jonathan promise--as he once made her promise not to read his Transylvanian diary--that he will tell her nothing of the plans against Dracula--presumably, that she might not unwittingly betray those plans to the enemy. Mina sleeps peacefully, and seems more peaceful and energetic the next day--a sign that Dracula is growing more physically distant. But, unexpectedly, Mina then awakens Jonathan early the next morning, announcing that she must accompany the men to Varna. She thinks her connection to the Count may actually prove useful. Not without some reluctance, which he confides to the men, Van Helsing agrees. He reviews the plan of what must happen when the group reaches Varna: they will board the ship and place a wild rose on Dracula's box, for superstition holds that this will confine the creature. Then, when none are looking, they will open the box, "and all will be well." Nevertheless, Harker draws up his last will and testament, as do the others, before the group's departure.

Not unlike the previous one, this chapter continues to develop the possibility that Van Helsing is a foil to Dracula. The professor himself catalogues the ways in which Dracula is exceptional: "Look at his persistence and endurance... He find in patience just how is his strength, and what are his powers. He study new tongues. He learn new social life; new environment of old ways, the politic, the law, the finance, the science..." . Note also how Mina describes Van Helsing's agitation during their meeting: "He answered in growing passion... he grew more angry and more forceful, till in the end we could not but see wherein was at least some of that personal dominance which made him so long a master amongst men" . Surely it is no coincidence that Stoker is invoking, for Van Helsing, the same language of "dominance" and "mastery" that characterized Dracula's conception of himself in Chapter 2. And while Van Helsing's first words following this description--his insistence that the pursuit of Dracula is necessary for Mina's sake and for the sake of all humanity--may mitigate our impression of him at that point, it is worth nothing that Van Helsing, for all his heroism, and the vampire, for all its evilness, may not be much apart in their status as masters of men. It would seem, however, that Stoker expects readers to regard Van Helsing favorably, since his mastery is, unlike Dracula's, geared toward the good of others and not of himself alone. Van Helsing does not pursue power for himself; rather, he seeks to free others from the power of evil . All the same: readers are right to be skeptical of those "masters of men" in the real world who claim, as Van Helsing does in this chapter, to be "ministers of God's own wish... that the world... will not be given over to monsters" . As this Analysis has suggested previously, mastery of men may define a monster more than any amount of shapeshifting, blood-sucking, or occult natural forces ever can. And, to be fair, Van Helsing's "praise" of Dracula also lets Stoker reinforce the vampire's role as anti-Christ: "Oh, if such a one was to come from God, and not the Devil, what a force for good might he not be in this old world of ours" . going off "to pray alone" , just as Christ did in Gethsemane before his Passion.) Harker's description of the morning after which the group has learned of Dracula's departure in terms that hearken back to Van Helsing's discourse on "King Laugh," for, like the emergence of joy amidst all circumstances to the contrary, Harker is so relieved by Dracula's leaving that the whole experience, even his own ordeal in Transylvania, momentarily seems "like a long-forgotten dream" . The moment is fleeting, however, for the scar on Mina's forehead is a visual reminder that all is not well. " Alas!" Harker laments. "How can I disbelieve!... Whilst lasts, there can be no disbelief" . Stoker here may be alluding, again to the story of Doubting Thomas in John 20. Thomas would not believe that Jesus had been raised from death to new life unless he saw the scars in Jesus' nails and side; similarly, but ironically, Harker cannot believe in a new life for himself and Mina because he sees Mina's scar. The possibility that Harker's journal entry may be meant to carry biblical overtones seems likely given that the incident also prompts Harker to reflect on what or who is guiding them in their hunt of Dracula: "There is something of a guiding purpose manifest throughout, which is comforting. Mina says that perhaps we are the instruments of ultimate good" . Although, according to the dockmaster's report, Count Dracula is still very much a Strong Man with whom to be reckoned, we also are given some tantalizing hints that he is already somewhat diminished. As Leonard Wolf notes, "Dracula's straw hat is another of Stoker's masterful touches. The disordered King Vampire, in flight, is shorn of his dignity as he is made to run" . This image may lend some credence to Harker's faith in a guiding purpose. It may function as a visual clue toward Dracula's ultimate downfall.

novelguide

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Dracula.chapter 25

chapter 25

{"name": "Chapter 25", "url": "https://web.archive.org/web/20210215030733/https://www.novelguide.com/dracula/summaries/chapter25", "summary": "Van Helsing continues his \"interviews\" with Mina at sunrise and sunset, \"to her times of peculiar freedom; when her old self can be manifest without any controlling force subduing or restraining her, or inciting her to action.\" During one such interview, after signs of a violent internal struggle, Mina implores the men to promise her that, should the need arise, they will kill her rather than let Dracula use her as a weapon against them. With understandable reluctance but with a firm sense of their solemn duty to rid the world of the vampire, all the men agree--save Mina's husband, Jonathan. He never swears his oath; the most that Mina can accomplish is to make Van Helsing pledge that he will see to it that Jonathan, and none other, delivers the fatal stroke that would at last grant her peace. She further implores the men to read for her the office of the Burial of the Dead from the Book of Common Prayer. The other hypnotic interviews continue to confirm that Dracula is at sea aboard the Czarina Catherine. When the vessel does not arrive at Varna as scheduled, however, the group's suspicions begin to arise that their plans have somehow gone awry. At last, on October 28, news comes that the ship has docked at Galatz instead. Undaunted, the group makes plans to travel by rail to that seaport to carry out their mission. Van Helsing charges Arthur to make arrangements with the local authorities to board and search the Czarina Catherine. Meanwhile, he and Seward again confer about their doubts regarding Mina, who has just announced a shift within her that makes her feel freer than before. The two men hypothesize that Dracula has learned of their pursuit of him through Van Helsing's hypnosis sessions with Mina. As feared, information is thus flowing in two directions. There remains, however, hope: the new freedom that Mina feels is due to the fact that Dracula no longer wants her. His ego is consuming him--a sure mark, says Van Helsing, of the vampire's \"child-brain. \" In other words, Dracula is more concerned with escaping than with claiming Mina for his own. His retreat from England mirrors his retreat to his own land following his excursions into Turkey as a military leader, so long ago, that he related to Harker back in Transylvania; therefore, the party now knows that he will redouble his efforts in time to dominate England as he dominated his enemies of the past. Knowing his plans--both through his pattern of fixation on a single crime common to all criminals and the knowledge gained through his attempts to dominate Mina's mind--Van Helsing is certain that Dracula can yet be defeated.", "analysis": "This chapter contributes a new level of understanding to Van Helsing's previous assessments of Count Dracula. True, the vampire is intelligent and accomplished; as all \"child-brains\" do, he has been advancing his knowledge and skill through instrumental experimentation. Nevertheless--and ironically, given his incredibly long \"life\"--Dracula remains a \"child-brain,\" and \"child-brains\" are inherently selfish. And so Van Helsing can assert, \"I have hope that our man-brains, that have been of man so long and that have not lost the grace of God\"--perhaps a reference to the traditional Christian belief that God's creation of mankind \"in his image\" is a reference to the human capacity for reason--\"will come higher than child-brain that lie in his tomb for centuries, that grow not yet to our stature, and that do only work selfish and therefore small\" . So while these comments do indeed cast a new light upon Van Helsing's seeming \"praise\" of Dracula in the two preceding chapters, they also underscore the critical difference between the two impressive polymaths, a difference we have encountered before. Where Dracula is fundamentally selfish and seeks to dominate others, Van Helsing and his companions are fundamentally selfless and devote themselves to serving others: \"We, however, are not selfish, and we believe that God is with us through all this blackness...\" . Dracula has not \"grown to the stature\" of true humans, as typified by Van Helsing and his companions; they, in turn, could be seen as having, or at least being well on the way, to growing into \"a perfect man, unto the measure of the stature of the fulness of Christ\" . A modern translation of the Scripture such as the NRSV renders the phrase \"maturity,\" but the seventeenth-century choice of \"perfect man\" in the King James Version suits Stoker's purpose more aptly. Dracula, as we have well established by now--through his combination of strength but weaknesses, through the constant comparison of him to brute animals--is far from the perfect man. Van Helsing, in contrast, usually represents an idealized perfect man, and he seems to bestow much of that perfection on those who join his holy mission to destroy the evil of the vampire. The key to perfection, to growing toward divine maturity, is selflessness. It is love, seen, for example, in the innumerable blood transfusions the men who loved Lucy gave to her before her death. But that underscores the point that it is an active love, a love willing to dare, to take risks. Perhaps this qualification is what makes poor Jonathan Harker emerge in a less than favorable light in this chapter: no one doubts his love for Mina, but his love is increasingly leading him to a place of despair for Mina's fate rather than the hope the other men harbor. According to the Bible, Jesus said, \"Greater love hath no man than this, that a man lay down his life for his friends\" . Stoker's text develops this theme one step further, and not without troubling implications: great love demands not only that the lovers be willing to lay down their lives for the beloved, but also that they be willing--as we saw with Lucy, and as we see in Mina's attempt in this chapter to extract a solemn promise from the men who surround and love her--to sacrifice the beloved's life for the good of the beloved. Thus readers see that even Victorian society was not immune to the controversy surrounding what Seward calls that \"excellent and comforting word,\" euthanasia . According to Ian Dowbiggin in A Concise History of Euthanasia, few wanted to return to the medieval punishments for killing oneself, and many believed suicides were more to be pitied than vilified, but few remained sympathetic to Enlightenment justifications of taking one's life to escape the physical and emotional pain of disability, disease or impending death. The religious attitude toward suicide and euthanasia remained intact, despite the efforts of secularist eighteenth-century thinkers to normalize these acts. Dying continued to be seen as a test of courage and religious virtue. And euthanasia was still mainly understood to refer to a \"good death\" for Christians anxious to die in a state of grace . It would seem that Mina views the promise she makes the men make to her as akin to the latter category. She has no qualms, it seems, asking that her life be taken if Dracula will pervert her continued existence to a method of doing evil. . Seward's diary, however, would hint that he is not as convinced about \"euthanasia,\" despite his professed gratitude for the word's coinage. This conflict over the act's morality places him squarely, then, in Victorian attitudes toward euthanasia. The chapter concludes by pointing out one more way in which God may be at work through the events of the text. The two-way communication through Dracula's mental contacts with Mina, tricking them into thinking he still sailed for Varna rather than Galatz where he plots his escape, may have been a disadvantage to the vampire hunters, but now it is turning to their advantage. And so Van Helsing postulates: Dracula's \"child-mind only saw so far; and it may be that, as ever is in God's Providence, the very thing that the evil doer most reckoned on for his selfish good, turns out to be his chiefest harm\" . Although the professor then quotes the Psalmist to buttress his argument, he could also have pointed to Joseph from the Hebrew Scriptures, who declared to the brothers who years before had selfishly tried to kill him: \"But as for you, ye thought evil against me; butGod meant it unto good, to bring to pass, as it is this day, to save much people alive\" ."}

_11 October, Evening._--Jonathan Harker has asked me to note this, as he says he is hardly equal to the task, and he wants an exact record kept. I think that none of us were surprised when we were asked to see Mrs. Harker a little before the time of sunset. We have of late come to understand that sunrise and sunset are to her times of peculiar freedom; when her old self can be manifest without any controlling force subduing or restraining her, or inciting her to action. This mood or condition begins some half hour or more before actual sunrise or sunset, and lasts till either the sun is high, or whilst the clouds are still aglow with the rays streaming above the horizon. At first there is a sort of negative condition, as if some tie were loosened, and then the absolute freedom quickly follows; when, however, the freedom ceases the change-back or relapse comes quickly, preceded only by a spell of warning silence. To-night, when we met, she was somewhat constrained, and bore all the signs of an internal struggle. I put it down myself to her making a violent effort at the earliest instant she could do so. A very few minutes, however, gave her complete control of herself; then, motioning her husband to sit beside her on the sofa where she was half reclining, she made the rest of us bring chairs up close. Taking her husband's hand in hers began:-- "We are all here together in freedom, for perhaps the last time! I know, dear; I know that you will always be with me to the end." This was to her husband whose hand had, as we could see, tightened upon hers. "In the morning we go out upon our task, and God alone knows what may be in store for any of us. You are going to be so good to me as to take me with you. I know that all that brave earnest men can do for a poor weak woman, whose soul perhaps is lost--no, no, not yet, but is at any rate at stake--you will do. But you must remember that I am not as you are. There is a poison in my blood, in my soul, which may destroy me; which must destroy me, unless some relief comes to us. Oh, my friends, you know as well as I do, that my soul is at stake; and though I know there is one way out for me, you must not and I must not take it!" She looked appealingly to us all in turn, beginning and ending with her husband. "What is that way?" asked Van Helsing in a hoarse voice. "What is that way, which we must not--may not--take?" "That I may die now, either by my own hand or that of another, before the greater evil is entirely wrought. I know, and you know, that were I once dead you could and would set free my immortal spirit, even as you did my poor Lucy's. Were death, or the fear of death, the only thing that stood in the way I would not shrink to die here, now, amidst the friends who love me. But death is not all. I cannot believe that to die in such a case, when there is hope before us and a bitter task to be done, is God's will. Therefore, I, on my part, give up here the certainty of eternal rest, and go out into the dark where may be the blackest things that the world or the nether world holds!" We were all silent, for we knew instinctively that this was only a prelude. The faces of the others were set and Harker's grew ashen grey; perhaps he guessed better than any of us what was coming. She continued:-- "This is what I can give into the hotch-pot." I could not but note the quaint legal phrase which she used in such a place, and with all seriousness. "What will each of you give? Your lives I know," she went on quickly, "that is easy for brave men. Your lives are God's, and you can give them back to Him; but what will you give to me?" She looked again questioningly, but this time avoided her husband's face. Quincey seemed to understand; he nodded, and her face lit up. "Then I shall tell you plainly what I want, for there must be no doubtful matter in this connection between us now. You must promise me, one and all--even you, my beloved husband--that, should the time come, you will kill me." "What is that time?" The voice was Quincey's, but it was low and strained. "When you shall be convinced that I am so changed that it is better that I die that I may live. When I am thus dead in the flesh, then you will, without a moment's delay, drive a stake through me and cut off my head; or do whatever else may be wanting to give me rest!" Quincey was the first to rise after the pause. He knelt down before her and taking her hand in his said solemnly:-- "I'm only a rough fellow, who hasn't, perhaps, lived as a man should to win such a distinction, but I swear to you by all that I hold sacred and dear that, should the time ever come, I shall not flinch from the duty that you have set us. And I promise you, too, that I shall make all certain, for if I am only doubtful I shall take it that the time has come!" "My true friend!" was all she could say amid her fast-falling tears, as, bending over, she kissed his hand. "I swear the same, my dear Madam Mina!" said Van Helsing. "And I!" said Lord Godalming, each of them in turn kneeling to her to take the oath. I followed, myself. Then her husband turned to her wan-eyed and with a greenish pallor which subdued the snowy whiteness of his hair, and asked:-- "And must I, too, make such a promise, oh, my wife?" "You too, my dearest," she said, with infinite yearning of pity in her voice and eyes. "You must not shrink. You are nearest and dearest and all the world to me; our souls are knit into one, for all life and all time. Think, dear, that there have been times when brave men have killed their wives and their womenkind, to keep them from falling into the hands of the enemy. Their hands did not falter any the more because those that they loved implored them to slay them. It is men's duty towards those whom they love, in such times of sore trial! And oh, my dear, if it is to be that I must meet death at any hand, let it be at the hand of him that loves me best. Dr. Van Helsing, I have not forgotten your mercy in poor Lucy's case to him who loved"--she stopped with a flying blush, and changed her phrase--"to him who had best right to give her peace. If that time shall come again, I look to you to make it a happy memory of my husband's life that it was his loving hand which set me free from the awful thrall upon me." "Again I swear!" came the Professor's resonant voice. Mrs. Harker smiled, positively smiled, as with a sigh of relief she leaned back and said:-- "And now one word of warning, a warning which you must never forget: this time, if it ever come, may come quickly and unexpectedly, and in such case you must lose no time in using your opportunity. At such a time I myself might be--nay! if the time ever comes, _shall be_--leagued with your enemy against you." "One more request;" she became very solemn as she said this, "it is not vital and necessary like the other, but I want you to do one thing for me, if you will." We all acquiesced, but no one spoke; there was no need to speak:-- "I want you to read the Burial Service." She was interrupted by a deep groan from her husband; taking his hand in hers, she held it over her heart, and continued: "You must read it over me some day. Whatever may be the issue of all this fearful state of things, it will be a sweet thought to all or some of us. You, my dearest, will I hope read it, for then it will be in your voice in my memory for ever--come what may!" "But oh, my dear one," he pleaded, "death is afar off from you." "Nay," she said, holding up a warning hand. "I am deeper in death at this moment than if the weight of an earthly grave lay heavy upon me!" "Oh, my wife, must I read it?" he said, before he began. "It would comfort me, my husband!" was all she said; and he began to read when she had got the book ready. "How can I--how could any one--tell of that strange scene, its solemnity, its gloom, its sadness, its horror; and, withal, its sweetness. Even a sceptic, who can see nothing but a travesty of bitter truth in anything holy or emotional, would have been melted to the heart had he seen that little group of loving and devoted friends kneeling round that stricken and sorrowing lady; or heard the tender passion of her husband's voice, as in tones so broken with emotion that often he had to pause, he read the simple and beautiful service from the Burial of the Dead. I--I cannot go on--words--and--v-voice--f-fail m-me!" * * * * * She was right in her instinct. Strange as it all was, bizarre as it may hereafter seem even to us who felt its potent influence at the time, it comforted us much; and the silence, which showed Mrs. Harker's coming relapse from her freedom of soul, did not seem so full of despair to any of us as we had dreaded. _Jonathan Harker's Journal._ _15 October, Varna._--We left Charing Cross on the morning of the 12th, got to Paris the same night, and took the places secured for us in the Orient Express. We travelled night and day, arriving here at about five o'clock. Lord Godalming went to the Consulate to see if any telegram had arrived for him, whilst the rest of us came on to this hotel--"the Odessus." The journey may have had incidents; I was, however, too eager to get on, to care for them. Until the _Czarina Catherine_ comes into port there will be no interest for me in anything in the wide world. Thank God! Mina is well, and looks to be getting stronger; her colour is coming back. She sleeps a great deal; throughout the journey she slept nearly all the time. Before sunrise and sunset, however, she is very wakeful and alert; and it has become a habit for Van Helsing to hypnotise her at such times. At first, some effort was needed, and he had to make many passes; but now, she seems to yield at once, as if by habit, and scarcely any action is needed. He seems to have power at these particular moments to simply will, and her thoughts obey him. He always asks her what she can see and hear. She answers to the first:-- "Nothing; all is dark." And to the second:-- "I can hear the waves lapping against the ship, and the water rushing by. Canvas and cordage strain and masts and yards creak. The wind is high--I can hear it in the shrouds, and the bow throws back the foam." It is evident that the _Czarina Catherine_ is still at sea, hastening on her way to Varna. Lord Godalming has just returned. He had four telegrams, one each day since we started, and all to the same effect: that the _Czarina Catherine_ had not been reported to Lloyd's from anywhere. He had arranged before leaving London that his agent should send him every day a telegram saying if the ship had been reported. He was to have a message even if she were not reported, so that he might be sure that there was a watch being kept at the other end of the wire. We had dinner and went to bed early. To-morrow we are to see the Vice-Consul, and to arrange, if we can, about getting on board the ship as soon as she arrives. Van Helsing says that our chance will be to get on the boat between sunrise and sunset. The Count, even if he takes the form of a bat, cannot cross the running water of his own volition, and so cannot leave the ship. As he dare not change to man's form without suspicion--which he evidently wishes to avoid--he must remain in the box. If, then, we can come on board after sunrise, he is at our mercy; for we can open the box and make sure of him, as we did of poor Lucy, before he wakes. What mercy he shall get from us will not count for much. We think that we shall not have much trouble with officials or the seamen. Thank God! this is the country where bribery can do anything, and we are well supplied with money. We have only to make sure that the ship cannot come into port between sunset and sunrise without our being warned, and we shall be safe. Judge Moneybag will settle this case, I think! * * * * * _16 October._--Mina's report still the same: lapping waves and rushing water, darkness and favouring winds. We are evidently in good time, and when we hear of the _Czarina Catherine_ we shall be ready. As she must pass the Dardanelles we are sure to have some report. * * * * * _17 October._--Everything is pretty well fixed now, I think, to welcome the Count on his return from his tour. Godalming told the shippers that he fancied that the box sent aboard might contain something stolen from a friend of his, and got a half consent that he might open it at his own risk. The owner gave him a paper telling the Captain to give him every facility in doing whatever he chose on board the ship, and also a similar authorisation to his agent at Varna. We have seen the agent, who was much impressed with Godalming's kindly manner to him, and we are all satisfied that whatever he can do to aid our wishes will be done. We have already arranged what to do in case we get the box open. If the Count is there, Van Helsing and Seward will cut off his head at once and drive a stake through his heart. Morris and Godalming and I shall prevent interference, even if we have to use the arms which we shall have ready. The Professor says that if we can so treat the Count's body, it will soon after fall into dust. In such case there would be no evidence against us, in case any suspicion of murder were aroused. But even if it were not, we should stand or fall by our act, and perhaps some day this very script may be evidence to come between some of us and a rope. For myself, I should take the chance only too thankfully if it were to come. We mean to leave no stone unturned to carry out our intent. We have arranged with certain officials that the instant the _Czarina Catherine_ is seen, we are to be informed by a special messenger. * * * * * _24 October._--A whole week of waiting. Daily telegrams to Godalming, but only the same story: "Not yet reported." Mina's morning and evening hypnotic answer is unvaried: lapping waves, rushing water, and creaking masts. _Telegram, October 24th._ _Rufus Smith, Lloyd's, London, to Lord Godalming, care of H. B. M. Vice-Consul, Varna._ "_Czarina Catherine_ reported this morning from Dardanelles." _Dr. Seward's Diary._ _25 October._--How I miss my phonograph! To write diary with a pen is irksome to me; but Van Helsing says I must. We were all wild with excitement yesterday when Godalming got his telegram from Lloyd's. I know now what men feel in battle when the call to action is heard. Mrs. Harker, alone of our party, did not show any signs of emotion. After all, it is not strange that she did not; for we took special care not to let her know anything about it, and we all tried not to show any excitement when we were in her presence. In old days she would, I am sure, have noticed, no matter how we might have tried to conceal it; but in this way she is greatly changed during the past three weeks. The lethargy grows upon her, and though she seems strong and well, and is getting back some of her colour, Van Helsing and I are not satisfied. We talk of her often; we have not, however, said a word to the others. It would break poor Harker's heart--certainly his nerve--if he knew that we had even a suspicion on the subject. Van Helsing examines, he tells me, her teeth very carefully, whilst she is in the hypnotic condition, for he says that so long as they do not begin to sharpen there is no active danger of a change in her. If this change should come, it would be necessary to take steps!... We both know what those steps would have to be, though we do not mention our thoughts to each other. We should neither of us shrink from the task--awful though it be to contemplate. "Euthanasia" is an excellent and a comforting word! I am grateful to whoever invented it. It is only about 24 hours' sail from the Dardanelles to here, at the rate the _Czarina Catherine_ has come from London. She should therefore arrive some time in the morning; but as she cannot possibly get in before then, we are all about to retire early. We shall get up at one o'clock, so as to be ready. * * * * * _25 October, Noon_.--No news yet of the ship's arrival. Mrs. Harker's hypnotic report this morning was the same as usual, so it is possible that we may get news at any moment. We men are all in a fever of excitement, except Harker, who is calm; his hands are cold as ice, and an hour ago I found him whetting the edge of the great Ghoorka knife which he now always carries with him. It will be a bad lookout for the Count if the edge of that "Kukri" ever touches his throat, driven by that stern, ice-cold hand! Van Helsing and I were a little alarmed about Mrs. Harker to-day. About noon she got into a sort of lethargy which we did not like; although we kept silence to the others, we were neither of us happy about it. She had been restless all the morning, so that we were at first glad to know that she was sleeping. When, however, her husband mentioned casually that she was sleeping so soundly that he could not wake her, we went to her room to see for ourselves. She was breathing naturally and looked so well and peaceful that we agreed that the sleep was better for her than anything else. Poor girl, she has so much to forget that it is no wonder that sleep, if it brings oblivion to her, does her good. * * * * * _Later._--Our opinion was justified, for when after a refreshing sleep of some hours she woke up, she seemed brighter and better than she had been for days. At sunset she made the usual hypnotic report. Wherever he may be in the Black Sea, the Count is hurrying to his destination. To his doom, I trust! * * * * * _26 October._--Another day and no tidings of the _Czarina Catherine_. She ought to be here by now. That she is still journeying _somewhere_ is apparent, for Mrs. Harker's hypnotic report at sunrise was still the same. It is possible that the vessel may be lying by, at times, for fog; some of the steamers which came in last evening reported patches of fog both to north and south of the port. We must continue our watching, as the ship may now be signalled any moment. * * * * * _27 October, Noon._--Most strange; no news yet of the ship we wait for. Mrs. Harker reported last night and this morning as usual: "lapping waves and rushing water," though she added that "the waves were very faint." The telegrams from London have been the same: "no further report." Van Helsing is terribly anxious, and told me just now that he fears the Count is escaping us. He added significantly:-- "I did not like that lethargy of Madam Mina's. Souls and memories can do strange things during trance." I was about to ask him more, but Harker just then came in, and he held up a warning hand. We must try to-night at sunset to make her speak more fully when in her hypnotic state. * * * * * _28 October._--Telegram. _Rufus Smith, London, to Lord Godalming, care H. B. M. Vice Consul, Varna._ "_Czarina Catherine_ reported entering Galatz at one o'clock to-day." _Dr. Seward's Diary._ _28 October._--When the telegram came announcing the arrival in Galatz I do not think it was such a shock to any of us as might have been expected. True, we did not know whence, or how, or when, the bolt would come; but I think we all expected that something strange would happen. The delay of arrival at Varna made us individually satisfied that things would not be just as we had expected; we only waited to learn where the change would occur. None the less, however, was it a surprise. I suppose that nature works on such a hopeful basis that we believe against ourselves that things will be as they ought to be, not as we should know that they will be. Transcendentalism is a beacon to the angels, even if it be a will-o'-the-wisp to man. It was an odd experience and we all took it differently. Van Helsing raised his hand over his head for a moment, as though in remonstrance with the Almighty; but he said not a word, and in a few seconds stood up with his face sternly set. Lord Godalming grew very pale, and sat breathing heavily. I was myself half stunned and looked in wonder at one after another. Quincey Morris tightened his belt with that quick movement which I knew so well; in our old wandering days it meant "action." Mrs. Harker grew ghastly white, so that the scar on her forehead seemed to burn, but she folded her hands meekly and looked up in prayer. Harker smiled--actually smiled--the dark, bitter smile of one who is without hope; but at the same time his action belied his words, for his hands instinctively sought the hilt of the great Kukri knife and rested there. "When does the next train start for Galatz?" said Van Helsing to us generally. "At 6:30 to-morrow morning!" We all started, for the answer came from Mrs. Harker. "How on earth do you know?" said Art. "You forget--or perhaps you do not know, though Jonathan does and so does Dr. Van Helsing--that I am the train fiend. At home in Exeter I always used to make up the time-tables, so as to be helpful to my husband. I found it so useful sometimes, that I always make a study of the time-tables now. I knew that if anything were to take us to Castle Dracula we should go by Galatz, or at any rate through Bucharest, so I learned the times very carefully. Unhappily there are not many to learn, as the only train to-morrow leaves as I say." "Wonderful woman!" murmured the Professor. "Can't we get a special?" asked Lord Godalming. Van Helsing shook his head: "I fear not. This land is very different from yours or mine; even if we did have a special, it would probably not arrive as soon as our regular train. Moreover, we have something to prepare. We must think. Now let us organize. You, friend Arthur, go to the train and get the tickets and arrange that all be ready for us to go in the morning. Do you, friend Jonathan, go to the agent of the ship and get from him letters to the agent in Galatz, with authority to make search the ship just as it was here. Morris Quincey, you see the Vice-Consul, and get his aid with his fellow in Galatz and all he can do to make our way smooth, so that no times be lost when over the Danube. John will stay with Madam Mina and me, and we shall consult. For so if time be long you may be delayed; and it will not matter when the sun set, since I am here with Madam to make report." "And I," said Mrs. Harker brightly, and more like her old self than she had been for many a long day, "shall try to be of use in all ways, and shall think and write for you as I used to do. Something is shifting from me in some strange way, and I feel freer than I have been of late!" The three younger men looked happier at the moment as they seemed to realise the significance of her words; but Van Helsing and I, turning to each other, met each a grave and troubled glance. We said nothing at the time, however. When the three men had gone out to their tasks Van Helsing asked Mrs. Harker to look up the copy of the diaries and find him the part of Harker's journal at the Castle. She went away to get it; when the door was shut upon her he said to me:-- "We mean the same! speak out!" "There is some change. It is a hope that makes me sick, for it may deceive us." "Quite so. Do you know why I asked her to get the manuscript?" "No!" said I, "unless it was to get an opportunity of seeing me alone." "You are in part right, friend John, but only in part. I want to tell you something. And oh, my friend, I am taking a great--a terrible--risk; but I believe it is right. In the moment when Madam Mina said those words that arrest both our understanding, an inspiration came to me. In the trance of three days ago the Count sent her his spirit to read her mind; or more like he took her to see him in his earth-box in the ship with water rushing, just as it go free at rise and set of sun. He learn then that we are here; for she have more to tell in her open life with eyes to see and ears to hear than he, shut, as he is, in his coffin-box. Now he make his most effort to escape us. At present he want her not. "He is sure with his so great knowledge that she will come at his call; but he cut her off--take her, as he can do, out of his own power, that so she come not to him. Ah! there I have hope that our man-brains that have been of man so long and that have not lost the grace of God, will come higher than his child-brain that lie in his tomb for centuries, that grow not yet to our stature, and that do only work selfish and therefore small. Here comes Madam Mina; not a word to her of her trance! She know it not; and it would overwhelm her and make despair just when we want all her hope, all her courage; when most we want all her great brain which is trained like man's brain, but is of sweet woman and have a special power which the Count give her, and which he may not take away altogether--though he think not so. Hush! let me speak, and you shall learn. Oh, John, my friend, we are in awful straits. I fear, as I never feared before. We can only trust the good God. Silence! here she comes!" I thought that the Professor was going to break down and have hysterics, just as he had when Lucy died, but with a great effort he controlled himself and was at perfect nervous poise when Mrs. Harker tripped into the room, bright and happy-looking and, in the doing of work, seemingly forgetful of her misery. As she came in, she handed a number of sheets of typewriting to Van Helsing. He looked over them gravely, his face brightening up as he read. Then holding the pages between his finger and thumb he said:-- "Friend John, to you with so much of experience already--and you, too, dear Madam Mina, that are young--here is a lesson: do not fear ever to think. A half-thought has been buzzing often in my brain, but I fear to let him loose his wings. Here now, with more knowledge, I go back to where that half-thought come from and I find that he be no half-thought at all; that be a whole thought, though so young that he is not yet strong to use his little wings. Nay, like the "Ugly Duck" of my friend Hans Andersen, he be no duck-thought at all, but a big swan-thought that sail nobly on big wings, when the time come for him to try them. See I read here what Jonathan have written:-- "That other of his race who, in a later age, again and again, brought his forces over The Great River into Turkey Land; who, when he was beaten back, came again, and again, and again, though he had to come alone from the bloody field where his troops were being slaughtered, since he knew that he alone could ultimately triumph." "What does this tell us? Not much? no! The Count's child-thought see nothing; therefore he speak so free. Your man-thought see nothing; my man-thought see nothing, till just now. No! But there comes another word from some one who speak without thought because she, too, know not what it mean--what it _might_ mean. Just as there are elements which rest, yet when in nature's course they move on their way and they touch--then pouf! and there comes a flash of light, heaven wide, that blind and kill and destroy some; but that show up all earth below for leagues and leagues. Is it not so? Well, I shall explain. To begin, have you ever study the philosophy of crime? 'Yes' and 'No.' You, John, yes; for it is a study of insanity. You, no, Madam Mina; for crime touch you not--not but once. Still, your mind works true, and argues not _a particulari ad universale_. There is this peculiarity in criminals. It is so constant, in all countries and at all times, that even police, who know not much from philosophy, come to know it empirically, that _it is_. That is to be empiric. The criminal always work at one crime--that is the true criminal who seems predestinate to crime, and who will of none other. This criminal has not full man-brain. He is clever and cunning and resourceful; but he be not of man-stature as to brain. He be of child-brain in much. Now this criminal of ours is predestinate to crime also; he, too, have child-brain, and it is of the child to do what he have done. The little bird, the little fish, the little animal learn not by principle, but empirically; and when he learn to do, then there is to him the ground to start from to do more. '_Dos pou sto_,' said Archimedes. 'Give me a fulcrum, and I shall move the world!' To do once, is the fulcrum whereby child-brain become man-brain; and until he have the purpose to do more, he continue to do the same again every time, just as he have done before! Oh, my dear, I see that your eyes are opened, and that to you the lightning flash show all the leagues," for Mrs. Harker began to clap her hands and her eyes sparkled. He went on:-- "Now you shall speak. Tell us two dry men of science what you see with those so bright eyes." He took her hand and held it whilst she spoke. His finger and thumb closed on her pulse, as I thought instinctively and unconsciously, as she spoke:-- "The Count is a criminal and of criminal type. Nordau and Lombroso would so classify him, and _qua_ criminal he is of imperfectly formed mind. Thus, in a difficulty he has to seek resource in habit. His past is a clue, and the one page of it that we know--and that from his own lips--tells that once before, when in what Mr. Morris would call a 'tight place,' he went back to his own country from the land he had tried to invade, and thence, without losing purpose, prepared himself for a new effort. He came again better equipped for his work; and won. So he came to London to invade a new land. He was beaten, and when all hope of success was lost, and his existence in danger, he fled back over the sea to his home; just as formerly he had fled back over the Danube from Turkey Land." "Good, good! oh, you so clever lady!" said Van Helsing, enthusiastically, as he stooped and kissed her hand. A moment later he said to me, as calmly as though we had been having a sick-room consultation:-- "Seventy-two only; and in all this excitement. I have hope." Turning to her again, he said with keen expectation:-- "But go on. Go on! there is more to tell if you will. Be not afraid; John and I know. I do in any case, and shall tell you if you are right. Speak, without fear!" "I will try to; but you will forgive me if I seem egotistical." "Nay! fear not, you must be egotist, for it is of you that we think." "Then, as he is criminal he is selfish; and as his intellect is small and his action is based on selfishness, he confines himself to one purpose. That purpose is remorseless. As he fled back over the Danube, leaving his forces to be cut to pieces, so now he is intent on being safe, careless of all. So his own selfishness frees my soul somewhat from the terrible power which he acquired over me on that dreadful night. I felt it! Oh, I felt it! Thank God, for His great mercy! My soul is freer than it has been since that awful hour; and all that haunts me is a fear lest in some trance or dream he may have used my knowledge for his ends." The Professor stood up:-- "He has so used your mind; and by it he has left us here in Varna, whilst the ship that carried him rushed through enveloping fog up to Galatz, where, doubtless, he had made preparation for escaping from us. But his child-mind only saw so far; and it may be that, as ever is in God's Providence, the very thing that the evil-doer most reckoned on for his selfish good, turns out to be his chiefest harm. The hunter is taken in his own snare, as the great Psalmist says. For now that he think he is free from every trace of us all, and that he has escaped us with so many hours to him, then his selfish child-brain will whisper him to sleep. He think, too, that as he cut himself off from knowing your mind, there can be no knowledge of him to you; there is where he fail! That terrible baptism of blood which he give you makes you free to go to him in spirit, as you have as yet done in your times of freedom, when the sun rise and set. At such times you go by my volition and not by his; and this power to good of you and others, as you have won from your suffering at his hands. This is now all the more precious that he know it not, and to guard himself have even cut himself off from his knowledge of our where. We, however, are not selfish, and we believe that God is with us through all this blackness, and these many dark hours. We shall follow him; and we shall not flinch; even if we peril ourselves that we become like him. Friend John, this has been a great hour; and it have done much to advance us on our way. You must be scribe and write him all down, so that when the others return from their work you can give it to them; then they shall know as we do." And so I have written it whilst we wait their return, and Mrs. Harker has written with her typewriter all since she brought the MS. to us.

Chapter 25

https://web.archive.org/web/20210215030733/https://www.novelguide.com/dracula/summaries/chapter25

Van Helsing continues his "interviews" with Mina at sunrise and sunset, "to her times of peculiar freedom; when her old self can be manifest without any controlling force subduing or restraining her, or inciting her to action." During one such interview, after signs of a violent internal struggle, Mina implores the men to promise her that, should the need arise, they will kill her rather than let Dracula use her as a weapon against them. With understandable reluctance but with a firm sense of their solemn duty to rid the world of the vampire, all the men agree--save Mina's husband, Jonathan. He never swears his oath; the most that Mina can accomplish is to make Van Helsing pledge that he will see to it that Jonathan, and none other, delivers the fatal stroke that would at last grant her peace. She further implores the men to read for her the office of the Burial of the Dead from the Book of Common Prayer. The other hypnotic interviews continue to confirm that Dracula is at sea aboard the Czarina Catherine. When the vessel does not arrive at Varna as scheduled, however, the group's suspicions begin to arise that their plans have somehow gone awry. At last, on October 28, news comes that the ship has docked at Galatz instead. Undaunted, the group makes plans to travel by rail to that seaport to carry out their mission. Van Helsing charges Arthur to make arrangements with the local authorities to board and search the Czarina Catherine. Meanwhile, he and Seward again confer about their doubts regarding Mina, who has just announced a shift within her that makes her feel freer than before. The two men hypothesize that Dracula has learned of their pursuit of him through Van Helsing's hypnosis sessions with Mina. As feared, information is thus flowing in two directions. There remains, however, hope: the new freedom that Mina feels is due to the fact that Dracula no longer wants her. His ego is consuming him--a sure mark, says Van Helsing, of the vampire's "child-brain. " In other words, Dracula is more concerned with escaping than with claiming Mina for his own. His retreat from England mirrors his retreat to his own land following his excursions into Turkey as a military leader, so long ago, that he related to Harker back in Transylvania; therefore, the party now knows that he will redouble his efforts in time to dominate England as he dominated his enemies of the past. Knowing his plans--both through his pattern of fixation on a single crime common to all criminals and the knowledge gained through his attempts to dominate Mina's mind--Van Helsing is certain that Dracula can yet be defeated.

This chapter contributes a new level of understanding to Van Helsing's previous assessments of Count Dracula. True, the vampire is intelligent and accomplished; as all "child-brains" do, he has been advancing his knowledge and skill through instrumental experimentation. Nevertheless--and ironically, given his incredibly long "life"--Dracula remains a "child-brain," and "child-brains" are inherently selfish. And so Van Helsing can assert, "I have hope that our man-brains, that have been of man so long and that have not lost the grace of God"--perhaps a reference to the traditional Christian belief that God's creation of mankind "in his image" is a reference to the human capacity for reason--"will come higher than child-brain that lie in his tomb for centuries, that grow not yet to our stature, and that do only work selfish and therefore small" . So while these comments do indeed cast a new light upon Van Helsing's seeming "praise" of Dracula in the two preceding chapters, they also underscore the critical difference between the two impressive polymaths, a difference we have encountered before. Where Dracula is fundamentally selfish and seeks to dominate others, Van Helsing and his companions are fundamentally selfless and devote themselves to serving others: "We, however, are not selfish, and we believe that God is with us through all this blackness..." . Dracula has not "grown to the stature" of true humans, as typified by Van Helsing and his companions; they, in turn, could be seen as having, or at least being well on the way, to growing into "a perfect man, unto the measure of the stature of the fulness of Christ" . A modern translation of the Scripture such as the NRSV renders the phrase "maturity," but the seventeenth-century choice of "perfect man" in the King James Version suits Stoker's purpose more aptly. Dracula, as we have well established by now--through his combination of strength but weaknesses, through the constant comparison of him to brute animals--is far from the perfect man. Van Helsing, in contrast, usually represents an idealized perfect man, and he seems to bestow much of that perfection on those who join his holy mission to destroy the evil of the vampire. The key to perfection, to growing toward divine maturity, is selflessness. It is love, seen, for example, in the innumerable blood transfusions the men who loved Lucy gave to her before her death. But that underscores the point that it is an active love, a love willing to dare, to take risks. Perhaps this qualification is what makes poor Jonathan Harker emerge in a less than favorable light in this chapter: no one doubts his love for Mina, but his love is increasingly leading him to a place of despair for Mina's fate rather than the hope the other men harbor. According to the Bible, Jesus said, "Greater love hath no man than this, that a man lay down his life for his friends" . Stoker's text develops this theme one step further, and not without troubling implications: great love demands not only that the lovers be willing to lay down their lives for the beloved, but also that they be willing--as we saw with Lucy, and as we see in Mina's attempt in this chapter to extract a solemn promise from the men who surround and love her--to sacrifice the beloved's life for the good of the beloved. Thus readers see that even Victorian society was not immune to the controversy surrounding what Seward calls that "excellent and comforting word," euthanasia . According to Ian Dowbiggin in A Concise History of Euthanasia, few wanted to return to the medieval punishments for killing oneself, and many believed suicides were more to be pitied than vilified, but few remained sympathetic to Enlightenment justifications of taking one's life to escape the physical and emotional pain of disability, disease or impending death. The religious attitude toward suicide and euthanasia remained intact, despite the efforts of secularist eighteenth-century thinkers to normalize these acts. Dying continued to be seen as a test of courage and religious virtue. And euthanasia was still mainly understood to refer to a "good death" for Christians anxious to die in a state of grace . It would seem that Mina views the promise she makes the men make to her as akin to the latter category. She has no qualms, it seems, asking that her life be taken if Dracula will pervert her continued existence to a method of doing evil. . Seward's diary, however, would hint that he is not as convinced about "euthanasia," despite his professed gratitude for the word's coinage. This conflict over the act's morality places him squarely, then, in Victorian attitudes toward euthanasia. The chapter concludes by pointing out one more way in which God may be at work through the events of the text. The two-way communication through Dracula's mental contacts with Mina, tricking them into thinking he still sailed for Varna rather than Galatz where he plots his escape, may have been a disadvantage to the vampire hunters, but now it is turning to their advantage. And so Van Helsing postulates: Dracula's "child-mind only saw so far; and it may be that, as ever is in God's Providence, the very thing that the evil doer most reckoned on for his selfish good, turns out to be his chiefest harm" . Although the professor then quotes the Psalmist to buttress his argument, he could also have pointed to Joseph from the Hebrew Scriptures, who declared to the brothers who years before had selfishly tried to kill him: "But as for you, ye thought evil against me; butGod meant it unto good, to bring to pass, as it is this day, to save much people alive" .

novelguide

all_chapterized_books/345-chapters/53.txt

finished_summaries/novelguide/Dracula/section_26_part_0.txt

Dracula.chapter 26

chapter 26

{"name": "Chapter 26", "url": "https://web.archive.org/web/20210215030733/https://www.novelguide.com/dracula/summaries/chapter26", "summary": "Van Helsing experiences greater difficulty hypnotizing Mina, because the group, making its way toward Galatz, is drawing nearer to Count Dracula all the time. They do, however, ascertain that \"He is close to land: he has left his earth-chest. But he has yet to get on shore. \" Time is still, for now, on their side, although Seward fears that Mina's ability to relay Dracula's sensations \"may die away, just when we want it most.\" In Galatz, in response to Arthur's telegraphed request, agents from the London shipping firm that underwrote the Czarina Catherine's voyage take Van Helsing, Seward, and Mina aboard the vessel. The ship's captain relates his astonishment at how quickly his ship made the trip, \"as though the Deil himself were blawin' on yer sail for his ain purpose.\" He also relates how his Romanian crew expressed grave misgivings about the ship's cargo, going so far as to ask the captain to heave the large box overboard. He did not, although he did come to regard it as the Devil's \"luggage.\" The box was released, upon the Czarina Catherine's arrival, to one Immanuel Hildesheim. Hildesheim tells the vampire hunters that he, in turn, gave the box to one Petrof Skinsky. The group soon learns that Skinsky has been found dead, \"his throat torn open as if by some wild animal.\" Mina concludes that Dracula decided to escape London by sea because it would be more secure than traveling by land; this decision, however, meant that someone else would have to bring Dracula to his destination. Once the box was on land, before sunrise or after sunset, Dracula emerged from it to murder Skinsky, thus, as he supposed, erasing the traces of his travels. Now, Dracula is in his box being propelled up the Sereth River, through the Borgo Pass, to his castle. Arthur and Harker will follow the vampire by steam launch; Morris and Seward, by horseback, in case Dracula should attempt landfall. Van Helsing and Mina will go to Castle Dracula to destroy its master: as the professor explains, \"Madam Mina's hypnotic power will surely help, and we shall find our way--all dark and unknown otherwise--after the first sunrise when we are near that fateful place.\" Harker initially objects to Mina's going into the very lair of the enemy, but Van Helsing reassures him. Mina is their key to ensuring that Dracula does not again escape them, and Van Helsing declares his willingness to die, if necessary, to accomplish that task.", "analysis": "With this chapter, Stoker begins to bring his narrative to a relatively rapid conclusion. As Leonard Wolf points out, the author employs some plot devices that do not make much rational sense--most notably, Van Helsing's decision to drive he and Mina himself to Castle Dracula--but that do move events forward more quickly . At the same time, however, the chapter shows some signs of being intricately constructed: the final few pages consist of diary and journal entries from all three \"teams\"--Seward and Morris; Jonathan and Arthur; and Mina and Van Helsing--that overlap in date, thus highlighting again Stoker's use of interlacing chronology, and underscoring the unity of all six characters in their quest to destroy Dracula. Each team, while engaged in its own task, is also thinking of the others: e.g., \"I wonder how Dr. Seward and Mr. Morris are getting on\" . The narrative device nicely illustrates not only the increasing pace of events--\"It is a wild adventure we are on,\" p. 422--but also the mutual cooperation, as opposed to tyrannical domination, that Stoker could be suggesting characterizes true humanity. Selfless devotion, too, returns as a hallmark of that true humanity. Mina certainly expends much mental and emotional effort to piece together Dracula's itinerary from the evidence at hand, despite her weakened condition as one who is in grave danger of becoming a vampire herself--she nobly reflects, \"They were so tired and worn out and dispirited that there was nothing to be done till they had some rest... Oh! If I could only help at all... I shall do what I can...\" . And Van Helsing declares, \"My friend, is it not a dire need for the which I am giving, if need me, my life? If it were that any one went into that place to stay , it is I who have to go, to keep them company\" . The heroic Van Helsing's words not only echo Jesus' words on self-sacrifice in John 14, but also the apostle Paul's wish that he might be cut off from the blessings of Christ if, in so doing, he could win more of his fellow Israelite brethren to faith . Readers may be forgiven for assuming that Stoker is engaging in foreshadowing at this point--but such proves not to be the case, as we will shortly see. Readers should also note how the Czarina Catherine's voyage mirrors that of the Demeter, although the former ship's crew survives its passage whereas the latter's, of course, did not. Like the crew of the Demeter, the crew of the Czarina Catherine experienced misgivings about their travels due to Dracula's presence, misgivings they expressed through recourse to superstition. And the Czarina Catherine also experienced stormy weather, as did the Demeter: e.g., \"a fog fell on us and traveled wi' us\" --a sure sign of the vampire's influence. The parallel sea voyages are one element of the way in which Stoker is now retracing the earlier action of his plot, a mirroring which reaches full expression in the book's next, final chapter."}

_29 October._--This is written in the train from Varna to Galatz. Last night we all assembled a little before the time of sunset. Each of us had done his work as well as he could; so far as thought, and endeavour, and opportunity go, we are prepared for the whole of our journey, and for our work when we get to Galatz. When the usual time came round Mrs. Harker prepared herself for her hypnotic effort; and after a longer and more serious effort on the part of Van Helsing than has been usually necessary, she sank into the trance. Usually she speaks on a hint; but this time the Professor had to ask her questions, and to ask them pretty resolutely, before we could learn anything; at last her answer came:-- "I can see nothing; we are still; there are no waves lapping, but only a steady swirl of water softly running against the hawser. I can hear men's voices calling, near and far, and the roll and creak of oars in the rowlocks. A gun is fired somewhere; the echo of it seems far away. There is tramping of feet overhead, and ropes and chains are dragged along. What is this? There is a gleam of light; I can feel the air blowing upon me." Here she stopped. She had risen, as if impulsively, from where she lay on the sofa, and raised both her hands, palms upwards, as if lifting a weight. Van Helsing and I looked at each other with understanding. Quincey raised his eyebrows slightly and looked at her intently, whilst Harker's hand instinctively closed round the hilt of his Kukri. There was a long pause. We all knew that the time when she could speak was passing; but we felt that it was useless to say anything. Suddenly she sat up, and, as she opened her eyes, said sweetly:-- "Would none of you like a cup of tea? You must all be so tired!" We could only make her happy, and so acquiesced. She bustled off to get tea; when she had gone Van Helsing said:-- "You see, my friends. _He_ is close to land: he has left his earth-chest. But he has yet to get on shore. In the night he may lie hidden somewhere; but if he be not carried on shore, or if the ship do not touch it, he cannot achieve the land. In such case he can, if it be in the night, change his form and can jump or fly on shore, as he did at Whitby. But if the day come before he get on shore, then, unless he be carried he cannot escape. And if he be carried, then the customs men may discover what the box contain. Thus, in fine, if he escape not on shore to-night, or before dawn, there will be the whole day lost to him. We may then arrive in time; for if he escape not at night we shall come on him in daytime, boxed up and at our mercy; for he dare not be his true self, awake and visible, lest he be discovered." There was no more to be said, so we waited in patience until the dawn; at which time we might learn more from Mrs. Harker. Early this morning we listened, with breathless anxiety, for her response in her trance. The hypnotic stage was even longer in coming than before; and when it came the time remaining until full sunrise was so short that we began to despair. Van Helsing seemed to throw his whole soul into the effort; at last, in obedience to his will she made reply:-- "All is dark. I hear lapping water, level with me, and some creaking as of wood on wood." She paused, and the red sun shot up. We must wait till to-night. And so it is that we are travelling towards Galatz in an agony of expectation. We are due to arrive between two and three in the morning; but already, at Bucharest, we are three hours late, so we cannot possibly get in till well after sun-up. Thus we shall have two more hypnotic messages from Mrs. Harker; either or both may possibly throw more light on what is happening. * * * * * _Later._--Sunset has come and gone. Fortunately it came at a time when there was no distraction; for had it occurred whilst we were at a station, we might not have secured the necessary calm and isolation. Mrs. Harker yielded to the hypnotic influence even less readily than this morning. I am in fear that her power of reading the Count's sensations may die away, just when we want it most. It seems to me that her imagination is beginning to work. Whilst she has been in the trance hitherto she has confined herself to the simplest of facts. If this goes on it may ultimately mislead us. If I thought that the Count's power over her would die away equally with her power of knowledge it would be a happy thought; but I am afraid that it may not be so. When she did speak, her words were enigmatical:-- "Something is going out; I can feel it pass me like a cold wind. I can hear, far off, confused sounds--as of men talking in strange tongues, fierce-falling water, and the howling of wolves." She stopped and a shudder ran through her, increasing in intensity for a few seconds, till, at the end, she shook as though in a palsy. She said no more, even in answer to the Professor's imperative questioning. When she woke from the trance, she was cold, and exhausted, and languid; but her mind was all alert. She could not remember anything, but asked what she had said; when she was told, she pondered over it deeply for a long time and in silence. * * * * * _30 October, 7 a. m._--We are near Galatz now, and I may not have time to write later. Sunrise this morning was anxiously looked for by us all. Knowing of the increasing difficulty of procuring the hypnotic trance, Van Helsing began his passes earlier than usual. They produced no effect, however, until the regular time, when she yielded with a still greater difficulty, only a minute before the sun rose. The Professor lost no time in his questioning; her answer came with equal quickness:-- "All is dark. I hear water swirling by, level with my ears, and the creaking of wood on wood. Cattle low far off. There is another sound, a queer one like----" She stopped and grew white, and whiter still. "Go on; go on! Speak, I command you!" said Van Helsing in an agonised voice. At the same time there was despair in his eyes, for the risen sun was reddening even Mrs. Harker's pale face. She opened her eyes, and we all started as she said, sweetly and seemingly with the utmost unconcern:-- "Oh, Professor, why ask me to do what you know I can't? I don't remember anything." Then, seeing the look of amazement on our faces, she said, turning from one to the other with a troubled look:-- "What have I said? What have I done? I know nothing, only that I was lying here, half asleep, and heard you say go on! speak, I command you!' It seemed so funny to hear you order me about, as if I were a bad child!" "Oh, Madam Mina," he said, sadly, "it is proof, if proof be needed, of how I love and honour you, when a word for your good, spoken more earnest than ever, can seem so strange because it is to order her whom I am proud to obey!" The whistles are sounding; we are nearing Galatz. We are on fire with anxiety and eagerness. _Mina Harker's Journal._ _30 October._--Mr. Morris took me to the hotel where our rooms had been ordered by telegraph, he being the one who could best be spared, since he does not speak any foreign language. The forces were distributed much as they had been at Varna, except that Lord Godalming went to the Vice-Consul, as his rank might serve as an immediate guarantee of some sort to the official, we being in extreme hurry. Jonathan and the two doctors went to the shipping agent to learn particulars of the arrival of the _Czarina Catherine_. * * * * * _Later._--Lord Godalming has returned. The Consul is away, and the Vice-Consul sick; so the routine work has been attended to by a clerk. He was very obliging, and offered to do anything in his power. _Jonathan Harker's Journal._ _30 October._--At nine o'clock Dr. Van Helsing, Dr. Seward, and I called on Messrs. Mackenzie & Steinkoff, the agents of the London firm of Hapgood. They had received a wire from London, in answer to Lord Godalming's telegraphed request, asking us to show them any civility in their power. They were more than kind and courteous, and took us at once on board the _Czarina Catherine_, which lay at anchor out in the river harbour. There we saw the Captain, Donelson by name, who told us of his voyage. He said that in all his life he had never had so favourable a run. "Man!" he said, "but it made us afeard, for we expeckit that we should have to pay for it wi' some rare piece o' ill luck, so as to keep up the average. It's no canny to run frae London to the Black Sea wi' a wind ahint ye, as though the Deil himself were blawin' on yer sail for his ain purpose. An' a' the time we could no speer a thing. Gin we were nigh a ship, or a port, or a headland, a fog fell on us and travelled wi' us, till when after it had lifted and we looked out, the deil a thing could we see. We ran by Gibraltar wi'oot bein' able to signal; an' till we came to the Dardanelles and had to wait to get our permit to pass, we never were within hail o' aught. At first I inclined to slack off sail and beat about till the fog was lifted; but whiles, I thocht that if the Deil was minded to get us into the Black Sea quick, he was like to do it whether we would or no. If we had a quick voyage it would be no to our miscredit wi' the owners, or no hurt to our traffic; an' the Old Mon who had served his ain purpose wad be decently grateful to us for no hinderin' him." This mixture of simplicity and cunning, of superstition and commercial reasoning, aroused Van Helsing, who said:-- "Mine friend, that Devil is more clever than he is thought by some; and he know when he meet his match!" The skipper was not displeased with the compliment, and went on:-- "When we got past the Bosphorus the men began to grumble; some o' them, the Roumanians, came and asked me to heave overboard a big box which had been put on board by a queer lookin' old man just before we had started frae London. I had seen them speer at the fellow, and put out their twa fingers when they saw him, to guard against the evil eye. Man! but the supersteetion of foreigners is pairfectly rideeculous! I sent them aboot their business pretty quick; but as just after a fog closed in on us I felt a wee bit as they did anent something, though I wouldn't say it was agin the big box. Well, on we went, and as the fog didn't let up for five days I joost let the wind carry us; for if the Deil wanted to get somewheres--well, he would fetch it up a'reet. An' if he didn't, well, we'd keep a sharp lookout anyhow. Sure eneuch, we had a fair way and deep water all the time; and two days ago, when the mornin' sun came through the fog, we found ourselves just in the river opposite Galatz. The Roumanians were wild, and wanted me right or wrong to take out the box and fling it in the river. I had to argy wi' them aboot it wi' a handspike; an' when the last o' them rose off the deck wi' his head in his hand, I had convinced them that, evil eye or no evil eye, the property and the trust of my owners were better in my hands than in the river Danube. They had, mind ye, taken the box on the deck ready to fling in, and as it was marked Galatz _via_ Varna, I thocht I'd let it lie till we discharged in the port an' get rid o't althegither. We didn't do much clearin' that day, an' had to remain the nicht at anchor; but in the mornin', braw an' airly, an hour before sun-up, a man came aboard wi' an order, written to him from England, to receive a box marked for one Count Dracula. Sure eneuch the matter was one ready to his hand. He had his papers a' reet, an' glad I was to be rid o' the dam' thing, for I was beginnin' masel' to feel uneasy at it. If the Deil did have any luggage aboord the ship, I'm thinkin' it was nane ither than that same!" "What was the name of the man who took it?" asked Dr. Van Helsing with restrained eagerness. "I'll be tellin' ye quick!" he answered, and, stepping down to his cabin, produced a receipt signed "Immanuel Hildesheim." Burgen-strasse 16 was the address. We found out that this was all the Captain knew; so with thanks we came away. We found Hildesheim in his office, a Hebrew of rather the Adelphi Theatre type, with a nose like a sheep, and a fez. His arguments were pointed with specie--we doing the punctuation--and with a little bargaining he told us what he knew. This turned out to be simple but important. He had received a letter from Mr. de Ville of London, telling him to receive, if possible before sunrise so as to avoid customs, a box which would arrive at Galatz in the _Czarina Catherine_. This he was to give in charge to a certain Petrof Skinsky, who dealt with the Slovaks who traded down the river to the port. He had been paid for his work by an English bank note, which had been duly cashed for gold at the Danube International Bank. When Skinsky had come to him, he had taken him to the ship and handed over the box, so as to save porterage. That was all he knew. We then sought for Skinsky, but were unable to find him. One of his neighbours, who did not seem to bear him any affection, said that he had gone away two days before, no one knew whither. This was corroborated by his landlord, who had received by messenger the key of the house together with the rent due, in English money. This had been between ten and eleven o'clock last night. We were at a standstill again. Whilst we were talking one came running and breathlessly gasped out that the body of Skinsky had been found inside the wall of the churchyard of St. Peter, and that the throat had been torn open as if by some wild animal. Those we had been speaking with ran off to see the horror, the women crying out "This is the work of a Slovak!" We hurried away lest we should have been in some way drawn into the affair, and so detained. As we came home we could arrive at no definite conclusion. We were all convinced that the box was on its way, by water, to somewhere; but where that might be we would have to discover. With heavy hearts we came home to the hotel to Mina. When we met together, the first thing was to consult as to taking Mina again into our confidence. Things are getting desperate, and it is at least a chance, though a hazardous one. As a preliminary step, I was released from my promise to her. _Mina Harker's Journal._ _30 October, evening._--They were so tired and worn out and dispirited that there was nothing to be done till they had some rest; so I asked them all to lie down for half an hour whilst I should enter everything up to the moment. I feel so grateful to the man who invented the "Traveller's" typewriter, and to Mr. Morris for getting this one for me. I should have felt quite; astray doing the work if I had to write with a pen.... It is all done; poor dear, dear Jonathan, what he must have suffered, what must he be suffering now. He lies on the sofa hardly seeming to breathe, and his whole body appears in collapse. His brows are knit; his face is drawn with pain. Poor fellow, maybe he is thinking, and I can see his face all wrinkled up with the concentration of his thoughts. Oh! if I could only help at all.... I shall do what I can. I have asked Dr. Van Helsing, and he has got me all the papers that I have not yet seen.... Whilst they are resting, I shall go over all carefully, and perhaps I may arrive at some conclusion. I shall try to follow the Professor's example, and think without prejudice on the facts before me.... * * * * * I do believe that under God's providence I have made a discovery. I shall get the maps and look over them.... * * * * * I am more than ever sure that I am right. My new conclusion is ready, so I shall get our party together and read it. They can judge it; it is well to be accurate, and every minute is precious. _Mina Harker's Memorandum._ (Entered in her Journal.) _Ground of inquiry._--Count Dracula's problem is to get back to his own place. (_a_) He must be _brought back_ by some one. This is evident; for had he power to move himself as he wished he could go either as man, or wolf, or bat, or in some other way. He evidently fears discovery or interference, in the state of helplessness in which he must be--confined as he is between dawn and sunset in his wooden box. (_b_) _How is he to be taken?_--Here a process of exclusions may help us. By road, by rail, by water? 1. _By Road._--There are endless difficulties, especially in leaving the city. (_x_) There are people; and people are curious, and investigate. A hint, a surmise, a doubt as to what might be in the box, would destroy him. (_y_) There are, or there may be, customs and octroi officers to pass. (_z_) His pursuers might follow. This is his highest fear; and in order to prevent his being betrayed he has repelled, so far as he can, even his victim--me! 2. _By Rail._--There is no one in charge of the box. It would have to take its chance of being delayed; and delay would be fatal, with enemies on the track. True, he might escape at night; but what would he be, if left in a strange place with no refuge that he could fly to? This is not what he intends; and he does not mean to risk it. 3. _By Water._--Here is the safest way, in one respect, but with most danger in another. On the water he is powerless except at night; even then he can only summon fog and storm and snow and his wolves. But were he wrecked, the living water would engulf him, helpless; and he would indeed be lost. He could have the vessel drive to land; but if it were unfriendly land, wherein he was not free to move, his position would still be desperate. We know from the record that he was on the water; so what we have to do is to ascertain _what_ water. The first thing is to realise exactly what he has done as yet; we may, then, get a light on what his later task is to be. _Firstly._--We must differentiate between what he did in London as part of his general plan of action, when he was pressed for moments and had to arrange as best he could. _Secondly_ we must see, as well as we can surmise it from the facts we know of, what he has done here. As to the first, he evidently intended to arrive at Galatz, and sent invoice to Varna to deceive us lest we should ascertain his means of exit from England; his immediate and sole purpose then was to escape. The proof of this, is the letter of instructions sent to Immanuel Hildesheim to clear and take away the box _before sunrise_. There is also the instruction to Petrof Skinsky. These we must only guess at; but there must have been some letter or message, since Skinsky came to Hildesheim. That, so far, his plans were successful we know. The _Czarina Catherine_ made a phenomenally quick journey--so much so that Captain Donelson's suspicions were aroused; but his superstition united with his canniness played the Count's game for him, and he ran with his favouring wind through fogs and all till he brought up blindfold at Galatz. That the Count's arrangements were well made, has been proved. Hildesheim cleared the box, took it off, and gave it to Skinsky. Skinsky took it--and here we lose the trail. We only know that the box is somewhere on the water, moving along. The customs and the octroi, if there be any, have been avoided. Now we come to what the Count must have done after his arrival--_on land_, at Galatz. The box was given to Skinsky before sunrise. At sunrise the Count could appear in his own form. Here, we ask why Skinsky was chosen at all to aid in the work? In my husband's diary, Skinsky is mentioned as dealing with the Slovaks who trade down the river to the port; and the man's remark, that the murder was the work of a Slovak, showed the general feeling against his class. The Count wanted isolation. My surmise is, this: that in London the Count decided to get back to his castle by water, as the most safe and secret way. He was brought from the castle by Szgany, and probably they delivered their cargo to Slovaks who took the boxes to Varna, for there they were shipped for London. Thus the Count had knowledge of the persons who could arrange this service. When the box was on land, before sunrise or after sunset, he came out from his box, met Skinsky and instructed him what to do as to arranging the carriage of the box up some river. When this was done, and he knew that all was in train, he blotted out his traces, as he thought, by murdering his agent. I have examined the map and find that the river most suitable for the Slovaks to have ascended is either the Pruth or the Sereth. I read in the typescript that in my trance I heard cows low and water swirling level with my ears and the creaking of wood. The Count in his box, then, was on a river in an open boat--propelled probably either by oars or poles, for the banks are near and it is working against stream. There would be no such sound if floating down stream. Of course it may not be either the Sereth or the Pruth, but we may possibly investigate further. Now of these two, the Pruth is the more easily navigated, but the Sereth is, at Fundu, joined by the Bistritza which runs up round the Borgo Pass. The loop it makes is manifestly as close to Dracula's castle as can be got by water. _Mina Harker's Journal--continued._ When I had done reading, Jonathan took me in his arms and kissed me. The others kept shaking me by both hands, and Dr. Van Helsing said:-- "Our dear Madam Mina is once more our teacher. Her eyes have been where we were blinded. Now we are on the track once again, and this time we may succeed. Our enemy is at his most helpless; and if we can come on him by day, on the water, our task will be over. He has a start, but he is powerless to hasten, as he may not leave his box lest those who carry him may suspect; for them to suspect would be to prompt them to throw him in the stream where he perish. This he knows, and will not. Now men, to our Council of War; for, here and now, we must plan what each and all shall do." "I shall get a steam launch and follow him," said Lord Godalming. "And I, horses to follow on the bank lest by chance he land," said Mr. Morris. "Good!" said the Professor, "both good. But neither must go alone. There must be force to overcome force if need be; the Slovak is strong and rough, and he carries rude arms." All the men smiled, for amongst them they carried a small arsenal. Said Mr. Morris:-- "I have brought some Winchesters; they are pretty handy in a crowd, and there may be wolves. The Count, if you remember, took some other precautions; he made some requisitions on others that Mrs. Harker could not quite hear or understand. We must be ready at all points." Dr. Seward said:-- "I think I had better go with Quincey. We have been accustomed to hunt together, and we two, well armed, will be a match for whatever may come along. You must not be alone, Art. It may be necessary to fight the Slovaks, and a chance thrust--for I don't suppose these fellows carry guns--would undo all our plans. There must be no chances, this time; we shall, not rest until the Count's head and body have been separated, and we are sure that he cannot re-incarnate." He looked at Jonathan as he spoke, and Jonathan looked at me. I could see that the poor dear was torn about in his mind. Of course he wanted to be with me; but then the boat service would, most likely, be the one which would destroy the ... the ... the ... Vampire. (Why did I hesitate to write the word?) He was silent awhile, and during his silence Dr. Van Helsing spoke:-- "Friend Jonathan, this is to you for twice reasons. First, because you are young and brave and can fight, and all energies may be needed at the last; and again that it is your right to destroy him--that--which has wrought such woe to you and yours. Be not afraid for Madam Mina; she will be my care, if I may. I am old. My legs are not so quick to run as once; and I am not used to ride so long or to pursue as need be, or to fight with lethal weapons. But I can be of other service; I can fight in other way. And I can die, if need be, as well as younger men. Now let me say that what I would is this: while you, my Lord Godalming and friend Jonathan go in your so swift little steamboat up the river, and whilst John and Quincey guard the bank where perchance he might be landed, I will take Madam Mina right into the heart of the enemy's country. Whilst the old fox is tied in his box, floating on the running stream whence he cannot escape to land--where he dares not raise the lid of his coffin-box lest his Slovak carriers should in fear leave him to perish--we shall go in the track where Jonathan went,--from Bistritz over the Borgo, and find our way to the Castle of Dracula. Here, Madam Mina's hypnotic power will surely help, and we shall find our way--all dark and unknown otherwise--after the first sunrise when we are near that fateful place. There is much to be done, and other places to be made sanctify, so that that nest of vipers be obliterated." Here Jonathan interrupted him hotly:-- "Do you mean to say, Professor Van Helsing, that you would bring Mina, in her sad case and tainted as she is with that devil's illness, right into the jaws of his death-trap? Not for the world! Not for Heaven or Hell!" He became almost speechless for a minute, and then went on:-- "Do you know what the place is? Have you seen that awful den of hellish infamy--with the very moonlight alive with grisly shapes, and every speck of dust that whirls in the wind a devouring monster in embryo? Have you felt the Vampire's lips upon your throat?" Here he turned to me, and as his eyes lit on my forehead he threw up his arms with a cry: "Oh, my God, what have we done to have this terror upon us!" and he sank down on the sofa in a collapse of misery. The Professor's voice, as he spoke in clear, sweet tones, which seemed to vibrate in the air, calmed us all:-- "Oh, my friend, it is because I would save Madam Mina from that awful place that I would go. God forbid that I should take her into that place. There is work--wild work--to be done there, that her eyes may not see. We men here, all save Jonathan, have seen with their own eyes what is to be done before that place can be purify. Remember that we are in terrible straits. If the Count escape us this time--and he is strong and subtle and cunning--he may choose to sleep him for a century, and then in time our dear one"--he took my hand--"would come to him to keep him company, and would be as those others that you, Jonathan, saw. You have told us of their gloating lips; you heard their ribald laugh as they clutched the moving bag that the Count threw to them. You shudder; and well may it be. Forgive me that I make you so much pain, but it is necessary. My friend, is it not a dire need for the which I am giving, possibly my life? If it were that any one went into that place to stay, it is I who would have to go to keep them company." "Do as you will," said Jonathan, with a sob that shook him all over, "we are in the hands of God!" * * * * * _Later._--Oh, it did me good to see the way that these brave men worked. How can women help loving men when they are so earnest, and so true, and so brave! And, too, it made me think of the wonderful power of money! What can it not do when it is properly applied; and what might it do when basely used. I felt so thankful that Lord Godalming is rich, and that both he and Mr. Morris, who also has plenty of money, are willing to spend it so freely. For if they did not, our little expedition could not start, either so promptly or so well equipped, as it will within another hour. It is not three hours since it was arranged what part each of us was to do; and now Lord Godalming and Jonathan have a lovely steam launch, with steam up ready to start at a moment's notice. Dr. Seward and Mr. Morris have half a dozen good horses, well appointed. We have all the maps and appliances of various kinds that can be had. Professor Van Helsing and I are to leave by the 11:40 train to-night for Veresti, where we are to get a carriage to drive to the Borgo Pass. We are bringing a good deal of ready money, as we are to buy a carriage and horses. We shall drive ourselves, for we have no one whom we can trust in the matter. The Professor knows something of a great many languages, so we shall get on all right. We have all got arms, even for me a large-bore revolver; Jonathan would not be happy unless I was armed like the rest. Alas! I cannot carry one arm that the rest do; the scar on my forehead forbids that. Dear Dr. Van Helsing comforts me by telling me that I am fully armed as there may be wolves; the weather is getting colder every hour, and there are snow-flurries which come and go as warnings. * * * * * _Later._--It took all my courage to say good-bye to my darling. We may never meet again. Courage, Mina! the Professor is looking at you keenly; his look is a warning. There must be no tears now--unless it may be that God will let them fall in gladness. _Jonathan Harker's Journal._ _October 30. Night._--I am writing this in the light from the furnace door of the steam launch: Lord Godalming is firing up. He is an experienced hand at the work, as he has had for years a launch of his own on the Thames, and another on the Norfolk Broads. Regarding our plans, we finally decided that Mina's guess was correct, and that if any waterway was chosen for the Count's escape back to his Castle, the Sereth and then the Bistritza at its junction, would be the one. We took it, that somewhere about the 47th degree, north latitude, would be the place chosen for the crossing the country between the river and the Carpathians. We have no fear in running at good speed up the river at night; there is plenty of water, and the banks are wide enough apart to make steaming, even in the dark, easy enough. Lord Godalming tells me to sleep for a while, as it is enough for the present for one to be on watch. But I cannot sleep--how can I with the terrible danger hanging over my darling, and her going out into that awful place.... My only comfort is that we are in the hands of God. Only for that faith it would be easier to die than to live, and so be quit of all the trouble. Mr. Morris and Dr. Seward were off on their long ride before we started; they are to keep up the right bank, far enough off to get on higher lands where they can see a good stretch of river and avoid the following of its curves. They have, for the first stages, two men to ride and lead their spare horses--four in all, so as not to excite curiosity. When they dismiss the men, which shall be shortly, they shall themselves look after the horses. It may be necessary for us to join forces; if so they can mount our whole party. One of the saddles has a movable horn, and can be easily adapted for Mina, if required. It is a wild adventure we are on. Here, as we are rushing along through the darkness, with the cold from the river seeming to rise up and strike us; with all the mysterious voices of the night around us, it all comes home. We seem to be drifting into unknown places and unknown ways; into a whole world of dark and dreadful things. Godalming is shutting the furnace door.... * * * * * _31 October._--Still hurrying along. The day has come, and Godalming is sleeping. I am on watch. The morning is bitterly cold; the furnace heat is grateful, though we have heavy fur coats. As yet we have passed only a few open boats, but none of them had on board any box or package of anything like the size of the one we seek. The men were scared every time we turned our electric lamp on them, and fell on their knees and prayed. * * * * * _1 November, evening._--No news all day; we have found nothing of the kind we seek. We have now passed into the Bistritza; and if we are wrong in our surmise our chance is gone. We have over-hauled every boat, big and little. Early this morning, one crew took us for a Government boat, and treated us accordingly. We saw in this a way of smoothing matters, so at Fundu, where the Bistritza runs into the Sereth, we got a Roumanian flag which we now fly conspicuously. With every boat which we have over-hauled since then this trick has succeeded; we have had every deference shown to us, and not once any objection to whatever we chose to ask or do. Some of the Slovaks tell us that a big boat passed them, going at more than usual speed as she had a double crew on board. This was before they came to Fundu, so they could not tell us whether the boat turned into the Bistritza or continued on up the Sereth. At Fundu we could not hear of any such boat, so she must have passed there in the night. I am feeling very sleepy; the cold is perhaps beginning to tell upon me, and nature must have rest some time. Godalming insists that he shall keep the first watch. God bless him for all his goodness to poor dear Mina and me. * * * * * _2 November, morning._--It is broad daylight. That good fellow would not wake me. He says it would have been a sin to, for I slept peacefully and was forgetting my trouble. It seems brutally selfish to me to have slept so long, and let him watch all night; but he was quite right. I am a new man this morning; and, as I sit here and watch him sleeping, I can do all that is necessary both as to minding the engine, steering, and keeping watch. I can feel that my strength and energy are coming back to me. I wonder where Mina is now, and Van Helsing. They should have got to Veresti about noon on Wednesday. It would take them some time to get the carriage and horses; so if they had started and travelled hard, they would be about now at the Borgo Pass. God guide and help them! I am afraid to think what may happen. If we could only go faster! but we cannot; the engines are throbbing and doing their utmost. I wonder how Dr. Seward and Mr. Morris are getting on. There seem to be endless streams running down the mountains into this river, but as none of them are very large--at present, at all events, though they are terrible doubtless in winter and when the snow melts--the horsemen may not have met much obstruction. I hope that before we get to Strasba we may see them; for if by that time we have not overtaken the Count, it may be necessary to take counsel together what to do next. _Dr. Seward's Diary._ _2 November._--Three days on the road. No news, and no time to write it if there had been, for every moment is precious. We have had only the rest needful for the horses; but we are both bearing it wonderfully. Those adventurous days of ours are turning up useful. We must push on; we shall never feel happy till we get the launch in sight again. * * * * * _3 November._--We heard at Fundu that the launch had gone up the Bistritza. I wish it wasn't so cold. There are signs of snow coming; and if it falls heavy it will stop us. In such case we must get a sledge and go on, Russian fashion. * * * * * _4 November._--To-day we heard of the launch having been detained by an accident when trying to force a way up the rapids. The Slovak boats get up all right, by aid of a rope and steering with knowledge. Some went up only a few hours before. Godalming is an amateur fitter himself, and evidently it was he who put the launch in trim again. Finally, they got up the rapids all right, with local help, and are off on the chase afresh. I fear that the boat is not any better for the accident; the peasantry tell us that after she got upon smooth water again, she kept stopping every now and again so long as she was in sight. We must push on harder than ever; our help may be wanted soon. _Mina Harker's Journal._ _31 October._--Arrived at Veresti at noon. The Professor tells me that this morning at dawn he could hardly hypnotise me at all, and that all I could say was: "dark and quiet." He is off now buying a carriage and horses. He says that he will later on try to buy additional horses, so that we may be able to change them on the way. We have something more than 70 miles before us. The country is lovely, and most interesting; if only we were under different conditions, how delightful it would be to see it all. If Jonathan and I were driving through it alone what a pleasure it would be. To stop and see people, and learn something of their life, and to fill our minds and memories with all the colour and picturesqueness of the whole wild, beautiful country and the quaint people! But, alas!-- * * * * * _Later._--Dr. Van Helsing has returned. He has got the carriage and horses; we are to have some dinner, and to start in an hour. The landlady is putting us up a huge basket of provisions; it seems enough for a company of soldiers. The Professor encourages her, and whispers to me that it may be a week before we can get any good food again. He has been shopping too, and has sent home such a wonderful lot of fur coats and wraps, and all sorts of warm things. There will not be any chance of our being cold. * * * * * We shall soon be off. I am afraid to think what may happen to us. We are truly in the hands of God. He alone knows what may be, and I pray Him, with all the strength of my sad and humble soul, that He will watch over my beloved husband; that whatever may happen, Jonathan may know that I loved him and honoured him more than I can say, and that my latest and truest thought will be always for him.

Chapter 26

https://web.archive.org/web/20210215030733/https://www.novelguide.com/dracula/summaries/chapter26

Van Helsing experiences greater difficulty hypnotizing Mina, because the group, making its way toward Galatz, is drawing nearer to Count Dracula all the time. They do, however, ascertain that "He is close to land: he has left his earth-chest. But he has yet to get on shore. " Time is still, for now, on their side, although Seward fears that Mina's ability to relay Dracula's sensations "may die away, just when we want it most." In Galatz, in response to Arthur's telegraphed request, agents from the London shipping firm that underwrote the Czarina Catherine's voyage take Van Helsing, Seward, and Mina aboard the vessel. The ship's captain relates his astonishment at how quickly his ship made the trip, "as though the Deil himself were blawin' on yer sail for his ain purpose." He also relates how his Romanian crew expressed grave misgivings about the ship's cargo, going so far as to ask the captain to heave the large box overboard. He did not, although he did come to regard it as the Devil's "luggage." The box was released, upon the Czarina Catherine's arrival, to one Immanuel Hildesheim. Hildesheim tells the vampire hunters that he, in turn, gave the box to one Petrof Skinsky. The group soon learns that Skinsky has been found dead, "his throat torn open as if by some wild animal." Mina concludes that Dracula decided to escape London by sea because it would be more secure than traveling by land; this decision, however, meant that someone else would have to bring Dracula to his destination. Once the box was on land, before sunrise or after sunset, Dracula emerged from it to murder Skinsky, thus, as he supposed, erasing the traces of his travels. Now, Dracula is in his box being propelled up the Sereth River, through the Borgo Pass, to his castle. Arthur and Harker will follow the vampire by steam launch; Morris and Seward, by horseback, in case Dracula should attempt landfall. Van Helsing and Mina will go to Castle Dracula to destroy its master: as the professor explains, "Madam Mina's hypnotic power will surely help, and we shall find our way--all dark and unknown otherwise--after the first sunrise when we are near that fateful place." Harker initially objects to Mina's going into the very lair of the enemy, but Van Helsing reassures him. Mina is their key to ensuring that Dracula does not again escape them, and Van Helsing declares his willingness to die, if necessary, to accomplish that task.

With this chapter, Stoker begins to bring his narrative to a relatively rapid conclusion. As Leonard Wolf points out, the author employs some plot devices that do not make much rational sense--most notably, Van Helsing's decision to drive he and Mina himself to Castle Dracula--but that do move events forward more quickly . At the same time, however, the chapter shows some signs of being intricately constructed: the final few pages consist of diary and journal entries from all three "teams"--Seward and Morris; Jonathan and Arthur; and Mina and Van Helsing--that overlap in date, thus highlighting again Stoker's use of interlacing chronology, and underscoring the unity of all six characters in their quest to destroy Dracula. Each team, while engaged in its own task, is also thinking of the others: e.g., "I wonder how Dr. Seward and Mr. Morris are getting on" . The narrative device nicely illustrates not only the increasing pace of events--"It is a wild adventure we are on," p. 422--but also the mutual cooperation, as opposed to tyrannical domination, that Stoker could be suggesting characterizes true humanity. Selfless devotion, too, returns as a hallmark of that true humanity. Mina certainly expends much mental and emotional effort to piece together Dracula's itinerary from the evidence at hand, despite her weakened condition as one who is in grave danger of becoming a vampire herself--she nobly reflects, "They were so tired and worn out and dispirited that there was nothing to be done till they had some rest... Oh! If I could only help at all... I shall do what I can..." . And Van Helsing declares, "My friend, is it not a dire need for the which I am giving, if need me, my life? If it were that any one went into that place to stay , it is I who have to go, to keep them company" . The heroic Van Helsing's words not only echo Jesus' words on self-sacrifice in John 14, but also the apostle Paul's wish that he might be cut off from the blessings of Christ if, in so doing, he could win more of his fellow Israelite brethren to faith . Readers may be forgiven for assuming that Stoker is engaging in foreshadowing at this point--but such proves not to be the case, as we will shortly see. Readers should also note how the Czarina Catherine's voyage mirrors that of the Demeter, although the former ship's crew survives its passage whereas the latter's, of course, did not. Like the crew of the Demeter, the crew of the Czarina Catherine experienced misgivings about their travels due to Dracula's presence, misgivings they expressed through recourse to superstition. And the Czarina Catherine also experienced stormy weather, as did the Demeter: e.g., "a fog fell on us and traveled wi' us" --a sure sign of the vampire's influence. The parallel sea voyages are one element of the way in which Stoker is now retracing the earlier action of his plot, a mirroring which reaches full expression in the book's next, final chapter.

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Dracula.chapter 27

chapter 27

{"name": "Chapter 27", "url": "https://web.archive.org/web/20210215030733/https://www.novelguide.com/dracula/summaries/chapter27", "summary": "Van Helsing and Mina approach Castle Dracula, meeting with many superstitious members of the local populace along the way. As they draw ever closer to the vampire's home, Van Helsing discovers that he is unable to hypnotize Mina any longer. Disturbingly, she knows the way through the Borgo Pass to the castle--ostensibly because she has read the diary her husband kept, but also because the vampire's influence over her has grown so great. Further evidence of this fact are her increasingly well appearance and her lengthening periods of sleep. When the pair moves into wilderness land, Van Helsing draws around Mina a \"magic ring\" to protect her from evil. The professor, alas, is in somewhat more danger: as they appeared to Jonathan Harker before, so do Dracula's \"brides\" now appear to Van Helsing, enticing him to succumb to their lustful but lethal advances. The wielding of the Eucharistic Wafer repels them--but, once Van Helsing has broken into Castle Dracula, he sees the vampiric brides again, lying in their crypts, and he struggles mightily, just as did Harker, to resist the temptation to submit to them. Fortunately--Van Helsing implicitly attributes the timing to God's providence--he hears Mina, left behind safe in the magic ring, cry out, and he is renewed in his mission. He locates Dracula's tomb and inserts the Communion Wafer, banishing the vampire from his final refuge forever. He also stakes and beheads each of Dracula's three brides. Late in the afternoon of November 6 , amidst a swirling snowstorm and the increasingly loud howling of wild wolves, Mina and Van Helsing watch as gypsies are bringing a large box--the last earth-box, containing Dracula--toward the Castle. They are pursued, however, by Quincey Morris, Dr. Sewad, Harker and Arthur. The men surround the gypsies, attacking the cart. Harker and Morris pry open its lid; Jonathan slits Dracula's throat, and Morris plunges his knife into Dracula's chest. The vampire crumbles to dust. Morris, however, has been fatally wounded in the struggle against the gypsies, and dies of blood loss. He does not expire, however, before seeing that Mina has been freed from Dracula's curse. The mark on her brow has vanished.", "analysis": "\"The stake we play for is life and death,\" Van Helsing writes in his memorandum , and certainly his words function as an apt summation of this final chapter of Dracula. Stoker brings his major themes and motifs to a fitting climax in these pages. For instance, we visit again the liminal existence of the vampire and those who are touched by them: Mina appears increasingly healthy as she and Van Helsing approach Castle Dracula--\"She... look so well as I never saw her since that night at Carfax when we first enter the Count's house\" --even though she is, in fact, quite sick. Indeed, her soul is still in mortal peril. To borrow the language of the King James Bible, Mina is still caught in a \"sickness... unto death\" . That this malady should manifest itself in the masquerade of good health is an especially egregious insult, indicative of the limbo between health and sickness, life and death that the novel as a whole has explored. Van Helsing, too, enters the liminal space between sanity and madness now familiar to Stoker's readers: \"Let me be accurate in everything, for though you and I have seen some strange things together, you may at the first think that I... am mad\" . Similarly, the novel's preoccupation with sacred symbols makes a return in the closing chapter--although, interestingly, Van Helsing uses the Christian symbol par excellence, the Eucharistic Host, in what seems to be a thoroughly pagan way, to construct a magic ring around Mina: \"...over the ring I passed some of the Wafer...\" . Although the juxtaposition might at first seem jarring, Stoker may be suggesting that the two symbols are not entirely disparate. The Wafer, of course, is circular, and so it shares the deep meanings of the magic ring. The circle is \"arguably the most important and most widespread geometric symbol... the circle is the ultimate, the perfect form... In magic lore the circle is supposed to serve as protection against evil spirits\" . Note, then, that Van Helsing draws the circle not around himself, as the \"conjuring magician\" of traditional magic lore, but around Mina. He is using the ancient alchemical shape to protect someone else, someone for whom he cares; and he does so using the Wafer--which, of course, in Roman Catholic doctrine is no mere \"symbol\" at all , but the actual bodily presence of Jesus Christ. Jesus Christ can \"cross the circle,\" violating the ancient magical prohibition . The circle of the Wafer, then, both shares in and elevates the meaning of the circle of the magic ring. Victorian sensibilities--in particular, Victorian anxieties--about female sexuality also make a strong reappearance in this last chapter. Note that Van Helsing must fight down \"the very instinct of man in me\" --a fairly explicit mention of the repression of normal human sexuality. And note further how the destruction of the three vampire brides mirrors the destruction of the Un-dead Lucy in its gory details--\"the horrid screeching as the stake drove home; the plunging of writhing form, and lips of bloody foam\" --details that act as a parody of intercourse and orgasmic climax. It is the pure Madam Mina--although not entirely pure, for she has been bitten by Dracula--whom Van Helsing hears and who thus empowers him to accomplish his mission. Mina thus assumes the status of a kind of perfect woman: sexual only by dint of being female, saintly even as she is stained. Readers can have no doubt of the conflicted attitudes toward sexuality of the Victorian age. At the moment of Dracula's destruction, readers should not fail to note that Stoker returns to the possibility raised by Mina earlier in the text: the idea that Dracula, for all his evil deeds, may not be altogether unworthy of pity: \"I shall be glad as long as I live,\" Mina reflects, \"that even in that moment of final dissolution, there was in the face a look of peace, such as I never could have imagined might have rested there\" . This small but powerful touch reinforces the novel's central struggle between good and evil, for it suggests that even the villain is a victim . And just as Mina is glad to see a look of peace on Dracula's face before he is destroyed, so, too, is Morris glad to see that \"the snow is not more stainless than forehead\" before he dies. Morris' death serves as Stoker's finishing flourish on his theme of self-sacrifice, rather than domination, as the way to live--even though self-sacrifice can lead to death. \"I am only too happy to have been of any service,\" the gallant Texan declares as he dies --and we may well imagine the emphasis falls on the final word. As Leonard Wolf notes, this chapter begins with Stoker's \"balancing his opening and closing action\" as \"Mina and Dr. Van Helsing retrace Jonathan's route to Dracula's castle\" . Similarly, the local population's superstition-filled reactions to Mina mirror their reactions to Harker in the first chapter. Structurally, Stoker is signaling that his novel is drawing to a close--and yet, intriguingly, the book's close is in these ways like its opening. Does Stoker's structure here subvert the face message of his text--namely, that Dracula is no longer a threat? Might it be read as a hint that the threat goes on? Or does the near-circular nature of the text signal to readers that the true \"immortal\" of Stoker's Dracula is not the title character, but the text itself?"}

_1 November._--All day long we have travelled, and at a good speed. The horses seem to know that they are being kindly treated, for they go willingly their full stage at best speed. We have now had so many changes and find the same thing so constantly that we are encouraged to think that the journey will be an easy one. Dr. Van Helsing is laconic; he tells the farmers that he is hurrying to Bistritz, and pays them well to make the exchange of horses. We get hot soup, or coffee, or tea; and off we go. It is a lovely country; full of beauties of all imaginable kinds, and the people are brave, and strong, and simple, and seem full of nice qualities. They are _very, very_ superstitious. In the first house where we stopped, when the woman who served us saw the scar on my forehead, she crossed herself and put out two fingers towards me, to keep off the evil eye. I believe they went to the trouble of putting an extra amount of garlic into our food; and I can't abide garlic. Ever since then I have taken care not to take off my hat or veil, and so have escaped their suspicions. We are travelling fast, and as we have no driver with us to carry tales, we go ahead of scandal; but I daresay that fear of the evil eye will follow hard behind us all the way. The Professor seems tireless; all day he would not take any rest, though he made me sleep for a long spell. At sunset time he hypnotised me, and he says that I answered as usual "darkness, lapping water and creaking wood"; so our enemy is still on the river. I am afraid to think of Jonathan, but somehow I have now no fear for him, or for myself. I write this whilst we wait in a farmhouse for the horses to be got ready. Dr. Van Helsing is sleeping, Poor dear, he looks very tired and old and grey, but his mouth is set as firmly as a conqueror's; even in his sleep he is instinct with resolution. When we have well started I must make him rest whilst I drive. I shall tell him that we have days before us, and we must not break down when most of all his strength will be needed.... All is ready; we are off shortly. * * * * * _2 November, morning._--I was successful, and we took turns driving all night; now the day is on us, bright though cold. There is a strange heaviness in the air--I say heaviness for want of a better word; I mean that it oppresses us both. It is very cold, and only our warm furs keep us comfortable. At dawn Van Helsing hypnotised me; he says I answered "darkness, creaking wood and roaring water," so the river is changing as they ascend. I do hope that my darling will not run any chance of danger--more than need be; but we are in God's hands. * * * * * _2 November, night._--All day long driving. The country gets wilder as we go, and the great spurs of the Carpathians, which at Veresti seemed so far from us and so low on the horizon, now seem to gather round us and tower in front. We both seem in good spirits; I think we make an effort each to cheer the other; in the doing so we cheer ourselves. Dr. Van Helsing says that by morning we shall reach the Borgo Pass. The houses are very few here now, and the Professor says that the last horse we got will have to go on with us, as we may not be able to change. He got two in addition to the two we changed, so that now we have a rude four-in-hand. The dear horses are patient and good, and they give us no trouble. We are not worried with other travellers, and so even I can drive. We shall get to the Pass in daylight; we do not want to arrive before. So we take it easy, and have each a long rest in turn. Oh, what will to-morrow bring to us? We go to seek the place where my poor darling suffered so much. God grant that we may be guided aright, and that He will deign to watch over my husband and those dear to us both, and who are in such deadly peril. As for me, I am not worthy in His sight. Alas! I am unclean to His eyes, and shall be until He may deign to let me stand forth in His sight as one of those who have not incurred His wrath. _Memorandum by Abraham Van Helsing._ _4 November._--This to my old and true friend John Seward, M.D., of Purfleet, London, in case I may not see him. It may explain. It is morning, and I write by a fire which all the night I have kept alive--Madam Mina aiding me. It is cold, cold; so cold that the grey heavy sky is full of snow, which when it falls will settle for all winter as the ground is hardening to receive it. It seems to have affected Madam Mina; she has been so heavy of head all day that she was not like herself. She sleeps, and sleeps, and sleeps! She who is usual so alert, have done literally nothing all the day; she even have lost her appetite. She make no entry into her little diary, she who write so faithful at every pause. Something whisper to me that all is not well. However, to-night she is more _vif_. Her long sleep all day have refresh and restore her, for now she is all sweet and bright as ever. At sunset I try to hypnotise her, but alas! with no effect; the power has grown less and less with each day, and to-night it fail me altogether. Well, God's will be done--whatever it may be, and whithersoever it may lead! Now to the historical, for as Madam Mina write not in her stenography, I must, in my cumbrous old fashion, that so each day of us may not go unrecorded. We got to the Borgo Pass just after sunrise yesterday morning. When I saw the signs of the dawn I got ready for the hypnotism. We stopped our carriage, and got down so that there might be no disturbance. I made a couch with furs, and Madam Mina, lying down, yield herself as usual, but more slow and more short time than ever, to the hypnotic sleep. As before, came the answer: "darkness and the swirling of water." Then she woke, bright and radiant and we go on our way and soon reach the Pass. At this time and place, she become all on fire with zeal; some new guiding power be in her manifested, for she point to a road and say:-- "This is the way." "How know you it?" I ask. "Of course I know it," she answer, and with a pause, add: "Have not my Jonathan travelled it and wrote of his travel?" At first I think somewhat strange, but soon I see that there be only one such by-road. It is used but little, and very different from the coach road from the Bukovina to Bistritz, which is more wide and hard, and more of use. So we came down this road; when we meet other ways--not always were we sure that they were roads at all, for they be neglect and light snow have fallen--the horses know and they only. I give rein to them, and they go on so patient. By-and-by we find all the things which Jonathan have note in that wonderful diary of him. Then we go on for long, long hours and hours. At the first, I tell Madam Mina to sleep; she try, and she succeed. She sleep all the time; till at the last, I feel myself to suspicious grow, and attempt to wake her. But she sleep on, and I may not wake her though I try. I do not wish to try too hard lest I harm her; for I know that she have suffer much, and sleep at times be all-in-all to her. I think I drowse myself, for all of sudden I feel guilt, as though I have done something; I find myself bolt up, with the reins in my hand, and the good horses go along jog, jog, just as ever. I look down and find Madam Mina still sleep. It is now not far off sunset time, and over the snow the light of the sun flow in big yellow flood, so that we throw great long shadow on where the mountain rise so steep. For we are going up, and up; and all is oh! so wild and rocky, as though it were the end of the world. Then I arouse Madam Mina. This time she wake with not much trouble, and then I try to put her to hypnotic sleep. But she sleep not, being as though I were not. Still I try and try, till all at once I find her and myself in dark; so I look round, and find that the sun have gone down. Madam Mina laugh, and I turn and look at her. She is now quite awake, and look so well as I never saw her since that night at Carfax when we first enter the Count's house. I am amaze, and not at ease then; but she is so bright and tender and thoughtful for me that I forget all fear. I light a fire, for we have brought supply of wood with us, and she prepare food while I undo the horses and set them, tethered in shelter, to feed. Then when I return to the fire she have my supper ready. I go to help her; but she smile, and tell me that she have eat already--that she was so hungry that she would not wait. I like it not, and I have grave doubts; but I fear to affright her, and so I am silent of it. She help me and I eat alone; and then we wrap in fur and lie beside the fire, and I tell her to sleep while I watch. But presently I forget all of watching; and when I sudden remember that I watch, I find her lying quiet, but awake, and looking at me with so bright eyes. Once, twice more the same occur, and I get much sleep till before morning. When I wake I try to hypnotise her; but alas! though she shut her eyes obedient, she may not sleep. The sun rise up, and up, and up; and then sleep come to her too late, but so heavy that she will not wake. I have to lift her up, and place her sleeping in the carriage when I have harnessed the horses and made all ready. Madam still sleep, and she look in her sleep more healthy and more redder than before. And I like it not. And I am afraid, afraid, afraid!--I am afraid of all things--even to think but I must go on my way. The stake we play for is life and death, or more than these, and we must not flinch. * * * * * _5 November, morning._--Let me be accurate in everything, for though you and I have seen some strange things together, you may at the first think that I, Van Helsing, am mad--that the many horrors and the so long strain on nerves has at the last turn my brain. All yesterday we travel, ever getting closer to the mountains, and moving into a more and more wild and desert land. There are great, frowning precipices and much falling water, and Nature seem to have held sometime her carnival. Madam Mina still sleep and sleep; and though I did have hunger and appeased it, I could not waken her--even for food. I began to fear that the fatal spell of the place was upon her, tainted as she is with that Vampire baptism. "Well," said I to myself, "if it be that she sleep all the day, it shall also be that I do not sleep at night." As we travel on the rough road, for a road of an ancient and imperfect kind there was, I held down my head and slept. Again I waked with a sense of guilt and of time passed, and found Madam Mina still sleeping, and the sun low down. But all was indeed changed; the frowning mountains seemed further away, and we were near the top of a steep-rising hill, on summit of which was such a castle as Jonathan tell of in his diary. At once I exulted and feared; for now, for good or ill, the end was near. I woke Madam Mina, and again tried to hypnotise her; but alas! unavailing till too late. Then, ere the great dark came upon us--for even after down-sun the heavens reflected the gone sun on the snow, and all was for a time in a great twilight--I took out the horses and fed them in what shelter I could. Then I make a fire; and near it I make Madam Mina, now awake and more charming than ever, sit comfortable amid her rugs. I got ready food: but she would not eat, simply saying that she had not hunger. I did not press her, knowing her unavailingness. But I myself eat, for I must needs now be strong for all. Then, with the fear on me of what might be, I drew a ring so big for her comfort, round where Madam Mina sat; and over the ring I passed some of the wafer, and I broke it fine so that all was well guarded. She sat still all the time--so still as one dead; and she grew whiter and ever whiter till the snow was not more pale; and no word she said. But when I drew near, she clung to me, and I could know that the poor soul shook her from head to feet with a tremor that was pain to feel. I said to her presently, when she had grown more quiet:-- "Will you not come over to the fire?" for I wished to make a test of what she could. She rose obedient, but when she have made a step she stopped, and stood as one stricken. "Why not go on?" I asked. She shook her head, and, coming back, sat down in her place. Then, looking at me with open eyes, as of one waked from sleep, she said simply:-- "I cannot!" and remained silent. I rejoiced, for I knew that what she could not, none of those that we dreaded could. Though there might be danger to her body, yet her soul was safe! Presently the horses began to scream, and tore at their tethers till I came to them and quieted them. When they did feel my hands on them, they whinnied low as in joy, and licked at my hands and were quiet for a time. Many times through the night did I come to them, till it arrive to the cold hour when all nature is at lowest; and every time my coming was with quiet of them. In the cold hour the fire began to die, and I was about stepping forth to replenish it, for now the snow came in flying sweeps and with it a chill mist. Even in the dark there was a light of some kind, as there ever is over snow; and it seemed as though the snow-flurries and the wreaths of mist took shape as of women with trailing garments. All was in dead, grim silence only that the horses whinnied and cowered, as if in terror of the worst. I began to fear--horrible fears; but then came to me the sense of safety in that ring wherein I stood. I began, too, to think that my imaginings were of the night, and the gloom, and the unrest that I have gone through, and all the terrible anxiety. It was as though my memories of all Jonathan's horrid experience were befooling me; for the snow flakes and the mist began to wheel and circle round, till I could get as though a shadowy glimpse of those women that would have kissed him. And then the horses cowered lower and lower, and moaned in terror as men do in pain. Even the madness of fright was not to them, so that they could break away. I feared for my dear Madam Mina when these weird figures drew near and circled round. I looked at her, but she sat calm, and smiled at me; when I would have stepped to the fire to replenish it, she caught me and held me back, and whispered, like a voice that one hears in a dream, so low it was:-- "No! No! Do not go without. Here you are safe!" I turned to her, and looking in her eyes, said:-- "But you? It is for you that I fear!" whereat she laughed--a laugh, low and unreal, and said:-- "Fear for _me_! Why fear for me? None safer in all the world from them than I am," and as I wondered at the meaning of her words, a puff of wind made the flame leap up, and I see the red scar on her forehead. Then, alas! I knew. Did I not, I would soon have learned, for the wheeling figures of mist and snow came closer, but keeping ever without the Holy circle. Then they began to materialise till--if God have not take away my reason, for I saw it through my eyes--there were before me in actual flesh the same three women that Jonathan saw in the room, when they would have kissed his throat. I knew the swaying round forms, the bright hard eyes, the white teeth, the ruddy colour, the voluptuous lips. They smiled ever at poor dear Madam Mina; and as their laugh came through the silence of the night, they twined their arms and pointed to her, and said in those so sweet tingling tones that Jonathan said were of the intolerable sweetness of the water-glasses:-- "Come, sister. Come to us. Come! Come!" In fear I turned to my poor Madam Mina, and my heart with gladness leapt like flame; for oh! the terror in her sweet eyes, the repulsion, the horror, told a story to my heart that was all of hope. God be thanked she was not, yet, of them. I seized some of the firewood which was by me, and holding out some of the Wafer, advanced on them towards the fire. They drew back before me, and laughed their low horrid laugh. I fed the fire, and feared them not; for I knew that we were safe within our protections. They could not approach, me, whilst so armed, nor Madam Mina whilst she remained within the ring, which she could not leave no more than they could enter. The horses had ceased to moan, and lay still on the ground; the snow fell on them softly, and they grew whiter. I knew that there was for the poor beasts no more of terror. And so we remained till the red of the dawn to fall through the snow-gloom. I was desolate and afraid, and full of woe and terror; but when that beautiful sun began to climb the horizon life was to me again. At the first coming of the dawn the horrid figures melted in the whirling mist and snow; the wreaths of transparent gloom moved away towards the castle, and were lost. Instinctively, with the dawn coming, I turned to Madam Mina, intending to hypnotise her; but she lay in a deep and sudden sleep, from which I could not wake her. I tried to hypnotise through her sleep, but she made no response, none at all; and the day broke. I fear yet to stir. I have made my fire and have seen the horses, they are all dead. To-day I have much to do here, and I keep waiting till the sun is up high; for there may be places where I must go, where that sunlight, though snow and mist obscure it, will be to me a safety. I will strengthen me with breakfast, and then I will to my terrible work. Madam Mina still sleeps; and, God be thanked! she is calm in her sleep.... _Jonathan Harker's Journal._ _4 November, evening._--The accident to the launch has been a terrible thing for us. Only for it we should have overtaken the boat long ago; and by now my dear Mina would have been free. I fear to think of her, off on the wolds near that horrid place. We have got horses, and we follow on the track. I note this whilst Godalming is getting ready. We have our arms. The Szgany must look out if they mean fight. Oh, if only Morris and Seward were with us. We must only hope! If I write no more Good-bye, Mina! God bless and keep you. _Dr. Seward's Diary._ _5 November._--With the dawn we saw the body of Szgany before us dashing away from the river with their leiter-wagon. They surrounded it in a cluster, and hurried along as though beset. The snow is falling lightly and there is a strange excitement in the air. It may be our own feelings, but the depression is strange. Far off I hear the howling of wolves; the snow brings them down from the mountains, and there are dangers to all of us, and from all sides. The horses are nearly ready, and we are soon off. We ride to death of some one. God alone knows who, or where, or what, or when, or how it may be.... _Dr. Van Helsing's Memorandum._ _5 November, afternoon._--I am at least sane. Thank God for that mercy at all events, though the proving it has been dreadful. When I left Madam Mina sleeping within the Holy circle, I took my way to the castle. The blacksmith hammer which I took in the carriage from Veresti was useful; though the doors were all open I broke them off the rusty hinges, lest some ill-intent or ill-chance should close them, so that being entered I might not get out. Jonathan's bitter experience served me here. By memory of his diary I found my way to the old chapel, for I knew that here my work lay. The air was oppressive; it seemed as if there was some sulphurous fume, which at times made me dizzy. Either there was a roaring in my ears or I heard afar off the howl of wolves. Then I bethought me of my dear Madam Mina, and I was in terrible plight. The dilemma had me between his horns. Her, I had not dare to take into this place, but left safe from the Vampire in that Holy circle; and yet even there would be the wolf! I resolve me that my work lay here, and that as to the wolves we must submit, if it were God's will. At any rate it was only death and freedom beyond. So did I choose for her. Had it but been for myself the choice had been easy, the maw of the wolf were better to rest in than the grave of the Vampire! So I make my choice to go on with my work. I knew that there were at least three graves to find--graves that are inhabit; so I search, and search, and I find one of them. She lay in her Vampire sleep, so full of life and voluptuous beauty that I shudder as though I have come to do murder. Ah, I doubt not that in old time, when such things were, many a man who set forth to do such a task as mine, found at the last his heart fail him, and then his nerve. So he delay, and delay, and delay, till the mere beauty and the fascination of the wanton Un-Dead have hypnotise him; and he remain on and on, till sunset come, and the Vampire sleep be over. Then the beautiful eyes of the fair woman open and look love, and the voluptuous mouth present to a kiss--and man is weak. And there remain one more victim in the Vampire fold; one more to swell the grim and grisly ranks of the Un-Dead!... There is some fascination, surely, when I am moved by the mere presence of such an one, even lying as she lay in a tomb fretted with age and heavy with the dust of centuries, though there be that horrid odour such as the lairs of the Count have had. Yes, I was moved--I, Van Helsing, with all my purpose and with my motive for hate--I was moved to a yearning for delay which seemed to paralyse my faculties and to clog my very soul. It may have been that the need of natural sleep, and the strange oppression of the air were beginning to overcome me. Certain it was that I was lapsing into sleep, the open-eyed sleep of one who yields to a sweet fascination, when there came through the snow-stilled air a long, low wail, so full of woe and pity that it woke me like the sound of a clarion. For it was the voice of my dear Madam Mina that I heard. Then I braced myself again to my horrid task, and found by wrenching away tomb-tops one other of the sisters, the other dark one. I dared not pause to look on her as I had on her sister, lest once more I should begin to be enthrall; but I go on searching until, presently, I find in a high great tomb as if made to one much beloved that other fair sister which, like Jonathan I had seen to gather herself out of the atoms of the mist. She was so fair to look on, so radiantly beautiful, so exquisitely voluptuous, that the very instinct of man in me, which calls some of my sex to love and to protect one of hers, made my head whirl with new emotion. But God be thanked, that soul-wail of my dear Madam Mina had not died out of my ears; and, before the spell could be wrought further upon me, I had nerved myself to my wild work. By this time I had searched all the tombs in the chapel, so far as I could tell; and as there had been only three of these Un-Dead phantoms around us in the night, I took it that there were no more of active Un-Dead existent. There was one great tomb more lordly than all the rest; huge it was, and nobly proportioned. On it was but one word DRACULA. This then was the Un-Dead home of the King-Vampire, to whom so many more were due. Its emptiness spoke eloquent to make certain what I knew. Before I began to restore these women to their dead selves through my awful work, I laid in Dracula's tomb some of the Wafer, and so banished him from it, Un-Dead, for ever. Then began my terrible task, and I dreaded it. Had it been but one, it had been easy, comparative. But three! To begin twice more after I had been through a deed of horror; for if it was terrible with the sweet Miss Lucy, what would it not be with these strange ones who had survived through centuries, and who had been strengthened by the passing of the years; who would, if they could, have fought for their foul lives.... Oh, my friend John, but it was butcher work; had I not been nerved by thoughts of other dead, and of the living over whom hung such a pall of fear, I could not have gone on. I tremble and tremble even yet, though till all was over, God be thanked, my nerve did stand. Had I not seen the repose in the first place, and the gladness that stole over it just ere the final dissolution came, as realisation that the soul had been won, I could not have gone further with my butchery. I could not have endured the horrid screeching as the stake drove home; the plunging of writhing form, and lips of bloody foam. I should have fled in terror and left my work undone. But it is over! And the poor souls, I can pity them now and weep, as I think of them placid each in her full sleep of death for a short moment ere fading. For, friend John, hardly had my knife severed the head of each, before the whole body began to melt away and crumble in to its native dust, as though the death that should have come centuries agone had at last assert himself and say at once and loud "I am here!" Before I left the castle I so fixed its entrances that never more can the Count enter there Un-Dead. When I stepped into the circle where Madam Mina slept, she woke from her sleep, and, seeing, me, cried out in pain that I had endured too much. "Come!" she said, "come away from this awful place! Let us go to meet my husband who is, I know, coming towards us." She was looking thin and pale and weak; but her eyes were pure and glowed with fervour. I was glad to see her paleness and her illness, for my mind was full of the fresh horror of that ruddy vampire sleep. And so with trust and hope, and yet full of fear, we go eastward to meet our friends--and _him_--whom Madam Mina tell me that she _know_ are coming to meet us. _Mina Harker's Journal._ _6 November._--It was late in the afternoon when the Professor and I took our way towards the east whence I knew Jonathan was coming. We did not go fast, though the way was steeply downhill, for we had to take heavy rugs and wraps with us; we dared not face the possibility of being left without warmth in the cold and the snow. We had to take some of our provisions, too, for we were in a perfect desolation, and, so far as we could see through the snowfall, there was not even the sign of habitation. When we had gone about a mile, I was tired with the heavy walking and sat down to rest. Then we looked back and saw where the clear line of Dracula's castle cut the sky; for we were so deep under the hill whereon it was set that the angle of perspective of the Carpathian mountains was far below it. We saw it in all its grandeur, perched a thousand feet on the summit of a sheer precipice, and with seemingly a great gap between it and the steep of the adjacent mountain on any side. There was something wild and uncanny about the place. We could hear the distant howling of wolves. They were far off, but the sound, even though coming muffled through the deadening snowfall, was full of terror. I knew from the way Dr. Van Helsing was searching about that he was trying to seek some strategic point, where we would be less exposed in case of attack. The rough roadway still led downwards; we could trace it through the drifted snow. In a little while the Professor signalled to me, so I got up and joined him. He had found a wonderful spot, a sort of natural hollow in a rock, with an entrance like a doorway between two boulders. He took me by the hand and drew me in: "See!" he said, "here you will be in shelter; and if the wolves do come I can meet them one by one." He brought in our furs, and made a snug nest for me, and got out some provisions and forced them upon me. But I could not eat; to even try to do so was repulsive to me, and, much as I would have liked to please him, I could not bring myself to the attempt. He looked very sad, but did not reproach me. Taking his field-glasses from the case, he stood on the top of the rock, and began to search the horizon. Suddenly he called out:-- "Look! Madam Mina, look! look!" I sprang up and stood beside him on the rock; he handed me his glasses and pointed. The snow was now falling more heavily, and swirled about fiercely, for a high wind was beginning to blow. However, there were times when there were pauses between the snow flurries and I could see a long way round. From the height where we were it was possible to see a great distance; and far off, beyond the white waste of snow, I could see the river lying like a black ribbon in kinks and curls as it wound its way. Straight in front of us and not far off--in fact, so near that I wondered we had not noticed before--came a group of mounted men hurrying along. In the midst of them was a cart, a long leiter-wagon which swept from side to side, like a dog's tail wagging, with each stern inequality of the road. Outlined against the snow as they were, I could see from the men's clothes that they were peasants or gypsies of some kind. On the cart was a great square chest. My heart leaped as I saw it, for I felt that the end was coming. The evening was now drawing close, and well I knew that at sunset the Thing, which was till then imprisoned there, would take new freedom and could in any of many forms elude all pursuit. In fear I turned to the Professor; to my consternation, however, he was not there. An instant later, I saw him below me. Round the rock he had drawn a circle, such as we had found shelter in last night. When he had completed it he stood beside me again, saying:-- "At least you shall be safe here from _him_!" He took the glasses from me, and at the next lull of the snow swept the whole space below us. "See," he said, "they come quickly; they are flogging the horses, and galloping as hard as they can." He paused and went on in a hollow voice:-- "They are racing for the sunset. We may be too late. God's will be done!" Down came another blinding rush of driving snow, and the whole landscape was blotted out. It soon passed, however, and once more his glasses were fixed on the plain. Then came a sudden cry:-- "Look! Look! Look! See, two horsemen follow fast, coming up from the south. It must be Quincey and John. Take the glass. Look before the snow blots it all out!" I took it and looked. The two men might be Dr. Seward and Mr. Morris. I knew at all events that neither of them was Jonathan. At the same time I _knew_ that Jonathan was not far off; looking around I saw on the north side of the coming party two other men, riding at break-neck speed. One of them I knew was Jonathan, and the other I took, of course, to be Lord Godalming. They, too, were pursuing the party with the cart. When I told the Professor he shouted in glee like a schoolboy, and, after looking intently till a snow fall made sight impossible, he laid his Winchester rifle ready for use against the boulder at the opening of our shelter. "They are all converging," he said. "When the time comes we shall have gypsies on all sides." I got out my revolver ready to hand, for whilst we were speaking the howling of wolves came louder and closer. When the snow storm abated a moment we looked again. It was strange to see the snow falling in such heavy flakes close to us, and beyond, the sun shining more and more brightly as it sank down towards the far mountain tops. Sweeping the glass all around us I could see here and there dots moving singly and in twos and threes and larger numbers--the wolves were gathering for their prey. Every instant seemed an age whilst we waited. The wind came now in fierce bursts, and the snow was driven with fury as it swept upon us in circling eddies. At times we could not see an arm's length before us; but at others, as the hollow-sounding wind swept by us, it seemed to clear the air-space around us so that we could see afar off. We had of late been so accustomed to watch for sunrise and sunset, that we knew with fair accuracy when it would be; and we knew that before long the sun would set. It was hard to believe that by our watches it was less than an hour that we waited in that rocky shelter before the various bodies began to converge close upon us. The wind came now with fiercer and more bitter sweeps, and more steadily from the north. It seemingly had driven the snow clouds from us, for, with only occasional bursts, the snow fell. We could distinguish clearly the individuals of each party, the pursued and the pursuers. Strangely enough those pursued did not seem to realise, or at least to care, that they were pursued; they seemed, however, to hasten with redoubled speed as the sun dropped lower and lower on the mountain tops. Closer and closer they drew. The Professor and I crouched down behind our rock, and held our weapons ready; I could see that he was determined that they should not pass. One and all were quite unaware of our presence. All at once two voices shouted out to: "Halt!" One was my Jonathan's, raised in a high key of passion; the other Mr. Morris' strong resolute tone of quiet command. The gypsies may not have known the language, but there was no mistaking the tone, in whatever tongue the words were spoken. Instinctively they reined in, and at the instant Lord Godalming and Jonathan dashed up at one side and Dr. Seward and Mr. Morris on the other. The leader of the gypsies, a splendid-looking fellow who sat his horse like a centaur, waved them back, and in a fierce voice gave to his companions some word to proceed. They lashed the horses which sprang forward; but the four men raised their Winchester rifles, and in an unmistakable way commanded them to stop. At the same moment Dr. Van Helsing and I rose behind the rock and pointed our weapons at them. Seeing that they were surrounded the men tightened their reins and drew up. The leader turned to them and gave a word at which every man of the gypsy party drew what weapon he carried, knife or pistol, and held himself in readiness to attack. Issue was joined in an instant. The leader, with a quick movement of his rein, threw his horse out in front, and pointing first to the sun--now close down on the hill tops--and then to the castle, said something which I did not understand. For answer, all four men of our party threw themselves from their horses and dashed towards the cart. I should have felt terrible fear at seeing Jonathan in such danger, but that the ardour of battle must have been upon me as well as the rest of them; I felt no fear, but only a wild, surging desire to do something. Seeing the quick movement of our parties, the leader of the gypsies gave a command; his men instantly formed round the cart in a sort of undisciplined endeavour, each one shouldering and pushing the other in his eagerness to carry out the order. In the midst of this I could see that Jonathan on one side of the ring of men, and Quincey on the other, were forcing a way to the cart; it was evident that they were bent on finishing their task before the sun should set. Nothing seemed to stop or even to hinder them. Neither the levelled weapons nor the flashing knives of the gypsies in front, nor the howling of the wolves behind, appeared to even attract their attention. Jonathan's impetuosity, and the manifest singleness of his purpose, seemed to overawe those in front of him; instinctively they cowered, aside and let him pass. In an instant he had jumped upon the cart, and, with a strength which seemed incredible, raised the great box, and flung it over the wheel to the ground. In the meantime, Mr. Morris had had to use force to pass through his side of the ring of Szgany. All the time I had been breathlessly watching Jonathan I had, with the tail of my eye, seen him pressing desperately forward, and had seen the knives of the gypsies flash as he won a way through them, and they cut at him. He had parried with his great bowie knife, and at first I thought that he too had come through in safety; but as he sprang beside Jonathan, who had by now jumped from the cart, I could see that with his left hand he was clutching at his side, and that the blood was spurting through his fingers. He did not delay notwithstanding this, for as Jonathan, with desperate energy, attacked one end of the chest, attempting to prize off the lid with his great Kukri knife, he attacked the other frantically with his bowie. Under the efforts of both men the lid began to yield; the nails drew with a quick screeching sound, and the top of the box was thrown back. By this time the gypsies, seeing themselves covered by the Winchesters, and at the mercy of Lord Godalming and Dr. Seward, had given in and made no resistance. The sun was almost down on the mountain tops, and the shadows of the whole group fell long upon the snow. I saw the Count lying within the box upon the earth, some of which the rude falling from the cart had scattered over him. He was deathly pale, just like a waxen image, and the red eyes glared with the horrible vindictive look which I knew too well. As I looked, the eyes saw the sinking sun, and the look of hate in them turned to triumph. But, on the instant, came the sweep and flash of Jonathan's great knife. I shrieked as I saw it shear through the throat; whilst at the same moment Mr. Morris's bowie knife plunged into the heart. It was like a miracle; but before our very eyes, and almost in the drawing of a breath, the whole body crumble into dust and passed from our sight. I shall be glad as long as I live that even in that moment of final dissolution, there was in the face a look of peace, such as I never could have imagined might have rested there. The Castle of Dracula now stood out against the red sky, and every stone of its broken battlements was articulated against the light of the setting sun. The gypsies, taking us as in some way the cause of the extraordinary disappearance of the dead man, turned, without a word, and rode away as if for their lives. Those who were unmounted jumped upon the leiter-wagon and shouted to the horsemen not to desert them. The wolves, which had withdrawn to a safe distance, followed in their wake, leaving us alone. Mr. Morris, who had sunk to the ground, leaned on his elbow, holding his hand pressed to his side; the blood still gushed through his fingers. I flew to him, for the Holy circle did not now keep me back; so did the two doctors. Jonathan knelt behind him and the wounded man laid back his head on his shoulder. With a sigh he took, with a feeble effort, my hand in that of his own which was unstained. He must have seen the anguish of my heart in my face, for he smiled at me and said:-- "I am only too happy to have been of any service! Oh, God!" he cried suddenly, struggling up to a sitting posture and pointing to me, "It was worth for this to die! Look! look!" The sun was now right down upon the mountain top, and the red gleams fell upon my face, so that it was bathed in rosy light. With one impulse the men sank on their knees and a deep and earnest "Amen" broke from all as their eyes followed the pointing of his finger. The dying man spoke:-- "Now God be thanked that all has not been in vain! See! the snow is not more stainless than her forehead! The curse has passed away!" And, to our bitter grief, with a smile and in silence, he died, a gallant gentleman.

Chapter 27

https://web.archive.org/web/20210215030733/https://www.novelguide.com/dracula/summaries/chapter27

Van Helsing and Mina approach Castle Dracula, meeting with many superstitious members of the local populace along the way. As they draw ever closer to the vampire's home, Van Helsing discovers that he is unable to hypnotize Mina any longer. Disturbingly, she knows the way through the Borgo Pass to the castle--ostensibly because she has read the diary her husband kept, but also because the vampire's influence over her has grown so great. Further evidence of this fact are her increasingly well appearance and her lengthening periods of sleep. When the pair moves into wilderness land, Van Helsing draws around Mina a "magic ring" to protect her from evil. The professor, alas, is in somewhat more danger: as they appeared to Jonathan Harker before, so do Dracula's "brides" now appear to Van Helsing, enticing him to succumb to their lustful but lethal advances. The wielding of the Eucharistic Wafer repels them--but, once Van Helsing has broken into Castle Dracula, he sees the vampiric brides again, lying in their crypts, and he struggles mightily, just as did Harker, to resist the temptation to submit to them. Fortunately--Van Helsing implicitly attributes the timing to God's providence--he hears Mina, left behind safe in the magic ring, cry out, and he is renewed in his mission. He locates Dracula's tomb and inserts the Communion Wafer, banishing the vampire from his final refuge forever. He also stakes and beheads each of Dracula's three brides. Late in the afternoon of November 6 , amidst a swirling snowstorm and the increasingly loud howling of wild wolves, Mina and Van Helsing watch as gypsies are bringing a large box--the last earth-box, containing Dracula--toward the Castle. They are pursued, however, by Quincey Morris, Dr. Sewad, Harker and Arthur. The men surround the gypsies, attacking the cart. Harker and Morris pry open its lid; Jonathan slits Dracula's throat, and Morris plunges his knife into Dracula's chest. The vampire crumbles to dust. Morris, however, has been fatally wounded in the struggle against the gypsies, and dies of blood loss. He does not expire, however, before seeing that Mina has been freed from Dracula's curse. The mark on her brow has vanished.

"The stake we play for is life and death," Van Helsing writes in his memorandum , and certainly his words function as an apt summation of this final chapter of Dracula. Stoker brings his major themes and motifs to a fitting climax in these pages. For instance, we visit again the liminal existence of the vampire and those who are touched by them: Mina appears increasingly healthy as she and Van Helsing approach Castle Dracula--"She... look so well as I never saw her since that night at Carfax when we first enter the Count's house" --even though she is, in fact, quite sick. Indeed, her soul is still in mortal peril. To borrow the language of the King James Bible, Mina is still caught in a "sickness... unto death" . That this malady should manifest itself in the masquerade of good health is an especially egregious insult, indicative of the limbo between health and sickness, life and death that the novel as a whole has explored. Van Helsing, too, enters the liminal space between sanity and madness now familiar to Stoker's readers: "Let me be accurate in everything, for though you and I have seen some strange things together, you may at the first think that I... am mad" . Similarly, the novel's preoccupation with sacred symbols makes a return in the closing chapter--although, interestingly, Van Helsing uses the Christian symbol par excellence, the Eucharistic Host, in what seems to be a thoroughly pagan way, to construct a magic ring around Mina: "...over the ring I passed some of the Wafer..." . Although the juxtaposition might at first seem jarring, Stoker may be suggesting that the two symbols are not entirely disparate. The Wafer, of course, is circular, and so it shares the deep meanings of the magic ring. The circle is "arguably the most important and most widespread geometric symbol... the circle is the ultimate, the perfect form... In magic lore the circle is supposed to serve as protection against evil spirits" . Note, then, that Van Helsing draws the circle not around himself, as the "conjuring magician" of traditional magic lore, but around Mina. He is using the ancient alchemical shape to protect someone else, someone for whom he cares; and he does so using the Wafer--which, of course, in Roman Catholic doctrine is no mere "symbol" at all , but the actual bodily presence of Jesus Christ. Jesus Christ can "cross the circle," violating the ancient magical prohibition . The circle of the Wafer, then, both shares in and elevates the meaning of the circle of the magic ring. Victorian sensibilities--in particular, Victorian anxieties--about female sexuality also make a strong reappearance in this last chapter. Note that Van Helsing must fight down "the very instinct of man in me" --a fairly explicit mention of the repression of normal human sexuality. And note further how the destruction of the three vampire brides mirrors the destruction of the Un-dead Lucy in its gory details--"the horrid screeching as the stake drove home; the plunging of writhing form, and lips of bloody foam" --details that act as a parody of intercourse and orgasmic climax. It is the pure Madam Mina--although not entirely pure, for she has been bitten by Dracula--whom Van Helsing hears and who thus empowers him to accomplish his mission. Mina thus assumes the status of a kind of perfect woman: sexual only by dint of being female, saintly even as she is stained. Readers can have no doubt of the conflicted attitudes toward sexuality of the Victorian age. At the moment of Dracula's destruction, readers should not fail to note that Stoker returns to the possibility raised by Mina earlier in the text: the idea that Dracula, for all his evil deeds, may not be altogether unworthy of pity: "I shall be glad as long as I live," Mina reflects, "that even in that moment of final dissolution, there was in the face a look of peace, such as I never could have imagined might have rested there" . This small but powerful touch reinforces the novel's central struggle between good and evil, for it suggests that even the villain is a victim . And just as Mina is glad to see a look of peace on Dracula's face before he is destroyed, so, too, is Morris glad to see that "the snow is not more stainless than forehead" before he dies. Morris' death serves as Stoker's finishing flourish on his theme of self-sacrifice, rather than domination, as the way to live--even though self-sacrifice can lead to death. "I am only too happy to have been of any service," the gallant Texan declares as he dies --and we may well imagine the emphasis falls on the final word. As Leonard Wolf notes, this chapter begins with Stoker's "balancing his opening and closing action" as "Mina and Dr. Van Helsing retrace Jonathan's route to Dracula's castle" . Similarly, the local population's superstition-filled reactions to Mina mirror their reactions to Harker in the first chapter. Structurally, Stoker is signaling that his novel is drawing to a close--and yet, intriguingly, the book's close is in these ways like its opening. Does Stoker's structure here subvert the face message of his text--namely, that Dracula is no longer a threat? Might it be read as a hint that the threat goes on? Or does the near-circular nature of the text signal to readers that the true "immortal" of Stoker's Dracula is not the title character, but the text itself?

gradesaver

all_chapterized_books/1260-chapters/02.txt

finished_summaries/gradesaver/Jane Eyre/section_0_part_1.txt

Jane Eyre.volume 1.chapter 1

volume 1, chapter 1

{"name": "volume 1, Chapter 1", "url": "https://web.archive.org/web/20210421052406/https://www.gradesaver.com/jane-eyre/study-guide/summary-volume-i-chapters-1-5", "summary": "The novel begins with the ten-year-old Jane Eyre narrating from the home of the well-off Reed family in Gateshead Hall. Mr. Reed, Jane's uncle, took her into his home after both of her parents died of typhus fever, but he soon died himself. Mrs. Reed was particularly resentful of her husband's favoritism toward Jane and takes every opportunity to neglect and punish her. At the beginning of the narrative, Jane is secluded behind the curtains of a window seat and reading Bewick's \"History of British Birds. Although she attempted to join the rest of the family, she was refused permission by Mrs. Reed to play with her cousins Eliza, John, and Georgiana. Although the family mistreats her, Jane still wishes that she could have the same attention and love that her cousins receive from her aunt. The bullying John interrupts Jane's reading and informs her that she has no right to read their books because she is an orphan who is dependent on his family. He strikes her with the book, and Jane surprises him by fighting to defend herself. John is frightened by Jane's zeal and blames her for the fight. As punishment for Jane's inappropriate behavior, Mrs. Reed has two servants lock her in the \"red-room,\" the room in which Mr. Reed died.", "analysis": "From the very beginning of the book, Bronte uses careful novelistic craftsmanship to position the reader on Jane's side. Not only does the narration occur in Jane's voice, a fact which automatically makes her a more sympathetic character, but Bronte incorporates all of the tragic facts of Jane's childhood in the first few pages. From the start, Jane is oppressed; she is sent off while her cousins play. We learn through exposition from John that she is a penniless orphan, dependent on the heartless Reed family but never on an equal level with her relatives; indeed, social class will play an important role in the rest of the novel. Although we do not have a clear sense of the extent of Mrs. Reed's resentful feelings toward Jane, Bronte emphasizes Jane's loneliness and lack of familial affection. Bronte also emphasizes Jane's sensitive nature and inner strength. She is given to flights of fancy while reading, but she also displays a great deal of courage and sense of justice in her defense against John. All of the elements are in place for a classic \"Bildungsroman,\" the literary genre originating in the German as \"novel of formation\" or, as it is generally known, the \"coming-of-age\" story. In the Bildungsroman, classic examples of which are Goethe's The Sorrows of Young Werther, Mark Twain's Huckleberry Finn, and J. D. Salinger's The Catcher in the Rye, the young protagonist matures through a series of obstacles and defines his or her identity"}

There was no possibility of taking a walk that day. We had been wandering, indeed, in the leafless shrubbery an hour in the morning; but since dinner (Mrs. Reed, when there was no company, dined early) the cold winter wind had brought with it clouds so sombre, and a rain so penetrating, that further out-door exercise was now out of the question. I was glad of it: I never liked long walks, especially on chilly afternoons: dreadful to me was the coming home in the raw twilight, with nipped fingers and toes, and a heart saddened by the chidings of Bessie, the nurse, and humbled by the consciousness of my physical inferiority to Eliza, John, and Georgiana Reed. The said Eliza, John, and Georgiana were now clustered round their mama in the drawing-room: she lay reclined on a sofa by the fireside, and with her darlings about her (for the time neither quarrelling nor crying) looked perfectly happy. Me, she had dispensed from joining the group; saying, "She regretted to be under the necessity of keeping me at a distance; but that until she heard from Bessie, and could discover by her own observation, that I was endeavouring in good earnest to acquire a more sociable and childlike disposition, a more attractive and sprightly manner--something lighter, franker, more natural, as it were--she really must exclude me from privileges intended only for contented, happy, little children." "What does Bessie say I have done?" I asked. "Jane, I don't like cavillers or questioners; besides, there is something truly forbidding in a child taking up her elders in that manner. Be seated somewhere; and until you can speak pleasantly, remain silent." A breakfast-room adjoined the drawing-room, I slipped in there. It contained a bookcase: I soon possessed myself of a volume, taking care that it should be one stored with pictures. I mounted into the window- seat: gathering up my feet, I sat cross-legged, like a Turk; and, having drawn the red moreen curtain nearly close, I was shrined in double retirement. Folds of scarlet drapery shut in my view to the right hand; to the left were the clear panes of glass, protecting, but not separating me from the drear November day. At intervals, while turning over the leaves of my book, I studied the aspect of that winter afternoon. Afar, it offered a pale blank of mist and cloud; near a scene of wet lawn and storm-beat shrub, with ceaseless rain sweeping away wildly before a long and lamentable blast. I returned to my book--Bewick's History of British Birds: the letterpress thereof I cared little for, generally speaking; and yet there were certain introductory pages that, child as I was, I could not pass quite as a blank. They were those which treat of the haunts of sea-fowl; of "the solitary rocks and promontories" by them only inhabited; of the coast of Norway, studded with isles from its southern extremity, the Lindeness, or Naze, to the North Cape-- "Where the Northern Ocean, in vast whirls, Boils round the naked, melancholy isles Of farthest Thule; and the Atlantic surge Pours in among the stormy Hebrides." Nor could I pass unnoticed the suggestion of the bleak shores of Lapland, Siberia, Spitzbergen, Nova Zembla, Iceland, Greenland, with "the vast sweep of the Arctic Zone, and those forlorn regions of dreary space,--that reservoir of frost and snow, where firm fields of ice, the accumulation of centuries of winters, glazed in Alpine heights above heights, surround the pole, and concentre the multiplied rigours of extreme cold." Of these death-white realms I formed an idea of my own: shadowy, like all the half-comprehended notions that float dim through children's brains, but strangely impressive. The words in these introductory pages connected themselves with the succeeding vignettes, and gave significance to the rock standing up alone in a sea of billow and spray; to the broken boat stranded on a desolate coast; to the cold and ghastly moon glancing through bars of cloud at a wreck just sinking. I cannot tell what sentiment haunted the quite solitary churchyard, with its inscribed headstone; its gate, its two trees, its low horizon, girdled by a broken wall, and its newly-risen crescent, attesting the hour of eventide. The two ships becalmed on a torpid sea, I believed to be marine phantoms. The fiend pinning down the thief's pack behind him, I passed over quickly: it was an object of terror. So was the black horned thing seated aloof on a rock, surveying a distant crowd surrounding a gallows. Each picture told a story; mysterious often to my undeveloped understanding and imperfect feelings, yet ever profoundly interesting: as interesting as the tales Bessie sometimes narrated on winter evenings, when she chanced to be in good humour; and when, having brought her ironing-table to the nursery hearth, she allowed us to sit about it, and while she got up Mrs. Reed's lace frills, and crimped her nightcap borders, fed our eager attention with passages of love and adventure taken from old fairy tales and other ballads; or (as at a later period I discovered) from the pages of Pamela, and Henry, Earl of Moreland. With Bewick on my knee, I was then happy: happy at least in my way. I feared nothing but interruption, and that came too soon. The breakfast- room door opened. "Boh! Madam Mope!" cried the voice of John Reed; then he paused: he found the room apparently empty. "Where the dickens is she!" he continued. "Lizzy! Georgy! (calling to his sisters) Joan is not here: tell mama she is run out into the rain--bad animal!" "It is well I drew the curtain," thought I; and I wished fervently he might not discover my hiding-place: nor would John Reed have found it out himself; he was not quick either of vision or conception; but Eliza just put her head in at the door, and said at once-- "She is in the window-seat, to be sure, Jack." And I came out immediately, for I trembled at the idea of being dragged forth by the said Jack. "What do you want?" I asked, with awkward diffidence. "Say, 'What do you want, Master Reed?'" was the answer. "I want you to come here;" and seating himself in an arm-chair, he intimated by a gesture that I was to approach and stand before him. John Reed was a schoolboy of fourteen years old; four years older than I, for I was but ten: large and stout for his age, with a dingy and unwholesome skin; thick lineaments in a spacious visage, heavy limbs and large extremities. He gorged himself habitually at table, which made him bilious, and gave him a dim and bleared eye and flabby cheeks. He ought now to have been at school; but his mama had taken him home for a month or two, "on account of his delicate health." Mr. Miles, the master, affirmed that he would do very well if he had fewer cakes and sweetmeats sent him from home; but the mother's heart turned from an opinion so harsh, and inclined rather to the more refined idea that John's sallowness was owing to over-application and, perhaps, to pining after home. John had not much affection for his mother and sisters, and an antipathy to me. He bullied and punished me; not two or three times in the week, nor once or twice in the day, but continually: every nerve I had feared him, and every morsel of flesh in my bones shrank when he came near. There were moments when I was bewildered by the terror he inspired, because I had no appeal whatever against either his menaces or his inflictions; the servants did not like to offend their young master by taking my part against him, and Mrs. Reed was blind and deaf on the subject: she never saw him strike or heard him abuse me, though he did both now and then in her very presence, more frequently, however, behind her back. Habitually obedient to John, I came up to his chair: he spent some three minutes in thrusting out his tongue at me as far as he could without damaging the roots: I knew he would soon strike, and while dreading the blow, I mused on the disgusting and ugly appearance of him who would presently deal it. I wonder if he read that notion in my face; for, all at once, without speaking, he struck suddenly and strongly. I tottered, and on regaining my equilibrium retired back a step or two from his chair. "That is for your impudence in answering mama awhile since," said he, "and for your sneaking way of getting behind curtains, and for the look you had in your eyes two minutes since, you rat!" Accustomed to John Reed's abuse, I never had an idea of replying to it; my care was how to endure the blow which would certainly follow the insult. "What were you doing behind the curtain?" he asked. "I was reading." "Show the book." I returned to the window and fetched it thence. "You have no business to take our books; you are a dependent, mama says; you have no money; your father left you none; you ought to beg, and not to live here with gentlemen's children like us, and eat the same meals we do, and wear clothes at our mama's expense. Now, I'll teach you to rummage my bookshelves: for they _are_ mine; all the house belongs to me, or will do in a few years. Go and stand by the door, out of the way of the mirror and the windows." I did so, not at first aware what was his intention; but when I saw him lift and poise the book and stand in act to hurl it, I instinctively started aside with a cry of alarm: not soon enough, however; the volume was flung, it hit me, and I fell, striking my head against the door and cutting it. The cut bled, the pain was sharp: my terror had passed its climax; other feelings succeeded. "Wicked and cruel boy!" I said. "You are like a murderer--you are like a slave-driver--you are like the Roman emperors!" I had read Goldsmith's History of Rome, and had formed my opinion of Nero, Caligula, etc. Also I had drawn parallels in silence, which I never thought thus to have declared aloud. "What! what!" he cried. "Did she say that to me? Did you hear her, Eliza and Georgiana? Won't I tell mama? but first--" He ran headlong at me: I felt him grasp my hair and my shoulder: he had closed with a desperate thing. I really saw in him a tyrant, a murderer. I felt a drop or two of blood from my head trickle down my neck, and was sensible of somewhat pungent suffering: these sensations for the time predominated over fear, and I received him in frantic sort. I don't very well know what I did with my hands, but he called me "Rat! Rat!" and bellowed out aloud. Aid was near him: Eliza and Georgiana had run for Mrs. Reed, who was gone upstairs: she now came upon the scene, followed by Bessie and her maid Abbot. We were parted: I heard the words-- "Dear! dear! What a fury to fly at Master John!" "Did ever anybody see such a picture of passion!" Then Mrs. Reed subjoined-- "Take her away to the red-room, and lock her in there." Four hands were immediately laid upon me, and I was borne upstairs.

volume 1, Chapter 1

https://web.archive.org/web/20210421052406/https://www.gradesaver.com/jane-eyre/study-guide/summary-volume-i-chapters-1-5

The novel begins with the ten-year-old Jane Eyre narrating from the home of the well-off Reed family in Gateshead Hall. Mr. Reed, Jane's uncle, took her into his home after both of her parents died of typhus fever, but he soon died himself. Mrs. Reed was particularly resentful of her husband's favoritism toward Jane and takes every opportunity to neglect and punish her. At the beginning of the narrative, Jane is secluded behind the curtains of a window seat and reading Bewick's "History of British Birds. Although she attempted to join the rest of the family, she was refused permission by Mrs. Reed to play with her cousins Eliza, John, and Georgiana. Although the family mistreats her, Jane still wishes that she could have the same attention and love that her cousins receive from her aunt. The bullying John interrupts Jane's reading and informs her that she has no right to read their books because she is an orphan who is dependent on his family. He strikes her with the book, and Jane surprises him by fighting to defend herself. John is frightened by Jane's zeal and blames her for the fight. As punishment for Jane's inappropriate behavior, Mrs. Reed has two servants lock her in the "red-room," the room in which Mr. Reed died.

From the very beginning of the book, Bronte uses careful novelistic craftsmanship to position the reader on Jane's side. Not only does the narration occur in Jane's voice, a fact which automatically makes her a more sympathetic character, but Bronte incorporates all of the tragic facts of Jane's childhood in the first few pages. From the start, Jane is oppressed; she is sent off while her cousins play. We learn through exposition from John that she is a penniless orphan, dependent on the heartless Reed family but never on an equal level with her relatives; indeed, social class will play an important role in the rest of the novel. Although we do not have a clear sense of the extent of Mrs. Reed's resentful feelings toward Jane, Bronte emphasizes Jane's loneliness and lack of familial affection. Bronte also emphasizes Jane's sensitive nature and inner strength. She is given to flights of fancy while reading, but she also displays a great deal of courage and sense of justice in her defense against John. All of the elements are in place for a classic "Bildungsroman," the literary genre originating in the German as "novel of formation" or, as it is generally known, the "coming-of-age" story. In the Bildungsroman, classic examples of which are Goethe's The Sorrows of Young Werther, Mark Twain's Huckleberry Finn, and J. D. Salinger's The Catcher in the Rye, the young protagonist matures through a series of obstacles and defines his or her identity

gradesaver

all_chapterized_books/1260-chapters/03.txt

finished_summaries/gradesaver/Jane Eyre/section_0_part_2.txt

Jane Eyre.volume 1.chapter 2

volume 1, chapter 2

{"name": "volume 1, Chapter 2", "url": "https://web.archive.org/web/20210421052406/https://www.gradesaver.com/jane-eyre/study-guide/summary-volume-i-chapters-1-5", "summary": "Jane resists physically and verbally as the servants Bessie and Miss Abbot lead her to the red-room, named for the color of its drapery and furniture. The room also contains a miniature portrait of Mr. Reed, who has been dead nine years; his actual body lies in a vault under the Gateshead church. Before they lock her up, the servants reprimand Jane for her disobedience and warn her against angering God. As Jane considers their reprimands, she becomes angry at the injustice of her family situation, wondering why she is always mistreated while her cousins are pampered and petted. She catches her ghostly reflection in the mirror and, thinking about her miserable condition and about her dead uncle, recalls how he took the orphaned Jane in and made Mrs. Reed promise to take care of her. Suddenly, a ray of light enters the room, and Jane cries out, believing that the light is the ghost of her uncle. Her scream of terror alerts Bessie, Miss Abbot, and Mrs. Reed, but they accuse her of trickery and refuse to free her. After they leave, Jane faints.", "analysis": "The red-room has clear associations with death but is also a symbol of imprisonment. This is only the first time that Jane will be imprisoned in the novel, though her later imprisonments will generally be more metaphorical, particularly in relation to class, gender, and religion. In this case, John is the root cause of Jane's imprisonment and his word is taken above hers, a fact that parallels the gender relations of the male dominated Victorian society. Ironically, however, the three aggressors that maintain Jane's imprisonment in the red-room are females, and Jane's one savior, it appears, was her uncle. The chapter also introduces some of the Gothic literary tradition that inform much of the narrative structure of the text. The Gothic novel, popularized in the 18th-century, utilizes supernatural, suspenseful, and mysterious settings and events to create an atmosphere of horror and morbidity. With that in mind, the ominous quality of the red-room, the ghost that Jane thinks she sees and the revelation that Mr. Reed's body lies beneath the church each contribute to the horror that Jane feels at her imprisonment. The Gothic novel is also characterized by damsels in distress ; though Jane faints here, common for Gothic women, she proves herself to be strong-willed and determined to fight back against her oppressors"}

I resisted all the way: a new thing for me, and a circumstance which greatly strengthened the bad opinion Bessie and Miss Abbot were disposed to entertain of me. The fact is, I was a trifle beside myself; or rather _out_ of myself, as the French would say: I was conscious that a moment's mutiny had already rendered me liable to strange penalties, and, like any other rebel slave, I felt resolved, in my desperation, to go all lengths. "Hold her arms, Miss Abbot: she's like a mad cat." "For shame! for shame!" cried the lady's-maid. "What shocking conduct, Miss Eyre, to strike a young gentleman, your benefactress's son! Your young master." "Master! How is he my master? Am I a servant?" "No; you are less than a servant, for you do nothing for your keep. There, sit down, and think over your wickedness." They had got me by this time into the apartment indicated by Mrs. Reed, and had thrust me upon a stool: my impulse was to rise from it like a spring; their two pair of hands arrested me instantly. "If you don't sit still, you must be tied down," said Bessie. "Miss Abbot, lend me your garters; she would break mine directly." Miss Abbot turned to divest a stout leg of the necessary ligature. This preparation for bonds, and the additional ignominy it inferred, took a little of the excitement out of me. "Don't take them off," I cried; "I will not stir." In guarantee whereof, I attached myself to my seat by my hands. "Mind you don't," said Bessie; and when she had ascertained that I was really subsiding, she loosened her hold of me; then she and Miss Abbot stood with folded arms, looking darkly and doubtfully on my face, as incredulous of my sanity. "She never did so before," at last said Bessie, turning to the Abigail. "But it was always in her," was the reply. "I've told Missis often my opinion about the child, and Missis agreed with me. She's an underhand little thing: I never saw a girl of her age with so much cover." Bessie answered not; but ere long, addressing me, she said--"You ought to be aware, Miss, that you are under obligations to Mrs. Reed: she keeps you: if she were to turn you off, you would have to go to the poorhouse." I had nothing to say to these words: they were not new to me: my very first recollections of existence included hints of the same kind. This reproach of my dependence had become a vague sing-song in my ear: very painful and crushing, but only half intelligible. Miss Abbot joined in-- "And you ought not to think yourself on an equality with the Misses Reed and Master Reed, because Missis kindly allows you to be brought up with them. They will have a great deal of money, and you will have none: it is your place to be humble, and to try to make yourself agreeable to them." "What we tell you is for your good," added Bessie, in no harsh voice, "you should try to be useful and pleasant, then, perhaps, you would have a home here; but if you become passionate and rude, Missis will send you away, I am sure." "Besides," said Miss Abbot, "God will punish her: He might strike her dead in the midst of her tantrums, and then where would she go? Come, Bessie, we will leave her: I wouldn't have her heart for anything. Say your prayers, Miss Eyre, when you are by yourself; for if you don't repent, something bad might be permitted to come down the chimney and fetch you away." They went, shutting the door, and locking it behind them. The red-room was a square chamber, very seldom slept in, I might say never, indeed, unless when a chance influx of visitors at Gateshead Hall rendered it necessary to turn to account all the accommodation it contained: yet it was one of the largest and stateliest chambers in the mansion. A bed supported on massive pillars of mahogany, hung with curtains of deep red damask, stood out like a tabernacle in the centre; the two large windows, with their blinds always drawn down, were half shrouded in festoons and falls of similar drapery; the carpet was red; the table at the foot of the bed was covered with a crimson cloth; the walls were a soft fawn colour with a blush of pink in it; the wardrobe, the toilet-table, the chairs were of darkly polished old mahogany. Out of these deep surrounding shades rose high, and glared white, the piled- up mattresses and pillows of the bed, spread with a snowy Marseilles counterpane. Scarcely less prominent was an ample cushioned easy-chair near the head of the bed, also white, with a footstool before it; and looking, as I thought, like a pale throne. This room was chill, because it seldom had a fire; it was silent, because remote from the nursery and kitchen; solemn, because it was known to be so seldom entered. The house-maid alone came here on Saturdays, to wipe from the mirrors and the furniture a week's quiet dust: and Mrs. Reed herself, at far intervals, visited it to review the contents of a certain secret drawer in the wardrobe, where were stored divers parchments, her jewel-casket, and a miniature of her deceased husband; and in those last words lies the secret of the red-room--the spell which kept it so lonely in spite of its grandeur. Mr. Reed had been dead nine years: it was in this chamber he breathed his last; here he lay in state; hence his coffin was borne by the undertaker's men; and, since that day, a sense of dreary consecration had guarded it from frequent intrusion. My seat, to which Bessie and the bitter Miss Abbot had left me riveted, was a low ottoman near the marble chimney-piece; the bed rose before me; to my right hand there was the high, dark wardrobe, with subdued, broken reflections varying the gloss of its panels; to my left were the muffled windows; a great looking-glass between them repeated the vacant majesty of the bed and room. I was not quite sure whether they had locked the door; and when I dared move, I got up and went to see. Alas! yes: no jail was ever more secure. Returning, I had to cross before the looking- glass; my fascinated glance involuntarily explored the depth it revealed. All looked colder and darker in that visionary hollow than in reality: and the strange little figure there gazing at me, with a white face and arms specking the gloom, and glittering eyes of fear moving where all else was still, had the effect of a real spirit: I thought it like one of the tiny phantoms, half fairy, half imp, Bessie's evening stories represented as coming out of lone, ferny dells in moors, and appearing before the eyes of belated travellers. I returned to my stool. Superstition was with me at that moment; but it was not yet her hour for complete victory: my blood was still warm; the mood of the revolted slave was still bracing me with its bitter vigour; I had to stem a rapid rush of retrospective thought before I quailed to the dismal present. All John Reed's violent tyrannies, all his sisters' proud indifference, all his mother's aversion, all the servants' partiality, turned up in my disturbed mind like a dark deposit in a turbid well. Why was I always suffering, always browbeaten, always accused, for ever condemned? Why could I never please? Why was it useless to try to win any one's favour? Eliza, who was headstrong and selfish, was respected. Georgiana, who had a spoiled temper, a very acrid spite, a captious and insolent carriage, was universally indulged. Her beauty, her pink cheeks and golden curls, seemed to give delight to all who looked at her, and to purchase indemnity for every fault. John no one thwarted, much less punished; though he twisted the necks of the pigeons, killed the little pea-chicks, set the dogs at the sheep, stripped the hothouse vines of their fruit, and broke the buds off the choicest plants in the conservatory: he called his mother "old girl," too; sometimes reviled her for her dark skin, similar to his own; bluntly disregarded her wishes; not unfrequently tore and spoiled her silk attire; and he was still "her own darling." I dared commit no fault: I strove to fulfil every duty; and I was termed naughty and tiresome, sullen and sneaking, from morning to noon, and from noon to night. My head still ached and bled with the blow and fall I had received: no one had reproved John for wantonly striking me; and because I had turned against him to avert farther irrational violence, I was loaded with general opprobrium. "Unjust!--unjust!" said my reason, forced by the agonising stimulus into precocious though transitory power: and Resolve, equally wrought up, instigated some strange expedient to achieve escape from insupportable oppression--as running away, or, if that could not be effected, never eating or drinking more, and letting myself die. What a consternation of soul was mine that dreary afternoon! How all my brain was in tumult, and all my heart in insurrection! Yet in what darkness, what dense ignorance, was the mental battle fought! I could not answer the ceaseless inward question--_why_ I thus suffered; now, at the distance of--I will not say how many years, I see it clearly. I was a discord in Gateshead Hall: I was like nobody there; I had nothing in harmony with Mrs. Reed or her children, or her chosen vassalage. If they did not love me, in fact, as little did I love them. They were not bound to regard with affection a thing that could not sympathise with one amongst them; a heterogeneous thing, opposed to them in temperament, in capacity, in propensities; a useless thing, incapable of serving their interest, or adding to their pleasure; a noxious thing, cherishing the germs of indignation at their treatment, of contempt of their judgment. I know that had I been a sanguine, brilliant, careless, exacting, handsome, romping child--though equally dependent and friendless--Mrs. Reed would have endured my presence more complacently; her children would have entertained for me more of the cordiality of fellow-feeling; the servants would have been less prone to make me the scapegoat of the nursery. Daylight began to forsake the red-room; it was past four o'clock, and the beclouded afternoon was tending to drear twilight. I heard the rain still beating continuously on the staircase window, and the wind howling in the grove behind the hall; I grew by degrees cold as a stone, and then my courage sank. My habitual mood of humiliation, self-doubt, forlorn depression, fell damp on the embers of my decaying ire. All said I was wicked, and perhaps I might be so; what thought had I been but just conceiving of starving myself to death? That certainly was a crime: and was I fit to die? Or was the vault under the chancel of Gateshead Church an inviting bourne? In such vault I had been told did Mr. Reed lie buried; and led by this thought to recall his idea, I dwelt on it with gathering dread. I could not remember him; but I knew that he was my own uncle--my mother's brother--that he had taken me when a parentless infant to his house; and that in his last moments he had required a promise of Mrs. Reed that she would rear and maintain me as one of her own children. Mrs. Reed probably considered she had kept this promise; and so she had, I dare say, as well as her nature would permit her; but how could she really like an interloper not of her race, and unconnected with her, after her husband's death, by any tie? It must have been most irksome to find herself bound by a hard-wrung pledge to stand in the stead of a parent to a strange child she could not love, and to see an uncongenial alien permanently intruded on her own family group. A singular notion dawned upon me. I doubted not--never doubted--that if Mr. Reed had been alive he would have treated me kindly; and now, as I sat looking at the white bed and overshadowed walls--occasionally also turning a fascinated eye towards the dimly gleaming mirror--I began to recall what I had heard of dead men, troubled in their graves by the violation of their last wishes, revisiting the earth to punish the perjured and avenge the oppressed; and I thought Mr. Reed's spirit, harassed by the wrongs of his sister's child, might quit its abode--whether in the church vault or in the unknown world of the departed--and rise before me in this chamber. I wiped my tears and hushed my sobs, fearful lest any sign of violent grief might waken a preternatural voice to comfort me, or elicit from the gloom some haloed face, bending over me with strange pity. This idea, consolatory in theory, I felt would be terrible if realised: with all my might I endeavoured to stifle it--I endeavoured to be firm. Shaking my hair from my eyes, I lifted my head and tried to look boldly round the dark room; at this moment a light gleamed on the wall. Was it, I asked myself, a ray from the moon penetrating some aperture in the blind? No; moonlight was still, and this stirred; while I gazed, it glided up to the ceiling and quivered over my head. I can now conjecture readily that this streak of light was, in all likelihood, a gleam from a lantern carried by some one across the lawn: but then, prepared as my mind was for horror, shaken as my nerves were by agitation, I thought the swift darting beam was a herald of some coming vision from another world. My heart beat thick, my head grew hot; a sound filled my ears, which I deemed the rushing of wings; something seemed near me; I was oppressed, suffocated: endurance broke down; I rushed to the door and shook the lock in desperate effort. Steps came running along the outer passage; the key turned, Bessie and Abbot entered. "Miss Eyre, are you ill?" said Bessie. "What a dreadful noise! it went quite through me!" exclaimed Abbot. "Take me out! Let me go into the nursery!" was my cry. "What for? Are you hurt? Have you seen something?" again demanded Bessie. "Oh! I saw a light, and I thought a ghost would come." I had now got hold of Bessie's hand, and she did not snatch it from me. "She has screamed out on purpose," declared Abbot, in some disgust. "And what a scream! If she had been in great pain one would have excused it, but she only wanted to bring us all here: I know her naughty tricks." "What is all this?" demanded another voice peremptorily; and Mrs. Reed came along the corridor, her cap flying wide, her gown rustling stormily. "Abbot and Bessie, I believe I gave orders that Jane Eyre should be left in the red-room till I came to her myself." "Miss Jane screamed so loud, ma'am," pleaded Bessie. "Let her go," was the only answer. "Loose Bessie's hand, child: you cannot succeed in getting out by these means, be assured. I abhor artifice, particularly in children; it is my duty to show you that tricks will not answer: you will now stay here an hour longer, and it is only on condition of perfect submission and stillness that I shall liberate you then." "O aunt! have pity! Forgive me! I cannot endure it--let me be punished some other way! I shall be killed if--" "Silence! This violence is all most repulsive:" and so, no doubt, she felt it. I was a precocious actress in her eyes; she sincerely looked on me as a compound of virulent passions, mean spirit, and dangerous duplicity. Bessie and Abbot having retreated, Mrs. Reed, impatient of my now frantic anguish and wild sobs, abruptly thrust me back and locked me in, without farther parley. I heard her sweeping away; and soon after she was gone, I suppose I had a species of fit: unconsciousness closed the scene.

volume 1, Chapter 2

https://web.archive.org/web/20210421052406/https://www.gradesaver.com/jane-eyre/study-guide/summary-volume-i-chapters-1-5

Jane resists physically and verbally as the servants Bessie and Miss Abbot lead her to the red-room, named for the color of its drapery and furniture. The room also contains a miniature portrait of Mr. Reed, who has been dead nine years; his actual body lies in a vault under the Gateshead church. Before they lock her up, the servants reprimand Jane for her disobedience and warn her against angering God. As Jane considers their reprimands, she becomes angry at the injustice of her family situation, wondering why she is always mistreated while her cousins are pampered and petted. She catches her ghostly reflection in the mirror and, thinking about her miserable condition and about her dead uncle, recalls how he took the orphaned Jane in and made Mrs. Reed promise to take care of her. Suddenly, a ray of light enters the room, and Jane cries out, believing that the light is the ghost of her uncle. Her scream of terror alerts Bessie, Miss Abbot, and Mrs. Reed, but they accuse her of trickery and refuse to free her. After they leave, Jane faints.

The red-room has clear associations with death but is also a symbol of imprisonment. This is only the first time that Jane will be imprisoned in the novel, though her later imprisonments will generally be more metaphorical, particularly in relation to class, gender, and religion. In this case, John is the root cause of Jane's imprisonment and his word is taken above hers, a fact that parallels the gender relations of the male dominated Victorian society. Ironically, however, the three aggressors that maintain Jane's imprisonment in the red-room are females, and Jane's one savior, it appears, was her uncle. The chapter also introduces some of the Gothic literary tradition that inform much of the narrative structure of the text. The Gothic novel, popularized in the 18th-century, utilizes supernatural, suspenseful, and mysterious settings and events to create an atmosphere of horror and morbidity. With that in mind, the ominous quality of the red-room, the ghost that Jane thinks she sees and the revelation that Mr. Reed's body lies beneath the church each contribute to the horror that Jane feels at her imprisonment. The Gothic novel is also characterized by damsels in distress ; though Jane faints here, common for Gothic women, she proves herself to be strong-willed and determined to fight back against her oppressors

gradesaver

all_chapterized_books/1260-chapters/04.txt

finished_summaries/gradesaver/Jane Eyre/section_0_part_3.txt

Jane Eyre.volume 1.chapter 3

volume 1, chapter 3

{"name": "volume 1, Chapter 3", "url": "https://web.archive.org/web/20210421052406/https://www.gradesaver.com/jane-eyre/study-guide/summary-volume-i-chapters-1-5", "summary": "Jane wakes up, dimly aware of voices and of someone supporting her. She soon realizes that she is in her bed and sees Bessie and Mr. Lloyd, the apothecary. He gives instructions for Jane's care and departs, and Bessie, more concerned than before over Jane's health, sleeps in the neighboring room in case Jane needs anything during the night. Jane sleeps and awakens the next day feeling terrible. The Reed family is away, and Bessie brings Jane a fruit tart and her favorite book, \"Gulliver's Travels. Yet, Jane still feels so distressed from her experience in the red-room that she is unable to eat the tart or even enjoy the fantastical tales of \"Gulliver's Travels\" as she normally does. She cries after Bessie sings her a sad song about an orphan. Mr. Lloyd returns and, once Bessie is gone, Jane tries to tell him about the ghost of Mr. Reed that she saw. He does not believe her, and whenever she brings up the abuses she suffers at Gateshead, he observes that she is lucky to live in such a beautiful house. Jane thinks that she has some poor relatives, but, after Mr. Lloyd's prompting, admits that she would not like to live with them, even if they were kind. Mr. Lloyd then asks her if she would like to go to school. After some contemplation, Jane concludes that school would be an improvement over Gateshead, and she begins to be excited about the possibility. The family returns, and Mr. Lloyd speaks with Mrs. Reed with the recommendation of sending Jane to school. Later, while pretending to be asleep, Jane overhears Miss Abbot and Bessie discussing her parent's history. Jane's mother was a member of the wealthy Reed family but was cut off financially when she married a poor clergyman against the wishes of her father. Soon after Jane's birth, her parents died of typhus while visiting poor people in a manufacturing town. Miss Abbot and Bessie admit that Jane's background is a tragic one, but admit that it would be easier to pity her if she were a pretty, likable child.", "analysis": "The conflicts of social class that were suggested in Chapter 1 become even more prominent in this chapter. Jane is trapped in the odd situation of being poor within a rich family. Moreover, her mother was once a member of a wealthy family, but her choice of husband resulted in her financial ruin and indirectly led to both of their deaths. As such, Jane's notions of poverty are fundamentally skewed; as she admits, children \"have not much idea of industrious, working, respectable poverty - poverty for me was synonymous with degradation. Even though she is unhappy at Gateshead, she freely admits to Mr. Lloyd that she would rather be mistreated in a wealthy home than treated kindly among poor people. Adding insult to injury, Bessie's song, well-meaning though it may have been, emphasizes Jane's status as a \"poor orphan child\" and isolation in the Reed family. Jane, of course, is poor in both pitiable and pecuniary terms, without anyone to love her and without any money for self-sufficiency. However, Mr. Lloyd's suggestion about going to school is intriguing, particularly because an education was the one thing that could help a woman strive for financial independence in the Victorian era"}

The next thing I remember is, waking up with a feeling as if I had had a frightful nightmare, and seeing before me a terrible red glare, crossed with thick black bars. I heard voices, too, speaking with a hollow sound, and as if muffled by a rush of wind or water: agitation, uncertainty, and an all-predominating sense of terror confused my faculties. Ere long, I became aware that some one was handling me; lifting me up and supporting me in a sitting posture, and that more tenderly than I had ever been raised or upheld before. I rested my head against a pillow or an arm, and felt easy. In five minutes more the cloud of bewilderment dissolved: I knew quite well that I was in my own bed, and that the red glare was the nursery fire. It was night: a candle burnt on the table; Bessie stood at the bed- foot with a basin in her hand, and a gentleman sat in a chair near my pillow, leaning over me. I felt an inexpressible relief, a soothing conviction of protection and security, when I knew that there was a stranger in the room, an individual not belonging to Gateshead, and not related to Mrs. Reed. Turning from Bessie (though her presence was far less obnoxious to me than that of Abbot, for instance, would have been), I scrutinised the face of the gentleman: I knew him; it was Mr. Lloyd, an apothecary, sometimes called in by Mrs. Reed when the servants were ailing: for herself and the children she employed a physician. "Well, who am I?" he asked. I pronounced his name, offering him at the same time my hand: he took it, smiling and saying, "We shall do very well by-and-by." Then he laid me down, and addressing Bessie, charged her to be very careful that I was not disturbed during the night. Having given some further directions, and intimates that he should call again the next day, he departed; to my grief: I felt so sheltered and befriended while he sat in the chair near my pillow; and as he closed the door after him, all the room darkened and my heart again sank: inexpressible sadness weighed it down. "Do you feel as if you should sleep, Miss?" asked Bessie, rather softly. Scarcely dared I answer her; for I feared the next sentence might be rough. "I will try." "Would you like to drink, or could you eat anything?" "No, thank you, Bessie." "Then I think I shall go to bed, for it is past twelve o'clock; but you may call me if you want anything in the night." Wonderful civility this! It emboldened me to ask a question. "Bessie, what is the matter with me? Am I ill?" "You fell sick, I suppose, in the red-room with crying; you'll be better soon, no doubt." Bessie went into the housemaid's apartment, which was near. I heard her say-- "Sarah, come and sleep with me in the nursery; I daren't for my life be alone with that poor child to-night: she might die; it's such a strange thing she should have that fit: I wonder if she saw anything. Missis was rather too hard." Sarah came back with her; they both went to bed; they were whispering together for half-an-hour before they fell asleep. I caught scraps of their conversation, from which I was able only too distinctly to infer the main subject discussed. "Something passed her, all dressed in white, and vanished"--"A great black dog behind him"--"Three loud raps on the chamber door"--"A light in the churchyard just over his grave," etc., etc. At last both slept: the fire and the candle went out. For me, the watches of that long night passed in ghastly wakefulness; strained by dread: such dread as children only can feel. No severe or prolonged bodily illness followed this incident of the red- room; it only gave my nerves a shock of which I feel the reverberation to this day. Yes, Mrs. Reed, to you I owe some fearful pangs of mental suffering, but I ought to forgive you, for you knew not what you did: while rending my heart-strings, you thought you were only uprooting my bad propensities. Next day, by noon, I was up and dressed, and sat wrapped in a shawl by the nursery hearth. I felt physically weak and broken down: but my worse ailment was an unutterable wretchedness of mind: a wretchedness which kept drawing from me silent tears; no sooner had I wiped one salt drop from my cheek than another followed. Yet, I thought, I ought to have been happy, for none of the Reeds were there, they were all gone out in the carriage with their mama. Abbot, too, was sewing in another room, and Bessie, as she moved hither and thither, putting away toys and arranging drawers, addressed to me every now and then a word of unwonted kindness. This state of things should have been to me a paradise of peace, accustomed as I was to a life of ceaseless reprimand and thankless fagging; but, in fact, my racked nerves were now in such a state that no calm could soothe, and no pleasure excite them agreeably. Bessie had been down into the kitchen, and she brought up with her a tart on a certain brightly painted china plate, whose bird of paradise, nestling in a wreath of convolvuli and rosebuds, had been wont to stir in me a most enthusiastic sense of admiration; and which plate I had often petitioned to be allowed to take in my hand in order to examine it more closely, but had always hitherto been deemed unworthy of such a privilege. This precious vessel was now placed on my knee, and I was cordially invited to eat the circlet of delicate pastry upon it. Vain favour! coming, like most other favours long deferred and often wished for, too late! I could not eat the tart; and the plumage of the bird, the tints of the flowers, seemed strangely faded: I put both plate and tart away. Bessie asked if I would have a book: the word _book_ acted as a transient stimulus, and I begged her to fetch Gulliver's Travels from the library. This book I had again and again perused with delight. I considered it a narrative of facts, and discovered in it a vein of interest deeper than what I found in fairy tales: for as to the elves, having sought them in vain among foxglove leaves and bells, under mushrooms and beneath the ground-ivy mantling old wall-nooks, I had at length made up my mind to the sad truth, that they were all gone out of England to some savage country where the woods were wilder and thicker, and the population more scant; whereas, Lilliput and Brobdignag being, in my creed, solid parts of the earth's surface, I doubted not that I might one day, by taking a long voyage, see with my own eyes the little fields, houses, and trees, the diminutive people, the tiny cows, sheep, and birds of the one realm; and the corn-fields forest-high, the mighty mastiffs, the monster cats, the tower-like men and women, of the other. Yet, when this cherished volume was now placed in my hand--when I turned over its leaves, and sought in its marvellous pictures the charm I had, till now, never failed to find--all was eerie and dreary; the giants were gaunt goblins, the pigmies malevolent and fearful imps, Gulliver a most desolate wanderer in most dread and dangerous regions. I closed the book, which I dared no longer peruse, and put it on the table, beside the untasted tart. Bessie had now finished dusting and tidying the room, and having washed her hands, she opened a certain little drawer, full of splendid shreds of silk and satin, and began making a new bonnet for Georgiana's doll. Meantime she sang: her song was-- "In the days when we went gipsying, A long time ago." I had often heard the song before, and always with lively delight; for Bessie had a sweet voice,--at least, I thought so. But now, though her voice was still sweet, I found in its melody an indescribable sadness. Sometimes, preoccupied with her work, she sang the refrain very low, very lingeringly; "A long time ago" came out like the saddest cadence of a funeral hymn. She passed into another ballad, this time a really doleful one. "My feet they are sore, and my limbs they are weary; Long is the way, and the mountains are wild; Soon will the twilight close moonless and dreary Over the path of the poor orphan child. Why did they send me so far and so lonely, Up where the moors spread and grey rocks are piled? Men are hard-hearted, and kind angels only Watch o'er the steps of a poor orphan child. Yet distant and soft the night breeze is blowing, Clouds there are none, and clear stars beam mild, God, in His mercy, protection is showing, Comfort and hope to the poor orphan child. Ev'n should I fall o'er the broken bridge passing, Or stray in the marshes, by false lights beguiled, Still will my Father, with promise and blessing, Take to His bosom the poor orphan child. There is a thought that for strength should avail me, Though both of shelter and kindred despoiled; Heaven is a home, and a rest will not fail me; God is a friend to the poor orphan child." "Come, Miss Jane, don't cry," said Bessie as she finished. She might as well have said to the fire, "don't burn!" but how could she divine the morbid suffering to which I was a prey? In the course of the morning Mr. Lloyd came again. "What, already up!" said he, as he entered the nursery. "Well, nurse, how is she?" Bessie answered that I was doing very well. "Then she ought to look more cheerful. Come here, Miss Jane: your name is Jane, is it not?" "Yes, sir, Jane Eyre." "Well, you have been crying, Miss Jane Eyre; can you tell me what about? Have you any pain?" "No, sir." "Oh! I daresay she is crying because she could not go out with Missis in the carriage," interposed Bessie. "Surely not! why, she is too old for such pettishness." I thought so too; and my self-esteem being wounded by the false charge, I answered promptly, "I never cried for such a thing in my life: I hate going out in the carriage. I cry because I am miserable." "Oh fie, Miss!" said Bessie. The good apothecary appeared a little puzzled. I was standing before him; he fixed his eyes on me very steadily: his eyes were small and grey; not very bright, but I dare say I should think them shrewd now: he had a hard-featured yet good-natured looking face. Having considered me at leisure, he said-- "What made you ill yesterday?" "She had a fall," said Bessie, again putting in her word. "Fall! why, that is like a baby again! Can't she manage to walk at her age? She must be eight or nine years old." "I was knocked down," was the blunt explanation, jerked out of me by another pang of mortified pride; "but that did not make me ill," I added; while Mr. Lloyd helped himself to a pinch of snuff. As he was returning the box to his waistcoat pocket, a loud bell rang for the servants' dinner; he knew what it was. "That's for you, nurse," said he; "you can go down; I'll give Miss Jane a lecture till you come back." Bessie would rather have stayed, but she was obliged to go, because punctuality at meals was rigidly enforced at Gateshead Hall. "The fall did not make you ill; what did, then?" pursued Mr. Lloyd when Bessie was gone. "I was shut up in a room where there is a ghost till after dark." I saw Mr. Lloyd smile and frown at the same time. "Ghost! What, you are a baby after all! You are afraid of ghosts?" "Of Mr. Reed's ghost I am: he died in that room, and was laid out there. Neither Bessie nor any one else will go into it at night, if they can help it; and it was cruel to shut me up alone without a candle,--so cruel that I think I shall never forget it." "Nonsense! And is it that makes you so miserable? Are you afraid now in daylight?" "No: but night will come again before long: and besides,--I am unhappy,--very unhappy, for other things." "What other things? Can you tell me some of them?" How much I wished to reply fully to this question! How difficult it was to frame any answer! Children can feel, but they cannot analyse their feelings; and if the analysis is partially effected in thought, they know not how to express the result of the process in words. Fearful, however, of losing this first and only opportunity of relieving my grief by imparting it, I, after a disturbed pause, contrived to frame a meagre, though, as far as it went, true response. "For one thing, I have no father or mother, brothers or sisters." "You have a kind aunt and cousins." Again I paused; then bunglingly enounced-- "But John Reed knocked me down, and my aunt shut me up in the red-room." Mr. Lloyd a second time produced his snuff-box. "Don't you think Gateshead Hall a very beautiful house?" asked he. "Are you not very thankful to have such a fine place to live at?" "It is not my house, sir; and Abbot says I have less right to be here than a servant." "Pooh! you can't be silly enough to wish to leave such a splendid place?" "If I had anywhere else to go, I should be glad to leave it; but I can never get away from Gateshead till I am a woman." "Perhaps you may--who knows? Have you any relations besides Mrs. Reed?" "I think not, sir." "None belonging to your father?" "I don't know. I asked Aunt Reed once, and she said possibly I might have some poor, low relations called Eyre, but she knew nothing about them." "If you had such, would you like to go to them?" I reflected. Poverty looks grim to grown people; still more so to children: they have not much idea of industrious, working, respectable poverty; they think of the word only as connected with ragged clothes, scanty food, fireless grates, rude manners, and debasing vices: poverty for me was synonymous with degradation. "No; I should not like to belong to poor people," was my reply. "Not even if they were kind to you?" I shook my head: I could not see how poor people had the means of being kind; and then to learn to speak like them, to adopt their manners, to be uneducated, to grow up like one of the poor women I saw sometimes nursing their children or washing their clothes at the cottage doors of the village of Gateshead: no, I was not heroic enough to purchase liberty at the price of caste. "But are your relatives so very poor? Are they working people?" "I cannot tell; Aunt Reed says if I have any, they must be a beggarly set: I should not like to go a begging." "Would you like to go to school?" Again I reflected: I scarcely knew what school was: Bessie sometimes spoke of it as a place where young ladies sat in the stocks, wore backboards, and were expected to be exceedingly genteel and precise: John Reed hated his school, and abused his master; but John Reed's tastes were no rule for mine, and if Bessie's accounts of school-discipline (gathered from the young ladies of a family where she had lived before coming to Gateshead) were somewhat appalling, her details of certain accomplishments attained by these same young ladies were, I thought, equally attractive. She boasted of beautiful paintings of landscapes and flowers by them executed; of songs they could sing and pieces they could play, of purses they could net, of French books they could translate; till my spirit was moved to emulation as I listened. Besides, school would be a complete change: it implied a long journey, an entire separation from Gateshead, an entrance into a new life. "I should indeed like to go to school," was the audible conclusion of my musings. "Well, well! who knows what may happen?" said Mr. Lloyd, as he got up. "The child ought to have change of air and scene," he added, speaking to himself; "nerves not in a good state." Bessie now returned; at the same moment the carriage was heard rolling up the gravel-walk. "Is that your mistress, nurse?" asked Mr. Lloyd. "I should like to speak to her before I go." Bessie invited him to walk into the breakfast-room, and led the way out. In the interview which followed between him and Mrs. Reed, I presume, from after-occurrences, that the apothecary ventured to recommend my being sent to school; and the recommendation was no doubt readily enough adopted; for as Abbot said, in discussing the subject with Bessie when both sat sewing in the nursery one night, after I was in bed, and, as they thought, asleep, "Missis was, she dared say, glad enough to get rid of such a tiresome, ill-conditioned child, who always looked as if she were watching everybody, and scheming plots underhand." Abbot, I think, gave me credit for being a sort of infantine Guy Fawkes. On that same occasion I learned, for the first time, from Miss Abbot's communications to Bessie, that my father had been a poor clergyman; that my mother had married him against the wishes of her friends, who considered the match beneath her; that my grandfather Reed was so irritated at her disobedience, he cut her off without a shilling; that after my mother and father had been married a year, the latter caught the typhus fever while visiting among the poor of a large manufacturing town where his curacy was situated, and where that disease was then prevalent: that my mother took the infection from him, and both died within a month of each other. Bessie, when she heard this narrative, sighed and said, "Poor Miss Jane is to be pitied, too, Abbot." "Yes," responded Abbot; "if she were a nice, pretty child, one might compassionate her forlornness; but one really cannot care for such a little toad as that." "Not a great deal, to be sure," agreed Bessie: "at any rate, a beauty like Miss Georgiana would be more moving in the same condition." "Yes, I doat on Miss Georgiana!" cried the fervent Abbot. "Little darling!--with her long curls and her blue eyes, and such a sweet colour as she has; just as if she were painted!--Bessie, I could fancy a Welsh rabbit for supper." "So could I--with a roast onion. Come, we'll go down." They went.

volume 1, Chapter 3

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Jane wakes up, dimly aware of voices and of someone supporting her. She soon realizes that she is in her bed and sees Bessie and Mr. Lloyd, the apothecary. He gives instructions for Jane's care and departs, and Bessie, more concerned than before over Jane's health, sleeps in the neighboring room in case Jane needs anything during the night. Jane sleeps and awakens the next day feeling terrible. The Reed family is away, and Bessie brings Jane a fruit tart and her favorite book, "Gulliver's Travels. Yet, Jane still feels so distressed from her experience in the red-room that she is unable to eat the tart or even enjoy the fantastical tales of "Gulliver's Travels" as she normally does. She cries after Bessie sings her a sad song about an orphan. Mr. Lloyd returns and, once Bessie is gone, Jane tries to tell him about the ghost of Mr. Reed that she saw. He does not believe her, and whenever she brings up the abuses she suffers at Gateshead, he observes that she is lucky to live in such a beautiful house. Jane thinks that she has some poor relatives, but, after Mr. Lloyd's prompting, admits that she would not like to live with them, even if they were kind. Mr. Lloyd then asks her if she would like to go to school. After some contemplation, Jane concludes that school would be an improvement over Gateshead, and she begins to be excited about the possibility. The family returns, and Mr. Lloyd speaks with Mrs. Reed with the recommendation of sending Jane to school. Later, while pretending to be asleep, Jane overhears Miss Abbot and Bessie discussing her parent's history. Jane's mother was a member of the wealthy Reed family but was cut off financially when she married a poor clergyman against the wishes of her father. Soon after Jane's birth, her parents died of typhus while visiting poor people in a manufacturing town. Miss Abbot and Bessie admit that Jane's background is a tragic one, but admit that it would be easier to pity her if she were a pretty, likable child.

The conflicts of social class that were suggested in Chapter 1 become even more prominent in this chapter. Jane is trapped in the odd situation of being poor within a rich family. Moreover, her mother was once a member of a wealthy family, but her choice of husband resulted in her financial ruin and indirectly led to both of their deaths. As such, Jane's notions of poverty are fundamentally skewed; as she admits, children "have not much idea of industrious, working, respectable poverty - poverty for me was synonymous with degradation. Even though she is unhappy at Gateshead, she freely admits to Mr. Lloyd that she would rather be mistreated in a wealthy home than treated kindly among poor people. Adding insult to injury, Bessie's song, well-meaning though it may have been, emphasizes Jane's status as a "poor orphan child" and isolation in the Reed family. Jane, of course, is poor in both pitiable and pecuniary terms, without anyone to love her and without any money for self-sufficiency. However, Mr. Lloyd's suggestion about going to school is intriguing, particularly because an education was the one thing that could help a woman strive for financial independence in the Victorian era

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Jane Eyre.volume 1.chapter 4

volume 1, chapter 4

{"name": "volume 1, Chapter 4", "url": "https://web.archive.org/web/20210421052406/https://www.gradesaver.com/jane-eyre/study-guide/summary-volume-i-chapters-1-5", "summary": "Time passes, and Jane regains her strength, but the subject of her unhappiness is never broached, and the Reed family treats her even more poorly than before. One day, Jane challenges Mrs. Reed, questioning what her late husband would think of her behavior. Mrs. Reed punishes Jane for the impertinent question, boxing her ears and ordering Bessie to lecture her, but Jane is interested in the sudden look of fear that she detected in her aunt's eyes. When the holidays arrive, Jane continues to be excluded from family celebrations and finds solace only in the doll with which she sleeps and in Bessie's kindly goodnight kisses. In mid-January, Mr. Brocklehurst, whose Lowood School Jane learns she will attend, visits Gateshead and interrogates Jane about her religious beliefs. When Jane informs him that she finds the Psalms to be uninteresting, Mr. Brocklehurst warns her that such beliefs are a sign of wickedness, and she must repent and cleanse her \"wicked heart. Mrs. Reed tells Mr. Brocklehurst that she hopes that Jane's time at Lowood will reform her, particularly her tendency to lie, an accusation that stings Jane. After Mr. Brocklehurst leaves, Jane defends her honesty to her aunt and launches a series of recriminations. Mrs. Reed seems stunned and leaves the room, but Jane's victorious feelings soon give way to remorse. She feels better later when Bessie confides in her that she prefers Jane to the other children.", "analysis": "Religion makes its first formal appearance in the novel in the form of Mr. Brocklehurst. Already, we can see the religious hypocrisies that Bronte exposes; Mr. Brocklehurst believes the deceitful Mrs. Reed's accusations about Jane and relishes the seemingly heartless reformations that take place at school. He also displays an abhorrence for any form of creative thinking; although Jane enjoys Revelations, the book of Daniel, Genesis, and other parts of the Bible, she is accused of being \"wicked\" because she does not approve of the Psalms. The extent of Mr. Brocklehurst's hypocrisy in his beliefs about Christianity will become more apparent in later chapters of the novel. After the night in the red-room, Jane's position in the Reed family seems to have fallen even further. Instead of being tormented by Georgiana, Eliza, and John, as she was before, Jane is now simply ignored; she no longer even exists in the context of the family. However, Jane does find comfort in Bessie, who begins to act as a surrogate mother figure and is Jane's only source of consolation and affection. Although Bessie seemed to be harsh at earlier points in the novel, her sole support of Jane during this time , make Mrs. Reed's antipathy toward Jane seem increasingly callous. Bessie's behavior toward Jane and Jane's love for her doll both constitute one of the major themes of the novel, the idea that \"human beings must love something. In this chapter, Bronte also introduces the motif of fire and ice, a theme that will appear frequently throughout the novel. Fire is associated with Jane and with positive creation, while ice is associated with Jane's antagonists and with negative destruction. Bronte is often subtle with these symbolic attachments; for example, Mrs. Reed's eyes are twice compared to ice in this chapter: \"her cold, composed grey eyes\" and \"her eye of ice continued to dwell freezingly on mine"}

From my discourse with Mr. Lloyd, and from the above reported conference between Bessie and Abbot, I gathered enough of hope to suffice as a motive for wishing to get well: a change seemed near,--I desired and waited it in silence. It tarried, however: days and weeks passed: I had regained my normal state of health, but no new allusion was made to the subject over which I brooded. Mrs. Reed surveyed me at times with a severe eye, but seldom addressed me: since my illness, she had drawn a more marked line of separation than ever between me and her own children; appointing me a small closet to sleep in by myself, condemning me to take my meals alone, and pass all my time in the nursery, while my cousins were constantly in the drawing-room. Not a hint, however, did she drop about sending me to school: still I felt an instinctive certainty that she would not long endure me under the same roof with her; for her glance, now more than ever, when turned on me, expressed an insuperable and rooted aversion. Eliza and Georgiana, evidently acting according to orders, spoke to me as little as possible: John thrust his tongue in his cheek whenever he saw me, and once attempted chastisement; but as I instantly turned against him, roused by the same sentiment of deep ire and desperate revolt which had stirred my corruption before, he thought it better to desist, and ran from me tittering execrations, and vowing I had burst his nose. I had indeed levelled at that prominent feature as hard a blow as my knuckles could inflict; and when I saw that either that or my look daunted him, I had the greatest inclination to follow up my advantage to purpose; but he was already with his mama. I heard him in a blubbering tone commence the tale of how "that nasty Jane Eyre" had flown at him like a mad cat: he was stopped rather harshly-- "Don't talk to me about her, John: I told you not to go near her; she is not worthy of notice; I do not choose that either you or your sisters should associate with her." Here, leaning over the banister, I cried out suddenly, and without at all deliberating on my words-- "They are not fit to associate with me." Mrs. Reed was rather a stout woman; but, on hearing this strange and audacious declaration, she ran nimbly up the stair, swept me like a whirlwind into the nursery, and crushing me down on the edge of my crib, dared me in an emphatic voice to rise from that place, or utter one syllable during the remainder of the day. "What would Uncle Reed say to you, if he were alive?" was my scarcely voluntary demand. I say scarcely voluntary, for it seemed as if my tongue pronounced words without my will consenting to their utterance: something spoke out of me over which I had no control. "What?" said Mrs. Reed under her breath: her usually cold composed grey eye became troubled with a look like fear; she took her hand from my arm, and gazed at me as if she really did not know whether I were child or fiend. I was now in for it. "My Uncle Reed is in heaven, and can see all you do and think; and so can papa and mama: they know how you shut me up all day long, and how you wish me dead." Mrs. Reed soon rallied her spirits: she shook me most soundly, she boxed both my ears, and then left me without a word. Bessie supplied the hiatus by a homily of an hour's length, in which she proved beyond a doubt that I was the most wicked and abandoned child ever reared under a roof. I half believed her; for I felt indeed only bad feelings surging in my breast. November, December, and half of January passed away. Christmas and the New Year had been celebrated at Gateshead with the usual festive cheer; presents had been interchanged, dinners and evening parties given. From every enjoyment I was, of course, excluded: my share of the gaiety consisted in witnessing the daily apparelling of Eliza and Georgiana, and seeing them descend to the drawing-room, dressed out in thin muslin frocks and scarlet sashes, with hair elaborately ringletted; and afterwards, in listening to the sound of the piano or the harp played below, to the passing to and fro of the butler and footman, to the jingling of glass and china as refreshments were handed, to the broken hum of conversation as the drawing-room door opened and closed. When tired of this occupation, I would retire from the stairhead to the solitary and silent nursery: there, though somewhat sad, I was not miserable. To speak truth, I had not the least wish to go into company, for in company I was very rarely noticed; and if Bessie had but been kind and companionable, I should have deemed it a treat to spend the evenings quietly with her, instead of passing them under the formidable eye of Mrs. Reed, in a room full of ladies and gentlemen. But Bessie, as soon as she had dressed her young ladies, used to take herself off to the lively regions of the kitchen and housekeeper's room, generally bearing the candle along with her. I then sat with my doll on my knee till the fire got low, glancing round occasionally to make sure that nothing worse than myself haunted the shadowy room; and when the embers sank to a dull red, I undressed hastily, tugging at knots and strings as I best might, and sought shelter from cold and darkness in my crib. To this crib I always took my doll; human beings must love something, and, in the dearth of worthier objects of affection, I contrived to find a pleasure in loving and cherishing a faded graven image, shabby as a miniature scarecrow. It puzzles me now to remember with what absurd sincerity I doated on this little toy, half fancying it alive and capable of sensation. I could not sleep unless it was folded in my night-gown; and when it lay there safe and warm, I was comparatively happy, believing it to be happy likewise. Long did the hours seem while I waited the departure of the company, and listened for the sound of Bessie's step on the stairs: sometimes she would come up in the interval to seek her thimble or her scissors, or perhaps to bring me something by way of supper--a bun or a cheese-cake--then she would sit on the bed while I ate it, and when I had finished, she would tuck the clothes round me, and twice she kissed me, and said, "Good night, Miss Jane." When thus gentle, Bessie seemed to me the best, prettiest, kindest being in the world; and I wished most intensely that she would always be so pleasant and amiable, and never push me about, or scold, or task me unreasonably, as she was too often wont to do. Bessie Lee must, I think, have been a girl of good natural capacity, for she was smart in all she did, and had a remarkable knack of narrative; so, at least, I judge from the impression made on me by her nursery tales. She was pretty too, if my recollections of her face and person are correct. I remember her as a slim young woman, with black hair, dark eyes, very nice features, and good, clear complexion; but she had a capricious and hasty temper, and indifferent ideas of principle or justice: still, such as she was, I preferred her to any one else at Gateshead Hall. It was the fifteenth of January, about nine o'clock in the morning: Bessie was gone down to breakfast; my cousins had not yet been summoned to their mama; Eliza was putting on her bonnet and warm garden-coat to go and feed her poultry, an occupation of which she was fond: and not less so of selling the eggs to the housekeeper and hoarding up the money she thus obtained. She had a turn for traffic, and a marked propensity for saving; shown not only in the vending of eggs and chickens, but also in driving hard bargains with the gardener about flower-roots, seeds, and slips of plants; that functionary having orders from Mrs. Reed to buy of his young lady all the products of her parterre she wished to sell: and Eliza would have sold the hair off her head if she could have made a handsome profit thereby. As to her money, she first secreted it in odd corners, wrapped in a rag or an old curl-paper; but some of these hoards having been discovered by the housemaid, Eliza, fearful of one day losing her valued treasure, consented to intrust it to her mother, at a usurious rate of interest--fifty or sixty per cent.; which interest she exacted every quarter, keeping her accounts in a little book with anxious accuracy. Georgiana sat on a high stool, dressing her hair at the glass, and interweaving her curls with artificial flowers and faded feathers, of which she had found a store in a drawer in the attic. I was making my bed, having received strict orders from Bessie to get it arranged before she returned (for Bessie now frequently employed me as a sort of under- nurserymaid, to tidy the room, dust the chairs, &c.). Having spread the quilt and folded my night-dress, I went to the window-seat to put in order some picture-books and doll's house furniture scattered there; an abrupt command from Georgiana to let her playthings alone (for the tiny chairs and mirrors, the fairy plates and cups, were her property) stopped my proceedings; and then, for lack of other occupation, I fell to breathing on the frost-flowers with which the window was fretted, and thus clearing a space in the glass through which I might look out on the grounds, where all was still and petrified under the influence of a hard frost. From this window were visible the porter's lodge and the carriage-road, and just as I had dissolved so much of the silver-white foliage veiling the panes as left room to look out, I saw the gates thrown open and a carriage roll through. I watched it ascending the drive with indifference; carriages often came to Gateshead, but none ever brought visitors in whom I was interested; it stopped in front of the house, the door-bell rang loudly, the new-comer was admitted. All this being nothing to me, my vacant attention soon found livelier attraction in the spectacle of a little hungry robin, which came and chirruped on the twigs of the leafless cherry-tree nailed against the wall near the casement. The remains of my breakfast of bread and milk stood on the table, and having crumbled a morsel of roll, I was tugging at the sash to put out the crumbs on the window-sill, when Bessie came running upstairs into the nursery. "Miss Jane, take off your pinafore; what are you doing there? Have you washed your hands and face this morning?" I gave another tug before I answered, for I wanted the bird to be secure of its bread: the sash yielded; I scattered the crumbs, some on the stone sill, some on the cherry-tree bough, then, closing the window, I replied-- "No, Bessie; I have only just finished dusting." "Troublesome, careless child! and what are you doing now? You look quite red, as if you had been about some mischief: what were you opening the window for?" I was spared the trouble of answering, for Bessie seemed in too great a hurry to listen to explanations; she hauled me to the washstand, inflicted a merciless, but happily brief scrub on my face and hands with soap, water, and a coarse towel; disciplined my head with a bristly brush, denuded me of my pinafore, and then hurrying me to the top of the stairs, bid me go down directly, as I was wanted in the breakfast-room. I would have asked who wanted me: I would have demanded if Mrs. Reed was there; but Bessie was already gone, and had closed the nursery-door upon me. I slowly descended. For nearly three months, I had never been called to Mrs. Reed's presence; restricted so long to the nursery, the breakfast, dining, and drawing-rooms were become for me awful regions, on which it dismayed me to intrude. I now stood in the empty hall; before me was the breakfast-room door, and I stopped, intimidated and trembling. What a miserable little poltroon had fear, engendered of unjust punishment, made of me in those days! I feared to return to the nursery, and feared to go forward to the parlour; ten minutes I stood in agitated hesitation; the vehement ringing of the breakfast-room bell decided me; I _must_ enter. "Who could want me?" I asked inwardly, as with both hands I turned the stiff door-handle, which, for a second or two, resisted my efforts. "What should I see besides Aunt Reed in the apartment?--a man or a woman?" The handle turned, the door unclosed, and passing through and curtseying low, I looked up at--a black pillar!--such, at least, appeared to me, at first sight, the straight, narrow, sable-clad shape standing erect on the rug: the grim face at the top was like a carved mask, placed above the shaft by way of capital. Mrs. Reed occupied her usual seat by the fireside; she made a signal to me to approach; I did so, and she introduced me to the stony stranger with the words: "This is the little girl respecting whom I applied to you." _He_, for it was a man, turned his head slowly towards where I stood, and having examined me with the two inquisitive-looking grey eyes which twinkled under a pair of bushy brows, said solemnly, and in a bass voice, "Her size is small: what is her age?" "Ten years." "So much?" was the doubtful answer; and he prolonged his scrutiny for some minutes. Presently he addressed me--"Your name, little girl?" "Jane Eyre, sir." In uttering these words I looked up: he seemed to me a tall gentleman; but then I was very little; his features were large, and they and all the lines of his frame were equally harsh and prim. "Well, Jane Eyre, and are you a good child?" Impossible to reply to this in the affirmative: my little world held a contrary opinion: I was silent. Mrs. Reed answered for me by an expressive shake of the head, adding soon, "Perhaps the less said on that subject the better, Mr. Brocklehurst." "Sorry indeed to hear it! she and I must have some talk;" and bending from the perpendicular, he installed his person in the arm-chair opposite Mrs. Reed's. "Come here," he said. I stepped across the rug; he placed me square and straight before him. What a face he had, now that it was almost on a level with mine! what a great nose! and what a mouth! and what large prominent teeth! "No sight so sad as that of a naughty child," he began, "especially a naughty little girl. Do you know where the wicked go after death?" "They go to hell," was my ready and orthodox answer. "And what is hell? Can you tell me that?" "A pit full of fire." "And should you like to fall into that pit, and to be burning there for ever?" "No, sir." "What must you do to avoid it?" I deliberated a moment; my answer, when it did come, was objectionable: "I must keep in good health, and not die." "How can you keep in good health? Children younger than you die daily. I buried a little child of five years old only a day or two since,--a good little child, whose soul is now in heaven. It is to be feared the same could not be said of you were you to be called hence." Not being in a condition to remove his doubt, I only cast my eyes down on the two large feet planted on the rug, and sighed, wishing myself far enough away. "I hope that sigh is from the heart, and that you repent of ever having been the occasion of discomfort to your excellent benefactress." "Benefactress! benefactress!" said I inwardly: "they all call Mrs. Reed my benefactress; if so, a benefactress is a disagreeable thing." "Do you say your prayers night and morning?" continued my interrogator. "Yes, sir." "Do you read your Bible?" "Sometimes." "With pleasure? Are you fond of it?" "I like Revelations, and the book of Daniel, and Genesis and Samuel, and a little bit of Exodus, and some parts of Kings and Chronicles, and Job and Jonah." "And the Psalms? I hope you like them?" "No, sir." "No? oh, shocking! I have a little boy, younger than you, who knows six Psalms by heart: and when you ask him which he would rather have, a gingerbread-nut to eat or a verse of a Psalm to learn, he says: 'Oh! the verse of a Psalm! angels sing Psalms;' says he, 'I wish to be a little angel here below;' he then gets two nuts in recompense for his infant piety." "Psalms are not interesting," I remarked. "That proves you have a wicked heart; and you must pray to God to change it: to give you a new and clean one: to take away your heart of stone and give you a heart of flesh." I was about to propound a question, touching the manner in which that operation of changing my heart was to be performed, when Mrs. Reed interposed, telling me to sit down; she then proceeded to carry on the conversation herself. "Mr. Brocklehurst, I believe I intimated in the letter which I wrote to you three weeks ago, that this little girl has not quite the character and disposition I could wish: should you admit her into Lowood school, I should be glad if the superintendent and teachers were requested to keep a strict eye on her, and, above all, to guard against her worst fault, a tendency to deceit. I mention this in your hearing, Jane, that you may not attempt to impose on Mr. Brocklehurst." Well might I dread, well might I dislike Mrs. Reed; for it was her nature to wound me cruelly; never was I happy in her presence; however carefully I obeyed, however strenuously I strove to please her, my efforts were still repulsed and repaid by such sentences as the above. Now, uttered before a stranger, the accusation cut me to the heart; I dimly perceived that she was already obliterating hope from the new phase of existence which she destined me to enter; I felt, though I could not have expressed the feeling, that she was sowing aversion and unkindness along my future path; I saw myself transformed under Mr. Brocklehurst's eye into an artful, noxious child, and what could I do to remedy the injury? "Nothing, indeed," thought I, as I struggled to repress a sob, and hastily wiped away some tears, the impotent evidences of my anguish. "Deceit is, indeed, a sad fault in a child," said Mr. Brocklehurst; "it is akin to falsehood, and all liars will have their portion in the lake burning with fire and brimstone; she shall, however, be watched, Mrs. Reed. I will speak to Miss Temple and the teachers." "I should wish her to be brought up in a manner suiting her prospects," continued my benefactress; "to be made useful, to be kept humble: as for the vacations, she will, with your permission, spend them always at Lowood." "Your decisions are perfectly judicious, madam," returned Mr. Brocklehurst. "Humility is a Christian grace, and one peculiarly appropriate to the pupils of Lowood; I, therefore, direct that especial care shall be bestowed on its cultivation amongst them. I have studied how best to mortify in them the worldly sentiment of pride; and, only the other day, I had a pleasing proof of my success. My second daughter, Augusta, went with her mama to visit the school, and on her return she exclaimed: 'Oh, dear papa, how quiet and plain all the girls at Lowood look, with their hair combed behind their ears, and their long pinafores, and those little holland pockets outside their frocks--they are almost like poor people's children! and,' said she, 'they looked at my dress and mama's, as if they had never seen a silk gown before.'" "This is the state of things I quite approve," returned Mrs. Reed; "had I sought all England over, I could scarcely have found a system more exactly fitting a child like Jane Eyre. Consistency, my dear Mr. Brocklehurst; I advocate consistency in all things." "Consistency, madam, is the first of Christian duties; and it has been observed in every arrangement connected with the establishment of Lowood: plain fare, simple attire, unsophisticated accommodations, hardy and active habits; such is the order of the day in the house and its inhabitants." "Quite right, sir. I may then depend upon this child being received as a pupil at Lowood, and there being trained in conformity to her position and prospects?" "Madam, you may: she shall be placed in that nursery of chosen plants, and I trust she will show herself grateful for the inestimable privilege of her election." "I will send her, then, as soon as possible, Mr. Brocklehurst; for, I assure you, I feel anxious to be relieved of a responsibility that was becoming too irksome." "No doubt, no doubt, madam; and now I wish you good morning. I shall return to Brocklehurst Hall in the course of a week or two: my good friend, the Archdeacon, will not permit me to leave him sooner. I shall send Miss Temple notice that she is to expect a new girl, so that there will be no difficulty about receiving her. Good-bye." "Good-bye, Mr. Brocklehurst; remember me to Mrs. and Miss Brocklehurst, and to Augusta and Theodore, and Master Broughton Brocklehurst." "I will, madam. Little girl, here is a book entitled the 'Child's Guide,' read it with prayer, especially that part containing 'An account of the awfully sudden death of Martha G---, a naughty child addicted to falsehood and deceit.'" With these words Mr. Brocklehurst put into my hand a thin pamphlet sewn in a cover, and having rung for his carriage, he departed. Mrs. Reed and I were left alone: some minutes passed in silence; she was sewing, I was watching her. Mrs. Reed might be at that time some six or seven and thirty; she was a woman of robust frame, square-shouldered and strong-limbed, not tall, and, though stout, not obese: she had a somewhat large face, the under jaw being much developed and very solid; her brow was low, her chin large and prominent, mouth and nose sufficiently regular; under her light eyebrows glimmered an eye devoid of ruth; her skin was dark and opaque, her hair nearly flaxen; her constitution was sound as a bell--illness never came near her; she was an exact, clever manager; her household and tenantry were thoroughly under her control; her children only at times defied her authority and laughed it to scorn; she dressed well, and had a presence and port calculated to set off handsome attire. Sitting on a low stool, a few yards from her arm-chair, I examined her figure; I perused her features. In my hand I held the tract containing the sudden death of the Liar, to which narrative my attention had been pointed as to an appropriate warning. What had just passed; what Mrs. Reed had said concerning me to Mr. Brocklehurst; the whole tenor of their conversation, was recent, raw, and stinging in my mind; I had felt every word as acutely as I had heard it plainly, and a passion of resentment fomented now within me. Mrs. Reed looked up from her work; her eye settled on mine, her fingers at the same time suspended their nimble movements. "Go out of the room; return to the nursery," was her mandate. My look or something else must have struck her as offensive, for she spoke with extreme though suppressed irritation. I got up, I went to the door; I came back again; I walked to the window, across the room, then close up to her. _Speak_ I must: I had been trodden on severely, and _must_ turn: but how? What strength had I to dart retaliation at my antagonist? I gathered my energies and launched them in this blunt sentence-- "I am not deceitful: if I were, I should say I loved you; but I declare I do not love you: I dislike you the worst of anybody in the world except John Reed; and this book about the liar, you may give to your girl, Georgiana, for it is she who tells lies, and not I." Mrs. Reed's hands still lay on her work inactive: her eye of ice continued to dwell freezingly on mine. "What more have you to say?" she asked, rather in the tone in which a person might address an opponent of adult age than such as is ordinarily used to a child. That eye of hers, that voice stirred every antipathy I had. Shaking from head to foot, thrilled with ungovernable excitement, I continued-- "I am glad you are no relation of mine: I will never call you aunt again as long as I live. I will never come to see you when I am grown up; and if any one asks me how I liked you, and how you treated me, I will say the very thought of you makes me sick, and that you treated me with miserable cruelty." "How dare you affirm that, Jane Eyre?" "How dare I, Mrs. Reed? How dare I? Because it is the _truth_. You think I have no feelings, and that I can do without one bit of love or kindness; but I cannot live so: and you have no pity. I shall remember how you thrust me back--roughly and violently thrust me back--into the red-room, and locked me up there, to my dying day; though I was in agony; though I cried out, while suffocating with distress, 'Have mercy! Have mercy, Aunt Reed!' And that punishment you made me suffer because your wicked boy struck me--knocked me down for nothing. I will tell anybody who asks me questions, this exact tale. People think you a good woman, but you are bad, hard-hearted. _You_ are deceitful!" {How dare I, Mrs. Reed? How dare I? Because it is the truth: p30.jpg} Ere I had finished this reply, my soul began to expand, to exult, with the strangest sense of freedom, of triumph, I ever felt. It seemed as if an invisible bond had burst, and that I had struggled out into unhoped- for liberty. Not without cause was this sentiment: Mrs. Reed looked frightened; her work had slipped from her knee; she was lifting up her hands, rocking herself to and fro, and even twisting her face as if she would cry. "Jane, you are under a mistake: what is the matter with you? Why do you tremble so violently? Would you like to drink some water?" "No, Mrs. Reed." "Is there anything else you wish for, Jane? I assure you, I desire to be your friend." "Not you. You told Mr. Brocklehurst I had a bad character, a deceitful disposition; and I'll let everybody at Lowood know what you are, and what you have done." "Jane, you don't understand these things: children must be corrected for their faults." "Deceit is not my fault!" I cried out in a savage, high voice. "But you are passionate, Jane, that you must allow: and now return to the nursery--there's a dear--and lie down a little." "I am not your dear; I cannot lie down: send me to school soon, Mrs. Reed, for I hate to live here." "I will indeed send her to school soon," murmured Mrs. Reed _sotto voce_; and gathering up her work, she abruptly quitted the apartment. I was left there alone--winner of the field. It was the hardest battle I had fought, and the first victory I had gained: I stood awhile on the rug, where Mr. Brocklehurst had stood, and I enjoyed my conqueror's solitude. First, I smiled to myself and felt elate; but this fierce pleasure subsided in me as fast as did the accelerated throb of my pulses. A child cannot quarrel with its elders, as I had done; cannot give its furious feelings uncontrolled play, as I had given mine, without experiencing afterwards the pang of remorse and the chill of reaction. A ridge of lighted heath, alive, glancing, devouring, would have been a meet emblem of my mind when I accused and menaced Mrs. Reed: the same ridge, black and blasted after the flames are dead, would have represented as meetly my subsequent condition, when half-an-hour's silence and reflection had shown me the madness of my conduct, and the dreariness of my hated and hating position. Something of vengeance I had tasted for the first time; as aromatic wine it seemed, on swallowing, warm and racy: its after-flavour, metallic and corroding, gave me a sensation as if I had been poisoned. Willingly would I now have gone and asked Mrs. Reed's pardon; but I knew, partly from experience and partly from instinct, that was the way to make her repulse me with double scorn, thereby re-exciting every turbulent impulse of my nature. I would fain exercise some better faculty than that of fierce speaking; fain find nourishment for some less fiendish feeling than that of sombre indignation. I took a book--some Arabian tales; I sat down and endeavoured to read. I could make no sense of the subject; my own thoughts swam always between me and the page I had usually found fascinating. I opened the glass-door in the breakfast-room: the shrubbery was quite still: the black frost reigned, unbroken by sun or breeze, through the grounds. I covered my head and arms with the skirt of my frock, and went out to walk in a part of the plantation which was quite sequestrated; but I found no pleasure in the silent trees, the falling fir-cones, the congealed relics of autumn, russet leaves, swept by past winds in heaps, and now stiffened together. I leaned against a gate, and looked into an empty field where no sheep were feeding, where the short grass was nipped and blanched. It was a very grey day; a most opaque sky, "onding on snaw," canopied all; thence flakes felt it intervals, which settled on the hard path and on the hoary lea without melting. I stood, a wretched child enough, whispering to myself over and over again, "What shall I do?--what shall I do?" All at once I heard a clear voice call, "Miss Jane! where are you? Come to lunch!" It was Bessie, I knew well enough; but I did not stir; her light step came tripping down the path. "You naughty little thing!" she said. "Why don't you come when you are called?" Bessie's presence, compared with the thoughts over which I had been brooding, seemed cheerful; even though, as usual, she was somewhat cross. The fact is, after my conflict with and victory over Mrs. Reed, I was not disposed to care much for the nursemaid's transitory anger; and I _was_ disposed to bask in her youthful lightness of heart. I just put my two arms round her and said, "Come, Bessie! don't scold." The action was more frank and fearless than any I was habituated to indulge in: somehow it pleased her. "You are a strange child, Miss Jane," she said, as she looked down at me; "a little roving, solitary thing: and you are going to school, I suppose?" I nodded. "And won't you be sorry to leave poor Bessie?" "What does Bessie care for me? She is always scolding me." "Because you're such a queer, frightened, shy little thing. You should be bolder." "What! to get more knocks?" "Nonsense! But you are rather put upon, that's certain. My mother said, when she came to see me last week, that she would not like a little one of her own to be in your place.--Now, come in, and I've some good news for you." "I don't think you have, Bessie." "Child! what do you mean? What sorrowful eyes you fix on me! Well, but Missis and the young ladies and Master John are going out to tea this afternoon, and you shall have tea with me. I'll ask cook to bake you a little cake, and then you shall help me to look over your drawers; for I am soon to pack your trunk. Missis intends you to leave Gateshead in a day or two, and you shall choose what toys you like to take with you." "Bessie, you must promise not to scold me any more till I go." "Well, I will; but mind you are a very good girl, and don't be afraid of me. Don't start when I chance to speak rather sharply; it's so provoking." "I don't think I shall ever be afraid of you again, Bessie, because I have got used to you, and I shall soon have another set of people to dread." "If you dread them they'll dislike you." "As you do, Bessie?" "I don't dislike you, Miss; I believe I am fonder of you than of all the others." "You don't show it." "You little sharp thing! you've got quite a new way of talking. What makes you so venturesome and hardy?" "Why, I shall soon be away from you, and besides"--I was going to say something about what had passed between me and Mrs. Reed, but on second thoughts I considered it better to remain silent on that head. "And so you're glad to leave me?" "Not at all, Bessie; indeed, just now I'm rather sorry." "Just now! and rather! How coolly my little lady says it! I dare say now if I were to ask you for a kiss you wouldn't give it me: you'd say you'd _rather_ not." "I'll kiss you and welcome: bend your head down." Bessie stooped; we mutually embraced, and I followed her into the house quite comforted. That afternoon lapsed in peace and harmony; and in the evening Bessie told me some of her most enchanting stories, and sang me some of her sweetest songs. Even for me life had its gleams of sunshine.

volume 1, Chapter 4

https://web.archive.org/web/20210421052406/https://www.gradesaver.com/jane-eyre/study-guide/summary-volume-i-chapters-1-5

Time passes, and Jane regains her strength, but the subject of her unhappiness is never broached, and the Reed family treats her even more poorly than before. One day, Jane challenges Mrs. Reed, questioning what her late husband would think of her behavior. Mrs. Reed punishes Jane for the impertinent question, boxing her ears and ordering Bessie to lecture her, but Jane is interested in the sudden look of fear that she detected in her aunt's eyes. When the holidays arrive, Jane continues to be excluded from family celebrations and finds solace only in the doll with which she sleeps and in Bessie's kindly goodnight kisses. In mid-January, Mr. Brocklehurst, whose Lowood School Jane learns she will attend, visits Gateshead and interrogates Jane about her religious beliefs. When Jane informs him that she finds the Psalms to be uninteresting, Mr. Brocklehurst warns her that such beliefs are a sign of wickedness, and she must repent and cleanse her "wicked heart. Mrs. Reed tells Mr. Brocklehurst that she hopes that Jane's time at Lowood will reform her, particularly her tendency to lie, an accusation that stings Jane. After Mr. Brocklehurst leaves, Jane defends her honesty to her aunt and launches a series of recriminations. Mrs. Reed seems stunned and leaves the room, but Jane's victorious feelings soon give way to remorse. She feels better later when Bessie confides in her that she prefers Jane to the other children.

Religion makes its first formal appearance in the novel in the form of Mr. Brocklehurst. Already, we can see the religious hypocrisies that Bronte exposes; Mr. Brocklehurst believes the deceitful Mrs. Reed's accusations about Jane and relishes the seemingly heartless reformations that take place at school. He also displays an abhorrence for any form of creative thinking; although Jane enjoys Revelations, the book of Daniel, Genesis, and other parts of the Bible, she is accused of being "wicked" because she does not approve of the Psalms. The extent of Mr. Brocklehurst's hypocrisy in his beliefs about Christianity will become more apparent in later chapters of the novel. After the night in the red-room, Jane's position in the Reed family seems to have fallen even further. Instead of being tormented by Georgiana, Eliza, and John, as she was before, Jane is now simply ignored; she no longer even exists in the context of the family. However, Jane does find comfort in Bessie, who begins to act as a surrogate mother figure and is Jane's only source of consolation and affection. Although Bessie seemed to be harsh at earlier points in the novel, her sole support of Jane during this time , make Mrs. Reed's antipathy toward Jane seem increasingly callous. Bessie's behavior toward Jane and Jane's love for her doll both constitute one of the major themes of the novel, the idea that "human beings must love something. In this chapter, Bronte also introduces the motif of fire and ice, a theme that will appear frequently throughout the novel. Fire is associated with Jane and with positive creation, while ice is associated with Jane's antagonists and with negative destruction. Bronte is often subtle with these symbolic attachments; for example, Mrs. Reed's eyes are twice compared to ice in this chapter: "her cold, composed grey eyes" and "her eye of ice continued to dwell freezingly on mine

gradesaver

all_chapterized_books/1260-chapters/06.txt

finished_summaries/gradesaver/Jane Eyre/section_0_part_5.txt

Jane Eyre.volume 1.chapter 5

volume 1, chapter 5

{"name": "volume 1, Chapter 5", "url": "https://web.archive.org/web/20210421052406/https://www.gradesaver.com/jane-eyre/study-guide/summary-volume-i-chapters-1-5", "summary": "Four days after meeting Mr. Brocklehurst, Jane leaves Gateshead by the 6am coach for Lowood School. When she arrives at the school, she is taken into a dull, grey room for supper and then put to bed in a room filled with other girls. The next day, Jane is introduced to some of the school's daily routines, which consist of Bible recitations, regular academic lessons, and abominable meals. She also meets the kindly, beautiful superintendent, Miss Temple, and another girl, Helen Burns, who informs Jane that all the student are \"charity-children\" - orphans whose tuition is largely made up for by benefactors. Jane realizes that Mrs. Reed has not paid anything to support her at Lowood, and she is truly without any family. Jane also observes one of the nastier teachers, Miss Scatcherd, mistreating Helen in class. Much to her surprise, the stoic Helen impressively bears her punishment without complaint.", "analysis": "Immediately we see that Lowood's religious education does not necessarily mean that the orphans are treated well. Their food is often inedible and served in small portions, their lodgings are cramped, and some of the teachers are extremely cruel. Although Jane is adjusting to the change in surroundings, she is still taken aback by the conditions of the school, particularly the food, and the fact that the Reed family did not pay anything to maintain her keep. Bronte hints at the suspicious nature of the school's poor conditions when Helen reveals that \"benevolent-minded ladies and gentlemen\" make up the tuition and that Mr. Brocklehurst is the treasurer of the house. Another possible surrogate mother figure for Jane arrives in the form of the beautiful Miss Temple. Her name, with its religious overtones, indicates that she is the only teacher at Lowood who truly upholds the Christian ethic. Bronte also introduces Helen as a confidante and friend for Jane, as well as model of another type of Christianity. Jane is already intrigued and even confused by Helen's calm acceptance of her mistreatment at the school and will soon learn much about patience and emotional control from Helen's example"}

Five o'clock had hardly struck on the morning of the 19th of January, when Bessie brought a candle into my closet and found me already up and nearly dressed. I had risen half-an-hour before her entrance, and had washed my face, and put on my clothes by the light of a half-moon just setting, whose rays streamed through the narrow window near my crib. I was to leave Gateshead that day by a coach which passed the lodge gates at six a.m. Bessie was the only person yet risen; she had lit a fire in the nursery, where she now proceeded to make my breakfast. Few children can eat when excited with the thoughts of a journey; nor could I. Bessie, having pressed me in vain to take a few spoonfuls of the boiled milk and bread she had prepared for me, wrapped up some biscuits in a paper and put them into my bag; then she helped me on with my pelisse and bonnet, and wrapping herself in a shawl, she and I left the nursery. As we passed Mrs. Reed's bedroom, she said, "Will you go in and bid Missis good- bye?" "No, Bessie: she came to my crib last night when you were gone down to supper, and said I need not disturb her in the morning, or my cousins either; and she told me to remember that she had always been my best friend, and to speak of her and be grateful to her accordingly." "What did you say, Miss?" "Nothing: I covered my face with the bedclothes, and turned from her to the wall." "That was wrong, Miss Jane." "It was quite right, Bessie. Your Missis has not been my friend: she has been my foe." "O Miss Jane! don't say so!" "Good-bye to Gateshead!" cried I, as we passed through the hall and went out at the front door. The moon was set, and it was very dark; Bessie carried a lantern, whose light glanced on wet steps and gravel road sodden by a recent thaw. Raw and chill was the winter morning: my teeth chattered as I hastened down the drive. There was a light in the porter's lodge: when we reached it, we found the porter's wife just kindling her fire: my trunk, which had been carried down the evening before, stood corded at the door. It wanted but a few minutes of six, and shortly after that hour had struck, the distant roll of wheels announced the coming coach; I went to the door and watched its lamps approach rapidly through the gloom. "Is she going by herself?" asked the porter's wife. "Yes." "And how far is it?" "Fifty miles." "What a long way! I wonder Mrs. Reed is not afraid to trust her so far alone." The coach drew up; there it was at the gates with its four horses and its top laden with passengers: the guard and coachman loudly urged haste; my trunk was hoisted up; I was taken from Bessie's neck, to which I clung with kisses. "Be sure and take good care of her," cried she to the guard, as he lifted me into the inside. "Ay, ay!" was the answer: the door was slapped to, a voice exclaimed "All right," and on we drove. Thus was I severed from Bessie and Gateshead; thus whirled away to unknown, and, as I then deemed, remote and mysterious regions. I remember but little of the journey; I only know that the day seemed to me of a preternatural length, and that we appeared to travel over hundreds of miles of road. We passed through several towns, and in one, a very large one, the coach stopped; the horses were taken out, and the passengers alighted to dine. I was carried into an inn, where the guard wanted me to have some dinner; but, as I had no appetite, he left me in an immense room with a fireplace at each end, a chandelier pendent from the ceiling, and a little red gallery high up against the wall filled with musical instruments. Here I walked about for a long time, feeling very strange, and mortally apprehensive of some one coming in and kidnapping me; for I believed in kidnappers, their exploits having frequently figured in Bessie's fireside chronicles. At last the guard returned; once more I was stowed away in the coach, my protector mounted his own seat, sounded his hollow horn, and away we rattled over the "stony street" of L-. The afternoon came on wet and somewhat misty: as it waned into dusk, I began to feel that we were getting very far indeed from Gateshead: we ceased to pass through towns; the country changed; great grey hills heaved up round the horizon: as twilight deepened, we descended a valley, dark with wood, and long after night had overclouded the prospect, I heard a wild wind rushing amongst trees. Lulled by the sound, I at last dropped asleep; I had not long slumbered when the sudden cessation of motion awoke me; the coach-door was open, and a person like a servant was standing at it: I saw her face and dress by the light of the lamps. "Is there a little girl called Jane Eyre here?" she asked. I answered "Yes," and was then lifted out; my trunk was handed down, and the coach instantly drove away. I was stiff with long sitting, and bewildered with the noise and motion of the coach: Gathering my faculties, I looked about me. Rain, wind, and darkness filled the air; nevertheless, I dimly discerned a wall before me and a door open in it; through this door I passed with my new guide: she shut and locked it behind her. There was now visible a house or houses--for the building spread far--with many windows, and lights burning in some; we went up a broad pebbly path, splashing wet, and were admitted at a door; then the servant led me through a passage into a room with a fire, where she left me alone. I stood and warmed my numbed fingers over the blaze, then I looked round; there was no candle, but the uncertain light from the hearth showed, by intervals, papered walls, carpet, curtains, shining mahogany furniture: it was a parlour, not so spacious or splendid as the drawing-room at Gateshead, but comfortable enough. I was puzzling to make out the subject of a picture on the wall, when the door opened, and an individual carrying a light entered; another followed close behind. The first was a tall lady with dark hair, dark eyes, and a pale and large forehead; her figure was partly enveloped in a shawl, her countenance was grave, her bearing erect. "The child is very young to be sent alone," said she, putting her candle down on the table. She considered me attentively for a minute or two, then further added-- "She had better be put to bed soon; she looks tired: are you tired?" she asked, placing her hand on my shoulder. "A little, ma'am." "And hungry too, no doubt: let her have some supper before she goes to bed, Miss Miller. Is this the first time you have left your parents to come to school, my little girl?" I explained to her that I had no parents. She inquired how long they had been dead: then how old I was, what was my name, whether I could read, write, and sew a little: then she touched my cheek gently with her forefinger, and saying, "She hoped I should be a good child," dismissed me along with Miss Miller. The lady I had left might be about twenty-nine; the one who went with me appeared some years younger: the first impressed me by her voice, look, and air. Miss Miller was more ordinary; ruddy in complexion, though of a careworn countenance; hurried in gait and action, like one who had always a multiplicity of tasks on hand: she looked, indeed, what I afterwards found she really was, an under-teacher. Led by her, I passed from compartment to compartment, from passage to passage, of a large and irregular building; till, emerging from the total and somewhat dreary silence pervading that portion of the house we had traversed, we came upon the hum of many voices, and presently entered a wide, long room, with great deal tables, two at each end, on each of which burnt a pair of candles, and seated all round on benches, a congregation of girls of every age, from nine or ten to twenty. Seen by the dim light of the dips, their number to me appeared countless, though not in reality exceeding eighty; they were uniformly dressed in brown stuff frocks of quaint fashion, and long holland pinafores. It was the hour of study; they were engaged in conning over their to-morrow's task, and the hum I had heard was the combined result of their whispered repetitions. Miss Miller signed to me to sit on a bench near the door, then walking up to the top of the long room she cried out-- "Monitors, collect the lesson-books and put them away!" Four tall girls arose from different tables, and going round, gathered the books and removed them. Miss Miller again gave the word of command-- "Monitors, fetch the supper-trays!" The tall girls went out and returned presently, each bearing a tray, with portions of something, I knew not what, arranged thereon, and a pitcher of water and mug in the middle of each tray. The portions were handed round; those who liked took a draught of the water, the mug being common to all. When it came to my turn, I drank, for I was thirsty, but did not touch the food, excitement and fatigue rendering me incapable of eating: I now saw, however, that it was a thin oaten cake shared into fragments. The meal over, prayers were read by Miss Miller, and the classes filed off, two and two, upstairs. Overpowered by this time with weariness, I scarcely noticed what sort of a place the bedroom was, except that, like the schoolroom, I saw it was very long. To-night I was to be Miss Miller's bed-fellow; she helped me to undress: when laid down I glanced at the long rows of beds, each of which was quickly filled with two occupants; in ten minutes the single light was extinguished, and amidst silence and complete darkness I fell asleep. The night passed rapidly. I was too tired even to dream; I only once awoke to hear the wind rave in furious gusts, and the rain fall in torrents, and to be sensible that Miss Miller had taken her place by my side. When I again unclosed my eyes, a loud bell was ringing; the girls were up and dressing; day had not yet begun to dawn, and a rushlight or two burned in the room. I too rose reluctantly; it was bitter cold, and I dressed as well as I could for shivering, and washed when there was a basin at liberty, which did not occur soon, as there was but one basin to six girls, on the stands down the middle of the room. Again the bell rang: all formed in file, two and two, and in that order descended the stairs and entered the cold and dimly lit schoolroom: here prayers were read by Miss Miller; afterwards she called out-- "Form classes!" A great tumult succeeded for some minutes, during which Miss Miller repeatedly exclaimed, "Silence!" and "Order!" When it subsided, I saw them all drawn up in four semicircles, before four chairs, placed at the four tables; all held books in their hands, and a great book, like a Bible, lay on each table, before the vacant seat. A pause of some seconds succeeded, filled up by the low, vague hum of numbers; Miss Miller walked from class to class, hushing this indefinite sound. A distant bell tinkled: immediately three ladies entered the room, each walked to a table and took her seat. Miss Miller assumed the fourth vacant chair, which was that nearest the door, and around which the smallest of the children were assembled: to this inferior class I was called, and placed at the bottom of it. Business now began, the day's Collect was repeated, then certain texts of Scripture were said, and to these succeeded a protracted reading of chapters in the Bible, which lasted an hour. By the time that exercise was terminated, day had fully dawned. The indefatigable bell now sounded for the fourth time: the classes were marshalled and marched into another room to breakfast: how glad I was to behold a prospect of getting something to eat! I was now nearly sick from inanition, having taken so little the day before. The refectory was a great, low-ceiled, gloomy room; on two long tables smoked basins of something hot, which, however, to my dismay, sent forth an odour far from inviting. I saw a universal manifestation of discontent when the fumes of the repast met the nostrils of those destined to swallow it; from the van of the procession, the tall girls of the first class, rose the whispered words-- "Disgusting! The porridge is burnt again!" "Silence!" ejaculated a voice; not that of Miss Miller, but one of the upper teachers, a little and dark personage, smartly dressed, but of somewhat morose aspect, who installed herself at the top of one table, while a more buxom lady presided at the other. I looked in vain for her I had first seen the night before; she was not visible: Miss Miller occupied the foot of the table where I sat, and a strange, foreign-looking, elderly lady, the French teacher, as I afterwards found, took the corresponding seat at the other board. A long grace was said and a hymn sung; then a servant brought in some tea for the teachers, and the meal began. Ravenous, and now very faint, I devoured a spoonful or two of my portion without thinking of its taste; but the first edge of hunger blunted, I perceived I had got in hand a nauseous mess; burnt porridge is almost as bad as rotten potatoes; famine itself soon sickens over it. The spoons were moved slowly: I saw each girl taste her food and try to swallow it; but in most cases the effort was soon relinquished. Breakfast was over, and none had breakfasted. Thanks being returned for what we had not got, and a second hymn chanted, the refectory was evacuated for the schoolroom. I was one of the last to go out, and in passing the tables, I saw one teacher take a basin of the porridge and taste it; she looked at the others; all their countenances expressed displeasure, and one of them, the stout one, whispered-- "Abominable stuff! How shameful!" A quarter of an hour passed before lessons again began, during which the schoolroom was in a glorious tumult; for that space of time it seemed to be permitted to talk loud and more freely, and they used their privilege. The whole conversation ran on the breakfast, which one and all abused roundly. Poor things! it was the sole consolation they had. Miss Miller was now the only teacher in the room: a group of great girls standing about her spoke with serious and sullen gestures. I heard the name of Mr. Brocklehurst pronounced by some lips; at which Miss Miller shook her head disapprovingly; but she made no great effort to check the general wrath; doubtless she shared in it. A clock in the schoolroom struck nine; Miss Miller left her circle, and standing in the middle of the room, cried-- "Silence! To your seats!" Discipline prevailed: in five minutes the confused throng was resolved into order, and comparative silence quelled the Babel clamour of tongues. The upper teachers now punctually resumed their posts: but still, all seemed to wait. Ranged on benches down the sides of the room, the eighty girls sat motionless and erect; a quaint assemblage they appeared, all with plain locks combed from their faces, not a curl visible; in brown dresses, made high and surrounded by a narrow tucker about the throat, with little pockets of holland (shaped something like a Highlander's purse) tied in front of their frocks, and destined to serve the purpose of a work-bag: all, too, wearing woollen stockings and country-made shoes, fastened with brass buckles. Above twenty of those clad in this costume were full-grown girls, or rather young women; it suited them ill, and gave an air of oddity even to the prettiest. I was still looking at them, and also at intervals examining the teachers--none of whom precisely pleased me; for the stout one was a little coarse, the dark one not a little fierce, the foreigner harsh and grotesque, and Miss Miller, poor thing! looked purple, weather-beaten, and over-worked--when, as my eye wandered from face to face, the whole school rose simultaneously, as if moved by a common spring. What was the matter? I had heard no order given: I was puzzled. Ere I had gathered my wits, the classes were again seated: but as all eyes were now turned to one point, mine followed the general direction, and encountered the personage who had received me last night. She stood at the bottom of the long room, on the hearth; for there was a fire at each end; she surveyed the two rows of girls silently and gravely. Miss Miller approaching, seemed to ask her a question, and having received her answer, went back to her place, and said aloud-- "Monitor of the first class, fetch the globes!" While the direction was being executed, the lady consulted moved slowly up the room. I suppose I have a considerable organ of veneration, for I retain yet the sense of admiring awe with which my eyes traced her steps. Seen now, in broad daylight, she looked tall, fair, and shapely; brown eyes with a benignant light in their irids, and a fine pencilling of long lashes round, relieved the whiteness of her large front; on each of her temples her hair, of a very dark brown, was clustered in round curls, according to the fashion of those times, when neither smooth bands nor long ringlets were in vogue; her dress, also in the mode of the day, was of purple cloth, relieved by a sort of Spanish trimming of black velvet; a gold watch (watches were not so common then as now) shone at her girdle. Let the reader add, to complete the picture, refined features; a complexion, if pale, clear; and a stately air and carriage, and he will have, at least, as clearly as words can give it, a correct idea of the exterior of Miss Temple--Maria Temple, as I afterwards saw the name written in a prayer-book intrusted to me to carry to church. The superintendent of Lowood (for such was this lady) having taken her seat before a pair of globes placed on one of the tables, summoned the first class round her, and commenced giving a lesson on geography; the lower classes were called by the teachers: repetitions in history, grammar, &c., went on for an hour; writing and arithmetic succeeded, and music lessons were given by Miss Temple to some of the elder girls. The duration of each lesson was measured by the clock, which at last struck twelve. The superintendent rose-- "I have a word to address to the pupils," said she. The tumult of cessation from lessons was already breaking forth, but it sank at her voice. She went on-- "You had this morning a breakfast which you could not eat; you must be hungry:--I have ordered that a lunch of bread and cheese shall be served to all." The teachers looked at her with a sort of surprise. "It is to be done on my responsibility," she added, in an explanatory tone to them, and immediately afterwards left the room. The bread and cheese was presently brought in and distributed, to the high delight and refreshment of the whole school. The order was now given "To the garden!" Each put on a coarse straw bonnet, with strings of coloured calico, and a cloak of grey frieze. I was similarly equipped, and, following the stream, I made my way into the open air. The garden was a wide inclosure, surrounded with walls so high as to exclude every glimpse of prospect; a covered verandah ran down one side, and broad walks bordered a middle space divided into scores of little beds: these beds were assigned as gardens for the pupils to cultivate, and each bed had an owner. When full of flowers they would doubtless look pretty; but now, at the latter end of January, all was wintry blight and brown decay. I shuddered as I stood and looked round me: it was an inclement day for outdoor exercise; not positively rainy, but darkened by a drizzling yellow fog; all under foot was still soaking wet with the floods of yesterday. The stronger among the girls ran about and engaged in active games, but sundry pale and thin ones herded together for shelter and warmth in the verandah; and amongst these, as the dense mist penetrated to their shivering frames, I heard frequently the sound of a hollow cough. As yet I had spoken to no one, nor did anybody seem to take notice of me; I stood lonely enough: but to that feeling of isolation I was accustomed; it did not oppress me much. I leant against a pillar of the verandah, drew my grey mantle close about me, and, trying to forget the cold which nipped me without, and the unsatisfied hunger which gnawed me within, delivered myself up to the employment of watching and thinking. My reflections were too undefined and fragmentary to merit record: I hardly yet knew where I was; Gateshead and my past life seemed floated away to an immeasurable distance; the present was vague and strange, and of the future I could form no conjecture. I looked round the convent-like garden, and then up at the house--a large building, half of which seemed grey and old, the other half quite new. The new part, containing the schoolroom and dormitory, was lit by mullioned and latticed windows, which gave it a church-like aspect; a stone tablet over the door bore this inscription:-- "Lowood Institution.--This portion was rebuilt A.D. ---, by Naomi Brocklehurst, of Brocklehurst Hall, in this county." "Let your light so shine before men, that they may see your good works, and glorify your Father which is in heaven."--St. Matt. v. 16. I read these words over and over again: I felt that an explanation belonged to them, and was unable fully to penetrate their import. I was still pondering the signification of "Institution," and endeavouring to make out a connection between the first words and the verse of Scripture, when the sound of a cough close behind me made me turn my head. I saw a girl sitting on a stone bench near; she was bent over a book, on the perusal of which she seemed intent: from where I stood I could see the title--it was "Rasselas;" a name that struck me as strange, and consequently attractive. In turning a leaf she happened to look up, and I said to her directly-- "Is your book interesting?" I had already formed the intention of asking her to lend it to me some day. "I like it," she answered, after a pause of a second or two, during which she examined me. "What is it about?" I continued. I hardly know where I found the hardihood thus to open a conversation with a stranger; the step was contrary to my nature and habits: but I think her occupation touched a chord of sympathy somewhere; for I too liked reading, though of a frivolous and childish kind; I could not digest or comprehend the serious or substantial. "You may look at it," replied the girl, offering me the book. I did so; a brief examination convinced me that the contents were less taking than the title: "Rasselas" looked dull to my trifling taste; I saw nothing about fairies, nothing about genii; no bright variety seemed spread over the closely-printed pages. I returned it to her; she received it quietly, and without saying anything she was about to relapse into her former studious mood: again I ventured to disturb her-- "Can you tell me what the writing on that stone over the door means? What is Lowood Institution?" "This house where you are come to live." "And why do they call it Institution? Is it in any way different from other schools?" "It is partly a charity-school: you and I, and all the rest of us, are charity-children. I suppose you are an orphan: are not either your father or your mother dead?" "Both died before I can remember." "Well, all the girls here have lost either one or both parents, and this is called an institution for educating orphans." "Do we pay no money? Do they keep us for nothing?" "We pay, or our friends pay, fifteen pounds a year for each." "Then why do they call us charity-children?" "Because fifteen pounds is not enough for board and teaching, and the deficiency is supplied by subscription." "Who subscribes?" "Different benevolent-minded ladies and gentlemen in this neighbourhood and in London." "Who was Naomi Brocklehurst?" "The lady who built the new part of this house as that tablet records, and whose son overlooks and directs everything here." "Why?" "Because he is treasurer and manager of the establishment." "Then this house does not belong to that tall lady who wears a watch, and who said we were to have some bread and cheese?" "To Miss Temple? Oh, no! I wish it did: she has to answer to Mr. Brocklehurst for all she does. Mr. Brocklehurst buys all our food and all our clothes." "Does he live here?" "No--two miles off, at a large hall." "Is he a good man?" "He is a clergyman, and is said to do a great deal of good." "Did you say that tall lady was called Miss Temple?" "Yes." "And what are the other teachers called?" "The one with red cheeks is called Miss Smith; she attends to the work, and cuts out--for we make our own clothes, our frocks, and pelisses, and everything; the little one with black hair is Miss Scatcherd; she teaches history and grammar, and hears the second class repetitions; and the one who wears a shawl, and has a pocket-handkerchief tied to her side with a yellow ribband, is Madame Pierrot: she comes from Lisle, in France, and teaches French." "Do you like the teachers?" "Well enough." "Do you like the little black one, and the Madame ---?--I cannot pronounce her name as you do." "Miss Scatcherd is hasty--you must take care not to offend her; Madame Pierrot is not a bad sort of person." "But Miss Temple is the best--isn't she?" "Miss Temple is very good and very clever; she is above the rest, because she knows far more than they do." "Have you been long here?" "Two years." "Are you an orphan?" "My mother is dead." "Are you happy here?" "You ask rather too many questions. I have given you answers enough for the present: now I want to read." But at that moment the summons sounded for dinner; all re-entered the house. The odour which now filled the refectory was scarcely more appetising than that which had regaled our nostrils at breakfast: the dinner was served in two huge tin-plated vessels, whence rose a strong steam redolent of rancid fat. I found the mess to consist of indifferent potatoes and strange shreds of rusty meat, mixed and cooked together. Of this preparation a tolerably abundant plateful was apportioned to each pupil. I ate what I could, and wondered within myself whether every day's fare would be like this. After dinner, we immediately adjourned to the schoolroom: lessons recommenced, and were continued till five o'clock. The only marked event of the afternoon was, that I saw the girl with whom I had conversed in the verandah dismissed in disgrace by Miss Scatcherd from a history class, and sent to stand in the middle of the large schoolroom. The punishment seemed to me in a high degree ignominious, especially for so great a girl--she looked thirteen or upwards. I expected she would show signs of great distress and shame; but to my surprise she neither wept nor blushed: composed, though grave, she stood, the central mark of all eyes. "How can she bear it so quietly--so firmly?" I asked of myself. "Were I in her place, it seems to me I should wish the earth to open and swallow me up. She looks as if she were thinking of something beyond her punishment--beyond her situation: of something not round her nor before her. I have heard of day-dreams--is she in a day-dream now? Her eyes are fixed on the floor, but I am sure they do not see it--her sight seems turned in, gone down into her heart: she is looking at what she can remember, I believe; not at what is really present. I wonder what sort of a girl she is--whether good or naughty." Soon after five p.m. we had another meal, consisting of a small mug of coffee, and half-a-slice of brown bread. I devoured my bread and drank my coffee with relish; but I should have been glad of as much more--I was still hungry. Half-an-hour's recreation succeeded, then study; then the glass of water and the piece of oat-cake, prayers, and bed. Such was my first day at Lowood.

volume 1, Chapter 5

https://web.archive.org/web/20210421052406/https://www.gradesaver.com/jane-eyre/study-guide/summary-volume-i-chapters-1-5

Four days after meeting Mr. Brocklehurst, Jane leaves Gateshead by the 6am coach for Lowood School. When she arrives at the school, she is taken into a dull, grey room for supper and then put to bed in a room filled with other girls. The next day, Jane is introduced to some of the school's daily routines, which consist of Bible recitations, regular academic lessons, and abominable meals. She also meets the kindly, beautiful superintendent, Miss Temple, and another girl, Helen Burns, who informs Jane that all the student are "charity-children" - orphans whose tuition is largely made up for by benefactors. Jane realizes that Mrs. Reed has not paid anything to support her at Lowood, and she is truly without any family. Jane also observes one of the nastier teachers, Miss Scatcherd, mistreating Helen in class. Much to her surprise, the stoic Helen impressively bears her punishment without complaint.

Immediately we see that Lowood's religious education does not necessarily mean that the orphans are treated well. Their food is often inedible and served in small portions, their lodgings are cramped, and some of the teachers are extremely cruel. Although Jane is adjusting to the change in surroundings, she is still taken aback by the conditions of the school, particularly the food, and the fact that the Reed family did not pay anything to maintain her keep. Bronte hints at the suspicious nature of the school's poor conditions when Helen reveals that "benevolent-minded ladies and gentlemen" make up the tuition and that Mr. Brocklehurst is the treasurer of the house. Another possible surrogate mother figure for Jane arrives in the form of the beautiful Miss Temple. Her name, with its religious overtones, indicates that she is the only teacher at Lowood who truly upholds the Christian ethic. Bronte also introduces Helen as a confidante and friend for Jane, as well as model of another type of Christianity. Jane is already intrigued and even confused by Helen's calm acceptance of her mistreatment at the school and will soon learn much about patience and emotional control from Helen's example

gradesaver

all_chapterized_books/1260-chapters/07.txt

finished_summaries/gradesaver/Jane Eyre/section_1_part_1.txt

Jane Eyre.volume 1.chapter 6

volume 1, chapter 6

{"name": "volume 1, Chapter 6", "url": "https://web.archive.org/web/20210421052406/https://www.gradesaver.com/jane-eyre/study-guide/summary-volume-i-chapters-6-10", "summary": "On her second day, Jane learns that life at Lowood School is difficult. The meals are hardly large enough to quell Jane's hunger pangs, and the students are forced to sit through unending sermons. Jane becomes more friendly with Helen and observes as Miss Scatcherd continually berates and even whips Helen, who never makes any response. Helen tells Jane about her personal doctrine of endurance, since the Bible \"'bids us return good for evil. She also refuses to call Miss Scatcherd cruel; she believes that she has numerous character flaws that Miss Scatcherd is correct to point out. Although Helen is very fond of Miss Temple and finds that she learns more from her, Helen tells Jane that Miss Temple's mild-mannered teaching style does not force her to be actively good; rather, Helen is only passively good, and she believes \"'there is no merit in such goodness. Jane disagrees with Helen's philosophy; she believes that one should repay goodness with goodness and cruelty with cruelty. She tells Helen about the Reed family, but Helen insists in a long speech that one must forgive one's enemies.", "analysis": "Helen presents her Christian philosophy of forgiveness and endurance: one must bear the sins of others, turn the other cheek, and love thy enemy. Jane, of course, is at odds with this idea, believing that standing up for herself often means fighting back. We have already witnessed several situations in which Jane availed herself of these tactics, particularly the fight against John and her lashing out at Mrs. Reed. The former led to her imprisonment in the red-room, while the latter was a short-lived victory that soon turned into remorse. While Helen's form of Christianity is not useful for Jane, neither is Jane's attitude of self-defense; she must find and develop her own brand of spirituality"}

The next day commenced as before, getting up and dressing by rushlight; but this morning we were obliged to dispense with the ceremony of washing; the water in the pitchers was frozen. A change had taken place in the weather the preceding evening, and a keen north-east wind, whistling through the crevices of our bedroom windows all night long, had made us shiver in our beds, and turned the contents of the ewers to ice. Before the long hour and a half of prayers and Bible-reading was over, I felt ready to perish with cold. Breakfast-time came at last, and this morning the porridge was not burnt; the quality was eatable, the quantity small. How small my portion seemed! I wished it had been doubled. In the course of the day I was enrolled a member of the fourth class, and regular tasks and occupations were assigned me: hitherto, I had only been a spectator of the proceedings at Lowood; I was now to become an actor therein. At first, being little accustomed to learn by heart, the lessons appeared to me both long and difficult; the frequent change from task to task, too, bewildered me; and I was glad when, about three o'clock in the afternoon, Miss Smith put into my hands a border of muslin two yards long, together with needle, thimble, &c., and sent me to sit in a quiet corner of the schoolroom, with directions to hem the same. At that hour most of the others were sewing likewise; but one class still stood round Miss Scatcherd's chair reading, and as all was quiet, the subject of their lessons could be heard, together with the manner in which each girl acquitted herself, and the animadversions or commendations of Miss Scatcherd on the performance. It was English history: among the readers I observed my acquaintance of the verandah: at the commencement of the lesson, her place had been at the top of the class, but for some error of pronunciation, or some inattention to stops, she was suddenly sent to the very bottom. Even in that obscure position, Miss Scatcherd continued to make her an object of constant notice: she was continually addressing to her such phrases as the following:-- "Burns" (such it seems was her name: the girls here were all called by their surnames, as boys are elsewhere), "Burns, you are standing on the side of your shoe; turn your toes out immediately." "Burns, you poke your chin most unpleasantly; draw it in." "Burns, I insist on your holding your head up; I will not have you before me in that attitude," &c. &c. A chapter having been read through twice, the books were closed and the girls examined. The lesson had comprised part of the reign of Charles I., and there were sundry questions about tonnage and poundage and ship- money, which most of them appeared unable to answer; still, every little difficulty was solved instantly when it reached Burns: her memory seemed to have retained the substance of the whole lesson, and she was ready with answers on every point. I kept expecting that Miss Scatcherd would praise her attention; but, instead of that, she suddenly cried out-- "You dirty, disagreeable girl! you have never cleaned your nails this morning!" Burns made no answer: I wondered at her silence. "Why," thought I, "does she not explain that she could neither clean her nails nor wash her face, as the water was frozen?" My attention was now called off by Miss Smith desiring me to hold a skein of thread: while she was winding it, she talked to me from time to time, asking whether I had ever been at school before, whether I could mark, stitch, knit, &c.; till she dismissed me, I could not pursue my observations on Miss Scatcherd's movements. When I returned to my seat, that lady was just delivering an order of which I did not catch the import; but Burns immediately left the class, and going into the small inner room where the books were kept, returned in half a minute, carrying in her hand a bundle of twigs tied together at one end. This ominous tool she presented to Miss Scatcherd with a respectful curtesy; then she quietly, and without being told, unloosed her pinafore, and the teacher instantly and sharply inflicted on her neck a dozen strokes with the bunch of twigs. Not a tear rose to Burns' eye; and, while I paused from my sewing, because my fingers quivered at this spectacle with a sentiment of unavailing and impotent anger, not a feature of her pensive face altered its ordinary expression. "Hardened girl!" exclaimed Miss Scatcherd; "nothing can correct you of your slatternly habits: carry the rod away." Burns obeyed: I looked at her narrowly as she emerged from the book-closet; she was just putting back her handkerchief into her pocket, and the trace of a tear glistened on her thin cheek. The play-hour in the evening I thought the pleasantest fraction of the day at Lowood: the bit of bread, the draught of coffee swallowed at five o'clock had revived vitality, if it had not satisfied hunger: the long restraint of the day was slackened; the schoolroom felt warmer than in the morning--its fires being allowed to burn a little more brightly, to supply, in some measure, the place of candles, not yet introduced: the ruddy gloaming, the licensed uproar, the confusion of many voices gave one a welcome sense of liberty. On the evening of the day on which I had seen Miss Scatcherd flog her pupil, Burns, I wandered as usual among the forms and tables and laughing groups without a companion, yet not feeling lonely: when I passed the windows, I now and then lifted a blind, and looked out; it snowed fast, a drift was already forming against the lower panes; putting my ear close to the window, I could distinguish from the gleeful tumult within, the disconsolate moan of the wind outside. Probably, if I had lately left a good home and kind parents, this would have been the hour when I should most keenly have regretted the separation; that wind would then have saddened my heart; this obscure chaos would have disturbed my peace! as it was, I derived from both a strange excitement, and reckless and feverish, I wished the wind to howl more wildly, the gloom to deepen to darkness, and the confusion to rise to clamour. Jumping over forms, and creeping under tables, I made my way to one of the fire-places; there, kneeling by the high wire fender, I found Burns, absorbed, silent, abstracted from all round her by the companionship of a book, which she read by the dim glare of the embers. "Is it still 'Rasselas'?" I asked, coming behind her. "Yes," she said, "and I have just finished it." And in five minutes more she shut it up. I was glad of this. "Now," thought I, "I can perhaps get her to talk." I sat down by her on the floor. "What is your name besides Burns?" "Helen." "Do you come a long way from here?" "I come from a place farther north, quite on the borders of Scotland." "Will you ever go back?" "I hope so; but nobody can be sure of the future." "You must wish to leave Lowood?" "No! why should I? I was sent to Lowood to get an education; and it would be of no use going away until I have attained that object." "But that teacher, Miss Scatcherd, is so cruel to you?" "Cruel? Not at all! She is severe: she dislikes my faults." "And if I were in your place I should dislike her; I should resist her. If she struck me with that rod, I should get it from her hand; I should break it under her nose." "Probably you would do nothing of the sort: but if you did, Mr. Brocklehurst would expel you from the school; that would be a great grief to your relations. It is far better to endure patiently a smart which nobody feels but yourself, than to commit a hasty action whose evil consequences will extend to all connected with you; and besides, the Bible bids us return good for evil." "But then it seems disgraceful to be flogged, and to be sent to stand in the middle of a room full of people; and you are such a great girl: I am far younger than you, and I could not bear it." "Yet it would be your duty to bear it, if you could not avoid it: it is weak and silly to say you _cannot bear_ what it is your fate to be required to bear." I heard her with wonder: I could not comprehend this doctrine of endurance; and still less could I understand or sympathise with the forbearance she expressed for her chastiser. Still I felt that Helen Burns considered things by a light invisible to my eyes. I suspected she might be right and I wrong; but I would not ponder the matter deeply; like Felix, I put it off to a more convenient season. "You say you have faults, Helen: what are they? To me you seem very good." "Then learn from me, not to judge by appearances: I am, as Miss Scatcherd said, slatternly; I seldom put, and never keep, things, in order; I am careless; I forget rules; I read when I should learn my lessons; I have no method; and sometimes I say, like you, I cannot _bear_ to be subjected to systematic arrangements. This is all very provoking to Miss Scatcherd, who is naturally neat, punctual, and particular." "And cross and cruel," I added; but Helen Burns would not admit my addition: she kept silence. "Is Miss Temple as severe to you as Miss Scatcherd?" At the utterance of Miss Temple's name, a soft smile flitted over her grave face. "Miss Temple is full of goodness; it pains her to be severe to any one, even the worst in the school: she sees my errors, and tells me of them gently; and, if I do anything worthy of praise, she gives me my meed liberally. One strong proof of my wretchedly defective nature is, that even her expostulations, so mild, so rational, have not influence to cure me of my faults; and even her praise, though I value it most highly, cannot stimulate me to continued care and foresight." "That is curious," said I, "it is so easy to be careful." "For _you_ I have no doubt it is. I observed you in your class this morning, and saw you were closely attentive: your thoughts never seemed to wander while Miss Miller explained the lesson and questioned you. Now, mine continually rove away; when I should be listening to Miss Scatcherd, and collecting all she says with assiduity, often I lose the very sound of her voice; I fall into a sort of dream. Sometimes I think I am in Northumberland, and that the noises I hear round me are the bubbling of a little brook which runs through Deepden, near our house;--then, when it comes to my turn to reply, I have to be awakened; and having heard nothing of what was read for listening to the visionary brook, I have no answer ready." "Yet how well you replied this afternoon." "It was mere chance; the subject on which we had been reading had interested me. This afternoon, instead of dreaming of Deepden, I was wondering how a man who wished to do right could act so unjustly and unwisely as Charles the First sometimes did; and I thought what a pity it was that, with his integrity and conscientiousness, he could see no farther than the prerogatives of the crown. If he had but been able to look to a distance, and see how what they call the spirit of the age was tending! Still, I like Charles--I respect him--I pity him, poor murdered king! Yes, his enemies were the worst: they shed blood they had no right to shed. How dared they kill him!" Helen was talking to herself now: she had forgotten I could not very well understand her--that I was ignorant, or nearly so, of the subject she discussed. I recalled her to my level. "And when Miss Temple teaches you, do your thoughts wander then?" "No, certainly, not often; because Miss Temple has generally something to say which is newer than my own reflections; her language is singularly agreeable to me, and the information she communicates is often just what I wished to gain." "Well, then, with Miss Temple you are good?" "Yes, in a passive way: I make no effort; I follow as inclination guides me. There is no merit in such goodness." "A great deal: you are good to those who are good to you. It is all I ever desire to be. If people were always kind and obedient to those who are cruel and unjust, the wicked people would have it all their own way: they would never feel afraid, and so they would never alter, but would grow worse and worse. When we are struck at without a reason, we should strike back again very hard; I am sure we should--so hard as to teach the person who struck us never to do it again." "You will change your mind, I hope, when you grow older: as yet you are but a little untaught girl." "But I feel this, Helen; I must dislike those who, whatever I do to please them, persist in disliking me; I must resist those who punish me unjustly. It is as natural as that I should love those who show me affection, or submit to punishment when I feel it is deserved." "Heathens and savage tribes hold that doctrine, but Christians and civilised nations disown it." "How? I don't understand." "It is not violence that best overcomes hate--nor vengeance that most certainly heals injury." "What then?" "Read the New Testament, and observe what Christ says, and how He acts; make His word your rule, and His conduct your example." "What does He say?" "Love your enemies; bless them that curse you; do good to them that hate you and despitefully use you." "Then I should love Mrs. Reed, which I cannot do; I should bless her son John, which is impossible." In her turn, Helen Burns asked me to explain, and I proceeded forthwith to pour out, in my own way, the tale of my sufferings and resentments. Bitter and truculent when excited, I spoke as I felt, without reserve or softening. Helen heard me patiently to the end: I expected she would then make a remark, but she said nothing. "Well," I asked impatiently, "is not Mrs. Reed a hard-hearted, bad woman?" "She has been unkind to you, no doubt; because you see, she dislikes your cast of character, as Miss Scatcherd does mine; but how minutely you remember all she has done and said to you! What a singularly deep impression her injustice seems to have made on your heart! No ill-usage so brands its record on my feelings. Would you not be happier if you tried to forget her severity, together with the passionate emotions it excited? Life appears to me too short to be spent in nursing animosity or registering wrongs. We are, and must be, one and all, burdened with faults in this world: but the time will soon come when, I trust, we shall put them off in putting off our corruptible bodies; when debasement and sin will fall from us with this cumbrous frame of flesh, and only the spark of the spirit will remain,--the impalpable principle of light and thought, pure as when it left the Creator to inspire the creature: whence it came it will return; perhaps again to be communicated to some being higher than man--perhaps to pass through gradations of glory, from the pale human soul to brighten to the seraph! Surely it will never, on the contrary, be suffered to degenerate from man to fiend? No; I cannot believe that: I hold another creed: which no one ever taught me, and which I seldom mention; but in which I delight, and to which I cling: for it extends hope to all: it makes Eternity a rest--a mighty home, not a terror and an abyss. Besides, with this creed, I can so clearly distinguish between the criminal and his crime; I can so sincerely forgive the first while I abhor the last: with this creed revenge never worries my heart, degradation never too deeply disgusts me, injustice never crushes me too low: I live in calm, looking to the end." Helen's head, always drooping, sank a little lower as she finished this sentence. I saw by her look she wished no longer to talk to me, but rather to converse with her own thoughts. She was not allowed much time for meditation: a monitor, a great rough girl, presently came up, exclaiming in a strong Cumberland accent-- "Helen Burns, if you don't go and put your drawer in order, and fold up your work this minute, I'll tell Miss Scatcherd to come and look at it!" Helen sighed as her reverie fled, and getting up, obeyed the monitor without reply as without delay.

volume 1, Chapter 6

https://web.archive.org/web/20210421052406/https://www.gradesaver.com/jane-eyre/study-guide/summary-volume-i-chapters-6-10

On her second day, Jane learns that life at Lowood School is difficult. The meals are hardly large enough to quell Jane's hunger pangs, and the students are forced to sit through unending sermons. Jane becomes more friendly with Helen and observes as Miss Scatcherd continually berates and even whips Helen, who never makes any response. Helen tells Jane about her personal doctrine of endurance, since the Bible "'bids us return good for evil. She also refuses to call Miss Scatcherd cruel; she believes that she has numerous character flaws that Miss Scatcherd is correct to point out. Although Helen is very fond of Miss Temple and finds that she learns more from her, Helen tells Jane that Miss Temple's mild-mannered teaching style does not force her to be actively good; rather, Helen is only passively good, and she believes "'there is no merit in such goodness. Jane disagrees with Helen's philosophy; she believes that one should repay goodness with goodness and cruelty with cruelty. She tells Helen about the Reed family, but Helen insists in a long speech that one must forgive one's enemies.

Helen presents her Christian philosophy of forgiveness and endurance: one must bear the sins of others, turn the other cheek, and love thy enemy. Jane, of course, is at odds with this idea, believing that standing up for herself often means fighting back. We have already witnessed several situations in which Jane availed herself of these tactics, particularly the fight against John and her lashing out at Mrs. Reed. The former led to her imprisonment in the red-room, while the latter was a short-lived victory that soon turned into remorse. While Helen's form of Christianity is not useful for Jane, neither is Jane's attitude of self-defense; she must find and develop her own brand of spirituality

gradesaver

all_chapterized_books/1260-chapters/08.txt

finished_summaries/gradesaver/Jane Eyre/section_1_part_2.txt

Jane Eyre.volume 1.chapter 7

volume 1, chapter 7

{"name": "volume 1, Chapter 7", "url": "https://web.archive.org/web/20210421052406/https://www.gradesaver.com/jane-eyre/study-guide/summary-volume-i-chapters-6-10", "summary": "Jane passes a difficult first quarter at Lowood, with both the snowy weather and strict environment contributing to her misery. After a long absence from the school, Mr. Brocklehurst visits Miss Temple's classroom and instructs her not to indulge the girls in the slightest way; their privations will remind them of the Christian ethic. He spots a girl with curly hair and deems it unacceptable for an evangelical environment, as are all the top-knots on the girls' heads. Jane, nervous that Mr. Brocklehurst will convey Mrs. Reed's warnings about her behavior to Miss Temple, accidentally drops her slate. Mr. Brocklehurst chastises her in front of the class and three visiting fashionable ladies and tells everyone that she is a wicked liar. He orders Jane to stand on a stool in front of the class to repent for her wickedness and forbids any of the other students from talking to her. Jane's only solace during the day is when Helen disobeys Mr. Brocklehurst's orders and secretly smiles at her.", "analysis": "Jane attempts to test Helen's philosophy of Christian forgiveness when Mr. Brocklehurst punishes her. For the first time in her life, she does not fight back when she is mistreatment and accepts her humiliating punishment of standing on the stool. Yet, Jane inwardly seethes at the injustice and thinks, \"I was no Helen Burns. Still, Helen's encouraging smile gives Jane strength, and she feels less isolated even in her despair. At this point in the text, Bronte points out that Mr. Brocklehurst's version of Christianity is made up of increasingly hypocritical flaws. Though he claims that privation leads to purity, his relatives are dressed in luxurious silks and furs, elegant ensembles that are in clear contrast to the tattered pinafores worn by the students at the school. Mr. Brocklehurst even wants to cut off one girl's naturally curly hair, simply because the curls seem to be an exhibition of vanity. His lust for absolute power over others reveals his truly unchristian nature and also speaks to the male dominated society of the time that provides him with a superior position to the benevolent Miss Temple"}

My first quarter at Lowood seemed an age; and not the golden age either; it comprised an irksome struggle with difficulties in habituating myself to new rules and unwonted tasks. The fear of failure in these points harassed me worse than the physical hardships of my lot; though these were no trifles. During January, February, and part of March, the deep snows, and, after their melting, the almost impassable roads, prevented our stirring beyond the garden walls, except to go to church; but within these limits we had to pass an hour every day in the open air. Our clothing was insufficient to protect us from the severe cold: we had no boots, the snow got into our shoes and melted there: our ungloved hands became numbed and covered with chilblains, as were our feet: I remember well the distracting irritation I endured from this cause every evening, when my feet inflamed; and the torture of thrusting the swelled, raw, and stiff toes into my shoes in the morning. Then the scanty supply of food was distressing: with the keen appetites of growing children, we had scarcely sufficient to keep alive a delicate invalid. From this deficiency of nourishment resulted an abuse, which pressed hardly on the younger pupils: whenever the famished great girls had an opportunity, they would coax or menace the little ones out of their portion. Many a time I have shared between two claimants the precious morsel of brown bread distributed at tea-time; and after relinquishing to a third half the contents of my mug of coffee, I have swallowed the remainder with an accompaniment of secret tears, forced from me by the exigency of hunger. Sundays were dreary days in that wintry season. We had to walk two miles to Brocklebridge Church, where our patron officiated. We set out cold, we arrived at church colder: during the morning service we became almost paralysed. It was too far to return to dinner, and an allowance of cold meat and bread, in the same penurious proportion observed in our ordinary meals, was served round between the services. At the close of the afternoon service we returned by an exposed and hilly road, where the bitter winter wind, blowing over a range of snowy summits to the north, almost flayed the skin from our faces. I can remember Miss Temple walking lightly and rapidly along our drooping line, her plaid cloak, which the frosty wind fluttered, gathered close about her, and encouraging us, by precept and example, to keep up our spirits, and march forward, as she said, "like stalwart soldiers." The other teachers, poor things, were generally themselves too much dejected to attempt the task of cheering others. How we longed for the light and heat of a blazing fire when we got back! But, to the little ones at least, this was denied: each hearth in the schoolroom was immediately surrounded by a double row of great girls, and behind them the younger children crouched in groups, wrapping their starved arms in their pinafores. A little solace came at tea-time, in the shape of a double ration of bread--a whole, instead of a half, slice--with the delicious addition of a thin scrape of butter: it was the hebdomadal treat to which we all looked forward from Sabbath to Sabbath. I generally contrived to reserve a moiety of this bounteous repast for myself; but the remainder I was invariably obliged to part with. The Sunday evening was spent in repeating, by heart, the Church Catechism, and the fifth, sixth, and seventh chapters of St. Matthew; and in listening to a long sermon, read by Miss Miller, whose irrepressible yawns attested her weariness. A frequent interlude of these performances was the enactment of the part of Eutychus by some half-dozen of little girls, who, overpowered with sleep, would fall down, if not out of the third loft, yet off the fourth form, and be taken up half dead. The remedy was, to thrust them forward into the centre of the schoolroom, and oblige them to stand there till the sermon was finished. Sometimes their feet failed them, and they sank together in a heap; they were then propped up with the monitors' high stools. I have not yet alluded to the visits of Mr. Brocklehurst; and indeed that gentleman was from home during the greater part of the first month after my arrival; perhaps prolonging his stay with his friend the archdeacon: his absence was a relief to me. I need not say that I had my own reasons for dreading his coming: but come he did at last. One afternoon (I had then been three weeks at Lowood), as I was sitting with a slate in my hand, puzzling over a sum in long division, my eyes, raised in abstraction to the window, caught sight of a figure just passing: I recognised almost instinctively that gaunt outline; and when, two minutes after, all the school, teachers included, rose _en masse_, it was not necessary for me to look up in order to ascertain whose entrance they thus greeted. A long stride measured the schoolroom, and presently beside Miss Temple, who herself had risen, stood the same black column which had frowned on me so ominously from the hearthrug of Gateshead. I now glanced sideways at this piece of architecture. Yes, I was right: it was Mr. Brocklehurst, buttoned up in a surtout, and looking longer, narrower, and more rigid than ever. I had my own reasons for being dismayed at this apparition; too well I remembered the perfidious hints given by Mrs. Reed about my disposition, &c.; the promise pledged by Mr. Brocklehurst to apprise Miss Temple and the teachers of my vicious nature. All along I had been dreading the fulfilment of this promise,--I had been looking out daily for the "Coming Man," whose information respecting my past life and conversation was to brand me as a bad child for ever: now there he was. He stood at Miss Temple's side; he was speaking low in her ear: I did not doubt he was making disclosures of my villainy; and I watched her eye with painful anxiety, expecting every moment to see its dark orb turn on me a glance of repugnance and contempt. I listened too; and as I happened to be seated quite at the top of the room, I caught most of what he said: its import relieved me from immediate apprehension. "I suppose, Miss Temple, the thread I bought at Lowton will do; it struck me that it would be just of the quality for the calico chemises, and I sorted the needles to match. You may tell Miss Smith that I forgot to make a memorandum of the darning needles, but she shall have some papers sent in next week; and she is not, on any account, to give out more than one at a time to each pupil: if they have more, they are apt to be careless and lose them. And, O ma'am! I wish the woollen stockings were better looked to!--when I was here last, I went into the kitchen-garden and examined the clothes drying on the line; there was a quantity of black hose in a very bad state of repair: from the size of the holes in them I was sure they had not been well mended from time to time." He paused. "Your directions shall be attended to, sir," said Miss Temple. "And, ma'am," he continued, "the laundress tells me some of the girls have two clean tuckers in the week: it is too much; the rules limit them to one." "I think I can explain that circumstance, sir. Agnes and Catherine Johnstone were invited to take tea with some friends at Lowton last Thursday, and I gave them leave to put on clean tuckers for the occasion." Mr. Brocklehurst nodded. "Well, for once it may pass; but please not to let the circumstance occur too often. And there is another thing which surprised me; I find, in settling accounts with the housekeeper, that a lunch, consisting of bread and cheese, has twice been served out to the girls during the past fortnight. How is this? I looked over the regulations, and I find no such meal as lunch mentioned. Who introduced this innovation? and by what authority?" "I must be responsible for the circumstance, sir," replied Miss Temple: "the breakfast was so ill prepared that the pupils could not possibly eat it; and I dared not allow them to remain fasting till dinner-time." "Madam, allow me an instant. You are aware that my plan in bringing up these girls is, not to accustom them to habits of luxury and indulgence, but to render them hardy, patient, self-denying. Should any little accidental disappointment of the appetite occur, such as the spoiling of a meal, the under or the over dressing of a dish, the incident ought not to be neutralised by replacing with something more delicate the comfort lost, thus pampering the body and obviating the aim of this institution; it ought to be improved to the spiritual edification of the pupils, by encouraging them to evince fortitude under temporary privation. A brief address on those occasions would not be mistimed, wherein a judicious instructor would take the opportunity of referring to the sufferings of the primitive Christians; to the torments of martyrs; to the exhortations of our blessed Lord Himself, calling upon His disciples to take up their cross and follow Him; to His warnings that man shall not live by bread alone, but by every word that proceedeth out of the mouth of God; to His divine consolations, "If ye suffer hunger or thirst for My sake, happy are ye." Oh, madam, when you put bread and cheese, instead of burnt porridge, into these children's mouths, you may indeed feed their vile bodies, but you little think how you starve their immortal souls!" Mr. Brocklehurst again paused--perhaps overcome by his feelings. Miss Temple had looked down when he first began to speak to her; but she now gazed straight before her, and her face, naturally pale as marble, appeared to be assuming also the coldness and fixity of that material; especially her mouth, closed as if it would have required a sculptor's chisel to open it, and her brow settled gradually into petrified severity. Meantime, Mr. Brocklehurst, standing on the hearth with his hands behind his back, majestically surveyed the whole school. Suddenly his eye gave a blink, as if it had met something that either dazzled or shocked its pupil; turning, he said in more rapid accents than he had hitherto used-- "Miss Temple, Miss Temple, what--_what_ is that girl with curled hair? Red hair, ma'am, curled--curled all over?" And extending his cane he pointed to the awful object, his hand shaking as he did so. "It is Julia Severn," replied Miss Temple, very quietly. "Julia Severn, ma'am! And why has she, or any other, curled hair? Why, in defiance of every precept and principle of this house, does she conform to the world so openly--here in an evangelical, charitable establishment--as to wear her hair one mass of curls?" "Julia's hair curls naturally," returned Miss Temple, still more quietly. "Naturally! Yes, but we are not to conform to nature; I wish these girls to be the children of Grace: and why that abundance? I have again and again intimated that I desire the hair to be arranged closely, modestly, plainly. Miss Temple, that girl's hair must be cut off entirely; I will send a barber to-morrow: and I see others who have far too much of the excrescence--that tall girl, tell her to turn round. Tell all the first form to rise up and direct their faces to the wall." Miss Temple passed her handkerchief over her lips, as if to smooth away the involuntary smile that curled them; she gave the order, however, and when the first class could take in what was required of them, they obeyed. Leaning a little back on my bench, I could see the looks and grimaces with which they commented on this manoeuvre: it was a pity Mr. Brocklehurst could not see them too; he would perhaps have felt that, whatever he might do with the outside of the cup and platter, the inside was further beyond his interference than he imagined. He scrutinised the reverse of these living medals some five minutes, then pronounced sentence. These words fell like the knell of doom-- "All those top-knots must be cut off." Miss Temple seemed to remonstrate. "Madam," he pursued, "I have a Master to serve whose kingdom is not of this world: my mission is to mortify in these girls the lusts of the flesh; to teach them to clothe themselves with shame-facedness and sobriety, not with braided hair and costly apparel; and each of the young persons before us has a string of hair twisted in plaits which vanity itself might have woven; these, I repeat, must be cut off; think of the time wasted, of--" Mr. Brocklehurst was here interrupted: three other visitors, ladies, now entered the room. They ought to have come a little sooner to have heard his lecture on dress, for they were splendidly attired in velvet, silk, and furs. The two younger of the trio (fine girls of sixteen and seventeen) had grey beaver hats, then in fashion, shaded with ostrich plumes, and from under the brim of this graceful head-dress fell a profusion of light tresses, elaborately curled; the elder lady was enveloped in a costly velvet shawl, trimmed with ermine, and she wore a false front of French curls. These ladies were deferentially received by Miss Temple, as Mrs. and the Misses Brocklehurst, and conducted to seats of honour at the top of the room. It seems they had come in the carriage with their reverend relative, and had been conducting a rummaging scrutiny of the room upstairs, while he transacted business with the housekeeper, questioned the laundress, and lectured the superintendent. They now proceeded to address divers remarks and reproofs to Miss Smith, who was charged with the care of the linen and the inspection of the dormitories: but I had no time to listen to what they said; other matters called off and enchanted my attention. Hitherto, while gathering up the discourse of Mr. Brocklehurst and Miss Temple, I had not, at the same time, neglected precautions to secure my personal safety; which I thought would be effected, if I could only elude observation. To this end, I had sat well back on the form, and while seeming to be busy with my sum, had held my slate in such a manner as to conceal my face: I might have escaped notice, had not my treacherous slate somehow happened to slip from my hand, and falling with an obtrusive crash, directly drawn every eye upon me; I knew it was all over now, and, as I stooped to pick up the two fragments of slate, I rallied my forces for the worst. It came. "A careless girl!" said Mr. Brocklehurst, and immediately after--"It is the new pupil, I perceive." And before I could draw breath, "I must not forget I have a word to say respecting her." Then aloud: how loud it seemed to me! "Let the child who broke her slate come forward!" Of my own accord I could not have stirred; I was paralysed: but the two great girls who sit on each side of me, set me on my legs and pushed me towards the dread judge, and then Miss Temple gently assisted me to his very feet, and I caught her whispered counsel-- "Don't be afraid, Jane, I saw it was an accident; you shall not be punished." The kind whisper went to my heart like a dagger. "Another minute, and she will despise me for a hypocrite," thought I; and an impulse of fury against Reed, Brocklehurst, and Co. bounded in my pulses at the conviction. I was no Helen Burns. "Fetch that stool," said Mr. Brocklehurst, pointing to a very high one from which a monitor had just risen: it was brought. "Place the child upon it." And I was placed there, by whom I don't know: I was in no condition to note particulars; I was only aware that they had hoisted me up to the height of Mr. Brocklehurst's nose, that he was within a yard of me, and that a spread of shot orange and purple silk pelisses and a cloud of silvery plumage extended and waved below me. Mr. Brocklehurst hemmed. "Ladies," said he, turning to his family, "Miss Temple, teachers, and children, you all see this girl?" Of course they did; for I felt their eyes directed like burning-glasses against my scorched skin. "You see she is yet young; you observe she possesses the ordinary form of childhood; God has graciously given her the shape that He has given to all of us; no signal deformity points her out as a marked character. Who would think that the Evil One had already found a servant and agent in her? Yet such, I grieve to say, is the case." A pause--in which I began to steady the palsy of my nerves, and to feel that the Rubicon was passed; and that the trial, no longer to be shirked, must be firmly sustained. "My dear children," pursued the black marble clergyman, with pathos, "this is a sad, a melancholy occasion; for it becomes my duty to warn you, that this girl, who might be one of God's own lambs, is a little castaway: not a member of the true flock, but evidently an interloper and an alien. You must be on your guard against her; you must shun her example; if necessary, avoid her company, exclude her from your sports, and shut her out from your converse. Teachers, you must watch her: keep your eyes on her movements, weigh well her words, scrutinise her actions, punish her body to save her soul: if, indeed, such salvation be possible, for (my tongue falters while I tell it) this girl, this child, the native of a Christian land, worse than many a little heathen who says its prayers to Brahma and kneels before Juggernaut--this girl is--a liar!" Now came a pause of ten minutes, during which I, by this time in perfect possession of my wits, observed all the female Brocklehursts produce their pocket-handkerchiefs and apply them to their optics, while the elderly lady swayed herself to and fro, and the two younger ones whispered, "How shocking!" Mr. Brocklehurst resumed. "This I learned from her benefactress; from the pious and charitable lady who adopted her in her orphan state, reared her as her own daughter, and whose kindness, whose generosity the unhappy girl repaid by an ingratitude so bad, so dreadful, that at last her excellent patroness was obliged to separate her from her own young ones, fearful lest her vicious example should contaminate their purity: she has sent her here to be healed, even as the Jews of old sent their diseased to the troubled pool of Bethesda; and, teachers, superintendent, I beg of you not to allow the waters to stagnate round her." With this sublime conclusion, Mr. Brocklehurst adjusted the top button of his surtout, muttered something to his family, who rose, bowed to Miss Temple, and then all the great people sailed in state from the room. Turning at the door, my judge said-- "Let her stand half-an-hour longer on that stool, and let no one speak to her during the remainder of the day." There was I, then, mounted aloft; I, who had said I could not bear the shame of standing on my natural feet in the middle of the room, was now exposed to general view on a pedestal of infamy. What my sensations were no language can describe; but just as they all rose, stifling my breath and constricting my throat, a girl came up and passed me: in passing, she lifted her eyes. What a strange light inspired them! What an extraordinary sensation that ray sent through me! How the new feeling bore me up! It was as if a martyr, a hero, had passed a slave or victim, and imparted strength in the transit. I mastered the rising hysteria, lifted up my head, and took a firm stand on the stool. Helen Burns asked some slight question about her work of Miss Smith, was chidden for the triviality of the inquiry, returned to her place, and smiled at me as she again went by. What a smile! I remember it now, and I know that it was the effluence of fine intellect, of true courage; it lit up her marked lineaments, her thin face, her sunken grey eye, like a reflection from the aspect of an angel. Yet at that moment Helen Burns wore on her arm "the untidy badge;" scarcely an hour ago I had heard her condemned by Miss Scatcherd to a dinner of bread and water on the morrow because she had blotted an exercise in copying it out. Such is the imperfect nature of man! such spots are there on the disc of the clearest planet; and eyes like Miss Scatcherd's can only see those minute defects, and are blind to the full brightness of the orb.

volume 1, Chapter 7

https://web.archive.org/web/20210421052406/https://www.gradesaver.com/jane-eyre/study-guide/summary-volume-i-chapters-6-10

Jane passes a difficult first quarter at Lowood, with both the snowy weather and strict environment contributing to her misery. After a long absence from the school, Mr. Brocklehurst visits Miss Temple's classroom and instructs her not to indulge the girls in the slightest way; their privations will remind them of the Christian ethic. He spots a girl with curly hair and deems it unacceptable for an evangelical environment, as are all the top-knots on the girls' heads. Jane, nervous that Mr. Brocklehurst will convey Mrs. Reed's warnings about her behavior to Miss Temple, accidentally drops her slate. Mr. Brocklehurst chastises her in front of the class and three visiting fashionable ladies and tells everyone that she is a wicked liar. He orders Jane to stand on a stool in front of the class to repent for her wickedness and forbids any of the other students from talking to her. Jane's only solace during the day is when Helen disobeys Mr. Brocklehurst's orders and secretly smiles at her.

Jane attempts to test Helen's philosophy of Christian forgiveness when Mr. Brocklehurst punishes her. For the first time in her life, she does not fight back when she is mistreatment and accepts her humiliating punishment of standing on the stool. Yet, Jane inwardly seethes at the injustice and thinks, "I was no Helen Burns. Still, Helen's encouraging smile gives Jane strength, and she feels less isolated even in her despair. At this point in the text, Bronte points out that Mr. Brocklehurst's version of Christianity is made up of increasingly hypocritical flaws. Though he claims that privation leads to purity, his relatives are dressed in luxurious silks and furs, elegant ensembles that are in clear contrast to the tattered pinafores worn by the students at the school. Mr. Brocklehurst even wants to cut off one girl's naturally curly hair, simply because the curls seem to be an exhibition of vanity. His lust for absolute power over others reveals his truly unchristian nature and also speaks to the male dominated society of the time that provides him with a superior position to the benevolent Miss Temple

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finished_summaries/gradesaver/Jane Eyre/section_1_part_3.txt

Jane Eyre.volume 1.chapter 8

volume 1, chapter 8

{"name": "volume 1, Chapter 8", "url": "https://web.archive.org/web/20210421052406/https://www.gradesaver.com/jane-eyre/study-guide/summary-volume-i-chapters-6-10", "summary": "When school is dismissed, Jane falls to the floor, filled with self-pity and shame that all of the students despise her because of Mr. Brocklehurst's false accusations. Helen assures her that everyone actually sympathize with her maltreatment. Jane tells Helen of her aching need to have love from others to survive, but Helen tells her that she puts too much stock in love from others; the rewards of spirituality and the glorious afterlife should be our ballast. Miss Temple finds them and takes Helen and Jane to her room, where she asks Jane to tell her version of the story concerning Mrs. Reed. Jane does, strongly insisting upon her innocence, and also mentions Mr. Lloyd's visit to her during her illness. Miss Temple believes her and promises to write Mr. Lloyd for corroboration; when he does, Jane's name will be cleared. She treats the girls to tea and cake and discusses intellectual matters with Helen. The bedtime bell breaks the heavenly atmosphere, and Miss Scatcherd reprimands Helen for messiness as soon as the girls enter their bedroom. The next day Helen must wear the word \"Slattern\" on a paper crown around her forehead; at the end of the day, Jane tears it off for her and burns it. A week later Miss Temple announces to the school that Jane's name has been cleared of all of Mr. Brocklehurst's charges, and she is officially reaccepted into the community. Jane is relieved to be cleared of blame and works harder in class, particularly in French and drawing. Despite its failings, Lowood is beginning to grow on her.", "analysis": "In this chapter, Jane reveals her constant need for love and affirmation from others. No doubt a result of her lonely and loveless time at Gateshead, Jane believes that love is the only thing that can make her happy. Helen counters by describing her belief that spirituality is enough; love in the earthly realm is nothing when compared to the spiritual love of God. While it is clear that Jane will never accept these notions completely, Helen is correct in noting that Jane needs to be less reliant on others. In order to gain independence and strength of character, Jane must learn to be dependent on herself and rely less on the love of those around her. As we have seen before, Bronte uses ice as a motif for cruel, negative destruction, and fire fans out as a symbol of goodness and creation. The fire in Miss Temple's room warms the girls, as does Miss Temple's kindness, conversation, and cake. More interestingly, Jane burns Helen's shameful \"Slattern\" crown in fire; even when destructive, fire can serve a sort of positive destruction that obliterates evil in the world. This idea of destructive fire as a positive source will reappear in the actions of Bertha Mason later in the text"}

Ere the half-hour ended, five o'clock struck; school was dismissed, and all were gone into the refectory to tea. I now ventured to descend: it was deep dusk; I retired into a corner and sat down on the floor. The spell by which I had been so far supported began to dissolve; reaction took place, and soon, so overwhelming was the grief that seized me, I sank prostrate with my face to the ground. Now I wept: Helen Burns was not here; nothing sustained me; left to myself I abandoned myself, and my tears watered the boards. I had meant to be so good, and to do so much at Lowood: to make so many friends, to earn respect and win affection. Already I had made visible progress: that very morning I had reached the head of my class; Miss Miller had praised me warmly; Miss Temple had smiled approbation; she had promised to teach me drawing, and to let me learn French, if I continued to make similar improvement two months longer: and then I was well received by my fellow-pupils; treated as an equal by those of my own age, and not molested by any; now, here I lay again crushed and trodden on; and could I ever rise more? "Never," I thought; and ardently I wished to die. While sobbing out this wish in broken accents, some one approached: I started up--again Helen Burns was near me; the fading fires just showed her coming up the long, vacant room; she brought my coffee and bread. "Come, eat something," she said; but I put both away from me, feeling as if a drop or a crumb would have choked me in my present condition. Helen regarded me, probably with surprise: I could not now abate my agitation, though I tried hard; I continued to weep aloud. She sat down on the ground near me, embraced her knees with her arms, and rested her head upon them; in that attitude she remained silent as an Indian. I was the first who spoke-- "Helen, why do you stay with a girl whom everybody believes to be a liar?" "Everybody, Jane? Why, there are only eighty people who have heard you called so, and the world contains hundreds of millions." "But what have I to do with millions? The eighty, I know, despise me." "Jane, you are mistaken: probably not one in the school either despises or dislikes you: many, I am sure, pity you much." "How can they pity me after what Mr. Brocklehurst has said?" "Mr. Brocklehurst is not a god: nor is he even a great and admired man: he is little liked here; he never took steps to make himself liked. Had he treated you as an especial favourite, you would have found enemies, declared or covert, all around you; as it is, the greater number would offer you sympathy if they dared. Teachers and pupils may look coldly on you for a day or two, but friendly feelings are concealed in their hearts; and if you persevere in doing well, these feelings will ere long appear so much the more evidently for their temporary suppression. Besides, Jane"--she paused. "Well, Helen?" said I, putting my hand into hers: she chafed my fingers gently to warm them, and went on-- "If all the world hated you, and believed you wicked, while your own conscience approved you, and absolved you from guilt, you would not be without friends." "No; I know I should think well of myself; but that is not enough: if others don't love me I would rather die than live--I cannot bear to be solitary and hated, Helen. Look here; to gain some real affection from you, or Miss Temple, or any other whom I truly love, I would willingly submit to have the bone of my arm broken, or to let a bull toss me, or to stand behind a kicking horse, and let it dash its hoof at my chest--" "Hush, Jane! you think too much of the love of human beings; you are too impulsive, too vehement; the sovereign hand that created your frame, and put life into it, has provided you with other resources than your feeble self, or than creatures feeble as you. Besides this earth, and besides the race of men, there is an invisible world and a kingdom of spirits: that world is round us, for it is everywhere; and those spirits watch us, for they are commissioned to guard us; and if we were dying in pain and shame, if scorn smote us on all sides, and hatred crushed us, angels see our tortures, recognise our innocence (if innocent we be: as I know you are of this charge which Mr. Brocklehurst has weakly and pompously repeated at second-hand from Mrs. Reed; for I read a sincere nature in your ardent eyes and on your clear front), and God waits only the separation of spirit from flesh to crown us with a full reward. Why, then, should we ever sink overwhelmed with distress, when life is so soon over, and death is so certain an entrance to happiness--to glory?" I was silent; Helen had calmed me; but in the tranquillity she imparted there was an alloy of inexpressible sadness. I felt the impression of woe as she spoke, but I could not tell whence it came; and when, having done speaking, she breathed a little fast and coughed a short cough, I momentarily forgot my own sorrows to yield to a vague concern for her. Resting my head on Helen's shoulder, I put my arms round her waist; she drew me to her, and we reposed in silence. We had not sat long thus, when another person came in. Some heavy clouds, swept from the sky by a rising wind, had left the moon bare; and her light, streaming in through a window near, shone full both on us and on the approaching figure, which we at once recognised as Miss Temple. "I came on purpose to find you, Jane Eyre," said she; "I want you in my room; and as Helen Burns is with you, she may come too." We went; following the superintendent's guidance, we had to thread some intricate passages, and mount a staircase before we reached her apartment; it contained a good fire, and looked cheerful. Miss Temple told Helen Burns to be seated in a low arm-chair on one side of the hearth, and herself taking another, she called me to her side. "Is it all over?" she asked, looking down at my face. "Have you cried your grief away?" "I am afraid I never shall do that." "Why?" "Because I have been wrongly accused; and you, ma'am, and everybody else, will now think me wicked." "We shall think you what you prove yourself to be, my child. Continue to act as a good girl, and you will satisfy us." "Shall I, Miss Temple?" "You will," said she, passing her arm round me. "And now tell me who is the lady whom Mr. Brocklehurst called your benefactress?" "Mrs. Reed, my uncle's wife. My uncle is dead, and he left me to her care." "Did she not, then, adopt you of her own accord?" "No, ma'am; she was sorry to have to do it: but my uncle, as I have often heard the servants say, got her to promise before he died that she would always keep me." "Well now, Jane, you know, or at least I will tell you, that when a criminal is accused, he is always allowed to speak in his own defence. You have been charged with falsehood; defend yourself to me as well as you can. Say whatever your memory suggests is true; but add nothing and exaggerate nothing." I resolved, in the depth of my heart, that I would be most moderate--most correct; and, having reflected a few minutes in order to arrange coherently what I had to say, I told her all the story of my sad childhood. Exhausted by emotion, my language was more subdued than it generally was when it developed that sad theme; and mindful of Helen's warnings against the indulgence of resentment, I infused into the narrative far less of gall and wormwood than ordinary. Thus restrained and simplified, it sounded more credible: I felt as I went on that Miss Temple fully believed me. In the course of the tale I had mentioned Mr. Lloyd as having come to see me after the fit: for I never forgot the, to me, frightful episode of the red-room: in detailing which, my excitement was sure, in some degree, to break bounds; for nothing could soften in my recollection the spasm of agony which clutched my heart when Mrs. Reed spurned my wild supplication for pardon, and locked me a second time in the dark and haunted chamber. I had finished: Miss Temple regarded me a few minutes in silence; she then said-- "I know something of Mr. Lloyd; I shall write to him; if his reply agrees with your statement, you shall be publicly cleared from every imputation; to me, Jane, you are clear now." She kissed me, and still keeping me at her side (where I was well contented to stand, for I derived a child's pleasure from the contemplation of her face, her dress, her one or two ornaments, her white forehead, her clustered and shining curls, and beaming dark eyes), she proceeded to address Helen Burns. "How are you to-night, Helen? Have you coughed much to-day?" "Not quite so much, I think, ma'am." "And the pain in your chest?" "It is a little better." Miss Temple got up, took her hand and examined her pulse; then she returned to her own seat: as she resumed it, I heard her sigh low. She was pensive a few minutes, then rousing herself, she said cheerfully-- "But you two are my visitors to-night; I must treat you as such." She rang her bell. "Barbara," she said to the servant who answered it, "I have not yet had tea; bring the tray and place cups for these two young ladies." And a tray was soon brought. How pretty, to my eyes, did the china cups and bright teapot look, placed on the little round table near the fire! How fragrant was the steam of the beverage, and the scent of the toast! of which, however, I, to my dismay (for I was beginning to be hungry) discerned only a very small portion: Miss Temple discerned it too. "Barbara," said she, "can you not bring a little more bread and butter? There is not enough for three." Barbara went out: she returned soon-- "Madam, Mrs. Harden says she has sent up the usual quantity." Mrs. Harden, be it observed, was the housekeeper: a woman after Mr. Brocklehurst's own heart, made up of equal parts of whalebone and iron. "Oh, very well!" returned Miss Temple; "we must make it do, Barbara, I suppose." And as the girl withdrew she added, smiling, "Fortunately, I have it in my power to supply deficiencies for this once." Having invited Helen and me to approach the table, and placed before each of us a cup of tea with one delicious but thin morsel of toast, she got up, unlocked a drawer, and taking from it a parcel wrapped in paper, disclosed presently to our eyes a good-sized seed-cake. "I meant to give each of you some of this to take with you," said she, "but as there is so little toast, you must have it now," and she proceeded to cut slices with a generous hand. We feasted that evening as on nectar and ambrosia; and not the least delight of the entertainment was the smile of gratification with which our hostess regarded us, as we satisfied our famished appetites on the delicate fare she liberally supplied. Tea over and the tray removed, she again summoned us to the fire; we sat one on each side of her, and now a conversation followed between her and Helen, which it was indeed a privilege to be admitted to hear. Miss Temple had always something of serenity in her air, of state in her mien, of refined propriety in her language, which precluded deviation into the ardent, the excited, the eager: something which chastened the pleasure of those who looked on her and listened to her, by a controlling sense of awe; and such was my feeling now: but as to Helen Burns, I was struck with wonder. The refreshing meal, the brilliant fire, the presence and kindness of her beloved instructress, or, perhaps, more than all these, something in her own unique mind, had roused her powers within her. They woke, they kindled: first, they glowed in the bright tint of her cheek, which till this hour I had never seen but pale and bloodless; then they shone in the liquid lustre of her eyes, which had suddenly acquired a beauty more singular than that of Miss Temple's--a beauty neither of fine colour nor long eyelash, nor pencilled brow, but of meaning, of movement, of radiance. Then her soul sat on her lips, and language flowed, from what source I cannot tell. Has a girl of fourteen a heart large enough, vigorous enough, to hold the swelling spring of pure, full, fervid eloquence? Such was the characteristic of Helen's discourse on that, to me, memorable evening; her spirit seemed hastening to live within a very brief span as much as many live during a protracted existence. They conversed of things I had never heard of; of nations and times past; of countries far away; of secrets of nature discovered or guessed at: they spoke of books: how many they had read! What stores of knowledge they possessed! Then they seemed so familiar with French names and French authors: but my amazement reached its climax when Miss Temple asked Helen if she sometimes snatched a moment to recall the Latin her father had taught her, and taking a book from a shelf, bade her read and construe a page of Virgil; and Helen obeyed, my organ of veneration expanding at every sounding line. She had scarcely finished ere the bell announced bedtime! no delay could be admitted; Miss Temple embraced us both, saying, as she drew us to her heart-- "God bless you, my children!" Helen she held a little longer than me: she let her go more reluctantly; it was Helen her eye followed to the door; it was for her she a second time breathed a sad sigh; for her she wiped a tear from her cheek. On reaching the bedroom, we heard the voice of Miss Scatcherd: she was examining drawers; she had just pulled out Helen Burns's, and when we entered Helen was greeted with a sharp reprimand, and told that to-morrow she should have half-a-dozen of untidily folded articles pinned to her shoulder. "My things were indeed in shameful disorder," murmured Helen to me, in a low voice: "I intended to have arranged them, but I forgot." Next morning, Miss Scatcherd wrote in conspicuous characters on a piece of pasteboard the word "Slattern," and bound it like a phylactery round Helen's large, mild, intelligent, and benign-looking forehead. She wore it till evening, patient, unresentful, regarding it as a deserved punishment. The moment Miss Scatcherd withdrew after afternoon school, I ran to Helen, tore it off, and thrust it into the fire: the fury of which she was incapable had been burning in my soul all day, and tears, hot and large, had continually been scalding my cheek; for the spectacle of her sad resignation gave me an intolerable pain at the heart. About a week subsequently to the incidents above narrated, Miss Temple, who had written to Mr. Lloyd, received his answer: it appeared that what he said went to corroborate my account. Miss Temple, having assembled the whole school, announced that inquiry had been made into the charges alleged against Jane Eyre, and that she was most happy to be able to pronounce her completely cleared from every imputation. The teachers then shook hands with me and kissed me, and a murmur of pleasure ran through the ranks of my companions. Thus relieved of a grievous load, I from that hour set to work afresh, resolved to pioneer my way through every difficulty: I toiled hard, and my success was proportionate to my efforts; my memory, not naturally tenacious, improved with practice; exercise sharpened my wits; in a few weeks I was promoted to a higher class; in less than two months I was allowed to commence French and drawing. I learned the first two tenses of the verb _Etre_, and sketched my first cottage (whose walls, by-the- bye, outrivalled in slope those of the leaning tower of Pisa), on the same day. That night, on going to bed, I forgot to prepare in imagination the Barmecide supper of hot roast potatoes, or white bread and new milk, with which I was wont to amuse my inward cravings: I feasted instead on the spectacle of ideal drawings, which I saw in the dark; all the work of my own hands: freely pencilled houses and trees, picturesque rocks and ruins, Cuyp-like groups of cattle, sweet paintings of butterflies hovering over unblown roses, of birds picking at ripe cherries, of wren's nests enclosing pearl-like eggs, wreathed about with young ivy sprays. I examined, too, in thought, the possibility of my ever being able to translate currently a certain little French story which Madame Pierrot had that day shown me; nor was that problem solved to my satisfaction ere I fell sweetly asleep. Well has Solomon said--"Better is a dinner of herbs where love is, than a stalled ox and hatred therewith." I would not now have exchanged Lowood with all its privations for Gateshead and its daily luxuries.

volume 1, Chapter 8

https://web.archive.org/web/20210421052406/https://www.gradesaver.com/jane-eyre/study-guide/summary-volume-i-chapters-6-10

When school is dismissed, Jane falls to the floor, filled with self-pity and shame that all of the students despise her because of Mr. Brocklehurst's false accusations. Helen assures her that everyone actually sympathize with her maltreatment. Jane tells Helen of her aching need to have love from others to survive, but Helen tells her that she puts too much stock in love from others; the rewards of spirituality and the glorious afterlife should be our ballast. Miss Temple finds them and takes Helen and Jane to her room, where she asks Jane to tell her version of the story concerning Mrs. Reed. Jane does, strongly insisting upon her innocence, and also mentions Mr. Lloyd's visit to her during her illness. Miss Temple believes her and promises to write Mr. Lloyd for corroboration; when he does, Jane's name will be cleared. She treats the girls to tea and cake and discusses intellectual matters with Helen. The bedtime bell breaks the heavenly atmosphere, and Miss Scatcherd reprimands Helen for messiness as soon as the girls enter their bedroom. The next day Helen must wear the word "Slattern" on a paper crown around her forehead; at the end of the day, Jane tears it off for her and burns it. A week later Miss Temple announces to the school that Jane's name has been cleared of all of Mr. Brocklehurst's charges, and she is officially reaccepted into the community. Jane is relieved to be cleared of blame and works harder in class, particularly in French and drawing. Despite its failings, Lowood is beginning to grow on her.

In this chapter, Jane reveals her constant need for love and affirmation from others. No doubt a result of her lonely and loveless time at Gateshead, Jane believes that love is the only thing that can make her happy. Helen counters by describing her belief that spirituality is enough; love in the earthly realm is nothing when compared to the spiritual love of God. While it is clear that Jane will never accept these notions completely, Helen is correct in noting that Jane needs to be less reliant on others. In order to gain independence and strength of character, Jane must learn to be dependent on herself and rely less on the love of those around her. As we have seen before, Bronte uses ice as a motif for cruel, negative destruction, and fire fans out as a symbol of goodness and creation. The fire in Miss Temple's room warms the girls, as does Miss Temple's kindness, conversation, and cake. More interestingly, Jane burns Helen's shameful "Slattern" crown in fire; even when destructive, fire can serve a sort of positive destruction that obliterates evil in the world. This idea of destructive fire as a positive source will reappear in the actions of Bertha Mason later in the text

gradesaver

all_chapterized_books/1260-chapters/10.txt

finished_summaries/gradesaver/Jane Eyre/section_1_part_4.txt

Jane Eyre.volume 1.chapter 9

volume 1, chapter 9

{"name": "volume 1, Chapter 9", "url": "https://web.archive.org/web/20210421052406/https://www.gradesaver.com/jane-eyre/study-guide/summary-volume-i-chapters-6-10", "summary": "As spring arrives, Lowood becomes a more pleasant place. However, the warmer temperatures and dampness of the neighboring forest are ideal for breeding disease, and more than half the girls at the school fall ill with typhus. The disease is particularly bad because of the neglectful care that the students receive at the school. Jane, one of the healthy students, enjoys the outdoors, all the more so because Mr. Brocklehurst no longer visits the school. Jane is shocked to learn that Helen is dying, not of typhus, but of consumption. She is not allowed to visit Helen in Miss Temple's room, but Jane sneaks in at night, hoping for one last conversation. Helen accepts her impending death and place in heaven, and tells Jane not to grieve for her; she is happy to be entering heaven. Jane falls asleep in her arms, and Helen dies during the night. Her grave is unmarked at first, but fifteen years later, a marble tablet is placed over it inscribed with the Latin word \"Resurgam,\" or \"I will rise again.", "analysis": "Helen maintains her Christian beliefs to the moment of her death, and she fulfills her representation as a Christ figure for Jane, dying so that Jane can learn more of what it means to be a Christian. Although Jane's devotion to Helen is moving, she continues to question Helen's unshakable faith; she wonders, though does not speak aloud, if heaven truly does exist. Although Jane is not willing to accept fully everything that Helen espouses, the \"Resurgam\" tablet on Helen's grave indicates that she has adapted Helen's beliefs to her own ideology"}

But the privations, or rather the hardships, of Lowood lessened. Spring drew on: she was indeed already come; the frosts of winter had ceased; its snows were melted, its cutting winds ameliorated. My wretched feet, flayed and swollen to lameness by the sharp air of January, began to heal and subside under the gentler breathings of April; the nights and mornings no longer by their Canadian temperature froze the very blood in our veins; we could now endure the play-hour passed in the garden: sometimes on a sunny day it began even to be pleasant and genial, and a greenness grew over those brown beds, which, freshening daily, suggested the thought that Hope traversed them at night, and left each morning brighter traces of her steps. Flowers peeped out amongst the leaves; snow-drops, crocuses, purple auriculas, and golden-eyed pansies. On Thursday afternoons (half-holidays) we now took walks, and found still sweeter flowers opening by the wayside, under the hedges. I discovered, too, that a great pleasure, an enjoyment which the horizon only bounded, lay all outside the high and spike-guarded walls of our garden: this pleasure consisted in prospect of noble summits girdling a great hill-hollow, rich in verdure and shadow; in a bright beck, full of dark stones and sparkling eddies. How different had this scene looked when I viewed it laid out beneath the iron sky of winter, stiffened in frost, shrouded with snow!--when mists as chill as death wandered to the impulse of east winds along those purple peaks, and rolled down "ing" and holm till they blended with the frozen fog of the beck! That beck itself was then a torrent, turbid and curbless: it tore asunder the wood, and sent a raving sound through the air, often thickened with wild rain or whirling sleet; and for the forest on its banks, _that_ showed only ranks of skeletons. April advanced to May: a bright serene May it was; days of blue sky, placid sunshine, and soft western or southern gales filled up its duration. And now vegetation matured with vigour; Lowood shook loose its tresses; it became all green, all flowery; its great elm, ash, and oak skeletons were restored to majestic life; woodland plants sprang up profusely in its recesses; unnumbered varieties of moss filled its hollows, and it made a strange ground-sunshine out of the wealth of its wild primrose plants: I have seen their pale gold gleam in overshadowed spots like scatterings of the sweetest lustre. All this I enjoyed often and fully, free, unwatched, and almost alone: for this unwonted liberty and pleasure there was a cause, to which it now becomes my task to advert. Have I not described a pleasant site for a dwelling, when I speak of it as bosomed in hill and wood, and rising from the verge of a stream? Assuredly, pleasant enough: but whether healthy or not is another question. That forest-dell, where Lowood lay, was the cradle of fog and fog-bred pestilence; which, quickening with the quickening spring, crept into the Orphan Asylum, breathed typhus through its crowded schoolroom and dormitory, and, ere May arrived, transformed the seminary into an hospital. Semi-starvation and neglected colds had predisposed most of the pupils to receive infection: forty-five out of the eighty girls lay ill at one time. Classes were broken up, rules relaxed. The few who continued well were allowed almost unlimited license; because the medical attendant insisted on the necessity of frequent exercise to keep them in health: and had it been otherwise, no one had leisure to watch or restrain them. Miss Temple's whole attention was absorbed by the patients: she lived in the sick-room, never quitting it except to snatch a few hours' rest at night. The teachers were fully occupied with packing up and making other necessary preparations for the departure of those girls who were fortunate enough to have friends and relations able and willing to remove them from the seat of contagion. Many, already smitten, went home only to die: some died at the school, and were buried quietly and quickly, the nature of the malady forbidding delay. While disease had thus become an inhabitant of Lowood, and death its frequent visitor; while there was gloom and fear within its walls; while its rooms and passages steamed with hospital smells, the drug and the pastille striving vainly to overcome the effluvia of mortality, that bright May shone unclouded over the bold hills and beautiful woodland out of doors. Its garden, too, glowed with flowers: hollyhocks had sprung up tall as trees, lilies had opened, tulips and roses were in bloom; the borders of the little beds were gay with pink thrift and crimson double daisies; the sweetbriars gave out, morning and evening, their scent of spice and apples; and these fragrant treasures were all useless for most of the inmates of Lowood, except to furnish now and then a handful of herbs and blossoms to put in a coffin. But I, and the rest who continued well, enjoyed fully the beauties of the scene and season; they let us ramble in the wood, like gipsies, from morning till night; we did what we liked, went where we liked: we lived better too. Mr. Brocklehurst and his family never came near Lowood now: household matters were not scrutinised into; the cross housekeeper was gone, driven away by the fear of infection; her successor, who had been matron at the Lowton Dispensary, unused to the ways of her new abode, provided with comparative liberality. Besides, there were fewer to feed; the sick could eat little; our breakfast-basins were better filled; when there was no time to prepare a regular dinner, which often happened, she would give us a large piece of cold pie, or a thick slice of bread and cheese, and this we carried away with us to the wood, where we each chose the spot we liked best, and dined sumptuously. My favourite seat was a smooth and broad stone, rising white and dry from the very middle of the beck, and only to be got at by wading through the water; a feat I accomplished barefoot. The stone was just broad enough to accommodate, comfortably, another girl and me, at that time my chosen comrade--one Mary Ann Wilson; a shrewd, observant personage, whose society I took pleasure in, partly because she was witty and original, and partly because she had a manner which set me at my ease. Some years older than I, she knew more of the world, and could tell me many things I liked to hear: with her my curiosity found gratification: to my faults also she gave ample indulgence, never imposing curb or rein on anything I said. She had a turn for narrative, I for analysis; she liked to inform, I to question; so we got on swimmingly together, deriving much entertainment, if not much improvement, from our mutual intercourse. And where, meantime, was Helen Burns? Why did I not spend these sweet days of liberty with her? Had I forgotten her? or was I so worthless as to have grown tired of her pure society? Surely the Mary Ann Wilson I have mentioned was inferior to my first acquaintance: she could only tell me amusing stories, and reciprocate any racy and pungent gossip I chose to indulge in; while, if I have spoken truth of Helen, she was qualified to give those who enjoyed the privilege of her converse a taste of far higher things. True, reader; and I knew and felt this: and though I am a defective being, with many faults and few redeeming points, yet I never tired of Helen Burns; nor ever ceased to cherish for her a sentiment of attachment, as strong, tender, and respectful as any that ever animated my heart. How could it be otherwise, when Helen, at all times and under all circumstances, evinced for me a quiet and faithful friendship, which ill-humour never soured, nor irritation never troubled? But Helen was ill at present: for some weeks she had been removed from my sight to I knew not what room upstairs. She was not, I was told, in the hospital portion of the house with the fever patients; for her complaint was consumption, not typhus: and by consumption I, in my ignorance, understood something mild, which time and care would be sure to alleviate. I was confirmed in this idea by the fact of her once or twice coming downstairs on very warm sunny afternoons, and being taken by Miss Temple into the garden; but, on these occasions, I was not allowed to go and speak to her; I only saw her from the schoolroom window, and then not distinctly; for she was much wrapped up, and sat at a distance under the verandah. One evening, in the beginning of June, I had stayed out very late with Mary Ann in the wood; we had, as usual, separated ourselves from the others, and had wandered far; so far that we lost our way, and had to ask it at a lonely cottage, where a man and woman lived, who looked after a herd of half-wild swine that fed on the mast in the wood. When we got back, it was after moonrise: a pony, which we knew to be the surgeon's, was standing at the garden door. Mary Ann remarked that she supposed some one must be very ill, as Mr. Bates had been sent for at that time of the evening. She went into the house; I stayed behind a few minutes to plant in my garden a handful of roots I had dug up in the forest, and which I feared would wither if I left them till the morning. This done, I lingered yet a little longer: the flowers smelt so sweet as the dew fell; it was such a pleasant evening, so serene, so warm; the still glowing west promised so fairly another fine day on the morrow; the moon rose with such majesty in the grave east. I was noting these things and enjoying them as a child might, when it entered my mind as it had never done before:-- "How sad to be lying now on a sick bed, and to be in danger of dying! This world is pleasant--it would be dreary to be called from it, and to have to go who knows where?" And then my mind made its first earnest effort to comprehend what had been infused into it concerning heaven and hell; and for the first time it recoiled, baffled; and for the first time glancing behind, on each side, and before it, it saw all round an unfathomed gulf: it felt the one point where it stood--the present; all the rest was formless cloud and vacant depth; and it shuddered at the thought of tottering, and plunging amid that chaos. While pondering this new idea, I heard the front door open; Mr. Bates came out, and with him was a nurse. After she had seen him mount his horse and depart, she was about to close the door, but I ran up to her. "How is Helen Burns?" "Very poorly," was the answer. "Is it her Mr. Bates has been to see?" "Yes." "And what does he say about her?" "He says she'll not be here long." This phrase, uttered in my hearing yesterday, would have only conveyed the notion that she was about to be removed to Northumberland, to her own home. I should not have suspected that it meant she was dying; but I knew instantly now! It opened clear on my comprehension that Helen Burns was numbering her last days in this world, and that she was going to be taken to the region of spirits, if such region there were. I experienced a shock of horror, then a strong thrill of grief, then a desire--a necessity to see her; and I asked in what room she lay. "She is in Miss Temple's room," said the nurse. "May I go up and speak to her?" "Oh no, child! It is not likely; and now it is time for you to come in; you'll catch the fever if you stop out when the dew is falling." The nurse closed the front door; I went in by the side entrance which led to the schoolroom: I was just in time; it was nine o'clock, and Miss Miller was calling the pupils to go to bed. It might be two hours later, probably near eleven, when I--not having been able to fall asleep, and deeming, from the perfect silence of the dormitory, that my companions were all wrapt in profound repose--rose softly, put on my frock over my night-dress, and, without shoes, crept from the apartment, and set off in quest of Miss Temple's room. It was quite at the other end of the house; but I knew my way; and the light of the unclouded summer moon, entering here and there at passage windows, enabled me to find it without difficulty. An odour of camphor and burnt vinegar warned me when I came near the fever room: and I passed its door quickly, fearful lest the nurse who sat up all night should hear me. I dreaded being discovered and sent back; for I _must_ see Helen,--I must embrace her before she died,--I must give her one last kiss, exchange with her one last word. Having descended a staircase, traversed a portion of the house below, and succeeded in opening and shutting, without noise, two doors, I reached another flight of steps; these I mounted, and then just opposite to me was Miss Temple's room. A light shone through the keyhole and from under the door; a profound stillness pervaded the vicinity. Coming near, I found the door slightly ajar; probably to admit some fresh air into the close abode of sickness. Indisposed to hesitate, and full of impatient impulses--soul and senses quivering with keen throes--I put it back and looked in. My eye sought Helen, and feared to find death. Close by Miss Temple's bed, and half covered with its white curtains, there stood a little crib. I saw the outline of a form under the clothes, but the face was hid by the hangings: the nurse I had spoken to in the garden sat in an easy-chair asleep; an unsnuffed candle burnt dimly on the table. Miss Temple was not to be seen: I knew afterwards that she had been called to a delirious patient in the fever-room. I advanced; then paused by the crib side: my hand was on the curtain, but I preferred speaking before I withdrew it. I still recoiled at the dread of seeing a corpse. "Helen!" I whispered softly, "are you awake?" She stirred herself, put back the curtain, and I saw her face, pale, wasted, but quite composed: she looked so little changed that my fear was instantly dissipated. "Can it be you, Jane?" she asked, in her own gentle voice. "Oh!" I thought, "she is not going to die; they are mistaken: she could not speak and look so calmly if she were." I got on to her crib and kissed her: her forehead was cold, and her cheek both cold and thin, and so were her hand and wrist; but she smiled as of old. "Why are you come here, Jane? It is past eleven o'clock: I heard it strike some minutes since." "I came to see you, Helen: I heard you were very ill, and I could not sleep till I had spoken to you." "You came to bid me good-bye, then: you are just in time probably." "Are you going somewhere, Helen? Are you going home?" "Yes; to my long home--my last home." "No, no, Helen!" I stopped, distressed. While I tried to devour my tears, a fit of coughing seized Helen; it did not, however, wake the nurse; when it was over, she lay some minutes exhausted; then she whispered-- "Jane, your little feet are bare; lie down and cover yourself with my quilt." I did so: she put her arm over me, and I nestled close to her. After a long silence, she resumed, still whispering-- "I am very happy, Jane; and when you hear that I am dead, you must be sure and not grieve: there is nothing to grieve about. We all must die one day, and the illness which is removing me is not painful; it is gentle and gradual: my mind is at rest. I leave no one to regret me much: I have only a father; and he is lately married, and will not miss me. By dying young, I shall escape great sufferings. I had not qualities or talents to make my way very well in the world: I should have been continually at fault." "But where are you going to, Helen? Can you see? Do you know?" "I believe; I have faith: I am going to God." "Where is God? What is God?" "My Maker and yours, who will never destroy what He created. I rely implicitly on His power, and confide wholly in His goodness: I count the hours till that eventful one arrives which shall restore me to Him, reveal Him to me." "You are sure, then, Helen, that there is such a place as heaven, and that our souls can get to it when we die?" "I am sure there is a future state; I believe God is good; I can resign my immortal part to Him without any misgiving. God is my father; God is my friend: I love Him; I believe He loves me." "And shall I see you again, Helen, when I die?" "You will come to the same region of happiness: be received by the same mighty, universal Parent, no doubt, dear Jane." Again I questioned, but this time only in thought. "Where is that region? Does it exist?" And I clasped my arms closer round Helen; she seemed dearer to me than ever; I felt as if I could not let her go; I lay with my face hidden on her neck. Presently she said, in the sweetest tone-- "How comfortable I am! That last fit of coughing has tired me a little; I feel as if I could sleep: but don't leave me, Jane; I like to have you near me." "I'll stay with you, _dear_ Helen: no one shall take me away." "Are you warm, darling?" "Yes." "Good-night, Jane." "Good-night, Helen." She kissed me, and I her, and we both soon slumbered. When I awoke it was day: an unusual movement roused me; I looked up; I was in somebody's arms; the nurse held me; she was carrying me through the passage back to the dormitory. I was not reprimanded for leaving my bed; people had something else to think about; no explanation was afforded then to my many questions; but a day or two afterwards I learned that Miss Temple, on returning to her own room at dawn, had found me laid in the little crib; my face against Helen Burns's shoulder, my arms round her neck. I was asleep, and Helen was--dead. Her grave is in Brocklebridge churchyard: for fifteen years after her death it was only covered by a grassy mound; but now a grey marble tablet marks the spot, inscribed with her name, and the word "Resurgam."

volume 1, Chapter 9

https://web.archive.org/web/20210421052406/https://www.gradesaver.com/jane-eyre/study-guide/summary-volume-i-chapters-6-10

As spring arrives, Lowood becomes a more pleasant place. However, the warmer temperatures and dampness of the neighboring forest are ideal for breeding disease, and more than half the girls at the school fall ill with typhus. The disease is particularly bad because of the neglectful care that the students receive at the school. Jane, one of the healthy students, enjoys the outdoors, all the more so because Mr. Brocklehurst no longer visits the school. Jane is shocked to learn that Helen is dying, not of typhus, but of consumption. She is not allowed to visit Helen in Miss Temple's room, but Jane sneaks in at night, hoping for one last conversation. Helen accepts her impending death and place in heaven, and tells Jane not to grieve for her; she is happy to be entering heaven. Jane falls asleep in her arms, and Helen dies during the night. Her grave is unmarked at first, but fifteen years later, a marble tablet is placed over it inscribed with the Latin word "Resurgam," or "I will rise again.

Helen maintains her Christian beliefs to the moment of her death, and she fulfills her representation as a Christ figure for Jane, dying so that Jane can learn more of what it means to be a Christian. Although Jane's devotion to Helen is moving, she continues to question Helen's unshakable faith; she wonders, though does not speak aloud, if heaven truly does exist. Although Jane is not willing to accept fully everything that Helen espouses, the "Resurgam" tablet on Helen's grave indicates that she has adapted Helen's beliefs to her own ideology

gradesaver

all_chapterized_books/1260-chapters/11.txt

finished_summaries/gradesaver/Jane Eyre/section_1_part_5.txt

Jane Eyre.volume 1.chapter 10

volume 1, chapter 10

{"name": "volume 1, Chapter 10", "url": "https://web.archive.org/web/20210421052406/https://www.gradesaver.com/jane-eyre/study-guide/summary-volume-i-chapters-6-10", "summary": "The epidemic of typhus fever incites an investigation into Lowood's unhealthy conditions and Mr. Brocklehurst's management of the school, and a new group of overseers takes control of the school. With Mr. Brocklehurst's dishonor, the quality of the school improves immensely, and Jane and the other students are able to focus on their education. Jane excels as a student under Miss Temple's guidance for six years and then works as a teacher for an additional two years. When Miss Temple marries and leaves Lowood, Jane is left feeling empty and searching for a \"new servitude,\" a new job serving someone else. She places a newspaper advertisement in search of a post as governess and gains employment for a Mrs. Fairfax at Thornfield Manor. Before Jane leaves to take up this position, she is overjoyed by a visit from Bessie, who is now married to the coachman, Robert Leaven. Bessie brings news of the Reed family, informing Jane that John had become a compulsive gambler and alcoholic while Georgiana had attempted to elope with a certain Lord Edwin Vere but had been foiled by Eliza's intervention. Bessie also mentions that Mr. John Eyre, Jane's uncle, had come to Gateshead seven years ago in an effort to contact Jane before sailing to Madeira to work as a wine-merchant. After the brief visit, Bessie and Jane part ways, and Jane begins her adventure at Thornfield Manor.", "analysis": "This brief transitional chapter spans eight years of Jane's life, during which she matures from an angry girl bent on self-survival into a self-reliant young woman seeking to serve others. Bronte incorporates appropriate endings for some of the more significant characters at Lowood School: Mr. Brocklehurst is removed from power at the school, a just punishment for his negligence and cruelty, while the lovely Miss Temple escapes the difficult life of a teacher and becomes a happily-married woman. Bronte also uses this chapter to incorporate certain narrative details that will be important to the overall plot of the novel. The problems of the Reed family, particularly John's descent into debauchery and vice, foreshadow Mrs. Reed's final confrontation with Jane, as well as hinting that the Reed family is being punished for their mistreatment of Jane. The mention of Mr. Eyre's visit to Gateshead also suggests that he will reappear in some form later on, perhaps with a more important role"}

Hitherto I have recorded in detail the events of my insignificant existence: to the first ten years of my life I have given almost as many chapters. But this is not to be a regular autobiography. I am only bound to invoke Memory where I know her responses will possess some degree of interest; therefore I now pass a space of eight years almost in silence: a few lines only are necessary to keep up the links of connection. When the typhus fever had fulfilled its mission of devastation at Lowood, it gradually disappeared from thence; but not till its virulence and the number of its victims had drawn public attention on the school. Inquiry was made into the origin of the scourge, and by degrees various facts came out which excited public indignation in a high degree. The unhealthy nature of the site; the quantity and quality of the children's food; the brackish, fetid water used in its preparation; the pupils' wretched clothing and accommodations--all these things were discovered, and the discovery produced a result mortifying to Mr. Brocklehurst, but beneficial to the institution. Several wealthy and benevolent individuals in the county subscribed largely for the erection of a more convenient building in a better situation; new regulations were made; improvements in diet and clothing introduced; the funds of the school were intrusted to the management of a committee. Mr. Brocklehurst, who, from his wealth and family connections, could not be overlooked, still retained the post of treasurer; but he was aided in the discharge of his duties by gentlemen of rather more enlarged and sympathising minds: his office of inspector, too, was shared by those who knew how to combine reason with strictness, comfort with economy, compassion with uprightness. The school, thus improved, became in time a truly useful and noble institution. I remained an inmate of its walls, after its regeneration, for eight years: six as pupil, and two as teacher; and in both capacities I bear my testimony to its value and importance. During these eight years my life was uniform: but not unhappy, because it was not inactive. I had the means of an excellent education placed within my reach; a fondness for some of my studies, and a desire to excel in all, together with a great delight in pleasing my teachers, especially such as I loved, urged me on: I availed myself fully of the advantages offered me. In time I rose to be the first girl of the first class; then I was invested with the office of teacher; which I discharged with zeal for two years: but at the end of that time I altered. Miss Temple, through all changes, had thus far continued superintendent of the seminary: to her instruction I owed the best part of my acquirements; her friendship and society had been my continual solace; she had stood me in the stead of mother, governess, and, latterly, companion. At this period she married, removed with her husband (a clergyman, an excellent man, almost worthy of such a wife) to a distant county, and consequently was lost to me. From the day she left I was no longer the same: with her was gone every settled feeling, every association that had made Lowood in some degree a home to me. I had imbibed from her something of her nature and much of her habits: more harmonious thoughts: what seemed better regulated feelings had become the inmates of my mind. I had given in allegiance to duty and order; I was quiet; I believed I was content: to the eyes of others, usually even to my own, I appeared a disciplined and subdued character. But destiny, in the shape of the Rev. Mr. Nasmyth, came between me and Miss Temple: I saw her in her travelling dress step into a post-chaise, shortly after the marriage ceremony; I watched the chaise mount the hill and disappear beyond its brow; and then retired to my own room, and there spent in solitude the greatest part of the half-holiday granted in honour of the occasion. I walked about the chamber most of the time. I imagined myself only to be regretting my loss, and thinking how to repair it; but when my reflections were concluded, and I looked up and found that the afternoon was gone, and evening far advanced, another discovery dawned on me, namely, that in the interval I had undergone a transforming process; that my mind had put off all it had borrowed of Miss Temple--or rather that she had taken with her the serene atmosphere I had been breathing in her vicinity--and that now I was left in my natural element, and beginning to feel the stirring of old emotions. It did not seem as if a prop were withdrawn, but rather as if a motive were gone: it was not the power to be tranquil which had failed me, but the reason for tranquillity was no more. My world had for some years been in Lowood: my experience had been of its rules and systems; now I remembered that the real world was wide, and that a varied field of hopes and fears, of sensations and excitements, awaited those who had courage to go forth into its expanse, to seek real knowledge of life amidst its perils. I went to my window, opened it, and looked out. There were the two wings of the building; there was the garden; there were the skirts of Lowood; there was the hilly horizon. My eye passed all other objects to rest on those most remote, the blue peaks; it was those I longed to surmount; all within their boundary of rock and heath seemed prison-ground, exile limits. I traced the white road winding round the base of one mountain, and vanishing in a gorge between two; how I longed to follow it farther! I recalled the time when I had travelled that very road in a coach; I remembered descending that hill at twilight; an age seemed to have elapsed since the day which brought me first to Lowood, and I had never quitted it since. My vacations had all been spent at school: Mrs. Reed had never sent for me to Gateshead; neither she nor any of her family had ever been to visit me. I had had no communication by letter or message with the outer world: school-rules, school-duties, school-habits and notions, and voices, and faces, and phrases, and costumes, and preferences, and antipathies--such was what I knew of existence. And now I felt that it was not enough; I tired of the routine of eight years in one afternoon. I desired liberty; for liberty I gasped; for liberty I uttered a prayer; it seemed scattered on the wind then faintly blowing. I abandoned it and framed a humbler supplication; for change, stimulus: that petition, too, seemed swept off into vague space: "Then," I cried, half desperate, "grant me at least a new servitude!" Here a bell, ringing the hour of supper, called me downstairs. I was not free to resume the interrupted chain of my reflections till bedtime: even then a teacher who occupied the same room with me kept me from the subject to which I longed to recur, by a prolonged effusion of small talk. How I wished sleep would silence her. It seemed as if, could I but go back to the idea which had last entered my mind as I stood at the window, some inventive suggestion would rise for my relief. Miss Gryce snored at last; she was a heavy Welshwoman, and till now her habitual nasal strains had never been regarded by me in any other light than as a nuisance; to-night I hailed the first deep notes with satisfaction; I was debarrassed of interruption; my half-effaced thought instantly revived. "A new servitude! There is something in that," I soliloquised (mentally, be it understood; I did not talk aloud), "I know there is, because it does not sound too sweet; it is not like such words as Liberty, Excitement, Enjoyment: delightful sounds truly; but no more than sounds for me; and so hollow and fleeting that it is mere waste of time to listen to them. But Servitude! That must be matter of fact. Any one may serve: I have served here eight years; now all I want is to serve elsewhere. Can I not get so much of my own will? Is not the thing feasible? Yes--yes--the end is not so difficult; if I had only a brain active enough to ferret out the means of attaining it." I sat up in bed by way of arousing this said brain: it was a chilly night; I covered my shoulders with a shawl, and then I proceeded _to think_ again with all my might. "What do I want? A new place, in a new house, amongst new faces, under new circumstances: I want this because it is of no use wanting anything better. How do people do to get a new place? They apply to friends, I suppose: I have no friends. There are many others who have no friends, who must look about for themselves and be their own helpers; and what is their resource?" I could not tell: nothing answered me; I then ordered my brain to find a response, and quickly. It worked and worked faster: I felt the pulses throb in my head and temples; but for nearly an hour it worked in chaos; and no result came of its efforts. Feverish with vain labour, I got up and took a turn in the room; undrew the curtain, noted a star or two, shivered with cold, and again crept to bed. A kind fairy, in my absence, had surely dropped the required suggestion on my pillow; for as I lay down, it came quietly and naturally to my mind.--"Those who want situations advertise; you must advertise in the _---shire Herald_." "How? I know nothing about advertising." Replies rose smooth and prompt now:-- "You must enclose the advertisement and the money to pay for it under a cover directed to the editor of the _Herald_; you must put it, the first opportunity you have, into the post at Lowton; answers must be addressed to J.E., at the post-office there; you can go and inquire in about a week after you send your letter, if any are come, and act accordingly." This scheme I went over twice, thrice; it was then digested in my mind; I had it in a clear practical form: I felt satisfied, and fell asleep. With earliest day, I was up: I had my advertisement written, enclosed, and directed before the bell rang to rouse the school; it ran thus:-- "A young lady accustomed to tuition" (had I not been a teacher two years?) "is desirous of meeting with a situation in a private family where the children are under fourteen" (I thought that as I was barely eighteen, it would not do to undertake the guidance of pupils nearer my own age). "She is qualified to teach the usual branches of a good English education, together with French, Drawing, and Music" (in those days, reader, this now narrow catalogue of accomplishments, would have been held tolerably comprehensive). "Address, J.E., Post-office, Lowton, --- shire." This document remained locked in my drawer all day: after tea, I asked leave of the new superintendent to go to Lowton, in order to perform some small commissions for myself and one or two of my fellow-teachers; permission was readily granted; I went. It was a walk of two miles, and the evening was wet, but the days were still long; I visited a shop or two, slipped the letter into the post-office, and came back through heavy rain, with streaming garments, but with a relieved heart. The succeeding week seemed long: it came to an end at last, however, like all sublunary things, and once more, towards the close of a pleasant autumn day, I found myself afoot on the road to Lowton. A picturesque track it was, by the way; lying along the side of the beck and through the sweetest curves of the dale: but that day I thought more of the letters, that might or might not be awaiting me at the little burgh whither I was bound, than of the charms of lea and water. My ostensible errand on this occasion was to get measured for a pair of shoes; so I discharged that business first, and when it was done, I stepped across the clean and quiet little street from the shoemaker's to the post-office: it was kept by an old dame, who wore horn spectacles on her nose, and black mittens on her hands. "Are there any letters for J.E.?" I asked. She peered at me over her spectacles, and then she opened a drawer and fumbled among its contents for a long time, so long that my hopes began to falter. At last, having held a document before her glasses for nearly five minutes, she presented it across the counter, accompanying the act by another inquisitive and mistrustful glance--it was for J.E. "Is there only one?" I demanded. "There are no more," said she; and I put it in my pocket and turned my face homeward: I could not open it then; rules obliged me to be back by eight, and it was already half-past seven. Various duties awaited me on my arrival. I had to sit with the girls during their hour of study; then it was my turn to read prayers; to see them to bed: afterwards I supped with the other teachers. Even when we finally retired for the night, the inevitable Miss Gryce was still my companion: we had only a short end of candle in our candlestick, and I dreaded lest she should talk till it was all burnt out; fortunately, however, the heavy supper she had eaten produced a soporific effect: she was already snoring before I had finished undressing. There still remained an inch of candle: I now took out my letter; the seal was an initial F.; I broke it; the contents were brief. "If J.E., who advertised in the _---shire Herald_ of last Thursday, possesses the acquirements mentioned, and if she is in a position to give satisfactory references as to character and competency, a situation can be offered her where there is but one pupil, a little girl, under ten years of age; and where the salary is thirty pounds per annum. J.E. is requested to send references, name, address, and all particulars to the direction:-- "Mrs. Fairfax, Thornfield, near Millcote, ---shire." I examined the document long: the writing was old-fashioned and rather uncertain, like that of an elderly lady. This circumstance was satisfactory: a private fear had haunted me, that in thus acting for myself, and by my own guidance, I ran the risk of getting into some scrape; and, above all things, I wished the result of my endeavours to be respectable, proper, _en regle_. I now felt that an elderly lady was no bad ingredient in the business I had on hand. Mrs. Fairfax! I saw her in a black gown and widow's cap; frigid, perhaps, but not uncivil: a model of elderly English respectability. Thornfield! that, doubtless, was the name of her house: a neat orderly spot, I was sure; though I failed in my efforts to conceive a correct plan of the premises. Millcote, ---shire; I brushed up my recollections of the map of England, yes, I saw it; both the shire and the town. ---shire was seventy miles nearer London than the remote county where I now resided: that was a recommendation to me. I longed to go where there was life and movement: Millcote was a large manufacturing town on the banks of the A-; a busy place enough, doubtless: so much the better; it would be a complete change at least. Not that my fancy was much captivated by the idea of long chimneys and clouds of smoke--"but," I argued, "Thornfield will, probably, be a good way from the town." Here the socket of the candle dropped, and the wick went out. Next day new steps were to be taken; my plans could no longer be confined to my own breast; I must impart them in order to achieve their success. Having sought and obtained an audience of the superintendent during the noontide recreation, I told her I had a prospect of getting a new situation where the salary would be double what I now received (for at Lowood I only got 15 pounds per annum); and requested she would break the matter for me to Mr. Brocklehurst, or some of the committee, and ascertain whether they would permit me to mention them as references. She obligingly consented to act as mediatrix in the matter. The next day she laid the affair before Mr. Brocklehurst, who said that Mrs. Reed must be written to, as she was my natural guardian. A note was accordingly addressed to that lady, who returned for answer, that "I might do as I pleased: she had long relinquished all interference in my affairs." This note went the round of the committee, and at last, after what appeared to me most tedious delay, formal leave was given me to better my condition if I could; and an assurance added, that as I had always conducted myself well, both as teacher and pupil, at Lowood, a testimonial of character and capacity, signed by the inspectors of that institution, should forthwith be furnished me. This testimonial I accordingly received in about a month, forwarded a copy of it to Mrs. Fairfax, and got that lady's reply, stating that she was satisfied, and fixing that day fortnight as the period for my assuming the post of governess in her house. I now busied myself in preparations: the fortnight passed rapidly. I had not a very large wardrobe, though it was adequate to my wants; and the last day sufficed to pack my trunk,--the same I had brought with me eight years ago from Gateshead. The box was corded, the card nailed on. In half-an-hour the carrier was to call for it to take it to Lowton, whither I myself was to repair at an early hour the next morning to meet the coach. I had brushed my black stuff travelling-dress, prepared my bonnet, gloves, and muff; sought in all my drawers to see that no article was left behind; and now having nothing more to do, I sat down and tried to rest. I could not; though I had been on foot all day, I could not now repose an instant; I was too much excited. A phase of my life was closing to-night, a new one opening to-morrow: impossible to slumber in the interval; I must watch feverishly while the change was being accomplished. "Miss," said a servant who met me in the lobby, where I was wandering like a troubled spirit, "a person below wishes to see you." "The carrier, no doubt," I thought, and ran downstairs without inquiry. I was passing the back-parlour or teachers' sitting-room, the door of which was half open, to go to the kitchen, when some one ran out-- "It's her, I am sure!--I could have told her anywhere!" cried the individual who stopped my progress and took my hand. I looked: I saw a woman attired like a well-dressed servant, matronly, yet still young; very good-looking, with black hair and eyes, and lively complexion. "Well, who is it?" she asked, in a voice and with a smile I half recognised; "you've not quite forgotten me, I think, Miss Jane?" In another second I was embracing and kissing her rapturously: "Bessie! Bessie! Bessie!" that was all I said; whereat she half laughed, half cried, and we both went into the parlour. By the fire stood a little fellow of three years old, in plaid frock and trousers. "That is my little boy," said Bessie directly. "Then you are married, Bessie?" "Yes; nearly five years since to Robert Leaven, the coachman; and I've a little girl besides Bobby there, that I've christened Jane." "And you don't live at Gateshead?" "I live at the lodge: the old porter has left." "Well, and how do they all get on? Tell me everything about them, Bessie: but sit down first; and, Bobby, come and sit on my knee, will you?" but Bobby preferred sidling over to his mother. "You're not grown so very tall, Miss Jane, nor so very stout," continued Mrs. Leaven. "I dare say they've not kept you too well at school: Miss Reed is the head and shoulders taller than you are; and Miss Georgiana would make two of you in breadth." "Georgiana is handsome, I suppose, Bessie?" "Very. She went up to London last winter with her mama, and there everybody admired her, and a young lord fell in love with her: but his relations were against the match; and--what do you think?--he and Miss Georgiana made it up to run away; but they were found out and stopped. It was Miss Reed that found them out: I believe she was envious; and now she and her sister lead a cat and dog life together; they are always quarrelling--" "Well, and what of John Reed?" "Oh, he is not doing so well as his mama could wish. He went to college, and he got--plucked, I think they call it: and then his uncles wanted him to be a barrister, and study the law: but he is such a dissipated young man, they will never make much of him, I think." "What does he look like?" "He is very tall: some people call him a fine-looking young man; but he has such thick lips." "And Mrs. Reed?" "Missis looks stout and well enough in the face, but I think she's not quite easy in her mind: Mr. John's conduct does not please her--he spends a deal of money." "Did she send you here, Bessie?" "No, indeed: but I have long wanted to see you, and when I heard that there had been a letter from you, and that you were going to another part of the country, I thought I'd just set off, and get a look at you before you were quite out of my reach." "I am afraid you are disappointed in me, Bessie." I said this laughing: I perceived that Bessie's glance, though it expressed regard, did in no shape denote admiration. "No, Miss Jane, not exactly: you are genteel enough; you look like a lady, and it is as much as ever I expected of you: you were no beauty as a child." I smiled at Bessie's frank answer: I felt that it was correct, but I confess I was not quite indifferent to its import: at eighteen most people wish to please, and the conviction that they have not an exterior likely to second that desire brings anything but gratification. "I dare say you are clever, though," continued Bessie, by way of solace. "What can you do? Can you play on the piano?" "A little." There was one in the room; Bessie went and opened it, and then asked me to sit down and give her a tune: I played a waltz or two, and she was charmed. "The Miss Reeds could not play as well!" said she exultingly. "I always said you would surpass them in learning: and can you draw?" "That is one of my paintings over the chimney-piece." It was a landscape in water colours, of which I had made a present to the superintendent, in acknowledgment of her obliging mediation with the committee on my behalf, and which she had framed and glazed. "Well, that is beautiful, Miss Jane! It is as fine a picture as any Miss Reed's drawing-master could paint, let alone the young ladies themselves, who could not come near it: and have you learnt French?" "Yes, Bessie, I can both read it and speak it." "And you can work on muslin and canvas?" "I can." "Oh, you are quite a lady, Miss Jane! I knew you would be: you will get on whether your relations notice you or not. There was something I wanted to ask you. Have you ever heard anything from your father's kinsfolk, the Eyres?" "Never in my life." "Well, you know Missis always said they were poor and quite despicable: and they may be poor; but I believe they are as much gentry as the Reeds are; for one day, nearly seven years ago, a Mr. Eyre came to Gateshead and wanted to see you; Missis said you were at school fifty miles off; he seemed so much disappointed, for he could not stay: he was going on a voyage to a foreign country, and the ship was to sail from London in a day or two. He looked quite a gentleman, and I believe he was your father's brother." "What foreign country was he going to, Bessie?" "An island thousands of miles off, where they make wine--the butler did tell me--" "Madeira?" I suggested. "Yes, that is it--that is the very word." "So he went?" "Yes; he did not stay many minutes in the house: Missis was very high with him; she called him afterwards a 'sneaking tradesman.' My Robert believes he was a wine-merchant." "Very likely," I returned; "or perhaps clerk or agent to a wine-merchant." Bessie and I conversed about old times an hour longer, and then she was obliged to leave me: I saw her again for a few minutes the next morning at Lowton, while I was waiting for the coach. We parted finally at the door of the Brocklehurst Arms there: each went her separate way; she set off for the brow of Lowood Fell to meet the conveyance which was to take her back to Gateshead, I mounted the vehicle which was to bear me to new duties and a new life in the unknown environs of Millcote.

volume 1, Chapter 10

https://web.archive.org/web/20210421052406/https://www.gradesaver.com/jane-eyre/study-guide/summary-volume-i-chapters-6-10

The epidemic of typhus fever incites an investigation into Lowood's unhealthy conditions and Mr. Brocklehurst's management of the school, and a new group of overseers takes control of the school. With Mr. Brocklehurst's dishonor, the quality of the school improves immensely, and Jane and the other students are able to focus on their education. Jane excels as a student under Miss Temple's guidance for six years and then works as a teacher for an additional two years. When Miss Temple marries and leaves Lowood, Jane is left feeling empty and searching for a "new servitude," a new job serving someone else. She places a newspaper advertisement in search of a post as governess and gains employment for a Mrs. Fairfax at Thornfield Manor. Before Jane leaves to take up this position, she is overjoyed by a visit from Bessie, who is now married to the coachman, Robert Leaven. Bessie brings news of the Reed family, informing Jane that John had become a compulsive gambler and alcoholic while Georgiana had attempted to elope with a certain Lord Edwin Vere but had been foiled by Eliza's intervention. Bessie also mentions that Mr. John Eyre, Jane's uncle, had come to Gateshead seven years ago in an effort to contact Jane before sailing to Madeira to work as a wine-merchant. After the brief visit, Bessie and Jane part ways, and Jane begins her adventure at Thornfield Manor.

This brief transitional chapter spans eight years of Jane's life, during which she matures from an angry girl bent on self-survival into a self-reliant young woman seeking to serve others. Bronte incorporates appropriate endings for some of the more significant characters at Lowood School: Mr. Brocklehurst is removed from power at the school, a just punishment for his negligence and cruelty, while the lovely Miss Temple escapes the difficult life of a teacher and becomes a happily-married woman. Bronte also uses this chapter to incorporate certain narrative details that will be important to the overall plot of the novel. The problems of the Reed family, particularly John's descent into debauchery and vice, foreshadow Mrs. Reed's final confrontation with Jane, as well as hinting that the Reed family is being punished for their mistreatment of Jane. The mention of Mr. Eyre's visit to Gateshead also suggests that he will reappear in some form later on, perhaps with a more important role

gradesaver

all_chapterized_books/1260-chapters/12.txt

finished_summaries/gradesaver/Jane Eyre/section_2_part_1.txt

Jane Eyre.volume 1.chapter 11

volume 1, chapter 11

{"name": "volume 1, Chapter 11", "url": "https://web.archive.org/web/20210421052406/https://www.gradesaver.com/jane-eyre/study-guide/summary-volume-i-chapters-11-15", "summary": "As Jane arrives in Millcote, she is overcome with anxiety; there is no one at the station to meet her, and she fears that this Mrs. Fairfax will prove to be a second Mrs. Reed. By the time the servant arrives to take her to Thornfield, night has fallen, and Jane can see nothing of the exterior of the house or its grounds. Jane's feels are allayed, however, when she is shown into a cozy room where the elderly Mrs. Fairfax is waiting for her. At first, Jane assumes that Mrs. Fairfax is the owner of the manor, but she soon learns that Mrs. Fairfax is only the housekeeper. Because Mr. Rochester, the manor's owner, is a \"peculiar\" man who frequently travels on business, Mrs. Fairfax manages the household and estate and thus, responded to Jane's advertisement in the newspaper herself. Mr. Rochester's ward, Adele Varens, will be Jane's sole pupil at Thornfield. After the initial introduction, Mrs. Fairfax shows Jane to her room, and Jane sleeps peacefully, content to have embarked on a new adventure. The next day, Jane explores the grounds of Thornfield and meets the young Adele, a garrulous but sweet French girl who chatters in a mixture of French and English. While exploring the house with Mrs. Fairfax, Jane hears a loud, odd laugh. Mrs. Fairfax brushes off the laugh and explains that it was probably one of the servants. She then chastises Grace Poole, a seamstress employed in the house, for \"'Too much noise,'\" and bids her to \"'Remember directions.", "analysis": "The introductory chapter to Thornfield plants a few narrative seeds. First, there is an obvious correspondence between Jane and Adele, both orphans, although Adele's living conditions are far better. Rochester's background is mysterious, made more so by Adele's belief that he \"'has not kept his word'\" to her by constantly abandoning her on his business trips and Mrs. Fairfax's opaque label that he is \"'peculiar. The ghostly laugh at the end of the chapter, emanating near the attic of the manor, heightens the Gothic suspense of the novel, as do Mrs. Fairfax's curious commands to Grace Poole. Still, despite some strange aspects of Thornfield Manor, Jane feels a certain calm contentment. Not only is she no longer an inferior relative in Gateshead, she is also not a poor student at Lowood. Thornfield provides Jane with the first real opportunity to start her life anew, exploring her independence, maturity, and important position at Thornfield Manor"}

A new chapter in a novel is something like a new scene in a play; and when I draw up the curtain this time, reader, you must fancy you see a room in the George Inn at Millcote, with such large figured papering on the walls as inn rooms have; such a carpet, such furniture, such ornaments on the mantelpiece, such prints, including a portrait of George the Third, and another of the Prince of Wales, and a representation of the death of Wolfe. All this is visible to you by the light of an oil lamp hanging from the ceiling, and by that of an excellent fire, near which I sit in my cloak and bonnet; my muff and umbrella lie on the table, and I am warming away the numbness and chill contracted by sixteen hours' exposure to the rawness of an October day: I left Lowton at four o'clock a.m., and the Millcote town clock is now just striking eight. Reader, though I look comfortably accommodated, I am not very tranquil in my mind. I thought when the coach stopped here there would be some one to meet me; I looked anxiously round as I descended the wooden steps the "boots" placed for my convenience, expecting to hear my name pronounced, and to see some description of carriage waiting to convey me to Thornfield. Nothing of the sort was visible; and when I asked a waiter if any one had been to inquire after a Miss Eyre, I was answered in the negative: so I had no resource but to request to be shown into a private room: and here I am waiting, while all sorts of doubts and fears are troubling my thoughts. It is a very strange sensation to inexperienced youth to feel itself quite alone in the world, cut adrift from every connection, uncertain whether the port to which it is bound can be reached, and prevented by many impediments from returning to that it has quitted. The charm of adventure sweetens that sensation, the glow of pride warms it; but then the throb of fear disturbs it; and fear with me became predominant when half-an-hour elapsed and still I was alone. I bethought myself to ring the bell. "Is there a place in this neighbourhood called Thornfield?" I asked of the waiter who answered the summons. "Thornfield? I don't know, ma'am; I'll inquire at the bar." He vanished, but reappeared instantly-- "Is your name Eyre, Miss?" "Yes." "Person here waiting for you." I jumped up, took my muff and umbrella, and hastened into the inn-passage: a man was standing by the open door, and in the lamp-lit street I dimly saw a one-horse conveyance. "This will be your luggage, I suppose?" said the man rather abruptly when he saw me, pointing to my trunk in the passage. "Yes." He hoisted it on to the vehicle, which was a sort of car, and then I got in; before he shut me up, I asked him how far it was to Thornfield. "A matter of six miles." "How long shall we be before we get there?" "Happen an hour and a half." He fastened the car door, climbed to his own seat outside, and we set off. Our progress was leisurely, and gave me ample time to reflect; I was content to be at length so near the end of my journey; and as I leaned back in the comfortable though not elegant conveyance, I meditated much at my ease. "I suppose," thought I, "judging from the plainness of the servant and carriage, Mrs. Fairfax is not a very dashing person: so much the better; I never lived amongst fine people but once, and I was very miserable with them. I wonder if she lives alone except this little girl; if so, and if she is in any degree amiable, I shall surely be able to get on with her; I will do my best; it is a pity that doing one's best does not always answer. At Lowood, indeed, I took that resolution, kept it, and succeeded in pleasing; but with Mrs. Reed, I remember my best was always spurned with scorn. I pray God Mrs. Fairfax may not turn out a second Mrs. Reed; but if she does, I am not bound to stay with her! let the worst come to the worst, I can advertise again. How far are we on our road now, I wonder?" I let down the window and looked out; Millcote was behind us; judging by the number of its lights, it seemed a place of considerable magnitude, much larger than Lowton. We were now, as far as I could see, on a sort of common; but there were houses scattered all over the district; I felt we were in a different region to Lowood, more populous, less picturesque; more stirring, less romantic. The roads were heavy, the night misty; my conductor let his horse walk all the way, and the hour and a half extended, I verily believe, to two hours; at last he turned in his seat and said-- "You're noan so far fro' Thornfield now." Again I looked out: we were passing a church; I saw its low broad tower against the sky, and its bell was tolling a quarter; I saw a narrow galaxy of lights too, on a hillside, marking a village or hamlet. About ten minutes after, the driver got down and opened a pair of gates: we passed through, and they clashed to behind us. We now slowly ascended a drive, and came upon the long front of a house: candlelight gleamed from one curtained bow-window; all the rest were dark. The car stopped at the front door; it was opened by a maid-servant; I alighted and went in. "Will you walk this way, ma'am?" said the girl; and I followed her across a square hall with high doors all round: she ushered me into a room whose double illumination of fire and candle at first dazzled me, contrasting as it did with the darkness to which my eyes had been for two hours inured; when I could see, however, a cosy and agreeable picture presented itself to my view. A snug small room; a round table by a cheerful fire; an arm-chair high- backed and old-fashioned, wherein sat the neatest imaginable little elderly lady, in widow's cap, black silk gown, and snowy muslin apron; exactly like what I had fancied Mrs. Fairfax, only less stately and milder looking. She was occupied in knitting; a large cat sat demurely at her feet; nothing in short was wanting to complete the beau-ideal of domestic comfort. A more reassuring introduction for a new governess could scarcely be conceived; there was no grandeur to overwhelm, no stateliness to embarrass; and then, as I entered, the old lady got up and promptly and kindly came forward to meet me. "How do you do, my dear? I am afraid you have had a tedious ride; John drives so slowly; you must be cold, come to the fire." "Mrs. Fairfax, I suppose?" said I. "Yes, you are right: do sit down." She conducted me to her own chair, and then began to remove my shawl and untie my bonnet-strings; I begged she would not give herself so much trouble. "Oh, it is no trouble; I dare say your own hands are almost numbed with cold. Leah, make a little hot negus and cut a sandwich or two: here are the keys of the storeroom." And she produced from her pocket a most housewifely bunch of keys, and delivered them to the servant. "Now, then, draw nearer to the fire," she continued. "You've brought your luggage with you, haven't you, my dear?" "Yes, ma'am." "I'll see it carried into your room," she said, and bustled out. "She treats me like a visitor," thought I. "I little expected such a reception; I anticipated only coldness and stiffness: this is not like what I have heard of the treatment of governesses; but I must not exult too soon." She returned; with her own hands cleared her knitting apparatus and a book or two from the table, to make room for the tray which Leah now brought, and then herself handed me the refreshments. I felt rather confused at being the object of more attention than I had ever before received, and, that too, shown by my employer and superior; but as she did not herself seem to consider she was doing anything out of her place, I thought it better to take her civilities quietly. "Shall I have the pleasure of seeing Miss Fairfax to-night?" I asked, when I had partaken of what she offered me. "What did you say, my dear? I am a little deaf," returned the good lady, approaching her ear to my mouth. I repeated the question more distinctly. "Miss Fairfax? Oh, you mean Miss Varens! Varens is the name of your future pupil." "Indeed! Then she is not your daughter?" "No,--I have no family." I should have followed up my first inquiry, by asking in what way Miss Varens was connected with her; but I recollected it was not polite to ask too many questions: besides, I was sure to hear in time. "I am so glad," she continued, as she sat down opposite to me, and took the cat on her knee; "I am so glad you are come; it will be quite pleasant living here now with a companion. To be sure it is pleasant at any time; for Thornfield is a fine old hall, rather neglected of late years perhaps, but still it is a respectable place; yet you know in winter-time one feels dreary quite alone in the best quarters. I say alone--Leah is a nice girl to be sure, and John and his wife are very decent people; but then you see they are only servants, and one can't converse with them on terms of equality: one must keep them at due distance, for fear of losing one's authority. I'm sure last winter (it was a very severe one, if you recollect, and when it did not snow, it rained and blew), not a creature but the butcher and postman came to the house, from November till February; and I really got quite melancholy with sitting night after night alone; I had Leah in to read to me sometimes; but I don't think the poor girl liked the task much: she felt it confining. In spring and summer one got on better: sunshine and long days make such a difference; and then, just at the commencement of this autumn, little Adela Varens came and her nurse: a child makes a house alive all at once; and now you are here I shall be quite gay." My heart really warmed to the worthy lady as I heard her talk; and I drew my chair a little nearer to her, and expressed my sincere wish that she might find my company as agreeable as she anticipated. "But I'll not keep you sitting up late to-night," said she; "it is on the stroke of twelve now, and you have been travelling all day: you must feel tired. If you have got your feet well warmed, I'll show you your bedroom. I've had the room next to mine prepared for you; it is only a small apartment, but I thought you would like it better than one of the large front chambers: to be sure they have finer furniture, but they are so dreary and solitary, I never sleep in them myself." I thanked her for her considerate choice, and as I really felt fatigued with my long journey, expressed my readiness to retire. She took her candle, and I followed her from the room. First she went to see if the hall-door was fastened; having taken the key from the lock, she led the way upstairs. The steps and banisters were of oak; the staircase window was high and latticed; both it and the long gallery into which the bedroom doors opened looked as if they belonged to a church rather than a house. A very chill and vault-like air pervaded the stairs and gallery, suggesting cheerless ideas of space and solitude; and I was glad, when finally ushered into my chamber, to find it of small dimensions, and furnished in ordinary, modern style. When Mrs. Fairfax had bidden me a kind good-night, and I had fastened my door, gazed leisurely round, and in some measure effaced the eerie impression made by that wide hall, that dark and spacious staircase, and that long, cold gallery, by the livelier aspect of my little room, I remembered that, after a day of bodily fatigue and mental anxiety, I was now at last in safe haven. The impulse of gratitude swelled my heart, and I knelt down at the bedside, and offered up thanks where thanks were due; not forgetting, ere I rose, to implore aid on my further path, and the power of meriting the kindness which seemed so frankly offered me before it was earned. My couch had no thorns in it that night; my solitary room no fears. At once weary and content, I slept soon and soundly: when I awoke it was broad day. The chamber looked such a bright little place to me as the sun shone in between the gay blue chintz window curtains, showing papered walls and a carpeted floor, so unlike the bare planks and stained plaster of Lowood, that my spirits rose at the view. Externals have a great effect on the young: I thought that a fairer era of life was beginning for me, one that was to have its flowers and pleasures, as well as its thorns and toils. My faculties, roused by the change of scene, the new field offered to hope, seemed all astir. I cannot precisely define what they expected, but it was something pleasant: not perhaps that day or that month, but at an indefinite future period. I rose; I dressed myself with care: obliged to be plain--for I had no article of attire that was not made with extreme simplicity--I was still by nature solicitous to be neat. It was not my habit to be disregardful of appearance or careless of the impression I made: on the contrary, I ever wished to look as well as I could, and to please as much as my want of beauty would permit. I sometimes regretted that I was not handsomer; I sometimes wished to have rosy cheeks, a straight nose, and small cherry mouth; I desired to be tall, stately, and finely developed in figure; I felt it a misfortune that I was so little, so pale, and had features so irregular and so marked. And why had I these aspirations and these regrets? It would be difficult to say: I could not then distinctly say it to myself; yet I had a reason, and a logical, natural reason too. However, when I had brushed my hair very smooth, and put on my black frock--which, Quakerlike as it was, at least had the merit of fitting to a nicety--and adjusted my clean white tucker, I thought I should do respectably enough to appear before Mrs. Fairfax, and that my new pupil would not at least recoil from me with antipathy. Having opened my chamber window, and seen that I left all things straight and neat on the toilet table, I ventured forth. Traversing the long and matted gallery, I descended the slippery steps of oak; then I gained the hall: I halted there a minute; I looked at some pictures on the walls (one, I remember, represented a grim man in a cuirass, and one a lady with powdered hair and a pearl necklace), at a bronze lamp pendent from the ceiling, at a great clock whose case was of oak curiously carved, and ebon black with time and rubbing. Everything appeared very stately and imposing to me; but then I was so little accustomed to grandeur. The hall-door, which was half of glass, stood open; I stepped over the threshold. It was a fine autumn morning; the early sun shone serenely on embrowned groves and still green fields; advancing on to the lawn, I looked up and surveyed the front of the mansion. It was three storeys high, of proportions not vast, though considerable: a gentleman's manor-house, not a nobleman's seat: battlements round the top gave it a picturesque look. Its grey front stood out well from the background of a rookery, whose cawing tenants were now on the wing: they flew over the lawn and grounds to alight in a great meadow, from which these were separated by a sunk fence, and where an array of mighty old thorn trees, strong, knotty, and broad as oaks, at once explained the etymology of the mansion's designation. Farther off were hills: not so lofty as those round Lowood, nor so craggy, nor so like barriers of separation from the living world; but yet quiet and lonely hills enough, and seeming to embrace Thornfield with a seclusion I had not expected to find existent so near the stirring locality of Millcote. A little hamlet, whose roofs were blent with trees, straggled up the side of one of these hills; the church of the district stood nearer Thornfield: its old tower-top looked over a knoll between the house and gates. I was yet enjoying the calm prospect and pleasant fresh air, yet listening with delight to the cawing of the rooks, yet surveying the wide, hoary front of the hall, and thinking what a great place it was for one lonely little dame like Mrs. Fairfax to inhabit, when that lady appeared at the door. "What! out already?" said she. "I see you are an early riser." I went up to her, and was received with an affable kiss and shake of the hand. "How do you like Thornfield?" she asked. I told her I liked it very much. "Yes," she said, "it is a pretty place; but I fear it will be getting out of order, unless Mr. Rochester should take it into his head to come and reside here permanently; or, at least, visit it rather oftener: great houses and fine grounds require the presence of the proprietor." "Mr. Rochester!" I exclaimed. "Who is he?" "The owner of Thornfield," she responded quietly. "Did you not know he was called Rochester?" Of course I did not--I had never heard of him before; but the old lady seemed to regard his existence as a universally understood fact, with which everybody must be acquainted by instinct. "I thought," I continued, "Thornfield belonged to you." "To me? Bless you, child; what an idea! To me! I am only the housekeeper--the manager. To be sure I am distantly related to the Rochesters by the mother's side, or at least my husband was; he was a clergyman, incumbent of Hay--that little village yonder on the hill--and that church near the gates was his. The present Mr. Rochester's mother was a Fairfax, and second cousin to my husband: but I never presume on the connection--in fact, it is nothing to me; I consider myself quite in the light of an ordinary housekeeper: my employer is always civil, and I expect nothing more." "And the little girl--my pupil!" "She is Mr. Rochester's ward; he commissioned me to find a governess for her. He intended to have her brought up in ---shire, I believe. Here she comes, with her 'bonne,' as she calls her nurse." The enigma then was explained: this affable and kind little widow was no great dame; but a dependant like myself. I did not like her the worse for that; on the contrary, I felt better pleased than ever. The equality between her and me was real; not the mere result of condescension on her part: so much the better--my position was all the freer. As I was meditating on this discovery, a little girl, followed by her attendant, came running up the lawn. I looked at my pupil, who did not at first appear to notice me: she was quite a child, perhaps seven or eight years old, slightly built, with a pale, small-featured face, and a redundancy of hair falling in curls to her waist. "Good morning, Miss Adela," said Mrs. Fairfax. "Come and speak to the lady who is to teach you, and to make you a clever woman some day." She approached. "C'est la ma gouverante!" said she, pointing to me, and addressing her nurse; who answered-- "Mais oui, certainement." "Are they foreigners?" I inquired, amazed at hearing the French language. "The nurse is a foreigner, and Adela was born on the Continent; and, I believe, never left it till within six months ago. When she first came here she could speak no English; now she can make shift to talk it a little: I don't understand her, she mixes it so with French; but you will make out her meaning very well, I dare say." Fortunately I had had the advantage of being taught French by a French lady; and as I had always made a point of conversing with Madame Pierrot as often as I could, and had besides, during the last seven years, learnt a portion of French by heart daily--applying myself to take pains with my accent, and imitating as closely as possible the pronunciation of my teacher, I had acquired a certain degree of readiness and correctness in the language, and was not likely to be much at a loss with Mademoiselle Adela. She came and shook hand with me when she heard that I was her governess; and as I led her in to breakfast, I addressed some phrases to her in her own tongue: she replied briefly at first, but after we were seated at the table, and she had examined me some ten minutes with her large hazel eyes, she suddenly commenced chattering fluently. "Ah!" cried she, in French, "you speak my language as well as Mr. Rochester does: I can talk to you as I can to him, and so can Sophie. She will be glad: nobody here understands her: Madame Fairfax is all English. Sophie is my nurse; she came with me over the sea in a great ship with a chimney that smoked--how it did smoke!--and I was sick, and so was Sophie, and so was Mr. Rochester. Mr. Rochester lay down on a sofa in a pretty room called the salon, and Sophie and I had little beds in another place. I nearly fell out of mine; it was like a shelf. And Mademoiselle--what is your name?" "Eyre--Jane Eyre." "Aire? Bah! I cannot say it. Well, our ship stopped in the morning, before it was quite daylight, at a great city--a huge city, with very dark houses and all smoky; not at all like the pretty clean town I came from; and Mr. Rochester carried me in his arms over a plank to the land, and Sophie came after, and we all got into a coach, which took us to a beautiful large house, larger than this and finer, called an hotel. We stayed there nearly a week: I and Sophie used to walk every day in a great green place full of trees, called the Park; and there were many children there besides me, and a pond with beautiful birds in it, that I fed with crumbs." "Can you understand her when she runs on so fast?" asked Mrs. Fairfax. I understood her very well, for I had been accustomed to the fluent tongue of Madame Pierrot. "I wish," continued the good lady, "you would ask her a question or two about her parents: I wonder if she remembers them?" "Adele," I inquired, "with whom did you live when you were in that pretty clean town you spoke of?" "I lived long ago with mama; but she is gone to the Holy Virgin. Mama used to teach me to dance and sing, and to say verses. A great many gentlemen and ladies came to see mama, and I used to dance before them, or to sit on their knees and sing to them: I liked it. Shall I let you hear me sing now?" She had finished her breakfast, so I permitted her to give a specimen of her accomplishments. Descending from her chair, she came and placed herself on my knee; then, folding her little hands demurely before her, shaking back her curls and lifting her eyes to the ceiling, she commenced singing a song from some opera. It was the strain of a forsaken lady, who, after bewailing the perfidy of her lover, calls pride to her aid; desires her attendant to deck her in her brightest jewels and richest robes, and resolves to meet the false one that night at a ball, and prove to him, by the gaiety of her demeanour, how little his desertion has affected her. The subject seemed strangely chosen for an infant singer; but I suppose the point of the exhibition lay in hearing the notes of love and jealousy warbled with the lisp of childhood; and in very bad taste that point was: at least I thought so. Adele sang the canzonette tunefully enough, and with the _naivete_ of her age. This achieved, she jumped from my knee and said, "Now, Mademoiselle, I will repeat you some poetry." Assuming an attitude, she began, "La Ligue des Rats: fable de La Fontaine." She then declaimed the little piece with an attention to punctuation and emphasis, a flexibility of voice and an appropriateness of gesture, very unusual indeed at her age, and which proved she had been carefully trained. "Was it your mama who taught you that piece?" I asked. "Yes, and she just used to say it in this way: 'Qu' avez vous donc? lui dit un de ces rats; parlez!' She made me lift my hand--so--to remind me to raise my voice at the question. Now shall I dance for you?" "No, that will do: but after your mama went to the Holy Virgin, as you say, with whom did you live then?" "With Madame Frederic and her husband: she took care of me, but she is nothing related to me. I think she is poor, for she had not so fine a house as mama. I was not long there. Mr. Rochester asked me if I would like to go and live with him in England, and I said yes; for I knew Mr. Rochester before I knew Madame Frederic, and he was always kind to me and gave me pretty dresses and toys: but you see he has not kept his word, for he has brought me to England, and now he is gone back again himself, and I never see him." After breakfast, Adele and I withdrew to the library, which room, it appears, Mr. Rochester had directed should be used as the schoolroom. Most of the books were locked up behind glass doors; but there was one bookcase left open containing everything that could be needed in the way of elementary works, and several volumes of light literature, poetry, biography, travels, a few romances, &c. I suppose he had considered that these were all the governess would require for her private perusal; and, indeed, they contented me amply for the present; compared with the scanty pickings I had now and then been able to glean at Lowood, they seemed to offer an abundant harvest of entertainment and information. In this room, too, there was a cabinet piano, quite new and of superior tone; also an easel for painting and a pair of globes. I found my pupil sufficiently docile, though disinclined to apply: she had not been used to regular occupation of any kind. I felt it would be injudicious to confine her too much at first; so, when I had talked to her a great deal, and got her to learn a little, and when the morning had advanced to noon, I allowed her to return to her nurse. I then proposed to occupy myself till dinner-time in drawing some little sketches for her use. As I was going upstairs to fetch my portfolio and pencils, Mrs. Fairfax called to me: "Your morning school-hours are over now, I suppose," said she. She was in a room the folding-doors of which stood open: I went in when she addressed me. It was a large, stately apartment, with purple chairs and curtains, a Turkey carpet, walnut-panelled walls, one vast window rich in slanted glass, and a lofty ceiling, nobly moulded. Mrs. Fairfax was dusting some vases of fine purple spar, which stood on a sideboard. "What a beautiful room!" I exclaimed, as I looked round; for I had never before seen any half so imposing. "Yes; this is the dining-room. I have just opened the window, to let in a little air and sunshine; for everything gets so damp in apartments that are seldom inhabited; the drawing-room yonder feels like a vault." She pointed to a wide arch corresponding to the window, and hung like it with a Tyrian-dyed curtain, now looped up. Mounting to it by two broad steps, and looking through, I thought I caught a glimpse of a fairy place, so bright to my novice-eyes appeared the view beyond. Yet it was merely a very pretty drawing-room, and within it a boudoir, both spread with white carpets, on which seemed laid brilliant garlands of flowers; both ceiled with snowy mouldings of white grapes and vine-leaves, beneath which glowed in rich contrast crimson couches and ottomans; while the ornaments on the pale Parian mantelpiece were of sparkling Bohemian glass, ruby red; and between the windows large mirrors repeated the general blending of snow and fire. "In what order you keep these rooms, Mrs. Fairfax!" said I. "No dust, no canvas coverings: except that the air feels chilly, one would think they were inhabited daily." "Why, Miss Eyre, though Mr. Rochester's visits here are rare, they are always sudden and unexpected; and as I observed that it put him out to find everything swathed up, and to have a bustle of arrangement on his arrival, I thought it best to keep the rooms in readiness." "Is Mr. Rochester an exacting, fastidious sort of man?" "Not particularly so; but he has a gentleman's tastes and habits, and he expects to have things managed in conformity to them." "Do you like him? Is he generally liked?" "Oh, yes; the family have always been respected here. Almost all the land in this neighbourhood, as far as you can see, has belonged to the Rochesters time out of mind." "Well, but, leaving his land out of the question, do you like him? Is he liked for himself?" "I have no cause to do otherwise than like him; and I believe he is considered a just and liberal landlord by his tenants: but he has never lived much amongst them." "But has he no peculiarities? What, in short, is his character?" "Oh! his character is unimpeachable, I suppose. He is rather peculiar, perhaps: he has travelled a great deal, and seen a great deal of the world, I should think. I dare say he is clever, but I never had much conversation with him." "In what way is he peculiar?" "I don't know--it is not easy to describe--nothing striking, but you feel it when he speaks to you; you cannot be always sure whether he is in jest or earnest, whether he is pleased or the contrary; you don't thoroughly understand him, in short--at least, I don't: but it is of no consequence, he is a very good master." This was all the account I got from Mrs. Fairfax of her employer and mine. There are people who seem to have no notion of sketching a character, or observing and describing salient points, either in persons or things: the good lady evidently belonged to this class; my queries puzzled, but did not draw her out. Mr. Rochester was Mr. Rochester in her eyes; a gentleman, a landed proprietor--nothing more: she inquired and searched no further, and evidently wondered at my wish to gain a more definite notion of his identity. When we left the dining-room, she proposed to show me over the rest of the house; and I followed her upstairs and downstairs, admiring as I went; for all was well arranged and handsome. The large front chambers I thought especially grand: and some of the third-storey rooms, though dark and low, were interesting from their air of antiquity. The furniture once appropriated to the lower apartments had from time to time been removed here, as fashions changed: and the imperfect light entering by their narrow casement showed bedsteads of a hundred years old; chests in oak or walnut, looking, with their strange carvings of palm branches and cherubs' heads, like types of the Hebrew ark; rows of venerable chairs, high-backed and narrow; stools still more antiquated, on whose cushioned tops were yet apparent traces of half-effaced embroideries, wrought by fingers that for two generations had been coffin-dust. All these relics gave to the third storey of Thornfield Hall the aspect of a home of the past: a shrine of memory. I liked the hush, the gloom, the quaintness of these retreats in the day; but I by no means coveted a night's repose on one of those wide and heavy beds: shut in, some of them, with doors of oak; shaded, others, with wrought old English hangings crusted with thick work, portraying effigies of strange flowers, and stranger birds, and strangest human beings,--all which would have looked strange, indeed, by the pallid gleam of moonlight. "Do the servants sleep in these rooms?" I asked. "No; they occupy a range of smaller apartments to the back; no one ever sleeps here: one would almost say that, if there were a ghost at Thornfield Hall, this would be its haunt." "So I think: you have no ghost, then?" "None that I ever heard of," returned Mrs. Fairfax, smiling. "Nor any traditions of one? no legends or ghost stories?" "I believe not. And yet it is said the Rochesters have been rather a violent than a quiet race in their time: perhaps, though, that is the reason they rest tranquilly in their graves now." "Yes--'after life's fitful fever they sleep well,'" I muttered. "Where are you going now, Mrs. Fairfax?" for she was moving away. "On to the leads; will you come and see the view from thence?" I followed still, up a very narrow staircase to the attics, and thence by a ladder and through a trap-door to the roof of the hall. I was now on a level with the crow colony, and could see into their nests. Leaning over the battlements and looking far down, I surveyed the grounds laid out like a map: the bright and velvet lawn closely girdling the grey base of the mansion; the field, wide as a park, dotted with its ancient timber; the wood, dun and sere, divided by a path visibly overgrown, greener with moss than the trees were with foliage; the church at the gates, the road, the tranquil hills, all reposing in the autumn day's sun; the horizon bounded by a propitious sky, azure, marbled with pearly white. No feature in the scene was extraordinary, but all was pleasing. When I turned from it and repassed the trap-door, I could scarcely see my way down the ladder; the attic seemed black as a vault compared with that arch of blue air to which I had been looking up, and to that sunlit scene of grove, pasture, and green hill, of which the hall was the centre, and over which I had been gazing with delight. Mrs. Fairfax stayed behind a moment to fasten the trap-door; I, by drift of groping, found the outlet from the attic, and proceeded to descend the narrow garret staircase. I lingered in the long passage to which this led, separating the front and back rooms of the third storey: narrow, low, and dim, with only one little window at the far end, and looking, with its two rows of small black doors all shut, like a corridor in some Bluebeard's castle. While I paced softly on, the last sound I expected to hear in so still a region, a laugh, struck my ear. It was a curious laugh; distinct, formal, mirthless. I stopped: the sound ceased, only for an instant; it began again, louder: for at first, though distinct, it was very low. It passed off in a clamorous peal that seemed to wake an echo in every lonely chamber; though it originated but in one, and I could have pointed out the door whence the accents issued. "Mrs. Fairfax!" I called out: for I now heard her descending the great stairs. "Did you hear that loud laugh? Who is it?" "Some of the servants, very likely," she answered: "perhaps Grace Poole." "Did you hear it?" I again inquired. "Yes, plainly: I often hear her: she sews in one of these rooms. Sometimes Leah is with her; they are frequently noisy together." The laugh was repeated in its low, syllabic tone, and terminated in an odd murmur. "Grace!" exclaimed Mrs. Fairfax. I really did not expect any Grace to answer; for the laugh was as tragic, as preternatural a laugh as any I ever heard; and, but that it was high noon, and that no circumstance of ghostliness accompanied the curious cachinnation; but that neither scene nor season favoured fear, I should have been superstitiously afraid. However, the event showed me I was a fool for entertaining a sense even of surprise. The door nearest me opened, and a servant came out,--a woman of between thirty and forty; a set, square-made figure, red-haired, and with a hard, plain face: any apparition less romantic or less ghostly could scarcely be conceived. "Too much noise, Grace," said Mrs. Fairfax. "Remember directions!" Grace curtseyed silently and went in. "She is a person we have to sew and assist Leah in her housemaid's work," continued the widow; "not altogether unobjectionable in some points, but she does well enough. By-the-bye, how have you got on with your new pupil this morning?" The conversation, thus turned on Adele, continued till we reached the light and cheerful region below. Adele came running to meet us in the hall, exclaiming-- "Mesdames, vous etes servies!" adding, "J'ai bien faim, moi!" We found dinner ready, and waiting for us in Mrs. Fairfax's room.

volume 1, Chapter 11

https://web.archive.org/web/20210421052406/https://www.gradesaver.com/jane-eyre/study-guide/summary-volume-i-chapters-11-15

As Jane arrives in Millcote, she is overcome with anxiety; there is no one at the station to meet her, and she fears that this Mrs. Fairfax will prove to be a second Mrs. Reed. By the time the servant arrives to take her to Thornfield, night has fallen, and Jane can see nothing of the exterior of the house or its grounds. Jane's feels are allayed, however, when she is shown into a cozy room where the elderly Mrs. Fairfax is waiting for her. At first, Jane assumes that Mrs. Fairfax is the owner of the manor, but she soon learns that Mrs. Fairfax is only the housekeeper. Because Mr. Rochester, the manor's owner, is a "peculiar" man who frequently travels on business, Mrs. Fairfax manages the household and estate and thus, responded to Jane's advertisement in the newspaper herself. Mr. Rochester's ward, Adele Varens, will be Jane's sole pupil at Thornfield. After the initial introduction, Mrs. Fairfax shows Jane to her room, and Jane sleeps peacefully, content to have embarked on a new adventure. The next day, Jane explores the grounds of Thornfield and meets the young Adele, a garrulous but sweet French girl who chatters in a mixture of French and English. While exploring the house with Mrs. Fairfax, Jane hears a loud, odd laugh. Mrs. Fairfax brushes off the laugh and explains that it was probably one of the servants. She then chastises Grace Poole, a seamstress employed in the house, for "'Too much noise,'" and bids her to "'Remember directions.

The introductory chapter to Thornfield plants a few narrative seeds. First, there is an obvious correspondence between Jane and Adele, both orphans, although Adele's living conditions are far better. Rochester's background is mysterious, made more so by Adele's belief that he "'has not kept his word'" to her by constantly abandoning her on his business trips and Mrs. Fairfax's opaque label that he is "'peculiar. The ghostly laugh at the end of the chapter, emanating near the attic of the manor, heightens the Gothic suspense of the novel, as do Mrs. Fairfax's curious commands to Grace Poole. Still, despite some strange aspects of Thornfield Manor, Jane feels a certain calm contentment. Not only is she no longer an inferior relative in Gateshead, she is also not a poor student at Lowood. Thornfield provides Jane with the first real opportunity to start her life anew, exploring her independence, maturity, and important position at Thornfield Manor

gradesaver

all_chapterized_books/1260-chapters/13.txt

finished_summaries/gradesaver/Jane Eyre/section_2_part_2.txt

Jane Eyre.volume 1.chapter 12

volume 1, chapter 12

{"name": "volume 1, Chapter 12", "url": "https://web.archive.org/web/20210421052406/https://www.gradesaver.com/jane-eyre/study-guide/summary-volume-i-chapters-11-15", "summary": "Life at Thornfield proves to be pleasant, and Jane is pleased with Adele. Although the girl is somewhat spoiled, Jane recognizes that she is an affectionate and able student and hopes that she will be able to separate Adele from some of her French affectation. Still, when Jane walks around the attic of Thornfield, she yearns for more experience in the world. Her existence at Thornfield is stable, but her passionate nature still longs for more adventure and passion in her life. During her time near the attic, Jane also frequently hears Grace's bizarre laugh and \"eccentric murmurs\" and observes other strange behavior. One day in January, Jane walks to town in order to deliver a letter for Mrs. Fairfax and inadvertently startles a gentleman riding on horseback with his dog accompanying him. The gentleman falls from his steed and sprains his ankle, and Jane must help him back on his horse. Although he is unwilling to accept her help, Jane insists, realizing that she never would have been able to be so bold if the rider had been a handsome, young man. The man asks Jane several questions about Rochester and then departs. When Jane returns to Thornfield, she recognizes the same dog - Pilot - lying on the rug. She asks a servant for an explanation and discovers that it is, indeed, the dog from the road, and Mr. Rochester has just sprained his ankle while riding his horse.", "analysis": "Jane's desire for experience apart from stereotypical female experience is explained in a lengthy passage: \"It is narrow-minded in their more privileged fellow-creatures to say that ought to confine themselves to making pudding and knitting stockings, to playing on the piano and embroidering bags. She goes on, and the conflict is clear; Jane desires a life of action and independence that is unavailable to her as a woman during the Victorian time. Jane's thirst for adventure also reveals her passionate nature; although her time at Lowood has taught her to control her emotions beneath a calm exterior, the fiery and passionate Jane Eyre from her childhood at Gateshead still exists and yearns to escape a life of passivity. In this chapter, Jane also meets Mr. Rochester for the first time. He is instantly cloaked in mystery by his refusal to identify himself to her when they meet along the road. In fact, it is only through the dog that Jane is able to assign an identity to the master of Thornfield Manor. Still, Jane asserts some power at the beginning of their relationship, since Rochester is placed in a weakened position because of his sprained ankle and is reliant on Jane for aid. Another physical impediment forcing Rochester's dependence on Jane will arise later in the novel"}

The promise of a smooth career, which my first calm introduction to Thornfield Hall seemed to pledge, was not belied on a longer acquaintance with the place and its inmates. Mrs. Fairfax turned out to be what she appeared, a placid-tempered, kind-natured woman, of competent education and average intelligence. My pupil was a lively child, who had been spoilt and indulged, and therefore was sometimes wayward; but as she was committed entirely to my care, and no injudicious interference from any quarter ever thwarted my plans for her improvement, she soon forgot her little freaks, and became obedient and teachable. She had no great talents, no marked traits of character, no peculiar development of feeling or taste which raised her one inch above the ordinary level of childhood; but neither had she any deficiency or vice which sunk her below it. She made reasonable progress, entertained for me a vivacious, though perhaps not very profound, affection; and by her simplicity, gay prattle, and efforts to please, inspired me, in return, with a degree of attachment sufficient to make us both content in each other's society. This, _par parenthese_, will be thought cool language by persons who entertain solemn doctrines about the angelic nature of children, and the duty of those charged with their education to conceive for them an idolatrous devotion: but I am not writing to flatter parental egotism, to echo cant, or prop up humbug; I am merely telling the truth. I felt a conscientious solicitude for Adele's welfare and progress, and a quiet liking for her little self: just as I cherished towards Mrs. Fairfax a thankfulness for her kindness, and a pleasure in her society proportionate to the tranquil regard she had for me, and the moderation of her mind and character. Anybody may blame me who likes, when I add further, that, now and then, when I took a walk by myself in the grounds; when I went down to the gates and looked through them along the road; or when, while Adele played with her nurse, and Mrs. Fairfax made jellies in the storeroom, I climbed the three staircases, raised the trap-door of the attic, and having reached the leads, looked out afar over sequestered field and hill, and along dim sky-line--that then I longed for a power of vision which might overpass that limit; which might reach the busy world, towns, regions full of life I had heard of but never seen--that then I desired more of practical experience than I possessed; more of intercourse with my kind, of acquaintance with variety of character, than was here within my reach. I valued what was good in Mrs. Fairfax, and what was good in Adele; but I believed in the existence of other and more vivid kinds of goodness, and what I believed in I wished to behold. Who blames me? Many, no doubt; and I shall be called discontented. I could not help it: the restlessness was in my nature; it agitated me to pain sometimes. Then my sole relief was to walk along the corridor of the third storey, backwards and forwards, safe in the silence and solitude of the spot, and allow my mind's eye to dwell on whatever bright visions rose before it--and, certainly, they were many and glowing; to let my heart be heaved by the exultant movement, which, while it swelled it in trouble, expanded it with life; and, best of all, to open my inward ear to a tale that was never ended--a tale my imagination created, and narrated continuously; quickened with all of incident, life, fire, feeling, that I desired and had not in my actual existence. It is in vain to say human beings ought to be satisfied with tranquillity: they must have action; and they will make it if they cannot find it. Millions are condemned to a stiller doom than mine, and millions are in silent revolt against their lot. Nobody knows how many rebellions besides political rebellions ferment in the masses of life which people earth. Women are supposed to be very calm generally: but women feel just as men feel; they need exercise for their faculties, and a field for their efforts, as much as their brothers do; they suffer from too rigid a restraint, too absolute a stagnation, precisely as men would suffer; and it is narrow-minded in their more privileged fellow-creatures to say that they ought to confine themselves to making puddings and knitting stockings, to playing on the piano and embroidering bags. It is thoughtless to condemn them, or laugh at them, if they seek to do more or learn more than custom has pronounced necessary for their sex. When thus alone, I not unfrequently heard Grace Poole's laugh: the same peal, the same low, slow ha! ha! which, when first heard, had thrilled me: I heard, too, her eccentric murmurs; stranger than her laugh. There were days when she was quite silent; but there were others when I could not account for the sounds she made. Sometimes I saw her: she would come out of her room with a basin, or a plate, or a tray in her hand, go down to the kitchen and shortly return, generally (oh, romantic reader, forgive me for telling the plain truth!) bearing a pot of porter. Her appearance always acted as a damper to the curiosity raised by her oral oddities: hard-featured and staid, she had no point to which interest could attach. I made some attempts to draw her into conversation, but she seemed a person of few words: a monosyllabic reply usually cut short every effort of that sort. The other members of the household, viz., John and his wife, Leah the housemaid, and Sophie the French nurse, were decent people; but in no respect remarkable; with Sophie I used to talk French, and sometimes I asked her questions about her native country; but she was not of a descriptive or narrative turn, and generally gave such vapid and confused answers as were calculated rather to check than encourage inquiry. October, November, December passed away. One afternoon in January, Mrs. Fairfax had begged a holiday for Adele, because she had a cold; and, as Adele seconded the request with an ardour that reminded me how precious occasional holidays had been to me in my own childhood, I accorded it, deeming that I did well in showing pliability on the point. It was a fine, calm day, though very cold; I was tired of sitting still in the library through a whole long morning: Mrs. Fairfax had just written a letter which was waiting to be posted, so I put on my bonnet and cloak and volunteered to carry it to Hay; the distance, two miles, would be a pleasant winter afternoon walk. Having seen Adele comfortably seated in her little chair by Mrs. Fairfax's parlour fireside, and given her her best wax doll (which I usually kept enveloped in silver paper in a drawer) to play with, and a story-book for change of amusement; and having replied to her "Revenez bientot, ma bonne amie, ma chere Mdlle. Jeannette," with a kiss I set out. The ground was hard, the air was still, my road was lonely; I walked fast till I got warm, and then I walked slowly to enjoy and analyse the species of pleasure brooding for me in the hour and situation. It was three o'clock; the church bell tolled as I passed under the belfry: the charm of the hour lay in its approaching dimness, in the low-gliding and pale-beaming sun. I was a mile from Thornfield, in a lane noted for wild roses in summer, for nuts and blackberries in autumn, and even now possessing a few coral treasures in hips and haws, but whose best winter delight lay in its utter solitude and leafless repose. If a breath of air stirred, it made no sound here; for there was not a holly, not an evergreen to rustle, and the stripped hawthorn and hazel bushes were as still as the white, worn stones which causewayed the middle of the path. Far and wide, on each side, there were only fields, where no cattle now browsed; and the little brown birds, which stirred occasionally in the hedge, looked like single russet leaves that had forgotten to drop. This lane inclined up-hill all the way to Hay; having reached the middle, I sat down on a stile which led thence into a field. Gathering my mantle about me, and sheltering my hands in my muff, I did not feel the cold, though it froze keenly; as was attested by a sheet of ice covering the causeway, where a little brooklet, now congealed, had overflowed after a rapid thaw some days since. From my seat I could look down on Thornfield: the grey and battlemented hall was the principal object in the vale below me; its woods and dark rookery rose against the west. I lingered till the sun went down amongst the trees, and sank crimson and clear behind them. I then turned eastward. On the hill-top above me sat the rising moon; pale yet as a cloud, but brightening momentarily, she looked over Hay, which, half lost in trees, sent up a blue smoke from its few chimneys: it was yet a mile distant, but in the absolute hush I could hear plainly its thin murmurs of life. My ear, too, felt the flow of currents; in what dales and depths I could not tell: but there were many hills beyond Hay, and doubtless many becks threading their passes. That evening calm betrayed alike the tinkle of the nearest streams, the sough of the most remote. A rude noise broke on these fine ripplings and whisperings, at once so far away and so clear: a positive tramp, tramp, a metallic clatter, which effaced the soft wave-wanderings; as, in a picture, the solid mass of a crag, or the rough boles of a great oak, drawn in dark and strong on the foreground, efface the aerial distance of azure hill, sunny horizon, and blended clouds where tint melts into tint. The din was on the causeway: a horse was coming; the windings of the lane yet hid it, but it approached. I was just leaving the stile; yet, as the path was narrow, I sat still to let it go by. In those days I was young, and all sorts of fancies bright and dark tenanted my mind: the memories of nursery stories were there amongst other rubbish; and when they recurred, maturing youth added to them a vigour and vividness beyond what childhood could give. As this horse approached, and as I watched for it to appear through the dusk, I remembered certain of Bessie's tales, wherein figured a North-of-England spirit called a "Gytrash," which, in the form of horse, mule, or large dog, haunted solitary ways, and sometimes came upon belated travellers, as this horse was now coming upon me. It was very near, but not yet in sight; when, in addition to the tramp, tramp, I heard a rush under the hedge, and close down by the hazel stems glided a great dog, whose black and white colour made him a distinct object against the trees. It was exactly one form of Bessie's Gytrash--a lion-like creature with long hair and a huge head: it passed me, however, quietly enough; not staying to look up, with strange pretercanine eyes, in my face, as I half expected it would. The horse followed,--a tall steed, and on its back a rider. The man, the human being, broke the spell at once. Nothing ever rode the Gytrash: it was always alone; and goblins, to my notions, though they might tenant the dumb carcasses of beasts, could scarce covet shelter in the commonplace human form. No Gytrash was this,--only a traveller taking the short cut to Millcote. He passed, and I went on; a few steps, and I turned: a sliding sound and an exclamation of "What the deuce is to do now?" and a clattering tumble, arrested my attention. Man and horse were down; they had slipped on the sheet of ice which glazed the causeway. The dog came bounding back, and seeing his master in a predicament, and hearing the horse groan, barked till the evening hills echoed the sound, which was deep in proportion to his magnitude. He snuffed round the prostrate group, and then he ran up to me; it was all he could do,--there was no other help at hand to summon. I obeyed him, and walked down to the traveller, by this time struggling himself free of his steed. His efforts were so vigorous, I thought he could not be much hurt; but I asked him the question-- "Are you injured, sir?" I think he was swearing, but am not certain; however, he was pronouncing some formula which prevented him from replying to me directly. "Can I do anything?" I asked again. "You must just stand on one side," he answered as he rose, first to his knees, and then to his feet. I did; whereupon began a heaving, stamping, clattering process, accompanied by a barking and baying which removed me effectually some yards' distance; but I would not be driven quite away till I saw the event. This was finally fortunate; the horse was re-established, and the dog was silenced with a "Down, Pilot!" The traveller now, stooping, felt his foot and leg, as if trying whether they were sound; apparently something ailed them, for he halted to the stile whence I had just risen, and sat down. I was in the mood for being useful, or at least officious, I think, for I now drew near him again. "If you are hurt, and want help, sir, I can fetch some one either from Thornfield Hall or from Hay." "Thank you: I shall do: I have no broken bones,--only a sprain;" and again he stood up and tried his foot, but the result extorted an involuntary "Ugh!" Something of daylight still lingered, and the moon was waxing bright: I could see him plainly. His figure was enveloped in a riding cloak, fur collared and steel clasped; its details were not apparent, but I traced the general points of middle height and considerable breadth of chest. He had a dark face, with stern features and a heavy brow; his eyes and gathered eyebrows looked ireful and thwarted just now; he was past youth, but had not reached middle-age; perhaps he might be thirty-five. I felt no fear of him, and but little shyness. Had he been a handsome, heroic- looking young gentleman, I should not have dared to stand thus questioning him against his will, and offering my services unasked. I had hardly ever seen a handsome youth; never in my life spoken to one. I had a theoretical reverence and homage for beauty, elegance, gallantry, fascination; but had I met those qualities incarnate in masculine shape, I should have known instinctively that they neither had nor could have sympathy with anything in me, and should have shunned them as one would fire, lightning, or anything else that is bright but antipathetic. If even this stranger had smiled and been good-humoured to me when I addressed him; if he had put off my offer of assistance gaily and with thanks, I should have gone on my way and not felt any vocation to renew inquiries: but the frown, the roughness of the traveller, set me at my ease: I retained my station when he waved to me to go, and announced-- "I cannot think of leaving you, sir, at so late an hour, in this solitary lane, till I see you are fit to mount your horse." He looked at me when I said this; he had hardly turned his eyes in my direction before. "I should think you ought to be at home yourself," said he, "if you have a home in this neighbourhood: where do you come from?" "From just below; and I am not at all afraid of being out late when it is moonlight: I will run over to Hay for you with pleasure, if you wish it: indeed, I am going there to post a letter." "You live just below--do you mean at that house with the battlements?" pointing to Thornfield Hall, on which the moon cast a hoary gleam, bringing it out distinct and pale from the woods that, by contrast with the western sky, now seemed one mass of shadow. "Yes, sir." "Whose house is it?" "Mr. Rochester's." "Do you know Mr. Rochester?" "No, I have never seen him." "He is not resident, then?" "No." "Can you tell me where he is?" "I cannot." "You are not a servant at the hall, of course. You are--" He stopped, ran his eye over my dress, which, as usual, was quite simple: a black merino cloak, a black beaver bonnet; neither of them half fine enough for a lady's-maid. He seemed puzzled to decide what I was; I helped him. "I am the governess." "Ah, the governess!" he repeated; "deuce take me, if I had not forgotten! The governess!" and again my raiment underwent scrutiny. In two minutes he rose from the stile: his face expressed pain when he tried to move. "I cannot commission you to fetch help," he said; "but you may help me a little yourself, if you will be so kind." "Yes, sir." "You have not an umbrella that I can use as a stick?" "No." "Try to get hold of my horse's bridle and lead him to me: you are not afraid?" I should have been afraid to touch a horse when alone, but when told to do it, I was disposed to obey. I put down my muff on the stile, and went up to the tall steed; I endeavoured to catch the bridle, but it was a spirited thing, and would not let me come near its head; I made effort on effort, though in vain: meantime, I was mortally afraid of its trampling fore-feet. The traveller waited and watched for some time, and at last he laughed. {I was mortally afraid of its trampling forefeet: p107.jpg} "I see," he said, "the mountain will never be brought to Mahomet, so all you can do is to aid Mahomet to go to the mountain; I must beg of you to come here." I came. "Excuse me," he continued: "necessity compels me to make you useful." He laid a heavy hand on my shoulder, and leaning on me with some stress, limped to his horse. Having once caught the bridle, he mastered it directly and sprang to his saddle; grimacing grimly as he made the effort, for it wrenched his sprain. "Now," said he, releasing his under lip from a hard bite, "just hand me my whip; it lies there under the hedge." I sought it and found it. "Thank you; now make haste with the letter to Hay, and return as fast as you can." A touch of a spurred heel made his horse first start and rear, and then bound away; the dog rushed in his traces; all three vanished, "Like heath that, in the wilderness, The wild wind whirls away." I took up my muff and walked on. The incident had occurred and was gone for me: it _was_ an incident of no moment, no romance, no interest in a sense; yet it marked with change one single hour of a monotonous life. My help had been needed and claimed; I had given it: I was pleased to have done something; trivial, transitory though the deed was, it was yet an active thing, and I was weary of an existence all passive. The new face, too, was like a new picture introduced to the gallery of memory; and it was dissimilar to all the others hanging there: firstly, because it was masculine; and, secondly, because it was dark, strong, and stern. I had it still before me when I entered Hay, and slipped the letter into the post-office; I saw it as I walked fast down-hill all the way home. When I came to the stile, I stopped a minute, looked round and listened, with an idea that a horse's hoofs might ring on the causeway again, and that a rider in a cloak, and a Gytrash-like Newfoundland dog, might be again apparent: I saw only the hedge and a pollard willow before me, rising up still and straight to meet the moonbeams; I heard only the faintest waft of wind roaming fitful among the trees round Thornfield, a mile distant; and when I glanced down in the direction of the murmur, my eye, traversing the hall-front, caught a light kindling in a window: it reminded me that I was late, and I hurried on. I did not like re-entering Thornfield. To pass its threshold was to return to stagnation; to cross the silent hall, to ascend the darksome staircase, to seek my own lonely little room, and then to meet tranquil Mrs. Fairfax, and spend the long winter evening with her, and her only, was to quell wholly the faint excitement wakened by my walk,--to slip again over my faculties the viewless fetters of an uniform and too still existence; of an existence whose very privileges of security and ease I was becoming incapable of appreciating. What good it would have done me at that time to have been tossed in the storms of an uncertain struggling life, and to have been taught by rough and bitter experience to long for the calm amidst which I now repined! Yes, just as much good as it would do a man tired of sitting still in a "too easy chair" to take a long walk: and just as natural was the wish to stir, under my circumstances, as it would be under his. I lingered at the gates; I lingered on the lawn; I paced backwards and forwards on the pavement; the shutters of the glass door were closed; I could not see into the interior; and both my eyes and spirit seemed drawn from the gloomy house--from the grey-hollow filled with rayless cells, as it appeared to me--to that sky expanded before me,--a blue sea absolved from taint of cloud; the moon ascending it in solemn march; her orb seeming to look up as she left the hill-tops, from behind which she had come, far and farther below her, and aspired to the zenith, midnight dark in its fathomless depth and measureless distance; and for those trembling stars that followed her course; they made my heart tremble, my veins glow when I viewed them. Little things recall us to earth; the clock struck in the hall; that sufficed; I turned from moon and stars, opened a side- door, and went in. The hall was not dark, nor yet was it lit, only by the high-hung bronze lamp; a warm glow suffused both it and the lower steps of the oak staircase. This ruddy shine issued from the great dining-room, whose two- leaved door stood open, and showed a genial fire in the grate, glancing on marble hearth and brass fire-irons, and revealing purple draperies and polished furniture, in the most pleasant radiance. It revealed, too, a group near the mantelpiece: I had scarcely caught it, and scarcely become aware of a cheerful mingling of voices, amongst which I seemed to distinguish the tones of Adele, when the door closed. I hastened to Mrs. Fairfax's room; there was a fire there too, but no candle, and no Mrs. Fairfax. Instead, all alone, sitting upright on the rug, and gazing with gravity at the blaze, I beheld a great black and white long-haired dog, just like the Gytrash of the lane. It was so like it that I went forward and said--"Pilot" and the thing got up and came to me and snuffed me. I caressed him, and he wagged his great tail; but he looked an eerie creature to be alone with, and I could not tell whence he had come. I rang the bell, for I wanted a candle; and I wanted, too, to get an account of this visitant. Leah entered. "What dog is this?" "He came with master." "With whom?" "With master--Mr. Rochester--he is just arrived." "Indeed! and is Mrs. Fairfax with him?" "Yes, and Miss Adele; they are in the dining-room, and John is gone for a surgeon; for master has had an accident; his horse fell and his ankle is sprained." "Did the horse fall in Hay Lane?" "Yes, coming down-hill; it slipped on some ice." "Ah! Bring me a candle will you Leah?" Leah brought it; she entered, followed by Mrs. Fairfax, who repeated the news; adding that Mr. Carter the surgeon was come, and was now with Mr. Rochester: then she hurried out to give orders about tea, and I went upstairs to take off my things.

volume 1, Chapter 12

https://web.archive.org/web/20210421052406/https://www.gradesaver.com/jane-eyre/study-guide/summary-volume-i-chapters-11-15

Life at Thornfield proves to be pleasant, and Jane is pleased with Adele. Although the girl is somewhat spoiled, Jane recognizes that she is an affectionate and able student and hopes that she will be able to separate Adele from some of her French affectation. Still, when Jane walks around the attic of Thornfield, she yearns for more experience in the world. Her existence at Thornfield is stable, but her passionate nature still longs for more adventure and passion in her life. During her time near the attic, Jane also frequently hears Grace's bizarre laugh and "eccentric murmurs" and observes other strange behavior. One day in January, Jane walks to town in order to deliver a letter for Mrs. Fairfax and inadvertently startles a gentleman riding on horseback with his dog accompanying him. The gentleman falls from his steed and sprains his ankle, and Jane must help him back on his horse. Although he is unwilling to accept her help, Jane insists, realizing that she never would have been able to be so bold if the rider had been a handsome, young man. The man asks Jane several questions about Rochester and then departs. When Jane returns to Thornfield, she recognizes the same dog - Pilot - lying on the rug. She asks a servant for an explanation and discovers that it is, indeed, the dog from the road, and Mr. Rochester has just sprained his ankle while riding his horse.

Jane's desire for experience apart from stereotypical female experience is explained in a lengthy passage: "It is narrow-minded in their more privileged fellow-creatures to say that ought to confine themselves to making pudding and knitting stockings, to playing on the piano and embroidering bags. She goes on, and the conflict is clear; Jane desires a life of action and independence that is unavailable to her as a woman during the Victorian time. Jane's thirst for adventure also reveals her passionate nature; although her time at Lowood has taught her to control her emotions beneath a calm exterior, the fiery and passionate Jane Eyre from her childhood at Gateshead still exists and yearns to escape a life of passivity. In this chapter, Jane also meets Mr. Rochester for the first time. He is instantly cloaked in mystery by his refusal to identify himself to her when they meet along the road. In fact, it is only through the dog that Jane is able to assign an identity to the master of Thornfield Manor. Still, Jane asserts some power at the beginning of their relationship, since Rochester is placed in a weakened position because of his sprained ankle and is reliant on Jane for aid. Another physical impediment forcing Rochester's dependence on Jane will arise later in the novel

gradesaver

all_chapterized_books/1260-chapters/14.txt

finished_summaries/gradesaver/Jane Eyre/section_2_part_3.txt

Jane Eyre.volume 1.chapter 13

volume 1, chapter 13

{"name": "volume 1, Chapter 13", "url": "https://web.archive.org/web/20210421052406/https://www.gradesaver.com/jane-eyre/study-guide/summary-volume-i-chapters-11-15", "summary": "With Mr. Rochester home, Thornfield becomes a noisier, busier place, much to Jane's liking. He invites Jane and Adele to have tea with him and Mrs. Fairfax. Adele immediately asks if he has a gift for Jane; Jane asserts that the best gift that he can give her is praise of Adele's progress. Mr. Rochester coldly interrogates her about her background but demonstrates more warmth when he looks at Jane's watercolor sketches. After the meal, Jane and Mrs. Fairfax discuss Mr. Rochester. His older brother died nine years ago, whereupon Mr. Rochester inherited the estate, though he avoids the place as much as possible. Mrs. Fairfax's justification that Mr. Rochester finds the place \"gloomy\" does not satisfy Jane, and Mrs. Fairfax is evasive about Rochester's other \"family troubles.", "analysis": "The mystery concerning Mr. Rochester deepens, and this constitutes the major dramatic thrust of the novel. Gothic novels usually have a romantic component that revolves around passionate, unrequited love; as a stereotypical Byronic hero with a dark, brooding nature and secretive past, Mr. Rochester is an ideal candidate for such a love. Part of Jane's struggle with Mr. Rochester over the course of the novel will be the assertion of her independence and equality. As we can already see, Rochester only begrudgingly admits Jane's positive qualities, criticizing her even when praising her watercolors. Nevertheless, he demonstrates an obvious interest in her and seems to appreciate her intellectual. As Jane continues to grow in terms of self-reliance and begins to develop feelings for Mr. Rochester, she will undergo a constant struggle between her position as Mr. Rochester's servant and her desire to be something more"}

Mr. Rochester, it seems, by the surgeon's orders, went to bed early that night; nor did he rise soon next morning. When he did come down, it was to attend to business: his agent and some of his tenants were arrived, and waiting to speak with him. Adele and I had now to vacate the library: it would be in daily requisition as a reception-room for callers. A fire was lit in an apartment upstairs, and there I carried our books, and arranged it for the future schoolroom. I discerned in the course of the morning that Thornfield Hall was a changed place: no longer silent as a church, it echoed every hour or two to a knock at the door, or a clang of the bell; steps, too, often traversed the hall, and new voices spoke in different keys below; a rill from the outer world was flowing through it; it had a master: for my part, I liked it better. Adele was not easy to teach that day; she could not apply: she kept running to the door and looking over the banisters to see if she could get a glimpse of Mr. Rochester; then she coined pretexts to go downstairs, in order, as I shrewdly suspected, to visit the library, where I knew she was not wanted; then, when I got a little angry, and made her sit still, she continued to talk incessantly of her "ami, Monsieur Edouard Fairfax _de_ Rochester," as she dubbed him (I had not before heard his prenomens), and to conjecture what presents he had brought her: for it appears he had intimated the night before, that when his luggage came from Millcote, there would be found amongst it a little box in whose contents she had an interest. "Et cela doit signifier," said she, "qu'il y aura la dedans un cadeau pour moi, et peut-etre pour vous aussi, mademoiselle. Monsieur a parle de vous: il m'a demande le nom de ma gouvernante, et si elle n'etait pas une petite personne, assez mince et un peu pale. J'ai dit qu'oui: car c'est vrai, n'est-ce pas, mademoiselle?" I and my pupil dined as usual in Mrs. Fairfax's parlour; the afternoon was wild and snowy, and we passed it in the schoolroom. At dark I allowed Adele to put away books and work, and to run downstairs; for, from the comparative silence below, and from the cessation of appeals to the door-bell, I conjectured that Mr. Rochester was now at liberty. Left alone, I walked to the window; but nothing was to be seen thence: twilight and snowflakes together thickened the air, and hid the very shrubs on the lawn. I let down the curtain and went back to the fireside. In the clear embers I was tracing a view, not unlike a picture I remembered to have seen of the castle of Heidelberg, on the Rhine, when Mrs. Fairfax came in, breaking up by her entrance the fiery mosaic I had been piercing together, and scattering too some heavy unwelcome thoughts that were beginning to throng on my solitude. "Mr. Rochester would be glad if you and your pupil would take tea with him in the drawing-room this evening," said she: "he has been so much engaged all day that he could not ask to see you before." "When is his tea-time?" I inquired. "Oh, at six o'clock: he keeps early hours in the country. You had better change your frock now; I will go with you and fasten it. Here is a candle." "Is it necessary to change my frock?" "Yes, you had better: I always dress for the evening when Mr. Rochester is here." This additional ceremony seemed somewhat stately; however, I repaired to my room, and, with Mrs. Fairfax's aid, replaced my black stuff dress by one of black silk; the best and the only additional one I had, except one of light grey, which, in my Lowood notions of the toilette, I thought too fine to be worn, except on first-rate occasions. "You want a brooch," said Mrs. Fairfax. I had a single little pearl ornament which Miss Temple gave me as a parting keepsake: I put it on, and then we went downstairs. Unused as I was to strangers, it was rather a trial to appear thus formally summoned in Mr. Rochester's presence. I let Mrs. Fairfax precede me into the dining-room, and kept in her shade as we crossed that apartment; and, passing the arch, whose curtain was now dropped, entered the elegant recess beyond. Two wax candles stood lighted on the table, and two on the mantelpiece; basking in the light and heat of a superb fire, lay Pilot--Adele knelt near him. Half reclined on a couch appeared Mr. Rochester, his foot supported by the cushion; he was looking at Adele and the dog: the fire shone full on his face. I knew my traveller with his broad and jetty eyebrows; his square forehead, made squarer by the horizontal sweep of his black hair. I recognised his decisive nose, more remarkable for character than beauty; his full nostrils, denoting, I thought, choler; his grim mouth, chin, and jaw--yes, all three were very grim, and no mistake. His shape, now divested of cloak, I perceived harmonised in squareness with his physiognomy: I suppose it was a good figure in the athletic sense of the term--broad chested and thin flanked, though neither tall nor graceful. Mr. Rochester must have been aware of the entrance of Mrs. Fairfax and myself; but it appeared he was not in the mood to notice us, for he never lifted his head as we approached. "Here is Miss Eyre, sir," said Mrs. Fairfax, in her quiet way. He bowed, still not taking his eyes from the group of the dog and child. "Let Miss Eyre be seated," said he: and there was something in the forced stiff bow, in the impatient yet formal tone, which seemed further to express, "What the deuce is it to me whether Miss Eyre be there or not? At this moment I am not disposed to accost her." I sat down quite disembarrassed. A reception of finished politeness would probably have confused me: I could not have returned or repaid it by answering grace and elegance on my part; but harsh caprice laid me under no obligation; on the contrary, a decent quiescence, under the freak of manner, gave me the advantage. Besides, the eccentricity of the proceeding was piquant: I felt interested to see how he would go on. He went on as a statue would, that is, he neither spoke nor moved. Mrs. Fairfax seemed to think it necessary that some one should be amiable, and she began to talk. Kindly, as usual--and, as usual, rather trite--she condoled with him on the pressure of business he had had all day; on the annoyance it must have been to him with that painful sprain: then she commended his patience and perseverance in going through with it. "Madam, I should like some tea," was the sole rejoinder she got. She hastened to ring the bell; and when the tray came, she proceeded to arrange the cups, spoons, &c., with assiduous celerity. I and Adele went to the table; but the master did not leave his couch. "Will you hand Mr. Rochester's cup?" said Mrs. Fairfax to me; "Adele might perhaps spill it." I did as requested. As he took the cup from my hand, Adele, thinking the moment propitious for making a request in my favour, cried out-- "N'est-ce pas, monsieur, qu'il y a un cadeau pour Mademoiselle Eyre dans votre petit coffre?" "Who talks of cadeaux?" said he gruffly. "Did you expect a present, Miss Eyre? Are you fond of presents?" and he searched my face with eyes that I saw were dark, irate, and piercing. "I hardly know, sir; I have little experience of them: they are generally thought pleasant things." "Generally thought? But what do _you_ think?" "I should be obliged to take time, sir, before I could give you an answer worthy of your acceptance: a present has many faces to it, has it not? and one should consider all, before pronouncing an opinion as to its nature." "Miss Eyre, you are not so unsophisticated as Adele: she demands a 'cadeau,' clamorously, the moment she sees me: you beat about the bush." "Because I have less confidence in my deserts than Adele has: she can prefer the claim of old acquaintance, and the right too of custom; for she says you have always been in the habit of giving her playthings; but if I had to make out a case I should be puzzled, since I am a stranger, and have done nothing to entitle me to an acknowledgment." "Oh, don't fall back on over-modesty! I have examined Adele, and find you have taken great pains with her: she is not bright, she has no talents; yet in a short time she has made much improvement." "Sir, you have now given me my 'cadeau;' I am obliged to you: it is the meed teachers most covet--praise of their pupils' progress." "Humph!" said Mr. Rochester, and he took his tea in silence. "Come to the fire," said the master, when the tray was taken away, and Mrs. Fairfax had settled into a corner with her knitting; while Adele was leading me by the hand round the room, showing me the beautiful books and ornaments on the consoles and chiffonnieres. We obeyed, as in duty bound; Adele wanted to take a seat on my knee, but she was ordered to amuse herself with Pilot. "You have been resident in my house three months?" "Yes, sir." "And you came from--?" "From Lowood school, in ---shire." "Ah! a charitable concern. How long were you there?" "Eight years." "Eight years! you must be tenacious of life. I thought half the time in such a place would have done up any constitution! No wonder you have rather the look of another world. I marvelled where you had got that sort of face. When you came on me in Hay Lane last night, I thought unaccountably of fairy tales, and had half a mind to demand whether you had bewitched my horse: I am not sure yet. Who are your parents?" "I have none." "Nor ever had, I suppose: do you remember them?" "No." "I thought not. And so you were waiting for your people when you sat on that stile?" "For whom, sir?" "For the men in green: it was a proper moonlight evening for them. Did I break through one of your rings, that you spread that damned ice on the causeway?" I shook my head. "The men in green all forsook England a hundred years ago," said I, speaking as seriously as he had done. "And not even in Hay Lane, or the fields about it, could you find a trace of them. I don't think either summer or harvest, or winter moon, will ever shine on their revels more." Mrs. Fairfax had dropped her knitting, and, with raised eyebrows, seemed wondering what sort of talk this was. "Well," resumed Mr. Rochester, "if you disown parents, you must have some sort of kinsfolk: uncles and aunts?" "No; none that I ever saw." "And your home?" "I have none." "Where do your brothers and sisters live?" "I have no brothers or sisters." "Who recommended you to come here?" "I advertised, and Mrs. Fairfax answered my advertisement." "Yes," said the good lady, who now knew what ground we were upon, "and I am daily thankful for the choice Providence led me to make. Miss Eyre has been an invaluable companion to me, and a kind and careful teacher to Adele." "Don't trouble yourself to give her a character," returned Mr. Rochester: "eulogiums will not bias me; I shall judge for myself. She began by felling my horse." "Sir?" said Mrs. Fairfax. "I have to thank her for this sprain." The widow looked bewildered. "Miss Eyre, have you ever lived in a town?" "No, sir." "Have you seen much society?" "None but the pupils and teachers of Lowood, and now the inmates of Thornfield." "Have you read much?" "Only such books as came in my way; and they have not been numerous or very learned." "You have lived the life of a nun: no doubt you are well drilled in religious forms;--Brocklehurst, who I understand directs Lowood, is a parson, is he not?" "Yes, sir." "And you girls probably worshipped him, as a convent full of religieuses would worship their director." "Oh, no." "You are very cool! No! What! a novice not worship her priest! That sounds blasphemous." "I disliked Mr. Brocklehurst; and I was not alone in the feeling. He is a harsh man; at once pompous and meddling; he cut off our hair; and for economy's sake bought us bad needles and thread, with which we could hardly sew." "That was very false economy," remarked Mrs. Fairfax, who now again caught the drift of the dialogue. "And was that the head and front of his offending?" demanded Mr. Rochester. "He starved us when he had the sole superintendence of the provision department, before the committee was appointed; and he bored us with long lectures once a week, and with evening readings from books of his own inditing, about sudden deaths and judgments, which made us afraid to go to bed." "What age were you when you went to Lowood?" "About ten." "And you stayed there eight years: you are now, then, eighteen?" I assented. "Arithmetic, you see, is useful; without its aid, I should hardly have been able to guess your age. It is a point difficult to fix where the features and countenance are so much at variance as in your case. And now what did you learn at Lowood? Can you play?" "A little." "Of course: that is the established answer. Go into the library--I mean, if you please.--(Excuse my tone of command; I am used to say, 'Do this,' and it is done: I cannot alter my customary habits for one new inmate.)--Go, then, into the library; take a candle with you; leave the door open; sit down to the piano, and play a tune." I departed, obeying his directions. "Enough!" he called out in a few minutes. "You play _a little_, I see; like any other English school-girl; perhaps rather better than some, but not well." I closed the piano and returned. Mr. Rochester continued--"Adele showed me some sketches this morning, which she said were yours. I don't know whether they were entirely of your doing; probably a master aided you?" "No, indeed!" I interjected. "Ah! that pricks pride. Well, fetch me your portfolio, if you can vouch for its contents being original; but don't pass your word unless you are certain: I can recognise patchwork." "Then I will say nothing, and you shall judge for yourself, sir." I brought the portfolio from the library. "Approach the table," said he; and I wheeled it to his couch. Adele and Mrs. Fairfax drew near to see the pictures. "No crowding," said Mr. Rochester: "take the drawings from my hand as I finish with them; but don't push your faces up to mine." He deliberately scrutinised each sketch and painting. Three he laid aside; the others, when he had examined them, he swept from him. "Take them off to the other table, Mrs. Fairfax," said he, "and look at them with Adele;--you" (glancing at me) "resume your seat, and answer my questions. I perceive those pictures were done by one hand: was that hand yours?" "Yes." "And when did you find time to do them? They have taken much time, and some thought." "I did them in the last two vacations I spent at Lowood, when I had no other occupation." "Where did you get your copies?" "Out of my head." "That head I see now on your shoulders?" "Yes, sir." "Has it other furniture of the same kind within?" "I should think it may have: I should hope--better." He spread the pictures before him, and again surveyed them alternately. While he is so occupied, I will tell you, reader, what they are: and first, I must premise that they are nothing wonderful. The subjects had, indeed, risen vividly on my mind. As I saw them with the spiritual eye, before I attempted to embody them, they were striking; but my hand would not second my fancy, and in each case it had wrought out but a pale portrait of the thing I had conceived. These pictures were in water-colours. The first represented clouds low and livid, rolling over a swollen sea: all the distance was in eclipse; so, too, was the foreground; or rather, the nearest billows, for there was no land. One gleam of light lifted into relief a half-submerged mast, on which sat a cormorant, dark and large, with wings flecked with foam; its beak held a gold bracelet set with gems, that I had touched with as brilliant tints as my palette could yield, and as glittering distinctness as my pencil could impart. Sinking below the bird and mast, a drowned corpse glanced through the green water; a fair arm was the only limb clearly visible, whence the bracelet had been washed or torn. The second picture contained for foreground only the dim peak of a hill, with grass and some leaves slanting as if by a breeze. Beyond and above spread an expanse of sky, dark blue as at twilight: rising into the sky was a woman's shape to the bust, portrayed in tints as dusk and soft as I could combine. The dim forehead was crowned with a star; the lineaments below were seen as through the suffusion of vapour; the eyes shone dark and wild; the hair streamed shadowy, like a beamless cloud torn by storm or by electric travail. On the neck lay a pale reflection like moonlight; the same faint lustre touched the train of thin clouds from which rose and bowed this vision of the Evening Star. The third showed the pinnacle of an iceberg piercing a polar winter sky: a muster of northern lights reared their dim lances, close serried, along the horizon. Throwing these into distance, rose, in the foreground, a head,--a colossal head, inclined towards the iceberg, and resting against it. Two thin hands, joined under the forehead, and supporting it, drew up before the lower features a sable veil, a brow quite bloodless, white as bone, and an eye hollow and fixed, blank of meaning but for the glassiness of despair, alone were visible. Above the temples, amidst wreathed turban folds of black drapery, vague in its character and consistency as cloud, gleamed a ring of white flame, gemmed with sparkles of a more lurid tinge. This pale crescent was "the likeness of a kingly crown;" what it diademed was "the shape which shape had none." "Were you happy when you painted these pictures?" asked Mr. Rochester presently. "I was absorbed, sir: yes, and I was happy. To paint them, in short, was to enjoy one of the keenest pleasures I have ever known." "That is not saying much. Your pleasures, by your own account, have been few; but I daresay you did exist in a kind of artist's dreamland while you blent and arranged these strange tints. Did you sit at them long each day?" "I had nothing else to do, because it was the vacation, and I sat at them from morning till noon, and from noon till night: the length of the midsummer days favoured my inclination to apply." "And you felt self-satisfied with the result of your ardent labours?" "Far from it. I was tormented by the contrast between my idea and my handiwork: in each case I had imagined something which I was quite powerless to realise." "Not quite: you have secured the shadow of your thought; but no more, probably. You had not enough of the artist's skill and science to give it full being: yet the drawings are, for a school-girl, peculiar. As to the thoughts, they are elfish. These eyes in the Evening Star you must have seen in a dream. How could you make them look so clear, and yet not at all brilliant? for the planet above quells their rays. And what meaning is that in their solemn depth? And who taught you to paint wind? There is a high gale in that sky, and on this hill-top. Where did you see Latmos? For that is Latmos. There! put the drawings away!" I had scarce tied the strings of the portfolio, when, looking at his watch, he said abruptly-- "It is nine o'clock: what are you about, Miss Eyre, to let Adele sit up so long? Take her to bed." Adele went to kiss him before quitting the room: he endured the caress, but scarcely seemed to relish it more than Pilot would have done, nor so much. "I wish you all good-night, now," said he, making a movement of the hand towards the door, in token that he was tired of our company, and wished to dismiss us. Mrs. Fairfax folded up her knitting: I took my portfolio: we curtseyed to him, received a frigid bow in return, and so withdrew. "You said Mr. Rochester was not strikingly peculiar, Mrs. Fairfax," I observed, when I rejoined her in her room, after putting Adele to bed. "Well, is he?" "I think so: he is very changeful and abrupt." "True: no doubt he may appear so to a stranger, but I am so accustomed to his manner, I never think of it; and then, if he has peculiarities of temper, allowance should be made." "Why?" "Partly because it is his nature--and we can none of us help our nature; and partly because he has painful thoughts, no doubt, to harass him, and make his spirits unequal." "What about?" "Family troubles, for one thing." "But he has no family." "Not now, but he has had--or, at least, relatives. He lost his elder brother a few years since." "His _elder_ brother?" "Yes. The present Mr. Rochester has not been very long in possession of the property; only about nine years." "Nine years is a tolerable time. Was he so very fond of his brother as to be still inconsolable for his loss?" "Why, no--perhaps not. I believe there were some misunderstandings between them. Mr. Rowland Rochester was not quite just to Mr. Edward; and perhaps he prejudiced his father against him. The old gentleman was fond of money, and anxious to keep the family estate together. He did not like to diminish the property by division, and yet he was anxious that Mr. Edward should have wealth, too, to keep up the consequence of the name; and, soon after he was of age, some steps were taken that were not quite fair, and made a great deal of mischief. Old Mr. Rochester and Mr. Rowland combined to bring Mr. Edward into what he considered a painful position, for the sake of making his fortune: what the precise nature of that position was I never clearly knew, but his spirit could not brook what he had to suffer in it. He is not very forgiving: he broke with his family, and now for many years he has led an unsettled kind of life. I don't think he has ever been resident at Thornfield for a fortnight together, since the death of his brother without a will left him master of the estate; and, indeed, no wonder he shuns the old place." "Why should he shun it?" "Perhaps he thinks it gloomy." The answer was evasive. I should have liked something clearer; but Mrs. Fairfax either could not, or would not, give me more explicit information of the origin and nature of Mr. Rochester's trials. She averred they were a mystery to herself, and that what she knew was chiefly from conjecture. It was evident, indeed, that she wished me to drop the subject, which I did accordingly.

volume 1, Chapter 13

https://web.archive.org/web/20210421052406/https://www.gradesaver.com/jane-eyre/study-guide/summary-volume-i-chapters-11-15

With Mr. Rochester home, Thornfield becomes a noisier, busier place, much to Jane's liking. He invites Jane and Adele to have tea with him and Mrs. Fairfax. Adele immediately asks if he has a gift for Jane; Jane asserts that the best gift that he can give her is praise of Adele's progress. Mr. Rochester coldly interrogates her about her background but demonstrates more warmth when he looks at Jane's watercolor sketches. After the meal, Jane and Mrs. Fairfax discuss Mr. Rochester. His older brother died nine years ago, whereupon Mr. Rochester inherited the estate, though he avoids the place as much as possible. Mrs. Fairfax's justification that Mr. Rochester finds the place "gloomy" does not satisfy Jane, and Mrs. Fairfax is evasive about Rochester's other "family troubles.

The mystery concerning Mr. Rochester deepens, and this constitutes the major dramatic thrust of the novel. Gothic novels usually have a romantic component that revolves around passionate, unrequited love; as a stereotypical Byronic hero with a dark, brooding nature and secretive past, Mr. Rochester is an ideal candidate for such a love. Part of Jane's struggle with Mr. Rochester over the course of the novel will be the assertion of her independence and equality. As we can already see, Rochester only begrudgingly admits Jane's positive qualities, criticizing her even when praising her watercolors. Nevertheless, he demonstrates an obvious interest in her and seems to appreciate her intellectual. As Jane continues to grow in terms of self-reliance and begins to develop feelings for Mr. Rochester, she will undergo a constant struggle between her position as Mr. Rochester's servant and her desire to be something more

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Jane Eyre.volume 1.chapter 14

volume 1, chapter 14

{"name": "volume 1, Chapter 14", "url": "https://web.archive.org/web/20210421052406/https://www.gradesaver.com/jane-eyre/study-guide/summary-volume-i-chapters-11-15", "summary": "During the next few days, Jane sees little of Mr. Rochester as he deals with business and acquaintances. His moods shift rapidly, but Jane cannot figure out their source. One night, during one of his warmer moods, Mr. Rochester gives Adele her long-awaited gift and is more genial while talking with Jane. Jane keeps scrutinizing his face, a fact he notes; he asks if she finds him handsome, but she gives the honest answer: \"No, sir. Mr. Rochester seems to be amused by Jane's answer, and she concludes that he must be slightly drunk. Although the conversation continues, Jane begins to feel increasingly awkward because of Mr. Rochester's position of superiority as her master. Mr. Rochester claims that their relationship should not be one of servitude. Moreover, he does not mean to condescend to her, but his air of superiority comes from his being much older and more experienced. Jane disagrees, arguing that age and experience should automatically confer authority. The conversation moves to the topic of sin and redemption, and Mr. Rochester promises to explain more about Adele's mother in the future.", "analysis": "Regardless of what Mr. Rochester says about his superiority in regards to experience with Jane, it is clear from his lengthy, involved discussion with her that he views her as his intellectual equal. Though she has a fraction of his worldly experience, Jane acquits herself well with the complicated topics Mr. Rochester brings up and even earns his approval at points for her thoughts. Their flirtation also unofficially begins, as Jane admits to herself that though \"most people would have thought him an ugly man,\" he carries himself with a charismatic, detached confidence. However, despite his assertion that their relationship is not one in which she is the servant, Mr. Rochester cannot change the social expectations of the time period. Even with their intellectual equality, Jane remains Mr. Rochester's inferior, first as the governess to his ward, but primarily because she is a woman. Still, Mr. Rochester's social domination over Jane will be far more pleasant and affectionate than the submissive position that she assumed with Mr. Brocklehurst or will take up with St. John Rivers at a later point in the novel"}

For several subsequent days I saw little of Mr. Rochester. In the mornings he seemed much engaged with business, and, in the afternoon, gentlemen from Millcote or the neighbourhood called, and sometimes stayed to dine with him. When his sprain was well enough to admit of horse exercise, he rode out a good deal; probably to return these visits, as he generally did not come back till late at night. During this interval, even Adele was seldom sent for to his presence, and all my acquaintance with him was confined to an occasional rencontre in the hall, on the stairs, or in the gallery, when he would sometimes pass me haughtily and coldly, just acknowledging my presence by a distant nod or a cool glance, and sometimes bow and smile with gentlemanlike affability. His changes of mood did not offend me, because I saw that I had nothing to do with their alternation; the ebb and flow depended on causes quite disconnected with me. One day he had had company to dinner, and had sent for my portfolio; in order, doubtless, to exhibit its contents: the gentlemen went away early, to attend a public meeting at Millcote, as Mrs. Fairfax informed me; but the night being wet and inclement, Mr. Rochester did not accompany them. Soon after they were gone he rang the bell: a message came that I and Adele were to go downstairs. I brushed Adele's hair and made her neat, and having ascertained that I was myself in my usual Quaker trim, where there was nothing to retouch--all being too close and plain, braided locks included, to admit of disarrangement--we descended, Adele wondering whether the _petit coffre_ was at length come; for, owing to some mistake, its arrival had hitherto been delayed. She was gratified: there it stood, a little carton, on the table when we entered the dining-room. She appeared to know it by instinct. "Ma boite! ma boite!" exclaimed she, running towards it. "Yes, there is your 'boite' at last: take it into a corner, you genuine daughter of Paris, and amuse yourself with disembowelling it," said the deep and rather sarcastic voice of Mr. Rochester, proceeding from the depths of an immense easy-chair at the fireside. "And mind," he continued, "don't bother me with any details of the anatomical process, or any notice of the condition of the entrails: let your operation be conducted in silence: tiens-toi tranquille, enfant; comprends-tu?" Adele seemed scarcely to need the warning--she had already retired to a sofa with her treasure, and was busy untying the cord which secured the lid. Having removed this impediment, and lifted certain silvery envelopes of tissue paper, she merely exclaimed-- "Oh ciel! Que c'est beau!" and then remained absorbed in ecstatic contemplation. "Is Miss Eyre there?" now demanded the master, half rising from his seat to look round to the door, near which I still stood. "Ah! well, come forward; be seated here." He drew a chair near his own. "I am not fond of the prattle of children," he continued; "for, old bachelor as I am, I have no pleasant associations connected with their lisp. It would be intolerable to me to pass a whole evening _tete-a-tete_ with a brat. Don't draw that chair farther off, Miss Eyre; sit down exactly where I placed it--if you please, that is. Confound these civilities! I continually forget them. Nor do I particularly affect simple-minded old ladies. By-the-bye, I must have mine in mind; it won't do to neglect her; she is a Fairfax, or wed to one; and blood is said to be thicker than water." He rang, and despatched an invitation to Mrs. Fairfax, who soon arrived, knitting-basket in hand. "Good evening, madam; I sent to you for a charitable purpose. I have forbidden Adele to talk to me about her presents, and she is bursting with repletion: have the goodness to serve her as auditress and interlocutrice; it will be one of the most benevolent acts you ever performed." Adele, indeed, no sooner saw Mrs. Fairfax, than she summoned her to her sofa, and there quickly filled her lap with the porcelain, the ivory, the waxen contents of her "boite;" pouring out, meantime, explanations and raptures in such broken English as she was mistress of. "Now I have performed the part of a good host," pursued Mr. Rochester, "put my guests into the way of amusing each other, I ought to be at liberty to attend to my own pleasure. Miss Eyre, draw your chair still a little farther forward: you are yet too far back; I cannot see you without disturbing my position in this comfortable chair, which I have no mind to do." I did as I was bid, though I would much rather have remained somewhat in the shade; but Mr. Rochester had such a direct way of giving orders, it seemed a matter of course to obey him promptly. We were, as I have said, in the dining-room: the lustre, which had been lit for dinner, filled the room with a festal breadth of light; the large fire was all red and clear; the purple curtains hung rich and ample before the lofty window and loftier arch; everything was still, save the subdued chat of Adele (she dared not speak loud), and, filling up each pause, the beating of winter rain against the panes. Mr. Rochester, as he sat in his damask-covered chair, looked different to what I had seen him look before; not quite so stern--much less gloomy. There was a smile on his lips, and his eyes sparkled, whether with wine or not, I am not sure; but I think it very probable. He was, in short, in his after-dinner mood; more expanded and genial, and also more self- indulgent than the frigid and rigid temper of the morning; still he looked preciously grim, cushioning his massive head against the swelling back of his chair, and receiving the light of the fire on his granite- hewn features, and in his great, dark eyes; for he had great, dark eyes, and very fine eyes, too--not without a certain change in their depths sometimes, which, if it was not softness, reminded you, at least, of that feeling. He had been looking two minutes at the fire, and I had been looking the same length of time at him, when, turning suddenly, he caught my gaze fastened on his physiognomy. "You examine me, Miss Eyre," said he: "do you think me handsome?" I should, if I had deliberated, have replied to this question by something conventionally vague and polite; but the answer somehow slipped from my tongue before I was aware--"No, sir." "Ah! By my word! there is something singular about you," said he: "you have the air of a little _nonnette_; quaint, quiet, grave, and simple, as you sit with your hands before you, and your eyes generally bent on the carpet (except, by-the-bye, when they are directed piercingly to my face; as just now, for instance); and when one asks you a question, or makes a remark to which you are obliged to reply, you rap out a round rejoinder, which, if not blunt, is at least brusque. What do you mean by it?" "Sir, I was too plain; I beg your pardon. I ought to have replied that it was not easy to give an impromptu answer to a question about appearances; that tastes mostly differ; and that beauty is of little consequence, or something of that sort." "You ought to have replied no such thing. Beauty of little consequence, indeed! And so, under pretence of softening the previous outrage, of stroking and soothing me into placidity, you stick a sly penknife under my ear! Go on: what fault do you find with me, pray? I suppose I have all my limbs and all my features like any other man?" "Mr. Rochester, allow me to disown my first answer: I intended no pointed repartee: it was only a blunder." "Just so: I think so: and you shall be answerable for it. Criticise me: does my forehead not please you?" He lifted up the sable waves of hair which lay horizontally over his brow, and showed a solid enough mass of intellectual organs, but an abrupt deficiency where the suave sign of benevolence should have risen. "Now, ma'am, am I a fool?" "Far from it, sir. You would, perhaps, think me rude if I inquired in return whether you are a philanthropist?" "There again! Another stick of the penknife, when she pretended to pat my head: and that is because I said I did not like the society of children and old women (low be it spoken!). No, young lady, I am not a general philanthropist; but I bear a conscience;" and he pointed to the prominences which are said to indicate that faculty, and which, fortunately for him, were sufficiently conspicuous; giving, indeed, a marked breadth to the upper part of his head: "and, besides, I once had a kind of rude tenderness of heart. When I was as old as you, I was a feeling fellow enough, partial to the unfledged, unfostered, and unlucky; but Fortune has knocked me about since: she has even kneaded me with her knuckles, and now I flatter myself I am hard and tough as an India-rubber ball; pervious, though, through a chink or two still, and with one sentient point in the middle of the lump. Yes: does that leave hope for me?" "Hope of what, sir?" "Of my final re-transformation from India-rubber back to flesh?" "Decidedly he has had too much wine," I thought; and I did not know what answer to make to his queer question: how could I tell whether he was capable of being re-transformed? "You looked very much puzzled, Miss Eyre; and though you are not pretty any more than I am handsome, yet a puzzled air becomes you; besides, it is convenient, for it keeps those searching eyes of yours away from my physiognomy, and busies them with the worsted flowers of the rug; so puzzle on. Young lady, I am disposed to be gregarious and communicative to-night." With this announcement he rose from his chair, and stood, leaning his arm on the marble mantelpiece: in that attitude his shape was seen plainly as well as his face; his unusual breadth of chest, disproportionate almost to his length of limb. I am sure most people would have thought him an ugly man; yet there was so much unconscious pride in his port; so much ease in his demeanour; such a look of complete indifference to his own external appearance; so haughty a reliance on the power of other qualities, intrinsic or adventitious, to atone for the lack of mere personal attractiveness, that, in looking at him, one inevitably shared the indifference, and, even in a blind, imperfect sense, put faith in the confidence. "I am disposed to be gregarious and communicative to-night," he repeated, "and that is why I sent for you: the fire and the chandelier were not sufficient company for me; nor would Pilot have been, for none of these can talk. Adele is a degree better, but still far below the mark; Mrs. Fairfax ditto; you, I am persuaded, can suit me if you will: you puzzled me the first evening I invited you down here. I have almost forgotten you since: other ideas have driven yours from my head; but to-night I am resolved to be at ease; to dismiss what importunes, and recall what pleases. It would please me now to draw you out--to learn more of you--therefore speak." Instead of speaking, I smiled; and not a very complacent or submissive smile either. "Speak," he urged. "What about, sir?" "Whatever you like. I leave both the choice of subject and the manner of treating it entirely to yourself." Accordingly I sat and said nothing: "If he expects me to talk for the mere sake of talking and showing off, he will find he has addressed himself to the wrong person," I thought. "You are dumb, Miss Eyre." I was dumb still. He bent his head a little towards me, and with a single hasty glance seemed to dive into my eyes. "Stubborn?" he said, "and annoyed. Ah! it is consistent. I put my request in an absurd, almost insolent form. Miss Eyre, I beg your pardon. The fact is, once for all, I don't wish to treat you like an inferior: that is" (correcting himself), "I claim only such superiority as must result from twenty years' difference in age and a century's advance in experience. This is legitimate, _et j'y tiens_, as Adele would say; and it is by virtue of this superiority, and this alone, that I desire you to have the goodness to talk to me a little now, and divert my thoughts, which are galled with dwelling on one point--cankering as a rusty nail." He had deigned an explanation, almost an apology, and I did not feel insensible to his condescension, and would not seem so. "I am willing to amuse you, if I can, sir--quite willing; but I cannot introduce a topic, because how do I know what will interest you? Ask me questions, and I will do my best to answer them." "Then, in the first place, do you agree with me that I have a right to be a little masterful, abrupt, perhaps exacting, sometimes, on the grounds I stated, namely, that I am old enough to be your father, and that I have battled through a varied experience with many men of many nations, and roamed over half the globe, while you have lived quietly with one set of people in one house?" "Do as you please, sir." "That is no answer; or rather it is a very irritating, because a very evasive one. Reply clearly." "I don't think, sir, you have a right to command me, merely because you are older than I, or because you have seen more of the world than I have; your claim to superiority depends on the use you have made of your time and experience." "Humph! Promptly spoken. But I won't allow that, seeing that it would never suit my case, as I have made an indifferent, not to say a bad, use of both advantages. Leaving superiority out of the question, then, you must still agree to receive my orders now and then, without being piqued or hurt by the tone of command. Will you?" I smiled: I thought to myself Mr. Rochester _is_ peculiar--he seems to forget that he pays me 30 pounds per annum for receiving his orders. "The smile is very well," said he, catching instantly the passing expression; "but speak too." "I was thinking, sir, that very few masters would trouble themselves to inquire whether or not their paid subordinates were piqued and hurt by their orders." "Paid subordinates! What! you are my paid subordinate, are you? Oh yes, I had forgotten the salary! Well then, on that mercenary ground, will you agree to let me hector a little?" "No, sir, not on that ground; but, on the ground that you did forget it, and that you care whether or not a dependent is comfortable in his dependency, I agree heartily." "And will you consent to dispense with a great many conventional forms and phrases, without thinking that the omission arises from insolence?" "I am sure, sir, I should never mistake informality for insolence: one I rather like, the other nothing free-born would submit to, even for a salary." "Humbug! Most things free-born will submit to anything for a salary; therefore, keep to yourself, and don't venture on generalities of which you are intensely ignorant. However, I mentally shake hands with you for your answer, despite its inaccuracy; and as much for the manner in which it was said, as for the substance of the speech; the manner was frank and sincere; one does not often see such a manner: no, on the contrary, affectation, or coldness, or stupid, coarse-minded misapprehension of one's meaning are the usual rewards of candour. Not three in three thousand raw school-girl-governesses would have answered me as you have just done. But I don't mean to flatter you: if you are cast in a different mould to the majority, it is no merit of yours: Nature did it. And then, after all, I go too fast in my conclusions: for what I yet know, you may be no better than the rest; you may have intolerable defects to counterbalance your few good points." "And so may you," I thought. My eye met his as the idea crossed my mind: he seemed to read the glance, answering as if its import had been spoken as well as imagined-- "Yes, yes, you are right," said he; "I have plenty of faults of my own: I know it, and I don't wish to palliate them, I assure you. God wot I need not be too severe about others; I have a past existence, a series of deeds, a colour of life to contemplate within my own breast, which might well call my sneers and censures from my neighbours to myself. I started, or rather (for like other defaulters, I like to lay half the blame on ill fortune and adverse circumstances) was thrust on to a wrong tack at the age of one-and-twenty, and have never recovered the right course since: but I might have been very different; I might have been as good as you--wiser--almost as stainless. I envy you your peace of mind, your clean conscience, your unpolluted memory. Little girl, a memory without blot or contamination must be an exquisite treasure--an inexhaustible source of pure refreshment: is it not?" "How was your memory when you were eighteen, sir?" "All right then; limpid, salubrious: no gush of bilge water had turned it to fetid puddle. I was your equal at eighteen--quite your equal. Nature meant me to be, on the whole, a good man, Miss Eyre; one of the better kind, and you see I am not so. You would say you don't see it; at least I flatter myself I read as much in your eye (beware, by-the-bye, what you express with that organ; I am quick at interpreting its language). Then take my word for it,--I am not a villain: you are not to suppose that--not to attribute to me any such bad eminence; but, owing, I verily believe, rather to circumstances than to my natural bent, I am a trite commonplace sinner, hackneyed in all the poor petty dissipations with which the rich and worthless try to put on life. Do you wonder that I avow this to you? Know, that in the course of your future life you will often find yourself elected the involuntary confidant of your acquaintances' secrets: people will instinctively find out, as I have done, that it is not your forte to tell of yourself, but to listen while others talk of themselves; they will feel, too, that you listen with no malevolent scorn of their indiscretion, but with a kind of innate sympathy; not the less comforting and encouraging because it is very unobtrusive in its manifestations." "How do you know?--how can you guess all this, sir?" "I know it well; therefore I proceed almost as freely as if I were writing my thoughts in a diary. You would say, I should have been superior to circumstances; so I should--so I should; but you see I was not. When fate wronged me, I had not the wisdom to remain cool: I turned desperate; then I degenerated. Now, when any vicious simpleton excites my disgust by his paltry ribaldry, I cannot flatter myself that I am better than he: I am forced to confess that he and I are on a level. I wish I had stood firm--God knows I do! Dread remorse when you are tempted to err, Miss Eyre; remorse is the poison of life." "Repentance is said to be its cure, sir." "It is not its cure. Reformation may be its cure; and I could reform--I have strength yet for that--if--but where is the use of thinking of it, hampered, burdened, cursed as I am? Besides, since happiness is irrevocably denied me, I have a right to get pleasure out of life: and I _will_ get it, cost what it may." "Then you will degenerate still more, sir." "Possibly: yet why should I, if I can get sweet, fresh pleasure? And I may get it as sweet and fresh as the wild honey the bee gathers on the moor." "It will sting--it will taste bitter, sir." "How do you know?--you never tried it. How very serious--how very solemn you look: and you are as ignorant of the matter as this cameo head" (taking one from the mantelpiece). "You have no right to preach to me, you neophyte, that have not passed the porch of life, and are absolutely unacquainted with its mysteries." "I only remind you of your own words, sir: you said error brought remorse, and you pronounced remorse the poison of existence." "And who talks of error now? I scarcely think the notion that flittered across my brain was an error. I believe it was an inspiration rather than a temptation: it was very genial, very soothing--I know that. Here it comes again! It is no devil, I assure you; or if it be, it has put on the robes of an angel of light. I think I must admit so fair a guest when it asks entrance to my heart." "Distrust it, sir; it is not a true angel." "Once more, how do you know? By what instinct do you pretend to distinguish between a fallen seraph of the abyss and a messenger from the eternal throne--between a guide and a seducer?" "I judged by your countenance, sir, which was troubled when you said the suggestion had returned upon you. I feel sure it will work you more misery if you listen to it." "Not at all--it bears the most gracious message in the world: for the rest, you are not my conscience-keeper, so don't make yourself uneasy. Here, come in, bonny wanderer!" He said this as if he spoke to a vision, viewless to any eye but his own; then, folding his arms, which he had half extended, on his chest, he seemed to enclose in their embrace the invisible being. "Now," he continued, again addressing me, "I have received the pilgrim--a disguised deity, as I verily believe. Already it has done me good: my heart was a sort of charnel; it will now be a shrine." "To speak truth, sir, I don't understand you at all: I cannot keep up the conversation, because it has got out of my depth. Only one thing, I know: you said you were not as good as you should like to be, and that you regretted your own imperfection;--one thing I can comprehend: you intimated that to have a sullied memory was a perpetual bane. It seems to me, that if you tried hard, you would in time find it possible to become what you yourself would approve; and that if from this day you began with resolution to correct your thoughts and actions, you would in a few years have laid up a new and stainless store of recollections, to which you might revert with pleasure." "Justly thought; rightly said, Miss Eyre; and, at this moment, I am paving hell with energy." "Sir?" "I am laying down good intentions, which I believe durable as flint. Certainly, my associates and pursuits shall be other than they have been." "And better?" "And better--so much better as pure ore is than foul dross. You seem to doubt me; I don't doubt myself: I know what my aim is, what my motives are; and at this moment I pass a law, unalterable as that of the Medes and Persians, that both are right." "They cannot be, sir, if they require a new statute to legalise them." "They are, Miss Eyre, though they absolutely require a new statute: unheard-of combinations of circumstances demand unheard-of rules." "That sounds a dangerous maxim, sir; because one can see at once that it is liable to abuse." "Sententious sage! so it is: but I swear by my household gods not to abuse it." "You are human and fallible." "I am: so are you--what then?" "The human and fallible should not arrogate a power with which the divine and perfect alone can be safely intrusted." "What power?" "That of saying of any strange, unsanctioned line of action,--'Let it be right.'" "'Let it be right'--the very words: you have pronounced them." "_May_ it be right then," I said, as I rose, deeming it useless to continue a discourse which was all darkness to me; and, besides, sensible that the character of my interlocutor was beyond my penetration; at least, beyond its present reach; and feeling the uncertainty, the vague sense of insecurity, which accompanies a conviction of ignorance. "Where are you going?" "To put Adele to bed: it is past her bedtime." "You are afraid of me, because I talk like a Sphynx." "Your language is enigmatical, sir: but though I am bewildered, I am certainly not afraid." "You _are_ afraid--your self-love dreads a blunder." "In that sense I do feel apprehensive--I have no wish to talk nonsense." "If you did, it would be in such a grave, quiet manner, I should mistake it for sense. Do you never laugh, Miss Eyre? Don't trouble yourself to answer--I see you laugh rarely; but you can laugh very merrily: believe me, you are not naturally austere, any more than I am naturally vicious. The Lowood constraint still clings to you somewhat; controlling your features, muffling your voice, and restricting your limbs; and you fear in the presence of a man and a brother--or father, or master, or what you will--to smile too gaily, speak too freely, or move too quickly: but, in time, I think you will learn to be natural with me, as I find it impossible to be conventional with you; and then your looks and movements will have more vivacity and variety than they dare offer now. I see at intervals the glance of a curious sort of bird through the close-set bars of a cage: a vivid, restless, resolute captive is there; were it but free, it would soar cloud-high. You are still bent on going?" "It has struck nine, sir." "Never mind,--wait a minute: Adele is not ready to go to bed yet. My position, Miss Eyre, with my back to the fire, and my face to the room, favours observation. While talking to you, I have also occasionally watched Adele (I have my own reasons for thinking her a curious study,--reasons that I may, nay, that I shall, impart to you some day). She pulled out of her box, about ten minutes ago, a little pink silk frock; rapture lit her face as she unfolded it; coquetry runs in her blood, blends with her brains, and seasons the marrow of her bones. 'Il faut que je l'essaie!' cried she, 'et a l'instant meme!' and she rushed out of the room. She is now with Sophie, undergoing a robing process: in a few minutes she will re-enter; and I know what I shall see,--a miniature of Celine Varens, as she used to appear on the boards at the rising of--But never mind that. However, my tenderest feelings are about to receive a shock: such is my presentiment; stay now, to see whether it will be realised." Ere long, Adele's little foot was heard tripping across the hall. She entered, transformed as her guardian had predicted. A dress of rose-coloured satin, very short, and as full in the skirt as it could be gathered, replaced the brown frock she had previously worn; a wreath of rosebuds circled her forehead; her feet were dressed in silk stockings and small white satin sandals. "Est-ce que ma robe va bien?" cried she, bounding forwards; "et mes souliers? et mes bas? Tenez, je crois que je vais danser!" And spreading out her dress, she chasseed across the room till, having reached Mr. Rochester, she wheeled lightly round before him on tip-toe, then dropped on one knee at his feet, exclaiming-- "Monsieur, je vous remercie mille fois de votre bonte;" then rising, she added, "C'est comme cela que maman faisait, n'est-ce pas, monsieur?" "Pre-cise-ly!" was the answer; "and, 'comme cela,' she charmed my English gold out of my British breeches' pocket. I have been green, too, Miss Eyre,--ay, grass green: not a more vernal tint freshens you now than once freshened me. My Spring is gone, however, but it has left me that French floweret on my hands, which, in some moods, I would fain be rid of. Not valuing now the root whence it sprang; having found that it was of a sort which nothing but gold dust could manure, I have but half a liking to the blossom, especially when it looks so artificial as just now. I keep it and rear it rather on the Roman Catholic principle of expiating numerous sins, great or small, by one good work. I'll explain all this some day. Good-night."

volume 1, Chapter 14

https://web.archive.org/web/20210421052406/https://www.gradesaver.com/jane-eyre/study-guide/summary-volume-i-chapters-11-15

During the next few days, Jane sees little of Mr. Rochester as he deals with business and acquaintances. His moods shift rapidly, but Jane cannot figure out their source. One night, during one of his warmer moods, Mr. Rochester gives Adele her long-awaited gift and is more genial while talking with Jane. Jane keeps scrutinizing his face, a fact he notes; he asks if she finds him handsome, but she gives the honest answer: "No, sir. Mr. Rochester seems to be amused by Jane's answer, and she concludes that he must be slightly drunk. Although the conversation continues, Jane begins to feel increasingly awkward because of Mr. Rochester's position of superiority as her master. Mr. Rochester claims that their relationship should not be one of servitude. Moreover, he does not mean to condescend to her, but his air of superiority comes from his being much older and more experienced. Jane disagrees, arguing that age and experience should automatically confer authority. The conversation moves to the topic of sin and redemption, and Mr. Rochester promises to explain more about Adele's mother in the future.

Regardless of what Mr. Rochester says about his superiority in regards to experience with Jane, it is clear from his lengthy, involved discussion with her that he views her as his intellectual equal. Though she has a fraction of his worldly experience, Jane acquits herself well with the complicated topics Mr. Rochester brings up and even earns his approval at points for her thoughts. Their flirtation also unofficially begins, as Jane admits to herself that though "most people would have thought him an ugly man," he carries himself with a charismatic, detached confidence. However, despite his assertion that their relationship is not one in which she is the servant, Mr. Rochester cannot change the social expectations of the time period. Even with their intellectual equality, Jane remains Mr. Rochester's inferior, first as the governess to his ward, but primarily because she is a woman. Still, Mr. Rochester's social domination over Jane will be far more pleasant and affectionate than the submissive position that she assumed with Mr. Brocklehurst or will take up with St. John Rivers at a later point in the novel

gradesaver

all_chapterized_books/1260-chapters/16.txt

finished_summaries/gradesaver/Jane Eyre/section_2_part_5.txt

Jane Eyre.volume 1.chapter 15

volume 1, chapter 15

{"name": "volume 1, Chapter 15", "url": "https://web.archive.org/web/20210421052406/https://www.gradesaver.com/jane-eyre/study-guide/summary-volume-i-chapters-11-15", "summary": "One afternoon, while Adele plays elsewhere, Mr. Rochester takes the opportunity to fulfill his promise to Jane and explain his relationship to Adele. He was once passionately devoted to her mother, a French opera-dancer named Celine Varens, and despite her superior beauty, she seemed to return his ardor. He spent a fortune treating her to a luxurious lifestyle in Paris until he discovered that he was being cuckolded in a rather humiliating fashion. Mr. Rochester shot the other man in his arm and ended his relationship with Celine, believing that he was entirely done with the affair. However, Celine claimed that the six-month-old Adele was his daughter and then abandoned her a few years later so that she could run off with an Italian musician. Mr. Rochester was certain that the child was not his, but took responsibility for Adele anyway and brought her to live as his ward at Thornfield. Mr. Rochester expects that Jane will be appalled at the prospect of tutoring an illegitimate child, but Jane actually has more sympathy and affection for Adele after learning of her background. As for Mr. Rochester, these revelations and his confidence in Jane make him seem handsomer and more amiable to her, and she is worried that he will soon leave Thornfield, as Mrs. Fairfax says he always does. That night, as Jane lays awake thinking about everything that Mr. Rochester has told her, she thinks the she hears movement outside her door, then hears a \"demoniac\" laugh. When she leaves her bedroom, she finds a candle burning in the hallway, sees that Mr. Rochester's door is open, and finds his curtains on fire. He is stupefied by the smoky air, but she wakes him by extinguishing the flames and dousing him with water. She relates what she knows, and he goes into the attic. He returns a few minutes later and says the cause of the fire was Grace Poole, as Jane suspected from the laugh. Mr. Rochester tells her not to speak about the matter to anyone, and then thanks her sincerely for saving his life; he is reluctant for her to leave him. Jane is unable to sleep that night, thinking instead pleasurably of the \"hills of Beulah\" which, unfortunately, she is not able to reach.", "analysis": "This extended discussion about Celine Varens reveals more of Mr. Rochester's inner character and personality. Significantly, it is this description of Mr. Rochester's flaws that make him seem more attractive to Jane; the jealous anger and desire that he describes mirror Jane's passionate interior and are a welcome contrast from Mr. Brocklehurst's evangelical purity. Even though the discussion of a mistress and an illegitimate child would be deemed inappropriate for a young woman during the time, Mr. Rochester's confidence in Jane heightens the sense of their intellectual equality. The fact that Adele is essentially an orphan is also particularly appealing to Jane; she hopes to take on the same role as surrogate mother that Bessie and Miss Temple had performed for her. When Jane douses the fire in Mr. Rochester's bedroom, he is again placed in a position of vulnerability that allows her to seize control and independence in the situation. This is also another example of the positive nature of fire; although the fire is potentially destructive, the incident ultimately brings Mr. Rochester and Jane much closer together. However, Jane still recognizes something mysterious about Mr. Rochester: he is quick to blame Grace Poole for causing the fire, and his desire to pin it on her comes across as disingenuous. However, there is nothing disingenuous about Mr. Rochester's gratitude for Jane having saved his life, and his reluctance for her to leave tells something about his wounded heart. After his bitter betrayal by Celine, he is yearning for a constant love based on more than mere physical attraction, and Jane seems to provide that. Interestingly, when Jane is unable to sleep after saving Mr. Rochester, she is preoccupied by the hills of \"Beulah,\" a term which means \"marriage\" in Hebrew. Bronte suggests that Jane is already subconsciously thinking of marriage to Mr. Rochester. However, Jane still feels that there is a \"counteracting breeze\" that would make such a union impossible"}

Mr. Rochester did, on a future occasion, explain it. It was one afternoon, when he chanced to meet me and Adele in the grounds: and while she played with Pilot and her shuttlecock, he asked me to walk up and down a long beech avenue within sight of her. He then said that she was the daughter of a French opera-dancer, Celine Varens, towards whom he had once cherished what he called a "_grande passion_." This passion Celine had professed to return with even superior ardour. He thought himself her idol, ugly as he was: he believed, as he said, that she preferred his "_taille d'athlete_" to the elegance of the Apollo Belvidere. "And, Miss Eyre, so much was I flattered by this preference of the Gallic sylph for her British gnome, that I installed her in an hotel; gave her a complete establishment of servants, a carriage, cashmeres, diamonds, dentelles, &c. In short, I began the process of ruining myself in the received style, like any other spoony. I had not, it seems, the originality to chalk out a new road to shame and destruction, but trode the old track with stupid exactness not to deviate an inch from the beaten centre. I had--as I deserved to have--the fate of all other spoonies. Happening to call one evening when Celine did not expect me, I found her out; but it was a warm night, and I was tired with strolling through Paris, so I sat down in her boudoir; happy to breathe the air consecrated so lately by her presence. No,--I exaggerate; I never thought there was any consecrating virtue about her: it was rather a sort of pastille perfume she had left; a scent of musk and amber, than an odour of sanctity. I was just beginning to stifle with the fumes of conservatory flowers and sprinkled essences, when I bethought myself to open the window and step out on to the balcony. It was moonlight and gaslight besides, and very still and serene. The balcony was furnished with a chair or two; I sat down, and took out a cigar,--I will take one now, if you will excuse me." Here ensued a pause, filled up by the producing and lighting of a cigar; having placed it to his lips and breathed a trail of Havannah incense on the freezing and sunless air, he went on-- "I liked bonbons too in those days, Miss Eyre, and I was _croquant_--(overlook the barbarism)--_croquant_ chocolate comfits, and smoking alternately, watching meantime the equipages that rolled along the fashionable streets towards the neighbouring opera-house, when in an elegant close carriage drawn by a beautiful pair of English horses, and distinctly seen in the brilliant city-night, I recognised the 'voiture' I had given Celine. She was returning: of course my heart thumped with impatience against the iron rails I leant upon. The carriage stopped, as I had expected, at the hotel door; my flame (that is the very word for an opera inamorata) alighted: though muffed in a cloak--an unnecessary encumbrance, by-the-bye, on so warm a June evening--I knew her instantly by her little foot, seen peeping from the skirt of her dress, as she skipped from the carriage-step. Bending over the balcony, I was about to murmur 'Mon ange'--in a tone, of course, which should be audible to the ear of love alone--when a figure jumped from the carriage after her; cloaked also; but that was a spurred heel which had rung on the pavement, and that was a hatted head which now passed under the arched _porte cochere_ of the hotel. "You never felt jealousy, did you, Miss Eyre? Of course not: I need not ask you; because you never felt love. You have both sentiments yet to experience: your soul sleeps; the shock is yet to be given which shall waken it. You think all existence lapses in as quiet a flow as that in which your youth has hitherto slid away. Floating on with closed eyes and muffled ears, you neither see the rocks bristling not far off in the bed of the flood, nor hear the breakers boil at their base. But I tell you--and you may mark my words--you will come some day to a craggy pass in the channel, where the whole of life's stream will be broken up into whirl and tumult, foam and noise: either you will be dashed to atoms on crag points, or lifted up and borne on by some master-wave into a calmer current--as I am now. "I like this day; I like that sky of steel; I like the sternness and stillness of the world under this frost. I like Thornfield, its antiquity, its retirement, its old crow-trees and thorn-trees, its grey facade, and lines of dark windows reflecting that metal welkin: and yet how long have I abhorred the very thought of it, shunned it like a great plague-house? How I do still abhor--" He ground his teeth and was silent: he arrested his step and struck his boot against the hard ground. Some hated thought seemed to have him in its grip, and to hold him so tightly that he could not advance. We were ascending the avenue when he thus paused; the hall was before us. Lifting his eye to its battlements, he cast over them a glare such as I never saw before or since. Pain, shame, ire, impatience, disgust, detestation, seemed momentarily to hold a quivering conflict in the large pupil dilating under his ebon eyebrow. Wild was the wrestle which should be paramount; but another feeling rose and triumphed: something hard and cynical: self-willed and resolute: it settled his passion and petrified his countenance: he went on-- "During the moment I was silent, Miss Eyre, I was arranging a point with my destiny. She stood there, by that beech-trunk--a hag like one of those who appeared to Macbeth on the heath of Forres. 'You like Thornfield?' she said, lifting her finger; and then she wrote in the air a memento, which ran in lurid hieroglyphics all along the house-front, between the upper and lower row of windows, 'Like it if you can! Like it if you dare!' "'I will like it,' said I; 'I dare like it;' and" (he subjoined moodily) "I will keep my word; I will break obstacles to happiness, to goodness--yes, goodness. I wish to be a better man than I have been, than I am; as Job's leviathan broke the spear, the dart, and the habergeon, hindrances which others count as iron and brass, I will esteem but straw and rotten wood." Adele here ran before him with her shuttlecock. "Away!" he cried harshly; "keep at a distance, child; or go in to Sophie!" Continuing then to pursue his walk in silence, I ventured to recall him to the point whence he had abruptly diverged-- "Did you leave the balcony, sir," I asked, "when Mdlle. Varens entered?" I almost expected a rebuff for this hardly well-timed question, but, on the contrary, waking out of his scowling abstraction, he turned his eyes towards me, and the shade seemed to clear off his brow. "Oh, I had forgotten Celine! Well, to resume. When I saw my charmer thus come in accompanied by a cavalier, I seemed to hear a hiss, and the green snake of jealousy, rising on undulating coils from the moonlit balcony, glided within my waistcoat, and ate its way in two minutes to my heart's core. Strange!" he exclaimed, suddenly starting again from the point. "Strange that I should choose you for the confidant of all this, young lady; passing strange that you should listen to me quietly, as if it were the most usual thing in the world for a man like me to tell stories of his opera-mistresses to a quaint, inexperienced girl like you! But the last singularity explains the first, as I intimated once before: you, with your gravity, considerateness, and caution were made to be the recipient of secrets. Besides, I know what sort of a mind I have placed in communication with my own: I know it is one not liable to take infection: it is a peculiar mind: it is a unique one. Happily I do not mean to harm it: but, if I did, it would not take harm from me. The more you and I converse, the better; for while I cannot blight you, you may refresh me." After this digression he proceeded-- "I remained in the balcony. 'They will come to her boudoir, no doubt,' thought I: 'let me prepare an ambush.' So putting my hand in through the open window, I drew the curtain over it, leaving only an opening through which I could take observations; then I closed the casement, all but a chink just wide enough to furnish an outlet to lovers' whispered vows: then I stole back to my chair; and as I resumed it the pair came in. My eye was quickly at the aperture. Celine's chamber-maid entered, lit a lamp, left it on the table, and withdrew. The couple were thus revealed to me clearly: both removed their cloaks, and there was 'the Varens,' shining in satin and jewels,--my gifts of course,--and there was her companion in an officer's uniform; and I knew him for a young roue of a vicomte--a brainless and vicious youth whom I had sometimes met in society, and had never thought of hating because I despised him so absolutely. On recognising him, the fang of the snake Jealousy was instantly broken; because at the same moment my love for Celine sank under an extinguisher. A woman who could betray me for such a rival was not worth contending for; she deserved only scorn; less, however, than I, who had been her dupe. "They began to talk; their conversation eased me completely: frivolous, mercenary, heartless, and senseless, it was rather calculated to weary than enrage a listener. A card of mine lay on the table; this being perceived, brought my name under discussion. Neither of them possessed energy or wit to belabour me soundly, but they insulted me as coarsely as they could in their little way: especially Celine, who even waxed rather brilliant on my personal defects--deformities she termed them. Now it had been her custom to launch out into fervent admiration of what she called my '_beaute male_:' wherein she differed diametrically from you, who told me point-blank, at the second interview, that you did not think me handsome. The contrast struck me at the time and--" Adele here came running up again. "Monsieur, John has just been to say that your agent has called and wishes to see you." "Ah! in that case I must abridge. Opening the window, I walked in upon them; liberated Celine from my protection; gave her notice to vacate her hotel; offered her a purse for immediate exigencies; disregarded screams, hysterics, prayers, protestations, convulsions; made an appointment with the vicomte for a meeting at the Bois de Boulogne. Next morning I had the pleasure of encountering him; left a bullet in one of his poor etiolated arms, feeble as the wing of a chicken in the pip, and then thought I had done with the whole crew. But unluckily the Varens, six months before, had given me this filette Adele, who, she affirmed, was my daughter; and perhaps she may be, though I see no proofs of such grim paternity written in her countenance: Pilot is more like me than she. Some years after I had broken with the mother, she abandoned her child, and ran away to Italy with a musician or singer. I acknowledged no natural claim on Adele's part to be supported by me, nor do I now acknowledge any, for I am not her father; but hearing that she was quite destitute, I e'en took the poor thing out of the slime and mud of Paris, and transplanted it here, to grow up clean in the wholesome soil of an English country garden. Mrs. Fairfax found you to train it; but now you know that it is the illegitimate offspring of a French opera-girl, you will perhaps think differently of your post and protegee: you will be coming to me some day with notice that you have found another place--that you beg me to look out for a new governess, &c.--Eh?" "No: Adele is not answerable for either her mother's faults or yours: I have a regard for her; and now that I know she is, in a sense, parentless--forsaken by her mother and disowned by you, sir--I shall cling closer to her than before. How could I possibly prefer the spoilt pet of a wealthy family, who would hate her governess as a nuisance, to a lonely little orphan, who leans towards her as a friend?" "Oh, that is the light in which you view it! Well, I must go in now; and you too: it darkens." But I stayed out a few minutes longer with Adele and Pilot--ran a race with her, and played a game of battledore and shuttlecock. When we went in, and I had removed her bonnet and coat, I took her on my knee; kept her there an hour, allowing her to prattle as she liked: not rebuking even some little freedoms and trivialities into which she was apt to stray when much noticed, and which betrayed in her a superficiality of character, inherited probably from her mother, hardly congenial to an English mind. Still she had her merits; and I was disposed to appreciate all that was good in her to the utmost. I sought in her countenance and features a likeness to Mr. Rochester, but found none: no trait, no turn of expression announced relationship. It was a pity: if she could but have been proved to resemble him, he would have thought more of her. It was not till after I had withdrawn to my own chamber for the night, that I steadily reviewed the tale Mr. Rochester had told me. As he had said, there was probably nothing at all extraordinary in the substance of the narrative itself: a wealthy Englishman's passion for a French dancer, and her treachery to him, were every-day matters enough, no doubt, in society; but there was something decidedly strange in the paroxysm of emotion which had suddenly seized him when he was in the act of expressing the present contentment of his mood, and his newly revived pleasure in the old hall and its environs. I meditated wonderingly on this incident; but gradually quitting it, as I found it for the present inexplicable, I turned to the consideration of my master's manner to myself. The confidence he had thought fit to repose in me seemed a tribute to my discretion: I regarded and accepted it as such. His deportment had now for some weeks been more uniform towards me than at the first. I never seemed in his way; he did not take fits of chilling hauteur: when he met me unexpectedly, the encounter seemed welcome; he had always a word and sometimes a smile for me: when summoned by formal invitation to his presence, I was honoured by a cordiality of reception that made me feel I really possessed the power to amuse him, and that these evening conferences were sought as much for his pleasure as for my benefit. I, indeed, talked comparatively little, but I heard him talk with relish. It was his nature to be communicative; he liked to open to a mind unacquainted with the world glimpses of its scenes and ways (I do not mean its corrupt scenes and wicked ways, but such as derived their interest from the great scale on which they were acted, the strange novelty by which they were characterised); and I had a keen delight in receiving the new ideas he offered, in imagining the new pictures he portrayed, and following him in thought through the new regions he disclosed, never startled or troubled by one noxious allusion. The ease of his manner freed me from painful restraint: the friendly frankness, as correct as cordial, with which he treated me, drew me to him. I felt at times as if he were my relation rather than my master: yet he was imperious sometimes still; but I did not mind that; I saw it was his way. So happy, so gratified did I become with this new interest added to life, that I ceased to pine after kindred: my thin crescent-destiny seemed to enlarge; the blanks of existence were filled up; my bodily health improved; I gathered flesh and strength. And was Mr. Rochester now ugly in my eyes? No, reader: gratitude, and many associations, all pleasurable and genial, made his face the object I best liked to see; his presence in a room was more cheering than the brightest fire. Yet I had not forgotten his faults; indeed, I could not, for he brought them frequently before me. He was proud, sardonic, harsh to inferiority of every description: in my secret soul I knew that his great kindness to me was balanced by unjust severity to many others. He was moody, too; unaccountably so; I more than once, when sent for to read to him, found him sitting in his library alone, with his head bent on his folded arms; and, when he looked up, a morose, almost a malignant, scowl blackened his features. But I believed that his moodiness, his harshness, and his former faults of morality (I say _former_, for now he seemed corrected of them) had their source in some cruel cross of fate. I believed he was naturally a man of better tendencies, higher principles, and purer tastes than such as circumstances had developed, education instilled, or destiny encouraged. I thought there were excellent materials in him; though for the present they hung together somewhat spoiled and tangled. I cannot deny that I grieved for his grief, whatever that was, and would have given much to assuage it. Though I had now extinguished my candle and was laid down in bed, I could not sleep for thinking of his look when he paused in the avenue, and told how his destiny had risen up before him, and dared him to be happy at Thornfield. "Why not?" I asked myself. "What alienates him from the house? Will he leave it again soon? Mrs. Fairfax said he seldom stayed here longer than a fortnight at a time; and he has now been resident eight weeks. If he does go, the change will be doleful. Suppose he should be absent spring, summer, and autumn: how joyless sunshine and fine days will seem!" I hardly know whether I had slept or not after this musing; at any rate, I started wide awake on hearing a vague murmur, peculiar and lugubrious, which sounded, I thought, just above me. I wished I had kept my candle burning: the night was drearily dark; my spirits were depressed. I rose and sat up in bed, listening. The sound was hushed. I tried again to sleep; but my heart beat anxiously: my inward tranquillity was broken. The clock, far down in the hall, struck two. Just then it seemed my chamber-door was touched; as if fingers had swept the panels in groping a way along the dark gallery outside. I said, "Who is there?" Nothing answered. I was chilled with fear. All at once I remembered that it might be Pilot, who, when the kitchen- door chanced to be left open, not unfrequently found his way up to the threshold of Mr. Rochester's chamber: I had seen him lying there myself in the mornings. The idea calmed me somewhat: I lay down. Silence composes the nerves; and as an unbroken hush now reigned again through the whole house, I began to feel the return of slumber. But it was not fated that I should sleep that night. A dream had scarcely approached my ear, when it fled affrighted, scared by a marrow-freezing incident enough. This was a demoniac laugh--low, suppressed, and deep--uttered, as it seemed, at the very keyhole of my chamber door. The head of my bed was near the door, and I thought at first the goblin-laugher stood at my bedside--or rather, crouched by my pillow: but I rose, looked round, and could see nothing; while, as I still gazed, the unnatural sound was reiterated: and I knew it came from behind the panels. My first impulse was to rise and fasten the bolt; my next, again to cry out, "Who is there?" Something gurgled and moaned. Ere long, steps retreated up the gallery towards the third-storey staircase: a door had lately been made to shut in that staircase; I heard it open and close, and all was still. "Was that Grace Poole? and is she possessed with a devil?" thought I. Impossible now to remain longer by myself: I must go to Mrs. Fairfax. I hurried on my frock and a shawl; I withdrew the bolt and opened the door with a trembling hand. There was a candle burning just outside, and on the matting in the gallery. I was surprised at this circumstance: but still more was I amazed to perceive the air quite dim, as if filled with smoke; and, while looking to the right hand and left, to find whence these blue wreaths issued, I became further aware of a strong smell of burning. Something creaked: it was a door ajar; and that door was Mr. Rochester's, and the smoke rushed in a cloud from thence. I thought no more of Mrs. Fairfax; I thought no more of Grace Poole, or the laugh: in an instant, I was within the chamber. Tongues of flame darted round the bed: the curtains were on fire. In the midst of blaze and vapour, Mr. Rochester lay stretched motionless, in deep sleep. "Wake! wake!" I cried. I shook him, but he only murmured and turned: the smoke had stupefied him. Not a moment could be lost: the very sheets were kindling, I rushed to his basin and ewer; fortunately, one was wide and the other deep, and both were filled with water. I heaved them up, deluged the bed and its occupant, flew back to my own room, brought my own water-jug, baptized the couch afresh, and, by God's aid, succeeded in extinguishing the flames which were devouring it. The hiss of the quenched element, the breakage of a pitcher which I flung from my hand when I had emptied it, and, above all, the splash of the shower-bath I had liberally bestowed, roused Mr. Rochester at last. Though it was now dark, I knew he was awake; because I heard him fulminating strange anathemas at finding himself lying in a pool of water. "Is there a flood?" he cried. "No, sir," I answered; "but there has been a fire: get up, do; you are quenched now; I will fetch you a candle." "In the name of all the elves in Christendom, is that Jane Eyre?" he demanded. "What have you done with me, witch, sorceress? Who is in the room besides you? Have you plotted to drown me?" "I will fetch you a candle, sir; and, in Heaven's name, get up. Somebody has plotted something: you cannot too soon find out who and what it is." "There! I am up now; but at your peril you fetch a candle yet: wait two minutes till I get into some dry garments, if any dry there be--yes, here is my dressing-gown. Now run!" I did run; I brought the candle which still remained in the gallery. He took it from my hand, held it up, and surveyed the bed, all blackened and scorched, the sheets drenched, the carpet round swimming in water. "What is it? and who did it?" he asked. I briefly related to him what had transpired: the strange laugh I had heard in the gallery: the step ascending to the third storey; the smoke,--the smell of fire which had conducted me to his room; in what state I had found matters there, and how I had deluged him with all the water I could lay hands on. {"What is it and who did it?" he asked: p140.jpg} He listened very gravely; his face, as I went on, expressed more concern than astonishment; he did not immediately speak when I had concluded. "Shall I call Mrs. Fairfax?" I asked. "Mrs. Fairfax? No; what the deuce would you call her for? What can she do? Let her sleep unmolested." "Then I will fetch Leah, and wake John and his wife." "Not at all: just be still. You have a shawl on. If you are not warm enough, you may take my cloak yonder; wrap it about you, and sit down in the arm-chair: there,--I will put it on. Now place your feet on the stool, to keep them out of the wet. I am going to leave you a few minutes. I shall take the candle. Remain where you are till I return; be as still as a mouse. I must pay a visit to the second storey. Don't move, remember, or call any one." He went: I watched the light withdraw. He passed up the gallery very softly, unclosed the staircase door with as little noise as possible, shut it after him, and the last ray vanished. I was left in total darkness. I listened for some noise, but heard nothing. A very long time elapsed. I grew weary: it was cold, in spite of the cloak; and then I did not see the use of staying, as I was not to rouse the house. I was on the point of risking Mr. Rochester's displeasure by disobeying his orders, when the light once more gleamed dimly on the gallery wall, and I heard his unshod feet tread the matting. "I hope it is he," thought I, "and not something worse." He re-entered, pale and very gloomy. "I have found it all out," said he, setting his candle down on the washstand; "it is as I thought." "How, sir?" He made no reply, but stood with his arms folded, looking on the ground. At the end of a few minutes he inquired in rather a peculiar tone-- "I forget whether you said you saw anything when you opened your chamber door." "No, sir, only the candlestick on the ground." "But you heard an odd laugh? You have heard that laugh before, I should think, or something like it?" "Yes, sir: there is a woman who sews here, called Grace Poole,--she laughs in that way. She is a singular person." "Just so. Grace Poole--you have guessed it. She is, as you say, singular--very. Well, I shall reflect on the subject. Meantime, I am glad that you are the only person, besides myself, acquainted with the precise details of to-night's incident. You are no talking fool: say nothing about it. I will account for this state of affairs" (pointing to the bed): "and now return to your own room. I shall do very well on the sofa in the library for the rest of the night. It is near four:--in two hours the servants will be up." "Good-night, then, sir," said I, departing. He seemed surprised--very inconsistently so, as he had just told me to go. "What!" he exclaimed, "are you quitting me already, and in that way?" "You said I might go, sir." "But not without taking leave; not without a word or two of acknowledgment and good-will: not, in short, in that brief, dry fashion. Why, you have saved my life!--snatched me from a horrible and excruciating death! and you walk past me as if we were mutual strangers! At least shake hands." He held out his hand; I gave him mine: he took it first in one, them in both his own. "You have saved my life: I have a pleasure in owing you so immense a debt. I cannot say more. Nothing else that has being would have been tolerable to me in the character of creditor for such an obligation: but you: it is different;--I feel your benefits no burden, Jane." He paused; gazed at me: words almost visible trembled on his lips,--but his voice was checked. "Good-night again, sir. There is no debt, benefit, burden, obligation, in the case." "I knew," he continued, "you would do me good in some way, at some time;--I saw it in your eyes when I first beheld you: their expression and smile did not"--(again he stopped)--"did not" (he proceeded hastily) "strike delight to my very inmost heart so for nothing. People talk of natural sympathies; I have heard of good genii: there are grains of truth in the wildest fable. My cherished preserver, goodnight!" Strange energy was in his voice, strange fire in his look. "I am glad I happened to be awake," I said: and then I was going. "What! you _will_ go?" "I am cold, sir." "Cold? Yes,--and standing in a pool! Go, then, Jane; go!" But he still retained my hand, and I could not free it. I bethought myself of an expedient. "I think I hear Mrs. Fairfax move, sir," said I. "Well, leave me:" he relaxed his fingers, and I was gone. I regained my couch, but never thought of sleep. Till morning dawned I was tossed on a buoyant but unquiet sea, where billows of trouble rolled under surges of joy. I thought sometimes I saw beyond its wild waters a shore, sweet as the hills of Beulah; and now and then a freshening gale, wakened by hope, bore my spirit triumphantly towards the bourne: but I could not reach it, even in fancy--a counteracting breeze blew off land, and continually drove me back. Sense would resist delirium: judgment would warn passion. Too feverish to rest, I rose as soon as day dawned.

volume 1, Chapter 15

https://web.archive.org/web/20210421052406/https://www.gradesaver.com/jane-eyre/study-guide/summary-volume-i-chapters-11-15

One afternoon, while Adele plays elsewhere, Mr. Rochester takes the opportunity to fulfill his promise to Jane and explain his relationship to Adele. He was once passionately devoted to her mother, a French opera-dancer named Celine Varens, and despite her superior beauty, she seemed to return his ardor. He spent a fortune treating her to a luxurious lifestyle in Paris until he discovered that he was being cuckolded in a rather humiliating fashion. Mr. Rochester shot the other man in his arm and ended his relationship with Celine, believing that he was entirely done with the affair. However, Celine claimed that the six-month-old Adele was his daughter and then abandoned her a few years later so that she could run off with an Italian musician. Mr. Rochester was certain that the child was not his, but took responsibility for Adele anyway and brought her to live as his ward at Thornfield. Mr. Rochester expects that Jane will be appalled at the prospect of tutoring an illegitimate child, but Jane actually has more sympathy and affection for Adele after learning of her background. As for Mr. Rochester, these revelations and his confidence in Jane make him seem handsomer and more amiable to her, and she is worried that he will soon leave Thornfield, as Mrs. Fairfax says he always does. That night, as Jane lays awake thinking about everything that Mr. Rochester has told her, she thinks the she hears movement outside her door, then hears a "demoniac" laugh. When she leaves her bedroom, she finds a candle burning in the hallway, sees that Mr. Rochester's door is open, and finds his curtains on fire. He is stupefied by the smoky air, but she wakes him by extinguishing the flames and dousing him with water. She relates what she knows, and he goes into the attic. He returns a few minutes later and says the cause of the fire was Grace Poole, as Jane suspected from the laugh. Mr. Rochester tells her not to speak about the matter to anyone, and then thanks her sincerely for saving his life; he is reluctant for her to leave him. Jane is unable to sleep that night, thinking instead pleasurably of the "hills of Beulah" which, unfortunately, she is not able to reach.

This extended discussion about Celine Varens reveals more of Mr. Rochester's inner character and personality. Significantly, it is this description of Mr. Rochester's flaws that make him seem more attractive to Jane; the jealous anger and desire that he describes mirror Jane's passionate interior and are a welcome contrast from Mr. Brocklehurst's evangelical purity. Even though the discussion of a mistress and an illegitimate child would be deemed inappropriate for a young woman during the time, Mr. Rochester's confidence in Jane heightens the sense of their intellectual equality. The fact that Adele is essentially an orphan is also particularly appealing to Jane; she hopes to take on the same role as surrogate mother that Bessie and Miss Temple had performed for her. When Jane douses the fire in Mr. Rochester's bedroom, he is again placed in a position of vulnerability that allows her to seize control and independence in the situation. This is also another example of the positive nature of fire; although the fire is potentially destructive, the incident ultimately brings Mr. Rochester and Jane much closer together. However, Jane still recognizes something mysterious about Mr. Rochester: he is quick to blame Grace Poole for causing the fire, and his desire to pin it on her comes across as disingenuous. However, there is nothing disingenuous about Mr. Rochester's gratitude for Jane having saved his life, and his reluctance for her to leave tells something about his wounded heart. After his bitter betrayal by Celine, he is yearning for a constant love based on more than mere physical attraction, and Jane seems to provide that. Interestingly, when Jane is unable to sleep after saving Mr. Rochester, she is preoccupied by the hills of "Beulah," a term which means "marriage" in Hebrew. Bronte suggests that Jane is already subconsciously thinking of marriage to Mr. Rochester. However, Jane still feels that there is a "counteracting breeze" that would make such a union impossible

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Jane Eyre.volume 1.chapter 1

volume 1, chapter 1

{"name": "Volume 1, Chapter 1", "url": "https://web.archive.org/web/20210506211142/https://www.shmoop.com/study-guides/literature/jane-eyre/summary/volume-1-chapter-1", "summary": "Jane Eyre begins with the adult Jane looking back at her life. She jumps into the story at a moment in her childhood when she's ten years old. On this particular day, Jane and her cousins John, Eliza, and Georgiana aren't going to do something: they're not going to take a walk, because it's too wet. Jane is relieved; she hates walks, because it's depressing to realize that she's not as physically hardy as her cousins. Jane's cousins are \"clustered round their mama\" , but Jane's not allowed to join them, because her aunt, Mrs. Reed, and her nursemaid, Bessie, claim that she's been naughty. Jane has no idea what she's supposed to have done. Jane goes into the breakfast room, climbs up into the window seat, pulls the red velvet curtains around her , and reads Bewick's History of British Birds, which is sort of like an illustrated field guide. She likes the pictures and the descriptions of icy landscapes--maybe this penchant for arctic places is supposed to tell us something about her? Jane's cousin, John Reed, goes looking for her and, with the help of his sister Eliza, finds her in the window seat. We can tell that he's seriously bad news. Jane tells us a little bit about John Reed: he's fourteen, big, a greedy eater, pampered by his mom, doesn't really like his family, and especially hates Jane. He is, basically, a big fat bully. After a long pause, John smacks Jane really hard. He makes her show him which book she was reading, and then lords it over her that she's dependent on his family and tells her she can't read his books. Then he throws the book at her hard enough to knock her down, and she cuts her head on the door. Jane jumps up and tells John off, calling him \"wicked and cruel\" and \"like a murderer\" or \"like a slave driver\" or \"like the Roman emperors\" . He grabs her and they start fighting. Jane's not sure what she does, but she must hurt him somehow because she makes John holler. Eliza and Georgiana go and get their mother, Mrs. Reed, and the nursemaid Bessie, like the little tattletales they are. Jane's blamed for the fight, and Mrs. Reed orders that she be locked in \"the red room\" ...that doesn't sound sinister or anything, right?", "analysis": ""}

There was no possibility of taking a walk that day. We had been wandering, indeed, in the leafless shrubbery an hour in the morning; but since dinner (Mrs. Reed, when there was no company, dined early) the cold winter wind had brought with it clouds so sombre, and a rain so penetrating, that further out-door exercise was now out of the question. I was glad of it: I never liked long walks, especially on chilly afternoons: dreadful to me was the coming home in the raw twilight, with nipped fingers and toes, and a heart saddened by the chidings of Bessie, the nurse, and humbled by the consciousness of my physical inferiority to Eliza, John, and Georgiana Reed. The said Eliza, John, and Georgiana were now clustered round their mama in the drawing-room: she lay reclined on a sofa by the fireside, and with her darlings about her (for the time neither quarrelling nor crying) looked perfectly happy. Me, she had dispensed from joining the group; saying, "She regretted to be under the necessity of keeping me at a distance; but that until she heard from Bessie, and could discover by her own observation, that I was endeavouring in good earnest to acquire a more sociable and childlike disposition, a more attractive and sprightly manner--something lighter, franker, more natural, as it were--she really must exclude me from privileges intended only for contented, happy, little children." "What does Bessie say I have done?" I asked. "Jane, I don't like cavillers or questioners; besides, there is something truly forbidding in a child taking up her elders in that manner. Be seated somewhere; and until you can speak pleasantly, remain silent." A breakfast-room adjoined the drawing-room, I slipped in there. It contained a bookcase: I soon possessed myself of a volume, taking care that it should be one stored with pictures. I mounted into the window- seat: gathering up my feet, I sat cross-legged, like a Turk; and, having drawn the red moreen curtain nearly close, I was shrined in double retirement. Folds of scarlet drapery shut in my view to the right hand; to the left were the clear panes of glass, protecting, but not separating me from the drear November day. At intervals, while turning over the leaves of my book, I studied the aspect of that winter afternoon. Afar, it offered a pale blank of mist and cloud; near a scene of wet lawn and storm-beat shrub, with ceaseless rain sweeping away wildly before a long and lamentable blast. I returned to my book--Bewick's History of British Birds: the letterpress thereof I cared little for, generally speaking; and yet there were certain introductory pages that, child as I was, I could not pass quite as a blank. They were those which treat of the haunts of sea-fowl; of "the solitary rocks and promontories" by them only inhabited; of the coast of Norway, studded with isles from its southern extremity, the Lindeness, or Naze, to the North Cape-- "Where the Northern Ocean, in vast whirls, Boils round the naked, melancholy isles Of farthest Thule; and the Atlantic surge Pours in among the stormy Hebrides." Nor could I pass unnoticed the suggestion of the bleak shores of Lapland, Siberia, Spitzbergen, Nova Zembla, Iceland, Greenland, with "the vast sweep of the Arctic Zone, and those forlorn regions of dreary space,--that reservoir of frost and snow, where firm fields of ice, the accumulation of centuries of winters, glazed in Alpine heights above heights, surround the pole, and concentre the multiplied rigours of extreme cold." Of these death-white realms I formed an idea of my own: shadowy, like all the half-comprehended notions that float dim through children's brains, but strangely impressive. The words in these introductory pages connected themselves with the succeeding vignettes, and gave significance to the rock standing up alone in a sea of billow and spray; to the broken boat stranded on a desolate coast; to the cold and ghastly moon glancing through bars of cloud at a wreck just sinking. I cannot tell what sentiment haunted the quite solitary churchyard, with its inscribed headstone; its gate, its two trees, its low horizon, girdled by a broken wall, and its newly-risen crescent, attesting the hour of eventide. The two ships becalmed on a torpid sea, I believed to be marine phantoms. The fiend pinning down the thief's pack behind him, I passed over quickly: it was an object of terror. So was the black horned thing seated aloof on a rock, surveying a distant crowd surrounding a gallows. Each picture told a story; mysterious often to my undeveloped understanding and imperfect feelings, yet ever profoundly interesting: as interesting as the tales Bessie sometimes narrated on winter evenings, when she chanced to be in good humour; and when, having brought her ironing-table to the nursery hearth, she allowed us to sit about it, and while she got up Mrs. Reed's lace frills, and crimped her nightcap borders, fed our eager attention with passages of love and adventure taken from old fairy tales and other ballads; or (as at a later period I discovered) from the pages of Pamela, and Henry, Earl of Moreland. With Bewick on my knee, I was then happy: happy at least in my way. I feared nothing but interruption, and that came too soon. The breakfast- room door opened. "Boh! Madam Mope!" cried the voice of John Reed; then he paused: he found the room apparently empty. "Where the dickens is she!" he continued. "Lizzy! Georgy! (calling to his sisters) Joan is not here: tell mama she is run out into the rain--bad animal!" "It is well I drew the curtain," thought I; and I wished fervently he might not discover my hiding-place: nor would John Reed have found it out himself; he was not quick either of vision or conception; but Eliza just put her head in at the door, and said at once-- "She is in the window-seat, to be sure, Jack." And I came out immediately, for I trembled at the idea of being dragged forth by the said Jack. "What do you want?" I asked, with awkward diffidence. "Say, 'What do you want, Master Reed?'" was the answer. "I want you to come here;" and seating himself in an arm-chair, he intimated by a gesture that I was to approach and stand before him. John Reed was a schoolboy of fourteen years old; four years older than I, for I was but ten: large and stout for his age, with a dingy and unwholesome skin; thick lineaments in a spacious visage, heavy limbs and large extremities. He gorged himself habitually at table, which made him bilious, and gave him a dim and bleared eye and flabby cheeks. He ought now to have been at school; but his mama had taken him home for a month or two, "on account of his delicate health." Mr. Miles, the master, affirmed that he would do very well if he had fewer cakes and sweetmeats sent him from home; but the mother's heart turned from an opinion so harsh, and inclined rather to the more refined idea that John's sallowness was owing to over-application and, perhaps, to pining after home. John had not much affection for his mother and sisters, and an antipathy to me. He bullied and punished me; not two or three times in the week, nor once or twice in the day, but continually: every nerve I had feared him, and every morsel of flesh in my bones shrank when he came near. There were moments when I was bewildered by the terror he inspired, because I had no appeal whatever against either his menaces or his inflictions; the servants did not like to offend their young master by taking my part against him, and Mrs. Reed was blind and deaf on the subject: she never saw him strike or heard him abuse me, though he did both now and then in her very presence, more frequently, however, behind her back. Habitually obedient to John, I came up to his chair: he spent some three minutes in thrusting out his tongue at me as far as he could without damaging the roots: I knew he would soon strike, and while dreading the blow, I mused on the disgusting and ugly appearance of him who would presently deal it. I wonder if he read that notion in my face; for, all at once, without speaking, he struck suddenly and strongly. I tottered, and on regaining my equilibrium retired back a step or two from his chair. "That is for your impudence in answering mama awhile since," said he, "and for your sneaking way of getting behind curtains, and for the look you had in your eyes two minutes since, you rat!" Accustomed to John Reed's abuse, I never had an idea of replying to it; my care was how to endure the blow which would certainly follow the insult. "What were you doing behind the curtain?" he asked. "I was reading." "Show the book." I returned to the window and fetched it thence. "You have no business to take our books; you are a dependent, mama says; you have no money; your father left you none; you ought to beg, and not to live here with gentlemen's children like us, and eat the same meals we do, and wear clothes at our mama's expense. Now, I'll teach you to rummage my bookshelves: for they _are_ mine; all the house belongs to me, or will do in a few years. Go and stand by the door, out of the way of the mirror and the windows." I did so, not at first aware what was his intention; but when I saw him lift and poise the book and stand in act to hurl it, I instinctively started aside with a cry of alarm: not soon enough, however; the volume was flung, it hit me, and I fell, striking my head against the door and cutting it. The cut bled, the pain was sharp: my terror had passed its climax; other feelings succeeded. "Wicked and cruel boy!" I said. "You are like a murderer--you are like a slave-driver--you are like the Roman emperors!" I had read Goldsmith's History of Rome, and had formed my opinion of Nero, Caligula, etc. Also I had drawn parallels in silence, which I never thought thus to have declared aloud. "What! what!" he cried. "Did she say that to me? Did you hear her, Eliza and Georgiana? Won't I tell mama? but first--" He ran headlong at me: I felt him grasp my hair and my shoulder: he had closed with a desperate thing. I really saw in him a tyrant, a murderer. I felt a drop or two of blood from my head trickle down my neck, and was sensible of somewhat pungent suffering: these sensations for the time predominated over fear, and I received him in frantic sort. I don't very well know what I did with my hands, but he called me "Rat! Rat!" and bellowed out aloud. Aid was near him: Eliza and Georgiana had run for Mrs. Reed, who was gone upstairs: she now came upon the scene, followed by Bessie and her maid Abbot. We were parted: I heard the words-- "Dear! dear! What a fury to fly at Master John!" "Did ever anybody see such a picture of passion!" Then Mrs. Reed subjoined-- "Take her away to the red-room, and lock her in there." Four hands were immediately laid upon me, and I was borne upstairs.

Volume 1, Chapter 1

https://web.archive.org/web/20210506211142/https://www.shmoop.com/study-guides/literature/jane-eyre/summary/volume-1-chapter-1

Jane Eyre begins with the adult Jane looking back at her life. She jumps into the story at a moment in her childhood when she's ten years old. On this particular day, Jane and her cousins John, Eliza, and Georgiana aren't going to do something: they're not going to take a walk, because it's too wet. Jane is relieved; she hates walks, because it's depressing to realize that she's not as physically hardy as her cousins. Jane's cousins are "clustered round their mama" , but Jane's not allowed to join them, because her aunt, Mrs. Reed, and her nursemaid, Bessie, claim that she's been naughty. Jane has no idea what she's supposed to have done. Jane goes into the breakfast room, climbs up into the window seat, pulls the red velvet curtains around her , and reads Bewick's History of British Birds, which is sort of like an illustrated field guide. She likes the pictures and the descriptions of icy landscapes--maybe this penchant for arctic places is supposed to tell us something about her? Jane's cousin, John Reed, goes looking for her and, with the help of his sister Eliza, finds her in the window seat. We can tell that he's seriously bad news. Jane tells us a little bit about John Reed: he's fourteen, big, a greedy eater, pampered by his mom, doesn't really like his family, and especially hates Jane. He is, basically, a big fat bully. After a long pause, John smacks Jane really hard. He makes her show him which book she was reading, and then lords it over her that she's dependent on his family and tells her she can't read his books. Then he throws the book at her hard enough to knock her down, and she cuts her head on the door. Jane jumps up and tells John off, calling him "wicked and cruel" and "like a murderer" or "like a slave driver" or "like the Roman emperors" . He grabs her and they start fighting. Jane's not sure what she does, but she must hurt him somehow because she makes John holler. Eliza and Georgiana go and get their mother, Mrs. Reed, and the nursemaid Bessie, like the little tattletales they are. Jane's blamed for the fight, and Mrs. Reed orders that she be locked in "the red room" ...that doesn't sound sinister or anything, right?

shmoop

all_chapterized_books/1260-chapters/03.txt

finished_summaries/shmoop/Jane Eyre/section_1_part_0.txt

Jane Eyre.volume 1.chapter 2

volume 1, chapter 2

{"name": "Volume 1, Chapter 2", "url": "https://web.archive.org/web/20210506211142/https://www.shmoop.com/study-guides/literature/jane-eyre/summary/volume-1-chapter-2", "summary": "The nursemaid, Bessie, and Mrs. Reed's lady's-maid, Miss Abbot, physically drag Jane to the red room; she's fighting them the whole way, which, she tells us, is unusual for her, but she's half-crazed. Jane objects to John Reed being called her \"master,\" and Miss Abbot tells Jane that she is \"less than a servant\" because she doesn't even work or pay for her room and board. We think this is pretty harsh--after all, she's ten, and the Reeds are rich. Bessie and Abbot plunk Jane down on a stool; they threaten to tie her down, but she promises to stay in place. The servants spend a few minutes reminding Jane again that she's just a poor orphan, that she ought to be grateful to her aunt for taking her in, and so on. They even claim that God will strike her down if she keeps having tantrums, and then they leave and lock her in. Jane tells us about the red room, which is a spare bedroom furnished in, you guessed it, red--red curtains, red carpet, red tablecloth, reddish wood furniture--although there are a few white things in it, too. It's cold, quiet, and lonely, and... here's the creepiest bit... it's the room in which her uncle, Mr. Reed, died . Jane gets up to make sure she's locked in--yep, she is. Then she looks in the mirror, and the room looks even weirder in the mirror, especially because her reflection looks sort of like a ghost. Hint: this isn't the last time that Jane herself will seem almost supernatural. Jane thinks about how unfair her situation is--she's bullied by her cousins, her aunt hates her for no reason, and even the servants are snotty to her. She knows that she's the best behaved of the four children, but everyone dislikes her and indulges the others, and this unfairness really bothers her. Her keen ethical sense is awakening! Jane the child, whom we're following in the story, can't understand why she's being mistreated, but Jane the adult, who is telling the story , can. It's not because she's poor, but because she's different than the Reeds--different in temperament. Maybe, she thinks, it's also because Jane is only Mrs. Reed's niece by marriage; she was related to Mr. Reed, but she and Mrs. Reed aren't blood relatives. It's starting to get dark and the wind and rain are still raging outside--Jane's beginning to freak out in this creepy red room. Jane decides that if Mr. Reed were here now, he would be nicer to her than his widow and children are... but then she starts to worry that he might come back from the grave to try to comfort her, and that would be creepy. Jane tries to calm down so that Mr. Reed's ghost doesn't appear to reassure her, but then she sees a weird streak of light. Where is it coming from? It's not the moon. Is it a lantern? Maybe. Is it a ghost? Eeek! Jane screams. Well, actually, she \"utter a wild involuntary cry\" , but you get the idea. Bessie and Abbot come running and ask what's the matter. Bessie seems sympathetic when Jane tells her that she thought she saw a ghost--she lets Jane hold her hand--but Abbot thinks that Jane is just trying to trick them into letting her out. Next Mrs. Reed comes to see what all the noise was. Uh-oh. She's mad that the servants didn't obey her orders to leave Jane alone and, like Abbot, she thinks that Jane's being manipulative. Mrs. Reed punishes Jane with another hour alone in the red room, and as she leaves Jane faints.", "analysis": ""}

I resisted all the way: a new thing for me, and a circumstance which greatly strengthened the bad opinion Bessie and Miss Abbot were disposed to entertain of me. The fact is, I was a trifle beside myself; or rather _out_ of myself, as the French would say: I was conscious that a moment's mutiny had already rendered me liable to strange penalties, and, like any other rebel slave, I felt resolved, in my desperation, to go all lengths. "Hold her arms, Miss Abbot: she's like a mad cat." "For shame! for shame!" cried the lady's-maid. "What shocking conduct, Miss Eyre, to strike a young gentleman, your benefactress's son! Your young master." "Master! How is he my master? Am I a servant?" "No; you are less than a servant, for you do nothing for your keep. There, sit down, and think over your wickedness." They had got me by this time into the apartment indicated by Mrs. Reed, and had thrust me upon a stool: my impulse was to rise from it like a spring; their two pair of hands arrested me instantly. "If you don't sit still, you must be tied down," said Bessie. "Miss Abbot, lend me your garters; she would break mine directly." Miss Abbot turned to divest a stout leg of the necessary ligature. This preparation for bonds, and the additional ignominy it inferred, took a little of the excitement out of me. "Don't take them off," I cried; "I will not stir." In guarantee whereof, I attached myself to my seat by my hands. "Mind you don't," said Bessie; and when she had ascertained that I was really subsiding, she loosened her hold of me; then she and Miss Abbot stood with folded arms, looking darkly and doubtfully on my face, as incredulous of my sanity. "She never did so before," at last said Bessie, turning to the Abigail. "But it was always in her," was the reply. "I've told Missis often my opinion about the child, and Missis agreed with me. She's an underhand little thing: I never saw a girl of her age with so much cover." Bessie answered not; but ere long, addressing me, she said--"You ought to be aware, Miss, that you are under obligations to Mrs. Reed: she keeps you: if she were to turn you off, you would have to go to the poorhouse." I had nothing to say to these words: they were not new to me: my very first recollections of existence included hints of the same kind. This reproach of my dependence had become a vague sing-song in my ear: very painful and crushing, but only half intelligible. Miss Abbot joined in-- "And you ought not to think yourself on an equality with the Misses Reed and Master Reed, because Missis kindly allows you to be brought up with them. They will have a great deal of money, and you will have none: it is your place to be humble, and to try to make yourself agreeable to them." "What we tell you is for your good," added Bessie, in no harsh voice, "you should try to be useful and pleasant, then, perhaps, you would have a home here; but if you become passionate and rude, Missis will send you away, I am sure." "Besides," said Miss Abbot, "God will punish her: He might strike her dead in the midst of her tantrums, and then where would she go? Come, Bessie, we will leave her: I wouldn't have her heart for anything. Say your prayers, Miss Eyre, when you are by yourself; for if you don't repent, something bad might be permitted to come down the chimney and fetch you away." They went, shutting the door, and locking it behind them. The red-room was a square chamber, very seldom slept in, I might say never, indeed, unless when a chance influx of visitors at Gateshead Hall rendered it necessary to turn to account all the accommodation it contained: yet it was one of the largest and stateliest chambers in the mansion. A bed supported on massive pillars of mahogany, hung with curtains of deep red damask, stood out like a tabernacle in the centre; the two large windows, with their blinds always drawn down, were half shrouded in festoons and falls of similar drapery; the carpet was red; the table at the foot of the bed was covered with a crimson cloth; the walls were a soft fawn colour with a blush of pink in it; the wardrobe, the toilet-table, the chairs were of darkly polished old mahogany. Out of these deep surrounding shades rose high, and glared white, the piled- up mattresses and pillows of the bed, spread with a snowy Marseilles counterpane. Scarcely less prominent was an ample cushioned easy-chair near the head of the bed, also white, with a footstool before it; and looking, as I thought, like a pale throne. This room was chill, because it seldom had a fire; it was silent, because remote from the nursery and kitchen; solemn, because it was known to be so seldom entered. The house-maid alone came here on Saturdays, to wipe from the mirrors and the furniture a week's quiet dust: and Mrs. Reed herself, at far intervals, visited it to review the contents of a certain secret drawer in the wardrobe, where were stored divers parchments, her jewel-casket, and a miniature of her deceased husband; and in those last words lies the secret of the red-room--the spell which kept it so lonely in spite of its grandeur. Mr. Reed had been dead nine years: it was in this chamber he breathed his last; here he lay in state; hence his coffin was borne by the undertaker's men; and, since that day, a sense of dreary consecration had guarded it from frequent intrusion. My seat, to which Bessie and the bitter Miss Abbot had left me riveted, was a low ottoman near the marble chimney-piece; the bed rose before me; to my right hand there was the high, dark wardrobe, with subdued, broken reflections varying the gloss of its panels; to my left were the muffled windows; a great looking-glass between them repeated the vacant majesty of the bed and room. I was not quite sure whether they had locked the door; and when I dared move, I got up and went to see. Alas! yes: no jail was ever more secure. Returning, I had to cross before the looking- glass; my fascinated glance involuntarily explored the depth it revealed. All looked colder and darker in that visionary hollow than in reality: and the strange little figure there gazing at me, with a white face and arms specking the gloom, and glittering eyes of fear moving where all else was still, had the effect of a real spirit: I thought it like one of the tiny phantoms, half fairy, half imp, Bessie's evening stories represented as coming out of lone, ferny dells in moors, and appearing before the eyes of belated travellers. I returned to my stool. Superstition was with me at that moment; but it was not yet her hour for complete victory: my blood was still warm; the mood of the revolted slave was still bracing me with its bitter vigour; I had to stem a rapid rush of retrospective thought before I quailed to the dismal present. All John Reed's violent tyrannies, all his sisters' proud indifference, all his mother's aversion, all the servants' partiality, turned up in my disturbed mind like a dark deposit in a turbid well. Why was I always suffering, always browbeaten, always accused, for ever condemned? Why could I never please? Why was it useless to try to win any one's favour? Eliza, who was headstrong and selfish, was respected. Georgiana, who had a spoiled temper, a very acrid spite, a captious and insolent carriage, was universally indulged. Her beauty, her pink cheeks and golden curls, seemed to give delight to all who looked at her, and to purchase indemnity for every fault. John no one thwarted, much less punished; though he twisted the necks of the pigeons, killed the little pea-chicks, set the dogs at the sheep, stripped the hothouse vines of their fruit, and broke the buds off the choicest plants in the conservatory: he called his mother "old girl," too; sometimes reviled her for her dark skin, similar to his own; bluntly disregarded her wishes; not unfrequently tore and spoiled her silk attire; and he was still "her own darling." I dared commit no fault: I strove to fulfil every duty; and I was termed naughty and tiresome, sullen and sneaking, from morning to noon, and from noon to night. My head still ached and bled with the blow and fall I had received: no one had reproved John for wantonly striking me; and because I had turned against him to avert farther irrational violence, I was loaded with general opprobrium. "Unjust!--unjust!" said my reason, forced by the agonising stimulus into precocious though transitory power: and Resolve, equally wrought up, instigated some strange expedient to achieve escape from insupportable oppression--as running away, or, if that could not be effected, never eating or drinking more, and letting myself die. What a consternation of soul was mine that dreary afternoon! How all my brain was in tumult, and all my heart in insurrection! Yet in what darkness, what dense ignorance, was the mental battle fought! I could not answer the ceaseless inward question--_why_ I thus suffered; now, at the distance of--I will not say how many years, I see it clearly. I was a discord in Gateshead Hall: I was like nobody there; I had nothing in harmony with Mrs. Reed or her children, or her chosen vassalage. If they did not love me, in fact, as little did I love them. They were not bound to regard with affection a thing that could not sympathise with one amongst them; a heterogeneous thing, opposed to them in temperament, in capacity, in propensities; a useless thing, incapable of serving their interest, or adding to their pleasure; a noxious thing, cherishing the germs of indignation at their treatment, of contempt of their judgment. I know that had I been a sanguine, brilliant, careless, exacting, handsome, romping child--though equally dependent and friendless--Mrs. Reed would have endured my presence more complacently; her children would have entertained for me more of the cordiality of fellow-feeling; the servants would have been less prone to make me the scapegoat of the nursery. Daylight began to forsake the red-room; it was past four o'clock, and the beclouded afternoon was tending to drear twilight. I heard the rain still beating continuously on the staircase window, and the wind howling in the grove behind the hall; I grew by degrees cold as a stone, and then my courage sank. My habitual mood of humiliation, self-doubt, forlorn depression, fell damp on the embers of my decaying ire. All said I was wicked, and perhaps I might be so; what thought had I been but just conceiving of starving myself to death? That certainly was a crime: and was I fit to die? Or was the vault under the chancel of Gateshead Church an inviting bourne? In such vault I had been told did Mr. Reed lie buried; and led by this thought to recall his idea, I dwelt on it with gathering dread. I could not remember him; but I knew that he was my own uncle--my mother's brother--that he had taken me when a parentless infant to his house; and that in his last moments he had required a promise of Mrs. Reed that she would rear and maintain me as one of her own children. Mrs. Reed probably considered she had kept this promise; and so she had, I dare say, as well as her nature would permit her; but how could she really like an interloper not of her race, and unconnected with her, after her husband's death, by any tie? It must have been most irksome to find herself bound by a hard-wrung pledge to stand in the stead of a parent to a strange child she could not love, and to see an uncongenial alien permanently intruded on her own family group. A singular notion dawned upon me. I doubted not--never doubted--that if Mr. Reed had been alive he would have treated me kindly; and now, as I sat looking at the white bed and overshadowed walls--occasionally also turning a fascinated eye towards the dimly gleaming mirror--I began to recall what I had heard of dead men, troubled in their graves by the violation of their last wishes, revisiting the earth to punish the perjured and avenge the oppressed; and I thought Mr. Reed's spirit, harassed by the wrongs of his sister's child, might quit its abode--whether in the church vault or in the unknown world of the departed--and rise before me in this chamber. I wiped my tears and hushed my sobs, fearful lest any sign of violent grief might waken a preternatural voice to comfort me, or elicit from the gloom some haloed face, bending over me with strange pity. This idea, consolatory in theory, I felt would be terrible if realised: with all my might I endeavoured to stifle it--I endeavoured to be firm. Shaking my hair from my eyes, I lifted my head and tried to look boldly round the dark room; at this moment a light gleamed on the wall. Was it, I asked myself, a ray from the moon penetrating some aperture in the blind? No; moonlight was still, and this stirred; while I gazed, it glided up to the ceiling and quivered over my head. I can now conjecture readily that this streak of light was, in all likelihood, a gleam from a lantern carried by some one across the lawn: but then, prepared as my mind was for horror, shaken as my nerves were by agitation, I thought the swift darting beam was a herald of some coming vision from another world. My heart beat thick, my head grew hot; a sound filled my ears, which I deemed the rushing of wings; something seemed near me; I was oppressed, suffocated: endurance broke down; I rushed to the door and shook the lock in desperate effort. Steps came running along the outer passage; the key turned, Bessie and Abbot entered. "Miss Eyre, are you ill?" said Bessie. "What a dreadful noise! it went quite through me!" exclaimed Abbot. "Take me out! Let me go into the nursery!" was my cry. "What for? Are you hurt? Have you seen something?" again demanded Bessie. "Oh! I saw a light, and I thought a ghost would come." I had now got hold of Bessie's hand, and she did not snatch it from me. "She has screamed out on purpose," declared Abbot, in some disgust. "And what a scream! If she had been in great pain one would have excused it, but she only wanted to bring us all here: I know her naughty tricks." "What is all this?" demanded another voice peremptorily; and Mrs. Reed came along the corridor, her cap flying wide, her gown rustling stormily. "Abbot and Bessie, I believe I gave orders that Jane Eyre should be left in the red-room till I came to her myself." "Miss Jane screamed so loud, ma'am," pleaded Bessie. "Let her go," was the only answer. "Loose Bessie's hand, child: you cannot succeed in getting out by these means, be assured. I abhor artifice, particularly in children; it is my duty to show you that tricks will not answer: you will now stay here an hour longer, and it is only on condition of perfect submission and stillness that I shall liberate you then." "O aunt! have pity! Forgive me! I cannot endure it--let me be punished some other way! I shall be killed if--" "Silence! This violence is all most repulsive:" and so, no doubt, she felt it. I was a precocious actress in her eyes; she sincerely looked on me as a compound of virulent passions, mean spirit, and dangerous duplicity. Bessie and Abbot having retreated, Mrs. Reed, impatient of my now frantic anguish and wild sobs, abruptly thrust me back and locked me in, without farther parley. I heard her sweeping away; and soon after she was gone, I suppose I had a species of fit: unconsciousness closed the scene.

Volume 1, Chapter 2

https://web.archive.org/web/20210506211142/https://www.shmoop.com/study-guides/literature/jane-eyre/summary/volume-1-chapter-2

The nursemaid, Bessie, and Mrs. Reed's lady's-maid, Miss Abbot, physically drag Jane to the red room; she's fighting them the whole way, which, she tells us, is unusual for her, but she's half-crazed. Jane objects to John Reed being called her "master," and Miss Abbot tells Jane that she is "less than a servant" because she doesn't even work or pay for her room and board. We think this is pretty harsh--after all, she's ten, and the Reeds are rich. Bessie and Abbot plunk Jane down on a stool; they threaten to tie her down, but she promises to stay in place. The servants spend a few minutes reminding Jane again that she's just a poor orphan, that she ought to be grateful to her aunt for taking her in, and so on. They even claim that God will strike her down if she keeps having tantrums, and then they leave and lock her in. Jane tells us about the red room, which is a spare bedroom furnished in, you guessed it, red--red curtains, red carpet, red tablecloth, reddish wood furniture--although there are a few white things in it, too. It's cold, quiet, and lonely, and... here's the creepiest bit... it's the room in which her uncle, Mr. Reed, died . Jane gets up to make sure she's locked in--yep, she is. Then she looks in the mirror, and the room looks even weirder in the mirror, especially because her reflection looks sort of like a ghost. Hint: this isn't the last time that Jane herself will seem almost supernatural. Jane thinks about how unfair her situation is--she's bullied by her cousins, her aunt hates her for no reason, and even the servants are snotty to her. She knows that she's the best behaved of the four children, but everyone dislikes her and indulges the others, and this unfairness really bothers her. Her keen ethical sense is awakening! Jane the child, whom we're following in the story, can't understand why she's being mistreated, but Jane the adult, who is telling the story , can. It's not because she's poor, but because she's different than the Reeds--different in temperament. Maybe, she thinks, it's also because Jane is only Mrs. Reed's niece by marriage; she was related to Mr. Reed, but she and Mrs. Reed aren't blood relatives. It's starting to get dark and the wind and rain are still raging outside--Jane's beginning to freak out in this creepy red room. Jane decides that if Mr. Reed were here now, he would be nicer to her than his widow and children are... but then she starts to worry that he might come back from the grave to try to comfort her, and that would be creepy. Jane tries to calm down so that Mr. Reed's ghost doesn't appear to reassure her, but then she sees a weird streak of light. Where is it coming from? It's not the moon. Is it a lantern? Maybe. Is it a ghost? Eeek! Jane screams. Well, actually, she "utter a wild involuntary cry" , but you get the idea. Bessie and Abbot come running and ask what's the matter. Bessie seems sympathetic when Jane tells her that she thought she saw a ghost--she lets Jane hold her hand--but Abbot thinks that Jane is just trying to trick them into letting her out. Next Mrs. Reed comes to see what all the noise was. Uh-oh. She's mad that the servants didn't obey her orders to leave Jane alone and, like Abbot, she thinks that Jane's being manipulative. Mrs. Reed punishes Jane with another hour alone in the red room, and as she leaves Jane faints.

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finished_summaries/shmoop/Jane Eyre/section_2_part_0.txt

Jane Eyre.volume 1.chapter 3

volume 1, chapter 3

{"name": "Volume 1, Chapter 3", "url": "https://web.archive.org/web/20210506211142/https://www.shmoop.com/study-guides/literature/jane-eyre/summary/volume-1-chapter-3", "summary": "Jane wakes up, confused and disoriented. Someone is holding her gently; she's never been held gently before. She starts to realize where she is--in her own bed. Bessie and a gentleman are there, looking after her. Jane's glad to see the gentleman, because he's not one of the Reeds. She looks at him closely and realizes that she knows him. It's Mr. Lloyd, a local apothecary . Mr. Lloyd gives Bessie instructions about looking after Jane and says he'll come back tomorrow, then leaves. Jane feels really depressed after he leaves; he's much nicer to her than anyone else who lives at Gateshead . Bessie offers to get Jane something to eat or drink and is generally really nice to her. Jane's pretty confused by this kindness. Bessie goes into another room, and Jane overhears her ask the housemaid, Sarah, to sleep in the nursery because she's scared that Jane could die. Sarah and Bessie come back to sleep in the nursery; Jane listens as they whisper about strange figures and visions that were seen around Jane earlier--something dressed in white, a black dog, lights, noises. They fall asleep, but Jane's wide awake in terror. Jane tells us that, even though she doesn't get sick after this shock, her nerves never really recover. She blames Mrs. Reed, even though she knows that maybe she shouldn't. When Jane gets up the next day, she sits by the fire wrapped in a shawl; the Reeds have gone out somewhere, Abbot is sewing, and Bessie's tidying up. Jane should be happy to be left alone for once, instead of bullied and tormented, but she can't stop crying silently to herself. Bessie brings Jane a treat--a tart, and on a beautiful china plate that Jane's always liked. She can't bring herself to eat it. Next Bessie asks if Jane wants a book; she asks for Gulliver's Travels, which she's always loved . But even reading can't comfort her now; Gulliver seems lonely and beset by terrible dangers. As she works, Bessie starts singing a song that Jane has always liked in the past. But this time--can you guess?--yep, it just sounds sad. We're starting to wonder if Jane will ever enjoy anything again. Mr. Lloyd comes to see how Jane is doing. She's not sick, and he starts trying to figure out why she's so miserable. Bessie tells Mr. Lloyd things that make Jane sound babyish: that she's crying because she didn't get to go out in the carriage with everyone else, and that she was sick because she had a fall. Jane's pretty indignant about these charges and denies them both--and explains that the \"fall\" was actually when John Reed knocked her down. A bell rings and Bessie has to go have dinner with the other servants, so Mr. Lloyd is left alone with Jane. Jane tells Mr. Lloyd about the ghost, and he finds that pretty silly. Jane protests that she's miserable for lots of other reasons: she doesn't have any immediate family, Mrs. Reed and her son John are cruel to her, and she's made to feel that she doesn't have any right to live at Gateshead. Mr. Lloyd starts asking about different ways Jane could leave Gateshead. Does she have any other family? She's not sure, but she doesn't think so, and she wouldn't want to live with them if they were poor anyway. Could she go to school? Jane thinks about school. She's heard bad stuff about school from Bessie and John, but she doesn't really trust either of them, and she is interested in learning to paint and sing and sew and read French and stuff--the things she knows young ladies get taught in school. Plus, she'd be able to get away from the Reeds. Jane tells Mr. Lloyd that she does want to go to school, and he advises Mrs. Reed to send her to one. Jane hears Abbot tell Bessie that Mrs. Reed will send Jane to school, if only to get rid of her. Jane also hears Abbot talk about her own family: her dad was a poor clergyman , her grandfather disinherited her mother for marrying him, and both of them died while taking care of sick people during a typhus outbreak. Well, at least now she knows where she comes from. Bessie and Abbot agree that they would be able to feel sorry for Jane \"if she were a nice, pretty child\" or \"a beauty like Miss Georgiana\" , but they can't really feel bad for her because she's unpleasant and ugly. We think they're jerks, especially for saying this in front of Jane. Hollywood movies may not show it, but you don't have to be stunningly gorgeous to suffer, you know.", "analysis": ""}

The next thing I remember is, waking up with a feeling as if I had had a frightful nightmare, and seeing before me a terrible red glare, crossed with thick black bars. I heard voices, too, speaking with a hollow sound, and as if muffled by a rush of wind or water: agitation, uncertainty, and an all-predominating sense of terror confused my faculties. Ere long, I became aware that some one was handling me; lifting me up and supporting me in a sitting posture, and that more tenderly than I had ever been raised or upheld before. I rested my head against a pillow or an arm, and felt easy. In five minutes more the cloud of bewilderment dissolved: I knew quite well that I was in my own bed, and that the red glare was the nursery fire. It was night: a candle burnt on the table; Bessie stood at the bed- foot with a basin in her hand, and a gentleman sat in a chair near my pillow, leaning over me. I felt an inexpressible relief, a soothing conviction of protection and security, when I knew that there was a stranger in the room, an individual not belonging to Gateshead, and not related to Mrs. Reed. Turning from Bessie (though her presence was far less obnoxious to me than that of Abbot, for instance, would have been), I scrutinised the face of the gentleman: I knew him; it was Mr. Lloyd, an apothecary, sometimes called in by Mrs. Reed when the servants were ailing: for herself and the children she employed a physician. "Well, who am I?" he asked. I pronounced his name, offering him at the same time my hand: he took it, smiling and saying, "We shall do very well by-and-by." Then he laid me down, and addressing Bessie, charged her to be very careful that I was not disturbed during the night. Having given some further directions, and intimates that he should call again the next day, he departed; to my grief: I felt so sheltered and befriended while he sat in the chair near my pillow; and as he closed the door after him, all the room darkened and my heart again sank: inexpressible sadness weighed it down. "Do you feel as if you should sleep, Miss?" asked Bessie, rather softly. Scarcely dared I answer her; for I feared the next sentence might be rough. "I will try." "Would you like to drink, or could you eat anything?" "No, thank you, Bessie." "Then I think I shall go to bed, for it is past twelve o'clock; but you may call me if you want anything in the night." Wonderful civility this! It emboldened me to ask a question. "Bessie, what is the matter with me? Am I ill?" "You fell sick, I suppose, in the red-room with crying; you'll be better soon, no doubt." Bessie went into the housemaid's apartment, which was near. I heard her say-- "Sarah, come and sleep with me in the nursery; I daren't for my life be alone with that poor child to-night: she might die; it's such a strange thing she should have that fit: I wonder if she saw anything. Missis was rather too hard." Sarah came back with her; they both went to bed; they were whispering together for half-an-hour before they fell asleep. I caught scraps of their conversation, from which I was able only too distinctly to infer the main subject discussed. "Something passed her, all dressed in white, and vanished"--"A great black dog behind him"--"Three loud raps on the chamber door"--"A light in the churchyard just over his grave," etc., etc. At last both slept: the fire and the candle went out. For me, the watches of that long night passed in ghastly wakefulness; strained by dread: such dread as children only can feel. No severe or prolonged bodily illness followed this incident of the red- room; it only gave my nerves a shock of which I feel the reverberation to this day. Yes, Mrs. Reed, to you I owe some fearful pangs of mental suffering, but I ought to forgive you, for you knew not what you did: while rending my heart-strings, you thought you were only uprooting my bad propensities. Next day, by noon, I was up and dressed, and sat wrapped in a shawl by the nursery hearth. I felt physically weak and broken down: but my worse ailment was an unutterable wretchedness of mind: a wretchedness which kept drawing from me silent tears; no sooner had I wiped one salt drop from my cheek than another followed. Yet, I thought, I ought to have been happy, for none of the Reeds were there, they were all gone out in the carriage with their mama. Abbot, too, was sewing in another room, and Bessie, as she moved hither and thither, putting away toys and arranging drawers, addressed to me every now and then a word of unwonted kindness. This state of things should have been to me a paradise of peace, accustomed as I was to a life of ceaseless reprimand and thankless fagging; but, in fact, my racked nerves were now in such a state that no calm could soothe, and no pleasure excite them agreeably. Bessie had been down into the kitchen, and she brought up with her a tart on a certain brightly painted china plate, whose bird of paradise, nestling in a wreath of convolvuli and rosebuds, had been wont to stir in me a most enthusiastic sense of admiration; and which plate I had often petitioned to be allowed to take in my hand in order to examine it more closely, but had always hitherto been deemed unworthy of such a privilege. This precious vessel was now placed on my knee, and I was cordially invited to eat the circlet of delicate pastry upon it. Vain favour! coming, like most other favours long deferred and often wished for, too late! I could not eat the tart; and the plumage of the bird, the tints of the flowers, seemed strangely faded: I put both plate and tart away. Bessie asked if I would have a book: the word _book_ acted as a transient stimulus, and I begged her to fetch Gulliver's Travels from the library. This book I had again and again perused with delight. I considered it a narrative of facts, and discovered in it a vein of interest deeper than what I found in fairy tales: for as to the elves, having sought them in vain among foxglove leaves and bells, under mushrooms and beneath the ground-ivy mantling old wall-nooks, I had at length made up my mind to the sad truth, that they were all gone out of England to some savage country where the woods were wilder and thicker, and the population more scant; whereas, Lilliput and Brobdignag being, in my creed, solid parts of the earth's surface, I doubted not that I might one day, by taking a long voyage, see with my own eyes the little fields, houses, and trees, the diminutive people, the tiny cows, sheep, and birds of the one realm; and the corn-fields forest-high, the mighty mastiffs, the monster cats, the tower-like men and women, of the other. Yet, when this cherished volume was now placed in my hand--when I turned over its leaves, and sought in its marvellous pictures the charm I had, till now, never failed to find--all was eerie and dreary; the giants were gaunt goblins, the pigmies malevolent and fearful imps, Gulliver a most desolate wanderer in most dread and dangerous regions. I closed the book, which I dared no longer peruse, and put it on the table, beside the untasted tart. Bessie had now finished dusting and tidying the room, and having washed her hands, she opened a certain little drawer, full of splendid shreds of silk and satin, and began making a new bonnet for Georgiana's doll. Meantime she sang: her song was-- "In the days when we went gipsying, A long time ago." I had often heard the song before, and always with lively delight; for Bessie had a sweet voice,--at least, I thought so. But now, though her voice was still sweet, I found in its melody an indescribable sadness. Sometimes, preoccupied with her work, she sang the refrain very low, very lingeringly; "A long time ago" came out like the saddest cadence of a funeral hymn. She passed into another ballad, this time a really doleful one. "My feet they are sore, and my limbs they are weary; Long is the way, and the mountains are wild; Soon will the twilight close moonless and dreary Over the path of the poor orphan child. Why did they send me so far and so lonely, Up where the moors spread and grey rocks are piled? Men are hard-hearted, and kind angels only Watch o'er the steps of a poor orphan child. Yet distant and soft the night breeze is blowing, Clouds there are none, and clear stars beam mild, God, in His mercy, protection is showing, Comfort and hope to the poor orphan child. Ev'n should I fall o'er the broken bridge passing, Or stray in the marshes, by false lights beguiled, Still will my Father, with promise and blessing, Take to His bosom the poor orphan child. There is a thought that for strength should avail me, Though both of shelter and kindred despoiled; Heaven is a home, and a rest will not fail me; God is a friend to the poor orphan child." "Come, Miss Jane, don't cry," said Bessie as she finished. She might as well have said to the fire, "don't burn!" but how could she divine the morbid suffering to which I was a prey? In the course of the morning Mr. Lloyd came again. "What, already up!" said he, as he entered the nursery. "Well, nurse, how is she?" Bessie answered that I was doing very well. "Then she ought to look more cheerful. Come here, Miss Jane: your name is Jane, is it not?" "Yes, sir, Jane Eyre." "Well, you have been crying, Miss Jane Eyre; can you tell me what about? Have you any pain?" "No, sir." "Oh! I daresay she is crying because she could not go out with Missis in the carriage," interposed Bessie. "Surely not! why, she is too old for such pettishness." I thought so too; and my self-esteem being wounded by the false charge, I answered promptly, "I never cried for such a thing in my life: I hate going out in the carriage. I cry because I am miserable." "Oh fie, Miss!" said Bessie. The good apothecary appeared a little puzzled. I was standing before him; he fixed his eyes on me very steadily: his eyes were small and grey; not very bright, but I dare say I should think them shrewd now: he had a hard-featured yet good-natured looking face. Having considered me at leisure, he said-- "What made you ill yesterday?" "She had a fall," said Bessie, again putting in her word. "Fall! why, that is like a baby again! Can't she manage to walk at her age? She must be eight or nine years old." "I was knocked down," was the blunt explanation, jerked out of me by another pang of mortified pride; "but that did not make me ill," I added; while Mr. Lloyd helped himself to a pinch of snuff. As he was returning the box to his waistcoat pocket, a loud bell rang for the servants' dinner; he knew what it was. "That's for you, nurse," said he; "you can go down; I'll give Miss Jane a lecture till you come back." Bessie would rather have stayed, but she was obliged to go, because punctuality at meals was rigidly enforced at Gateshead Hall. "The fall did not make you ill; what did, then?" pursued Mr. Lloyd when Bessie was gone. "I was shut up in a room where there is a ghost till after dark." I saw Mr. Lloyd smile and frown at the same time. "Ghost! What, you are a baby after all! You are afraid of ghosts?" "Of Mr. Reed's ghost I am: he died in that room, and was laid out there. Neither Bessie nor any one else will go into it at night, if they can help it; and it was cruel to shut me up alone without a candle,--so cruel that I think I shall never forget it." "Nonsense! And is it that makes you so miserable? Are you afraid now in daylight?" "No: but night will come again before long: and besides,--I am unhappy,--very unhappy, for other things." "What other things? Can you tell me some of them?" How much I wished to reply fully to this question! How difficult it was to frame any answer! Children can feel, but they cannot analyse their feelings; and if the analysis is partially effected in thought, they know not how to express the result of the process in words. Fearful, however, of losing this first and only opportunity of relieving my grief by imparting it, I, after a disturbed pause, contrived to frame a meagre, though, as far as it went, true response. "For one thing, I have no father or mother, brothers or sisters." "You have a kind aunt and cousins." Again I paused; then bunglingly enounced-- "But John Reed knocked me down, and my aunt shut me up in the red-room." Mr. Lloyd a second time produced his snuff-box. "Don't you think Gateshead Hall a very beautiful house?" asked he. "Are you not very thankful to have such a fine place to live at?" "It is not my house, sir; and Abbot says I have less right to be here than a servant." "Pooh! you can't be silly enough to wish to leave such a splendid place?" "If I had anywhere else to go, I should be glad to leave it; but I can never get away from Gateshead till I am a woman." "Perhaps you may--who knows? Have you any relations besides Mrs. Reed?" "I think not, sir." "None belonging to your father?" "I don't know. I asked Aunt Reed once, and she said possibly I might have some poor, low relations called Eyre, but she knew nothing about them." "If you had such, would you like to go to them?" I reflected. Poverty looks grim to grown people; still more so to children: they have not much idea of industrious, working, respectable poverty; they think of the word only as connected with ragged clothes, scanty food, fireless grates, rude manners, and debasing vices: poverty for me was synonymous with degradation. "No; I should not like to belong to poor people," was my reply. "Not even if they were kind to you?" I shook my head: I could not see how poor people had the means of being kind; and then to learn to speak like them, to adopt their manners, to be uneducated, to grow up like one of the poor women I saw sometimes nursing their children or washing their clothes at the cottage doors of the village of Gateshead: no, I was not heroic enough to purchase liberty at the price of caste. "But are your relatives so very poor? Are they working people?" "I cannot tell; Aunt Reed says if I have any, they must be a beggarly set: I should not like to go a begging." "Would you like to go to school?" Again I reflected: I scarcely knew what school was: Bessie sometimes spoke of it as a place where young ladies sat in the stocks, wore backboards, and were expected to be exceedingly genteel and precise: John Reed hated his school, and abused his master; but John Reed's tastes were no rule for mine, and if Bessie's accounts of school-discipline (gathered from the young ladies of a family where she had lived before coming to Gateshead) were somewhat appalling, her details of certain accomplishments attained by these same young ladies were, I thought, equally attractive. She boasted of beautiful paintings of landscapes and flowers by them executed; of songs they could sing and pieces they could play, of purses they could net, of French books they could translate; till my spirit was moved to emulation as I listened. Besides, school would be a complete change: it implied a long journey, an entire separation from Gateshead, an entrance into a new life. "I should indeed like to go to school," was the audible conclusion of my musings. "Well, well! who knows what may happen?" said Mr. Lloyd, as he got up. "The child ought to have change of air and scene," he added, speaking to himself; "nerves not in a good state." Bessie now returned; at the same moment the carriage was heard rolling up the gravel-walk. "Is that your mistress, nurse?" asked Mr. Lloyd. "I should like to speak to her before I go." Bessie invited him to walk into the breakfast-room, and led the way out. In the interview which followed between him and Mrs. Reed, I presume, from after-occurrences, that the apothecary ventured to recommend my being sent to school; and the recommendation was no doubt readily enough adopted; for as Abbot said, in discussing the subject with Bessie when both sat sewing in the nursery one night, after I was in bed, and, as they thought, asleep, "Missis was, she dared say, glad enough to get rid of such a tiresome, ill-conditioned child, who always looked as if she were watching everybody, and scheming plots underhand." Abbot, I think, gave me credit for being a sort of infantine Guy Fawkes. On that same occasion I learned, for the first time, from Miss Abbot's communications to Bessie, that my father had been a poor clergyman; that my mother had married him against the wishes of her friends, who considered the match beneath her; that my grandfather Reed was so irritated at her disobedience, he cut her off without a shilling; that after my mother and father had been married a year, the latter caught the typhus fever while visiting among the poor of a large manufacturing town where his curacy was situated, and where that disease was then prevalent: that my mother took the infection from him, and both died within a month of each other. Bessie, when she heard this narrative, sighed and said, "Poor Miss Jane is to be pitied, too, Abbot." "Yes," responded Abbot; "if she were a nice, pretty child, one might compassionate her forlornness; but one really cannot care for such a little toad as that." "Not a great deal, to be sure," agreed Bessie: "at any rate, a beauty like Miss Georgiana would be more moving in the same condition." "Yes, I doat on Miss Georgiana!" cried the fervent Abbot. "Little darling!--with her long curls and her blue eyes, and such a sweet colour as she has; just as if she were painted!--Bessie, I could fancy a Welsh rabbit for supper." "So could I--with a roast onion. Come, we'll go down." They went.

Volume 1, Chapter 3

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Jane wakes up, confused and disoriented. Someone is holding her gently; she's never been held gently before. She starts to realize where she is--in her own bed. Bessie and a gentleman are there, looking after her. Jane's glad to see the gentleman, because he's not one of the Reeds. She looks at him closely and realizes that she knows him. It's Mr. Lloyd, a local apothecary . Mr. Lloyd gives Bessie instructions about looking after Jane and says he'll come back tomorrow, then leaves. Jane feels really depressed after he leaves; he's much nicer to her than anyone else who lives at Gateshead . Bessie offers to get Jane something to eat or drink and is generally really nice to her. Jane's pretty confused by this kindness. Bessie goes into another room, and Jane overhears her ask the housemaid, Sarah, to sleep in the nursery because she's scared that Jane could die. Sarah and Bessie come back to sleep in the nursery; Jane listens as they whisper about strange figures and visions that were seen around Jane earlier--something dressed in white, a black dog, lights, noises. They fall asleep, but Jane's wide awake in terror. Jane tells us that, even though she doesn't get sick after this shock, her nerves never really recover. She blames Mrs. Reed, even though she knows that maybe she shouldn't. When Jane gets up the next day, she sits by the fire wrapped in a shawl; the Reeds have gone out somewhere, Abbot is sewing, and Bessie's tidying up. Jane should be happy to be left alone for once, instead of bullied and tormented, but she can't stop crying silently to herself. Bessie brings Jane a treat--a tart, and on a beautiful china plate that Jane's always liked. She can't bring herself to eat it. Next Bessie asks if Jane wants a book; she asks for Gulliver's Travels, which she's always loved . But even reading can't comfort her now; Gulliver seems lonely and beset by terrible dangers. As she works, Bessie starts singing a song that Jane has always liked in the past. But this time--can you guess?--yep, it just sounds sad. We're starting to wonder if Jane will ever enjoy anything again. Mr. Lloyd comes to see how Jane is doing. She's not sick, and he starts trying to figure out why she's so miserable. Bessie tells Mr. Lloyd things that make Jane sound babyish: that she's crying because she didn't get to go out in the carriage with everyone else, and that she was sick because she had a fall. Jane's pretty indignant about these charges and denies them both--and explains that the "fall" was actually when John Reed knocked her down. A bell rings and Bessie has to go have dinner with the other servants, so Mr. Lloyd is left alone with Jane. Jane tells Mr. Lloyd about the ghost, and he finds that pretty silly. Jane protests that she's miserable for lots of other reasons: she doesn't have any immediate family, Mrs. Reed and her son John are cruel to her, and she's made to feel that she doesn't have any right to live at Gateshead. Mr. Lloyd starts asking about different ways Jane could leave Gateshead. Does she have any other family? She's not sure, but she doesn't think so, and she wouldn't want to live with them if they were poor anyway. Could she go to school? Jane thinks about school. She's heard bad stuff about school from Bessie and John, but she doesn't really trust either of them, and she is interested in learning to paint and sing and sew and read French and stuff--the things she knows young ladies get taught in school. Plus, she'd be able to get away from the Reeds. Jane tells Mr. Lloyd that she does want to go to school, and he advises Mrs. Reed to send her to one. Jane hears Abbot tell Bessie that Mrs. Reed will send Jane to school, if only to get rid of her. Jane also hears Abbot talk about her own family: her dad was a poor clergyman , her grandfather disinherited her mother for marrying him, and both of them died while taking care of sick people during a typhus outbreak. Well, at least now she knows where she comes from. Bessie and Abbot agree that they would be able to feel sorry for Jane "if she were a nice, pretty child" or "a beauty like Miss Georgiana" , but they can't really feel bad for her because she's unpleasant and ugly. We think they're jerks, especially for saying this in front of Jane. Hollywood movies may not show it, but you don't have to be stunningly gorgeous to suffer, you know.

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Jane Eyre.volume 1.chapter 4

volume 1, chapter 4

{"name": "Volume 1, Chapter 4", "url": "https://web.archive.org/web/20210506211142/https://www.shmoop.com/study-guides/literature/jane-eyre/summary/volume-1-chapter-4", "summary": "Jane is waiting patiently, convinced that Mrs. Reed will send her to school soon, even though she hasn't said so. Jane seems to be in more disgrace than usual: she has a smaller room, eats alone, and none of the Reed children are even speaking to her. John tries to say something nasty to Jane, but she hits him on the nose and he runs crying to his mom. We can hardly believe that he's fourteen. This time, Mrs. Reed won't listen to it, and tells him to leave Jane alone. She makes it sound like she's being snobby, saying that her children won't \"associate with\" Jane . Jane says that the Reed children \"are not fit to associate with\" her anyway . Mrs. Reed freaks out and attacks Jane, who asks what Mr. Reed would say if he were still alive. Her aunt seems frightened by this, but not too frightened to box Jane's ears. Bessie lectures Jane about being wicked. Time passes. Christmas comes and goes and Jane doesn't get any presents or any chance to participate in the festivities. Even Bessie leaves her alone, and so Jane has to sit in the dark and take care of her doll, which is the only thing she has to love. It's pretty pathetic. Jane-the-narrator reminisces about Bessie: sometimes the nursemaid is kind to her or brings her treats, and she tells such great stories! She does have a bad temper and no real ideas of ethics or justice, but she's all Jane has at Gateshead. One day, things start to change. Jane paints us a picture of what's happening on this particular day: it's early in the morning; Eliza, who, we learn, loves money a little too much, is getting ready to go out and feed the hens she keeps so that she can sell the eggs; Georgiana is doing her hair in the mirror; Jane is tidying up as Bessie ordered. From the window, Jane sees a carriage, but she isn't really paying attention to it because she doesn't think it will matter to her. She starts feeding a bird some of her breakfast on the window-sill. Bessie comes bustling in, freaking out because Jane hasn't washed yet and is red in the face from leaning out into the cold air. She cleans Jane up and makes her presentable and sends her downstairs. Jane's confused and scared; she hasn't been sent to see Mrs. Reed for almost three months. She's afraid to go into the breakfast-room, but afraid to disobey. She stands still for a long time. When Jane finally goes in, she sees a tall man dressed in black, who has a \"grim face like a carved mask\" . Does that sound good to you? Nope, it doesn't to us either. The man starts asking Jane questions. She tells him her name, but when he asks if she's \"a good child\" , she doesn't know what to say--she knows Mrs. Reed will contradict her if she answers yes. The man assumes that this means Jane is naughty, and starts lecturing her on how wicked children go to hell. We're definitely starting to dislike him, and so is Jane. The man asks Jane about reading her Bible. She does, and she tells him about the parts she likes, which are mostly exciting things like Revelations and Daniel. She tells him up front that she doesn't like the Psalms because they're not very interesting, and he says that she has \"a wicked heart\" and should pray to God to change it. He's pretty tiresome. We can only hope he's not in the book for very long. Mrs. Reed steps in at this point; she doesn't really care about Jane's heart. She reminds Mr. Brocklehurst that she already told him Jane is unpleasant and a liar and needs special watching at Lowood school, which is where he's going to take her. Jane is really upset that Mrs. Reed accuses her of being a liar in front of Mr. Brocklehurst, who is obviously someone important at Lowood. She can tell Mrs. Reed is just making things harder for her at her new school. Mrs. Reed also insists that Jane be \"made useful\" and \"kept humble\" at Lowood. Mr. Brocklehurst is only too happy to oblige; he loves keeping the girls at the school \"quiet and plain\" . As he describes them, though, it becomes clear that his own daughter lives in spoiled luxury--she has a silk gown. So Mr. Brocklehurst is a hypocrite in addition to being nasty. Mrs. Reed is happy; now that she knows Mr. Brocklehurst will keep Jane down, she's ready to send her to Lowood. As he leaves, Mr. Brocklehurst gives Jane a book called the Child's Guide, full of stories about sinful children who die unpleasantly. He tells her to read the story about Martha, who is a liar. How sweet. Jane stands staring at Mrs. Reed and refuses to leave the room when she's ordered to. She is pissed. She confronts Mrs. Reed, denying that she tells lies, saying she hates Mrs. Reed and John, and that the book about Martha the Liar is more appropriate for Georgiana than Jane. Ouch! That's a bit too honest. Mrs. Reed asks what else Jane's going to say. Jane's only started. She disowns her aunt and says she'll never come to see her as an adult and that she'll tell everyone how badly Mrs. Reed treated her. Jane describes how Mrs. Reed treated her in the red room episode, and shows Mrs. Reed her own cruelty and deceitfulness. After Jane tells Mrs. Reed off like this, she feels really good. In fact, she feels exultant. The truth has set her free, and all that. Well, kind of free. She's still a dependent child. Mrs. Reed is really disturbed--so disturbed that she gets up and leaves Jane in the room. Jane feels like she has won a battle and taken possession of the \"field\" . After a while, Jane stops feeling so good. She knows that this will just make her situation worse in the long run, and she wants to feel good for a better reason than \"fierce speaking\" . Jane does what she always does when she needs to be comforted: she starts reading a book, but can't concentrate. Jane goes outside and walks in the wintry landscape, feeling terrible. Bessie calls Jane, but she doesn't come. Bessie has to go get her. Jane coaxes Bessie into a good mood, and they have a rare, pleasant afternoon together while the Reeds are out at tea.", "analysis": ""}

From my discourse with Mr. Lloyd, and from the above reported conference between Bessie and Abbot, I gathered enough of hope to suffice as a motive for wishing to get well: a change seemed near,--I desired and waited it in silence. It tarried, however: days and weeks passed: I had regained my normal state of health, but no new allusion was made to the subject over which I brooded. Mrs. Reed surveyed me at times with a severe eye, but seldom addressed me: since my illness, she had drawn a more marked line of separation than ever between me and her own children; appointing me a small closet to sleep in by myself, condemning me to take my meals alone, and pass all my time in the nursery, while my cousins were constantly in the drawing-room. Not a hint, however, did she drop about sending me to school: still I felt an instinctive certainty that she would not long endure me under the same roof with her; for her glance, now more than ever, when turned on me, expressed an insuperable and rooted aversion. Eliza and Georgiana, evidently acting according to orders, spoke to me as little as possible: John thrust his tongue in his cheek whenever he saw me, and once attempted chastisement; but as I instantly turned against him, roused by the same sentiment of deep ire and desperate revolt which had stirred my corruption before, he thought it better to desist, and ran from me tittering execrations, and vowing I had burst his nose. I had indeed levelled at that prominent feature as hard a blow as my knuckles could inflict; and when I saw that either that or my look daunted him, I had the greatest inclination to follow up my advantage to purpose; but he was already with his mama. I heard him in a blubbering tone commence the tale of how "that nasty Jane Eyre" had flown at him like a mad cat: he was stopped rather harshly-- "Don't talk to me about her, John: I told you not to go near her; she is not worthy of notice; I do not choose that either you or your sisters should associate with her." Here, leaning over the banister, I cried out suddenly, and without at all deliberating on my words-- "They are not fit to associate with me." Mrs. Reed was rather a stout woman; but, on hearing this strange and audacious declaration, she ran nimbly up the stair, swept me like a whirlwind into the nursery, and crushing me down on the edge of my crib, dared me in an emphatic voice to rise from that place, or utter one syllable during the remainder of the day. "What would Uncle Reed say to you, if he were alive?" was my scarcely voluntary demand. I say scarcely voluntary, for it seemed as if my tongue pronounced words without my will consenting to their utterance: something spoke out of me over which I had no control. "What?" said Mrs. Reed under her breath: her usually cold composed grey eye became troubled with a look like fear; she took her hand from my arm, and gazed at me as if she really did not know whether I were child or fiend. I was now in for it. "My Uncle Reed is in heaven, and can see all you do and think; and so can papa and mama: they know how you shut me up all day long, and how you wish me dead." Mrs. Reed soon rallied her spirits: she shook me most soundly, she boxed both my ears, and then left me without a word. Bessie supplied the hiatus by a homily of an hour's length, in which she proved beyond a doubt that I was the most wicked and abandoned child ever reared under a roof. I half believed her; for I felt indeed only bad feelings surging in my breast. November, December, and half of January passed away. Christmas and the New Year had been celebrated at Gateshead with the usual festive cheer; presents had been interchanged, dinners and evening parties given. From every enjoyment I was, of course, excluded: my share of the gaiety consisted in witnessing the daily apparelling of Eliza and Georgiana, and seeing them descend to the drawing-room, dressed out in thin muslin frocks and scarlet sashes, with hair elaborately ringletted; and afterwards, in listening to the sound of the piano or the harp played below, to the passing to and fro of the butler and footman, to the jingling of glass and china as refreshments were handed, to the broken hum of conversation as the drawing-room door opened and closed. When tired of this occupation, I would retire from the stairhead to the solitary and silent nursery: there, though somewhat sad, I was not miserable. To speak truth, I had not the least wish to go into company, for in company I was very rarely noticed; and if Bessie had but been kind and companionable, I should have deemed it a treat to spend the evenings quietly with her, instead of passing them under the formidable eye of Mrs. Reed, in a room full of ladies and gentlemen. But Bessie, as soon as she had dressed her young ladies, used to take herself off to the lively regions of the kitchen and housekeeper's room, generally bearing the candle along with her. I then sat with my doll on my knee till the fire got low, glancing round occasionally to make sure that nothing worse than myself haunted the shadowy room; and when the embers sank to a dull red, I undressed hastily, tugging at knots and strings as I best might, and sought shelter from cold and darkness in my crib. To this crib I always took my doll; human beings must love something, and, in the dearth of worthier objects of affection, I contrived to find a pleasure in loving and cherishing a faded graven image, shabby as a miniature scarecrow. It puzzles me now to remember with what absurd sincerity I doated on this little toy, half fancying it alive and capable of sensation. I could not sleep unless it was folded in my night-gown; and when it lay there safe and warm, I was comparatively happy, believing it to be happy likewise. Long did the hours seem while I waited the departure of the company, and listened for the sound of Bessie's step on the stairs: sometimes she would come up in the interval to seek her thimble or her scissors, or perhaps to bring me something by way of supper--a bun or a cheese-cake--then she would sit on the bed while I ate it, and when I had finished, she would tuck the clothes round me, and twice she kissed me, and said, "Good night, Miss Jane." When thus gentle, Bessie seemed to me the best, prettiest, kindest being in the world; and I wished most intensely that she would always be so pleasant and amiable, and never push me about, or scold, or task me unreasonably, as she was too often wont to do. Bessie Lee must, I think, have been a girl of good natural capacity, for she was smart in all she did, and had a remarkable knack of narrative; so, at least, I judge from the impression made on me by her nursery tales. She was pretty too, if my recollections of her face and person are correct. I remember her as a slim young woman, with black hair, dark eyes, very nice features, and good, clear complexion; but she had a capricious and hasty temper, and indifferent ideas of principle or justice: still, such as she was, I preferred her to any one else at Gateshead Hall. It was the fifteenth of January, about nine o'clock in the morning: Bessie was gone down to breakfast; my cousins had not yet been summoned to their mama; Eliza was putting on her bonnet and warm garden-coat to go and feed her poultry, an occupation of which she was fond: and not less so of selling the eggs to the housekeeper and hoarding up the money she thus obtained. She had a turn for traffic, and a marked propensity for saving; shown not only in the vending of eggs and chickens, but also in driving hard bargains with the gardener about flower-roots, seeds, and slips of plants; that functionary having orders from Mrs. Reed to buy of his young lady all the products of her parterre she wished to sell: and Eliza would have sold the hair off her head if she could have made a handsome profit thereby. As to her money, she first secreted it in odd corners, wrapped in a rag or an old curl-paper; but some of these hoards having been discovered by the housemaid, Eliza, fearful of one day losing her valued treasure, consented to intrust it to her mother, at a usurious rate of interest--fifty or sixty per cent.; which interest she exacted every quarter, keeping her accounts in a little book with anxious accuracy. Georgiana sat on a high stool, dressing her hair at the glass, and interweaving her curls with artificial flowers and faded feathers, of which she had found a store in a drawer in the attic. I was making my bed, having received strict orders from Bessie to get it arranged before she returned (for Bessie now frequently employed me as a sort of under- nurserymaid, to tidy the room, dust the chairs, &c.). Having spread the quilt and folded my night-dress, I went to the window-seat to put in order some picture-books and doll's house furniture scattered there; an abrupt command from Georgiana to let her playthings alone (for the tiny chairs and mirrors, the fairy plates and cups, were her property) stopped my proceedings; and then, for lack of other occupation, I fell to breathing on the frost-flowers with which the window was fretted, and thus clearing a space in the glass through which I might look out on the grounds, where all was still and petrified under the influence of a hard frost. From this window were visible the porter's lodge and the carriage-road, and just as I had dissolved so much of the silver-white foliage veiling the panes as left room to look out, I saw the gates thrown open and a carriage roll through. I watched it ascending the drive with indifference; carriages often came to Gateshead, but none ever brought visitors in whom I was interested; it stopped in front of the house, the door-bell rang loudly, the new-comer was admitted. All this being nothing to me, my vacant attention soon found livelier attraction in the spectacle of a little hungry robin, which came and chirruped on the twigs of the leafless cherry-tree nailed against the wall near the casement. The remains of my breakfast of bread and milk stood on the table, and having crumbled a morsel of roll, I was tugging at the sash to put out the crumbs on the window-sill, when Bessie came running upstairs into the nursery. "Miss Jane, take off your pinafore; what are you doing there? Have you washed your hands and face this morning?" I gave another tug before I answered, for I wanted the bird to be secure of its bread: the sash yielded; I scattered the crumbs, some on the stone sill, some on the cherry-tree bough, then, closing the window, I replied-- "No, Bessie; I have only just finished dusting." "Troublesome, careless child! and what are you doing now? You look quite red, as if you had been about some mischief: what were you opening the window for?" I was spared the trouble of answering, for Bessie seemed in too great a hurry to listen to explanations; she hauled me to the washstand, inflicted a merciless, but happily brief scrub on my face and hands with soap, water, and a coarse towel; disciplined my head with a bristly brush, denuded me of my pinafore, and then hurrying me to the top of the stairs, bid me go down directly, as I was wanted in the breakfast-room. I would have asked who wanted me: I would have demanded if Mrs. Reed was there; but Bessie was already gone, and had closed the nursery-door upon me. I slowly descended. For nearly three months, I had never been called to Mrs. Reed's presence; restricted so long to the nursery, the breakfast, dining, and drawing-rooms were become for me awful regions, on which it dismayed me to intrude. I now stood in the empty hall; before me was the breakfast-room door, and I stopped, intimidated and trembling. What a miserable little poltroon had fear, engendered of unjust punishment, made of me in those days! I feared to return to the nursery, and feared to go forward to the parlour; ten minutes I stood in agitated hesitation; the vehement ringing of the breakfast-room bell decided me; I _must_ enter. "Who could want me?" I asked inwardly, as with both hands I turned the stiff door-handle, which, for a second or two, resisted my efforts. "What should I see besides Aunt Reed in the apartment?--a man or a woman?" The handle turned, the door unclosed, and passing through and curtseying low, I looked up at--a black pillar!--such, at least, appeared to me, at first sight, the straight, narrow, sable-clad shape standing erect on the rug: the grim face at the top was like a carved mask, placed above the shaft by way of capital. Mrs. Reed occupied her usual seat by the fireside; she made a signal to me to approach; I did so, and she introduced me to the stony stranger with the words: "This is the little girl respecting whom I applied to you." _He_, for it was a man, turned his head slowly towards where I stood, and having examined me with the two inquisitive-looking grey eyes which twinkled under a pair of bushy brows, said solemnly, and in a bass voice, "Her size is small: what is her age?" "Ten years." "So much?" was the doubtful answer; and he prolonged his scrutiny for some minutes. Presently he addressed me--"Your name, little girl?" "Jane Eyre, sir." In uttering these words I looked up: he seemed to me a tall gentleman; but then I was very little; his features were large, and they and all the lines of his frame were equally harsh and prim. "Well, Jane Eyre, and are you a good child?" Impossible to reply to this in the affirmative: my little world held a contrary opinion: I was silent. Mrs. Reed answered for me by an expressive shake of the head, adding soon, "Perhaps the less said on that subject the better, Mr. Brocklehurst." "Sorry indeed to hear it! she and I must have some talk;" and bending from the perpendicular, he installed his person in the arm-chair opposite Mrs. Reed's. "Come here," he said. I stepped across the rug; he placed me square and straight before him. What a face he had, now that it was almost on a level with mine! what a great nose! and what a mouth! and what large prominent teeth! "No sight so sad as that of a naughty child," he began, "especially a naughty little girl. Do you know where the wicked go after death?" "They go to hell," was my ready and orthodox answer. "And what is hell? Can you tell me that?" "A pit full of fire." "And should you like to fall into that pit, and to be burning there for ever?" "No, sir." "What must you do to avoid it?" I deliberated a moment; my answer, when it did come, was objectionable: "I must keep in good health, and not die." "How can you keep in good health? Children younger than you die daily. I buried a little child of five years old only a day or two since,--a good little child, whose soul is now in heaven. It is to be feared the same could not be said of you were you to be called hence." Not being in a condition to remove his doubt, I only cast my eyes down on the two large feet planted on the rug, and sighed, wishing myself far enough away. "I hope that sigh is from the heart, and that you repent of ever having been the occasion of discomfort to your excellent benefactress." "Benefactress! benefactress!" said I inwardly: "they all call Mrs. Reed my benefactress; if so, a benefactress is a disagreeable thing." "Do you say your prayers night and morning?" continued my interrogator. "Yes, sir." "Do you read your Bible?" "Sometimes." "With pleasure? Are you fond of it?" "I like Revelations, and the book of Daniel, and Genesis and Samuel, and a little bit of Exodus, and some parts of Kings and Chronicles, and Job and Jonah." "And the Psalms? I hope you like them?" "No, sir." "No? oh, shocking! I have a little boy, younger than you, who knows six Psalms by heart: and when you ask him which he would rather have, a gingerbread-nut to eat or a verse of a Psalm to learn, he says: 'Oh! the verse of a Psalm! angels sing Psalms;' says he, 'I wish to be a little angel here below;' he then gets two nuts in recompense for his infant piety." "Psalms are not interesting," I remarked. "That proves you have a wicked heart; and you must pray to God to change it: to give you a new and clean one: to take away your heart of stone and give you a heart of flesh." I was about to propound a question, touching the manner in which that operation of changing my heart was to be performed, when Mrs. Reed interposed, telling me to sit down; she then proceeded to carry on the conversation herself. "Mr. Brocklehurst, I believe I intimated in the letter which I wrote to you three weeks ago, that this little girl has not quite the character and disposition I could wish: should you admit her into Lowood school, I should be glad if the superintendent and teachers were requested to keep a strict eye on her, and, above all, to guard against her worst fault, a tendency to deceit. I mention this in your hearing, Jane, that you may not attempt to impose on Mr. Brocklehurst." Well might I dread, well might I dislike Mrs. Reed; for it was her nature to wound me cruelly; never was I happy in her presence; however carefully I obeyed, however strenuously I strove to please her, my efforts were still repulsed and repaid by such sentences as the above. Now, uttered before a stranger, the accusation cut me to the heart; I dimly perceived that she was already obliterating hope from the new phase of existence which she destined me to enter; I felt, though I could not have expressed the feeling, that she was sowing aversion and unkindness along my future path; I saw myself transformed under Mr. Brocklehurst's eye into an artful, noxious child, and what could I do to remedy the injury? "Nothing, indeed," thought I, as I struggled to repress a sob, and hastily wiped away some tears, the impotent evidences of my anguish. "Deceit is, indeed, a sad fault in a child," said Mr. Brocklehurst; "it is akin to falsehood, and all liars will have their portion in the lake burning with fire and brimstone; she shall, however, be watched, Mrs. Reed. I will speak to Miss Temple and the teachers." "I should wish her to be brought up in a manner suiting her prospects," continued my benefactress; "to be made useful, to be kept humble: as for the vacations, she will, with your permission, spend them always at Lowood." "Your decisions are perfectly judicious, madam," returned Mr. Brocklehurst. "Humility is a Christian grace, and one peculiarly appropriate to the pupils of Lowood; I, therefore, direct that especial care shall be bestowed on its cultivation amongst them. I have studied how best to mortify in them the worldly sentiment of pride; and, only the other day, I had a pleasing proof of my success. My second daughter, Augusta, went with her mama to visit the school, and on her return she exclaimed: 'Oh, dear papa, how quiet and plain all the girls at Lowood look, with their hair combed behind their ears, and their long pinafores, and those little holland pockets outside their frocks--they are almost like poor people's children! and,' said she, 'they looked at my dress and mama's, as if they had never seen a silk gown before.'" "This is the state of things I quite approve," returned Mrs. Reed; "had I sought all England over, I could scarcely have found a system more exactly fitting a child like Jane Eyre. Consistency, my dear Mr. Brocklehurst; I advocate consistency in all things." "Consistency, madam, is the first of Christian duties; and it has been observed in every arrangement connected with the establishment of Lowood: plain fare, simple attire, unsophisticated accommodations, hardy and active habits; such is the order of the day in the house and its inhabitants." "Quite right, sir. I may then depend upon this child being received as a pupil at Lowood, and there being trained in conformity to her position and prospects?" "Madam, you may: she shall be placed in that nursery of chosen plants, and I trust she will show herself grateful for the inestimable privilege of her election." "I will send her, then, as soon as possible, Mr. Brocklehurst; for, I assure you, I feel anxious to be relieved of a responsibility that was becoming too irksome." "No doubt, no doubt, madam; and now I wish you good morning. I shall return to Brocklehurst Hall in the course of a week or two: my good friend, the Archdeacon, will not permit me to leave him sooner. I shall send Miss Temple notice that she is to expect a new girl, so that there will be no difficulty about receiving her. Good-bye." "Good-bye, Mr. Brocklehurst; remember me to Mrs. and Miss Brocklehurst, and to Augusta and Theodore, and Master Broughton Brocklehurst." "I will, madam. Little girl, here is a book entitled the 'Child's Guide,' read it with prayer, especially that part containing 'An account of the awfully sudden death of Martha G---, a naughty child addicted to falsehood and deceit.'" With these words Mr. Brocklehurst put into my hand a thin pamphlet sewn in a cover, and having rung for his carriage, he departed. Mrs. Reed and I were left alone: some minutes passed in silence; she was sewing, I was watching her. Mrs. Reed might be at that time some six or seven and thirty; she was a woman of robust frame, square-shouldered and strong-limbed, not tall, and, though stout, not obese: she had a somewhat large face, the under jaw being much developed and very solid; her brow was low, her chin large and prominent, mouth and nose sufficiently regular; under her light eyebrows glimmered an eye devoid of ruth; her skin was dark and opaque, her hair nearly flaxen; her constitution was sound as a bell--illness never came near her; she was an exact, clever manager; her household and tenantry were thoroughly under her control; her children only at times defied her authority and laughed it to scorn; she dressed well, and had a presence and port calculated to set off handsome attire. Sitting on a low stool, a few yards from her arm-chair, I examined her figure; I perused her features. In my hand I held the tract containing the sudden death of the Liar, to which narrative my attention had been pointed as to an appropriate warning. What had just passed; what Mrs. Reed had said concerning me to Mr. Brocklehurst; the whole tenor of their conversation, was recent, raw, and stinging in my mind; I had felt every word as acutely as I had heard it plainly, and a passion of resentment fomented now within me. Mrs. Reed looked up from her work; her eye settled on mine, her fingers at the same time suspended their nimble movements. "Go out of the room; return to the nursery," was her mandate. My look or something else must have struck her as offensive, for she spoke with extreme though suppressed irritation. I got up, I went to the door; I came back again; I walked to the window, across the room, then close up to her. _Speak_ I must: I had been trodden on severely, and _must_ turn: but how? What strength had I to dart retaliation at my antagonist? I gathered my energies and launched them in this blunt sentence-- "I am not deceitful: if I were, I should say I loved you; but I declare I do not love you: I dislike you the worst of anybody in the world except John Reed; and this book about the liar, you may give to your girl, Georgiana, for it is she who tells lies, and not I." Mrs. Reed's hands still lay on her work inactive: her eye of ice continued to dwell freezingly on mine. "What more have you to say?" she asked, rather in the tone in which a person might address an opponent of adult age than such as is ordinarily used to a child. That eye of hers, that voice stirred every antipathy I had. Shaking from head to foot, thrilled with ungovernable excitement, I continued-- "I am glad you are no relation of mine: I will never call you aunt again as long as I live. I will never come to see you when I am grown up; and if any one asks me how I liked you, and how you treated me, I will say the very thought of you makes me sick, and that you treated me with miserable cruelty." "How dare you affirm that, Jane Eyre?" "How dare I, Mrs. Reed? How dare I? Because it is the _truth_. You think I have no feelings, and that I can do without one bit of love or kindness; but I cannot live so: and you have no pity. I shall remember how you thrust me back--roughly and violently thrust me back--into the red-room, and locked me up there, to my dying day; though I was in agony; though I cried out, while suffocating with distress, 'Have mercy! Have mercy, Aunt Reed!' And that punishment you made me suffer because your wicked boy struck me--knocked me down for nothing. I will tell anybody who asks me questions, this exact tale. People think you a good woman, but you are bad, hard-hearted. _You_ are deceitful!" {How dare I, Mrs. Reed? How dare I? Because it is the truth: p30.jpg} Ere I had finished this reply, my soul began to expand, to exult, with the strangest sense of freedom, of triumph, I ever felt. It seemed as if an invisible bond had burst, and that I had struggled out into unhoped- for liberty. Not without cause was this sentiment: Mrs. Reed looked frightened; her work had slipped from her knee; she was lifting up her hands, rocking herself to and fro, and even twisting her face as if she would cry. "Jane, you are under a mistake: what is the matter with you? Why do you tremble so violently? Would you like to drink some water?" "No, Mrs. Reed." "Is there anything else you wish for, Jane? I assure you, I desire to be your friend." "Not you. You told Mr. Brocklehurst I had a bad character, a deceitful disposition; and I'll let everybody at Lowood know what you are, and what you have done." "Jane, you don't understand these things: children must be corrected for their faults." "Deceit is not my fault!" I cried out in a savage, high voice. "But you are passionate, Jane, that you must allow: and now return to the nursery--there's a dear--and lie down a little." "I am not your dear; I cannot lie down: send me to school soon, Mrs. Reed, for I hate to live here." "I will indeed send her to school soon," murmured Mrs. Reed _sotto voce_; and gathering up her work, she abruptly quitted the apartment. I was left there alone--winner of the field. It was the hardest battle I had fought, and the first victory I had gained: I stood awhile on the rug, where Mr. Brocklehurst had stood, and I enjoyed my conqueror's solitude. First, I smiled to myself and felt elate; but this fierce pleasure subsided in me as fast as did the accelerated throb of my pulses. A child cannot quarrel with its elders, as I had done; cannot give its furious feelings uncontrolled play, as I had given mine, without experiencing afterwards the pang of remorse and the chill of reaction. A ridge of lighted heath, alive, glancing, devouring, would have been a meet emblem of my mind when I accused and menaced Mrs. Reed: the same ridge, black and blasted after the flames are dead, would have represented as meetly my subsequent condition, when half-an-hour's silence and reflection had shown me the madness of my conduct, and the dreariness of my hated and hating position. Something of vengeance I had tasted for the first time; as aromatic wine it seemed, on swallowing, warm and racy: its after-flavour, metallic and corroding, gave me a sensation as if I had been poisoned. Willingly would I now have gone and asked Mrs. Reed's pardon; but I knew, partly from experience and partly from instinct, that was the way to make her repulse me with double scorn, thereby re-exciting every turbulent impulse of my nature. I would fain exercise some better faculty than that of fierce speaking; fain find nourishment for some less fiendish feeling than that of sombre indignation. I took a book--some Arabian tales; I sat down and endeavoured to read. I could make no sense of the subject; my own thoughts swam always between me and the page I had usually found fascinating. I opened the glass-door in the breakfast-room: the shrubbery was quite still: the black frost reigned, unbroken by sun or breeze, through the grounds. I covered my head and arms with the skirt of my frock, and went out to walk in a part of the plantation which was quite sequestrated; but I found no pleasure in the silent trees, the falling fir-cones, the congealed relics of autumn, russet leaves, swept by past winds in heaps, and now stiffened together. I leaned against a gate, and looked into an empty field where no sheep were feeding, where the short grass was nipped and blanched. It was a very grey day; a most opaque sky, "onding on snaw," canopied all; thence flakes felt it intervals, which settled on the hard path and on the hoary lea without melting. I stood, a wretched child enough, whispering to myself over and over again, "What shall I do?--what shall I do?" All at once I heard a clear voice call, "Miss Jane! where are you? Come to lunch!" It was Bessie, I knew well enough; but I did not stir; her light step came tripping down the path. "You naughty little thing!" she said. "Why don't you come when you are called?" Bessie's presence, compared with the thoughts over which I had been brooding, seemed cheerful; even though, as usual, she was somewhat cross. The fact is, after my conflict with and victory over Mrs. Reed, I was not disposed to care much for the nursemaid's transitory anger; and I _was_ disposed to bask in her youthful lightness of heart. I just put my two arms round her and said, "Come, Bessie! don't scold." The action was more frank and fearless than any I was habituated to indulge in: somehow it pleased her. "You are a strange child, Miss Jane," she said, as she looked down at me; "a little roving, solitary thing: and you are going to school, I suppose?" I nodded. "And won't you be sorry to leave poor Bessie?" "What does Bessie care for me? She is always scolding me." "Because you're such a queer, frightened, shy little thing. You should be bolder." "What! to get more knocks?" "Nonsense! But you are rather put upon, that's certain. My mother said, when she came to see me last week, that she would not like a little one of her own to be in your place.--Now, come in, and I've some good news for you." "I don't think you have, Bessie." "Child! what do you mean? What sorrowful eyes you fix on me! Well, but Missis and the young ladies and Master John are going out to tea this afternoon, and you shall have tea with me. I'll ask cook to bake you a little cake, and then you shall help me to look over your drawers; for I am soon to pack your trunk. Missis intends you to leave Gateshead in a day or two, and you shall choose what toys you like to take with you." "Bessie, you must promise not to scold me any more till I go." "Well, I will; but mind you are a very good girl, and don't be afraid of me. Don't start when I chance to speak rather sharply; it's so provoking." "I don't think I shall ever be afraid of you again, Bessie, because I have got used to you, and I shall soon have another set of people to dread." "If you dread them they'll dislike you." "As you do, Bessie?" "I don't dislike you, Miss; I believe I am fonder of you than of all the others." "You don't show it." "You little sharp thing! you've got quite a new way of talking. What makes you so venturesome and hardy?" "Why, I shall soon be away from you, and besides"--I was going to say something about what had passed between me and Mrs. Reed, but on second thoughts I considered it better to remain silent on that head. "And so you're glad to leave me?" "Not at all, Bessie; indeed, just now I'm rather sorry." "Just now! and rather! How coolly my little lady says it! I dare say now if I were to ask you for a kiss you wouldn't give it me: you'd say you'd _rather_ not." "I'll kiss you and welcome: bend your head down." Bessie stooped; we mutually embraced, and I followed her into the house quite comforted. That afternoon lapsed in peace and harmony; and in the evening Bessie told me some of her most enchanting stories, and sang me some of her sweetest songs. Even for me life had its gleams of sunshine.

Volume 1, Chapter 4

https://web.archive.org/web/20210506211142/https://www.shmoop.com/study-guides/literature/jane-eyre/summary/volume-1-chapter-4

Jane is waiting patiently, convinced that Mrs. Reed will send her to school soon, even though she hasn't said so. Jane seems to be in more disgrace than usual: she has a smaller room, eats alone, and none of the Reed children are even speaking to her. John tries to say something nasty to Jane, but she hits him on the nose and he runs crying to his mom. We can hardly believe that he's fourteen. This time, Mrs. Reed won't listen to it, and tells him to leave Jane alone. She makes it sound like she's being snobby, saying that her children won't "associate with" Jane . Jane says that the Reed children "are not fit to associate with" her anyway . Mrs. Reed freaks out and attacks Jane, who asks what Mr. Reed would say if he were still alive. Her aunt seems frightened by this, but not too frightened to box Jane's ears. Bessie lectures Jane about being wicked. Time passes. Christmas comes and goes and Jane doesn't get any presents or any chance to participate in the festivities. Even Bessie leaves her alone, and so Jane has to sit in the dark and take care of her doll, which is the only thing she has to love. It's pretty pathetic. Jane-the-narrator reminisces about Bessie: sometimes the nursemaid is kind to her or brings her treats, and she tells such great stories! She does have a bad temper and no real ideas of ethics or justice, but she's all Jane has at Gateshead. One day, things start to change. Jane paints us a picture of what's happening on this particular day: it's early in the morning; Eliza, who, we learn, loves money a little too much, is getting ready to go out and feed the hens she keeps so that she can sell the eggs; Georgiana is doing her hair in the mirror; Jane is tidying up as Bessie ordered. From the window, Jane sees a carriage, but she isn't really paying attention to it because she doesn't think it will matter to her. She starts feeding a bird some of her breakfast on the window-sill. Bessie comes bustling in, freaking out because Jane hasn't washed yet and is red in the face from leaning out into the cold air. She cleans Jane up and makes her presentable and sends her downstairs. Jane's confused and scared; she hasn't been sent to see Mrs. Reed for almost three months. She's afraid to go into the breakfast-room, but afraid to disobey. She stands still for a long time. When Jane finally goes in, she sees a tall man dressed in black, who has a "grim face like a carved mask" . Does that sound good to you? Nope, it doesn't to us either. The man starts asking Jane questions. She tells him her name, but when he asks if she's "a good child" , she doesn't know what to say--she knows Mrs. Reed will contradict her if she answers yes. The man assumes that this means Jane is naughty, and starts lecturing her on how wicked children go to hell. We're definitely starting to dislike him, and so is Jane. The man asks Jane about reading her Bible. She does, and she tells him about the parts she likes, which are mostly exciting things like Revelations and Daniel. She tells him up front that she doesn't like the Psalms because they're not very interesting, and he says that she has "a wicked heart" and should pray to God to change it. He's pretty tiresome. We can only hope he's not in the book for very long. Mrs. Reed steps in at this point; she doesn't really care about Jane's heart. She reminds Mr. Brocklehurst that she already told him Jane is unpleasant and a liar and needs special watching at Lowood school, which is where he's going to take her. Jane is really upset that Mrs. Reed accuses her of being a liar in front of Mr. Brocklehurst, who is obviously someone important at Lowood. She can tell Mrs. Reed is just making things harder for her at her new school. Mrs. Reed also insists that Jane be "made useful" and "kept humble" at Lowood. Mr. Brocklehurst is only too happy to oblige; he loves keeping the girls at the school "quiet and plain" . As he describes them, though, it becomes clear that his own daughter lives in spoiled luxury--she has a silk gown. So Mr. Brocklehurst is a hypocrite in addition to being nasty. Mrs. Reed is happy; now that she knows Mr. Brocklehurst will keep Jane down, she's ready to send her to Lowood. As he leaves, Mr. Brocklehurst gives Jane a book called the Child's Guide, full of stories about sinful children who die unpleasantly. He tells her to read the story about Martha, who is a liar. How sweet. Jane stands staring at Mrs. Reed and refuses to leave the room when she's ordered to. She is pissed. She confronts Mrs. Reed, denying that she tells lies, saying she hates Mrs. Reed and John, and that the book about Martha the Liar is more appropriate for Georgiana than Jane. Ouch! That's a bit too honest. Mrs. Reed asks what else Jane's going to say. Jane's only started. She disowns her aunt and says she'll never come to see her as an adult and that she'll tell everyone how badly Mrs. Reed treated her. Jane describes how Mrs. Reed treated her in the red room episode, and shows Mrs. Reed her own cruelty and deceitfulness. After Jane tells Mrs. Reed off like this, she feels really good. In fact, she feels exultant. The truth has set her free, and all that. Well, kind of free. She's still a dependent child. Mrs. Reed is really disturbed--so disturbed that she gets up and leaves Jane in the room. Jane feels like she has won a battle and taken possession of the "field" . After a while, Jane stops feeling so good. She knows that this will just make her situation worse in the long run, and she wants to feel good for a better reason than "fierce speaking" . Jane does what she always does when she needs to be comforted: she starts reading a book, but can't concentrate. Jane goes outside and walks in the wintry landscape, feeling terrible. Bessie calls Jane, but she doesn't come. Bessie has to go get her. Jane coaxes Bessie into a good mood, and they have a rare, pleasant afternoon together while the Reeds are out at tea.

shmoop

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finished_summaries/shmoop/Jane Eyre/section_4_part_0.txt

Jane Eyre.volume 1.chapter 5

volume 1, chapter 5

{"name": "Volume 1, Chapter 5", "url": "https://web.archive.org/web/20210506211142/https://www.shmoop.com/study-guides/literature/jane-eyre/summary/volume-1-chapter-5", "summary": "Jane leaves Gateshead, refusing to say anything to Mrs. Reed before she goes. Bessie takes Jane to the porter's lodge, and then Jane takes a coach by herself for fifty miles to get to Lowood. The journey takes a long time, and she's afraid of being kidnapped, which is something that happened a lot in Bessie's stories. At the end of the coach trip, a woman meets Jane and takes her to a building. We assume this is Lowood School, but nobody has bothered to tell Jane where she is. Jane meets a tall, dark-haired woman who seems to be in charge . She's quite nice and asks Jane about her background, then has Miss Miller take her to a large hall, where about eighty other girls are studying. Monitors collect the girls' books, and everyone is served \"supper,\" which is just water and some oaten cake things. Gross, right? Jane is sent to sleep with the other girls in a long hall. Everyone sleeps two to a bed, and Jane is sharing with Miss Miller. Everyone gets up before dawn to study math and listen to some Bible reading. Sounds great, doesn't it? Breakfast is burned porridge, which nobody is really able to eat because it's so disgusting. Apparently this isn't the first time that's happened. Jane can't eat; she's busy studying her new teachers. Jane notices how plainly all the girls are dressed; nobody has curled hair, and everyone is wearing ugly brown wool gowns with weird pockets on the front. The first lesson is geography, but Jane still can't pay attention, because Miss Temple, who is the superintendent comes in again and Jane is, um, very taken with her. In fact, she practically worships Miss Temple, starting from this moment. Miss Temple decides to give the girls bread and cheese for lunch to make up for the burned porridge. Apparently it's pretty major for the girls to actually get extra food; everybody's surprised. Everyone gets to go out into the garden for a bit, but because it's winter things are pretty bleak outside. Jane starts talking to a girl who is sitting alone reading, and the girl tells her about the school: Lowood Institution, a charity school for orphans. Mr. Brocklehurst is in charge of it all, and we know how much he likes Jane! This is going to go really well, we can tell. Everyone has another gross meal and keeps studying until five o'clock. If you're doing the math, this probably means that, with a few short breaks, school has taken more than twelve hours already. Yikes. Jane sees Miss Scatcherd punish Helen by making her stand alone in the middle of the room while everyone else works. Jane would be ashamed in her place, but Helen is quiet and dignified, and Jane admires her. More small amounts of plain food and prayers, and it's bedtime. After one day at the school, Jane can tell this is going to be pretty lame. Lowood makes us appreciate our schools, that's for sure. At least we never had to eat burned porridge.", "analysis": ""}

Five o'clock had hardly struck on the morning of the 19th of January, when Bessie brought a candle into my closet and found me already up and nearly dressed. I had risen half-an-hour before her entrance, and had washed my face, and put on my clothes by the light of a half-moon just setting, whose rays streamed through the narrow window near my crib. I was to leave Gateshead that day by a coach which passed the lodge gates at six a.m. Bessie was the only person yet risen; she had lit a fire in the nursery, where she now proceeded to make my breakfast. Few children can eat when excited with the thoughts of a journey; nor could I. Bessie, having pressed me in vain to take a few spoonfuls of the boiled milk and bread she had prepared for me, wrapped up some biscuits in a paper and put them into my bag; then she helped me on with my pelisse and bonnet, and wrapping herself in a shawl, she and I left the nursery. As we passed Mrs. Reed's bedroom, she said, "Will you go in and bid Missis good- bye?" "No, Bessie: she came to my crib last night when you were gone down to supper, and said I need not disturb her in the morning, or my cousins either; and she told me to remember that she had always been my best friend, and to speak of her and be grateful to her accordingly." "What did you say, Miss?" "Nothing: I covered my face with the bedclothes, and turned from her to the wall." "That was wrong, Miss Jane." "It was quite right, Bessie. Your Missis has not been my friend: she has been my foe." "O Miss Jane! don't say so!" "Good-bye to Gateshead!" cried I, as we passed through the hall and went out at the front door. The moon was set, and it was very dark; Bessie carried a lantern, whose light glanced on wet steps and gravel road sodden by a recent thaw. Raw and chill was the winter morning: my teeth chattered as I hastened down the drive. There was a light in the porter's lodge: when we reached it, we found the porter's wife just kindling her fire: my trunk, which had been carried down the evening before, stood corded at the door. It wanted but a few minutes of six, and shortly after that hour had struck, the distant roll of wheels announced the coming coach; I went to the door and watched its lamps approach rapidly through the gloom. "Is she going by herself?" asked the porter's wife. "Yes." "And how far is it?" "Fifty miles." "What a long way! I wonder Mrs. Reed is not afraid to trust her so far alone." The coach drew up; there it was at the gates with its four horses and its top laden with passengers: the guard and coachman loudly urged haste; my trunk was hoisted up; I was taken from Bessie's neck, to which I clung with kisses. "Be sure and take good care of her," cried she to the guard, as he lifted me into the inside. "Ay, ay!" was the answer: the door was slapped to, a voice exclaimed "All right," and on we drove. Thus was I severed from Bessie and Gateshead; thus whirled away to unknown, and, as I then deemed, remote and mysterious regions. I remember but little of the journey; I only know that the day seemed to me of a preternatural length, and that we appeared to travel over hundreds of miles of road. We passed through several towns, and in one, a very large one, the coach stopped; the horses were taken out, and the passengers alighted to dine. I was carried into an inn, where the guard wanted me to have some dinner; but, as I had no appetite, he left me in an immense room with a fireplace at each end, a chandelier pendent from the ceiling, and a little red gallery high up against the wall filled with musical instruments. Here I walked about for a long time, feeling very strange, and mortally apprehensive of some one coming in and kidnapping me; for I believed in kidnappers, their exploits having frequently figured in Bessie's fireside chronicles. At last the guard returned; once more I was stowed away in the coach, my protector mounted his own seat, sounded his hollow horn, and away we rattled over the "stony street" of L-. The afternoon came on wet and somewhat misty: as it waned into dusk, I began to feel that we were getting very far indeed from Gateshead: we ceased to pass through towns; the country changed; great grey hills heaved up round the horizon: as twilight deepened, we descended a valley, dark with wood, and long after night had overclouded the prospect, I heard a wild wind rushing amongst trees. Lulled by the sound, I at last dropped asleep; I had not long slumbered when the sudden cessation of motion awoke me; the coach-door was open, and a person like a servant was standing at it: I saw her face and dress by the light of the lamps. "Is there a little girl called Jane Eyre here?" she asked. I answered "Yes," and was then lifted out; my trunk was handed down, and the coach instantly drove away. I was stiff with long sitting, and bewildered with the noise and motion of the coach: Gathering my faculties, I looked about me. Rain, wind, and darkness filled the air; nevertheless, I dimly discerned a wall before me and a door open in it; through this door I passed with my new guide: she shut and locked it behind her. There was now visible a house or houses--for the building spread far--with many windows, and lights burning in some; we went up a broad pebbly path, splashing wet, and were admitted at a door; then the servant led me through a passage into a room with a fire, where she left me alone. I stood and warmed my numbed fingers over the blaze, then I looked round; there was no candle, but the uncertain light from the hearth showed, by intervals, papered walls, carpet, curtains, shining mahogany furniture: it was a parlour, not so spacious or splendid as the drawing-room at Gateshead, but comfortable enough. I was puzzling to make out the subject of a picture on the wall, when the door opened, and an individual carrying a light entered; another followed close behind. The first was a tall lady with dark hair, dark eyes, and a pale and large forehead; her figure was partly enveloped in a shawl, her countenance was grave, her bearing erect. "The child is very young to be sent alone," said she, putting her candle down on the table. She considered me attentively for a minute or two, then further added-- "She had better be put to bed soon; she looks tired: are you tired?" she asked, placing her hand on my shoulder. "A little, ma'am." "And hungry too, no doubt: let her have some supper before she goes to bed, Miss Miller. Is this the first time you have left your parents to come to school, my little girl?" I explained to her that I had no parents. She inquired how long they had been dead: then how old I was, what was my name, whether I could read, write, and sew a little: then she touched my cheek gently with her forefinger, and saying, "She hoped I should be a good child," dismissed me along with Miss Miller. The lady I had left might be about twenty-nine; the one who went with me appeared some years younger: the first impressed me by her voice, look, and air. Miss Miller was more ordinary; ruddy in complexion, though of a careworn countenance; hurried in gait and action, like one who had always a multiplicity of tasks on hand: she looked, indeed, what I afterwards found she really was, an under-teacher. Led by her, I passed from compartment to compartment, from passage to passage, of a large and irregular building; till, emerging from the total and somewhat dreary silence pervading that portion of the house we had traversed, we came upon the hum of many voices, and presently entered a wide, long room, with great deal tables, two at each end, on each of which burnt a pair of candles, and seated all round on benches, a congregation of girls of every age, from nine or ten to twenty. Seen by the dim light of the dips, their number to me appeared countless, though not in reality exceeding eighty; they were uniformly dressed in brown stuff frocks of quaint fashion, and long holland pinafores. It was the hour of study; they were engaged in conning over their to-morrow's task, and the hum I had heard was the combined result of their whispered repetitions. Miss Miller signed to me to sit on a bench near the door, then walking up to the top of the long room she cried out-- "Monitors, collect the lesson-books and put them away!" Four tall girls arose from different tables, and going round, gathered the books and removed them. Miss Miller again gave the word of command-- "Monitors, fetch the supper-trays!" The tall girls went out and returned presently, each bearing a tray, with portions of something, I knew not what, arranged thereon, and a pitcher of water and mug in the middle of each tray. The portions were handed round; those who liked took a draught of the water, the mug being common to all. When it came to my turn, I drank, for I was thirsty, but did not touch the food, excitement and fatigue rendering me incapable of eating: I now saw, however, that it was a thin oaten cake shared into fragments. The meal over, prayers were read by Miss Miller, and the classes filed off, two and two, upstairs. Overpowered by this time with weariness, I scarcely noticed what sort of a place the bedroom was, except that, like the schoolroom, I saw it was very long. To-night I was to be Miss Miller's bed-fellow; she helped me to undress: when laid down I glanced at the long rows of beds, each of which was quickly filled with two occupants; in ten minutes the single light was extinguished, and amidst silence and complete darkness I fell asleep. The night passed rapidly. I was too tired even to dream; I only once awoke to hear the wind rave in furious gusts, and the rain fall in torrents, and to be sensible that Miss Miller had taken her place by my side. When I again unclosed my eyes, a loud bell was ringing; the girls were up and dressing; day had not yet begun to dawn, and a rushlight or two burned in the room. I too rose reluctantly; it was bitter cold, and I dressed as well as I could for shivering, and washed when there was a basin at liberty, which did not occur soon, as there was but one basin to six girls, on the stands down the middle of the room. Again the bell rang: all formed in file, two and two, and in that order descended the stairs and entered the cold and dimly lit schoolroom: here prayers were read by Miss Miller; afterwards she called out-- "Form classes!" A great tumult succeeded for some minutes, during which Miss Miller repeatedly exclaimed, "Silence!" and "Order!" When it subsided, I saw them all drawn up in four semicircles, before four chairs, placed at the four tables; all held books in their hands, and a great book, like a Bible, lay on each table, before the vacant seat. A pause of some seconds succeeded, filled up by the low, vague hum of numbers; Miss Miller walked from class to class, hushing this indefinite sound. A distant bell tinkled: immediately three ladies entered the room, each walked to a table and took her seat. Miss Miller assumed the fourth vacant chair, which was that nearest the door, and around which the smallest of the children were assembled: to this inferior class I was called, and placed at the bottom of it. Business now began, the day's Collect was repeated, then certain texts of Scripture were said, and to these succeeded a protracted reading of chapters in the Bible, which lasted an hour. By the time that exercise was terminated, day had fully dawned. The indefatigable bell now sounded for the fourth time: the classes were marshalled and marched into another room to breakfast: how glad I was to behold a prospect of getting something to eat! I was now nearly sick from inanition, having taken so little the day before. The refectory was a great, low-ceiled, gloomy room; on two long tables smoked basins of something hot, which, however, to my dismay, sent forth an odour far from inviting. I saw a universal manifestation of discontent when the fumes of the repast met the nostrils of those destined to swallow it; from the van of the procession, the tall girls of the first class, rose the whispered words-- "Disgusting! The porridge is burnt again!" "Silence!" ejaculated a voice; not that of Miss Miller, but one of the upper teachers, a little and dark personage, smartly dressed, but of somewhat morose aspect, who installed herself at the top of one table, while a more buxom lady presided at the other. I looked in vain for her I had first seen the night before; she was not visible: Miss Miller occupied the foot of the table where I sat, and a strange, foreign-looking, elderly lady, the French teacher, as I afterwards found, took the corresponding seat at the other board. A long grace was said and a hymn sung; then a servant brought in some tea for the teachers, and the meal began. Ravenous, and now very faint, I devoured a spoonful or two of my portion without thinking of its taste; but the first edge of hunger blunted, I perceived I had got in hand a nauseous mess; burnt porridge is almost as bad as rotten potatoes; famine itself soon sickens over it. The spoons were moved slowly: I saw each girl taste her food and try to swallow it; but in most cases the effort was soon relinquished. Breakfast was over, and none had breakfasted. Thanks being returned for what we had not got, and a second hymn chanted, the refectory was evacuated for the schoolroom. I was one of the last to go out, and in passing the tables, I saw one teacher take a basin of the porridge and taste it; she looked at the others; all their countenances expressed displeasure, and one of them, the stout one, whispered-- "Abominable stuff! How shameful!" A quarter of an hour passed before lessons again began, during which the schoolroom was in a glorious tumult; for that space of time it seemed to be permitted to talk loud and more freely, and they used their privilege. The whole conversation ran on the breakfast, which one and all abused roundly. Poor things! it was the sole consolation they had. Miss Miller was now the only teacher in the room: a group of great girls standing about her spoke with serious and sullen gestures. I heard the name of Mr. Brocklehurst pronounced by some lips; at which Miss Miller shook her head disapprovingly; but she made no great effort to check the general wrath; doubtless she shared in it. A clock in the schoolroom struck nine; Miss Miller left her circle, and standing in the middle of the room, cried-- "Silence! To your seats!" Discipline prevailed: in five minutes the confused throng was resolved into order, and comparative silence quelled the Babel clamour of tongues. The upper teachers now punctually resumed their posts: but still, all seemed to wait. Ranged on benches down the sides of the room, the eighty girls sat motionless and erect; a quaint assemblage they appeared, all with plain locks combed from their faces, not a curl visible; in brown dresses, made high and surrounded by a narrow tucker about the throat, with little pockets of holland (shaped something like a Highlander's purse) tied in front of their frocks, and destined to serve the purpose of a work-bag: all, too, wearing woollen stockings and country-made shoes, fastened with brass buckles. Above twenty of those clad in this costume were full-grown girls, or rather young women; it suited them ill, and gave an air of oddity even to the prettiest. I was still looking at them, and also at intervals examining the teachers--none of whom precisely pleased me; for the stout one was a little coarse, the dark one not a little fierce, the foreigner harsh and grotesque, and Miss Miller, poor thing! looked purple, weather-beaten, and over-worked--when, as my eye wandered from face to face, the whole school rose simultaneously, as if moved by a common spring. What was the matter? I had heard no order given: I was puzzled. Ere I had gathered my wits, the classes were again seated: but as all eyes were now turned to one point, mine followed the general direction, and encountered the personage who had received me last night. She stood at the bottom of the long room, on the hearth; for there was a fire at each end; she surveyed the two rows of girls silently and gravely. Miss Miller approaching, seemed to ask her a question, and having received her answer, went back to her place, and said aloud-- "Monitor of the first class, fetch the globes!" While the direction was being executed, the lady consulted moved slowly up the room. I suppose I have a considerable organ of veneration, for I retain yet the sense of admiring awe with which my eyes traced her steps. Seen now, in broad daylight, she looked tall, fair, and shapely; brown eyes with a benignant light in their irids, and a fine pencilling of long lashes round, relieved the whiteness of her large front; on each of her temples her hair, of a very dark brown, was clustered in round curls, according to the fashion of those times, when neither smooth bands nor long ringlets were in vogue; her dress, also in the mode of the day, was of purple cloth, relieved by a sort of Spanish trimming of black velvet; a gold watch (watches were not so common then as now) shone at her girdle. Let the reader add, to complete the picture, refined features; a complexion, if pale, clear; and a stately air and carriage, and he will have, at least, as clearly as words can give it, a correct idea of the exterior of Miss Temple--Maria Temple, as I afterwards saw the name written in a prayer-book intrusted to me to carry to church. The superintendent of Lowood (for such was this lady) having taken her seat before a pair of globes placed on one of the tables, summoned the first class round her, and commenced giving a lesson on geography; the lower classes were called by the teachers: repetitions in history, grammar, &c., went on for an hour; writing and arithmetic succeeded, and music lessons were given by Miss Temple to some of the elder girls. The duration of each lesson was measured by the clock, which at last struck twelve. The superintendent rose-- "I have a word to address to the pupils," said she. The tumult of cessation from lessons was already breaking forth, but it sank at her voice. She went on-- "You had this morning a breakfast which you could not eat; you must be hungry:--I have ordered that a lunch of bread and cheese shall be served to all." The teachers looked at her with a sort of surprise. "It is to be done on my responsibility," she added, in an explanatory tone to them, and immediately afterwards left the room. The bread and cheese was presently brought in and distributed, to the high delight and refreshment of the whole school. The order was now given "To the garden!" Each put on a coarse straw bonnet, with strings of coloured calico, and a cloak of grey frieze. I was similarly equipped, and, following the stream, I made my way into the open air. The garden was a wide inclosure, surrounded with walls so high as to exclude every glimpse of prospect; a covered verandah ran down one side, and broad walks bordered a middle space divided into scores of little beds: these beds were assigned as gardens for the pupils to cultivate, and each bed had an owner. When full of flowers they would doubtless look pretty; but now, at the latter end of January, all was wintry blight and brown decay. I shuddered as I stood and looked round me: it was an inclement day for outdoor exercise; not positively rainy, but darkened by a drizzling yellow fog; all under foot was still soaking wet with the floods of yesterday. The stronger among the girls ran about and engaged in active games, but sundry pale and thin ones herded together for shelter and warmth in the verandah; and amongst these, as the dense mist penetrated to their shivering frames, I heard frequently the sound of a hollow cough. As yet I had spoken to no one, nor did anybody seem to take notice of me; I stood lonely enough: but to that feeling of isolation I was accustomed; it did not oppress me much. I leant against a pillar of the verandah, drew my grey mantle close about me, and, trying to forget the cold which nipped me without, and the unsatisfied hunger which gnawed me within, delivered myself up to the employment of watching and thinking. My reflections were too undefined and fragmentary to merit record: I hardly yet knew where I was; Gateshead and my past life seemed floated away to an immeasurable distance; the present was vague and strange, and of the future I could form no conjecture. I looked round the convent-like garden, and then up at the house--a large building, half of which seemed grey and old, the other half quite new. The new part, containing the schoolroom and dormitory, was lit by mullioned and latticed windows, which gave it a church-like aspect; a stone tablet over the door bore this inscription:-- "Lowood Institution.--This portion was rebuilt A.D. ---, by Naomi Brocklehurst, of Brocklehurst Hall, in this county." "Let your light so shine before men, that they may see your good works, and glorify your Father which is in heaven."--St. Matt. v. 16. I read these words over and over again: I felt that an explanation belonged to them, and was unable fully to penetrate their import. I was still pondering the signification of "Institution," and endeavouring to make out a connection between the first words and the verse of Scripture, when the sound of a cough close behind me made me turn my head. I saw a girl sitting on a stone bench near; she was bent over a book, on the perusal of which she seemed intent: from where I stood I could see the title--it was "Rasselas;" a name that struck me as strange, and consequently attractive. In turning a leaf she happened to look up, and I said to her directly-- "Is your book interesting?" I had already formed the intention of asking her to lend it to me some day. "I like it," she answered, after a pause of a second or two, during which she examined me. "What is it about?" I continued. I hardly know where I found the hardihood thus to open a conversation with a stranger; the step was contrary to my nature and habits: but I think her occupation touched a chord of sympathy somewhere; for I too liked reading, though of a frivolous and childish kind; I could not digest or comprehend the serious or substantial. "You may look at it," replied the girl, offering me the book. I did so; a brief examination convinced me that the contents were less taking than the title: "Rasselas" looked dull to my trifling taste; I saw nothing about fairies, nothing about genii; no bright variety seemed spread over the closely-printed pages. I returned it to her; she received it quietly, and without saying anything she was about to relapse into her former studious mood: again I ventured to disturb her-- "Can you tell me what the writing on that stone over the door means? What is Lowood Institution?" "This house where you are come to live." "And why do they call it Institution? Is it in any way different from other schools?" "It is partly a charity-school: you and I, and all the rest of us, are charity-children. I suppose you are an orphan: are not either your father or your mother dead?" "Both died before I can remember." "Well, all the girls here have lost either one or both parents, and this is called an institution for educating orphans." "Do we pay no money? Do they keep us for nothing?" "We pay, or our friends pay, fifteen pounds a year for each." "Then why do they call us charity-children?" "Because fifteen pounds is not enough for board and teaching, and the deficiency is supplied by subscription." "Who subscribes?" "Different benevolent-minded ladies and gentlemen in this neighbourhood and in London." "Who was Naomi Brocklehurst?" "The lady who built the new part of this house as that tablet records, and whose son overlooks and directs everything here." "Why?" "Because he is treasurer and manager of the establishment." "Then this house does not belong to that tall lady who wears a watch, and who said we were to have some bread and cheese?" "To Miss Temple? Oh, no! I wish it did: she has to answer to Mr. Brocklehurst for all she does. Mr. Brocklehurst buys all our food and all our clothes." "Does he live here?" "No--two miles off, at a large hall." "Is he a good man?" "He is a clergyman, and is said to do a great deal of good." "Did you say that tall lady was called Miss Temple?" "Yes." "And what are the other teachers called?" "The one with red cheeks is called Miss Smith; she attends to the work, and cuts out--for we make our own clothes, our frocks, and pelisses, and everything; the little one with black hair is Miss Scatcherd; she teaches history and grammar, and hears the second class repetitions; and the one who wears a shawl, and has a pocket-handkerchief tied to her side with a yellow ribband, is Madame Pierrot: she comes from Lisle, in France, and teaches French." "Do you like the teachers?" "Well enough." "Do you like the little black one, and the Madame ---?--I cannot pronounce her name as you do." "Miss Scatcherd is hasty--you must take care not to offend her; Madame Pierrot is not a bad sort of person." "But Miss Temple is the best--isn't she?" "Miss Temple is very good and very clever; she is above the rest, because she knows far more than they do." "Have you been long here?" "Two years." "Are you an orphan?" "My mother is dead." "Are you happy here?" "You ask rather too many questions. I have given you answers enough for the present: now I want to read." But at that moment the summons sounded for dinner; all re-entered the house. The odour which now filled the refectory was scarcely more appetising than that which had regaled our nostrils at breakfast: the dinner was served in two huge tin-plated vessels, whence rose a strong steam redolent of rancid fat. I found the mess to consist of indifferent potatoes and strange shreds of rusty meat, mixed and cooked together. Of this preparation a tolerably abundant plateful was apportioned to each pupil. I ate what I could, and wondered within myself whether every day's fare would be like this. After dinner, we immediately adjourned to the schoolroom: lessons recommenced, and were continued till five o'clock. The only marked event of the afternoon was, that I saw the girl with whom I had conversed in the verandah dismissed in disgrace by Miss Scatcherd from a history class, and sent to stand in the middle of the large schoolroom. The punishment seemed to me in a high degree ignominious, especially for so great a girl--she looked thirteen or upwards. I expected she would show signs of great distress and shame; but to my surprise she neither wept nor blushed: composed, though grave, she stood, the central mark of all eyes. "How can she bear it so quietly--so firmly?" I asked of myself. "Were I in her place, it seems to me I should wish the earth to open and swallow me up. She looks as if she were thinking of something beyond her punishment--beyond her situation: of something not round her nor before her. I have heard of day-dreams--is she in a day-dream now? Her eyes are fixed on the floor, but I am sure they do not see it--her sight seems turned in, gone down into her heart: she is looking at what she can remember, I believe; not at what is really present. I wonder what sort of a girl she is--whether good or naughty." Soon after five p.m. we had another meal, consisting of a small mug of coffee, and half-a-slice of brown bread. I devoured my bread and drank my coffee with relish; but I should have been glad of as much more--I was still hungry. Half-an-hour's recreation succeeded, then study; then the glass of water and the piece of oat-cake, prayers, and bed. Such was my first day at Lowood.

Volume 1, Chapter 5

https://web.archive.org/web/20210506211142/https://www.shmoop.com/study-guides/literature/jane-eyre/summary/volume-1-chapter-5

Jane leaves Gateshead, refusing to say anything to Mrs. Reed before she goes. Bessie takes Jane to the porter's lodge, and then Jane takes a coach by herself for fifty miles to get to Lowood. The journey takes a long time, and she's afraid of being kidnapped, which is something that happened a lot in Bessie's stories. At the end of the coach trip, a woman meets Jane and takes her to a building. We assume this is Lowood School, but nobody has bothered to tell Jane where she is. Jane meets a tall, dark-haired woman who seems to be in charge . She's quite nice and asks Jane about her background, then has Miss Miller take her to a large hall, where about eighty other girls are studying. Monitors collect the girls' books, and everyone is served "supper," which is just water and some oaten cake things. Gross, right? Jane is sent to sleep with the other girls in a long hall. Everyone sleeps two to a bed, and Jane is sharing with Miss Miller. Everyone gets up before dawn to study math and listen to some Bible reading. Sounds great, doesn't it? Breakfast is burned porridge, which nobody is really able to eat because it's so disgusting. Apparently this isn't the first time that's happened. Jane can't eat; she's busy studying her new teachers. Jane notices how plainly all the girls are dressed; nobody has curled hair, and everyone is wearing ugly brown wool gowns with weird pockets on the front. The first lesson is geography, but Jane still can't pay attention, because Miss Temple, who is the superintendent comes in again and Jane is, um, very taken with her. In fact, she practically worships Miss Temple, starting from this moment. Miss Temple decides to give the girls bread and cheese for lunch to make up for the burned porridge. Apparently it's pretty major for the girls to actually get extra food; everybody's surprised. Everyone gets to go out into the garden for a bit, but because it's winter things are pretty bleak outside. Jane starts talking to a girl who is sitting alone reading, and the girl tells her about the school: Lowood Institution, a charity school for orphans. Mr. Brocklehurst is in charge of it all, and we know how much he likes Jane! This is going to go really well, we can tell. Everyone has another gross meal and keeps studying until five o'clock. If you're doing the math, this probably means that, with a few short breaks, school has taken more than twelve hours already. Yikes. Jane sees Miss Scatcherd punish Helen by making her stand alone in the middle of the room while everyone else works. Jane would be ashamed in her place, but Helen is quiet and dignified, and Jane admires her. More small amounts of plain food and prayers, and it's bedtime. After one day at the school, Jane can tell this is going to be pretty lame. Lowood makes us appreciate our schools, that's for sure. At least we never had to eat burned porridge.

shmoop

all_chapterized_books/1260-chapters/07.txt

finished_summaries/shmoop/Jane Eyre/section_5_part_0.txt

Jane Eyre.volume 1.chapter 6

volume 1, chapter 6

{"name": "Volume 1, Chapter 6", "url": "https://web.archive.org/web/20210506211142/https://www.shmoop.com/study-guides/literature/jane-eyre/summary/volume-1-chapter-6", "summary": "Everyone gets up before dawn again and it's so cold that the water inside is frozen, so they can't wash. At least the porridge is okay this morning. Jane starts having to actually do lessons with everyone else, which include sewing. While she's sewing, Jane watches another group of girls doing English history lessons with Miss Scatcherd. Remember that teacher who always picked on you for every little thing you did, including breathe? Well, that's how Miss Scatcherd is with Helen Burns. She doesn't like the way Helen stands, or the way she holds her head, or anything, even though Helen's really smart and good at her lessons. Eventually Miss Scatcherd gets angry enough about whatever it is that's biting her that she whips Helen's neck with a bundle of twigs. Jane wanders around alone during the free time in the evening, but she doesn't really feel bad; after all, her home at Gateshead was also horrible. Jane finds Helen and talks to her, learning her name for the first time. She can't understand why Helen isn't more upset about how Miss Scatcherd treats her; she knows she'd freak out if she had been in Helen's place. Helen is disgustingly good and patient and reminds Jane about turning the other cheek and all that sort of thing. We're guessing she'll die young, because nobody this perfect ever lives to be forty. Helen agrees with all Miss Scatcherd's criticisms of her, which Jane thinks is just stupid, since Helen is obviously great. Helen admits to daydreaming quite a bit, but we don't think that's a fault. Plus, she daydreams about important history-lesson-type stuff, like why Charles I was a bad king. Helen does admit that Miss Temple treats her differently from Miss Scatcherd, but she says that's her own fault for being a better person when Miss Temple is around. Jane thinks, and we agree, that maybe Miss Temple is just a better teacher and a nicer person than Miss Scatcherd, but this hasn't occurred to Helen. Helen's \"love your enemies\" stuff starts to drive Jane crazy, and so Jane tells her about how impossible it is for her to love that harpy Mrs. Reed. After hearing the whole story, Helen's only answer is that Jane shouldn't let herself get so obsessed with being angry at Mrs. Reed. We don't know how exactly that's supposed to work, but Helen doesn't get a chance to explain, because she just got in trouble for something else.", "analysis": ""}

The next day commenced as before, getting up and dressing by rushlight; but this morning we were obliged to dispense with the ceremony of washing; the water in the pitchers was frozen. A change had taken place in the weather the preceding evening, and a keen north-east wind, whistling through the crevices of our bedroom windows all night long, had made us shiver in our beds, and turned the contents of the ewers to ice. Before the long hour and a half of prayers and Bible-reading was over, I felt ready to perish with cold. Breakfast-time came at last, and this morning the porridge was not burnt; the quality was eatable, the quantity small. How small my portion seemed! I wished it had been doubled. In the course of the day I was enrolled a member of the fourth class, and regular tasks and occupations were assigned me: hitherto, I had only been a spectator of the proceedings at Lowood; I was now to become an actor therein. At first, being little accustomed to learn by heart, the lessons appeared to me both long and difficult; the frequent change from task to task, too, bewildered me; and I was glad when, about three o'clock in the afternoon, Miss Smith put into my hands a border of muslin two yards long, together with needle, thimble, &c., and sent me to sit in a quiet corner of the schoolroom, with directions to hem the same. At that hour most of the others were sewing likewise; but one class still stood round Miss Scatcherd's chair reading, and as all was quiet, the subject of their lessons could be heard, together with the manner in which each girl acquitted herself, and the animadversions or commendations of Miss Scatcherd on the performance. It was English history: among the readers I observed my acquaintance of the verandah: at the commencement of the lesson, her place had been at the top of the class, but for some error of pronunciation, or some inattention to stops, she was suddenly sent to the very bottom. Even in that obscure position, Miss Scatcherd continued to make her an object of constant notice: she was continually addressing to her such phrases as the following:-- "Burns" (such it seems was her name: the girls here were all called by their surnames, as boys are elsewhere), "Burns, you are standing on the side of your shoe; turn your toes out immediately." "Burns, you poke your chin most unpleasantly; draw it in." "Burns, I insist on your holding your head up; I will not have you before me in that attitude," &c. &c. A chapter having been read through twice, the books were closed and the girls examined. The lesson had comprised part of the reign of Charles I., and there were sundry questions about tonnage and poundage and ship- money, which most of them appeared unable to answer; still, every little difficulty was solved instantly when it reached Burns: her memory seemed to have retained the substance of the whole lesson, and she was ready with answers on every point. I kept expecting that Miss Scatcherd would praise her attention; but, instead of that, she suddenly cried out-- "You dirty, disagreeable girl! you have never cleaned your nails this morning!" Burns made no answer: I wondered at her silence. "Why," thought I, "does she not explain that she could neither clean her nails nor wash her face, as the water was frozen?" My attention was now called off by Miss Smith desiring me to hold a skein of thread: while she was winding it, she talked to me from time to time, asking whether I had ever been at school before, whether I could mark, stitch, knit, &c.; till she dismissed me, I could not pursue my observations on Miss Scatcherd's movements. When I returned to my seat, that lady was just delivering an order of which I did not catch the import; but Burns immediately left the class, and going into the small inner room where the books were kept, returned in half a minute, carrying in her hand a bundle of twigs tied together at one end. This ominous tool she presented to Miss Scatcherd with a respectful curtesy; then she quietly, and without being told, unloosed her pinafore, and the teacher instantly and sharply inflicted on her neck a dozen strokes with the bunch of twigs. Not a tear rose to Burns' eye; and, while I paused from my sewing, because my fingers quivered at this spectacle with a sentiment of unavailing and impotent anger, not a feature of her pensive face altered its ordinary expression. "Hardened girl!" exclaimed Miss Scatcherd; "nothing can correct you of your slatternly habits: carry the rod away." Burns obeyed: I looked at her narrowly as she emerged from the book-closet; she was just putting back her handkerchief into her pocket, and the trace of a tear glistened on her thin cheek. The play-hour in the evening I thought the pleasantest fraction of the day at Lowood: the bit of bread, the draught of coffee swallowed at five o'clock had revived vitality, if it had not satisfied hunger: the long restraint of the day was slackened; the schoolroom felt warmer than in the morning--its fires being allowed to burn a little more brightly, to supply, in some measure, the place of candles, not yet introduced: the ruddy gloaming, the licensed uproar, the confusion of many voices gave one a welcome sense of liberty. On the evening of the day on which I had seen Miss Scatcherd flog her pupil, Burns, I wandered as usual among the forms and tables and laughing groups without a companion, yet not feeling lonely: when I passed the windows, I now and then lifted a blind, and looked out; it snowed fast, a drift was already forming against the lower panes; putting my ear close to the window, I could distinguish from the gleeful tumult within, the disconsolate moan of the wind outside. Probably, if I had lately left a good home and kind parents, this would have been the hour when I should most keenly have regretted the separation; that wind would then have saddened my heart; this obscure chaos would have disturbed my peace! as it was, I derived from both a strange excitement, and reckless and feverish, I wished the wind to howl more wildly, the gloom to deepen to darkness, and the confusion to rise to clamour. Jumping over forms, and creeping under tables, I made my way to one of the fire-places; there, kneeling by the high wire fender, I found Burns, absorbed, silent, abstracted from all round her by the companionship of a book, which she read by the dim glare of the embers. "Is it still 'Rasselas'?" I asked, coming behind her. "Yes," she said, "and I have just finished it." And in five minutes more she shut it up. I was glad of this. "Now," thought I, "I can perhaps get her to talk." I sat down by her on the floor. "What is your name besides Burns?" "Helen." "Do you come a long way from here?" "I come from a place farther north, quite on the borders of Scotland." "Will you ever go back?" "I hope so; but nobody can be sure of the future." "You must wish to leave Lowood?" "No! why should I? I was sent to Lowood to get an education; and it would be of no use going away until I have attained that object." "But that teacher, Miss Scatcherd, is so cruel to you?" "Cruel? Not at all! She is severe: she dislikes my faults." "And if I were in your place I should dislike her; I should resist her. If she struck me with that rod, I should get it from her hand; I should break it under her nose." "Probably you would do nothing of the sort: but if you did, Mr. Brocklehurst would expel you from the school; that would be a great grief to your relations. It is far better to endure patiently a smart which nobody feels but yourself, than to commit a hasty action whose evil consequences will extend to all connected with you; and besides, the Bible bids us return good for evil." "But then it seems disgraceful to be flogged, and to be sent to stand in the middle of a room full of people; and you are such a great girl: I am far younger than you, and I could not bear it." "Yet it would be your duty to bear it, if you could not avoid it: it is weak and silly to say you _cannot bear_ what it is your fate to be required to bear." I heard her with wonder: I could not comprehend this doctrine of endurance; and still less could I understand or sympathise with the forbearance she expressed for her chastiser. Still I felt that Helen Burns considered things by a light invisible to my eyes. I suspected she might be right and I wrong; but I would not ponder the matter deeply; like Felix, I put it off to a more convenient season. "You say you have faults, Helen: what are they? To me you seem very good." "Then learn from me, not to judge by appearances: I am, as Miss Scatcherd said, slatternly; I seldom put, and never keep, things, in order; I am careless; I forget rules; I read when I should learn my lessons; I have no method; and sometimes I say, like you, I cannot _bear_ to be subjected to systematic arrangements. This is all very provoking to Miss Scatcherd, who is naturally neat, punctual, and particular." "And cross and cruel," I added; but Helen Burns would not admit my addition: she kept silence. "Is Miss Temple as severe to you as Miss Scatcherd?" At the utterance of Miss Temple's name, a soft smile flitted over her grave face. "Miss Temple is full of goodness; it pains her to be severe to any one, even the worst in the school: she sees my errors, and tells me of them gently; and, if I do anything worthy of praise, she gives me my meed liberally. One strong proof of my wretchedly defective nature is, that even her expostulations, so mild, so rational, have not influence to cure me of my faults; and even her praise, though I value it most highly, cannot stimulate me to continued care and foresight." "That is curious," said I, "it is so easy to be careful." "For _you_ I have no doubt it is. I observed you in your class this morning, and saw you were closely attentive: your thoughts never seemed to wander while Miss Miller explained the lesson and questioned you. Now, mine continually rove away; when I should be listening to Miss Scatcherd, and collecting all she says with assiduity, often I lose the very sound of her voice; I fall into a sort of dream. Sometimes I think I am in Northumberland, and that the noises I hear round me are the bubbling of a little brook which runs through Deepden, near our house;--then, when it comes to my turn to reply, I have to be awakened; and having heard nothing of what was read for listening to the visionary brook, I have no answer ready." "Yet how well you replied this afternoon." "It was mere chance; the subject on which we had been reading had interested me. This afternoon, instead of dreaming of Deepden, I was wondering how a man who wished to do right could act so unjustly and unwisely as Charles the First sometimes did; and I thought what a pity it was that, with his integrity and conscientiousness, he could see no farther than the prerogatives of the crown. If he had but been able to look to a distance, and see how what they call the spirit of the age was tending! Still, I like Charles--I respect him--I pity him, poor murdered king! Yes, his enemies were the worst: they shed blood they had no right to shed. How dared they kill him!" Helen was talking to herself now: she had forgotten I could not very well understand her--that I was ignorant, or nearly so, of the subject she discussed. I recalled her to my level. "And when Miss Temple teaches you, do your thoughts wander then?" "No, certainly, not often; because Miss Temple has generally something to say which is newer than my own reflections; her language is singularly agreeable to me, and the information she communicates is often just what I wished to gain." "Well, then, with Miss Temple you are good?" "Yes, in a passive way: I make no effort; I follow as inclination guides me. There is no merit in such goodness." "A great deal: you are good to those who are good to you. It is all I ever desire to be. If people were always kind and obedient to those who are cruel and unjust, the wicked people would have it all their own way: they would never feel afraid, and so they would never alter, but would grow worse and worse. When we are struck at without a reason, we should strike back again very hard; I am sure we should--so hard as to teach the person who struck us never to do it again." "You will change your mind, I hope, when you grow older: as yet you are but a little untaught girl." "But I feel this, Helen; I must dislike those who, whatever I do to please them, persist in disliking me; I must resist those who punish me unjustly. It is as natural as that I should love those who show me affection, or submit to punishment when I feel it is deserved." "Heathens and savage tribes hold that doctrine, but Christians and civilised nations disown it." "How? I don't understand." "It is not violence that best overcomes hate--nor vengeance that most certainly heals injury." "What then?" "Read the New Testament, and observe what Christ says, and how He acts; make His word your rule, and His conduct your example." "What does He say?" "Love your enemies; bless them that curse you; do good to them that hate you and despitefully use you." "Then I should love Mrs. Reed, which I cannot do; I should bless her son John, which is impossible." In her turn, Helen Burns asked me to explain, and I proceeded forthwith to pour out, in my own way, the tale of my sufferings and resentments. Bitter and truculent when excited, I spoke as I felt, without reserve or softening. Helen heard me patiently to the end: I expected she would then make a remark, but she said nothing. "Well," I asked impatiently, "is not Mrs. Reed a hard-hearted, bad woman?" "She has been unkind to you, no doubt; because you see, she dislikes your cast of character, as Miss Scatcherd does mine; but how minutely you remember all she has done and said to you! What a singularly deep impression her injustice seems to have made on your heart! No ill-usage so brands its record on my feelings. Would you not be happier if you tried to forget her severity, together with the passionate emotions it excited? Life appears to me too short to be spent in nursing animosity or registering wrongs. We are, and must be, one and all, burdened with faults in this world: but the time will soon come when, I trust, we shall put them off in putting off our corruptible bodies; when debasement and sin will fall from us with this cumbrous frame of flesh, and only the spark of the spirit will remain,--the impalpable principle of light and thought, pure as when it left the Creator to inspire the creature: whence it came it will return; perhaps again to be communicated to some being higher than man--perhaps to pass through gradations of glory, from the pale human soul to brighten to the seraph! Surely it will never, on the contrary, be suffered to degenerate from man to fiend? No; I cannot believe that: I hold another creed: which no one ever taught me, and which I seldom mention; but in which I delight, and to which I cling: for it extends hope to all: it makes Eternity a rest--a mighty home, not a terror and an abyss. Besides, with this creed, I can so clearly distinguish between the criminal and his crime; I can so sincerely forgive the first while I abhor the last: with this creed revenge never worries my heart, degradation never too deeply disgusts me, injustice never crushes me too low: I live in calm, looking to the end." Helen's head, always drooping, sank a little lower as she finished this sentence. I saw by her look she wished no longer to talk to me, but rather to converse with her own thoughts. She was not allowed much time for meditation: a monitor, a great rough girl, presently came up, exclaiming in a strong Cumberland accent-- "Helen Burns, if you don't go and put your drawer in order, and fold up your work this minute, I'll tell Miss Scatcherd to come and look at it!" Helen sighed as her reverie fled, and getting up, obeyed the monitor without reply as without delay.

Volume 1, Chapter 6

https://web.archive.org/web/20210506211142/https://www.shmoop.com/study-guides/literature/jane-eyre/summary/volume-1-chapter-6

Everyone gets up before dawn again and it's so cold that the water inside is frozen, so they can't wash. At least the porridge is okay this morning. Jane starts having to actually do lessons with everyone else, which include sewing. While she's sewing, Jane watches another group of girls doing English history lessons with Miss Scatcherd. Remember that teacher who always picked on you for every little thing you did, including breathe? Well, that's how Miss Scatcherd is with Helen Burns. She doesn't like the way Helen stands, or the way she holds her head, or anything, even though Helen's really smart and good at her lessons. Eventually Miss Scatcherd gets angry enough about whatever it is that's biting her that she whips Helen's neck with a bundle of twigs. Jane wanders around alone during the free time in the evening, but she doesn't really feel bad; after all, her home at Gateshead was also horrible. Jane finds Helen and talks to her, learning her name for the first time. She can't understand why Helen isn't more upset about how Miss Scatcherd treats her; she knows she'd freak out if she had been in Helen's place. Helen is disgustingly good and patient and reminds Jane about turning the other cheek and all that sort of thing. We're guessing she'll die young, because nobody this perfect ever lives to be forty. Helen agrees with all Miss Scatcherd's criticisms of her, which Jane thinks is just stupid, since Helen is obviously great. Helen admits to daydreaming quite a bit, but we don't think that's a fault. Plus, she daydreams about important history-lesson-type stuff, like why Charles I was a bad king. Helen does admit that Miss Temple treats her differently from Miss Scatcherd, but she says that's her own fault for being a better person when Miss Temple is around. Jane thinks, and we agree, that maybe Miss Temple is just a better teacher and a nicer person than Miss Scatcherd, but this hasn't occurred to Helen. Helen's "love your enemies" stuff starts to drive Jane crazy, and so Jane tells her about how impossible it is for her to love that harpy Mrs. Reed. After hearing the whole story, Helen's only answer is that Jane shouldn't let herself get so obsessed with being angry at Mrs. Reed. We don't know how exactly that's supposed to work, but Helen doesn't get a chance to explain, because she just got in trouble for something else.

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Jane Eyre.volume 1.chapter 7

volume 1, chapter 7

{"name": "Volume 1, Chapter 7", "url": "https://web.archive.org/web/20210506211142/https://www.shmoop.com/study-guides/literature/jane-eyre/summary/volume-1-chapter-7", "summary": "Jane continues to settle in at Lowood, if you can call it settling in. Not only does she have to learn all the new school rules and the course material, she also has to cope with the fact that nobody in the school ever gets enough to eat and they're always cold because their clothes are thin and old. There's an especially gross description of chilblains on her hands and feet. We're not sure if we're more sorry for her or grossed out at her. The little girls suffer most, because the older girls steal their food and crowd them away from the fires. Our heroine, of course, usually gives some of her food away to the smaller girls who are actually starving. Awww, isn't that sweet. Despite all the hardships, Miss Temple encourages all the girls and motivates them to keep going. All the other teachers are too depressed to try, and we can't really blame them. After Jane has been at the school for three weeks, as if things weren't bad enough, that hypocrite Mr. Brocklehurst shows up to visit and inspect the school. This is going to go really well, we're sure. Jane hears Mr. Brocklehurst giving Miss Temple \"instructions\" about how to run the school. Well, that's the nice way of putting it... he's mostly just nitpicking and trying to make her be colder and crueler to the girls. Mr. Brocklehurst is especially upset about the two times Miss Temple served the girls an extra lunch to make up for their burned porridge. He has a long, plausible-sounding explanation of why it would be better for their souls and their temperaments if they just took the opportunity to think of their hunger as a happy Christian martyrdom. We don't know when Mr. Brocklehurst himself last missed a meal, but we're guessing it was a long, long time ago. The other thing that's biting Mr. Brocklehurst is the hairstyles of various girls. None of the girls at Lowood are supposed to curl their hair, so why, he wants to know, does Julia Severn have curls in her hair? Of course, that's because her hair curls naturally, but so what? Mr. Brocklehurst says that if she can't get her hair straight, then she should just cut it all off to be humbler. He says he'll send the barber tomorrow to cut her hair--and the hair of all the older girls, who have been wearing fashionable top-knots. Those hussies. They've been doing their hair. Now that's sin right there, isn't it? We hope they repent. At this point, Mr. Brocklehurst's wife and daughters enter and interrupt his kind-hearted, sweet-natured, humble instructions. As befits the family of so pious a clergyman, they wear plain woolen gowns and have their hair combed flat against their heads. Ha! You didn't believe that, did you? Actually Mrs. Brocklehurst and her daughters are all dolled up in fancy gowns of expensive silk, velvet, and fur, with fashionable hats, delicately curled hair, the works. They've been upstairs, snooping around in the girls' rooms, making sure none of them own anything too fancy. Jane tells us that she's been hunkering down behind her slate, hoping really hard that the Brocklehursts will come and go without noticing her. And they would--except she manages to drop her slate and break it. Whoops. You can see where this is going, though. Jane gets called up front and made to stand on a stool in front of everyone while Mr. Brocklehurst goes off about what a careless, evil, lying, heathen, demon child she is. Really. We're glad he can get his kicks from mocking ten-year-old girls, because otherwise he would probably have to steal candy from babies or something. Mr. Brocklehurst sweeps out, very pleased with himself, ordering that Jane stay on her stool in front of everyone for the rest of the day, and forbids anyone to speak to her. Jane's completely mortified, but her friend Helen makes an excuse to pass by her a few times and smile at her. The smiles are all that keep Jane going.", "analysis": ""}

My first quarter at Lowood seemed an age; and not the golden age either; it comprised an irksome struggle with difficulties in habituating myself to new rules and unwonted tasks. The fear of failure in these points harassed me worse than the physical hardships of my lot; though these were no trifles. During January, February, and part of March, the deep snows, and, after their melting, the almost impassable roads, prevented our stirring beyond the garden walls, except to go to church; but within these limits we had to pass an hour every day in the open air. Our clothing was insufficient to protect us from the severe cold: we had no boots, the snow got into our shoes and melted there: our ungloved hands became numbed and covered with chilblains, as were our feet: I remember well the distracting irritation I endured from this cause every evening, when my feet inflamed; and the torture of thrusting the swelled, raw, and stiff toes into my shoes in the morning. Then the scanty supply of food was distressing: with the keen appetites of growing children, we had scarcely sufficient to keep alive a delicate invalid. From this deficiency of nourishment resulted an abuse, which pressed hardly on the younger pupils: whenever the famished great girls had an opportunity, they would coax or menace the little ones out of their portion. Many a time I have shared between two claimants the precious morsel of brown bread distributed at tea-time; and after relinquishing to a third half the contents of my mug of coffee, I have swallowed the remainder with an accompaniment of secret tears, forced from me by the exigency of hunger. Sundays were dreary days in that wintry season. We had to walk two miles to Brocklebridge Church, where our patron officiated. We set out cold, we arrived at church colder: during the morning service we became almost paralysed. It was too far to return to dinner, and an allowance of cold meat and bread, in the same penurious proportion observed in our ordinary meals, was served round between the services. At the close of the afternoon service we returned by an exposed and hilly road, where the bitter winter wind, blowing over a range of snowy summits to the north, almost flayed the skin from our faces. I can remember Miss Temple walking lightly and rapidly along our drooping line, her plaid cloak, which the frosty wind fluttered, gathered close about her, and encouraging us, by precept and example, to keep up our spirits, and march forward, as she said, "like stalwart soldiers." The other teachers, poor things, were generally themselves too much dejected to attempt the task of cheering others. How we longed for the light and heat of a blazing fire when we got back! But, to the little ones at least, this was denied: each hearth in the schoolroom was immediately surrounded by a double row of great girls, and behind them the younger children crouched in groups, wrapping their starved arms in their pinafores. A little solace came at tea-time, in the shape of a double ration of bread--a whole, instead of a half, slice--with the delicious addition of a thin scrape of butter: it was the hebdomadal treat to which we all looked forward from Sabbath to Sabbath. I generally contrived to reserve a moiety of this bounteous repast for myself; but the remainder I was invariably obliged to part with. The Sunday evening was spent in repeating, by heart, the Church Catechism, and the fifth, sixth, and seventh chapters of St. Matthew; and in listening to a long sermon, read by Miss Miller, whose irrepressible yawns attested her weariness. A frequent interlude of these performances was the enactment of the part of Eutychus by some half-dozen of little girls, who, overpowered with sleep, would fall down, if not out of the third loft, yet off the fourth form, and be taken up half dead. The remedy was, to thrust them forward into the centre of the schoolroom, and oblige them to stand there till the sermon was finished. Sometimes their feet failed them, and they sank together in a heap; they were then propped up with the monitors' high stools. I have not yet alluded to the visits of Mr. Brocklehurst; and indeed that gentleman was from home during the greater part of the first month after my arrival; perhaps prolonging his stay with his friend the archdeacon: his absence was a relief to me. I need not say that I had my own reasons for dreading his coming: but come he did at last. One afternoon (I had then been three weeks at Lowood), as I was sitting with a slate in my hand, puzzling over a sum in long division, my eyes, raised in abstraction to the window, caught sight of a figure just passing: I recognised almost instinctively that gaunt outline; and when, two minutes after, all the school, teachers included, rose _en masse_, it was not necessary for me to look up in order to ascertain whose entrance they thus greeted. A long stride measured the schoolroom, and presently beside Miss Temple, who herself had risen, stood the same black column which had frowned on me so ominously from the hearthrug of Gateshead. I now glanced sideways at this piece of architecture. Yes, I was right: it was Mr. Brocklehurst, buttoned up in a surtout, and looking longer, narrower, and more rigid than ever. I had my own reasons for being dismayed at this apparition; too well I remembered the perfidious hints given by Mrs. Reed about my disposition, &c.; the promise pledged by Mr. Brocklehurst to apprise Miss Temple and the teachers of my vicious nature. All along I had been dreading the fulfilment of this promise,--I had been looking out daily for the "Coming Man," whose information respecting my past life and conversation was to brand me as a bad child for ever: now there he was. He stood at Miss Temple's side; he was speaking low in her ear: I did not doubt he was making disclosures of my villainy; and I watched her eye with painful anxiety, expecting every moment to see its dark orb turn on me a glance of repugnance and contempt. I listened too; and as I happened to be seated quite at the top of the room, I caught most of what he said: its import relieved me from immediate apprehension. "I suppose, Miss Temple, the thread I bought at Lowton will do; it struck me that it would be just of the quality for the calico chemises, and I sorted the needles to match. You may tell Miss Smith that I forgot to make a memorandum of the darning needles, but she shall have some papers sent in next week; and she is not, on any account, to give out more than one at a time to each pupil: if they have more, they are apt to be careless and lose them. And, O ma'am! I wish the woollen stockings were better looked to!--when I was here last, I went into the kitchen-garden and examined the clothes drying on the line; there was a quantity of black hose in a very bad state of repair: from the size of the holes in them I was sure they had not been well mended from time to time." He paused. "Your directions shall be attended to, sir," said Miss Temple. "And, ma'am," he continued, "the laundress tells me some of the girls have two clean tuckers in the week: it is too much; the rules limit them to one." "I think I can explain that circumstance, sir. Agnes and Catherine Johnstone were invited to take tea with some friends at Lowton last Thursday, and I gave them leave to put on clean tuckers for the occasion." Mr. Brocklehurst nodded. "Well, for once it may pass; but please not to let the circumstance occur too often. And there is another thing which surprised me; I find, in settling accounts with the housekeeper, that a lunch, consisting of bread and cheese, has twice been served out to the girls during the past fortnight. How is this? I looked over the regulations, and I find no such meal as lunch mentioned. Who introduced this innovation? and by what authority?" "I must be responsible for the circumstance, sir," replied Miss Temple: "the breakfast was so ill prepared that the pupils could not possibly eat it; and I dared not allow them to remain fasting till dinner-time." "Madam, allow me an instant. You are aware that my plan in bringing up these girls is, not to accustom them to habits of luxury and indulgence, but to render them hardy, patient, self-denying. Should any little accidental disappointment of the appetite occur, such as the spoiling of a meal, the under or the over dressing of a dish, the incident ought not to be neutralised by replacing with something more delicate the comfort lost, thus pampering the body and obviating the aim of this institution; it ought to be improved to the spiritual edification of the pupils, by encouraging them to evince fortitude under temporary privation. A brief address on those occasions would not be mistimed, wherein a judicious instructor would take the opportunity of referring to the sufferings of the primitive Christians; to the torments of martyrs; to the exhortations of our blessed Lord Himself, calling upon His disciples to take up their cross and follow Him; to His warnings that man shall not live by bread alone, but by every word that proceedeth out of the mouth of God; to His divine consolations, "If ye suffer hunger or thirst for My sake, happy are ye." Oh, madam, when you put bread and cheese, instead of burnt porridge, into these children's mouths, you may indeed feed their vile bodies, but you little think how you starve their immortal souls!" Mr. Brocklehurst again paused--perhaps overcome by his feelings. Miss Temple had looked down when he first began to speak to her; but she now gazed straight before her, and her face, naturally pale as marble, appeared to be assuming also the coldness and fixity of that material; especially her mouth, closed as if it would have required a sculptor's chisel to open it, and her brow settled gradually into petrified severity. Meantime, Mr. Brocklehurst, standing on the hearth with his hands behind his back, majestically surveyed the whole school. Suddenly his eye gave a blink, as if it had met something that either dazzled or shocked its pupil; turning, he said in more rapid accents than he had hitherto used-- "Miss Temple, Miss Temple, what--_what_ is that girl with curled hair? Red hair, ma'am, curled--curled all over?" And extending his cane he pointed to the awful object, his hand shaking as he did so. "It is Julia Severn," replied Miss Temple, very quietly. "Julia Severn, ma'am! And why has she, or any other, curled hair? Why, in defiance of every precept and principle of this house, does she conform to the world so openly--here in an evangelical, charitable establishment--as to wear her hair one mass of curls?" "Julia's hair curls naturally," returned Miss Temple, still more quietly. "Naturally! Yes, but we are not to conform to nature; I wish these girls to be the children of Grace: and why that abundance? I have again and again intimated that I desire the hair to be arranged closely, modestly, plainly. Miss Temple, that girl's hair must be cut off entirely; I will send a barber to-morrow: and I see others who have far too much of the excrescence--that tall girl, tell her to turn round. Tell all the first form to rise up and direct their faces to the wall." Miss Temple passed her handkerchief over her lips, as if to smooth away the involuntary smile that curled them; she gave the order, however, and when the first class could take in what was required of them, they obeyed. Leaning a little back on my bench, I could see the looks and grimaces with which they commented on this manoeuvre: it was a pity Mr. Brocklehurst could not see them too; he would perhaps have felt that, whatever he might do with the outside of the cup and platter, the inside was further beyond his interference than he imagined. He scrutinised the reverse of these living medals some five minutes, then pronounced sentence. These words fell like the knell of doom-- "All those top-knots must be cut off." Miss Temple seemed to remonstrate. "Madam," he pursued, "I have a Master to serve whose kingdom is not of this world: my mission is to mortify in these girls the lusts of the flesh; to teach them to clothe themselves with shame-facedness and sobriety, not with braided hair and costly apparel; and each of the young persons before us has a string of hair twisted in plaits which vanity itself might have woven; these, I repeat, must be cut off; think of the time wasted, of--" Mr. Brocklehurst was here interrupted: three other visitors, ladies, now entered the room. They ought to have come a little sooner to have heard his lecture on dress, for they were splendidly attired in velvet, silk, and furs. The two younger of the trio (fine girls of sixteen and seventeen) had grey beaver hats, then in fashion, shaded with ostrich plumes, and from under the brim of this graceful head-dress fell a profusion of light tresses, elaborately curled; the elder lady was enveloped in a costly velvet shawl, trimmed with ermine, and she wore a false front of French curls. These ladies were deferentially received by Miss Temple, as Mrs. and the Misses Brocklehurst, and conducted to seats of honour at the top of the room. It seems they had come in the carriage with their reverend relative, and had been conducting a rummaging scrutiny of the room upstairs, while he transacted business with the housekeeper, questioned the laundress, and lectured the superintendent. They now proceeded to address divers remarks and reproofs to Miss Smith, who was charged with the care of the linen and the inspection of the dormitories: but I had no time to listen to what they said; other matters called off and enchanted my attention. Hitherto, while gathering up the discourse of Mr. Brocklehurst and Miss Temple, I had not, at the same time, neglected precautions to secure my personal safety; which I thought would be effected, if I could only elude observation. To this end, I had sat well back on the form, and while seeming to be busy with my sum, had held my slate in such a manner as to conceal my face: I might have escaped notice, had not my treacherous slate somehow happened to slip from my hand, and falling with an obtrusive crash, directly drawn every eye upon me; I knew it was all over now, and, as I stooped to pick up the two fragments of slate, I rallied my forces for the worst. It came. "A careless girl!" said Mr. Brocklehurst, and immediately after--"It is the new pupil, I perceive." And before I could draw breath, "I must not forget I have a word to say respecting her." Then aloud: how loud it seemed to me! "Let the child who broke her slate come forward!" Of my own accord I could not have stirred; I was paralysed: but the two great girls who sit on each side of me, set me on my legs and pushed me towards the dread judge, and then Miss Temple gently assisted me to his very feet, and I caught her whispered counsel-- "Don't be afraid, Jane, I saw it was an accident; you shall not be punished." The kind whisper went to my heart like a dagger. "Another minute, and she will despise me for a hypocrite," thought I; and an impulse of fury against Reed, Brocklehurst, and Co. bounded in my pulses at the conviction. I was no Helen Burns. "Fetch that stool," said Mr. Brocklehurst, pointing to a very high one from which a monitor had just risen: it was brought. "Place the child upon it." And I was placed there, by whom I don't know: I was in no condition to note particulars; I was only aware that they had hoisted me up to the height of Mr. Brocklehurst's nose, that he was within a yard of me, and that a spread of shot orange and purple silk pelisses and a cloud of silvery plumage extended and waved below me. Mr. Brocklehurst hemmed. "Ladies," said he, turning to his family, "Miss Temple, teachers, and children, you all see this girl?" Of course they did; for I felt their eyes directed like burning-glasses against my scorched skin. "You see she is yet young; you observe she possesses the ordinary form of childhood; God has graciously given her the shape that He has given to all of us; no signal deformity points her out as a marked character. Who would think that the Evil One had already found a servant and agent in her? Yet such, I grieve to say, is the case." A pause--in which I began to steady the palsy of my nerves, and to feel that the Rubicon was passed; and that the trial, no longer to be shirked, must be firmly sustained. "My dear children," pursued the black marble clergyman, with pathos, "this is a sad, a melancholy occasion; for it becomes my duty to warn you, that this girl, who might be one of God's own lambs, is a little castaway: not a member of the true flock, but evidently an interloper and an alien. You must be on your guard against her; you must shun her example; if necessary, avoid her company, exclude her from your sports, and shut her out from your converse. Teachers, you must watch her: keep your eyes on her movements, weigh well her words, scrutinise her actions, punish her body to save her soul: if, indeed, such salvation be possible, for (my tongue falters while I tell it) this girl, this child, the native of a Christian land, worse than many a little heathen who says its prayers to Brahma and kneels before Juggernaut--this girl is--a liar!" Now came a pause of ten minutes, during which I, by this time in perfect possession of my wits, observed all the female Brocklehursts produce their pocket-handkerchiefs and apply them to their optics, while the elderly lady swayed herself to and fro, and the two younger ones whispered, "How shocking!" Mr. Brocklehurst resumed. "This I learned from her benefactress; from the pious and charitable lady who adopted her in her orphan state, reared her as her own daughter, and whose kindness, whose generosity the unhappy girl repaid by an ingratitude so bad, so dreadful, that at last her excellent patroness was obliged to separate her from her own young ones, fearful lest her vicious example should contaminate their purity: she has sent her here to be healed, even as the Jews of old sent their diseased to the troubled pool of Bethesda; and, teachers, superintendent, I beg of you not to allow the waters to stagnate round her." With this sublime conclusion, Mr. Brocklehurst adjusted the top button of his surtout, muttered something to his family, who rose, bowed to Miss Temple, and then all the great people sailed in state from the room. Turning at the door, my judge said-- "Let her stand half-an-hour longer on that stool, and let no one speak to her during the remainder of the day." There was I, then, mounted aloft; I, who had said I could not bear the shame of standing on my natural feet in the middle of the room, was now exposed to general view on a pedestal of infamy. What my sensations were no language can describe; but just as they all rose, stifling my breath and constricting my throat, a girl came up and passed me: in passing, she lifted her eyes. What a strange light inspired them! What an extraordinary sensation that ray sent through me! How the new feeling bore me up! It was as if a martyr, a hero, had passed a slave or victim, and imparted strength in the transit. I mastered the rising hysteria, lifted up my head, and took a firm stand on the stool. Helen Burns asked some slight question about her work of Miss Smith, was chidden for the triviality of the inquiry, returned to her place, and smiled at me as she again went by. What a smile! I remember it now, and I know that it was the effluence of fine intellect, of true courage; it lit up her marked lineaments, her thin face, her sunken grey eye, like a reflection from the aspect of an angel. Yet at that moment Helen Burns wore on her arm "the untidy badge;" scarcely an hour ago I had heard her condemned by Miss Scatcherd to a dinner of bread and water on the morrow because she had blotted an exercise in copying it out. Such is the imperfect nature of man! such spots are there on the disc of the clearest planet; and eyes like Miss Scatcherd's can only see those minute defects, and are blind to the full brightness of the orb.

Volume 1, Chapter 7

https://web.archive.org/web/20210506211142/https://www.shmoop.com/study-guides/literature/jane-eyre/summary/volume-1-chapter-7

Jane continues to settle in at Lowood, if you can call it settling in. Not only does she have to learn all the new school rules and the course material, she also has to cope with the fact that nobody in the school ever gets enough to eat and they're always cold because their clothes are thin and old. There's an especially gross description of chilblains on her hands and feet. We're not sure if we're more sorry for her or grossed out at her. The little girls suffer most, because the older girls steal their food and crowd them away from the fires. Our heroine, of course, usually gives some of her food away to the smaller girls who are actually starving. Awww, isn't that sweet. Despite all the hardships, Miss Temple encourages all the girls and motivates them to keep going. All the other teachers are too depressed to try, and we can't really blame them. After Jane has been at the school for three weeks, as if things weren't bad enough, that hypocrite Mr. Brocklehurst shows up to visit and inspect the school. This is going to go really well, we're sure. Jane hears Mr. Brocklehurst giving Miss Temple "instructions" about how to run the school. Well, that's the nice way of putting it... he's mostly just nitpicking and trying to make her be colder and crueler to the girls. Mr. Brocklehurst is especially upset about the two times Miss Temple served the girls an extra lunch to make up for their burned porridge. He has a long, plausible-sounding explanation of why it would be better for their souls and their temperaments if they just took the opportunity to think of their hunger as a happy Christian martyrdom. We don't know when Mr. Brocklehurst himself last missed a meal, but we're guessing it was a long, long time ago. The other thing that's biting Mr. Brocklehurst is the hairstyles of various girls. None of the girls at Lowood are supposed to curl their hair, so why, he wants to know, does Julia Severn have curls in her hair? Of course, that's because her hair curls naturally, but so what? Mr. Brocklehurst says that if she can't get her hair straight, then she should just cut it all off to be humbler. He says he'll send the barber tomorrow to cut her hair--and the hair of all the older girls, who have been wearing fashionable top-knots. Those hussies. They've been doing their hair. Now that's sin right there, isn't it? We hope they repent. At this point, Mr. Brocklehurst's wife and daughters enter and interrupt his kind-hearted, sweet-natured, humble instructions. As befits the family of so pious a clergyman, they wear plain woolen gowns and have their hair combed flat against their heads. Ha! You didn't believe that, did you? Actually Mrs. Brocklehurst and her daughters are all dolled up in fancy gowns of expensive silk, velvet, and fur, with fashionable hats, delicately curled hair, the works. They've been upstairs, snooping around in the girls' rooms, making sure none of them own anything too fancy. Jane tells us that she's been hunkering down behind her slate, hoping really hard that the Brocklehursts will come and go without noticing her. And they would--except she manages to drop her slate and break it. Whoops. You can see where this is going, though. Jane gets called up front and made to stand on a stool in front of everyone while Mr. Brocklehurst goes off about what a careless, evil, lying, heathen, demon child she is. Really. We're glad he can get his kicks from mocking ten-year-old girls, because otherwise he would probably have to steal candy from babies or something. Mr. Brocklehurst sweeps out, very pleased with himself, ordering that Jane stay on her stool in front of everyone for the rest of the day, and forbids anyone to speak to her. Jane's completely mortified, but her friend Helen makes an excuse to pass by her a few times and smile at her. The smiles are all that keep Jane going.

shmoop

all_chapterized_books/1260-chapters/09.txt

finished_summaries/shmoop/Jane Eyre/section_7_part_0.txt

Jane Eyre.volume 1.chapter 8

volume 1, chapter 8

{"name": "Volume 1, Chapter 8", "url": "https://web.archive.org/web/20210506211142/https://www.shmoop.com/study-guides/literature/jane-eyre/summary/volume-1-chapter-8", "summary": "The school day finally ends, the pupils go out to have their early-evening meal , and Jane lets herself fall off the stool she's been standing on, curl up on the ground, and cry. She thinks all her hopes of being a successful student at Lowood, of having any friends, or having any of the teachers on her side are completely dashed. Helen brings Jane something to eat and gently sets her straight about a few things: everyone in the school knows what a hypocrite Mr. Brocklehurst is, and they're not going to despise Jane just because he doesn't like her. In fact, they might even be nicer to her secretly because they know how unfair he is and they all hate him. Helen also says that, even if everyone hated Jane, if she knew herself to be innocent, that would be enough . Jane's not so sure about this; she doesn't think she could live without friends. Helen starts talking about the rewards of the afterlife, and Jane feels melancholy--she's not sure why. And then Helen starts coughing ominously. Dum dum dummm. Guess what's going to happen to her pretty soon? Miss Temple comes and takes Jane and Helen to her room . But they're not in trouble--Miss Temple just wants to check on Jane to see how she's feeling after being humiliated in front of everyone. Miss Temple asks Jane for her own version of her life story, and Jane tells her side of things about Mrs. Reed and Gateshead. Jane realizes how important it is to tell the exact truth here, and so she doesn't exaggerate the story at all. Luckily for Jane, Miss Temple knows Mr. Lloyd, and writes to him to corroborate Jane's story. She promises that, if he does, she won't treat Jane like a liar, no matter what that awful Mr. Brocklehurst says. Miss Temple checks on Helen: How is she feeling? How's her cough? What's her pulse like? Dum dum dummm. Helen and Jane get to have tea and seed-cake with Miss Temple. It's not much, but hey, it's not burned porridge, either. Jane listens as Miss Temple and Helen have a sparkling conversation about all sorts of things; both of them are well-read and intelligent and know a lot about a lot of things, and Jane doesn't know half as much. She'd like to, though! Jane and Helen go back to the large, dormitory-style bedroom, and, of course, something unpleasant happens to spoil their evening. Miss Scatcherd has just gone through Helen's drawers and is going to punish her for being messy. The next day, Miss Scatcherd makes Helen wear a sign that says \"Slattern\" tied to her forehead for the day. Jane feels terrible on Helen's behalf, but Helen, as usual, is a patient, sweet-natured martyr about everything. Mr. Lloyd answers Miss Temple's letter and confirms the story that Jane told. Jane feels freed up to concentrate on her schoolwork and begins to do really well in all her classes. She's almost happy at Lowood these days.", "analysis": ""}

Ere the half-hour ended, five o'clock struck; school was dismissed, and all were gone into the refectory to tea. I now ventured to descend: it was deep dusk; I retired into a corner and sat down on the floor. The spell by which I had been so far supported began to dissolve; reaction took place, and soon, so overwhelming was the grief that seized me, I sank prostrate with my face to the ground. Now I wept: Helen Burns was not here; nothing sustained me; left to myself I abandoned myself, and my tears watered the boards. I had meant to be so good, and to do so much at Lowood: to make so many friends, to earn respect and win affection. Already I had made visible progress: that very morning I had reached the head of my class; Miss Miller had praised me warmly; Miss Temple had smiled approbation; she had promised to teach me drawing, and to let me learn French, if I continued to make similar improvement two months longer: and then I was well received by my fellow-pupils; treated as an equal by those of my own age, and not molested by any; now, here I lay again crushed and trodden on; and could I ever rise more? "Never," I thought; and ardently I wished to die. While sobbing out this wish in broken accents, some one approached: I started up--again Helen Burns was near me; the fading fires just showed her coming up the long, vacant room; she brought my coffee and bread. "Come, eat something," she said; but I put both away from me, feeling as if a drop or a crumb would have choked me in my present condition. Helen regarded me, probably with surprise: I could not now abate my agitation, though I tried hard; I continued to weep aloud. She sat down on the ground near me, embraced her knees with her arms, and rested her head upon them; in that attitude she remained silent as an Indian. I was the first who spoke-- "Helen, why do you stay with a girl whom everybody believes to be a liar?" "Everybody, Jane? Why, there are only eighty people who have heard you called so, and the world contains hundreds of millions." "But what have I to do with millions? The eighty, I know, despise me." "Jane, you are mistaken: probably not one in the school either despises or dislikes you: many, I am sure, pity you much." "How can they pity me after what Mr. Brocklehurst has said?" "Mr. Brocklehurst is not a god: nor is he even a great and admired man: he is little liked here; he never took steps to make himself liked. Had he treated you as an especial favourite, you would have found enemies, declared or covert, all around you; as it is, the greater number would offer you sympathy if they dared. Teachers and pupils may look coldly on you for a day or two, but friendly feelings are concealed in their hearts; and if you persevere in doing well, these feelings will ere long appear so much the more evidently for their temporary suppression. Besides, Jane"--she paused. "Well, Helen?" said I, putting my hand into hers: she chafed my fingers gently to warm them, and went on-- "If all the world hated you, and believed you wicked, while your own conscience approved you, and absolved you from guilt, you would not be without friends." "No; I know I should think well of myself; but that is not enough: if others don't love me I would rather die than live--I cannot bear to be solitary and hated, Helen. Look here; to gain some real affection from you, or Miss Temple, or any other whom I truly love, I would willingly submit to have the bone of my arm broken, or to let a bull toss me, or to stand behind a kicking horse, and let it dash its hoof at my chest--" "Hush, Jane! you think too much of the love of human beings; you are too impulsive, too vehement; the sovereign hand that created your frame, and put life into it, has provided you with other resources than your feeble self, or than creatures feeble as you. Besides this earth, and besides the race of men, there is an invisible world and a kingdom of spirits: that world is round us, for it is everywhere; and those spirits watch us, for they are commissioned to guard us; and if we were dying in pain and shame, if scorn smote us on all sides, and hatred crushed us, angels see our tortures, recognise our innocence (if innocent we be: as I know you are of this charge which Mr. Brocklehurst has weakly and pompously repeated at second-hand from Mrs. Reed; for I read a sincere nature in your ardent eyes and on your clear front), and God waits only the separation of spirit from flesh to crown us with a full reward. Why, then, should we ever sink overwhelmed with distress, when life is so soon over, and death is so certain an entrance to happiness--to glory?" I was silent; Helen had calmed me; but in the tranquillity she imparted there was an alloy of inexpressible sadness. I felt the impression of woe as she spoke, but I could not tell whence it came; and when, having done speaking, she breathed a little fast and coughed a short cough, I momentarily forgot my own sorrows to yield to a vague concern for her. Resting my head on Helen's shoulder, I put my arms round her waist; she drew me to her, and we reposed in silence. We had not sat long thus, when another person came in. Some heavy clouds, swept from the sky by a rising wind, had left the moon bare; and her light, streaming in through a window near, shone full both on us and on the approaching figure, which we at once recognised as Miss Temple. "I came on purpose to find you, Jane Eyre," said she; "I want you in my room; and as Helen Burns is with you, she may come too." We went; following the superintendent's guidance, we had to thread some intricate passages, and mount a staircase before we reached her apartment; it contained a good fire, and looked cheerful. Miss Temple told Helen Burns to be seated in a low arm-chair on one side of the hearth, and herself taking another, she called me to her side. "Is it all over?" she asked, looking down at my face. "Have you cried your grief away?" "I am afraid I never shall do that." "Why?" "Because I have been wrongly accused; and you, ma'am, and everybody else, will now think me wicked." "We shall think you what you prove yourself to be, my child. Continue to act as a good girl, and you will satisfy us." "Shall I, Miss Temple?" "You will," said she, passing her arm round me. "And now tell me who is the lady whom Mr. Brocklehurst called your benefactress?" "Mrs. Reed, my uncle's wife. My uncle is dead, and he left me to her care." "Did she not, then, adopt you of her own accord?" "No, ma'am; she was sorry to have to do it: but my uncle, as I have often heard the servants say, got her to promise before he died that she would always keep me." "Well now, Jane, you know, or at least I will tell you, that when a criminal is accused, he is always allowed to speak in his own defence. You have been charged with falsehood; defend yourself to me as well as you can. Say whatever your memory suggests is true; but add nothing and exaggerate nothing." I resolved, in the depth of my heart, that I would be most moderate--most correct; and, having reflected a few minutes in order to arrange coherently what I had to say, I told her all the story of my sad childhood. Exhausted by emotion, my language was more subdued than it generally was when it developed that sad theme; and mindful of Helen's warnings against the indulgence of resentment, I infused into the narrative far less of gall and wormwood than ordinary. Thus restrained and simplified, it sounded more credible: I felt as I went on that Miss Temple fully believed me. In the course of the tale I had mentioned Mr. Lloyd as having come to see me after the fit: for I never forgot the, to me, frightful episode of the red-room: in detailing which, my excitement was sure, in some degree, to break bounds; for nothing could soften in my recollection the spasm of agony which clutched my heart when Mrs. Reed spurned my wild supplication for pardon, and locked me a second time in the dark and haunted chamber. I had finished: Miss Temple regarded me a few minutes in silence; she then said-- "I know something of Mr. Lloyd; I shall write to him; if his reply agrees with your statement, you shall be publicly cleared from every imputation; to me, Jane, you are clear now." She kissed me, and still keeping me at her side (where I was well contented to stand, for I derived a child's pleasure from the contemplation of her face, her dress, her one or two ornaments, her white forehead, her clustered and shining curls, and beaming dark eyes), she proceeded to address Helen Burns. "How are you to-night, Helen? Have you coughed much to-day?" "Not quite so much, I think, ma'am." "And the pain in your chest?" "It is a little better." Miss Temple got up, took her hand and examined her pulse; then she returned to her own seat: as she resumed it, I heard her sigh low. She was pensive a few minutes, then rousing herself, she said cheerfully-- "But you two are my visitors to-night; I must treat you as such." She rang her bell. "Barbara," she said to the servant who answered it, "I have not yet had tea; bring the tray and place cups for these two young ladies." And a tray was soon brought. How pretty, to my eyes, did the china cups and bright teapot look, placed on the little round table near the fire! How fragrant was the steam of the beverage, and the scent of the toast! of which, however, I, to my dismay (for I was beginning to be hungry) discerned only a very small portion: Miss Temple discerned it too. "Barbara," said she, "can you not bring a little more bread and butter? There is not enough for three." Barbara went out: she returned soon-- "Madam, Mrs. Harden says she has sent up the usual quantity." Mrs. Harden, be it observed, was the housekeeper: a woman after Mr. Brocklehurst's own heart, made up of equal parts of whalebone and iron. "Oh, very well!" returned Miss Temple; "we must make it do, Barbara, I suppose." And as the girl withdrew she added, smiling, "Fortunately, I have it in my power to supply deficiencies for this once." Having invited Helen and me to approach the table, and placed before each of us a cup of tea with one delicious but thin morsel of toast, she got up, unlocked a drawer, and taking from it a parcel wrapped in paper, disclosed presently to our eyes a good-sized seed-cake. "I meant to give each of you some of this to take with you," said she, "but as there is so little toast, you must have it now," and she proceeded to cut slices with a generous hand. We feasted that evening as on nectar and ambrosia; and not the least delight of the entertainment was the smile of gratification with which our hostess regarded us, as we satisfied our famished appetites on the delicate fare she liberally supplied. Tea over and the tray removed, she again summoned us to the fire; we sat one on each side of her, and now a conversation followed between her and Helen, which it was indeed a privilege to be admitted to hear. Miss Temple had always something of serenity in her air, of state in her mien, of refined propriety in her language, which precluded deviation into the ardent, the excited, the eager: something which chastened the pleasure of those who looked on her and listened to her, by a controlling sense of awe; and such was my feeling now: but as to Helen Burns, I was struck with wonder. The refreshing meal, the brilliant fire, the presence and kindness of her beloved instructress, or, perhaps, more than all these, something in her own unique mind, had roused her powers within her. They woke, they kindled: first, they glowed in the bright tint of her cheek, which till this hour I had never seen but pale and bloodless; then they shone in the liquid lustre of her eyes, which had suddenly acquired a beauty more singular than that of Miss Temple's--a beauty neither of fine colour nor long eyelash, nor pencilled brow, but of meaning, of movement, of radiance. Then her soul sat on her lips, and language flowed, from what source I cannot tell. Has a girl of fourteen a heart large enough, vigorous enough, to hold the swelling spring of pure, full, fervid eloquence? Such was the characteristic of Helen's discourse on that, to me, memorable evening; her spirit seemed hastening to live within a very brief span as much as many live during a protracted existence. They conversed of things I had never heard of; of nations and times past; of countries far away; of secrets of nature discovered or guessed at: they spoke of books: how many they had read! What stores of knowledge they possessed! Then they seemed so familiar with French names and French authors: but my amazement reached its climax when Miss Temple asked Helen if she sometimes snatched a moment to recall the Latin her father had taught her, and taking a book from a shelf, bade her read and construe a page of Virgil; and Helen obeyed, my organ of veneration expanding at every sounding line. She had scarcely finished ere the bell announced bedtime! no delay could be admitted; Miss Temple embraced us both, saying, as she drew us to her heart-- "God bless you, my children!" Helen she held a little longer than me: she let her go more reluctantly; it was Helen her eye followed to the door; it was for her she a second time breathed a sad sigh; for her she wiped a tear from her cheek. On reaching the bedroom, we heard the voice of Miss Scatcherd: she was examining drawers; she had just pulled out Helen Burns's, and when we entered Helen was greeted with a sharp reprimand, and told that to-morrow she should have half-a-dozen of untidily folded articles pinned to her shoulder. "My things were indeed in shameful disorder," murmured Helen to me, in a low voice: "I intended to have arranged them, but I forgot." Next morning, Miss Scatcherd wrote in conspicuous characters on a piece of pasteboard the word "Slattern," and bound it like a phylactery round Helen's large, mild, intelligent, and benign-looking forehead. She wore it till evening, patient, unresentful, regarding it as a deserved punishment. The moment Miss Scatcherd withdrew after afternoon school, I ran to Helen, tore it off, and thrust it into the fire: the fury of which she was incapable had been burning in my soul all day, and tears, hot and large, had continually been scalding my cheek; for the spectacle of her sad resignation gave me an intolerable pain at the heart. About a week subsequently to the incidents above narrated, Miss Temple, who had written to Mr. Lloyd, received his answer: it appeared that what he said went to corroborate my account. Miss Temple, having assembled the whole school, announced that inquiry had been made into the charges alleged against Jane Eyre, and that she was most happy to be able to pronounce her completely cleared from every imputation. The teachers then shook hands with me and kissed me, and a murmur of pleasure ran through the ranks of my companions. Thus relieved of a grievous load, I from that hour set to work afresh, resolved to pioneer my way through every difficulty: I toiled hard, and my success was proportionate to my efforts; my memory, not naturally tenacious, improved with practice; exercise sharpened my wits; in a few weeks I was promoted to a higher class; in less than two months I was allowed to commence French and drawing. I learned the first two tenses of the verb _Etre_, and sketched my first cottage (whose walls, by-the- bye, outrivalled in slope those of the leaning tower of Pisa), on the same day. That night, on going to bed, I forgot to prepare in imagination the Barmecide supper of hot roast potatoes, or white bread and new milk, with which I was wont to amuse my inward cravings: I feasted instead on the spectacle of ideal drawings, which I saw in the dark; all the work of my own hands: freely pencilled houses and trees, picturesque rocks and ruins, Cuyp-like groups of cattle, sweet paintings of butterflies hovering over unblown roses, of birds picking at ripe cherries, of wren's nests enclosing pearl-like eggs, wreathed about with young ivy sprays. I examined, too, in thought, the possibility of my ever being able to translate currently a certain little French story which Madame Pierrot had that day shown me; nor was that problem solved to my satisfaction ere I fell sweetly asleep. Well has Solomon said--"Better is a dinner of herbs where love is, than a stalled ox and hatred therewith." I would not now have exchanged Lowood with all its privations for Gateshead and its daily luxuries.

Volume 1, Chapter 8

https://web.archive.org/web/20210506211142/https://www.shmoop.com/study-guides/literature/jane-eyre/summary/volume-1-chapter-8

The school day finally ends, the pupils go out to have their early-evening meal , and Jane lets herself fall off the stool she's been standing on, curl up on the ground, and cry. She thinks all her hopes of being a successful student at Lowood, of having any friends, or having any of the teachers on her side are completely dashed. Helen brings Jane something to eat and gently sets her straight about a few things: everyone in the school knows what a hypocrite Mr. Brocklehurst is, and they're not going to despise Jane just because he doesn't like her. In fact, they might even be nicer to her secretly because they know how unfair he is and they all hate him. Helen also says that, even if everyone hated Jane, if she knew herself to be innocent, that would be enough . Jane's not so sure about this; she doesn't think she could live without friends. Helen starts talking about the rewards of the afterlife, and Jane feels melancholy--she's not sure why. And then Helen starts coughing ominously. Dum dum dummm. Guess what's going to happen to her pretty soon? Miss Temple comes and takes Jane and Helen to her room . But they're not in trouble--Miss Temple just wants to check on Jane to see how she's feeling after being humiliated in front of everyone. Miss Temple asks Jane for her own version of her life story, and Jane tells her side of things about Mrs. Reed and Gateshead. Jane realizes how important it is to tell the exact truth here, and so she doesn't exaggerate the story at all. Luckily for Jane, Miss Temple knows Mr. Lloyd, and writes to him to corroborate Jane's story. She promises that, if he does, she won't treat Jane like a liar, no matter what that awful Mr. Brocklehurst says. Miss Temple checks on Helen: How is she feeling? How's her cough? What's her pulse like? Dum dum dummm. Helen and Jane get to have tea and seed-cake with Miss Temple. It's not much, but hey, it's not burned porridge, either. Jane listens as Miss Temple and Helen have a sparkling conversation about all sorts of things; both of them are well-read and intelligent and know a lot about a lot of things, and Jane doesn't know half as much. She'd like to, though! Jane and Helen go back to the large, dormitory-style bedroom, and, of course, something unpleasant happens to spoil their evening. Miss Scatcherd has just gone through Helen's drawers and is going to punish her for being messy. The next day, Miss Scatcherd makes Helen wear a sign that says "Slattern" tied to her forehead for the day. Jane feels terrible on Helen's behalf, but Helen, as usual, is a patient, sweet-natured martyr about everything. Mr. Lloyd answers Miss Temple's letter and confirms the story that Jane told. Jane feels freed up to concentrate on her schoolwork and begins to do really well in all her classes. She's almost happy at Lowood these days.

shmoop

all_chapterized_books/1260-chapters/10.txt

finished_summaries/shmoop/Jane Eyre/section_8_part_0.txt

Jane Eyre.volume 1.chapter 9

volume 1, chapter 9

{"name": "Volume 1, Chapter 9", "url": "https://web.archive.org/web/20210506211142/https://www.shmoop.com/study-guides/literature/jane-eyre/summary/volume-1-chapter-9", "summary": "Things get a little bit better at Lowood when winter dissolves into spring; not only is it warmer and more comfortable for the girls, but Jane also discovers how beautiful the landscape around the school really is, now that it isn't covered with snow and ice anymore. She even gets to wander around in the woods alone. Wait... alone? That's the catch. Spring may be warmer and prettier at Lowood, but it's also unhealthy. After all, the girls are already half-starved, and they've had colds and other winter illnesses; now that the stream and forest are damp and warm, they start catching typhus, and soon it's practically an epidemic. Wait a minute, we can hear you saying: they get sick because it's misty? What's all this about \"fog and fog-bred pestilence\" ? That's not something they covered in your biology class, is it? Well, here's the thing: contagious disease wasn't completely understood in the nineteenth century, and one theory was that fogs and air currents and so forth caused disease. Later in the century scientists confirmed the existence of microorganisms--known to you as \"germs,\" or \"the what's-really-going-on theory.\") Anyway, whatever the reason, more than half the girls are sick, many die, and they can't run the school and classes as usual. The beautiful natural landscape and blooming flowers outside contrast strangely with the disease and death inside the school. Jane, luckily, remains healthy, and pretty much gets to do whatever she wants while everyone else is busy being sick or tending to the sick. There is one bonus: the Brocklehursts are too afraid to visit the school, so at least all this isn't made worse by their self-righteous hypocrisy. Now that's a silver lining, sort of. The girls get to eat larger portions and things are generally nicer--except for the whole lots-of-people-dying thing. Jane's new best friend is a girl called Mary Ann Wilson, who is a little older than her and can tell her lots of \"amusing stories\" and \"racy and pungent gossip\" . Jane admits that Mary Ann isn't anywhere near as wonderful as Helen Burns, but unfortunately Helen is sick and confined to her bed. Unlike the other sick girls, Helen doesn't have typhus--she has consumption . Jane doesn't really understand what consumption is, and she thinks Helen is going to be okay, so she doesn't worry about it too much. One evening Jane and Mary Ann get lost and return to Lowood late at night to find the surgeon, Mr. Bates, at the house. Mary Ann goes in, but Jane stays outside to plant some things in her garden that she collected in the woods. While outside, Jane starts to realize how terrible death and mortality really are, and how incomprehensible the leap into the next world is. Jane's thoughts are interrupted by Mr. Bates and a nurse coming out; she asks the nurse about Helen Burns, and learns that Helen is dying. She tells Jane that she can't see her, either. Jane goes to bed, but can't sleep. She sneaks out of the bedroom to Miss Temple's room, where Helen has been lying sick. Jane creeps past the nurse quietly and is able to speak to Helen. She can't believe how calm Helen is in the face of death. Helen asks Jane to lie in the bed and cuddle with her to stay warm while they talk. While Jane snuggles warmly beside her, she explains that she thinks her death is fortunate: everyone dies, and at least her death is quiet and comfortable. She doesn't think she would have done well in the world, anyway, and she has faith in God's love. Helen is so perfect we could just scream, but Jane is comforted by her. Jane and Helen fall asleep, and Jane wakes up being carried back to her own bed. It's not until two days later that she finds out Helen died that night, with Jane's arms around her neck. That is so creepy.", "analysis": ""}

But the privations, or rather the hardships, of Lowood lessened. Spring drew on: she was indeed already come; the frosts of winter had ceased; its snows were melted, its cutting winds ameliorated. My wretched feet, flayed and swollen to lameness by the sharp air of January, began to heal and subside under the gentler breathings of April; the nights and mornings no longer by their Canadian temperature froze the very blood in our veins; we could now endure the play-hour passed in the garden: sometimes on a sunny day it began even to be pleasant and genial, and a greenness grew over those brown beds, which, freshening daily, suggested the thought that Hope traversed them at night, and left each morning brighter traces of her steps. Flowers peeped out amongst the leaves; snow-drops, crocuses, purple auriculas, and golden-eyed pansies. On Thursday afternoons (half-holidays) we now took walks, and found still sweeter flowers opening by the wayside, under the hedges. I discovered, too, that a great pleasure, an enjoyment which the horizon only bounded, lay all outside the high and spike-guarded walls of our garden: this pleasure consisted in prospect of noble summits girdling a great hill-hollow, rich in verdure and shadow; in a bright beck, full of dark stones and sparkling eddies. How different had this scene looked when I viewed it laid out beneath the iron sky of winter, stiffened in frost, shrouded with snow!--when mists as chill as death wandered to the impulse of east winds along those purple peaks, and rolled down "ing" and holm till they blended with the frozen fog of the beck! That beck itself was then a torrent, turbid and curbless: it tore asunder the wood, and sent a raving sound through the air, often thickened with wild rain or whirling sleet; and for the forest on its banks, _that_ showed only ranks of skeletons. April advanced to May: a bright serene May it was; days of blue sky, placid sunshine, and soft western or southern gales filled up its duration. And now vegetation matured with vigour; Lowood shook loose its tresses; it became all green, all flowery; its great elm, ash, and oak skeletons were restored to majestic life; woodland plants sprang up profusely in its recesses; unnumbered varieties of moss filled its hollows, and it made a strange ground-sunshine out of the wealth of its wild primrose plants: I have seen their pale gold gleam in overshadowed spots like scatterings of the sweetest lustre. All this I enjoyed often and fully, free, unwatched, and almost alone: for this unwonted liberty and pleasure there was a cause, to which it now becomes my task to advert. Have I not described a pleasant site for a dwelling, when I speak of it as bosomed in hill and wood, and rising from the verge of a stream? Assuredly, pleasant enough: but whether healthy or not is another question. That forest-dell, where Lowood lay, was the cradle of fog and fog-bred pestilence; which, quickening with the quickening spring, crept into the Orphan Asylum, breathed typhus through its crowded schoolroom and dormitory, and, ere May arrived, transformed the seminary into an hospital. Semi-starvation and neglected colds had predisposed most of the pupils to receive infection: forty-five out of the eighty girls lay ill at one time. Classes were broken up, rules relaxed. The few who continued well were allowed almost unlimited license; because the medical attendant insisted on the necessity of frequent exercise to keep them in health: and had it been otherwise, no one had leisure to watch or restrain them. Miss Temple's whole attention was absorbed by the patients: she lived in the sick-room, never quitting it except to snatch a few hours' rest at night. The teachers were fully occupied with packing up and making other necessary preparations for the departure of those girls who were fortunate enough to have friends and relations able and willing to remove them from the seat of contagion. Many, already smitten, went home only to die: some died at the school, and were buried quietly and quickly, the nature of the malady forbidding delay. While disease had thus become an inhabitant of Lowood, and death its frequent visitor; while there was gloom and fear within its walls; while its rooms and passages steamed with hospital smells, the drug and the pastille striving vainly to overcome the effluvia of mortality, that bright May shone unclouded over the bold hills and beautiful woodland out of doors. Its garden, too, glowed with flowers: hollyhocks had sprung up tall as trees, lilies had opened, tulips and roses were in bloom; the borders of the little beds were gay with pink thrift and crimson double daisies; the sweetbriars gave out, morning and evening, their scent of spice and apples; and these fragrant treasures were all useless for most of the inmates of Lowood, except to furnish now and then a handful of herbs and blossoms to put in a coffin. But I, and the rest who continued well, enjoyed fully the beauties of the scene and season; they let us ramble in the wood, like gipsies, from morning till night; we did what we liked, went where we liked: we lived better too. Mr. Brocklehurst and his family never came near Lowood now: household matters were not scrutinised into; the cross housekeeper was gone, driven away by the fear of infection; her successor, who had been matron at the Lowton Dispensary, unused to the ways of her new abode, provided with comparative liberality. Besides, there were fewer to feed; the sick could eat little; our breakfast-basins were better filled; when there was no time to prepare a regular dinner, which often happened, she would give us a large piece of cold pie, or a thick slice of bread and cheese, and this we carried away with us to the wood, where we each chose the spot we liked best, and dined sumptuously. My favourite seat was a smooth and broad stone, rising white and dry from the very middle of the beck, and only to be got at by wading through the water; a feat I accomplished barefoot. The stone was just broad enough to accommodate, comfortably, another girl and me, at that time my chosen comrade--one Mary Ann Wilson; a shrewd, observant personage, whose society I took pleasure in, partly because she was witty and original, and partly because she had a manner which set me at my ease. Some years older than I, she knew more of the world, and could tell me many things I liked to hear: with her my curiosity found gratification: to my faults also she gave ample indulgence, never imposing curb or rein on anything I said. She had a turn for narrative, I for analysis; she liked to inform, I to question; so we got on swimmingly together, deriving much entertainment, if not much improvement, from our mutual intercourse. And where, meantime, was Helen Burns? Why did I not spend these sweet days of liberty with her? Had I forgotten her? or was I so worthless as to have grown tired of her pure society? Surely the Mary Ann Wilson I have mentioned was inferior to my first acquaintance: she could only tell me amusing stories, and reciprocate any racy and pungent gossip I chose to indulge in; while, if I have spoken truth of Helen, she was qualified to give those who enjoyed the privilege of her converse a taste of far higher things. True, reader; and I knew and felt this: and though I am a defective being, with many faults and few redeeming points, yet I never tired of Helen Burns; nor ever ceased to cherish for her a sentiment of attachment, as strong, tender, and respectful as any that ever animated my heart. How could it be otherwise, when Helen, at all times and under all circumstances, evinced for me a quiet and faithful friendship, which ill-humour never soured, nor irritation never troubled? But Helen was ill at present: for some weeks she had been removed from my sight to I knew not what room upstairs. She was not, I was told, in the hospital portion of the house with the fever patients; for her complaint was consumption, not typhus: and by consumption I, in my ignorance, understood something mild, which time and care would be sure to alleviate. I was confirmed in this idea by the fact of her once or twice coming downstairs on very warm sunny afternoons, and being taken by Miss Temple into the garden; but, on these occasions, I was not allowed to go and speak to her; I only saw her from the schoolroom window, and then not distinctly; for she was much wrapped up, and sat at a distance under the verandah. One evening, in the beginning of June, I had stayed out very late with Mary Ann in the wood; we had, as usual, separated ourselves from the others, and had wandered far; so far that we lost our way, and had to ask it at a lonely cottage, where a man and woman lived, who looked after a herd of half-wild swine that fed on the mast in the wood. When we got back, it was after moonrise: a pony, which we knew to be the surgeon's, was standing at the garden door. Mary Ann remarked that she supposed some one must be very ill, as Mr. Bates had been sent for at that time of the evening. She went into the house; I stayed behind a few minutes to plant in my garden a handful of roots I had dug up in the forest, and which I feared would wither if I left them till the morning. This done, I lingered yet a little longer: the flowers smelt so sweet as the dew fell; it was such a pleasant evening, so serene, so warm; the still glowing west promised so fairly another fine day on the morrow; the moon rose with such majesty in the grave east. I was noting these things and enjoying them as a child might, when it entered my mind as it had never done before:-- "How sad to be lying now on a sick bed, and to be in danger of dying! This world is pleasant--it would be dreary to be called from it, and to have to go who knows where?" And then my mind made its first earnest effort to comprehend what had been infused into it concerning heaven and hell; and for the first time it recoiled, baffled; and for the first time glancing behind, on each side, and before it, it saw all round an unfathomed gulf: it felt the one point where it stood--the present; all the rest was formless cloud and vacant depth; and it shuddered at the thought of tottering, and plunging amid that chaos. While pondering this new idea, I heard the front door open; Mr. Bates came out, and with him was a nurse. After she had seen him mount his horse and depart, she was about to close the door, but I ran up to her. "How is Helen Burns?" "Very poorly," was the answer. "Is it her Mr. Bates has been to see?" "Yes." "And what does he say about her?" "He says she'll not be here long." This phrase, uttered in my hearing yesterday, would have only conveyed the notion that she was about to be removed to Northumberland, to her own home. I should not have suspected that it meant she was dying; but I knew instantly now! It opened clear on my comprehension that Helen Burns was numbering her last days in this world, and that she was going to be taken to the region of spirits, if such region there were. I experienced a shock of horror, then a strong thrill of grief, then a desire--a necessity to see her; and I asked in what room she lay. "She is in Miss Temple's room," said the nurse. "May I go up and speak to her?" "Oh no, child! It is not likely; and now it is time for you to come in; you'll catch the fever if you stop out when the dew is falling." The nurse closed the front door; I went in by the side entrance which led to the schoolroom: I was just in time; it was nine o'clock, and Miss Miller was calling the pupils to go to bed. It might be two hours later, probably near eleven, when I--not having been able to fall asleep, and deeming, from the perfect silence of the dormitory, that my companions were all wrapt in profound repose--rose softly, put on my frock over my night-dress, and, without shoes, crept from the apartment, and set off in quest of Miss Temple's room. It was quite at the other end of the house; but I knew my way; and the light of the unclouded summer moon, entering here and there at passage windows, enabled me to find it without difficulty. An odour of camphor and burnt vinegar warned me when I came near the fever room: and I passed its door quickly, fearful lest the nurse who sat up all night should hear me. I dreaded being discovered and sent back; for I _must_ see Helen,--I must embrace her before she died,--I must give her one last kiss, exchange with her one last word. Having descended a staircase, traversed a portion of the house below, and succeeded in opening and shutting, without noise, two doors, I reached another flight of steps; these I mounted, and then just opposite to me was Miss Temple's room. A light shone through the keyhole and from under the door; a profound stillness pervaded the vicinity. Coming near, I found the door slightly ajar; probably to admit some fresh air into the close abode of sickness. Indisposed to hesitate, and full of impatient impulses--soul and senses quivering with keen throes--I put it back and looked in. My eye sought Helen, and feared to find death. Close by Miss Temple's bed, and half covered with its white curtains, there stood a little crib. I saw the outline of a form under the clothes, but the face was hid by the hangings: the nurse I had spoken to in the garden sat in an easy-chair asleep; an unsnuffed candle burnt dimly on the table. Miss Temple was not to be seen: I knew afterwards that she had been called to a delirious patient in the fever-room. I advanced; then paused by the crib side: my hand was on the curtain, but I preferred speaking before I withdrew it. I still recoiled at the dread of seeing a corpse. "Helen!" I whispered softly, "are you awake?" She stirred herself, put back the curtain, and I saw her face, pale, wasted, but quite composed: she looked so little changed that my fear was instantly dissipated. "Can it be you, Jane?" she asked, in her own gentle voice. "Oh!" I thought, "she is not going to die; they are mistaken: she could not speak and look so calmly if she were." I got on to her crib and kissed her: her forehead was cold, and her cheek both cold and thin, and so were her hand and wrist; but she smiled as of old. "Why are you come here, Jane? It is past eleven o'clock: I heard it strike some minutes since." "I came to see you, Helen: I heard you were very ill, and I could not sleep till I had spoken to you." "You came to bid me good-bye, then: you are just in time probably." "Are you going somewhere, Helen? Are you going home?" "Yes; to my long home--my last home." "No, no, Helen!" I stopped, distressed. While I tried to devour my tears, a fit of coughing seized Helen; it did not, however, wake the nurse; when it was over, she lay some minutes exhausted; then she whispered-- "Jane, your little feet are bare; lie down and cover yourself with my quilt." I did so: she put her arm over me, and I nestled close to her. After a long silence, she resumed, still whispering-- "I am very happy, Jane; and when you hear that I am dead, you must be sure and not grieve: there is nothing to grieve about. We all must die one day, and the illness which is removing me is not painful; it is gentle and gradual: my mind is at rest. I leave no one to regret me much: I have only a father; and he is lately married, and will not miss me. By dying young, I shall escape great sufferings. I had not qualities or talents to make my way very well in the world: I should have been continually at fault." "But where are you going to, Helen? Can you see? Do you know?" "I believe; I have faith: I am going to God." "Where is God? What is God?" "My Maker and yours, who will never destroy what He created. I rely implicitly on His power, and confide wholly in His goodness: I count the hours till that eventful one arrives which shall restore me to Him, reveal Him to me." "You are sure, then, Helen, that there is such a place as heaven, and that our souls can get to it when we die?" "I am sure there is a future state; I believe God is good; I can resign my immortal part to Him without any misgiving. God is my father; God is my friend: I love Him; I believe He loves me." "And shall I see you again, Helen, when I die?" "You will come to the same region of happiness: be received by the same mighty, universal Parent, no doubt, dear Jane." Again I questioned, but this time only in thought. "Where is that region? Does it exist?" And I clasped my arms closer round Helen; she seemed dearer to me than ever; I felt as if I could not let her go; I lay with my face hidden on her neck. Presently she said, in the sweetest tone-- "How comfortable I am! That last fit of coughing has tired me a little; I feel as if I could sleep: but don't leave me, Jane; I like to have you near me." "I'll stay with you, _dear_ Helen: no one shall take me away." "Are you warm, darling?" "Yes." "Good-night, Jane." "Good-night, Helen." She kissed me, and I her, and we both soon slumbered. When I awoke it was day: an unusual movement roused me; I looked up; I was in somebody's arms; the nurse held me; she was carrying me through the passage back to the dormitory. I was not reprimanded for leaving my bed; people had something else to think about; no explanation was afforded then to my many questions; but a day or two afterwards I learned that Miss Temple, on returning to her own room at dawn, had found me laid in the little crib; my face against Helen Burns's shoulder, my arms round her neck. I was asleep, and Helen was--dead. Her grave is in Brocklebridge churchyard: for fifteen years after her death it was only covered by a grassy mound; but now a grey marble tablet marks the spot, inscribed with her name, and the word "Resurgam."

Volume 1, Chapter 9

https://web.archive.org/web/20210506211142/https://www.shmoop.com/study-guides/literature/jane-eyre/summary/volume-1-chapter-9

Things get a little bit better at Lowood when winter dissolves into spring; not only is it warmer and more comfortable for the girls, but Jane also discovers how beautiful the landscape around the school really is, now that it isn't covered with snow and ice anymore. She even gets to wander around in the woods alone. Wait... alone? That's the catch. Spring may be warmer and prettier at Lowood, but it's also unhealthy. After all, the girls are already half-starved, and they've had colds and other winter illnesses; now that the stream and forest are damp and warm, they start catching typhus, and soon it's practically an epidemic. Wait a minute, we can hear you saying: they get sick because it's misty? What's all this about "fog and fog-bred pestilence" ? That's not something they covered in your biology class, is it? Well, here's the thing: contagious disease wasn't completely understood in the nineteenth century, and one theory was that fogs and air currents and so forth caused disease. Later in the century scientists confirmed the existence of microorganisms--known to you as "germs," or "the what's-really-going-on theory.") Anyway, whatever the reason, more than half the girls are sick, many die, and they can't run the school and classes as usual. The beautiful natural landscape and blooming flowers outside contrast strangely with the disease and death inside the school. Jane, luckily, remains healthy, and pretty much gets to do whatever she wants while everyone else is busy being sick or tending to the sick. There is one bonus: the Brocklehursts are too afraid to visit the school, so at least all this isn't made worse by their self-righteous hypocrisy. Now that's a silver lining, sort of. The girls get to eat larger portions and things are generally nicer--except for the whole lots-of-people-dying thing. Jane's new best friend is a girl called Mary Ann Wilson, who is a little older than her and can tell her lots of "amusing stories" and "racy and pungent gossip" . Jane admits that Mary Ann isn't anywhere near as wonderful as Helen Burns, but unfortunately Helen is sick and confined to her bed. Unlike the other sick girls, Helen doesn't have typhus--she has consumption . Jane doesn't really understand what consumption is, and she thinks Helen is going to be okay, so she doesn't worry about it too much. One evening Jane and Mary Ann get lost and return to Lowood late at night to find the surgeon, Mr. Bates, at the house. Mary Ann goes in, but Jane stays outside to plant some things in her garden that she collected in the woods. While outside, Jane starts to realize how terrible death and mortality really are, and how incomprehensible the leap into the next world is. Jane's thoughts are interrupted by Mr. Bates and a nurse coming out; she asks the nurse about Helen Burns, and learns that Helen is dying. She tells Jane that she can't see her, either. Jane goes to bed, but can't sleep. She sneaks out of the bedroom to Miss Temple's room, where Helen has been lying sick. Jane creeps past the nurse quietly and is able to speak to Helen. She can't believe how calm Helen is in the face of death. Helen asks Jane to lie in the bed and cuddle with her to stay warm while they talk. While Jane snuggles warmly beside her, she explains that she thinks her death is fortunate: everyone dies, and at least her death is quiet and comfortable. She doesn't think she would have done well in the world, anyway, and she has faith in God's love. Helen is so perfect we could just scream, but Jane is comforted by her. Jane and Helen fall asleep, and Jane wakes up being carried back to her own bed. It's not until two days later that she finds out Helen died that night, with Jane's arms around her neck. That is so creepy.

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all_chapterized_books/1260-chapters/11.txt

finished_summaries/shmoop/Jane Eyre/section_9_part_0.txt

Jane Eyre.volume 1.chapter 10

volume 1, chapter 10

{"name": "Volume 1, Chapter 10", "url": "https://web.archive.org/web/20210506211142/https://www.shmoop.com/study-guides/literature/jane-eyre/summary/volume-1-chapter-10", "summary": "The older Jane narrating the novel breaks in, explaining that she's going to skip eight years ahead in the story. First, she fills us in on a few details of what's happened at Lowood in the meantime: Many girls died of typhus at the school, and the outbreak put the school in the public eye, so Mr. Brocklehurst's cruelty and neglect as an inspector became known. Other people who had both money and compassion got involved, built a new school building in a better place, and passed new regulations to make the school more humane. Mr. Brocklehurst is still treasurer, but there are other people looking over his shoulder now to make sure the girls have enough to eat and nobody cuts their hair off for them or anything weird and cruel like that. Jane is a student at the school for six more years and then becomes a teacher there for two years. At this point, Miss Temple, who has been Jane's mentor and inspiration and all that jazz, gets married and leaves the school. Jane realizes that, without Miss Temple, she's not content to stay at Lowood anymore--she wants to get out in the world and have adventures. She looks out her window at the road to the school and realizes she hasn't traveled away from the school on that road at all since she arrived there eight years ago. Even if her new adventure is just a new lowly position somewhere else, she wants to get away. Jane's longing for freedom is interrupted by her teaching duties. Finally, after her teacher-roommate Miss Gryce falls asleep that night, she can start thinking again about how to leave Lowood. Jane decides to advertise herself in the regional newspaper as an available tutor or governess. She posts the ad without telling anyone at Lowood what she's doing. A week later, Jane goes into town to see if any letters came in response to her ad; everyone at Lowood thinks she's going \"to get measured for a pair of shoes\" . There is one letter, but she has to wait for that evening, after everyone is asleep, to read it. Jane is satisfied with the situation offered by the letter, which is a post as governess to a little girl less than ten years old. The salary is double what she makes at Lowood. She's also glad that the letter writer is an older woman, a Mrs. Fairfax, and she imagines Mrs. Fairfax as an elderly widow with one daughter at her home--Thornfield. Jane tells the current superintendent of the school about her new job and asks her to be the one to tell Mr. Brocklehurst so that she doesn't have to talk to him herself. He insists on writing to Mrs. Reed, but she doesn't care at all and says Jane can do whatever she wants. Jane gets everything prepared over the next two weeks. As she is waiting for the carriage to come to take her on the first part of her journey to Thornfield, someone comes to see her: Bessie! Bessie tells Jane all the news about Gateshead. Bessie and Robert Leaven, the coachman, are married, and Bessie has a three-year-old boy, who is with her on the visit to see Jane. Georgiana Reed is curvy, stout, and pretty, and tried to elope with a lord. Eliza Reed is tall, thin, and jealous of her sister's romance. John has flunked out of college, failed to become a barrister, and is generally a good-for-nothing, spending his mom's money. Mrs. Reed is upset about John's conduct. Bessie exults over Jane's achievements at school--her piano playing, painting, French, and sewing are far superior to the Reed girls' abilities. Even so, Bessie is honest with Jane about her looks--she is \"no beauty\" but she does \"look like a lady\" . Bessie also tells Jane that one of her relatives, possibly her uncle, came to Gateshead to see her seven years ago, but had to leave for Madeira before he could go to Lowood to see her. They speculate that he may be a wine merchant or employed by one. Bessie leaves to go back to Gateshead, and Jane leaves for Thornfield.", "analysis": ""}

Hitherto I have recorded in detail the events of my insignificant existence: to the first ten years of my life I have given almost as many chapters. But this is not to be a regular autobiography. I am only bound to invoke Memory where I know her responses will possess some degree of interest; therefore I now pass a space of eight years almost in silence: a few lines only are necessary to keep up the links of connection. When the typhus fever had fulfilled its mission of devastation at Lowood, it gradually disappeared from thence; but not till its virulence and the number of its victims had drawn public attention on the school. Inquiry was made into the origin of the scourge, and by degrees various facts came out which excited public indignation in a high degree. The unhealthy nature of the site; the quantity and quality of the children's food; the brackish, fetid water used in its preparation; the pupils' wretched clothing and accommodations--all these things were discovered, and the discovery produced a result mortifying to Mr. Brocklehurst, but beneficial to the institution. Several wealthy and benevolent individuals in the county subscribed largely for the erection of a more convenient building in a better situation; new regulations were made; improvements in diet and clothing introduced; the funds of the school were intrusted to the management of a committee. Mr. Brocklehurst, who, from his wealth and family connections, could not be overlooked, still retained the post of treasurer; but he was aided in the discharge of his duties by gentlemen of rather more enlarged and sympathising minds: his office of inspector, too, was shared by those who knew how to combine reason with strictness, comfort with economy, compassion with uprightness. The school, thus improved, became in time a truly useful and noble institution. I remained an inmate of its walls, after its regeneration, for eight years: six as pupil, and two as teacher; and in both capacities I bear my testimony to its value and importance. During these eight years my life was uniform: but not unhappy, because it was not inactive. I had the means of an excellent education placed within my reach; a fondness for some of my studies, and a desire to excel in all, together with a great delight in pleasing my teachers, especially such as I loved, urged me on: I availed myself fully of the advantages offered me. In time I rose to be the first girl of the first class; then I was invested with the office of teacher; which I discharged with zeal for two years: but at the end of that time I altered. Miss Temple, through all changes, had thus far continued superintendent of the seminary: to her instruction I owed the best part of my acquirements; her friendship and society had been my continual solace; she had stood me in the stead of mother, governess, and, latterly, companion. At this period she married, removed with her husband (a clergyman, an excellent man, almost worthy of such a wife) to a distant county, and consequently was lost to me. From the day she left I was no longer the same: with her was gone every settled feeling, every association that had made Lowood in some degree a home to me. I had imbibed from her something of her nature and much of her habits: more harmonious thoughts: what seemed better regulated feelings had become the inmates of my mind. I had given in allegiance to duty and order; I was quiet; I believed I was content: to the eyes of others, usually even to my own, I appeared a disciplined and subdued character. But destiny, in the shape of the Rev. Mr. Nasmyth, came between me and Miss Temple: I saw her in her travelling dress step into a post-chaise, shortly after the marriage ceremony; I watched the chaise mount the hill and disappear beyond its brow; and then retired to my own room, and there spent in solitude the greatest part of the half-holiday granted in honour of the occasion. I walked about the chamber most of the time. I imagined myself only to be regretting my loss, and thinking how to repair it; but when my reflections were concluded, and I looked up and found that the afternoon was gone, and evening far advanced, another discovery dawned on me, namely, that in the interval I had undergone a transforming process; that my mind had put off all it had borrowed of Miss Temple--or rather that she had taken with her the serene atmosphere I had been breathing in her vicinity--and that now I was left in my natural element, and beginning to feel the stirring of old emotions. It did not seem as if a prop were withdrawn, but rather as if a motive were gone: it was not the power to be tranquil which had failed me, but the reason for tranquillity was no more. My world had for some years been in Lowood: my experience had been of its rules and systems; now I remembered that the real world was wide, and that a varied field of hopes and fears, of sensations and excitements, awaited those who had courage to go forth into its expanse, to seek real knowledge of life amidst its perils. I went to my window, opened it, and looked out. There were the two wings of the building; there was the garden; there were the skirts of Lowood; there was the hilly horizon. My eye passed all other objects to rest on those most remote, the blue peaks; it was those I longed to surmount; all within their boundary of rock and heath seemed prison-ground, exile limits. I traced the white road winding round the base of one mountain, and vanishing in a gorge between two; how I longed to follow it farther! I recalled the time when I had travelled that very road in a coach; I remembered descending that hill at twilight; an age seemed to have elapsed since the day which brought me first to Lowood, and I had never quitted it since. My vacations had all been spent at school: Mrs. Reed had never sent for me to Gateshead; neither she nor any of her family had ever been to visit me. I had had no communication by letter or message with the outer world: school-rules, school-duties, school-habits and notions, and voices, and faces, and phrases, and costumes, and preferences, and antipathies--such was what I knew of existence. And now I felt that it was not enough; I tired of the routine of eight years in one afternoon. I desired liberty; for liberty I gasped; for liberty I uttered a prayer; it seemed scattered on the wind then faintly blowing. I abandoned it and framed a humbler supplication; for change, stimulus: that petition, too, seemed swept off into vague space: "Then," I cried, half desperate, "grant me at least a new servitude!" Here a bell, ringing the hour of supper, called me downstairs. I was not free to resume the interrupted chain of my reflections till bedtime: even then a teacher who occupied the same room with me kept me from the subject to which I longed to recur, by a prolonged effusion of small talk. How I wished sleep would silence her. It seemed as if, could I but go back to the idea which had last entered my mind as I stood at the window, some inventive suggestion would rise for my relief. Miss Gryce snored at last; she was a heavy Welshwoman, and till now her habitual nasal strains had never been regarded by me in any other light than as a nuisance; to-night I hailed the first deep notes with satisfaction; I was debarrassed of interruption; my half-effaced thought instantly revived. "A new servitude! There is something in that," I soliloquised (mentally, be it understood; I did not talk aloud), "I know there is, because it does not sound too sweet; it is not like such words as Liberty, Excitement, Enjoyment: delightful sounds truly; but no more than sounds for me; and so hollow and fleeting that it is mere waste of time to listen to them. But Servitude! That must be matter of fact. Any one may serve: I have served here eight years; now all I want is to serve elsewhere. Can I not get so much of my own will? Is not the thing feasible? Yes--yes--the end is not so difficult; if I had only a brain active enough to ferret out the means of attaining it." I sat up in bed by way of arousing this said brain: it was a chilly night; I covered my shoulders with a shawl, and then I proceeded _to think_ again with all my might. "What do I want? A new place, in a new house, amongst new faces, under new circumstances: I want this because it is of no use wanting anything better. How do people do to get a new place? They apply to friends, I suppose: I have no friends. There are many others who have no friends, who must look about for themselves and be their own helpers; and what is their resource?" I could not tell: nothing answered me; I then ordered my brain to find a response, and quickly. It worked and worked faster: I felt the pulses throb in my head and temples; but for nearly an hour it worked in chaos; and no result came of its efforts. Feverish with vain labour, I got up and took a turn in the room; undrew the curtain, noted a star or two, shivered with cold, and again crept to bed. A kind fairy, in my absence, had surely dropped the required suggestion on my pillow; for as I lay down, it came quietly and naturally to my mind.--"Those who want situations advertise; you must advertise in the _---shire Herald_." "How? I know nothing about advertising." Replies rose smooth and prompt now:-- "You must enclose the advertisement and the money to pay for it under a cover directed to the editor of the _Herald_; you must put it, the first opportunity you have, into the post at Lowton; answers must be addressed to J.E., at the post-office there; you can go and inquire in about a week after you send your letter, if any are come, and act accordingly." This scheme I went over twice, thrice; it was then digested in my mind; I had it in a clear practical form: I felt satisfied, and fell asleep. With earliest day, I was up: I had my advertisement written, enclosed, and directed before the bell rang to rouse the school; it ran thus:-- "A young lady accustomed to tuition" (had I not been a teacher two years?) "is desirous of meeting with a situation in a private family where the children are under fourteen" (I thought that as I was barely eighteen, it would not do to undertake the guidance of pupils nearer my own age). "She is qualified to teach the usual branches of a good English education, together with French, Drawing, and Music" (in those days, reader, this now narrow catalogue of accomplishments, would have been held tolerably comprehensive). "Address, J.E., Post-office, Lowton, --- shire." This document remained locked in my drawer all day: after tea, I asked leave of the new superintendent to go to Lowton, in order to perform some small commissions for myself and one or two of my fellow-teachers; permission was readily granted; I went. It was a walk of two miles, and the evening was wet, but the days were still long; I visited a shop or two, slipped the letter into the post-office, and came back through heavy rain, with streaming garments, but with a relieved heart. The succeeding week seemed long: it came to an end at last, however, like all sublunary things, and once more, towards the close of a pleasant autumn day, I found myself afoot on the road to Lowton. A picturesque track it was, by the way; lying along the side of the beck and through the sweetest curves of the dale: but that day I thought more of the letters, that might or might not be awaiting me at the little burgh whither I was bound, than of the charms of lea and water. My ostensible errand on this occasion was to get measured for a pair of shoes; so I discharged that business first, and when it was done, I stepped across the clean and quiet little street from the shoemaker's to the post-office: it was kept by an old dame, who wore horn spectacles on her nose, and black mittens on her hands. "Are there any letters for J.E.?" I asked. She peered at me over her spectacles, and then she opened a drawer and fumbled among its contents for a long time, so long that my hopes began to falter. At last, having held a document before her glasses for nearly five minutes, she presented it across the counter, accompanying the act by another inquisitive and mistrustful glance--it was for J.E. "Is there only one?" I demanded. "There are no more," said she; and I put it in my pocket and turned my face homeward: I could not open it then; rules obliged me to be back by eight, and it was already half-past seven. Various duties awaited me on my arrival. I had to sit with the girls during their hour of study; then it was my turn to read prayers; to see them to bed: afterwards I supped with the other teachers. Even when we finally retired for the night, the inevitable Miss Gryce was still my companion: we had only a short end of candle in our candlestick, and I dreaded lest she should talk till it was all burnt out; fortunately, however, the heavy supper she had eaten produced a soporific effect: she was already snoring before I had finished undressing. There still remained an inch of candle: I now took out my letter; the seal was an initial F.; I broke it; the contents were brief. "If J.E., who advertised in the _---shire Herald_ of last Thursday, possesses the acquirements mentioned, and if she is in a position to give satisfactory references as to character and competency, a situation can be offered her where there is but one pupil, a little girl, under ten years of age; and where the salary is thirty pounds per annum. J.E. is requested to send references, name, address, and all particulars to the direction:-- "Mrs. Fairfax, Thornfield, near Millcote, ---shire." I examined the document long: the writing was old-fashioned and rather uncertain, like that of an elderly lady. This circumstance was satisfactory: a private fear had haunted me, that in thus acting for myself, and by my own guidance, I ran the risk of getting into some scrape; and, above all things, I wished the result of my endeavours to be respectable, proper, _en regle_. I now felt that an elderly lady was no bad ingredient in the business I had on hand. Mrs. Fairfax! I saw her in a black gown and widow's cap; frigid, perhaps, but not uncivil: a model of elderly English respectability. Thornfield! that, doubtless, was the name of her house: a neat orderly spot, I was sure; though I failed in my efforts to conceive a correct plan of the premises. Millcote, ---shire; I brushed up my recollections of the map of England, yes, I saw it; both the shire and the town. ---shire was seventy miles nearer London than the remote county where I now resided: that was a recommendation to me. I longed to go where there was life and movement: Millcote was a large manufacturing town on the banks of the A-; a busy place enough, doubtless: so much the better; it would be a complete change at least. Not that my fancy was much captivated by the idea of long chimneys and clouds of smoke--"but," I argued, "Thornfield will, probably, be a good way from the town." Here the socket of the candle dropped, and the wick went out. Next day new steps were to be taken; my plans could no longer be confined to my own breast; I must impart them in order to achieve their success. Having sought and obtained an audience of the superintendent during the noontide recreation, I told her I had a prospect of getting a new situation where the salary would be double what I now received (for at Lowood I only got 15 pounds per annum); and requested she would break the matter for me to Mr. Brocklehurst, or some of the committee, and ascertain whether they would permit me to mention them as references. She obligingly consented to act as mediatrix in the matter. The next day she laid the affair before Mr. Brocklehurst, who said that Mrs. Reed must be written to, as she was my natural guardian. A note was accordingly addressed to that lady, who returned for answer, that "I might do as I pleased: she had long relinquished all interference in my affairs." This note went the round of the committee, and at last, after what appeared to me most tedious delay, formal leave was given me to better my condition if I could; and an assurance added, that as I had always conducted myself well, both as teacher and pupil, at Lowood, a testimonial of character and capacity, signed by the inspectors of that institution, should forthwith be furnished me. This testimonial I accordingly received in about a month, forwarded a copy of it to Mrs. Fairfax, and got that lady's reply, stating that she was satisfied, and fixing that day fortnight as the period for my assuming the post of governess in her house. I now busied myself in preparations: the fortnight passed rapidly. I had not a very large wardrobe, though it was adequate to my wants; and the last day sufficed to pack my trunk,--the same I had brought with me eight years ago from Gateshead. The box was corded, the card nailed on. In half-an-hour the carrier was to call for it to take it to Lowton, whither I myself was to repair at an early hour the next morning to meet the coach. I had brushed my black stuff travelling-dress, prepared my bonnet, gloves, and muff; sought in all my drawers to see that no article was left behind; and now having nothing more to do, I sat down and tried to rest. I could not; though I had been on foot all day, I could not now repose an instant; I was too much excited. A phase of my life was closing to-night, a new one opening to-morrow: impossible to slumber in the interval; I must watch feverishly while the change was being accomplished. "Miss," said a servant who met me in the lobby, where I was wandering like a troubled spirit, "a person below wishes to see you." "The carrier, no doubt," I thought, and ran downstairs without inquiry. I was passing the back-parlour or teachers' sitting-room, the door of which was half open, to go to the kitchen, when some one ran out-- "It's her, I am sure!--I could have told her anywhere!" cried the individual who stopped my progress and took my hand. I looked: I saw a woman attired like a well-dressed servant, matronly, yet still young; very good-looking, with black hair and eyes, and lively complexion. "Well, who is it?" she asked, in a voice and with a smile I half recognised; "you've not quite forgotten me, I think, Miss Jane?" In another second I was embracing and kissing her rapturously: "Bessie! Bessie! Bessie!" that was all I said; whereat she half laughed, half cried, and we both went into the parlour. By the fire stood a little fellow of three years old, in plaid frock and trousers. "That is my little boy," said Bessie directly. "Then you are married, Bessie?" "Yes; nearly five years since to Robert Leaven, the coachman; and I've a little girl besides Bobby there, that I've christened Jane." "And you don't live at Gateshead?" "I live at the lodge: the old porter has left." "Well, and how do they all get on? Tell me everything about them, Bessie: but sit down first; and, Bobby, come and sit on my knee, will you?" but Bobby preferred sidling over to his mother. "You're not grown so very tall, Miss Jane, nor so very stout," continued Mrs. Leaven. "I dare say they've not kept you too well at school: Miss Reed is the head and shoulders taller than you are; and Miss Georgiana would make two of you in breadth." "Georgiana is handsome, I suppose, Bessie?" "Very. She went up to London last winter with her mama, and there everybody admired her, and a young lord fell in love with her: but his relations were against the match; and--what do you think?--he and Miss Georgiana made it up to run away; but they were found out and stopped. It was Miss Reed that found them out: I believe she was envious; and now she and her sister lead a cat and dog life together; they are always quarrelling--" "Well, and what of John Reed?" "Oh, he is not doing so well as his mama could wish. He went to college, and he got--plucked, I think they call it: and then his uncles wanted him to be a barrister, and study the law: but he is such a dissipated young man, they will never make much of him, I think." "What does he look like?" "He is very tall: some people call him a fine-looking young man; but he has such thick lips." "And Mrs. Reed?" "Missis looks stout and well enough in the face, but I think she's not quite easy in her mind: Mr. John's conduct does not please her--he spends a deal of money." "Did she send you here, Bessie?" "No, indeed: but I have long wanted to see you, and when I heard that there had been a letter from you, and that you were going to another part of the country, I thought I'd just set off, and get a look at you before you were quite out of my reach." "I am afraid you are disappointed in me, Bessie." I said this laughing: I perceived that Bessie's glance, though it expressed regard, did in no shape denote admiration. "No, Miss Jane, not exactly: you are genteel enough; you look like a lady, and it is as much as ever I expected of you: you were no beauty as a child." I smiled at Bessie's frank answer: I felt that it was correct, but I confess I was not quite indifferent to its import: at eighteen most people wish to please, and the conviction that they have not an exterior likely to second that desire brings anything but gratification. "I dare say you are clever, though," continued Bessie, by way of solace. "What can you do? Can you play on the piano?" "A little." There was one in the room; Bessie went and opened it, and then asked me to sit down and give her a tune: I played a waltz or two, and she was charmed. "The Miss Reeds could not play as well!" said she exultingly. "I always said you would surpass them in learning: and can you draw?" "That is one of my paintings over the chimney-piece." It was a landscape in water colours, of which I had made a present to the superintendent, in acknowledgment of her obliging mediation with the committee on my behalf, and which she had framed and glazed. "Well, that is beautiful, Miss Jane! It is as fine a picture as any Miss Reed's drawing-master could paint, let alone the young ladies themselves, who could not come near it: and have you learnt French?" "Yes, Bessie, I can both read it and speak it." "And you can work on muslin and canvas?" "I can." "Oh, you are quite a lady, Miss Jane! I knew you would be: you will get on whether your relations notice you or not. There was something I wanted to ask you. Have you ever heard anything from your father's kinsfolk, the Eyres?" "Never in my life." "Well, you know Missis always said they were poor and quite despicable: and they may be poor; but I believe they are as much gentry as the Reeds are; for one day, nearly seven years ago, a Mr. Eyre came to Gateshead and wanted to see you; Missis said you were at school fifty miles off; he seemed so much disappointed, for he could not stay: he was going on a voyage to a foreign country, and the ship was to sail from London in a day or two. He looked quite a gentleman, and I believe he was your father's brother." "What foreign country was he going to, Bessie?" "An island thousands of miles off, where they make wine--the butler did tell me--" "Madeira?" I suggested. "Yes, that is it--that is the very word." "So he went?" "Yes; he did not stay many minutes in the house: Missis was very high with him; she called him afterwards a 'sneaking tradesman.' My Robert believes he was a wine-merchant." "Very likely," I returned; "or perhaps clerk or agent to a wine-merchant." Bessie and I conversed about old times an hour longer, and then she was obliged to leave me: I saw her again for a few minutes the next morning at Lowton, while I was waiting for the coach. We parted finally at the door of the Brocklehurst Arms there: each went her separate way; she set off for the brow of Lowood Fell to meet the conveyance which was to take her back to Gateshead, I mounted the vehicle which was to bear me to new duties and a new life in the unknown environs of Millcote.

Volume 1, Chapter 10

https://web.archive.org/web/20210506211142/https://www.shmoop.com/study-guides/literature/jane-eyre/summary/volume-1-chapter-10

The older Jane narrating the novel breaks in, explaining that she's going to skip eight years ahead in the story. First, she fills us in on a few details of what's happened at Lowood in the meantime: Many girls died of typhus at the school, and the outbreak put the school in the public eye, so Mr. Brocklehurst's cruelty and neglect as an inspector became known. Other people who had both money and compassion got involved, built a new school building in a better place, and passed new regulations to make the school more humane. Mr. Brocklehurst is still treasurer, but there are other people looking over his shoulder now to make sure the girls have enough to eat and nobody cuts their hair off for them or anything weird and cruel like that. Jane is a student at the school for six more years and then becomes a teacher there for two years. At this point, Miss Temple, who has been Jane's mentor and inspiration and all that jazz, gets married and leaves the school. Jane realizes that, without Miss Temple, she's not content to stay at Lowood anymore--she wants to get out in the world and have adventures. She looks out her window at the road to the school and realizes she hasn't traveled away from the school on that road at all since she arrived there eight years ago. Even if her new adventure is just a new lowly position somewhere else, she wants to get away. Jane's longing for freedom is interrupted by her teaching duties. Finally, after her teacher-roommate Miss Gryce falls asleep that night, she can start thinking again about how to leave Lowood. Jane decides to advertise herself in the regional newspaper as an available tutor or governess. She posts the ad without telling anyone at Lowood what she's doing. A week later, Jane goes into town to see if any letters came in response to her ad; everyone at Lowood thinks she's going "to get measured for a pair of shoes" . There is one letter, but she has to wait for that evening, after everyone is asleep, to read it. Jane is satisfied with the situation offered by the letter, which is a post as governess to a little girl less than ten years old. The salary is double what she makes at Lowood. She's also glad that the letter writer is an older woman, a Mrs. Fairfax, and she imagines Mrs. Fairfax as an elderly widow with one daughter at her home--Thornfield. Jane tells the current superintendent of the school about her new job and asks her to be the one to tell Mr. Brocklehurst so that she doesn't have to talk to him herself. He insists on writing to Mrs. Reed, but she doesn't care at all and says Jane can do whatever she wants. Jane gets everything prepared over the next two weeks. As she is waiting for the carriage to come to take her on the first part of her journey to Thornfield, someone comes to see her: Bessie! Bessie tells Jane all the news about Gateshead. Bessie and Robert Leaven, the coachman, are married, and Bessie has a three-year-old boy, who is with her on the visit to see Jane. Georgiana Reed is curvy, stout, and pretty, and tried to elope with a lord. Eliza Reed is tall, thin, and jealous of her sister's romance. John has flunked out of college, failed to become a barrister, and is generally a good-for-nothing, spending his mom's money. Mrs. Reed is upset about John's conduct. Bessie exults over Jane's achievements at school--her piano playing, painting, French, and sewing are far superior to the Reed girls' abilities. Even so, Bessie is honest with Jane about her looks--she is "no beauty" but she does "look like a lady" . Bessie also tells Jane that one of her relatives, possibly her uncle, came to Gateshead to see her seven years ago, but had to leave for Madeira before he could go to Lowood to see her. They speculate that he may be a wine merchant or employed by one. Bessie leaves to go back to Gateshead, and Jane leaves for Thornfield.

shmoop

all_chapterized_books/1260-chapters/12.txt

finished_summaries/shmoop/Jane Eyre/section_10_part_0.txt

Jane Eyre.volume 1.chapter 11

volume 1, chapter 11

{"name": "Volume 1, Chapter 11", "url": "https://web.archive.org/web/20210506211142/https://www.shmoop.com/study-guides/literature/jane-eyre/summary/volume-1-chapter-11", "summary": "Jane stages the beginning of the next chapter almost like a play, describing the scene as she sits by the fire at an inn, waiting nervously to get to Thornfield and meet this mysterious Mrs. Fairfax and her daughter. Notice that Jane addresses the reader directly here, something that happens only a few times in the novel, but always at key points . A servant meets Jane and drives her in a coach to Thornfield. Jane guesses that his plain clothes mean that Mrs. Fairfax isn't too wealthy. It's amazing, in fact, how little Jane knows about the job that she's heading into. We hope you would never take some random job based on one letter from someone you didn't know and then travel across the country alone to live who-knows-where. Jane arrives at Thornfield and is brought in to see Mrs. Fairfax, who looks almost exactly as she had expected; she's an old woman dressed in black clothes and a widow's cap, which probably means she's mourning her husband. Jane is surprised that Mrs. Fairfax welcomes her kindly, chatting with her and offering her tea; she's never been treated so politely by anyone, especially an employer. She's really relieved that this situation is better than her previous ones. Suddenly, a surprise: Jane finds out that her new student isn't Mrs. Fairfax's daughter; her name is Miss Varens, and Mrs. Fairfax doesn't have any kids. Unfortunately, Jane is too shy to ask more about Miss Varens at this point. Mrs. Fairfax tells Jane more about the household; it's been somewhat lonely for her, because she can't socialize with the maid, Leah, or the other servants, who are a married couple. Jane, however, will be closer to Mrs. Fairfax's \"level,\" whatever that is. Jane goes to bed; her room is small but nice, and she feels very secure in it... although the long, dark corridors of the house are, she admits, a little bit creepy. Jane wakes up on her first day at Thornfield, soothed by the luxurious surroundings, and dresses in her plain Lowood-style clothes and heads downstairs. She meets Mrs. Fairfax again and learns that the owner of Thornfield is a Mr. Rochester--Mrs. Fairfax is just the housekeeper, although she is a distant cousin of Rochester's. Adele, Mrs. Fairfax explains, is Mr. Rochester's ward. Jane meets Adele, a French girl about seven or eight years old who only speaks a little English. It's lucky that Jane learned French from a native speaker; she's able to understand Adele easily, even when Adele talks really fast. Adele tells Jane how she came to England about six months ago. Long before that, the first thing Adele remembers is living with her mother, who taught her to sing and dance and had a lot of, erm, let's call them \"gentlemen admirers.\" There were ladies who liked to hear Madame Varens sing, too, but there seem to have been quite a few gentlemen, as well, if you take our meaning. Adele offers to sing for Jane, and sings a song from an opera that's really far too mature for her. The contrast between Adele's childishness and the extremes of jealousy and passion in the song seems crass to Jane. Then Adele recites a poem with similar strange adult motifs and techniques. Jane's pretty weirded out by her and stops her before she can dance. Jane questions Adele further about her history; Adele explains that, after her mother died, Mr. Rochester offered to take her with him to live in England, and she and her nurse Sophie came with him on a steamship across the Channel. Unfortunately, Mr. Rochester took her to Thornfield, left her there, and went traveling, so Adele doesn't actually get to live with him. Jane teaches Adele her first lesson that morning; Adele is obedient, but not very studious. She's never really been asked to apply herself. Jane decides to take it slow and lets her have the afternoon free. In the afternoon, Jane talks to Mrs. Fairfax about Thornfield and Mr. Rochester while Mrs. Fairfax does some light housework. Jane is amazed at how beautiful and fancy the house is. Jane practically cross-examines Mrs. Fairfax about the absent Mr. Rochester. She really wants to know what kind of a person he is, but it's hard for the housekeeper to describe him. Most people like him, she tells Jane, but he is \"rather peculiar,\" whatever that means . Jane follows Mrs. Fairfax through the house, admiring everything she sees, but feeling a little creeped out by all the empty rooms full of strange furnishings and decorations. She asks Mrs. Fairfax if there are any ghost stories about Thornfield, but there aren't. However, Mrs. Fairfax does admit that the members of the Rochester family have been \"rather a violent than a quiet race in their time\" . So there may not be any ghosts... but there are some metaphorical skeletons in the closet. Jane and Mrs. Fairfax make their way to the attic and then to the roof, and Jane is able to look out across all of the land surrounding Thornfield. It's an incredible view. After a good, long look, they head back; Mrs. Fairfax is fastening the trap door and Jane is a bit further away in the attic when she hears an eerie, unearthly laugh. Mrs. Fairfax says that it must be one of the servants, perhaps a woman named Grace Poole who does the sewing. Jane's convinced there is no Grace and that the laugh is a ghost, but at Mrs. Fairfax's call Grace comes out of a room nearby. She's a squat, heavyset, middle-aged redhead--not a ghost. Mrs. Fairfax tells her there should be less noise, sends her off, and changes the subject. Oh, that's not suspicious at all.", "analysis": ""}

A new chapter in a novel is something like a new scene in a play; and when I draw up the curtain this time, reader, you must fancy you see a room in the George Inn at Millcote, with such large figured papering on the walls as inn rooms have; such a carpet, such furniture, such ornaments on the mantelpiece, such prints, including a portrait of George the Third, and another of the Prince of Wales, and a representation of the death of Wolfe. All this is visible to you by the light of an oil lamp hanging from the ceiling, and by that of an excellent fire, near which I sit in my cloak and bonnet; my muff and umbrella lie on the table, and I am warming away the numbness and chill contracted by sixteen hours' exposure to the rawness of an October day: I left Lowton at four o'clock a.m., and the Millcote town clock is now just striking eight. Reader, though I look comfortably accommodated, I am not very tranquil in my mind. I thought when the coach stopped here there would be some one to meet me; I looked anxiously round as I descended the wooden steps the "boots" placed for my convenience, expecting to hear my name pronounced, and to see some description of carriage waiting to convey me to Thornfield. Nothing of the sort was visible; and when I asked a waiter if any one had been to inquire after a Miss Eyre, I was answered in the negative: so I had no resource but to request to be shown into a private room: and here I am waiting, while all sorts of doubts and fears are troubling my thoughts. It is a very strange sensation to inexperienced youth to feel itself quite alone in the world, cut adrift from every connection, uncertain whether the port to which it is bound can be reached, and prevented by many impediments from returning to that it has quitted. The charm of adventure sweetens that sensation, the glow of pride warms it; but then the throb of fear disturbs it; and fear with me became predominant when half-an-hour elapsed and still I was alone. I bethought myself to ring the bell. "Is there a place in this neighbourhood called Thornfield?" I asked of the waiter who answered the summons. "Thornfield? I don't know, ma'am; I'll inquire at the bar." He vanished, but reappeared instantly-- "Is your name Eyre, Miss?" "Yes." "Person here waiting for you." I jumped up, took my muff and umbrella, and hastened into the inn-passage: a man was standing by the open door, and in the lamp-lit street I dimly saw a one-horse conveyance. "This will be your luggage, I suppose?" said the man rather abruptly when he saw me, pointing to my trunk in the passage. "Yes." He hoisted it on to the vehicle, which was a sort of car, and then I got in; before he shut me up, I asked him how far it was to Thornfield. "A matter of six miles." "How long shall we be before we get there?" "Happen an hour and a half." He fastened the car door, climbed to his own seat outside, and we set off. Our progress was leisurely, and gave me ample time to reflect; I was content to be at length so near the end of my journey; and as I leaned back in the comfortable though not elegant conveyance, I meditated much at my ease. "I suppose," thought I, "judging from the plainness of the servant and carriage, Mrs. Fairfax is not a very dashing person: so much the better; I never lived amongst fine people but once, and I was very miserable with them. I wonder if she lives alone except this little girl; if so, and if she is in any degree amiable, I shall surely be able to get on with her; I will do my best; it is a pity that doing one's best does not always answer. At Lowood, indeed, I took that resolution, kept it, and succeeded in pleasing; but with Mrs. Reed, I remember my best was always spurned with scorn. I pray God Mrs. Fairfax may not turn out a second Mrs. Reed; but if she does, I am not bound to stay with her! let the worst come to the worst, I can advertise again. How far are we on our road now, I wonder?" I let down the window and looked out; Millcote was behind us; judging by the number of its lights, it seemed a place of considerable magnitude, much larger than Lowton. We were now, as far as I could see, on a sort of common; but there were houses scattered all over the district; I felt we were in a different region to Lowood, more populous, less picturesque; more stirring, less romantic. The roads were heavy, the night misty; my conductor let his horse walk all the way, and the hour and a half extended, I verily believe, to two hours; at last he turned in his seat and said-- "You're noan so far fro' Thornfield now." Again I looked out: we were passing a church; I saw its low broad tower against the sky, and its bell was tolling a quarter; I saw a narrow galaxy of lights too, on a hillside, marking a village or hamlet. About ten minutes after, the driver got down and opened a pair of gates: we passed through, and they clashed to behind us. We now slowly ascended a drive, and came upon the long front of a house: candlelight gleamed from one curtained bow-window; all the rest were dark. The car stopped at the front door; it was opened by a maid-servant; I alighted and went in. "Will you walk this way, ma'am?" said the girl; and I followed her across a square hall with high doors all round: she ushered me into a room whose double illumination of fire and candle at first dazzled me, contrasting as it did with the darkness to which my eyes had been for two hours inured; when I could see, however, a cosy and agreeable picture presented itself to my view. A snug small room; a round table by a cheerful fire; an arm-chair high- backed and old-fashioned, wherein sat the neatest imaginable little elderly lady, in widow's cap, black silk gown, and snowy muslin apron; exactly like what I had fancied Mrs. Fairfax, only less stately and milder looking. She was occupied in knitting; a large cat sat demurely at her feet; nothing in short was wanting to complete the beau-ideal of domestic comfort. A more reassuring introduction for a new governess could scarcely be conceived; there was no grandeur to overwhelm, no stateliness to embarrass; and then, as I entered, the old lady got up and promptly and kindly came forward to meet me. "How do you do, my dear? I am afraid you have had a tedious ride; John drives so slowly; you must be cold, come to the fire." "Mrs. Fairfax, I suppose?" said I. "Yes, you are right: do sit down." She conducted me to her own chair, and then began to remove my shawl and untie my bonnet-strings; I begged she would not give herself so much trouble. "Oh, it is no trouble; I dare say your own hands are almost numbed with cold. Leah, make a little hot negus and cut a sandwich or two: here are the keys of the storeroom." And she produced from her pocket a most housewifely bunch of keys, and delivered them to the servant. "Now, then, draw nearer to the fire," she continued. "You've brought your luggage with you, haven't you, my dear?" "Yes, ma'am." "I'll see it carried into your room," she said, and bustled out. "She treats me like a visitor," thought I. "I little expected such a reception; I anticipated only coldness and stiffness: this is not like what I have heard of the treatment of governesses; but I must not exult too soon." She returned; with her own hands cleared her knitting apparatus and a book or two from the table, to make room for the tray which Leah now brought, and then herself handed me the refreshments. I felt rather confused at being the object of more attention than I had ever before received, and, that too, shown by my employer and superior; but as she did not herself seem to consider she was doing anything out of her place, I thought it better to take her civilities quietly. "Shall I have the pleasure of seeing Miss Fairfax to-night?" I asked, when I had partaken of what she offered me. "What did you say, my dear? I am a little deaf," returned the good lady, approaching her ear to my mouth. I repeated the question more distinctly. "Miss Fairfax? Oh, you mean Miss Varens! Varens is the name of your future pupil." "Indeed! Then she is not your daughter?" "No,--I have no family." I should have followed up my first inquiry, by asking in what way Miss Varens was connected with her; but I recollected it was not polite to ask too many questions: besides, I was sure to hear in time. "I am so glad," she continued, as she sat down opposite to me, and took the cat on her knee; "I am so glad you are come; it will be quite pleasant living here now with a companion. To be sure it is pleasant at any time; for Thornfield is a fine old hall, rather neglected of late years perhaps, but still it is a respectable place; yet you know in winter-time one feels dreary quite alone in the best quarters. I say alone--Leah is a nice girl to be sure, and John and his wife are very decent people; but then you see they are only servants, and one can't converse with them on terms of equality: one must keep them at due distance, for fear of losing one's authority. I'm sure last winter (it was a very severe one, if you recollect, and when it did not snow, it rained and blew), not a creature but the butcher and postman came to the house, from November till February; and I really got quite melancholy with sitting night after night alone; I had Leah in to read to me sometimes; but I don't think the poor girl liked the task much: she felt it confining. In spring and summer one got on better: sunshine and long days make such a difference; and then, just at the commencement of this autumn, little Adela Varens came and her nurse: a child makes a house alive all at once; and now you are here I shall be quite gay." My heart really warmed to the worthy lady as I heard her talk; and I drew my chair a little nearer to her, and expressed my sincere wish that she might find my company as agreeable as she anticipated. "But I'll not keep you sitting up late to-night," said she; "it is on the stroke of twelve now, and you have been travelling all day: you must feel tired. If you have got your feet well warmed, I'll show you your bedroom. I've had the room next to mine prepared for you; it is only a small apartment, but I thought you would like it better than one of the large front chambers: to be sure they have finer furniture, but they are so dreary and solitary, I never sleep in them myself." I thanked her for her considerate choice, and as I really felt fatigued with my long journey, expressed my readiness to retire. She took her candle, and I followed her from the room. First she went to see if the hall-door was fastened; having taken the key from the lock, she led the way upstairs. The steps and banisters were of oak; the staircase window was high and latticed; both it and the long gallery into which the bedroom doors opened looked as if they belonged to a church rather than a house. A very chill and vault-like air pervaded the stairs and gallery, suggesting cheerless ideas of space and solitude; and I was glad, when finally ushered into my chamber, to find it of small dimensions, and furnished in ordinary, modern style. When Mrs. Fairfax had bidden me a kind good-night, and I had fastened my door, gazed leisurely round, and in some measure effaced the eerie impression made by that wide hall, that dark and spacious staircase, and that long, cold gallery, by the livelier aspect of my little room, I remembered that, after a day of bodily fatigue and mental anxiety, I was now at last in safe haven. The impulse of gratitude swelled my heart, and I knelt down at the bedside, and offered up thanks where thanks were due; not forgetting, ere I rose, to implore aid on my further path, and the power of meriting the kindness which seemed so frankly offered me before it was earned. My couch had no thorns in it that night; my solitary room no fears. At once weary and content, I slept soon and soundly: when I awoke it was broad day. The chamber looked such a bright little place to me as the sun shone in between the gay blue chintz window curtains, showing papered walls and a carpeted floor, so unlike the bare planks and stained plaster of Lowood, that my spirits rose at the view. Externals have a great effect on the young: I thought that a fairer era of life was beginning for me, one that was to have its flowers and pleasures, as well as its thorns and toils. My faculties, roused by the change of scene, the new field offered to hope, seemed all astir. I cannot precisely define what they expected, but it was something pleasant: not perhaps that day or that month, but at an indefinite future period. I rose; I dressed myself with care: obliged to be plain--for I had no article of attire that was not made with extreme simplicity--I was still by nature solicitous to be neat. It was not my habit to be disregardful of appearance or careless of the impression I made: on the contrary, I ever wished to look as well as I could, and to please as much as my want of beauty would permit. I sometimes regretted that I was not handsomer; I sometimes wished to have rosy cheeks, a straight nose, and small cherry mouth; I desired to be tall, stately, and finely developed in figure; I felt it a misfortune that I was so little, so pale, and had features so irregular and so marked. And why had I these aspirations and these regrets? It would be difficult to say: I could not then distinctly say it to myself; yet I had a reason, and a logical, natural reason too. However, when I had brushed my hair very smooth, and put on my black frock--which, Quakerlike as it was, at least had the merit of fitting to a nicety--and adjusted my clean white tucker, I thought I should do respectably enough to appear before Mrs. Fairfax, and that my new pupil would not at least recoil from me with antipathy. Having opened my chamber window, and seen that I left all things straight and neat on the toilet table, I ventured forth. Traversing the long and matted gallery, I descended the slippery steps of oak; then I gained the hall: I halted there a minute; I looked at some pictures on the walls (one, I remember, represented a grim man in a cuirass, and one a lady with powdered hair and a pearl necklace), at a bronze lamp pendent from the ceiling, at a great clock whose case was of oak curiously carved, and ebon black with time and rubbing. Everything appeared very stately and imposing to me; but then I was so little accustomed to grandeur. The hall-door, which was half of glass, stood open; I stepped over the threshold. It was a fine autumn morning; the early sun shone serenely on embrowned groves and still green fields; advancing on to the lawn, I looked up and surveyed the front of the mansion. It was three storeys high, of proportions not vast, though considerable: a gentleman's manor-house, not a nobleman's seat: battlements round the top gave it a picturesque look. Its grey front stood out well from the background of a rookery, whose cawing tenants were now on the wing: they flew over the lawn and grounds to alight in a great meadow, from which these were separated by a sunk fence, and where an array of mighty old thorn trees, strong, knotty, and broad as oaks, at once explained the etymology of the mansion's designation. Farther off were hills: not so lofty as those round Lowood, nor so craggy, nor so like barriers of separation from the living world; but yet quiet and lonely hills enough, and seeming to embrace Thornfield with a seclusion I had not expected to find existent so near the stirring locality of Millcote. A little hamlet, whose roofs were blent with trees, straggled up the side of one of these hills; the church of the district stood nearer Thornfield: its old tower-top looked over a knoll between the house and gates. I was yet enjoying the calm prospect and pleasant fresh air, yet listening with delight to the cawing of the rooks, yet surveying the wide, hoary front of the hall, and thinking what a great place it was for one lonely little dame like Mrs. Fairfax to inhabit, when that lady appeared at the door. "What! out already?" said she. "I see you are an early riser." I went up to her, and was received with an affable kiss and shake of the hand. "How do you like Thornfield?" she asked. I told her I liked it very much. "Yes," she said, "it is a pretty place; but I fear it will be getting out of order, unless Mr. Rochester should take it into his head to come and reside here permanently; or, at least, visit it rather oftener: great houses and fine grounds require the presence of the proprietor." "Mr. Rochester!" I exclaimed. "Who is he?" "The owner of Thornfield," she responded quietly. "Did you not know he was called Rochester?" Of course I did not--I had never heard of him before; but the old lady seemed to regard his existence as a universally understood fact, with which everybody must be acquainted by instinct. "I thought," I continued, "Thornfield belonged to you." "To me? Bless you, child; what an idea! To me! I am only the housekeeper--the manager. To be sure I am distantly related to the Rochesters by the mother's side, or at least my husband was; he was a clergyman, incumbent of Hay--that little village yonder on the hill--and that church near the gates was his. The present Mr. Rochester's mother was a Fairfax, and second cousin to my husband: but I never presume on the connection--in fact, it is nothing to me; I consider myself quite in the light of an ordinary housekeeper: my employer is always civil, and I expect nothing more." "And the little girl--my pupil!" "She is Mr. Rochester's ward; he commissioned me to find a governess for her. He intended to have her brought up in ---shire, I believe. Here she comes, with her 'bonne,' as she calls her nurse." The enigma then was explained: this affable and kind little widow was no great dame; but a dependant like myself. I did not like her the worse for that; on the contrary, I felt better pleased than ever. The equality between her and me was real; not the mere result of condescension on her part: so much the better--my position was all the freer. As I was meditating on this discovery, a little girl, followed by her attendant, came running up the lawn. I looked at my pupil, who did not at first appear to notice me: she was quite a child, perhaps seven or eight years old, slightly built, with a pale, small-featured face, and a redundancy of hair falling in curls to her waist. "Good morning, Miss Adela," said Mrs. Fairfax. "Come and speak to the lady who is to teach you, and to make you a clever woman some day." She approached. "C'est la ma gouverante!" said she, pointing to me, and addressing her nurse; who answered-- "Mais oui, certainement." "Are they foreigners?" I inquired, amazed at hearing the French language. "The nurse is a foreigner, and Adela was born on the Continent; and, I believe, never left it till within six months ago. When she first came here she could speak no English; now she can make shift to talk it a little: I don't understand her, she mixes it so with French; but you will make out her meaning very well, I dare say." Fortunately I had had the advantage of being taught French by a French lady; and as I had always made a point of conversing with Madame Pierrot as often as I could, and had besides, during the last seven years, learnt a portion of French by heart daily--applying myself to take pains with my accent, and imitating as closely as possible the pronunciation of my teacher, I had acquired a certain degree of readiness and correctness in the language, and was not likely to be much at a loss with Mademoiselle Adela. She came and shook hand with me when she heard that I was her governess; and as I led her in to breakfast, I addressed some phrases to her in her own tongue: she replied briefly at first, but after we were seated at the table, and she had examined me some ten minutes with her large hazel eyes, she suddenly commenced chattering fluently. "Ah!" cried she, in French, "you speak my language as well as Mr. Rochester does: I can talk to you as I can to him, and so can Sophie. She will be glad: nobody here understands her: Madame Fairfax is all English. Sophie is my nurse; she came with me over the sea in a great ship with a chimney that smoked--how it did smoke!--and I was sick, and so was Sophie, and so was Mr. Rochester. Mr. Rochester lay down on a sofa in a pretty room called the salon, and Sophie and I had little beds in another place. I nearly fell out of mine; it was like a shelf. And Mademoiselle--what is your name?" "Eyre--Jane Eyre." "Aire? Bah! I cannot say it. Well, our ship stopped in the morning, before it was quite daylight, at a great city--a huge city, with very dark houses and all smoky; not at all like the pretty clean town I came from; and Mr. Rochester carried me in his arms over a plank to the land, and Sophie came after, and we all got into a coach, which took us to a beautiful large house, larger than this and finer, called an hotel. We stayed there nearly a week: I and Sophie used to walk every day in a great green place full of trees, called the Park; and there were many children there besides me, and a pond with beautiful birds in it, that I fed with crumbs." "Can you understand her when she runs on so fast?" asked Mrs. Fairfax. I understood her very well, for I had been accustomed to the fluent tongue of Madame Pierrot. "I wish," continued the good lady, "you would ask her a question or two about her parents: I wonder if she remembers them?" "Adele," I inquired, "with whom did you live when you were in that pretty clean town you spoke of?" "I lived long ago with mama; but she is gone to the Holy Virgin. Mama used to teach me to dance and sing, and to say verses. A great many gentlemen and ladies came to see mama, and I used to dance before them, or to sit on their knees and sing to them: I liked it. Shall I let you hear me sing now?" She had finished her breakfast, so I permitted her to give a specimen of her accomplishments. Descending from her chair, she came and placed herself on my knee; then, folding her little hands demurely before her, shaking back her curls and lifting her eyes to the ceiling, she commenced singing a song from some opera. It was the strain of a forsaken lady, who, after bewailing the perfidy of her lover, calls pride to her aid; desires her attendant to deck her in her brightest jewels and richest robes, and resolves to meet the false one that night at a ball, and prove to him, by the gaiety of her demeanour, how little his desertion has affected her. The subject seemed strangely chosen for an infant singer; but I suppose the point of the exhibition lay in hearing the notes of love and jealousy warbled with the lisp of childhood; and in very bad taste that point was: at least I thought so. Adele sang the canzonette tunefully enough, and with the _naivete_ of her age. This achieved, she jumped from my knee and said, "Now, Mademoiselle, I will repeat you some poetry." Assuming an attitude, she began, "La Ligue des Rats: fable de La Fontaine." She then declaimed the little piece with an attention to punctuation and emphasis, a flexibility of voice and an appropriateness of gesture, very unusual indeed at her age, and which proved she had been carefully trained. "Was it your mama who taught you that piece?" I asked. "Yes, and she just used to say it in this way: 'Qu' avez vous donc? lui dit un de ces rats; parlez!' She made me lift my hand--so--to remind me to raise my voice at the question. Now shall I dance for you?" "No, that will do: but after your mama went to the Holy Virgin, as you say, with whom did you live then?" "With Madame Frederic and her husband: she took care of me, but she is nothing related to me. I think she is poor, for she had not so fine a house as mama. I was not long there. Mr. Rochester asked me if I would like to go and live with him in England, and I said yes; for I knew Mr. Rochester before I knew Madame Frederic, and he was always kind to me and gave me pretty dresses and toys: but you see he has not kept his word, for he has brought me to England, and now he is gone back again himself, and I never see him." After breakfast, Adele and I withdrew to the library, which room, it appears, Mr. Rochester had directed should be used as the schoolroom. Most of the books were locked up behind glass doors; but there was one bookcase left open containing everything that could be needed in the way of elementary works, and several volumes of light literature, poetry, biography, travels, a few romances, &c. I suppose he had considered that these were all the governess would require for her private perusal; and, indeed, they contented me amply for the present; compared with the scanty pickings I had now and then been able to glean at Lowood, they seemed to offer an abundant harvest of entertainment and information. In this room, too, there was a cabinet piano, quite new and of superior tone; also an easel for painting and a pair of globes. I found my pupil sufficiently docile, though disinclined to apply: she had not been used to regular occupation of any kind. I felt it would be injudicious to confine her too much at first; so, when I had talked to her a great deal, and got her to learn a little, and when the morning had advanced to noon, I allowed her to return to her nurse. I then proposed to occupy myself till dinner-time in drawing some little sketches for her use. As I was going upstairs to fetch my portfolio and pencils, Mrs. Fairfax called to me: "Your morning school-hours are over now, I suppose," said she. She was in a room the folding-doors of which stood open: I went in when she addressed me. It was a large, stately apartment, with purple chairs and curtains, a Turkey carpet, walnut-panelled walls, one vast window rich in slanted glass, and a lofty ceiling, nobly moulded. Mrs. Fairfax was dusting some vases of fine purple spar, which stood on a sideboard. "What a beautiful room!" I exclaimed, as I looked round; for I had never before seen any half so imposing. "Yes; this is the dining-room. I have just opened the window, to let in a little air and sunshine; for everything gets so damp in apartments that are seldom inhabited; the drawing-room yonder feels like a vault." She pointed to a wide arch corresponding to the window, and hung like it with a Tyrian-dyed curtain, now looped up. Mounting to it by two broad steps, and looking through, I thought I caught a glimpse of a fairy place, so bright to my novice-eyes appeared the view beyond. Yet it was merely a very pretty drawing-room, and within it a boudoir, both spread with white carpets, on which seemed laid brilliant garlands of flowers; both ceiled with snowy mouldings of white grapes and vine-leaves, beneath which glowed in rich contrast crimson couches and ottomans; while the ornaments on the pale Parian mantelpiece were of sparkling Bohemian glass, ruby red; and between the windows large mirrors repeated the general blending of snow and fire. "In what order you keep these rooms, Mrs. Fairfax!" said I. "No dust, no canvas coverings: except that the air feels chilly, one would think they were inhabited daily." "Why, Miss Eyre, though Mr. Rochester's visits here are rare, they are always sudden and unexpected; and as I observed that it put him out to find everything swathed up, and to have a bustle of arrangement on his arrival, I thought it best to keep the rooms in readiness." "Is Mr. Rochester an exacting, fastidious sort of man?" "Not particularly so; but he has a gentleman's tastes and habits, and he expects to have things managed in conformity to them." "Do you like him? Is he generally liked?" "Oh, yes; the family have always been respected here. Almost all the land in this neighbourhood, as far as you can see, has belonged to the Rochesters time out of mind." "Well, but, leaving his land out of the question, do you like him? Is he liked for himself?" "I have no cause to do otherwise than like him; and I believe he is considered a just and liberal landlord by his tenants: but he has never lived much amongst them." "But has he no peculiarities? What, in short, is his character?" "Oh! his character is unimpeachable, I suppose. He is rather peculiar, perhaps: he has travelled a great deal, and seen a great deal of the world, I should think. I dare say he is clever, but I never had much conversation with him." "In what way is he peculiar?" "I don't know--it is not easy to describe--nothing striking, but you feel it when he speaks to you; you cannot be always sure whether he is in jest or earnest, whether he is pleased or the contrary; you don't thoroughly understand him, in short--at least, I don't: but it is of no consequence, he is a very good master." This was all the account I got from Mrs. Fairfax of her employer and mine. There are people who seem to have no notion of sketching a character, or observing and describing salient points, either in persons or things: the good lady evidently belonged to this class; my queries puzzled, but did not draw her out. Mr. Rochester was Mr. Rochester in her eyes; a gentleman, a landed proprietor--nothing more: she inquired and searched no further, and evidently wondered at my wish to gain a more definite notion of his identity. When we left the dining-room, she proposed to show me over the rest of the house; and I followed her upstairs and downstairs, admiring as I went; for all was well arranged and handsome. The large front chambers I thought especially grand: and some of the third-storey rooms, though dark and low, were interesting from their air of antiquity. The furniture once appropriated to the lower apartments had from time to time been removed here, as fashions changed: and the imperfect light entering by their narrow casement showed bedsteads of a hundred years old; chests in oak or walnut, looking, with their strange carvings of palm branches and cherubs' heads, like types of the Hebrew ark; rows of venerable chairs, high-backed and narrow; stools still more antiquated, on whose cushioned tops were yet apparent traces of half-effaced embroideries, wrought by fingers that for two generations had been coffin-dust. All these relics gave to the third storey of Thornfield Hall the aspect of a home of the past: a shrine of memory. I liked the hush, the gloom, the quaintness of these retreats in the day; but I by no means coveted a night's repose on one of those wide and heavy beds: shut in, some of them, with doors of oak; shaded, others, with wrought old English hangings crusted with thick work, portraying effigies of strange flowers, and stranger birds, and strangest human beings,--all which would have looked strange, indeed, by the pallid gleam of moonlight. "Do the servants sleep in these rooms?" I asked. "No; they occupy a range of smaller apartments to the back; no one ever sleeps here: one would almost say that, if there were a ghost at Thornfield Hall, this would be its haunt." "So I think: you have no ghost, then?" "None that I ever heard of," returned Mrs. Fairfax, smiling. "Nor any traditions of one? no legends or ghost stories?" "I believe not. And yet it is said the Rochesters have been rather a violent than a quiet race in their time: perhaps, though, that is the reason they rest tranquilly in their graves now." "Yes--'after life's fitful fever they sleep well,'" I muttered. "Where are you going now, Mrs. Fairfax?" for she was moving away. "On to the leads; will you come and see the view from thence?" I followed still, up a very narrow staircase to the attics, and thence by a ladder and through a trap-door to the roof of the hall. I was now on a level with the crow colony, and could see into their nests. Leaning over the battlements and looking far down, I surveyed the grounds laid out like a map: the bright and velvet lawn closely girdling the grey base of the mansion; the field, wide as a park, dotted with its ancient timber; the wood, dun and sere, divided by a path visibly overgrown, greener with moss than the trees were with foliage; the church at the gates, the road, the tranquil hills, all reposing in the autumn day's sun; the horizon bounded by a propitious sky, azure, marbled with pearly white. No feature in the scene was extraordinary, but all was pleasing. When I turned from it and repassed the trap-door, I could scarcely see my way down the ladder; the attic seemed black as a vault compared with that arch of blue air to which I had been looking up, and to that sunlit scene of grove, pasture, and green hill, of which the hall was the centre, and over which I had been gazing with delight. Mrs. Fairfax stayed behind a moment to fasten the trap-door; I, by drift of groping, found the outlet from the attic, and proceeded to descend the narrow garret staircase. I lingered in the long passage to which this led, separating the front and back rooms of the third storey: narrow, low, and dim, with only one little window at the far end, and looking, with its two rows of small black doors all shut, like a corridor in some Bluebeard's castle. While I paced softly on, the last sound I expected to hear in so still a region, a laugh, struck my ear. It was a curious laugh; distinct, formal, mirthless. I stopped: the sound ceased, only for an instant; it began again, louder: for at first, though distinct, it was very low. It passed off in a clamorous peal that seemed to wake an echo in every lonely chamber; though it originated but in one, and I could have pointed out the door whence the accents issued. "Mrs. Fairfax!" I called out: for I now heard her descending the great stairs. "Did you hear that loud laugh? Who is it?" "Some of the servants, very likely," she answered: "perhaps Grace Poole." "Did you hear it?" I again inquired. "Yes, plainly: I often hear her: she sews in one of these rooms. Sometimes Leah is with her; they are frequently noisy together." The laugh was repeated in its low, syllabic tone, and terminated in an odd murmur. "Grace!" exclaimed Mrs. Fairfax. I really did not expect any Grace to answer; for the laugh was as tragic, as preternatural a laugh as any I ever heard; and, but that it was high noon, and that no circumstance of ghostliness accompanied the curious cachinnation; but that neither scene nor season favoured fear, I should have been superstitiously afraid. However, the event showed me I was a fool for entertaining a sense even of surprise. The door nearest me opened, and a servant came out,--a woman of between thirty and forty; a set, square-made figure, red-haired, and with a hard, plain face: any apparition less romantic or less ghostly could scarcely be conceived. "Too much noise, Grace," said Mrs. Fairfax. "Remember directions!" Grace curtseyed silently and went in. "She is a person we have to sew and assist Leah in her housemaid's work," continued the widow; "not altogether unobjectionable in some points, but she does well enough. By-the-bye, how have you got on with your new pupil this morning?" The conversation, thus turned on Adele, continued till we reached the light and cheerful region below. Adele came running to meet us in the hall, exclaiming-- "Mesdames, vous etes servies!" adding, "J'ai bien faim, moi!" We found dinner ready, and waiting for us in Mrs. Fairfax's room.

Volume 1, Chapter 11

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Jane stages the beginning of the next chapter almost like a play, describing the scene as she sits by the fire at an inn, waiting nervously to get to Thornfield and meet this mysterious Mrs. Fairfax and her daughter. Notice that Jane addresses the reader directly here, something that happens only a few times in the novel, but always at key points . A servant meets Jane and drives her in a coach to Thornfield. Jane guesses that his plain clothes mean that Mrs. Fairfax isn't too wealthy. It's amazing, in fact, how little Jane knows about the job that she's heading into. We hope you would never take some random job based on one letter from someone you didn't know and then travel across the country alone to live who-knows-where. Jane arrives at Thornfield and is brought in to see Mrs. Fairfax, who looks almost exactly as she had expected; she's an old woman dressed in black clothes and a widow's cap, which probably means she's mourning her husband. Jane is surprised that Mrs. Fairfax welcomes her kindly, chatting with her and offering her tea; she's never been treated so politely by anyone, especially an employer. She's really relieved that this situation is better than her previous ones. Suddenly, a surprise: Jane finds out that her new student isn't Mrs. Fairfax's daughter; her name is Miss Varens, and Mrs. Fairfax doesn't have any kids. Unfortunately, Jane is too shy to ask more about Miss Varens at this point. Mrs. Fairfax tells Jane more about the household; it's been somewhat lonely for her, because she can't socialize with the maid, Leah, or the other servants, who are a married couple. Jane, however, will be closer to Mrs. Fairfax's "level," whatever that is. Jane goes to bed; her room is small but nice, and she feels very secure in it... although the long, dark corridors of the house are, she admits, a little bit creepy. Jane wakes up on her first day at Thornfield, soothed by the luxurious surroundings, and dresses in her plain Lowood-style clothes and heads downstairs. She meets Mrs. Fairfax again and learns that the owner of Thornfield is a Mr. Rochester--Mrs. Fairfax is just the housekeeper, although she is a distant cousin of Rochester's. Adele, Mrs. Fairfax explains, is Mr. Rochester's ward. Jane meets Adele, a French girl about seven or eight years old who only speaks a little English. It's lucky that Jane learned French from a native speaker; she's able to understand Adele easily, even when Adele talks really fast. Adele tells Jane how she came to England about six months ago. Long before that, the first thing Adele remembers is living with her mother, who taught her to sing and dance and had a lot of, erm, let's call them "gentlemen admirers." There were ladies who liked to hear Madame Varens sing, too, but there seem to have been quite a few gentlemen, as well, if you take our meaning. Adele offers to sing for Jane, and sings a song from an opera that's really far too mature for her. The contrast between Adele's childishness and the extremes of jealousy and passion in the song seems crass to Jane. Then Adele recites a poem with similar strange adult motifs and techniques. Jane's pretty weirded out by her and stops her before she can dance. Jane questions Adele further about her history; Adele explains that, after her mother died, Mr. Rochester offered to take her with him to live in England, and she and her nurse Sophie came with him on a steamship across the Channel. Unfortunately, Mr. Rochester took her to Thornfield, left her there, and went traveling, so Adele doesn't actually get to live with him. Jane teaches Adele her first lesson that morning; Adele is obedient, but not very studious. She's never really been asked to apply herself. Jane decides to take it slow and lets her have the afternoon free. In the afternoon, Jane talks to Mrs. Fairfax about Thornfield and Mr. Rochester while Mrs. Fairfax does some light housework. Jane is amazed at how beautiful and fancy the house is. Jane practically cross-examines Mrs. Fairfax about the absent Mr. Rochester. She really wants to know what kind of a person he is, but it's hard for the housekeeper to describe him. Most people like him, she tells Jane, but he is "rather peculiar," whatever that means . Jane follows Mrs. Fairfax through the house, admiring everything she sees, but feeling a little creeped out by all the empty rooms full of strange furnishings and decorations. She asks Mrs. Fairfax if there are any ghost stories about Thornfield, but there aren't. However, Mrs. Fairfax does admit that the members of the Rochester family have been "rather a violent than a quiet race in their time" . So there may not be any ghosts... but there are some metaphorical skeletons in the closet. Jane and Mrs. Fairfax make their way to the attic and then to the roof, and Jane is able to look out across all of the land surrounding Thornfield. It's an incredible view. After a good, long look, they head back; Mrs. Fairfax is fastening the trap door and Jane is a bit further away in the attic when she hears an eerie, unearthly laugh. Mrs. Fairfax says that it must be one of the servants, perhaps a woman named Grace Poole who does the sewing. Jane's convinced there is no Grace and that the laugh is a ghost, but at Mrs. Fairfax's call Grace comes out of a room nearby. She's a squat, heavyset, middle-aged redhead--not a ghost. Mrs. Fairfax tells her there should be less noise, sends her off, and changes the subject. Oh, that's not suspicious at all.

shmoop

all_chapterized_books/1260-chapters/13.txt

finished_summaries/shmoop/Jane Eyre/section_11_part_0.txt

Jane Eyre.volume 1.chapter 12

volume 1, chapter 12

{"name": "Volume 1, Chapter 12", "url": "https://web.archive.org/web/20210506211142/https://www.shmoop.com/study-guides/literature/jane-eyre/summary/volume-1-chapter-12", "summary": "Jane continues to work as Adele's governess; her life with Mrs. Fairfax and her pupil is much more pleasant than anything she's experienced before, but she's still restless for adventure and excitement, or at least some contact with the outside world. Her favorite activity is going up to the roof of Thornfield and looking across the landscape. Jane defends her dissatisfaction to the reader: she knows that many will think she should be happy with what she has, but she thinks everyone, including women, needs \"exercise for their faculties\" . When she's up on the roof or in the attic, Jane often hears Grace Poole's weird laugh, but she's never able to draw Grace into a real conversation. Jane tells us that her relationships with the other servants are good, but not especially exciting. Three months go by, and now it's January. Jane decides to give Adele a holiday and volunteers to take a long walk and carry a letter for Mrs. Fairfax two miles to the nearby town of Hay. Jane enjoys the walk, despite the cold weather, and takes delight in the beautiful landscape around her. She stops partway along the lane and sits on a stile, examining her surroundings. Suddenly, she hears a horse coming, and she stays on the stile, sitting quietly, to let it pass. While she's waiting for the horse to go by, Jane suddenly remembers the spooky stories Bessie used to tell her about a spirit called a \"Gytrash,\" which could appear as a horse or dog to lost or lonely travelers. And then--a dog comes around the corner, looking exactly as Bessie described the Gytrash. But when the horse appears, the fact that it has a rider breaks the spell; the Gytrash never has a rider or a companion. The horse and rider pass, and Jane starts to go on her way, but then she hears the horse slip on the ice, and horse and rider both fall. The dog runs about, trying to help, and finally runs over to Jane--she must be the only other person for a mile all around. Jane helps the gentleman up; he has sprained his ankle, but is mostly okay. He is thirty-five, dark, and stern. Jane explains that, if he had been a handsome young man, she would have recoiled from him, but she's able to approach him as he is. Jane insists on helping him, and he questions her about who she is; she explains that she's the governess in Mr. Rochester's household. He seems a bit surprised by this, but doesn't explain who he is. We do learn that the dog's name is Pilot, but that's not much help. Unfortunately, Jane's not able to catch the bridle of the spooked horse, so instead she helps the man over to the horse and lets him lean on her to remount; then they go their separate ways. We'll probably never see him again, right? After delivering the letter in the town, Jane walks back to Thornfield, pleased to have helped someone, and interested in the man she met. She's a bit disappointed to go back home to her boring old existence. She loiters outside for a long time, looking at the sky, reluctant to go inside. When she finally re-enters Thornfield, she hears voices in the dining room. She looks for Mrs. Fairfax, but finds Pilot instead. Jane calls the maid and learns that the master of the house has just arrived with a sprained ankle. That's right--that stranger in the lane was Mr. Rochester. Are you shocked? Nah, we didn't think so. Jane's a bit out of the loop, though, isn't she?", "analysis": ""}

The promise of a smooth career, which my first calm introduction to Thornfield Hall seemed to pledge, was not belied on a longer acquaintance with the place and its inmates. Mrs. Fairfax turned out to be what she appeared, a placid-tempered, kind-natured woman, of competent education and average intelligence. My pupil was a lively child, who had been spoilt and indulged, and therefore was sometimes wayward; but as she was committed entirely to my care, and no injudicious interference from any quarter ever thwarted my plans for her improvement, she soon forgot her little freaks, and became obedient and teachable. She had no great talents, no marked traits of character, no peculiar development of feeling or taste which raised her one inch above the ordinary level of childhood; but neither had she any deficiency or vice which sunk her below it. She made reasonable progress, entertained for me a vivacious, though perhaps not very profound, affection; and by her simplicity, gay prattle, and efforts to please, inspired me, in return, with a degree of attachment sufficient to make us both content in each other's society. This, _par parenthese_, will be thought cool language by persons who entertain solemn doctrines about the angelic nature of children, and the duty of those charged with their education to conceive for them an idolatrous devotion: but I am not writing to flatter parental egotism, to echo cant, or prop up humbug; I am merely telling the truth. I felt a conscientious solicitude for Adele's welfare and progress, and a quiet liking for her little self: just as I cherished towards Mrs. Fairfax a thankfulness for her kindness, and a pleasure in her society proportionate to the tranquil regard she had for me, and the moderation of her mind and character. Anybody may blame me who likes, when I add further, that, now and then, when I took a walk by myself in the grounds; when I went down to the gates and looked through them along the road; or when, while Adele played with her nurse, and Mrs. Fairfax made jellies in the storeroom, I climbed the three staircases, raised the trap-door of the attic, and having reached the leads, looked out afar over sequestered field and hill, and along dim sky-line--that then I longed for a power of vision which might overpass that limit; which might reach the busy world, towns, regions full of life I had heard of but never seen--that then I desired more of practical experience than I possessed; more of intercourse with my kind, of acquaintance with variety of character, than was here within my reach. I valued what was good in Mrs. Fairfax, and what was good in Adele; but I believed in the existence of other and more vivid kinds of goodness, and what I believed in I wished to behold. Who blames me? Many, no doubt; and I shall be called discontented. I could not help it: the restlessness was in my nature; it agitated me to pain sometimes. Then my sole relief was to walk along the corridor of the third storey, backwards and forwards, safe in the silence and solitude of the spot, and allow my mind's eye to dwell on whatever bright visions rose before it--and, certainly, they were many and glowing; to let my heart be heaved by the exultant movement, which, while it swelled it in trouble, expanded it with life; and, best of all, to open my inward ear to a tale that was never ended--a tale my imagination created, and narrated continuously; quickened with all of incident, life, fire, feeling, that I desired and had not in my actual existence. It is in vain to say human beings ought to be satisfied with tranquillity: they must have action; and they will make it if they cannot find it. Millions are condemned to a stiller doom than mine, and millions are in silent revolt against their lot. Nobody knows how many rebellions besides political rebellions ferment in the masses of life which people earth. Women are supposed to be very calm generally: but women feel just as men feel; they need exercise for their faculties, and a field for their efforts, as much as their brothers do; they suffer from too rigid a restraint, too absolute a stagnation, precisely as men would suffer; and it is narrow-minded in their more privileged fellow-creatures to say that they ought to confine themselves to making puddings and knitting stockings, to playing on the piano and embroidering bags. It is thoughtless to condemn them, or laugh at them, if they seek to do more or learn more than custom has pronounced necessary for their sex. When thus alone, I not unfrequently heard Grace Poole's laugh: the same peal, the same low, slow ha! ha! which, when first heard, had thrilled me: I heard, too, her eccentric murmurs; stranger than her laugh. There were days when she was quite silent; but there were others when I could not account for the sounds she made. Sometimes I saw her: she would come out of her room with a basin, or a plate, or a tray in her hand, go down to the kitchen and shortly return, generally (oh, romantic reader, forgive me for telling the plain truth!) bearing a pot of porter. Her appearance always acted as a damper to the curiosity raised by her oral oddities: hard-featured and staid, she had no point to which interest could attach. I made some attempts to draw her into conversation, but she seemed a person of few words: a monosyllabic reply usually cut short every effort of that sort. The other members of the household, viz., John and his wife, Leah the housemaid, and Sophie the French nurse, were decent people; but in no respect remarkable; with Sophie I used to talk French, and sometimes I asked her questions about her native country; but she was not of a descriptive or narrative turn, and generally gave such vapid and confused answers as were calculated rather to check than encourage inquiry. October, November, December passed away. One afternoon in January, Mrs. Fairfax had begged a holiday for Adele, because she had a cold; and, as Adele seconded the request with an ardour that reminded me how precious occasional holidays had been to me in my own childhood, I accorded it, deeming that I did well in showing pliability on the point. It was a fine, calm day, though very cold; I was tired of sitting still in the library through a whole long morning: Mrs. Fairfax had just written a letter which was waiting to be posted, so I put on my bonnet and cloak and volunteered to carry it to Hay; the distance, two miles, would be a pleasant winter afternoon walk. Having seen Adele comfortably seated in her little chair by Mrs. Fairfax's parlour fireside, and given her her best wax doll (which I usually kept enveloped in silver paper in a drawer) to play with, and a story-book for change of amusement; and having replied to her "Revenez bientot, ma bonne amie, ma chere Mdlle. Jeannette," with a kiss I set out. The ground was hard, the air was still, my road was lonely; I walked fast till I got warm, and then I walked slowly to enjoy and analyse the species of pleasure brooding for me in the hour and situation. It was three o'clock; the church bell tolled as I passed under the belfry: the charm of the hour lay in its approaching dimness, in the low-gliding and pale-beaming sun. I was a mile from Thornfield, in a lane noted for wild roses in summer, for nuts and blackberries in autumn, and even now possessing a few coral treasures in hips and haws, but whose best winter delight lay in its utter solitude and leafless repose. If a breath of air stirred, it made no sound here; for there was not a holly, not an evergreen to rustle, and the stripped hawthorn and hazel bushes were as still as the white, worn stones which causewayed the middle of the path. Far and wide, on each side, there were only fields, where no cattle now browsed; and the little brown birds, which stirred occasionally in the hedge, looked like single russet leaves that had forgotten to drop. This lane inclined up-hill all the way to Hay; having reached the middle, I sat down on a stile which led thence into a field. Gathering my mantle about me, and sheltering my hands in my muff, I did not feel the cold, though it froze keenly; as was attested by a sheet of ice covering the causeway, where a little brooklet, now congealed, had overflowed after a rapid thaw some days since. From my seat I could look down on Thornfield: the grey and battlemented hall was the principal object in the vale below me; its woods and dark rookery rose against the west. I lingered till the sun went down amongst the trees, and sank crimson and clear behind them. I then turned eastward. On the hill-top above me sat the rising moon; pale yet as a cloud, but brightening momentarily, she looked over Hay, which, half lost in trees, sent up a blue smoke from its few chimneys: it was yet a mile distant, but in the absolute hush I could hear plainly its thin murmurs of life. My ear, too, felt the flow of currents; in what dales and depths I could not tell: but there were many hills beyond Hay, and doubtless many becks threading their passes. That evening calm betrayed alike the tinkle of the nearest streams, the sough of the most remote. A rude noise broke on these fine ripplings and whisperings, at once so far away and so clear: a positive tramp, tramp, a metallic clatter, which effaced the soft wave-wanderings; as, in a picture, the solid mass of a crag, or the rough boles of a great oak, drawn in dark and strong on the foreground, efface the aerial distance of azure hill, sunny horizon, and blended clouds where tint melts into tint. The din was on the causeway: a horse was coming; the windings of the lane yet hid it, but it approached. I was just leaving the stile; yet, as the path was narrow, I sat still to let it go by. In those days I was young, and all sorts of fancies bright and dark tenanted my mind: the memories of nursery stories were there amongst other rubbish; and when they recurred, maturing youth added to them a vigour and vividness beyond what childhood could give. As this horse approached, and as I watched for it to appear through the dusk, I remembered certain of Bessie's tales, wherein figured a North-of-England spirit called a "Gytrash," which, in the form of horse, mule, or large dog, haunted solitary ways, and sometimes came upon belated travellers, as this horse was now coming upon me. It was very near, but not yet in sight; when, in addition to the tramp, tramp, I heard a rush under the hedge, and close down by the hazel stems glided a great dog, whose black and white colour made him a distinct object against the trees. It was exactly one form of Bessie's Gytrash--a lion-like creature with long hair and a huge head: it passed me, however, quietly enough; not staying to look up, with strange pretercanine eyes, in my face, as I half expected it would. The horse followed,--a tall steed, and on its back a rider. The man, the human being, broke the spell at once. Nothing ever rode the Gytrash: it was always alone; and goblins, to my notions, though they might tenant the dumb carcasses of beasts, could scarce covet shelter in the commonplace human form. No Gytrash was this,--only a traveller taking the short cut to Millcote. He passed, and I went on; a few steps, and I turned: a sliding sound and an exclamation of "What the deuce is to do now?" and a clattering tumble, arrested my attention. Man and horse were down; they had slipped on the sheet of ice which glazed the causeway. The dog came bounding back, and seeing his master in a predicament, and hearing the horse groan, barked till the evening hills echoed the sound, which was deep in proportion to his magnitude. He snuffed round the prostrate group, and then he ran up to me; it was all he could do,--there was no other help at hand to summon. I obeyed him, and walked down to the traveller, by this time struggling himself free of his steed. His efforts were so vigorous, I thought he could not be much hurt; but I asked him the question-- "Are you injured, sir?" I think he was swearing, but am not certain; however, he was pronouncing some formula which prevented him from replying to me directly. "Can I do anything?" I asked again. "You must just stand on one side," he answered as he rose, first to his knees, and then to his feet. I did; whereupon began a heaving, stamping, clattering process, accompanied by a barking and baying which removed me effectually some yards' distance; but I would not be driven quite away till I saw the event. This was finally fortunate; the horse was re-established, and the dog was silenced with a "Down, Pilot!" The traveller now, stooping, felt his foot and leg, as if trying whether they were sound; apparently something ailed them, for he halted to the stile whence I had just risen, and sat down. I was in the mood for being useful, or at least officious, I think, for I now drew near him again. "If you are hurt, and want help, sir, I can fetch some one either from Thornfield Hall or from Hay." "Thank you: I shall do: I have no broken bones,--only a sprain;" and again he stood up and tried his foot, but the result extorted an involuntary "Ugh!" Something of daylight still lingered, and the moon was waxing bright: I could see him plainly. His figure was enveloped in a riding cloak, fur collared and steel clasped; its details were not apparent, but I traced the general points of middle height and considerable breadth of chest. He had a dark face, with stern features and a heavy brow; his eyes and gathered eyebrows looked ireful and thwarted just now; he was past youth, but had not reached middle-age; perhaps he might be thirty-five. I felt no fear of him, and but little shyness. Had he been a handsome, heroic- looking young gentleman, I should not have dared to stand thus questioning him against his will, and offering my services unasked. I had hardly ever seen a handsome youth; never in my life spoken to one. I had a theoretical reverence and homage for beauty, elegance, gallantry, fascination; but had I met those qualities incarnate in masculine shape, I should have known instinctively that they neither had nor could have sympathy with anything in me, and should have shunned them as one would fire, lightning, or anything else that is bright but antipathetic. If even this stranger had smiled and been good-humoured to me when I addressed him; if he had put off my offer of assistance gaily and with thanks, I should have gone on my way and not felt any vocation to renew inquiries: but the frown, the roughness of the traveller, set me at my ease: I retained my station when he waved to me to go, and announced-- "I cannot think of leaving you, sir, at so late an hour, in this solitary lane, till I see you are fit to mount your horse." He looked at me when I said this; he had hardly turned his eyes in my direction before. "I should think you ought to be at home yourself," said he, "if you have a home in this neighbourhood: where do you come from?" "From just below; and I am not at all afraid of being out late when it is moonlight: I will run over to Hay for you with pleasure, if you wish it: indeed, I am going there to post a letter." "You live just below--do you mean at that house with the battlements?" pointing to Thornfield Hall, on which the moon cast a hoary gleam, bringing it out distinct and pale from the woods that, by contrast with the western sky, now seemed one mass of shadow. "Yes, sir." "Whose house is it?" "Mr. Rochester's." "Do you know Mr. Rochester?" "No, I have never seen him." "He is not resident, then?" "No." "Can you tell me where he is?" "I cannot." "You are not a servant at the hall, of course. You are--" He stopped, ran his eye over my dress, which, as usual, was quite simple: a black merino cloak, a black beaver bonnet; neither of them half fine enough for a lady's-maid. He seemed puzzled to decide what I was; I helped him. "I am the governess." "Ah, the governess!" he repeated; "deuce take me, if I had not forgotten! The governess!" and again my raiment underwent scrutiny. In two minutes he rose from the stile: his face expressed pain when he tried to move. "I cannot commission you to fetch help," he said; "but you may help me a little yourself, if you will be so kind." "Yes, sir." "You have not an umbrella that I can use as a stick?" "No." "Try to get hold of my horse's bridle and lead him to me: you are not afraid?" I should have been afraid to touch a horse when alone, but when told to do it, I was disposed to obey. I put down my muff on the stile, and went up to the tall steed; I endeavoured to catch the bridle, but it was a spirited thing, and would not let me come near its head; I made effort on effort, though in vain: meantime, I was mortally afraid of its trampling fore-feet. The traveller waited and watched for some time, and at last he laughed. {I was mortally afraid of its trampling forefeet: p107.jpg} "I see," he said, "the mountain will never be brought to Mahomet, so all you can do is to aid Mahomet to go to the mountain; I must beg of you to come here." I came. "Excuse me," he continued: "necessity compels me to make you useful." He laid a heavy hand on my shoulder, and leaning on me with some stress, limped to his horse. Having once caught the bridle, he mastered it directly and sprang to his saddle; grimacing grimly as he made the effort, for it wrenched his sprain. "Now," said he, releasing his under lip from a hard bite, "just hand me my whip; it lies there under the hedge." I sought it and found it. "Thank you; now make haste with the letter to Hay, and return as fast as you can." A touch of a spurred heel made his horse first start and rear, and then bound away; the dog rushed in his traces; all three vanished, "Like heath that, in the wilderness, The wild wind whirls away." I took up my muff and walked on. The incident had occurred and was gone for me: it _was_ an incident of no moment, no romance, no interest in a sense; yet it marked with change one single hour of a monotonous life. My help had been needed and claimed; I had given it: I was pleased to have done something; trivial, transitory though the deed was, it was yet an active thing, and I was weary of an existence all passive. The new face, too, was like a new picture introduced to the gallery of memory; and it was dissimilar to all the others hanging there: firstly, because it was masculine; and, secondly, because it was dark, strong, and stern. I had it still before me when I entered Hay, and slipped the letter into the post-office; I saw it as I walked fast down-hill all the way home. When I came to the stile, I stopped a minute, looked round and listened, with an idea that a horse's hoofs might ring on the causeway again, and that a rider in a cloak, and a Gytrash-like Newfoundland dog, might be again apparent: I saw only the hedge and a pollard willow before me, rising up still and straight to meet the moonbeams; I heard only the faintest waft of wind roaming fitful among the trees round Thornfield, a mile distant; and when I glanced down in the direction of the murmur, my eye, traversing the hall-front, caught a light kindling in a window: it reminded me that I was late, and I hurried on. I did not like re-entering Thornfield. To pass its threshold was to return to stagnation; to cross the silent hall, to ascend the darksome staircase, to seek my own lonely little room, and then to meet tranquil Mrs. Fairfax, and spend the long winter evening with her, and her only, was to quell wholly the faint excitement wakened by my walk,--to slip again over my faculties the viewless fetters of an uniform and too still existence; of an existence whose very privileges of security and ease I was becoming incapable of appreciating. What good it would have done me at that time to have been tossed in the storms of an uncertain struggling life, and to have been taught by rough and bitter experience to long for the calm amidst which I now repined! Yes, just as much good as it would do a man tired of sitting still in a "too easy chair" to take a long walk: and just as natural was the wish to stir, under my circumstances, as it would be under his. I lingered at the gates; I lingered on the lawn; I paced backwards and forwards on the pavement; the shutters of the glass door were closed; I could not see into the interior; and both my eyes and spirit seemed drawn from the gloomy house--from the grey-hollow filled with rayless cells, as it appeared to me--to that sky expanded before me,--a blue sea absolved from taint of cloud; the moon ascending it in solemn march; her orb seeming to look up as she left the hill-tops, from behind which she had come, far and farther below her, and aspired to the zenith, midnight dark in its fathomless depth and measureless distance; and for those trembling stars that followed her course; they made my heart tremble, my veins glow when I viewed them. Little things recall us to earth; the clock struck in the hall; that sufficed; I turned from moon and stars, opened a side- door, and went in. The hall was not dark, nor yet was it lit, only by the high-hung bronze lamp; a warm glow suffused both it and the lower steps of the oak staircase. This ruddy shine issued from the great dining-room, whose two- leaved door stood open, and showed a genial fire in the grate, glancing on marble hearth and brass fire-irons, and revealing purple draperies and polished furniture, in the most pleasant radiance. It revealed, too, a group near the mantelpiece: I had scarcely caught it, and scarcely become aware of a cheerful mingling of voices, amongst which I seemed to distinguish the tones of Adele, when the door closed. I hastened to Mrs. Fairfax's room; there was a fire there too, but no candle, and no Mrs. Fairfax. Instead, all alone, sitting upright on the rug, and gazing with gravity at the blaze, I beheld a great black and white long-haired dog, just like the Gytrash of the lane. It was so like it that I went forward and said--"Pilot" and the thing got up and came to me and snuffed me. I caressed him, and he wagged his great tail; but he looked an eerie creature to be alone with, and I could not tell whence he had come. I rang the bell, for I wanted a candle; and I wanted, too, to get an account of this visitant. Leah entered. "What dog is this?" "He came with master." "With whom?" "With master--Mr. Rochester--he is just arrived." "Indeed! and is Mrs. Fairfax with him?" "Yes, and Miss Adele; they are in the dining-room, and John is gone for a surgeon; for master has had an accident; his horse fell and his ankle is sprained." "Did the horse fall in Hay Lane?" "Yes, coming down-hill; it slipped on some ice." "Ah! Bring me a candle will you Leah?" Leah brought it; she entered, followed by Mrs. Fairfax, who repeated the news; adding that Mr. Carter the surgeon was come, and was now with Mr. Rochester: then she hurried out to give orders about tea, and I went upstairs to take off my things.

Volume 1, Chapter 12

https://web.archive.org/web/20210506211142/https://www.shmoop.com/study-guides/literature/jane-eyre/summary/volume-1-chapter-12

Jane continues to work as Adele's governess; her life with Mrs. Fairfax and her pupil is much more pleasant than anything she's experienced before, but she's still restless for adventure and excitement, or at least some contact with the outside world. Her favorite activity is going up to the roof of Thornfield and looking across the landscape. Jane defends her dissatisfaction to the reader: she knows that many will think she should be happy with what she has, but she thinks everyone, including women, needs "exercise for their faculties" . When she's up on the roof or in the attic, Jane often hears Grace Poole's weird laugh, but she's never able to draw Grace into a real conversation. Jane tells us that her relationships with the other servants are good, but not especially exciting. Three months go by, and now it's January. Jane decides to give Adele a holiday and volunteers to take a long walk and carry a letter for Mrs. Fairfax two miles to the nearby town of Hay. Jane enjoys the walk, despite the cold weather, and takes delight in the beautiful landscape around her. She stops partway along the lane and sits on a stile, examining her surroundings. Suddenly, she hears a horse coming, and she stays on the stile, sitting quietly, to let it pass. While she's waiting for the horse to go by, Jane suddenly remembers the spooky stories Bessie used to tell her about a spirit called a "Gytrash," which could appear as a horse or dog to lost or lonely travelers. And then--a dog comes around the corner, looking exactly as Bessie described the Gytrash. But when the horse appears, the fact that it has a rider breaks the spell; the Gytrash never has a rider or a companion. The horse and rider pass, and Jane starts to go on her way, but then she hears the horse slip on the ice, and horse and rider both fall. The dog runs about, trying to help, and finally runs over to Jane--she must be the only other person for a mile all around. Jane helps the gentleman up; he has sprained his ankle, but is mostly okay. He is thirty-five, dark, and stern. Jane explains that, if he had been a handsome young man, she would have recoiled from him, but she's able to approach him as he is. Jane insists on helping him, and he questions her about who she is; she explains that she's the governess in Mr. Rochester's household. He seems a bit surprised by this, but doesn't explain who he is. We do learn that the dog's name is Pilot, but that's not much help. Unfortunately, Jane's not able to catch the bridle of the spooked horse, so instead she helps the man over to the horse and lets him lean on her to remount; then they go their separate ways. We'll probably never see him again, right? After delivering the letter in the town, Jane walks back to Thornfield, pleased to have helped someone, and interested in the man she met. She's a bit disappointed to go back home to her boring old existence. She loiters outside for a long time, looking at the sky, reluctant to go inside. When she finally re-enters Thornfield, she hears voices in the dining room. She looks for Mrs. Fairfax, but finds Pilot instead. Jane calls the maid and learns that the master of the house has just arrived with a sprained ankle. That's right--that stranger in the lane was Mr. Rochester. Are you shocked? Nah, we didn't think so. Jane's a bit out of the loop, though, isn't she?

shmoop

all_chapterized_books/1260-chapters/14.txt

finished_summaries/shmoop/Jane Eyre/section_12_part_0.txt

Jane Eyre.volume 1.chapter 13

volume 1, chapter 13

{"name": "Volume 1, Chapter 13", "url": "https://web.archive.org/web/20210506211142/https://www.shmoop.com/study-guides/literature/jane-eyre/summary/volume-1-chapter-13", "summary": "Jane doesn't see Mr. Rochester again that evening--he's in bed with his sprained ankle. She and Adele continue their lessons in a new upstairs room instead of the library, where Mr. Rochester is conducting business. Jane's excited about all the new activity in the household, all the people coming and going to see Mr. Rochester. The place is coming alive, and she prefers it that way. Adele is having a lot of trouble concentrating when she knows Mr. Rochester is downstairs--she keeps trying to sneak downstairs to see him or to guess what presents he might have brought her. Adele tells Jane that Mr. Rochester has been asking about her: especially what she looks like. In the early evening, Mr. Rochester invites Jane and Adele to have tea with him. Jane changes into her second-best dress, which is almost as plain as her regular dress, and puts on her only piece of jewelry, a simple pearl pin. As soon as she comes into the dining room, Jane recognizes Mr. Rochester as, of course, the stranger whom she helped after his horse slipped on the ice. Mr. Rochester is once again somewhat rude to Jane, or at least abrupt and preoccupied, but she prefers that to flattery and polished manners. Jane thinks it's more interesting this way. As Jane gives Rochester his teacup , Adele asks him if he has a present for Jane. He starts asking Jane whether she likes presents, and her subtle but saucy replies draw his interest. When he compliments her on how much she's taught Adele, she claims that that's the best gift she could have. Aww, how sweet. Mr. Rochester asks Jane about her past history; when he hears that she was at Lowood for eight years, he says that must be why she looks so eerie and unworldly. He compares her to the fairies and sprites of the wood, and suggests that she bewitched his horse to make it fall the day before. Mrs. Fairfax, who doesn't get the joke, is confused, but we're sure that you know just how serious Rochester actually is. Rochester keeps quizzing Jane about her background: she has no immediate family, came to Thornfield by answering Mrs. Fairfax's ad, has never lived in a town or known many people, and has only read the few books that were available to her here and there. She sounds pretty green, really. Once again Jane surprises Rochester, this time by being harsh and honest about Mr. Brocklehurst. Next Rochester examines Jane's various achievements, listening to her play the piano and examining her sketches. He, like Jane, is harsh and honest about the merits of her work; her piano playing, he says, is okay, but some of her sketches and paintings seem to really impress him--three of them in particular. The three of Jane's watercolors that Rochester finds really fascinating are each of landscapes that she painted from her imagination; one is of a stormy sea and a shipwreck with a corpse, one is of a grassy hill with the Evening Star personified as a shadowy woman, and one is of an icy arctic scene with a strange, pale, despairing figure in the foreground. Jane admits to Rochester that she enjoyed painting these images, but that she was \"tormented by the contrast\" between what she was actually able to paint and what she saw in her head. Rochester tells Jane that her paintings are intriguing and strange, but that she's not an artistic master. He keeps getting drawn in by the images, though, and seems to think that she's managed to paint real places without knowing it. Suddenly, Rochester sends Jane off to put Adele to bed, and retires for the night himself. Jane talks with Mrs. Fairfax about Rochester, who is far stranger than the housekeeper previously implied. Mrs. Fairfax tells Jane that they should make allowances for him because of his family problems: his elder brother died nine years before, and then he inherited the estate. Apparently, there was some sort of problem between the current Mr. Rochester, whose name is Edward; his brother, Rowland Rochester; and his father, Old Mr. Rochester. Old Mr. Rochester and Rowland put Edward in a bad position so that he would make money, but it's unclear what exactly happened. Now that his father and brother are gone, Mr. Edward Rochester tends to stay away from Thornfield and only visit it for short periods, perhaps because of bad memories. A mystery!", "analysis": ""}

Mr. Rochester, it seems, by the surgeon's orders, went to bed early that night; nor did he rise soon next morning. When he did come down, it was to attend to business: his agent and some of his tenants were arrived, and waiting to speak with him. Adele and I had now to vacate the library: it would be in daily requisition as a reception-room for callers. A fire was lit in an apartment upstairs, and there I carried our books, and arranged it for the future schoolroom. I discerned in the course of the morning that Thornfield Hall was a changed place: no longer silent as a church, it echoed every hour or two to a knock at the door, or a clang of the bell; steps, too, often traversed the hall, and new voices spoke in different keys below; a rill from the outer world was flowing through it; it had a master: for my part, I liked it better. Adele was not easy to teach that day; she could not apply: she kept running to the door and looking over the banisters to see if she could get a glimpse of Mr. Rochester; then she coined pretexts to go downstairs, in order, as I shrewdly suspected, to visit the library, where I knew she was not wanted; then, when I got a little angry, and made her sit still, she continued to talk incessantly of her "ami, Monsieur Edouard Fairfax _de_ Rochester," as she dubbed him (I had not before heard his prenomens), and to conjecture what presents he had brought her: for it appears he had intimated the night before, that when his luggage came from Millcote, there would be found amongst it a little box in whose contents she had an interest. "Et cela doit signifier," said she, "qu'il y aura la dedans un cadeau pour moi, et peut-etre pour vous aussi, mademoiselle. Monsieur a parle de vous: il m'a demande le nom de ma gouvernante, et si elle n'etait pas une petite personne, assez mince et un peu pale. J'ai dit qu'oui: car c'est vrai, n'est-ce pas, mademoiselle?" I and my pupil dined as usual in Mrs. Fairfax's parlour; the afternoon was wild and snowy, and we passed it in the schoolroom. At dark I allowed Adele to put away books and work, and to run downstairs; for, from the comparative silence below, and from the cessation of appeals to the door-bell, I conjectured that Mr. Rochester was now at liberty. Left alone, I walked to the window; but nothing was to be seen thence: twilight and snowflakes together thickened the air, and hid the very shrubs on the lawn. I let down the curtain and went back to the fireside. In the clear embers I was tracing a view, not unlike a picture I remembered to have seen of the castle of Heidelberg, on the Rhine, when Mrs. Fairfax came in, breaking up by her entrance the fiery mosaic I had been piercing together, and scattering too some heavy unwelcome thoughts that were beginning to throng on my solitude. "Mr. Rochester would be glad if you and your pupil would take tea with him in the drawing-room this evening," said she: "he has been so much engaged all day that he could not ask to see you before." "When is his tea-time?" I inquired. "Oh, at six o'clock: he keeps early hours in the country. You had better change your frock now; I will go with you and fasten it. Here is a candle." "Is it necessary to change my frock?" "Yes, you had better: I always dress for the evening when Mr. Rochester is here." This additional ceremony seemed somewhat stately; however, I repaired to my room, and, with Mrs. Fairfax's aid, replaced my black stuff dress by one of black silk; the best and the only additional one I had, except one of light grey, which, in my Lowood notions of the toilette, I thought too fine to be worn, except on first-rate occasions. "You want a brooch," said Mrs. Fairfax. I had a single little pearl ornament which Miss Temple gave me as a parting keepsake: I put it on, and then we went downstairs. Unused as I was to strangers, it was rather a trial to appear thus formally summoned in Mr. Rochester's presence. I let Mrs. Fairfax precede me into the dining-room, and kept in her shade as we crossed that apartment; and, passing the arch, whose curtain was now dropped, entered the elegant recess beyond. Two wax candles stood lighted on the table, and two on the mantelpiece; basking in the light and heat of a superb fire, lay Pilot--Adele knelt near him. Half reclined on a couch appeared Mr. Rochester, his foot supported by the cushion; he was looking at Adele and the dog: the fire shone full on his face. I knew my traveller with his broad and jetty eyebrows; his square forehead, made squarer by the horizontal sweep of his black hair. I recognised his decisive nose, more remarkable for character than beauty; his full nostrils, denoting, I thought, choler; his grim mouth, chin, and jaw--yes, all three were very grim, and no mistake. His shape, now divested of cloak, I perceived harmonised in squareness with his physiognomy: I suppose it was a good figure in the athletic sense of the term--broad chested and thin flanked, though neither tall nor graceful. Mr. Rochester must have been aware of the entrance of Mrs. Fairfax and myself; but it appeared he was not in the mood to notice us, for he never lifted his head as we approached. "Here is Miss Eyre, sir," said Mrs. Fairfax, in her quiet way. He bowed, still not taking his eyes from the group of the dog and child. "Let Miss Eyre be seated," said he: and there was something in the forced stiff bow, in the impatient yet formal tone, which seemed further to express, "What the deuce is it to me whether Miss Eyre be there or not? At this moment I am not disposed to accost her." I sat down quite disembarrassed. A reception of finished politeness would probably have confused me: I could not have returned or repaid it by answering grace and elegance on my part; but harsh caprice laid me under no obligation; on the contrary, a decent quiescence, under the freak of manner, gave me the advantage. Besides, the eccentricity of the proceeding was piquant: I felt interested to see how he would go on. He went on as a statue would, that is, he neither spoke nor moved. Mrs. Fairfax seemed to think it necessary that some one should be amiable, and she began to talk. Kindly, as usual--and, as usual, rather trite--she condoled with him on the pressure of business he had had all day; on the annoyance it must have been to him with that painful sprain: then she commended his patience and perseverance in going through with it. "Madam, I should like some tea," was the sole rejoinder she got. She hastened to ring the bell; and when the tray came, she proceeded to arrange the cups, spoons, &c., with assiduous celerity. I and Adele went to the table; but the master did not leave his couch. "Will you hand Mr. Rochester's cup?" said Mrs. Fairfax to me; "Adele might perhaps spill it." I did as requested. As he took the cup from my hand, Adele, thinking the moment propitious for making a request in my favour, cried out-- "N'est-ce pas, monsieur, qu'il y a un cadeau pour Mademoiselle Eyre dans votre petit coffre?" "Who talks of cadeaux?" said he gruffly. "Did you expect a present, Miss Eyre? Are you fond of presents?" and he searched my face with eyes that I saw were dark, irate, and piercing. "I hardly know, sir; I have little experience of them: they are generally thought pleasant things." "Generally thought? But what do _you_ think?" "I should be obliged to take time, sir, before I could give you an answer worthy of your acceptance: a present has many faces to it, has it not? and one should consider all, before pronouncing an opinion as to its nature." "Miss Eyre, you are not so unsophisticated as Adele: she demands a 'cadeau,' clamorously, the moment she sees me: you beat about the bush." "Because I have less confidence in my deserts than Adele has: she can prefer the claim of old acquaintance, and the right too of custom; for she says you have always been in the habit of giving her playthings; but if I had to make out a case I should be puzzled, since I am a stranger, and have done nothing to entitle me to an acknowledgment." "Oh, don't fall back on over-modesty! I have examined Adele, and find you have taken great pains with her: she is not bright, she has no talents; yet in a short time she has made much improvement." "Sir, you have now given me my 'cadeau;' I am obliged to you: it is the meed teachers most covet--praise of their pupils' progress." "Humph!" said Mr. Rochester, and he took his tea in silence. "Come to the fire," said the master, when the tray was taken away, and Mrs. Fairfax had settled into a corner with her knitting; while Adele was leading me by the hand round the room, showing me the beautiful books and ornaments on the consoles and chiffonnieres. We obeyed, as in duty bound; Adele wanted to take a seat on my knee, but she was ordered to amuse herself with Pilot. "You have been resident in my house three months?" "Yes, sir." "And you came from--?" "From Lowood school, in ---shire." "Ah! a charitable concern. How long were you there?" "Eight years." "Eight years! you must be tenacious of life. I thought half the time in such a place would have done up any constitution! No wonder you have rather the look of another world. I marvelled where you had got that sort of face. When you came on me in Hay Lane last night, I thought unaccountably of fairy tales, and had half a mind to demand whether you had bewitched my horse: I am not sure yet. Who are your parents?" "I have none." "Nor ever had, I suppose: do you remember them?" "No." "I thought not. And so you were waiting for your people when you sat on that stile?" "For whom, sir?" "For the men in green: it was a proper moonlight evening for them. Did I break through one of your rings, that you spread that damned ice on the causeway?" I shook my head. "The men in green all forsook England a hundred years ago," said I, speaking as seriously as he had done. "And not even in Hay Lane, or the fields about it, could you find a trace of them. I don't think either summer or harvest, or winter moon, will ever shine on their revels more." Mrs. Fairfax had dropped her knitting, and, with raised eyebrows, seemed wondering what sort of talk this was. "Well," resumed Mr. Rochester, "if you disown parents, you must have some sort of kinsfolk: uncles and aunts?" "No; none that I ever saw." "And your home?" "I have none." "Where do your brothers and sisters live?" "I have no brothers or sisters." "Who recommended you to come here?" "I advertised, and Mrs. Fairfax answered my advertisement." "Yes," said the good lady, who now knew what ground we were upon, "and I am daily thankful for the choice Providence led me to make. Miss Eyre has been an invaluable companion to me, and a kind and careful teacher to Adele." "Don't trouble yourself to give her a character," returned Mr. Rochester: "eulogiums will not bias me; I shall judge for myself. She began by felling my horse." "Sir?" said Mrs. Fairfax. "I have to thank her for this sprain." The widow looked bewildered. "Miss Eyre, have you ever lived in a town?" "No, sir." "Have you seen much society?" "None but the pupils and teachers of Lowood, and now the inmates of Thornfield." "Have you read much?" "Only such books as came in my way; and they have not been numerous or very learned." "You have lived the life of a nun: no doubt you are well drilled in religious forms;--Brocklehurst, who I understand directs Lowood, is a parson, is he not?" "Yes, sir." "And you girls probably worshipped him, as a convent full of religieuses would worship their director." "Oh, no." "You are very cool! No! What! a novice not worship her priest! That sounds blasphemous." "I disliked Mr. Brocklehurst; and I was not alone in the feeling. He is a harsh man; at once pompous and meddling; he cut off our hair; and for economy's sake bought us bad needles and thread, with which we could hardly sew." "That was very false economy," remarked Mrs. Fairfax, who now again caught the drift of the dialogue. "And was that the head and front of his offending?" demanded Mr. Rochester. "He starved us when he had the sole superintendence of the provision department, before the committee was appointed; and he bored us with long lectures once a week, and with evening readings from books of his own inditing, about sudden deaths and judgments, which made us afraid to go to bed." "What age were you when you went to Lowood?" "About ten." "And you stayed there eight years: you are now, then, eighteen?" I assented. "Arithmetic, you see, is useful; without its aid, I should hardly have been able to guess your age. It is a point difficult to fix where the features and countenance are so much at variance as in your case. And now what did you learn at Lowood? Can you play?" "A little." "Of course: that is the established answer. Go into the library--I mean, if you please.--(Excuse my tone of command; I am used to say, 'Do this,' and it is done: I cannot alter my customary habits for one new inmate.)--Go, then, into the library; take a candle with you; leave the door open; sit down to the piano, and play a tune." I departed, obeying his directions. "Enough!" he called out in a few minutes. "You play _a little_, I see; like any other English school-girl; perhaps rather better than some, but not well." I closed the piano and returned. Mr. Rochester continued--"Adele showed me some sketches this morning, which she said were yours. I don't know whether they were entirely of your doing; probably a master aided you?" "No, indeed!" I interjected. "Ah! that pricks pride. Well, fetch me your portfolio, if you can vouch for its contents being original; but don't pass your word unless you are certain: I can recognise patchwork." "Then I will say nothing, and you shall judge for yourself, sir." I brought the portfolio from the library. "Approach the table," said he; and I wheeled it to his couch. Adele and Mrs. Fairfax drew near to see the pictures. "No crowding," said Mr. Rochester: "take the drawings from my hand as I finish with them; but don't push your faces up to mine." He deliberately scrutinised each sketch and painting. Three he laid aside; the others, when he had examined them, he swept from him. "Take them off to the other table, Mrs. Fairfax," said he, "and look at them with Adele;--you" (glancing at me) "resume your seat, and answer my questions. I perceive those pictures were done by one hand: was that hand yours?" "Yes." "And when did you find time to do them? They have taken much time, and some thought." "I did them in the last two vacations I spent at Lowood, when I had no other occupation." "Where did you get your copies?" "Out of my head." "That head I see now on your shoulders?" "Yes, sir." "Has it other furniture of the same kind within?" "I should think it may have: I should hope--better." He spread the pictures before him, and again surveyed them alternately. While he is so occupied, I will tell you, reader, what they are: and first, I must premise that they are nothing wonderful. The subjects had, indeed, risen vividly on my mind. As I saw them with the spiritual eye, before I attempted to embody them, they were striking; but my hand would not second my fancy, and in each case it had wrought out but a pale portrait of the thing I had conceived. These pictures were in water-colours. The first represented clouds low and livid, rolling over a swollen sea: all the distance was in eclipse; so, too, was the foreground; or rather, the nearest billows, for there was no land. One gleam of light lifted into relief a half-submerged mast, on which sat a cormorant, dark and large, with wings flecked with foam; its beak held a gold bracelet set with gems, that I had touched with as brilliant tints as my palette could yield, and as glittering distinctness as my pencil could impart. Sinking below the bird and mast, a drowned corpse glanced through the green water; a fair arm was the only limb clearly visible, whence the bracelet had been washed or torn. The second picture contained for foreground only the dim peak of a hill, with grass and some leaves slanting as if by a breeze. Beyond and above spread an expanse of sky, dark blue as at twilight: rising into the sky was a woman's shape to the bust, portrayed in tints as dusk and soft as I could combine. The dim forehead was crowned with a star; the lineaments below were seen as through the suffusion of vapour; the eyes shone dark and wild; the hair streamed shadowy, like a beamless cloud torn by storm or by electric travail. On the neck lay a pale reflection like moonlight; the same faint lustre touched the train of thin clouds from which rose and bowed this vision of the Evening Star. The third showed the pinnacle of an iceberg piercing a polar winter sky: a muster of northern lights reared their dim lances, close serried, along the horizon. Throwing these into distance, rose, in the foreground, a head,--a colossal head, inclined towards the iceberg, and resting against it. Two thin hands, joined under the forehead, and supporting it, drew up before the lower features a sable veil, a brow quite bloodless, white as bone, and an eye hollow and fixed, blank of meaning but for the glassiness of despair, alone were visible. Above the temples, amidst wreathed turban folds of black drapery, vague in its character and consistency as cloud, gleamed a ring of white flame, gemmed with sparkles of a more lurid tinge. This pale crescent was "the likeness of a kingly crown;" what it diademed was "the shape which shape had none." "Were you happy when you painted these pictures?" asked Mr. Rochester presently. "I was absorbed, sir: yes, and I was happy. To paint them, in short, was to enjoy one of the keenest pleasures I have ever known." "That is not saying much. Your pleasures, by your own account, have been few; but I daresay you did exist in a kind of artist's dreamland while you blent and arranged these strange tints. Did you sit at them long each day?" "I had nothing else to do, because it was the vacation, and I sat at them from morning till noon, and from noon till night: the length of the midsummer days favoured my inclination to apply." "And you felt self-satisfied with the result of your ardent labours?" "Far from it. I was tormented by the contrast between my idea and my handiwork: in each case I had imagined something which I was quite powerless to realise." "Not quite: you have secured the shadow of your thought; but no more, probably. You had not enough of the artist's skill and science to give it full being: yet the drawings are, for a school-girl, peculiar. As to the thoughts, they are elfish. These eyes in the Evening Star you must have seen in a dream. How could you make them look so clear, and yet not at all brilliant? for the planet above quells their rays. And what meaning is that in their solemn depth? And who taught you to paint wind? There is a high gale in that sky, and on this hill-top. Where did you see Latmos? For that is Latmos. There! put the drawings away!" I had scarce tied the strings of the portfolio, when, looking at his watch, he said abruptly-- "It is nine o'clock: what are you about, Miss Eyre, to let Adele sit up so long? Take her to bed." Adele went to kiss him before quitting the room: he endured the caress, but scarcely seemed to relish it more than Pilot would have done, nor so much. "I wish you all good-night, now," said he, making a movement of the hand towards the door, in token that he was tired of our company, and wished to dismiss us. Mrs. Fairfax folded up her knitting: I took my portfolio: we curtseyed to him, received a frigid bow in return, and so withdrew. "You said Mr. Rochester was not strikingly peculiar, Mrs. Fairfax," I observed, when I rejoined her in her room, after putting Adele to bed. "Well, is he?" "I think so: he is very changeful and abrupt." "True: no doubt he may appear so to a stranger, but I am so accustomed to his manner, I never think of it; and then, if he has peculiarities of temper, allowance should be made." "Why?" "Partly because it is his nature--and we can none of us help our nature; and partly because he has painful thoughts, no doubt, to harass him, and make his spirits unequal." "What about?" "Family troubles, for one thing." "But he has no family." "Not now, but he has had--or, at least, relatives. He lost his elder brother a few years since." "His _elder_ brother?" "Yes. The present Mr. Rochester has not been very long in possession of the property; only about nine years." "Nine years is a tolerable time. Was he so very fond of his brother as to be still inconsolable for his loss?" "Why, no--perhaps not. I believe there were some misunderstandings between them. Mr. Rowland Rochester was not quite just to Mr. Edward; and perhaps he prejudiced his father against him. The old gentleman was fond of money, and anxious to keep the family estate together. He did not like to diminish the property by division, and yet he was anxious that Mr. Edward should have wealth, too, to keep up the consequence of the name; and, soon after he was of age, some steps were taken that were not quite fair, and made a great deal of mischief. Old Mr. Rochester and Mr. Rowland combined to bring Mr. Edward into what he considered a painful position, for the sake of making his fortune: what the precise nature of that position was I never clearly knew, but his spirit could not brook what he had to suffer in it. He is not very forgiving: he broke with his family, and now for many years he has led an unsettled kind of life. I don't think he has ever been resident at Thornfield for a fortnight together, since the death of his brother without a will left him master of the estate; and, indeed, no wonder he shuns the old place." "Why should he shun it?" "Perhaps he thinks it gloomy." The answer was evasive. I should have liked something clearer; but Mrs. Fairfax either could not, or would not, give me more explicit information of the origin and nature of Mr. Rochester's trials. She averred they were a mystery to herself, and that what she knew was chiefly from conjecture. It was evident, indeed, that she wished me to drop the subject, which I did accordingly.

Volume 1, Chapter 13

https://web.archive.org/web/20210506211142/https://www.shmoop.com/study-guides/literature/jane-eyre/summary/volume-1-chapter-13

Jane doesn't see Mr. Rochester again that evening--he's in bed with his sprained ankle. She and Adele continue their lessons in a new upstairs room instead of the library, where Mr. Rochester is conducting business. Jane's excited about all the new activity in the household, all the people coming and going to see Mr. Rochester. The place is coming alive, and she prefers it that way. Adele is having a lot of trouble concentrating when she knows Mr. Rochester is downstairs--she keeps trying to sneak downstairs to see him or to guess what presents he might have brought her. Adele tells Jane that Mr. Rochester has been asking about her: especially what she looks like. In the early evening, Mr. Rochester invites Jane and Adele to have tea with him. Jane changes into her second-best dress, which is almost as plain as her regular dress, and puts on her only piece of jewelry, a simple pearl pin. As soon as she comes into the dining room, Jane recognizes Mr. Rochester as, of course, the stranger whom she helped after his horse slipped on the ice. Mr. Rochester is once again somewhat rude to Jane, or at least abrupt and preoccupied, but she prefers that to flattery and polished manners. Jane thinks it's more interesting this way. As Jane gives Rochester his teacup , Adele asks him if he has a present for Jane. He starts asking Jane whether she likes presents, and her subtle but saucy replies draw his interest. When he compliments her on how much she's taught Adele, she claims that that's the best gift she could have. Aww, how sweet. Mr. Rochester asks Jane about her past history; when he hears that she was at Lowood for eight years, he says that must be why she looks so eerie and unworldly. He compares her to the fairies and sprites of the wood, and suggests that she bewitched his horse to make it fall the day before. Mrs. Fairfax, who doesn't get the joke, is confused, but we're sure that you know just how serious Rochester actually is. Rochester keeps quizzing Jane about her background: she has no immediate family, came to Thornfield by answering Mrs. Fairfax's ad, has never lived in a town or known many people, and has only read the few books that were available to her here and there. She sounds pretty green, really. Once again Jane surprises Rochester, this time by being harsh and honest about Mr. Brocklehurst. Next Rochester examines Jane's various achievements, listening to her play the piano and examining her sketches. He, like Jane, is harsh and honest about the merits of her work; her piano playing, he says, is okay, but some of her sketches and paintings seem to really impress him--three of them in particular. The three of Jane's watercolors that Rochester finds really fascinating are each of landscapes that she painted from her imagination; one is of a stormy sea and a shipwreck with a corpse, one is of a grassy hill with the Evening Star personified as a shadowy woman, and one is of an icy arctic scene with a strange, pale, despairing figure in the foreground. Jane admits to Rochester that she enjoyed painting these images, but that she was "tormented by the contrast" between what she was actually able to paint and what she saw in her head. Rochester tells Jane that her paintings are intriguing and strange, but that she's not an artistic master. He keeps getting drawn in by the images, though, and seems to think that she's managed to paint real places without knowing it. Suddenly, Rochester sends Jane off to put Adele to bed, and retires for the night himself. Jane talks with Mrs. Fairfax about Rochester, who is far stranger than the housekeeper previously implied. Mrs. Fairfax tells Jane that they should make allowances for him because of his family problems: his elder brother died nine years before, and then he inherited the estate. Apparently, there was some sort of problem between the current Mr. Rochester, whose name is Edward; his brother, Rowland Rochester; and his father, Old Mr. Rochester. Old Mr. Rochester and Rowland put Edward in a bad position so that he would make money, but it's unclear what exactly happened. Now that his father and brother are gone, Mr. Edward Rochester tends to stay away from Thornfield and only visit it for short periods, perhaps because of bad memories. A mystery!

shmoop

all_chapterized_books/1260-chapters/15.txt

finished_summaries/shmoop/Jane Eyre/section_13_part_0.txt

Jane Eyre.volume 1.chapter 14

volume 1, chapter 14

{"name": "Volume 1, Chapter 14", "url": "https://web.archive.org/web/20210506211142/https://www.shmoop.com/study-guides/literature/jane-eyre/summary/volume-1-chapter-14", "summary": "For a little while, Jane doesn't see Rochester much; he has a lot of business and goes out riding frequently. Sometimes he is haughty or cold, but she can tell that he's just moody, and that his attitude doesn't really have anything to do with her. One evening, Rochester sends for Jane and Adele after dinner. A box of presents that Rochester has bought for Adele has arrived, and he parks her in the corner with it, exactly the way some parents might park a kid in the corner with the TV to keep them busy. He calls in Mrs. Fairfax, so that Adele can talk to her about the presents while he talks to Jane. Rochester keeps insisting that Jane bring her chair closer to him instead of moving back into the shadows so that he can't see her face. He seems to be in a better mood than usual, but he's still not very good at being polite; he tends to order her around. Suddenly, because she is staring at him, Rochester asks Jane if she thinks he's handsome. Without thinking, she gives an honest answer: no. Jane's immediately sorry that she didn't say something more socially acceptable, like \"Beauty is in the eye of the beholder,\" but Rochester doesn't seem to mind--in fact, he seems glad that she's honest. He asks her to criticize him, and she examines his skull and face. Based on the shape of Rochester's skull, Jane suggests that he might not be very charitable--and, from his reaction, she's absolutely right. Rochester explains a little bit about himself, suggesting that, when he was younger, he used to give people the benefit of the doubt, but these days he's pretty jaded. He asks Jane if she thinks he can turn back into \"flesh\" , but she doesn't know enough about his past to make the call. He's glad, however, that he confused her, because it keeps her from staring piercingly at his face. This is really heating up! Too bad he's almost twice her age . Jane continues to think about Rochester's appearance; she thinks that a lot of people might find him ugly, but something about the way he carries himself makes him imposing. Rochester tells her that he's feeling chatty tonight, and orders Jane to chat with him about something. He's really not very good at this small-talk stuff. Jane doesn't know what he likes to talk about, so she doesn't say anything. Rochester tries to explain his attitude toward Jane a little; even though he's kind of abrupt and tends to order her to do things instead of asking, he doesn't want to treat her as an inferior. At least, he explains, he only considers himself her superior because he's so much older and more experienced than she is. And so he will sometimes order her around and be \"masterful,\" he says, but she'll have to forgive him. Jane contradicts him: just because he's older and has done more doesn't mean he's wiser, she tells him. It depends on what he's done with those seventeen years he has on her; maybe he hasn't learned anything. He has to admit that she's right, but he still wants to be able to order her around sometimes, and tries to think of an excuse. Jane smiles at this--after all, he's paying her to take his orders, which he seems to have forgotten. She reminds him, and he leaps on this: will she agree to let him order her around a bit because she's getting paid? No, Jane says, getting paid isn't enough, but she will let him order her around simply because he was worried about her feelings and wanted her to be comfortable with how he treated her. Rochester presses the point: is it okay if he drops a lot of the polite nonsense? She won't just think he's being rude? Jane's a bit careful on this point; she's okay with him being informal, but not with him actually being a jerk. No salary would make up, she says, for actually being treated badly. Rochester thinks that a lot of people don't have Jane's principles and would let themselves get mistreated for money, but he's impressed with her answers, her tendency to stand up for herself, and her strong personality. Then Rochester changes his mind a little: Jane is unusual, he says, but maybe she has flaws that make up for her good points. Jane doesn't say anything, but it's clear that she's thinking the same thing about him. Rochester admits that he has a checkered past, but a lot of it he blames on the circumstances. Again, Jane doesn't know--and we don't yet know--exactly what he's talking about, but it sounds pretty sordid... and really interesting. Next Rochester tells Jane that one of her major roles in life is to listen. Did you ever have that one friend who somehow gets to hear everybody's personal problems? Like, they don't really ask, but something makes everyone tell that particular person everything? Rochester thinks Jane is going to be one of those people, but maybe he's just making excuses for having told her so much already. Rochester talks about remorse and regretting his past mistakes, whatever those are. Jane advises him to repent, and Rochester says that reform is better than repentance, but that there's something standing in the way of his reform. Jane says he'll just get worse and worse if he keeps grabbing for pleasure without changing, and that eventually his pleasures will sour anyway. He doesn't like being preached to and objects to this, but Jane holds her ground. Now Rochester tries to claim that the \"temptation\" he is feeling is actually an \"inspiration,\" that it's an angel and not a devil. We're going crazy to know what the heck it is he's tempted to do. Jane tells him that it's still a temptation, no matter what he says, and he should resist. Rochester gets a bit over-excited here and dramatically mimes taking the \"angel\" or \"demon\" or whatever this idea is into himself. Jane's really confused at this point, but insists that, if Rochester feels like he's not a good person, that he should make a genuine effort to change. Rochester tells Jane that he is going to change, and that, if what he's doing is immoral, then he'll declare a new moral law to make it right. Jane claims that anything that needs morals to change in order to be okay is obviously immoral. They argue about ethics for a bit, and Jane keeps getting the better of him. Basically, Rochester really wants to do something, we don't know what, and Jane can tell from how he talks about it that it's wrong, even though she doesn't know what it is or why. Jane ends the conversation by getting up and going to put Adele to bed. Rochester is worried that he drove her away by saying such weird things, but she assures him that she's not afraid of him, even though she is a little confused. Rochester discerns that Jane isn't naturally so stern and repressed--it's the effect of Lowood, he says, and it will wear off. He describes her as a caged bird that wants to be free. She doesn't really say anything to this, but it seems a lot like how she described herself at the beginning of the last chapter. While Jane and Rochester have been talking, Adele has run out to try on one of the dresses that were among her new presents from Rochester. When she comes back and frolics around in the dress, she looks just like her mother. Rochester hints at his involvement with Adele's mother--Celine Varens. It's not clear yet what Rochester's actual relationship to Adele is, but if he was \"involved\" with her mother, then we can guess that maybe he's her pops.", "analysis": ""}

For several subsequent days I saw little of Mr. Rochester. In the mornings he seemed much engaged with business, and, in the afternoon, gentlemen from Millcote or the neighbourhood called, and sometimes stayed to dine with him. When his sprain was well enough to admit of horse exercise, he rode out a good deal; probably to return these visits, as he generally did not come back till late at night. During this interval, even Adele was seldom sent for to his presence, and all my acquaintance with him was confined to an occasional rencontre in the hall, on the stairs, or in the gallery, when he would sometimes pass me haughtily and coldly, just acknowledging my presence by a distant nod or a cool glance, and sometimes bow and smile with gentlemanlike affability. His changes of mood did not offend me, because I saw that I had nothing to do with their alternation; the ebb and flow depended on causes quite disconnected with me. One day he had had company to dinner, and had sent for my portfolio; in order, doubtless, to exhibit its contents: the gentlemen went away early, to attend a public meeting at Millcote, as Mrs. Fairfax informed me; but the night being wet and inclement, Mr. Rochester did not accompany them. Soon after they were gone he rang the bell: a message came that I and Adele were to go downstairs. I brushed Adele's hair and made her neat, and having ascertained that I was myself in my usual Quaker trim, where there was nothing to retouch--all being too close and plain, braided locks included, to admit of disarrangement--we descended, Adele wondering whether the _petit coffre_ was at length come; for, owing to some mistake, its arrival had hitherto been delayed. She was gratified: there it stood, a little carton, on the table when we entered the dining-room. She appeared to know it by instinct. "Ma boite! ma boite!" exclaimed she, running towards it. "Yes, there is your 'boite' at last: take it into a corner, you genuine daughter of Paris, and amuse yourself with disembowelling it," said the deep and rather sarcastic voice of Mr. Rochester, proceeding from the depths of an immense easy-chair at the fireside. "And mind," he continued, "don't bother me with any details of the anatomical process, or any notice of the condition of the entrails: let your operation be conducted in silence: tiens-toi tranquille, enfant; comprends-tu?" Adele seemed scarcely to need the warning--she had already retired to a sofa with her treasure, and was busy untying the cord which secured the lid. Having removed this impediment, and lifted certain silvery envelopes of tissue paper, she merely exclaimed-- "Oh ciel! Que c'est beau!" and then remained absorbed in ecstatic contemplation. "Is Miss Eyre there?" now demanded the master, half rising from his seat to look round to the door, near which I still stood. "Ah! well, come forward; be seated here." He drew a chair near his own. "I am not fond of the prattle of children," he continued; "for, old bachelor as I am, I have no pleasant associations connected with their lisp. It would be intolerable to me to pass a whole evening _tete-a-tete_ with a brat. Don't draw that chair farther off, Miss Eyre; sit down exactly where I placed it--if you please, that is. Confound these civilities! I continually forget them. Nor do I particularly affect simple-minded old ladies. By-the-bye, I must have mine in mind; it won't do to neglect her; she is a Fairfax, or wed to one; and blood is said to be thicker than water." He rang, and despatched an invitation to Mrs. Fairfax, who soon arrived, knitting-basket in hand. "Good evening, madam; I sent to you for a charitable purpose. I have forbidden Adele to talk to me about her presents, and she is bursting with repletion: have the goodness to serve her as auditress and interlocutrice; it will be one of the most benevolent acts you ever performed." Adele, indeed, no sooner saw Mrs. Fairfax, than she summoned her to her sofa, and there quickly filled her lap with the porcelain, the ivory, the waxen contents of her "boite;" pouring out, meantime, explanations and raptures in such broken English as she was mistress of. "Now I have performed the part of a good host," pursued Mr. Rochester, "put my guests into the way of amusing each other, I ought to be at liberty to attend to my own pleasure. Miss Eyre, draw your chair still a little farther forward: you are yet too far back; I cannot see you without disturbing my position in this comfortable chair, which I have no mind to do." I did as I was bid, though I would much rather have remained somewhat in the shade; but Mr. Rochester had such a direct way of giving orders, it seemed a matter of course to obey him promptly. We were, as I have said, in the dining-room: the lustre, which had been lit for dinner, filled the room with a festal breadth of light; the large fire was all red and clear; the purple curtains hung rich and ample before the lofty window and loftier arch; everything was still, save the subdued chat of Adele (she dared not speak loud), and, filling up each pause, the beating of winter rain against the panes. Mr. Rochester, as he sat in his damask-covered chair, looked different to what I had seen him look before; not quite so stern--much less gloomy. There was a smile on his lips, and his eyes sparkled, whether with wine or not, I am not sure; but I think it very probable. He was, in short, in his after-dinner mood; more expanded and genial, and also more self- indulgent than the frigid and rigid temper of the morning; still he looked preciously grim, cushioning his massive head against the swelling back of his chair, and receiving the light of the fire on his granite- hewn features, and in his great, dark eyes; for he had great, dark eyes, and very fine eyes, too--not without a certain change in their depths sometimes, which, if it was not softness, reminded you, at least, of that feeling. He had been looking two minutes at the fire, and I had been looking the same length of time at him, when, turning suddenly, he caught my gaze fastened on his physiognomy. "You examine me, Miss Eyre," said he: "do you think me handsome?" I should, if I had deliberated, have replied to this question by something conventionally vague and polite; but the answer somehow slipped from my tongue before I was aware--"No, sir." "Ah! By my word! there is something singular about you," said he: "you have the air of a little _nonnette_; quaint, quiet, grave, and simple, as you sit with your hands before you, and your eyes generally bent on the carpet (except, by-the-bye, when they are directed piercingly to my face; as just now, for instance); and when one asks you a question, or makes a remark to which you are obliged to reply, you rap out a round rejoinder, which, if not blunt, is at least brusque. What do you mean by it?" "Sir, I was too plain; I beg your pardon. I ought to have replied that it was not easy to give an impromptu answer to a question about appearances; that tastes mostly differ; and that beauty is of little consequence, or something of that sort." "You ought to have replied no such thing. Beauty of little consequence, indeed! And so, under pretence of softening the previous outrage, of stroking and soothing me into placidity, you stick a sly penknife under my ear! Go on: what fault do you find with me, pray? I suppose I have all my limbs and all my features like any other man?" "Mr. Rochester, allow me to disown my first answer: I intended no pointed repartee: it was only a blunder." "Just so: I think so: and you shall be answerable for it. Criticise me: does my forehead not please you?" He lifted up the sable waves of hair which lay horizontally over his brow, and showed a solid enough mass of intellectual organs, but an abrupt deficiency where the suave sign of benevolence should have risen. "Now, ma'am, am I a fool?" "Far from it, sir. You would, perhaps, think me rude if I inquired in return whether you are a philanthropist?" "There again! Another stick of the penknife, when she pretended to pat my head: and that is because I said I did not like the society of children and old women (low be it spoken!). No, young lady, I am not a general philanthropist; but I bear a conscience;" and he pointed to the prominences which are said to indicate that faculty, and which, fortunately for him, were sufficiently conspicuous; giving, indeed, a marked breadth to the upper part of his head: "and, besides, I once had a kind of rude tenderness of heart. When I was as old as you, I was a feeling fellow enough, partial to the unfledged, unfostered, and unlucky; but Fortune has knocked me about since: she has even kneaded me with her knuckles, and now I flatter myself I am hard and tough as an India-rubber ball; pervious, though, through a chink or two still, and with one sentient point in the middle of the lump. Yes: does that leave hope for me?" "Hope of what, sir?" "Of my final re-transformation from India-rubber back to flesh?" "Decidedly he has had too much wine," I thought; and I did not know what answer to make to his queer question: how could I tell whether he was capable of being re-transformed? "You looked very much puzzled, Miss Eyre; and though you are not pretty any more than I am handsome, yet a puzzled air becomes you; besides, it is convenient, for it keeps those searching eyes of yours away from my physiognomy, and busies them with the worsted flowers of the rug; so puzzle on. Young lady, I am disposed to be gregarious and communicative to-night." With this announcement he rose from his chair, and stood, leaning his arm on the marble mantelpiece: in that attitude his shape was seen plainly as well as his face; his unusual breadth of chest, disproportionate almost to his length of limb. I am sure most people would have thought him an ugly man; yet there was so much unconscious pride in his port; so much ease in his demeanour; such a look of complete indifference to his own external appearance; so haughty a reliance on the power of other qualities, intrinsic or adventitious, to atone for the lack of mere personal attractiveness, that, in looking at him, one inevitably shared the indifference, and, even in a blind, imperfect sense, put faith in the confidence. "I am disposed to be gregarious and communicative to-night," he repeated, "and that is why I sent for you: the fire and the chandelier were not sufficient company for me; nor would Pilot have been, for none of these can talk. Adele is a degree better, but still far below the mark; Mrs. Fairfax ditto; you, I am persuaded, can suit me if you will: you puzzled me the first evening I invited you down here. I have almost forgotten you since: other ideas have driven yours from my head; but to-night I am resolved to be at ease; to dismiss what importunes, and recall what pleases. It would please me now to draw you out--to learn more of you--therefore speak." Instead of speaking, I smiled; and not a very complacent or submissive smile either. "Speak," he urged. "What about, sir?" "Whatever you like. I leave both the choice of subject and the manner of treating it entirely to yourself." Accordingly I sat and said nothing: "If he expects me to talk for the mere sake of talking and showing off, he will find he has addressed himself to the wrong person," I thought. "You are dumb, Miss Eyre." I was dumb still. He bent his head a little towards me, and with a single hasty glance seemed to dive into my eyes. "Stubborn?" he said, "and annoyed. Ah! it is consistent. I put my request in an absurd, almost insolent form. Miss Eyre, I beg your pardon. The fact is, once for all, I don't wish to treat you like an inferior: that is" (correcting himself), "I claim only such superiority as must result from twenty years' difference in age and a century's advance in experience. This is legitimate, _et j'y tiens_, as Adele would say; and it is by virtue of this superiority, and this alone, that I desire you to have the goodness to talk to me a little now, and divert my thoughts, which are galled with dwelling on one point--cankering as a rusty nail." He had deigned an explanation, almost an apology, and I did not feel insensible to his condescension, and would not seem so. "I am willing to amuse you, if I can, sir--quite willing; but I cannot introduce a topic, because how do I know what will interest you? Ask me questions, and I will do my best to answer them." "Then, in the first place, do you agree with me that I have a right to be a little masterful, abrupt, perhaps exacting, sometimes, on the grounds I stated, namely, that I am old enough to be your father, and that I have battled through a varied experience with many men of many nations, and roamed over half the globe, while you have lived quietly with one set of people in one house?" "Do as you please, sir." "That is no answer; or rather it is a very irritating, because a very evasive one. Reply clearly." "I don't think, sir, you have a right to command me, merely because you are older than I, or because you have seen more of the world than I have; your claim to superiority depends on the use you have made of your time and experience." "Humph! Promptly spoken. But I won't allow that, seeing that it would never suit my case, as I have made an indifferent, not to say a bad, use of both advantages. Leaving superiority out of the question, then, you must still agree to receive my orders now and then, without being piqued or hurt by the tone of command. Will you?" I smiled: I thought to myself Mr. Rochester _is_ peculiar--he seems to forget that he pays me 30 pounds per annum for receiving his orders. "The smile is very well," said he, catching instantly the passing expression; "but speak too." "I was thinking, sir, that very few masters would trouble themselves to inquire whether or not their paid subordinates were piqued and hurt by their orders." "Paid subordinates! What! you are my paid subordinate, are you? Oh yes, I had forgotten the salary! Well then, on that mercenary ground, will you agree to let me hector a little?" "No, sir, not on that ground; but, on the ground that you did forget it, and that you care whether or not a dependent is comfortable in his dependency, I agree heartily." "And will you consent to dispense with a great many conventional forms and phrases, without thinking that the omission arises from insolence?" "I am sure, sir, I should never mistake informality for insolence: one I rather like, the other nothing free-born would submit to, even for a salary." "Humbug! Most things free-born will submit to anything for a salary; therefore, keep to yourself, and don't venture on generalities of which you are intensely ignorant. However, I mentally shake hands with you for your answer, despite its inaccuracy; and as much for the manner in which it was said, as for the substance of the speech; the manner was frank and sincere; one does not often see such a manner: no, on the contrary, affectation, or coldness, or stupid, coarse-minded misapprehension of one's meaning are the usual rewards of candour. Not three in three thousand raw school-girl-governesses would have answered me as you have just done. But I don't mean to flatter you: if you are cast in a different mould to the majority, it is no merit of yours: Nature did it. And then, after all, I go too fast in my conclusions: for what I yet know, you may be no better than the rest; you may have intolerable defects to counterbalance your few good points." "And so may you," I thought. My eye met his as the idea crossed my mind: he seemed to read the glance, answering as if its import had been spoken as well as imagined-- "Yes, yes, you are right," said he; "I have plenty of faults of my own: I know it, and I don't wish to palliate them, I assure you. God wot I need not be too severe about others; I have a past existence, a series of deeds, a colour of life to contemplate within my own breast, which might well call my sneers and censures from my neighbours to myself. I started, or rather (for like other defaulters, I like to lay half the blame on ill fortune and adverse circumstances) was thrust on to a wrong tack at the age of one-and-twenty, and have never recovered the right course since: but I might have been very different; I might have been as good as you--wiser--almost as stainless. I envy you your peace of mind, your clean conscience, your unpolluted memory. Little girl, a memory without blot or contamination must be an exquisite treasure--an inexhaustible source of pure refreshment: is it not?" "How was your memory when you were eighteen, sir?" "All right then; limpid, salubrious: no gush of bilge water had turned it to fetid puddle. I was your equal at eighteen--quite your equal. Nature meant me to be, on the whole, a good man, Miss Eyre; one of the better kind, and you see I am not so. You would say you don't see it; at least I flatter myself I read as much in your eye (beware, by-the-bye, what you express with that organ; I am quick at interpreting its language). Then take my word for it,--I am not a villain: you are not to suppose that--not to attribute to me any such bad eminence; but, owing, I verily believe, rather to circumstances than to my natural bent, I am a trite commonplace sinner, hackneyed in all the poor petty dissipations with which the rich and worthless try to put on life. Do you wonder that I avow this to you? Know, that in the course of your future life you will often find yourself elected the involuntary confidant of your acquaintances' secrets: people will instinctively find out, as I have done, that it is not your forte to tell of yourself, but to listen while others talk of themselves; they will feel, too, that you listen with no malevolent scorn of their indiscretion, but with a kind of innate sympathy; not the less comforting and encouraging because it is very unobtrusive in its manifestations." "How do you know?--how can you guess all this, sir?" "I know it well; therefore I proceed almost as freely as if I were writing my thoughts in a diary. You would say, I should have been superior to circumstances; so I should--so I should; but you see I was not. When fate wronged me, I had not the wisdom to remain cool: I turned desperate; then I degenerated. Now, when any vicious simpleton excites my disgust by his paltry ribaldry, I cannot flatter myself that I am better than he: I am forced to confess that he and I are on a level. I wish I had stood firm--God knows I do! Dread remorse when you are tempted to err, Miss Eyre; remorse is the poison of life." "Repentance is said to be its cure, sir." "It is not its cure. Reformation may be its cure; and I could reform--I have strength yet for that--if--but where is the use of thinking of it, hampered, burdened, cursed as I am? Besides, since happiness is irrevocably denied me, I have a right to get pleasure out of life: and I _will_ get it, cost what it may." "Then you will degenerate still more, sir." "Possibly: yet why should I, if I can get sweet, fresh pleasure? And I may get it as sweet and fresh as the wild honey the bee gathers on the moor." "It will sting--it will taste bitter, sir." "How do you know?--you never tried it. How very serious--how very solemn you look: and you are as ignorant of the matter as this cameo head" (taking one from the mantelpiece). "You have no right to preach to me, you neophyte, that have not passed the porch of life, and are absolutely unacquainted with its mysteries." "I only remind you of your own words, sir: you said error brought remorse, and you pronounced remorse the poison of existence." "And who talks of error now? I scarcely think the notion that flittered across my brain was an error. I believe it was an inspiration rather than a temptation: it was very genial, very soothing--I know that. Here it comes again! It is no devil, I assure you; or if it be, it has put on the robes of an angel of light. I think I must admit so fair a guest when it asks entrance to my heart." "Distrust it, sir; it is not a true angel." "Once more, how do you know? By what instinct do you pretend to distinguish between a fallen seraph of the abyss and a messenger from the eternal throne--between a guide and a seducer?" "I judged by your countenance, sir, which was troubled when you said the suggestion had returned upon you. I feel sure it will work you more misery if you listen to it." "Not at all--it bears the most gracious message in the world: for the rest, you are not my conscience-keeper, so don't make yourself uneasy. Here, come in, bonny wanderer!" He said this as if he spoke to a vision, viewless to any eye but his own; then, folding his arms, which he had half extended, on his chest, he seemed to enclose in their embrace the invisible being. "Now," he continued, again addressing me, "I have received the pilgrim--a disguised deity, as I verily believe. Already it has done me good: my heart was a sort of charnel; it will now be a shrine." "To speak truth, sir, I don't understand you at all: I cannot keep up the conversation, because it has got out of my depth. Only one thing, I know: you said you were not as good as you should like to be, and that you regretted your own imperfection;--one thing I can comprehend: you intimated that to have a sullied memory was a perpetual bane. It seems to me, that if you tried hard, you would in time find it possible to become what you yourself would approve; and that if from this day you began with resolution to correct your thoughts and actions, you would in a few years have laid up a new and stainless store of recollections, to which you might revert with pleasure." "Justly thought; rightly said, Miss Eyre; and, at this moment, I am paving hell with energy." "Sir?" "I am laying down good intentions, which I believe durable as flint. Certainly, my associates and pursuits shall be other than they have been." "And better?" "And better--so much better as pure ore is than foul dross. You seem to doubt me; I don't doubt myself: I know what my aim is, what my motives are; and at this moment I pass a law, unalterable as that of the Medes and Persians, that both are right." "They cannot be, sir, if they require a new statute to legalise them." "They are, Miss Eyre, though they absolutely require a new statute: unheard-of combinations of circumstances demand unheard-of rules." "That sounds a dangerous maxim, sir; because one can see at once that it is liable to abuse." "Sententious sage! so it is: but I swear by my household gods not to abuse it." "You are human and fallible." "I am: so are you--what then?" "The human and fallible should not arrogate a power with which the divine and perfect alone can be safely intrusted." "What power?" "That of saying of any strange, unsanctioned line of action,--'Let it be right.'" "'Let it be right'--the very words: you have pronounced them." "_May_ it be right then," I said, as I rose, deeming it useless to continue a discourse which was all darkness to me; and, besides, sensible that the character of my interlocutor was beyond my penetration; at least, beyond its present reach; and feeling the uncertainty, the vague sense of insecurity, which accompanies a conviction of ignorance. "Where are you going?" "To put Adele to bed: it is past her bedtime." "You are afraid of me, because I talk like a Sphynx." "Your language is enigmatical, sir: but though I am bewildered, I am certainly not afraid." "You _are_ afraid--your self-love dreads a blunder." "In that sense I do feel apprehensive--I have no wish to talk nonsense." "If you did, it would be in such a grave, quiet manner, I should mistake it for sense. Do you never laugh, Miss Eyre? Don't trouble yourself to answer--I see you laugh rarely; but you can laugh very merrily: believe me, you are not naturally austere, any more than I am naturally vicious. The Lowood constraint still clings to you somewhat; controlling your features, muffling your voice, and restricting your limbs; and you fear in the presence of a man and a brother--or father, or master, or what you will--to smile too gaily, speak too freely, or move too quickly: but, in time, I think you will learn to be natural with me, as I find it impossible to be conventional with you; and then your looks and movements will have more vivacity and variety than they dare offer now. I see at intervals the glance of a curious sort of bird through the close-set bars of a cage: a vivid, restless, resolute captive is there; were it but free, it would soar cloud-high. You are still bent on going?" "It has struck nine, sir." "Never mind,--wait a minute: Adele is not ready to go to bed yet. My position, Miss Eyre, with my back to the fire, and my face to the room, favours observation. While talking to you, I have also occasionally watched Adele (I have my own reasons for thinking her a curious study,--reasons that I may, nay, that I shall, impart to you some day). She pulled out of her box, about ten minutes ago, a little pink silk frock; rapture lit her face as she unfolded it; coquetry runs in her blood, blends with her brains, and seasons the marrow of her bones. 'Il faut que je l'essaie!' cried she, 'et a l'instant meme!' and she rushed out of the room. She is now with Sophie, undergoing a robing process: in a few minutes she will re-enter; and I know what I shall see,--a miniature of Celine Varens, as she used to appear on the boards at the rising of--But never mind that. However, my tenderest feelings are about to receive a shock: such is my presentiment; stay now, to see whether it will be realised." Ere long, Adele's little foot was heard tripping across the hall. She entered, transformed as her guardian had predicted. A dress of rose-coloured satin, very short, and as full in the skirt as it could be gathered, replaced the brown frock she had previously worn; a wreath of rosebuds circled her forehead; her feet were dressed in silk stockings and small white satin sandals. "Est-ce que ma robe va bien?" cried she, bounding forwards; "et mes souliers? et mes bas? Tenez, je crois que je vais danser!" And spreading out her dress, she chasseed across the room till, having reached Mr. Rochester, she wheeled lightly round before him on tip-toe, then dropped on one knee at his feet, exclaiming-- "Monsieur, je vous remercie mille fois de votre bonte;" then rising, she added, "C'est comme cela que maman faisait, n'est-ce pas, monsieur?" "Pre-cise-ly!" was the answer; "and, 'comme cela,' she charmed my English gold out of my British breeches' pocket. I have been green, too, Miss Eyre,--ay, grass green: not a more vernal tint freshens you now than once freshened me. My Spring is gone, however, but it has left me that French floweret on my hands, which, in some moods, I would fain be rid of. Not valuing now the root whence it sprang; having found that it was of a sort which nothing but gold dust could manure, I have but half a liking to the blossom, especially when it looks so artificial as just now. I keep it and rear it rather on the Roman Catholic principle of expiating numerous sins, great or small, by one good work. I'll explain all this some day. Good-night."

Volume 1, Chapter 14

https://web.archive.org/web/20210506211142/https://www.shmoop.com/study-guides/literature/jane-eyre/summary/volume-1-chapter-14

For a little while, Jane doesn't see Rochester much; he has a lot of business and goes out riding frequently. Sometimes he is haughty or cold, but she can tell that he's just moody, and that his attitude doesn't really have anything to do with her. One evening, Rochester sends for Jane and Adele after dinner. A box of presents that Rochester has bought for Adele has arrived, and he parks her in the corner with it, exactly the way some parents might park a kid in the corner with the TV to keep them busy. He calls in Mrs. Fairfax, so that Adele can talk to her about the presents while he talks to Jane. Rochester keeps insisting that Jane bring her chair closer to him instead of moving back into the shadows so that he can't see her face. He seems to be in a better mood than usual, but he's still not very good at being polite; he tends to order her around. Suddenly, because she is staring at him, Rochester asks Jane if she thinks he's handsome. Without thinking, she gives an honest answer: no. Jane's immediately sorry that she didn't say something more socially acceptable, like "Beauty is in the eye of the beholder," but Rochester doesn't seem to mind--in fact, he seems glad that she's honest. He asks her to criticize him, and she examines his skull and face. Based on the shape of Rochester's skull, Jane suggests that he might not be very charitable--and, from his reaction, she's absolutely right. Rochester explains a little bit about himself, suggesting that, when he was younger, he used to give people the benefit of the doubt, but these days he's pretty jaded. He asks Jane if she thinks he can turn back into "flesh" , but she doesn't know enough about his past to make the call. He's glad, however, that he confused her, because it keeps her from staring piercingly at his face. This is really heating up! Too bad he's almost twice her age . Jane continues to think about Rochester's appearance; she thinks that a lot of people might find him ugly, but something about the way he carries himself makes him imposing. Rochester tells her that he's feeling chatty tonight, and orders Jane to chat with him about something. He's really not very good at this small-talk stuff. Jane doesn't know what he likes to talk about, so she doesn't say anything. Rochester tries to explain his attitude toward Jane a little; even though he's kind of abrupt and tends to order her to do things instead of asking, he doesn't want to treat her as an inferior. At least, he explains, he only considers himself her superior because he's so much older and more experienced than she is. And so he will sometimes order her around and be "masterful," he says, but she'll have to forgive him. Jane contradicts him: just because he's older and has done more doesn't mean he's wiser, she tells him. It depends on what he's done with those seventeen years he has on her; maybe he hasn't learned anything. He has to admit that she's right, but he still wants to be able to order her around sometimes, and tries to think of an excuse. Jane smiles at this--after all, he's paying her to take his orders, which he seems to have forgotten. She reminds him, and he leaps on this: will she agree to let him order her around a bit because she's getting paid? No, Jane says, getting paid isn't enough, but she will let him order her around simply because he was worried about her feelings and wanted her to be comfortable with how he treated her. Rochester presses the point: is it okay if he drops a lot of the polite nonsense? She won't just think he's being rude? Jane's a bit careful on this point; she's okay with him being informal, but not with him actually being a jerk. No salary would make up, she says, for actually being treated badly. Rochester thinks that a lot of people don't have Jane's principles and would let themselves get mistreated for money, but he's impressed with her answers, her tendency to stand up for herself, and her strong personality. Then Rochester changes his mind a little: Jane is unusual, he says, but maybe she has flaws that make up for her good points. Jane doesn't say anything, but it's clear that she's thinking the same thing about him. Rochester admits that he has a checkered past, but a lot of it he blames on the circumstances. Again, Jane doesn't know--and we don't yet know--exactly what he's talking about, but it sounds pretty sordid... and really interesting. Next Rochester tells Jane that one of her major roles in life is to listen. Did you ever have that one friend who somehow gets to hear everybody's personal problems? Like, they don't really ask, but something makes everyone tell that particular person everything? Rochester thinks Jane is going to be one of those people, but maybe he's just making excuses for having told her so much already. Rochester talks about remorse and regretting his past mistakes, whatever those are. Jane advises him to repent, and Rochester says that reform is better than repentance, but that there's something standing in the way of his reform. Jane says he'll just get worse and worse if he keeps grabbing for pleasure without changing, and that eventually his pleasures will sour anyway. He doesn't like being preached to and objects to this, but Jane holds her ground. Now Rochester tries to claim that the "temptation" he is feeling is actually an "inspiration," that it's an angel and not a devil. We're going crazy to know what the heck it is he's tempted to do. Jane tells him that it's still a temptation, no matter what he says, and he should resist. Rochester gets a bit over-excited here and dramatically mimes taking the "angel" or "demon" or whatever this idea is into himself. Jane's really confused at this point, but insists that, if Rochester feels like he's not a good person, that he should make a genuine effort to change. Rochester tells Jane that he is going to change, and that, if what he's doing is immoral, then he'll declare a new moral law to make it right. Jane claims that anything that needs morals to change in order to be okay is obviously immoral. They argue about ethics for a bit, and Jane keeps getting the better of him. Basically, Rochester really wants to do something, we don't know what, and Jane can tell from how he talks about it that it's wrong, even though she doesn't know what it is or why. Jane ends the conversation by getting up and going to put Adele to bed. Rochester is worried that he drove her away by saying such weird things, but she assures him that she's not afraid of him, even though she is a little confused. Rochester discerns that Jane isn't naturally so stern and repressed--it's the effect of Lowood, he says, and it will wear off. He describes her as a caged bird that wants to be free. She doesn't really say anything to this, but it seems a lot like how she described herself at the beginning of the last chapter. While Jane and Rochester have been talking, Adele has run out to try on one of the dresses that were among her new presents from Rochester. When she comes back and frolics around in the dress, she looks just like her mother. Rochester hints at his involvement with Adele's mother--Celine Varens. It's not clear yet what Rochester's actual relationship to Adele is, but if he was "involved" with her mother, then we can guess that maybe he's her pops.

shmoop

all_chapterized_books/1260-chapters/16.txt

finished_summaries/shmoop/Jane Eyre/section_14_part_0.txt

Jane Eyre.volume 1.chapter 15

volume 1, chapter 15

{"name": "Volume 1, Chapter 15", "url": "https://web.archive.org/web/20210506211142/https://www.shmoop.com/study-guides/literature/jane-eyre/summary/volume-1-chapter-15", "summary": "One day, while Rochester and Jane are walking in the garden outside Thornfield, Rochester explains his relationship to Adele's mother, Celine Varens, more explicitly. It's a pretty exciting story, so sit back as Rochester begins his tale: Celine was a French opera-dancer with whom Rochester fell in love--and he thought she loved him, too. Rochester became Celine's sugar daddy: he paid for her to live in an expensive hotel and have lots of servants and every possible luxury. In fact, all this was almost too expensive even for the wealthy Rochester, and he was well on his way to spending his whole fortune on her. One evening, Rochester went to Celine's place and she was out, so he sat on the balcony waiting for her. He saw her come back to the hotel in the carriage he was paying for... with another guy. Rochester breaks into his own story to comment on the way jealousy poisons everything--for a long time he even hated being at Thornfield because... he stops before telling us why. There's a long pause while Rochester and Jane stroll along the path and Rochester seems to be wrestling with himself. He tells Jane that he is fighting with a witchy specter of his destiny, and that now he's defying her and daring to enjoy being at Thornfield. Adele comes close to Rochester and Jane as she's playing, and Rochester orders her away. Jane prompts him to continue his story. Before Rochester continues, he notes again how strange it is that he's telling all this to Jane--what kind of guy tells his eighteen-year-old employee about his sordid affair with a French mistress? But he knows, he says, that Jane is made to be a confidante, and that what he's telling her won't hurt her and may help him. Then he continues the story: Rochester stayed hidden on the balcony behind the curtains, waiting for Celine and her lover to come in. Celine and the other guy entered, and Rochester stopped being jealous, because the guy was a cruel idiot Rochester had met before. Rochester decided right away that Celine wasn't worth his time if she would have an affair with such a loser. Rochester continued to hide and listen to them, but was mostly bored by their lame conversation. He was a bit irritated when they started insulting him behind his back, especially because Celine used to compliment him to his face constantly. Adele runs up and interrupts the story, saying that someone has come to see Mr. Rochester. Rochester quickly finishes the story for Jane: Rochester walked in, turned Celine out in the street with a little money to see her through the next few days, and arranged a duel with the lover the next day, at which he shot the guy in the arm. And that was that. But Rochester couldn't just wash his hands of the whole thing because, six months earlier, Celine had given birth to Adele. She claimed that Adele was Rochester's daughter. He doesn't think so, but she could be. Several years later, Celine abandoned Adele and ran off to Italy with another guy. Rochester still didn't think Adele was his daughter , but he felt sorry for her and brought her back to England to grow up under better circumstances. Having finished the story, Rochester asks Jane if now she feels differently about her job as Adele's governess. Jane answers that she cares even more about the girl now that she knows Adele is practically an orphan. Rochester goes in, and Jane stays outside playing with her pupil and the dog. She is more tender to Adele after hearing the story. That evening, as she's going to sleep, Jane thinks about what Rochester told her. Most of the story, she decides, is common enough, but the moment where Rochester freaked out while thinking about Thornfield still seems weird. Still, she can't explain it, so she starts thinking about something else--how Rochester treats her. Jane's glad that Rochester trusts her so much and that he always seems pleased to see her. He still does most of the talking when they're together, but she likes to learn from him and respond to his thoughts. She feels like they're family, not master and servant. Jane decides that Rochester has it in him to be a good person and hopes that she can help him deal with his past, whatever it might be. And Jane wonders--a bit ominously, we think--how long he'll be able to stay at Thornfield before whatever it is that he hates about the place crops up again. She knows she'll really regret it if he leaves. Lying awake in bed worrying, Jane hears something strange. She tries to tell herself that it's nothing, but then she hears the demonic laugh that usually comes from the attic. Someone is outside her bedroom door! Jane gets up, locks the door, and demands to know who's there. There's no answer, but she hears footsteps walking away. Determined to talk to Mrs. Fairfax, Jane unbolts the door and leaves the room--only to discover a lit candle sitting outside her door and the hallway filled with smoke. The door to Mr. Rochester's room is open, and the smoke is billowing out of it. Hardly thinking, Jane runs into Rochester's room, where she finds the bed curtains on fire. She tries to shake Rochester awake, but he's already half unconscious from inhaling the smoke, so she's forced to throw a nearby basin of water over him. She manages to put out most of the fire and wake him up. Rochester's first reaction is to swear, and his second one is to call Jane a fairy and a sorceress. Jane runs to get the candle from the hall, and she and Rochester look at the wet, scorched bed. She tells him about the laugh she heard and how she came to find him there. Strangely, Rochester's not surprised--just worried. Jane asks if she should call Mrs. Fairfax or someone else, but Rochester instructs her to stay in his room alone while he goes up to the third floor with the candle. After a long time, while Jane sits in the dark waiting for him, Rochester comes back and says that it's just what he thought happened... but he doesn't explain this thought to Jane. Rochester makes sure that Jane didn't see anything, and then accepts her theory that it is the seamstress Grace Poole who caused the damage. He tells Jane to say nothing about the whole incident. When Jane starts to leave, Rochester stops her, takes her hand, and thanks her for saving his life. He seems to want to say something else, but he doesn't... and he won't let go of her hand. Eventually, Jane convinces Rochester that she has to leave before Mrs. Fairfax comes, and he releases her. Jane goes back to bed, but, unsurprisingly, she can't sleep.", "analysis": ""}

Mr. Rochester did, on a future occasion, explain it. It was one afternoon, when he chanced to meet me and Adele in the grounds: and while she played with Pilot and her shuttlecock, he asked me to walk up and down a long beech avenue within sight of her. He then said that she was the daughter of a French opera-dancer, Celine Varens, towards whom he had once cherished what he called a "_grande passion_." This passion Celine had professed to return with even superior ardour. He thought himself her idol, ugly as he was: he believed, as he said, that she preferred his "_taille d'athlete_" to the elegance of the Apollo Belvidere. "And, Miss Eyre, so much was I flattered by this preference of the Gallic sylph for her British gnome, that I installed her in an hotel; gave her a complete establishment of servants, a carriage, cashmeres, diamonds, dentelles, &c. In short, I began the process of ruining myself in the received style, like any other spoony. I had not, it seems, the originality to chalk out a new road to shame and destruction, but trode the old track with stupid exactness not to deviate an inch from the beaten centre. I had--as I deserved to have--the fate of all other spoonies. Happening to call one evening when Celine did not expect me, I found her out; but it was a warm night, and I was tired with strolling through Paris, so I sat down in her boudoir; happy to breathe the air consecrated so lately by her presence. No,--I exaggerate; I never thought there was any consecrating virtue about her: it was rather a sort of pastille perfume she had left; a scent of musk and amber, than an odour of sanctity. I was just beginning to stifle with the fumes of conservatory flowers and sprinkled essences, when I bethought myself to open the window and step out on to the balcony. It was moonlight and gaslight besides, and very still and serene. The balcony was furnished with a chair or two; I sat down, and took out a cigar,--I will take one now, if you will excuse me." Here ensued a pause, filled up by the producing and lighting of a cigar; having placed it to his lips and breathed a trail of Havannah incense on the freezing and sunless air, he went on-- "I liked bonbons too in those days, Miss Eyre, and I was _croquant_--(overlook the barbarism)--_croquant_ chocolate comfits, and smoking alternately, watching meantime the equipages that rolled along the fashionable streets towards the neighbouring opera-house, when in an elegant close carriage drawn by a beautiful pair of English horses, and distinctly seen in the brilliant city-night, I recognised the 'voiture' I had given Celine. She was returning: of course my heart thumped with impatience against the iron rails I leant upon. The carriage stopped, as I had expected, at the hotel door; my flame (that is the very word for an opera inamorata) alighted: though muffed in a cloak--an unnecessary encumbrance, by-the-bye, on so warm a June evening--I knew her instantly by her little foot, seen peeping from the skirt of her dress, as she skipped from the carriage-step. Bending over the balcony, I was about to murmur 'Mon ange'--in a tone, of course, which should be audible to the ear of love alone--when a figure jumped from the carriage after her; cloaked also; but that was a spurred heel which had rung on the pavement, and that was a hatted head which now passed under the arched _porte cochere_ of the hotel. "You never felt jealousy, did you, Miss Eyre? Of course not: I need not ask you; because you never felt love. You have both sentiments yet to experience: your soul sleeps; the shock is yet to be given which shall waken it. You think all existence lapses in as quiet a flow as that in which your youth has hitherto slid away. Floating on with closed eyes and muffled ears, you neither see the rocks bristling not far off in the bed of the flood, nor hear the breakers boil at their base. But I tell you--and you may mark my words--you will come some day to a craggy pass in the channel, where the whole of life's stream will be broken up into whirl and tumult, foam and noise: either you will be dashed to atoms on crag points, or lifted up and borne on by some master-wave into a calmer current--as I am now. "I like this day; I like that sky of steel; I like the sternness and stillness of the world under this frost. I like Thornfield, its antiquity, its retirement, its old crow-trees and thorn-trees, its grey facade, and lines of dark windows reflecting that metal welkin: and yet how long have I abhorred the very thought of it, shunned it like a great plague-house? How I do still abhor--" He ground his teeth and was silent: he arrested his step and struck his boot against the hard ground. Some hated thought seemed to have him in its grip, and to hold him so tightly that he could not advance. We were ascending the avenue when he thus paused; the hall was before us. Lifting his eye to its battlements, he cast over them a glare such as I never saw before or since. Pain, shame, ire, impatience, disgust, detestation, seemed momentarily to hold a quivering conflict in the large pupil dilating under his ebon eyebrow. Wild was the wrestle which should be paramount; but another feeling rose and triumphed: something hard and cynical: self-willed and resolute: it settled his passion and petrified his countenance: he went on-- "During the moment I was silent, Miss Eyre, I was arranging a point with my destiny. She stood there, by that beech-trunk--a hag like one of those who appeared to Macbeth on the heath of Forres. 'You like Thornfield?' she said, lifting her finger; and then she wrote in the air a memento, which ran in lurid hieroglyphics all along the house-front, between the upper and lower row of windows, 'Like it if you can! Like it if you dare!' "'I will like it,' said I; 'I dare like it;' and" (he subjoined moodily) "I will keep my word; I will break obstacles to happiness, to goodness--yes, goodness. I wish to be a better man than I have been, than I am; as Job's leviathan broke the spear, the dart, and the habergeon, hindrances which others count as iron and brass, I will esteem but straw and rotten wood." Adele here ran before him with her shuttlecock. "Away!" he cried harshly; "keep at a distance, child; or go in to Sophie!" Continuing then to pursue his walk in silence, I ventured to recall him to the point whence he had abruptly diverged-- "Did you leave the balcony, sir," I asked, "when Mdlle. Varens entered?" I almost expected a rebuff for this hardly well-timed question, but, on the contrary, waking out of his scowling abstraction, he turned his eyes towards me, and the shade seemed to clear off his brow. "Oh, I had forgotten Celine! Well, to resume. When I saw my charmer thus come in accompanied by a cavalier, I seemed to hear a hiss, and the green snake of jealousy, rising on undulating coils from the moonlit balcony, glided within my waistcoat, and ate its way in two minutes to my heart's core. Strange!" he exclaimed, suddenly starting again from the point. "Strange that I should choose you for the confidant of all this, young lady; passing strange that you should listen to me quietly, as if it were the most usual thing in the world for a man like me to tell stories of his opera-mistresses to a quaint, inexperienced girl like you! But the last singularity explains the first, as I intimated once before: you, with your gravity, considerateness, and caution were made to be the recipient of secrets. Besides, I know what sort of a mind I have placed in communication with my own: I know it is one not liable to take infection: it is a peculiar mind: it is a unique one. Happily I do not mean to harm it: but, if I did, it would not take harm from me. The more you and I converse, the better; for while I cannot blight you, you may refresh me." After this digression he proceeded-- "I remained in the balcony. 'They will come to her boudoir, no doubt,' thought I: 'let me prepare an ambush.' So putting my hand in through the open window, I drew the curtain over it, leaving only an opening through which I could take observations; then I closed the casement, all but a chink just wide enough to furnish an outlet to lovers' whispered vows: then I stole back to my chair; and as I resumed it the pair came in. My eye was quickly at the aperture. Celine's chamber-maid entered, lit a lamp, left it on the table, and withdrew. The couple were thus revealed to me clearly: both removed their cloaks, and there was 'the Varens,' shining in satin and jewels,--my gifts of course,--and there was her companion in an officer's uniform; and I knew him for a young roue of a vicomte--a brainless and vicious youth whom I had sometimes met in society, and had never thought of hating because I despised him so absolutely. On recognising him, the fang of the snake Jealousy was instantly broken; because at the same moment my love for Celine sank under an extinguisher. A woman who could betray me for such a rival was not worth contending for; she deserved only scorn; less, however, than I, who had been her dupe. "They began to talk; their conversation eased me completely: frivolous, mercenary, heartless, and senseless, it was rather calculated to weary than enrage a listener. A card of mine lay on the table; this being perceived, brought my name under discussion. Neither of them possessed energy or wit to belabour me soundly, but they insulted me as coarsely as they could in their little way: especially Celine, who even waxed rather brilliant on my personal defects--deformities she termed them. Now it had been her custom to launch out into fervent admiration of what she called my '_beaute male_:' wherein she differed diametrically from you, who told me point-blank, at the second interview, that you did not think me handsome. The contrast struck me at the time and--" Adele here came running up again. "Monsieur, John has just been to say that your agent has called and wishes to see you." "Ah! in that case I must abridge. Opening the window, I walked in upon them; liberated Celine from my protection; gave her notice to vacate her hotel; offered her a purse for immediate exigencies; disregarded screams, hysterics, prayers, protestations, convulsions; made an appointment with the vicomte for a meeting at the Bois de Boulogne. Next morning I had the pleasure of encountering him; left a bullet in one of his poor etiolated arms, feeble as the wing of a chicken in the pip, and then thought I had done with the whole crew. But unluckily the Varens, six months before, had given me this filette Adele, who, she affirmed, was my daughter; and perhaps she may be, though I see no proofs of such grim paternity written in her countenance: Pilot is more like me than she. Some years after I had broken with the mother, she abandoned her child, and ran away to Italy with a musician or singer. I acknowledged no natural claim on Adele's part to be supported by me, nor do I now acknowledge any, for I am not her father; but hearing that she was quite destitute, I e'en took the poor thing out of the slime and mud of Paris, and transplanted it here, to grow up clean in the wholesome soil of an English country garden. Mrs. Fairfax found you to train it; but now you know that it is the illegitimate offspring of a French opera-girl, you will perhaps think differently of your post and protegee: you will be coming to me some day with notice that you have found another place--that you beg me to look out for a new governess, &c.--Eh?" "No: Adele is not answerable for either her mother's faults or yours: I have a regard for her; and now that I know she is, in a sense, parentless--forsaken by her mother and disowned by you, sir--I shall cling closer to her than before. How could I possibly prefer the spoilt pet of a wealthy family, who would hate her governess as a nuisance, to a lonely little orphan, who leans towards her as a friend?" "Oh, that is the light in which you view it! Well, I must go in now; and you too: it darkens." But I stayed out a few minutes longer with Adele and Pilot--ran a race with her, and played a game of battledore and shuttlecock. When we went in, and I had removed her bonnet and coat, I took her on my knee; kept her there an hour, allowing her to prattle as she liked: not rebuking even some little freedoms and trivialities into which she was apt to stray when much noticed, and which betrayed in her a superficiality of character, inherited probably from her mother, hardly congenial to an English mind. Still she had her merits; and I was disposed to appreciate all that was good in her to the utmost. I sought in her countenance and features a likeness to Mr. Rochester, but found none: no trait, no turn of expression announced relationship. It was a pity: if she could but have been proved to resemble him, he would have thought more of her. It was not till after I had withdrawn to my own chamber for the night, that I steadily reviewed the tale Mr. Rochester had told me. As he had said, there was probably nothing at all extraordinary in the substance of the narrative itself: a wealthy Englishman's passion for a French dancer, and her treachery to him, were every-day matters enough, no doubt, in society; but there was something decidedly strange in the paroxysm of emotion which had suddenly seized him when he was in the act of expressing the present contentment of his mood, and his newly revived pleasure in the old hall and its environs. I meditated wonderingly on this incident; but gradually quitting it, as I found it for the present inexplicable, I turned to the consideration of my master's manner to myself. The confidence he had thought fit to repose in me seemed a tribute to my discretion: I regarded and accepted it as such. His deportment had now for some weeks been more uniform towards me than at the first. I never seemed in his way; he did not take fits of chilling hauteur: when he met me unexpectedly, the encounter seemed welcome; he had always a word and sometimes a smile for me: when summoned by formal invitation to his presence, I was honoured by a cordiality of reception that made me feel I really possessed the power to amuse him, and that these evening conferences were sought as much for his pleasure as for my benefit. I, indeed, talked comparatively little, but I heard him talk with relish. It was his nature to be communicative; he liked to open to a mind unacquainted with the world glimpses of its scenes and ways (I do not mean its corrupt scenes and wicked ways, but such as derived their interest from the great scale on which they were acted, the strange novelty by which they were characterised); and I had a keen delight in receiving the new ideas he offered, in imagining the new pictures he portrayed, and following him in thought through the new regions he disclosed, never startled or troubled by one noxious allusion. The ease of his manner freed me from painful restraint: the friendly frankness, as correct as cordial, with which he treated me, drew me to him. I felt at times as if he were my relation rather than my master: yet he was imperious sometimes still; but I did not mind that; I saw it was his way. So happy, so gratified did I become with this new interest added to life, that I ceased to pine after kindred: my thin crescent-destiny seemed to enlarge; the blanks of existence were filled up; my bodily health improved; I gathered flesh and strength. And was Mr. Rochester now ugly in my eyes? No, reader: gratitude, and many associations, all pleasurable and genial, made his face the object I best liked to see; his presence in a room was more cheering than the brightest fire. Yet I had not forgotten his faults; indeed, I could not, for he brought them frequently before me. He was proud, sardonic, harsh to inferiority of every description: in my secret soul I knew that his great kindness to me was balanced by unjust severity to many others. He was moody, too; unaccountably so; I more than once, when sent for to read to him, found him sitting in his library alone, with his head bent on his folded arms; and, when he looked up, a morose, almost a malignant, scowl blackened his features. But I believed that his moodiness, his harshness, and his former faults of morality (I say _former_, for now he seemed corrected of them) had their source in some cruel cross of fate. I believed he was naturally a man of better tendencies, higher principles, and purer tastes than such as circumstances had developed, education instilled, or destiny encouraged. I thought there were excellent materials in him; though for the present they hung together somewhat spoiled and tangled. I cannot deny that I grieved for his grief, whatever that was, and would have given much to assuage it. Though I had now extinguished my candle and was laid down in bed, I could not sleep for thinking of his look when he paused in the avenue, and told how his destiny had risen up before him, and dared him to be happy at Thornfield. "Why not?" I asked myself. "What alienates him from the house? Will he leave it again soon? Mrs. Fairfax said he seldom stayed here longer than a fortnight at a time; and he has now been resident eight weeks. If he does go, the change will be doleful. Suppose he should be absent spring, summer, and autumn: how joyless sunshine and fine days will seem!" I hardly know whether I had slept or not after this musing; at any rate, I started wide awake on hearing a vague murmur, peculiar and lugubrious, which sounded, I thought, just above me. I wished I had kept my candle burning: the night was drearily dark; my spirits were depressed. I rose and sat up in bed, listening. The sound was hushed. I tried again to sleep; but my heart beat anxiously: my inward tranquillity was broken. The clock, far down in the hall, struck two. Just then it seemed my chamber-door was touched; as if fingers had swept the panels in groping a way along the dark gallery outside. I said, "Who is there?" Nothing answered. I was chilled with fear. All at once I remembered that it might be Pilot, who, when the kitchen- door chanced to be left open, not unfrequently found his way up to the threshold of Mr. Rochester's chamber: I had seen him lying there myself in the mornings. The idea calmed me somewhat: I lay down. Silence composes the nerves; and as an unbroken hush now reigned again through the whole house, I began to feel the return of slumber. But it was not fated that I should sleep that night. A dream had scarcely approached my ear, when it fled affrighted, scared by a marrow-freezing incident enough. This was a demoniac laugh--low, suppressed, and deep--uttered, as it seemed, at the very keyhole of my chamber door. The head of my bed was near the door, and I thought at first the goblin-laugher stood at my bedside--or rather, crouched by my pillow: but I rose, looked round, and could see nothing; while, as I still gazed, the unnatural sound was reiterated: and I knew it came from behind the panels. My first impulse was to rise and fasten the bolt; my next, again to cry out, "Who is there?" Something gurgled and moaned. Ere long, steps retreated up the gallery towards the third-storey staircase: a door had lately been made to shut in that staircase; I heard it open and close, and all was still. "Was that Grace Poole? and is she possessed with a devil?" thought I. Impossible now to remain longer by myself: I must go to Mrs. Fairfax. I hurried on my frock and a shawl; I withdrew the bolt and opened the door with a trembling hand. There was a candle burning just outside, and on the matting in the gallery. I was surprised at this circumstance: but still more was I amazed to perceive the air quite dim, as if filled with smoke; and, while looking to the right hand and left, to find whence these blue wreaths issued, I became further aware of a strong smell of burning. Something creaked: it was a door ajar; and that door was Mr. Rochester's, and the smoke rushed in a cloud from thence. I thought no more of Mrs. Fairfax; I thought no more of Grace Poole, or the laugh: in an instant, I was within the chamber. Tongues of flame darted round the bed: the curtains were on fire. In the midst of blaze and vapour, Mr. Rochester lay stretched motionless, in deep sleep. "Wake! wake!" I cried. I shook him, but he only murmured and turned: the smoke had stupefied him. Not a moment could be lost: the very sheets were kindling, I rushed to his basin and ewer; fortunately, one was wide and the other deep, and both were filled with water. I heaved them up, deluged the bed and its occupant, flew back to my own room, brought my own water-jug, baptized the couch afresh, and, by God's aid, succeeded in extinguishing the flames which were devouring it. The hiss of the quenched element, the breakage of a pitcher which I flung from my hand when I had emptied it, and, above all, the splash of the shower-bath I had liberally bestowed, roused Mr. Rochester at last. Though it was now dark, I knew he was awake; because I heard him fulminating strange anathemas at finding himself lying in a pool of water. "Is there a flood?" he cried. "No, sir," I answered; "but there has been a fire: get up, do; you are quenched now; I will fetch you a candle." "In the name of all the elves in Christendom, is that Jane Eyre?" he demanded. "What have you done with me, witch, sorceress? Who is in the room besides you? Have you plotted to drown me?" "I will fetch you a candle, sir; and, in Heaven's name, get up. Somebody has plotted something: you cannot too soon find out who and what it is." "There! I am up now; but at your peril you fetch a candle yet: wait two minutes till I get into some dry garments, if any dry there be--yes, here is my dressing-gown. Now run!" I did run; I brought the candle which still remained in the gallery. He took it from my hand, held it up, and surveyed the bed, all blackened and scorched, the sheets drenched, the carpet round swimming in water. "What is it? and who did it?" he asked. I briefly related to him what had transpired: the strange laugh I had heard in the gallery: the step ascending to the third storey; the smoke,--the smell of fire which had conducted me to his room; in what state I had found matters there, and how I had deluged him with all the water I could lay hands on. {"What is it and who did it?" he asked: p140.jpg} He listened very gravely; his face, as I went on, expressed more concern than astonishment; he did not immediately speak when I had concluded. "Shall I call Mrs. Fairfax?" I asked. "Mrs. Fairfax? No; what the deuce would you call her for? What can she do? Let her sleep unmolested." "Then I will fetch Leah, and wake John and his wife." "Not at all: just be still. You have a shawl on. If you are not warm enough, you may take my cloak yonder; wrap it about you, and sit down in the arm-chair: there,--I will put it on. Now place your feet on the stool, to keep them out of the wet. I am going to leave you a few minutes. I shall take the candle. Remain where you are till I return; be as still as a mouse. I must pay a visit to the second storey. Don't move, remember, or call any one." He went: I watched the light withdraw. He passed up the gallery very softly, unclosed the staircase door with as little noise as possible, shut it after him, and the last ray vanished. I was left in total darkness. I listened for some noise, but heard nothing. A very long time elapsed. I grew weary: it was cold, in spite of the cloak; and then I did not see the use of staying, as I was not to rouse the house. I was on the point of risking Mr. Rochester's displeasure by disobeying his orders, when the light once more gleamed dimly on the gallery wall, and I heard his unshod feet tread the matting. "I hope it is he," thought I, "and not something worse." He re-entered, pale and very gloomy. "I have found it all out," said he, setting his candle down on the washstand; "it is as I thought." "How, sir?" He made no reply, but stood with his arms folded, looking on the ground. At the end of a few minutes he inquired in rather a peculiar tone-- "I forget whether you said you saw anything when you opened your chamber door." "No, sir, only the candlestick on the ground." "But you heard an odd laugh? You have heard that laugh before, I should think, or something like it?" "Yes, sir: there is a woman who sews here, called Grace Poole,--she laughs in that way. She is a singular person." "Just so. Grace Poole--you have guessed it. She is, as you say, singular--very. Well, I shall reflect on the subject. Meantime, I am glad that you are the only person, besides myself, acquainted with the precise details of to-night's incident. You are no talking fool: say nothing about it. I will account for this state of affairs" (pointing to the bed): "and now return to your own room. I shall do very well on the sofa in the library for the rest of the night. It is near four:--in two hours the servants will be up." "Good-night, then, sir," said I, departing. He seemed surprised--very inconsistently so, as he had just told me to go. "What!" he exclaimed, "are you quitting me already, and in that way?" "You said I might go, sir." "But not without taking leave; not without a word or two of acknowledgment and good-will: not, in short, in that brief, dry fashion. Why, you have saved my life!--snatched me from a horrible and excruciating death! and you walk past me as if we were mutual strangers! At least shake hands." He held out his hand; I gave him mine: he took it first in one, them in both his own. "You have saved my life: I have a pleasure in owing you so immense a debt. I cannot say more. Nothing else that has being would have been tolerable to me in the character of creditor for such an obligation: but you: it is different;--I feel your benefits no burden, Jane." He paused; gazed at me: words almost visible trembled on his lips,--but his voice was checked. "Good-night again, sir. There is no debt, benefit, burden, obligation, in the case." "I knew," he continued, "you would do me good in some way, at some time;--I saw it in your eyes when I first beheld you: their expression and smile did not"--(again he stopped)--"did not" (he proceeded hastily) "strike delight to my very inmost heart so for nothing. People talk of natural sympathies; I have heard of good genii: there are grains of truth in the wildest fable. My cherished preserver, goodnight!" Strange energy was in his voice, strange fire in his look. "I am glad I happened to be awake," I said: and then I was going. "What! you _will_ go?" "I am cold, sir." "Cold? Yes,--and standing in a pool! Go, then, Jane; go!" But he still retained my hand, and I could not free it. I bethought myself of an expedient. "I think I hear Mrs. Fairfax move, sir," said I. "Well, leave me:" he relaxed his fingers, and I was gone. I regained my couch, but never thought of sleep. Till morning dawned I was tossed on a buoyant but unquiet sea, where billows of trouble rolled under surges of joy. I thought sometimes I saw beyond its wild waters a shore, sweet as the hills of Beulah; and now and then a freshening gale, wakened by hope, bore my spirit triumphantly towards the bourne: but I could not reach it, even in fancy--a counteracting breeze blew off land, and continually drove me back. Sense would resist delirium: judgment would warn passion. Too feverish to rest, I rose as soon as day dawned.

Volume 1, Chapter 15

https://web.archive.org/web/20210506211142/https://www.shmoop.com/study-guides/literature/jane-eyre/summary/volume-1-chapter-15

One day, while Rochester and Jane are walking in the garden outside Thornfield, Rochester explains his relationship to Adele's mother, Celine Varens, more explicitly. It's a pretty exciting story, so sit back as Rochester begins his tale: Celine was a French opera-dancer with whom Rochester fell in love--and he thought she loved him, too. Rochester became Celine's sugar daddy: he paid for her to live in an expensive hotel and have lots of servants and every possible luxury. In fact, all this was almost too expensive even for the wealthy Rochester, and he was well on his way to spending his whole fortune on her. One evening, Rochester went to Celine's place and she was out, so he sat on the balcony waiting for her. He saw her come back to the hotel in the carriage he was paying for... with another guy. Rochester breaks into his own story to comment on the way jealousy poisons everything--for a long time he even hated being at Thornfield because... he stops before telling us why. There's a long pause while Rochester and Jane stroll along the path and Rochester seems to be wrestling with himself. He tells Jane that he is fighting with a witchy specter of his destiny, and that now he's defying her and daring to enjoy being at Thornfield. Adele comes close to Rochester and Jane as she's playing, and Rochester orders her away. Jane prompts him to continue his story. Before Rochester continues, he notes again how strange it is that he's telling all this to Jane--what kind of guy tells his eighteen-year-old employee about his sordid affair with a French mistress? But he knows, he says, that Jane is made to be a confidante, and that what he's telling her won't hurt her and may help him. Then he continues the story: Rochester stayed hidden on the balcony behind the curtains, waiting for Celine and her lover to come in. Celine and the other guy entered, and Rochester stopped being jealous, because the guy was a cruel idiot Rochester had met before. Rochester decided right away that Celine wasn't worth his time if she would have an affair with such a loser. Rochester continued to hide and listen to them, but was mostly bored by their lame conversation. He was a bit irritated when they started insulting him behind his back, especially because Celine used to compliment him to his face constantly. Adele runs up and interrupts the story, saying that someone has come to see Mr. Rochester. Rochester quickly finishes the story for Jane: Rochester walked in, turned Celine out in the street with a little money to see her through the next few days, and arranged a duel with the lover the next day, at which he shot the guy in the arm. And that was that. But Rochester couldn't just wash his hands of the whole thing because, six months earlier, Celine had given birth to Adele. She claimed that Adele was Rochester's daughter. He doesn't think so, but she could be. Several years later, Celine abandoned Adele and ran off to Italy with another guy. Rochester still didn't think Adele was his daughter , but he felt sorry for her and brought her back to England to grow up under better circumstances. Having finished the story, Rochester asks Jane if now she feels differently about her job as Adele's governess. Jane answers that she cares even more about the girl now that she knows Adele is practically an orphan. Rochester goes in, and Jane stays outside playing with her pupil and the dog. She is more tender to Adele after hearing the story. That evening, as she's going to sleep, Jane thinks about what Rochester told her. Most of the story, she decides, is common enough, but the moment where Rochester freaked out while thinking about Thornfield still seems weird. Still, she can't explain it, so she starts thinking about something else--how Rochester treats her. Jane's glad that Rochester trusts her so much and that he always seems pleased to see her. He still does most of the talking when they're together, but she likes to learn from him and respond to his thoughts. She feels like they're family, not master and servant. Jane decides that Rochester has it in him to be a good person and hopes that she can help him deal with his past, whatever it might be. And Jane wonders--a bit ominously, we think--how long he'll be able to stay at Thornfield before whatever it is that he hates about the place crops up again. She knows she'll really regret it if he leaves. Lying awake in bed worrying, Jane hears something strange. She tries to tell herself that it's nothing, but then she hears the demonic laugh that usually comes from the attic. Someone is outside her bedroom door! Jane gets up, locks the door, and demands to know who's there. There's no answer, but she hears footsteps walking away. Determined to talk to Mrs. Fairfax, Jane unbolts the door and leaves the room--only to discover a lit candle sitting outside her door and the hallway filled with smoke. The door to Mr. Rochester's room is open, and the smoke is billowing out of it. Hardly thinking, Jane runs into Rochester's room, where she finds the bed curtains on fire. She tries to shake Rochester awake, but he's already half unconscious from inhaling the smoke, so she's forced to throw a nearby basin of water over him. She manages to put out most of the fire and wake him up. Rochester's first reaction is to swear, and his second one is to call Jane a fairy and a sorceress. Jane runs to get the candle from the hall, and she and Rochester look at the wet, scorched bed. She tells him about the laugh she heard and how she came to find him there. Strangely, Rochester's not surprised--just worried. Jane asks if she should call Mrs. Fairfax or someone else, but Rochester instructs her to stay in his room alone while he goes up to the third floor with the candle. After a long time, while Jane sits in the dark waiting for him, Rochester comes back and says that it's just what he thought happened... but he doesn't explain this thought to Jane. Rochester makes sure that Jane didn't see anything, and then accepts her theory that it is the seamstress Grace Poole who caused the damage. He tells Jane to say nothing about the whole incident. When Jane starts to leave, Rochester stops her, takes her hand, and thanks her for saving his life. He seems to want to say something else, but he doesn't... and he won't let go of her hand. Eventually, Jane convinces Rochester that she has to leave before Mrs. Fairfax comes, and he releases her. Jane goes back to bed, but, unsurprisingly, she can't sleep.

cliffnotes

all_chapterized_books/1260-chapters/02.txt

finished_summaries/cliffnotes/Jane Eyre/section_0_part_0.txt

Jane Eyre.volume 1.chapter 1

chapter 1

{"name": "Chapter 1", "url": "https://web.archive.org/web/20190321135117/https://www.cliffsnotes.com/literature/j/jane-eyre/summary-and-analysis/chapter-1", "summary": "It is a cold, wet November afternoon when the novel opens at Gateshead, the home of Jane Eyre's relatives, the Reeds. Jane and the Reed children, Eliza, John, and Georgiana sit in the drawing room. Jane's aunt is angry with her, purposely excluding her from the rest of the family, so Jane sits alone in a window seat, reading Bewick's History of British Birds. As she quietly reads, her cousin John torments her, reminding her of her precarious position within the household. As orphaned niece of Mrs. Reed, she should not be allowed to live with gentlemen's children. John throws a book at Jane and she calls him a \"murderer\" and \"slave-driver.\" The two children fight, and Jane is blamed for the quarrel. As punishment, she is banished to the red-room.", "analysis": "This opening chapter sets up two of the primary themes in the novel: class conflict and gender difference. As a poor orphan living with relatives, Jane feels alienated from the rest of the Reed family, and they certainly do nothing to make her feel more comfortable. John Reed says to Jane: \"You have no business to take our books; you are a dependant, mamma says; you have no money; your father left you none; you ought to beg, and not to live here with gentleman's children like us . . . .\" John claims the rights of the gentleman, implying that Jane's family was from a lower class. She appears to exist in a no-man's land between the upper and servant classes. By calling John a \"murderer,\" \"slave-driver\" and \"Roman emperor,\" Jane emphasizes the corruption that is inherent in the ruling classes. Her class difference translates into physical difference, and Jane believes that she is physically inferior to the Reed children. Jane's argument with John also points to the potential gender conflicts within the text. Not only is Jane at a disadvantage because of her class status, but her position as female leaves her vulnerable to the rules of a patriarchal tyrant. John is an over-indulged only son, described by Jane as \"unwholesome\" and \"thick,\" someone who habitually gorges himself. Contrasting with Jane's thin, modest appearance, John Reed is a picture of excess: his gluttony feeds his violent emotions, such as constant bullying and punishing of Jane. One of Jane's goals throughout the book will be to create an individual place for herself, free of the tyrannies of her aunt's class superiority and her cousin's gender dominance. By fighting back when John and his mother torment her, Jane refuses the passivity that was expected for a woman in her class position. Jane's situation as she sits reading Bewick's History of Birds provides significant imagery. The red curtains that enclose Jane in her isolated window seat connect with the imagery of the red-room to which Jane is banished at the end of the chapter. The color red is symbolic. Connoting fire and passion, red offers vitality, but also the potential to burn everything that comes in its way to ash. The symbolic energy of the red curtains contrast with the dreary November day that Jane watches outside her window: \"a pale blank of mist and cloud.\" Throughout the book, passion and fire will contrast with paleness and ice. Jane's choice of books is also significant in this scene. Like a bird, she would like the freedom of flying away from the alienation she feels at the Reed's house. The situation of the sea fowl that inhabit \"solitary rocks and promontories,\" is similar to Jane's: Like them, she lives in isolation. The extreme climate of the birds' homes in the Arctic, \"that reservoir of frost and snow,\" the \"death-white realms,\" again creates a contrast with the fire that explodes later in the chapter during John and Jane's violent encounter. Books provide Jane with an escape from her unhappy domestic situation. For Jane, each picture in Bewick's tale offers a story that sparks her keen imagination. But Jane also says that the book reminds her of the tales that Bessie, one of the Reeds' servants, sometimes tells on winter evenings. Books feed Jane's imagination, offering her a vast world beyond the claustrophobia of Gateshead; they fill her with visions of how rich life could be, rather than how stagnant it actually is. Not a complacent little girl, Jane longs for love and adventure."}

There was no possibility of taking a walk that day. We had been wandering, indeed, in the leafless shrubbery an hour in the morning; but since dinner (Mrs. Reed, when there was no company, dined early) the cold winter wind had brought with it clouds so sombre, and a rain so penetrating, that further out-door exercise was now out of the question. I was glad of it: I never liked long walks, especially on chilly afternoons: dreadful to me was the coming home in the raw twilight, with nipped fingers and toes, and a heart saddened by the chidings of Bessie, the nurse, and humbled by the consciousness of my physical inferiority to Eliza, John, and Georgiana Reed. The said Eliza, John, and Georgiana were now clustered round their mama in the drawing-room: she lay reclined on a sofa by the fireside, and with her darlings about her (for the time neither quarrelling nor crying) looked perfectly happy. Me, she had dispensed from joining the group; saying, "She regretted to be under the necessity of keeping me at a distance; but that until she heard from Bessie, and could discover by her own observation, that I was endeavouring in good earnest to acquire a more sociable and childlike disposition, a more attractive and sprightly manner--something lighter, franker, more natural, as it were--she really must exclude me from privileges intended only for contented, happy, little children." "What does Bessie say I have done?" I asked. "Jane, I don't like cavillers or questioners; besides, there is something truly forbidding in a child taking up her elders in that manner. Be seated somewhere; and until you can speak pleasantly, remain silent." A breakfast-room adjoined the drawing-room, I slipped in there. It contained a bookcase: I soon possessed myself of a volume, taking care that it should be one stored with pictures. I mounted into the window- seat: gathering up my feet, I sat cross-legged, like a Turk; and, having drawn the red moreen curtain nearly close, I was shrined in double retirement. Folds of scarlet drapery shut in my view to the right hand; to the left were the clear panes of glass, protecting, but not separating me from the drear November day. At intervals, while turning over the leaves of my book, I studied the aspect of that winter afternoon. Afar, it offered a pale blank of mist and cloud; near a scene of wet lawn and storm-beat shrub, with ceaseless rain sweeping away wildly before a long and lamentable blast. I returned to my book--Bewick's History of British Birds: the letterpress thereof I cared little for, generally speaking; and yet there were certain introductory pages that, child as I was, I could not pass quite as a blank. They were those which treat of the haunts of sea-fowl; of "the solitary rocks and promontories" by them only inhabited; of the coast of Norway, studded with isles from its southern extremity, the Lindeness, or Naze, to the North Cape-- "Where the Northern Ocean, in vast whirls, Boils round the naked, melancholy isles Of farthest Thule; and the Atlantic surge Pours in among the stormy Hebrides." Nor could I pass unnoticed the suggestion of the bleak shores of Lapland, Siberia, Spitzbergen, Nova Zembla, Iceland, Greenland, with "the vast sweep of the Arctic Zone, and those forlorn regions of dreary space,--that reservoir of frost and snow, where firm fields of ice, the accumulation of centuries of winters, glazed in Alpine heights above heights, surround the pole, and concentre the multiplied rigours of extreme cold." Of these death-white realms I formed an idea of my own: shadowy, like all the half-comprehended notions that float dim through children's brains, but strangely impressive. The words in these introductory pages connected themselves with the succeeding vignettes, and gave significance to the rock standing up alone in a sea of billow and spray; to the broken boat stranded on a desolate coast; to the cold and ghastly moon glancing through bars of cloud at a wreck just sinking. I cannot tell what sentiment haunted the quite solitary churchyard, with its inscribed headstone; its gate, its two trees, its low horizon, girdled by a broken wall, and its newly-risen crescent, attesting the hour of eventide. The two ships becalmed on a torpid sea, I believed to be marine phantoms. The fiend pinning down the thief's pack behind him, I passed over quickly: it was an object of terror. So was the black horned thing seated aloof on a rock, surveying a distant crowd surrounding a gallows. Each picture told a story; mysterious often to my undeveloped understanding and imperfect feelings, yet ever profoundly interesting: as interesting as the tales Bessie sometimes narrated on winter evenings, when she chanced to be in good humour; and when, having brought her ironing-table to the nursery hearth, she allowed us to sit about it, and while she got up Mrs. Reed's lace frills, and crimped her nightcap borders, fed our eager attention with passages of love and adventure taken from old fairy tales and other ballads; or (as at a later period I discovered) from the pages of Pamela, and Henry, Earl of Moreland. With Bewick on my knee, I was then happy: happy at least in my way. I feared nothing but interruption, and that came too soon. The breakfast- room door opened. "Boh! Madam Mope!" cried the voice of John Reed; then he paused: he found the room apparently empty. "Where the dickens is she!" he continued. "Lizzy! Georgy! (calling to his sisters) Joan is not here: tell mama she is run out into the rain--bad animal!" "It is well I drew the curtain," thought I; and I wished fervently he might not discover my hiding-place: nor would John Reed have found it out himself; he was not quick either of vision or conception; but Eliza just put her head in at the door, and said at once-- "She is in the window-seat, to be sure, Jack." And I came out immediately, for I trembled at the idea of being dragged forth by the said Jack. "What do you want?" I asked, with awkward diffidence. "Say, 'What do you want, Master Reed?'" was the answer. "I want you to come here;" and seating himself in an arm-chair, he intimated by a gesture that I was to approach and stand before him. John Reed was a schoolboy of fourteen years old; four years older than I, for I was but ten: large and stout for his age, with a dingy and unwholesome skin; thick lineaments in a spacious visage, heavy limbs and large extremities. He gorged himself habitually at table, which made him bilious, and gave him a dim and bleared eye and flabby cheeks. He ought now to have been at school; but his mama had taken him home for a month or two, "on account of his delicate health." Mr. Miles, the master, affirmed that he would do very well if he had fewer cakes and sweetmeats sent him from home; but the mother's heart turned from an opinion so harsh, and inclined rather to the more refined idea that John's sallowness was owing to over-application and, perhaps, to pining after home. John had not much affection for his mother and sisters, and an antipathy to me. He bullied and punished me; not two or three times in the week, nor once or twice in the day, but continually: every nerve I had feared him, and every morsel of flesh in my bones shrank when he came near. There were moments when I was bewildered by the terror he inspired, because I had no appeal whatever against either his menaces or his inflictions; the servants did not like to offend their young master by taking my part against him, and Mrs. Reed was blind and deaf on the subject: she never saw him strike or heard him abuse me, though he did both now and then in her very presence, more frequently, however, behind her back. Habitually obedient to John, I came up to his chair: he spent some three minutes in thrusting out his tongue at me as far as he could without damaging the roots: I knew he would soon strike, and while dreading the blow, I mused on the disgusting and ugly appearance of him who would presently deal it. I wonder if he read that notion in my face; for, all at once, without speaking, he struck suddenly and strongly. I tottered, and on regaining my equilibrium retired back a step or two from his chair. "That is for your impudence in answering mama awhile since," said he, "and for your sneaking way of getting behind curtains, and for the look you had in your eyes two minutes since, you rat!" Accustomed to John Reed's abuse, I never had an idea of replying to it; my care was how to endure the blow which would certainly follow the insult. "What were you doing behind the curtain?" he asked. "I was reading." "Show the book." I returned to the window and fetched it thence. "You have no business to take our books; you are a dependent, mama says; you have no money; your father left you none; you ought to beg, and not to live here with gentlemen's children like us, and eat the same meals we do, and wear clothes at our mama's expense. Now, I'll teach you to rummage my bookshelves: for they _are_ mine; all the house belongs to me, or will do in a few years. Go and stand by the door, out of the way of the mirror and the windows." I did so, not at first aware what was his intention; but when I saw him lift and poise the book and stand in act to hurl it, I instinctively started aside with a cry of alarm: not soon enough, however; the volume was flung, it hit me, and I fell, striking my head against the door and cutting it. The cut bled, the pain was sharp: my terror had passed its climax; other feelings succeeded. "Wicked and cruel boy!" I said. "You are like a murderer--you are like a slave-driver--you are like the Roman emperors!" I had read Goldsmith's History of Rome, and had formed my opinion of Nero, Caligula, etc. Also I had drawn parallels in silence, which I never thought thus to have declared aloud. "What! what!" he cried. "Did she say that to me? Did you hear her, Eliza and Georgiana? Won't I tell mama? but first--" He ran headlong at me: I felt him grasp my hair and my shoulder: he had closed with a desperate thing. I really saw in him a tyrant, a murderer. I felt a drop or two of blood from my head trickle down my neck, and was sensible of somewhat pungent suffering: these sensations for the time predominated over fear, and I received him in frantic sort. I don't very well know what I did with my hands, but he called me "Rat! Rat!" and bellowed out aloud. Aid was near him: Eliza and Georgiana had run for Mrs. Reed, who was gone upstairs: she now came upon the scene, followed by Bessie and her maid Abbot. We were parted: I heard the words-- "Dear! dear! What a fury to fly at Master John!" "Did ever anybody see such a picture of passion!" Then Mrs. Reed subjoined-- "Take her away to the red-room, and lock her in there." Four hands were immediately laid upon me, and I was borne upstairs.

Chapter 1

https://web.archive.org/web/20190321135117/https://www.cliffsnotes.com/literature/j/jane-eyre/summary-and-analysis/chapter-1

It is a cold, wet November afternoon when the novel opens at Gateshead, the home of Jane Eyre's relatives, the Reeds. Jane and the Reed children, Eliza, John, and Georgiana sit in the drawing room. Jane's aunt is angry with her, purposely excluding her from the rest of the family, so Jane sits alone in a window seat, reading Bewick's History of British Birds. As she quietly reads, her cousin John torments her, reminding her of her precarious position within the household. As orphaned niece of Mrs. Reed, she should not be allowed to live with gentlemen's children. John throws a book at Jane and she calls him a "murderer" and "slave-driver." The two children fight, and Jane is blamed for the quarrel. As punishment, she is banished to the red-room.

This opening chapter sets up two of the primary themes in the novel: class conflict and gender difference. As a poor orphan living with relatives, Jane feels alienated from the rest of the Reed family, and they certainly do nothing to make her feel more comfortable. John Reed says to Jane: "You have no business to take our books; you are a dependant, mamma says; you have no money; your father left you none; you ought to beg, and not to live here with gentleman's children like us . . . ." John claims the rights of the gentleman, implying that Jane's family was from a lower class. She appears to exist in a no-man's land between the upper and servant classes. By calling John a "murderer," "slave-driver" and "Roman emperor," Jane emphasizes the corruption that is inherent in the ruling classes. Her class difference translates into physical difference, and Jane believes that she is physically inferior to the Reed children. Jane's argument with John also points to the potential gender conflicts within the text. Not only is Jane at a disadvantage because of her class status, but her position as female leaves her vulnerable to the rules of a patriarchal tyrant. John is an over-indulged only son, described by Jane as "unwholesome" and "thick," someone who habitually gorges himself. Contrasting with Jane's thin, modest appearance, John Reed is a picture of excess: his gluttony feeds his violent emotions, such as constant bullying and punishing of Jane. One of Jane's goals throughout the book will be to create an individual place for herself, free of the tyrannies of her aunt's class superiority and her cousin's gender dominance. By fighting back when John and his mother torment her, Jane refuses the passivity that was expected for a woman in her class position. Jane's situation as she sits reading Bewick's History of Birds provides significant imagery. The red curtains that enclose Jane in her isolated window seat connect with the imagery of the red-room to which Jane is banished at the end of the chapter. The color red is symbolic. Connoting fire and passion, red offers vitality, but also the potential to burn everything that comes in its way to ash. The symbolic energy of the red curtains contrast with the dreary November day that Jane watches outside her window: "a pale blank of mist and cloud." Throughout the book, passion and fire will contrast with paleness and ice. Jane's choice of books is also significant in this scene. Like a bird, she would like the freedom of flying away from the alienation she feels at the Reed's house. The situation of the sea fowl that inhabit "solitary rocks and promontories," is similar to Jane's: Like them, she lives in isolation. The extreme climate of the birds' homes in the Arctic, "that reservoir of frost and snow," the "death-white realms," again creates a contrast with the fire that explodes later in the chapter during John and Jane's violent encounter. Books provide Jane with an escape from her unhappy domestic situation. For Jane, each picture in Bewick's tale offers a story that sparks her keen imagination. But Jane also says that the book reminds her of the tales that Bessie, one of the Reeds' servants, sometimes tells on winter evenings. Books feed Jane's imagination, offering her a vast world beyond the claustrophobia of Gateshead; they fill her with visions of how rich life could be, rather than how stagnant it actually is. Not a complacent little girl, Jane longs for love and adventure.

cliffnotes

all_chapterized_books/1260-chapters/volume_1_chapters_2_to_3.txt

finished_summaries/cliffnotes/Jane Eyre/section_1_part_0.txt

Jane Eyre.volume 1.chapters 2-3

chapters 2-3

{"name": "Chapters 2-3", "url": "https://web.archive.org/web/20190321135117/https://www.cliffsnotes.com/literature/j/jane-eyre/summary-and-analysis/chapters-23", "summary": "As she's being dragged to the red-room, Jane resists her jailors, Bessie and Miss Abbott. After the servants have locked her in, Jane begins observing the red-room. It is the biggest and best room of the mansion, yet is rarely used because Uncle Reed died there. Looking into a mirror, Jane compares her image to that of a strange fairy. The oddness of being in a death-chamber seems to have stimulated Jane's imagination, and she feels superstitious about her surroundings. She's also contemplative. Why, she wonders, is she always the outcast? The reader learns that Jane's Uncle Reed -- her mother's brother -- brought her into the household. On his deathbed, he made his wife promise to raise Jane as one of her own children, but obviously, this promise has not been kept. Suddenly, Jane feels a presence in the room and imagines it might be Mr. Reed, returning to earth to avenge his wife's violation of his last wish. She screams and the servants come running into the room. Jane begs to be removed from the red-room, but neither the servants nor Mrs. Reed have any sympathy for her. Believing that Jane is pretending to be afraid, Mrs. Reed vows that Jane will be freed only if she maintains \"perfect stillness and submission.\" When everyone leaves, Jane faints. Jane awakens in her own bedroom, surrounded by the sound of muffled voices. She is still frightened but also aware that someone is handling her more tenderly than she has ever been touched before. She feels secure when she recognizes Bessie and Mr. Lloyd, an apothecary, standing near the bed. Bessie is kind to Jane and even tells another servant that she thinks Mrs. Reed was too hard on Jane. Jane spends the next day reading, and Bessie sings her a song. After a conversation with Jane, Mr. Lloyd recommends that Mrs. Reed send her away to school. Jane is excited about leaving Gateshead and beginning a new life. Overhearing a conversation between Miss Abbot and Bessie, Jane learns that her father was a poor clergyman who married her mother against her family's wishes. As a result, Jane's grandfather Reed disinherited his daughter. A year after their marriage, Jane's father caught typhus while visiting the poor, and both of her parents soon died within a month of each other and left Jane orphaned.", "analysis": "Stating that she is resisting her captors like a \"rebel slave,\" Jane continues to use the imagery of oppression begun in the previous chapter. When Miss Abbot admonishes Jane for striking John Reed, Jane's \"young master,\" Jane immediately questions her terminology. Is John really her master; is she his servant? Again, Jane's position within the household is questioned, particularly her class identity. When Mr. Lloyd asks about Jane's relatives on her father's side, Jane replies that she \"might have some poor, low relations called Eyre.\" Mr. Lloyd wonders if Jane would prefer to live with them, and she immediately pictures a world of \"ragged clothes, scanty food, fireless grates, rude manners, and debasing vices.\" Fundamentally, Jane shares the Reed's belief that poor people are morally inferior to the wealthy, and she honestly admits that she isn't \"heroic\" enough to \"purchase liberty at the price of caste.\" Jane is slowly shaping the parameters of her ideal lifestyle; poverty, she realizes, is not acceptable to her. When Mr. Lloyd suggests school as another option, Jane imagines it as inspiring place, where she could learn to paint, sing, and speak French. Unlike poverty, education offers Jane the possibility of improving her position in society; thus, school may allow her freedom with a potential increase in \"caste.\" Learning about her family background reveals that Jane is not from a \"beggarly set,\" as her aunt had suggested. As a clergyman, her father held an acceptable, even gentlemanly position within Victorian society. Thus, this chapter ends with a refinement in the understanding of Jane's class position. Miss Abbot, who has the final word on Jane's position, however, calls Jane \"a little toad,\" reminding readers that beauty, as well as class, defines a woman's position within a patriarchal culture. Both Bessie and Miss Abbot believe Jane's plight would be more \"moving\" if she were as beautiful as her cousin Georgiana who looks \"as if she were painted.\" The novel specifically critiques this \"wax-doll\" prototype of female beauty, and one of Bronte's goals in this book was to create a poignant, yet plain, heroine. As a shy, impoverished, and plain child, Jane decides she is a \"useless thing.\" Thus, she needs to discover her \"use,\" one that is outside the realm of class and beauty. Color is once again symbolic, revealing the mood of the scene and providing insight into character. While in Chapter 1, Jane was enshrouded by the red curtains, here she is locked within the red-room. Chapter 3 opens with Jane remembering a nightmare image of \"a terrible red glare, crossed with thick black bars.\" For Jane, red has become the color of a hellish nightmare, in which she is jailed behind impenetrable black bars. But this negative connotation soon dissipates, because Jane realizes that the red is simply the glare from her nursery fire. From a sign of evil and hellish fires, red has been transformed into a nurturing, warmth-giving glow. Thus, the significance of symbols and colors in this novel is not static; instead, they change to reflect Jane's emotional and social situation. Skin color is also important. Here the reader learns that John reviles his mother for her \"dark skin,\" a supposedly negative quality that he has inherited from her. The novel appears to support an ethnocentrism that links \"darkness\" with an unacceptable foreignness, while lightness is affiliated with English purity. The characterization of Jane is also developed in this chapter. As she gazes at her image in the red-room's mirror, Jane describes herself as a \"tiny phantom, half fairy, half imp\" from one of Bessie's bedtime stories, a spirit-creature that comes out of \"lone, ferny dells in moors\" and appears in the eyes of \"belated travellers.\" The association of Jane with a fairy will be repeated throughout the novel, and her notion of appearing, sprite-like, in the eyes of travelers foreshadows her first meeting with Rochester. As fairy, Jane identifies herself as a special, magical creature, and reminds the reader of the importance imagination plays her in her life. Not only is Jane an undefined, almost mythical creature, but the narrative she creates also crosses boundaries by mixing realism and fantasy. We see the first instance of a supernatural intrusion into the novel in this chapter. As Jane sits nervously in the red-room, she imagines a gleam of light shining on the wall and believes it is \"a herald of some coming vision from another world.\" The novel suggests that Jane has psychic powers -- she is haunted by other apparitions and by prophetic dreams. Generally, these ghostly visitations prefigure drastic changes in Jane's life, as this one does. To improve Jane's spirits, Bessie sings a song that Jane has often delighted in. Now, though, the song suggests only sadness, so Bessie begins another ballad. Like Gulliver's Travels, this tune tells the tale of a desolate traveler. The narrator of this song is a \"poor orphan child,\" who has wandered a long way, through wild mountains and dreary twilight. Just as in the previous chapter, Jane meditated upon the purpose of her suffering, the speaker in this song wonders why he or she has been sent \"so far and so lonely.\" The only hope for this lost child is in heaven because God will provide mercy and protection. Implicitly, Bessie suggests that Jane should become a spiritual traveler, looking toward heaven for solace, rather than worrying about her troubles in this world. Jane feels meager comfort in the song's message because she longs to find happiness on earth. Jane's interactions with religious figures and their promise of spiritual salvation will be repeated throughout the text. Should we focus on heaven to the exclusion of earth? In general, Jane doesn't believe humans should be so focused on heaven that they forget the pleasures available for them here on earth. The narration in this section reminds readers that the tale is being told by an older, wiser Jane remembering her childhood experiences. For example, there are frequent interjections by the older Jane, explaining or apologizing for her feelings. At one point, she says, \"Yes, Mrs. Reed, to you I own some fearful pangs of mental suffering. But I ought to forgive you, for your knew not what you did.\" Jane says she \"ought\" to forgive Mrs. Reed, but she doesn't necessarily do it. Similarly, this older narrator explains that children are often unable to express their feelings in words; therefore, the reader shouldn't be surprised by the meagerness of Jane's response to Mr. Lloyd's question about the source of her unhappiness in the Reed household. The frequent intrusions of this older voice increase sympathy for Jane, providing more insights on Jane's motivations. Notice that the novel's full title is Jane Eyre: An Autobiography and that the title page claims that it was edited, rather than written, by Currer Bell. Glossary hummocks small hills. coney a rabbit. portent a supernatural warning or hint of danger."}

I resisted all the way: a new thing for me, and a circumstance which greatly strengthened the bad opinion Bessie and Miss Abbot were disposed to entertain of me. The fact is, I was a trifle beside myself; or rather _out_ of myself, as the French would say: I was conscious that a moment's mutiny had already rendered me liable to strange penalties, and, like any other rebel slave, I felt resolved, in my desperation, to go all lengths. "Hold her arms, Miss Abbot: she's like a mad cat." "For shame! for shame!" cried the lady's-maid. "What shocking conduct, Miss Eyre, to strike a young gentleman, your benefactress's son! Your young master." "Master! How is he my master? Am I a servant?" "No; you are less than a servant, for you do nothing for your keep. There, sit down, and think over your wickedness." They had got me by this time into the apartment indicated by Mrs. Reed, and had thrust me upon a stool: my impulse was to rise from it like a spring; their two pair of hands arrested me instantly. "If you don't sit still, you must be tied down," said Bessie. "Miss Abbot, lend me your garters; she would break mine directly." Miss Abbot turned to divest a stout leg of the necessary ligature. This preparation for bonds, and the additional ignominy it inferred, took a little of the excitement out of me. "Don't take them off," I cried; "I will not stir." In guarantee whereof, I attached myself to my seat by my hands. "Mind you don't," said Bessie; and when she had ascertained that I was really subsiding, she loosened her hold of me; then she and Miss Abbot stood with folded arms, looking darkly and doubtfully on my face, as incredulous of my sanity. "She never did so before," at last said Bessie, turning to the Abigail. "But it was always in her," was the reply. "I've told Missis often my opinion about the child, and Missis agreed with me. She's an underhand little thing: I never saw a girl of her age with so much cover." Bessie answered not; but ere long, addressing me, she said--"You ought to be aware, Miss, that you are under obligations to Mrs. Reed: she keeps you: if she were to turn you off, you would have to go to the poorhouse." I had nothing to say to these words: they were not new to me: my very first recollections of existence included hints of the same kind. This reproach of my dependence had become a vague sing-song in my ear: very painful and crushing, but only half intelligible. Miss Abbot joined in-- "And you ought not to think yourself on an equality with the Misses Reed and Master Reed, because Missis kindly allows you to be brought up with them. They will have a great deal of money, and you will have none: it is your place to be humble, and to try to make yourself agreeable to them." "What we tell you is for your good," added Bessie, in no harsh voice, "you should try to be useful and pleasant, then, perhaps, you would have a home here; but if you become passionate and rude, Missis will send you away, I am sure." "Besides," said Miss Abbot, "God will punish her: He might strike her dead in the midst of her tantrums, and then where would she go? Come, Bessie, we will leave her: I wouldn't have her heart for anything. Say your prayers, Miss Eyre, when you are by yourself; for if you don't repent, something bad might be permitted to come down the chimney and fetch you away." They went, shutting the door, and locking it behind them. The red-room was a square chamber, very seldom slept in, I might say never, indeed, unless when a chance influx of visitors at Gateshead Hall rendered it necessary to turn to account all the accommodation it contained: yet it was one of the largest and stateliest chambers in the mansion. A bed supported on massive pillars of mahogany, hung with curtains of deep red damask, stood out like a tabernacle in the centre; the two large windows, with their blinds always drawn down, were half shrouded in festoons and falls of similar drapery; the carpet was red; the table at the foot of the bed was covered with a crimson cloth; the walls were a soft fawn colour with a blush of pink in it; the wardrobe, the toilet-table, the chairs were of darkly polished old mahogany. Out of these deep surrounding shades rose high, and glared white, the piled- up mattresses and pillows of the bed, spread with a snowy Marseilles counterpane. Scarcely less prominent was an ample cushioned easy-chair near the head of the bed, also white, with a footstool before it; and looking, as I thought, like a pale throne. This room was chill, because it seldom had a fire; it was silent, because remote from the nursery and kitchen; solemn, because it was known to be so seldom entered. The house-maid alone came here on Saturdays, to wipe from the mirrors and the furniture a week's quiet dust: and Mrs. Reed herself, at far intervals, visited it to review the contents of a certain secret drawer in the wardrobe, where were stored divers parchments, her jewel-casket, and a miniature of her deceased husband; and in those last words lies the secret of the red-room--the spell which kept it so lonely in spite of its grandeur. Mr. Reed had been dead nine years: it was in this chamber he breathed his last; here he lay in state; hence his coffin was borne by the undertaker's men; and, since that day, a sense of dreary consecration had guarded it from frequent intrusion. My seat, to which Bessie and the bitter Miss Abbot had left me riveted, was a low ottoman near the marble chimney-piece; the bed rose before me; to my right hand there was the high, dark wardrobe, with subdued, broken reflections varying the gloss of its panels; to my left were the muffled windows; a great looking-glass between them repeated the vacant majesty of the bed and room. I was not quite sure whether they had locked the door; and when I dared move, I got up and went to see. Alas! yes: no jail was ever more secure. Returning, I had to cross before the looking- glass; my fascinated glance involuntarily explored the depth it revealed. All looked colder and darker in that visionary hollow than in reality: and the strange little figure there gazing at me, with a white face and arms specking the gloom, and glittering eyes of fear moving where all else was still, had the effect of a real spirit: I thought it like one of the tiny phantoms, half fairy, half imp, Bessie's evening stories represented as coming out of lone, ferny dells in moors, and appearing before the eyes of belated travellers. I returned to my stool. Superstition was with me at that moment; but it was not yet her hour for complete victory: my blood was still warm; the mood of the revolted slave was still bracing me with its bitter vigour; I had to stem a rapid rush of retrospective thought before I quailed to the dismal present. All John Reed's violent tyrannies, all his sisters' proud indifference, all his mother's aversion, all the servants' partiality, turned up in my disturbed mind like a dark deposit in a turbid well. Why was I always suffering, always browbeaten, always accused, for ever condemned? Why could I never please? Why was it useless to try to win any one's favour? Eliza, who was headstrong and selfish, was respected. Georgiana, who had a spoiled temper, a very acrid spite, a captious and insolent carriage, was universally indulged. Her beauty, her pink cheeks and golden curls, seemed to give delight to all who looked at her, and to purchase indemnity for every fault. John no one thwarted, much less punished; though he twisted the necks of the pigeons, killed the little pea-chicks, set the dogs at the sheep, stripped the hothouse vines of their fruit, and broke the buds off the choicest plants in the conservatory: he called his mother "old girl," too; sometimes reviled her for her dark skin, similar to his own; bluntly disregarded her wishes; not unfrequently tore and spoiled her silk attire; and he was still "her own darling." I dared commit no fault: I strove to fulfil every duty; and I was termed naughty and tiresome, sullen and sneaking, from morning to noon, and from noon to night. My head still ached and bled with the blow and fall I had received: no one had reproved John for wantonly striking me; and because I had turned against him to avert farther irrational violence, I was loaded with general opprobrium. "Unjust!--unjust!" said my reason, forced by the agonising stimulus into precocious though transitory power: and Resolve, equally wrought up, instigated some strange expedient to achieve escape from insupportable oppression--as running away, or, if that could not be effected, never eating or drinking more, and letting myself die. What a consternation of soul was mine that dreary afternoon! How all my brain was in tumult, and all my heart in insurrection! Yet in what darkness, what dense ignorance, was the mental battle fought! I could not answer the ceaseless inward question--_why_ I thus suffered; now, at the distance of--I will not say how many years, I see it clearly. I was a discord in Gateshead Hall: I was like nobody there; I had nothing in harmony with Mrs. Reed or her children, or her chosen vassalage. If they did not love me, in fact, as little did I love them. They were not bound to regard with affection a thing that could not sympathise with one amongst them; a heterogeneous thing, opposed to them in temperament, in capacity, in propensities; a useless thing, incapable of serving their interest, or adding to their pleasure; a noxious thing, cherishing the germs of indignation at their treatment, of contempt of their judgment. I know that had I been a sanguine, brilliant, careless, exacting, handsome, romping child--though equally dependent and friendless--Mrs. Reed would have endured my presence more complacently; her children would have entertained for me more of the cordiality of fellow-feeling; the servants would have been less prone to make me the scapegoat of the nursery. Daylight began to forsake the red-room; it was past four o'clock, and the beclouded afternoon was tending to drear twilight. I heard the rain still beating continuously on the staircase window, and the wind howling in the grove behind the hall; I grew by degrees cold as a stone, and then my courage sank. My habitual mood of humiliation, self-doubt, forlorn depression, fell damp on the embers of my decaying ire. All said I was wicked, and perhaps I might be so; what thought had I been but just conceiving of starving myself to death? That certainly was a crime: and was I fit to die? Or was the vault under the chancel of Gateshead Church an inviting bourne? In such vault I had been told did Mr. Reed lie buried; and led by this thought to recall his idea, I dwelt on it with gathering dread. I could not remember him; but I knew that he was my own uncle--my mother's brother--that he had taken me when a parentless infant to his house; and that in his last moments he had required a promise of Mrs. Reed that she would rear and maintain me as one of her own children. Mrs. Reed probably considered she had kept this promise; and so she had, I dare say, as well as her nature would permit her; but how could she really like an interloper not of her race, and unconnected with her, after her husband's death, by any tie? It must have been most irksome to find herself bound by a hard-wrung pledge to stand in the stead of a parent to a strange child she could not love, and to see an uncongenial alien permanently intruded on her own family group. A singular notion dawned upon me. I doubted not--never doubted--that if Mr. Reed had been alive he would have treated me kindly; and now, as I sat looking at the white bed and overshadowed walls--occasionally also turning a fascinated eye towards the dimly gleaming mirror--I began to recall what I had heard of dead men, troubled in their graves by the violation of their last wishes, revisiting the earth to punish the perjured and avenge the oppressed; and I thought Mr. Reed's spirit, harassed by the wrongs of his sister's child, might quit its abode--whether in the church vault or in the unknown world of the departed--and rise before me in this chamber. I wiped my tears and hushed my sobs, fearful lest any sign of violent grief might waken a preternatural voice to comfort me, or elicit from the gloom some haloed face, bending over me with strange pity. This idea, consolatory in theory, I felt would be terrible if realised: with all my might I endeavoured to stifle it--I endeavoured to be firm. Shaking my hair from my eyes, I lifted my head and tried to look boldly round the dark room; at this moment a light gleamed on the wall. Was it, I asked myself, a ray from the moon penetrating some aperture in the blind? No; moonlight was still, and this stirred; while I gazed, it glided up to the ceiling and quivered over my head. I can now conjecture readily that this streak of light was, in all likelihood, a gleam from a lantern carried by some one across the lawn: but then, prepared as my mind was for horror, shaken as my nerves were by agitation, I thought the swift darting beam was a herald of some coming vision from another world. My heart beat thick, my head grew hot; a sound filled my ears, which I deemed the rushing of wings; something seemed near me; I was oppressed, suffocated: endurance broke down; I rushed to the door and shook the lock in desperate effort. Steps came running along the outer passage; the key turned, Bessie and Abbot entered. "Miss Eyre, are you ill?" said Bessie. "What a dreadful noise! it went quite through me!" exclaimed Abbot. "Take me out! Let me go into the nursery!" was my cry. "What for? Are you hurt? Have you seen something?" again demanded Bessie. "Oh! I saw a light, and I thought a ghost would come." I had now got hold of Bessie's hand, and she did not snatch it from me. "She has screamed out on purpose," declared Abbot, in some disgust. "And what a scream! If she had been in great pain one would have excused it, but she only wanted to bring us all here: I know her naughty tricks." "What is all this?" demanded another voice peremptorily; and Mrs. Reed came along the corridor, her cap flying wide, her gown rustling stormily. "Abbot and Bessie, I believe I gave orders that Jane Eyre should be left in the red-room till I came to her myself." "Miss Jane screamed so loud, ma'am," pleaded Bessie. "Let her go," was the only answer. "Loose Bessie's hand, child: you cannot succeed in getting out by these means, be assured. I abhor artifice, particularly in children; it is my duty to show you that tricks will not answer: you will now stay here an hour longer, and it is only on condition of perfect submission and stillness that I shall liberate you then." "O aunt! have pity! Forgive me! I cannot endure it--let me be punished some other way! I shall be killed if--" "Silence! This violence is all most repulsive:" and so, no doubt, she felt it. I was a precocious actress in her eyes; she sincerely looked on me as a compound of virulent passions, mean spirit, and dangerous duplicity. Bessie and Abbot having retreated, Mrs. Reed, impatient of my now frantic anguish and wild sobs, abruptly thrust me back and locked me in, without farther parley. I heard her sweeping away; and soon after she was gone, I suppose I had a species of fit: unconsciousness closed the scene. The next thing I remember is, waking up with a feeling as if I had had a frightful nightmare, and seeing before me a terrible red glare, crossed with thick black bars. I heard voices, too, speaking with a hollow sound, and as if muffled by a rush of wind or water: agitation, uncertainty, and an all-predominating sense of terror confused my faculties. Ere long, I became aware that some one was handling me; lifting me up and supporting me in a sitting posture, and that more tenderly than I had ever been raised or upheld before. I rested my head against a pillow or an arm, and felt easy. In five minutes more the cloud of bewilderment dissolved: I knew quite well that I was in my own bed, and that the red glare was the nursery fire. It was night: a candle burnt on the table; Bessie stood at the bed- foot with a basin in her hand, and a gentleman sat in a chair near my pillow, leaning over me. I felt an inexpressible relief, a soothing conviction of protection and security, when I knew that there was a stranger in the room, an individual not belonging to Gateshead, and not related to Mrs. Reed. Turning from Bessie (though her presence was far less obnoxious to me than that of Abbot, for instance, would have been), I scrutinised the face of the gentleman: I knew him; it was Mr. Lloyd, an apothecary, sometimes called in by Mrs. Reed when the servants were ailing: for herself and the children she employed a physician. "Well, who am I?" he asked. I pronounced his name, offering him at the same time my hand: he took it, smiling and saying, "We shall do very well by-and-by." Then he laid me down, and addressing Bessie, charged her to be very careful that I was not disturbed during the night. Having given some further directions, and intimates that he should call again the next day, he departed; to my grief: I felt so sheltered and befriended while he sat in the chair near my pillow; and as he closed the door after him, all the room darkened and my heart again sank: inexpressible sadness weighed it down. "Do you feel as if you should sleep, Miss?" asked Bessie, rather softly. Scarcely dared I answer her; for I feared the next sentence might be rough. "I will try." "Would you like to drink, or could you eat anything?" "No, thank you, Bessie." "Then I think I shall go to bed, for it is past twelve o'clock; but you may call me if you want anything in the night." Wonderful civility this! It emboldened me to ask a question. "Bessie, what is the matter with me? Am I ill?" "You fell sick, I suppose, in the red-room with crying; you'll be better soon, no doubt." Bessie went into the housemaid's apartment, which was near. I heard her say-- "Sarah, come and sleep with me in the nursery; I daren't for my life be alone with that poor child to-night: she might die; it's such a strange thing she should have that fit: I wonder if she saw anything. Missis was rather too hard." Sarah came back with her; they both went to bed; they were whispering together for half-an-hour before they fell asleep. I caught scraps of their conversation, from which I was able only too distinctly to infer the main subject discussed. "Something passed her, all dressed in white, and vanished"--"A great black dog behind him"--"Three loud raps on the chamber door"--"A light in the churchyard just over his grave," etc., etc. At last both slept: the fire and the candle went out. For me, the watches of that long night passed in ghastly wakefulness; strained by dread: such dread as children only can feel. No severe or prolonged bodily illness followed this incident of the red- room; it only gave my nerves a shock of which I feel the reverberation to this day. Yes, Mrs. Reed, to you I owe some fearful pangs of mental suffering, but I ought to forgive you, for you knew not what you did: while rending my heart-strings, you thought you were only uprooting my bad propensities. Next day, by noon, I was up and dressed, and sat wrapped in a shawl by the nursery hearth. I felt physically weak and broken down: but my worse ailment was an unutterable wretchedness of mind: a wretchedness which kept drawing from me silent tears; no sooner had I wiped one salt drop from my cheek than another followed. Yet, I thought, I ought to have been happy, for none of the Reeds were there, they were all gone out in the carriage with their mama. Abbot, too, was sewing in another room, and Bessie, as she moved hither and thither, putting away toys and arranging drawers, addressed to me every now and then a word of unwonted kindness. This state of things should have been to me a paradise of peace, accustomed as I was to a life of ceaseless reprimand and thankless fagging; but, in fact, my racked nerves were now in such a state that no calm could soothe, and no pleasure excite them agreeably. Bessie had been down into the kitchen, and she brought up with her a tart on a certain brightly painted china plate, whose bird of paradise, nestling in a wreath of convolvuli and rosebuds, had been wont to stir in me a most enthusiastic sense of admiration; and which plate I had often petitioned to be allowed to take in my hand in order to examine it more closely, but had always hitherto been deemed unworthy of such a privilege. This precious vessel was now placed on my knee, and I was cordially invited to eat the circlet of delicate pastry upon it. Vain favour! coming, like most other favours long deferred and often wished for, too late! I could not eat the tart; and the plumage of the bird, the tints of the flowers, seemed strangely faded: I put both plate and tart away. Bessie asked if I would have a book: the word _book_ acted as a transient stimulus, and I begged her to fetch Gulliver's Travels from the library. This book I had again and again perused with delight. I considered it a narrative of facts, and discovered in it a vein of interest deeper than what I found in fairy tales: for as to the elves, having sought them in vain among foxglove leaves and bells, under mushrooms and beneath the ground-ivy mantling old wall-nooks, I had at length made up my mind to the sad truth, that they were all gone out of England to some savage country where the woods were wilder and thicker, and the population more scant; whereas, Lilliput and Brobdignag being, in my creed, solid parts of the earth's surface, I doubted not that I might one day, by taking a long voyage, see with my own eyes the little fields, houses, and trees, the diminutive people, the tiny cows, sheep, and birds of the one realm; and the corn-fields forest-high, the mighty mastiffs, the monster cats, the tower-like men and women, of the other. Yet, when this cherished volume was now placed in my hand--when I turned over its leaves, and sought in its marvellous pictures the charm I had, till now, never failed to find--all was eerie and dreary; the giants were gaunt goblins, the pigmies malevolent and fearful imps, Gulliver a most desolate wanderer in most dread and dangerous regions. I closed the book, which I dared no longer peruse, and put it on the table, beside the untasted tart. Bessie had now finished dusting and tidying the room, and having washed her hands, she opened a certain little drawer, full of splendid shreds of silk and satin, and began making a new bonnet for Georgiana's doll. Meantime she sang: her song was-- "In the days when we went gipsying, A long time ago." I had often heard the song before, and always with lively delight; for Bessie had a sweet voice,--at least, I thought so. But now, though her voice was still sweet, I found in its melody an indescribable sadness. Sometimes, preoccupied with her work, she sang the refrain very low, very lingeringly; "A long time ago" came out like the saddest cadence of a funeral hymn. She passed into another ballad, this time a really doleful one. "My feet they are sore, and my limbs they are weary; Long is the way, and the mountains are wild; Soon will the twilight close moonless and dreary Over the path of the poor orphan child. Why did they send me so far and so lonely, Up where the moors spread and grey rocks are piled? Men are hard-hearted, and kind angels only Watch o'er the steps of a poor orphan child. Yet distant and soft the night breeze is blowing, Clouds there are none, and clear stars beam mild, God, in His mercy, protection is showing, Comfort and hope to the poor orphan child. Ev'n should I fall o'er the broken bridge passing, Or stray in the marshes, by false lights beguiled, Still will my Father, with promise and blessing, Take to His bosom the poor orphan child. There is a thought that for strength should avail me, Though both of shelter and kindred despoiled; Heaven is a home, and a rest will not fail me; God is a friend to the poor orphan child." "Come, Miss Jane, don't cry," said Bessie as she finished. She might as well have said to the fire, "don't burn!" but how could she divine the morbid suffering to which I was a prey? In the course of the morning Mr. Lloyd came again. "What, already up!" said he, as he entered the nursery. "Well, nurse, how is she?" Bessie answered that I was doing very well. "Then she ought to look more cheerful. Come here, Miss Jane: your name is Jane, is it not?" "Yes, sir, Jane Eyre." "Well, you have been crying, Miss Jane Eyre; can you tell me what about? Have you any pain?" "No, sir." "Oh! I daresay she is crying because she could not go out with Missis in the carriage," interposed Bessie. "Surely not! why, she is too old for such pettishness." I thought so too; and my self-esteem being wounded by the false charge, I answered promptly, "I never cried for such a thing in my life: I hate going out in the carriage. I cry because I am miserable." "Oh fie, Miss!" said Bessie. The good apothecary appeared a little puzzled. I was standing before him; he fixed his eyes on me very steadily: his eyes were small and grey; not very bright, but I dare say I should think them shrewd now: he had a hard-featured yet good-natured looking face. Having considered me at leisure, he said-- "What made you ill yesterday?" "She had a fall," said Bessie, again putting in her word. "Fall! why, that is like a baby again! Can't she manage to walk at her age? She must be eight or nine years old." "I was knocked down," was the blunt explanation, jerked out of me by another pang of mortified pride; "but that did not make me ill," I added; while Mr. Lloyd helped himself to a pinch of snuff. As he was returning the box to his waistcoat pocket, a loud bell rang for the servants' dinner; he knew what it was. "That's for you, nurse," said he; "you can go down; I'll give Miss Jane a lecture till you come back." Bessie would rather have stayed, but she was obliged to go, because punctuality at meals was rigidly enforced at Gateshead Hall. "The fall did not make you ill; what did, then?" pursued Mr. Lloyd when Bessie was gone. "I was shut up in a room where there is a ghost till after dark." I saw Mr. Lloyd smile and frown at the same time. "Ghost! What, you are a baby after all! You are afraid of ghosts?" "Of Mr. Reed's ghost I am: he died in that room, and was laid out there. Neither Bessie nor any one else will go into it at night, if they can help it; and it was cruel to shut me up alone without a candle,--so cruel that I think I shall never forget it." "Nonsense! And is it that makes you so miserable? Are you afraid now in daylight?" "No: but night will come again before long: and besides,--I am unhappy,--very unhappy, for other things." "What other things? Can you tell me some of them?" How much I wished to reply fully to this question! How difficult it was to frame any answer! Children can feel, but they cannot analyse their feelings; and if the analysis is partially effected in thought, they know not how to express the result of the process in words. Fearful, however, of losing this first and only opportunity of relieving my grief by imparting it, I, after a disturbed pause, contrived to frame a meagre, though, as far as it went, true response. "For one thing, I have no father or mother, brothers or sisters." "You have a kind aunt and cousins." Again I paused; then bunglingly enounced-- "But John Reed knocked me down, and my aunt shut me up in the red-room." Mr. Lloyd a second time produced his snuff-box. "Don't you think Gateshead Hall a very beautiful house?" asked he. "Are you not very thankful to have such a fine place to live at?" "It is not my house, sir; and Abbot says I have less right to be here than a servant." "Pooh! you can't be silly enough to wish to leave such a splendid place?" "If I had anywhere else to go, I should be glad to leave it; but I can never get away from Gateshead till I am a woman." "Perhaps you may--who knows? Have you any relations besides Mrs. Reed?" "I think not, sir." "None belonging to your father?" "I don't know. I asked Aunt Reed once, and she said possibly I might have some poor, low relations called Eyre, but she knew nothing about them." "If you had such, would you like to go to them?" I reflected. Poverty looks grim to grown people; still more so to children: they have not much idea of industrious, working, respectable poverty; they think of the word only as connected with ragged clothes, scanty food, fireless grates, rude manners, and debasing vices: poverty for me was synonymous with degradation. "No; I should not like to belong to poor people," was my reply. "Not even if they were kind to you?" I shook my head: I could not see how poor people had the means of being kind; and then to learn to speak like them, to adopt their manners, to be uneducated, to grow up like one of the poor women I saw sometimes nursing their children or washing their clothes at the cottage doors of the village of Gateshead: no, I was not heroic enough to purchase liberty at the price of caste. "But are your relatives so very poor? Are they working people?" "I cannot tell; Aunt Reed says if I have any, they must be a beggarly set: I should not like to go a begging." "Would you like to go to school?" Again I reflected: I scarcely knew what school was: Bessie sometimes spoke of it as a place where young ladies sat in the stocks, wore backboards, and were expected to be exceedingly genteel and precise: John Reed hated his school, and abused his master; but John Reed's tastes were no rule for mine, and if Bessie's accounts of school-discipline (gathered from the young ladies of a family where she had lived before coming to Gateshead) were somewhat appalling, her details of certain accomplishments attained by these same young ladies were, I thought, equally attractive. She boasted of beautiful paintings of landscapes and flowers by them executed; of songs they could sing and pieces they could play, of purses they could net, of French books they could translate; till my spirit was moved to emulation as I listened. Besides, school would be a complete change: it implied a long journey, an entire separation from Gateshead, an entrance into a new life. "I should indeed like to go to school," was the audible conclusion of my musings. "Well, well! who knows what may happen?" said Mr. Lloyd, as he got up. "The child ought to have change of air and scene," he added, speaking to himself; "nerves not in a good state." Bessie now returned; at the same moment the carriage was heard rolling up the gravel-walk. "Is that your mistress, nurse?" asked Mr. Lloyd. "I should like to speak to her before I go." Bessie invited him to walk into the breakfast-room, and led the way out. In the interview which followed between him and Mrs. Reed, I presume, from after-occurrences, that the apothecary ventured to recommend my being sent to school; and the recommendation was no doubt readily enough adopted; for as Abbot said, in discussing the subject with Bessie when both sat sewing in the nursery one night, after I was in bed, and, as they thought, asleep, "Missis was, she dared say, glad enough to get rid of such a tiresome, ill-conditioned child, who always looked as if she were watching everybody, and scheming plots underhand." Abbot, I think, gave me credit for being a sort of infantine Guy Fawkes. On that same occasion I learned, for the first time, from Miss Abbot's communications to Bessie, that my father had been a poor clergyman; that my mother had married him against the wishes of her friends, who considered the match beneath her; that my grandfather Reed was so irritated at her disobedience, he cut her off without a shilling; that after my mother and father had been married a year, the latter caught the typhus fever while visiting among the poor of a large manufacturing town where his curacy was situated, and where that disease was then prevalent: that my mother took the infection from him, and both died within a month of each other. Bessie, when she heard this narrative, sighed and said, "Poor Miss Jane is to be pitied, too, Abbot." "Yes," responded Abbot; "if she were a nice, pretty child, one might compassionate her forlornness; but one really cannot care for such a little toad as that." "Not a great deal, to be sure," agreed Bessie: "at any rate, a beauty like Miss Georgiana would be more moving in the same condition." "Yes, I doat on Miss Georgiana!" cried the fervent Abbot. "Little darling!--with her long curls and her blue eyes, and such a sweet colour as she has; just as if she were painted!--Bessie, I could fancy a Welsh rabbit for supper." "So could I--with a roast onion. Come, we'll go down." They went.

Chapters 2-3

https://web.archive.org/web/20190321135117/https://www.cliffsnotes.com/literature/j/jane-eyre/summary-and-analysis/chapters-23

As she's being dragged to the red-room, Jane resists her jailors, Bessie and Miss Abbott. After the servants have locked her in, Jane begins observing the red-room. It is the biggest and best room of the mansion, yet is rarely used because Uncle Reed died there. Looking into a mirror, Jane compares her image to that of a strange fairy. The oddness of being in a death-chamber seems to have stimulated Jane's imagination, and she feels superstitious about her surroundings. She's also contemplative. Why, she wonders, is she always the outcast? The reader learns that Jane's Uncle Reed -- her mother's brother -- brought her into the household. On his deathbed, he made his wife promise to raise Jane as one of her own children, but obviously, this promise has not been kept. Suddenly, Jane feels a presence in the room and imagines it might be Mr. Reed, returning to earth to avenge his wife's violation of his last wish. She screams and the servants come running into the room. Jane begs to be removed from the red-room, but neither the servants nor Mrs. Reed have any sympathy for her. Believing that Jane is pretending to be afraid, Mrs. Reed vows that Jane will be freed only if she maintains "perfect stillness and submission." When everyone leaves, Jane faints. Jane awakens in her own bedroom, surrounded by the sound of muffled voices. She is still frightened but also aware that someone is handling her more tenderly than she has ever been touched before. She feels secure when she recognizes Bessie and Mr. Lloyd, an apothecary, standing near the bed. Bessie is kind to Jane and even tells another servant that she thinks Mrs. Reed was too hard on Jane. Jane spends the next day reading, and Bessie sings her a song. After a conversation with Jane, Mr. Lloyd recommends that Mrs. Reed send her away to school. Jane is excited about leaving Gateshead and beginning a new life. Overhearing a conversation between Miss Abbot and Bessie, Jane learns that her father was a poor clergyman who married her mother against her family's wishes. As a result, Jane's grandfather Reed disinherited his daughter. A year after their marriage, Jane's father caught typhus while visiting the poor, and both of her parents soon died within a month of each other and left Jane orphaned.

Stating that she is resisting her captors like a "rebel slave," Jane continues to use the imagery of oppression begun in the previous chapter. When Miss Abbot admonishes Jane for striking John Reed, Jane's "young master," Jane immediately questions her terminology. Is John really her master; is she his servant? Again, Jane's position within the household is questioned, particularly her class identity. When Mr. Lloyd asks about Jane's relatives on her father's side, Jane replies that she "might have some poor, low relations called Eyre." Mr. Lloyd wonders if Jane would prefer to live with them, and she immediately pictures a world of "ragged clothes, scanty food, fireless grates, rude manners, and debasing vices." Fundamentally, Jane shares the Reed's belief that poor people are morally inferior to the wealthy, and she honestly admits that she isn't "heroic" enough to "purchase liberty at the price of caste." Jane is slowly shaping the parameters of her ideal lifestyle; poverty, she realizes, is not acceptable to her. When Mr. Lloyd suggests school as another option, Jane imagines it as inspiring place, where she could learn to paint, sing, and speak French. Unlike poverty, education offers Jane the possibility of improving her position in society; thus, school may allow her freedom with a potential increase in "caste." Learning about her family background reveals that Jane is not from a "beggarly set," as her aunt had suggested. As a clergyman, her father held an acceptable, even gentlemanly position within Victorian society. Thus, this chapter ends with a refinement in the understanding of Jane's class position. Miss Abbot, who has the final word on Jane's position, however, calls Jane "a little toad," reminding readers that beauty, as well as class, defines a woman's position within a patriarchal culture. Both Bessie and Miss Abbot believe Jane's plight would be more "moving" if she were as beautiful as her cousin Georgiana who looks "as if she were painted." The novel specifically critiques this "wax-doll" prototype of female beauty, and one of Bronte's goals in this book was to create a poignant, yet plain, heroine. As a shy, impoverished, and plain child, Jane decides she is a "useless thing." Thus, she needs to discover her "use," one that is outside the realm of class and beauty. Color is once again symbolic, revealing the mood of the scene and providing insight into character. While in Chapter 1, Jane was enshrouded by the red curtains, here she is locked within the red-room. Chapter 3 opens with Jane remembering a nightmare image of "a terrible red glare, crossed with thick black bars." For Jane, red has become the color of a hellish nightmare, in which she is jailed behind impenetrable black bars. But this negative connotation soon dissipates, because Jane realizes that the red is simply the glare from her nursery fire. From a sign of evil and hellish fires, red has been transformed into a nurturing, warmth-giving glow. Thus, the significance of symbols and colors in this novel is not static; instead, they change to reflect Jane's emotional and social situation. Skin color is also important. Here the reader learns that John reviles his mother for her "dark skin," a supposedly negative quality that he has inherited from her. The novel appears to support an ethnocentrism that links "darkness" with an unacceptable foreignness, while lightness is affiliated with English purity. The characterization of Jane is also developed in this chapter. As she gazes at her image in the red-room's mirror, Jane describes herself as a "tiny phantom, half fairy, half imp" from one of Bessie's bedtime stories, a spirit-creature that comes out of "lone, ferny dells in moors" and appears in the eyes of "belated travellers." The association of Jane with a fairy will be repeated throughout the novel, and her notion of appearing, sprite-like, in the eyes of travelers foreshadows her first meeting with Rochester. As fairy, Jane identifies herself as a special, magical creature, and reminds the reader of the importance imagination plays her in her life. Not only is Jane an undefined, almost mythical creature, but the narrative she creates also crosses boundaries by mixing realism and fantasy. We see the first instance of a supernatural intrusion into the novel in this chapter. As Jane sits nervously in the red-room, she imagines a gleam of light shining on the wall and believes it is "a herald of some coming vision from another world." The novel suggests that Jane has psychic powers -- she is haunted by other apparitions and by prophetic dreams. Generally, these ghostly visitations prefigure drastic changes in Jane's life, as this one does. To improve Jane's spirits, Bessie sings a song that Jane has often delighted in. Now, though, the song suggests only sadness, so Bessie begins another ballad. Like Gulliver's Travels, this tune tells the tale of a desolate traveler. The narrator of this song is a "poor orphan child," who has wandered a long way, through wild mountains and dreary twilight. Just as in the previous chapter, Jane meditated upon the purpose of her suffering, the speaker in this song wonders why he or she has been sent "so far and so lonely." The only hope for this lost child is in heaven because God will provide mercy and protection. Implicitly, Bessie suggests that Jane should become a spiritual traveler, looking toward heaven for solace, rather than worrying about her troubles in this world. Jane feels meager comfort in the song's message because she longs to find happiness on earth. Jane's interactions with religious figures and their promise of spiritual salvation will be repeated throughout the text. Should we focus on heaven to the exclusion of earth? In general, Jane doesn't believe humans should be so focused on heaven that they forget the pleasures available for them here on earth. The narration in this section reminds readers that the tale is being told by an older, wiser Jane remembering her childhood experiences. For example, there are frequent interjections by the older Jane, explaining or apologizing for her feelings. At one point, she says, "Yes, Mrs. Reed, to you I own some fearful pangs of mental suffering. But I ought to forgive you, for your knew not what you did." Jane says she "ought" to forgive Mrs. Reed, but she doesn't necessarily do it. Similarly, this older narrator explains that children are often unable to express their feelings in words; therefore, the reader shouldn't be surprised by the meagerness of Jane's response to Mr. Lloyd's question about the source of her unhappiness in the Reed household. The frequent intrusions of this older voice increase sympathy for Jane, providing more insights on Jane's motivations. Notice that the novel's full title is Jane Eyre: An Autobiography and that the title page claims that it was edited, rather than written, by Currer Bell. Glossary hummocks small hills. coney a rabbit. portent a supernatural warning or hint of danger.

cliffnotes

all_chapterized_books/1260-chapters/05.txt

finished_summaries/cliffnotes/Jane Eyre/section_2_part_0.txt

Jane Eyre.volume 1.chapter 4

chapter 4

{"name": "Chapter 4", "url": "https://web.archive.org/web/20190321135117/https://www.cliffsnotes.com/literature/j/jane-eyre/summary-and-analysis/chapter-4", "summary": "Following her discussion with Mr. Lloyd, Jane expects that she will soon be sent away to school. But the only change Jane notices in her status following her experience in the red-room is that the boundary between Jane and the Reed children is more solid. On January 15, after three months of waiting for a change, Jane is finally summoned to the breakfast-room. Here she finds Mr. Brocklehurst waiting for her. Standing like a black pillar, Mr. Brocklehurst interviews Jane about hell, sin, and the Bible. Her aunt's worst suspicions about her moral character are confirmed when Jane declares to Brocklehurst that the \"Psalms are not interesting.\" As a final poke at Jane, Mrs. Reed declares that her niece is a liar, and Brocklehurst promises to alert the other members of the school to Jane's deceitful nature. Jane resents Mrs. Reed's statements about her character, and when the two are alone together, Jane retaliates against her aunt. Angry and hurt, Jane declares that she is not a liar, that she is glad Mrs. Reed is not her relation, and, finally, that Mrs. Reed is hard-hearted. Jane feels a sense of triumph and exultation, and Mrs. Reed sheepishly leaves the room. The chapter ends with a conversation between Jane and Bessie. Jane makes Bessie promise to be nice during Jane's final days at Gateshead. Bessie claims she likes Jane more than she likes the Reed children, and confesses that even her mother has noticed how often Jane has been mistreated by the Reeds. In celebration of their new friendship, Bessie tells Jane some of her most enchanting stories and sings her sweetest songs.", "analysis": "Mr. Brocklehurst enters the book in this chapter, ushering in the change that will alter Jane's life. On first seeing this grim man, Jane describes him as \"a black pillar! -- such, at least, appeared to me, at first sight, the straight, narrow, sable-clad shape standing erect on the rug; the grim face at the top was like a carved mask.\" A clergyman, Brocklehurst symbolizes Jane's aversion to some of the versions of organized religion. A straight, black, narrow, erect pillar, this man is hard and inflexible in his beliefs, certainly not attributes admired by the adventurous Jane. The \"carved mask\" of his face suggests his inhumanity, as does Jane's later reference to him as the \"stony stranger.\" Unlike Jane who is associated with fire and energy, this man is cold and aloof as stone, someone with no passion and even less compassion. When Brocklehurst plants her straight in front of him, Jane exclaims, \"what a great nose! and what a mouth! and what large, prominent teeth!\": Brocklehurst has been transformed into the big bad wolf of fairy-tale fame, waiting to devour the innocent Little Red Riding Hood. From his first introduction into the story, one realizes that this spiritual man will offer Jane little comfort and no salvation. Besides signaling Jane's lack of interest in the self-righteous religion Brocklehurst professes, their interaction also reminds readers of Jane's general lack of respect for tyrannous authority figures. Her inability to quietly accept unfair treatment becomes pronounced in her interaction with Mrs. Reed. When her aunt tells Brocklehurst that Jane's worst trait is her \"deceitful nature,\" Jane immediately recognizes her lack of power: How can a poor child defend herself from unfair accusations? When Brocklehurst leaves, Jane is filled with a \"passion of resentment,\" contrasting clearly with Mrs. Reed's \"eye of ice\" that dwells \"freezingly\" on Jane. Indeed, Mrs. Reed's iciness incites Jane's passions, causing her entire body to shake, \"thrilled with ungovernable excitement\" and her mind has become a \"ridge of lighted heath, alive, glancing, devouring.\" Following an outburst against her aunt, Jane feels a sensation of freedom and triumph. In fact, she declares herself the \"winner of the field\" and revels in her \"conqueror's solitude.\" Has she simply stepped into her cousin John's role, becoming for a moment the \"Roman emperor\" she had earlier critiqued him for being? Struck by the fate of Jane's enemies, many critics have viewed this novel as Jane's revenge fantasy. As the story progresses, notice what happens to Jane's attackers; all seem to meet with misfortune and unhappiness. Jane's fiery, passionate nature transforms as the novel progresses, and she learns to balance passion and reason. In this scene, Jane's passion quickly drains away, and she's left with its aftertaste, \"metallic and corroding,\" showing her that excessive emotions will not lead to happiness. Yet releasing her inner fire has a positive result: Because of it she befriends Bessie at the end of the chapter. This conversation reveals Bessie's sympathy -- even affection -- for Jane."}

From my discourse with Mr. Lloyd, and from the above reported conference between Bessie and Abbot, I gathered enough of hope to suffice as a motive for wishing to get well: a change seemed near,--I desired and waited it in silence. It tarried, however: days and weeks passed: I had regained my normal state of health, but no new allusion was made to the subject over which I brooded. Mrs. Reed surveyed me at times with a severe eye, but seldom addressed me: since my illness, she had drawn a more marked line of separation than ever between me and her own children; appointing me a small closet to sleep in by myself, condemning me to take my meals alone, and pass all my time in the nursery, while my cousins were constantly in the drawing-room. Not a hint, however, did she drop about sending me to school: still I felt an instinctive certainty that she would not long endure me under the same roof with her; for her glance, now more than ever, when turned on me, expressed an insuperable and rooted aversion. Eliza and Georgiana, evidently acting according to orders, spoke to me as little as possible: John thrust his tongue in his cheek whenever he saw me, and once attempted chastisement; but as I instantly turned against him, roused by the same sentiment of deep ire and desperate revolt which had stirred my corruption before, he thought it better to desist, and ran from me tittering execrations, and vowing I had burst his nose. I had indeed levelled at that prominent feature as hard a blow as my knuckles could inflict; and when I saw that either that or my look daunted him, I had the greatest inclination to follow up my advantage to purpose; but he was already with his mama. I heard him in a blubbering tone commence the tale of how "that nasty Jane Eyre" had flown at him like a mad cat: he was stopped rather harshly-- "Don't talk to me about her, John: I told you not to go near her; she is not worthy of notice; I do not choose that either you or your sisters should associate with her." Here, leaning over the banister, I cried out suddenly, and without at all deliberating on my words-- "They are not fit to associate with me." Mrs. Reed was rather a stout woman; but, on hearing this strange and audacious declaration, she ran nimbly up the stair, swept me like a whirlwind into the nursery, and crushing me down on the edge of my crib, dared me in an emphatic voice to rise from that place, or utter one syllable during the remainder of the day. "What would Uncle Reed say to you, if he were alive?" was my scarcely voluntary demand. I say scarcely voluntary, for it seemed as if my tongue pronounced words without my will consenting to their utterance: something spoke out of me over which I had no control. "What?" said Mrs. Reed under her breath: her usually cold composed grey eye became troubled with a look like fear; she took her hand from my arm, and gazed at me as if she really did not know whether I were child or fiend. I was now in for it. "My Uncle Reed is in heaven, and can see all you do and think; and so can papa and mama: they know how you shut me up all day long, and how you wish me dead." Mrs. Reed soon rallied her spirits: she shook me most soundly, she boxed both my ears, and then left me without a word. Bessie supplied the hiatus by a homily of an hour's length, in which she proved beyond a doubt that I was the most wicked and abandoned child ever reared under a roof. I half believed her; for I felt indeed only bad feelings surging in my breast. November, December, and half of January passed away. Christmas and the New Year had been celebrated at Gateshead with the usual festive cheer; presents had been interchanged, dinners and evening parties given. From every enjoyment I was, of course, excluded: my share of the gaiety consisted in witnessing the daily apparelling of Eliza and Georgiana, and seeing them descend to the drawing-room, dressed out in thin muslin frocks and scarlet sashes, with hair elaborately ringletted; and afterwards, in listening to the sound of the piano or the harp played below, to the passing to and fro of the butler and footman, to the jingling of glass and china as refreshments were handed, to the broken hum of conversation as the drawing-room door opened and closed. When tired of this occupation, I would retire from the stairhead to the solitary and silent nursery: there, though somewhat sad, I was not miserable. To speak truth, I had not the least wish to go into company, for in company I was very rarely noticed; and if Bessie had but been kind and companionable, I should have deemed it a treat to spend the evenings quietly with her, instead of passing them under the formidable eye of Mrs. Reed, in a room full of ladies and gentlemen. But Bessie, as soon as she had dressed her young ladies, used to take herself off to the lively regions of the kitchen and housekeeper's room, generally bearing the candle along with her. I then sat with my doll on my knee till the fire got low, glancing round occasionally to make sure that nothing worse than myself haunted the shadowy room; and when the embers sank to a dull red, I undressed hastily, tugging at knots and strings as I best might, and sought shelter from cold and darkness in my crib. To this crib I always took my doll; human beings must love something, and, in the dearth of worthier objects of affection, I contrived to find a pleasure in loving and cherishing a faded graven image, shabby as a miniature scarecrow. It puzzles me now to remember with what absurd sincerity I doated on this little toy, half fancying it alive and capable of sensation. I could not sleep unless it was folded in my night-gown; and when it lay there safe and warm, I was comparatively happy, believing it to be happy likewise. Long did the hours seem while I waited the departure of the company, and listened for the sound of Bessie's step on the stairs: sometimes she would come up in the interval to seek her thimble or her scissors, or perhaps to bring me something by way of supper--a bun or a cheese-cake--then she would sit on the bed while I ate it, and when I had finished, she would tuck the clothes round me, and twice she kissed me, and said, "Good night, Miss Jane." When thus gentle, Bessie seemed to me the best, prettiest, kindest being in the world; and I wished most intensely that she would always be so pleasant and amiable, and never push me about, or scold, or task me unreasonably, as she was too often wont to do. Bessie Lee must, I think, have been a girl of good natural capacity, for she was smart in all she did, and had a remarkable knack of narrative; so, at least, I judge from the impression made on me by her nursery tales. She was pretty too, if my recollections of her face and person are correct. I remember her as a slim young woman, with black hair, dark eyes, very nice features, and good, clear complexion; but she had a capricious and hasty temper, and indifferent ideas of principle or justice: still, such as she was, I preferred her to any one else at Gateshead Hall. It was the fifteenth of January, about nine o'clock in the morning: Bessie was gone down to breakfast; my cousins had not yet been summoned to their mama; Eliza was putting on her bonnet and warm garden-coat to go and feed her poultry, an occupation of which she was fond: and not less so of selling the eggs to the housekeeper and hoarding up the money she thus obtained. She had a turn for traffic, and a marked propensity for saving; shown not only in the vending of eggs and chickens, but also in driving hard bargains with the gardener about flower-roots, seeds, and slips of plants; that functionary having orders from Mrs. Reed to buy of his young lady all the products of her parterre she wished to sell: and Eliza would have sold the hair off her head if she could have made a handsome profit thereby. As to her money, she first secreted it in odd corners, wrapped in a rag or an old curl-paper; but some of these hoards having been discovered by the housemaid, Eliza, fearful of one day losing her valued treasure, consented to intrust it to her mother, at a usurious rate of interest--fifty or sixty per cent.; which interest she exacted every quarter, keeping her accounts in a little book with anxious accuracy. Georgiana sat on a high stool, dressing her hair at the glass, and interweaving her curls with artificial flowers and faded feathers, of which she had found a store in a drawer in the attic. I was making my bed, having received strict orders from Bessie to get it arranged before she returned (for Bessie now frequently employed me as a sort of under- nurserymaid, to tidy the room, dust the chairs, &c.). Having spread the quilt and folded my night-dress, I went to the window-seat to put in order some picture-books and doll's house furniture scattered there; an abrupt command from Georgiana to let her playthings alone (for the tiny chairs and mirrors, the fairy plates and cups, were her property) stopped my proceedings; and then, for lack of other occupation, I fell to breathing on the frost-flowers with which the window was fretted, and thus clearing a space in the glass through which I might look out on the grounds, where all was still and petrified under the influence of a hard frost. From this window were visible the porter's lodge and the carriage-road, and just as I had dissolved so much of the silver-white foliage veiling the panes as left room to look out, I saw the gates thrown open and a carriage roll through. I watched it ascending the drive with indifference; carriages often came to Gateshead, but none ever brought visitors in whom I was interested; it stopped in front of the house, the door-bell rang loudly, the new-comer was admitted. All this being nothing to me, my vacant attention soon found livelier attraction in the spectacle of a little hungry robin, which came and chirruped on the twigs of the leafless cherry-tree nailed against the wall near the casement. The remains of my breakfast of bread and milk stood on the table, and having crumbled a morsel of roll, I was tugging at the sash to put out the crumbs on the window-sill, when Bessie came running upstairs into the nursery. "Miss Jane, take off your pinafore; what are you doing there? Have you washed your hands and face this morning?" I gave another tug before I answered, for I wanted the bird to be secure of its bread: the sash yielded; I scattered the crumbs, some on the stone sill, some on the cherry-tree bough, then, closing the window, I replied-- "No, Bessie; I have only just finished dusting." "Troublesome, careless child! and what are you doing now? You look quite red, as if you had been about some mischief: what were you opening the window for?" I was spared the trouble of answering, for Bessie seemed in too great a hurry to listen to explanations; she hauled me to the washstand, inflicted a merciless, but happily brief scrub on my face and hands with soap, water, and a coarse towel; disciplined my head with a bristly brush, denuded me of my pinafore, and then hurrying me to the top of the stairs, bid me go down directly, as I was wanted in the breakfast-room. I would have asked who wanted me: I would have demanded if Mrs. Reed was there; but Bessie was already gone, and had closed the nursery-door upon me. I slowly descended. For nearly three months, I had never been called to Mrs. Reed's presence; restricted so long to the nursery, the breakfast, dining, and drawing-rooms were become for me awful regions, on which it dismayed me to intrude. I now stood in the empty hall; before me was the breakfast-room door, and I stopped, intimidated and trembling. What a miserable little poltroon had fear, engendered of unjust punishment, made of me in those days! I feared to return to the nursery, and feared to go forward to the parlour; ten minutes I stood in agitated hesitation; the vehement ringing of the breakfast-room bell decided me; I _must_ enter. "Who could want me?" I asked inwardly, as with both hands I turned the stiff door-handle, which, for a second or two, resisted my efforts. "What should I see besides Aunt Reed in the apartment?--a man or a woman?" The handle turned, the door unclosed, and passing through and curtseying low, I looked up at--a black pillar!--such, at least, appeared to me, at first sight, the straight, narrow, sable-clad shape standing erect on the rug: the grim face at the top was like a carved mask, placed above the shaft by way of capital. Mrs. Reed occupied her usual seat by the fireside; she made a signal to me to approach; I did so, and she introduced me to the stony stranger with the words: "This is the little girl respecting whom I applied to you." _He_, for it was a man, turned his head slowly towards where I stood, and having examined me with the two inquisitive-looking grey eyes which twinkled under a pair of bushy brows, said solemnly, and in a bass voice, "Her size is small: what is her age?" "Ten years." "So much?" was the doubtful answer; and he prolonged his scrutiny for some minutes. Presently he addressed me--"Your name, little girl?" "Jane Eyre, sir." In uttering these words I looked up: he seemed to me a tall gentleman; but then I was very little; his features were large, and they and all the lines of his frame were equally harsh and prim. "Well, Jane Eyre, and are you a good child?" Impossible to reply to this in the affirmative: my little world held a contrary opinion: I was silent. Mrs. Reed answered for me by an expressive shake of the head, adding soon, "Perhaps the less said on that subject the better, Mr. Brocklehurst." "Sorry indeed to hear it! she and I must have some talk;" and bending from the perpendicular, he installed his person in the arm-chair opposite Mrs. Reed's. "Come here," he said. I stepped across the rug; he placed me square and straight before him. What a face he had, now that it was almost on a level with mine! what a great nose! and what a mouth! and what large prominent teeth! "No sight so sad as that of a naughty child," he began, "especially a naughty little girl. Do you know where the wicked go after death?" "They go to hell," was my ready and orthodox answer. "And what is hell? Can you tell me that?" "A pit full of fire." "And should you like to fall into that pit, and to be burning there for ever?" "No, sir." "What must you do to avoid it?" I deliberated a moment; my answer, when it did come, was objectionable: "I must keep in good health, and not die." "How can you keep in good health? Children younger than you die daily. I buried a little child of five years old only a day or two since,--a good little child, whose soul is now in heaven. It is to be feared the same could not be said of you were you to be called hence." Not being in a condition to remove his doubt, I only cast my eyes down on the two large feet planted on the rug, and sighed, wishing myself far enough away. "I hope that sigh is from the heart, and that you repent of ever having been the occasion of discomfort to your excellent benefactress." "Benefactress! benefactress!" said I inwardly: "they all call Mrs. Reed my benefactress; if so, a benefactress is a disagreeable thing." "Do you say your prayers night and morning?" continued my interrogator. "Yes, sir." "Do you read your Bible?" "Sometimes." "With pleasure? Are you fond of it?" "I like Revelations, and the book of Daniel, and Genesis and Samuel, and a little bit of Exodus, and some parts of Kings and Chronicles, and Job and Jonah." "And the Psalms? I hope you like them?" "No, sir." "No? oh, shocking! I have a little boy, younger than you, who knows six Psalms by heart: and when you ask him which he would rather have, a gingerbread-nut to eat or a verse of a Psalm to learn, he says: 'Oh! the verse of a Psalm! angels sing Psalms;' says he, 'I wish to be a little angel here below;' he then gets two nuts in recompense for his infant piety." "Psalms are not interesting," I remarked. "That proves you have a wicked heart; and you must pray to God to change it: to give you a new and clean one: to take away your heart of stone and give you a heart of flesh." I was about to propound a question, touching the manner in which that operation of changing my heart was to be performed, when Mrs. Reed interposed, telling me to sit down; she then proceeded to carry on the conversation herself. "Mr. Brocklehurst, I believe I intimated in the letter which I wrote to you three weeks ago, that this little girl has not quite the character and disposition I could wish: should you admit her into Lowood school, I should be glad if the superintendent and teachers were requested to keep a strict eye on her, and, above all, to guard against her worst fault, a tendency to deceit. I mention this in your hearing, Jane, that you may not attempt to impose on Mr. Brocklehurst." Well might I dread, well might I dislike Mrs. Reed; for it was her nature to wound me cruelly; never was I happy in her presence; however carefully I obeyed, however strenuously I strove to please her, my efforts were still repulsed and repaid by such sentences as the above. Now, uttered before a stranger, the accusation cut me to the heart; I dimly perceived that she was already obliterating hope from the new phase of existence which she destined me to enter; I felt, though I could not have expressed the feeling, that she was sowing aversion and unkindness along my future path; I saw myself transformed under Mr. Brocklehurst's eye into an artful, noxious child, and what could I do to remedy the injury? "Nothing, indeed," thought I, as I struggled to repress a sob, and hastily wiped away some tears, the impotent evidences of my anguish. "Deceit is, indeed, a sad fault in a child," said Mr. Brocklehurst; "it is akin to falsehood, and all liars will have their portion in the lake burning with fire and brimstone; she shall, however, be watched, Mrs. Reed. I will speak to Miss Temple and the teachers." "I should wish her to be brought up in a manner suiting her prospects," continued my benefactress; "to be made useful, to be kept humble: as for the vacations, she will, with your permission, spend them always at Lowood." "Your decisions are perfectly judicious, madam," returned Mr. Brocklehurst. "Humility is a Christian grace, and one peculiarly appropriate to the pupils of Lowood; I, therefore, direct that especial care shall be bestowed on its cultivation amongst them. I have studied how best to mortify in them the worldly sentiment of pride; and, only the other day, I had a pleasing proof of my success. My second daughter, Augusta, went with her mama to visit the school, and on her return she exclaimed: 'Oh, dear papa, how quiet and plain all the girls at Lowood look, with their hair combed behind their ears, and their long pinafores, and those little holland pockets outside their frocks--they are almost like poor people's children! and,' said she, 'they looked at my dress and mama's, as if they had never seen a silk gown before.'" "This is the state of things I quite approve," returned Mrs. Reed; "had I sought all England over, I could scarcely have found a system more exactly fitting a child like Jane Eyre. Consistency, my dear Mr. Brocklehurst; I advocate consistency in all things." "Consistency, madam, is the first of Christian duties; and it has been observed in every arrangement connected with the establishment of Lowood: plain fare, simple attire, unsophisticated accommodations, hardy and active habits; such is the order of the day in the house and its inhabitants." "Quite right, sir. I may then depend upon this child being received as a pupil at Lowood, and there being trained in conformity to her position and prospects?" "Madam, you may: she shall be placed in that nursery of chosen plants, and I trust she will show herself grateful for the inestimable privilege of her election." "I will send her, then, as soon as possible, Mr. Brocklehurst; for, I assure you, I feel anxious to be relieved of a responsibility that was becoming too irksome." "No doubt, no doubt, madam; and now I wish you good morning. I shall return to Brocklehurst Hall in the course of a week or two: my good friend, the Archdeacon, will not permit me to leave him sooner. I shall send Miss Temple notice that she is to expect a new girl, so that there will be no difficulty about receiving her. Good-bye." "Good-bye, Mr. Brocklehurst; remember me to Mrs. and Miss Brocklehurst, and to Augusta and Theodore, and Master Broughton Brocklehurst." "I will, madam. Little girl, here is a book entitled the 'Child's Guide,' read it with prayer, especially that part containing 'An account of the awfully sudden death of Martha G---, a naughty child addicted to falsehood and deceit.'" With these words Mr. Brocklehurst put into my hand a thin pamphlet sewn in a cover, and having rung for his carriage, he departed. Mrs. Reed and I were left alone: some minutes passed in silence; she was sewing, I was watching her. Mrs. Reed might be at that time some six or seven and thirty; she was a woman of robust frame, square-shouldered and strong-limbed, not tall, and, though stout, not obese: she had a somewhat large face, the under jaw being much developed and very solid; her brow was low, her chin large and prominent, mouth and nose sufficiently regular; under her light eyebrows glimmered an eye devoid of ruth; her skin was dark and opaque, her hair nearly flaxen; her constitution was sound as a bell--illness never came near her; she was an exact, clever manager; her household and tenantry were thoroughly under her control; her children only at times defied her authority and laughed it to scorn; she dressed well, and had a presence and port calculated to set off handsome attire. Sitting on a low stool, a few yards from her arm-chair, I examined her figure; I perused her features. In my hand I held the tract containing the sudden death of the Liar, to which narrative my attention had been pointed as to an appropriate warning. What had just passed; what Mrs. Reed had said concerning me to Mr. Brocklehurst; the whole tenor of their conversation, was recent, raw, and stinging in my mind; I had felt every word as acutely as I had heard it plainly, and a passion of resentment fomented now within me. Mrs. Reed looked up from her work; her eye settled on mine, her fingers at the same time suspended their nimble movements. "Go out of the room; return to the nursery," was her mandate. My look or something else must have struck her as offensive, for she spoke with extreme though suppressed irritation. I got up, I went to the door; I came back again; I walked to the window, across the room, then close up to her. _Speak_ I must: I had been trodden on severely, and _must_ turn: but how? What strength had I to dart retaliation at my antagonist? I gathered my energies and launched them in this blunt sentence-- "I am not deceitful: if I were, I should say I loved you; but I declare I do not love you: I dislike you the worst of anybody in the world except John Reed; and this book about the liar, you may give to your girl, Georgiana, for it is she who tells lies, and not I." Mrs. Reed's hands still lay on her work inactive: her eye of ice continued to dwell freezingly on mine. "What more have you to say?" she asked, rather in the tone in which a person might address an opponent of adult age than such as is ordinarily used to a child. That eye of hers, that voice stirred every antipathy I had. Shaking from head to foot, thrilled with ungovernable excitement, I continued-- "I am glad you are no relation of mine: I will never call you aunt again as long as I live. I will never come to see you when I am grown up; and if any one asks me how I liked you, and how you treated me, I will say the very thought of you makes me sick, and that you treated me with miserable cruelty." "How dare you affirm that, Jane Eyre?" "How dare I, Mrs. Reed? How dare I? Because it is the _truth_. You think I have no feelings, and that I can do without one bit of love or kindness; but I cannot live so: and you have no pity. I shall remember how you thrust me back--roughly and violently thrust me back--into the red-room, and locked me up there, to my dying day; though I was in agony; though I cried out, while suffocating with distress, 'Have mercy! Have mercy, Aunt Reed!' And that punishment you made me suffer because your wicked boy struck me--knocked me down for nothing. I will tell anybody who asks me questions, this exact tale. People think you a good woman, but you are bad, hard-hearted. _You_ are deceitful!" {How dare I, Mrs. Reed? How dare I? Because it is the truth: p30.jpg} Ere I had finished this reply, my soul began to expand, to exult, with the strangest sense of freedom, of triumph, I ever felt. It seemed as if an invisible bond had burst, and that I had struggled out into unhoped- for liberty. Not without cause was this sentiment: Mrs. Reed looked frightened; her work had slipped from her knee; she was lifting up her hands, rocking herself to and fro, and even twisting her face as if she would cry. "Jane, you are under a mistake: what is the matter with you? Why do you tremble so violently? Would you like to drink some water?" "No, Mrs. Reed." "Is there anything else you wish for, Jane? I assure you, I desire to be your friend." "Not you. You told Mr. Brocklehurst I had a bad character, a deceitful disposition; and I'll let everybody at Lowood know what you are, and what you have done." "Jane, you don't understand these things: children must be corrected for their faults." "Deceit is not my fault!" I cried out in a savage, high voice. "But you are passionate, Jane, that you must allow: and now return to the nursery--there's a dear--and lie down a little." "I am not your dear; I cannot lie down: send me to school soon, Mrs. Reed, for I hate to live here." "I will indeed send her to school soon," murmured Mrs. Reed _sotto voce_; and gathering up her work, she abruptly quitted the apartment. I was left there alone--winner of the field. It was the hardest battle I had fought, and the first victory I had gained: I stood awhile on the rug, where Mr. Brocklehurst had stood, and I enjoyed my conqueror's solitude. First, I smiled to myself and felt elate; but this fierce pleasure subsided in me as fast as did the accelerated throb of my pulses. A child cannot quarrel with its elders, as I had done; cannot give its furious feelings uncontrolled play, as I had given mine, without experiencing afterwards the pang of remorse and the chill of reaction. A ridge of lighted heath, alive, glancing, devouring, would have been a meet emblem of my mind when I accused and menaced Mrs. Reed: the same ridge, black and blasted after the flames are dead, would have represented as meetly my subsequent condition, when half-an-hour's silence and reflection had shown me the madness of my conduct, and the dreariness of my hated and hating position. Something of vengeance I had tasted for the first time; as aromatic wine it seemed, on swallowing, warm and racy: its after-flavour, metallic and corroding, gave me a sensation as if I had been poisoned. Willingly would I now have gone and asked Mrs. Reed's pardon; but I knew, partly from experience and partly from instinct, that was the way to make her repulse me with double scorn, thereby re-exciting every turbulent impulse of my nature. I would fain exercise some better faculty than that of fierce speaking; fain find nourishment for some less fiendish feeling than that of sombre indignation. I took a book--some Arabian tales; I sat down and endeavoured to read. I could make no sense of the subject; my own thoughts swam always between me and the page I had usually found fascinating. I opened the glass-door in the breakfast-room: the shrubbery was quite still: the black frost reigned, unbroken by sun or breeze, through the grounds. I covered my head and arms with the skirt of my frock, and went out to walk in a part of the plantation which was quite sequestrated; but I found no pleasure in the silent trees, the falling fir-cones, the congealed relics of autumn, russet leaves, swept by past winds in heaps, and now stiffened together. I leaned against a gate, and looked into an empty field where no sheep were feeding, where the short grass was nipped and blanched. It was a very grey day; a most opaque sky, "onding on snaw," canopied all; thence flakes felt it intervals, which settled on the hard path and on the hoary lea without melting. I stood, a wretched child enough, whispering to myself over and over again, "What shall I do?--what shall I do?" All at once I heard a clear voice call, "Miss Jane! where are you? Come to lunch!" It was Bessie, I knew well enough; but I did not stir; her light step came tripping down the path. "You naughty little thing!" she said. "Why don't you come when you are called?" Bessie's presence, compared with the thoughts over which I had been brooding, seemed cheerful; even though, as usual, she was somewhat cross. The fact is, after my conflict with and victory over Mrs. Reed, I was not disposed to care much for the nursemaid's transitory anger; and I _was_ disposed to bask in her youthful lightness of heart. I just put my two arms round her and said, "Come, Bessie! don't scold." The action was more frank and fearless than any I was habituated to indulge in: somehow it pleased her. "You are a strange child, Miss Jane," she said, as she looked down at me; "a little roving, solitary thing: and you are going to school, I suppose?" I nodded. "And won't you be sorry to leave poor Bessie?" "What does Bessie care for me? She is always scolding me." "Because you're such a queer, frightened, shy little thing. You should be bolder." "What! to get more knocks?" "Nonsense! But you are rather put upon, that's certain. My mother said, when she came to see me last week, that she would not like a little one of her own to be in your place.--Now, come in, and I've some good news for you." "I don't think you have, Bessie." "Child! what do you mean? What sorrowful eyes you fix on me! Well, but Missis and the young ladies and Master John are going out to tea this afternoon, and you shall have tea with me. I'll ask cook to bake you a little cake, and then you shall help me to look over your drawers; for I am soon to pack your trunk. Missis intends you to leave Gateshead in a day or two, and you shall choose what toys you like to take with you." "Bessie, you must promise not to scold me any more till I go." "Well, I will; but mind you are a very good girl, and don't be afraid of me. Don't start when I chance to speak rather sharply; it's so provoking." "I don't think I shall ever be afraid of you again, Bessie, because I have got used to you, and I shall soon have another set of people to dread." "If you dread them they'll dislike you." "As you do, Bessie?" "I don't dislike you, Miss; I believe I am fonder of you than of all the others." "You don't show it." "You little sharp thing! you've got quite a new way of talking. What makes you so venturesome and hardy?" "Why, I shall soon be away from you, and besides"--I was going to say something about what had passed between me and Mrs. Reed, but on second thoughts I considered it better to remain silent on that head. "And so you're glad to leave me?" "Not at all, Bessie; indeed, just now I'm rather sorry." "Just now! and rather! How coolly my little lady says it! I dare say now if I were to ask you for a kiss you wouldn't give it me: you'd say you'd _rather_ not." "I'll kiss you and welcome: bend your head down." Bessie stooped; we mutually embraced, and I followed her into the house quite comforted. That afternoon lapsed in peace and harmony; and in the evening Bessie told me some of her most enchanting stories, and sang me some of her sweetest songs. Even for me life had its gleams of sunshine.

Chapter 4

https://web.archive.org/web/20190321135117/https://www.cliffsnotes.com/literature/j/jane-eyre/summary-and-analysis/chapter-4

Following her discussion with Mr. Lloyd, Jane expects that she will soon be sent away to school. But the only change Jane notices in her status following her experience in the red-room is that the boundary between Jane and the Reed children is more solid. On January 15, after three months of waiting for a change, Jane is finally summoned to the breakfast-room. Here she finds Mr. Brocklehurst waiting for her. Standing like a black pillar, Mr. Brocklehurst interviews Jane about hell, sin, and the Bible. Her aunt's worst suspicions about her moral character are confirmed when Jane declares to Brocklehurst that the "Psalms are not interesting." As a final poke at Jane, Mrs. Reed declares that her niece is a liar, and Brocklehurst promises to alert the other members of the school to Jane's deceitful nature. Jane resents Mrs. Reed's statements about her character, and when the two are alone together, Jane retaliates against her aunt. Angry and hurt, Jane declares that she is not a liar, that she is glad Mrs. Reed is not her relation, and, finally, that Mrs. Reed is hard-hearted. Jane feels a sense of triumph and exultation, and Mrs. Reed sheepishly leaves the room. The chapter ends with a conversation between Jane and Bessie. Jane makes Bessie promise to be nice during Jane's final days at Gateshead. Bessie claims she likes Jane more than she likes the Reed children, and confesses that even her mother has noticed how often Jane has been mistreated by the Reeds. In celebration of their new friendship, Bessie tells Jane some of her most enchanting stories and sings her sweetest songs.

Mr. Brocklehurst enters the book in this chapter, ushering in the change that will alter Jane's life. On first seeing this grim man, Jane describes him as "a black pillar! -- such, at least, appeared to me, at first sight, the straight, narrow, sable-clad shape standing erect on the rug; the grim face at the top was like a carved mask." A clergyman, Brocklehurst symbolizes Jane's aversion to some of the versions of organized religion. A straight, black, narrow, erect pillar, this man is hard and inflexible in his beliefs, certainly not attributes admired by the adventurous Jane. The "carved mask" of his face suggests his inhumanity, as does Jane's later reference to him as the "stony stranger." Unlike Jane who is associated with fire and energy, this man is cold and aloof as stone, someone with no passion and even less compassion. When Brocklehurst plants her straight in front of him, Jane exclaims, "what a great nose! and what a mouth! and what large, prominent teeth!": Brocklehurst has been transformed into the big bad wolf of fairy-tale fame, waiting to devour the innocent Little Red Riding Hood. From his first introduction into the story, one realizes that this spiritual man will offer Jane little comfort and no salvation. Besides signaling Jane's lack of interest in the self-righteous religion Brocklehurst professes, their interaction also reminds readers of Jane's general lack of respect for tyrannous authority figures. Her inability to quietly accept unfair treatment becomes pronounced in her interaction with Mrs. Reed. When her aunt tells Brocklehurst that Jane's worst trait is her "deceitful nature," Jane immediately recognizes her lack of power: How can a poor child defend herself from unfair accusations? When Brocklehurst leaves, Jane is filled with a "passion of resentment," contrasting clearly with Mrs. Reed's "eye of ice" that dwells "freezingly" on Jane. Indeed, Mrs. Reed's iciness incites Jane's passions, causing her entire body to shake, "thrilled with ungovernable excitement" and her mind has become a "ridge of lighted heath, alive, glancing, devouring." Following an outburst against her aunt, Jane feels a sensation of freedom and triumph. In fact, she declares herself the "winner of the field" and revels in her "conqueror's solitude." Has she simply stepped into her cousin John's role, becoming for a moment the "Roman emperor" she had earlier critiqued him for being? Struck by the fate of Jane's enemies, many critics have viewed this novel as Jane's revenge fantasy. As the story progresses, notice what happens to Jane's attackers; all seem to meet with misfortune and unhappiness. Jane's fiery, passionate nature transforms as the novel progresses, and she learns to balance passion and reason. In this scene, Jane's passion quickly drains away, and she's left with its aftertaste, "metallic and corroding," showing her that excessive emotions will not lead to happiness. Yet releasing her inner fire has a positive result: Because of it she befriends Bessie at the end of the chapter. This conversation reveals Bessie's sympathy -- even affection -- for Jane.

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Jane Eyre.volume 1.chapter 5

chapter 5

{"name": "Chapter 5", "url": "https://web.archive.org/web/20190321135117/https://www.cliffsnotes.com/literature/j/jane-eyre/summary-and-analysis/chapter-5", "summary": "January 19, the date of Jane's departure from Gateshead has arrived. She rises at five o'clock in the morning, so that she'll be ready for the six o'clock coach. None of the family rises to bid Jane farewell, and she happily journeys far away from the Reeds. The porter's wife is surprised that Mrs. Reed is allowing such a young child to travel alone. Jane's imaginative nature is once again apparent, and she worries that kidnappers will snatch her away at the inn where the coach stops for dinner. The day of Jane's arrival at Lowood is rainy, windy, and dark. Jane is led through the unfamiliar, labyrinthine halls of Lowood, until she reaches a large room in which eighty other girls sit doing their homework. Soon it is bedtime, and Jane wearily makes her way to bed. The next day, Jane follows the full routine of the school, studying from pre-dawn until five o'clock in the evening. The chapter is filled with Jane's observations of the school. Jane discovers the kind Miss Temple and the unreasonable Miss Scatcherd, who unfairly punishes Helen Burns. While solitary and isolated through most of the day, Jane does converse with Helen, who tells Jane that Lowood is a charity institution for orphan children. She also learns that Miss Temple must answer to Mr. Brocklehurst in all she does.", "analysis": "Jane is making progress in her journey of self-knowledge, and has now progressed from Gateshead to Lowood. Its name alerts the reader that the school will be a \"low\" place for Jane, and, thus, it appears on her first day. Modeled after the Clergy Daughters School at Cowan Bridge where Charlotte Bronte and her sisters Maria, Elizabeth, and Emily were sent, Lowood is not appealing. The school day begins before dawn, the students are offered eat meager rations of burnt and unappetizing food, and the grounds surrounding the school are blighted and decayed. The chapter shows the harsh realities of charity-school life in Victorian times. Besides acquainting us with the rigors of Lowood, the chapter also introduces us to two women who will have significant impact on Jane's development: Miss Temple and Helen Burns. Miss Temple's name signifies Jane's worshipful feeling for Lowood's superintendent, as does her appearance: she is tall, fair, and shapely, with a \"benignant light\" in her eyes and a \"stately\" posture. Notice how Miss Temple's appearance contrasts with the stony, dark, rigid exterior of her employer, Mr. Brocklehurst. Supplying the compassion he lacks, Miss Temple orders a decent lunch for her students to compensate for their burnt breakfast. Another hero in Jane's story, Helen Burns, is introduced in this chapter. What does Helen Burns' name signify? She is burning with a passion for heaven, and her fate is to die of a fever. Burns is based on Charlotte Bronte's oldest sister, Maria, who died when she was twelve years old after contracting consumption at the Clergy Daughters School. Bronte's second-oldest sister, Elizabeth, also died from this disease, caught at the unsanitary and damp school. Both Charlotte and Emily were withdrawn from the school before the following winter for the sake of their health. Like Helen Burns, Maria was known for the precocity of her thinking; Mr. Bronte said that \"he could converse with her on any of the leading topics of the day with as much freedom and pleasures as with any grown-up person.\" When Jane first notices Helen, her friend is reading Samuel Johnson's didactic tome, Rasselas, an essay arguing that happiness is often unobtainable. Although she enjoys reading, Jane isn't interested in Helen's book because it doesn't contain any fairies or genii. Like Jane, Helen is a poor, lonely child, but her method of dealing with her problems contrasts with Jane's, as is apparent in the interaction with Miss Scatcherd. After being unfairly disciplined by Miss Scatcherd, Helen neither cries nor looks humiliated; instead, she accepts her situation with composure and grace. Wondering how Helen can accept this treatment so quietly and firmly, Jane notices that Helen seems to be \"thinking of something beyond her punishment,\" and her sight seems to have \"gone down into her heart,\" emphasizing Helen's focus on spiritual rather than material matters. Jane is fascinated with Helen's self-possession, which signals a depth of character that is new to her. At this point in the story, Jane doesn't know how to judge Helen: Is she good or bad? Jane's goals in this first section of the book to learn to recognize character and to find a role model."}

Five o'clock had hardly struck on the morning of the 19th of January, when Bessie brought a candle into my closet and found me already up and nearly dressed. I had risen half-an-hour before her entrance, and had washed my face, and put on my clothes by the light of a half-moon just setting, whose rays streamed through the narrow window near my crib. I was to leave Gateshead that day by a coach which passed the lodge gates at six a.m. Bessie was the only person yet risen; she had lit a fire in the nursery, where she now proceeded to make my breakfast. Few children can eat when excited with the thoughts of a journey; nor could I. Bessie, having pressed me in vain to take a few spoonfuls of the boiled milk and bread she had prepared for me, wrapped up some biscuits in a paper and put them into my bag; then she helped me on with my pelisse and bonnet, and wrapping herself in a shawl, she and I left the nursery. As we passed Mrs. Reed's bedroom, she said, "Will you go in and bid Missis good- bye?" "No, Bessie: she came to my crib last night when you were gone down to supper, and said I need not disturb her in the morning, or my cousins either; and she told me to remember that she had always been my best friend, and to speak of her and be grateful to her accordingly." "What did you say, Miss?" "Nothing: I covered my face with the bedclothes, and turned from her to the wall." "That was wrong, Miss Jane." "It was quite right, Bessie. Your Missis has not been my friend: she has been my foe." "O Miss Jane! don't say so!" "Good-bye to Gateshead!" cried I, as we passed through the hall and went out at the front door. The moon was set, and it was very dark; Bessie carried a lantern, whose light glanced on wet steps and gravel road sodden by a recent thaw. Raw and chill was the winter morning: my teeth chattered as I hastened down the drive. There was a light in the porter's lodge: when we reached it, we found the porter's wife just kindling her fire: my trunk, which had been carried down the evening before, stood corded at the door. It wanted but a few minutes of six, and shortly after that hour had struck, the distant roll of wheels announced the coming coach; I went to the door and watched its lamps approach rapidly through the gloom. "Is she going by herself?" asked the porter's wife. "Yes." "And how far is it?" "Fifty miles." "What a long way! I wonder Mrs. Reed is not afraid to trust her so far alone." The coach drew up; there it was at the gates with its four horses and its top laden with passengers: the guard and coachman loudly urged haste; my trunk was hoisted up; I was taken from Bessie's neck, to which I clung with kisses. "Be sure and take good care of her," cried she to the guard, as he lifted me into the inside. "Ay, ay!" was the answer: the door was slapped to, a voice exclaimed "All right," and on we drove. Thus was I severed from Bessie and Gateshead; thus whirled away to unknown, and, as I then deemed, remote and mysterious regions. I remember but little of the journey; I only know that the day seemed to me of a preternatural length, and that we appeared to travel over hundreds of miles of road. We passed through several towns, and in one, a very large one, the coach stopped; the horses were taken out, and the passengers alighted to dine. I was carried into an inn, where the guard wanted me to have some dinner; but, as I had no appetite, he left me in an immense room with a fireplace at each end, a chandelier pendent from the ceiling, and a little red gallery high up against the wall filled with musical instruments. Here I walked about for a long time, feeling very strange, and mortally apprehensive of some one coming in and kidnapping me; for I believed in kidnappers, their exploits having frequently figured in Bessie's fireside chronicles. At last the guard returned; once more I was stowed away in the coach, my protector mounted his own seat, sounded his hollow horn, and away we rattled over the "stony street" of L-. The afternoon came on wet and somewhat misty: as it waned into dusk, I began to feel that we were getting very far indeed from Gateshead: we ceased to pass through towns; the country changed; great grey hills heaved up round the horizon: as twilight deepened, we descended a valley, dark with wood, and long after night had overclouded the prospect, I heard a wild wind rushing amongst trees. Lulled by the sound, I at last dropped asleep; I had not long slumbered when the sudden cessation of motion awoke me; the coach-door was open, and a person like a servant was standing at it: I saw her face and dress by the light of the lamps. "Is there a little girl called Jane Eyre here?" she asked. I answered "Yes," and was then lifted out; my trunk was handed down, and the coach instantly drove away. I was stiff with long sitting, and bewildered with the noise and motion of the coach: Gathering my faculties, I looked about me. Rain, wind, and darkness filled the air; nevertheless, I dimly discerned a wall before me and a door open in it; through this door I passed with my new guide: she shut and locked it behind her. There was now visible a house or houses--for the building spread far--with many windows, and lights burning in some; we went up a broad pebbly path, splashing wet, and were admitted at a door; then the servant led me through a passage into a room with a fire, where she left me alone. I stood and warmed my numbed fingers over the blaze, then I looked round; there was no candle, but the uncertain light from the hearth showed, by intervals, papered walls, carpet, curtains, shining mahogany furniture: it was a parlour, not so spacious or splendid as the drawing-room at Gateshead, but comfortable enough. I was puzzling to make out the subject of a picture on the wall, when the door opened, and an individual carrying a light entered; another followed close behind. The first was a tall lady with dark hair, dark eyes, and a pale and large forehead; her figure was partly enveloped in a shawl, her countenance was grave, her bearing erect. "The child is very young to be sent alone," said she, putting her candle down on the table. She considered me attentively for a minute or two, then further added-- "She had better be put to bed soon; she looks tired: are you tired?" she asked, placing her hand on my shoulder. "A little, ma'am." "And hungry too, no doubt: let her have some supper before she goes to bed, Miss Miller. Is this the first time you have left your parents to come to school, my little girl?" I explained to her that I had no parents. She inquired how long they had been dead: then how old I was, what was my name, whether I could read, write, and sew a little: then she touched my cheek gently with her forefinger, and saying, "She hoped I should be a good child," dismissed me along with Miss Miller. The lady I had left might be about twenty-nine; the one who went with me appeared some years younger: the first impressed me by her voice, look, and air. Miss Miller was more ordinary; ruddy in complexion, though of a careworn countenance; hurried in gait and action, like one who had always a multiplicity of tasks on hand: she looked, indeed, what I afterwards found she really was, an under-teacher. Led by her, I passed from compartment to compartment, from passage to passage, of a large and irregular building; till, emerging from the total and somewhat dreary silence pervading that portion of the house we had traversed, we came upon the hum of many voices, and presently entered a wide, long room, with great deal tables, two at each end, on each of which burnt a pair of candles, and seated all round on benches, a congregation of girls of every age, from nine or ten to twenty. Seen by the dim light of the dips, their number to me appeared countless, though not in reality exceeding eighty; they were uniformly dressed in brown stuff frocks of quaint fashion, and long holland pinafores. It was the hour of study; they were engaged in conning over their to-morrow's task, and the hum I had heard was the combined result of their whispered repetitions. Miss Miller signed to me to sit on a bench near the door, then walking up to the top of the long room she cried out-- "Monitors, collect the lesson-books and put them away!" Four tall girls arose from different tables, and going round, gathered the books and removed them. Miss Miller again gave the word of command-- "Monitors, fetch the supper-trays!" The tall girls went out and returned presently, each bearing a tray, with portions of something, I knew not what, arranged thereon, and a pitcher of water and mug in the middle of each tray. The portions were handed round; those who liked took a draught of the water, the mug being common to all. When it came to my turn, I drank, for I was thirsty, but did not touch the food, excitement and fatigue rendering me incapable of eating: I now saw, however, that it was a thin oaten cake shared into fragments. The meal over, prayers were read by Miss Miller, and the classes filed off, two and two, upstairs. Overpowered by this time with weariness, I scarcely noticed what sort of a place the bedroom was, except that, like the schoolroom, I saw it was very long. To-night I was to be Miss Miller's bed-fellow; she helped me to undress: when laid down I glanced at the long rows of beds, each of which was quickly filled with two occupants; in ten minutes the single light was extinguished, and amidst silence and complete darkness I fell asleep. The night passed rapidly. I was too tired even to dream; I only once awoke to hear the wind rave in furious gusts, and the rain fall in torrents, and to be sensible that Miss Miller had taken her place by my side. When I again unclosed my eyes, a loud bell was ringing; the girls were up and dressing; day had not yet begun to dawn, and a rushlight or two burned in the room. I too rose reluctantly; it was bitter cold, and I dressed as well as I could for shivering, and washed when there was a basin at liberty, which did not occur soon, as there was but one basin to six girls, on the stands down the middle of the room. Again the bell rang: all formed in file, two and two, and in that order descended the stairs and entered the cold and dimly lit schoolroom: here prayers were read by Miss Miller; afterwards she called out-- "Form classes!" A great tumult succeeded for some minutes, during which Miss Miller repeatedly exclaimed, "Silence!" and "Order!" When it subsided, I saw them all drawn up in four semicircles, before four chairs, placed at the four tables; all held books in their hands, and a great book, like a Bible, lay on each table, before the vacant seat. A pause of some seconds succeeded, filled up by the low, vague hum of numbers; Miss Miller walked from class to class, hushing this indefinite sound. A distant bell tinkled: immediately three ladies entered the room, each walked to a table and took her seat. Miss Miller assumed the fourth vacant chair, which was that nearest the door, and around which the smallest of the children were assembled: to this inferior class I was called, and placed at the bottom of it. Business now began, the day's Collect was repeated, then certain texts of Scripture were said, and to these succeeded a protracted reading of chapters in the Bible, which lasted an hour. By the time that exercise was terminated, day had fully dawned. The indefatigable bell now sounded for the fourth time: the classes were marshalled and marched into another room to breakfast: how glad I was to behold a prospect of getting something to eat! I was now nearly sick from inanition, having taken so little the day before. The refectory was a great, low-ceiled, gloomy room; on two long tables smoked basins of something hot, which, however, to my dismay, sent forth an odour far from inviting. I saw a universal manifestation of discontent when the fumes of the repast met the nostrils of those destined to swallow it; from the van of the procession, the tall girls of the first class, rose the whispered words-- "Disgusting! The porridge is burnt again!" "Silence!" ejaculated a voice; not that of Miss Miller, but one of the upper teachers, a little and dark personage, smartly dressed, but of somewhat morose aspect, who installed herself at the top of one table, while a more buxom lady presided at the other. I looked in vain for her I had first seen the night before; she was not visible: Miss Miller occupied the foot of the table where I sat, and a strange, foreign-looking, elderly lady, the French teacher, as I afterwards found, took the corresponding seat at the other board. A long grace was said and a hymn sung; then a servant brought in some tea for the teachers, and the meal began. Ravenous, and now very faint, I devoured a spoonful or two of my portion without thinking of its taste; but the first edge of hunger blunted, I perceived I had got in hand a nauseous mess; burnt porridge is almost as bad as rotten potatoes; famine itself soon sickens over it. The spoons were moved slowly: I saw each girl taste her food and try to swallow it; but in most cases the effort was soon relinquished. Breakfast was over, and none had breakfasted. Thanks being returned for what we had not got, and a second hymn chanted, the refectory was evacuated for the schoolroom. I was one of the last to go out, and in passing the tables, I saw one teacher take a basin of the porridge and taste it; she looked at the others; all their countenances expressed displeasure, and one of them, the stout one, whispered-- "Abominable stuff! How shameful!" A quarter of an hour passed before lessons again began, during which the schoolroom was in a glorious tumult; for that space of time it seemed to be permitted to talk loud and more freely, and they used their privilege. The whole conversation ran on the breakfast, which one and all abused roundly. Poor things! it was the sole consolation they had. Miss Miller was now the only teacher in the room: a group of great girls standing about her spoke with serious and sullen gestures. I heard the name of Mr. Brocklehurst pronounced by some lips; at which Miss Miller shook her head disapprovingly; but she made no great effort to check the general wrath; doubtless she shared in it. A clock in the schoolroom struck nine; Miss Miller left her circle, and standing in the middle of the room, cried-- "Silence! To your seats!" Discipline prevailed: in five minutes the confused throng was resolved into order, and comparative silence quelled the Babel clamour of tongues. The upper teachers now punctually resumed their posts: but still, all seemed to wait. Ranged on benches down the sides of the room, the eighty girls sat motionless and erect; a quaint assemblage they appeared, all with plain locks combed from their faces, not a curl visible; in brown dresses, made high and surrounded by a narrow tucker about the throat, with little pockets of holland (shaped something like a Highlander's purse) tied in front of their frocks, and destined to serve the purpose of a work-bag: all, too, wearing woollen stockings and country-made shoes, fastened with brass buckles. Above twenty of those clad in this costume were full-grown girls, or rather young women; it suited them ill, and gave an air of oddity even to the prettiest. I was still looking at them, and also at intervals examining the teachers--none of whom precisely pleased me; for the stout one was a little coarse, the dark one not a little fierce, the foreigner harsh and grotesque, and Miss Miller, poor thing! looked purple, weather-beaten, and over-worked--when, as my eye wandered from face to face, the whole school rose simultaneously, as if moved by a common spring. What was the matter? I had heard no order given: I was puzzled. Ere I had gathered my wits, the classes were again seated: but as all eyes were now turned to one point, mine followed the general direction, and encountered the personage who had received me last night. She stood at the bottom of the long room, on the hearth; for there was a fire at each end; she surveyed the two rows of girls silently and gravely. Miss Miller approaching, seemed to ask her a question, and having received her answer, went back to her place, and said aloud-- "Monitor of the first class, fetch the globes!" While the direction was being executed, the lady consulted moved slowly up the room. I suppose I have a considerable organ of veneration, for I retain yet the sense of admiring awe with which my eyes traced her steps. Seen now, in broad daylight, she looked tall, fair, and shapely; brown eyes with a benignant light in their irids, and a fine pencilling of long lashes round, relieved the whiteness of her large front; on each of her temples her hair, of a very dark brown, was clustered in round curls, according to the fashion of those times, when neither smooth bands nor long ringlets were in vogue; her dress, also in the mode of the day, was of purple cloth, relieved by a sort of Spanish trimming of black velvet; a gold watch (watches were not so common then as now) shone at her girdle. Let the reader add, to complete the picture, refined features; a complexion, if pale, clear; and a stately air and carriage, and he will have, at least, as clearly as words can give it, a correct idea of the exterior of Miss Temple--Maria Temple, as I afterwards saw the name written in a prayer-book intrusted to me to carry to church. The superintendent of Lowood (for such was this lady) having taken her seat before a pair of globes placed on one of the tables, summoned the first class round her, and commenced giving a lesson on geography; the lower classes were called by the teachers: repetitions in history, grammar, &c., went on for an hour; writing and arithmetic succeeded, and music lessons were given by Miss Temple to some of the elder girls. The duration of each lesson was measured by the clock, which at last struck twelve. The superintendent rose-- "I have a word to address to the pupils," said she. The tumult of cessation from lessons was already breaking forth, but it sank at her voice. She went on-- "You had this morning a breakfast which you could not eat; you must be hungry:--I have ordered that a lunch of bread and cheese shall be served to all." The teachers looked at her with a sort of surprise. "It is to be done on my responsibility," she added, in an explanatory tone to them, and immediately afterwards left the room. The bread and cheese was presently brought in and distributed, to the high delight and refreshment of the whole school. The order was now given "To the garden!" Each put on a coarse straw bonnet, with strings of coloured calico, and a cloak of grey frieze. I was similarly equipped, and, following the stream, I made my way into the open air. The garden was a wide inclosure, surrounded with walls so high as to exclude every glimpse of prospect; a covered verandah ran down one side, and broad walks bordered a middle space divided into scores of little beds: these beds were assigned as gardens for the pupils to cultivate, and each bed had an owner. When full of flowers they would doubtless look pretty; but now, at the latter end of January, all was wintry blight and brown decay. I shuddered as I stood and looked round me: it was an inclement day for outdoor exercise; not positively rainy, but darkened by a drizzling yellow fog; all under foot was still soaking wet with the floods of yesterday. The stronger among the girls ran about and engaged in active games, but sundry pale and thin ones herded together for shelter and warmth in the verandah; and amongst these, as the dense mist penetrated to their shivering frames, I heard frequently the sound of a hollow cough. As yet I had spoken to no one, nor did anybody seem to take notice of me; I stood lonely enough: but to that feeling of isolation I was accustomed; it did not oppress me much. I leant against a pillar of the verandah, drew my grey mantle close about me, and, trying to forget the cold which nipped me without, and the unsatisfied hunger which gnawed me within, delivered myself up to the employment of watching and thinking. My reflections were too undefined and fragmentary to merit record: I hardly yet knew where I was; Gateshead and my past life seemed floated away to an immeasurable distance; the present was vague and strange, and of the future I could form no conjecture. I looked round the convent-like garden, and then up at the house--a large building, half of which seemed grey and old, the other half quite new. The new part, containing the schoolroom and dormitory, was lit by mullioned and latticed windows, which gave it a church-like aspect; a stone tablet over the door bore this inscription:-- "Lowood Institution.--This portion was rebuilt A.D. ---, by Naomi Brocklehurst, of Brocklehurst Hall, in this county." "Let your light so shine before men, that they may see your good works, and glorify your Father which is in heaven."--St. Matt. v. 16. I read these words over and over again: I felt that an explanation belonged to them, and was unable fully to penetrate their import. I was still pondering the signification of "Institution," and endeavouring to make out a connection between the first words and the verse of Scripture, when the sound of a cough close behind me made me turn my head. I saw a girl sitting on a stone bench near; she was bent over a book, on the perusal of which she seemed intent: from where I stood I could see the title--it was "Rasselas;" a name that struck me as strange, and consequently attractive. In turning a leaf she happened to look up, and I said to her directly-- "Is your book interesting?" I had already formed the intention of asking her to lend it to me some day. "I like it," she answered, after a pause of a second or two, during which she examined me. "What is it about?" I continued. I hardly know where I found the hardihood thus to open a conversation with a stranger; the step was contrary to my nature and habits: but I think her occupation touched a chord of sympathy somewhere; for I too liked reading, though of a frivolous and childish kind; I could not digest or comprehend the serious or substantial. "You may look at it," replied the girl, offering me the book. I did so; a brief examination convinced me that the contents were less taking than the title: "Rasselas" looked dull to my trifling taste; I saw nothing about fairies, nothing about genii; no bright variety seemed spread over the closely-printed pages. I returned it to her; she received it quietly, and without saying anything she was about to relapse into her former studious mood: again I ventured to disturb her-- "Can you tell me what the writing on that stone over the door means? What is Lowood Institution?" "This house where you are come to live." "And why do they call it Institution? Is it in any way different from other schools?" "It is partly a charity-school: you and I, and all the rest of us, are charity-children. I suppose you are an orphan: are not either your father or your mother dead?" "Both died before I can remember." "Well, all the girls here have lost either one or both parents, and this is called an institution for educating orphans." "Do we pay no money? Do they keep us for nothing?" "We pay, or our friends pay, fifteen pounds a year for each." "Then why do they call us charity-children?" "Because fifteen pounds is not enough for board and teaching, and the deficiency is supplied by subscription." "Who subscribes?" "Different benevolent-minded ladies and gentlemen in this neighbourhood and in London." "Who was Naomi Brocklehurst?" "The lady who built the new part of this house as that tablet records, and whose son overlooks and directs everything here." "Why?" "Because he is treasurer and manager of the establishment." "Then this house does not belong to that tall lady who wears a watch, and who said we were to have some bread and cheese?" "To Miss Temple? Oh, no! I wish it did: she has to answer to Mr. Brocklehurst for all she does. Mr. Brocklehurst buys all our food and all our clothes." "Does he live here?" "No--two miles off, at a large hall." "Is he a good man?" "He is a clergyman, and is said to do a great deal of good." "Did you say that tall lady was called Miss Temple?" "Yes." "And what are the other teachers called?" "The one with red cheeks is called Miss Smith; she attends to the work, and cuts out--for we make our own clothes, our frocks, and pelisses, and everything; the little one with black hair is Miss Scatcherd; she teaches history and grammar, and hears the second class repetitions; and the one who wears a shawl, and has a pocket-handkerchief tied to her side with a yellow ribband, is Madame Pierrot: she comes from Lisle, in France, and teaches French." "Do you like the teachers?" "Well enough." "Do you like the little black one, and the Madame ---?--I cannot pronounce her name as you do." "Miss Scatcherd is hasty--you must take care not to offend her; Madame Pierrot is not a bad sort of person." "But Miss Temple is the best--isn't she?" "Miss Temple is very good and very clever; she is above the rest, because she knows far more than they do." "Have you been long here?" "Two years." "Are you an orphan?" "My mother is dead." "Are you happy here?" "You ask rather too many questions. I have given you answers enough for the present: now I want to read." But at that moment the summons sounded for dinner; all re-entered the house. The odour which now filled the refectory was scarcely more appetising than that which had regaled our nostrils at breakfast: the dinner was served in two huge tin-plated vessels, whence rose a strong steam redolent of rancid fat. I found the mess to consist of indifferent potatoes and strange shreds of rusty meat, mixed and cooked together. Of this preparation a tolerably abundant plateful was apportioned to each pupil. I ate what I could, and wondered within myself whether every day's fare would be like this. After dinner, we immediately adjourned to the schoolroom: lessons recommenced, and were continued till five o'clock. The only marked event of the afternoon was, that I saw the girl with whom I had conversed in the verandah dismissed in disgrace by Miss Scatcherd from a history class, and sent to stand in the middle of the large schoolroom. The punishment seemed to me in a high degree ignominious, especially for so great a girl--she looked thirteen or upwards. I expected she would show signs of great distress and shame; but to my surprise she neither wept nor blushed: composed, though grave, she stood, the central mark of all eyes. "How can she bear it so quietly--so firmly?" I asked of myself. "Were I in her place, it seems to me I should wish the earth to open and swallow me up. She looks as if she were thinking of something beyond her punishment--beyond her situation: of something not round her nor before her. I have heard of day-dreams--is she in a day-dream now? Her eyes are fixed on the floor, but I am sure they do not see it--her sight seems turned in, gone down into her heart: she is looking at what she can remember, I believe; not at what is really present. I wonder what sort of a girl she is--whether good or naughty." Soon after five p.m. we had another meal, consisting of a small mug of coffee, and half-a-slice of brown bread. I devoured my bread and drank my coffee with relish; but I should have been glad of as much more--I was still hungry. Half-an-hour's recreation succeeded, then study; then the glass of water and the piece of oat-cake, prayers, and bed. Such was my first day at Lowood.

Chapter 5

https://web.archive.org/web/20190321135117/https://www.cliffsnotes.com/literature/j/jane-eyre/summary-and-analysis/chapter-5

January 19, the date of Jane's departure from Gateshead has arrived. She rises at five o'clock in the morning, so that she'll be ready for the six o'clock coach. None of the family rises to bid Jane farewell, and she happily journeys far away from the Reeds. The porter's wife is surprised that Mrs. Reed is allowing such a young child to travel alone. Jane's imaginative nature is once again apparent, and she worries that kidnappers will snatch her away at the inn where the coach stops for dinner. The day of Jane's arrival at Lowood is rainy, windy, and dark. Jane is led through the unfamiliar, labyrinthine halls of Lowood, until she reaches a large room in which eighty other girls sit doing their homework. Soon it is bedtime, and Jane wearily makes her way to bed. The next day, Jane follows the full routine of the school, studying from pre-dawn until five o'clock in the evening. The chapter is filled with Jane's observations of the school. Jane discovers the kind Miss Temple and the unreasonable Miss Scatcherd, who unfairly punishes Helen Burns. While solitary and isolated through most of the day, Jane does converse with Helen, who tells Jane that Lowood is a charity institution for orphan children. She also learns that Miss Temple must answer to Mr. Brocklehurst in all she does.

Jane is making progress in her journey of self-knowledge, and has now progressed from Gateshead to Lowood. Its name alerts the reader that the school will be a "low" place for Jane, and, thus, it appears on her first day. Modeled after the Clergy Daughters School at Cowan Bridge where Charlotte Bronte and her sisters Maria, Elizabeth, and Emily were sent, Lowood is not appealing. The school day begins before dawn, the students are offered eat meager rations of burnt and unappetizing food, and the grounds surrounding the school are blighted and decayed. The chapter shows the harsh realities of charity-school life in Victorian times. Besides acquainting us with the rigors of Lowood, the chapter also introduces us to two women who will have significant impact on Jane's development: Miss Temple and Helen Burns. Miss Temple's name signifies Jane's worshipful feeling for Lowood's superintendent, as does her appearance: she is tall, fair, and shapely, with a "benignant light" in her eyes and a "stately" posture. Notice how Miss Temple's appearance contrasts with the stony, dark, rigid exterior of her employer, Mr. Brocklehurst. Supplying the compassion he lacks, Miss Temple orders a decent lunch for her students to compensate for their burnt breakfast. Another hero in Jane's story, Helen Burns, is introduced in this chapter. What does Helen Burns' name signify? She is burning with a passion for heaven, and her fate is to die of a fever. Burns is based on Charlotte Bronte's oldest sister, Maria, who died when she was twelve years old after contracting consumption at the Clergy Daughters School. Bronte's second-oldest sister, Elizabeth, also died from this disease, caught at the unsanitary and damp school. Both Charlotte and Emily were withdrawn from the school before the following winter for the sake of their health. Like Helen Burns, Maria was known for the precocity of her thinking; Mr. Bronte said that "he could converse with her on any of the leading topics of the day with as much freedom and pleasures as with any grown-up person." When Jane first notices Helen, her friend is reading Samuel Johnson's didactic tome, Rasselas, an essay arguing that happiness is often unobtainable. Although she enjoys reading, Jane isn't interested in Helen's book because it doesn't contain any fairies or genii. Like Jane, Helen is a poor, lonely child, but her method of dealing with her problems contrasts with Jane's, as is apparent in the interaction with Miss Scatcherd. After being unfairly disciplined by Miss Scatcherd, Helen neither cries nor looks humiliated; instead, she accepts her situation with composure and grace. Wondering how Helen can accept this treatment so quietly and firmly, Jane notices that Helen seems to be "thinking of something beyond her punishment," and her sight seems to have "gone down into her heart," emphasizing Helen's focus on spiritual rather than material matters. Jane is fascinated with Helen's self-possession, which signals a depth of character that is new to her. At this point in the story, Jane doesn't know how to judge Helen: Is she good or bad? Jane's goals in this first section of the book to learn to recognize character and to find a role model.

cliffnotes

all_chapterized_books/1260-chapters/volume_1_chapters_6_to_7.txt

finished_summaries/cliffnotes/Jane Eyre/section_4_part_0.txt

Jane Eyre.volume 1.chapters 6-7

chapters 6-7

{"name": "Chapters 6-7", "url": "https://web.archive.org/web/20190321135117/https://www.cliffsnotes.com/literature/j/jane-eyre/summary-and-analysis/chapters-67", "summary": "When the girls wake for breakfast on Jane's second morning at Lowood, they discover that the water in the pitchers is frozen. Before, she had been merely a spectator at Lowood, but now Jane will become an actor, participating fully in the events at the school. As Jane sits sewing, she notices once again how unfairly Helen Burns in treated: Miss Scatcherd picks on Helen for inconsequential things, such as poking her chin unpleasantly or not holding her head up. Despite Miss Scatcherd's criticisms, Helen appears to be one of the brightest students in the class. She has answers for the most difficult questions. Later in the evening, Jane converses once again with Helen. She learns more about Helen's philosophy of life and her doctrine of endurance. Helen praises Jane for her virtues, such as the ability to pay careful attention during lessons. In contrast, Helen believes she herself suffers from carelessness and poor concentration, spending too much time daydreaming about her home in Deepden, Northumberland. While Jane thinks Helen should fight against injustice, Helen tells her to follow Christ's example by loving her enemies. Jane's first quarter at Lowood passes, and Chapter 7 records Jane's general impressions of her first three months at the school. Again, she focuses on the harshness of life at Lowood: the severe cold, near starvation, and the long hours spent memorizing the Church Catechism and listening to long sermons. Fortunately for Jane, Mr. Brocklehurst, the financial manager of Lowood, is absent during most of this time. Finally, he appears at the school. Jane is worried at his arrival, because she remembers Mrs. Reed's comments to him about Jane's deceitfulness and Mr. Brocklehurst's promise to warn the teachers at the school of Jane's unsavory character. During his visit, Jane accidentally drops her slate. Brocklehurst immediately brands her as careless. Although Miss Temple tells her not to be afraid of punishment, Jane is soon made the dunce of the school. Brocklehurst stands her on a stool and announces to the entire school that Jane is a liar. No one is to speak to Jane for the rest of the day, but Helen silently supports her friend by smiling every time she passes Jane's stool.", "analysis": "The significant differences between Jane's and Helen's philosophies of life become apparent in this chapter. While Jane is always ready to fight against her enemies, Helen practices a doctrine of patient endurance. Although Helen accepts all punishment without a tear, the \"spectacle\" of her friend's suffering causes Jane to quiver with \"unavailing and impotent anger.\" What are the reasons for Helen's endurance? First, she doesn't want to be a burden on her family, causing them grief by misbehaving. She also feels all people are required to bear what fate has ordained for them. Her belief in predestination, the idea that one's life is guided by fate rather than choice, shows her adherence to the philosophy of Calvinism. Founded by the Swiss theologian John Calvin, a leader in the Protestant Reformation movement, Calvinists follow a strict moral code and believe in the salvation of a select few who have been elected by God's grace. Although Jane thinks Helen may have access to some deep spiritual truth, Jane cannot understand Helen's \"doctrine of endurance\" or her sympathy for her torturer. Unlike Helen, Jane believes in being good to people who are good to her. When struck without reason, the victim needs to \"strike back again very hard,\" in order to teach the assailant a lesson. As readers saw in her final conversation with Aunt Reed, Jane firmly believes in retaliation and vengeance. Helen argues that a true Christian should mimic Jesus by loving, blessing, and benefiting her neighbors. In Helen's opinion, Jane should even try to forgive her Aunt Reed, because life is too short for \"nursing animosity.\" With her mind aimed squarely at heaven, Helen urges Jane to remember the eternal spirit that animates her temporary, corruptible body. Helen offers a view of Christianity that contrasts with the strict, hypocritical religion of Mr. Brocklehurst. While her compassion for other people is admirable and her rejection of vengeance and retaliation temper Jane's passionate anger, Helen will not offer Jane a completely acceptable model of Christianity because of her refusal to live in the real world. She is too much like the poor orphan in Bessie's song who rejected the real world in her dreams of heaven. Brocklehurst's hypocrisy is highlighted in this chapter. At the arrival of this dour man, who looks \"longer, narrower, and more rigid than ever,\" Jane is immediately upset. Her intuitive dislike for him is clearly justified in this scene. Brocklehurst insists that the girls eat a starvation-level diet so that they don't become accustomed to \"habits of luxury and indulgence.\" Brocklehurst justifies this extreme lifestyle by referring to Christian doctrines. Like the primitive Christians and tormented martyrs, the girls should revel in their suffering and accept Jesus' consolations. Brocklehurst's hypocrisy becomes most apparent when his own wife and daughters enter the classroom. As Brocklehurst lectures Miss Temple on the need to cut off the girls' long hair -- it's a sign of vanity -- his wife and daughters walk into the room, ornately dressed in velvet, silk, and furs. Jane notes that his daughters' hair is \"elaborately curled\" and that his wife wears fake French curls. Rather than arguing with Brocklehurst, as the headstrong Jane might have, Miss Temple attempts to hide her emotions, but Jane notices that her face appears to become as cold and fixed as marble, \"especially her mouth, closed as if it would have required a sculptor's chisel to open it.\" Miss Temple turns to stone rather than confront her boss. While her compassion, elegance, and reverence for learning make her a valuable role model for Jane, Miss Temple's failure to confront injustice directly is unacceptable to Jane. Calling Jane an \"interloper and an alien,\" Brocklehurst attempts to place Jane back into the inferior, outsider position she occupied at Gateshead. Although she is initially humiliated by his punishment, feeling that she is standing on a \"pedestal of infamy,\" Helen offers solace. The light that shines in Helen's eyes when she walks past Jane's stool sends an \"extraordinary sensation\" through Jane, as if a \"hero\" has walked past a \"slave or victim, and imparted strength in the transit.\" Again, Jane employs the language of heroism and slavery -- but while she had been a \"rebel slave\" at the Reeds, here Helen's heroism passes into Jane so that she can relinquish her victimization. Again Helen's power is spiritual rather than corporeal: Her eyes are inspired by a \"strange light\" and her smile is angelic. Through Helen's actions, Jane learns that heroism isn't achieved by vengeance, but by dignity, intelligence, and courage. Equally, she learns to change her behavior by changing her attitude; Helen's mere smile turns Jane's shame into strength."}

The next day commenced as before, getting up and dressing by rushlight; but this morning we were obliged to dispense with the ceremony of washing; the water in the pitchers was frozen. A change had taken place in the weather the preceding evening, and a keen north-east wind, whistling through the crevices of our bedroom windows all night long, had made us shiver in our beds, and turned the contents of the ewers to ice. Before the long hour and a half of prayers and Bible-reading was over, I felt ready to perish with cold. Breakfast-time came at last, and this morning the porridge was not burnt; the quality was eatable, the quantity small. How small my portion seemed! I wished it had been doubled. In the course of the day I was enrolled a member of the fourth class, and regular tasks and occupations were assigned me: hitherto, I had only been a spectator of the proceedings at Lowood; I was now to become an actor therein. At first, being little accustomed to learn by heart, the lessons appeared to me both long and difficult; the frequent change from task to task, too, bewildered me; and I was glad when, about three o'clock in the afternoon, Miss Smith put into my hands a border of muslin two yards long, together with needle, thimble, &c., and sent me to sit in a quiet corner of the schoolroom, with directions to hem the same. At that hour most of the others were sewing likewise; but one class still stood round Miss Scatcherd's chair reading, and as all was quiet, the subject of their lessons could be heard, together with the manner in which each girl acquitted herself, and the animadversions or commendations of Miss Scatcherd on the performance. It was English history: among the readers I observed my acquaintance of the verandah: at the commencement of the lesson, her place had been at the top of the class, but for some error of pronunciation, or some inattention to stops, she was suddenly sent to the very bottom. Even in that obscure position, Miss Scatcherd continued to make her an object of constant notice: she was continually addressing to her such phrases as the following:-- "Burns" (such it seems was her name: the girls here were all called by their surnames, as boys are elsewhere), "Burns, you are standing on the side of your shoe; turn your toes out immediately." "Burns, you poke your chin most unpleasantly; draw it in." "Burns, I insist on your holding your head up; I will not have you before me in that attitude," &c. &c. A chapter having been read through twice, the books were closed and the girls examined. The lesson had comprised part of the reign of Charles I., and there were sundry questions about tonnage and poundage and ship- money, which most of them appeared unable to answer; still, every little difficulty was solved instantly when it reached Burns: her memory seemed to have retained the substance of the whole lesson, and she was ready with answers on every point. I kept expecting that Miss Scatcherd would praise her attention; but, instead of that, she suddenly cried out-- "You dirty, disagreeable girl! you have never cleaned your nails this morning!" Burns made no answer: I wondered at her silence. "Why," thought I, "does she not explain that she could neither clean her nails nor wash her face, as the water was frozen?" My attention was now called off by Miss Smith desiring me to hold a skein of thread: while she was winding it, she talked to me from time to time, asking whether I had ever been at school before, whether I could mark, stitch, knit, &c.; till she dismissed me, I could not pursue my observations on Miss Scatcherd's movements. When I returned to my seat, that lady was just delivering an order of which I did not catch the import; but Burns immediately left the class, and going into the small inner room where the books were kept, returned in half a minute, carrying in her hand a bundle of twigs tied together at one end. This ominous tool she presented to Miss Scatcherd with a respectful curtesy; then she quietly, and without being told, unloosed her pinafore, and the teacher instantly and sharply inflicted on her neck a dozen strokes with the bunch of twigs. Not a tear rose to Burns' eye; and, while I paused from my sewing, because my fingers quivered at this spectacle with a sentiment of unavailing and impotent anger, not a feature of her pensive face altered its ordinary expression. "Hardened girl!" exclaimed Miss Scatcherd; "nothing can correct you of your slatternly habits: carry the rod away." Burns obeyed: I looked at her narrowly as she emerged from the book-closet; she was just putting back her handkerchief into her pocket, and the trace of a tear glistened on her thin cheek. The play-hour in the evening I thought the pleasantest fraction of the day at Lowood: the bit of bread, the draught of coffee swallowed at five o'clock had revived vitality, if it had not satisfied hunger: the long restraint of the day was slackened; the schoolroom felt warmer than in the morning--its fires being allowed to burn a little more brightly, to supply, in some measure, the place of candles, not yet introduced: the ruddy gloaming, the licensed uproar, the confusion of many voices gave one a welcome sense of liberty. On the evening of the day on which I had seen Miss Scatcherd flog her pupil, Burns, I wandered as usual among the forms and tables and laughing groups without a companion, yet not feeling lonely: when I passed the windows, I now and then lifted a blind, and looked out; it snowed fast, a drift was already forming against the lower panes; putting my ear close to the window, I could distinguish from the gleeful tumult within, the disconsolate moan of the wind outside. Probably, if I had lately left a good home and kind parents, this would have been the hour when I should most keenly have regretted the separation; that wind would then have saddened my heart; this obscure chaos would have disturbed my peace! as it was, I derived from both a strange excitement, and reckless and feverish, I wished the wind to howl more wildly, the gloom to deepen to darkness, and the confusion to rise to clamour. Jumping over forms, and creeping under tables, I made my way to one of the fire-places; there, kneeling by the high wire fender, I found Burns, absorbed, silent, abstracted from all round her by the companionship of a book, which she read by the dim glare of the embers. "Is it still 'Rasselas'?" I asked, coming behind her. "Yes," she said, "and I have just finished it." And in five minutes more she shut it up. I was glad of this. "Now," thought I, "I can perhaps get her to talk." I sat down by her on the floor. "What is your name besides Burns?" "Helen." "Do you come a long way from here?" "I come from a place farther north, quite on the borders of Scotland." "Will you ever go back?" "I hope so; but nobody can be sure of the future." "You must wish to leave Lowood?" "No! why should I? I was sent to Lowood to get an education; and it would be of no use going away until I have attained that object." "But that teacher, Miss Scatcherd, is so cruel to you?" "Cruel? Not at all! She is severe: she dislikes my faults." "And if I were in your place I should dislike her; I should resist her. If she struck me with that rod, I should get it from her hand; I should break it under her nose." "Probably you would do nothing of the sort: but if you did, Mr. Brocklehurst would expel you from the school; that would be a great grief to your relations. It is far better to endure patiently a smart which nobody feels but yourself, than to commit a hasty action whose evil consequences will extend to all connected with you; and besides, the Bible bids us return good for evil." "But then it seems disgraceful to be flogged, and to be sent to stand in the middle of a room full of people; and you are such a great girl: I am far younger than you, and I could not bear it." "Yet it would be your duty to bear it, if you could not avoid it: it is weak and silly to say you _cannot bear_ what it is your fate to be required to bear." I heard her with wonder: I could not comprehend this doctrine of endurance; and still less could I understand or sympathise with the forbearance she expressed for her chastiser. Still I felt that Helen Burns considered things by a light invisible to my eyes. I suspected she might be right and I wrong; but I would not ponder the matter deeply; like Felix, I put it off to a more convenient season. "You say you have faults, Helen: what are they? To me you seem very good." "Then learn from me, not to judge by appearances: I am, as Miss Scatcherd said, slatternly; I seldom put, and never keep, things, in order; I am careless; I forget rules; I read when I should learn my lessons; I have no method; and sometimes I say, like you, I cannot _bear_ to be subjected to systematic arrangements. This is all very provoking to Miss Scatcherd, who is naturally neat, punctual, and particular." "And cross and cruel," I added; but Helen Burns would not admit my addition: she kept silence. "Is Miss Temple as severe to you as Miss Scatcherd?" At the utterance of Miss Temple's name, a soft smile flitted over her grave face. "Miss Temple is full of goodness; it pains her to be severe to any one, even the worst in the school: she sees my errors, and tells me of them gently; and, if I do anything worthy of praise, she gives me my meed liberally. One strong proof of my wretchedly defective nature is, that even her expostulations, so mild, so rational, have not influence to cure me of my faults; and even her praise, though I value it most highly, cannot stimulate me to continued care and foresight." "That is curious," said I, "it is so easy to be careful." "For _you_ I have no doubt it is. I observed you in your class this morning, and saw you were closely attentive: your thoughts never seemed to wander while Miss Miller explained the lesson and questioned you. Now, mine continually rove away; when I should be listening to Miss Scatcherd, and collecting all she says with assiduity, often I lose the very sound of her voice; I fall into a sort of dream. Sometimes I think I am in Northumberland, and that the noises I hear round me are the bubbling of a little brook which runs through Deepden, near our house;--then, when it comes to my turn to reply, I have to be awakened; and having heard nothing of what was read for listening to the visionary brook, I have no answer ready." "Yet how well you replied this afternoon." "It was mere chance; the subject on which we had been reading had interested me. This afternoon, instead of dreaming of Deepden, I was wondering how a man who wished to do right could act so unjustly and unwisely as Charles the First sometimes did; and I thought what a pity it was that, with his integrity and conscientiousness, he could see no farther than the prerogatives of the crown. If he had but been able to look to a distance, and see how what they call the spirit of the age was tending! Still, I like Charles--I respect him--I pity him, poor murdered king! Yes, his enemies were the worst: they shed blood they had no right to shed. How dared they kill him!" Helen was talking to herself now: she had forgotten I could not very well understand her--that I was ignorant, or nearly so, of the subject she discussed. I recalled her to my level. "And when Miss Temple teaches you, do your thoughts wander then?" "No, certainly, not often; because Miss Temple has generally something to say which is newer than my own reflections; her language is singularly agreeable to me, and the information she communicates is often just what I wished to gain." "Well, then, with Miss Temple you are good?" "Yes, in a passive way: I make no effort; I follow as inclination guides me. There is no merit in such goodness." "A great deal: you are good to those who are good to you. It is all I ever desire to be. If people were always kind and obedient to those who are cruel and unjust, the wicked people would have it all their own way: they would never feel afraid, and so they would never alter, but would grow worse and worse. When we are struck at without a reason, we should strike back again very hard; I am sure we should--so hard as to teach the person who struck us never to do it again." "You will change your mind, I hope, when you grow older: as yet you are but a little untaught girl." "But I feel this, Helen; I must dislike those who, whatever I do to please them, persist in disliking me; I must resist those who punish me unjustly. It is as natural as that I should love those who show me affection, or submit to punishment when I feel it is deserved." "Heathens and savage tribes hold that doctrine, but Christians and civilised nations disown it." "How? I don't understand." "It is not violence that best overcomes hate--nor vengeance that most certainly heals injury." "What then?" "Read the New Testament, and observe what Christ says, and how He acts; make His word your rule, and His conduct your example." "What does He say?" "Love your enemies; bless them that curse you; do good to them that hate you and despitefully use you." "Then I should love Mrs. Reed, which I cannot do; I should bless her son John, which is impossible." In her turn, Helen Burns asked me to explain, and I proceeded forthwith to pour out, in my own way, the tale of my sufferings and resentments. Bitter and truculent when excited, I spoke as I felt, without reserve or softening. Helen heard me patiently to the end: I expected she would then make a remark, but she said nothing. "Well," I asked impatiently, "is not Mrs. Reed a hard-hearted, bad woman?" "She has been unkind to you, no doubt; because you see, she dislikes your cast of character, as Miss Scatcherd does mine; but how minutely you remember all she has done and said to you! What a singularly deep impression her injustice seems to have made on your heart! No ill-usage so brands its record on my feelings. Would you not be happier if you tried to forget her severity, together with the passionate emotions it excited? Life appears to me too short to be spent in nursing animosity or registering wrongs. We are, and must be, one and all, burdened with faults in this world: but the time will soon come when, I trust, we shall put them off in putting off our corruptible bodies; when debasement and sin will fall from us with this cumbrous frame of flesh, and only the spark of the spirit will remain,--the impalpable principle of light and thought, pure as when it left the Creator to inspire the creature: whence it came it will return; perhaps again to be communicated to some being higher than man--perhaps to pass through gradations of glory, from the pale human soul to brighten to the seraph! Surely it will never, on the contrary, be suffered to degenerate from man to fiend? No; I cannot believe that: I hold another creed: which no one ever taught me, and which I seldom mention; but in which I delight, and to which I cling: for it extends hope to all: it makes Eternity a rest--a mighty home, not a terror and an abyss. Besides, with this creed, I can so clearly distinguish between the criminal and his crime; I can so sincerely forgive the first while I abhor the last: with this creed revenge never worries my heart, degradation never too deeply disgusts me, injustice never crushes me too low: I live in calm, looking to the end." Helen's head, always drooping, sank a little lower as she finished this sentence. I saw by her look she wished no longer to talk to me, but rather to converse with her own thoughts. She was not allowed much time for meditation: a monitor, a great rough girl, presently came up, exclaiming in a strong Cumberland accent-- "Helen Burns, if you don't go and put your drawer in order, and fold up your work this minute, I'll tell Miss Scatcherd to come and look at it!" Helen sighed as her reverie fled, and getting up, obeyed the monitor without reply as without delay. My first quarter at Lowood seemed an age; and not the golden age either; it comprised an irksome struggle with difficulties in habituating myself to new rules and unwonted tasks. The fear of failure in these points harassed me worse than the physical hardships of my lot; though these were no trifles. During January, February, and part of March, the deep snows, and, after their melting, the almost impassable roads, prevented our stirring beyond the garden walls, except to go to church; but within these limits we had to pass an hour every day in the open air. Our clothing was insufficient to protect us from the severe cold: we had no boots, the snow got into our shoes and melted there: our ungloved hands became numbed and covered with chilblains, as were our feet: I remember well the distracting irritation I endured from this cause every evening, when my feet inflamed; and the torture of thrusting the swelled, raw, and stiff toes into my shoes in the morning. Then the scanty supply of food was distressing: with the keen appetites of growing children, we had scarcely sufficient to keep alive a delicate invalid. From this deficiency of nourishment resulted an abuse, which pressed hardly on the younger pupils: whenever the famished great girls had an opportunity, they would coax or menace the little ones out of their portion. Many a time I have shared between two claimants the precious morsel of brown bread distributed at tea-time; and after relinquishing to a third half the contents of my mug of coffee, I have swallowed the remainder with an accompaniment of secret tears, forced from me by the exigency of hunger. Sundays were dreary days in that wintry season. We had to walk two miles to Brocklebridge Church, where our patron officiated. We set out cold, we arrived at church colder: during the morning service we became almost paralysed. It was too far to return to dinner, and an allowance of cold meat and bread, in the same penurious proportion observed in our ordinary meals, was served round between the services. At the close of the afternoon service we returned by an exposed and hilly road, where the bitter winter wind, blowing over a range of snowy summits to the north, almost flayed the skin from our faces. I can remember Miss Temple walking lightly and rapidly along our drooping line, her plaid cloak, which the frosty wind fluttered, gathered close about her, and encouraging us, by precept and example, to keep up our spirits, and march forward, as she said, "like stalwart soldiers." The other teachers, poor things, were generally themselves too much dejected to attempt the task of cheering others. How we longed for the light and heat of a blazing fire when we got back! But, to the little ones at least, this was denied: each hearth in the schoolroom was immediately surrounded by a double row of great girls, and behind them the younger children crouched in groups, wrapping their starved arms in their pinafores. A little solace came at tea-time, in the shape of a double ration of bread--a whole, instead of a half, slice--with the delicious addition of a thin scrape of butter: it was the hebdomadal treat to which we all looked forward from Sabbath to Sabbath. I generally contrived to reserve a moiety of this bounteous repast for myself; but the remainder I was invariably obliged to part with. The Sunday evening was spent in repeating, by heart, the Church Catechism, and the fifth, sixth, and seventh chapters of St. Matthew; and in listening to a long sermon, read by Miss Miller, whose irrepressible yawns attested her weariness. A frequent interlude of these performances was the enactment of the part of Eutychus by some half-dozen of little girls, who, overpowered with sleep, would fall down, if not out of the third loft, yet off the fourth form, and be taken up half dead. The remedy was, to thrust them forward into the centre of the schoolroom, and oblige them to stand there till the sermon was finished. Sometimes their feet failed them, and they sank together in a heap; they were then propped up with the monitors' high stools. I have not yet alluded to the visits of Mr. Brocklehurst; and indeed that gentleman was from home during the greater part of the first month after my arrival; perhaps prolonging his stay with his friend the archdeacon: his absence was a relief to me. I need not say that I had my own reasons for dreading his coming: but come he did at last. One afternoon (I had then been three weeks at Lowood), as I was sitting with a slate in my hand, puzzling over a sum in long division, my eyes, raised in abstraction to the window, caught sight of a figure just passing: I recognised almost instinctively that gaunt outline; and when, two minutes after, all the school, teachers included, rose _en masse_, it was not necessary for me to look up in order to ascertain whose entrance they thus greeted. A long stride measured the schoolroom, and presently beside Miss Temple, who herself had risen, stood the same black column which had frowned on me so ominously from the hearthrug of Gateshead. I now glanced sideways at this piece of architecture. Yes, I was right: it was Mr. Brocklehurst, buttoned up in a surtout, and looking longer, narrower, and more rigid than ever. I had my own reasons for being dismayed at this apparition; too well I remembered the perfidious hints given by Mrs. Reed about my disposition, &c.; the promise pledged by Mr. Brocklehurst to apprise Miss Temple and the teachers of my vicious nature. All along I had been dreading the fulfilment of this promise,--I had been looking out daily for the "Coming Man," whose information respecting my past life and conversation was to brand me as a bad child for ever: now there he was. He stood at Miss Temple's side; he was speaking low in her ear: I did not doubt he was making disclosures of my villainy; and I watched her eye with painful anxiety, expecting every moment to see its dark orb turn on me a glance of repugnance and contempt. I listened too; and as I happened to be seated quite at the top of the room, I caught most of what he said: its import relieved me from immediate apprehension. "I suppose, Miss Temple, the thread I bought at Lowton will do; it struck me that it would be just of the quality for the calico chemises, and I sorted the needles to match. You may tell Miss Smith that I forgot to make a memorandum of the darning needles, but she shall have some papers sent in next week; and she is not, on any account, to give out more than one at a time to each pupil: if they have more, they are apt to be careless and lose them. And, O ma'am! I wish the woollen stockings were better looked to!--when I was here last, I went into the kitchen-garden and examined the clothes drying on the line; there was a quantity of black hose in a very bad state of repair: from the size of the holes in them I was sure they had not been well mended from time to time." He paused. "Your directions shall be attended to, sir," said Miss Temple. "And, ma'am," he continued, "the laundress tells me some of the girls have two clean tuckers in the week: it is too much; the rules limit them to one." "I think I can explain that circumstance, sir. Agnes and Catherine Johnstone were invited to take tea with some friends at Lowton last Thursday, and I gave them leave to put on clean tuckers for the occasion." Mr. Brocklehurst nodded. "Well, for once it may pass; but please not to let the circumstance occur too often. And there is another thing which surprised me; I find, in settling accounts with the housekeeper, that a lunch, consisting of bread and cheese, has twice been served out to the girls during the past fortnight. How is this? I looked over the regulations, and I find no such meal as lunch mentioned. Who introduced this innovation? and by what authority?" "I must be responsible for the circumstance, sir," replied Miss Temple: "the breakfast was so ill prepared that the pupils could not possibly eat it; and I dared not allow them to remain fasting till dinner-time." "Madam, allow me an instant. You are aware that my plan in bringing up these girls is, not to accustom them to habits of luxury and indulgence, but to render them hardy, patient, self-denying. Should any little accidental disappointment of the appetite occur, such as the spoiling of a meal, the under or the over dressing of a dish, the incident ought not to be neutralised by replacing with something more delicate the comfort lost, thus pampering the body and obviating the aim of this institution; it ought to be improved to the spiritual edification of the pupils, by encouraging them to evince fortitude under temporary privation. A brief address on those occasions would not be mistimed, wherein a judicious instructor would take the opportunity of referring to the sufferings of the primitive Christians; to the torments of martyrs; to the exhortations of our blessed Lord Himself, calling upon His disciples to take up their cross and follow Him; to His warnings that man shall not live by bread alone, but by every word that proceedeth out of the mouth of God; to His divine consolations, "If ye suffer hunger or thirst for My sake, happy are ye." Oh, madam, when you put bread and cheese, instead of burnt porridge, into these children's mouths, you may indeed feed their vile bodies, but you little think how you starve their immortal souls!" Mr. Brocklehurst again paused--perhaps overcome by his feelings. Miss Temple had looked down when he first began to speak to her; but she now gazed straight before her, and her face, naturally pale as marble, appeared to be assuming also the coldness and fixity of that material; especially her mouth, closed as if it would have required a sculptor's chisel to open it, and her brow settled gradually into petrified severity. Meantime, Mr. Brocklehurst, standing on the hearth with his hands behind his back, majestically surveyed the whole school. Suddenly his eye gave a blink, as if it had met something that either dazzled or shocked its pupil; turning, he said in more rapid accents than he had hitherto used-- "Miss Temple, Miss Temple, what--_what_ is that girl with curled hair? Red hair, ma'am, curled--curled all over?" And extending his cane he pointed to the awful object, his hand shaking as he did so. "It is Julia Severn," replied Miss Temple, very quietly. "Julia Severn, ma'am! And why has she, or any other, curled hair? Why, in defiance of every precept and principle of this house, does she conform to the world so openly--here in an evangelical, charitable establishment--as to wear her hair one mass of curls?" "Julia's hair curls naturally," returned Miss Temple, still more quietly. "Naturally! Yes, but we are not to conform to nature; I wish these girls to be the children of Grace: and why that abundance? I have again and again intimated that I desire the hair to be arranged closely, modestly, plainly. Miss Temple, that girl's hair must be cut off entirely; I will send a barber to-morrow: and I see others who have far too much of the excrescence--that tall girl, tell her to turn round. Tell all the first form to rise up and direct their faces to the wall." Miss Temple passed her handkerchief over her lips, as if to smooth away the involuntary smile that curled them; she gave the order, however, and when the first class could take in what was required of them, they obeyed. Leaning a little back on my bench, I could see the looks and grimaces with which they commented on this manoeuvre: it was a pity Mr. Brocklehurst could not see them too; he would perhaps have felt that, whatever he might do with the outside of the cup and platter, the inside was further beyond his interference than he imagined. He scrutinised the reverse of these living medals some five minutes, then pronounced sentence. These words fell like the knell of doom-- "All those top-knots must be cut off." Miss Temple seemed to remonstrate. "Madam," he pursued, "I have a Master to serve whose kingdom is not of this world: my mission is to mortify in these girls the lusts of the flesh; to teach them to clothe themselves with shame-facedness and sobriety, not with braided hair and costly apparel; and each of the young persons before us has a string of hair twisted in plaits which vanity itself might have woven; these, I repeat, must be cut off; think of the time wasted, of--" Mr. Brocklehurst was here interrupted: three other visitors, ladies, now entered the room. They ought to have come a little sooner to have heard his lecture on dress, for they were splendidly attired in velvet, silk, and furs. The two younger of the trio (fine girls of sixteen and seventeen) had grey beaver hats, then in fashion, shaded with ostrich plumes, and from under the brim of this graceful head-dress fell a profusion of light tresses, elaborately curled; the elder lady was enveloped in a costly velvet shawl, trimmed with ermine, and she wore a false front of French curls. These ladies were deferentially received by Miss Temple, as Mrs. and the Misses Brocklehurst, and conducted to seats of honour at the top of the room. It seems they had come in the carriage with their reverend relative, and had been conducting a rummaging scrutiny of the room upstairs, while he transacted business with the housekeeper, questioned the laundress, and lectured the superintendent. They now proceeded to address divers remarks and reproofs to Miss Smith, who was charged with the care of the linen and the inspection of the dormitories: but I had no time to listen to what they said; other matters called off and enchanted my attention. Hitherto, while gathering up the discourse of Mr. Brocklehurst and Miss Temple, I had not, at the same time, neglected precautions to secure my personal safety; which I thought would be effected, if I could only elude observation. To this end, I had sat well back on the form, and while seeming to be busy with my sum, had held my slate in such a manner as to conceal my face: I might have escaped notice, had not my treacherous slate somehow happened to slip from my hand, and falling with an obtrusive crash, directly drawn every eye upon me; I knew it was all over now, and, as I stooped to pick up the two fragments of slate, I rallied my forces for the worst. It came. "A careless girl!" said Mr. Brocklehurst, and immediately after--"It is the new pupil, I perceive." And before I could draw breath, "I must not forget I have a word to say respecting her." Then aloud: how loud it seemed to me! "Let the child who broke her slate come forward!" Of my own accord I could not have stirred; I was paralysed: but the two great girls who sit on each side of me, set me on my legs and pushed me towards the dread judge, and then Miss Temple gently assisted me to his very feet, and I caught her whispered counsel-- "Don't be afraid, Jane, I saw it was an accident; you shall not be punished." The kind whisper went to my heart like a dagger. "Another minute, and she will despise me for a hypocrite," thought I; and an impulse of fury against Reed, Brocklehurst, and Co. bounded in my pulses at the conviction. I was no Helen Burns. "Fetch that stool," said Mr. Brocklehurst, pointing to a very high one from which a monitor had just risen: it was brought. "Place the child upon it." And I was placed there, by whom I don't know: I was in no condition to note particulars; I was only aware that they had hoisted me up to the height of Mr. Brocklehurst's nose, that he was within a yard of me, and that a spread of shot orange and purple silk pelisses and a cloud of silvery plumage extended and waved below me. Mr. Brocklehurst hemmed. "Ladies," said he, turning to his family, "Miss Temple, teachers, and children, you all see this girl?" Of course they did; for I felt their eyes directed like burning-glasses against my scorched skin. "You see she is yet young; you observe she possesses the ordinary form of childhood; God has graciously given her the shape that He has given to all of us; no signal deformity points her out as a marked character. Who would think that the Evil One had already found a servant and agent in her? Yet such, I grieve to say, is the case." A pause--in which I began to steady the palsy of my nerves, and to feel that the Rubicon was passed; and that the trial, no longer to be shirked, must be firmly sustained. "My dear children," pursued the black marble clergyman, with pathos, "this is a sad, a melancholy occasion; for it becomes my duty to warn you, that this girl, who might be one of God's own lambs, is a little castaway: not a member of the true flock, but evidently an interloper and an alien. You must be on your guard against her; you must shun her example; if necessary, avoid her company, exclude her from your sports, and shut her out from your converse. Teachers, you must watch her: keep your eyes on her movements, weigh well her words, scrutinise her actions, punish her body to save her soul: if, indeed, such salvation be possible, for (my tongue falters while I tell it) this girl, this child, the native of a Christian land, worse than many a little heathen who says its prayers to Brahma and kneels before Juggernaut--this girl is--a liar!" Now came a pause of ten minutes, during which I, by this time in perfect possession of my wits, observed all the female Brocklehursts produce their pocket-handkerchiefs and apply them to their optics, while the elderly lady swayed herself to and fro, and the two younger ones whispered, "How shocking!" Mr. Brocklehurst resumed. "This I learned from her benefactress; from the pious and charitable lady who adopted her in her orphan state, reared her as her own daughter, and whose kindness, whose generosity the unhappy girl repaid by an ingratitude so bad, so dreadful, that at last her excellent patroness was obliged to separate her from her own young ones, fearful lest her vicious example should contaminate their purity: she has sent her here to be healed, even as the Jews of old sent their diseased to the troubled pool of Bethesda; and, teachers, superintendent, I beg of you not to allow the waters to stagnate round her." With this sublime conclusion, Mr. Brocklehurst adjusted the top button of his surtout, muttered something to his family, who rose, bowed to Miss Temple, and then all the great people sailed in state from the room. Turning at the door, my judge said-- "Let her stand half-an-hour longer on that stool, and let no one speak to her during the remainder of the day." There was I, then, mounted aloft; I, who had said I could not bear the shame of standing on my natural feet in the middle of the room, was now exposed to general view on a pedestal of infamy. What my sensations were no language can describe; but just as they all rose, stifling my breath and constricting my throat, a girl came up and passed me: in passing, she lifted her eyes. What a strange light inspired them! What an extraordinary sensation that ray sent through me! How the new feeling bore me up! It was as if a martyr, a hero, had passed a slave or victim, and imparted strength in the transit. I mastered the rising hysteria, lifted up my head, and took a firm stand on the stool. Helen Burns asked some slight question about her work of Miss Smith, was chidden for the triviality of the inquiry, returned to her place, and smiled at me as she again went by. What a smile! I remember it now, and I know that it was the effluence of fine intellect, of true courage; it lit up her marked lineaments, her thin face, her sunken grey eye, like a reflection from the aspect of an angel. Yet at that moment Helen Burns wore on her arm "the untidy badge;" scarcely an hour ago I had heard her condemned by Miss Scatcherd to a dinner of bread and water on the morrow because she had blotted an exercise in copying it out. Such is the imperfect nature of man! such spots are there on the disc of the clearest planet; and eyes like Miss Scatcherd's can only see those minute defects, and are blind to the full brightness of the orb.

Chapters 6-7

https://web.archive.org/web/20190321135117/https://www.cliffsnotes.com/literature/j/jane-eyre/summary-and-analysis/chapters-67

When the girls wake for breakfast on Jane's second morning at Lowood, they discover that the water in the pitchers is frozen. Before, she had been merely a spectator at Lowood, but now Jane will become an actor, participating fully in the events at the school. As Jane sits sewing, she notices once again how unfairly Helen Burns in treated: Miss Scatcherd picks on Helen for inconsequential things, such as poking her chin unpleasantly or not holding her head up. Despite Miss Scatcherd's criticisms, Helen appears to be one of the brightest students in the class. She has answers for the most difficult questions. Later in the evening, Jane converses once again with Helen. She learns more about Helen's philosophy of life and her doctrine of endurance. Helen praises Jane for her virtues, such as the ability to pay careful attention during lessons. In contrast, Helen believes she herself suffers from carelessness and poor concentration, spending too much time daydreaming about her home in Deepden, Northumberland. While Jane thinks Helen should fight against injustice, Helen tells her to follow Christ's example by loving her enemies. Jane's first quarter at Lowood passes, and Chapter 7 records Jane's general impressions of her first three months at the school. Again, she focuses on the harshness of life at Lowood: the severe cold, near starvation, and the long hours spent memorizing the Church Catechism and listening to long sermons. Fortunately for Jane, Mr. Brocklehurst, the financial manager of Lowood, is absent during most of this time. Finally, he appears at the school. Jane is worried at his arrival, because she remembers Mrs. Reed's comments to him about Jane's deceitfulness and Mr. Brocklehurst's promise to warn the teachers at the school of Jane's unsavory character. During his visit, Jane accidentally drops her slate. Brocklehurst immediately brands her as careless. Although Miss Temple tells her not to be afraid of punishment, Jane is soon made the dunce of the school. Brocklehurst stands her on a stool and announces to the entire school that Jane is a liar. No one is to speak to Jane for the rest of the day, but Helen silently supports her friend by smiling every time she passes Jane's stool.

The significant differences between Jane's and Helen's philosophies of life become apparent in this chapter. While Jane is always ready to fight against her enemies, Helen practices a doctrine of patient endurance. Although Helen accepts all punishment without a tear, the "spectacle" of her friend's suffering causes Jane to quiver with "unavailing and impotent anger." What are the reasons for Helen's endurance? First, she doesn't want to be a burden on her family, causing them grief by misbehaving. She also feels all people are required to bear what fate has ordained for them. Her belief in predestination, the idea that one's life is guided by fate rather than choice, shows her adherence to the philosophy of Calvinism. Founded by the Swiss theologian John Calvin, a leader in the Protestant Reformation movement, Calvinists follow a strict moral code and believe in the salvation of a select few who have been elected by God's grace. Although Jane thinks Helen may have access to some deep spiritual truth, Jane cannot understand Helen's "doctrine of endurance" or her sympathy for her torturer. Unlike Helen, Jane believes in being good to people who are good to her. When struck without reason, the victim needs to "strike back again very hard," in order to teach the assailant a lesson. As readers saw in her final conversation with Aunt Reed, Jane firmly believes in retaliation and vengeance. Helen argues that a true Christian should mimic Jesus by loving, blessing, and benefiting her neighbors. In Helen's opinion, Jane should even try to forgive her Aunt Reed, because life is too short for "nursing animosity." With her mind aimed squarely at heaven, Helen urges Jane to remember the eternal spirit that animates her temporary, corruptible body. Helen offers a view of Christianity that contrasts with the strict, hypocritical religion of Mr. Brocklehurst. While her compassion for other people is admirable and her rejection of vengeance and retaliation temper Jane's passionate anger, Helen will not offer Jane a completely acceptable model of Christianity because of her refusal to live in the real world. She is too much like the poor orphan in Bessie's song who rejected the real world in her dreams of heaven. Brocklehurst's hypocrisy is highlighted in this chapter. At the arrival of this dour man, who looks "longer, narrower, and more rigid than ever," Jane is immediately upset. Her intuitive dislike for him is clearly justified in this scene. Brocklehurst insists that the girls eat a starvation-level diet so that they don't become accustomed to "habits of luxury and indulgence." Brocklehurst justifies this extreme lifestyle by referring to Christian doctrines. Like the primitive Christians and tormented martyrs, the girls should revel in their suffering and accept Jesus' consolations. Brocklehurst's hypocrisy becomes most apparent when his own wife and daughters enter the classroom. As Brocklehurst lectures Miss Temple on the need to cut off the girls' long hair -- it's a sign of vanity -- his wife and daughters walk into the room, ornately dressed in velvet, silk, and furs. Jane notes that his daughters' hair is "elaborately curled" and that his wife wears fake French curls. Rather than arguing with Brocklehurst, as the headstrong Jane might have, Miss Temple attempts to hide her emotions, but Jane notices that her face appears to become as cold and fixed as marble, "especially her mouth, closed as if it would have required a sculptor's chisel to open it." Miss Temple turns to stone rather than confront her boss. While her compassion, elegance, and reverence for learning make her a valuable role model for Jane, Miss Temple's failure to confront injustice directly is unacceptable to Jane. Calling Jane an "interloper and an alien," Brocklehurst attempts to place Jane back into the inferior, outsider position she occupied at Gateshead. Although she is initially humiliated by his punishment, feeling that she is standing on a "pedestal of infamy," Helen offers solace. The light that shines in Helen's eyes when she walks past Jane's stool sends an "extraordinary sensation" through Jane, as if a "hero" has walked past a "slave or victim, and imparted strength in the transit." Again, Jane employs the language of heroism and slavery -- but while she had been a "rebel slave" at the Reeds, here Helen's heroism passes into Jane so that she can relinquish her victimization. Again Helen's power is spiritual rather than corporeal: Her eyes are inspired by a "strange light" and her smile is angelic. Through Helen's actions, Jane learns that heroism isn't achieved by vengeance, but by dignity, intelligence, and courage. Equally, she learns to change her behavior by changing her attitude; Helen's mere smile turns Jane's shame into strength.

cliffnotes

all_chapterized_books/1260-chapters/09.txt

finished_summaries/cliffnotes/Jane Eyre/section_5_part_0.txt

Jane Eyre.volume 1.chapter 8

chapter 8

{"name": "Chapter 8", "url": "https://web.archive.org/web/20190321135117/https://www.cliffsnotes.com/literature/j/jane-eyre/summary-and-analysis/chapter-8", "summary": "At five o'clock, school is dismissed for tea. The spell she has been under dissolves and Jane collapses on the floor in grief. She feels all of her successes at Lowood have now been destroyed by Brocklehurst's unfair accusations. Jane wonders how Helen can be friends with a girl that the world has branded a liar. Helen tells Jane she is exaggerating: Only eighty people of the hundreds of millions in the world heard Brocklehurst, and most of those people probably pity, rather than dislike Jane. Miss Temple also befriends Jane, allowing her to present her side of the story. Miss Temple promises to write to Mr. Lloyd for verification of Jane's statements; if his reply agrees with Jane's, she will be publicly cleared. For Miss Temple, though, Jane is already clear. Jane and Helen share a sumptuous tea with their teacher; indeed, Jane declares the seed-cake Miss Temple offers is like \"ambrosia.\" Miss Temple then turns her attention to Helen, and the two begin a conversation about French and Latin authors. Jane is amazed by the extent of Helen's knowledge. Mr. Lloyd replies to Miss Temple's letter, corroborating Jane's statements, so Miss Temple assembles the entire school and vindicates Jane from all of the charges Brocklehurst had leveled against her. With this load off her mind, Jane returns diligently to work, quickly rising to a higher class. Soon she is learning French and drawing, and happier at Lowood than she ever was at Gateshead.", "analysis": "While Jane, Miss Temple, and Helen Burns become closer friends in this chapter, the differences in their personalities also become more obvious. Helen, for example, is not afraid of solitude; therefore, she believes that even if all the world hated her, but she approved of herself, she would not be without friends. For Jane, this is not true; she declares, \"if others don't love me, I would rather die than live -- I cannot bear to be solitary and hated.\" The promise of love and glory in a distant heaven does not appease Jane; she also requires human warmth and affections during her time on earth. When Helen declares that Jane thinks too much of the love of human beings and too little of the \"kingdom of spirits,\" Jane recognizes an implicit sadness in Helen's statements. In some sense, Helen's longing for the afterlife reveals an obsession with death. Helen coughs after speaking, foreshadowing her early death, but also providing insight on her focus on heaven: Believing she will die young, Helen is preparing herself by romanticizing the afterworld. Again, Jane's description of Helen emphasizes her spiritual nature. For example, the beauty in her eyes is not attributed to their color or long eyelashes, but to meaning and radiance; \"her soul sat on her lips, and language flowed . . . pure, full, fervid eloquence.\" Indeed, the sophistication of Helen's understanding of life and literature are astonishing for a fourteen-year-old. Perhaps, Jane thinks, knowledge of her impending death is leading her to live within a brief span as much as many people live in a longer life; like a candle in the wind, Helen burns brightly. Through her relationship with Helen, Jane learns to look beyond appearance and discover people's inner nature. Miss Temple's moderate language, together with Helen's instructions against the overindulgence of anger, are evidently altering Jane's character. Rejecting \"gall and wormwood,\" Jane tells Miss Temple a moderate version of her life with the Reeds and believes that \"hus restrained and simplified, it sounded more credible.\" Through Helen's instruction, and Miss Temple's example, Jane is learning to tell a realistic and reasonable narrative, lessons that have probably fed into her autobiography. Hysteria and raw emotion don't reveal the truth as effectively as a subdued, but honest tale. But Jane will never fully achieve the moderation of either of her friends. Upon seeing the pasteboard with the word \"slattern\" hanging around Helen's neck, Jane, her soul burning in her body, rips is off and throws it into the fire. Perhaps resignation is not always appropriate. Even if Miss Temple's and Helen's mild tempers never rub off completely on Jane, their impressive knowledge of literature inspires her quest for education. One day, she will create an ideal life, one that combines Miss Temple's refinement and Helen's spirituality with a spark of Jane's passion."}

Ere the half-hour ended, five o'clock struck; school was dismissed, and all were gone into the refectory to tea. I now ventured to descend: it was deep dusk; I retired into a corner and sat down on the floor. The spell by which I had been so far supported began to dissolve; reaction took place, and soon, so overwhelming was the grief that seized me, I sank prostrate with my face to the ground. Now I wept: Helen Burns was not here; nothing sustained me; left to myself I abandoned myself, and my tears watered the boards. I had meant to be so good, and to do so much at Lowood: to make so many friends, to earn respect and win affection. Already I had made visible progress: that very morning I had reached the head of my class; Miss Miller had praised me warmly; Miss Temple had smiled approbation; she had promised to teach me drawing, and to let me learn French, if I continued to make similar improvement two months longer: and then I was well received by my fellow-pupils; treated as an equal by those of my own age, and not molested by any; now, here I lay again crushed and trodden on; and could I ever rise more? "Never," I thought; and ardently I wished to die. While sobbing out this wish in broken accents, some one approached: I started up--again Helen Burns was near me; the fading fires just showed her coming up the long, vacant room; she brought my coffee and bread. "Come, eat something," she said; but I put both away from me, feeling as if a drop or a crumb would have choked me in my present condition. Helen regarded me, probably with surprise: I could not now abate my agitation, though I tried hard; I continued to weep aloud. She sat down on the ground near me, embraced her knees with her arms, and rested her head upon them; in that attitude she remained silent as an Indian. I was the first who spoke-- "Helen, why do you stay with a girl whom everybody believes to be a liar?" "Everybody, Jane? Why, there are only eighty people who have heard you called so, and the world contains hundreds of millions." "But what have I to do with millions? The eighty, I know, despise me." "Jane, you are mistaken: probably not one in the school either despises or dislikes you: many, I am sure, pity you much." "How can they pity me after what Mr. Brocklehurst has said?" "Mr. Brocklehurst is not a god: nor is he even a great and admired man: he is little liked here; he never took steps to make himself liked. Had he treated you as an especial favourite, you would have found enemies, declared or covert, all around you; as it is, the greater number would offer you sympathy if they dared. Teachers and pupils may look coldly on you for a day or two, but friendly feelings are concealed in their hearts; and if you persevere in doing well, these feelings will ere long appear so much the more evidently for their temporary suppression. Besides, Jane"--she paused. "Well, Helen?" said I, putting my hand into hers: she chafed my fingers gently to warm them, and went on-- "If all the world hated you, and believed you wicked, while your own conscience approved you, and absolved you from guilt, you would not be without friends." "No; I know I should think well of myself; but that is not enough: if others don't love me I would rather die than live--I cannot bear to be solitary and hated, Helen. Look here; to gain some real affection from you, or Miss Temple, or any other whom I truly love, I would willingly submit to have the bone of my arm broken, or to let a bull toss me, or to stand behind a kicking horse, and let it dash its hoof at my chest--" "Hush, Jane! you think too much of the love of human beings; you are too impulsive, too vehement; the sovereign hand that created your frame, and put life into it, has provided you with other resources than your feeble self, or than creatures feeble as you. Besides this earth, and besides the race of men, there is an invisible world and a kingdom of spirits: that world is round us, for it is everywhere; and those spirits watch us, for they are commissioned to guard us; and if we were dying in pain and shame, if scorn smote us on all sides, and hatred crushed us, angels see our tortures, recognise our innocence (if innocent we be: as I know you are of this charge which Mr. Brocklehurst has weakly and pompously repeated at second-hand from Mrs. Reed; for I read a sincere nature in your ardent eyes and on your clear front), and God waits only the separation of spirit from flesh to crown us with a full reward. Why, then, should we ever sink overwhelmed with distress, when life is so soon over, and death is so certain an entrance to happiness--to glory?" I was silent; Helen had calmed me; but in the tranquillity she imparted there was an alloy of inexpressible sadness. I felt the impression of woe as she spoke, but I could not tell whence it came; and when, having done speaking, she breathed a little fast and coughed a short cough, I momentarily forgot my own sorrows to yield to a vague concern for her. Resting my head on Helen's shoulder, I put my arms round her waist; she drew me to her, and we reposed in silence. We had not sat long thus, when another person came in. Some heavy clouds, swept from the sky by a rising wind, had left the moon bare; and her light, streaming in through a window near, shone full both on us and on the approaching figure, which we at once recognised as Miss Temple. "I came on purpose to find you, Jane Eyre," said she; "I want you in my room; and as Helen Burns is with you, she may come too." We went; following the superintendent's guidance, we had to thread some intricate passages, and mount a staircase before we reached her apartment; it contained a good fire, and looked cheerful. Miss Temple told Helen Burns to be seated in a low arm-chair on one side of the hearth, and herself taking another, she called me to her side. "Is it all over?" she asked, looking down at my face. "Have you cried your grief away?" "I am afraid I never shall do that." "Why?" "Because I have been wrongly accused; and you, ma'am, and everybody else, will now think me wicked." "We shall think you what you prove yourself to be, my child. Continue to act as a good girl, and you will satisfy us." "Shall I, Miss Temple?" "You will," said she, passing her arm round me. "And now tell me who is the lady whom Mr. Brocklehurst called your benefactress?" "Mrs. Reed, my uncle's wife. My uncle is dead, and he left me to her care." "Did she not, then, adopt you of her own accord?" "No, ma'am; she was sorry to have to do it: but my uncle, as I have often heard the servants say, got her to promise before he died that she would always keep me." "Well now, Jane, you know, or at least I will tell you, that when a criminal is accused, he is always allowed to speak in his own defence. You have been charged with falsehood; defend yourself to me as well as you can. Say whatever your memory suggests is true; but add nothing and exaggerate nothing." I resolved, in the depth of my heart, that I would be most moderate--most correct; and, having reflected a few minutes in order to arrange coherently what I had to say, I told her all the story of my sad childhood. Exhausted by emotion, my language was more subdued than it generally was when it developed that sad theme; and mindful of Helen's warnings against the indulgence of resentment, I infused into the narrative far less of gall and wormwood than ordinary. Thus restrained and simplified, it sounded more credible: I felt as I went on that Miss Temple fully believed me. In the course of the tale I had mentioned Mr. Lloyd as having come to see me after the fit: for I never forgot the, to me, frightful episode of the red-room: in detailing which, my excitement was sure, in some degree, to break bounds; for nothing could soften in my recollection the spasm of agony which clutched my heart when Mrs. Reed spurned my wild supplication for pardon, and locked me a second time in the dark and haunted chamber. I had finished: Miss Temple regarded me a few minutes in silence; she then said-- "I know something of Mr. Lloyd; I shall write to him; if his reply agrees with your statement, you shall be publicly cleared from every imputation; to me, Jane, you are clear now." She kissed me, and still keeping me at her side (where I was well contented to stand, for I derived a child's pleasure from the contemplation of her face, her dress, her one or two ornaments, her white forehead, her clustered and shining curls, and beaming dark eyes), she proceeded to address Helen Burns. "How are you to-night, Helen? Have you coughed much to-day?" "Not quite so much, I think, ma'am." "And the pain in your chest?" "It is a little better." Miss Temple got up, took her hand and examined her pulse; then she returned to her own seat: as she resumed it, I heard her sigh low. She was pensive a few minutes, then rousing herself, she said cheerfully-- "But you two are my visitors to-night; I must treat you as such." She rang her bell. "Barbara," she said to the servant who answered it, "I have not yet had tea; bring the tray and place cups for these two young ladies." And a tray was soon brought. How pretty, to my eyes, did the china cups and bright teapot look, placed on the little round table near the fire! How fragrant was the steam of the beverage, and the scent of the toast! of which, however, I, to my dismay (for I was beginning to be hungry) discerned only a very small portion: Miss Temple discerned it too. "Barbara," said she, "can you not bring a little more bread and butter? There is not enough for three." Barbara went out: she returned soon-- "Madam, Mrs. Harden says she has sent up the usual quantity." Mrs. Harden, be it observed, was the housekeeper: a woman after Mr. Brocklehurst's own heart, made up of equal parts of whalebone and iron. "Oh, very well!" returned Miss Temple; "we must make it do, Barbara, I suppose." And as the girl withdrew she added, smiling, "Fortunately, I have it in my power to supply deficiencies for this once." Having invited Helen and me to approach the table, and placed before each of us a cup of tea with one delicious but thin morsel of toast, she got up, unlocked a drawer, and taking from it a parcel wrapped in paper, disclosed presently to our eyes a good-sized seed-cake. "I meant to give each of you some of this to take with you," said she, "but as there is so little toast, you must have it now," and she proceeded to cut slices with a generous hand. We feasted that evening as on nectar and ambrosia; and not the least delight of the entertainment was the smile of gratification with which our hostess regarded us, as we satisfied our famished appetites on the delicate fare she liberally supplied. Tea over and the tray removed, she again summoned us to the fire; we sat one on each side of her, and now a conversation followed between her and Helen, which it was indeed a privilege to be admitted to hear. Miss Temple had always something of serenity in her air, of state in her mien, of refined propriety in her language, which precluded deviation into the ardent, the excited, the eager: something which chastened the pleasure of those who looked on her and listened to her, by a controlling sense of awe; and such was my feeling now: but as to Helen Burns, I was struck with wonder. The refreshing meal, the brilliant fire, the presence and kindness of her beloved instructress, or, perhaps, more than all these, something in her own unique mind, had roused her powers within her. They woke, they kindled: first, they glowed in the bright tint of her cheek, which till this hour I had never seen but pale and bloodless; then they shone in the liquid lustre of her eyes, which had suddenly acquired a beauty more singular than that of Miss Temple's--a beauty neither of fine colour nor long eyelash, nor pencilled brow, but of meaning, of movement, of radiance. Then her soul sat on her lips, and language flowed, from what source I cannot tell. Has a girl of fourteen a heart large enough, vigorous enough, to hold the swelling spring of pure, full, fervid eloquence? Such was the characteristic of Helen's discourse on that, to me, memorable evening; her spirit seemed hastening to live within a very brief span as much as many live during a protracted existence. They conversed of things I had never heard of; of nations and times past; of countries far away; of secrets of nature discovered or guessed at: they spoke of books: how many they had read! What stores of knowledge they possessed! Then they seemed so familiar with French names and French authors: but my amazement reached its climax when Miss Temple asked Helen if she sometimes snatched a moment to recall the Latin her father had taught her, and taking a book from a shelf, bade her read and construe a page of Virgil; and Helen obeyed, my organ of veneration expanding at every sounding line. She had scarcely finished ere the bell announced bedtime! no delay could be admitted; Miss Temple embraced us both, saying, as she drew us to her heart-- "God bless you, my children!" Helen she held a little longer than me: she let her go more reluctantly; it was Helen her eye followed to the door; it was for her she a second time breathed a sad sigh; for her she wiped a tear from her cheek. On reaching the bedroom, we heard the voice of Miss Scatcherd: she was examining drawers; she had just pulled out Helen Burns's, and when we entered Helen was greeted with a sharp reprimand, and told that to-morrow she should have half-a-dozen of untidily folded articles pinned to her shoulder. "My things were indeed in shameful disorder," murmured Helen to me, in a low voice: "I intended to have arranged them, but I forgot." Next morning, Miss Scatcherd wrote in conspicuous characters on a piece of pasteboard the word "Slattern," and bound it like a phylactery round Helen's large, mild, intelligent, and benign-looking forehead. She wore it till evening, patient, unresentful, regarding it as a deserved punishment. The moment Miss Scatcherd withdrew after afternoon school, I ran to Helen, tore it off, and thrust it into the fire: the fury of which she was incapable had been burning in my soul all day, and tears, hot and large, had continually been scalding my cheek; for the spectacle of her sad resignation gave me an intolerable pain at the heart. About a week subsequently to the incidents above narrated, Miss Temple, who had written to Mr. Lloyd, received his answer: it appeared that what he said went to corroborate my account. Miss Temple, having assembled the whole school, announced that inquiry had been made into the charges alleged against Jane Eyre, and that she was most happy to be able to pronounce her completely cleared from every imputation. The teachers then shook hands with me and kissed me, and a murmur of pleasure ran through the ranks of my companions. Thus relieved of a grievous load, I from that hour set to work afresh, resolved to pioneer my way through every difficulty: I toiled hard, and my success was proportionate to my efforts; my memory, not naturally tenacious, improved with practice; exercise sharpened my wits; in a few weeks I was promoted to a higher class; in less than two months I was allowed to commence French and drawing. I learned the first two tenses of the verb _Etre_, and sketched my first cottage (whose walls, by-the- bye, outrivalled in slope those of the leaning tower of Pisa), on the same day. That night, on going to bed, I forgot to prepare in imagination the Barmecide supper of hot roast potatoes, or white bread and new milk, with which I was wont to amuse my inward cravings: I feasted instead on the spectacle of ideal drawings, which I saw in the dark; all the work of my own hands: freely pencilled houses and trees, picturesque rocks and ruins, Cuyp-like groups of cattle, sweet paintings of butterflies hovering over unblown roses, of birds picking at ripe cherries, of wren's nests enclosing pearl-like eggs, wreathed about with young ivy sprays. I examined, too, in thought, the possibility of my ever being able to translate currently a certain little French story which Madame Pierrot had that day shown me; nor was that problem solved to my satisfaction ere I fell sweetly asleep. Well has Solomon said--"Better is a dinner of herbs where love is, than a stalled ox and hatred therewith." I would not now have exchanged Lowood with all its privations for Gateshead and its daily luxuries.

Chapter 8

https://web.archive.org/web/20190321135117/https://www.cliffsnotes.com/literature/j/jane-eyre/summary-and-analysis/chapter-8

At five o'clock, school is dismissed for tea. The spell she has been under dissolves and Jane collapses on the floor in grief. She feels all of her successes at Lowood have now been destroyed by Brocklehurst's unfair accusations. Jane wonders how Helen can be friends with a girl that the world has branded a liar. Helen tells Jane she is exaggerating: Only eighty people of the hundreds of millions in the world heard Brocklehurst, and most of those people probably pity, rather than dislike Jane. Miss Temple also befriends Jane, allowing her to present her side of the story. Miss Temple promises to write to Mr. Lloyd for verification of Jane's statements; if his reply agrees with Jane's, she will be publicly cleared. For Miss Temple, though, Jane is already clear. Jane and Helen share a sumptuous tea with their teacher; indeed, Jane declares the seed-cake Miss Temple offers is like "ambrosia." Miss Temple then turns her attention to Helen, and the two begin a conversation about French and Latin authors. Jane is amazed by the extent of Helen's knowledge. Mr. Lloyd replies to Miss Temple's letter, corroborating Jane's statements, so Miss Temple assembles the entire school and vindicates Jane from all of the charges Brocklehurst had leveled against her. With this load off her mind, Jane returns diligently to work, quickly rising to a higher class. Soon she is learning French and drawing, and happier at Lowood than she ever was at Gateshead.

While Jane, Miss Temple, and Helen Burns become closer friends in this chapter, the differences in their personalities also become more obvious. Helen, for example, is not afraid of solitude; therefore, she believes that even if all the world hated her, but she approved of herself, she would not be without friends. For Jane, this is not true; she declares, "if others don't love me, I would rather die than live -- I cannot bear to be solitary and hated." The promise of love and glory in a distant heaven does not appease Jane; she also requires human warmth and affections during her time on earth. When Helen declares that Jane thinks too much of the love of human beings and too little of the "kingdom of spirits," Jane recognizes an implicit sadness in Helen's statements. In some sense, Helen's longing for the afterlife reveals an obsession with death. Helen coughs after speaking, foreshadowing her early death, but also providing insight on her focus on heaven: Believing she will die young, Helen is preparing herself by romanticizing the afterworld. Again, Jane's description of Helen emphasizes her spiritual nature. For example, the beauty in her eyes is not attributed to their color or long eyelashes, but to meaning and radiance; "her soul sat on her lips, and language flowed . . . pure, full, fervid eloquence." Indeed, the sophistication of Helen's understanding of life and literature are astonishing for a fourteen-year-old. Perhaps, Jane thinks, knowledge of her impending death is leading her to live within a brief span as much as many people live in a longer life; like a candle in the wind, Helen burns brightly. Through her relationship with Helen, Jane learns to look beyond appearance and discover people's inner nature. Miss Temple's moderate language, together with Helen's instructions against the overindulgence of anger, are evidently altering Jane's character. Rejecting "gall and wormwood," Jane tells Miss Temple a moderate version of her life with the Reeds and believes that "hus restrained and simplified, it sounded more credible." Through Helen's instruction, and Miss Temple's example, Jane is learning to tell a realistic and reasonable narrative, lessons that have probably fed into her autobiography. Hysteria and raw emotion don't reveal the truth as effectively as a subdued, but honest tale. But Jane will never fully achieve the moderation of either of her friends. Upon seeing the pasteboard with the word "slattern" hanging around Helen's neck, Jane, her soul burning in her body, rips is off and throws it into the fire. Perhaps resignation is not always appropriate. Even if Miss Temple's and Helen's mild tempers never rub off completely on Jane, their impressive knowledge of literature inspires her quest for education. One day, she will create an ideal life, one that combines Miss Temple's refinement and Helen's spirituality with a spark of Jane's passion.

cliffnotes

all_chapterized_books/1260-chapters/10.txt

finished_summaries/cliffnotes/Jane Eyre/section_6_part_0.txt

Jane Eyre.volume 1.chapter 9

chapter 9

{"name": "Chapter 9", "url": "https://web.archive.org/web/20190321135117/https://www.cliffsnotes.com/literature/j/jane-eyre/summary-and-analysis/chapter-9", "summary": "Spring arrives at Lowood, and the privations lessen. With new growth comes hope. Jane finds beauty in the natural world surrounding Lowood, a beauty that had been masked by winter's frosts. But within this pleasure, there is also pain. The forest dell that nurtures the school, the \"low wood,\" also brings a pestilence bred by dampness -- typhus. Combined with semi-starvation and neglected colds, the dampness causes forty-five of the eighty students to fall ill with this dangerous disease. The few who are well, including Jane, are allowed to play outside without supervision. Jane notes the contrast between the death within the school and the beauty of May outside its doors. While Jane is enjoying nature's beauty with her new friend, Mary Ann Wilson, Helen Burns is slowly dying, not of typhus, but of consumption. Jane doesn't realize the seriousness of this disease until she learns from the nurse that Helen will soon die. Jane feels she must embrace Helen one last time before she dies and sneaks into Miss Temple's room, where Helen has been staying during her illness. During the two friends' final conversation, Helen insists she is happy, because she will escape great suffering by dying young. Helen dies in Jane's arms, while the two girls sleep. Fifteen years later, Jane marks Helen's grave with a gray marble tablet labeled \"Resurgam.\"", "analysis": "Like the previous few chapters, this one emphasizes the contrast between the spiritual and material worlds through the characters of Helen and Jane. The chapter opens with the brilliance of spring: The world becomes green and fertile, bursting with \"wild primrose plants.\" While Jane and her new friend, Mary Ann Wilson, happily enjoy this luxurious natural world, Lowood School has become marked with pestilence: Typhus is quickly killing half the girls in the school. Jane vividly contrasts life and death, showing Lowood as the begetter both of May's brilliance and of typhus' deadliness. Pain and pleasure are necessarily twinned. While Jane is innocently reveling in nature, her friend Helen Burns lies dying of consumption. Jane hasn't forgotten her old friend in her new pleasures. After spending a beautiful day outdoors, Jane suddenly imagines, for the first time, how sad lying on a sickbed would be, how awful to be in danger of dying; Jane finds the mundane world pleasant and isn't ready yet to die. This revelation leads her to recognize that the present is the only moment we have: Both the past and the future are \"formless cloud and vacant depth.\" Following this revelation, Jane learns of Helen's imminent death, and her meditations provide her with understanding of what death means; for Jane, it means \"tottering, and plunging amid that chaos.\" But death has a very different meaning for Helen. The final conversation between the two girls emphasizes their different understanding of the world. While Jane finds pleasure and beauty in the natural world, Helen longs for the release of heaven. Helen assures Jane that her mind is peaceful, but her final words also contain a hint of sadness. Here we learn, for example, that Helen has no family to mourn her, because her father has recently married and will not miss her. Helen feels that an early death will save her from great suffering. Because she has no father in the earthly world to mourn her, Helen looks to God, the \"mighty universal Parent\" to comfort her. Jane, on the other hand, wonders, \"Where is God? What is God?\" Uncertain of spiritual salvation, Jane comforts her friend in the best way she can: by hugging her tight, providing corporeal comfort. Despite her courage, Helen seems to find comfort in Jane's arms, asking her friend to remain with her while she sleeps. The chapter gives insight into Helen's spiritual nature: She rejects an earthly world that offers her little love and few chances for a better future. While Helen's resignation allows her to die with dignity, Jane's courage leads her to face life with zest. The chapter emphasizes Jane's inability to put her faith completely in either God or his heaven. For Jane, heaven exists here on earth, in the beauties of a May day. Glossary Resurgam I will rise again."}

But the privations, or rather the hardships, of Lowood lessened. Spring drew on: she was indeed already come; the frosts of winter had ceased; its snows were melted, its cutting winds ameliorated. My wretched feet, flayed and swollen to lameness by the sharp air of January, began to heal and subside under the gentler breathings of April; the nights and mornings no longer by their Canadian temperature froze the very blood in our veins; we could now endure the play-hour passed in the garden: sometimes on a sunny day it began even to be pleasant and genial, and a greenness grew over those brown beds, which, freshening daily, suggested the thought that Hope traversed them at night, and left each morning brighter traces of her steps. Flowers peeped out amongst the leaves; snow-drops, crocuses, purple auriculas, and golden-eyed pansies. On Thursday afternoons (half-holidays) we now took walks, and found still sweeter flowers opening by the wayside, under the hedges. I discovered, too, that a great pleasure, an enjoyment which the horizon only bounded, lay all outside the high and spike-guarded walls of our garden: this pleasure consisted in prospect of noble summits girdling a great hill-hollow, rich in verdure and shadow; in a bright beck, full of dark stones and sparkling eddies. How different had this scene looked when I viewed it laid out beneath the iron sky of winter, stiffened in frost, shrouded with snow!--when mists as chill as death wandered to the impulse of east winds along those purple peaks, and rolled down "ing" and holm till they blended with the frozen fog of the beck! That beck itself was then a torrent, turbid and curbless: it tore asunder the wood, and sent a raving sound through the air, often thickened with wild rain or whirling sleet; and for the forest on its banks, _that_ showed only ranks of skeletons. April advanced to May: a bright serene May it was; days of blue sky, placid sunshine, and soft western or southern gales filled up its duration. And now vegetation matured with vigour; Lowood shook loose its tresses; it became all green, all flowery; its great elm, ash, and oak skeletons were restored to majestic life; woodland plants sprang up profusely in its recesses; unnumbered varieties of moss filled its hollows, and it made a strange ground-sunshine out of the wealth of its wild primrose plants: I have seen their pale gold gleam in overshadowed spots like scatterings of the sweetest lustre. All this I enjoyed often and fully, free, unwatched, and almost alone: for this unwonted liberty and pleasure there was a cause, to which it now becomes my task to advert. Have I not described a pleasant site for a dwelling, when I speak of it as bosomed in hill and wood, and rising from the verge of a stream? Assuredly, pleasant enough: but whether healthy or not is another question. That forest-dell, where Lowood lay, was the cradle of fog and fog-bred pestilence; which, quickening with the quickening spring, crept into the Orphan Asylum, breathed typhus through its crowded schoolroom and dormitory, and, ere May arrived, transformed the seminary into an hospital. Semi-starvation and neglected colds had predisposed most of the pupils to receive infection: forty-five out of the eighty girls lay ill at one time. Classes were broken up, rules relaxed. The few who continued well were allowed almost unlimited license; because the medical attendant insisted on the necessity of frequent exercise to keep them in health: and had it been otherwise, no one had leisure to watch or restrain them. Miss Temple's whole attention was absorbed by the patients: she lived in the sick-room, never quitting it except to snatch a few hours' rest at night. The teachers were fully occupied with packing up and making other necessary preparations for the departure of those girls who were fortunate enough to have friends and relations able and willing to remove them from the seat of contagion. Many, already smitten, went home only to die: some died at the school, and were buried quietly and quickly, the nature of the malady forbidding delay. While disease had thus become an inhabitant of Lowood, and death its frequent visitor; while there was gloom and fear within its walls; while its rooms and passages steamed with hospital smells, the drug and the pastille striving vainly to overcome the effluvia of mortality, that bright May shone unclouded over the bold hills and beautiful woodland out of doors. Its garden, too, glowed with flowers: hollyhocks had sprung up tall as trees, lilies had opened, tulips and roses were in bloom; the borders of the little beds were gay with pink thrift and crimson double daisies; the sweetbriars gave out, morning and evening, their scent of spice and apples; and these fragrant treasures were all useless for most of the inmates of Lowood, except to furnish now and then a handful of herbs and blossoms to put in a coffin. But I, and the rest who continued well, enjoyed fully the beauties of the scene and season; they let us ramble in the wood, like gipsies, from morning till night; we did what we liked, went where we liked: we lived better too. Mr. Brocklehurst and his family never came near Lowood now: household matters were not scrutinised into; the cross housekeeper was gone, driven away by the fear of infection; her successor, who had been matron at the Lowton Dispensary, unused to the ways of her new abode, provided with comparative liberality. Besides, there were fewer to feed; the sick could eat little; our breakfast-basins were better filled; when there was no time to prepare a regular dinner, which often happened, she would give us a large piece of cold pie, or a thick slice of bread and cheese, and this we carried away with us to the wood, where we each chose the spot we liked best, and dined sumptuously. My favourite seat was a smooth and broad stone, rising white and dry from the very middle of the beck, and only to be got at by wading through the water; a feat I accomplished barefoot. The stone was just broad enough to accommodate, comfortably, another girl and me, at that time my chosen comrade--one Mary Ann Wilson; a shrewd, observant personage, whose society I took pleasure in, partly because she was witty and original, and partly because she had a manner which set me at my ease. Some years older than I, she knew more of the world, and could tell me many things I liked to hear: with her my curiosity found gratification: to my faults also she gave ample indulgence, never imposing curb or rein on anything I said. She had a turn for narrative, I for analysis; she liked to inform, I to question; so we got on swimmingly together, deriving much entertainment, if not much improvement, from our mutual intercourse. And where, meantime, was Helen Burns? Why did I not spend these sweet days of liberty with her? Had I forgotten her? or was I so worthless as to have grown tired of her pure society? Surely the Mary Ann Wilson I have mentioned was inferior to my first acquaintance: she could only tell me amusing stories, and reciprocate any racy and pungent gossip I chose to indulge in; while, if I have spoken truth of Helen, she was qualified to give those who enjoyed the privilege of her converse a taste of far higher things. True, reader; and I knew and felt this: and though I am a defective being, with many faults and few redeeming points, yet I never tired of Helen Burns; nor ever ceased to cherish for her a sentiment of attachment, as strong, tender, and respectful as any that ever animated my heart. How could it be otherwise, when Helen, at all times and under all circumstances, evinced for me a quiet and faithful friendship, which ill-humour never soured, nor irritation never troubled? But Helen was ill at present: for some weeks she had been removed from my sight to I knew not what room upstairs. She was not, I was told, in the hospital portion of the house with the fever patients; for her complaint was consumption, not typhus: and by consumption I, in my ignorance, understood something mild, which time and care would be sure to alleviate. I was confirmed in this idea by the fact of her once or twice coming downstairs on very warm sunny afternoons, and being taken by Miss Temple into the garden; but, on these occasions, I was not allowed to go and speak to her; I only saw her from the schoolroom window, and then not distinctly; for she was much wrapped up, and sat at a distance under the verandah. One evening, in the beginning of June, I had stayed out very late with Mary Ann in the wood; we had, as usual, separated ourselves from the others, and had wandered far; so far that we lost our way, and had to ask it at a lonely cottage, where a man and woman lived, who looked after a herd of half-wild swine that fed on the mast in the wood. When we got back, it was after moonrise: a pony, which we knew to be the surgeon's, was standing at the garden door. Mary Ann remarked that she supposed some one must be very ill, as Mr. Bates had been sent for at that time of the evening. She went into the house; I stayed behind a few minutes to plant in my garden a handful of roots I had dug up in the forest, and which I feared would wither if I left them till the morning. This done, I lingered yet a little longer: the flowers smelt so sweet as the dew fell; it was such a pleasant evening, so serene, so warm; the still glowing west promised so fairly another fine day on the morrow; the moon rose with such majesty in the grave east. I was noting these things and enjoying them as a child might, when it entered my mind as it had never done before:-- "How sad to be lying now on a sick bed, and to be in danger of dying! This world is pleasant--it would be dreary to be called from it, and to have to go who knows where?" And then my mind made its first earnest effort to comprehend what had been infused into it concerning heaven and hell; and for the first time it recoiled, baffled; and for the first time glancing behind, on each side, and before it, it saw all round an unfathomed gulf: it felt the one point where it stood--the present; all the rest was formless cloud and vacant depth; and it shuddered at the thought of tottering, and plunging amid that chaos. While pondering this new idea, I heard the front door open; Mr. Bates came out, and with him was a nurse. After she had seen him mount his horse and depart, she was about to close the door, but I ran up to her. "How is Helen Burns?" "Very poorly," was the answer. "Is it her Mr. Bates has been to see?" "Yes." "And what does he say about her?" "He says she'll not be here long." This phrase, uttered in my hearing yesterday, would have only conveyed the notion that she was about to be removed to Northumberland, to her own home. I should not have suspected that it meant she was dying; but I knew instantly now! It opened clear on my comprehension that Helen Burns was numbering her last days in this world, and that she was going to be taken to the region of spirits, if such region there were. I experienced a shock of horror, then a strong thrill of grief, then a desire--a necessity to see her; and I asked in what room she lay. "She is in Miss Temple's room," said the nurse. "May I go up and speak to her?" "Oh no, child! It is not likely; and now it is time for you to come in; you'll catch the fever if you stop out when the dew is falling." The nurse closed the front door; I went in by the side entrance which led to the schoolroom: I was just in time; it was nine o'clock, and Miss Miller was calling the pupils to go to bed. It might be two hours later, probably near eleven, when I--not having been able to fall asleep, and deeming, from the perfect silence of the dormitory, that my companions were all wrapt in profound repose--rose softly, put on my frock over my night-dress, and, without shoes, crept from the apartment, and set off in quest of Miss Temple's room. It was quite at the other end of the house; but I knew my way; and the light of the unclouded summer moon, entering here and there at passage windows, enabled me to find it without difficulty. An odour of camphor and burnt vinegar warned me when I came near the fever room: and I passed its door quickly, fearful lest the nurse who sat up all night should hear me. I dreaded being discovered and sent back; for I _must_ see Helen,--I must embrace her before she died,--I must give her one last kiss, exchange with her one last word. Having descended a staircase, traversed a portion of the house below, and succeeded in opening and shutting, without noise, two doors, I reached another flight of steps; these I mounted, and then just opposite to me was Miss Temple's room. A light shone through the keyhole and from under the door; a profound stillness pervaded the vicinity. Coming near, I found the door slightly ajar; probably to admit some fresh air into the close abode of sickness. Indisposed to hesitate, and full of impatient impulses--soul and senses quivering with keen throes--I put it back and looked in. My eye sought Helen, and feared to find death. Close by Miss Temple's bed, and half covered with its white curtains, there stood a little crib. I saw the outline of a form under the clothes, but the face was hid by the hangings: the nurse I had spoken to in the garden sat in an easy-chair asleep; an unsnuffed candle burnt dimly on the table. Miss Temple was not to be seen: I knew afterwards that she had been called to a delirious patient in the fever-room. I advanced; then paused by the crib side: my hand was on the curtain, but I preferred speaking before I withdrew it. I still recoiled at the dread of seeing a corpse. "Helen!" I whispered softly, "are you awake?" She stirred herself, put back the curtain, and I saw her face, pale, wasted, but quite composed: she looked so little changed that my fear was instantly dissipated. "Can it be you, Jane?" she asked, in her own gentle voice. "Oh!" I thought, "she is not going to die; they are mistaken: she could not speak and look so calmly if she were." I got on to her crib and kissed her: her forehead was cold, and her cheek both cold and thin, and so were her hand and wrist; but she smiled as of old. "Why are you come here, Jane? It is past eleven o'clock: I heard it strike some minutes since." "I came to see you, Helen: I heard you were very ill, and I could not sleep till I had spoken to you." "You came to bid me good-bye, then: you are just in time probably." "Are you going somewhere, Helen? Are you going home?" "Yes; to my long home--my last home." "No, no, Helen!" I stopped, distressed. While I tried to devour my tears, a fit of coughing seized Helen; it did not, however, wake the nurse; when it was over, she lay some minutes exhausted; then she whispered-- "Jane, your little feet are bare; lie down and cover yourself with my quilt." I did so: she put her arm over me, and I nestled close to her. After a long silence, she resumed, still whispering-- "I am very happy, Jane; and when you hear that I am dead, you must be sure and not grieve: there is nothing to grieve about. We all must die one day, and the illness which is removing me is not painful; it is gentle and gradual: my mind is at rest. I leave no one to regret me much: I have only a father; and he is lately married, and will not miss me. By dying young, I shall escape great sufferings. I had not qualities or talents to make my way very well in the world: I should have been continually at fault." "But where are you going to, Helen? Can you see? Do you know?" "I believe; I have faith: I am going to God." "Where is God? What is God?" "My Maker and yours, who will never destroy what He created. I rely implicitly on His power, and confide wholly in His goodness: I count the hours till that eventful one arrives which shall restore me to Him, reveal Him to me." "You are sure, then, Helen, that there is such a place as heaven, and that our souls can get to it when we die?" "I am sure there is a future state; I believe God is good; I can resign my immortal part to Him without any misgiving. God is my father; God is my friend: I love Him; I believe He loves me." "And shall I see you again, Helen, when I die?" "You will come to the same region of happiness: be received by the same mighty, universal Parent, no doubt, dear Jane." Again I questioned, but this time only in thought. "Where is that region? Does it exist?" And I clasped my arms closer round Helen; she seemed dearer to me than ever; I felt as if I could not let her go; I lay with my face hidden on her neck. Presently she said, in the sweetest tone-- "How comfortable I am! That last fit of coughing has tired me a little; I feel as if I could sleep: but don't leave me, Jane; I like to have you near me." "I'll stay with you, _dear_ Helen: no one shall take me away." "Are you warm, darling?" "Yes." "Good-night, Jane." "Good-night, Helen." She kissed me, and I her, and we both soon slumbered. When I awoke it was day: an unusual movement roused me; I looked up; I was in somebody's arms; the nurse held me; she was carrying me through the passage back to the dormitory. I was not reprimanded for leaving my bed; people had something else to think about; no explanation was afforded then to my many questions; but a day or two afterwards I learned that Miss Temple, on returning to her own room at dawn, had found me laid in the little crib; my face against Helen Burns's shoulder, my arms round her neck. I was asleep, and Helen was--dead. Her grave is in Brocklebridge churchyard: for fifteen years after her death it was only covered by a grassy mound; but now a grey marble tablet marks the spot, inscribed with her name, and the word "Resurgam."

Chapter 9

https://web.archive.org/web/20190321135117/https://www.cliffsnotes.com/literature/j/jane-eyre/summary-and-analysis/chapter-9

Spring arrives at Lowood, and the privations lessen. With new growth comes hope. Jane finds beauty in the natural world surrounding Lowood, a beauty that had been masked by winter's frosts. But within this pleasure, there is also pain. The forest dell that nurtures the school, the "low wood," also brings a pestilence bred by dampness -- typhus. Combined with semi-starvation and neglected colds, the dampness causes forty-five of the eighty students to fall ill with this dangerous disease. The few who are well, including Jane, are allowed to play outside without supervision. Jane notes the contrast between the death within the school and the beauty of May outside its doors. While Jane is enjoying nature's beauty with her new friend, Mary Ann Wilson, Helen Burns is slowly dying, not of typhus, but of consumption. Jane doesn't realize the seriousness of this disease until she learns from the nurse that Helen will soon die. Jane feels she must embrace Helen one last time before she dies and sneaks into Miss Temple's room, where Helen has been staying during her illness. During the two friends' final conversation, Helen insists she is happy, because she will escape great suffering by dying young. Helen dies in Jane's arms, while the two girls sleep. Fifteen years later, Jane marks Helen's grave with a gray marble tablet labeled "Resurgam."

Like the previous few chapters, this one emphasizes the contrast between the spiritual and material worlds through the characters of Helen and Jane. The chapter opens with the brilliance of spring: The world becomes green and fertile, bursting with "wild primrose plants." While Jane and her new friend, Mary Ann Wilson, happily enjoy this luxurious natural world, Lowood School has become marked with pestilence: Typhus is quickly killing half the girls in the school. Jane vividly contrasts life and death, showing Lowood as the begetter both of May's brilliance and of typhus' deadliness. Pain and pleasure are necessarily twinned. While Jane is innocently reveling in nature, her friend Helen Burns lies dying of consumption. Jane hasn't forgotten her old friend in her new pleasures. After spending a beautiful day outdoors, Jane suddenly imagines, for the first time, how sad lying on a sickbed would be, how awful to be in danger of dying; Jane finds the mundane world pleasant and isn't ready yet to die. This revelation leads her to recognize that the present is the only moment we have: Both the past and the future are "formless cloud and vacant depth." Following this revelation, Jane learns of Helen's imminent death, and her meditations provide her with understanding of what death means; for Jane, it means "tottering, and plunging amid that chaos." But death has a very different meaning for Helen. The final conversation between the two girls emphasizes their different understanding of the world. While Jane finds pleasure and beauty in the natural world, Helen longs for the release of heaven. Helen assures Jane that her mind is peaceful, but her final words also contain a hint of sadness. Here we learn, for example, that Helen has no family to mourn her, because her father has recently married and will not miss her. Helen feels that an early death will save her from great suffering. Because she has no father in the earthly world to mourn her, Helen looks to God, the "mighty universal Parent" to comfort her. Jane, on the other hand, wonders, "Where is God? What is God?" Uncertain of spiritual salvation, Jane comforts her friend in the best way she can: by hugging her tight, providing corporeal comfort. Despite her courage, Helen seems to find comfort in Jane's arms, asking her friend to remain with her while she sleeps. The chapter gives insight into Helen's spiritual nature: She rejects an earthly world that offers her little love and few chances for a better future. While Helen's resignation allows her to die with dignity, Jane's courage leads her to face life with zest. The chapter emphasizes Jane's inability to put her faith completely in either God or his heaven. For Jane, heaven exists here on earth, in the beauties of a May day. Glossary Resurgam I will rise again.

cliffnotes

all_chapterized_books/1260-chapters/11.txt

finished_summaries/cliffnotes/Jane Eyre/section_7_part_0.txt

Jane Eyre.volume 1.chapter 10

chapter 10

{"name": "Chapter 10", "url": "https://web.archive.org/web/20190321135117/https://www.cliffsnotes.com/literature/j/jane-eyre/summary-and-analysis/chapter-10", "summary": "Eight years pass before Jane again picks up her narrative. Following an investigation into the cause of the typhus epidemic at Lowood, Mr. Brocklehurst is publicly humiliated, and a new building is erected. Brocklehurst remains the treasurer for the school, but other, more enlightened, gentlemen become the school's inspectors and it becomes a \"truly useful and noble institution.\" Jane remains at Lowood for eight years: six as a student and two as a teacher. Jane enjoys excelling in her studies, but after two years as a teacher, Jane needs a change. First, Miss Temple marries and moves far away, taking with her Jane's \"serene\" feelings about Lowood. Jane's old need for adventure returns and she longs to experience the perils of the real world. Since arriving at the school, Jane has never quitted it, even for holidays, and she now dreams of \"liberty\" and a \"new servitude.\" Jane places an ad in the newspaper for a job as a governess. A response arrives from a Mrs. Fairfax of Thornfield, Millcote, who needs a governess for a little girl, and Jane decides to take the job. Before leaving for her new position, Jane has an unexpected visit from Bessie Lee, the Reeds' nursemaid. From her, she learns that none of the Reed children has turned out well: Georgiana tried to elope with a young man and Eliza jealously tattled on them, and John leads a life of excess. Bessie is impressed with Jane's ladylike appearance and accomplishments. Jane also learns that her father's brother, John Eyre had come to the Reeds seeking Jane seven years ago. Unfortunately, he couldn't visit her at Lowood, because he was leaving for Madeira to make his fortune.", "analysis": "Another portion of Jane's journey is about to end, and its demise is signaled by Miss Temple's departure from Lowood. Over time, Miss Temple has become more than a teacher to Jane: she is also mother, governess, and companion. Miss Temple's guidance has tempered Jane's impulsiveness and fire so that her thoughts have become \"harmonious,\" her feelings \"regulated,\" and her appearance \"disciplined and subdued.\" But this appearance is only that: an external shell. When Miss Temple leaves Lowood, the shell cracks and Jane realizes that many of her new feelings didn't reflect her true nature, but were merely \"borrowings\" from her teacher. Jane's nature yearns for sensation, excitement, and the knowledge gained through experience, rather than the peaceful isolation of Lowood. The landscape reflects Jane's thoughts: She would like to leave Lowood's safe garden and explore the remote blue peaks in the distance. As Jane's departure from Gateshead was signaled by her pseudo-supernatural experience in the red-room, her movement away from Lowood also has a paranormal component. Meditating upon the best means for discovering \"a new servitude,\" Jane is visited by a \"kind fairy,\" who offers her a solution. This psychic counselor gives Jane very specific advice: Place an advertisement in the local newspaper, with answers addressed to J.E. -- and do it immediately. The fairy's plan works, and Jane soon has a new employment opportunity. Jane is happy to see that the handwriting in the letter is old-fashioned, like that of an elderly lady. Why? Because it is important for her, as a single woman in Victorian culture, to maintain her decorum; \"above all things, I wished the result of my endeavours to be respectable, proper, en regle.\" The chapter's emphasis on propriety and decency is continued during Bessie's conversation with Jane. In fact, the novel continues to ask what it means to be a \"lady\" or a \"gentleman.\" Bessie is impressed because Jane has become \"quite a lady\": She can now play the piano, draw and speak French better than the Miss Reeds, yet they are still considered her social superiors, as is their alcoholic brother, John. Jane's social status may be higher, however, than the Reeds think. According to Bessie, Jane's uncle, who stopped at the Reeds' home on his search for Jane, \"looked quite a gentleman.\" The conversation emphasizes the ambiguities of Jane's family's class status and of the class system in general. Should a lady be judged on her academic accomplishments, money, or family name? This question will become more pronounced as the novel progresses. Glossary en regle in order."}

Hitherto I have recorded in detail the events of my insignificant existence: to the first ten years of my life I have given almost as many chapters. But this is not to be a regular autobiography. I am only bound to invoke Memory where I know her responses will possess some degree of interest; therefore I now pass a space of eight years almost in silence: a few lines only are necessary to keep up the links of connection. When the typhus fever had fulfilled its mission of devastation at Lowood, it gradually disappeared from thence; but not till its virulence and the number of its victims had drawn public attention on the school. Inquiry was made into the origin of the scourge, and by degrees various facts came out which excited public indignation in a high degree. The unhealthy nature of the site; the quantity and quality of the children's food; the brackish, fetid water used in its preparation; the pupils' wretched clothing and accommodations--all these things were discovered, and the discovery produced a result mortifying to Mr. Brocklehurst, but beneficial to the institution. Several wealthy and benevolent individuals in the county subscribed largely for the erection of a more convenient building in a better situation; new regulations were made; improvements in diet and clothing introduced; the funds of the school were intrusted to the management of a committee. Mr. Brocklehurst, who, from his wealth and family connections, could not be overlooked, still retained the post of treasurer; but he was aided in the discharge of his duties by gentlemen of rather more enlarged and sympathising minds: his office of inspector, too, was shared by those who knew how to combine reason with strictness, comfort with economy, compassion with uprightness. The school, thus improved, became in time a truly useful and noble institution. I remained an inmate of its walls, after its regeneration, for eight years: six as pupil, and two as teacher; and in both capacities I bear my testimony to its value and importance. During these eight years my life was uniform: but not unhappy, because it was not inactive. I had the means of an excellent education placed within my reach; a fondness for some of my studies, and a desire to excel in all, together with a great delight in pleasing my teachers, especially such as I loved, urged me on: I availed myself fully of the advantages offered me. In time I rose to be the first girl of the first class; then I was invested with the office of teacher; which I discharged with zeal for two years: but at the end of that time I altered. Miss Temple, through all changes, had thus far continued superintendent of the seminary: to her instruction I owed the best part of my acquirements; her friendship and society had been my continual solace; she had stood me in the stead of mother, governess, and, latterly, companion. At this period she married, removed with her husband (a clergyman, an excellent man, almost worthy of such a wife) to a distant county, and consequently was lost to me. From the day she left I was no longer the same: with her was gone every settled feeling, every association that had made Lowood in some degree a home to me. I had imbibed from her something of her nature and much of her habits: more harmonious thoughts: what seemed better regulated feelings had become the inmates of my mind. I had given in allegiance to duty and order; I was quiet; I believed I was content: to the eyes of others, usually even to my own, I appeared a disciplined and subdued character. But destiny, in the shape of the Rev. Mr. Nasmyth, came between me and Miss Temple: I saw her in her travelling dress step into a post-chaise, shortly after the marriage ceremony; I watched the chaise mount the hill and disappear beyond its brow; and then retired to my own room, and there spent in solitude the greatest part of the half-holiday granted in honour of the occasion. I walked about the chamber most of the time. I imagined myself only to be regretting my loss, and thinking how to repair it; but when my reflections were concluded, and I looked up and found that the afternoon was gone, and evening far advanced, another discovery dawned on me, namely, that in the interval I had undergone a transforming process; that my mind had put off all it had borrowed of Miss Temple--or rather that she had taken with her the serene atmosphere I had been breathing in her vicinity--and that now I was left in my natural element, and beginning to feel the stirring of old emotions. It did not seem as if a prop were withdrawn, but rather as if a motive were gone: it was not the power to be tranquil which had failed me, but the reason for tranquillity was no more. My world had for some years been in Lowood: my experience had been of its rules and systems; now I remembered that the real world was wide, and that a varied field of hopes and fears, of sensations and excitements, awaited those who had courage to go forth into its expanse, to seek real knowledge of life amidst its perils. I went to my window, opened it, and looked out. There were the two wings of the building; there was the garden; there were the skirts of Lowood; there was the hilly horizon. My eye passed all other objects to rest on those most remote, the blue peaks; it was those I longed to surmount; all within their boundary of rock and heath seemed prison-ground, exile limits. I traced the white road winding round the base of one mountain, and vanishing in a gorge between two; how I longed to follow it farther! I recalled the time when I had travelled that very road in a coach; I remembered descending that hill at twilight; an age seemed to have elapsed since the day which brought me first to Lowood, and I had never quitted it since. My vacations had all been spent at school: Mrs. Reed had never sent for me to Gateshead; neither she nor any of her family had ever been to visit me. I had had no communication by letter or message with the outer world: school-rules, school-duties, school-habits and notions, and voices, and faces, and phrases, and costumes, and preferences, and antipathies--such was what I knew of existence. And now I felt that it was not enough; I tired of the routine of eight years in one afternoon. I desired liberty; for liberty I gasped; for liberty I uttered a prayer; it seemed scattered on the wind then faintly blowing. I abandoned it and framed a humbler supplication; for change, stimulus: that petition, too, seemed swept off into vague space: "Then," I cried, half desperate, "grant me at least a new servitude!" Here a bell, ringing the hour of supper, called me downstairs. I was not free to resume the interrupted chain of my reflections till bedtime: even then a teacher who occupied the same room with me kept me from the subject to which I longed to recur, by a prolonged effusion of small talk. How I wished sleep would silence her. It seemed as if, could I but go back to the idea which had last entered my mind as I stood at the window, some inventive suggestion would rise for my relief. Miss Gryce snored at last; she was a heavy Welshwoman, and till now her habitual nasal strains had never been regarded by me in any other light than as a nuisance; to-night I hailed the first deep notes with satisfaction; I was debarrassed of interruption; my half-effaced thought instantly revived. "A new servitude! There is something in that," I soliloquised (mentally, be it understood; I did not talk aloud), "I know there is, because it does not sound too sweet; it is not like such words as Liberty, Excitement, Enjoyment: delightful sounds truly; but no more than sounds for me; and so hollow and fleeting that it is mere waste of time to listen to them. But Servitude! That must be matter of fact. Any one may serve: I have served here eight years; now all I want is to serve elsewhere. Can I not get so much of my own will? Is not the thing feasible? Yes--yes--the end is not so difficult; if I had only a brain active enough to ferret out the means of attaining it." I sat up in bed by way of arousing this said brain: it was a chilly night; I covered my shoulders with a shawl, and then I proceeded _to think_ again with all my might. "What do I want? A new place, in a new house, amongst new faces, under new circumstances: I want this because it is of no use wanting anything better. How do people do to get a new place? They apply to friends, I suppose: I have no friends. There are many others who have no friends, who must look about for themselves and be their own helpers; and what is their resource?" I could not tell: nothing answered me; I then ordered my brain to find a response, and quickly. It worked and worked faster: I felt the pulses throb in my head and temples; but for nearly an hour it worked in chaos; and no result came of its efforts. Feverish with vain labour, I got up and took a turn in the room; undrew the curtain, noted a star or two, shivered with cold, and again crept to bed. A kind fairy, in my absence, had surely dropped the required suggestion on my pillow; for as I lay down, it came quietly and naturally to my mind.--"Those who want situations advertise; you must advertise in the _---shire Herald_." "How? I know nothing about advertising." Replies rose smooth and prompt now:-- "You must enclose the advertisement and the money to pay for it under a cover directed to the editor of the _Herald_; you must put it, the first opportunity you have, into the post at Lowton; answers must be addressed to J.E., at the post-office there; you can go and inquire in about a week after you send your letter, if any are come, and act accordingly." This scheme I went over twice, thrice; it was then digested in my mind; I had it in a clear practical form: I felt satisfied, and fell asleep. With earliest day, I was up: I had my advertisement written, enclosed, and directed before the bell rang to rouse the school; it ran thus:-- "A young lady accustomed to tuition" (had I not been a teacher two years?) "is desirous of meeting with a situation in a private family where the children are under fourteen" (I thought that as I was barely eighteen, it would not do to undertake the guidance of pupils nearer my own age). "She is qualified to teach the usual branches of a good English education, together with French, Drawing, and Music" (in those days, reader, this now narrow catalogue of accomplishments, would have been held tolerably comprehensive). "Address, J.E., Post-office, Lowton, --- shire." This document remained locked in my drawer all day: after tea, I asked leave of the new superintendent to go to Lowton, in order to perform some small commissions for myself and one or two of my fellow-teachers; permission was readily granted; I went. It was a walk of two miles, and the evening was wet, but the days were still long; I visited a shop or two, slipped the letter into the post-office, and came back through heavy rain, with streaming garments, but with a relieved heart. The succeeding week seemed long: it came to an end at last, however, like all sublunary things, and once more, towards the close of a pleasant autumn day, I found myself afoot on the road to Lowton. A picturesque track it was, by the way; lying along the side of the beck and through the sweetest curves of the dale: but that day I thought more of the letters, that might or might not be awaiting me at the little burgh whither I was bound, than of the charms of lea and water. My ostensible errand on this occasion was to get measured for a pair of shoes; so I discharged that business first, and when it was done, I stepped across the clean and quiet little street from the shoemaker's to the post-office: it was kept by an old dame, who wore horn spectacles on her nose, and black mittens on her hands. "Are there any letters for J.E.?" I asked. She peered at me over her spectacles, and then she opened a drawer and fumbled among its contents for a long time, so long that my hopes began to falter. At last, having held a document before her glasses for nearly five minutes, she presented it across the counter, accompanying the act by another inquisitive and mistrustful glance--it was for J.E. "Is there only one?" I demanded. "There are no more," said she; and I put it in my pocket and turned my face homeward: I could not open it then; rules obliged me to be back by eight, and it was already half-past seven. Various duties awaited me on my arrival. I had to sit with the girls during their hour of study; then it was my turn to read prayers; to see them to bed: afterwards I supped with the other teachers. Even when we finally retired for the night, the inevitable Miss Gryce was still my companion: we had only a short end of candle in our candlestick, and I dreaded lest she should talk till it was all burnt out; fortunately, however, the heavy supper she had eaten produced a soporific effect: she was already snoring before I had finished undressing. There still remained an inch of candle: I now took out my letter; the seal was an initial F.; I broke it; the contents were brief. "If J.E., who advertised in the _---shire Herald_ of last Thursday, possesses the acquirements mentioned, and if she is in a position to give satisfactory references as to character and competency, a situation can be offered her where there is but one pupil, a little girl, under ten years of age; and where the salary is thirty pounds per annum. J.E. is requested to send references, name, address, and all particulars to the direction:-- "Mrs. Fairfax, Thornfield, near Millcote, ---shire." I examined the document long: the writing was old-fashioned and rather uncertain, like that of an elderly lady. This circumstance was satisfactory: a private fear had haunted me, that in thus acting for myself, and by my own guidance, I ran the risk of getting into some scrape; and, above all things, I wished the result of my endeavours to be respectable, proper, _en regle_. I now felt that an elderly lady was no bad ingredient in the business I had on hand. Mrs. Fairfax! I saw her in a black gown and widow's cap; frigid, perhaps, but not uncivil: a model of elderly English respectability. Thornfield! that, doubtless, was the name of her house: a neat orderly spot, I was sure; though I failed in my efforts to conceive a correct plan of the premises. Millcote, ---shire; I brushed up my recollections of the map of England, yes, I saw it; both the shire and the town. ---shire was seventy miles nearer London than the remote county where I now resided: that was a recommendation to me. I longed to go where there was life and movement: Millcote was a large manufacturing town on the banks of the A-; a busy place enough, doubtless: so much the better; it would be a complete change at least. Not that my fancy was much captivated by the idea of long chimneys and clouds of smoke--"but," I argued, "Thornfield will, probably, be a good way from the town." Here the socket of the candle dropped, and the wick went out. Next day new steps were to be taken; my plans could no longer be confined to my own breast; I must impart them in order to achieve their success. Having sought and obtained an audience of the superintendent during the noontide recreation, I told her I had a prospect of getting a new situation where the salary would be double what I now received (for at Lowood I only got 15 pounds per annum); and requested she would break the matter for me to Mr. Brocklehurst, or some of the committee, and ascertain whether they would permit me to mention them as references. She obligingly consented to act as mediatrix in the matter. The next day she laid the affair before Mr. Brocklehurst, who said that Mrs. Reed must be written to, as she was my natural guardian. A note was accordingly addressed to that lady, who returned for answer, that "I might do as I pleased: she had long relinquished all interference in my affairs." This note went the round of the committee, and at last, after what appeared to me most tedious delay, formal leave was given me to better my condition if I could; and an assurance added, that as I had always conducted myself well, both as teacher and pupil, at Lowood, a testimonial of character and capacity, signed by the inspectors of that institution, should forthwith be furnished me. This testimonial I accordingly received in about a month, forwarded a copy of it to Mrs. Fairfax, and got that lady's reply, stating that she was satisfied, and fixing that day fortnight as the period for my assuming the post of governess in her house. I now busied myself in preparations: the fortnight passed rapidly. I had not a very large wardrobe, though it was adequate to my wants; and the last day sufficed to pack my trunk,--the same I had brought with me eight years ago from Gateshead. The box was corded, the card nailed on. In half-an-hour the carrier was to call for it to take it to Lowton, whither I myself was to repair at an early hour the next morning to meet the coach. I had brushed my black stuff travelling-dress, prepared my bonnet, gloves, and muff; sought in all my drawers to see that no article was left behind; and now having nothing more to do, I sat down and tried to rest. I could not; though I had been on foot all day, I could not now repose an instant; I was too much excited. A phase of my life was closing to-night, a new one opening to-morrow: impossible to slumber in the interval; I must watch feverishly while the change was being accomplished. "Miss," said a servant who met me in the lobby, where I was wandering like a troubled spirit, "a person below wishes to see you." "The carrier, no doubt," I thought, and ran downstairs without inquiry. I was passing the back-parlour or teachers' sitting-room, the door of which was half open, to go to the kitchen, when some one ran out-- "It's her, I am sure!--I could have told her anywhere!" cried the individual who stopped my progress and took my hand. I looked: I saw a woman attired like a well-dressed servant, matronly, yet still young; very good-looking, with black hair and eyes, and lively complexion. "Well, who is it?" she asked, in a voice and with a smile I half recognised; "you've not quite forgotten me, I think, Miss Jane?" In another second I was embracing and kissing her rapturously: "Bessie! Bessie! Bessie!" that was all I said; whereat she half laughed, half cried, and we both went into the parlour. By the fire stood a little fellow of three years old, in plaid frock and trousers. "That is my little boy," said Bessie directly. "Then you are married, Bessie?" "Yes; nearly five years since to Robert Leaven, the coachman; and I've a little girl besides Bobby there, that I've christened Jane." "And you don't live at Gateshead?" "I live at the lodge: the old porter has left." "Well, and how do they all get on? Tell me everything about them, Bessie: but sit down first; and, Bobby, come and sit on my knee, will you?" but Bobby preferred sidling over to his mother. "You're not grown so very tall, Miss Jane, nor so very stout," continued Mrs. Leaven. "I dare say they've not kept you too well at school: Miss Reed is the head and shoulders taller than you are; and Miss Georgiana would make two of you in breadth." "Georgiana is handsome, I suppose, Bessie?" "Very. She went up to London last winter with her mama, and there everybody admired her, and a young lord fell in love with her: but his relations were against the match; and--what do you think?--he and Miss Georgiana made it up to run away; but they were found out and stopped. It was Miss Reed that found them out: I believe she was envious; and now she and her sister lead a cat and dog life together; they are always quarrelling--" "Well, and what of John Reed?" "Oh, he is not doing so well as his mama could wish. He went to college, and he got--plucked, I think they call it: and then his uncles wanted him to be a barrister, and study the law: but he is such a dissipated young man, they will never make much of him, I think." "What does he look like?" "He is very tall: some people call him a fine-looking young man; but he has such thick lips." "And Mrs. Reed?" "Missis looks stout and well enough in the face, but I think she's not quite easy in her mind: Mr. John's conduct does not please her--he spends a deal of money." "Did she send you here, Bessie?" "No, indeed: but I have long wanted to see you, and when I heard that there had been a letter from you, and that you were going to another part of the country, I thought I'd just set off, and get a look at you before you were quite out of my reach." "I am afraid you are disappointed in me, Bessie." I said this laughing: I perceived that Bessie's glance, though it expressed regard, did in no shape denote admiration. "No, Miss Jane, not exactly: you are genteel enough; you look like a lady, and it is as much as ever I expected of you: you were no beauty as a child." I smiled at Bessie's frank answer: I felt that it was correct, but I confess I was not quite indifferent to its import: at eighteen most people wish to please, and the conviction that they have not an exterior likely to second that desire brings anything but gratification. "I dare say you are clever, though," continued Bessie, by way of solace. "What can you do? Can you play on the piano?" "A little." There was one in the room; Bessie went and opened it, and then asked me to sit down and give her a tune: I played a waltz or two, and she was charmed. "The Miss Reeds could not play as well!" said she exultingly. "I always said you would surpass them in learning: and can you draw?" "That is one of my paintings over the chimney-piece." It was a landscape in water colours, of which I had made a present to the superintendent, in acknowledgment of her obliging mediation with the committee on my behalf, and which she had framed and glazed. "Well, that is beautiful, Miss Jane! It is as fine a picture as any Miss Reed's drawing-master could paint, let alone the young ladies themselves, who could not come near it: and have you learnt French?" "Yes, Bessie, I can both read it and speak it." "And you can work on muslin and canvas?" "I can." "Oh, you are quite a lady, Miss Jane! I knew you would be: you will get on whether your relations notice you or not. There was something I wanted to ask you. Have you ever heard anything from your father's kinsfolk, the Eyres?" "Never in my life." "Well, you know Missis always said they were poor and quite despicable: and they may be poor; but I believe they are as much gentry as the Reeds are; for one day, nearly seven years ago, a Mr. Eyre came to Gateshead and wanted to see you; Missis said you were at school fifty miles off; he seemed so much disappointed, for he could not stay: he was going on a voyage to a foreign country, and the ship was to sail from London in a day or two. He looked quite a gentleman, and I believe he was your father's brother." "What foreign country was he going to, Bessie?" "An island thousands of miles off, where they make wine--the butler did tell me--" "Madeira?" I suggested. "Yes, that is it--that is the very word." "So he went?" "Yes; he did not stay many minutes in the house: Missis was very high with him; she called him afterwards a 'sneaking tradesman.' My Robert believes he was a wine-merchant." "Very likely," I returned; "or perhaps clerk or agent to a wine-merchant." Bessie and I conversed about old times an hour longer, and then she was obliged to leave me: I saw her again for a few minutes the next morning at Lowton, while I was waiting for the coach. We parted finally at the door of the Brocklehurst Arms there: each went her separate way; she set off for the brow of Lowood Fell to meet the conveyance which was to take her back to Gateshead, I mounted the vehicle which was to bear me to new duties and a new life in the unknown environs of Millcote.

Chapter 10

https://web.archive.org/web/20190321135117/https://www.cliffsnotes.com/literature/j/jane-eyre/summary-and-analysis/chapter-10

Eight years pass before Jane again picks up her narrative. Following an investigation into the cause of the typhus epidemic at Lowood, Mr. Brocklehurst is publicly humiliated, and a new building is erected. Brocklehurst remains the treasurer for the school, but other, more enlightened, gentlemen become the school's inspectors and it becomes a "truly useful and noble institution." Jane remains at Lowood for eight years: six as a student and two as a teacher. Jane enjoys excelling in her studies, but after two years as a teacher, Jane needs a change. First, Miss Temple marries and moves far away, taking with her Jane's "serene" feelings about Lowood. Jane's old need for adventure returns and she longs to experience the perils of the real world. Since arriving at the school, Jane has never quitted it, even for holidays, and she now dreams of "liberty" and a "new servitude." Jane places an ad in the newspaper for a job as a governess. A response arrives from a Mrs. Fairfax of Thornfield, Millcote, who needs a governess for a little girl, and Jane decides to take the job. Before leaving for her new position, Jane has an unexpected visit from Bessie Lee, the Reeds' nursemaid. From her, she learns that none of the Reed children has turned out well: Georgiana tried to elope with a young man and Eliza jealously tattled on them, and John leads a life of excess. Bessie is impressed with Jane's ladylike appearance and accomplishments. Jane also learns that her father's brother, John Eyre had come to the Reeds seeking Jane seven years ago. Unfortunately, he couldn't visit her at Lowood, because he was leaving for Madeira to make his fortune.

Another portion of Jane's journey is about to end, and its demise is signaled by Miss Temple's departure from Lowood. Over time, Miss Temple has become more than a teacher to Jane: she is also mother, governess, and companion. Miss Temple's guidance has tempered Jane's impulsiveness and fire so that her thoughts have become "harmonious," her feelings "regulated," and her appearance "disciplined and subdued." But this appearance is only that: an external shell. When Miss Temple leaves Lowood, the shell cracks and Jane realizes that many of her new feelings didn't reflect her true nature, but were merely "borrowings" from her teacher. Jane's nature yearns for sensation, excitement, and the knowledge gained through experience, rather than the peaceful isolation of Lowood. The landscape reflects Jane's thoughts: She would like to leave Lowood's safe garden and explore the remote blue peaks in the distance. As Jane's departure from Gateshead was signaled by her pseudo-supernatural experience in the red-room, her movement away from Lowood also has a paranormal component. Meditating upon the best means for discovering "a new servitude," Jane is visited by a "kind fairy," who offers her a solution. This psychic counselor gives Jane very specific advice: Place an advertisement in the local newspaper, with answers addressed to J.E. -- and do it immediately. The fairy's plan works, and Jane soon has a new employment opportunity. Jane is happy to see that the handwriting in the letter is old-fashioned, like that of an elderly lady. Why? Because it is important for her, as a single woman in Victorian culture, to maintain her decorum; "above all things, I wished the result of my endeavours to be respectable, proper, en regle." The chapter's emphasis on propriety and decency is continued during Bessie's conversation with Jane. In fact, the novel continues to ask what it means to be a "lady" or a "gentleman." Bessie is impressed because Jane has become "quite a lady": She can now play the piano, draw and speak French better than the Miss Reeds, yet they are still considered her social superiors, as is their alcoholic brother, John. Jane's social status may be higher, however, than the Reeds think. According to Bessie, Jane's uncle, who stopped at the Reeds' home on his search for Jane, "looked quite a gentleman." The conversation emphasizes the ambiguities of Jane's family's class status and of the class system in general. Should a lady be judged on her academic accomplishments, money, or family name? This question will become more pronounced as the novel progresses. Glossary en regle in order.

cliffnotes

all_chapterized_books/1260-chapters/12.txt

finished_summaries/cliffnotes/Jane Eyre/section_8_part_0.txt

Jane Eyre.volume 1.chapter 11

chapter 11

{"name": "Chapter 11", "url": "https://web.archive.org/web/20190321135117/https://www.cliffsnotes.com/literature/j/jane-eyre/summary-and-analysis/chapter-11", "summary": "Jane sits waiting at the George Inn at Millcote, because no one has arrived from Thornfield to pick her up. Just as Jane is becoming anxious, a servant arrives for her. Despite its imposing architecture, Thornfield is inviting. Mrs. Fairfax proves to be a neat, mild-looking elderly lady, who greets Jane kindly. Surprised, Jane finds herself to be the object of more attention than she has ever before received. For the first time, Jane learns of the existence of Mr. Rochester, the owner of Thornfield. Jane also discovers that her new pupil, Adele Varens, is Rochester's ward. Meeting eight-year-old Adele, Jane is surprised to find she and her nurse, Sophie, are French and speak little English. Adele's mother was a dancer and singer, and Adele is also an adept performer, who sings an opera song for Jane. After her mother was taken to the \"Holy Virgin,\" Adele lived with a Madame Frederic and her husband for a while, but the Frederics were too poor to look after her, so Rochester kindly brought her to England. Mrs. Fairfax gives Jane some information about Rochester and his family: He is somewhat \"peculiar,\" but a good master, and in general, the Rochesters have been a \"violent\" rather than a \"quiet\" family. As she tours the house with Mrs. Fairfax, Jane suddenly hears a strange, disquieting laugh. Mrs. Fairfax tells her that the laugh belongs to Grace Poole, an eccentric servant.", "analysis": "A new stage of Jane's life has begun, and she feels it will be a good one. From the simplicity and peacefulness of Lowood, Jane has entered the stately, upper-class realm of Thornfield. The chapter begins with a direct address from the narrator, who tells readers that each new chapter in a novel is like a new scene in a play; when she draws the curtain, readers must imagine themselves in a new place. Thus, she draws the reader into her performance; not a passive reader, but one actively involved in imagining the people and places the novel describes. In addressing the reader directly, the narrator identifies her reader as companion and friend, someone who is expected to peer into Jane's life and vicariously share her experiences. Class issues are addressed once again. As an upper-servant, Mrs. Fairfax feels a great difference between herself and the other servants in the house. For example, she likes Leah and John, \"but then you see they are only servants, and one can't converse with them on terms of equality; one must keep them at due distance for fear of losing one's authority.\" The strict hierarchical system in England requires that everyone maintain their proper place, yet, as the novel shows, the differences between classes are constantly blurred. As a governess, Jane will be in the same category as Mrs. Fairfax: neither a member of the family nor a member of the serving class. The British tried to maintain hierarchies not only between different social classes, but also between themselves and foreigners. As a French citizen, Adele is, therefore, an exotic. While Jane emphasizes that her own clothes are extremely simple, and her entire appearance \"Quaker-like,\" Adele's style is more extravagant. Her excess is apparent in the operatic song she chooses, the tale of a woman whose lover has forsaken her. The song's subject, which Jane feels is in very bad taste for a child, hints at Adele's mother's sexuality, but also shows that Adele herself will need to be tamed to meet proper British moral standards. This will be Jane's goal, along with geography, history, and English lessons. Glossary bonne a nurse. C'est la ma gouvernante? Is this my governess? Mais oui, certainment. Yes, certainly. La Ligue des Rats: fable de La Fontaine \"The Plot of the Rats\": a fable by Jean de la Fontaine. Qu'avez-vous donc? lui dit un de ces rats; parlez! \"What do you have, then?\" says one of the rats, \"Speak!\" Mesdames, vous etes servies! J'ai bien faim, moi! Ladies, you are served! I am very hungry."}

A new chapter in a novel is something like a new scene in a play; and when I draw up the curtain this time, reader, you must fancy you see a room in the George Inn at Millcote, with such large figured papering on the walls as inn rooms have; such a carpet, such furniture, such ornaments on the mantelpiece, such prints, including a portrait of George the Third, and another of the Prince of Wales, and a representation of the death of Wolfe. All this is visible to you by the light of an oil lamp hanging from the ceiling, and by that of an excellent fire, near which I sit in my cloak and bonnet; my muff and umbrella lie on the table, and I am warming away the numbness and chill contracted by sixteen hours' exposure to the rawness of an October day: I left Lowton at four o'clock a.m., and the Millcote town clock is now just striking eight. Reader, though I look comfortably accommodated, I am not very tranquil in my mind. I thought when the coach stopped here there would be some one to meet me; I looked anxiously round as I descended the wooden steps the "boots" placed for my convenience, expecting to hear my name pronounced, and to see some description of carriage waiting to convey me to Thornfield. Nothing of the sort was visible; and when I asked a waiter if any one had been to inquire after a Miss Eyre, I was answered in the negative: so I had no resource but to request to be shown into a private room: and here I am waiting, while all sorts of doubts and fears are troubling my thoughts. It is a very strange sensation to inexperienced youth to feel itself quite alone in the world, cut adrift from every connection, uncertain whether the port to which it is bound can be reached, and prevented by many impediments from returning to that it has quitted. The charm of adventure sweetens that sensation, the glow of pride warms it; but then the throb of fear disturbs it; and fear with me became predominant when half-an-hour elapsed and still I was alone. I bethought myself to ring the bell. "Is there a place in this neighbourhood called Thornfield?" I asked of the waiter who answered the summons. "Thornfield? I don't know, ma'am; I'll inquire at the bar." He vanished, but reappeared instantly-- "Is your name Eyre, Miss?" "Yes." "Person here waiting for you." I jumped up, took my muff and umbrella, and hastened into the inn-passage: a man was standing by the open door, and in the lamp-lit street I dimly saw a one-horse conveyance. "This will be your luggage, I suppose?" said the man rather abruptly when he saw me, pointing to my trunk in the passage. "Yes." He hoisted it on to the vehicle, which was a sort of car, and then I got in; before he shut me up, I asked him how far it was to Thornfield. "A matter of six miles." "How long shall we be before we get there?" "Happen an hour and a half." He fastened the car door, climbed to his own seat outside, and we set off. Our progress was leisurely, and gave me ample time to reflect; I was content to be at length so near the end of my journey; and as I leaned back in the comfortable though not elegant conveyance, I meditated much at my ease. "I suppose," thought I, "judging from the plainness of the servant and carriage, Mrs. Fairfax is not a very dashing person: so much the better; I never lived amongst fine people but once, and I was very miserable with them. I wonder if she lives alone except this little girl; if so, and if she is in any degree amiable, I shall surely be able to get on with her; I will do my best; it is a pity that doing one's best does not always answer. At Lowood, indeed, I took that resolution, kept it, and succeeded in pleasing; but with Mrs. Reed, I remember my best was always spurned with scorn. I pray God Mrs. Fairfax may not turn out a second Mrs. Reed; but if she does, I am not bound to stay with her! let the worst come to the worst, I can advertise again. How far are we on our road now, I wonder?" I let down the window and looked out; Millcote was behind us; judging by the number of its lights, it seemed a place of considerable magnitude, much larger than Lowton. We were now, as far as I could see, on a sort of common; but there were houses scattered all over the district; I felt we were in a different region to Lowood, more populous, less picturesque; more stirring, less romantic. The roads were heavy, the night misty; my conductor let his horse walk all the way, and the hour and a half extended, I verily believe, to two hours; at last he turned in his seat and said-- "You're noan so far fro' Thornfield now." Again I looked out: we were passing a church; I saw its low broad tower against the sky, and its bell was tolling a quarter; I saw a narrow galaxy of lights too, on a hillside, marking a village or hamlet. About ten minutes after, the driver got down and opened a pair of gates: we passed through, and they clashed to behind us. We now slowly ascended a drive, and came upon the long front of a house: candlelight gleamed from one curtained bow-window; all the rest were dark. The car stopped at the front door; it was opened by a maid-servant; I alighted and went in. "Will you walk this way, ma'am?" said the girl; and I followed her across a square hall with high doors all round: she ushered me into a room whose double illumination of fire and candle at first dazzled me, contrasting as it did with the darkness to which my eyes had been for two hours inured; when I could see, however, a cosy and agreeable picture presented itself to my view. A snug small room; a round table by a cheerful fire; an arm-chair high- backed and old-fashioned, wherein sat the neatest imaginable little elderly lady, in widow's cap, black silk gown, and snowy muslin apron; exactly like what I had fancied Mrs. Fairfax, only less stately and milder looking. She was occupied in knitting; a large cat sat demurely at her feet; nothing in short was wanting to complete the beau-ideal of domestic comfort. A more reassuring introduction for a new governess could scarcely be conceived; there was no grandeur to overwhelm, no stateliness to embarrass; and then, as I entered, the old lady got up and promptly and kindly came forward to meet me. "How do you do, my dear? I am afraid you have had a tedious ride; John drives so slowly; you must be cold, come to the fire." "Mrs. Fairfax, I suppose?" said I. "Yes, you are right: do sit down." She conducted me to her own chair, and then began to remove my shawl and untie my bonnet-strings; I begged she would not give herself so much trouble. "Oh, it is no trouble; I dare say your own hands are almost numbed with cold. Leah, make a little hot negus and cut a sandwich or two: here are the keys of the storeroom." And she produced from her pocket a most housewifely bunch of keys, and delivered them to the servant. "Now, then, draw nearer to the fire," she continued. "You've brought your luggage with you, haven't you, my dear?" "Yes, ma'am." "I'll see it carried into your room," she said, and bustled out. "She treats me like a visitor," thought I. "I little expected such a reception; I anticipated only coldness and stiffness: this is not like what I have heard of the treatment of governesses; but I must not exult too soon." She returned; with her own hands cleared her knitting apparatus and a book or two from the table, to make room for the tray which Leah now brought, and then herself handed me the refreshments. I felt rather confused at being the object of more attention than I had ever before received, and, that too, shown by my employer and superior; but as she did not herself seem to consider she was doing anything out of her place, I thought it better to take her civilities quietly. "Shall I have the pleasure of seeing Miss Fairfax to-night?" I asked, when I had partaken of what she offered me. "What did you say, my dear? I am a little deaf," returned the good lady, approaching her ear to my mouth. I repeated the question more distinctly. "Miss Fairfax? Oh, you mean Miss Varens! Varens is the name of your future pupil." "Indeed! Then she is not your daughter?" "No,--I have no family." I should have followed up my first inquiry, by asking in what way Miss Varens was connected with her; but I recollected it was not polite to ask too many questions: besides, I was sure to hear in time. "I am so glad," she continued, as she sat down opposite to me, and took the cat on her knee; "I am so glad you are come; it will be quite pleasant living here now with a companion. To be sure it is pleasant at any time; for Thornfield is a fine old hall, rather neglected of late years perhaps, but still it is a respectable place; yet you know in winter-time one feels dreary quite alone in the best quarters. I say alone--Leah is a nice girl to be sure, and John and his wife are very decent people; but then you see they are only servants, and one can't converse with them on terms of equality: one must keep them at due distance, for fear of losing one's authority. I'm sure last winter (it was a very severe one, if you recollect, and when it did not snow, it rained and blew), not a creature but the butcher and postman came to the house, from November till February; and I really got quite melancholy with sitting night after night alone; I had Leah in to read to me sometimes; but I don't think the poor girl liked the task much: she felt it confining. In spring and summer one got on better: sunshine and long days make such a difference; and then, just at the commencement of this autumn, little Adela Varens came and her nurse: a child makes a house alive all at once; and now you are here I shall be quite gay." My heart really warmed to the worthy lady as I heard her talk; and I drew my chair a little nearer to her, and expressed my sincere wish that she might find my company as agreeable as she anticipated. "But I'll not keep you sitting up late to-night," said she; "it is on the stroke of twelve now, and you have been travelling all day: you must feel tired. If you have got your feet well warmed, I'll show you your bedroom. I've had the room next to mine prepared for you; it is only a small apartment, but I thought you would like it better than one of the large front chambers: to be sure they have finer furniture, but they are so dreary and solitary, I never sleep in them myself." I thanked her for her considerate choice, and as I really felt fatigued with my long journey, expressed my readiness to retire. She took her candle, and I followed her from the room. First she went to see if the hall-door was fastened; having taken the key from the lock, she led the way upstairs. The steps and banisters were of oak; the staircase window was high and latticed; both it and the long gallery into which the bedroom doors opened looked as if they belonged to a church rather than a house. A very chill and vault-like air pervaded the stairs and gallery, suggesting cheerless ideas of space and solitude; and I was glad, when finally ushered into my chamber, to find it of small dimensions, and furnished in ordinary, modern style. When Mrs. Fairfax had bidden me a kind good-night, and I had fastened my door, gazed leisurely round, and in some measure effaced the eerie impression made by that wide hall, that dark and spacious staircase, and that long, cold gallery, by the livelier aspect of my little room, I remembered that, after a day of bodily fatigue and mental anxiety, I was now at last in safe haven. The impulse of gratitude swelled my heart, and I knelt down at the bedside, and offered up thanks where thanks were due; not forgetting, ere I rose, to implore aid on my further path, and the power of meriting the kindness which seemed so frankly offered me before it was earned. My couch had no thorns in it that night; my solitary room no fears. At once weary and content, I slept soon and soundly: when I awoke it was broad day. The chamber looked such a bright little place to me as the sun shone in between the gay blue chintz window curtains, showing papered walls and a carpeted floor, so unlike the bare planks and stained plaster of Lowood, that my spirits rose at the view. Externals have a great effect on the young: I thought that a fairer era of life was beginning for me, one that was to have its flowers and pleasures, as well as its thorns and toils. My faculties, roused by the change of scene, the new field offered to hope, seemed all astir. I cannot precisely define what they expected, but it was something pleasant: not perhaps that day or that month, but at an indefinite future period. I rose; I dressed myself with care: obliged to be plain--for I had no article of attire that was not made with extreme simplicity--I was still by nature solicitous to be neat. It was not my habit to be disregardful of appearance or careless of the impression I made: on the contrary, I ever wished to look as well as I could, and to please as much as my want of beauty would permit. I sometimes regretted that I was not handsomer; I sometimes wished to have rosy cheeks, a straight nose, and small cherry mouth; I desired to be tall, stately, and finely developed in figure; I felt it a misfortune that I was so little, so pale, and had features so irregular and so marked. And why had I these aspirations and these regrets? It would be difficult to say: I could not then distinctly say it to myself; yet I had a reason, and a logical, natural reason too. However, when I had brushed my hair very smooth, and put on my black frock--which, Quakerlike as it was, at least had the merit of fitting to a nicety--and adjusted my clean white tucker, I thought I should do respectably enough to appear before Mrs. Fairfax, and that my new pupil would not at least recoil from me with antipathy. Having opened my chamber window, and seen that I left all things straight and neat on the toilet table, I ventured forth. Traversing the long and matted gallery, I descended the slippery steps of oak; then I gained the hall: I halted there a minute; I looked at some pictures on the walls (one, I remember, represented a grim man in a cuirass, and one a lady with powdered hair and a pearl necklace), at a bronze lamp pendent from the ceiling, at a great clock whose case was of oak curiously carved, and ebon black with time and rubbing. Everything appeared very stately and imposing to me; but then I was so little accustomed to grandeur. The hall-door, which was half of glass, stood open; I stepped over the threshold. It was a fine autumn morning; the early sun shone serenely on embrowned groves and still green fields; advancing on to the lawn, I looked up and surveyed the front of the mansion. It was three storeys high, of proportions not vast, though considerable: a gentleman's manor-house, not a nobleman's seat: battlements round the top gave it a picturesque look. Its grey front stood out well from the background of a rookery, whose cawing tenants were now on the wing: they flew over the lawn and grounds to alight in a great meadow, from which these were separated by a sunk fence, and where an array of mighty old thorn trees, strong, knotty, and broad as oaks, at once explained the etymology of the mansion's designation. Farther off were hills: not so lofty as those round Lowood, nor so craggy, nor so like barriers of separation from the living world; but yet quiet and lonely hills enough, and seeming to embrace Thornfield with a seclusion I had not expected to find existent so near the stirring locality of Millcote. A little hamlet, whose roofs were blent with trees, straggled up the side of one of these hills; the church of the district stood nearer Thornfield: its old tower-top looked over a knoll between the house and gates. I was yet enjoying the calm prospect and pleasant fresh air, yet listening with delight to the cawing of the rooks, yet surveying the wide, hoary front of the hall, and thinking what a great place it was for one lonely little dame like Mrs. Fairfax to inhabit, when that lady appeared at the door. "What! out already?" said she. "I see you are an early riser." I went up to her, and was received with an affable kiss and shake of the hand. "How do you like Thornfield?" she asked. I told her I liked it very much. "Yes," she said, "it is a pretty place; but I fear it will be getting out of order, unless Mr. Rochester should take it into his head to come and reside here permanently; or, at least, visit it rather oftener: great houses and fine grounds require the presence of the proprietor." "Mr. Rochester!" I exclaimed. "Who is he?" "The owner of Thornfield," she responded quietly. "Did you not know he was called Rochester?" Of course I did not--I had never heard of him before; but the old lady seemed to regard his existence as a universally understood fact, with which everybody must be acquainted by instinct. "I thought," I continued, "Thornfield belonged to you." "To me? Bless you, child; what an idea! To me! I am only the housekeeper--the manager. To be sure I am distantly related to the Rochesters by the mother's side, or at least my husband was; he was a clergyman, incumbent of Hay--that little village yonder on the hill--and that church near the gates was his. The present Mr. Rochester's mother was a Fairfax, and second cousin to my husband: but I never presume on the connection--in fact, it is nothing to me; I consider myself quite in the light of an ordinary housekeeper: my employer is always civil, and I expect nothing more." "And the little girl--my pupil!" "She is Mr. Rochester's ward; he commissioned me to find a governess for her. He intended to have her brought up in ---shire, I believe. Here she comes, with her 'bonne,' as she calls her nurse." The enigma then was explained: this affable and kind little widow was no great dame; but a dependant like myself. I did not like her the worse for that; on the contrary, I felt better pleased than ever. The equality between her and me was real; not the mere result of condescension on her part: so much the better--my position was all the freer. As I was meditating on this discovery, a little girl, followed by her attendant, came running up the lawn. I looked at my pupil, who did not at first appear to notice me: she was quite a child, perhaps seven or eight years old, slightly built, with a pale, small-featured face, and a redundancy of hair falling in curls to her waist. "Good morning, Miss Adela," said Mrs. Fairfax. "Come and speak to the lady who is to teach you, and to make you a clever woman some day." She approached. "C'est la ma gouverante!" said she, pointing to me, and addressing her nurse; who answered-- "Mais oui, certainement." "Are they foreigners?" I inquired, amazed at hearing the French language. "The nurse is a foreigner, and Adela was born on the Continent; and, I believe, never left it till within six months ago. When she first came here she could speak no English; now she can make shift to talk it a little: I don't understand her, she mixes it so with French; but you will make out her meaning very well, I dare say." Fortunately I had had the advantage of being taught French by a French lady; and as I had always made a point of conversing with Madame Pierrot as often as I could, and had besides, during the last seven years, learnt a portion of French by heart daily--applying myself to take pains with my accent, and imitating as closely as possible the pronunciation of my teacher, I had acquired a certain degree of readiness and correctness in the language, and was not likely to be much at a loss with Mademoiselle Adela. She came and shook hand with me when she heard that I was her governess; and as I led her in to breakfast, I addressed some phrases to her in her own tongue: she replied briefly at first, but after we were seated at the table, and she had examined me some ten minutes with her large hazel eyes, she suddenly commenced chattering fluently. "Ah!" cried she, in French, "you speak my language as well as Mr. Rochester does: I can talk to you as I can to him, and so can Sophie. She will be glad: nobody here understands her: Madame Fairfax is all English. Sophie is my nurse; she came with me over the sea in a great ship with a chimney that smoked--how it did smoke!--and I was sick, and so was Sophie, and so was Mr. Rochester. Mr. Rochester lay down on a sofa in a pretty room called the salon, and Sophie and I had little beds in another place. I nearly fell out of mine; it was like a shelf. And Mademoiselle--what is your name?" "Eyre--Jane Eyre." "Aire? Bah! I cannot say it. Well, our ship stopped in the morning, before it was quite daylight, at a great city--a huge city, with very dark houses and all smoky; not at all like the pretty clean town I came from; and Mr. Rochester carried me in his arms over a plank to the land, and Sophie came after, and we all got into a coach, which took us to a beautiful large house, larger than this and finer, called an hotel. We stayed there nearly a week: I and Sophie used to walk every day in a great green place full of trees, called the Park; and there were many children there besides me, and a pond with beautiful birds in it, that I fed with crumbs." "Can you understand her when she runs on so fast?" asked Mrs. Fairfax. I understood her very well, for I had been accustomed to the fluent tongue of Madame Pierrot. "I wish," continued the good lady, "you would ask her a question or two about her parents: I wonder if she remembers them?" "Adele," I inquired, "with whom did you live when you were in that pretty clean town you spoke of?" "I lived long ago with mama; but she is gone to the Holy Virgin. Mama used to teach me to dance and sing, and to say verses. A great many gentlemen and ladies came to see mama, and I used to dance before them, or to sit on their knees and sing to them: I liked it. Shall I let you hear me sing now?" She had finished her breakfast, so I permitted her to give a specimen of her accomplishments. Descending from her chair, she came and placed herself on my knee; then, folding her little hands demurely before her, shaking back her curls and lifting her eyes to the ceiling, she commenced singing a song from some opera. It was the strain of a forsaken lady, who, after bewailing the perfidy of her lover, calls pride to her aid; desires her attendant to deck her in her brightest jewels and richest robes, and resolves to meet the false one that night at a ball, and prove to him, by the gaiety of her demeanour, how little his desertion has affected her. The subject seemed strangely chosen for an infant singer; but I suppose the point of the exhibition lay in hearing the notes of love and jealousy warbled with the lisp of childhood; and in very bad taste that point was: at least I thought so. Adele sang the canzonette tunefully enough, and with the _naivete_ of her age. This achieved, she jumped from my knee and said, "Now, Mademoiselle, I will repeat you some poetry." Assuming an attitude, she began, "La Ligue des Rats: fable de La Fontaine." She then declaimed the little piece with an attention to punctuation and emphasis, a flexibility of voice and an appropriateness of gesture, very unusual indeed at her age, and which proved she had been carefully trained. "Was it your mama who taught you that piece?" I asked. "Yes, and she just used to say it in this way: 'Qu' avez vous donc? lui dit un de ces rats; parlez!' She made me lift my hand--so--to remind me to raise my voice at the question. Now shall I dance for you?" "No, that will do: but after your mama went to the Holy Virgin, as you say, with whom did you live then?" "With Madame Frederic and her husband: she took care of me, but she is nothing related to me. I think she is poor, for she had not so fine a house as mama. I was not long there. Mr. Rochester asked me if I would like to go and live with him in England, and I said yes; for I knew Mr. Rochester before I knew Madame Frederic, and he was always kind to me and gave me pretty dresses and toys: but you see he has not kept his word, for he has brought me to England, and now he is gone back again himself, and I never see him." After breakfast, Adele and I withdrew to the library, which room, it appears, Mr. Rochester had directed should be used as the schoolroom. Most of the books were locked up behind glass doors; but there was one bookcase left open containing everything that could be needed in the way of elementary works, and several volumes of light literature, poetry, biography, travels, a few romances, &c. I suppose he had considered that these were all the governess would require for her private perusal; and, indeed, they contented me amply for the present; compared with the scanty pickings I had now and then been able to glean at Lowood, they seemed to offer an abundant harvest of entertainment and information. In this room, too, there was a cabinet piano, quite new and of superior tone; also an easel for painting and a pair of globes. I found my pupil sufficiently docile, though disinclined to apply: she had not been used to regular occupation of any kind. I felt it would be injudicious to confine her too much at first; so, when I had talked to her a great deal, and got her to learn a little, and when the morning had advanced to noon, I allowed her to return to her nurse. I then proposed to occupy myself till dinner-time in drawing some little sketches for her use. As I was going upstairs to fetch my portfolio and pencils, Mrs. Fairfax called to me: "Your morning school-hours are over now, I suppose," said she. She was in a room the folding-doors of which stood open: I went in when she addressed me. It was a large, stately apartment, with purple chairs and curtains, a Turkey carpet, walnut-panelled walls, one vast window rich in slanted glass, and a lofty ceiling, nobly moulded. Mrs. Fairfax was dusting some vases of fine purple spar, which stood on a sideboard. "What a beautiful room!" I exclaimed, as I looked round; for I had never before seen any half so imposing. "Yes; this is the dining-room. I have just opened the window, to let in a little air and sunshine; for everything gets so damp in apartments that are seldom inhabited; the drawing-room yonder feels like a vault." She pointed to a wide arch corresponding to the window, and hung like it with a Tyrian-dyed curtain, now looped up. Mounting to it by two broad steps, and looking through, I thought I caught a glimpse of a fairy place, so bright to my novice-eyes appeared the view beyond. Yet it was merely a very pretty drawing-room, and within it a boudoir, both spread with white carpets, on which seemed laid brilliant garlands of flowers; both ceiled with snowy mouldings of white grapes and vine-leaves, beneath which glowed in rich contrast crimson couches and ottomans; while the ornaments on the pale Parian mantelpiece were of sparkling Bohemian glass, ruby red; and between the windows large mirrors repeated the general blending of snow and fire. "In what order you keep these rooms, Mrs. Fairfax!" said I. "No dust, no canvas coverings: except that the air feels chilly, one would think they were inhabited daily." "Why, Miss Eyre, though Mr. Rochester's visits here are rare, they are always sudden and unexpected; and as I observed that it put him out to find everything swathed up, and to have a bustle of arrangement on his arrival, I thought it best to keep the rooms in readiness." "Is Mr. Rochester an exacting, fastidious sort of man?" "Not particularly so; but he has a gentleman's tastes and habits, and he expects to have things managed in conformity to them." "Do you like him? Is he generally liked?" "Oh, yes; the family have always been respected here. Almost all the land in this neighbourhood, as far as you can see, has belonged to the Rochesters time out of mind." "Well, but, leaving his land out of the question, do you like him? Is he liked for himself?" "I have no cause to do otherwise than like him; and I believe he is considered a just and liberal landlord by his tenants: but he has never lived much amongst them." "But has he no peculiarities? What, in short, is his character?" "Oh! his character is unimpeachable, I suppose. He is rather peculiar, perhaps: he has travelled a great deal, and seen a great deal of the world, I should think. I dare say he is clever, but I never had much conversation with him." "In what way is he peculiar?" "I don't know--it is not easy to describe--nothing striking, but you feel it when he speaks to you; you cannot be always sure whether he is in jest or earnest, whether he is pleased or the contrary; you don't thoroughly understand him, in short--at least, I don't: but it is of no consequence, he is a very good master." This was all the account I got from Mrs. Fairfax of her employer and mine. There are people who seem to have no notion of sketching a character, or observing and describing salient points, either in persons or things: the good lady evidently belonged to this class; my queries puzzled, but did not draw her out. Mr. Rochester was Mr. Rochester in her eyes; a gentleman, a landed proprietor--nothing more: she inquired and searched no further, and evidently wondered at my wish to gain a more definite notion of his identity. When we left the dining-room, she proposed to show me over the rest of the house; and I followed her upstairs and downstairs, admiring as I went; for all was well arranged and handsome. The large front chambers I thought especially grand: and some of the third-storey rooms, though dark and low, were interesting from their air of antiquity. The furniture once appropriated to the lower apartments had from time to time been removed here, as fashions changed: and the imperfect light entering by their narrow casement showed bedsteads of a hundred years old; chests in oak or walnut, looking, with their strange carvings of palm branches and cherubs' heads, like types of the Hebrew ark; rows of venerable chairs, high-backed and narrow; stools still more antiquated, on whose cushioned tops were yet apparent traces of half-effaced embroideries, wrought by fingers that for two generations had been coffin-dust. All these relics gave to the third storey of Thornfield Hall the aspect of a home of the past: a shrine of memory. I liked the hush, the gloom, the quaintness of these retreats in the day; but I by no means coveted a night's repose on one of those wide and heavy beds: shut in, some of them, with doors of oak; shaded, others, with wrought old English hangings crusted with thick work, portraying effigies of strange flowers, and stranger birds, and strangest human beings,--all which would have looked strange, indeed, by the pallid gleam of moonlight. "Do the servants sleep in these rooms?" I asked. "No; they occupy a range of smaller apartments to the back; no one ever sleeps here: one would almost say that, if there were a ghost at Thornfield Hall, this would be its haunt." "So I think: you have no ghost, then?" "None that I ever heard of," returned Mrs. Fairfax, smiling. "Nor any traditions of one? no legends or ghost stories?" "I believe not. And yet it is said the Rochesters have been rather a violent than a quiet race in their time: perhaps, though, that is the reason they rest tranquilly in their graves now." "Yes--'after life's fitful fever they sleep well,'" I muttered. "Where are you going now, Mrs. Fairfax?" for she was moving away. "On to the leads; will you come and see the view from thence?" I followed still, up a very narrow staircase to the attics, and thence by a ladder and through a trap-door to the roof of the hall. I was now on a level with the crow colony, and could see into their nests. Leaning over the battlements and looking far down, I surveyed the grounds laid out like a map: the bright and velvet lawn closely girdling the grey base of the mansion; the field, wide as a park, dotted with its ancient timber; the wood, dun and sere, divided by a path visibly overgrown, greener with moss than the trees were with foliage; the church at the gates, the road, the tranquil hills, all reposing in the autumn day's sun; the horizon bounded by a propitious sky, azure, marbled with pearly white. No feature in the scene was extraordinary, but all was pleasing. When I turned from it and repassed the trap-door, I could scarcely see my way down the ladder; the attic seemed black as a vault compared with that arch of blue air to which I had been looking up, and to that sunlit scene of grove, pasture, and green hill, of which the hall was the centre, and over which I had been gazing with delight. Mrs. Fairfax stayed behind a moment to fasten the trap-door; I, by drift of groping, found the outlet from the attic, and proceeded to descend the narrow garret staircase. I lingered in the long passage to which this led, separating the front and back rooms of the third storey: narrow, low, and dim, with only one little window at the far end, and looking, with its two rows of small black doors all shut, like a corridor in some Bluebeard's castle. While I paced softly on, the last sound I expected to hear in so still a region, a laugh, struck my ear. It was a curious laugh; distinct, formal, mirthless. I stopped: the sound ceased, only for an instant; it began again, louder: for at first, though distinct, it was very low. It passed off in a clamorous peal that seemed to wake an echo in every lonely chamber; though it originated but in one, and I could have pointed out the door whence the accents issued. "Mrs. Fairfax!" I called out: for I now heard her descending the great stairs. "Did you hear that loud laugh? Who is it?" "Some of the servants, very likely," she answered: "perhaps Grace Poole." "Did you hear it?" I again inquired. "Yes, plainly: I often hear her: she sews in one of these rooms. Sometimes Leah is with her; they are frequently noisy together." The laugh was repeated in its low, syllabic tone, and terminated in an odd murmur. "Grace!" exclaimed Mrs. Fairfax. I really did not expect any Grace to answer; for the laugh was as tragic, as preternatural a laugh as any I ever heard; and, but that it was high noon, and that no circumstance of ghostliness accompanied the curious cachinnation; but that neither scene nor season favoured fear, I should have been superstitiously afraid. However, the event showed me I was a fool for entertaining a sense even of surprise. The door nearest me opened, and a servant came out,--a woman of between thirty and forty; a set, square-made figure, red-haired, and with a hard, plain face: any apparition less romantic or less ghostly could scarcely be conceived. "Too much noise, Grace," said Mrs. Fairfax. "Remember directions!" Grace curtseyed silently and went in. "She is a person we have to sew and assist Leah in her housemaid's work," continued the widow; "not altogether unobjectionable in some points, but she does well enough. By-the-bye, how have you got on with your new pupil this morning?" The conversation, thus turned on Adele, continued till we reached the light and cheerful region below. Adele came running to meet us in the hall, exclaiming-- "Mesdames, vous etes servies!" adding, "J'ai bien faim, moi!" We found dinner ready, and waiting for us in Mrs. Fairfax's room.

Chapter 11

https://web.archive.org/web/20190321135117/https://www.cliffsnotes.com/literature/j/jane-eyre/summary-and-analysis/chapter-11

Jane sits waiting at the George Inn at Millcote, because no one has arrived from Thornfield to pick her up. Just as Jane is becoming anxious, a servant arrives for her. Despite its imposing architecture, Thornfield is inviting. Mrs. Fairfax proves to be a neat, mild-looking elderly lady, who greets Jane kindly. Surprised, Jane finds herself to be the object of more attention than she has ever before received. For the first time, Jane learns of the existence of Mr. Rochester, the owner of Thornfield. Jane also discovers that her new pupil, Adele Varens, is Rochester's ward. Meeting eight-year-old Adele, Jane is surprised to find she and her nurse, Sophie, are French and speak little English. Adele's mother was a dancer and singer, and Adele is also an adept performer, who sings an opera song for Jane. After her mother was taken to the "Holy Virgin," Adele lived with a Madame Frederic and her husband for a while, but the Frederics were too poor to look after her, so Rochester kindly brought her to England. Mrs. Fairfax gives Jane some information about Rochester and his family: He is somewhat "peculiar," but a good master, and in general, the Rochesters have been a "violent" rather than a "quiet" family. As she tours the house with Mrs. Fairfax, Jane suddenly hears a strange, disquieting laugh. Mrs. Fairfax tells her that the laugh belongs to Grace Poole, an eccentric servant.

A new stage of Jane's life has begun, and she feels it will be a good one. From the simplicity and peacefulness of Lowood, Jane has entered the stately, upper-class realm of Thornfield. The chapter begins with a direct address from the narrator, who tells readers that each new chapter in a novel is like a new scene in a play; when she draws the curtain, readers must imagine themselves in a new place. Thus, she draws the reader into her performance; not a passive reader, but one actively involved in imagining the people and places the novel describes. In addressing the reader directly, the narrator identifies her reader as companion and friend, someone who is expected to peer into Jane's life and vicariously share her experiences. Class issues are addressed once again. As an upper-servant, Mrs. Fairfax feels a great difference between herself and the other servants in the house. For example, she likes Leah and John, "but then you see they are only servants, and one can't converse with them on terms of equality; one must keep them at due distance for fear of losing one's authority." The strict hierarchical system in England requires that everyone maintain their proper place, yet, as the novel shows, the differences between classes are constantly blurred. As a governess, Jane will be in the same category as Mrs. Fairfax: neither a member of the family nor a member of the serving class. The British tried to maintain hierarchies not only between different social classes, but also between themselves and foreigners. As a French citizen, Adele is, therefore, an exotic. While Jane emphasizes that her own clothes are extremely simple, and her entire appearance "Quaker-like," Adele's style is more extravagant. Her excess is apparent in the operatic song she chooses, the tale of a woman whose lover has forsaken her. The song's subject, which Jane feels is in very bad taste for a child, hints at Adele's mother's sexuality, but also shows that Adele herself will need to be tamed to meet proper British moral standards. This will be Jane's goal, along with geography, history, and English lessons. Glossary bonne a nurse. C'est la ma gouvernante? Is this my governess? Mais oui, certainment. Yes, certainly. La Ligue des Rats: fable de La Fontaine "The Plot of the Rats": a fable by Jean de la Fontaine. Qu'avez-vous donc? lui dit un de ces rats; parlez! "What do you have, then?" says one of the rats, "Speak!" Mesdames, vous etes servies! J'ai bien faim, moi! Ladies, you are served! I am very hungry.

cliffnotes

all_chapterized_books/1260-chapters/13.txt

finished_summaries/cliffnotes/Jane Eyre/section_9_part_0.txt

Jane Eyre.volume 1.chapter 12

chapter 12

{"name": "Chapter 12", "url": "https://web.archive.org/web/20190321135117/https://www.cliffsnotes.com/literature/j/jane-eyre/summary-and-analysis/chapter-12", "summary": "Thornfield meets up to Jane's initial expectations: calm and comfortable. Adele is a lively, spoiled child, but she is also obedient and teachable. Jane still longs for the busy world of the city, for variety, for conversation with her peers. A restlessness exists in Jane's nature that causes her pain. Walking along the corridor of the third story of the house is her only way of easing this discomfort. Several months pass, and one day in January, Jane takes a long walk through the fields surrounding Thornfield. As she sits on a hill, watching the moon rising, a noise breaks her reverie; a horse is coming up the lane. While Jane watches for the horse, she thinks of a North-of-England spirit Bessie had once told her about, called a Gytrash. Assuming the form of a horse, mule or large dog, the Gytrash often scared lonely travelers. After thinking this, Jane sees a huge Newfoundland dog gliding through the bushes. A man rides into view, and breaking Jane's spell. His horse slips on a patch of ice, and the man falls. Jane tells the man, who is in his late-thirties and not handsome, that she is the governess at Thornfield and helps him hobble to his horse. Then horse, man, and dog all vanish. Meditating upon the experience, Jane is happy to have offered active assistance. She returns to Thornfield and learns that the man she helped was her employer -- Mr. Rochester.", "analysis": "In this chapter the reader is shown another example of Jane's restlessness. The quiet haven of Thornfield has become stagnant and lonely, and the uniform, still life it offers provides \"an existence whose very privilege of security and ease\" that Jane is becoming unable to appreciate. Yearning for a life of excitement, variety, and intellectual stimulation, Jane isn't satisfied with the monotony of Mrs. Fairfax or the youthful simplicity of Adele. In consequence, Jane spends much time within her own imagination, opening her inward ear to \"a tale my imagination created, and narrated continuously; quickened with all incident, life, fire, feeling, that I desired and had not in my actual existence.\" Jane suggests that her problems are gender-related. Women need active pursuits, 0just as men do; they, too, need to stretch their intellectual limits. Like men, they suffer from rigid restraint and absolute stagnation. Indeed, Jane believes men are \"narrow-minded\" to suggest women should satisfy themselves with domestic pursuits. Arguing that a silent rebellion is brewing in women's minds, the novel's message is revolutionary. Jane's momentous meeting with Rochester is significant at many levels. First, her association of Rochester's horse and dog with the mythical Gytrash brings another supernatural element into the story. The massive dog is \"a lion-like creature with long hair and a huge head\" Jane is almost surprised when it doesn't look up to her \"with strange pretercanine eyes.\" In English folklore, the Gytrash often appears to warn people of the coming death of a friend or relative, but it also adds a mythic feeling to Jane and Rochester's first meeting that makes their later relationship seem more extraordinary. It is also significant that Rochester is disabled during their first meeting. Having fallen from his horse, Rochester requires Jane's assistance. Many critics have argued that this incident helps to establish equality between the two characters. It also foreshadows Rochester's dependence upon Jane at the end of the novel. Jane also limits Rochester's powers by emphasizing that he is neither handsome nor heroic-looking. Finally, Rochester recognizes Jane's ambiguous class and social position through his inability to guess her role in the Thornfield household; he realizes she isn't a servant, yet her clothes aren't fine enough for a lady's-maid. On Jane's part, she is happy to have left behind, even for a moment, her passive, dependent, feminine status by offering active, and necessary assistance. Glossary par parenthese by the way. Revenez bientot, ma bonne amie, ma chere Mdlle Jeanette. Hurry back, my good friend, my dear Miss Jane."}

The promise of a smooth career, which my first calm introduction to Thornfield Hall seemed to pledge, was not belied on a longer acquaintance with the place and its inmates. Mrs. Fairfax turned out to be what she appeared, a placid-tempered, kind-natured woman, of competent education and average intelligence. My pupil was a lively child, who had been spoilt and indulged, and therefore was sometimes wayward; but as she was committed entirely to my care, and no injudicious interference from any quarter ever thwarted my plans for her improvement, she soon forgot her little freaks, and became obedient and teachable. She had no great talents, no marked traits of character, no peculiar development of feeling or taste which raised her one inch above the ordinary level of childhood; but neither had she any deficiency or vice which sunk her below it. She made reasonable progress, entertained for me a vivacious, though perhaps not very profound, affection; and by her simplicity, gay prattle, and efforts to please, inspired me, in return, with a degree of attachment sufficient to make us both content in each other's society. This, _par parenthese_, will be thought cool language by persons who entertain solemn doctrines about the angelic nature of children, and the duty of those charged with their education to conceive for them an idolatrous devotion: but I am not writing to flatter parental egotism, to echo cant, or prop up humbug; I am merely telling the truth. I felt a conscientious solicitude for Adele's welfare and progress, and a quiet liking for her little self: just as I cherished towards Mrs. Fairfax a thankfulness for her kindness, and a pleasure in her society proportionate to the tranquil regard she had for me, and the moderation of her mind and character. Anybody may blame me who likes, when I add further, that, now and then, when I took a walk by myself in the grounds; when I went down to the gates and looked through them along the road; or when, while Adele played with her nurse, and Mrs. Fairfax made jellies in the storeroom, I climbed the three staircases, raised the trap-door of the attic, and having reached the leads, looked out afar over sequestered field and hill, and along dim sky-line--that then I longed for a power of vision which might overpass that limit; which might reach the busy world, towns, regions full of life I had heard of but never seen--that then I desired more of practical experience than I possessed; more of intercourse with my kind, of acquaintance with variety of character, than was here within my reach. I valued what was good in Mrs. Fairfax, and what was good in Adele; but I believed in the existence of other and more vivid kinds of goodness, and what I believed in I wished to behold. Who blames me? Many, no doubt; and I shall be called discontented. I could not help it: the restlessness was in my nature; it agitated me to pain sometimes. Then my sole relief was to walk along the corridor of the third storey, backwards and forwards, safe in the silence and solitude of the spot, and allow my mind's eye to dwell on whatever bright visions rose before it--and, certainly, they were many and glowing; to let my heart be heaved by the exultant movement, which, while it swelled it in trouble, expanded it with life; and, best of all, to open my inward ear to a tale that was never ended--a tale my imagination created, and narrated continuously; quickened with all of incident, life, fire, feeling, that I desired and had not in my actual existence. It is in vain to say human beings ought to be satisfied with tranquillity: they must have action; and they will make it if they cannot find it. Millions are condemned to a stiller doom than mine, and millions are in silent revolt against their lot. Nobody knows how many rebellions besides political rebellions ferment in the masses of life which people earth. Women are supposed to be very calm generally: but women feel just as men feel; they need exercise for their faculties, and a field for their efforts, as much as their brothers do; they suffer from too rigid a restraint, too absolute a stagnation, precisely as men would suffer; and it is narrow-minded in their more privileged fellow-creatures to say that they ought to confine themselves to making puddings and knitting stockings, to playing on the piano and embroidering bags. It is thoughtless to condemn them, or laugh at them, if they seek to do more or learn more than custom has pronounced necessary for their sex. When thus alone, I not unfrequently heard Grace Poole's laugh: the same peal, the same low, slow ha! ha! which, when first heard, had thrilled me: I heard, too, her eccentric murmurs; stranger than her laugh. There were days when she was quite silent; but there were others when I could not account for the sounds she made. Sometimes I saw her: she would come out of her room with a basin, or a plate, or a tray in her hand, go down to the kitchen and shortly return, generally (oh, romantic reader, forgive me for telling the plain truth!) bearing a pot of porter. Her appearance always acted as a damper to the curiosity raised by her oral oddities: hard-featured and staid, she had no point to which interest could attach. I made some attempts to draw her into conversation, but she seemed a person of few words: a monosyllabic reply usually cut short every effort of that sort. The other members of the household, viz., John and his wife, Leah the housemaid, and Sophie the French nurse, were decent people; but in no respect remarkable; with Sophie I used to talk French, and sometimes I asked her questions about her native country; but she was not of a descriptive or narrative turn, and generally gave such vapid and confused answers as were calculated rather to check than encourage inquiry. October, November, December passed away. One afternoon in January, Mrs. Fairfax had begged a holiday for Adele, because she had a cold; and, as Adele seconded the request with an ardour that reminded me how precious occasional holidays had been to me in my own childhood, I accorded it, deeming that I did well in showing pliability on the point. It was a fine, calm day, though very cold; I was tired of sitting still in the library through a whole long morning: Mrs. Fairfax had just written a letter which was waiting to be posted, so I put on my bonnet and cloak and volunteered to carry it to Hay; the distance, two miles, would be a pleasant winter afternoon walk. Having seen Adele comfortably seated in her little chair by Mrs. Fairfax's parlour fireside, and given her her best wax doll (which I usually kept enveloped in silver paper in a drawer) to play with, and a story-book for change of amusement; and having replied to her "Revenez bientot, ma bonne amie, ma chere Mdlle. Jeannette," with a kiss I set out. The ground was hard, the air was still, my road was lonely; I walked fast till I got warm, and then I walked slowly to enjoy and analyse the species of pleasure brooding for me in the hour and situation. It was three o'clock; the church bell tolled as I passed under the belfry: the charm of the hour lay in its approaching dimness, in the low-gliding and pale-beaming sun. I was a mile from Thornfield, in a lane noted for wild roses in summer, for nuts and blackberries in autumn, and even now possessing a few coral treasures in hips and haws, but whose best winter delight lay in its utter solitude and leafless repose. If a breath of air stirred, it made no sound here; for there was not a holly, not an evergreen to rustle, and the stripped hawthorn and hazel bushes were as still as the white, worn stones which causewayed the middle of the path. Far and wide, on each side, there were only fields, where no cattle now browsed; and the little brown birds, which stirred occasionally in the hedge, looked like single russet leaves that had forgotten to drop. This lane inclined up-hill all the way to Hay; having reached the middle, I sat down on a stile which led thence into a field. Gathering my mantle about me, and sheltering my hands in my muff, I did not feel the cold, though it froze keenly; as was attested by a sheet of ice covering the causeway, where a little brooklet, now congealed, had overflowed after a rapid thaw some days since. From my seat I could look down on Thornfield: the grey and battlemented hall was the principal object in the vale below me; its woods and dark rookery rose against the west. I lingered till the sun went down amongst the trees, and sank crimson and clear behind them. I then turned eastward. On the hill-top above me sat the rising moon; pale yet as a cloud, but brightening momentarily, she looked over Hay, which, half lost in trees, sent up a blue smoke from its few chimneys: it was yet a mile distant, but in the absolute hush I could hear plainly its thin murmurs of life. My ear, too, felt the flow of currents; in what dales and depths I could not tell: but there were many hills beyond Hay, and doubtless many becks threading their passes. That evening calm betrayed alike the tinkle of the nearest streams, the sough of the most remote. A rude noise broke on these fine ripplings and whisperings, at once so far away and so clear: a positive tramp, tramp, a metallic clatter, which effaced the soft wave-wanderings; as, in a picture, the solid mass of a crag, or the rough boles of a great oak, drawn in dark and strong on the foreground, efface the aerial distance of azure hill, sunny horizon, and blended clouds where tint melts into tint. The din was on the causeway: a horse was coming; the windings of the lane yet hid it, but it approached. I was just leaving the stile; yet, as the path was narrow, I sat still to let it go by. In those days I was young, and all sorts of fancies bright and dark tenanted my mind: the memories of nursery stories were there amongst other rubbish; and when they recurred, maturing youth added to them a vigour and vividness beyond what childhood could give. As this horse approached, and as I watched for it to appear through the dusk, I remembered certain of Bessie's tales, wherein figured a North-of-England spirit called a "Gytrash," which, in the form of horse, mule, or large dog, haunted solitary ways, and sometimes came upon belated travellers, as this horse was now coming upon me. It was very near, but not yet in sight; when, in addition to the tramp, tramp, I heard a rush under the hedge, and close down by the hazel stems glided a great dog, whose black and white colour made him a distinct object against the trees. It was exactly one form of Bessie's Gytrash--a lion-like creature with long hair and a huge head: it passed me, however, quietly enough; not staying to look up, with strange pretercanine eyes, in my face, as I half expected it would. The horse followed,--a tall steed, and on its back a rider. The man, the human being, broke the spell at once. Nothing ever rode the Gytrash: it was always alone; and goblins, to my notions, though they might tenant the dumb carcasses of beasts, could scarce covet shelter in the commonplace human form. No Gytrash was this,--only a traveller taking the short cut to Millcote. He passed, and I went on; a few steps, and I turned: a sliding sound and an exclamation of "What the deuce is to do now?" and a clattering tumble, arrested my attention. Man and horse were down; they had slipped on the sheet of ice which glazed the causeway. The dog came bounding back, and seeing his master in a predicament, and hearing the horse groan, barked till the evening hills echoed the sound, which was deep in proportion to his magnitude. He snuffed round the prostrate group, and then he ran up to me; it was all he could do,--there was no other help at hand to summon. I obeyed him, and walked down to the traveller, by this time struggling himself free of his steed. His efforts were so vigorous, I thought he could not be much hurt; but I asked him the question-- "Are you injured, sir?" I think he was swearing, but am not certain; however, he was pronouncing some formula which prevented him from replying to me directly. "Can I do anything?" I asked again. "You must just stand on one side," he answered as he rose, first to his knees, and then to his feet. I did; whereupon began a heaving, stamping, clattering process, accompanied by a barking and baying which removed me effectually some yards' distance; but I would not be driven quite away till I saw the event. This was finally fortunate; the horse was re-established, and the dog was silenced with a "Down, Pilot!" The traveller now, stooping, felt his foot and leg, as if trying whether they were sound; apparently something ailed them, for he halted to the stile whence I had just risen, and sat down. I was in the mood for being useful, or at least officious, I think, for I now drew near him again. "If you are hurt, and want help, sir, I can fetch some one either from Thornfield Hall or from Hay." "Thank you: I shall do: I have no broken bones,--only a sprain;" and again he stood up and tried his foot, but the result extorted an involuntary "Ugh!" Something of daylight still lingered, and the moon was waxing bright: I could see him plainly. His figure was enveloped in a riding cloak, fur collared and steel clasped; its details were not apparent, but I traced the general points of middle height and considerable breadth of chest. He had a dark face, with stern features and a heavy brow; his eyes and gathered eyebrows looked ireful and thwarted just now; he was past youth, but had not reached middle-age; perhaps he might be thirty-five. I felt no fear of him, and but little shyness. Had he been a handsome, heroic- looking young gentleman, I should not have dared to stand thus questioning him against his will, and offering my services unasked. I had hardly ever seen a handsome youth; never in my life spoken to one. I had a theoretical reverence and homage for beauty, elegance, gallantry, fascination; but had I met those qualities incarnate in masculine shape, I should have known instinctively that they neither had nor could have sympathy with anything in me, and should have shunned them as one would fire, lightning, or anything else that is bright but antipathetic. If even this stranger had smiled and been good-humoured to me when I addressed him; if he had put off my offer of assistance gaily and with thanks, I should have gone on my way and not felt any vocation to renew inquiries: but the frown, the roughness of the traveller, set me at my ease: I retained my station when he waved to me to go, and announced-- "I cannot think of leaving you, sir, at so late an hour, in this solitary lane, till I see you are fit to mount your horse." He looked at me when I said this; he had hardly turned his eyes in my direction before. "I should think you ought to be at home yourself," said he, "if you have a home in this neighbourhood: where do you come from?" "From just below; and I am not at all afraid of being out late when it is moonlight: I will run over to Hay for you with pleasure, if you wish it: indeed, I am going there to post a letter." "You live just below--do you mean at that house with the battlements?" pointing to Thornfield Hall, on which the moon cast a hoary gleam, bringing it out distinct and pale from the woods that, by contrast with the western sky, now seemed one mass of shadow. "Yes, sir." "Whose house is it?" "Mr. Rochester's." "Do you know Mr. Rochester?" "No, I have never seen him." "He is not resident, then?" "No." "Can you tell me where he is?" "I cannot." "You are not a servant at the hall, of course. You are--" He stopped, ran his eye over my dress, which, as usual, was quite simple: a black merino cloak, a black beaver bonnet; neither of them half fine enough for a lady's-maid. He seemed puzzled to decide what I was; I helped him. "I am the governess." "Ah, the governess!" he repeated; "deuce take me, if I had not forgotten! The governess!" and again my raiment underwent scrutiny. In two minutes he rose from the stile: his face expressed pain when he tried to move. "I cannot commission you to fetch help," he said; "but you may help me a little yourself, if you will be so kind." "Yes, sir." "You have not an umbrella that I can use as a stick?" "No." "Try to get hold of my horse's bridle and lead him to me: you are not afraid?" I should have been afraid to touch a horse when alone, but when told to do it, I was disposed to obey. I put down my muff on the stile, and went up to the tall steed; I endeavoured to catch the bridle, but it was a spirited thing, and would not let me come near its head; I made effort on effort, though in vain: meantime, I was mortally afraid of its trampling fore-feet. The traveller waited and watched for some time, and at last he laughed. {I was mortally afraid of its trampling forefeet: p107.jpg} "I see," he said, "the mountain will never be brought to Mahomet, so all you can do is to aid Mahomet to go to the mountain; I must beg of you to come here." I came. "Excuse me," he continued: "necessity compels me to make you useful." He laid a heavy hand on my shoulder, and leaning on me with some stress, limped to his horse. Having once caught the bridle, he mastered it directly and sprang to his saddle; grimacing grimly as he made the effort, for it wrenched his sprain. "Now," said he, releasing his under lip from a hard bite, "just hand me my whip; it lies there under the hedge." I sought it and found it. "Thank you; now make haste with the letter to Hay, and return as fast as you can." A touch of a spurred heel made his horse first start and rear, and then bound away; the dog rushed in his traces; all three vanished, "Like heath that, in the wilderness, The wild wind whirls away." I took up my muff and walked on. The incident had occurred and was gone for me: it _was_ an incident of no moment, no romance, no interest in a sense; yet it marked with change one single hour of a monotonous life. My help had been needed and claimed; I had given it: I was pleased to have done something; trivial, transitory though the deed was, it was yet an active thing, and I was weary of an existence all passive. The new face, too, was like a new picture introduced to the gallery of memory; and it was dissimilar to all the others hanging there: firstly, because it was masculine; and, secondly, because it was dark, strong, and stern. I had it still before me when I entered Hay, and slipped the letter into the post-office; I saw it as I walked fast down-hill all the way home. When I came to the stile, I stopped a minute, looked round and listened, with an idea that a horse's hoofs might ring on the causeway again, and that a rider in a cloak, and a Gytrash-like Newfoundland dog, might be again apparent: I saw only the hedge and a pollard willow before me, rising up still and straight to meet the moonbeams; I heard only the faintest waft of wind roaming fitful among the trees round Thornfield, a mile distant; and when I glanced down in the direction of the murmur, my eye, traversing the hall-front, caught a light kindling in a window: it reminded me that I was late, and I hurried on. I did not like re-entering Thornfield. To pass its threshold was to return to stagnation; to cross the silent hall, to ascend the darksome staircase, to seek my own lonely little room, and then to meet tranquil Mrs. Fairfax, and spend the long winter evening with her, and her only, was to quell wholly the faint excitement wakened by my walk,--to slip again over my faculties the viewless fetters of an uniform and too still existence; of an existence whose very privileges of security and ease I was becoming incapable of appreciating. What good it would have done me at that time to have been tossed in the storms of an uncertain struggling life, and to have been taught by rough and bitter experience to long for the calm amidst which I now repined! Yes, just as much good as it would do a man tired of sitting still in a "too easy chair" to take a long walk: and just as natural was the wish to stir, under my circumstances, as it would be under his. I lingered at the gates; I lingered on the lawn; I paced backwards and forwards on the pavement; the shutters of the glass door were closed; I could not see into the interior; and both my eyes and spirit seemed drawn from the gloomy house--from the grey-hollow filled with rayless cells, as it appeared to me--to that sky expanded before me,--a blue sea absolved from taint of cloud; the moon ascending it in solemn march; her orb seeming to look up as she left the hill-tops, from behind which she had come, far and farther below her, and aspired to the zenith, midnight dark in its fathomless depth and measureless distance; and for those trembling stars that followed her course; they made my heart tremble, my veins glow when I viewed them. Little things recall us to earth; the clock struck in the hall; that sufficed; I turned from moon and stars, opened a side- door, and went in. The hall was not dark, nor yet was it lit, only by the high-hung bronze lamp; a warm glow suffused both it and the lower steps of the oak staircase. This ruddy shine issued from the great dining-room, whose two- leaved door stood open, and showed a genial fire in the grate, glancing on marble hearth and brass fire-irons, and revealing purple draperies and polished furniture, in the most pleasant radiance. It revealed, too, a group near the mantelpiece: I had scarcely caught it, and scarcely become aware of a cheerful mingling of voices, amongst which I seemed to distinguish the tones of Adele, when the door closed. I hastened to Mrs. Fairfax's room; there was a fire there too, but no candle, and no Mrs. Fairfax. Instead, all alone, sitting upright on the rug, and gazing with gravity at the blaze, I beheld a great black and white long-haired dog, just like the Gytrash of the lane. It was so like it that I went forward and said--"Pilot" and the thing got up and came to me and snuffed me. I caressed him, and he wagged his great tail; but he looked an eerie creature to be alone with, and I could not tell whence he had come. I rang the bell, for I wanted a candle; and I wanted, too, to get an account of this visitant. Leah entered. "What dog is this?" "He came with master." "With whom?" "With master--Mr. Rochester--he is just arrived." "Indeed! and is Mrs. Fairfax with him?" "Yes, and Miss Adele; they are in the dining-room, and John is gone for a surgeon; for master has had an accident; his horse fell and his ankle is sprained." "Did the horse fall in Hay Lane?" "Yes, coming down-hill; it slipped on some ice." "Ah! Bring me a candle will you Leah?" Leah brought it; she entered, followed by Mrs. Fairfax, who repeated the news; adding that Mr. Carter the surgeon was come, and was now with Mr. Rochester: then she hurried out to give orders about tea, and I went upstairs to take off my things.

Chapter 12

https://web.archive.org/web/20190321135117/https://www.cliffsnotes.com/literature/j/jane-eyre/summary-and-analysis/chapter-12

Thornfield meets up to Jane's initial expectations: calm and comfortable. Adele is a lively, spoiled child, but she is also obedient and teachable. Jane still longs for the busy world of the city, for variety, for conversation with her peers. A restlessness exists in Jane's nature that causes her pain. Walking along the corridor of the third story of the house is her only way of easing this discomfort. Several months pass, and one day in January, Jane takes a long walk through the fields surrounding Thornfield. As she sits on a hill, watching the moon rising, a noise breaks her reverie; a horse is coming up the lane. While Jane watches for the horse, she thinks of a North-of-England spirit Bessie had once told her about, called a Gytrash. Assuming the form of a horse, mule or large dog, the Gytrash often scared lonely travelers. After thinking this, Jane sees a huge Newfoundland dog gliding through the bushes. A man rides into view, and breaking Jane's spell. His horse slips on a patch of ice, and the man falls. Jane tells the man, who is in his late-thirties and not handsome, that she is the governess at Thornfield and helps him hobble to his horse. Then horse, man, and dog all vanish. Meditating upon the experience, Jane is happy to have offered active assistance. She returns to Thornfield and learns that the man she helped was her employer -- Mr. Rochester.

In this chapter the reader is shown another example of Jane's restlessness. The quiet haven of Thornfield has become stagnant and lonely, and the uniform, still life it offers provides "an existence whose very privilege of security and ease" that Jane is becoming unable to appreciate. Yearning for a life of excitement, variety, and intellectual stimulation, Jane isn't satisfied with the monotony of Mrs. Fairfax or the youthful simplicity of Adele. In consequence, Jane spends much time within her own imagination, opening her inward ear to "a tale my imagination created, and narrated continuously; quickened with all incident, life, fire, feeling, that I desired and had not in my actual existence." Jane suggests that her problems are gender-related. Women need active pursuits, 0just as men do; they, too, need to stretch their intellectual limits. Like men, they suffer from rigid restraint and absolute stagnation. Indeed, Jane believes men are "narrow-minded" to suggest women should satisfy themselves with domestic pursuits. Arguing that a silent rebellion is brewing in women's minds, the novel's message is revolutionary. Jane's momentous meeting with Rochester is significant at many levels. First, her association of Rochester's horse and dog with the mythical Gytrash brings another supernatural element into the story. The massive dog is "a lion-like creature with long hair and a huge head" Jane is almost surprised when it doesn't look up to her "with strange pretercanine eyes." In English folklore, the Gytrash often appears to warn people of the coming death of a friend or relative, but it also adds a mythic feeling to Jane and Rochester's first meeting that makes their later relationship seem more extraordinary. It is also significant that Rochester is disabled during their first meeting. Having fallen from his horse, Rochester requires Jane's assistance. Many critics have argued that this incident helps to establish equality between the two characters. It also foreshadows Rochester's dependence upon Jane at the end of the novel. Jane also limits Rochester's powers by emphasizing that he is neither handsome nor heroic-looking. Finally, Rochester recognizes Jane's ambiguous class and social position through his inability to guess her role in the Thornfield household; he realizes she isn't a servant, yet her clothes aren't fine enough for a lady's-maid. On Jane's part, she is happy to have left behind, even for a moment, her passive, dependent, feminine status by offering active, and necessary assistance. Glossary par parenthese by the way. Revenez bientot, ma bonne amie, ma chere Mdlle Jeanette. Hurry back, my good friend, my dear Miss Jane.

cliffnotes

all_chapterized_books/1260-chapters/14.txt

finished_summaries/cliffnotes/Jane Eyre/section_10_part_0.txt

Jane Eyre.volume 1.chapter 13

chapter 13

{"name": "Chapter 13", "url": "https://web.archive.org/web/20190321135117/https://www.cliffsnotes.com/literature/j/jane-eyre/summary-and-analysis/chapter-13", "summary": "Life at Thornfield changes following Rochester's arrival. Jane and Adele are forced to abandon the library because Rochester needs to use it as a meeting room. Before, silence had ruled; now, the house it filled with new voices. Jane likes the place better now that it has a master. Adele finds it impossible to concentrate on her lessons because she's so busy wondering what presents Rochester has brought for her. Jane isn't pleased with the \"additional ceremony\" of dressing up for tea with Rochester. Jane again notes the firm, decisiveness of his face, which is imposing rather than beautiful. Rochester's stiff, impatient formality with Jane intrigues her more than \"finished politeness\" would have. Questioning her about her family and discovering that her parents are dead, Rochester concludes that Jane is a fairy. He then judges her accomplishments, her piano playing and drawing. While he finds her playing average, Rochester is impressed by Jane's drawings. At nine o'clock, Rochester dismisses the women. Mrs. Fairfax tells Jane more of Edward Rochester's history. His father, Old Mr. Rochester, and brother, Rowland, plotted against him, so Edward was forced into a painful position, of which Mrs. Fairfax knows nothing. Edward broke away from the family, only returning to Thornfield nine years ago when his brother died and he thus inherited the property.", "analysis": "The relationship between Jane and Rochester develops in this chapter. Rochester is a grim and unfriendly man, but Jane enjoys his gruffness, because she wouldn't have known how to respond to grace, elegance, or politeness. Because Rochester is so natural, not acting a part, Jane feels she can also be open and honest during her interactions with him. Continuing with the mythic, almost supernatural theme of their initial encounter, Rochester reveals that he thought Jane was a fairy who had bewitched his horse when they first met. Rochester repeatedly refers to Jane as a sprite or elfin character, claiming that the \"men in green\" are her relatives, repeating the associations between Jane and fairies that began early in the novel, and emphasizing the mystical aspects of her personality. As an orphan, Jane's past and future are both open; she is not required to cater to anyone else's desires for her; if she wants to claim fairies for kin, she can. Significantly, both Jane and Rochester give their initial meeting a fairy-tale significance, suggesting their relationship will be ideal or special in some way. After gazing at her drawings, Rochester finds that they, too, are \"elfish.\" Jane confides to her readers that her \"spiritual eye\" provided her with the images for the drawing, which are only \"a pale portrait of the thing I had conceived.\" Jane's daydreaming has been channeled into her artistic productions, so that her passion and restlessness have a creative outlet. As Rochester notes, the drawings are not typical schoolgirl productions, but have strange, sometimes violent subjects: a drowned corpse; a vision of the Evening Star with dark and wild eyes; and a colossal head resting upon an iceberg. Rochester immediately wonders if Jane was happy when she created these images, and she replies that to paint them was \"to enjoy one of the keenest pleasures I have ever know.\" For her, happiness comes through artistic creation, and the starkness and beauty of the pictures signals the depth of her character. Despite her pleasure in creative work, Jane is upset by the contrast between her ideas and the actual pictures. Is this also true of the autobiography? Is this also an artistic product that doesn't fulfill the artist's desires? Still, Rochester is impressed by the glimpses the drawings give of Jane's inner visions. As \"elfish\" productions, they have spiritual and magical power over him. Glossary ami a friend. Et cela doit . . . n'est-ce pas, mademoiselle? And this must mean there's a present inside for me, and perhaps for you also, miss. Mr. Rochester asked about you: He wanted to know the name of my governess, and if she was petite, rather thin, and a bit pale. I said yes: because it's true, isn't it, miss? N'est-ce pas . . . petite coffre? Sir, isn't there a present for Miss Eyre in your little trunk?"}

Mr. Rochester, it seems, by the surgeon's orders, went to bed early that night; nor did he rise soon next morning. When he did come down, it was to attend to business: his agent and some of his tenants were arrived, and waiting to speak with him. Adele and I had now to vacate the library: it would be in daily requisition as a reception-room for callers. A fire was lit in an apartment upstairs, and there I carried our books, and arranged it for the future schoolroom. I discerned in the course of the morning that Thornfield Hall was a changed place: no longer silent as a church, it echoed every hour or two to a knock at the door, or a clang of the bell; steps, too, often traversed the hall, and new voices spoke in different keys below; a rill from the outer world was flowing through it; it had a master: for my part, I liked it better. Adele was not easy to teach that day; she could not apply: she kept running to the door and looking over the banisters to see if she could get a glimpse of Mr. Rochester; then she coined pretexts to go downstairs, in order, as I shrewdly suspected, to visit the library, where I knew she was not wanted; then, when I got a little angry, and made her sit still, she continued to talk incessantly of her "ami, Monsieur Edouard Fairfax _de_ Rochester," as she dubbed him (I had not before heard his prenomens), and to conjecture what presents he had brought her: for it appears he had intimated the night before, that when his luggage came from Millcote, there would be found amongst it a little box in whose contents she had an interest. "Et cela doit signifier," said she, "qu'il y aura la dedans un cadeau pour moi, et peut-etre pour vous aussi, mademoiselle. Monsieur a parle de vous: il m'a demande le nom de ma gouvernante, et si elle n'etait pas une petite personne, assez mince et un peu pale. J'ai dit qu'oui: car c'est vrai, n'est-ce pas, mademoiselle?" I and my pupil dined as usual in Mrs. Fairfax's parlour; the afternoon was wild and snowy, and we passed it in the schoolroom. At dark I allowed Adele to put away books and work, and to run downstairs; for, from the comparative silence below, and from the cessation of appeals to the door-bell, I conjectured that Mr. Rochester was now at liberty. Left alone, I walked to the window; but nothing was to be seen thence: twilight and snowflakes together thickened the air, and hid the very shrubs on the lawn. I let down the curtain and went back to the fireside. In the clear embers I was tracing a view, not unlike a picture I remembered to have seen of the castle of Heidelberg, on the Rhine, when Mrs. Fairfax came in, breaking up by her entrance the fiery mosaic I had been piercing together, and scattering too some heavy unwelcome thoughts that were beginning to throng on my solitude. "Mr. Rochester would be glad if you and your pupil would take tea with him in the drawing-room this evening," said she: "he has been so much engaged all day that he could not ask to see you before." "When is his tea-time?" I inquired. "Oh, at six o'clock: he keeps early hours in the country. You had better change your frock now; I will go with you and fasten it. Here is a candle." "Is it necessary to change my frock?" "Yes, you had better: I always dress for the evening when Mr. Rochester is here." This additional ceremony seemed somewhat stately; however, I repaired to my room, and, with Mrs. Fairfax's aid, replaced my black stuff dress by one of black silk; the best and the only additional one I had, except one of light grey, which, in my Lowood notions of the toilette, I thought too fine to be worn, except on first-rate occasions. "You want a brooch," said Mrs. Fairfax. I had a single little pearl ornament which Miss Temple gave me as a parting keepsake: I put it on, and then we went downstairs. Unused as I was to strangers, it was rather a trial to appear thus formally summoned in Mr. Rochester's presence. I let Mrs. Fairfax precede me into the dining-room, and kept in her shade as we crossed that apartment; and, passing the arch, whose curtain was now dropped, entered the elegant recess beyond. Two wax candles stood lighted on the table, and two on the mantelpiece; basking in the light and heat of a superb fire, lay Pilot--Adele knelt near him. Half reclined on a couch appeared Mr. Rochester, his foot supported by the cushion; he was looking at Adele and the dog: the fire shone full on his face. I knew my traveller with his broad and jetty eyebrows; his square forehead, made squarer by the horizontal sweep of his black hair. I recognised his decisive nose, more remarkable for character than beauty; his full nostrils, denoting, I thought, choler; his grim mouth, chin, and jaw--yes, all three were very grim, and no mistake. His shape, now divested of cloak, I perceived harmonised in squareness with his physiognomy: I suppose it was a good figure in the athletic sense of the term--broad chested and thin flanked, though neither tall nor graceful. Mr. Rochester must have been aware of the entrance of Mrs. Fairfax and myself; but it appeared he was not in the mood to notice us, for he never lifted his head as we approached. "Here is Miss Eyre, sir," said Mrs. Fairfax, in her quiet way. He bowed, still not taking his eyes from the group of the dog and child. "Let Miss Eyre be seated," said he: and there was something in the forced stiff bow, in the impatient yet formal tone, which seemed further to express, "What the deuce is it to me whether Miss Eyre be there or not? At this moment I am not disposed to accost her." I sat down quite disembarrassed. A reception of finished politeness would probably have confused me: I could not have returned or repaid it by answering grace and elegance on my part; but harsh caprice laid me under no obligation; on the contrary, a decent quiescence, under the freak of manner, gave me the advantage. Besides, the eccentricity of the proceeding was piquant: I felt interested to see how he would go on. He went on as a statue would, that is, he neither spoke nor moved. Mrs. Fairfax seemed to think it necessary that some one should be amiable, and she began to talk. Kindly, as usual--and, as usual, rather trite--she condoled with him on the pressure of business he had had all day; on the annoyance it must have been to him with that painful sprain: then she commended his patience and perseverance in going through with it. "Madam, I should like some tea," was the sole rejoinder she got. She hastened to ring the bell; and when the tray came, she proceeded to arrange the cups, spoons, &c., with assiduous celerity. I and Adele went to the table; but the master did not leave his couch. "Will you hand Mr. Rochester's cup?" said Mrs. Fairfax to me; "Adele might perhaps spill it." I did as requested. As he took the cup from my hand, Adele, thinking the moment propitious for making a request in my favour, cried out-- "N'est-ce pas, monsieur, qu'il y a un cadeau pour Mademoiselle Eyre dans votre petit coffre?" "Who talks of cadeaux?" said he gruffly. "Did you expect a present, Miss Eyre? Are you fond of presents?" and he searched my face with eyes that I saw were dark, irate, and piercing. "I hardly know, sir; I have little experience of them: they are generally thought pleasant things." "Generally thought? But what do _you_ think?" "I should be obliged to take time, sir, before I could give you an answer worthy of your acceptance: a present has many faces to it, has it not? and one should consider all, before pronouncing an opinion as to its nature." "Miss Eyre, you are not so unsophisticated as Adele: she demands a 'cadeau,' clamorously, the moment she sees me: you beat about the bush." "Because I have less confidence in my deserts than Adele has: she can prefer the claim of old acquaintance, and the right too of custom; for she says you have always been in the habit of giving her playthings; but if I had to make out a case I should be puzzled, since I am a stranger, and have done nothing to entitle me to an acknowledgment." "Oh, don't fall back on over-modesty! I have examined Adele, and find you have taken great pains with her: she is not bright, she has no talents; yet in a short time she has made much improvement." "Sir, you have now given me my 'cadeau;' I am obliged to you: it is the meed teachers most covet--praise of their pupils' progress." "Humph!" said Mr. Rochester, and he took his tea in silence. "Come to the fire," said the master, when the tray was taken away, and Mrs. Fairfax had settled into a corner with her knitting; while Adele was leading me by the hand round the room, showing me the beautiful books and ornaments on the consoles and chiffonnieres. We obeyed, as in duty bound; Adele wanted to take a seat on my knee, but she was ordered to amuse herself with Pilot. "You have been resident in my house three months?" "Yes, sir." "And you came from--?" "From Lowood school, in ---shire." "Ah! a charitable concern. How long were you there?" "Eight years." "Eight years! you must be tenacious of life. I thought half the time in such a place would have done up any constitution! No wonder you have rather the look of another world. I marvelled where you had got that sort of face. When you came on me in Hay Lane last night, I thought unaccountably of fairy tales, and had half a mind to demand whether you had bewitched my horse: I am not sure yet. Who are your parents?" "I have none." "Nor ever had, I suppose: do you remember them?" "No." "I thought not. And so you were waiting for your people when you sat on that stile?" "For whom, sir?" "For the men in green: it was a proper moonlight evening for them. Did I break through one of your rings, that you spread that damned ice on the causeway?" I shook my head. "The men in green all forsook England a hundred years ago," said I, speaking as seriously as he had done. "And not even in Hay Lane, or the fields about it, could you find a trace of them. I don't think either summer or harvest, or winter moon, will ever shine on their revels more." Mrs. Fairfax had dropped her knitting, and, with raised eyebrows, seemed wondering what sort of talk this was. "Well," resumed Mr. Rochester, "if you disown parents, you must have some sort of kinsfolk: uncles and aunts?" "No; none that I ever saw." "And your home?" "I have none." "Where do your brothers and sisters live?" "I have no brothers or sisters." "Who recommended you to come here?" "I advertised, and Mrs. Fairfax answered my advertisement." "Yes," said the good lady, who now knew what ground we were upon, "and I am daily thankful for the choice Providence led me to make. Miss Eyre has been an invaluable companion to me, and a kind and careful teacher to Adele." "Don't trouble yourself to give her a character," returned Mr. Rochester: "eulogiums will not bias me; I shall judge for myself. She began by felling my horse." "Sir?" said Mrs. Fairfax. "I have to thank her for this sprain." The widow looked bewildered. "Miss Eyre, have you ever lived in a town?" "No, sir." "Have you seen much society?" "None but the pupils and teachers of Lowood, and now the inmates of Thornfield." "Have you read much?" "Only such books as came in my way; and they have not been numerous or very learned." "You have lived the life of a nun: no doubt you are well drilled in religious forms;--Brocklehurst, who I understand directs Lowood, is a parson, is he not?" "Yes, sir." "And you girls probably worshipped him, as a convent full of religieuses would worship their director." "Oh, no." "You are very cool! No! What! a novice not worship her priest! That sounds blasphemous." "I disliked Mr. Brocklehurst; and I was not alone in the feeling. He is a harsh man; at once pompous and meddling; he cut off our hair; and for economy's sake bought us bad needles and thread, with which we could hardly sew." "That was very false economy," remarked Mrs. Fairfax, who now again caught the drift of the dialogue. "And was that the head and front of his offending?" demanded Mr. Rochester. "He starved us when he had the sole superintendence of the provision department, before the committee was appointed; and he bored us with long lectures once a week, and with evening readings from books of his own inditing, about sudden deaths and judgments, which made us afraid to go to bed." "What age were you when you went to Lowood?" "About ten." "And you stayed there eight years: you are now, then, eighteen?" I assented. "Arithmetic, you see, is useful; without its aid, I should hardly have been able to guess your age. It is a point difficult to fix where the features and countenance are so much at variance as in your case. And now what did you learn at Lowood? Can you play?" "A little." "Of course: that is the established answer. Go into the library--I mean, if you please.--(Excuse my tone of command; I am used to say, 'Do this,' and it is done: I cannot alter my customary habits for one new inmate.)--Go, then, into the library; take a candle with you; leave the door open; sit down to the piano, and play a tune." I departed, obeying his directions. "Enough!" he called out in a few minutes. "You play _a little_, I see; like any other English school-girl; perhaps rather better than some, but not well." I closed the piano and returned. Mr. Rochester continued--"Adele showed me some sketches this morning, which she said were yours. I don't know whether they were entirely of your doing; probably a master aided you?" "No, indeed!" I interjected. "Ah! that pricks pride. Well, fetch me your portfolio, if you can vouch for its contents being original; but don't pass your word unless you are certain: I can recognise patchwork." "Then I will say nothing, and you shall judge for yourself, sir." I brought the portfolio from the library. "Approach the table," said he; and I wheeled it to his couch. Adele and Mrs. Fairfax drew near to see the pictures. "No crowding," said Mr. Rochester: "take the drawings from my hand as I finish with them; but don't push your faces up to mine." He deliberately scrutinised each sketch and painting. Three he laid aside; the others, when he had examined them, he swept from him. "Take them off to the other table, Mrs. Fairfax," said he, "and look at them with Adele;--you" (glancing at me) "resume your seat, and answer my questions. I perceive those pictures were done by one hand: was that hand yours?" "Yes." "And when did you find time to do them? They have taken much time, and some thought." "I did them in the last two vacations I spent at Lowood, when I had no other occupation." "Where did you get your copies?" "Out of my head." "That head I see now on your shoulders?" "Yes, sir." "Has it other furniture of the same kind within?" "I should think it may have: I should hope--better." He spread the pictures before him, and again surveyed them alternately. While he is so occupied, I will tell you, reader, what they are: and first, I must premise that they are nothing wonderful. The subjects had, indeed, risen vividly on my mind. As I saw them with the spiritual eye, before I attempted to embody them, they were striking; but my hand would not second my fancy, and in each case it had wrought out but a pale portrait of the thing I had conceived. These pictures were in water-colours. The first represented clouds low and livid, rolling over a swollen sea: all the distance was in eclipse; so, too, was the foreground; or rather, the nearest billows, for there was no land. One gleam of light lifted into relief a half-submerged mast, on which sat a cormorant, dark and large, with wings flecked with foam; its beak held a gold bracelet set with gems, that I had touched with as brilliant tints as my palette could yield, and as glittering distinctness as my pencil could impart. Sinking below the bird and mast, a drowned corpse glanced through the green water; a fair arm was the only limb clearly visible, whence the bracelet had been washed or torn. The second picture contained for foreground only the dim peak of a hill, with grass and some leaves slanting as if by a breeze. Beyond and above spread an expanse of sky, dark blue as at twilight: rising into the sky was a woman's shape to the bust, portrayed in tints as dusk and soft as I could combine. The dim forehead was crowned with a star; the lineaments below were seen as through the suffusion of vapour; the eyes shone dark and wild; the hair streamed shadowy, like a beamless cloud torn by storm or by electric travail. On the neck lay a pale reflection like moonlight; the same faint lustre touched the train of thin clouds from which rose and bowed this vision of the Evening Star. The third showed the pinnacle of an iceberg piercing a polar winter sky: a muster of northern lights reared their dim lances, close serried, along the horizon. Throwing these into distance, rose, in the foreground, a head,--a colossal head, inclined towards the iceberg, and resting against it. Two thin hands, joined under the forehead, and supporting it, drew up before the lower features a sable veil, a brow quite bloodless, white as bone, and an eye hollow and fixed, blank of meaning but for the glassiness of despair, alone were visible. Above the temples, amidst wreathed turban folds of black drapery, vague in its character and consistency as cloud, gleamed a ring of white flame, gemmed with sparkles of a more lurid tinge. This pale crescent was "the likeness of a kingly crown;" what it diademed was "the shape which shape had none." "Were you happy when you painted these pictures?" asked Mr. Rochester presently. "I was absorbed, sir: yes, and I was happy. To paint them, in short, was to enjoy one of the keenest pleasures I have ever known." "That is not saying much. Your pleasures, by your own account, have been few; but I daresay you did exist in a kind of artist's dreamland while you blent and arranged these strange tints. Did you sit at them long each day?" "I had nothing else to do, because it was the vacation, and I sat at them from morning till noon, and from noon till night: the length of the midsummer days favoured my inclination to apply." "And you felt self-satisfied with the result of your ardent labours?" "Far from it. I was tormented by the contrast between my idea and my handiwork: in each case I had imagined something which I was quite powerless to realise." "Not quite: you have secured the shadow of your thought; but no more, probably. You had not enough of the artist's skill and science to give it full being: yet the drawings are, for a school-girl, peculiar. As to the thoughts, they are elfish. These eyes in the Evening Star you must have seen in a dream. How could you make them look so clear, and yet not at all brilliant? for the planet above quells their rays. And what meaning is that in their solemn depth? And who taught you to paint wind? There is a high gale in that sky, and on this hill-top. Where did you see Latmos? For that is Latmos. There! put the drawings away!" I had scarce tied the strings of the portfolio, when, looking at his watch, he said abruptly-- "It is nine o'clock: what are you about, Miss Eyre, to let Adele sit up so long? Take her to bed." Adele went to kiss him before quitting the room: he endured the caress, but scarcely seemed to relish it more than Pilot would have done, nor so much. "I wish you all good-night, now," said he, making a movement of the hand towards the door, in token that he was tired of our company, and wished to dismiss us. Mrs. Fairfax folded up her knitting: I took my portfolio: we curtseyed to him, received a frigid bow in return, and so withdrew. "You said Mr. Rochester was not strikingly peculiar, Mrs. Fairfax," I observed, when I rejoined her in her room, after putting Adele to bed. "Well, is he?" "I think so: he is very changeful and abrupt." "True: no doubt he may appear so to a stranger, but I am so accustomed to his manner, I never think of it; and then, if he has peculiarities of temper, allowance should be made." "Why?" "Partly because it is his nature--and we can none of us help our nature; and partly because he has painful thoughts, no doubt, to harass him, and make his spirits unequal." "What about?" "Family troubles, for one thing." "But he has no family." "Not now, but he has had--or, at least, relatives. He lost his elder brother a few years since." "His _elder_ brother?" "Yes. The present Mr. Rochester has not been very long in possession of the property; only about nine years." "Nine years is a tolerable time. Was he so very fond of his brother as to be still inconsolable for his loss?" "Why, no--perhaps not. I believe there were some misunderstandings between them. Mr. Rowland Rochester was not quite just to Mr. Edward; and perhaps he prejudiced his father against him. The old gentleman was fond of money, and anxious to keep the family estate together. He did not like to diminish the property by division, and yet he was anxious that Mr. Edward should have wealth, too, to keep up the consequence of the name; and, soon after he was of age, some steps were taken that were not quite fair, and made a great deal of mischief. Old Mr. Rochester and Mr. Rowland combined to bring Mr. Edward into what he considered a painful position, for the sake of making his fortune: what the precise nature of that position was I never clearly knew, but his spirit could not brook what he had to suffer in it. He is not very forgiving: he broke with his family, and now for many years he has led an unsettled kind of life. I don't think he has ever been resident at Thornfield for a fortnight together, since the death of his brother without a will left him master of the estate; and, indeed, no wonder he shuns the old place." "Why should he shun it?" "Perhaps he thinks it gloomy." The answer was evasive. I should have liked something clearer; but Mrs. Fairfax either could not, or would not, give me more explicit information of the origin and nature of Mr. Rochester's trials. She averred they were a mystery to herself, and that what she knew was chiefly from conjecture. It was evident, indeed, that she wished me to drop the subject, which I did accordingly.

Chapter 13

https://web.archive.org/web/20190321135117/https://www.cliffsnotes.com/literature/j/jane-eyre/summary-and-analysis/chapter-13

Life at Thornfield changes following Rochester's arrival. Jane and Adele are forced to abandon the library because Rochester needs to use it as a meeting room. Before, silence had ruled; now, the house it filled with new voices. Jane likes the place better now that it has a master. Adele finds it impossible to concentrate on her lessons because she's so busy wondering what presents Rochester has brought for her. Jane isn't pleased with the "additional ceremony" of dressing up for tea with Rochester. Jane again notes the firm, decisiveness of his face, which is imposing rather than beautiful. Rochester's stiff, impatient formality with Jane intrigues her more than "finished politeness" would have. Questioning her about her family and discovering that her parents are dead, Rochester concludes that Jane is a fairy. He then judges her accomplishments, her piano playing and drawing. While he finds her playing average, Rochester is impressed by Jane's drawings. At nine o'clock, Rochester dismisses the women. Mrs. Fairfax tells Jane more of Edward Rochester's history. His father, Old Mr. Rochester, and brother, Rowland, plotted against him, so Edward was forced into a painful position, of which Mrs. Fairfax knows nothing. Edward broke away from the family, only returning to Thornfield nine years ago when his brother died and he thus inherited the property.

The relationship between Jane and Rochester develops in this chapter. Rochester is a grim and unfriendly man, but Jane enjoys his gruffness, because she wouldn't have known how to respond to grace, elegance, or politeness. Because Rochester is so natural, not acting a part, Jane feels she can also be open and honest during her interactions with him. Continuing with the mythic, almost supernatural theme of their initial encounter, Rochester reveals that he thought Jane was a fairy who had bewitched his horse when they first met. Rochester repeatedly refers to Jane as a sprite or elfin character, claiming that the "men in green" are her relatives, repeating the associations between Jane and fairies that began early in the novel, and emphasizing the mystical aspects of her personality. As an orphan, Jane's past and future are both open; she is not required to cater to anyone else's desires for her; if she wants to claim fairies for kin, she can. Significantly, both Jane and Rochester give their initial meeting a fairy-tale significance, suggesting their relationship will be ideal or special in some way. After gazing at her drawings, Rochester finds that they, too, are "elfish." Jane confides to her readers that her "spiritual eye" provided her with the images for the drawing, which are only "a pale portrait of the thing I had conceived." Jane's daydreaming has been channeled into her artistic productions, so that her passion and restlessness have a creative outlet. As Rochester notes, the drawings are not typical schoolgirl productions, but have strange, sometimes violent subjects: a drowned corpse; a vision of the Evening Star with dark and wild eyes; and a colossal head resting upon an iceberg. Rochester immediately wonders if Jane was happy when she created these images, and she replies that to paint them was "to enjoy one of the keenest pleasures I have ever know." For her, happiness comes through artistic creation, and the starkness and beauty of the pictures signals the depth of her character. Despite her pleasure in creative work, Jane is upset by the contrast between her ideas and the actual pictures. Is this also true of the autobiography? Is this also an artistic product that doesn't fulfill the artist's desires? Still, Rochester is impressed by the glimpses the drawings give of Jane's inner visions. As "elfish" productions, they have spiritual and magical power over him. Glossary ami a friend. Et cela doit . . . n'est-ce pas, mademoiselle? And this must mean there's a present inside for me, and perhaps for you also, miss. Mr. Rochester asked about you: He wanted to know the name of my governess, and if she was petite, rather thin, and a bit pale. I said yes: because it's true, isn't it, miss? N'est-ce pas . . . petite coffre? Sir, isn't there a present for Miss Eyre in your little trunk?

cliffnotes

all_chapterized_books/1260-chapters/volume_1_chapters_14_to_15.txt

finished_summaries/cliffnotes/Jane Eyre/section_11_part_0.txt

Jane Eyre.volume 1.chapters 14-15

chapters 14-15

{"name": "Chapters 14-15", "url": "https://web.archive.org/web/20190321135117/https://www.cliffsnotes.com/literature/j/jane-eyre/summary-and-analysis/chapters-1415", "summary": "At first, Jane sees little of Rochester. During their brief encounters, she notices his moodiness, but it doesn't upset her. Finally, one evening, he summons Adele and Jane, offering Adele her long-awaited present. Jane notices that Rochester is in a friendlier mood than usual, probably due to his dinner wine. Rochester enjoys Jane's frank, sincere manner, and confesses that he hasn't lived the purest, most innocent life. They discuss sin, remorse, and reformation. Finding Jane a good listener, Rochester speaks to her as freely as if he were writing his thoughts in a diary. He says he has given up his shameful lifestyle, and is ready to begin a new, pure life. Rochester tells Jane he is rearing Adele in order to expiate the sins of his youth. In Chapter 15, Rochester tells Jane about his passion for Celine Varens, a French opera-dancer whom he naively believed loved him. One night, however, Celine arrived home with another man and they mocked Rochester's \"deformities\"; Rochester overheard the conversation and immediately ended the relationship. Celine told Rochester that Adele was his daughter, but he isn't sure because she doesn't look anything like him. Several years later, Celine abandoned her daughter and ran away to Italy with a musician. Although he refuses to recognize Adele as his daughter, Rochester took pity on the abandoned and destitute child and brought her to England. At two o'clock one morning, Jane hears a demoniac laugh outside of her bedroom door and the sound of fingers brushing against the panels. She thinks it might be Pilot, Rochester's dog, wandering the hallways, but then she hears a door opening. Going into the hallway, she sees smoke billowing from Rochester's room. She rushes into his chamber and discovers the curtains on fire and his bed surrounded by tongues of flame. Unable to wake him, she deluges the bed with water. Rochester won't let Jane call for help; instead, he says that he must pay a visit to the third floor. He tells Jane that Grace Poole was the culprit and then thanks her warmly for saving his life. He asks Jane to keep the incident a secret.", "analysis": "Early critics of the novel, such as Elizabeth Rigby, objected to Rochester's character, finding him \"coarse and brutal.\" In her opinion, the novel as a whole showed an unwholesome \"coarseness of language and laxity of tone.\" The conversation between Jane and Rochester in these chapters was shocking to a Victorian audience; as Rochester himself admits, telling the story of his affair with an opera-dancer to an inexperienced girl seems odd. He justifies his action by arguing that Jane's strong character is not likely to \"take infection\" from this tale of immorality; indeed, he claims that he cannot \"blight\" Jane, but she might \"refresh\" him. Again, Rochester hopes that his relationship with Jane will bring innocence and freshness back into his life. Just as women need to lead active lives, Bronte argues, they should not be sheltered from life's seamier side. Not only does the Rochester's past reveal his growing faith in Jane, it also shows the Byronic side of his nature. Like Lord Byron, a romantic, passionate, and cynical poet of the early nineteenth century, Rochester let himself be ruled by his \"grande passion\" for Celine, despite its immorality. Rochester is not afraid to flout social conventions. This is also apparent in his developing relationship with Jane; rather than maintaining the proper class boundaries, Rochester makes Jane feel \"as if he were my relation rather than my master.\" Rochester's responses to Adele provide insights on his past life, which help identity the reasons for his attraction to Jane. Adele Varens provides Rochester with a daily reminder of his past indiscretions. Attracted to luxury, to satin robes and silk stockings, Adele displays a materialism Rochester dislikes primarily because it reminds him of her mother, Celine Varens, who charmed the \"English gold\" out of his \"British breeches.\" Emphasizing his British innocence, Rochester's comments are ethnocentric, but they also show that he dislikes the \"artificiality\" and the materialism of women who, like Celine, are pleased with \"nothing but gold dust.\" Rochester continues to create a contrast between Celine's superficiality and Jane's sincerity. While Celine pretended to admire his physical appearance, for example, Jane honestly tells him that she doesn't find him handsome. Celine presents an unsavory model of femininity, but also an image of unattractive foreignness. Jane's comment implies that the English, unlike their French neighbors, are deep, rather than superficial, spiritual rather than materialistic. Not only does the novel question class and gender roles, but it also develops a specific ideal of Britishness. Jane provides a prototype of the proper English woman, who is frank, sincere, and lacking in personal vanity. Rochester is intrigued by the honesty of Jane's conversation and the spirituality of her drawings, which clearly contrast with the values of the women with whom he has previously consorted. Honestly admitting that his life hasn't been admirable, Rochester is now looking for happiness, for \"sweet, fresh pleasure.\" Rochester's goal is self-transformation, a reformation to be enacted through his relationships with women. The end of Chapter 15 takes a strange, almost supernatural turn. Beginning with Rochester's revelation of his illicit passion for Celine Varens, the chapter, not insignificantly, ends with an image of \"tongues of flame\" darting around his bed. Rochester's sexual indiscretions have become literalized in the vision of his burning bed, an excess that Jane douses. The scene foreshadows Jane's role in channeling Rochester's sexual profligacy into a properly domestic, reproductive passion. Jane's final dream also foreshadows the direction of her relationship with Rochester: She is \"tossed on a buoyant but unquiet sea, where billows of trouble rolled under surges of joy.\" Unable to reach the \"sweet hills\" that await her, Jane must remain for awhile in the unquiet sea. Recognizing her growing love for Rochester, Jane's unconscious warns her that their relationship will be a rocky one. Rather than letting herself be blown around by the chaos of passion and delirium, she should maintain her sense and judgment. In this novel, the bounds of reality continually expand, so that dreams and visions have as much validity as reason. Glossary Rencontre a meeting. petit coffre a small trunk. Ma boite my box. Tiens-toi tranquille, enfant; comprends-tu? Be quiet, child; do you understand? Oh, ciel! Que c'est beau! Oh, heaven! Isn't it beautiful! tete-a-tete in private conversation. nonnette nun. et j'y tiens and I firmly believe it. Il faut que je l'essaie! et a l'instant meme! I must try it on! right now! Est-ce que ma robe . . . vais danser! Do you like my dress? and my shoes? and my stockings? Watch, I'm going to dance! Monsieur, je vous . . . monsieur? Sir, I thank you a million times for your generosity. Mother did it like this, didn't she, Sir? comme cela like that. grande passion a great love. taille d'athlete athletic build. Mon ange my angel. croquant devouring. voiture a carriage. porte cochere a carriage entranceway. vicomte a viscount. beaute male male beauty. fillette a little girl. hauteur arrogance."}

For several subsequent days I saw little of Mr. Rochester. In the mornings he seemed much engaged with business, and, in the afternoon, gentlemen from Millcote or the neighbourhood called, and sometimes stayed to dine with him. When his sprain was well enough to admit of horse exercise, he rode out a good deal; probably to return these visits, as he generally did not come back till late at night. During this interval, even Adele was seldom sent for to his presence, and all my acquaintance with him was confined to an occasional rencontre in the hall, on the stairs, or in the gallery, when he would sometimes pass me haughtily and coldly, just acknowledging my presence by a distant nod or a cool glance, and sometimes bow and smile with gentlemanlike affability. His changes of mood did not offend me, because I saw that I had nothing to do with their alternation; the ebb and flow depended on causes quite disconnected with me. One day he had had company to dinner, and had sent for my portfolio; in order, doubtless, to exhibit its contents: the gentlemen went away early, to attend a public meeting at Millcote, as Mrs. Fairfax informed me; but the night being wet and inclement, Mr. Rochester did not accompany them. Soon after they were gone he rang the bell: a message came that I and Adele were to go downstairs. I brushed Adele's hair and made her neat, and having ascertained that I was myself in my usual Quaker trim, where there was nothing to retouch--all being too close and plain, braided locks included, to admit of disarrangement--we descended, Adele wondering whether the _petit coffre_ was at length come; for, owing to some mistake, its arrival had hitherto been delayed. She was gratified: there it stood, a little carton, on the table when we entered the dining-room. She appeared to know it by instinct. "Ma boite! ma boite!" exclaimed she, running towards it. "Yes, there is your 'boite' at last: take it into a corner, you genuine daughter of Paris, and amuse yourself with disembowelling it," said the deep and rather sarcastic voice of Mr. Rochester, proceeding from the depths of an immense easy-chair at the fireside. "And mind," he continued, "don't bother me with any details of the anatomical process, or any notice of the condition of the entrails: let your operation be conducted in silence: tiens-toi tranquille, enfant; comprends-tu?" Adele seemed scarcely to need the warning--she had already retired to a sofa with her treasure, and was busy untying the cord which secured the lid. Having removed this impediment, and lifted certain silvery envelopes of tissue paper, she merely exclaimed-- "Oh ciel! Que c'est beau!" and then remained absorbed in ecstatic contemplation. "Is Miss Eyre there?" now demanded the master, half rising from his seat to look round to the door, near which I still stood. "Ah! well, come forward; be seated here." He drew a chair near his own. "I am not fond of the prattle of children," he continued; "for, old bachelor as I am, I have no pleasant associations connected with their lisp. It would be intolerable to me to pass a whole evening _tete-a-tete_ with a brat. Don't draw that chair farther off, Miss Eyre; sit down exactly where I placed it--if you please, that is. Confound these civilities! I continually forget them. Nor do I particularly affect simple-minded old ladies. By-the-bye, I must have mine in mind; it won't do to neglect her; she is a Fairfax, or wed to one; and blood is said to be thicker than water." He rang, and despatched an invitation to Mrs. Fairfax, who soon arrived, knitting-basket in hand. "Good evening, madam; I sent to you for a charitable purpose. I have forbidden Adele to talk to me about her presents, and she is bursting with repletion: have the goodness to serve her as auditress and interlocutrice; it will be one of the most benevolent acts you ever performed." Adele, indeed, no sooner saw Mrs. Fairfax, than she summoned her to her sofa, and there quickly filled her lap with the porcelain, the ivory, the waxen contents of her "boite;" pouring out, meantime, explanations and raptures in such broken English as she was mistress of. "Now I have performed the part of a good host," pursued Mr. Rochester, "put my guests into the way of amusing each other, I ought to be at liberty to attend to my own pleasure. Miss Eyre, draw your chair still a little farther forward: you are yet too far back; I cannot see you without disturbing my position in this comfortable chair, which I have no mind to do." I did as I was bid, though I would much rather have remained somewhat in the shade; but Mr. Rochester had such a direct way of giving orders, it seemed a matter of course to obey him promptly. We were, as I have said, in the dining-room: the lustre, which had been lit for dinner, filled the room with a festal breadth of light; the large fire was all red and clear; the purple curtains hung rich and ample before the lofty window and loftier arch; everything was still, save the subdued chat of Adele (she dared not speak loud), and, filling up each pause, the beating of winter rain against the panes. Mr. Rochester, as he sat in his damask-covered chair, looked different to what I had seen him look before; not quite so stern--much less gloomy. There was a smile on his lips, and his eyes sparkled, whether with wine or not, I am not sure; but I think it very probable. He was, in short, in his after-dinner mood; more expanded and genial, and also more self- indulgent than the frigid and rigid temper of the morning; still he looked preciously grim, cushioning his massive head against the swelling back of his chair, and receiving the light of the fire on his granite- hewn features, and in his great, dark eyes; for he had great, dark eyes, and very fine eyes, too--not without a certain change in their depths sometimes, which, if it was not softness, reminded you, at least, of that feeling. He had been looking two minutes at the fire, and I had been looking the same length of time at him, when, turning suddenly, he caught my gaze fastened on his physiognomy. "You examine me, Miss Eyre," said he: "do you think me handsome?" I should, if I had deliberated, have replied to this question by something conventionally vague and polite; but the answer somehow slipped from my tongue before I was aware--"No, sir." "Ah! By my word! there is something singular about you," said he: "you have the air of a little _nonnette_; quaint, quiet, grave, and simple, as you sit with your hands before you, and your eyes generally bent on the carpet (except, by-the-bye, when they are directed piercingly to my face; as just now, for instance); and when one asks you a question, or makes a remark to which you are obliged to reply, you rap out a round rejoinder, which, if not blunt, is at least brusque. What do you mean by it?" "Sir, I was too plain; I beg your pardon. I ought to have replied that it was not easy to give an impromptu answer to a question about appearances; that tastes mostly differ; and that beauty is of little consequence, or something of that sort." "You ought to have replied no such thing. Beauty of little consequence, indeed! And so, under pretence of softening the previous outrage, of stroking and soothing me into placidity, you stick a sly penknife under my ear! Go on: what fault do you find with me, pray? I suppose I have all my limbs and all my features like any other man?" "Mr. Rochester, allow me to disown my first answer: I intended no pointed repartee: it was only a blunder." "Just so: I think so: and you shall be answerable for it. Criticise me: does my forehead not please you?" He lifted up the sable waves of hair which lay horizontally over his brow, and showed a solid enough mass of intellectual organs, but an abrupt deficiency where the suave sign of benevolence should have risen. "Now, ma'am, am I a fool?" "Far from it, sir. You would, perhaps, think me rude if I inquired in return whether you are a philanthropist?" "There again! Another stick of the penknife, when she pretended to pat my head: and that is because I said I did not like the society of children and old women (low be it spoken!). No, young lady, I am not a general philanthropist; but I bear a conscience;" and he pointed to the prominences which are said to indicate that faculty, and which, fortunately for him, were sufficiently conspicuous; giving, indeed, a marked breadth to the upper part of his head: "and, besides, I once had a kind of rude tenderness of heart. When I was as old as you, I was a feeling fellow enough, partial to the unfledged, unfostered, and unlucky; but Fortune has knocked me about since: she has even kneaded me with her knuckles, and now I flatter myself I am hard and tough as an India-rubber ball; pervious, though, through a chink or two still, and with one sentient point in the middle of the lump. Yes: does that leave hope for me?" "Hope of what, sir?" "Of my final re-transformation from India-rubber back to flesh?" "Decidedly he has had too much wine," I thought; and I did not know what answer to make to his queer question: how could I tell whether he was capable of being re-transformed? "You looked very much puzzled, Miss Eyre; and though you are not pretty any more than I am handsome, yet a puzzled air becomes you; besides, it is convenient, for it keeps those searching eyes of yours away from my physiognomy, and busies them with the worsted flowers of the rug; so puzzle on. Young lady, I am disposed to be gregarious and communicative to-night." With this announcement he rose from his chair, and stood, leaning his arm on the marble mantelpiece: in that attitude his shape was seen plainly as well as his face; his unusual breadth of chest, disproportionate almost to his length of limb. I am sure most people would have thought him an ugly man; yet there was so much unconscious pride in his port; so much ease in his demeanour; such a look of complete indifference to his own external appearance; so haughty a reliance on the power of other qualities, intrinsic or adventitious, to atone for the lack of mere personal attractiveness, that, in looking at him, one inevitably shared the indifference, and, even in a blind, imperfect sense, put faith in the confidence. "I am disposed to be gregarious and communicative to-night," he repeated, "and that is why I sent for you: the fire and the chandelier were not sufficient company for me; nor would Pilot have been, for none of these can talk. Adele is a degree better, but still far below the mark; Mrs. Fairfax ditto; you, I am persuaded, can suit me if you will: you puzzled me the first evening I invited you down here. I have almost forgotten you since: other ideas have driven yours from my head; but to-night I am resolved to be at ease; to dismiss what importunes, and recall what pleases. It would please me now to draw you out--to learn more of you--therefore speak." Instead of speaking, I smiled; and not a very complacent or submissive smile either. "Speak," he urged. "What about, sir?" "Whatever you like. I leave both the choice of subject and the manner of treating it entirely to yourself." Accordingly I sat and said nothing: "If he expects me to talk for the mere sake of talking and showing off, he will find he has addressed himself to the wrong person," I thought. "You are dumb, Miss Eyre." I was dumb still. He bent his head a little towards me, and with a single hasty glance seemed to dive into my eyes. "Stubborn?" he said, "and annoyed. Ah! it is consistent. I put my request in an absurd, almost insolent form. Miss Eyre, I beg your pardon. The fact is, once for all, I don't wish to treat you like an inferior: that is" (correcting himself), "I claim only such superiority as must result from twenty years' difference in age and a century's advance in experience. This is legitimate, _et j'y tiens_, as Adele would say; and it is by virtue of this superiority, and this alone, that I desire you to have the goodness to talk to me a little now, and divert my thoughts, which are galled with dwelling on one point--cankering as a rusty nail." He had deigned an explanation, almost an apology, and I did not feel insensible to his condescension, and would not seem so. "I am willing to amuse you, if I can, sir--quite willing; but I cannot introduce a topic, because how do I know what will interest you? Ask me questions, and I will do my best to answer them." "Then, in the first place, do you agree with me that I have a right to be a little masterful, abrupt, perhaps exacting, sometimes, on the grounds I stated, namely, that I am old enough to be your father, and that I have battled through a varied experience with many men of many nations, and roamed over half the globe, while you have lived quietly with one set of people in one house?" "Do as you please, sir." "That is no answer; or rather it is a very irritating, because a very evasive one. Reply clearly." "I don't think, sir, you have a right to command me, merely because you are older than I, or because you have seen more of the world than I have; your claim to superiority depends on the use you have made of your time and experience." "Humph! Promptly spoken. But I won't allow that, seeing that it would never suit my case, as I have made an indifferent, not to say a bad, use of both advantages. Leaving superiority out of the question, then, you must still agree to receive my orders now and then, without being piqued or hurt by the tone of command. Will you?" I smiled: I thought to myself Mr. Rochester _is_ peculiar--he seems to forget that he pays me 30 pounds per annum for receiving his orders. "The smile is very well," said he, catching instantly the passing expression; "but speak too." "I was thinking, sir, that very few masters would trouble themselves to inquire whether or not their paid subordinates were piqued and hurt by their orders." "Paid subordinates! What! you are my paid subordinate, are you? Oh yes, I had forgotten the salary! Well then, on that mercenary ground, will you agree to let me hector a little?" "No, sir, not on that ground; but, on the ground that you did forget it, and that you care whether or not a dependent is comfortable in his dependency, I agree heartily." "And will you consent to dispense with a great many conventional forms and phrases, without thinking that the omission arises from insolence?" "I am sure, sir, I should never mistake informality for insolence: one I rather like, the other nothing free-born would submit to, even for a salary." "Humbug! Most things free-born will submit to anything for a salary; therefore, keep to yourself, and don't venture on generalities of which you are intensely ignorant. However, I mentally shake hands with you for your answer, despite its inaccuracy; and as much for the manner in which it was said, as for the substance of the speech; the manner was frank and sincere; one does not often see such a manner: no, on the contrary, affectation, or coldness, or stupid, coarse-minded misapprehension of one's meaning are the usual rewards of candour. Not three in three thousand raw school-girl-governesses would have answered me as you have just done. But I don't mean to flatter you: if you are cast in a different mould to the majority, it is no merit of yours: Nature did it. And then, after all, I go too fast in my conclusions: for what I yet know, you may be no better than the rest; you may have intolerable defects to counterbalance your few good points." "And so may you," I thought. My eye met his as the idea crossed my mind: he seemed to read the glance, answering as if its import had been spoken as well as imagined-- "Yes, yes, you are right," said he; "I have plenty of faults of my own: I know it, and I don't wish to palliate them, I assure you. God wot I need not be too severe about others; I have a past existence, a series of deeds, a colour of life to contemplate within my own breast, which might well call my sneers and censures from my neighbours to myself. I started, or rather (for like other defaulters, I like to lay half the blame on ill fortune and adverse circumstances) was thrust on to a wrong tack at the age of one-and-twenty, and have never recovered the right course since: but I might have been very different; I might have been as good as you--wiser--almost as stainless. I envy you your peace of mind, your clean conscience, your unpolluted memory. Little girl, a memory without blot or contamination must be an exquisite treasure--an inexhaustible source of pure refreshment: is it not?" "How was your memory when you were eighteen, sir?" "All right then; limpid, salubrious: no gush of bilge water had turned it to fetid puddle. I was your equal at eighteen--quite your equal. Nature meant me to be, on the whole, a good man, Miss Eyre; one of the better kind, and you see I am not so. You would say you don't see it; at least I flatter myself I read as much in your eye (beware, by-the-bye, what you express with that organ; I am quick at interpreting its language). Then take my word for it,--I am not a villain: you are not to suppose that--not to attribute to me any such bad eminence; but, owing, I verily believe, rather to circumstances than to my natural bent, I am a trite commonplace sinner, hackneyed in all the poor petty dissipations with which the rich and worthless try to put on life. Do you wonder that I avow this to you? Know, that in the course of your future life you will often find yourself elected the involuntary confidant of your acquaintances' secrets: people will instinctively find out, as I have done, that it is not your forte to tell of yourself, but to listen while others talk of themselves; they will feel, too, that you listen with no malevolent scorn of their indiscretion, but with a kind of innate sympathy; not the less comforting and encouraging because it is very unobtrusive in its manifestations." "How do you know?--how can you guess all this, sir?" "I know it well; therefore I proceed almost as freely as if I were writing my thoughts in a diary. You would say, I should have been superior to circumstances; so I should--so I should; but you see I was not. When fate wronged me, I had not the wisdom to remain cool: I turned desperate; then I degenerated. Now, when any vicious simpleton excites my disgust by his paltry ribaldry, I cannot flatter myself that I am better than he: I am forced to confess that he and I are on a level. I wish I had stood firm--God knows I do! Dread remorse when you are tempted to err, Miss Eyre; remorse is the poison of life." "Repentance is said to be its cure, sir." "It is not its cure. Reformation may be its cure; and I could reform--I have strength yet for that--if--but where is the use of thinking of it, hampered, burdened, cursed as I am? Besides, since happiness is irrevocably denied me, I have a right to get pleasure out of life: and I _will_ get it, cost what it may." "Then you will degenerate still more, sir." "Possibly: yet why should I, if I can get sweet, fresh pleasure? And I may get it as sweet and fresh as the wild honey the bee gathers on the moor." "It will sting--it will taste bitter, sir." "How do you know?--you never tried it. How very serious--how very solemn you look: and you are as ignorant of the matter as this cameo head" (taking one from the mantelpiece). "You have no right to preach to me, you neophyte, that have not passed the porch of life, and are absolutely unacquainted with its mysteries." "I only remind you of your own words, sir: you said error brought remorse, and you pronounced remorse the poison of existence." "And who talks of error now? I scarcely think the notion that flittered across my brain was an error. I believe it was an inspiration rather than a temptation: it was very genial, very soothing--I know that. Here it comes again! It is no devil, I assure you; or if it be, it has put on the robes of an angel of light. I think I must admit so fair a guest when it asks entrance to my heart." "Distrust it, sir; it is not a true angel." "Once more, how do you know? By what instinct do you pretend to distinguish between a fallen seraph of the abyss and a messenger from the eternal throne--between a guide and a seducer?" "I judged by your countenance, sir, which was troubled when you said the suggestion had returned upon you. I feel sure it will work you more misery if you listen to it." "Not at all--it bears the most gracious message in the world: for the rest, you are not my conscience-keeper, so don't make yourself uneasy. Here, come in, bonny wanderer!" He said this as if he spoke to a vision, viewless to any eye but his own; then, folding his arms, which he had half extended, on his chest, he seemed to enclose in their embrace the invisible being. "Now," he continued, again addressing me, "I have received the pilgrim--a disguised deity, as I verily believe. Already it has done me good: my heart was a sort of charnel; it will now be a shrine." "To speak truth, sir, I don't understand you at all: I cannot keep up the conversation, because it has got out of my depth. Only one thing, I know: you said you were not as good as you should like to be, and that you regretted your own imperfection;--one thing I can comprehend: you intimated that to have a sullied memory was a perpetual bane. It seems to me, that if you tried hard, you would in time find it possible to become what you yourself would approve; and that if from this day you began with resolution to correct your thoughts and actions, you would in a few years have laid up a new and stainless store of recollections, to which you might revert with pleasure." "Justly thought; rightly said, Miss Eyre; and, at this moment, I am paving hell with energy." "Sir?" "I am laying down good intentions, which I believe durable as flint. Certainly, my associates and pursuits shall be other than they have been." "And better?" "And better--so much better as pure ore is than foul dross. You seem to doubt me; I don't doubt myself: I know what my aim is, what my motives are; and at this moment I pass a law, unalterable as that of the Medes and Persians, that both are right." "They cannot be, sir, if they require a new statute to legalise them." "They are, Miss Eyre, though they absolutely require a new statute: unheard-of combinations of circumstances demand unheard-of rules." "That sounds a dangerous maxim, sir; because one can see at once that it is liable to abuse." "Sententious sage! so it is: but I swear by my household gods not to abuse it." "You are human and fallible." "I am: so are you--what then?" "The human and fallible should not arrogate a power with which the divine and perfect alone can be safely intrusted." "What power?" "That of saying of any strange, unsanctioned line of action,--'Let it be right.'" "'Let it be right'--the very words: you have pronounced them." "_May_ it be right then," I said, as I rose, deeming it useless to continue a discourse which was all darkness to me; and, besides, sensible that the character of my interlocutor was beyond my penetration; at least, beyond its present reach; and feeling the uncertainty, the vague sense of insecurity, which accompanies a conviction of ignorance. "Where are you going?" "To put Adele to bed: it is past her bedtime." "You are afraid of me, because I talk like a Sphynx." "Your language is enigmatical, sir: but though I am bewildered, I am certainly not afraid." "You _are_ afraid--your self-love dreads a blunder." "In that sense I do feel apprehensive--I have no wish to talk nonsense." "If you did, it would be in such a grave, quiet manner, I should mistake it for sense. Do you never laugh, Miss Eyre? Don't trouble yourself to answer--I see you laugh rarely; but you can laugh very merrily: believe me, you are not naturally austere, any more than I am naturally vicious. The Lowood constraint still clings to you somewhat; controlling your features, muffling your voice, and restricting your limbs; and you fear in the presence of a man and a brother--or father, or master, or what you will--to smile too gaily, speak too freely, or move too quickly: but, in time, I think you will learn to be natural with me, as I find it impossible to be conventional with you; and then your looks and movements will have more vivacity and variety than they dare offer now. I see at intervals the glance of a curious sort of bird through the close-set bars of a cage: a vivid, restless, resolute captive is there; were it but free, it would soar cloud-high. You are still bent on going?" "It has struck nine, sir." "Never mind,--wait a minute: Adele is not ready to go to bed yet. My position, Miss Eyre, with my back to the fire, and my face to the room, favours observation. While talking to you, I have also occasionally watched Adele (I have my own reasons for thinking her a curious study,--reasons that I may, nay, that I shall, impart to you some day). She pulled out of her box, about ten minutes ago, a little pink silk frock; rapture lit her face as she unfolded it; coquetry runs in her blood, blends with her brains, and seasons the marrow of her bones. 'Il faut que je l'essaie!' cried she, 'et a l'instant meme!' and she rushed out of the room. She is now with Sophie, undergoing a robing process: in a few minutes she will re-enter; and I know what I shall see,--a miniature of Celine Varens, as she used to appear on the boards at the rising of--But never mind that. However, my tenderest feelings are about to receive a shock: such is my presentiment; stay now, to see whether it will be realised." Ere long, Adele's little foot was heard tripping across the hall. She entered, transformed as her guardian had predicted. A dress of rose-coloured satin, very short, and as full in the skirt as it could be gathered, replaced the brown frock she had previously worn; a wreath of rosebuds circled her forehead; her feet were dressed in silk stockings and small white satin sandals. "Est-ce que ma robe va bien?" cried she, bounding forwards; "et mes souliers? et mes bas? Tenez, je crois que je vais danser!" And spreading out her dress, she chasseed across the room till, having reached Mr. Rochester, she wheeled lightly round before him on tip-toe, then dropped on one knee at his feet, exclaiming-- "Monsieur, je vous remercie mille fois de votre bonte;" then rising, she added, "C'est comme cela que maman faisait, n'est-ce pas, monsieur?" "Pre-cise-ly!" was the answer; "and, 'comme cela,' she charmed my English gold out of my British breeches' pocket. I have been green, too, Miss Eyre,--ay, grass green: not a more vernal tint freshens you now than once freshened me. My Spring is gone, however, but it has left me that French floweret on my hands, which, in some moods, I would fain be rid of. Not valuing now the root whence it sprang; having found that it was of a sort which nothing but gold dust could manure, I have but half a liking to the blossom, especially when it looks so artificial as just now. I keep it and rear it rather on the Roman Catholic principle of expiating numerous sins, great or small, by one good work. I'll explain all this some day. Good-night." Mr. Rochester did, on a future occasion, explain it. It was one afternoon, when he chanced to meet me and Adele in the grounds: and while she played with Pilot and her shuttlecock, he asked me to walk up and down a long beech avenue within sight of her. He then said that she was the daughter of a French opera-dancer, Celine Varens, towards whom he had once cherished what he called a "_grande passion_." This passion Celine had professed to return with even superior ardour. He thought himself her idol, ugly as he was: he believed, as he said, that she preferred his "_taille d'athlete_" to the elegance of the Apollo Belvidere. "And, Miss Eyre, so much was I flattered by this preference of the Gallic sylph for her British gnome, that I installed her in an hotel; gave her a complete establishment of servants, a carriage, cashmeres, diamonds, dentelles, &c. In short, I began the process of ruining myself in the received style, like any other spoony. I had not, it seems, the originality to chalk out a new road to shame and destruction, but trode the old track with stupid exactness not to deviate an inch from the beaten centre. I had--as I deserved to have--the fate of all other spoonies. Happening to call one evening when Celine did not expect me, I found her out; but it was a warm night, and I was tired with strolling through Paris, so I sat down in her boudoir; happy to breathe the air consecrated so lately by her presence. No,--I exaggerate; I never thought there was any consecrating virtue about her: it was rather a sort of pastille perfume she had left; a scent of musk and amber, than an odour of sanctity. I was just beginning to stifle with the fumes of conservatory flowers and sprinkled essences, when I bethought myself to open the window and step out on to the balcony. It was moonlight and gaslight besides, and very still and serene. The balcony was furnished with a chair or two; I sat down, and took out a cigar,--I will take one now, if you will excuse me." Here ensued a pause, filled up by the producing and lighting of a cigar; having placed it to his lips and breathed a trail of Havannah incense on the freezing and sunless air, he went on-- "I liked bonbons too in those days, Miss Eyre, and I was _croquant_--(overlook the barbarism)--_croquant_ chocolate comfits, and smoking alternately, watching meantime the equipages that rolled along the fashionable streets towards the neighbouring opera-house, when in an elegant close carriage drawn by a beautiful pair of English horses, and distinctly seen in the brilliant city-night, I recognised the 'voiture' I had given Celine. She was returning: of course my heart thumped with impatience against the iron rails I leant upon. The carriage stopped, as I had expected, at the hotel door; my flame (that is the very word for an opera inamorata) alighted: though muffed in a cloak--an unnecessary encumbrance, by-the-bye, on so warm a June evening--I knew her instantly by her little foot, seen peeping from the skirt of her dress, as she skipped from the carriage-step. Bending over the balcony, I was about to murmur 'Mon ange'--in a tone, of course, which should be audible to the ear of love alone--when a figure jumped from the carriage after her; cloaked also; but that was a spurred heel which had rung on the pavement, and that was a hatted head which now passed under the arched _porte cochere_ of the hotel. "You never felt jealousy, did you, Miss Eyre? Of course not: I need not ask you; because you never felt love. You have both sentiments yet to experience: your soul sleeps; the shock is yet to be given which shall waken it. You think all existence lapses in as quiet a flow as that in which your youth has hitherto slid away. Floating on with closed eyes and muffled ears, you neither see the rocks bristling not far off in the bed of the flood, nor hear the breakers boil at their base. But I tell you--and you may mark my words--you will come some day to a craggy pass in the channel, where the whole of life's stream will be broken up into whirl and tumult, foam and noise: either you will be dashed to atoms on crag points, or lifted up and borne on by some master-wave into a calmer current--as I am now. "I like this day; I like that sky of steel; I like the sternness and stillness of the world under this frost. I like Thornfield, its antiquity, its retirement, its old crow-trees and thorn-trees, its grey facade, and lines of dark windows reflecting that metal welkin: and yet how long have I abhorred the very thought of it, shunned it like a great plague-house? How I do still abhor--" He ground his teeth and was silent: he arrested his step and struck his boot against the hard ground. Some hated thought seemed to have him in its grip, and to hold him so tightly that he could not advance. We were ascending the avenue when he thus paused; the hall was before us. Lifting his eye to its battlements, he cast over them a glare such as I never saw before or since. Pain, shame, ire, impatience, disgust, detestation, seemed momentarily to hold a quivering conflict in the large pupil dilating under his ebon eyebrow. Wild was the wrestle which should be paramount; but another feeling rose and triumphed: something hard and cynical: self-willed and resolute: it settled his passion and petrified his countenance: he went on-- "During the moment I was silent, Miss Eyre, I was arranging a point with my destiny. She stood there, by that beech-trunk--a hag like one of those who appeared to Macbeth on the heath of Forres. 'You like Thornfield?' she said, lifting her finger; and then she wrote in the air a memento, which ran in lurid hieroglyphics all along the house-front, between the upper and lower row of windows, 'Like it if you can! Like it if you dare!' "'I will like it,' said I; 'I dare like it;' and" (he subjoined moodily) "I will keep my word; I will break obstacles to happiness, to goodness--yes, goodness. I wish to be a better man than I have been, than I am; as Job's leviathan broke the spear, the dart, and the habergeon, hindrances which others count as iron and brass, I will esteem but straw and rotten wood." Adele here ran before him with her shuttlecock. "Away!" he cried harshly; "keep at a distance, child; or go in to Sophie!" Continuing then to pursue his walk in silence, I ventured to recall him to the point whence he had abruptly diverged-- "Did you leave the balcony, sir," I asked, "when Mdlle. Varens entered?" I almost expected a rebuff for this hardly well-timed question, but, on the contrary, waking out of his scowling abstraction, he turned his eyes towards me, and the shade seemed to clear off his brow. "Oh, I had forgotten Celine! Well, to resume. When I saw my charmer thus come in accompanied by a cavalier, I seemed to hear a hiss, and the green snake of jealousy, rising on undulating coils from the moonlit balcony, glided within my waistcoat, and ate its way in two minutes to my heart's core. Strange!" he exclaimed, suddenly starting again from the point. "Strange that I should choose you for the confidant of all this, young lady; passing strange that you should listen to me quietly, as if it were the most usual thing in the world for a man like me to tell stories of his opera-mistresses to a quaint, inexperienced girl like you! But the last singularity explains the first, as I intimated once before: you, with your gravity, considerateness, and caution were made to be the recipient of secrets. Besides, I know what sort of a mind I have placed in communication with my own: I know it is one not liable to take infection: it is a peculiar mind: it is a unique one. Happily I do not mean to harm it: but, if I did, it would not take harm from me. The more you and I converse, the better; for while I cannot blight you, you may refresh me." After this digression he proceeded-- "I remained in the balcony. 'They will come to her boudoir, no doubt,' thought I: 'let me prepare an ambush.' So putting my hand in through the open window, I drew the curtain over it, leaving only an opening through which I could take observations; then I closed the casement, all but a chink just wide enough to furnish an outlet to lovers' whispered vows: then I stole back to my chair; and as I resumed it the pair came in. My eye was quickly at the aperture. Celine's chamber-maid entered, lit a lamp, left it on the table, and withdrew. The couple were thus revealed to me clearly: both removed their cloaks, and there was 'the Varens,' shining in satin and jewels,--my gifts of course,--and there was her companion in an officer's uniform; and I knew him for a young roue of a vicomte--a brainless and vicious youth whom I had sometimes met in society, and had never thought of hating because I despised him so absolutely. On recognising him, the fang of the snake Jealousy was instantly broken; because at the same moment my love for Celine sank under an extinguisher. A woman who could betray me for such a rival was not worth contending for; she deserved only scorn; less, however, than I, who had been her dupe. "They began to talk; their conversation eased me completely: frivolous, mercenary, heartless, and senseless, it was rather calculated to weary than enrage a listener. A card of mine lay on the table; this being perceived, brought my name under discussion. Neither of them possessed energy or wit to belabour me soundly, but they insulted me as coarsely as they could in their little way: especially Celine, who even waxed rather brilliant on my personal defects--deformities she termed them. Now it had been her custom to launch out into fervent admiration of what she called my '_beaute male_:' wherein she differed diametrically from you, who told me point-blank, at the second interview, that you did not think me handsome. The contrast struck me at the time and--" Adele here came running up again. "Monsieur, John has just been to say that your agent has called and wishes to see you." "Ah! in that case I must abridge. Opening the window, I walked in upon them; liberated Celine from my protection; gave her notice to vacate her hotel; offered her a purse for immediate exigencies; disregarded screams, hysterics, prayers, protestations, convulsions; made an appointment with the vicomte for a meeting at the Bois de Boulogne. Next morning I had the pleasure of encountering him; left a bullet in one of his poor etiolated arms, feeble as the wing of a chicken in the pip, and then thought I had done with the whole crew. But unluckily the Varens, six months before, had given me this filette Adele, who, she affirmed, was my daughter; and perhaps she may be, though I see no proofs of such grim paternity written in her countenance: Pilot is more like me than she. Some years after I had broken with the mother, she abandoned her child, and ran away to Italy with a musician or singer. I acknowledged no natural claim on Adele's part to be supported by me, nor do I now acknowledge any, for I am not her father; but hearing that she was quite destitute, I e'en took the poor thing out of the slime and mud of Paris, and transplanted it here, to grow up clean in the wholesome soil of an English country garden. Mrs. Fairfax found you to train it; but now you know that it is the illegitimate offspring of a French opera-girl, you will perhaps think differently of your post and protegee: you will be coming to me some day with notice that you have found another place--that you beg me to look out for a new governess, &c.--Eh?" "No: Adele is not answerable for either her mother's faults or yours: I have a regard for her; and now that I know she is, in a sense, parentless--forsaken by her mother and disowned by you, sir--I shall cling closer to her than before. How could I possibly prefer the spoilt pet of a wealthy family, who would hate her governess as a nuisance, to a lonely little orphan, who leans towards her as a friend?" "Oh, that is the light in which you view it! Well, I must go in now; and you too: it darkens." But I stayed out a few minutes longer with Adele and Pilot--ran a race with her, and played a game of battledore and shuttlecock. When we went in, and I had removed her bonnet and coat, I took her on my knee; kept her there an hour, allowing her to prattle as she liked: not rebuking even some little freedoms and trivialities into which she was apt to stray when much noticed, and which betrayed in her a superficiality of character, inherited probably from her mother, hardly congenial to an English mind. Still she had her merits; and I was disposed to appreciate all that was good in her to the utmost. I sought in her countenance and features a likeness to Mr. Rochester, but found none: no trait, no turn of expression announced relationship. It was a pity: if she could but have been proved to resemble him, he would have thought more of her. It was not till after I had withdrawn to my own chamber for the night, that I steadily reviewed the tale Mr. Rochester had told me. As he had said, there was probably nothing at all extraordinary in the substance of the narrative itself: a wealthy Englishman's passion for a French dancer, and her treachery to him, were every-day matters enough, no doubt, in society; but there was something decidedly strange in the paroxysm of emotion which had suddenly seized him when he was in the act of expressing the present contentment of his mood, and his newly revived pleasure in the old hall and its environs. I meditated wonderingly on this incident; but gradually quitting it, as I found it for the present inexplicable, I turned to the consideration of my master's manner to myself. The confidence he had thought fit to repose in me seemed a tribute to my discretion: I regarded and accepted it as such. His deportment had now for some weeks been more uniform towards me than at the first. I never seemed in his way; he did not take fits of chilling hauteur: when he met me unexpectedly, the encounter seemed welcome; he had always a word and sometimes a smile for me: when summoned by formal invitation to his presence, I was honoured by a cordiality of reception that made me feel I really possessed the power to amuse him, and that these evening conferences were sought as much for his pleasure as for my benefit. I, indeed, talked comparatively little, but I heard him talk with relish. It was his nature to be communicative; he liked to open to a mind unacquainted with the world glimpses of its scenes and ways (I do not mean its corrupt scenes and wicked ways, but such as derived their interest from the great scale on which they were acted, the strange novelty by which they were characterised); and I had a keen delight in receiving the new ideas he offered, in imagining the new pictures he portrayed, and following him in thought through the new regions he disclosed, never startled or troubled by one noxious allusion. The ease of his manner freed me from painful restraint: the friendly frankness, as correct as cordial, with which he treated me, drew me to him. I felt at times as if he were my relation rather than my master: yet he was imperious sometimes still; but I did not mind that; I saw it was his way. So happy, so gratified did I become with this new interest added to life, that I ceased to pine after kindred: my thin crescent-destiny seemed to enlarge; the blanks of existence were filled up; my bodily health improved; I gathered flesh and strength. And was Mr. Rochester now ugly in my eyes? No, reader: gratitude, and many associations, all pleasurable and genial, made his face the object I best liked to see; his presence in a room was more cheering than the brightest fire. Yet I had not forgotten his faults; indeed, I could not, for he brought them frequently before me. He was proud, sardonic, harsh to inferiority of every description: in my secret soul I knew that his great kindness to me was balanced by unjust severity to many others. He was moody, too; unaccountably so; I more than once, when sent for to read to him, found him sitting in his library alone, with his head bent on his folded arms; and, when he looked up, a morose, almost a malignant, scowl blackened his features. But I believed that his moodiness, his harshness, and his former faults of morality (I say _former_, for now he seemed corrected of them) had their source in some cruel cross of fate. I believed he was naturally a man of better tendencies, higher principles, and purer tastes than such as circumstances had developed, education instilled, or destiny encouraged. I thought there were excellent materials in him; though for the present they hung together somewhat spoiled and tangled. I cannot deny that I grieved for his grief, whatever that was, and would have given much to assuage it. Though I had now extinguished my candle and was laid down in bed, I could not sleep for thinking of his look when he paused in the avenue, and told how his destiny had risen up before him, and dared him to be happy at Thornfield. "Why not?" I asked myself. "What alienates him from the house? Will he leave it again soon? Mrs. Fairfax said he seldom stayed here longer than a fortnight at a time; and he has now been resident eight weeks. If he does go, the change will be doleful. Suppose he should be absent spring, summer, and autumn: how joyless sunshine and fine days will seem!" I hardly know whether I had slept or not after this musing; at any rate, I started wide awake on hearing a vague murmur, peculiar and lugubrious, which sounded, I thought, just above me. I wished I had kept my candle burning: the night was drearily dark; my spirits were depressed. I rose and sat up in bed, listening. The sound was hushed. I tried again to sleep; but my heart beat anxiously: my inward tranquillity was broken. The clock, far down in the hall, struck two. Just then it seemed my chamber-door was touched; as if fingers had swept the panels in groping a way along the dark gallery outside. I said, "Who is there?" Nothing answered. I was chilled with fear. All at once I remembered that it might be Pilot, who, when the kitchen- door chanced to be left open, not unfrequently found his way up to the threshold of Mr. Rochester's chamber: I had seen him lying there myself in the mornings. The idea calmed me somewhat: I lay down. Silence composes the nerves; and as an unbroken hush now reigned again through the whole house, I began to feel the return of slumber. But it was not fated that I should sleep that night. A dream had scarcely approached my ear, when it fled affrighted, scared by a marrow-freezing incident enough. This was a demoniac laugh--low, suppressed, and deep--uttered, as it seemed, at the very keyhole of my chamber door. The head of my bed was near the door, and I thought at first the goblin-laugher stood at my bedside--or rather, crouched by my pillow: but I rose, looked round, and could see nothing; while, as I still gazed, the unnatural sound was reiterated: and I knew it came from behind the panels. My first impulse was to rise and fasten the bolt; my next, again to cry out, "Who is there?" Something gurgled and moaned. Ere long, steps retreated up the gallery towards the third-storey staircase: a door had lately been made to shut in that staircase; I heard it open and close, and all was still. "Was that Grace Poole? and is she possessed with a devil?" thought I. Impossible now to remain longer by myself: I must go to Mrs. Fairfax. I hurried on my frock and a shawl; I withdrew the bolt and opened the door with a trembling hand. There was a candle burning just outside, and on the matting in the gallery. I was surprised at this circumstance: but still more was I amazed to perceive the air quite dim, as if filled with smoke; and, while looking to the right hand and left, to find whence these blue wreaths issued, I became further aware of a strong smell of burning. Something creaked: it was a door ajar; and that door was Mr. Rochester's, and the smoke rushed in a cloud from thence. I thought no more of Mrs. Fairfax; I thought no more of Grace Poole, or the laugh: in an instant, I was within the chamber. Tongues of flame darted round the bed: the curtains were on fire. In the midst of blaze and vapour, Mr. Rochester lay stretched motionless, in deep sleep. "Wake! wake!" I cried. I shook him, but he only murmured and turned: the smoke had stupefied him. Not a moment could be lost: the very sheets were kindling, I rushed to his basin and ewer; fortunately, one was wide and the other deep, and both were filled with water. I heaved them up, deluged the bed and its occupant, flew back to my own room, brought my own water-jug, baptized the couch afresh, and, by God's aid, succeeded in extinguishing the flames which were devouring it. The hiss of the quenched element, the breakage of a pitcher which I flung from my hand when I had emptied it, and, above all, the splash of the shower-bath I had liberally bestowed, roused Mr. Rochester at last. Though it was now dark, I knew he was awake; because I heard him fulminating strange anathemas at finding himself lying in a pool of water. "Is there a flood?" he cried. "No, sir," I answered; "but there has been a fire: get up, do; you are quenched now; I will fetch you a candle." "In the name of all the elves in Christendom, is that Jane Eyre?" he demanded. "What have you done with me, witch, sorceress? Who is in the room besides you? Have you plotted to drown me?" "I will fetch you a candle, sir; and, in Heaven's name, get up. Somebody has plotted something: you cannot too soon find out who and what it is." "There! I am up now; but at your peril you fetch a candle yet: wait two minutes till I get into some dry garments, if any dry there be--yes, here is my dressing-gown. Now run!" I did run; I brought the candle which still remained in the gallery. He took it from my hand, held it up, and surveyed the bed, all blackened and scorched, the sheets drenched, the carpet round swimming in water. "What is it? and who did it?" he asked. I briefly related to him what had transpired: the strange laugh I had heard in the gallery: the step ascending to the third storey; the smoke,--the smell of fire which had conducted me to his room; in what state I had found matters there, and how I had deluged him with all the water I could lay hands on. {"What is it and who did it?" he asked: p140.jpg} He listened very gravely; his face, as I went on, expressed more concern than astonishment; he did not immediately speak when I had concluded. "Shall I call Mrs. Fairfax?" I asked. "Mrs. Fairfax? No; what the deuce would you call her for? What can she do? Let her sleep unmolested." "Then I will fetch Leah, and wake John and his wife." "Not at all: just be still. You have a shawl on. If you are not warm enough, you may take my cloak yonder; wrap it about you, and sit down in the arm-chair: there,--I will put it on. Now place your feet on the stool, to keep them out of the wet. I am going to leave you a few minutes. I shall take the candle. Remain where you are till I return; be as still as a mouse. I must pay a visit to the second storey. Don't move, remember, or call any one." He went: I watched the light withdraw. He passed up the gallery very softly, unclosed the staircase door with as little noise as possible, shut it after him, and the last ray vanished. I was left in total darkness. I listened for some noise, but heard nothing. A very long time elapsed. I grew weary: it was cold, in spite of the cloak; and then I did not see the use of staying, as I was not to rouse the house. I was on the point of risking Mr. Rochester's displeasure by disobeying his orders, when the light once more gleamed dimly on the gallery wall, and I heard his unshod feet tread the matting. "I hope it is he," thought I, "and not something worse." He re-entered, pale and very gloomy. "I have found it all out," said he, setting his candle down on the washstand; "it is as I thought." "How, sir?" He made no reply, but stood with his arms folded, looking on the ground. At the end of a few minutes he inquired in rather a peculiar tone-- "I forget whether you said you saw anything when you opened your chamber door." "No, sir, only the candlestick on the ground." "But you heard an odd laugh? You have heard that laugh before, I should think, or something like it?" "Yes, sir: there is a woman who sews here, called Grace Poole,--she laughs in that way. She is a singular person." "Just so. Grace Poole--you have guessed it. She is, as you say, singular--very. Well, I shall reflect on the subject. Meantime, I am glad that you are the only person, besides myself, acquainted with the precise details of to-night's incident. You are no talking fool: say nothing about it. I will account for this state of affairs" (pointing to the bed): "and now return to your own room. I shall do very well on the sofa in the library for the rest of the night. It is near four:--in two hours the servants will be up." "Good-night, then, sir," said I, departing. He seemed surprised--very inconsistently so, as he had just told me to go. "What!" he exclaimed, "are you quitting me already, and in that way?" "You said I might go, sir." "But not without taking leave; not without a word or two of acknowledgment and good-will: not, in short, in that brief, dry fashion. Why, you have saved my life!--snatched me from a horrible and excruciating death! and you walk past me as if we were mutual strangers! At least shake hands." He held out his hand; I gave him mine: he took it first in one, them in both his own. "You have saved my life: I have a pleasure in owing you so immense a debt. I cannot say more. Nothing else that has being would have been tolerable to me in the character of creditor for such an obligation: but you: it is different;--I feel your benefits no burden, Jane." He paused; gazed at me: words almost visible trembled on his lips,--but his voice was checked. "Good-night again, sir. There is no debt, benefit, burden, obligation, in the case." "I knew," he continued, "you would do me good in some way, at some time;--I saw it in your eyes when I first beheld you: their expression and smile did not"--(again he stopped)--"did not" (he proceeded hastily) "strike delight to my very inmost heart so for nothing. People talk of natural sympathies; I have heard of good genii: there are grains of truth in the wildest fable. My cherished preserver, goodnight!" Strange energy was in his voice, strange fire in his look. "I am glad I happened to be awake," I said: and then I was going. "What! you _will_ go?" "I am cold, sir." "Cold? Yes,--and standing in a pool! Go, then, Jane; go!" But he still retained my hand, and I could not free it. I bethought myself of an expedient. "I think I hear Mrs. Fairfax move, sir," said I. "Well, leave me:" he relaxed his fingers, and I was gone. I regained my couch, but never thought of sleep. Till morning dawned I was tossed on a buoyant but unquiet sea, where billows of trouble rolled under surges of joy. I thought sometimes I saw beyond its wild waters a shore, sweet as the hills of Beulah; and now and then a freshening gale, wakened by hope, bore my spirit triumphantly towards the bourne: but I could not reach it, even in fancy--a counteracting breeze blew off land, and continually drove me back. Sense would resist delirium: judgment would warn passion. Too feverish to rest, I rose as soon as day dawned.

Chapters 14-15

https://web.archive.org/web/20190321135117/https://www.cliffsnotes.com/literature/j/jane-eyre/summary-and-analysis/chapters-1415

At first, Jane sees little of Rochester. During their brief encounters, she notices his moodiness, but it doesn't upset her. Finally, one evening, he summons Adele and Jane, offering Adele her long-awaited present. Jane notices that Rochester is in a friendlier mood than usual, probably due to his dinner wine. Rochester enjoys Jane's frank, sincere manner, and confesses that he hasn't lived the purest, most innocent life. They discuss sin, remorse, and reformation. Finding Jane a good listener, Rochester speaks to her as freely as if he were writing his thoughts in a diary. He says he has given up his shameful lifestyle, and is ready to begin a new, pure life. Rochester tells Jane he is rearing Adele in order to expiate the sins of his youth. In Chapter 15, Rochester tells Jane about his passion for Celine Varens, a French opera-dancer whom he naively believed loved him. One night, however, Celine arrived home with another man and they mocked Rochester's "deformities"; Rochester overheard the conversation and immediately ended the relationship. Celine told Rochester that Adele was his daughter, but he isn't sure because she doesn't look anything like him. Several years later, Celine abandoned her daughter and ran away to Italy with a musician. Although he refuses to recognize Adele as his daughter, Rochester took pity on the abandoned and destitute child and brought her to England. At two o'clock one morning, Jane hears a demoniac laugh outside of her bedroom door and the sound of fingers brushing against the panels. She thinks it might be Pilot, Rochester's dog, wandering the hallways, but then she hears a door opening. Going into the hallway, she sees smoke billowing from Rochester's room. She rushes into his chamber and discovers the curtains on fire and his bed surrounded by tongues of flame. Unable to wake him, she deluges the bed with water. Rochester won't let Jane call for help; instead, he says that he must pay a visit to the third floor. He tells Jane that Grace Poole was the culprit and then thanks her warmly for saving his life. He asks Jane to keep the incident a secret.

Early critics of the novel, such as Elizabeth Rigby, objected to Rochester's character, finding him "coarse and brutal." In her opinion, the novel as a whole showed an unwholesome "coarseness of language and laxity of tone." The conversation between Jane and Rochester in these chapters was shocking to a Victorian audience; as Rochester himself admits, telling the story of his affair with an opera-dancer to an inexperienced girl seems odd. He justifies his action by arguing that Jane's strong character is not likely to "take infection" from this tale of immorality; indeed, he claims that he cannot "blight" Jane, but she might "refresh" him. Again, Rochester hopes that his relationship with Jane will bring innocence and freshness back into his life. Just as women need to lead active lives, Bronte argues, they should not be sheltered from life's seamier side. Not only does the Rochester's past reveal his growing faith in Jane, it also shows the Byronic side of his nature. Like Lord Byron, a romantic, passionate, and cynical poet of the early nineteenth century, Rochester let himself be ruled by his "grande passion" for Celine, despite its immorality. Rochester is not afraid to flout social conventions. This is also apparent in his developing relationship with Jane; rather than maintaining the proper class boundaries, Rochester makes Jane feel "as if he were my relation rather than my master." Rochester's responses to Adele provide insights on his past life, which help identity the reasons for his attraction to Jane. Adele Varens provides Rochester with a daily reminder of his past indiscretions. Attracted to luxury, to satin robes and silk stockings, Adele displays a materialism Rochester dislikes primarily because it reminds him of her mother, Celine Varens, who charmed the "English gold" out of his "British breeches." Emphasizing his British innocence, Rochester's comments are ethnocentric, but they also show that he dislikes the "artificiality" and the materialism of women who, like Celine, are pleased with "nothing but gold dust." Rochester continues to create a contrast between Celine's superficiality and Jane's sincerity. While Celine pretended to admire his physical appearance, for example, Jane honestly tells him that she doesn't find him handsome. Celine presents an unsavory model of femininity, but also an image of unattractive foreignness. Jane's comment implies that the English, unlike their French neighbors, are deep, rather than superficial, spiritual rather than materialistic. Not only does the novel question class and gender roles, but it also develops a specific ideal of Britishness. Jane provides a prototype of the proper English woman, who is frank, sincere, and lacking in personal vanity. Rochester is intrigued by the honesty of Jane's conversation and the spirituality of her drawings, which clearly contrast with the values of the women with whom he has previously consorted. Honestly admitting that his life hasn't been admirable, Rochester is now looking for happiness, for "sweet, fresh pleasure." Rochester's goal is self-transformation, a reformation to be enacted through his relationships with women. The end of Chapter 15 takes a strange, almost supernatural turn. Beginning with Rochester's revelation of his illicit passion for Celine Varens, the chapter, not insignificantly, ends with an image of "tongues of flame" darting around his bed. Rochester's sexual indiscretions have become literalized in the vision of his burning bed, an excess that Jane douses. The scene foreshadows Jane's role in channeling Rochester's sexual profligacy into a properly domestic, reproductive passion. Jane's final dream also foreshadows the direction of her relationship with Rochester: She is "tossed on a buoyant but unquiet sea, where billows of trouble rolled under surges of joy." Unable to reach the "sweet hills" that await her, Jane must remain for awhile in the unquiet sea. Recognizing her growing love for Rochester, Jane's unconscious warns her that their relationship will be a rocky one. Rather than letting herself be blown around by the chaos of passion and delirium, she should maintain her sense and judgment. In this novel, the bounds of reality continually expand, so that dreams and visions have as much validity as reason. Glossary Rencontre a meeting. petit coffre a small trunk. Ma boite my box. Tiens-toi tranquille, enfant; comprends-tu? Be quiet, child; do you understand? Oh, ciel! Que c'est beau! Oh, heaven! Isn't it beautiful! tete-a-tete in private conversation. nonnette nun. et j'y tiens and I firmly believe it. Il faut que je l'essaie! et a l'instant meme! I must try it on! right now! Est-ce que ma robe . . . vais danser! Do you like my dress? and my shoes? and my stockings? Watch, I'm going to dance! Monsieur, je vous . . . monsieur? Sir, I thank you a million times for your generosity. Mother did it like this, didn't she, Sir? comme cela like that. grande passion a great love. taille d'athlete athletic build. Mon ange my angel. croquant devouring. voiture a carriage. porte cochere a carriage entranceway. vicomte a viscount. beaute male male beauty. fillette a little girl. hauteur arrogance.

cliffnotes

all_chapterized_books/1260-chapters/17.txt

finished_summaries/cliffnotes/Jane Eyre/section_12_part_0.txt

Jane Eyre.volume 2.chapter 16

chapter 16

{"name": "Chapter 16", "url": "https://web.archive.org/web/20190321135117/https://www.cliffsnotes.com/literature/j/jane-eyre/summary-and-analysis/chapter-16", "summary": "On the morning following the fire, Jane dreads seeing Rochester, but his behavior hasn't changed. Watching the servants cleaning Rochester's room, Jane is amazed to find Grace Poole sewing new curtain rings. Grace seems calm for a woman who tried to commit murder the previous night. Like the other servants, Grace seems to believe that Rochester fell asleep with his candle lit, and the curtains caught on fire. Grace advises Jane to bolt her door every night. Throughout their conversation, Grace gives no sign of guilt at having set the fire, astonishing Jane with her self-possession and hypocrisy. Jane is curious about Grace's role in the household. Why hasn't he fired Grace following the previous night's near murderous arson? At first, Jane believes Rochester might be in love with Grace, but rejects this idea because of Grace's unattractive and matronly appearance. Jane is dismayed to learn that Rochester has left the house to attend a party at the Leas, home of Mr. Eshton, and will be gone for several days. She's particularly upset to learn that a beautiful woman, Miss Blanche Ingram, will be at the party. Recognizing that she's falling in love with Rochester, Jane tries to discipline her feelings by drawing two pictures: a self-portrait in crayon and an imaginary picture of Blanche on ivory. Whenever her feelings for Rochester become too intense, Jane compares her own plainness with Blanche's beauty.", "analysis": "Jane's love for Rochester becomes apparent in this chapter. In her jealousy, Jane imagines a past love relationship between Grace and Rochester; perhaps Grace's \"originality and strength of character\" compensate for her lack of beauty. Jane doesn't think Rochester is overly impressed by women's looks; for example, Jane is not beautiful, yet Rochester's words, look, and voice on the previous night indicated that he likes her. But a major difference exists between Jane and Grace; as Bessie Leaven said, Jane is a lady. In fact, she looks even better than she did when Bessie saw her, because she has gained color, flesh, and vivacity from the pleasures she enjoys in her relationship with Rochester. She is especially pleased with her ability to vex and sooth him by turns, but always maintaining \"every propriety of my station.\" All of these meditations show Jane's anxieties about Rochester hinge on the issues of social class and beauty. Her hopes are dashed when she learns of Blanche Ingram. Considered the beauty of the county, Blanche, whose name means \"fair\" or \"white,\" has \"noble features,\" \"raven-black\" hair arranged in glossy curls, and brilliant black eyes, which contrast with the \"pure white\" clothes she wears. As with Jane's descriptions of Mrs. Reed and her son John, \"darkness\" often has negative connotations -- the ethnocentricity of Victorian England tended to associate dark with night and evil. Therefore, Jane's description of Blanche, which emphasizes her dark, Spanish features, implies a negative side of her personality; like Celine, Blanche will be an unacceptable model of femininity. But at this point in the novel, Jane views Blanche as an accomplished and beautiful rival. Most important, as the daughter of landed gentry, her class position more closely matches Rochester's, making Jane's earlier claims to be a \"lady\" seem insignificant. Jane's dream of the previous night is quickly becoming reality: Rather than allow herself to be brutally tossed around in the sea of her passion for Rochester, Jane vows to be sensible and accept that Rochester could never love her. In creating contrasting portraits of herself and Blanche, Jane emphasizes her own plainness. To Blanche, on the other hand, she gives the loveliest face she can imagine, a Grecian neck, dazzling jewelry, and glistening satin. Once again, Jane's passions have become hyperbolic, as she cannot fully discipline her jealousy of Blanche. In her portraits, Jane excessively emphasizes the material differences between the two women, showing that Jane hasn't yet learned the value of her own spiritual superiority. Jane still has a long way to go on her path to self-knowledge. Glossary Qu'avez-vous . . . des cerises! What's wrong, Miss? your fingers tremble like a leaf, and your cheeks are red: as red as cherries! ignis-fatuus a deceptive hope, goal, or influence; delusion. Literally, a strange light that sometimes appears over marshy ground."}

I both wished and feared to see Mr. Rochester on the day which followed this sleepless night: I wanted to hear his voice again, yet feared to meet his eye. During the early part of the morning, I momentarily expected his coming; he was not in the frequent habit of entering the schoolroom, but he did step in for a few minutes sometimes, and I had the impression that he was sure to visit it that day. But the morning passed just as usual: nothing happened to interrupt the quiet course of Adele's studies; only soon after breakfast, I heard some bustle in the neighbourhood of Mr. Rochester's chamber, Mrs. Fairfax's voice, and Leah's, and the cook's--that is, John's wife--and even John's own gruff tones. There were exclamations of "What a mercy master was not burnt in his bed!" "It is always dangerous to keep a candle lit at night." "How providential that he had presence of mind to think of the water-jug!" "I wonder he waked nobody!" "It is to be hoped he will not take cold with sleeping on the library sofa," &c. To much confabulation succeeded a sound of scrubbing and setting to rights; and when I passed the room, in going downstairs to dinner, I saw through the open door that all was again restored to complete order; only the bed was stripped of its hangings. Leah stood up in the window-seat, rubbing the panes of glass dimmed with smoke. I was about to address her, for I wished to know what account had been given of the affair: but, on advancing, I saw a second person in the chamber--a woman sitting on a chair by the bedside, and sewing rings to new curtains. That woman was no other than Grace Poole. There she sat, staid and taciturn-looking, as usual, in her brown stuff gown, her check apron, white handkerchief, and cap. She was intent on her work, in which her whole thoughts seemed absorbed: on her hard forehead, and in her commonplace features, was nothing either of the paleness or desperation one would have expected to see marking the countenance of a woman who had attempted murder, and whose intended victim had followed her last night to her lair, and (as I believed), charged her with the crime she wished to perpetrate. I was amazed--confounded. She looked up, while I still gazed at her: no start, no increase or failure of colour betrayed emotion, consciousness of guilt, or fear of detection. She said "Good morning, Miss," in her usual phlegmatic and brief manner; and taking up another ring and more tape, went on with her sewing. "I will put her to some test," thought I: "such absolute impenetrability is past comprehension." "Good morning, Grace," I said. "Has anything happened here? I thought I heard the servants all talking together a while ago." "Only master had been reading in his bed last night; he fell asleep with his candle lit, and the curtains got on fire; but, fortunately, he awoke before the bed-clothes or the wood-work caught, and contrived to quench the flames with the water in the ewer." "A strange affair!" I said, in a low voice: then, looking at her fixedly--"Did Mr. Rochester wake nobody? Did no one hear him move?" She again raised her eyes to me, and this time there was something of consciousness in their expression. She seemed to examine me warily; then she answered-- "The servants sleep so far off, you know, Miss, they would not be likely to hear. Mrs. Fairfax's room and yours are the nearest to master's; but Mrs. Fairfax said she heard nothing: when people get elderly, they often sleep heavy." She paused, and then added, with a sort of assumed indifference, but still in a marked and significant tone--"But you are young, Miss; and I should say a light sleeper: perhaps you may have heard a noise?" "I did," said I, dropping my voice, so that Leah, who was still polishing the panes, could not hear me, "and at first I thought it was Pilot: but Pilot cannot laugh; and I am certain I heard a laugh, and a strange one." She took a new needleful of thread, waxed it carefully, threaded her needle with a steady hand, and then observed, with perfect composure-- "It is hardly likely master would laugh, I should think, Miss, when he was in such danger: You must have been dreaming." "I was not dreaming," I said, with some warmth, for her brazen coolness provoked me. Again she looked at me; and with the same scrutinising and conscious eye. "Have you told master that you heard a laugh?" she inquired. "I have not had the opportunity of speaking to him this morning." "You did not think of opening your door and looking out into the gallery?" she further asked. She appeared to be cross-questioning me, attempting to draw from me information unawares. The idea struck me that if she discovered I knew or suspected her guilt, she would be playing of some of her malignant pranks on me; I thought it advisable to be on my guard. "On the contrary," said I, "I bolted my door." "Then you are not in the habit of bolting your door every night before you get into bed?" "Fiend! she wants to know my habits, that she may lay her plans accordingly!" Indignation again prevailed over prudence: I replied sharply, "Hitherto I have often omitted to fasten the bolt: I did not think it necessary. I was not aware any danger or annoyance was to be dreaded at Thornfield Hall: but in future" (and I laid marked stress on the words) "I shall take good care to make all secure before I venture to lie down." "It will be wise so to do," was her answer: "this neighbourhood is as quiet as any I know, and I never heard of the hall being attempted by robbers since it was a house; though there are hundreds of pounds' worth of plate in the plate-closet, as is well known. And you see, for such a large house, there are very few servants, because master has never lived here much; and when he does come, being a bachelor, he needs little waiting on: but I always think it best to err on the safe side; a door is soon fastened, and it is as well to have a drawn bolt between one and any mischief that may be about. A deal of people, Miss, are for trusting all to Providence; but I say Providence will not dispense with the means, though He often blesses them when they are used discreetly." And here she closed her harangue: a long one for her, and uttered with the demureness of a Quakeress. I still stood absolutely dumfoundered at what appeared to me her miraculous self-possession and most inscrutable hypocrisy, when the cook entered. "Mrs. Poole," said she, addressing Grace, "the servants' dinner will soon be ready: will you come down?" "No; just put my pint of porter and bit of pudding on a tray, and I'll carry it upstairs." "You'll have some meat?" "Just a morsel, and a taste of cheese, that's all." "And the sago?" "Never mind it at present: I shall be coming down before teatime: I'll make it myself." The cook here turned to me, saying that Mrs. Fairfax was waiting for me: so I departed. I hardly heard Mrs. Fairfax's account of the curtain conflagration during dinner, so much was I occupied in puzzling my brains over the enigmatical character of Grace Poole, and still more in pondering the problem of her position at Thornfield and questioning why she had not been given into custody that morning, or, at the very least, dismissed from her master's service. He had almost as much as declared his conviction of her criminality last night: what mysterious cause withheld him from accusing her? Why had he enjoined me, too, to secrecy? It was strange: a bold, vindictive, and haughty gentleman seemed somehow in the power of one of the meanest of his dependants; so much in her power, that even when she lifted her hand against his life, he dared not openly charge her with the attempt, much less punish her for it. Had Grace been young and handsome, I should have been tempted to think that tenderer feelings than prudence or fear influenced Mr. Rochester in her behalf; but, hard-favoured and matronly as she was, the idea could not be admitted. "Yet," I reflected, "she has been young once; her youth would be contemporary with her master's: Mrs. Fairfax told me once, she had lived here many years. I don't think she can ever have been pretty; but, for aught I know, she may possess originality and strength of character to compensate for the want of personal advantages. Mr. Rochester is an amateur of the decided and eccentric: Grace is eccentric at least. What if a former caprice (a freak very possible to a nature so sudden and headstrong as his) has delivered him into her power, and she now exercises over his actions a secret influence, the result of his own indiscretion, which he cannot shake off, and dare not disregard?" But, having reached this point of conjecture, Mrs. Poole's square, flat figure, and uncomely, dry, even coarse face, recurred so distinctly to my mind's eye, that I thought, "No; impossible! my supposition cannot be correct. Yet," suggested the secret voice which talks to us in our own hearts, "you are not beautiful either, and perhaps Mr. Rochester approves you: at any rate, you have often felt as if he did; and last night--remember his words; remember his look; remember his voice!" I well remembered all; language, glance, and tone seemed at the moment vividly renewed. I was now in the schoolroom; Adele was drawing; I bent over her and directed her pencil. She looked up with a sort of start. "Qu' avez-vous, mademoiselle?" said she. "Vos doigts tremblent comme la feuille, et vos joues sont rouges: mais, rouges comme des cerises!" "I am hot, Adele, with stooping!" She went on sketching; I went on thinking. I hastened to drive from my mind the hateful notion I had been conceiving respecting Grace Poole; it disgusted me. I compared myself with her, and found we were different. Bessie Leaven had said I was quite a lady; and she spoke truth--I was a lady. And now I looked much better than I did when Bessie saw me; I had more colour and more flesh, more life, more vivacity, because I had brighter hopes and keener enjoyments. "Evening approaches," said I, as I looked towards the window. "I have never heard Mr. Rochester's voice or step in the house to-day; but surely I shall see him before night: I feared the meeting in the morning; now I desire it, because expectation has been so long baffled that it is grown impatient." When dusk actually closed, and when Adele left me to go and play in the nursery with Sophie, I did most keenly desire it. I listened for the bell to ring below; I listened for Leah coming up with a message; I fancied sometimes I heard Mr. Rochester's own tread, and I turned to the door, expecting it to open and admit him. The door remained shut; darkness only came in through the window. Still it was not late; he often sent for me at seven and eight o'clock, and it was yet but six. Surely I should not be wholly disappointed to-night, when I had so many things to say to him! I wanted again to introduce the subject of Grace Poole, and to hear what he would answer; I wanted to ask him plainly if he really believed it was she who had made last night's hideous attempt; and if so, why he kept her wickedness a secret. It little mattered whether my curiosity irritated him; I knew the pleasure of vexing and soothing him by turns; it was one I chiefly delighted in, and a sure instinct always prevented me from going too far; beyond the verge of provocation I never ventured; on the extreme brink I liked well to try my skill. Retaining every minute form of respect, every propriety of my station, I could still meet him in argument without fear or uneasy restraint; this suited both him and me. A tread creaked on the stairs at last. Leah made her appearance; but it was only to intimate that tea was ready in Mrs. Fairfax's room. Thither I repaired, glad at least to go downstairs; for that brought me, I imagined, nearer to Mr. Rochester's presence. "You must want your tea," said the good lady, as I joined her; "you ate so little at dinner. I am afraid," she continued, "you are not well to- day: you look flushed and feverish." "Oh, quite well! I never felt better." "Then you must prove it by evincing a good appetite; will you fill the teapot while I knit off this needle?" Having completed her task, she rose to draw down the blind, which she had hitherto kept up, by way, I suppose, of making the most of daylight, though dusk was now fast deepening into total obscurity. "It is fair to-night," said she, as she looked through the panes, "though not starlight; Mr. Rochester has, on the whole, had a favourable day for his journey." "Journey!--Is Mr. Rochester gone anywhere? I did not know he was out." "Oh, he set off the moment he had breakfasted! He is gone to the Leas, Mr. Eshton's place, ten miles on the other side Millcote. I believe there is quite a party assembled there; Lord Ingram, Sir George Lynn, Colonel Dent, and others." "Do you expect him back to-night?" "No--nor to-morrow either; I should think he is very likely to stay a week or more: when these fine, fashionable people get together, they are so surrounded by elegance and gaiety, so well provided with all that can please and entertain, they are in no hurry to separate. Gentlemen especially are often in request on such occasions; and Mr. Rochester is so talented and so lively in society, that I believe he is a general favourite: the ladies are very fond of him; though you would not think his appearance calculated to recommend him particularly in their eyes: but I suppose his acquirements and abilities, perhaps his wealth and good blood, make amends for any little fault of look." "Are there ladies at the Leas?" "There are Mrs. Eshton and her three daughters--very elegant young ladies indeed; and there are the Honourable Blanche and Mary Ingram, most beautiful women, I suppose: indeed I have seen Blanche, six or seven years since, when she was a girl of eighteen. She came here to a Christmas ball and party Mr. Rochester gave. You should have seen the dining-room that day--how richly it was decorated, how brilliantly lit up! I should think there were fifty ladies and gentlemen present--all of the first county families; and Miss Ingram was considered the belle of the evening." "You saw her, you say, Mrs. Fairfax: what was she like?" "Yes, I saw her. The dining-room doors were thrown open; and, as it was Christmas-time, the servants were allowed to assemble in the hall, to hear some of the ladies sing and play. Mr. Rochester would have me to come in, and I sat down in a quiet corner and watched them. I never saw a more splendid scene: the ladies were magnificently dressed; most of them--at least most of the younger ones--looked handsome; but Miss Ingram was certainly the queen." "And what was she like?" "Tall, fine bust, sloping shoulders; long, graceful neck: olive complexion, dark and clear; noble features; eyes rather like Mr. Rochester's: large and black, and as brilliant as her jewels. And then she had such a fine head of hair; raven-black and so becomingly arranged: a crown of thick plaits behind, and in front the longest, the glossiest curls I ever saw. She was dressed in pure white; an amber-coloured scarf was passed over her shoulder and across her breast, tied at the side, and descending in long, fringed ends below her knee. She wore an amber-coloured flower, too, in her hair: it contrasted well with the jetty mass of her curls." "She was greatly admired, of course?" "Yes, indeed: and not only for her beauty, but for her accomplishments. She was one of the ladies who sang: a gentleman accompanied her on the piano. She and Mr. Rochester sang a duet." "Mr. Rochester? I was not aware he could sing." "Oh! he has a fine bass voice, and an excellent taste for music." "And Miss Ingram: what sort of a voice had she?" "A very rich and powerful one: she sang delightfully; it was a treat to listen to her;--and she played afterwards. I am no judge of music, but Mr. Rochester is; and I heard him say her execution was remarkably good." "And this beautiful and accomplished lady, she is not yet married?" "It appears not: I fancy neither she nor her sister have very large fortunes. Old Lord Ingram's estates were chiefly entailed, and the eldest son came in for everything almost." "But I wonder no wealthy nobleman or gentleman has taken a fancy to her: Mr. Rochester, for instance. He is rich, is he not?" "Oh! yes. But you see there is a considerable difference in age: Mr. Rochester is nearly forty; she is but twenty-five." "What of that? More unequal matches are made every day." "True: yet I should scarcely fancy Mr. Rochester would entertain an idea of the sort. But you eat nothing: you have scarcely tasted since you began tea." "No: I am too thirsty to eat. Will you let me have another cup?" I was about again to revert to the probability of a union between Mr. Rochester and the beautiful Blanche; but Adele came in, and the conversation was turned into another channel. When once more alone, I reviewed the information I had got; looked into my heart, examined its thoughts and feelings, and endeavoured to bring back with a strict hand such as had been straying through imagination's boundless and trackless waste, into the safe fold of common sense. Arraigned at my own bar, Memory having given her evidence of the hopes, wishes, sentiments I had been cherishing since last night--of the general state of mind in which I had indulged for nearly a fortnight past; Reason having come forward and told, in her own quiet way a plain, unvarnished tale, showing how I had rejected the real, and rabidly devoured the ideal;--I pronounced judgment to this effect:-- That a greater fool than Jane Eyre had never breathed the breath of life; that a more fantastic idiot had never surfeited herself on sweet lies, and swallowed poison as if it were nectar. "_You_," I said, "a favourite with Mr. Rochester? _You_ gifted with the power of pleasing him? _You_ of importance to him in any way? Go! your folly sickens me. And you have derived pleasure from occasional tokens of preference--equivocal tokens shown by a gentleman of family and a man of the world to a dependent and a novice. How dared you? Poor stupid dupe!--Could not even self-interest make you wiser? You repeated to yourself this morning the brief scene of last night?--Cover your face and be ashamed! He said something in praise of your eyes, did he? Blind puppy! Open their bleared lids and look on your own accursed senselessness! It does good to no woman to be flattered by her superior, who cannot possibly intend to marry her; and it is madness in all women to let a secret love kindle within them, which, if unreturned and unknown, must devour the life that feeds it; and, if discovered and responded to, must lead, _ignis-fatuus_-like, into miry wilds whence there is no extrication. "Listen, then, Jane Eyre, to your sentence: to-morrow, place the glass before you, and draw in chalk your own picture, faithfully, without softening one defect; omit no harsh line, smooth away no displeasing irregularity; write under it, 'Portrait of a Governess, disconnected, poor, and plain.' "Afterwards, take a piece of smooth ivory--you have one prepared in your drawing-box: take your palette, mix your freshest, finest, clearest tints; choose your most delicate camel-hair pencils; delineate carefully the loveliest face you can imagine; paint it in your softest shades and sweetest lines, according to the description given by Mrs. Fairfax of Blanche Ingram; remember the raven ringlets, the oriental eye;--What! you revert to Mr. Rochester as a model! Order! No snivel!--no sentiment!--no regret! I will endure only sense and resolution. Recall the august yet harmonious lineaments, the Grecian neck and bust; let the round and dazzling arm be visible, and the delicate hand; omit neither diamond ring nor gold bracelet; portray faithfully the attire, aerial lace and glistening satin, graceful scarf and golden rose; call it 'Blanche, an accomplished lady of rank.' "Whenever, in future, you should chance to fancy Mr. Rochester thinks well of you, take out these two pictures and compare them: say, 'Mr. Rochester might probably win that noble lady's love, if he chose to strive for it; is it likely he would waste a serious thought on this indigent and insignificant plebeian?'" "I'll do it," I resolved: and having framed this determination, I grew calm, and fell asleep. I kept my word. An hour or two sufficed to sketch my own portrait in crayons; and in less than a fortnight I had completed an ivory miniature of an imaginary Blanche Ingram. It looked a lovely face enough, and when compared with the real head in chalk, the contrast was as great as self- control could desire. I derived benefit from the task: it had kept my head and hands employed, and had given force and fixedness to the new impressions I wished to stamp indelibly on my heart. Ere long, I had reason to congratulate myself on the course of wholesome discipline to which I had thus forced my feelings to submit. Thanks to it, I was able to meet subsequent occurrences with a decent calm, which, had they found me unprepared, I should probably have been unequal to maintain, even externally.

Chapter 16

https://web.archive.org/web/20190321135117/https://www.cliffsnotes.com/literature/j/jane-eyre/summary-and-analysis/chapter-16

On the morning following the fire, Jane dreads seeing Rochester, but his behavior hasn't changed. Watching the servants cleaning Rochester's room, Jane is amazed to find Grace Poole sewing new curtain rings. Grace seems calm for a woman who tried to commit murder the previous night. Like the other servants, Grace seems to believe that Rochester fell asleep with his candle lit, and the curtains caught on fire. Grace advises Jane to bolt her door every night. Throughout their conversation, Grace gives no sign of guilt at having set the fire, astonishing Jane with her self-possession and hypocrisy. Jane is curious about Grace's role in the household. Why hasn't he fired Grace following the previous night's near murderous arson? At first, Jane believes Rochester might be in love with Grace, but rejects this idea because of Grace's unattractive and matronly appearance. Jane is dismayed to learn that Rochester has left the house to attend a party at the Leas, home of Mr. Eshton, and will be gone for several days. She's particularly upset to learn that a beautiful woman, Miss Blanche Ingram, will be at the party. Recognizing that she's falling in love with Rochester, Jane tries to discipline her feelings by drawing two pictures: a self-portrait in crayon and an imaginary picture of Blanche on ivory. Whenever her feelings for Rochester become too intense, Jane compares her own plainness with Blanche's beauty.

Jane's love for Rochester becomes apparent in this chapter. In her jealousy, Jane imagines a past love relationship between Grace and Rochester; perhaps Grace's "originality and strength of character" compensate for her lack of beauty. Jane doesn't think Rochester is overly impressed by women's looks; for example, Jane is not beautiful, yet Rochester's words, look, and voice on the previous night indicated that he likes her. But a major difference exists between Jane and Grace; as Bessie Leaven said, Jane is a lady. In fact, she looks even better than she did when Bessie saw her, because she has gained color, flesh, and vivacity from the pleasures she enjoys in her relationship with Rochester. She is especially pleased with her ability to vex and sooth him by turns, but always maintaining "every propriety of my station." All of these meditations show Jane's anxieties about Rochester hinge on the issues of social class and beauty. Her hopes are dashed when she learns of Blanche Ingram. Considered the beauty of the county, Blanche, whose name means "fair" or "white," has "noble features," "raven-black" hair arranged in glossy curls, and brilliant black eyes, which contrast with the "pure white" clothes she wears. As with Jane's descriptions of Mrs. Reed and her son John, "darkness" often has negative connotations -- the ethnocentricity of Victorian England tended to associate dark with night and evil. Therefore, Jane's description of Blanche, which emphasizes her dark, Spanish features, implies a negative side of her personality; like Celine, Blanche will be an unacceptable model of femininity. But at this point in the novel, Jane views Blanche as an accomplished and beautiful rival. Most important, as the daughter of landed gentry, her class position more closely matches Rochester's, making Jane's earlier claims to be a "lady" seem insignificant. Jane's dream of the previous night is quickly becoming reality: Rather than allow herself to be brutally tossed around in the sea of her passion for Rochester, Jane vows to be sensible and accept that Rochester could never love her. In creating contrasting portraits of herself and Blanche, Jane emphasizes her own plainness. To Blanche, on the other hand, she gives the loveliest face she can imagine, a Grecian neck, dazzling jewelry, and glistening satin. Once again, Jane's passions have become hyperbolic, as she cannot fully discipline her jealousy of Blanche. In her portraits, Jane excessively emphasizes the material differences between the two women, showing that Jane hasn't yet learned the value of her own spiritual superiority. Jane still has a long way to go on her path to self-knowledge. Glossary Qu'avez-vous . . . des cerises! What's wrong, Miss? your fingers tremble like a leaf, and your cheeks are red: as red as cherries! ignis-fatuus a deceptive hope, goal, or influence; delusion. Literally, a strange light that sometimes appears over marshy ground.

cliffnotes

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Jane Eyre.volume 2.chapter 17

chapter 17

{"name": "Chapter 17", "url": "https://web.archive.org/web/20190321135117/https://www.cliffsnotes.com/literature/j/jane-eyre/summary-and-analysis/chapter-17", "summary": "Jane is sickeningly disappointed when Rochester hasn't returned in a week, and Mrs. Fairfax suggests that he might go directly to Europe, not returning to Thornfield for a year or more. After two weeks, Rochester sends a letter telling Mrs. Fairfax that he will arrive in three days, along with a party of people. Jane is still amazed by Grace Poole's erratic behavior, yet no one else in the house seems to notice her odd habits, her isolation, or her drinking. One day, Jane overhears some of the servants discussing Grace, emphasizing how much Grace is being paid. From this conversation, Jane concludes that there is a mystery at Thornfield from which she is being purposely excluded. On Thursday evening, Rochester and his guests arrive. Together, they give Jane an impression of upper-class elegance, unlike anything she has ever experienced. When Rochester summons Jane and Adele to meet the party, Adele is ecstatic, but Jane is nervous and remains inconspicuously in a window-seat. Jane gives her impressions of the guests, including the dark, majestic Blanche Ingram, whom she thinks Rochester must admire. Jane tries to sneak away from the party, but Rochester stops her. He notices she looks depressed and wonders why. At first he insists that she return to the drawing room, but when he sees tears in her eyes, he allows her to leave. In future, though, she must appear in the drawing room every evening. He says goodnight, stopping himself from adding a term of endearment.", "analysis": "In this chapter, the negative attributes of Blanche's character become apparent, at least in Jane's eyes. While Blanche's beauty lives up to Mrs. Fairfax's description of her, it also contains a \"haughtiness,\" a \"fierce and hard eye\" that resembles her mother's. According to Jane, Blanche is \"the very type of majesty.\" But majesty is hard to live with, and Jane wonders if Rochester truly admires her. Blanche appears to dislike both children -- she notices Adele with a \"mocking eye\" -- and governesses. Her dislike of governesses goes beyond economizing: She rudely calls them \"detestable,\" \"ridiculous\" incubi, sucking the lifeblood from the family. Blanche's mother supports her, arguing \"there are a thousand reasons why liaisons between governesses and tutors should never be tolerated a moment in any well-regulated house.\" Not only are these employees subject to constant persecution, but they are desexualized, not allowed to fall in love. Other members of the party join in with their stories of governess abuse; obviously, it was not pleasant to be responsible for teaching the children of the upper classes. The Ingrams' cruelty is similar to the Reeds', and Jane says Lady Ingram's \"fierce and hard eye\" reminds her of Mrs. Reed's. Jane's gaze is active, almost masculine in this chapter: \"I looked, and had an acute pleasure in looking -- a precious yet poignant pleasure; pure gold, with a steely point of agony: a pleasure like what the thirst-perishing man might feel . . . .\" Generally gazing is a power men have over women, appropriating women by looking at them, cataloguing their beauty. But here Jane appropriates that power for herself. While Blanche is looking for Rochester's gold coins, Jane finds her gold in gazing at her beloved. The mixture of pleasure and pain in her description -- \"poignant pleasure\" and \"steely point of agony\" -- suggest the erotic appeal of Rochester to her; this isn't an innocent glance, but a gaze tinged with sexual tension. Glossary passees out-of-style. Elles changent de toilettes The women are changing their clothes. Chez maman . . . comme cela on apprend. At my mother's house . . . when we had company, I followed them everywhere, to the drawing-room and their bedrooms; often I watched the maids fixing their ladies' hair or helping them dress, and it was very entertaining; I learned to imitate them. Mais oui, mademoiselle: voila cinq ou six heures que nous n'avons pas mange. But of course, Miss: We haven't eaten for five or six hours. et alors quel dommage! that's too bad. Est-ce que je ne puis . . . ma toilette. Can't I take one of these magnificent flowers, miss? It would complete my outfit. minois chiffonne darling; pretty face. Bon jour, mesdames good day, ladies. pere noble de theatre a grand patriarch of the theatre. Tant pis too bad. charivari clatter; noise. belle passion beautiful passion. Au reste besides. Donna Bianca Miss Blanche. Signior mister. con spirito with spirit. Gardez-vous-en bien take care."}

A week passed, and no news arrived of Mr. Rochester: ten days, and still he did not come. Mrs. Fairfax said she should not be surprised if he were to go straight from the Leas to London, and thence to the Continent, and not show his face again at Thornfield for a year to come; he had not unfrequently quitted it in a manner quite as abrupt and unexpected. When I heard this, I was beginning to feel a strange chill and failing at the heart. I was actually permitting myself to experience a sickening sense of disappointment; but rallying my wits, and recollecting my principles, I at once called my sensations to order; and it was wonderful how I got over the temporary blunder--how I cleared up the mistake of supposing Mr. Rochester's movements a matter in which I had any cause to take a vital interest. Not that I humbled myself by a slavish notion of inferiority: on the contrary, I just said-- "You have nothing to do with the master of Thornfield, further than to receive the salary he gives you for teaching his protegee, and to be grateful for such respectful and kind treatment as, if you do your duty, you have a right to expect at his hands. Be sure that is the only tie he seriously acknowledges between you and him; so don't make him the object of your fine feelings, your raptures, agonies, and so forth. He is not of your order: keep to your caste, and be too self-respecting to lavish the love of the whole heart, soul, and strength, where such a gift is not wanted and would be despised." I went on with my day's business tranquilly; but ever and anon vague suggestions kept wandering across my brain of reasons why I should quit Thornfield; and I kept involuntarily framing advertisements and pondering conjectures about new situations: these thoughts I did not think to check; they might germinate and bear fruit if they could. Mr. Rochester had been absent upwards of a fortnight, when the post brought Mrs. Fairfax a letter. "It is from the master," said she, as she looked at the direction. "Now I suppose we shall know whether we are to expect his return or not." And while she broke the seal and perused the document, I went on taking my coffee (we were at breakfast): it was hot, and I attributed to that circumstance a fiery glow which suddenly rose to my face. Why my hand shook, and why I involuntarily spilt half the contents of my cup into my saucer, I did not choose to consider. "Well, I sometimes think we are too quiet; but we run a chance of being busy enough now: for a little while at least," said Mrs. Fairfax, still holding the note before her spectacles. Ere I permitted myself to request an explanation, I tied the string of Adele's pinafore, which happened to be loose: having helped her also to another bun and refilled her mug with milk, I said, nonchalantly-- "Mr. Rochester is not likely to return soon, I suppose?" "Indeed he is--in three days, he says: that will be next Thursday; and not alone either. I don't know how many of the fine people at the Leas are coming with him: he sends directions for all the best bedrooms to be prepared; and the library and drawing-rooms are to be cleaned out; I am to get more kitchen hands from the George Inn, at Millcote, and from wherever else I can; and the ladies will bring their maids and the gentlemen their valets: so we shall have a full house of it." And Mrs. Fairfax swallowed her breakfast and hastened away to commence operations. The three days were, as she had foretold, busy enough. I had thought all the rooms at Thornfield beautifully clean and well arranged; but it appears I was mistaken. Three women were got to help; and such scrubbing, such brushing, such washing of paint and beating of carpets, such taking down and putting up of pictures, such polishing of mirrors and lustres, such lighting of fires in bedrooms, such airing of sheets and feather-beds on hearths, I never beheld, either before or since. Adele ran quite wild in the midst of it: the preparations for company and the prospect of their arrival, seemed to throw her into ecstasies. She would have Sophie to look over all her "toilettes," as she called frocks; to furbish up any that were "_passees_," and to air and arrange the new. For herself, she did nothing but caper about in the front chambers, jump on and off the bedsteads, and lie on the mattresses and piled-up bolsters and pillows before the enormous fires roaring in the chimneys. From school duties she was exonerated: Mrs. Fairfax had pressed me into her service, and I was all day in the storeroom, helping (or hindering) her and the cook; learning to make custards and cheese-cakes and French pastry, to truss game and garnish desert-dishes. The party were expected to arrive on Thursday afternoon, in time for dinner at six. During the intervening period I had no time to nurse chimeras; and I believe I was as active and gay as anybody--Adele excepted. Still, now and then, I received a damping check to my cheerfulness; and was, in spite of myself, thrown back on the region of doubts and portents, and dark conjectures. This was when I chanced to see the third-storey staircase door (which of late had always been kept locked) open slowly, and give passage to the form of Grace Poole, in prim cap, white apron, and handkerchief; when I watched her glide along the gallery, her quiet tread muffled in a list slipper; when I saw her look into the bustling, topsy-turvy bedrooms,--just say a word, perhaps, to the charwoman about the proper way to polish a grate, or clean a marble mantelpiece, or take stains from papered walls, and then pass on. She would thus descend to the kitchen once a day, eat her dinner, smoke a moderate pipe on the hearth, and go back, carrying her pot of porter with her, for her private solace, in her own gloomy, upper haunt. Only one hour in the twenty-four did she pass with her fellow-servants below; all the rest of her time was spent in some low-ceiled, oaken chamber of the second storey: there she sat and sewed--and probably laughed drearily to herself,--as companionless as a prisoner in his dungeon. The strangest thing of all was, that not a soul in the house, except me, noticed her habits, or seemed to marvel at them: no one discussed her position or employment; no one pitied her solitude or isolation. I once, indeed, overheard part of a dialogue between Leah and one of the charwomen, of which Grace formed the subject. Leah had been saying something I had not caught, and the charwoman remarked-- "She gets good wages, I guess?" "Yes," said Leah; "I wish I had as good; not that mine are to complain of,--there's no stinginess at Thornfield; but they're not one fifth of the sum Mrs. Poole receives. And she is laying by: she goes every quarter to the bank at Millcote. I should not wonder but she has saved enough to keep her independent if she liked to leave; but I suppose she's got used to the place; and then she's not forty yet, and strong and able for anything. It is too soon for her to give up business." "She is a good hand, I daresay," said the charwoman. "Ah!--she understands what she has to do,--nobody better," rejoined Leah significantly; "and it is not every one could fill her shoes--not for all the money she gets." "That it is not!" was the reply. "I wonder whether the master--" The charwoman was going on; but here Leah turned and perceived me, and she instantly gave her companion a nudge. "Doesn't she know?" I heard the woman whisper. Leah shook her head, and the conversation was of course dropped. All I had gathered from it amounted to this,--that there was a mystery at Thornfield; and that from participation in that mystery I was purposely excluded. Thursday came: all work had been completed the previous evening; carpets were laid down, bed-hangings festooned, radiant white counterpanes spread, toilet tables arranged, furniture rubbed, flowers piled in vases: both chambers and saloons looked as fresh and bright as hands could make them. The hall, too, was scoured; and the great carved clock, as well as the steps and banisters of the staircase, were polished to the brightness of glass; in the dining-room, the sideboard flashed resplendent with plate; in the drawing-room and boudoir, vases of exotics bloomed on all sides. Afternoon arrived: Mrs. Fairfax assumed her best black satin gown, her gloves, and her gold watch; for it was her part to receive the company,--to conduct the ladies to their rooms, &c. Adele, too, would be dressed: though I thought she had little chance of being introduced to the party that day at least. However, to please her, I allowed Sophie to apparel her in one of her short, full muslin frocks. For myself, I had no need to make any change; I should not be called upon to quit my sanctum of the schoolroom; for a sanctum it was now become to me,--"a very pleasant refuge in time of trouble." It had been a mild, serene spring day--one of those days which, towards the end of March or the beginning of April, rise shining over the earth as heralds of summer. It was drawing to an end now; but the evening was even warm, and I sat at work in the schoolroom with the window open. "It gets late," said Mrs. Fairfax, entering in rustling state. "I am glad I ordered dinner an hour after the time Mr. Rochester mentioned; for it is past six now. I have sent John down to the gates to see if there is anything on the road: one can see a long way from thence in the direction of Millcote." She went to the window. "Here he is!" said she. "Well, John" (leaning out), "any news?" "They're coming, ma'am," was the answer. "They'll be here in ten minutes." Adele flew to the window. I followed, taking care to stand on one side, so that, screened by the curtain, I could see without being seen. The ten minutes John had given seemed very long, but at last wheels were heard; four equestrians galloped up the drive, and after them came two open carriages. Fluttering veils and waving plumes filled the vehicles; two of the cavaliers were young, dashing-looking gentlemen; the third was Mr. Rochester, on his black horse, Mesrour, Pilot bounding before him; at his side rode a lady, and he and she were the first of the party. Her purple riding-habit almost swept the ground, her veil streamed long on the breeze; mingling with its transparent folds, and gleaming through them, shone rich raven ringlets. "Miss Ingram!" exclaimed Mrs. Fairfax, and away she hurried to her post below. The cavalcade, following the sweep of the drive, quickly turned the angle of the house, and I lost sight of it. Adele now petitioned to go down; but I took her on my knee, and gave her to understand that she must not on any account think of venturing in sight of the ladies, either now or at any other time, unless expressly sent for: that Mr. Rochester would be very angry, &c. "Some natural tears she shed" on being told this; but as I began to look very grave, she consented at last to wipe them. A joyous stir was now audible in the hall: gentlemen's deep tones and ladies' silvery accents blent harmoniously together, and distinguishable above all, though not loud, was the sonorous voice of the master of Thornfield Hall, welcoming his fair and gallant guests under its roof. Then light steps ascended the stairs; and there was a tripping through the gallery, and soft cheerful laughs, and opening and closing doors, and, for a time, a hush. "Elles changent de toilettes," said Adele; who, listening attentively, had followed every movement; and she sighed. "Chez maman," said she, "quand il y avait du monde, je le suivais partout, au salon et a leurs chambres; souvent je regardais les femmes de chambre coiffer et habiller les dames, et c'etait si amusant: comme cela on apprend." "Don't you feel hungry, Adele?" "Mais oui, mademoiselle: voila cinq ou six heures que nous n'avons pas mange." "Well now, while the ladies are in their rooms, I will venture down and get you something to eat." And issuing from my asylum with precaution, I sought a back-stairs which conducted directly to the kitchen. All in that region was fire and commotion; the soup and fish were in the last stage of projection, and the cook hung over her crucibles in a frame of mind and body threatening spontaneous combustion. In the servants' hall two coachmen and three gentlemen's gentlemen stood or sat round the fire; the abigails, I suppose, were upstairs with their mistresses; the new servants, that had been hired from Millcote, were bustling about everywhere. Threading this chaos, I at last reached the larder; there I took possession of a cold chicken, a roll of bread, some tarts, a plate or two and a knife and fork: with this booty I made a hasty retreat. I had regained the gallery, and was just shutting the back-door behind me, when an accelerated hum warned me that the ladies were about to issue from their chambers. I could not proceed to the schoolroom without passing some of their doors, and running the risk of being surprised with my cargo of victualage; so I stood still at this end, which, being windowless, was dark: quite dark now, for the sun was set and twilight gathering. Presently the chambers gave up their fair tenants one after another: each came out gaily and airily, with dress that gleamed lustrous through the dusk. For a moment they stood grouped together at the other extremity of the gallery, conversing in a key of sweet subdued vivacity: they then descended the staircase almost as noiselessly as a bright mist rolls down a hill. Their collective appearance had left on me an impression of high- born elegance, such as I had never before received. I found Adele peeping through the schoolroom door, which she held ajar. "What beautiful ladies!" cried she in English. "Oh, I wish I might go to them! Do you think Mr. Rochester will send for us by-and-bye, after dinner?" "No, indeed, I don't; Mr. Rochester has something else to think about. Never mind the ladies to-night; perhaps you will see them to-morrow: here is your dinner." She was really hungry, so the chicken and tarts served to divert her attention for a time. It was well I secured this forage, or both she, I, and Sophie, to whom I conveyed a share of our repast, would have run a chance of getting no dinner at all: every one downstairs was too much engaged to think of us. The dessert was not carried out till after nine and at ten footmen were still running to and fro with trays and coffee- cups. I allowed Adele to sit up much later than usual; for she declared she could not possibly go to sleep while the doors kept opening and shutting below, and people bustling about. Besides, she added, a message might possibly come from Mr. Rochester when she was undressed; "et alors quel dommage!" I told her stories as long as she would listen to them; and then for a change I took her out into the gallery. The hall lamp was now lit, and it amused her to look over the balustrade and watch the servants passing backwards and forwards. When the evening was far advanced, a sound of music issued from the drawing-room, whither the piano had been removed; Adele and I sat down on the top step of the stairs to listen. Presently a voice blent with the rich tones of the instrument; it was a lady who sang, and very sweet her notes were. The solo over, a duet followed, and then a glee: a joyous conversational murmur filled up the intervals. I listened long: suddenly I discovered that my ear was wholly intent on analysing the mingled sounds, and trying to discriminate amidst the confusion of accents those of Mr. Rochester; and when it caught them, which it soon did, it found a further task in framing the tones, rendered by distance inarticulate, into words. The clock struck eleven. I looked at Adele, whose head leant against my shoulder; her eyes were waxing heavy, so I took her up in my arms and carried her off to bed. It was near one before the gentlemen and ladies sought their chambers. The next day was as fine as its predecessor: it was devoted by the party to an excursion to some site in the neighbourhood. They set out early in the forenoon, some on horseback, the rest in carriages; I witnessed both the departure and the return. Miss Ingram, as before, was the only lady equestrian; and, as before, Mr. Rochester galloped at her side; the two rode a little apart from the rest. I pointed out this circumstance to Mrs. Fairfax, who was standing at the window with me-- "You said it was not likely they should think of being married," said I, "but you see Mr. Rochester evidently prefers her to any of the other ladies." "Yes, I daresay: no doubt he admires her." "And she him," I added; "look how she leans her head towards him as if she were conversing confidentially; I wish I could see her face; I have never had a glimpse of it yet." "You will see her this evening," answered Mrs. Fairfax. "I happened to remark to Mr. Rochester how much Adele wished to be introduced to the ladies, and he said: 'Oh! let her come into the drawing-room after dinner; and request Miss Eyre to accompany her.'" "Yes; he said that from mere politeness: I need not go, I am sure," I answered. "Well, I observed to him that as you were unused to company, I did not think you would like appearing before so gay a party--all strangers; and he replied, in his quick way--'Nonsense! If she objects, tell her it is my particular wish; and if she resists, say I shall come and fetch her in case of contumacy.'" "I will not give him that trouble," I answered. "I will go, if no better may be; but I don't like it. Shall you be there, Mrs. Fairfax?" "No; I pleaded off, and he admitted my plea. I'll tell you how to manage so as to avoid the embarrassment of making a formal entrance, which is the most disagreeable part of the business. You must go into the drawing- room while it is empty, before the ladies leave the dinner-table; choose your seat in any quiet nook you like; you need not stay long after the gentlemen come in, unless you please: just let Mr. Rochester see you are there and then slip away--nobody will notice you." "Will these people remain long, do you think?" "Perhaps two or three weeks, certainly not more. After the Easter recess, Sir George Lynn, who was lately elected member for Millcote, will have to go up to town and take his seat; I daresay Mr. Rochester will accompany him: it surprises me that he has already made so protracted a stay at Thornfield." It was with some trepidation that I perceived the hour approach when I was to repair with my charge to the drawing-room. Adele had been in a state of ecstasy all day, after hearing she was to be presented to the ladies in the evening; and it was not till Sophie commenced the operation of dressing her that she sobered down. Then the importance of the process quickly steadied her, and by the time she had her curls arranged in well-smoothed, drooping clusters, her pink satin frock put on, her long sash tied, and her lace mittens adjusted, she looked as grave as any judge. No need to warn her not to disarrange her attire: when she was dressed, she sat demurely down in her little chair, taking care previously to lift up the satin skirt for fear she should crease it, and assured me she would not stir thence till I was ready. This I quickly was: my best dress (the silver-grey one, purchased for Miss Temple's wedding, and never worn since) was soon put on; my hair was soon smoothed; my sole ornament, the pearl brooch, soon assumed. We descended. Fortunately there was another entrance to the drawing-room than that through the saloon where they were all seated at dinner. We found the apartment vacant; a large fire burning silently on the marble hearth, and wax candles shining in bright solitude, amid the exquisite flowers with which the tables were adorned. The crimson curtain hung before the arch: slight as was the separation this drapery formed from the party in the adjoining saloon, they spoke in so low a key that nothing of their conversation could be distinguished beyond a soothing murmur. Adele, who appeared to be still under the influence of a most solemnising impression, sat down, without a word, on the footstool I pointed out to her. I retired to a window-seat, and taking a book from a table near, endeavoured to read. Adele brought her stool to my feet; ere long she touched my knee. "What is it, Adele?" "Est-ce que je ne puis pas prendrie une seule de ces fleurs magnifiques, mademoiselle? Seulement pour completer ma toilette." "You think too much of your 'toilette,' Adele: but you may have a flower." And I took a rose from a vase and fastened it in her sash. She sighed a sigh of ineffable satisfaction, as if her cup of happiness were now full. I turned my face away to conceal a smile I could not suppress: there was something ludicrous as well as painful in the little Parisienne's earnest and innate devotion to matters of dress. A soft sound of rising now became audible; the curtain was swept back from the arch; through it appeared the dining-room, with its lit lustre pouring down light on the silver and glass of a magnificent dessert-service covering a long table; a band of ladies stood in the opening; they entered, and the curtain fell behind them. There were but eight; yet, somehow, as they flocked in, they gave the impression of a much larger number. Some of them were very tall; many were dressed in white; and all had a sweeping amplitude of array that seemed to magnify their persons as a mist magnifies the moon. I rose and curtseyed to them: one or two bent their heads in return, the others only stared at me. They dispersed about the room, reminding me, by the lightness and buoyancy of their movements, of a flock of white plumy birds. Some of them threw themselves in half-reclining positions on the sofas and ottomans: some bent over the tables and examined the flowers and books: the rest gathered in a group round the fire: all talked in a low but clear tone which seemed habitual to them. I knew their names afterwards, and may as well mention them now. First, there was Mrs. Eshton and two of her daughters. She had evidently been a handsome woman, and was well preserved still. Of her daughters, the eldest, Amy, was rather little: naive, and child-like in face and manner, and piquant in form; her white muslin dress and blue sash became her well. The second, Louisa, was taller and more elegant in figure; with a very pretty face, of that order the French term _minois chiffone_: both sisters were fair as lilies. Lady Lynn was a large and stout personage of about forty, very erect, very haughty-looking, richly dressed in a satin robe of changeful sheen: her dark hair shone glossily under the shade of an azure plume, and within the circlet of a band of gems. Mrs. Colonel Dent was less showy; but, I thought, more lady-like. She had a slight figure, a pale, gentle face, and fair hair. Her black satin dress, her scarf of rich foreign lace, and her pearl ornaments, pleased me better than the rainbow radiance of the titled dame. But the three most distinguished--partly, perhaps, because the tallest figures of the band--were the Dowager Lady Ingram and her daughters, Blanche and Mary. They were all three of the loftiest stature of women. The Dowager might be between forty and fifty: her shape was still fine; her hair (by candle-light at least) still black; her teeth, too, were still apparently perfect. Most people would have termed her a splendid woman of her age: and so she was, no doubt, physically speaking; but then there was an expression of almost insupportable haughtiness in her bearing and countenance. She had Roman features and a double chin, disappearing into a throat like a pillar: these features appeared to me not only inflated and darkened, but even furrowed with pride; and the chin was sustained by the same principle, in a position of almost preternatural erectness. She had, likewise, a fierce and a hard eye: it reminded me of Mrs. Reed's; she mouthed her words in speaking; her voice was deep, its inflections very pompous, very dogmatical,--very intolerable, in short. A crimson velvet robe, and a shawl turban of some gold-wrought Indian fabric, invested her (I suppose she thought) with a truly imperial dignity. Blanche and Mary were of equal stature,--straight and tall as poplars. Mary was too slim for her height, but Blanche was moulded like a Dian. I regarded her, of course, with special interest. First, I wished to see whether her appearance accorded with Mrs. Fairfax's description; secondly, whether it at all resembled the fancy miniature I had painted of her; and thirdly--it will out!--whether it were such as I should fancy likely to suit Mr. Rochester's taste. As far as person went, she answered point for point, both to my picture and Mrs. Fairfax's description. The noble bust, the sloping shoulders, the graceful neck, the dark eyes and black ringlets were all there;--but her face? Her face was like her mother's; a youthful unfurrowed likeness: the same low brow, the same high features, the same pride. It was not, however, so saturnine a pride! she laughed continually; her laugh was satirical, and so was the habitual expression of her arched and haughty lip. Genius is said to be self-conscious. I cannot tell whether Miss Ingram was a genius, but she was self-conscious--remarkably self-conscious indeed. She entered into a discourse on botany with the gentle Mrs. Dent. It seemed Mrs. Dent had not studied that science: though, as she said, she liked flowers, "especially wild ones;" Miss Ingram had, and she ran over its vocabulary with an air. I presently perceived she was (what is vernacularly termed) _trailing_ Mrs. Dent; that is, playing on her ignorance--her _trail_ might be clever, but it was decidedly not good- natured. She played: her execution was brilliant; she sang: her voice was fine; she talked French apart to her mamma; and she talked it well, with fluency and with a good accent. Mary had a milder and more open countenance than Blanche; softer features too, and a skin some shades fairer (Miss Ingram was dark as a Spaniard)--but Mary was deficient in life: her face lacked expression, her eye lustre; she had nothing to say, and having once taken her seat, remained fixed like a statue in its niche. The sisters were both attired in spotless white. And did I now think Miss Ingram such a choice as Mr. Rochester would be likely to make? I could not tell--I did not know his taste in female beauty. If he liked the majestic, she was the very type of majesty: then she was accomplished, sprightly. Most gentlemen would admire her, I thought; and that he _did_ admire her, I already seemed to have obtained proof: to remove the last shade of doubt, it remained but to see them together. You are not to suppose, reader, that Adele has all this time been sitting motionless on the stool at my feet: no; when the ladies entered, she rose, advanced to meet them, made a stately reverence, and said with gravity-- "Bon jour, mesdames." And Miss Ingram had looked down at her with a mocking air, and exclaimed, "Oh, what a little puppet!" Lady Lynn had remarked, "It is Mr. Rochester's ward, I suppose--the little French girl he was speaking of." Mrs. Dent had kindly taken her hand, and given her a kiss. Amy and Louisa Eshton had cried out simultaneously--"What a love of a child!" And then they had called her to a sofa, where she now sat, ensconced between them, chattering alternately in French and broken English; absorbing not only the young ladies' attention, but that of Mrs. Eshton and Lady Lynn, and getting spoilt to her heart's content. At last coffee is brought in, and the gentlemen are summoned. I sit in the shade--if any shade there be in this brilliantly-lit apartment; the window-curtain half hides me. Again the arch yawns; they come. The collective appearance of the gentlemen, like that of the ladies, is very imposing: they are all costumed in black; most of them are tall, some young. Henry and Frederick Lynn are very dashing sparks indeed; and Colonel Dent is a fine soldierly man. Mr. Eshton, the magistrate of the district, is gentleman-like: his hair is quite white, his eyebrows and whiskers still dark, which gives him something of the appearance of a "pere noble de theatre." Lord Ingram, like his sisters, is very tall; like them, also, he is handsome; but he shares Mary's apathetic and listless look: he seems to have more length of limb than vivacity of blood or vigour of brain. And where is Mr. Rochester? He comes in last: I am not looking at the arch, yet I see him enter. I try to concentrate my attention on those netting-needles, on the meshes of the purse I am forming--I wish to think only of the work I have in my hands, to see only the silver beads and silk threads that lie in my lap; whereas, I distinctly behold his figure, and I inevitably recall the moment when I last saw it; just after I had rendered him, what he deemed, an essential service, and he, holding my hand, and looking down on my face, surveyed me with eyes that revealed a heart full and eager to overflow; in whose emotions I had a part. How near had I approached him at that moment! What had occurred since, calculated to change his and my relative positions? Yet now, how distant, how far estranged we were! So far estranged, that I did not expect him to come and speak to me. I did not wonder, when, without looking at me, he took a seat at the other side of the room, and began conversing with some of the ladies. No sooner did I see that his attention was riveted on them, and that I might gaze without being observed, than my eyes were drawn involuntarily to his face; I could not keep their lids under control: they would rise, and the irids would fix on him. I looked, and had an acute pleasure in looking,--a precious yet poignant pleasure; pure gold, with a steely point of agony: a pleasure like what the thirst-perishing man might feel who knows the well to which he has crept is poisoned, yet stoops and drinks divine draughts nevertheless. Most true is it that "beauty is in the eye of the gazer." My master's colourless, olive face, square, massive brow, broad and jetty eyebrows, deep eyes, strong features, firm, grim mouth,--all energy, decision, will,--were not beautiful, according to rule; but they were more than beautiful to me; they were full of an interest, an influence that quite mastered me,--that took my feelings from my own power and fettered them in his. I had not intended to love him; the reader knows I had wrought hard to extirpate from my soul the germs of love there detected; and now, at the first renewed view of him, they spontaneously arrived, green and strong! He made me love him without looking at me. I compared him with his guests. What was the gallant grace of the Lynns, the languid elegance of Lord Ingram,--even the military distinction of Colonel Dent, contrasted with his look of native pith and genuine power? I had no sympathy in their appearance, their expression: yet I could imagine that most observers would call them attractive, handsome, imposing; while they would pronounce Mr. Rochester at once harsh-featured and melancholy-looking. I saw them smile, laugh--it was nothing; the light of the candles had as much soul in it as their smile; the tinkle of the bell as much significance as their laugh. I saw Mr. Rochester smile:--his stern features softened; his eye grew both brilliant and gentle, its ray both searching and sweet. He was talking, at the moment, to Louisa and Amy Eshton. I wondered to see them receive with calm that look which seemed to me so penetrating: I expected their eyes to fall, their colour to rise under it; yet I was glad when I found they were in no sense moved. "He is not to them what he is to me," I thought: "he is not of their kind. I believe he is of mine;--I am sure he is--I feel akin to him--I understand the language of his countenance and movements: though rank and wealth sever us widely, I have something in my brain and heart, in my blood and nerves, that assimilates me mentally to him. Did I say, a few days since, that I had nothing to do with him but to receive my salary at his hands? Did I forbid myself to think of him in any other light than as a paymaster? Blasphemy against nature! Every good, true, vigorous feeling I have gathers impulsively round him. I know I must conceal my sentiments: I must smother hope; I must remember that he cannot care much for me. For when I say that I am of his kind, I do not mean that I have his force to influence, and his spell to attract; I mean only that I have certain tastes and feelings in common with him. I must, then, repeat continually that we are for ever sundered:--and yet, while I breathe and think, I must love him." Coffee is handed. The ladies, since the gentlemen entered, have become lively as larks; conversation waxes brisk and merry. Colonel Dent and Mr. Eshton argue on politics; their wives listen. The two proud dowagers, Lady Lynn and Lady Ingram, confabulate together. Sir George--whom, by-the-bye, I have forgotten to describe,--a very big, and very fresh-looking country gentleman, stands before their sofa, coffee- cup in hand, and occasionally puts in a word. Mr. Frederick Lynn has taken a seat beside Mary Ingram, and is showing her the engravings of a splendid volume: she looks, smiles now and then, but apparently says little. The tall and phlegmatic Lord Ingram leans with folded arms on the chair-back of the little and lively Amy Eshton; she glances up at him, and chatters like a wren: she likes him better than she does Mr. Rochester. Henry Lynn has taken possession of an ottoman at the feet of Louisa: Adele shares it with him: he is trying to talk French with her, and Louisa laughs at his blunders. With whom will Blanche Ingram pair? She is standing alone at the table, bending gracefully over an album. She seems waiting to be sought; but she will not wait too long: she herself selects a mate. Mr. Rochester, having quitted the Eshtons, stands on the hearth as solitary as she stands by the table: she confronts him, taking her station on the opposite side of the mantelpiece. "Mr. Rochester, I thought you were not fond of children?" "Nor am I." "Then, what induced you to take charge of such a little doll as that?" (pointing to Adele). "Where did you pick her up?" "I did not pick her up; she was left on my hands." "You should have sent her to school." "I could not afford it: schools are so dear." "Why, I suppose you have a governess for her: I saw a person with her just now--is she gone? Oh, no! there she is still, behind the window- curtain. You pay her, of course; I should think it quite as expensive,--more so; for you have them both to keep in addition." I feared--or should I say, hoped?--the allusion to me would make Mr. Rochester glance my way; and I involuntarily shrank farther into the shade: but he never turned his eyes. "I have not considered the subject," said he indifferently, looking straight before him. "No, you men never do consider economy and common sense. You should hear mama on the chapter of governesses: Mary and I have had, I should think, a dozen at least in our day; half of them detestable and the rest ridiculous, and all incubi--were they not, mama?" "Did you speak, my own?" The young lady thus claimed as the dowager's special property, reiterated her question with an explanation. "My dearest, don't mention governesses; the word makes me nervous. I have suffered a martyrdom from their incompetency and caprice. I thank Heaven I have now done with them!" Mrs. Dent here bent over to the pious lady and whispered something in her ear; I suppose, from the answer elicited, it was a reminder that one of the anathematised race was present. "Tant pis!" said her Ladyship, "I hope it may do her good!" Then, in a lower tone, but still loud enough for me to hear, "I noticed her; I am a judge of physiognomy, and in hers I see all the faults of her class." "What are they, madam?" inquired Mr. Rochester aloud. "I will tell you in your private ear," replied she, wagging her turban three times with portentous significancy. "But my curiosity will be past its appetite; it craves food now." "Ask Blanche; she is nearer you than I." "Oh, don't refer him to me, mama! I have just one word to say of the whole tribe; they are a nuisance. Not that I ever suffered much from them; I took care to turn the tables. What tricks Theodore and I used to play on our Miss Wilsons, and Mrs. Greys, and Madame Jouberts! Mary was always too sleepy to join in a plot with spirit. The best fun was with Madame Joubert: Miss Wilson was a poor sickly thing, lachrymose and low- spirited, not worth the trouble of vanquishing, in short; and Mrs. Grey was coarse and insensible; no blow took effect on her. But poor Madame Joubert! I see her yet in her raging passions, when we had driven her to extremities--spilt our tea, crumbled our bread and butter, tossed our books up to the ceiling, and played a charivari with the ruler and desk, the fender and fire-irons. Theodore, do you remember those merry days?" "Yaas, to be sure I do," drawled Lord Ingram; "and the poor old stick used to cry out 'Oh you villains childs!'--and then we sermonised her on the presumption of attempting to teach such clever blades as we were, when she was herself so ignorant." "We did; and, Tedo, you know, I helped you in prosecuting (or persecuting) your tutor, whey-faced Mr. Vining--the parson in the pip, as we used to call him. He and Miss Wilson took the liberty of falling in love with each other--at least Tedo and I thought so; we surprised sundry tender glances and sighs which we interpreted as tokens of 'la belle passion,' and I promise you the public soon had the benefit of our discovery; we employed it as a sort of lever to hoist our dead-weights from the house. Dear mama, there, as soon as she got an inkling of the business, found out that it was of an immoral tendency. Did you not, my lady-mother?" "Certainly, my best. And I was quite right: depend on that: there are a thousand reasons why liaisons between governesses and tutors should never be tolerated a moment in any well-regulated house; firstly--" "Oh, gracious, mama! Spare us the enumeration! _Au reste_, we all know them: danger of bad example to innocence of childhood; distractions and consequent neglect of duty on the part of the attached--mutual alliance and reliance; confidence thence resulting--insolence accompanying--mutiny and general blow-up. Am I right, Baroness Ingram, of Ingram Park?" "My lily-flower, you are right now, as always." "Then no more need be said: change the subject." Amy Eshton, not hearing or not heeding this dictum, joined in with her soft, infantine tone: "Louisa and I used to quiz our governess too; but she was such a good creature, she would bear anything: nothing put her out. She was never cross with us; was she, Louisa?" "No, never: we might do what we pleased; ransack her desk and her workbox, and turn her drawers inside out; and she was so good-natured, she would give us anything we asked for." "I suppose, now," said Miss Ingram, curling her lip sarcastically, "we shall have an abstract of the memoirs of all the governesses extant: in order to avert such a visitation, I again move the introduction of a new topic. Mr. Rochester, do you second my motion?" "Madam, I support you on this point, as on every other." "Then on me be the onus of bringing it forward. Signior Eduardo, are you in voice to-night?" "Donna Bianca, if you command it, I will be." "Then, signior, I lay on you my sovereign behest to furbish up your lungs and other vocal organs, as they will be wanted on my royal service." "Who would not be the Rizzio of so divine a Mary?" "A fig for Rizzio!" cried she, tossing her head with all its curls, as she moved to the piano. "It is my opinion the fiddler David must have been an insipid sort of fellow; I like black Bothwell better: to my mind a man is nothing without a spice of the devil in him; and history may say what it will of James Hepburn, but I have a notion, he was just the sort of wild, fierce, bandit hero whom I could have consented to gift with my hand." "Gentlemen, you hear! Now which of you most resembles Bothwell?" cried Mr. Rochester. "I should say the preference lies with you," responded Colonel Dent. "On my honour, I am much obliged to you," was the reply. Miss Ingram, who had now seated herself with proud grace at the piano, spreading out her snowy robes in queenly amplitude, commenced a brilliant prelude; talking meantime. She appeared to be on her high horse to-night; both her words and her air seemed intended to excite not only the admiration, but the amazement of her auditors: she was evidently bent on striking them as something very dashing and daring indeed. "Oh, I am so sick of the young men of the present day!" exclaimed she, rattling away at the instrument. "Poor, puny things, not fit to stir a step beyond papa's park gates: nor to go even so far without mama's permission and guardianship! Creatures so absorbed in care about their pretty faces, and their white hands, and their small feet; as if a man had anything to do with beauty! As if loveliness were not the special prerogative of woman--her legitimate appanage and heritage! I grant an ugly _woman_ is a blot on the fair face of creation; but as to the _gentlemen_, let them be solicitous to possess only strength and valour: let their motto be:--Hunt, shoot, and fight: the rest is not worth a fillip. Such should be my device, were I a man." "Whenever I marry," she continued after a pause which none interrupted, "I am resolved my husband shall not be a rival, but a foil to me. I will suffer no competitor near the throne; I shall exact an undivided homage: his devotions shall not be shared between me and the shape he sees in his mirror. Mr. Rochester, now sing, and I will play for you." "I am all obedience," was the response. "Here then is a Corsair-song. Know that I doat on Corsairs; and for that reason, sing it _con spirito_." "Commands from Miss Ingram's lips would put spirit into a mug of milk and water." "Take care, then: if you don't please me, I will shame you by showing how such things _should_ be done." "That is offering a premium on incapacity: I shall now endeavour to fail." "Gardez-vous en bien! If you err wilfully, I shall devise a proportionate punishment." "Miss Ingram ought to be clement, for she has it in her power to inflict a chastisement beyond mortal endurance." "Ha! explain!" commanded the lady. "Pardon me, madam: no need of explanation; your own fine sense must inform you that one of your frowns would be a sufficient substitute for capital punishment." "Sing!" said she, and again touching the piano, she commenced an accompaniment in spirited style. "Now is my time to slip away," thought I: but the tones that then severed the air arrested me. Mrs. Fairfax had said Mr. Rochester possessed a fine voice: he did--a mellow, powerful bass, into which he threw his own feeling, his own force; finding a way through the ear to the heart, and there waking sensation strangely. I waited till the last deep and full vibration had expired--till the tide of talk, checked an instant, had resumed its flow; I then quitted my sheltered corner and made my exit by the side-door, which was fortunately near. Thence a narrow passage led into the hall: in crossing it, I perceived my sandal was loose; I stopped to tie it, kneeling down for that purpose on the mat at the foot of the staircase. I heard the dining-room door unclose; a gentleman came out; rising hastily, I stood face to face with him: it was Mr. Rochester. "How do you do?" he asked. "I am very well, sir." "Why did you not come and speak to me in the room?" I thought I might have retorted the question on him who put it: but I would not take that freedom. I answered-- "I did not wish to disturb you, as you seemed engaged, sir." "What have you been doing during my absence?" "Nothing particular; teaching Adele as usual." "And getting a good deal paler than you were--as I saw at first sight. What is the matter?" "Nothing at all, sir." "Did you take any cold that night you half drowned me?" "Not the least." "Return to the drawing-room: you are deserting too early." "I am tired, sir." He looked at me for a minute. "And a little depressed," he said. "What about? Tell me." "Nothing--nothing, sir. I am not depressed." "But I affirm that you are: so much depressed that a few more words would bring tears to your eyes--indeed, they are there now, shining and swimming; and a bead has slipped from the lash and fallen on to the flag. If I had time, and was not in mortal dread of some prating prig of a servant passing, I would know what all this means. Well, to-night I excuse you; but understand that so long as my visitors stay, I expect you to appear in the drawing-room every evening; it is my wish; don't neglect it. Now go, and send Sophie for Adele. Good-night, my--" He stopped, bit his lip, and abruptly left me.

Chapter 17

https://web.archive.org/web/20190321135117/https://www.cliffsnotes.com/literature/j/jane-eyre/summary-and-analysis/chapter-17

Jane is sickeningly disappointed when Rochester hasn't returned in a week, and Mrs. Fairfax suggests that he might go directly to Europe, not returning to Thornfield for a year or more. After two weeks, Rochester sends a letter telling Mrs. Fairfax that he will arrive in three days, along with a party of people. Jane is still amazed by Grace Poole's erratic behavior, yet no one else in the house seems to notice her odd habits, her isolation, or her drinking. One day, Jane overhears some of the servants discussing Grace, emphasizing how much Grace is being paid. From this conversation, Jane concludes that there is a mystery at Thornfield from which she is being purposely excluded. On Thursday evening, Rochester and his guests arrive. Together, they give Jane an impression of upper-class elegance, unlike anything she has ever experienced. When Rochester summons Jane and Adele to meet the party, Adele is ecstatic, but Jane is nervous and remains inconspicuously in a window-seat. Jane gives her impressions of the guests, including the dark, majestic Blanche Ingram, whom she thinks Rochester must admire. Jane tries to sneak away from the party, but Rochester stops her. He notices she looks depressed and wonders why. At first he insists that she return to the drawing room, but when he sees tears in her eyes, he allows her to leave. In future, though, she must appear in the drawing room every evening. He says goodnight, stopping himself from adding a term of endearment.

In this chapter, the negative attributes of Blanche's character become apparent, at least in Jane's eyes. While Blanche's beauty lives up to Mrs. Fairfax's description of her, it also contains a "haughtiness," a "fierce and hard eye" that resembles her mother's. According to Jane, Blanche is "the very type of majesty." But majesty is hard to live with, and Jane wonders if Rochester truly admires her. Blanche appears to dislike both children -- she notices Adele with a "mocking eye" -- and governesses. Her dislike of governesses goes beyond economizing: She rudely calls them "detestable," "ridiculous" incubi, sucking the lifeblood from the family. Blanche's mother supports her, arguing "there are a thousand reasons why liaisons between governesses and tutors should never be tolerated a moment in any well-regulated house." Not only are these employees subject to constant persecution, but they are desexualized, not allowed to fall in love. Other members of the party join in with their stories of governess abuse; obviously, it was not pleasant to be responsible for teaching the children of the upper classes. The Ingrams' cruelty is similar to the Reeds', and Jane says Lady Ingram's "fierce and hard eye" reminds her of Mrs. Reed's. Jane's gaze is active, almost masculine in this chapter: "I looked, and had an acute pleasure in looking -- a precious yet poignant pleasure; pure gold, with a steely point of agony: a pleasure like what the thirst-perishing man might feel . . . ." Generally gazing is a power men have over women, appropriating women by looking at them, cataloguing their beauty. But here Jane appropriates that power for herself. While Blanche is looking for Rochester's gold coins, Jane finds her gold in gazing at her beloved. The mixture of pleasure and pain in her description -- "poignant pleasure" and "steely point of agony" -- suggest the erotic appeal of Rochester to her; this isn't an innocent glance, but a gaze tinged with sexual tension. Glossary passees out-of-style. Elles changent de toilettes The women are changing their clothes. Chez maman . . . comme cela on apprend. At my mother's house . . . when we had company, I followed them everywhere, to the drawing-room and their bedrooms; often I watched the maids fixing their ladies' hair or helping them dress, and it was very entertaining; I learned to imitate them. Mais oui, mademoiselle: voila cinq ou six heures que nous n'avons pas mange. But of course, Miss: We haven't eaten for five or six hours. et alors quel dommage! that's too bad. Est-ce que je ne puis . . . ma toilette. Can't I take one of these magnificent flowers, miss? It would complete my outfit. minois chiffonne darling; pretty face. Bon jour, mesdames good day, ladies. pere noble de theatre a grand patriarch of the theatre. Tant pis too bad. charivari clatter; noise. belle passion beautiful passion. Au reste besides. Donna Bianca Miss Blanche. Signior mister. con spirito with spirit. Gardez-vous-en bien take care.

cliffnotes

all_chapterized_books/1260-chapters/volume_2_chapters_18_to_19.txt

finished_summaries/cliffnotes/Jane Eyre/section_14_part_0.txt

Jane Eyre.volume 2.chapters 18-19

chapters 18-19

{"name": "Chapters 18-19", "url": "https://web.archive.org/web/20190321135117/https://www.cliffsnotes.com/literature/j/jane-eyre/summary-and-analysis/chapters-1819", "summary": "With guests at Thornfield, life is cheerful. One night, they are preparing for a game of charades. Rochester's group goes first, pantomiming a marriage ceremony with Rochester and Blanche as the happy couple. They then enact the story of Eliezer and Rebecca, and end with Rochester as a prisoner in chains. Colonel Dent's team correctly guesses the overall meaning of the three charades: Bridewell, an English prison. No longer interested in the charades, Jane watches the interactions between Rochester and Blanche. Their intimate style of conversing leads Jane to believe they will soon marry. But Jane doesn't believe they love each other. Rochester is marrying for social and political reasons, while Blanche is marrying for money. Mr. Mason an old acquaintance of Rochester's, arrives one day. Jane immediately dislikes Mason's \"unsettled and inanimate\" face. From Mason, she learns that Rochester once lived in the West Indies. A gypsy woman, old Mother Bunches, arrives from a nearby camp and wants to tell the fortunes of \"the quality.\" Lady Ingram wants the old woman sent away, but Blanche insists upon having her fortune told. After fifteen minutes with the old woman, Blanche returns, and has obviously received disappointing news. Mary Ingram and Amy and Louisa Eschton have their fortunes read together and return laughing, impressed by Mother Bunches' intimate knowledge of their lives. Finally, the gypsy insists upon telling Jane's fortune. Jane isn't frightened, just interested and excited. Jane enters the library and finds the gypsy woman seated snugly in an easy chair. She sits in front of the fire, reading something that looks like a Prayer Book. Despite Jane's protests to the contrary, the gypsy woman tells Jane she is cold, sick, and silly. Jane, she foretells, is very close to happiness; if Jane made a movement toward it, bliss would result. Soon the gypsy's speech has wrapped Jane in a dream-like state, and she is surprised by how well the old woman knows the secrets of her heart. The gypsy also explains that she crushed Blanche's marriage hopes by suggesting Rochester isn't as wealthy as he seems. The gypsy then reads each of Jane's features, as the voice drones on it eventually becomes Rochester's. Jane tells Rochester the disguise was unfair and admits she had suspected Grace Poole of being the masquerader. Before leaving, Jane tells Rochester about Mason's arrival; he is visibly upset by this news. Rochester worries that Mason has told them something grave or mysterious about him. Later that night she hears Rochester happily leading Mason to his room.", "analysis": "More aspects of Blanche Ingram's bad behavior are presented in this chapter. For example, she pushes Adele away with \"spiteful antipathy\" and her treatment of Jane isn't much better: She \"scorned to touch with the hem of her robes as she passed\" and quickly withdrew her eyes from Jane \"as from an object too mean to merit observation.\" Jane concludes that Blanche is an inferior example of femininity because, like Celine Varens, she is showy, but not genuine. Her heart is \"barren,\" her mind is \"poor,\" and she lacks \"freshness,\" the one trait Rochester claims to be searching for. Qualities Jane admires in women include force, fervor, kindness, and sense. The chapter contains many prophetic events. Linking marriage with imprisonment, the charade foreshadows the circumstances of Rochester's marriage that has trapped him for life with a mad woman; Rochester is stuck in a \"Bridewell\" of his own creation. The arrival of Mr. Mason also prefigures change. Immediately disliking the tame vacancy of Mason's eyes, Jane compares him with Rochester, finding they differ like a gander and a falcon. Mason's difference lies in foreignness; recently arrived from the West Indies, Mason appears to suffer from a heat-induced languor. Mason will play a pivotal role in the plot of the story, and his presence provides another example of how foreigners are denigrated in this novel. In posing as a gypsy woman, Rochester is assuming an ambiguous role -- a position of both gender and class inferiority. In his disguise, he is almost denied admittance to his own home, and is referred to here by Jane as \"mother\" rather than \"master.\" Many critics argue Jane's relationship with Rochester is marked by ambiguities of equality and independence: In their first meeting, for example, Rochester is dependent upon Jane to return to his horse. As gypsy woman, Rochester breaks gender boundaries and further aligns himself with mystical knowledge. During this tale, Rochester wears a red cloak, connecting with other red images in the novel and showing his connection with the element of passion. Given the class differences between them, Rochester can't reveal his feeling for Jane in plain English, but must keep his words, like his face, veiled. As his language becomes plainer, more directly revealing the secrets of her heart, it paradoxically leads her not into reality, but into a dream state: Jane says the gypsy's strange talk leads Jane into \"a web of mystification.\" Rochester's almost supernatural powers are highlighted in this scene: His ability to weave a magical web around Jane with words and, more importantly, his ability to look almost directly into her heart so she feels an \"unseen spirit had been sitting for weeks by my heart watching its workings and taking record of every pulse.\" He has also seen through Blanche's heart, recognizing her fortune-hunting mission. His witch's skill is being able to peer deeply into women's hearts, extracting their secrets: Notice that he does not tell the fortunes of any of the men in the party. Glossary Voila Monsieur Rochester, qui revient! Look, it's Mr. Rochester returning! surtout an overcoat. le cas an occasion. diablerie witchcraft ad infinitum endlessly"}

Merry days were these at Thornfield Hall; and busy days too: how different from the first three months of stillness, monotony, and solitude I had passed beneath its roof! All sad feelings seemed now driven from the house, all gloomy associations forgotten: there was life everywhere, movement all day long. You could not now traverse the gallery, once so hushed, nor enter the front chambers, once so tenantless, without encountering a smart lady's-maid or a dandy valet. The kitchen, the butler's pantry, the servants' hall, the entrance hall, were equally alive; and the saloons were only left void and still when the blue sky and halcyon sunshine of the genial spring weather called their occupants out into the grounds. Even when that weather was broken, and continuous rain set in for some days, no damp seemed cast over enjoyment: indoor amusements only became more lively and varied, in consequence of the stop put to outdoor gaiety. I wondered what they were going to do the first evening a change of entertainment was proposed: they spoke of "playing charades," but in my ignorance I did not understand the term. The servants were called in, the dining-room tables wheeled away, the lights otherwise disposed, the chairs placed in a semicircle opposite the arch. While Mr. Rochester and the other gentlemen directed these alterations, the ladies were running up and down stairs ringing for their maids. Mrs. Fairfax was summoned to give information respecting the resources of the house in shawls, dresses, draperies of any kind; and certain wardrobes of the third storey were ransacked, and their contents, in the shape of brocaded and hooped petticoats, satin sacques, black modes, lace lappets, &c., were brought down in armfuls by the abigails; then a selection was made, and such things as were chosen were carried to the boudoir within the drawing-room. Meantime, Mr. Rochester had again summoned the ladies round him, and was selecting certain of their number to be of his party. "Miss Ingram is mine, of course," said he: afterwards he named the two Misses Eshton, and Mrs. Dent. He looked at me: I happened to be near him, as I had been fastening the clasp of Mrs. Dent's bracelet, which had got loose. "Will you play?" he asked. I shook my head. He did not insist, which I rather feared he would have done; he allowed me to return quietly to my usual seat. He and his aids now withdrew behind the curtain: the other party, which was headed by Colonel Dent, sat down on the crescent of chairs. One of the gentlemen, Mr. Eshton, observing me, seemed to propose that I should be asked to join them; but Lady Ingram instantly negatived the notion. "No," I heard her say: "she looks too stupid for any game of the sort." Ere long a bell tinkled, and the curtain drew up. Within the arch, the bulky figure of Sir George Lynn, whom Mr. Rochester had likewise chosen, was seen enveloped in a white sheet: before him, on a table, lay open a large book; and at his side stood Amy Eshton, draped in Mr. Rochester's cloak, and holding a book in her hand. Somebody, unseen, rang the bell merrily; then Adele (who had insisted on being one of her guardian's party), bounded forward, scattering round her the contents of a basket of flowers she carried on her arm. Then appeared the magnificent figure of Miss Ingram, clad in white, a long veil on her head, and a wreath of roses round her brow; by her side walked Mr. Rochester, and together they drew near the table. They knelt; while Mrs. Dent and Louisa Eshton, dressed also in white, took up their stations behind them. A ceremony followed, in dumb show, in which it was easy to recognise the pantomime of a marriage. At its termination, Colonel Dent and his party consulted in whispers for two minutes, then the Colonel called out-- "Bride!" Mr. Rochester bowed, and the curtain fell. A considerable interval elapsed before it again rose. Its second rising displayed a more elaborately prepared scene than the last. The drawing- room, as I have before observed, was raised two steps above the dining- room, and on the top of the upper step, placed a yard or two back within the room, appeared a large marble basin--which I recognised as an ornament of the conservatory--where it usually stood, surrounded by exotics, and tenanted by gold fish--and whence it must have been transported with some trouble, on account of its size and weight. Seated on the carpet, by the side of this basin, was seen Mr. Rochester, costumed in shawls, with a turban on his head. His dark eyes and swarthy skin and Paynim features suited the costume exactly: he looked the very model of an Eastern emir, an agent or a victim of the bowstring. Presently advanced into view Miss Ingram. She, too, was attired in oriental fashion: a crimson scarf tied sash-like round the waist: an embroidered handkerchief knotted about her temples; her beautifully-moulded arms bare, one of them upraised in the act of supporting a pitcher, poised gracefully on her head. Both her cast of form and feature, her complexion and her general air, suggested the idea of some Israelitish princess of the patriarchal days; and such was doubtless the character she intended to represent. She approached the basin, and bent over it as if to fill her pitcher; she again lifted it to her head. The personage on the well-brink now seemed to accost her; to make some request:--"She hasted, let down her pitcher on her hand, and gave him to drink." From the bosom of his robe he then produced a casket, opened it and showed magnificent bracelets and earrings; she acted astonishment and admiration; kneeling, he laid the treasure at her feet; incredulity and delight were expressed by her looks and gestures; the stranger fastened the bracelets on her arms and the rings in her ears. It was Eliezer and Rebecca: the camels only were wanting. The divining party again laid their heads together: apparently they could not agree about the word or syllable the scene illustrated. Colonel Dent, their spokesman, demanded "the tableau of the whole;" whereupon the curtain again descended. On its third rising only a portion of the drawing-room was disclosed; the rest being concealed by a screen, hung with some sort of dark and coarse drapery. The marble basin was removed; in its place, stood a deal table and a kitchen chair: these objects were visible by a very dim light proceeding from a horn lantern, the wax candles being all extinguished. Amidst this sordid scene, sat a man with his clenched hands resting on his knees, and his eyes bent on the ground. I knew Mr. Rochester; though the begrimed face, the disordered dress (his coat hanging loose from one arm, as if it had been almost torn from his back in a scuffle), the desperate and scowling countenance, the rough, bristling hair might well have disguised him. As he moved, a chain clanked; to his wrists were attached fetters. "Bridewell!" exclaimed Colonel Dent, and the charade was solved. A sufficient interval having elapsed for the performers to resume their ordinary costume, they re-entered the dining-room. Mr. Rochester led in Miss Ingram; she was complimenting him on his acting. "Do you know," said she, "that, of the three characters, I liked you in the last best? Oh, had you but lived a few years earlier, what a gallant gentleman-highwayman you would have made!" "Is all the soot washed from my face?" he asked, turning it towards her. "Alas! yes: the more's the pity! Nothing could be more becoming to your complexion than that ruffian's rouge." "You would like a hero of the road then?" "An English hero of the road would be the next best thing to an Italian bandit; and that could only be surpassed by a Levantine pirate." "Well, whatever I am, remember you are my wife; we were married an hour since, in the presence of all these witnesses." She giggled, and her colour rose. "Now, Dent," continued Mr. Rochester, "it is your turn." And as the other party withdrew, he and his band took the vacated seats. Miss Ingram placed herself at her leader's right hand; the other diviners filled the chairs on each side of him and her. I did not now watch the actors; I no longer waited with interest for the curtain to rise; my attention was absorbed by the spectators; my eyes, erewhile fixed on the arch, were now irresistibly attracted to the semicircle of chairs. What charade Colonel Dent and his party played, what word they chose, how they acquitted themselves, I no longer remember; but I still see the consultation which followed each scene: I see Mr. Rochester turn to Miss Ingram, and Miss Ingram to him; I see her incline her head towards him, till the jetty curls almost touch his shoulder and wave against his cheek; I hear their mutual whisperings; I recall their interchanged glances; and something even of the feeling roused by the spectacle returns in memory at this moment. I have told you, reader, that I had learnt to love Mr. Rochester: I could not unlove him now, merely because I found that he had ceased to notice me--because I might pass hours in his presence, and he would never once turn his eyes in my direction--because I saw all his attentions appropriated by a great lady, who scorned to touch me with the hem of her robes as she passed; who, if ever her dark and imperious eye fell on me by chance, would withdraw it instantly as from an object too mean to merit observation. I could not unlove him, because I felt sure he would soon marry this very lady--because I read daily in her a proud security in his intentions respecting her--because I witnessed hourly in him a style of courtship which, if careless and choosing rather to be sought than to seek, was yet, in its very carelessness, captivating, and in its very pride, irresistible. There was nothing to cool or banish love in these circumstances, though much to create despair. Much too, you will think, reader, to engender jealousy: if a woman, in my position, could presume to be jealous of a woman in Miss Ingram's. But I was not jealous: or very rarely;--the nature of the pain I suffered could not be explained by that word. Miss Ingram was a mark beneath jealousy: she was too inferior to excite the feeling. Pardon the seeming paradox; I mean what I say. She was very showy, but she was not genuine: she had a fine person, many brilliant attainments; but her mind was poor, her heart barren by nature: nothing bloomed spontaneously on that soil; no unforced natural fruit delighted by its freshness. She was not good; she was not original: she used to repeat sounding phrases from books: she never offered, nor had, an opinion of her own. She advocated a high tone of sentiment; but she did not know the sensations of sympathy and pity; tenderness and truth were not in her. Too often she betrayed this, by the undue vent she gave to a spiteful antipathy she had conceived against little Adele: pushing her away with some contumelious epithet if she happened to approach her; sometimes ordering her from the room, and always treating her with coldness and acrimony. Other eyes besides mine watched these manifestations of character--watched them closely, keenly, shrewdly. Yes; the future bridegroom, Mr. Rochester himself, exercised over his intended a ceaseless surveillance; and it was from this sagacity--this guardedness of his--this perfect, clear consciousness of his fair one's defects--this obvious absence of passion in his sentiments towards her, that my ever- torturing pain arose. I saw he was going to marry her, for family, perhaps political reasons, because her rank and connections suited him; I felt he had not given her his love, and that her qualifications were ill adapted to win from him that treasure. This was the point--this was where the nerve was touched and teased--this was where the fever was sustained and fed: _she could not charm him_. If she had managed the victory at once, and he had yielded and sincerely laid his heart at her feet, I should have covered my face, turned to the wall, and (figuratively) have died to them. If Miss Ingram had been a good and noble woman, endowed with force, fervour, kindness, sense, I should have had one vital struggle with two tigers--jealousy and despair: then, my heart torn out and devoured, I should have admired her--acknowledged her excellence, and been quiet for the rest of my days: and the more absolute her superiority, the deeper would have been my admiration--the more truly tranquil my quiescence. But as matters really stood, to watch Miss Ingram's efforts at fascinating Mr. Rochester, to witness their repeated failure--herself unconscious that they did fail; vainly fancying that each shaft launched hit the mark, and infatuatedly pluming herself on success, when her pride and self-complacency repelled further and further what she wished to allure--to witness _this_, was to be at once under ceaseless excitation and ruthless restraint. Because, when she failed, I saw how she might have succeeded. Arrows that continually glanced off from Mr. Rochester's breast and fell harmless at his feet, might, I knew, if shot by a surer hand, have quivered keen in his proud heart--have called love into his stern eye, and softness into his sardonic face; or, better still, without weapons a silent conquest might have been won. "Why can she not influence him more, when she is privileged to draw so near to him?" I asked myself. "Surely she cannot truly like him, or not like him with true affection! If she did, she need not coin her smiles so lavishly, flash her glances so unremittingly, manufacture airs so elaborate, graces so multitudinous. It seems to me that she might, by merely sitting quietly at his side, saying little and looking less, get nigher his heart. I have seen in his face a far different expression from that which hardens it now while she is so vivaciously accosting him; but then it came of itself: it was not elicited by meretricious arts and calculated manoeuvres; and one had but to accept it--to answer what he asked without pretension, to address him when needful without grimace--and it increased and grew kinder and more genial, and warmed one like a fostering sunbeam. How will she manage to please him when they are married? I do not think she will manage it; and yet it might be managed; and his wife might, I verily believe, be the very happiest woman the sun shines on." I have not yet said anything condemnatory of Mr. Rochester's project of marrying for interest and connections. It surprised me when I first discovered that such was his intention: I had thought him a man unlikely to be influenced by motives so commonplace in his choice of a wife; but the longer I considered the position, education, &c., of the parties, the less I felt justified in judging and blaming either him or Miss Ingram for acting in conformity to ideas and principles instilled into them, doubtless, from their childhood. All their class held these principles: I supposed, then, they had reasons for holding them such as I could not fathom. It seemed to me that, were I a gentleman like him, I would take to my bosom only such a wife as I could love; but the very obviousness of the advantages to the husband's own happiness offered by this plan convinced me that there must be arguments against its general adoption of which I was quite ignorant: otherwise I felt sure all the world would act as I wished to act. But in other points, as well as this, I was growing very lenient to my master: I was forgetting all his faults, for which I had once kept a sharp look-out. It had formerly been my endeavour to study all sides of his character: to take the bad with the good; and from the just weighing of both, to form an equitable judgment. Now I saw no bad. The sarcasm that had repelled, the harshness that had startled me once, were only like keen condiments in a choice dish: their presence was pungent, but their absence would be felt as comparatively insipid. And as for the vague something--was it a sinister or a sorrowful, a designing or a desponding expression?--that opened upon a careful observer, now and then, in his eye, and closed again before one could fathom the strange depth partially disclosed; that something which used to make me fear and shrink, as if I had been wandering amongst volcanic-looking hills, and had suddenly felt the ground quiver and seen it gape: that something, I, at intervals, beheld still; and with throbbing heart, but not with palsied nerves. Instead of wishing to shun, I longed only to dare--to divine it; and I thought Miss Ingram happy, because one day she might look into the abyss at her leisure, explore its secrets and analyse their nature. Meantime, while I thought only of my master and his future bride--saw only them, heard only their discourse, and considered only their movements of importance--the rest of the party were occupied with their own separate interests and pleasures. The Ladies Lynn and Ingram continued to consort in solemn conferences, where they nodded their two turbans at each other, and held up their four hands in confronting gestures of surprise, or mystery, or horror, according to the theme on which their gossip ran, like a pair of magnified puppets. Mild Mrs. Dent talked with good-natured Mrs. Eshton; and the two sometimes bestowed a courteous word or smile on me. Sir George Lynn, Colonel Dent, and Mr. Eshton discussed politics, or county affairs, or justice business. Lord Ingram flirted with Amy Eshton; Louisa played and sang to and with one of the Messrs. Lynn; and Mary Ingram listened languidly to the gallant speeches of the other. Sometimes all, as with one consent, suspended their by-play to observe and listen to the principal actors: for, after all, Mr. Rochester and--because closely connected with him--Miss Ingram were the life and soul of the party. If he was absent from the room an hour, a perceptible dulness seemed to steal over the spirits of his guests; and his re-entrance was sure to give a fresh impulse to the vivacity of conversation. The want of his animating influence appeared to be peculiarly felt one day that he had been summoned to Millcote on business, and was not likely to return till late. The afternoon was wet: a walk the party had proposed to take to see a gipsy camp, lately pitched on a common beyond Hay, was consequently deferred. Some of the gentlemen were gone to the stables: the younger ones, together with the younger ladies, were playing billiards in the billiard-room. The dowagers Ingram and Lynn sought solace in a quiet game at cards. Blanche Ingram, after having repelled, by supercilious taciturnity, some efforts of Mrs. Dent and Mrs. Eshton to draw her into conversation, had first murmured over some sentimental tunes and airs on the piano, and then, having fetched a novel from the library, had flung herself in haughty listlessness on a sofa, and prepared to beguile, by the spell of fiction, the tedious hours of absence. The room and the house were silent: only now and then the merriment of the billiard-players was heard from above. It was verging on dusk, and the clock had already given warning of the hour to dress for dinner, when little Adele, who knelt by me in the drawing-room window-seat, suddenly exclaimed-- "Voila, Monsieur Rochester, qui revient!" I turned, and Miss Ingram darted forwards from her sofa: the others, too, looked up from their several occupations; for at the same time a crunching of wheels and a splashing tramp of horse-hoofs became audible on the wet gravel. A post-chaise was approaching. "What can possess him to come home in that style?" said Miss Ingram. "He rode Mesrour (the black horse), did he not, when he went out? and Pilot was with him:--what has he done with the animals?" As she said this, she approached her tall person and ample garments so near the window, that I was obliged to bend back almost to the breaking of my spine: in her eagerness she did not observe me at first, but when she did, she curled her lip and moved to another casement. The post-chaise stopped; the driver rang the door-bell, and a gentleman alighted attired in travelling garb; but it was not Mr. Rochester; it was a tall, fashionable-looking man, a stranger. "How provoking!" exclaimed Miss Ingram: "you tiresome monkey!" (apostrophising Adele), "who perched you up in the window to give false intelligence?" and she cast on me an angry glance, as if I were in fault. Some parleying was audible in the hall, and soon the new-comer entered. He bowed to Lady Ingram, as deeming her the eldest lady present. "It appears I come at an inopportune time, madam," said he, "when my friend, Mr. Rochester, is from home; but I arrive from a very long journey, and I think I may presume so far on old and intimate acquaintance as to instal myself here till he returns." His manner was polite; his accent, in speaking, struck me as being somewhat unusual,--not precisely foreign, but still not altogether English: his age might be about Mr. Rochester's,--between thirty and forty; his complexion was singularly sallow: otherwise he was a fine-looking man, at first sight especially. On closer examination, you detected something in his face that displeased, or rather that failed to please. His features were regular, but too relaxed: his eye was large and well cut, but the life looking out of it was a tame, vacant life--at least so I thought. The sound of the dressing-bell dispersed the party. It was not till after dinner that I saw him again: he then seemed quite at his ease. But I liked his physiognomy even less than before: it struck me as being at the same time unsettled and inanimate. His eye wandered, and had no meaning in its wandering: this gave him an odd look, such as I never remembered to have seen. For a handsome and not an unamiable-looking man, he repelled me exceedingly: there was no power in that smooth-skinned face of a full oval shape: no firmness in that aquiline nose and small cherry mouth; there was no thought on the low, even forehead; no command in that blank, brown eye. As I sat in my usual nook, and looked at him with the light of the girandoles on the mantelpiece beaming full over him--for he occupied an arm-chair drawn close to the fire, and kept shrinking still nearer, as if he were cold, I compared him with Mr. Rochester. I think (with deference be it spoken) the contrast could not be much greater between a sleek gander and a fierce falcon: between a meek sheep and the rough-coated keen-eyed dog, its guardian. He had spoken of Mr. Rochester as an old friend. A curious friendship theirs must have been: a pointed illustration, indeed, of the old adage that "extremes meet." Two or three of the gentlemen sat near him, and I caught at times scraps of their conversation across the room. At first I could not make much sense of what I heard; for the discourse of Louisa Eshton and Mary Ingram, who sat nearer to me, confused the fragmentary sentences that reached me at intervals. These last were discussing the stranger; they both called him "a beautiful man." Louisa said he was "a love of a creature," and she "adored him;" and Mary instanced his "pretty little mouth, and nice nose," as her ideal of the charming. "And what a sweet-tempered forehead he has!" cried Louisa,--"so smooth--none of those frowning irregularities I dislike so much; and such a placid eye and smile!" And then, to my great relief, Mr. Henry Lynn summoned them to the other side of the room, to settle some point about the deferred excursion to Hay Common. I was now able to concentrate my attention on the group by the fire, and I presently gathered that the new-comer was called Mr. Mason; then I learned that he was but just arrived in England, and that he came from some hot country: which was the reason, doubtless, his face was so sallow, and that he sat so near the hearth, and wore a surtout in the house. Presently the words Jamaica, Kingston, Spanish Town, indicated the West Indies as his residence; and it was with no little surprise I gathered, ere long, that he had there first seen and become acquainted with Mr. Rochester. He spoke of his friend's dislike of the burning heats, the hurricanes, and rainy seasons of that region. I knew Mr. Rochester had been a traveller: Mrs. Fairfax had said so; but I thought the continent of Europe had bounded his wanderings; till now I had never heard a hint given of visits to more distant shores. I was pondering these things, when an incident, and a somewhat unexpected one, broke the thread of my musings. Mr. Mason, shivering as some one chanced to open the door, asked for more coal to be put on the fire, which had burnt out its flame, though its mass of cinder still shone hot and red. The footman who brought the coal, in going out, stopped near Mr. Eshton's chair, and said something to him in a low voice, of which I heard only the words, "old woman,"--"quite troublesome." "Tell her she shall be put in the stocks if she does not take herself off," replied the magistrate. "No--stop!" interrupted Colonel Dent. "Don't send her away, Eshton; we might turn the thing to account; better consult the ladies." And speaking aloud, he continued--"Ladies, you talked of going to Hay Common to visit the gipsy camp; Sam here says that one of the old Mother Bunches is in the servants' hall at this moment, and insists upon being brought in before 'the quality,' to tell them their fortunes. Would you like to see her?" "Surely, colonel," cried Lady Ingram, "you would not encourage such a low impostor? Dismiss her, by all means, at once!" "But I cannot persuade her to go away, my lady," said the footman; "nor can any of the servants: Mrs. Fairfax is with her just now, entreating her to be gone; but she has taken a chair in the chimney-corner, and says nothing shall stir her from it till she gets leave to come in here." "What does she want?" asked Mrs. Eshton. "'To tell the gentry their fortunes,' she says, ma'am; and she swears she must and will do it." "What is she like?" inquired the Misses Eshton, in a breath. "A shockingly ugly old creature, miss; almost as black as a crock." "Why, she's a real sorceress!" cried Frederick Lynn. "Let us have her in, of course." "To be sure," rejoined his brother; "it would be a thousand pities to throw away such a chance of fun." "My dear boys, what are you thinking about?" exclaimed Mrs. Lynn. "I cannot possibly countenance any such inconsistent proceeding," chimed in the Dowager Ingram. "Indeed, mama, but you can--and will," pronounced the haughty voice of Blanche, as she turned round on the piano-stool; where till now she had sat silent, apparently examining sundry sheets of music. "I have a curiosity to hear my fortune told: therefore, Sam, order the beldame forward." "My darling Blanche! recollect--" "I do--I recollect all you can suggest; and I must have my will--quick, Sam!" "Yes--yes--yes!" cried all the juveniles, both ladies and gentlemen. "Let her come--it will be excellent sport!" The footman still lingered. "She looks such a rough one," said he. "Go!" ejaculated Miss Ingram, and the man went. Excitement instantly seized the whole party: a running fire of raillery and jests was proceeding when Sam returned. "She won't come now," said he. "She says it's not her mission to appear before the 'vulgar herd' (them's her words). I must show her into a room by herself, and then those who wish to consult her must go to her one by one." "You see now, my queenly Blanche," began Lady Ingram, "she encroaches. Be advised, my angel girl--and--" "Show her into the library, of course," cut in the "angel girl." "It is not my mission to listen to her before the vulgar herd either: I mean to have her all to myself. Is there a fire in the library?" "Yes, ma'am--but she looks such a tinkler." "Cease that chatter, blockhead! and do my bidding." Again Sam vanished; and mystery, animation, expectation rose to full flow once more. "She's ready now," said the footman, as he reappeared. "She wishes to know who will be her first visitor." "I think I had better just look in upon her before any of the ladies go," said Colonel Dent. "Tell her, Sam, a gentleman is coming." Sam went and returned. "She says, sir, that she'll have no gentlemen; they need not trouble themselves to come near her; nor," he added, with difficulty suppressing a titter, "any ladies either, except the young, and single." "By Jove, she has taste!" exclaimed Henry Lynn. Miss Ingram rose solemnly: "I go first," she said, in a tone which might have befitted the leader of a forlorn hope, mounting a breach in the van of his men. "Oh, my best! oh, my dearest! pause--reflect!" was her mama's cry; but she swept past her in stately silence, passed through the door which Colonel Dent held open, and we heard her enter the library. A comparative silence ensued. Lady Ingram thought it "le cas" to wring her hands: which she did accordingly. Miss Mary declared she felt, for her part, she never dared venture. Amy and Louisa Eshton tittered under their breath, and looked a little frightened. The minutes passed very slowly: fifteen were counted before the library- door again opened. Miss Ingram returned to us through the arch. Would she laugh? Would she take it as a joke? All eyes met her with a glance of eager curiosity, and she met all eyes with one of rebuff and coldness; she looked neither flurried nor merry: she walked stiffly to her seat, and took it in silence. "Well, Blanche?" said Lord Ingram. "What did she say, sister?" asked Mary. "What did you think? How do you feel?--Is she a real fortune-teller?" demanded the Misses Eshton. "Now, now, good people," returned Miss Ingram, "don't press upon me. Really your organs of wonder and credulity are easily excited: you seem, by the importance of you all--my good mama included--ascribe to this matter, absolutely to believe we have a genuine witch in the house, who is in close alliance with the old gentleman. I have seen a gipsy vagabond; she has practised in hackneyed fashion the science of palmistry and told me what such people usually tell. My whim is gratified; and now I think Mr. Eshton will do well to put the hag in the stocks to-morrow morning, as he threatened." Miss Ingram took a book, leant back in her chair, and so declined further conversation. I watched her for nearly half-an-hour: during all that time she never turned a page, and her face grew momently darker, more dissatisfied, and more sourly expressive of disappointment. She had obviously not heard anything to her advantage: and it seemed to me, from her prolonged fit of gloom and taciturnity, that she herself, notwithstanding her professed indifference, attached undue importance to whatever revelations had been made her. {During all that time she never turned a page: p184.jpg} Meantime, Mary Ingram, Amy and Louisa Eshton, declared they dared not go alone; and yet they all wished to go. A negotiation was opened through the medium of the ambassador, Sam; and after much pacing to and fro, till, I think, the said Sam's calves must have ached with the exercise, permission was at last, with great difficulty, extorted from the rigorous Sibyl, for the three to wait upon her in a body. Their visit was not so still as Miss Ingram's had been: we heard hysterical giggling and little shrieks proceeding from the library; and at the end of about twenty minutes they burst the door open, and came running across the hall, as if they were half-scared out of their wits. "I am sure she is something not right!" they cried, one and all. "She told us such things! She knows all about us!" and they sank breathless into the various seats the gentlemen hastened to bring them. Pressed for further explanation, they declared she had told them of things they had said and done when they were mere children; described books and ornaments they had in their boudoirs at home: keepsakes that different relations had presented to them. They affirmed that she had even divined their thoughts, and had whispered in the ear of each the name of the person she liked best in the world, and informed them of what they most wished for. Here the gentlemen interposed with earnest petitions to be further enlightened on these two last-named points; but they got only blushes, ejaculations, tremors, and titters, in return for their importunity. The matrons, meantime, offered vinaigrettes and wielded fans; and again and again reiterated the expression of their concern that their warning had not been taken in time; and the elder gentlemen laughed, and the younger urged their services on the agitated fair ones. In the midst of the tumult, and while my eyes and ears were fully engaged in the scene before me, I heard a hem close at my elbow: I turned, and saw Sam. "If you please, miss, the gipsy declares that there is another young single lady in the room who has not been to her yet, and she swears she will not go till she has seen all. I thought it must be you: there is no one else for it. What shall I tell her?" "Oh, I will go by all means," I answered: and I was glad of the unexpected opportunity to gratify my much-excited curiosity. I slipped out of the room, unobserved by any eye--for the company were gathered in one mass about the trembling trio just returned--and I closed the door quietly behind me. "If you like, miss," said Sam, "I'll wait in the hall for you; and if she frightens you, just call and I'll come in." "No, Sam, return to the kitchen: I am not in the least afraid." Nor was I; but I was a good deal interested and excited. The library looked tranquil enough as I entered it, and the Sibyl--if Sibyl she were--was seated snugly enough in an easy-chair at the chimney- corner. She had on a red cloak and a black bonnet: or rather, a broad- brimmed gipsy hat, tied down with a striped handkerchief under her chin. An extinguished candle stood on the table; she was bending over the fire, and seemed reading in a little black book, like a prayer-book, by the light of the blaze: she muttered the words to herself, as most old women do, while she read; she did not desist immediately on my entrance: it appeared she wished to finish a paragraph. I stood on the rug and warmed my hands, which were rather cold with sitting at a distance from the drawing-room fire. I felt now as composed as ever I did in my life: there was nothing indeed in the gipsy's appearance to trouble one's calm. She shut her book and slowly looked up; her hat-brim partially shaded her face, yet I could see, as she raised it, that it was a strange one. It looked all brown and black: elf- locks bristled out from beneath a white band which passed under her chin, and came half over her cheeks, or rather jaws: her eye confronted me at once, with a bold and direct gaze. "Well, and you want your fortune told?" she said, in a voice as decided as her glance, as harsh as her features. "I don't care about it, mother; you may please yourself: but I ought to warn you, I have no faith." "It's like your impudence to say so: I expected it of you; I heard it in your step as you crossed the threshold." "Did you? You've a quick ear." "I have; and a quick eye and a quick brain." "You need them all in your trade." "I do; especially when I've customers like you to deal with. Why don't you tremble?" "I'm not cold." "Why don't you turn pale?" "I am not sick." "Why don't you consult my art?" "I'm not silly." The old crone "nichered" a laugh under her bonnet and bandage; she then drew out a short black pipe, and lighting it began to smoke. Having indulged a while in this sedative, she raised her bent body, took the pipe from her lips, and while gazing steadily at the fire, said very deliberately--"You are cold; you are sick; and you are silly." "Prove it," I rejoined. "I will, in few words. You are cold, because you are alone: no contact strikes the fire from you that is in you. You are sick; because the best of feelings, the highest and the sweetest given to man, keeps far away from you. You are silly, because, suffer as you may, you will not beckon it to approach, nor will you stir one step to meet it where it waits you." She again put her short black pipe to her lips, and renewed her smoking with vigour. "You might say all that to almost any one who you knew lived as a solitary dependent in a great house." "I might say it to almost any one: but would it be true of almost any one?" "In my circumstances." "Yes; just so, in _your_ circumstances: but find me another precisely placed as you are." "It would be easy to find you thousands." "You could scarcely find me one. If you knew it, you are peculiarly situated: very near happiness; yes, within reach of it. The materials are all prepared; there only wants a movement to combine them. Chance laid them somewhat apart; let them be once approached and bliss results." "I don't understand enigmas. I never could guess a riddle in my life." "If you wish me to speak more plainly, show me your palm." "And I must cross it with silver, I suppose?" "To be sure." I gave her a shilling: she put it into an old stocking-foot which she took out of her pocket, and having tied it round and returned it, she told me to hold out my hand. I did. She approached her face to the palm, and pored over it without touching it. "It is too fine," said she. "I can make nothing of such a hand as that; almost without lines: besides, what is in a palm? Destiny is not written there." "I believe you," said I. "No," she continued, "it is in the face: on the forehead, about the eyes, in the lines of the mouth. Kneel, and lift up your head." "Ah! now you are coming to reality," I said, as I obeyed her. "I shall begin to put some faith in you presently." I knelt within half a yard of her. She stirred the fire, so that a ripple of light broke from the disturbed coal: the glare, however, as she sat, only threw her face into deeper shadow: mine, it illumined. "I wonder with what feelings you came to me to-night," she said, when she had examined me a while. "I wonder what thoughts are busy in your heart during all the hours you sit in yonder room with the fine people flitting before you like shapes in a magic-lantern: just as little sympathetic communion passing between you and them as if they were really mere shadows of human forms, and not the actual substance." "I feel tired often, sleepy sometimes, but seldom sad." "Then you have some secret hope to buoy you up and please you with whispers of the future?" "Not I. The utmost I hope is, to save money enough out of my earnings to set up a school some day in a little house rented by myself." "A mean nutriment for the spirit to exist on: and sitting in that window- seat (you see I know your habits )--" "You have learned them from the servants." "Ah! you think yourself sharp. Well, perhaps I have: to speak truth, I have an acquaintance with one of them, Mrs. Poole--" I started to my feet when I heard the name. "You have--have you?" thought I; "there is diablerie in the business after all, then!" "Don't be alarmed," continued the strange being; "she's a safe hand is Mrs. Poole: close and quiet; any one may repose confidence in her. But, as I was saying: sitting in that window-seat, do you think of nothing but your future school? Have you no present interest in any of the company who occupy the sofas and chairs before you? Is there not one face you study? one figure whose movements you follow with at least curiosity?" "I like to observe all the faces and all the figures." "But do you never single one from the rest--or it may be, two?" "I do frequently; when the gestures or looks of a pair seem telling a tale: it amuses me to watch them." "What tale do you like best to hear?" "Oh, I have not much choice! They generally run on the same theme--courtship; and promise to end in the same catastrophe--marriage." "And do you like that monotonous theme?" "Positively, I don't care about it: it is nothing to me." "Nothing to you? When a lady, young and full of life and health, charming with beauty and endowed with the gifts of rank and fortune, sits and smiles in the eyes of a gentleman you--" "I what?" "You know--and perhaps think well of." "I don't know the gentlemen here. I have scarcely interchanged a syllable with one of them; and as to thinking well of them, I consider some respectable, and stately, and middle-aged, and others young, dashing, handsome, and lively: but certainly they are all at liberty to be the recipients of whose smiles they please, without my feeling disposed to consider the transaction of any moment to me." "You don't know the gentlemen here? You have not exchanged a syllable with one of them? Will you say that of the master of the house!" "He is not at home." "A profound remark! A most ingenious quibble! He went to Millcote this morning, and will be back here to-night or to-morrow: does that circumstance exclude him from the list of your acquaintance--blot him, as it were, out of existence?" "No; but I can scarcely see what Mr. Rochester has to do with the theme you had introduced." "I was talking of ladies smiling in the eyes of gentlemen; and of late so many smiles have been shed into Mr. Rochester's eyes that they overflow like two cups filled above the brim: have you never remarked that?" "Mr. Rochester has a right to enjoy the society of his guests." "No question about his right: but have you never observed that, of all the tales told here about matrimony, Mr. Rochester has been favoured with the most lively and the most continuous?" "The eagerness of a listener quickens the tongue of a narrator." I said this rather to myself than to the gipsy, whose strange talk, voice, manner, had by this time wrapped me in a kind of dream. One unexpected sentence came from her lips after another, till I got involved in a web of mystification; and wondered what unseen spirit had been sitting for weeks by my heart watching its workings and taking record of every pulse. "Eagerness of a listener!" repeated she: "yes; Mr. Rochester has sat by the hour, his ear inclined to the fascinating lips that took such delight in their task of communicating; and Mr. Rochester was so willing to receive and looked so grateful for the pastime given him; you have noticed this?" "Grateful! I cannot remember detecting gratitude in his face." "Detecting! You have analysed, then. And what did you detect, if not gratitude?" I said nothing. "You have seen love: have you not?--and, looking forward, you have seen him married, and beheld his bride happy?" "Humph! Not exactly. Your witch's skill is rather at fault sometimes." "What the devil have you seen, then?" "Never mind: I came here to inquire, not to confess. Is it known that Mr. Rochester is to be married?" "Yes; and to the beautiful Miss Ingram." "Shortly?" "Appearances would warrant that conclusion: and, no doubt (though, with an audacity that wants chastising out of you, you seem to question it), they will be a superlatively happy pair. He must love such a handsome, noble, witty, accomplished lady; and probably she loves him, or, if not his person, at least his purse. I know she considers the Rochester estate eligible to the last degree; though (God pardon me!) I told her something on that point about an hour ago which made her look wondrous grave: the corners of her mouth fell half an inch. I would advise her blackaviced suitor to look out: if another comes, with a longer or clearer rent-roll,--he's dished--" "But, mother, I did not come to hear Mr. Rochester's fortune: I came to hear my own; and you have told me nothing of it." "Your fortune is yet doubtful: when I examined your face, one trait contradicted another. Chance has meted you a measure of happiness: that I know. I knew it before I came here this evening. She has laid it carefully on one side for you. I saw her do it. It depends on yourself to stretch out your hand, and take it up: but whether you will do so, is the problem I study. Kneel again on the rug." "Don't keep me long; the fire scorches me." {She did not stoop towards me, but only gazed, leaning back in her chair: p190.jpg} I knelt. She did not stoop towards me, but only gazed, leaning back in her chair. She began muttering,-- "The flame flickers in the eye; the eye shines like dew; it looks soft and full of feeling; it smiles at my jargon: it is susceptible; impression follows impression through its clear sphere; where it ceases to smile, it is sad; an unconscious lassitude weighs on the lid: that signifies melancholy resulting from loneliness. It turns from me; it will not suffer further scrutiny; it seems to deny, by a mocking glance, the truth of the discoveries I have already made,--to disown the charge both of sensibility and chagrin: its pride and reserve only confirm me in my opinion. The eye is favourable. "As to the mouth, it delights at times in laughter; it is disposed to impart all that the brain conceives; though I daresay it would be silent on much the heart experiences. Mobile and flexible, it was never intended to be compressed in the eternal silence of solitude: it is a mouth which should speak much and smile often, and have human affection for its interlocutor. That feature too is propitious. "I see no enemy to a fortunate issue but in the brow; and that brow professes to say,--'I can live alone, if self-respect, and circumstances require me so to do. I need not sell my soul to buy bliss. I have an inward treasure born with me, which can keep me alive if all extraneous delights should be withheld, or offered only at a price I cannot afford to give.' The forehead declares, 'Reason sits firm and holds the reins, and she will not let the feelings burst away and hurry her to wild chasms. The passions may rage furiously, like true heathens, as they are; and the desires may imagine all sorts of vain things: but judgment shall still have the last word in every argument, and the casting vote in every decision. Strong wind, earthquake-shock, and fire may pass by: but I shall follow the guiding of that still small voice which interprets the dictates of conscience.' "Well said, forehead; your declaration shall be respected. I have formed my plans--right plans I deem them--and in them I have attended to the claims of conscience, the counsels of reason. I know how soon youth would fade and bloom perish, if, in the cup of bliss offered, but one dreg of shame, or one flavour of remorse were detected; and I do not want sacrifice, sorrow, dissolution--such is not my taste. I wish to foster, not to blight--to earn gratitude, not to wring tears of blood--no, nor of brine: my harvest must be in smiles, in endearments, in sweet--That will do. I think I rave in a kind of exquisite delirium. I should wish now to protract this moment _ad infinitum_; but I dare not. So far I have governed myself thoroughly. I have acted as I inwardly swore I would act; but further might try me beyond my strength. Rise, Miss Eyre: leave me; the play is played out'." Where was I? Did I wake or sleep? Had I been dreaming? Did I dream still? The old woman's voice had changed: her accent, her gesture, and all were familiar to me as my own face in a glass--as the speech of my own tongue. I got up, but did not go. I looked; I stirred the fire, and I looked again: but she drew her bonnet and her bandage closer about her face, and again beckoned me to depart. The flame illuminated her hand stretched out: roused now, and on the alert for discoveries, I at once noticed that hand. It was no more the withered limb of eld than my own; it was a rounded supple member, with smooth fingers, symmetrically turned; a broad ring flashed on the little finger, and stooping forward, I looked at it, and saw a gem I had seen a hundred times before. Again I looked at the face; which was no longer turned from me--on the contrary, the bonnet was doffed, the bandage displaced, the head advanced. "Well, Jane, do you know me?" asked the familiar voice. "Only take off the red cloak, sir, and then--" "But the string is in a knot--help me." "Break it, sir." "There, then--'Off, ye lendings!'" And Mr. Rochester stepped out of his disguise. "Now, sir, what a strange idea!" "But well carried out, eh? Don't you think so?" "With the ladies you must have managed well." "But not with you?" "You did not act the character of a gipsy with me." "What character did I act? My own?" "No; some unaccountable one. In short, I believe you have been trying to draw me out--or in; you have been talking nonsense to make me talk nonsense. It is scarcely fair, sir." "Do you forgive me, Jane?" "I cannot tell till I have thought it all over. If, on reflection, I find I have fallen into no great absurdity, I shall try to forgive you; but it was not right." "Oh, you have been very correct--very careful, very sensible." I reflected, and thought, on the whole, I had. It was a comfort; but, indeed, I had been on my guard almost from the beginning of the interview. Something of masquerade I suspected. I knew gipsies and fortune-tellers did not express themselves as this seeming old woman had expressed herself; besides I had noted her feigned voice, her anxiety to conceal her features. But my mind had been running on Grace Poole--that living enigma, that mystery of mysteries, as I considered her. I had never thought of Mr. Rochester. "Well," said he, "what are you musing about? What does that grave smile signify?" "Wonder and self-congratulation, sir. I have your permission to retire now, I suppose?" "No; stay a moment; and tell me what the people in the drawing-room yonder are doing." "Discussing the gipsy, I daresay." "Sit down!--Let me hear what they said about me." "I had better not stay long, sir; it must be near eleven o'clock. Oh, are you aware, Mr. Rochester, that a stranger has arrived here since you left this morning?" "A stranger!--no; who can it be? I expected no one; is he gone?" "No; he said he had known you long, and that he could take the liberty of installing himself here till you returned." "The devil he did! Did he give his name?" "His name is Mason, sir; and he comes from the West Indies; from Spanish Town, in Jamaica, I think." Mr. Rochester was standing near me; he had taken my hand, as if to lead me to a chair. As I spoke he gave my wrist a convulsive grip; the smile on his lips froze: apparently a spasm caught his breath. "Mason!--the West Indies!" he said, in the tone one might fancy a speaking automaton to enounce its single words; "Mason!--the West Indies!" he reiterated; and he went over the syllables three times, growing, in the intervals of speaking, whiter than ashes: he hardly seemed to know what he was doing. "Do you feel ill, sir?" I inquired. "Jane, I've got a blow; I've got a blow, Jane!" He staggered. "Oh, lean on me, sir." "Jane, you offered me your shoulder once before; let me have it now." "Yes, sir, yes; and my arm." He sat down, and made me sit beside him. Holding my hand in both his own, he chafed it; gazing on me, at the same time, with the most troubled and dreary look. "My little friend!" said he, "I wish I were in a quiet island with only you; and trouble, and danger, and hideous recollections removed from me." "Can I help you, sir?--I'd give my life to serve you." "Jane, if aid is wanted, I'll seek it at your hands; I promise you that." "Thank you, sir. Tell me what to do,--I'll try, at least, to do it." "Fetch me now, Jane, a glass of wine from the dining-room: they will be at supper there; and tell me if Mason is with them, and what he is doing." I went. I found all the party in the dining-room at supper, as Mr. Rochester had said; they were not seated at table,--the supper was arranged on the sideboard; each had taken what he chose, and they stood about here and there in groups, their plates and glasses in their hands. Every one seemed in high glee; laughter and conversation were general and animated. Mr. Mason stood near the fire, talking to Colonel and Mrs. Dent, and appeared as merry as any of them. I filled a wine-glass (I saw Miss Ingram watch me frowningly as I did so: she thought I was taking a liberty, I daresay), and I returned to the library. Mr. Rochester's extreme pallor had disappeared, and he looked once more firm and stern. He took the glass from my hand. "Here is to your health, ministrant spirit!" he said. He swallowed the contents and returned it to me. "What are they doing, Jane?" "Laughing and talking, sir." "They don't look grave and mysterious, as if they had heard something strange?" "Not at all: they are full of jests and gaiety." "And Mason?" "He was laughing too." "If all these people came in a body and spat at me, what would you do, Jane?" "Turn them out of the room, sir, if I could." He half smiled. "But if I were to go to them, and they only looked at me coldly, and whispered sneeringly amongst each other, and then dropped off and left me one by one, what then? Would you go with them?" "I rather think not, sir: I should have more pleasure in staying with you." "To comfort me?" "Yes, sir, to comfort you, as well as I could." "And if they laid you under a ban for adhering to me?" "I, probably, should know nothing about their ban; and if I did, I should care nothing about it." "Then, you could dare censure for my sake?" "I could dare it for the sake of any friend who deserved my adherence; as you, I am sure, do." "Go back now into the room; step quietly up to Mason, and whisper in his ear that Mr. Rochester is come and wishes to see him: show him in here and then leave me." "Yes, sir." I did his behest. The company all stared at me as I passed straight among them. I sought Mr. Mason, delivered the message, and preceded him from the room: I ushered him into the library, and then I went upstairs. At a late hour, after I had been in bed some time, I heard the visitors repair to their chambers: I distinguished Mr. Rochester's voice, and heard him say, "This way, Mason; this is your room." He spoke cheerfully: the gay tones set my heart at ease. I was soon asleep.

Chapters 18-19

https://web.archive.org/web/20190321135117/https://www.cliffsnotes.com/literature/j/jane-eyre/summary-and-analysis/chapters-1819

With guests at Thornfield, life is cheerful. One night, they are preparing for a game of charades. Rochester's group goes first, pantomiming a marriage ceremony with Rochester and Blanche as the happy couple. They then enact the story of Eliezer and Rebecca, and end with Rochester as a prisoner in chains. Colonel Dent's team correctly guesses the overall meaning of the three charades: Bridewell, an English prison. No longer interested in the charades, Jane watches the interactions between Rochester and Blanche. Their intimate style of conversing leads Jane to believe they will soon marry. But Jane doesn't believe they love each other. Rochester is marrying for social and political reasons, while Blanche is marrying for money. Mr. Mason an old acquaintance of Rochester's, arrives one day. Jane immediately dislikes Mason's "unsettled and inanimate" face. From Mason, she learns that Rochester once lived in the West Indies. A gypsy woman, old Mother Bunches, arrives from a nearby camp and wants to tell the fortunes of "the quality." Lady Ingram wants the old woman sent away, but Blanche insists upon having her fortune told. After fifteen minutes with the old woman, Blanche returns, and has obviously received disappointing news. Mary Ingram and Amy and Louisa Eschton have their fortunes read together and return laughing, impressed by Mother Bunches' intimate knowledge of their lives. Finally, the gypsy insists upon telling Jane's fortune. Jane isn't frightened, just interested and excited. Jane enters the library and finds the gypsy woman seated snugly in an easy chair. She sits in front of the fire, reading something that looks like a Prayer Book. Despite Jane's protests to the contrary, the gypsy woman tells Jane she is cold, sick, and silly. Jane, she foretells, is very close to happiness; if Jane made a movement toward it, bliss would result. Soon the gypsy's speech has wrapped Jane in a dream-like state, and she is surprised by how well the old woman knows the secrets of her heart. The gypsy also explains that she crushed Blanche's marriage hopes by suggesting Rochester isn't as wealthy as he seems. The gypsy then reads each of Jane's features, as the voice drones on it eventually becomes Rochester's. Jane tells Rochester the disguise was unfair and admits she had suspected Grace Poole of being the masquerader. Before leaving, Jane tells Rochester about Mason's arrival; he is visibly upset by this news. Rochester worries that Mason has told them something grave or mysterious about him. Later that night she hears Rochester happily leading Mason to his room.

More aspects of Blanche Ingram's bad behavior are presented in this chapter. For example, she pushes Adele away with "spiteful antipathy" and her treatment of Jane isn't much better: She "scorned to touch with the hem of her robes as she passed" and quickly withdrew her eyes from Jane "as from an object too mean to merit observation." Jane concludes that Blanche is an inferior example of femininity because, like Celine Varens, she is showy, but not genuine. Her heart is "barren," her mind is "poor," and she lacks "freshness," the one trait Rochester claims to be searching for. Qualities Jane admires in women include force, fervor, kindness, and sense. The chapter contains many prophetic events. Linking marriage with imprisonment, the charade foreshadows the circumstances of Rochester's marriage that has trapped him for life with a mad woman; Rochester is stuck in a "Bridewell" of his own creation. The arrival of Mr. Mason also prefigures change. Immediately disliking the tame vacancy of Mason's eyes, Jane compares him with Rochester, finding they differ like a gander and a falcon. Mason's difference lies in foreignness; recently arrived from the West Indies, Mason appears to suffer from a heat-induced languor. Mason will play a pivotal role in the plot of the story, and his presence provides another example of how foreigners are denigrated in this novel. In posing as a gypsy woman, Rochester is assuming an ambiguous role -- a position of both gender and class inferiority. In his disguise, he is almost denied admittance to his own home, and is referred to here by Jane as "mother" rather than "master." Many critics argue Jane's relationship with Rochester is marked by ambiguities of equality and independence: In their first meeting, for example, Rochester is dependent upon Jane to return to his horse. As gypsy woman, Rochester breaks gender boundaries and further aligns himself with mystical knowledge. During this tale, Rochester wears a red cloak, connecting with other red images in the novel and showing his connection with the element of passion. Given the class differences between them, Rochester can't reveal his feeling for Jane in plain English, but must keep his words, like his face, veiled. As his language becomes plainer, more directly revealing the secrets of her heart, it paradoxically leads her not into reality, but into a dream state: Jane says the gypsy's strange talk leads Jane into "a web of mystification." Rochester's almost supernatural powers are highlighted in this scene: His ability to weave a magical web around Jane with words and, more importantly, his ability to look almost directly into her heart so she feels an "unseen spirit had been sitting for weeks by my heart watching its workings and taking record of every pulse." He has also seen through Blanche's heart, recognizing her fortune-hunting mission. His witch's skill is being able to peer deeply into women's hearts, extracting their secrets: Notice that he does not tell the fortunes of any of the men in the party. Glossary Voila Monsieur Rochester, qui revient! Look, it's Mr. Rochester returning! surtout an overcoat. le cas an occasion. diablerie witchcraft ad infinitum endlessly

cliffnotes

all_chapterized_books/1260-chapters/21.txt

finished_summaries/cliffnotes/Jane Eyre/section_15_part_0.txt

Jane Eyre.volume 2.chapter 20

chapter 20

{"name": "Chapter 20", "url": "https://web.archive.org/web/20190321135117/https://www.cliffsnotes.com/literature/j/jane-eyre/summary-and-analysis/chapter-20", "summary": "Later that evening, Jane lies in bed, gazing at the moonlight coming in her window. Suddenly, she hears a heart-stopping cry for help. Jane hurriedly puts on some clothes, horror shaking her body. All members of the party have gathered in the hallway, wondering if the house is on fire or if robbers have broken in. Rochester assures them that the noise was simply a servant having a bad dream and sends them back to their beds. Jane knows this is a lie, because she heard the strange cry, a struggle, and then a call for help. Before too long, Rochester knocks on her door, asking if she can help him, as long as she isn't afraid of blood. Together they climb to the mysterious third story of the house. There they discover Richard Mason with a bloody arm. Rochester asks Jane to sop up the blood while he runs for the surgeon, but insists that Mason and Jane not speak with each other; if they do, Rochester will \"not answer for the consequences.\" Jane stares at a cabinet in the room, which bears a grim design: the twelve Christian apostles with a dying Jesus hanging from a cross above them. As dawn approaches, Rochester finally returns with the surgeon. While he dresses Mason's wounds, the men speak obscurely of the woman who bit and stabbed Mason. Rochester has Jane run downstairs to find a special cordial he bought from an Italian charlatan. He measures twelve drops of the liquid into a glass, and has Mason drink the mixture, which Rochester claims will give him the \"heart\" he lacks for an hour or so. After Mason has left, Jane and Rochester walk through the gardens. Rochester tells Jane the hypothetical story of a wild boy indulged from children, who commits a \"capital error\" while in a remote foreign country. He lives in debauchery for a while, then seeks to resume a happy, pure life with a kind stranger, but a \"mere conventional impediment stands in his way.\" What would Jane do in such a situation, Rochester asks? Jane's answer is that a sinner's reformation should never depend on another person; instead, he should look to God for solace. Rochester then asks Jane, without parable, if marrying Blanche would bring him regeneration? He describes Blanche as a \"strapper,\" big and buxom, like the women of Carthage, then rushes off to the stables to speak with Dent and Lynn.", "analysis": "The secret residing on the third floor of Rochester's house is becoming ever more difficult for Rochester to disguise. Rochester's feelings are apparent through his description of his house; while for Jane it is a \"splendid mansion,\" for Rochester it is a \"mere dungeon,\" a Bridewell. While she sees only the glamour of the place, he sees the gilding as slime, the silk draperies as cobwebs, the marble as \"sordid slate.\" Jane is unable to see below the surface to the secret residing within Rochester's domestic space. Under a veneer of domestic tranquility lies a monstrous secret -- in the form of the strange woman who lives on the third floor. As Jane notes, this crime or mystery is one that can be neither \"expelled nor subdued by the owner,\" emphasizing Rochester's inability to control this woman. Descriptions of her -- she \"worried me like a tigress\" and \"she sucked the blood: she said she'd drain my heart\" -- suggest her ferocious power and vampiric tendencies. Bertha seems to represent a silent rebellion brewing in women's minds, one Jane will discuss later in the novel. Jane Eyre combines the techniques of several literary genre, including the bildungsroman , the romance, and the gothic novel. Elements of gothic predominate in this chapter. Generally, gothic uses remote, gloomy settings, and a sinister, eerie atmosphere to create a feeling of horror and mystery. Jane's language in this chapter -- filled with references to the supernatural, mystery, crime, secrets, and excessive emotions -- fits this rubric. For example, Jane's description of her experience on the mysterious, remote third story of the house contributes to the reader's sense of horror and impending mystery: She tells of the \"mystic cells,\" of \"a pale and bloody spectacle,\" of a mystery that breaks out \"now in fire and now in blood, at the deadest hours of night,\" creating a \"web of horror.\" Her portrait of the grim cabinet depicting the twelve apostles, on which she imagines Judas \"gathering life and threatening a revelation of Satan himself,\" suggests a devilish, supernatural evil. Similarly, Rochester's ability to conjure up a cordial to give Richard almost supernatural strength, hints at his mysterious, possibly unnatural powers."}

I had forgotten to draw my curtain, which I usually did, and also to let down my window-blind. The consequence was, that when the moon, which was full and bright (for the night was fine), came in her course to that space in the sky opposite my casement, and looked in at me through the unveiled panes, her glorious gaze roused me. Awaking in the dead of night, I opened my eyes on her disk--silver-white and crystal clear. It was beautiful, but too solemn; I half rose, and stretched my arm to draw the curtain. Good God! What a cry! The night--its silence--its rest, was rent in twain by a savage, a sharp, a shrilly sound that ran from end to end of Thornfield Hall. My pulse stopped: my heart stood still; my stretched arm was paralysed. The cry died, and was not renewed. Indeed, whatever being uttered that fearful shriek could not soon repeat it: not the widest-winged condor on the Andes could, twice in succession, send out such a yell from the cloud shrouding his eyrie. The thing delivering such utterance must rest ere it could repeat the effort. It came out of the third storey; for it passed overhead. And overhead--yes, in the room just above my chamber-ceiling--I now heard a struggle: a deadly one it seemed from the noise; and a half-smothered voice shouted-- "Help! help! help!" three times rapidly. "Will no one come?" it cried; and then, while the staggering and stamping went on wildly, I distinguished through plank and plaster:-- "Rochester! Rochester! for God's sake, come!" A chamber-door opened: some one ran, or rushed, along the gallery. Another step stamped on the flooring above and something fell; and there was silence. I had put on some clothes, though horror shook all my limbs; I issued from my apartment. The sleepers were all aroused: ejaculations, terrified murmurs sounded in every room; door after door unclosed; one looked out and another looked out; the gallery filled. Gentlemen and ladies alike had quitted their beds; and "Oh! what is it?"--"Who is hurt?"--"What has happened?"--"Fetch a light!"--"Is it fire?"--"Are there robbers?"--"Where shall we run?" was demanded confusedly on all hands. But for the moonlight they would have been in complete darkness. They ran to and fro; they crowded together: some sobbed, some stumbled: the confusion was inextricable. "Where the devil is Rochester?" cried Colonel Dent. "I cannot find him in his bed." "Here! here!" was shouted in return. "Be composed, all of you: I'm coming." And the door at the end of the gallery opened, and Mr. Rochester advanced with a candle: he had just descended from the upper storey. One of the ladies ran to him directly; she seized his arm: it was Miss Ingram. "What awful event has taken place?" said she. "Speak! let us know the worst at once!" "But don't pull me down or strangle me," he replied: for the Misses Eshton were clinging about him now; and the two dowagers, in vast white wrappers, were bearing down on him like ships in full sail. "All's right!--all's right!" he cried. "It's a mere rehearsal of Much Ado about Nothing. Ladies, keep off, or I shall wax dangerous." And dangerous he looked: his black eyes darted sparks. Calming himself by an effort, he added-- "A servant has had the nightmare; that is all. She's an excitable, nervous person: she construed her dream into an apparition, or something of that sort, no doubt; and has taken a fit with fright. Now, then, I must see you all back into your rooms; for, till the house is settled, she cannot be looked after. Gentlemen, have the goodness to set the ladies the example. Miss Ingram, I am sure you will not fail in evincing superiority to idle terrors. Amy and Louisa, return to your nests like a pair of doves, as you are. Mesdames" (to the dowagers), "you will take cold to a dead certainty, if you stay in this chill gallery any longer." And so, by dint of alternate coaxing and commanding, he contrived to get them all once more enclosed in their separate dormitories. I did not wait to be ordered back to mine, but retreated unnoticed, as unnoticed I had left it. Not, however, to go to bed: on the contrary, I began and dressed myself carefully. The sounds I had heard after the scream, and the words that had been uttered, had probably been heard only by me; for they had proceeded from the room above mine: but they assured me that it was not a servant's dream which had thus struck horror through the house; and that the explanation Mr. Rochester had given was merely an invention framed to pacify his guests. I dressed, then, to be ready for emergencies. When dressed, I sat a long time by the window looking out over the silent grounds and silvered fields and waiting for I knew not what. It seemed to me that some event must follow the strange cry, struggle, and call. No: stillness returned: each murmur and movement ceased gradually, and in about an hour Thornfield Hall was again as hushed as a desert. It seemed that sleep and night had resumed their empire. Meantime the moon declined: she was about to set. Not liking to sit in the cold and darkness, I thought I would lie down on my bed, dressed as I was. I left the window, and moved with little noise across the carpet; as I stooped to take off my shoes, a cautious hand tapped low at the door. "Am I wanted?" I asked. "Are you up?" asked the voice I expected to hear, viz., my master's. "Yes, sir." "And dressed?" "Yes." "Come out, then, quietly." I obeyed. Mr. Rochester stood in the gallery holding a light. "I want you," he said: "come this way: take your time, and make no noise." My slippers were thin: I could walk the matted floor as softly as a cat. He glided up the gallery and up the stairs, and stopped in the dark, low corridor of the fateful third storey: I had followed and stood at his side. "Have you a sponge in your room?" he asked in a whisper. "Yes, sir." "Have you any salts--volatile salts?" "Yes." "Go back and fetch both." I returned, sought the sponge on the washstand, the salts in my drawer, and once more retraced my steps. He still waited; he held a key in his hand: approaching one of the small, black doors, he put it in the lock; he paused, and addressed me again. "You don't turn sick at the sight of blood?" "I think I shall not: I have never been tried yet." I felt a thrill while I answered him; but no coldness, and no faintness. "Just give me your hand," he said: "it will not do to risk a fainting fit." I put my fingers into his. "Warm and steady," was his remark: he turned the key and opened the door. I saw a room I remembered to have seen before, the day Mrs. Fairfax showed me over the house: it was hung with tapestry; but the tapestry was now looped up in one part, and there was a door apparent, which had then been concealed. This door was open; a light shone out of the room within: I heard thence a snarling, snatching sound, almost like a dog quarrelling. Mr. Rochester, putting down his candle, said to me, "Wait a minute," and he went forward to the inner apartment. A shout of laughter greeted his entrance; noisy at first, and terminating in Grace Poole's own goblin ha! ha! _She_ then was there. He made some sort of arrangement without speaking, though I heard a low voice address him: he came out and closed the door behind him. "Here, Jane!" he said; and I walked round to the other side of a large bed, which with its drawn curtains concealed a considerable portion of the chamber. An easy-chair was near the bed-head: a man sat in it, dressed with the exception of his coat; he was still; his head leant back; his eyes were closed. Mr. Rochester held the candle over him; I recognised in his pale and seemingly lifeless face--the stranger, Mason: I saw too that his linen on one side, and one arm, was almost soaked in blood. "Hold the candle," said Mr. Rochester, and I took it: he fetched a basin of water from the washstand: "Hold that," said he. I obeyed. He took the sponge, dipped it in, and moistened the corpse-like face; he asked for my smelling-bottle, and applied it to the nostrils. Mr. Mason shortly unclosed his eyes; he groaned. Mr. Rochester opened the shirt of the wounded man, whose arm and shoulder were bandaged: he sponged away blood, trickling fast down. "Is there immediate danger?" murmured Mr. Mason. "Pooh! No--a mere scratch. Don't be so overcome, man: bear up! I'll fetch a surgeon for you now, myself: you'll be able to be removed by morning, I hope. Jane," he continued. "Sir?" "I shall have to leave you in this room with this gentleman, for an hour, or perhaps two hours: you will sponge the blood as I do when it returns: if he feels faint, you will put the glass of water on that stand to his lips, and your salts to his nose. You will not speak to him on any pretext--and--Richard, it will be at the peril of your life if you speak to her: open your lips--agitate yourself--and I'll not answer for the consequences." Again the poor man groaned; he looked as if he dared not move; fear, either of death or of something else, appeared almost to paralyse him. Mr. Rochester put the now bloody sponge into my hand, and I proceeded to use it as he had done. He watched me a second, then saying, "Remember!--No conversation," he left the room. I experienced a strange feeling as the key grated in the lock, and the sound of his retreating step ceased to be heard. Here then I was in the third storey, fastened into one of its mystic cells; night around me; a pale and bloody spectacle under my eyes and hands; a murderess hardly separated from me by a single door: yes--that was appalling--the rest I could bear; but I shuddered at the thought of Grace Poole bursting out upon me. I must keep to my post, however. I must watch this ghastly countenance--these blue, still lips forbidden to unclose--these eyes now shut, now opening, now wandering through the room, now fixing on me, and ever glazed with the dulness of horror. I must dip my hand again and again in the basin of blood and water, and wipe away the trickling gore. I must see the light of the unsnuffed candle wane on my employment; the shadows darken on the wrought, antique tapestry round me, and grow black under the hangings of the vast old bed, and quiver strangely over the doors of a great cabinet opposite--whose front, divided into twelve panels, bore, in grim design, the heads of the twelve apostles, each enclosed in its separate panel as in a frame; while above them at the top rose an ebon crucifix and a dying Christ. According as the shifting obscurity and flickering gleam hovered here or glanced there, it was now the bearded physician, Luke, that bent his brow; now St. John's long hair that waved; and anon the devilish face of Judas, that grew out of the panel, and seemed gathering life and threatening a revelation of the arch-traitor--of Satan himself--in his subordinate's form. Amidst all this, I had to listen as well as watch: to listen for the movements of the wild beast or the fiend in yonder side den. But since Mr. Rochester's visit it seemed spellbound: all the night I heard but three sounds at three long intervals,--a step creak, a momentary renewal of the snarling, canine noise, and a deep human groan. Then my own thoughts worried me. What crime was this that lived incarnate in this sequestered mansion, and could neither be expelled nor subdued by the owner?--what mystery, that broke out now in fire and now in blood, at the deadest hours of night? What creature was it, that, masked in an ordinary woman's face and shape, uttered the voice, now of a mocking demon, and anon of a carrion-seeking bird of prey? And this man I bent over--this commonplace, quiet stranger--how had he become involved in the web of horror? and why had the Fury flown at him? What made him seek this quarter of the house at an untimely season, when he should have been asleep in bed? I had heard Mr. Rochester assign him an apartment below--what brought him here! And why, now, was he so tame under the violence or treachery done him? Why did he so quietly submit to the concealment Mr. Rochester enforced? Why _did_ Mr. Rochester enforce this concealment? His guest had been outraged, his own life on a former occasion had been hideously plotted against; and both attempts he smothered in secrecy and sank in oblivion! Lastly, I saw Mr. Mason was submissive to Mr. Rochester; that the impetuous will of the latter held complete sway over the inertness of the former: the few words which had passed between them assured me of this. It was evident that in their former intercourse, the passive disposition of the one had been habitually influenced by the active energy of the other: whence then had arisen Mr. Rochester's dismay when he heard of Mr. Mason's arrival? Why had the mere name of this unresisting individual--whom his word now sufficed to control like a child--fallen on him, a few hours since, as a thunderbolt might fall on an oak? Oh! I could not forget his look and his paleness when he whispered: "Jane, I have got a blow--I have got a blow, Jane." I could not forget how the arm had trembled which he rested on my shoulder: and it was no light matter which could thus bow the resolute spirit and thrill the vigorous frame of Fairfax Rochester. "When will he come? When will he come?" I cried inwardly, as the night lingered and lingered--as my bleeding patient drooped, moaned, sickened: and neither day nor aid arrived. I had, again and again, held the water to Mason's white lips; again and again offered him the stimulating salts: my efforts seemed ineffectual: either bodily or mental suffering, or loss of blood, or all three combined, were fast prostrating his strength. He moaned so, and looked so weak, wild, and lost, I feared he was dying; and I might not even speak to him. The candle, wasted at last, went out; as it expired, I perceived streaks of grey light edging the window curtains: dawn was then approaching. Presently I heard Pilot bark far below, out of his distant kennel in the courtyard: hope revived. Nor was it unwarranted: in five minutes more the grating key, the yielding lock, warned me my watch was relieved. It could not have lasted more than two hours: many a week has seemed shorter. Mr. Rochester entered, and with him the surgeon he had been to fetch. "Now, Carter, be on the alert," he said to this last: "I give you but half-an-hour for dressing the wound, fastening the bandages, getting the patient downstairs and all." "But is he fit to move, sir?" "No doubt of it; it is nothing serious; he is nervous, his spirits must be kept up. Come, set to work." Mr. Rochester drew back the thick curtain, drew up the holland blind, let in all the daylight he could; and I was surprised and cheered to see how far dawn was advanced: what rosy streaks were beginning to brighten the east. Then he approached Mason, whom the surgeon was already handling. "Now, my good fellow, how are you?" he asked. "She's done for me, I fear," was the faint reply. "Not a whit!--courage! This day fortnight you'll hardly be a pin the worse of it: you've lost a little blood; that's all. Carter, assure him there's no danger." "I can do that conscientiously," said Carter, who had now undone the bandages; "only I wish I could have got here sooner: he would not have bled so much--but how is this? The flesh on the shoulder is torn as well as cut. This wound was not done with a knife: there have been teeth here!" "She bit me," he murmured. "She worried me like a tigress, when Rochester got the knife from her." "You should not have yielded: you should have grappled with her at once," said Mr. Rochester. "But under such circumstances, what could one do?" returned Mason. "Oh, it was frightful!" he added, shuddering. "And I did not expect it: she looked so quiet at first." "I warned you," was his friend's answer; "I said--be on your guard when you go near her. Besides, you might have waited till to-morrow, and had me with you: it was mere folly to attempt the interview to-night, and alone." "I thought I could have done some good." "You thought! you thought! Yes, it makes me impatient to hear you: but, however, you have suffered, and are likely to suffer enough for not taking my advice; so I'll say no more. Carter--hurry!--hurry! The sun will soon rise, and I must have him off." "Directly, sir; the shoulder is just bandaged. I must look to this other wound in the arm: she has had her teeth here too, I think." "She sucked the blood: she said she'd drain my heart," said Mason. I saw Mr. Rochester shudder: a singularly marked expression of disgust, horror, hatred, warped his countenance almost to distortion; but he only said-- "Come, be silent, Richard, and never mind her gibberish: don't repeat it." "I wish I could forget it," was the answer. "You will when you are out of the country: when you get back to Spanish Town, you may think of her as dead and buried--or rather, you need not think of her at all." "Impossible to forget this night!" "It is not impossible: have some energy, man. You thought you were as dead as a herring two hours since, and you are all alive and talking now. There!--Carter has done with you or nearly so; I'll make you decent in a trice. Jane" (he turned to me for the first time since his re-entrance), "take this key: go down into my bedroom, and walk straight forward into my dressing-room: open the top drawer of the wardrobe and take out a clean shirt and neck-handkerchief: bring them here; and be nimble." I went; sought the repository he had mentioned, found the articles named, and returned with them. "Now," said he, "go to the other side of the bed while I order his toilet; but don't leave the room: you may be wanted again." I retired as directed. "Was anybody stirring below when you went down, Jane?" inquired Mr. Rochester presently. "No, sir; all was very still." "We shall get you off cannily, Dick: and it will be better, both for your sake, and for that of the poor creature in yonder. I have striven long to avoid exposure, and I should not like it to come at last. Here, Carter, help him on with his waist-coat. Where did you leave your furred cloak? You can't travel a mile without that, I know, in this damned cold climate. In your room?--Jane, run down to Mr. Mason's room,--the one next mine,--and fetch a cloak you will see there." Again I ran, and again returned, bearing an immense mantle lined and edged with fur. "Now, I've another errand for you," said my untiring master; "you must away to my room again. What a mercy you are shod with velvet, Jane!--a clod-hopping messenger would never do at this juncture. You must open the middle drawer of my toilet-table and take out a little phial and a little glass you will find there,--quick!" I flew thither and back, bringing the desired vessels. "That's well! Now, doctor, I shall take the liberty of administering a dose myself, on my own responsibility. I got this cordial at Rome, of an Italian charlatan--a fellow you would have kicked, Carter. It is not a thing to be used indiscriminately, but it is good upon occasion: as now, for instance. Jane, a little water." He held out the tiny glass, and I half filled it from the water-bottle on the washstand. "That will do;--now wet the lip of the phial." I did so; he measured twelve drops of a crimson liquid, and presented it to Mason. "Drink, Richard: it will give you the heart you lack, for an hour or so." "But will it hurt me?--is it inflammatory?" "Drink! drink! drink!" Mr. Mason obeyed, because it was evidently useless to resist. He was dressed now: he still looked pale, but he was no longer gory and sullied. Mr. Rochester let him sit three minutes after he had swallowed the liquid; he then took his arm-- "Now I am sure you can get on your feet," he said--"try." The patient rose. "Carter, take him under the other shoulder. Be of good cheer, Richard; step out--that's it!" "I do feel better," remarked Mr. Mason. "I am sure you do. Now, Jane, trip on before us away to the backstairs; unbolt the side-passage door, and tell the driver of the post-chaise you will see in the yard--or just outside, for I told him not to drive his rattling wheels over the pavement--to be ready; we are coming: and, Jane, if any one is about, come to the foot of the stairs and hem." It was by this time half-past five, and the sun was on the point of rising; but I found the kitchen still dark and silent. The side-passage door was fastened; I opened it with as little noise as possible: all the yard was quiet; but the gates stood wide open, and there was a post-chaise, with horses ready harnessed, and driver seated on the box, stationed outside. I approached him, and said the gentlemen were coming; he nodded: then I looked carefully round and listened. The stillness of early morning slumbered everywhere; the curtains were yet drawn over the servants' chamber windows; little birds were just twittering in the blossom-blanched orchard trees, whose boughs drooped like white garlands over the wall enclosing one side of the yard; the carriage horses stamped from time to time in their closed stables: all else was still. The gentlemen now appeared. Mason, supported by Mr. Rochester and the surgeon, seemed to walk with tolerable ease: they assisted him into the chaise; Carter followed. "Take care of him," said Mr. Rochester to the latter, "and keep him at your house till he is quite well: I shall ride over in a day or two to see how he gets on. Richard, how is it with you?" "The fresh air revives me, Fairfax." "Leave the window open on his side, Carter; there is no wind--good-bye, Dick." "Fairfax--" "Well what is it?" "Let her be taken care of; let her be treated as tenderly as may be: let her--" he stopped and burst into tears. "I do my best; and have done it, and will do it," was the answer: he shut up the chaise door, and the vehicle drove away. "Yet would to God there was an end of all this!" added Mr. Rochester, as he closed and barred the heavy yard-gates. This done, he moved with slow step and abstracted air towards a door in the wall bordering the orchard. I, supposing he had done with me, prepared to return to the house; again, however, I heard him call "Jane!" He had opened the portal and stood at it, waiting for me. "Come where there is some freshness, for a few moments," he said; "that house is a mere dungeon: don't you feel it so?" "It seems to me a splendid mansion, sir." "The glamour of inexperience is over your eyes," he answered; "and you see it through a charmed medium: you cannot discern that the gilding is slime and the silk draperies cobwebs; that the marble is sordid slate, and the polished woods mere refuse chips and scaly bark. Now _here_" (he pointed to the leafy enclosure we had entered) "all is real, sweet, and pure." He strayed down a walk edged with box, with apple trees, pear trees, and cherry trees on one side, and a border on the other full of all sorts of old-fashioned flowers, stocks, sweet-williams, primroses, pansies, mingled with southernwood, sweet-briar, and various fragrant herbs. They were fresh now as a succession of April showers and gleams, followed by a lovely spring morning, could make them: the sun was just entering the dappled east, and his light illumined the wreathed and dewy orchard trees and shone down the quiet walks under them. "Jane, will you have a flower?" He gathered a half-blown rose, the first on the bush, and offered it to me. "Thank you, sir." "Do you like this sunrise, Jane? That sky with its high and light clouds which are sure to melt away as the day waxes warm--this placid and balmly atmosphere?" "I do, very much." "You have passed a strange night, Jane." "Yes, sir." "And it has made you look pale--were you afraid when I left you alone with Mason?" "I was afraid of some one coming out of the inner room." "But I had fastened the door--I had the key in my pocket: I should have been a careless shepherd if I had left a lamb--my pet lamb--so near a wolf's den, unguarded: you were safe." "Will Grace Poole live here still, sir?" "Oh yes! don't trouble your head about her--put the thing out of your thoughts." "Yet it seems to me your life is hardly secure while she stays." "Never fear--I will take care of myself." "Is the danger you apprehended last night gone by now, sir?" "I cannot vouch for that till Mason is out of England: nor even then. To live, for me, Jane, is to stand on a crater-crust which may crack and spue fire any day." "But Mr. Mason seems a man easily led. Your influence, sir, is evidently potent with him: he will never set you at defiance or wilfully injure you." "Oh, no! Mason will not defy me; nor, knowing it, will he hurt me--but, unintentionally, he might in a moment, by one careless word, deprive me, if not of life, yet for ever of happiness." "Tell him to be cautious, sir: let him know what you fear, and show him how to avert the danger." He laughed sardonically, hastily took my hand, and as hastily threw it from him. "If I could do that, simpleton, where would the danger be? Annihilated in a moment. Ever since I have known Mason, I have only had to say to him 'Do that,' and the thing has been done. But I cannot give him orders in this case: I cannot say 'Beware of harming me, Richard;' for it is imperative that I should keep him ignorant that harm to me is possible. Now you look puzzled; and I will puzzle you further. You are my little friend, are you not?" "I like to serve you, sir, and to obey you in all that is right." "Precisely: I see you do. I see genuine contentment in your gait and mien, your eye and face, when you are helping me and pleasing me--working for me, and with me, in, as you characteristically say, '_all that is right_:' for if I bid you do what you thought wrong, there would be no light-footed running, no neat-handed alacrity, no lively glance and animated complexion. My friend would then turn to me, quiet and pale, and would say, 'No, sir; that is impossible: I cannot do it, because it is wrong;' and would become immutable as a fixed star. Well, you too have power over me, and may injure me: yet I dare not show you where I am vulnerable, lest, faithful and friendly as you are, you should transfix me at once." "If you have no more to fear from Mr. Mason than you have from me, sir, you are very safe." "God grant it may be so! Here, Jane, is an arbour; sit down." The arbour was an arch in the wall, lined with ivy; it contained a rustic seat. Mr. Rochester took it, leaving room, however, for me: but I stood before him. "Sit," he said; "the bench is long enough for two. You don't hesitate to take a place at my side, do you? Is that wrong, Jane?" I answered him by assuming it: to refuse would, I felt, have been unwise. "Now, my little friend, while the sun drinks the dew--while all the flowers in this old garden awake and expand, and the birds fetch their young ones' breakfast out of the Thornfield, and the early bees do their first spell of work--I'll put a case to you, which you must endeavour to suppose your own: but first, look at me, and tell me you are at ease, and not fearing that I err in detaining you, or that you err in staying." "No, sir; I am content." "Well then, Jane, call to aid your fancy:--suppose you were no longer a girl well reared and disciplined, but a wild boy indulged from childhood upwards; imagine yourself in a remote foreign land; conceive that you there commit a capital error, no matter of what nature or from what motives, but one whose consequences must follow you through life and taint all your existence. Mind, I don't say a _crime_; I am not speaking of shedding of blood or any other guilty act, which might make the perpetrator amenable to the law: my word is _error_. The results of what you have done become in time to you utterly insupportable; you take measures to obtain relief: unusual measures, but neither unlawful nor culpable. Still you are miserable; for hope has quitted you on the very confines of life: your sun at noon darkens in an eclipse, which you feel will not leave it till the time of setting. Bitter and base associations have become the sole food of your memory: you wander here and there, seeking rest in exile: happiness in pleasure--I mean in heartless, sensual pleasure--such as dulls intellect and blights feeling. Heart-weary and soul-withered, you come home after years of voluntary banishment: you make a new acquaintance--how or where no matter: you find in this stranger much of the good and bright qualities which you have sought for twenty years, and never before encountered; and they are all fresh, healthy, without soil and without taint. Such society revives, regenerates: you feel better days come back--higher wishes, purer feelings; you desire to recommence your life, and to spend what remains to you of days in a way more worthy of an immortal being. To attain this end, are you justified in overleaping an obstacle of custom--a mere conventional impediment which neither your conscience sanctifies nor your judgment approves?" He paused for an answer: and what was I to say? Oh, for some good spirit to suggest a judicious and satisfactory response! Vain aspiration! The west wind whispered in the ivy round me; but no gentle Ariel borrowed its breath as a medium of speech: the birds sang in the tree-tops; but their song, however sweet, was inarticulate. Again Mr. Rochester propounded his query: "Is the wandering and sinful, but now rest-seeking and repentant, man justified in daring the world's opinion, in order to attach to him for ever this gentle, gracious, genial stranger, thereby securing his own peace of mind and regeneration of life?" "Sir," I answered, "a wanderer's repose or a sinner's reformation should never depend on a fellow-creature. Men and women die; philosophers falter in wisdom, and Christians in goodness: if any one you know has suffered and erred, let him look higher than his equals for strength to amend and solace to heal." "But the instrument--the instrument! God, who does the work, ordains the instrument. I have myself--I tell it you without parable--been a worldly, dissipated, restless man; and I believe I have found the instrument for my cure in--" He paused: the birds went on carolling, the leaves lightly rustling. I almost wondered they did not check their songs and whispers to catch the suspended revelation; but they would have had to wait many minutes--so long was the silence protracted. At last I looked up at the tardy speaker: he was looking eagerly at me. "Little friend," said he, in quite a changed tone--while his face changed too, losing all its softness and gravity, and becoming harsh and sarcastic--"you have noticed my tender penchant for Miss Ingram: don't you think if I married her she would regenerate me with a vengeance?" He got up instantly, went quite to the other end of the walk, and when he came back he was humming a tune. "Jane, Jane," said he, stopping before me, "you are quite pale with your vigils: don't you curse me for disturbing your rest?" "Curse you? No, sir." "Shake hands in confirmation of the word. What cold fingers! They were warmer last night when I touched them at the door of the mysterious chamber. Jane, when will you watch with me again?" "Whenever I can be useful, sir." "For instance, the night before I am married! I am sure I shall not be able to sleep. Will you promise to sit up with me to bear me company? To you I can talk of my lovely one: for now you have seen her and know her." "Yes, sir." "She's a rare one, is she not, Jane?" "Yes, sir." "A strapper--a real strapper, Jane: big, brown, and buxom; with hair just such as the ladies of Carthage must have had. Bless me! there's Dent and Lynn in the stables! Go in by the shrubbery, through that wicket." As I went one way, he went another, and I heard him in the yard, saying cheerfully-- "Mason got the start of you all this morning; he was gone before sunrise: I rose at four to see him off."

Chapter 20

https://web.archive.org/web/20190321135117/https://www.cliffsnotes.com/literature/j/jane-eyre/summary-and-analysis/chapter-20

Later that evening, Jane lies in bed, gazing at the moonlight coming in her window. Suddenly, she hears a heart-stopping cry for help. Jane hurriedly puts on some clothes, horror shaking her body. All members of the party have gathered in the hallway, wondering if the house is on fire or if robbers have broken in. Rochester assures them that the noise was simply a servant having a bad dream and sends them back to their beds. Jane knows this is a lie, because she heard the strange cry, a struggle, and then a call for help. Before too long, Rochester knocks on her door, asking if she can help him, as long as she isn't afraid of blood. Together they climb to the mysterious third story of the house. There they discover Richard Mason with a bloody arm. Rochester asks Jane to sop up the blood while he runs for the surgeon, but insists that Mason and Jane not speak with each other; if they do, Rochester will "not answer for the consequences." Jane stares at a cabinet in the room, which bears a grim design: the twelve Christian apostles with a dying Jesus hanging from a cross above them. As dawn approaches, Rochester finally returns with the surgeon. While he dresses Mason's wounds, the men speak obscurely of the woman who bit and stabbed Mason. Rochester has Jane run downstairs to find a special cordial he bought from an Italian charlatan. He measures twelve drops of the liquid into a glass, and has Mason drink the mixture, which Rochester claims will give him the "heart" he lacks for an hour or so. After Mason has left, Jane and Rochester walk through the gardens. Rochester tells Jane the hypothetical story of a wild boy indulged from children, who commits a "capital error" while in a remote foreign country. He lives in debauchery for a while, then seeks to resume a happy, pure life with a kind stranger, but a "mere conventional impediment stands in his way." What would Jane do in such a situation, Rochester asks? Jane's answer is that a sinner's reformation should never depend on another person; instead, he should look to God for solace. Rochester then asks Jane, without parable, if marrying Blanche would bring him regeneration? He describes Blanche as a "strapper," big and buxom, like the women of Carthage, then rushes off to the stables to speak with Dent and Lynn.

The secret residing on the third floor of Rochester's house is becoming ever more difficult for Rochester to disguise. Rochester's feelings are apparent through his description of his house; while for Jane it is a "splendid mansion," for Rochester it is a "mere dungeon," a Bridewell. While she sees only the glamour of the place, he sees the gilding as slime, the silk draperies as cobwebs, the marble as "sordid slate." Jane is unable to see below the surface to the secret residing within Rochester's domestic space. Under a veneer of domestic tranquility lies a monstrous secret -- in the form of the strange woman who lives on the third floor. As Jane notes, this crime or mystery is one that can be neither "expelled nor subdued by the owner," emphasizing Rochester's inability to control this woman. Descriptions of her -- she "worried me like a tigress" and "she sucked the blood: she said she'd drain my heart" -- suggest her ferocious power and vampiric tendencies. Bertha seems to represent a silent rebellion brewing in women's minds, one Jane will discuss later in the novel. Jane Eyre combines the techniques of several literary genre, including the bildungsroman , the romance, and the gothic novel. Elements of gothic predominate in this chapter. Generally, gothic uses remote, gloomy settings, and a sinister, eerie atmosphere to create a feeling of horror and mystery. Jane's language in this chapter -- filled with references to the supernatural, mystery, crime, secrets, and excessive emotions -- fits this rubric. For example, Jane's description of her experience on the mysterious, remote third story of the house contributes to the reader's sense of horror and impending mystery: She tells of the "mystic cells," of "a pale and bloody spectacle," of a mystery that breaks out "now in fire and now in blood, at the deadest hours of night," creating a "web of horror." Her portrait of the grim cabinet depicting the twelve apostles, on which she imagines Judas "gathering life and threatening a revelation of Satan himself," suggests a devilish, supernatural evil. Similarly, Rochester's ability to conjure up a cordial to give Richard almost supernatural strength, hints at his mysterious, possibly unnatural powers.

cliffnotes

all_chapterized_books/1260-chapters/22.txt

finished_summaries/cliffnotes/Jane Eyre/section_16_part_0.txt

Jane Eyre.volume 2.chapter 21

chapter 21

{"name": "Chapter 21", "url": "https://web.archive.org/web/20190321135117/https://www.cliffsnotes.com/literature/j/jane-eyre/summary-and-analysis/chapter-21", "summary": "Jane remembers Bessie Leaven saying that dreams of children are a sign of trouble, either to oneself or one's kin. Jane is worried because she has been dreaming of infants for the past seven successive nights, including the night she was roused by Mason's cry. It also happens on the day Jane learns of her cousin John's death. The news of her son's death has caused Mrs. Reed to have a stroke, and she is now asking for Jane. Jane arrives at Gateshead at five o'clock on May 1, greeted by Bessie, who prepares tea for them both. As they sit discussing old times, Jane realizes that the flame of her old resentments against the Reeds has been extinguished. She walks into the main house and meets her two cousins again: Eliza is tall and ascetic looking, while Georgiana is buxom and beautiful. Bessie takes Jane to see Mrs. Reed, whose face is as stern and restless as ever. While Jane would like to be reconciled with her aunt, Mrs. Reed won't relinquish her animosity. Jane learns the source of Mrs. Reed's anger toward her: Mrs. Reed was jealous of the relationship that Jane's mother, Mr. Reed's favorite sister, had with her husband, and of the fact that he showed Jane more attention than he ever showed his own children. To pass the time, Jane sketches. Both Eliza and Georgiana are surprised with her skill, and Jane volunteers to draw their portraits. This breaks the ice between Jane and her cousins, and Georgiana begins confiding in her. Eliza is busy all day, every day; she plans to enter a convent when her mother dies. One rainy day, Jane sneaks upstairs to her aunt's room. Awaking from her lethargy, Mrs. Reed gives Jane a letter from her uncle, John Eyre. Written three years earlier, the letter reveals that he wishes to adopt Jane and leave her his fortune. Mrs. Reed didn't send it to Jane because she hated her too much and wanted to get revenge. One final time, Jane tries to seek reconciliation with her aunt, but Mrs. Reed refuses to forgive her. Her aunt dies at midnight.", "analysis": "This chapter develops the characters of the Reeds, who haven't changed much in the years since Jane last saw them. The three Reed women are models of three different types of unacceptable female behavior. Eliza's ascetic appearance and crucifix signal her religious rebirth. Extremely rigid, Eliza has every aspect of her day planned out, yet Jane cannot find any \"result of her diligence.\" When her mother dies, she plans to join a convent. Despite her seeming devotion, Eliza knows as little about compassion or love as does Mr. Brocklehurst. An angry, bitter woman, Eliza offers another negative image of Christianity. All of her work is self-centered, and she has little interest in her mother's health, not even shedding a tear when she dies. Always cold, rigid, impassible, Eliza is an example of a character who is too icy, too lacking in generous, passionate feeling. Jane's belief is that \"judgement untempered by feeling is too bitter and husky a morsel for human deglutition\"; Jane seeks a balance between judgment and feeling that will allow her a full, but healthy share in human joy. While Eliza has too much judgment, too little feeling, Georgiana has the opposite: feeling without judgment. Where Eliza has consecrated herself to excessive asceticism, Georgiana has devoted herself to an immoderate fashionableness. Where Eliza is tall and extremely thin, Georgiana is buxom and voluptuous. Vain and shallow, Georgiana shows no interest in her brother's death or in her mother's illness. In a fashion similar to Celine Varens, Georgiana's mind is fully devoted to recollections of past parties and \"aspirations after dissipations to come.\" Neither Eliza's nun-like life nor Georgiana's fashionable fluff interests Jane. Aunt Reed is also a negative model. Refusing forgiveness or compassion, her aunt cherishes only ill feelings for Jane. While Jane's fiery passions have been extinguished, her aunt maintains a heated hatred for Jane until the moment of her death. In fact, she wishes Jane had died in the typhus outbreak at Lowood. This animosity is based on jealousy: She couldn't accept her husband's love of his sister or her child. Despite her attempts to keep John Eyre away from Jane, his repeated appearance in the story foreshadows his role later in her life, a role that will center on money. Aunt Reed's revenge attempt will be unsuccessful."}

Presentiments are strange things! and so are sympathies; and so are signs; and the three combined make one mystery to which humanity has not yet found the key. I never laughed at presentiments in my life, because I have had strange ones of my own. Sympathies, I believe, exist (for instance, between far-distant, long-absent, wholly estranged relatives asserting, notwithstanding their alienation, the unity of the source to which each traces his origin) whose workings baffle mortal comprehension. And signs, for aught we know, may be but the sympathies of Nature with man. When I was a little girl, only six years old, I one night heard Bessie Leaven say to Martha Abbot that she had been dreaming about a little child; and that to dream of children was a sure sign of trouble, either to one's self or one's kin. The saying might have worn out of my memory, had not a circumstance immediately followed which served indelibly to fix it there. The next day Bessie was sent for home to the deathbed of her little sister. Of late I had often recalled this saying and this incident; for during the past week scarcely a night had gone over my couch that had not brought with it a dream of an infant, which I sometimes hushed in my arms, sometimes dandled on my knee, sometimes watched playing with daisies on a lawn, or again, dabbling its hands in running water. It was a wailing child this night, and a laughing one the next: now it nestled close to me, and now it ran from me; but whatever mood the apparition evinced, whatever aspect it wore, it failed not for seven successive nights to meet me the moment I entered the land of slumber. I did not like this iteration of one idea--this strange recurrence of one image, and I grew nervous as bedtime approached and the hour of the vision drew near. It was from companionship with this baby-phantom I had been roused on that moonlight night when I heard the cry; and it was on the afternoon of the day following I was summoned downstairs by a message that some one wanted me in Mrs. Fairfax's room. On repairing thither, I found a man waiting for me, having the appearance of a gentleman's servant: he was dressed in deep mourning, and the hat he held in his hand was surrounded with a crape band. "I daresay you hardly remember me, Miss," he said, rising as I entered; "but my name is Leaven: I lived coachman with Mrs. Reed when you were at Gateshead, eight or nine years since, and I live there still." "Oh, Robert! how do you do? I remember you very well: you used to give me a ride sometimes on Miss Georgiana's bay pony. And how is Bessie? You are married to Bessie?" "Yes, Miss: my wife is very hearty, thank you; she brought me another little one about two months since--we have three now--and both mother and child are thriving." "And are the family well at the house, Robert?" "I am sorry I can't give you better news of them, Miss: they are very badly at present--in great trouble." "I hope no one is dead," I said, glancing at his black dress. He too looked down at the crape round his hat and replied-- "Mr. John died yesterday was a week, at his chambers in London." "Mr. John?" "Yes." "And how does his mother bear it?" "Why, you see, Miss Eyre, it is not a common mishap: his life has been very wild: these last three years he gave himself up to strange ways, and his death was shocking." "I heard from Bessie he was not doing well." "Doing well! He could not do worse: he ruined his health and his estate amongst the worst men and the worst women. He got into debt and into jail: his mother helped him out twice, but as soon as he was free he returned to his old companions and habits. His head was not strong: the knaves he lived amongst fooled him beyond anything I ever heard. He came down to Gateshead about three weeks ago and wanted missis to give up all to him. Missis refused: her means have long been much reduced by his extravagance; so he went back again, and the next news was that he was dead. How he died, God knows!--they say he killed himself." I was silent: the things were frightful. Robert Leaven resumed-- "Missis had been out of health herself for some time: she had got very stout, but was not strong with it; and the loss of money and fear of poverty were quite breaking her down. The information about Mr. John's death and the manner of it came too suddenly: it brought on a stroke. She was three days without speaking; but last Tuesday she seemed rather better: she appeared as if she wanted to say something, and kept making signs to my wife and mumbling. It was only yesterday morning, however, that Bessie understood she was pronouncing your name; and at last she made out the words, 'Bring Jane--fetch Jane Eyre: I want to speak to her.' Bessie is not sure whether she is in her right mind, or means anything by the words; but she told Miss Reed and Miss Georgiana, and advised them to send for you. The young ladies put it off at first; but their mother grew so restless, and said, 'Jane, Jane,' so many times, that at last they consented. I left Gateshead yesterday: and if you can get ready, Miss, I should like to take you back with me early to-morrow morning." "Yes, Robert, I shall be ready: it seems to me that I ought to go." "I think so too, Miss. Bessie said she was sure you would not refuse: but I suppose you will have to ask leave before you can get off?" "Yes; and I will do it now;" and having directed him to the servants' hall, and recommended him to the care of John's wife, and the attentions of John himself, I went in search of Mr. Rochester. He was not in any of the lower rooms; he was not in the yard, the stables, or the grounds. I asked Mrs. Fairfax if she had seen him;--yes: she believed he was playing billiards with Miss Ingram. To the billiard- room I hastened: the click of balls and the hum of voices resounded thence; Mr. Rochester, Miss Ingram, the two Misses Eshton, and their admirers, were all busied in the game. It required some courage to disturb so interesting a party; my errand, however, was one I could not defer, so I approached the master where he stood at Miss Ingram's side. She turned as I drew near, and looked at me haughtily: her eyes seemed to demand, "What can the creeping creature want now?" and when I said, in a low voice, "Mr. Rochester," she made a movement as if tempted to order me away. I remember her appearance at the moment--it was very graceful and very striking: she wore a morning robe of sky-blue crape; a gauzy azure scarf was twisted in her hair. She had been all animation with the game, and irritated pride did not lower the expression of her haughty lineaments. "Does that person want you?" she inquired of Mr. Rochester; and Mr. Rochester turned to see who the "person" was. He made a curious grimace--one of his strange and equivocal demonstrations--threw down his cue and followed me from the room. "Well, Jane?" he said, as he rested his back against the schoolroom door, which he had shut. "If you please, sir, I want leave of absence for a week or two." "What to do?--where to go?" "To see a sick lady who has sent for me." "What sick lady?--where does she live?" "At Gateshead; in ---shire." "-shire? That is a hundred miles off! Who may she be that sends for people to see her that distance?" "Her name is Reed, sir--Mrs. Reed." "Reed of Gateshead? There was a Reed of Gateshead, a magistrate." "It is his widow, sir." "And what have you to do with her? How do you know her?" "Mr. Reed was my uncle--my mother's brother." "The deuce he was! You never told me that before: you always said you had no relations." "None that would own me, sir. Mr. Reed is dead, and his wife cast me off." "Why?" "Because I was poor, and burdensome, and she disliked me." "But Reed left children?--you must have cousins? Sir George Lynn was talking of a Reed of Gateshead yesterday, who, he said, was one of the veriest rascals on town; and Ingram was mentioning a Georgiana Reed of the same place, who was much admired for her beauty a season or two ago in London." "John Reed is dead, too, sir: he ruined himself and half-ruined his family, and is supposed to have committed suicide. The news so shocked his mother that it brought on an apoplectic attack." "And what good can you do her? Nonsense, Jane! I would never think of running a hundred miles to see an old lady who will, perhaps, be dead before you reach her: besides, you say she cast you off." "Yes, sir, but that is long ago; and when her circumstances were very different: I could not be easy to neglect her wishes now." "How long will you stay?" "As short a time as possible, sir." "Promise me only to stay a week--" "I had better not pass my word: I might be obliged to break it." "At all events you _will_ come back: you will not be induced under any pretext to take up a permanent residence with her?" "Oh, no! I shall certainly return if all be well." "And who goes with you? You don't travel a hundred miles alone." "No, sir, she has sent her coachman." "A person to be trusted?" "Yes, sir, he has lived ten years in the family." Mr. Rochester meditated. "When do you wish to go?" "Early to-morrow morning, sir." "Well, you must have some money; you can't travel without money, and I daresay you have not much: I have given you no salary yet. How much have you in the world, Jane?" he asked, smiling. I drew out my purse; a meagre thing it was. "Five shillings, sir." He took the purse, poured the hoard into his palm, and chuckled over it as if its scantiness amused him. Soon he produced his pocket-book: "Here," said he, offering me a note; it was fifty pounds, and he owed me but fifteen. I told him I had no change. "I don't want change; you know that. Take your wages." I declined accepting more than was my due. He scowled at first; then, as if recollecting something, he said-- "Right, right! Better not give you all now: you would, perhaps, stay away three months if you had fifty pounds. There are ten; is it not plenty?" "Yes, sir, but now you owe me five." "Come back for it, then; I am your banker for forty pounds." "Mr. Rochester, I may as well mention another matter of business to you while I have the opportunity." "Matter of business? I am curious to hear it." "You have as good as informed me, sir, that you are going shortly to be married?" "Yes; what then?" "In that case, sir, Adele ought to go to school: I am sure you will perceive the necessity of it." "To get her out of my bride's way, who might otherwise walk over her rather too emphatically? There's sense in the suggestion; not a doubt of it. Adele, as you say, must go to school; and you, of course, must march straight to--the devil?" "I hope not, sir; but I must seek another situation somewhere." "In course!" he exclaimed, with a twang of voice and a distortion of features equally fantastic and ludicrous. He looked at me some minutes. "And old Madam Reed, or the Misses, her daughters, will be solicited by you to seek a place, I suppose?" "No, sir; I am not on such terms with my relatives as would justify me in asking favours of them--but I shall advertise." "You shall walk up the pyramids of Egypt!" he growled. "At your peril you advertise! I wish I had only offered you a sovereign instead of ten pounds. Give me back nine pounds, Jane; I've a use for it." "And so have I, sir," I returned, putting my hands and my purse behind me. "I could not spare the money on any account." "Little niggard!" said he, "refusing me a pecuniary request! Give me five pounds, Jane." "Not five shillings, sir; nor five pence." "Just let me look at the cash." "No, sir; you are not to be trusted." "Jane!" "Sir?" "Promise me one thing." "I'll promise you anything, sir, that I think I am likely to perform." "Not to advertise: and to trust this quest of a situation to me. I'll find you one in time." "I shall be glad so to do, sir, if you, in your turn, will promise that I and Adele shall be both safe out of the house before your bride enters it." "Very well! very well! I'll pledge my word on it. You go to-morrow, then?" "Yes, sir; early." "Shall you come down to the drawing-room after dinner?" "No, sir, I must prepare for the journey." "Then you and I must bid good-bye for a little while?" "I suppose so, sir." "And how do people perform that ceremony of parting, Jane? Teach me; I'm not quite up to it." "They say, Farewell, or any other form they prefer." "Then say it." "Farewell, Mr. Rochester, for the present." "What must I say?" "The same, if you like, sir." "Farewell, Miss Eyre, for the present; is that all?" "Yes?" "It seems stingy, to my notions, and dry, and unfriendly. I should like something else: a little addition to the rite. If one shook hands, for instance; but no--that would not content me either. So you'll do no more than say Farewell, Jane?" "It is enough, sir: as much good-will may be conveyed in one hearty word as in many." "Very likely; but it is blank and cool--'Farewell.'" "How long is he going to stand with his back against that door?" I asked myself; "I want to commence my packing." The dinner-bell rang, and suddenly away he bolted, without another syllable: I saw him no more during the day, and was off before he had risen in the morning. I reached the lodge at Gateshead about five o'clock in the afternoon of the first of May: I stepped in there before going up to the hall. It was very clean and neat: the ornamental windows were hung with little white curtains; the floor was spotless; the grate and fire-irons were burnished bright, and the fire burnt clear. Bessie sat on the hearth, nursing her last-born, and Robert and his sister played quietly in a corner. "Bless you!--I knew you would come!" exclaimed Mrs. Leaven, as I entered. "Yes, Bessie," said I, after I had kissed her; "and I trust I am not too late. How is Mrs. Reed?--Alive still, I hope." "Yes, she is alive; and more sensible and collected than she was. The doctor says she may linger a week or two yet; but he hardly thinks she will finally recover." "Has she mentioned me lately?" "She was talking of you only this morning, and wishing you would come, but she is sleeping now, or was ten minutes ago, when I was up at the house. She generally lies in a kind of lethargy all the afternoon, and wakes up about six or seven. Will you rest yourself here an hour, Miss, and then I will go up with you?" Robert here entered, and Bessie laid her sleeping child in the cradle and went to welcome him: afterwards she insisted on my taking off my bonnet and having some tea; for she said I looked pale and tired. I was glad to accept her hospitality; and I submitted to be relieved of my travelling garb just as passively as I used to let her undress me when a child. Old times crowded fast back on me as I watched her bustling about--setting out the tea-tray with her best china, cutting bread and butter, toasting a tea-cake, and, between whiles, giving little Robert or Jane an occasional tap or push, just as she used to give me in former days. Bessie had retained her quick temper as well as her light foot and good looks. Tea ready, I was going to approach the table; but she desired me to sit still, quite in her old peremptory tones. I must be served at the fireside, she said; and she placed before me a little round stand with my cup and a plate of toast, absolutely as she used to accommodate me with some privately purloined dainty on a nursery chair: and I smiled and obeyed her as in bygone days. She wanted to know if I was happy at Thornfield Hall, and what sort of a person the mistress was; and when I told her there was only a master, whether he was a nice gentleman, and if I liked him. I told her he was rather an ugly man, but quite a gentleman; and that he treated me kindly, and I was content. Then I went on to describe to her the gay company that had lately been staying at the house; and to these details Bessie listened with interest: they were precisely of the kind she relished. In such conversation an hour was soon gone: Bessie restored to me my bonnet, &c., and, accompanied by her, I quitted the lodge for the hall. It was also accompanied by her that I had, nearly nine years ago, walked down the path I was now ascending. On a dark, misty, raw morning in January, I had left a hostile roof with a desperate and embittered heart--a sense of outlawry and almost of reprobation--to seek the chilly harbourage of Lowood: that bourne so far away and unexplored. The same hostile roof now again rose before me: my prospects were doubtful yet; and I had yet an aching heart. I still felt as a wanderer on the face of the earth; but I experienced firmer trust in myself and my own powers, and less withering dread of oppression. The gaping wound of my wrongs, too, was now quite healed; and the flame of resentment extinguished. "You shall go into the breakfast-room first," said Bessie, as she preceded me through the hall; "the young ladies will be there." In another moment I was within that apartment. There was every article of furniture looking just as it did on the morning I was first introduced to Mr. Brocklehurst: the very rug he had stood upon still covered the hearth. Glancing at the bookcases, I thought I could distinguish the two volumes of Bewick's British Birds occupying their old place on the third shelf, and Gulliver's Travels and the Arabian Nights ranged just above. The inanimate objects were not changed; but the living things had altered past recognition. Two young ladies appeared before me; one very tall, almost as tall as Miss Ingram--very thin too, with a sallow face and severe mien. There was something ascetic in her look, which was augmented by the extreme plainness of a straight-skirted, black, stuff dress, a starched linen collar, hair combed away from the temples, and the nun-like ornament of a string of ebony beads and a crucifix. This I felt sure was Eliza, though I could trace little resemblance to her former self in that elongated and colourless visage. The other was as certainly Georgiana: but not the Georgiana I remembered--the slim and fairy-like girl of eleven. This was a full-blown, very plump damsel, fair as waxwork, with handsome and regular features, languishing blue eyes, and ringleted yellow hair. The hue of her dress was black too; but its fashion was so different from her sister's--so much more flowing and becoming--it looked as stylish as the other's looked puritanical. In each of the sisters there was one trait of the mother--and only one; the thin and pallid elder daughter had her parent's Cairngorm eye: the blooming and luxuriant younger girl had her contour of jaw and chin--perhaps a little softened, but still imparting an indescribable hardness to the countenance otherwise so voluptuous and buxom. Both ladies, as I advanced, rose to welcome me, and both addressed me by the name of "Miss Eyre." Eliza's greeting was delivered in a short, abrupt voice, without a smile; and then she sat down again, fixed her eyes on the fire, and seemed to forget me. Georgiana added to her "How d'ye do?" several commonplaces about my journey, the weather, and so on, uttered in rather a drawling tone: and accompanied by sundry side-glances that measured me from head to foot--now traversing the folds of my drab merino pelisse, and now lingering on the plain trimming of my cottage bonnet. Young ladies have a remarkable way of letting you know that they think you a "quiz" without actually saying the words. A certain superciliousness of look, coolness of manner, nonchalance of tone, express fully their sentiments on the point, without committing them by any positive rudeness in word or deed. A sneer, however, whether covert or open, had now no longer that power over me it once possessed: as I sat between my cousins, I was surprised to find how easy I felt under the total neglect of the one and the semi- sarcastic attentions of the other--Eliza did not mortify, nor Georgiana ruffle me. The fact was, I had other things to think about; within the last few months feelings had been stirred in me so much more potent than any they could raise--pains and pleasures so much more acute and exquisite had been excited than any it was in their power to inflict or bestow--that their airs gave me no concern either for good or bad. "How is Mrs. Reed?" I asked soon, looking calmly at Georgiana, who thought fit to bridle at the direct address, as if it were an unexpected liberty. "Mrs. Reed? Ah! mama, you mean; she is extremely poorly: I doubt if you can see her to-night." "If," said I, "you would just step upstairs and tell her I am come, I should be much obliged to you." Georgiana almost started, and she opened her blue eyes wild and wide. "I know she had a particular wish to see me," I added, "and I would not defer attending to her desire longer than is absolutely necessary." "Mama dislikes being disturbed in an evening," remarked Eliza. I soon rose, quietly took off my bonnet and gloves, uninvited, and said I would just step out to Bessie--who was, I dared say, in the kitchen--and ask her to ascertain whether Mrs. Reed was disposed to receive me or not to- night. I went, and having found Bessie and despatched her on my errand, I proceeded to take further measures. It had heretofore been my habit always to shrink from arrogance: received as I had been to-day, I should, a year ago, have resolved to quit Gateshead the very next morning; now, it was disclosed to me all at once that that would be a foolish plan. I had taken a journey of a hundred miles to see my aunt, and I must stay with her till she was better--or dead: as to her daughters' pride or folly, I must put it on one side, make myself independent of it. So I addressed the housekeeper; asked her to show me a room, told her I should probably be a visitor here for a week or two, had my trunk conveyed to my chamber, and followed it thither myself: I met Bessie on the landing. "Missis is awake," said she; "I have told her you are here: come and let us see if she will know you." I did not need to be guided to the well-known room, to which I had so often been summoned for chastisement or reprimand in former days. I hastened before Bessie; I softly opened the door: a shaded light stood on the table, for it was now getting dark. There was the great four-post bed with amber hangings as of old; there the toilet-table, the armchair, and the footstool, at which I had a hundred times been sentenced to kneel, to ask pardon for offences by me uncommitted. I looked into a certain corner near, half-expecting to see the slim outline of a once dreaded switch which used to lurk there, waiting to leap out imp-like and lace my quivering palm or shrinking neck. I approached the bed; I opened the curtains and leant over the high-piled pillows. Well did I remember Mrs. Reed's face, and I eagerly sought the familiar image. It is a happy thing that time quells the longings of vengeance and hushes the promptings of rage and aversion. I had left this woman in bitterness and hate, and I came back to her now with no other emotion than a sort of ruth for her great sufferings, and a strong yearning to forget and forgive all injuries--to be reconciled and clasp hands in amity. The well-known face was there: stern, relentless as ever--there was that peculiar eye which nothing could melt, and the somewhat raised, imperious, despotic eyebrow. How often had it lowered on me menace and hate! and how the recollection of childhood's terrors and sorrows revived as I traced its harsh line now! And yet I stooped down and kissed her: she looked at me. "Is this Jane Eyre?" she said. "Yes, Aunt Reed. How are you, dear aunt?" I had once vowed that I would never call her aunt again: I thought it no sin to forget and break that vow now. My fingers had fastened on her hand which lay outside the sheet: had she pressed mine kindly, I should at that moment have experienced true pleasure. But unimpressionable natures are not so soon softened, nor are natural antipathies so readily eradicated. Mrs. Reed took her hand away, and, turning her face rather from me, she remarked that the night was warm. Again she regarded me so icily, I felt at once that her opinion of me--her feeling towards me--was unchanged and unchangeable. I knew by her stony eye--opaque to tenderness, indissoluble to tears--that she was resolved to consider me bad to the last; because to believe me good would give her no generous pleasure: only a sense of mortification. I felt pain, and then I felt ire; and then I felt a determination to subdue her--to be her mistress in spite both of her nature and her will. My tears had risen, just as in childhood: I ordered them back to their source. I brought a chair to the bed-head: I sat down and leaned over the pillow. "You sent for me," I said, "and I am here; and it is my intention to stay till I see how you get on." "Oh, of course! You have seen my daughters?" "Yes." "Well, you may tell them I wish you to stay till I can talk some things over with you I have on my mind: to-night it is too late, and I have a difficulty in recalling them. But there was something I wished to say--let me see--" The wandering look and changed utterance told what wreck had taken place in her once vigorous frame. Turning restlessly, she drew the bedclothes round her; my elbow, resting on a corner of the quilt, fixed it down: she was at once irritated. "Sit up!" said she; "don't annoy me with holding the clothes fast. Are you Jane Eyre?" "I am Jane Eyre." "I have had more trouble with that child than any one would believe. Such a burden to be left on my hands--and so much annoyance as she caused me, daily and hourly, with her incomprehensible disposition, and her sudden starts of temper, and her continual, unnatural watchings of one's movements! I declare she talked to me once like something mad, or like a fiend--no child ever spoke or looked as she did; I was glad to get her away from the house. What did they do with her at Lowood? The fever broke out there, and many of the pupils died. She, however, did not die: but I said she did--I wish she had died!" "A strange wish, Mrs. Reed; why do you hate her so?" "I had a dislike to her mother always; for she was my husband's only sister, and a great favourite with him: he opposed the family's disowning her when she made her low marriage; and when news came of her death, he wept like a simpleton. He would send for the baby; though I entreated him rather to put it out to nurse and pay for its maintenance. I hated it the first time I set my eyes on it--a sickly, whining, pining thing! It would wail in its cradle all night long--not screaming heartily like any other child, but whimpering and moaning. Reed pitied it; and he used to nurse it and notice it as if it had been his own: more, indeed, than he ever noticed his own at that age. He would try to make my children friendly to the little beggar: the darlings could not bear it, and he was angry with them when they showed their dislike. In his last illness, he had it brought continually to his bedside; and but an hour before he died, he bound me by vow to keep the creature. I would as soon have been charged with a pauper brat out of a workhouse: but he was weak, naturally weak. John does not at all resemble his father, and I am glad of it: John is like me and like my brothers--he is quite a Gibson. Oh, I wish he would cease tormenting me with letters for money? I have no more money to give him: we are getting poor. I must send away half the servants and shut up part of the house; or let it off. I can never submit to do that--yet how are we to get on? Two-thirds of my income goes in paying the interest of mortgages. John gambles dreadfully, and always loses--poor boy! He is beset by sharpers: John is sunk and degraded--his look is frightful--I feel ashamed for him when I see him." She was getting much excited. "I think I had better leave her now," said I to Bessie, who stood on the other side of the bed. "Perhaps you had, Miss: but she often talks in this way towards night--in the morning she is calmer." I rose. "Stop!" exclaimed Mrs. Reed, "there is another thing I wished to say. He threatens me--he continually threatens me with his own death, or mine: and I dream sometimes that I see him laid out with a great wound in his throat, or with a swollen and blackened face. I am come to a strange pass: I have heavy troubles. What is to be done? How is the money to be had?" Bessie now endeavoured to persuade her to take a sedative draught: she succeeded with difficulty. Soon after, Mrs. Reed grew more composed, and sank into a dozing state. I then left her. More than ten days elapsed before I had again any conversation with her. She continued either delirious or lethargic; and the doctor forbade everything which could painfully excite her. Meantime, I got on as well as I could with Georgiana and Eliza. They were very cold, indeed, at first. Eliza would sit half the day sewing, reading, or writing, and scarcely utter a word either to me or her sister. Georgiana would chatter nonsense to her canary bird by the hour, and take no notice of me. But I was determined not to seem at a loss for occupation or amusement: I had brought my drawing materials with me, and they served me for both. Provided with a case of pencils, and some sheets of paper, I used to take a seat apart from them, near the window, and busy myself in sketching fancy vignettes, representing any scene that happened momentarily to shape itself in the ever-shifting kaleidoscope of imagination: a glimpse of sea between two rocks; the rising moon, and a ship crossing its disk; a group of reeds and water-flags, and a naiad's head, crowned with lotus- flowers, rising out of them; an elf sitting in a hedge-sparrow's nest, under a wreath of hawthorn-bloom. One morning I fell to sketching a face: what sort of a face it was to be, I did not care or know. I took a soft black pencil, gave it a broad point, and worked away. Soon I had traced on the paper a broad and prominent forehead and a square lower outline of visage: that contour gave me pleasure; my fingers proceeded actively to fill it with features. Strongly-marked horizontal eyebrows must be traced under that brow; then followed, naturally, a well-defined nose, with a straight ridge and full nostrils; then a flexible-looking mouth, by no means narrow; then a firm chin, with a decided cleft down the middle of it: of course, some black whiskers were wanted, and some jetty hair, tufted on the temples, and waved above the forehead. Now for the eyes: I had left them to the last, because they required the most careful working. I drew them large; I shaped them well: the eyelashes I traced long and sombre; the irids lustrous and large. "Good! but not quite the thing," I thought, as I surveyed the effect: "they want more force and spirit;" and I wrought the shades blacker, that the lights might flash more brilliantly--a happy touch or two secured success. There, I had a friend's face under my gaze; and what did it signify that those young ladies turned their backs on me? I looked at it; I smiled at the speaking likeness: I was absorbed and content. "Is that a portrait of some one you know?" asked Eliza, who had approached me unnoticed. I responded that it was merely a fancy head, and hurried it beneath the other sheets. Of course, I lied: it was, in fact, a very faithful representation of Mr. Rochester. But what was that to her, or to any one but myself? Georgiana also advanced to look. The other drawings pleased her much, but she called that "an ugly man." They both seemed surprised at my skill. I offered to sketch their portraits; and each, in turn, sat for a pencil outline. Then Georgiana produced her album. I promised to contribute a water-colour drawing: this put her at once into good humour. She proposed a walk in the grounds. Before we had been out two hours, we were deep in a confidential conversation: she had favoured me with a description of the brilliant winter she had spent in London two seasons ago--of the admiration she had there excited--the attention she had received; and I even got hints of the titled conquest she had made. In the course of the afternoon and evening these hints were enlarged on: various soft conversations were reported, and sentimental scenes represented; and, in short, a volume of a novel of fashionable life was that day improvised by her for my benefit. The communications were renewed from day to day: they always ran on the same theme--herself, her loves, and woes. It was strange she never once adverted either to her mother's illness, or her brother's death, or the present gloomy state of the family prospects. Her mind seemed wholly taken up with reminiscences of past gaiety, and aspirations after dissipations to come. She passed about five minutes each day in her mother's sick-room, and no more. Eliza still spoke little: she had evidently no time to talk. I never saw a busier person than she seemed to be; yet it was difficult to say what she did: or rather, to discover any result of her diligence. She had an alarm to call her up early. I know not how she occupied herself before breakfast, but after that meal she divided her time into regular portions, and each hour had its allotted task. Three times a day she studied a little book, which I found, on inspection, was a Common Prayer Book. I asked her once what was the great attraction of that volume, and she said, "the Rubric." Three hours she gave to stitching, with gold thread, the border of a square crimson cloth, almost large enough for a carpet. In answer to my inquiries after the use of this article, she informed me it was a covering for the altar of a new church lately erected near Gateshead. Two hours she devoted to her diary; two to working by herself in the kitchen-garden; and one to the regulation of her accounts. She seemed to want no company; no conversation. I believe she was happy in her way: this routine sufficed for her; and nothing annoyed her so much as the occurrence of any incident which forced her to vary its clockwork regularity. She told me one evening, when more disposed to be communicative than usual, that John's conduct, and the threatened ruin of the family, had been a source of profound affliction to her: but she had now, she said, settled her mind, and formed her resolution. Her own fortune she had taken care to secure; and when her mother died--and it was wholly improbable, she tranquilly remarked, that she should either recover or linger long--she would execute a long-cherished project: seek a retirement where punctual habits would be permanently secured from disturbance, and place safe barriers between herself and a frivolous world. I asked if Georgiana would accompany her. "Of course not. Georgiana and she had nothing in common: they never had had. She would not be burdened with her society for any consideration. Georgiana should take her own course; and she, Eliza, would take hers." Georgiana, when not unburdening her heart to me, spent most of her time in lying on the sofa, fretting about the dulness of the house, and wishing over and over again that her aunt Gibson would send her an invitation up to town. "It would be so much better," she said, "if she could only get out of the way for a month or two, till all was over." I did not ask what she meant by "all being over," but I suppose she referred to the expected decease of her mother and the gloomy sequel of funeral rites. Eliza generally took no more notice of her sister's indolence and complaints than if no such murmuring, lounging object had been before her. One day, however, as she put away her account-book and unfolded her embroidery, she suddenly took her up thus-- "Georgiana, a more vain and absurd animal than you was certainly never allowed to cumber the earth. You had no right to be born, for you make no use of life. Instead of living for, in, and with yourself, as a reasonable being ought, you seek only to fasten your feebleness on some other person's strength: if no one can be found willing to burden her or himself with such a fat, weak, puffy, useless thing, you cry out that you are ill-treated, neglected, miserable. Then, too, existence for you must be a scene of continual change and excitement, or else the world is a dungeon: you must be admired, you must be courted, you must be flattered--you must have music, dancing, and society--or you languish, you die away. Have you no sense to devise a system which will make you independent of all efforts, and all wills, but your own? Take one day; share it into sections; to each section apportion its task: leave no stray unemployed quarters of an hour, ten minutes, five minutes--include all; do each piece of business in its turn with method, with rigid regularity. The day will close almost before you are aware it has begun; and you are indebted to no one for helping you to get rid of one vacant moment: you have had to seek no one's company, conversation, sympathy, forbearance; you have lived, in short, as an independent being ought to do. Take this advice: the first and last I shall offer you; then you will not want me or any one else, happen what may. Neglect it--go on as heretofore, craving, whining, and idling--and suffer the results of your idiocy, however bad and insuperable they may be. I tell you this plainly; and listen: for though I shall no more repeat what I am now about to say, I shall steadily act on it. After my mother's death, I wash my hands of you: from the day her coffin is carried to the vault in Gateshead Church, you and I will be as separate as if we had never known each other. You need not think that because we chanced to be born of the same parents, I shall suffer you to fasten me down by even the feeblest claim: I can tell you this--if the whole human race, ourselves excepted, were swept away, and we two stood alone on the earth, I would leave you in the old world, and betake myself to the new." She closed her lips. "You might have spared yourself the trouble of delivering that tirade," answered Georgiana. "Everybody knows you are the most selfish, heartless creature in existence: and _I_ know your spiteful hatred towards me: I have had a specimen of it before in the trick you played me about Lord Edwin Vere: you could not bear me to be raised above you, to have a title, to be received into circles where you dare not show your face, and so you acted the spy and informer, and ruined my prospects for ever." Georgiana took out her handkerchief and blew her nose for an hour afterwards; Eliza sat cold, impassable, and assiduously industrious. True, generous feeling is made small account of by some, but here were two natures rendered, the one intolerably acrid, the other despicably savourless for the want of it. Feeling without judgment is a washy draught indeed; but judgment untempered by feeling is too bitter and husky a morsel for human deglutition. It was a wet and windy afternoon: Georgiana had fallen asleep on the sofa over the perusal of a novel; Eliza was gone to attend a saint's-day service at the new church--for in matters of religion she was a rigid formalist: no weather ever prevented the punctual discharge of what she considered her devotional duties; fair or foul, she went to church thrice every Sunday, and as often on week-days as there were prayers. I bethought myself to go upstairs and see how the dying woman sped, who lay there almost unheeded: the very servants paid her but a remittent attention: the hired nurse, being little looked after, would slip out of the room whenever she could. Bessie was faithful; but she had her own family to mind, and could only come occasionally to the hall. I found the sick-room unwatched, as I had expected: no nurse was there; the patient lay still, and seemingly lethargic; her livid face sunk in the pillows: the fire was dying in the grate. I renewed the fuel, re-arranged the bedclothes, gazed awhile on her who could not now gaze on me, and then I moved away to the window. The rain beat strongly against the panes, the wind blew tempestuously: "One lies there," I thought, "who will soon be beyond the war of earthly elements. Whither will that spirit--now struggling to quit its material tenement--flit when at length released?" In pondering the great mystery, I thought of Helen Burns, recalled her dying words--her faith--her doctrine of the equality of disembodied souls. I was still listening in thought to her well-remembered tones--still picturing her pale and spiritual aspect, her wasted face and sublime gaze, as she lay on her placid deathbed, and whispered her longing to be restored to her divine Father's bosom--when a feeble voice murmured from the couch behind: "Who is that?" I knew Mrs. Reed had not spoken for days: was she reviving? I went up to her. "It is I, Aunt Reed." "Who--I?" was her answer. "Who are you?" looking at me with surprise and a sort of alarm, but still not wildly. "You are quite a stranger to me--where is Bessie?" "She is at the lodge, aunt." "Aunt," she repeated. "Who calls me aunt? You are not one of the Gibsons; and yet I know you--that face, and the eyes and forehead, are quiet familiar to me: you are like--why, you are like Jane Eyre!" I said nothing: I was afraid of occasioning some shock by declaring my identity. "Yet," said she, "I am afraid it is a mistake: my thoughts deceive me. I wished to see Jane Eyre, and I fancy a likeness where none exists: besides, in eight years she must be so changed." I now gently assured her that I was the person she supposed and desired me to be: and seeing that I was understood, and that her senses were quite collected, I explained how Bessie had sent her husband to fetch me from Thornfield. "I am very ill, I know," she said ere long. "I was trying to turn myself a few minutes since, and find I cannot move a limb. It is as well I should ease my mind before I die: what we think little of in health, burdens us at such an hour as the present is to me. Is the nurse here? or is there no one in the room but you?" I assured her we were alone. "Well, I have twice done you a wrong which I regret now. One was in breaking the promise which I gave my husband to bring you up as my own child; the other--" she stopped. "After all, it is of no great importance, perhaps," she murmured to herself: "and then I may get better; and to humble myself so to her is painful." She made an effort to alter her position, but failed: her face changed; she seemed to experience some inward sensation--the precursor, perhaps, of the last pang. "Well, I must get it over. Eternity is before me: I had better tell her.--Go to my dressing-case, open it, and take out a letter you will see there." I obeyed her directions. "Read the letter," she said. It was short, and thus conceived:-- "Madam,--Will you have the goodness to send me the address of my niece, Jane Eyre, and to tell me how she is? It is my intention to write shortly and desire her to come to me at Madeira. Providence has blessed my endeavours to secure a competency; and as I am unmarried and childless, I wish to adopt her during my life, and bequeath her at my death whatever I may have to leave.--I am, Madam, &c., &c., "JOHN EYRE, Madeira." It was dated three years back. "Why did I never hear of this?" I asked. "Because I disliked you too fixedly and thoroughly ever to lend a hand in lifting you to prosperity. I could not forget your conduct to me, Jane--the fury with which you once turned on me; the tone in which you declared you abhorred me the worst of anybody in the world; the unchildlike look and voice with which you affirmed that the very thought of me made you sick, and asserted that I had treated you with miserable cruelty. I could not forget my own sensations when you thus started up and poured out the venom of your mind: I felt fear as if an animal that I had struck or pushed had looked up at me with human eyes and cursed me in a man's voice.--Bring me some water! Oh, make haste!" "Dear Mrs. Reed," said I, as I offered her the draught she required, "think no more of all this, let it pass away from your mind. Forgive me for my passionate language: I was a child then; eight, nine years have passed since that day." She heeded nothing of what I said; but when she had tasted the water and drawn breath, she went on thus-- "I tell you I could not forget it; and I took my revenge: for you to be adopted by your uncle, and placed in a state of ease and comfort, was what I could not endure. I wrote to him; I said I was sorry for his disappointment, but Jane Eyre was dead: she had died of typhus fever at Lowood. Now act as you please: write and contradict my assertion--expose my falsehood as soon as you like. You were born, I think, to be my torment: my last hour is racked by the recollection of a deed which, but for you, I should never have been tempted to commit." "If you could but be persuaded to think no more of it, aunt, and to regard me with kindness and forgiveness" "You have a very bad disposition," said she, "and one to this day I feel it impossible to understand: how for nine years you could be patient and quiescent under any treatment, and in the tenth break out all fire and violence, I can never comprehend." "My disposition is not so bad as you think: I am passionate, but not vindictive. Many a time, as a little child, I should have been glad to love you if you would have let me; and I long earnestly to be reconciled to you now: kiss me, aunt." I approached my cheek to her lips: she would not touch it. She said I oppressed her by leaning over the bed, and again demanded water. As I laid her down--for I raised her and supported her on my arm while she drank--I covered her ice-cold and clammy hand with mine: the feeble fingers shrank from my touch--the glazing eyes shunned my gaze. "Love me, then, or hate me, as you will," I said at last, "you have my full and free forgiveness: ask now for God's, and be at peace." Poor, suffering woman! it was too late for her to make now the effort to change her habitual frame of mind: living, she had ever hated me--dying, she must hate me still. The nurse now entered, and Bessie followed. I yet lingered half-an-hour longer, hoping to see some sign of amity: but she gave none. She was fast relapsing into stupor; nor did her mind again rally: at twelve o'clock that night she died. I was not present to close her eyes, nor were either of her daughters. They came to tell us the next morning that all was over. She was by that time laid out. Eliza and I went to look at her: Georgiana, who had burst out into loud weeping, said she dared not go. There was stretched Sarah Reed's once robust and active frame, rigid and still: her eye of flint was covered with its cold lid; her brow and strong traits wore yet the impress of her inexorable soul. A strange and solemn object was that corpse to me. I gazed on it with gloom and pain: nothing soft, nothing sweet, nothing pitying, or hopeful, or subduing did it inspire; only a grating anguish for _her_ woes--not _my_ loss--and a sombre tearless dismay at the fearfulness of death in such a form. Eliza surveyed her parent calmly. After a silence of some minutes she observed-- "With her constitution she should have lived to a good old age: her life was shortened by trouble." And then a spasm constricted her mouth for an instant: as it passed away she turned and left the room, and so did I. Neither of us had dropt a tear.

Chapter 21

https://web.archive.org/web/20190321135117/https://www.cliffsnotes.com/literature/j/jane-eyre/summary-and-analysis/chapter-21

Jane remembers Bessie Leaven saying that dreams of children are a sign of trouble, either to oneself or one's kin. Jane is worried because she has been dreaming of infants for the past seven successive nights, including the night she was roused by Mason's cry. It also happens on the day Jane learns of her cousin John's death. The news of her son's death has caused Mrs. Reed to have a stroke, and she is now asking for Jane. Jane arrives at Gateshead at five o'clock on May 1, greeted by Bessie, who prepares tea for them both. As they sit discussing old times, Jane realizes that the flame of her old resentments against the Reeds has been extinguished. She walks into the main house and meets her two cousins again: Eliza is tall and ascetic looking, while Georgiana is buxom and beautiful. Bessie takes Jane to see Mrs. Reed, whose face is as stern and restless as ever. While Jane would like to be reconciled with her aunt, Mrs. Reed won't relinquish her animosity. Jane learns the source of Mrs. Reed's anger toward her: Mrs. Reed was jealous of the relationship that Jane's mother, Mr. Reed's favorite sister, had with her husband, and of the fact that he showed Jane more attention than he ever showed his own children. To pass the time, Jane sketches. Both Eliza and Georgiana are surprised with her skill, and Jane volunteers to draw their portraits. This breaks the ice between Jane and her cousins, and Georgiana begins confiding in her. Eliza is busy all day, every day; she plans to enter a convent when her mother dies. One rainy day, Jane sneaks upstairs to her aunt's room. Awaking from her lethargy, Mrs. Reed gives Jane a letter from her uncle, John Eyre. Written three years earlier, the letter reveals that he wishes to adopt Jane and leave her his fortune. Mrs. Reed didn't send it to Jane because she hated her too much and wanted to get revenge. One final time, Jane tries to seek reconciliation with her aunt, but Mrs. Reed refuses to forgive her. Her aunt dies at midnight.

This chapter develops the characters of the Reeds, who haven't changed much in the years since Jane last saw them. The three Reed women are models of three different types of unacceptable female behavior. Eliza's ascetic appearance and crucifix signal her religious rebirth. Extremely rigid, Eliza has every aspect of her day planned out, yet Jane cannot find any "result of her diligence." When her mother dies, she plans to join a convent. Despite her seeming devotion, Eliza knows as little about compassion or love as does Mr. Brocklehurst. An angry, bitter woman, Eliza offers another negative image of Christianity. All of her work is self-centered, and she has little interest in her mother's health, not even shedding a tear when she dies. Always cold, rigid, impassible, Eliza is an example of a character who is too icy, too lacking in generous, passionate feeling. Jane's belief is that "judgement untempered by feeling is too bitter and husky a morsel for human deglutition"; Jane seeks a balance between judgment and feeling that will allow her a full, but healthy share in human joy. While Eliza has too much judgment, too little feeling, Georgiana has the opposite: feeling without judgment. Where Eliza has consecrated herself to excessive asceticism, Georgiana has devoted herself to an immoderate fashionableness. Where Eliza is tall and extremely thin, Georgiana is buxom and voluptuous. Vain and shallow, Georgiana shows no interest in her brother's death or in her mother's illness. In a fashion similar to Celine Varens, Georgiana's mind is fully devoted to recollections of past parties and "aspirations after dissipations to come." Neither Eliza's nun-like life nor Georgiana's fashionable fluff interests Jane. Aunt Reed is also a negative model. Refusing forgiveness or compassion, her aunt cherishes only ill feelings for Jane. While Jane's fiery passions have been extinguished, her aunt maintains a heated hatred for Jane until the moment of her death. In fact, she wishes Jane had died in the typhus outbreak at Lowood. This animosity is based on jealousy: She couldn't accept her husband's love of his sister or her child. Despite her attempts to keep John Eyre away from Jane, his repeated appearance in the story foreshadows his role later in her life, a role that will center on money. Aunt Reed's revenge attempt will be unsuccessful.

cliffnotes

all_chapterized_books/1260-chapters/23.txt

finished_summaries/cliffnotes/Jane Eyre/section_17_part_0.txt

Jane Eyre.volume 2.chapter 22

chapter 22

{"name": "Chapter 22", "url": "https://web.archive.org/web/20190321135117/https://www.cliffsnotes.com/literature/j/jane-eyre/summary-and-analysis/chapter-22", "summary": "Jane remains at Gateshead for a month, helping Georgiana and Eliza prepare for their departures: Georgiana to her uncle in London, and Eliza to a nunnery in Lisle, France. Eliza compliments Jane on her independence and hard work. The older Jane interrupts the narrative, telling Eliza's and Georgiana's futures: Eliza becomes the Mother Superior of a convent while Georgiana marries a wealthy, worn-out man of fashion. Mrs. Fairfax writes to Jane while she is at the Reeds, informing her that the house party has ended and that Rochester has gone to London to buy a new carriage, supposedly in anticipation of his upcoming marriage to Blanche. Returning to Thornfield feels odd to Jane. She wonders where she'll go after Rochester marries and is impatient to see him again. Unexpectedly, she sees him sitting on a narrow stone stile, with a book and pencil in his hand. He teases her about sneaking up on him, like a \"dream or shade.\" Almost against her will, Jane tells him that her only home is with him. At the house, Jane is warmly greeted by Mrs. Fairfax, Adele, Sophie, and Leah, declaring there is no happiness like being loved. Over the next two weeks, Jane is surprised that no wedding preparations are being made, nor does Rochester journey to Ingram Park to visit Blanche. Never has she seen Rochester so happy; never has Jane loved him so well.", "analysis": "In this chapter, Jane is again described as a magical creature. Indeed, the entire setting has become invested with magic. Walking on the road to Thornfield, Jane notices that the sky seems lit by fire, a spiritual \"altar burning behind its screen of marbled vapour.\" When he sees her coming down the lane, Rochester wonders why she hasn't called a carriage \"like a common mortal,\" but instead, steals home at twilight like a \"dream or a shade.\" Similarly, when she declares she is returning from visiting her dead aunt, Rochester interprets her as saying she comes from the \"other world -- from the abode of people who are dead.\" If he had the courage, he would touch her to be sure she isn't \"a substance or shadow\" or elf. Touching her would be like touching one of the blue ignis fatuus lights in the marsh, a deceptive light that can't be found. In the same way, when she asks him whether he has been to London, Rochester wonders if she \"found that out by second sight.\" Rochester wishes he could be more beautiful for his future bride, and asks fairy Jane for \"a charm, or a philter\" that would make him handsome, just as he earlier provided Richard Mason with a potion to make him fearless. In her admiration for Rochester, Jane believes a \"loving eye is all the charm needed.\" That evening, Jane sits with Mrs. Fairfax and Adele in the drawing room, and a \"ring of golden peace\" surrounds them. Their domestic happiness appears to be controlled by a magical power beyond their control, a magic circle of protection and repose, induced by Jane's prayers that they not be parted. Jane isn't the only one with special powers. She reminds the reader of Rochester's ability to read her unspoken thoughts with incomprehensible acumen. In addition, his \"wealth\" of power for communicating happiness also seems magical. As she tries to leave him, an impulse holds her fast, \"a force turned me round. I said -- or something in me said for me, and in spite of me,\" wherever he is will be her home -- her only home. In this instance, it's as if Rochester is compelling her to confess her feelings for him, and she can't possibly resist. Why is so much emphasis placed on both lover's otherworldly powers? The supernatural elements add to the gothic feel of the tale, and also make their love seem special, magical, like something existing outside of ordinary time and space. Yet Jane isn't secure in her relationship with Rochester. Despite their obvious closeness, Jane still hears \"a voice\" warning her of near separation and grief. Her magical, psychic powers don't reveal a painless future. Similarly, she dreams of Miss Ingram closing the gates of Thornfield against her and sending her away, while Rochester smiles sardonically. As Rochester suggests, Jane seems to have a second sight, warning her of impending danger and separation from her beloved. Glossary bon soir good evening. prete a croquer sa petite maman Anglaise ready to devour her little English mother."}

Mr. Rochester had given me but one week's leave of absence: yet a month elapsed before I quitted Gateshead. I wished to leave immediately after the funeral, but Georgiana entreated me to stay till she could get off to London, whither she was now at last invited by her uncle, Mr. Gibson, who had come down to direct his sister's interment and settle the family affairs. Georgiana said she dreaded being left alone with Eliza; from her she got neither sympathy in her dejection, support in her fears, nor aid in her preparations; so I bore with her feeble-minded wailings and selfish lamentations as well as I could, and did my best in sewing for her and packing her dresses. It is true, that while I worked, she would idle; and I thought to myself, "If you and I were destined to live always together, cousin, we would commence matters on a different footing. I should not settle tamely down into being the forbearing party; I should assign you your share of labour, and compel you to accomplish it, or else it should be left undone: I should insist, also, on your keeping some of those drawling, half-insincere complaints hushed in your own breast. It is only because our connection happens to be very transitory, and comes at a peculiarly mournful season, that I consent thus to render it so patient and compliant on my part." At last I saw Georgiana off; but now it was Eliza's turn to request me to stay another week. Her plans required all her time and attention, she said; she was about to depart for some unknown bourne; and all day long she stayed in her own room, her door bolted within, filling trunks, emptying drawers, burning papers, and holding no communication with any one. She wished me to look after the house, to see callers, and answer notes of condolence. One morning she told me I was at liberty. "And," she added, "I am obliged to you for your valuable services and discreet conduct! There is some difference between living with such an one as you and with Georgiana: you perform your own part in life and burden no one. To-morrow," she continued, "I set out for the Continent. I shall take up my abode in a religious house near Lisle--a nunnery you would call it; there I shall be quiet and unmolested. I shall devote myself for a time to the examination of the Roman Catholic dogmas, and to a careful study of the workings of their system: if I find it to be, as I half suspect it is, the one best calculated to ensure the doing of all things decently and in order, I shall embrace the tenets of Rome and probably take the veil." I neither expressed surprise at this resolution nor attempted to dissuade her from it. "The vocation will fit you to a hair," I thought: "much good may it do you!" When we parted, she said: "Good-bye, cousin Jane Eyre; I wish you well: you have some sense." I then returned: "You are not without sense, cousin Eliza; but what you have, I suppose, in another year will be walled up alive in a French convent. However, it is not my business, and so it suits you, I don't much care." "You are in the right," said she; and with these words we each went our separate way. As I shall not have occasion to refer either to her or her sister again, I may as well mention here, that Georgiana made an advantageous match with a wealthy worn-out man of fashion, and that Eliza actually took the veil, and is at this day superior of the convent where she passed the period of her novitiate, and which she endowed with her fortune. How people feel when they are returning home from an absence, long or short, I did not know: I had never experienced the sensation. I had known what it was to come back to Gateshead when a child after a long walk, to be scolded for looking cold or gloomy; and later, what it was to come back from church to Lowood, to long for a plenteous meal and a good fire, and to be unable to get either. Neither of these returnings was very pleasant or desirable: no magnet drew me to a given point, increasing in its strength of attraction the nearer I came. The return to Thornfield was yet to be tried. My journey seemed tedious--very tedious: fifty miles one day, a night spent at an inn; fifty miles the next day. During the first twelve hours I thought of Mrs. Reed in her last moments; I saw her disfigured and discoloured face, and heard her strangely altered voice. I mused on the funeral day, the coffin, the hearse, the black train of tenants and servants--few was the number of relatives--the gaping vault, the silent church, the solemn service. Then I thought of Eliza and Georgiana; I beheld one the cynosure of a ball-room, the other the inmate of a convent cell; and I dwelt on and analysed their separate peculiarities of person and character. The evening arrival at the great town of--scattered these thoughts; night gave them quite another turn: laid down on my traveller's bed, I left reminiscence for anticipation. I was going back to Thornfield: but how long was I to stay there? Not long; of that I was sure. I had heard from Mrs. Fairfax in the interim of my absence: the party at the hall was dispersed; Mr. Rochester had left for London three weeks ago, but he was then expected to return in a fortnight. Mrs. Fairfax surmised that he was gone to make arrangements for his wedding, as he had talked of purchasing a new carriage: she said the idea of his marrying Miss Ingram still seemed strange to her; but from what everybody said, and from what she had herself seen, she could no longer doubt that the event would shortly take place. "You would be strangely incredulous if you did doubt it," was my mental comment. "I don't doubt it." The question followed, "Where was I to go?" I dreamt of Miss Ingram all the night: in a vivid morning dream I saw her closing the gates of Thornfield against me and pointing me out another road; and Mr. Rochester looked on with his arms folded--smiling sardonically, as it seemed, at both her and me. I had not notified to Mrs. Fairfax the exact day of my return; for I did not wish either car or carriage to meet me at Millcote. I proposed to walk the distance quietly by myself; and very quietly, after leaving my box in the ostler's care, did I slip away from the George Inn, about six o'clock of a June evening, and take the old road to Thornfield: a road which lay chiefly through fields, and was now little frequented. It was not a bright or splendid summer evening, though fair and soft: the haymakers were at work all along the road; and the sky, though far from cloudless, was such as promised well for the future: its blue--where blue was visible--was mild and settled, and its cloud strata high and thin. The west, too, was warm: no watery gleam chilled it--it seemed as if there was a fire lit, an altar burning behind its screen of marbled vapour, and out of apertures shone a golden redness. I felt glad as the road shortened before me: so glad that I stopped once to ask myself what that joy meant: and to remind reason that it was not to my home I was going, or to a permanent resting-place, or to a place where fond friends looked out for me and waited my arrival. "Mrs. Fairfax will smile you a calm welcome, to be sure," said I; "and little Adele will clap her hands and jump to see you: but you know very well you are thinking of another than they, and that he is not thinking of you." But what is so headstrong as youth? What so blind as inexperience? These affirmed that it was pleasure enough to have the privilege of again looking on Mr. Rochester, whether he looked on me or not; and they added--"Hasten! hasten! be with him while you may: but a few more days or weeks, at most, and you are parted from him for ever!" And then I strangled a new-born agony--a deformed thing which I could not persuade myself to own and rear--and ran on. They are making hay, too, in Thornfield meadows: or rather, the labourers are just quitting their work, and returning home with their rakes on their shoulders, now, at the hour I arrive. I have but a field or two to traverse, and then I shall cross the road and reach the gates. How full the hedges are of roses! But I have no time to gather any; I want to be at the house. I passed a tall briar, shooting leafy and flowery branches across the path; I see the narrow stile with stone steps; and I see--Mr. Rochester sitting there, a book and a pencil in his hand; he is writing. Well, he is not a ghost; yet every nerve I have is unstrung: for a moment I am beyond my own mastery. What does it mean? I did not think I should tremble in this way when I saw him, or lose my voice or the power of motion in his presence. I will go back as soon as I can stir: I need not make an absolute fool of myself. I know another way to the house. It does not signify if I knew twenty ways; for he has seen me. "Hillo!" he cries; and he puts up his book and his pencil. "There you are! Come on, if you please." I suppose I do come on; though in what fashion I know not; being scarcely cognisant of my movements, and solicitous only to appear calm; and, above all, to control the working muscles of my face--which I feel rebel insolently against my will, and struggle to express what I had resolved to conceal. But I have a veil--it is down: I may make shift yet to behave with decent composure. "And this is Jane Eyre? Are you coming from Millcote, and on foot? Yes--just one of your tricks: not to send for a carriage, and come clattering over street and road like a common mortal, but to steal into the vicinage of your home along with twilight, just as if you were a dream or a shade. What the deuce have you done with yourself this last month?" "I have been with my aunt, sir, who is dead." "A true Janian reply! Good angels be my guard! She comes from the other world--from the abode of people who are dead; and tells me so when she meets me alone here in the gloaming! If I dared, I'd touch you, to see if you are substance or shadow, you elf!--but I'd as soon offer to take hold of a blue _ignis fatuus_ light in a marsh. Truant! truant!" he added, when he had paused an instant. "Absent from me a whole month, and forgetting me quite, I'll be sworn!" I knew there would be pleasure in meeting my master again, even though broken by the fear that he was so soon to cease to be my master, and by the knowledge that I was nothing to him: but there was ever in Mr. Rochester (so at least I thought) such a wealth of the power of communicating happiness, that to taste but of the crumbs he scattered to stray and stranger birds like me, was to feast genially. His last words were balm: they seemed to imply that it imported something to him whether I forgot him or not. And he had spoken of Thornfield as my home--would that it were my home! He did not leave the stile, and I hardly liked to ask to go by. I inquired soon if he had not been to London. "Yes; I suppose you found that out by second-sight." "Mrs. Fairfax told me in a letter." "And did she inform you what I went to do?" "Oh, yes, sir! Everybody knew your errand." "You must see the carriage, Jane, and tell me if you don't think it will suit Mrs. Rochester exactly; and whether she won't look like Queen Boadicea, leaning back against those purple cushions. I wish, Jane, I were a trifle better adapted to match with her externally. Tell me now, fairy as you are--can't you give me a charm, or a philter, or something of that sort, to make me a handsome man?" "It would be past the power of magic, sir;" and, in thought, I added, "A loving eye is all the charm needed: to such you are handsome enough; or rather your sternness has a power beyond beauty." Mr. Rochester had sometimes read my unspoken thoughts with an acumen to me incomprehensible: in the present instance he took no notice of my abrupt vocal response; but he smiled at me with a certain smile he had of his own, and which he used but on rare occasions. He seemed to think it too good for common purposes: it was the real sunshine of feeling--he shed it over me now. "Pass, Janet," said he, making room for me to cross the stile: "go up home, and stay your weary little wandering feet at a friend's threshold." All I had now to do was to obey him in silence: no need for me to colloquise further. I got over the stile without a word, and meant to leave him calmly. An impulse held me fast--a force turned me round. I said--or something in me said for me, and in spite of me-- "Thank you, Mr. Rochester, for your great kindness. I am strangely glad to get back again to you: and wherever you are is my home--my only home." I walked on so fast that even he could hardly have overtaken me had he tried. Little Adele was half wild with delight when she saw me. Mrs. Fairfax received me with her usual plain friendliness. Leah smiled, and even Sophie bid me "bon soir" with glee. This was very pleasant; there is no happiness like that of being loved by your fellow-creatures, and feeling that your presence is an addition to their comfort. I that evening shut my eyes resolutely against the future: I stopped my ears against the voice that kept warning me of near separation and coming grief. When tea was over and Mrs. Fairfax had taken her knitting, and I had assumed a low seat near her, and Adele, kneeling on the carpet, had nestled close up to me, and a sense of mutual affection seemed to surround us with a ring of golden peace, I uttered a silent prayer that we might not be parted far or soon; but when, as we thus sat, Mr. Rochester entered, unannounced, and looking at us, seemed to take pleasure in the spectacle of a group so amicable--when he said he supposed the old lady was all right now that she had got her adopted daughter back again, and added that he saw Adele was "prete a croquer sa petite maman Anglaise"--I half ventured to hope that he would, even after his marriage, keep us together somewhere under the shelter of his protection, and not quite exiled from the sunshine of his presence. A fortnight of dubious calm succeeded my return to Thornfield Hall. Nothing was said of the master's marriage, and I saw no preparation going on for such an event. Almost every day I asked Mrs. Fairfax if she had yet heard anything decided: her answer was always in the negative. Once she said she had actually put the question to Mr. Rochester as to when he was going to bring his bride home; but he had answered her only by a joke and one of his queer looks, and she could not tell what to make of him. One thing specially surprised me, and that was, there were no journeyings backward and forward, no visits to Ingram Park: to be sure it was twenty miles off, on the borders of another county; but what was that distance to an ardent lover? To so practised and indefatigable a horseman as Mr. Rochester, it would be but a morning's ride. I began to cherish hopes I had no right to conceive: that the match was broken off; that rumour had been mistaken; that one or both parties had changed their minds. I used to look at my master's face to see if it were sad or fierce; but I could not remember the time when it had been so uniformly clear of clouds or evil feelings. If, in the moments I and my pupil spent with him, I lacked spirits and sank into inevitable dejection, he became even gay. Never had he called me more frequently to his presence; never been kinder to me when there--and, alas! never had I loved him so well.

Chapter 22

https://web.archive.org/web/20190321135117/https://www.cliffsnotes.com/literature/j/jane-eyre/summary-and-analysis/chapter-22

Jane remains at Gateshead for a month, helping Georgiana and Eliza prepare for their departures: Georgiana to her uncle in London, and Eliza to a nunnery in Lisle, France. Eliza compliments Jane on her independence and hard work. The older Jane interrupts the narrative, telling Eliza's and Georgiana's futures: Eliza becomes the Mother Superior of a convent while Georgiana marries a wealthy, worn-out man of fashion. Mrs. Fairfax writes to Jane while she is at the Reeds, informing her that the house party has ended and that Rochester has gone to London to buy a new carriage, supposedly in anticipation of his upcoming marriage to Blanche. Returning to Thornfield feels odd to Jane. She wonders where she'll go after Rochester marries and is impatient to see him again. Unexpectedly, she sees him sitting on a narrow stone stile, with a book and pencil in his hand. He teases her about sneaking up on him, like a "dream or shade." Almost against her will, Jane tells him that her only home is with him. At the house, Jane is warmly greeted by Mrs. Fairfax, Adele, Sophie, and Leah, declaring there is no happiness like being loved. Over the next two weeks, Jane is surprised that no wedding preparations are being made, nor does Rochester journey to Ingram Park to visit Blanche. Never has she seen Rochester so happy; never has Jane loved him so well.

In this chapter, Jane is again described as a magical creature. Indeed, the entire setting has become invested with magic. Walking on the road to Thornfield, Jane notices that the sky seems lit by fire, a spiritual "altar burning behind its screen of marbled vapour." When he sees her coming down the lane, Rochester wonders why she hasn't called a carriage "like a common mortal," but instead, steals home at twilight like a "dream or a shade." Similarly, when she declares she is returning from visiting her dead aunt, Rochester interprets her as saying she comes from the "other world -- from the abode of people who are dead." If he had the courage, he would touch her to be sure she isn't "a substance or shadow" or elf. Touching her would be like touching one of the blue ignis fatuus lights in the marsh, a deceptive light that can't be found. In the same way, when she asks him whether he has been to London, Rochester wonders if she "found that out by second sight." Rochester wishes he could be more beautiful for his future bride, and asks fairy Jane for "a charm, or a philter" that would make him handsome, just as he earlier provided Richard Mason with a potion to make him fearless. In her admiration for Rochester, Jane believes a "loving eye is all the charm needed." That evening, Jane sits with Mrs. Fairfax and Adele in the drawing room, and a "ring of golden peace" surrounds them. Their domestic happiness appears to be controlled by a magical power beyond their control, a magic circle of protection and repose, induced by Jane's prayers that they not be parted. Jane isn't the only one with special powers. She reminds the reader of Rochester's ability to read her unspoken thoughts with incomprehensible acumen. In addition, his "wealth" of power for communicating happiness also seems magical. As she tries to leave him, an impulse holds her fast, "a force turned me round. I said -- or something in me said for me, and in spite of me," wherever he is will be her home -- her only home. In this instance, it's as if Rochester is compelling her to confess her feelings for him, and she can't possibly resist. Why is so much emphasis placed on both lover's otherworldly powers? The supernatural elements add to the gothic feel of the tale, and also make their love seem special, magical, like something existing outside of ordinary time and space. Yet Jane isn't secure in her relationship with Rochester. Despite their obvious closeness, Jane still hears "a voice" warning her of near separation and grief. Her magical, psychic powers don't reveal a painless future. Similarly, she dreams of Miss Ingram closing the gates of Thornfield against her and sending her away, while Rochester smiles sardonically. As Rochester suggests, Jane seems to have a second sight, warning her of impending danger and separation from her beloved. Glossary bon soir good evening. prete a croquer sa petite maman Anglaise ready to devour her little English mother.

cliffnotes

all_chapterized_books/1260-chapters/24.txt

finished_summaries/cliffnotes/Jane Eyre/section_18_part_0.txt

Jane Eyre.volume 2.chapter 23

chapter 23

{"name": "Chapter 23", "url": "https://web.archive.org/web/20190321135117/https://www.cliffsnotes.com/literature/j/jane-eyre/summary-and-analysis/chapter-23", "summary": "It is a beautiful midsummer's night. As the sun sets, Jane walks around the gardens of Thornfield, enjoying the solemn purple that colors the sky. Smelling Rochester's cigar from a window, Jane moves into the more secluded space of the orchard. But Rochester is now in the garden. Jane tries to escape unseen, but he speaks to her, asking her to look at an interesting moth. Although uncomfortable being alone with Rochester at night, Jane is unable to find a reasonable excuse for leaving him. During their ensuing conversation, Rochester tells Jane she'll soon need to leave Thornfield forever because he's finally marrying Miss Ingram, whom he humorously calls \"an extensive armful.\" Rochester teasingly tells her of a governess position, undertaking the education of the five daughters of Mrs. Dionysius O'Gall of Bitternutt Lodge in Ireland. Together they sit on a bench under a chestnut-tree to discuss Jane's trip. Now Rochester admits his strong feelings for Jane, and she reveals her love for him. He proposes marriage. At first Jane doesn't believe he's serious, but she reads the truth in his face and accepts his proposal. He savagely declares that God has sanctioned their union, so he doesn't care what society thinks of the relationship. A flash of lightning sends them rushing home through the rain. They are soaked, and when Rochester helps her out of her coat, he kisses her repeatedly. Jane looks up to see Mrs. Fairfax watching, pale and amazed. During the night, lightning splits the great chestnut tree in two.", "analysis": "Throughout this chapter, nature symbolically mimics Jane's feelings. Blissfully spending time with Rochester, Jane notices that \"a band of Italian days had come from the South, like a flock of glorious passenger birds, and lighted to rest them on the cliffs of Albion.\" Everything is in its \"dark prime,\" as the apex of Jane and Rochester's relationship is reached. On this splendid midsummer's evening, Jane notes the sky is \"burning with the light of red jewel and furnace flame at one point\"; the sky, like their love is passionate, flaming. Not a delicate white jewel, the heavens now glow with a fervent red. Ripe and blooming, the world offers various sensual pleasures; the gooseberry-tree is laden with fruit large as plums; the sweet-briar, jasmine, and rose have yielded a \"sacrifice of incense\"; Rochester tastes the ripe cherries as he walks through the garden; and the nightingale sings. This moment combines material pleasures with the spiritual pleasures of a \"sacrifice of incense\" and Jane's feeling that she could \"haunt\" the orchard forever. But the world has changed by the end of the chapter: The chestnut tree under which Rochester proposed now ails, \"writhing and groaning\" in the roaring wind. Thunder and lightning crack and clash, so Jane and Rochester are forced to race back to the house in the pouring rain. The relationship has reached the zenith of ripeness, and a fallow, tragic time is on the way, symbolized by this raging storm. During the night, lightning splits the great chestnut tree, foreshadowing the separation that will soon befall Jane and Rochester. The chapter also continues themes discussed earlier, such as the problems of class difference and the spiritual nature of their relationship. Early in their conversation, Rochester treats Jane like a good servant: Because she's been a \"dependent\" who has done \"her duty,\" he, as her employer, wants to offer her assistance in finding a new job. Jane confirms her secondary status, referring to Rochester as \"master,\" and believing \"wealth, caste, custom\" separate her from her beloved, even though she \"naturally and inevitably\" loves him. In this quote, Jane creates her love for Rochester as essential and uncontrollable, and, therefore, beyond the bounds of class. Similarly, Rochester argues that an almost magical cord connects him to Jane. Yet she also believes Rochester may be playing with her feelings, that he may see her as an automaton, \"a machine without feelings\"; because she is \"poor, obscure, plain, and little,\" he may mistakenly think she is also \"soulless and heartless.\" At this point, she speaks to him beyond the \"medium of custom, conventionalities,\" even flesh, and her spirit addresses his spirit in a relationship of equality. Again, Jane creates equality by moving the relationship outside of the material world, and into the spiritual: At \"God's feet,\" they can stand side-by-side, rather than with Rochester leading, Jane following."}

A splendid Midsummer shone over England: skies so pure, suns so radiant as were then seen in long succession, seldom favour even singly, our wave- girt land. It was as if a band of Italian days had come from the South, like a flock of glorious passenger birds, and lighted to rest them on the cliffs of Albion. The hay was all got in; the fields round Thornfield were green and shorn; the roads white and baked; the trees were in their dark prime; hedge and wood, full-leaved and deeply tinted, contrasted well with the sunny hue of the cleared meadows between. On Midsummer-eve, Adele, weary with gathering wild strawberries in Hay Lane half the day, had gone to bed with the sun. I watched her drop asleep, and when I left her, I sought the garden. It was now the sweetest hour of the twenty-four:--"Day its fervid fires had wasted," and dew fell cool on panting plain and scorched summit. Where the sun had gone down in simple state--pure of the pomp of clouds--spread a solemn purple, burning with the light of red jewel and furnace flame at one point, on one hill-peak, and extending high and wide, soft and still softer, over half heaven. The east had its own charm or fine deep blue, and its own modest gem, a casino and solitary star: soon it would boast the moon; but she was yet beneath the horizon. I walked a while on the pavement; but a subtle, well-known scent--that of a cigar--stole from some window; I saw the library casement open a handbreadth; I knew I might be watched thence; so I went apart into the orchard. No nook in the grounds more sheltered and more Eden-like; it was full of trees, it bloomed with flowers: a very high wall shut it out from the court, on one side; on the other, a beech avenue screened it from the lawn. At the bottom was a sunk fence; its sole separation from lonely fields: a winding walk, bordered with laurels and terminating in a giant horse-chestnut, circled at the base by a seat, led down to the fence. Here one could wander unseen. While such honey-dew fell, such silence reigned, such gloaming gathered, I felt as if I could haunt such shade for ever; but in threading the flower and fruit parterres at the upper part of the enclosure, enticed there by the light the now rising moon cast on this more open quarter, my step is stayed--not by sound, not by sight, but once more by a warning fragrance. Sweet-briar and southernwood, jasmine, pink, and rose have long been yielding their evening sacrifice of incense: this new scent is neither of shrub nor flower; it is--I know it well--it is Mr. Rochester's cigar. I look round and I listen. I see trees laden with ripening fruit. I hear a nightingale warbling in a wood half a mile off; no moving form is visible, no coming step audible; but that perfume increases: I must flee. I make for the wicket leading to the shrubbery, and I see Mr. Rochester entering. I step aside into the ivy recess; he will not stay long: he will soon return whence he came, and if I sit still he will never see me. But no--eventide is as pleasant to him as to me, and this antique garden as attractive; and he strolls on, now lifting the gooseberry-tree branches to look at the fruit, large as plums, with which they are laden; now taking a ripe cherry from the wall; now stooping towards a knot of flowers, either to inhale their fragrance or to admire the dew-beads on their petals. A great moth goes humming by me; it alights on a plant at Mr. Rochester's foot: he sees it, and bends to examine it. "Now, he has his back towards me," thought I, "and he is occupied too; perhaps, if I walk softly, I can slip away unnoticed." I trode on an edging of turf that the crackle of the pebbly gravel might not betray me: he was standing among the beds at a yard or two distant from where I had to pass; the moth apparently engaged him. "I shall get by very well," I meditated. As I crossed his shadow, thrown long over the garden by the moon, not yet risen high, he said quietly, without turning-- "Jane, come and look at this fellow." I had made no noise: he had not eyes behind--could his shadow feel? I started at first, and then I approached him. "Look at his wings," said he, "he reminds me rather of a West Indian insect; one does not often see so large and gay a night-rover in England; there! he is flown." The moth roamed away. I was sheepishly retreating also; but Mr. Rochester followed me, and when we reached the wicket, he said-- "Turn back: on so lovely a night it is a shame to sit in the house; and surely no one can wish to go to bed while sunset is thus at meeting with moonrise." It is one of my faults, that though my tongue is sometimes prompt enough at an answer, there are times when it sadly fails me in framing an excuse; and always the lapse occurs at some crisis, when a facile word or plausible pretext is specially wanted to get me out of painful embarrassment. I did not like to walk at this hour alone with Mr. Rochester in the shadowy orchard; but I could not find a reason to allege for leaving him. I followed with lagging step, and thoughts busily bent on discovering a means of extrication; but he himself looked so composed and so grave also, I became ashamed of feeling any confusion: the evil--if evil existent or prospective there was--seemed to lie with me only; his mind was unconscious and quiet. "Jane," he recommenced, as we entered the laurel walk, and slowly strayed down in the direction of the sunk fence and the horse-chestnut, "Thornfield is a pleasant place in summer, is it not?" "Yes, sir." "You must have become in some degree attached to the house,--you, who have an eye for natural beauties, and a good deal of the organ of Adhesiveness?" "I am attached to it, indeed." "And though I don't comprehend how it is, I perceive you have acquired a degree of regard for that foolish little child Adele, too; and even for simple dame Fairfax?" "Yes, sir; in different ways, I have an affection for both." "And would be sorry to part with them?" "Yes." "Pity!" he said, and sighed and paused. "It is always the way of events in this life," he continued presently: "no sooner have you got settled in a pleasant resting-place, than a voice calls out to you to rise and move on, for the hour of repose is expired." "Must I move on, sir?" I asked. "Must I leave Thornfield?" "I believe you must, Jane. I am sorry, Janet, but I believe indeed you must." This was a blow: but I did not let it prostrate me. "Well, sir, I shall be ready when the order to march comes." "It is come now--I must give it to-night." "Then you _are_ going to be married, sir?" "Ex-act-ly--pre-cise-ly: with your usual acuteness, you have hit the nail straight on the head." "Soon, sir?" "Very soon, my--that is, Miss Eyre: and you'll remember, Jane, the first time I, or Rumour, plainly intimated to you that it was my intention to put my old bachelor's neck into the sacred noose, to enter into the holy estate of matrimony--to take Miss Ingram to my bosom, in short (she's an extensive armful: but that's not to the point--one can't have too much of such a very excellent thing as my beautiful Blanche): well, as I was saying--listen to me, Jane! You're not turning your head to look after more moths, are you? That was only a lady-clock, child, 'flying away home.' I wish to remind you that it was you who first said to me, with that discretion I respect in you--with that foresight, prudence, and humility which befit your responsible and dependent position--that in case I married Miss Ingram, both you and little Adele had better trot forthwith. I pass over the sort of slur conveyed in this suggestion on the character of my beloved; indeed, when you are far away, Janet, I'll try to forget it: I shall notice only its wisdom; which is such that I have made it my law of action. Adele must go to school; and you, Miss Eyre, must get a new situation." "Yes, sir, I will advertise immediately: and meantime, I suppose--" I was going to say, "I suppose I may stay here, till I find another shelter to betake myself to:" but I stopped, feeling it would not do to risk a long sentence, for my voice was not quite under command. "In about a month I hope to be a bridegroom," continued Mr. Rochester; "and in the interim, I shall myself look out for employment and an asylum for you." "Thank you, sir; I am sorry to give--" "Oh, no need to apologise! I consider that when a dependent does her duty as well as you have done yours, she has a sort of claim upon her employer for any little assistance he can conveniently render her; indeed I have already, through my future mother-in-law, heard of a place that I think will suit: it is to undertake the education of the five daughters of Mrs. Dionysius O'Gall of Bitternutt Lodge, Connaught, Ireland. You'll like Ireland, I think: they're such warm-hearted people there, they say." "It is a long way off, sir." "No matter--a girl of your sense will not object to the voyage or the distance." "Not the voyage, but the distance: and then the sea is a barrier--" "From what, Jane?" "From England and from Thornfield: and--" "Well?" "From _you_, sir." I said this almost involuntarily, and, with as little sanction of free will, my tears gushed out. I did not cry so as to be heard, however; I avoided sobbing. The thought of Mrs. O'Gall and Bitternutt Lodge struck cold to my heart; and colder the thought of all the brine and foam, destined, as it seemed, to rush between me and the master at whose side I now walked, and coldest the remembrance of the wider ocean--wealth, caste, custom intervened between me and what I naturally and inevitably loved. "It is a long way," I again said. "It is, to be sure; and when you get to Bitternutt Lodge, Connaught, Ireland, I shall never see you again, Jane: that's morally certain. I never go over to Ireland, not having myself much of a fancy for the country. We have been good friends, Jane; have we not?" "Yes, sir." "And when friends are on the eve of separation, they like to spend the little time that remains to them close to each other. Come! we'll talk over the voyage and the parting quietly half-an-hour or so, while the stars enter into their shining life up in heaven yonder: here is the chestnut tree: here is the bench at its old roots. Come, we will sit there in peace to-night, though we should never more be destined to sit there together." He seated me and himself. "It is a long way to Ireland, Janet, and I am sorry to send my little friend on such weary travels: but if I can't do better, how is it to be helped? Are you anything akin to me, do you think, Jane?" I could risk no sort of answer by this time: my heart was still. "Because," he said, "I sometimes have a queer feeling with regard to you--especially when you are near me, as now: it is as if I had a string somewhere under my left ribs, tightly and inextricably knotted to a similar string situated in the corresponding quarter of your little frame. And if that boisterous Channel, and two hundred miles or so of land come broad between us, I am afraid that cord of communion will be snapt; and then I've a nervous notion I should take to bleeding inwardly. As for you,--you'd forget me." "That I _never_ should, sir: you know--" Impossible to proceed. "Jane, do you hear that nightingale singing in the wood? Listen!" In listening, I sobbed convulsively; for I could repress what I endured no longer; I was obliged to yield, and I was shaken from head to foot with acute distress. When I did speak, it was only to express an impetuous wish that I had never been born, or never come to Thornfield. "Because you are sorry to leave it?" The vehemence of emotion, stirred by grief and love within me, was claiming mastery, and struggling for full sway, and asserting a right to predominate, to overcome, to live, rise, and reign at last: yes,--and to speak. "I grieve to leave Thornfield: I love Thornfield:--I love it, because I have lived in it a full and delightful life,--momentarily at least. I have not been trampled on. I have not been petrified. I have not been buried with inferior minds, and excluded from every glimpse of communion with what is bright and energetic and high. I have talked, face to face, with what I reverence, with what I delight in,--with an original, a vigorous, an expanded mind. I have known you, Mr. Rochester; and it strikes me with terror and anguish to feel I absolutely must be torn from you for ever. I see the necessity of departure; and it is like looking on the necessity of death." "Where do you see the necessity?" he asked suddenly. "Where? You, sir, have placed it before me." "In what shape?" "In the shape of Miss Ingram; a noble and beautiful woman,--your bride." "My bride! What bride? I have no bride!" "But you will have." "Yes;--I will!--I will!" He set his teeth. "Then I must go:--you have said it yourself." "No: you must stay! I swear it--and the oath shall be kept." "I tell you I must go!" I retorted, roused to something like passion. "Do you think I can stay to become nothing to you? Do you think I am an automaton?--a machine without feelings? and can bear to have my morsel of bread snatched from my lips, and my drop of living water dashed from my cup? Do you think, because I am poor, obscure, plain, and little, I am soulless and heartless? You think wrong!--I have as much soul as you,--and full as much heart! And if God had gifted me with some beauty and much wealth, I should have made it as hard for you to leave me, as it is now for me to leave you. I am not talking to you now through the medium of custom, conventionalities, nor even of mortal flesh;--it is my spirit that addresses your spirit; just as if both had passed through the grave, and we stood at God's feet, equal,--as we are!" "As we are!" repeated Mr. Rochester--"so," he added, enclosing me in his arms. Gathering me to his breast, pressing his lips on my lips: "so, Jane!" "Yes, so, sir," I rejoined: "and yet not so; for you are a married man--or as good as a married man, and wed to one inferior to you--to one with whom you have no sympathy--whom I do not believe you truly love; for I have seen and heard you sneer at her. I would scorn such a union: therefore I am better than you--let me go!" "Where, Jane? To Ireland?" "Yes--to Ireland. I have spoken my mind, and can go anywhere now." "Jane, be still; don't struggle so, like a wild frantic bird that is rending its own plumage in its desperation." "I am no bird; and no net ensnares me; I am a free human being with an independent will, which I now exert to leave you." Another effort set me at liberty, and I stood erect before him. "And your will shall decide your destiny," he said: "I offer you my hand, my heart, and a share of all my possessions." "You play a farce, which I merely laugh at." "I ask you to pass through life at my side--to be my second self, and best earthly companion." "For that fate you have already made your choice, and must abide by it." "Jane, be still a few moments: you are over-excited: I will be still too." A waft of wind came sweeping down the laurel-walk, and trembled through the boughs of the chestnut: it wandered away--away--to an indefinite distance--it died. The nightingale's song was then the only voice of the hour: in listening to it, I again wept. Mr. Rochester sat quiet, looking at me gently and seriously. Some time passed before he spoke; he at last said-- "Come to my side, Jane, and let us explain and understand one another." "I will never again come to your side: I am torn away now, and cannot return." "But, Jane, I summon you as my wife: it is you only I intend to marry." I was silent: I thought he mocked me. "Come, Jane--come hither." "Your bride stands between us." He rose, and with a stride reached me. "My bride is here," he said, again drawing me to him, "because my equal is here, and my likeness. Jane, will you marry me?" Still I did not answer, and still I writhed myself from his grasp: for I was still incredulous. "Do you doubt me, Jane?" "Entirely." "You have no faith in me?" "Not a whit." "Am I a liar in your eyes?" he asked passionately. "Little sceptic, you _shall_ be convinced. What love have I for Miss Ingram? None: and that you know. What love has she for me? None: as I have taken pains to prove: I caused a rumour to reach her that my fortune was not a third of what was supposed, and after that I presented myself to see the result; it was coldness both from her and her mother. I would not--I could not--marry Miss Ingram. You--you strange, you almost unearthly thing!--I love as my own flesh. You--poor and obscure, and small and plain as you are--I entreat to accept me as a husband." "What, me!" I ejaculated, beginning in his earnestness--and especially in his incivility--to credit his sincerity: "me who have not a friend in the world but you--if you are my friend: not a shilling but what you have given me?" "You, Jane, I must have you for my own--entirely my own. Will you be mine? Say yes, quickly." "Mr. Rochester, let me look at your face: turn to the moonlight." "Why?" "Because I want to read your countenance--turn!" "There! you will find it scarcely more legible than a crumpled, scratched page. Read on: only make haste, for I suffer." His face was very much agitated and very much flushed, and there were strong workings in the features, and strange gleams in the eyes. "Oh, Jane, you torture me!" he exclaimed. "With that searching and yet faithful and generous look, you torture me!" "How can I do that? If you are true, and your offer real, my only feelings to you must be gratitude and devotion--they cannot torture." "Gratitude!" he ejaculated; and added wildly--"Jane accept me quickly. Say, Edward--give me my name--Edward--I will marry you." "Are you in earnest? Do you truly love me? Do you sincerely wish me to be your wife?" "I do; and if an oath is necessary to satisfy you, I swear it." "Then, sir, I will marry you." "Edward--my little wife!" "Dear Edward!" "Come to me--come to me entirely now," said he; and added, in his deepest tone, speaking in my ear as his cheek was laid on mine, "Make my happiness--I will make yours." "God pardon me!" he subjoined ere long; "and man meddle not with me: I have her, and will hold her." "There is no one to meddle, sir. I have no kindred to interfere." "No--that is the best of it," he said. And if I had loved him less I should have thought his accent and look of exultation savage; but, sitting by him, roused from the nightmare of parting--called to the paradise of union--I thought only of the bliss given me to drink in so abundant a flow. Again and again he said, "Are you happy, Jane?" And again and again I answered, "Yes." After which he murmured, "It will atone--it will atone. Have I not found her friendless, and cold, and comfortless? Will I not guard, and cherish, and solace her? Is there not love in my heart, and constancy in my resolves? It will expiate at God's tribunal. I know my Maker sanctions what I do. For the world's judgment--I wash my hands thereof. For man's opinion--I defy it." But what had befallen the night? The moon was not yet set, and we were all in shadow: I could scarcely see my master's face, near as I was. And what ailed the chestnut tree? it writhed and groaned; while wind roared in the laurel walk, and came sweeping over us. "We must go in," said Mr. Rochester: "the weather changes. I could have sat with thee till morning, Jane." "And so," thought I, "could I with you." I should have said so, perhaps, but a livid, vivid spark leapt out of a cloud at which I was looking, and there was a crack, a crash, and a close rattling peal; and I thought only of hiding my dazzled eyes against Mr. Rochester's shoulder. The rain rushed down. He hurried me up the walk, through the grounds, and into the house; but we were quite wet before we could pass the threshold. He was taking off my shawl in the hall, and shaking the water out of my loosened hair, when Mrs. Fairfax emerged from her room. I did not observe her at first, nor did Mr. Rochester. The lamp was lit. The clock was on the stroke of twelve. "Hasten to take off your wet things," said he; "and before you go, good- night--good-night, my darling!" He kissed me repeatedly. When I looked up, on leaving his arms, there stood the widow, pale, grave, and amazed. I only smiled at her, and ran upstairs. "Explanation will do for another time," thought I. Still, when I reached my chamber, I felt a pang at the idea she should even temporarily misconstrue what she had seen. But joy soon effaced every other feeling; and loud as the wind blew, near and deep as the thunder crashed, fierce and frequent as the lightning gleamed, cataract-like as the rain fell during a storm of two hours' duration, I experienced no fear and little awe. Mr. Rochester came thrice to my door in the course of it, to ask if I was safe and tranquil: and that was comfort, that was strength for anything. Before I left my bed in the morning, little Adele came running in to tell me that the great horse-chestnut at the bottom of the orchard had been struck by lightning in the night, and half of it split away.

Chapter 23

https://web.archive.org/web/20190321135117/https://www.cliffsnotes.com/literature/j/jane-eyre/summary-and-analysis/chapter-23

It is a beautiful midsummer's night. As the sun sets, Jane walks around the gardens of Thornfield, enjoying the solemn purple that colors the sky. Smelling Rochester's cigar from a window, Jane moves into the more secluded space of the orchard. But Rochester is now in the garden. Jane tries to escape unseen, but he speaks to her, asking her to look at an interesting moth. Although uncomfortable being alone with Rochester at night, Jane is unable to find a reasonable excuse for leaving him. During their ensuing conversation, Rochester tells Jane she'll soon need to leave Thornfield forever because he's finally marrying Miss Ingram, whom he humorously calls "an extensive armful." Rochester teasingly tells her of a governess position, undertaking the education of the five daughters of Mrs. Dionysius O'Gall of Bitternutt Lodge in Ireland. Together they sit on a bench under a chestnut-tree to discuss Jane's trip. Now Rochester admits his strong feelings for Jane, and she reveals her love for him. He proposes marriage. At first Jane doesn't believe he's serious, but she reads the truth in his face and accepts his proposal. He savagely declares that God has sanctioned their union, so he doesn't care what society thinks of the relationship. A flash of lightning sends them rushing home through the rain. They are soaked, and when Rochester helps her out of her coat, he kisses her repeatedly. Jane looks up to see Mrs. Fairfax watching, pale and amazed. During the night, lightning splits the great chestnut tree in two.

Throughout this chapter, nature symbolically mimics Jane's feelings. Blissfully spending time with Rochester, Jane notices that "a band of Italian days had come from the South, like a flock of glorious passenger birds, and lighted to rest them on the cliffs of Albion." Everything is in its "dark prime," as the apex of Jane and Rochester's relationship is reached. On this splendid midsummer's evening, Jane notes the sky is "burning with the light of red jewel and furnace flame at one point"; the sky, like their love is passionate, flaming. Not a delicate white jewel, the heavens now glow with a fervent red. Ripe and blooming, the world offers various sensual pleasures; the gooseberry-tree is laden with fruit large as plums; the sweet-briar, jasmine, and rose have yielded a "sacrifice of incense"; Rochester tastes the ripe cherries as he walks through the garden; and the nightingale sings. This moment combines material pleasures with the spiritual pleasures of a "sacrifice of incense" and Jane's feeling that she could "haunt" the orchard forever. But the world has changed by the end of the chapter: The chestnut tree under which Rochester proposed now ails, "writhing and groaning" in the roaring wind. Thunder and lightning crack and clash, so Jane and Rochester are forced to race back to the house in the pouring rain. The relationship has reached the zenith of ripeness, and a fallow, tragic time is on the way, symbolized by this raging storm. During the night, lightning splits the great chestnut tree, foreshadowing the separation that will soon befall Jane and Rochester. The chapter also continues themes discussed earlier, such as the problems of class difference and the spiritual nature of their relationship. Early in their conversation, Rochester treats Jane like a good servant: Because she's been a "dependent" who has done "her duty," he, as her employer, wants to offer her assistance in finding a new job. Jane confirms her secondary status, referring to Rochester as "master," and believing "wealth, caste, custom" separate her from her beloved, even though she "naturally and inevitably" loves him. In this quote, Jane creates her love for Rochester as essential and uncontrollable, and, therefore, beyond the bounds of class. Similarly, Rochester argues that an almost magical cord connects him to Jane. Yet she also believes Rochester may be playing with her feelings, that he may see her as an automaton, "a machine without feelings"; because she is "poor, obscure, plain, and little," he may mistakenly think she is also "soulless and heartless." At this point, she speaks to him beyond the "medium of custom, conventionalities," even flesh, and her spirit addresses his spirit in a relationship of equality. Again, Jane creates equality by moving the relationship outside of the material world, and into the spiritual: At "God's feet," they can stand side-by-side, rather than with Rochester leading, Jane following.

cliffnotes

all_chapterized_books/1260-chapters/volume_2_chapters_24_to_25.txt

finished_summaries/cliffnotes/Jane Eyre/section_19_part_0.txt

Jane Eyre.volume 2.chapters 24-25

chapters 24-25

{"name": "Chapters 24-25", "url": "https://web.archive.org/web/20190321135117/https://www.cliffsnotes.com/literature/j/jane-eyre/summary-and-analysis/chapters-2425", "summary": "The next morning, Jane wakes, wondering if the previous night was just a dream. She feels transformed; even her face looks different, no longer plain. Believing Jane has taken an immoral turn, Mrs. Fairfax is cool and quiet at breakfast, but Jane feels she must let Rochester give explanations. When she walks up to the schoolroom in search of Adele, Jane finds Rochester instead. He calls her \"Jane Rochester,\" which she finds frightening, and tells her the wedding will be in four weeks. Jane doesn't believe the wedding will actually happen -- it would be a \"fairy-tale,\" too much happiness for a real human. Rochester vows to make the world recognize Jane's beauty, but she worries that he's trying to transform her into a costumed ape. Jane is upset by Mrs. Fairfax's response to the news of the engagement. Rather than being delighted with the relationship, Mrs. Fairfax warns Jane to maintain a distance from Rochester, because she's worried about the differences between their ages and social classes. Later that day, Jane and Rochester drive to Millcote to make purchases for the wedding, and Adele rides with them. They shop for silk and jewels, making Jane feel like a \"doll.\" She vows to write her uncle in Madeira when she returns home, reasoning that she'd be more comfortable accepting Rochester's gifts if she knew she'd one day have her own money to contribute to the relationship. That evening, Rochester sings Jane a romantic song, but she has no intention of sinking into a \"bathos of sentiment.\" She plans to keep her distance until after the wedding vows. In Chapter 25, all of the preparations are ready for the wedding, which takes place the next day. Jane cannot bring herself to label her luggage with the cards that say \"Mrs. Rochester,\" because this person doesn't yet exist. Together, they eat their last dinner at Thornfield before leaving on their European honeymoon. Jane can't eat, but tells Rochester about a strange occurrence that happened the previous night, while he was away: Before Jane went to bed, she discovered a hidden gift from Rochester -- an expensive veil from London that she doubts can transform her from a plebian to a peeress. As she slept, she dreamt of a child, too young and feeble to walk, who cried in her arms. Rochester walked on a road ahead of her, but she was unable to catch him. The dream then took her to Thornfield Hall, which had become a \"dreary ruin,\" with nothing remaining but a \"shell-like wall.\" Trying to get a final glimpse of Rochester, she climbed the wall of Thornfield, but it collapsed, causing her to fall and drop the child. When she woke, she saw the figure of a woman in her room, someone she didn't recognize. The woman, whose face was ghastly, \"savage,\" vampirish, threw Jane's veil over her own face. After gazing at herself in the mirror, the woman took the veil off, ripped it in two, and trampled it. Then the woman walked over to Jane's bed and peered into her face, causing her to faint for the second time in her life. When Jane woke in the morning, she discovered the veil on the floor, torn in two, so she knows the experience wasn't a dream. Rochester thanks God that Jane wasn't harmed and then suggests that the woman must have been Grace Poole. In a state between sleeping and waking, Jane simply didn't recognize her. He promises to explain everything in \"a year and a day\" after their marriage. Rochester insists that Jane sleep in Adele's bed this night, with the door securely fastened.", "analysis": "Now that Jane has accepted Rochester's proposal, he seems intent on transforming her into the ideal object of affection. Already that morning, he has sent to London to have the family jewels sent to Thornfield for Jane, and he wants her to wear satin, lace, and priceless veils. Jane worries she'll lose herself if \"tricked out\" in these \"stage-trappings.\" Not only does he want to make Jane a \"beauty,\" Rochester also wants her to be his \"angel\" and \"comforter.\" Jane reminds him that she simply wants to be herself, not some \"celestial\" being. A flaw has become apparent in Rochester's approach to love. While he claims to dislike fortune-hunting women, such as Celine Varens or Blanche Ingram, he seems to be trying to turn Jane into one of them. In fact, she argues that if she accepted his demands, he would soon grow tired of her. As \"performing ape,\" Jane would be no better than a kept woman, an elegantly clothed object performing for her master. Instead, Jane wants to maintain both her personality and her independence. What Rochester values in Jane is her pliancy, which allows him to shape her into the woman he desires, something that wouldn't have been possible with a powerful woman like Blanche. Rochester still has much to learn about love. Allusions to fairy tales continue in this chapter. Rochester tells Adele that Jane is the fairy from Elf-land whose errand is to make him happy. This fantasy reminds the reader that one of Rochester's primary hopes from this marriage is that it will somehow purify him: For example, he wants to revisit all of his old haunts in Europe, tracing all of his old steps, but now \"healed and cleansed\" by his angelic Jane. By recreating her as fairy or angel, Rochester fulfills his own fantasy of magically erasing his past transgressions and beginning a fresh, new life. But what does this fantasy offer Jane? Reduced to muse or \"doll,\" Jane has no power over her own future. Jane makes this idea apparent when she claims Rochester gives her a smile such as a sultan would \"bestow on a slave his gold and gems had enriched.\" Insisting that he prefers his \"one little English girl\" to the \"Grand Turk's whole seraglio,\" Rochester points to Jane's powerlessness, her reduction to sex slave. Rather than becoming slave, Jane vows she will become a missionary, preaching liberty to women enslaved within harems. While her comments imply a Eurocentric understanding of eastern culture -- the enlightened Englishwoman coming to the rescue of poor, imprisoned Turkish women -- she insightfully implies that the position of English women isn't much better than that of their Turkish counterparts; both are enslaved by male despotism, which makes women objects of male desire, rather than thinking, independent subjects. Chapter 25 is filled with prophetic symbols and dreams, as Bronte prepares the reader for the climactic Chapter 26, in which Jane discovers Rochester's secret. As in the previous chapter, nature reflects the coming tragedy. The wind blows fiercely and the moon is blood-red, reflecting an excess of passion. The cloven chestnut tree symbolically foreshadows Jane's future with Rochester, both their impending separation and their ultimate union. Jane's visions of Thornfield's desolation prefigure its charred remains after Bertha Mason torches it. Critics have often seen the child in Jane's dreams as a representation of Jane's fear of marriage or of childbearing. Throughout these chapters, Jane's anxieties about a loss of identity within her marriage are apparent. Thus, her dream of the small child, \"too young and feeble to walk,\" could easily represent her immature self, unable to create an independent identity. When she tries to speak to Rochester, she is \"fettered\" and \"inarticulate\" -- she feels she will have no power and no voice within the relationship. As with previous changes in Jane's life, this one is foreshadowed not only by dreams, but also by the appearance of a ghostly apparition, Bertha Mason. This strange woman who rends the wedding-veil in two has been viewed by critics as Jane's double. While the powerless child reflects Jane's feelings of helplessness, Bertha shows Jane's rebellion. Bertha does Jane a favor -- Jane didn't like the veil nor the sense that Rochester was trying to alter her identity by buying her expensive gifts, and her resistance is enacted through Bertha's actions. Bertha's vampiric appearance suggests that she is sucking away Rochester's lifeblood, but she also has a sexual power: The \"blood-red\" moon, a symbol of women's menstrual cycles, is reflected in her eyes. Like Blanche Ingram, Bertha is a woman Rochester can't control, a woman with \"savage\" and, probably sexual, power. Small and naive, Jane can't compete with these women. In the final image of this scene, Jane curls up in bed with Adele -- significantly, Rochester has suggested Jane spend the night locked in the nursery, once again emphasizing her childish, dependent status and his desperate attempts to shelter her from Bertha's potent and sexualized rage. Glossary sans mademoiselle? without Miss? Oh, qu'elle y sera mal--peu confortable! Oh, things will be unpleasant for her there--uncomfortable! un vrai menteur a real liar. conte de fee a fairy-tale. du reste, il n'y avait pas de fees, et quand meme il y en avait besides, there were no fairies there, and even if there were. pour me donner une contenance for me to give myself airs. tete-a-tete an intimate conversation."}

As I rose and dressed, I thought over what had happened, and wondered if it were a dream. I could not be certain of the reality till I had seen Mr. Rochester again, and heard him renew his words of love and promise. While arranging my hair, I looked at my face in the glass, and felt it was no longer plain: there was hope in its aspect and life in its colour; and my eyes seemed as if they had beheld the fount of fruition, and borrowed beams from the lustrous ripple. I had often been unwilling to look at my master, because I feared he could not be pleased at my look; but I was sure I might lift my face to his now, and not cool his affection by its expression. I took a plain but clean and light summer dress from my drawer and put it on: it seemed no attire had ever so well become me, because none had I ever worn in so blissful a mood. I was not surprised, when I ran down into the hall, to see that a brilliant June morning had succeeded to the tempest of the night; and to feel, through the open glass door, the breathing of a fresh and fragrant breeze. Nature must be gladsome when I was so happy. A beggar-woman and her little boy--pale, ragged objects both--were coming up the walk, and I ran down and gave them all the money I happened to have in my purse--some three or four shillings: good or bad, they must partake of my jubilee. The rooks cawed, and blither birds sang; but nothing was so merry or so musical as my own rejoicing heart. Mrs. Fairfax surprised me by looking out of the window with a sad countenance, and saying gravely--"Miss Eyre, will you come to breakfast?" During the meal she was quiet and cool: but I could not undeceive her then. I must wait for my master to give explanations; and so must she. I ate what I could, and then I hastened upstairs. I met Adele leaving the schoolroom. "Where are you going? It is time for lessons." "Mr. Rochester has sent me away to the nursery." "Where is he?" "In there," pointing to the apartment she had left; and I went in, and there he stood. "Come and bid me good-morning," said he. I gladly advanced; and it was not merely a cold word now, or even a shake of the hand that I received, but an embrace and a kiss. It seemed natural: it seemed genial to be so well loved, so caressed by him. "Jane, you look blooming, and smiling, and pretty," said he: "truly pretty this morning. Is this my pale, little elf? Is this my mustard- seed? This little sunny-faced girl with the dimpled cheek and rosy lips; the satin-smooth hazel hair, and the radiant hazel eyes?" (I had green eyes, reader; but you must excuse the mistake: for him they were new-dyed, I suppose.) "It is Jane Eyre, sir." "Soon to be Jane Rochester," he added: "in four weeks, Janet; not a day more. Do you hear that?" I did, and I could not quite comprehend it: it made me giddy. The feeling, the announcement sent through me, was something stronger than was consistent with joy--something that smote and stunned. It was, I think almost fear. "You blushed, and now you are white, Jane: what is that for?" "Because you gave me a new name--Jane Rochester; and it seems so strange." "Yes, Mrs. Rochester," said he; "young Mrs. Rochester--Fairfax Rochester's girl-bride." "It can never be, sir; it does not sound likely. Human beings never enjoy complete happiness in this world. I was not born for a different destiny to the rest of my species: to imagine such a lot befalling me is a fairy tale--a day-dream." "Which I can and will realise. I shall begin to-day. This morning I wrote to my banker in London to send me certain jewels he has in his keeping,--heirlooms for the ladies of Thornfield. In a day or two I hope to pour them into your lap: for every privilege, every attention shall be yours that I would accord a peer's daughter, if about to marry her." "Oh, sir!--never rain jewels! I don't like to hear them spoken of. Jewels for Jane Eyre sounds unnatural and strange: I would rather not have them." "I will myself put the diamond chain round your neck, and the circlet on your forehead,--which it will become: for nature, at least, has stamped her patent of nobility on this brow, Jane; and I will clasp the bracelets on these fine wrists, and load these fairy-like fingers with rings." "No, no, sir! think of other subjects, and speak of other things, and in another strain. Don't address me as if I were a beauty; I am your plain, Quakerish governess." "You are a beauty in my eyes, and a beauty just after the desire of my heart,--delicate and aerial." "Puny and insignificant, you mean. You are dreaming, sir,--or you are sneering. For God's sake don't be ironical!" "I will make the world acknowledge you a beauty, too," he went on, while I really became uneasy at the strain he had adopted, because I felt he was either deluding himself or trying to delude me. "I will attire my Jane in satin and lace, and she shall have roses in her hair; and I will cover the head I love best with a priceless veil." "And then you won't know me, sir; and I shall not be your Jane Eyre any longer, but an ape in a harlequin's jacket--a jay in borrowed plumes. I would as soon see you, Mr. Rochester, tricked out in stage-trappings, as myself clad in a court-lady's robe; and I don't call you handsome, sir, though I love you most dearly: far too dearly to flatter you. Don't flatter me." He pursued his theme, however, without noticing my deprecation. "This very day I shall take you in the carriage to Millcote, and you must choose some dresses for yourself. I told you we shall be married in four weeks. The wedding is to take place quietly, in the church down below yonder; and then I shall waft you away at once to town. After a brief stay there, I shall bear my treasure to regions nearer the sun: to French vineyards and Italian plains; and she shall see whatever is famous in old story and in modern record: she shall taste, too, of the life of cities; and she shall learn to value herself by just comparison with others." "Shall I travel?--and with you, sir?" "You shall sojourn at Paris, Rome, and Naples: at Florence, Venice, and Vienna: all the ground I have wandered over shall be re-trodden by you: wherever I stamped my hoof, your sylph's foot shall step also. Ten years since, I flew through Europe half mad; with disgust, hate, and rage as my companions: now I shall revisit it healed and cleansed, with a very angel as my comforter." I laughed at him as he said this. "I am not an angel," I asserted; "and I will not be one till I die: I will be myself. Mr. Rochester, you must neither expect nor exact anything celestial of me--for you will not get it, any more than I shall get it of you: which I do not at all anticipate." "What do you anticipate of me?" "For a little while you will perhaps be as you are now,--a very little while; and then you will turn cool; and then you will be capricious; and then you will be stern, and I shall have much ado to please you: but when you get well used to me, you will perhaps like me again,--_like_ me, I say, not _love_ me. I suppose your love will effervesce in six months, or less. I have observed in books written by men, that period assigned as the farthest to which a husband's ardour extends. Yet, after all, as a friend and companion, I hope never to become quite distasteful to my dear master." "Distasteful! and like you again! I think I shall like you again, and yet again: and I will make you confess I do not only _like_, but _love_ you--with truth, fervour, constancy." "Yet are you not capricious, sir?" "To women who please me only by their faces, I am the very devil when I find out they have neither souls nor hearts--when they open to me a perspective of flatness, triviality, and perhaps imbecility, coarseness, and ill-temper: but to the clear eye and eloquent tongue, to the soul made of fire, and the character that bends but does not break--at once supple and stable, tractable and consistent--I am ever tender and true." "Had you ever experience of such a character, sir? Did you ever love such an one?" "I love it now." "But before me: if I, indeed, in any respect come up to your difficult standard?" "I never met your likeness. Jane, you please me, and you master me--you seem to submit, and I like the sense of pliancy you impart; and while I am twining the soft, silken skein round my finger, it sends a thrill up my arm to my heart. I am influenced--conquered; and the influence is sweeter than I can express; and the conquest I undergo has a witchery beyond any triumph I can win. Why do you smile, Jane? What does that inexplicable, that uncanny turn of countenance mean?" "I was thinking, sir (you will excuse the idea; it was involuntary), I was thinking of Hercules and Samson with their charmers--" "You were, you little elfish--" "Hush, sir! You don't talk very wisely just now; any more than those gentlemen acted very wisely. However, had they been married, they would no doubt by their severity as husbands have made up for their softness as suitors; and so will you, I fear. I wonder how you will answer me a year hence, should I ask a favour it does not suit your convenience or pleasure to grant." "Ask me something now, Jane,--the least thing: I desire to be entreated--" "Indeed I will, sir; I have my petition all ready." "Speak! But if you look up and smile with that countenance, I shall swear concession before I know to what, and that will make a fool of me." "Not at all, sir; I ask only this: don't send for the jewels, and don't crown me with roses: you might as well put a border of gold lace round that plain pocket handkerchief you have there." "I might as well 'gild refined gold.' I know it: your request is granted then--for the time. I will remand the order I despatched to my banker. But you have not yet asked for anything; you have prayed a gift to be withdrawn: try again." "Well then, sir, have the goodness to gratify my curiosity, which is much piqued on one point." He looked disturbed. "What? what?" he said hastily. "Curiosity is a dangerous petition: it is well I have not taken a vow to accord every request--" "But there can be no danger in complying with this, sir." "Utter it, Jane: but I wish that instead of a mere inquiry into, perhaps, a secret, it was a wish for half my estate." "Now, King Ahasuerus! What do I want with half your estate? Do you think I am a Jew-usurer, seeking good investment in land? I would much rather have all your confidence. You will not exclude me from your confidence if you admit me to your heart?" "You are welcome to all my confidence that is worth having, Jane; but for God's sake, don't desire a useless burden! Don't long for poison--don't turn out a downright Eve on my hands!" "Why not, sir? You have just been telling me how much you liked to be conquered, and how pleasant over-persuasion is to you. Don't you think I had better take advantage of the confession, and begin and coax and entreat--even cry and be sulky if necessary--for the sake of a mere essay of my power?" "I dare you to any such experiment. Encroach, presume, and the game is up." "Is it, sir? You soon give in. How stern you look now! Your eyebrows have become as thick as my finger, and your forehead resembles what, in some very astonishing poetry, I once saw styled, 'a blue-piled thunderloft.' That will be your married look, sir, I suppose?" "If that will be _your_ married look, I, as a Christian, will soon give up the notion of consorting with a mere sprite or salamander. But what had you to ask, thing,--out with it?" "There, you are less than civil now; and I like rudeness a great deal better than flattery. I had rather be a _thing_ than an angel. This is what I have to ask,--Why did you take such pains to make me believe you wished to marry Miss Ingram?" "Is that all? Thank God it is no worse!" And now he unknit his black brows; looked down, smiling at me, and stroked my hair, as if well pleased at seeing a danger averted. "I think I may confess," he continued, "even although I should make you a little indignant, Jane--and I have seen what a fire-spirit you can be when you are indignant. You glowed in the cool moonlight last night, when you mutinied against fate, and claimed your rank as my equal. Janet, by-the-bye, it was you who made me the offer." "Of course I did. But to the point if you please, sir--Miss Ingram?" "Well, I feigned courtship of Miss Ingram, because I wished to render you as madly in love with me as I was with you; and I knew jealousy would be the best ally I could call in for the furtherance of that end." "Excellent! Now you are small--not one whit bigger than the end of my little finger. It was a burning shame and a scandalous disgrace to act in that way. Did you think nothing of Miss Ingram's feelings, sir?" "Her feelings are concentrated in one--pride; and that needs humbling. Were you jealous, Jane?" "Never mind, Mr. Rochester: it is in no way interesting to you to know that. Answer me truly once more. Do you think Miss Ingram will not suffer from your dishonest coquetry? Won't she feel forsaken and deserted?" "Impossible!--when I told you how she, on the contrary, deserted me: the idea of my insolvency cooled, or rather extinguished, her flame in a moment." "You have a curious, designing mind, Mr. Rochester. I am afraid your principles on some points are eccentric." "My principles were never trained, Jane: they may have grown a little awry for want of attention." "Once again, seriously; may I enjoy the great good that has been vouchsafed to me, without fearing that any one else is suffering the bitter pain I myself felt a while ago?" "That you may, my good little girl: there is not another being in the world has the same pure love for me as yourself--for I lay that pleasant unction to my soul, Jane, a belief in your affection." I turned my lips to the hand that lay on my shoulder. I loved him very much--more than I could trust myself to say--more than words had power to express. "Ask something more," he said presently; "it is my delight to be entreated, and to yield." I was again ready with my request. "Communicate your intentions to Mrs. Fairfax, sir: she saw me with you last night in the hall, and she was shocked. Give her some explanation before I see her again. It pains me to be misjudged by so good a woman." "Go to your room, and put on your bonnet," he replied. "I mean you to accompany me to Millcote this morning; and while you prepare for the drive, I will enlighten the old lady's understanding. Did she think, Janet, you had given the world for love, and considered it well lost?" "I believe she thought I had forgotten my station, and yours, sir." "Station! station!--your station is in my heart, and on the necks of those who would insult you, now or hereafter.--Go." I was soon dressed; and when I heard Mr. Rochester quit Mrs. Fairfax's parlour, I hurried down to it. The old lady, had been reading her morning portion of Scripture--the Lesson for the day; her Bible lay open before her, and her spectacles were upon it. Her occupation, suspended by Mr. Rochester's announcement, seemed now forgotten: her eyes, fixed on the blank wall opposite, expressed the surprise of a quiet mind stirred by unwonted tidings. Seeing me, she roused herself: she made a sort of effort to smile, and framed a few words of congratulation; but the smile expired, and the sentence was abandoned unfinished. She put up her spectacles, shut the Bible, and pushed her chair back from the table. "I feel so astonished," she began, "I hardly know what to say to you, Miss Eyre. I have surely not been dreaming, have I? Sometimes I half fall asleep when I am sitting alone and fancy things that have never happened. It has seemed to me more than once when I have been in a doze, that my dear husband, who died fifteen years since, has come in and sat down beside me; and that I have even heard him call me by my name, Alice, as he used to do. Now, can you tell me whether it is actually true that Mr. Rochester has asked you to marry him? Don't laugh at me. But I really thought he came in here five minutes ago, and said that in a month you would be his wife." "He has said the same thing to me," I replied. "He has! Do you believe him? Have you accepted him?" "Yes." She looked at me bewildered. "I could never have thought it. He is a proud man: all the Rochesters were proud: and his father, at least, liked money. He, too, has always been called careful. He means to marry you?" "He tells me so." She surveyed my whole person: in her eyes I read that they had there found no charm powerful enough to solve the enigma. "It passes me!" she continued; "but no doubt, it is true since you say so. How it will answer, I cannot tell: I really don't know. Equality of position and fortune is often advisable in such cases; and there are twenty years of difference in your ages. He might almost be your father." "No, indeed, Mrs. Fairfax!" exclaimed I, nettled; "he is nothing like my father! No one, who saw us together, would suppose it for an instant. Mr. Rochester looks as young, and is as young, as some men at five-and- twenty." "Is it really for love he is going to marry you?" she asked. I was so hurt by her coldness and scepticism, that the tears rose to my eyes. "I am sorry to grieve you," pursued the widow; "but you are so young, and so little acquainted with men, I wished to put you on your guard. It is an old saying that 'all is not gold that glitters;' and in this case I do fear there will be something found to be different to what either you or I expect." "Why?--am I a monster?" I said: "is it impossible that Mr. Rochester should have a sincere affection for me?" "No: you are very well; and much improved of late; and Mr. Rochester, I daresay, is fond of you. I have always noticed that you were a sort of pet of his. There are times when, for your sake, I have been a little uneasy at his marked preference, and have wished to put you on your guard: but I did not like to suggest even the possibility of wrong. I knew such an idea would shock, perhaps offend you; and you were so discreet, and so thoroughly modest and sensible, I hoped you might be trusted to protect yourself. Last night I cannot tell you what I suffered when I sought all over the house, and could find you nowhere, nor the master either; and then, at twelve o'clock, saw you come in with him." "Well, never mind that now," I interrupted impatiently; "it is enough that all was right." "I hope all will be right in the end," she said: "but believe me, you cannot be too careful. Try and keep Mr. Rochester at a distance: distrust yourself as well as him. Gentlemen in his station are not accustomed to marry their governesses." I was growing truly irritated: happily, Adele ran in. "Let me go,--let me go to Millcote too!" she cried. "Mr. Rochester won't: though there is so much room in the new carriage. Beg him to let me go mademoiselle." "That I will, Adele;" and I hastened away with her, glad to quit my gloomy monitress. The carriage was ready: they were bringing it round to the front, and my master was pacing the pavement, Pilot following him backwards and forwards. "Adele may accompany us, may she not, sir?" "I told her no. I'll have no brats!--I'll have only you." "Do let her go, Mr. Rochester, if you please: it would be better." "Not it: she will be a restraint." He was quite peremptory, both in look and voice. The chill of Mrs. Fairfax's warnings, and the damp of her doubts were upon me: something of unsubstantiality and uncertainty had beset my hopes. I half lost the sense of power over him. I was about mechanically to obey him, without further remonstrance; but as he helped me into the carriage, he looked at my face. "What is the matter?" he asked; "all the sunshine is gone. Do you really wish the bairn to go? Will it annoy you if she is left behind?" "I would far rather she went, sir." "Then off for your bonnet, and back like a flash of lightning!" cried he to Adele. She obeyed him with what speed she might. "After all, a single morning's interruption will not matter much," said he, "when I mean shortly to claim you--your thoughts, conversation, and company--for life." Adele, when lifted in, commenced kissing me, by way of expressing her gratitude for my intercession: she was instantly stowed away into a corner on the other side of him. She then peeped round to where I sat; so stern a neighbour was too restrictive to him, in his present fractious mood, she dared whisper no observations, nor ask of him any information. "Let her come to me," I entreated: "she will, perhaps, trouble you, sir: there is plenty of room on this side." He handed her over as if she had been a lapdog. "I'll send her to school yet," he said, but now he was smiling. Adele heard him, and asked if she was to go to school "sans mademoiselle?" "Yes," he replied, "absolutely sans mademoiselle; for I am to take mademoiselle to the moon, and there I shall seek a cave in one of the white valleys among the volcano-tops, and mademoiselle shall live with me there, and only me." "She will have nothing to eat: you will starve her," observed Adele. "I shall gather manna for her morning and night: the plains and hillsides in the moon are bleached with manna, Adele." "She will want to warm herself: what will she do for a fire?" "Fire rises out of the lunar mountains: when she is cold, I'll carry her up to a peak, and lay her down on the edge of a crater." "Oh, qu' elle y sera mal--peu comfortable! And her clothes, they will wear out: how can she get new ones?" Mr. Rochester professed to be puzzled. "Hem!" said he. "What would you do, Adele? Cudgel your brains for an expedient. How would a white or a pink cloud answer for a gown, do you think? And one could cut a pretty enough scarf out of a rainbow." "She is far better as she is," concluded Adele, after musing some time: "besides, she would get tired of living with only you in the moon. If I were mademoiselle, I would never consent to go with you." "She has consented: she has pledged her word." "But you can't get her there; there is no road to the moon: it is all air; and neither you nor she can fly." "Adele, look at that field." We were now outside Thornfield gates, and bowling lightly along the smooth road to Millcote, where the dust was well laid by the thunderstorm, and, where the low hedges and lofty timber trees on each side glistened green and rain-refreshed. "In that field, Adele, I was walking late one evening about a fortnight since--the evening of the day you helped me to make hay in the orchard meadows; and, as I was tired with raking swaths, I sat down to rest me on a stile; and there I took out a little book and a pencil, and began to write about a misfortune that befell me long ago, and a wish I had for happy days to come: I was writing away very fast, though daylight was fading from the leaf, when something came up the path and stopped two yards off me. I looked at it. It was a little thing with a veil of gossamer on its head. I beckoned it to come near me; it stood soon at my knee. I never spoke to it, and it never spoke to me, in words; but I read its eyes, and it read mine; and our speechless colloquy was to this effect-- "It was a fairy, and come from Elf-land, it said; and its errand was to make me happy: I must go with it out of the common world to a lonely place--such as the moon, for instance--and it nodded its head towards her horn, rising over Hay-hill: it told me of the alabaster cave and silver vale where we might live. I said I should like to go; but reminded it, as you did me, that I had no wings to fly. "'Oh,' returned the fairy, 'that does not signify! Here is a talisman will remove all difficulties;' and she held out a pretty gold ring. 'Put it,' she said, 'on the fourth finger of my left hand, and I am yours, and you are mine; and we shall leave earth, and make our own heaven yonder.' She nodded again at the moon. The ring, Adele, is in my breeches-pocket, under the disguise of a sovereign: but I mean soon to change it to a ring again." "But what has mademoiselle to do with it? I don't care for the fairy: you said it was mademoiselle you would take to the moon?" "Mademoiselle is a fairy," he said, whispering mysteriously. Whereupon I told her not to mind his badinage; and she, on her part, evinced a fund of genuine French scepticism: denominating Mr. Rochester "un vrai menteur," and assuring him that she made no account whatever of his "contes de fee," and that "du reste, il n'y avait pas de fees, et quand meme il y en avait:" she was sure they would never appear to him, nor ever give him rings, or offer to live with him in the moon. The hour spent at Millcote was a somewhat harassing one to me. Mr. Rochester obliged me to go to a certain silk warehouse: there I was ordered to choose half-a-dozen dresses. I hated the business, I begged leave to defer it: no--it should be gone through with now. By dint of entreaties expressed in energetic whispers, I reduced the half-dozen to two: these however, he vowed he would select himself. With anxiety I watched his eye rove over the gay stores: he fixed on a rich silk of the most brilliant amethyst dye, and a superb pink satin. I told him in a new series of whispers, that he might as well buy me a gold gown and a silver bonnet at once: I should certainly never venture to wear his choice. With infinite difficulty, for he was stubborn as a stone, I persuaded him to make an exchange in favour of a sober black satin and pearl-grey silk. "It might pass for the present," he said; "but he would yet see me glittering like a parterre." Glad was I to get him out of the silk warehouse, and then out of a jewellers shop: the more he bought me, the more my cheek burned with a sense of annoyance and degradation. As we re-entered the carriage, and I sat back feverish and fagged, I remembered what, in the hurry of events, dark and bright, I had wholly forgotten--the letter of my uncle, John Eyre, to Mrs. Reed: his intention to adopt me and make me his legatee. "It would, indeed, be a relief," I thought, "if I had ever so small an independency; I never can bear being dressed like a doll by Mr. Rochester, or sitting like a second Danae with the golden shower falling daily round me. I will write to Madeira the moment I get home, and tell my uncle John I am going to be married, and to whom: if I had but a prospect of one day bringing Mr. Rochester an accession of fortune, I could better endure to be kept by him now." And somewhat relieved by this idea (which I failed not to execute that day), I ventured once more to meet my master's and lover's eye, which most pertinaciously sought mine, though I averted both face and gaze. He smiled; and I thought his smile was such as a sultan might, in a blissful and fond moment, bestow on a slave his gold and gems had enriched: I crushed his hand, which was ever hunting mine, vigorously, and thrust it back to him red with the passionate pressure. "You need not look in that way," I said; "if you do, I'll wear nothing but my old Lowood frocks to the end of the chapter. I'll be married in this lilac gingham: you may make a dressing-gown for yourself out of the pearl-grey silk, and an infinite series of waistcoats out of the black satin." He chuckled; he rubbed his hands. "Oh, it is rich to see and hear her?" he exclaimed. "Is she original? Is she piquant? I would not exchange this one little English girl for the Grand Turk's whole seraglio, gazelle- eyes, houri forms, and all!" The Eastern allusion bit me again. "I'll not stand you an inch in the stead of a seraglio," I said; "so don't consider me an equivalent for one. If you have a fancy for anything in that line, away with you, sir, to the bazaars of Stamboul without delay, and lay out in extensive slave- purchases some of that spare cash you seem at a loss to spend satisfactorily here." "And what will you do, Janet, while I am bargaining for so many tons of flesh and such an assortment of black eyes?" "I'll be preparing myself to go out as a missionary to preach liberty to them that are enslaved--your harem inmates amongst the rest. I'll get admitted there, and I'll stir up mutiny; and you, three-tailed bashaw as you are, sir, shall in a trice find yourself fettered amongst our hands: nor will I, for one, consent to cut your bonds till you have signed a charter, the most liberal that despot ever yet conferred." "I would consent to be at your mercy, Jane." "I would have no mercy, Mr. Rochester, if you supplicated for it with an eye like that. While you looked so, I should be certain that whatever charter you might grant under coercion, your first act, when released, would be to violate its conditions." "Why, Jane, what would you have? I fear you will compel me to go through a private marriage ceremony, besides that performed at the altar. You will stipulate, I see, for peculiar terms--what will they be?" "I only want an easy mind, sir; not crushed by crowded obligations. Do you remember what you said of Celine Varens?--of the diamonds, the cashmeres you gave her? I will not be your English Celine Varens. I shall continue to act as Adele's governess; by that I shall earn my board and lodging, and thirty pounds a year besides. I'll furnish my own wardrobe out of that money, and you shall give me nothing but--" "Well, but what?" "Your regard; and if I give you mine in return, that debt will be quit." "Well, for cool native impudence and pure innate pride, you haven't your equal," said he. We were now approaching Thornfield. "Will it please you to dine with me to-day?" he asked, as we re-entered the gates. "No, thank you, sir." "And what for, 'no, thank you?' if one may inquire." "I never have dined with you, sir: and I see no reason why I should now: till--" "Till what? You delight in half-phrases." "Till I can't help it." "Do you suppose I eat like an ogre or a ghoul, that you dread being the companion of my repast?" "I have formed no supposition on the subject, sir; but I want to go on as usual for another month." "You will give up your governessing slavery at once." "Indeed, begging your pardon, sir, I shall not. I shall just go on with it as usual. I shall keep out of your way all day, as I have been accustomed to do: you may send for me in the evening, when you feel disposed to see me, and I'll come then; but at no other time." "I want a smoke, Jane, or a pinch of snuff, to comfort me under all this, 'pour me donner une contenance,' as Adele would say; and unfortunately I have neither my cigar-case, nor my snuff-box. But listen--whisper. It is your time now, little tyrant, but it will be mine presently; and when once I have fairly seized you, to have and to hold, I'll just--figuratively speaking--attach you to a chain like this" (touching his watch-guard). "Yes, bonny wee thing, I'll wear you in my bosom, lest my jewel I should tyne." He said this as he helped me to alight from the carriage, and while he afterwards lifted out Adele, I entered the house, and made good my retreat upstairs. He duly summoned me to his presence in the evening. I had prepared an occupation for him; for I was determined not to spend the whole time in a _tete-a-tete_ conversation. I remembered his fine voice; I knew he liked to sing--good singers generally do. I was no vocalist myself, and, in his fastidious judgment, no musician, either; but I delighted in listening when the performance was good. No sooner had twilight, that hour of romance, began to lower her blue and starry banner over the lattice, than I rose, opened the piano, and entreated him, for the love of heaven, to give me a song. He said I was a capricious witch, and that he would rather sing another time; but I averred that no time was like the present. "Did I like his voice?" he asked. "Very much." I was not fond of pampering that susceptible vanity of his; but for once, and from motives of expediency, I would e'en soothe and stimulate it. "Then, Jane, you must play the accompaniment." "Very well, sir, I will try." I did try, but was presently swept off the stool and denominated "a little bungler." Being pushed unceremoniously to one side--which was precisely what I wished--he usurped my place, and proceeded to accompany himself: for he could play as well as sing. I hied me to the window-recess. And while I sat there and looked out on the still trees and dim lawn, to a sweet air was sung in mellow tones the following strain:-- "The truest love that ever heart Felt at its kindled core, Did through each vein, in quickened start, The tide of being pour. Her coming was my hope each day, Her parting was my pain; The chance that did her steps delay Was ice in every vein. I dreamed it would be nameless bliss, As I loved, loved to be; And to this object did I press As blind as eagerly. But wide as pathless was the space That lay our lives between, And dangerous as the foamy race Of ocean-surges green. And haunted as a robber-path Through wilderness or wood; For Might and Right, and Woe and Wrath, Between our spirits stood. I dangers dared; I hindrance scorned; I omens did defy: Whatever menaced, harassed, warned, I passed impetuous by. On sped my rainbow, fast as light; I flew as in a dream; For glorious rose upon my sight That child of Shower and Gleam. Still bright on clouds of suffering dim Shines that soft, solemn joy; Nor care I now, how dense and grim Disasters gather nigh. I care not in this moment sweet, Though all I have rushed o'er Should come on pinion, strong and fleet, Proclaiming vengeance sore: Though haughty Hate should strike me down, Right, bar approach to me, And grinding Might, with furious frown, Swear endless enmity. My love has placed her little hand With noble faith in mine, And vowed that wedlock's sacred band Our nature shall entwine. My love has sworn, with sealing kiss, With me to live--to die; I have at last my nameless bliss. As I love--loved am I!" He rose and came towards me, and I saw his face all kindled, and his full falcon-eye flashing, and tenderness and passion in every lineament. I quailed momentarily--then I rallied. Soft scene, daring demonstration, I would not have; and I stood in peril of both: a weapon of defence must be prepared--I whetted my tongue: as he reached me, I asked with asperity, "whom he was going to marry now?" "That was a strange question to be put by his darling Jane." "Indeed! I considered it a very natural and necessary one: he had talked of his future wife dying with him. What did he mean by such a pagan idea? _I_ had no intention of dying with him--he might depend on that." "Oh, all he longed, all he prayed for, was that I might live with him! Death was not for such as I." "Indeed it was: I had as good a right to die when my time came as he had: but I should bide that time, and not be hurried away in a suttee." "Would I forgive him for the selfish idea, and prove my pardon by a reconciling kiss?" "No: I would rather be excused." Here I heard myself apostrophised as a "hard little thing;" and it was added, "any other woman would have been melted to marrow at hearing such stanzas crooned in her praise." I assured him I was naturally hard--very flinty, and that he would often find me so; and that, moreover, I was determined to show him divers rugged points in my character before the ensuing four weeks elapsed: he should know fully what sort of a bargain he had made, while there was yet time to rescind it. "Would I be quiet and talk rationally?" "I would be quiet if he liked, and as to talking rationally, I flattered myself I was doing that now." He fretted, pished, and pshawed. "Very good," I thought; "you may fume and fidget as you please: but this is the best plan to pursue with you, I am certain. I like you more than I can say; but I'll not sink into a bathos of sentiment: and with this needle of repartee I'll keep you from the edge of the gulf too; and, moreover, maintain by its pungent aid that distance between you and myself most conducive to our real mutual advantage." From less to more, I worked him up to considerable irritation; then, after he had retired, in dudgeon, quite to the other end of the room, I got up, and saying, "I wish you good-night, sir," in my natural and wonted respectful manner, I slipped out by the side-door and got away. The system thus entered on, I pursued during the whole season of probation; and with the best success. He was kept, to be sure, rather cross and crusty; but on the whole I could see he was excellently entertained, and that a lamb-like submission and turtle-dove sensibility, while fostering his despotism more, would have pleased his judgment, satisfied his common-sense, and even suited his taste less. In other people's presence I was, as formerly, deferential and quiet; any other line of conduct being uncalled for: it was only in the evening conferences I thus thwarted and afflicted him. He continued to send for me punctually the moment the clock struck seven; though when I appeared before him now, he had no such honeyed terms as "love" and "darling" on his lips: the best words at my service were "provoking puppet," "malicious elf," "sprite," "changeling," &c. For caresses, too, I now got grimaces; for a pressure of the hand, a pinch on the arm; for a kiss on the cheek, a severe tweak of the ear. It was all right: at present I decidedly preferred these fierce favours to anything more tender. Mrs. Fairfax, I saw, approved me: her anxiety on my account vanished; therefore I was certain I did well. Meantime, Mr. Rochester affirmed I was wearing him to skin and bone, and threatened awful vengeance for my present conduct at some period fast coming. I laughed in my sleeve at his menaces. "I can keep you in reasonable check now," I reflected; "and I don't doubt to be able to do it hereafter: if one expedient loses its virtue, another must be devised." Yet after all my task was not an easy one; often I would rather have pleased than teased him. My future husband was becoming to me my whole world; and more than the world: almost my hope of heaven. He stood between me and every thought of religion, as an eclipse intervenes between man and the broad sun. I could not, in those days, see God for His creature: of whom I had made an idol. The month of courtship had wasted: its very last hours were being numbered. There was no putting off the day that advanced--the bridal day; and all preparations for its arrival were complete. _I_, at least, had nothing more to do: there were my trunks, packed, locked, corded, ranged in a row along the wall of my little chamber; to-morrow, at this time, they would be far on their road to London: and so should I (D.V.),--or rather, not I, but one Jane Rochester, a person whom as yet I knew not. The cards of address alone remained to nail on: they lay, four little squares, in the drawer. Mr. Rochester had himself written the direction, "Mrs. Rochester, --- Hotel, London," on each: I could not persuade myself to affix them, or to have them affixed. Mrs. Rochester! She did not exist: she would not be born till to-morrow, some time after eight o'clock a.m.; and I would wait to be assured she had come into the world alive before I assigned to her all that property. It was enough that in yonder closet, opposite my dressing-table, garments said to be hers had already displaced my black stuff Lowood frock and straw bonnet: for not to me appertained that suit of wedding raiment; the pearl-coloured robe, the vapoury veil pendent from the usurped portmanteau. I shut the closet to conceal the strange, wraith-like apparel it contained; which, at this evening hour--nine o'clock--gave out certainly a most ghostly shimmer through the shadow of my apartment. "I will leave you by yourself, white dream," I said. "I am feverish: I hear the wind blowing: I will go out of doors and feel it." It was not only the hurry of preparation that made me feverish; not only the anticipation of the great change--the new life which was to commence to-morrow: both these circumstances had their share, doubtless, in producing that restless, excited mood which hurried me forth at this late hour into the darkening grounds: but a third cause influenced my mind more than they. I had at heart a strange and anxious thought. Something had happened which I could not comprehend; no one knew of or had seen the event but myself: it had taken place the preceding night. Mr. Rochester that night was absent from home; nor was he yet returned: business had called him to a small estate of two or three farms he possessed thirty miles off--business it was requisite he should settle in person, previous to his meditated departure from England. I waited now his return; eager to disburthen my mind, and to seek of him the solution of the enigma that perplexed me. Stay till he comes, reader; and, when I disclose my secret to him, you shall share the confidence. I sought the orchard, driven to its shelter by the wind, which all day had blown strong and full from the south, without, however, bringing a speck of rain. Instead of subsiding as night drew on, it seemed to augment its rush and deepen its roar: the trees blew steadfastly one way, never writhing round, and scarcely tossing back their boughs once in an hour; so continuous was the strain bending their branchy heads northward--the clouds drifted from pole to pole, fast following, mass on mass: no glimpse of blue sky had been visible that July day. It was not without a certain wild pleasure I ran before the wind, delivering my trouble of mind to the measureless air-torrent thundering through space. Descending the laurel walk, I faced the wreck of the chestnut-tree; it stood up black and riven: the trunk, split down the centre, gasped ghastly. The cloven halves were not broken from each other, for the firm base and strong roots kept them unsundered below; though community of vitality was destroyed--the sap could flow no more: their great boughs on each side were dead, and next winter's tempests would be sure to fell one or both to earth: as yet, however, they might be said to form one tree--a ruin, but an entire ruin. "You did right to hold fast to each other," I said: as if the monster- splinters were living things, and could hear me. "I think, scathed as you look, and charred and scorched, there must be a little sense of life in you yet, rising out of that adhesion at the faithful, honest roots: you will never have green leaves more--never more see birds making nests and singing idyls in your boughs; the time of pleasure and love is over with you: but you are not desolate: each of you has a comrade to sympathise with him in his decay." As I looked up at them, the moon appeared momentarily in that part of the sky which filled their fissure; her disk was blood-red and half overcast; she seemed to throw on me one bewildered, dreary glance, and buried herself again instantly in the deep drift of cloud. The wind fell, for a second, round Thornfield; but far away over wood and water, poured a wild, melancholy wail: it was sad to listen to, and I ran off again. Here and there I strayed through the orchard, gathered up the apples with which the grass round the tree roots was thickly strewn; then I employed myself in dividing the ripe from the unripe; I carried them into the house and put them away in the store-room. Then I repaired to the library to ascertain whether the fire was lit, for, though summer, I knew on such a gloomy evening Mr. Rochester would like to see a cheerful hearth when he came in: yes, the fire had been kindled some time, and burnt well. I placed his arm-chair by the chimney-corner: I wheeled the table near it: I let down the curtain, and had the candles brought in ready for lighting. More restless than ever, when I had completed these arrangements I could not sit still, nor even remain in the house: a little time-piece in the room and the old clock in the hall simultaneously struck ten. "How late it grows!" I said. "I will run down to the gates: it is moonlight at intervals; I can see a good way on the road. He may be coming now, and to meet him will save some minutes of suspense." The wind roared high in the great trees which embowered the gates; but the road as far as I could see, to the right hand and the left, was all still and solitary: save for the shadows of clouds crossing it at intervals as the moon looked out, it was but a long pale line, unvaried by one moving speck. A puerile tear dimmed my eye while I looked--a tear of disappointment and impatience; ashamed of it, I wiped it away. I lingered; the moon shut herself wholly within her chamber, and drew close her curtain of dense cloud: the night grew dark; rain came driving fast on the gale. "I wish he would come! I wish he would come!" I exclaimed, seized with hypochondriac foreboding. I had expected his arrival before tea; now it was dark: what could keep him? Had an accident happened? The event of last night again recurred to me. I interpreted it as a warning of disaster. I feared my hopes were too bright to be realised; and I had enjoyed so much bliss lately that I imagined my fortune had passed its meridian, and must now decline. "Well, I cannot return to the house," I thought; "I cannot sit by the fireside, while he is abroad in inclement weather: better tire my limbs than strain my heart; I will go forward and meet him." I set out; I walked fast, but not far: ere I had measured a quarter of a mile, I heard the tramp of hoofs; a horseman came on, full gallop; a dog ran by his side. Away with evil presentiment! It was he: here he was, mounted on Mesrour, followed by Pilot. He saw me; for the moon had opened a blue field in the sky, and rode in it watery bright: he took his hat off, and waved it round his head. I now ran to meet him. "There!" he exclaimed, as he stretched out his hand and bent from the saddle: "You can't do without me, that is evident. Step on my boot-toe; give me both hands: mount!" I obeyed: joy made me agile: I sprang up before him. A hearty kissing I got for a welcome, and some boastful triumph, which I swallowed as well as I could. He checked himself in his exultation to demand, "But is there anything the matter, Janet, that you come to meet me at such an hour? Is there anything wrong?" "No, but I thought you would never come. I could not bear to wait in the house for you, especially with this rain and wind." "Rain and wind, indeed! Yes, you are dripping like a mermaid; pull my cloak round you: but I think you are feverish, Jane: both your cheek and hand are burning hot. I ask again, is there anything the matter?" "Nothing now; I am neither afraid nor unhappy." "Then you have been both?" "Rather: but I'll tell you all about it by-and-bye, sir; and I daresay you will only laugh at me for my pains." "I'll laugh at you heartily when to-morrow is past; till then I dare not: my prize is not certain. This is you, who have been as slippery as an eel this last month, and as thorny as a briar-rose? I could not lay a finger anywhere but I was pricked; and now I seem to have gathered up a stray lamb in my arms. You wandered out of the fold to seek your shepherd, did you, Jane?" "I wanted you: but don't boast. Here we are at Thornfield: now let me get down." He landed me on the pavement. As John took his horse, and he followed me into the hall, he told me to make haste and put something dry on, and then return to him in the library; and he stopped me, as I made for the staircase, to extort a promise that I would not be long: nor was I long; in five minutes I rejoined him. I found him at supper. "Take a seat and bear me company, Jane: please God, it is the last meal but one you will eat at Thornfield Hall for a long time." I sat down near him, but told him I could not eat. "Is it because you have the prospect of a journey before you, Jane? Is it the thoughts of going to London that takes away your appetite?" "I cannot see my prospects clearly to-night, sir; and I hardly know what thoughts I have in my head. Everything in life seems unreal." "Except me: I am substantial enough--touch me." "You, sir, are the most phantom-like of all: you are a mere dream." He held out his hand, laughing. "Is that a dream?" said he, placing it close to my eyes. He had a rounded, muscular, and vigorous hand, as well as a long, strong arm. "Yes; though I touch it, it is a dream," said I, as I put it down from before my face. "Sir, have you finished supper?" "Yes, Jane." I rang the bell and ordered away the tray. When we were again alone, I stirred the fire, and then took a low seat at my master's knee. "It is near midnight," I said. "Yes: but remember, Jane, you promised to wake with me the night before my wedding." "I did; and I will keep my promise, for an hour or two at least: I have no wish to go to bed." "Are all your arrangements complete?" "All, sir." "And on my part likewise," he returned, "I have settled everything; and we shall leave Thornfield to-morrow, within half-an-hour after our return from church." "Very well, sir." "With what an extraordinary smile you uttered that word--'very well,' Jane! What a bright spot of colour you have on each cheek! and how strangely your eyes glitter! Are you well?" "I believe I am." "Believe! What is the matter? Tell me what you feel." "I could not, sir: no words could tell you what I feel. I wish this present hour would never end: who knows with what fate the next may come charged?" "This is hypochondria, Jane. You have been over-excited, or over-fatigued." "Do you, sir, feel calm and happy?" "Calm?--no: but happy--to the heart's core." I looked up at him to read the signs of bliss in his face: it was ardent and flushed. "Give me your confidence, Jane," he said: "relieve your mind of any weight that oppresses it, by imparting it to me. What do you fear?--that I shall not prove a good husband?" "It is the idea farthest from my thoughts." "Are you apprehensive of the new sphere you are about to enter?--of the new life into which you are passing?" "No." "You puzzle me, Jane: your look and tone of sorrowful audacity perplex and pain me. I want an explanation." "Then, sir, listen. You were from home last night?" "I was: I know that; and you hinted a while ago at something which had happened in my absence:--nothing, probably, of consequence; but, in short, it has disturbed you. Let me hear it. Mrs. Fairfax has said something, perhaps? or you have overheard the servants talk?--your sensitive self-respect has been wounded?" "No, sir." It struck twelve--I waited till the time-piece had concluded its silver chime, and the clock its hoarse, vibrating stroke, and then I proceeded. "All day yesterday I was very busy, and very happy in my ceaseless bustle; for I am not, as you seem to think, troubled by any haunting fears about the new sphere, et cetera: I think it a glorious thing to have the hope of living with you, because I love you. No, sir, don't caress me now--let me talk undisturbed. Yesterday I trusted well in Providence, and believed that events were working together for your good and mine: it was a fine day, if you recollect--the calmness of the air and sky forbade apprehensions respecting your safety or comfort on your journey. I walked a little while on the pavement after tea, thinking of you; and I beheld you in imagination so near me, I scarcely missed your actual presence. I thought of the life that lay before me--_your_ life, sir--an existence more expansive and stirring than my own: as much more so as the depths of the sea to which the brook runs are than the shallows of its own strait channel. I wondered why moralists call this world a dreary wilderness: for me it blossomed like a rose. Just at sunset, the air turned cold and the sky cloudy: I went in, Sophie called me upstairs to look at my wedding-dress, which they had just brought; and under it in the box I found your present--the veil which, in your princely extravagance, you sent for from London: resolved, I suppose, since I would not have jewels, to cheat me into accepting something as costly. I smiled as I unfolded it, and devised how I would tease you about your aristocratic tastes, and your efforts to masque your plebeian bride in the attributes of a peeress. I thought how I would carry down to you the square of unembroidered blond I had myself prepared as a covering for my low-born head, and ask if that was not good enough for a woman who could bring her husband neither fortune, beauty, nor connections. I saw plainly how you would look; and heard your impetuous republican answers, and your haughty disavowal of any necessity on your part to augment your wealth, or elevate your standing, by marrying either a purse or a coronet." "How well you read me, you witch!" interposed Mr. Rochester: "but what did you find in the veil besides its embroidery? Did you find poison, or a dagger, that you look so mournful now?" "No, no, sir; besides the delicacy and richness of the fabric, I found nothing save Fairfax Rochester's pride; and that did not scare me, because I am used to the sight of the demon. But, sir, as it grew dark, the wind rose: it blew yesterday evening, not as it blows now--wild and high--but 'with a sullen, moaning sound' far more eerie. I wished you were at home. I came into this room, and the sight of the empty chair and fireless hearth chilled me. For some time after I went to bed, I could not sleep--a sense of anxious excitement distressed me. The gale still rising, seemed to my ear to muffle a mournful under-sound; whether in the house or abroad I could not at first tell, but it recurred, doubtful yet doleful at every lull; at last I made out it must be some dog howling at a distance. I was glad when it ceased. On sleeping, I continued in dreams the idea of a dark and gusty night. I continued also the wish to be with you, and experienced a strange, regretful consciousness of some barrier dividing us. During all my first sleep, I was following the windings of an unknown road; total obscurity environed me; rain pelted me; I was burdened with the charge of a little child: a very small creature, too young and feeble to walk, and which shivered in my cold arms, and wailed piteously in my ear. I thought, sir, that you were on the road a long way before me; and I strained every nerve to overtake you, and made effort on effort to utter your name and entreat you to stop--but my movements were fettered, and my voice still died away inarticulate; while you, I felt, withdrew farther and farther every moment." "And these dreams weigh on your spirits now, Jane, when I am close to you? Little nervous subject! Forget visionary woe, and think only of real happiness! You say you love me, Janet: yes--I will not forget that; and you cannot deny it. _Those_ words did not die inarticulate on your lips. I heard them clear and soft: a thought too solemn perhaps, but sweet as music--'I think it is a glorious thing to have the hope of living with you, Edward, because I love you.' Do you love me, Jane?--repeat it." "I do, sir--I do, with my whole heart." "Well," he said, after some minutes' silence, "it is strange; but that sentence has penetrated my breast painfully. Why? I think because you said it with such an earnest, religious energy, and because your upward gaze at me now is the very sublime of faith, truth, and devotion: it is too much as if some spirit were near me. Look wicked, Jane: as you know well how to look: coin one of your wild, shy, provoking smiles; tell me you hate me--tease me, vex me; do anything but move me: I would rather be incensed than saddened." "I will tease you and vex you to your heart's content, when I have finished my tale: but hear me to the end." "I thought, Jane, you had told me all. I thought I had found the source of your melancholy in a dream." I shook my head. "What! is there more? But I will not believe it to be anything important. I warn you of incredulity beforehand. Go on." The disquietude of his air, the somewhat apprehensive impatience of his manner, surprised me: but I proceeded. "I dreamt another dream, sir: that Thornfield Hall was a dreary ruin, the retreat of bats and owls. I thought that of all the stately front nothing remained but a shell-like wall, very high and very fragile-looking. I wandered, on a moonlight night, through the grass- grown enclosure within: here I stumbled over a marble hearth, and there over a fallen fragment of cornice. Wrapped up in a shawl, I still carried the unknown little child: I might not lay it down anywhere, however tired were my arms--however much its weight impeded my progress, I must retain it. I heard the gallop of a horse at a distance on the road; I was sure it was you; and you were departing for many years and for a distant country. I climbed the thin wall with frantic perilous haste, eager to catch one glimpse of you from the top: the stones rolled from under my feet, the ivy branches I grasped gave way, the child clung round my neck in terror, and almost strangled me; at last I gained the summit. I saw you like a speck on a white track, lessening every moment. The blast blew so strong I could not stand. I sat down on the narrow ledge; I hushed the scared infant in my lap: you turned an angle of the road: I bent forward to take a last look; the wall crumbled; I was shaken; the child rolled from my knee, I lost my balance, fell, and woke." "Now, Jane, that is all." "All the preface, sir; the tale is yet to come. On waking, a gleam dazzled my eyes; I thought--Oh, it is daylight! But I was mistaken; it was only candlelight. Sophie, I supposed, had come in. There was a light in the dressing-table, and the door of the closet, where, before going to bed, I had hung my wedding-dress and veil, stood open; I heard a rustling there. I asked, 'Sophie, what are you doing?' No one answered; but a form emerged from the closet; it took the light, held it aloft, and surveyed the garments pendent from the portmanteau. 'Sophie! Sophie!' I again cried: and still it was silent. I had risen up in bed, I bent forward: first surprise, then bewilderment, came over me; and then my blood crept cold through my veins. Mr. Rochester, this was not Sophie, it was not Leah, it was not Mrs. Fairfax: it was not--no, I was sure of it, and am still--it was not even that strange woman, Grace Poole." "It must have been one of them," interrupted my master. "No, sir, I solemnly assure you to the contrary. The shape standing before me had never crossed my eyes within the precincts of Thornfield Hall before; the height, the contour were new to me." "Describe it, Jane." "It seemed, sir, a woman, tall and large, with thick and dark hair hanging long down her back. I know not what dress she had on: it was white and straight; but whether gown, sheet, or shroud, I cannot tell." "Did you see her face?" "Not at first. But presently she took my veil from its place; she held it up, gazed at it long, and then she threw it over her own head, and turned to the mirror. At that moment I saw the reflection of the visage and features quite distinctly in the dark oblong glass." "And how were they?" "Fearful and ghastly to me--oh, sir, I never saw a face like it! It was a discoloured face--it was a savage face. I wish I could forget the roll of the red eyes and the fearful blackened inflation of the lineaments!" "Ghosts are usually pale, Jane." "This, sir, was purple: the lips were swelled and dark; the brow furrowed: the black eyebrows widely raised over the bloodshot eyes. Shall I tell you of what it reminded me?" "You may." "Of the foul German spectre--the Vampyre." "Ah!--what did it do?" "Sir, it removed my veil from its gaunt head, rent it in two parts, and flinging both on the floor, trampled on them." {It removed my veil from its gaunt head, rent it in two parts, and flinging both on the floor, trampled on them: p272.jpg} "Afterwards?" "It drew aside the window-curtain and looked out; perhaps it saw dawn approaching, for, taking the candle, it retreated to the door. Just at my bedside, the figure stopped: the fiery eyes glared upon me--she thrust up her candle close to my face, and extinguished it under my eyes. I was aware her lurid visage flamed over mine, and I lost consciousness: for the second time in my life--only the second time--I became insensible from terror." "Who was with you when you revived?" "No one, sir, but the broad day. I rose, bathed my head and face in water, drank a long draught; felt that though enfeebled I was not ill, and determined that to none but you would I impart this vision. Now, sir, tell me who and what that woman was?" "The creature of an over-stimulated brain; that is certain. I must be careful of you, my treasure: nerves like yours were not made for rough handling." "Sir, depend on it, my nerves were not in fault; the thing was real: the transaction actually took place." "And your previous dreams, were they real too? Is Thornfield Hall a ruin? Am I severed from you by insuperable obstacles? Am I leaving you without a tear--without a kiss--without a word?" "Not yet." "Am I about to do it? Why, the day is already commenced which is to bind us indissolubly; and when we are once united, there shall be no recurrence of these mental terrors: I guarantee that." "Mental terrors, sir! I wish I could believe them to be only such: I wish it more now than ever; since even you cannot explain to me the mystery of that awful visitant." "And since I cannot do it, Jane, it must have been unreal." "But, sir, when I said so to myself on rising this morning, and when I looked round the room to gather courage and comfort from the cheerful aspect of each familiar object in full daylight, there--on the carpet--I saw what gave the distinct lie to my hypothesis,--the veil, torn from top to bottom in two halves!" I felt Mr. Rochester start and shudder; he hastily flung his arms round me. "Thank God!" he exclaimed, "that if anything malignant did come near you last night, it was only the veil that was harmed. Oh, to think what might have happened!" He drew his breath short, and strained me so close to him, I could scarcely pant. After some minutes' silence, he continued, cheerily-- "Now, Janet, I'll explain to you all about it. It was half dream, half reality. A woman did, I doubt not, enter your room: and that woman was--must have been--Grace Poole. You call her a strange being yourself: from all you know, you have reason so to call her--what did she do to me? what to Mason? In a state between sleeping and waking, you noticed her entrance and her actions; but feverish, almost delirious as you were, you ascribed to her a goblin appearance different from her own: the long dishevelled hair, the swelled black face, the exaggerated stature, were figments of imagination; results of nightmare: the spiteful tearing of the veil was real: and it is like her. I see you would ask why I keep such a woman in my house: when we have been married a year and a day, I will tell you; but not now. Are you satisfied, Jane? Do you accept my solution of the mystery?" I reflected, and in truth it appeared to me the only possible one: satisfied I was not, but to please him I endeavoured to appear so--relieved, I certainly did feel; so I answered him with a contented smile. And now, as it was long past one, I prepared to leave him. "Does not Sophie sleep with Adele in the nursery?" he asked, as I lit my candle. "Yes, sir." "And there is room enough in Adele's little bed for you. You must share it with her to-night, Jane: it is no wonder that the incident you have related should make you nervous, and I would rather you did not sleep alone: promise me to go to the nursery." "I shall be very glad to do so, sir." "And fasten the door securely on the inside. Wake Sophie when you go upstairs, under pretence of requesting her to rouse you in good time to- morrow; for you must be dressed and have finished breakfast before eight. And now, no more sombre thoughts: chase dull care away, Janet. Don't you hear to what soft whispers the wind has fallen? and there is no more beating of rain against the window-panes: look here" (he lifted up the curtain)--"it is a lovely night!" It was. Half heaven was pure and stainless: the clouds, now trooping before the wind, which had shifted to the west, were filing off eastward in long, silvered columns. The moon shone peacefully. "Well," said Mr. Rochester, gazing inquiringly into my eyes, "how is my Janet now?" "The night is serene, sir; and so am I." "And you will not dream of separation and sorrow to-night; but of happy love and blissful union." This prediction was but half fulfilled: I did not indeed dream of sorrow, but as little did I dream of joy; for I never slept at all. With little Adele in my arms, I watched the slumber of childhood--so tranquil, so passionless, so innocent--and waited for the coming day: all my life was awake and astir in my frame: and as soon as the sun rose I rose too. I remember Adele clung to me as I left her: I remember I kissed her as I loosened her little hands from my neck; and I cried over her with strange emotion, and quitted her because I feared my sobs would break her still sound repose. She seemed the emblem of my past life; and here I was now to array myself to meet, the dread, but adored, type of my unknown future day.

Chapters 24-25

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The next morning, Jane wakes, wondering if the previous night was just a dream. She feels transformed; even her face looks different, no longer plain. Believing Jane has taken an immoral turn, Mrs. Fairfax is cool and quiet at breakfast, but Jane feels she must let Rochester give explanations. When she walks up to the schoolroom in search of Adele, Jane finds Rochester instead. He calls her "Jane Rochester," which she finds frightening, and tells her the wedding will be in four weeks. Jane doesn't believe the wedding will actually happen -- it would be a "fairy-tale," too much happiness for a real human. Rochester vows to make the world recognize Jane's beauty, but she worries that he's trying to transform her into a costumed ape. Jane is upset by Mrs. Fairfax's response to the news of the engagement. Rather than being delighted with the relationship, Mrs. Fairfax warns Jane to maintain a distance from Rochester, because she's worried about the differences between their ages and social classes. Later that day, Jane and Rochester drive to Millcote to make purchases for the wedding, and Adele rides with them. They shop for silk and jewels, making Jane feel like a "doll." She vows to write her uncle in Madeira when she returns home, reasoning that she'd be more comfortable accepting Rochester's gifts if she knew she'd one day have her own money to contribute to the relationship. That evening, Rochester sings Jane a romantic song, but she has no intention of sinking into a "bathos of sentiment." She plans to keep her distance until after the wedding vows. In Chapter 25, all of the preparations are ready for the wedding, which takes place the next day. Jane cannot bring herself to label her luggage with the cards that say "Mrs. Rochester," because this person doesn't yet exist. Together, they eat their last dinner at Thornfield before leaving on their European honeymoon. Jane can't eat, but tells Rochester about a strange occurrence that happened the previous night, while he was away: Before Jane went to bed, she discovered a hidden gift from Rochester -- an expensive veil from London that she doubts can transform her from a plebian to a peeress. As she slept, she dreamt of a child, too young and feeble to walk, who cried in her arms. Rochester walked on a road ahead of her, but she was unable to catch him. The dream then took her to Thornfield Hall, which had become a "dreary ruin," with nothing remaining but a "shell-like wall." Trying to get a final glimpse of Rochester, she climbed the wall of Thornfield, but it collapsed, causing her to fall and drop the child. When she woke, she saw the figure of a woman in her room, someone she didn't recognize. The woman, whose face was ghastly, "savage," vampirish, threw Jane's veil over her own face. After gazing at herself in the mirror, the woman took the veil off, ripped it in two, and trampled it. Then the woman walked over to Jane's bed and peered into her face, causing her to faint for the second time in her life. When Jane woke in the morning, she discovered the veil on the floor, torn in two, so she knows the experience wasn't a dream. Rochester thanks God that Jane wasn't harmed and then suggests that the woman must have been Grace Poole. In a state between sleeping and waking, Jane simply didn't recognize her. He promises to explain everything in "a year and a day" after their marriage. Rochester insists that Jane sleep in Adele's bed this night, with the door securely fastened.

Now that Jane has accepted Rochester's proposal, he seems intent on transforming her into the ideal object of affection. Already that morning, he has sent to London to have the family jewels sent to Thornfield for Jane, and he wants her to wear satin, lace, and priceless veils. Jane worries she'll lose herself if "tricked out" in these "stage-trappings." Not only does he want to make Jane a "beauty," Rochester also wants her to be his "angel" and "comforter." Jane reminds him that she simply wants to be herself, not some "celestial" being. A flaw has become apparent in Rochester's approach to love. While he claims to dislike fortune-hunting women, such as Celine Varens or Blanche Ingram, he seems to be trying to turn Jane into one of them. In fact, she argues that if she accepted his demands, he would soon grow tired of her. As "performing ape," Jane would be no better than a kept woman, an elegantly clothed object performing for her master. Instead, Jane wants to maintain both her personality and her independence. What Rochester values in Jane is her pliancy, which allows him to shape her into the woman he desires, something that wouldn't have been possible with a powerful woman like Blanche. Rochester still has much to learn about love. Allusions to fairy tales continue in this chapter. Rochester tells Adele that Jane is the fairy from Elf-land whose errand is to make him happy. This fantasy reminds the reader that one of Rochester's primary hopes from this marriage is that it will somehow purify him: For example, he wants to revisit all of his old haunts in Europe, tracing all of his old steps, but now "healed and cleansed" by his angelic Jane. By recreating her as fairy or angel, Rochester fulfills his own fantasy of magically erasing his past transgressions and beginning a fresh, new life. But what does this fantasy offer Jane? Reduced to muse or "doll," Jane has no power over her own future. Jane makes this idea apparent when she claims Rochester gives her a smile such as a sultan would "bestow on a slave his gold and gems had enriched." Insisting that he prefers his "one little English girl" to the "Grand Turk's whole seraglio," Rochester points to Jane's powerlessness, her reduction to sex slave. Rather than becoming slave, Jane vows she will become a missionary, preaching liberty to women enslaved within harems. While her comments imply a Eurocentric understanding of eastern culture -- the enlightened Englishwoman coming to the rescue of poor, imprisoned Turkish women -- she insightfully implies that the position of English women isn't much better than that of their Turkish counterparts; both are enslaved by male despotism, which makes women objects of male desire, rather than thinking, independent subjects. Chapter 25 is filled with prophetic symbols and dreams, as Bronte prepares the reader for the climactic Chapter 26, in which Jane discovers Rochester's secret. As in the previous chapter, nature reflects the coming tragedy. The wind blows fiercely and the moon is blood-red, reflecting an excess of passion. The cloven chestnut tree symbolically foreshadows Jane's future with Rochester, both their impending separation and their ultimate union. Jane's visions of Thornfield's desolation prefigure its charred remains after Bertha Mason torches it. Critics have often seen the child in Jane's dreams as a representation of Jane's fear of marriage or of childbearing. Throughout these chapters, Jane's anxieties about a loss of identity within her marriage are apparent. Thus, her dream of the small child, "too young and feeble to walk," could easily represent her immature self, unable to create an independent identity. When she tries to speak to Rochester, she is "fettered" and "inarticulate" -- she feels she will have no power and no voice within the relationship. As with previous changes in Jane's life, this one is foreshadowed not only by dreams, but also by the appearance of a ghostly apparition, Bertha Mason. This strange woman who rends the wedding-veil in two has been viewed by critics as Jane's double. While the powerless child reflects Jane's feelings of helplessness, Bertha shows Jane's rebellion. Bertha does Jane a favor -- Jane didn't like the veil nor the sense that Rochester was trying to alter her identity by buying her expensive gifts, and her resistance is enacted through Bertha's actions. Bertha's vampiric appearance suggests that she is sucking away Rochester's lifeblood, but she also has a sexual power: The "blood-red" moon, a symbol of women's menstrual cycles, is reflected in her eyes. Like Blanche Ingram, Bertha is a woman Rochester can't control, a woman with "savage" and, probably sexual, power. Small and naive, Jane can't compete with these women. In the final image of this scene, Jane curls up in bed with Adele -- significantly, Rochester has suggested Jane spend the night locked in the nursery, once again emphasizing her childish, dependent status and his desperate attempts to shelter her from Bertha's potent and sexualized rage. Glossary sans mademoiselle? without Miss? Oh, qu'elle y sera mal--peu confortable! Oh, things will be unpleasant for her there--uncomfortable! un vrai menteur a real liar. conte de fee a fairy-tale. du reste, il n'y avait pas de fees, et quand meme il y en avait besides, there were no fairies there, and even if there were. pour me donner une contenance for me to give myself airs. tete-a-tete an intimate conversation.

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Jane Eyre.volume 3.chapter 26

chapter 26

{"name": "Chapter 26", "url": "https://web.archive.org/web/20190321135117/https://www.cliffsnotes.com/literature/j/jane-eyre/summary-and-analysis/chapter-26", "summary": "At seven o'clock on Jane's wedding day, Sophie arrives to help her dress. Jane wears the plain blond veil she has made herself, rather than the fancy veil that was destroyed by Bertha. In her wedding dress, Jane looks so different from her usual self that she seems a stranger to herself. As they drive to the church, Rochester looks grim, and Jane is so nervous that she doesn't notice whether the day is fair or foul. In the cemetery near the church, Jane observes two strangers and sees them again in the shadows of the church. When the clergyman is about to ask Rochester whether he takes Jane for his wife, a voice declares the wedding can't continue because of an \"impediment.\" Rochester has another wife who is still living: Bertha Antoinetta Mason, a Creole woman he married fifteen years ago in Jamaica. Richard Mason appears, confirming this evidence, and Rochester admits that he had planned to commit bigamy. Rochester commands everyone back to Thornfield to see his wife. Refusing to let go of Jane's hand, Rochester leads her up to the secret room on the third floor. They find Bertha groveling on all fours, running backwards and forwards like a beast. Her hair, wild as an animal's mane, hides her face. The woman attacks Rochester, almost throttling him, until finally he binds her to a chair. Briggs surprises Jane by telling her that her uncle, John Eyre, had alerted Richard Mason to the marriage. John Eyre is a business associate of Mason's, so when Jane's letter arrived, announcing her engagement, he shared the information with Mason, who was resting in Madeira on his return voyage to Jamaica. John Eyre was dying and couldn't return to England to rescue Jane, so he sent Mason instead. Everyone leaves the attic, and Jane locks herself in her room. All her hopes are dead. In this moment of despair, Jane returns to God, silently praying that he remain with her.", "analysis": "Rochester's secret has been revealed. In the previous chapter, Bertha was merely an apparition; in this one, she becomes fully flesh and blood. An insane, Creole woman, Bertha represents British fears of both foreigners and women. Part human, part beast, Bertha is Jane's double, representing all of her rage and anger over the loss of identity the marriage promises to bring. Unlike Jane, who submissively gives in to Rochester's demands, Bertha refuses to be controlled; a woman whose stature almost equals her husband's, she fights with him, showing a \"virile\" force that almost masters the athletic Rochester. Finally, she is roped to a chair, much as Jane almost was in the incident in the red-room. Post-colonialist critics, such as Gayatri Spivak, have argued that Bertha, the foreign woman, is sacrificed so that British Jane can achieve self-identity, and the novelist Jean Rhys has written a novel called The Wide Sargasso Sea that presents Bertha's life in Jamaica before her madness. Both of these women writers suggest Rochester's relationship with Bertha wasn't as innocent as he claims; as a colonialist, he was in Jamaica to make money and to overpower colonized women. In the nineteenth-century, men had almost complete legal power over women, and perhaps this lack of power contributed to Bertha's madness, just as it caused Jane's temporary insanity in the red-room. These critics remind the reader that Jane Eyre isn't merely a story critiquing the social injustices against women, but also exposing the brutality of colonialism. In the previous chapter, Jane had joked about leading a rebellion of the women in Rochester's imaginary seraglio; now she has almost become a member of that harem, but Bertha leads the resistance. Bronte's use of ice imagery in this chapter contrasts with the fiery images of the previous few chapters. In Chapter 25, for example, the wild wind and blood-red moon symbolized Jane's passion, but here all of that energy has drained away. Bertha's red eyes and virile force emphasize her excessive, crazy passions, but Jane has become a husk. Gone is the \"ardent, expectant woman,\" and in her place is the \"cold, solitary girl again.\" Jane imagines nature mimicking her desolation and chill: a Christmas frost has whirled through June, and \"ice glazed the ripe apples, drifts crushed the blowing roses; on hayfield and cornfield lay a frozen shroud.\" All the world has symbolically become icy, frozen, snowy in sympathy with Jane's dead hopes. For Jane, the world has become a white waste, a chill, stark corpse that will never revive."}

Sophie came at seven to dress me: she was very long indeed in accomplishing her task; so long that Mr. Rochester, grown, I suppose, impatient of my delay, sent up to ask why I did not come. She was just fastening my veil (the plain square of blond after all) to my hair with a brooch; I hurried from under her hands as soon as I could. "Stop!" she cried in French. "Look at yourself in the mirror: you have not taken one peep." So I turned at the door: I saw a robed and veiled figure, so unlike my usual self that it seemed almost the image of a stranger. "Jane!" called a voice, and I hastened down. I was received at the foot of the stairs by Mr. Rochester. "Lingerer!" he said, "my brain is on fire with impatience, and you tarry so long!" He took me into the dining-room, surveyed me keenly all over, pronounced me "fair as a lily, and not only the pride of his life, but the desire of his eyes," and then telling me he would give me but ten minutes to eat some breakfast, he rang the bell. One of his lately hired servants, a footman, answered it. "Is John getting the carriage ready?" "Yes, sir." "Is the luggage brought down?" "They are bringing it down, sir." "Go you to the church: see if Mr. Wood (the clergyman) and the clerk are there: return and tell me." The church, as the reader knows, was but just beyond the gates; the footman soon returned. "Mr. Wood is in the vestry, sir, putting on his surplice." "And the carriage?" "The horses are harnessing." "We shall not want it to go to church; but it must be ready the moment we return: all the boxes and luggage arranged and strapped on, and the coachman in his seat." "Yes, sir." "Jane, are you ready?" I rose. There were no groomsmen, no bridesmaids, no relatives to wait for or marshal: none but Mr. Rochester and I. Mrs. Fairfax stood in the hall as we passed. I would fain have spoken to her, but my hand was held by a grasp of iron: I was hurried along by a stride I could hardly follow; and to look at Mr. Rochester's face was to feel that not a second of delay would be tolerated for any purpose. I wonder what other bridegroom ever looked as he did--so bent up to a purpose, so grimly resolute: or who, under such steadfast brows, ever revealed such flaming and flashing eyes. I know not whether the day was fair or foul; in descending the drive, I gazed neither on sky nor earth: my heart was with my eyes; and both seemed migrated into Mr. Rochester's frame. I wanted to see the invisible thing on which, as we went along, he appeared to fasten a glance fierce and fell. I wanted to feel the thoughts whose force he seemed breasting and resisting. At the churchyard wicket he stopped: he discovered I was quite out of breath. "Am I cruel in my love?" he said. "Delay an instant: lean on me, Jane." And now I can recall the picture of the grey old house of God rising calm before me, of a rook wheeling round the steeple, of a ruddy morning sky beyond. I remember something, too, of the green grave-mounds; and I have not forgotten, either, two figures of strangers straying amongst the low hillocks and reading the mementoes graven on the few mossy head-stones. I noticed them, because, as they saw us, they passed round to the back of the church; and I doubted not they were going to enter by the side-aisle door and witness the ceremony. By Mr. Rochester they were not observed; he was earnestly looking at my face from which the blood had, I daresay, momentarily fled: for I felt my forehead dewy, and my cheeks and lips cold. When I rallied, which I soon did, he walked gently with me up the path to the porch. We entered the quiet and humble temple; the priest waited in his white surplice at the lowly altar, the clerk beside him. All was still: two shadows only moved in a remote corner. My conjecture had been correct: the strangers had slipped in before us, and they now stood by the vault of the Rochesters, their backs towards us, viewing through the rails the old time-stained marble tomb, where a kneeling angel guarded the remains of Damer de Rochester, slain at Marston Moor in the time of the civil wars, and of Elizabeth, his wife. Our place was taken at the communion rails. Hearing a cautious step behind me, I glanced over my shoulder: one of the strangers--a gentleman, evidently--was advancing up the chancel. The service began. The explanation of the intent of matrimony was gone through; and then the clergyman came a step further forward, and, bending slightly towards Mr. Rochester, went on. "I require and charge you both (as ye will answer at the dreadful day of judgment, when the secrets of all hearts shall be disclosed), that if either of you know any impediment why ye may not lawfully be joined together in matrimony, ye do now confess it; for be ye well assured that so many as are coupled together otherwise than God's Word doth allow, are not joined together by God, neither is their matrimony lawful." He paused, as the custom is. When is the pause after that sentence ever broken by reply? Not, perhaps, once in a hundred years. And the clergyman, who had not lifted his eyes from his book, and had held his breath but for a moment, was proceeding: his hand was already stretched towards Mr. Rochester, as his lips unclosed to ask, "Wilt thou have this woman for thy wedded wife?"--when a distinct and near voice said-- "The marriage cannot go on: I declare the existence of an impediment." The clergyman looked up at the speaker and stood mute; the clerk did the same; Mr. Rochester moved slightly, as if an earthquake had rolled under his feet: taking a firmer footing, and not turning his head or eyes, he said, "Proceed." Profound silence fell when he had uttered that word, with deep but low intonation. Presently Mr. Wood said-- "I cannot proceed without some investigation into what has been asserted, and evidence of its truth or falsehood." "The ceremony is quite broken off," subjoined the voice behind us. "I am in a condition to prove my allegation: an insuperable impediment to this marriage exists." Mr. Rochester heard, but heeded not: he stood stubborn and rigid, making no movement but to possess himself of my hand. What a hot and strong grasp he had! and how like quarried marble was his pale, firm, massive front at this moment! How his eye shone, still watchful, and yet wild beneath! Mr. Wood seemed at a loss. "What is the nature of the impediment?" he asked. "Perhaps it may be got over--explained away?" "Hardly," was the answer. "I have called it insuperable, and I speak advisedly." The speaker came forward and leaned on the rails. He continued, uttering each word distinctly, calmly, steadily, but not loudly-- "It simply consists in the existence of a previous marriage. Mr. Rochester has a wife now living." My nerves vibrated to those low-spoken words as they had never vibrated to thunder--my blood felt their subtle violence as it had never felt frost or fire; but I was collected, and in no danger of swooning. I looked at Mr. Rochester: I made him look at me. His whole face was colourless rock: his eye was both spark and flint. He disavowed nothing: he seemed as if he would defy all things. Without speaking, without smiling, without seeming to recognise in me a human being, he only twined my waist with his arm and riveted me to his side. "Who are you?" he asked of the intruder. "My name is Briggs, a solicitor of --- Street, London." "And you would thrust on me a wife?" "I would remind you of your lady's existence, sir, which the law recognises, if you do not." "Favour me with an account of her--with her name, her parentage, her place of abode." "Certainly." Mr. Briggs calmly took a paper from his pocket, and read out in a sort of official, nasal voice:-- "'I affirm and can prove that on the 20th of October A.D. --- (a date of fifteen years back), Edward Fairfax Rochester, of Thornfield Hall, in the county of ---, and of Ferndean Manor, in ---shire, England, was married to my sister, Bertha Antoinetta Mason, daughter of Jonas Mason, merchant, and of Antoinetta his wife, a Creole, at --- church, Spanish Town, Jamaica. The record of the marriage will be found in the register of that church--a copy of it is now in my possession. Signed, Richard Mason.'" "That--if a genuine document--may prove I have been married, but it does not prove that the woman mentioned therein as my wife is still living." "She was living three months ago," returned the lawyer. "How do you know?" "I have a witness to the fact, whose testimony even you, sir, will scarcely controvert." "Produce him--or go to hell." "I will produce him first--he is on the spot. Mr. Mason, have the goodness to step forward." Mr. Rochester, on hearing the name, set his teeth; he experienced, too, a sort of strong convulsive quiver; near to him as I was, I felt the spasmodic movement of fury or despair run through his frame. The second stranger, who had hitherto lingered in the background, now drew near; a pale face looked over the solicitor's shoulder--yes, it was Mason himself. Mr. Rochester turned and glared at him. His eye, as I have often said, was a black eye: it had now a tawny, nay, a bloody light in its gloom; and his face flushed--olive cheek and hueless forehead received a glow as from spreading, ascending heart-fire: and he stirred, lifted his strong arm--he could have struck Mason, dashed him on the church-floor, shocked by ruthless blow the breath from his body--but Mason shrank away, and cried faintly, "Good God!" Contempt fell cool on Mr. Rochester--his passion died as if a blight had shrivelled it up: he only asked--"What have _you_ to say?" An inaudible reply escaped Mason's white lips. "The devil is in it if you cannot answer distinctly. I again demand, what have you to say?" "Sir--sir," interrupted the clergyman, "do not forget you are in a sacred place." Then addressing Mason, he inquired gently, "Are you aware, sir, whether or not this gentleman's wife is still living?" "Courage," urged the lawyer,--"speak out." "She is now living at Thornfield Hall," said Mason, in more articulate tones: "I saw her there last April. I am her brother." "At Thornfield Hall!" ejaculated the clergyman. "Impossible! I am an old resident in this neighbourhood, sir, and I never heard of a Mrs. Rochester at Thornfield Hall." I saw a grim smile contort Mr. Rochester's lips, and he muttered-- "No, by God! I took care that none should hear of it--or of her under that name." He mused--for ten minutes he held counsel with himself: he formed his resolve, and announced it-- "Enough! all shall bolt out at once, like the bullet from the barrel. Wood, close your book and take off your surplice; John Green (to the clerk), leave the church: there will be no wedding to-day." The man obeyed. Mr. Rochester continued, hardily and recklessly: "Bigamy is an ugly word!--I meant, however, to be a bigamist; but fate has out-manoeuvred me, or Providence has checked me,--perhaps the last. I am little better than a devil at this moment; and, as my pastor there would tell me, deserve no doubt the sternest judgments of God, even to the quenchless fire and deathless worm. Gentlemen, my plan is broken up:--what this lawyer and his client say is true: I have been married, and the woman to whom I was married lives! You say you never heard of a Mrs. Rochester at the house up yonder, Wood; but I daresay you have many a time inclined your ear to gossip about the mysterious lunatic kept there under watch and ward. Some have whispered to you that she is my bastard half-sister: some, my cast-off mistress. I now inform you that she is my wife, whom I married fifteen years ago,--Bertha Mason by name; sister of this resolute personage, who is now, with his quivering limbs and white cheeks, showing you what a stout heart men may bear. Cheer up, Dick!--never fear me!--I'd almost as soon strike a woman as you. Bertha Mason is mad; and she came of a mad family; idiots and maniacs through three generations! Her mother, the Creole, was both a madwoman and a drunkard!--as I found out after I had wed the daughter: for they were silent on family secrets before. Bertha, like a dutiful child, copied her parent in both points. I had a charming partner--pure, wise, modest: you can fancy I was a happy man. I went through rich scenes! Oh! my experience has been heavenly, if you only knew it! But I owe you no further explanation. Briggs, Wood, Mason, I invite you all to come up to the house and visit Mrs. Poole's patient, and _my wife_! You shall see what sort of a being I was cheated into espousing, and judge whether or not I had a right to break the compact, and seek sympathy with something at least human. This girl," he continued, looking at me, "knew no more than you, Wood, of the disgusting secret: she thought all was fair and legal and never dreamt she was going to be entrapped into a feigned union with a defrauded wretch, already bound to a bad, mad, and embruted partner! Come all of you--follow!" Still holding me fast, he left the church: the three gentlemen came after. At the front door of the hall we found the carriage. "Take it back to the coach-house, John," said Mr. Rochester coolly; "it will not be wanted to-day." At our entrance, Mrs. Fairfax, Adele, Sophie, Leah, advanced to meet and greet us. "To the right-about--every soul!" cried the master; "away with your congratulations! Who wants them? Not I!--they are fifteen years too late!" He passed on and ascended the stairs, still holding my hand, and still beckoning the gentlemen to follow him, which they did. We mounted the first staircase, passed up the gallery, proceeded to the third storey: the low, black door, opened by Mr. Rochester's master-key, admitted us to the tapestried room, with its great bed and its pictorial cabinet. "You know this place, Mason," said our guide; "she bit and stabbed you here." He lifted the hangings from the wall, uncovering the second door: this, too, he opened. In a room without a window, there burnt a fire guarded by a high and strong fender, and a lamp suspended from the ceiling by a chain. Grace Poole bent over the fire, apparently cooking something in a saucepan. In the deep shade, at the farther end of the room, a figure ran backwards and forwards. What it was, whether beast or human being, one could not, at first sight, tell: it grovelled, seemingly, on all fours; it snatched and growled like some strange wild animal: but it was covered with clothing, and a quantity of dark, grizzled hair, wild as a mane, hid its head and face. "Good-morrow, Mrs. Poole!" said Mr. Rochester. "How are you? and how is your charge to-day?" "We're tolerable, sir, I thank you," replied Grace, lifting the boiling mess carefully on to the hob: "rather snappish, but not 'rageous." A fierce cry seemed to give the lie to her favourable report: the clothed hyena rose up, and stood tall on its hind-feet. "Ah! sir, she sees you!" exclaimed Grace: "you'd better not stay." "Only a few moments, Grace: you must allow me a few moments." "Take care then, sir!--for God's sake, take care!" The maniac bellowed: she parted her shaggy locks from her visage, and gazed wildly at her visitors. I recognised well that purple face,--those bloated features. Mrs. Poole advanced. "Keep out of the way," said Mr. Rochester, thrusting her aside: "she has no knife now, I suppose, and I'm on my guard." "One never knows what she has, sir: she is so cunning: it is not in mortal discretion to fathom her craft." "We had better leave her," whispered Mason. "Go to the devil!" was his brother-in-law's recommendation. "'Ware!" cried Grace. The three gentlemen retreated simultaneously. Mr. Rochester flung me behind him: the lunatic sprang and grappled his throat viciously, and laid her teeth to his cheek: they struggled. She was a big woman, in stature almost equalling her husband, and corpulent besides: she showed virile force in the contest--more than once she almost throttled him, athletic as he was. He could have settled her with a well-planted blow; but he would not strike: he would only wrestle. At last he mastered her arms; Grace Poole gave him a cord, and he pinioned them behind her: with more rope, which was at hand, he bound her to a chair. The operation was performed amidst the fiercest yells and the most convulsive plunges. Mr. Rochester then turned to the spectators: he looked at them with a smile both acrid and desolate. "That is _my wife_," said he. "Such is the sole conjugal embrace I am ever to know--such are the endearments which are to solace my leisure hours! And _this_ is what I wished to have" (laying his hand on my shoulder): "this young girl, who stands so grave and quiet at the mouth of hell, looking collectedly at the gambols of a demon, I wanted her just as a change after that fierce ragout. Wood and Briggs, look at the difference! Compare these clear eyes with the red balls yonder--this face with that mask--this form with that bulk; then judge me, priest of the gospel and man of the law, and remember with what judgment ye judge ye shall be judged! Off with you now. I must shut up my prize." We all withdrew. Mr. Rochester stayed a moment behind us, to give some further order to Grace Poole. The solicitor addressed me as he descended the stair. "You, madam," said he, "are cleared from all blame: your uncle will be glad to hear it--if, indeed, he should be still living--when Mr. Mason returns to Madeira." "My uncle! What of him? Do you know him?" "Mr. Mason does. Mr. Eyre has been the Funchal correspondent of his house for some years. When your uncle received your letter intimating the contemplated union between yourself and Mr. Rochester, Mr. Mason, who was staying at Madeira to recruit his health, on his way back to Jamaica, happened to be with him. Mr. Eyre mentioned the intelligence; for he knew that my client here was acquainted with a gentleman of the name of Rochester. Mr. Mason, astonished and distressed as you may suppose, revealed the real state of matters. Your uncle, I am sorry to say, is now on a sick bed; from which, considering the nature of his disease--decline--and the stage it has reached, it is unlikely he will ever rise. He could not then hasten to England himself, to extricate you from the snare into which you had fallen, but he implored Mr. Mason to lose no time in taking steps to prevent the false marriage. He referred him to me for assistance. I used all despatch, and am thankful I was not too late: as you, doubtless, must be also. Were I not morally certain that your uncle will be dead ere you reach Madeira, I would advise you to accompany Mr. Mason back; but as it is, I think you had better remain in England till you can hear further, either from or of Mr. Eyre. Have we anything else to stay for?" he inquired of Mr. Mason. "No, no--let us be gone," was the anxious reply; and without waiting to take leave of Mr. Rochester, they made their exit at the hall door. The clergyman stayed to exchange a few sentences, either of admonition or reproof, with his haughty parishioner; this duty done, he too departed. I heard him go as I stood at the half-open door of my own room, to which I had now withdrawn. The house cleared, I shut myself in, fastened the bolt that none might intrude, and proceeded--not to weep, not to mourn, I was yet too calm for that, but--mechanically to take off the wedding dress, and replace it by the stuff gown I had worn yesterday, as I thought, for the last time. I then sat down: I felt weak and tired. I leaned my arms on a table, and my head dropped on them. And now I thought: till now I had only heard, seen, moved--followed up and down where I was led or dragged--watched event rush on event, disclosure open beyond disclosure: but _now_, _I thought_. The morning had been a quiet morning enough--all except the brief scene with the lunatic: the transaction in the church had not been noisy; there was no explosion of passion, no loud altercation, no dispute, no defiance or challenge, no tears, no sobs: a few words had been spoken, a calmly pronounced objection to the marriage made; some stern, short questions put by Mr. Rochester; answers, explanations given, evidence adduced; an open admission of the truth had been uttered by my master; then the living proof had been seen; the intruders were gone, and all was over. I was in my own room as usual--just myself, without obvious change: nothing had smitten me, or scathed me, or maimed me. And yet where was the Jane Eyre of yesterday?--where was her life?--where were her prospects? Jane Eyre, who had been an ardent, expectant woman--almost a bride, was a cold, solitary girl again: her life was pale; her prospects were desolate. A Christmas frost had come at midsummer; a white December storm had whirled over June; ice glazed the ripe apples, drifts crushed the blowing roses; on hayfield and cornfield lay a frozen shroud: lanes which last night blushed full of flowers, to-day were pathless with untrodden snow; and the woods, which twelve hours since waved leafy and flagrant as groves between the tropics, now spread, waste, wild, and white as pine-forests in wintry Norway. My hopes were all dead--struck with a subtle doom, such as, in one night, fell on all the first-born in the land of Egypt. I looked on my cherished wishes, yesterday so blooming and glowing; they lay stark, chill, livid corpses that could never revive. I looked at my love: that feeling which was my master's--which he had created; it shivered in my heart, like a suffering child in a cold cradle; sickness and anguish had seized it; it could not seek Mr. Rochester's arms--it could not derive warmth from his breast. Oh, never more could it turn to him; for faith was blighted--confidence destroyed! Mr. Rochester was not to me what he had been; for he was not what I had thought him. I would not ascribe vice to him; I would not say he had betrayed me; but the attribute of stainless truth was gone from his idea, and from his presence I must go: _that_ I perceived well. When--how--whither, I could not yet discern; but he himself, I doubted not, would hurry me from Thornfield. Real affection, it seemed, he could not have for me; it had been only fitful passion: that was balked; he would want me no more. I should fear even to cross his path now: my view must be hateful to him. Oh, how blind had been my eyes! How weak my conduct! My eyes were covered and closed: eddying darkness seemed to swim round me, and reflection came in as black and confused a flow. Self-abandoned, relaxed, and effortless, I seemed to have laid me down in the dried-up bed of a great river; I heard a flood loosened in remote mountains, and felt the torrent come: to rise I had no will, to flee I had no strength. I lay faint, longing to be dead. One idea only still throbbed life-like within me--a remembrance of God: it begot an unuttered prayer: these words went wandering up and down in my rayless mind, as something that should be whispered, but no energy was found to express them-- "Be not far from me, for trouble is near: there is none to help." It was near: and as I had lifted no petition to Heaven to avert it--as I had neither joined my hands, nor bent my knees, nor moved my lips--it came: in full heavy swing the torrent poured over me. The whole consciousness of my life lorn, my love lost, my hope quenched, my faith death-struck, swayed full and mighty above me in one sullen mass. That bitter hour cannot be described: in truth, "the waters came into my soul; I sank in deep mire: I felt no standing; I came into deep waters; the floods overflowed me."

Chapter 26

https://web.archive.org/web/20190321135117/https://www.cliffsnotes.com/literature/j/jane-eyre/summary-and-analysis/chapter-26

At seven o'clock on Jane's wedding day, Sophie arrives to help her dress. Jane wears the plain blond veil she has made herself, rather than the fancy veil that was destroyed by Bertha. In her wedding dress, Jane looks so different from her usual self that she seems a stranger to herself. As they drive to the church, Rochester looks grim, and Jane is so nervous that she doesn't notice whether the day is fair or foul. In the cemetery near the church, Jane observes two strangers and sees them again in the shadows of the church. When the clergyman is about to ask Rochester whether he takes Jane for his wife, a voice declares the wedding can't continue because of an "impediment." Rochester has another wife who is still living: Bertha Antoinetta Mason, a Creole woman he married fifteen years ago in Jamaica. Richard Mason appears, confirming this evidence, and Rochester admits that he had planned to commit bigamy. Rochester commands everyone back to Thornfield to see his wife. Refusing to let go of Jane's hand, Rochester leads her up to the secret room on the third floor. They find Bertha groveling on all fours, running backwards and forwards like a beast. Her hair, wild as an animal's mane, hides her face. The woman attacks Rochester, almost throttling him, until finally he binds her to a chair. Briggs surprises Jane by telling her that her uncle, John Eyre, had alerted Richard Mason to the marriage. John Eyre is a business associate of Mason's, so when Jane's letter arrived, announcing her engagement, he shared the information with Mason, who was resting in Madeira on his return voyage to Jamaica. John Eyre was dying and couldn't return to England to rescue Jane, so he sent Mason instead. Everyone leaves the attic, and Jane locks herself in her room. All her hopes are dead. In this moment of despair, Jane returns to God, silently praying that he remain with her.

Rochester's secret has been revealed. In the previous chapter, Bertha was merely an apparition; in this one, she becomes fully flesh and blood. An insane, Creole woman, Bertha represents British fears of both foreigners and women. Part human, part beast, Bertha is Jane's double, representing all of her rage and anger over the loss of identity the marriage promises to bring. Unlike Jane, who submissively gives in to Rochester's demands, Bertha refuses to be controlled; a woman whose stature almost equals her husband's, she fights with him, showing a "virile" force that almost masters the athletic Rochester. Finally, she is roped to a chair, much as Jane almost was in the incident in the red-room. Post-colonialist critics, such as Gayatri Spivak, have argued that Bertha, the foreign woman, is sacrificed so that British Jane can achieve self-identity, and the novelist Jean Rhys has written a novel called The Wide Sargasso Sea that presents Bertha's life in Jamaica before her madness. Both of these women writers suggest Rochester's relationship with Bertha wasn't as innocent as he claims; as a colonialist, he was in Jamaica to make money and to overpower colonized women. In the nineteenth-century, men had almost complete legal power over women, and perhaps this lack of power contributed to Bertha's madness, just as it caused Jane's temporary insanity in the red-room. These critics remind the reader that Jane Eyre isn't merely a story critiquing the social injustices against women, but also exposing the brutality of colonialism. In the previous chapter, Jane had joked about leading a rebellion of the women in Rochester's imaginary seraglio; now she has almost become a member of that harem, but Bertha leads the resistance. Bronte's use of ice imagery in this chapter contrasts with the fiery images of the previous few chapters. In Chapter 25, for example, the wild wind and blood-red moon symbolized Jane's passion, but here all of that energy has drained away. Bertha's red eyes and virile force emphasize her excessive, crazy passions, but Jane has become a husk. Gone is the "ardent, expectant woman," and in her place is the "cold, solitary girl again." Jane imagines nature mimicking her desolation and chill: a Christmas frost has whirled through June, and "ice glazed the ripe apples, drifts crushed the blowing roses; on hayfield and cornfield lay a frozen shroud." All the world has symbolically become icy, frozen, snowy in sympathy with Jane's dead hopes. For Jane, the world has become a white waste, a chill, stark corpse that will never revive.

cliffnotes

all_chapterized_books/1260-chapters/28.txt

finished_summaries/cliffnotes/Jane Eyre/section_21_part_0.txt

Jane Eyre.volume 3.chapter 27

chapter 27

{"name": "Chapter 27", "url": "https://web.archive.org/web/20190321135117/https://www.cliffsnotes.com/literature/j/jane-eyre/summary-and-analysis/chapter-27", "summary": "Later that afternoon, Jane awakes, wondering what she should do: Leave Thornfield at once is the answer. At first, she doesn't think she can leave Rochester, but an inner voice tells her she both can and should. Jane leaves her room, tripping over Rochester, who sits in a chair outside the door. He carries her down to the library, offering her wine and food. Rochester plans to lock Thornfield up, send Adele away to school, and escape with Jane to a villa in the south of France, where they would live \"both virtually and nominally\" as husband and wife. Jane won't accept his logic; if she lived with him, she would be his mistress, a position she doesn't want. Afraid of his passionate nature, Jane calls to God for help. Rochester tells Jane the history of his family: His greedy father left all of his estate to Rochester's older brother Rowland, so that the property wouldn't be divided. When Rochester left college, he was sent to Jamaica to marry Bertha, who supposedly would receive a fortune of thirty thousand pounds. Bertha was a beautiful woman, tall and majestic like Blanche Ingram. Bertha seemed to be a dazzling woman and Rochester was aroused by her. He mistook this lust for love. Before he knew it, they were married. After the honeymoon, Rochester learned that Bertha's mother was shut in an asylum and her younger brother was mentally challenged. Ultimately, Bertha's excesses led her into premature insanity. Rochester contemplates suicide, but then decides to return to Europe with Bertha. Both his father and brother are dead, and no one else knows of his marriage. Rochester spends the next ten years searching for a woman to love, but finds only mistresses. From his story, Jane realizes she can never live with Rochester; she would become simply another of his now-despised mistresses. That night, Jane dreams her mother, transformed from the moon, whispers into her heart, \"My daughter, flee temptation.\" Jane does. She packs up a few trinkets, grabs her purse, which contains a mere twenty shillings, and steals away. Walking past Rochester's room, Jane knows she could find a \"temporary heaven\" there, but she refuses to accept it. Instead, she sneaks out of the house, beginning a journey far away from Thornfield.", "analysis": "In this chapter, Jane learns more about Rochester's past, particularly his relationship with Bertha. Much of this information hinges on the problem of excessive sexuality. As Rochester constantly reminds Jane, he is not \"cool and dispassionate\"; instead, he seems to devour her with his \"flaming glance.\" His passionate nature seems to have contributed to his marriage, and to his current problems. When he first arrived in Spanish Town, Rochester found Bertha dazzling, splendid, and lavish, all qualities that excited his senses. But he soon discovers that she is sexually excessive: \"coarse,\" \"perverse,\" \"intemperate,\" and \"unchaste.\" Rochester implicitly suggests his inability to control Bertha then hinges on her sexuality: She chose her own sexual partners, refusing to maintain the monogamy required by British moral standards. While he criticizes Bertha's sexual excess, Rochester participates in his own with his three mistresses -- Celine, Giacinta, and Clara -- and his current attempt to make Jane part of the harem. When he tries to accuse Jane of flinging him back to \"lust for a passion -- vice for an occupation,\" she reminds him that these are his choices. She senses that his passion is out of control -- he's in a \"fury\" and glowing like a furnace, with \"fire\" flashing from his eyes -- and Jane needs to walk away from the relationship until he has learned self-control and until she can enter the relationship on a more equal footing. These are not lessons Jane wants to learn. To keep herself from the \"temporary heaven\" of Rochester's bedroom, Jane hears prophetic voices that guide her on the path of moral righteousness. When the chapter begins, a voice instructs her to leave Thornfield at once. Later, a kinder voice, the moon transformed into the \"white human form\" of her mother, insists she flee the temptations in Rochester's thorny field. Therefore, Jane sets out on the next stage of her quest: to regain her personal identity, almost lost through her consuming passion for Rochester. Significantly, when she leaves Thornfield, Jane takes only a few trinkets with her -- no extra clothes, nothing to remind her of her past life, nothing associated with the \"visionary\" bride she had almost become. Jane is slowly stripping herself down to nothing, so she'll be able to rebuild herself from nothing. Her future is now \"an awful blank: something like the world when the deluge was gone by.\" Just like the passengers on Noah's Ark after the rains subsided, Jane is beginning life with nothing but a great emptiness."}

Some time in the afternoon I raised my head, and looking round and seeing the western sun gilding the sign of its decline on the wall, I asked, "What am I to do?" But the answer my mind gave--"Leave Thornfield at once"--was so prompt, so dread, that I stopped my ears. I said I could not bear such words now. "That I am not Edward Rochester's bride is the least part of my woe," I alleged: "that I have wakened out of most glorious dreams, and found them all void and vain, is a horror I could bear and master; but that I must leave him decidedly, instantly, entirely, is intolerable. I cannot do it." But, then, a voice within me averred that I could do it and foretold that I should do it. I wrestled with my own resolution: I wanted to be weak that I might avoid the awful passage of further suffering I saw laid out for me; and Conscience, turned tyrant, held Passion by the throat, told her tauntingly, she had yet but dipped her dainty foot in the slough, and swore that with that arm of iron he would thrust her down to unsounded depths of agony. "Let me be torn away," then I cried. "Let another help me!" "No; you shall tear yourself away, none shall help you: you shall yourself pluck out your right eye; yourself cut off your right hand: your heart shall be the victim, and you the priest to transfix it." I rose up suddenly, terror-struck at the solitude which so ruthless a judge haunted,--at the silence which so awful a voice filled. My head swam as I stood erect. I perceived that I was sickening from excitement and inanition; neither meat nor drink had passed my lips that day, for I had taken no breakfast. And, with a strange pang, I now reflected that, long as I had been shut up here, no message had been sent to ask how I was, or to invite me to come down: not even little Adele had tapped at the door; not even Mrs. Fairfax had sought me. "Friends always forget those whom fortune forsakes," I murmured, as I undrew the bolt and passed out. I stumbled over an obstacle: my head was still dizzy, my sight was dim, and my limbs were feeble. I could not soon recover myself. I fell, but not on to the ground: an outstretched arm caught me. I looked up--I was supported by Mr. Rochester, who sat in a chair across my chamber threshold. "You come out at last," he said. "Well, I have been waiting for you long, and listening: yet not one movement have I heard, nor one sob: five minutes more of that death-like hush, and I should have forced the lock like a burglar. So you shun me?--you shut yourself up and grieve alone! I would rather you had come and upbraided me with vehemence. You are passionate. I expected a scene of some kind. I was prepared for the hot rain of tears; only I wanted them to be shed on my breast: now a senseless floor has received them, or your drenched handkerchief. But I err: you have not wept at all! I see a white cheek and a faded eye, but no trace of tears. I suppose, then, your heart has been weeping blood?" "Well, Jane! not a word of reproach? Nothing bitter--nothing poignant? Nothing to cut a feeling or sting a passion? You sit quietly where I have placed you, and regard me with a weary, passive look." "Jane, I never meant to wound you thus. If the man who had but one little ewe lamb that was dear to him as a daughter, that ate of his bread and drank of his cup, and lay in his bosom, had by some mistake slaughtered it at the shambles, he would not have rued his bloody blunder more than I now rue mine. Will you ever forgive me?" Reader, I forgave him at the moment and on the spot. There was such deep remorse in his eye, such true pity in his tone, such manly energy in his manner; and besides, there was such unchanged love in his whole look and mien--I forgave him all: yet not in words, not outwardly; only at my heart's core. "You know I am a scoundrel, Jane?" ere long he inquired wistfully--wondering, I suppose, at my continued silence and tameness, the result rather of weakness than of will. "Yes, sir." "Then tell me so roundly and sharply--don't spare me." "I cannot: I am tired and sick. I want some water." He heaved a sort of shuddering sigh, and taking me in his arms, carried me downstairs. At first I did not know to what room he had borne me; all was cloudy to my glazed sight: presently I felt the reviving warmth of a fire; for, summer as it was, I had become icy cold in my chamber. He put wine to my lips; I tasted it and revived; then I ate something he offered me, and was soon myself. I was in the library--sitting in his chair--he was quite near. "If I could go out of life now, without too sharp a pang, it would be well for me," I thought; "then I should not have to make the effort of cracking my heart-strings in rending them from among Mr. Rochester's. I must leave him, it appears. I do not want to leave him--I cannot leave him." "How are you now, Jane?" "Much better, sir; I shall be well soon." "Taste the wine again, Jane." I obeyed him; then he put the glass on the table, stood before me, and looked at me attentively. Suddenly he turned away, with an inarticulate exclamation, full of passionate emotion of some kind; he walked fast through the room and came back; he stooped towards me as if to kiss me; but I remembered caresses were now forbidden. I turned my face away and put his aside. "What!--How is this?" he exclaimed hastily. "Oh, I know! you won't kiss the husband of Bertha Mason? You consider my arms filled and my embraces appropriated?" "At any rate, there is neither room nor claim for me, sir." "Why, Jane? I will spare you the trouble of much talking; I will answer for you--Because I have a wife already, you would reply.--I guess rightly?" "Yes." "If you think so, you must have a strange opinion of me; you must regard me as a plotting profligate--a base and low rake who has been simulating disinterested love in order to draw you into a snare deliberately laid, and strip you of honour and rob you of self-respect. What do you say to that? I see you can say nothing in the first place, you are faint still, and have enough to do to draw your breath; in the second place, you cannot yet accustom yourself to accuse and revile me, and besides, the flood-gates of tears are opened, and they would rush out if you spoke much; and you have no desire to expostulate, to upbraid, to make a scene: you are thinking how _to act_--_talking_ you consider is of no use. I know you--I am on my guard." "Sir, I do not wish to act against you," I said; and my unsteady voice warned me to curtail my sentence. "Not in your sense of the word, but in mine you are scheming to destroy me. You have as good as said that I am a married man--as a married man you will shun me, keep out of my way: just now you have refused to kiss me. You intend to make yourself a complete stranger to me: to live under this roof only as Adele's governess; if ever I say a friendly word to you, if ever a friendly feeling inclines you again to me, you will say,--'That man had nearly made me his mistress: I must be ice and rock to him;' and ice and rock you will accordingly become." I cleared and steadied my voice to reply: "All is changed about me, sir; I must change too--there is no doubt of that; and to avoid fluctuations of feeling, and continual combats with recollections and associations, there is only one way--Adele must have a new governess, sir." "Oh, Adele will go to school--I have settled that already; nor do I mean to torment you with the hideous associations and recollections of Thornfield Hall--this accursed place--this tent of Achan--this insolent vault, offering the ghastliness of living death to the light of the open sky--this narrow stone hell, with its one real fiend, worse than a legion of such as we imagine. Jane, you shall not stay here, nor will I. I was wrong ever to bring you to Thornfield Hall, knowing as I did how it was haunted. I charged them to conceal from you, before I ever saw you, all knowledge of the curse of the place; merely because I feared Adele never would have a governess to stay if she knew with what inmate she was housed, and my plans would not permit me to remove the maniac elsewhere--though I possess an old house, Ferndean Manor, even more retired and hidden than this, where I could have lodged her safely enough, had not a scruple about the unhealthiness of the situation, in the heart of a wood, made my conscience recoil from the arrangement. Probably those damp walls would soon have eased me of her charge: but to each villain his own vice; and mine is not a tendency to indirect assassination, even of what I most hate. "Concealing the mad-woman's neighbourhood from you, however, was something like covering a child with a cloak and laying it down near a upas-tree: that demon's vicinage is poisoned, and always was. But I'll shut up Thornfield Hall: I'll nail up the front door and board the lower windows: I'll give Mrs. Poole two hundred a year to live here with _my wife_, as you term that fearful hag: Grace will do much for money, and she shall have her son, the keeper at Grimsby Retreat, to bear her company and be at hand to give her aid in the paroxysms, when _my wife_ is prompted by her familiar to burn people in their beds at night, to stab them, to bite their flesh from their bones, and so on--" "Sir," I interrupted him, "you are inexorable for that unfortunate lady: you speak of her with hate--with vindictive antipathy. It is cruel--she cannot help being mad." "Jane, my little darling (so I will call you, for so you are), you don't know what you are talking about; you misjudge me again: it is not because she is mad I hate her. If you were mad, do you think I should hate you?" "I do indeed, sir." "Then you are mistaken, and you know nothing about me, and nothing about the sort of love of which I am capable. Every atom of your flesh is as dear to me as my own: in pain and sickness it would still be dear. Your mind is my treasure, and if it were broken, it would be my treasure still: if you raved, my arms should confine you, and not a strait waistcoat--your grasp, even in fury, would have a charm for me: if you flew at me as wildly as that woman did this morning, I should receive you in an embrace, at least as fond as it would be restrictive. I should not shrink from you with disgust as I did from her: in your quiet moments you should have no watcher and no nurse but me; and I could hang over you with untiring tenderness, though you gave me no smile in return; and never weary of gazing into your eyes, though they had no longer a ray of recognition for me.--But why do I follow that train of ideas? I was talking of removing you from Thornfield. All, you know, is prepared for prompt departure: to-morrow you shall go. I only ask you to endure one more night under this roof, Jane; and then, farewell to its miseries and terrors for ever! I have a place to repair to, which will be a secure sanctuary from hateful reminiscences, from unwelcome intrusion--even from falsehood and slander." "And take Adele with you, sir," I interrupted; "she will be a companion for you." "What do you mean, Jane? I told you I would send Adele to school; and what do I want with a child for a companion, and not my own child,--a French dancer's bastard? Why do you importune me about her! I say, why do you assign Adele to me for a companion?" "You spoke of a retirement, sir; and retirement and solitude are dull: too dull for you." "Solitude! solitude!" he reiterated with irritation. "I see I must come to an explanation. I don't know what sphynx-like expression is forming in your countenance. You are to share my solitude. Do you understand?" I shook my head: it required a degree of courage, excited as he was becoming, even to risk that mute sign of dissent. He had been walking fast about the room, and he stopped, as if suddenly rooted to one spot. He looked at me long and hard: I turned my eyes from him, fixed them on the fire, and tried to assume and maintain a quiet, collected aspect. "Now for the hitch in Jane's character," he said at last, speaking more calmly than from his look I had expected him to speak. "The reel of silk has run smoothly enough so far; but I always knew there would come a knot and a puzzle: here it is. Now for vexation, and exasperation, and endless trouble! By God! I long to exert a fraction of Samson's strength, and break the entanglement like tow!" He recommenced his walk, but soon again stopped, and this time just before me. "Jane! will you hear reason?" (he stooped and approached his lips to my ear); "because, if you won't, I'll try violence." His voice was hoarse; his look that of a man who is just about to burst an insufferable bond and plunge headlong into wild license. I saw that in another moment, and with one impetus of frenzy more, I should be able to do nothing with him. The present--the passing second of time--was all I had in which to control and restrain him--a movement of repulsion, flight, fear would have sealed my doom,--and his. But I was not afraid: not in the least. I felt an inward power; a sense of influence, which supported me. The crisis was perilous; but not without its charm: such as the Indian, perhaps, feels when he slips over the rapid in his canoe. I took hold of his clenched hand, loosened the contorted fingers, and said to him, soothingly-- "Sit down; I'll talk to you as long as you like, and hear all you have to say, whether reasonable or unreasonable." He sat down: but he did not get leave to speak directly. I had been struggling with tears for some time: I had taken great pains to repress them, because I knew he would not like to see me weep. Now, however, I considered it well to let them flow as freely and as long as they liked. If the flood annoyed him, so much the better. So I gave way and cried heartily. Soon I heard him earnestly entreating me to be composed. I said I could not while he was in such a passion. "But I am not angry, Jane: I only love you too well; and you had steeled your little pale face with such a resolute, frozen look, I could not endure it. Hush, now, and wipe your eyes." His softened voice announced that he was subdued; so I, in my turn, became calm. Now he made an effort to rest his head on my shoulder, but I would not permit it. Then he would draw me to him: no. "Jane! Jane!" he said, in such an accent of bitter sadness it thrilled along every nerve I had; "you don't love me, then? It was only my station, and the rank of my wife, that you valued? Now that you think me disqualified to become your husband, you recoil from my touch as if I were some toad or ape." These words cut me: yet what could I do or I say? I ought probably to have done or said nothing; but I was so tortured by a sense of remorse at thus hurting his feelings, I could not control the wish to drop balm where I had wounded. "I _do_ love you," I said, "more than ever: but I must not show or indulge the feeling: and this is the last time I must express it." "The last time, Jane! What! do you think you can live with me, and see me daily, and yet, if you still love me, be always cold and distant?" "No, sir; that I am certain I could not; and therefore I see there is but one way: but you will be furious if I mention it." "Oh, mention it! If I storm, you have the art of weeping." "Mr. Rochester, I must leave you." "For how long, Jane? For a few minutes, while you smooth your hair--which is somewhat dishevelled; and bathe your face--which looks feverish?" "I must leave Adele and Thornfield. I must part with you for my whole life: I must begin a new existence among strange faces and strange scenes." "Of course: I told you you should. I pass over the madness about parting from me. You mean you must become a part of me. As to the new existence, it is all right: you shall yet be my wife: I am not married. You shall be Mrs. Rochester--both virtually and nominally. I shall keep only to you so long as you and I live. You shall go to a place I have in the south of France: a whitewashed villa on the shores of the Mediterranean. There you shall live a happy, and guarded, and most innocent life. Never fear that I wish to lure you into error--to make you my mistress. Why did you shake your head? Jane, you must be reasonable, or in truth I shall again become frantic." His voice and hand quivered: his large nostrils dilated; his eye blazed: still I dared to speak. "Sir, your wife is living: that is a fact acknowledged this morning by yourself. If I lived with you as you desire, I should then be your mistress: to say otherwise is sophistical--is false." "Jane, I am not a gentle-tempered man--you forget that: I am not long- enduring; I am not cool and dispassionate. Out of pity to me and yourself, put your finger on my pulse, feel how it throbs, and--beware!" He bared his wrist, and offered it to me: the blood was forsaking his cheek and lips, they were growing livid; I was distressed on all hands. To agitate him thus deeply, by a resistance he so abhorred, was cruel: to yield was out of the question. I did what human beings do instinctively when they are driven to utter extremity--looked for aid to one higher than man: the words "God help me!" burst involuntarily from my lips. "I am a fool!" cried Mr. Rochester suddenly. "I keep telling her I am not married, and do not explain to her why. I forget she knows nothing of the character of that woman, or of the circumstances attending my infernal union with her. Oh, I am certain Jane will agree with me in opinion, when she knows all that I know! Just put your hand in mine, Janet--that I may have the evidence of touch as well as sight, to prove you are near me--and I will in a few words show you the real state of the case. Can you listen to me?" "Yes, sir; for hours if you will." "I ask only minutes. Jane, did you ever hear or know that I was not the eldest son of my house: that I had once a brother older than I?" "I remember Mrs. Fairfax told me so once." "And did you ever hear that my father was an avaricious, grasping man?" "I have understood something to that effect." "Well, Jane, being so, it was his resolution to keep the property together; he could not bear the idea of dividing his estate and leaving me a fair portion: all, he resolved, should go to my brother, Rowland. Yet as little could he endure that a son of his should be a poor man. I must be provided for by a wealthy marriage. He sought me a partner betimes. Mr. Mason, a West India planter and merchant, was his old acquaintance. He was certain his possessions were real and vast: he made inquiries. Mr. Mason, he found, had a son and daughter; and he learned from him that he could and would give the latter a fortune of thirty thousand pounds: that sufficed. When I left college, I was sent out to Jamaica, to espouse a bride already courted for me. My father said nothing about her money; but he told me Miss Mason was the boast of Spanish Town for her beauty: and this was no lie. I found her a fine woman, in the style of Blanche Ingram: tall, dark, and majestic. Her family wished to secure me because I was of a good race; and so did she. They showed her to me in parties, splendidly dressed. I seldom saw her alone, and had very little private conversation with her. She flattered me, and lavishly displayed for my pleasure her charms and accomplishments. All the men in her circle seemed to admire her and envy me. I was dazzled, stimulated: my senses were excited; and being ignorant, raw, and inexperienced, I thought I loved her. There is no folly so besotted that the idiotic rivalries of society, the prurience, the rashness, the blindness of youth, will not hurry a man to its commission. Her relatives encouraged me; competitors piqued me; she allured me: a marriage was achieved almost before I knew where I was. Oh, I have no respect for myself when I think of that act!--an agony of inward contempt masters me. I never loved, I never esteemed, I did not even know her. I was not sure of the existence of one virtue in her nature: I had marked neither modesty, nor benevolence, nor candour, nor refinement in her mind or manners--and, I married her:--gross, grovelling, mole-eyed blockhead that I was! With less sin I might have--But let me remember to whom I am speaking." "My bride's mother I had never seen: I understood she was dead. The honeymoon over, I learned my mistake; she was only mad, and shut up in a lunatic asylum. There was a younger brother, too--a complete dumb idiot. The elder one, whom you have seen (and whom I cannot hate, whilst I abhor all his kindred, because he has some grains of affection in his feeble mind, shown in the continued interest he takes in his wretched sister, and also in a dog-like attachment he once bore me), will probably be in the same state one day. My father and my brother Rowland knew all this; but they thought only of the thirty thousand pounds, and joined in the plot against me." "These were vile discoveries; but except for the treachery of concealment, I should have made them no subject of reproach to my wife, even when I found her nature wholly alien to mine, her tastes obnoxious to me, her cast of mind common, low, narrow, and singularly incapable of being led to anything higher, expanded to anything larger--when I found that I could not pass a single evening, nor even a single hour of the day with her in comfort; that kindly conversation could not be sustained between us, because whatever topic I started, immediately received from her a turn at once coarse and trite, perverse and imbecile--when I perceived that I should never have a quiet or settled household, because no servant would bear the continued outbreaks of her violent and unreasonable temper, or the vexations of her absurd, contradictory, exacting orders--even then I restrained myself: I eschewed upbraiding, I curtailed remonstrance; I tried to devour my repentance and disgust in secret; I repressed the deep antipathy I felt. "Jane, I will not trouble you with abominable details: some strong words shall express what I have to say. I lived with that woman upstairs four years, and before that time she had tried me indeed: her character ripened and developed with frightful rapidity; her vices sprang up fast and rank: they were so strong, only cruelty could check them, and I would not use cruelty. What a pigmy intellect she had, and what giant propensities! How fearful were the curses those propensities entailed on me! Bertha Mason, the true daughter of an infamous mother, dragged me through all the hideous and degrading agonies which must attend a man bound to a wife at once intemperate and unchaste. "My brother in the interval was dead, and at the end of the four years my father died too. I was rich enough now--yet poor to hideous indigence: a nature the most gross, impure, depraved I ever saw, was associated with mine, and called by the law and by society a part of me. And I could not rid myself of it by any legal proceedings: for the doctors now discovered that _my wife_ was mad--her excesses had prematurely developed the germs of insanity. Jane, you don't like my narrative; you look almost sick--shall I defer the rest to another day?" "No, sir, finish it now; I pity you--I do earnestly pity you." "Pity, Jane, from some people is a noxious and insulting sort of tribute, which one is justified in hurling back in the teeth of those who offer it; but that is the sort of pity native to callous, selfish hearts; it is a hybrid, egotistical pain at hearing of woes, crossed with ignorant contempt for those who have endured them. But that is not your pity, Jane; it is not the feeling of which your whole face is full at this moment--with which your eyes are now almost overflowing--with which your heart is heaving--with which your hand is trembling in mine. Your pity, my darling, is the suffering mother of love: its anguish is the very natal pang of the divine passion. I accept it, Jane; let the daughter have free advent--my arms wait to receive her." "Now, sir, proceed; what did you do when you found she was mad?" "Jane, I approached the verge of despair; a remnant of self-respect was all that intervened between me and the gulf. In the eyes of the world, I was doubtless covered with grimy dishonour; but I resolved to be clean in my own sight--and to the last I repudiated the contamination of her crimes, and wrenched myself from connection with her mental defects. Still, society associated my name and person with hers; I yet saw her and heard her daily: something of her breath (faugh!) mixed with the air I breathed; and besides, I remembered I had once been her husband--that recollection was then, and is now, inexpressibly odious to me; moreover, I knew that while she lived I could never be the husband of another and better wife; and, though five years my senior (her family and her father had lied to me even in the particular of her age), she was likely to live as long as I, being as robust in frame as she was infirm in mind. Thus, at the age of twenty-six, I was hopeless. "One night I had been awakened by her yells--(since the medical men had pronounced her mad, she had, of course, been shut up)--it was a fiery West Indian night; one of the description that frequently precede the hurricanes of those climates. Being unable to sleep in bed, I got up and opened the window. The air was like sulphur-steams--I could find no refreshment anywhere. Mosquitoes came buzzing in and hummed sullenly round the room; the sea, which I could hear from thence, rumbled dull like an earthquake--black clouds were casting up over it; the moon was setting in the waves, broad and red, like a hot cannon-ball--she threw her last bloody glance over a world quivering with the ferment of tempest. I was physically influenced by the atmosphere and scene, and my ears were filled with the curses the maniac still shrieked out; wherein she momentarily mingled my name with such a tone of demon-hate, with such language!--no professed harlot ever had a fouler vocabulary than she: though two rooms off, I heard every word--the thin partitions of the West India house opposing but slight obstruction to her wolfish cries. "'This life,' said I at last, 'is hell: this is the air--those are the sounds of the bottomless pit! I have a right to deliver myself from it if I can. The sufferings of this mortal state will leave me with the heavy flesh that now cumbers my soul. Of the fanatic's burning eternity I have no fear: there is not a future state worse than this present one--let me break away, and go home to God!' "I said this whilst I knelt down at, and unlocked a trunk which contained a brace of loaded pistols: I mean to shoot myself. I only entertained the intention for a moment; for, not being insane, the crisis of exquisite and unalloyed despair, which had originated the wish and design of self-destruction, was past in a second. "A wind fresh from Europe blew over the ocean and rushed through the open casement: the storm broke, streamed, thundered, blazed, and the air grew pure. I then framed and fixed a resolution. While I walked under the dripping orange-trees of my wet garden, and amongst its drenched pomegranates and pine-apples, and while the refulgent dawn of the tropics kindled round me--I reasoned thus, Jane--and now listen; for it was true Wisdom that consoled me in that hour, and showed me the right path to follow. "The sweet wind from Europe was still whispering in the refreshed leaves, and the Atlantic was thundering in glorious liberty; my heart, dried up and scorched for a long time, swelled to the tone, and filled with living blood--my being longed for renewal--my soul thirsted for a pure draught. I saw hope revive--and felt regeneration possible. From a flowery arch at the bottom of my garden I gazed over the sea--bluer than the sky: the old world was beyond; clear prospects opened thus:-- "'Go,' said Hope, 'and live again in Europe: there it is not known what a sullied name you bear, nor what a filthy burden is bound to you. You may take the maniac with you to England; confine her with due attendance and precautions at Thornfield: then travel yourself to what clime you will, and form what new tie you like. That woman, who has so abused your long- suffering, so sullied your name, so outraged your honour, so blighted your youth, is not your wife, nor are you her husband. See that she is cared for as her condition demands, and you have done all that God and humanity require of you. Let her identity, her connection with yourself, be buried in oblivion: you are bound to impart them to no living being. Place her in safety and comfort: shelter her degradation with secrecy, and leave her.' "I acted precisely on this suggestion. My father and brother had not made my marriage known to their acquaintance; because, in the very first letter I wrote to apprise them of the union--having already begun to experience extreme disgust of its consequences, and, from the family character and constitution, seeing a hideous future opening to me--I added an urgent charge to keep it secret: and very soon the infamous conduct of the wife my father had selected for me was such as to make him blush to own her as his daughter-in-law. Far from desiring to publish the connection, he became as anxious to conceal it as myself. "To England, then, I conveyed her; a fearful voyage I had with such a monster in the vessel. Glad was I when I at last got her to Thornfield, and saw her safely lodged in that third-storey room, of whose secret inner cabinet she has now for ten years made a wild beast's den--a goblin's cell. I had some trouble in finding an attendant for her, as it was necessary to select one on whose fidelity dependence could be placed; for her ravings would inevitably betray my secret: besides, she had lucid intervals of days--sometimes weeks--which she filled up with abuse of me. At last I hired Grace Poole from the Grimbsy Retreat. She and the surgeon, Carter (who dressed Mason's wounds that night he was stabbed and worried), are the only two I have ever admitted to my confidence. Mrs. Fairfax may indeed have suspected something, but she could have gained no precise knowledge as to facts. Grace has, on the whole, proved a good keeper; though, owing partly to a fault of her own, of which it appears nothing can cure her, and which is incident to her harassing profession, her vigilance has been more than once lulled and baffled. The lunatic is both cunning and malignant; she has never failed to take advantage of her guardian's temporary lapses; once to secrete the knife with which she stabbed her brother, and twice to possess herself of the key of her cell, and issue therefrom in the night-time. On the first of these occasions, she perpetrated the attempt to burn me in my bed; on the second, she paid that ghastly visit to you. I thank Providence, who watched over you, that she then spent her fury on your wedding apparel, which perhaps brought back vague reminiscences of her own bridal days: but on what might have happened, I cannot endure to reflect. When I think of the thing which flew at my throat this morning, hanging its black and scarlet visage over the nest of my dove, my blood curdles--" "And what, sir," I asked, while he paused, "did you do when you had settled her here? Where did you go?" "What did I do, Jane? I transformed myself into a will-o'-the-wisp. Where did I go? I pursued wanderings as wild as those of the March-spirit. I sought the Continent, and went devious through all its lands. My fixed desire was to seek and find a good and intelligent woman, whom I could love: a contrast to the fury I left at Thornfield--" "But you could not marry, sir." "I had determined and was convinced that I could and ought. It was not my original intention to deceive, as I have deceived you. I meant to tell my tale plainly, and make my proposals openly: and it appeared to me so absolutely rational that I should be considered free to love and be loved, I never doubted some woman might be found willing and able to understand my case and accept me, in spite of the curse with which I was burdened." "Well, sir?" "When you are inquisitive, Jane, you always make me smile. You open your eyes like an eager bird, and make every now and then a restless movement, as if answers in speech did not flow fast enough for you, and you wanted to read the tablet of one's heart. But before I go on, tell me what you mean by your 'Well, sir?' It is a small phrase very frequent with you; and which many a time has drawn me on and on through interminable talk: I don't very well know why." "I mean,--What next? How did you proceed? What came of such an event?" "Precisely! and what do you wish to know now?" "Whether you found any one you liked: whether you asked her to marry you; and what she said." "I can tell you whether I found any one I liked, and whether I asked her to marry me: but what she said is yet to be recorded in the book of Fate. For ten long years I roved about, living first in one capital, then another: sometimes in St. Petersburg; oftener in Paris; occasionally in Rome, Naples, and Florence. Provided with plenty of money and the passport of an old name, I could choose my own society: no circles were closed against me. I sought my ideal of a woman amongst English ladies, French countesses, Italian signoras, and German grafinnen. I could not find her. Sometimes, for a fleeting moment, I thought I caught a glance, heard a tone, beheld a form, which announced the realisation of my dream: but I was presently undeserved. You are not to suppose that I desired perfection, either of mind or person. I longed only for what suited me--for the antipodes of the Creole: and I longed vainly. Amongst them all I found not one whom, had I been ever so free, I--warned as I was of the risks, the horrors, the loathings of incongruous unions--would have asked to marry me. Disappointment made me reckless. I tried dissipation--never debauchery: that I hated, and hate. That was my Indian Messalina's attribute: rooted disgust at it and her restrained me much, even in pleasure. Any enjoyment that bordered on riot seemed to approach me to her and her vices, and I eschewed it. "Yet I could not live alone; so I tried the companionship of mistresses. The first I chose was Celine Varens--another of those steps which make a man spurn himself when he recalls them. You already know what she was, and how my liaison with her terminated. She had two successors: an Italian, Giacinta, and a German, Clara; both considered singularly handsome. What was their beauty to me in a few weeks? Giacinta was unprincipled and violent: I tired of her in three months. Clara was honest and quiet; but heavy, mindless, and unimpressible: not one whit to my taste. I was glad to give her a sufficient sum to set her up in a good line of business, and so get decently rid of her. But, Jane, I see by your face you are not forming a very favourable opinion of me just now. You think me an unfeeling, loose-principled rake: don't you?" "I don't like you so well as I have done sometimes, indeed, sir. Did it not seem to you in the least wrong to live in that way, first with one mistress and then another? You talk of it as a mere matter of course." "It was with me; and I did not like it. It was a grovelling fashion of existence: I should never like to return to it. Hiring a mistress is the next worse thing to buying a slave: both are often by nature, and always by position, inferior: and to live familiarly with inferiors is degrading. I now hate the recollection of the time I passed with Celine, Giacinta, and Clara." I felt the truth of these words; and I drew from them the certain inference, that if I were so far to forget myself and all the teaching that had ever been instilled into me, as--under any pretext--with any justification--through any temptation--to become the successor of these poor girls, he would one day regard me with the same feeling which now in his mind desecrated their memory. I did not give utterance to this conviction: it was enough to feel it. I impressed it on my heart, that it might remain there to serve me as aid in the time of trial. "Now, Jane, why don't you say 'Well, sir?' I have not done. You are looking grave. You disapprove of me still, I see. But let me come to the point. Last January, rid of all mistresses--in a harsh, bitter frame of mind, the result of a useless, roving, lonely life--corroded with disappointment, sourly disposed against all men, and especially against all womankind (for I began to regard the notion of an intellectual, faithful, loving woman as a mere dream), recalled by business, I came back to England. "On a frosty winter afternoon, I rode in sight of Thornfield Hall. Abhorred spot! I expected no peace--no pleasure there. On a stile in Hay Lane I saw a quiet little figure sitting by itself. I passed it as negligently as I did the pollard willow opposite to it: I had no presentiment of what it would be to me; no inward warning that the arbitress of my life--my genius for good or evil--waited there in humble guise. I did not know it, even when, on the occasion of Mesrour's accident, it came up and gravely offered me help. Childish and slender creature! It seemed as if a linnet had hopped to my foot and proposed to bear me on its tiny wing. I was surly; but the thing would not go: it stood by me with strange perseverance, and looked and spoke with a sort of authority. I must be aided, and by that hand: and aided I was. "When once I had pressed the frail shoulder, something new--a fresh sap and sense--stole into my frame. It was well I had learnt that this elf must return to me--that it belonged to my house down below--or I could not have felt it pass away from under my hand, and seen it vanish behind the dim hedge, without singular regret. I heard you come home that night, Jane, though probably you were not aware that I thought of you or watched for you. The next day I observed you--myself unseen--for half-an- hour, while you played with Adele in the gallery. It was a snowy day, I recollect, and you could not go out of doors. I was in my room; the door was ajar: I could both listen and watch. Adele claimed your outward attention for a while; yet I fancied your thoughts were elsewhere: but you were very patient with her, my little Jane; you talked to her and amused her a long time. When at last she left you, you lapsed at once into deep reverie: you betook yourself slowly to pace the gallery. Now and then, in passing a casement, you glanced out at the thick-falling snow; you listened to the sobbing wind, and again you paced gently on and dreamed. I think those day visions were not dark: there was a pleasurable illumination in your eye occasionally, a soft excitement in your aspect, which told of no bitter, bilious, hypochondriac brooding: your look revealed rather the sweet musings of youth when its spirit follows on willing wings the flight of Hope up and on to an ideal heaven. The voice of Mrs. Fairfax, speaking to a servant in the hall, wakened you: and how curiously you smiled to and at yourself, Janet! There was much sense in your smile: it was very shrewd, and seemed to make light of your own abstraction. It seemed to say--'My fine visions are all very well, but I must not forget they are absolutely unreal. I have a rosy sky and a green flowery Eden in my brain; but without, I am perfectly aware, lies at my feet a rough tract to travel, and around me gather black tempests to encounter.' You ran downstairs and demanded of Mrs. Fairfax some occupation: the weekly house accounts to make up, or something of that sort, I think it was. I was vexed with you for getting out of my sight. "Impatiently I waited for evening, when I might summon you to my presence. An unusual--to me--a perfectly new character I suspected was yours: I desired to search it deeper and know it better. You entered the room with a look and air at once shy and independent: you were quaintly dressed--much as you are now. I made you talk: ere long I found you full of strange contrasts. Your garb and manner were restricted by rule; your air was often diffident, and altogether that of one refined by nature, but absolutely unused to society, and a good deal afraid of making herself disadvantageously conspicuous by some solecism or blunder; yet when addressed, you lifted a keen, a daring, and a glowing eye to your interlocutor's face: there was penetration and power in each glance you gave; when plied by close questions, you found ready and round answers. Very soon you seemed to get used to me: I believe you felt the existence of sympathy between you and your grim and cross master, Jane; for it was astonishing to see how quickly a certain pleasant ease tranquillised your manner: snarl as I would, you showed no surprise, fear, annoyance, or displeasure at my moroseness; you watched me, and now and then smiled at me with a simple yet sagacious grace I cannot describe. I was at once content and stimulated with what I saw: I liked what I had seen, and wished to see more. Yet, for a long time, I treated you distantly, and sought your company rarely. I was an intellectual epicure, and wished to prolong the gratification of making this novel and piquant acquaintance: besides, I was for a while troubled with a haunting fear that if I handled the flower freely its bloom would fade--the sweet charm of freshness would leave it. I did not then know that it was no transitory blossom, but rather the radiant resemblance of one, cut in an indestructible gem. Moreover, I wished to see whether you would seek me if I shunned you--but you did not; you kept in the schoolroom as still as your own desk and easel; if by chance I met you, you passed me as soon, and with as little token of recognition, as was consistent with respect. Your habitual expression in those days, Jane, was a thoughtful look; not despondent, for you were not sickly; but not buoyant, for you had little hope, and no actual pleasure. I wondered what you thought of me, or if you ever thought of me, and resolved to find this out. "I resumed my notice of you. There was something glad in your glance, and genial in your manner, when you conversed: I saw you had a social heart; it was the silent schoolroom--it was the tedium of your life--that made you mournful. I permitted myself the delight of being kind to you; kindness stirred emotion soon: your face became soft in expression, your tones gentle; I liked my name pronounced by your lips in a grateful happy accent. I used to enjoy a chance meeting with you, Jane, at this time: there was a curious hesitation in your manner: you glanced at me with a slight trouble--a hovering doubt: you did not know what my caprice might be--whether I was going to play the master and be stern, or the friend and be benignant. I was now too fond of you often to simulate the first whim; and, when I stretched my hand out cordially, such bloom and light and bliss rose to your young, wistful features, I had much ado often to avoid straining you then and there to my heart." "Don't talk any more of those days, sir," I interrupted, furtively dashing away some tears from my eyes; his language was torture to me; for I knew what I must do--and do soon--and all these reminiscences, and these revelations of his feelings only made my work more difficult. "No, Jane," he returned: "what necessity is there to dwell on the Past, when the Present is so much surer--the Future so much brighter?" I shuddered to hear the infatuated assertion. "You see now how the case stands--do you not?" he continued. "After a youth and manhood passed half in unutterable misery and half in dreary solitude, I have for the first time found what I can truly love--I have found you. You are my sympathy--my better self--my good angel. I am bound to you with a strong attachment. I think you good, gifted, lovely: a fervent, a solemn passion is conceived in my heart; it leans to you, draws you to my centre and spring of life, wraps my existence about you, and, kindling in pure, powerful flame, fuses you and me in one. "It was because I felt and knew this, that I resolved to marry you. To tell me that I had already a wife is empty mockery: you know now that I had but a hideous demon. I was wrong to attempt to deceive you; but I feared a stubbornness that exists in your character. I feared early instilled prejudice: I wanted to have you safe before hazarding confidences. This was cowardly: I should have appealed to your nobleness and magnanimity at first, as I do now--opened to you plainly my life of agony--described to you my hunger and thirst after a higher and worthier existence--shown to you, not my _resolution_ (that word is weak), but my resistless _bent_ to love faithfully and well, where I am faithfully and well loved in return. Then I should have asked you to accept my pledge of fidelity and to give me yours. Jane--give it me now." A pause. "Why are you silent, Jane?" I was experiencing an ordeal: a hand of fiery iron grasped my vitals. Terrible moment: full of struggle, blackness, burning! Not a human being that ever lived could wish to be loved better than I was loved; and him who thus loved me I absolutely worshipped: and I must renounce love and idol. One drear word comprised my intolerable duty--"Depart!" "Jane, you understand what I want of you? Just this promise--'I will be yours, Mr. Rochester.'" "Mr. Rochester, I will _not_ be yours." Another long silence. "Jane!" recommenced he, with a gentleness that broke me down with grief, and turned me stone-cold with ominous terror--for this still voice was the pant of a lion rising--"Jane, do you mean to go one way in the world, and to let me go another?" "I do." "Jane" (bending towards and embracing me), "do you mean it now?" "I do." "And now?" softly kissing my forehead and cheek. "I do," extricating myself from restraint rapidly and completely. "Oh, Jane, this is bitter! This--this is wicked. It would not be wicked to love me." "It would to obey you." A wild look raised his brows--crossed his features: he rose; but he forebore yet. I laid my hand on the back of a chair for support: I shook, I feared--but I resolved. "One instant, Jane. Give one glance to my horrible life when you are gone. All happiness will be torn away with you. What then is left? For a wife I have but the maniac upstairs: as well might you refer me to some corpse in yonder churchyard. What shall I do, Jane? Where turn for a companion and for some hope?" "Do as I do: trust in God and yourself. Believe in heaven. Hope to meet again there." "Then you will not yield?" "No." "Then you condemn me to live wretched and to die accursed?" His voice rose. "I advise you to live sinless, and I wish you to die tranquil." "Then you snatch love and innocence from me? You fling me back on lust for a passion--vice for an occupation?" "Mr. Rochester, I no more assign this fate to you than I grasp at it for myself. We were born to strive and endure--you as well as I: do so. You will forget me before I forget you." "You make me a liar by such language: you sully my honour. I declared I could not change: you tell me to my face I shall change soon. And what a distortion in your judgment, what a perversity in your ideas, is proved by your conduct! Is it better to drive a fellow-creature to despair than to transgress a mere human law, no man being injured by the breach? for you have neither relatives nor acquaintances whom you need fear to offend by living with me?" This was true: and while he spoke my very conscience and reason turned traitors against me, and charged me with crime in resisting him. They spoke almost as loud as Feeling: and that clamoured wildly. "Oh, comply!" it said. "Think of his misery; think of his danger--look at his state when left alone; remember his headlong nature; consider the recklessness following on despair--soothe him; save him; love him; tell him you love him and will be his. Who in the world cares for _you_? or who will be injured by what you do?" Still indomitable was the reply--"_I_ care for myself. The more solitary, the more friendless, the more unsustained I am, the more I will respect myself. I will keep the law given by God; sanctioned by man. I will hold to the principles received by me when I was sane, and not mad--as I am now. Laws and principles are not for the times when there is no temptation: they are for such moments as this, when body and soul rise in mutiny against their rigour; stringent are they; inviolate they shall be. If at my individual convenience I might break them, what would be their worth? They have a worth--so I have always believed; and if I cannot believe it now, it is because I am insane--quite insane: with my veins running fire, and my heart beating faster than I can count its throbs. Preconceived opinions, foregone determinations, are all I have at this hour to stand by: there I plant my foot." I did. Mr. Rochester, reading my countenance, saw I had done so. His fury was wrought to the highest: he must yield to it for a moment, whatever followed; he crossed the floor and seized my arm and grasped my waist. He seemed to devour me with his flaming glance: physically, I felt, at the moment, powerless as stubble exposed to the draught and glow of a furnace: mentally, I still possessed my soul, and with it the certainty of ultimate safety. The soul, fortunately, has an interpreter--often an unconscious, but still a truthful interpreter--in the eye. My eye rose to his; and while I looked in his fierce face I gave an involuntary sigh; his gripe was painful, and my over-taxed strength almost exhausted. "Never," said he, as he ground his teeth, "never was anything at once so frail and so indomitable. A mere reed she feels in my hand!" (And he shook me with the force of his hold.) "I could bend her with my finger and thumb: and what good would it do if I bent, if I uptore, if I crushed her? Consider that eye: consider the resolute, wild, free thing looking out of it, defying me, with more than courage--with a stern triumph. Whatever I do with its cage, I cannot get at it--the savage, beautiful creature! If I tear, if I rend the slight prison, my outrage will only let the captive loose. Conqueror I might be of the house; but the inmate would escape to heaven before I could call myself possessor of its clay dwelling-place. And it is you, spirit--with will and energy, and virtue and purity--that I want: not alone your brittle frame. Of yourself you could come with soft flight and nestle against my heart, if you would: seized against your will, you will elude the grasp like an essence--you will vanish ere I inhale your fragrance. Oh! come, Jane, come!" As he said this, he released me from his clutch, and only looked at me. The look was far worse to resist than the frantic strain: only an idiot, however, would have succumbed now. I had dared and baffled his fury; I must elude his sorrow: I retired to the door. "You are going, Jane?" "I am going, sir." "You are leaving me?" "Yes." "You will not come? You will not be my comforter, my rescuer? My deep love, my wild woe, my frantic prayer, are all nothing to you?" What unutterable pathos was in his voice! How hard it was to reiterate firmly, "I am going." "Jane!" "Mr. Rochester!" "Withdraw, then,--I consent; but remember, you leave me here in anguish. Go up to your own room; think over all I have said, and, Jane, cast a glance on my sufferings--think of me." He turned away; he threw himself on his face on the sofa. "Oh, Jane! my hope--my love--my life!" broke in anguish from his lips. Then came a deep, strong sob. I had already gained the door; but, reader, I walked back--walked back as determinedly as I had retreated. I knelt down by him; I turned his face from the cushion to me; I kissed his cheek; I smoothed his hair with my hand. "God bless you, my dear master!" I said. "God keep you from harm and wrong--direct you, solace you--reward you well for your past kindness to me." "Little Jane's love would have been my best reward," he answered; "without it, my heart is broken. But Jane will give me her love: yes--nobly, generously." Up the blood rushed to his face; forth flashed the fire from his eyes; erect he sprang; he held his arms out; but I evaded the embrace, and at once quitted the room. "Farewell!" was the cry of my heart as I left him. Despair added, "Farewell for ever!" * * * * * That night I never thought to sleep; but a slumber fell on me as soon as I lay down in bed. I was transported in thought to the scenes of childhood: I dreamt I lay in the red-room at Gateshead; that the night was dark, and my mind impressed with strange fears. The light that long ago had struck me into syncope, recalled in this vision, seemed glidingly to mount the wall, and tremblingly to pause in the centre of the obscured ceiling. I lifted up my head to look: the roof resolved to clouds, high and dim; the gleam was such as the moon imparts to vapours she is about to sever. I watched her come--watched with the strangest anticipation; as though some word of doom were to be written on her disk. She broke forth as never moon yet burst from cloud: a hand first penetrated the sable folds and waved them away; then, not a moon, but a white human form shone in the azure, inclining a glorious brow earthward. It gazed and gazed on me. It spoke to my spirit: immeasurably distant was the tone, yet so near, it whispered in my heart-- "My daughter, flee temptation." "Mother, I will." So I answered after I had waked from the trance-like dream. It was yet night, but July nights are short: soon after midnight, dawn comes. "It cannot be too early to commence the task I have to fulfil," thought I. I rose: I was dressed; for I had taken off nothing but my shoes. I knew where to find in my drawers some linen, a locket, a ring. In seeking these articles, I encountered the beads of a pearl necklace Mr. Rochester had forced me to accept a few days ago. I left that; it was not mine: it was the visionary bride's who had melted in air. The other articles I made up in a parcel; my purse, containing twenty shillings (it was all I had), I put in my pocket: I tied on my straw bonnet, pinned my shawl, took the parcel and my slippers, which I would not put on yet, and stole from my room. "Farewell, kind Mrs. Fairfax!" I whispered, as I glided past her door. "Farewell, my darling Adele!" I said, as I glanced towards the nursery. No thought could be admitted of entering to embrace her. I had to deceive a fine ear: for aught I knew it might now be listening. I would have got past Mr. Rochester's chamber without a pause; but my heart momentarily stopping its beat at that threshold, my foot was forced to stop also. No sleep was there: the inmate was walking restlessly from wall to wall; and again and again he sighed while I listened. There was a heaven--a temporary heaven--in this room for me, if I chose: I had but to go in and to say-- "Mr. Rochester, I will love you and live with you through life till death," and a fount of rapture would spring to my lips. I thought of this. That kind master, who could not sleep now, was waiting with impatience for day. He would send for me in the morning; I should be gone. He would have me sought for: vainly. He would feel himself forsaken; his love rejected: he would suffer; perhaps grow desperate. I thought of this too. My hand moved towards the lock: I caught it back, and glided on. Drearily I wound my way downstairs: I knew what I had to do, and I did it mechanically. I sought the key of the side-door in the kitchen; I sought, too, a phial of oil and a feather; I oiled the key and the lock. I got some water, I got some bread: for perhaps I should have to walk far; and my strength, sorely shaken of late, must not break down. All this I did without one sound. I opened the door, passed out, shut it softly. Dim dawn glimmered in the yard. The great gates were closed and locked; but a wicket in one of them was only latched. Through that I departed: it, too, I shut; and now I was out of Thornfield. A mile off, beyond the fields, lay a road which stretched in the contrary direction to Millcote; a road I had never travelled, but often noticed, and wondered where it led: thither I bent my steps. No reflection was to be allowed now: not one glance was to be cast back; not even one forward. Not one thought was to be given either to the past or the future. The first was a page so heavenly sweet--so deadly sad--that to read one line of it would dissolve my courage and break down my energy. The last was an awful blank: something like the world when the deluge was gone by. I skirted fields, and hedges, and lanes till after sunrise. I believe it was a lovely summer morning: I know my shoes, which I had put on when I left the house, were soon wet with dew. But I looked neither to rising sun, nor smiling sky, nor wakening nature. He who is taken out to pass through a fair scene to the scaffold, thinks not of the flowers that smile on his road, but of the block and axe-edge; of the disseverment of bone and vein; of the grave gaping at the end: and I thought of drear flight and homeless wandering--and oh! with agony I thought of what I left. I could not help it. I thought of him now--in his room--watching the sunrise; hoping I should soon come to say I would stay with him and be his. I longed to be his; I panted to return: it was not too late; I could yet spare him the bitter pang of bereavement. As yet my flight, I was sure, was undiscovered. I could go back and be his comforter--his pride; his redeemer from misery, perhaps from ruin. Oh, that fear of his self-abandonment--far worse than my abandonment--how it goaded me! It was a barbed arrow-head in my breast; it tore me when I tried to extract it; it sickened me when remembrance thrust it farther in. Birds began singing in brake and copse: birds were faithful to their mates; birds were emblems of love. What was I? In the midst of my pain of heart and frantic effort of principle, I abhorred myself. I had no solace from self-approbation: none even from self-respect. I had injured--wounded--left my master. I was hateful in my own eyes. Still I could not turn, nor retrace one step. God must have led me on. As to my own will or conscience, impassioned grief had trampled one and stifled the other. I was weeping wildly as I walked along my solitary way: fast, fast I went like one delirious. A weakness, beginning inwardly, extending to the limbs, seized me, and I fell: I lay on the ground some minutes, pressing my face to the wet turf. I had some fear--or hope--that here I should die: but I was soon up; crawling forwards on my hands and knees, and then again raised to my feet--as eager and as determined as ever to reach the road. When I got there, I was forced to sit to rest me under the hedge; and while I sat, I heard wheels, and saw a coach come on. I stood up and lifted my hand; it stopped. I asked where it was going: the driver named a place a long way off, and where I was sure Mr. Rochester had no connections. I asked for what sum he would take me there; he said thirty shillings; I answered I had but twenty; well, he would try to make it do. He further gave me leave to get into the inside, as the vehicle was empty: I entered, was shut in, and it rolled on its way. Gentle reader, may you never feel what I then felt! May your eyes never shed such stormy, scalding, heart-wrung tears as poured from mine. May you never appeal to Heaven in prayers so hopeless and so agonised as in that hour left my lips; for never may you, like me, dread to be the instrument of evil to what you wholly love.

Chapter 27

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Later that afternoon, Jane awakes, wondering what she should do: Leave Thornfield at once is the answer. At first, she doesn't think she can leave Rochester, but an inner voice tells her she both can and should. Jane leaves her room, tripping over Rochester, who sits in a chair outside the door. He carries her down to the library, offering her wine and food. Rochester plans to lock Thornfield up, send Adele away to school, and escape with Jane to a villa in the south of France, where they would live "both virtually and nominally" as husband and wife. Jane won't accept his logic; if she lived with him, she would be his mistress, a position she doesn't want. Afraid of his passionate nature, Jane calls to God for help. Rochester tells Jane the history of his family: His greedy father left all of his estate to Rochester's older brother Rowland, so that the property wouldn't be divided. When Rochester left college, he was sent to Jamaica to marry Bertha, who supposedly would receive a fortune of thirty thousand pounds. Bertha was a beautiful woman, tall and majestic like Blanche Ingram. Bertha seemed to be a dazzling woman and Rochester was aroused by her. He mistook this lust for love. Before he knew it, they were married. After the honeymoon, Rochester learned that Bertha's mother was shut in an asylum and her younger brother was mentally challenged. Ultimately, Bertha's excesses led her into premature insanity. Rochester contemplates suicide, but then decides to return to Europe with Bertha. Both his father and brother are dead, and no one else knows of his marriage. Rochester spends the next ten years searching for a woman to love, but finds only mistresses. From his story, Jane realizes she can never live with Rochester; she would become simply another of his now-despised mistresses. That night, Jane dreams her mother, transformed from the moon, whispers into her heart, "My daughter, flee temptation." Jane does. She packs up a few trinkets, grabs her purse, which contains a mere twenty shillings, and steals away. Walking past Rochester's room, Jane knows she could find a "temporary heaven" there, but she refuses to accept it. Instead, she sneaks out of the house, beginning a journey far away from Thornfield.

In this chapter, Jane learns more about Rochester's past, particularly his relationship with Bertha. Much of this information hinges on the problem of excessive sexuality. As Rochester constantly reminds Jane, he is not "cool and dispassionate"; instead, he seems to devour her with his "flaming glance." His passionate nature seems to have contributed to his marriage, and to his current problems. When he first arrived in Spanish Town, Rochester found Bertha dazzling, splendid, and lavish, all qualities that excited his senses. But he soon discovers that she is sexually excessive: "coarse," "perverse," "intemperate," and "unchaste." Rochester implicitly suggests his inability to control Bertha then hinges on her sexuality: She chose her own sexual partners, refusing to maintain the monogamy required by British moral standards. While he criticizes Bertha's sexual excess, Rochester participates in his own with his three mistresses -- Celine, Giacinta, and Clara -- and his current attempt to make Jane part of the harem. When he tries to accuse Jane of flinging him back to "lust for a passion -- vice for an occupation," she reminds him that these are his choices. She senses that his passion is out of control -- he's in a "fury" and glowing like a furnace, with "fire" flashing from his eyes -- and Jane needs to walk away from the relationship until he has learned self-control and until she can enter the relationship on a more equal footing. These are not lessons Jane wants to learn. To keep herself from the "temporary heaven" of Rochester's bedroom, Jane hears prophetic voices that guide her on the path of moral righteousness. When the chapter begins, a voice instructs her to leave Thornfield at once. Later, a kinder voice, the moon transformed into the "white human form" of her mother, insists she flee the temptations in Rochester's thorny field. Therefore, Jane sets out on the next stage of her quest: to regain her personal identity, almost lost through her consuming passion for Rochester. Significantly, when she leaves Thornfield, Jane takes only a few trinkets with her -- no extra clothes, nothing to remind her of her past life, nothing associated with the "visionary" bride she had almost become. Jane is slowly stripping herself down to nothing, so she'll be able to rebuild herself from nothing. Her future is now "an awful blank: something like the world when the deluge was gone by." Just like the passengers on Noah's Ark after the rains subsided, Jane is beginning life with nothing but a great emptiness.

cliffnotes

all_chapterized_books/1260-chapters/volume_3_chapters_28_to_29.txt

finished_summaries/cliffnotes/Jane Eyre/section_22_part_0.txt

Jane Eyre.volume 3.chapters 28-29

chapters 28-29

{"name": "Chapters 28-29", "url": "https://web.archive.org/web/20190321135117/https://www.cliffsnotes.com/literature/j/jane-eyre/summary-and-analysis/chapters-2829", "summary": "Two days later, the coachman drops Jane off in Whitcross. He couldn't take her any further because she has run out of money. Accidentally, Jane leaves her packet in the coach and is now destitute. Nature is Jane's only relative, the \"universal mother\" who will lodge her without money, so Jane spends the night sleeping on the heath. Too hurt by memories of her broken heart to sleep, Jane rises, kneeling in the night, and prays to God. The next morning, she follows the road past Whitcross. Walking to the point of fatigue, she finally finds a town and enters a bakery to beg for bread or a job. No one will help her, and even the parson is away, at Marsh End, due to the sudden death of his father. Finally, she finds a farmer who gives her a slice of brown bread. That night, Jane is unable to sleep peacefully in the woods. The only food she eats the next day is a pot of cold porridge that a little girl was about to throw into a pig trough. Across the moors, she suddenly sees the light of a house. Jane follows a road leading to the house, and enters its gate, peering in the lighted window. Inside she sees a well-kept house, a rough-looking elderly woman, and two graceful ladies dressed in mourning. The women are waiting for their brother, St. John, to return home. These cultivated young women, named Diana and Mary Rivers, are practicing their German. Jane knocks on the door, but the old servant, Hannah, turns her away. St. John overhears the conversation and offers Jane shelter because he thinks she's \"a peculiar case.\" The Rivers offer her bread and milk and allow her to stay for the night. Jane tells them her name is \"Jane Elliott.\" Jane spends three days and nights in bed. Diana and Mary are happy to have taken her in, believing she would have died if they had left her outside. Looking at Jane, they conclude that she is well educated, because nothing in her appearance indicates \"vulgarity or degradation.\" On the fourth day, Jane rises and dresses in her freshly washed clothes; she is once again clean and respectable, with no traces of dirt or disorder in her appearance. Jane goes downstairs and works in the kitchen with Hannah, from whom she learns that the house is called Marsh End or Moor House and is owned by the Rivers. Jane lectures Hannah for unfairly judging the poor, and Hannah begs Jane's forgiveness for initially denying her entrance to the house; the two women slowly become friends. From Hannah, Jane discovers that the Rivers are an \"ancient\" family. Several years ago, their father lost much money when a man he trusted went bankrupt, so Diana and Mary were forced to find work as governesses. Mr. Rivers died three weeks earlier of a stroke. Jane tells the Rivers some of her history. The reason for her departure from her governess position she doesn't reveal, but assures them that she was blameless in the situation. She tells them Jane Elliott isn't her real name. Knowing Jane won't want to accept their charity for long, St. John promises to find her some unglamorous job.", "analysis": "Jane has reached the dark night of her soul. Leaving the carriage that has brought her to Whitcross, Jane has nothing but the clothes she's wearing. Before beginning the final section of her journey of self-discovery, Jane must strip herself of all connections with humanity and rediscover her spiritual self. In some ways, this separation from society may be her punishment for the passion that elevated Rochester above God in her imagination and for her near participation in a bigamous relationship. Nature becomes Jane's mother, and she seeks repose at this great mother's breast. For her, nature is \"benign and good,\" a safe mother who loves Jane, even though she's an outcast. Closely aligned with nature is God, whom Jane realizes is everywhere: At those moments when closest to nature, \"we read clearest His infinitude, His omnipotence, His omnipresence.\" Like nature, Jane's God is filled with bounty, compassion, and forgiveness. The difference between Jane's loving God, and the malicious, demanding Christ of Mr. Brocklehurst or Eliza Reed is apparent. Nor is Jane's God similar to Helen Burns.' While Helen's God taught her to savor heaven over earth, Jane's God is closer to a pagan spirit, who offers both spirituality and material comfort. Jane wishes she could live in and on the natural world, but she can't. Instead, she must return to the company of humans to find food and permanent shelter. But her experience in the wilderness has begun to repair her damaged spirit. Jane's return to the human world is difficult. Penniless and dirty, she discovers that beggars are often objects of suspicion, and \"a well-dressed beggar inevitably so.\" Because she doesn't fit into any class, neither a \"real\" beggar nor a \"real\" lady, Jane is outside of society's pre-ordained categories, and therefore, is viewed with mistrust and rejection. As Hannah says, \"You are not what you ought to be, or you wouldn't make such a noise.\" Hannah implies that moral transgression is the only answer for the question of Jane's destitute position. In some sense, she's right. By placing her love for Rochester above all spiritual concerns, Jane has in some ways transgressed, and her present journey charts the process of her atonement. Washed of all sins by her night on the dewy moors, Jane is now ready to reenter human community. Peering through the window of the house on the moors, Jane sees an idyllic world. Unlike the stateliness of Thornfield, in which Jane felt inferior, the rustic simplicity of this cottage is comforting. Diana and Mary, serene, intelligent, and graceful, are the models of femininity that Jane seeks, and Jane is comforted by their \"power and goodness.\" Similarly, St. John's willingness to allow an unknown beggar into his home suggests compassion, something Jane hasn't often known. As she crosses the threshold of his house, Jane no longer feels an \"outcast, vagrant, and disowned by the wide world.\" She is able to put aside the character of mendicant and resume her \"natural manner and character\"; she says, \"I began once more to know myself.\" Jane's dark night has ended: She lost herself on the moors but has rediscovered herself in the comfort of the Rivers' home. Jane has reached the final destination on her journey of discover; significantly, the house is called Marsh End, as Jane has reached the end of her march. This chapter develops the personalities of the residents at Marsh End. The housekeeper, Hannah, has been with the family for thirty years and works hard to protect Diana and Mary. Hannah admits she has no respect for Jane, because she has neither money nor a home. This class prejudice angers Jane, who reminds Hannah that poverty is no sin; in fact, many of the best people, such as Christ, lived destitute, and a good Christian shouldn't reject the poor. In this section, Jane recognizes the spiritual value of her experience of absolute poverty, which has stripped her of all markings of class. Now, however, she rejects the label of \"beggar,\" showing that she, like Hannah, has prejudices against those who beg for a living. Jane has been careful to erase all signs of dirt and \"disorder\" from her appearance, so she can resume her proper identity. Similarly, the record she provides of Diana and Mary's conversations about her as she slept emphasizes her ladylike appearance: she is educated, her accent is pure, and her appearance doesn't indicate decadence. While Jane warns Hannah not to judge the poor, Jane is careful to erase all marks of poverty from her own appearance. From Hannah, Jane discovers that the Rivers are ancient gentry, class-related information that will be important to Jane later in the novel. Their superiority is evident in Diana's and Mary's appearances and manners. Both women are charming, pretty, and intelligent, although Mary is more reserved than the more willful Diana. Like Miss Temple, these women provide Jane with a model of compassionate, refined, intellectually stimulating, and morally superior femininity that contrasts with the capriciousness of the Reeds and the self-centeredness of Blanche Ingram. St. John River's appearance also indicates a moral and intellectual superiority. According to Jane, his face's pure outline is Greek, and he has \"a straight, classic nose; quite an Athenian mouth and chin.\" St. John's classic, handsome features contrast with Rochester's rugged appearance. The two men are like ice and fire. While St. John's blue eyes and ivory skin align him with ice, Rochester's dark hair and passionate nature connect him with fire. Jane immediately detects a restlessness or hardness under St. John's seemingly placid face, however. The differences between the two men will be further developed as the novel progresses. Glossary Da trat hervor Einer, anzusehen wie sie Sternen Nacht. Only one person came forward, to be watched like a crystal clear night. Ich wage . . . Grimms. I weigh my thoughts on a small scale, my temper and behavior with weights the size of my outburst. Deutsch German. bairn a child. alias an assumed name."}

Two days are passed. It is a summer evening; the coachman has set me down at a place called Whitcross; he could take me no farther for the sum I had given, and I was not possessed of another shilling in the world. The coach is a mile off by this time; I am alone. At this moment I discover that I forgot to take my parcel out of the pocket of the coach, where I had placed it for safety; there it remains, there it must remain; and now, I am absolutely destitute. Whitcross is no town, nor even a hamlet; it is but a stone pillar set up where four roads meet: whitewashed, I suppose, to be more obvious at a distance and in darkness. Four arms spring from its summit: the nearest town to which these point is, according to the inscription, distant ten miles; the farthest, above twenty. From the well-known names of these towns I learn in what county I have lighted; a north-midland shire, dusk with moorland, ridged with mountain: this I see. There are great moors behind and on each hand of me; there are waves of mountains far beyond that deep valley at my feet. The population here must be thin, and I see no passengers on these roads: they stretch out east, west, north, and south--white, broad, lonely; they are all cut in the moor, and the heather grows deep and wild to their very verge. Yet a chance traveller might pass by; and I wish no eye to see me now: strangers would wonder what I am doing, lingering here at the sign-post, evidently objectless and lost. I might be questioned: I could give no answer but what would sound incredible and excite suspicion. Not a tie holds me to human society at this moment--not a charm or hope calls me where my fellow-creatures are--none that saw me would have a kind thought or a good wish for me. I have no relative but the universal mother, Nature: I will seek her breast and ask repose. I struck straight into the heath; I held on to a hollow I saw deeply furrowing the brown moorside; I waded knee-deep in its dark growth; I turned with its turnings, and finding a moss-blackened granite crag in a hidden angle, I sat down under it. High banks of moor were about me; the crag protected my head: the sky was over that. Some time passed before I felt tranquil even here: I had a vague dread that wild cattle might be near, or that some sportsman or poacher might discover me. If a gust of wind swept the waste, I looked up, fearing it was the rush of a bull; if a plover whistled, I imagined it a man. Finding my apprehensions unfounded, however, and calmed by the deep silence that reigned as evening declined at nightfall, I took confidence. As yet I had not thought; I had only listened, watched, dreaded; now I regained the faculty of reflection. What was I to do? Where to go? Oh, intolerable questions, when I could do nothing and go nowhere!--when a long way must yet be measured by my weary, trembling limbs before I could reach human habitation--when cold charity must be entreated before I could get a lodging: reluctant sympathy importuned, almost certain repulse incurred, before my tale could be listened to, or one of my wants relieved! I touched the heath: it was dry, and yet warm with the heat of the summer day. I looked at the sky; it was pure: a kindly star twinkled just above the chasm ridge. The dew fell, but with propitious softness; no breeze whispered. Nature seemed to me benign and good; I thought she loved me, outcast as I was; and I, who from man could anticipate only mistrust, rejection, insult, clung to her with filial fondness. To-night, at least, I would be her guest, as I was her child: my mother would lodge me without money and without price. I had one morsel of bread yet: the remnant of a roll I had bought in a town we passed through at noon with a stray penny--my last coin. I saw ripe bilberries gleaming here and there, like jet beads in the heath: I gathered a handful and ate them with the bread. My hunger, sharp before, was, if not satisfied, appeased by this hermit's meal. I said my evening prayers at its conclusion, and then chose my couch. {I said my evening prayers: p311.jpg} Beside the crag the heath was very deep: when I lay down my feet were buried in it; rising high on each side, it left only a narrow space for the night-air to invade. I folded my shawl double, and spread it over me for a coverlet; a low, mossy swell was my pillow. Thus lodged, I was not, at least--at the commencement of the night, cold. My rest might have been blissful enough, only a sad heart broke it. It plained of its gaping wounds, its inward bleeding, its riven chords. It trembled for Mr. Rochester and his doom; it bemoaned him with bitter pity; it demanded him with ceaseless longing; and, impotent as a bird with both wings broken, it still quivered its shattered pinions in vain attempts to seek him. Worn out with this torture of thought, I rose to my knees. Night was come, and her planets were risen: a safe, still night: too serene for the companionship of fear. We know that God is everywhere; but certainly we feel His presence most when His works are on the grandest scale spread before us; and it is in the unclouded night-sky, where His worlds wheel their silent course, that we read clearest His infinitude, His omnipotence, His omnipresence. I had risen to my knees to pray for Mr. Rochester. Looking up, I, with tear-dimmed eyes, saw the mighty Milky- way. Remembering what it was--what countless systems there swept space like a soft trace of light--I felt the might and strength of God. Sure was I of His efficiency to save what He had made: convinced I grew that neither earth should perish, nor one of the souls it treasured. I turned my prayer to thanksgiving: the Source of Life was also the Saviour of spirits. Mr. Rochester was safe; he was God's, and by God would he be guarded. I again nestled to the breast of the hill; and ere long in sleep forgot sorrow. But next day, Want came to me pale and bare. Long after the little birds had left their nests; long after bees had come in the sweet prime of day to gather the heath honey before the dew was dried--when the long morning shadows were curtailed, and the sun filled earth and sky--I got up, and I looked round me. What a still, hot, perfect day! What a golden desert this spreading moor! Everywhere sunshine. I wished I could live in it and on it. I saw a lizard run over the crag; I saw a bee busy among the sweet bilberries. I would fain at the moment have become bee or lizard, that I might have found fitting nutriment, permanent shelter here. But I was a human being, and had a human being's wants: I must not linger where there was nothing to supply them. I rose; I looked back at the bed I had left. Hopeless of the future, I wished but this--that my Maker had that night thought good to require my soul of me while I slept; and that this weary frame, absolved by death from further conflict with fate, had now but to decay quietly, and mingle in peace with the soil of this wilderness. Life, however, was yet in my possession, with all its requirements, and pains, and responsibilities. The burden must be carried; the want provided for; the suffering endured; the responsibility fulfilled. I set out. Whitcross regained, I followed a road which led from the sun, now fervent and high. By no other circumstance had I will to decide my choice. I walked a long time, and when I thought I had nearly done enough, and might conscientiously yield to the fatigue that almost overpowered me--might relax this forced action, and, sitting down on a stone I saw near, submit resistlessly to the apathy that clogged heart and limb--I heard a bell chime--a church bell. I turned in the direction of the sound, and there, amongst the romantic hills, whose changes and aspect I had ceased to note an hour ago, I saw a hamlet and a spire. All the valley at my right hand was full of pasture- fields, and cornfields, and wood; and a glittering stream ran zig-zag through the varied shades of green, the mellowing grain, the sombre woodland, the clear and sunny lea. Recalled by the rumbling of wheels to the road before me, I saw a heavily-laden waggon labouring up the hill, and not far beyond were two cows and their drover. Human life and human labour were near. I must struggle on: strive to live and bend to toil like the rest. About two o'clock p.m. I entered the village. At the bottom of its one street there was a little shop with some cakes of bread in the window. I coveted a cake of bread. With that refreshment I could perhaps regain a degree of energy: without it, it would be difficult to proceed. The wish to have some strength and some vigour returned to me as soon as I was amongst my fellow-beings. I felt it would be degrading to faint with hunger on the causeway of a hamlet. Had I nothing about me I could offer in exchange for one of these rolls? I considered. I had a small silk handkerchief tied round my throat; I had my gloves. I could hardly tell how men and women in extremities of destitution proceeded. I did not know whether either of these articles would be accepted: probably they would not; but I must try. I entered the shop: a woman was there. Seeing a respectably-dressed person, a lady as she supposed, she came forward with civility. How could she serve me? I was seized with shame: my tongue would not utter the request I had prepared. I dared not offer her the half-worn gloves, the creased handkerchief: besides, I felt it would be absurd. I only begged permission to sit down a moment, as I was tired. Disappointed in the expectation of a customer, she coolly acceded to my request. She pointed to a seat; I sank into it. I felt sorely urged to weep; but conscious how unseasonable such a manifestation would be, I restrained it. Soon I asked her "if there were any dressmaker or plain-workwoman in the village?" "Yes; two or three. Quite as many as there was employment for." I reflected. I was driven to the point now. I was brought face to face with Necessity. I stood in the position of one without a resource, without a friend, without a coin. I must do something. What? I must apply somewhere. Where? "Did she know of any place in the neighbourhood where a servant was wanted?" "Nay; she couldn't say." "What was the chief trade in this place? What did most of the people do?" "Some were farm labourers; a good deal worked at Mr. Oliver's needle-factory, and at the foundry." "Did Mr. Oliver employ women?" "Nay; it was men's work." "And what do the women do?" "I knawn't," was the answer. "Some does one thing, and some another. Poor folk mun get on as they can." She seemed to be tired of my questions: and, indeed, what claim had I to importune her? A neighbour or two came in; my chair was evidently wanted. I took leave. I passed up the street, looking as I went at all the houses to the right hand and to the left; but I could discover no pretext, nor see an inducement to enter any. I rambled round the hamlet, going sometimes to a little distance and returning again, for an hour or more. Much exhausted, and suffering greatly now for want of food, I turned aside into a lane and sat down under the hedge. Ere many minutes had elapsed, I was again on my feet, however, and again searching something--a resource, or at least an informant. A pretty little house stood at the top of the lane, with a garden before it, exquisitely neat and brilliantly blooming. I stopped at it. What business had I to approach the white door or touch the glittering knocker? In what way could it possibly be the interest of the inhabitants of that dwelling to serve me? Yet I drew near and knocked. A mild-looking, cleanly-attired young woman opened the door. In such a voice as might be expected from a hopeless heart and fainting frame--a voice wretchedly low and faltering--I asked if a servant was wanted here? "No," said she; "we do not keep a servant." "Can you tell me where I could get employment of any kind?" I continued. "I am a stranger, without acquaintance in this place. I want some work: no matter what." But it was not her business to think for me, or to seek a place for me: besides, in her eyes, how doubtful must have appeared my character, position, tale. She shook her head, she "was sorry she could give me no information," and the white door closed, quite gently and civilly: but it shut me out. If she had held it open a little longer, I believe I should have begged a piece of bread; for I was now brought low. I could not bear to return to the sordid village, where, besides, no prospect of aid was visible. I should have longed rather to deviate to a wood I saw not far off, which appeared in its thick shade to offer inviting shelter; but I was so sick, so weak, so gnawed with nature's cravings, instinct kept me roaming round abodes where there was a chance of food. Solitude would be no solitude--rest no rest--while the vulture, hunger, thus sank beak and talons in my side. I drew near houses; I left them, and came back again, and again I wandered away: always repelled by the consciousness of having no claim to ask--no right to expect interest in my isolated lot. Meantime, the afternoon advanced, while I thus wandered about like a lost and starving dog. In crossing a field, I saw the church spire before me: I hastened towards it. Near the churchyard, and in the middle of a garden, stood a well-built though small house, which I had no doubt was the parsonage. I remembered that strangers who arrive at a place where they have no friends, and who want employment, sometimes apply to the clergyman for introduction and aid. It is the clergyman's function to help--at least with advice--those who wished to help themselves. I seemed to have something like a right to seek counsel here. Renewing then my courage, and gathering my feeble remains of strength, I pushed on. I reached the house, and knocked at the kitchen-door. An old woman opened: I asked was this the parsonage? "Yes." "Was the clergyman in?" "No." "Would he be in soon?" "No, he was gone from home." "To a distance?" "Not so far--happen three mile. He had been called away by the sudden death of his father: he was at Marsh End now, and would very likely stay there a fortnight longer." "Was there any lady of the house?" "Nay, there was naught but her, and she was housekeeper;" and of her, reader, I could not bear to ask the relief for want of which I was sinking; I could not yet beg; and again I crawled away. Once more I took off my handkerchief--once more I thought of the cakes of bread in the little shop. Oh, for but a crust! for but one mouthful to allay the pang of famine! Instinctively I turned my face again to the village; I found the shop again, and I went in; and though others were there besides the woman I ventured the request--"Would she give me a roll for this handkerchief?" She looked at me with evident suspicion: "Nay, she never sold stuff i' that way." Almost desperate, I asked for half a cake; she again refused. "How could she tell where I had got the handkerchief?" she said. "Would she take my gloves?" "No! what could she do with them?" Reader, it is not pleasant to dwell on these details. Some say there is enjoyment in looking back to painful experience past; but at this day I can scarcely bear to review the times to which I allude: the moral degradation, blent with the physical suffering, form too distressing a recollection ever to be willingly dwelt on. I blamed none of those who repulsed me. I felt it was what was to be expected, and what could not be helped: an ordinary beggar is frequently an object of suspicion; a well-dressed beggar inevitably so. To be sure, what I begged was employment; but whose business was it to provide me with employment? Not, certainly, that of persons who saw me then for the first time, and who knew nothing about my character. And as to the woman who would not take my handkerchief in exchange for her bread, why, she was right, if the offer appeared to her sinister or the exchange unprofitable. Let me condense now. I am sick of the subject. A little before dark I passed a farm-house, at the open door of which the farmer was sitting, eating his supper of bread and cheese. I stopped and said-- "Will you give me a piece of bread? for I am very hungry." He cast on me a glance of surprise; but without answering, he cut a thick slice from his loaf, and gave it to me. I imagine he did not think I was a beggar, but only an eccentric sort of lady, who had taken a fancy to his brown loaf. As soon as I was out of sight of his house, I sat down and ate it. I could not hope to get a lodging under a roof, and sought it in the wood I have before alluded to. But my night was wretched, my rest broken: the ground was damp, the air cold: besides, intruders passed near me more than once, and I had again and again to change my quarters; no sense of safety or tranquillity befriended me. Towards morning it rained; the whole of the following day was wet. Do not ask me, reader, to give a minute account of that day; as before, I sought work; as before, I was repulsed; as before, I starved; but once did food pass my lips. At the door of a cottage I saw a little girl about to throw a mess of cold porridge into a pig trough. "Will you give me that?" I asked. {"Will you give me that?" I asked: p316.jpg} She stared at me. "Mother!" she exclaimed, "there is a woman wants me to give her these porridge." "Well lass," replied a voice within, "give it her if she's a beggar. T' pig doesn't want it." The girl emptied the stiffened mould into my hand, and I devoured it ravenously. As the wet twilight deepened, I stopped in a solitary bridle-path, which I had been pursuing an hour or more. "My strength is quite failing me," I said in a soliloquy. "I feel I cannot go much farther. Shall I be an outcast again this night? While the rain descends so, must I lay my head on the cold, drenched ground? I fear I cannot do otherwise: for who will receive me? But it will be very dreadful, with this feeling of hunger, faintness, chill, and this sense of desolation--this total prostration of hope. In all likelihood, though, I should die before morning. And why cannot I reconcile myself to the prospect of death? Why do I struggle to retain a valueless life? Because I know, or believe, Mr. Rochester is living: and then, to die of want and cold is a fate to which nature cannot submit passively. Oh, Providence! sustain me a little longer! Aid!--direct me!" My glazed eye wandered over the dim and misty landscape. I saw I had strayed far from the village: it was quite out of sight. The very cultivation surrounding it had disappeared. I had, by cross-ways and by- paths, once more drawn near the tract of moorland; and now, only a few fields, almost as wild and unproductive as the heath from which they were scarcely reclaimed, lay between me and the dusky hill. "Well, I would rather die yonder than in a street or on a frequented road," I reflected. "And far better that crows and ravens--if any ravens there be in these regions--should pick my flesh from my bones, than that they should be prisoned in a workhouse coffin and moulder in a pauper's grave." To the hill, then, I turned. I reached it. It remained now only to find a hollow where I could lie down, and feel at least hidden, if not secure. But all the surface of the waste looked level. It showed no variation but of tint: green, where rush and moss overgrew the marshes; black, where the dry soil bore only heath. Dark as it was getting, I could still see these changes, though but as mere alternations of light and shade; for colour had faded with the daylight. My eye still roved over the sullen swell and along the moor-edge, vanishing amidst the wildest scenery, when at one dim point, far in among the marshes and the ridges, a light sprang up. "That is an _ignis fatuus_," was my first thought; and I expected it would soon vanish. It burnt on, however, quite steadily, neither receding nor advancing. "Is it, then, a bonfire just kindled?" I questioned. I watched to see whether it would spread: but no; as it did not diminish, so it did not enlarge. "It may be a candle in a house," I then conjectured; "but if so, I can never reach it. It is much too far away: and were it within a yard of me, what would it avail? I should but knock at the door to have it shut in my face." And I sank down where I stood, and hid my face against the ground. I lay still a while: the night-wind swept over the hill and over me, and died moaning in the distance; the rain fell fast, wetting me afresh to the skin. Could I but have stiffened to the still frost--the friendly numbness of death--it might have pelted on; I should not have felt it; but my yet living flesh shuddered at its chilling influence. I rose ere long. The light was yet there, shining dim but constant through the rain. I tried to walk again: I dragged my exhausted limbs slowly towards it. It led me aslant over the hill, through a wide bog, which would have been impassable in winter, and was splashy and shaking even now, in the height of summer. Here I fell twice; but as often I rose and rallied my faculties. This light was my forlorn hope: I must gain it. Having crossed the marsh, I saw a trace of white over the moor. I approached it; it was a road or a track: it led straight up to the light, which now beamed from a sort of knoll, amidst a clump of trees--firs, apparently, from what I could distinguish of the character of their forms and foliage through the gloom. My star vanished as I drew near: some obstacle had intervened between me and it. I put out my hand to feel the dark mass before me: I discriminated the rough stones of a low wall--above it, something like palisades, and within, a high and prickly hedge. I groped on. Again a whitish object gleamed before me: it was a gate--a wicket; it moved on its hinges as I touched it. On each side stood a sable bush-holly or yew. Entering the gate and passing the shrubs, the silhouette of a house rose to view, black, low, and rather long; but the guiding light shone nowhere. All was obscurity. Were the inmates retired to rest? I feared it must be so. In seeking the door, I turned an angle: there shot out the friendly gleam again, from the lozenged panes of a very small latticed window, within a foot of the ground, made still smaller by the growth of ivy or some other creeping plant, whose leaves clustered thick over the portion of the house wall in which it was set. The aperture was so screened and narrow, that curtain or shutter had been deemed unnecessary; and when I stooped down and put aside the spray of foliage shooting over it, I could see all within. I could see clearly a room with a sanded floor, clean scoured; a dresser of walnut, with pewter plates ranged in rows, reflecting the redness and radiance of a glowing peat-fire. I could see a clock, a white deal table, some chairs. The candle, whose ray had been my beacon, burnt on the table; and by its light an elderly woman, somewhat rough-looking, but scrupulously clean, like all about her, was knitting a stocking. I noticed these objects cursorily only--in them there was nothing extraordinary. A group of more interest appeared near the hearth, sitting still amidst the rosy peace and warmth suffusing it. Two young, graceful women--ladies in every point--sat, one in a low rocking-chair, the other on a lower stool; both wore deep mourning of crape and bombazeen, which sombre garb singularly set off very fair necks and faces: a large old pointer dog rested its massive head on the knee of one girl--in the lap of the other was cushioned a black cat. A strange place was this humble kitchen for such occupants! Who were they? They could not be the daughters of the elderly person at the table; for she looked like a rustic, and they were all delicacy and cultivation. I had nowhere seen such faces as theirs: and yet, as I gazed on them, I seemed intimate with every lineament. I cannot call them handsome--they were too pale and grave for the word: as they each bent over a book, they looked thoughtful almost to severity. A stand between them supported a second candle and two great volumes, to which they frequently referred, comparing them, seemingly, with the smaller books they held in their hands, like people consulting a dictionary to aid them in the task of translation. This scene was as silent as if all the figures had been shadows and the firelit apartment a picture: so hushed was it, I could hear the cinders fall from the grate, the clock tick in its obscure corner; and I even fancied I could distinguish the click-click of the woman's knitting-needles. When, therefore, a voice broke the strange stillness at last, it was audible enough to me. "Listen, Diana," said one of the absorbed students; "Franz and old Daniel are together in the night-time, and Franz is telling a dream from which he has awakened in terror--listen!" And in a low voice she read something, of which not one word was intelligible to me; for it was in an unknown tongue--neither French nor Latin. Whether it were Greek or German I could not tell. "That is strong," she said, when she had finished: "I relish it." The other girl, who had lifted her head to listen to her sister, repeated, while she gazed at the fire, a line of what had been read. At a later day, I knew the language and the book; therefore, I will here quote the line: though, when I first heard it, it was only like a stroke on sounding brass to me--conveying no meaning:-- "'Da trat hervor Einer, anzusehen wie die Sternen Nacht.' Good! good!" she exclaimed, while her dark and deep eye sparkled. "There you have a dim and mighty archangel fitly set before you! The line is worth a hundred pages of fustian. 'Ich wage die Gedanken in der Schale meines Zornes und die Werke mit dem Gewichte meines Grimms.' I like it!" Both were again silent. "Is there ony country where they talk i' that way?" asked the old woman, looking up from her knitting. "Yes, Hannah--a far larger country than England, where they talk in no other way." "Well, for sure case, I knawn't how they can understand t' one t'other: and if either o' ye went there, ye could tell what they said, I guess?" "We could probably tell something of what they said, but not all--for we are not as clever as you think us, Hannah. We don't speak German, and we cannot read it without a dictionary to help us." "And what good does it do you?" "We mean to teach it some time--or at least the elements, as they say; and then we shall get more money than we do now." "Varry like: but give ower studying; ye've done enough for to-night." "I think we have: at least I'm tired. Mary, are you?" "Mortally: after all, it's tough work fagging away at a language with no master but a lexicon." "It is, especially such a language as this crabbed but glorious Deutsch. I wonder when St. John will come home." "Surely he will not be long now: it is just ten (looking at a little gold watch she drew from her girdle). It rains fast, Hannah: will you have the goodness to look at the fire in the parlour?" The woman rose: she opened a door, through which I dimly saw a passage: soon I heard her stir a fire in an inner room; she presently came back. "Ah, childer!" said she, "it fair troubles me to go into yond' room now: it looks so lonesome wi' the chair empty and set back in a corner." She wiped her eyes with her apron: the two girls, grave before, looked sad now. "But he is in a better place," continued Hannah: "we shouldn't wish him here again. And then, nobody need to have a quieter death nor he had." "You say he never mentioned us?" inquired one of the ladies. "He hadn't time, bairn: he was gone in a minute, was your father. He had been a bit ailing like the day before, but naught to signify; and when Mr. St. John asked if he would like either o' ye to be sent for, he fair laughed at him. He began again with a bit of a heaviness in his head the next day--that is, a fortnight sin'--and he went to sleep and niver wakened: he wor a'most stark when your brother went into t' chamber and fand him. Ah, childer! that's t' last o' t' old stock--for ye and Mr. St. John is like of different soart to them 'at's gone; for all your mother wor mich i' your way, and a'most as book-learned. She wor the pictur' o' ye, Mary: Diana is more like your father." I thought them so similar I could not tell where the old servant (for such I now concluded her to be) saw the difference. Both were fair complexioned and slenderly made; both possessed faces full of distinction and intelligence. One, to be sure, had hair a shade darker than the other, and there was a difference in their style of wearing it; Mary's pale brown locks were parted and braided smooth: Diana's duskier tresses covered her neck with thick curls. The clock struck ten. "Ye'll want your supper, I am sure," observed Hannah; "and so will Mr. St. John when he comes in." And she proceeded to prepare the meal. The ladies rose; they seemed about to withdraw to the parlour. Till this moment, I had been so intent on watching them, their appearance and conversation had excited in me so keen an interest, I had half-forgotten my own wretched position: now it recurred to me. More desolate, more desperate than ever, it seemed from contrast. And how impossible did it appear to touch the inmates of this house with concern on my behalf; to make them believe in the truth of my wants and woes--to induce them to vouchsafe a rest for my wanderings! As I groped out the door, and knocked at it hesitatingly, I felt that last idea to be a mere chimera. Hannah opened. "What do you want?" she inquired, in a voice of surprise, as she surveyed me by the light of the candle she held. "May I speak to your mistresses?" I said. "You had better tell me what you have to say to them. Where do you come from?" "I am a stranger." "What is your business here at this hour?" "I want a night's shelter in an out-house or anywhere, and a morsel of bread to eat." Distrust, the very feeling I dreaded, appeared in Hannah's face. "I'll give you a piece of bread," she said, after a pause; "but we can't take in a vagrant to lodge. It isn't likely." "Do let me speak to your mistresses." "No, not I. What can they do for you? You should not be roving about now; it looks very ill." "But where shall I go if you drive me away? What shall I do?" "Oh, I'll warrant you know where to go and what to do. Mind you don't do wrong, that's all. Here is a penny; now go--" "A penny cannot feed me, and I have no strength to go farther. Don't shut the door:--oh, don't, for God's sake!" "I must; the rain is driving in--" "Tell the young ladies. Let me see them--" "Indeed, I will not. You are not what you ought to be, or you wouldn't make such a noise. Move off." "But I must die if I am turned away." "Not you. I'm fear'd you have some ill plans agate, that bring you about folk's houses at this time o' night. If you've any followers--housebreakers or such like--anywhere near, you may tell them we are not by ourselves in the house; we have a gentleman, and dogs, and guns." Here the honest but inflexible servant clapped the door to and bolted it within. This was the climax. A pang of exquisite suffering--a throe of true despair--rent and heaved my heart. Worn out, indeed, I was; not another step could I stir. I sank on the wet doorstep: I groaned--I wrung my hands--I wept in utter anguish. Oh, this spectre of death! Oh, this last hour, approaching in such horror! Alas, this isolation--this banishment from my kind! Not only the anchor of hope, but the footing of fortitude was gone--at least for a moment; but the last I soon endeavoured to regain. "I can but die," I said, "and I believe in God. Let me try to wait His will in silence." These words I not only thought, but uttered; and thrusting back all my misery into my heart, I made an effort to compel it to remain there--dumb and still. "All men must die," said a voice quite close at hand; "but all are not condemned to meet a lingering and premature doom, such as yours would be if you perished here of want." "Who or what speaks?" I asked, terrified at the unexpected sound, and incapable now of deriving from any occurrence a hope of aid. A form was near--what form, the pitch-dark night and my enfeebled vision prevented me from distinguishing. With a loud long knock, the new-comer appealed to the door. "Is it you, Mr. St. John?" cried Hannah. "Yes--yes; open quickly." "Well, how wet and cold you must be, such a wild night as it is! Come in--your sisters are quite uneasy about you, and I believe there are bad folks about. There has been a beggar-woman--I declare she is not gone yet!--laid down there. Get up! for shame! Move off, I say!" "Hush, Hannah! I have a word to say to the woman. You have done your duty in excluding, now let me do mine in admitting her. I was near, and listened to both you and her. I think this is a peculiar case--I must at least examine into it. Young woman, rise, and pass before me into the house." {Hush, Hannah; I have a word to say to the woman: p323.jpg} With difficulty I obeyed him. Presently I stood within that clean, bright kitchen--on the very hearth--trembling, sickening; conscious of an aspect in the last degree ghastly, wild, and weather-beaten. The two ladies, their brother, Mr. St. John, the old servant, were all gazing at me. "St. John, who is it?" I heard one ask. "I cannot tell: I found her at the door," was the reply. "She does look white," said Hannah. "As white as clay or death," was responded. "She will fall: let her sit." And indeed my head swam: I dropped, but a chair received me. I still possessed my senses, though just now I could not speak. "Perhaps a little water would restore her. Hannah, fetch some. But she is worn to nothing. How very thin, and how very bloodless!" "A mere spectre!" "Is she ill, or only famished?" "Famished, I think. Hannah, is that milk? Give it me, and a piece of bread." Diana (I knew her by the long curls which I saw drooping between me and the fire as she bent over me) broke some bread, dipped it in milk, and put it to my lips. Her face was near mine: I saw there was pity in it, and I felt sympathy in her hurried breathing. In her simple words, too, the same balm-like emotion spoke: "Try to eat." "Yes--try," repeated Mary gently; and Mary's hand removed my sodden bonnet and lifted my head. I tasted what they offered me: feebly at first, eagerly soon. "Not too much at first--restrain her," said the brother; "she has had enough." And he withdrew the cup of milk and the plate of bread. "A little more, St. John--look at the avidity in her eyes." "No more at present, sister. Try if she can speak now--ask her her name." I felt I could speak, and I answered--"My name is Jane Elliott." Anxious as ever to avoid discovery, I had before resolved to assume an _alias_. "And where do you live? Where are your friends?" I was silent. "Can we send for any one you know?" I shook my head. "What account can you give of yourself?" Somehow, now that I had once crossed the threshold of this house, and once was brought face to face with its owners, I felt no longer outcast, vagrant, and disowned by the wide world. I dared to put off the mendicant--to resume my natural manner and character. I began once more to know myself; and when Mr. St. John demanded an account--which at present I was far too weak to render--I said after a brief pause-- "Sir, I can give you no details to-night." "But what, then," said he, "do you expect me to do for you?" "Nothing," I replied. My strength sufficed for but short answers. Diana took the word-- "Do you mean," she asked, "that we have now given you what aid you require? and that we may dismiss you to the moor and the rainy night?" I looked at her. She had, I thought, a remarkable countenance, instinct both with power and goodness. I took sudden courage. Answering her compassionate gaze with a smile, I said--"I will trust you. If I were a masterless and stray dog, I know that you would not turn me from your hearth to-night: as it is, I really have no fear. Do with me and for me as you like; but excuse me from much discourse--my breath is short--I feel a spasm when I speak." All three surveyed me, and all three were silent. "Hannah," said Mr. St. John, at last, "let her sit there at present, and ask her no questions; in ten minutes more, give her the remainder of that milk and bread. Mary and Diana, let us go into the parlour and talk the matter over." They withdrew. Very soon one of the ladies returned--I could not tell which. A kind of pleasant stupor was stealing over me as I sat by the genial fire. In an undertone she gave some directions to Hannah. Ere long, with the servant's aid, I contrived to mount a staircase; my dripping clothes were removed; soon a warm, dry bed received me. I thanked God--experienced amidst unutterable exhaustion a glow of grateful joy--and slept. The recollection of about three days and nights succeeding this is very dim in my mind. I can recall some sensations felt in that interval; but few thoughts framed, and no actions performed. I knew I was in a small room and in a narrow bed. To that bed I seemed to have grown; I lay on it motionless as a stone; and to have torn me from it would have been almost to kill me. I took no note of the lapse of time--of the change from morning to noon, from noon to evening. I observed when any one entered or left the apartment: I could even tell who they were; I could understand what was said when the speaker stood near to me; but I could not answer; to open my lips or move my limbs was equally impossible. Hannah, the servant, was my most frequent visitor. Her coming disturbed me. I had a feeling that she wished me away: that she did not understand me or my circumstances; that she was prejudiced against me. Diana and Mary appeared in the chamber once or twice a day. They would whisper sentences of this sort at my bedside-- "It is very well we took her in." "Yes; she would certainly have been found dead at the door in the morning had she been left out all night. I wonder what she has gone through?" "Strange hardships, I imagine--poor, emaciated, pallid wanderer?" "She is not an uneducated person, I should think, by her manner of speaking; her accent was quite pure; and the clothes she took off, though splashed and wet, were little worn and fine." "She has a peculiar face; fleshless and haggard as it is, I rather like it; and when in good health and animated, I can fancy her physiognomy would be agreeable." Never once in their dialogues did I hear a syllable of regret at the hospitality they had extended to me, or of suspicion of, or aversion to, myself. I was comforted. Mr. St. John came but once: he looked at me, and said my state of lethargy was the result of reaction from excessive and protracted fatigue. He pronounced it needless to send for a doctor: nature, he was sure, would manage best, left to herself. He said every nerve had been overstrained in some way, and the whole system must sleep torpid a while. There was no disease. He imagined my recovery would be rapid enough when once commenced. These opinions he delivered in a few words, in a quiet, low voice; and added, after a pause, in the tone of a man little accustomed to expansive comment, "Rather an unusual physiognomy; certainly, not indicative of vulgarity or degradation." "Far otherwise," responded Diana. "To speak truth, St. John, my heart rather warms to the poor little soul. I wish we may be able to benefit her permanently." "That is hardly likely," was the reply. "You will find she is some young lady who has had a misunderstanding with her friends, and has probably injudiciously left them. We may, perhaps, succeed in restoring her to them, if she is not obstinate: but I trace lines of force in her face which make me sceptical of her tractability." He stood considering me some minutes; then added, "She looks sensible, but not at all handsome." "She is so ill, St. John." "Ill or well, she would always be plain. The grace and harmony of beauty are quite wanting in those features." On the third day I was better; on the fourth, I could speak, move, rise in bed, and turn. Hannah had brought me some gruel and dry toast, about, as I supposed, the dinner-hour. I had eaten with relish: the food was good--void of the feverish flavour which had hitherto poisoned what I had swallowed. When she left me, I felt comparatively strong and revived: ere long satiety of repose and desire for action stirred me. I wished to rise; but what could I put on? Only my damp and bemired apparel; in which I had slept on the ground and fallen in the marsh. I felt ashamed to appear before my benefactors so clad. I was spared the humiliation. On a chair by the bedside were all my own things, clean and dry. My black silk frock hung against the wall. The traces of the bog were removed from it; the creases left by the wet smoothed out: it was quite decent. My very shoes and stockings were purified and rendered presentable. There were the means of washing in the room, and a comb and brush to smooth my hair. After a weary process, and resting every five minutes, I succeeded in dressing myself. My clothes hung loose on me; for I was much wasted, but I covered deficiencies with a shawl, and once more, clean and respectable looking--no speck of the dirt, no trace of the disorder I so hated, and which seemed so to degrade me, left--I crept down a stone staircase with the aid of the banisters, to a narrow low passage, and found my way presently to the kitchen. It was full of the fragrance of new bread and the warmth of a generous fire. Hannah was baking. Prejudices, it is well known, are most difficult to eradicate from the heart whose soil has never been loosened or fertilised by education: they grow there, firm as weeds among stones. Hannah had been cold and stiff, indeed, at the first: latterly she had begun to relent a little; and when she saw me come in tidy and well-dressed, she even smiled. "What, you have got up!" she said. "You are better, then. You may sit you down in my chair on the hearthstone, if you will." She pointed to the rocking-chair: I took it. She bustled about, examining me every now and then with the corner of her eye. Turning to me, as she took some loaves from the oven, she asked bluntly-- "Did you ever go a-begging afore you came here?" I was indignant for a moment; but remembering that anger was out of the question, and that I had indeed appeared as a beggar to her, I answered quietly, but still not without a certain marked firmness-- "You are mistaken in supposing me a beggar. I am no beggar; any more than yourself or your young ladies." After a pause she said, "I dunnut understand that: you've like no house, nor no brass, I guess?" "The want of house or brass (by which I suppose you mean money) does not make a beggar in your sense of the word." "Are you book-learned?" she inquired presently. "Yes, very." "But you've never been to a boarding-school?" "I was at a boarding-school eight years." She opened her eyes wide. "Whatever cannot ye keep yourself for, then?" "I have kept myself; and, I trust, shall keep myself again. What are you going to do with these gooseberries?" I inquired, as she brought out a basket of the fruit. "Mak' 'em into pies." "Give them to me and I'll pick them." "Nay; I dunnut want ye to do nought." "But I must do something. Let me have them." She consented; and she even brought me a clean towel to spread over my dress, "lest," as she said, "I should mucky it." "Ye've not been used to sarvant's wark, I see by your hands," she remarked. "Happen ye've been a dressmaker?" "No, you are wrong. And now, never mind what I have been: don't trouble your head further about me; but tell me the name of the house where we are." "Some calls it Marsh End, and some calls it Moor House." "And the gentleman who lives here is called Mr. St. John?" "Nay; he doesn't live here: he is only staying a while. When he is at home, he is in his own parish at Morton." "That village a few miles off? "Aye." "And what is he?" "He is a parson." I remembered the answer of the old housekeeper at the parsonage, when I had asked to see the clergyman. "This, then, was his father's residence?" "Aye; old Mr. Rivers lived here, and his father, and grandfather, and gurt (great) grandfather afore him." "The name, then, of that gentleman, is Mr. St. John Rivers?" "Aye; St. John is like his kirstened name." "And his sisters are called Diana and Mary Rivers?" "Yes." "Their father is dead?" "Dead three weeks sin' of a stroke." "They have no mother?" "The mistress has been dead this mony a year." "Have you lived with the family long?" "I've lived here thirty year. I nursed them all three." "That proves you must have been an honest and faithful servant. I will say so much for you, though you have had the incivility to call me a beggar." She again regarded me with a surprised stare. "I believe," she said, "I was quite mista'en in my thoughts of you: but there is so mony cheats goes about, you mun forgie me." "And though," I continued, rather severely, "you wished to turn me from the door, on a night when you should not have shut out a dog." "Well, it was hard: but what can a body do? I thought more o' th' childer nor of mysel: poor things! They've like nobody to tak' care on 'em but me. I'm like to look sharpish." I maintained a grave silence for some minutes. "You munnut think too hardly of me," she again remarked. "But I do think hardly of you," I said; "and I'll tell you why--not so much because you refused to give me shelter, or regarded me as an impostor, as because you just now made it a species of reproach that I had no 'brass' and no house. Some of the best people that ever lived have been as destitute as I am; and if you are a Christian, you ought not to consider poverty a crime." "No more I ought," said she: "Mr. St. John tells me so too; and I see I wor wrang--but I've clear a different notion on you now to what I had. You look a raight down dacent little crater." "That will do--I forgive you now. Shake hands." She put her floury and horny hand into mine; another and heartier smile illumined her rough face, and from that moment we were friends. Hannah was evidently fond of talking. While I picked the fruit, and she made the paste for the pies, she proceeded to give me sundry details about her deceased master and mistress, and "the childer," as she called the young people. Old Mr. Rivers, she said, was a plain man enough, but a gentleman, and of as ancient a family as could be found. Marsh End had belonged to the Rivers ever since it was a house: and it was, she affirmed, "aboon two hundred year old--for all it looked but a small, humble place, naught to compare wi' Mr. Oliver's grand hall down i' Morton Vale. But she could remember Bill Oliver's father a journeyman needlemaker; and th' Rivers wor gentry i' th' owd days o' th' Henrys, as onybody might see by looking into th' registers i' Morton Church vestry." Still, she allowed, "the owd maister was like other folk--naught mich out o' t' common way: stark mad o' shooting, and farming, and sich like." The mistress was different. She was a great reader, and studied a deal; and the "bairns" had taken after her. There was nothing like them in these parts, nor ever had been; they had liked learning, all three, almost from the time they could speak; and they had always been "of a mak' of their own." Mr. St. John, when he grew up, would go to college and be a parson; and the girls, as soon as they left school, would seek places as governesses: for they had told her their father had some years ago lost a great deal of money by a man he had trusted turning bankrupt; and as he was now not rich enough to give them fortunes, they must provide for themselves. They had lived very little at home for a long while, and were only come now to stay a few weeks on account of their father's death; but they did so like Marsh End and Morton, and all these moors and hills about. They had been in London, and many other grand towns; but they always said there was no place like home; and then they were so agreeable with each other--never fell out nor "threaped." She did not know where there was such a family for being united. Having finished my task of gooseberry picking, I asked where the two ladies and their brother were now. "Gone over to Morton for a walk; but they would be back in half-an-hour to tea." They returned within the time Hannah had allotted them: they entered by the kitchen door. Mr. St. John, when he saw me, merely bowed and passed through; the two ladies stopped: Mary, in a few words, kindly and calmly expressed the pleasure she felt in seeing me well enough to be able to come down; Diana took my hand: she shook her head at me. "You should have waited for my leave to descend," she said. "You still look very pale--and so thin! Poor child!--poor girl!" Diana had a voice toned, to my ear, like the cooing of a dove. She possessed eyes whose gaze I delighted to encounter. Her whole face seemed to me full of charm. Mary's countenance was equally intelligent--her features equally pretty; but her expression was more reserved, and her manners, though gentle, more distant. Diana looked and spoke with a certain authority: she had a will, evidently. It was my nature to feel pleasure in yielding to an authority supported like hers, and to bend, where my conscience and self-respect permitted, to an active will. "And what business have you here?" she continued. "It is not your place. Mary and I sit in the kitchen sometimes, because at home we like to be free, even to license--but you are a visitor, and must go into the parlour." "I am very well here." "Not at all, with Hannah bustling about and covering you with flour." "Besides, the fire is too hot for you," interposed Mary. "To be sure," added her sister. "Come, you must be obedient." And still holding my hand she made me rise, and led me into the inner room. "Sit there," she said, placing me on the sofa, "while we take our things off and get the tea ready; it is another privilege we exercise in our little moorland home--to prepare our own meals when we are so inclined, or when Hannah is baking, brewing, washing, or ironing." She closed the door, leaving me solus with Mr. St. John, who sat opposite, a book or newspaper in his hand. I examined first, the parlour, and then its occupant. The parlour was rather a small room, very plainly furnished, yet comfortable, because clean and neat. The old-fashioned chairs were very bright, and the walnut-wood table was like a looking-glass. A few strange, antique portraits of the men and women of other days decorated the stained walls; a cupboard with glass doors contained some books and an ancient set of china. There was no superfluous ornament in the room--not one modern piece of furniture, save a brace of workboxes and a lady's desk in rosewood, which stood on a side-table: everything--including the carpet and curtains--looked at once well worn and well saved. Mr. St. John--sitting as still as one of the dusty pictures on the walls, keeping his eyes fixed on the page he perused, and his lips mutely sealed--was easy enough to examine. Had he been a statue instead of a man, he could not have been easier. He was young--perhaps from twenty- eight to thirty--tall, slender; his face riveted the eye; it was like a Greek face, very pure in outline: quite a straight, classic nose; quite an Athenian mouth and chin. It is seldom, indeed, an English face comes so near the antique models as did his. He might well be a little shocked at the irregularity of my lineaments, his own being so harmonious. His eyes were large and blue, with brown lashes; his high forehead, colourless as ivory, was partially streaked over by careless locks of fair hair. This is a gentle delineation, is it not, reader? Yet he whom it describes scarcely impressed one with the idea of a gentle, a yielding, an impressible, or even of a placid nature. Quiescent as he now sat, there was something about his nostril, his mouth, his brow, which, to my perceptions, indicated elements within either restless, or hard, or eager. He did not speak to me one word, nor even direct to me one glance, till his sisters returned. Diana, as she passed in and out, in the course of preparing tea, brought me a little cake, baked on the top of the oven. "Eat that now," she said: "you must be hungry. Hannah says you have had nothing but some gruel since breakfast." I did not refuse it, for my appetite was awakened and keen. Mr. Rivers now closed his book, approached the table, and, as he took a seat, fixed his blue pictorial-looking eyes full on me. There was an unceremonious directness, a searching, decided steadfastness in his gaze now, which told that intention, and not diffidence, had hitherto kept it averted from the stranger. "You are very hungry," he said. "I am, sir." It is my way--it always was my way, by instinct--ever to meet the brief with brevity, the direct with plainness. "It is well for you that a low fever has forced you to abstain for the last three days: there would have been danger in yielding to the cravings of your appetite at first. Now you may eat, though still not immoderately." "I trust I shall not eat long at your expense, sir," was my very clumsily- contrived, unpolished answer. "No," he said coolly: "when you have indicated to us the residence of your friends, we can write to them, and you may be restored to home." "That, I must plainly tell you, is out of my power to do; being absolutely without home and friends." The three looked at me, but not distrustfully; I felt there was no suspicion in their glances: there was more of curiosity. I speak particularly of the young ladies. St. John's eyes, though clear enough in a literal sense, in a figurative one were difficult to fathom. He seemed to use them rather as instruments to search other people's thoughts, than as agents to reveal his own: the which combination of keenness and reserve was considerably more calculated to embarrass than to encourage. "Do you mean to say," he asked, "that you are completely isolated from every connection?" "I do. Not a tie links me to any living thing: not a claim do I possess to admittance under any roof in England." "A most singular position at your age!" Here I saw his glance directed to my hands, which were folded on the table before me. I wondered what he sought there: his words soon explained the quest. "You have never been married? You are a spinster?" Diana laughed. "Why, she can't be above seventeen or eighteen years old, St. John," said she. "I am near nineteen: but I am not married. No." I felt a burning glow mount to my face; for bitter and agitating recollections were awakened by the allusion to marriage. They all saw the embarrassment and the emotion. Diana and Mary relieved me by turning their eyes elsewhere than to my crimsoned visage; but the colder and sterner brother continued to gaze, till the trouble he had excited forced out tears as well as colour. "Where did you last reside?" he now asked. "You are too inquisitive, St. John," murmured Mary in a low voice; but he leaned over the table and required an answer by a second firm and piercing look. "The name of the place where, and of the person with whom I lived, is my secret," I replied concisely. "Which, if you like, you have, in my opinion, a right to keep, both from St. John and every other questioner," remarked Diana. "Yet if I know nothing about you or your history, I cannot help you," he said. "And you need help, do you not?" "I need it, and I seek it so far, sir, that some true philanthropist will put me in the way of getting work which I can do, and the remuneration for which will keep me, if but in the barest necessaries of life." "I know not whether I am a true philanthropist; yet I am willing to aid you to the utmost of my power in a purpose so honest. First, then, tell me what you have been accustomed to do, and what you _can_ do." I had now swallowed my tea. I was mightily refreshed by the beverage; as much so as a giant with wine: it gave new tone to my unstrung nerves, and enabled me to address this penetrating young judge steadily. "Mr. Rivers," I said, turning to him, and looking at him, as he looked at me, openly and without diffidence, "you and your sisters have done me a great service--the greatest man can do his fellow-being; you have rescued me, by your noble hospitality, from death. This benefit conferred gives you an unlimited claim on my gratitude, and a claim, to a certain extent, on my confidence. I will tell you as much of the history of the wanderer you have harboured, as I can tell without compromising my own peace of mind--my own security, moral and physical, and that of others. "I am an orphan, the daughter of a clergyman. My parents died before I could know them. I was brought up a dependant; educated in a charitable institution. I will even tell you the name of the establishment, where I passed six years as a pupil, and two as a teacher--Lowood Orphan Asylum, ---shire: you will have heard of it, Mr. Rivers?--the Rev. Robert Brocklehurst is the treasurer." "I have heard of Mr. Brocklehurst, and I have seen the school." "I left Lowood nearly a year since to become a private governess. I obtained a good situation, and was happy. This place I was obliged to leave four days before I came here. The reason of my departure I cannot and ought not to explain: it would be useless, dangerous, and would sound incredible. No blame attached to me: I am as free from culpability as any one of you three. Miserable I am, and must be for a time; for the catastrophe which drove me from a house I had found a paradise was of a strange and direful nature. I observed but two points in planning my departure--speed, secrecy: to secure these, I had to leave behind me everything I possessed except a small parcel; which, in my hurry and trouble of mind, I forgot to take out of the coach that brought me to Whitcross. To this neighbourhood, then, I came, quite destitute. I slept two nights in the open air, and wandered about two days without crossing a threshold: but twice in that space of time did I taste food; and it was when brought by hunger, exhaustion, and despair almost to the last gasp, that you, Mr. Rivers, forbade me to perish of want at your door, and took me under the shelter of your roof. I know all your sisters have done for me since--for I have not been insensible during my seeming torpor--and I owe to their spontaneous, genuine, genial compassion as large a debt as to your evangelical charity." "Don't make her talk any more now, St. John," said Diana, as I paused; "she is evidently not yet fit for excitement. Come to the sofa and sit down now, Miss Elliott." I gave an involuntary half start at hearing the _alias_: I had forgotten my new name. Mr. Rivers, whom nothing seemed to escape, noticed it at once. "You said your name was Jane Elliott?" he observed. "I did say so; and it is the name by which I think it expedient to be called at present, but it is not my real name, and when I hear it, it sounds strange to me." "Your real name you will not give?" "No: I fear discovery above all things; and whatever disclosure would lead to it, I avoid." "You are quite right, I am sure," said Diana. "Now do, brother, let her be at peace a while." But when St. John had mused a few moments he recommenced as imperturbably and with as much acumen as ever. "You would not like to be long dependent on our hospitality--you would wish, I see, to dispense as soon as may be with my sisters' compassion, and, above all, with my _charity_ (I am quite sensible of the distinction drawn, nor do I resent it--it is just): you desire to be independent of us?" "I do: I have already said so. Show me how to work, or how to seek work: that is all I now ask; then let me go, if it be but to the meanest cottage; but till then, allow me to stay here: I dread another essay of the horrors of homeless destitution." "Indeed you _shall_ stay here," said Diana, putting her white hand on my head. "You _shall_," repeated Mary, in the tone of undemonstrative sincerity which seemed natural to her. "My sisters, you see, have a pleasure in keeping you," said Mr. St. John, "as they would have a pleasure in keeping and cherishing a half-frozen bird, some wintry wind might have driven through their casement. I feel more inclination to put you in the way of keeping yourself, and shall endeavour to do so; but observe, my sphere is narrow. I am but the incumbent of a poor country parish: my aid must be of the humblest sort. And if you are inclined to despise the day of small things, seek some more efficient succour than such as I can offer." "She has already said that she is willing to do anything honest she can do," answered Diana for me; "and you know, St. John, she has no choice of helpers: she is forced to put up with such crusty people as you." "I will be a dressmaker; I will be a plain-workwoman; I will be a servant, a nurse-girl, if I can be no better," I answered. "Right," said Mr. St. John, quite coolly. "If such is your spirit, I promise to aid you, in my own time and way." He now resumed the book with which he had been occupied before tea. I soon withdrew, for I had talked as much, and sat up as long, as my present strength would permit.

Chapters 28-29

https://web.archive.org/web/20190321135117/https://www.cliffsnotes.com/literature/j/jane-eyre/summary-and-analysis/chapters-2829

Two days later, the coachman drops Jane off in Whitcross. He couldn't take her any further because she has run out of money. Accidentally, Jane leaves her packet in the coach and is now destitute. Nature is Jane's only relative, the "universal mother" who will lodge her without money, so Jane spends the night sleeping on the heath. Too hurt by memories of her broken heart to sleep, Jane rises, kneeling in the night, and prays to God. The next morning, she follows the road past Whitcross. Walking to the point of fatigue, she finally finds a town and enters a bakery to beg for bread or a job. No one will help her, and even the parson is away, at Marsh End, due to the sudden death of his father. Finally, she finds a farmer who gives her a slice of brown bread. That night, Jane is unable to sleep peacefully in the woods. The only food she eats the next day is a pot of cold porridge that a little girl was about to throw into a pig trough. Across the moors, she suddenly sees the light of a house. Jane follows a road leading to the house, and enters its gate, peering in the lighted window. Inside she sees a well-kept house, a rough-looking elderly woman, and two graceful ladies dressed in mourning. The women are waiting for their brother, St. John, to return home. These cultivated young women, named Diana and Mary Rivers, are practicing their German. Jane knocks on the door, but the old servant, Hannah, turns her away. St. John overhears the conversation and offers Jane shelter because he thinks she's "a peculiar case." The Rivers offer her bread and milk and allow her to stay for the night. Jane tells them her name is "Jane Elliott." Jane spends three days and nights in bed. Diana and Mary are happy to have taken her in, believing she would have died if they had left her outside. Looking at Jane, they conclude that she is well educated, because nothing in her appearance indicates "vulgarity or degradation." On the fourth day, Jane rises and dresses in her freshly washed clothes; she is once again clean and respectable, with no traces of dirt or disorder in her appearance. Jane goes downstairs and works in the kitchen with Hannah, from whom she learns that the house is called Marsh End or Moor House and is owned by the Rivers. Jane lectures Hannah for unfairly judging the poor, and Hannah begs Jane's forgiveness for initially denying her entrance to the house; the two women slowly become friends. From Hannah, Jane discovers that the Rivers are an "ancient" family. Several years ago, their father lost much money when a man he trusted went bankrupt, so Diana and Mary were forced to find work as governesses. Mr. Rivers died three weeks earlier of a stroke. Jane tells the Rivers some of her history. The reason for her departure from her governess position she doesn't reveal, but assures them that she was blameless in the situation. She tells them Jane Elliott isn't her real name. Knowing Jane won't want to accept their charity for long, St. John promises to find her some unglamorous job.

Jane has reached the dark night of her soul. Leaving the carriage that has brought her to Whitcross, Jane has nothing but the clothes she's wearing. Before beginning the final section of her journey of self-discovery, Jane must strip herself of all connections with humanity and rediscover her spiritual self. In some ways, this separation from society may be her punishment for the passion that elevated Rochester above God in her imagination and for her near participation in a bigamous relationship. Nature becomes Jane's mother, and she seeks repose at this great mother's breast. For her, nature is "benign and good," a safe mother who loves Jane, even though she's an outcast. Closely aligned with nature is God, whom Jane realizes is everywhere: At those moments when closest to nature, "we read clearest His infinitude, His omnipotence, His omnipresence." Like nature, Jane's God is filled with bounty, compassion, and forgiveness. The difference between Jane's loving God, and the malicious, demanding Christ of Mr. Brocklehurst or Eliza Reed is apparent. Nor is Jane's God similar to Helen Burns.' While Helen's God taught her to savor heaven over earth, Jane's God is closer to a pagan spirit, who offers both spirituality and material comfort. Jane wishes she could live in and on the natural world, but she can't. Instead, she must return to the company of humans to find food and permanent shelter. But her experience in the wilderness has begun to repair her damaged spirit. Jane's return to the human world is difficult. Penniless and dirty, she discovers that beggars are often objects of suspicion, and "a well-dressed beggar inevitably so." Because she doesn't fit into any class, neither a "real" beggar nor a "real" lady, Jane is outside of society's pre-ordained categories, and therefore, is viewed with mistrust and rejection. As Hannah says, "You are not what you ought to be, or you wouldn't make such a noise." Hannah implies that moral transgression is the only answer for the question of Jane's destitute position. In some sense, she's right. By placing her love for Rochester above all spiritual concerns, Jane has in some ways transgressed, and her present journey charts the process of her atonement. Washed of all sins by her night on the dewy moors, Jane is now ready to reenter human community. Peering through the window of the house on the moors, Jane sees an idyllic world. Unlike the stateliness of Thornfield, in which Jane felt inferior, the rustic simplicity of this cottage is comforting. Diana and Mary, serene, intelligent, and graceful, are the models of femininity that Jane seeks, and Jane is comforted by their "power and goodness." Similarly, St. John's willingness to allow an unknown beggar into his home suggests compassion, something Jane hasn't often known. As she crosses the threshold of his house, Jane no longer feels an "outcast, vagrant, and disowned by the wide world." She is able to put aside the character of mendicant and resume her "natural manner and character"; she says, "I began once more to know myself." Jane's dark night has ended: She lost herself on the moors but has rediscovered herself in the comfort of the Rivers' home. Jane has reached the final destination on her journey of discover; significantly, the house is called Marsh End, as Jane has reached the end of her march. This chapter develops the personalities of the residents at Marsh End. The housekeeper, Hannah, has been with the family for thirty years and works hard to protect Diana and Mary. Hannah admits she has no respect for Jane, because she has neither money nor a home. This class prejudice angers Jane, who reminds Hannah that poverty is no sin; in fact, many of the best people, such as Christ, lived destitute, and a good Christian shouldn't reject the poor. In this section, Jane recognizes the spiritual value of her experience of absolute poverty, which has stripped her of all markings of class. Now, however, she rejects the label of "beggar," showing that she, like Hannah, has prejudices against those who beg for a living. Jane has been careful to erase all signs of dirt and "disorder" from her appearance, so she can resume her proper identity. Similarly, the record she provides of Diana and Mary's conversations about her as she slept emphasizes her ladylike appearance: she is educated, her accent is pure, and her appearance doesn't indicate decadence. While Jane warns Hannah not to judge the poor, Jane is careful to erase all marks of poverty from her own appearance. From Hannah, Jane discovers that the Rivers are ancient gentry, class-related information that will be important to Jane later in the novel. Their superiority is evident in Diana's and Mary's appearances and manners. Both women are charming, pretty, and intelligent, although Mary is more reserved than the more willful Diana. Like Miss Temple, these women provide Jane with a model of compassionate, refined, intellectually stimulating, and morally superior femininity that contrasts with the capriciousness of the Reeds and the self-centeredness of Blanche Ingram. St. John River's appearance also indicates a moral and intellectual superiority. According to Jane, his face's pure outline is Greek, and he has "a straight, classic nose; quite an Athenian mouth and chin." St. John's classic, handsome features contrast with Rochester's rugged appearance. The two men are like ice and fire. While St. John's blue eyes and ivory skin align him with ice, Rochester's dark hair and passionate nature connect him with fire. Jane immediately detects a restlessness or hardness under St. John's seemingly placid face, however. The differences between the two men will be further developed as the novel progresses. Glossary Da trat hervor Einer, anzusehen wie sie Sternen Nacht. Only one person came forward, to be watched like a crystal clear night. Ich wage . . . Grimms. I weigh my thoughts on a small scale, my temper and behavior with weights the size of my outburst. Deutsch German. bairn a child. alias an assumed name.

cliffnotes

all_chapterized_books/1260-chapters/31.txt

finished_summaries/cliffnotes/Jane Eyre/section_23_part_0.txt

Jane Eyre.volume 3.chapter 30

chapter 30

{"name": "Chapter 30", "url": "https://web.archive.org/web/20190321135117/https://www.cliffsnotes.com/literature/j/jane-eyre/summary-and-analysis/chapter-30", "summary": "After a few days, Jane has recovered her health enough to sit up and walk outdoors. Her conversations with Diana and Mary revive and refresh Jane, because their values and interests are so perfectly aligned with hers. Diana and Mary are better read than Jane, and Jane eagerly devours all the books they lend her. Drawing is the only area in which Jane's skill surpasses theirs. The intimacy Jane feels with the women doesn't extend to St. John, partly because he is often away from home, visiting the sick, and partly because his nature is so reserved and brooding. A month passes. Diana and Mary prepare to return to their positions as governesses in a large, fashionable city in the south of England. Jane wonders if St. John has found any employment for her? Since he is \"poor and obscure,\" he says he has only been able to devise an insignificant post for Jane -- if she wants it, she can run a school for poor girls in Morton. Her salary would be thirty pounds, and she would have a furnished cottage to live in, provided by Miss Oliver, the only daughter of the rich owner of a needle factory and iron foundry. Although humble, the position's independence and safety appeal to Jane. St. John guesses that Jane won't remain long in Morton, because she'll soon long for society and stimulus. But St. John has a similar \"fever in his vitals,\" as Diana reveals, and they know he will soon leave England. As the women sit talking, St. John enters the room, and announces their Uncle John has died, leaving all of his fortune to another relative. Their uncle and father had quarreled, and it was John's fault that Mr. Rivers lost most of his property and money.", "analysis": "The \"dark and hoary\" appearance of Moor House seems to match Jane's psychology at this point of the novel; she has moved from Thornfield's luxury to Marsh End's natural and rugged beauty. Describing the environment around the house, Jane emphasizes its rustic, hardy feel: The fierce mountain winds have caused the trees to grow \"aslant\"; only the hardiest flowers bloom near it; and it is surrounded by some the \"wildest little pasture-fields that ever bordered a wilderness of heath.\" In this chapter, Jane emphasizes her intellectual affinity for the Rivers sisters. Being in their presence rekindles Jane's joy in learning, and the three women mutually share and bolster each other's skills; Diana teaches Jane German, while Jane offers Mary drawing lessons. As in earlier chapters, Jane here emphasizes the incongruity of the position of governesses. Although the Rivers sisters are members of an ancient and esteemed family that has fallen on hard times, they must spend their lives as the \"humble dependents\" of wealthy and haughty families who cannot fully appreciate their talents. For these families, Diana's and Mary's skills are comparable to those of their cook or waiting-woman. Bronte's depiction of the Rivers is probably based on personal experience. Like them, she was forced to work as a governess for a family she despised; like them, she took time to learn new languages so that she could increase her wages and open up a school of her own. Sadly, her attempt to open a school failed miserably, as not a single student applied for admittance. While the Rivers girls are depicted favorably, Jane's feelings for St. John are more conflicted. His reserve and brooding suggest a troubled nature, and his zealous Christianity offers him neither serenity nor contentment. St. John's real nature is revealed in his sermon -- Jane is unable to render accurately its effect on her. While St. John's tone is calm throughout, his nervous words have a \"strictly restrained zeal\" that reflects his bitterness and lack of \"consolatory gentleness.\" His doom and gloom leave Jane feeling inexpressibly sad, because she feels his eloquence is born of disappointment. Jane compares his despair to her own regrets at the loss of her heaven with Rochester. Despite St. John's strictness, or perhaps because of it, he has not found the peace in God that reassured Jane during her awful night on the moors. Instead, St. John dwells on his poverty and obscurity, always looking for a way to become the hero he longs to be. Again, his difference from Rochester is apparent; while Rochester vents his passions, St. John hides his in \"a fever in his vitals.\" The death of their Uncle John is also significant. The astute reader will remember that Jane also had an uncle named John, one who was too ill to save her from Rochester's bigamous plot. The connections between the families will grow in the remainder of the novel."}

The more I knew of the inmates of Moor House, the better I liked them. In a few days I had so far recovered my health that I could sit up all day, and walk out sometimes. I could join with Diana and Mary in all their occupations; converse with them as much as they wished, and aid them when and where they would allow me. There was a reviving pleasure in this intercourse, of a kind now tasted by me for the first time--the pleasure arising from perfect congeniality of tastes, sentiments, and principles. I liked to read what they liked to read: what they enjoyed, delighted me; what they approved, I reverenced. They loved their sequestered home. I, too, in the grey, small, antique structure, with its low roof, its latticed casements, its mouldering walls, its avenue of aged firs--all grown aslant under the stress of mountain winds; its garden, dark with yew and holly--and where no flowers but of the hardiest species would bloom--found a charm both potent and permanent. They clung to the purple moors behind and around their dwelling--to the hollow vale into which the pebbly bridle-path leading from their gate descended, and which wound between fern-banks first, and then amongst a few of the wildest little pasture-fields that ever bordered a wilderness of heath, or gave sustenance to a flock of grey moorland sheep, with their little mossy- faced lambs:--they clung to this scene, I say, with a perfect enthusiasm of attachment. I could comprehend the feeling, and share both its strength and truth. I saw the fascination of the locality. I felt the consecration of its loneliness: my eye feasted on the outline of swell and sweep--on the wild colouring communicated to ridge and dell by moss, by heath-bell, by flower-sprinkled turf, by brilliant bracken, and mellow granite crag. These details were just to me what they were to them--so many pure and sweet sources of pleasure. The strong blast and the soft breeze; the rough and the halcyon day; the hours of sunrise and sunset; the moonlight and the clouded night, developed for me, in these regions, the same attraction as for them--wound round my faculties the same spell that entranced theirs. Indoors we agreed equally well. They were both more accomplished and better read than I was; but with eagerness I followed in the path of knowledge they had trodden before me. I devoured the books they lent me: then it was full satisfaction to discuss with them in the evening what I had perused during the day. Thought fitted thought; opinion met opinion: we coincided, in short, perfectly. If in our trio there was a superior and a leader, it was Diana. Physically, she far excelled me: she was handsome; she was vigorous. In her animal spirits there was an affluence of life and certainty of flow, such as excited my wonder, while it baffled my comprehension. I could talk a while when the evening commenced, but the first gush of vivacity and fluency gone, I was fain to sit on a stool at Diana's feet, to rest my head on her knee, and listen alternately to her and Mary, while they sounded thoroughly the topic on which I had but touched. Diana offered to teach me German. I liked to learn of her: I saw the part of instructress pleased and suited her; that of scholar pleased and suited me no less. Our natures dovetailed: mutual affection--of the strongest kind--was the result. They discovered I could draw: their pencils and colour-boxes were immediately at my service. My skill, greater in this one point than theirs, surprised and charmed them. Mary would sit and watch me by the hour together: then she would take lessons; and a docile, intelligent, assiduous pupil she made. Thus occupied, and mutually entertained, days passed like hours, and weeks like days. As to Mr. St John, the intimacy which had arisen so naturally and rapidly between me and his sisters did not extend to him. One reason of the distance yet observed between us was, that he was comparatively seldom at home: a large proportion of his time appeared devoted to visiting the sick and poor among the scattered population of his parish. No weather seemed to hinder him in these pastoral excursions: rain or fair, he would, when his hours of morning study were over, take his hat, and, followed by his father's old pointer, Carlo, go out on his mission of love or duty--I scarcely know in which light he regarded it. Sometimes, when the day was very unfavourable, his sisters would expostulate. He would then say, with a peculiar smile, more solemn than cheerful-- "And if I let a gust of wind or a sprinkling of rain turn me aside from these easy tasks, what preparation would such sloth be for the future I propose to myself?" Diana and Mary's general answer to this question was a sigh, and some minutes of apparently mournful meditation. But besides his frequent absences, there was another barrier to friendship with him: he seemed of a reserved, an abstracted, and even of a brooding nature. Zealous in his ministerial labours, blameless in his life and habits, he yet did not appear to enjoy that mental serenity, that inward content, which should be the reward of every sincere Christian and practical philanthropist. Often, of an evening, when he sat at the window, his desk and papers before him, he would cease reading or writing, rest his chin on his hand, and deliver himself up to I know not what course of thought; but that it was perturbed and exciting might be seen in the frequent flash and changeful dilation of his eye. I think, moreover, that Nature was not to him that treasury of delight it was to his sisters. He expressed once, and but once in my hearing, a strong sense of the rugged charm of the hills, and an inborn affection for the dark roof and hoary walls he called his home; but there was more of gloom than pleasure in the tone and words in which the sentiment was manifested; and never did he seem to roam the moors for the sake of their soothing silence--never seek out or dwell upon the thousand peaceful delights they could yield. Incommunicative as he was, some time elapsed before I had an opportunity of gauging his mind. I first got an idea of its calibre when I heard him preach in his own church at Morton. I wish I could describe that sermon: but it is past my power. I cannot even render faithfully the effect it produced on me. It began calm--and indeed, as far as delivery and pitch of voice went, it was calm to the end: an earnestly felt, yet strictly restrained zeal breathed soon in the distinct accents, and prompted the nervous language. This grew to force--compressed, condensed, controlled. The heart was thrilled, the mind astonished, by the power of the preacher: neither were softened. Throughout there was a strange bitterness; an absence of consolatory gentleness; stern allusions to Calvinistic doctrines--election, predestination, reprobation--were frequent; and each reference to these points sounded like a sentence pronounced for doom. When he had done, instead of feeling better, calmer, more enlightened by his discourse, I experienced an inexpressible sadness; for it seemed to me--I know not whether equally so to others--that the eloquence to which I had been listening had sprung from a depth where lay turbid dregs of disappointment--where moved troubling impulses of insatiate yearnings and disquieting aspirations. I was sure St. John Rivers--pure-lived, conscientious, zealous as he was--had not yet found that peace of God which passeth all understanding: he had no more found it, I thought, than had I with my concealed and racking regrets for my broken idol and lost elysium--regrets to which I have latterly avoided referring, but which possessed me and tyrannised over me ruthlessly. Meantime a month was gone. Diana and Mary were soon to leave Moor House, and return to the far different life and scene which awaited them, as governesses in a large, fashionable, south-of-England city, where each held a situation in families by whose wealthy and haughty members they were regarded only as humble dependants, and who neither knew nor sought out their innate excellences, and appreciated only their acquired accomplishments as they appreciated the skill of their cook or the taste of their waiting-woman. Mr. St. John had said nothing to me yet about the employment he had promised to obtain for me; yet it became urgent that I should have a vocation of some kind. One morning, being left alone with him a few minutes in the parlour, I ventured to approach the window-recess--which his table, chair, and desk consecrated as a kind of study--and I was going to speak, though not very well knowing in what words to frame my inquiry--for it is at all times difficult to break the ice of reserve glassing over such natures as his--when he saved me the trouble by being the first to commence a dialogue. Looking up as I drew near--"You have a question to ask of me?" he said. "Yes; I wish to know whether you have heard of any service I can offer myself to undertake?" "I found or devised something for you three weeks ago; but as you seemed both useful and happy here--as my sisters had evidently become attached to you, and your society gave them unusual pleasure--I deemed it inexpedient to break in on your mutual comfort till their approaching departure from Marsh End should render yours necessary." "And they will go in three days now?" I said. "Yes; and when they go, I shall return to the parsonage at Morton: Hannah will accompany me; and this old house will be shut up." I waited a few moments, expecting he would go on with the subject first broached: but he seemed to have entered another train of reflection: his look denoted abstraction from me and my business. I was obliged to recall him to a theme which was of necessity one of close and anxious interest to me. "What is the employment you had in view, Mr. Rivers? I hope this delay will not have increased the difficulty of securing it." "Oh, no; since it is an employment which depends only on me to give, and you to accept." He again paused: there seemed a reluctance to continue. I grew impatient: a restless movement or two, and an eager and exacting glance fastened on his face, conveyed the feeling to him as effectually as words could have done, and with less trouble. "You need be in no hurry to hear," he said: "let me frankly tell you, I have nothing eligible or profitable to suggest. Before I explain, recall, if you please, my notice, clearly given, that if I helped you, it must be as the blind man would help the lame. I am poor; for I find that, when I have paid my father's debts, all the patrimony remaining to me will be this crumbling grange, the row of scathed firs behind, and the patch of moorish soil, with the yew-trees and holly-bushes in front. I am obscure: Rivers is an old name; but of the three sole descendants of the race, two earn the dependant's crust among strangers, and the third considers himself an alien from his native country--not only for life, but in death. Yes, and deems, and is bound to deem, himself honoured by the lot, and aspires but after the day when the cross of separation from fleshly ties shall be laid on his shoulders, and when the Head of that church-militant of whose humblest members he is one, shall give the word, 'Rise, follow Me!'" St. John said these words as he pronounced his sermons, with a quiet, deep voice; with an unflushed cheek, and a coruscating radiance of glance. He resumed-- "And since I am myself poor and obscure, I can offer you but a service of poverty and obscurity. _You_ may even think it degrading--for I see now your habits have been what the world calls refined: your tastes lean to the ideal, and your society has at least been amongst the educated; but _I_ consider that no service degrades which can better our race. I hold that the more arid and unreclaimed the soil where the Christian labourer's task of tillage is appointed him--the scantier the meed his toil brings--the higher the honour. His, under such circumstances, is the destiny of the pioneer; and the first pioneers of the Gospel were the Apostles--their captain was Jesus, the Redeemer, Himself." "Well?" I said, as he again paused--"proceed." He looked at me before he proceeded: indeed, he seemed leisurely to read my face, as if its features and lines were characters on a page. The conclusions drawn from this scrutiny he partially expressed in his succeeding observations. "I believe you will accept the post I offer you," said he, "and hold it for a while: not permanently, though: any more than I could permanently keep the narrow and narrowing--the tranquil, hidden office of English country incumbent; for in your nature is an alloy as detrimental to repose as that in mine, though of a different kind." "Do explain," I urged, when he halted once more. "I will; and you shall hear how poor the proposal is,--how trivial--how cramping. I shall not stay long at Morton, now that my father is dead, and that I am my own master. I shall leave the place probably in the course of a twelve-month; but while I do stay, I will exert myself to the utmost for its improvement. Morton, when I came to it two years ago, had no school: the children of the poor were excluded from every hope of progress. I established one for boys: I mean now to open a second school for girls. I have hired a building for the purpose, with a cottage of two rooms attached to it for the mistress's house. Her salary will be thirty pounds a year: her house is already furnished, very simply, but sufficiently, by the kindness of a lady, Miss Oliver; the only daughter of the sole rich man in my parish--Mr. Oliver, the proprietor of a needle- factory and iron-foundry in the valley. The same lady pays for the education and clothing of an orphan from the workhouse, on condition that she shall aid the mistress in such menial offices connected with her own house and the school as her occupation of teaching will prevent her having time to discharge in person. Will you be this mistress?" He put the question rather hurriedly; he seemed half to expect an indignant, or at least a disdainful rejection of the offer: not knowing all my thoughts and feelings, though guessing some, he could not tell in what light the lot would appear to me. In truth it was humble--but then it was sheltered, and I wanted a safe asylum: it was plodding--but then, compared with that of a governess in a rich house, it was independent; and the fear of servitude with strangers entered my soul like iron: it was not ignoble--not unworthy--not mentally degrading, I made my decision. "I thank you for the proposal, Mr. Rivers, and I accept it with all my heart." "But you comprehend me?" he said. "It is a village school: your scholars will be only poor girls--cottagers' children--at the best, farmers' daughters. Knitting, sewing, reading, writing, ciphering, will be all you will have to teach. What will you do with your accomplishments? What, with the largest portion of your mind--sentiments--tastes?" "Save them till they are wanted. They will keep." "You know what you undertake, then?" "I do." He now smiled: and not a bitter or a sad smile, but one well pleased and deeply gratified. "And when will you commence the exercise of your function?" "I will go to my house to-morrow, and open the school, if you like, next week." "Very well: so be it." He rose and walked through the room. Standing still, he again looked at me. He shook his head. "What do you disapprove of, Mr. Rivers?" I asked. "You will not stay at Morton long: no, no!" "Why? What is your reason for saying so?" "I read it in your eye; it is not of that description which promises the maintenance of an even tenor in life." "I am not ambitious." He started at the word "ambitious." He repeated, "No. What made you think of ambition? Who is ambitious? I know I am: but how did you find it out?" "I was speaking of myself." "Well, if you are not ambitious, you are--" He paused. "What?" "I was going to say, impassioned: but perhaps you would have misunderstood the word, and been displeased. I mean, that human affections and sympathies have a most powerful hold on you. I am sure you cannot long be content to pass your leisure in solitude, and to devote your working hours to a monotonous labour wholly void of stimulus: any more than I can be content," he added, with emphasis, "to live here buried in morass, pent in with mountains--my nature, that God gave me, contravened; my faculties, heaven-bestowed, paralysed--made useless. You hear now how I contradict myself. I, who preached contentment with a humble lot, and justified the vocation even of hewers of wood and drawers of water in God's service--I, His ordained minister, almost rave in my restlessness. Well, propensities and principles must be reconciled by some means." He left the room. In this brief hour I had learnt more of him than in the whole previous month: yet still he puzzled me. Diana and Mary Rivers became more sad and silent as the day approached for leaving their brother and their home. They both tried to appear as usual; but the sorrow they had to struggle against was one that could not be entirely conquered or concealed. Diana intimated that this would be a different parting from any they had ever yet known. It would probably, as far as St. John was concerned, be a parting for years: it might be a parting for life. "He will sacrifice all to his long-framed resolves," she said: "natural affection and feelings more potent still. St. John looks quiet, Jane; but he hides a fever in his vitals. You would think him gentle, yet in some things he is inexorable as death; and the worst of it is, my conscience will hardly permit me to dissuade him from his severe decision: certainly, I cannot for a moment blame him for it. It is right, noble, Christian: yet it breaks my heart!" And the tears gushed to her fine eyes. Mary bent her head low over her work. "We are now without father: we shall soon be without home and brother," she murmured. At that moment a little accident supervened, which seemed decreed by fate purposely to prove the truth of the adage, that "misfortunes never come singly," and to add to their distresses the vexing one of the slip between the cup and the lip. St. John passed the window reading a letter. He entered. "Our uncle John is dead," said he. Both the sisters seemed struck: not shocked or appalled; the tidings appeared in their eyes rather momentous than afflicting. "Dead?" repeated Diana. "Yes." She riveted a searching gaze on her brother's face. "And what then?" she demanded, in a low voice. "What then, Die?" he replied, maintaining a marble immobility of feature. "What then? Why--nothing. Read." He threw the letter into her lap. She glanced over it, and handed it to Mary. Mary perused it in silence, and returned it to her brother. All three looked at each other, and all three smiled--a dreary, pensive smile enough. "Amen! We can yet live," said Diana at last. "At any rate, it makes us no worse off than we were before," remarked Mary. "Only it forces rather strongly on the mind the picture of what _might have been_," said Mr. Rivers, "and contrasts it somewhat too vividly with what _is_." He folded the letter, locked it in his desk, and again went out. For some minutes no one spoke. Diana then turned to me. "Jane, you will wonder at us and our mysteries," she said, "and think us hard-hearted beings not to be more moved at the death of so near a relation as an uncle; but we have never seen him or known him. He was my mother's brother. My father and he quarrelled long ago. It was by his advice that my father risked most of his property in the speculation that ruined him. Mutual recrimination passed between them: they parted in anger, and were never reconciled. My uncle engaged afterwards in more prosperous undertakings: it appears he realised a fortune of twenty thousand pounds. He was never married, and had no near kindred but ourselves and one other person, not more closely related than we. My father always cherished the idea that he would atone for his error by leaving his possessions to us; that letter informs us that he has bequeathed every penny to the other relation, with the exception of thirty guineas, to be divided between St. John, Diana, and Mary Rivers, for the purchase of three mourning rings. He had a right, of course, to do as he pleased: and yet a momentary damp is cast on the spirits by the receipt of such news. Mary and I would have esteemed ourselves rich with a thousand pounds each; and to St. John such a sum would have been valuable, for the good it would have enabled him to do." This explanation given, the subject was dropped, and no further reference made to it by either Mr. Rivers or his sisters. The next day I left Marsh End for Morton. The day after, Diana and Mary quitted it for distant B-. In a week, Mr. Rivers and Hannah repaired to the parsonage: and so the old grange was abandoned.

Chapter 30

https://web.archive.org/web/20190321135117/https://www.cliffsnotes.com/literature/j/jane-eyre/summary-and-analysis/chapter-30

After a few days, Jane has recovered her health enough to sit up and walk outdoors. Her conversations with Diana and Mary revive and refresh Jane, because their values and interests are so perfectly aligned with hers. Diana and Mary are better read than Jane, and Jane eagerly devours all the books they lend her. Drawing is the only area in which Jane's skill surpasses theirs. The intimacy Jane feels with the women doesn't extend to St. John, partly because he is often away from home, visiting the sick, and partly because his nature is so reserved and brooding. A month passes. Diana and Mary prepare to return to their positions as governesses in a large, fashionable city in the south of England. Jane wonders if St. John has found any employment for her? Since he is "poor and obscure," he says he has only been able to devise an insignificant post for Jane -- if she wants it, she can run a school for poor girls in Morton. Her salary would be thirty pounds, and she would have a furnished cottage to live in, provided by Miss Oliver, the only daughter of the rich owner of a needle factory and iron foundry. Although humble, the position's independence and safety appeal to Jane. St. John guesses that Jane won't remain long in Morton, because she'll soon long for society and stimulus. But St. John has a similar "fever in his vitals," as Diana reveals, and they know he will soon leave England. As the women sit talking, St. John enters the room, and announces their Uncle John has died, leaving all of his fortune to another relative. Their uncle and father had quarreled, and it was John's fault that Mr. Rivers lost most of his property and money.

The "dark and hoary" appearance of Moor House seems to match Jane's psychology at this point of the novel; she has moved from Thornfield's luxury to Marsh End's natural and rugged beauty. Describing the environment around the house, Jane emphasizes its rustic, hardy feel: The fierce mountain winds have caused the trees to grow "aslant"; only the hardiest flowers bloom near it; and it is surrounded by some the "wildest little pasture-fields that ever bordered a wilderness of heath." In this chapter, Jane emphasizes her intellectual affinity for the Rivers sisters. Being in their presence rekindles Jane's joy in learning, and the three women mutually share and bolster each other's skills; Diana teaches Jane German, while Jane offers Mary drawing lessons. As in earlier chapters, Jane here emphasizes the incongruity of the position of governesses. Although the Rivers sisters are members of an ancient and esteemed family that has fallen on hard times, they must spend their lives as the "humble dependents" of wealthy and haughty families who cannot fully appreciate their talents. For these families, Diana's and Mary's skills are comparable to those of their cook or waiting-woman. Bronte's depiction of the Rivers is probably based on personal experience. Like them, she was forced to work as a governess for a family she despised; like them, she took time to learn new languages so that she could increase her wages and open up a school of her own. Sadly, her attempt to open a school failed miserably, as not a single student applied for admittance. While the Rivers girls are depicted favorably, Jane's feelings for St. John are more conflicted. His reserve and brooding suggest a troubled nature, and his zealous Christianity offers him neither serenity nor contentment. St. John's real nature is revealed in his sermon -- Jane is unable to render accurately its effect on her. While St. John's tone is calm throughout, his nervous words have a "strictly restrained zeal" that reflects his bitterness and lack of "consolatory gentleness." His doom and gloom leave Jane feeling inexpressibly sad, because she feels his eloquence is born of disappointment. Jane compares his despair to her own regrets at the loss of her heaven with Rochester. Despite St. John's strictness, or perhaps because of it, he has not found the peace in God that reassured Jane during her awful night on the moors. Instead, St. John dwells on his poverty and obscurity, always looking for a way to become the hero he longs to be. Again, his difference from Rochester is apparent; while Rochester vents his passions, St. John hides his in "a fever in his vitals." The death of their Uncle John is also significant. The astute reader will remember that Jane also had an uncle named John, one who was too ill to save her from Rochester's bigamous plot. The connections between the families will grow in the remainder of the novel.

cliffnotes

all_chapterized_books/1260-chapters/32.txt

finished_summaries/cliffnotes/Jane Eyre/section_24_part_0.txt

Jane Eyre.volume 3.chapter 31

chapter 31

{"name": "Chapter 31", "url": "https://web.archive.org/web/20190321135117/https://www.cliffsnotes.com/literature/j/jane-eyre/summary-and-analysis/chapter-31", "summary": "Jane has moved to her new home: the schoolroom cottage at Morton. Classes begin with twenty students; only three can read and none can write or do arithmetic. Some are docile and want to learn, while others are rough and unruly. Rather than feeling proud of her work, Jane feels degraded. She knows these feelings are wrong and plans to change them. Did she make the right decision, Jane wonders? Is it better to be a \"free and honest\" village schoolmistress or Rochester's mistress? St. John interrupts Jane's reverie to offer her a gift from his sisters: a watercolor box, pencils, and paper. Jane assures him that she's happy with her new position. Seeing that Jane's discontent, he tells her his story. He, too, felt he had made a mistake by entering the ministry and longed for an exciting literary or political career, a profession that might bring him glory, fame, and power. Then one day he heard God's call, telling him to become a missionary, work requiring the best skills of the soldier, statesman, and orator. St. John has only to cut one more human tie and he will leave for India to fulfill his dream. After he says this, their conversation is interrupted by the arrival of a beautiful young woman dressed in pure white: Rosamond Oliver. Jane wonders what St. John thinks of this \"earthly angel\"? Given the sudden fire she sees in his eye, Jane imagines he must be in love with Rosamond.", "analysis": "Although Jane was quick to point out Hannah's class prejudices in Chapter 29, in this chapter Jane shows a lack of feeling for the peasants who are now her students. Jane chose this position, in part, to avoid becoming a governess/servant in the house of a rich family. Having met her uncultured students, Jane wonders if she has taken a step down the social ladder. Interestingly, when weighing her options in this chapter, Jane seems to have forgotten about the possibility of being a governess. Instead, she meditates on the merits of being caught in a \"silken snare\" as Rochester's mistress in the \"fool's paradise at Marseilles,\" or of being \"free and honest\" as village schoolmistress in the \"healthy heart of England.\" As before, a trade-off is made between the purity of England and the corruption of Europe; the British must go abroad to live out their illicit loves. Chastising herself for her criticism of her pupils, Jane tries not to forget that their \"flesh and blood\" is as good as that of the wealthy, and that the \"germs of native excellence, refinement, intelligence, kind feeling, are as likely to exist in their hearts as in those of the best born.\" Jane's duty will be to develop the \"germs,\" to transform the manners of the lower classes so they conform to upper-class standards of proper behavior. To St. John, Jane claims to be content to have friends, a home, and a job, when only five weeks earlier she was an outcast and beggar. Yet the seeds of her discontent are growing here, as they did at Lowood. The chapter also develops St. John's personality. As Jane had guessed, he is riddled by restlessness and despair. Rather than becoming a priest, St. John would like to have been a politician, author, orator -- any position that brought the possibility of glory, fame, and power. Instead, he is the clergyman for a poor and obscure parish. His solution is to become a missionary. Just as Jane retrains the minds of the lower classes in England, he will reform the values of the pagans in India. Both characters perpetuate a belief in British, Christian superiority. Both also confirm the supposed moral superiority of the upper classes. For instance, despite her documentation of the faults of the upper classes, she still seems to associate \"refinement\" and \"intelligence\" with the gentry, and \"coarseness\" and \"ignorance\" with the peasants. The iciness of St. John's character becomes more pronounced when he declares his intention to leave Morton after \"an entanglement or two of the feelings\" has been \"broken through or cut asunder.\" This entanglement arrives in the form of Rosamond Oliver, who has \"as sweet features as ever the intemperate clime of Albion moulded.\" Rosamond is the icon of British beauty and in love with St. John, yet he rejects her. While her appearance incites St. John like a thunderbolt, though he flushes and kindles at the sight of her petting his dog, St. John would rather turn himself into \"an automaton,\" than succumb to her beauty or fortune. His ambition to forge a heroic career cuts St. John off from all deep human emotions. Perhaps, then, his religious zeal is the result of his repressed sexual feelings."}

My home, then, when I at last find a home,--is a cottage; a little room with whitewashed walls and a sanded floor, containing four painted chairs and a table, a clock, a cupboard, with two or three plates and dishes, and a set of tea-things in delf. Above, a chamber of the same dimensions as the kitchen, with a deal bedstead and chest of drawers; small, yet too large to be filled with my scanty wardrobe: though the kindness of my gentle and generous friends has increased that, by a modest stock of such things as are necessary. It is evening. I have dismissed, with the fee of an orange, the little orphan who serves me as a handmaid. I am sitting alone on the hearth. This morning, the village school opened. I had twenty scholars. But three of the number can read: none write or cipher. Several knit, and a few sew a little. They speak with the broadest accent of the district. At present, they and I have a difficulty in understanding each other's language. Some of them are unmannered, rough, intractable, as well as ignorant; but others are docile, have a wish to learn, and evince a disposition that pleases me. I must not forget that these coarsely-clad little peasants are of flesh and blood as good as the scions of gentlest genealogy; and that the germs of native excellence, refinement, intelligence, kind feeling, are as likely to exist in their hearts as in those of the best-born. My duty will be to develop these germs: surely I shall find some happiness in discharging that office. Much enjoyment I do not expect in the life opening before me: yet it will, doubtless, if I regulate my mind, and exert my powers as I ought, yield me enough to live on from day to day. Was I very gleeful, settled, content, during the hours I passed in yonder bare, humble schoolroom this morning and afternoon? Not to deceive myself, I must reply--No: I felt desolate to a degree. I felt--yes, idiot that I am--I felt degraded. I doubted I had taken a step which sank instead of raising me in the scale of social existence. I was weakly dismayed at the ignorance, the poverty, the coarseness of all I heard and saw round me. But let me not hate and despise myself too much for these feelings; I know them to be wrong--that is a great step gained; I shall strive to overcome them. To-morrow, I trust, I shall get the better of them partially; and in a few weeks, perhaps, they will be quite subdued. In a few months, it is possible, the happiness of seeing progress, and a change for the better in my scholars may substitute gratification for disgust. Meantime, let me ask myself one question--Which is better?--To have surrendered to temptation; listened to passion; made no painful effort--no struggle;--but to have sunk down in the silken snare; fallen asleep on the flowers covering it; wakened in a southern clime, amongst the luxuries of a pleasure villa: to have been now living in France, Mr. Rochester's mistress; delirious with his love half my time--for he would--oh, yes, he would have loved me well for a while. He _did_ love me--no one will ever love me so again. I shall never more know the sweet homage given to beauty, youth, and grace--for never to any one else shall I seem to possess these charms. He was fond and proud of me--it is what no man besides will ever be.--But where am I wandering, and what am I saying, and above all, feeling? Whether is it better, I ask, to be a slave in a fool's paradise at Marseilles--fevered with delusive bliss one hour--suffocating with the bitterest tears of remorse and shame the next--or to be a village-schoolmistress, free and honest, in a breezy mountain nook in the healthy heart of England? Yes; I feel now that I was right when I adhered to principle and law, and scorned and crushed the insane promptings of a frenzied moment. God directed me to a correct choice: I thank His providence for the guidance! Having brought my eventide musings to this point, I rose, went to my door, and looked at the sunset of the harvest-day, and at the quiet fields before my cottage, which, with the school, was distant half a mile from the village. The birds were singing their last strains-- "The air was mild, the dew was balm." While I looked, I thought myself happy, and was surprised to find myself ere long weeping--and why? For the doom which had reft me from adhesion to my master: for him I was no more to see; for the desperate grief and fatal fury--consequences of my departure--which might now, perhaps, be dragging him from the path of right, too far to leave hope of ultimate restoration thither. At this thought, I turned my face aside from the lovely sky of eve and lonely vale of Morton--I say _lonely_, for in that bend of it visible to me there was no building apparent save the church and the parsonage, half-hid in trees, and, quite at the extremity, the roof of Vale Hall, where the rich Mr. Oliver and his daughter lived. I hid my eyes, and leant my head against the stone frame of my door; but soon a slight noise near the wicket which shut in my tiny garden from the meadow beyond it made me look up. A dog--old Carlo, Mr. Rivers' pointer, as I saw in a moment--was pushing the gate with his nose, and St. John himself leant upon it with folded arms; his brow knit, his gaze, grave almost to displeasure, fixed on me. I asked him to come in. "No, I cannot stay; I have only brought you a little parcel my sisters left for you. I think it contains a colour-box, pencils, and paper." I approached to take it: a welcome gift it was. He examined my face, I thought, with austerity, as I came near: the traces of tears were doubtless very visible upon it. "Have you found your first day's work harder than you expected?" he asked. "Oh, no! On the contrary, I think in time I shall get on with my scholars very well." "But perhaps your accommodations--your cottage--your furniture--have disappointed your expectations? They are, in truth, scanty enough; but--" I interrupted-- "My cottage is clean and weather-proof; my furniture sufficient and commodious. All I see has made me thankful, not despondent. I am not absolutely such a fool and sensualist as to regret the absence of a carpet, a sofa, and silver plate; besides, five weeks ago I had nothing--I was an outcast, a beggar, a vagrant; now I have acquaintance, a home, a business. I wonder at the goodness of God; the generosity of my friends; the bounty of my lot. I do not repine." "But you feel solitude an oppression? The little house there behind you is dark and empty." "I have hardly had time yet to enjoy a sense of tranquillity, much less to grow impatient under one of loneliness." "Very well; I hope you feel the content you express: at any rate, your good sense will tell you that it is too soon yet to yield to the vacillating fears of Lot's wife. What you had left before I saw you, of course I do not know; but I counsel you to resist firmly every temptation which would incline you to look back: pursue your present career steadily, for some months at least." "It is what I mean to do," I answered. St. John continued-- "It is hard work to control the workings of inclination and turn the bent of nature; but that it may be done, I know from experience. God has given us, in a measure, the power to make our own fate; and when our energies seem to demand a sustenance they cannot get--when our will strains after a path we may not follow--we need neither starve from inanition, nor stand still in despair: we have but to seek another nourishment for the mind, as strong as the forbidden food it longed to taste--and perhaps purer; and to hew out for the adventurous foot a road as direct and broad as the one Fortune has blocked up against us, if rougher than it. "A year ago I was myself intensely miserable, because I thought I had made a mistake in entering the ministry: its uniform duties wearied me to death. I burnt for the more active life of the world--for the more exciting toils of a literary career--for the destiny of an artist, author, orator; anything rather than that of a priest: yes, the heart of a politician, of a soldier, of a votary of glory, a lover of renown, a luster after power, beat under my curate's surplice. I considered; my life was so wretched, it must be changed, or I must die. After a season of darkness and struggling, light broke and relief fell: my cramped existence all at once spread out to a plain without bounds--my powers heard a call from heaven to rise, gather their full strength, spread their wings, and mount beyond ken. God had an errand for me; to bear which afar, to deliver it well, skill and strength, courage and eloquence, the best qualifications of soldier, statesman, and orator, were all needed: for these all centre in the good missionary. "A missionary I resolved to be. From that moment my state of mind changed; the fetters dissolved and dropped from every faculty, leaving nothing of bondage but its galling soreness--which time only can heal. My father, indeed, imposed the determination, but since his death, I have not a legitimate obstacle to contend with; some affairs settled, a successor for Morton provided, an entanglement or two of the feelings broken through or cut asunder--a last conflict with human weakness, in which I know I shall overcome, because I have vowed that I _will_ overcome--and I leave Europe for the East." He said this, in his peculiar, subdued, yet emphatic voice; looking, when he had ceased speaking, not at me, but at the setting sun, at which I looked too. Both he and I had our backs towards the path leading up the field to the wicket. We had heard no step on that grass-grown track; the water running in the vale was the one lulling sound of the hour and scene; we might well then start when a gay voice, sweet as a silver bell, exclaimed-- "Good evening, Mr. Rivers. And good evening, old Carlo. Your dog is quicker to recognise his friends than you are, sir; he pricked his ears and wagged his tail when I was at the bottom of the field, and you have your back towards me now." It was true. Though Mr. Rivers had started at the first of those musical accents, as if a thunderbolt had split a cloud over his head, he stood yet, at the close of the sentence, in the same attitude in which the speaker had surprised him--his arm resting on the gate, his face directed towards the west. He turned at last, with measured deliberation. A vision, as it seemed to me, had risen at his side. There appeared, within three feet of him, a form clad in pure white--a youthful, graceful form: full, yet fine in contour; and when, after bending to caress Carlo, it lifted up its head, and threw back a long veil, there bloomed under his glance a face of perfect beauty. Perfect beauty is a strong expression; but I do not retrace or qualify it: as sweet features as ever the temperate clime of Albion moulded; as pure hues of rose and lily as ever her humid gales and vapoury skies generated and screened, justified, in this instance, the term. No charm was wanting, no defect was perceptible; the young girl had regular and delicate lineaments; eyes shaped and coloured as we see them in lovely pictures, large, and dark, and full; the long and shadowy eyelash which encircles a fine eye with so soft a fascination; the pencilled brow which gives such clearness; the white smooth forehead, which adds such repose to the livelier beauties of tint and ray; the cheek oval, fresh, and smooth; the lips, fresh too, ruddy, healthy, sweetly formed; the even and gleaming teeth without flaw; the small dimpled chin; the ornament of rich, plenteous tresses--all advantages, in short, which, combined, realise the ideal of beauty, were fully hers. I wondered, as I looked at this fair creature: I admired her with my whole heart. Nature had surely formed her in a partial mood; and, forgetting her usual stinted step-mother dole of gifts, had endowed this, her darling, with a grand-dame's bounty. What did St. John Rivers think of this earthly angel? I naturally asked myself that question as I saw him turn to her and look at her; and, as naturally, I sought the answer to the inquiry in his countenance. He had already withdrawn his eye from the Peri, and was looking at a humble tuft of daisies which grew by the wicket. "A lovely evening, but late for you to be out alone," he said, as he crushed the snowy heads of the closed flowers with his foot. "Oh, I only came home from S-" (she mentioned the name of a large town some twenty miles distant) "this afternoon. Papa told me you had opened your school, and that the new mistress was come; and so I put on my bonnet after tea, and ran up the valley to see her: this is she?" pointing to me. "It is," said St. John. "Do you think you shall like Morton?" she asked of me, with a direct and naive simplicity of tone and manner, pleasing, if child-like. "I hope I shall. I have many inducements to do so." "Did you find your scholars as attentive as you expected?" "Quite." "Do you like your house?" "Very much." "Have I furnished it nicely?" "Very nicely, indeed." "And made a good choice of an attendant for you in Alice Wood?" "You have indeed. She is teachable and handy." (This then, I thought, is Miss Oliver, the heiress; favoured, it seems, in the gifts of fortune, as well as in those of nature! What happy combination of the planets presided over her birth, I wonder?) "I shall come up and help you to teach sometimes," she added. "It will be a change for me to visit you now and then; and I like a change. Mr. Rivers, I have been _so_ gay during my stay at S-. Last night, or rather this morning, I was dancing till two o'clock. The ---th regiment are stationed there since the riots; and the officers are the most agreeable men in the world: they put all our young knife-grinders and scissor merchants to shame." It seemed to me that Mr. St. John's under lip protruded, and his upper lip curled a moment. His mouth certainly looked a good deal compressed, and the lower part of his face unusually stern and square, as the laughing girl gave him this information. He lifted his gaze, too, from the daisies, and turned it on her. An unsmiling, a searching, a meaning gaze it was. She answered it with a second laugh, and laughter well became her youth, her roses, her dimples, her bright eyes. As he stood, mute and grave, she again fell to caressing Carlo. "Poor Carlo loves me," said she. "_He_ is not stern and distant to his friends; and if he could speak, he would not be silent." As she patted the dog's head, bending with native grace before his young and austere master, I saw a glow rise to that master's face. I saw his solemn eye melt with sudden fire, and flicker with resistless emotion. Flushed and kindled thus, he looked nearly as beautiful for a man as she for a woman. His chest heaved once, as if his large heart, weary of despotic constriction, had expanded, despite the will, and made a vigorous bound for the attainment of liberty. But he curbed it, I think, as a resolute rider would curb a rearing steed. He responded neither by word nor movement to the gentle advances made him. "Papa says you never come to see us now," continued Miss Oliver, looking up. "You are quite a stranger at Vale Hall. He is alone this evening, and not very well: will you return with me and visit him?" "It is not a seasonable hour to intrude on Mr. Oliver," answered St. John. "Not a seasonable hour! But I declare it is. It is just the hour when papa most wants company: when the works are closed and he has no business to occupy him. Now, Mr. Rivers, _do_ come. Why are you so very shy, and so very sombre?" She filled up the hiatus his silence left by a reply of her own. "I forgot!" she exclaimed, shaking her beautiful curled head, as if shocked at herself. "I am so giddy and thoughtless! _Do_ excuse me. It had slipped my memory that you have good reasons to be indisposed for joining in my chatter. Diana and Mary have left you, and Moor House is shut up, and you are so lonely. I am sure I pity you. Do come and see papa." "Not to-night, Miss Rosamond, not to-night." Mr. St. John spoke almost like an automaton: himself only knew the effort it cost him thus to refuse. "Well, if you are so obstinate, I will leave you; for I dare not stay any longer: the dew begins to fall. Good evening!" She held out her hand. He just touched it. "Good evening!" he repeated, in a voice low and hollow as an echo. She turned, but in a moment returned. "Are you well?" she asked. Well might she put the question: his face was blanched as her gown. "Quite well," he enunciated; and, with a bow, he left the gate. She went one way; he another. She turned twice to gaze after him as she tripped fairy-like down the field; he, as he strode firmly across, never turned at all. This spectacle of another's suffering and sacrifice rapt my thoughts from exclusive meditation on my own. Diana Rivers had designated her brother "inexorable as death." She had not exaggerated.

Chapter 31

https://web.archive.org/web/20190321135117/https://www.cliffsnotes.com/literature/j/jane-eyre/summary-and-analysis/chapter-31

Jane has moved to her new home: the schoolroom cottage at Morton. Classes begin with twenty students; only three can read and none can write or do arithmetic. Some are docile and want to learn, while others are rough and unruly. Rather than feeling proud of her work, Jane feels degraded. She knows these feelings are wrong and plans to change them. Did she make the right decision, Jane wonders? Is it better to be a "free and honest" village schoolmistress or Rochester's mistress? St. John interrupts Jane's reverie to offer her a gift from his sisters: a watercolor box, pencils, and paper. Jane assures him that she's happy with her new position. Seeing that Jane's discontent, he tells her his story. He, too, felt he had made a mistake by entering the ministry and longed for an exciting literary or political career, a profession that might bring him glory, fame, and power. Then one day he heard God's call, telling him to become a missionary, work requiring the best skills of the soldier, statesman, and orator. St. John has only to cut one more human tie and he will leave for India to fulfill his dream. After he says this, their conversation is interrupted by the arrival of a beautiful young woman dressed in pure white: Rosamond Oliver. Jane wonders what St. John thinks of this "earthly angel"? Given the sudden fire she sees in his eye, Jane imagines he must be in love with Rosamond.

Although Jane was quick to point out Hannah's class prejudices in Chapter 29, in this chapter Jane shows a lack of feeling for the peasants who are now her students. Jane chose this position, in part, to avoid becoming a governess/servant in the house of a rich family. Having met her uncultured students, Jane wonders if she has taken a step down the social ladder. Interestingly, when weighing her options in this chapter, Jane seems to have forgotten about the possibility of being a governess. Instead, she meditates on the merits of being caught in a "silken snare" as Rochester's mistress in the "fool's paradise at Marseilles," or of being "free and honest" as village schoolmistress in the "healthy heart of England." As before, a trade-off is made between the purity of England and the corruption of Europe; the British must go abroad to live out their illicit loves. Chastising herself for her criticism of her pupils, Jane tries not to forget that their "flesh and blood" is as good as that of the wealthy, and that the "germs of native excellence, refinement, intelligence, kind feeling, are as likely to exist in their hearts as in those of the best born." Jane's duty will be to develop the "germs," to transform the manners of the lower classes so they conform to upper-class standards of proper behavior. To St. John, Jane claims to be content to have friends, a home, and a job, when only five weeks earlier she was an outcast and beggar. Yet the seeds of her discontent are growing here, as they did at Lowood. The chapter also develops St. John's personality. As Jane had guessed, he is riddled by restlessness and despair. Rather than becoming a priest, St. John would like to have been a politician, author, orator -- any position that brought the possibility of glory, fame, and power. Instead, he is the clergyman for a poor and obscure parish. His solution is to become a missionary. Just as Jane retrains the minds of the lower classes in England, he will reform the values of the pagans in India. Both characters perpetuate a belief in British, Christian superiority. Both also confirm the supposed moral superiority of the upper classes. For instance, despite her documentation of the faults of the upper classes, she still seems to associate "refinement" and "intelligence" with the gentry, and "coarseness" and "ignorance" with the peasants. The iciness of St. John's character becomes more pronounced when he declares his intention to leave Morton after "an entanglement or two of the feelings" has been "broken through or cut asunder." This entanglement arrives in the form of Rosamond Oliver, who has "as sweet features as ever the intemperate clime of Albion moulded." Rosamond is the icon of British beauty and in love with St. John, yet he rejects her. While her appearance incites St. John like a thunderbolt, though he flushes and kindles at the sight of her petting his dog, St. John would rather turn himself into "an automaton," than succumb to her beauty or fortune. His ambition to forge a heroic career cuts St. John off from all deep human emotions. Perhaps, then, his religious zeal is the result of his repressed sexual feelings.

cliffnotes

all_chapterized_books/1260-chapters/33.txt

finished_summaries/cliffnotes/Jane Eyre/section_25_part_0.txt

Jane Eyre.volume 3.chapter 32

chapter 32

{"name": "Chapter 32", "url": "https://web.archive.org/web/20190321135117/https://www.cliffsnotes.com/literature/j/jane-eyre/summary-and-analysis/chapter-32", "summary": "After working with her students for a while, Jane discovers some intelligence among them. Jane is even surprised by their progress and begins personally to like some of the girls -- and they like her. Jane teaches them grammar, geography, history, and needlework. Despite her popularity within the community and her growing happiness with her job, Jane is still troubled by strange dreams at night in which she always meets Rochester. Rosamond Oliver visits the school almost every day, usually when St. John is giving his daily catechism lesson. Although he knows Rosamond loves him, and he obviously loves her, St. John is not willing to sacrifice his heavenly ambition for worldly pleasure. When Rosamond learns that Jane can draw, she asks her to make a portrait. St. John visits Jane while she is working on Rosamond's portrait. He has brought her a book of poetry, Sir Walter Scott's Marmion. While St. John gazes at Rosamond's picture, Jane offers to make him a copy, then, being bold, she suggests that he marry Rosamond at once. For exactly fifteen minutes, St. John imagines himself yielding to Rosamond, allowing human love to overwhelm him with its pleasures. Although St. John loves Rosamond wildly, he knows she wouldn't be a good wife for him, and he'd probably tire of her in twelve months. Rosamond wouldn't make an effective missionary's wife, and St. John isn't willing to relinquish his goals, because he is a cold, hard, ambitious man. As they sit talking, St. John suddenly notices something on Jane's blank piece of paper. She doesn't know what it is, but he snatches the paper, then shoots Jane a \"peculiar\" and \"inexpressible\" glance. He replaces the paper, tearing a narrow slip from the margin, then bids Jane \"good-afternoon.\"", "analysis": "Both Jane and St. John suffer from unrequited love in this chapter. While Jane is pleased with her \"useful existence,\" she isn't fully satisfied with her new, safe life, and her repressed desires manifest at night in strange dreams: \"dreams many-coloured, agitated, full of the ideal, the stirring, the stormy.\" Filled with adventure and romance, these dreams often lead her to Rochester. Similarly, St. John's \"repressed fervour\" for Rosamond shows in a subtle glow in this \"marble-seeming features.\" A statesman, priest, and poet, St. John is unable to limit himself to a single passion or to \"renounce his wide field of mission warfare\" for the tamer pleasures of love. For St. John, missionary work won't involve compassion or joy, but \"warfare.\" This chapter also provides us with a short explanation of the role of art in modern life. Looking at the copy of Sir Walter Scott's poem Marmion, Jane calls it \"one of those genuine productions so often vouchsafed to the fortunate public of those days -- the golden age of modern literature.\" Scott's poetry belonged in the era of Romanticism, and it isn't surprising Jane should view the Romantics as the ideal of modern literature. Her own narrative inherits many themes and landscapes from them: the hills and moors of Scott and the romantic and passionate hero of Byron. In the Victorian era, the artist seemed in danger of becoming caught in the capitalist marketplace, as the industrial revolution ushered in a new focus on profitability. Jane assures her reader that neither poetry nor genius are dead, \"nor has Mammon gained power over either, to bind or slay.\" Even in a capitalist age, art will maintain its freedom and strength: \"they not only live, but reign and redeem: and without their divine influence spread everywhere, you would be in hell -- the hell of your own meanness.\" These quotes indicate Bronte's own anxieties about the position of the artist in the modern world, yet she vehemently maintains art's spiritual power, which keeps it separate from mundane contamination. Art and genius are \"owerful angels, safe in heaven\" that will redeem and enlighten. Glossary lusus naturae a freak of nature; something with some abnormal characteristic. Cui bono? To what good?"}

I continued the labours of the village-school as actively and faithfully as I could. It was truly hard work at first. Some time elapsed before, with all my efforts, I could comprehend my scholars and their nature. Wholly untaught, with faculties quite torpid, they seemed to me hopelessly dull; and, at first sight, all dull alike: but I soon found I was mistaken. There was a difference amongst them as amongst the educated; and when I got to know them, and they me, this difference rapidly developed itself. Their amazement at me, my language, my rules, and ways, once subsided, I found some of these heavy-looking, gaping rustics wake up into sharp-witted girls enough. Many showed themselves obliging, and amiable too; and I discovered amongst them not a few examples of natural politeness, and innate self-respect, as well as of excellent capacity, that won both my goodwill and my admiration. These soon took a pleasure in doing their work well, in keeping their persons neat, in learning their tasks regularly, in acquiring quiet and orderly manners. The rapidity of their progress, in some instances, was even surprising; and an honest and happy pride I took in it: besides, I began personally to like some of the best girls; and they liked me. I had amongst my scholars several farmers' daughters: young women grown, almost. These could already read, write, and sew; and to them I taught the elements of grammar, geography, history, and the finer kinds of needlework. I found estimable characters amongst them--characters desirous of information and disposed for improvement--with whom I passed many a pleasant evening hour in their own homes. Their parents then (the farmer and his wife) loaded me with attentions. There was an enjoyment in accepting their simple kindness, and in repaying it by a consideration--a scrupulous regard to their feelings--to which they were not, perhaps, at all times accustomed, and which both charmed and benefited them; because, while it elevated them in their own eyes, it made them emulous to merit the deferential treatment they received. I felt I became a favourite in the neighbourhood. Whenever I went out, I heard on all sides cordial salutations, and was welcomed with friendly smiles. To live amidst general regard, though it be but the regard of working people, is like "sitting in sunshine, calm and sweet;" serene inward feelings bud and bloom under the ray. At this period of my life, my heart far oftener swelled with thankfulness than sank with dejection: and yet, reader, to tell you all, in the midst of this calm, this useful existence--after a day passed in honourable exertion amongst my scholars, an evening spent in drawing or reading contentedly alone--I used to rush into strange dreams at night: dreams many-coloured, agitated, full of the ideal, the stirring, the stormy--dreams where, amidst unusual scenes, charged with adventure, with agitating risk and romantic chance, I still again and again met Mr. Rochester, always at some exciting crisis; and then the sense of being in his arms, hearing his voice, meeting his eye, touching his hand and cheek, loving him, being loved by him--the hope of passing a lifetime at his side, would be renewed, with all its first force and fire. Then I awoke. Then I recalled where I was, and how situated. Then I rose up on my curtainless bed, trembling and quivering; and then the still, dark night witnessed the convulsion of despair, and heard the burst of passion. By nine o'clock the next morning I was punctually opening the school; tranquil, settled, prepared for the steady duties of the day. Rosamond Oliver kept her word in coming to visit me. Her call at the school was generally made in the course of her morning ride. She would canter up to the door on her pony, followed by a mounted livery servant. Anything more exquisite than her appearance, in her purple habit, with her Amazon's cap of black velvet placed gracefully above the long curls that kissed her cheek and floated to her shoulders, can scarcely be imagined: and it was thus she would enter the rustic building, and glide through the dazzled ranks of the village children. She generally came at the hour when Mr. Rivers was engaged in giving his daily catechising lesson. Keenly, I fear, did the eye of the visitress pierce the young pastor's heart. A sort of instinct seemed to warn him of her entrance, even when he did not see it; and when he was looking quite away from the door, if she appeared at it, his cheek would glow, and his marble-seeming features, though they refused to relax, changed indescribably, and in their very quiescence became expressive of a repressed fervour, stronger than working muscle or darting glance could indicate. Of course, she knew her power: indeed, he did not, because he could not, conceal it from her. In spite of his Christian stoicism, when she went up and addressed him, and smiled gaily, encouragingly, even fondly in his face, his hand would tremble and his eye burn. He seemed to say, with his sad and resolute look, if he did not say it with his lips, "I love you, and I know you prefer me. It is not despair of success that keeps me dumb. If I offered my heart, I believe you would accept it. But that heart is already laid on a sacred altar: the fire is arranged round it. It will soon be no more than a sacrifice consumed." And then she would pout like a disappointed child; a pensive cloud would soften her radiant vivacity; she would withdraw her hand hastily from his, and turn in transient petulance from his aspect, at once so heroic and so martyr-like. St. John, no doubt, would have given the world to follow, recall, retain her, when she thus left him; but he would not give one chance of heaven, nor relinquish, for the elysium of her love, one hope of the true, eternal Paradise. Besides, he could not bind all that he had in his nature--the rover, the aspirant, the poet, the priest--in the limits of a single passion. He could not--he would not--renounce his wild field of mission warfare for the parlours and the peace of Vale Hall. I learnt so much from himself in an inroad I once, despite his reserve, had the daring to make on his confidence. Miss Oliver already honoured me with frequent visits to my cottage. I had learnt her whole character, which was without mystery or disguise: she was coquettish but not heartless; exacting, but not worthlessly selfish. She had been indulged from her birth, but was not absolutely spoilt. She was hasty, but good-humoured; vain (she could not help it, when every glance in the glass showed her such a flush of loveliness), but not affected; liberal-handed; innocent of the pride of wealth; ingenuous; sufficiently intelligent; gay, lively, and unthinking: she was very charming, in short, even to a cool observer of her own sex like me; but she was not profoundly interesting or thoroughly impressive. A very different sort of mind was hers from that, for instance, of the sisters of St. John. Still, I liked her almost as I liked my pupil Adele; except that, for a child whom we have watched over and taught, a closer affection is engendered than we can give an equally attractive adult acquaintance. She had taken an amiable caprice to me. She said I was like Mr. Rivers, only, certainly, she allowed, "not one-tenth so handsome, though I was a nice neat little soul enough, but he was an angel." I was, however, good, clever, composed, and firm, like him. I was a _lusus naturae_, she affirmed, as a village schoolmistress: she was sure my previous history, if known, would make a delightful romance. One evening, while, with her usual child-like activity, and thoughtless yet not offensive inquisitiveness, she was rummaging the cupboard and the table-drawer of my little kitchen, she discovered first two French books, a volume of Schiller, a German grammar and dictionary, and then my drawing-materials and some sketches, including a pencil-head of a pretty little cherub-like girl, one of my scholars, and sundry views from nature, taken in the Vale of Morton and on the surrounding moors. She was first transfixed with surprise, and then electrified with delight. "Had I done these pictures? Did I know French and German? What a love--what a miracle I was! I drew better than her master in the first school in S-. Would I sketch a portrait of her, to show to papa?" "With pleasure," I replied; and I felt a thrill of artist-delight at the idea of copying from so perfect and radiant a model. She had then on a dark-blue silk dress; her arms and her neck were bare; her only ornament was her chestnut tresses, which waved over her shoulders with all the wild grace of natural curls. I took a sheet of fine card-board, and drew a careful outline. I promised myself the pleasure of colouring it; and, as it was getting late then, I told her she must come and sit another day. She made such a report of me to her father, that Mr. Oliver himself accompanied her next evening--a tall, massive-featured, middle-aged, and grey-headed man, at whose side his lovely daughter looked like a bright flower near a hoary turret. He appeared a taciturn, and perhaps a proud personage; but he was very kind to me. The sketch of Rosamond's portrait pleased him highly: he said I must make a finished picture of it. He insisted, too, on my coming the next day to spend the evening at Vale Hall. I went. I found it a large, handsome residence, showing abundant evidences of wealth in the proprietor. Rosamond was full of glee and pleasure all the time I stayed. Her father was affable; and when he entered into conversation with me after tea, he expressed in strong terms his approbation of what I had done in Morton school, and said he only feared, from what he saw and heard, I was too good for the place, and would soon quit it for one more suitable. "Indeed," cried Rosamond, "she is clever enough to be a governess in a high family, papa." I thought I would far rather be where I am than in any high family in the land. Mr. Oliver spoke of Mr. Rivers--of the Rivers family--with great respect. He said it was a very old name in that neighbourhood; that the ancestors of the house were wealthy; that all Morton had once belonged to them; that even now he considered the representative of that house might, if he liked, make an alliance with the best. He accounted it a pity that so fine and talented a young man should have formed the design of going out as a missionary; it was quite throwing a valuable life away. It appeared, then, that her father would throw no obstacle in the way of Rosamond's union with St. John. Mr. Oliver evidently regarded the young clergyman's good birth, old name, and sacred profession as sufficient compensation for the want of fortune. It was the 5th of November, and a holiday. My little servant, after helping me to clean my house, was gone, well satisfied with the fee of a penny for her aid. All about me was spotless and bright--scoured floor, polished grate, and well-rubbed chairs. I had also made myself neat, and had now the afternoon before me to spend as I would. The translation of a few pages of German occupied an hour; then I got my palette and pencils, and fell to the more soothing, because easier occupation, of completing Rosamond Oliver's miniature. The head was finished already: there was but the background to tint and the drapery to shade off; a touch of carmine, too, to add to the ripe lips--a soft curl here and there to the tresses--a deeper tinge to the shadow of the lash under the azured eyelid. I was absorbed in the execution of these nice details, when, after one rapid tap, my door unclosed, admitting St. John Rivers. "I am come to see how you are spending your holiday," he said. "Not, I hope, in thought? No, that is well: while you draw you will not feel lonely. You see, I mistrust you still, though you have borne up wonderfully so far. I have brought you a book for evening solace," and he laid on the table a new publication--a poem: one of those genuine productions so often vouchsafed to the fortunate public of those days--the golden age of modern literature. Alas! the readers of our era are less favoured. But courage! I will not pause either to accuse or repine. I know poetry is not dead, nor genius lost; nor has Mammon gained power over either, to bind or slay: they will both assert their existence, their presence, their liberty and strength again one day. Powerful angels, safe in heaven! they smile when sordid souls triumph, and feeble ones weep over their destruction. Poetry destroyed? Genius banished? No! Mediocrity, no: do not let envy prompt you to the thought. No; they not only live, but reign and redeem: and without their divine influence spread everywhere, you would be in hell--the hell of your own meanness. While I was eagerly glancing at the bright pages of "Marmion" (for "Marmion" it was), St. John stooped to examine my drawing. His tall figure sprang erect again with a start: he said nothing. I looked up at him: he shunned my eye. I knew his thoughts well, and could read his heart plainly; at the moment I felt calmer and cooler than he: I had then temporarily the advantage of him, and I conceived an inclination to do him some good, if I could. "With all his firmness and self-control," thought I, "he tasks himself too far: locks every feeling and pang within--expresses, confesses, imparts nothing. I am sure it would benefit him to talk a little about this sweet Rosamond, whom he thinks he ought not to marry: I will make him talk." I said first, "Take a chair, Mr. Rivers." But he answered, as he always did, that he could not stay. "Very well," I responded, mentally, "stand if you like; but you shall not go just yet, I am determined: solitude is at least as bad for you as it is for me. I'll try if I cannot discover the secret spring of your confidence, and find an aperture in that marble breast through which I can shed one drop of the balm of sympathy." "Is this portrait like?" I asked bluntly. "Like! Like whom? I did not observe it closely." "You did, Mr. Rivers." He almost started at my sudden and strange abruptness: he looked at me astonished. "Oh, that is nothing yet," I muttered within. "I don't mean to be baffled by a little stiffness on your part; I'm prepared to go to considerable lengths." I continued, "You observed it closely and distinctly; but I have no objection to your looking at it again," and I rose and placed it in his hand. "A well-executed picture," he said; "very soft, clear colouring; very graceful and correct drawing." "Yes, yes; I know all that. But what of the resemblance? Who is it like?" Mastering some hesitation, he answered, "Miss Oliver, I presume." "Of course. And now, sir, to reward you for the accurate guess, I will promise to paint you a careful and faithful duplicate of this very picture, provided you admit that the gift would be acceptable to you. I don't wish to throw away my time and trouble on an offering you would deem worthless." He continued to gaze at the picture: the longer he looked, the firmer he held it, the more he seemed to covet it. "It is like!" he murmured; "the eye is well managed: the colour, light, expression, are perfect. It smiles!" "Would it comfort, or would it wound you to have a similar painting? Tell me that. When you are at Madagascar, or at the Cape, or in India, would it be a consolation to have that memento in your possession? or would the sight of it bring recollections calculated to enervate and distress?" He now furtively raised his eyes: he glanced at me, irresolute, disturbed: he again surveyed the picture. "That I should like to have it is certain: whether it would be judicious or wise is another question." Since I had ascertained that Rosamond really preferred him, and that her father was not likely to oppose the match, I--less exalted in my views than St. John--had been strongly disposed in my own heart to advocate their union. It seemed to me that, should he become the possessor of Mr. Oliver's large fortune, he might do as much good with it as if he went and laid his genius out to wither, and his strength to waste, under a tropical sun. With this persuasion I now answered-- "As far as I can see, it would be wiser and more judicious if you were to take to yourself the original at once." By this time he had sat down: he had laid the picture on the table before him, and with his brow supported on both hands, hung fondly over it. I discerned he was now neither angry nor shocked at my audacity. I saw even that to be thus frankly addressed on a subject he had deemed unapproachable--to hear it thus freely handled--was beginning to be felt by him as a new pleasure--an unhoped-for relief. Reserved people often really need the frank discussion of their sentiments and griefs more than the expansive. The sternest-seeming stoic is human after all; and to "burst" with boldness and good-will into "the silent sea" of their souls is often to confer on them the first of obligations. "She likes you, I am sure," said I, as I stood behind his chair, "and her father respects you. Moreover, she is a sweet girl--rather thoughtless; but you would have sufficient thought for both yourself and her. You ought to marry her." "_Does_ she like me?" he asked. "Certainly; better than she likes any one else. She talks of you continually: there is no subject she enjoys so much or touches upon so often." "It is very pleasant to hear this," he said--"very: go on for another quarter of an hour." And he actually took out his watch and laid it upon the table to measure the time. "But where is the use of going on," I asked, "when you are probably preparing some iron blow of contradiction, or forging a fresh chain to fetter your heart?" "Don't imagine such hard things. Fancy me yielding and melting, as I am doing: human love rising like a freshly opened fountain in my mind and overflowing with sweet inundation all the field I have so carefully and with such labour prepared--so assiduously sown with the seeds of good intentions, of self-denying plans. And now it is deluged with a nectarous flood--the young germs swamped--delicious poison cankering them: now I see myself stretched on an ottoman in the drawing-room at Vale Hall at my bride Rosamond Oliver's feet: she is talking to me with her sweet voice--gazing down on me with those eyes your skilful hand has copied so well--smiling at me with these coral lips. She is mine--I am hers--this present life and passing world suffice to me. Hush! say nothing--my heart is full of delight--my senses are entranced--let the time I marked pass in peace." I humoured him: the watch ticked on: he breathed fast and low: I stood silent. Amidst this hush the quartet sped; he replaced the watch, laid the picture down, rose, and stood on the hearth. "Now," said he, "that little space was given to delirium and delusion. I rested my temples on the breast of temptation, and put my neck voluntarily under her yoke of flowers. I tasted her cup. The pillow was burning: there is an asp in the garland: the wine has a bitter taste: her promises are hollow--her offers false: I see and know all this." I gazed at him in wonder. "It is strange," pursued he, "that while I love Rosamond Oliver so wildly--with all the intensity, indeed, of a first passion, the object of which is exquisitely beautiful, graceful, fascinating--I experience at the same time a calm, unwarped consciousness that she would not make me a good wife; that she is not the partner suited to me; that I should discover this within a year after marriage; and that to twelve months' rapture would succeed a lifetime of regret. This I know." "Strange indeed!" I could not help ejaculating. "While something in me," he went on, "is acutely sensible to her charms, something else is as deeply impressed with her defects: they are such that she could sympathise in nothing I aspired to--co-operate in nothing I undertook. Rosamond a sufferer, a labourer, a female apostle? Rosamond a missionary's wife? No!" "But you need not be a missionary. You might relinquish that scheme." "Relinquish! What! my vocation? My great work? My foundation laid on earth for a mansion in heaven? My hopes of being numbered in the band who have merged all ambitions in the glorious one of bettering their race--of carrying knowledge into the realms of ignorance--of substituting peace for war--freedom for bondage--religion for superstition--the hope of heaven for the fear of hell? Must I relinquish that? It is dearer than the blood in my veins. It is what I have to look forward to, and to live for." After a considerable pause, I said--"And Miss Oliver? Are her disappointment and sorrow of no interest to you?" "Miss Oliver is ever surrounded by suitors and flatterers: in less than a month, my image will be effaced from her heart. She will forget me; and will marry, probably, some one who will make her far happier than I should do." "You speak coolly enough; but you suffer in the conflict. You are wasting away." "No. If I get a little thin, it is with anxiety about my prospects, yet unsettled--my departure, continually procrastinated. Only this morning, I received intelligence that the successor, whose arrival I have been so long expecting, cannot be ready to replace me for three months to come yet; and perhaps the three months may extend to six." "You tremble and become flushed whenever Miss Oliver enters the schoolroom." Again the surprised expression crossed his face. He had not imagined that a woman would dare to speak so to a man. For me, I felt at home in this sort of discourse. I could never rest in communication with strong, discreet, and refined minds, whether male or female, till I had passed the outworks of conventional reserve, and crossed the threshold of confidence, and won a place by their heart's very hearthstone. "You are original," said he, "and not timid. There is something brave in your spirit, as well as penetrating in your eye; but allow me to assure you that you partially misinterpret my emotions. You think them more profound and potent than they are. You give me a larger allowance of sympathy than I have a just claim to. When I colour, and when I shade before Miss Oliver, I do not pity myself. I scorn the weakness. I know it is ignoble: a mere fever of the flesh: not, I declare, the convulsion of the soul. _That_ is just as fixed as a rock, firm set in the depths of a restless sea. Know me to be what I am--a cold hard man." I smiled incredulously. "You have taken my confidence by storm," he continued, "and now it is much at your service. I am simply, in my original state--stripped of that blood-bleached robe with which Christianity covers human deformity--a cold, hard, ambitious man. Natural affection only, of all the sentiments, has permanent power over me. Reason, and not feeling, is my guide; my ambition is unlimited: my desire to rise higher, to do more than others, insatiable. I honour endurance, perseverance, industry, talent; because these are the means by which men achieve great ends and mount to lofty eminence. I watch your career with interest, because I consider you a specimen of a diligent, orderly, energetic woman: not because I deeply compassionate what you have gone through, or what you still suffer." "You would describe yourself as a mere pagan philosopher," I said. "No. There is this difference between me and deistic philosophers: I believe; and I believe the Gospel. You missed your epithet. I am not a pagan, but a Christian philosopher--a follower of the sect of Jesus. As His disciple I adopt His pure, His merciful, His benignant doctrines. I advocate them: I am sworn to spread them. Won in youth to religion, she has cultivated my original qualities thus:--From the minute germ, natural affection, she has developed the overshadowing tree, philanthropy. From the wild stringy root of human uprightness, she has reared a due sense of the Divine justice. Of the ambition to win power and renown for my wretched self, she has formed the ambition to spread my Master's kingdom; to achieve victories for the standard of the cross. So much has religion done for me; turning the original materials to the best account; pruning and training nature. But she could not eradicate nature: nor will it be eradicated 'till this mortal shall put on immortality.'" Having said this, he took his hat, which lay on the table beside my palette. Once more he looked at the portrait. "She _is_ lovely," he murmured. "She is well named the Rose of the World, indeed!" "And may I not paint one like it for you?" "_Cui bono_? No." He drew over the picture the sheet of thin paper on which I was accustomed to rest my hand in painting, to prevent the cardboard from being sullied. What he suddenly saw on this blank paper, it was impossible for me to tell; but something had caught his eye. He took it up with a snatch; he looked at the edge; then shot a glance at me, inexpressibly peculiar, and quite incomprehensible: a glance that seemed to take and make note of every point in my shape, face, and dress; for it traversed all, quick, keen as lightning. His lips parted, as if to speak: but he checked the coming sentence, whatever it was. "What is the matter?" I asked. "Nothing in the world," was the reply; and, replacing the paper, I saw him dexterously tear a narrow slip from the margin. It disappeared in his glove; and, with one hasty nod and "good-afternoon," he vanished. "Well!" I exclaimed, using an expression of the district, "that caps the globe, however!" I, in my turn, scrutinised the paper; but saw nothing on it save a few dingy stains of paint where I had tried the tint in my pencil. I pondered the mystery a minute or two; but finding it insolvable, and being certain it could not be of much moment, I dismissed, and soon forgot it.

Chapter 32

https://web.archive.org/web/20190321135117/https://www.cliffsnotes.com/literature/j/jane-eyre/summary-and-analysis/chapter-32

After working with her students for a while, Jane discovers some intelligence among them. Jane is even surprised by their progress and begins personally to like some of the girls -- and they like her. Jane teaches them grammar, geography, history, and needlework. Despite her popularity within the community and her growing happiness with her job, Jane is still troubled by strange dreams at night in which she always meets Rochester. Rosamond Oliver visits the school almost every day, usually when St. John is giving his daily catechism lesson. Although he knows Rosamond loves him, and he obviously loves her, St. John is not willing to sacrifice his heavenly ambition for worldly pleasure. When Rosamond learns that Jane can draw, she asks her to make a portrait. St. John visits Jane while she is working on Rosamond's portrait. He has brought her a book of poetry, Sir Walter Scott's Marmion. While St. John gazes at Rosamond's picture, Jane offers to make him a copy, then, being bold, she suggests that he marry Rosamond at once. For exactly fifteen minutes, St. John imagines himself yielding to Rosamond, allowing human love to overwhelm him with its pleasures. Although St. John loves Rosamond wildly, he knows she wouldn't be a good wife for him, and he'd probably tire of her in twelve months. Rosamond wouldn't make an effective missionary's wife, and St. John isn't willing to relinquish his goals, because he is a cold, hard, ambitious man. As they sit talking, St. John suddenly notices something on Jane's blank piece of paper. She doesn't know what it is, but he snatches the paper, then shoots Jane a "peculiar" and "inexpressible" glance. He replaces the paper, tearing a narrow slip from the margin, then bids Jane "good-afternoon."

Both Jane and St. John suffer from unrequited love in this chapter. While Jane is pleased with her "useful existence," she isn't fully satisfied with her new, safe life, and her repressed desires manifest at night in strange dreams: "dreams many-coloured, agitated, full of the ideal, the stirring, the stormy." Filled with adventure and romance, these dreams often lead her to Rochester. Similarly, St. John's "repressed fervour" for Rosamond shows in a subtle glow in this "marble-seeming features." A statesman, priest, and poet, St. John is unable to limit himself to a single passion or to "renounce his wide field of mission warfare" for the tamer pleasures of love. For St. John, missionary work won't involve compassion or joy, but "warfare." This chapter also provides us with a short explanation of the role of art in modern life. Looking at the copy of Sir Walter Scott's poem Marmion, Jane calls it "one of those genuine productions so often vouchsafed to the fortunate public of those days -- the golden age of modern literature." Scott's poetry belonged in the era of Romanticism, and it isn't surprising Jane should view the Romantics as the ideal of modern literature. Her own narrative inherits many themes and landscapes from them: the hills and moors of Scott and the romantic and passionate hero of Byron. In the Victorian era, the artist seemed in danger of becoming caught in the capitalist marketplace, as the industrial revolution ushered in a new focus on profitability. Jane assures her reader that neither poetry nor genius are dead, "nor has Mammon gained power over either, to bind or slay." Even in a capitalist age, art will maintain its freedom and strength: "they not only live, but reign and redeem: and without their divine influence spread everywhere, you would be in hell -- the hell of your own meanness." These quotes indicate Bronte's own anxieties about the position of the artist in the modern world, yet she vehemently maintains art's spiritual power, which keeps it separate from mundane contamination. Art and genius are "owerful angels, safe in heaven" that will redeem and enlighten. Glossary lusus naturae a freak of nature; something with some abnormal characteristic. Cui bono? To what good?

cliffnotes

all_chapterized_books/1260-chapters/34.txt

finished_summaries/cliffnotes/Jane Eyre/section_26_part_0.txt

Jane Eyre.volume 3.chapter 33

chapter 33

{"name": "Chapter 33", "url": "https://web.archive.org/web/20190321135117/https://www.cliffsnotes.com/literature/j/jane-eyre/summary-and-analysis/chapter-33", "summary": "While a snowstorm whirls outside, Jane sits reading Marmion. Suddenly, she hears a noise at the door: it's St. John. After a long delay, he tells Jane's own story, ending by saying that finding Jane Eyre has become a matter of serious urgency. St. John explains that he discovered her true identity from the paper he tore from her art supplies, which had the name Jane Eyre inscribed on it. The reason everyone has been looking for Jane is that her uncle, Mr. Eyre of Madeira, is dead and has left his entire fortune to her, so she is now rich. Jane is astonished to learn she has inherited twenty thousand pounds and wishes she had a family to share it with. As St. John prepares to leave, Jane asks why Mr. Briggs, Eyre's attorney, sent him a letter inquiring about Jane's whereabouts. St. John completes the story: his full name is St. John Eyre Rivers, so the Rivers are Jane's cousins. Jane feels she's found a brother and two sisters to love and admire; relatives, in her opinion, are real wealth, \"wealth to the heart.\" Now she has the opportunity to benefit those who saved her life. She decides to share her legacy with them, to divide it into four pieces, making five thousand pounds each. That way, justice will be done, and Jane will have a home and family. St. John reminds her of the lofty place should could take in society with twenty thousand pounds, but Jane insists that she'd rather have love.", "analysis": "This chapter highlights the differences in personality between Jane and St. John; while he is so cold \"no fervour infects\" him, Jane is \"hot, and fire dissolves ice.\" For icy St. John, reason is more important than feeling, but for fiery Jane, feeling predominates. Relating her story, St. John expects Jane's primary concern will be to know why Briggs has been searching for her; instead, she's more interested in Rochester's fate, worrying that he has returned to his life of dissipation in Europe. After learning of the inheritance, Jane is sorry to hear her uncle, a man she's never met, is dead, and wishes she had a \"rejoicing family\" to share the money with, rather than her isolated self. So discovering she has three cousins is heavenly for Jane. In fact, the blessing of relatives is \"exhilarating -- not like the ponderous gift of gold: rich and welcome enough in its way, but sobering from its weight.\" St. John believes Jane is neglecting the essential points for the trifles . For a clergyman, St. John's lack of understanding of or caring for people is shocking. Sharing the wealth, Jane will transform it from an unwanted weight into a \"legacy of life, hope, enjoyment,\" but her comment that the money will help her win \"to myself lifelong friends,\" sounds as if she is planning to buy friendship with the legacy. Jane says she is happy to indulge her feelings, something she seldom has the opportunity to do. Jane values family and feeling above all else, while St. John thinks only of the opportunities, if she keeps the inheritance, that Jane will have to take her place in society. Describing his love for his sisters at the end of the chapter, St. John says his affection for them is based on \"respect for their worth, and admiration of their talents,\" and he believes he'll be able to love Jane because she also has \"principle and mind.\" How cold his description of love is compared with Jane's passionate connection to Rochester, with her heartfelt \"craving\" for love and family. Her inheritance may lead Jane back to her relationship with Rochester. Earlier in the novel, as she planned her wedding, Jane worried because she couldn't offer Rochester beauty, money, or connections; now she has at least two of the three -- relatives she's proud of and plenty of cash! Slowly, she is moving into a position of equality with Rochester."}

When Mr. St. John went, it was beginning to snow; the whirling storm continued all night. The next day a keen wind brought fresh and blinding falls; by twilight the valley was drifted up and almost impassable. I had closed my shutter, laid a mat to the door to prevent the snow from blowing in under it, trimmed my fire, and after sitting nearly an hour on the hearth listening to the muffled fury of the tempest, I lit a candle, took down "Marmion," and beginning-- "Day set on Norham's castled steep, And Tweed's fair river broad and deep, And Cheviot's mountains lone; The massive towers, the donjon keep, The flanking walls that round them sweep, In yellow lustre shone"-- I soon forgot storm in music. I heard a noise: the wind, I thought, shook the door. No; it was St. John Rivers, who, lifting the latch, came in out of the frozen hurricane--the howling darkness--and stood before me: the cloak that covered his tall figure all white as a glacier. I was almost in consternation, so little had I expected any guest from the blocked-up vale that night. "Any ill news?" I demanded. "Has anything happened?" "No. How very easily alarmed you are!" he answered, removing his cloak and hanging it up against the door, towards which he again coolly pushed the mat which his entrance had deranged. He stamped the snow from his boots. "I shall sully the purity of your floor," said he, "but you must excuse me for once." Then he approached the fire. "I have had hard work to get here, I assure you," he observed, as he warmed his hands over the flame. "One drift took me up to the waist; happily the snow is quite soft yet." "But why are you come?" I could not forbear saying. "Rather an inhospitable question to put to a visitor; but since you ask it, I answer simply to have a little talk with you; I got tired of my mute books and empty rooms. Besides, since yesterday I have experienced the excitement of a person to whom a tale has been half-told, and who is impatient to hear the sequel." He sat down. I recalled his singular conduct of yesterday, and really I began to fear his wits were touched. If he were insane, however, his was a very cool and collected insanity: I had never seen that handsome-featured face of his look more like chiselled marble than it did just now, as he put aside his snow-wet hair from his forehead and let the firelight shine free on his pale brow and cheek as pale, where it grieved me to discover the hollow trace of care or sorrow now so plainly graved. I waited, expecting he would say something I could at least comprehend; but his hand was now at his chin, his finger on his lip: he was thinking. It struck me that his hand looked wasted like his face. A perhaps uncalled-for gush of pity came over my heart: I was moved to say-- "I wish Diana or Mary would come and live with you: it is too bad that you should be quite alone; and you are recklessly rash about your own health." "Not at all," said he: "I care for myself when necessary. I am well now. What do you see amiss in me?" This was said with a careless, abstracted indifference, which showed that my solicitude was, at least in his opinion, wholly superfluous. I was silenced. He still slowly moved his finger over his upper lip, and still his eye dwelt dreamily on the glowing grate; thinking it urgent to say something, I asked him presently if he felt any cold draught from the door, which was behind him. "No, no!" he responded shortly and somewhat testily. "Well," I reflected, "if you won't talk, you may be still; I'll let you alone now, and return to my book." So I snuffed the candle and resumed the perusal of "Marmion." He soon stirred; my eye was instantly drawn to his movements; he only took out a morocco pocket-book, thence produced a letter, which he read in silence, folded it, put it back, relapsed into meditation. It was vain to try to read with such an inscrutable fixture before me; nor could I, in impatience, consent to be dumb; he might rebuff me if he liked, but talk I would. "Have you heard from Diana and Mary lately?" "Not since the letter I showed you a week ago." "There has not been any change made about your own arrangements? You will not be summoned to leave England sooner than you expected?" "I fear not, indeed: such chance is too good to befall me." Baffled so far, I changed my ground. I bethought myself to talk about the school and my scholars. "Mary Garrett's mother is better, and Mary came back to the school this morning, and I shall have four new girls next week from the Foundry Close--they would have come to-day but for the snow." "Indeed!" "Mr. Oliver pays for two." "Does he?" "He means to give the whole school a treat at Christmas." "I know." "Was it your suggestion?" "No." "Whose, then?" "His daughter's, I think." "It is like her: she is so good-natured." "Yes." Again came the blank of a pause: the clock struck eight strokes. It aroused him; he uncrossed his legs, sat erect, turned to me. "Leave your book a moment, and come a little nearer the fire," he said. Wondering, and of my wonder finding no end, I complied. "Half-an-hour ago," he pursued, "I spoke of my impatience to hear the sequel of a tale: on reflection, I find the matter will be better managed by my assuming the narrator's part, and converting you into a listener. Before commencing, it is but fair to warn you that the story will sound somewhat hackneyed in your ears; but stale details often regain a degree of freshness when they pass through new lips. For the rest, whether trite or novel, it is short. "Twenty years ago, a poor curate--never mind his name at this moment--fell in love with a rich man's daughter; she fell in love with him, and married him, against the advice of all her friends, who consequently disowned her immediately after the wedding. Before two years passed, the rash pair were both dead, and laid quietly side by side under one slab. (I have seen their grave; it formed part of the pavement of a huge churchyard surrounding the grim, soot-black old cathedral of an overgrown manufacturing town in ---shire.) They left a daughter, which, at its very birth, Charity received in her lap--cold as that of the snow-drift I almost stuck fast in to-night. Charity carried the friendless thing to the house of its rich maternal relations; it was reared by an aunt-in- law, called (I come to names now) Mrs. Reed of Gateshead. You start--did you hear a noise? I daresay it is only a rat scrambling along the rafters of the adjoining schoolroom: it was a barn before I had it repaired and altered, and barns are generally haunted by rats.--To proceed. Mrs. Reed kept the orphan ten years: whether it was happy or not with her, I cannot say, never having been told; but at the end of that time she transferred it to a place you know--being no other than Lowood School, where you so long resided yourself. It seems her career there was very honourable: from a pupil, she became a teacher, like yourself--really it strikes me there are parallel points in her history and yours--she left it to be a governess: there, again, your fates were analogous; she undertook the education of the ward of a certain Mr. Rochester." "Mr. Rivers!" I interrupted. "I can guess your feelings," he said, "but restrain them for a while: I have nearly finished; hear me to the end. Of Mr. Rochester's character I know nothing, but the one fact that he professed to offer honourable marriage to this young girl, and that at the very altar she discovered he had a wife yet alive, though a lunatic. What his subsequent conduct and proposals were is a matter of pure conjecture; but when an event transpired which rendered inquiry after the governess necessary, it was discovered she was gone--no one could tell when, where, or how. She had left Thornfield Hall in the night; every research after her course had been vain: the country had been scoured far and wide; no vestige of information could be gathered respecting her. Yet that she should be found is become a matter of serious urgency: advertisements have been put in all the papers; I myself have received a letter from one Mr. Briggs, a solicitor, communicating the details I have just imparted. Is it not an odd tale?" "Just tell me this," said I, "and since you know so much, you surely can tell it me--what of Mr. Rochester? How and where is he? What is he doing? Is he well?" "I am ignorant of all concerning Mr. Rochester: the letter never mentions him but to narrate the fraudulent and illegal attempt I have adverted to. You should rather ask the name of the governess--the nature of the event which requires her appearance." "Did no one go to Thornfield Hall, then? Did no one see Mr. Rochester?" "I suppose not." "But they wrote to him?" "Of course." "And what did he say? Who has his letters?" "Mr. Briggs intimates that the answer to his application was not from Mr. Rochester, but from a lady: it is signed 'Alice Fairfax.'" I felt cold and dismayed: my worst fears then were probably true: he had in all probability left England and rushed in reckless desperation to some former haunt on the Continent. And what opiate for his severe sufferings--what object for his strong passions--had he sought there? I dared not answer the question. Oh, my poor master--once almost my husband--whom I had often called "my dear Edward!" "He must have been a bad man," observed Mr. Rivers. "You don't know him--don't pronounce an opinion upon him," I said, with warmth. "Very well," he answered quietly: "and indeed my head is otherwise occupied than with him: I have my tale to finish. Since you won't ask the governess's name, I must tell it of my own accord. Stay! I have it here--it is always more satisfactory to see important points written down, fairly committed to black and white." And the pocket-book was again deliberately produced, opened, sought through; from one of its compartments was extracted a shabby slip of paper, hastily torn off: I recognised in its texture and its stains of ultra-marine, and lake, and vermillion, the ravished margin of the portrait-cover. He got up, held it close to my eyes: and I read, traced in Indian ink, in my own handwriting, the words "JANE EYRE"--the work doubtless of some moment of abstraction. "Briggs wrote to me of a Jane Eyre:" he said, "the advertisements demanded a Jane Eyre: I knew a Jane Elliott.--I confess I had my suspicions, but it was only yesterday afternoon they were at once resolved into certainty. You own the name and renounce the _alias_?" "Yes--yes; but where is Mr. Briggs? He perhaps knows more of Mr. Rochester than you do." "Briggs is in London. I should doubt his knowing anything at all about Mr. Rochester; it is not in Mr. Rochester he is interested. Meantime, you forget essential points in pursuing trifles: you do not inquire why Mr. Briggs sought after you--what he wanted with you." "Well, what did he want?" "Merely to tell you that your uncle, Mr. Eyre of Madeira, is dead; that he has left you all his property, and that you are now rich--merely that--nothing more." "I!--rich?" "Yes, you, rich--quite an heiress." Silence succeeded. "You must prove your identity of course," resumed St. John presently: "a step which will offer no difficulties; you can then enter on immediate possession. Your fortune is vested in the English funds; Briggs has the will and the necessary documents." Here was a new card turned up! It is a fine thing, reader, to be lifted in a moment from indigence to wealth--a very fine thing; but not a matter one can comprehend, or consequently enjoy, all at once. And then there are other chances in life far more thrilling and rapture-giving: _this_ is solid, an affair of the actual world, nothing ideal about it: all its associations are solid and sober, and its manifestations are the same. One does not jump, and spring, and shout hurrah! at hearing one has got a fortune; one begins to consider responsibilities, and to ponder business; on a base of steady satisfaction rise certain grave cares, and we contain ourselves, and brood over our bliss with a solemn brow. Besides, the words Legacy, Bequest, go side by side with the words, Death, Funeral. My uncle I had heard was dead--my only relative; ever since being made aware of his existence, I had cherished the hope of one day seeing him: now, I never should. And then this money came only to me: not to me and a rejoicing family, but to my isolated self. It was a grand boon doubtless; and independence would be glorious--yes, I felt that--that thought swelled my heart. "You unbend your forehead at last," said Mr. Rivers. "I thought Medusa had looked at you, and that you were turning to stone. Perhaps now you will ask how much you are worth?" "How much am I worth?" "Oh, a trifle! Nothing of course to speak of--twenty thousand pounds, I think they say--but what is that?" "Twenty thousand pounds?" Here was a new stunner--I had been calculating on four or five thousand. This news actually took my breath for a moment: Mr. St. John, whom I had never heard laugh before, laughed now. "Well," said he, "if you had committed a murder, and I had told you your crime was discovered, you could scarcely look more aghast." "It is a large sum--don't you think there is a mistake?" "No mistake at all." "Perhaps you have read the figures wrong--it may be two thousand!" "It is written in letters, not figures,--twenty thousand." I again felt rather like an individual of but average gastronomical powers sitting down to feast alone at a table spread with provisions for a hundred. Mr. Rivers rose now and put his cloak on. "If it were not such a very wild night," he said, "I would send Hannah down to keep you company: you look too desperately miserable to be left alone. But Hannah, poor woman! could not stride the drifts so well as I: her legs are not quite so long: so I must e'en leave you to your sorrows. Good-night." He was lifting the latch: a sudden thought occurred to me. "Stop one minute!" I cried. "Well?" "It puzzles me to know why Mr. Briggs wrote to you about me; or how he knew you, or could fancy that you, living in such an out-of-the-way place, had the power to aid in my discovery." "Oh! I am a clergyman," he said; "and the clergy are often appealed to about odd matters." Again the latch rattled. "No; that does not satisfy me!" I exclaimed: and indeed there was something in the hasty and unexplanatory reply which, instead of allaying, piqued my curiosity more than ever. "It is a very strange piece of business," I added; "I must know more about it." "Another time." "No; to-night!--to-night!" and as he turned from the door, I placed myself between it and him. He looked rather embarrassed. "You certainly shall not go till you have told me all," I said. "I would rather not just now." "You shall!--you must!" "I would rather Diana or Mary informed you." Of course these objections wrought my eagerness to a climax: gratified it must be, and that without delay; and I told him so. "But I apprised you that I was a hard man," said he, "difficult to persuade." "And I am a hard woman,--impossible to put off." {And I am a hard woman,--impossible to put off: p369.jpg} "And then," he pursued, "I am cold: no fervour infects me." "Whereas I am hot, and fire dissolves ice. The blaze there has thawed all the snow from your cloak; by the same token, it has streamed on to my floor, and made it like a trampled street. As you hope ever to be forgiven, Mr. Rivers, the high crime and misdemeanour of spoiling a sanded kitchen, tell me what I wish to know." "Well, then," he said, "I yield; if not to your earnestness, to your perseverance: as stone is worn by continual dropping. Besides, you must know some day,--as well now as later. Your name is Jane Eyre?" "Of course: that was all settled before." "You are not, perhaps, aware that I am your namesake?--that I was christened St. John Eyre Rivers?" "No, indeed! I remember now seeing the letter E. comprised in your initials written in books you have at different times lent me; but I never asked for what name it stood. But what then? Surely--" I stopped: I could not trust myself to entertain, much less to express, the thought that rushed upon me--that embodied itself,--that, in a second, stood out a strong, solid probability. Circumstances knit themselves, fitted themselves, shot into order: the chain that had been lying hitherto a formless lump of links was drawn out straight,--every ring was perfect, the connection complete. I knew, by instinct, how the matter stood, before St. John had said another word; but I cannot expect the reader to have the same intuitive perception, so I must repeat his explanation. "My mother's name was Eyre; she had two brothers; one a clergyman, who married Miss Jane Reed, of Gateshead; the other, John Eyre, Esq., merchant, late of Funchal, Madeira. Mr. Briggs, being Mr. Eyre's solicitor, wrote to us last August to inform us of our uncle's death, and to say that he had left his property to his brother the clergyman's orphan daughter, overlooking us, in consequence of a quarrel, never forgiven, between him and my father. He wrote again a few weeks since, to intimate that the heiress was lost, and asking if we knew anything of her. A name casually written on a slip of paper has enabled me to find her out. You know the rest." Again he was going, but I set my back against the door. "Do let me speak," I said; "let me have one moment to draw breath and reflect." I paused--he stood before me, hat in hand, looking composed enough. I resumed-- "Your mother was my father's sister?" "Yes." "My aunt, consequently?" He bowed. "My uncle John was your uncle John? You, Diana, and Mary are his sister's children, as I am his brother's child?" "Undeniably." "You three, then, are my cousins; half our blood on each side flows from the same source?" "We are cousins; yes." I surveyed him. It seemed I had found a brother: one I could be proud of,--one I could love; and two sisters, whose qualities were such, that, when I knew them but as mere strangers, they had inspired me with genuine affection and admiration. The two girls, on whom, kneeling down on the wet ground, and looking through the low, latticed window of Moor House kitchen, I had gazed with so bitter a mixture of interest and despair, were my near kinswomen; and the young and stately gentleman who had found me almost dying at his threshold was my blood relation. Glorious discovery to a lonely wretch! This was wealth indeed!--wealth to the heart!--a mine of pure, genial affections. This was a blessing, bright, vivid, and exhilarating;--not like the ponderous gift of gold: rich and welcome enough in its way, but sobering from its weight. I now clapped my hands in sudden joy--my pulse bounded, my veins thrilled. "Oh, I am glad!--I am glad!" I exclaimed. St. John smiled. "Did I not say you neglected essential points to pursue trifles?" he asked. "You were serious when I told you you had got a fortune; and now, for a matter of no moment, you are excited." "What can you mean? It may be of no moment to you; you have sisters and don't care for a cousin; but I had nobody; and now three relations,--or two, if you don't choose to be counted,--are born into my world full-grown. I say again, I am glad!" I walked fast through the room: I stopped, half suffocated with the thoughts that rose faster than I could receive, comprehend, settle them:--thoughts of what might, could, would, and should be, and that ere long. I looked at the blank wall: it seemed a sky thick with ascending stars,--every one lit me to a purpose or delight. Those who had saved my life, whom, till this hour, I had loved barrenly, I could now benefit. They were under a yoke,--I could free them: they were scattered,--I could reunite them: the independence, the affluence which was mine, might be theirs too. Were we not four? Twenty thousand pounds shared equally would be five thousand each, justice--enough and to spare: justice would be done,--mutual happiness secured. Now the wealth did not weigh on me: now it was not a mere bequest of coin,--it was a legacy of life, hope, enjoyment. How I looked while these ideas were taking my spirit by storm, I cannot tell; but I perceived soon that Mr. Rivers had placed a chair behind me, and was gently attempting to make me sit down on it. He also advised me to be composed; I scorned the insinuation of helplessness and distraction, shook off his hand, and began to walk about again. "Write to Diana and Mary to-morrow," I said, "and tell them to come home directly. Diana said they would both consider themselves rich with a thousand pounds, so with five thousand they will do very well." "Tell me where I can get you a glass of water," said St. John; "you must really make an effort to tranquillise your feelings." "Nonsense! and what sort of an effect will the bequest have on you? Will it keep you in England, induce you to marry Miss Oliver, and settle down like an ordinary mortal?" "You wander: your head becomes confused. I have been too abrupt in communicating the news; it has excited you beyond your strength." "Mr. Rivers! you quite put me out of patience: I am rational enough; it is you who misunderstand, or rather who affect to misunderstand." "Perhaps, if you explained yourself a little more fully, I should comprehend better." "Explain! What is there to explain? You cannot fail to see that twenty thousand pounds, the sum in question, divided equally between the nephew and three nieces of our uncle, will give five thousand to each? What I want is, that you should write to your sisters and tell them of the fortune that has accrued to them." "To you, you mean." "I have intimated my view of the case: I am incapable of taking any other. I am not brutally selfish, blindly unjust, or fiendishly ungrateful. Besides, I am resolved I will have a home and connections. I like Moor House, and I will live at Moor House; I like Diana and Mary, and I will attach myself for life to Diana and Mary. It would please and benefit me to have five thousand pounds; it would torment and oppress me to have twenty thousand; which, moreover, could never be mine in justice, though it might in law. I abandon to you, then, what is absolutely superfluous to me. Let there be no opposition, and no discussion about it; let us agree amongst each other, and decide the point at once." "This is acting on first impulses; you must take days to consider such a matter, ere your word can be regarded as valid." "Oh! if all you doubt is my sincerity, I am easy: you see the justice of the case?" "I _do_ see a certain justice; but it is contrary to all custom. Besides, the entire fortune is your right: my uncle gained it by his own efforts; he was free to leave it to whom he would: he left it to you. After all, justice permits you to keep it: you may, with a clear conscience, consider it absolutely your own." "With me," said I, "it is fully as much a matter of feeling as of conscience: I must indulge my feelings; I so seldom have had an opportunity of doing so. Were you to argue, object, and annoy me for a year, I could not forego the delicious pleasure of which I have caught a glimpse--that of repaying, in part, a mighty obligation, and winning to myself lifelong friends." "You think so now," rejoined St. John, "because you do not know what it is to possess, nor consequently to enjoy wealth: you cannot form a notion of the importance twenty thousand pounds would give you; of the place it would enable you to take in society; of the prospects it would open to you: you cannot--" "And you," I interrupted, "cannot at all imagine the craving I have for fraternal and sisterly love. I never had a home, I never had brothers or sisters; I must and will have them now: you are not reluctant to admit me and own me, are you?" "Jane, I will be your brother--my sisters will be your sisters--without stipulating for this sacrifice of your just rights." "Brother? Yes; at the distance of a thousand leagues! Sisters? Yes; slaving amongst strangers! I, wealthy--gorged with gold I never earned and do not merit! You, penniless! Famous equality and fraternisation! Close union! Intimate attachment!" "But, Jane, your aspirations after family ties and domestic happiness may be realised otherwise than by the means you contemplate: you may marry." "Nonsense, again! Marry! I don't want to marry, and never shall marry." "That is saying too much: such hazardous affirmations are a proof of the excitement under which you labour." "It is not saying too much: I know what I feel, and how averse are my inclinations to the bare thought of marriage. No one would take me for love; and I will not be regarded in the light of a mere money speculation. And I do not want a stranger--unsympathising, alien, different from me; I want my kindred: those with whom I have full fellow- feeling. Say again you will be my brother: when you uttered the words I was satisfied, happy; repeat them, if you can, repeat them sincerely." "I think I can. I know I have always loved my own sisters; and I know on what my affection for them is grounded,--respect for their worth and admiration of their talents. You too have principle and mind: your tastes and habits resemble Diana's and Mary's; your presence is always agreeable to me; in your conversation I have already for some time found a salutary solace. I feel I can easily and naturally make room in my heart for you, as my third and youngest sister." "Thank you: that contents me for to-night. Now you had better go; for if you stay longer, you will perhaps irritate me afresh by some mistrustful scruple." "And the school, Miss Eyre? It must now be shut up, I suppose?" "No. I will retain my post of mistress till you get a substitute." He smiled approbation: we shook hands, and he took leave. I need not narrate in detail the further struggles I had, and arguments I used, to get matters regarding the legacy settled as I wished. My task was a very hard one; but, as I was absolutely resolved--as my cousins saw at length that my mind was really and immutably fixed on making a just division of the property--as they must in their own hearts have felt the equity of the intention; and must, besides, have been innately conscious that in my place they would have done precisely what I wished to do--they yielded at length so far as to consent to put the affair to arbitration. The judges chosen were Mr. Oliver and an able lawyer: both coincided in my opinion: I carried my point. The instruments of transfer were drawn out: St. John, Diana, Mary, and I, each became possessed of a competency.

Chapter 33

https://web.archive.org/web/20190321135117/https://www.cliffsnotes.com/literature/j/jane-eyre/summary-and-analysis/chapter-33

While a snowstorm whirls outside, Jane sits reading Marmion. Suddenly, she hears a noise at the door: it's St. John. After a long delay, he tells Jane's own story, ending by saying that finding Jane Eyre has become a matter of serious urgency. St. John explains that he discovered her true identity from the paper he tore from her art supplies, which had the name Jane Eyre inscribed on it. The reason everyone has been looking for Jane is that her uncle, Mr. Eyre of Madeira, is dead and has left his entire fortune to her, so she is now rich. Jane is astonished to learn she has inherited twenty thousand pounds and wishes she had a family to share it with. As St. John prepares to leave, Jane asks why Mr. Briggs, Eyre's attorney, sent him a letter inquiring about Jane's whereabouts. St. John completes the story: his full name is St. John Eyre Rivers, so the Rivers are Jane's cousins. Jane feels she's found a brother and two sisters to love and admire; relatives, in her opinion, are real wealth, "wealth to the heart." Now she has the opportunity to benefit those who saved her life. She decides to share her legacy with them, to divide it into four pieces, making five thousand pounds each. That way, justice will be done, and Jane will have a home and family. St. John reminds her of the lofty place should could take in society with twenty thousand pounds, but Jane insists that she'd rather have love.

This chapter highlights the differences in personality between Jane and St. John; while he is so cold "no fervour infects" him, Jane is "hot, and fire dissolves ice." For icy St. John, reason is more important than feeling, but for fiery Jane, feeling predominates. Relating her story, St. John expects Jane's primary concern will be to know why Briggs has been searching for her; instead, she's more interested in Rochester's fate, worrying that he has returned to his life of dissipation in Europe. After learning of the inheritance, Jane is sorry to hear her uncle, a man she's never met, is dead, and wishes she had a "rejoicing family" to share the money with, rather than her isolated self. So discovering she has three cousins is heavenly for Jane. In fact, the blessing of relatives is "exhilarating -- not like the ponderous gift of gold: rich and welcome enough in its way, but sobering from its weight." St. John believes Jane is neglecting the essential points for the trifles . For a clergyman, St. John's lack of understanding of or caring for people is shocking. Sharing the wealth, Jane will transform it from an unwanted weight into a "legacy of life, hope, enjoyment," but her comment that the money will help her win "to myself lifelong friends," sounds as if she is planning to buy friendship with the legacy. Jane says she is happy to indulge her feelings, something she seldom has the opportunity to do. Jane values family and feeling above all else, while St. John thinks only of the opportunities, if she keeps the inheritance, that Jane will have to take her place in society. Describing his love for his sisters at the end of the chapter, St. John says his affection for them is based on "respect for their worth, and admiration of their talents," and he believes he'll be able to love Jane because she also has "principle and mind." How cold his description of love is compared with Jane's passionate connection to Rochester, with her heartfelt "craving" for love and family. Her inheritance may lead Jane back to her relationship with Rochester. Earlier in the novel, as she planned her wedding, Jane worried because she couldn't offer Rochester beauty, money, or connections; now she has at least two of the three -- relatives she's proud of and plenty of cash! Slowly, she is moving into a position of equality with Rochester.

cliffnotes

all_chapterized_books/1260-chapters/35.txt

finished_summaries/cliffnotes/Jane Eyre/section_27_part_0.txt

Jane Eyre.volume 3.chapter 34

chapter 34

{"name": "Chapter 34", "url": "https://web.archive.org/web/20190321135117/https://www.cliffsnotes.com/literature/j/jane-eyre/summary-and-analysis/chapter-34", "summary": "Christmas has arrived and Jane is closing the Morton school. She is happy to discover that she is beloved by the girls and promises to visit the school for an hour each week. St. John asks Jane if she wouldn't like to dedicate her life to working with the poor, but she wants to enjoy herself, as well as cultivating others. Jane sets off for Moor House to prepare for the arrival of Diana and Mary. St. John shows a disappointing lack of interest in the renovations Jane has done at Moor House, but Diana and Mary ungrudgingly appreciate Jane's hard work. The women spend the week in \"merry domestic dissipation,\" a pleasure St. John can't enjoy. He tells them Rosamond Oliver is to be married to a Mr. Granby, but the news doesn't seem to upset him. To Jane, St. John seems more distant than before they knew they were cousins. One day when Jane sits home with a cold, St. John suddenly asks her to give up German lessons and learn Hindustani, the language he is studying in preparation for his missionary work. Slowly, St. John takes more control over Jane, sucking away her freedom; she doesn't enjoy her new servitude. She is also stricken with sadness, because she is unable to discover what has happened to Rochester since she left him. Then St. John surprises her. In six weeks, St. John will leave for India, and he wants Jane to accompany him, as his wife. If she goes to India, Jane knows she'll die prematurely, but she agrees to go anyway -- if she can go as his sister, not his wife, because they don't love each other as husband and wife should. St. John insists on the marriage. After much discussion, they are unable to overcome the obstacle of the marriage issue, so St. John asks Jane to think about his proposal for a couple of weeks. He warns her that rejecting his proposal means rejecting God.", "analysis": "St. John's absolute, God-sanctioned despotism becomes apparent in this chapter. Just as Brocklehurst was a \"black pillar,\" St. John is \"a white stone\" and a \"cold cumbrous column\"; Brocklehurst was evil and St. John is good, but both men are equally stony. Even St. John's kisses are \"marble\" or \"ice\" kisses: No warmth or affection warms them. St. John's God is an infallible, warrior deity: king, captain, and lawgiver. Similarly, Jane says she would accompany St. John as \"comrade\" or \"fellow-soldier.\" He uses imagery of war to describe his devotion to this God: He will \"enlist\" under the Christian \"banner,\" Jane says he prizes her like a soldier would an effective weapon, under God's \"standard\" St. John \"enlists\" Jane, and she should \"wrench\" her heart from humanity to fix it upon God. All of these quotes suggest the violence and severity that underlies St. John's views of Christianity. Like Helen Burns, he has his eyes turned on heaven, but while her spirituality emphasized a martyred compassion, his makes God into a warrior tyrant who demands absolute submission. While Helen sought solace in heaven to compensate for her unhappy life on earth, St. John seeks glory in heaven to make up for his obscurity on earth. The representation of marriage in this chapter suggests its inherently oppressive nature. St. John argues that a wife would be \"the sole helpmeet I can influence efficiently in life, and retain absolutely till death\"; thus, he wants a wife he can control completely. Jane recognizes the imperialism in his statement. As his \"curate\" or \"comrade,\" Jane could preserve her \"unblighted\" self, but as his wife, she would become \"part of\" him and, therefore, \"always restrained,\" her flame \"imprisoned,\" perhaps leading to the madness that afflicts Bertha Mason. As husband, St. John would invade the private places in her mind, trample her with his \"warrior-march,\" ultimately erasing her identity and dousing her passions for life. Rather than resisting like the madwoman in the attic, Jane would become a mere husk. Both Rochester and St. John value Jane for her seeming submissiveness, thinking they can shape her into their ideal versions of woman, but her strength surprises them both. Glossary paysannes peasant women. Bauerinnen peasant women. beau ideal the perfect type. carte blanche complete authority."}

It was near Christmas by the time all was settled: the season of general holiday approached. I now closed Morton school, taking care that the parting should not be barren on my side. Good fortune opens the hand as well as the heart wonderfully; and to give somewhat when we have largely received, is but to afford a vent to the unusual ebullition of the sensations. I had long felt with pleasure that many of my rustic scholars liked me, and when we parted, that consciousness was confirmed: they manifested their affection plainly and strongly. Deep was my gratification to find I had really a place in their unsophisticated hearts: I promised them that never a week should pass in future that I did not visit them, and give them an hour's teaching in their school. Mr. Rivers came up as, having seen the classes, now numbering sixty girls, file out before me, and locked the door, I stood with the key in my hand, exchanging a few words of special farewell with some half-dozen of my best scholars: as decent, respectable, modest, and well-informed young women as could be found in the ranks of the British peasantry. And that is saying a great deal; for after all, the British peasantry are the best taught, best mannered, most self-respecting of any in Europe: since those days I have seen paysannes and Bauerinnen; and the best of them seemed to me ignorant, coarse, and besotted, compared with my Morton girls. "Do you consider you have got your reward for a season of exertion?" asked Mr. Rivers, when they were gone. "Does not the consciousness of having done some real good in your day and generation give pleasure?" "Doubtless." "And you have only toiled a few months! Would not a life devoted to the task of regenerating your race be well spent?" "Yes," I said; "but I could not go on for ever so: I want to enjoy my own faculties as well as to cultivate those of other people. I must enjoy them now; don't recall either my mind or body to the school; I am out of it and disposed for full holiday." He looked grave. "What now? What sudden eagerness is this you evince? What are you going to do?" "To be active: as active as I can. And first I must beg you to set Hannah at liberty, and get somebody else to wait on you." "Do you want her?" "Yes, to go with me to Moor House. Diana and Mary will be at home in a week, and I want to have everything in order against their arrival." "I understand. I thought you were for flying off on some excursion. It is better so: Hannah shall go with you." "Tell her to be ready by to-morrow then; and here is the schoolroom key: I will give you the key of my cottage in the morning." He took it. "You give it up very gleefully," said he; "I don't quite understand your light-heartedness, because I cannot tell what employment you propose to yourself as a substitute for the one you are relinquishing. What aim, what purpose, what ambition in life have you now?" "My first aim will be to _clean down_ (do you comprehend the full force of the expression?)--to _clean down_ Moor House from chamber to cellar; my next to rub it up with bees-wax, oil, and an indefinite number of cloths, till it glitters again; my third, to arrange every chair, table, bed, carpet, with mathematical precision; afterwards I shall go near to ruin you in coals and peat to keep up good fires in every room; and lastly, the two days preceding that on which your sisters are expected will be devoted by Hannah and me to such a beating of eggs, sorting of currants, grating of spices, compounding of Christmas cakes, chopping up of materials for mince-pies, and solemnising of other culinary rites, as words can convey but an inadequate notion of to the uninitiated like you. My purpose, in short, is to have all things in an absolutely perfect state of readiness for Diana and Mary before next Thursday; and my ambition is to give them a beau-ideal of a welcome when they come." St. John smiled slightly: still he was dissatisfied. "It is all very well for the present," said he; "but seriously, I trust that when the first flush of vivacity is over, you will look a little higher than domestic endearments and household joys." "The best things the world has!" I interrupted. "No, Jane, no: this world is not the scene of fruition; do not attempt to make it so: nor of rest; do not turn slothful." "I mean, on the contrary, to be busy." "Jane, I excuse you for the present: two months' grace I allow you for the full enjoyment of your new position, and for pleasing yourself with this late-found charm of relationship; but _then_, I hope you will begin to look beyond Moor House and Morton, and sisterly society, and the selfish calm and sensual comfort of civilised affluence. I hope your energies will then once more trouble you with their strength." I looked at him with surprise. "St. John," I said, "I think you are almost wicked to talk so. I am disposed to be as content as a queen, and you try to stir me up to restlessness! To what end?" "To the end of turning to profit the talents which God has committed to your keeping; and of which He will surely one day demand a strict account. Jane, I shall watch you closely and anxiously--I warn you of that. And try to restrain the disproportionate fervour with which you throw yourself into commonplace home pleasures. Don't cling so tenaciously to ties of the flesh; save your constancy and ardour for an adequate cause; forbear to waste them on trite transient objects. Do you hear, Jane?" "Yes; just as if you were speaking Greek. I feel I have adequate cause to be happy, and I _will_ be happy. Goodbye!" Happy at Moor House I was, and hard I worked; and so did Hannah: she was charmed to see how jovial I could be amidst the bustle of a house turned topsy-turvy--how I could brush, and dust, and clean, and cook. And really, after a day or two of confusion worse confounded, it was delightful by degrees to invoke order from the chaos ourselves had made. I had previously taken a journey to S--- to purchase some new furniture: my cousins having given me _carte blanche_ to effect what alterations I pleased, and a sum having been set aside for that purpose. The ordinary sitting-room and bedrooms I left much as they were: for I knew Diana and Mary would derive more pleasure from seeing again the old homely tables, and chairs, and beds, than from the spectacle of the smartest innovations. Still some novelty was necessary, to give to their return the piquancy with which I wished it to be invested. Dark handsome new carpets and curtains, an arrangement of some carefully selected antique ornaments in porcelain and bronze, new coverings, and mirrors, and dressing-cases, for the toilet tables, answered the end: they looked fresh without being glaring. A spare parlour and bedroom I refurnished entirely, with old mahogany and crimson upholstery: I laid canvas on the passage, and carpets on the stairs. When all was finished, I thought Moor House as complete a model of bright modest snugness within, as it was, at this season, a specimen of wintry waste and desert dreariness without. The eventful Thursday at length came. They were expected about dark, and ere dusk fires were lit upstairs and below; the kitchen was in perfect trim; Hannah and I were dressed, and all was in readiness. St. John arrived first. I had entreated him to keep quite clear of the house till everything was arranged: and, indeed, the bare idea of the commotion, at once sordid and trivial, going on within its walls sufficed to scare him to estrangement. He found me in the kitchen, watching the progress of certain cakes for tea, then baking. Approaching the hearth, he asked, "If I was at last satisfied with housemaid's work?" I answered by inviting him to accompany me on a general inspection of the result of my labours. With some difficulty, I got him to make the tour of the house. He just looked in at the doors I opened; and when he had wandered upstairs and downstairs, he said I must have gone through a great deal of fatigue and trouble to have effected such considerable changes in so short a time: but not a syllable did he utter indicating pleasure in the improved aspect of his abode. This silence damped me. I thought perhaps the alterations had disturbed some old associations he valued. I inquired whether this was the case: no doubt in a somewhat crest-fallen tone. "Not at all; he had, on the contrary, remarked that I had scrupulously respected every association: he feared, indeed, I must have bestowed more thought on the matter than it was worth. How many minutes, for instance, had I devoted to studying the arrangement of this very room?--By-the-bye, could I tell him where such a book was?" I showed him the volume on the shelf: he took it down, and withdrawing to his accustomed window recess, he began to read it. Now, I did not like this, reader. St. John was a good man; but I began to feel he had spoken truth of himself when he said he was hard and cold. The humanities and amenities of life had no attraction for him--its peaceful enjoyments no charm. Literally, he lived only to aspire--after what was good and great, certainly; but still he would never rest, nor approve of others resting round him. As I looked at his lofty forehead, still and pale as a white stone--at his fine lineaments fixed in study--I comprehended all at once that he would hardly make a good husband: that it would be a trying thing to be his wife. I understood, as by inspiration, the nature of his love for Miss Oliver; I agreed with him that it was but a love of the senses. I comprehended how he should despise himself for the feverish influence it exercised over him; how he should wish to stifle and destroy it; how he should mistrust its ever conducting permanently to his happiness or hers. I saw he was of the material from which nature hews her heroes--Christian and Pagan--her lawgivers, her statesmen, her conquerors: a steadfast bulwark for great interests to rest upon; but, at the fireside, too often a cold cumbrous column, gloomy and out of place. "This parlour is not his sphere," I reflected: "the Himalayan ridge or Caffre bush, even the plague-cursed Guinea Coast swamp would suit him better. Well may he eschew the calm of domestic life; it is not his element: there his faculties stagnate--they cannot develop or appear to advantage. It is in scenes of strife and danger--where courage is proved, and energy exercised, and fortitude tasked--that he will speak and move, the leader and superior. A merry child would have the advantage of him on this hearth. He is right to choose a missionary's career--I see it now." "They are coming! they are coming!" cried Hannah, throwing open the parlour door. At the same moment old Carlo barked joyfully. Out I ran. It was now dark; but a rumbling of wheels was audible. Hannah soon had a lantern lit. The vehicle had stopped at the wicket; the driver opened the door: first one well-known form, then another, stepped out. In a minute I had my face under their bonnets, in contact first with Mary's soft cheek, then with Diana's flowing curls. They laughed--kissed me--then Hannah: patted Carlo, who was half wild with delight; asked eagerly if all was well; and being assured in the affirmative, hastened into the house. They were stiff with their long and jolting drive from Whitcross, and chilled with the frosty night air; but their pleasant countenances expanded to the cheerful firelight. While the driver and Hannah brought in the boxes, they demanded St. John. At this moment he advanced from the parlour. They both threw their arms round his neck at once. He gave each one quiet kiss, said in a low tone a few words of welcome, stood a while to be talked to, and then, intimating that he supposed they would soon rejoin him in the parlour, withdrew there as to a place of refuge. I had lit their candles to go upstairs, but Diana had first to give hospitable orders respecting the driver; this done, both followed me. They were delighted with the renovation and decorations of their rooms; with the new drapery, and fresh carpets, and rich tinted china vases: they expressed their gratification ungrudgingly. I had the pleasure of feeling that my arrangements met their wishes exactly, and that what I had done added a vivid charm to their joyous return home. Sweet was that evening. My cousins, full of exhilaration, were so eloquent in narrative and comment, that their fluency covered St. John's taciturnity: he was sincerely glad to see his sisters; but in their glow of fervour and flow of joy he could not sympathise. The event of the day--that is, the return of Diana and Mary--pleased him; but the accompaniments of that event, the glad tumult, the garrulous glee of reception irked him: I saw he wished the calmer morrow was come. In the very meridian of the night's enjoyment, about an hour after tea, a rap was heard at the door. Hannah entered with the intimation that "a poor lad was come, at that unlikely time, to fetch Mr. Rivers to see his mother, who was drawing away." "Where does she live, Hannah?" "Clear up at Whitcross Brow, almost four miles off, and moor and moss all the way." "Tell him I will go." "I'm sure, sir, you had better not. It's the worst road to travel after dark that can be: there's no track at all over the bog. And then it is such a bitter night--the keenest wind you ever felt. You had better send word, sir, that you will be there in the morning." But he was already in the passage, putting on his cloak; and without one objection, one murmur, he departed. It was then nine o'clock: he did not return till midnight. Starved and tired enough he was: but he looked happier than when he set out. He had performed an act of duty; made an exertion; felt his own strength to do and deny, and was on better terms with himself. I am afraid the whole of the ensuing week tried his patience. It was Christmas week: we took to no settled employment, but spent it in a sort of merry domestic dissipation. The air of the moors, the freedom of home, the dawn of prosperity, acted on Diana and Mary's spirits like some life-giving elixir: they were gay from morning till noon, and from noon till night. They could always talk; and their discourse, witty, pithy, original, had such charms for me, that I preferred listening to, and sharing in it, to doing anything else. St. John did not rebuke our vivacity; but he escaped from it: he was seldom in the house; his parish was large, the population scattered, and he found daily business in visiting the sick and poor in its different districts. One morning at breakfast, Diana, after looking a little pensive for some minutes, asked him, "If his plans were yet unchanged." "Unchanged and unchangeable," was the reply. And he proceeded to inform us that his departure from England was now definitively fixed for the ensuing year. "And Rosamond Oliver?" suggested Mary, the words seeming to escape her lips involuntarily: for no sooner had she uttered them, than she made a gesture as if wishing to recall them. St. John had a book in his hand--it was his unsocial custom to read at meals--he closed it, and looked up. "Rosamond Oliver," said he, "is about to be married to Mr. Granby, one of the best connected and most estimable residents in S-, grandson and heir to Sir Frederic Granby: I had the intelligence from her father yesterday." His sisters looked at each other and at me; we all three looked at him: he was serene as glass. "The match must have been got up hastily," said Diana: "they cannot have known each other long." "But two months: they met in October at the county ball at S-. But where there are no obstacles to a union, as in the present case, where the connection is in every point desirable, delays are unnecessary: they will be married as soon as S--- Place, which Sir Frederic gives up to them, can he refitted for their reception." The first time I found St. John alone after this communication, I felt tempted to inquire if the event distressed him: but he seemed so little to need sympathy, that, so far from venturing to offer him more, I experienced some shame at the recollection of what I had already hazarded. Besides, I was out of practice in talking to him: his reserve was again frozen over, and my frankness was congealed beneath it. He had not kept his promise of treating me like his sisters; he continually made little chilling differences between us, which did not at all tend to the development of cordiality: in short, now that I was acknowledged his kinswoman, and lived under the same roof with him, I felt the distance between us to be far greater than when he had known me only as the village schoolmistress. When I remembered how far I had once been admitted to his confidence, I could hardly comprehend his present frigidity. Such being the case, I felt not a little surprised when he raised his head suddenly from the desk over which he was stooping, and said-- "You see, Jane, the battle is fought and the victory won." Startled at being thus addressed, I did not immediately reply: after a moment's hesitation I answered-- "But are you sure you are not in the position of those conquerors whose triumphs have cost them too dear? Would not such another ruin you?" "I think not; and if I were, it does not much signify; I shall never be called upon to contend for such another. The event of the conflict is decisive: my way is now clear; I thank God for it!" So saying, he returned to his papers and his silence. As our mutual happiness (_i.e._, Diana's, Mary's, and mine) settled into a quieter character, and we resumed our usual habits and regular studies, St. John stayed more at home: he sat with us in the same room, sometimes for hours together. While Mary drew, Diana pursued a course of encyclopaedic reading she had (to my awe and amazement) undertaken, and I fagged away at German, he pondered a mystic lore of his own: that of some Eastern tongue, the acquisition of which he thought necessary to his plans. Thus engaged, he appeared, sitting in his own recess, quiet and absorbed enough; but that blue eye of his had a habit of leaving the outlandish- looking grammar, and wandering over, and sometimes fixing upon us, his fellow-students, with a curious intensity of observation: if caught, it would be instantly withdrawn; yet ever and anon, it returned searchingly to our table. I wondered what it meant: I wondered, too, at the punctual satisfaction he never failed to exhibit on an occasion that seemed to me of small moment, namely, my weekly visit to Morton school; and still more was I puzzled when, if the day was unfavourable, if there was snow, or rain, or high wind, and his sisters urged me not to go, he would invariably make light of their solicitude, and encourage me to accomplish the task without regard to the elements. "Jane is not such a weakling as you would make her," he would say: "she can bear a mountain blast, or a shower, or a few flakes of snow, as well as any of us. Her constitution is both sound and elastic;--better calculated to endure variations of climate than many more robust." And when I returned, sometimes a good deal tired, and not a little weather-beaten, I never dared complain, because I saw that to murmur would be to vex him: on all occasions fortitude pleased him; the reverse was a special annoyance. One afternoon, however, I got leave to stay at home, because I really had a cold. His sisters were gone to Morton in my stead: I sat reading Schiller; he, deciphering his crabbed Oriental scrolls. As I exchanged a translation for an exercise, I happened to look his way: there I found myself under the influence of the ever-watchful blue eye. How long it had been searching me through and through, and over and over, I cannot tell: so keen was it, and yet so cold, I felt for the moment superstitious--as if I were sitting in the room with something uncanny. "Jane, what are you doing?" "Learning German." "I want you to give up German and learn Hindostanee." "You are not in earnest?" "In such earnest that I must have it so: and I will tell you why." He then went on to explain that Hindostanee was the language he was himself at present studying; that, as he advanced, he was apt to forget the commencement; that it would assist him greatly to have a pupil with whom he might again and again go over the elements, and so fix them thoroughly in his mind; that his choice had hovered for some time between me and his sisters; but that he had fixed on me because he saw I could sit at a task the longest of the three. Would I do him this favour? I should not, perhaps, have to make the sacrifice long, as it wanted now barely three months to his departure. St. John was not a man to be lightly refused: you felt that every impression made on him, either for pain or pleasure, was deep-graved and permanent. I consented. When Diana and Mary returned, the former found her scholar transferred from her to her brother: she laughed, and both she and Mary agreed that St. John should never have persuaded them to such a step. He answered quietly-- "I know it." I found him a very patient, very forbearing, and yet an exacting master: he expected me to do a great deal; and when I fulfilled his expectations, he, in his own way, fully testified his approbation. By degrees, he acquired a certain influence over me that took away my liberty of mind: his praise and notice were more restraining than his indifference. I could no longer talk or laugh freely when he was by, because a tiresomely importunate instinct reminded me that vivacity (at least in me) was distasteful to him. I was so fully aware that only serious moods and occupations were acceptable, that in his presence every effort to sustain or follow any other became vain: I fell under a freezing spell. When he said "go," I went; "come," I came; "do this," I did it. But I did not love my servitude: I wished, many a time, he had continued to neglect me. One evening when, at bedtime, his sisters and I stood round him, bidding him good-night, he kissed each of them, as was his custom; and, as was equally his custom, he gave me his hand. Diana, who chanced to be in a frolicsome humour (_she_ was not painfully controlled by his will; for hers, in another way, was as strong), exclaimed-- "St. John! you used to call Jane your third sister, but you don't treat her as such: you should kiss her too." She pushed me towards him. I thought Diana very provoking, and felt uncomfortably confused; and while I was thus thinking and feeling, St. John bent his head; his Greek face was brought to a level with mine, his eyes questioned my eyes piercingly--he kissed me. There are no such things as marble kisses or ice kisses, or I should say my ecclesiastical cousin's salute belonged to one of these classes; but there may be experiment kisses, and his was an experiment kiss. When given, he viewed me to learn the result; it was not striking: I am sure I did not blush; perhaps I might have turned a little pale, for I felt as if this kiss were a seal affixed to my fetters. He never omitted the ceremony afterwards, and the gravity and quiescence with which I underwent it, seemed to invest it for him with a certain charm. As for me, I daily wished more to please him; but to do so, I felt daily more and more that I must disown half my nature, stifle half my faculties, wrest my tastes from their original bent, force myself to the adoption of pursuits for which I had no natural vocation. He wanted to train me to an elevation I could never reach; it racked me hourly to aspire to the standard he uplifted. The thing was as impossible as to mould my irregular features to his correct and classic pattern, to give to my changeable green eyes the sea-blue tint and solemn lustre of his own. Not his ascendancy alone, however, held me in thrall at present. Of late it had been easy enough for me to look sad: a cankering evil sat at my heart and drained my happiness at its source--the evil of suspense. Perhaps you think I had forgotten Mr. Rochester, reader, amidst these changes of place and fortune. Not for a moment. His idea was still with me, because it was not a vapour sunshine could disperse, nor a sand-traced effigy storms could wash away; it was a name graven on a tablet, fated to last as long as the marble it inscribed. The craving to know what had become of him followed me everywhere; when I was at Morton, I re-entered my cottage every evening to think of that; and now at Moor House, I sought my bedroom each night to brood over it. In the course of my necessary correspondence with Mr. Briggs about the will, I had inquired if he knew anything of Mr. Rochester's present residence and state of health; but, as St. John had conjectured, he was quite ignorant of all concerning him. I then wrote to Mrs. Fairfax, entreating information on the subject. I had calculated with certainty on this step answering my end: I felt sure it would elicit an early answer. I was astonished when a fortnight passed without reply; but when two months wore away, and day after day the post arrived and brought nothing for me, I fell a prey to the keenest anxiety. I wrote again: there was a chance of my first letter having missed. Renewed hope followed renewed effort: it shone like the former for some weeks, then, like it, it faded, flickered: not a line, not a word reached me. When half a year wasted in vain expectancy, my hope died out, and then I felt dark indeed. A fine spring shone round me, which I could not enjoy. Summer approached; Diana tried to cheer me: she said I looked ill, and wished to accompany me to the sea-side. This St. John opposed; he said I did not want dissipation, I wanted employment; my present life was too purposeless, I required an aim; and, I suppose, by way of supplying deficiencies, he prolonged still further my lessons in Hindostanee, and grew more urgent in requiring their accomplishment: and I, like a fool, never thought of resisting him--I could not resist him. One day I had come to my studies in lower spirits than usual; the ebb was occasioned by a poignantly felt disappointment. Hannah had told me in the morning there was a letter for me, and when I went down to take it, almost certain that the long-looked for tidings were vouchsafed me at last, I found only an unimportant note from Mr. Briggs on business. The bitter check had wrung from me some tears; and now, as I sat poring over the crabbed characters and flourishing tropes of an Indian scribe, my eyes filled again. St. John called me to his side to read; in attempting to do this my voice failed me: words were lost in sobs. He and I were the only occupants of the parlour: Diana was practising her music in the drawing-room, Mary was gardening--it was a very fine May day, clear, sunny, and breezy. My companion expressed no surprise at this emotion, nor did he question me as to its cause; he only said-- "We will wait a few minutes, Jane, till you are more composed." And while I smothered the paroxysm with all haste, he sat calm and patient, leaning on his desk, and looking like a physician watching with the eye of science an expected and fully understood crisis in a patient's malady. Having stifled my sobs, wiped my eyes, and muttered something about not being very well that morning, I resumed my task, and succeeded in completing it. St. John put away my books and his, locked his desk, and said-- "Now, Jane, you shall take a walk; and with me." "I will call Diana and Mary." "No; I want only one companion this morning, and that must be you. Put on your things; go out by the kitchen-door: take the road towards the head of Marsh Glen: I will join you in a moment." I know no medium: I never in my life have known any medium in my dealings with positive, hard characters, antagonistic to my own, between absolute submission and determined revolt. I have always faithfully observed the one, up to the very moment of bursting, sometimes with volcanic vehemence, into the other; and as neither present circumstances warranted, nor my present mood inclined me to mutiny, I observed careful obedience to St. John's directions; and in ten minutes I was treading the wild track of the glen, side by side with him. The breeze was from the west: it came over the hills, sweet with scents of heath and rush; the sky was of stainless blue; the stream descending the ravine, swelled with past spring rains, poured along plentiful and clear, catching golden gleams from the sun, and sapphire tints from the firmament. As we advanced and left the track, we trod a soft turf, mossy fine and emerald green, minutely enamelled with a tiny white flower, and spangled with a star-like yellow blossom: the hills, meantime, shut us quite in; for the glen, towards its head, wound to their very core. "Let us rest here," said St. John, as we reached the first stragglers of a battalion of rocks, guarding a sort of pass, beyond which the beck rushed down a waterfall; and where, still a little farther, the mountain shook off turf and flower, had only heath for raiment and crag for gem--where it exaggerated the wild to the savage, and exchanged the fresh for the frowning--where it guarded the forlorn hope of solitude, and a last refuge for silence. I took a seat: St. John stood near me. He looked up the pass and down the hollow; his glance wandered away with the stream, and returned to traverse the unclouded heaven which coloured it: he removed his hat, let the breeze stir his hair and kiss his brow. He seemed in communion with the genius of the haunt: with his eye he bade farewell to something. "And I shall see it again," he said aloud, "in dreams when I sleep by the Ganges: and again in a more remote hour--when another slumber overcomes me--on the shore of a darker stream!" Strange words of a strange love! An austere patriot's passion for his fatherland! He sat down; for half-an-hour we never spoke; neither he to me nor I to him: that interval past, he recommenced-- "Jane, I go in six weeks; I have taken my berth in an East Indiaman which sails on the 20th of June." "God will protect you; for you have undertaken His work," I answered. "Yes," said he, "there is my glory and joy. I am the servant of an infallible Master. I am not going out under human guidance, subject to the defective laws and erring control of my feeble fellow-worms: my king, my lawgiver, my captain, is the All-perfect. It seems strange to me that all round me do not burn to enlist under the same banner,--to join in the same enterprise." "All have not your powers, and it would be folly for the feeble to wish to march with the strong." "I do not speak to the feeble, or think of them: I address only such as are worthy of the work, and competent to accomplish it." "Those are few in number, and difficult to discover." "You say truly; but when found, it is right to stir them up--to urge and exhort them to the effort--to show them what their gifts are, and why they were given--to speak Heaven's message in their ear,--to offer them, direct from God, a place in the ranks of His chosen." "If they are really qualified for the task, will not their own hearts be the first to inform them of it?" I felt as if an awful charm was framing round and gathering over me: I trembled to hear some fatal word spoken which would at once declare and rivet the spell. "And what does _your_ heart say?" demanded St. John. "My heart is mute,--my heart is mute," I answered, struck and thrilled. "Then I must speak for it," continued the deep, relentless voice. "Jane, come with me to India: come as my helpmeet and fellow-labourer." The glen and sky spun round: the hills heaved! It was as if I had heard a summons from Heaven--as if a visionary messenger, like him of Macedonia, had enounced, "Come over and help us!" But I was no apostle,--I could not behold the herald,--I could not receive his call. "Oh, St. John!" I cried, "have some mercy!" I appealed to one who, in the discharge of what he believed his duty, knew neither mercy nor remorse. He continued-- "God and nature intended you for a missionary's wife. It is not personal, but mental endowments they have given you: you are formed for labour, not for love. A missionary's wife you must--shall be. You shall be mine: I claim you--not for my pleasure, but for my Sovereign's service." "I am not fit for it: I have no vocation," I said. He had calculated on these first objections: he was not irritated by them. Indeed, as he leaned back against the crag behind him, folded his arms on his chest, and fixed his countenance, I saw he was prepared for a long and trying opposition, and had taken in a stock of patience to last him to its close--resolved, however, that that close should be conquest for him. "Humility, Jane," said he, "is the groundwork of Christian virtues: you say right that you are not fit for the work. Who is fit for it? Or who, that ever was truly called, believed himself worthy of the summons? I, for instance, am but dust and ashes. With St. Paul, I acknowledge myself the chiefest of sinners; but I do not suffer this sense of my personal vileness to daunt me. I know my Leader: that He is just as well as mighty; and while He has chosen a feeble instrument to perform a great task, He will, from the boundless stores of His providence, supply the inadequacy of the means to the end. Think like me, Jane--trust like me. It is the Rock of Ages I ask you to lean on: do not doubt but it will bear the weight of your human weakness." "I do not understand a missionary life: I have never studied missionary labours." "There I, humble as I am, can give you the aid you want: I can set you your task from hour to hour; stand by you always; help you from moment to moment. This I could do in the beginning: soon (for I know your powers) you would be as strong and apt as myself, and would not require my help." "But my powers--where are they for this undertaking? I do not feel them. Nothing speaks or stirs in me while you talk. I am sensible of no light kindling--no life quickening--no voice counselling or cheering. Oh, I wish I could make you see how much my mind is at this moment like a rayless dungeon, with one shrinking fear fettered in its depths--the fear of being persuaded by you to attempt what I cannot accomplish!" "I have an answer for you--hear it. I have watched you ever since we first met: I have made you my study for ten months. I have proved you in that time by sundry tests: and what have I seen and elicited? In the village school I found you could perform well, punctually, uprightly, labour uncongenial to your habits and inclinations; I saw you could perform it with capacity and tact: you could win while you controlled. In the calm with which you learnt you had become suddenly rich, I read a mind clear of the vice of Demas:--lucre had no undue power over you. In the resolute readiness with which you cut your wealth into four shares, keeping but one to yourself, and relinquishing the three others to the claim of abstract justice, I recognised a soul that revelled in the flame and excitement of sacrifice. In the tractability with which, at my wish, you forsook a study in which you were interested, and adopted another because it interested me; in the untiring assiduity with which you have since persevered in it--in the unflagging energy and unshaken temper with which you have met its difficulties--I acknowledge the complement of the qualities I seek. Jane, you are docile, diligent, disinterested, faithful, constant, and courageous; very gentle, and very heroic: cease to mistrust yourself--I can trust you unreservedly. As a conductress of Indian schools, and a helper amongst Indian women, your assistance will be to me invaluable." My iron shroud contracted round me; persuasion advanced with slow sure step. Shut my eyes as I would, these last words of his succeeded in making the way, which had seemed blocked up, comparatively clear. My work, which had appeared so vague, so hopelessly diffuse, condensed itself as he proceeded, and assumed a definite form under his shaping hand. He waited for an answer. I demanded a quarter of an hour to think, before I again hazarded a reply. "Very willingly," he rejoined; and rising, he strode a little distance up the pass, threw himself down on a swell of heath, and there lay still. {He threw himself down on a swell of heath, and there lay still: p389.jpg} "I _can_ do what he wants me to do: I am forced to see and acknowledge that," I meditated,--"that is, if life be spared me. But I feel mine is not the existence to be long protracted under an Indian sun. What then? He does not care for that: when my time came to die, he would resign me, in all serenity and sanctity, to the God who gave me. The case is very plain before me. In leaving England, I should leave a loved but empty land--Mr. Rochester is not there; and if he were, what is, what can that ever be to me? My business is to live without him now: nothing so absurd, so weak as to drag on from day to day, as if I were waiting some impossible change in circumstances, which might reunite me to him. Of course (as St. John once said) I must seek another interest in life to replace the one lost: is not the occupation he now offers me truly the most glorious man can adopt or God assign? Is it not, by its noble cares and sublime results, the one best calculated to fill the void left by uptorn affections and demolished hopes? I believe I must say, Yes--and yet I shudder. Alas! If I join St. John, I abandon half myself: if I go to India, I go to premature death. And how will the interval between leaving England for India, and India for the grave, be filled? Oh, I know well! That, too, is very clear to my vision. By straining to satisfy St. John till my sinews ache, I _shall_ satisfy him--to the finest central point and farthest outward circle of his expectations. If I _do_ go with him--if I _do_ make the sacrifice he urges, I will make it absolutely: I will throw all on the altar--heart, vitals, the entire victim. He will never love me; but he shall approve me; I will show him energies he has not yet seen, resources he has never suspected. Yes, I can work as hard as he can, and with as little grudging. "Consent, then, to his demand is possible: but for one item--one dreadful item. It is--that he asks me to be his wife, and has no more of a husband's heart for me than that frowning giant of a rock, down which the stream is foaming in yonder gorge. He prizes me as a soldier would a good weapon; and that is all. Unmarried to him, this would never grieve me; but can I let him complete his calculations--coolly put into practice his plans--go through the wedding ceremony? Can I receive from him the bridal ring, endure all the forms of love (which I doubt not he would scrupulously observe) and know that the spirit was quite absent? Can I bear the consciousness that every endearment he bestows is a sacrifice made on principle? No: such a martyrdom would be monstrous. I will never undergo it. As his sister, I might accompany him--not as his wife: I will tell him so." I looked towards the knoll: there he lay, still as a prostrate column; his face turned to me: his eye beaming watchful and keen. He started to his feet and approached me. "I am ready to go to India, if I may go free." "Your answer requires a commentary," he said; "it is not clear." "You have hitherto been my adopted brother--I, your adopted sister: let us continue as such: you and I had better not marry." He shook his head. "Adopted fraternity will not do in this case. If you were my real sister it would be different: I should take you, and seek no wife. But as it is, either our union must be consecrated and sealed by marriage, or it cannot exist: practical obstacles oppose themselves to any other plan. Do you not see it, Jane? Consider a moment--your strong sense will guide you." I did consider; and still my sense, such as it was, directed me only to the fact that we did not love each other as man and wife should: and therefore it inferred we ought not to marry. I said so. "St. John," I returned, "I regard you as a brother--you, me as a sister: so let us continue." "We cannot--we cannot," he answered, with short, sharp determination: "it would not do. You have said you will go with me to India: remember--you have said that." "Conditionally." "Well--well. To the main point--the departure with me from England, the co-operation with me in my future labours--you do not object. You have already as good as put your hand to the plough: you are too consistent to withdraw it. You have but one end to keep in view--how the work you have undertaken can best be done. Simplify your complicated interests, feelings, thoughts, wishes, aims; merge all considerations in one purpose: that of fulfilling with effect--with power--the mission of your great Master. To do so, you must have a coadjutor: not a brother--that is a loose tie--but a husband. I, too, do not want a sister: a sister might any day be taken from me. I want a wife: the sole helpmeet I can influence efficiently in life, and retain absolutely till death." I shuddered as he spoke: I felt his influence in my marrow--his hold on my limbs. "Seek one elsewhere than in me, St. John: seek one fitted to you." "One fitted to my purpose, you mean--fitted to my vocation. Again I tell you it is not the insignificant private individual--the mere man, with the man's selfish senses--I wish to mate: it is the missionary." "And I will give the missionary my energies--it is all he wants--but not myself: that would be only adding the husk and shell to the kernel. For them he has no use: I retain them." "You cannot--you ought not. Do you think God will be satisfied with half an oblation? Will He accept a mutilated sacrifice? It is the cause of God I advocate: it is under His standard I enlist you. I cannot accept on His behalf a divided allegiance: it must be entire." "Oh! I will give my heart to God," I said. "_You_ do not want it." I will not swear, reader, that there was not something of repressed sarcasm both in the tone in which I uttered this sentence, and in the feeling that accompanied it. I had silently feared St. John till now, because I had not understood him. He had held me in awe, because he had held me in doubt. How much of him was saint, how much mortal, I could not heretofore tell: but revelations were being made in this conference: the analysis of his nature was proceeding before my eyes. I saw his fallibilities: I comprehended them. I understood that, sitting there where I did, on the bank of heath, and with that handsome form before me, I sat at the feet of a man, caring as I. The veil fell from his hardness and despotism. Having felt in him the presence of these qualities, I felt his imperfection and took courage. I was with an equal--one with whom I might argue--one whom, if I saw good, I might resist. He was silent after I had uttered the last sentence, and I presently risked an upward glance at his countenance. His eye, bent on me, expressed at once stern surprise and keen inquiry. "Is she sarcastic, and sarcastic to _me_!" it seemed to say. "What does this signify?" "Do not let us forget that this is a solemn matter," he said ere long; "one of which we may neither think nor talk lightly without sin. I trust, Jane, you are in earnest when you say you will serve your heart to God: it is all I want. Once wrench your heart from man, and fix it on your Maker, the advancement of that Maker's spiritual kingdom on earth will be your chief delight and endeavour; you will be ready to do at once whatever furthers that end. You will see what impetus would be given to your efforts and mine by our physical and mental union in marriage: the only union that gives a character of permanent conformity to the destinies and designs of human beings; and, passing over all minor caprices--all trivial difficulties and delicacies of feeling--all scruple about the degree, kind, strength or tenderness of mere personal inclination--you will hasten to enter into that union at once." "Shall I?" I said briefly; and I looked at his features, beautiful in their harmony, but strangely formidable in their still severity; at his brow, commanding but not open; at his eyes, bright and deep and searching, but never soft; at his tall imposing figure; and fancied myself in idea _his wife_. Oh! it would never do! As his curate, his comrade, all would be right: I would cross oceans with him in that capacity; toil under Eastern suns, in Asian deserts with him in that office; admire and emulate his courage and devotion and vigour; accommodate quietly to his masterhood; smile undisturbed at his ineradicable ambition; discriminate the Christian from the man: profoundly esteem the one, and freely forgive the other. I should suffer often, no doubt, attached to him only in this capacity: my body would be under rather a stringent yoke, but my heart and mind would be free. I should still have my unblighted self to turn to: my natural unenslaved feelings with which to communicate in moments of loneliness. There would be recesses in my mind which would be only mine, to which he never came, and sentiments growing there fresh and sheltered which his austerity could never blight, nor his measured warrior-march trample down: but as his wife--at his side always, and always restrained, and always checked--forced to keep the fire of my nature continually low, to compel it to burn inwardly and never utter a cry, though the imprisoned flame consumed vital after vital--_this_ would be unendurable. "St. John!" I exclaimed, when I had got so far in my meditation. "Well?" he answered icily. "I repeat I freely consent to go with you as your fellow-missionary, but not as your wife; I cannot marry you and become part of you." "A part of me you must become," he answered steadily; "otherwise the whole bargain is void. How can I, a man not yet thirty, take out with me to India a girl of nineteen, unless she be married to me? How can we be for ever together--sometimes in solitudes, sometimes amidst savage tribes--and unwed?" "Very well," I said shortly; "under the circumstances, quite as well as if I were either your real sister, or a man and a clergyman like yourself." "It is known that you are not my sister; I cannot introduce you as such: to attempt it would be to fasten injurious suspicions on us both. And for the rest, though you have a man's vigorous brain, you have a woman's heart and--it would not do." "It would do," I affirmed with some disdain, "perfectly well. I have a woman's heart, but not where you are concerned; for you I have only a comrade's constancy; a fellow-soldier's frankness, fidelity, fraternity, if you like; a neophyte's respect and submission to his hierophant: nothing more--don't fear." "It is what I want," he said, speaking to himself; "it is just what I want. And there are obstacles in the way: they must be hewn down. Jane, you would not repent marrying me--be certain of that; we _must_ be married. I repeat it: there is no other way; and undoubtedly enough of love would follow upon marriage to render the union right even in your eyes." "I scorn your idea of love," I could not help saying, as I rose up and stood before him, leaning my back against the rock. "I scorn the counterfeit sentiment you offer: yes, St. John, and I scorn you when you offer it." He looked at me fixedly, compressing his well-cut lips while he did so. Whether he was incensed or surprised, or what, it was not easy to tell: he could command his countenance thoroughly. "I scarcely expected to hear that expression from you," he said: "I think I have done and uttered nothing to deserve scorn." I was touched by his gentle tone, and overawed by his high, calm mien. "Forgive me the words, St. John; but it is your own fault that I have been roused to speak so unguardedly. You have introduced a topic on which our natures are at variance--a topic we should never discuss: the very name of love is an apple of discord between us. If the reality were required, what should we do? How should we feel? My dear cousin, abandon your scheme of marriage--forget it." "No," said he; "it is a long-cherished scheme, and the only one which can secure my great end: but I shall urge you no further at present. To-morrow, I leave home for Cambridge: I have many friends there to whom I should wish to say farewell. I shall be absent a fortnight--take that space of time to consider my offer: and do not forget that if you reject it, it is not me you deny, but God. Through my means, He opens to you a noble career; as my wife only can you enter upon it. Refuse to be my wife, and you limit yourself for ever to a track of selfish ease and barren obscurity. Tremble lest in that case you should be numbered with those who have denied the faith, and are worse than infidels!" He had done. Turning from me, he once more "Looked to river, looked to hill." But this time his feelings were all pent in his heart: I was not worthy to hear them uttered. As I walked by his side homeward, I read well in his iron silence all he felt towards me: the disappointment of an austere and despotic nature, which has met resistance where it expected submission--the disapprobation of a cool, inflexible judgment, which has detected in another feelings and views in which it has no power to sympathise: in short, as a man, he would have wished to coerce me into obedience: it was only as a sincere Christian he bore so patiently with my perversity, and allowed so long a space for reflection and repentance. That night, after he had kissed his sisters, he thought proper to forget even to shake hands with me, but left the room in silence. I--who, though I had no love, had much friendship for him--was hurt by the marked omission: so much hurt that tears started to my eyes. "I see you and St. John have been quarrelling, Jane," said Diana, "during your walk on the moor. But go after him; he is now lingering in the passage expecting you--he will make it up." I have not much pride under such circumstances: I would always rather be happy than dignified; and I ran after him--he stood at the foot of the stairs. "Good-night, St. John," said I. "Good-night, Jane," he replied calmly. "Then shake hands," I added. What a cold, loose touch, he impressed on my fingers! He was deeply displeased by what had occurred that day; cordiality would not warm, nor tears move him. No happy reconciliation was to be had with him--no cheering smile or generous word: but still the Christian was patient and placid; and when I asked him if he forgave me, he answered that he was not in the habit of cherishing the remembrance of vexation; that he had nothing to forgive, not having been offended. And with that answer he left me. I would much rather he had knocked me down.

Chapter 34

https://web.archive.org/web/20190321135117/https://www.cliffsnotes.com/literature/j/jane-eyre/summary-and-analysis/chapter-34

Christmas has arrived and Jane is closing the Morton school. She is happy to discover that she is beloved by the girls and promises to visit the school for an hour each week. St. John asks Jane if she wouldn't like to dedicate her life to working with the poor, but she wants to enjoy herself, as well as cultivating others. Jane sets off for Moor House to prepare for the arrival of Diana and Mary. St. John shows a disappointing lack of interest in the renovations Jane has done at Moor House, but Diana and Mary ungrudgingly appreciate Jane's hard work. The women spend the week in "merry domestic dissipation," a pleasure St. John can't enjoy. He tells them Rosamond Oliver is to be married to a Mr. Granby, but the news doesn't seem to upset him. To Jane, St. John seems more distant than before they knew they were cousins. One day when Jane sits home with a cold, St. John suddenly asks her to give up German lessons and learn Hindustani, the language he is studying in preparation for his missionary work. Slowly, St. John takes more control over Jane, sucking away her freedom; she doesn't enjoy her new servitude. She is also stricken with sadness, because she is unable to discover what has happened to Rochester since she left him. Then St. John surprises her. In six weeks, St. John will leave for India, and he wants Jane to accompany him, as his wife. If she goes to India, Jane knows she'll die prematurely, but she agrees to go anyway -- if she can go as his sister, not his wife, because they don't love each other as husband and wife should. St. John insists on the marriage. After much discussion, they are unable to overcome the obstacle of the marriage issue, so St. John asks Jane to think about his proposal for a couple of weeks. He warns her that rejecting his proposal means rejecting God.

St. John's absolute, God-sanctioned despotism becomes apparent in this chapter. Just as Brocklehurst was a "black pillar," St. John is "a white stone" and a "cold cumbrous column"; Brocklehurst was evil and St. John is good, but both men are equally stony. Even St. John's kisses are "marble" or "ice" kisses: No warmth or affection warms them. St. John's God is an infallible, warrior deity: king, captain, and lawgiver. Similarly, Jane says she would accompany St. John as "comrade" or "fellow-soldier." He uses imagery of war to describe his devotion to this God: He will "enlist" under the Christian "banner," Jane says he prizes her like a soldier would an effective weapon, under God's "standard" St. John "enlists" Jane, and she should "wrench" her heart from humanity to fix it upon God. All of these quotes suggest the violence and severity that underlies St. John's views of Christianity. Like Helen Burns, he has his eyes turned on heaven, but while her spirituality emphasized a martyred compassion, his makes God into a warrior tyrant who demands absolute submission. While Helen sought solace in heaven to compensate for her unhappy life on earth, St. John seeks glory in heaven to make up for his obscurity on earth. The representation of marriage in this chapter suggests its inherently oppressive nature. St. John argues that a wife would be "the sole helpmeet I can influence efficiently in life, and retain absolutely till death"; thus, he wants a wife he can control completely. Jane recognizes the imperialism in his statement. As his "curate" or "comrade," Jane could preserve her "unblighted" self, but as his wife, she would become "part of" him and, therefore, "always restrained," her flame "imprisoned," perhaps leading to the madness that afflicts Bertha Mason. As husband, St. John would invade the private places in her mind, trample her with his "warrior-march," ultimately erasing her identity and dousing her passions for life. Rather than resisting like the madwoman in the attic, Jane would become a mere husk. Both Rochester and St. John value Jane for her seeming submissiveness, thinking they can shape her into their ideal versions of woman, but her strength surprises them both. Glossary paysannes peasant women. Bauerinnen peasant women. beau ideal the perfect type. carte blanche complete authority.

cliffnotes

all_chapterized_books/1260-chapters/36.txt

finished_summaries/cliffnotes/Jane Eyre/section_28_part_0.txt

Jane Eyre.volume 3.chapter 35

chapter 35

{"name": "Chapter 35", "url": "https://web.archive.org/web/20190321135117/https://www.cliffsnotes.com/literature/j/jane-eyre/summary-and-analysis/chapter-35", "summary": "Rather than leaving for Cambridge the next day, St. John delays his trip for a week. During that time, he subtly punishes Jane for not obeying him. Remembering that he once saved her life, Jane tries to reconcile with him, asking him to treat her as a kinswoman, rather than a stranger. She tells him she retains her resolution not to marry him, and adds that he is literally killing her with his icy chill. But her words don't help; instead, they make him hate her. St. John accuses her of breaking her promise of going to India, and Jane invokes the reader's memory, asking us to confirm that she never gave him a formal promise. Before going to India, Jane wants to be certain she couldn't be of greater use in England. St. John recognizes that she refers to Rochester, and tells her she should crush this \"lawless and unconsecrated\" attachment. He then leaves for a walk. Recognizing that St. John and Jane have quarreled, Diana discusses the situation with Jane. Diana doesn't think Jane would live three months in India, and urges her to reject St. John's proposal. Like Jane, Diana feels it would be crazy for Jane to chain herself to a man who sees her as nothing but a useful tool. Following dinner that evening, St. John prays for Jane and she feels veneration for his talent and oratorical powers. At this moment, Jane is tempted to yield to his influences and marry him. All the house is quiet, except for St. John and Jane. Suddenly, she feels an electric shock pass through her body, and the words, \"Jane! Jane! Jane!\" repeated in Rochester's voice. For Jane, this is not superstition, but nature, saving her from a grave error. Now she is able to resist St. John's power.", "analysis": "Notice that the imagery in this chapter continues to develop St. John's inhumanity: he is \"no longer flesh, but marble\"; his eye is \"a cold, bright, blue gem\"; and his heart seems made of \"stone or metal.\" For Jane, his coldness is more terrible that Rochester's raging; she asks if her readers know the \"terror those cold people can put into the ice of their questions? how much of the fall of the avalanche is in their anger? of the breaking up of the frozen sea in their displeasure?\" St. John is associated with falling avalanches and the breaking up of frozen seas, natural events that are unpredictable and uncontrollable. Despite St. John's obvious flaws, Diana and Jane continually remind the reader that he is a \"good man.\" This goodness isn't obvious in Jane's depiction of him. For a twenty-first-century reader, even his missionary zeal is morally suspect, because it shows his participation in the colonialist project, which resulted in violence and the violation of native peoples. The goal of this project was to represent native peoples as \"savages,\" in need of British guidance and enlightenment. St. John's coldheartedness suggests the brutality and self-serving function of colonialism. Jane claims St. John \"forgets, pitilessly, the feelings and claims of little people, in pursuing his own large views\": imagine the damage he will inflict on any native people who resist him; like Jane, they will be \"blighted\" by his merciless egotism. Yet Jane is drawn to this merciless man, as if she wants to lose herself. By the end of the chapter, she is tempted to stop struggling with him, and \"rush down the torrent of his will into the gulf of his existence, and there lose my own.\" She is saved, not by her own powers, but by the supernatural. A major change in Jane's life is once again signaled by a psychic event. As she is about to accept St. John's wishes, Jane experiences a sensation as \"sharp, as strange, as shocking\" as an electric shock. Then she hears Rochester's voice calling her name. So powerful is this voice that Jane cries, \"I am coming,\" and runs out the door into the garden, but she discovers no sign of Rochester. She rejects the notion that this is the devilish voice of witchcraft, but feels it comes from benevolent nature, not a miracle, but nature's best effort to help her -- the \"universal mother\" nurtures Jane again. As during her dark night on the heath, Jane feels the solace of a comforting nature helping and guiding her. She gathers enough force and energy to finally assert her independence from St. John: It is her time to \"assume ascendancy.\" Following this experience, Jane returns to her room to pray in her own way, a way that's different from St. John's, but effective. Jane has already rejected St. John's approach to love, and now she also rejects his way of spirituality. While St. John maintains distance from God, who is always his superior, Jane penetrates \"very near a Mighty Spirit; and my soul rushed out in gratitude at His feel\" -- this spirit, not necessarily the Christian God, provides her with the comfort and peace that St. John never feels."}

He did not leave for Cambridge the next day, as he had said he would. He deferred his departure a whole week, and during that time he made me feel what severe punishment a good yet stern, a conscientious yet implacable man can inflict on one who has offended him. Without one overt act of hostility, one upbraiding word, he contrived to impress me momently with the conviction that I was put beyond the pale of his favour. Not that St. John harboured a spirit of unchristian vindictiveness--not that he would have injured a hair of my head, if it had been fully in his power to do so. Both by nature and principle, he was superior to the mean gratification of vengeance: he had forgiven me for saying I scorned him and his love, but he had not forgotten the words; and as long as he and I lived he never would forget them. I saw by his look, when he turned to me, that they were always written on the air between me and him; whenever I spoke, they sounded in my voice to his ear, and their echo toned every answer he gave me. He did not abstain from conversing with me: he even called me as usual each morning to join him at his desk; and I fear the corrupt man within him had a pleasure unimparted to, and unshared by, the pure Christian, in evincing with what skill he could, while acting and speaking apparently just as usual, extract from every deed and every phrase the spirit of interest and approval which had formerly communicated a certain austere charm to his language and manner. To me, he was in reality become no longer flesh, but marble; his eye was a cold, bright, blue gem; his tongue a speaking instrument--nothing more. All this was torture to me--refined, lingering torture. It kept up a slow fire of indignation and a trembling trouble of grief, which harassed and crushed me altogether. I felt how--if I were his wife, this good man, pure as the deep sunless source, could soon kill me, without drawing from my veins a single drop of blood, or receiving on his own crystal conscience the faintest stain of crime. Especially I felt this when I made any attempt to propitiate him. No ruth met my ruth. _He_ experienced no suffering from estrangement--no yearning after reconciliation; and though, more than once, my fast falling tears blistered the page over which we both bent, they produced no more effect on him than if his heart had been really a matter of stone or metal. To his sisters, meantime, he was somewhat kinder than usual: as if afraid that mere coldness would not sufficiently convince me how completely I was banished and banned, he added the force of contrast; and this I am sure he did not by force, but on principle. The night before he left home, happening to see him walking in the garden about sunset, and remembering, as I looked at him, that this man, alienated as he now was, had once saved my life, and that we were near relations, I was moved to make a last attempt to regain his friendship. I went out and approached him as he stood leaning over the little gate; I spoke to the point at once. "St. John, I am unhappy because you are still angry with me. Let us be friends." "I hope we are friends," was the unmoved reply; while he still watched the rising of the moon, which he had been contemplating as I approached. "No, St. John, we are not friends as we were. You know that." "Are we not? That is wrong. For my part, I wish you no ill and all good." "I believe you, St. John; for I am sure you are incapable of wishing any one ill; but, as I am your kinswoman, I should desire somewhat more of affection than that sort of general philanthropy you extend to mere strangers." "Of course," he said. "Your wish is reasonable, and I am far from regarding you as a stranger." This, spoken in a cool, tranquil tone, was mortifying and baffling enough. Had I attended to the suggestions of pride and ire, I should immediately have left him; but something worked within me more strongly than those feelings could. I deeply venerated my cousin's talent and principle. His friendship was of value to me: to lose it tried me severely. I would not so soon relinquish the attempt to reconquer it. "Must we part in this way, St. John? And when you go to India, will you leave me so, without a kinder word than you have yet spoken?" He now turned quite from the moon and faced me. "When I go to India, Jane, will I leave you! What! do you not go to India?" "You said I could not unless I married you." "And you will not marry me! You adhere to that resolution?" Reader, do you know, as I do, what terror those cold people can put into the ice of their questions? How much of the fall of the avalanche is in their anger? of the breaking up of the frozen sea in their displeasure? "No. St. John, I will not marry you. I adhere to my resolution." The avalanche had shaken and slid a little forward, but it did not yet crash down. "Once more, why this refusal?" he asked. "Formerly," I answered, "because you did not love me; now, I reply, because you almost hate me. If I were to marry you, you would kill me. You are killing me now." His lips and cheeks turned white--quite white. "_I should kill you_--_I am killing you_? Your words are such as ought not to be used: violent, unfeminine, and untrue. They betray an unfortunate state of mind: they merit severe reproof: they would seem inexcusable, but that it is the duty of man to forgive his fellow even until seventy-and-seven times." I had finished the business now. While earnestly wishing to erase from his mind the trace of my former offence, I had stamped on that tenacious surface another and far deeper impression, I had burnt it in. "Now you will indeed hate me," I said. "It is useless to attempt to conciliate you: I see I have made an eternal enemy of you." A fresh wrong did these words inflict: the worse, because they touched on the truth. That bloodless lip quivered to a temporary spasm. I knew the steely ire I had whetted. I was heart-wrung. "You utterly misinterpret my words," I said, at once seizing his hand: "I have no intention to grieve or pain you--indeed, I have not." Most bitterly he smiled--most decidedly he withdrew his hand from mine. "And now you recall your promise, and will not go to India at all, I presume?" said he, after a considerable pause. "Yes, I will, as your assistant," I answered. A very long silence succeeded. What struggle there was in him between Nature and Grace in this interval, I cannot tell: only singular gleams scintillated in his eyes, and strange shadows passed over his face. He spoke at last. "I before proved to you the absurdity of a single woman of your age proposing to accompany abroad a single man of mine. I proved it to you in such terms as, I should have thought, would have prevented your ever again alluding to the plan. That you have done so, I regret--for your sake." I interrupted him. Anything like a tangible reproach gave me courage at once. "Keep to common sense, St. John: you are verging on nonsense. You pretend to be shocked by what I have said. You are not really shocked: for, with your superior mind, you cannot be either so dull or so conceited as to misunderstand my meaning. I say again, I will be your curate, if you like, but never your wife." Again he turned lividly pale; but, as before, controlled his passion perfectly. He answered emphatically but calmly-- "A female curate, who is not my wife, would never suit me. With me, then, it seems, you cannot go: but if you are sincere in your offer, I will, while in town, speak to a married missionary, whose wife needs a coadjutor. Your own fortune will make you independent of the Society's aid; and thus you may still be spared the dishonour of breaking your promise and deserting the band you engaged to join." Now I never had, as the reader knows, either given any formal promise or entered into any engagement; and this language was all much too hard and much too despotic for the occasion. I replied-- "There is no dishonour, no breach of promise, no desertion in the case. I am not under the slightest obligation to go to India, especially with strangers. With you I would have ventured much, because I admire, confide in, and, as a sister, I love you; but I am convinced that, go when and with whom I would, I should not live long in that climate." "Ah! you are afraid of yourself," he said, curling his lip. "I am. God did not give me my life to throw away; and to do as you wish me would, I begin to think, be almost equivalent to committing suicide. Moreover, before I definitively resolve on quitting England, I will know for certain whether I cannot be of greater use by remaining in it than by leaving it." "What do you mean?" "It would be fruitless to attempt to explain; but there is a point on which I have long endured painful doubt, and I can go nowhere till by some means that doubt is removed." "I know where your heart turns and to what it clings. The interest you cherish is lawless and unconsecrated. Long since you ought to have crushed it: now you should blush to allude to it. You think of Mr. Rochester?" It was true. I confessed it by silence. "Are you going to seek Mr. Rochester?" "I must find out what is become of him." "It remains for me, then," he said, "to remember you in my prayers, and to entreat God for you, in all earnestness, that you may not indeed become a castaway. I had thought I recognised in you one of the chosen. But God sees not as man sees: _His_ will be done--" He opened the gate, passed through it, and strayed away down the glen. He was soon out of sight. On re-entering the parlour, I found Diana standing at the window, looking very thoughtful. Diana was a great deal taller than I: she put her hand on my shoulder, and, stooping, examined my face. "Jane," she said, "you are always agitated and pale now. I am sure there is something the matter. Tell me what business St. John and you have on hands. I have watched you this half hour from the window; you must forgive my being such a spy, but for a long time I have fancied I hardly know what. St. John is a strange being--" She paused--I did not speak: soon she resumed-- "That brother of mine cherishes peculiar views of some sort respecting you, I am sure: he has long distinguished you by a notice and interest he never showed to any one else--to what end? I wish he loved you--does he, Jane?" I put her cool hand to my hot forehead; "No, Die, not one whit." "Then why does he follow you so with his eyes, and get you so frequently alone with him, and keep you so continually at his side? Mary and I had both concluded he wished you to marry him." "He does--he has asked me to be his wife." Diana clapped her hands. "That is just what we hoped and thought! And you will marry him, Jane, won't you? And then he will stay in England." "Far from that, Diana; his sole idea in proposing to me is to procure a fitting fellow-labourer in his Indian toils." "What! He wishes you to go to India?" "Yes." "Madness!" she exclaimed. "You would not live three months there, I am certain. You never shall go: you have not consented, have you, Jane?" "I have refused to marry him--" "And have consequently displeased him?" she suggested. "Deeply: he will never forgive me, I fear: yet I offered to accompany him as his sister." "It was frantic folly to do so, Jane. Think of the task you undertook--one of incessant fatigue, where fatigue kills even the strong, and you are weak. St. John--you know him--would urge you to impossibilities: with him there would be no permission to rest during the hot hours; and unfortunately, I have noticed, whatever he exacts, you force yourself to perform. I am astonished you found courage to refuse his hand. You do not love him then, Jane?" "Not as a husband." "Yet he is a handsome fellow." "And I am so plain, you see, Die. We should never suit." "Plain! You? Not at all. You are much too pretty, as well as too good, to be grilled alive in Calcutta." And again she earnestly conjured me to give up all thoughts of going out with her brother. "I must indeed," I said; "for when just now I repeated the offer of serving him for a deacon, he expressed himself shocked at my want of decency. He seemed to think I had committed an impropriety in proposing to accompany him unmarried: as if I had not from the first hoped to find in him a brother, and habitually regarded him as such." "What makes you say he does not love you, Jane?" "You should hear himself on the subject. He has again and again explained that it is not himself, but his office he wishes to mate. He has told me I am formed for labour--not for love: which is true, no doubt. But, in my opinion, if I am not formed for love, it follows that I am not formed for marriage. Would it not be strange, Die, to be chained for life to a man who regarded one but as a useful tool?" "Insupportable--unnatural--out of the question!" "And then," I continued, "though I have only sisterly affection for him now, yet, if forced to be his wife, I can imagine the possibility of conceiving an inevitable, strange, torturing kind of love for him, because he is so talented; and there is often a certain heroic grandeur in his look, manner, and conversation. In that case, my lot would become unspeakably wretched. He would not want me to love him; and if I showed the feeling, he would make me sensible that it was a superfluity, unrequired by him, unbecoming in me. I know he would." "And yet St. John is a good man," said Diana. "He is a good and a great man; but he forgets, pitilessly, the feelings and claims of little people, in pursuing his own large views. It is better, therefore, for the insignificant to keep out of his way, lest, in his progress, he should trample them down. Here he comes! I will leave you, Diana." And I hastened upstairs as I saw him entering the garden. But I was forced to meet him again at supper. During that meal he appeared just as composed as usual. I had thought he would hardly speak to me, and I was certain he had given up the pursuit of his matrimonial scheme: the sequel showed I was mistaken on both points. He addressed me precisely in his ordinary manner, or what had, of late, been his ordinary manner--one scrupulously polite. No doubt he had invoked the help of the Holy Spirit to subdue the anger I had roused in him, and now believed he had forgiven me once more. For the evening reading before prayers, he selected the twenty-first chapter of Revelation. It was at all times pleasant to listen while from his lips fell the words of the Bible: never did his fine voice sound at once so sweet and full--never did his manner become so impressive in its noble simplicity, as when he delivered the oracles of God: and to-night that voice took a more solemn tone--that manner a more thrilling meaning--as he sat in the midst of his household circle (the May moon shining in through the uncurtained window, and rendering almost unnecessary the light of the candle on the table): as he sat there, bending over the great old Bible, and described from its page the vision of the new heaven and the new earth--told how God would come to dwell with men, how He would wipe away all tears from their eyes, and promised that there should be no more death, neither sorrow nor crying, nor any more pain, because the former things were passed away. The succeeding words thrilled me strangely as he spoke them: especially as I felt, by the slight, indescribable alteration in sound, that in uttering them, his eye had turned on me. "He that overcometh shall inherit all things; and I will be his God, and he shall be my son. But," was slowly, distinctly read, "the fearful, the unbelieving, &c., shall have their part in the lake which burneth with fire and brimstone, which is the second death." Henceforward, I knew what fate St. John feared for me. A calm, subdued triumph, blent with a longing earnestness, marked his enunciation of the last glorious verses of that chapter. The reader believed his name was already written in the Lamb's book of life, and he yearned after the hour which should admit him to the city to which the kings of the earth bring their glory and honour; which has no need of sun or moon to shine in it, because the glory of God lightens it, and the Lamb is the light thereof. In the prayer following the chapter, all his energy gathered--all his stern zeal woke: he was in deep earnest, wrestling with God, and resolved on a conquest. He supplicated strength for the weak-hearted; guidance for wanderers from the fold: a return, even at the eleventh hour, for those whom the temptations of the world and the flesh were luring from the narrow path. He asked, he urged, he claimed the boon of a brand snatched from the burning. Earnestness is ever deeply solemn: first, as I listened to that prayer, I wondered at his; then, when it continued and rose, I was touched by it, and at last awed. He felt the greatness and goodness of his purpose so sincerely: others who heard him plead for it, could not but feel it too. The prayer over, we took leave of him: he was to go at a very early hour in the morning. Diana and Mary having kissed him, left the room--in compliance, I think, with a whispered hint from him: I tendered my hand, and wished him a pleasant journey. "Thank you, Jane. As I said, I shall return from Cambridge in a fortnight: that space, then, is yet left you for reflection. If I listened to human pride, I should say no more to you of marriage with me; but I listen to my duty, and keep steadily in view my first aim--to do all things to the glory of God. My Master was long-suffering: so will I be. I cannot give you up to perdition as a vessel of wrath: repent--resolve, while there is yet time. Remember, we are bid to work while it is day--warned that 'the night cometh when no man shall work.' Remember the fate of Dives, who had his good things in this life. God give you strength to choose that better part which shall not be taken from you!" He laid his hand on my head as he uttered the last words. He had spoken earnestly, mildly: his look was not, indeed, that of a lover beholding his mistress, but it was that of a pastor recalling his wandering sheep--or better, of a guardian angel watching the soul for which he is responsible. All men of talent, whether they be men of feeling or not; whether they be zealots, or aspirants, or despots--provided only they be sincere--have their sublime moments, when they subdue and rule. I felt veneration for St. John--veneration so strong that its impetus thrust me at once to the point I had so long shunned. I was tempted to cease struggling with him--to rush down the torrent of his will into the gulf of his existence, and there lose my own. I was almost as hard beset by him now as I had been once before, in a different way, by another. I was a fool both times. To have yielded then would have been an error of principle; to have yielded now would have been an error of judgment. So I think at this hour, when I look back to the crisis through the quiet medium of time: I was unconscious of folly at the instant. I stood motionless under my hierophant's touch. My refusals were forgotten--my fears overcome--my wrestlings paralysed. The Impossible--_i.e._, my marriage with St. John--was fast becoming the Possible. All was changing utterly with a sudden sweep. Religion called--Angels beckoned--God commanded--life rolled together like a scroll--death's gates opening, showed eternity beyond: it seemed, that for safety and bliss there, all here might be sacrificed in a second. The dim room was full of visions. "Could you decide now?" asked the missionary. The inquiry was put in gentle tones: he drew me to him as gently. Oh, that gentleness! how far more potent is it than force! I could resist St. John's wrath: I grew pliant as a reed under his kindness. Yet I knew all the time, if I yielded now, I should not the less be made to repent, some day, of my former rebellion. His nature was not changed by one hour of solemn prayer: it was only elevated. "I could decide if I were but certain," I answered: "were I but convinced that it is God's will I should marry you, I could vow to marry you here and now--come afterwards what would!" "My prayers are heard!" ejaculated St. John. He pressed his hand firmer on my head, as if he claimed me: he surrounded me with his arm, _almost_ as if he loved me (I say _almost_--I knew the difference--for I had felt what it was to be loved; but, like him, I had now put love out of the question, and thought only of duty). I contended with my inward dimness of vision, before which clouds yet rolled. I sincerely, deeply, fervently longed to do what was right; and only that. "Show me, show me the path!" I entreated of Heaven. I was excited more than I had ever been; and whether what followed was the effect of excitement the reader shall judge. All the house was still; for I believe all, except St. John and myself, were now retired to rest. The one candle was dying out: the room was full of moonlight. My heart beat fast and thick: I heard its throb. Suddenly it stood still to an inexpressible feeling that thrilled it through, and passed at once to my head and extremities. The feeling was not like an electric shock, but it was quite as sharp, as strange, as startling: it acted on my senses as if their utmost activity hitherto had been but torpor, from which they were now summoned and forced to wake. They rose expectant: eye and ear waited while the flesh quivered on my bones. "What have you heard? What do you see?" asked St. John. I saw nothing, but I heard a voice somewhere cry-- "Jane! Jane! Jane!"--nothing more. "O God! what is it?" I gasped. I might have said, "Where is it?" for it did not seem in the room--nor in the house--nor in the garden; it did not come out of the air--nor from under the earth--nor from overhead. I had heard it--where, or whence, for ever impossible to know! And it was the voice of a human being--a known, loved, well-remembered voice--that of Edward Fairfax Rochester; and it spoke in pain and woe, wildly, eerily, urgently. "I am coming!" I cried. "Wait for me! Oh, I will come!" I flew to the door and looked into the passage: it was dark. I ran out into the garden: it was void. "Where are you?" I exclaimed. The hills beyond Marsh Glen sent the answer faintly back--"Where are you?" I listened. The wind sighed low in the firs: all was moorland loneliness and midnight hush. "Down superstition!" I commented, as that spectre rose up black by the black yew at the gate. "This is not thy deception, nor thy witchcraft: it is the work of nature. She was roused, and did--no miracle--but her best." I broke from St. John, who had followed, and would have detained me. It was _my_ time to assume ascendency. _My_ powers were in play and in force. I told him to forbear question or remark; I desired him to leave me: I must and would be alone. He obeyed at once. Where there is energy to command well enough, obedience never fails. I mounted to my chamber; locked myself in; fell on my knees; and prayed in my way--a different way to St. John's, but effective in its own fashion. I seemed to penetrate very near a Mighty Spirit; and my soul rushed out in gratitude at His feet. I rose from the thanksgiving--took a resolve--and lay down, unscared, enlightened--eager but for the daylight.

Chapter 35

https://web.archive.org/web/20190321135117/https://www.cliffsnotes.com/literature/j/jane-eyre/summary-and-analysis/chapter-35

Rather than leaving for Cambridge the next day, St. John delays his trip for a week. During that time, he subtly punishes Jane for not obeying him. Remembering that he once saved her life, Jane tries to reconcile with him, asking him to treat her as a kinswoman, rather than a stranger. She tells him she retains her resolution not to marry him, and adds that he is literally killing her with his icy chill. But her words don't help; instead, they make him hate her. St. John accuses her of breaking her promise of going to India, and Jane invokes the reader's memory, asking us to confirm that she never gave him a formal promise. Before going to India, Jane wants to be certain she couldn't be of greater use in England. St. John recognizes that she refers to Rochester, and tells her she should crush this "lawless and unconsecrated" attachment. He then leaves for a walk. Recognizing that St. John and Jane have quarreled, Diana discusses the situation with Jane. Diana doesn't think Jane would live three months in India, and urges her to reject St. John's proposal. Like Jane, Diana feels it would be crazy for Jane to chain herself to a man who sees her as nothing but a useful tool. Following dinner that evening, St. John prays for Jane and she feels veneration for his talent and oratorical powers. At this moment, Jane is tempted to yield to his influences and marry him. All the house is quiet, except for St. John and Jane. Suddenly, she feels an electric shock pass through her body, and the words, "Jane! Jane! Jane!" repeated in Rochester's voice. For Jane, this is not superstition, but nature, saving her from a grave error. Now she is able to resist St. John's power.

Notice that the imagery in this chapter continues to develop St. John's inhumanity: he is "no longer flesh, but marble"; his eye is "a cold, bright, blue gem"; and his heart seems made of "stone or metal." For Jane, his coldness is more terrible that Rochester's raging; she asks if her readers know the "terror those cold people can put into the ice of their questions? how much of the fall of the avalanche is in their anger? of the breaking up of the frozen sea in their displeasure?" St. John is associated with falling avalanches and the breaking up of frozen seas, natural events that are unpredictable and uncontrollable. Despite St. John's obvious flaws, Diana and Jane continually remind the reader that he is a "good man." This goodness isn't obvious in Jane's depiction of him. For a twenty-first-century reader, even his missionary zeal is morally suspect, because it shows his participation in the colonialist project, which resulted in violence and the violation of native peoples. The goal of this project was to represent native peoples as "savages," in need of British guidance and enlightenment. St. John's coldheartedness suggests the brutality and self-serving function of colonialism. Jane claims St. John "forgets, pitilessly, the feelings and claims of little people, in pursuing his own large views": imagine the damage he will inflict on any native people who resist him; like Jane, they will be "blighted" by his merciless egotism. Yet Jane is drawn to this merciless man, as if she wants to lose herself. By the end of the chapter, she is tempted to stop struggling with him, and "rush down the torrent of his will into the gulf of his existence, and there lose my own." She is saved, not by her own powers, but by the supernatural. A major change in Jane's life is once again signaled by a psychic event. As she is about to accept St. John's wishes, Jane experiences a sensation as "sharp, as strange, as shocking" as an electric shock. Then she hears Rochester's voice calling her name. So powerful is this voice that Jane cries, "I am coming," and runs out the door into the garden, but she discovers no sign of Rochester. She rejects the notion that this is the devilish voice of witchcraft, but feels it comes from benevolent nature, not a miracle, but nature's best effort to help her -- the "universal mother" nurtures Jane again. As during her dark night on the heath, Jane feels the solace of a comforting nature helping and guiding her. She gathers enough force and energy to finally assert her independence from St. John: It is her time to "assume ascendancy." Following this experience, Jane returns to her room to pray in her own way, a way that's different from St. John's, but effective. Jane has already rejected St. John's approach to love, and now she also rejects his way of spirituality. While St. John maintains distance from God, who is always his superior, Jane penetrates "very near a Mighty Spirit; and my soul rushed out in gratitude at His feel" -- this spirit, not necessarily the Christian God, provides her with the comfort and peace that St. John never feels.

cliffnotes

all_chapterized_books/1260-chapters/37.txt

finished_summaries/cliffnotes/Jane Eyre/section_29_part_0.txt

Jane Eyre.volume 3.chapter 36

chapter 36

{"name": "Chapter 36", "url": "https://web.archive.org/web/20190321135117/https://www.cliffsnotes.com/literature/j/jane-eyre/summary-and-analysis/chapter-36", "summary": "At dawn the next morning, Jane rises. St. John slides a note under Jane's door, reminding her to resist temptation. It is the first of June, yet the day is chilly and overcast. Jane wanders the house, thinking about the previous night's visitation: Was it a delusion? It seemed to come from her, not from the external world. At breakfast, she tells Diana and Mary she'll be away at least four days. She catches a coach at Whitcross, the same one she road from Thornfield a year earlier. Alighting from the coach, Jane finds herself again on Rochester's lands. She is anxious to see him again and hurries the two miles from the coach stop to the house, worrying that he may be in Europe. Like a lover who wishes to catch a glimpse of his lover's face without waking her, then finds she is \"stone dead,\" Jane is appalled by the sight that awaits her: Thornfield is a blackened ruin. What is the story behind this disaster, Jane wonders? Jane returns to the inn near the coach station, the Rochester Arms, to find an answer. She discovers that Bertha Mason set the house on fire last autumn. Before this happened, Rochester had shut himself up like a hermit in the house, as if he had gone mad. When the fire broke out, Rochester saved the servants, then tried to save Bertha, but she jumped from Thornfield's roof. Rochester has lost his sight and one of his hands in the fire. He now lives in Ferndean with two old servants, John and Mary.", "analysis": "Suspense builds in this chapter, as Jane delays the revelation of Thornfield's tragic end and of Rochester's history. Upon entering the coach at Whitcross, Jane reflects on the major changes in her situation since her arrival there a year earlier. Then she was \"desolate, and hopeless, and objectless\"; now she has friends, hope, and money. Then she paid all the money she had to ride the coach, now she has a secure fortune. Arriving in Thornfield, Jane notices the difference between the scenery here and in Morton ; Thornfield is mild, green, and pastoral, while Morton is stern. Thornfield's landscape is as comfortable as a \"once familiar face,\" whose character she knows intimately. Notice the stark contrast between Jane's comforting, flowering, breathtaking dream of Thornfield and the reality of its trodden and wasted grounds; the world's vision of the upper classes doesn't always capture the hidden passions that boil under the veneer of genteel tranquility. The passions kindling at Thornfield have finally sparked and burned the house down; Rochester's burning bed was merely a prelude. Jane's psychic powers have been reaffirmed as another of her dreams has become reality. The passions that have burned down Rochester's family mansion, leaving it \"a lonesome wild,\" are, in Jane's version of the story, centered in a woman: Bertha Mason. Jane refuses to recognize her own part in this tale of excessive passion: the innkeeper tries to tell her of Rochester's irresistible love for Jane, which he labels a midlife crisis: \"when gentlemen of his age fall in love with girls, they are often like as if they are bewitched.\" But Jane cuts him off, asking him to tell this part of the story at another time. As simply a specimen of a common phenomenon -- midlife crisis -- Jane and Rochester's love loses some of its romantic force. In addition, Jane doesn't want to be associated with Thornfield's tragic end, so Bertha Mason becomes the scapegoat. Critics have viewed Bertha as the odious symbol of Rochester's sexual drive; as Jane's double, the angry, repressed side of the orphan child; or as a scapegoat destroyed to redeem Jane. In setting fire to Thornfield, Bertha begins by torching the hangings in the room next to her own, but then kindles Jane's old bed. Her anger seems to focus on sexual jealousy of her rival. During her final rebellion, Bertha stands on the roof Thornfield, \"waving her arms above the battlements, and shouting out till they could hear her a mile off,\" with her long, dark hair \"streaming against the flames.\" The fire becomes a representation of Bertha's power. She is a strong, large, extravagant, and sensual woman, who contrasts with Jane, described by the innkeeper as \"a little, small thing . . . almost like a child.\" Rochester must pay for the transgression of almost making Jane his mistress. Following her departure from Thornfield, he becomes \"savage\" and \"dangerous,\" but redeems himself by saving his servants and even trying to rescue his hated wife; as the innkeeper says, Rochester's courage and kindness resulted in his injuries. Unlike her depiction of St. John, which uniformly emphasizes his coldness and domination, Jane peppers her description of Rochester with examples of his compassion and caring."}

The daylight came. I rose at dawn. I busied myself for an hour or two with arranging my things in my chamber, drawers, and wardrobe, in the order wherein I should wish to leave them during a brief absence. Meantime, I heard St. John quit his room. He stopped at my door: I feared he would knock--no, but a slip of paper was passed under the door. I took it up. It bore these words-- "You left me too suddenly last night. Had you stayed but a little longer, you would have laid your hand on the Christian's cross and the angel's crown. I shall expect your clear decision when I return this day fortnight. Meantime, watch and pray that you enter not into temptation: the spirit, I trust, is willing, but the flesh, I see, is weak. I shall pray for you hourly.--Yours, ST. JOHN." "My spirit," I answered mentally, "is willing to do what is right; and my flesh, I hope, is strong enough to accomplish the will of Heaven, when once that will is distinctly known to me. At any rate, it shall be strong enough to search--inquire--to grope an outlet from this cloud of doubt, and find the open day of certainty." It was the first of June; yet the morning was overcast and chilly: rain beat fast on my casement. I heard the front-door open, and St. John pass out. Looking through the window, I saw him traverse the garden. He took the way over the misty moors in the direction of Whitcross--there he would meet the coach. "In a few more hours I shall succeed you in that track, cousin," thought I: "I too have a coach to meet at Whitcross. I too have some to see and ask after in England, before I depart for ever." It wanted yet two hours of breakfast-time. I filled the interval in walking softly about my room, and pondering the visitation which had given my plans their present bent. I recalled that inward sensation I had experienced: for I could recall it, with all its unspeakable strangeness. I recalled the voice I had heard; again I questioned whence it came, as vainly as before: it seemed in _me_--not in the external world. I asked was it a mere nervous impression--a delusion? I could not conceive or believe: it was more like an inspiration. The wondrous shock of feeling had come like the earthquake which shook the foundations of Paul and Silas's prison; it had opened the doors of the soul's cell and loosed its bands--it had wakened it out of its sleep, whence it sprang trembling, listening, aghast; then vibrated thrice a cry on my startled ear, and in my quaking heart and through my spirit, which neither feared nor shook, but exulted as if in joy over the success of one effort it had been privileged to make, independent of the cumbrous body. "Ere many days," I said, as I terminated my musings, "I will know something of him whose voice seemed last night to summon me. Letters have proved of no avail--personal inquiry shall replace them." At breakfast I announced to Diana and Mary that I was going a journey, and should be absent at least four days. "Alone, Jane?" they asked. "Yes; it was to see or hear news of a friend about whom I had for some time been uneasy." They might have said, as I have no doubt they thought, that they had believed me to be without any friends save them: for, indeed, I had often said so; but, with their true natural delicacy, they abstained from comment, except that Diana asked me if I was sure I was well enough to travel. I looked very pale, she observed. I replied, that nothing ailed me save anxiety of mind, which I hoped soon to alleviate. It was easy to make my further arrangements; for I was troubled with no inquiries--no surmises. Having once explained to them that I could not now be explicit about my plans, they kindly and wisely acquiesced in the silence with which I pursued them, according to me the privilege of free action I should under similar circumstances have accorded them. I left Moor House at three o'clock p.m., and soon after four I stood at the foot of the sign-post of Whitcross, waiting the arrival of the coach which was to take me to distant Thornfield. Amidst the silence of those solitary roads and desert hills, I heard it approach from a great distance. It was the same vehicle whence, a year ago, I had alighted one summer evening on this very spot--how desolate, and hopeless, and objectless! It stopped as I beckoned. I entered--not now obliged to part with my whole fortune as the price of its accommodation. Once more on the road to Thornfield, I felt like the messenger-pigeon flying home. It was a journey of six-and-thirty hours. I had set out from Whitcross on a Tuesday afternoon, and early on the succeeding Thursday morning the coach stopped to water the horses at a wayside inn, situated in the midst of scenery whose green hedges and large fields and low pastoral hills (how mild of feature and verdant of hue compared with the stern North- Midland moors of Morton!) met my eye like the lineaments of a once familiar face. Yes, I knew the character of this landscape: I was sure we were near my bourne. "How far is Thornfield Hall from here?" I asked of the ostler. "Just two miles, ma'am, across the fields." "My journey is closed," I thought to myself. I got out of the coach, gave a box I had into the ostler's charge, to be kept till I called for it; paid my fare; satisfied the coachman, and was going: the brightening day gleamed on the sign of the inn, and I read in gilt letters, "The Rochester Arms." My heart leapt up: I was already on my master's very lands. It fell again: the thought struck it:-- "Your master himself may be beyond the British Channel, for aught you know: and then, if he is at Thornfield Hall, towards which you hasten, who besides him is there? His lunatic wife: and you have nothing to do with him: you dare not speak to him or seek his presence. You have lost your labour--you had better go no farther," urged the monitor. "Ask information of the people at the inn; they can give you all you seek: they can solve your doubts at once. Go up to that man, and inquire if Mr. Rochester be at home." The suggestion was sensible, and yet I could not force myself to act on it. I so dreaded a reply that would crush me with despair. To prolong doubt was to prolong hope. I might yet once more see the Hall under the ray of her star. There was the stile before me--the very fields through which I had hurried, blind, deaf, distracted with a revengeful fury tracking and scourging me, on the morning I fled from Thornfield: ere I well knew what course I had resolved to take, I was in the midst of them. How fast I walked! How I ran sometimes! How I looked forward to catch the first view of the well-known woods! With what feelings I welcomed single trees I knew, and familiar glimpses of meadow and hill between them! At last the woods rose; the rookery clustered dark; a loud cawing broke the morning stillness. Strange delight inspired me: on I hastened. Another field crossed--a lane threaded--and there were the courtyard walls--the back offices: the house itself, the rookery still hid. "My first view of it shall be in front," I determined, "where its bold battlements will strike the eye nobly at once, and where I can single out my master's very window: perhaps he will be standing at it--he rises early: perhaps he is now walking in the orchard, or on the pavement in front. Could I but see him!--but a moment! Surely, in that case, I should not be so mad as to run to him? I cannot tell--I am not certain. And if I did--what then? God bless him! What then? Who would be hurt by my once more tasting the life his glance can give me? I rave: perhaps at this moment he is watching the sun rise over the Pyrenees, or on the tideless sea of the south." I had coasted along the lower wall of the orchard--turned its angle: there was a gate just there, opening into the meadow, between two stone pillars crowned by stone balls. From behind one pillar I could peep round quietly at the full front of the mansion. I advanced my head with precaution, desirous to ascertain if any bedroom window-blinds were yet drawn up: battlements, windows, long front--all from this sheltered station were at my command. The crows sailing overhead perhaps watched me while I took this survey. I wonder what they thought. They must have considered I was very careful and timid at first, and that gradually I grew very bold and reckless. A peep, and then a long stare; and then a departure from my niche and a straying out into the meadow; and a sudden stop full in front of the great mansion, and a protracted, hardy gaze towards it. "What affectation of diffidence was this at first?" they might have demanded; "what stupid regardlessness now?" Hear an illustration, reader. A lover finds his mistress asleep on a mossy bank; he wishes to catch a glimpse of her fair face without waking her. He steals softly over the grass, careful to make no sound; he pauses--fancying she has stirred: he withdraws: not for worlds would he be seen. All is still: he again advances: he bends above her; a light veil rests on her features: he lifts it, bends lower; now his eyes anticipate the vision of beauty--warm, and blooming, and lovely, in rest. How hurried was their first glance! But how they fix! How he starts! How he suddenly and vehemently clasps in both arms the form he dared not, a moment since, touch with his finger! How he calls aloud a name, and drops his burden, and gazes on it wildly! He thus grasps and cries, and gazes, because he no longer fears to waken by any sound he can utter--by any movement he can make. He thought his love slept sweetly: he finds she is stone dead. I looked with timorous joy towards a stately house: I saw a blackened ruin. No need to cower behind a gate-post, indeed!--to peep up at chamber lattices, fearing life was astir behind them! No need to listen for doors opening--to fancy steps on the pavement or the gravel-walk! The lawn, the grounds were trodden and waste: the portal yawned void. The front was, as I had once seen it in a dream, but a well-like wall, very high and very fragile-looking, perforated with paneless windows: no roof, no battlements, no chimneys--all had crashed in. And there was the silence of death about it: the solitude of a lonesome wild. No wonder that letters addressed to people here had never received an answer: as well despatch epistles to a vault in a church aisle. The grim blackness of the stones told by what fate the Hall had fallen--by conflagration: but how kindled? What story belonged to this disaster? What loss, besides mortar and marble and wood-work had followed upon it? Had life been wrecked as well as property? If so, whose? Dreadful question: there was no one here to answer it--not even dumb sign, mute token. In wandering round the shattered walls and through the devastated interior, I gathered evidence that the calamity was not of late occurrence. Winter snows, I thought, had drifted through that void arch, winter rains beaten in at those hollow casements; for, amidst the drenched piles of rubbish, spring had cherished vegetation: grass and weed grew here and there between the stones and fallen rafters. And oh! where meantime was the hapless owner of this wreck? In what land? Under what auspices? My eye involuntarily wandered to the grey church tower near the gates, and I asked, "Is he with Damer de Rochester, sharing the shelter of his narrow marble house?" Some answer must be had to these questions. I could find it nowhere but at the inn, and thither, ere long, I returned. The host himself brought my breakfast into the parlour. I requested him to shut the door and sit down: I had some questions to ask him. But when he complied, I scarcely knew how to begin; such horror had I of the possible answers. And yet the spectacle of desolation I had just left prepared me in a measure for a tale of misery. The host was a respectable-looking, middle-aged man. "You know Thornfield Hall, of course?" I managed to say at last. "Yes, ma'am; I lived there once." "Did you?" Not in my time, I thought: you are a stranger to me. "I was the late Mr. Rochester's butler," he added. The late! I seem to have received, with full force, the blow I had been trying to evade. "The late!" I gasped. "Is he dead?" "I mean the present gentleman, Mr. Edward's father," he explained. I breathed again: my blood resumed its flow. Fully assured by these words that Mr. Edward--_my_ Mr. Rochester (God bless him, wherever he was!)--was at least alive: was, in short, "the present gentleman." Gladdening words! It seemed I could hear all that was to come--whatever the disclosures might be--with comparative tranquillity. Since he was not in the grave, I could bear, I thought, to learn that he was at the Antipodes. "Is Mr. Rochester living at Thornfield Hall now?" I asked, knowing, of course, what the answer would be, but yet desirous of deferring the direct question as to where he really was. "No, ma'am--oh, no! No one is living there. I suppose you are a stranger in these parts, or you would have heard what happened last autumn,--Thornfield Hall is quite a ruin: it was burnt down just about harvest-time. A dreadful calamity! such an immense quantity of valuable property destroyed: hardly any of the furniture could be saved. The fire broke out at dead of night, and before the engines arrived from Millcote, the building was one mass of flame. It was a terrible spectacle: I witnessed it myself." "At dead of night!" I muttered. Yes, that was ever the hour of fatality at Thornfield. "Was it known how it originated?" I demanded. "They guessed, ma'am: they guessed. Indeed, I should say it was ascertained beyond a doubt. You are not perhaps aware," he continued, edging his chair a little nearer the table, and speaking low, "that there was a lady--a--a lunatic, kept in the house?" "I have heard something of it." "She was kept in very close confinement, ma'am: people even for some years was not absolutely certain of her existence. No one saw her: they only knew by rumour that such a person was at the Hall; and who or what she was it was difficult to conjecture. They said Mr. Edward had brought her from abroad, and some believed she had been his mistress. But a queer thing happened a year since--a very queer thing." I feared now to hear my own story. I endeavoured to recall him to the main fact. "And this lady?" "This lady, ma'am," he answered, "turned out to be Mr. Rochester's wife! The discovery was brought about in the strangest way. There was a young lady, a governess at the Hall, that Mr. Rochester fell in--" "But the fire," I suggested. "I'm coming to that, ma'am--that Mr. Edward fell in love with. The servants say they never saw anybody so much in love as he was: he was after her continually. They used to watch him--servants will, you know, ma'am--and he set store on her past everything: for all, nobody but him thought her so very handsome. She was a little small thing, they say, almost like a child. I never saw her myself; but I've heard Leah, the house-maid, tell of her. Leah liked her well enough. Mr. Rochester was about forty, and this governess not twenty; and you see, when gentlemen of his age fall in love with girls, they are often like as if they were bewitched. Well, he would marry her." "You shall tell me this part of the story another time," I said; "but now I have a particular reason for wishing to hear all about the fire. Was it suspected that this lunatic, Mrs. Rochester, had any hand in it?" "You've hit it, ma'am: it's quite certain that it was her, and nobody but her, that set it going. She had a woman to take care of her called Mrs. Poole--an able woman in her line, and very trustworthy, but for one fault--a fault common to a deal of them nurses and matrons--she _kept a private bottle of gin by her_, and now and then took a drop over-much. It is excusable, for she had a hard life of it: but still it was dangerous; for when Mrs. Poole was fast asleep after the gin and water, the mad lady, who was as cunning as a witch, would take the keys out of her pocket, let herself out of her chamber, and go roaming about the house, doing any wild mischief that came into her head. They say she had nearly burnt her husband in his bed once: but I don't know about that. However, on this night, she set fire first to the hangings of the room next her own, and then she got down to a lower storey, and made her way to the chamber that had been the governess's--(she was like as if she knew somehow how matters had gone on, and had a spite at her)--and she kindled the bed there; but there was nobody sleeping in it, fortunately. The governess had run away two months before; and for all Mr. Rochester sought her as if she had been the most precious thing he had in the world, he never could hear a word of her; and he grew savage--quite savage on his disappointment: he never was a wild man, but he got dangerous after he lost her. He would be alone, too. He sent Mrs. Fairfax, the housekeeper, away to her friends at a distance; but he did it handsomely, for he settled an annuity on her for life: and she deserved it--she was a very good woman. Miss Adele, a ward he had, was put to school. He broke off acquaintance with all the gentry, and shut himself up like a hermit at the Hall." "What! did he not leave England?" "Leave England? Bless you, no! He would not cross the door-stones of the house, except at night, when he walked just like a ghost about the grounds and in the orchard as if he had lost his senses--which it is my opinion he had; for a more spirited, bolder, keener gentleman than he was before that midge of a governess crossed him, you never saw, ma'am. He was not a man given to wine, or cards, or racing, as some are, and he was not so very handsome; but he had a courage and a will of his own, if ever man had. I knew him from a boy, you see: and for my part, I have often wished that Miss Eyre had been sunk in the sea before she came to Thornfield Hall." "Then Mr. Rochester was at home when the fire broke out?" "Yes, indeed was he; and he went up to the attics when all was burning above and below, and got the servants out of their beds and helped them down himself, and went back to get his mad wife out of her cell. And then they called out to him that she was on the roof, where she was standing, waving her arms, above the battlements, and shouting out till they could hear her a mile off: I saw her and heard her with my own eyes. She was a big woman, and had long black hair: we could see it streaming against the flames as she stood. I witnessed, and several more witnessed, Mr. Rochester ascend through the sky-light on to the roof; we heard him call 'Bertha!' We saw him approach her; and then, ma'am, she yelled and gave a spring, and the next minute she lay smashed on the pavement." {The next minute she lay smashed on the pavement: p413.jpg} "Dead?" "Dead! Ay, dead as the stones on which her brains and blood were scattered." "Good God!" "You may well say so, ma'am: it was frightful!" He shuddered. "And afterwards?" I urged. "Well, ma'am, afterwards the house was burnt to the ground: there are only some bits of walls standing now." "Were any other lives lost?" "No--perhaps it would have been better if there had." "What do you mean?" "Poor Mr. Edward!" he ejaculated, "I little thought ever to have seen it! Some say it was a just judgment on him for keeping his first marriage secret, and wanting to take another wife while he had one living: but I pity him, for my part." "You said he was alive?" I exclaimed. "Yes, yes: he is alive; but many think he had better be dead." "Why? How?" My blood was again running cold. "Where is he?" I demanded. "Is he in England?" "Ay--ay--he's in England; he can't get out of England, I fancy--he's a fixture now." What agony was this! And the man seemed resolved to protract it. "He is stone-blind," he said at last. "Yes, he is stone-blind, is Mr. Edward." I had dreaded worse. I had dreaded he was mad. I summoned strength to ask what had caused this calamity. "It was all his own courage, and a body may say, his kindness, in a way, ma'am: he wouldn't leave the house till every one else was out before him. As he came down the great staircase at last, after Mrs. Rochester had flung herself from the battlements, there was a great crash--all fell. He was taken out from under the ruins, alive, but sadly hurt: a beam had fallen in such a way as to protect him partly; but one eye was knocked out, and one hand so crushed that Mr. Carter, the surgeon, had to amputate it directly. The other eye inflamed: he lost the sight of that also. He is now helpless, indeed--blind and a cripple." "Where is he? Where does he now live?" "At Ferndean, a manor-house on a farm he has, about thirty miles off: quite a desolate spot." "Who is with him?" "Old John and his wife: he would have none else. He is quite broken down, they say." "Have you any sort of conveyance?" "We have a chaise, ma'am, a very handsome chaise." "Let it be got ready instantly; and if your post-boy can drive me to Ferndean before dark this day, I'll pay both you and him twice the hire you usually demand."

Chapter 36

https://web.archive.org/web/20190321135117/https://www.cliffsnotes.com/literature/j/jane-eyre/summary-and-analysis/chapter-36

At dawn the next morning, Jane rises. St. John slides a note under Jane's door, reminding her to resist temptation. It is the first of June, yet the day is chilly and overcast. Jane wanders the house, thinking about the previous night's visitation: Was it a delusion? It seemed to come from her, not from the external world. At breakfast, she tells Diana and Mary she'll be away at least four days. She catches a coach at Whitcross, the same one she road from Thornfield a year earlier. Alighting from the coach, Jane finds herself again on Rochester's lands. She is anxious to see him again and hurries the two miles from the coach stop to the house, worrying that he may be in Europe. Like a lover who wishes to catch a glimpse of his lover's face without waking her, then finds she is "stone dead," Jane is appalled by the sight that awaits her: Thornfield is a blackened ruin. What is the story behind this disaster, Jane wonders? Jane returns to the inn near the coach station, the Rochester Arms, to find an answer. She discovers that Bertha Mason set the house on fire last autumn. Before this happened, Rochester had shut himself up like a hermit in the house, as if he had gone mad. When the fire broke out, Rochester saved the servants, then tried to save Bertha, but she jumped from Thornfield's roof. Rochester has lost his sight and one of his hands in the fire. He now lives in Ferndean with two old servants, John and Mary.

Suspense builds in this chapter, as Jane delays the revelation of Thornfield's tragic end and of Rochester's history. Upon entering the coach at Whitcross, Jane reflects on the major changes in her situation since her arrival there a year earlier. Then she was "desolate, and hopeless, and objectless"; now she has friends, hope, and money. Then she paid all the money she had to ride the coach, now she has a secure fortune. Arriving in Thornfield, Jane notices the difference between the scenery here and in Morton ; Thornfield is mild, green, and pastoral, while Morton is stern. Thornfield's landscape is as comfortable as a "once familiar face," whose character she knows intimately. Notice the stark contrast between Jane's comforting, flowering, breathtaking dream of Thornfield and the reality of its trodden and wasted grounds; the world's vision of the upper classes doesn't always capture the hidden passions that boil under the veneer of genteel tranquility. The passions kindling at Thornfield have finally sparked and burned the house down; Rochester's burning bed was merely a prelude. Jane's psychic powers have been reaffirmed as another of her dreams has become reality. The passions that have burned down Rochester's family mansion, leaving it "a lonesome wild," are, in Jane's version of the story, centered in a woman: Bertha Mason. Jane refuses to recognize her own part in this tale of excessive passion: the innkeeper tries to tell her of Rochester's irresistible love for Jane, which he labels a midlife crisis: "when gentlemen of his age fall in love with girls, they are often like as if they are bewitched." But Jane cuts him off, asking him to tell this part of the story at another time. As simply a specimen of a common phenomenon -- midlife crisis -- Jane and Rochester's love loses some of its romantic force. In addition, Jane doesn't want to be associated with Thornfield's tragic end, so Bertha Mason becomes the scapegoat. Critics have viewed Bertha as the odious symbol of Rochester's sexual drive; as Jane's double, the angry, repressed side of the orphan child; or as a scapegoat destroyed to redeem Jane. In setting fire to Thornfield, Bertha begins by torching the hangings in the room next to her own, but then kindles Jane's old bed. Her anger seems to focus on sexual jealousy of her rival. During her final rebellion, Bertha stands on the roof Thornfield, "waving her arms above the battlements, and shouting out till they could hear her a mile off," with her long, dark hair "streaming against the flames." The fire becomes a representation of Bertha's power. She is a strong, large, extravagant, and sensual woman, who contrasts with Jane, described by the innkeeper as "a little, small thing . . . almost like a child." Rochester must pay for the transgression of almost making Jane his mistress. Following her departure from Thornfield, he becomes "savage" and "dangerous," but redeems himself by saving his servants and even trying to rescue his hated wife; as the innkeeper says, Rochester's courage and kindness resulted in his injuries. Unlike her depiction of St. John, which uniformly emphasizes his coldness and domination, Jane peppers her description of Rochester with examples of his compassion and caring.

cliffnotes

all_chapterized_books/1260-chapters/38.txt

finished_summaries/cliffnotes/Jane Eyre/section_30_part_0.txt

Jane Eyre.volume 3.chapter 37

chapter 37

{"name": "Chapter 37", "url": "https://web.archive.org/web/20190321135117/https://www.cliffsnotes.com/literature/j/jane-eyre/summary-and-analysis/chapter-37", "summary": "Jane rushes to Ferndean, a building buried deep in the woods. While she watches the building, the door slowly opens, and Rochester reaches out a hand to see if it's raining. She notes that his body hasn't changed, but his face looks \"desperate and brooding.\" After Rochester has returned to the house, Jane knocks on the door. Mary is surprised to see her so late at night and in this lonely place. Mary is taking a tray with candles and a glass of water to Rochester, and Jane volunteers to carry it instead. As she walks into the parlor, Rochester's dog, Pilot, is excited to see Jane, almost knocking the tray from her hand. Rochester wonders what is wrong. Realizing Jane is in the room with him, Rochester initially thinks she is only a disembodied voice. He grabs her hand, and wraps her in his arms. She assures him she's not a dream and promises to stay with him forever. The next morning, as they wander through the woods, Jane tells Rochester the story of her experiences during the year they've been apart. Rochester is jealous of St. John Rivers, believing she has fallen in love with her handsome cousin. Jane assures him she could never love the cold and despotic St. John. He proposes to her, and she accepts. Rochester then apologizes for trying to make Jane his mistress; he now regrets that decision. He reveals that four nights earlier, during a low point in his life, he had frantically called Jane's name and thought he heard her answer. Jane doesn't tell him about her similar experience, because she doesn't want to upset him in his weakened state. Rochester thanks God for his mercy, vowing to live a purer life from then on.", "analysis": "Jane has now reached her final destination: Ferndean. Her description of Ferndean emphasizes its isolation. It is deep in the woods, unsuitable and unhealthy. Recall that earlier in the novel, Rochester chose not to send Bertha there, because he didn't want her to hasten her death. The woods surrounding the building are thick, dark and gloomy, as if lost in a fairy-tale realm; Jane can barely find an opening through the dense trees to the house. Here, Jane and Rochester create the \"private island\" he longed for earlier in the novel. In describing Rochester, Jane uses language Rochester often used in the past to characterize her: he is a \"wronged\" bird, a \"caged eagle.\" But now their positions are reversed: Jane is free, and he is fettered. In their first conversation, Jane emphasizes her independence: \"I am independent, sir, as well as rich: I am my own mistress.\" While earlier Rochester treated Jane as object -- his possession -- he now accepts her independent subjectivity; thus, when he proposes marriage this time he says, \"Never mind fine clothes and jewels, now: all that is not worth a fillip.\" Like Jane, Rochester needed to \"pass through the valley of the shadow of death\" in order to become the perfect mate; his fire and virility are tamed and he becomes the ideally docile husband. Rochester suffers more than Jane -- blinding, maiming, and complete isolation -- because his sins were greater than hers. In fact, critics have often noted that both Bertha and Rochester can be viewed as victims of the forces Jane uses to acquire identity and independence; Bertha's life is sacrificed, as well as Rochester's vision, so that Jane can have her ideal, non-threatening relationship. Ensconced in Ferndean's desolation, the lovers have also achieved spiritual isolation. While Jane emphasizes Rochester's atonement for the sin of trying to make Jane his mistress, she also reminds readers of the ideal telepathic bond between the lovers. This psychic sympathy leads Jane to hear Rochester's frantic call for her, and for Rochester to pick her response out of the wind. In fact, he even correctly intuits that her response came from some mountainous place. Jane cannot find the words to explain this awful coincidence to Rochester: His mind is already dark, and doesn't need the \"deeper shade of the supernatural.\" Yet the reader's mind evidently doesn't suffer the same deficiency as Rochester's, because Jane is happy to share this odd occurrence with her audience. In some sense, Jane seems to be patronizing Rochester here. If their minds are supposedly in \"perfect concord,\" why can't she share this information with Rochester? Although Bronte used this psychic affinity to emphasize the spiritual bond between the lovers, critics have often argued that the novel relies too heavily on coincidence. Glossary faux air false appearance. jeune encore still young."}

The manor-house of Ferndean was a building of considerable antiquity, moderate size, and no architectural pretensions, deep buried in a wood. I had heard of it before. Mr. Rochester often spoke of it, and sometimes went there. His father had purchased the estate for the sake of the game covers. He would have let the house, but could find no tenant, in consequence of its ineligible and insalubrious site. Ferndean then remained uninhabited and unfurnished, with the exception of some two or three rooms fitted up for the accommodation of the squire when he went there in the season to shoot. To this house I came just ere dark on an evening marked by the characteristics of sad sky, cold gale, and continued small penetrating rain. The last mile I performed on foot, having dismissed the chaise and driver with the double remuneration I had promised. Even when within a very short distance of the manor-house, you could see nothing of it, so thick and dark grew the timber of the gloomy wood about it. Iron gates between granite pillars showed me where to enter, and passing through them, I found myself at once in the twilight of close-ranked trees. There was a grass-grown track descending the forest aisle between hoar and knotty shafts and under branched arches. I followed it, expecting soon to reach the dwelling; but it stretched on and on, it wound far and farther: no sign of habitation or grounds was visible. I thought I had taken a wrong direction and lost my way. The darkness of natural as well as of sylvan dusk gathered over me. I looked round in search of another road. There was none: all was interwoven stem, columnar trunk, dense summer foliage--no opening anywhere. I proceeded: at last my way opened, the trees thinned a little; presently I beheld a railing, then the house--scarce, by this dim light, distinguishable from the trees; so dank and green were its decaying walls. Entering a portal, fastened only by a latch, I stood amidst a space of enclosed ground, from which the wood swept away in a semicircle. There were no flowers, no garden-beds; only a broad gravel-walk girdling a grass-plat, and this set in the heavy frame of the forest. The house presented two pointed gables in its front; the windows were latticed and narrow: the front door was narrow too, one step led up to it. The whole looked, as the host of the Rochester Arms had said, "quite a desolate spot." It was as still as a church on a week-day: the pattering rain on the forest leaves was the only sound audible in its vicinage. "Can there be life here?" I asked. Yes, life of some kind there was; for I heard a movement--that narrow front-door was unclosing, and some shape was about to issue from the grange. It opened slowly: a figure came out into the twilight and stood on the step; a man without a hat: he stretched forth his hand as if to feel whether it rained. Dusk as it was, I had recognised him--it was my master, Edward Fairfax Rochester, and no other. I stayed my step, almost my breath, and stood to watch him--to examine him, myself unseen, and alas! to him invisible. It was a sudden meeting, and one in which rapture was kept well in check by pain. I had no difficulty in restraining my voice from exclamation, my step from hasty advance. His form was of the same strong and stalwart contour as ever: his port was still erect, his hair was still raven black; nor were his features altered or sunk: not in one year's space, by any sorrow, could his athletic strength be quelled or his vigorous prime blighted. But in his countenance I saw a change: that looked desperate and brooding--that reminded me of some wronged and fettered wild beast or bird, dangerous to approach in his sullen woe. The caged eagle, whose gold-ringed eyes cruelty has extinguished, might look as looked that sightless Samson. And, reader, do you think I feared him in his blind ferocity?--if you do, you little know me. A soft hope blest with my sorrow that soon I should dare to drop a kiss on that brow of rock, and on those lips so sternly sealed beneath it: but not yet. I would not accost him yet. He descended the one step, and advanced slowly and gropingly towards the grass-plat. Where was his daring stride now? Then he paused, as if he knew not which way to turn. He lifted his hand and opened his eyelids; gazed blank, and with a straining effort, on the sky, and toward the amphitheatre of trees: one saw that all to him was void darkness. He stretched his right hand (the left arm, the mutilated one, he kept hidden in his bosom); he seemed to wish by touch to gain an idea of what lay around him: he met but vacancy still; for the trees were some yards off where he stood. He relinquished the endeavour, folded his arms, and stood quiet and mute in the rain, now falling fast on his uncovered head. At this moment John approached him from some quarter. "Will you take my arm, sir?" he said; "there is a heavy shower coming on: had you not better go in?" "Let me alone," was the answer. John withdrew without having observed me. Mr. Rochester now tried to walk about: vainly,--all was too uncertain. He groped his way back to the house, and, re-entering it, closed the door. I now drew near and knocked: John's wife opened for me. "Mary," I said, "how are you?" She started as if she had seen a ghost: I calmed her. To her hurried "Is it really you, miss, come at this late hour to this lonely place?" I answered by taking her hand; and then I followed her into the kitchen, where John now sat by a good fire. I explained to them, in few words, that I had heard all which had happened since I left Thornfield, and that I was come to see Mr. Rochester. I asked John to go down to the turn- pike-house, where I had dismissed the chaise, and bring my trunk, which I had left there: and then, while I removed my bonnet and shawl, I questioned Mary as to whether I could be accommodated at the Manor House for the night; and finding that arrangements to that effect, though difficult, would not be impossible, I informed her I should stay. Just at this moment the parlour-bell rang. "When you go in," said I, "tell your master that a person wishes to speak to him, but do not give my name." "I don't think he will see you," she answered; "he refuses everybody." When she returned, I inquired what he had said. "You are to send in your name and your business," she replied. She then proceeded to fill a glass with water, and place it on a tray, together with candles. "Is that what he rang for?" I asked. "Yes: he always has candles brought in at dark, though he is blind." "Give the tray to me; I will carry it in." I took it from her hand: she pointed me out the parlour door. The tray shook as I held it; the water spilt from the glass; my heart struck my ribs loud and fast. Mary opened the door for me, and shut it behind me. This parlour looked gloomy: a neglected handful of fire burnt low in the grate; and, leaning over it, with his head supported against the high, old-fashioned mantelpiece, appeared the blind tenant of the room. His old dog, Pilot, lay on one side, removed out of the way, and coiled up as if afraid of being inadvertently trodden upon. Pilot pricked up his ears when I came in: then he jumped up with a yelp and a whine, and bounded towards me: he almost knocked the tray from my hands. I set it on the table; then patted him, and said softly, "Lie down!" Mr. Rochester turned mechanically to _see_ what the commotion was: but as he _saw_ nothing, he returned and sighed. "Give me the water, Mary," he said. I approached him with the now only half-filled glass; Pilot followed me, still excited. "What is the matter?" he inquired. "Down, Pilot!" I again said. He checked the water on its way to his lips, and seemed to listen: he drank, and put the glass down. "This is you, Mary, is it not?" "Mary is in the kitchen," I answered. He put out his hand with a quick gesture, but not seeing where I stood, he did not touch me. "Who is this? Who is this?" he demanded, trying, as it seemed, to _see_ with those sightless eyes--unavailing and distressing attempt! "Answer me--speak again!" he ordered, imperiously and aloud. "Will you have a little more water, sir? I spilt half of what was in the glass," I said. "_Who_ is it? _What_ is it? Who speaks?" "Pilot knows me, and John and Mary know I am here. I came only this evening," I answered. "Great God!--what delusion has come over me? What sweet madness has seized me?" "No delusion--no madness: your mind, sir, is too strong for delusion, your health too sound for frenzy." "And where is the speaker? Is it only a voice? Oh! I _cannot_ see, but I must feel, or my heart will stop and my brain burst. Whatever--whoever you are--be perceptible to the touch or I cannot live!" He groped; I arrested his wandering hand, and prisoned it in both mine. "Her very fingers!" he cried; "her small, slight fingers! If so there must be more of her." The muscular hand broke from my custody; my arm was seized, my shoulder--neck--waist--I was entwined and gathered to him. "Is it Jane? _What_ is it? This is her shape--this is her size--" "And this her voice," I added. "She is all here: her heart, too. God bless you, sir! I am glad to be so near you again." "Jane Eyre!--Jane Eyre," was all he said. "My dear master," I answered, "I am Jane Eyre: I have found you out--I am come back to you." "In truth?--in the flesh? My living Jane?" "You touch me, sir,--you hold me, and fast enough: I am not cold like a corpse, nor vacant like air, am I?" "My living darling! These are certainly her limbs, and these her features; but I cannot be so blest, after all my misery. It is a dream; such dreams as I have had at night when I have clasped her once more to my heart, as I do now; and kissed her, as thus--and felt that she loved me, and trusted that she would not leave me." "Which I never will, sir, from this day." "Never will, says the vision? But I always woke and found it an empty mockery; and I was desolate and abandoned--my life dark, lonely, hopeless--my soul athirst and forbidden to drink--my heart famished and never to be fed. Gentle, soft dream, nestling in my arms now, you will fly, too, as your sisters have all fled before you: but kiss me before you go--embrace me, Jane." "There, sir--and there!"' I pressed my lips to his once brilliant and now rayless eyes--I swept his hair from his brow, and kissed that too. He suddenly seemed to arouse himself: the conviction of the reality of all this seized him. "It is you--is it, Jane? You are come back to me then?" "I am." "And you do not lie dead in some ditch under some stream? And you are not a pining outcast amongst strangers?" "No, sir! I am an independent woman now." "Independent! What do you mean, Jane?" "My uncle in Madeira is dead, and he left me five thousand pounds." "Ah! this is practical--this is real!" he cried: "I should never dream that. Besides, there is that peculiar voice of hers, so animating and piquant, as well as soft: it cheers my withered heart; it puts life into it.--What, Janet! Are you an independent woman? A rich woman?" "If you won't let me live with you, I can build a house of my own close up to your door, and you may come and sit in my parlour when you want company of an evening." "But as you are rich, Jane, you have now, no doubt, friends who will look after you, and not suffer you to devote yourself to a blind lameter like me?" "I told you I am independent, sir, as well as rich: I am my own mistress." "And you will stay with me?" "Certainly--unless you object. I will be your neighbour, your nurse, your housekeeper. I find you lonely: I will be your companion--to read to you, to walk with you, to sit with you, to wait on you, to be eyes and hands to you. Cease to look so melancholy, my dear master; you shall not be left desolate, so long as I live." He replied not: he seemed serious--abstracted; he sighed; he half-opened his lips as if to speak: he closed them again. I felt a little embarrassed. Perhaps I had too rashly over-leaped conventionalities; and he, like St. John, saw impropriety in my inconsiderateness. I had indeed made my proposal from the idea that he wished and would ask me to be his wife: an expectation, not the less certain because unexpressed, had buoyed me up, that he would claim me at once as his own. But no hint to that effect escaping him and his countenance becoming more overcast, I suddenly remembered that I might have been all wrong, and was perhaps playing the fool unwittingly; and I began gently to withdraw myself from his arms--but he eagerly snatched me closer. "No--no--Jane; you must not go. No--I have touched you, heard you, felt the comfort of your presence--the sweetness of your consolation: I cannot give up these joys. I have little left in myself--I must have you. The world may laugh--may call me absurd, selfish--but it does not signify. My very soul demands you: it will be satisfied, or it will take deadly vengeance on its frame." "Well, sir, I will stay with you: I have said so." "Yes--but you understand one thing by staying with me; and I understand another. You, perhaps, could make up your mind to be about my hand and chair--to wait on me as a kind little nurse (for you have an affectionate heart and a generous spirit, which prompt you to make sacrifices for those you pity), and that ought to suffice for me no doubt. I suppose I should now entertain none but fatherly feelings for you: do you think so? Come--tell me." "I will think what you like, sir: I am content to be only your nurse, if you think it better." "But you cannot always be my nurse, Janet: you are young--you must marry one day." "I don't care about being married." "You should care, Janet: if I were what I once was, I would try to make you care--but--a sightless block!" He relapsed again into gloom. I, on the contrary, became more cheerful, and took fresh courage: these last words gave me an insight as to where the difficulty lay; and as it was no difficulty with me, I felt quite relieved from my previous embarrassment. I resumed a livelier vein of conversation. "It is time some one undertook to rehumanise you," said I, parting his thick and long uncut locks; "for I see you are being metamorphosed into a lion, or something of that sort. You have a 'faux air' of Nebuchadnezzar in the fields about you, that is certain: your hair reminds me of eagles' feathers; whether your nails are grown like birds' claws or not, I have not yet noticed." "On this arm, I have neither hand nor nails," he said, drawing the mutilated limb from his breast, and showing it to me. "It is a mere stump--a ghastly sight! Don't you think so, Jane?" "It is a pity to see it; and a pity to see your eyes--and the scar of fire on your forehead: and the worst of it is, one is in danger of loving you too well for all this; and making too much of you." "I thought you would be revolted, Jane, when you saw my arm, and my cicatrised visage." "Did you? Don't tell me so--lest I should say something disparaging to your judgment. Now, let me leave you an instant, to make a better fire, and have the hearth swept up. Can you tell when there is a good fire?" "Yes; with the right eye I see a glow--a ruddy haze." "And you see the candles?" "Very dimly--each is a luminous cloud." "Can you see me?" "No, my fairy: but I am only too thankful to hear and feel you." "When do you take supper?" "I never take supper." "But you shall have some to-night. I am hungry: so are you, I daresay, only you forget." Summoning Mary, I soon had the room in more cheerful order: I prepared him, likewise, a comfortable repast. My spirits were excited, and with pleasure and ease I talked to him during supper, and for a long time after. There was no harassing restraint, no repressing of glee and vivacity with him; for with him I was at perfect ease, because I knew I suited him; all I said or did seemed either to console or revive him. Delightful consciousness! It brought to life and light my whole nature: in his presence I thoroughly lived; and he lived in mine. Blind as he was, smiles played over his face, joy dawned on his forehead: his lineaments softened and warmed. After supper, he began to ask me many questions, of where I had been, what I had been doing, how I had found him out; but I gave him only very partial replies: it was too late to enter into particulars that night. Besides, I wished to touch no deep-thrilling chord--to open no fresh well of emotion in his heart: my sole present aim was to cheer him. Cheered, as I have said, he was: and yet but by fits. If a moment's silence broke the conversation, he would turn restless, touch me, then say, "Jane." "You are altogether a human being, Jane? You are certain of that?" {You are altogether a human being, Jane? You are certain of that?: p422.jpg} "I conscientiously believe so, Mr. Rochester." "Yet how, on this dark and doleful evening, could you so suddenly rise on my lone hearth? I stretched my hand to take a glass of water from a hireling, and it was given me by you: I asked a question, expecting John's wife to answer me, and your voice spoke at my ear." "Because I had come in, in Mary's stead, with the tray." "And there is enchantment in the very hour I am now spending with you. Who can tell what a dark, dreary, hopeless life I have dragged on for months past? Doing nothing, expecting nothing; merging night in day; feeling but the sensation of cold when I let the fire go out, of hunger when I forgot to eat: and then a ceaseless sorrow, and, at times, a very delirium of desire to behold my Jane again. Yes: for her restoration I longed, far more than for that of my lost sight. How can it be that Jane is with me, and says she loves me? Will she not depart as suddenly as she came? To-morrow, I fear I shall find her no more." A commonplace, practical reply, out of the train of his own disturbed ideas, was, I was sure, the best and most reassuring for him in this frame of mind. I passed my finger over his eyebrows, and remarked that they were scorched, and that I would apply something which would make them grow as broad and black as ever. "Where is the use of doing me good in any way, beneficent spirit, when, at some fatal moment, you will again desert me--passing like a shadow, whither and how to me unknown, and for me remaining afterwards undiscoverable? "Have you a pocket-comb about you, sir?" "What for, Jane?" "Just to comb out this shaggy black mane. I find you rather alarming, when I examine you close at hand: you talk of my being a fairy, but I am sure, you are more like a brownie." "Am I hideous, Jane?" "Very, sir: you always were, you know." "Humph! The wickedness has not been taken out of you, wherever you have sojourned." "Yet I have been with good people; far better than you: a hundred times better people; possessed of ideas and views you never entertained in your life: quite more refined and exalted." "Who the deuce have you been with?" "If you twist in that way you will make me pull the hair out of your head; and then I think you will cease to entertain doubts of my substantiality." "Who have you been with, Jane?" "You shall not get it out of me to-night, sir; you must wait till to-morrow; to leave my tale half told, will, you know, be a sort of security that I shall appear at your breakfast table to finish it. By the bye, I must mind not to rise on your hearth with only a glass of water then: I must bring an egg at the least, to say nothing of fried ham." "You mocking changeling--fairy-born and human-bred! You make me feel as I have not felt these twelve months. If Saul could have had you for his David, the evil spirit would have been exorcised without the aid of the harp." "There, sir, you are redd up and made decent. Now I'll leave you: I have been travelling these last three days, and I believe I am tired. Good night." "Just one word, Jane: were there only ladies in the house where you have been?" I laughed and made my escape, still laughing as I ran upstairs. "A good idea!" I thought with glee. "I see I have the means of fretting him out of his melancholy for some time to come." Very early the next morning I heard him up and astir, wandering from one room to another. As soon as Mary came down I heard the question: "Is Miss Eyre here?" Then: "Which room did you put her into? Was it dry? Is she up? Go and ask if she wants anything; and when she will come down." I came down as soon as I thought there was a prospect of breakfast. Entering the room very softly, I had a view of him before he discovered my presence. It was mournful, indeed, to witness the subjugation of that vigorous spirit to a corporeal infirmity. He sat in his chair--still, but not at rest: expectant evidently; the lines of now habitual sadness marking his strong features. His countenance reminded one of a lamp quenched, waiting to be re-lit--and alas! it was not himself that could now kindle the lustre of animated expression: he was dependent on another for that office! I had meant to be gay and careless, but the powerlessness of the strong man touched my heart to the quick: still I accosted him with what vivacity I could. "It is a bright, sunny morning, sir," I said. "The rain is over and gone, and there is a tender shining after it: you shall have a walk soon." I had wakened the glow: his features beamed. "Oh, you are indeed there, my skylark! Come to me. You are not gone: not vanished? I heard one of your kind an hour ago, singing high over the wood: but its song had no music for me, any more than the rising sun had rays. All the melody on earth is concentrated in my Jane's tongue to my ear (I am glad it is not naturally a silent one): all the sunshine I can feel is in her presence." The water stood in my eyes to hear this avowal of his dependence; just as if a royal eagle, chained to a perch, should be forced to entreat a sparrow to become its purveyor. But I would not be lachrymose: I dashed off the salt drops, and busied myself with preparing breakfast. Most of the morning was spent in the open air. I led him out of the wet and wild wood into some cheerful fields: I described to him how brilliantly green they were; how the flowers and hedges looked refreshed; how sparklingly blue was the sky. I sought a seat for him in a hidden and lovely spot, a dry stump of a tree; nor did I refuse to let him, when seated, place me on his knee. Why should I, when both he and I were happier near than apart? Pilot lay beside us: all was quiet. He broke out suddenly while clasping me in his arms-- "Cruel, cruel deserter! Oh, Jane, what did I feel when I discovered you had fled from Thornfield, and when I could nowhere find you; and, after examining your apartment, ascertained that you had taken no money, nor anything which could serve as an equivalent! A pearl necklace I had given you lay untouched in its little casket; your trunks were left corded and locked as they had been prepared for the bridal tour. What could my darling do, I asked, left destitute and penniless? And what did she do? Let me hear now." Thus urged, I began the narrative of my experience for the last year. I softened considerably what related to the three days of wandering and starvation, because to have told him all would have been to inflict unnecessary pain: the little I did say lacerated his faithful heart deeper than I wished. I should not have left him thus, he said, without any means of making my way: I should have told him my intention. I should have confided in him: he would never have forced me to be his mistress. Violent as he had seemed in his despair, he, in truth, loved me far too well and too tenderly to constitute himself my tyrant: he would have given me half his fortune, without demanding so much as a kiss in return, rather than I should have flung myself friendless on the wide world. I had endured, he was certain, more than I had confessed to him. "Well, whatever my sufferings had been, they were very short," I answered: and then I proceeded to tell him how I had been received at Moor House; how I had obtained the office of schoolmistress, &c. The accession of fortune, the discovery of my relations, followed in due order. Of course, St. John Rivers' name came in frequently in the progress of my tale. When I had done, that name was immediately taken up. "This St. John, then, is your cousin?" "Yes." "You have spoken of him often: do you like him?" "He was a very good man, sir; I could not help liking him." "A good man. Does that mean a respectable well-conducted man of fifty? Or what does it mean?" "St John was only twenty-nine, sir." "'_Jeune encore_,' as the French say. Is he a person of low stature, phlegmatic, and plain. A person whose goodness consists rather in his guiltlessness of vice, than in his prowess in virtue." "He is untiringly active. Great and exalted deeds are what he lives to perform." "But his brain? That is probably rather soft? He means well: but you shrug your shoulders to hear him talk?" "He talks little, sir: what he does say is ever to the point. His brain is first-rate, I should think not impressible, but vigorous." "Is he an able man, then?" "Truly able." "A thoroughly educated man?" "St. John is an accomplished and profound scholar." "His manners, I think, you said are not to your taste?--priggish and parsonic?" "I never mentioned his manners; but, unless I had a very bad taste, they must suit it; they are polished, calm, and gentlemanlike." "His appearance,--I forget what description you gave of his appearance;--a sort of raw curate, half strangled with his white neckcloth, and stilted up on his thick-soled high-lows, eh?" "St. John dresses well. He is a handsome man: tall, fair, with blue eyes, and a Grecian profile." (Aside.) "Damn him!"--(To me.) "Did you like him, Jane?" "Yes, Mr. Rochester, I liked him: but you asked me that before." I perceived, of course, the drift of my interlocutor. Jealousy had got hold of him: she stung him; but the sting was salutary: it gave him respite from the gnawing fang of melancholy. I would not, therefore, immediately charm the snake. "Perhaps you would rather not sit any longer on my knee, Miss Eyre?" was the next somewhat unexpected observation. "Why not, Mr. Rochester?" "The picture you have just drawn is suggestive of a rather too overwhelming contrast. Your words have delineated very prettily a graceful Apollo: he is present to your imagination,--tall, fair, blue- eyed, and with a Grecian profile. Your eyes dwell on a Vulcan,--a real blacksmith, brown, broad-shouldered: and blind and lame into the bargain." "I never thought of it, before; but you certainly are rather like Vulcan, sir." "Well, you can leave me, ma'am: but before you go" (and he retained me by a firmer grasp than ever), "you will be pleased just to answer me a question or two." He paused. "What questions, Mr. Rochester?" Then followed this cross-examination. "St. John made you schoolmistress of Morton before he knew you were his cousin?" "Yes." "You would often see him? He would visit the school sometimes?" "Daily." "He would approve of your plans, Jane? I know they would be clever, for you are a talented creature!" "He approved of them--yes." "He would discover many things in you he could not have expected to find? Some of your accomplishments are not ordinary." "I don't know about that." "You had a little cottage near the school, you say: did he ever come there to see you?" "Now and then?" "Of an evening?" "Once or twice." A pause. "How long did you reside with him and his sisters after the cousinship was discovered?" "Five months." "Did Rivers spend much time with the ladies of his family?" "Yes; the back parlour was both his study and ours: he sat near the window, and we by the table." "Did he study much?" "A good deal." "What?" "Hindostanee." "And what did you do meantime?" "I learnt German, at first." "Did he teach you?" "He did not understand German." "Did he teach you nothing?" "A little Hindostanee." "Rivers taught you Hindostanee?" "Yes, sir." "And his sisters also?" "No." "Only you?" "Only me." "Did you ask to learn?" "No." "He wished to teach you?" "Yes." A second pause. "Why did he wish it? Of what use could Hindostanee be to you?" "He intended me to go with him to India." "Ah! here I reach the root of the matter. He wanted you to marry him?" "He asked me to marry him." "That is a fiction--an impudent invention to vex me." "I beg your pardon, it is the literal truth: he asked me more than once, and was as stiff about urging his point as ever you could be." "Miss Eyre, I repeat it, you can leave me. How often am I to say the same thing? Why do you remain pertinaciously perched on my knee, when I have given you notice to quit?" "Because I am comfortable there." "No, Jane, you are not comfortable there, because your heart is not with me: it is with this cousin--this St. John. Oh, till this moment, I thought my little Jane was all mine! I had a belief she loved me even when she left me: that was an atom of sweet in much bitter. Long as we have been parted, hot tears as I have wept over our separation, I never thought that while I was mourning her, she was loving another! But it is useless grieving. Jane, leave me: go and marry Rivers." "Shake me off, then, sir,--push me away, for I'll not leave you of my own accord." "Jane, I ever like your tone of voice: it still renews hope, it sounds so truthful. When I hear it, it carries me back a year. I forget that you have formed a new tie. But I am not a fool--go--" "Where must I go, sir?" "Your own way--with the husband you have chosen." "Who is that?" "You know--this St. John Rivers." "He is not my husband, nor ever will be. He does not love me: I do not love him. He loves (as he _can_ love, and that is not as you love) a beautiful young lady called Rosamond. He wanted to marry me only because he thought I should make a suitable missionary's wife, which she would not have done. He is good and great, but severe; and, for me, cold as an iceberg. He is not like you, sir: I am not happy at his side, nor near him, nor with him. He has no indulgence for me--no fondness. He sees nothing attractive in me; not even youth--only a few useful mental points.--Then I must leave you, sir, to go to him?" I shuddered involuntarily, and clung instinctively closer to my blind but beloved master. He smiled. "What, Jane! Is this true? Is such really the state of matters between you and Rivers?" "Absolutely, sir! Oh, you need not be jealous! I wanted to tease you a little to make you less sad: I thought anger would be better than grief. But if you wish me to love you, could you but see how much I _do_ love you, you would be proud and content. All my heart is yours, sir: it belongs to you; and with you it would remain, were fate to exile the rest of me from your presence for ever." Again, as he kissed me, painful thoughts darkened his aspect. "My seared vision! My crippled strength!" he murmured regretfully. I caressed, in order to soothe him. I knew of what he was thinking, and wanted to speak for him, but dared not. As he turned aside his face a minute, I saw a tear slide from under the sealed eyelid, and trickle down the manly cheek. My heart swelled. "I am no better than the old lightning-struck chestnut-tree in Thornfield orchard," he remarked ere long. "And what right would that ruin have to bid a budding woodbine cover its decay with freshness?" "You are no ruin, sir--no lightning-struck tree: you are green and vigorous. Plants will grow about your roots, whether you ask them or not, because they take delight in your bountiful shadow; and as they grow they will lean towards you, and wind round you, because your strength offers them so safe a prop." Again he smiled: I gave him comfort. "You speak of friends, Jane?" he asked. "Yes, of friends," I answered rather hesitatingly: for I knew I meant more than friends, but could not tell what other word to employ. He helped me. "Ah! Jane. But I want a wife." "Do you, sir?" "Yes: is it news to you?" "Of course: you said nothing about it before." "Is it unwelcome news?" "That depends on circumstances, sir--on your choice." "Which you shall make for me, Jane. I will abide by your decision." "Choose then, sir--_her who loves you best_." "I will at least choose--_her I love best_. Jane, will you marry me?" "Yes, sir." "A poor blind man, whom you will have to lead about by the hand?" "Yes, sir." "A crippled man, twenty years older than you, whom you will have to wait on?" "Yes, sir." "Truly, Jane?" "Most truly, sir." "Oh! my darling! God bless you and reward you!" "Mr. Rochester, if ever I did a good deed in my life--if ever I thought a good thought--if ever I prayed a sincere and blameless prayer--if ever I wished a righteous wish,--I am rewarded now. To be your wife is, for me, to be as happy as I can be on earth." "Because you delight in sacrifice." "Sacrifice! What do I sacrifice? Famine for food, expectation for content. To be privileged to put my arms round what I value--to press my lips to what I love--to repose on what I trust: is that to make a sacrifice? If so, then certainly I delight in sacrifice." "And to bear with my infirmities, Jane: to overlook my deficiencies." "Which are none, sir, to me. I love you better now, when I can really be useful to you, than I did in your state of proud independence, when you disdained every part but that of the giver and protector." "Hitherto I have hated to be helped--to be led: henceforth, I feel I shall hate it no more. I did not like to put my hand into a hireling's, but it is pleasant to feel it circled by Jane's little fingers. I preferred utter loneliness to the constant attendance of servants; but Jane's soft ministry will be a perpetual joy. Jane suits me: do I suit her?" "To the finest fibre of my nature, sir." "The case being so, we have nothing in the world to wait for: we must be married instantly." He looked and spoke with eagerness: his old impetuosity was rising. "We must become one flesh without any delay, Jane: there is but the licence to get--then we marry." "Mr. Rochester, I have just discovered the sun is far declined from its meridian, and Pilot is actually gone home to his dinner. Let me look at your watch." "Fasten it into your girdle, Janet, and keep it henceforward: I have no use for it." "It is nearly four o'clock in the afternoon, sir. Don't you feel hungry?" "The third day from this must be our wedding-day, Jane. Never mind fine clothes and jewels, now: all that is not worth a fillip." "The sun has dried up all the rain-drops, sir. The breeze is still: it is quite hot." "Do you know, Jane, I have your little pearl necklace at this moment fastened round my bronze scrag under my cravat? I have worn it since the day I lost my only treasure, as a memento of her." "We will go home through the wood: that will be the shadiest way." He pursued his own thoughts without heeding me. "Jane! you think me, I daresay, an irreligious dog: but my heart swells with gratitude to the beneficent God of this earth just now. He sees not as man sees, but far clearer: judges not as man judges, but far more wisely. I did wrong: I would have sullied my innocent flower--breathed guilt on its purity: the Omnipotent snatched it from me. I, in my stiff- necked rebellion, almost cursed the dispensation: instead of bending to the decree, I defied it. Divine justice pursued its course; disasters came thick on me: I was forced to pass through the valley of the shadow of death. _His_ chastisements are mighty; and one smote me which has humbled me for ever. You know I was proud of my strength: but what is it now, when I must give it over to foreign guidance, as a child does its weakness? Of late, Jane--only--only of late--I began to see and acknowledge the hand of God in my doom. I began to experience remorse, repentance; the wish for reconcilement to my Maker. I began sometimes to pray: very brief prayers they were, but very sincere. "Some days since: nay, I can number them--four; it was last Monday night, a singular mood came over me: one in which grief replaced frenzy--sorrow, sullenness. I had long had the impression that since I could nowhere find you, you must be dead. Late that night--perhaps it might be between eleven and twelve o'clock--ere I retired to my dreary rest, I supplicated God, that, if it seemed good to Him, I might soon be taken from this life, and admitted to that world to come, where there was still hope of rejoining Jane. "I was in my own room, and sitting by the window, which was open: it soothed me to feel the balmy night-air; though I could see no stars and only by a vague, luminous haze, knew the presence of a moon. I longed for thee, Janet! Oh, I longed for thee both with soul and flesh! I asked of God, at once in anguish and humility, if I had not been long enough desolate, afflicted, tormented; and might not soon taste bliss and peace once more. That I merited all I endured, I acknowledged--that I could scarcely endure more, I pleaded; and the alpha and omega of my heart's wishes broke involuntarily from my lips in the words--'Jane! Jane! Jane!'" "Did you speak these words aloud?" "I did, Jane. If any listener had heard me, he would have thought me mad: I pronounced them with such frantic energy." "And it was last Monday night, somewhere near midnight?" "Yes; but the time is of no consequence: what followed is the strange point. You will think me superstitious,--some superstition I have in my blood, and always had: nevertheless, this is true--true at least it is that I heard what I now relate. "As I exclaimed 'Jane! Jane! Jane!' a voice--I cannot tell whence the voice came, but I know whose voice it was--replied, 'I am coming: wait for me;' and a moment after, went whispering on the wind the words--'Where are you?' "I'll tell you, if I can, the idea, the picture these words opened to my mind: yet it is difficult to express what I want to express. Ferndean is buried, as you see, in a heavy wood, where sound falls dull, and dies unreverberating. 'Where are you?' seemed spoken amongst mountains; for I heard a hill-sent echo repeat the words. Cooler and fresher at the moment the gale seemed to visit my brow: I could have deemed that in some wild, lone scene, I and Jane were meeting. In spirit, I believe we must have met. You no doubt were, at that hour, in unconscious sleep, Jane: perhaps your soul wandered from its cell to comfort mine; for those were your accents--as certain as I live--they were yours!" Reader, it was on Monday night--near midnight--that I too had received the mysterious summons: those were the very words by which I replied to it. I listened to Mr. Rochester's narrative, but made no disclosure in return. The coincidence struck me as too awful and inexplicable to be communicated or discussed. If I told anything, my tale would be such as must necessarily make a profound impression on the mind of my hearer: and that mind, yet from its sufferings too prone to gloom, needed not the deeper shade of the supernatural. I kept these things then, and pondered them in my heart. "You cannot now wonder," continued my master, "that when you rose upon me so unexpectedly last night, I had difficulty in believing you any other than a mere voice and vision, something that would melt to silence and annihilation, as the midnight whisper and mountain echo had melted before. Now, I thank God! I know it to be otherwise. Yes, I thank God!" He put me off his knee, rose, and reverently lifting his hat from his brow, and bending his sightless eyes to the earth, he stood in mute devotion. Only the last words of the worship were audible. "I thank my Maker, that, in the midst of judgment, he has remembered mercy. I humbly entreat my Redeemer to give me strength to lead henceforth a purer life than I have done hitherto!" Then he stretched his hand out to be led. I took that dear hand, held it a moment to my lips, then let it pass round my shoulder: being so much lower of stature than he, I served both for his prop and guide. We entered the wood, and wended homeward.

Chapter 37

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Jane rushes to Ferndean, a building buried deep in the woods. While she watches the building, the door slowly opens, and Rochester reaches out a hand to see if it's raining. She notes that his body hasn't changed, but his face looks "desperate and brooding." After Rochester has returned to the house, Jane knocks on the door. Mary is surprised to see her so late at night and in this lonely place. Mary is taking a tray with candles and a glass of water to Rochester, and Jane volunteers to carry it instead. As she walks into the parlor, Rochester's dog, Pilot, is excited to see Jane, almost knocking the tray from her hand. Rochester wonders what is wrong. Realizing Jane is in the room with him, Rochester initially thinks she is only a disembodied voice. He grabs her hand, and wraps her in his arms. She assures him she's not a dream and promises to stay with him forever. The next morning, as they wander through the woods, Jane tells Rochester the story of her experiences during the year they've been apart. Rochester is jealous of St. John Rivers, believing she has fallen in love with her handsome cousin. Jane assures him she could never love the cold and despotic St. John. He proposes to her, and she accepts. Rochester then apologizes for trying to make Jane his mistress; he now regrets that decision. He reveals that four nights earlier, during a low point in his life, he had frantically called Jane's name and thought he heard her answer. Jane doesn't tell him about her similar experience, because she doesn't want to upset him in his weakened state. Rochester thanks God for his mercy, vowing to live a purer life from then on.

Jane has now reached her final destination: Ferndean. Her description of Ferndean emphasizes its isolation. It is deep in the woods, unsuitable and unhealthy. Recall that earlier in the novel, Rochester chose not to send Bertha there, because he didn't want her to hasten her death. The woods surrounding the building are thick, dark and gloomy, as if lost in a fairy-tale realm; Jane can barely find an opening through the dense trees to the house. Here, Jane and Rochester create the "private island" he longed for earlier in the novel. In describing Rochester, Jane uses language Rochester often used in the past to characterize her: he is a "wronged" bird, a "caged eagle." But now their positions are reversed: Jane is free, and he is fettered. In their first conversation, Jane emphasizes her independence: "I am independent, sir, as well as rich: I am my own mistress." While earlier Rochester treated Jane as object -- his possession -- he now accepts her independent subjectivity; thus, when he proposes marriage this time he says, "Never mind fine clothes and jewels, now: all that is not worth a fillip." Like Jane, Rochester needed to "pass through the valley of the shadow of death" in order to become the perfect mate; his fire and virility are tamed and he becomes the ideally docile husband. Rochester suffers more than Jane -- blinding, maiming, and complete isolation -- because his sins were greater than hers. In fact, critics have often noted that both Bertha and Rochester can be viewed as victims of the forces Jane uses to acquire identity and independence; Bertha's life is sacrificed, as well as Rochester's vision, so that Jane can have her ideal, non-threatening relationship. Ensconced in Ferndean's desolation, the lovers have also achieved spiritual isolation. While Jane emphasizes Rochester's atonement for the sin of trying to make Jane his mistress, she also reminds readers of the ideal telepathic bond between the lovers. This psychic sympathy leads Jane to hear Rochester's frantic call for her, and for Rochester to pick her response out of the wind. In fact, he even correctly intuits that her response came from some mountainous place. Jane cannot find the words to explain this awful coincidence to Rochester: His mind is already dark, and doesn't need the "deeper shade of the supernatural." Yet the reader's mind evidently doesn't suffer the same deficiency as Rochester's, because Jane is happy to share this odd occurrence with her audience. In some sense, Jane seems to be patronizing Rochester here. If their minds are supposedly in "perfect concord," why can't she share this information with Rochester? Although Bronte used this psychic affinity to emphasize the spiritual bond between the lovers, critics have often argued that the novel relies too heavily on coincidence. Glossary faux air false appearance. jeune encore still young.

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Jane Eyre.volume 3.chapter 38

chapter 38

{"name": "Chapter 38-Conclusion", "url": "https://web.archive.org/web/20190321135117/https://www.cliffsnotes.com/literature/j/jane-eyre/summary-and-analysis/chapter-38conclusion", "summary": "Rochester and Jane finally marry with a quiet ceremony. Immediately, Jane writes to the Rivers, explaining what she has done. Diana and Mary both approve of her marriage, but Jane receives no response from St. John. Not having forgotten Adele, Jane visits her at school. The girl is pale, thin, and unhappy, so Jane moves her to a more indulgent school. Adele grows into a docile, good-natured young woman. At the writing of this story, Jane has been married for ten years. She feels blessed beyond anything language can express, because she and Rochester love each other absolutely. For two years, Rochester remained almost completely blind, but slowly his sight has returned to him. He was able to see his first-born son. And what has happened to the rest of the cast? Diana and Mary Rivers have both married. St. John is still a missionary in India, but is nearing death. The final words of the novel are his: \"Amen; even so, come, Lord Jesus!\"", "analysis": "The novel has a typically -- for a Victorian story -- happy ending. All of the characters who were good to Jane are rewarded. Diana and Mary Rivers have made loving marriages; Adele, not at fault for her mother's sins, has become Jane's pleasing companion. Notice Jane's final ethnocentric comment in relation to little Adele: \"a sound English education corrected in a great measure her French defects.\" Only through a good English lifestyle has Adele avoided her mother's tragic flaws -- materialism and sensuality -- characteristics the novel specifically associates with foreign women. Rochester and Jane have been reunited in a marriage that appears to be perfect: \"o woman was ever nearer to her mate than I am: ever more absolutely bone of his bone and flesh of his flesh.\" While she feared losing herself in a relationship with St. John, she seems perfectly content to become one with Rochester. What are the differences in the relationships; how does Jane maintain her integrity with Rochester? Primarily through his injuries. As his \"vision\" and \"right hand,\" Jane maintains a sense of dependence over her husband. Thus the chapter blends an odd mix of language designating their \"perfect concord\" with language showing Rochester's dependence: He sees nature and books through her, for example. Could this relationship have flourished without Rochester's infirmities? For two years of good behavior, Jane grants Rochester partial regeneration of his sight, though he still cannot read or write much. St. John Rivers has also received his just reward. He toils in India, laboring for \"his race.\" A great warrior, St. John sternly clears the \"painful way to improvement\" for the natives, slaying their prejudices of \"creed and caste,\" though obviously not his own. In his zealous Christianity, he obviously sees the Indians as an inferior race, and hopes to implant British virtues and values in their supposedly deficient minds. Perhaps to the joy of those he disciplines in India, St. John is nearing death. Despite Jane's difficulties with Christianity throughout the novel, St. John's words of longing for heaven end the novel. Telling his \"Master\" that he comes \"quickly,\" St. John's words to Rochester's disembodied cry: \"I am coming; wait for me.\" Love is still Jane's religion; in relationship, Jane has found her heaven."}

Reader, I married him. A quiet wedding we had: he and I, the parson and clerk, were alone present. When we got back from church, I went into the kitchen of the manor-house, where Mary was cooking the dinner and John cleaning the knives, and I said-- "Mary, I have been married to Mr. Rochester this morning." The housekeeper and her husband were both of that decent phlegmatic order of people, to whom one may at any time safely communicate a remarkable piece of news without incurring the danger of having one's ears pierced by some shrill ejaculation, and subsequently stunned by a torrent of wordy wonderment. Mary did look up, and she did stare at me: the ladle with which she was basting a pair of chickens roasting at the fire, did for some three minutes hang suspended in air; and for the same space of time John's knives also had rest from the polishing process: but Mary, bending again over the roast, said only-- "Have you, Miss? Well, for sure!" A short time after she pursued--"I seed you go out with the master, but I didn't know you were gone to church to be wed;" and she basted away. John, when I turned to him, was grinning from ear to ear. "I telled Mary how it would be," he said: "I knew what Mr. Edward" (John was an old servant, and had known his master when he was the cadet of the house, therefore, he often gave him his Christian name)--"I knew what Mr. Edward would do; and I was certain he would not wait long neither: and he's done right, for aught I know. I wish you joy, Miss!" and he politely pulled his forelock. "Thank you, John. Mr. Rochester told me to give you and Mary this." I put into his hand a five-pound note. Without waiting to hear more, I left the kitchen. In passing the door of that sanctum some time after, I caught the words-- "She'll happen do better for him nor ony o't' grand ladies." And again, "If she ben't one o' th' handsomest, she's noan faal and varry good-natured; and i' his een she's fair beautiful, onybody may see that." I wrote to Moor House and to Cambridge immediately, to say what I had done: fully explaining also why I had thus acted. Diana and Mary approved the step unreservedly. Diana announced that she would just give me time to get over the honeymoon, and then she would come and see me. "She had better not wait till then, Jane," said Mr. Rochester, when I read her letter to him; "if she does, she will be too late, for our honeymoon will shine our life long: its beams will only fade over your grave or mine." How St. John received the news, I don't know: he never answered the letter in which I communicated it: yet six months after he wrote to me, without, however, mentioning Mr. Rochester's name or alluding to my marriage. His letter was then calm, and, though very serious, kind. He has maintained a regular, though not frequent, correspondence ever since: he hopes I am happy, and trusts I am not of those who live without God in the world, and only mind earthly things. You have not quite forgotten little Adele, have you, reader? I had not; I soon asked and obtained leave of Mr. Rochester, to go and see her at the school where he had placed her. Her frantic joy at beholding me again moved me much. She looked pale and thin: she said she was not happy. I found the rules of the establishment were too strict, its course of study too severe for a child of her age: I took her home with me. I meant to become her governess once more, but I soon found this impracticable; my time and cares were now required by another--my husband needed them all. So I sought out a school conducted on a more indulgent system, and near enough to permit of my visiting her often, and bringing her home sometimes. I took care she should never want for anything that could contribute to her comfort: she soon settled in her new abode, became very happy there, and made fair progress in her studies. As she grew up, a sound English education corrected in a great measure her French defects; and when she left school, I found in her a pleasing and obliging companion: docile, good-tempered, and well-principled. By her grateful attention to me and mine, she has long since well repaid any little kindness I ever had it in my power to offer her. My tale draws to its close: one word respecting my experience of married life, and one brief glance at the fortunes of those whose names have most frequently recurred in this narrative, and I have done. I have now been married ten years. I know what it is to live entirely for and with what I love best on earth. I hold myself supremely blest--blest beyond what language can express; because I am my husband's life as fully as he is mine. No woman was ever nearer to her mate than I am: ever more absolutely bone of his bone and flesh of his flesh. I know no weariness of my Edward's society: he knows none of mine, any more than we each do of the pulsation of the heart that beats in our separate bosoms; consequently, we are ever together. To be together is for us to be at once as free as in solitude, as gay as in company. We talk, I believe, all day long: to talk to each other is but a more animated and an audible thinking. All my confidence is bestowed on him, all his confidence is devoted to me; we are precisely suited in character--perfect concord is the result. Mr. Rochester continued blind the first two years of our union; perhaps it was that circumstance that drew us so very near--that knit us so very close: for I was then his vision, as I am still his right hand. Literally, I was (what he often called me) the apple of his eye. He saw nature--he saw books through me; and never did I weary of gazing for his behalf, and of putting into words the effect of field, tree, town, river, cloud, sunbeam--of the landscape before us; of the weather round us--and impressing by sound on his ear what light could no longer stamp on his eye. Never did I weary of reading to him; never did I weary of conducting him where he wished to go: of doing for him what he wished to be done. And there was a pleasure in my services, most full, most exquisite, even though sad--because he claimed these services without painful shame or damping humiliation. He loved me so truly, that he knew no reluctance in profiting by my attendance: he felt I loved him so fondly, that to yield that attendance was to indulge my sweetest wishes. One morning at the end of the two years, as I was writing a letter to his dictation, he came and bent over me, and said--"Jane, have you a glittering ornament round your neck?" I had a gold watch-chain: I answered "Yes." "And have you a pale blue dress on?" {And have you a pale blue dress on?: p435.jpg} I had. He informed me then, that for some time he had fancied the obscurity clouding one eye was becoming less dense; and that now he was sure of it. He and I went up to London. He had the advice of an eminent oculist; and he eventually recovered the sight of that one eye. He cannot now see very distinctly: he cannot read or write much; but he can find his way without being led by the hand: the sky is no longer a blank to him--the earth no longer a void. When his first-born was put into his arms, he could see that the boy had inherited his own eyes, as they once were--large, brilliant, and black. On that occasion, he again, with a full heart, acknowledged that God had tempered judgment with mercy. My Edward and I, then, are happy: and the more so, because those we most love are happy likewise. Diana and Mary Rivers are both married: alternately, once every year, they come to see us, and we go to see them. Diana's husband is a captain in the navy, a gallant officer and a good man. Mary's is a clergyman, a college friend of her brother's, and, from his attainments and principles, worthy of the connection. Both Captain Fitzjames and Mr. Wharton love their wives, and are loved by them. As to St. John Rivers, he left England: he went to India. He entered on the path he had marked for himself; he pursues it still. A more resolute, indefatigable pioneer never wrought amidst rocks and dangers. Firm, faithful, and devoted, full of energy, and zeal, and truth, he labours for his race; he clears their painful way to improvement; he hews down like a giant the prejudices of creed and caste that encumber it. He may be stern; he may be exacting; he may be ambitious yet; but his is the sternness of the warrior Greatheart, who guards his pilgrim convoy from the onslaught of Apollyon. His is the exaction of the apostle, who speaks but for Christ, when he says--"Whosoever will come after me, let him deny himself, and take up his cross and follow me." His is the ambition of the high master-spirit, which aims to fill a place in the first rank of those who are redeemed from the earth--who stand without fault before the throne of God, who share the last mighty victories of the Lamb, who are called, and chosen, and faithful. St. John is unmarried: he never will marry now. Himself has hitherto sufficed to the toil, and the toil draws near its close: his glorious sun hastens to its setting. The last letter I received from him drew from my eyes human tears, and yet filled my heart with divine joy: he anticipated his sure reward, his incorruptible crown. I know that a stranger's hand will write to me next, to say that the good and faithful servant has been called at length into the joy of his Lord. And why weep for this? No fear of death will darken St. John's last hour: his mind will be unclouded, his heart will be undaunted, his hope will be sure, his faith steadfast. His own words are a pledge of this-- "My Master," he says, "has forewarned me. Daily He announces more distinctly,--'Surely I come quickly!' and hourly I more eagerly respond,--'Amen; even so come, Lord Jesus!'"

Chapter 38-Conclusion

https://web.archive.org/web/20190321135117/https://www.cliffsnotes.com/literature/j/jane-eyre/summary-and-analysis/chapter-38conclusion

Rochester and Jane finally marry with a quiet ceremony. Immediately, Jane writes to the Rivers, explaining what she has done. Diana and Mary both approve of her marriage, but Jane receives no response from St. John. Not having forgotten Adele, Jane visits her at school. The girl is pale, thin, and unhappy, so Jane moves her to a more indulgent school. Adele grows into a docile, good-natured young woman. At the writing of this story, Jane has been married for ten years. She feels blessed beyond anything language can express, because she and Rochester love each other absolutely. For two years, Rochester remained almost completely blind, but slowly his sight has returned to him. He was able to see his first-born son. And what has happened to the rest of the cast? Diana and Mary Rivers have both married. St. John is still a missionary in India, but is nearing death. The final words of the novel are his: "Amen; even so, come, Lord Jesus!"

The novel has a typically -- for a Victorian story -- happy ending. All of the characters who were good to Jane are rewarded. Diana and Mary Rivers have made loving marriages; Adele, not at fault for her mother's sins, has become Jane's pleasing companion. Notice Jane's final ethnocentric comment in relation to little Adele: "a sound English education corrected in a great measure her French defects." Only through a good English lifestyle has Adele avoided her mother's tragic flaws -- materialism and sensuality -- characteristics the novel specifically associates with foreign women. Rochester and Jane have been reunited in a marriage that appears to be perfect: "o woman was ever nearer to her mate than I am: ever more absolutely bone of his bone and flesh of his flesh." While she feared losing herself in a relationship with St. John, she seems perfectly content to become one with Rochester. What are the differences in the relationships; how does Jane maintain her integrity with Rochester? Primarily through his injuries. As his "vision" and "right hand," Jane maintains a sense of dependence over her husband. Thus the chapter blends an odd mix of language designating their "perfect concord" with language showing Rochester's dependence: He sees nature and books through her, for example. Could this relationship have flourished without Rochester's infirmities? For two years of good behavior, Jane grants Rochester partial regeneration of his sight, though he still cannot read or write much. St. John Rivers has also received his just reward. He toils in India, laboring for "his race." A great warrior, St. John sternly clears the "painful way to improvement" for the natives, slaying their prejudices of "creed and caste," though obviously not his own. In his zealous Christianity, he obviously sees the Indians as an inferior race, and hopes to implant British virtues and values in their supposedly deficient minds. Perhaps to the joy of those he disciplines in India, St. John is nearing death. Despite Jane's difficulties with Christianity throughout the novel, St. John's words of longing for heaven end the novel. Telling his "Master" that he comes "quickly," St. John's words to Rochester's disembodied cry: "I am coming; wait for me." Love is still Jane's religion; in relationship, Jane has found her heaven.

sparknotes

all_chapterized_books/1260-chapters/02.txt

finished_summaries/sparknotes/Jane Eyre/section_0_part_1.txt

Jane Eyre.volume 1.chapter 1

volume 1, chapter 1

{"name": "volume 1, Chapter 1", "url": "https://web.archive.org/web/20210123075639/https://www.sparknotes.com/lit/janeeyre/section1/", "summary": "The novel opens on a dreary November afternoon at Gateshead, the home of the wealthy Reed family. A young girl named Jane Eyre sits in the drawing room reading Bewick's History of British Birds. Jane's aunt, Mrs. Reed, has forbidden her niece to play with her cousins Eliza, Georgiana, and the bullying John. John chides Jane for being a lowly orphan who is only permitted to live with the Reeds because of his mother's charity. John then hurls a book at the young girl, pushing her to the end of her patience. Jane finally erupts, and the two cousins fight. Mrs. Reed holds Jane responsible for the scuffle and sends her to the \"red-room\"--the frightening chamber in which her Uncle Reed died--as punishment", "analysis": "In the early chapters, Bronte establishes the young Jane's character through her confrontations with John and Mrs. Reed, in which Jane's good-hearted but strong-willed determination and integrity become apparent. These chapters also establish the novel's mood. Beginning with Jane's experience in the red-room in Chapter 2, we sense a palpable atmosphere of mystery and the supernatural. Like Emily Bronte's Wuthering Heights, Jane Eyre draws a great deal of its stylistic inspiration from the Gothic novels that were in vogue during the late eighteenth and early nineteenth centuries. These books depicted remote, desolate landscapes, crumbling ruins, and supernatural events, all of which were designed to create a sense of psychological suspense and horror. While Jane Eyre is certainly not a horror novel, and its intellectually ambitious criticisms of society make it far more than a typical Gothic romance, it is Bronte's employment of Gothic conventions that gives her novel popular as well as intellectual appeal. From its beginning, Jane Eyre explores and challenges the social preconceptions of nineteenth-century Victorian society. Themes of social class, gender relations, and injustice predominate throughout. Jane Eyre begins her story as an orphan raised by a wealthy and cultivated family, and this ambiguous social standing motivates much of the novel's internal tension and conflict. Jane's education and semi-aristocratic lifestyle are those of the upper class, but she has no money. As a penniless orphan forced to live on the charity of others, Jane is a kind of second-class citizen. In some ways she is below even the servants, who certainly have no obligation to treat her respectfully. The tensions of this contradiction emerge in the very first chapter of the novel, when Jane suffers teasing and punishment at the hands of John Reed and his hateful mother. Jane's banishment to the red-room exemplifies her inferior position with regard to the rest of the members of the Reed household. The red-room is the first in a series of literal and metaphorical imprisonments in the novel. Although Jane's imprisonment in the red-room is real, she will encounter spiritual, intellectual, and emotional imprisonment throughout the book. The rigid Victorian hierarchies of social class and gender will pose challenges to her freedom of movement and personal growth, and corrupt morals and religion will also constitute menaces to her ability to realize her dreams for herself. Jane will even come to fear \"enslavement\" to her own passions. At the same time, the red-room is also symbolic of Jane's feeling of isolation with respect to every community: she is \"locked in,\" but she is also, in a sense, \"locked out.\" Again, class and gender hierarchies will contribute to Jane's sense of exile. For example, her position as a governess at Thornfield once again situates her in a strange borderland between the upper class and the servant class, so that she feels part of neither group."}

There was no possibility of taking a walk that day. We had been wandering, indeed, in the leafless shrubbery an hour in the morning; but since dinner (Mrs. Reed, when there was no company, dined early) the cold winter wind had brought with it clouds so sombre, and a rain so penetrating, that further out-door exercise was now out of the question. I was glad of it: I never liked long walks, especially on chilly afternoons: dreadful to me was the coming home in the raw twilight, with nipped fingers and toes, and a heart saddened by the chidings of Bessie, the nurse, and humbled by the consciousness of my physical inferiority to Eliza, John, and Georgiana Reed. The said Eliza, John, and Georgiana were now clustered round their mama in the drawing-room: she lay reclined on a sofa by the fireside, and with her darlings about her (for the time neither quarrelling nor crying) looked perfectly happy. Me, she had dispensed from joining the group; saying, "She regretted to be under the necessity of keeping me at a distance; but that until she heard from Bessie, and could discover by her own observation, that I was endeavouring in good earnest to acquire a more sociable and childlike disposition, a more attractive and sprightly manner--something lighter, franker, more natural, as it were--she really must exclude me from privileges intended only for contented, happy, little children." "What does Bessie say I have done?" I asked. "Jane, I don't like cavillers or questioners; besides, there is something truly forbidding in a child taking up her elders in that manner. Be seated somewhere; and until you can speak pleasantly, remain silent." A breakfast-room adjoined the drawing-room, I slipped in there. It contained a bookcase: I soon possessed myself of a volume, taking care that it should be one stored with pictures. I mounted into the window- seat: gathering up my feet, I sat cross-legged, like a Turk; and, having drawn the red moreen curtain nearly close, I was shrined in double retirement. Folds of scarlet drapery shut in my view to the right hand; to the left were the clear panes of glass, protecting, but not separating me from the drear November day. At intervals, while turning over the leaves of my book, I studied the aspect of that winter afternoon. Afar, it offered a pale blank of mist and cloud; near a scene of wet lawn and storm-beat shrub, with ceaseless rain sweeping away wildly before a long and lamentable blast. I returned to my book--Bewick's History of British Birds: the letterpress thereof I cared little for, generally speaking; and yet there were certain introductory pages that, child as I was, I could not pass quite as a blank. They were those which treat of the haunts of sea-fowl; of "the solitary rocks and promontories" by them only inhabited; of the coast of Norway, studded with isles from its southern extremity, the Lindeness, or Naze, to the North Cape-- "Where the Northern Ocean, in vast whirls, Boils round the naked, melancholy isles Of farthest Thule; and the Atlantic surge Pours in among the stormy Hebrides." Nor could I pass unnoticed the suggestion of the bleak shores of Lapland, Siberia, Spitzbergen, Nova Zembla, Iceland, Greenland, with "the vast sweep of the Arctic Zone, and those forlorn regions of dreary space,--that reservoir of frost and snow, where firm fields of ice, the accumulation of centuries of winters, glazed in Alpine heights above heights, surround the pole, and concentre the multiplied rigours of extreme cold." Of these death-white realms I formed an idea of my own: shadowy, like all the half-comprehended notions that float dim through children's brains, but strangely impressive. The words in these introductory pages connected themselves with the succeeding vignettes, and gave significance to the rock standing up alone in a sea of billow and spray; to the broken boat stranded on a desolate coast; to the cold and ghastly moon glancing through bars of cloud at a wreck just sinking. I cannot tell what sentiment haunted the quite solitary churchyard, with its inscribed headstone; its gate, its two trees, its low horizon, girdled by a broken wall, and its newly-risen crescent, attesting the hour of eventide. The two ships becalmed on a torpid sea, I believed to be marine phantoms. The fiend pinning down the thief's pack behind him, I passed over quickly: it was an object of terror. So was the black horned thing seated aloof on a rock, surveying a distant crowd surrounding a gallows. Each picture told a story; mysterious often to my undeveloped understanding and imperfect feelings, yet ever profoundly interesting: as interesting as the tales Bessie sometimes narrated on winter evenings, when she chanced to be in good humour; and when, having brought her ironing-table to the nursery hearth, she allowed us to sit about it, and while she got up Mrs. Reed's lace frills, and crimped her nightcap borders, fed our eager attention with passages of love and adventure taken from old fairy tales and other ballads; or (as at a later period I discovered) from the pages of Pamela, and Henry, Earl of Moreland. With Bewick on my knee, I was then happy: happy at least in my way. I feared nothing but interruption, and that came too soon. The breakfast- room door opened. "Boh! Madam Mope!" cried the voice of John Reed; then he paused: he found the room apparently empty. "Where the dickens is she!" he continued. "Lizzy! Georgy! (calling to his sisters) Joan is not here: tell mama she is run out into the rain--bad animal!" "It is well I drew the curtain," thought I; and I wished fervently he might not discover my hiding-place: nor would John Reed have found it out himself; he was not quick either of vision or conception; but Eliza just put her head in at the door, and said at once-- "She is in the window-seat, to be sure, Jack." And I came out immediately, for I trembled at the idea of being dragged forth by the said Jack. "What do you want?" I asked, with awkward diffidence. "Say, 'What do you want, Master Reed?'" was the answer. "I want you to come here;" and seating himself in an arm-chair, he intimated by a gesture that I was to approach and stand before him. John Reed was a schoolboy of fourteen years old; four years older than I, for I was but ten: large and stout for his age, with a dingy and unwholesome skin; thick lineaments in a spacious visage, heavy limbs and large extremities. He gorged himself habitually at table, which made him bilious, and gave him a dim and bleared eye and flabby cheeks. He ought now to have been at school; but his mama had taken him home for a month or two, "on account of his delicate health." Mr. Miles, the master, affirmed that he would do very well if he had fewer cakes and sweetmeats sent him from home; but the mother's heart turned from an opinion so harsh, and inclined rather to the more refined idea that John's sallowness was owing to over-application and, perhaps, to pining after home. John had not much affection for his mother and sisters, and an antipathy to me. He bullied and punished me; not two or three times in the week, nor once or twice in the day, but continually: every nerve I had feared him, and every morsel of flesh in my bones shrank when he came near. There were moments when I was bewildered by the terror he inspired, because I had no appeal whatever against either his menaces or his inflictions; the servants did not like to offend their young master by taking my part against him, and Mrs. Reed was blind and deaf on the subject: she never saw him strike or heard him abuse me, though he did both now and then in her very presence, more frequently, however, behind her back. Habitually obedient to John, I came up to his chair: he spent some three minutes in thrusting out his tongue at me as far as he could without damaging the roots: I knew he would soon strike, and while dreading the blow, I mused on the disgusting and ugly appearance of him who would presently deal it. I wonder if he read that notion in my face; for, all at once, without speaking, he struck suddenly and strongly. I tottered, and on regaining my equilibrium retired back a step or two from his chair. "That is for your impudence in answering mama awhile since," said he, "and for your sneaking way of getting behind curtains, and for the look you had in your eyes two minutes since, you rat!" Accustomed to John Reed's abuse, I never had an idea of replying to it; my care was how to endure the blow which would certainly follow the insult. "What were you doing behind the curtain?" he asked. "I was reading." "Show the book." I returned to the window and fetched it thence. "You have no business to take our books; you are a dependent, mama says; you have no money; your father left you none; you ought to beg, and not to live here with gentlemen's children like us, and eat the same meals we do, and wear clothes at our mama's expense. Now, I'll teach you to rummage my bookshelves: for they _are_ mine; all the house belongs to me, or will do in a few years. Go and stand by the door, out of the way of the mirror and the windows." I did so, not at first aware what was his intention; but when I saw him lift and poise the book and stand in act to hurl it, I instinctively started aside with a cry of alarm: not soon enough, however; the volume was flung, it hit me, and I fell, striking my head against the door and cutting it. The cut bled, the pain was sharp: my terror had passed its climax; other feelings succeeded. "Wicked and cruel boy!" I said. "You are like a murderer--you are like a slave-driver--you are like the Roman emperors!" I had read Goldsmith's History of Rome, and had formed my opinion of Nero, Caligula, etc. Also I had drawn parallels in silence, which I never thought thus to have declared aloud. "What! what!" he cried. "Did she say that to me? Did you hear her, Eliza and Georgiana? Won't I tell mama? but first--" He ran headlong at me: I felt him grasp my hair and my shoulder: he had closed with a desperate thing. I really saw in him a tyrant, a murderer. I felt a drop or two of blood from my head trickle down my neck, and was sensible of somewhat pungent suffering: these sensations for the time predominated over fear, and I received him in frantic sort. I don't very well know what I did with my hands, but he called me "Rat! Rat!" and bellowed out aloud. Aid was near him: Eliza and Georgiana had run for Mrs. Reed, who was gone upstairs: she now came upon the scene, followed by Bessie and her maid Abbot. We were parted: I heard the words-- "Dear! dear! What a fury to fly at Master John!" "Did ever anybody see such a picture of passion!" Then Mrs. Reed subjoined-- "Take her away to the red-room, and lock her in there." Four hands were immediately laid upon me, and I was borne upstairs.

volume 1, Chapter 1

https://web.archive.org/web/20210123075639/https://www.sparknotes.com/lit/janeeyre/section1/

The novel opens on a dreary November afternoon at Gateshead, the home of the wealthy Reed family. A young girl named Jane Eyre sits in the drawing room reading Bewick's History of British Birds. Jane's aunt, Mrs. Reed, has forbidden her niece to play with her cousins Eliza, Georgiana, and the bullying John. John chides Jane for being a lowly orphan who is only permitted to live with the Reeds because of his mother's charity. John then hurls a book at the young girl, pushing her to the end of her patience. Jane finally erupts, and the two cousins fight. Mrs. Reed holds Jane responsible for the scuffle and sends her to the "red-room"--the frightening chamber in which her Uncle Reed died--as punishment

In the early chapters, Bronte establishes the young Jane's character through her confrontations with John and Mrs. Reed, in which Jane's good-hearted but strong-willed determination and integrity become apparent. These chapters also establish the novel's mood. Beginning with Jane's experience in the red-room in Chapter 2, we sense a palpable atmosphere of mystery and the supernatural. Like Emily Bronte's Wuthering Heights, Jane Eyre draws a great deal of its stylistic inspiration from the Gothic novels that were in vogue during the late eighteenth and early nineteenth centuries. These books depicted remote, desolate landscapes, crumbling ruins, and supernatural events, all of which were designed to create a sense of psychological suspense and horror. While Jane Eyre is certainly not a horror novel, and its intellectually ambitious criticisms of society make it far more than a typical Gothic romance, it is Bronte's employment of Gothic conventions that gives her novel popular as well as intellectual appeal. From its beginning, Jane Eyre explores and challenges the social preconceptions of nineteenth-century Victorian society. Themes of social class, gender relations, and injustice predominate throughout. Jane Eyre begins her story as an orphan raised by a wealthy and cultivated family, and this ambiguous social standing motivates much of the novel's internal tension and conflict. Jane's education and semi-aristocratic lifestyle are those of the upper class, but she has no money. As a penniless orphan forced to live on the charity of others, Jane is a kind of second-class citizen. In some ways she is below even the servants, who certainly have no obligation to treat her respectfully. The tensions of this contradiction emerge in the very first chapter of the novel, when Jane suffers teasing and punishment at the hands of John Reed and his hateful mother. Jane's banishment to the red-room exemplifies her inferior position with regard to the rest of the members of the Reed household. The red-room is the first in a series of literal and metaphorical imprisonments in the novel. Although Jane's imprisonment in the red-room is real, she will encounter spiritual, intellectual, and emotional imprisonment throughout the book. The rigid Victorian hierarchies of social class and gender will pose challenges to her freedom of movement and personal growth, and corrupt morals and religion will also constitute menaces to her ability to realize her dreams for herself. Jane will even come to fear "enslavement" to her own passions. At the same time, the red-room is also symbolic of Jane's feeling of isolation with respect to every community: she is "locked in," but she is also, in a sense, "locked out." Again, class and gender hierarchies will contribute to Jane's sense of exile. For example, her position as a governess at Thornfield once again situates her in a strange borderland between the upper class and the servant class, so that she feels part of neither group.

sparknotes

all_chapterized_books/1260-chapters/03.txt

finished_summaries/sparknotes/Jane Eyre/section_0_part_2.txt

Jane Eyre.volume 1.chapter 2

volume 1, chapter 2

{"name": "volume 1, Chapter 2", "url": "https://web.archive.org/web/20210123075639/https://www.sparknotes.com/lit/janeeyre/section1/", "summary": "Two servants, Miss Abbott and Bessie Lee, escort Jane to the red-room, and Jane resists them with all of her might. Once locked in the room, Jane catches a glimpse of her ghastly figure in the mirror, and, shocked by her meager presence, she begins to reflect on the events that have led her to such a state. She remembers her kind Uncle Reed bringing her to Gateshead after her parents' death, and she recalls his dying command that his wife promise to raise Jane as one of her own. Suddenly, Jane is struck with the impression that her Uncle Reed's ghost is in the room, and she imagines that he has come to take revenge on his wife for breaking her promise. Jane cries out in terror, but her aunt believes that she is just trying to escape her punishment, and she ignores her pleas. Jane faints in exhaustion and fear", "analysis": "In the early chapters, Bronte establishes the young Jane's character through her confrontations with John and Mrs. Reed, in which Jane's good-hearted but strong-willed determination and integrity become apparent. These chapters also establish the novel's mood. Beginning with Jane's experience in the red-room in Chapter 2, we sense a palpable atmosphere of mystery and the supernatural. Like Emily Bronte's Wuthering Heights, Jane Eyre draws a great deal of its stylistic inspiration from the Gothic novels that were in vogue during the late eighteenth and early nineteenth centuries. These books depicted remote, desolate landscapes, crumbling ruins, and supernatural events, all of which were designed to create a sense of psychological suspense and horror. While Jane Eyre is certainly not a horror novel, and its intellectually ambitious criticisms of society make it far more than a typical Gothic romance, it is Bronte's employment of Gothic conventions that gives her novel popular as well as intellectual appeal. From its beginning, Jane Eyre explores and challenges the social preconceptions of nineteenth-century Victorian society. Themes of social class, gender relations, and injustice predominate throughout. Jane Eyre begins her story as an orphan raised by a wealthy and cultivated family, and this ambiguous social standing motivates much of the novel's internal tension and conflict. Jane's education and semi-aristocratic lifestyle are those of the upper class, but she has no money. As a penniless orphan forced to live on the charity of others, Jane is a kind of second-class citizen. In some ways she is below even the servants, who certainly have no obligation to treat her respectfully. The tensions of this contradiction emerge in the very first chapter of the novel, when Jane suffers teasing and punishment at the hands of John Reed and his hateful mother. Jane's banishment to the red-room exemplifies her inferior position with regard to the rest of the members of the Reed household. The red-room is the first in a series of literal and metaphorical imprisonments in the novel. Although Jane's imprisonment in the red-room is real, she will encounter spiritual, intellectual, and emotional imprisonment throughout the book. The rigid Victorian hierarchies of social class and gender will pose challenges to her freedom of movement and personal growth, and corrupt morals and religion will also constitute menaces to her ability to realize her dreams for herself. Jane will even come to fear \"enslavement\" to her own passions. At the same time, the red-room is also symbolic of Jane's feeling of isolation with respect to every community: she is \"locked in,\" but she is also, in a sense, \"locked out.\" Again, class and gender hierarchies will contribute to Jane's sense of exile. For example, her position as a governess at Thornfield once again situates her in a strange borderland between the upper class and the servant class, so that she feels part of neither group."}

I resisted all the way: a new thing for me, and a circumstance which greatly strengthened the bad opinion Bessie and Miss Abbot were disposed to entertain of me. The fact is, I was a trifle beside myself; or rather _out_ of myself, as the French would say: I was conscious that a moment's mutiny had already rendered me liable to strange penalties, and, like any other rebel slave, I felt resolved, in my desperation, to go all lengths. "Hold her arms, Miss Abbot: she's like a mad cat." "For shame! for shame!" cried the lady's-maid. "What shocking conduct, Miss Eyre, to strike a young gentleman, your benefactress's son! Your young master." "Master! How is he my master? Am I a servant?" "No; you are less than a servant, for you do nothing for your keep. There, sit down, and think over your wickedness." They had got me by this time into the apartment indicated by Mrs. Reed, and had thrust me upon a stool: my impulse was to rise from it like a spring; their two pair of hands arrested me instantly. "If you don't sit still, you must be tied down," said Bessie. "Miss Abbot, lend me your garters; she would break mine directly." Miss Abbot turned to divest a stout leg of the necessary ligature. This preparation for bonds, and the additional ignominy it inferred, took a little of the excitement out of me. "Don't take them off," I cried; "I will not stir." In guarantee whereof, I attached myself to my seat by my hands. "Mind you don't," said Bessie; and when she had ascertained that I was really subsiding, she loosened her hold of me; then she and Miss Abbot stood with folded arms, looking darkly and doubtfully on my face, as incredulous of my sanity. "She never did so before," at last said Bessie, turning to the Abigail. "But it was always in her," was the reply. "I've told Missis often my opinion about the child, and Missis agreed with me. She's an underhand little thing: I never saw a girl of her age with so much cover." Bessie answered not; but ere long, addressing me, she said--"You ought to be aware, Miss, that you are under obligations to Mrs. Reed: she keeps you: if she were to turn you off, you would have to go to the poorhouse." I had nothing to say to these words: they were not new to me: my very first recollections of existence included hints of the same kind. This reproach of my dependence had become a vague sing-song in my ear: very painful and crushing, but only half intelligible. Miss Abbot joined in-- "And you ought not to think yourself on an equality with the Misses Reed and Master Reed, because Missis kindly allows you to be brought up with them. They will have a great deal of money, and you will have none: it is your place to be humble, and to try to make yourself agreeable to them." "What we tell you is for your good," added Bessie, in no harsh voice, "you should try to be useful and pleasant, then, perhaps, you would have a home here; but if you become passionate and rude, Missis will send you away, I am sure." "Besides," said Miss Abbot, "God will punish her: He might strike her dead in the midst of her tantrums, and then where would she go? Come, Bessie, we will leave her: I wouldn't have her heart for anything. Say your prayers, Miss Eyre, when you are by yourself; for if you don't repent, something bad might be permitted to come down the chimney and fetch you away." They went, shutting the door, and locking it behind them. The red-room was a square chamber, very seldom slept in, I might say never, indeed, unless when a chance influx of visitors at Gateshead Hall rendered it necessary to turn to account all the accommodation it contained: yet it was one of the largest and stateliest chambers in the mansion. A bed supported on massive pillars of mahogany, hung with curtains of deep red damask, stood out like a tabernacle in the centre; the two large windows, with their blinds always drawn down, were half shrouded in festoons and falls of similar drapery; the carpet was red; the table at the foot of the bed was covered with a crimson cloth; the walls were a soft fawn colour with a blush of pink in it; the wardrobe, the toilet-table, the chairs were of darkly polished old mahogany. Out of these deep surrounding shades rose high, and glared white, the piled- up mattresses and pillows of the bed, spread with a snowy Marseilles counterpane. Scarcely less prominent was an ample cushioned easy-chair near the head of the bed, also white, with a footstool before it; and looking, as I thought, like a pale throne. This room was chill, because it seldom had a fire; it was silent, because remote from the nursery and kitchen; solemn, because it was known to be so seldom entered. The house-maid alone came here on Saturdays, to wipe from the mirrors and the furniture a week's quiet dust: and Mrs. Reed herself, at far intervals, visited it to review the contents of a certain secret drawer in the wardrobe, where were stored divers parchments, her jewel-casket, and a miniature of her deceased husband; and in those last words lies the secret of the red-room--the spell which kept it so lonely in spite of its grandeur. Mr. Reed had been dead nine years: it was in this chamber he breathed his last; here he lay in state; hence his coffin was borne by the undertaker's men; and, since that day, a sense of dreary consecration had guarded it from frequent intrusion. My seat, to which Bessie and the bitter Miss Abbot had left me riveted, was a low ottoman near the marble chimney-piece; the bed rose before me; to my right hand there was the high, dark wardrobe, with subdued, broken reflections varying the gloss of its panels; to my left were the muffled windows; a great looking-glass between them repeated the vacant majesty of the bed and room. I was not quite sure whether they had locked the door; and when I dared move, I got up and went to see. Alas! yes: no jail was ever more secure. Returning, I had to cross before the looking- glass; my fascinated glance involuntarily explored the depth it revealed. All looked colder and darker in that visionary hollow than in reality: and the strange little figure there gazing at me, with a white face and arms specking the gloom, and glittering eyes of fear moving where all else was still, had the effect of a real spirit: I thought it like one of the tiny phantoms, half fairy, half imp, Bessie's evening stories represented as coming out of lone, ferny dells in moors, and appearing before the eyes of belated travellers. I returned to my stool. Superstition was with me at that moment; but it was not yet her hour for complete victory: my blood was still warm; the mood of the revolted slave was still bracing me with its bitter vigour; I had to stem a rapid rush of retrospective thought before I quailed to the dismal present. All John Reed's violent tyrannies, all his sisters' proud indifference, all his mother's aversion, all the servants' partiality, turned up in my disturbed mind like a dark deposit in a turbid well. Why was I always suffering, always browbeaten, always accused, for ever condemned? Why could I never please? Why was it useless to try to win any one's favour? Eliza, who was headstrong and selfish, was respected. Georgiana, who had a spoiled temper, a very acrid spite, a captious and insolent carriage, was universally indulged. Her beauty, her pink cheeks and golden curls, seemed to give delight to all who looked at her, and to purchase indemnity for every fault. John no one thwarted, much less punished; though he twisted the necks of the pigeons, killed the little pea-chicks, set the dogs at the sheep, stripped the hothouse vines of their fruit, and broke the buds off the choicest plants in the conservatory: he called his mother "old girl," too; sometimes reviled her for her dark skin, similar to his own; bluntly disregarded her wishes; not unfrequently tore and spoiled her silk attire; and he was still "her own darling." I dared commit no fault: I strove to fulfil every duty; and I was termed naughty and tiresome, sullen and sneaking, from morning to noon, and from noon to night. My head still ached and bled with the blow and fall I had received: no one had reproved John for wantonly striking me; and because I had turned against him to avert farther irrational violence, I was loaded with general opprobrium. "Unjust!--unjust!" said my reason, forced by the agonising stimulus into precocious though transitory power: and Resolve, equally wrought up, instigated some strange expedient to achieve escape from insupportable oppression--as running away, or, if that could not be effected, never eating or drinking more, and letting myself die. What a consternation of soul was mine that dreary afternoon! How all my brain was in tumult, and all my heart in insurrection! Yet in what darkness, what dense ignorance, was the mental battle fought! I could not answer the ceaseless inward question--_why_ I thus suffered; now, at the distance of--I will not say how many years, I see it clearly. I was a discord in Gateshead Hall: I was like nobody there; I had nothing in harmony with Mrs. Reed or her children, or her chosen vassalage. If they did not love me, in fact, as little did I love them. They were not bound to regard with affection a thing that could not sympathise with one amongst them; a heterogeneous thing, opposed to them in temperament, in capacity, in propensities; a useless thing, incapable of serving their interest, or adding to their pleasure; a noxious thing, cherishing the germs of indignation at their treatment, of contempt of their judgment. I know that had I been a sanguine, brilliant, careless, exacting, handsome, romping child--though equally dependent and friendless--Mrs. Reed would have endured my presence more complacently; her children would have entertained for me more of the cordiality of fellow-feeling; the servants would have been less prone to make me the scapegoat of the nursery. Daylight began to forsake the red-room; it was past four o'clock, and the beclouded afternoon was tending to drear twilight. I heard the rain still beating continuously on the staircase window, and the wind howling in the grove behind the hall; I grew by degrees cold as a stone, and then my courage sank. My habitual mood of humiliation, self-doubt, forlorn depression, fell damp on the embers of my decaying ire. All said I was wicked, and perhaps I might be so; what thought had I been but just conceiving of starving myself to death? That certainly was a crime: and was I fit to die? Or was the vault under the chancel of Gateshead Church an inviting bourne? In such vault I had been told did Mr. Reed lie buried; and led by this thought to recall his idea, I dwelt on it with gathering dread. I could not remember him; but I knew that he was my own uncle--my mother's brother--that he had taken me when a parentless infant to his house; and that in his last moments he had required a promise of Mrs. Reed that she would rear and maintain me as one of her own children. Mrs. Reed probably considered she had kept this promise; and so she had, I dare say, as well as her nature would permit her; but how could she really like an interloper not of her race, and unconnected with her, after her husband's death, by any tie? It must have been most irksome to find herself bound by a hard-wrung pledge to stand in the stead of a parent to a strange child she could not love, and to see an uncongenial alien permanently intruded on her own family group. A singular notion dawned upon me. I doubted not--never doubted--that if Mr. Reed had been alive he would have treated me kindly; and now, as I sat looking at the white bed and overshadowed walls--occasionally also turning a fascinated eye towards the dimly gleaming mirror--I began to recall what I had heard of dead men, troubled in their graves by the violation of their last wishes, revisiting the earth to punish the perjured and avenge the oppressed; and I thought Mr. Reed's spirit, harassed by the wrongs of his sister's child, might quit its abode--whether in the church vault or in the unknown world of the departed--and rise before me in this chamber. I wiped my tears and hushed my sobs, fearful lest any sign of violent grief might waken a preternatural voice to comfort me, or elicit from the gloom some haloed face, bending over me with strange pity. This idea, consolatory in theory, I felt would be terrible if realised: with all my might I endeavoured to stifle it--I endeavoured to be firm. Shaking my hair from my eyes, I lifted my head and tried to look boldly round the dark room; at this moment a light gleamed on the wall. Was it, I asked myself, a ray from the moon penetrating some aperture in the blind? No; moonlight was still, and this stirred; while I gazed, it glided up to the ceiling and quivered over my head. I can now conjecture readily that this streak of light was, in all likelihood, a gleam from a lantern carried by some one across the lawn: but then, prepared as my mind was for horror, shaken as my nerves were by agitation, I thought the swift darting beam was a herald of some coming vision from another world. My heart beat thick, my head grew hot; a sound filled my ears, which I deemed the rushing of wings; something seemed near me; I was oppressed, suffocated: endurance broke down; I rushed to the door and shook the lock in desperate effort. Steps came running along the outer passage; the key turned, Bessie and Abbot entered. "Miss Eyre, are you ill?" said Bessie. "What a dreadful noise! it went quite through me!" exclaimed Abbot. "Take me out! Let me go into the nursery!" was my cry. "What for? Are you hurt? Have you seen something?" again demanded Bessie. "Oh! I saw a light, and I thought a ghost would come." I had now got hold of Bessie's hand, and she did not snatch it from me. "She has screamed out on purpose," declared Abbot, in some disgust. "And what a scream! If she had been in great pain one would have excused it, but she only wanted to bring us all here: I know her naughty tricks." "What is all this?" demanded another voice peremptorily; and Mrs. Reed came along the corridor, her cap flying wide, her gown rustling stormily. "Abbot and Bessie, I believe I gave orders that Jane Eyre should be left in the red-room till I came to her myself." "Miss Jane screamed so loud, ma'am," pleaded Bessie. "Let her go," was the only answer. "Loose Bessie's hand, child: you cannot succeed in getting out by these means, be assured. I abhor artifice, particularly in children; it is my duty to show you that tricks will not answer: you will now stay here an hour longer, and it is only on condition of perfect submission and stillness that I shall liberate you then." "O aunt! have pity! Forgive me! I cannot endure it--let me be punished some other way! I shall be killed if--" "Silence! This violence is all most repulsive:" and so, no doubt, she felt it. I was a precocious actress in her eyes; she sincerely looked on me as a compound of virulent passions, mean spirit, and dangerous duplicity. Bessie and Abbot having retreated, Mrs. Reed, impatient of my now frantic anguish and wild sobs, abruptly thrust me back and locked me in, without farther parley. I heard her sweeping away; and soon after she was gone, I suppose I had a species of fit: unconsciousness closed the scene.

volume 1, Chapter 2

https://web.archive.org/web/20210123075639/https://www.sparknotes.com/lit/janeeyre/section1/

Two servants, Miss Abbott and Bessie Lee, escort Jane to the red-room, and Jane resists them with all of her might. Once locked in the room, Jane catches a glimpse of her ghastly figure in the mirror, and, shocked by her meager presence, she begins to reflect on the events that have led her to such a state. She remembers her kind Uncle Reed bringing her to Gateshead after her parents' death, and she recalls his dying command that his wife promise to raise Jane as one of her own. Suddenly, Jane is struck with the impression that her Uncle Reed's ghost is in the room, and she imagines that he has come to take revenge on his wife for breaking her promise. Jane cries out in terror, but her aunt believes that she is just trying to escape her punishment, and she ignores her pleas. Jane faints in exhaustion and fear

In the early chapters, Bronte establishes the young Jane's character through her confrontations with John and Mrs. Reed, in which Jane's good-hearted but strong-willed determination and integrity become apparent. These chapters also establish the novel's mood. Beginning with Jane's experience in the red-room in Chapter 2, we sense a palpable atmosphere of mystery and the supernatural. Like Emily Bronte's Wuthering Heights, Jane Eyre draws a great deal of its stylistic inspiration from the Gothic novels that were in vogue during the late eighteenth and early nineteenth centuries. These books depicted remote, desolate landscapes, crumbling ruins, and supernatural events, all of which were designed to create a sense of psychological suspense and horror. While Jane Eyre is certainly not a horror novel, and its intellectually ambitious criticisms of society make it far more than a typical Gothic romance, it is Bronte's employment of Gothic conventions that gives her novel popular as well as intellectual appeal. From its beginning, Jane Eyre explores and challenges the social preconceptions of nineteenth-century Victorian society. Themes of social class, gender relations, and injustice predominate throughout. Jane Eyre begins her story as an orphan raised by a wealthy and cultivated family, and this ambiguous social standing motivates much of the novel's internal tension and conflict. Jane's education and semi-aristocratic lifestyle are those of the upper class, but she has no money. As a penniless orphan forced to live on the charity of others, Jane is a kind of second-class citizen. In some ways she is below even the servants, who certainly have no obligation to treat her respectfully. The tensions of this contradiction emerge in the very first chapter of the novel, when Jane suffers teasing and punishment at the hands of John Reed and his hateful mother. Jane's banishment to the red-room exemplifies her inferior position with regard to the rest of the members of the Reed household. The red-room is the first in a series of literal and metaphorical imprisonments in the novel. Although Jane's imprisonment in the red-room is real, she will encounter spiritual, intellectual, and emotional imprisonment throughout the book. The rigid Victorian hierarchies of social class and gender will pose challenges to her freedom of movement and personal growth, and corrupt morals and religion will also constitute menaces to her ability to realize her dreams for herself. Jane will even come to fear "enslavement" to her own passions. At the same time, the red-room is also symbolic of Jane's feeling of isolation with respect to every community: she is "locked in," but she is also, in a sense, "locked out." Again, class and gender hierarchies will contribute to Jane's sense of exile. For example, her position as a governess at Thornfield once again situates her in a strange borderland between the upper class and the servant class, so that she feels part of neither group.

sparknotes

all_chapterized_books/1260-chapters/04.txt

finished_summaries/sparknotes/Jane Eyre/section_0_part_3.txt

Jane Eyre.volume 1.chapter 3

volume 1, chapter 3

{"name": "volume 1, Chapter 3", "url": "https://web.archive.org/web/20210123075639/https://www.sparknotes.com/lit/janeeyre/section1/", "summary": "When she wakes, Jane finds herself in her own bedroom, in the care of Mr. Lloyd, the family's kind apothecary. Bessie is also present, and she expresses disapproval of her mistress's treatment of Jane. Jane remains in bed the following day, and Bessie sings her a song. Mr. Lloyd speaks with Jane about her life at Gateshead, and he suggests to Jane's aunt that the girl be sent away to school, where she might find happiness. Jane is cautiously excited at the possibility of leaving Gateshead. Soon after her own reflections on the past in the red-room, Jane learns more of her history when she overhears a conversation between Bessie and Miss Abbott. Jane's mother was a member of the wealthy Reed family, which strongly disapproved of Jane's father, an impoverished clergyman. When they married, Jane's wealthy maternal grandfather wrote his daughter out of his will. Not long after Jane was born, Jane's parents died from typhus, which Jane's father contracted while caring for the poor", "analysis": "In the early chapters, Bronte establishes the young Jane's character through her confrontations with John and Mrs. Reed, in which Jane's good-hearted but strong-willed determination and integrity become apparent. These chapters also establish the novel's mood. Beginning with Jane's experience in the red-room in Chapter 2, we sense a palpable atmosphere of mystery and the supernatural. Like Emily Bronte's Wuthering Heights, Jane Eyre draws a great deal of its stylistic inspiration from the Gothic novels that were in vogue during the late eighteenth and early nineteenth centuries. These books depicted remote, desolate landscapes, crumbling ruins, and supernatural events, all of which were designed to create a sense of psychological suspense and horror. While Jane Eyre is certainly not a horror novel, and its intellectually ambitious criticisms of society make it far more than a typical Gothic romance, it is Bronte's employment of Gothic conventions that gives her novel popular as well as intellectual appeal. From its beginning, Jane Eyre explores and challenges the social preconceptions of nineteenth-century Victorian society. Themes of social class, gender relations, and injustice predominate throughout. Jane Eyre begins her story as an orphan raised by a wealthy and cultivated family, and this ambiguous social standing motivates much of the novel's internal tension and conflict. Jane's education and semi-aristocratic lifestyle are those of the upper class, but she has no money. As a penniless orphan forced to live on the charity of others, Jane is a kind of second-class citizen. In some ways she is below even the servants, who certainly have no obligation to treat her respectfully. The tensions of this contradiction emerge in the very first chapter of the novel, when Jane suffers teasing and punishment at the hands of John Reed and his hateful mother. Jane's banishment to the red-room exemplifies her inferior position with regard to the rest of the members of the Reed household. The red-room is the first in a series of literal and metaphorical imprisonments in the novel. Although Jane's imprisonment in the red-room is real, she will encounter spiritual, intellectual, and emotional imprisonment throughout the book. The rigid Victorian hierarchies of social class and gender will pose challenges to her freedom of movement and personal growth, and corrupt morals and religion will also constitute menaces to her ability to realize her dreams for herself. Jane will even come to fear \"enslavement\" to her own passions. At the same time, the red-room is also symbolic of Jane's feeling of isolation with respect to every community: she is \"locked in,\" but she is also, in a sense, \"locked out.\" Again, class and gender hierarchies will contribute to Jane's sense of exile. For example, her position as a governess at Thornfield once again situates her in a strange borderland between the upper class and the servant class, so that she feels part of neither group."}

The next thing I remember is, waking up with a feeling as if I had had a frightful nightmare, and seeing before me a terrible red glare, crossed with thick black bars. I heard voices, too, speaking with a hollow sound, and as if muffled by a rush of wind or water: agitation, uncertainty, and an all-predominating sense of terror confused my faculties. Ere long, I became aware that some one was handling me; lifting me up and supporting me in a sitting posture, and that more tenderly than I had ever been raised or upheld before. I rested my head against a pillow or an arm, and felt easy. In five minutes more the cloud of bewilderment dissolved: I knew quite well that I was in my own bed, and that the red glare was the nursery fire. It was night: a candle burnt on the table; Bessie stood at the bed- foot with a basin in her hand, and a gentleman sat in a chair near my pillow, leaning over me. I felt an inexpressible relief, a soothing conviction of protection and security, when I knew that there was a stranger in the room, an individual not belonging to Gateshead, and not related to Mrs. Reed. Turning from Bessie (though her presence was far less obnoxious to me than that of Abbot, for instance, would have been), I scrutinised the face of the gentleman: I knew him; it was Mr. Lloyd, an apothecary, sometimes called in by Mrs. Reed when the servants were ailing: for herself and the children she employed a physician. "Well, who am I?" he asked. I pronounced his name, offering him at the same time my hand: he took it, smiling and saying, "We shall do very well by-and-by." Then he laid me down, and addressing Bessie, charged her to be very careful that I was not disturbed during the night. Having given some further directions, and intimates that he should call again the next day, he departed; to my grief: I felt so sheltered and befriended while he sat in the chair near my pillow; and as he closed the door after him, all the room darkened and my heart again sank: inexpressible sadness weighed it down. "Do you feel as if you should sleep, Miss?" asked Bessie, rather softly. Scarcely dared I answer her; for I feared the next sentence might be rough. "I will try." "Would you like to drink, or could you eat anything?" "No, thank you, Bessie." "Then I think I shall go to bed, for it is past twelve o'clock; but you may call me if you want anything in the night." Wonderful civility this! It emboldened me to ask a question. "Bessie, what is the matter with me? Am I ill?" "You fell sick, I suppose, in the red-room with crying; you'll be better soon, no doubt." Bessie went into the housemaid's apartment, which was near. I heard her say-- "Sarah, come and sleep with me in the nursery; I daren't for my life be alone with that poor child to-night: she might die; it's such a strange thing she should have that fit: I wonder if she saw anything. Missis was rather too hard." Sarah came back with her; they both went to bed; they were whispering together for half-an-hour before they fell asleep. I caught scraps of their conversation, from which I was able only too distinctly to infer the main subject discussed. "Something passed her, all dressed in white, and vanished"--"A great black dog behind him"--"Three loud raps on the chamber door"--"A light in the churchyard just over his grave," etc., etc. At last both slept: the fire and the candle went out. For me, the watches of that long night passed in ghastly wakefulness; strained by dread: such dread as children only can feel. No severe or prolonged bodily illness followed this incident of the red- room; it only gave my nerves a shock of which I feel the reverberation to this day. Yes, Mrs. Reed, to you I owe some fearful pangs of mental suffering, but I ought to forgive you, for you knew not what you did: while rending my heart-strings, you thought you were only uprooting my bad propensities. Next day, by noon, I was up and dressed, and sat wrapped in a shawl by the nursery hearth. I felt physically weak and broken down: but my worse ailment was an unutterable wretchedness of mind: a wretchedness which kept drawing from me silent tears; no sooner had I wiped one salt drop from my cheek than another followed. Yet, I thought, I ought to have been happy, for none of the Reeds were there, they were all gone out in the carriage with their mama. Abbot, too, was sewing in another room, and Bessie, as she moved hither and thither, putting away toys and arranging drawers, addressed to me every now and then a word of unwonted kindness. This state of things should have been to me a paradise of peace, accustomed as I was to a life of ceaseless reprimand and thankless fagging; but, in fact, my racked nerves were now in such a state that no calm could soothe, and no pleasure excite them agreeably. Bessie had been down into the kitchen, and she brought up with her a tart on a certain brightly painted china plate, whose bird of paradise, nestling in a wreath of convolvuli and rosebuds, had been wont to stir in me a most enthusiastic sense of admiration; and which plate I had often petitioned to be allowed to take in my hand in order to examine it more closely, but had always hitherto been deemed unworthy of such a privilege. This precious vessel was now placed on my knee, and I was cordially invited to eat the circlet of delicate pastry upon it. Vain favour! coming, like most other favours long deferred and often wished for, too late! I could not eat the tart; and the plumage of the bird, the tints of the flowers, seemed strangely faded: I put both plate and tart away. Bessie asked if I would have a book: the word _book_ acted as a transient stimulus, and I begged her to fetch Gulliver's Travels from the library. This book I had again and again perused with delight. I considered it a narrative of facts, and discovered in it a vein of interest deeper than what I found in fairy tales: for as to the elves, having sought them in vain among foxglove leaves and bells, under mushrooms and beneath the ground-ivy mantling old wall-nooks, I had at length made up my mind to the sad truth, that they were all gone out of England to some savage country where the woods were wilder and thicker, and the population more scant; whereas, Lilliput and Brobdignag being, in my creed, solid parts of the earth's surface, I doubted not that I might one day, by taking a long voyage, see with my own eyes the little fields, houses, and trees, the diminutive people, the tiny cows, sheep, and birds of the one realm; and the corn-fields forest-high, the mighty mastiffs, the monster cats, the tower-like men and women, of the other. Yet, when this cherished volume was now placed in my hand--when I turned over its leaves, and sought in its marvellous pictures the charm I had, till now, never failed to find--all was eerie and dreary; the giants were gaunt goblins, the pigmies malevolent and fearful imps, Gulliver a most desolate wanderer in most dread and dangerous regions. I closed the book, which I dared no longer peruse, and put it on the table, beside the untasted tart. Bessie had now finished dusting and tidying the room, and having washed her hands, she opened a certain little drawer, full of splendid shreds of silk and satin, and began making a new bonnet for Georgiana's doll. Meantime she sang: her song was-- "In the days when we went gipsying, A long time ago." I had often heard the song before, and always with lively delight; for Bessie had a sweet voice,--at least, I thought so. But now, though her voice was still sweet, I found in its melody an indescribable sadness. Sometimes, preoccupied with her work, she sang the refrain very low, very lingeringly; "A long time ago" came out like the saddest cadence of a funeral hymn. She passed into another ballad, this time a really doleful one. "My feet they are sore, and my limbs they are weary; Long is the way, and the mountains are wild; Soon will the twilight close moonless and dreary Over the path of the poor orphan child. Why did they send me so far and so lonely, Up where the moors spread and grey rocks are piled? Men are hard-hearted, and kind angels only Watch o'er the steps of a poor orphan child. Yet distant and soft the night breeze is blowing, Clouds there are none, and clear stars beam mild, God, in His mercy, protection is showing, Comfort and hope to the poor orphan child. Ev'n should I fall o'er the broken bridge passing, Or stray in the marshes, by false lights beguiled, Still will my Father, with promise and blessing, Take to His bosom the poor orphan child. There is a thought that for strength should avail me, Though both of shelter and kindred despoiled; Heaven is a home, and a rest will not fail me; God is a friend to the poor orphan child." "Come, Miss Jane, don't cry," said Bessie as she finished. She might as well have said to the fire, "don't burn!" but how could she divine the morbid suffering to which I was a prey? In the course of the morning Mr. Lloyd came again. "What, already up!" said he, as he entered the nursery. "Well, nurse, how is she?" Bessie answered that I was doing very well. "Then she ought to look more cheerful. Come here, Miss Jane: your name is Jane, is it not?" "Yes, sir, Jane Eyre." "Well, you have been crying, Miss Jane Eyre; can you tell me what about? Have you any pain?" "No, sir." "Oh! I daresay she is crying because she could not go out with Missis in the carriage," interposed Bessie. "Surely not! why, she is too old for such pettishness." I thought so too; and my self-esteem being wounded by the false charge, I answered promptly, "I never cried for such a thing in my life: I hate going out in the carriage. I cry because I am miserable." "Oh fie, Miss!" said Bessie. The good apothecary appeared a little puzzled. I was standing before him; he fixed his eyes on me very steadily: his eyes were small and grey; not very bright, but I dare say I should think them shrewd now: he had a hard-featured yet good-natured looking face. Having considered me at leisure, he said-- "What made you ill yesterday?" "She had a fall," said Bessie, again putting in her word. "Fall! why, that is like a baby again! Can't she manage to walk at her age? She must be eight or nine years old." "I was knocked down," was the blunt explanation, jerked out of me by another pang of mortified pride; "but that did not make me ill," I added; while Mr. Lloyd helped himself to a pinch of snuff. As he was returning the box to his waistcoat pocket, a loud bell rang for the servants' dinner; he knew what it was. "That's for you, nurse," said he; "you can go down; I'll give Miss Jane a lecture till you come back." Bessie would rather have stayed, but she was obliged to go, because punctuality at meals was rigidly enforced at Gateshead Hall. "The fall did not make you ill; what did, then?" pursued Mr. Lloyd when Bessie was gone. "I was shut up in a room where there is a ghost till after dark." I saw Mr. Lloyd smile and frown at the same time. "Ghost! What, you are a baby after all! You are afraid of ghosts?" "Of Mr. Reed's ghost I am: he died in that room, and was laid out there. Neither Bessie nor any one else will go into it at night, if they can help it; and it was cruel to shut me up alone without a candle,--so cruel that I think I shall never forget it." "Nonsense! And is it that makes you so miserable? Are you afraid now in daylight?" "No: but night will come again before long: and besides,--I am unhappy,--very unhappy, for other things." "What other things? Can you tell me some of them?" How much I wished to reply fully to this question! How difficult it was to frame any answer! Children can feel, but they cannot analyse their feelings; and if the analysis is partially effected in thought, they know not how to express the result of the process in words. Fearful, however, of losing this first and only opportunity of relieving my grief by imparting it, I, after a disturbed pause, contrived to frame a meagre, though, as far as it went, true response. "For one thing, I have no father or mother, brothers or sisters." "You have a kind aunt and cousins." Again I paused; then bunglingly enounced-- "But John Reed knocked me down, and my aunt shut me up in the red-room." Mr. Lloyd a second time produced his snuff-box. "Don't you think Gateshead Hall a very beautiful house?" asked he. "Are you not very thankful to have such a fine place to live at?" "It is not my house, sir; and Abbot says I have less right to be here than a servant." "Pooh! you can't be silly enough to wish to leave such a splendid place?" "If I had anywhere else to go, I should be glad to leave it; but I can never get away from Gateshead till I am a woman." "Perhaps you may--who knows? Have you any relations besides Mrs. Reed?" "I think not, sir." "None belonging to your father?" "I don't know. I asked Aunt Reed once, and she said possibly I might have some poor, low relations called Eyre, but she knew nothing about them." "If you had such, would you like to go to them?" I reflected. Poverty looks grim to grown people; still more so to children: they have not much idea of industrious, working, respectable poverty; they think of the word only as connected with ragged clothes, scanty food, fireless grates, rude manners, and debasing vices: poverty for me was synonymous with degradation. "No; I should not like to belong to poor people," was my reply. "Not even if they were kind to you?" I shook my head: I could not see how poor people had the means of being kind; and then to learn to speak like them, to adopt their manners, to be uneducated, to grow up like one of the poor women I saw sometimes nursing their children or washing their clothes at the cottage doors of the village of Gateshead: no, I was not heroic enough to purchase liberty at the price of caste. "But are your relatives so very poor? Are they working people?" "I cannot tell; Aunt Reed says if I have any, they must be a beggarly set: I should not like to go a begging." "Would you like to go to school?" Again I reflected: I scarcely knew what school was: Bessie sometimes spoke of it as a place where young ladies sat in the stocks, wore backboards, and were expected to be exceedingly genteel and precise: John Reed hated his school, and abused his master; but John Reed's tastes were no rule for mine, and if Bessie's accounts of school-discipline (gathered from the young ladies of a family where she had lived before coming to Gateshead) were somewhat appalling, her details of certain accomplishments attained by these same young ladies were, I thought, equally attractive. She boasted of beautiful paintings of landscapes and flowers by them executed; of songs they could sing and pieces they could play, of purses they could net, of French books they could translate; till my spirit was moved to emulation as I listened. Besides, school would be a complete change: it implied a long journey, an entire separation from Gateshead, an entrance into a new life. "I should indeed like to go to school," was the audible conclusion of my musings. "Well, well! who knows what may happen?" said Mr. Lloyd, as he got up. "The child ought to have change of air and scene," he added, speaking to himself; "nerves not in a good state." Bessie now returned; at the same moment the carriage was heard rolling up the gravel-walk. "Is that your mistress, nurse?" asked Mr. Lloyd. "I should like to speak to her before I go." Bessie invited him to walk into the breakfast-room, and led the way out. In the interview which followed between him and Mrs. Reed, I presume, from after-occurrences, that the apothecary ventured to recommend my being sent to school; and the recommendation was no doubt readily enough adopted; for as Abbot said, in discussing the subject with Bessie when both sat sewing in the nursery one night, after I was in bed, and, as they thought, asleep, "Missis was, she dared say, glad enough to get rid of such a tiresome, ill-conditioned child, who always looked as if she were watching everybody, and scheming plots underhand." Abbot, I think, gave me credit for being a sort of infantine Guy Fawkes. On that same occasion I learned, for the first time, from Miss Abbot's communications to Bessie, that my father had been a poor clergyman; that my mother had married him against the wishes of her friends, who considered the match beneath her; that my grandfather Reed was so irritated at her disobedience, he cut her off without a shilling; that after my mother and father had been married a year, the latter caught the typhus fever while visiting among the poor of a large manufacturing town where his curacy was situated, and where that disease was then prevalent: that my mother took the infection from him, and both died within a month of each other. Bessie, when she heard this narrative, sighed and said, "Poor Miss Jane is to be pitied, too, Abbot." "Yes," responded Abbot; "if she were a nice, pretty child, one might compassionate her forlornness; but one really cannot care for such a little toad as that." "Not a great deal, to be sure," agreed Bessie: "at any rate, a beauty like Miss Georgiana would be more moving in the same condition." "Yes, I doat on Miss Georgiana!" cried the fervent Abbot. "Little darling!--with her long curls and her blue eyes, and such a sweet colour as she has; just as if she were painted!--Bessie, I could fancy a Welsh rabbit for supper." "So could I--with a roast onion. Come, we'll go down." They went.

volume 1, Chapter 3

https://web.archive.org/web/20210123075639/https://www.sparknotes.com/lit/janeeyre/section1/

When she wakes, Jane finds herself in her own bedroom, in the care of Mr. Lloyd, the family's kind apothecary. Bessie is also present, and she expresses disapproval of her mistress's treatment of Jane. Jane remains in bed the following day, and Bessie sings her a song. Mr. Lloyd speaks with Jane about her life at Gateshead, and he suggests to Jane's aunt that the girl be sent away to school, where she might find happiness. Jane is cautiously excited at the possibility of leaving Gateshead. Soon after her own reflections on the past in the red-room, Jane learns more of her history when she overhears a conversation between Bessie and Miss Abbott. Jane's mother was a member of the wealthy Reed family, which strongly disapproved of Jane's father, an impoverished clergyman. When they married, Jane's wealthy maternal grandfather wrote his daughter out of his will. Not long after Jane was born, Jane's parents died from typhus, which Jane's father contracted while caring for the poor

In the early chapters, Bronte establishes the young Jane's character through her confrontations with John and Mrs. Reed, in which Jane's good-hearted but strong-willed determination and integrity become apparent. These chapters also establish the novel's mood. Beginning with Jane's experience in the red-room in Chapter 2, we sense a palpable atmosphere of mystery and the supernatural. Like Emily Bronte's Wuthering Heights, Jane Eyre draws a great deal of its stylistic inspiration from the Gothic novels that were in vogue during the late eighteenth and early nineteenth centuries. These books depicted remote, desolate landscapes, crumbling ruins, and supernatural events, all of which were designed to create a sense of psychological suspense and horror. While Jane Eyre is certainly not a horror novel, and its intellectually ambitious criticisms of society make it far more than a typical Gothic romance, it is Bronte's employment of Gothic conventions that gives her novel popular as well as intellectual appeal. From its beginning, Jane Eyre explores and challenges the social preconceptions of nineteenth-century Victorian society. Themes of social class, gender relations, and injustice predominate throughout. Jane Eyre begins her story as an orphan raised by a wealthy and cultivated family, and this ambiguous social standing motivates much of the novel's internal tension and conflict. Jane's education and semi-aristocratic lifestyle are those of the upper class, but she has no money. As a penniless orphan forced to live on the charity of others, Jane is a kind of second-class citizen. In some ways she is below even the servants, who certainly have no obligation to treat her respectfully. The tensions of this contradiction emerge in the very first chapter of the novel, when Jane suffers teasing and punishment at the hands of John Reed and his hateful mother. Jane's banishment to the red-room exemplifies her inferior position with regard to the rest of the members of the Reed household. The red-room is the first in a series of literal and metaphorical imprisonments in the novel. Although Jane's imprisonment in the red-room is real, she will encounter spiritual, intellectual, and emotional imprisonment throughout the book. The rigid Victorian hierarchies of social class and gender will pose challenges to her freedom of movement and personal growth, and corrupt morals and religion will also constitute menaces to her ability to realize her dreams for herself. Jane will even come to fear "enslavement" to her own passions. At the same time, the red-room is also symbolic of Jane's feeling of isolation with respect to every community: she is "locked in," but she is also, in a sense, "locked out." Again, class and gender hierarchies will contribute to Jane's sense of exile. For example, her position as a governess at Thornfield once again situates her in a strange borderland between the upper class and the servant class, so that she feels part of neither group.

sparknotes

all_chapterized_books/1260-chapters/05.txt

finished_summaries/sparknotes/Jane Eyre/section_0_part_4.txt

Jane Eyre.volume 1.chapter 4

volume 1, chapter 4

{"name": "volume 1, Chapter 4", "url": "https://web.archive.org/web/20210123075639/https://www.sparknotes.com/lit/janeeyre/section1/", "summary": "\"I am glad you are no relation of mine. I will never call you aunt again as long as I live. I will never come to visit you when I am grown up; and if any one asks me how I liked you, and how you treated me, I will say the very thought of you makes me sick. About two months have passed, and Jane has been enduring even crueler treatment from her aunt and cousins while anxiously waiting for the arrangements to be made for her schooling. Now Jane is finally told she may attend the girls' school Lowood, and she is introduced to Mr. Brocklehurst, the stern-faced man who runs the school. Mr. Brocklehurst abrasively questions Jane about religion, and he reacts with indignation when she declares that she finds the psalms uninteresting. Jane's aunt warns Mr. Brocklehurst that the girl also has a propensity for lying, a piece of information that Mr. Brocklehurst says he intends to publicize to Jane's teachers upon her arrival. When Mr. Brocklehurst leaves, Jane is so hurt by her aunt's accusation that she cannot stop herself from defending herself to her aunt. Mrs. Reed, for once, seems to concede defeat. Shortly thereafter, Bessie tells Jane that she prefers her to the Reed children. Before Jane leaves for school, Bessie tells her stories and sings her lovely songs", "analysis": "In the early chapters, Bronte establishes the young Jane's character through her confrontations with John and Mrs. Reed, in which Jane's good-hearted but strong-willed determination and integrity become apparent. These chapters also establish the novel's mood. Beginning with Jane's experience in the red-room in Chapter 2, we sense a palpable atmosphere of mystery and the supernatural. Like Emily Bronte's Wuthering Heights, Jane Eyre draws a great deal of its stylistic inspiration from the Gothic novels that were in vogue during the late eighteenth and early nineteenth centuries. These books depicted remote, desolate landscapes, crumbling ruins, and supernatural events, all of which were designed to create a sense of psychological suspense and horror. While Jane Eyre is certainly not a horror novel, and its intellectually ambitious criticisms of society make it far more than a typical Gothic romance, it is Bronte's employment of Gothic conventions that gives her novel popular as well as intellectual appeal. From its beginning, Jane Eyre explores and challenges the social preconceptions of nineteenth-century Victorian society. Themes of social class, gender relations, and injustice predominate throughout. Jane Eyre begins her story as an orphan raised by a wealthy and cultivated family, and this ambiguous social standing motivates much of the novel's internal tension and conflict. Jane's education and semi-aristocratic lifestyle are those of the upper class, but she has no money. As a penniless orphan forced to live on the charity of others, Jane is a kind of second-class citizen. In some ways she is below even the servants, who certainly have no obligation to treat her respectfully. The tensions of this contradiction emerge in the very first chapter of the novel, when Jane suffers teasing and punishment at the hands of John Reed and his hateful mother. Jane's banishment to the red-room exemplifies her inferior position with regard to the rest of the members of the Reed household. The red-room is the first in a series of literal and metaphorical imprisonments in the novel. Although Jane's imprisonment in the red-room is real, she will encounter spiritual, intellectual, and emotional imprisonment throughout the book. The rigid Victorian hierarchies of social class and gender will pose challenges to her freedom of movement and personal growth, and corrupt morals and religion will also constitute menaces to her ability to realize her dreams for herself. Jane will even come to fear \"enslavement\" to her own passions. At the same time, the red-room is also symbolic of Jane's feeling of isolation with respect to every community: she is \"locked in,\" but she is also, in a sense, \"locked out.\" Again, class and gender hierarchies will contribute to Jane's sense of exile. For example, her position as a governess at Thornfield once again situates her in a strange borderland between the upper class and the servant class, so that she feels part of neither group."}

From my discourse with Mr. Lloyd, and from the above reported conference between Bessie and Abbot, I gathered enough of hope to suffice as a motive for wishing to get well: a change seemed near,--I desired and waited it in silence. It tarried, however: days and weeks passed: I had regained my normal state of health, but no new allusion was made to the subject over which I brooded. Mrs. Reed surveyed me at times with a severe eye, but seldom addressed me: since my illness, she had drawn a more marked line of separation than ever between me and her own children; appointing me a small closet to sleep in by myself, condemning me to take my meals alone, and pass all my time in the nursery, while my cousins were constantly in the drawing-room. Not a hint, however, did she drop about sending me to school: still I felt an instinctive certainty that she would not long endure me under the same roof with her; for her glance, now more than ever, when turned on me, expressed an insuperable and rooted aversion. Eliza and Georgiana, evidently acting according to orders, spoke to me as little as possible: John thrust his tongue in his cheek whenever he saw me, and once attempted chastisement; but as I instantly turned against him, roused by the same sentiment of deep ire and desperate revolt which had stirred my corruption before, he thought it better to desist, and ran from me tittering execrations, and vowing I had burst his nose. I had indeed levelled at that prominent feature as hard a blow as my knuckles could inflict; and when I saw that either that or my look daunted him, I had the greatest inclination to follow up my advantage to purpose; but he was already with his mama. I heard him in a blubbering tone commence the tale of how "that nasty Jane Eyre" had flown at him like a mad cat: he was stopped rather harshly-- "Don't talk to me about her, John: I told you not to go near her; she is not worthy of notice; I do not choose that either you or your sisters should associate with her." Here, leaning over the banister, I cried out suddenly, and without at all deliberating on my words-- "They are not fit to associate with me." Mrs. Reed was rather a stout woman; but, on hearing this strange and audacious declaration, she ran nimbly up the stair, swept me like a whirlwind into the nursery, and crushing me down on the edge of my crib, dared me in an emphatic voice to rise from that place, or utter one syllable during the remainder of the day. "What would Uncle Reed say to you, if he were alive?" was my scarcely voluntary demand. I say scarcely voluntary, for it seemed as if my tongue pronounced words without my will consenting to their utterance: something spoke out of me over which I had no control. "What?" said Mrs. Reed under her breath: her usually cold composed grey eye became troubled with a look like fear; she took her hand from my arm, and gazed at me as if she really did not know whether I were child or fiend. I was now in for it. "My Uncle Reed is in heaven, and can see all you do and think; and so can papa and mama: they know how you shut me up all day long, and how you wish me dead." Mrs. Reed soon rallied her spirits: she shook me most soundly, she boxed both my ears, and then left me without a word. Bessie supplied the hiatus by a homily of an hour's length, in which she proved beyond a doubt that I was the most wicked and abandoned child ever reared under a roof. I half believed her; for I felt indeed only bad feelings surging in my breast. November, December, and half of January passed away. Christmas and the New Year had been celebrated at Gateshead with the usual festive cheer; presents had been interchanged, dinners and evening parties given. From every enjoyment I was, of course, excluded: my share of the gaiety consisted in witnessing the daily apparelling of Eliza and Georgiana, and seeing them descend to the drawing-room, dressed out in thin muslin frocks and scarlet sashes, with hair elaborately ringletted; and afterwards, in listening to the sound of the piano or the harp played below, to the passing to and fro of the butler and footman, to the jingling of glass and china as refreshments were handed, to the broken hum of conversation as the drawing-room door opened and closed. When tired of this occupation, I would retire from the stairhead to the solitary and silent nursery: there, though somewhat sad, I was not miserable. To speak truth, I had not the least wish to go into company, for in company I was very rarely noticed; and if Bessie had but been kind and companionable, I should have deemed it a treat to spend the evenings quietly with her, instead of passing them under the formidable eye of Mrs. Reed, in a room full of ladies and gentlemen. But Bessie, as soon as she had dressed her young ladies, used to take herself off to the lively regions of the kitchen and housekeeper's room, generally bearing the candle along with her. I then sat with my doll on my knee till the fire got low, glancing round occasionally to make sure that nothing worse than myself haunted the shadowy room; and when the embers sank to a dull red, I undressed hastily, tugging at knots and strings as I best might, and sought shelter from cold and darkness in my crib. To this crib I always took my doll; human beings must love something, and, in the dearth of worthier objects of affection, I contrived to find a pleasure in loving and cherishing a faded graven image, shabby as a miniature scarecrow. It puzzles me now to remember with what absurd sincerity I doated on this little toy, half fancying it alive and capable of sensation. I could not sleep unless it was folded in my night-gown; and when it lay there safe and warm, I was comparatively happy, believing it to be happy likewise. Long did the hours seem while I waited the departure of the company, and listened for the sound of Bessie's step on the stairs: sometimes she would come up in the interval to seek her thimble or her scissors, or perhaps to bring me something by way of supper--a bun or a cheese-cake--then she would sit on the bed while I ate it, and when I had finished, she would tuck the clothes round me, and twice she kissed me, and said, "Good night, Miss Jane." When thus gentle, Bessie seemed to me the best, prettiest, kindest being in the world; and I wished most intensely that she would always be so pleasant and amiable, and never push me about, or scold, or task me unreasonably, as she was too often wont to do. Bessie Lee must, I think, have been a girl of good natural capacity, for she was smart in all she did, and had a remarkable knack of narrative; so, at least, I judge from the impression made on me by her nursery tales. She was pretty too, if my recollections of her face and person are correct. I remember her as a slim young woman, with black hair, dark eyes, very nice features, and good, clear complexion; but she had a capricious and hasty temper, and indifferent ideas of principle or justice: still, such as she was, I preferred her to any one else at Gateshead Hall. It was the fifteenth of January, about nine o'clock in the morning: Bessie was gone down to breakfast; my cousins had not yet been summoned to their mama; Eliza was putting on her bonnet and warm garden-coat to go and feed her poultry, an occupation of which she was fond: and not less so of selling the eggs to the housekeeper and hoarding up the money she thus obtained. She had a turn for traffic, and a marked propensity for saving; shown not only in the vending of eggs and chickens, but also in driving hard bargains with the gardener about flower-roots, seeds, and slips of plants; that functionary having orders from Mrs. Reed to buy of his young lady all the products of her parterre she wished to sell: and Eliza would have sold the hair off her head if she could have made a handsome profit thereby. As to her money, she first secreted it in odd corners, wrapped in a rag or an old curl-paper; but some of these hoards having been discovered by the housemaid, Eliza, fearful of one day losing her valued treasure, consented to intrust it to her mother, at a usurious rate of interest--fifty or sixty per cent.; which interest she exacted every quarter, keeping her accounts in a little book with anxious accuracy. Georgiana sat on a high stool, dressing her hair at the glass, and interweaving her curls with artificial flowers and faded feathers, of which she had found a store in a drawer in the attic. I was making my bed, having received strict orders from Bessie to get it arranged before she returned (for Bessie now frequently employed me as a sort of under- nurserymaid, to tidy the room, dust the chairs, &c.). Having spread the quilt and folded my night-dress, I went to the window-seat to put in order some picture-books and doll's house furniture scattered there; an abrupt command from Georgiana to let her playthings alone (for the tiny chairs and mirrors, the fairy plates and cups, were her property) stopped my proceedings; and then, for lack of other occupation, I fell to breathing on the frost-flowers with which the window was fretted, and thus clearing a space in the glass through which I might look out on the grounds, where all was still and petrified under the influence of a hard frost. From this window were visible the porter's lodge and the carriage-road, and just as I had dissolved so much of the silver-white foliage veiling the panes as left room to look out, I saw the gates thrown open and a carriage roll through. I watched it ascending the drive with indifference; carriages often came to Gateshead, but none ever brought visitors in whom I was interested; it stopped in front of the house, the door-bell rang loudly, the new-comer was admitted. All this being nothing to me, my vacant attention soon found livelier attraction in the spectacle of a little hungry robin, which came and chirruped on the twigs of the leafless cherry-tree nailed against the wall near the casement. The remains of my breakfast of bread and milk stood on the table, and having crumbled a morsel of roll, I was tugging at the sash to put out the crumbs on the window-sill, when Bessie came running upstairs into the nursery. "Miss Jane, take off your pinafore; what are you doing there? Have you washed your hands and face this morning?" I gave another tug before I answered, for I wanted the bird to be secure of its bread: the sash yielded; I scattered the crumbs, some on the stone sill, some on the cherry-tree bough, then, closing the window, I replied-- "No, Bessie; I have only just finished dusting." "Troublesome, careless child! and what are you doing now? You look quite red, as if you had been about some mischief: what were you opening the window for?" I was spared the trouble of answering, for Bessie seemed in too great a hurry to listen to explanations; she hauled me to the washstand, inflicted a merciless, but happily brief scrub on my face and hands with soap, water, and a coarse towel; disciplined my head with a bristly brush, denuded me of my pinafore, and then hurrying me to the top of the stairs, bid me go down directly, as I was wanted in the breakfast-room. I would have asked who wanted me: I would have demanded if Mrs. Reed was there; but Bessie was already gone, and had closed the nursery-door upon me. I slowly descended. For nearly three months, I had never been called to Mrs. Reed's presence; restricted so long to the nursery, the breakfast, dining, and drawing-rooms were become for me awful regions, on which it dismayed me to intrude. I now stood in the empty hall; before me was the breakfast-room door, and I stopped, intimidated and trembling. What a miserable little poltroon had fear, engendered of unjust punishment, made of me in those days! I feared to return to the nursery, and feared to go forward to the parlour; ten minutes I stood in agitated hesitation; the vehement ringing of the breakfast-room bell decided me; I _must_ enter. "Who could want me?" I asked inwardly, as with both hands I turned the stiff door-handle, which, for a second or two, resisted my efforts. "What should I see besides Aunt Reed in the apartment?--a man or a woman?" The handle turned, the door unclosed, and passing through and curtseying low, I looked up at--a black pillar!--such, at least, appeared to me, at first sight, the straight, narrow, sable-clad shape standing erect on the rug: the grim face at the top was like a carved mask, placed above the shaft by way of capital. Mrs. Reed occupied her usual seat by the fireside; she made a signal to me to approach; I did so, and she introduced me to the stony stranger with the words: "This is the little girl respecting whom I applied to you." _He_, for it was a man, turned his head slowly towards where I stood, and having examined me with the two inquisitive-looking grey eyes which twinkled under a pair of bushy brows, said solemnly, and in a bass voice, "Her size is small: what is her age?" "Ten years." "So much?" was the doubtful answer; and he prolonged his scrutiny for some minutes. Presently he addressed me--"Your name, little girl?" "Jane Eyre, sir." In uttering these words I looked up: he seemed to me a tall gentleman; but then I was very little; his features were large, and they and all the lines of his frame were equally harsh and prim. "Well, Jane Eyre, and are you a good child?" Impossible to reply to this in the affirmative: my little world held a contrary opinion: I was silent. Mrs. Reed answered for me by an expressive shake of the head, adding soon, "Perhaps the less said on that subject the better, Mr. Brocklehurst." "Sorry indeed to hear it! she and I must have some talk;" and bending from the perpendicular, he installed his person in the arm-chair opposite Mrs. Reed's. "Come here," he said. I stepped across the rug; he placed me square and straight before him. What a face he had, now that it was almost on a level with mine! what a great nose! and what a mouth! and what large prominent teeth! "No sight so sad as that of a naughty child," he began, "especially a naughty little girl. Do you know where the wicked go after death?" "They go to hell," was my ready and orthodox answer. "And what is hell? Can you tell me that?" "A pit full of fire." "And should you like to fall into that pit, and to be burning there for ever?" "No, sir." "What must you do to avoid it?" I deliberated a moment; my answer, when it did come, was objectionable: "I must keep in good health, and not die." "How can you keep in good health? Children younger than you die daily. I buried a little child of five years old only a day or two since,--a good little child, whose soul is now in heaven. It is to be feared the same could not be said of you were you to be called hence." Not being in a condition to remove his doubt, I only cast my eyes down on the two large feet planted on the rug, and sighed, wishing myself far enough away. "I hope that sigh is from the heart, and that you repent of ever having been the occasion of discomfort to your excellent benefactress." "Benefactress! benefactress!" said I inwardly: "they all call Mrs. Reed my benefactress; if so, a benefactress is a disagreeable thing." "Do you say your prayers night and morning?" continued my interrogator. "Yes, sir." "Do you read your Bible?" "Sometimes." "With pleasure? Are you fond of it?" "I like Revelations, and the book of Daniel, and Genesis and Samuel, and a little bit of Exodus, and some parts of Kings and Chronicles, and Job and Jonah." "And the Psalms? I hope you like them?" "No, sir." "No? oh, shocking! I have a little boy, younger than you, who knows six Psalms by heart: and when you ask him which he would rather have, a gingerbread-nut to eat or a verse of a Psalm to learn, he says: 'Oh! the verse of a Psalm! angels sing Psalms;' says he, 'I wish to be a little angel here below;' he then gets two nuts in recompense for his infant piety." "Psalms are not interesting," I remarked. "That proves you have a wicked heart; and you must pray to God to change it: to give you a new and clean one: to take away your heart of stone and give you a heart of flesh." I was about to propound a question, touching the manner in which that operation of changing my heart was to be performed, when Mrs. Reed interposed, telling me to sit down; she then proceeded to carry on the conversation herself. "Mr. Brocklehurst, I believe I intimated in the letter which I wrote to you three weeks ago, that this little girl has not quite the character and disposition I could wish: should you admit her into Lowood school, I should be glad if the superintendent and teachers were requested to keep a strict eye on her, and, above all, to guard against her worst fault, a tendency to deceit. I mention this in your hearing, Jane, that you may not attempt to impose on Mr. Brocklehurst." Well might I dread, well might I dislike Mrs. Reed; for it was her nature to wound me cruelly; never was I happy in her presence; however carefully I obeyed, however strenuously I strove to please her, my efforts were still repulsed and repaid by such sentences as the above. Now, uttered before a stranger, the accusation cut me to the heart; I dimly perceived that she was already obliterating hope from the new phase of existence which she destined me to enter; I felt, though I could not have expressed the feeling, that she was sowing aversion and unkindness along my future path; I saw myself transformed under Mr. Brocklehurst's eye into an artful, noxious child, and what could I do to remedy the injury? "Nothing, indeed," thought I, as I struggled to repress a sob, and hastily wiped away some tears, the impotent evidences of my anguish. "Deceit is, indeed, a sad fault in a child," said Mr. Brocklehurst; "it is akin to falsehood, and all liars will have their portion in the lake burning with fire and brimstone; she shall, however, be watched, Mrs. Reed. I will speak to Miss Temple and the teachers." "I should wish her to be brought up in a manner suiting her prospects," continued my benefactress; "to be made useful, to be kept humble: as for the vacations, she will, with your permission, spend them always at Lowood." "Your decisions are perfectly judicious, madam," returned Mr. Brocklehurst. "Humility is a Christian grace, and one peculiarly appropriate to the pupils of Lowood; I, therefore, direct that especial care shall be bestowed on its cultivation amongst them. I have studied how best to mortify in them the worldly sentiment of pride; and, only the other day, I had a pleasing proof of my success. My second daughter, Augusta, went with her mama to visit the school, and on her return she exclaimed: 'Oh, dear papa, how quiet and plain all the girls at Lowood look, with their hair combed behind their ears, and their long pinafores, and those little holland pockets outside their frocks--they are almost like poor people's children! and,' said she, 'they looked at my dress and mama's, as if they had never seen a silk gown before.'" "This is the state of things I quite approve," returned Mrs. Reed; "had I sought all England over, I could scarcely have found a system more exactly fitting a child like Jane Eyre. Consistency, my dear Mr. Brocklehurst; I advocate consistency in all things." "Consistency, madam, is the first of Christian duties; and it has been observed in every arrangement connected with the establishment of Lowood: plain fare, simple attire, unsophisticated accommodations, hardy and active habits; such is the order of the day in the house and its inhabitants." "Quite right, sir. I may then depend upon this child being received as a pupil at Lowood, and there being trained in conformity to her position and prospects?" "Madam, you may: she shall be placed in that nursery of chosen plants, and I trust she will show herself grateful for the inestimable privilege of her election." "I will send her, then, as soon as possible, Mr. Brocklehurst; for, I assure you, I feel anxious to be relieved of a responsibility that was becoming too irksome." "No doubt, no doubt, madam; and now I wish you good morning. I shall return to Brocklehurst Hall in the course of a week or two: my good friend, the Archdeacon, will not permit me to leave him sooner. I shall send Miss Temple notice that she is to expect a new girl, so that there will be no difficulty about receiving her. Good-bye." "Good-bye, Mr. Brocklehurst; remember me to Mrs. and Miss Brocklehurst, and to Augusta and Theodore, and Master Broughton Brocklehurst." "I will, madam. Little girl, here is a book entitled the 'Child's Guide,' read it with prayer, especially that part containing 'An account of the awfully sudden death of Martha G---, a naughty child addicted to falsehood and deceit.'" With these words Mr. Brocklehurst put into my hand a thin pamphlet sewn in a cover, and having rung for his carriage, he departed. Mrs. Reed and I were left alone: some minutes passed in silence; she was sewing, I was watching her. Mrs. Reed might be at that time some six or seven and thirty; she was a woman of robust frame, square-shouldered and strong-limbed, not tall, and, though stout, not obese: she had a somewhat large face, the under jaw being much developed and very solid; her brow was low, her chin large and prominent, mouth and nose sufficiently regular; under her light eyebrows glimmered an eye devoid of ruth; her skin was dark and opaque, her hair nearly flaxen; her constitution was sound as a bell--illness never came near her; she was an exact, clever manager; her household and tenantry were thoroughly under her control; her children only at times defied her authority and laughed it to scorn; she dressed well, and had a presence and port calculated to set off handsome attire. Sitting on a low stool, a few yards from her arm-chair, I examined her figure; I perused her features. In my hand I held the tract containing the sudden death of the Liar, to which narrative my attention had been pointed as to an appropriate warning. What had just passed; what Mrs. Reed had said concerning me to Mr. Brocklehurst; the whole tenor of their conversation, was recent, raw, and stinging in my mind; I had felt every word as acutely as I had heard it plainly, and a passion of resentment fomented now within me. Mrs. Reed looked up from her work; her eye settled on mine, her fingers at the same time suspended their nimble movements. "Go out of the room; return to the nursery," was her mandate. My look or something else must have struck her as offensive, for she spoke with extreme though suppressed irritation. I got up, I went to the door; I came back again; I walked to the window, across the room, then close up to her. _Speak_ I must: I had been trodden on severely, and _must_ turn: but how? What strength had I to dart retaliation at my antagonist? I gathered my energies and launched them in this blunt sentence-- "I am not deceitful: if I were, I should say I loved you; but I declare I do not love you: I dislike you the worst of anybody in the world except John Reed; and this book about the liar, you may give to your girl, Georgiana, for it is she who tells lies, and not I." Mrs. Reed's hands still lay on her work inactive: her eye of ice continued to dwell freezingly on mine. "What more have you to say?" she asked, rather in the tone in which a person might address an opponent of adult age than such as is ordinarily used to a child. That eye of hers, that voice stirred every antipathy I had. Shaking from head to foot, thrilled with ungovernable excitement, I continued-- "I am glad you are no relation of mine: I will never call you aunt again as long as I live. I will never come to see you when I am grown up; and if any one asks me how I liked you, and how you treated me, I will say the very thought of you makes me sick, and that you treated me with miserable cruelty." "How dare you affirm that, Jane Eyre?" "How dare I, Mrs. Reed? How dare I? Because it is the _truth_. You think I have no feelings, and that I can do without one bit of love or kindness; but I cannot live so: and you have no pity. I shall remember how you thrust me back--roughly and violently thrust me back--into the red-room, and locked me up there, to my dying day; though I was in agony; though I cried out, while suffocating with distress, 'Have mercy! Have mercy, Aunt Reed!' And that punishment you made me suffer because your wicked boy struck me--knocked me down for nothing. I will tell anybody who asks me questions, this exact tale. People think you a good woman, but you are bad, hard-hearted. _You_ are deceitful!" {How dare I, Mrs. Reed? How dare I? Because it is the truth: p30.jpg} Ere I had finished this reply, my soul began to expand, to exult, with the strangest sense of freedom, of triumph, I ever felt. It seemed as if an invisible bond had burst, and that I had struggled out into unhoped- for liberty. Not without cause was this sentiment: Mrs. Reed looked frightened; her work had slipped from her knee; she was lifting up her hands, rocking herself to and fro, and even twisting her face as if she would cry. "Jane, you are under a mistake: what is the matter with you? Why do you tremble so violently? Would you like to drink some water?" "No, Mrs. Reed." "Is there anything else you wish for, Jane? I assure you, I desire to be your friend." "Not you. You told Mr. Brocklehurst I had a bad character, a deceitful disposition; and I'll let everybody at Lowood know what you are, and what you have done." "Jane, you don't understand these things: children must be corrected for their faults." "Deceit is not my fault!" I cried out in a savage, high voice. "But you are passionate, Jane, that you must allow: and now return to the nursery--there's a dear--and lie down a little." "I am not your dear; I cannot lie down: send me to school soon, Mrs. Reed, for I hate to live here." "I will indeed send her to school soon," murmured Mrs. Reed _sotto voce_; and gathering up her work, she abruptly quitted the apartment. I was left there alone--winner of the field. It was the hardest battle I had fought, and the first victory I had gained: I stood awhile on the rug, where Mr. Brocklehurst had stood, and I enjoyed my conqueror's solitude. First, I smiled to myself and felt elate; but this fierce pleasure subsided in me as fast as did the accelerated throb of my pulses. A child cannot quarrel with its elders, as I had done; cannot give its furious feelings uncontrolled play, as I had given mine, without experiencing afterwards the pang of remorse and the chill of reaction. A ridge of lighted heath, alive, glancing, devouring, would have been a meet emblem of my mind when I accused and menaced Mrs. Reed: the same ridge, black and blasted after the flames are dead, would have represented as meetly my subsequent condition, when half-an-hour's silence and reflection had shown me the madness of my conduct, and the dreariness of my hated and hating position. Something of vengeance I had tasted for the first time; as aromatic wine it seemed, on swallowing, warm and racy: its after-flavour, metallic and corroding, gave me a sensation as if I had been poisoned. Willingly would I now have gone and asked Mrs. Reed's pardon; but I knew, partly from experience and partly from instinct, that was the way to make her repulse me with double scorn, thereby re-exciting every turbulent impulse of my nature. I would fain exercise some better faculty than that of fierce speaking; fain find nourishment for some less fiendish feeling than that of sombre indignation. I took a book--some Arabian tales; I sat down and endeavoured to read. I could make no sense of the subject; my own thoughts swam always between me and the page I had usually found fascinating. I opened the glass-door in the breakfast-room: the shrubbery was quite still: the black frost reigned, unbroken by sun or breeze, through the grounds. I covered my head and arms with the skirt of my frock, and went out to walk in a part of the plantation which was quite sequestrated; but I found no pleasure in the silent trees, the falling fir-cones, the congealed relics of autumn, russet leaves, swept by past winds in heaps, and now stiffened together. I leaned against a gate, and looked into an empty field where no sheep were feeding, where the short grass was nipped and blanched. It was a very grey day; a most opaque sky, "onding on snaw," canopied all; thence flakes felt it intervals, which settled on the hard path and on the hoary lea without melting. I stood, a wretched child enough, whispering to myself over and over again, "What shall I do?--what shall I do?" All at once I heard a clear voice call, "Miss Jane! where are you? Come to lunch!" It was Bessie, I knew well enough; but I did not stir; her light step came tripping down the path. "You naughty little thing!" she said. "Why don't you come when you are called?" Bessie's presence, compared with the thoughts over which I had been brooding, seemed cheerful; even though, as usual, she was somewhat cross. The fact is, after my conflict with and victory over Mrs. Reed, I was not disposed to care much for the nursemaid's transitory anger; and I _was_ disposed to bask in her youthful lightness of heart. I just put my two arms round her and said, "Come, Bessie! don't scold." The action was more frank and fearless than any I was habituated to indulge in: somehow it pleased her. "You are a strange child, Miss Jane," she said, as she looked down at me; "a little roving, solitary thing: and you are going to school, I suppose?" I nodded. "And won't you be sorry to leave poor Bessie?" "What does Bessie care for me? She is always scolding me." "Because you're such a queer, frightened, shy little thing. You should be bolder." "What! to get more knocks?" "Nonsense! But you are rather put upon, that's certain. My mother said, when she came to see me last week, that she would not like a little one of her own to be in your place.--Now, come in, and I've some good news for you." "I don't think you have, Bessie." "Child! what do you mean? What sorrowful eyes you fix on me! Well, but Missis and the young ladies and Master John are going out to tea this afternoon, and you shall have tea with me. I'll ask cook to bake you a little cake, and then you shall help me to look over your drawers; for I am soon to pack your trunk. Missis intends you to leave Gateshead in a day or two, and you shall choose what toys you like to take with you." "Bessie, you must promise not to scold me any more till I go." "Well, I will; but mind you are a very good girl, and don't be afraid of me. Don't start when I chance to speak rather sharply; it's so provoking." "I don't think I shall ever be afraid of you again, Bessie, because I have got used to you, and I shall soon have another set of people to dread." "If you dread them they'll dislike you." "As you do, Bessie?" "I don't dislike you, Miss; I believe I am fonder of you than of all the others." "You don't show it." "You little sharp thing! you've got quite a new way of talking. What makes you so venturesome and hardy?" "Why, I shall soon be away from you, and besides"--I was going to say something about what had passed between me and Mrs. Reed, but on second thoughts I considered it better to remain silent on that head. "And so you're glad to leave me?" "Not at all, Bessie; indeed, just now I'm rather sorry." "Just now! and rather! How coolly my little lady says it! I dare say now if I were to ask you for a kiss you wouldn't give it me: you'd say you'd _rather_ not." "I'll kiss you and welcome: bend your head down." Bessie stooped; we mutually embraced, and I followed her into the house quite comforted. That afternoon lapsed in peace and harmony; and in the evening Bessie told me some of her most enchanting stories, and sang me some of her sweetest songs. Even for me life had its gleams of sunshine.

volume 1, Chapter 4

https://web.archive.org/web/20210123075639/https://www.sparknotes.com/lit/janeeyre/section1/

"I am glad you are no relation of mine. I will never call you aunt again as long as I live. I will never come to visit you when I am grown up; and if any one asks me how I liked you, and how you treated me, I will say the very thought of you makes me sick. About two months have passed, and Jane has been enduring even crueler treatment from her aunt and cousins while anxiously waiting for the arrangements to be made for her schooling. Now Jane is finally told she may attend the girls' school Lowood, and she is introduced to Mr. Brocklehurst, the stern-faced man who runs the school. Mr. Brocklehurst abrasively questions Jane about religion, and he reacts with indignation when she declares that she finds the psalms uninteresting. Jane's aunt warns Mr. Brocklehurst that the girl also has a propensity for lying, a piece of information that Mr. Brocklehurst says he intends to publicize to Jane's teachers upon her arrival. When Mr. Brocklehurst leaves, Jane is so hurt by her aunt's accusation that she cannot stop herself from defending herself to her aunt. Mrs. Reed, for once, seems to concede defeat. Shortly thereafter, Bessie tells Jane that she prefers her to the Reed children. Before Jane leaves for school, Bessie tells her stories and sings her lovely songs

In the early chapters, Bronte establishes the young Jane's character through her confrontations with John and Mrs. Reed, in which Jane's good-hearted but strong-willed determination and integrity become apparent. These chapters also establish the novel's mood. Beginning with Jane's experience in the red-room in Chapter 2, we sense a palpable atmosphere of mystery and the supernatural. Like Emily Bronte's Wuthering Heights, Jane Eyre draws a great deal of its stylistic inspiration from the Gothic novels that were in vogue during the late eighteenth and early nineteenth centuries. These books depicted remote, desolate landscapes, crumbling ruins, and supernatural events, all of which were designed to create a sense of psychological suspense and horror. While Jane Eyre is certainly not a horror novel, and its intellectually ambitious criticisms of society make it far more than a typical Gothic romance, it is Bronte's employment of Gothic conventions that gives her novel popular as well as intellectual appeal. From its beginning, Jane Eyre explores and challenges the social preconceptions of nineteenth-century Victorian society. Themes of social class, gender relations, and injustice predominate throughout. Jane Eyre begins her story as an orphan raised by a wealthy and cultivated family, and this ambiguous social standing motivates much of the novel's internal tension and conflict. Jane's education and semi-aristocratic lifestyle are those of the upper class, but she has no money. As a penniless orphan forced to live on the charity of others, Jane is a kind of second-class citizen. In some ways she is below even the servants, who certainly have no obligation to treat her respectfully. The tensions of this contradiction emerge in the very first chapter of the novel, when Jane suffers teasing and punishment at the hands of John Reed and his hateful mother. Jane's banishment to the red-room exemplifies her inferior position with regard to the rest of the members of the Reed household. The red-room is the first in a series of literal and metaphorical imprisonments in the novel. Although Jane's imprisonment in the red-room is real, she will encounter spiritual, intellectual, and emotional imprisonment throughout the book. The rigid Victorian hierarchies of social class and gender will pose challenges to her freedom of movement and personal growth, and corrupt morals and religion will also constitute menaces to her ability to realize her dreams for herself. Jane will even come to fear "enslavement" to her own passions. At the same time, the red-room is also symbolic of Jane's feeling of isolation with respect to every community: she is "locked in," but she is also, in a sense, "locked out." Again, class and gender hierarchies will contribute to Jane's sense of exile. For example, her position as a governess at Thornfield once again situates her in a strange borderland between the upper class and the servant class, so that she feels part of neither group.

sparknotes

all_chapterized_books/1260-chapters/06.txt

finished_summaries/sparknotes/Jane Eyre/section_1_part_1.txt

Jane Eyre.volume 1.chapter 5

volume 1, chapter 5

{"name": "volume 1, Chapter 5", "url": "https://web.archive.org/web/20210123075639/https://www.sparknotes.com/lit/janeeyre/section2/", "summary": "Four days after meeting Mr. Brocklehurst, Jane boards the 6 a. m. coach and travels alone to Lowood. When she arrives at the school, the day is dark and rainy, and she is led through a grim building that will be her new home. The following day, Jane is introduced to her classmates and learns the daily routine, which keeps the girls occupied from before dawn until dinner. Miss Temple, the superintendent of the school, is very kind, while one of Jane's teachers, Miss Scatcherd, is unpleasant, particularly in her harsh treatment of a young student named Helen Burns. Jane and Helen befriend one another, and Jane learns from Helen that Lowood is a charity school maintained for female orphans, which means that the Reeds have paid nothing to put her there. She also learns that Mr. Brocklehurst oversees every aspect of its operation: even Miss Temple must answer to him", "analysis": "This section details Jane's experiences at Lowood, from her first day at the school to her final one some nine years later. Jane's early years at Lowood prove to be a period of considerable tribulation, as she endures harsh conditions, cruel teachers, and the tyranny of Mr. Brocklehurst. Moreover, the harsh conditions she experiences as a student at Lowood show us that, despite Jane's intelligence, talent, and self-assurance, she is merely a burden in the eyes of society, because she is poor. The most important thematic elements in this section are the contrasting modes of religious thought represented by Mr. Brocklehurst and Helen Burns. Mr. Brocklehurst is a religious hypocrite, supporting his own luxuriously wealthy family at the expense of the Lowood students and using his \"piety\" as an instrument of power over the lower-class girls at Lowood. He claims that he is purging his students of pride by subjecting them to various privations and humiliations: for example, he orders that the naturally curly hair of one of Jane's classmates be cut so as to lie straight. The angelic Helen Burns and her doctrine of endurance represent a religious position that contrasts with Mr. Brocklehurst's. Utterly passive and accepting of any abjection, Helen embodies rather than preaches the Christian ideas of love and forgiveness. But neither form of religion satisfies Jane, who, because of her strong sensitivity to indignities and injustices, reviles Brocklehurst's shallow devotional displays and fails to understand Helen Burns's passivity. As Jane herself declares: \"when we are struck at without a reason, we should strike back again very hard . . . so as to teach the person who struck us never to do it again\" . Helen's doctrine of endurance and love is incompatible with Jane's belief in fairness and self-respect."}

Five o'clock had hardly struck on the morning of the 19th of January, when Bessie brought a candle into my closet and found me already up and nearly dressed. I had risen half-an-hour before her entrance, and had washed my face, and put on my clothes by the light of a half-moon just setting, whose rays streamed through the narrow window near my crib. I was to leave Gateshead that day by a coach which passed the lodge gates at six a.m. Bessie was the only person yet risen; she had lit a fire in the nursery, where she now proceeded to make my breakfast. Few children can eat when excited with the thoughts of a journey; nor could I. Bessie, having pressed me in vain to take a few spoonfuls of the boiled milk and bread she had prepared for me, wrapped up some biscuits in a paper and put them into my bag; then she helped me on with my pelisse and bonnet, and wrapping herself in a shawl, she and I left the nursery. As we passed Mrs. Reed's bedroom, she said, "Will you go in and bid Missis good- bye?" "No, Bessie: she came to my crib last night when you were gone down to supper, and said I need not disturb her in the morning, or my cousins either; and she told me to remember that she had always been my best friend, and to speak of her and be grateful to her accordingly." "What did you say, Miss?" "Nothing: I covered my face with the bedclothes, and turned from her to the wall." "That was wrong, Miss Jane." "It was quite right, Bessie. Your Missis has not been my friend: she has been my foe." "O Miss Jane! don't say so!" "Good-bye to Gateshead!" cried I, as we passed through the hall and went out at the front door. The moon was set, and it was very dark; Bessie carried a lantern, whose light glanced on wet steps and gravel road sodden by a recent thaw. Raw and chill was the winter morning: my teeth chattered as I hastened down the drive. There was a light in the porter's lodge: when we reached it, we found the porter's wife just kindling her fire: my trunk, which had been carried down the evening before, stood corded at the door. It wanted but a few minutes of six, and shortly after that hour had struck, the distant roll of wheels announced the coming coach; I went to the door and watched its lamps approach rapidly through the gloom. "Is she going by herself?" asked the porter's wife. "Yes." "And how far is it?" "Fifty miles." "What a long way! I wonder Mrs. Reed is not afraid to trust her so far alone." The coach drew up; there it was at the gates with its four horses and its top laden with passengers: the guard and coachman loudly urged haste; my trunk was hoisted up; I was taken from Bessie's neck, to which I clung with kisses. "Be sure and take good care of her," cried she to the guard, as he lifted me into the inside. "Ay, ay!" was the answer: the door was slapped to, a voice exclaimed "All right," and on we drove. Thus was I severed from Bessie and Gateshead; thus whirled away to unknown, and, as I then deemed, remote and mysterious regions. I remember but little of the journey; I only know that the day seemed to me of a preternatural length, and that we appeared to travel over hundreds of miles of road. We passed through several towns, and in one, a very large one, the coach stopped; the horses were taken out, and the passengers alighted to dine. I was carried into an inn, where the guard wanted me to have some dinner; but, as I had no appetite, he left me in an immense room with a fireplace at each end, a chandelier pendent from the ceiling, and a little red gallery high up against the wall filled with musical instruments. Here I walked about for a long time, feeling very strange, and mortally apprehensive of some one coming in and kidnapping me; for I believed in kidnappers, their exploits having frequently figured in Bessie's fireside chronicles. At last the guard returned; once more I was stowed away in the coach, my protector mounted his own seat, sounded his hollow horn, and away we rattled over the "stony street" of L-. The afternoon came on wet and somewhat misty: as it waned into dusk, I began to feel that we were getting very far indeed from Gateshead: we ceased to pass through towns; the country changed; great grey hills heaved up round the horizon: as twilight deepened, we descended a valley, dark with wood, and long after night had overclouded the prospect, I heard a wild wind rushing amongst trees. Lulled by the sound, I at last dropped asleep; I had not long slumbered when the sudden cessation of motion awoke me; the coach-door was open, and a person like a servant was standing at it: I saw her face and dress by the light of the lamps. "Is there a little girl called Jane Eyre here?" she asked. I answered "Yes," and was then lifted out; my trunk was handed down, and the coach instantly drove away. I was stiff with long sitting, and bewildered with the noise and motion of the coach: Gathering my faculties, I looked about me. Rain, wind, and darkness filled the air; nevertheless, I dimly discerned a wall before me and a door open in it; through this door I passed with my new guide: she shut and locked it behind her. There was now visible a house or houses--for the building spread far--with many windows, and lights burning in some; we went up a broad pebbly path, splashing wet, and were admitted at a door; then the servant led me through a passage into a room with a fire, where she left me alone. I stood and warmed my numbed fingers over the blaze, then I looked round; there was no candle, but the uncertain light from the hearth showed, by intervals, papered walls, carpet, curtains, shining mahogany furniture: it was a parlour, not so spacious or splendid as the drawing-room at Gateshead, but comfortable enough. I was puzzling to make out the subject of a picture on the wall, when the door opened, and an individual carrying a light entered; another followed close behind. The first was a tall lady with dark hair, dark eyes, and a pale and large forehead; her figure was partly enveloped in a shawl, her countenance was grave, her bearing erect. "The child is very young to be sent alone," said she, putting her candle down on the table. She considered me attentively for a minute or two, then further added-- "She had better be put to bed soon; she looks tired: are you tired?" she asked, placing her hand on my shoulder. "A little, ma'am." "And hungry too, no doubt: let her have some supper before she goes to bed, Miss Miller. Is this the first time you have left your parents to come to school, my little girl?" I explained to her that I had no parents. She inquired how long they had been dead: then how old I was, what was my name, whether I could read, write, and sew a little: then she touched my cheek gently with her forefinger, and saying, "She hoped I should be a good child," dismissed me along with Miss Miller. The lady I had left might be about twenty-nine; the one who went with me appeared some years younger: the first impressed me by her voice, look, and air. Miss Miller was more ordinary; ruddy in complexion, though of a careworn countenance; hurried in gait and action, like one who had always a multiplicity of tasks on hand: she looked, indeed, what I afterwards found she really was, an under-teacher. Led by her, I passed from compartment to compartment, from passage to passage, of a large and irregular building; till, emerging from the total and somewhat dreary silence pervading that portion of the house we had traversed, we came upon the hum of many voices, and presently entered a wide, long room, with great deal tables, two at each end, on each of which burnt a pair of candles, and seated all round on benches, a congregation of girls of every age, from nine or ten to twenty. Seen by the dim light of the dips, their number to me appeared countless, though not in reality exceeding eighty; they were uniformly dressed in brown stuff frocks of quaint fashion, and long holland pinafores. It was the hour of study; they were engaged in conning over their to-morrow's task, and the hum I had heard was the combined result of their whispered repetitions. Miss Miller signed to me to sit on a bench near the door, then walking up to the top of the long room she cried out-- "Monitors, collect the lesson-books and put them away!" Four tall girls arose from different tables, and going round, gathered the books and removed them. Miss Miller again gave the word of command-- "Monitors, fetch the supper-trays!" The tall girls went out and returned presently, each bearing a tray, with portions of something, I knew not what, arranged thereon, and a pitcher of water and mug in the middle of each tray. The portions were handed round; those who liked took a draught of the water, the mug being common to all. When it came to my turn, I drank, for I was thirsty, but did not touch the food, excitement and fatigue rendering me incapable of eating: I now saw, however, that it was a thin oaten cake shared into fragments. The meal over, prayers were read by Miss Miller, and the classes filed off, two and two, upstairs. Overpowered by this time with weariness, I scarcely noticed what sort of a place the bedroom was, except that, like the schoolroom, I saw it was very long. To-night I was to be Miss Miller's bed-fellow; she helped me to undress: when laid down I glanced at the long rows of beds, each of which was quickly filled with two occupants; in ten minutes the single light was extinguished, and amidst silence and complete darkness I fell asleep. The night passed rapidly. I was too tired even to dream; I only once awoke to hear the wind rave in furious gusts, and the rain fall in torrents, and to be sensible that Miss Miller had taken her place by my side. When I again unclosed my eyes, a loud bell was ringing; the girls were up and dressing; day had not yet begun to dawn, and a rushlight or two burned in the room. I too rose reluctantly; it was bitter cold, and I dressed as well as I could for shivering, and washed when there was a basin at liberty, which did not occur soon, as there was but one basin to six girls, on the stands down the middle of the room. Again the bell rang: all formed in file, two and two, and in that order descended the stairs and entered the cold and dimly lit schoolroom: here prayers were read by Miss Miller; afterwards she called out-- "Form classes!" A great tumult succeeded for some minutes, during which Miss Miller repeatedly exclaimed, "Silence!" and "Order!" When it subsided, I saw them all drawn up in four semicircles, before four chairs, placed at the four tables; all held books in their hands, and a great book, like a Bible, lay on each table, before the vacant seat. A pause of some seconds succeeded, filled up by the low, vague hum of numbers; Miss Miller walked from class to class, hushing this indefinite sound. A distant bell tinkled: immediately three ladies entered the room, each walked to a table and took her seat. Miss Miller assumed the fourth vacant chair, which was that nearest the door, and around which the smallest of the children were assembled: to this inferior class I was called, and placed at the bottom of it. Business now began, the day's Collect was repeated, then certain texts of Scripture were said, and to these succeeded a protracted reading of chapters in the Bible, which lasted an hour. By the time that exercise was terminated, day had fully dawned. The indefatigable bell now sounded for the fourth time: the classes were marshalled and marched into another room to breakfast: how glad I was to behold a prospect of getting something to eat! I was now nearly sick from inanition, having taken so little the day before. The refectory was a great, low-ceiled, gloomy room; on two long tables smoked basins of something hot, which, however, to my dismay, sent forth an odour far from inviting. I saw a universal manifestation of discontent when the fumes of the repast met the nostrils of those destined to swallow it; from the van of the procession, the tall girls of the first class, rose the whispered words-- "Disgusting! The porridge is burnt again!" "Silence!" ejaculated a voice; not that of Miss Miller, but one of the upper teachers, a little and dark personage, smartly dressed, but of somewhat morose aspect, who installed herself at the top of one table, while a more buxom lady presided at the other. I looked in vain for her I had first seen the night before; she was not visible: Miss Miller occupied the foot of the table where I sat, and a strange, foreign-looking, elderly lady, the French teacher, as I afterwards found, took the corresponding seat at the other board. A long grace was said and a hymn sung; then a servant brought in some tea for the teachers, and the meal began. Ravenous, and now very faint, I devoured a spoonful or two of my portion without thinking of its taste; but the first edge of hunger blunted, I perceived I had got in hand a nauseous mess; burnt porridge is almost as bad as rotten potatoes; famine itself soon sickens over it. The spoons were moved slowly: I saw each girl taste her food and try to swallow it; but in most cases the effort was soon relinquished. Breakfast was over, and none had breakfasted. Thanks being returned for what we had not got, and a second hymn chanted, the refectory was evacuated for the schoolroom. I was one of the last to go out, and in passing the tables, I saw one teacher take a basin of the porridge and taste it; she looked at the others; all their countenances expressed displeasure, and one of them, the stout one, whispered-- "Abominable stuff! How shameful!" A quarter of an hour passed before lessons again began, during which the schoolroom was in a glorious tumult; for that space of time it seemed to be permitted to talk loud and more freely, and they used their privilege. The whole conversation ran on the breakfast, which one and all abused roundly. Poor things! it was the sole consolation they had. Miss Miller was now the only teacher in the room: a group of great girls standing about her spoke with serious and sullen gestures. I heard the name of Mr. Brocklehurst pronounced by some lips; at which Miss Miller shook her head disapprovingly; but she made no great effort to check the general wrath; doubtless she shared in it. A clock in the schoolroom struck nine; Miss Miller left her circle, and standing in the middle of the room, cried-- "Silence! To your seats!" Discipline prevailed: in five minutes the confused throng was resolved into order, and comparative silence quelled the Babel clamour of tongues. The upper teachers now punctually resumed their posts: but still, all seemed to wait. Ranged on benches down the sides of the room, the eighty girls sat motionless and erect; a quaint assemblage they appeared, all with plain locks combed from their faces, not a curl visible; in brown dresses, made high and surrounded by a narrow tucker about the throat, with little pockets of holland (shaped something like a Highlander's purse) tied in front of their frocks, and destined to serve the purpose of a work-bag: all, too, wearing woollen stockings and country-made shoes, fastened with brass buckles. Above twenty of those clad in this costume were full-grown girls, or rather young women; it suited them ill, and gave an air of oddity even to the prettiest. I was still looking at them, and also at intervals examining the teachers--none of whom precisely pleased me; for the stout one was a little coarse, the dark one not a little fierce, the foreigner harsh and grotesque, and Miss Miller, poor thing! looked purple, weather-beaten, and over-worked--when, as my eye wandered from face to face, the whole school rose simultaneously, as if moved by a common spring. What was the matter? I had heard no order given: I was puzzled. Ere I had gathered my wits, the classes were again seated: but as all eyes were now turned to one point, mine followed the general direction, and encountered the personage who had received me last night. She stood at the bottom of the long room, on the hearth; for there was a fire at each end; she surveyed the two rows of girls silently and gravely. Miss Miller approaching, seemed to ask her a question, and having received her answer, went back to her place, and said aloud-- "Monitor of the first class, fetch the globes!" While the direction was being executed, the lady consulted moved slowly up the room. I suppose I have a considerable organ of veneration, for I retain yet the sense of admiring awe with which my eyes traced her steps. Seen now, in broad daylight, she looked tall, fair, and shapely; brown eyes with a benignant light in their irids, and a fine pencilling of long lashes round, relieved the whiteness of her large front; on each of her temples her hair, of a very dark brown, was clustered in round curls, according to the fashion of those times, when neither smooth bands nor long ringlets were in vogue; her dress, also in the mode of the day, was of purple cloth, relieved by a sort of Spanish trimming of black velvet; a gold watch (watches were not so common then as now) shone at her girdle. Let the reader add, to complete the picture, refined features; a complexion, if pale, clear; and a stately air and carriage, and he will have, at least, as clearly as words can give it, a correct idea of the exterior of Miss Temple--Maria Temple, as I afterwards saw the name written in a prayer-book intrusted to me to carry to church. The superintendent of Lowood (for such was this lady) having taken her seat before a pair of globes placed on one of the tables, summoned the first class round her, and commenced giving a lesson on geography; the lower classes were called by the teachers: repetitions in history, grammar, &c., went on for an hour; writing and arithmetic succeeded, and music lessons were given by Miss Temple to some of the elder girls. The duration of each lesson was measured by the clock, which at last struck twelve. The superintendent rose-- "I have a word to address to the pupils," said she. The tumult of cessation from lessons was already breaking forth, but it sank at her voice. She went on-- "You had this morning a breakfast which you could not eat; you must be hungry:--I have ordered that a lunch of bread and cheese shall be served to all." The teachers looked at her with a sort of surprise. "It is to be done on my responsibility," she added, in an explanatory tone to them, and immediately afterwards left the room. The bread and cheese was presently brought in and distributed, to the high delight and refreshment of the whole school. The order was now given "To the garden!" Each put on a coarse straw bonnet, with strings of coloured calico, and a cloak of grey frieze. I was similarly equipped, and, following the stream, I made my way into the open air. The garden was a wide inclosure, surrounded with walls so high as to exclude every glimpse of prospect; a covered verandah ran down one side, and broad walks bordered a middle space divided into scores of little beds: these beds were assigned as gardens for the pupils to cultivate, and each bed had an owner. When full of flowers they would doubtless look pretty; but now, at the latter end of January, all was wintry blight and brown decay. I shuddered as I stood and looked round me: it was an inclement day for outdoor exercise; not positively rainy, but darkened by a drizzling yellow fog; all under foot was still soaking wet with the floods of yesterday. The stronger among the girls ran about and engaged in active games, but sundry pale and thin ones herded together for shelter and warmth in the verandah; and amongst these, as the dense mist penetrated to their shivering frames, I heard frequently the sound of a hollow cough. As yet I had spoken to no one, nor did anybody seem to take notice of me; I stood lonely enough: but to that feeling of isolation I was accustomed; it did not oppress me much. I leant against a pillar of the verandah, drew my grey mantle close about me, and, trying to forget the cold which nipped me without, and the unsatisfied hunger which gnawed me within, delivered myself up to the employment of watching and thinking. My reflections were too undefined and fragmentary to merit record: I hardly yet knew where I was; Gateshead and my past life seemed floated away to an immeasurable distance; the present was vague and strange, and of the future I could form no conjecture. I looked round the convent-like garden, and then up at the house--a large building, half of which seemed grey and old, the other half quite new. The new part, containing the schoolroom and dormitory, was lit by mullioned and latticed windows, which gave it a church-like aspect; a stone tablet over the door bore this inscription:-- "Lowood Institution.--This portion was rebuilt A.D. ---, by Naomi Brocklehurst, of Brocklehurst Hall, in this county." "Let your light so shine before men, that they may see your good works, and glorify your Father which is in heaven."--St. Matt. v. 16. I read these words over and over again: I felt that an explanation belonged to them, and was unable fully to penetrate their import. I was still pondering the signification of "Institution," and endeavouring to make out a connection between the first words and the verse of Scripture, when the sound of a cough close behind me made me turn my head. I saw a girl sitting on a stone bench near; she was bent over a book, on the perusal of which she seemed intent: from where I stood I could see the title--it was "Rasselas;" a name that struck me as strange, and consequently attractive. In turning a leaf she happened to look up, and I said to her directly-- "Is your book interesting?" I had already formed the intention of asking her to lend it to me some day. "I like it," she answered, after a pause of a second or two, during which she examined me. "What is it about?" I continued. I hardly know where I found the hardihood thus to open a conversation with a stranger; the step was contrary to my nature and habits: but I think her occupation touched a chord of sympathy somewhere; for I too liked reading, though of a frivolous and childish kind; I could not digest or comprehend the serious or substantial. "You may look at it," replied the girl, offering me the book. I did so; a brief examination convinced me that the contents were less taking than the title: "Rasselas" looked dull to my trifling taste; I saw nothing about fairies, nothing about genii; no bright variety seemed spread over the closely-printed pages. I returned it to her; she received it quietly, and without saying anything she was about to relapse into her former studious mood: again I ventured to disturb her-- "Can you tell me what the writing on that stone over the door means? What is Lowood Institution?" "This house where you are come to live." "And why do they call it Institution? Is it in any way different from other schools?" "It is partly a charity-school: you and I, and all the rest of us, are charity-children. I suppose you are an orphan: are not either your father or your mother dead?" "Both died before I can remember." "Well, all the girls here have lost either one or both parents, and this is called an institution for educating orphans." "Do we pay no money? Do they keep us for nothing?" "We pay, or our friends pay, fifteen pounds a year for each." "Then why do they call us charity-children?" "Because fifteen pounds is not enough for board and teaching, and the deficiency is supplied by subscription." "Who subscribes?" "Different benevolent-minded ladies and gentlemen in this neighbourhood and in London." "Who was Naomi Brocklehurst?" "The lady who built the new part of this house as that tablet records, and whose son overlooks and directs everything here." "Why?" "Because he is treasurer and manager of the establishment." "Then this house does not belong to that tall lady who wears a watch, and who said we were to have some bread and cheese?" "To Miss Temple? Oh, no! I wish it did: she has to answer to Mr. Brocklehurst for all she does. Mr. Brocklehurst buys all our food and all our clothes." "Does he live here?" "No--two miles off, at a large hall." "Is he a good man?" "He is a clergyman, and is said to do a great deal of good." "Did you say that tall lady was called Miss Temple?" "Yes." "And what are the other teachers called?" "The one with red cheeks is called Miss Smith; she attends to the work, and cuts out--for we make our own clothes, our frocks, and pelisses, and everything; the little one with black hair is Miss Scatcherd; she teaches history and grammar, and hears the second class repetitions; and the one who wears a shawl, and has a pocket-handkerchief tied to her side with a yellow ribband, is Madame Pierrot: she comes from Lisle, in France, and teaches French." "Do you like the teachers?" "Well enough." "Do you like the little black one, and the Madame ---?--I cannot pronounce her name as you do." "Miss Scatcherd is hasty--you must take care not to offend her; Madame Pierrot is not a bad sort of person." "But Miss Temple is the best--isn't she?" "Miss Temple is very good and very clever; she is above the rest, because she knows far more than they do." "Have you been long here?" "Two years." "Are you an orphan?" "My mother is dead." "Are you happy here?" "You ask rather too many questions. I have given you answers enough for the present: now I want to read." But at that moment the summons sounded for dinner; all re-entered the house. The odour which now filled the refectory was scarcely more appetising than that which had regaled our nostrils at breakfast: the dinner was served in two huge tin-plated vessels, whence rose a strong steam redolent of rancid fat. I found the mess to consist of indifferent potatoes and strange shreds of rusty meat, mixed and cooked together. Of this preparation a tolerably abundant plateful was apportioned to each pupil. I ate what I could, and wondered within myself whether every day's fare would be like this. After dinner, we immediately adjourned to the schoolroom: lessons recommenced, and were continued till five o'clock. The only marked event of the afternoon was, that I saw the girl with whom I had conversed in the verandah dismissed in disgrace by Miss Scatcherd from a history class, and sent to stand in the middle of the large schoolroom. The punishment seemed to me in a high degree ignominious, especially for so great a girl--she looked thirteen or upwards. I expected she would show signs of great distress and shame; but to my surprise she neither wept nor blushed: composed, though grave, she stood, the central mark of all eyes. "How can she bear it so quietly--so firmly?" I asked of myself. "Were I in her place, it seems to me I should wish the earth to open and swallow me up. She looks as if she were thinking of something beyond her punishment--beyond her situation: of something not round her nor before her. I have heard of day-dreams--is she in a day-dream now? Her eyes are fixed on the floor, but I am sure they do not see it--her sight seems turned in, gone down into her heart: she is looking at what she can remember, I believe; not at what is really present. I wonder what sort of a girl she is--whether good or naughty." Soon after five p.m. we had another meal, consisting of a small mug of coffee, and half-a-slice of brown bread. I devoured my bread and drank my coffee with relish; but I should have been glad of as much more--I was still hungry. Half-an-hour's recreation succeeded, then study; then the glass of water and the piece of oat-cake, prayers, and bed. Such was my first day at Lowood.

volume 1, Chapter 5

https://web.archive.org/web/20210123075639/https://www.sparknotes.com/lit/janeeyre/section2/

Four days after meeting Mr. Brocklehurst, Jane boards the 6 a. m. coach and travels alone to Lowood. When she arrives at the school, the day is dark and rainy, and she is led through a grim building that will be her new home. The following day, Jane is introduced to her classmates and learns the daily routine, which keeps the girls occupied from before dawn until dinner. Miss Temple, the superintendent of the school, is very kind, while one of Jane's teachers, Miss Scatcherd, is unpleasant, particularly in her harsh treatment of a young student named Helen Burns. Jane and Helen befriend one another, and Jane learns from Helen that Lowood is a charity school maintained for female orphans, which means that the Reeds have paid nothing to put her there. She also learns that Mr. Brocklehurst oversees every aspect of its operation: even Miss Temple must answer to him

This section details Jane's experiences at Lowood, from her first day at the school to her final one some nine years later. Jane's early years at Lowood prove to be a period of considerable tribulation, as she endures harsh conditions, cruel teachers, and the tyranny of Mr. Brocklehurst. Moreover, the harsh conditions she experiences as a student at Lowood show us that, despite Jane's intelligence, talent, and self-assurance, she is merely a burden in the eyes of society, because she is poor. The most important thematic elements in this section are the contrasting modes of religious thought represented by Mr. Brocklehurst and Helen Burns. Mr. Brocklehurst is a religious hypocrite, supporting his own luxuriously wealthy family at the expense of the Lowood students and using his "piety" as an instrument of power over the lower-class girls at Lowood. He claims that he is purging his students of pride by subjecting them to various privations and humiliations: for example, he orders that the naturally curly hair of one of Jane's classmates be cut so as to lie straight. The angelic Helen Burns and her doctrine of endurance represent a religious position that contrasts with Mr. Brocklehurst's. Utterly passive and accepting of any abjection, Helen embodies rather than preaches the Christian ideas of love and forgiveness. But neither form of religion satisfies Jane, who, because of her strong sensitivity to indignities and injustices, reviles Brocklehurst's shallow devotional displays and fails to understand Helen Burns's passivity. As Jane herself declares: "when we are struck at without a reason, we should strike back again very hard . . . so as to teach the person who struck us never to do it again" . Helen's doctrine of endurance and love is incompatible with Jane's belief in fairness and self-respect.

sparknotes

all_chapterized_books/1260-chapters/07.txt

finished_summaries/sparknotes/Jane Eyre/section_1_part_2.txt

Jane Eyre.volume 1.chapter 6

volume 1, chapter 6

{"name": "volume 1, Chapter 6", "url": "https://web.archive.org/web/20210123075639/https://www.sparknotes.com/lit/janeeyre/section2/", "summary": "On Jane's second morning at Lowood, the girls are unable to wash, as the water in their pitchers is frozen. Jane quickly learns that life at the school is harsh. The girls are underfed, overworked, and forced to sit still during seemingly endless sermons. Still, she takes comfort in her new friendship with Helen, who impresses Jane with her expansive knowledge and her ability to patiently endure even the cruelest treatment from Miss Scatcherd. Helen tells Jane that she practices a doctrine of Christian endurance, which means loving her enemies and accepting her privation. Jane disagrees strongly with such meek tolerance of injustice, but Helen takes no heed of Jane's arguments. Helen is self-critical only because she sometimes fails to live up to her ascetic standards: she believes that she is a poor student and chastises herself for daydreaming about her home and family when she should be concentrating on her studies", "analysis": "This section details Jane's experiences at Lowood, from her first day at the school to her final one some nine years later. Jane's early years at Lowood prove to be a period of considerable tribulation, as she endures harsh conditions, cruel teachers, and the tyranny of Mr. Brocklehurst. Moreover, the harsh conditions she experiences as a student at Lowood show us that, despite Jane's intelligence, talent, and self-assurance, she is merely a burden in the eyes of society, because she is poor. The most important thematic elements in this section are the contrasting modes of religious thought represented by Mr. Brocklehurst and Helen Burns. Mr. Brocklehurst is a religious hypocrite, supporting his own luxuriously wealthy family at the expense of the Lowood students and using his \"piety\" as an instrument of power over the lower-class girls at Lowood. He claims that he is purging his students of pride by subjecting them to various privations and humiliations: for example, he orders that the naturally curly hair of one of Jane's classmates be cut so as to lie straight. The angelic Helen Burns and her doctrine of endurance represent a religious position that contrasts with Mr. Brocklehurst's. Utterly passive and accepting of any abjection, Helen embodies rather than preaches the Christian ideas of love and forgiveness. But neither form of religion satisfies Jane, who, because of her strong sensitivity to indignities and injustices, reviles Brocklehurst's shallow devotional displays and fails to understand Helen Burns's passivity. As Jane herself declares: \"when we are struck at without a reason, we should strike back again very hard . . . so as to teach the person who struck us never to do it again\" . Helen's doctrine of endurance and love is incompatible with Jane's belief in fairness and self-respect."}

The next day commenced as before, getting up and dressing by rushlight; but this morning we were obliged to dispense with the ceremony of washing; the water in the pitchers was frozen. A change had taken place in the weather the preceding evening, and a keen north-east wind, whistling through the crevices of our bedroom windows all night long, had made us shiver in our beds, and turned the contents of the ewers to ice. Before the long hour and a half of prayers and Bible-reading was over, I felt ready to perish with cold. Breakfast-time came at last, and this morning the porridge was not burnt; the quality was eatable, the quantity small. How small my portion seemed! I wished it had been doubled. In the course of the day I was enrolled a member of the fourth class, and regular tasks and occupations were assigned me: hitherto, I had only been a spectator of the proceedings at Lowood; I was now to become an actor therein. At first, being little accustomed to learn by heart, the lessons appeared to me both long and difficult; the frequent change from task to task, too, bewildered me; and I was glad when, about three o'clock in the afternoon, Miss Smith put into my hands a border of muslin two yards long, together with needle, thimble, &c., and sent me to sit in a quiet corner of the schoolroom, with directions to hem the same. At that hour most of the others were sewing likewise; but one class still stood round Miss Scatcherd's chair reading, and as all was quiet, the subject of their lessons could be heard, together with the manner in which each girl acquitted herself, and the animadversions or commendations of Miss Scatcherd on the performance. It was English history: among the readers I observed my acquaintance of the verandah: at the commencement of the lesson, her place had been at the top of the class, but for some error of pronunciation, or some inattention to stops, she was suddenly sent to the very bottom. Even in that obscure position, Miss Scatcherd continued to make her an object of constant notice: she was continually addressing to her such phrases as the following:-- "Burns" (such it seems was her name: the girls here were all called by their surnames, as boys are elsewhere), "Burns, you are standing on the side of your shoe; turn your toes out immediately." "Burns, you poke your chin most unpleasantly; draw it in." "Burns, I insist on your holding your head up; I will not have you before me in that attitude," &c. &c. A chapter having been read through twice, the books were closed and the girls examined. The lesson had comprised part of the reign of Charles I., and there were sundry questions about tonnage and poundage and ship- money, which most of them appeared unable to answer; still, every little difficulty was solved instantly when it reached Burns: her memory seemed to have retained the substance of the whole lesson, and she was ready with answers on every point. I kept expecting that Miss Scatcherd would praise her attention; but, instead of that, she suddenly cried out-- "You dirty, disagreeable girl! you have never cleaned your nails this morning!" Burns made no answer: I wondered at her silence. "Why," thought I, "does she not explain that she could neither clean her nails nor wash her face, as the water was frozen?" My attention was now called off by Miss Smith desiring me to hold a skein of thread: while she was winding it, she talked to me from time to time, asking whether I had ever been at school before, whether I could mark, stitch, knit, &c.; till she dismissed me, I could not pursue my observations on Miss Scatcherd's movements. When I returned to my seat, that lady was just delivering an order of which I did not catch the import; but Burns immediately left the class, and going into the small inner room where the books were kept, returned in half a minute, carrying in her hand a bundle of twigs tied together at one end. This ominous tool she presented to Miss Scatcherd with a respectful curtesy; then she quietly, and without being told, unloosed her pinafore, and the teacher instantly and sharply inflicted on her neck a dozen strokes with the bunch of twigs. Not a tear rose to Burns' eye; and, while I paused from my sewing, because my fingers quivered at this spectacle with a sentiment of unavailing and impotent anger, not a feature of her pensive face altered its ordinary expression. "Hardened girl!" exclaimed Miss Scatcherd; "nothing can correct you of your slatternly habits: carry the rod away." Burns obeyed: I looked at her narrowly as she emerged from the book-closet; she was just putting back her handkerchief into her pocket, and the trace of a tear glistened on her thin cheek. The play-hour in the evening I thought the pleasantest fraction of the day at Lowood: the bit of bread, the draught of coffee swallowed at five o'clock had revived vitality, if it had not satisfied hunger: the long restraint of the day was slackened; the schoolroom felt warmer than in the morning--its fires being allowed to burn a little more brightly, to supply, in some measure, the place of candles, not yet introduced: the ruddy gloaming, the licensed uproar, the confusion of many voices gave one a welcome sense of liberty. On the evening of the day on which I had seen Miss Scatcherd flog her pupil, Burns, I wandered as usual among the forms and tables and laughing groups without a companion, yet not feeling lonely: when I passed the windows, I now and then lifted a blind, and looked out; it snowed fast, a drift was already forming against the lower panes; putting my ear close to the window, I could distinguish from the gleeful tumult within, the disconsolate moan of the wind outside. Probably, if I had lately left a good home and kind parents, this would have been the hour when I should most keenly have regretted the separation; that wind would then have saddened my heart; this obscure chaos would have disturbed my peace! as it was, I derived from both a strange excitement, and reckless and feverish, I wished the wind to howl more wildly, the gloom to deepen to darkness, and the confusion to rise to clamour. Jumping over forms, and creeping under tables, I made my way to one of the fire-places; there, kneeling by the high wire fender, I found Burns, absorbed, silent, abstracted from all round her by the companionship of a book, which she read by the dim glare of the embers. "Is it still 'Rasselas'?" I asked, coming behind her. "Yes," she said, "and I have just finished it." And in five minutes more she shut it up. I was glad of this. "Now," thought I, "I can perhaps get her to talk." I sat down by her on the floor. "What is your name besides Burns?" "Helen." "Do you come a long way from here?" "I come from a place farther north, quite on the borders of Scotland." "Will you ever go back?" "I hope so; but nobody can be sure of the future." "You must wish to leave Lowood?" "No! why should I? I was sent to Lowood to get an education; and it would be of no use going away until I have attained that object." "But that teacher, Miss Scatcherd, is so cruel to you?" "Cruel? Not at all! She is severe: she dislikes my faults." "And if I were in your place I should dislike her; I should resist her. If she struck me with that rod, I should get it from her hand; I should break it under her nose." "Probably you would do nothing of the sort: but if you did, Mr. Brocklehurst would expel you from the school; that would be a great grief to your relations. It is far better to endure patiently a smart which nobody feels but yourself, than to commit a hasty action whose evil consequences will extend to all connected with you; and besides, the Bible bids us return good for evil." "But then it seems disgraceful to be flogged, and to be sent to stand in the middle of a room full of people; and you are such a great girl: I am far younger than you, and I could not bear it." "Yet it would be your duty to bear it, if you could not avoid it: it is weak and silly to say you _cannot bear_ what it is your fate to be required to bear." I heard her with wonder: I could not comprehend this doctrine of endurance; and still less could I understand or sympathise with the forbearance she expressed for her chastiser. Still I felt that Helen Burns considered things by a light invisible to my eyes. I suspected she might be right and I wrong; but I would not ponder the matter deeply; like Felix, I put it off to a more convenient season. "You say you have faults, Helen: what are they? To me you seem very good." "Then learn from me, not to judge by appearances: I am, as Miss Scatcherd said, slatternly; I seldom put, and never keep, things, in order; I am careless; I forget rules; I read when I should learn my lessons; I have no method; and sometimes I say, like you, I cannot _bear_ to be subjected to systematic arrangements. This is all very provoking to Miss Scatcherd, who is naturally neat, punctual, and particular." "And cross and cruel," I added; but Helen Burns would not admit my addition: she kept silence. "Is Miss Temple as severe to you as Miss Scatcherd?" At the utterance of Miss Temple's name, a soft smile flitted over her grave face. "Miss Temple is full of goodness; it pains her to be severe to any one, even the worst in the school: she sees my errors, and tells me of them gently; and, if I do anything worthy of praise, she gives me my meed liberally. One strong proof of my wretchedly defective nature is, that even her expostulations, so mild, so rational, have not influence to cure me of my faults; and even her praise, though I value it most highly, cannot stimulate me to continued care and foresight." "That is curious," said I, "it is so easy to be careful." "For _you_ I have no doubt it is. I observed you in your class this morning, and saw you were closely attentive: your thoughts never seemed to wander while Miss Miller explained the lesson and questioned you. Now, mine continually rove away; when I should be listening to Miss Scatcherd, and collecting all she says with assiduity, often I lose the very sound of her voice; I fall into a sort of dream. Sometimes I think I am in Northumberland, and that the noises I hear round me are the bubbling of a little brook which runs through Deepden, near our house;--then, when it comes to my turn to reply, I have to be awakened; and having heard nothing of what was read for listening to the visionary brook, I have no answer ready." "Yet how well you replied this afternoon." "It was mere chance; the subject on which we had been reading had interested me. This afternoon, instead of dreaming of Deepden, I was wondering how a man who wished to do right could act so unjustly and unwisely as Charles the First sometimes did; and I thought what a pity it was that, with his integrity and conscientiousness, he could see no farther than the prerogatives of the crown. If he had but been able to look to a distance, and see how what they call the spirit of the age was tending! Still, I like Charles--I respect him--I pity him, poor murdered king! Yes, his enemies were the worst: they shed blood they had no right to shed. How dared they kill him!" Helen was talking to herself now: she had forgotten I could not very well understand her--that I was ignorant, or nearly so, of the subject she discussed. I recalled her to my level. "And when Miss Temple teaches you, do your thoughts wander then?" "No, certainly, not often; because Miss Temple has generally something to say which is newer than my own reflections; her language is singularly agreeable to me, and the information she communicates is often just what I wished to gain." "Well, then, with Miss Temple you are good?" "Yes, in a passive way: I make no effort; I follow as inclination guides me. There is no merit in such goodness." "A great deal: you are good to those who are good to you. It is all I ever desire to be. If people were always kind and obedient to those who are cruel and unjust, the wicked people would have it all their own way: they would never feel afraid, and so they would never alter, but would grow worse and worse. When we are struck at without a reason, we should strike back again very hard; I am sure we should--so hard as to teach the person who struck us never to do it again." "You will change your mind, I hope, when you grow older: as yet you are but a little untaught girl." "But I feel this, Helen; I must dislike those who, whatever I do to please them, persist in disliking me; I must resist those who punish me unjustly. It is as natural as that I should love those who show me affection, or submit to punishment when I feel it is deserved." "Heathens and savage tribes hold that doctrine, but Christians and civilised nations disown it." "How? I don't understand." "It is not violence that best overcomes hate--nor vengeance that most certainly heals injury." "What then?" "Read the New Testament, and observe what Christ says, and how He acts; make His word your rule, and His conduct your example." "What does He say?" "Love your enemies; bless them that curse you; do good to them that hate you and despitefully use you." "Then I should love Mrs. Reed, which I cannot do; I should bless her son John, which is impossible." In her turn, Helen Burns asked me to explain, and I proceeded forthwith to pour out, in my own way, the tale of my sufferings and resentments. Bitter and truculent when excited, I spoke as I felt, without reserve or softening. Helen heard me patiently to the end: I expected she would then make a remark, but she said nothing. "Well," I asked impatiently, "is not Mrs. Reed a hard-hearted, bad woman?" "She has been unkind to you, no doubt; because you see, she dislikes your cast of character, as Miss Scatcherd does mine; but how minutely you remember all she has done and said to you! What a singularly deep impression her injustice seems to have made on your heart! No ill-usage so brands its record on my feelings. Would you not be happier if you tried to forget her severity, together with the passionate emotions it excited? Life appears to me too short to be spent in nursing animosity or registering wrongs. We are, and must be, one and all, burdened with faults in this world: but the time will soon come when, I trust, we shall put them off in putting off our corruptible bodies; when debasement and sin will fall from us with this cumbrous frame of flesh, and only the spark of the spirit will remain,--the impalpable principle of light and thought, pure as when it left the Creator to inspire the creature: whence it came it will return; perhaps again to be communicated to some being higher than man--perhaps to pass through gradations of glory, from the pale human soul to brighten to the seraph! Surely it will never, on the contrary, be suffered to degenerate from man to fiend? No; I cannot believe that: I hold another creed: which no one ever taught me, and which I seldom mention; but in which I delight, and to which I cling: for it extends hope to all: it makes Eternity a rest--a mighty home, not a terror and an abyss. Besides, with this creed, I can so clearly distinguish between the criminal and his crime; I can so sincerely forgive the first while I abhor the last: with this creed revenge never worries my heart, degradation never too deeply disgusts me, injustice never crushes me too low: I live in calm, looking to the end." Helen's head, always drooping, sank a little lower as she finished this sentence. I saw by her look she wished no longer to talk to me, but rather to converse with her own thoughts. She was not allowed much time for meditation: a monitor, a great rough girl, presently came up, exclaiming in a strong Cumberland accent-- "Helen Burns, if you don't go and put your drawer in order, and fold up your work this minute, I'll tell Miss Scatcherd to come and look at it!" Helen sighed as her reverie fled, and getting up, obeyed the monitor without reply as without delay.

volume 1, Chapter 6

https://web.archive.org/web/20210123075639/https://www.sparknotes.com/lit/janeeyre/section2/

On Jane's second morning at Lowood, the girls are unable to wash, as the water in their pitchers is frozen. Jane quickly learns that life at the school is harsh. The girls are underfed, overworked, and forced to sit still during seemingly endless sermons. Still, she takes comfort in her new friendship with Helen, who impresses Jane with her expansive knowledge and her ability to patiently endure even the cruelest treatment from Miss Scatcherd. Helen tells Jane that she practices a doctrine of Christian endurance, which means loving her enemies and accepting her privation. Jane disagrees strongly with such meek tolerance of injustice, but Helen takes no heed of Jane's arguments. Helen is self-critical only because she sometimes fails to live up to her ascetic standards: she believes that she is a poor student and chastises herself for daydreaming about her home and family when she should be concentrating on her studies

This section details Jane's experiences at Lowood, from her first day at the school to her final one some nine years later. Jane's early years at Lowood prove to be a period of considerable tribulation, as she endures harsh conditions, cruel teachers, and the tyranny of Mr. Brocklehurst. Moreover, the harsh conditions she experiences as a student at Lowood show us that, despite Jane's intelligence, talent, and self-assurance, she is merely a burden in the eyes of society, because she is poor. The most important thematic elements in this section are the contrasting modes of religious thought represented by Mr. Brocklehurst and Helen Burns. Mr. Brocklehurst is a religious hypocrite, supporting his own luxuriously wealthy family at the expense of the Lowood students and using his "piety" as an instrument of power over the lower-class girls at Lowood. He claims that he is purging his students of pride by subjecting them to various privations and humiliations: for example, he orders that the naturally curly hair of one of Jane's classmates be cut so as to lie straight. The angelic Helen Burns and her doctrine of endurance represent a religious position that contrasts with Mr. Brocklehurst's. Utterly passive and accepting of any abjection, Helen embodies rather than preaches the Christian ideas of love and forgiveness. But neither form of religion satisfies Jane, who, because of her strong sensitivity to indignities and injustices, reviles Brocklehurst's shallow devotional displays and fails to understand Helen Burns's passivity. As Jane herself declares: "when we are struck at without a reason, we should strike back again very hard . . . so as to teach the person who struck us never to do it again" . Helen's doctrine of endurance and love is incompatible with Jane's belief in fairness and self-respect.

sparknotes

all_chapterized_books/1260-chapters/08.txt

finished_summaries/sparknotes/Jane Eyre/section_1_part_3.txt

Jane Eyre.volume 1.chapter 7

volume 1, chapter 7

{"name": "volume 1, Chapter 7", "url": "https://web.archive.org/web/20210123075639/https://www.sparknotes.com/lit/janeeyre/section2/", "summary": "For most of Jane's first month at Lowood, Mr. Brocklehurst spends his time away from the school. When he returns, Jane becomes quite nervous because she remembers his promise to her aunt, Mrs. Reed, to warn the school about Jane's supposed habit of lying. When Jane inadvertently drops her slate in Mr. Brocklehurst's presence, he is furious and tells her she is careless. He orders Jane to stand on a stool while he tells the school that she is a liar, and he forbids the other students to speak to her for the rest of the day. Helen makes Jane's day of humiliation endurable by providing her friend with silent consolation--she covertly smiles at Jane every time she passes by", "analysis": "This section details Jane's experiences at Lowood, from her first day at the school to her final one some nine years later. Jane's early years at Lowood prove to be a period of considerable tribulation, as she endures harsh conditions, cruel teachers, and the tyranny of Mr. Brocklehurst. Moreover, the harsh conditions she experiences as a student at Lowood show us that, despite Jane's intelligence, talent, and self-assurance, she is merely a burden in the eyes of society, because she is poor. The most important thematic elements in this section are the contrasting modes of religious thought represented by Mr. Brocklehurst and Helen Burns. Mr. Brocklehurst is a religious hypocrite, supporting his own luxuriously wealthy family at the expense of the Lowood students and using his \"piety\" as an instrument of power over the lower-class girls at Lowood. He claims that he is purging his students of pride by subjecting them to various privations and humiliations: for example, he orders that the naturally curly hair of one of Jane's classmates be cut so as to lie straight. The angelic Helen Burns and her doctrine of endurance represent a religious position that contrasts with Mr. Brocklehurst's. Utterly passive and accepting of any abjection, Helen embodies rather than preaches the Christian ideas of love and forgiveness. But neither form of religion satisfies Jane, who, because of her strong sensitivity to indignities and injustices, reviles Brocklehurst's shallow devotional displays and fails to understand Helen Burns's passivity. As Jane herself declares: \"when we are struck at without a reason, we should strike back again very hard . . . so as to teach the person who struck us never to do it again\" . Helen's doctrine of endurance and love is incompatible with Jane's belief in fairness and self-respect."}

My first quarter at Lowood seemed an age; and not the golden age either; it comprised an irksome struggle with difficulties in habituating myself to new rules and unwonted tasks. The fear of failure in these points harassed me worse than the physical hardships of my lot; though these were no trifles. During January, February, and part of March, the deep snows, and, after their melting, the almost impassable roads, prevented our stirring beyond the garden walls, except to go to church; but within these limits we had to pass an hour every day in the open air. Our clothing was insufficient to protect us from the severe cold: we had no boots, the snow got into our shoes and melted there: our ungloved hands became numbed and covered with chilblains, as were our feet: I remember well the distracting irritation I endured from this cause every evening, when my feet inflamed; and the torture of thrusting the swelled, raw, and stiff toes into my shoes in the morning. Then the scanty supply of food was distressing: with the keen appetites of growing children, we had scarcely sufficient to keep alive a delicate invalid. From this deficiency of nourishment resulted an abuse, which pressed hardly on the younger pupils: whenever the famished great girls had an opportunity, they would coax or menace the little ones out of their portion. Many a time I have shared between two claimants the precious morsel of brown bread distributed at tea-time; and after relinquishing to a third half the contents of my mug of coffee, I have swallowed the remainder with an accompaniment of secret tears, forced from me by the exigency of hunger. Sundays were dreary days in that wintry season. We had to walk two miles to Brocklebridge Church, where our patron officiated. We set out cold, we arrived at church colder: during the morning service we became almost paralysed. It was too far to return to dinner, and an allowance of cold meat and bread, in the same penurious proportion observed in our ordinary meals, was served round between the services. At the close of the afternoon service we returned by an exposed and hilly road, where the bitter winter wind, blowing over a range of snowy summits to the north, almost flayed the skin from our faces. I can remember Miss Temple walking lightly and rapidly along our drooping line, her plaid cloak, which the frosty wind fluttered, gathered close about her, and encouraging us, by precept and example, to keep up our spirits, and march forward, as she said, "like stalwart soldiers." The other teachers, poor things, were generally themselves too much dejected to attempt the task of cheering others. How we longed for the light and heat of a blazing fire when we got back! But, to the little ones at least, this was denied: each hearth in the schoolroom was immediately surrounded by a double row of great girls, and behind them the younger children crouched in groups, wrapping their starved arms in their pinafores. A little solace came at tea-time, in the shape of a double ration of bread--a whole, instead of a half, slice--with the delicious addition of a thin scrape of butter: it was the hebdomadal treat to which we all looked forward from Sabbath to Sabbath. I generally contrived to reserve a moiety of this bounteous repast for myself; but the remainder I was invariably obliged to part with. The Sunday evening was spent in repeating, by heart, the Church Catechism, and the fifth, sixth, and seventh chapters of St. Matthew; and in listening to a long sermon, read by Miss Miller, whose irrepressible yawns attested her weariness. A frequent interlude of these performances was the enactment of the part of Eutychus by some half-dozen of little girls, who, overpowered with sleep, would fall down, if not out of the third loft, yet off the fourth form, and be taken up half dead. The remedy was, to thrust them forward into the centre of the schoolroom, and oblige them to stand there till the sermon was finished. Sometimes their feet failed them, and they sank together in a heap; they were then propped up with the monitors' high stools. I have not yet alluded to the visits of Mr. Brocklehurst; and indeed that gentleman was from home during the greater part of the first month after my arrival; perhaps prolonging his stay with his friend the archdeacon: his absence was a relief to me. I need not say that I had my own reasons for dreading his coming: but come he did at last. One afternoon (I had then been three weeks at Lowood), as I was sitting with a slate in my hand, puzzling over a sum in long division, my eyes, raised in abstraction to the window, caught sight of a figure just passing: I recognised almost instinctively that gaunt outline; and when, two minutes after, all the school, teachers included, rose _en masse_, it was not necessary for me to look up in order to ascertain whose entrance they thus greeted. A long stride measured the schoolroom, and presently beside Miss Temple, who herself had risen, stood the same black column which had frowned on me so ominously from the hearthrug of Gateshead. I now glanced sideways at this piece of architecture. Yes, I was right: it was Mr. Brocklehurst, buttoned up in a surtout, and looking longer, narrower, and more rigid than ever. I had my own reasons for being dismayed at this apparition; too well I remembered the perfidious hints given by Mrs. Reed about my disposition, &c.; the promise pledged by Mr. Brocklehurst to apprise Miss Temple and the teachers of my vicious nature. All along I had been dreading the fulfilment of this promise,--I had been looking out daily for the "Coming Man," whose information respecting my past life and conversation was to brand me as a bad child for ever: now there he was. He stood at Miss Temple's side; he was speaking low in her ear: I did not doubt he was making disclosures of my villainy; and I watched her eye with painful anxiety, expecting every moment to see its dark orb turn on me a glance of repugnance and contempt. I listened too; and as I happened to be seated quite at the top of the room, I caught most of what he said: its import relieved me from immediate apprehension. "I suppose, Miss Temple, the thread I bought at Lowton will do; it struck me that it would be just of the quality for the calico chemises, and I sorted the needles to match. You may tell Miss Smith that I forgot to make a memorandum of the darning needles, but she shall have some papers sent in next week; and she is not, on any account, to give out more than one at a time to each pupil: if they have more, they are apt to be careless and lose them. And, O ma'am! I wish the woollen stockings were better looked to!--when I was here last, I went into the kitchen-garden and examined the clothes drying on the line; there was a quantity of black hose in a very bad state of repair: from the size of the holes in them I was sure they had not been well mended from time to time." He paused. "Your directions shall be attended to, sir," said Miss Temple. "And, ma'am," he continued, "the laundress tells me some of the girls have two clean tuckers in the week: it is too much; the rules limit them to one." "I think I can explain that circumstance, sir. Agnes and Catherine Johnstone were invited to take tea with some friends at Lowton last Thursday, and I gave them leave to put on clean tuckers for the occasion." Mr. Brocklehurst nodded. "Well, for once it may pass; but please not to let the circumstance occur too often. And there is another thing which surprised me; I find, in settling accounts with the housekeeper, that a lunch, consisting of bread and cheese, has twice been served out to the girls during the past fortnight. How is this? I looked over the regulations, and I find no such meal as lunch mentioned. Who introduced this innovation? and by what authority?" "I must be responsible for the circumstance, sir," replied Miss Temple: "the breakfast was so ill prepared that the pupils could not possibly eat it; and I dared not allow them to remain fasting till dinner-time." "Madam, allow me an instant. You are aware that my plan in bringing up these girls is, not to accustom them to habits of luxury and indulgence, but to render them hardy, patient, self-denying. Should any little accidental disappointment of the appetite occur, such as the spoiling of a meal, the under or the over dressing of a dish, the incident ought not to be neutralised by replacing with something more delicate the comfort lost, thus pampering the body and obviating the aim of this institution; it ought to be improved to the spiritual edification of the pupils, by encouraging them to evince fortitude under temporary privation. A brief address on those occasions would not be mistimed, wherein a judicious instructor would take the opportunity of referring to the sufferings of the primitive Christians; to the torments of martyrs; to the exhortations of our blessed Lord Himself, calling upon His disciples to take up their cross and follow Him; to His warnings that man shall not live by bread alone, but by every word that proceedeth out of the mouth of God; to His divine consolations, "If ye suffer hunger or thirst for My sake, happy are ye." Oh, madam, when you put bread and cheese, instead of burnt porridge, into these children's mouths, you may indeed feed their vile bodies, but you little think how you starve their immortal souls!" Mr. Brocklehurst again paused--perhaps overcome by his feelings. Miss Temple had looked down when he first began to speak to her; but she now gazed straight before her, and her face, naturally pale as marble, appeared to be assuming also the coldness and fixity of that material; especially her mouth, closed as if it would have required a sculptor's chisel to open it, and her brow settled gradually into petrified severity. Meantime, Mr. Brocklehurst, standing on the hearth with his hands behind his back, majestically surveyed the whole school. Suddenly his eye gave a blink, as if it had met something that either dazzled or shocked its pupil; turning, he said in more rapid accents than he had hitherto used-- "Miss Temple, Miss Temple, what--_what_ is that girl with curled hair? Red hair, ma'am, curled--curled all over?" And extending his cane he pointed to the awful object, his hand shaking as he did so. "It is Julia Severn," replied Miss Temple, very quietly. "Julia Severn, ma'am! And why has she, or any other, curled hair? Why, in defiance of every precept and principle of this house, does she conform to the world so openly--here in an evangelical, charitable establishment--as to wear her hair one mass of curls?" "Julia's hair curls naturally," returned Miss Temple, still more quietly. "Naturally! Yes, but we are not to conform to nature; I wish these girls to be the children of Grace: and why that abundance? I have again and again intimated that I desire the hair to be arranged closely, modestly, plainly. Miss Temple, that girl's hair must be cut off entirely; I will send a barber to-morrow: and I see others who have far too much of the excrescence--that tall girl, tell her to turn round. Tell all the first form to rise up and direct their faces to the wall." Miss Temple passed her handkerchief over her lips, as if to smooth away the involuntary smile that curled them; she gave the order, however, and when the first class could take in what was required of them, they obeyed. Leaning a little back on my bench, I could see the looks and grimaces with which they commented on this manoeuvre: it was a pity Mr. Brocklehurst could not see them too; he would perhaps have felt that, whatever he might do with the outside of the cup and platter, the inside was further beyond his interference than he imagined. He scrutinised the reverse of these living medals some five minutes, then pronounced sentence. These words fell like the knell of doom-- "All those top-knots must be cut off." Miss Temple seemed to remonstrate. "Madam," he pursued, "I have a Master to serve whose kingdom is not of this world: my mission is to mortify in these girls the lusts of the flesh; to teach them to clothe themselves with shame-facedness and sobriety, not with braided hair and costly apparel; and each of the young persons before us has a string of hair twisted in plaits which vanity itself might have woven; these, I repeat, must be cut off; think of the time wasted, of--" Mr. Brocklehurst was here interrupted: three other visitors, ladies, now entered the room. They ought to have come a little sooner to have heard his lecture on dress, for they were splendidly attired in velvet, silk, and furs. The two younger of the trio (fine girls of sixteen and seventeen) had grey beaver hats, then in fashion, shaded with ostrich plumes, and from under the brim of this graceful head-dress fell a profusion of light tresses, elaborately curled; the elder lady was enveloped in a costly velvet shawl, trimmed with ermine, and she wore a false front of French curls. These ladies were deferentially received by Miss Temple, as Mrs. and the Misses Brocklehurst, and conducted to seats of honour at the top of the room. It seems they had come in the carriage with their reverend relative, and had been conducting a rummaging scrutiny of the room upstairs, while he transacted business with the housekeeper, questioned the laundress, and lectured the superintendent. They now proceeded to address divers remarks and reproofs to Miss Smith, who was charged with the care of the linen and the inspection of the dormitories: but I had no time to listen to what they said; other matters called off and enchanted my attention. Hitherto, while gathering up the discourse of Mr. Brocklehurst and Miss Temple, I had not, at the same time, neglected precautions to secure my personal safety; which I thought would be effected, if I could only elude observation. To this end, I had sat well back on the form, and while seeming to be busy with my sum, had held my slate in such a manner as to conceal my face: I might have escaped notice, had not my treacherous slate somehow happened to slip from my hand, and falling with an obtrusive crash, directly drawn every eye upon me; I knew it was all over now, and, as I stooped to pick up the two fragments of slate, I rallied my forces for the worst. It came. "A careless girl!" said Mr. Brocklehurst, and immediately after--"It is the new pupil, I perceive." And before I could draw breath, "I must not forget I have a word to say respecting her." Then aloud: how loud it seemed to me! "Let the child who broke her slate come forward!" Of my own accord I could not have stirred; I was paralysed: but the two great girls who sit on each side of me, set me on my legs and pushed me towards the dread judge, and then Miss Temple gently assisted me to his very feet, and I caught her whispered counsel-- "Don't be afraid, Jane, I saw it was an accident; you shall not be punished." The kind whisper went to my heart like a dagger. "Another minute, and she will despise me for a hypocrite," thought I; and an impulse of fury against Reed, Brocklehurst, and Co. bounded in my pulses at the conviction. I was no Helen Burns. "Fetch that stool," said Mr. Brocklehurst, pointing to a very high one from which a monitor had just risen: it was brought. "Place the child upon it." And I was placed there, by whom I don't know: I was in no condition to note particulars; I was only aware that they had hoisted me up to the height of Mr. Brocklehurst's nose, that he was within a yard of me, and that a spread of shot orange and purple silk pelisses and a cloud of silvery plumage extended and waved below me. Mr. Brocklehurst hemmed. "Ladies," said he, turning to his family, "Miss Temple, teachers, and children, you all see this girl?" Of course they did; for I felt their eyes directed like burning-glasses against my scorched skin. "You see she is yet young; you observe she possesses the ordinary form of childhood; God has graciously given her the shape that He has given to all of us; no signal deformity points her out as a marked character. Who would think that the Evil One had already found a servant and agent in her? Yet such, I grieve to say, is the case." A pause--in which I began to steady the palsy of my nerves, and to feel that the Rubicon was passed; and that the trial, no longer to be shirked, must be firmly sustained. "My dear children," pursued the black marble clergyman, with pathos, "this is a sad, a melancholy occasion; for it becomes my duty to warn you, that this girl, who might be one of God's own lambs, is a little castaway: not a member of the true flock, but evidently an interloper and an alien. You must be on your guard against her; you must shun her example; if necessary, avoid her company, exclude her from your sports, and shut her out from your converse. Teachers, you must watch her: keep your eyes on her movements, weigh well her words, scrutinise her actions, punish her body to save her soul: if, indeed, such salvation be possible, for (my tongue falters while I tell it) this girl, this child, the native of a Christian land, worse than many a little heathen who says its prayers to Brahma and kneels before Juggernaut--this girl is--a liar!" Now came a pause of ten minutes, during which I, by this time in perfect possession of my wits, observed all the female Brocklehursts produce their pocket-handkerchiefs and apply them to their optics, while the elderly lady swayed herself to and fro, and the two younger ones whispered, "How shocking!" Mr. Brocklehurst resumed. "This I learned from her benefactress; from the pious and charitable lady who adopted her in her orphan state, reared her as her own daughter, and whose kindness, whose generosity the unhappy girl repaid by an ingratitude so bad, so dreadful, that at last her excellent patroness was obliged to separate her from her own young ones, fearful lest her vicious example should contaminate their purity: she has sent her here to be healed, even as the Jews of old sent their diseased to the troubled pool of Bethesda; and, teachers, superintendent, I beg of you not to allow the waters to stagnate round her." With this sublime conclusion, Mr. Brocklehurst adjusted the top button of his surtout, muttered something to his family, who rose, bowed to Miss Temple, and then all the great people sailed in state from the room. Turning at the door, my judge said-- "Let her stand half-an-hour longer on that stool, and let no one speak to her during the remainder of the day." There was I, then, mounted aloft; I, who had said I could not bear the shame of standing on my natural feet in the middle of the room, was now exposed to general view on a pedestal of infamy. What my sensations were no language can describe; but just as they all rose, stifling my breath and constricting my throat, a girl came up and passed me: in passing, she lifted her eyes. What a strange light inspired them! What an extraordinary sensation that ray sent through me! How the new feeling bore me up! It was as if a martyr, a hero, had passed a slave or victim, and imparted strength in the transit. I mastered the rising hysteria, lifted up my head, and took a firm stand on the stool. Helen Burns asked some slight question about her work of Miss Smith, was chidden for the triviality of the inquiry, returned to her place, and smiled at me as she again went by. What a smile! I remember it now, and I know that it was the effluence of fine intellect, of true courage; it lit up her marked lineaments, her thin face, her sunken grey eye, like a reflection from the aspect of an angel. Yet at that moment Helen Burns wore on her arm "the untidy badge;" scarcely an hour ago I had heard her condemned by Miss Scatcherd to a dinner of bread and water on the morrow because she had blotted an exercise in copying it out. Such is the imperfect nature of man! such spots are there on the disc of the clearest planet; and eyes like Miss Scatcherd's can only see those minute defects, and are blind to the full brightness of the orb.

volume 1, Chapter 7

https://web.archive.org/web/20210123075639/https://www.sparknotes.com/lit/janeeyre/section2/

For most of Jane's first month at Lowood, Mr. Brocklehurst spends his time away from the school. When he returns, Jane becomes quite nervous because she remembers his promise to her aunt, Mrs. Reed, to warn the school about Jane's supposed habit of lying. When Jane inadvertently drops her slate in Mr. Brocklehurst's presence, he is furious and tells her she is careless. He orders Jane to stand on a stool while he tells the school that she is a liar, and he forbids the other students to speak to her for the rest of the day. Helen makes Jane's day of humiliation endurable by providing her friend with silent consolation--she covertly smiles at Jane every time she passes by

This section details Jane's experiences at Lowood, from her first day at the school to her final one some nine years later. Jane's early years at Lowood prove to be a period of considerable tribulation, as she endures harsh conditions, cruel teachers, and the tyranny of Mr. Brocklehurst. Moreover, the harsh conditions she experiences as a student at Lowood show us that, despite Jane's intelligence, talent, and self-assurance, she is merely a burden in the eyes of society, because she is poor. The most important thematic elements in this section are the contrasting modes of religious thought represented by Mr. Brocklehurst and Helen Burns. Mr. Brocklehurst is a religious hypocrite, supporting his own luxuriously wealthy family at the expense of the Lowood students and using his "piety" as an instrument of power over the lower-class girls at Lowood. He claims that he is purging his students of pride by subjecting them to various privations and humiliations: for example, he orders that the naturally curly hair of one of Jane's classmates be cut so as to lie straight. The angelic Helen Burns and her doctrine of endurance represent a religious position that contrasts with Mr. Brocklehurst's. Utterly passive and accepting of any abjection, Helen embodies rather than preaches the Christian ideas of love and forgiveness. But neither form of religion satisfies Jane, who, because of her strong sensitivity to indignities and injustices, reviles Brocklehurst's shallow devotional displays and fails to understand Helen Burns's passivity. As Jane herself declares: "when we are struck at without a reason, we should strike back again very hard . . . so as to teach the person who struck us never to do it again" . Helen's doctrine of endurance and love is incompatible with Jane's belief in fairness and self-respect.

sparknotes

all_chapterized_books/1260-chapters/09.txt

finished_summaries/sparknotes/Jane Eyre/section_1_part_4.txt

Jane Eyre.volume 1.chapter 8

volume 1, chapter 8

{"name": "volume 1, Chapter 8", "url": "https://web.archive.org/web/20210123075639/https://www.sparknotes.com/lit/janeeyre/section2/", "summary": "Finally, at five o'clock, the students disperse, and Jane collapses to the floor. Deeply ashamed, she is certain that her reputation at Lowood has been ruined, but Helen assures her that most of the girls felt more pity for Jane than revulsion at her alleged deceitfulness. Jane tells Miss Temple that she is not a liar, and relates the story of her tormented childhood at Gateshead. Miss Temple seems to believe Jane and writes to Mr. Lloyd requesting confirmation of Jane's account of events. Miss Temple offers Jane and Helen tea and seed cake, endearing herself even further to Jane. When Mr. Lloyd's letter arrives and corroborates Jane's story, Miss Temple publicly declares Jane to be innocent. Relieved and contented, Jane devotes herself to her studies. She excels at drawing and makes progress in French", "analysis": "This section details Jane's experiences at Lowood, from her first day at the school to her final one some nine years later. Jane's early years at Lowood prove to be a period of considerable tribulation, as she endures harsh conditions, cruel teachers, and the tyranny of Mr. Brocklehurst. Moreover, the harsh conditions she experiences as a student at Lowood show us that, despite Jane's intelligence, talent, and self-assurance, she is merely a burden in the eyes of society, because she is poor. The most important thematic elements in this section are the contrasting modes of religious thought represented by Mr. Brocklehurst and Helen Burns. Mr. Brocklehurst is a religious hypocrite, supporting his own luxuriously wealthy family at the expense of the Lowood students and using his \"piety\" as an instrument of power over the lower-class girls at Lowood. He claims that he is purging his students of pride by subjecting them to various privations and humiliations: for example, he orders that the naturally curly hair of one of Jane's classmates be cut so as to lie straight. The angelic Helen Burns and her doctrine of endurance represent a religious position that contrasts with Mr. Brocklehurst's. Utterly passive and accepting of any abjection, Helen embodies rather than preaches the Christian ideas of love and forgiveness. But neither form of religion satisfies Jane, who, because of her strong sensitivity to indignities and injustices, reviles Brocklehurst's shallow devotional displays and fails to understand Helen Burns's passivity. As Jane herself declares: \"when we are struck at without a reason, we should strike back again very hard . . . so as to teach the person who struck us never to do it again\" . Helen's doctrine of endurance and love is incompatible with Jane's belief in fairness and self-respect."}

Ere the half-hour ended, five o'clock struck; school was dismissed, and all were gone into the refectory to tea. I now ventured to descend: it was deep dusk; I retired into a corner and sat down on the floor. The spell by which I had been so far supported began to dissolve; reaction took place, and soon, so overwhelming was the grief that seized me, I sank prostrate with my face to the ground. Now I wept: Helen Burns was not here; nothing sustained me; left to myself I abandoned myself, and my tears watered the boards. I had meant to be so good, and to do so much at Lowood: to make so many friends, to earn respect and win affection. Already I had made visible progress: that very morning I had reached the head of my class; Miss Miller had praised me warmly; Miss Temple had smiled approbation; she had promised to teach me drawing, and to let me learn French, if I continued to make similar improvement two months longer: and then I was well received by my fellow-pupils; treated as an equal by those of my own age, and not molested by any; now, here I lay again crushed and trodden on; and could I ever rise more? "Never," I thought; and ardently I wished to die. While sobbing out this wish in broken accents, some one approached: I started up--again Helen Burns was near me; the fading fires just showed her coming up the long, vacant room; she brought my coffee and bread. "Come, eat something," she said; but I put both away from me, feeling as if a drop or a crumb would have choked me in my present condition. Helen regarded me, probably with surprise: I could not now abate my agitation, though I tried hard; I continued to weep aloud. She sat down on the ground near me, embraced her knees with her arms, and rested her head upon them; in that attitude she remained silent as an Indian. I was the first who spoke-- "Helen, why do you stay with a girl whom everybody believes to be a liar?" "Everybody, Jane? Why, there are only eighty people who have heard you called so, and the world contains hundreds of millions." "But what have I to do with millions? The eighty, I know, despise me." "Jane, you are mistaken: probably not one in the school either despises or dislikes you: many, I am sure, pity you much." "How can they pity me after what Mr. Brocklehurst has said?" "Mr. Brocklehurst is not a god: nor is he even a great and admired man: he is little liked here; he never took steps to make himself liked. Had he treated you as an especial favourite, you would have found enemies, declared or covert, all around you; as it is, the greater number would offer you sympathy if they dared. Teachers and pupils may look coldly on you for a day or two, but friendly feelings are concealed in their hearts; and if you persevere in doing well, these feelings will ere long appear so much the more evidently for their temporary suppression. Besides, Jane"--she paused. "Well, Helen?" said I, putting my hand into hers: she chafed my fingers gently to warm them, and went on-- "If all the world hated you, and believed you wicked, while your own conscience approved you, and absolved you from guilt, you would not be without friends." "No; I know I should think well of myself; but that is not enough: if others don't love me I would rather die than live--I cannot bear to be solitary and hated, Helen. Look here; to gain some real affection from you, or Miss Temple, or any other whom I truly love, I would willingly submit to have the bone of my arm broken, or to let a bull toss me, or to stand behind a kicking horse, and let it dash its hoof at my chest--" "Hush, Jane! you think too much of the love of human beings; you are too impulsive, too vehement; the sovereign hand that created your frame, and put life into it, has provided you with other resources than your feeble self, or than creatures feeble as you. Besides this earth, and besides the race of men, there is an invisible world and a kingdom of spirits: that world is round us, for it is everywhere; and those spirits watch us, for they are commissioned to guard us; and if we were dying in pain and shame, if scorn smote us on all sides, and hatred crushed us, angels see our tortures, recognise our innocence (if innocent we be: as I know you are of this charge which Mr. Brocklehurst has weakly and pompously repeated at second-hand from Mrs. Reed; for I read a sincere nature in your ardent eyes and on your clear front), and God waits only the separation of spirit from flesh to crown us with a full reward. Why, then, should we ever sink overwhelmed with distress, when life is so soon over, and death is so certain an entrance to happiness--to glory?" I was silent; Helen had calmed me; but in the tranquillity she imparted there was an alloy of inexpressible sadness. I felt the impression of woe as she spoke, but I could not tell whence it came; and when, having done speaking, she breathed a little fast and coughed a short cough, I momentarily forgot my own sorrows to yield to a vague concern for her. Resting my head on Helen's shoulder, I put my arms round her waist; she drew me to her, and we reposed in silence. We had not sat long thus, when another person came in. Some heavy clouds, swept from the sky by a rising wind, had left the moon bare; and her light, streaming in through a window near, shone full both on us and on the approaching figure, which we at once recognised as Miss Temple. "I came on purpose to find you, Jane Eyre," said she; "I want you in my room; and as Helen Burns is with you, she may come too." We went; following the superintendent's guidance, we had to thread some intricate passages, and mount a staircase before we reached her apartment; it contained a good fire, and looked cheerful. Miss Temple told Helen Burns to be seated in a low arm-chair on one side of the hearth, and herself taking another, she called me to her side. "Is it all over?" she asked, looking down at my face. "Have you cried your grief away?" "I am afraid I never shall do that." "Why?" "Because I have been wrongly accused; and you, ma'am, and everybody else, will now think me wicked." "We shall think you what you prove yourself to be, my child. Continue to act as a good girl, and you will satisfy us." "Shall I, Miss Temple?" "You will," said she, passing her arm round me. "And now tell me who is the lady whom Mr. Brocklehurst called your benefactress?" "Mrs. Reed, my uncle's wife. My uncle is dead, and he left me to her care." "Did she not, then, adopt you of her own accord?" "No, ma'am; she was sorry to have to do it: but my uncle, as I have often heard the servants say, got her to promise before he died that she would always keep me." "Well now, Jane, you know, or at least I will tell you, that when a criminal is accused, he is always allowed to speak in his own defence. You have been charged with falsehood; defend yourself to me as well as you can. Say whatever your memory suggests is true; but add nothing and exaggerate nothing." I resolved, in the depth of my heart, that I would be most moderate--most correct; and, having reflected a few minutes in order to arrange coherently what I had to say, I told her all the story of my sad childhood. Exhausted by emotion, my language was more subdued than it generally was when it developed that sad theme; and mindful of Helen's warnings against the indulgence of resentment, I infused into the narrative far less of gall and wormwood than ordinary. Thus restrained and simplified, it sounded more credible: I felt as I went on that Miss Temple fully believed me. In the course of the tale I had mentioned Mr. Lloyd as having come to see me after the fit: for I never forgot the, to me, frightful episode of the red-room: in detailing which, my excitement was sure, in some degree, to break bounds; for nothing could soften in my recollection the spasm of agony which clutched my heart when Mrs. Reed spurned my wild supplication for pardon, and locked me a second time in the dark and haunted chamber. I had finished: Miss Temple regarded me a few minutes in silence; she then said-- "I know something of Mr. Lloyd; I shall write to him; if his reply agrees with your statement, you shall be publicly cleared from every imputation; to me, Jane, you are clear now." She kissed me, and still keeping me at her side (where I was well contented to stand, for I derived a child's pleasure from the contemplation of her face, her dress, her one or two ornaments, her white forehead, her clustered and shining curls, and beaming dark eyes), she proceeded to address Helen Burns. "How are you to-night, Helen? Have you coughed much to-day?" "Not quite so much, I think, ma'am." "And the pain in your chest?" "It is a little better." Miss Temple got up, took her hand and examined her pulse; then she returned to her own seat: as she resumed it, I heard her sigh low. She was pensive a few minutes, then rousing herself, she said cheerfully-- "But you two are my visitors to-night; I must treat you as such." She rang her bell. "Barbara," she said to the servant who answered it, "I have not yet had tea; bring the tray and place cups for these two young ladies." And a tray was soon brought. How pretty, to my eyes, did the china cups and bright teapot look, placed on the little round table near the fire! How fragrant was the steam of the beverage, and the scent of the toast! of which, however, I, to my dismay (for I was beginning to be hungry) discerned only a very small portion: Miss Temple discerned it too. "Barbara," said she, "can you not bring a little more bread and butter? There is not enough for three." Barbara went out: she returned soon-- "Madam, Mrs. Harden says she has sent up the usual quantity." Mrs. Harden, be it observed, was the housekeeper: a woman after Mr. Brocklehurst's own heart, made up of equal parts of whalebone and iron. "Oh, very well!" returned Miss Temple; "we must make it do, Barbara, I suppose." And as the girl withdrew she added, smiling, "Fortunately, I have it in my power to supply deficiencies for this once." Having invited Helen and me to approach the table, and placed before each of us a cup of tea with one delicious but thin morsel of toast, she got up, unlocked a drawer, and taking from it a parcel wrapped in paper, disclosed presently to our eyes a good-sized seed-cake. "I meant to give each of you some of this to take with you," said she, "but as there is so little toast, you must have it now," and she proceeded to cut slices with a generous hand. We feasted that evening as on nectar and ambrosia; and not the least delight of the entertainment was the smile of gratification with which our hostess regarded us, as we satisfied our famished appetites on the delicate fare she liberally supplied. Tea over and the tray removed, she again summoned us to the fire; we sat one on each side of her, and now a conversation followed between her and Helen, which it was indeed a privilege to be admitted to hear. Miss Temple had always something of serenity in her air, of state in her mien, of refined propriety in her language, which precluded deviation into the ardent, the excited, the eager: something which chastened the pleasure of those who looked on her and listened to her, by a controlling sense of awe; and such was my feeling now: but as to Helen Burns, I was struck with wonder. The refreshing meal, the brilliant fire, the presence and kindness of her beloved instructress, or, perhaps, more than all these, something in her own unique mind, had roused her powers within her. They woke, they kindled: first, they glowed in the bright tint of her cheek, which till this hour I had never seen but pale and bloodless; then they shone in the liquid lustre of her eyes, which had suddenly acquired a beauty more singular than that of Miss Temple's--a beauty neither of fine colour nor long eyelash, nor pencilled brow, but of meaning, of movement, of radiance. Then her soul sat on her lips, and language flowed, from what source I cannot tell. Has a girl of fourteen a heart large enough, vigorous enough, to hold the swelling spring of pure, full, fervid eloquence? Such was the characteristic of Helen's discourse on that, to me, memorable evening; her spirit seemed hastening to live within a very brief span as much as many live during a protracted existence. They conversed of things I had never heard of; of nations and times past; of countries far away; of secrets of nature discovered or guessed at: they spoke of books: how many they had read! What stores of knowledge they possessed! Then they seemed so familiar with French names and French authors: but my amazement reached its climax when Miss Temple asked Helen if she sometimes snatched a moment to recall the Latin her father had taught her, and taking a book from a shelf, bade her read and construe a page of Virgil; and Helen obeyed, my organ of veneration expanding at every sounding line. She had scarcely finished ere the bell announced bedtime! no delay could be admitted; Miss Temple embraced us both, saying, as she drew us to her heart-- "God bless you, my children!" Helen she held a little longer than me: she let her go more reluctantly; it was Helen her eye followed to the door; it was for her she a second time breathed a sad sigh; for her she wiped a tear from her cheek. On reaching the bedroom, we heard the voice of Miss Scatcherd: she was examining drawers; she had just pulled out Helen Burns's, and when we entered Helen was greeted with a sharp reprimand, and told that to-morrow she should have half-a-dozen of untidily folded articles pinned to her shoulder. "My things were indeed in shameful disorder," murmured Helen to me, in a low voice: "I intended to have arranged them, but I forgot." Next morning, Miss Scatcherd wrote in conspicuous characters on a piece of pasteboard the word "Slattern," and bound it like a phylactery round Helen's large, mild, intelligent, and benign-looking forehead. She wore it till evening, patient, unresentful, regarding it as a deserved punishment. The moment Miss Scatcherd withdrew after afternoon school, I ran to Helen, tore it off, and thrust it into the fire: the fury of which she was incapable had been burning in my soul all day, and tears, hot and large, had continually been scalding my cheek; for the spectacle of her sad resignation gave me an intolerable pain at the heart. About a week subsequently to the incidents above narrated, Miss Temple, who had written to Mr. Lloyd, received his answer: it appeared that what he said went to corroborate my account. Miss Temple, having assembled the whole school, announced that inquiry had been made into the charges alleged against Jane Eyre, and that she was most happy to be able to pronounce her completely cleared from every imputation. The teachers then shook hands with me and kissed me, and a murmur of pleasure ran through the ranks of my companions. Thus relieved of a grievous load, I from that hour set to work afresh, resolved to pioneer my way through every difficulty: I toiled hard, and my success was proportionate to my efforts; my memory, not naturally tenacious, improved with practice; exercise sharpened my wits; in a few weeks I was promoted to a higher class; in less than two months I was allowed to commence French and drawing. I learned the first two tenses of the verb _Etre_, and sketched my first cottage (whose walls, by-the- bye, outrivalled in slope those of the leaning tower of Pisa), on the same day. That night, on going to bed, I forgot to prepare in imagination the Barmecide supper of hot roast potatoes, or white bread and new milk, with which I was wont to amuse my inward cravings: I feasted instead on the spectacle of ideal drawings, which I saw in the dark; all the work of my own hands: freely pencilled houses and trees, picturesque rocks and ruins, Cuyp-like groups of cattle, sweet paintings of butterflies hovering over unblown roses, of birds picking at ripe cherries, of wren's nests enclosing pearl-like eggs, wreathed about with young ivy sprays. I examined, too, in thought, the possibility of my ever being able to translate currently a certain little French story which Madame Pierrot had that day shown me; nor was that problem solved to my satisfaction ere I fell sweetly asleep. Well has Solomon said--"Better is a dinner of herbs where love is, than a stalled ox and hatred therewith." I would not now have exchanged Lowood with all its privations for Gateshead and its daily luxuries.

volume 1, Chapter 8

https://web.archive.org/web/20210123075639/https://www.sparknotes.com/lit/janeeyre/section2/

Finally, at five o'clock, the students disperse, and Jane collapses to the floor. Deeply ashamed, she is certain that her reputation at Lowood has been ruined, but Helen assures her that most of the girls felt more pity for Jane than revulsion at her alleged deceitfulness. Jane tells Miss Temple that she is not a liar, and relates the story of her tormented childhood at Gateshead. Miss Temple seems to believe Jane and writes to Mr. Lloyd requesting confirmation of Jane's account of events. Miss Temple offers Jane and Helen tea and seed cake, endearing herself even further to Jane. When Mr. Lloyd's letter arrives and corroborates Jane's story, Miss Temple publicly declares Jane to be innocent. Relieved and contented, Jane devotes herself to her studies. She excels at drawing and makes progress in French

This section details Jane's experiences at Lowood, from her first day at the school to her final one some nine years later. Jane's early years at Lowood prove to be a period of considerable tribulation, as she endures harsh conditions, cruel teachers, and the tyranny of Mr. Brocklehurst. Moreover, the harsh conditions she experiences as a student at Lowood show us that, despite Jane's intelligence, talent, and self-assurance, she is merely a burden in the eyes of society, because she is poor. The most important thematic elements in this section are the contrasting modes of religious thought represented by Mr. Brocklehurst and Helen Burns. Mr. Brocklehurst is a religious hypocrite, supporting his own luxuriously wealthy family at the expense of the Lowood students and using his "piety" as an instrument of power over the lower-class girls at Lowood. He claims that he is purging his students of pride by subjecting them to various privations and humiliations: for example, he orders that the naturally curly hair of one of Jane's classmates be cut so as to lie straight. The angelic Helen Burns and her doctrine of endurance represent a religious position that contrasts with Mr. Brocklehurst's. Utterly passive and accepting of any abjection, Helen embodies rather than preaches the Christian ideas of love and forgiveness. But neither form of religion satisfies Jane, who, because of her strong sensitivity to indignities and injustices, reviles Brocklehurst's shallow devotional displays and fails to understand Helen Burns's passivity. As Jane herself declares: "when we are struck at without a reason, we should strike back again very hard . . . so as to teach the person who struck us never to do it again" . Helen's doctrine of endurance and love is incompatible with Jane's belief in fairness and self-respect.

sparknotes

all_chapterized_books/1260-chapters/10.txt

finished_summaries/sparknotes/Jane Eyre/section_1_part_5.txt

Jane Eyre.volume 1.chapter 9

volume 1, chapter 9

{"name": "volume 1, Chapter 9", "url": "https://web.archive.org/web/20210123075639/https://www.sparknotes.com/lit/janeeyre/section2/", "summary": "In the spring, life at Lowood briefly seems happier, but the damp forest dell in which the school resides is a breeding-ground for typhus, and in the warm temperatures more than half the girls fall ill with the disease. Jane remains healthy and spends her time playing outdoors with a new friend, Mary Ann Wilson. Helen is sick, but not with typhus--Jane learns the horrific news that her friend is dying of consumption. One evening, Jane sneaks into Miss Temple's room to see Helen one last time. Helen promises Jane that she feels little pain and is happy to be leaving the world's suffering behind. Jane takes Helen into her arms, and the girls fall asleep. During the night, Helen dies. Her grave is originally unmarked, but fifteen years after her death, a gray marble tablet is placed over the spot , bearing the single word Resurgam, Latin for \"I shall rise again", "analysis": "This section details Jane's experiences at Lowood, from her first day at the school to her final one some nine years later. Jane's early years at Lowood prove to be a period of considerable tribulation, as she endures harsh conditions, cruel teachers, and the tyranny of Mr. Brocklehurst. Moreover, the harsh conditions she experiences as a student at Lowood show us that, despite Jane's intelligence, talent, and self-assurance, she is merely a burden in the eyes of society, because she is poor. The most important thematic elements in this section are the contrasting modes of religious thought represented by Mr. Brocklehurst and Helen Burns. Mr. Brocklehurst is a religious hypocrite, supporting his own luxuriously wealthy family at the expense of the Lowood students and using his \"piety\" as an instrument of power over the lower-class girls at Lowood. He claims that he is purging his students of pride by subjecting them to various privations and humiliations: for example, he orders that the naturally curly hair of one of Jane's classmates be cut so as to lie straight. The angelic Helen Burns and her doctrine of endurance represent a religious position that contrasts with Mr. Brocklehurst's. Utterly passive and accepting of any abjection, Helen embodies rather than preaches the Christian ideas of love and forgiveness. But neither form of religion satisfies Jane, who, because of her strong sensitivity to indignities and injustices, reviles Brocklehurst's shallow devotional displays and fails to understand Helen Burns's passivity. As Jane herself declares: \"when we are struck at without a reason, we should strike back again very hard . . . so as to teach the person who struck us never to do it again\" . Helen's doctrine of endurance and love is incompatible with Jane's belief in fairness and self-respect."}

But the privations, or rather the hardships, of Lowood lessened. Spring drew on: she was indeed already come; the frosts of winter had ceased; its snows were melted, its cutting winds ameliorated. My wretched feet, flayed and swollen to lameness by the sharp air of January, began to heal and subside under the gentler breathings of April; the nights and mornings no longer by their Canadian temperature froze the very blood in our veins; we could now endure the play-hour passed in the garden: sometimes on a sunny day it began even to be pleasant and genial, and a greenness grew over those brown beds, which, freshening daily, suggested the thought that Hope traversed them at night, and left each morning brighter traces of her steps. Flowers peeped out amongst the leaves; snow-drops, crocuses, purple auriculas, and golden-eyed pansies. On Thursday afternoons (half-holidays) we now took walks, and found still sweeter flowers opening by the wayside, under the hedges. I discovered, too, that a great pleasure, an enjoyment which the horizon only bounded, lay all outside the high and spike-guarded walls of our garden: this pleasure consisted in prospect of noble summits girdling a great hill-hollow, rich in verdure and shadow; in a bright beck, full of dark stones and sparkling eddies. How different had this scene looked when I viewed it laid out beneath the iron sky of winter, stiffened in frost, shrouded with snow!--when mists as chill as death wandered to the impulse of east winds along those purple peaks, and rolled down "ing" and holm till they blended with the frozen fog of the beck! That beck itself was then a torrent, turbid and curbless: it tore asunder the wood, and sent a raving sound through the air, often thickened with wild rain or whirling sleet; and for the forest on its banks, _that_ showed only ranks of skeletons. April advanced to May: a bright serene May it was; days of blue sky, placid sunshine, and soft western or southern gales filled up its duration. And now vegetation matured with vigour; Lowood shook loose its tresses; it became all green, all flowery; its great elm, ash, and oak skeletons were restored to majestic life; woodland plants sprang up profusely in its recesses; unnumbered varieties of moss filled its hollows, and it made a strange ground-sunshine out of the wealth of its wild primrose plants: I have seen their pale gold gleam in overshadowed spots like scatterings of the sweetest lustre. All this I enjoyed often and fully, free, unwatched, and almost alone: for this unwonted liberty and pleasure there was a cause, to which it now becomes my task to advert. Have I not described a pleasant site for a dwelling, when I speak of it as bosomed in hill and wood, and rising from the verge of a stream? Assuredly, pleasant enough: but whether healthy or not is another question. That forest-dell, where Lowood lay, was the cradle of fog and fog-bred pestilence; which, quickening with the quickening spring, crept into the Orphan Asylum, breathed typhus through its crowded schoolroom and dormitory, and, ere May arrived, transformed the seminary into an hospital. Semi-starvation and neglected colds had predisposed most of the pupils to receive infection: forty-five out of the eighty girls lay ill at one time. Classes were broken up, rules relaxed. The few who continued well were allowed almost unlimited license; because the medical attendant insisted on the necessity of frequent exercise to keep them in health: and had it been otherwise, no one had leisure to watch or restrain them. Miss Temple's whole attention was absorbed by the patients: she lived in the sick-room, never quitting it except to snatch a few hours' rest at night. The teachers were fully occupied with packing up and making other necessary preparations for the departure of those girls who were fortunate enough to have friends and relations able and willing to remove them from the seat of contagion. Many, already smitten, went home only to die: some died at the school, and were buried quietly and quickly, the nature of the malady forbidding delay. While disease had thus become an inhabitant of Lowood, and death its frequent visitor; while there was gloom and fear within its walls; while its rooms and passages steamed with hospital smells, the drug and the pastille striving vainly to overcome the effluvia of mortality, that bright May shone unclouded over the bold hills and beautiful woodland out of doors. Its garden, too, glowed with flowers: hollyhocks had sprung up tall as trees, lilies had opened, tulips and roses were in bloom; the borders of the little beds were gay with pink thrift and crimson double daisies; the sweetbriars gave out, morning and evening, their scent of spice and apples; and these fragrant treasures were all useless for most of the inmates of Lowood, except to furnish now and then a handful of herbs and blossoms to put in a coffin. But I, and the rest who continued well, enjoyed fully the beauties of the scene and season; they let us ramble in the wood, like gipsies, from morning till night; we did what we liked, went where we liked: we lived better too. Mr. Brocklehurst and his family never came near Lowood now: household matters were not scrutinised into; the cross housekeeper was gone, driven away by the fear of infection; her successor, who had been matron at the Lowton Dispensary, unused to the ways of her new abode, provided with comparative liberality. Besides, there were fewer to feed; the sick could eat little; our breakfast-basins were better filled; when there was no time to prepare a regular dinner, which often happened, she would give us a large piece of cold pie, or a thick slice of bread and cheese, and this we carried away with us to the wood, where we each chose the spot we liked best, and dined sumptuously. My favourite seat was a smooth and broad stone, rising white and dry from the very middle of the beck, and only to be got at by wading through the water; a feat I accomplished barefoot. The stone was just broad enough to accommodate, comfortably, another girl and me, at that time my chosen comrade--one Mary Ann Wilson; a shrewd, observant personage, whose society I took pleasure in, partly because she was witty and original, and partly because she had a manner which set me at my ease. Some years older than I, she knew more of the world, and could tell me many things I liked to hear: with her my curiosity found gratification: to my faults also she gave ample indulgence, never imposing curb or rein on anything I said. She had a turn for narrative, I for analysis; she liked to inform, I to question; so we got on swimmingly together, deriving much entertainment, if not much improvement, from our mutual intercourse. And where, meantime, was Helen Burns? Why did I not spend these sweet days of liberty with her? Had I forgotten her? or was I so worthless as to have grown tired of her pure society? Surely the Mary Ann Wilson I have mentioned was inferior to my first acquaintance: she could only tell me amusing stories, and reciprocate any racy and pungent gossip I chose to indulge in; while, if I have spoken truth of Helen, she was qualified to give those who enjoyed the privilege of her converse a taste of far higher things. True, reader; and I knew and felt this: and though I am a defective being, with many faults and few redeeming points, yet I never tired of Helen Burns; nor ever ceased to cherish for her a sentiment of attachment, as strong, tender, and respectful as any that ever animated my heart. How could it be otherwise, when Helen, at all times and under all circumstances, evinced for me a quiet and faithful friendship, which ill-humour never soured, nor irritation never troubled? But Helen was ill at present: for some weeks she had been removed from my sight to I knew not what room upstairs. She was not, I was told, in the hospital portion of the house with the fever patients; for her complaint was consumption, not typhus: and by consumption I, in my ignorance, understood something mild, which time and care would be sure to alleviate. I was confirmed in this idea by the fact of her once or twice coming downstairs on very warm sunny afternoons, and being taken by Miss Temple into the garden; but, on these occasions, I was not allowed to go and speak to her; I only saw her from the schoolroom window, and then not distinctly; for she was much wrapped up, and sat at a distance under the verandah. One evening, in the beginning of June, I had stayed out very late with Mary Ann in the wood; we had, as usual, separated ourselves from the others, and had wandered far; so far that we lost our way, and had to ask it at a lonely cottage, where a man and woman lived, who looked after a herd of half-wild swine that fed on the mast in the wood. When we got back, it was after moonrise: a pony, which we knew to be the surgeon's, was standing at the garden door. Mary Ann remarked that she supposed some one must be very ill, as Mr. Bates had been sent for at that time of the evening. She went into the house; I stayed behind a few minutes to plant in my garden a handful of roots I had dug up in the forest, and which I feared would wither if I left them till the morning. This done, I lingered yet a little longer: the flowers smelt so sweet as the dew fell; it was such a pleasant evening, so serene, so warm; the still glowing west promised so fairly another fine day on the morrow; the moon rose with such majesty in the grave east. I was noting these things and enjoying them as a child might, when it entered my mind as it had never done before:-- "How sad to be lying now on a sick bed, and to be in danger of dying! This world is pleasant--it would be dreary to be called from it, and to have to go who knows where?" And then my mind made its first earnest effort to comprehend what had been infused into it concerning heaven and hell; and for the first time it recoiled, baffled; and for the first time glancing behind, on each side, and before it, it saw all round an unfathomed gulf: it felt the one point where it stood--the present; all the rest was formless cloud and vacant depth; and it shuddered at the thought of tottering, and plunging amid that chaos. While pondering this new idea, I heard the front door open; Mr. Bates came out, and with him was a nurse. After she had seen him mount his horse and depart, she was about to close the door, but I ran up to her. "How is Helen Burns?" "Very poorly," was the answer. "Is it her Mr. Bates has been to see?" "Yes." "And what does he say about her?" "He says she'll not be here long." This phrase, uttered in my hearing yesterday, would have only conveyed the notion that she was about to be removed to Northumberland, to her own home. I should not have suspected that it meant she was dying; but I knew instantly now! It opened clear on my comprehension that Helen Burns was numbering her last days in this world, and that she was going to be taken to the region of spirits, if such region there were. I experienced a shock of horror, then a strong thrill of grief, then a desire--a necessity to see her; and I asked in what room she lay. "She is in Miss Temple's room," said the nurse. "May I go up and speak to her?" "Oh no, child! It is not likely; and now it is time for you to come in; you'll catch the fever if you stop out when the dew is falling." The nurse closed the front door; I went in by the side entrance which led to the schoolroom: I was just in time; it was nine o'clock, and Miss Miller was calling the pupils to go to bed. It might be two hours later, probably near eleven, when I--not having been able to fall asleep, and deeming, from the perfect silence of the dormitory, that my companions were all wrapt in profound repose--rose softly, put on my frock over my night-dress, and, without shoes, crept from the apartment, and set off in quest of Miss Temple's room. It was quite at the other end of the house; but I knew my way; and the light of the unclouded summer moon, entering here and there at passage windows, enabled me to find it without difficulty. An odour of camphor and burnt vinegar warned me when I came near the fever room: and I passed its door quickly, fearful lest the nurse who sat up all night should hear me. I dreaded being discovered and sent back; for I _must_ see Helen,--I must embrace her before she died,--I must give her one last kiss, exchange with her one last word. Having descended a staircase, traversed a portion of the house below, and succeeded in opening and shutting, without noise, two doors, I reached another flight of steps; these I mounted, and then just opposite to me was Miss Temple's room. A light shone through the keyhole and from under the door; a profound stillness pervaded the vicinity. Coming near, I found the door slightly ajar; probably to admit some fresh air into the close abode of sickness. Indisposed to hesitate, and full of impatient impulses--soul and senses quivering with keen throes--I put it back and looked in. My eye sought Helen, and feared to find death. Close by Miss Temple's bed, and half covered with its white curtains, there stood a little crib. I saw the outline of a form under the clothes, but the face was hid by the hangings: the nurse I had spoken to in the garden sat in an easy-chair asleep; an unsnuffed candle burnt dimly on the table. Miss Temple was not to be seen: I knew afterwards that she had been called to a delirious patient in the fever-room. I advanced; then paused by the crib side: my hand was on the curtain, but I preferred speaking before I withdrew it. I still recoiled at the dread of seeing a corpse. "Helen!" I whispered softly, "are you awake?" She stirred herself, put back the curtain, and I saw her face, pale, wasted, but quite composed: she looked so little changed that my fear was instantly dissipated. "Can it be you, Jane?" she asked, in her own gentle voice. "Oh!" I thought, "she is not going to die; they are mistaken: she could not speak and look so calmly if she were." I got on to her crib and kissed her: her forehead was cold, and her cheek both cold and thin, and so were her hand and wrist; but she smiled as of old. "Why are you come here, Jane? It is past eleven o'clock: I heard it strike some minutes since." "I came to see you, Helen: I heard you were very ill, and I could not sleep till I had spoken to you." "You came to bid me good-bye, then: you are just in time probably." "Are you going somewhere, Helen? Are you going home?" "Yes; to my long home--my last home." "No, no, Helen!" I stopped, distressed. While I tried to devour my tears, a fit of coughing seized Helen; it did not, however, wake the nurse; when it was over, she lay some minutes exhausted; then she whispered-- "Jane, your little feet are bare; lie down and cover yourself with my quilt." I did so: she put her arm over me, and I nestled close to her. After a long silence, she resumed, still whispering-- "I am very happy, Jane; and when you hear that I am dead, you must be sure and not grieve: there is nothing to grieve about. We all must die one day, and the illness which is removing me is not painful; it is gentle and gradual: my mind is at rest. I leave no one to regret me much: I have only a father; and he is lately married, and will not miss me. By dying young, I shall escape great sufferings. I had not qualities or talents to make my way very well in the world: I should have been continually at fault." "But where are you going to, Helen? Can you see? Do you know?" "I believe; I have faith: I am going to God." "Where is God? What is God?" "My Maker and yours, who will never destroy what He created. I rely implicitly on His power, and confide wholly in His goodness: I count the hours till that eventful one arrives which shall restore me to Him, reveal Him to me." "You are sure, then, Helen, that there is such a place as heaven, and that our souls can get to it when we die?" "I am sure there is a future state; I believe God is good; I can resign my immortal part to Him without any misgiving. God is my father; God is my friend: I love Him; I believe He loves me." "And shall I see you again, Helen, when I die?" "You will come to the same region of happiness: be received by the same mighty, universal Parent, no doubt, dear Jane." Again I questioned, but this time only in thought. "Where is that region? Does it exist?" And I clasped my arms closer round Helen; she seemed dearer to me than ever; I felt as if I could not let her go; I lay with my face hidden on her neck. Presently she said, in the sweetest tone-- "How comfortable I am! That last fit of coughing has tired me a little; I feel as if I could sleep: but don't leave me, Jane; I like to have you near me." "I'll stay with you, _dear_ Helen: no one shall take me away." "Are you warm, darling?" "Yes." "Good-night, Jane." "Good-night, Helen." She kissed me, and I her, and we both soon slumbered. When I awoke it was day: an unusual movement roused me; I looked up; I was in somebody's arms; the nurse held me; she was carrying me through the passage back to the dormitory. I was not reprimanded for leaving my bed; people had something else to think about; no explanation was afforded then to my many questions; but a day or two afterwards I learned that Miss Temple, on returning to her own room at dawn, had found me laid in the little crib; my face against Helen Burns's shoulder, my arms round her neck. I was asleep, and Helen was--dead. Her grave is in Brocklebridge churchyard: for fifteen years after her death it was only covered by a grassy mound; but now a grey marble tablet marks the spot, inscribed with her name, and the word "Resurgam."

volume 1, Chapter 9

https://web.archive.org/web/20210123075639/https://www.sparknotes.com/lit/janeeyre/section2/

In the spring, life at Lowood briefly seems happier, but the damp forest dell in which the school resides is a breeding-ground for typhus, and in the warm temperatures more than half the girls fall ill with the disease. Jane remains healthy and spends her time playing outdoors with a new friend, Mary Ann Wilson. Helen is sick, but not with typhus--Jane learns the horrific news that her friend is dying of consumption. One evening, Jane sneaks into Miss Temple's room to see Helen one last time. Helen promises Jane that she feels little pain and is happy to be leaving the world's suffering behind. Jane takes Helen into her arms, and the girls fall asleep. During the night, Helen dies. Her grave is originally unmarked, but fifteen years after her death, a gray marble tablet is placed over the spot , bearing the single word Resurgam, Latin for "I shall rise again

This section details Jane's experiences at Lowood, from her first day at the school to her final one some nine years later. Jane's early years at Lowood prove to be a period of considerable tribulation, as she endures harsh conditions, cruel teachers, and the tyranny of Mr. Brocklehurst. Moreover, the harsh conditions she experiences as a student at Lowood show us that, despite Jane's intelligence, talent, and self-assurance, she is merely a burden in the eyes of society, because she is poor. The most important thematic elements in this section are the contrasting modes of religious thought represented by Mr. Brocklehurst and Helen Burns. Mr. Brocklehurst is a religious hypocrite, supporting his own luxuriously wealthy family at the expense of the Lowood students and using his "piety" as an instrument of power over the lower-class girls at Lowood. He claims that he is purging his students of pride by subjecting them to various privations and humiliations: for example, he orders that the naturally curly hair of one of Jane's classmates be cut so as to lie straight. The angelic Helen Burns and her doctrine of endurance represent a religious position that contrasts with Mr. Brocklehurst's. Utterly passive and accepting of any abjection, Helen embodies rather than preaches the Christian ideas of love and forgiveness. But neither form of religion satisfies Jane, who, because of her strong sensitivity to indignities and injustices, reviles Brocklehurst's shallow devotional displays and fails to understand Helen Burns's passivity. As Jane herself declares: "when we are struck at without a reason, we should strike back again very hard . . . so as to teach the person who struck us never to do it again" . Helen's doctrine of endurance and love is incompatible with Jane's belief in fairness and self-respect.

sparknotes

all_chapterized_books/1260-chapters/11.txt

finished_summaries/sparknotes/Jane Eyre/section_1_part_6.txt

Jane Eyre.volume 1.chapter 10

volume 1, chapter 10

{"name": "volume 1, Chapter 10", "url": "https://web.archive.org/web/20210123075639/https://www.sparknotes.com/lit/janeeyre/section2/", "summary": "After Mr. Brocklehurst's negligent treatment of the girls at Lowood is found to be one of the causes of the typhus epidemic, a new group of overseers is brought in to run the school. Conditions improve dramatically for the young girls, and Jane excels in her studies for the next six years. After spending two more years at Lowood as a teacher, Jane decides she is ready for a change, partly because Miss Temple gets married and leaves the school. She advertises in search of a post as a governess and accepts a position at a manor called Thornfield. Before leaving, Jane receives a visit from Bessie, who tells her what has happened at Gateshead since Jane departed for Lowood. Georgiana attempted to run away in secret with a man named Lord Edwin Vere, but Eliza foiled the plan by revealing it to Mrs. Reed. John has fallen into a life of debauchery and dissolution. Bessie also tells Jane that her father's brother, John Eyre, appeared at Gateshead seven years ago, looking for Jane. He did not have the time to travel to Lowood and went away to Madeira in search of wealth. Jane and Bessie part ways, Bessie returning to Gateshead, and Jane leaving for her new life at Thornfield", "analysis": "This section details Jane's experiences at Lowood, from her first day at the school to her final one some nine years later. Jane's early years at Lowood prove to be a period of considerable tribulation, as she endures harsh conditions, cruel teachers, and the tyranny of Mr. Brocklehurst. Moreover, the harsh conditions she experiences as a student at Lowood show us that, despite Jane's intelligence, talent, and self-assurance, she is merely a burden in the eyes of society, because she is poor. The most important thematic elements in this section are the contrasting modes of religious thought represented by Mr. Brocklehurst and Helen Burns. Mr. Brocklehurst is a religious hypocrite, supporting his own luxuriously wealthy family at the expense of the Lowood students and using his \"piety\" as an instrument of power over the lower-class girls at Lowood. He claims that he is purging his students of pride by subjecting them to various privations and humiliations: for example, he orders that the naturally curly hair of one of Jane's classmates be cut so as to lie straight. The angelic Helen Burns and her doctrine of endurance represent a religious position that contrasts with Mr. Brocklehurst's. Utterly passive and accepting of any abjection, Helen embodies rather than preaches the Christian ideas of love and forgiveness. But neither form of religion satisfies Jane, who, because of her strong sensitivity to indignities and injustices, reviles Brocklehurst's shallow devotional displays and fails to understand Helen Burns's passivity. As Jane herself declares: \"when we are struck at without a reason, we should strike back again very hard . . . so as to teach the person who struck us never to do it again\" . Helen's doctrine of endurance and love is incompatible with Jane's belief in fairness and self-respect."}

Hitherto I have recorded in detail the events of my insignificant existence: to the first ten years of my life I have given almost as many chapters. But this is not to be a regular autobiography. I am only bound to invoke Memory where I know her responses will possess some degree of interest; therefore I now pass a space of eight years almost in silence: a few lines only are necessary to keep up the links of connection. When the typhus fever had fulfilled its mission of devastation at Lowood, it gradually disappeared from thence; but not till its virulence and the number of its victims had drawn public attention on the school. Inquiry was made into the origin of the scourge, and by degrees various facts came out which excited public indignation in a high degree. The unhealthy nature of the site; the quantity and quality of the children's food; the brackish, fetid water used in its preparation; the pupils' wretched clothing and accommodations--all these things were discovered, and the discovery produced a result mortifying to Mr. Brocklehurst, but beneficial to the institution. Several wealthy and benevolent individuals in the county subscribed largely for the erection of a more convenient building in a better situation; new regulations were made; improvements in diet and clothing introduced; the funds of the school were intrusted to the management of a committee. Mr. Brocklehurst, who, from his wealth and family connections, could not be overlooked, still retained the post of treasurer; but he was aided in the discharge of his duties by gentlemen of rather more enlarged and sympathising minds: his office of inspector, too, was shared by those who knew how to combine reason with strictness, comfort with economy, compassion with uprightness. The school, thus improved, became in time a truly useful and noble institution. I remained an inmate of its walls, after its regeneration, for eight years: six as pupil, and two as teacher; and in both capacities I bear my testimony to its value and importance. During these eight years my life was uniform: but not unhappy, because it was not inactive. I had the means of an excellent education placed within my reach; a fondness for some of my studies, and a desire to excel in all, together with a great delight in pleasing my teachers, especially such as I loved, urged me on: I availed myself fully of the advantages offered me. In time I rose to be the first girl of the first class; then I was invested with the office of teacher; which I discharged with zeal for two years: but at the end of that time I altered. Miss Temple, through all changes, had thus far continued superintendent of the seminary: to her instruction I owed the best part of my acquirements; her friendship and society had been my continual solace; she had stood me in the stead of mother, governess, and, latterly, companion. At this period she married, removed with her husband (a clergyman, an excellent man, almost worthy of such a wife) to a distant county, and consequently was lost to me. From the day she left I was no longer the same: with her was gone every settled feeling, every association that had made Lowood in some degree a home to me. I had imbibed from her something of her nature and much of her habits: more harmonious thoughts: what seemed better regulated feelings had become the inmates of my mind. I had given in allegiance to duty and order; I was quiet; I believed I was content: to the eyes of others, usually even to my own, I appeared a disciplined and subdued character. But destiny, in the shape of the Rev. Mr. Nasmyth, came between me and Miss Temple: I saw her in her travelling dress step into a post-chaise, shortly after the marriage ceremony; I watched the chaise mount the hill and disappear beyond its brow; and then retired to my own room, and there spent in solitude the greatest part of the half-holiday granted in honour of the occasion. I walked about the chamber most of the time. I imagined myself only to be regretting my loss, and thinking how to repair it; but when my reflections were concluded, and I looked up and found that the afternoon was gone, and evening far advanced, another discovery dawned on me, namely, that in the interval I had undergone a transforming process; that my mind had put off all it had borrowed of Miss Temple--or rather that she had taken with her the serene atmosphere I had been breathing in her vicinity--and that now I was left in my natural element, and beginning to feel the stirring of old emotions. It did not seem as if a prop were withdrawn, but rather as if a motive were gone: it was not the power to be tranquil which had failed me, but the reason for tranquillity was no more. My world had for some years been in Lowood: my experience had been of its rules and systems; now I remembered that the real world was wide, and that a varied field of hopes and fears, of sensations and excitements, awaited those who had courage to go forth into its expanse, to seek real knowledge of life amidst its perils. I went to my window, opened it, and looked out. There were the two wings of the building; there was the garden; there were the skirts of Lowood; there was the hilly horizon. My eye passed all other objects to rest on those most remote, the blue peaks; it was those I longed to surmount; all within their boundary of rock and heath seemed prison-ground, exile limits. I traced the white road winding round the base of one mountain, and vanishing in a gorge between two; how I longed to follow it farther! I recalled the time when I had travelled that very road in a coach; I remembered descending that hill at twilight; an age seemed to have elapsed since the day which brought me first to Lowood, and I had never quitted it since. My vacations had all been spent at school: Mrs. Reed had never sent for me to Gateshead; neither she nor any of her family had ever been to visit me. I had had no communication by letter or message with the outer world: school-rules, school-duties, school-habits and notions, and voices, and faces, and phrases, and costumes, and preferences, and antipathies--such was what I knew of existence. And now I felt that it was not enough; I tired of the routine of eight years in one afternoon. I desired liberty; for liberty I gasped; for liberty I uttered a prayer; it seemed scattered on the wind then faintly blowing. I abandoned it and framed a humbler supplication; for change, stimulus: that petition, too, seemed swept off into vague space: "Then," I cried, half desperate, "grant me at least a new servitude!" Here a bell, ringing the hour of supper, called me downstairs. I was not free to resume the interrupted chain of my reflections till bedtime: even then a teacher who occupied the same room with me kept me from the subject to which I longed to recur, by a prolonged effusion of small talk. How I wished sleep would silence her. It seemed as if, could I but go back to the idea which had last entered my mind as I stood at the window, some inventive suggestion would rise for my relief. Miss Gryce snored at last; she was a heavy Welshwoman, and till now her habitual nasal strains had never been regarded by me in any other light than as a nuisance; to-night I hailed the first deep notes with satisfaction; I was debarrassed of interruption; my half-effaced thought instantly revived. "A new servitude! There is something in that," I soliloquised (mentally, be it understood; I did not talk aloud), "I know there is, because it does not sound too sweet; it is not like such words as Liberty, Excitement, Enjoyment: delightful sounds truly; but no more than sounds for me; and so hollow and fleeting that it is mere waste of time to listen to them. But Servitude! That must be matter of fact. Any one may serve: I have served here eight years; now all I want is to serve elsewhere. Can I not get so much of my own will? Is not the thing feasible? Yes--yes--the end is not so difficult; if I had only a brain active enough to ferret out the means of attaining it." I sat up in bed by way of arousing this said brain: it was a chilly night; I covered my shoulders with a shawl, and then I proceeded _to think_ again with all my might. "What do I want? A new place, in a new house, amongst new faces, under new circumstances: I want this because it is of no use wanting anything better. How do people do to get a new place? They apply to friends, I suppose: I have no friends. There are many others who have no friends, who must look about for themselves and be their own helpers; and what is their resource?" I could not tell: nothing answered me; I then ordered my brain to find a response, and quickly. It worked and worked faster: I felt the pulses throb in my head and temples; but for nearly an hour it worked in chaos; and no result came of its efforts. Feverish with vain labour, I got up and took a turn in the room; undrew the curtain, noted a star or two, shivered with cold, and again crept to bed. A kind fairy, in my absence, had surely dropped the required suggestion on my pillow; for as I lay down, it came quietly and naturally to my mind.--"Those who want situations advertise; you must advertise in the _---shire Herald_." "How? I know nothing about advertising." Replies rose smooth and prompt now:-- "You must enclose the advertisement and the money to pay for it under a cover directed to the editor of the _Herald_; you must put it, the first opportunity you have, into the post at Lowton; answers must be addressed to J.E., at the post-office there; you can go and inquire in about a week after you send your letter, if any are come, and act accordingly." This scheme I went over twice, thrice; it was then digested in my mind; I had it in a clear practical form: I felt satisfied, and fell asleep. With earliest day, I was up: I had my advertisement written, enclosed, and directed before the bell rang to rouse the school; it ran thus:-- "A young lady accustomed to tuition" (had I not been a teacher two years?) "is desirous of meeting with a situation in a private family where the children are under fourteen" (I thought that as I was barely eighteen, it would not do to undertake the guidance of pupils nearer my own age). "She is qualified to teach the usual branches of a good English education, together with French, Drawing, and Music" (in those days, reader, this now narrow catalogue of accomplishments, would have been held tolerably comprehensive). "Address, J.E., Post-office, Lowton, --- shire." This document remained locked in my drawer all day: after tea, I asked leave of the new superintendent to go to Lowton, in order to perform some small commissions for myself and one or two of my fellow-teachers; permission was readily granted; I went. It was a walk of two miles, and the evening was wet, but the days were still long; I visited a shop or two, slipped the letter into the post-office, and came back through heavy rain, with streaming garments, but with a relieved heart. The succeeding week seemed long: it came to an end at last, however, like all sublunary things, and once more, towards the close of a pleasant autumn day, I found myself afoot on the road to Lowton. A picturesque track it was, by the way; lying along the side of the beck and through the sweetest curves of the dale: but that day I thought more of the letters, that might or might not be awaiting me at the little burgh whither I was bound, than of the charms of lea and water. My ostensible errand on this occasion was to get measured for a pair of shoes; so I discharged that business first, and when it was done, I stepped across the clean and quiet little street from the shoemaker's to the post-office: it was kept by an old dame, who wore horn spectacles on her nose, and black mittens on her hands. "Are there any letters for J.E.?" I asked. She peered at me over her spectacles, and then she opened a drawer and fumbled among its contents for a long time, so long that my hopes began to falter. At last, having held a document before her glasses for nearly five minutes, she presented it across the counter, accompanying the act by another inquisitive and mistrustful glance--it was for J.E. "Is there only one?" I demanded. "There are no more," said she; and I put it in my pocket and turned my face homeward: I could not open it then; rules obliged me to be back by eight, and it was already half-past seven. Various duties awaited me on my arrival. I had to sit with the girls during their hour of study; then it was my turn to read prayers; to see them to bed: afterwards I supped with the other teachers. Even when we finally retired for the night, the inevitable Miss Gryce was still my companion: we had only a short end of candle in our candlestick, and I dreaded lest she should talk till it was all burnt out; fortunately, however, the heavy supper she had eaten produced a soporific effect: she was already snoring before I had finished undressing. There still remained an inch of candle: I now took out my letter; the seal was an initial F.; I broke it; the contents were brief. "If J.E., who advertised in the _---shire Herald_ of last Thursday, possesses the acquirements mentioned, and if she is in a position to give satisfactory references as to character and competency, a situation can be offered her where there is but one pupil, a little girl, under ten years of age; and where the salary is thirty pounds per annum. J.E. is requested to send references, name, address, and all particulars to the direction:-- "Mrs. Fairfax, Thornfield, near Millcote, ---shire." I examined the document long: the writing was old-fashioned and rather uncertain, like that of an elderly lady. This circumstance was satisfactory: a private fear had haunted me, that in thus acting for myself, and by my own guidance, I ran the risk of getting into some scrape; and, above all things, I wished the result of my endeavours to be respectable, proper, _en regle_. I now felt that an elderly lady was no bad ingredient in the business I had on hand. Mrs. Fairfax! I saw her in a black gown and widow's cap; frigid, perhaps, but not uncivil: a model of elderly English respectability. Thornfield! that, doubtless, was the name of her house: a neat orderly spot, I was sure; though I failed in my efforts to conceive a correct plan of the premises. Millcote, ---shire; I brushed up my recollections of the map of England, yes, I saw it; both the shire and the town. ---shire was seventy miles nearer London than the remote county where I now resided: that was a recommendation to me. I longed to go where there was life and movement: Millcote was a large manufacturing town on the banks of the A-; a busy place enough, doubtless: so much the better; it would be a complete change at least. Not that my fancy was much captivated by the idea of long chimneys and clouds of smoke--"but," I argued, "Thornfield will, probably, be a good way from the town." Here the socket of the candle dropped, and the wick went out. Next day new steps were to be taken; my plans could no longer be confined to my own breast; I must impart them in order to achieve their success. Having sought and obtained an audience of the superintendent during the noontide recreation, I told her I had a prospect of getting a new situation where the salary would be double what I now received (for at Lowood I only got 15 pounds per annum); and requested she would break the matter for me to Mr. Brocklehurst, or some of the committee, and ascertain whether they would permit me to mention them as references. She obligingly consented to act as mediatrix in the matter. The next day she laid the affair before Mr. Brocklehurst, who said that Mrs. Reed must be written to, as she was my natural guardian. A note was accordingly addressed to that lady, who returned for answer, that "I might do as I pleased: she had long relinquished all interference in my affairs." This note went the round of the committee, and at last, after what appeared to me most tedious delay, formal leave was given me to better my condition if I could; and an assurance added, that as I had always conducted myself well, both as teacher and pupil, at Lowood, a testimonial of character and capacity, signed by the inspectors of that institution, should forthwith be furnished me. This testimonial I accordingly received in about a month, forwarded a copy of it to Mrs. Fairfax, and got that lady's reply, stating that she was satisfied, and fixing that day fortnight as the period for my assuming the post of governess in her house. I now busied myself in preparations: the fortnight passed rapidly. I had not a very large wardrobe, though it was adequate to my wants; and the last day sufficed to pack my trunk,--the same I had brought with me eight years ago from Gateshead. The box was corded, the card nailed on. In half-an-hour the carrier was to call for it to take it to Lowton, whither I myself was to repair at an early hour the next morning to meet the coach. I had brushed my black stuff travelling-dress, prepared my bonnet, gloves, and muff; sought in all my drawers to see that no article was left behind; and now having nothing more to do, I sat down and tried to rest. I could not; though I had been on foot all day, I could not now repose an instant; I was too much excited. A phase of my life was closing to-night, a new one opening to-morrow: impossible to slumber in the interval; I must watch feverishly while the change was being accomplished. "Miss," said a servant who met me in the lobby, where I was wandering like a troubled spirit, "a person below wishes to see you." "The carrier, no doubt," I thought, and ran downstairs without inquiry. I was passing the back-parlour or teachers' sitting-room, the door of which was half open, to go to the kitchen, when some one ran out-- "It's her, I am sure!--I could have told her anywhere!" cried the individual who stopped my progress and took my hand. I looked: I saw a woman attired like a well-dressed servant, matronly, yet still young; very good-looking, with black hair and eyes, and lively complexion. "Well, who is it?" she asked, in a voice and with a smile I half recognised; "you've not quite forgotten me, I think, Miss Jane?" In another second I was embracing and kissing her rapturously: "Bessie! Bessie! Bessie!" that was all I said; whereat she half laughed, half cried, and we both went into the parlour. By the fire stood a little fellow of three years old, in plaid frock and trousers. "That is my little boy," said Bessie directly. "Then you are married, Bessie?" "Yes; nearly five years since to Robert Leaven, the coachman; and I've a little girl besides Bobby there, that I've christened Jane." "And you don't live at Gateshead?" "I live at the lodge: the old porter has left." "Well, and how do they all get on? Tell me everything about them, Bessie: but sit down first; and, Bobby, come and sit on my knee, will you?" but Bobby preferred sidling over to his mother. "You're not grown so very tall, Miss Jane, nor so very stout," continued Mrs. Leaven. "I dare say they've not kept you too well at school: Miss Reed is the head and shoulders taller than you are; and Miss Georgiana would make two of you in breadth." "Georgiana is handsome, I suppose, Bessie?" "Very. She went up to London last winter with her mama, and there everybody admired her, and a young lord fell in love with her: but his relations were against the match; and--what do you think?--he and Miss Georgiana made it up to run away; but they were found out and stopped. It was Miss Reed that found them out: I believe she was envious; and now she and her sister lead a cat and dog life together; they are always quarrelling--" "Well, and what of John Reed?" "Oh, he is not doing so well as his mama could wish. He went to college, and he got--plucked, I think they call it: and then his uncles wanted him to be a barrister, and study the law: but he is such a dissipated young man, they will never make much of him, I think." "What does he look like?" "He is very tall: some people call him a fine-looking young man; but he has such thick lips." "And Mrs. Reed?" "Missis looks stout and well enough in the face, but I think she's not quite easy in her mind: Mr. John's conduct does not please her--he spends a deal of money." "Did she send you here, Bessie?" "No, indeed: but I have long wanted to see you, and when I heard that there had been a letter from you, and that you were going to another part of the country, I thought I'd just set off, and get a look at you before you were quite out of my reach." "I am afraid you are disappointed in me, Bessie." I said this laughing: I perceived that Bessie's glance, though it expressed regard, did in no shape denote admiration. "No, Miss Jane, not exactly: you are genteel enough; you look like a lady, and it is as much as ever I expected of you: you were no beauty as a child." I smiled at Bessie's frank answer: I felt that it was correct, but I confess I was not quite indifferent to its import: at eighteen most people wish to please, and the conviction that they have not an exterior likely to second that desire brings anything but gratification. "I dare say you are clever, though," continued Bessie, by way of solace. "What can you do? Can you play on the piano?" "A little." There was one in the room; Bessie went and opened it, and then asked me to sit down and give her a tune: I played a waltz or two, and she was charmed. "The Miss Reeds could not play as well!" said she exultingly. "I always said you would surpass them in learning: and can you draw?" "That is one of my paintings over the chimney-piece." It was a landscape in water colours, of which I had made a present to the superintendent, in acknowledgment of her obliging mediation with the committee on my behalf, and which she had framed and glazed. "Well, that is beautiful, Miss Jane! It is as fine a picture as any Miss Reed's drawing-master could paint, let alone the young ladies themselves, who could not come near it: and have you learnt French?" "Yes, Bessie, I can both read it and speak it." "And you can work on muslin and canvas?" "I can." "Oh, you are quite a lady, Miss Jane! I knew you would be: you will get on whether your relations notice you or not. There was something I wanted to ask you. Have you ever heard anything from your father's kinsfolk, the Eyres?" "Never in my life." "Well, you know Missis always said they were poor and quite despicable: and they may be poor; but I believe they are as much gentry as the Reeds are; for one day, nearly seven years ago, a Mr. Eyre came to Gateshead and wanted to see you; Missis said you were at school fifty miles off; he seemed so much disappointed, for he could not stay: he was going on a voyage to a foreign country, and the ship was to sail from London in a day or two. He looked quite a gentleman, and I believe he was your father's brother." "What foreign country was he going to, Bessie?" "An island thousands of miles off, where they make wine--the butler did tell me--" "Madeira?" I suggested. "Yes, that is it--that is the very word." "So he went?" "Yes; he did not stay many minutes in the house: Missis was very high with him; she called him afterwards a 'sneaking tradesman.' My Robert believes he was a wine-merchant." "Very likely," I returned; "or perhaps clerk or agent to a wine-merchant." Bessie and I conversed about old times an hour longer, and then she was obliged to leave me: I saw her again for a few minutes the next morning at Lowton, while I was waiting for the coach. We parted finally at the door of the Brocklehurst Arms there: each went her separate way; she set off for the brow of Lowood Fell to meet the conveyance which was to take her back to Gateshead, I mounted the vehicle which was to bear me to new duties and a new life in the unknown environs of Millcote.

volume 1, Chapter 10

https://web.archive.org/web/20210123075639/https://www.sparknotes.com/lit/janeeyre/section2/

After Mr. Brocklehurst's negligent treatment of the girls at Lowood is found to be one of the causes of the typhus epidemic, a new group of overseers is brought in to run the school. Conditions improve dramatically for the young girls, and Jane excels in her studies for the next six years. After spending two more years at Lowood as a teacher, Jane decides she is ready for a change, partly because Miss Temple gets married and leaves the school. She advertises in search of a post as a governess and accepts a position at a manor called Thornfield. Before leaving, Jane receives a visit from Bessie, who tells her what has happened at Gateshead since Jane departed for Lowood. Georgiana attempted to run away in secret with a man named Lord Edwin Vere, but Eliza foiled the plan by revealing it to Mrs. Reed. John has fallen into a life of debauchery and dissolution. Bessie also tells Jane that her father's brother, John Eyre, appeared at Gateshead seven years ago, looking for Jane. He did not have the time to travel to Lowood and went away to Madeira in search of wealth. Jane and Bessie part ways, Bessie returning to Gateshead, and Jane leaving for her new life at Thornfield

This section details Jane's experiences at Lowood, from her first day at the school to her final one some nine years later. Jane's early years at Lowood prove to be a period of considerable tribulation, as she endures harsh conditions, cruel teachers, and the tyranny of Mr. Brocklehurst. Moreover, the harsh conditions she experiences as a student at Lowood show us that, despite Jane's intelligence, talent, and self-assurance, she is merely a burden in the eyes of society, because she is poor. The most important thematic elements in this section are the contrasting modes of religious thought represented by Mr. Brocklehurst and Helen Burns. Mr. Brocklehurst is a religious hypocrite, supporting his own luxuriously wealthy family at the expense of the Lowood students and using his "piety" as an instrument of power over the lower-class girls at Lowood. He claims that he is purging his students of pride by subjecting them to various privations and humiliations: for example, he orders that the naturally curly hair of one of Jane's classmates be cut so as to lie straight. The angelic Helen Burns and her doctrine of endurance represent a religious position that contrasts with Mr. Brocklehurst's. Utterly passive and accepting of any abjection, Helen embodies rather than preaches the Christian ideas of love and forgiveness. But neither form of religion satisfies Jane, who, because of her strong sensitivity to indignities and injustices, reviles Brocklehurst's shallow devotional displays and fails to understand Helen Burns's passivity. As Jane herself declares: "when we are struck at without a reason, we should strike back again very hard . . . so as to teach the person who struck us never to do it again" . Helen's doctrine of endurance and love is incompatible with Jane's belief in fairness and self-respect.

sparknotes

all_chapterized_books/1260-chapters/17.txt

finished_summaries/sparknotes/Jane Eyre/section_2_part_6.txt

Jane Eyre.volume 2.chapter 16

volume 2, chapter 16

{"name": "volume 2, Chapter 16", "url": "https://web.archive.org/web/20210123075639/https://www.sparknotes.com/lit/janeeyre/section3/", "summary": "The next morning, Jane is shocked to learn that the near tragedy of the night before has caused no scandal. The servants believe Rochester to have fallen asleep with a lit candle by his bed, and even Grace Poole shows no sign of guilt or remorse. Jane cannot imagine why an attempted murderer is allowed to continue working at Thornfield. She realizes that she is beginning to have feelings for Rochester and is disappointed that he will be away from Thornfield for several days. He has left to attend a party where he will be in the company of Blanche Ingram, a beautiful lady. Jane scolds herself for being disappointed by the news, and she resolves to restrain her flights of imaginative fancy by comparing her own portrait to one she has drawn of Blanche Ingram, noting how much plainer she is than the beautiful Blanche", "analysis": "This section marks the third phase of Jane's life, in which she begins her career as a governess and travels to Thornfield, where the principal incidents of her story take place. By linking Jane's stages of development to the various institutions or geographic locations with which she is involved , the book positions itself among a literary genre known as the Bildungsroman. The Bildungsroman, a novel that details the growth and development of a main character through several periods of life, began as a German genre in the seventeenth century, but by the mid-1800s had become firmly established in England as well. Such important Victorian novels as David Copperfield base themselves on this form, which continues as an important literary sub-genre even today. The Bildungsroman typically told the story of a man growing from boyhood to adulthood; Charlotte Bronte's appropriation of the form for her heroine represents one of the many ways in which her novel challenges the accepted Victorian conceptions of gender hierarchy, making the statement that a woman's inner development merits as much attention and analysis as that of a man. Still, although Jane herself and Jane Eyre as a novel are often identified as important early figures in the feminist movement, Jane experiences much inner questioning regarding her gender role; she is not a staunch and confident feminist at all times. That is, while Jane is possessed of an immense integrity and a determination to succeed on her own terms, her failure to conform to ideals of female beauty nonetheless troubles her and makes her question herself. Just as Jane's time at Lowood involved a number of elements taken from Charlotte Bronte's own life, so too is Jane's career as a governess based in part on Bronte's short-lived position as a governess in the late 1830s. In many ways, Bronte's exploration of the role of the governess represents the novel's most important and challenging treatment of the theme of social class. Just as Emily Bronte does with Heathcliff in Wuthering Heights, Charlotte Bronte makes Jane a figure of ambiguous class standing. Consequently, she is a source of extreme tension for the characters around her. But while Heathcliff achieves wealth and power without achieving education or social grace, Jane acquires the manners, sophistication, and education of an aristocrat while remaining penniless and powerless. Such was the role of the governess: brought into wealthy Victorian households as the children's private tutors in both academics and etiquette, governesses were expected to possess the demeanor of the aristocracy; but as paid employees, they were in many ways treated merely as servants. Jane begins to experience this tension as soon as she notices her emerging feelings for Rochester. Though she is in some ways his social equal, she is also his servant, and thus she cannot believe that he could ever fall in love with her."}

I both wished and feared to see Mr. Rochester on the day which followed this sleepless night: I wanted to hear his voice again, yet feared to meet his eye. During the early part of the morning, I momentarily expected his coming; he was not in the frequent habit of entering the schoolroom, but he did step in for a few minutes sometimes, and I had the impression that he was sure to visit it that day. But the morning passed just as usual: nothing happened to interrupt the quiet course of Adele's studies; only soon after breakfast, I heard some bustle in the neighbourhood of Mr. Rochester's chamber, Mrs. Fairfax's voice, and Leah's, and the cook's--that is, John's wife--and even John's own gruff tones. There were exclamations of "What a mercy master was not burnt in his bed!" "It is always dangerous to keep a candle lit at night." "How providential that he had presence of mind to think of the water-jug!" "I wonder he waked nobody!" "It is to be hoped he will not take cold with sleeping on the library sofa," &c. To much confabulation succeeded a sound of scrubbing and setting to rights; and when I passed the room, in going downstairs to dinner, I saw through the open door that all was again restored to complete order; only the bed was stripped of its hangings. Leah stood up in the window-seat, rubbing the panes of glass dimmed with smoke. I was about to address her, for I wished to know what account had been given of the affair: but, on advancing, I saw a second person in the chamber--a woman sitting on a chair by the bedside, and sewing rings to new curtains. That woman was no other than Grace Poole. There she sat, staid and taciturn-looking, as usual, in her brown stuff gown, her check apron, white handkerchief, and cap. She was intent on her work, in which her whole thoughts seemed absorbed: on her hard forehead, and in her commonplace features, was nothing either of the paleness or desperation one would have expected to see marking the countenance of a woman who had attempted murder, and whose intended victim had followed her last night to her lair, and (as I believed), charged her with the crime she wished to perpetrate. I was amazed--confounded. She looked up, while I still gazed at her: no start, no increase or failure of colour betrayed emotion, consciousness of guilt, or fear of detection. She said "Good morning, Miss," in her usual phlegmatic and brief manner; and taking up another ring and more tape, went on with her sewing. "I will put her to some test," thought I: "such absolute impenetrability is past comprehension." "Good morning, Grace," I said. "Has anything happened here? I thought I heard the servants all talking together a while ago." "Only master had been reading in his bed last night; he fell asleep with his candle lit, and the curtains got on fire; but, fortunately, he awoke before the bed-clothes or the wood-work caught, and contrived to quench the flames with the water in the ewer." "A strange affair!" I said, in a low voice: then, looking at her fixedly--"Did Mr. Rochester wake nobody? Did no one hear him move?" She again raised her eyes to me, and this time there was something of consciousness in their expression. She seemed to examine me warily; then she answered-- "The servants sleep so far off, you know, Miss, they would not be likely to hear. Mrs. Fairfax's room and yours are the nearest to master's; but Mrs. Fairfax said she heard nothing: when people get elderly, they often sleep heavy." She paused, and then added, with a sort of assumed indifference, but still in a marked and significant tone--"But you are young, Miss; and I should say a light sleeper: perhaps you may have heard a noise?" "I did," said I, dropping my voice, so that Leah, who was still polishing the panes, could not hear me, "and at first I thought it was Pilot: but Pilot cannot laugh; and I am certain I heard a laugh, and a strange one." She took a new needleful of thread, waxed it carefully, threaded her needle with a steady hand, and then observed, with perfect composure-- "It is hardly likely master would laugh, I should think, Miss, when he was in such danger: You must have been dreaming." "I was not dreaming," I said, with some warmth, for her brazen coolness provoked me. Again she looked at me; and with the same scrutinising and conscious eye. "Have you told master that you heard a laugh?" she inquired. "I have not had the opportunity of speaking to him this morning." "You did not think of opening your door and looking out into the gallery?" she further asked. She appeared to be cross-questioning me, attempting to draw from me information unawares. The idea struck me that if she discovered I knew or suspected her guilt, she would be playing of some of her malignant pranks on me; I thought it advisable to be on my guard. "On the contrary," said I, "I bolted my door." "Then you are not in the habit of bolting your door every night before you get into bed?" "Fiend! she wants to know my habits, that she may lay her plans accordingly!" Indignation again prevailed over prudence: I replied sharply, "Hitherto I have often omitted to fasten the bolt: I did not think it necessary. I was not aware any danger or annoyance was to be dreaded at Thornfield Hall: but in future" (and I laid marked stress on the words) "I shall take good care to make all secure before I venture to lie down." "It will be wise so to do," was her answer: "this neighbourhood is as quiet as any I know, and I never heard of the hall being attempted by robbers since it was a house; though there are hundreds of pounds' worth of plate in the plate-closet, as is well known. And you see, for such a large house, there are very few servants, because master has never lived here much; and when he does come, being a bachelor, he needs little waiting on: but I always think it best to err on the safe side; a door is soon fastened, and it is as well to have a drawn bolt between one and any mischief that may be about. A deal of people, Miss, are for trusting all to Providence; but I say Providence will not dispense with the means, though He often blesses them when they are used discreetly." And here she closed her harangue: a long one for her, and uttered with the demureness of a Quakeress. I still stood absolutely dumfoundered at what appeared to me her miraculous self-possession and most inscrutable hypocrisy, when the cook entered. "Mrs. Poole," said she, addressing Grace, "the servants' dinner will soon be ready: will you come down?" "No; just put my pint of porter and bit of pudding on a tray, and I'll carry it upstairs." "You'll have some meat?" "Just a morsel, and a taste of cheese, that's all." "And the sago?" "Never mind it at present: I shall be coming down before teatime: I'll make it myself." The cook here turned to me, saying that Mrs. Fairfax was waiting for me: so I departed. I hardly heard Mrs. Fairfax's account of the curtain conflagration during dinner, so much was I occupied in puzzling my brains over the enigmatical character of Grace Poole, and still more in pondering the problem of her position at Thornfield and questioning why she had not been given into custody that morning, or, at the very least, dismissed from her master's service. He had almost as much as declared his conviction of her criminality last night: what mysterious cause withheld him from accusing her? Why had he enjoined me, too, to secrecy? It was strange: a bold, vindictive, and haughty gentleman seemed somehow in the power of one of the meanest of his dependants; so much in her power, that even when she lifted her hand against his life, he dared not openly charge her with the attempt, much less punish her for it. Had Grace been young and handsome, I should have been tempted to think that tenderer feelings than prudence or fear influenced Mr. Rochester in her behalf; but, hard-favoured and matronly as she was, the idea could not be admitted. "Yet," I reflected, "she has been young once; her youth would be contemporary with her master's: Mrs. Fairfax told me once, she had lived here many years. I don't think she can ever have been pretty; but, for aught I know, she may possess originality and strength of character to compensate for the want of personal advantages. Mr. Rochester is an amateur of the decided and eccentric: Grace is eccentric at least. What if a former caprice (a freak very possible to a nature so sudden and headstrong as his) has delivered him into her power, and she now exercises over his actions a secret influence, the result of his own indiscretion, which he cannot shake off, and dare not disregard?" But, having reached this point of conjecture, Mrs. Poole's square, flat figure, and uncomely, dry, even coarse face, recurred so distinctly to my mind's eye, that I thought, "No; impossible! my supposition cannot be correct. Yet," suggested the secret voice which talks to us in our own hearts, "you are not beautiful either, and perhaps Mr. Rochester approves you: at any rate, you have often felt as if he did; and last night--remember his words; remember his look; remember his voice!" I well remembered all; language, glance, and tone seemed at the moment vividly renewed. I was now in the schoolroom; Adele was drawing; I bent over her and directed her pencil. She looked up with a sort of start. "Qu' avez-vous, mademoiselle?" said she. "Vos doigts tremblent comme la feuille, et vos joues sont rouges: mais, rouges comme des cerises!" "I am hot, Adele, with stooping!" She went on sketching; I went on thinking. I hastened to drive from my mind the hateful notion I had been conceiving respecting Grace Poole; it disgusted me. I compared myself with her, and found we were different. Bessie Leaven had said I was quite a lady; and she spoke truth--I was a lady. And now I looked much better than I did when Bessie saw me; I had more colour and more flesh, more life, more vivacity, because I had brighter hopes and keener enjoyments. "Evening approaches," said I, as I looked towards the window. "I have never heard Mr. Rochester's voice or step in the house to-day; but surely I shall see him before night: I feared the meeting in the morning; now I desire it, because expectation has been so long baffled that it is grown impatient." When dusk actually closed, and when Adele left me to go and play in the nursery with Sophie, I did most keenly desire it. I listened for the bell to ring below; I listened for Leah coming up with a message; I fancied sometimes I heard Mr. Rochester's own tread, and I turned to the door, expecting it to open and admit him. The door remained shut; darkness only came in through the window. Still it was not late; he often sent for me at seven and eight o'clock, and it was yet but six. Surely I should not be wholly disappointed to-night, when I had so many things to say to him! I wanted again to introduce the subject of Grace Poole, and to hear what he would answer; I wanted to ask him plainly if he really believed it was she who had made last night's hideous attempt; and if so, why he kept her wickedness a secret. It little mattered whether my curiosity irritated him; I knew the pleasure of vexing and soothing him by turns; it was one I chiefly delighted in, and a sure instinct always prevented me from going too far; beyond the verge of provocation I never ventured; on the extreme brink I liked well to try my skill. Retaining every minute form of respect, every propriety of my station, I could still meet him in argument without fear or uneasy restraint; this suited both him and me. A tread creaked on the stairs at last. Leah made her appearance; but it was only to intimate that tea was ready in Mrs. Fairfax's room. Thither I repaired, glad at least to go downstairs; for that brought me, I imagined, nearer to Mr. Rochester's presence. "You must want your tea," said the good lady, as I joined her; "you ate so little at dinner. I am afraid," she continued, "you are not well to- day: you look flushed and feverish." "Oh, quite well! I never felt better." "Then you must prove it by evincing a good appetite; will you fill the teapot while I knit off this needle?" Having completed her task, she rose to draw down the blind, which she had hitherto kept up, by way, I suppose, of making the most of daylight, though dusk was now fast deepening into total obscurity. "It is fair to-night," said she, as she looked through the panes, "though not starlight; Mr. Rochester has, on the whole, had a favourable day for his journey." "Journey!--Is Mr. Rochester gone anywhere? I did not know he was out." "Oh, he set off the moment he had breakfasted! He is gone to the Leas, Mr. Eshton's place, ten miles on the other side Millcote. I believe there is quite a party assembled there; Lord Ingram, Sir George Lynn, Colonel Dent, and others." "Do you expect him back to-night?" "No--nor to-morrow either; I should think he is very likely to stay a week or more: when these fine, fashionable people get together, they are so surrounded by elegance and gaiety, so well provided with all that can please and entertain, they are in no hurry to separate. Gentlemen especially are often in request on such occasions; and Mr. Rochester is so talented and so lively in society, that I believe he is a general favourite: the ladies are very fond of him; though you would not think his appearance calculated to recommend him particularly in their eyes: but I suppose his acquirements and abilities, perhaps his wealth and good blood, make amends for any little fault of look." "Are there ladies at the Leas?" "There are Mrs. Eshton and her three daughters--very elegant young ladies indeed; and there are the Honourable Blanche and Mary Ingram, most beautiful women, I suppose: indeed I have seen Blanche, six or seven years since, when she was a girl of eighteen. She came here to a Christmas ball and party Mr. Rochester gave. You should have seen the dining-room that day--how richly it was decorated, how brilliantly lit up! I should think there were fifty ladies and gentlemen present--all of the first county families; and Miss Ingram was considered the belle of the evening." "You saw her, you say, Mrs. Fairfax: what was she like?" "Yes, I saw her. The dining-room doors were thrown open; and, as it was Christmas-time, the servants were allowed to assemble in the hall, to hear some of the ladies sing and play. Mr. Rochester would have me to come in, and I sat down in a quiet corner and watched them. I never saw a more splendid scene: the ladies were magnificently dressed; most of them--at least most of the younger ones--looked handsome; but Miss Ingram was certainly the queen." "And what was she like?" "Tall, fine bust, sloping shoulders; long, graceful neck: olive complexion, dark and clear; noble features; eyes rather like Mr. Rochester's: large and black, and as brilliant as her jewels. And then she had such a fine head of hair; raven-black and so becomingly arranged: a crown of thick plaits behind, and in front the longest, the glossiest curls I ever saw. She was dressed in pure white; an amber-coloured scarf was passed over her shoulder and across her breast, tied at the side, and descending in long, fringed ends below her knee. She wore an amber-coloured flower, too, in her hair: it contrasted well with the jetty mass of her curls." "She was greatly admired, of course?" "Yes, indeed: and not only for her beauty, but for her accomplishments. She was one of the ladies who sang: a gentleman accompanied her on the piano. She and Mr. Rochester sang a duet." "Mr. Rochester? I was not aware he could sing." "Oh! he has a fine bass voice, and an excellent taste for music." "And Miss Ingram: what sort of a voice had she?" "A very rich and powerful one: she sang delightfully; it was a treat to listen to her;--and she played afterwards. I am no judge of music, but Mr. Rochester is; and I heard him say her execution was remarkably good." "And this beautiful and accomplished lady, she is not yet married?" "It appears not: I fancy neither she nor her sister have very large fortunes. Old Lord Ingram's estates were chiefly entailed, and the eldest son came in for everything almost." "But I wonder no wealthy nobleman or gentleman has taken a fancy to her: Mr. Rochester, for instance. He is rich, is he not?" "Oh! yes. But you see there is a considerable difference in age: Mr. Rochester is nearly forty; she is but twenty-five." "What of that? More unequal matches are made every day." "True: yet I should scarcely fancy Mr. Rochester would entertain an idea of the sort. But you eat nothing: you have scarcely tasted since you began tea." "No: I am too thirsty to eat. Will you let me have another cup?" I was about again to revert to the probability of a union between Mr. Rochester and the beautiful Blanche; but Adele came in, and the conversation was turned into another channel. When once more alone, I reviewed the information I had got; looked into my heart, examined its thoughts and feelings, and endeavoured to bring back with a strict hand such as had been straying through imagination's boundless and trackless waste, into the safe fold of common sense. Arraigned at my own bar, Memory having given her evidence of the hopes, wishes, sentiments I had been cherishing since last night--of the general state of mind in which I had indulged for nearly a fortnight past; Reason having come forward and told, in her own quiet way a plain, unvarnished tale, showing how I had rejected the real, and rabidly devoured the ideal;--I pronounced judgment to this effect:-- That a greater fool than Jane Eyre had never breathed the breath of life; that a more fantastic idiot had never surfeited herself on sweet lies, and swallowed poison as if it were nectar. "_You_," I said, "a favourite with Mr. Rochester? _You_ gifted with the power of pleasing him? _You_ of importance to him in any way? Go! your folly sickens me. And you have derived pleasure from occasional tokens of preference--equivocal tokens shown by a gentleman of family and a man of the world to a dependent and a novice. How dared you? Poor stupid dupe!--Could not even self-interest make you wiser? You repeated to yourself this morning the brief scene of last night?--Cover your face and be ashamed! He said something in praise of your eyes, did he? Blind puppy! Open their bleared lids and look on your own accursed senselessness! It does good to no woman to be flattered by her superior, who cannot possibly intend to marry her; and it is madness in all women to let a secret love kindle within them, which, if unreturned and unknown, must devour the life that feeds it; and, if discovered and responded to, must lead, _ignis-fatuus_-like, into miry wilds whence there is no extrication. "Listen, then, Jane Eyre, to your sentence: to-morrow, place the glass before you, and draw in chalk your own picture, faithfully, without softening one defect; omit no harsh line, smooth away no displeasing irregularity; write under it, 'Portrait of a Governess, disconnected, poor, and plain.' "Afterwards, take a piece of smooth ivory--you have one prepared in your drawing-box: take your palette, mix your freshest, finest, clearest tints; choose your most delicate camel-hair pencils; delineate carefully the loveliest face you can imagine; paint it in your softest shades and sweetest lines, according to the description given by Mrs. Fairfax of Blanche Ingram; remember the raven ringlets, the oriental eye;--What! you revert to Mr. Rochester as a model! Order! No snivel!--no sentiment!--no regret! I will endure only sense and resolution. Recall the august yet harmonious lineaments, the Grecian neck and bust; let the round and dazzling arm be visible, and the delicate hand; omit neither diamond ring nor gold bracelet; portray faithfully the attire, aerial lace and glistening satin, graceful scarf and golden rose; call it 'Blanche, an accomplished lady of rank.' "Whenever, in future, you should chance to fancy Mr. Rochester thinks well of you, take out these two pictures and compare them: say, 'Mr. Rochester might probably win that noble lady's love, if he chose to strive for it; is it likely he would waste a serious thought on this indigent and insignificant plebeian?'" "I'll do it," I resolved: and having framed this determination, I grew calm, and fell asleep. I kept my word. An hour or two sufficed to sketch my own portrait in crayons; and in less than a fortnight I had completed an ivory miniature of an imaginary Blanche Ingram. It looked a lovely face enough, and when compared with the real head in chalk, the contrast was as great as self- control could desire. I derived benefit from the task: it had kept my head and hands employed, and had given force and fixedness to the new impressions I wished to stamp indelibly on my heart. Ere long, I had reason to congratulate myself on the course of wholesome discipline to which I had thus forced my feelings to submit. Thanks to it, I was able to meet subsequent occurrences with a decent calm, which, had they found me unprepared, I should probably have been unequal to maintain, even externally.

volume 2, Chapter 16

https://web.archive.org/web/20210123075639/https://www.sparknotes.com/lit/janeeyre/section3/

The next morning, Jane is shocked to learn that the near tragedy of the night before has caused no scandal. The servants believe Rochester to have fallen asleep with a lit candle by his bed, and even Grace Poole shows no sign of guilt or remorse. Jane cannot imagine why an attempted murderer is allowed to continue working at Thornfield. She realizes that she is beginning to have feelings for Rochester and is disappointed that he will be away from Thornfield for several days. He has left to attend a party where he will be in the company of Blanche Ingram, a beautiful lady. Jane scolds herself for being disappointed by the news, and she resolves to restrain her flights of imaginative fancy by comparing her own portrait to one she has drawn of Blanche Ingram, noting how much plainer she is than the beautiful Blanche

This section marks the third phase of Jane's life, in which she begins her career as a governess and travels to Thornfield, where the principal incidents of her story take place. By linking Jane's stages of development to the various institutions or geographic locations with which she is involved , the book positions itself among a literary genre known as the Bildungsroman. The Bildungsroman, a novel that details the growth and development of a main character through several periods of life, began as a German genre in the seventeenth century, but by the mid-1800s had become firmly established in England as well. Such important Victorian novels as David Copperfield base themselves on this form, which continues as an important literary sub-genre even today. The Bildungsroman typically told the story of a man growing from boyhood to adulthood; Charlotte Bronte's appropriation of the form for her heroine represents one of the many ways in which her novel challenges the accepted Victorian conceptions of gender hierarchy, making the statement that a woman's inner development merits as much attention and analysis as that of a man. Still, although Jane herself and Jane Eyre as a novel are often identified as important early figures in the feminist movement, Jane experiences much inner questioning regarding her gender role; she is not a staunch and confident feminist at all times. That is, while Jane is possessed of an immense integrity and a determination to succeed on her own terms, her failure to conform to ideals of female beauty nonetheless troubles her and makes her question herself. Just as Jane's time at Lowood involved a number of elements taken from Charlotte Bronte's own life, so too is Jane's career as a governess based in part on Bronte's short-lived position as a governess in the late 1830s. In many ways, Bronte's exploration of the role of the governess represents the novel's most important and challenging treatment of the theme of social class. Just as Emily Bronte does with Heathcliff in Wuthering Heights, Charlotte Bronte makes Jane a figure of ambiguous class standing. Consequently, she is a source of extreme tension for the characters around her. But while Heathcliff achieves wealth and power without achieving education or social grace, Jane acquires the manners, sophistication, and education of an aristocrat while remaining penniless and powerless. Such was the role of the governess: brought into wealthy Victorian households as the children's private tutors in both academics and etiquette, governesses were expected to possess the demeanor of the aristocracy; but as paid employees, they were in many ways treated merely as servants. Jane begins to experience this tension as soon as she notices her emerging feelings for Rochester. Though she is in some ways his social equal, she is also his servant, and thus she cannot believe that he could ever fall in love with her.

sparknotes

all_chapterized_books/1260-chapters/18.txt

finished_summaries/sparknotes/Jane Eyre/section_3_part_1.txt

Jane Eyre.volume 2.chapter 17

volume 2, chapter 17

{"name": "volume 2, Chapter 17", "url": "https://web.archive.org/web/20210123075639/https://www.sparknotes.com/lit/janeeyre/section4/", "summary": "Rochester has been gone for a week, and Jane is dismayed to learn that he may choose to depart for continental Europe without returning to Thornfield--according to Mrs. Fairfax, he could be gone for more than a year. A week later, however, Mrs. Fairfax receives word that Rochester will arrive in three days with a large group of guests. While she waits, Jane continues to be amazed by the apparently normal relations the strange, self-isolated Grace Poole enjoys with the rest of the staff. Jane also overhears a conversation in which a few of the servants discuss Grace's high pay, and Jane is certain that she doesn't know the entire truth about Grace Poole's role at Thornfield. Rochester arrives at last, accompanied by a party of elegant and aristocratic guests. Jane is forced to join the group but spends the evening watching them from a window seat. Blanche Ingram and her mother are among the party's members, and they treat Jane with disdain and cruelty. Jane tries to leave the party, but Rochester stops her. He grudgingly allows her to go when he sees the tears brimming in her eyes. He informs her that she must come into the drawing room every evening during his guests' stay at Thornfield. As they part, Rochester nearly lets slip more than he intends. Good-night, my--\" he says, before biting his lip", "analysis": "Jane's situation in Chapter 17 manifests the uncomfortable position of governesses. Jane, forced to sit in the drawing room during Rochester's party, must endure Blanche Ingram's comments to her mother about the nature of governesses--\"half of them detestable and the rest ridiculous, and all incubi.\" By this stage of the story, the narrative has begun to focus increasingly on the potential relationship between Jane and Rochester. Blanche's presence, which threatens the possibility of a union between the two, adds tension to the plot. Blanche is not only a competitor for Jane, she is also a foil to her, as the two women differ in every respect. Jane Eyre never seems to possess the degree of romantic tension that runs throughout Emily Bronte's Wuthering Heights because the signs of Rochester's affection for Jane are recognizable early on. The most telling tip-off occurs at the end of Chapter 17, when Rochester nearly calls Jane \"my love\" before biting his tongue. The tension surrounding Jane's and Rochester's relationship derives not from the question of whether Rochester loves Jane, but from whether he will be able to act upon his feelings. So far, two obstacles--Blanche and the dark secrets of Thornfield Hall--stand in Rochester's way. These obstacles, and the potential marriage that they impede, constitute the romantic plot of Jane Eyre. As in many romances, the norms of society and the protagonists' conflicting personalities must either be changed or ignored in order for marriage to be possible. But Rochester's dark past, most importantly his secret marriage to Bertha, adds a Gothic element to the story. Unlike the marriage plot, which leads toward the public, communal event of a wedding, the \"Gothic plot\" of Rochester's struggle with his own past focuses on Rochester's private consciousness. The physical world of Thornfield Hall reflects his interior state--the house, the landscape, and Bertha can all be seen as external manifestations of his dangerous secrets. These Gothic elements suggest that the story will lead to death or madness rather than the happy occasion of a wedding. Disguised as a gypsy woman, Rochester wields an almost magical power over Jane, and the scene reveals how much he controls her emotions at this stage of the novel. He also controls the plot, and his masquerading as a gypsy woman allows him to overcome the obstacle Blanche poses. Like the game of charades the group plays earlier, Rochester's disguised appearance suggests his disguised character. Mr. Mason's unexplained wounds, like the earlier mysterious fire in Rochester's bedroom, further the larger Gothic plot that will soon unfold. By allowing Jane upstairs to see Mason, Rochester seems to be inviting her to help cure the ills inflicted by Bertha, and he attempts for the first time to talk with Jane about his past as they take a walk together following Mason's stabbing. Although he speaks to Jane about his determination to redeem himself, his references to a grave error and a dissipated youth suggest that Jane risks great danger not only by continuing to live at Thornfield but by falling in love with him. Her emotional welfare as well as her physical welfare may soon be in jeopardy. Adele and Bertha already serve as living legacies of Rochester's past licentiousness, and Jane could be next in line, as her prophetic dream seems to suggest."}

A week passed, and no news arrived of Mr. Rochester: ten days, and still he did not come. Mrs. Fairfax said she should not be surprised if he were to go straight from the Leas to London, and thence to the Continent, and not show his face again at Thornfield for a year to come; he had not unfrequently quitted it in a manner quite as abrupt and unexpected. When I heard this, I was beginning to feel a strange chill and failing at the heart. I was actually permitting myself to experience a sickening sense of disappointment; but rallying my wits, and recollecting my principles, I at once called my sensations to order; and it was wonderful how I got over the temporary blunder--how I cleared up the mistake of supposing Mr. Rochester's movements a matter in which I had any cause to take a vital interest. Not that I humbled myself by a slavish notion of inferiority: on the contrary, I just said-- "You have nothing to do with the master of Thornfield, further than to receive the salary he gives you for teaching his protegee, and to be grateful for such respectful and kind treatment as, if you do your duty, you have a right to expect at his hands. Be sure that is the only tie he seriously acknowledges between you and him; so don't make him the object of your fine feelings, your raptures, agonies, and so forth. He is not of your order: keep to your caste, and be too self-respecting to lavish the love of the whole heart, soul, and strength, where such a gift is not wanted and would be despised." I went on with my day's business tranquilly; but ever and anon vague suggestions kept wandering across my brain of reasons why I should quit Thornfield; and I kept involuntarily framing advertisements and pondering conjectures about new situations: these thoughts I did not think to check; they might germinate and bear fruit if they could. Mr. Rochester had been absent upwards of a fortnight, when the post brought Mrs. Fairfax a letter. "It is from the master," said she, as she looked at the direction. "Now I suppose we shall know whether we are to expect his return or not." And while she broke the seal and perused the document, I went on taking my coffee (we were at breakfast): it was hot, and I attributed to that circumstance a fiery glow which suddenly rose to my face. Why my hand shook, and why I involuntarily spilt half the contents of my cup into my saucer, I did not choose to consider. "Well, I sometimes think we are too quiet; but we run a chance of being busy enough now: for a little while at least," said Mrs. Fairfax, still holding the note before her spectacles. Ere I permitted myself to request an explanation, I tied the string of Adele's pinafore, which happened to be loose: having helped her also to another bun and refilled her mug with milk, I said, nonchalantly-- "Mr. Rochester is not likely to return soon, I suppose?" "Indeed he is--in three days, he says: that will be next Thursday; and not alone either. I don't know how many of the fine people at the Leas are coming with him: he sends directions for all the best bedrooms to be prepared; and the library and drawing-rooms are to be cleaned out; I am to get more kitchen hands from the George Inn, at Millcote, and from wherever else I can; and the ladies will bring their maids and the gentlemen their valets: so we shall have a full house of it." And Mrs. Fairfax swallowed her breakfast and hastened away to commence operations. The three days were, as she had foretold, busy enough. I had thought all the rooms at Thornfield beautifully clean and well arranged; but it appears I was mistaken. Three women were got to help; and such scrubbing, such brushing, such washing of paint and beating of carpets, such taking down and putting up of pictures, such polishing of mirrors and lustres, such lighting of fires in bedrooms, such airing of sheets and feather-beds on hearths, I never beheld, either before or since. Adele ran quite wild in the midst of it: the preparations for company and the prospect of their arrival, seemed to throw her into ecstasies. She would have Sophie to look over all her "toilettes," as she called frocks; to furbish up any that were "_passees_," and to air and arrange the new. For herself, she did nothing but caper about in the front chambers, jump on and off the bedsteads, and lie on the mattresses and piled-up bolsters and pillows before the enormous fires roaring in the chimneys. From school duties she was exonerated: Mrs. Fairfax had pressed me into her service, and I was all day in the storeroom, helping (or hindering) her and the cook; learning to make custards and cheese-cakes and French pastry, to truss game and garnish desert-dishes. The party were expected to arrive on Thursday afternoon, in time for dinner at six. During the intervening period I had no time to nurse chimeras; and I believe I was as active and gay as anybody--Adele excepted. Still, now and then, I received a damping check to my cheerfulness; and was, in spite of myself, thrown back on the region of doubts and portents, and dark conjectures. This was when I chanced to see the third-storey staircase door (which of late had always been kept locked) open slowly, and give passage to the form of Grace Poole, in prim cap, white apron, and handkerchief; when I watched her glide along the gallery, her quiet tread muffled in a list slipper; when I saw her look into the bustling, topsy-turvy bedrooms,--just say a word, perhaps, to the charwoman about the proper way to polish a grate, or clean a marble mantelpiece, or take stains from papered walls, and then pass on. She would thus descend to the kitchen once a day, eat her dinner, smoke a moderate pipe on the hearth, and go back, carrying her pot of porter with her, for her private solace, in her own gloomy, upper haunt. Only one hour in the twenty-four did she pass with her fellow-servants below; all the rest of her time was spent in some low-ceiled, oaken chamber of the second storey: there she sat and sewed--and probably laughed drearily to herself,--as companionless as a prisoner in his dungeon. The strangest thing of all was, that not a soul in the house, except me, noticed her habits, or seemed to marvel at them: no one discussed her position or employment; no one pitied her solitude or isolation. I once, indeed, overheard part of a dialogue between Leah and one of the charwomen, of which Grace formed the subject. Leah had been saying something I had not caught, and the charwoman remarked-- "She gets good wages, I guess?" "Yes," said Leah; "I wish I had as good; not that mine are to complain of,--there's no stinginess at Thornfield; but they're not one fifth of the sum Mrs. Poole receives. And she is laying by: she goes every quarter to the bank at Millcote. I should not wonder but she has saved enough to keep her independent if she liked to leave; but I suppose she's got used to the place; and then she's not forty yet, and strong and able for anything. It is too soon for her to give up business." "She is a good hand, I daresay," said the charwoman. "Ah!--she understands what she has to do,--nobody better," rejoined Leah significantly; "and it is not every one could fill her shoes--not for all the money she gets." "That it is not!" was the reply. "I wonder whether the master--" The charwoman was going on; but here Leah turned and perceived me, and she instantly gave her companion a nudge. "Doesn't she know?" I heard the woman whisper. Leah shook her head, and the conversation was of course dropped. All I had gathered from it amounted to this,--that there was a mystery at Thornfield; and that from participation in that mystery I was purposely excluded. Thursday came: all work had been completed the previous evening; carpets were laid down, bed-hangings festooned, radiant white counterpanes spread, toilet tables arranged, furniture rubbed, flowers piled in vases: both chambers and saloons looked as fresh and bright as hands could make them. The hall, too, was scoured; and the great carved clock, as well as the steps and banisters of the staircase, were polished to the brightness of glass; in the dining-room, the sideboard flashed resplendent with plate; in the drawing-room and boudoir, vases of exotics bloomed on all sides. Afternoon arrived: Mrs. Fairfax assumed her best black satin gown, her gloves, and her gold watch; for it was her part to receive the company,--to conduct the ladies to their rooms, &c. Adele, too, would be dressed: though I thought she had little chance of being introduced to the party that day at least. However, to please her, I allowed Sophie to apparel her in one of her short, full muslin frocks. For myself, I had no need to make any change; I should not be called upon to quit my sanctum of the schoolroom; for a sanctum it was now become to me,--"a very pleasant refuge in time of trouble." It had been a mild, serene spring day--one of those days which, towards the end of March or the beginning of April, rise shining over the earth as heralds of summer. It was drawing to an end now; but the evening was even warm, and I sat at work in the schoolroom with the window open. "It gets late," said Mrs. Fairfax, entering in rustling state. "I am glad I ordered dinner an hour after the time Mr. Rochester mentioned; for it is past six now. I have sent John down to the gates to see if there is anything on the road: one can see a long way from thence in the direction of Millcote." She went to the window. "Here he is!" said she. "Well, John" (leaning out), "any news?" "They're coming, ma'am," was the answer. "They'll be here in ten minutes." Adele flew to the window. I followed, taking care to stand on one side, so that, screened by the curtain, I could see without being seen. The ten minutes John had given seemed very long, but at last wheels were heard; four equestrians galloped up the drive, and after them came two open carriages. Fluttering veils and waving plumes filled the vehicles; two of the cavaliers were young, dashing-looking gentlemen; the third was Mr. Rochester, on his black horse, Mesrour, Pilot bounding before him; at his side rode a lady, and he and she were the first of the party. Her purple riding-habit almost swept the ground, her veil streamed long on the breeze; mingling with its transparent folds, and gleaming through them, shone rich raven ringlets. "Miss Ingram!" exclaimed Mrs. Fairfax, and away she hurried to her post below. The cavalcade, following the sweep of the drive, quickly turned the angle of the house, and I lost sight of it. Adele now petitioned to go down; but I took her on my knee, and gave her to understand that she must not on any account think of venturing in sight of the ladies, either now or at any other time, unless expressly sent for: that Mr. Rochester would be very angry, &c. "Some natural tears she shed" on being told this; but as I began to look very grave, she consented at last to wipe them. A joyous stir was now audible in the hall: gentlemen's deep tones and ladies' silvery accents blent harmoniously together, and distinguishable above all, though not loud, was the sonorous voice of the master of Thornfield Hall, welcoming his fair and gallant guests under its roof. Then light steps ascended the stairs; and there was a tripping through the gallery, and soft cheerful laughs, and opening and closing doors, and, for a time, a hush. "Elles changent de toilettes," said Adele; who, listening attentively, had followed every movement; and she sighed. "Chez maman," said she, "quand il y avait du monde, je le suivais partout, au salon et a leurs chambres; souvent je regardais les femmes de chambre coiffer et habiller les dames, et c'etait si amusant: comme cela on apprend." "Don't you feel hungry, Adele?" "Mais oui, mademoiselle: voila cinq ou six heures que nous n'avons pas mange." "Well now, while the ladies are in their rooms, I will venture down and get you something to eat." And issuing from my asylum with precaution, I sought a back-stairs which conducted directly to the kitchen. All in that region was fire and commotion; the soup and fish were in the last stage of projection, and the cook hung over her crucibles in a frame of mind and body threatening spontaneous combustion. In the servants' hall two coachmen and three gentlemen's gentlemen stood or sat round the fire; the abigails, I suppose, were upstairs with their mistresses; the new servants, that had been hired from Millcote, were bustling about everywhere. Threading this chaos, I at last reached the larder; there I took possession of a cold chicken, a roll of bread, some tarts, a plate or two and a knife and fork: with this booty I made a hasty retreat. I had regained the gallery, and was just shutting the back-door behind me, when an accelerated hum warned me that the ladies were about to issue from their chambers. I could not proceed to the schoolroom without passing some of their doors, and running the risk of being surprised with my cargo of victualage; so I stood still at this end, which, being windowless, was dark: quite dark now, for the sun was set and twilight gathering. Presently the chambers gave up their fair tenants one after another: each came out gaily and airily, with dress that gleamed lustrous through the dusk. For a moment they stood grouped together at the other extremity of the gallery, conversing in a key of sweet subdued vivacity: they then descended the staircase almost as noiselessly as a bright mist rolls down a hill. Their collective appearance had left on me an impression of high- born elegance, such as I had never before received. I found Adele peeping through the schoolroom door, which she held ajar. "What beautiful ladies!" cried she in English. "Oh, I wish I might go to them! Do you think Mr. Rochester will send for us by-and-bye, after dinner?" "No, indeed, I don't; Mr. Rochester has something else to think about. Never mind the ladies to-night; perhaps you will see them to-morrow: here is your dinner." She was really hungry, so the chicken and tarts served to divert her attention for a time. It was well I secured this forage, or both she, I, and Sophie, to whom I conveyed a share of our repast, would have run a chance of getting no dinner at all: every one downstairs was too much engaged to think of us. The dessert was not carried out till after nine and at ten footmen were still running to and fro with trays and coffee- cups. I allowed Adele to sit up much later than usual; for she declared she could not possibly go to sleep while the doors kept opening and shutting below, and people bustling about. Besides, she added, a message might possibly come from Mr. Rochester when she was undressed; "et alors quel dommage!" I told her stories as long as she would listen to them; and then for a change I took her out into the gallery. The hall lamp was now lit, and it amused her to look over the balustrade and watch the servants passing backwards and forwards. When the evening was far advanced, a sound of music issued from the drawing-room, whither the piano had been removed; Adele and I sat down on the top step of the stairs to listen. Presently a voice blent with the rich tones of the instrument; it was a lady who sang, and very sweet her notes were. The solo over, a duet followed, and then a glee: a joyous conversational murmur filled up the intervals. I listened long: suddenly I discovered that my ear was wholly intent on analysing the mingled sounds, and trying to discriminate amidst the confusion of accents those of Mr. Rochester; and when it caught them, which it soon did, it found a further task in framing the tones, rendered by distance inarticulate, into words. The clock struck eleven. I looked at Adele, whose head leant against my shoulder; her eyes were waxing heavy, so I took her up in my arms and carried her off to bed. It was near one before the gentlemen and ladies sought their chambers. The next day was as fine as its predecessor: it was devoted by the party to an excursion to some site in the neighbourhood. They set out early in the forenoon, some on horseback, the rest in carriages; I witnessed both the departure and the return. Miss Ingram, as before, was the only lady equestrian; and, as before, Mr. Rochester galloped at her side; the two rode a little apart from the rest. I pointed out this circumstance to Mrs. Fairfax, who was standing at the window with me-- "You said it was not likely they should think of being married," said I, "but you see Mr. Rochester evidently prefers her to any of the other ladies." "Yes, I daresay: no doubt he admires her." "And she him," I added; "look how she leans her head towards him as if she were conversing confidentially; I wish I could see her face; I have never had a glimpse of it yet." "You will see her this evening," answered Mrs. Fairfax. "I happened to remark to Mr. Rochester how much Adele wished to be introduced to the ladies, and he said: 'Oh! let her come into the drawing-room after dinner; and request Miss Eyre to accompany her.'" "Yes; he said that from mere politeness: I need not go, I am sure," I answered. "Well, I observed to him that as you were unused to company, I did not think you would like appearing before so gay a party--all strangers; and he replied, in his quick way--'Nonsense! If she objects, tell her it is my particular wish; and if she resists, say I shall come and fetch her in case of contumacy.'" "I will not give him that trouble," I answered. "I will go, if no better may be; but I don't like it. Shall you be there, Mrs. Fairfax?" "No; I pleaded off, and he admitted my plea. I'll tell you how to manage so as to avoid the embarrassment of making a formal entrance, which is the most disagreeable part of the business. You must go into the drawing- room while it is empty, before the ladies leave the dinner-table; choose your seat in any quiet nook you like; you need not stay long after the gentlemen come in, unless you please: just let Mr. Rochester see you are there and then slip away--nobody will notice you." "Will these people remain long, do you think?" "Perhaps two or three weeks, certainly not more. After the Easter recess, Sir George Lynn, who was lately elected member for Millcote, will have to go up to town and take his seat; I daresay Mr. Rochester will accompany him: it surprises me that he has already made so protracted a stay at Thornfield." It was with some trepidation that I perceived the hour approach when I was to repair with my charge to the drawing-room. Adele had been in a state of ecstasy all day, after hearing she was to be presented to the ladies in the evening; and it was not till Sophie commenced the operation of dressing her that she sobered down. Then the importance of the process quickly steadied her, and by the time she had her curls arranged in well-smoothed, drooping clusters, her pink satin frock put on, her long sash tied, and her lace mittens adjusted, she looked as grave as any judge. No need to warn her not to disarrange her attire: when she was dressed, she sat demurely down in her little chair, taking care previously to lift up the satin skirt for fear she should crease it, and assured me she would not stir thence till I was ready. This I quickly was: my best dress (the silver-grey one, purchased for Miss Temple's wedding, and never worn since) was soon put on; my hair was soon smoothed; my sole ornament, the pearl brooch, soon assumed. We descended. Fortunately there was another entrance to the drawing-room than that through the saloon where they were all seated at dinner. We found the apartment vacant; a large fire burning silently on the marble hearth, and wax candles shining in bright solitude, amid the exquisite flowers with which the tables were adorned. The crimson curtain hung before the arch: slight as was the separation this drapery formed from the party in the adjoining saloon, they spoke in so low a key that nothing of their conversation could be distinguished beyond a soothing murmur. Adele, who appeared to be still under the influence of a most solemnising impression, sat down, without a word, on the footstool I pointed out to her. I retired to a window-seat, and taking a book from a table near, endeavoured to read. Adele brought her stool to my feet; ere long she touched my knee. "What is it, Adele?" "Est-ce que je ne puis pas prendrie une seule de ces fleurs magnifiques, mademoiselle? Seulement pour completer ma toilette." "You think too much of your 'toilette,' Adele: but you may have a flower." And I took a rose from a vase and fastened it in her sash. She sighed a sigh of ineffable satisfaction, as if her cup of happiness were now full. I turned my face away to conceal a smile I could not suppress: there was something ludicrous as well as painful in the little Parisienne's earnest and innate devotion to matters of dress. A soft sound of rising now became audible; the curtain was swept back from the arch; through it appeared the dining-room, with its lit lustre pouring down light on the silver and glass of a magnificent dessert-service covering a long table; a band of ladies stood in the opening; they entered, and the curtain fell behind them. There were but eight; yet, somehow, as they flocked in, they gave the impression of a much larger number. Some of them were very tall; many were dressed in white; and all had a sweeping amplitude of array that seemed to magnify their persons as a mist magnifies the moon. I rose and curtseyed to them: one or two bent their heads in return, the others only stared at me. They dispersed about the room, reminding me, by the lightness and buoyancy of their movements, of a flock of white plumy birds. Some of them threw themselves in half-reclining positions on the sofas and ottomans: some bent over the tables and examined the flowers and books: the rest gathered in a group round the fire: all talked in a low but clear tone which seemed habitual to them. I knew their names afterwards, and may as well mention them now. First, there was Mrs. Eshton and two of her daughters. She had evidently been a handsome woman, and was well preserved still. Of her daughters, the eldest, Amy, was rather little: naive, and child-like in face and manner, and piquant in form; her white muslin dress and blue sash became her well. The second, Louisa, was taller and more elegant in figure; with a very pretty face, of that order the French term _minois chiffone_: both sisters were fair as lilies. Lady Lynn was a large and stout personage of about forty, very erect, very haughty-looking, richly dressed in a satin robe of changeful sheen: her dark hair shone glossily under the shade of an azure plume, and within the circlet of a band of gems. Mrs. Colonel Dent was less showy; but, I thought, more lady-like. She had a slight figure, a pale, gentle face, and fair hair. Her black satin dress, her scarf of rich foreign lace, and her pearl ornaments, pleased me better than the rainbow radiance of the titled dame. But the three most distinguished--partly, perhaps, because the tallest figures of the band--were the Dowager Lady Ingram and her daughters, Blanche and Mary. They were all three of the loftiest stature of women. The Dowager might be between forty and fifty: her shape was still fine; her hair (by candle-light at least) still black; her teeth, too, were still apparently perfect. Most people would have termed her a splendid woman of her age: and so she was, no doubt, physically speaking; but then there was an expression of almost insupportable haughtiness in her bearing and countenance. She had Roman features and a double chin, disappearing into a throat like a pillar: these features appeared to me not only inflated and darkened, but even furrowed with pride; and the chin was sustained by the same principle, in a position of almost preternatural erectness. She had, likewise, a fierce and a hard eye: it reminded me of Mrs. Reed's; she mouthed her words in speaking; her voice was deep, its inflections very pompous, very dogmatical,--very intolerable, in short. A crimson velvet robe, and a shawl turban of some gold-wrought Indian fabric, invested her (I suppose she thought) with a truly imperial dignity. Blanche and Mary were of equal stature,--straight and tall as poplars. Mary was too slim for her height, but Blanche was moulded like a Dian. I regarded her, of course, with special interest. First, I wished to see whether her appearance accorded with Mrs. Fairfax's description; secondly, whether it at all resembled the fancy miniature I had painted of her; and thirdly--it will out!--whether it were such as I should fancy likely to suit Mr. Rochester's taste. As far as person went, she answered point for point, both to my picture and Mrs. Fairfax's description. The noble bust, the sloping shoulders, the graceful neck, the dark eyes and black ringlets were all there;--but her face? Her face was like her mother's; a youthful unfurrowed likeness: the same low brow, the same high features, the same pride. It was not, however, so saturnine a pride! she laughed continually; her laugh was satirical, and so was the habitual expression of her arched and haughty lip. Genius is said to be self-conscious. I cannot tell whether Miss Ingram was a genius, but she was self-conscious--remarkably self-conscious indeed. She entered into a discourse on botany with the gentle Mrs. Dent. It seemed Mrs. Dent had not studied that science: though, as she said, she liked flowers, "especially wild ones;" Miss Ingram had, and she ran over its vocabulary with an air. I presently perceived she was (what is vernacularly termed) _trailing_ Mrs. Dent; that is, playing on her ignorance--her _trail_ might be clever, but it was decidedly not good- natured. She played: her execution was brilliant; she sang: her voice was fine; she talked French apart to her mamma; and she talked it well, with fluency and with a good accent. Mary had a milder and more open countenance than Blanche; softer features too, and a skin some shades fairer (Miss Ingram was dark as a Spaniard)--but Mary was deficient in life: her face lacked expression, her eye lustre; she had nothing to say, and having once taken her seat, remained fixed like a statue in its niche. The sisters were both attired in spotless white. And did I now think Miss Ingram such a choice as Mr. Rochester would be likely to make? I could not tell--I did not know his taste in female beauty. If he liked the majestic, she was the very type of majesty: then she was accomplished, sprightly. Most gentlemen would admire her, I thought; and that he _did_ admire her, I already seemed to have obtained proof: to remove the last shade of doubt, it remained but to see them together. You are not to suppose, reader, that Adele has all this time been sitting motionless on the stool at my feet: no; when the ladies entered, she rose, advanced to meet them, made a stately reverence, and said with gravity-- "Bon jour, mesdames." And Miss Ingram had looked down at her with a mocking air, and exclaimed, "Oh, what a little puppet!" Lady Lynn had remarked, "It is Mr. Rochester's ward, I suppose--the little French girl he was speaking of." Mrs. Dent had kindly taken her hand, and given her a kiss. Amy and Louisa Eshton had cried out simultaneously--"What a love of a child!" And then they had called her to a sofa, where she now sat, ensconced between them, chattering alternately in French and broken English; absorbing not only the young ladies' attention, but that of Mrs. Eshton and Lady Lynn, and getting spoilt to her heart's content. At last coffee is brought in, and the gentlemen are summoned. I sit in the shade--if any shade there be in this brilliantly-lit apartment; the window-curtain half hides me. Again the arch yawns; they come. The collective appearance of the gentlemen, like that of the ladies, is very imposing: they are all costumed in black; most of them are tall, some young. Henry and Frederick Lynn are very dashing sparks indeed; and Colonel Dent is a fine soldierly man. Mr. Eshton, the magistrate of the district, is gentleman-like: his hair is quite white, his eyebrows and whiskers still dark, which gives him something of the appearance of a "pere noble de theatre." Lord Ingram, like his sisters, is very tall; like them, also, he is handsome; but he shares Mary's apathetic and listless look: he seems to have more length of limb than vivacity of blood or vigour of brain. And where is Mr. Rochester? He comes in last: I am not looking at the arch, yet I see him enter. I try to concentrate my attention on those netting-needles, on the meshes of the purse I am forming--I wish to think only of the work I have in my hands, to see only the silver beads and silk threads that lie in my lap; whereas, I distinctly behold his figure, and I inevitably recall the moment when I last saw it; just after I had rendered him, what he deemed, an essential service, and he, holding my hand, and looking down on my face, surveyed me with eyes that revealed a heart full and eager to overflow; in whose emotions I had a part. How near had I approached him at that moment! What had occurred since, calculated to change his and my relative positions? Yet now, how distant, how far estranged we were! So far estranged, that I did not expect him to come and speak to me. I did not wonder, when, without looking at me, he took a seat at the other side of the room, and began conversing with some of the ladies. No sooner did I see that his attention was riveted on them, and that I might gaze without being observed, than my eyes were drawn involuntarily to his face; I could not keep their lids under control: they would rise, and the irids would fix on him. I looked, and had an acute pleasure in looking,--a precious yet poignant pleasure; pure gold, with a steely point of agony: a pleasure like what the thirst-perishing man might feel who knows the well to which he has crept is poisoned, yet stoops and drinks divine draughts nevertheless. Most true is it that "beauty is in the eye of the gazer." My master's colourless, olive face, square, massive brow, broad and jetty eyebrows, deep eyes, strong features, firm, grim mouth,--all energy, decision, will,--were not beautiful, according to rule; but they were more than beautiful to me; they were full of an interest, an influence that quite mastered me,--that took my feelings from my own power and fettered them in his. I had not intended to love him; the reader knows I had wrought hard to extirpate from my soul the germs of love there detected; and now, at the first renewed view of him, they spontaneously arrived, green and strong! He made me love him without looking at me. I compared him with his guests. What was the gallant grace of the Lynns, the languid elegance of Lord Ingram,--even the military distinction of Colonel Dent, contrasted with his look of native pith and genuine power? I had no sympathy in their appearance, their expression: yet I could imagine that most observers would call them attractive, handsome, imposing; while they would pronounce Mr. Rochester at once harsh-featured and melancholy-looking. I saw them smile, laugh--it was nothing; the light of the candles had as much soul in it as their smile; the tinkle of the bell as much significance as their laugh. I saw Mr. Rochester smile:--his stern features softened; his eye grew both brilliant and gentle, its ray both searching and sweet. He was talking, at the moment, to Louisa and Amy Eshton. I wondered to see them receive with calm that look which seemed to me so penetrating: I expected their eyes to fall, their colour to rise under it; yet I was glad when I found they were in no sense moved. "He is not to them what he is to me," I thought: "he is not of their kind. I believe he is of mine;--I am sure he is--I feel akin to him--I understand the language of his countenance and movements: though rank and wealth sever us widely, I have something in my brain and heart, in my blood and nerves, that assimilates me mentally to him. Did I say, a few days since, that I had nothing to do with him but to receive my salary at his hands? Did I forbid myself to think of him in any other light than as a paymaster? Blasphemy against nature! Every good, true, vigorous feeling I have gathers impulsively round him. I know I must conceal my sentiments: I must smother hope; I must remember that he cannot care much for me. For when I say that I am of his kind, I do not mean that I have his force to influence, and his spell to attract; I mean only that I have certain tastes and feelings in common with him. I must, then, repeat continually that we are for ever sundered:--and yet, while I breathe and think, I must love him." Coffee is handed. The ladies, since the gentlemen entered, have become lively as larks; conversation waxes brisk and merry. Colonel Dent and Mr. Eshton argue on politics; their wives listen. The two proud dowagers, Lady Lynn and Lady Ingram, confabulate together. Sir George--whom, by-the-bye, I have forgotten to describe,--a very big, and very fresh-looking country gentleman, stands before their sofa, coffee- cup in hand, and occasionally puts in a word. Mr. Frederick Lynn has taken a seat beside Mary Ingram, and is showing her the engravings of a splendid volume: she looks, smiles now and then, but apparently says little. The tall and phlegmatic Lord Ingram leans with folded arms on the chair-back of the little and lively Amy Eshton; she glances up at him, and chatters like a wren: she likes him better than she does Mr. Rochester. Henry Lynn has taken possession of an ottoman at the feet of Louisa: Adele shares it with him: he is trying to talk French with her, and Louisa laughs at his blunders. With whom will Blanche Ingram pair? She is standing alone at the table, bending gracefully over an album. She seems waiting to be sought; but she will not wait too long: she herself selects a mate. Mr. Rochester, having quitted the Eshtons, stands on the hearth as solitary as she stands by the table: she confronts him, taking her station on the opposite side of the mantelpiece. "Mr. Rochester, I thought you were not fond of children?" "Nor am I." "Then, what induced you to take charge of such a little doll as that?" (pointing to Adele). "Where did you pick her up?" "I did not pick her up; she was left on my hands." "You should have sent her to school." "I could not afford it: schools are so dear." "Why, I suppose you have a governess for her: I saw a person with her just now--is she gone? Oh, no! there she is still, behind the window- curtain. You pay her, of course; I should think it quite as expensive,--more so; for you have them both to keep in addition." I feared--or should I say, hoped?--the allusion to me would make Mr. Rochester glance my way; and I involuntarily shrank farther into the shade: but he never turned his eyes. "I have not considered the subject," said he indifferently, looking straight before him. "No, you men never do consider economy and common sense. You should hear mama on the chapter of governesses: Mary and I have had, I should think, a dozen at least in our day; half of them detestable and the rest ridiculous, and all incubi--were they not, mama?" "Did you speak, my own?" The young lady thus claimed as the dowager's special property, reiterated her question with an explanation. "My dearest, don't mention governesses; the word makes me nervous. I have suffered a martyrdom from their incompetency and caprice. I thank Heaven I have now done with them!" Mrs. Dent here bent over to the pious lady and whispered something in her ear; I suppose, from the answer elicited, it was a reminder that one of the anathematised race was present. "Tant pis!" said her Ladyship, "I hope it may do her good!" Then, in a lower tone, but still loud enough for me to hear, "I noticed her; I am a judge of physiognomy, and in hers I see all the faults of her class." "What are they, madam?" inquired Mr. Rochester aloud. "I will tell you in your private ear," replied she, wagging her turban three times with portentous significancy. "But my curiosity will be past its appetite; it craves food now." "Ask Blanche; she is nearer you than I." "Oh, don't refer him to me, mama! I have just one word to say of the whole tribe; they are a nuisance. Not that I ever suffered much from them; I took care to turn the tables. What tricks Theodore and I used to play on our Miss Wilsons, and Mrs. Greys, and Madame Jouberts! Mary was always too sleepy to join in a plot with spirit. The best fun was with Madame Joubert: Miss Wilson was a poor sickly thing, lachrymose and low- spirited, not worth the trouble of vanquishing, in short; and Mrs. Grey was coarse and insensible; no blow took effect on her. But poor Madame Joubert! I see her yet in her raging passions, when we had driven her to extremities--spilt our tea, crumbled our bread and butter, tossed our books up to the ceiling, and played a charivari with the ruler and desk, the fender and fire-irons. Theodore, do you remember those merry days?" "Yaas, to be sure I do," drawled Lord Ingram; "and the poor old stick used to cry out 'Oh you villains childs!'--and then we sermonised her on the presumption of attempting to teach such clever blades as we were, when she was herself so ignorant." "We did; and, Tedo, you know, I helped you in prosecuting (or persecuting) your tutor, whey-faced Mr. Vining--the parson in the pip, as we used to call him. He and Miss Wilson took the liberty of falling in love with each other--at least Tedo and I thought so; we surprised sundry tender glances and sighs which we interpreted as tokens of 'la belle passion,' and I promise you the public soon had the benefit of our discovery; we employed it as a sort of lever to hoist our dead-weights from the house. Dear mama, there, as soon as she got an inkling of the business, found out that it was of an immoral tendency. Did you not, my lady-mother?" "Certainly, my best. And I was quite right: depend on that: there are a thousand reasons why liaisons between governesses and tutors should never be tolerated a moment in any well-regulated house; firstly--" "Oh, gracious, mama! Spare us the enumeration! _Au reste_, we all know them: danger of bad example to innocence of childhood; distractions and consequent neglect of duty on the part of the attached--mutual alliance and reliance; confidence thence resulting--insolence accompanying--mutiny and general blow-up. Am I right, Baroness Ingram, of Ingram Park?" "My lily-flower, you are right now, as always." "Then no more need be said: change the subject." Amy Eshton, not hearing or not heeding this dictum, joined in with her soft, infantine tone: "Louisa and I used to quiz our governess too; but she was such a good creature, she would bear anything: nothing put her out. She was never cross with us; was she, Louisa?" "No, never: we might do what we pleased; ransack her desk and her workbox, and turn her drawers inside out; and she was so good-natured, she would give us anything we asked for." "I suppose, now," said Miss Ingram, curling her lip sarcastically, "we shall have an abstract of the memoirs of all the governesses extant: in order to avert such a visitation, I again move the introduction of a new topic. Mr. Rochester, do you second my motion?" "Madam, I support you on this point, as on every other." "Then on me be the onus of bringing it forward. Signior Eduardo, are you in voice to-night?" "Donna Bianca, if you command it, I will be." "Then, signior, I lay on you my sovereign behest to furbish up your lungs and other vocal organs, as they will be wanted on my royal service." "Who would not be the Rizzio of so divine a Mary?" "A fig for Rizzio!" cried she, tossing her head with all its curls, as she moved to the piano. "It is my opinion the fiddler David must have been an insipid sort of fellow; I like black Bothwell better: to my mind a man is nothing without a spice of the devil in him; and history may say what it will of James Hepburn, but I have a notion, he was just the sort of wild, fierce, bandit hero whom I could have consented to gift with my hand." "Gentlemen, you hear! Now which of you most resembles Bothwell?" cried Mr. Rochester. "I should say the preference lies with you," responded Colonel Dent. "On my honour, I am much obliged to you," was the reply. Miss Ingram, who had now seated herself with proud grace at the piano, spreading out her snowy robes in queenly amplitude, commenced a brilliant prelude; talking meantime. She appeared to be on her high horse to-night; both her words and her air seemed intended to excite not only the admiration, but the amazement of her auditors: she was evidently bent on striking them as something very dashing and daring indeed. "Oh, I am so sick of the young men of the present day!" exclaimed she, rattling away at the instrument. "Poor, puny things, not fit to stir a step beyond papa's park gates: nor to go even so far without mama's permission and guardianship! Creatures so absorbed in care about their pretty faces, and their white hands, and their small feet; as if a man had anything to do with beauty! As if loveliness were not the special prerogative of woman--her legitimate appanage and heritage! I grant an ugly _woman_ is a blot on the fair face of creation; but as to the _gentlemen_, let them be solicitous to possess only strength and valour: let their motto be:--Hunt, shoot, and fight: the rest is not worth a fillip. Such should be my device, were I a man." "Whenever I marry," she continued after a pause which none interrupted, "I am resolved my husband shall not be a rival, but a foil to me. I will suffer no competitor near the throne; I shall exact an undivided homage: his devotions shall not be shared between me and the shape he sees in his mirror. Mr. Rochester, now sing, and I will play for you." "I am all obedience," was the response. "Here then is a Corsair-song. Know that I doat on Corsairs; and for that reason, sing it _con spirito_." "Commands from Miss Ingram's lips would put spirit into a mug of milk and water." "Take care, then: if you don't please me, I will shame you by showing how such things _should_ be done." "That is offering a premium on incapacity: I shall now endeavour to fail." "Gardez-vous en bien! If you err wilfully, I shall devise a proportionate punishment." "Miss Ingram ought to be clement, for she has it in her power to inflict a chastisement beyond mortal endurance." "Ha! explain!" commanded the lady. "Pardon me, madam: no need of explanation; your own fine sense must inform you that one of your frowns would be a sufficient substitute for capital punishment." "Sing!" said she, and again touching the piano, she commenced an accompaniment in spirited style. "Now is my time to slip away," thought I: but the tones that then severed the air arrested me. Mrs. Fairfax had said Mr. Rochester possessed a fine voice: he did--a mellow, powerful bass, into which he threw his own feeling, his own force; finding a way through the ear to the heart, and there waking sensation strangely. I waited till the last deep and full vibration had expired--till the tide of talk, checked an instant, had resumed its flow; I then quitted my sheltered corner and made my exit by the side-door, which was fortunately near. Thence a narrow passage led into the hall: in crossing it, I perceived my sandal was loose; I stopped to tie it, kneeling down for that purpose on the mat at the foot of the staircase. I heard the dining-room door unclose; a gentleman came out; rising hastily, I stood face to face with him: it was Mr. Rochester. "How do you do?" he asked. "I am very well, sir." "Why did you not come and speak to me in the room?" I thought I might have retorted the question on him who put it: but I would not take that freedom. I answered-- "I did not wish to disturb you, as you seemed engaged, sir." "What have you been doing during my absence?" "Nothing particular; teaching Adele as usual." "And getting a good deal paler than you were--as I saw at first sight. What is the matter?" "Nothing at all, sir." "Did you take any cold that night you half drowned me?" "Not the least." "Return to the drawing-room: you are deserting too early." "I am tired, sir." He looked at me for a minute. "And a little depressed," he said. "What about? Tell me." "Nothing--nothing, sir. I am not depressed." "But I affirm that you are: so much depressed that a few more words would bring tears to your eyes--indeed, they are there now, shining and swimming; and a bead has slipped from the lash and fallen on to the flag. If I had time, and was not in mortal dread of some prating prig of a servant passing, I would know what all this means. Well, to-night I excuse you; but understand that so long as my visitors stay, I expect you to appear in the drawing-room every evening; it is my wish; don't neglect it. Now go, and send Sophie for Adele. Good-night, my--" He stopped, bit his lip, and abruptly left me.

volume 2, Chapter 17

https://web.archive.org/web/20210123075639/https://www.sparknotes.com/lit/janeeyre/section4/

Rochester has been gone for a week, and Jane is dismayed to learn that he may choose to depart for continental Europe without returning to Thornfield--according to Mrs. Fairfax, he could be gone for more than a year. A week later, however, Mrs. Fairfax receives word that Rochester will arrive in three days with a large group of guests. While she waits, Jane continues to be amazed by the apparently normal relations the strange, self-isolated Grace Poole enjoys with the rest of the staff. Jane also overhears a conversation in which a few of the servants discuss Grace's high pay, and Jane is certain that she doesn't know the entire truth about Grace Poole's role at Thornfield. Rochester arrives at last, accompanied by a party of elegant and aristocratic guests. Jane is forced to join the group but spends the evening watching them from a window seat. Blanche Ingram and her mother are among the party's members, and they treat Jane with disdain and cruelty. Jane tries to leave the party, but Rochester stops her. He grudgingly allows her to go when he sees the tears brimming in her eyes. He informs her that she must come into the drawing room every evening during his guests' stay at Thornfield. As they part, Rochester nearly lets slip more than he intends. Good-night, my--" he says, before biting his lip

Jane's situation in Chapter 17 manifests the uncomfortable position of governesses. Jane, forced to sit in the drawing room during Rochester's party, must endure Blanche Ingram's comments to her mother about the nature of governesses--"half of them detestable and the rest ridiculous, and all incubi." By this stage of the story, the narrative has begun to focus increasingly on the potential relationship between Jane and Rochester. Blanche's presence, which threatens the possibility of a union between the two, adds tension to the plot. Blanche is not only a competitor for Jane, she is also a foil to her, as the two women differ in every respect. Jane Eyre never seems to possess the degree of romantic tension that runs throughout Emily Bronte's Wuthering Heights because the signs of Rochester's affection for Jane are recognizable early on. The most telling tip-off occurs at the end of Chapter 17, when Rochester nearly calls Jane "my love" before biting his tongue. The tension surrounding Jane's and Rochester's relationship derives not from the question of whether Rochester loves Jane, but from whether he will be able to act upon his feelings. So far, two obstacles--Blanche and the dark secrets of Thornfield Hall--stand in Rochester's way. These obstacles, and the potential marriage that they impede, constitute the romantic plot of Jane Eyre. As in many romances, the norms of society and the protagonists' conflicting personalities must either be changed or ignored in order for marriage to be possible. But Rochester's dark past, most importantly his secret marriage to Bertha, adds a Gothic element to the story. Unlike the marriage plot, which leads toward the public, communal event of a wedding, the "Gothic plot" of Rochester's struggle with his own past focuses on Rochester's private consciousness. The physical world of Thornfield Hall reflects his interior state--the house, the landscape, and Bertha can all be seen as external manifestations of his dangerous secrets. These Gothic elements suggest that the story will lead to death or madness rather than the happy occasion of a wedding. Disguised as a gypsy woman, Rochester wields an almost magical power over Jane, and the scene reveals how much he controls her emotions at this stage of the novel. He also controls the plot, and his masquerading as a gypsy woman allows him to overcome the obstacle Blanche poses. Like the game of charades the group plays earlier, Rochester's disguised appearance suggests his disguised character. Mr. Mason's unexplained wounds, like the earlier mysterious fire in Rochester's bedroom, further the larger Gothic plot that will soon unfold. By allowing Jane upstairs to see Mason, Rochester seems to be inviting her to help cure the ills inflicted by Bertha, and he attempts for the first time to talk with Jane about his past as they take a walk together following Mason's stabbing. Although he speaks to Jane about his determination to redeem himself, his references to a grave error and a dissipated youth suggest that Jane risks great danger not only by continuing to live at Thornfield but by falling in love with him. Her emotional welfare as well as her physical welfare may soon be in jeopardy. Adele and Bertha already serve as living legacies of Rochester's past licentiousness, and Jane could be next in line, as her prophetic dream seems to suggest.

sparknotes

all_chapterized_books/1260-chapters/19.txt

finished_summaries/sparknotes/Jane Eyre/section_3_part_2.txt

Jane Eyre.volume 2.chapter 18

volume 2, chapter 18

{"name": "volume 2, Chapter 18", "url": "https://web.archive.org/web/20210123075639/https://www.sparknotes.com/lit/janeeyre/section4/", "summary": "The guests stay at Thornfield for several days. Rochester and Blanche compete as a team at charades. From watching their interaction, Jane believes that they will be married soon though they do not seem to love one another. Blanche would be marrying Rochester for his wealth, and he for her beauty and her social position. One day, a strange man named Mr. Mason arrives at Thornfield. Jane dislikes him at once because of his vacant eyes and his slowness, but she learns from him that Rochester once lived in the West Indies, as he himself has done. One evening, a gypsy woman comes to Thornfield to tell the guests' fortunes. Blanche Ingram goes first, and when she returns from her talk with the gypsy woman she looks keenly disappointed", "analysis": "Jane's situation in Chapter 17 manifests the uncomfortable position of governesses. Jane, forced to sit in the drawing room during Rochester's party, must endure Blanche Ingram's comments to her mother about the nature of governesses--\"half of them detestable and the rest ridiculous, and all incubi.\" By this stage of the story, the narrative has begun to focus increasingly on the potential relationship between Jane and Rochester. Blanche's presence, which threatens the possibility of a union between the two, adds tension to the plot. Blanche is not only a competitor for Jane, she is also a foil to her, as the two women differ in every respect. Jane Eyre never seems to possess the degree of romantic tension that runs throughout Emily Bronte's Wuthering Heights because the signs of Rochester's affection for Jane are recognizable early on. The most telling tip-off occurs at the end of Chapter 17, when Rochester nearly calls Jane \"my love\" before biting his tongue. The tension surrounding Jane's and Rochester's relationship derives not from the question of whether Rochester loves Jane, but from whether he will be able to act upon his feelings. So far, two obstacles--Blanche and the dark secrets of Thornfield Hall--stand in Rochester's way. These obstacles, and the potential marriage that they impede, constitute the romantic plot of Jane Eyre. As in many romances, the norms of society and the protagonists' conflicting personalities must either be changed or ignored in order for marriage to be possible. But Rochester's dark past, most importantly his secret marriage to Bertha, adds a Gothic element to the story. Unlike the marriage plot, which leads toward the public, communal event of a wedding, the \"Gothic plot\" of Rochester's struggle with his own past focuses on Rochester's private consciousness. The physical world of Thornfield Hall reflects his interior state--the house, the landscape, and Bertha can all be seen as external manifestations of his dangerous secrets. These Gothic elements suggest that the story will lead to death or madness rather than the happy occasion of a wedding. Disguised as a gypsy woman, Rochester wields an almost magical power over Jane, and the scene reveals how much he controls her emotions at this stage of the novel. He also controls the plot, and his masquerading as a gypsy woman allows him to overcome the obstacle Blanche poses. Like the game of charades the group plays earlier, Rochester's disguised appearance suggests his disguised character. Mr. Mason's unexplained wounds, like the earlier mysterious fire in Rochester's bedroom, further the larger Gothic plot that will soon unfold. By allowing Jane upstairs to see Mason, Rochester seems to be inviting her to help cure the ills inflicted by Bertha, and he attempts for the first time to talk with Jane about his past as they take a walk together following Mason's stabbing. Although he speaks to Jane about his determination to redeem himself, his references to a grave error and a dissipated youth suggest that Jane risks great danger not only by continuing to live at Thornfield but by falling in love with him. Her emotional welfare as well as her physical welfare may soon be in jeopardy. Adele and Bertha already serve as living legacies of Rochester's past licentiousness, and Jane could be next in line, as her prophetic dream seems to suggest."}

Merry days were these at Thornfield Hall; and busy days too: how different from the first three months of stillness, monotony, and solitude I had passed beneath its roof! All sad feelings seemed now driven from the house, all gloomy associations forgotten: there was life everywhere, movement all day long. You could not now traverse the gallery, once so hushed, nor enter the front chambers, once so tenantless, without encountering a smart lady's-maid or a dandy valet. The kitchen, the butler's pantry, the servants' hall, the entrance hall, were equally alive; and the saloons were only left void and still when the blue sky and halcyon sunshine of the genial spring weather called their occupants out into the grounds. Even when that weather was broken, and continuous rain set in for some days, no damp seemed cast over enjoyment: indoor amusements only became more lively and varied, in consequence of the stop put to outdoor gaiety. I wondered what they were going to do the first evening a change of entertainment was proposed: they spoke of "playing charades," but in my ignorance I did not understand the term. The servants were called in, the dining-room tables wheeled away, the lights otherwise disposed, the chairs placed in a semicircle opposite the arch. While Mr. Rochester and the other gentlemen directed these alterations, the ladies were running up and down stairs ringing for their maids. Mrs. Fairfax was summoned to give information respecting the resources of the house in shawls, dresses, draperies of any kind; and certain wardrobes of the third storey were ransacked, and their contents, in the shape of brocaded and hooped petticoats, satin sacques, black modes, lace lappets, &c., were brought down in armfuls by the abigails; then a selection was made, and such things as were chosen were carried to the boudoir within the drawing-room. Meantime, Mr. Rochester had again summoned the ladies round him, and was selecting certain of their number to be of his party. "Miss Ingram is mine, of course," said he: afterwards he named the two Misses Eshton, and Mrs. Dent. He looked at me: I happened to be near him, as I had been fastening the clasp of Mrs. Dent's bracelet, which had got loose. "Will you play?" he asked. I shook my head. He did not insist, which I rather feared he would have done; he allowed me to return quietly to my usual seat. He and his aids now withdrew behind the curtain: the other party, which was headed by Colonel Dent, sat down on the crescent of chairs. One of the gentlemen, Mr. Eshton, observing me, seemed to propose that I should be asked to join them; but Lady Ingram instantly negatived the notion. "No," I heard her say: "she looks too stupid for any game of the sort." Ere long a bell tinkled, and the curtain drew up. Within the arch, the bulky figure of Sir George Lynn, whom Mr. Rochester had likewise chosen, was seen enveloped in a white sheet: before him, on a table, lay open a large book; and at his side stood Amy Eshton, draped in Mr. Rochester's cloak, and holding a book in her hand. Somebody, unseen, rang the bell merrily; then Adele (who had insisted on being one of her guardian's party), bounded forward, scattering round her the contents of a basket of flowers she carried on her arm. Then appeared the magnificent figure of Miss Ingram, clad in white, a long veil on her head, and a wreath of roses round her brow; by her side walked Mr. Rochester, and together they drew near the table. They knelt; while Mrs. Dent and Louisa Eshton, dressed also in white, took up their stations behind them. A ceremony followed, in dumb show, in which it was easy to recognise the pantomime of a marriage. At its termination, Colonel Dent and his party consulted in whispers for two minutes, then the Colonel called out-- "Bride!" Mr. Rochester bowed, and the curtain fell. A considerable interval elapsed before it again rose. Its second rising displayed a more elaborately prepared scene than the last. The drawing- room, as I have before observed, was raised two steps above the dining- room, and on the top of the upper step, placed a yard or two back within the room, appeared a large marble basin--which I recognised as an ornament of the conservatory--where it usually stood, surrounded by exotics, and tenanted by gold fish--and whence it must have been transported with some trouble, on account of its size and weight. Seated on the carpet, by the side of this basin, was seen Mr. Rochester, costumed in shawls, with a turban on his head. His dark eyes and swarthy skin and Paynim features suited the costume exactly: he looked the very model of an Eastern emir, an agent or a victim of the bowstring. Presently advanced into view Miss Ingram. She, too, was attired in oriental fashion: a crimson scarf tied sash-like round the waist: an embroidered handkerchief knotted about her temples; her beautifully-moulded arms bare, one of them upraised in the act of supporting a pitcher, poised gracefully on her head. Both her cast of form and feature, her complexion and her general air, suggested the idea of some Israelitish princess of the patriarchal days; and such was doubtless the character she intended to represent. She approached the basin, and bent over it as if to fill her pitcher; she again lifted it to her head. The personage on the well-brink now seemed to accost her; to make some request:--"She hasted, let down her pitcher on her hand, and gave him to drink." From the bosom of his robe he then produced a casket, opened it and showed magnificent bracelets and earrings; she acted astonishment and admiration; kneeling, he laid the treasure at her feet; incredulity and delight were expressed by her looks and gestures; the stranger fastened the bracelets on her arms and the rings in her ears. It was Eliezer and Rebecca: the camels only were wanting. The divining party again laid their heads together: apparently they could not agree about the word or syllable the scene illustrated. Colonel Dent, their spokesman, demanded "the tableau of the whole;" whereupon the curtain again descended. On its third rising only a portion of the drawing-room was disclosed; the rest being concealed by a screen, hung with some sort of dark and coarse drapery. The marble basin was removed; in its place, stood a deal table and a kitchen chair: these objects were visible by a very dim light proceeding from a horn lantern, the wax candles being all extinguished. Amidst this sordid scene, sat a man with his clenched hands resting on his knees, and his eyes bent on the ground. I knew Mr. Rochester; though the begrimed face, the disordered dress (his coat hanging loose from one arm, as if it had been almost torn from his back in a scuffle), the desperate and scowling countenance, the rough, bristling hair might well have disguised him. As he moved, a chain clanked; to his wrists were attached fetters. "Bridewell!" exclaimed Colonel Dent, and the charade was solved. A sufficient interval having elapsed for the performers to resume their ordinary costume, they re-entered the dining-room. Mr. Rochester led in Miss Ingram; she was complimenting him on his acting. "Do you know," said she, "that, of the three characters, I liked you in the last best? Oh, had you but lived a few years earlier, what a gallant gentleman-highwayman you would have made!" "Is all the soot washed from my face?" he asked, turning it towards her. "Alas! yes: the more's the pity! Nothing could be more becoming to your complexion than that ruffian's rouge." "You would like a hero of the road then?" "An English hero of the road would be the next best thing to an Italian bandit; and that could only be surpassed by a Levantine pirate." "Well, whatever I am, remember you are my wife; we were married an hour since, in the presence of all these witnesses." She giggled, and her colour rose. "Now, Dent," continued Mr. Rochester, "it is your turn." And as the other party withdrew, he and his band took the vacated seats. Miss Ingram placed herself at her leader's right hand; the other diviners filled the chairs on each side of him and her. I did not now watch the actors; I no longer waited with interest for the curtain to rise; my attention was absorbed by the spectators; my eyes, erewhile fixed on the arch, were now irresistibly attracted to the semicircle of chairs. What charade Colonel Dent and his party played, what word they chose, how they acquitted themselves, I no longer remember; but I still see the consultation which followed each scene: I see Mr. Rochester turn to Miss Ingram, and Miss Ingram to him; I see her incline her head towards him, till the jetty curls almost touch his shoulder and wave against his cheek; I hear their mutual whisperings; I recall their interchanged glances; and something even of the feeling roused by the spectacle returns in memory at this moment. I have told you, reader, that I had learnt to love Mr. Rochester: I could not unlove him now, merely because I found that he had ceased to notice me--because I might pass hours in his presence, and he would never once turn his eyes in my direction--because I saw all his attentions appropriated by a great lady, who scorned to touch me with the hem of her robes as she passed; who, if ever her dark and imperious eye fell on me by chance, would withdraw it instantly as from an object too mean to merit observation. I could not unlove him, because I felt sure he would soon marry this very lady--because I read daily in her a proud security in his intentions respecting her--because I witnessed hourly in him a style of courtship which, if careless and choosing rather to be sought than to seek, was yet, in its very carelessness, captivating, and in its very pride, irresistible. There was nothing to cool or banish love in these circumstances, though much to create despair. Much too, you will think, reader, to engender jealousy: if a woman, in my position, could presume to be jealous of a woman in Miss Ingram's. But I was not jealous: or very rarely;--the nature of the pain I suffered could not be explained by that word. Miss Ingram was a mark beneath jealousy: she was too inferior to excite the feeling. Pardon the seeming paradox; I mean what I say. She was very showy, but she was not genuine: she had a fine person, many brilliant attainments; but her mind was poor, her heart barren by nature: nothing bloomed spontaneously on that soil; no unforced natural fruit delighted by its freshness. She was not good; she was not original: she used to repeat sounding phrases from books: she never offered, nor had, an opinion of her own. She advocated a high tone of sentiment; but she did not know the sensations of sympathy and pity; tenderness and truth were not in her. Too often she betrayed this, by the undue vent she gave to a spiteful antipathy she had conceived against little Adele: pushing her away with some contumelious epithet if she happened to approach her; sometimes ordering her from the room, and always treating her with coldness and acrimony. Other eyes besides mine watched these manifestations of character--watched them closely, keenly, shrewdly. Yes; the future bridegroom, Mr. Rochester himself, exercised over his intended a ceaseless surveillance; and it was from this sagacity--this guardedness of his--this perfect, clear consciousness of his fair one's defects--this obvious absence of passion in his sentiments towards her, that my ever- torturing pain arose. I saw he was going to marry her, for family, perhaps political reasons, because her rank and connections suited him; I felt he had not given her his love, and that her qualifications were ill adapted to win from him that treasure. This was the point--this was where the nerve was touched and teased--this was where the fever was sustained and fed: _she could not charm him_. If she had managed the victory at once, and he had yielded and sincerely laid his heart at her feet, I should have covered my face, turned to the wall, and (figuratively) have died to them. If Miss Ingram had been a good and noble woman, endowed with force, fervour, kindness, sense, I should have had one vital struggle with two tigers--jealousy and despair: then, my heart torn out and devoured, I should have admired her--acknowledged her excellence, and been quiet for the rest of my days: and the more absolute her superiority, the deeper would have been my admiration--the more truly tranquil my quiescence. But as matters really stood, to watch Miss Ingram's efforts at fascinating Mr. Rochester, to witness their repeated failure--herself unconscious that they did fail; vainly fancying that each shaft launched hit the mark, and infatuatedly pluming herself on success, when her pride and self-complacency repelled further and further what she wished to allure--to witness _this_, was to be at once under ceaseless excitation and ruthless restraint. Because, when she failed, I saw how she might have succeeded. Arrows that continually glanced off from Mr. Rochester's breast and fell harmless at his feet, might, I knew, if shot by a surer hand, have quivered keen in his proud heart--have called love into his stern eye, and softness into his sardonic face; or, better still, without weapons a silent conquest might have been won. "Why can she not influence him more, when she is privileged to draw so near to him?" I asked myself. "Surely she cannot truly like him, or not like him with true affection! If she did, she need not coin her smiles so lavishly, flash her glances so unremittingly, manufacture airs so elaborate, graces so multitudinous. It seems to me that she might, by merely sitting quietly at his side, saying little and looking less, get nigher his heart. I have seen in his face a far different expression from that which hardens it now while she is so vivaciously accosting him; but then it came of itself: it was not elicited by meretricious arts and calculated manoeuvres; and one had but to accept it--to answer what he asked without pretension, to address him when needful without grimace--and it increased and grew kinder and more genial, and warmed one like a fostering sunbeam. How will she manage to please him when they are married? I do not think she will manage it; and yet it might be managed; and his wife might, I verily believe, be the very happiest woman the sun shines on." I have not yet said anything condemnatory of Mr. Rochester's project of marrying for interest and connections. It surprised me when I first discovered that such was his intention: I had thought him a man unlikely to be influenced by motives so commonplace in his choice of a wife; but the longer I considered the position, education, &c., of the parties, the less I felt justified in judging and blaming either him or Miss Ingram for acting in conformity to ideas and principles instilled into them, doubtless, from their childhood. All their class held these principles: I supposed, then, they had reasons for holding them such as I could not fathom. It seemed to me that, were I a gentleman like him, I would take to my bosom only such a wife as I could love; but the very obviousness of the advantages to the husband's own happiness offered by this plan convinced me that there must be arguments against its general adoption of which I was quite ignorant: otherwise I felt sure all the world would act as I wished to act. But in other points, as well as this, I was growing very lenient to my master: I was forgetting all his faults, for which I had once kept a sharp look-out. It had formerly been my endeavour to study all sides of his character: to take the bad with the good; and from the just weighing of both, to form an equitable judgment. Now I saw no bad. The sarcasm that had repelled, the harshness that had startled me once, were only like keen condiments in a choice dish: their presence was pungent, but their absence would be felt as comparatively insipid. And as for the vague something--was it a sinister or a sorrowful, a designing or a desponding expression?--that opened upon a careful observer, now and then, in his eye, and closed again before one could fathom the strange depth partially disclosed; that something which used to make me fear and shrink, as if I had been wandering amongst volcanic-looking hills, and had suddenly felt the ground quiver and seen it gape: that something, I, at intervals, beheld still; and with throbbing heart, but not with palsied nerves. Instead of wishing to shun, I longed only to dare--to divine it; and I thought Miss Ingram happy, because one day she might look into the abyss at her leisure, explore its secrets and analyse their nature. Meantime, while I thought only of my master and his future bride--saw only them, heard only their discourse, and considered only their movements of importance--the rest of the party were occupied with their own separate interests and pleasures. The Ladies Lynn and Ingram continued to consort in solemn conferences, where they nodded their two turbans at each other, and held up their four hands in confronting gestures of surprise, or mystery, or horror, according to the theme on which their gossip ran, like a pair of magnified puppets. Mild Mrs. Dent talked with good-natured Mrs. Eshton; and the two sometimes bestowed a courteous word or smile on me. Sir George Lynn, Colonel Dent, and Mr. Eshton discussed politics, or county affairs, or justice business. Lord Ingram flirted with Amy Eshton; Louisa played and sang to and with one of the Messrs. Lynn; and Mary Ingram listened languidly to the gallant speeches of the other. Sometimes all, as with one consent, suspended their by-play to observe and listen to the principal actors: for, after all, Mr. Rochester and--because closely connected with him--Miss Ingram were the life and soul of the party. If he was absent from the room an hour, a perceptible dulness seemed to steal over the spirits of his guests; and his re-entrance was sure to give a fresh impulse to the vivacity of conversation. The want of his animating influence appeared to be peculiarly felt one day that he had been summoned to Millcote on business, and was not likely to return till late. The afternoon was wet: a walk the party had proposed to take to see a gipsy camp, lately pitched on a common beyond Hay, was consequently deferred. Some of the gentlemen were gone to the stables: the younger ones, together with the younger ladies, were playing billiards in the billiard-room. The dowagers Ingram and Lynn sought solace in a quiet game at cards. Blanche Ingram, after having repelled, by supercilious taciturnity, some efforts of Mrs. Dent and Mrs. Eshton to draw her into conversation, had first murmured over some sentimental tunes and airs on the piano, and then, having fetched a novel from the library, had flung herself in haughty listlessness on a sofa, and prepared to beguile, by the spell of fiction, the tedious hours of absence. The room and the house were silent: only now and then the merriment of the billiard-players was heard from above. It was verging on dusk, and the clock had already given warning of the hour to dress for dinner, when little Adele, who knelt by me in the drawing-room window-seat, suddenly exclaimed-- "Voila, Monsieur Rochester, qui revient!" I turned, and Miss Ingram darted forwards from her sofa: the others, too, looked up from their several occupations; for at the same time a crunching of wheels and a splashing tramp of horse-hoofs became audible on the wet gravel. A post-chaise was approaching. "What can possess him to come home in that style?" said Miss Ingram. "He rode Mesrour (the black horse), did he not, when he went out? and Pilot was with him:--what has he done with the animals?" As she said this, she approached her tall person and ample garments so near the window, that I was obliged to bend back almost to the breaking of my spine: in her eagerness she did not observe me at first, but when she did, she curled her lip and moved to another casement. The post-chaise stopped; the driver rang the door-bell, and a gentleman alighted attired in travelling garb; but it was not Mr. Rochester; it was a tall, fashionable-looking man, a stranger. "How provoking!" exclaimed Miss Ingram: "you tiresome monkey!" (apostrophising Adele), "who perched you up in the window to give false intelligence?" and she cast on me an angry glance, as if I were in fault. Some parleying was audible in the hall, and soon the new-comer entered. He bowed to Lady Ingram, as deeming her the eldest lady present. "It appears I come at an inopportune time, madam," said he, "when my friend, Mr. Rochester, is from home; but I arrive from a very long journey, and I think I may presume so far on old and intimate acquaintance as to instal myself here till he returns." His manner was polite; his accent, in speaking, struck me as being somewhat unusual,--not precisely foreign, but still not altogether English: his age might be about Mr. Rochester's,--between thirty and forty; his complexion was singularly sallow: otherwise he was a fine-looking man, at first sight especially. On closer examination, you detected something in his face that displeased, or rather that failed to please. His features were regular, but too relaxed: his eye was large and well cut, but the life looking out of it was a tame, vacant life--at least so I thought. The sound of the dressing-bell dispersed the party. It was not till after dinner that I saw him again: he then seemed quite at his ease. But I liked his physiognomy even less than before: it struck me as being at the same time unsettled and inanimate. His eye wandered, and had no meaning in its wandering: this gave him an odd look, such as I never remembered to have seen. For a handsome and not an unamiable-looking man, he repelled me exceedingly: there was no power in that smooth-skinned face of a full oval shape: no firmness in that aquiline nose and small cherry mouth; there was no thought on the low, even forehead; no command in that blank, brown eye. As I sat in my usual nook, and looked at him with the light of the girandoles on the mantelpiece beaming full over him--for he occupied an arm-chair drawn close to the fire, and kept shrinking still nearer, as if he were cold, I compared him with Mr. Rochester. I think (with deference be it spoken) the contrast could not be much greater between a sleek gander and a fierce falcon: between a meek sheep and the rough-coated keen-eyed dog, its guardian. He had spoken of Mr. Rochester as an old friend. A curious friendship theirs must have been: a pointed illustration, indeed, of the old adage that "extremes meet." Two or three of the gentlemen sat near him, and I caught at times scraps of their conversation across the room. At first I could not make much sense of what I heard; for the discourse of Louisa Eshton and Mary Ingram, who sat nearer to me, confused the fragmentary sentences that reached me at intervals. These last were discussing the stranger; they both called him "a beautiful man." Louisa said he was "a love of a creature," and she "adored him;" and Mary instanced his "pretty little mouth, and nice nose," as her ideal of the charming. "And what a sweet-tempered forehead he has!" cried Louisa,--"so smooth--none of those frowning irregularities I dislike so much; and such a placid eye and smile!" And then, to my great relief, Mr. Henry Lynn summoned them to the other side of the room, to settle some point about the deferred excursion to Hay Common. I was now able to concentrate my attention on the group by the fire, and I presently gathered that the new-comer was called Mr. Mason; then I learned that he was but just arrived in England, and that he came from some hot country: which was the reason, doubtless, his face was so sallow, and that he sat so near the hearth, and wore a surtout in the house. Presently the words Jamaica, Kingston, Spanish Town, indicated the West Indies as his residence; and it was with no little surprise I gathered, ere long, that he had there first seen and become acquainted with Mr. Rochester. He spoke of his friend's dislike of the burning heats, the hurricanes, and rainy seasons of that region. I knew Mr. Rochester had been a traveller: Mrs. Fairfax had said so; but I thought the continent of Europe had bounded his wanderings; till now I had never heard a hint given of visits to more distant shores. I was pondering these things, when an incident, and a somewhat unexpected one, broke the thread of my musings. Mr. Mason, shivering as some one chanced to open the door, asked for more coal to be put on the fire, which had burnt out its flame, though its mass of cinder still shone hot and red. The footman who brought the coal, in going out, stopped near Mr. Eshton's chair, and said something to him in a low voice, of which I heard only the words, "old woman,"--"quite troublesome." "Tell her she shall be put in the stocks if she does not take herself off," replied the magistrate. "No--stop!" interrupted Colonel Dent. "Don't send her away, Eshton; we might turn the thing to account; better consult the ladies." And speaking aloud, he continued--"Ladies, you talked of going to Hay Common to visit the gipsy camp; Sam here says that one of the old Mother Bunches is in the servants' hall at this moment, and insists upon being brought in before 'the quality,' to tell them their fortunes. Would you like to see her?" "Surely, colonel," cried Lady Ingram, "you would not encourage such a low impostor? Dismiss her, by all means, at once!" "But I cannot persuade her to go away, my lady," said the footman; "nor can any of the servants: Mrs. Fairfax is with her just now, entreating her to be gone; but she has taken a chair in the chimney-corner, and says nothing shall stir her from it till she gets leave to come in here." "What does she want?" asked Mrs. Eshton. "'To tell the gentry their fortunes,' she says, ma'am; and she swears she must and will do it." "What is she like?" inquired the Misses Eshton, in a breath. "A shockingly ugly old creature, miss; almost as black as a crock." "Why, she's a real sorceress!" cried Frederick Lynn. "Let us have her in, of course." "To be sure," rejoined his brother; "it would be a thousand pities to throw away such a chance of fun." "My dear boys, what are you thinking about?" exclaimed Mrs. Lynn. "I cannot possibly countenance any such inconsistent proceeding," chimed in the Dowager Ingram. "Indeed, mama, but you can--and will," pronounced the haughty voice of Blanche, as she turned round on the piano-stool; where till now she had sat silent, apparently examining sundry sheets of music. "I have a curiosity to hear my fortune told: therefore, Sam, order the beldame forward." "My darling Blanche! recollect--" "I do--I recollect all you can suggest; and I must have my will--quick, Sam!" "Yes--yes--yes!" cried all the juveniles, both ladies and gentlemen. "Let her come--it will be excellent sport!" The footman still lingered. "She looks such a rough one," said he. "Go!" ejaculated Miss Ingram, and the man went. Excitement instantly seized the whole party: a running fire of raillery and jests was proceeding when Sam returned. "She won't come now," said he. "She says it's not her mission to appear before the 'vulgar herd' (them's her words). I must show her into a room by herself, and then those who wish to consult her must go to her one by one." "You see now, my queenly Blanche," began Lady Ingram, "she encroaches. Be advised, my angel girl--and--" "Show her into the library, of course," cut in the "angel girl." "It is not my mission to listen to her before the vulgar herd either: I mean to have her all to myself. Is there a fire in the library?" "Yes, ma'am--but she looks such a tinkler." "Cease that chatter, blockhead! and do my bidding." Again Sam vanished; and mystery, animation, expectation rose to full flow once more. "She's ready now," said the footman, as he reappeared. "She wishes to know who will be her first visitor." "I think I had better just look in upon her before any of the ladies go," said Colonel Dent. "Tell her, Sam, a gentleman is coming." Sam went and returned. "She says, sir, that she'll have no gentlemen; they need not trouble themselves to come near her; nor," he added, with difficulty suppressing a titter, "any ladies either, except the young, and single." "By Jove, she has taste!" exclaimed Henry Lynn. Miss Ingram rose solemnly: "I go first," she said, in a tone which might have befitted the leader of a forlorn hope, mounting a breach in the van of his men. "Oh, my best! oh, my dearest! pause--reflect!" was her mama's cry; but she swept past her in stately silence, passed through the door which Colonel Dent held open, and we heard her enter the library. A comparative silence ensued. Lady Ingram thought it "le cas" to wring her hands: which she did accordingly. Miss Mary declared she felt, for her part, she never dared venture. Amy and Louisa Eshton tittered under their breath, and looked a little frightened. The minutes passed very slowly: fifteen were counted before the library- door again opened. Miss Ingram returned to us through the arch. Would she laugh? Would she take it as a joke? All eyes met her with a glance of eager curiosity, and she met all eyes with one of rebuff and coldness; she looked neither flurried nor merry: she walked stiffly to her seat, and took it in silence. "Well, Blanche?" said Lord Ingram. "What did she say, sister?" asked Mary. "What did you think? How do you feel?--Is she a real fortune-teller?" demanded the Misses Eshton. "Now, now, good people," returned Miss Ingram, "don't press upon me. Really your organs of wonder and credulity are easily excited: you seem, by the importance of you all--my good mama included--ascribe to this matter, absolutely to believe we have a genuine witch in the house, who is in close alliance with the old gentleman. I have seen a gipsy vagabond; she has practised in hackneyed fashion the science of palmistry and told me what such people usually tell. My whim is gratified; and now I think Mr. Eshton will do well to put the hag in the stocks to-morrow morning, as he threatened." Miss Ingram took a book, leant back in her chair, and so declined further conversation. I watched her for nearly half-an-hour: during all that time she never turned a page, and her face grew momently darker, more dissatisfied, and more sourly expressive of disappointment. She had obviously not heard anything to her advantage: and it seemed to me, from her prolonged fit of gloom and taciturnity, that she herself, notwithstanding her professed indifference, attached undue importance to whatever revelations had been made her. {During all that time she never turned a page: p184.jpg} Meantime, Mary Ingram, Amy and Louisa Eshton, declared they dared not go alone; and yet they all wished to go. A negotiation was opened through the medium of the ambassador, Sam; and after much pacing to and fro, till, I think, the said Sam's calves must have ached with the exercise, permission was at last, with great difficulty, extorted from the rigorous Sibyl, for the three to wait upon her in a body. Their visit was not so still as Miss Ingram's had been: we heard hysterical giggling and little shrieks proceeding from the library; and at the end of about twenty minutes they burst the door open, and came running across the hall, as if they were half-scared out of their wits. "I am sure she is something not right!" they cried, one and all. "She told us such things! She knows all about us!" and they sank breathless into the various seats the gentlemen hastened to bring them. Pressed for further explanation, they declared she had told them of things they had said and done when they were mere children; described books and ornaments they had in their boudoirs at home: keepsakes that different relations had presented to them. They affirmed that she had even divined their thoughts, and had whispered in the ear of each the name of the person she liked best in the world, and informed them of what they most wished for. Here the gentlemen interposed with earnest petitions to be further enlightened on these two last-named points; but they got only blushes, ejaculations, tremors, and titters, in return for their importunity. The matrons, meantime, offered vinaigrettes and wielded fans; and again and again reiterated the expression of their concern that their warning had not been taken in time; and the elder gentlemen laughed, and the younger urged their services on the agitated fair ones. In the midst of the tumult, and while my eyes and ears were fully engaged in the scene before me, I heard a hem close at my elbow: I turned, and saw Sam. "If you please, miss, the gipsy declares that there is another young single lady in the room who has not been to her yet, and she swears she will not go till she has seen all. I thought it must be you: there is no one else for it. What shall I tell her?" "Oh, I will go by all means," I answered: and I was glad of the unexpected opportunity to gratify my much-excited curiosity. I slipped out of the room, unobserved by any eye--for the company were gathered in one mass about the trembling trio just returned--and I closed the door quietly behind me. "If you like, miss," said Sam, "I'll wait in the hall for you; and if she frightens you, just call and I'll come in." "No, Sam, return to the kitchen: I am not in the least afraid." Nor was I; but I was a good deal interested and excited.

volume 2, Chapter 18

https://web.archive.org/web/20210123075639/https://www.sparknotes.com/lit/janeeyre/section4/

The guests stay at Thornfield for several days. Rochester and Blanche compete as a team at charades. From watching their interaction, Jane believes that they will be married soon though they do not seem to love one another. Blanche would be marrying Rochester for his wealth, and he for her beauty and her social position. One day, a strange man named Mr. Mason arrives at Thornfield. Jane dislikes him at once because of his vacant eyes and his slowness, but she learns from him that Rochester once lived in the West Indies, as he himself has done. One evening, a gypsy woman comes to Thornfield to tell the guests' fortunes. Blanche Ingram goes first, and when she returns from her talk with the gypsy woman she looks keenly disappointed

Jane's situation in Chapter 17 manifests the uncomfortable position of governesses. Jane, forced to sit in the drawing room during Rochester's party, must endure Blanche Ingram's comments to her mother about the nature of governesses--"half of them detestable and the rest ridiculous, and all incubi." By this stage of the story, the narrative has begun to focus increasingly on the potential relationship between Jane and Rochester. Blanche's presence, which threatens the possibility of a union between the two, adds tension to the plot. Blanche is not only a competitor for Jane, she is also a foil to her, as the two women differ in every respect. Jane Eyre never seems to possess the degree of romantic tension that runs throughout Emily Bronte's Wuthering Heights because the signs of Rochester's affection for Jane are recognizable early on. The most telling tip-off occurs at the end of Chapter 17, when Rochester nearly calls Jane "my love" before biting his tongue. The tension surrounding Jane's and Rochester's relationship derives not from the question of whether Rochester loves Jane, but from whether he will be able to act upon his feelings. So far, two obstacles--Blanche and the dark secrets of Thornfield Hall--stand in Rochester's way. These obstacles, and the potential marriage that they impede, constitute the romantic plot of Jane Eyre. As in many romances, the norms of society and the protagonists' conflicting personalities must either be changed or ignored in order for marriage to be possible. But Rochester's dark past, most importantly his secret marriage to Bertha, adds a Gothic element to the story. Unlike the marriage plot, which leads toward the public, communal event of a wedding, the "Gothic plot" of Rochester's struggle with his own past focuses on Rochester's private consciousness. The physical world of Thornfield Hall reflects his interior state--the house, the landscape, and Bertha can all be seen as external manifestations of his dangerous secrets. These Gothic elements suggest that the story will lead to death or madness rather than the happy occasion of a wedding. Disguised as a gypsy woman, Rochester wields an almost magical power over Jane, and the scene reveals how much he controls her emotions at this stage of the novel. He also controls the plot, and his masquerading as a gypsy woman allows him to overcome the obstacle Blanche poses. Like the game of charades the group plays earlier, Rochester's disguised appearance suggests his disguised character. Mr. Mason's unexplained wounds, like the earlier mysterious fire in Rochester's bedroom, further the larger Gothic plot that will soon unfold. By allowing Jane upstairs to see Mason, Rochester seems to be inviting her to help cure the ills inflicted by Bertha, and he attempts for the first time to talk with Jane about his past as they take a walk together following Mason's stabbing. Although he speaks to Jane about his determination to redeem himself, his references to a grave error and a dissipated youth suggest that Jane risks great danger not only by continuing to live at Thornfield but by falling in love with him. Her emotional welfare as well as her physical welfare may soon be in jeopardy. Adele and Bertha already serve as living legacies of Rochester's past licentiousness, and Jane could be next in line, as her prophetic dream seems to suggest.

sparknotes

all_chapterized_books/1260-chapters/20.txt

finished_summaries/sparknotes/Jane Eyre/section_3_part_3.txt

Jane Eyre.volume 2.chapter 19

volume 2, chapter 19

{"name": "volume 2, Chapter 19", "url": "https://web.archive.org/web/20210123075639/https://www.sparknotes.com/lit/janeeyre/section4/", "summary": "Jane goes in to the library to have her fortune read, and after overcoming her skepticism, she finds herself entranced by the old woman's speech. The gypsy woman seems to know a great deal about Jane and tells her that she is very close to happiness. She also says that she told Blanche Ingram that Rochester was not as wealthy as he seemed, thereby accounting for Blanche's sullen mood. As the woman reads Jane's fortune, her voice slowly deepens, and Jane realizes that the gypsy is Rochester in disguise. Jane reproaches Rochester for tricking her and remembers thinking that Grace Poole might have been the gypsy. When Rochester learns that Mr. Mason has arrived, he looks troubled", "analysis": "Jane's situation in Chapter 17 manifests the uncomfortable position of governesses. Jane, forced to sit in the drawing room during Rochester's party, must endure Blanche Ingram's comments to her mother about the nature of governesses--\"half of them detestable and the rest ridiculous, and all incubi.\" By this stage of the story, the narrative has begun to focus increasingly on the potential relationship between Jane and Rochester. Blanche's presence, which threatens the possibility of a union between the two, adds tension to the plot. Blanche is not only a competitor for Jane, she is also a foil to her, as the two women differ in every respect. Jane Eyre never seems to possess the degree of romantic tension that runs throughout Emily Bronte's Wuthering Heights because the signs of Rochester's affection for Jane are recognizable early on. The most telling tip-off occurs at the end of Chapter 17, when Rochester nearly calls Jane \"my love\" before biting his tongue. The tension surrounding Jane's and Rochester's relationship derives not from the question of whether Rochester loves Jane, but from whether he will be able to act upon his feelings. So far, two obstacles--Blanche and the dark secrets of Thornfield Hall--stand in Rochester's way. These obstacles, and the potential marriage that they impede, constitute the romantic plot of Jane Eyre. As in many romances, the norms of society and the protagonists' conflicting personalities must either be changed or ignored in order for marriage to be possible. But Rochester's dark past, most importantly his secret marriage to Bertha, adds a Gothic element to the story. Unlike the marriage plot, which leads toward the public, communal event of a wedding, the \"Gothic plot\" of Rochester's struggle with his own past focuses on Rochester's private consciousness. The physical world of Thornfield Hall reflects his interior state--the house, the landscape, and Bertha can all be seen as external manifestations of his dangerous secrets. These Gothic elements suggest that the story will lead to death or madness rather than the happy occasion of a wedding. Disguised as a gypsy woman, Rochester wields an almost magical power over Jane, and the scene reveals how much he controls her emotions at this stage of the novel. He also controls the plot, and his masquerading as a gypsy woman allows him to overcome the obstacle Blanche poses. Like the game of charades the group plays earlier, Rochester's disguised appearance suggests his disguised character. Mr. Mason's unexplained wounds, like the earlier mysterious fire in Rochester's bedroom, further the larger Gothic plot that will soon unfold. By allowing Jane upstairs to see Mason, Rochester seems to be inviting her to help cure the ills inflicted by Bertha, and he attempts for the first time to talk with Jane about his past as they take a walk together following Mason's stabbing. Although he speaks to Jane about his determination to redeem himself, his references to a grave error and a dissipated youth suggest that Jane risks great danger not only by continuing to live at Thornfield but by falling in love with him. Her emotional welfare as well as her physical welfare may soon be in jeopardy. Adele and Bertha already serve as living legacies of Rochester's past licentiousness, and Jane could be next in line, as her prophetic dream seems to suggest."}

The library looked tranquil enough as I entered it, and the Sibyl--if Sibyl she were--was seated snugly enough in an easy-chair at the chimney- corner. She had on a red cloak and a black bonnet: or rather, a broad- brimmed gipsy hat, tied down with a striped handkerchief under her chin. An extinguished candle stood on the table; she was bending over the fire, and seemed reading in a little black book, like a prayer-book, by the light of the blaze: she muttered the words to herself, as most old women do, while she read; she did not desist immediately on my entrance: it appeared she wished to finish a paragraph. I stood on the rug and warmed my hands, which were rather cold with sitting at a distance from the drawing-room fire. I felt now as composed as ever I did in my life: there was nothing indeed in the gipsy's appearance to trouble one's calm. She shut her book and slowly looked up; her hat-brim partially shaded her face, yet I could see, as she raised it, that it was a strange one. It looked all brown and black: elf- locks bristled out from beneath a white band which passed under her chin, and came half over her cheeks, or rather jaws: her eye confronted me at once, with a bold and direct gaze. "Well, and you want your fortune told?" she said, in a voice as decided as her glance, as harsh as her features. "I don't care about it, mother; you may please yourself: but I ought to warn you, I have no faith." "It's like your impudence to say so: I expected it of you; I heard it in your step as you crossed the threshold." "Did you? You've a quick ear." "I have; and a quick eye and a quick brain." "You need them all in your trade." "I do; especially when I've customers like you to deal with. Why don't you tremble?" "I'm not cold." "Why don't you turn pale?" "I am not sick." "Why don't you consult my art?" "I'm not silly." The old crone "nichered" a laugh under her bonnet and bandage; she then drew out a short black pipe, and lighting it began to smoke. Having indulged a while in this sedative, she raised her bent body, took the pipe from her lips, and while gazing steadily at the fire, said very deliberately--"You are cold; you are sick; and you are silly." "Prove it," I rejoined. "I will, in few words. You are cold, because you are alone: no contact strikes the fire from you that is in you. You are sick; because the best of feelings, the highest and the sweetest given to man, keeps far away from you. You are silly, because, suffer as you may, you will not beckon it to approach, nor will you stir one step to meet it where it waits you." She again put her short black pipe to her lips, and renewed her smoking with vigour. "You might say all that to almost any one who you knew lived as a solitary dependent in a great house." "I might say it to almost any one: but would it be true of almost any one?" "In my circumstances." "Yes; just so, in _your_ circumstances: but find me another precisely placed as you are." "It would be easy to find you thousands." "You could scarcely find me one. If you knew it, you are peculiarly situated: very near happiness; yes, within reach of it. The materials are all prepared; there only wants a movement to combine them. Chance laid them somewhat apart; let them be once approached and bliss results." "I don't understand enigmas. I never could guess a riddle in my life." "If you wish me to speak more plainly, show me your palm." "And I must cross it with silver, I suppose?" "To be sure." I gave her a shilling: she put it into an old stocking-foot which she took out of her pocket, and having tied it round and returned it, she told me to hold out my hand. I did. She approached her face to the palm, and pored over it without touching it. "It is too fine," said she. "I can make nothing of such a hand as that; almost without lines: besides, what is in a palm? Destiny is not written there." "I believe you," said I. "No," she continued, "it is in the face: on the forehead, about the eyes, in the lines of the mouth. Kneel, and lift up your head." "Ah! now you are coming to reality," I said, as I obeyed her. "I shall begin to put some faith in you presently." I knelt within half a yard of her. She stirred the fire, so that a ripple of light broke from the disturbed coal: the glare, however, as she sat, only threw her face into deeper shadow: mine, it illumined. "I wonder with what feelings you came to me to-night," she said, when she had examined me a while. "I wonder what thoughts are busy in your heart during all the hours you sit in yonder room with the fine people flitting before you like shapes in a magic-lantern: just as little sympathetic communion passing between you and them as if they were really mere shadows of human forms, and not the actual substance." "I feel tired often, sleepy sometimes, but seldom sad." "Then you have some secret hope to buoy you up and please you with whispers of the future?" "Not I. The utmost I hope is, to save money enough out of my earnings to set up a school some day in a little house rented by myself." "A mean nutriment for the spirit to exist on: and sitting in that window- seat (you see I know your habits )--" "You have learned them from the servants." "Ah! you think yourself sharp. Well, perhaps I have: to speak truth, I have an acquaintance with one of them, Mrs. Poole--" I started to my feet when I heard the name. "You have--have you?" thought I; "there is diablerie in the business after all, then!" "Don't be alarmed," continued the strange being; "she's a safe hand is Mrs. Poole: close and quiet; any one may repose confidence in her. But, as I was saying: sitting in that window-seat, do you think of nothing but your future school? Have you no present interest in any of the company who occupy the sofas and chairs before you? Is there not one face you study? one figure whose movements you follow with at least curiosity?" "I like to observe all the faces and all the figures." "But do you never single one from the rest--or it may be, two?" "I do frequently; when the gestures or looks of a pair seem telling a tale: it amuses me to watch them." "What tale do you like best to hear?" "Oh, I have not much choice! They generally run on the same theme--courtship; and promise to end in the same catastrophe--marriage." "And do you like that monotonous theme?" "Positively, I don't care about it: it is nothing to me." "Nothing to you? When a lady, young and full of life and health, charming with beauty and endowed with the gifts of rank and fortune, sits and smiles in the eyes of a gentleman you--" "I what?" "You know--and perhaps think well of." "I don't know the gentlemen here. I have scarcely interchanged a syllable with one of them; and as to thinking well of them, I consider some respectable, and stately, and middle-aged, and others young, dashing, handsome, and lively: but certainly they are all at liberty to be the recipients of whose smiles they please, without my feeling disposed to consider the transaction of any moment to me." "You don't know the gentlemen here? You have not exchanged a syllable with one of them? Will you say that of the master of the house!" "He is not at home." "A profound remark! A most ingenious quibble! He went to Millcote this morning, and will be back here to-night or to-morrow: does that circumstance exclude him from the list of your acquaintance--blot him, as it were, out of existence?" "No; but I can scarcely see what Mr. Rochester has to do with the theme you had introduced." "I was talking of ladies smiling in the eyes of gentlemen; and of late so many smiles have been shed into Mr. Rochester's eyes that they overflow like two cups filled above the brim: have you never remarked that?" "Mr. Rochester has a right to enjoy the society of his guests." "No question about his right: but have you never observed that, of all the tales told here about matrimony, Mr. Rochester has been favoured with the most lively and the most continuous?" "The eagerness of a listener quickens the tongue of a narrator." I said this rather to myself than to the gipsy, whose strange talk, voice, manner, had by this time wrapped me in a kind of dream. One unexpected sentence came from her lips after another, till I got involved in a web of mystification; and wondered what unseen spirit had been sitting for weeks by my heart watching its workings and taking record of every pulse. "Eagerness of a listener!" repeated she: "yes; Mr. Rochester has sat by the hour, his ear inclined to the fascinating lips that took such delight in their task of communicating; and Mr. Rochester was so willing to receive and looked so grateful for the pastime given him; you have noticed this?" "Grateful! I cannot remember detecting gratitude in his face." "Detecting! You have analysed, then. And what did you detect, if not gratitude?" I said nothing. "You have seen love: have you not?--and, looking forward, you have seen him married, and beheld his bride happy?" "Humph! Not exactly. Your witch's skill is rather at fault sometimes." "What the devil have you seen, then?" "Never mind: I came here to inquire, not to confess. Is it known that Mr. Rochester is to be married?" "Yes; and to the beautiful Miss Ingram." "Shortly?" "Appearances would warrant that conclusion: and, no doubt (though, with an audacity that wants chastising out of you, you seem to question it), they will be a superlatively happy pair. He must love such a handsome, noble, witty, accomplished lady; and probably she loves him, or, if not his person, at least his purse. I know she considers the Rochester estate eligible to the last degree; though (God pardon me!) I told her something on that point about an hour ago which made her look wondrous grave: the corners of her mouth fell half an inch. I would advise her blackaviced suitor to look out: if another comes, with a longer or clearer rent-roll,--he's dished--" "But, mother, I did not come to hear Mr. Rochester's fortune: I came to hear my own; and you have told me nothing of it." "Your fortune is yet doubtful: when I examined your face, one trait contradicted another. Chance has meted you a measure of happiness: that I know. I knew it before I came here this evening. She has laid it carefully on one side for you. I saw her do it. It depends on yourself to stretch out your hand, and take it up: but whether you will do so, is the problem I study. Kneel again on the rug." "Don't keep me long; the fire scorches me." {She did not stoop towards me, but only gazed, leaning back in her chair: p190.jpg} I knelt. She did not stoop towards me, but only gazed, leaning back in her chair. She began muttering,-- "The flame flickers in the eye; the eye shines like dew; it looks soft and full of feeling; it smiles at my jargon: it is susceptible; impression follows impression through its clear sphere; where it ceases to smile, it is sad; an unconscious lassitude weighs on the lid: that signifies melancholy resulting from loneliness. It turns from me; it will not suffer further scrutiny; it seems to deny, by a mocking glance, the truth of the discoveries I have already made,--to disown the charge both of sensibility and chagrin: its pride and reserve only confirm me in my opinion. The eye is favourable. "As to the mouth, it delights at times in laughter; it is disposed to impart all that the brain conceives; though I daresay it would be silent on much the heart experiences. Mobile and flexible, it was never intended to be compressed in the eternal silence of solitude: it is a mouth which should speak much and smile often, and have human affection for its interlocutor. That feature too is propitious. "I see no enemy to a fortunate issue but in the brow; and that brow professes to say,--'I can live alone, if self-respect, and circumstances require me so to do. I need not sell my soul to buy bliss. I have an inward treasure born with me, which can keep me alive if all extraneous delights should be withheld, or offered only at a price I cannot afford to give.' The forehead declares, 'Reason sits firm and holds the reins, and she will not let the feelings burst away and hurry her to wild chasms. The passions may rage furiously, like true heathens, as they are; and the desires may imagine all sorts of vain things: but judgment shall still have the last word in every argument, and the casting vote in every decision. Strong wind, earthquake-shock, and fire may pass by: but I shall follow the guiding of that still small voice which interprets the dictates of conscience.' "Well said, forehead; your declaration shall be respected. I have formed my plans--right plans I deem them--and in them I have attended to the claims of conscience, the counsels of reason. I know how soon youth would fade and bloom perish, if, in the cup of bliss offered, but one dreg of shame, or one flavour of remorse were detected; and I do not want sacrifice, sorrow, dissolution--such is not my taste. I wish to foster, not to blight--to earn gratitude, not to wring tears of blood--no, nor of brine: my harvest must be in smiles, in endearments, in sweet--That will do. I think I rave in a kind of exquisite delirium. I should wish now to protract this moment _ad infinitum_; but I dare not. So far I have governed myself thoroughly. I have acted as I inwardly swore I would act; but further might try me beyond my strength. Rise, Miss Eyre: leave me; the play is played out'." Where was I? Did I wake or sleep? Had I been dreaming? Did I dream still? The old woman's voice had changed: her accent, her gesture, and all were familiar to me as my own face in a glass--as the speech of my own tongue. I got up, but did not go. I looked; I stirred the fire, and I looked again: but she drew her bonnet and her bandage closer about her face, and again beckoned me to depart. The flame illuminated her hand stretched out: roused now, and on the alert for discoveries, I at once noticed that hand. It was no more the withered limb of eld than my own; it was a rounded supple member, with smooth fingers, symmetrically turned; a broad ring flashed on the little finger, and stooping forward, I looked at it, and saw a gem I had seen a hundred times before. Again I looked at the face; which was no longer turned from me--on the contrary, the bonnet was doffed, the bandage displaced, the head advanced. "Well, Jane, do you know me?" asked the familiar voice. "Only take off the red cloak, sir, and then--" "But the string is in a knot--help me." "Break it, sir." "There, then--'Off, ye lendings!'" And Mr. Rochester stepped out of his disguise. "Now, sir, what a strange idea!" "But well carried out, eh? Don't you think so?" "With the ladies you must have managed well." "But not with you?" "You did not act the character of a gipsy with me." "What character did I act? My own?" "No; some unaccountable one. In short, I believe you have been trying to draw me out--or in; you have been talking nonsense to make me talk nonsense. It is scarcely fair, sir." "Do you forgive me, Jane?" "I cannot tell till I have thought it all over. If, on reflection, I find I have fallen into no great absurdity, I shall try to forgive you; but it was not right." "Oh, you have been very correct--very careful, very sensible." I reflected, and thought, on the whole, I had. It was a comfort; but, indeed, I had been on my guard almost from the beginning of the interview. Something of masquerade I suspected. I knew gipsies and fortune-tellers did not express themselves as this seeming old woman had expressed herself; besides I had noted her feigned voice, her anxiety to conceal her features. But my mind had been running on Grace Poole--that living enigma, that mystery of mysteries, as I considered her. I had never thought of Mr. Rochester. "Well," said he, "what are you musing about? What does that grave smile signify?" "Wonder and self-congratulation, sir. I have your permission to retire now, I suppose?" "No; stay a moment; and tell me what the people in the drawing-room yonder are doing." "Discussing the gipsy, I daresay." "Sit down!--Let me hear what they said about me." "I had better not stay long, sir; it must be near eleven o'clock. Oh, are you aware, Mr. Rochester, that a stranger has arrived here since you left this morning?" "A stranger!--no; who can it be? I expected no one; is he gone?" "No; he said he had known you long, and that he could take the liberty of installing himself here till you returned." "The devil he did! Did he give his name?" "His name is Mason, sir; and he comes from the West Indies; from Spanish Town, in Jamaica, I think." Mr. Rochester was standing near me; he had taken my hand, as if to lead me to a chair. As I spoke he gave my wrist a convulsive grip; the smile on his lips froze: apparently a spasm caught his breath. "Mason!--the West Indies!" he said, in the tone one might fancy a speaking automaton to enounce its single words; "Mason!--the West Indies!" he reiterated; and he went over the syllables three times, growing, in the intervals of speaking, whiter than ashes: he hardly seemed to know what he was doing. "Do you feel ill, sir?" I inquired. "Jane, I've got a blow; I've got a blow, Jane!" He staggered. "Oh, lean on me, sir." "Jane, you offered me your shoulder once before; let me have it now." "Yes, sir, yes; and my arm." He sat down, and made me sit beside him. Holding my hand in both his own, he chafed it; gazing on me, at the same time, with the most troubled and dreary look. "My little friend!" said he, "I wish I were in a quiet island with only you; and trouble, and danger, and hideous recollections removed from me." "Can I help you, sir?--I'd give my life to serve you." "Jane, if aid is wanted, I'll seek it at your hands; I promise you that." "Thank you, sir. Tell me what to do,--I'll try, at least, to do it." "Fetch me now, Jane, a glass of wine from the dining-room: they will be at supper there; and tell me if Mason is with them, and what he is doing." I went. I found all the party in the dining-room at supper, as Mr. Rochester had said; they were not seated at table,--the supper was arranged on the sideboard; each had taken what he chose, and they stood about here and there in groups, their plates and glasses in their hands. Every one seemed in high glee; laughter and conversation were general and animated. Mr. Mason stood near the fire, talking to Colonel and Mrs. Dent, and appeared as merry as any of them. I filled a wine-glass (I saw Miss Ingram watch me frowningly as I did so: she thought I was taking a liberty, I daresay), and I returned to the library. Mr. Rochester's extreme pallor had disappeared, and he looked once more firm and stern. He took the glass from my hand. "Here is to your health, ministrant spirit!" he said. He swallowed the contents and returned it to me. "What are they doing, Jane?" "Laughing and talking, sir." "They don't look grave and mysterious, as if they had heard something strange?" "Not at all: they are full of jests and gaiety." "And Mason?" "He was laughing too." "If all these people came in a body and spat at me, what would you do, Jane?" "Turn them out of the room, sir, if I could." He half smiled. "But if I were to go to them, and they only looked at me coldly, and whispered sneeringly amongst each other, and then dropped off and left me one by one, what then? Would you go with them?" "I rather think not, sir: I should have more pleasure in staying with you." "To comfort me?" "Yes, sir, to comfort you, as well as I could." "And if they laid you under a ban for adhering to me?" "I, probably, should know nothing about their ban; and if I did, I should care nothing about it." "Then, you could dare censure for my sake?" "I could dare it for the sake of any friend who deserved my adherence; as you, I am sure, do." "Go back now into the room; step quietly up to Mason, and whisper in his ear that Mr. Rochester is come and wishes to see him: show him in here and then leave me." "Yes, sir." I did his behest. The company all stared at me as I passed straight among them. I sought Mr. Mason, delivered the message, and preceded him from the room: I ushered him into the library, and then I went upstairs. At a late hour, after I had been in bed some time, I heard the visitors repair to their chambers: I distinguished Mr. Rochester's voice, and heard him say, "This way, Mason; this is your room." He spoke cheerfully: the gay tones set my heart at ease. I was soon asleep.

volume 2, Chapter 19

https://web.archive.org/web/20210123075639/https://www.sparknotes.com/lit/janeeyre/section4/

Jane goes in to the library to have her fortune read, and after overcoming her skepticism, she finds herself entranced by the old woman's speech. The gypsy woman seems to know a great deal about Jane and tells her that she is very close to happiness. She also says that she told Blanche Ingram that Rochester was not as wealthy as he seemed, thereby accounting for Blanche's sullen mood. As the woman reads Jane's fortune, her voice slowly deepens, and Jane realizes that the gypsy is Rochester in disguise. Jane reproaches Rochester for tricking her and remembers thinking that Grace Poole might have been the gypsy. When Rochester learns that Mr. Mason has arrived, he looks troubled

Jane's situation in Chapter 17 manifests the uncomfortable position of governesses. Jane, forced to sit in the drawing room during Rochester's party, must endure Blanche Ingram's comments to her mother about the nature of governesses--"half of them detestable and the rest ridiculous, and all incubi." By this stage of the story, the narrative has begun to focus increasingly on the potential relationship between Jane and Rochester. Blanche's presence, which threatens the possibility of a union between the two, adds tension to the plot. Blanche is not only a competitor for Jane, she is also a foil to her, as the two women differ in every respect. Jane Eyre never seems to possess the degree of romantic tension that runs throughout Emily Bronte's Wuthering Heights because the signs of Rochester's affection for Jane are recognizable early on. The most telling tip-off occurs at the end of Chapter 17, when Rochester nearly calls Jane "my love" before biting his tongue. The tension surrounding Jane's and Rochester's relationship derives not from the question of whether Rochester loves Jane, but from whether he will be able to act upon his feelings. So far, two obstacles--Blanche and the dark secrets of Thornfield Hall--stand in Rochester's way. These obstacles, and the potential marriage that they impede, constitute the romantic plot of Jane Eyre. As in many romances, the norms of society and the protagonists' conflicting personalities must either be changed or ignored in order for marriage to be possible. But Rochester's dark past, most importantly his secret marriage to Bertha, adds a Gothic element to the story. Unlike the marriage plot, which leads toward the public, communal event of a wedding, the "Gothic plot" of Rochester's struggle with his own past focuses on Rochester's private consciousness. The physical world of Thornfield Hall reflects his interior state--the house, the landscape, and Bertha can all be seen as external manifestations of his dangerous secrets. These Gothic elements suggest that the story will lead to death or madness rather than the happy occasion of a wedding. Disguised as a gypsy woman, Rochester wields an almost magical power over Jane, and the scene reveals how much he controls her emotions at this stage of the novel. He also controls the plot, and his masquerading as a gypsy woman allows him to overcome the obstacle Blanche poses. Like the game of charades the group plays earlier, Rochester's disguised appearance suggests his disguised character. Mr. Mason's unexplained wounds, like the earlier mysterious fire in Rochester's bedroom, further the larger Gothic plot that will soon unfold. By allowing Jane upstairs to see Mason, Rochester seems to be inviting her to help cure the ills inflicted by Bertha, and he attempts for the first time to talk with Jane about his past as they take a walk together following Mason's stabbing. Although he speaks to Jane about his determination to redeem himself, his references to a grave error and a dissipated youth suggest that Jane risks great danger not only by continuing to live at Thornfield but by falling in love with him. Her emotional welfare as well as her physical welfare may soon be in jeopardy. Adele and Bertha already serve as living legacies of Rochester's past licentiousness, and Jane could be next in line, as her prophetic dream seems to suggest.

sparknotes

all_chapterized_books/1260-chapters/21.txt

finished_summaries/sparknotes/Jane Eyre/section_3_part_4.txt

Jane Eyre.volume 2.chapter 20

volume 2, chapter 20

{"name": "volume 2, Chapter 20", "url": "https://web.archive.org/web/20210123075639/https://www.sparknotes.com/lit/janeeyre/section4/", "summary": "The same night, Jane is startled by a sudden cry for help. She hurries into the hallway, where Rochester assures everyone that a servant has merely had a nightmare. After everyone returns to bed, Rochester knocks on Jane's door. He tells her that he can use her help and asks whether she is afraid of blood. He leads her to the third story of the house and shows her Mr. Mason, who has been stabbed in the arm. Rochester asks Jane to stanch the wound and then leaves, ordering Mason and Jane not to speak to one another. In the silence, Jane gazes at the image of the apostles and Christ's crucifixion that is painted on the cabinet across from her. Rochester returns with a surgeon, and as the men tend to Mason's wounds, Rochester sends Jane to find a potion downstairs. He gives some of it to Mason, saying that it will give him heart for an hour. Once Mason is gone, Jane and Rochester stroll in the orchard, and Rochester tells Jane a hypothetical story about a young man who commits a \"capital error\" in a foreign country and proceeds to lead a life of dissipation in an effort to \"obtain relief. The young man then hopes to redeem himself and live morally with a wife, but convention prevents him from doing so. He asks whether the young man would be justified in \"overleaping an obstacle of custom. Jane's reply is that such a man should look to God for his redemption, not to another person. Rochester--who obviously has been describing his own situation--asks Jane to reassure him that marrying Blanche would bring him salvation. He then hurries away before she has a chance to answer", "analysis": "Jane's situation in Chapter 17 manifests the uncomfortable position of governesses. Jane, forced to sit in the drawing room during Rochester's party, must endure Blanche Ingram's comments to her mother about the nature of governesses--\"half of them detestable and the rest ridiculous, and all incubi.\" By this stage of the story, the narrative has begun to focus increasingly on the potential relationship between Jane and Rochester. Blanche's presence, which threatens the possibility of a union between the two, adds tension to the plot. Blanche is not only a competitor for Jane, she is also a foil to her, as the two women differ in every respect. Jane Eyre never seems to possess the degree of romantic tension that runs throughout Emily Bronte's Wuthering Heights because the signs of Rochester's affection for Jane are recognizable early on. The most telling tip-off occurs at the end of Chapter 17, when Rochester nearly calls Jane \"my love\" before biting his tongue. The tension surrounding Jane's and Rochester's relationship derives not from the question of whether Rochester loves Jane, but from whether he will be able to act upon his feelings. So far, two obstacles--Blanche and the dark secrets of Thornfield Hall--stand in Rochester's way. These obstacles, and the potential marriage that they impede, constitute the romantic plot of Jane Eyre. As in many romances, the norms of society and the protagonists' conflicting personalities must either be changed or ignored in order for marriage to be possible. But Rochester's dark past, most importantly his secret marriage to Bertha, adds a Gothic element to the story. Unlike the marriage plot, which leads toward the public, communal event of a wedding, the \"Gothic plot\" of Rochester's struggle with his own past focuses on Rochester's private consciousness. The physical world of Thornfield Hall reflects his interior state--the house, the landscape, and Bertha can all be seen as external manifestations of his dangerous secrets. These Gothic elements suggest that the story will lead to death or madness rather than the happy occasion of a wedding. Disguised as a gypsy woman, Rochester wields an almost magical power over Jane, and the scene reveals how much he controls her emotions at this stage of the novel. He also controls the plot, and his masquerading as a gypsy woman allows him to overcome the obstacle Blanche poses. Like the game of charades the group plays earlier, Rochester's disguised appearance suggests his disguised character. Mr. Mason's unexplained wounds, like the earlier mysterious fire in Rochester's bedroom, further the larger Gothic plot that will soon unfold. By allowing Jane upstairs to see Mason, Rochester seems to be inviting her to help cure the ills inflicted by Bertha, and he attempts for the first time to talk with Jane about his past as they take a walk together following Mason's stabbing. Although he speaks to Jane about his determination to redeem himself, his references to a grave error and a dissipated youth suggest that Jane risks great danger not only by continuing to live at Thornfield but by falling in love with him. Her emotional welfare as well as her physical welfare may soon be in jeopardy. Adele and Bertha already serve as living legacies of Rochester's past licentiousness, and Jane could be next in line, as her prophetic dream seems to suggest."}

I had forgotten to draw my curtain, which I usually did, and also to let down my window-blind. The consequence was, that when the moon, which was full and bright (for the night was fine), came in her course to that space in the sky opposite my casement, and looked in at me through the unveiled panes, her glorious gaze roused me. Awaking in the dead of night, I opened my eyes on her disk--silver-white and crystal clear. It was beautiful, but too solemn; I half rose, and stretched my arm to draw the curtain. Good God! What a cry! The night--its silence--its rest, was rent in twain by a savage, a sharp, a shrilly sound that ran from end to end of Thornfield Hall. My pulse stopped: my heart stood still; my stretched arm was paralysed. The cry died, and was not renewed. Indeed, whatever being uttered that fearful shriek could not soon repeat it: not the widest-winged condor on the Andes could, twice in succession, send out such a yell from the cloud shrouding his eyrie. The thing delivering such utterance must rest ere it could repeat the effort. It came out of the third storey; for it passed overhead. And overhead--yes, in the room just above my chamber-ceiling--I now heard a struggle: a deadly one it seemed from the noise; and a half-smothered voice shouted-- "Help! help! help!" three times rapidly. "Will no one come?" it cried; and then, while the staggering and stamping went on wildly, I distinguished through plank and plaster:-- "Rochester! Rochester! for God's sake, come!" A chamber-door opened: some one ran, or rushed, along the gallery. Another step stamped on the flooring above and something fell; and there was silence. I had put on some clothes, though horror shook all my limbs; I issued from my apartment. The sleepers were all aroused: ejaculations, terrified murmurs sounded in every room; door after door unclosed; one looked out and another looked out; the gallery filled. Gentlemen and ladies alike had quitted their beds; and "Oh! what is it?"--"Who is hurt?"--"What has happened?"--"Fetch a light!"--"Is it fire?"--"Are there robbers?"--"Where shall we run?" was demanded confusedly on all hands. But for the moonlight they would have been in complete darkness. They ran to and fro; they crowded together: some sobbed, some stumbled: the confusion was inextricable. "Where the devil is Rochester?" cried Colonel Dent. "I cannot find him in his bed." "Here! here!" was shouted in return. "Be composed, all of you: I'm coming." And the door at the end of the gallery opened, and Mr. Rochester advanced with a candle: he had just descended from the upper storey. One of the ladies ran to him directly; she seized his arm: it was Miss Ingram. "What awful event has taken place?" said she. "Speak! let us know the worst at once!" "But don't pull me down or strangle me," he replied: for the Misses Eshton were clinging about him now; and the two dowagers, in vast white wrappers, were bearing down on him like ships in full sail. "All's right!--all's right!" he cried. "It's a mere rehearsal of Much Ado about Nothing. Ladies, keep off, or I shall wax dangerous." And dangerous he looked: his black eyes darted sparks. Calming himself by an effort, he added-- "A servant has had the nightmare; that is all. She's an excitable, nervous person: she construed her dream into an apparition, or something of that sort, no doubt; and has taken a fit with fright. Now, then, I must see you all back into your rooms; for, till the house is settled, she cannot be looked after. Gentlemen, have the goodness to set the ladies the example. Miss Ingram, I am sure you will not fail in evincing superiority to idle terrors. Amy and Louisa, return to your nests like a pair of doves, as you are. Mesdames" (to the dowagers), "you will take cold to a dead certainty, if you stay in this chill gallery any longer." And so, by dint of alternate coaxing and commanding, he contrived to get them all once more enclosed in their separate dormitories. I did not wait to be ordered back to mine, but retreated unnoticed, as unnoticed I had left it. Not, however, to go to bed: on the contrary, I began and dressed myself carefully. The sounds I had heard after the scream, and the words that had been uttered, had probably been heard only by me; for they had proceeded from the room above mine: but they assured me that it was not a servant's dream which had thus struck horror through the house; and that the explanation Mr. Rochester had given was merely an invention framed to pacify his guests. I dressed, then, to be ready for emergencies. When dressed, I sat a long time by the window looking out over the silent grounds and silvered fields and waiting for I knew not what. It seemed to me that some event must follow the strange cry, struggle, and call. No: stillness returned: each murmur and movement ceased gradually, and in about an hour Thornfield Hall was again as hushed as a desert. It seemed that sleep and night had resumed their empire. Meantime the moon declined: she was about to set. Not liking to sit in the cold and darkness, I thought I would lie down on my bed, dressed as I was. I left the window, and moved with little noise across the carpet; as I stooped to take off my shoes, a cautious hand tapped low at the door. "Am I wanted?" I asked. "Are you up?" asked the voice I expected to hear, viz., my master's. "Yes, sir." "And dressed?" "Yes." "Come out, then, quietly." I obeyed. Mr. Rochester stood in the gallery holding a light. "I want you," he said: "come this way: take your time, and make no noise." My slippers were thin: I could walk the matted floor as softly as a cat. He glided up the gallery and up the stairs, and stopped in the dark, low corridor of the fateful third storey: I had followed and stood at his side. "Have you a sponge in your room?" he asked in a whisper. "Yes, sir." "Have you any salts--volatile salts?" "Yes." "Go back and fetch both." I returned, sought the sponge on the washstand, the salts in my drawer, and once more retraced my steps. He still waited; he held a key in his hand: approaching one of the small, black doors, he put it in the lock; he paused, and addressed me again. "You don't turn sick at the sight of blood?" "I think I shall not: I have never been tried yet." I felt a thrill while I answered him; but no coldness, and no faintness. "Just give me your hand," he said: "it will not do to risk a fainting fit." I put my fingers into his. "Warm and steady," was his remark: he turned the key and opened the door. I saw a room I remembered to have seen before, the day Mrs. Fairfax showed me over the house: it was hung with tapestry; but the tapestry was now looped up in one part, and there was a door apparent, which had then been concealed. This door was open; a light shone out of the room within: I heard thence a snarling, snatching sound, almost like a dog quarrelling. Mr. Rochester, putting down his candle, said to me, "Wait a minute," and he went forward to the inner apartment. A shout of laughter greeted his entrance; noisy at first, and terminating in Grace Poole's own goblin ha! ha! _She_ then was there. He made some sort of arrangement without speaking, though I heard a low voice address him: he came out and closed the door behind him. "Here, Jane!" he said; and I walked round to the other side of a large bed, which with its drawn curtains concealed a considerable portion of the chamber. An easy-chair was near the bed-head: a man sat in it, dressed with the exception of his coat; he was still; his head leant back; his eyes were closed. Mr. Rochester held the candle over him; I recognised in his pale and seemingly lifeless face--the stranger, Mason: I saw too that his linen on one side, and one arm, was almost soaked in blood. "Hold the candle," said Mr. Rochester, and I took it: he fetched a basin of water from the washstand: "Hold that," said he. I obeyed. He took the sponge, dipped it in, and moistened the corpse-like face; he asked for my smelling-bottle, and applied it to the nostrils. Mr. Mason shortly unclosed his eyes; he groaned. Mr. Rochester opened the shirt of the wounded man, whose arm and shoulder were bandaged: he sponged away blood, trickling fast down. "Is there immediate danger?" murmured Mr. Mason. "Pooh! No--a mere scratch. Don't be so overcome, man: bear up! I'll fetch a surgeon for you now, myself: you'll be able to be removed by morning, I hope. Jane," he continued. "Sir?" "I shall have to leave you in this room with this gentleman, for an hour, or perhaps two hours: you will sponge the blood as I do when it returns: if he feels faint, you will put the glass of water on that stand to his lips, and your salts to his nose. You will not speak to him on any pretext--and--Richard, it will be at the peril of your life if you speak to her: open your lips--agitate yourself--and I'll not answer for the consequences." Again the poor man groaned; he looked as if he dared not move; fear, either of death or of something else, appeared almost to paralyse him. Mr. Rochester put the now bloody sponge into my hand, and I proceeded to use it as he had done. He watched me a second, then saying, "Remember!--No conversation," he left the room. I experienced a strange feeling as the key grated in the lock, and the sound of his retreating step ceased to be heard. Here then I was in the third storey, fastened into one of its mystic cells; night around me; a pale and bloody spectacle under my eyes and hands; a murderess hardly separated from me by a single door: yes--that was appalling--the rest I could bear; but I shuddered at the thought of Grace Poole bursting out upon me. I must keep to my post, however. I must watch this ghastly countenance--these blue, still lips forbidden to unclose--these eyes now shut, now opening, now wandering through the room, now fixing on me, and ever glazed with the dulness of horror. I must dip my hand again and again in the basin of blood and water, and wipe away the trickling gore. I must see the light of the unsnuffed candle wane on my employment; the shadows darken on the wrought, antique tapestry round me, and grow black under the hangings of the vast old bed, and quiver strangely over the doors of a great cabinet opposite--whose front, divided into twelve panels, bore, in grim design, the heads of the twelve apostles, each enclosed in its separate panel as in a frame; while above them at the top rose an ebon crucifix and a dying Christ. According as the shifting obscurity and flickering gleam hovered here or glanced there, it was now the bearded physician, Luke, that bent his brow; now St. John's long hair that waved; and anon the devilish face of Judas, that grew out of the panel, and seemed gathering life and threatening a revelation of the arch-traitor--of Satan himself--in his subordinate's form. Amidst all this, I had to listen as well as watch: to listen for the movements of the wild beast or the fiend in yonder side den. But since Mr. Rochester's visit it seemed spellbound: all the night I heard but three sounds at three long intervals,--a step creak, a momentary renewal of the snarling, canine noise, and a deep human groan. Then my own thoughts worried me. What crime was this that lived incarnate in this sequestered mansion, and could neither be expelled nor subdued by the owner?--what mystery, that broke out now in fire and now in blood, at the deadest hours of night? What creature was it, that, masked in an ordinary woman's face and shape, uttered the voice, now of a mocking demon, and anon of a carrion-seeking bird of prey? And this man I bent over--this commonplace, quiet stranger--how had he become involved in the web of horror? and why had the Fury flown at him? What made him seek this quarter of the house at an untimely season, when he should have been asleep in bed? I had heard Mr. Rochester assign him an apartment below--what brought him here! And why, now, was he so tame under the violence or treachery done him? Why did he so quietly submit to the concealment Mr. Rochester enforced? Why _did_ Mr. Rochester enforce this concealment? His guest had been outraged, his own life on a former occasion had been hideously plotted against; and both attempts he smothered in secrecy and sank in oblivion! Lastly, I saw Mr. Mason was submissive to Mr. Rochester; that the impetuous will of the latter held complete sway over the inertness of the former: the few words which had passed between them assured me of this. It was evident that in their former intercourse, the passive disposition of the one had been habitually influenced by the active energy of the other: whence then had arisen Mr. Rochester's dismay when he heard of Mr. Mason's arrival? Why had the mere name of this unresisting individual--whom his word now sufficed to control like a child--fallen on him, a few hours since, as a thunderbolt might fall on an oak? Oh! I could not forget his look and his paleness when he whispered: "Jane, I have got a blow--I have got a blow, Jane." I could not forget how the arm had trembled which he rested on my shoulder: and it was no light matter which could thus bow the resolute spirit and thrill the vigorous frame of Fairfax Rochester. "When will he come? When will he come?" I cried inwardly, as the night lingered and lingered--as my bleeding patient drooped, moaned, sickened: and neither day nor aid arrived. I had, again and again, held the water to Mason's white lips; again and again offered him the stimulating salts: my efforts seemed ineffectual: either bodily or mental suffering, or loss of blood, or all three combined, were fast prostrating his strength. He moaned so, and looked so weak, wild, and lost, I feared he was dying; and I might not even speak to him. The candle, wasted at last, went out; as it expired, I perceived streaks of grey light edging the window curtains: dawn was then approaching. Presently I heard Pilot bark far below, out of his distant kennel in the courtyard: hope revived. Nor was it unwarranted: in five minutes more the grating key, the yielding lock, warned me my watch was relieved. It could not have lasted more than two hours: many a week has seemed shorter. Mr. Rochester entered, and with him the surgeon he had been to fetch. "Now, Carter, be on the alert," he said to this last: "I give you but half-an-hour for dressing the wound, fastening the bandages, getting the patient downstairs and all." "But is he fit to move, sir?" "No doubt of it; it is nothing serious; he is nervous, his spirits must be kept up. Come, set to work." Mr. Rochester drew back the thick curtain, drew up the holland blind, let in all the daylight he could; and I was surprised and cheered to see how far dawn was advanced: what rosy streaks were beginning to brighten the east. Then he approached Mason, whom the surgeon was already handling. "Now, my good fellow, how are you?" he asked. "She's done for me, I fear," was the faint reply. "Not a whit!--courage! This day fortnight you'll hardly be a pin the worse of it: you've lost a little blood; that's all. Carter, assure him there's no danger." "I can do that conscientiously," said Carter, who had now undone the bandages; "only I wish I could have got here sooner: he would not have bled so much--but how is this? The flesh on the shoulder is torn as well as cut. This wound was not done with a knife: there have been teeth here!" "She bit me," he murmured. "She worried me like a tigress, when Rochester got the knife from her." "You should not have yielded: you should have grappled with her at once," said Mr. Rochester. "But under such circumstances, what could one do?" returned Mason. "Oh, it was frightful!" he added, shuddering. "And I did not expect it: she looked so quiet at first." "I warned you," was his friend's answer; "I said--be on your guard when you go near her. Besides, you might have waited till to-morrow, and had me with you: it was mere folly to attempt the interview to-night, and alone." "I thought I could have done some good." "You thought! you thought! Yes, it makes me impatient to hear you: but, however, you have suffered, and are likely to suffer enough for not taking my advice; so I'll say no more. Carter--hurry!--hurry! The sun will soon rise, and I must have him off." "Directly, sir; the shoulder is just bandaged. I must look to this other wound in the arm: she has had her teeth here too, I think." "She sucked the blood: she said she'd drain my heart," said Mason. I saw Mr. Rochester shudder: a singularly marked expression of disgust, horror, hatred, warped his countenance almost to distortion; but he only said-- "Come, be silent, Richard, and never mind her gibberish: don't repeat it." "I wish I could forget it," was the answer. "You will when you are out of the country: when you get back to Spanish Town, you may think of her as dead and buried--or rather, you need not think of her at all." "Impossible to forget this night!" "It is not impossible: have some energy, man. You thought you were as dead as a herring two hours since, and you are all alive and talking now. There!--Carter has done with you or nearly so; I'll make you decent in a trice. Jane" (he turned to me for the first time since his re-entrance), "take this key: go down into my bedroom, and walk straight forward into my dressing-room: open the top drawer of the wardrobe and take out a clean shirt and neck-handkerchief: bring them here; and be nimble." I went; sought the repository he had mentioned, found the articles named, and returned with them. "Now," said he, "go to the other side of the bed while I order his toilet; but don't leave the room: you may be wanted again." I retired as directed. "Was anybody stirring below when you went down, Jane?" inquired Mr. Rochester presently. "No, sir; all was very still." "We shall get you off cannily, Dick: and it will be better, both for your sake, and for that of the poor creature in yonder. I have striven long to avoid exposure, and I should not like it to come at last. Here, Carter, help him on with his waist-coat. Where did you leave your furred cloak? You can't travel a mile without that, I know, in this damned cold climate. In your room?--Jane, run down to Mr. Mason's room,--the one next mine,--and fetch a cloak you will see there." Again I ran, and again returned, bearing an immense mantle lined and edged with fur. "Now, I've another errand for you," said my untiring master; "you must away to my room again. What a mercy you are shod with velvet, Jane!--a clod-hopping messenger would never do at this juncture. You must open the middle drawer of my toilet-table and take out a little phial and a little glass you will find there,--quick!" I flew thither and back, bringing the desired vessels. "That's well! Now, doctor, I shall take the liberty of administering a dose myself, on my own responsibility. I got this cordial at Rome, of an Italian charlatan--a fellow you would have kicked, Carter. It is not a thing to be used indiscriminately, but it is good upon occasion: as now, for instance. Jane, a little water." He held out the tiny glass, and I half filled it from the water-bottle on the washstand. "That will do;--now wet the lip of the phial." I did so; he measured twelve drops of a crimson liquid, and presented it to Mason. "Drink, Richard: it will give you the heart you lack, for an hour or so." "But will it hurt me?--is it inflammatory?" "Drink! drink! drink!" Mr. Mason obeyed, because it was evidently useless to resist. He was dressed now: he still looked pale, but he was no longer gory and sullied. Mr. Rochester let him sit three minutes after he had swallowed the liquid; he then took his arm-- "Now I am sure you can get on your feet," he said--"try." The patient rose. "Carter, take him under the other shoulder. Be of good cheer, Richard; step out--that's it!" "I do feel better," remarked Mr. Mason. "I am sure you do. Now, Jane, trip on before us away to the backstairs; unbolt the side-passage door, and tell the driver of the post-chaise you will see in the yard--or just outside, for I told him not to drive his rattling wheels over the pavement--to be ready; we are coming: and, Jane, if any one is about, come to the foot of the stairs and hem." It was by this time half-past five, and the sun was on the point of rising; but I found the kitchen still dark and silent. The side-passage door was fastened; I opened it with as little noise as possible: all the yard was quiet; but the gates stood wide open, and there was a post-chaise, with horses ready harnessed, and driver seated on the box, stationed outside. I approached him, and said the gentlemen were coming; he nodded: then I looked carefully round and listened. The stillness of early morning slumbered everywhere; the curtains were yet drawn over the servants' chamber windows; little birds were just twittering in the blossom-blanched orchard trees, whose boughs drooped like white garlands over the wall enclosing one side of the yard; the carriage horses stamped from time to time in their closed stables: all else was still. The gentlemen now appeared. Mason, supported by Mr. Rochester and the surgeon, seemed to walk with tolerable ease: they assisted him into the chaise; Carter followed. "Take care of him," said Mr. Rochester to the latter, "and keep him at your house till he is quite well: I shall ride over in a day or two to see how he gets on. Richard, how is it with you?" "The fresh air revives me, Fairfax." "Leave the window open on his side, Carter; there is no wind--good-bye, Dick." "Fairfax--" "Well what is it?" "Let her be taken care of; let her be treated as tenderly as may be: let her--" he stopped and burst into tears. "I do my best; and have done it, and will do it," was the answer: he shut up the chaise door, and the vehicle drove away. "Yet would to God there was an end of all this!" added Mr. Rochester, as he closed and barred the heavy yard-gates. This done, he moved with slow step and abstracted air towards a door in the wall bordering the orchard. I, supposing he had done with me, prepared to return to the house; again, however, I heard him call "Jane!" He had opened the portal and stood at it, waiting for me. "Come where there is some freshness, for a few moments," he said; "that house is a mere dungeon: don't you feel it so?" "It seems to me a splendid mansion, sir." "The glamour of inexperience is over your eyes," he answered; "and you see it through a charmed medium: you cannot discern that the gilding is slime and the silk draperies cobwebs; that the marble is sordid slate, and the polished woods mere refuse chips and scaly bark. Now _here_" (he pointed to the leafy enclosure we had entered) "all is real, sweet, and pure." He strayed down a walk edged with box, with apple trees, pear trees, and cherry trees on one side, and a border on the other full of all sorts of old-fashioned flowers, stocks, sweet-williams, primroses, pansies, mingled with southernwood, sweet-briar, and various fragrant herbs. They were fresh now as a succession of April showers and gleams, followed by a lovely spring morning, could make them: the sun was just entering the dappled east, and his light illumined the wreathed and dewy orchard trees and shone down the quiet walks under them. "Jane, will you have a flower?" He gathered a half-blown rose, the first on the bush, and offered it to me. "Thank you, sir." "Do you like this sunrise, Jane? That sky with its high and light clouds which are sure to melt away as the day waxes warm--this placid and balmly atmosphere?" "I do, very much." "You have passed a strange night, Jane." "Yes, sir." "And it has made you look pale--were you afraid when I left you alone with Mason?" "I was afraid of some one coming out of the inner room." "But I had fastened the door--I had the key in my pocket: I should have been a careless shepherd if I had left a lamb--my pet lamb--so near a wolf's den, unguarded: you were safe." "Will Grace Poole live here still, sir?" "Oh yes! don't trouble your head about her--put the thing out of your thoughts." "Yet it seems to me your life is hardly secure while she stays." "Never fear--I will take care of myself." "Is the danger you apprehended last night gone by now, sir?" "I cannot vouch for that till Mason is out of England: nor even then. To live, for me, Jane, is to stand on a crater-crust which may crack and spue fire any day." "But Mr. Mason seems a man easily led. Your influence, sir, is evidently potent with him: he will never set you at defiance or wilfully injure you." "Oh, no! Mason will not defy me; nor, knowing it, will he hurt me--but, unintentionally, he might in a moment, by one careless word, deprive me, if not of life, yet for ever of happiness." "Tell him to be cautious, sir: let him know what you fear, and show him how to avert the danger." He laughed sardonically, hastily took my hand, and as hastily threw it from him. "If I could do that, simpleton, where would the danger be? Annihilated in a moment. Ever since I have known Mason, I have only had to say to him 'Do that,' and the thing has been done. But I cannot give him orders in this case: I cannot say 'Beware of harming me, Richard;' for it is imperative that I should keep him ignorant that harm to me is possible. Now you look puzzled; and I will puzzle you further. You are my little friend, are you not?" "I like to serve you, sir, and to obey you in all that is right." "Precisely: I see you do. I see genuine contentment in your gait and mien, your eye and face, when you are helping me and pleasing me--working for me, and with me, in, as you characteristically say, '_all that is right_:' for if I bid you do what you thought wrong, there would be no light-footed running, no neat-handed alacrity, no lively glance and animated complexion. My friend would then turn to me, quiet and pale, and would say, 'No, sir; that is impossible: I cannot do it, because it is wrong;' and would become immutable as a fixed star. Well, you too have power over me, and may injure me: yet I dare not show you where I am vulnerable, lest, faithful and friendly as you are, you should transfix me at once." "If you have no more to fear from Mr. Mason than you have from me, sir, you are very safe." "God grant it may be so! Here, Jane, is an arbour; sit down." The arbour was an arch in the wall, lined with ivy; it contained a rustic seat. Mr. Rochester took it, leaving room, however, for me: but I stood before him. "Sit," he said; "the bench is long enough for two. You don't hesitate to take a place at my side, do you? Is that wrong, Jane?" I answered him by assuming it: to refuse would, I felt, have been unwise. "Now, my little friend, while the sun drinks the dew--while all the flowers in this old garden awake and expand, and the birds fetch their young ones' breakfast out of the Thornfield, and the early bees do their first spell of work--I'll put a case to you, which you must endeavour to suppose your own: but first, look at me, and tell me you are at ease, and not fearing that I err in detaining you, or that you err in staying." "No, sir; I am content." "Well then, Jane, call to aid your fancy:--suppose you were no longer a girl well reared and disciplined, but a wild boy indulged from childhood upwards; imagine yourself in a remote foreign land; conceive that you there commit a capital error, no matter of what nature or from what motives, but one whose consequences must follow you through life and taint all your existence. Mind, I don't say a _crime_; I am not speaking of shedding of blood or any other guilty act, which might make the perpetrator amenable to the law: my word is _error_. The results of what you have done become in time to you utterly insupportable; you take measures to obtain relief: unusual measures, but neither unlawful nor culpable. Still you are miserable; for hope has quitted you on the very confines of life: your sun at noon darkens in an eclipse, which you feel will not leave it till the time of setting. Bitter and base associations have become the sole food of your memory: you wander here and there, seeking rest in exile: happiness in pleasure--I mean in heartless, sensual pleasure--such as dulls intellect and blights feeling. Heart-weary and soul-withered, you come home after years of voluntary banishment: you make a new acquaintance--how or where no matter: you find in this stranger much of the good and bright qualities which you have sought for twenty years, and never before encountered; and they are all fresh, healthy, without soil and without taint. Such society revives, regenerates: you feel better days come back--higher wishes, purer feelings; you desire to recommence your life, and to spend what remains to you of days in a way more worthy of an immortal being. To attain this end, are you justified in overleaping an obstacle of custom--a mere conventional impediment which neither your conscience sanctifies nor your judgment approves?" He paused for an answer: and what was I to say? Oh, for some good spirit to suggest a judicious and satisfactory response! Vain aspiration! The west wind whispered in the ivy round me; but no gentle Ariel borrowed its breath as a medium of speech: the birds sang in the tree-tops; but their song, however sweet, was inarticulate. Again Mr. Rochester propounded his query: "Is the wandering and sinful, but now rest-seeking and repentant, man justified in daring the world's opinion, in order to attach to him for ever this gentle, gracious, genial stranger, thereby securing his own peace of mind and regeneration of life?" "Sir," I answered, "a wanderer's repose or a sinner's reformation should never depend on a fellow-creature. Men and women die; philosophers falter in wisdom, and Christians in goodness: if any one you know has suffered and erred, let him look higher than his equals for strength to amend and solace to heal." "But the instrument--the instrument! God, who does the work, ordains the instrument. I have myself--I tell it you without parable--been a worldly, dissipated, restless man; and I believe I have found the instrument for my cure in--" He paused: the birds went on carolling, the leaves lightly rustling. I almost wondered they did not check their songs and whispers to catch the suspended revelation; but they would have had to wait many minutes--so long was the silence protracted. At last I looked up at the tardy speaker: he was looking eagerly at me. "Little friend," said he, in quite a changed tone--while his face changed too, losing all its softness and gravity, and becoming harsh and sarcastic--"you have noticed my tender penchant for Miss Ingram: don't you think if I married her she would regenerate me with a vengeance?" He got up instantly, went quite to the other end of the walk, and when he came back he was humming a tune. "Jane, Jane," said he, stopping before me, "you are quite pale with your vigils: don't you curse me for disturbing your rest?" "Curse you? No, sir." "Shake hands in confirmation of the word. What cold fingers! They were warmer last night when I touched them at the door of the mysterious chamber. Jane, when will you watch with me again?" "Whenever I can be useful, sir." "For instance, the night before I am married! I am sure I shall not be able to sleep. Will you promise to sit up with me to bear me company? To you I can talk of my lovely one: for now you have seen her and know her." "Yes, sir." "She's a rare one, is she not, Jane?" "Yes, sir." "A strapper--a real strapper, Jane: big, brown, and buxom; with hair just such as the ladies of Carthage must have had. Bless me! there's Dent and Lynn in the stables! Go in by the shrubbery, through that wicket." As I went one way, he went another, and I heard him in the yard, saying cheerfully-- "Mason got the start of you all this morning; he was gone before sunrise: I rose at four to see him off."

volume 2, Chapter 20

https://web.archive.org/web/20210123075639/https://www.sparknotes.com/lit/janeeyre/section4/

The same night, Jane is startled by a sudden cry for help. She hurries into the hallway, where Rochester assures everyone that a servant has merely had a nightmare. After everyone returns to bed, Rochester knocks on Jane's door. He tells her that he can use her help and asks whether she is afraid of blood. He leads her to the third story of the house and shows her Mr. Mason, who has been stabbed in the arm. Rochester asks Jane to stanch the wound and then leaves, ordering Mason and Jane not to speak to one another. In the silence, Jane gazes at the image of the apostles and Christ's crucifixion that is painted on the cabinet across from her. Rochester returns with a surgeon, and as the men tend to Mason's wounds, Rochester sends Jane to find a potion downstairs. He gives some of it to Mason, saying that it will give him heart for an hour. Once Mason is gone, Jane and Rochester stroll in the orchard, and Rochester tells Jane a hypothetical story about a young man who commits a "capital error" in a foreign country and proceeds to lead a life of dissipation in an effort to "obtain relief. The young man then hopes to redeem himself and live morally with a wife, but convention prevents him from doing so. He asks whether the young man would be justified in "overleaping an obstacle of custom. Jane's reply is that such a man should look to God for his redemption, not to another person. Rochester--who obviously has been describing his own situation--asks Jane to reassure him that marrying Blanche would bring him salvation. He then hurries away before she has a chance to answer

Jane's situation in Chapter 17 manifests the uncomfortable position of governesses. Jane, forced to sit in the drawing room during Rochester's party, must endure Blanche Ingram's comments to her mother about the nature of governesses--"half of them detestable and the rest ridiculous, and all incubi." By this stage of the story, the narrative has begun to focus increasingly on the potential relationship between Jane and Rochester. Blanche's presence, which threatens the possibility of a union between the two, adds tension to the plot. Blanche is not only a competitor for Jane, she is also a foil to her, as the two women differ in every respect. Jane Eyre never seems to possess the degree of romantic tension that runs throughout Emily Bronte's Wuthering Heights because the signs of Rochester's affection for Jane are recognizable early on. The most telling tip-off occurs at the end of Chapter 17, when Rochester nearly calls Jane "my love" before biting his tongue. The tension surrounding Jane's and Rochester's relationship derives not from the question of whether Rochester loves Jane, but from whether he will be able to act upon his feelings. So far, two obstacles--Blanche and the dark secrets of Thornfield Hall--stand in Rochester's way. These obstacles, and the potential marriage that they impede, constitute the romantic plot of Jane Eyre. As in many romances, the norms of society and the protagonists' conflicting personalities must either be changed or ignored in order for marriage to be possible. But Rochester's dark past, most importantly his secret marriage to Bertha, adds a Gothic element to the story. Unlike the marriage plot, which leads toward the public, communal event of a wedding, the "Gothic plot" of Rochester's struggle with his own past focuses on Rochester's private consciousness. The physical world of Thornfield Hall reflects his interior state--the house, the landscape, and Bertha can all be seen as external manifestations of his dangerous secrets. These Gothic elements suggest that the story will lead to death or madness rather than the happy occasion of a wedding. Disguised as a gypsy woman, Rochester wields an almost magical power over Jane, and the scene reveals how much he controls her emotions at this stage of the novel. He also controls the plot, and his masquerading as a gypsy woman allows him to overcome the obstacle Blanche poses. Like the game of charades the group plays earlier, Rochester's disguised appearance suggests his disguised character. Mr. Mason's unexplained wounds, like the earlier mysterious fire in Rochester's bedroom, further the larger Gothic plot that will soon unfold. By allowing Jane upstairs to see Mason, Rochester seems to be inviting her to help cure the ills inflicted by Bertha, and he attempts for the first time to talk with Jane about his past as they take a walk together following Mason's stabbing. Although he speaks to Jane about his determination to redeem himself, his references to a grave error and a dissipated youth suggest that Jane risks great danger not only by continuing to live at Thornfield but by falling in love with him. Her emotional welfare as well as her physical welfare may soon be in jeopardy. Adele and Bertha already serve as living legacies of Rochester's past licentiousness, and Jane could be next in line, as her prophetic dream seems to suggest.

sparknotes

all_chapterized_books/1260-chapters/22.txt

finished_summaries/sparknotes/Jane Eyre/section_3_part_5.txt

Jane Eyre.volume 2.chapter 21

volume 2, chapter 21

{"name": "volume 2, Chapter 21", "url": "https://web.archive.org/web/20210123075639/https://www.sparknotes.com/lit/janeeyre/section4/", "summary": "Jane has heard that it is a bad omen to dream of children, and now she has dreams on seven consecutive nights involving babies. She learns that her cousin John Reed has committed suicide, and that her aunt, Mrs. Reed, has suffered a stroke and is nearing death. Jane goes to Gateshead, where she is reunited with Bessie. She also sees her cousins Eliza and Georgiana. Eliza is plain and plans to enter a convent, while Georgiana is as beautiful as ever. Ever since Eliza ruined Georgiana's hopes of eloping with a young man, the two sisters have not gotten along. Jane tries to patch things up with Mrs. Reed, but the old woman is still full of hostility toward her late husband's favorite. One day, Mrs. Reed gives Jane a letter from her father's brother, John Eyre. He declares that he wishes to adopt Jane and bequeath her his fortune. The letter is three years old; out of malice, Mrs. Reed did not forward it to Jane when she received it. In spite of her aunt's behavior, Jane tries once more to smooth relations with the dying woman. But Mrs. Reed refuses, and, at midnight, she dies.", "analysis": "Jane's situation in Chapter 17 manifests the uncomfortable position of governesses. Jane, forced to sit in the drawing room during Rochester's party, must endure Blanche Ingram's comments to her mother about the nature of governesses--\"half of them detestable and the rest ridiculous, and all incubi.\" By this stage of the story, the narrative has begun to focus increasingly on the potential relationship between Jane and Rochester. Blanche's presence, which threatens the possibility of a union between the two, adds tension to the plot. Blanche is not only a competitor for Jane, she is also a foil to her, as the two women differ in every respect. Jane Eyre never seems to possess the degree of romantic tension that runs throughout Emily Bronte's Wuthering Heights because the signs of Rochester's affection for Jane are recognizable early on. The most telling tip-off occurs at the end of Chapter 17, when Rochester nearly calls Jane \"my love\" before biting his tongue. The tension surrounding Jane's and Rochester's relationship derives not from the question of whether Rochester loves Jane, but from whether he will be able to act upon his feelings. So far, two obstacles--Blanche and the dark secrets of Thornfield Hall--stand in Rochester's way. These obstacles, and the potential marriage that they impede, constitute the romantic plot of Jane Eyre. As in many romances, the norms of society and the protagonists' conflicting personalities must either be changed or ignored in order for marriage to be possible. But Rochester's dark past, most importantly his secret marriage to Bertha, adds a Gothic element to the story. Unlike the marriage plot, which leads toward the public, communal event of a wedding, the \"Gothic plot\" of Rochester's struggle with his own past focuses on Rochester's private consciousness. The physical world of Thornfield Hall reflects his interior state--the house, the landscape, and Bertha can all be seen as external manifestations of his dangerous secrets. These Gothic elements suggest that the story will lead to death or madness rather than the happy occasion of a wedding. Disguised as a gypsy woman, Rochester wields an almost magical power over Jane, and the scene reveals how much he controls her emotions at this stage of the novel. He also controls the plot, and his masquerading as a gypsy woman allows him to overcome the obstacle Blanche poses. Like the game of charades the group plays earlier, Rochester's disguised appearance suggests his disguised character. Mr. Mason's unexplained wounds, like the earlier mysterious fire in Rochester's bedroom, further the larger Gothic plot that will soon unfold. By allowing Jane upstairs to see Mason, Rochester seems to be inviting her to help cure the ills inflicted by Bertha, and he attempts for the first time to talk with Jane about his past as they take a walk together following Mason's stabbing. Although he speaks to Jane about his determination to redeem himself, his references to a grave error and a dissipated youth suggest that Jane risks great danger not only by continuing to live at Thornfield but by falling in love with him. Her emotional welfare as well as her physical welfare may soon be in jeopardy. Adele and Bertha already serve as living legacies of Rochester's past licentiousness, and Jane could be next in line, as her prophetic dream seems to suggest."}

Presentiments are strange things! and so are sympathies; and so are signs; and the three combined make one mystery to which humanity has not yet found the key. I never laughed at presentiments in my life, because I have had strange ones of my own. Sympathies, I believe, exist (for instance, between far-distant, long-absent, wholly estranged relatives asserting, notwithstanding their alienation, the unity of the source to which each traces his origin) whose workings baffle mortal comprehension. And signs, for aught we know, may be but the sympathies of Nature with man. When I was a little girl, only six years old, I one night heard Bessie Leaven say to Martha Abbot that she had been dreaming about a little child; and that to dream of children was a sure sign of trouble, either to one's self or one's kin. The saying might have worn out of my memory, had not a circumstance immediately followed which served indelibly to fix it there. The next day Bessie was sent for home to the deathbed of her little sister. Of late I had often recalled this saying and this incident; for during the past week scarcely a night had gone over my couch that had not brought with it a dream of an infant, which I sometimes hushed in my arms, sometimes dandled on my knee, sometimes watched playing with daisies on a lawn, or again, dabbling its hands in running water. It was a wailing child this night, and a laughing one the next: now it nestled close to me, and now it ran from me; but whatever mood the apparition evinced, whatever aspect it wore, it failed not for seven successive nights to meet me the moment I entered the land of slumber. I did not like this iteration of one idea--this strange recurrence of one image, and I grew nervous as bedtime approached and the hour of the vision drew near. It was from companionship with this baby-phantom I had been roused on that moonlight night when I heard the cry; and it was on the afternoon of the day following I was summoned downstairs by a message that some one wanted me in Mrs. Fairfax's room. On repairing thither, I found a man waiting for me, having the appearance of a gentleman's servant: he was dressed in deep mourning, and the hat he held in his hand was surrounded with a crape band. "I daresay you hardly remember me, Miss," he said, rising as I entered; "but my name is Leaven: I lived coachman with Mrs. Reed when you were at Gateshead, eight or nine years since, and I live there still." "Oh, Robert! how do you do? I remember you very well: you used to give me a ride sometimes on Miss Georgiana's bay pony. And how is Bessie? You are married to Bessie?" "Yes, Miss: my wife is very hearty, thank you; she brought me another little one about two months since--we have three now--and both mother and child are thriving." "And are the family well at the house, Robert?" "I am sorry I can't give you better news of them, Miss: they are very badly at present--in great trouble." "I hope no one is dead," I said, glancing at his black dress. He too looked down at the crape round his hat and replied-- "Mr. John died yesterday was a week, at his chambers in London." "Mr. John?" "Yes." "And how does his mother bear it?" "Why, you see, Miss Eyre, it is not a common mishap: his life has been very wild: these last three years he gave himself up to strange ways, and his death was shocking." "I heard from Bessie he was not doing well." "Doing well! He could not do worse: he ruined his health and his estate amongst the worst men and the worst women. He got into debt and into jail: his mother helped him out twice, but as soon as he was free he returned to his old companions and habits. His head was not strong: the knaves he lived amongst fooled him beyond anything I ever heard. He came down to Gateshead about three weeks ago and wanted missis to give up all to him. Missis refused: her means have long been much reduced by his extravagance; so he went back again, and the next news was that he was dead. How he died, God knows!--they say he killed himself." I was silent: the things were frightful. Robert Leaven resumed-- "Missis had been out of health herself for some time: she had got very stout, but was not strong with it; and the loss of money and fear of poverty were quite breaking her down. The information about Mr. John's death and the manner of it came too suddenly: it brought on a stroke. She was three days without speaking; but last Tuesday she seemed rather better: she appeared as if she wanted to say something, and kept making signs to my wife and mumbling. It was only yesterday morning, however, that Bessie understood she was pronouncing your name; and at last she made out the words, 'Bring Jane--fetch Jane Eyre: I want to speak to her.' Bessie is not sure whether she is in her right mind, or means anything by the words; but she told Miss Reed and Miss Georgiana, and advised them to send for you. The young ladies put it off at first; but their mother grew so restless, and said, 'Jane, Jane,' so many times, that at last they consented. I left Gateshead yesterday: and if you can get ready, Miss, I should like to take you back with me early to-morrow morning." "Yes, Robert, I shall be ready: it seems to me that I ought to go." "I think so too, Miss. Bessie said she was sure you would not refuse: but I suppose you will have to ask leave before you can get off?" "Yes; and I will do it now;" and having directed him to the servants' hall, and recommended him to the care of John's wife, and the attentions of John himself, I went in search of Mr. Rochester. He was not in any of the lower rooms; he was not in the yard, the stables, or the grounds. I asked Mrs. Fairfax if she had seen him;--yes: she believed he was playing billiards with Miss Ingram. To the billiard- room I hastened: the click of balls and the hum of voices resounded thence; Mr. Rochester, Miss Ingram, the two Misses Eshton, and their admirers, were all busied in the game. It required some courage to disturb so interesting a party; my errand, however, was one I could not defer, so I approached the master where he stood at Miss Ingram's side. She turned as I drew near, and looked at me haughtily: her eyes seemed to demand, "What can the creeping creature want now?" and when I said, in a low voice, "Mr. Rochester," she made a movement as if tempted to order me away. I remember her appearance at the moment--it was very graceful and very striking: she wore a morning robe of sky-blue crape; a gauzy azure scarf was twisted in her hair. She had been all animation with the game, and irritated pride did not lower the expression of her haughty lineaments. "Does that person want you?" she inquired of Mr. Rochester; and Mr. Rochester turned to see who the "person" was. He made a curious grimace--one of his strange and equivocal demonstrations--threw down his cue and followed me from the room. "Well, Jane?" he said, as he rested his back against the schoolroom door, which he had shut. "If you please, sir, I want leave of absence for a week or two." "What to do?--where to go?" "To see a sick lady who has sent for me." "What sick lady?--where does she live?" "At Gateshead; in ---shire." "-shire? That is a hundred miles off! Who may she be that sends for people to see her that distance?" "Her name is Reed, sir--Mrs. Reed." "Reed of Gateshead? There was a Reed of Gateshead, a magistrate." "It is his widow, sir." "And what have you to do with her? How do you know her?" "Mr. Reed was my uncle--my mother's brother." "The deuce he was! You never told me that before: you always said you had no relations." "None that would own me, sir. Mr. Reed is dead, and his wife cast me off." "Why?" "Because I was poor, and burdensome, and she disliked me." "But Reed left children?--you must have cousins? Sir George Lynn was talking of a Reed of Gateshead yesterday, who, he said, was one of the veriest rascals on town; and Ingram was mentioning a Georgiana Reed of the same place, who was much admired for her beauty a season or two ago in London." "John Reed is dead, too, sir: he ruined himself and half-ruined his family, and is supposed to have committed suicide. The news so shocked his mother that it brought on an apoplectic attack." "And what good can you do her? Nonsense, Jane! I would never think of running a hundred miles to see an old lady who will, perhaps, be dead before you reach her: besides, you say she cast you off." "Yes, sir, but that is long ago; and when her circumstances were very different: I could not be easy to neglect her wishes now." "How long will you stay?" "As short a time as possible, sir." "Promise me only to stay a week--" "I had better not pass my word: I might be obliged to break it." "At all events you _will_ come back: you will not be induced under any pretext to take up a permanent residence with her?" "Oh, no! I shall certainly return if all be well." "And who goes with you? You don't travel a hundred miles alone." "No, sir, she has sent her coachman." "A person to be trusted?" "Yes, sir, he has lived ten years in the family." Mr. Rochester meditated. "When do you wish to go?" "Early to-morrow morning, sir." "Well, you must have some money; you can't travel without money, and I daresay you have not much: I have given you no salary yet. How much have you in the world, Jane?" he asked, smiling. I drew out my purse; a meagre thing it was. "Five shillings, sir." He took the purse, poured the hoard into his palm, and chuckled over it as if its scantiness amused him. Soon he produced his pocket-book: "Here," said he, offering me a note; it was fifty pounds, and he owed me but fifteen. I told him I had no change. "I don't want change; you know that. Take your wages." I declined accepting more than was my due. He scowled at first; then, as if recollecting something, he said-- "Right, right! Better not give you all now: you would, perhaps, stay away three months if you had fifty pounds. There are ten; is it not plenty?" "Yes, sir, but now you owe me five." "Come back for it, then; I am your banker for forty pounds." "Mr. Rochester, I may as well mention another matter of business to you while I have the opportunity." "Matter of business? I am curious to hear it." "You have as good as informed me, sir, that you are going shortly to be married?" "Yes; what then?" "In that case, sir, Adele ought to go to school: I am sure you will perceive the necessity of it." "To get her out of my bride's way, who might otherwise walk over her rather too emphatically? There's sense in the suggestion; not a doubt of it. Adele, as you say, must go to school; and you, of course, must march straight to--the devil?" "I hope not, sir; but I must seek another situation somewhere." "In course!" he exclaimed, with a twang of voice and a distortion of features equally fantastic and ludicrous. He looked at me some minutes. "And old Madam Reed, or the Misses, her daughters, will be solicited by you to seek a place, I suppose?" "No, sir; I am not on such terms with my relatives as would justify me in asking favours of them--but I shall advertise." "You shall walk up the pyramids of Egypt!" he growled. "At your peril you advertise! I wish I had only offered you a sovereign instead of ten pounds. Give me back nine pounds, Jane; I've a use for it." "And so have I, sir," I returned, putting my hands and my purse behind me. "I could not spare the money on any account." "Little niggard!" said he, "refusing me a pecuniary request! Give me five pounds, Jane." "Not five shillings, sir; nor five pence." "Just let me look at the cash." "No, sir; you are not to be trusted." "Jane!" "Sir?" "Promise me one thing." "I'll promise you anything, sir, that I think I am likely to perform." "Not to advertise: and to trust this quest of a situation to me. I'll find you one in time." "I shall be glad so to do, sir, if you, in your turn, will promise that I and Adele shall be both safe out of the house before your bride enters it." "Very well! very well! I'll pledge my word on it. You go to-morrow, then?" "Yes, sir; early." "Shall you come down to the drawing-room after dinner?" "No, sir, I must prepare for the journey." "Then you and I must bid good-bye for a little while?" "I suppose so, sir." "And how do people perform that ceremony of parting, Jane? Teach me; I'm not quite up to it." "They say, Farewell, or any other form they prefer." "Then say it." "Farewell, Mr. Rochester, for the present." "What must I say?" "The same, if you like, sir." "Farewell, Miss Eyre, for the present; is that all?" "Yes?" "It seems stingy, to my notions, and dry, and unfriendly. I should like something else: a little addition to the rite. If one shook hands, for instance; but no--that would not content me either. So you'll do no more than say Farewell, Jane?" "It is enough, sir: as much good-will may be conveyed in one hearty word as in many." "Very likely; but it is blank and cool--'Farewell.'" "How long is he going to stand with his back against that door?" I asked myself; "I want to commence my packing." The dinner-bell rang, and suddenly away he bolted, without another syllable: I saw him no more during the day, and was off before he had risen in the morning. I reached the lodge at Gateshead about five o'clock in the afternoon of the first of May: I stepped in there before going up to the hall. It was very clean and neat: the ornamental windows were hung with little white curtains; the floor was spotless; the grate and fire-irons were burnished bright, and the fire burnt clear. Bessie sat on the hearth, nursing her last-born, and Robert and his sister played quietly in a corner. "Bless you!--I knew you would come!" exclaimed Mrs. Leaven, as I entered. "Yes, Bessie," said I, after I had kissed her; "and I trust I am not too late. How is Mrs. Reed?--Alive still, I hope." "Yes, she is alive; and more sensible and collected than she was. The doctor says she may linger a week or two yet; but he hardly thinks she will finally recover." "Has she mentioned me lately?" "She was talking of you only this morning, and wishing you would come, but she is sleeping now, or was ten minutes ago, when I was up at the house. She generally lies in a kind of lethargy all the afternoon, and wakes up about six or seven. Will you rest yourself here an hour, Miss, and then I will go up with you?" Robert here entered, and Bessie laid her sleeping child in the cradle and went to welcome him: afterwards she insisted on my taking off my bonnet and having some tea; for she said I looked pale and tired. I was glad to accept her hospitality; and I submitted to be relieved of my travelling garb just as passively as I used to let her undress me when a child. Old times crowded fast back on me as I watched her bustling about--setting out the tea-tray with her best china, cutting bread and butter, toasting a tea-cake, and, between whiles, giving little Robert or Jane an occasional tap or push, just as she used to give me in former days. Bessie had retained her quick temper as well as her light foot and good looks. Tea ready, I was going to approach the table; but she desired me to sit still, quite in her old peremptory tones. I must be served at the fireside, she said; and she placed before me a little round stand with my cup and a plate of toast, absolutely as she used to accommodate me with some privately purloined dainty on a nursery chair: and I smiled and obeyed her as in bygone days. She wanted to know if I was happy at Thornfield Hall, and what sort of a person the mistress was; and when I told her there was only a master, whether he was a nice gentleman, and if I liked him. I told her he was rather an ugly man, but quite a gentleman; and that he treated me kindly, and I was content. Then I went on to describe to her the gay company that had lately been staying at the house; and to these details Bessie listened with interest: they were precisely of the kind she relished. In such conversation an hour was soon gone: Bessie restored to me my bonnet, &c., and, accompanied by her, I quitted the lodge for the hall. It was also accompanied by her that I had, nearly nine years ago, walked down the path I was now ascending. On a dark, misty, raw morning in January, I had left a hostile roof with a desperate and embittered heart--a sense of outlawry and almost of reprobation--to seek the chilly harbourage of Lowood: that bourne so far away and unexplored. The same hostile roof now again rose before me: my prospects were doubtful yet; and I had yet an aching heart. I still felt as a wanderer on the face of the earth; but I experienced firmer trust in myself and my own powers, and less withering dread of oppression. The gaping wound of my wrongs, too, was now quite healed; and the flame of resentment extinguished. "You shall go into the breakfast-room first," said Bessie, as she preceded me through the hall; "the young ladies will be there." In another moment I was within that apartment. There was every article of furniture looking just as it did on the morning I was first introduced to Mr. Brocklehurst: the very rug he had stood upon still covered the hearth. Glancing at the bookcases, I thought I could distinguish the two volumes of Bewick's British Birds occupying their old place on the third shelf, and Gulliver's Travels and the Arabian Nights ranged just above. The inanimate objects were not changed; but the living things had altered past recognition. Two young ladies appeared before me; one very tall, almost as tall as Miss Ingram--very thin too, with a sallow face and severe mien. There was something ascetic in her look, which was augmented by the extreme plainness of a straight-skirted, black, stuff dress, a starched linen collar, hair combed away from the temples, and the nun-like ornament of a string of ebony beads and a crucifix. This I felt sure was Eliza, though I could trace little resemblance to her former self in that elongated and colourless visage. The other was as certainly Georgiana: but not the Georgiana I remembered--the slim and fairy-like girl of eleven. This was a full-blown, very plump damsel, fair as waxwork, with handsome and regular features, languishing blue eyes, and ringleted yellow hair. The hue of her dress was black too; but its fashion was so different from her sister's--so much more flowing and becoming--it looked as stylish as the other's looked puritanical. In each of the sisters there was one trait of the mother--and only one; the thin and pallid elder daughter had her parent's Cairngorm eye: the blooming and luxuriant younger girl had her contour of jaw and chin--perhaps a little softened, but still imparting an indescribable hardness to the countenance otherwise so voluptuous and buxom. Both ladies, as I advanced, rose to welcome me, and both addressed me by the name of "Miss Eyre." Eliza's greeting was delivered in a short, abrupt voice, without a smile; and then she sat down again, fixed her eyes on the fire, and seemed to forget me. Georgiana added to her "How d'ye do?" several commonplaces about my journey, the weather, and so on, uttered in rather a drawling tone: and accompanied by sundry side-glances that measured me from head to foot--now traversing the folds of my drab merino pelisse, and now lingering on the plain trimming of my cottage bonnet. Young ladies have a remarkable way of letting you know that they think you a "quiz" without actually saying the words. A certain superciliousness of look, coolness of manner, nonchalance of tone, express fully their sentiments on the point, without committing them by any positive rudeness in word or deed. A sneer, however, whether covert or open, had now no longer that power over me it once possessed: as I sat between my cousins, I was surprised to find how easy I felt under the total neglect of the one and the semi- sarcastic attentions of the other--Eliza did not mortify, nor Georgiana ruffle me. The fact was, I had other things to think about; within the last few months feelings had been stirred in me so much more potent than any they could raise--pains and pleasures so much more acute and exquisite had been excited than any it was in their power to inflict or bestow--that their airs gave me no concern either for good or bad. "How is Mrs. Reed?" I asked soon, looking calmly at Georgiana, who thought fit to bridle at the direct address, as if it were an unexpected liberty. "Mrs. Reed? Ah! mama, you mean; she is extremely poorly: I doubt if you can see her to-night." "If," said I, "you would just step upstairs and tell her I am come, I should be much obliged to you." Georgiana almost started, and she opened her blue eyes wild and wide. "I know she had a particular wish to see me," I added, "and I would not defer attending to her desire longer than is absolutely necessary." "Mama dislikes being disturbed in an evening," remarked Eliza. I soon rose, quietly took off my bonnet and gloves, uninvited, and said I would just step out to Bessie--who was, I dared say, in the kitchen--and ask her to ascertain whether Mrs. Reed was disposed to receive me or not to- night. I went, and having found Bessie and despatched her on my errand, I proceeded to take further measures. It had heretofore been my habit always to shrink from arrogance: received as I had been to-day, I should, a year ago, have resolved to quit Gateshead the very next morning; now, it was disclosed to me all at once that that would be a foolish plan. I had taken a journey of a hundred miles to see my aunt, and I must stay with her till she was better--or dead: as to her daughters' pride or folly, I must put it on one side, make myself independent of it. So I addressed the housekeeper; asked her to show me a room, told her I should probably be a visitor here for a week or two, had my trunk conveyed to my chamber, and followed it thither myself: I met Bessie on the landing. "Missis is awake," said she; "I have told her you are here: come and let us see if she will know you." I did not need to be guided to the well-known room, to which I had so often been summoned for chastisement or reprimand in former days. I hastened before Bessie; I softly opened the door: a shaded light stood on the table, for it was now getting dark. There was the great four-post bed with amber hangings as of old; there the toilet-table, the armchair, and the footstool, at which I had a hundred times been sentenced to kneel, to ask pardon for offences by me uncommitted. I looked into a certain corner near, half-expecting to see the slim outline of a once dreaded switch which used to lurk there, waiting to leap out imp-like and lace my quivering palm or shrinking neck. I approached the bed; I opened the curtains and leant over the high-piled pillows. Well did I remember Mrs. Reed's face, and I eagerly sought the familiar image. It is a happy thing that time quells the longings of vengeance and hushes the promptings of rage and aversion. I had left this woman in bitterness and hate, and I came back to her now with no other emotion than a sort of ruth for her great sufferings, and a strong yearning to forget and forgive all injuries--to be reconciled and clasp hands in amity. The well-known face was there: stern, relentless as ever--there was that peculiar eye which nothing could melt, and the somewhat raised, imperious, despotic eyebrow. How often had it lowered on me menace and hate! and how the recollection of childhood's terrors and sorrows revived as I traced its harsh line now! And yet I stooped down and kissed her: she looked at me. "Is this Jane Eyre?" she said. "Yes, Aunt Reed. How are you, dear aunt?" I had once vowed that I would never call her aunt again: I thought it no sin to forget and break that vow now. My fingers had fastened on her hand which lay outside the sheet: had she pressed mine kindly, I should at that moment have experienced true pleasure. But unimpressionable natures are not so soon softened, nor are natural antipathies so readily eradicated. Mrs. Reed took her hand away, and, turning her face rather from me, she remarked that the night was warm. Again she regarded me so icily, I felt at once that her opinion of me--her feeling towards me--was unchanged and unchangeable. I knew by her stony eye--opaque to tenderness, indissoluble to tears--that she was resolved to consider me bad to the last; because to believe me good would give her no generous pleasure: only a sense of mortification. I felt pain, and then I felt ire; and then I felt a determination to subdue her--to be her mistress in spite both of her nature and her will. My tears had risen, just as in childhood: I ordered them back to their source. I brought a chair to the bed-head: I sat down and leaned over the pillow. "You sent for me," I said, "and I am here; and it is my intention to stay till I see how you get on." "Oh, of course! You have seen my daughters?" "Yes." "Well, you may tell them I wish you to stay till I can talk some things over with you I have on my mind: to-night it is too late, and I have a difficulty in recalling them. But there was something I wished to say--let me see--" The wandering look and changed utterance told what wreck had taken place in her once vigorous frame. Turning restlessly, she drew the bedclothes round her; my elbow, resting on a corner of the quilt, fixed it down: she was at once irritated. "Sit up!" said she; "don't annoy me with holding the clothes fast. Are you Jane Eyre?" "I am Jane Eyre." "I have had more trouble with that child than any one would believe. Such a burden to be left on my hands--and so much annoyance as she caused me, daily and hourly, with her incomprehensible disposition, and her sudden starts of temper, and her continual, unnatural watchings of one's movements! I declare she talked to me once like something mad, or like a fiend--no child ever spoke or looked as she did; I was glad to get her away from the house. What did they do with her at Lowood? The fever broke out there, and many of the pupils died. She, however, did not die: but I said she did--I wish she had died!" "A strange wish, Mrs. Reed; why do you hate her so?" "I had a dislike to her mother always; for she was my husband's only sister, and a great favourite with him: he opposed the family's disowning her when she made her low marriage; and when news came of her death, he wept like a simpleton. He would send for the baby; though I entreated him rather to put it out to nurse and pay for its maintenance. I hated it the first time I set my eyes on it--a sickly, whining, pining thing! It would wail in its cradle all night long--not screaming heartily like any other child, but whimpering and moaning. Reed pitied it; and he used to nurse it and notice it as if it had been his own: more, indeed, than he ever noticed his own at that age. He would try to make my children friendly to the little beggar: the darlings could not bear it, and he was angry with them when they showed their dislike. In his last illness, he had it brought continually to his bedside; and but an hour before he died, he bound me by vow to keep the creature. I would as soon have been charged with a pauper brat out of a workhouse: but he was weak, naturally weak. John does not at all resemble his father, and I am glad of it: John is like me and like my brothers--he is quite a Gibson. Oh, I wish he would cease tormenting me with letters for money? I have no more money to give him: we are getting poor. I must send away half the servants and shut up part of the house; or let it off. I can never submit to do that--yet how are we to get on? Two-thirds of my income goes in paying the interest of mortgages. John gambles dreadfully, and always loses--poor boy! He is beset by sharpers: John is sunk and degraded--his look is frightful--I feel ashamed for him when I see him." She was getting much excited. "I think I had better leave her now," said I to Bessie, who stood on the other side of the bed. "Perhaps you had, Miss: but she often talks in this way towards night--in the morning she is calmer." I rose. "Stop!" exclaimed Mrs. Reed, "there is another thing I wished to say. He threatens me--he continually threatens me with his own death, or mine: and I dream sometimes that I see him laid out with a great wound in his throat, or with a swollen and blackened face. I am come to a strange pass: I have heavy troubles. What is to be done? How is the money to be had?" Bessie now endeavoured to persuade her to take a sedative draught: she succeeded with difficulty. Soon after, Mrs. Reed grew more composed, and sank into a dozing state. I then left her. More than ten days elapsed before I had again any conversation with her. She continued either delirious or lethargic; and the doctor forbade everything which could painfully excite her. Meantime, I got on as well as I could with Georgiana and Eliza. They were very cold, indeed, at first. Eliza would sit half the day sewing, reading, or writing, and scarcely utter a word either to me or her sister. Georgiana would chatter nonsense to her canary bird by the hour, and take no notice of me. But I was determined not to seem at a loss for occupation or amusement: I had brought my drawing materials with me, and they served me for both. Provided with a case of pencils, and some sheets of paper, I used to take a seat apart from them, near the window, and busy myself in sketching fancy vignettes, representing any scene that happened momentarily to shape itself in the ever-shifting kaleidoscope of imagination: a glimpse of sea between two rocks; the rising moon, and a ship crossing its disk; a group of reeds and water-flags, and a naiad's head, crowned with lotus- flowers, rising out of them; an elf sitting in a hedge-sparrow's nest, under a wreath of hawthorn-bloom. One morning I fell to sketching a face: what sort of a face it was to be, I did not care or know. I took a soft black pencil, gave it a broad point, and worked away. Soon I had traced on the paper a broad and prominent forehead and a square lower outline of visage: that contour gave me pleasure; my fingers proceeded actively to fill it with features. Strongly-marked horizontal eyebrows must be traced under that brow; then followed, naturally, a well-defined nose, with a straight ridge and full nostrils; then a flexible-looking mouth, by no means narrow; then a firm chin, with a decided cleft down the middle of it: of course, some black whiskers were wanted, and some jetty hair, tufted on the temples, and waved above the forehead. Now for the eyes: I had left them to the last, because they required the most careful working. I drew them large; I shaped them well: the eyelashes I traced long and sombre; the irids lustrous and large. "Good! but not quite the thing," I thought, as I surveyed the effect: "they want more force and spirit;" and I wrought the shades blacker, that the lights might flash more brilliantly--a happy touch or two secured success. There, I had a friend's face under my gaze; and what did it signify that those young ladies turned their backs on me? I looked at it; I smiled at the speaking likeness: I was absorbed and content. "Is that a portrait of some one you know?" asked Eliza, who had approached me unnoticed. I responded that it was merely a fancy head, and hurried it beneath the other sheets. Of course, I lied: it was, in fact, a very faithful representation of Mr. Rochester. But what was that to her, or to any one but myself? Georgiana also advanced to look. The other drawings pleased her much, but she called that "an ugly man." They both seemed surprised at my skill. I offered to sketch their portraits; and each, in turn, sat for a pencil outline. Then Georgiana produced her album. I promised to contribute a water-colour drawing: this put her at once into good humour. She proposed a walk in the grounds. Before we had been out two hours, we were deep in a confidential conversation: she had favoured me with a description of the brilliant winter she had spent in London two seasons ago--of the admiration she had there excited--the attention she had received; and I even got hints of the titled conquest she had made. In the course of the afternoon and evening these hints were enlarged on: various soft conversations were reported, and sentimental scenes represented; and, in short, a volume of a novel of fashionable life was that day improvised by her for my benefit. The communications were renewed from day to day: they always ran on the same theme--herself, her loves, and woes. It was strange she never once adverted either to her mother's illness, or her brother's death, or the present gloomy state of the family prospects. Her mind seemed wholly taken up with reminiscences of past gaiety, and aspirations after dissipations to come. She passed about five minutes each day in her mother's sick-room, and no more. Eliza still spoke little: she had evidently no time to talk. I never saw a busier person than she seemed to be; yet it was difficult to say what she did: or rather, to discover any result of her diligence. She had an alarm to call her up early. I know not how she occupied herself before breakfast, but after that meal she divided her time into regular portions, and each hour had its allotted task. Three times a day she studied a little book, which I found, on inspection, was a Common Prayer Book. I asked her once what was the great attraction of that volume, and she said, "the Rubric." Three hours she gave to stitching, with gold thread, the border of a square crimson cloth, almost large enough for a carpet. In answer to my inquiries after the use of this article, she informed me it was a covering for the altar of a new church lately erected near Gateshead. Two hours she devoted to her diary; two to working by herself in the kitchen-garden; and one to the regulation of her accounts. She seemed to want no company; no conversation. I believe she was happy in her way: this routine sufficed for her; and nothing annoyed her so much as the occurrence of any incident which forced her to vary its clockwork regularity. She told me one evening, when more disposed to be communicative than usual, that John's conduct, and the threatened ruin of the family, had been a source of profound affliction to her: but she had now, she said, settled her mind, and formed her resolution. Her own fortune she had taken care to secure; and when her mother died--and it was wholly improbable, she tranquilly remarked, that she should either recover or linger long--she would execute a long-cherished project: seek a retirement where punctual habits would be permanently secured from disturbance, and place safe barriers between herself and a frivolous world. I asked if Georgiana would accompany her. "Of course not. Georgiana and she had nothing in common: they never had had. She would not be burdened with her society for any consideration. Georgiana should take her own course; and she, Eliza, would take hers." Georgiana, when not unburdening her heart to me, spent most of her time in lying on the sofa, fretting about the dulness of the house, and wishing over and over again that her aunt Gibson would send her an invitation up to town. "It would be so much better," she said, "if she could only get out of the way for a month or two, till all was over." I did not ask what she meant by "all being over," but I suppose she referred to the expected decease of her mother and the gloomy sequel of funeral rites. Eliza generally took no more notice of her sister's indolence and complaints than if no such murmuring, lounging object had been before her. One day, however, as she put away her account-book and unfolded her embroidery, she suddenly took her up thus-- "Georgiana, a more vain and absurd animal than you was certainly never allowed to cumber the earth. You had no right to be born, for you make no use of life. Instead of living for, in, and with yourself, as a reasonable being ought, you seek only to fasten your feebleness on some other person's strength: if no one can be found willing to burden her or himself with such a fat, weak, puffy, useless thing, you cry out that you are ill-treated, neglected, miserable. Then, too, existence for you must be a scene of continual change and excitement, or else the world is a dungeon: you must be admired, you must be courted, you must be flattered--you must have music, dancing, and society--or you languish, you die away. Have you no sense to devise a system which will make you independent of all efforts, and all wills, but your own? Take one day; share it into sections; to each section apportion its task: leave no stray unemployed quarters of an hour, ten minutes, five minutes--include all; do each piece of business in its turn with method, with rigid regularity. The day will close almost before you are aware it has begun; and you are indebted to no one for helping you to get rid of one vacant moment: you have had to seek no one's company, conversation, sympathy, forbearance; you have lived, in short, as an independent being ought to do. Take this advice: the first and last I shall offer you; then you will not want me or any one else, happen what may. Neglect it--go on as heretofore, craving, whining, and idling--and suffer the results of your idiocy, however bad and insuperable they may be. I tell you this plainly; and listen: for though I shall no more repeat what I am now about to say, I shall steadily act on it. After my mother's death, I wash my hands of you: from the day her coffin is carried to the vault in Gateshead Church, you and I will be as separate as if we had never known each other. You need not think that because we chanced to be born of the same parents, I shall suffer you to fasten me down by even the feeblest claim: I can tell you this--if the whole human race, ourselves excepted, were swept away, and we two stood alone on the earth, I would leave you in the old world, and betake myself to the new." She closed her lips. "You might have spared yourself the trouble of delivering that tirade," answered Georgiana. "Everybody knows you are the most selfish, heartless creature in existence: and _I_ know your spiteful hatred towards me: I have had a specimen of it before in the trick you played me about Lord Edwin Vere: you could not bear me to be raised above you, to have a title, to be received into circles where you dare not show your face, and so you acted the spy and informer, and ruined my prospects for ever." Georgiana took out her handkerchief and blew her nose for an hour afterwards; Eliza sat cold, impassable, and assiduously industrious. True, generous feeling is made small account of by some, but here were two natures rendered, the one intolerably acrid, the other despicably savourless for the want of it. Feeling without judgment is a washy draught indeed; but judgment untempered by feeling is too bitter and husky a morsel for human deglutition. It was a wet and windy afternoon: Georgiana had fallen asleep on the sofa over the perusal of a novel; Eliza was gone to attend a saint's-day service at the new church--for in matters of religion she was a rigid formalist: no weather ever prevented the punctual discharge of what she considered her devotional duties; fair or foul, she went to church thrice every Sunday, and as often on week-days as there were prayers. I bethought myself to go upstairs and see how the dying woman sped, who lay there almost unheeded: the very servants paid her but a remittent attention: the hired nurse, being little looked after, would slip out of the room whenever she could. Bessie was faithful; but she had her own family to mind, and could only come occasionally to the hall. I found the sick-room unwatched, as I had expected: no nurse was there; the patient lay still, and seemingly lethargic; her livid face sunk in the pillows: the fire was dying in the grate. I renewed the fuel, re-arranged the bedclothes, gazed awhile on her who could not now gaze on me, and then I moved away to the window. The rain beat strongly against the panes, the wind blew tempestuously: "One lies there," I thought, "who will soon be beyond the war of earthly elements. Whither will that spirit--now struggling to quit its material tenement--flit when at length released?" In pondering the great mystery, I thought of Helen Burns, recalled her dying words--her faith--her doctrine of the equality of disembodied souls. I was still listening in thought to her well-remembered tones--still picturing her pale and spiritual aspect, her wasted face and sublime gaze, as she lay on her placid deathbed, and whispered her longing to be restored to her divine Father's bosom--when a feeble voice murmured from the couch behind: "Who is that?" I knew Mrs. Reed had not spoken for days: was she reviving? I went up to her. "It is I, Aunt Reed." "Who--I?" was her answer. "Who are you?" looking at me with surprise and a sort of alarm, but still not wildly. "You are quite a stranger to me--where is Bessie?" "She is at the lodge, aunt." "Aunt," she repeated. "Who calls me aunt? You are not one of the Gibsons; and yet I know you--that face, and the eyes and forehead, are quiet familiar to me: you are like--why, you are like Jane Eyre!" I said nothing: I was afraid of occasioning some shock by declaring my identity. "Yet," said she, "I am afraid it is a mistake: my thoughts deceive me. I wished to see Jane Eyre, and I fancy a likeness where none exists: besides, in eight years she must be so changed." I now gently assured her that I was the person she supposed and desired me to be: and seeing that I was understood, and that her senses were quite collected, I explained how Bessie had sent her husband to fetch me from Thornfield. "I am very ill, I know," she said ere long. "I was trying to turn myself a few minutes since, and find I cannot move a limb. It is as well I should ease my mind before I die: what we think little of in health, burdens us at such an hour as the present is to me. Is the nurse here? or is there no one in the room but you?" I assured her we were alone. "Well, I have twice done you a wrong which I regret now. One was in breaking the promise which I gave my husband to bring you up as my own child; the other--" she stopped. "After all, it is of no great importance, perhaps," she murmured to herself: "and then I may get better; and to humble myself so to her is painful." She made an effort to alter her position, but failed: her face changed; she seemed to experience some inward sensation--the precursor, perhaps, of the last pang. "Well, I must get it over. Eternity is before me: I had better tell her.--Go to my dressing-case, open it, and take out a letter you will see there." I obeyed her directions. "Read the letter," she said. It was short, and thus conceived:-- "Madam,--Will you have the goodness to send me the address of my niece, Jane Eyre, and to tell me how she is? It is my intention to write shortly and desire her to come to me at Madeira. Providence has blessed my endeavours to secure a competency; and as I am unmarried and childless, I wish to adopt her during my life, and bequeath her at my death whatever I may have to leave.--I am, Madam, &c., &c., "JOHN EYRE, Madeira." It was dated three years back. "Why did I never hear of this?" I asked. "Because I disliked you too fixedly and thoroughly ever to lend a hand in lifting you to prosperity. I could not forget your conduct to me, Jane--the fury with which you once turned on me; the tone in which you declared you abhorred me the worst of anybody in the world; the unchildlike look and voice with which you affirmed that the very thought of me made you sick, and asserted that I had treated you with miserable cruelty. I could not forget my own sensations when you thus started up and poured out the venom of your mind: I felt fear as if an animal that I had struck or pushed had looked up at me with human eyes and cursed me in a man's voice.--Bring me some water! Oh, make haste!" "Dear Mrs. Reed," said I, as I offered her the draught she required, "think no more of all this, let it pass away from your mind. Forgive me for my passionate language: I was a child then; eight, nine years have passed since that day." She heeded nothing of what I said; but when she had tasted the water and drawn breath, she went on thus-- "I tell you I could not forget it; and I took my revenge: for you to be adopted by your uncle, and placed in a state of ease and comfort, was what I could not endure. I wrote to him; I said I was sorry for his disappointment, but Jane Eyre was dead: she had died of typhus fever at Lowood. Now act as you please: write and contradict my assertion--expose my falsehood as soon as you like. You were born, I think, to be my torment: my last hour is racked by the recollection of a deed which, but for you, I should never have been tempted to commit." "If you could but be persuaded to think no more of it, aunt, and to regard me with kindness and forgiveness" "You have a very bad disposition," said she, "and one to this day I feel it impossible to understand: how for nine years you could be patient and quiescent under any treatment, and in the tenth break out all fire and violence, I can never comprehend." "My disposition is not so bad as you think: I am passionate, but not vindictive. Many a time, as a little child, I should have been glad to love you if you would have let me; and I long earnestly to be reconciled to you now: kiss me, aunt." I approached my cheek to her lips: she would not touch it. She said I oppressed her by leaning over the bed, and again demanded water. As I laid her down--for I raised her and supported her on my arm while she drank--I covered her ice-cold and clammy hand with mine: the feeble fingers shrank from my touch--the glazing eyes shunned my gaze. "Love me, then, or hate me, as you will," I said at last, "you have my full and free forgiveness: ask now for God's, and be at peace." Poor, suffering woman! it was too late for her to make now the effort to change her habitual frame of mind: living, she had ever hated me--dying, she must hate me still. The nurse now entered, and Bessie followed. I yet lingered half-an-hour longer, hoping to see some sign of amity: but she gave none. She was fast relapsing into stupor; nor did her mind again rally: at twelve o'clock that night she died. I was not present to close her eyes, nor were either of her daughters. They came to tell us the next morning that all was over. She was by that time laid out. Eliza and I went to look at her: Georgiana, who had burst out into loud weeping, said she dared not go. There was stretched Sarah Reed's once robust and active frame, rigid and still: her eye of flint was covered with its cold lid; her brow and strong traits wore yet the impress of her inexorable soul. A strange and solemn object was that corpse to me. I gazed on it with gloom and pain: nothing soft, nothing sweet, nothing pitying, or hopeful, or subduing did it inspire; only a grating anguish for _her_ woes--not _my_ loss--and a sombre tearless dismay at the fearfulness of death in such a form. Eliza surveyed her parent calmly. After a silence of some minutes she observed-- "With her constitution she should have lived to a good old age: her life was shortened by trouble." And then a spasm constricted her mouth for an instant: as it passed away she turned and left the room, and so did I. Neither of us had dropt a tear.

volume 2, Chapter 21

https://web.archive.org/web/20210123075639/https://www.sparknotes.com/lit/janeeyre/section4/

Jane has heard that it is a bad omen to dream of children, and now she has dreams on seven consecutive nights involving babies. She learns that her cousin John Reed has committed suicide, and that her aunt, Mrs. Reed, has suffered a stroke and is nearing death. Jane goes to Gateshead, where she is reunited with Bessie. She also sees her cousins Eliza and Georgiana. Eliza is plain and plans to enter a convent, while Georgiana is as beautiful as ever. Ever since Eliza ruined Georgiana's hopes of eloping with a young man, the two sisters have not gotten along. Jane tries to patch things up with Mrs. Reed, but the old woman is still full of hostility toward her late husband's favorite. One day, Mrs. Reed gives Jane a letter from her father's brother, John Eyre. He declares that he wishes to adopt Jane and bequeath her his fortune. The letter is three years old; out of malice, Mrs. Reed did not forward it to Jane when she received it. In spite of her aunt's behavior, Jane tries once more to smooth relations with the dying woman. But Mrs. Reed refuses, and, at midnight, she dies.

Jane's situation in Chapter 17 manifests the uncomfortable position of governesses. Jane, forced to sit in the drawing room during Rochester's party, must endure Blanche Ingram's comments to her mother about the nature of governesses--"half of them detestable and the rest ridiculous, and all incubi." By this stage of the story, the narrative has begun to focus increasingly on the potential relationship between Jane and Rochester. Blanche's presence, which threatens the possibility of a union between the two, adds tension to the plot. Blanche is not only a competitor for Jane, she is also a foil to her, as the two women differ in every respect. Jane Eyre never seems to possess the degree of romantic tension that runs throughout Emily Bronte's Wuthering Heights because the signs of Rochester's affection for Jane are recognizable early on. The most telling tip-off occurs at the end of Chapter 17, when Rochester nearly calls Jane "my love" before biting his tongue. The tension surrounding Jane's and Rochester's relationship derives not from the question of whether Rochester loves Jane, but from whether he will be able to act upon his feelings. So far, two obstacles--Blanche and the dark secrets of Thornfield Hall--stand in Rochester's way. These obstacles, and the potential marriage that they impede, constitute the romantic plot of Jane Eyre. As in many romances, the norms of society and the protagonists' conflicting personalities must either be changed or ignored in order for marriage to be possible. But Rochester's dark past, most importantly his secret marriage to Bertha, adds a Gothic element to the story. Unlike the marriage plot, which leads toward the public, communal event of a wedding, the "Gothic plot" of Rochester's struggle with his own past focuses on Rochester's private consciousness. The physical world of Thornfield Hall reflects his interior state--the house, the landscape, and Bertha can all be seen as external manifestations of his dangerous secrets. These Gothic elements suggest that the story will lead to death or madness rather than the happy occasion of a wedding. Disguised as a gypsy woman, Rochester wields an almost magical power over Jane, and the scene reveals how much he controls her emotions at this stage of the novel. He also controls the plot, and his masquerading as a gypsy woman allows him to overcome the obstacle Blanche poses. Like the game of charades the group plays earlier, Rochester's disguised appearance suggests his disguised character. Mr. Mason's unexplained wounds, like the earlier mysterious fire in Rochester's bedroom, further the larger Gothic plot that will soon unfold. By allowing Jane upstairs to see Mason, Rochester seems to be inviting her to help cure the ills inflicted by Bertha, and he attempts for the first time to talk with Jane about his past as they take a walk together following Mason's stabbing. Although he speaks to Jane about his determination to redeem himself, his references to a grave error and a dissipated youth suggest that Jane risks great danger not only by continuing to live at Thornfield but by falling in love with him. Her emotional welfare as well as her physical welfare may soon be in jeopardy. Adele and Bertha already serve as living legacies of Rochester's past licentiousness, and Jane could be next in line, as her prophetic dream seems to suggest.

sparknotes

all_chapterized_books/1260-chapters/23.txt

finished_summaries/sparknotes/Jane Eyre/section_4_part_1.txt

Jane Eyre.volume 2.chapter 22

volume 2, chapter 22

{"name": "volume 2, Chapter 22", "url": "https://web.archive.org/web/20210123075639/https://www.sparknotes.com/lit/janeeyre/section5/", "summary": "Jane remains at Gateshead for a month because Georgiana dreads being left alone with Eliza, with whom she does not get along. Eventually, Georgiana goes to London to live with her uncle, and Eliza joins a convent in France. Jane tells us that Eliza eventually becomes the Mother Superior of her convent, while Georgiana marries a wealthy man. At Gateshead, Jane receives a letter from Mrs. Fairfax, which says that Rochester's guests have departed and that Rochester has gone to London to buy a new carriage--a sure sign of his intention to marry Blanche. As Jane travels toward Thornfield, she anxiously anticipates seeing Rochester again, and yet she worries about what will become of her after his marriage. To her surprise, as she walks from the station at Millcote, Jane encounters Rochester. When he asks her why she has stayed away from Thornfield so long, she replies, still a bit bewildered, \"I have been with my aunt, sir, who is dead. Rochester asks Jane whether she has heard about his new carriage, and he tells her: \"You must see the carriage, Jane, and tell me if you don't think it will suit Mrs. Rochester exactly. After a few more words together, Jane surprises herself by expressing the happiness she feels in Rochester's presence: \"I am strangely glad to get back again to you; and wherever you are is my home--my only home. Back at the manor, Mrs. Fairfax, Adele, and the servants greet Jane warmly", "analysis": "After her stay at Gateshead, Jane comes to understand fully what Rochester and Thornfield mean to her. Having been acutely reminded of the abjection and cruelty she suffered during her childhood, Jane now realizes how different her life has become, how much she has gained and how much she has grown. In Rochester she has found someone she truly cares for--someone who, despite periodic shows of brusqueness, nevertheless continues to admire Jane and care for her tenderly. Moreover, Rochester gives her a true sense of belonging, something she has always lacked. As she tells him, \"wherever you are is my home--my only home.\" Although Rochester's declaration of love and marriage proposal make Jane exceedingly happy, she is also very apprehensive about the marriage. Her feelings of dread may stem in part from a subconscious intimation of Rochester's dark and horrible secret, which will be divulged in the next few chapters: the eerie laughter she has heard, the mysterious fire from which she rescued Rochester, the strange figure who tears Jane's wedding veil, and other smaller clues may have led Jane to make some subconscious conclusions about what she will consciously find out only later. Another possibility is that Jane's misgivings stem from other concerns. She has always longed for freedom and escape, and marrying Rochester would be a form of tying herself down. Jane may worry that the marriage will encroach upon her autonomy, and even enforce her submission to Rochester. Not only would the marriage bring her into a relationship of responsibility and commitment to another person, it could cement her into a position of inferiority. Jane's anxiety surfaces when Rochester tries to dress her in feminine finery. She reacts with revulsion, noting that she feels like a toy doll. Jane fears that Rochester may be trying to objectify her, that he sees her not as a human being with her own thoughts and feelings but as a plaything designed to cater to his fantasies and whims. Jane also worries about her financial inferiority: she hates the thought of marrying \"above her station,\" as she does not want to feel that she somehow \"owes\" Rochester something for the fact that he has \"deigned\" to love her, as it were. She hates the thought that his love might be a \"favor\" to her. Thus, Jane's feelings and desires for Rochester are tightly bound up with her feelings about her social position and her position as a woman. She is very sensitive to the hierarchy and power dynamic implicit in marriage, and despite her statement that she is forced to \"yield\" to her feelings for Rochester, she does not desire the complete surrender that heroines in romance novels experience. The storybook wedding toward which these chapters appear to lead cannot succeed, because Jane will only be able to occupy the role of wife on her own, quite different, terms."}

Mr. Rochester had given me but one week's leave of absence: yet a month elapsed before I quitted Gateshead. I wished to leave immediately after the funeral, but Georgiana entreated me to stay till she could get off to London, whither she was now at last invited by her uncle, Mr. Gibson, who had come down to direct his sister's interment and settle the family affairs. Georgiana said she dreaded being left alone with Eliza; from her she got neither sympathy in her dejection, support in her fears, nor aid in her preparations; so I bore with her feeble-minded wailings and selfish lamentations as well as I could, and did my best in sewing for her and packing her dresses. It is true, that while I worked, she would idle; and I thought to myself, "If you and I were destined to live always together, cousin, we would commence matters on a different footing. I should not settle tamely down into being the forbearing party; I should assign you your share of labour, and compel you to accomplish it, or else it should be left undone: I should insist, also, on your keeping some of those drawling, half-insincere complaints hushed in your own breast. It is only because our connection happens to be very transitory, and comes at a peculiarly mournful season, that I consent thus to render it so patient and compliant on my part." At last I saw Georgiana off; but now it was Eliza's turn to request me to stay another week. Her plans required all her time and attention, she said; she was about to depart for some unknown bourne; and all day long she stayed in her own room, her door bolted within, filling trunks, emptying drawers, burning papers, and holding no communication with any one. She wished me to look after the house, to see callers, and answer notes of condolence. One morning she told me I was at liberty. "And," she added, "I am obliged to you for your valuable services and discreet conduct! There is some difference between living with such an one as you and with Georgiana: you perform your own part in life and burden no one. To-morrow," she continued, "I set out for the Continent. I shall take up my abode in a religious house near Lisle--a nunnery you would call it; there I shall be quiet and unmolested. I shall devote myself for a time to the examination of the Roman Catholic dogmas, and to a careful study of the workings of their system: if I find it to be, as I half suspect it is, the one best calculated to ensure the doing of all things decently and in order, I shall embrace the tenets of Rome and probably take the veil." I neither expressed surprise at this resolution nor attempted to dissuade her from it. "The vocation will fit you to a hair," I thought: "much good may it do you!" When we parted, she said: "Good-bye, cousin Jane Eyre; I wish you well: you have some sense." I then returned: "You are not without sense, cousin Eliza; but what you have, I suppose, in another year will be walled up alive in a French convent. However, it is not my business, and so it suits you, I don't much care." "You are in the right," said she; and with these words we each went our separate way. As I shall not have occasion to refer either to her or her sister again, I may as well mention here, that Georgiana made an advantageous match with a wealthy worn-out man of fashion, and that Eliza actually took the veil, and is at this day superior of the convent where she passed the period of her novitiate, and which she endowed with her fortune. How people feel when they are returning home from an absence, long or short, I did not know: I had never experienced the sensation. I had known what it was to come back to Gateshead when a child after a long walk, to be scolded for looking cold or gloomy; and later, what it was to come back from church to Lowood, to long for a plenteous meal and a good fire, and to be unable to get either. Neither of these returnings was very pleasant or desirable: no magnet drew me to a given point, increasing in its strength of attraction the nearer I came. The return to Thornfield was yet to be tried. My journey seemed tedious--very tedious: fifty miles one day, a night spent at an inn; fifty miles the next day. During the first twelve hours I thought of Mrs. Reed in her last moments; I saw her disfigured and discoloured face, and heard her strangely altered voice. I mused on the funeral day, the coffin, the hearse, the black train of tenants and servants--few was the number of relatives--the gaping vault, the silent church, the solemn service. Then I thought of Eliza and Georgiana; I beheld one the cynosure of a ball-room, the other the inmate of a convent cell; and I dwelt on and analysed their separate peculiarities of person and character. The evening arrival at the great town of--scattered these thoughts; night gave them quite another turn: laid down on my traveller's bed, I left reminiscence for anticipation. I was going back to Thornfield: but how long was I to stay there? Not long; of that I was sure. I had heard from Mrs. Fairfax in the interim of my absence: the party at the hall was dispersed; Mr. Rochester had left for London three weeks ago, but he was then expected to return in a fortnight. Mrs. Fairfax surmised that he was gone to make arrangements for his wedding, as he had talked of purchasing a new carriage: she said the idea of his marrying Miss Ingram still seemed strange to her; but from what everybody said, and from what she had herself seen, she could no longer doubt that the event would shortly take place. "You would be strangely incredulous if you did doubt it," was my mental comment. "I don't doubt it." The question followed, "Where was I to go?" I dreamt of Miss Ingram all the night: in a vivid morning dream I saw her closing the gates of Thornfield against me and pointing me out another road; and Mr. Rochester looked on with his arms folded--smiling sardonically, as it seemed, at both her and me. I had not notified to Mrs. Fairfax the exact day of my return; for I did not wish either car or carriage to meet me at Millcote. I proposed to walk the distance quietly by myself; and very quietly, after leaving my box in the ostler's care, did I slip away from the George Inn, about six o'clock of a June evening, and take the old road to Thornfield: a road which lay chiefly through fields, and was now little frequented. It was not a bright or splendid summer evening, though fair and soft: the haymakers were at work all along the road; and the sky, though far from cloudless, was such as promised well for the future: its blue--where blue was visible--was mild and settled, and its cloud strata high and thin. The west, too, was warm: no watery gleam chilled it--it seemed as if there was a fire lit, an altar burning behind its screen of marbled vapour, and out of apertures shone a golden redness. I felt glad as the road shortened before me: so glad that I stopped once to ask myself what that joy meant: and to remind reason that it was not to my home I was going, or to a permanent resting-place, or to a place where fond friends looked out for me and waited my arrival. "Mrs. Fairfax will smile you a calm welcome, to be sure," said I; "and little Adele will clap her hands and jump to see you: but you know very well you are thinking of another than they, and that he is not thinking of you." But what is so headstrong as youth? What so blind as inexperience? These affirmed that it was pleasure enough to have the privilege of again looking on Mr. Rochester, whether he looked on me or not; and they added--"Hasten! hasten! be with him while you may: but a few more days or weeks, at most, and you are parted from him for ever!" And then I strangled a new-born agony--a deformed thing which I could not persuade myself to own and rear--and ran on. They are making hay, too, in Thornfield meadows: or rather, the labourers are just quitting their work, and returning home with their rakes on their shoulders, now, at the hour I arrive. I have but a field or two to traverse, and then I shall cross the road and reach the gates. How full the hedges are of roses! But I have no time to gather any; I want to be at the house. I passed a tall briar, shooting leafy and flowery branches across the path; I see the narrow stile with stone steps; and I see--Mr. Rochester sitting there, a book and a pencil in his hand; he is writing. Well, he is not a ghost; yet every nerve I have is unstrung: for a moment I am beyond my own mastery. What does it mean? I did not think I should tremble in this way when I saw him, or lose my voice or the power of motion in his presence. I will go back as soon as I can stir: I need not make an absolute fool of myself. I know another way to the house. It does not signify if I knew twenty ways; for he has seen me. "Hillo!" he cries; and he puts up his book and his pencil. "There you are! Come on, if you please." I suppose I do come on; though in what fashion I know not; being scarcely cognisant of my movements, and solicitous only to appear calm; and, above all, to control the working muscles of my face--which I feel rebel insolently against my will, and struggle to express what I had resolved to conceal. But I have a veil--it is down: I may make shift yet to behave with decent composure. "And this is Jane Eyre? Are you coming from Millcote, and on foot? Yes--just one of your tricks: not to send for a carriage, and come clattering over street and road like a common mortal, but to steal into the vicinage of your home along with twilight, just as if you were a dream or a shade. What the deuce have you done with yourself this last month?" "I have been with my aunt, sir, who is dead." "A true Janian reply! Good angels be my guard! She comes from the other world--from the abode of people who are dead; and tells me so when she meets me alone here in the gloaming! If I dared, I'd touch you, to see if you are substance or shadow, you elf!--but I'd as soon offer to take hold of a blue _ignis fatuus_ light in a marsh. Truant! truant!" he added, when he had paused an instant. "Absent from me a whole month, and forgetting me quite, I'll be sworn!" I knew there would be pleasure in meeting my master again, even though broken by the fear that he was so soon to cease to be my master, and by the knowledge that I was nothing to him: but there was ever in Mr. Rochester (so at least I thought) such a wealth of the power of communicating happiness, that to taste but of the crumbs he scattered to stray and stranger birds like me, was to feast genially. His last words were balm: they seemed to imply that it imported something to him whether I forgot him or not. And he had spoken of Thornfield as my home--would that it were my home! He did not leave the stile, and I hardly liked to ask to go by. I inquired soon if he had not been to London. "Yes; I suppose you found that out by second-sight." "Mrs. Fairfax told me in a letter." "And did she inform you what I went to do?" "Oh, yes, sir! Everybody knew your errand." "You must see the carriage, Jane, and tell me if you don't think it will suit Mrs. Rochester exactly; and whether she won't look like Queen Boadicea, leaning back against those purple cushions. I wish, Jane, I were a trifle better adapted to match with her externally. Tell me now, fairy as you are--can't you give me a charm, or a philter, or something of that sort, to make me a handsome man?" "It would be past the power of magic, sir;" and, in thought, I added, "A loving eye is all the charm needed: to such you are handsome enough; or rather your sternness has a power beyond beauty." Mr. Rochester had sometimes read my unspoken thoughts with an acumen to me incomprehensible: in the present instance he took no notice of my abrupt vocal response; but he smiled at me with a certain smile he had of his own, and which he used but on rare occasions. He seemed to think it too good for common purposes: it was the real sunshine of feeling--he shed it over me now. "Pass, Janet," said he, making room for me to cross the stile: "go up home, and stay your weary little wandering feet at a friend's threshold." All I had now to do was to obey him in silence: no need for me to colloquise further. I got over the stile without a word, and meant to leave him calmly. An impulse held me fast--a force turned me round. I said--or something in me said for me, and in spite of me-- "Thank you, Mr. Rochester, for your great kindness. I am strangely glad to get back again to you: and wherever you are is my home--my only home." I walked on so fast that even he could hardly have overtaken me had he tried. Little Adele was half wild with delight when she saw me. Mrs. Fairfax received me with her usual plain friendliness. Leah smiled, and even Sophie bid me "bon soir" with glee. This was very pleasant; there is no happiness like that of being loved by your fellow-creatures, and feeling that your presence is an addition to their comfort. I that evening shut my eyes resolutely against the future: I stopped my ears against the voice that kept warning me of near separation and coming grief. When tea was over and Mrs. Fairfax had taken her knitting, and I had assumed a low seat near her, and Adele, kneeling on the carpet, had nestled close up to me, and a sense of mutual affection seemed to surround us with a ring of golden peace, I uttered a silent prayer that we might not be parted far or soon; but when, as we thus sat, Mr. Rochester entered, unannounced, and looking at us, seemed to take pleasure in the spectacle of a group so amicable--when he said he supposed the old lady was all right now that she had got her adopted daughter back again, and added that he saw Adele was "prete a croquer sa petite maman Anglaise"--I half ventured to hope that he would, even after his marriage, keep us together somewhere under the shelter of his protection, and not quite exiled from the sunshine of his presence. A fortnight of dubious calm succeeded my return to Thornfield Hall. Nothing was said of the master's marriage, and I saw no preparation going on for such an event. Almost every day I asked Mrs. Fairfax if she had yet heard anything decided: her answer was always in the negative. Once she said she had actually put the question to Mr. Rochester as to when he was going to bring his bride home; but he had answered her only by a joke and one of his queer looks, and she could not tell what to make of him. One thing specially surprised me, and that was, there were no journeyings backward and forward, no visits to Ingram Park: to be sure it was twenty miles off, on the borders of another county; but what was that distance to an ardent lover? To so practised and indefatigable a horseman as Mr. Rochester, it would be but a morning's ride. I began to cherish hopes I had no right to conceive: that the match was broken off; that rumour had been mistaken; that one or both parties had changed their minds. I used to look at my master's face to see if it were sad or fierce; but I could not remember the time when it had been so uniformly clear of clouds or evil feelings. If, in the moments I and my pupil spent with him, I lacked spirits and sank into inevitable dejection, he became even gay. Never had he called me more frequently to his presence; never been kinder to me when there--and, alas! never had I loved him so well.

volume 2, Chapter 22

https://web.archive.org/web/20210123075639/https://www.sparknotes.com/lit/janeeyre/section5/

Jane remains at Gateshead for a month because Georgiana dreads being left alone with Eliza, with whom she does not get along. Eventually, Georgiana goes to London to live with her uncle, and Eliza joins a convent in France. Jane tells us that Eliza eventually becomes the Mother Superior of her convent, while Georgiana marries a wealthy man. At Gateshead, Jane receives a letter from Mrs. Fairfax, which says that Rochester's guests have departed and that Rochester has gone to London to buy a new carriage--a sure sign of his intention to marry Blanche. As Jane travels toward Thornfield, she anxiously anticipates seeing Rochester again, and yet she worries about what will become of her after his marriage. To her surprise, as she walks from the station at Millcote, Jane encounters Rochester. When he asks her why she has stayed away from Thornfield so long, she replies, still a bit bewildered, "I have been with my aunt, sir, who is dead. Rochester asks Jane whether she has heard about his new carriage, and he tells her: "You must see the carriage, Jane, and tell me if you don't think it will suit Mrs. Rochester exactly. After a few more words together, Jane surprises herself by expressing the happiness she feels in Rochester's presence: "I am strangely glad to get back again to you; and wherever you are is my home--my only home. Back at the manor, Mrs. Fairfax, Adele, and the servants greet Jane warmly

After her stay at Gateshead, Jane comes to understand fully what Rochester and Thornfield mean to her. Having been acutely reminded of the abjection and cruelty she suffered during her childhood, Jane now realizes how different her life has become, how much she has gained and how much she has grown. In Rochester she has found someone she truly cares for--someone who, despite periodic shows of brusqueness, nevertheless continues to admire Jane and care for her tenderly. Moreover, Rochester gives her a true sense of belonging, something she has always lacked. As she tells him, "wherever you are is my home--my only home." Although Rochester's declaration of love and marriage proposal make Jane exceedingly happy, she is also very apprehensive about the marriage. Her feelings of dread may stem in part from a subconscious intimation of Rochester's dark and horrible secret, which will be divulged in the next few chapters: the eerie laughter she has heard, the mysterious fire from which she rescued Rochester, the strange figure who tears Jane's wedding veil, and other smaller clues may have led Jane to make some subconscious conclusions about what she will consciously find out only later. Another possibility is that Jane's misgivings stem from other concerns. She has always longed for freedom and escape, and marrying Rochester would be a form of tying herself down. Jane may worry that the marriage will encroach upon her autonomy, and even enforce her submission to Rochester. Not only would the marriage bring her into a relationship of responsibility and commitment to another person, it could cement her into a position of inferiority. Jane's anxiety surfaces when Rochester tries to dress her in feminine finery. She reacts with revulsion, noting that she feels like a toy doll. Jane fears that Rochester may be trying to objectify her, that he sees her not as a human being with her own thoughts and feelings but as a plaything designed to cater to his fantasies and whims. Jane also worries about her financial inferiority: she hates the thought of marrying "above her station," as she does not want to feel that she somehow "owes" Rochester something for the fact that he has "deigned" to love her, as it were. She hates the thought that his love might be a "favor" to her. Thus, Jane's feelings and desires for Rochester are tightly bound up with her feelings about her social position and her position as a woman. She is very sensitive to the hierarchy and power dynamic implicit in marriage, and despite her statement that she is forced to "yield" to her feelings for Rochester, she does not desire the complete surrender that heroines in romance novels experience. The storybook wedding toward which these chapters appear to lead cannot succeed, because Jane will only be able to occupy the role of wife on her own, quite different, terms.

sparknotes

all_chapterized_books/1260-chapters/24.txt

finished_summaries/sparknotes/Jane Eyre/section_4_part_2.txt

Jane Eyre.volume 2.chapter 23

volume 2, chapter 23

{"name": "volume 2, Chapter 23", "url": "https://web.archive.org/web/20210123075639/https://www.sparknotes.com/lit/janeeyre/section5/", "summary": "After a blissful two weeks, Jane encounters Rochester in the gardens. He invites her to walk with him, and Jane, caught off guard, accepts. Rochester confides that he has finally decided to marry Blanche Ingram and tells Jane that he knows of an available governess position in Ireland that she could take. Jane expresses her distress at the great distance that separates Ireland from Thornfield. The two seat themselves on a bench at the foot of the chestnut tree, and Rochester says: \"we will sit there in peace to-night, though we should never more be destined to sit there together. He tells Jane that he feels as though they are connected by a \"cord of communion. Jane sobs--\"for I could repress what I endured no longer,\" she tells us, \"I was obliged to yield. Jane confesses her love for Rochester, and to her surprise, he asks her to be his wife. She suspects that he is teasing her, but he convinces her otherwise by admitting that he only brought up marrying Blanche in order to arouse Jane's jealousy. Convinced and elated, Jane accepts his proposal. A storm breaks, and the newly engaged couple hurries indoors through the rain. Rochester helps Jane out of her wet coat, and he seizes the opportunity to kiss her. Jane looks up to see Mrs. Fairfax watching, astonished. That night, a bolt of lightning splits the same chestnut tree under which Rochester and Jane had been sitting that evening", "analysis": "After her stay at Gateshead, Jane comes to understand fully what Rochester and Thornfield mean to her. Having been acutely reminded of the abjection and cruelty she suffered during her childhood, Jane now realizes how different her life has become, how much she has gained and how much she has grown. In Rochester she has found someone she truly cares for--someone who, despite periodic shows of brusqueness, nevertheless continues to admire Jane and care for her tenderly. Moreover, Rochester gives her a true sense of belonging, something she has always lacked. As she tells him, \"wherever you are is my home--my only home.\" Although Rochester's declaration of love and marriage proposal make Jane exceedingly happy, she is also very apprehensive about the marriage. Her feelings of dread may stem in part from a subconscious intimation of Rochester's dark and horrible secret, which will be divulged in the next few chapters: the eerie laughter she has heard, the mysterious fire from which she rescued Rochester, the strange figure who tears Jane's wedding veil, and other smaller clues may have led Jane to make some subconscious conclusions about what she will consciously find out only later. Another possibility is that Jane's misgivings stem from other concerns. She has always longed for freedom and escape, and marrying Rochester would be a form of tying herself down. Jane may worry that the marriage will encroach upon her autonomy, and even enforce her submission to Rochester. Not only would the marriage bring her into a relationship of responsibility and commitment to another person, it could cement her into a position of inferiority. Jane's anxiety surfaces when Rochester tries to dress her in feminine finery. She reacts with revulsion, noting that she feels like a toy doll. Jane fears that Rochester may be trying to objectify her, that he sees her not as a human being with her own thoughts and feelings but as a plaything designed to cater to his fantasies and whims. Jane also worries about her financial inferiority: she hates the thought of marrying \"above her station,\" as she does not want to feel that she somehow \"owes\" Rochester something for the fact that he has \"deigned\" to love her, as it were. She hates the thought that his love might be a \"favor\" to her. Thus, Jane's feelings and desires for Rochester are tightly bound up with her feelings about her social position and her position as a woman. She is very sensitive to the hierarchy and power dynamic implicit in marriage, and despite her statement that she is forced to \"yield\" to her feelings for Rochester, she does not desire the complete surrender that heroines in romance novels experience. The storybook wedding toward which these chapters appear to lead cannot succeed, because Jane will only be able to occupy the role of wife on her own, quite different, terms."}

A splendid Midsummer shone over England: skies so pure, suns so radiant as were then seen in long succession, seldom favour even singly, our wave- girt land. It was as if a band of Italian days had come from the South, like a flock of glorious passenger birds, and lighted to rest them on the cliffs of Albion. The hay was all got in; the fields round Thornfield were green and shorn; the roads white and baked; the trees were in their dark prime; hedge and wood, full-leaved and deeply tinted, contrasted well with the sunny hue of the cleared meadows between. On Midsummer-eve, Adele, weary with gathering wild strawberries in Hay Lane half the day, had gone to bed with the sun. I watched her drop asleep, and when I left her, I sought the garden. It was now the sweetest hour of the twenty-four:--"Day its fervid fires had wasted," and dew fell cool on panting plain and scorched summit. Where the sun had gone down in simple state--pure of the pomp of clouds--spread a solemn purple, burning with the light of red jewel and furnace flame at one point, on one hill-peak, and extending high and wide, soft and still softer, over half heaven. The east had its own charm or fine deep blue, and its own modest gem, a casino and solitary star: soon it would boast the moon; but she was yet beneath the horizon. I walked a while on the pavement; but a subtle, well-known scent--that of a cigar--stole from some window; I saw the library casement open a handbreadth; I knew I might be watched thence; so I went apart into the orchard. No nook in the grounds more sheltered and more Eden-like; it was full of trees, it bloomed with flowers: a very high wall shut it out from the court, on one side; on the other, a beech avenue screened it from the lawn. At the bottom was a sunk fence; its sole separation from lonely fields: a winding walk, bordered with laurels and terminating in a giant horse-chestnut, circled at the base by a seat, led down to the fence. Here one could wander unseen. While such honey-dew fell, such silence reigned, such gloaming gathered, I felt as if I could haunt such shade for ever; but in threading the flower and fruit parterres at the upper part of the enclosure, enticed there by the light the now rising moon cast on this more open quarter, my step is stayed--not by sound, not by sight, but once more by a warning fragrance. Sweet-briar and southernwood, jasmine, pink, and rose have long been yielding their evening sacrifice of incense: this new scent is neither of shrub nor flower; it is--I know it well--it is Mr. Rochester's cigar. I look round and I listen. I see trees laden with ripening fruit. I hear a nightingale warbling in a wood half a mile off; no moving form is visible, no coming step audible; but that perfume increases: I must flee. I make for the wicket leading to the shrubbery, and I see Mr. Rochester entering. I step aside into the ivy recess; he will not stay long: he will soon return whence he came, and if I sit still he will never see me. But no--eventide is as pleasant to him as to me, and this antique garden as attractive; and he strolls on, now lifting the gooseberry-tree branches to look at the fruit, large as plums, with which they are laden; now taking a ripe cherry from the wall; now stooping towards a knot of flowers, either to inhale their fragrance or to admire the dew-beads on their petals. A great moth goes humming by me; it alights on a plant at Mr. Rochester's foot: he sees it, and bends to examine it. "Now, he has his back towards me," thought I, "and he is occupied too; perhaps, if I walk softly, I can slip away unnoticed." I trode on an edging of turf that the crackle of the pebbly gravel might not betray me: he was standing among the beds at a yard or two distant from where I had to pass; the moth apparently engaged him. "I shall get by very well," I meditated. As I crossed his shadow, thrown long over the garden by the moon, not yet risen high, he said quietly, without turning-- "Jane, come and look at this fellow." I had made no noise: he had not eyes behind--could his shadow feel? I started at first, and then I approached him. "Look at his wings," said he, "he reminds me rather of a West Indian insect; one does not often see so large and gay a night-rover in England; there! he is flown." The moth roamed away. I was sheepishly retreating also; but Mr. Rochester followed me, and when we reached the wicket, he said-- "Turn back: on so lovely a night it is a shame to sit in the house; and surely no one can wish to go to bed while sunset is thus at meeting with moonrise." It is one of my faults, that though my tongue is sometimes prompt enough at an answer, there are times when it sadly fails me in framing an excuse; and always the lapse occurs at some crisis, when a facile word or plausible pretext is specially wanted to get me out of painful embarrassment. I did not like to walk at this hour alone with Mr. Rochester in the shadowy orchard; but I could not find a reason to allege for leaving him. I followed with lagging step, and thoughts busily bent on discovering a means of extrication; but he himself looked so composed and so grave also, I became ashamed of feeling any confusion: the evil--if evil existent or prospective there was--seemed to lie with me only; his mind was unconscious and quiet. "Jane," he recommenced, as we entered the laurel walk, and slowly strayed down in the direction of the sunk fence and the horse-chestnut, "Thornfield is a pleasant place in summer, is it not?" "Yes, sir." "You must have become in some degree attached to the house,--you, who have an eye for natural beauties, and a good deal of the organ of Adhesiveness?" "I am attached to it, indeed." "And though I don't comprehend how it is, I perceive you have acquired a degree of regard for that foolish little child Adele, too; and even for simple dame Fairfax?" "Yes, sir; in different ways, I have an affection for both." "And would be sorry to part with them?" "Yes." "Pity!" he said, and sighed and paused. "It is always the way of events in this life," he continued presently: "no sooner have you got settled in a pleasant resting-place, than a voice calls out to you to rise and move on, for the hour of repose is expired." "Must I move on, sir?" I asked. "Must I leave Thornfield?" "I believe you must, Jane. I am sorry, Janet, but I believe indeed you must." This was a blow: but I did not let it prostrate me. "Well, sir, I shall be ready when the order to march comes." "It is come now--I must give it to-night." "Then you _are_ going to be married, sir?" "Ex-act-ly--pre-cise-ly: with your usual acuteness, you have hit the nail straight on the head." "Soon, sir?" "Very soon, my--that is, Miss Eyre: and you'll remember, Jane, the first time I, or Rumour, plainly intimated to you that it was my intention to put my old bachelor's neck into the sacred noose, to enter into the holy estate of matrimony--to take Miss Ingram to my bosom, in short (she's an extensive armful: but that's not to the point--one can't have too much of such a very excellent thing as my beautiful Blanche): well, as I was saying--listen to me, Jane! You're not turning your head to look after more moths, are you? That was only a lady-clock, child, 'flying away home.' I wish to remind you that it was you who first said to me, with that discretion I respect in you--with that foresight, prudence, and humility which befit your responsible and dependent position--that in case I married Miss Ingram, both you and little Adele had better trot forthwith. I pass over the sort of slur conveyed in this suggestion on the character of my beloved; indeed, when you are far away, Janet, I'll try to forget it: I shall notice only its wisdom; which is such that I have made it my law of action. Adele must go to school; and you, Miss Eyre, must get a new situation." "Yes, sir, I will advertise immediately: and meantime, I suppose--" I was going to say, "I suppose I may stay here, till I find another shelter to betake myself to:" but I stopped, feeling it would not do to risk a long sentence, for my voice was not quite under command. "In about a month I hope to be a bridegroom," continued Mr. Rochester; "and in the interim, I shall myself look out for employment and an asylum for you." "Thank you, sir; I am sorry to give--" "Oh, no need to apologise! I consider that when a dependent does her duty as well as you have done yours, she has a sort of claim upon her employer for any little assistance he can conveniently render her; indeed I have already, through my future mother-in-law, heard of a place that I think will suit: it is to undertake the education of the five daughters of Mrs. Dionysius O'Gall of Bitternutt Lodge, Connaught, Ireland. You'll like Ireland, I think: they're such warm-hearted people there, they say." "It is a long way off, sir." "No matter--a girl of your sense will not object to the voyage or the distance." "Not the voyage, but the distance: and then the sea is a barrier--" "From what, Jane?" "From England and from Thornfield: and--" "Well?" "From _you_, sir." I said this almost involuntarily, and, with as little sanction of free will, my tears gushed out. I did not cry so as to be heard, however; I avoided sobbing. The thought of Mrs. O'Gall and Bitternutt Lodge struck cold to my heart; and colder the thought of all the brine and foam, destined, as it seemed, to rush between me and the master at whose side I now walked, and coldest the remembrance of the wider ocean--wealth, caste, custom intervened between me and what I naturally and inevitably loved. "It is a long way," I again said. "It is, to be sure; and when you get to Bitternutt Lodge, Connaught, Ireland, I shall never see you again, Jane: that's morally certain. I never go over to Ireland, not having myself much of a fancy for the country. We have been good friends, Jane; have we not?" "Yes, sir." "And when friends are on the eve of separation, they like to spend the little time that remains to them close to each other. Come! we'll talk over the voyage and the parting quietly half-an-hour or so, while the stars enter into their shining life up in heaven yonder: here is the chestnut tree: here is the bench at its old roots. Come, we will sit there in peace to-night, though we should never more be destined to sit there together." He seated me and himself. "It is a long way to Ireland, Janet, and I am sorry to send my little friend on such weary travels: but if I can't do better, how is it to be helped? Are you anything akin to me, do you think, Jane?" I could risk no sort of answer by this time: my heart was still. "Because," he said, "I sometimes have a queer feeling with regard to you--especially when you are near me, as now: it is as if I had a string somewhere under my left ribs, tightly and inextricably knotted to a similar string situated in the corresponding quarter of your little frame. And if that boisterous Channel, and two hundred miles or so of land come broad between us, I am afraid that cord of communion will be snapt; and then I've a nervous notion I should take to bleeding inwardly. As for you,--you'd forget me." "That I _never_ should, sir: you know--" Impossible to proceed. "Jane, do you hear that nightingale singing in the wood? Listen!" In listening, I sobbed convulsively; for I could repress what I endured no longer; I was obliged to yield, and I was shaken from head to foot with acute distress. When I did speak, it was only to express an impetuous wish that I had never been born, or never come to Thornfield. "Because you are sorry to leave it?" The vehemence of emotion, stirred by grief and love within me, was claiming mastery, and struggling for full sway, and asserting a right to predominate, to overcome, to live, rise, and reign at last: yes,--and to speak. "I grieve to leave Thornfield: I love Thornfield:--I love it, because I have lived in it a full and delightful life,--momentarily at least. I have not been trampled on. I have not been petrified. I have not been buried with inferior minds, and excluded from every glimpse of communion with what is bright and energetic and high. I have talked, face to face, with what I reverence, with what I delight in,--with an original, a vigorous, an expanded mind. I have known you, Mr. Rochester; and it strikes me with terror and anguish to feel I absolutely must be torn from you for ever. I see the necessity of departure; and it is like looking on the necessity of death." "Where do you see the necessity?" he asked suddenly. "Where? You, sir, have placed it before me." "In what shape?" "In the shape of Miss Ingram; a noble and beautiful woman,--your bride." "My bride! What bride? I have no bride!" "But you will have." "Yes;--I will!--I will!" He set his teeth. "Then I must go:--you have said it yourself." "No: you must stay! I swear it--and the oath shall be kept." "I tell you I must go!" I retorted, roused to something like passion. "Do you think I can stay to become nothing to you? Do you think I am an automaton?--a machine without feelings? and can bear to have my morsel of bread snatched from my lips, and my drop of living water dashed from my cup? Do you think, because I am poor, obscure, plain, and little, I am soulless and heartless? You think wrong!--I have as much soul as you,--and full as much heart! And if God had gifted me with some beauty and much wealth, I should have made it as hard for you to leave me, as it is now for me to leave you. I am not talking to you now through the medium of custom, conventionalities, nor even of mortal flesh;--it is my spirit that addresses your spirit; just as if both had passed through the grave, and we stood at God's feet, equal,--as we are!" "As we are!" repeated Mr. Rochester--"so," he added, enclosing me in his arms. Gathering me to his breast, pressing his lips on my lips: "so, Jane!" "Yes, so, sir," I rejoined: "and yet not so; for you are a married man--or as good as a married man, and wed to one inferior to you--to one with whom you have no sympathy--whom I do not believe you truly love; for I have seen and heard you sneer at her. I would scorn such a union: therefore I am better than you--let me go!" "Where, Jane? To Ireland?" "Yes--to Ireland. I have spoken my mind, and can go anywhere now." "Jane, be still; don't struggle so, like a wild frantic bird that is rending its own plumage in its desperation." "I am no bird; and no net ensnares me; I am a free human being with an independent will, which I now exert to leave you." Another effort set me at liberty, and I stood erect before him. "And your will shall decide your destiny," he said: "I offer you my hand, my heart, and a share of all my possessions." "You play a farce, which I merely laugh at." "I ask you to pass through life at my side--to be my second self, and best earthly companion." "For that fate you have already made your choice, and must abide by it." "Jane, be still a few moments: you are over-excited: I will be still too." A waft of wind came sweeping down the laurel-walk, and trembled through the boughs of the chestnut: it wandered away--away--to an indefinite distance--it died. The nightingale's song was then the only voice of the hour: in listening to it, I again wept. Mr. Rochester sat quiet, looking at me gently and seriously. Some time passed before he spoke; he at last said-- "Come to my side, Jane, and let us explain and understand one another." "I will never again come to your side: I am torn away now, and cannot return." "But, Jane, I summon you as my wife: it is you only I intend to marry." I was silent: I thought he mocked me. "Come, Jane--come hither." "Your bride stands between us." He rose, and with a stride reached me. "My bride is here," he said, again drawing me to him, "because my equal is here, and my likeness. Jane, will you marry me?" Still I did not answer, and still I writhed myself from his grasp: for I was still incredulous. "Do you doubt me, Jane?" "Entirely." "You have no faith in me?" "Not a whit." "Am I a liar in your eyes?" he asked passionately. "Little sceptic, you _shall_ be convinced. What love have I for Miss Ingram? None: and that you know. What love has she for me? None: as I have taken pains to prove: I caused a rumour to reach her that my fortune was not a third of what was supposed, and after that I presented myself to see the result; it was coldness both from her and her mother. I would not--I could not--marry Miss Ingram. You--you strange, you almost unearthly thing!--I love as my own flesh. You--poor and obscure, and small and plain as you are--I entreat to accept me as a husband." "What, me!" I ejaculated, beginning in his earnestness--and especially in his incivility--to credit his sincerity: "me who have not a friend in the world but you--if you are my friend: not a shilling but what you have given me?" "You, Jane, I must have you for my own--entirely my own. Will you be mine? Say yes, quickly." "Mr. Rochester, let me look at your face: turn to the moonlight." "Why?" "Because I want to read your countenance--turn!" "There! you will find it scarcely more legible than a crumpled, scratched page. Read on: only make haste, for I suffer." His face was very much agitated and very much flushed, and there were strong workings in the features, and strange gleams in the eyes. "Oh, Jane, you torture me!" he exclaimed. "With that searching and yet faithful and generous look, you torture me!" "How can I do that? If you are true, and your offer real, my only feelings to you must be gratitude and devotion--they cannot torture." "Gratitude!" he ejaculated; and added wildly--"Jane accept me quickly. Say, Edward--give me my name--Edward--I will marry you." "Are you in earnest? Do you truly love me? Do you sincerely wish me to be your wife?" "I do; and if an oath is necessary to satisfy you, I swear it." "Then, sir, I will marry you." "Edward--my little wife!" "Dear Edward!" "Come to me--come to me entirely now," said he; and added, in his deepest tone, speaking in my ear as his cheek was laid on mine, "Make my happiness--I will make yours." "God pardon me!" he subjoined ere long; "and man meddle not with me: I have her, and will hold her." "There is no one to meddle, sir. I have no kindred to interfere." "No--that is the best of it," he said. And if I had loved him less I should have thought his accent and look of exultation savage; but, sitting by him, roused from the nightmare of parting--called to the paradise of union--I thought only of the bliss given me to drink in so abundant a flow. Again and again he said, "Are you happy, Jane?" And again and again I answered, "Yes." After which he murmured, "It will atone--it will atone. Have I not found her friendless, and cold, and comfortless? Will I not guard, and cherish, and solace her? Is there not love in my heart, and constancy in my resolves? It will expiate at God's tribunal. I know my Maker sanctions what I do. For the world's judgment--I wash my hands thereof. For man's opinion--I defy it." But what had befallen the night? The moon was not yet set, and we were all in shadow: I could scarcely see my master's face, near as I was. And what ailed the chestnut tree? it writhed and groaned; while wind roared in the laurel walk, and came sweeping over us. "We must go in," said Mr. Rochester: "the weather changes. I could have sat with thee till morning, Jane." "And so," thought I, "could I with you." I should have said so, perhaps, but a livid, vivid spark leapt out of a cloud at which I was looking, and there was a crack, a crash, and a close rattling peal; and I thought only of hiding my dazzled eyes against Mr. Rochester's shoulder. The rain rushed down. He hurried me up the walk, through the grounds, and into the house; but we were quite wet before we could pass the threshold. He was taking off my shawl in the hall, and shaking the water out of my loosened hair, when Mrs. Fairfax emerged from her room. I did not observe her at first, nor did Mr. Rochester. The lamp was lit. The clock was on the stroke of twelve. "Hasten to take off your wet things," said he; "and before you go, good- night--good-night, my darling!" He kissed me repeatedly. When I looked up, on leaving his arms, there stood the widow, pale, grave, and amazed. I only smiled at her, and ran upstairs. "Explanation will do for another time," thought I. Still, when I reached my chamber, I felt a pang at the idea she should even temporarily misconstrue what she had seen. But joy soon effaced every other feeling; and loud as the wind blew, near and deep as the thunder crashed, fierce and frequent as the lightning gleamed, cataract-like as the rain fell during a storm of two hours' duration, I experienced no fear and little awe. Mr. Rochester came thrice to my door in the course of it, to ask if I was safe and tranquil: and that was comfort, that was strength for anything. Before I left my bed in the morning, little Adele came running in to tell me that the great horse-chestnut at the bottom of the orchard had been struck by lightning in the night, and half of it split away.

volume 2, Chapter 23

https://web.archive.org/web/20210123075639/https://www.sparknotes.com/lit/janeeyre/section5/

After a blissful two weeks, Jane encounters Rochester in the gardens. He invites her to walk with him, and Jane, caught off guard, accepts. Rochester confides that he has finally decided to marry Blanche Ingram and tells Jane that he knows of an available governess position in Ireland that she could take. Jane expresses her distress at the great distance that separates Ireland from Thornfield. The two seat themselves on a bench at the foot of the chestnut tree, and Rochester says: "we will sit there in peace to-night, though we should never more be destined to sit there together. He tells Jane that he feels as though they are connected by a "cord of communion. Jane sobs--"for I could repress what I endured no longer," she tells us, "I was obliged to yield. Jane confesses her love for Rochester, and to her surprise, he asks her to be his wife. She suspects that he is teasing her, but he convinces her otherwise by admitting that he only brought up marrying Blanche in order to arouse Jane's jealousy. Convinced and elated, Jane accepts his proposal. A storm breaks, and the newly engaged couple hurries indoors through the rain. Rochester helps Jane out of her wet coat, and he seizes the opportunity to kiss her. Jane looks up to see Mrs. Fairfax watching, astonished. That night, a bolt of lightning splits the same chestnut tree under which Rochester and Jane had been sitting that evening

After her stay at Gateshead, Jane comes to understand fully what Rochester and Thornfield mean to her. Having been acutely reminded of the abjection and cruelty she suffered during her childhood, Jane now realizes how different her life has become, how much she has gained and how much she has grown. In Rochester she has found someone she truly cares for--someone who, despite periodic shows of brusqueness, nevertheless continues to admire Jane and care for her tenderly. Moreover, Rochester gives her a true sense of belonging, something she has always lacked. As she tells him, "wherever you are is my home--my only home." Although Rochester's declaration of love and marriage proposal make Jane exceedingly happy, she is also very apprehensive about the marriage. Her feelings of dread may stem in part from a subconscious intimation of Rochester's dark and horrible secret, which will be divulged in the next few chapters: the eerie laughter she has heard, the mysterious fire from which she rescued Rochester, the strange figure who tears Jane's wedding veil, and other smaller clues may have led Jane to make some subconscious conclusions about what she will consciously find out only later. Another possibility is that Jane's misgivings stem from other concerns. She has always longed for freedom and escape, and marrying Rochester would be a form of tying herself down. Jane may worry that the marriage will encroach upon her autonomy, and even enforce her submission to Rochester. Not only would the marriage bring her into a relationship of responsibility and commitment to another person, it could cement her into a position of inferiority. Jane's anxiety surfaces when Rochester tries to dress her in feminine finery. She reacts with revulsion, noting that she feels like a toy doll. Jane fears that Rochester may be trying to objectify her, that he sees her not as a human being with her own thoughts and feelings but as a plaything designed to cater to his fantasies and whims. Jane also worries about her financial inferiority: she hates the thought of marrying "above her station," as she does not want to feel that she somehow "owes" Rochester something for the fact that he has "deigned" to love her, as it were. She hates the thought that his love might be a "favor" to her. Thus, Jane's feelings and desires for Rochester are tightly bound up with her feelings about her social position and her position as a woman. She is very sensitive to the hierarchy and power dynamic implicit in marriage, and despite her statement that she is forced to "yield" to her feelings for Rochester, she does not desire the complete surrender that heroines in romance novels experience. The storybook wedding toward which these chapters appear to lead cannot succeed, because Jane will only be able to occupy the role of wife on her own, quite different, terms.

sparknotes

all_chapterized_books/1260-chapters/25.txt

finished_summaries/sparknotes/Jane Eyre/section_4_part_3.txt

Jane Eyre.volume 2.chapter 24

volume 2, chapter 24

{"name": "volume 2, Chapter 24", "url": "https://web.archive.org/web/20210123075639/https://www.sparknotes.com/lit/janeeyre/section5/", "summary": "Preparations for Jane and Rochester's wedding do not run smoothly. Mrs. Fairfax treats Jane coldly because she doesn't realize that Jane was already engaged to Rochester when she allowed him to kiss her. But even after she learns the truth, Mrs. Fairfax maintains her disapproval of the marriage. Jane feels unsettled, almost fearful, when Rochester calls her by what will soon be her name, Jane Rochester. Jane explains that everything feels impossibly ideal, like a fairy-tale or a daydream. Rochester certainly tries to turn Jane into a Cinderella-like figure: he tells her he will dress her in jewels and in finery befitting her new social station, at which point Jane becomes terrified and self-protective. She has a premonitory feeling that the wedding will not happen, and she decides to write her uncle, John Eyre, who is in Madeira. Jane reasons that if John Eyre were to make her his heir, her inheritance might put her on more equal footing with Rochester, which would make her feel less uncomfortable about the marriage", "analysis": "After her stay at Gateshead, Jane comes to understand fully what Rochester and Thornfield mean to her. Having been acutely reminded of the abjection and cruelty she suffered during her childhood, Jane now realizes how different her life has become, how much she has gained and how much she has grown. In Rochester she has found someone she truly cares for--someone who, despite periodic shows of brusqueness, nevertheless continues to admire Jane and care for her tenderly. Moreover, Rochester gives her a true sense of belonging, something she has always lacked. As she tells him, \"wherever you are is my home--my only home.\" Although Rochester's declaration of love and marriage proposal make Jane exceedingly happy, she is also very apprehensive about the marriage. Her feelings of dread may stem in part from a subconscious intimation of Rochester's dark and horrible secret, which will be divulged in the next few chapters: the eerie laughter she has heard, the mysterious fire from which she rescued Rochester, the strange figure who tears Jane's wedding veil, and other smaller clues may have led Jane to make some subconscious conclusions about what she will consciously find out only later. Another possibility is that Jane's misgivings stem from other concerns. She has always longed for freedom and escape, and marrying Rochester would be a form of tying herself down. Jane may worry that the marriage will encroach upon her autonomy, and even enforce her submission to Rochester. Not only would the marriage bring her into a relationship of responsibility and commitment to another person, it could cement her into a position of inferiority. Jane's anxiety surfaces when Rochester tries to dress her in feminine finery. She reacts with revulsion, noting that she feels like a toy doll. Jane fears that Rochester may be trying to objectify her, that he sees her not as a human being with her own thoughts and feelings but as a plaything designed to cater to his fantasies and whims. Jane also worries about her financial inferiority: she hates the thought of marrying \"above her station,\" as she does not want to feel that she somehow \"owes\" Rochester something for the fact that he has \"deigned\" to love her, as it were. She hates the thought that his love might be a \"favor\" to her. Thus, Jane's feelings and desires for Rochester are tightly bound up with her feelings about her social position and her position as a woman. She is very sensitive to the hierarchy and power dynamic implicit in marriage, and despite her statement that she is forced to \"yield\" to her feelings for Rochester, she does not desire the complete surrender that heroines in romance novels experience. The storybook wedding toward which these chapters appear to lead cannot succeed, because Jane will only be able to occupy the role of wife on her own, quite different, terms."}

As I rose and dressed, I thought over what had happened, and wondered if it were a dream. I could not be certain of the reality till I had seen Mr. Rochester again, and heard him renew his words of love and promise. While arranging my hair, I looked at my face in the glass, and felt it was no longer plain: there was hope in its aspect and life in its colour; and my eyes seemed as if they had beheld the fount of fruition, and borrowed beams from the lustrous ripple. I had often been unwilling to look at my master, because I feared he could not be pleased at my look; but I was sure I might lift my face to his now, and not cool his affection by its expression. I took a plain but clean and light summer dress from my drawer and put it on: it seemed no attire had ever so well become me, because none had I ever worn in so blissful a mood. I was not surprised, when I ran down into the hall, to see that a brilliant June morning had succeeded to the tempest of the night; and to feel, through the open glass door, the breathing of a fresh and fragrant breeze. Nature must be gladsome when I was so happy. A beggar-woman and her little boy--pale, ragged objects both--were coming up the walk, and I ran down and gave them all the money I happened to have in my purse--some three or four shillings: good or bad, they must partake of my jubilee. The rooks cawed, and blither birds sang; but nothing was so merry or so musical as my own rejoicing heart. Mrs. Fairfax surprised me by looking out of the window with a sad countenance, and saying gravely--"Miss Eyre, will you come to breakfast?" During the meal she was quiet and cool: but I could not undeceive her then. I must wait for my master to give explanations; and so must she. I ate what I could, and then I hastened upstairs. I met Adele leaving the schoolroom. "Where are you going? It is time for lessons." "Mr. Rochester has sent me away to the nursery." "Where is he?" "In there," pointing to the apartment she had left; and I went in, and there he stood. "Come and bid me good-morning," said he. I gladly advanced; and it was not merely a cold word now, or even a shake of the hand that I received, but an embrace and a kiss. It seemed natural: it seemed genial to be so well loved, so caressed by him. "Jane, you look blooming, and smiling, and pretty," said he: "truly pretty this morning. Is this my pale, little elf? Is this my mustard- seed? This little sunny-faced girl with the dimpled cheek and rosy lips; the satin-smooth hazel hair, and the radiant hazel eyes?" (I had green eyes, reader; but you must excuse the mistake: for him they were new-dyed, I suppose.) "It is Jane Eyre, sir." "Soon to be Jane Rochester," he added: "in four weeks, Janet; not a day more. Do you hear that?" I did, and I could not quite comprehend it: it made me giddy. The feeling, the announcement sent through me, was something stronger than was consistent with joy--something that smote and stunned. It was, I think almost fear. "You blushed, and now you are white, Jane: what is that for?" "Because you gave me a new name--Jane Rochester; and it seems so strange." "Yes, Mrs. Rochester," said he; "young Mrs. Rochester--Fairfax Rochester's girl-bride." "It can never be, sir; it does not sound likely. Human beings never enjoy complete happiness in this world. I was not born for a different destiny to the rest of my species: to imagine such a lot befalling me is a fairy tale--a day-dream." "Which I can and will realise. I shall begin to-day. This morning I wrote to my banker in London to send me certain jewels he has in his keeping,--heirlooms for the ladies of Thornfield. In a day or two I hope to pour them into your lap: for every privilege, every attention shall be yours that I would accord a peer's daughter, if about to marry her." "Oh, sir!--never rain jewels! I don't like to hear them spoken of. Jewels for Jane Eyre sounds unnatural and strange: I would rather not have them." "I will myself put the diamond chain round your neck, and the circlet on your forehead,--which it will become: for nature, at least, has stamped her patent of nobility on this brow, Jane; and I will clasp the bracelets on these fine wrists, and load these fairy-like fingers with rings." "No, no, sir! think of other subjects, and speak of other things, and in another strain. Don't address me as if I were a beauty; I am your plain, Quakerish governess." "You are a beauty in my eyes, and a beauty just after the desire of my heart,--delicate and aerial." "Puny and insignificant, you mean. You are dreaming, sir,--or you are sneering. For God's sake don't be ironical!" "I will make the world acknowledge you a beauty, too," he went on, while I really became uneasy at the strain he had adopted, because I felt he was either deluding himself or trying to delude me. "I will attire my Jane in satin and lace, and she shall have roses in her hair; and I will cover the head I love best with a priceless veil." "And then you won't know me, sir; and I shall not be your Jane Eyre any longer, but an ape in a harlequin's jacket--a jay in borrowed plumes. I would as soon see you, Mr. Rochester, tricked out in stage-trappings, as myself clad in a court-lady's robe; and I don't call you handsome, sir, though I love you most dearly: far too dearly to flatter you. Don't flatter me." He pursued his theme, however, without noticing my deprecation. "This very day I shall take you in the carriage to Millcote, and you must choose some dresses for yourself. I told you we shall be married in four weeks. The wedding is to take place quietly, in the church down below yonder; and then I shall waft you away at once to town. After a brief stay there, I shall bear my treasure to regions nearer the sun: to French vineyards and Italian plains; and she shall see whatever is famous in old story and in modern record: she shall taste, too, of the life of cities; and she shall learn to value herself by just comparison with others." "Shall I travel?--and with you, sir?" "You shall sojourn at Paris, Rome, and Naples: at Florence, Venice, and Vienna: all the ground I have wandered over shall be re-trodden by you: wherever I stamped my hoof, your sylph's foot shall step also. Ten years since, I flew through Europe half mad; with disgust, hate, and rage as my companions: now I shall revisit it healed and cleansed, with a very angel as my comforter." I laughed at him as he said this. "I am not an angel," I asserted; "and I will not be one till I die: I will be myself. Mr. Rochester, you must neither expect nor exact anything celestial of me--for you will not get it, any more than I shall get it of you: which I do not at all anticipate." "What do you anticipate of me?" "For a little while you will perhaps be as you are now,--a very little while; and then you will turn cool; and then you will be capricious; and then you will be stern, and I shall have much ado to please you: but when you get well used to me, you will perhaps like me again,--_like_ me, I say, not _love_ me. I suppose your love will effervesce in six months, or less. I have observed in books written by men, that period assigned as the farthest to which a husband's ardour extends. Yet, after all, as a friend and companion, I hope never to become quite distasteful to my dear master." "Distasteful! and like you again! I think I shall like you again, and yet again: and I will make you confess I do not only _like_, but _love_ you--with truth, fervour, constancy." "Yet are you not capricious, sir?" "To women who please me only by their faces, I am the very devil when I find out they have neither souls nor hearts--when they open to me a perspective of flatness, triviality, and perhaps imbecility, coarseness, and ill-temper: but to the clear eye and eloquent tongue, to the soul made of fire, and the character that bends but does not break--at once supple and stable, tractable and consistent--I am ever tender and true." "Had you ever experience of such a character, sir? Did you ever love such an one?" "I love it now." "But before me: if I, indeed, in any respect come up to your difficult standard?" "I never met your likeness. Jane, you please me, and you master me--you seem to submit, and I like the sense of pliancy you impart; and while I am twining the soft, silken skein round my finger, it sends a thrill up my arm to my heart. I am influenced--conquered; and the influence is sweeter than I can express; and the conquest I undergo has a witchery beyond any triumph I can win. Why do you smile, Jane? What does that inexplicable, that uncanny turn of countenance mean?" "I was thinking, sir (you will excuse the idea; it was involuntary), I was thinking of Hercules and Samson with their charmers--" "You were, you little elfish--" "Hush, sir! You don't talk very wisely just now; any more than those gentlemen acted very wisely. However, had they been married, they would no doubt by their severity as husbands have made up for their softness as suitors; and so will you, I fear. I wonder how you will answer me a year hence, should I ask a favour it does not suit your convenience or pleasure to grant." "Ask me something now, Jane,--the least thing: I desire to be entreated--" "Indeed I will, sir; I have my petition all ready." "Speak! But if you look up and smile with that countenance, I shall swear concession before I know to what, and that will make a fool of me." "Not at all, sir; I ask only this: don't send for the jewels, and don't crown me with roses: you might as well put a border of gold lace round that plain pocket handkerchief you have there." "I might as well 'gild refined gold.' I know it: your request is granted then--for the time. I will remand the order I despatched to my banker. But you have not yet asked for anything; you have prayed a gift to be withdrawn: try again." "Well then, sir, have the goodness to gratify my curiosity, which is much piqued on one point." He looked disturbed. "What? what?" he said hastily. "Curiosity is a dangerous petition: it is well I have not taken a vow to accord every request--" "But there can be no danger in complying with this, sir." "Utter it, Jane: but I wish that instead of a mere inquiry into, perhaps, a secret, it was a wish for half my estate." "Now, King Ahasuerus! What do I want with half your estate? Do you think I am a Jew-usurer, seeking good investment in land? I would much rather have all your confidence. You will not exclude me from your confidence if you admit me to your heart?" "You are welcome to all my confidence that is worth having, Jane; but for God's sake, don't desire a useless burden! Don't long for poison--don't turn out a downright Eve on my hands!" "Why not, sir? You have just been telling me how much you liked to be conquered, and how pleasant over-persuasion is to you. Don't you think I had better take advantage of the confession, and begin and coax and entreat--even cry and be sulky if necessary--for the sake of a mere essay of my power?" "I dare you to any such experiment. Encroach, presume, and the game is up." "Is it, sir? You soon give in. How stern you look now! Your eyebrows have become as thick as my finger, and your forehead resembles what, in some very astonishing poetry, I once saw styled, 'a blue-piled thunderloft.' That will be your married look, sir, I suppose?" "If that will be _your_ married look, I, as a Christian, will soon give up the notion of consorting with a mere sprite or salamander. But what had you to ask, thing,--out with it?" "There, you are less than civil now; and I like rudeness a great deal better than flattery. I had rather be a _thing_ than an angel. This is what I have to ask,--Why did you take such pains to make me believe you wished to marry Miss Ingram?" "Is that all? Thank God it is no worse!" And now he unknit his black brows; looked down, smiling at me, and stroked my hair, as if well pleased at seeing a danger averted. "I think I may confess," he continued, "even although I should make you a little indignant, Jane--and I have seen what a fire-spirit you can be when you are indignant. You glowed in the cool moonlight last night, when you mutinied against fate, and claimed your rank as my equal. Janet, by-the-bye, it was you who made me the offer." "Of course I did. But to the point if you please, sir--Miss Ingram?" "Well, I feigned courtship of Miss Ingram, because I wished to render you as madly in love with me as I was with you; and I knew jealousy would be the best ally I could call in for the furtherance of that end." "Excellent! Now you are small--not one whit bigger than the end of my little finger. It was a burning shame and a scandalous disgrace to act in that way. Did you think nothing of Miss Ingram's feelings, sir?" "Her feelings are concentrated in one--pride; and that needs humbling. Were you jealous, Jane?" "Never mind, Mr. Rochester: it is in no way interesting to you to know that. Answer me truly once more. Do you think Miss Ingram will not suffer from your dishonest coquetry? Won't she feel forsaken and deserted?" "Impossible!--when I told you how she, on the contrary, deserted me: the idea of my insolvency cooled, or rather extinguished, her flame in a moment." "You have a curious, designing mind, Mr. Rochester. I am afraid your principles on some points are eccentric." "My principles were never trained, Jane: they may have grown a little awry for want of attention." "Once again, seriously; may I enjoy the great good that has been vouchsafed to me, without fearing that any one else is suffering the bitter pain I myself felt a while ago?" "That you may, my good little girl: there is not another being in the world has the same pure love for me as yourself--for I lay that pleasant unction to my soul, Jane, a belief in your affection." I turned my lips to the hand that lay on my shoulder. I loved him very much--more than I could trust myself to say--more than words had power to express. "Ask something more," he said presently; "it is my delight to be entreated, and to yield." I was again ready with my request. "Communicate your intentions to Mrs. Fairfax, sir: she saw me with you last night in the hall, and she was shocked. Give her some explanation before I see her again. It pains me to be misjudged by so good a woman." "Go to your room, and put on your bonnet," he replied. "I mean you to accompany me to Millcote this morning; and while you prepare for the drive, I will enlighten the old lady's understanding. Did she think, Janet, you had given the world for love, and considered it well lost?" "I believe she thought I had forgotten my station, and yours, sir." "Station! station!--your station is in my heart, and on the necks of those who would insult you, now or hereafter.--Go." I was soon dressed; and when I heard Mr. Rochester quit Mrs. Fairfax's parlour, I hurried down to it. The old lady, had been reading her morning portion of Scripture--the Lesson for the day; her Bible lay open before her, and her spectacles were upon it. Her occupation, suspended by Mr. Rochester's announcement, seemed now forgotten: her eyes, fixed on the blank wall opposite, expressed the surprise of a quiet mind stirred by unwonted tidings. Seeing me, she roused herself: she made a sort of effort to smile, and framed a few words of congratulation; but the smile expired, and the sentence was abandoned unfinished. She put up her spectacles, shut the Bible, and pushed her chair back from the table. "I feel so astonished," she began, "I hardly know what to say to you, Miss Eyre. I have surely not been dreaming, have I? Sometimes I half fall asleep when I am sitting alone and fancy things that have never happened. It has seemed to me more than once when I have been in a doze, that my dear husband, who died fifteen years since, has come in and sat down beside me; and that I have even heard him call me by my name, Alice, as he used to do. Now, can you tell me whether it is actually true that Mr. Rochester has asked you to marry him? Don't laugh at me. But I really thought he came in here five minutes ago, and said that in a month you would be his wife." "He has said the same thing to me," I replied. "He has! Do you believe him? Have you accepted him?" "Yes." She looked at me bewildered. "I could never have thought it. He is a proud man: all the Rochesters were proud: and his father, at least, liked money. He, too, has always been called careful. He means to marry you?" "He tells me so." She surveyed my whole person: in her eyes I read that they had there found no charm powerful enough to solve the enigma. "It passes me!" she continued; "but no doubt, it is true since you say so. How it will answer, I cannot tell: I really don't know. Equality of position and fortune is often advisable in such cases; and there are twenty years of difference in your ages. He might almost be your father." "No, indeed, Mrs. Fairfax!" exclaimed I, nettled; "he is nothing like my father! No one, who saw us together, would suppose it for an instant. Mr. Rochester looks as young, and is as young, as some men at five-and- twenty." "Is it really for love he is going to marry you?" she asked. I was so hurt by her coldness and scepticism, that the tears rose to my eyes. "I am sorry to grieve you," pursued the widow; "but you are so young, and so little acquainted with men, I wished to put you on your guard. It is an old saying that 'all is not gold that glitters;' and in this case I do fear there will be something found to be different to what either you or I expect." "Why?--am I a monster?" I said: "is it impossible that Mr. Rochester should have a sincere affection for me?" "No: you are very well; and much improved of late; and Mr. Rochester, I daresay, is fond of you. I have always noticed that you were a sort of pet of his. There are times when, for your sake, I have been a little uneasy at his marked preference, and have wished to put you on your guard: but I did not like to suggest even the possibility of wrong. I knew such an idea would shock, perhaps offend you; and you were so discreet, and so thoroughly modest and sensible, I hoped you might be trusted to protect yourself. Last night I cannot tell you what I suffered when I sought all over the house, and could find you nowhere, nor the master either; and then, at twelve o'clock, saw you come in with him." "Well, never mind that now," I interrupted impatiently; "it is enough that all was right." "I hope all will be right in the end," she said: "but believe me, you cannot be too careful. Try and keep Mr. Rochester at a distance: distrust yourself as well as him. Gentlemen in his station are not accustomed to marry their governesses." I was growing truly irritated: happily, Adele ran in. "Let me go,--let me go to Millcote too!" she cried. "Mr. Rochester won't: though there is so much room in the new carriage. Beg him to let me go mademoiselle." "That I will, Adele;" and I hastened away with her, glad to quit my gloomy monitress. The carriage was ready: they were bringing it round to the front, and my master was pacing the pavement, Pilot following him backwards and forwards. "Adele may accompany us, may she not, sir?" "I told her no. I'll have no brats!--I'll have only you." "Do let her go, Mr. Rochester, if you please: it would be better." "Not it: she will be a restraint." He was quite peremptory, both in look and voice. The chill of Mrs. Fairfax's warnings, and the damp of her doubts were upon me: something of unsubstantiality and uncertainty had beset my hopes. I half lost the sense of power over him. I was about mechanically to obey him, without further remonstrance; but as he helped me into the carriage, he looked at my face. "What is the matter?" he asked; "all the sunshine is gone. Do you really wish the bairn to go? Will it annoy you if she is left behind?" "I would far rather she went, sir." "Then off for your bonnet, and back like a flash of lightning!" cried he to Adele. She obeyed him with what speed she might. "After all, a single morning's interruption will not matter much," said he, "when I mean shortly to claim you--your thoughts, conversation, and company--for life." Adele, when lifted in, commenced kissing me, by way of expressing her gratitude for my intercession: she was instantly stowed away into a corner on the other side of him. She then peeped round to where I sat; so stern a neighbour was too restrictive to him, in his present fractious mood, she dared whisper no observations, nor ask of him any information. "Let her come to me," I entreated: "she will, perhaps, trouble you, sir: there is plenty of room on this side." He handed her over as if she had been a lapdog. "I'll send her to school yet," he said, but now he was smiling. Adele heard him, and asked if she was to go to school "sans mademoiselle?" "Yes," he replied, "absolutely sans mademoiselle; for I am to take mademoiselle to the moon, and there I shall seek a cave in one of the white valleys among the volcano-tops, and mademoiselle shall live with me there, and only me." "She will have nothing to eat: you will starve her," observed Adele. "I shall gather manna for her morning and night: the plains and hillsides in the moon are bleached with manna, Adele." "She will want to warm herself: what will she do for a fire?" "Fire rises out of the lunar mountains: when she is cold, I'll carry her up to a peak, and lay her down on the edge of a crater." "Oh, qu' elle y sera mal--peu comfortable! And her clothes, they will wear out: how can she get new ones?" Mr. Rochester professed to be puzzled. "Hem!" said he. "What would you do, Adele? Cudgel your brains for an expedient. How would a white or a pink cloud answer for a gown, do you think? And one could cut a pretty enough scarf out of a rainbow." "She is far better as she is," concluded Adele, after musing some time: "besides, she would get tired of living with only you in the moon. If I were mademoiselle, I would never consent to go with you." "She has consented: she has pledged her word." "But you can't get her there; there is no road to the moon: it is all air; and neither you nor she can fly." "Adele, look at that field." We were now outside Thornfield gates, and bowling lightly along the smooth road to Millcote, where the dust was well laid by the thunderstorm, and, where the low hedges and lofty timber trees on each side glistened green and rain-refreshed. "In that field, Adele, I was walking late one evening about a fortnight since--the evening of the day you helped me to make hay in the orchard meadows; and, as I was tired with raking swaths, I sat down to rest me on a stile; and there I took out a little book and a pencil, and began to write about a misfortune that befell me long ago, and a wish I had for happy days to come: I was writing away very fast, though daylight was fading from the leaf, when something came up the path and stopped two yards off me. I looked at it. It was a little thing with a veil of gossamer on its head. I beckoned it to come near me; it stood soon at my knee. I never spoke to it, and it never spoke to me, in words; but I read its eyes, and it read mine; and our speechless colloquy was to this effect-- "It was a fairy, and come from Elf-land, it said; and its errand was to make me happy: I must go with it out of the common world to a lonely place--such as the moon, for instance--and it nodded its head towards her horn, rising over Hay-hill: it told me of the alabaster cave and silver vale where we might live. I said I should like to go; but reminded it, as you did me, that I had no wings to fly. "'Oh,' returned the fairy, 'that does not signify! Here is a talisman will remove all difficulties;' and she held out a pretty gold ring. 'Put it,' she said, 'on the fourth finger of my left hand, and I am yours, and you are mine; and we shall leave earth, and make our own heaven yonder.' She nodded again at the moon. The ring, Adele, is in my breeches-pocket, under the disguise of a sovereign: but I mean soon to change it to a ring again." "But what has mademoiselle to do with it? I don't care for the fairy: you said it was mademoiselle you would take to the moon?" "Mademoiselle is a fairy," he said, whispering mysteriously. Whereupon I told her not to mind his badinage; and she, on her part, evinced a fund of genuine French scepticism: denominating Mr. Rochester "un vrai menteur," and assuring him that she made no account whatever of his "contes de fee," and that "du reste, il n'y avait pas de fees, et quand meme il y en avait:" she was sure they would never appear to him, nor ever give him rings, or offer to live with him in the moon. The hour spent at Millcote was a somewhat harassing one to me. Mr. Rochester obliged me to go to a certain silk warehouse: there I was ordered to choose half-a-dozen dresses. I hated the business, I begged leave to defer it: no--it should be gone through with now. By dint of entreaties expressed in energetic whispers, I reduced the half-dozen to two: these however, he vowed he would select himself. With anxiety I watched his eye rove over the gay stores: he fixed on a rich silk of the most brilliant amethyst dye, and a superb pink satin. I told him in a new series of whispers, that he might as well buy me a gold gown and a silver bonnet at once: I should certainly never venture to wear his choice. With infinite difficulty, for he was stubborn as a stone, I persuaded him to make an exchange in favour of a sober black satin and pearl-grey silk. "It might pass for the present," he said; "but he would yet see me glittering like a parterre." Glad was I to get him out of the silk warehouse, and then out of a jewellers shop: the more he bought me, the more my cheek burned with a sense of annoyance and degradation. As we re-entered the carriage, and I sat back feverish and fagged, I remembered what, in the hurry of events, dark and bright, I had wholly forgotten--the letter of my uncle, John Eyre, to Mrs. Reed: his intention to adopt me and make me his legatee. "It would, indeed, be a relief," I thought, "if I had ever so small an independency; I never can bear being dressed like a doll by Mr. Rochester, or sitting like a second Danae with the golden shower falling daily round me. I will write to Madeira the moment I get home, and tell my uncle John I am going to be married, and to whom: if I had but a prospect of one day bringing Mr. Rochester an accession of fortune, I could better endure to be kept by him now." And somewhat relieved by this idea (which I failed not to execute that day), I ventured once more to meet my master's and lover's eye, which most pertinaciously sought mine, though I averted both face and gaze. He smiled; and I thought his smile was such as a sultan might, in a blissful and fond moment, bestow on a slave his gold and gems had enriched: I crushed his hand, which was ever hunting mine, vigorously, and thrust it back to him red with the passionate pressure. "You need not look in that way," I said; "if you do, I'll wear nothing but my old Lowood frocks to the end of the chapter. I'll be married in this lilac gingham: you may make a dressing-gown for yourself out of the pearl-grey silk, and an infinite series of waistcoats out of the black satin." He chuckled; he rubbed his hands. "Oh, it is rich to see and hear her?" he exclaimed. "Is she original? Is she piquant? I would not exchange this one little English girl for the Grand Turk's whole seraglio, gazelle- eyes, houri forms, and all!" The Eastern allusion bit me again. "I'll not stand you an inch in the stead of a seraglio," I said; "so don't consider me an equivalent for one. If you have a fancy for anything in that line, away with you, sir, to the bazaars of Stamboul without delay, and lay out in extensive slave- purchases some of that spare cash you seem at a loss to spend satisfactorily here." "And what will you do, Janet, while I am bargaining for so many tons of flesh and such an assortment of black eyes?" "I'll be preparing myself to go out as a missionary to preach liberty to them that are enslaved--your harem inmates amongst the rest. I'll get admitted there, and I'll stir up mutiny; and you, three-tailed bashaw as you are, sir, shall in a trice find yourself fettered amongst our hands: nor will I, for one, consent to cut your bonds till you have signed a charter, the most liberal that despot ever yet conferred." "I would consent to be at your mercy, Jane." "I would have no mercy, Mr. Rochester, if you supplicated for it with an eye like that. While you looked so, I should be certain that whatever charter you might grant under coercion, your first act, when released, would be to violate its conditions." "Why, Jane, what would you have? I fear you will compel me to go through a private marriage ceremony, besides that performed at the altar. You will stipulate, I see, for peculiar terms--what will they be?" "I only want an easy mind, sir; not crushed by crowded obligations. Do you remember what you said of Celine Varens?--of the diamonds, the cashmeres you gave her? I will not be your English Celine Varens. I shall continue to act as Adele's governess; by that I shall earn my board and lodging, and thirty pounds a year besides. I'll furnish my own wardrobe out of that money, and you shall give me nothing but--" "Well, but what?" "Your regard; and if I give you mine in return, that debt will be quit." "Well, for cool native impudence and pure innate pride, you haven't your equal," said he. We were now approaching Thornfield. "Will it please you to dine with me to-day?" he asked, as we re-entered the gates. "No, thank you, sir." "And what for, 'no, thank you?' if one may inquire." "I never have dined with you, sir: and I see no reason why I should now: till--" "Till what? You delight in half-phrases." "Till I can't help it." "Do you suppose I eat like an ogre or a ghoul, that you dread being the companion of my repast?" "I have formed no supposition on the subject, sir; but I want to go on as usual for another month." "You will give up your governessing slavery at once." "Indeed, begging your pardon, sir, I shall not. I shall just go on with it as usual. I shall keep out of your way all day, as I have been accustomed to do: you may send for me in the evening, when you feel disposed to see me, and I'll come then; but at no other time." "I want a smoke, Jane, or a pinch of snuff, to comfort me under all this, 'pour me donner une contenance,' as Adele would say; and unfortunately I have neither my cigar-case, nor my snuff-box. But listen--whisper. It is your time now, little tyrant, but it will be mine presently; and when once I have fairly seized you, to have and to hold, I'll just--figuratively speaking--attach you to a chain like this" (touching his watch-guard). "Yes, bonny wee thing, I'll wear you in my bosom, lest my jewel I should tyne." He said this as he helped me to alight from the carriage, and while he afterwards lifted out Adele, I entered the house, and made good my retreat upstairs. He duly summoned me to his presence in the evening. I had prepared an occupation for him; for I was determined not to spend the whole time in a _tete-a-tete_ conversation. I remembered his fine voice; I knew he liked to sing--good singers generally do. I was no vocalist myself, and, in his fastidious judgment, no musician, either; but I delighted in listening when the performance was good. No sooner had twilight, that hour of romance, began to lower her blue and starry banner over the lattice, than I rose, opened the piano, and entreated him, for the love of heaven, to give me a song. He said I was a capricious witch, and that he would rather sing another time; but I averred that no time was like the present. "Did I like his voice?" he asked. "Very much." I was not fond of pampering that susceptible vanity of his; but for once, and from motives of expediency, I would e'en soothe and stimulate it. "Then, Jane, you must play the accompaniment." "Very well, sir, I will try." I did try, but was presently swept off the stool and denominated "a little bungler." Being pushed unceremoniously to one side--which was precisely what I wished--he usurped my place, and proceeded to accompany himself: for he could play as well as sing. I hied me to the window-recess. And while I sat there and looked out on the still trees and dim lawn, to a sweet air was sung in mellow tones the following strain:-- "The truest love that ever heart Felt at its kindled core, Did through each vein, in quickened start, The tide of being pour. Her coming was my hope each day, Her parting was my pain; The chance that did her steps delay Was ice in every vein. I dreamed it would be nameless bliss, As I loved, loved to be; And to this object did I press As blind as eagerly. But wide as pathless was the space That lay our lives between, And dangerous as the foamy race Of ocean-surges green. And haunted as a robber-path Through wilderness or wood; For Might and Right, and Woe and Wrath, Between our spirits stood. I dangers dared; I hindrance scorned; I omens did defy: Whatever menaced, harassed, warned, I passed impetuous by. On sped my rainbow, fast as light; I flew as in a dream; For glorious rose upon my sight That child of Shower and Gleam. Still bright on clouds of suffering dim Shines that soft, solemn joy; Nor care I now, how dense and grim Disasters gather nigh. I care not in this moment sweet, Though all I have rushed o'er Should come on pinion, strong and fleet, Proclaiming vengeance sore: Though haughty Hate should strike me down, Right, bar approach to me, And grinding Might, with furious frown, Swear endless enmity. My love has placed her little hand With noble faith in mine, And vowed that wedlock's sacred band Our nature shall entwine. My love has sworn, with sealing kiss, With me to live--to die; I have at last my nameless bliss. As I love--loved am I!" He rose and came towards me, and I saw his face all kindled, and his full falcon-eye flashing, and tenderness and passion in every lineament. I quailed momentarily--then I rallied. Soft scene, daring demonstration, I would not have; and I stood in peril of both: a weapon of defence must be prepared--I whetted my tongue: as he reached me, I asked with asperity, "whom he was going to marry now?" "That was a strange question to be put by his darling Jane." "Indeed! I considered it a very natural and necessary one: he had talked of his future wife dying with him. What did he mean by such a pagan idea? _I_ had no intention of dying with him--he might depend on that." "Oh, all he longed, all he prayed for, was that I might live with him! Death was not for such as I." "Indeed it was: I had as good a right to die when my time came as he had: but I should bide that time, and not be hurried away in a suttee." "Would I forgive him for the selfish idea, and prove my pardon by a reconciling kiss?" "No: I would rather be excused." Here I heard myself apostrophised as a "hard little thing;" and it was added, "any other woman would have been melted to marrow at hearing such stanzas crooned in her praise." I assured him I was naturally hard--very flinty, and that he would often find me so; and that, moreover, I was determined to show him divers rugged points in my character before the ensuing four weeks elapsed: he should know fully what sort of a bargain he had made, while there was yet time to rescind it. "Would I be quiet and talk rationally?" "I would be quiet if he liked, and as to talking rationally, I flattered myself I was doing that now." He fretted, pished, and pshawed. "Very good," I thought; "you may fume and fidget as you please: but this is the best plan to pursue with you, I am certain. I like you more than I can say; but I'll not sink into a bathos of sentiment: and with this needle of repartee I'll keep you from the edge of the gulf too; and, moreover, maintain by its pungent aid that distance between you and myself most conducive to our real mutual advantage." From less to more, I worked him up to considerable irritation; then, after he had retired, in dudgeon, quite to the other end of the room, I got up, and saying, "I wish you good-night, sir," in my natural and wonted respectful manner, I slipped out by the side-door and got away. The system thus entered on, I pursued during the whole season of probation; and with the best success. He was kept, to be sure, rather cross and crusty; but on the whole I could see he was excellently entertained, and that a lamb-like submission and turtle-dove sensibility, while fostering his despotism more, would have pleased his judgment, satisfied his common-sense, and even suited his taste less. In other people's presence I was, as formerly, deferential and quiet; any other line of conduct being uncalled for: it was only in the evening conferences I thus thwarted and afflicted him. He continued to send for me punctually the moment the clock struck seven; though when I appeared before him now, he had no such honeyed terms as "love" and "darling" on his lips: the best words at my service were "provoking puppet," "malicious elf," "sprite," "changeling," &c. For caresses, too, I now got grimaces; for a pressure of the hand, a pinch on the arm; for a kiss on the cheek, a severe tweak of the ear. It was all right: at present I decidedly preferred these fierce favours to anything more tender. Mrs. Fairfax, I saw, approved me: her anxiety on my account vanished; therefore I was certain I did well. Meantime, Mr. Rochester affirmed I was wearing him to skin and bone, and threatened awful vengeance for my present conduct at some period fast coming. I laughed in my sleeve at his menaces. "I can keep you in reasonable check now," I reflected; "and I don't doubt to be able to do it hereafter: if one expedient loses its virtue, another must be devised." Yet after all my task was not an easy one; often I would rather have pleased than teased him. My future husband was becoming to me my whole world; and more than the world: almost my hope of heaven. He stood between me and every thought of religion, as an eclipse intervenes between man and the broad sun. I could not, in those days, see God for His creature: of whom I had made an idol.

volume 2, Chapter 24

https://web.archive.org/web/20210123075639/https://www.sparknotes.com/lit/janeeyre/section5/

Preparations for Jane and Rochester's wedding do not run smoothly. Mrs. Fairfax treats Jane coldly because she doesn't realize that Jane was already engaged to Rochester when she allowed him to kiss her. But even after she learns the truth, Mrs. Fairfax maintains her disapproval of the marriage. Jane feels unsettled, almost fearful, when Rochester calls her by what will soon be her name, Jane Rochester. Jane explains that everything feels impossibly ideal, like a fairy-tale or a daydream. Rochester certainly tries to turn Jane into a Cinderella-like figure: he tells her he will dress her in jewels and in finery befitting her new social station, at which point Jane becomes terrified and self-protective. She has a premonitory feeling that the wedding will not happen, and she decides to write her uncle, John Eyre, who is in Madeira. Jane reasons that if John Eyre were to make her his heir, her inheritance might put her on more equal footing with Rochester, which would make her feel less uncomfortable about the marriage

After her stay at Gateshead, Jane comes to understand fully what Rochester and Thornfield mean to her. Having been acutely reminded of the abjection and cruelty she suffered during her childhood, Jane now realizes how different her life has become, how much she has gained and how much she has grown. In Rochester she has found someone she truly cares for--someone who, despite periodic shows of brusqueness, nevertheless continues to admire Jane and care for her tenderly. Moreover, Rochester gives her a true sense of belonging, something she has always lacked. As she tells him, "wherever you are is my home--my only home." Although Rochester's declaration of love and marriage proposal make Jane exceedingly happy, she is also very apprehensive about the marriage. Her feelings of dread may stem in part from a subconscious intimation of Rochester's dark and horrible secret, which will be divulged in the next few chapters: the eerie laughter she has heard, the mysterious fire from which she rescued Rochester, the strange figure who tears Jane's wedding veil, and other smaller clues may have led Jane to make some subconscious conclusions about what she will consciously find out only later. Another possibility is that Jane's misgivings stem from other concerns. She has always longed for freedom and escape, and marrying Rochester would be a form of tying herself down. Jane may worry that the marriage will encroach upon her autonomy, and even enforce her submission to Rochester. Not only would the marriage bring her into a relationship of responsibility and commitment to another person, it could cement her into a position of inferiority. Jane's anxiety surfaces when Rochester tries to dress her in feminine finery. She reacts with revulsion, noting that she feels like a toy doll. Jane fears that Rochester may be trying to objectify her, that he sees her not as a human being with her own thoughts and feelings but as a plaything designed to cater to his fantasies and whims. Jane also worries about her financial inferiority: she hates the thought of marrying "above her station," as she does not want to feel that she somehow "owes" Rochester something for the fact that he has "deigned" to love her, as it were. She hates the thought that his love might be a "favor" to her. Thus, Jane's feelings and desires for Rochester are tightly bound up with her feelings about her social position and her position as a woman. She is very sensitive to the hierarchy and power dynamic implicit in marriage, and despite her statement that she is forced to "yield" to her feelings for Rochester, she does not desire the complete surrender that heroines in romance novels experience. The storybook wedding toward which these chapters appear to lead cannot succeed, because Jane will only be able to occupy the role of wife on her own, quite different, terms.

sparknotes

all_chapterized_books/1260-chapters/26.txt

finished_summaries/sparknotes/Jane Eyre/section_4_part_4.txt

Jane Eyre.volume 2.chapter 25

volume 2, chapter 25

{"name": "volume 2, Chapter 25", "url": "https://web.archive.org/web/20210123075639/https://www.sparknotes.com/lit/janeeyre/section5/", "summary": "The night before her wedding, Jane waits for Rochester, who has left Thornfield for the evening. She grows restless and takes a walk in the orchard, where she sees the now-split chestnut tree. When Rochester arrives, Jane tells him about strange events that have occurred in his absence. The preceding evening, Jane's wedding dress arrived, and underneath it was an expensive veil--Rochester's wedding gift to Jane. In the night, Jane had a strange dream, in which a little child cried in her arms as Jane tried to make her way toward Rochester on a long, winding road. Rochester dismisses the dream as insignificant, but then she tells him about a second dream. This time, Jane loses her balance and the child falls from her knee. The dream was so disturbing that it roused Jane from her sleep, and she perceived \"a form\" rustling in her closet. It turned out to be a strange, savage-looking woman, who took Jane's veil and tore it in two. Rochester tells her that the woman must have been Grace Poole and that what she experienced was really \"half-dream, half-reality. He tells her that he will give her a full explanation of events after they have been married for one year and one day. Jane sleeps with Adele for the evening and cries because she will soon have to leave the sleeping girl", "analysis": "After her stay at Gateshead, Jane comes to understand fully what Rochester and Thornfield mean to her. Having been acutely reminded of the abjection and cruelty she suffered during her childhood, Jane now realizes how different her life has become, how much she has gained and how much she has grown. In Rochester she has found someone she truly cares for--someone who, despite periodic shows of brusqueness, nevertheless continues to admire Jane and care for her tenderly. Moreover, Rochester gives her a true sense of belonging, something she has always lacked. As she tells him, \"wherever you are is my home--my only home.\" Although Rochester's declaration of love and marriage proposal make Jane exceedingly happy, she is also very apprehensive about the marriage. Her feelings of dread may stem in part from a subconscious intimation of Rochester's dark and horrible secret, which will be divulged in the next few chapters: the eerie laughter she has heard, the mysterious fire from which she rescued Rochester, the strange figure who tears Jane's wedding veil, and other smaller clues may have led Jane to make some subconscious conclusions about what she will consciously find out only later. Another possibility is that Jane's misgivings stem from other concerns. She has always longed for freedom and escape, and marrying Rochester would be a form of tying herself down. Jane may worry that the marriage will encroach upon her autonomy, and even enforce her submission to Rochester. Not only would the marriage bring her into a relationship of responsibility and commitment to another person, it could cement her into a position of inferiority. Jane's anxiety surfaces when Rochester tries to dress her in feminine finery. She reacts with revulsion, noting that she feels like a toy doll. Jane fears that Rochester may be trying to objectify her, that he sees her not as a human being with her own thoughts and feelings but as a plaything designed to cater to his fantasies and whims. Jane also worries about her financial inferiority: she hates the thought of marrying \"above her station,\" as she does not want to feel that she somehow \"owes\" Rochester something for the fact that he has \"deigned\" to love her, as it were. She hates the thought that his love might be a \"favor\" to her. Thus, Jane's feelings and desires for Rochester are tightly bound up with her feelings about her social position and her position as a woman. She is very sensitive to the hierarchy and power dynamic implicit in marriage, and despite her statement that she is forced to \"yield\" to her feelings for Rochester, she does not desire the complete surrender that heroines in romance novels experience. The storybook wedding toward which these chapters appear to lead cannot succeed, because Jane will only be able to occupy the role of wife on her own, quite different, terms."}

The month of courtship had wasted: its very last hours were being numbered. There was no putting off the day that advanced--the bridal day; and all preparations for its arrival were complete. _I_, at least, had nothing more to do: there were my trunks, packed, locked, corded, ranged in a row along the wall of my little chamber; to-morrow, at this time, they would be far on their road to London: and so should I (D.V.),--or rather, not I, but one Jane Rochester, a person whom as yet I knew not. The cards of address alone remained to nail on: they lay, four little squares, in the drawer. Mr. Rochester had himself written the direction, "Mrs. Rochester, --- Hotel, London," on each: I could not persuade myself to affix them, or to have them affixed. Mrs. Rochester! She did not exist: she would not be born till to-morrow, some time after eight o'clock a.m.; and I would wait to be assured she had come into the world alive before I assigned to her all that property. It was enough that in yonder closet, opposite my dressing-table, garments said to be hers had already displaced my black stuff Lowood frock and straw bonnet: for not to me appertained that suit of wedding raiment; the pearl-coloured robe, the vapoury veil pendent from the usurped portmanteau. I shut the closet to conceal the strange, wraith-like apparel it contained; which, at this evening hour--nine o'clock--gave out certainly a most ghostly shimmer through the shadow of my apartment. "I will leave you by yourself, white dream," I said. "I am feverish: I hear the wind blowing: I will go out of doors and feel it." It was not only the hurry of preparation that made me feverish; not only the anticipation of the great change--the new life which was to commence to-morrow: both these circumstances had their share, doubtless, in producing that restless, excited mood which hurried me forth at this late hour into the darkening grounds: but a third cause influenced my mind more than they. I had at heart a strange and anxious thought. Something had happened which I could not comprehend; no one knew of or had seen the event but myself: it had taken place the preceding night. Mr. Rochester that night was absent from home; nor was he yet returned: business had called him to a small estate of two or three farms he possessed thirty miles off--business it was requisite he should settle in person, previous to his meditated departure from England. I waited now his return; eager to disburthen my mind, and to seek of him the solution of the enigma that perplexed me. Stay till he comes, reader; and, when I disclose my secret to him, you shall share the confidence. I sought the orchard, driven to its shelter by the wind, which all day had blown strong and full from the south, without, however, bringing a speck of rain. Instead of subsiding as night drew on, it seemed to augment its rush and deepen its roar: the trees blew steadfastly one way, never writhing round, and scarcely tossing back their boughs once in an hour; so continuous was the strain bending their branchy heads northward--the clouds drifted from pole to pole, fast following, mass on mass: no glimpse of blue sky had been visible that July day. It was not without a certain wild pleasure I ran before the wind, delivering my trouble of mind to the measureless air-torrent thundering through space. Descending the laurel walk, I faced the wreck of the chestnut-tree; it stood up black and riven: the trunk, split down the centre, gasped ghastly. The cloven halves were not broken from each other, for the firm base and strong roots kept them unsundered below; though community of vitality was destroyed--the sap could flow no more: their great boughs on each side were dead, and next winter's tempests would be sure to fell one or both to earth: as yet, however, they might be said to form one tree--a ruin, but an entire ruin. "You did right to hold fast to each other," I said: as if the monster- splinters were living things, and could hear me. "I think, scathed as you look, and charred and scorched, there must be a little sense of life in you yet, rising out of that adhesion at the faithful, honest roots: you will never have green leaves more--never more see birds making nests and singing idyls in your boughs; the time of pleasure and love is over with you: but you are not desolate: each of you has a comrade to sympathise with him in his decay." As I looked up at them, the moon appeared momentarily in that part of the sky which filled their fissure; her disk was blood-red and half overcast; she seemed to throw on me one bewildered, dreary glance, and buried herself again instantly in the deep drift of cloud. The wind fell, for a second, round Thornfield; but far away over wood and water, poured a wild, melancholy wail: it was sad to listen to, and I ran off again. Here and there I strayed through the orchard, gathered up the apples with which the grass round the tree roots was thickly strewn; then I employed myself in dividing the ripe from the unripe; I carried them into the house and put them away in the store-room. Then I repaired to the library to ascertain whether the fire was lit, for, though summer, I knew on such a gloomy evening Mr. Rochester would like to see a cheerful hearth when he came in: yes, the fire had been kindled some time, and burnt well. I placed his arm-chair by the chimney-corner: I wheeled the table near it: I let down the curtain, and had the candles brought in ready for lighting. More restless than ever, when I had completed these arrangements I could not sit still, nor even remain in the house: a little time-piece in the room and the old clock in the hall simultaneously struck ten. "How late it grows!" I said. "I will run down to the gates: it is moonlight at intervals; I can see a good way on the road. He may be coming now, and to meet him will save some minutes of suspense." The wind roared high in the great trees which embowered the gates; but the road as far as I could see, to the right hand and the left, was all still and solitary: save for the shadows of clouds crossing it at intervals as the moon looked out, it was but a long pale line, unvaried by one moving speck. A puerile tear dimmed my eye while I looked--a tear of disappointment and impatience; ashamed of it, I wiped it away. I lingered; the moon shut herself wholly within her chamber, and drew close her curtain of dense cloud: the night grew dark; rain came driving fast on the gale. "I wish he would come! I wish he would come!" I exclaimed, seized with hypochondriac foreboding. I had expected his arrival before tea; now it was dark: what could keep him? Had an accident happened? The event of last night again recurred to me. I interpreted it as a warning of disaster. I feared my hopes were too bright to be realised; and I had enjoyed so much bliss lately that I imagined my fortune had passed its meridian, and must now decline. "Well, I cannot return to the house," I thought; "I cannot sit by the fireside, while he is abroad in inclement weather: better tire my limbs than strain my heart; I will go forward and meet him." I set out; I walked fast, but not far: ere I had measured a quarter of a mile, I heard the tramp of hoofs; a horseman came on, full gallop; a dog ran by his side. Away with evil presentiment! It was he: here he was, mounted on Mesrour, followed by Pilot. He saw me; for the moon had opened a blue field in the sky, and rode in it watery bright: he took his hat off, and waved it round his head. I now ran to meet him. "There!" he exclaimed, as he stretched out his hand and bent from the saddle: "You can't do without me, that is evident. Step on my boot-toe; give me both hands: mount!" I obeyed: joy made me agile: I sprang up before him. A hearty kissing I got for a welcome, and some boastful triumph, which I swallowed as well as I could. He checked himself in his exultation to demand, "But is there anything the matter, Janet, that you come to meet me at such an hour? Is there anything wrong?" "No, but I thought you would never come. I could not bear to wait in the house for you, especially with this rain and wind." "Rain and wind, indeed! Yes, you are dripping like a mermaid; pull my cloak round you: but I think you are feverish, Jane: both your cheek and hand are burning hot. I ask again, is there anything the matter?" "Nothing now; I am neither afraid nor unhappy." "Then you have been both?" "Rather: but I'll tell you all about it by-and-bye, sir; and I daresay you will only laugh at me for my pains." "I'll laugh at you heartily when to-morrow is past; till then I dare not: my prize is not certain. This is you, who have been as slippery as an eel this last month, and as thorny as a briar-rose? I could not lay a finger anywhere but I was pricked; and now I seem to have gathered up a stray lamb in my arms. You wandered out of the fold to seek your shepherd, did you, Jane?" "I wanted you: but don't boast. Here we are at Thornfield: now let me get down." He landed me on the pavement. As John took his horse, and he followed me into the hall, he told me to make haste and put something dry on, and then return to him in the library; and he stopped me, as I made for the staircase, to extort a promise that I would not be long: nor was I long; in five minutes I rejoined him. I found him at supper. "Take a seat and bear me company, Jane: please God, it is the last meal but one you will eat at Thornfield Hall for a long time." I sat down near him, but told him I could not eat. "Is it because you have the prospect of a journey before you, Jane? Is it the thoughts of going to London that takes away your appetite?" "I cannot see my prospects clearly to-night, sir; and I hardly know what thoughts I have in my head. Everything in life seems unreal." "Except me: I am substantial enough--touch me." "You, sir, are the most phantom-like of all: you are a mere dream." He held out his hand, laughing. "Is that a dream?" said he, placing it close to my eyes. He had a rounded, muscular, and vigorous hand, as well as a long, strong arm. "Yes; though I touch it, it is a dream," said I, as I put it down from before my face. "Sir, have you finished supper?" "Yes, Jane." I rang the bell and ordered away the tray. When we were again alone, I stirred the fire, and then took a low seat at my master's knee. "It is near midnight," I said. "Yes: but remember, Jane, you promised to wake with me the night before my wedding." "I did; and I will keep my promise, for an hour or two at least: I have no wish to go to bed." "Are all your arrangements complete?" "All, sir." "And on my part likewise," he returned, "I have settled everything; and we shall leave Thornfield to-morrow, within half-an-hour after our return from church." "Very well, sir." "With what an extraordinary smile you uttered that word--'very well,' Jane! What a bright spot of colour you have on each cheek! and how strangely your eyes glitter! Are you well?" "I believe I am." "Believe! What is the matter? Tell me what you feel." "I could not, sir: no words could tell you what I feel. I wish this present hour would never end: who knows with what fate the next may come charged?" "This is hypochondria, Jane. You have been over-excited, or over-fatigued." "Do you, sir, feel calm and happy?" "Calm?--no: but happy--to the heart's core." I looked up at him to read the signs of bliss in his face: it was ardent and flushed. "Give me your confidence, Jane," he said: "relieve your mind of any weight that oppresses it, by imparting it to me. What do you fear?--that I shall not prove a good husband?" "It is the idea farthest from my thoughts." "Are you apprehensive of the new sphere you are about to enter?--of the new life into which you are passing?" "No." "You puzzle me, Jane: your look and tone of sorrowful audacity perplex and pain me. I want an explanation." "Then, sir, listen. You were from home last night?" "I was: I know that; and you hinted a while ago at something which had happened in my absence:--nothing, probably, of consequence; but, in short, it has disturbed you. Let me hear it. Mrs. Fairfax has said something, perhaps? or you have overheard the servants talk?--your sensitive self-respect has been wounded?" "No, sir." It struck twelve--I waited till the time-piece had concluded its silver chime, and the clock its hoarse, vibrating stroke, and then I proceeded. "All day yesterday I was very busy, and very happy in my ceaseless bustle; for I am not, as you seem to think, troubled by any haunting fears about the new sphere, et cetera: I think it a glorious thing to have the hope of living with you, because I love you. No, sir, don't caress me now--let me talk undisturbed. Yesterday I trusted well in Providence, and believed that events were working together for your good and mine: it was a fine day, if you recollect--the calmness of the air and sky forbade apprehensions respecting your safety or comfort on your journey. I walked a little while on the pavement after tea, thinking of you; and I beheld you in imagination so near me, I scarcely missed your actual presence. I thought of the life that lay before me--_your_ life, sir--an existence more expansive and stirring than my own: as much more so as the depths of the sea to which the brook runs are than the shallows of its own strait channel. I wondered why moralists call this world a dreary wilderness: for me it blossomed like a rose. Just at sunset, the air turned cold and the sky cloudy: I went in, Sophie called me upstairs to look at my wedding-dress, which they had just brought; and under it in the box I found your present--the veil which, in your princely extravagance, you sent for from London: resolved, I suppose, since I would not have jewels, to cheat me into accepting something as costly. I smiled as I unfolded it, and devised how I would tease you about your aristocratic tastes, and your efforts to masque your plebeian bride in the attributes of a peeress. I thought how I would carry down to you the square of unembroidered blond I had myself prepared as a covering for my low-born head, and ask if that was not good enough for a woman who could bring her husband neither fortune, beauty, nor connections. I saw plainly how you would look; and heard your impetuous republican answers, and your haughty disavowal of any necessity on your part to augment your wealth, or elevate your standing, by marrying either a purse or a coronet." "How well you read me, you witch!" interposed Mr. Rochester: "but what did you find in the veil besides its embroidery? Did you find poison, or a dagger, that you look so mournful now?" "No, no, sir; besides the delicacy and richness of the fabric, I found nothing save Fairfax Rochester's pride; and that did not scare me, because I am used to the sight of the demon. But, sir, as it grew dark, the wind rose: it blew yesterday evening, not as it blows now--wild and high--but 'with a sullen, moaning sound' far more eerie. I wished you were at home. I came into this room, and the sight of the empty chair and fireless hearth chilled me. For some time after I went to bed, I could not sleep--a sense of anxious excitement distressed me. The gale still rising, seemed to my ear to muffle a mournful under-sound; whether in the house or abroad I could not at first tell, but it recurred, doubtful yet doleful at every lull; at last I made out it must be some dog howling at a distance. I was glad when it ceased. On sleeping, I continued in dreams the idea of a dark and gusty night. I continued also the wish to be with you, and experienced a strange, regretful consciousness of some barrier dividing us. During all my first sleep, I was following the windings of an unknown road; total obscurity environed me; rain pelted me; I was burdened with the charge of a little child: a very small creature, too young and feeble to walk, and which shivered in my cold arms, and wailed piteously in my ear. I thought, sir, that you were on the road a long way before me; and I strained every nerve to overtake you, and made effort on effort to utter your name and entreat you to stop--but my movements were fettered, and my voice still died away inarticulate; while you, I felt, withdrew farther and farther every moment." "And these dreams weigh on your spirits now, Jane, when I am close to you? Little nervous subject! Forget visionary woe, and think only of real happiness! You say you love me, Janet: yes--I will not forget that; and you cannot deny it. _Those_ words did not die inarticulate on your lips. I heard them clear and soft: a thought too solemn perhaps, but sweet as music--'I think it is a glorious thing to have the hope of living with you, Edward, because I love you.' Do you love me, Jane?--repeat it." "I do, sir--I do, with my whole heart." "Well," he said, after some minutes' silence, "it is strange; but that sentence has penetrated my breast painfully. Why? I think because you said it with such an earnest, religious energy, and because your upward gaze at me now is the very sublime of faith, truth, and devotion: it is too much as if some spirit were near me. Look wicked, Jane: as you know well how to look: coin one of your wild, shy, provoking smiles; tell me you hate me--tease me, vex me; do anything but move me: I would rather be incensed than saddened." "I will tease you and vex you to your heart's content, when I have finished my tale: but hear me to the end." "I thought, Jane, you had told me all. I thought I had found the source of your melancholy in a dream." I shook my head. "What! is there more? But I will not believe it to be anything important. I warn you of incredulity beforehand. Go on." The disquietude of his air, the somewhat apprehensive impatience of his manner, surprised me: but I proceeded. "I dreamt another dream, sir: that Thornfield Hall was a dreary ruin, the retreat of bats and owls. I thought that of all the stately front nothing remained but a shell-like wall, very high and very fragile-looking. I wandered, on a moonlight night, through the grass- grown enclosure within: here I stumbled over a marble hearth, and there over a fallen fragment of cornice. Wrapped up in a shawl, I still carried the unknown little child: I might not lay it down anywhere, however tired were my arms--however much its weight impeded my progress, I must retain it. I heard the gallop of a horse at a distance on the road; I was sure it was you; and you were departing for many years and for a distant country. I climbed the thin wall with frantic perilous haste, eager to catch one glimpse of you from the top: the stones rolled from under my feet, the ivy branches I grasped gave way, the child clung round my neck in terror, and almost strangled me; at last I gained the summit. I saw you like a speck on a white track, lessening every moment. The blast blew so strong I could not stand. I sat down on the narrow ledge; I hushed the scared infant in my lap: you turned an angle of the road: I bent forward to take a last look; the wall crumbled; I was shaken; the child rolled from my knee, I lost my balance, fell, and woke." "Now, Jane, that is all." "All the preface, sir; the tale is yet to come. On waking, a gleam dazzled my eyes; I thought--Oh, it is daylight! But I was mistaken; it was only candlelight. Sophie, I supposed, had come in. There was a light in the dressing-table, and the door of the closet, where, before going to bed, I had hung my wedding-dress and veil, stood open; I heard a rustling there. I asked, 'Sophie, what are you doing?' No one answered; but a form emerged from the closet; it took the light, held it aloft, and surveyed the garments pendent from the portmanteau. 'Sophie! Sophie!' I again cried: and still it was silent. I had risen up in bed, I bent forward: first surprise, then bewilderment, came over me; and then my blood crept cold through my veins. Mr. Rochester, this was not Sophie, it was not Leah, it was not Mrs. Fairfax: it was not--no, I was sure of it, and am still--it was not even that strange woman, Grace Poole." "It must have been one of them," interrupted my master. "No, sir, I solemnly assure you to the contrary. The shape standing before me had never crossed my eyes within the precincts of Thornfield Hall before; the height, the contour were new to me." "Describe it, Jane." "It seemed, sir, a woman, tall and large, with thick and dark hair hanging long down her back. I know not what dress she had on: it was white and straight; but whether gown, sheet, or shroud, I cannot tell." "Did you see her face?" "Not at first. But presently she took my veil from its place; she held it up, gazed at it long, and then she threw it over her own head, and turned to the mirror. At that moment I saw the reflection of the visage and features quite distinctly in the dark oblong glass." "And how were they?" "Fearful and ghastly to me--oh, sir, I never saw a face like it! It was a discoloured face--it was a savage face. I wish I could forget the roll of the red eyes and the fearful blackened inflation of the lineaments!" "Ghosts are usually pale, Jane." "This, sir, was purple: the lips were swelled and dark; the brow furrowed: the black eyebrows widely raised over the bloodshot eyes. Shall I tell you of what it reminded me?" "You may." "Of the foul German spectre--the Vampyre." "Ah!--what did it do?" "Sir, it removed my veil from its gaunt head, rent it in two parts, and flinging both on the floor, trampled on them." {It removed my veil from its gaunt head, rent it in two parts, and flinging both on the floor, trampled on them: p272.jpg} "Afterwards?" "It drew aside the window-curtain and looked out; perhaps it saw dawn approaching, for, taking the candle, it retreated to the door. Just at my bedside, the figure stopped: the fiery eyes glared upon me--she thrust up her candle close to my face, and extinguished it under my eyes. I was aware her lurid visage flamed over mine, and I lost consciousness: for the second time in my life--only the second time--I became insensible from terror." "Who was with you when you revived?" "No one, sir, but the broad day. I rose, bathed my head and face in water, drank a long draught; felt that though enfeebled I was not ill, and determined that to none but you would I impart this vision. Now, sir, tell me who and what that woman was?" "The creature of an over-stimulated brain; that is certain. I must be careful of you, my treasure: nerves like yours were not made for rough handling." "Sir, depend on it, my nerves were not in fault; the thing was real: the transaction actually took place." "And your previous dreams, were they real too? Is Thornfield Hall a ruin? Am I severed from you by insuperable obstacles? Am I leaving you without a tear--without a kiss--without a word?" "Not yet." "Am I about to do it? Why, the day is already commenced which is to bind us indissolubly; and when we are once united, there shall be no recurrence of these mental terrors: I guarantee that." "Mental terrors, sir! I wish I could believe them to be only such: I wish it more now than ever; since even you cannot explain to me the mystery of that awful visitant." "And since I cannot do it, Jane, it must have been unreal." "But, sir, when I said so to myself on rising this morning, and when I looked round the room to gather courage and comfort from the cheerful aspect of each familiar object in full daylight, there--on the carpet--I saw what gave the distinct lie to my hypothesis,--the veil, torn from top to bottom in two halves!" I felt Mr. Rochester start and shudder; he hastily flung his arms round me. "Thank God!" he exclaimed, "that if anything malignant did come near you last night, it was only the veil that was harmed. Oh, to think what might have happened!" He drew his breath short, and strained me so close to him, I could scarcely pant. After some minutes' silence, he continued, cheerily-- "Now, Janet, I'll explain to you all about it. It was half dream, half reality. A woman did, I doubt not, enter your room: and that woman was--must have been--Grace Poole. You call her a strange being yourself: from all you know, you have reason so to call her--what did she do to me? what to Mason? In a state between sleeping and waking, you noticed her entrance and her actions; but feverish, almost delirious as you were, you ascribed to her a goblin appearance different from her own: the long dishevelled hair, the swelled black face, the exaggerated stature, were figments of imagination; results of nightmare: the spiteful tearing of the veil was real: and it is like her. I see you would ask why I keep such a woman in my house: when we have been married a year and a day, I will tell you; but not now. Are you satisfied, Jane? Do you accept my solution of the mystery?" I reflected, and in truth it appeared to me the only possible one: satisfied I was not, but to please him I endeavoured to appear so--relieved, I certainly did feel; so I answered him with a contented smile. And now, as it was long past one, I prepared to leave him. "Does not Sophie sleep with Adele in the nursery?" he asked, as I lit my candle. "Yes, sir." "And there is room enough in Adele's little bed for you. You must share it with her to-night, Jane: it is no wonder that the incident you have related should make you nervous, and I would rather you did not sleep alone: promise me to go to the nursery." "I shall be very glad to do so, sir." "And fasten the door securely on the inside. Wake Sophie when you go upstairs, under pretence of requesting her to rouse you in good time to- morrow; for you must be dressed and have finished breakfast before eight. And now, no more sombre thoughts: chase dull care away, Janet. Don't you hear to what soft whispers the wind has fallen? and there is no more beating of rain against the window-panes: look here" (he lifted up the curtain)--"it is a lovely night!" It was. Half heaven was pure and stainless: the clouds, now trooping before the wind, which had shifted to the west, were filing off eastward in long, silvered columns. The moon shone peacefully. "Well," said Mr. Rochester, gazing inquiringly into my eyes, "how is my Janet now?" "The night is serene, sir; and so am I." "And you will not dream of separation and sorrow to-night; but of happy love and blissful union." This prediction was but half fulfilled: I did not indeed dream of sorrow, but as little did I dream of joy; for I never slept at all. With little Adele in my arms, I watched the slumber of childhood--so tranquil, so passionless, so innocent--and waited for the coming day: all my life was awake and astir in my frame: and as soon as the sun rose I rose too. I remember Adele clung to me as I left her: I remember I kissed her as I loosened her little hands from my neck; and I cried over her with strange emotion, and quitted her because I feared my sobs would break her still sound repose. She seemed the emblem of my past life; and here I was now to array myself to meet, the dread, but adored, type of my unknown future day.

volume 2, Chapter 25

https://web.archive.org/web/20210123075639/https://www.sparknotes.com/lit/janeeyre/section5/

The night before her wedding, Jane waits for Rochester, who has left Thornfield for the evening. She grows restless and takes a walk in the orchard, where she sees the now-split chestnut tree. When Rochester arrives, Jane tells him about strange events that have occurred in his absence. The preceding evening, Jane's wedding dress arrived, and underneath it was an expensive veil--Rochester's wedding gift to Jane. In the night, Jane had a strange dream, in which a little child cried in her arms as Jane tried to make her way toward Rochester on a long, winding road. Rochester dismisses the dream as insignificant, but then she tells him about a second dream. This time, Jane loses her balance and the child falls from her knee. The dream was so disturbing that it roused Jane from her sleep, and she perceived "a form" rustling in her closet. It turned out to be a strange, savage-looking woman, who took Jane's veil and tore it in two. Rochester tells her that the woman must have been Grace Poole and that what she experienced was really "half-dream, half-reality. He tells her that he will give her a full explanation of events after they have been married for one year and one day. Jane sleeps with Adele for the evening and cries because she will soon have to leave the sleeping girl

After her stay at Gateshead, Jane comes to understand fully what Rochester and Thornfield mean to her. Having been acutely reminded of the abjection and cruelty she suffered during her childhood, Jane now realizes how different her life has become, how much she has gained and how much she has grown. In Rochester she has found someone she truly cares for--someone who, despite periodic shows of brusqueness, nevertheless continues to admire Jane and care for her tenderly. Moreover, Rochester gives her a true sense of belonging, something she has always lacked. As she tells him, "wherever you are is my home--my only home." Although Rochester's declaration of love and marriage proposal make Jane exceedingly happy, she is also very apprehensive about the marriage. Her feelings of dread may stem in part from a subconscious intimation of Rochester's dark and horrible secret, which will be divulged in the next few chapters: the eerie laughter she has heard, the mysterious fire from which she rescued Rochester, the strange figure who tears Jane's wedding veil, and other smaller clues may have led Jane to make some subconscious conclusions about what she will consciously find out only later. Another possibility is that Jane's misgivings stem from other concerns. She has always longed for freedom and escape, and marrying Rochester would be a form of tying herself down. Jane may worry that the marriage will encroach upon her autonomy, and even enforce her submission to Rochester. Not only would the marriage bring her into a relationship of responsibility and commitment to another person, it could cement her into a position of inferiority. Jane's anxiety surfaces when Rochester tries to dress her in feminine finery. She reacts with revulsion, noting that she feels like a toy doll. Jane fears that Rochester may be trying to objectify her, that he sees her not as a human being with her own thoughts and feelings but as a plaything designed to cater to his fantasies and whims. Jane also worries about her financial inferiority: she hates the thought of marrying "above her station," as she does not want to feel that she somehow "owes" Rochester something for the fact that he has "deigned" to love her, as it were. She hates the thought that his love might be a "favor" to her. Thus, Jane's feelings and desires for Rochester are tightly bound up with her feelings about her social position and her position as a woman. She is very sensitive to the hierarchy and power dynamic implicit in marriage, and despite her statement that she is forced to "yield" to her feelings for Rochester, she does not desire the complete surrender that heroines in romance novels experience. The storybook wedding toward which these chapters appear to lead cannot succeed, because Jane will only be able to occupy the role of wife on her own, quite different, terms.

sparknotes

all_chapterized_books/1260-chapters/27.txt

finished_summaries/sparknotes/Jane Eyre/section_5_part_0.txt

Jane Eyre.volume 3.chapter 26

chapter 26

{"name": "Chapter 26", "url": "https://web.archive.org/web/20210123075639/https://www.sparknotes.com/lit/janeeyre/section6/", "summary": "Sophie helps Jane dress for the wedding, and Rochester and Jane walk to the church. Jane notes a pair of strangers reading the headstones in the churchyard cemetery. When Jane and Rochester enter the church, the two strangers are also present. When the priest asks if anyone objects to the ceremony, one of the strangers answers: \"The marriage cannot go on: I declare the existence of an impediment.\" Rochester attempts to proceed with the ceremony, but the stranger explains that Rochester is already married--his wife is a Creole woman whom Rochester wed fifteen years earlier in Jamaica. The speaker explains that he is a solicitor from London, and he introduces himself as Mr. Briggs. He produces a signed letter from Richard Mason affirming that Rochester is married to Mason's sister, Bertha. Mr. Mason himself then steps forward to corroborate the story. After a moment of inarticulate fury, Rochester admits that his wife is alive and that in marrying Jane he would have been knowingly taking a second wife. No one in the community knows of his wife because she is mad, and Rochester keeps her locked away under the care of Grace Poole. But, he promises them all, Jane is completely ignorant of Bertha's existence. He orders the crowd to come to Thornfield to see her, so that they may understand what impelled him to his present course of action. At Thornfield, the group climbs to the third story. Rochester points out the room where Bertha bit and stabbed her brother, and then he lifts a tapestry to uncover a second door. Inside the hidden room is Bertha Mason, under the care of Grace Poole. Jane writes: In the deep shade, at the farther end of the room, a figure ran backwards and forwards. What it was, whether beast or human being, one could not, at first sight tell: it grovelled, seemingly, on all fours; it snatched and growled like some strange wild animal: but it was covered with clothing, and a quantity of dark, grizzled hair, wild as a mane, hid its head and face. Bertha attempts to strangle Rochester, who reminds his audience, \"this is the sole conjugal embrace I am ever to know.\" Jane leaves the room with Mason and Briggs, who tells her that he learned of her intent to marry Jane via a letter from Jane's uncle, John Eyre, to Mason. It turns out that the two men are acquaintances, and Mason had stopped in Madeira on his way back to Jamaica when John received Jane's letter. Approaching death, John asked Mason to hurry to England to save his niece. After the wedding crowd disperses, Jane locks herself in her room and plunges into an inexpressible grief. She thinks about the almost calm manner in which the morning's events unfolded and how it seems disproportionate to the immense effect those events will have on her life. She prays to God to be with her.", "analysis": "The incident of the \"madwoman in the attic\" is probably the most famous in Jane Eyre, and it has given rise to innumerable interpretations and symbolic readings. For example, Bertha Mason could represent the horror of Victorian marriage. Rochester claims to have imprisoned her because she is mad, but it is easy to imagine an opposite relation of cause and effect, in which years of enforced imprisonment and isolation have made her violently insane or, at least, increased her insanity. Thus, the madwoman in the attic could represent the confining and repressive aspects of Victorian wifehood, suggesting that the lack of autonomy and freedom in marriage suffocates women, threatening their mental and emotional health. Bertha's tearing of Jane's wedding veil could be seen as symbolizing her revolt against the institution of marriage. Another interpretation is that Rochester's marriage to Bertha represents the British Empire's cultural and economic exploitation of its colonial subjects. Briggs's letter states that Bertha's mother is a \"Creole,\" which could mean either that she is a person of European descent born in the colonies or that she is of black or mixed descent. In either case, Bertha might have evoked British anxieties about having to deal with the other cultures under Britain's dominion, and Bertha's imprisonment might signify Britain's attempt to control and contain the influence of these subject cultures by metaphorically \"locking them in the attic.\" Still another interpretation of Bertha is that she is a double for Jane herself, the embodiment of Jane's repressed fear and anger, both in regard to her specific situation and in regard to oppression. For although Jane declares her love for Rochester, her dreams and apprehensions suggest that she also secretly fears being married to him, perhaps even that she secretly wants to rage against the imprisonment that marriage could become for her. Although Jane does not manifest this fear or rage, Bertha does. Thus, Bertha tears the bridal veil, and it is Bertha's existence that stops the wedding from going forth. Each of these arguments provides an interesting way of thinking about the text, but it is also important to recognize that Bertha does not function merely as a symbol. Her presence is also a gripping story element and a source of external psychological distress for Jane, from which Jane develops and grows. Similarly, Thornfield could be seen as \"British Society at Large,\" but Thornfield is more than just an allegory. The relationships between Thornfield's inhabitants as well as its architecture and grounds are all important to Jane's story. Lastly, Jane herself, while possessing many proto-feminist viewpoints, is not simply a symbol for the \"Victorian Woman.\" Her individual psychology cannot be read as representing the mindset of all Victorian women."}

Sophie came at seven to dress me: she was very long indeed in accomplishing her task; so long that Mr. Rochester, grown, I suppose, impatient of my delay, sent up to ask why I did not come. She was just fastening my veil (the plain square of blond after all) to my hair with a brooch; I hurried from under her hands as soon as I could. "Stop!" she cried in French. "Look at yourself in the mirror: you have not taken one peep." So I turned at the door: I saw a robed and veiled figure, so unlike my usual self that it seemed almost the image of a stranger. "Jane!" called a voice, and I hastened down. I was received at the foot of the stairs by Mr. Rochester. "Lingerer!" he said, "my brain is on fire with impatience, and you tarry so long!" He took me into the dining-room, surveyed me keenly all over, pronounced me "fair as a lily, and not only the pride of his life, but the desire of his eyes," and then telling me he would give me but ten minutes to eat some breakfast, he rang the bell. One of his lately hired servants, a footman, answered it. "Is John getting the carriage ready?" "Yes, sir." "Is the luggage brought down?" "They are bringing it down, sir." "Go you to the church: see if Mr. Wood (the clergyman) and the clerk are there: return and tell me." The church, as the reader knows, was but just beyond the gates; the footman soon returned. "Mr. Wood is in the vestry, sir, putting on his surplice." "And the carriage?" "The horses are harnessing." "We shall not want it to go to church; but it must be ready the moment we return: all the boxes and luggage arranged and strapped on, and the coachman in his seat." "Yes, sir." "Jane, are you ready?" I rose. There were no groomsmen, no bridesmaids, no relatives to wait for or marshal: none but Mr. Rochester and I. Mrs. Fairfax stood in the hall as we passed. I would fain have spoken to her, but my hand was held by a grasp of iron: I was hurried along by a stride I could hardly follow; and to look at Mr. Rochester's face was to feel that not a second of delay would be tolerated for any purpose. I wonder what other bridegroom ever looked as he did--so bent up to a purpose, so grimly resolute: or who, under such steadfast brows, ever revealed such flaming and flashing eyes. I know not whether the day was fair or foul; in descending the drive, I gazed neither on sky nor earth: my heart was with my eyes; and both seemed migrated into Mr. Rochester's frame. I wanted to see the invisible thing on which, as we went along, he appeared to fasten a glance fierce and fell. I wanted to feel the thoughts whose force he seemed breasting and resisting. At the churchyard wicket he stopped: he discovered I was quite out of breath. "Am I cruel in my love?" he said. "Delay an instant: lean on me, Jane." And now I can recall the picture of the grey old house of God rising calm before me, of a rook wheeling round the steeple, of a ruddy morning sky beyond. I remember something, too, of the green grave-mounds; and I have not forgotten, either, two figures of strangers straying amongst the low hillocks and reading the mementoes graven on the few mossy head-stones. I noticed them, because, as they saw us, they passed round to the back of the church; and I doubted not they were going to enter by the side-aisle door and witness the ceremony. By Mr. Rochester they were not observed; he was earnestly looking at my face from which the blood had, I daresay, momentarily fled: for I felt my forehead dewy, and my cheeks and lips cold. When I rallied, which I soon did, he walked gently with me up the path to the porch. We entered the quiet and humble temple; the priest waited in his white surplice at the lowly altar, the clerk beside him. All was still: two shadows only moved in a remote corner. My conjecture had been correct: the strangers had slipped in before us, and they now stood by the vault of the Rochesters, their backs towards us, viewing through the rails the old time-stained marble tomb, where a kneeling angel guarded the remains of Damer de Rochester, slain at Marston Moor in the time of the civil wars, and of Elizabeth, his wife. Our place was taken at the communion rails. Hearing a cautious step behind me, I glanced over my shoulder: one of the strangers--a gentleman, evidently--was advancing up the chancel. The service began. The explanation of the intent of matrimony was gone through; and then the clergyman came a step further forward, and, bending slightly towards Mr. Rochester, went on. "I require and charge you both (as ye will answer at the dreadful day of judgment, when the secrets of all hearts shall be disclosed), that if either of you know any impediment why ye may not lawfully be joined together in matrimony, ye do now confess it; for be ye well assured that so many as are coupled together otherwise than God's Word doth allow, are not joined together by God, neither is their matrimony lawful." He paused, as the custom is. When is the pause after that sentence ever broken by reply? Not, perhaps, once in a hundred years. And the clergyman, who had not lifted his eyes from his book, and had held his breath but for a moment, was proceeding: his hand was already stretched towards Mr. Rochester, as his lips unclosed to ask, "Wilt thou have this woman for thy wedded wife?"--when a distinct and near voice said-- "The marriage cannot go on: I declare the existence of an impediment." The clergyman looked up at the speaker and stood mute; the clerk did the same; Mr. Rochester moved slightly, as if an earthquake had rolled under his feet: taking a firmer footing, and not turning his head or eyes, he said, "Proceed." Profound silence fell when he had uttered that word, with deep but low intonation. Presently Mr. Wood said-- "I cannot proceed without some investigation into what has been asserted, and evidence of its truth or falsehood." "The ceremony is quite broken off," subjoined the voice behind us. "I am in a condition to prove my allegation: an insuperable impediment to this marriage exists." Mr. Rochester heard, but heeded not: he stood stubborn and rigid, making no movement but to possess himself of my hand. What a hot and strong grasp he had! and how like quarried marble was his pale, firm, massive front at this moment! How his eye shone, still watchful, and yet wild beneath! Mr. Wood seemed at a loss. "What is the nature of the impediment?" he asked. "Perhaps it may be got over--explained away?" "Hardly," was the answer. "I have called it insuperable, and I speak advisedly." The speaker came forward and leaned on the rails. He continued, uttering each word distinctly, calmly, steadily, but not loudly-- "It simply consists in the existence of a previous marriage. Mr. Rochester has a wife now living." My nerves vibrated to those low-spoken words as they had never vibrated to thunder--my blood felt their subtle violence as it had never felt frost or fire; but I was collected, and in no danger of swooning. I looked at Mr. Rochester: I made him look at me. His whole face was colourless rock: his eye was both spark and flint. He disavowed nothing: he seemed as if he would defy all things. Without speaking, without smiling, without seeming to recognise in me a human being, he only twined my waist with his arm and riveted me to his side. "Who are you?" he asked of the intruder. "My name is Briggs, a solicitor of --- Street, London." "And you would thrust on me a wife?" "I would remind you of your lady's existence, sir, which the law recognises, if you do not." "Favour me with an account of her--with her name, her parentage, her place of abode." "Certainly." Mr. Briggs calmly took a paper from his pocket, and read out in a sort of official, nasal voice:-- "'I affirm and can prove that on the 20th of October A.D. --- (a date of fifteen years back), Edward Fairfax Rochester, of Thornfield Hall, in the county of ---, and of Ferndean Manor, in ---shire, England, was married to my sister, Bertha Antoinetta Mason, daughter of Jonas Mason, merchant, and of Antoinetta his wife, a Creole, at --- church, Spanish Town, Jamaica. The record of the marriage will be found in the register of that church--a copy of it is now in my possession. Signed, Richard Mason.'" "That--if a genuine document--may prove I have been married, but it does not prove that the woman mentioned therein as my wife is still living." "She was living three months ago," returned the lawyer. "How do you know?" "I have a witness to the fact, whose testimony even you, sir, will scarcely controvert." "Produce him--or go to hell." "I will produce him first--he is on the spot. Mr. Mason, have the goodness to step forward." Mr. Rochester, on hearing the name, set his teeth; he experienced, too, a sort of strong convulsive quiver; near to him as I was, I felt the spasmodic movement of fury or despair run through his frame. The second stranger, who had hitherto lingered in the background, now drew near; a pale face looked over the solicitor's shoulder--yes, it was Mason himself. Mr. Rochester turned and glared at him. His eye, as I have often said, was a black eye: it had now a tawny, nay, a bloody light in its gloom; and his face flushed--olive cheek and hueless forehead received a glow as from spreading, ascending heart-fire: and he stirred, lifted his strong arm--he could have struck Mason, dashed him on the church-floor, shocked by ruthless blow the breath from his body--but Mason shrank away, and cried faintly, "Good God!" Contempt fell cool on Mr. Rochester--his passion died as if a blight had shrivelled it up: he only asked--"What have _you_ to say?" An inaudible reply escaped Mason's white lips. "The devil is in it if you cannot answer distinctly. I again demand, what have you to say?" "Sir--sir," interrupted the clergyman, "do not forget you are in a sacred place." Then addressing Mason, he inquired gently, "Are you aware, sir, whether or not this gentleman's wife is still living?" "Courage," urged the lawyer,--"speak out." "She is now living at Thornfield Hall," said Mason, in more articulate tones: "I saw her there last April. I am her brother." "At Thornfield Hall!" ejaculated the clergyman. "Impossible! I am an old resident in this neighbourhood, sir, and I never heard of a Mrs. Rochester at Thornfield Hall." I saw a grim smile contort Mr. Rochester's lips, and he muttered-- "No, by God! I took care that none should hear of it--or of her under that name." He mused--for ten minutes he held counsel with himself: he formed his resolve, and announced it-- "Enough! all shall bolt out at once, like the bullet from the barrel. Wood, close your book and take off your surplice; John Green (to the clerk), leave the church: there will be no wedding to-day." The man obeyed. Mr. Rochester continued, hardily and recklessly: "Bigamy is an ugly word!--I meant, however, to be a bigamist; but fate has out-manoeuvred me, or Providence has checked me,--perhaps the last. I am little better than a devil at this moment; and, as my pastor there would tell me, deserve no doubt the sternest judgments of God, even to the quenchless fire and deathless worm. Gentlemen, my plan is broken up:--what this lawyer and his client say is true: I have been married, and the woman to whom I was married lives! You say you never heard of a Mrs. Rochester at the house up yonder, Wood; but I daresay you have many a time inclined your ear to gossip about the mysterious lunatic kept there under watch and ward. Some have whispered to you that she is my bastard half-sister: some, my cast-off mistress. I now inform you that she is my wife, whom I married fifteen years ago,--Bertha Mason by name; sister of this resolute personage, who is now, with his quivering limbs and white cheeks, showing you what a stout heart men may bear. Cheer up, Dick!--never fear me!--I'd almost as soon strike a woman as you. Bertha Mason is mad; and she came of a mad family; idiots and maniacs through three generations! Her mother, the Creole, was both a madwoman and a drunkard!--as I found out after I had wed the daughter: for they were silent on family secrets before. Bertha, like a dutiful child, copied her parent in both points. I had a charming partner--pure, wise, modest: you can fancy I was a happy man. I went through rich scenes! Oh! my experience has been heavenly, if you only knew it! But I owe you no further explanation. Briggs, Wood, Mason, I invite you all to come up to the house and visit Mrs. Poole's patient, and _my wife_! You shall see what sort of a being I was cheated into espousing, and judge whether or not I had a right to break the compact, and seek sympathy with something at least human. This girl," he continued, looking at me, "knew no more than you, Wood, of the disgusting secret: she thought all was fair and legal and never dreamt she was going to be entrapped into a feigned union with a defrauded wretch, already bound to a bad, mad, and embruted partner! Come all of you--follow!" Still holding me fast, he left the church: the three gentlemen came after. At the front door of the hall we found the carriage. "Take it back to the coach-house, John," said Mr. Rochester coolly; "it will not be wanted to-day." At our entrance, Mrs. Fairfax, Adele, Sophie, Leah, advanced to meet and greet us. "To the right-about--every soul!" cried the master; "away with your congratulations! Who wants them? Not I!--they are fifteen years too late!" He passed on and ascended the stairs, still holding my hand, and still beckoning the gentlemen to follow him, which they did. We mounted the first staircase, passed up the gallery, proceeded to the third storey: the low, black door, opened by Mr. Rochester's master-key, admitted us to the tapestried room, with its great bed and its pictorial cabinet. "You know this place, Mason," said our guide; "she bit and stabbed you here." He lifted the hangings from the wall, uncovering the second door: this, too, he opened. In a room without a window, there burnt a fire guarded by a high and strong fender, and a lamp suspended from the ceiling by a chain. Grace Poole bent over the fire, apparently cooking something in a saucepan. In the deep shade, at the farther end of the room, a figure ran backwards and forwards. What it was, whether beast or human being, one could not, at first sight, tell: it grovelled, seemingly, on all fours; it snatched and growled like some strange wild animal: but it was covered with clothing, and a quantity of dark, grizzled hair, wild as a mane, hid its head and face. "Good-morrow, Mrs. Poole!" said Mr. Rochester. "How are you? and how is your charge to-day?" "We're tolerable, sir, I thank you," replied Grace, lifting the boiling mess carefully on to the hob: "rather snappish, but not 'rageous." A fierce cry seemed to give the lie to her favourable report: the clothed hyena rose up, and stood tall on its hind-feet. "Ah! sir, she sees you!" exclaimed Grace: "you'd better not stay." "Only a few moments, Grace: you must allow me a few moments." "Take care then, sir!--for God's sake, take care!" The maniac bellowed: she parted her shaggy locks from her visage, and gazed wildly at her visitors. I recognised well that purple face,--those bloated features. Mrs. Poole advanced. "Keep out of the way," said Mr. Rochester, thrusting her aside: "she has no knife now, I suppose, and I'm on my guard." "One never knows what she has, sir: she is so cunning: it is not in mortal discretion to fathom her craft." "We had better leave her," whispered Mason. "Go to the devil!" was his brother-in-law's recommendation. "'Ware!" cried Grace. The three gentlemen retreated simultaneously. Mr. Rochester flung me behind him: the lunatic sprang and grappled his throat viciously, and laid her teeth to his cheek: they struggled. She was a big woman, in stature almost equalling her husband, and corpulent besides: she showed virile force in the contest--more than once she almost throttled him, athletic as he was. He could have settled her with a well-planted blow; but he would not strike: he would only wrestle. At last he mastered her arms; Grace Poole gave him a cord, and he pinioned them behind her: with more rope, which was at hand, he bound her to a chair. The operation was performed amidst the fiercest yells and the most convulsive plunges. Mr. Rochester then turned to the spectators: he looked at them with a smile both acrid and desolate. "That is _my wife_," said he. "Such is the sole conjugal embrace I am ever to know--such are the endearments which are to solace my leisure hours! And _this_ is what I wished to have" (laying his hand on my shoulder): "this young girl, who stands so grave and quiet at the mouth of hell, looking collectedly at the gambols of a demon, I wanted her just as a change after that fierce ragout. Wood and Briggs, look at the difference! Compare these clear eyes with the red balls yonder--this face with that mask--this form with that bulk; then judge me, priest of the gospel and man of the law, and remember with what judgment ye judge ye shall be judged! Off with you now. I must shut up my prize." We all withdrew. Mr. Rochester stayed a moment behind us, to give some further order to Grace Poole. The solicitor addressed me as he descended the stair. "You, madam," said he, "are cleared from all blame: your uncle will be glad to hear it--if, indeed, he should be still living--when Mr. Mason returns to Madeira." "My uncle! What of him? Do you know him?" "Mr. Mason does. Mr. Eyre has been the Funchal correspondent of his house for some years. When your uncle received your letter intimating the contemplated union between yourself and Mr. Rochester, Mr. Mason, who was staying at Madeira to recruit his health, on his way back to Jamaica, happened to be with him. Mr. Eyre mentioned the intelligence; for he knew that my client here was acquainted with a gentleman of the name of Rochester. Mr. Mason, astonished and distressed as you may suppose, revealed the real state of matters. Your uncle, I am sorry to say, is now on a sick bed; from which, considering the nature of his disease--decline--and the stage it has reached, it is unlikely he will ever rise. He could not then hasten to England himself, to extricate you from the snare into which you had fallen, but he implored Mr. Mason to lose no time in taking steps to prevent the false marriage. He referred him to me for assistance. I used all despatch, and am thankful I was not too late: as you, doubtless, must be also. Were I not morally certain that your uncle will be dead ere you reach Madeira, I would advise you to accompany Mr. Mason back; but as it is, I think you had better remain in England till you can hear further, either from or of Mr. Eyre. Have we anything else to stay for?" he inquired of Mr. Mason. "No, no--let us be gone," was the anxious reply; and without waiting to take leave of Mr. Rochester, they made their exit at the hall door. The clergyman stayed to exchange a few sentences, either of admonition or reproof, with his haughty parishioner; this duty done, he too departed. I heard him go as I stood at the half-open door of my own room, to which I had now withdrawn. The house cleared, I shut myself in, fastened the bolt that none might intrude, and proceeded--not to weep, not to mourn, I was yet too calm for that, but--mechanically to take off the wedding dress, and replace it by the stuff gown I had worn yesterday, as I thought, for the last time. I then sat down: I felt weak and tired. I leaned my arms on a table, and my head dropped on them. And now I thought: till now I had only heard, seen, moved--followed up and down where I was led or dragged--watched event rush on event, disclosure open beyond disclosure: but _now_, _I thought_. The morning had been a quiet morning enough--all except the brief scene with the lunatic: the transaction in the church had not been noisy; there was no explosion of passion, no loud altercation, no dispute, no defiance or challenge, no tears, no sobs: a few words had been spoken, a calmly pronounced objection to the marriage made; some stern, short questions put by Mr. Rochester; answers, explanations given, evidence adduced; an open admission of the truth had been uttered by my master; then the living proof had been seen; the intruders were gone, and all was over. I was in my own room as usual--just myself, without obvious change: nothing had smitten me, or scathed me, or maimed me. And yet where was the Jane Eyre of yesterday?--where was her life?--where were her prospects? Jane Eyre, who had been an ardent, expectant woman--almost a bride, was a cold, solitary girl again: her life was pale; her prospects were desolate. A Christmas frost had come at midsummer; a white December storm had whirled over June; ice glazed the ripe apples, drifts crushed the blowing roses; on hayfield and cornfield lay a frozen shroud: lanes which last night blushed full of flowers, to-day were pathless with untrodden snow; and the woods, which twelve hours since waved leafy and flagrant as groves between the tropics, now spread, waste, wild, and white as pine-forests in wintry Norway. My hopes were all dead--struck with a subtle doom, such as, in one night, fell on all the first-born in the land of Egypt. I looked on my cherished wishes, yesterday so blooming and glowing; they lay stark, chill, livid corpses that could never revive. I looked at my love: that feeling which was my master's--which he had created; it shivered in my heart, like a suffering child in a cold cradle; sickness and anguish had seized it; it could not seek Mr. Rochester's arms--it could not derive warmth from his breast. Oh, never more could it turn to him; for faith was blighted--confidence destroyed! Mr. Rochester was not to me what he had been; for he was not what I had thought him. I would not ascribe vice to him; I would not say he had betrayed me; but the attribute of stainless truth was gone from his idea, and from his presence I must go: _that_ I perceived well. When--how--whither, I could not yet discern; but he himself, I doubted not, would hurry me from Thornfield. Real affection, it seemed, he could not have for me; it had been only fitful passion: that was balked; he would want me no more. I should fear even to cross his path now: my view must be hateful to him. Oh, how blind had been my eyes! How weak my conduct! My eyes were covered and closed: eddying darkness seemed to swim round me, and reflection came in as black and confused a flow. Self-abandoned, relaxed, and effortless, I seemed to have laid me down in the dried-up bed of a great river; I heard a flood loosened in remote mountains, and felt the torrent come: to rise I had no will, to flee I had no strength. I lay faint, longing to be dead. One idea only still throbbed life-like within me--a remembrance of God: it begot an unuttered prayer: these words went wandering up and down in my rayless mind, as something that should be whispered, but no energy was found to express them-- "Be not far from me, for trouble is near: there is none to help." It was near: and as I had lifted no petition to Heaven to avert it--as I had neither joined my hands, nor bent my knees, nor moved my lips--it came: in full heavy swing the torrent poured over me. The whole consciousness of my life lorn, my love lost, my hope quenched, my faith death-struck, swayed full and mighty above me in one sullen mass. That bitter hour cannot be described: in truth, "the waters came into my soul; I sank in deep mire: I felt no standing; I came into deep waters; the floods overflowed me."

Chapter 26

https://web.archive.org/web/20210123075639/https://www.sparknotes.com/lit/janeeyre/section6/

Sophie helps Jane dress for the wedding, and Rochester and Jane walk to the church. Jane notes a pair of strangers reading the headstones in the churchyard cemetery. When Jane and Rochester enter the church, the two strangers are also present. When the priest asks if anyone objects to the ceremony, one of the strangers answers: "The marriage cannot go on: I declare the existence of an impediment." Rochester attempts to proceed with the ceremony, but the stranger explains that Rochester is already married--his wife is a Creole woman whom Rochester wed fifteen years earlier in Jamaica. The speaker explains that he is a solicitor from London, and he introduces himself as Mr. Briggs. He produces a signed letter from Richard Mason affirming that Rochester is married to Mason's sister, Bertha. Mr. Mason himself then steps forward to corroborate the story. After a moment of inarticulate fury, Rochester admits that his wife is alive and that in marrying Jane he would have been knowingly taking a second wife. No one in the community knows of his wife because she is mad, and Rochester keeps her locked away under the care of Grace Poole. But, he promises them all, Jane is completely ignorant of Bertha's existence. He orders the crowd to come to Thornfield to see her, so that they may understand what impelled him to his present course of action. At Thornfield, the group climbs to the third story. Rochester points out the room where Bertha bit and stabbed her brother, and then he lifts a tapestry to uncover a second door. Inside the hidden room is Bertha Mason, under the care of Grace Poole. Jane writes: In the deep shade, at the farther end of the room, a figure ran backwards and forwards. What it was, whether beast or human being, one could not, at first sight tell: it grovelled, seemingly, on all fours; it snatched and growled like some strange wild animal: but it was covered with clothing, and a quantity of dark, grizzled hair, wild as a mane, hid its head and face. Bertha attempts to strangle Rochester, who reminds his audience, "this is the sole conjugal embrace I am ever to know." Jane leaves the room with Mason and Briggs, who tells her that he learned of her intent to marry Jane via a letter from Jane's uncle, John Eyre, to Mason. It turns out that the two men are acquaintances, and Mason had stopped in Madeira on his way back to Jamaica when John received Jane's letter. Approaching death, John asked Mason to hurry to England to save his niece. After the wedding crowd disperses, Jane locks herself in her room and plunges into an inexpressible grief. She thinks about the almost calm manner in which the morning's events unfolded and how it seems disproportionate to the immense effect those events will have on her life. She prays to God to be with her.

The incident of the "madwoman in the attic" is probably the most famous in Jane Eyre, and it has given rise to innumerable interpretations and symbolic readings. For example, Bertha Mason could represent the horror of Victorian marriage. Rochester claims to have imprisoned her because she is mad, but it is easy to imagine an opposite relation of cause and effect, in which years of enforced imprisonment and isolation have made her violently insane or, at least, increased her insanity. Thus, the madwoman in the attic could represent the confining and repressive aspects of Victorian wifehood, suggesting that the lack of autonomy and freedom in marriage suffocates women, threatening their mental and emotional health. Bertha's tearing of Jane's wedding veil could be seen as symbolizing her revolt against the institution of marriage. Another interpretation is that Rochester's marriage to Bertha represents the British Empire's cultural and economic exploitation of its colonial subjects. Briggs's letter states that Bertha's mother is a "Creole," which could mean either that she is a person of European descent born in the colonies or that she is of black or mixed descent. In either case, Bertha might have evoked British anxieties about having to deal with the other cultures under Britain's dominion, and Bertha's imprisonment might signify Britain's attempt to control and contain the influence of these subject cultures by metaphorically "locking them in the attic." Still another interpretation of Bertha is that she is a double for Jane herself, the embodiment of Jane's repressed fear and anger, both in regard to her specific situation and in regard to oppression. For although Jane declares her love for Rochester, her dreams and apprehensions suggest that she also secretly fears being married to him, perhaps even that she secretly wants to rage against the imprisonment that marriage could become for her. Although Jane does not manifest this fear or rage, Bertha does. Thus, Bertha tears the bridal veil, and it is Bertha's existence that stops the wedding from going forth. Each of these arguments provides an interesting way of thinking about the text, but it is also important to recognize that Bertha does not function merely as a symbol. Her presence is also a gripping story element and a source of external psychological distress for Jane, from which Jane develops and grows. Similarly, Thornfield could be seen as "British Society at Large," but Thornfield is more than just an allegory. The relationships between Thornfield's inhabitants as well as its architecture and grounds are all important to Jane's story. Lastly, Jane herself, while possessing many proto-feminist viewpoints, is not simply a symbol for the "Victorian Woman." Her individual psychology cannot be read as representing the mindset of all Victorian women.

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Jane Eyre.volume 3.chapter 27

volume 3, chapter 27

{"name": "volume 3, Chapter 27", "url": "https://web.archive.org/web/20210123075639/https://www.sparknotes.com/lit/janeeyre/section7/", "summary": "After falling asleep for a short while, Jane awakes to the realization that she must leave Thornfield. When she steps out of her room, she finds Rochester waiting in a chair on the threshold. To Rochester's assurances that he never meant to wound her, and to his pleas of forgiveness, Jane is silent, although she confides to the reader that she forgave him on the spot. Jane suddenly feels faint, and Rochester carries her to the library to revive her. He then offers her a new proposal--to leave England with him for the South of France, where they will live together as husband and wife. Jane refuses, explaining that no matter how Rochester chooses to view the situation, she will never be more than a mistress to him while Bertha is alive. Rochester realizes that he must explain why he does not consider himself married, and he launches into the story of his past. Unwilling to divide his property, Rochester's father left his entire estate to his other son, Rowland, and sent Rochester to Jamaica to marry Bertha, who was to inherit a massive fortune--30,000 pounds. Bertha was beautiful, and although she and Rochester spent hardly any time alone, the stimulated, dazzled, and ignorant youth believed himself to be in love and agreed to the marriage. Shortly after the wedding, Rochester learned that Bertha's mother was not, as he had been led to believe, dead, but mad and living in an insane asylum. Bertha's younger brother was a mute idiot. Rochester's father and brother had known about the family's unpromising genetic legacy, but they had promoted the marriage for the sake of the money. Bertha soon revealed herself to be coarse, perverse, and prone to violent outbreaks of temper and unhealthy indulgences. These excesses only hastened the approach of what had been lurking on her horizon already: absolute madness. By this time, Rochester's father and brother had died, so Rochester found himself all alone with a maniacal wife and a huge fortune. He considered killing himself but returned to England instead. He resolved to place Bertha at Thornfield Hall \"in safety and comfort: shelter her degradation with secrecy, and leave her. Rochester then drifted around the continent from one city to the next, always in search of a woman to love. When he was met with disappointment, he sank into debauchery. He was always disappointed with his mistresses, because they were, as he puts it, \"the next worse thing to buying a slave. Then he met Jane. Rochester retells the story of their introduction from his point of view, telling her that she enchanted him from the start. Jane feels torn. She doesn't want to condemn Rochester to further misery, and a voice within her asks, \"Who in the world cares for you. Jane wonders how she could ever find another man who values her the way Rochester does, and whether, after a life of loneliness and neglect, she should leave the first man who has ever loved her. Yet her conscience tells her that she will respect herself all the more if she bears her suffering alone and does what she believes to be right. She tells Rochester that she must go, but she kisses his cheek and prays aloud for God to bless him as she departs. That night, Jane has a dream in which her mother tells her to flee temptation. She grabs her purse, sneaks down the stairs, and leaves Thornfield", "analysis": ""}

Some time in the afternoon I raised my head, and looking round and seeing the western sun gilding the sign of its decline on the wall, I asked, "What am I to do?" But the answer my mind gave--"Leave Thornfield at once"--was so prompt, so dread, that I stopped my ears. I said I could not bear such words now. "That I am not Edward Rochester's bride is the least part of my woe," I alleged: "that I have wakened out of most glorious dreams, and found them all void and vain, is a horror I could bear and master; but that I must leave him decidedly, instantly, entirely, is intolerable. I cannot do it." But, then, a voice within me averred that I could do it and foretold that I should do it. I wrestled with my own resolution: I wanted to be weak that I might avoid the awful passage of further suffering I saw laid out for me; and Conscience, turned tyrant, held Passion by the throat, told her tauntingly, she had yet but dipped her dainty foot in the slough, and swore that with that arm of iron he would thrust her down to unsounded depths of agony. "Let me be torn away," then I cried. "Let another help me!" "No; you shall tear yourself away, none shall help you: you shall yourself pluck out your right eye; yourself cut off your right hand: your heart shall be the victim, and you the priest to transfix it." I rose up suddenly, terror-struck at the solitude which so ruthless a judge haunted,--at the silence which so awful a voice filled. My head swam as I stood erect. I perceived that I was sickening from excitement and inanition; neither meat nor drink had passed my lips that day, for I had taken no breakfast. And, with a strange pang, I now reflected that, long as I had been shut up here, no message had been sent to ask how I was, or to invite me to come down: not even little Adele had tapped at the door; not even Mrs. Fairfax had sought me. "Friends always forget those whom fortune forsakes," I murmured, as I undrew the bolt and passed out. I stumbled over an obstacle: my head was still dizzy, my sight was dim, and my limbs were feeble. I could not soon recover myself. I fell, but not on to the ground: an outstretched arm caught me. I looked up--I was supported by Mr. Rochester, who sat in a chair across my chamber threshold. "You come out at last," he said. "Well, I have been waiting for you long, and listening: yet not one movement have I heard, nor one sob: five minutes more of that death-like hush, and I should have forced the lock like a burglar. So you shun me?--you shut yourself up and grieve alone! I would rather you had come and upbraided me with vehemence. You are passionate. I expected a scene of some kind. I was prepared for the hot rain of tears; only I wanted them to be shed on my breast: now a senseless floor has received them, or your drenched handkerchief. But I err: you have not wept at all! I see a white cheek and a faded eye, but no trace of tears. I suppose, then, your heart has been weeping blood?" "Well, Jane! not a word of reproach? Nothing bitter--nothing poignant? Nothing to cut a feeling or sting a passion? You sit quietly where I have placed you, and regard me with a weary, passive look." "Jane, I never meant to wound you thus. If the man who had but one little ewe lamb that was dear to him as a daughter, that ate of his bread and drank of his cup, and lay in his bosom, had by some mistake slaughtered it at the shambles, he would not have rued his bloody blunder more than I now rue mine. Will you ever forgive me?" Reader, I forgave him at the moment and on the spot. There was such deep remorse in his eye, such true pity in his tone, such manly energy in his manner; and besides, there was such unchanged love in his whole look and mien--I forgave him all: yet not in words, not outwardly; only at my heart's core. "You know I am a scoundrel, Jane?" ere long he inquired wistfully--wondering, I suppose, at my continued silence and tameness, the result rather of weakness than of will. "Yes, sir." "Then tell me so roundly and sharply--don't spare me." "I cannot: I am tired and sick. I want some water." He heaved a sort of shuddering sigh, and taking me in his arms, carried me downstairs. At first I did not know to what room he had borne me; all was cloudy to my glazed sight: presently I felt the reviving warmth of a fire; for, summer as it was, I had become icy cold in my chamber. He put wine to my lips; I tasted it and revived; then I ate something he offered me, and was soon myself. I was in the library--sitting in his chair--he was quite near. "If I could go out of life now, without too sharp a pang, it would be well for me," I thought; "then I should not have to make the effort of cracking my heart-strings in rending them from among Mr. Rochester's. I must leave him, it appears. I do not want to leave him--I cannot leave him." "How are you now, Jane?" "Much better, sir; I shall be well soon." "Taste the wine again, Jane." I obeyed him; then he put the glass on the table, stood before me, and looked at me attentively. Suddenly he turned away, with an inarticulate exclamation, full of passionate emotion of some kind; he walked fast through the room and came back; he stooped towards me as if to kiss me; but I remembered caresses were now forbidden. I turned my face away and put his aside. "What!--How is this?" he exclaimed hastily. "Oh, I know! you won't kiss the husband of Bertha Mason? You consider my arms filled and my embraces appropriated?" "At any rate, there is neither room nor claim for me, sir." "Why, Jane? I will spare you the trouble of much talking; I will answer for you--Because I have a wife already, you would reply.--I guess rightly?" "Yes." "If you think so, you must have a strange opinion of me; you must regard me as a plotting profligate--a base and low rake who has been simulating disinterested love in order to draw you into a snare deliberately laid, and strip you of honour and rob you of self-respect. What do you say to that? I see you can say nothing in the first place, you are faint still, and have enough to do to draw your breath; in the second place, you cannot yet accustom yourself to accuse and revile me, and besides, the flood-gates of tears are opened, and they would rush out if you spoke much; and you have no desire to expostulate, to upbraid, to make a scene: you are thinking how _to act_--_talking_ you consider is of no use. I know you--I am on my guard." "Sir, I do not wish to act against you," I said; and my unsteady voice warned me to curtail my sentence. "Not in your sense of the word, but in mine you are scheming to destroy me. You have as good as said that I am a married man--as a married man you will shun me, keep out of my way: just now you have refused to kiss me. You intend to make yourself a complete stranger to me: to live under this roof only as Adele's governess; if ever I say a friendly word to you, if ever a friendly feeling inclines you again to me, you will say,--'That man had nearly made me his mistress: I must be ice and rock to him;' and ice and rock you will accordingly become." I cleared and steadied my voice to reply: "All is changed about me, sir; I must change too--there is no doubt of that; and to avoid fluctuations of feeling, and continual combats with recollections and associations, there is only one way--Adele must have a new governess, sir." "Oh, Adele will go to school--I have settled that already; nor do I mean to torment you with the hideous associations and recollections of Thornfield Hall--this accursed place--this tent of Achan--this insolent vault, offering the ghastliness of living death to the light of the open sky--this narrow stone hell, with its one real fiend, worse than a legion of such as we imagine. Jane, you shall not stay here, nor will I. I was wrong ever to bring you to Thornfield Hall, knowing as I did how it was haunted. I charged them to conceal from you, before I ever saw you, all knowledge of the curse of the place; merely because I feared Adele never would have a governess to stay if she knew with what inmate she was housed, and my plans would not permit me to remove the maniac elsewhere--though I possess an old house, Ferndean Manor, even more retired and hidden than this, where I could have lodged her safely enough, had not a scruple about the unhealthiness of the situation, in the heart of a wood, made my conscience recoil from the arrangement. Probably those damp walls would soon have eased me of her charge: but to each villain his own vice; and mine is not a tendency to indirect assassination, even of what I most hate. "Concealing the mad-woman's neighbourhood from you, however, was something like covering a child with a cloak and laying it down near a upas-tree: that demon's vicinage is poisoned, and always was. But I'll shut up Thornfield Hall: I'll nail up the front door and board the lower windows: I'll give Mrs. Poole two hundred a year to live here with _my wife_, as you term that fearful hag: Grace will do much for money, and she shall have her son, the keeper at Grimsby Retreat, to bear her company and be at hand to give her aid in the paroxysms, when _my wife_ is prompted by her familiar to burn people in their beds at night, to stab them, to bite their flesh from their bones, and so on--" "Sir," I interrupted him, "you are inexorable for that unfortunate lady: you speak of her with hate--with vindictive antipathy. It is cruel--she cannot help being mad." "Jane, my little darling (so I will call you, for so you are), you don't know what you are talking about; you misjudge me again: it is not because she is mad I hate her. If you were mad, do you think I should hate you?" "I do indeed, sir." "Then you are mistaken, and you know nothing about me, and nothing about the sort of love of which I am capable. Every atom of your flesh is as dear to me as my own: in pain and sickness it would still be dear. Your mind is my treasure, and if it were broken, it would be my treasure still: if you raved, my arms should confine you, and not a strait waistcoat--your grasp, even in fury, would have a charm for me: if you flew at me as wildly as that woman did this morning, I should receive you in an embrace, at least as fond as it would be restrictive. I should not shrink from you with disgust as I did from her: in your quiet moments you should have no watcher and no nurse but me; and I could hang over you with untiring tenderness, though you gave me no smile in return; and never weary of gazing into your eyes, though they had no longer a ray of recognition for me.--But why do I follow that train of ideas? I was talking of removing you from Thornfield. All, you know, is prepared for prompt departure: to-morrow you shall go. I only ask you to endure one more night under this roof, Jane; and then, farewell to its miseries and terrors for ever! I have a place to repair to, which will be a secure sanctuary from hateful reminiscences, from unwelcome intrusion--even from falsehood and slander." "And take Adele with you, sir," I interrupted; "she will be a companion for you." "What do you mean, Jane? I told you I would send Adele to school; and what do I want with a child for a companion, and not my own child,--a French dancer's bastard? Why do you importune me about her! I say, why do you assign Adele to me for a companion?" "You spoke of a retirement, sir; and retirement and solitude are dull: too dull for you." "Solitude! solitude!" he reiterated with irritation. "I see I must come to an explanation. I don't know what sphynx-like expression is forming in your countenance. You are to share my solitude. Do you understand?" I shook my head: it required a degree of courage, excited as he was becoming, even to risk that mute sign of dissent. He had been walking fast about the room, and he stopped, as if suddenly rooted to one spot. He looked at me long and hard: I turned my eyes from him, fixed them on the fire, and tried to assume and maintain a quiet, collected aspect. "Now for the hitch in Jane's character," he said at last, speaking more calmly than from his look I had expected him to speak. "The reel of silk has run smoothly enough so far; but I always knew there would come a knot and a puzzle: here it is. Now for vexation, and exasperation, and endless trouble! By God! I long to exert a fraction of Samson's strength, and break the entanglement like tow!" He recommenced his walk, but soon again stopped, and this time just before me. "Jane! will you hear reason?" (he stooped and approached his lips to my ear); "because, if you won't, I'll try violence." His voice was hoarse; his look that of a man who is just about to burst an insufferable bond and plunge headlong into wild license. I saw that in another moment, and with one impetus of frenzy more, I should be able to do nothing with him. The present--the passing second of time--was all I had in which to control and restrain him--a movement of repulsion, flight, fear would have sealed my doom,--and his. But I was not afraid: not in the least. I felt an inward power; a sense of influence, which supported me. The crisis was perilous; but not without its charm: such as the Indian, perhaps, feels when he slips over the rapid in his canoe. I took hold of his clenched hand, loosened the contorted fingers, and said to him, soothingly-- "Sit down; I'll talk to you as long as you like, and hear all you have to say, whether reasonable or unreasonable." He sat down: but he did not get leave to speak directly. I had been struggling with tears for some time: I had taken great pains to repress them, because I knew he would not like to see me weep. Now, however, I considered it well to let them flow as freely and as long as they liked. If the flood annoyed him, so much the better. So I gave way and cried heartily. Soon I heard him earnestly entreating me to be composed. I said I could not while he was in such a passion. "But I am not angry, Jane: I only love you too well; and you had steeled your little pale face with such a resolute, frozen look, I could not endure it. Hush, now, and wipe your eyes." His softened voice announced that he was subdued; so I, in my turn, became calm. Now he made an effort to rest his head on my shoulder, but I would not permit it. Then he would draw me to him: no. "Jane! Jane!" he said, in such an accent of bitter sadness it thrilled along every nerve I had; "you don't love me, then? It was only my station, and the rank of my wife, that you valued? Now that you think me disqualified to become your husband, you recoil from my touch as if I were some toad or ape." These words cut me: yet what could I do or I say? I ought probably to have done or said nothing; but I was so tortured by a sense of remorse at thus hurting his feelings, I could not control the wish to drop balm where I had wounded. "I _do_ love you," I said, "more than ever: but I must not show or indulge the feeling: and this is the last time I must express it." "The last time, Jane! What! do you think you can live with me, and see me daily, and yet, if you still love me, be always cold and distant?" "No, sir; that I am certain I could not; and therefore I see there is but one way: but you will be furious if I mention it." "Oh, mention it! If I storm, you have the art of weeping." "Mr. Rochester, I must leave you." "For how long, Jane? For a few minutes, while you smooth your hair--which is somewhat dishevelled; and bathe your face--which looks feverish?" "I must leave Adele and Thornfield. I must part with you for my whole life: I must begin a new existence among strange faces and strange scenes." "Of course: I told you you should. I pass over the madness about parting from me. You mean you must become a part of me. As to the new existence, it is all right: you shall yet be my wife: I am not married. You shall be Mrs. Rochester--both virtually and nominally. I shall keep only to you so long as you and I live. You shall go to a place I have in the south of France: a whitewashed villa on the shores of the Mediterranean. There you shall live a happy, and guarded, and most innocent life. Never fear that I wish to lure you into error--to make you my mistress. Why did you shake your head? Jane, you must be reasonable, or in truth I shall again become frantic." His voice and hand quivered: his large nostrils dilated; his eye blazed: still I dared to speak. "Sir, your wife is living: that is a fact acknowledged this morning by yourself. If I lived with you as you desire, I should then be your mistress: to say otherwise is sophistical--is false." "Jane, I am not a gentle-tempered man--you forget that: I am not long- enduring; I am not cool and dispassionate. Out of pity to me and yourself, put your finger on my pulse, feel how it throbs, and--beware!" He bared his wrist, and offered it to me: the blood was forsaking his cheek and lips, they were growing livid; I was distressed on all hands. To agitate him thus deeply, by a resistance he so abhorred, was cruel: to yield was out of the question. I did what human beings do instinctively when they are driven to utter extremity--looked for aid to one higher than man: the words "God help me!" burst involuntarily from my lips. "I am a fool!" cried Mr. Rochester suddenly. "I keep telling her I am not married, and do not explain to her why. I forget she knows nothing of the character of that woman, or of the circumstances attending my infernal union with her. Oh, I am certain Jane will agree with me in opinion, when she knows all that I know! Just put your hand in mine, Janet--that I may have the evidence of touch as well as sight, to prove you are near me--and I will in a few words show you the real state of the case. Can you listen to me?" "Yes, sir; for hours if you will." "I ask only minutes. Jane, did you ever hear or know that I was not the eldest son of my house: that I had once a brother older than I?" "I remember Mrs. Fairfax told me so once." "And did you ever hear that my father was an avaricious, grasping man?" "I have understood something to that effect." "Well, Jane, being so, it was his resolution to keep the property together; he could not bear the idea of dividing his estate and leaving me a fair portion: all, he resolved, should go to my brother, Rowland. Yet as little could he endure that a son of his should be a poor man. I must be provided for by a wealthy marriage. He sought me a partner betimes. Mr. Mason, a West India planter and merchant, was his old acquaintance. He was certain his possessions were real and vast: he made inquiries. Mr. Mason, he found, had a son and daughter; and he learned from him that he could and would give the latter a fortune of thirty thousand pounds: that sufficed. When I left college, I was sent out to Jamaica, to espouse a bride already courted for me. My father said nothing about her money; but he told me Miss Mason was the boast of Spanish Town for her beauty: and this was no lie. I found her a fine woman, in the style of Blanche Ingram: tall, dark, and majestic. Her family wished to secure me because I was of a good race; and so did she. They showed her to me in parties, splendidly dressed. I seldom saw her alone, and had very little private conversation with her. She flattered me, and lavishly displayed for my pleasure her charms and accomplishments. All the men in her circle seemed to admire her and envy me. I was dazzled, stimulated: my senses were excited; and being ignorant, raw, and inexperienced, I thought I loved her. There is no folly so besotted that the idiotic rivalries of society, the prurience, the rashness, the blindness of youth, will not hurry a man to its commission. Her relatives encouraged me; competitors piqued me; she allured me: a marriage was achieved almost before I knew where I was. Oh, I have no respect for myself when I think of that act!--an agony of inward contempt masters me. I never loved, I never esteemed, I did not even know her. I was not sure of the existence of one virtue in her nature: I had marked neither modesty, nor benevolence, nor candour, nor refinement in her mind or manners--and, I married her:--gross, grovelling, mole-eyed blockhead that I was! With less sin I might have--But let me remember to whom I am speaking." "My bride's mother I had never seen: I understood she was dead. The honeymoon over, I learned my mistake; she was only mad, and shut up in a lunatic asylum. There was a younger brother, too--a complete dumb idiot. The elder one, whom you have seen (and whom I cannot hate, whilst I abhor all his kindred, because he has some grains of affection in his feeble mind, shown in the continued interest he takes in his wretched sister, and also in a dog-like attachment he once bore me), will probably be in the same state one day. My father and my brother Rowland knew all this; but they thought only of the thirty thousand pounds, and joined in the plot against me." "These were vile discoveries; but except for the treachery of concealment, I should have made them no subject of reproach to my wife, even when I found her nature wholly alien to mine, her tastes obnoxious to me, her cast of mind common, low, narrow, and singularly incapable of being led to anything higher, expanded to anything larger--when I found that I could not pass a single evening, nor even a single hour of the day with her in comfort; that kindly conversation could not be sustained between us, because whatever topic I started, immediately received from her a turn at once coarse and trite, perverse and imbecile--when I perceived that I should never have a quiet or settled household, because no servant would bear the continued outbreaks of her violent and unreasonable temper, or the vexations of her absurd, contradictory, exacting orders--even then I restrained myself: I eschewed upbraiding, I curtailed remonstrance; I tried to devour my repentance and disgust in secret; I repressed the deep antipathy I felt. "Jane, I will not trouble you with abominable details: some strong words shall express what I have to say. I lived with that woman upstairs four years, and before that time she had tried me indeed: her character ripened and developed with frightful rapidity; her vices sprang up fast and rank: they were so strong, only cruelty could check them, and I would not use cruelty. What a pigmy intellect she had, and what giant propensities! How fearful were the curses those propensities entailed on me! Bertha Mason, the true daughter of an infamous mother, dragged me through all the hideous and degrading agonies which must attend a man bound to a wife at once intemperate and unchaste. "My brother in the interval was dead, and at the end of the four years my father died too. I was rich enough now--yet poor to hideous indigence: a nature the most gross, impure, depraved I ever saw, was associated with mine, and called by the law and by society a part of me. And I could not rid myself of it by any legal proceedings: for the doctors now discovered that _my wife_ was mad--her excesses had prematurely developed the germs of insanity. Jane, you don't like my narrative; you look almost sick--shall I defer the rest to another day?" "No, sir, finish it now; I pity you--I do earnestly pity you." "Pity, Jane, from some people is a noxious and insulting sort of tribute, which one is justified in hurling back in the teeth of those who offer it; but that is the sort of pity native to callous, selfish hearts; it is a hybrid, egotistical pain at hearing of woes, crossed with ignorant contempt for those who have endured them. But that is not your pity, Jane; it is not the feeling of which your whole face is full at this moment--with which your eyes are now almost overflowing--with which your heart is heaving--with which your hand is trembling in mine. Your pity, my darling, is the suffering mother of love: its anguish is the very natal pang of the divine passion. I accept it, Jane; let the daughter have free advent--my arms wait to receive her." "Now, sir, proceed; what did you do when you found she was mad?" "Jane, I approached the verge of despair; a remnant of self-respect was all that intervened between me and the gulf. In the eyes of the world, I was doubtless covered with grimy dishonour; but I resolved to be clean in my own sight--and to the last I repudiated the contamination of her crimes, and wrenched myself from connection with her mental defects. Still, society associated my name and person with hers; I yet saw her and heard her daily: something of her breath (faugh!) mixed with the air I breathed; and besides, I remembered I had once been her husband--that recollection was then, and is now, inexpressibly odious to me; moreover, I knew that while she lived I could never be the husband of another and better wife; and, though five years my senior (her family and her father had lied to me even in the particular of her age), she was likely to live as long as I, being as robust in frame as she was infirm in mind. Thus, at the age of twenty-six, I was hopeless. "One night I had been awakened by her yells--(since the medical men had pronounced her mad, she had, of course, been shut up)--it was a fiery West Indian night; one of the description that frequently precede the hurricanes of those climates. Being unable to sleep in bed, I got up and opened the window. The air was like sulphur-steams--I could find no refreshment anywhere. Mosquitoes came buzzing in and hummed sullenly round the room; the sea, which I could hear from thence, rumbled dull like an earthquake--black clouds were casting up over it; the moon was setting in the waves, broad and red, like a hot cannon-ball--she threw her last bloody glance over a world quivering with the ferment of tempest. I was physically influenced by the atmosphere and scene, and my ears were filled with the curses the maniac still shrieked out; wherein she momentarily mingled my name with such a tone of demon-hate, with such language!--no professed harlot ever had a fouler vocabulary than she: though two rooms off, I heard every word--the thin partitions of the West India house opposing but slight obstruction to her wolfish cries. "'This life,' said I at last, 'is hell: this is the air--those are the sounds of the bottomless pit! I have a right to deliver myself from it if I can. The sufferings of this mortal state will leave me with the heavy flesh that now cumbers my soul. Of the fanatic's burning eternity I have no fear: there is not a future state worse than this present one--let me break away, and go home to God!' "I said this whilst I knelt down at, and unlocked a trunk which contained a brace of loaded pistols: I mean to shoot myself. I only entertained the intention for a moment; for, not being insane, the crisis of exquisite and unalloyed despair, which had originated the wish and design of self-destruction, was past in a second. "A wind fresh from Europe blew over the ocean and rushed through the open casement: the storm broke, streamed, thundered, blazed, and the air grew pure. I then framed and fixed a resolution. While I walked under the dripping orange-trees of my wet garden, and amongst its drenched pomegranates and pine-apples, and while the refulgent dawn of the tropics kindled round me--I reasoned thus, Jane--and now listen; for it was true Wisdom that consoled me in that hour, and showed me the right path to follow. "The sweet wind from Europe was still whispering in the refreshed leaves, and the Atlantic was thundering in glorious liberty; my heart, dried up and scorched for a long time, swelled to the tone, and filled with living blood--my being longed for renewal--my soul thirsted for a pure draught. I saw hope revive--and felt regeneration possible. From a flowery arch at the bottom of my garden I gazed over the sea--bluer than the sky: the old world was beyond; clear prospects opened thus:-- "'Go,' said Hope, 'and live again in Europe: there it is not known what a sullied name you bear, nor what a filthy burden is bound to you. You may take the maniac with you to England; confine her with due attendance and precautions at Thornfield: then travel yourself to what clime you will, and form what new tie you like. That woman, who has so abused your long- suffering, so sullied your name, so outraged your honour, so blighted your youth, is not your wife, nor are you her husband. See that she is cared for as her condition demands, and you have done all that God and humanity require of you. Let her identity, her connection with yourself, be buried in oblivion: you are bound to impart them to no living being. Place her in safety and comfort: shelter her degradation with secrecy, and leave her.' "I acted precisely on this suggestion. My father and brother had not made my marriage known to their acquaintance; because, in the very first letter I wrote to apprise them of the union--having already begun to experience extreme disgust of its consequences, and, from the family character and constitution, seeing a hideous future opening to me--I added an urgent charge to keep it secret: and very soon the infamous conduct of the wife my father had selected for me was such as to make him blush to own her as his daughter-in-law. Far from desiring to publish the connection, he became as anxious to conceal it as myself. "To England, then, I conveyed her; a fearful voyage I had with such a monster in the vessel. Glad was I when I at last got her to Thornfield, and saw her safely lodged in that third-storey room, of whose secret inner cabinet she has now for ten years made a wild beast's den--a goblin's cell. I had some trouble in finding an attendant for her, as it was necessary to select one on whose fidelity dependence could be placed; for her ravings would inevitably betray my secret: besides, she had lucid intervals of days--sometimes weeks--which she filled up with abuse of me. At last I hired Grace Poole from the Grimbsy Retreat. She and the surgeon, Carter (who dressed Mason's wounds that night he was stabbed and worried), are the only two I have ever admitted to my confidence. Mrs. Fairfax may indeed have suspected something, but she could have gained no precise knowledge as to facts. Grace has, on the whole, proved a good keeper; though, owing partly to a fault of her own, of which it appears nothing can cure her, and which is incident to her harassing profession, her vigilance has been more than once lulled and baffled. The lunatic is both cunning and malignant; she has never failed to take advantage of her guardian's temporary lapses; once to secrete the knife with which she stabbed her brother, and twice to possess herself of the key of her cell, and issue therefrom in the night-time. On the first of these occasions, she perpetrated the attempt to burn me in my bed; on the second, she paid that ghastly visit to you. I thank Providence, who watched over you, that she then spent her fury on your wedding apparel, which perhaps brought back vague reminiscences of her own bridal days: but on what might have happened, I cannot endure to reflect. When I think of the thing which flew at my throat this morning, hanging its black and scarlet visage over the nest of my dove, my blood curdles--" "And what, sir," I asked, while he paused, "did you do when you had settled her here? Where did you go?" "What did I do, Jane? I transformed myself into a will-o'-the-wisp. Where did I go? I pursued wanderings as wild as those of the March-spirit. I sought the Continent, and went devious through all its lands. My fixed desire was to seek and find a good and intelligent woman, whom I could love: a contrast to the fury I left at Thornfield--" "But you could not marry, sir." "I had determined and was convinced that I could and ought. It was not my original intention to deceive, as I have deceived you. I meant to tell my tale plainly, and make my proposals openly: and it appeared to me so absolutely rational that I should be considered free to love and be loved, I never doubted some woman might be found willing and able to understand my case and accept me, in spite of the curse with which I was burdened." "Well, sir?" "When you are inquisitive, Jane, you always make me smile. You open your eyes like an eager bird, and make every now and then a restless movement, as if answers in speech did not flow fast enough for you, and you wanted to read the tablet of one's heart. But before I go on, tell me what you mean by your 'Well, sir?' It is a small phrase very frequent with you; and which many a time has drawn me on and on through interminable talk: I don't very well know why." "I mean,--What next? How did you proceed? What came of such an event?" "Precisely! and what do you wish to know now?" "Whether you found any one you liked: whether you asked her to marry you; and what she said." "I can tell you whether I found any one I liked, and whether I asked her to marry me: but what she said is yet to be recorded in the book of Fate. For ten long years I roved about, living first in one capital, then another: sometimes in St. Petersburg; oftener in Paris; occasionally in Rome, Naples, and Florence. Provided with plenty of money and the passport of an old name, I could choose my own society: no circles were closed against me. I sought my ideal of a woman amongst English ladies, French countesses, Italian signoras, and German grafinnen. I could not find her. Sometimes, for a fleeting moment, I thought I caught a glance, heard a tone, beheld a form, which announced the realisation of my dream: but I was presently undeserved. You are not to suppose that I desired perfection, either of mind or person. I longed only for what suited me--for the antipodes of the Creole: and I longed vainly. Amongst them all I found not one whom, had I been ever so free, I--warned as I was of the risks, the horrors, the loathings of incongruous unions--would have asked to marry me. Disappointment made me reckless. I tried dissipation--never debauchery: that I hated, and hate. That was my Indian Messalina's attribute: rooted disgust at it and her restrained me much, even in pleasure. Any enjoyment that bordered on riot seemed to approach me to her and her vices, and I eschewed it. "Yet I could not live alone; so I tried the companionship of mistresses. The first I chose was Celine Varens--another of those steps which make a man spurn himself when he recalls them. You already know what she was, and how my liaison with her terminated. She had two successors: an Italian, Giacinta, and a German, Clara; both considered singularly handsome. What was their beauty to me in a few weeks? Giacinta was unprincipled and violent: I tired of her in three months. Clara was honest and quiet; but heavy, mindless, and unimpressible: not one whit to my taste. I was glad to give her a sufficient sum to set her up in a good line of business, and so get decently rid of her. But, Jane, I see by your face you are not forming a very favourable opinion of me just now. You think me an unfeeling, loose-principled rake: don't you?" "I don't like you so well as I have done sometimes, indeed, sir. Did it not seem to you in the least wrong to live in that way, first with one mistress and then another? You talk of it as a mere matter of course." "It was with me; and I did not like it. It was a grovelling fashion of existence: I should never like to return to it. Hiring a mistress is the next worse thing to buying a slave: both are often by nature, and always by position, inferior: and to live familiarly with inferiors is degrading. I now hate the recollection of the time I passed with Celine, Giacinta, and Clara." I felt the truth of these words; and I drew from them the certain inference, that if I were so far to forget myself and all the teaching that had ever been instilled into me, as--under any pretext--with any justification--through any temptation--to become the successor of these poor girls, he would one day regard me with the same feeling which now in his mind desecrated their memory. I did not give utterance to this conviction: it was enough to feel it. I impressed it on my heart, that it might remain there to serve me as aid in the time of trial. "Now, Jane, why don't you say 'Well, sir?' I have not done. You are looking grave. You disapprove of me still, I see. But let me come to the point. Last January, rid of all mistresses--in a harsh, bitter frame of mind, the result of a useless, roving, lonely life--corroded with disappointment, sourly disposed against all men, and especially against all womankind (for I began to regard the notion of an intellectual, faithful, loving woman as a mere dream), recalled by business, I came back to England. "On a frosty winter afternoon, I rode in sight of Thornfield Hall. Abhorred spot! I expected no peace--no pleasure there. On a stile in Hay Lane I saw a quiet little figure sitting by itself. I passed it as negligently as I did the pollard willow opposite to it: I had no presentiment of what it would be to me; no inward warning that the arbitress of my life--my genius for good or evil--waited there in humble guise. I did not know it, even when, on the occasion of Mesrour's accident, it came up and gravely offered me help. Childish and slender creature! It seemed as if a linnet had hopped to my foot and proposed to bear me on its tiny wing. I was surly; but the thing would not go: it stood by me with strange perseverance, and looked and spoke with a sort of authority. I must be aided, and by that hand: and aided I was. "When once I had pressed the frail shoulder, something new--a fresh sap and sense--stole into my frame. It was well I had learnt that this elf must return to me--that it belonged to my house down below--or I could not have felt it pass away from under my hand, and seen it vanish behind the dim hedge, without singular regret. I heard you come home that night, Jane, though probably you were not aware that I thought of you or watched for you. The next day I observed you--myself unseen--for half-an- hour, while you played with Adele in the gallery. It was a snowy day, I recollect, and you could not go out of doors. I was in my room; the door was ajar: I could both listen and watch. Adele claimed your outward attention for a while; yet I fancied your thoughts were elsewhere: but you were very patient with her, my little Jane; you talked to her and amused her a long time. When at last she left you, you lapsed at once into deep reverie: you betook yourself slowly to pace the gallery. Now and then, in passing a casement, you glanced out at the thick-falling snow; you listened to the sobbing wind, and again you paced gently on and dreamed. I think those day visions were not dark: there was a pleasurable illumination in your eye occasionally, a soft excitement in your aspect, which told of no bitter, bilious, hypochondriac brooding: your look revealed rather the sweet musings of youth when its spirit follows on willing wings the flight of Hope up and on to an ideal heaven. The voice of Mrs. Fairfax, speaking to a servant in the hall, wakened you: and how curiously you smiled to and at yourself, Janet! There was much sense in your smile: it was very shrewd, and seemed to make light of your own abstraction. It seemed to say--'My fine visions are all very well, but I must not forget they are absolutely unreal. I have a rosy sky and a green flowery Eden in my brain; but without, I am perfectly aware, lies at my feet a rough tract to travel, and around me gather black tempests to encounter.' You ran downstairs and demanded of Mrs. Fairfax some occupation: the weekly house accounts to make up, or something of that sort, I think it was. I was vexed with you for getting out of my sight. "Impatiently I waited for evening, when I might summon you to my presence. An unusual--to me--a perfectly new character I suspected was yours: I desired to search it deeper and know it better. You entered the room with a look and air at once shy and independent: you were quaintly dressed--much as you are now. I made you talk: ere long I found you full of strange contrasts. Your garb and manner were restricted by rule; your air was often diffident, and altogether that of one refined by nature, but absolutely unused to society, and a good deal afraid of making herself disadvantageously conspicuous by some solecism or blunder; yet when addressed, you lifted a keen, a daring, and a glowing eye to your interlocutor's face: there was penetration and power in each glance you gave; when plied by close questions, you found ready and round answers. Very soon you seemed to get used to me: I believe you felt the existence of sympathy between you and your grim and cross master, Jane; for it was astonishing to see how quickly a certain pleasant ease tranquillised your manner: snarl as I would, you showed no surprise, fear, annoyance, or displeasure at my moroseness; you watched me, and now and then smiled at me with a simple yet sagacious grace I cannot describe. I was at once content and stimulated with what I saw: I liked what I had seen, and wished to see more. Yet, for a long time, I treated you distantly, and sought your company rarely. I was an intellectual epicure, and wished to prolong the gratification of making this novel and piquant acquaintance: besides, I was for a while troubled with a haunting fear that if I handled the flower freely its bloom would fade--the sweet charm of freshness would leave it. I did not then know that it was no transitory blossom, but rather the radiant resemblance of one, cut in an indestructible gem. Moreover, I wished to see whether you would seek me if I shunned you--but you did not; you kept in the schoolroom as still as your own desk and easel; if by chance I met you, you passed me as soon, and with as little token of recognition, as was consistent with respect. Your habitual expression in those days, Jane, was a thoughtful look; not despondent, for you were not sickly; but not buoyant, for you had little hope, and no actual pleasure. I wondered what you thought of me, or if you ever thought of me, and resolved to find this out. "I resumed my notice of you. There was something glad in your glance, and genial in your manner, when you conversed: I saw you had a social heart; it was the silent schoolroom--it was the tedium of your life--that made you mournful. I permitted myself the delight of being kind to you; kindness stirred emotion soon: your face became soft in expression, your tones gentle; I liked my name pronounced by your lips in a grateful happy accent. I used to enjoy a chance meeting with you, Jane, at this time: there was a curious hesitation in your manner: you glanced at me with a slight trouble--a hovering doubt: you did not know what my caprice might be--whether I was going to play the master and be stern, or the friend and be benignant. I was now too fond of you often to simulate the first whim; and, when I stretched my hand out cordially, such bloom and light and bliss rose to your young, wistful features, I had much ado often to avoid straining you then and there to my heart." "Don't talk any more of those days, sir," I interrupted, furtively dashing away some tears from my eyes; his language was torture to me; for I knew what I must do--and do soon--and all these reminiscences, and these revelations of his feelings only made my work more difficult. "No, Jane," he returned: "what necessity is there to dwell on the Past, when the Present is so much surer--the Future so much brighter?" I shuddered to hear the infatuated assertion. "You see now how the case stands--do you not?" he continued. "After a youth and manhood passed half in unutterable misery and half in dreary solitude, I have for the first time found what I can truly love--I have found you. You are my sympathy--my better self--my good angel. I am bound to you with a strong attachment. I think you good, gifted, lovely: a fervent, a solemn passion is conceived in my heart; it leans to you, draws you to my centre and spring of life, wraps my existence about you, and, kindling in pure, powerful flame, fuses you and me in one. "It was because I felt and knew this, that I resolved to marry you. To tell me that I had already a wife is empty mockery: you know now that I had but a hideous demon. I was wrong to attempt to deceive you; but I feared a stubbornness that exists in your character. I feared early instilled prejudice: I wanted to have you safe before hazarding confidences. This was cowardly: I should have appealed to your nobleness and magnanimity at first, as I do now--opened to you plainly my life of agony--described to you my hunger and thirst after a higher and worthier existence--shown to you, not my _resolution_ (that word is weak), but my resistless _bent_ to love faithfully and well, where I am faithfully and well loved in return. Then I should have asked you to accept my pledge of fidelity and to give me yours. Jane--give it me now." A pause. "Why are you silent, Jane?" I was experiencing an ordeal: a hand of fiery iron grasped my vitals. Terrible moment: full of struggle, blackness, burning! Not a human being that ever lived could wish to be loved better than I was loved; and him who thus loved me I absolutely worshipped: and I must renounce love and idol. One drear word comprised my intolerable duty--"Depart!" "Jane, you understand what I want of you? Just this promise--'I will be yours, Mr. Rochester.'" "Mr. Rochester, I will _not_ be yours." Another long silence. "Jane!" recommenced he, with a gentleness that broke me down with grief, and turned me stone-cold with ominous terror--for this still voice was the pant of a lion rising--"Jane, do you mean to go one way in the world, and to let me go another?" "I do." "Jane" (bending towards and embracing me), "do you mean it now?" "I do." "And now?" softly kissing my forehead and cheek. "I do," extricating myself from restraint rapidly and completely. "Oh, Jane, this is bitter! This--this is wicked. It would not be wicked to love me." "It would to obey you." A wild look raised his brows--crossed his features: he rose; but he forebore yet. I laid my hand on the back of a chair for support: I shook, I feared--but I resolved. "One instant, Jane. Give one glance to my horrible life when you are gone. All happiness will be torn away with you. What then is left? For a wife I have but the maniac upstairs: as well might you refer me to some corpse in yonder churchyard. What shall I do, Jane? Where turn for a companion and for some hope?" "Do as I do: trust in God and yourself. Believe in heaven. Hope to meet again there." "Then you will not yield?" "No." "Then you condemn me to live wretched and to die accursed?" His voice rose. "I advise you to live sinless, and I wish you to die tranquil." "Then you snatch love and innocence from me? You fling me back on lust for a passion--vice for an occupation?" "Mr. Rochester, I no more assign this fate to you than I grasp at it for myself. We were born to strive and endure--you as well as I: do so. You will forget me before I forget you." "You make me a liar by such language: you sully my honour. I declared I could not change: you tell me to my face I shall change soon. And what a distortion in your judgment, what a perversity in your ideas, is proved by your conduct! Is it better to drive a fellow-creature to despair than to transgress a mere human law, no man being injured by the breach? for you have neither relatives nor acquaintances whom you need fear to offend by living with me?" This was true: and while he spoke my very conscience and reason turned traitors against me, and charged me with crime in resisting him. They spoke almost as loud as Feeling: and that clamoured wildly. "Oh, comply!" it said. "Think of his misery; think of his danger--look at his state when left alone; remember his headlong nature; consider the recklessness following on despair--soothe him; save him; love him; tell him you love him and will be his. Who in the world cares for _you_? or who will be injured by what you do?" Still indomitable was the reply--"_I_ care for myself. The more solitary, the more friendless, the more unsustained I am, the more I will respect myself. I will keep the law given by God; sanctioned by man. I will hold to the principles received by me when I was sane, and not mad--as I am now. Laws and principles are not for the times when there is no temptation: they are for such moments as this, when body and soul rise in mutiny against their rigour; stringent are they; inviolate they shall be. If at my individual convenience I might break them, what would be their worth? They have a worth--so I have always believed; and if I cannot believe it now, it is because I am insane--quite insane: with my veins running fire, and my heart beating faster than I can count its throbs. Preconceived opinions, foregone determinations, are all I have at this hour to stand by: there I plant my foot." I did. Mr. Rochester, reading my countenance, saw I had done so. His fury was wrought to the highest: he must yield to it for a moment, whatever followed; he crossed the floor and seized my arm and grasped my waist. He seemed to devour me with his flaming glance: physically, I felt, at the moment, powerless as stubble exposed to the draught and glow of a furnace: mentally, I still possessed my soul, and with it the certainty of ultimate safety. The soul, fortunately, has an interpreter--often an unconscious, but still a truthful interpreter--in the eye. My eye rose to his; and while I looked in his fierce face I gave an involuntary sigh; his gripe was painful, and my over-taxed strength almost exhausted. "Never," said he, as he ground his teeth, "never was anything at once so frail and so indomitable. A mere reed she feels in my hand!" (And he shook me with the force of his hold.) "I could bend her with my finger and thumb: and what good would it do if I bent, if I uptore, if I crushed her? Consider that eye: consider the resolute, wild, free thing looking out of it, defying me, with more than courage--with a stern triumph. Whatever I do with its cage, I cannot get at it--the savage, beautiful creature! If I tear, if I rend the slight prison, my outrage will only let the captive loose. Conqueror I might be of the house; but the inmate would escape to heaven before I could call myself possessor of its clay dwelling-place. And it is you, spirit--with will and energy, and virtue and purity--that I want: not alone your brittle frame. Of yourself you could come with soft flight and nestle against my heart, if you would: seized against your will, you will elude the grasp like an essence--you will vanish ere I inhale your fragrance. Oh! come, Jane, come!" As he said this, he released me from his clutch, and only looked at me. The look was far worse to resist than the frantic strain: only an idiot, however, would have succumbed now. I had dared and baffled his fury; I must elude his sorrow: I retired to the door. "You are going, Jane?" "I am going, sir." "You are leaving me?" "Yes." "You will not come? You will not be my comforter, my rescuer? My deep love, my wild woe, my frantic prayer, are all nothing to you?" What unutterable pathos was in his voice! How hard it was to reiterate firmly, "I am going." "Jane!" "Mr. Rochester!" "Withdraw, then,--I consent; but remember, you leave me here in anguish. Go up to your own room; think over all I have said, and, Jane, cast a glance on my sufferings--think of me." He turned away; he threw himself on his face on the sofa. "Oh, Jane! my hope--my love--my life!" broke in anguish from his lips. Then came a deep, strong sob. I had already gained the door; but, reader, I walked back--walked back as determinedly as I had retreated. I knelt down by him; I turned his face from the cushion to me; I kissed his cheek; I smoothed his hair with my hand. "God bless you, my dear master!" I said. "God keep you from harm and wrong--direct you, solace you--reward you well for your past kindness to me." "Little Jane's love would have been my best reward," he answered; "without it, my heart is broken. But Jane will give me her love: yes--nobly, generously." Up the blood rushed to his face; forth flashed the fire from his eyes; erect he sprang; he held his arms out; but I evaded the embrace, and at once quitted the room. "Farewell!" was the cry of my heart as I left him. Despair added, "Farewell for ever!" * * * * * That night I never thought to sleep; but a slumber fell on me as soon as I lay down in bed. I was transported in thought to the scenes of childhood: I dreamt I lay in the red-room at Gateshead; that the night was dark, and my mind impressed with strange fears. The light that long ago had struck me into syncope, recalled in this vision, seemed glidingly to mount the wall, and tremblingly to pause in the centre of the obscured ceiling. I lifted up my head to look: the roof resolved to clouds, high and dim; the gleam was such as the moon imparts to vapours she is about to sever. I watched her come--watched with the strangest anticipation; as though some word of doom were to be written on her disk. She broke forth as never moon yet burst from cloud: a hand first penetrated the sable folds and waved them away; then, not a moon, but a white human form shone in the azure, inclining a glorious brow earthward. It gazed and gazed on me. It spoke to my spirit: immeasurably distant was the tone, yet so near, it whispered in my heart-- "My daughter, flee temptation." "Mother, I will." So I answered after I had waked from the trance-like dream. It was yet night, but July nights are short: soon after midnight, dawn comes. "It cannot be too early to commence the task I have to fulfil," thought I. I rose: I was dressed; for I had taken off nothing but my shoes. I knew where to find in my drawers some linen, a locket, a ring. In seeking these articles, I encountered the beads of a pearl necklace Mr. Rochester had forced me to accept a few days ago. I left that; it was not mine: it was the visionary bride's who had melted in air. The other articles I made up in a parcel; my purse, containing twenty shillings (it was all I had), I put in my pocket: I tied on my straw bonnet, pinned my shawl, took the parcel and my slippers, which I would not put on yet, and stole from my room. "Farewell, kind Mrs. Fairfax!" I whispered, as I glided past her door. "Farewell, my darling Adele!" I said, as I glanced towards the nursery. No thought could be admitted of entering to embrace her. I had to deceive a fine ear: for aught I knew it might now be listening. I would have got past Mr. Rochester's chamber without a pause; but my heart momentarily stopping its beat at that threshold, my foot was forced to stop also. No sleep was there: the inmate was walking restlessly from wall to wall; and again and again he sighed while I listened. There was a heaven--a temporary heaven--in this room for me, if I chose: I had but to go in and to say-- "Mr. Rochester, I will love you and live with you through life till death," and a fount of rapture would spring to my lips. I thought of this. That kind master, who could not sleep now, was waiting with impatience for day. He would send for me in the morning; I should be gone. He would have me sought for: vainly. He would feel himself forsaken; his love rejected: he would suffer; perhaps grow desperate. I thought of this too. My hand moved towards the lock: I caught it back, and glided on. Drearily I wound my way downstairs: I knew what I had to do, and I did it mechanically. I sought the key of the side-door in the kitchen; I sought, too, a phial of oil and a feather; I oiled the key and the lock. I got some water, I got some bread: for perhaps I should have to walk far; and my strength, sorely shaken of late, must not break down. All this I did without one sound. I opened the door, passed out, shut it softly. Dim dawn glimmered in the yard. The great gates were closed and locked; but a wicket in one of them was only latched. Through that I departed: it, too, I shut; and now I was out of Thornfield. A mile off, beyond the fields, lay a road which stretched in the contrary direction to Millcote; a road I had never travelled, but often noticed, and wondered where it led: thither I bent my steps. No reflection was to be allowed now: not one glance was to be cast back; not even one forward. Not one thought was to be given either to the past or the future. The first was a page so heavenly sweet--so deadly sad--that to read one line of it would dissolve my courage and break down my energy. The last was an awful blank: something like the world when the deluge was gone by. I skirted fields, and hedges, and lanes till after sunrise. I believe it was a lovely summer morning: I know my shoes, which I had put on when I left the house, were soon wet with dew. But I looked neither to rising sun, nor smiling sky, nor wakening nature. He who is taken out to pass through a fair scene to the scaffold, thinks not of the flowers that smile on his road, but of the block and axe-edge; of the disseverment of bone and vein; of the grave gaping at the end: and I thought of drear flight and homeless wandering--and oh! with agony I thought of what I left. I could not help it. I thought of him now--in his room--watching the sunrise; hoping I should soon come to say I would stay with him and be his. I longed to be his; I panted to return: it was not too late; I could yet spare him the bitter pang of bereavement. As yet my flight, I was sure, was undiscovered. I could go back and be his comforter--his pride; his redeemer from misery, perhaps from ruin. Oh, that fear of his self-abandonment--far worse than my abandonment--how it goaded me! It was a barbed arrow-head in my breast; it tore me when I tried to extract it; it sickened me when remembrance thrust it farther in. Birds began singing in brake and copse: birds were faithful to their mates; birds were emblems of love. What was I? In the midst of my pain of heart and frantic effort of principle, I abhorred myself. I had no solace from self-approbation: none even from self-respect. I had injured--wounded--left my master. I was hateful in my own eyes. Still I could not turn, nor retrace one step. God must have led me on. As to my own will or conscience, impassioned grief had trampled one and stifled the other. I was weeping wildly as I walked along my solitary way: fast, fast I went like one delirious. A weakness, beginning inwardly, extending to the limbs, seized me, and I fell: I lay on the ground some minutes, pressing my face to the wet turf. I had some fear--or hope--that here I should die: but I was soon up; crawling forwards on my hands and knees, and then again raised to my feet--as eager and as determined as ever to reach the road. When I got there, I was forced to sit to rest me under the hedge; and while I sat, I heard wheels, and saw a coach come on. I stood up and lifted my hand; it stopped. I asked where it was going: the driver named a place a long way off, and where I was sure Mr. Rochester had no connections. I asked for what sum he would take me there; he said thirty shillings; I answered I had but twenty; well, he would try to make it do. He further gave me leave to get into the inside, as the vehicle was empty: I entered, was shut in, and it rolled on its way. Gentle reader, may you never feel what I then felt! May your eyes never shed such stormy, scalding, heart-wrung tears as poured from mine. May you never appeal to Heaven in prayers so hopeless and so agonised as in that hour left my lips; for never may you, like me, dread to be the instrument of evil to what you wholly love.

volume 3, Chapter 27

https://web.archive.org/web/20210123075639/https://www.sparknotes.com/lit/janeeyre/section7/

After falling asleep for a short while, Jane awakes to the realization that she must leave Thornfield. When she steps out of her room, she finds Rochester waiting in a chair on the threshold. To Rochester's assurances that he never meant to wound her, and to his pleas of forgiveness, Jane is silent, although she confides to the reader that she forgave him on the spot. Jane suddenly feels faint, and Rochester carries her to the library to revive her. He then offers her a new proposal--to leave England with him for the South of France, where they will live together as husband and wife. Jane refuses, explaining that no matter how Rochester chooses to view the situation, she will never be more than a mistress to him while Bertha is alive. Rochester realizes that he must explain why he does not consider himself married, and he launches into the story of his past. Unwilling to divide his property, Rochester's father left his entire estate to his other son, Rowland, and sent Rochester to Jamaica to marry Bertha, who was to inherit a massive fortune--30,000 pounds. Bertha was beautiful, and although she and Rochester spent hardly any time alone, the stimulated, dazzled, and ignorant youth believed himself to be in love and agreed to the marriage. Shortly after the wedding, Rochester learned that Bertha's mother was not, as he had been led to believe, dead, but mad and living in an insane asylum. Bertha's younger brother was a mute idiot. Rochester's father and brother had known about the family's unpromising genetic legacy, but they had promoted the marriage for the sake of the money. Bertha soon revealed herself to be coarse, perverse, and prone to violent outbreaks of temper and unhealthy indulgences. These excesses only hastened the approach of what had been lurking on her horizon already: absolute madness. By this time, Rochester's father and brother had died, so Rochester found himself all alone with a maniacal wife and a huge fortune. He considered killing himself but returned to England instead. He resolved to place Bertha at Thornfield Hall "in safety and comfort: shelter her degradation with secrecy, and leave her. Rochester then drifted around the continent from one city to the next, always in search of a woman to love. When he was met with disappointment, he sank into debauchery. He was always disappointed with his mistresses, because they were, as he puts it, "the next worse thing to buying a slave. Then he met Jane. Rochester retells the story of their introduction from his point of view, telling her that she enchanted him from the start. Jane feels torn. She doesn't want to condemn Rochester to further misery, and a voice within her asks, "Who in the world cares for you. Jane wonders how she could ever find another man who values her the way Rochester does, and whether, after a life of loneliness and neglect, she should leave the first man who has ever loved her. Yet her conscience tells her that she will respect herself all the more if she bears her suffering alone and does what she believes to be right. She tells Rochester that she must go, but she kisses his cheek and prays aloud for God to bless him as she departs. That night, Jane has a dream in which her mother tells her to flee temptation. She grabs her purse, sneaks down the stairs, and leaves Thornfield

sparknotes

all_chapterized_books/1260-chapters/29.txt

finished_summaries/sparknotes/Jane Eyre/section_6_part_2.txt

Jane Eyre.volume 3.chapter 28

volume 3, chapter 28

{"name": "volume 3, Chapter 28", "url": "https://web.archive.org/web/20210123075639/https://www.sparknotes.com/lit/janeeyre/section7/", "summary": "Riding in a coach, Jane quickly exhausts her meager money supply and is forced to sleep outdoors. She spends much of the night in prayer, and the following day she begs for food or a job in the nearby town. No one helps her, except for one farmer who is willing to give her a slice of bread. After another day, Jane sees a light shining from across the moors. Following it, she comes to a house. Through the window, Jane sees two young women studying German while their servant knits. From their conversation Jane learns that the servant is named Hannah and that the graceful young women are Diana and Mary. The three women are waiting for someone named St. John. Jane knocks on the door, but Hannah refuses to let her in. Collapsing on the doorstep in anguish and weakness, Jane cries, \"I can but die, and I believe in God. Let me try to wait His will in silence. A voice answers, \"All men must die, but all are not condemned to meet a lingering and premature doom, such as yours would be if you perished here of want. The voice belongs to \"St. John,\" who brings Jane into the house. He is the brother of Diana and Mary, and the three siblings give Jane food and shelter. They ask her some questions, and she gives them a false name: \"Jane Elliott.", "analysis": "Feeling. clamoured wildly. Oh, comply. it said. soothe him; save him; love him; tell him you love him and will be his. Who in the world cares for you. or who will be injured by what you do. Jane endures her most difficult trials in this section of the book: she resolves to leave Rochester although it pains her deeply, and she is forced to sleep outdoors and go hungry on the moors in her flight from Thornfield. However, this section is also where Jane proves to herself her endurance, her strength of principle, and her ability to forge new friendships. As she tells herself before leaving Thornfield, \"I care for myself. The more solitary, the more friendless, the more unsustained I am, the more I will respect myself. Ultimately this self-interest will make her relationships with others, including her eventual marriage, all the more meaningful and rewarding. Jane's departure from Thornfield is perhaps the most important decision she makes in the novel. In Rochester she found the love for which she had always yearned, and Thornfield was the first real home she ever knew. In fleeing them, Jane leaves a part of herself behind. But living with Rochester as his mistress would require a self-compromise that Jane is not willing to make. Even before she learns of Bertha's existence, Jane senses that in marrying Rochester she risks cementing herself into a position of inequality. She fears that Rochester would objectify her and that by \"marrying above her station\" she would come to the relationship already \"in debt\" to him. Now Jane sees more clearly than ever that a relationship with Rochester would mean the loss of her self-respect, and of her control over her life. Jane cannot bring herself to do what is morally wrong, simply out of weakness of will and emotional neediness. Despite the happiness and the sense of acceptance that Thornfield and Rochester's love offer, Jane knows that staying would be a type of self-imprisonment. Jane must choose between emotional exile and spiritual and intellectual imprisonment. She knows she must flee while she can. Throughout the narrative of Jane's trials, the reader not only gains insight into Jane's personal constitution and character, but also into the society in which she lives. When Jane experiences the plight of the poor, the novel presents us with a bleak glimpse of a society in which the needy are shunned out of tightfistedness and distrust"}

Two days are passed. It is a summer evening; the coachman has set me down at a place called Whitcross; he could take me no farther for the sum I had given, and I was not possessed of another shilling in the world. The coach is a mile off by this time; I am alone. At this moment I discover that I forgot to take my parcel out of the pocket of the coach, where I had placed it for safety; there it remains, there it must remain; and now, I am absolutely destitute. Whitcross is no town, nor even a hamlet; it is but a stone pillar set up where four roads meet: whitewashed, I suppose, to be more obvious at a distance and in darkness. Four arms spring from its summit: the nearest town to which these point is, according to the inscription, distant ten miles; the farthest, above twenty. From the well-known names of these towns I learn in what county I have lighted; a north-midland shire, dusk with moorland, ridged with mountain: this I see. There are great moors behind and on each hand of me; there are waves of mountains far beyond that deep valley at my feet. The population here must be thin, and I see no passengers on these roads: they stretch out east, west, north, and south--white, broad, lonely; they are all cut in the moor, and the heather grows deep and wild to their very verge. Yet a chance traveller might pass by; and I wish no eye to see me now: strangers would wonder what I am doing, lingering here at the sign-post, evidently objectless and lost. I might be questioned: I could give no answer but what would sound incredible and excite suspicion. Not a tie holds me to human society at this moment--not a charm or hope calls me where my fellow-creatures are--none that saw me would have a kind thought or a good wish for me. I have no relative but the universal mother, Nature: I will seek her breast and ask repose. I struck straight into the heath; I held on to a hollow I saw deeply furrowing the brown moorside; I waded knee-deep in its dark growth; I turned with its turnings, and finding a moss-blackened granite crag in a hidden angle, I sat down under it. High banks of moor were about me; the crag protected my head: the sky was over that. Some time passed before I felt tranquil even here: I had a vague dread that wild cattle might be near, or that some sportsman or poacher might discover me. If a gust of wind swept the waste, I looked up, fearing it was the rush of a bull; if a plover whistled, I imagined it a man. Finding my apprehensions unfounded, however, and calmed by the deep silence that reigned as evening declined at nightfall, I took confidence. As yet I had not thought; I had only listened, watched, dreaded; now I regained the faculty of reflection. What was I to do? Where to go? Oh, intolerable questions, when I could do nothing and go nowhere!--when a long way must yet be measured by my weary, trembling limbs before I could reach human habitation--when cold charity must be entreated before I could get a lodging: reluctant sympathy importuned, almost certain repulse incurred, before my tale could be listened to, or one of my wants relieved! I touched the heath: it was dry, and yet warm with the heat of the summer day. I looked at the sky; it was pure: a kindly star twinkled just above the chasm ridge. The dew fell, but with propitious softness; no breeze whispered. Nature seemed to me benign and good; I thought she loved me, outcast as I was; and I, who from man could anticipate only mistrust, rejection, insult, clung to her with filial fondness. To-night, at least, I would be her guest, as I was her child: my mother would lodge me without money and without price. I had one morsel of bread yet: the remnant of a roll I had bought in a town we passed through at noon with a stray penny--my last coin. I saw ripe bilberries gleaming here and there, like jet beads in the heath: I gathered a handful and ate them with the bread. My hunger, sharp before, was, if not satisfied, appeased by this hermit's meal. I said my evening prayers at its conclusion, and then chose my couch. {I said my evening prayers: p311.jpg} Beside the crag the heath was very deep: when I lay down my feet were buried in it; rising high on each side, it left only a narrow space for the night-air to invade. I folded my shawl double, and spread it over me for a coverlet; a low, mossy swell was my pillow. Thus lodged, I was not, at least--at the commencement of the night, cold. My rest might have been blissful enough, only a sad heart broke it. It plained of its gaping wounds, its inward bleeding, its riven chords. It trembled for Mr. Rochester and his doom; it bemoaned him with bitter pity; it demanded him with ceaseless longing; and, impotent as a bird with both wings broken, it still quivered its shattered pinions in vain attempts to seek him. Worn out with this torture of thought, I rose to my knees. Night was come, and her planets were risen: a safe, still night: too serene for the companionship of fear. We know that God is everywhere; but certainly we feel His presence most when His works are on the grandest scale spread before us; and it is in the unclouded night-sky, where His worlds wheel their silent course, that we read clearest His infinitude, His omnipotence, His omnipresence. I had risen to my knees to pray for Mr. Rochester. Looking up, I, with tear-dimmed eyes, saw the mighty Milky- way. Remembering what it was--what countless systems there swept space like a soft trace of light--I felt the might and strength of God. Sure was I of His efficiency to save what He had made: convinced I grew that neither earth should perish, nor one of the souls it treasured. I turned my prayer to thanksgiving: the Source of Life was also the Saviour of spirits. Mr. Rochester was safe; he was God's, and by God would he be guarded. I again nestled to the breast of the hill; and ere long in sleep forgot sorrow. But next day, Want came to me pale and bare. Long after the little birds had left their nests; long after bees had come in the sweet prime of day to gather the heath honey before the dew was dried--when the long morning shadows were curtailed, and the sun filled earth and sky--I got up, and I looked round me. What a still, hot, perfect day! What a golden desert this spreading moor! Everywhere sunshine. I wished I could live in it and on it. I saw a lizard run over the crag; I saw a bee busy among the sweet bilberries. I would fain at the moment have become bee or lizard, that I might have found fitting nutriment, permanent shelter here. But I was a human being, and had a human being's wants: I must not linger where there was nothing to supply them. I rose; I looked back at the bed I had left. Hopeless of the future, I wished but this--that my Maker had that night thought good to require my soul of me while I slept; and that this weary frame, absolved by death from further conflict with fate, had now but to decay quietly, and mingle in peace with the soil of this wilderness. Life, however, was yet in my possession, with all its requirements, and pains, and responsibilities. The burden must be carried; the want provided for; the suffering endured; the responsibility fulfilled. I set out. Whitcross regained, I followed a road which led from the sun, now fervent and high. By no other circumstance had I will to decide my choice. I walked a long time, and when I thought I had nearly done enough, and might conscientiously yield to the fatigue that almost overpowered me--might relax this forced action, and, sitting down on a stone I saw near, submit resistlessly to the apathy that clogged heart and limb--I heard a bell chime--a church bell. I turned in the direction of the sound, and there, amongst the romantic hills, whose changes and aspect I had ceased to note an hour ago, I saw a hamlet and a spire. All the valley at my right hand was full of pasture- fields, and cornfields, and wood; and a glittering stream ran zig-zag through the varied shades of green, the mellowing grain, the sombre woodland, the clear and sunny lea. Recalled by the rumbling of wheels to the road before me, I saw a heavily-laden waggon labouring up the hill, and not far beyond were two cows and their drover. Human life and human labour were near. I must struggle on: strive to live and bend to toil like the rest. About two o'clock p.m. I entered the village. At the bottom of its one street there was a little shop with some cakes of bread in the window. I coveted a cake of bread. With that refreshment I could perhaps regain a degree of energy: without it, it would be difficult to proceed. The wish to have some strength and some vigour returned to me as soon as I was amongst my fellow-beings. I felt it would be degrading to faint with hunger on the causeway of a hamlet. Had I nothing about me I could offer in exchange for one of these rolls? I considered. I had a small silk handkerchief tied round my throat; I had my gloves. I could hardly tell how men and women in extremities of destitution proceeded. I did not know whether either of these articles would be accepted: probably they would not; but I must try. I entered the shop: a woman was there. Seeing a respectably-dressed person, a lady as she supposed, she came forward with civility. How could she serve me? I was seized with shame: my tongue would not utter the request I had prepared. I dared not offer her the half-worn gloves, the creased handkerchief: besides, I felt it would be absurd. I only begged permission to sit down a moment, as I was tired. Disappointed in the expectation of a customer, she coolly acceded to my request. She pointed to a seat; I sank into it. I felt sorely urged to weep; but conscious how unseasonable such a manifestation would be, I restrained it. Soon I asked her "if there were any dressmaker or plain-workwoman in the village?" "Yes; two or three. Quite as many as there was employment for." I reflected. I was driven to the point now. I was brought face to face with Necessity. I stood in the position of one without a resource, without a friend, without a coin. I must do something. What? I must apply somewhere. Where? "Did she know of any place in the neighbourhood where a servant was wanted?" "Nay; she couldn't say." "What was the chief trade in this place? What did most of the people do?" "Some were farm labourers; a good deal worked at Mr. Oliver's needle-factory, and at the foundry." "Did Mr. Oliver employ women?" "Nay; it was men's work." "And what do the women do?" "I knawn't," was the answer. "Some does one thing, and some another. Poor folk mun get on as they can." She seemed to be tired of my questions: and, indeed, what claim had I to importune her? A neighbour or two came in; my chair was evidently wanted. I took leave. I passed up the street, looking as I went at all the houses to the right hand and to the left; but I could discover no pretext, nor see an inducement to enter any. I rambled round the hamlet, going sometimes to a little distance and returning again, for an hour or more. Much exhausted, and suffering greatly now for want of food, I turned aside into a lane and sat down under the hedge. Ere many minutes had elapsed, I was again on my feet, however, and again searching something--a resource, or at least an informant. A pretty little house stood at the top of the lane, with a garden before it, exquisitely neat and brilliantly blooming. I stopped at it. What business had I to approach the white door or touch the glittering knocker? In what way could it possibly be the interest of the inhabitants of that dwelling to serve me? Yet I drew near and knocked. A mild-looking, cleanly-attired young woman opened the door. In such a voice as might be expected from a hopeless heart and fainting frame--a voice wretchedly low and faltering--I asked if a servant was wanted here? "No," said she; "we do not keep a servant." "Can you tell me where I could get employment of any kind?" I continued. "I am a stranger, without acquaintance in this place. I want some work: no matter what." But it was not her business to think for me, or to seek a place for me: besides, in her eyes, how doubtful must have appeared my character, position, tale. She shook her head, she "was sorry she could give me no information," and the white door closed, quite gently and civilly: but it shut me out. If she had held it open a little longer, I believe I should have begged a piece of bread; for I was now brought low. I could not bear to return to the sordid village, where, besides, no prospect of aid was visible. I should have longed rather to deviate to a wood I saw not far off, which appeared in its thick shade to offer inviting shelter; but I was so sick, so weak, so gnawed with nature's cravings, instinct kept me roaming round abodes where there was a chance of food. Solitude would be no solitude--rest no rest--while the vulture, hunger, thus sank beak and talons in my side. I drew near houses; I left them, and came back again, and again I wandered away: always repelled by the consciousness of having no claim to ask--no right to expect interest in my isolated lot. Meantime, the afternoon advanced, while I thus wandered about like a lost and starving dog. In crossing a field, I saw the church spire before me: I hastened towards it. Near the churchyard, and in the middle of a garden, stood a well-built though small house, which I had no doubt was the parsonage. I remembered that strangers who arrive at a place where they have no friends, and who want employment, sometimes apply to the clergyman for introduction and aid. It is the clergyman's function to help--at least with advice--those who wished to help themselves. I seemed to have something like a right to seek counsel here. Renewing then my courage, and gathering my feeble remains of strength, I pushed on. I reached the house, and knocked at the kitchen-door. An old woman opened: I asked was this the parsonage? "Yes." "Was the clergyman in?" "No." "Would he be in soon?" "No, he was gone from home." "To a distance?" "Not so far--happen three mile. He had been called away by the sudden death of his father: he was at Marsh End now, and would very likely stay there a fortnight longer." "Was there any lady of the house?" "Nay, there was naught but her, and she was housekeeper;" and of her, reader, I could not bear to ask the relief for want of which I was sinking; I could not yet beg; and again I crawled away. Once more I took off my handkerchief--once more I thought of the cakes of bread in the little shop. Oh, for but a crust! for but one mouthful to allay the pang of famine! Instinctively I turned my face again to the village; I found the shop again, and I went in; and though others were there besides the woman I ventured the request--"Would she give me a roll for this handkerchief?" She looked at me with evident suspicion: "Nay, she never sold stuff i' that way." Almost desperate, I asked for half a cake; she again refused. "How could she tell where I had got the handkerchief?" she said. "Would she take my gloves?" "No! what could she do with them?" Reader, it is not pleasant to dwell on these details. Some say there is enjoyment in looking back to painful experience past; but at this day I can scarcely bear to review the times to which I allude: the moral degradation, blent with the physical suffering, form too distressing a recollection ever to be willingly dwelt on. I blamed none of those who repulsed me. I felt it was what was to be expected, and what could not be helped: an ordinary beggar is frequently an object of suspicion; a well-dressed beggar inevitably so. To be sure, what I begged was employment; but whose business was it to provide me with employment? Not, certainly, that of persons who saw me then for the first time, and who knew nothing about my character. And as to the woman who would not take my handkerchief in exchange for her bread, why, she was right, if the offer appeared to her sinister or the exchange unprofitable. Let me condense now. I am sick of the subject. A little before dark I passed a farm-house, at the open door of which the farmer was sitting, eating his supper of bread and cheese. I stopped and said-- "Will you give me a piece of bread? for I am very hungry." He cast on me a glance of surprise; but without answering, he cut a thick slice from his loaf, and gave it to me. I imagine he did not think I was a beggar, but only an eccentric sort of lady, who had taken a fancy to his brown loaf. As soon as I was out of sight of his house, I sat down and ate it. I could not hope to get a lodging under a roof, and sought it in the wood I have before alluded to. But my night was wretched, my rest broken: the ground was damp, the air cold: besides, intruders passed near me more than once, and I had again and again to change my quarters; no sense of safety or tranquillity befriended me. Towards morning it rained; the whole of the following day was wet. Do not ask me, reader, to give a minute account of that day; as before, I sought work; as before, I was repulsed; as before, I starved; but once did food pass my lips. At the door of a cottage I saw a little girl about to throw a mess of cold porridge into a pig trough. "Will you give me that?" I asked. {"Will you give me that?" I asked: p316.jpg} She stared at me. "Mother!" she exclaimed, "there is a woman wants me to give her these porridge." "Well lass," replied a voice within, "give it her if she's a beggar. T' pig doesn't want it." The girl emptied the stiffened mould into my hand, and I devoured it ravenously. As the wet twilight deepened, I stopped in a solitary bridle-path, which I had been pursuing an hour or more. "My strength is quite failing me," I said in a soliloquy. "I feel I cannot go much farther. Shall I be an outcast again this night? While the rain descends so, must I lay my head on the cold, drenched ground? I fear I cannot do otherwise: for who will receive me? But it will be very dreadful, with this feeling of hunger, faintness, chill, and this sense of desolation--this total prostration of hope. In all likelihood, though, I should die before morning. And why cannot I reconcile myself to the prospect of death? Why do I struggle to retain a valueless life? Because I know, or believe, Mr. Rochester is living: and then, to die of want and cold is a fate to which nature cannot submit passively. Oh, Providence! sustain me a little longer! Aid!--direct me!" My glazed eye wandered over the dim and misty landscape. I saw I had strayed far from the village: it was quite out of sight. The very cultivation surrounding it had disappeared. I had, by cross-ways and by- paths, once more drawn near the tract of moorland; and now, only a few fields, almost as wild and unproductive as the heath from which they were scarcely reclaimed, lay between me and the dusky hill. "Well, I would rather die yonder than in a street or on a frequented road," I reflected. "And far better that crows and ravens--if any ravens there be in these regions--should pick my flesh from my bones, than that they should be prisoned in a workhouse coffin and moulder in a pauper's grave." To the hill, then, I turned. I reached it. It remained now only to find a hollow where I could lie down, and feel at least hidden, if not secure. But all the surface of the waste looked level. It showed no variation but of tint: green, where rush and moss overgrew the marshes; black, where the dry soil bore only heath. Dark as it was getting, I could still see these changes, though but as mere alternations of light and shade; for colour had faded with the daylight. My eye still roved over the sullen swell and along the moor-edge, vanishing amidst the wildest scenery, when at one dim point, far in among the marshes and the ridges, a light sprang up. "That is an _ignis fatuus_," was my first thought; and I expected it would soon vanish. It burnt on, however, quite steadily, neither receding nor advancing. "Is it, then, a bonfire just kindled?" I questioned. I watched to see whether it would spread: but no; as it did not diminish, so it did not enlarge. "It may be a candle in a house," I then conjectured; "but if so, I can never reach it. It is much too far away: and were it within a yard of me, what would it avail? I should but knock at the door to have it shut in my face." And I sank down where I stood, and hid my face against the ground. I lay still a while: the night-wind swept over the hill and over me, and died moaning in the distance; the rain fell fast, wetting me afresh to the skin. Could I but have stiffened to the still frost--the friendly numbness of death--it might have pelted on; I should not have felt it; but my yet living flesh shuddered at its chilling influence. I rose ere long. The light was yet there, shining dim but constant through the rain. I tried to walk again: I dragged my exhausted limbs slowly towards it. It led me aslant over the hill, through a wide bog, which would have been impassable in winter, and was splashy and shaking even now, in the height of summer. Here I fell twice; but as often I rose and rallied my faculties. This light was my forlorn hope: I must gain it. Having crossed the marsh, I saw a trace of white over the moor. I approached it; it was a road or a track: it led straight up to the light, which now beamed from a sort of knoll, amidst a clump of trees--firs, apparently, from what I could distinguish of the character of their forms and foliage through the gloom. My star vanished as I drew near: some obstacle had intervened between me and it. I put out my hand to feel the dark mass before me: I discriminated the rough stones of a low wall--above it, something like palisades, and within, a high and prickly hedge. I groped on. Again a whitish object gleamed before me: it was a gate--a wicket; it moved on its hinges as I touched it. On each side stood a sable bush-holly or yew. Entering the gate and passing the shrubs, the silhouette of a house rose to view, black, low, and rather long; but the guiding light shone nowhere. All was obscurity. Were the inmates retired to rest? I feared it must be so. In seeking the door, I turned an angle: there shot out the friendly gleam again, from the lozenged panes of a very small latticed window, within a foot of the ground, made still smaller by the growth of ivy or some other creeping plant, whose leaves clustered thick over the portion of the house wall in which it was set. The aperture was so screened and narrow, that curtain or shutter had been deemed unnecessary; and when I stooped down and put aside the spray of foliage shooting over it, I could see all within. I could see clearly a room with a sanded floor, clean scoured; a dresser of walnut, with pewter plates ranged in rows, reflecting the redness and radiance of a glowing peat-fire. I could see a clock, a white deal table, some chairs. The candle, whose ray had been my beacon, burnt on the table; and by its light an elderly woman, somewhat rough-looking, but scrupulously clean, like all about her, was knitting a stocking. I noticed these objects cursorily only--in them there was nothing extraordinary. A group of more interest appeared near the hearth, sitting still amidst the rosy peace and warmth suffusing it. Two young, graceful women--ladies in every point--sat, one in a low rocking-chair, the other on a lower stool; both wore deep mourning of crape and bombazeen, which sombre garb singularly set off very fair necks and faces: a large old pointer dog rested its massive head on the knee of one girl--in the lap of the other was cushioned a black cat. A strange place was this humble kitchen for such occupants! Who were they? They could not be the daughters of the elderly person at the table; for she looked like a rustic, and they were all delicacy and cultivation. I had nowhere seen such faces as theirs: and yet, as I gazed on them, I seemed intimate with every lineament. I cannot call them handsome--they were too pale and grave for the word: as they each bent over a book, they looked thoughtful almost to severity. A stand between them supported a second candle and two great volumes, to which they frequently referred, comparing them, seemingly, with the smaller books they held in their hands, like people consulting a dictionary to aid them in the task of translation. This scene was as silent as if all the figures had been shadows and the firelit apartment a picture: so hushed was it, I could hear the cinders fall from the grate, the clock tick in its obscure corner; and I even fancied I could distinguish the click-click of the woman's knitting-needles. When, therefore, a voice broke the strange stillness at last, it was audible enough to me. "Listen, Diana," said one of the absorbed students; "Franz and old Daniel are together in the night-time, and Franz is telling a dream from which he has awakened in terror--listen!" And in a low voice she read something, of which not one word was intelligible to me; for it was in an unknown tongue--neither French nor Latin. Whether it were Greek or German I could not tell. "That is strong," she said, when she had finished: "I relish it." The other girl, who had lifted her head to listen to her sister, repeated, while she gazed at the fire, a line of what had been read. At a later day, I knew the language and the book; therefore, I will here quote the line: though, when I first heard it, it was only like a stroke on sounding brass to me--conveying no meaning:-- "'Da trat hervor Einer, anzusehen wie die Sternen Nacht.' Good! good!" she exclaimed, while her dark and deep eye sparkled. "There you have a dim and mighty archangel fitly set before you! The line is worth a hundred pages of fustian. 'Ich wage die Gedanken in der Schale meines Zornes und die Werke mit dem Gewichte meines Grimms.' I like it!" Both were again silent. "Is there ony country where they talk i' that way?" asked the old woman, looking up from her knitting. "Yes, Hannah--a far larger country than England, where they talk in no other way." "Well, for sure case, I knawn't how they can understand t' one t'other: and if either o' ye went there, ye could tell what they said, I guess?" "We could probably tell something of what they said, but not all--for we are not as clever as you think us, Hannah. We don't speak German, and we cannot read it without a dictionary to help us." "And what good does it do you?" "We mean to teach it some time--or at least the elements, as they say; and then we shall get more money than we do now." "Varry like: but give ower studying; ye've done enough for to-night." "I think we have: at least I'm tired. Mary, are you?" "Mortally: after all, it's tough work fagging away at a language with no master but a lexicon." "It is, especially such a language as this crabbed but glorious Deutsch. I wonder when St. John will come home." "Surely he will not be long now: it is just ten (looking at a little gold watch she drew from her girdle). It rains fast, Hannah: will you have the goodness to look at the fire in the parlour?" The woman rose: she opened a door, through which I dimly saw a passage: soon I heard her stir a fire in an inner room; she presently came back. "Ah, childer!" said she, "it fair troubles me to go into yond' room now: it looks so lonesome wi' the chair empty and set back in a corner." She wiped her eyes with her apron: the two girls, grave before, looked sad now. "But he is in a better place," continued Hannah: "we shouldn't wish him here again. And then, nobody need to have a quieter death nor he had." "You say he never mentioned us?" inquired one of the ladies. "He hadn't time, bairn: he was gone in a minute, was your father. He had been a bit ailing like the day before, but naught to signify; and when Mr. St. John asked if he would like either o' ye to be sent for, he fair laughed at him. He began again with a bit of a heaviness in his head the next day--that is, a fortnight sin'--and he went to sleep and niver wakened: he wor a'most stark when your brother went into t' chamber and fand him. Ah, childer! that's t' last o' t' old stock--for ye and Mr. St. John is like of different soart to them 'at's gone; for all your mother wor mich i' your way, and a'most as book-learned. She wor the pictur' o' ye, Mary: Diana is more like your father." I thought them so similar I could not tell where the old servant (for such I now concluded her to be) saw the difference. Both were fair complexioned and slenderly made; both possessed faces full of distinction and intelligence. One, to be sure, had hair a shade darker than the other, and there was a difference in their style of wearing it; Mary's pale brown locks were parted and braided smooth: Diana's duskier tresses covered her neck with thick curls. The clock struck ten. "Ye'll want your supper, I am sure," observed Hannah; "and so will Mr. St. John when he comes in." And she proceeded to prepare the meal. The ladies rose; they seemed about to withdraw to the parlour. Till this moment, I had been so intent on watching them, their appearance and conversation had excited in me so keen an interest, I had half-forgotten my own wretched position: now it recurred to me. More desolate, more desperate than ever, it seemed from contrast. And how impossible did it appear to touch the inmates of this house with concern on my behalf; to make them believe in the truth of my wants and woes--to induce them to vouchsafe a rest for my wanderings! As I groped out the door, and knocked at it hesitatingly, I felt that last idea to be a mere chimera. Hannah opened. "What do you want?" she inquired, in a voice of surprise, as she surveyed me by the light of the candle she held. "May I speak to your mistresses?" I said. "You had better tell me what you have to say to them. Where do you come from?" "I am a stranger." "What is your business here at this hour?" "I want a night's shelter in an out-house or anywhere, and a morsel of bread to eat." Distrust, the very feeling I dreaded, appeared in Hannah's face. "I'll give you a piece of bread," she said, after a pause; "but we can't take in a vagrant to lodge. It isn't likely." "Do let me speak to your mistresses." "No, not I. What can they do for you? You should not be roving about now; it looks very ill." "But where shall I go if you drive me away? What shall I do?" "Oh, I'll warrant you know where to go and what to do. Mind you don't do wrong, that's all. Here is a penny; now go--" "A penny cannot feed me, and I have no strength to go farther. Don't shut the door:--oh, don't, for God's sake!" "I must; the rain is driving in--" "Tell the young ladies. Let me see them--" "Indeed, I will not. You are not what you ought to be, or you wouldn't make such a noise. Move off." "But I must die if I am turned away." "Not you. I'm fear'd you have some ill plans agate, that bring you about folk's houses at this time o' night. If you've any followers--housebreakers or such like--anywhere near, you may tell them we are not by ourselves in the house; we have a gentleman, and dogs, and guns." Here the honest but inflexible servant clapped the door to and bolted it within. This was the climax. A pang of exquisite suffering--a throe of true despair--rent and heaved my heart. Worn out, indeed, I was; not another step could I stir. I sank on the wet doorstep: I groaned--I wrung my hands--I wept in utter anguish. Oh, this spectre of death! Oh, this last hour, approaching in such horror! Alas, this isolation--this banishment from my kind! Not only the anchor of hope, but the footing of fortitude was gone--at least for a moment; but the last I soon endeavoured to regain. "I can but die," I said, "and I believe in God. Let me try to wait His will in silence." These words I not only thought, but uttered; and thrusting back all my misery into my heart, I made an effort to compel it to remain there--dumb and still. "All men must die," said a voice quite close at hand; "but all are not condemned to meet a lingering and premature doom, such as yours would be if you perished here of want." "Who or what speaks?" I asked, terrified at the unexpected sound, and incapable now of deriving from any occurrence a hope of aid. A form was near--what form, the pitch-dark night and my enfeebled vision prevented me from distinguishing. With a loud long knock, the new-comer appealed to the door. "Is it you, Mr. St. John?" cried Hannah. "Yes--yes; open quickly." "Well, how wet and cold you must be, such a wild night as it is! Come in--your sisters are quite uneasy about you, and I believe there are bad folks about. There has been a beggar-woman--I declare she is not gone yet!--laid down there. Get up! for shame! Move off, I say!" "Hush, Hannah! I have a word to say to the woman. You have done your duty in excluding, now let me do mine in admitting her. I was near, and listened to both you and her. I think this is a peculiar case--I must at least examine into it. Young woman, rise, and pass before me into the house." {Hush, Hannah; I have a word to say to the woman: p323.jpg} With difficulty I obeyed him. Presently I stood within that clean, bright kitchen--on the very hearth--trembling, sickening; conscious of an aspect in the last degree ghastly, wild, and weather-beaten. The two ladies, their brother, Mr. St. John, the old servant, were all gazing at me. "St. John, who is it?" I heard one ask. "I cannot tell: I found her at the door," was the reply. "She does look white," said Hannah. "As white as clay or death," was responded. "She will fall: let her sit." And indeed my head swam: I dropped, but a chair received me. I still possessed my senses, though just now I could not speak. "Perhaps a little water would restore her. Hannah, fetch some. But she is worn to nothing. How very thin, and how very bloodless!" "A mere spectre!" "Is she ill, or only famished?" "Famished, I think. Hannah, is that milk? Give it me, and a piece of bread." Diana (I knew her by the long curls which I saw drooping between me and the fire as she bent over me) broke some bread, dipped it in milk, and put it to my lips. Her face was near mine: I saw there was pity in it, and I felt sympathy in her hurried breathing. In her simple words, too, the same balm-like emotion spoke: "Try to eat." "Yes--try," repeated Mary gently; and Mary's hand removed my sodden bonnet and lifted my head. I tasted what they offered me: feebly at first, eagerly soon. "Not too much at first--restrain her," said the brother; "she has had enough." And he withdrew the cup of milk and the plate of bread. "A little more, St. John--look at the avidity in her eyes." "No more at present, sister. Try if she can speak now--ask her her name." I felt I could speak, and I answered--"My name is Jane Elliott." Anxious as ever to avoid discovery, I had before resolved to assume an _alias_. "And where do you live? Where are your friends?" I was silent. "Can we send for any one you know?" I shook my head. "What account can you give of yourself?" Somehow, now that I had once crossed the threshold of this house, and once was brought face to face with its owners, I felt no longer outcast, vagrant, and disowned by the wide world. I dared to put off the mendicant--to resume my natural manner and character. I began once more to know myself; and when Mr. St. John demanded an account--which at present I was far too weak to render--I said after a brief pause-- "Sir, I can give you no details to-night." "But what, then," said he, "do you expect me to do for you?" "Nothing," I replied. My strength sufficed for but short answers. Diana took the word-- "Do you mean," she asked, "that we have now given you what aid you require? and that we may dismiss you to the moor and the rainy night?" I looked at her. She had, I thought, a remarkable countenance, instinct both with power and goodness. I took sudden courage. Answering her compassionate gaze with a smile, I said--"I will trust you. If I were a masterless and stray dog, I know that you would not turn me from your hearth to-night: as it is, I really have no fear. Do with me and for me as you like; but excuse me from much discourse--my breath is short--I feel a spasm when I speak." All three surveyed me, and all three were silent. "Hannah," said Mr. St. John, at last, "let her sit there at present, and ask her no questions; in ten minutes more, give her the remainder of that milk and bread. Mary and Diana, let us go into the parlour and talk the matter over." They withdrew. Very soon one of the ladies returned--I could not tell which. A kind of pleasant stupor was stealing over me as I sat by the genial fire. In an undertone she gave some directions to Hannah. Ere long, with the servant's aid, I contrived to mount a staircase; my dripping clothes were removed; soon a warm, dry bed received me. I thanked God--experienced amidst unutterable exhaustion a glow of grateful joy--and slept.

volume 3, Chapter 28

https://web.archive.org/web/20210123075639/https://www.sparknotes.com/lit/janeeyre/section7/

Riding in a coach, Jane quickly exhausts her meager money supply and is forced to sleep outdoors. She spends much of the night in prayer, and the following day she begs for food or a job in the nearby town. No one helps her, except for one farmer who is willing to give her a slice of bread. After another day, Jane sees a light shining from across the moors. Following it, she comes to a house. Through the window, Jane sees two young women studying German while their servant knits. From their conversation Jane learns that the servant is named Hannah and that the graceful young women are Diana and Mary. The three women are waiting for someone named St. John. Jane knocks on the door, but Hannah refuses to let her in. Collapsing on the doorstep in anguish and weakness, Jane cries, "I can but die, and I believe in God. Let me try to wait His will in silence. A voice answers, "All men must die, but all are not condemned to meet a lingering and premature doom, such as yours would be if you perished here of want. The voice belongs to "St. John," who brings Jane into the house. He is the brother of Diana and Mary, and the three siblings give Jane food and shelter. They ask her some questions, and she gives them a false name: "Jane Elliott.

Feeling. clamoured wildly. Oh, comply. it said. soothe him; save him; love him; tell him you love him and will be his. Who in the world cares for you. or who will be injured by what you do. Jane endures her most difficult trials in this section of the book: she resolves to leave Rochester although it pains her deeply, and she is forced to sleep outdoors and go hungry on the moors in her flight from Thornfield. However, this section is also where Jane proves to herself her endurance, her strength of principle, and her ability to forge new friendships. As she tells herself before leaving Thornfield, "I care for myself. The more solitary, the more friendless, the more unsustained I am, the more I will respect myself. Ultimately this self-interest will make her relationships with others, including her eventual marriage, all the more meaningful and rewarding. Jane's departure from Thornfield is perhaps the most important decision she makes in the novel. In Rochester she found the love for which she had always yearned, and Thornfield was the first real home she ever knew. In fleeing them, Jane leaves a part of herself behind. But living with Rochester as his mistress would require a self-compromise that Jane is not willing to make. Even before she learns of Bertha's existence, Jane senses that in marrying Rochester she risks cementing herself into a position of inequality. She fears that Rochester would objectify her and that by "marrying above her station" she would come to the relationship already "in debt" to him. Now Jane sees more clearly than ever that a relationship with Rochester would mean the loss of her self-respect, and of her control over her life. Jane cannot bring herself to do what is morally wrong, simply out of weakness of will and emotional neediness. Despite the happiness and the sense of acceptance that Thornfield and Rochester's love offer, Jane knows that staying would be a type of self-imprisonment. Jane must choose between emotional exile and spiritual and intellectual imprisonment. She knows she must flee while she can. Throughout the narrative of Jane's trials, the reader not only gains insight into Jane's personal constitution and character, but also into the society in which she lives. When Jane experiences the plight of the poor, the novel presents us with a bleak glimpse of a society in which the needy are shunned out of tightfistedness and distrust

sparknotes

all_chapterized_books/1260-chapters/30.txt

finished_summaries/sparknotes/Jane Eyre/section_7_part_1.txt

Jane Eyre.volume 3.chapter 29

volume 3, chapter 29

{"name": "volume 3, Chapter 29", "url": "https://web.archive.org/web/20210123075639/https://www.sparknotes.com/lit/janeeyre/section8/", "summary": "After she is taken in by the Rivers siblings, Jane spends three days recuperating in bed. On the fourth day, she feels well again and follows the smell of baking bread into the kitchen, where she finds Hannah. Jane criticizes Hannah for judging her unfairly when she asked for help, and Hannah apologizes. Hannah tells the story of Mr. Rivers, the siblings' father, who lost most of the family fortune in a bad business deal. In turn, Diana and Mary were forced to work as governesses--they are only at Marsh End now because their father died three weeks ago. Jane then relates some of her own story and admits that Jane Elliott is not her real name. St. John promises to find her a job", "analysis": "Marsh End and Morton are the setting of the novel's fourth phase. Here Jane develops a new sense of belonging, and proves herself capable of finding like-minded companions with whom she is not romantically involved. The fact that Diana and Mary Rivers are also governesses puts them on an equal footing with Jane. Although Jane left Thornfield convinced that she had made the right decision, she harbored uncertainty as to whether she would ever find a sense of belonging without sacrificing her autonomy. Jane's stay at Marsh End proves to her that she is not doomed to be forever alienated from the world, that a balance between community and autonomy can be achieved. Now, as an integrated member of the Rivers household, Jane realizes that one may give and accept love from others in equal exchange. When St. John gives Jane Sir Walter Scott's Marmion, and Jane-the-narrator comments that this was a new book, it seems as if Bronte is providing a definitive statement about when the events of the novel take place, since Marmion was first published in 1808. However, other characters in Jane Eyre refer to books published after this date. Blanche Ingram, for instance, refers to Byron's poem The Corsair in Chapter 33, but Byron's book wasn't published until 1814. Bronte was obviously not especially concerned with fixing her story in a precise and consistent relation to historical dates, and perhaps she selected the texts mentioned in her novel for other reasons."}

The recollection of about three days and nights succeeding this is very dim in my mind. I can recall some sensations felt in that interval; but few thoughts framed, and no actions performed. I knew I was in a small room and in a narrow bed. To that bed I seemed to have grown; I lay on it motionless as a stone; and to have torn me from it would have been almost to kill me. I took no note of the lapse of time--of the change from morning to noon, from noon to evening. I observed when any one entered or left the apartment: I could even tell who they were; I could understand what was said when the speaker stood near to me; but I could not answer; to open my lips or move my limbs was equally impossible. Hannah, the servant, was my most frequent visitor. Her coming disturbed me. I had a feeling that she wished me away: that she did not understand me or my circumstances; that she was prejudiced against me. Diana and Mary appeared in the chamber once or twice a day. They would whisper sentences of this sort at my bedside-- "It is very well we took her in." "Yes; she would certainly have been found dead at the door in the morning had she been left out all night. I wonder what she has gone through?" "Strange hardships, I imagine--poor, emaciated, pallid wanderer?" "She is not an uneducated person, I should think, by her manner of speaking; her accent was quite pure; and the clothes she took off, though splashed and wet, were little worn and fine." "She has a peculiar face; fleshless and haggard as it is, I rather like it; and when in good health and animated, I can fancy her physiognomy would be agreeable." Never once in their dialogues did I hear a syllable of regret at the hospitality they had extended to me, or of suspicion of, or aversion to, myself. I was comforted. Mr. St. John came but once: he looked at me, and said my state of lethargy was the result of reaction from excessive and protracted fatigue. He pronounced it needless to send for a doctor: nature, he was sure, would manage best, left to herself. He said every nerve had been overstrained in some way, and the whole system must sleep torpid a while. There was no disease. He imagined my recovery would be rapid enough when once commenced. These opinions he delivered in a few words, in a quiet, low voice; and added, after a pause, in the tone of a man little accustomed to expansive comment, "Rather an unusual physiognomy; certainly, not indicative of vulgarity or degradation." "Far otherwise," responded Diana. "To speak truth, St. John, my heart rather warms to the poor little soul. I wish we may be able to benefit her permanently." "That is hardly likely," was the reply. "You will find she is some young lady who has had a misunderstanding with her friends, and has probably injudiciously left them. We may, perhaps, succeed in restoring her to them, if she is not obstinate: but I trace lines of force in her face which make me sceptical of her tractability." He stood considering me some minutes; then added, "She looks sensible, but not at all handsome." "She is so ill, St. John." "Ill or well, she would always be plain. The grace and harmony of beauty are quite wanting in those features." On the third day I was better; on the fourth, I could speak, move, rise in bed, and turn. Hannah had brought me some gruel and dry toast, about, as I supposed, the dinner-hour. I had eaten with relish: the food was good--void of the feverish flavour which had hitherto poisoned what I had swallowed. When she left me, I felt comparatively strong and revived: ere long satiety of repose and desire for action stirred me. I wished to rise; but what could I put on? Only my damp and bemired apparel; in which I had slept on the ground and fallen in the marsh. I felt ashamed to appear before my benefactors so clad. I was spared the humiliation. On a chair by the bedside were all my own things, clean and dry. My black silk frock hung against the wall. The traces of the bog were removed from it; the creases left by the wet smoothed out: it was quite decent. My very shoes and stockings were purified and rendered presentable. There were the means of washing in the room, and a comb and brush to smooth my hair. After a weary process, and resting every five minutes, I succeeded in dressing myself. My clothes hung loose on me; for I was much wasted, but I covered deficiencies with a shawl, and once more, clean and respectable looking--no speck of the dirt, no trace of the disorder I so hated, and which seemed so to degrade me, left--I crept down a stone staircase with the aid of the banisters, to a narrow low passage, and found my way presently to the kitchen. It was full of the fragrance of new bread and the warmth of a generous fire. Hannah was baking. Prejudices, it is well known, are most difficult to eradicate from the heart whose soil has never been loosened or fertilised by education: they grow there, firm as weeds among stones. Hannah had been cold and stiff, indeed, at the first: latterly she had begun to relent a little; and when she saw me come in tidy and well-dressed, she even smiled. "What, you have got up!" she said. "You are better, then. You may sit you down in my chair on the hearthstone, if you will." She pointed to the rocking-chair: I took it. She bustled about, examining me every now and then with the corner of her eye. Turning to me, as she took some loaves from the oven, she asked bluntly-- "Did you ever go a-begging afore you came here?" I was indignant for a moment; but remembering that anger was out of the question, and that I had indeed appeared as a beggar to her, I answered quietly, but still not without a certain marked firmness-- "You are mistaken in supposing me a beggar. I am no beggar; any more than yourself or your young ladies." After a pause she said, "I dunnut understand that: you've like no house, nor no brass, I guess?" "The want of house or brass (by which I suppose you mean money) does not make a beggar in your sense of the word." "Are you book-learned?" she inquired presently. "Yes, very." "But you've never been to a boarding-school?" "I was at a boarding-school eight years." She opened her eyes wide. "Whatever cannot ye keep yourself for, then?" "I have kept myself; and, I trust, shall keep myself again. What are you going to do with these gooseberries?" I inquired, as she brought out a basket of the fruit. "Mak' 'em into pies." "Give them to me and I'll pick them." "Nay; I dunnut want ye to do nought." "But I must do something. Let me have them." She consented; and she even brought me a clean towel to spread over my dress, "lest," as she said, "I should mucky it." "Ye've not been used to sarvant's wark, I see by your hands," she remarked. "Happen ye've been a dressmaker?" "No, you are wrong. And now, never mind what I have been: don't trouble your head further about me; but tell me the name of the house where we are." "Some calls it Marsh End, and some calls it Moor House." "And the gentleman who lives here is called Mr. St. John?" "Nay; he doesn't live here: he is only staying a while. When he is at home, he is in his own parish at Morton." "That village a few miles off? "Aye." "And what is he?" "He is a parson." I remembered the answer of the old housekeeper at the parsonage, when I had asked to see the clergyman. "This, then, was his father's residence?" "Aye; old Mr. Rivers lived here, and his father, and grandfather, and gurt (great) grandfather afore him." "The name, then, of that gentleman, is Mr. St. John Rivers?" "Aye; St. John is like his kirstened name." "And his sisters are called Diana and Mary Rivers?" "Yes." "Their father is dead?" "Dead three weeks sin' of a stroke." "They have no mother?" "The mistress has been dead this mony a year." "Have you lived with the family long?" "I've lived here thirty year. I nursed them all three." "That proves you must have been an honest and faithful servant. I will say so much for you, though you have had the incivility to call me a beggar." She again regarded me with a surprised stare. "I believe," she said, "I was quite mista'en in my thoughts of you: but there is so mony cheats goes about, you mun forgie me." "And though," I continued, rather severely, "you wished to turn me from the door, on a night when you should not have shut out a dog." "Well, it was hard: but what can a body do? I thought more o' th' childer nor of mysel: poor things! They've like nobody to tak' care on 'em but me. I'm like to look sharpish." I maintained a grave silence for some minutes. "You munnut think too hardly of me," she again remarked. "But I do think hardly of you," I said; "and I'll tell you why--not so much because you refused to give me shelter, or regarded me as an impostor, as because you just now made it a species of reproach that I had no 'brass' and no house. Some of the best people that ever lived have been as destitute as I am; and if you are a Christian, you ought not to consider poverty a crime." "No more I ought," said she: "Mr. St. John tells me so too; and I see I wor wrang--but I've clear a different notion on you now to what I had. You look a raight down dacent little crater." "That will do--I forgive you now. Shake hands." She put her floury and horny hand into mine; another and heartier smile illumined her rough face, and from that moment we were friends. Hannah was evidently fond of talking. While I picked the fruit, and she made the paste for the pies, she proceeded to give me sundry details about her deceased master and mistress, and "the childer," as she called the young people. Old Mr. Rivers, she said, was a plain man enough, but a gentleman, and of as ancient a family as could be found. Marsh End had belonged to the Rivers ever since it was a house: and it was, she affirmed, "aboon two hundred year old--for all it looked but a small, humble place, naught to compare wi' Mr. Oliver's grand hall down i' Morton Vale. But she could remember Bill Oliver's father a journeyman needlemaker; and th' Rivers wor gentry i' th' owd days o' th' Henrys, as onybody might see by looking into th' registers i' Morton Church vestry." Still, she allowed, "the owd maister was like other folk--naught mich out o' t' common way: stark mad o' shooting, and farming, and sich like." The mistress was different. She was a great reader, and studied a deal; and the "bairns" had taken after her. There was nothing like them in these parts, nor ever had been; they had liked learning, all three, almost from the time they could speak; and they had always been "of a mak' of their own." Mr. St. John, when he grew up, would go to college and be a parson; and the girls, as soon as they left school, would seek places as governesses: for they had told her their father had some years ago lost a great deal of money by a man he had trusted turning bankrupt; and as he was now not rich enough to give them fortunes, they must provide for themselves. They had lived very little at home for a long while, and were only come now to stay a few weeks on account of their father's death; but they did so like Marsh End and Morton, and all these moors and hills about. They had been in London, and many other grand towns; but they always said there was no place like home; and then they were so agreeable with each other--never fell out nor "threaped." She did not know where there was such a family for being united. Having finished my task of gooseberry picking, I asked where the two ladies and their brother were now. "Gone over to Morton for a walk; but they would be back in half-an-hour to tea." They returned within the time Hannah had allotted them: they entered by the kitchen door. Mr. St. John, when he saw me, merely bowed and passed through; the two ladies stopped: Mary, in a few words, kindly and calmly expressed the pleasure she felt in seeing me well enough to be able to come down; Diana took my hand: she shook her head at me. "You should have waited for my leave to descend," she said. "You still look very pale--and so thin! Poor child!--poor girl!" Diana had a voice toned, to my ear, like the cooing of a dove. She possessed eyes whose gaze I delighted to encounter. Her whole face seemed to me full of charm. Mary's countenance was equally intelligent--her features equally pretty; but her expression was more reserved, and her manners, though gentle, more distant. Diana looked and spoke with a certain authority: she had a will, evidently. It was my nature to feel pleasure in yielding to an authority supported like hers, and to bend, where my conscience and self-respect permitted, to an active will. "And what business have you here?" she continued. "It is not your place. Mary and I sit in the kitchen sometimes, because at home we like to be free, even to license--but you are a visitor, and must go into the parlour." "I am very well here." "Not at all, with Hannah bustling about and covering you with flour." "Besides, the fire is too hot for you," interposed Mary. "To be sure," added her sister. "Come, you must be obedient." And still holding my hand she made me rise, and led me into the inner room. "Sit there," she said, placing me on the sofa, "while we take our things off and get the tea ready; it is another privilege we exercise in our little moorland home--to prepare our own meals when we are so inclined, or when Hannah is baking, brewing, washing, or ironing." She closed the door, leaving me solus with Mr. St. John, who sat opposite, a book or newspaper in his hand. I examined first, the parlour, and then its occupant. The parlour was rather a small room, very plainly furnished, yet comfortable, because clean and neat. The old-fashioned chairs were very bright, and the walnut-wood table was like a looking-glass. A few strange, antique portraits of the men and women of other days decorated the stained walls; a cupboard with glass doors contained some books and an ancient set of china. There was no superfluous ornament in the room--not one modern piece of furniture, save a brace of workboxes and a lady's desk in rosewood, which stood on a side-table: everything--including the carpet and curtains--looked at once well worn and well saved. Mr. St. John--sitting as still as one of the dusty pictures on the walls, keeping his eyes fixed on the page he perused, and his lips mutely sealed--was easy enough to examine. Had he been a statue instead of a man, he could not have been easier. He was young--perhaps from twenty- eight to thirty--tall, slender; his face riveted the eye; it was like a Greek face, very pure in outline: quite a straight, classic nose; quite an Athenian mouth and chin. It is seldom, indeed, an English face comes so near the antique models as did his. He might well be a little shocked at the irregularity of my lineaments, his own being so harmonious. His eyes were large and blue, with brown lashes; his high forehead, colourless as ivory, was partially streaked over by careless locks of fair hair. This is a gentle delineation, is it not, reader? Yet he whom it describes scarcely impressed one with the idea of a gentle, a yielding, an impressible, or even of a placid nature. Quiescent as he now sat, there was something about his nostril, his mouth, his brow, which, to my perceptions, indicated elements within either restless, or hard, or eager. He did not speak to me one word, nor even direct to me one glance, till his sisters returned. Diana, as she passed in and out, in the course of preparing tea, brought me a little cake, baked on the top of the oven. "Eat that now," she said: "you must be hungry. Hannah says you have had nothing but some gruel since breakfast." I did not refuse it, for my appetite was awakened and keen. Mr. Rivers now closed his book, approached the table, and, as he took a seat, fixed his blue pictorial-looking eyes full on me. There was an unceremonious directness, a searching, decided steadfastness in his gaze now, which told that intention, and not diffidence, had hitherto kept it averted from the stranger. "You are very hungry," he said. "I am, sir." It is my way--it always was my way, by instinct--ever to meet the brief with brevity, the direct with plainness. "It is well for you that a low fever has forced you to abstain for the last three days: there would have been danger in yielding to the cravings of your appetite at first. Now you may eat, though still not immoderately." "I trust I shall not eat long at your expense, sir," was my very clumsily- contrived, unpolished answer. "No," he said coolly: "when you have indicated to us the residence of your friends, we can write to them, and you may be restored to home." "That, I must plainly tell you, is out of my power to do; being absolutely without home and friends." The three looked at me, but not distrustfully; I felt there was no suspicion in their glances: there was more of curiosity. I speak particularly of the young ladies. St. John's eyes, though clear enough in a literal sense, in a figurative one were difficult to fathom. He seemed to use them rather as instruments to search other people's thoughts, than as agents to reveal his own: the which combination of keenness and reserve was considerably more calculated to embarrass than to encourage. "Do you mean to say," he asked, "that you are completely isolated from every connection?" "I do. Not a tie links me to any living thing: not a claim do I possess to admittance under any roof in England." "A most singular position at your age!" Here I saw his glance directed to my hands, which were folded on the table before me. I wondered what he sought there: his words soon explained the quest. "You have never been married? You are a spinster?" Diana laughed. "Why, she can't be above seventeen or eighteen years old, St. John," said she. "I am near nineteen: but I am not married. No." I felt a burning glow mount to my face; for bitter and agitating recollections were awakened by the allusion to marriage. They all saw the embarrassment and the emotion. Diana and Mary relieved me by turning their eyes elsewhere than to my crimsoned visage; but the colder and sterner brother continued to gaze, till the trouble he had excited forced out tears as well as colour. "Where did you last reside?" he now asked. "You are too inquisitive, St. John," murmured Mary in a low voice; but he leaned over the table and required an answer by a second firm and piercing look. "The name of the place where, and of the person with whom I lived, is my secret," I replied concisely. "Which, if you like, you have, in my opinion, a right to keep, both from St. John and every other questioner," remarked Diana. "Yet if I know nothing about you or your history, I cannot help you," he said. "And you need help, do you not?" "I need it, and I seek it so far, sir, that some true philanthropist will put me in the way of getting work which I can do, and the remuneration for which will keep me, if but in the barest necessaries of life." "I know not whether I am a true philanthropist; yet I am willing to aid you to the utmost of my power in a purpose so honest. First, then, tell me what you have been accustomed to do, and what you _can_ do." I had now swallowed my tea. I was mightily refreshed by the beverage; as much so as a giant with wine: it gave new tone to my unstrung nerves, and enabled me to address this penetrating young judge steadily. "Mr. Rivers," I said, turning to him, and looking at him, as he looked at me, openly and without diffidence, "you and your sisters have done me a great service--the greatest man can do his fellow-being; you have rescued me, by your noble hospitality, from death. This benefit conferred gives you an unlimited claim on my gratitude, and a claim, to a certain extent, on my confidence. I will tell you as much of the history of the wanderer you have harboured, as I can tell without compromising my own peace of mind--my own security, moral and physical, and that of others. "I am an orphan, the daughter of a clergyman. My parents died before I could know them. I was brought up a dependant; educated in a charitable institution. I will even tell you the name of the establishment, where I passed six years as a pupil, and two as a teacher--Lowood Orphan Asylum, ---shire: you will have heard of it, Mr. Rivers?--the Rev. Robert Brocklehurst is the treasurer." "I have heard of Mr. Brocklehurst, and I have seen the school." "I left Lowood nearly a year since to become a private governess. I obtained a good situation, and was happy. This place I was obliged to leave four days before I came here. The reason of my departure I cannot and ought not to explain: it would be useless, dangerous, and would sound incredible. No blame attached to me: I am as free from culpability as any one of you three. Miserable I am, and must be for a time; for the catastrophe which drove me from a house I had found a paradise was of a strange and direful nature. I observed but two points in planning my departure--speed, secrecy: to secure these, I had to leave behind me everything I possessed except a small parcel; which, in my hurry and trouble of mind, I forgot to take out of the coach that brought me to Whitcross. To this neighbourhood, then, I came, quite destitute. I slept two nights in the open air, and wandered about two days without crossing a threshold: but twice in that space of time did I taste food; and it was when brought by hunger, exhaustion, and despair almost to the last gasp, that you, Mr. Rivers, forbade me to perish of want at your door, and took me under the shelter of your roof. I know all your sisters have done for me since--for I have not been insensible during my seeming torpor--and I owe to their spontaneous, genuine, genial compassion as large a debt as to your evangelical charity." "Don't make her talk any more now, St. John," said Diana, as I paused; "she is evidently not yet fit for excitement. Come to the sofa and sit down now, Miss Elliott." I gave an involuntary half start at hearing the _alias_: I had forgotten my new name. Mr. Rivers, whom nothing seemed to escape, noticed it at once. "You said your name was Jane Elliott?" he observed. "I did say so; and it is the name by which I think it expedient to be called at present, but it is not my real name, and when I hear it, it sounds strange to me." "Your real name you will not give?" "No: I fear discovery above all things; and whatever disclosure would lead to it, I avoid." "You are quite right, I am sure," said Diana. "Now do, brother, let her be at peace a while." But when St. John had mused a few moments he recommenced as imperturbably and with as much acumen as ever. "You would not like to be long dependent on our hospitality--you would wish, I see, to dispense as soon as may be with my sisters' compassion, and, above all, with my _charity_ (I am quite sensible of the distinction drawn, nor do I resent it--it is just): you desire to be independent of us?" "I do: I have already said so. Show me how to work, or how to seek work: that is all I now ask; then let me go, if it be but to the meanest cottage; but till then, allow me to stay here: I dread another essay of the horrors of homeless destitution." "Indeed you _shall_ stay here," said Diana, putting her white hand on my head. "You _shall_," repeated Mary, in the tone of undemonstrative sincerity which seemed natural to her. "My sisters, you see, have a pleasure in keeping you," said Mr. St. John, "as they would have a pleasure in keeping and cherishing a half-frozen bird, some wintry wind might have driven through their casement. I feel more inclination to put you in the way of keeping yourself, and shall endeavour to do so; but observe, my sphere is narrow. I am but the incumbent of a poor country parish: my aid must be of the humblest sort. And if you are inclined to despise the day of small things, seek some more efficient succour than such as I can offer." "She has already said that she is willing to do anything honest she can do," answered Diana for me; "and you know, St. John, she has no choice of helpers: she is forced to put up with such crusty people as you." "I will be a dressmaker; I will be a plain-workwoman; I will be a servant, a nurse-girl, if I can be no better," I answered. "Right," said Mr. St. John, quite coolly. "If such is your spirit, I promise to aid you, in my own time and way." He now resumed the book with which he had been occupied before tea. I soon withdrew, for I had talked as much, and sat up as long, as my present strength would permit.

volume 3, Chapter 29

https://web.archive.org/web/20210123075639/https://www.sparknotes.com/lit/janeeyre/section8/

After she is taken in by the Rivers siblings, Jane spends three days recuperating in bed. On the fourth day, she feels well again and follows the smell of baking bread into the kitchen, where she finds Hannah. Jane criticizes Hannah for judging her unfairly when she asked for help, and Hannah apologizes. Hannah tells the story of Mr. Rivers, the siblings' father, who lost most of the family fortune in a bad business deal. In turn, Diana and Mary were forced to work as governesses--they are only at Marsh End now because their father died three weeks ago. Jane then relates some of her own story and admits that Jane Elliott is not her real name. St. John promises to find her a job

Marsh End and Morton are the setting of the novel's fourth phase. Here Jane develops a new sense of belonging, and proves herself capable of finding like-minded companions with whom she is not romantically involved. The fact that Diana and Mary Rivers are also governesses puts them on an equal footing with Jane. Although Jane left Thornfield convinced that she had made the right decision, she harbored uncertainty as to whether she would ever find a sense of belonging without sacrificing her autonomy. Jane's stay at Marsh End proves to her that she is not doomed to be forever alienated from the world, that a balance between community and autonomy can be achieved. Now, as an integrated member of the Rivers household, Jane realizes that one may give and accept love from others in equal exchange. When St. John gives Jane Sir Walter Scott's Marmion, and Jane-the-narrator comments that this was a new book, it seems as if Bronte is providing a definitive statement about when the events of the novel take place, since Marmion was first published in 1808. However, other characters in Jane Eyre refer to books published after this date. Blanche Ingram, for instance, refers to Byron's poem The Corsair in Chapter 33, but Byron's book wasn't published until 1814. Bronte was obviously not especially concerned with fixing her story in a precise and consistent relation to historical dates, and perhaps she selected the texts mentioned in her novel for other reasons.

sparknotes

all_chapterized_books/1260-chapters/31.txt

finished_summaries/sparknotes/Jane Eyre/section_7_part_2.txt

Jane Eyre.volume 3.chapter 30

volume 3, chapter 30

{"name": "volume 3, Chapter 30", "url": "https://web.archive.org/web/20210123075639/https://www.sparknotes.com/lit/janeeyre/section8/", "summary": "Jane befriends Diana and Mary, who admire her drawings and give her books to read. St. John, on the other hand, remains distant and cold, although he is never unkind. After a month, Diana and Mary must return to their posts as governesses. St. John has found a position for Jane, running a charity school for girls in the town of Morton. Jane accepts, but St. John presumes that she will soon leave the school out of restlessness, perhaps because he himself is quite restless. His sisters suspect he will soon leave England for a missionary post overseas. St. John tells his sisters that their Uncle John has died and left them nothing, because all his money went to another, unknown, relative. Jane learns that it was Uncle John who led Mr. Rivers into his disastrous business deal", "analysis": "Marsh End and Morton are the setting of the novel's fourth phase. Here Jane develops a new sense of belonging, and proves herself capable of finding like-minded companions with whom she is not romantically involved. The fact that Diana and Mary Rivers are also governesses puts them on an equal footing with Jane. Although Jane left Thornfield convinced that she had made the right decision, she harbored uncertainty as to whether she would ever find a sense of belonging without sacrificing her autonomy. Jane's stay at Marsh End proves to her that she is not doomed to be forever alienated from the world, that a balance between community and autonomy can be achieved. Now, as an integrated member of the Rivers household, Jane realizes that one may give and accept love from others in equal exchange. When St. John gives Jane Sir Walter Scott's Marmion, and Jane-the-narrator comments that this was a new book, it seems as if Bronte is providing a definitive statement about when the events of the novel take place, since Marmion was first published in 1808. However, other characters in Jane Eyre refer to books published after this date. Blanche Ingram, for instance, refers to Byron's poem The Corsair in Chapter 33, but Byron's book wasn't published until 1814. Bronte was obviously not especially concerned with fixing her story in a precise and consistent relation to historical dates, and perhaps she selected the texts mentioned in her novel for other reasons."}

The more I knew of the inmates of Moor House, the better I liked them. In a few days I had so far recovered my health that I could sit up all day, and walk out sometimes. I could join with Diana and Mary in all their occupations; converse with them as much as they wished, and aid them when and where they would allow me. There was a reviving pleasure in this intercourse, of a kind now tasted by me for the first time--the pleasure arising from perfect congeniality of tastes, sentiments, and principles. I liked to read what they liked to read: what they enjoyed, delighted me; what they approved, I reverenced. They loved their sequestered home. I, too, in the grey, small, antique structure, with its low roof, its latticed casements, its mouldering walls, its avenue of aged firs--all grown aslant under the stress of mountain winds; its garden, dark with yew and holly--and where no flowers but of the hardiest species would bloom--found a charm both potent and permanent. They clung to the purple moors behind and around their dwelling--to the hollow vale into which the pebbly bridle-path leading from their gate descended, and which wound between fern-banks first, and then amongst a few of the wildest little pasture-fields that ever bordered a wilderness of heath, or gave sustenance to a flock of grey moorland sheep, with their little mossy- faced lambs:--they clung to this scene, I say, with a perfect enthusiasm of attachment. I could comprehend the feeling, and share both its strength and truth. I saw the fascination of the locality. I felt the consecration of its loneliness: my eye feasted on the outline of swell and sweep--on the wild colouring communicated to ridge and dell by moss, by heath-bell, by flower-sprinkled turf, by brilliant bracken, and mellow granite crag. These details were just to me what they were to them--so many pure and sweet sources of pleasure. The strong blast and the soft breeze; the rough and the halcyon day; the hours of sunrise and sunset; the moonlight and the clouded night, developed for me, in these regions, the same attraction as for them--wound round my faculties the same spell that entranced theirs. Indoors we agreed equally well. They were both more accomplished and better read than I was; but with eagerness I followed in the path of knowledge they had trodden before me. I devoured the books they lent me: then it was full satisfaction to discuss with them in the evening what I had perused during the day. Thought fitted thought; opinion met opinion: we coincided, in short, perfectly. If in our trio there was a superior and a leader, it was Diana. Physically, she far excelled me: she was handsome; she was vigorous. In her animal spirits there was an affluence of life and certainty of flow, such as excited my wonder, while it baffled my comprehension. I could talk a while when the evening commenced, but the first gush of vivacity and fluency gone, I was fain to sit on a stool at Diana's feet, to rest my head on her knee, and listen alternately to her and Mary, while they sounded thoroughly the topic on which I had but touched. Diana offered to teach me German. I liked to learn of her: I saw the part of instructress pleased and suited her; that of scholar pleased and suited me no less. Our natures dovetailed: mutual affection--of the strongest kind--was the result. They discovered I could draw: their pencils and colour-boxes were immediately at my service. My skill, greater in this one point than theirs, surprised and charmed them. Mary would sit and watch me by the hour together: then she would take lessons; and a docile, intelligent, assiduous pupil she made. Thus occupied, and mutually entertained, days passed like hours, and weeks like days. As to Mr. St John, the intimacy which had arisen so naturally and rapidly between me and his sisters did not extend to him. One reason of the distance yet observed between us was, that he was comparatively seldom at home: a large proportion of his time appeared devoted to visiting the sick and poor among the scattered population of his parish. No weather seemed to hinder him in these pastoral excursions: rain or fair, he would, when his hours of morning study were over, take his hat, and, followed by his father's old pointer, Carlo, go out on his mission of love or duty--I scarcely know in which light he regarded it. Sometimes, when the day was very unfavourable, his sisters would expostulate. He would then say, with a peculiar smile, more solemn than cheerful-- "And if I let a gust of wind or a sprinkling of rain turn me aside from these easy tasks, what preparation would such sloth be for the future I propose to myself?" Diana and Mary's general answer to this question was a sigh, and some minutes of apparently mournful meditation. But besides his frequent absences, there was another barrier to friendship with him: he seemed of a reserved, an abstracted, and even of a brooding nature. Zealous in his ministerial labours, blameless in his life and habits, he yet did not appear to enjoy that mental serenity, that inward content, which should be the reward of every sincere Christian and practical philanthropist. Often, of an evening, when he sat at the window, his desk and papers before him, he would cease reading or writing, rest his chin on his hand, and deliver himself up to I know not what course of thought; but that it was perturbed and exciting might be seen in the frequent flash and changeful dilation of his eye. I think, moreover, that Nature was not to him that treasury of delight it was to his sisters. He expressed once, and but once in my hearing, a strong sense of the rugged charm of the hills, and an inborn affection for the dark roof and hoary walls he called his home; but there was more of gloom than pleasure in the tone and words in which the sentiment was manifested; and never did he seem to roam the moors for the sake of their soothing silence--never seek out or dwell upon the thousand peaceful delights they could yield. Incommunicative as he was, some time elapsed before I had an opportunity of gauging his mind. I first got an idea of its calibre when I heard him preach in his own church at Morton. I wish I could describe that sermon: but it is past my power. I cannot even render faithfully the effect it produced on me. It began calm--and indeed, as far as delivery and pitch of voice went, it was calm to the end: an earnestly felt, yet strictly restrained zeal breathed soon in the distinct accents, and prompted the nervous language. This grew to force--compressed, condensed, controlled. The heart was thrilled, the mind astonished, by the power of the preacher: neither were softened. Throughout there was a strange bitterness; an absence of consolatory gentleness; stern allusions to Calvinistic doctrines--election, predestination, reprobation--were frequent; and each reference to these points sounded like a sentence pronounced for doom. When he had done, instead of feeling better, calmer, more enlightened by his discourse, I experienced an inexpressible sadness; for it seemed to me--I know not whether equally so to others--that the eloquence to which I had been listening had sprung from a depth where lay turbid dregs of disappointment--where moved troubling impulses of insatiate yearnings and disquieting aspirations. I was sure St. John Rivers--pure-lived, conscientious, zealous as he was--had not yet found that peace of God which passeth all understanding: he had no more found it, I thought, than had I with my concealed and racking regrets for my broken idol and lost elysium--regrets to which I have latterly avoided referring, but which possessed me and tyrannised over me ruthlessly. Meantime a month was gone. Diana and Mary were soon to leave Moor House, and return to the far different life and scene which awaited them, as governesses in a large, fashionable, south-of-England city, where each held a situation in families by whose wealthy and haughty members they were regarded only as humble dependants, and who neither knew nor sought out their innate excellences, and appreciated only their acquired accomplishments as they appreciated the skill of their cook or the taste of their waiting-woman. Mr. St. John had said nothing to me yet about the employment he had promised to obtain for me; yet it became urgent that I should have a vocation of some kind. One morning, being left alone with him a few minutes in the parlour, I ventured to approach the window-recess--which his table, chair, and desk consecrated as a kind of study--and I was going to speak, though not very well knowing in what words to frame my inquiry--for it is at all times difficult to break the ice of reserve glassing over such natures as his--when he saved me the trouble by being the first to commence a dialogue. Looking up as I drew near--"You have a question to ask of me?" he said. "Yes; I wish to know whether you have heard of any service I can offer myself to undertake?" "I found or devised something for you three weeks ago; but as you seemed both useful and happy here--as my sisters had evidently become attached to you, and your society gave them unusual pleasure--I deemed it inexpedient to break in on your mutual comfort till their approaching departure from Marsh End should render yours necessary." "And they will go in three days now?" I said. "Yes; and when they go, I shall return to the parsonage at Morton: Hannah will accompany me; and this old house will be shut up." I waited a few moments, expecting he would go on with the subject first broached: but he seemed to have entered another train of reflection: his look denoted abstraction from me and my business. I was obliged to recall him to a theme which was of necessity one of close and anxious interest to me. "What is the employment you had in view, Mr. Rivers? I hope this delay will not have increased the difficulty of securing it." "Oh, no; since it is an employment which depends only on me to give, and you to accept." He again paused: there seemed a reluctance to continue. I grew impatient: a restless movement or two, and an eager and exacting glance fastened on his face, conveyed the feeling to him as effectually as words could have done, and with less trouble. "You need be in no hurry to hear," he said: "let me frankly tell you, I have nothing eligible or profitable to suggest. Before I explain, recall, if you please, my notice, clearly given, that if I helped you, it must be as the blind man would help the lame. I am poor; for I find that, when I have paid my father's debts, all the patrimony remaining to me will be this crumbling grange, the row of scathed firs behind, and the patch of moorish soil, with the yew-trees and holly-bushes in front. I am obscure: Rivers is an old name; but of the three sole descendants of the race, two earn the dependant's crust among strangers, and the third considers himself an alien from his native country--not only for life, but in death. Yes, and deems, and is bound to deem, himself honoured by the lot, and aspires but after the day when the cross of separation from fleshly ties shall be laid on his shoulders, and when the Head of that church-militant of whose humblest members he is one, shall give the word, 'Rise, follow Me!'" St. John said these words as he pronounced his sermons, with a quiet, deep voice; with an unflushed cheek, and a coruscating radiance of glance. He resumed-- "And since I am myself poor and obscure, I can offer you but a service of poverty and obscurity. _You_ may even think it degrading--for I see now your habits have been what the world calls refined: your tastes lean to the ideal, and your society has at least been amongst the educated; but _I_ consider that no service degrades which can better our race. I hold that the more arid and unreclaimed the soil where the Christian labourer's task of tillage is appointed him--the scantier the meed his toil brings--the higher the honour. His, under such circumstances, is the destiny of the pioneer; and the first pioneers of the Gospel were the Apostles--their captain was Jesus, the Redeemer, Himself." "Well?" I said, as he again paused--"proceed." He looked at me before he proceeded: indeed, he seemed leisurely to read my face, as if its features and lines were characters on a page. The conclusions drawn from this scrutiny he partially expressed in his succeeding observations. "I believe you will accept the post I offer you," said he, "and hold it for a while: not permanently, though: any more than I could permanently keep the narrow and narrowing--the tranquil, hidden office of English country incumbent; for in your nature is an alloy as detrimental to repose as that in mine, though of a different kind." "Do explain," I urged, when he halted once more. "I will; and you shall hear how poor the proposal is,--how trivial--how cramping. I shall not stay long at Morton, now that my father is dead, and that I am my own master. I shall leave the place probably in the course of a twelve-month; but while I do stay, I will exert myself to the utmost for its improvement. Morton, when I came to it two years ago, had no school: the children of the poor were excluded from every hope of progress. I established one for boys: I mean now to open a second school for girls. I have hired a building for the purpose, with a cottage of two rooms attached to it for the mistress's house. Her salary will be thirty pounds a year: her house is already furnished, very simply, but sufficiently, by the kindness of a lady, Miss Oliver; the only daughter of the sole rich man in my parish--Mr. Oliver, the proprietor of a needle- factory and iron-foundry in the valley. The same lady pays for the education and clothing of an orphan from the workhouse, on condition that she shall aid the mistress in such menial offices connected with her own house and the school as her occupation of teaching will prevent her having time to discharge in person. Will you be this mistress?" He put the question rather hurriedly; he seemed half to expect an indignant, or at least a disdainful rejection of the offer: not knowing all my thoughts and feelings, though guessing some, he could not tell in what light the lot would appear to me. In truth it was humble--but then it was sheltered, and I wanted a safe asylum: it was plodding--but then, compared with that of a governess in a rich house, it was independent; and the fear of servitude with strangers entered my soul like iron: it was not ignoble--not unworthy--not mentally degrading, I made my decision. "I thank you for the proposal, Mr. Rivers, and I accept it with all my heart." "But you comprehend me?" he said. "It is a village school: your scholars will be only poor girls--cottagers' children--at the best, farmers' daughters. Knitting, sewing, reading, writing, ciphering, will be all you will have to teach. What will you do with your accomplishments? What, with the largest portion of your mind--sentiments--tastes?" "Save them till they are wanted. They will keep." "You know what you undertake, then?" "I do." He now smiled: and not a bitter or a sad smile, but one well pleased and deeply gratified. "And when will you commence the exercise of your function?" "I will go to my house to-morrow, and open the school, if you like, next week." "Very well: so be it." He rose and walked through the room. Standing still, he again looked at me. He shook his head. "What do you disapprove of, Mr. Rivers?" I asked. "You will not stay at Morton long: no, no!" "Why? What is your reason for saying so?" "I read it in your eye; it is not of that description which promises the maintenance of an even tenor in life." "I am not ambitious." He started at the word "ambitious." He repeated, "No. What made you think of ambition? Who is ambitious? I know I am: but how did you find it out?" "I was speaking of myself." "Well, if you are not ambitious, you are--" He paused. "What?" "I was going to say, impassioned: but perhaps you would have misunderstood the word, and been displeased. I mean, that human affections and sympathies have a most powerful hold on you. I am sure you cannot long be content to pass your leisure in solitude, and to devote your working hours to a monotonous labour wholly void of stimulus: any more than I can be content," he added, with emphasis, "to live here buried in morass, pent in with mountains--my nature, that God gave me, contravened; my faculties, heaven-bestowed, paralysed--made useless. You hear now how I contradict myself. I, who preached contentment with a humble lot, and justified the vocation even of hewers of wood and drawers of water in God's service--I, His ordained minister, almost rave in my restlessness. Well, propensities and principles must be reconciled by some means." He left the room. In this brief hour I had learnt more of him than in the whole previous month: yet still he puzzled me. Diana and Mary Rivers became more sad and silent as the day approached for leaving their brother and their home. They both tried to appear as usual; but the sorrow they had to struggle against was one that could not be entirely conquered or concealed. Diana intimated that this would be a different parting from any they had ever yet known. It would probably, as far as St. John was concerned, be a parting for years: it might be a parting for life. "He will sacrifice all to his long-framed resolves," she said: "natural affection and feelings more potent still. St. John looks quiet, Jane; but he hides a fever in his vitals. You would think him gentle, yet in some things he is inexorable as death; and the worst of it is, my conscience will hardly permit me to dissuade him from his severe decision: certainly, I cannot for a moment blame him for it. It is right, noble, Christian: yet it breaks my heart!" And the tears gushed to her fine eyes. Mary bent her head low over her work. "We are now without father: we shall soon be without home and brother," she murmured. At that moment a little accident supervened, which seemed decreed by fate purposely to prove the truth of the adage, that "misfortunes never come singly," and to add to their distresses the vexing one of the slip between the cup and the lip. St. John passed the window reading a letter. He entered. "Our uncle John is dead," said he. Both the sisters seemed struck: not shocked or appalled; the tidings appeared in their eyes rather momentous than afflicting. "Dead?" repeated Diana. "Yes." She riveted a searching gaze on her brother's face. "And what then?" she demanded, in a low voice. "What then, Die?" he replied, maintaining a marble immobility of feature. "What then? Why--nothing. Read." He threw the letter into her lap. She glanced over it, and handed it to Mary. Mary perused it in silence, and returned it to her brother. All three looked at each other, and all three smiled--a dreary, pensive smile enough. "Amen! We can yet live," said Diana at last. "At any rate, it makes us no worse off than we were before," remarked Mary. "Only it forces rather strongly on the mind the picture of what _might have been_," said Mr. Rivers, "and contrasts it somewhat too vividly with what _is_." He folded the letter, locked it in his desk, and again went out. For some minutes no one spoke. Diana then turned to me. "Jane, you will wonder at us and our mysteries," she said, "and think us hard-hearted beings not to be more moved at the death of so near a relation as an uncle; but we have never seen him or known him. He was my mother's brother. My father and he quarrelled long ago. It was by his advice that my father risked most of his property in the speculation that ruined him. Mutual recrimination passed between them: they parted in anger, and were never reconciled. My uncle engaged afterwards in more prosperous undertakings: it appears he realised a fortune of twenty thousand pounds. He was never married, and had no near kindred but ourselves and one other person, not more closely related than we. My father always cherished the idea that he would atone for his error by leaving his possessions to us; that letter informs us that he has bequeathed every penny to the other relation, with the exception of thirty guineas, to be divided between St. John, Diana, and Mary Rivers, for the purchase of three mourning rings. He had a right, of course, to do as he pleased: and yet a momentary damp is cast on the spirits by the receipt of such news. Mary and I would have esteemed ourselves rich with a thousand pounds each; and to St. John such a sum would have been valuable, for the good it would have enabled him to do." This explanation given, the subject was dropped, and no further reference made to it by either Mr. Rivers or his sisters. The next day I left Marsh End for Morton. The day after, Diana and Mary quitted it for distant B-. In a week, Mr. Rivers and Hannah repaired to the parsonage: and so the old grange was abandoned.

volume 3, Chapter 30

https://web.archive.org/web/20210123075639/https://www.sparknotes.com/lit/janeeyre/section8/

Jane befriends Diana and Mary, who admire her drawings and give her books to read. St. John, on the other hand, remains distant and cold, although he is never unkind. After a month, Diana and Mary must return to their posts as governesses. St. John has found a position for Jane, running a charity school for girls in the town of Morton. Jane accepts, but St. John presumes that she will soon leave the school out of restlessness, perhaps because he himself is quite restless. His sisters suspect he will soon leave England for a missionary post overseas. St. John tells his sisters that their Uncle John has died and left them nothing, because all his money went to another, unknown, relative. Jane learns that it was Uncle John who led Mr. Rivers into his disastrous business deal

Marsh End and Morton are the setting of the novel's fourth phase. Here Jane develops a new sense of belonging, and proves herself capable of finding like-minded companions with whom she is not romantically involved. The fact that Diana and Mary Rivers are also governesses puts them on an equal footing with Jane. Although Jane left Thornfield convinced that she had made the right decision, she harbored uncertainty as to whether she would ever find a sense of belonging without sacrificing her autonomy. Jane's stay at Marsh End proves to her that she is not doomed to be forever alienated from the world, that a balance between community and autonomy can be achieved. Now, as an integrated member of the Rivers household, Jane realizes that one may give and accept love from others in equal exchange. When St. John gives Jane Sir Walter Scott's Marmion, and Jane-the-narrator comments that this was a new book, it seems as if Bronte is providing a definitive statement about when the events of the novel take place, since Marmion was first published in 1808. However, other characters in Jane Eyre refer to books published after this date. Blanche Ingram, for instance, refers to Byron's poem The Corsair in Chapter 33, but Byron's book wasn't published until 1814. Bronte was obviously not especially concerned with fixing her story in a precise and consistent relation to historical dates, and perhaps she selected the texts mentioned in her novel for other reasons.

sparknotes

all_chapterized_books/1260-chapters/32.txt

finished_summaries/sparknotes/Jane Eyre/section_7_part_3.txt

Jane Eyre.volume 3.chapter 31

volume 3, chapter 31

{"name": "volume 3, Chapter 31", "url": "https://web.archive.org/web/20210123075639/https://www.sparknotes.com/lit/janeeyre/section8/", "summary": "At Morton, the wealthy heiress Rosamond Oliver provides Jane with a cottage in which to live. Jane begins teaching, but to her own regret, she finds the work degrading and disappointing. While on a visit to Jane, St. John reveals that he, too, used to feel that he had made the wrong career choice, until one day he heard God's call. Now he plans to become a missionary. The beautiful Rosamond Oliver then appears, interrupting St. John and Jane's conversation. From their interaction, Jane believes that Rosamond and St. John are in love", "analysis": "Marsh End and Morton are the setting of the novel's fourth phase. Here Jane develops a new sense of belonging, and proves herself capable of finding like-minded companions with whom she is not romantically involved. The fact that Diana and Mary Rivers are also governesses puts them on an equal footing with Jane. Although Jane left Thornfield convinced that she had made the right decision, she harbored uncertainty as to whether she would ever find a sense of belonging without sacrificing her autonomy. Jane's stay at Marsh End proves to her that she is not doomed to be forever alienated from the world, that a balance between community and autonomy can be achieved. Now, as an integrated member of the Rivers household, Jane realizes that one may give and accept love from others in equal exchange. When St. John gives Jane Sir Walter Scott's Marmion, and Jane-the-narrator comments that this was a new book, it seems as if Bronte is providing a definitive statement about when the events of the novel take place, since Marmion was first published in 1808. However, other characters in Jane Eyre refer to books published after this date. Blanche Ingram, for instance, refers to Byron's poem The Corsair in Chapter 33, but Byron's book wasn't published until 1814. Bronte was obviously not especially concerned with fixing her story in a precise and consistent relation to historical dates, and perhaps she selected the texts mentioned in her novel for other reasons."}

My home, then, when I at last find a home,--is a cottage; a little room with whitewashed walls and a sanded floor, containing four painted chairs and a table, a clock, a cupboard, with two or three plates and dishes, and a set of tea-things in delf. Above, a chamber of the same dimensions as the kitchen, with a deal bedstead and chest of drawers; small, yet too large to be filled with my scanty wardrobe: though the kindness of my gentle and generous friends has increased that, by a modest stock of such things as are necessary. It is evening. I have dismissed, with the fee of an orange, the little orphan who serves me as a handmaid. I am sitting alone on the hearth. This morning, the village school opened. I had twenty scholars. But three of the number can read: none write or cipher. Several knit, and a few sew a little. They speak with the broadest accent of the district. At present, they and I have a difficulty in understanding each other's language. Some of them are unmannered, rough, intractable, as well as ignorant; but others are docile, have a wish to learn, and evince a disposition that pleases me. I must not forget that these coarsely-clad little peasants are of flesh and blood as good as the scions of gentlest genealogy; and that the germs of native excellence, refinement, intelligence, kind feeling, are as likely to exist in their hearts as in those of the best-born. My duty will be to develop these germs: surely I shall find some happiness in discharging that office. Much enjoyment I do not expect in the life opening before me: yet it will, doubtless, if I regulate my mind, and exert my powers as I ought, yield me enough to live on from day to day. Was I very gleeful, settled, content, during the hours I passed in yonder bare, humble schoolroom this morning and afternoon? Not to deceive myself, I must reply--No: I felt desolate to a degree. I felt--yes, idiot that I am--I felt degraded. I doubted I had taken a step which sank instead of raising me in the scale of social existence. I was weakly dismayed at the ignorance, the poverty, the coarseness of all I heard and saw round me. But let me not hate and despise myself too much for these feelings; I know them to be wrong--that is a great step gained; I shall strive to overcome them. To-morrow, I trust, I shall get the better of them partially; and in a few weeks, perhaps, they will be quite subdued. In a few months, it is possible, the happiness of seeing progress, and a change for the better in my scholars may substitute gratification for disgust. Meantime, let me ask myself one question--Which is better?--To have surrendered to temptation; listened to passion; made no painful effort--no struggle;--but to have sunk down in the silken snare; fallen asleep on the flowers covering it; wakened in a southern clime, amongst the luxuries of a pleasure villa: to have been now living in France, Mr. Rochester's mistress; delirious with his love half my time--for he would--oh, yes, he would have loved me well for a while. He _did_ love me--no one will ever love me so again. I shall never more know the sweet homage given to beauty, youth, and grace--for never to any one else shall I seem to possess these charms. He was fond and proud of me--it is what no man besides will ever be.--But where am I wandering, and what am I saying, and above all, feeling? Whether is it better, I ask, to be a slave in a fool's paradise at Marseilles--fevered with delusive bliss one hour--suffocating with the bitterest tears of remorse and shame the next--or to be a village-schoolmistress, free and honest, in a breezy mountain nook in the healthy heart of England? Yes; I feel now that I was right when I adhered to principle and law, and scorned and crushed the insane promptings of a frenzied moment. God directed me to a correct choice: I thank His providence for the guidance! Having brought my eventide musings to this point, I rose, went to my door, and looked at the sunset of the harvest-day, and at the quiet fields before my cottage, which, with the school, was distant half a mile from the village. The birds were singing their last strains-- "The air was mild, the dew was balm." While I looked, I thought myself happy, and was surprised to find myself ere long weeping--and why? For the doom which had reft me from adhesion to my master: for him I was no more to see; for the desperate grief and fatal fury--consequences of my departure--which might now, perhaps, be dragging him from the path of right, too far to leave hope of ultimate restoration thither. At this thought, I turned my face aside from the lovely sky of eve and lonely vale of Morton--I say _lonely_, for in that bend of it visible to me there was no building apparent save the church and the parsonage, half-hid in trees, and, quite at the extremity, the roof of Vale Hall, where the rich Mr. Oliver and his daughter lived. I hid my eyes, and leant my head against the stone frame of my door; but soon a slight noise near the wicket which shut in my tiny garden from the meadow beyond it made me look up. A dog--old Carlo, Mr. Rivers' pointer, as I saw in a moment--was pushing the gate with his nose, and St. John himself leant upon it with folded arms; his brow knit, his gaze, grave almost to displeasure, fixed on me. I asked him to come in. "No, I cannot stay; I have only brought you a little parcel my sisters left for you. I think it contains a colour-box, pencils, and paper." I approached to take it: a welcome gift it was. He examined my face, I thought, with austerity, as I came near: the traces of tears were doubtless very visible upon it. "Have you found your first day's work harder than you expected?" he asked. "Oh, no! On the contrary, I think in time I shall get on with my scholars very well." "But perhaps your accommodations--your cottage--your furniture--have disappointed your expectations? They are, in truth, scanty enough; but--" I interrupted-- "My cottage is clean and weather-proof; my furniture sufficient and commodious. All I see has made me thankful, not despondent. I am not absolutely such a fool and sensualist as to regret the absence of a carpet, a sofa, and silver plate; besides, five weeks ago I had nothing--I was an outcast, a beggar, a vagrant; now I have acquaintance, a home, a business. I wonder at the goodness of God; the generosity of my friends; the bounty of my lot. I do not repine." "But you feel solitude an oppression? The little house there behind you is dark and empty." "I have hardly had time yet to enjoy a sense of tranquillity, much less to grow impatient under one of loneliness." "Very well; I hope you feel the content you express: at any rate, your good sense will tell you that it is too soon yet to yield to the vacillating fears of Lot's wife. What you had left before I saw you, of course I do not know; but I counsel you to resist firmly every temptation which would incline you to look back: pursue your present career steadily, for some months at least." "It is what I mean to do," I answered. St. John continued-- "It is hard work to control the workings of inclination and turn the bent of nature; but that it may be done, I know from experience. God has given us, in a measure, the power to make our own fate; and when our energies seem to demand a sustenance they cannot get--when our will strains after a path we may not follow--we need neither starve from inanition, nor stand still in despair: we have but to seek another nourishment for the mind, as strong as the forbidden food it longed to taste--and perhaps purer; and to hew out for the adventurous foot a road as direct and broad as the one Fortune has blocked up against us, if rougher than it. "A year ago I was myself intensely miserable, because I thought I had made a mistake in entering the ministry: its uniform duties wearied me to death. I burnt for the more active life of the world--for the more exciting toils of a literary career--for the destiny of an artist, author, orator; anything rather than that of a priest: yes, the heart of a politician, of a soldier, of a votary of glory, a lover of renown, a luster after power, beat under my curate's surplice. I considered; my life was so wretched, it must be changed, or I must die. After a season of darkness and struggling, light broke and relief fell: my cramped existence all at once spread out to a plain without bounds--my powers heard a call from heaven to rise, gather their full strength, spread their wings, and mount beyond ken. God had an errand for me; to bear which afar, to deliver it well, skill and strength, courage and eloquence, the best qualifications of soldier, statesman, and orator, were all needed: for these all centre in the good missionary. "A missionary I resolved to be. From that moment my state of mind changed; the fetters dissolved and dropped from every faculty, leaving nothing of bondage but its galling soreness--which time only can heal. My father, indeed, imposed the determination, but since his death, I have not a legitimate obstacle to contend with; some affairs settled, a successor for Morton provided, an entanglement or two of the feelings broken through or cut asunder--a last conflict with human weakness, in which I know I shall overcome, because I have vowed that I _will_ overcome--and I leave Europe for the East." He said this, in his peculiar, subdued, yet emphatic voice; looking, when he had ceased speaking, not at me, but at the setting sun, at which I looked too. Both he and I had our backs towards the path leading up the field to the wicket. We had heard no step on that grass-grown track; the water running in the vale was the one lulling sound of the hour and scene; we might well then start when a gay voice, sweet as a silver bell, exclaimed-- "Good evening, Mr. Rivers. And good evening, old Carlo. Your dog is quicker to recognise his friends than you are, sir; he pricked his ears and wagged his tail when I was at the bottom of the field, and you have your back towards me now." It was true. Though Mr. Rivers had started at the first of those musical accents, as if a thunderbolt had split a cloud over his head, he stood yet, at the close of the sentence, in the same attitude in which the speaker had surprised him--his arm resting on the gate, his face directed towards the west. He turned at last, with measured deliberation. A vision, as it seemed to me, had risen at his side. There appeared, within three feet of him, a form clad in pure white--a youthful, graceful form: full, yet fine in contour; and when, after bending to caress Carlo, it lifted up its head, and threw back a long veil, there bloomed under his glance a face of perfect beauty. Perfect beauty is a strong expression; but I do not retrace or qualify it: as sweet features as ever the temperate clime of Albion moulded; as pure hues of rose and lily as ever her humid gales and vapoury skies generated and screened, justified, in this instance, the term. No charm was wanting, no defect was perceptible; the young girl had regular and delicate lineaments; eyes shaped and coloured as we see them in lovely pictures, large, and dark, and full; the long and shadowy eyelash which encircles a fine eye with so soft a fascination; the pencilled brow which gives such clearness; the white smooth forehead, which adds such repose to the livelier beauties of tint and ray; the cheek oval, fresh, and smooth; the lips, fresh too, ruddy, healthy, sweetly formed; the even and gleaming teeth without flaw; the small dimpled chin; the ornament of rich, plenteous tresses--all advantages, in short, which, combined, realise the ideal of beauty, were fully hers. I wondered, as I looked at this fair creature: I admired her with my whole heart. Nature had surely formed her in a partial mood; and, forgetting her usual stinted step-mother dole of gifts, had endowed this, her darling, with a grand-dame's bounty. What did St. John Rivers think of this earthly angel? I naturally asked myself that question as I saw him turn to her and look at her; and, as naturally, I sought the answer to the inquiry in his countenance. He had already withdrawn his eye from the Peri, and was looking at a humble tuft of daisies which grew by the wicket. "A lovely evening, but late for you to be out alone," he said, as he crushed the snowy heads of the closed flowers with his foot. "Oh, I only came home from S-" (she mentioned the name of a large town some twenty miles distant) "this afternoon. Papa told me you had opened your school, and that the new mistress was come; and so I put on my bonnet after tea, and ran up the valley to see her: this is she?" pointing to me. "It is," said St. John. "Do you think you shall like Morton?" she asked of me, with a direct and naive simplicity of tone and manner, pleasing, if child-like. "I hope I shall. I have many inducements to do so." "Did you find your scholars as attentive as you expected?" "Quite." "Do you like your house?" "Very much." "Have I furnished it nicely?" "Very nicely, indeed." "And made a good choice of an attendant for you in Alice Wood?" "You have indeed. She is teachable and handy." (This then, I thought, is Miss Oliver, the heiress; favoured, it seems, in the gifts of fortune, as well as in those of nature! What happy combination of the planets presided over her birth, I wonder?) "I shall come up and help you to teach sometimes," she added. "It will be a change for me to visit you now and then; and I like a change. Mr. Rivers, I have been _so_ gay during my stay at S-. Last night, or rather this morning, I was dancing till two o'clock. The ---th regiment are stationed there since the riots; and the officers are the most agreeable men in the world: they put all our young knife-grinders and scissor merchants to shame." It seemed to me that Mr. St. John's under lip protruded, and his upper lip curled a moment. His mouth certainly looked a good deal compressed, and the lower part of his face unusually stern and square, as the laughing girl gave him this information. He lifted his gaze, too, from the daisies, and turned it on her. An unsmiling, a searching, a meaning gaze it was. She answered it with a second laugh, and laughter well became her youth, her roses, her dimples, her bright eyes. As he stood, mute and grave, she again fell to caressing Carlo. "Poor Carlo loves me," said she. "_He_ is not stern and distant to his friends; and if he could speak, he would not be silent." As she patted the dog's head, bending with native grace before his young and austere master, I saw a glow rise to that master's face. I saw his solemn eye melt with sudden fire, and flicker with resistless emotion. Flushed and kindled thus, he looked nearly as beautiful for a man as she for a woman. His chest heaved once, as if his large heart, weary of despotic constriction, had expanded, despite the will, and made a vigorous bound for the attainment of liberty. But he curbed it, I think, as a resolute rider would curb a rearing steed. He responded neither by word nor movement to the gentle advances made him. "Papa says you never come to see us now," continued Miss Oliver, looking up. "You are quite a stranger at Vale Hall. He is alone this evening, and not very well: will you return with me and visit him?" "It is not a seasonable hour to intrude on Mr. Oliver," answered St. John. "Not a seasonable hour! But I declare it is. It is just the hour when papa most wants company: when the works are closed and he has no business to occupy him. Now, Mr. Rivers, _do_ come. Why are you so very shy, and so very sombre?" She filled up the hiatus his silence left by a reply of her own. "I forgot!" she exclaimed, shaking her beautiful curled head, as if shocked at herself. "I am so giddy and thoughtless! _Do_ excuse me. It had slipped my memory that you have good reasons to be indisposed for joining in my chatter. Diana and Mary have left you, and Moor House is shut up, and you are so lonely. I am sure I pity you. Do come and see papa." "Not to-night, Miss Rosamond, not to-night." Mr. St. John spoke almost like an automaton: himself only knew the effort it cost him thus to refuse. "Well, if you are so obstinate, I will leave you; for I dare not stay any longer: the dew begins to fall. Good evening!" She held out her hand. He just touched it. "Good evening!" he repeated, in a voice low and hollow as an echo. She turned, but in a moment returned. "Are you well?" she asked. Well might she put the question: his face was blanched as her gown. "Quite well," he enunciated; and, with a bow, he left the gate. She went one way; he another. She turned twice to gaze after him as she tripped fairy-like down the field; he, as he strode firmly across, never turned at all. This spectacle of another's suffering and sacrifice rapt my thoughts from exclusive meditation on my own. Diana Rivers had designated her brother "inexorable as death." She had not exaggerated.

volume 3, Chapter 31

https://web.archive.org/web/20210123075639/https://www.sparknotes.com/lit/janeeyre/section8/

At Morton, the wealthy heiress Rosamond Oliver provides Jane with a cottage in which to live. Jane begins teaching, but to her own regret, she finds the work degrading and disappointing. While on a visit to Jane, St. John reveals that he, too, used to feel that he had made the wrong career choice, until one day he heard God's call. Now he plans to become a missionary. The beautiful Rosamond Oliver then appears, interrupting St. John and Jane's conversation. From their interaction, Jane believes that Rosamond and St. John are in love

Marsh End and Morton are the setting of the novel's fourth phase. Here Jane develops a new sense of belonging, and proves herself capable of finding like-minded companions with whom she is not romantically involved. The fact that Diana and Mary Rivers are also governesses puts them on an equal footing with Jane. Although Jane left Thornfield convinced that she had made the right decision, she harbored uncertainty as to whether she would ever find a sense of belonging without sacrificing her autonomy. Jane's stay at Marsh End proves to her that she is not doomed to be forever alienated from the world, that a balance between community and autonomy can be achieved. Now, as an integrated member of the Rivers household, Jane realizes that one may give and accept love from others in equal exchange. When St. John gives Jane Sir Walter Scott's Marmion, and Jane-the-narrator comments that this was a new book, it seems as if Bronte is providing a definitive statement about when the events of the novel take place, since Marmion was first published in 1808. However, other characters in Jane Eyre refer to books published after this date. Blanche Ingram, for instance, refers to Byron's poem The Corsair in Chapter 33, but Byron's book wasn't published until 1814. Bronte was obviously not especially concerned with fixing her story in a precise and consistent relation to historical dates, and perhaps she selected the texts mentioned in her novel for other reasons.

sparknotes

all_chapterized_books/1260-chapters/33.txt

finished_summaries/sparknotes/Jane Eyre/section_7_part_4.txt

Jane Eyre.volume 3.chapter 32

volume 3, chapter 32

{"name": "volume 3, Chapter 32", "url": "https://web.archive.org/web/20210123075639/https://www.sparknotes.com/lit/janeeyre/section8/", "summary": "Jane's students become more familiar and endeared to her, and Jane becomes quite popular among them. At night, though, she has troubling nightmares that involve Rochester. Jane continues to pay attention to the relationship between St. John and Rosamond, who often visits the school when she knows St. John will be there. Rosamond asks Jane to draw her portrait, and as she is working on it one day, St. John pays her a visit. He gives her a new book of poetry and looks at the drawing. She offers to draw him a duplicate, and then boldly declares that he ought to marry Rosamond. St. John admits that he loves her and is tempted by her beauty, but he explains that he refuses to allow worldly affection to interfere with his holy duties. The flirtatious, silly, and shallow Rosamond would make a terrible wife for a missionary. Suddenly, St. John notices something on the edge of Jane's paper and tears off a tiny piece--Jane is not certain why. With a peculiar look on his face, he hurries from the room", "analysis": "Marsh End and Morton are the setting of the novel's fourth phase. Here Jane develops a new sense of belonging, and proves herself capable of finding like-minded companions with whom she is not romantically involved. The fact that Diana and Mary Rivers are also governesses puts them on an equal footing with Jane. Although Jane left Thornfield convinced that she had made the right decision, she harbored uncertainty as to whether she would ever find a sense of belonging without sacrificing her autonomy. Jane's stay at Marsh End proves to her that she is not doomed to be forever alienated from the world, that a balance between community and autonomy can be achieved. Now, as an integrated member of the Rivers household, Jane realizes that one may give and accept love from others in equal exchange. When St. John gives Jane Sir Walter Scott's Marmion, and Jane-the-narrator comments that this was a new book, it seems as if Bronte is providing a definitive statement about when the events of the novel take place, since Marmion was first published in 1808. However, other characters in Jane Eyre refer to books published after this date. Blanche Ingram, for instance, refers to Byron's poem The Corsair in Chapter 33, but Byron's book wasn't published until 1814. Bronte was obviously not especially concerned with fixing her story in a precise and consistent relation to historical dates, and perhaps she selected the texts mentioned in her novel for other reasons."}

I continued the labours of the village-school as actively and faithfully as I could. It was truly hard work at first. Some time elapsed before, with all my efforts, I could comprehend my scholars and their nature. Wholly untaught, with faculties quite torpid, they seemed to me hopelessly dull; and, at first sight, all dull alike: but I soon found I was mistaken. There was a difference amongst them as amongst the educated; and when I got to know them, and they me, this difference rapidly developed itself. Their amazement at me, my language, my rules, and ways, once subsided, I found some of these heavy-looking, gaping rustics wake up into sharp-witted girls enough. Many showed themselves obliging, and amiable too; and I discovered amongst them not a few examples of natural politeness, and innate self-respect, as well as of excellent capacity, that won both my goodwill and my admiration. These soon took a pleasure in doing their work well, in keeping their persons neat, in learning their tasks regularly, in acquiring quiet and orderly manners. The rapidity of their progress, in some instances, was even surprising; and an honest and happy pride I took in it: besides, I began personally to like some of the best girls; and they liked me. I had amongst my scholars several farmers' daughters: young women grown, almost. These could already read, write, and sew; and to them I taught the elements of grammar, geography, history, and the finer kinds of needlework. I found estimable characters amongst them--characters desirous of information and disposed for improvement--with whom I passed many a pleasant evening hour in their own homes. Their parents then (the farmer and his wife) loaded me with attentions. There was an enjoyment in accepting their simple kindness, and in repaying it by a consideration--a scrupulous regard to their feelings--to which they were not, perhaps, at all times accustomed, and which both charmed and benefited them; because, while it elevated them in their own eyes, it made them emulous to merit the deferential treatment they received. I felt I became a favourite in the neighbourhood. Whenever I went out, I heard on all sides cordial salutations, and was welcomed with friendly smiles. To live amidst general regard, though it be but the regard of working people, is like "sitting in sunshine, calm and sweet;" serene inward feelings bud and bloom under the ray. At this period of my life, my heart far oftener swelled with thankfulness than sank with dejection: and yet, reader, to tell you all, in the midst of this calm, this useful existence--after a day passed in honourable exertion amongst my scholars, an evening spent in drawing or reading contentedly alone--I used to rush into strange dreams at night: dreams many-coloured, agitated, full of the ideal, the stirring, the stormy--dreams where, amidst unusual scenes, charged with adventure, with agitating risk and romantic chance, I still again and again met Mr. Rochester, always at some exciting crisis; and then the sense of being in his arms, hearing his voice, meeting his eye, touching his hand and cheek, loving him, being loved by him--the hope of passing a lifetime at his side, would be renewed, with all its first force and fire. Then I awoke. Then I recalled where I was, and how situated. Then I rose up on my curtainless bed, trembling and quivering; and then the still, dark night witnessed the convulsion of despair, and heard the burst of passion. By nine o'clock the next morning I was punctually opening the school; tranquil, settled, prepared for the steady duties of the day. Rosamond Oliver kept her word in coming to visit me. Her call at the school was generally made in the course of her morning ride. She would canter up to the door on her pony, followed by a mounted livery servant. Anything more exquisite than her appearance, in her purple habit, with her Amazon's cap of black velvet placed gracefully above the long curls that kissed her cheek and floated to her shoulders, can scarcely be imagined: and it was thus she would enter the rustic building, and glide through the dazzled ranks of the village children. She generally came at the hour when Mr. Rivers was engaged in giving his daily catechising lesson. Keenly, I fear, did the eye of the visitress pierce the young pastor's heart. A sort of instinct seemed to warn him of her entrance, even when he did not see it; and when he was looking quite away from the door, if she appeared at it, his cheek would glow, and his marble-seeming features, though they refused to relax, changed indescribably, and in their very quiescence became expressive of a repressed fervour, stronger than working muscle or darting glance could indicate. Of course, she knew her power: indeed, he did not, because he could not, conceal it from her. In spite of his Christian stoicism, when she went up and addressed him, and smiled gaily, encouragingly, even fondly in his face, his hand would tremble and his eye burn. He seemed to say, with his sad and resolute look, if he did not say it with his lips, "I love you, and I know you prefer me. It is not despair of success that keeps me dumb. If I offered my heart, I believe you would accept it. But that heart is already laid on a sacred altar: the fire is arranged round it. It will soon be no more than a sacrifice consumed." And then she would pout like a disappointed child; a pensive cloud would soften her radiant vivacity; she would withdraw her hand hastily from his, and turn in transient petulance from his aspect, at once so heroic and so martyr-like. St. John, no doubt, would have given the world to follow, recall, retain her, when she thus left him; but he would not give one chance of heaven, nor relinquish, for the elysium of her love, one hope of the true, eternal Paradise. Besides, he could not bind all that he had in his nature--the rover, the aspirant, the poet, the priest--in the limits of a single passion. He could not--he would not--renounce his wild field of mission warfare for the parlours and the peace of Vale Hall. I learnt so much from himself in an inroad I once, despite his reserve, had the daring to make on his confidence. Miss Oliver already honoured me with frequent visits to my cottage. I had learnt her whole character, which was without mystery or disguise: she was coquettish but not heartless; exacting, but not worthlessly selfish. She had been indulged from her birth, but was not absolutely spoilt. She was hasty, but good-humoured; vain (she could not help it, when every glance in the glass showed her such a flush of loveliness), but not affected; liberal-handed; innocent of the pride of wealth; ingenuous; sufficiently intelligent; gay, lively, and unthinking: she was very charming, in short, even to a cool observer of her own sex like me; but she was not profoundly interesting or thoroughly impressive. A very different sort of mind was hers from that, for instance, of the sisters of St. John. Still, I liked her almost as I liked my pupil Adele; except that, for a child whom we have watched over and taught, a closer affection is engendered than we can give an equally attractive adult acquaintance. She had taken an amiable caprice to me. She said I was like Mr. Rivers, only, certainly, she allowed, "not one-tenth so handsome, though I was a nice neat little soul enough, but he was an angel." I was, however, good, clever, composed, and firm, like him. I was a _lusus naturae_, she affirmed, as a village schoolmistress: she was sure my previous history, if known, would make a delightful romance. One evening, while, with her usual child-like activity, and thoughtless yet not offensive inquisitiveness, she was rummaging the cupboard and the table-drawer of my little kitchen, she discovered first two French books, a volume of Schiller, a German grammar and dictionary, and then my drawing-materials and some sketches, including a pencil-head of a pretty little cherub-like girl, one of my scholars, and sundry views from nature, taken in the Vale of Morton and on the surrounding moors. She was first transfixed with surprise, and then electrified with delight. "Had I done these pictures? Did I know French and German? What a love--what a miracle I was! I drew better than her master in the first school in S-. Would I sketch a portrait of her, to show to papa?" "With pleasure," I replied; and I felt a thrill of artist-delight at the idea of copying from so perfect and radiant a model. She had then on a dark-blue silk dress; her arms and her neck were bare; her only ornament was her chestnut tresses, which waved over her shoulders with all the wild grace of natural curls. I took a sheet of fine card-board, and drew a careful outline. I promised myself the pleasure of colouring it; and, as it was getting late then, I told her she must come and sit another day. She made such a report of me to her father, that Mr. Oliver himself accompanied her next evening--a tall, massive-featured, middle-aged, and grey-headed man, at whose side his lovely daughter looked like a bright flower near a hoary turret. He appeared a taciturn, and perhaps a proud personage; but he was very kind to me. The sketch of Rosamond's portrait pleased him highly: he said I must make a finished picture of it. He insisted, too, on my coming the next day to spend the evening at Vale Hall. I went. I found it a large, handsome residence, showing abundant evidences of wealth in the proprietor. Rosamond was full of glee and pleasure all the time I stayed. Her father was affable; and when he entered into conversation with me after tea, he expressed in strong terms his approbation of what I had done in Morton school, and said he only feared, from what he saw and heard, I was too good for the place, and would soon quit it for one more suitable. "Indeed," cried Rosamond, "she is clever enough to be a governess in a high family, papa." I thought I would far rather be where I am than in any high family in the land. Mr. Oliver spoke of Mr. Rivers--of the Rivers family--with great respect. He said it was a very old name in that neighbourhood; that the ancestors of the house were wealthy; that all Morton had once belonged to them; that even now he considered the representative of that house might, if he liked, make an alliance with the best. He accounted it a pity that so fine and talented a young man should have formed the design of going out as a missionary; it was quite throwing a valuable life away. It appeared, then, that her father would throw no obstacle in the way of Rosamond's union with St. John. Mr. Oliver evidently regarded the young clergyman's good birth, old name, and sacred profession as sufficient compensation for the want of fortune. It was the 5th of November, and a holiday. My little servant, after helping me to clean my house, was gone, well satisfied with the fee of a penny for her aid. All about me was spotless and bright--scoured floor, polished grate, and well-rubbed chairs. I had also made myself neat, and had now the afternoon before me to spend as I would. The translation of a few pages of German occupied an hour; then I got my palette and pencils, and fell to the more soothing, because easier occupation, of completing Rosamond Oliver's miniature. The head was finished already: there was but the background to tint and the drapery to shade off; a touch of carmine, too, to add to the ripe lips--a soft curl here and there to the tresses--a deeper tinge to the shadow of the lash under the azured eyelid. I was absorbed in the execution of these nice details, when, after one rapid tap, my door unclosed, admitting St. John Rivers. "I am come to see how you are spending your holiday," he said. "Not, I hope, in thought? No, that is well: while you draw you will not feel lonely. You see, I mistrust you still, though you have borne up wonderfully so far. I have brought you a book for evening solace," and he laid on the table a new publication--a poem: one of those genuine productions so often vouchsafed to the fortunate public of those days--the golden age of modern literature. Alas! the readers of our era are less favoured. But courage! I will not pause either to accuse or repine. I know poetry is not dead, nor genius lost; nor has Mammon gained power over either, to bind or slay: they will both assert their existence, their presence, their liberty and strength again one day. Powerful angels, safe in heaven! they smile when sordid souls triumph, and feeble ones weep over their destruction. Poetry destroyed? Genius banished? No! Mediocrity, no: do not let envy prompt you to the thought. No; they not only live, but reign and redeem: and without their divine influence spread everywhere, you would be in hell--the hell of your own meanness. While I was eagerly glancing at the bright pages of "Marmion" (for "Marmion" it was), St. John stooped to examine my drawing. His tall figure sprang erect again with a start: he said nothing. I looked up at him: he shunned my eye. I knew his thoughts well, and could read his heart plainly; at the moment I felt calmer and cooler than he: I had then temporarily the advantage of him, and I conceived an inclination to do him some good, if I could. "With all his firmness and self-control," thought I, "he tasks himself too far: locks every feeling and pang within--expresses, confesses, imparts nothing. I am sure it would benefit him to talk a little about this sweet Rosamond, whom he thinks he ought not to marry: I will make him talk." I said first, "Take a chair, Mr. Rivers." But he answered, as he always did, that he could not stay. "Very well," I responded, mentally, "stand if you like; but you shall not go just yet, I am determined: solitude is at least as bad for you as it is for me. I'll try if I cannot discover the secret spring of your confidence, and find an aperture in that marble breast through which I can shed one drop of the balm of sympathy." "Is this portrait like?" I asked bluntly. "Like! Like whom? I did not observe it closely." "You did, Mr. Rivers." He almost started at my sudden and strange abruptness: he looked at me astonished. "Oh, that is nothing yet," I muttered within. "I don't mean to be baffled by a little stiffness on your part; I'm prepared to go to considerable lengths." I continued, "You observed it closely and distinctly; but I have no objection to your looking at it again," and I rose and placed it in his hand. "A well-executed picture," he said; "very soft, clear colouring; very graceful and correct drawing." "Yes, yes; I know all that. But what of the resemblance? Who is it like?" Mastering some hesitation, he answered, "Miss Oliver, I presume." "Of course. And now, sir, to reward you for the accurate guess, I will promise to paint you a careful and faithful duplicate of this very picture, provided you admit that the gift would be acceptable to you. I don't wish to throw away my time and trouble on an offering you would deem worthless." He continued to gaze at the picture: the longer he looked, the firmer he held it, the more he seemed to covet it. "It is like!" he murmured; "the eye is well managed: the colour, light, expression, are perfect. It smiles!" "Would it comfort, or would it wound you to have a similar painting? Tell me that. When you are at Madagascar, or at the Cape, or in India, would it be a consolation to have that memento in your possession? or would the sight of it bring recollections calculated to enervate and distress?" He now furtively raised his eyes: he glanced at me, irresolute, disturbed: he again surveyed the picture. "That I should like to have it is certain: whether it would be judicious or wise is another question." Since I had ascertained that Rosamond really preferred him, and that her father was not likely to oppose the match, I--less exalted in my views than St. John--had been strongly disposed in my own heart to advocate their union. It seemed to me that, should he become the possessor of Mr. Oliver's large fortune, he might do as much good with it as if he went and laid his genius out to wither, and his strength to waste, under a tropical sun. With this persuasion I now answered-- "As far as I can see, it would be wiser and more judicious if you were to take to yourself the original at once." By this time he had sat down: he had laid the picture on the table before him, and with his brow supported on both hands, hung fondly over it. I discerned he was now neither angry nor shocked at my audacity. I saw even that to be thus frankly addressed on a subject he had deemed unapproachable--to hear it thus freely handled--was beginning to be felt by him as a new pleasure--an unhoped-for relief. Reserved people often really need the frank discussion of their sentiments and griefs more than the expansive. The sternest-seeming stoic is human after all; and to "burst" with boldness and good-will into "the silent sea" of their souls is often to confer on them the first of obligations. "She likes you, I am sure," said I, as I stood behind his chair, "and her father respects you. Moreover, she is a sweet girl--rather thoughtless; but you would have sufficient thought for both yourself and her. You ought to marry her." "_Does_ she like me?" he asked. "Certainly; better than she likes any one else. She talks of you continually: there is no subject she enjoys so much or touches upon so often." "It is very pleasant to hear this," he said--"very: go on for another quarter of an hour." And he actually took out his watch and laid it upon the table to measure the time. "But where is the use of going on," I asked, "when you are probably preparing some iron blow of contradiction, or forging a fresh chain to fetter your heart?" "Don't imagine such hard things. Fancy me yielding and melting, as I am doing: human love rising like a freshly opened fountain in my mind and overflowing with sweet inundation all the field I have so carefully and with such labour prepared--so assiduously sown with the seeds of good intentions, of self-denying plans. And now it is deluged with a nectarous flood--the young germs swamped--delicious poison cankering them: now I see myself stretched on an ottoman in the drawing-room at Vale Hall at my bride Rosamond Oliver's feet: she is talking to me with her sweet voice--gazing down on me with those eyes your skilful hand has copied so well--smiling at me with these coral lips. She is mine--I am hers--this present life and passing world suffice to me. Hush! say nothing--my heart is full of delight--my senses are entranced--let the time I marked pass in peace." I humoured him: the watch ticked on: he breathed fast and low: I stood silent. Amidst this hush the quartet sped; he replaced the watch, laid the picture down, rose, and stood on the hearth. "Now," said he, "that little space was given to delirium and delusion. I rested my temples on the breast of temptation, and put my neck voluntarily under her yoke of flowers. I tasted her cup. The pillow was burning: there is an asp in the garland: the wine has a bitter taste: her promises are hollow--her offers false: I see and know all this." I gazed at him in wonder. "It is strange," pursued he, "that while I love Rosamond Oliver so wildly--with all the intensity, indeed, of a first passion, the object of which is exquisitely beautiful, graceful, fascinating--I experience at the same time a calm, unwarped consciousness that she would not make me a good wife; that she is not the partner suited to me; that I should discover this within a year after marriage; and that to twelve months' rapture would succeed a lifetime of regret. This I know." "Strange indeed!" I could not help ejaculating. "While something in me," he went on, "is acutely sensible to her charms, something else is as deeply impressed with her defects: they are such that she could sympathise in nothing I aspired to--co-operate in nothing I undertook. Rosamond a sufferer, a labourer, a female apostle? Rosamond a missionary's wife? No!" "But you need not be a missionary. You might relinquish that scheme." "Relinquish! What! my vocation? My great work? My foundation laid on earth for a mansion in heaven? My hopes of being numbered in the band who have merged all ambitions in the glorious one of bettering their race--of carrying knowledge into the realms of ignorance--of substituting peace for war--freedom for bondage--religion for superstition--the hope of heaven for the fear of hell? Must I relinquish that? It is dearer than the blood in my veins. It is what I have to look forward to, and to live for." After a considerable pause, I said--"And Miss Oliver? Are her disappointment and sorrow of no interest to you?" "Miss Oliver is ever surrounded by suitors and flatterers: in less than a month, my image will be effaced from her heart. She will forget me; and will marry, probably, some one who will make her far happier than I should do." "You speak coolly enough; but you suffer in the conflict. You are wasting away." "No. If I get a little thin, it is with anxiety about my prospects, yet unsettled--my departure, continually procrastinated. Only this morning, I received intelligence that the successor, whose arrival I have been so long expecting, cannot be ready to replace me for three months to come yet; and perhaps the three months may extend to six." "You tremble and become flushed whenever Miss Oliver enters the schoolroom." Again the surprised expression crossed his face. He had not imagined that a woman would dare to speak so to a man. For me, I felt at home in this sort of discourse. I could never rest in communication with strong, discreet, and refined minds, whether male or female, till I had passed the outworks of conventional reserve, and crossed the threshold of confidence, and won a place by their heart's very hearthstone. "You are original," said he, "and not timid. There is something brave in your spirit, as well as penetrating in your eye; but allow me to assure you that you partially misinterpret my emotions. You think them more profound and potent than they are. You give me a larger allowance of sympathy than I have a just claim to. When I colour, and when I shade before Miss Oliver, I do not pity myself. I scorn the weakness. I know it is ignoble: a mere fever of the flesh: not, I declare, the convulsion of the soul. _That_ is just as fixed as a rock, firm set in the depths of a restless sea. Know me to be what I am--a cold hard man." I smiled incredulously. "You have taken my confidence by storm," he continued, "and now it is much at your service. I am simply, in my original state--stripped of that blood-bleached robe with which Christianity covers human deformity--a cold, hard, ambitious man. Natural affection only, of all the sentiments, has permanent power over me. Reason, and not feeling, is my guide; my ambition is unlimited: my desire to rise higher, to do more than others, insatiable. I honour endurance, perseverance, industry, talent; because these are the means by which men achieve great ends and mount to lofty eminence. I watch your career with interest, because I consider you a specimen of a diligent, orderly, energetic woman: not because I deeply compassionate what you have gone through, or what you still suffer." "You would describe yourself as a mere pagan philosopher," I said. "No. There is this difference between me and deistic philosophers: I believe; and I believe the Gospel. You missed your epithet. I am not a pagan, but a Christian philosopher--a follower of the sect of Jesus. As His disciple I adopt His pure, His merciful, His benignant doctrines. I advocate them: I am sworn to spread them. Won in youth to religion, she has cultivated my original qualities thus:--From the minute germ, natural affection, she has developed the overshadowing tree, philanthropy. From the wild stringy root of human uprightness, she has reared a due sense of the Divine justice. Of the ambition to win power and renown for my wretched self, she has formed the ambition to spread my Master's kingdom; to achieve victories for the standard of the cross. So much has religion done for me; turning the original materials to the best account; pruning and training nature. But she could not eradicate nature: nor will it be eradicated 'till this mortal shall put on immortality.'" Having said this, he took his hat, which lay on the table beside my palette. Once more he looked at the portrait. "She _is_ lovely," he murmured. "She is well named the Rose of the World, indeed!" "And may I not paint one like it for you?" "_Cui bono_? No." He drew over the picture the sheet of thin paper on which I was accustomed to rest my hand in painting, to prevent the cardboard from being sullied. What he suddenly saw on this blank paper, it was impossible for me to tell; but something had caught his eye. He took it up with a snatch; he looked at the edge; then shot a glance at me, inexpressibly peculiar, and quite incomprehensible: a glance that seemed to take and make note of every point in my shape, face, and dress; for it traversed all, quick, keen as lightning. His lips parted, as if to speak: but he checked the coming sentence, whatever it was. "What is the matter?" I asked. "Nothing in the world," was the reply; and, replacing the paper, I saw him dexterously tear a narrow slip from the margin. It disappeared in his glove; and, with one hasty nod and "good-afternoon," he vanished. "Well!" I exclaimed, using an expression of the district, "that caps the globe, however!" I, in my turn, scrutinised the paper; but saw nothing on it save a few dingy stains of paint where I had tried the tint in my pencil. I pondered the mystery a minute or two; but finding it insolvable, and being certain it could not be of much moment, I dismissed, and soon forgot it.

volume 3, Chapter 32

https://web.archive.org/web/20210123075639/https://www.sparknotes.com/lit/janeeyre/section8/

Jane's students become more familiar and endeared to her, and Jane becomes quite popular among them. At night, though, she has troubling nightmares that involve Rochester. Jane continues to pay attention to the relationship between St. John and Rosamond, who often visits the school when she knows St. John will be there. Rosamond asks Jane to draw her portrait, and as she is working on it one day, St. John pays her a visit. He gives her a new book of poetry and looks at the drawing. She offers to draw him a duplicate, and then boldly declares that he ought to marry Rosamond. St. John admits that he loves her and is tempted by her beauty, but he explains that he refuses to allow worldly affection to interfere with his holy duties. The flirtatious, silly, and shallow Rosamond would make a terrible wife for a missionary. Suddenly, St. John notices something on the edge of Jane's paper and tears off a tiny piece--Jane is not certain why. With a peculiar look on his face, he hurries from the room

Marsh End and Morton are the setting of the novel's fourth phase. Here Jane develops a new sense of belonging, and proves herself capable of finding like-minded companions with whom she is not romantically involved. The fact that Diana and Mary Rivers are also governesses puts them on an equal footing with Jane. Although Jane left Thornfield convinced that she had made the right decision, she harbored uncertainty as to whether she would ever find a sense of belonging without sacrificing her autonomy. Jane's stay at Marsh End proves to her that she is not doomed to be forever alienated from the world, that a balance between community and autonomy can be achieved. Now, as an integrated member of the Rivers household, Jane realizes that one may give and accept love from others in equal exchange. When St. John gives Jane Sir Walter Scott's Marmion, and Jane-the-narrator comments that this was a new book, it seems as if Bronte is providing a definitive statement about when the events of the novel take place, since Marmion was first published in 1808. However, other characters in Jane Eyre refer to books published after this date. Blanche Ingram, for instance, refers to Byron's poem The Corsair in Chapter 33, but Byron's book wasn't published until 1814. Bronte was obviously not especially concerned with fixing her story in a precise and consistent relation to historical dates, and perhaps she selected the texts mentioned in her novel for other reasons.

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all_chapterized_books/1260-chapters/34.txt

finished_summaries/sparknotes/Jane Eyre/section_8_part_1.txt

Jane Eyre.volume 3.chapter 33

volume 3, chapter 33

{"name": "volume 3, Chapter 33", "url": "https://web.archive.org/web/20210123075639/https://www.sparknotes.com/lit/janeeyre/section9/", "summary": "One snowy night, Jane sits reading Marmion when St. John appears at the door. Appearing troubled, he tells Jane the story of an orphan girl who became the governess at Thornfield Hall, then disappeared after nearly marrying Edward Rochester: this runaway governess's name is Jane Eyre. Until this point, Jane has been cautious not to reveal her past and has given the Rivers a false name. Thus although it is clear that St. John suspects her of being the woman about whom he speaks, she does not immediately identify herself to him. He says that he has received a letter from a solicitor named Mr. Briggs intimating that it is extremely important that this Jane Eyre be found. Jane is only interested in whether Mr. Briggs has sent news of Rochester, but St. John says that Rochester's well-being is not at issue: Jane Eyre must be found because her uncle, John Eyre, has died, leaving her the vast fortune of 20,000 pounds. Jane reveals herself to be Jane Eyre, knowing that St. John has guessed already. She asks him how he knew. He shows her the scrap of paper he tore from her drawing the previous day: it is her signature. She then asks why Mr. Briggs would have sent him a letter about her at all. St. John explains that though he did not realize it before, he is her cousin: her Uncle John was his Uncle John, and his name is St. John Eyre Rivers. Jane is overjoyed to have found a family at long last, and she decides to divide her inheritance between her cousins and herself evenly, so that they each will inherit 5,000 pounds", "analysis": "In these chapters, the foreshadowing of John Eyre's importance in the plot is at last fulfilled, and the household that has initially been for Jane merely a community of social equality is now revealed to be a true family. More importantly, St. John emerges as a crucial figure, providing Jane with a powerful and dangerous alternative to Rochester. All of these experiences prepare the ground for Jane to return to Rochester: having come to know her own strength, having learned that she is no longer alone in the world, having come into her own inheritance, and having received a competing marriage proposal, Jane can now enter into marriage without feeling herself beholden to her husband. St. John's character emerges forcefully in these chapters. As a potential husband to Jane, he offers a foil to the character of Rochester. Whereas Rochester is passionate and impetuous, St. John is cold, harsh, and clinical. While Jane often finds herself reminding Rochester of the importance of Christian morality, she finds the same morality in St. John overwhelming and threatening. This leads to St. John's other important function: he provides an interesting comparison to the models of religion embodied in Helen Burns and Mr. Brocklehurst. Unlike the meek and forbearing Helen, St. John is active and even ambitious. He is not hypocritical like Brocklehurst, but he is so rigidly principled and lacking in empathy that his behavior is potentially just as destructive. Despite Jane's protracted attempt to integrate Christian morality comfortably into her own life and behavior, St. John is a dangerous influence on her, because his forceful personality compels her obedience against her own internal feelings. Jane refuses to marry St. John because she does not love him, but St. John pressures Jane to ignore her feelings and submit to his powerful conception of necessary moral duty. Jane remains true to herself only with great difficulty, and with the help of the preternatural experience of hearing Rochester call out her name over the moors. In declining St. John's proposal Jane escapes yet another threat to her freedom and her sense of self. Yet the very seriousness with which Jane considers his proposal leads her to an important realization about herself. Part of the reason she fled Thornfield was that she feared becoming a slave to her own passion and sacrificing her principles. By coming so close to marrying St. John, she demonstrates her ability to do the opposite: to sacrifice passion altogether and devote herself wholly to principle. Now Jane knows that returning to Rochester would not signify a weakness on her part. Moreover, she now appreciates more than ever what Rochester offered her. Having found herself on the threshold of a loveless marriage, she understands fully the importance of following not only her mind but also her heart."}

When Mr. St. John went, it was beginning to snow; the whirling storm continued all night. The next day a keen wind brought fresh and blinding falls; by twilight the valley was drifted up and almost impassable. I had closed my shutter, laid a mat to the door to prevent the snow from blowing in under it, trimmed my fire, and after sitting nearly an hour on the hearth listening to the muffled fury of the tempest, I lit a candle, took down "Marmion," and beginning-- "Day set on Norham's castled steep, And Tweed's fair river broad and deep, And Cheviot's mountains lone; The massive towers, the donjon keep, The flanking walls that round them sweep, In yellow lustre shone"-- I soon forgot storm in music. I heard a noise: the wind, I thought, shook the door. No; it was St. John Rivers, who, lifting the latch, came in out of the frozen hurricane--the howling darkness--and stood before me: the cloak that covered his tall figure all white as a glacier. I was almost in consternation, so little had I expected any guest from the blocked-up vale that night. "Any ill news?" I demanded. "Has anything happened?" "No. How very easily alarmed you are!" he answered, removing his cloak and hanging it up against the door, towards which he again coolly pushed the mat which his entrance had deranged. He stamped the snow from his boots. "I shall sully the purity of your floor," said he, "but you must excuse me for once." Then he approached the fire. "I have had hard work to get here, I assure you," he observed, as he warmed his hands over the flame. "One drift took me up to the waist; happily the snow is quite soft yet." "But why are you come?" I could not forbear saying. "Rather an inhospitable question to put to a visitor; but since you ask it, I answer simply to have a little talk with you; I got tired of my mute books and empty rooms. Besides, since yesterday I have experienced the excitement of a person to whom a tale has been half-told, and who is impatient to hear the sequel." He sat down. I recalled his singular conduct of yesterday, and really I began to fear his wits were touched. If he were insane, however, his was a very cool and collected insanity: I had never seen that handsome-featured face of his look more like chiselled marble than it did just now, as he put aside his snow-wet hair from his forehead and let the firelight shine free on his pale brow and cheek as pale, where it grieved me to discover the hollow trace of care or sorrow now so plainly graved. I waited, expecting he would say something I could at least comprehend; but his hand was now at his chin, his finger on his lip: he was thinking. It struck me that his hand looked wasted like his face. A perhaps uncalled-for gush of pity came over my heart: I was moved to say-- "I wish Diana or Mary would come and live with you: it is too bad that you should be quite alone; and you are recklessly rash about your own health." "Not at all," said he: "I care for myself when necessary. I am well now. What do you see amiss in me?" This was said with a careless, abstracted indifference, which showed that my solicitude was, at least in his opinion, wholly superfluous. I was silenced. He still slowly moved his finger over his upper lip, and still his eye dwelt dreamily on the glowing grate; thinking it urgent to say something, I asked him presently if he felt any cold draught from the door, which was behind him. "No, no!" he responded shortly and somewhat testily. "Well," I reflected, "if you won't talk, you may be still; I'll let you alone now, and return to my book." So I snuffed the candle and resumed the perusal of "Marmion." He soon stirred; my eye was instantly drawn to his movements; he only took out a morocco pocket-book, thence produced a letter, which he read in silence, folded it, put it back, relapsed into meditation. It was vain to try to read with such an inscrutable fixture before me; nor could I, in impatience, consent to be dumb; he might rebuff me if he liked, but talk I would. "Have you heard from Diana and Mary lately?" "Not since the letter I showed you a week ago." "There has not been any change made about your own arrangements? You will not be summoned to leave England sooner than you expected?" "I fear not, indeed: such chance is too good to befall me." Baffled so far, I changed my ground. I bethought myself to talk about the school and my scholars. "Mary Garrett's mother is better, and Mary came back to the school this morning, and I shall have four new girls next week from the Foundry Close--they would have come to-day but for the snow." "Indeed!" "Mr. Oliver pays for two." "Does he?" "He means to give the whole school a treat at Christmas." "I know." "Was it your suggestion?" "No." "Whose, then?" "His daughter's, I think." "It is like her: she is so good-natured." "Yes." Again came the blank of a pause: the clock struck eight strokes. It aroused him; he uncrossed his legs, sat erect, turned to me. "Leave your book a moment, and come a little nearer the fire," he said. Wondering, and of my wonder finding no end, I complied. "Half-an-hour ago," he pursued, "I spoke of my impatience to hear the sequel of a tale: on reflection, I find the matter will be better managed by my assuming the narrator's part, and converting you into a listener. Before commencing, it is but fair to warn you that the story will sound somewhat hackneyed in your ears; but stale details often regain a degree of freshness when they pass through new lips. For the rest, whether trite or novel, it is short. "Twenty years ago, a poor curate--never mind his name at this moment--fell in love with a rich man's daughter; she fell in love with him, and married him, against the advice of all her friends, who consequently disowned her immediately after the wedding. Before two years passed, the rash pair were both dead, and laid quietly side by side under one slab. (I have seen their grave; it formed part of the pavement of a huge churchyard surrounding the grim, soot-black old cathedral of an overgrown manufacturing town in ---shire.) They left a daughter, which, at its very birth, Charity received in her lap--cold as that of the snow-drift I almost stuck fast in to-night. Charity carried the friendless thing to the house of its rich maternal relations; it was reared by an aunt-in- law, called (I come to names now) Mrs. Reed of Gateshead. You start--did you hear a noise? I daresay it is only a rat scrambling along the rafters of the adjoining schoolroom: it was a barn before I had it repaired and altered, and barns are generally haunted by rats.--To proceed. Mrs. Reed kept the orphan ten years: whether it was happy or not with her, I cannot say, never having been told; but at the end of that time she transferred it to a place you know--being no other than Lowood School, where you so long resided yourself. It seems her career there was very honourable: from a pupil, she became a teacher, like yourself--really it strikes me there are parallel points in her history and yours--she left it to be a governess: there, again, your fates were analogous; she undertook the education of the ward of a certain Mr. Rochester." "Mr. Rivers!" I interrupted. "I can guess your feelings," he said, "but restrain them for a while: I have nearly finished; hear me to the end. Of Mr. Rochester's character I know nothing, but the one fact that he professed to offer honourable marriage to this young girl, and that at the very altar she discovered he had a wife yet alive, though a lunatic. What his subsequent conduct and proposals were is a matter of pure conjecture; but when an event transpired which rendered inquiry after the governess necessary, it was discovered she was gone--no one could tell when, where, or how. She had left Thornfield Hall in the night; every research after her course had been vain: the country had been scoured far and wide; no vestige of information could be gathered respecting her. Yet that she should be found is become a matter of serious urgency: advertisements have been put in all the papers; I myself have received a letter from one Mr. Briggs, a solicitor, communicating the details I have just imparted. Is it not an odd tale?" "Just tell me this," said I, "and since you know so much, you surely can tell it me--what of Mr. Rochester? How and where is he? What is he doing? Is he well?" "I am ignorant of all concerning Mr. Rochester: the letter never mentions him but to narrate the fraudulent and illegal attempt I have adverted to. You should rather ask the name of the governess--the nature of the event which requires her appearance." "Did no one go to Thornfield Hall, then? Did no one see Mr. Rochester?" "I suppose not." "But they wrote to him?" "Of course." "And what did he say? Who has his letters?" "Mr. Briggs intimates that the answer to his application was not from Mr. Rochester, but from a lady: it is signed 'Alice Fairfax.'" I felt cold and dismayed: my worst fears then were probably true: he had in all probability left England and rushed in reckless desperation to some former haunt on the Continent. And what opiate for his severe sufferings--what object for his strong passions--had he sought there? I dared not answer the question. Oh, my poor master--once almost my husband--whom I had often called "my dear Edward!" "He must have been a bad man," observed Mr. Rivers. "You don't know him--don't pronounce an opinion upon him," I said, with warmth. "Very well," he answered quietly: "and indeed my head is otherwise occupied than with him: I have my tale to finish. Since you won't ask the governess's name, I must tell it of my own accord. Stay! I have it here--it is always more satisfactory to see important points written down, fairly committed to black and white." And the pocket-book was again deliberately produced, opened, sought through; from one of its compartments was extracted a shabby slip of paper, hastily torn off: I recognised in its texture and its stains of ultra-marine, and lake, and vermillion, the ravished margin of the portrait-cover. He got up, held it close to my eyes: and I read, traced in Indian ink, in my own handwriting, the words "JANE EYRE"--the work doubtless of some moment of abstraction. "Briggs wrote to me of a Jane Eyre:" he said, "the advertisements demanded a Jane Eyre: I knew a Jane Elliott.--I confess I had my suspicions, but it was only yesterday afternoon they were at once resolved into certainty. You own the name and renounce the _alias_?" "Yes--yes; but where is Mr. Briggs? He perhaps knows more of Mr. Rochester than you do." "Briggs is in London. I should doubt his knowing anything at all about Mr. Rochester; it is not in Mr. Rochester he is interested. Meantime, you forget essential points in pursuing trifles: you do not inquire why Mr. Briggs sought after you--what he wanted with you." "Well, what did he want?" "Merely to tell you that your uncle, Mr. Eyre of Madeira, is dead; that he has left you all his property, and that you are now rich--merely that--nothing more." "I!--rich?" "Yes, you, rich--quite an heiress." Silence succeeded. "You must prove your identity of course," resumed St. John presently: "a step which will offer no difficulties; you can then enter on immediate possession. Your fortune is vested in the English funds; Briggs has the will and the necessary documents." Here was a new card turned up! It is a fine thing, reader, to be lifted in a moment from indigence to wealth--a very fine thing; but not a matter one can comprehend, or consequently enjoy, all at once. And then there are other chances in life far more thrilling and rapture-giving: _this_ is solid, an affair of the actual world, nothing ideal about it: all its associations are solid and sober, and its manifestations are the same. One does not jump, and spring, and shout hurrah! at hearing one has got a fortune; one begins to consider responsibilities, and to ponder business; on a base of steady satisfaction rise certain grave cares, and we contain ourselves, and brood over our bliss with a solemn brow. Besides, the words Legacy, Bequest, go side by side with the words, Death, Funeral. My uncle I had heard was dead--my only relative; ever since being made aware of his existence, I had cherished the hope of one day seeing him: now, I never should. And then this money came only to me: not to me and a rejoicing family, but to my isolated self. It was a grand boon doubtless; and independence would be glorious--yes, I felt that--that thought swelled my heart. "You unbend your forehead at last," said Mr. Rivers. "I thought Medusa had looked at you, and that you were turning to stone. Perhaps now you will ask how much you are worth?" "How much am I worth?" "Oh, a trifle! Nothing of course to speak of--twenty thousand pounds, I think they say--but what is that?" "Twenty thousand pounds?" Here was a new stunner--I had been calculating on four or five thousand. This news actually took my breath for a moment: Mr. St. John, whom I had never heard laugh before, laughed now. "Well," said he, "if you had committed a murder, and I had told you your crime was discovered, you could scarcely look more aghast." "It is a large sum--don't you think there is a mistake?" "No mistake at all." "Perhaps you have read the figures wrong--it may be two thousand!" "It is written in letters, not figures,--twenty thousand." I again felt rather like an individual of but average gastronomical powers sitting down to feast alone at a table spread with provisions for a hundred. Mr. Rivers rose now and put his cloak on. "If it were not such a very wild night," he said, "I would send Hannah down to keep you company: you look too desperately miserable to be left alone. But Hannah, poor woman! could not stride the drifts so well as I: her legs are not quite so long: so I must e'en leave you to your sorrows. Good-night." He was lifting the latch: a sudden thought occurred to me. "Stop one minute!" I cried. "Well?" "It puzzles me to know why Mr. Briggs wrote to you about me; or how he knew you, or could fancy that you, living in such an out-of-the-way place, had the power to aid in my discovery." "Oh! I am a clergyman," he said; "and the clergy are often appealed to about odd matters." Again the latch rattled. "No; that does not satisfy me!" I exclaimed: and indeed there was something in the hasty and unexplanatory reply which, instead of allaying, piqued my curiosity more than ever. "It is a very strange piece of business," I added; "I must know more about it." "Another time." "No; to-night!--to-night!" and as he turned from the door, I placed myself between it and him. He looked rather embarrassed. "You certainly shall not go till you have told me all," I said. "I would rather not just now." "You shall!--you must!" "I would rather Diana or Mary informed you." Of course these objections wrought my eagerness to a climax: gratified it must be, and that without delay; and I told him so. "But I apprised you that I was a hard man," said he, "difficult to persuade." "And I am a hard woman,--impossible to put off." {And I am a hard woman,--impossible to put off: p369.jpg} "And then," he pursued, "I am cold: no fervour infects me." "Whereas I am hot, and fire dissolves ice. The blaze there has thawed all the snow from your cloak; by the same token, it has streamed on to my floor, and made it like a trampled street. As you hope ever to be forgiven, Mr. Rivers, the high crime and misdemeanour of spoiling a sanded kitchen, tell me what I wish to know." "Well, then," he said, "I yield; if not to your earnestness, to your perseverance: as stone is worn by continual dropping. Besides, you must know some day,--as well now as later. Your name is Jane Eyre?" "Of course: that was all settled before." "You are not, perhaps, aware that I am your namesake?--that I was christened St. John Eyre Rivers?" "No, indeed! I remember now seeing the letter E. comprised in your initials written in books you have at different times lent me; but I never asked for what name it stood. But what then? Surely--" I stopped: I could not trust myself to entertain, much less to express, the thought that rushed upon me--that embodied itself,--that, in a second, stood out a strong, solid probability. Circumstances knit themselves, fitted themselves, shot into order: the chain that had been lying hitherto a formless lump of links was drawn out straight,--every ring was perfect, the connection complete. I knew, by instinct, how the matter stood, before St. John had said another word; but I cannot expect the reader to have the same intuitive perception, so I must repeat his explanation. "My mother's name was Eyre; she had two brothers; one a clergyman, who married Miss Jane Reed, of Gateshead; the other, John Eyre, Esq., merchant, late of Funchal, Madeira. Mr. Briggs, being Mr. Eyre's solicitor, wrote to us last August to inform us of our uncle's death, and to say that he had left his property to his brother the clergyman's orphan daughter, overlooking us, in consequence of a quarrel, never forgiven, between him and my father. He wrote again a few weeks since, to intimate that the heiress was lost, and asking if we knew anything of her. A name casually written on a slip of paper has enabled me to find her out. You know the rest." Again he was going, but I set my back against the door. "Do let me speak," I said; "let me have one moment to draw breath and reflect." I paused--he stood before me, hat in hand, looking composed enough. I resumed-- "Your mother was my father's sister?" "Yes." "My aunt, consequently?" He bowed. "My uncle John was your uncle John? You, Diana, and Mary are his sister's children, as I am his brother's child?" "Undeniably." "You three, then, are my cousins; half our blood on each side flows from the same source?" "We are cousins; yes." I surveyed him. It seemed I had found a brother: one I could be proud of,--one I could love; and two sisters, whose qualities were such, that, when I knew them but as mere strangers, they had inspired me with genuine affection and admiration. The two girls, on whom, kneeling down on the wet ground, and looking through the low, latticed window of Moor House kitchen, I had gazed with so bitter a mixture of interest and despair, were my near kinswomen; and the young and stately gentleman who had found me almost dying at his threshold was my blood relation. Glorious discovery to a lonely wretch! This was wealth indeed!--wealth to the heart!--a mine of pure, genial affections. This was a blessing, bright, vivid, and exhilarating;--not like the ponderous gift of gold: rich and welcome enough in its way, but sobering from its weight. I now clapped my hands in sudden joy--my pulse bounded, my veins thrilled. "Oh, I am glad!--I am glad!" I exclaimed. St. John smiled. "Did I not say you neglected essential points to pursue trifles?" he asked. "You were serious when I told you you had got a fortune; and now, for a matter of no moment, you are excited." "What can you mean? It may be of no moment to you; you have sisters and don't care for a cousin; but I had nobody; and now three relations,--or two, if you don't choose to be counted,--are born into my world full-grown. I say again, I am glad!" I walked fast through the room: I stopped, half suffocated with the thoughts that rose faster than I could receive, comprehend, settle them:--thoughts of what might, could, would, and should be, and that ere long. I looked at the blank wall: it seemed a sky thick with ascending stars,--every one lit me to a purpose or delight. Those who had saved my life, whom, till this hour, I had loved barrenly, I could now benefit. They were under a yoke,--I could free them: they were scattered,--I could reunite them: the independence, the affluence which was mine, might be theirs too. Were we not four? Twenty thousand pounds shared equally would be five thousand each, justice--enough and to spare: justice would be done,--mutual happiness secured. Now the wealth did not weigh on me: now it was not a mere bequest of coin,--it was a legacy of life, hope, enjoyment. How I looked while these ideas were taking my spirit by storm, I cannot tell; but I perceived soon that Mr. Rivers had placed a chair behind me, and was gently attempting to make me sit down on it. He also advised me to be composed; I scorned the insinuation of helplessness and distraction, shook off his hand, and began to walk about again. "Write to Diana and Mary to-morrow," I said, "and tell them to come home directly. Diana said they would both consider themselves rich with a thousand pounds, so with five thousand they will do very well." "Tell me where I can get you a glass of water," said St. John; "you must really make an effort to tranquillise your feelings." "Nonsense! and what sort of an effect will the bequest have on you? Will it keep you in England, induce you to marry Miss Oliver, and settle down like an ordinary mortal?" "You wander: your head becomes confused. I have been too abrupt in communicating the news; it has excited you beyond your strength." "Mr. Rivers! you quite put me out of patience: I am rational enough; it is you who misunderstand, or rather who affect to misunderstand." "Perhaps, if you explained yourself a little more fully, I should comprehend better." "Explain! What is there to explain? You cannot fail to see that twenty thousand pounds, the sum in question, divided equally between the nephew and three nieces of our uncle, will give five thousand to each? What I want is, that you should write to your sisters and tell them of the fortune that has accrued to them." "To you, you mean." "I have intimated my view of the case: I am incapable of taking any other. I am not brutally selfish, blindly unjust, or fiendishly ungrateful. Besides, I am resolved I will have a home and connections. I like Moor House, and I will live at Moor House; I like Diana and Mary, and I will attach myself for life to Diana and Mary. It would please and benefit me to have five thousand pounds; it would torment and oppress me to have twenty thousand; which, moreover, could never be mine in justice, though it might in law. I abandon to you, then, what is absolutely superfluous to me. Let there be no opposition, and no discussion about it; let us agree amongst each other, and decide the point at once." "This is acting on first impulses; you must take days to consider such a matter, ere your word can be regarded as valid." "Oh! if all you doubt is my sincerity, I am easy: you see the justice of the case?" "I _do_ see a certain justice; but it is contrary to all custom. Besides, the entire fortune is your right: my uncle gained it by his own efforts; he was free to leave it to whom he would: he left it to you. After all, justice permits you to keep it: you may, with a clear conscience, consider it absolutely your own." "With me," said I, "it is fully as much a matter of feeling as of conscience: I must indulge my feelings; I so seldom have had an opportunity of doing so. Were you to argue, object, and annoy me for a year, I could not forego the delicious pleasure of which I have caught a glimpse--that of repaying, in part, a mighty obligation, and winning to myself lifelong friends." "You think so now," rejoined St. John, "because you do not know what it is to possess, nor consequently to enjoy wealth: you cannot form a notion of the importance twenty thousand pounds would give you; of the place it would enable you to take in society; of the prospects it would open to you: you cannot--" "And you," I interrupted, "cannot at all imagine the craving I have for fraternal and sisterly love. I never had a home, I never had brothers or sisters; I must and will have them now: you are not reluctant to admit me and own me, are you?" "Jane, I will be your brother--my sisters will be your sisters--without stipulating for this sacrifice of your just rights." "Brother? Yes; at the distance of a thousand leagues! Sisters? Yes; slaving amongst strangers! I, wealthy--gorged with gold I never earned and do not merit! You, penniless! Famous equality and fraternisation! Close union! Intimate attachment!" "But, Jane, your aspirations after family ties and domestic happiness may be realised otherwise than by the means you contemplate: you may marry." "Nonsense, again! Marry! I don't want to marry, and never shall marry." "That is saying too much: such hazardous affirmations are a proof of the excitement under which you labour." "It is not saying too much: I know what I feel, and how averse are my inclinations to the bare thought of marriage. No one would take me for love; and I will not be regarded in the light of a mere money speculation. And I do not want a stranger--unsympathising, alien, different from me; I want my kindred: those with whom I have full fellow- feeling. Say again you will be my brother: when you uttered the words I was satisfied, happy; repeat them, if you can, repeat them sincerely." "I think I can. I know I have always loved my own sisters; and I know on what my affection for them is grounded,--respect for their worth and admiration of their talents. You too have principle and mind: your tastes and habits resemble Diana's and Mary's; your presence is always agreeable to me; in your conversation I have already for some time found a salutary solace. I feel I can easily and naturally make room in my heart for you, as my third and youngest sister." "Thank you: that contents me for to-night. Now you had better go; for if you stay longer, you will perhaps irritate me afresh by some mistrustful scruple." "And the school, Miss Eyre? It must now be shut up, I suppose?" "No. I will retain my post of mistress till you get a substitute." He smiled approbation: we shook hands, and he took leave. I need not narrate in detail the further struggles I had, and arguments I used, to get matters regarding the legacy settled as I wished. My task was a very hard one; but, as I was absolutely resolved--as my cousins saw at length that my mind was really and immutably fixed on making a just division of the property--as they must in their own hearts have felt the equity of the intention; and must, besides, have been innately conscious that in my place they would have done precisely what I wished to do--they yielded at length so far as to consent to put the affair to arbitration. The judges chosen were Mr. Oliver and an able lawyer: both coincided in my opinion: I carried my point. The instruments of transfer were drawn out: St. John, Diana, Mary, and I, each became possessed of a competency.

volume 3, Chapter 33

https://web.archive.org/web/20210123075639/https://www.sparknotes.com/lit/janeeyre/section9/

One snowy night, Jane sits reading Marmion when St. John appears at the door. Appearing troubled, he tells Jane the story of an orphan girl who became the governess at Thornfield Hall, then disappeared after nearly marrying Edward Rochester: this runaway governess's name is Jane Eyre. Until this point, Jane has been cautious not to reveal her past and has given the Rivers a false name. Thus although it is clear that St. John suspects her of being the woman about whom he speaks, she does not immediately identify herself to him. He says that he has received a letter from a solicitor named Mr. Briggs intimating that it is extremely important that this Jane Eyre be found. Jane is only interested in whether Mr. Briggs has sent news of Rochester, but St. John says that Rochester's well-being is not at issue: Jane Eyre must be found because her uncle, John Eyre, has died, leaving her the vast fortune of 20,000 pounds. Jane reveals herself to be Jane Eyre, knowing that St. John has guessed already. She asks him how he knew. He shows her the scrap of paper he tore from her drawing the previous day: it is her signature. She then asks why Mr. Briggs would have sent him a letter about her at all. St. John explains that though he did not realize it before, he is her cousin: her Uncle John was his Uncle John, and his name is St. John Eyre Rivers. Jane is overjoyed to have found a family at long last, and she decides to divide her inheritance between her cousins and herself evenly, so that they each will inherit 5,000 pounds

In these chapters, the foreshadowing of John Eyre's importance in the plot is at last fulfilled, and the household that has initially been for Jane merely a community of social equality is now revealed to be a true family. More importantly, St. John emerges as a crucial figure, providing Jane with a powerful and dangerous alternative to Rochester. All of these experiences prepare the ground for Jane to return to Rochester: having come to know her own strength, having learned that she is no longer alone in the world, having come into her own inheritance, and having received a competing marriage proposal, Jane can now enter into marriage without feeling herself beholden to her husband. St. John's character emerges forcefully in these chapters. As a potential husband to Jane, he offers a foil to the character of Rochester. Whereas Rochester is passionate and impetuous, St. John is cold, harsh, and clinical. While Jane often finds herself reminding Rochester of the importance of Christian morality, she finds the same morality in St. John overwhelming and threatening. This leads to St. John's other important function: he provides an interesting comparison to the models of religion embodied in Helen Burns and Mr. Brocklehurst. Unlike the meek and forbearing Helen, St. John is active and even ambitious. He is not hypocritical like Brocklehurst, but he is so rigidly principled and lacking in empathy that his behavior is potentially just as destructive. Despite Jane's protracted attempt to integrate Christian morality comfortably into her own life and behavior, St. John is a dangerous influence on her, because his forceful personality compels her obedience against her own internal feelings. Jane refuses to marry St. John because she does not love him, but St. John pressures Jane to ignore her feelings and submit to his powerful conception of necessary moral duty. Jane remains true to herself only with great difficulty, and with the help of the preternatural experience of hearing Rochester call out her name over the moors. In declining St. John's proposal Jane escapes yet another threat to her freedom and her sense of self. Yet the very seriousness with which Jane considers his proposal leads her to an important realization about herself. Part of the reason she fled Thornfield was that she feared becoming a slave to her own passion and sacrificing her principles. By coming so close to marrying St. John, she demonstrates her ability to do the opposite: to sacrifice passion altogether and devote herself wholly to principle. Now Jane knows that returning to Rochester would not signify a weakness on her part. Moreover, she now appreciates more than ever what Rochester offered her. Having found herself on the threshold of a loveless marriage, she understands fully the importance of following not only her mind but also her heart.

sparknotes

all_chapterized_books/1260-chapters/35.txt

finished_summaries/sparknotes/Jane Eyre/section_8_part_2.txt

Jane Eyre.volume 3.chapter 34

volume 3, chapter 34

{"name": "volume 3, Chapter 34", "url": "https://web.archive.org/web/20210123075639/https://www.sparknotes.com/lit/janeeyre/section9/", "summary": "Jane closes her school for Christmas and spends a happy time with her newfound cousins at Moor House. Diana and Mary are delighted with the improvements Jane has made at the school, but St. John seems colder and more distant than ever. He tells Jane that Rosamond is engaged to a rich man named Mr. Granby. One day, he asks Jane to give up her study of German and instead to learn \"Hindustani\" with him--the language he is learning to prepare for missionary work in India. As time goes by, St. John exerts a greater and greater influence on Jane; his power over her is almost uncanny. This leaves Jane feeling empty, cold, and sad, but she follows his wishes. At last, he asks her to go to India with him to be a missionary--and to be his wife. She agrees to go to India as a missionary but says that she will not be his wife because they are not in love. St. John harshly insists that she marry him, declaring that to refuse his proposal is the same as to deny the Christian faith. He abruptly leaves the room", "analysis": "In these chapters, the foreshadowing of John Eyre's importance in the plot is at last fulfilled, and the household that has initially been for Jane merely a community of social equality is now revealed to be a true family. More importantly, St. John emerges as a crucial figure, providing Jane with a powerful and dangerous alternative to Rochester. All of these experiences prepare the ground for Jane to return to Rochester: having come to know her own strength, having learned that she is no longer alone in the world, having come into her own inheritance, and having received a competing marriage proposal, Jane can now enter into marriage without feeling herself beholden to her husband. St. John's character emerges forcefully in these chapters. As a potential husband to Jane, he offers a foil to the character of Rochester. Whereas Rochester is passionate and impetuous, St. John is cold, harsh, and clinical. While Jane often finds herself reminding Rochester of the importance of Christian morality, she finds the same morality in St. John overwhelming and threatening. This leads to St. John's other important function: he provides an interesting comparison to the models of religion embodied in Helen Burns and Mr. Brocklehurst. Unlike the meek and forbearing Helen, St. John is active and even ambitious. He is not hypocritical like Brocklehurst, but he is so rigidly principled and lacking in empathy that his behavior is potentially just as destructive. Despite Jane's protracted attempt to integrate Christian morality comfortably into her own life and behavior, St. John is a dangerous influence on her, because his forceful personality compels her obedience against her own internal feelings. Jane refuses to marry St. John because she does not love him, but St. John pressures Jane to ignore her feelings and submit to his powerful conception of necessary moral duty. Jane remains true to herself only with great difficulty, and with the help of the preternatural experience of hearing Rochester call out her name over the moors. In declining St. John's proposal Jane escapes yet another threat to her freedom and her sense of self. Yet the very seriousness with which Jane considers his proposal leads her to an important realization about herself. Part of the reason she fled Thornfield was that she feared becoming a slave to her own passion and sacrificing her principles. By coming so close to marrying St. John, she demonstrates her ability to do the opposite: to sacrifice passion altogether and devote herself wholly to principle. Now Jane knows that returning to Rochester would not signify a weakness on her part. Moreover, she now appreciates more than ever what Rochester offered her. Having found herself on the threshold of a loveless marriage, she understands fully the importance of following not only her mind but also her heart."}

It was near Christmas by the time all was settled: the season of general holiday approached. I now closed Morton school, taking care that the parting should not be barren on my side. Good fortune opens the hand as well as the heart wonderfully; and to give somewhat when we have largely received, is but to afford a vent to the unusual ebullition of the sensations. I had long felt with pleasure that many of my rustic scholars liked me, and when we parted, that consciousness was confirmed: they manifested their affection plainly and strongly. Deep was my gratification to find I had really a place in their unsophisticated hearts: I promised them that never a week should pass in future that I did not visit them, and give them an hour's teaching in their school. Mr. Rivers came up as, having seen the classes, now numbering sixty girls, file out before me, and locked the door, I stood with the key in my hand, exchanging a few words of special farewell with some half-dozen of my best scholars: as decent, respectable, modest, and well-informed young women as could be found in the ranks of the British peasantry. And that is saying a great deal; for after all, the British peasantry are the best taught, best mannered, most self-respecting of any in Europe: since those days I have seen paysannes and Bauerinnen; and the best of them seemed to me ignorant, coarse, and besotted, compared with my Morton girls. "Do you consider you have got your reward for a season of exertion?" asked Mr. Rivers, when they were gone. "Does not the consciousness of having done some real good in your day and generation give pleasure?" "Doubtless." "And you have only toiled a few months! Would not a life devoted to the task of regenerating your race be well spent?" "Yes," I said; "but I could not go on for ever so: I want to enjoy my own faculties as well as to cultivate those of other people. I must enjoy them now; don't recall either my mind or body to the school; I am out of it and disposed for full holiday." He looked grave. "What now? What sudden eagerness is this you evince? What are you going to do?" "To be active: as active as I can. And first I must beg you to set Hannah at liberty, and get somebody else to wait on you." "Do you want her?" "Yes, to go with me to Moor House. Diana and Mary will be at home in a week, and I want to have everything in order against their arrival." "I understand. I thought you were for flying off on some excursion. It is better so: Hannah shall go with you." "Tell her to be ready by to-morrow then; and here is the schoolroom key: I will give you the key of my cottage in the morning." He took it. "You give it up very gleefully," said he; "I don't quite understand your light-heartedness, because I cannot tell what employment you propose to yourself as a substitute for the one you are relinquishing. What aim, what purpose, what ambition in life have you now?" "My first aim will be to _clean down_ (do you comprehend the full force of the expression?)--to _clean down_ Moor House from chamber to cellar; my next to rub it up with bees-wax, oil, and an indefinite number of cloths, till it glitters again; my third, to arrange every chair, table, bed, carpet, with mathematical precision; afterwards I shall go near to ruin you in coals and peat to keep up good fires in every room; and lastly, the two days preceding that on which your sisters are expected will be devoted by Hannah and me to such a beating of eggs, sorting of currants, grating of spices, compounding of Christmas cakes, chopping up of materials for mince-pies, and solemnising of other culinary rites, as words can convey but an inadequate notion of to the uninitiated like you. My purpose, in short, is to have all things in an absolutely perfect state of readiness for Diana and Mary before next Thursday; and my ambition is to give them a beau-ideal of a welcome when they come." St. John smiled slightly: still he was dissatisfied. "It is all very well for the present," said he; "but seriously, I trust that when the first flush of vivacity is over, you will look a little higher than domestic endearments and household joys." "The best things the world has!" I interrupted. "No, Jane, no: this world is not the scene of fruition; do not attempt to make it so: nor of rest; do not turn slothful." "I mean, on the contrary, to be busy." "Jane, I excuse you for the present: two months' grace I allow you for the full enjoyment of your new position, and for pleasing yourself with this late-found charm of relationship; but _then_, I hope you will begin to look beyond Moor House and Morton, and sisterly society, and the selfish calm and sensual comfort of civilised affluence. I hope your energies will then once more trouble you with their strength." I looked at him with surprise. "St. John," I said, "I think you are almost wicked to talk so. I am disposed to be as content as a queen, and you try to stir me up to restlessness! To what end?" "To the end of turning to profit the talents which God has committed to your keeping; and of which He will surely one day demand a strict account. Jane, I shall watch you closely and anxiously--I warn you of that. And try to restrain the disproportionate fervour with which you throw yourself into commonplace home pleasures. Don't cling so tenaciously to ties of the flesh; save your constancy and ardour for an adequate cause; forbear to waste them on trite transient objects. Do you hear, Jane?" "Yes; just as if you were speaking Greek. I feel I have adequate cause to be happy, and I _will_ be happy. Goodbye!" Happy at Moor House I was, and hard I worked; and so did Hannah: she was charmed to see how jovial I could be amidst the bustle of a house turned topsy-turvy--how I could brush, and dust, and clean, and cook. And really, after a day or two of confusion worse confounded, it was delightful by degrees to invoke order from the chaos ourselves had made. I had previously taken a journey to S--- to purchase some new furniture: my cousins having given me _carte blanche_ to effect what alterations I pleased, and a sum having been set aside for that purpose. The ordinary sitting-room and bedrooms I left much as they were: for I knew Diana and Mary would derive more pleasure from seeing again the old homely tables, and chairs, and beds, than from the spectacle of the smartest innovations. Still some novelty was necessary, to give to their return the piquancy with which I wished it to be invested. Dark handsome new carpets and curtains, an arrangement of some carefully selected antique ornaments in porcelain and bronze, new coverings, and mirrors, and dressing-cases, for the toilet tables, answered the end: they looked fresh without being glaring. A spare parlour and bedroom I refurnished entirely, with old mahogany and crimson upholstery: I laid canvas on the passage, and carpets on the stairs. When all was finished, I thought Moor House as complete a model of bright modest snugness within, as it was, at this season, a specimen of wintry waste and desert dreariness without. The eventful Thursday at length came. They were expected about dark, and ere dusk fires were lit upstairs and below; the kitchen was in perfect trim; Hannah and I were dressed, and all was in readiness. St. John arrived first. I had entreated him to keep quite clear of the house till everything was arranged: and, indeed, the bare idea of the commotion, at once sordid and trivial, going on within its walls sufficed to scare him to estrangement. He found me in the kitchen, watching the progress of certain cakes for tea, then baking. Approaching the hearth, he asked, "If I was at last satisfied with housemaid's work?" I answered by inviting him to accompany me on a general inspection of the result of my labours. With some difficulty, I got him to make the tour of the house. He just looked in at the doors I opened; and when he had wandered upstairs and downstairs, he said I must have gone through a great deal of fatigue and trouble to have effected such considerable changes in so short a time: but not a syllable did he utter indicating pleasure in the improved aspect of his abode. This silence damped me. I thought perhaps the alterations had disturbed some old associations he valued. I inquired whether this was the case: no doubt in a somewhat crest-fallen tone. "Not at all; he had, on the contrary, remarked that I had scrupulously respected every association: he feared, indeed, I must have bestowed more thought on the matter than it was worth. How many minutes, for instance, had I devoted to studying the arrangement of this very room?--By-the-bye, could I tell him where such a book was?" I showed him the volume on the shelf: he took it down, and withdrawing to his accustomed window recess, he began to read it. Now, I did not like this, reader. St. John was a good man; but I began to feel he had spoken truth of himself when he said he was hard and cold. The humanities and amenities of life had no attraction for him--its peaceful enjoyments no charm. Literally, he lived only to aspire--after what was good and great, certainly; but still he would never rest, nor approve of others resting round him. As I looked at his lofty forehead, still and pale as a white stone--at his fine lineaments fixed in study--I comprehended all at once that he would hardly make a good husband: that it would be a trying thing to be his wife. I understood, as by inspiration, the nature of his love for Miss Oliver; I agreed with him that it was but a love of the senses. I comprehended how he should despise himself for the feverish influence it exercised over him; how he should wish to stifle and destroy it; how he should mistrust its ever conducting permanently to his happiness or hers. I saw he was of the material from which nature hews her heroes--Christian and Pagan--her lawgivers, her statesmen, her conquerors: a steadfast bulwark for great interests to rest upon; but, at the fireside, too often a cold cumbrous column, gloomy and out of place. "This parlour is not his sphere," I reflected: "the Himalayan ridge or Caffre bush, even the plague-cursed Guinea Coast swamp would suit him better. Well may he eschew the calm of domestic life; it is not his element: there his faculties stagnate--they cannot develop or appear to advantage. It is in scenes of strife and danger--where courage is proved, and energy exercised, and fortitude tasked--that he will speak and move, the leader and superior. A merry child would have the advantage of him on this hearth. He is right to choose a missionary's career--I see it now." "They are coming! they are coming!" cried Hannah, throwing open the parlour door. At the same moment old Carlo barked joyfully. Out I ran. It was now dark; but a rumbling of wheels was audible. Hannah soon had a lantern lit. The vehicle had stopped at the wicket; the driver opened the door: first one well-known form, then another, stepped out. In a minute I had my face under their bonnets, in contact first with Mary's soft cheek, then with Diana's flowing curls. They laughed--kissed me--then Hannah: patted Carlo, who was half wild with delight; asked eagerly if all was well; and being assured in the affirmative, hastened into the house. They were stiff with their long and jolting drive from Whitcross, and chilled with the frosty night air; but their pleasant countenances expanded to the cheerful firelight. While the driver and Hannah brought in the boxes, they demanded St. John. At this moment he advanced from the parlour. They both threw their arms round his neck at once. He gave each one quiet kiss, said in a low tone a few words of welcome, stood a while to be talked to, and then, intimating that he supposed they would soon rejoin him in the parlour, withdrew there as to a place of refuge. I had lit their candles to go upstairs, but Diana had first to give hospitable orders respecting the driver; this done, both followed me. They were delighted with the renovation and decorations of their rooms; with the new drapery, and fresh carpets, and rich tinted china vases: they expressed their gratification ungrudgingly. I had the pleasure of feeling that my arrangements met their wishes exactly, and that what I had done added a vivid charm to their joyous return home. Sweet was that evening. My cousins, full of exhilaration, were so eloquent in narrative and comment, that their fluency covered St. John's taciturnity: he was sincerely glad to see his sisters; but in their glow of fervour and flow of joy he could not sympathise. The event of the day--that is, the return of Diana and Mary--pleased him; but the accompaniments of that event, the glad tumult, the garrulous glee of reception irked him: I saw he wished the calmer morrow was come. In the very meridian of the night's enjoyment, about an hour after tea, a rap was heard at the door. Hannah entered with the intimation that "a poor lad was come, at that unlikely time, to fetch Mr. Rivers to see his mother, who was drawing away." "Where does she live, Hannah?" "Clear up at Whitcross Brow, almost four miles off, and moor and moss all the way." "Tell him I will go." "I'm sure, sir, you had better not. It's the worst road to travel after dark that can be: there's no track at all over the bog. And then it is such a bitter night--the keenest wind you ever felt. You had better send word, sir, that you will be there in the morning." But he was already in the passage, putting on his cloak; and without one objection, one murmur, he departed. It was then nine o'clock: he did not return till midnight. Starved and tired enough he was: but he looked happier than when he set out. He had performed an act of duty; made an exertion; felt his own strength to do and deny, and was on better terms with himself. I am afraid the whole of the ensuing week tried his patience. It was Christmas week: we took to no settled employment, but spent it in a sort of merry domestic dissipation. The air of the moors, the freedom of home, the dawn of prosperity, acted on Diana and Mary's spirits like some life-giving elixir: they were gay from morning till noon, and from noon till night. They could always talk; and their discourse, witty, pithy, original, had such charms for me, that I preferred listening to, and sharing in it, to doing anything else. St. John did not rebuke our vivacity; but he escaped from it: he was seldom in the house; his parish was large, the population scattered, and he found daily business in visiting the sick and poor in its different districts. One morning at breakfast, Diana, after looking a little pensive for some minutes, asked him, "If his plans were yet unchanged." "Unchanged and unchangeable," was the reply. And he proceeded to inform us that his departure from England was now definitively fixed for the ensuing year. "And Rosamond Oliver?" suggested Mary, the words seeming to escape her lips involuntarily: for no sooner had she uttered them, than she made a gesture as if wishing to recall them. St. John had a book in his hand--it was his unsocial custom to read at meals--he closed it, and looked up. "Rosamond Oliver," said he, "is about to be married to Mr. Granby, one of the best connected and most estimable residents in S-, grandson and heir to Sir Frederic Granby: I had the intelligence from her father yesterday." His sisters looked at each other and at me; we all three looked at him: he was serene as glass. "The match must have been got up hastily," said Diana: "they cannot have known each other long." "But two months: they met in October at the county ball at S-. But where there are no obstacles to a union, as in the present case, where the connection is in every point desirable, delays are unnecessary: they will be married as soon as S--- Place, which Sir Frederic gives up to them, can he refitted for their reception." The first time I found St. John alone after this communication, I felt tempted to inquire if the event distressed him: but he seemed so little to need sympathy, that, so far from venturing to offer him more, I experienced some shame at the recollection of what I had already hazarded. Besides, I was out of practice in talking to him: his reserve was again frozen over, and my frankness was congealed beneath it. He had not kept his promise of treating me like his sisters; he continually made little chilling differences between us, which did not at all tend to the development of cordiality: in short, now that I was acknowledged his kinswoman, and lived under the same roof with him, I felt the distance between us to be far greater than when he had known me only as the village schoolmistress. When I remembered how far I had once been admitted to his confidence, I could hardly comprehend his present frigidity. Such being the case, I felt not a little surprised when he raised his head suddenly from the desk over which he was stooping, and said-- "You see, Jane, the battle is fought and the victory won." Startled at being thus addressed, I did not immediately reply: after a moment's hesitation I answered-- "But are you sure you are not in the position of those conquerors whose triumphs have cost them too dear? Would not such another ruin you?" "I think not; and if I were, it does not much signify; I shall never be called upon to contend for such another. The event of the conflict is decisive: my way is now clear; I thank God for it!" So saying, he returned to his papers and his silence. As our mutual happiness (_i.e._, Diana's, Mary's, and mine) settled into a quieter character, and we resumed our usual habits and regular studies, St. John stayed more at home: he sat with us in the same room, sometimes for hours together. While Mary drew, Diana pursued a course of encyclopaedic reading she had (to my awe and amazement) undertaken, and I fagged away at German, he pondered a mystic lore of his own: that of some Eastern tongue, the acquisition of which he thought necessary to his plans. Thus engaged, he appeared, sitting in his own recess, quiet and absorbed enough; but that blue eye of his had a habit of leaving the outlandish- looking grammar, and wandering over, and sometimes fixing upon us, his fellow-students, with a curious intensity of observation: if caught, it would be instantly withdrawn; yet ever and anon, it returned searchingly to our table. I wondered what it meant: I wondered, too, at the punctual satisfaction he never failed to exhibit on an occasion that seemed to me of small moment, namely, my weekly visit to Morton school; and still more was I puzzled when, if the day was unfavourable, if there was snow, or rain, or high wind, and his sisters urged me not to go, he would invariably make light of their solicitude, and encourage me to accomplish the task without regard to the elements. "Jane is not such a weakling as you would make her," he would say: "she can bear a mountain blast, or a shower, or a few flakes of snow, as well as any of us. Her constitution is both sound and elastic;--better calculated to endure variations of climate than many more robust." And when I returned, sometimes a good deal tired, and not a little weather-beaten, I never dared complain, because I saw that to murmur would be to vex him: on all occasions fortitude pleased him; the reverse was a special annoyance. One afternoon, however, I got leave to stay at home, because I really had a cold. His sisters were gone to Morton in my stead: I sat reading Schiller; he, deciphering his crabbed Oriental scrolls. As I exchanged a translation for an exercise, I happened to look his way: there I found myself under the influence of the ever-watchful blue eye. How long it had been searching me through and through, and over and over, I cannot tell: so keen was it, and yet so cold, I felt for the moment superstitious--as if I were sitting in the room with something uncanny. "Jane, what are you doing?" "Learning German." "I want you to give up German and learn Hindostanee." "You are not in earnest?" "In such earnest that I must have it so: and I will tell you why." He then went on to explain that Hindostanee was the language he was himself at present studying; that, as he advanced, he was apt to forget the commencement; that it would assist him greatly to have a pupil with whom he might again and again go over the elements, and so fix them thoroughly in his mind; that his choice had hovered for some time between me and his sisters; but that he had fixed on me because he saw I could sit at a task the longest of the three. Would I do him this favour? I should not, perhaps, have to make the sacrifice long, as it wanted now barely three months to his departure. St. John was not a man to be lightly refused: you felt that every impression made on him, either for pain or pleasure, was deep-graved and permanent. I consented. When Diana and Mary returned, the former found her scholar transferred from her to her brother: she laughed, and both she and Mary agreed that St. John should never have persuaded them to such a step. He answered quietly-- "I know it." I found him a very patient, very forbearing, and yet an exacting master: he expected me to do a great deal; and when I fulfilled his expectations, he, in his own way, fully testified his approbation. By degrees, he acquired a certain influence over me that took away my liberty of mind: his praise and notice were more restraining than his indifference. I could no longer talk or laugh freely when he was by, because a tiresomely importunate instinct reminded me that vivacity (at least in me) was distasteful to him. I was so fully aware that only serious moods and occupations were acceptable, that in his presence every effort to sustain or follow any other became vain: I fell under a freezing spell. When he said "go," I went; "come," I came; "do this," I did it. But I did not love my servitude: I wished, many a time, he had continued to neglect me. One evening when, at bedtime, his sisters and I stood round him, bidding him good-night, he kissed each of them, as was his custom; and, as was equally his custom, he gave me his hand. Diana, who chanced to be in a frolicsome humour (_she_ was not painfully controlled by his will; for hers, in another way, was as strong), exclaimed-- "St. John! you used to call Jane your third sister, but you don't treat her as such: you should kiss her too." She pushed me towards him. I thought Diana very provoking, and felt uncomfortably confused; and while I was thus thinking and feeling, St. John bent his head; his Greek face was brought to a level with mine, his eyes questioned my eyes piercingly--he kissed me. There are no such things as marble kisses or ice kisses, or I should say my ecclesiastical cousin's salute belonged to one of these classes; but there may be experiment kisses, and his was an experiment kiss. When given, he viewed me to learn the result; it was not striking: I am sure I did not blush; perhaps I might have turned a little pale, for I felt as if this kiss were a seal affixed to my fetters. He never omitted the ceremony afterwards, and the gravity and quiescence with which I underwent it, seemed to invest it for him with a certain charm. As for me, I daily wished more to please him; but to do so, I felt daily more and more that I must disown half my nature, stifle half my faculties, wrest my tastes from their original bent, force myself to the adoption of pursuits for which I had no natural vocation. He wanted to train me to an elevation I could never reach; it racked me hourly to aspire to the standard he uplifted. The thing was as impossible as to mould my irregular features to his correct and classic pattern, to give to my changeable green eyes the sea-blue tint and solemn lustre of his own. Not his ascendancy alone, however, held me in thrall at present. Of late it had been easy enough for me to look sad: a cankering evil sat at my heart and drained my happiness at its source--the evil of suspense. Perhaps you think I had forgotten Mr. Rochester, reader, amidst these changes of place and fortune. Not for a moment. His idea was still with me, because it was not a vapour sunshine could disperse, nor a sand-traced effigy storms could wash away; it was a name graven on a tablet, fated to last as long as the marble it inscribed. The craving to know what had become of him followed me everywhere; when I was at Morton, I re-entered my cottage every evening to think of that; and now at Moor House, I sought my bedroom each night to brood over it. In the course of my necessary correspondence with Mr. Briggs about the will, I had inquired if he knew anything of Mr. Rochester's present residence and state of health; but, as St. John had conjectured, he was quite ignorant of all concerning him. I then wrote to Mrs. Fairfax, entreating information on the subject. I had calculated with certainty on this step answering my end: I felt sure it would elicit an early answer. I was astonished when a fortnight passed without reply; but when two months wore away, and day after day the post arrived and brought nothing for me, I fell a prey to the keenest anxiety. I wrote again: there was a chance of my first letter having missed. Renewed hope followed renewed effort: it shone like the former for some weeks, then, like it, it faded, flickered: not a line, not a word reached me. When half a year wasted in vain expectancy, my hope died out, and then I felt dark indeed. A fine spring shone round me, which I could not enjoy. Summer approached; Diana tried to cheer me: she said I looked ill, and wished to accompany me to the sea-side. This St. John opposed; he said I did not want dissipation, I wanted employment; my present life was too purposeless, I required an aim; and, I suppose, by way of supplying deficiencies, he prolonged still further my lessons in Hindostanee, and grew more urgent in requiring their accomplishment: and I, like a fool, never thought of resisting him--I could not resist him. One day I had come to my studies in lower spirits than usual; the ebb was occasioned by a poignantly felt disappointment. Hannah had told me in the morning there was a letter for me, and when I went down to take it, almost certain that the long-looked for tidings were vouchsafed me at last, I found only an unimportant note from Mr. Briggs on business. The bitter check had wrung from me some tears; and now, as I sat poring over the crabbed characters and flourishing tropes of an Indian scribe, my eyes filled again. St. John called me to his side to read; in attempting to do this my voice failed me: words were lost in sobs. He and I were the only occupants of the parlour: Diana was practising her music in the drawing-room, Mary was gardening--it was a very fine May day, clear, sunny, and breezy. My companion expressed no surprise at this emotion, nor did he question me as to its cause; he only said-- "We will wait a few minutes, Jane, till you are more composed." And while I smothered the paroxysm with all haste, he sat calm and patient, leaning on his desk, and looking like a physician watching with the eye of science an expected and fully understood crisis in a patient's malady. Having stifled my sobs, wiped my eyes, and muttered something about not being very well that morning, I resumed my task, and succeeded in completing it. St. John put away my books and his, locked his desk, and said-- "Now, Jane, you shall take a walk; and with me." "I will call Diana and Mary." "No; I want only one companion this morning, and that must be you. Put on your things; go out by the kitchen-door: take the road towards the head of Marsh Glen: I will join you in a moment." I know no medium: I never in my life have known any medium in my dealings with positive, hard characters, antagonistic to my own, between absolute submission and determined revolt. I have always faithfully observed the one, up to the very moment of bursting, sometimes with volcanic vehemence, into the other; and as neither present circumstances warranted, nor my present mood inclined me to mutiny, I observed careful obedience to St. John's directions; and in ten minutes I was treading the wild track of the glen, side by side with him. The breeze was from the west: it came over the hills, sweet with scents of heath and rush; the sky was of stainless blue; the stream descending the ravine, swelled with past spring rains, poured along plentiful and clear, catching golden gleams from the sun, and sapphire tints from the firmament. As we advanced and left the track, we trod a soft turf, mossy fine and emerald green, minutely enamelled with a tiny white flower, and spangled with a star-like yellow blossom: the hills, meantime, shut us quite in; for the glen, towards its head, wound to their very core. "Let us rest here," said St. John, as we reached the first stragglers of a battalion of rocks, guarding a sort of pass, beyond which the beck rushed down a waterfall; and where, still a little farther, the mountain shook off turf and flower, had only heath for raiment and crag for gem--where it exaggerated the wild to the savage, and exchanged the fresh for the frowning--where it guarded the forlorn hope of solitude, and a last refuge for silence. I took a seat: St. John stood near me. He looked up the pass and down the hollow; his glance wandered away with the stream, and returned to traverse the unclouded heaven which coloured it: he removed his hat, let the breeze stir his hair and kiss his brow. He seemed in communion with the genius of the haunt: with his eye he bade farewell to something. "And I shall see it again," he said aloud, "in dreams when I sleep by the Ganges: and again in a more remote hour--when another slumber overcomes me--on the shore of a darker stream!" Strange words of a strange love! An austere patriot's passion for his fatherland! He sat down; for half-an-hour we never spoke; neither he to me nor I to him: that interval past, he recommenced-- "Jane, I go in six weeks; I have taken my berth in an East Indiaman which sails on the 20th of June." "God will protect you; for you have undertaken His work," I answered. "Yes," said he, "there is my glory and joy. I am the servant of an infallible Master. I am not going out under human guidance, subject to the defective laws and erring control of my feeble fellow-worms: my king, my lawgiver, my captain, is the All-perfect. It seems strange to me that all round me do not burn to enlist under the same banner,--to join in the same enterprise." "All have not your powers, and it would be folly for the feeble to wish to march with the strong." "I do not speak to the feeble, or think of them: I address only such as are worthy of the work, and competent to accomplish it." "Those are few in number, and difficult to discover." "You say truly; but when found, it is right to stir them up--to urge and exhort them to the effort--to show them what their gifts are, and why they were given--to speak Heaven's message in their ear,--to offer them, direct from God, a place in the ranks of His chosen." "If they are really qualified for the task, will not their own hearts be the first to inform them of it?" I felt as if an awful charm was framing round and gathering over me: I trembled to hear some fatal word spoken which would at once declare and rivet the spell. "And what does _your_ heart say?" demanded St. John. "My heart is mute,--my heart is mute," I answered, struck and thrilled. "Then I must speak for it," continued the deep, relentless voice. "Jane, come with me to India: come as my helpmeet and fellow-labourer." The glen and sky spun round: the hills heaved! It was as if I had heard a summons from Heaven--as if a visionary messenger, like him of Macedonia, had enounced, "Come over and help us!" But I was no apostle,--I could not behold the herald,--I could not receive his call. "Oh, St. John!" I cried, "have some mercy!" I appealed to one who, in the discharge of what he believed his duty, knew neither mercy nor remorse. He continued-- "God and nature intended you for a missionary's wife. It is not personal, but mental endowments they have given you: you are formed for labour, not for love. A missionary's wife you must--shall be. You shall be mine: I claim you--not for my pleasure, but for my Sovereign's service." "I am not fit for it: I have no vocation," I said. He had calculated on these first objections: he was not irritated by them. Indeed, as he leaned back against the crag behind him, folded his arms on his chest, and fixed his countenance, I saw he was prepared for a long and trying opposition, and had taken in a stock of patience to last him to its close--resolved, however, that that close should be conquest for him. "Humility, Jane," said he, "is the groundwork of Christian virtues: you say right that you are not fit for the work. Who is fit for it? Or who, that ever was truly called, believed himself worthy of the summons? I, for instance, am but dust and ashes. With St. Paul, I acknowledge myself the chiefest of sinners; but I do not suffer this sense of my personal vileness to daunt me. I know my Leader: that He is just as well as mighty; and while He has chosen a feeble instrument to perform a great task, He will, from the boundless stores of His providence, supply the inadequacy of the means to the end. Think like me, Jane--trust like me. It is the Rock of Ages I ask you to lean on: do not doubt but it will bear the weight of your human weakness." "I do not understand a missionary life: I have never studied missionary labours." "There I, humble as I am, can give you the aid you want: I can set you your task from hour to hour; stand by you always; help you from moment to moment. This I could do in the beginning: soon (for I know your powers) you would be as strong and apt as myself, and would not require my help." "But my powers--where are they for this undertaking? I do not feel them. Nothing speaks or stirs in me while you talk. I am sensible of no light kindling--no life quickening--no voice counselling or cheering. Oh, I wish I could make you see how much my mind is at this moment like a rayless dungeon, with one shrinking fear fettered in its depths--the fear of being persuaded by you to attempt what I cannot accomplish!" "I have an answer for you--hear it. I have watched you ever since we first met: I have made you my study for ten months. I have proved you in that time by sundry tests: and what have I seen and elicited? In the village school I found you could perform well, punctually, uprightly, labour uncongenial to your habits and inclinations; I saw you could perform it with capacity and tact: you could win while you controlled. In the calm with which you learnt you had become suddenly rich, I read a mind clear of the vice of Demas:--lucre had no undue power over you. In the resolute readiness with which you cut your wealth into four shares, keeping but one to yourself, and relinquishing the three others to the claim of abstract justice, I recognised a soul that revelled in the flame and excitement of sacrifice. In the tractability with which, at my wish, you forsook a study in which you were interested, and adopted another because it interested me; in the untiring assiduity with which you have since persevered in it--in the unflagging energy and unshaken temper with which you have met its difficulties--I acknowledge the complement of the qualities I seek. Jane, you are docile, diligent, disinterested, faithful, constant, and courageous; very gentle, and very heroic: cease to mistrust yourself--I can trust you unreservedly. As a conductress of Indian schools, and a helper amongst Indian women, your assistance will be to me invaluable." My iron shroud contracted round me; persuasion advanced with slow sure step. Shut my eyes as I would, these last words of his succeeded in making the way, which had seemed blocked up, comparatively clear. My work, which had appeared so vague, so hopelessly diffuse, condensed itself as he proceeded, and assumed a definite form under his shaping hand. He waited for an answer. I demanded a quarter of an hour to think, before I again hazarded a reply. "Very willingly," he rejoined; and rising, he strode a little distance up the pass, threw himself down on a swell of heath, and there lay still. {He threw himself down on a swell of heath, and there lay still: p389.jpg} "I _can_ do what he wants me to do: I am forced to see and acknowledge that," I meditated,--"that is, if life be spared me. But I feel mine is not the existence to be long protracted under an Indian sun. What then? He does not care for that: when my time came to die, he would resign me, in all serenity and sanctity, to the God who gave me. The case is very plain before me. In leaving England, I should leave a loved but empty land--Mr. Rochester is not there; and if he were, what is, what can that ever be to me? My business is to live without him now: nothing so absurd, so weak as to drag on from day to day, as if I were waiting some impossible change in circumstances, which might reunite me to him. Of course (as St. John once said) I must seek another interest in life to replace the one lost: is not the occupation he now offers me truly the most glorious man can adopt or God assign? Is it not, by its noble cares and sublime results, the one best calculated to fill the void left by uptorn affections and demolished hopes? I believe I must say, Yes--and yet I shudder. Alas! If I join St. John, I abandon half myself: if I go to India, I go to premature death. And how will the interval between leaving England for India, and India for the grave, be filled? Oh, I know well! That, too, is very clear to my vision. By straining to satisfy St. John till my sinews ache, I _shall_ satisfy him--to the finest central point and farthest outward circle of his expectations. If I _do_ go with him--if I _do_ make the sacrifice he urges, I will make it absolutely: I will throw all on the altar--heart, vitals, the entire victim. He will never love me; but he shall approve me; I will show him energies he has not yet seen, resources he has never suspected. Yes, I can work as hard as he can, and with as little grudging. "Consent, then, to his demand is possible: but for one item--one dreadful item. It is--that he asks me to be his wife, and has no more of a husband's heart for me than that frowning giant of a rock, down which the stream is foaming in yonder gorge. He prizes me as a soldier would a good weapon; and that is all. Unmarried to him, this would never grieve me; but can I let him complete his calculations--coolly put into practice his plans--go through the wedding ceremony? Can I receive from him the bridal ring, endure all the forms of love (which I doubt not he would scrupulously observe) and know that the spirit was quite absent? Can I bear the consciousness that every endearment he bestows is a sacrifice made on principle? No: such a martyrdom would be monstrous. I will never undergo it. As his sister, I might accompany him--not as his wife: I will tell him so." I looked towards the knoll: there he lay, still as a prostrate column; his face turned to me: his eye beaming watchful and keen. He started to his feet and approached me. "I am ready to go to India, if I may go free." "Your answer requires a commentary," he said; "it is not clear." "You have hitherto been my adopted brother--I, your adopted sister: let us continue as such: you and I had better not marry." He shook his head. "Adopted fraternity will not do in this case. If you were my real sister it would be different: I should take you, and seek no wife. But as it is, either our union must be consecrated and sealed by marriage, or it cannot exist: practical obstacles oppose themselves to any other plan. Do you not see it, Jane? Consider a moment--your strong sense will guide you." I did consider; and still my sense, such as it was, directed me only to the fact that we did not love each other as man and wife should: and therefore it inferred we ought not to marry. I said so. "St. John," I returned, "I regard you as a brother--you, me as a sister: so let us continue." "We cannot--we cannot," he answered, with short, sharp determination: "it would not do. You have said you will go with me to India: remember--you have said that." "Conditionally." "Well--well. To the main point--the departure with me from England, the co-operation with me in my future labours--you do not object. You have already as good as put your hand to the plough: you are too consistent to withdraw it. You have but one end to keep in view--how the work you have undertaken can best be done. Simplify your complicated interests, feelings, thoughts, wishes, aims; merge all considerations in one purpose: that of fulfilling with effect--with power--the mission of your great Master. To do so, you must have a coadjutor: not a brother--that is a loose tie--but a husband. I, too, do not want a sister: a sister might any day be taken from me. I want a wife: the sole helpmeet I can influence efficiently in life, and retain absolutely till death." I shuddered as he spoke: I felt his influence in my marrow--his hold on my limbs. "Seek one elsewhere than in me, St. John: seek one fitted to you." "One fitted to my purpose, you mean--fitted to my vocation. Again I tell you it is not the insignificant private individual--the mere man, with the man's selfish senses--I wish to mate: it is the missionary." "And I will give the missionary my energies--it is all he wants--but not myself: that would be only adding the husk and shell to the kernel. For them he has no use: I retain them." "You cannot--you ought not. Do you think God will be satisfied with half an oblation? Will He accept a mutilated sacrifice? It is the cause of God I advocate: it is under His standard I enlist you. I cannot accept on His behalf a divided allegiance: it must be entire." "Oh! I will give my heart to God," I said. "_You_ do not want it." I will not swear, reader, that there was not something of repressed sarcasm both in the tone in which I uttered this sentence, and in the feeling that accompanied it. I had silently feared St. John till now, because I had not understood him. He had held me in awe, because he had held me in doubt. How much of him was saint, how much mortal, I could not heretofore tell: but revelations were being made in this conference: the analysis of his nature was proceeding before my eyes. I saw his fallibilities: I comprehended them. I understood that, sitting there where I did, on the bank of heath, and with that handsome form before me, I sat at the feet of a man, caring as I. The veil fell from his hardness and despotism. Having felt in him the presence of these qualities, I felt his imperfection and took courage. I was with an equal--one with whom I might argue--one whom, if I saw good, I might resist. He was silent after I had uttered the last sentence, and I presently risked an upward glance at his countenance. His eye, bent on me, expressed at once stern surprise and keen inquiry. "Is she sarcastic, and sarcastic to _me_!" it seemed to say. "What does this signify?" "Do not let us forget that this is a solemn matter," he said ere long; "one of which we may neither think nor talk lightly without sin. I trust, Jane, you are in earnest when you say you will serve your heart to God: it is all I want. Once wrench your heart from man, and fix it on your Maker, the advancement of that Maker's spiritual kingdom on earth will be your chief delight and endeavour; you will be ready to do at once whatever furthers that end. You will see what impetus would be given to your efforts and mine by our physical and mental union in marriage: the only union that gives a character of permanent conformity to the destinies and designs of human beings; and, passing over all minor caprices--all trivial difficulties and delicacies of feeling--all scruple about the degree, kind, strength or tenderness of mere personal inclination--you will hasten to enter into that union at once." "Shall I?" I said briefly; and I looked at his features, beautiful in their harmony, but strangely formidable in their still severity; at his brow, commanding but not open; at his eyes, bright and deep and searching, but never soft; at his tall imposing figure; and fancied myself in idea _his wife_. Oh! it would never do! As his curate, his comrade, all would be right: I would cross oceans with him in that capacity; toil under Eastern suns, in Asian deserts with him in that office; admire and emulate his courage and devotion and vigour; accommodate quietly to his masterhood; smile undisturbed at his ineradicable ambition; discriminate the Christian from the man: profoundly esteem the one, and freely forgive the other. I should suffer often, no doubt, attached to him only in this capacity: my body would be under rather a stringent yoke, but my heart and mind would be free. I should still have my unblighted self to turn to: my natural unenslaved feelings with which to communicate in moments of loneliness. There would be recesses in my mind which would be only mine, to which he never came, and sentiments growing there fresh and sheltered which his austerity could never blight, nor his measured warrior-march trample down: but as his wife--at his side always, and always restrained, and always checked--forced to keep the fire of my nature continually low, to compel it to burn inwardly and never utter a cry, though the imprisoned flame consumed vital after vital--_this_ would be unendurable. "St. John!" I exclaimed, when I had got so far in my meditation. "Well?" he answered icily. "I repeat I freely consent to go with you as your fellow-missionary, but not as your wife; I cannot marry you and become part of you." "A part of me you must become," he answered steadily; "otherwise the whole bargain is void. How can I, a man not yet thirty, take out with me to India a girl of nineteen, unless she be married to me? How can we be for ever together--sometimes in solitudes, sometimes amidst savage tribes--and unwed?" "Very well," I said shortly; "under the circumstances, quite as well as if I were either your real sister, or a man and a clergyman like yourself." "It is known that you are not my sister; I cannot introduce you as such: to attempt it would be to fasten injurious suspicions on us both. And for the rest, though you have a man's vigorous brain, you have a woman's heart and--it would not do." "It would do," I affirmed with some disdain, "perfectly well. I have a woman's heart, but not where you are concerned; for you I have only a comrade's constancy; a fellow-soldier's frankness, fidelity, fraternity, if you like; a neophyte's respect and submission to his hierophant: nothing more--don't fear." "It is what I want," he said, speaking to himself; "it is just what I want. And there are obstacles in the way: they must be hewn down. Jane, you would not repent marrying me--be certain of that; we _must_ be married. I repeat it: there is no other way; and undoubtedly enough of love would follow upon marriage to render the union right even in your eyes." "I scorn your idea of love," I could not help saying, as I rose up and stood before him, leaning my back against the rock. "I scorn the counterfeit sentiment you offer: yes, St. John, and I scorn you when you offer it." He looked at me fixedly, compressing his well-cut lips while he did so. Whether he was incensed or surprised, or what, it was not easy to tell: he could command his countenance thoroughly. "I scarcely expected to hear that expression from you," he said: "I think I have done and uttered nothing to deserve scorn." I was touched by his gentle tone, and overawed by his high, calm mien. "Forgive me the words, St. John; but it is your own fault that I have been roused to speak so unguardedly. You have introduced a topic on which our natures are at variance--a topic we should never discuss: the very name of love is an apple of discord between us. If the reality were required, what should we do? How should we feel? My dear cousin, abandon your scheme of marriage--forget it." "No," said he; "it is a long-cherished scheme, and the only one which can secure my great end: but I shall urge you no further at present. To-morrow, I leave home for Cambridge: I have many friends there to whom I should wish to say farewell. I shall be absent a fortnight--take that space of time to consider my offer: and do not forget that if you reject it, it is not me you deny, but God. Through my means, He opens to you a noble career; as my wife only can you enter upon it. Refuse to be my wife, and you limit yourself for ever to a track of selfish ease and barren obscurity. Tremble lest in that case you should be numbered with those who have denied the faith, and are worse than infidels!" He had done. Turning from me, he once more "Looked to river, looked to hill." But this time his feelings were all pent in his heart: I was not worthy to hear them uttered. As I walked by his side homeward, I read well in his iron silence all he felt towards me: the disappointment of an austere and despotic nature, which has met resistance where it expected submission--the disapprobation of a cool, inflexible judgment, which has detected in another feelings and views in which it has no power to sympathise: in short, as a man, he would have wished to coerce me into obedience: it was only as a sincere Christian he bore so patiently with my perversity, and allowed so long a space for reflection and repentance. That night, after he had kissed his sisters, he thought proper to forget even to shake hands with me, but left the room in silence. I--who, though I had no love, had much friendship for him--was hurt by the marked omission: so much hurt that tears started to my eyes. "I see you and St. John have been quarrelling, Jane," said Diana, "during your walk on the moor. But go after him; he is now lingering in the passage expecting you--he will make it up." I have not much pride under such circumstances: I would always rather be happy than dignified; and I ran after him--he stood at the foot of the stairs. "Good-night, St. John," said I. "Good-night, Jane," he replied calmly. "Then shake hands," I added. What a cold, loose touch, he impressed on my fingers! He was deeply displeased by what had occurred that day; cordiality would not warm, nor tears move him. No happy reconciliation was to be had with him--no cheering smile or generous word: but still the Christian was patient and placid; and when I asked him if he forgave me, he answered that he was not in the habit of cherishing the remembrance of vexation; that he had nothing to forgive, not having been offended. And with that answer he left me. I would much rather he had knocked me down.

volume 3, Chapter 34

https://web.archive.org/web/20210123075639/https://www.sparknotes.com/lit/janeeyre/section9/

Jane closes her school for Christmas and spends a happy time with her newfound cousins at Moor House. Diana and Mary are delighted with the improvements Jane has made at the school, but St. John seems colder and more distant than ever. He tells Jane that Rosamond is engaged to a rich man named Mr. Granby. One day, he asks Jane to give up her study of German and instead to learn "Hindustani" with him--the language he is learning to prepare for missionary work in India. As time goes by, St. John exerts a greater and greater influence on Jane; his power over her is almost uncanny. This leaves Jane feeling empty, cold, and sad, but she follows his wishes. At last, he asks her to go to India with him to be a missionary--and to be his wife. She agrees to go to India as a missionary but says that she will not be his wife because they are not in love. St. John harshly insists that she marry him, declaring that to refuse his proposal is the same as to deny the Christian faith. He abruptly leaves the room

In these chapters, the foreshadowing of John Eyre's importance in the plot is at last fulfilled, and the household that has initially been for Jane merely a community of social equality is now revealed to be a true family. More importantly, St. John emerges as a crucial figure, providing Jane with a powerful and dangerous alternative to Rochester. All of these experiences prepare the ground for Jane to return to Rochester: having come to know her own strength, having learned that she is no longer alone in the world, having come into her own inheritance, and having received a competing marriage proposal, Jane can now enter into marriage without feeling herself beholden to her husband. St. John's character emerges forcefully in these chapters. As a potential husband to Jane, he offers a foil to the character of Rochester. Whereas Rochester is passionate and impetuous, St. John is cold, harsh, and clinical. While Jane often finds herself reminding Rochester of the importance of Christian morality, she finds the same morality in St. John overwhelming and threatening. This leads to St. John's other important function: he provides an interesting comparison to the models of religion embodied in Helen Burns and Mr. Brocklehurst. Unlike the meek and forbearing Helen, St. John is active and even ambitious. He is not hypocritical like Brocklehurst, but he is so rigidly principled and lacking in empathy that his behavior is potentially just as destructive. Despite Jane's protracted attempt to integrate Christian morality comfortably into her own life and behavior, St. John is a dangerous influence on her, because his forceful personality compels her obedience against her own internal feelings. Jane refuses to marry St. John because she does not love him, but St. John pressures Jane to ignore her feelings and submit to his powerful conception of necessary moral duty. Jane remains true to herself only with great difficulty, and with the help of the preternatural experience of hearing Rochester call out her name over the moors. In declining St. John's proposal Jane escapes yet another threat to her freedom and her sense of self. Yet the very seriousness with which Jane considers his proposal leads her to an important realization about herself. Part of the reason she fled Thornfield was that she feared becoming a slave to her own passion and sacrificing her principles. By coming so close to marrying St. John, she demonstrates her ability to do the opposite: to sacrifice passion altogether and devote herself wholly to principle. Now Jane knows that returning to Rochester would not signify a weakness on her part. Moreover, she now appreciates more than ever what Rochester offered her. Having found herself on the threshold of a loveless marriage, she understands fully the importance of following not only her mind but also her heart.

sparknotes

all_chapterized_books/1260-chapters/36.txt

finished_summaries/sparknotes/Jane Eyre/section_8_part_3.txt

Jane Eyre.volume 3.chapter 35

volume 3, chapter 35

{"name": "volume 3, Chapter 35", "url": "https://web.archive.org/web/20210123075639/https://www.sparknotes.com/lit/janeeyre/section9/", "summary": "Chapter 35 ut as his wife--at his side always, and always restrained, and always checked--forced to keep the fire of my nature continually low, to compel it to burn inwardly and never utter a cry, though the imprisoned flame consumed vital after vital--this would be unendurable. During the following week, St. John continues to pressure Jane to marry him. She resists as kindly as she can, but her kindness only makes him insist more bitterly and unyieldingly that she accompany him to India as his wife. Diana tells Jane that she would be a fool to go to India with St. John, who considers her merely a tool to aid his great cause. After dinner, St. John prays for Jane, and she is overcome with awe at his powers of speech and his influence. She almost feels compelled to marry him, but at that moment she hears what she thinks is Rochester's voice, calling her name as if from a great distance. Jane believes that something fateful has occurred, and St. John's spell over her is broken", "analysis": "In these chapters, the foreshadowing of John Eyre's importance in the plot is at last fulfilled, and the household that has initially been for Jane merely a community of social equality is now revealed to be a true family. More importantly, St. John emerges as a crucial figure, providing Jane with a powerful and dangerous alternative to Rochester. All of these experiences prepare the ground for Jane to return to Rochester: having come to know her own strength, having learned that she is no longer alone in the world, having come into her own inheritance, and having received a competing marriage proposal, Jane can now enter into marriage without feeling herself beholden to her husband. St. John's character emerges forcefully in these chapters. As a potential husband to Jane, he offers a foil to the character of Rochester. Whereas Rochester is passionate and impetuous, St. John is cold, harsh, and clinical. While Jane often finds herself reminding Rochester of the importance of Christian morality, she finds the same morality in St. John overwhelming and threatening. This leads to St. John's other important function: he provides an interesting comparison to the models of religion embodied in Helen Burns and Mr. Brocklehurst. Unlike the meek and forbearing Helen, St. John is active and even ambitious. He is not hypocritical like Brocklehurst, but he is so rigidly principled and lacking in empathy that his behavior is potentially just as destructive. Despite Jane's protracted attempt to integrate Christian morality comfortably into her own life and behavior, St. John is a dangerous influence on her, because his forceful personality compels her obedience against her own internal feelings. Jane refuses to marry St. John because she does not love him, but St. John pressures Jane to ignore her feelings and submit to his powerful conception of necessary moral duty. Jane remains true to herself only with great difficulty, and with the help of the preternatural experience of hearing Rochester call out her name over the moors. In declining St. John's proposal Jane escapes yet another threat to her freedom and her sense of self. Yet the very seriousness with which Jane considers his proposal leads her to an important realization about herself. Part of the reason she fled Thornfield was that she feared becoming a slave to her own passion and sacrificing her principles. By coming so close to marrying St. John, she demonstrates her ability to do the opposite: to sacrifice passion altogether and devote herself wholly to principle. Now Jane knows that returning to Rochester would not signify a weakness on her part. Moreover, she now appreciates more than ever what Rochester offered her. Having found herself on the threshold of a loveless marriage, she understands fully the importance of following not only her mind but also her heart."}

He did not leave for Cambridge the next day, as he had said he would. He deferred his departure a whole week, and during that time he made me feel what severe punishment a good yet stern, a conscientious yet implacable man can inflict on one who has offended him. Without one overt act of hostility, one upbraiding word, he contrived to impress me momently with the conviction that I was put beyond the pale of his favour. Not that St. John harboured a spirit of unchristian vindictiveness--not that he would have injured a hair of my head, if it had been fully in his power to do so. Both by nature and principle, he was superior to the mean gratification of vengeance: he had forgiven me for saying I scorned him and his love, but he had not forgotten the words; and as long as he and I lived he never would forget them. I saw by his look, when he turned to me, that they were always written on the air between me and him; whenever I spoke, they sounded in my voice to his ear, and their echo toned every answer he gave me. He did not abstain from conversing with me: he even called me as usual each morning to join him at his desk; and I fear the corrupt man within him had a pleasure unimparted to, and unshared by, the pure Christian, in evincing with what skill he could, while acting and speaking apparently just as usual, extract from every deed and every phrase the spirit of interest and approval which had formerly communicated a certain austere charm to his language and manner. To me, he was in reality become no longer flesh, but marble; his eye was a cold, bright, blue gem; his tongue a speaking instrument--nothing more. All this was torture to me--refined, lingering torture. It kept up a slow fire of indignation and a trembling trouble of grief, which harassed and crushed me altogether. I felt how--if I were his wife, this good man, pure as the deep sunless source, could soon kill me, without drawing from my veins a single drop of blood, or receiving on his own crystal conscience the faintest stain of crime. Especially I felt this when I made any attempt to propitiate him. No ruth met my ruth. _He_ experienced no suffering from estrangement--no yearning after reconciliation; and though, more than once, my fast falling tears blistered the page over which we both bent, they produced no more effect on him than if his heart had been really a matter of stone or metal. To his sisters, meantime, he was somewhat kinder than usual: as if afraid that mere coldness would not sufficiently convince me how completely I was banished and banned, he added the force of contrast; and this I am sure he did not by force, but on principle. The night before he left home, happening to see him walking in the garden about sunset, and remembering, as I looked at him, that this man, alienated as he now was, had once saved my life, and that we were near relations, I was moved to make a last attempt to regain his friendship. I went out and approached him as he stood leaning over the little gate; I spoke to the point at once. "St. John, I am unhappy because you are still angry with me. Let us be friends." "I hope we are friends," was the unmoved reply; while he still watched the rising of the moon, which he had been contemplating as I approached. "No, St. John, we are not friends as we were. You know that." "Are we not? That is wrong. For my part, I wish you no ill and all good." "I believe you, St. John; for I am sure you are incapable of wishing any one ill; but, as I am your kinswoman, I should desire somewhat more of affection than that sort of general philanthropy you extend to mere strangers." "Of course," he said. "Your wish is reasonable, and I am far from regarding you as a stranger." This, spoken in a cool, tranquil tone, was mortifying and baffling enough. Had I attended to the suggestions of pride and ire, I should immediately have left him; but something worked within me more strongly than those feelings could. I deeply venerated my cousin's talent and principle. His friendship was of value to me: to lose it tried me severely. I would not so soon relinquish the attempt to reconquer it. "Must we part in this way, St. John? And when you go to India, will you leave me so, without a kinder word than you have yet spoken?" He now turned quite from the moon and faced me. "When I go to India, Jane, will I leave you! What! do you not go to India?" "You said I could not unless I married you." "And you will not marry me! You adhere to that resolution?" Reader, do you know, as I do, what terror those cold people can put into the ice of their questions? How much of the fall of the avalanche is in their anger? of the breaking up of the frozen sea in their displeasure? "No. St. John, I will not marry you. I adhere to my resolution." The avalanche had shaken and slid a little forward, but it did not yet crash down. "Once more, why this refusal?" he asked. "Formerly," I answered, "because you did not love me; now, I reply, because you almost hate me. If I were to marry you, you would kill me. You are killing me now." His lips and cheeks turned white--quite white. "_I should kill you_--_I am killing you_? Your words are such as ought not to be used: violent, unfeminine, and untrue. They betray an unfortunate state of mind: they merit severe reproof: they would seem inexcusable, but that it is the duty of man to forgive his fellow even until seventy-and-seven times." I had finished the business now. While earnestly wishing to erase from his mind the trace of my former offence, I had stamped on that tenacious surface another and far deeper impression, I had burnt it in. "Now you will indeed hate me," I said. "It is useless to attempt to conciliate you: I see I have made an eternal enemy of you." A fresh wrong did these words inflict: the worse, because they touched on the truth. That bloodless lip quivered to a temporary spasm. I knew the steely ire I had whetted. I was heart-wrung. "You utterly misinterpret my words," I said, at once seizing his hand: "I have no intention to grieve or pain you--indeed, I have not." Most bitterly he smiled--most decidedly he withdrew his hand from mine. "And now you recall your promise, and will not go to India at all, I presume?" said he, after a considerable pause. "Yes, I will, as your assistant," I answered. A very long silence succeeded. What struggle there was in him between Nature and Grace in this interval, I cannot tell: only singular gleams scintillated in his eyes, and strange shadows passed over his face. He spoke at last. "I before proved to you the absurdity of a single woman of your age proposing to accompany abroad a single man of mine. I proved it to you in such terms as, I should have thought, would have prevented your ever again alluding to the plan. That you have done so, I regret--for your sake." I interrupted him. Anything like a tangible reproach gave me courage at once. "Keep to common sense, St. John: you are verging on nonsense. You pretend to be shocked by what I have said. You are not really shocked: for, with your superior mind, you cannot be either so dull or so conceited as to misunderstand my meaning. I say again, I will be your curate, if you like, but never your wife." Again he turned lividly pale; but, as before, controlled his passion perfectly. He answered emphatically but calmly-- "A female curate, who is not my wife, would never suit me. With me, then, it seems, you cannot go: but if you are sincere in your offer, I will, while in town, speak to a married missionary, whose wife needs a coadjutor. Your own fortune will make you independent of the Society's aid; and thus you may still be spared the dishonour of breaking your promise and deserting the band you engaged to join." Now I never had, as the reader knows, either given any formal promise or entered into any engagement; and this language was all much too hard and much too despotic for the occasion. I replied-- "There is no dishonour, no breach of promise, no desertion in the case. I am not under the slightest obligation to go to India, especially with strangers. With you I would have ventured much, because I admire, confide in, and, as a sister, I love you; but I am convinced that, go when and with whom I would, I should not live long in that climate." "Ah! you are afraid of yourself," he said, curling his lip. "I am. God did not give me my life to throw away; and to do as you wish me would, I begin to think, be almost equivalent to committing suicide. Moreover, before I definitively resolve on quitting England, I will know for certain whether I cannot be of greater use by remaining in it than by leaving it." "What do you mean?" "It would be fruitless to attempt to explain; but there is a point on which I have long endured painful doubt, and I can go nowhere till by some means that doubt is removed." "I know where your heart turns and to what it clings. The interest you cherish is lawless and unconsecrated. Long since you ought to have crushed it: now you should blush to allude to it. You think of Mr. Rochester?" It was true. I confessed it by silence. "Are you going to seek Mr. Rochester?" "I must find out what is become of him." "It remains for me, then," he said, "to remember you in my prayers, and to entreat God for you, in all earnestness, that you may not indeed become a castaway. I had thought I recognised in you one of the chosen. But God sees not as man sees: _His_ will be done--" He opened the gate, passed through it, and strayed away down the glen. He was soon out of sight. On re-entering the parlour, I found Diana standing at the window, looking very thoughtful. Diana was a great deal taller than I: she put her hand on my shoulder, and, stooping, examined my face. "Jane," she said, "you are always agitated and pale now. I am sure there is something the matter. Tell me what business St. John and you have on hands. I have watched you this half hour from the window; you must forgive my being such a spy, but for a long time I have fancied I hardly know what. St. John is a strange being--" She paused--I did not speak: soon she resumed-- "That brother of mine cherishes peculiar views of some sort respecting you, I am sure: he has long distinguished you by a notice and interest he never showed to any one else--to what end? I wish he loved you--does he, Jane?" I put her cool hand to my hot forehead; "No, Die, not one whit." "Then why does he follow you so with his eyes, and get you so frequently alone with him, and keep you so continually at his side? Mary and I had both concluded he wished you to marry him." "He does--he has asked me to be his wife." Diana clapped her hands. "That is just what we hoped and thought! And you will marry him, Jane, won't you? And then he will stay in England." "Far from that, Diana; his sole idea in proposing to me is to procure a fitting fellow-labourer in his Indian toils." "What! He wishes you to go to India?" "Yes." "Madness!" she exclaimed. "You would not live three months there, I am certain. You never shall go: you have not consented, have you, Jane?" "I have refused to marry him--" "And have consequently displeased him?" she suggested. "Deeply: he will never forgive me, I fear: yet I offered to accompany him as his sister." "It was frantic folly to do so, Jane. Think of the task you undertook--one of incessant fatigue, where fatigue kills even the strong, and you are weak. St. John--you know him--would urge you to impossibilities: with him there would be no permission to rest during the hot hours; and unfortunately, I have noticed, whatever he exacts, you force yourself to perform. I am astonished you found courage to refuse his hand. You do not love him then, Jane?" "Not as a husband." "Yet he is a handsome fellow." "And I am so plain, you see, Die. We should never suit." "Plain! You? Not at all. You are much too pretty, as well as too good, to be grilled alive in Calcutta." And again she earnestly conjured me to give up all thoughts of going out with her brother. "I must indeed," I said; "for when just now I repeated the offer of serving him for a deacon, he expressed himself shocked at my want of decency. He seemed to think I had committed an impropriety in proposing to accompany him unmarried: as if I had not from the first hoped to find in him a brother, and habitually regarded him as such." "What makes you say he does not love you, Jane?" "You should hear himself on the subject. He has again and again explained that it is not himself, but his office he wishes to mate. He has told me I am formed for labour--not for love: which is true, no doubt. But, in my opinion, if I am not formed for love, it follows that I am not formed for marriage. Would it not be strange, Die, to be chained for life to a man who regarded one but as a useful tool?" "Insupportable--unnatural--out of the question!" "And then," I continued, "though I have only sisterly affection for him now, yet, if forced to be his wife, I can imagine the possibility of conceiving an inevitable, strange, torturing kind of love for him, because he is so talented; and there is often a certain heroic grandeur in his look, manner, and conversation. In that case, my lot would become unspeakably wretched. He would not want me to love him; and if I showed the feeling, he would make me sensible that it was a superfluity, unrequired by him, unbecoming in me. I know he would." "And yet St. John is a good man," said Diana. "He is a good and a great man; but he forgets, pitilessly, the feelings and claims of little people, in pursuing his own large views. It is better, therefore, for the insignificant to keep out of his way, lest, in his progress, he should trample them down. Here he comes! I will leave you, Diana." And I hastened upstairs as I saw him entering the garden. But I was forced to meet him again at supper. During that meal he appeared just as composed as usual. I had thought he would hardly speak to me, and I was certain he had given up the pursuit of his matrimonial scheme: the sequel showed I was mistaken on both points. He addressed me precisely in his ordinary manner, or what had, of late, been his ordinary manner--one scrupulously polite. No doubt he had invoked the help of the Holy Spirit to subdue the anger I had roused in him, and now believed he had forgiven me once more. For the evening reading before prayers, he selected the twenty-first chapter of Revelation. It was at all times pleasant to listen while from his lips fell the words of the Bible: never did his fine voice sound at once so sweet and full--never did his manner become so impressive in its noble simplicity, as when he delivered the oracles of God: and to-night that voice took a more solemn tone--that manner a more thrilling meaning--as he sat in the midst of his household circle (the May moon shining in through the uncurtained window, and rendering almost unnecessary the light of the candle on the table): as he sat there, bending over the great old Bible, and described from its page the vision of the new heaven and the new earth--told how God would come to dwell with men, how He would wipe away all tears from their eyes, and promised that there should be no more death, neither sorrow nor crying, nor any more pain, because the former things were passed away. The succeeding words thrilled me strangely as he spoke them: especially as I felt, by the slight, indescribable alteration in sound, that in uttering them, his eye had turned on me. "He that overcometh shall inherit all things; and I will be his God, and he shall be my son. But," was slowly, distinctly read, "the fearful, the unbelieving, &c., shall have their part in the lake which burneth with fire and brimstone, which is the second death." Henceforward, I knew what fate St. John feared for me. A calm, subdued triumph, blent with a longing earnestness, marked his enunciation of the last glorious verses of that chapter. The reader believed his name was already written in the Lamb's book of life, and he yearned after the hour which should admit him to the city to which the kings of the earth bring their glory and honour; which has no need of sun or moon to shine in it, because the glory of God lightens it, and the Lamb is the light thereof. In the prayer following the chapter, all his energy gathered--all his stern zeal woke: he was in deep earnest, wrestling with God, and resolved on a conquest. He supplicated strength for the weak-hearted; guidance for wanderers from the fold: a return, even at the eleventh hour, for those whom the temptations of the world and the flesh were luring from the narrow path. He asked, he urged, he claimed the boon of a brand snatched from the burning. Earnestness is ever deeply solemn: first, as I listened to that prayer, I wondered at his; then, when it continued and rose, I was touched by it, and at last awed. He felt the greatness and goodness of his purpose so sincerely: others who heard him plead for it, could not but feel it too. The prayer over, we took leave of him: he was to go at a very early hour in the morning. Diana and Mary having kissed him, left the room--in compliance, I think, with a whispered hint from him: I tendered my hand, and wished him a pleasant journey. "Thank you, Jane. As I said, I shall return from Cambridge in a fortnight: that space, then, is yet left you for reflection. If I listened to human pride, I should say no more to you of marriage with me; but I listen to my duty, and keep steadily in view my first aim--to do all things to the glory of God. My Master was long-suffering: so will I be. I cannot give you up to perdition as a vessel of wrath: repent--resolve, while there is yet time. Remember, we are bid to work while it is day--warned that 'the night cometh when no man shall work.' Remember the fate of Dives, who had his good things in this life. God give you strength to choose that better part which shall not be taken from you!" He laid his hand on my head as he uttered the last words. He had spoken earnestly, mildly: his look was not, indeed, that of a lover beholding his mistress, but it was that of a pastor recalling his wandering sheep--or better, of a guardian angel watching the soul for which he is responsible. All men of talent, whether they be men of feeling or not; whether they be zealots, or aspirants, or despots--provided only they be sincere--have their sublime moments, when they subdue and rule. I felt veneration for St. John--veneration so strong that its impetus thrust me at once to the point I had so long shunned. I was tempted to cease struggling with him--to rush down the torrent of his will into the gulf of his existence, and there lose my own. I was almost as hard beset by him now as I had been once before, in a different way, by another. I was a fool both times. To have yielded then would have been an error of principle; to have yielded now would have been an error of judgment. So I think at this hour, when I look back to the crisis through the quiet medium of time: I was unconscious of folly at the instant. I stood motionless under my hierophant's touch. My refusals were forgotten--my fears overcome--my wrestlings paralysed. The Impossible--_i.e._, my marriage with St. John--was fast becoming the Possible. All was changing utterly with a sudden sweep. Religion called--Angels beckoned--God commanded--life rolled together like a scroll--death's gates opening, showed eternity beyond: it seemed, that for safety and bliss there, all here might be sacrificed in a second. The dim room was full of visions. "Could you decide now?" asked the missionary. The inquiry was put in gentle tones: he drew me to him as gently. Oh, that gentleness! how far more potent is it than force! I could resist St. John's wrath: I grew pliant as a reed under his kindness. Yet I knew all the time, if I yielded now, I should not the less be made to repent, some day, of my former rebellion. His nature was not changed by one hour of solemn prayer: it was only elevated. "I could decide if I were but certain," I answered: "were I but convinced that it is God's will I should marry you, I could vow to marry you here and now--come afterwards what would!" "My prayers are heard!" ejaculated St. John. He pressed his hand firmer on my head, as if he claimed me: he surrounded me with his arm, _almost_ as if he loved me (I say _almost_--I knew the difference--for I had felt what it was to be loved; but, like him, I had now put love out of the question, and thought only of duty). I contended with my inward dimness of vision, before which clouds yet rolled. I sincerely, deeply, fervently longed to do what was right; and only that. "Show me, show me the path!" I entreated of Heaven. I was excited more than I had ever been; and whether what followed was the effect of excitement the reader shall judge. All the house was still; for I believe all, except St. John and myself, were now retired to rest. The one candle was dying out: the room was full of moonlight. My heart beat fast and thick: I heard its throb. Suddenly it stood still to an inexpressible feeling that thrilled it through, and passed at once to my head and extremities. The feeling was not like an electric shock, but it was quite as sharp, as strange, as startling: it acted on my senses as if their utmost activity hitherto had been but torpor, from which they were now summoned and forced to wake. They rose expectant: eye and ear waited while the flesh quivered on my bones. "What have you heard? What do you see?" asked St. John. I saw nothing, but I heard a voice somewhere cry-- "Jane! Jane! Jane!"--nothing more. "O God! what is it?" I gasped. I might have said, "Where is it?" for it did not seem in the room--nor in the house--nor in the garden; it did not come out of the air--nor from under the earth--nor from overhead. I had heard it--where, or whence, for ever impossible to know! And it was the voice of a human being--a known, loved, well-remembered voice--that of Edward Fairfax Rochester; and it spoke in pain and woe, wildly, eerily, urgently. "I am coming!" I cried. "Wait for me! Oh, I will come!" I flew to the door and looked into the passage: it was dark. I ran out into the garden: it was void. "Where are you?" I exclaimed. The hills beyond Marsh Glen sent the answer faintly back--"Where are you?" I listened. The wind sighed low in the firs: all was moorland loneliness and midnight hush. "Down superstition!" I commented, as that spectre rose up black by the black yew at the gate. "This is not thy deception, nor thy witchcraft: it is the work of nature. She was roused, and did--no miracle--but her best." I broke from St. John, who had followed, and would have detained me. It was _my_ time to assume ascendency. _My_ powers were in play and in force. I told him to forbear question or remark; I desired him to leave me: I must and would be alone. He obeyed at once. Where there is energy to command well enough, obedience never fails. I mounted to my chamber; locked myself in; fell on my knees; and prayed in my way--a different way to St. John's, but effective in its own fashion. I seemed to penetrate very near a Mighty Spirit; and my soul rushed out in gratitude at His feet. I rose from the thanksgiving--took a resolve--and lay down, unscared, enlightened--eager but for the daylight.

volume 3, Chapter 35

https://web.archive.org/web/20210123075639/https://www.sparknotes.com/lit/janeeyre/section9/

Chapter 35 ut as his wife--at his side always, and always restrained, and always checked--forced to keep the fire of my nature continually low, to compel it to burn inwardly and never utter a cry, though the imprisoned flame consumed vital after vital--this would be unendurable. During the following week, St. John continues to pressure Jane to marry him. She resists as kindly as she can, but her kindness only makes him insist more bitterly and unyieldingly that she accompany him to India as his wife. Diana tells Jane that she would be a fool to go to India with St. John, who considers her merely a tool to aid his great cause. After dinner, St. John prays for Jane, and she is overcome with awe at his powers of speech and his influence. She almost feels compelled to marry him, but at that moment she hears what she thinks is Rochester's voice, calling her name as if from a great distance. Jane believes that something fateful has occurred, and St. John's spell over her is broken

In these chapters, the foreshadowing of John Eyre's importance in the plot is at last fulfilled, and the household that has initially been for Jane merely a community of social equality is now revealed to be a true family. More importantly, St. John emerges as a crucial figure, providing Jane with a powerful and dangerous alternative to Rochester. All of these experiences prepare the ground for Jane to return to Rochester: having come to know her own strength, having learned that she is no longer alone in the world, having come into her own inheritance, and having received a competing marriage proposal, Jane can now enter into marriage without feeling herself beholden to her husband. St. John's character emerges forcefully in these chapters. As a potential husband to Jane, he offers a foil to the character of Rochester. Whereas Rochester is passionate and impetuous, St. John is cold, harsh, and clinical. While Jane often finds herself reminding Rochester of the importance of Christian morality, she finds the same morality in St. John overwhelming and threatening. This leads to St. John's other important function: he provides an interesting comparison to the models of religion embodied in Helen Burns and Mr. Brocklehurst. Unlike the meek and forbearing Helen, St. John is active and even ambitious. He is not hypocritical like Brocklehurst, but he is so rigidly principled and lacking in empathy that his behavior is potentially just as destructive. Despite Jane's protracted attempt to integrate Christian morality comfortably into her own life and behavior, St. John is a dangerous influence on her, because his forceful personality compels her obedience against her own internal feelings. Jane refuses to marry St. John because she does not love him, but St. John pressures Jane to ignore her feelings and submit to his powerful conception of necessary moral duty. Jane remains true to herself only with great difficulty, and with the help of the preternatural experience of hearing Rochester call out her name over the moors. In declining St. John's proposal Jane escapes yet another threat to her freedom and her sense of self. Yet the very seriousness with which Jane considers his proposal leads her to an important realization about herself. Part of the reason she fled Thornfield was that she feared becoming a slave to her own passion and sacrificing her principles. By coming so close to marrying St. John, she demonstrates her ability to do the opposite: to sacrifice passion altogether and devote herself wholly to principle. Now Jane knows that returning to Rochester would not signify a weakness on her part. Moreover, she now appreciates more than ever what Rochester offered her. Having found herself on the threshold of a loveless marriage, she understands fully the importance of following not only her mind but also her heart.

sparknotes

all_chapterized_books/1260-chapters/37.txt

finished_summaries/sparknotes/Jane Eyre/section_9_part_1.txt

Jane Eyre.volume 3.chapter 36

volume 3, chapter 36

{"name": "volume 3, Chapter 36", "url": "https://web.archive.org/web/20210123075639/https://www.sparknotes.com/lit/janeeyre/section10/", "summary": "Jane contemplates her supernatural experience of the previous night, wondering whether it was really Rochester's voice that she heard calling to her and whether Rochester might actually be in trouble. She finds a note from St. John urging her to resist temptation, but nevertheless she boards a coach to Thornfield. She travels to the manor, anxious to see Rochester and reflecting on the ways in which her life has changed in the single year since she left. Once hopeless, alone, and impoverished, Jane now has friends, family, and a fortune. She hurries to the house after her coach arrives and is shocked to find Thornfield a charred ruin. She goes to an inn called the Rochester Arms to learn what has happened. Here, she learns that Bertha Mason set the house ablaze several months earlier. Rochester saved his servants and tried to save his wife, but she flung herself from the roof as the fire raged around her. In the fire, Rochester lost a hand and went blind. He has taken up residence in a house called Ferndean, located deep in the forest, with John and Mary, two elderly servants", "analysis": "Jane's melodramatic discovery of the ruined Thornfield and her recounting of the story of Bertha Mason's mad and fiery death lead to the novel's last, brief stage at Ferndean, during which Jane and Rochester are able to marry at last. It is possible to question Jane Eyre's proto-feminism on the grounds that Jane only becomes Rochester's full equal when he is physically infirm and dependent on her to guide him and read to him--in other words, when he is physically incapable of mastering her. However, it is also possible that Jane now finds herself Rochester's equal not because of the decline Rochester has suffered but because of the autonomy that she has achieved by coming to know herself more fully. No woman was ever nearer to her mate than I am: ever more absolutely bone of his bone, and flesh of his flesh. I know no weariness of my Edward's society: he knows none of mine, any more than we each do of the pulsation of the heart that beats in our separate bosoms; consequently, we are ever together. See Important Quotations Explained Another problem that troubles some critics is the fact that Jane finds happiness in the novel only through marriage, suggesting that marriage constitutes the only route to contentment for women . It could be argued that, in returning to Rochester, Jane sacrifices her long-sought autonomy and independence. Another way of looking at Jane's marriage is that she doesn't sacrifice everything, but enters into a relationship in which giving and taking occur in equal measure. Indeed, in order to marry Rochester Jane has had to reject another marriage, a marriage that would have meant a much more stifling and suppressed life for her. Moreover, in declining to marry St. John, Jane comes to the realization that part of being true to \"who she is\" means being true to her emotions and passions; part of what makes her herself is manifested in her relationships with others--in the giving of herself to other human beings. By entering into marriage, Jane does indeed enter into a \"bond,\" but in many ways this \"bond\" is also the \"escape\" that Jane has sought all along. In providing a happy ending for Jane, Bronte seems to suggest that individuals who manage to navigate the pressures and hypocrisies of established social and religious structures can eventually enter into lasting love. A woman who refuses to bend to class and gender prejudices, or to accept domination or oppression, might still find kindred hearts and a sense of spiritual community. Lastly, Bronte seems to suggest a way in which a woman's quest for love and a feeling of belonging need not encroach upon her sense of self--need not restrict her intellectual, spiritual, and emotional independence. Indeed, Bronte suggests that it is only after coming to know oneself and one's own strength that one can enter wholly into a well-rounded and loving relationship with another."}

The daylight came. I rose at dawn. I busied myself for an hour or two with arranging my things in my chamber, drawers, and wardrobe, in the order wherein I should wish to leave them during a brief absence. Meantime, I heard St. John quit his room. He stopped at my door: I feared he would knock--no, but a slip of paper was passed under the door. I took it up. It bore these words-- "You left me too suddenly last night. Had you stayed but a little longer, you would have laid your hand on the Christian's cross and the angel's crown. I shall expect your clear decision when I return this day fortnight. Meantime, watch and pray that you enter not into temptation: the spirit, I trust, is willing, but the flesh, I see, is weak. I shall pray for you hourly.--Yours, ST. JOHN." "My spirit," I answered mentally, "is willing to do what is right; and my flesh, I hope, is strong enough to accomplish the will of Heaven, when once that will is distinctly known to me. At any rate, it shall be strong enough to search--inquire--to grope an outlet from this cloud of doubt, and find the open day of certainty." It was the first of June; yet the morning was overcast and chilly: rain beat fast on my casement. I heard the front-door open, and St. John pass out. Looking through the window, I saw him traverse the garden. He took the way over the misty moors in the direction of Whitcross--there he would meet the coach. "In a few more hours I shall succeed you in that track, cousin," thought I: "I too have a coach to meet at Whitcross. I too have some to see and ask after in England, before I depart for ever." It wanted yet two hours of breakfast-time. I filled the interval in walking softly about my room, and pondering the visitation which had given my plans their present bent. I recalled that inward sensation I had experienced: for I could recall it, with all its unspeakable strangeness. I recalled the voice I had heard; again I questioned whence it came, as vainly as before: it seemed in _me_--not in the external world. I asked was it a mere nervous impression--a delusion? I could not conceive or believe: it was more like an inspiration. The wondrous shock of feeling had come like the earthquake which shook the foundations of Paul and Silas's prison; it had opened the doors of the soul's cell and loosed its bands--it had wakened it out of its sleep, whence it sprang trembling, listening, aghast; then vibrated thrice a cry on my startled ear, and in my quaking heart and through my spirit, which neither feared nor shook, but exulted as if in joy over the success of one effort it had been privileged to make, independent of the cumbrous body. "Ere many days," I said, as I terminated my musings, "I will know something of him whose voice seemed last night to summon me. Letters have proved of no avail--personal inquiry shall replace them." At breakfast I announced to Diana and Mary that I was going a journey, and should be absent at least four days. "Alone, Jane?" they asked. "Yes; it was to see or hear news of a friend about whom I had for some time been uneasy." They might have said, as I have no doubt they thought, that they had believed me to be without any friends save them: for, indeed, I had often said so; but, with their true natural delicacy, they abstained from comment, except that Diana asked me if I was sure I was well enough to travel. I looked very pale, she observed. I replied, that nothing ailed me save anxiety of mind, which I hoped soon to alleviate. It was easy to make my further arrangements; for I was troubled with no inquiries--no surmises. Having once explained to them that I could not now be explicit about my plans, they kindly and wisely acquiesced in the silence with which I pursued them, according to me the privilege of free action I should under similar circumstances have accorded them. I left Moor House at three o'clock p.m., and soon after four I stood at the foot of the sign-post of Whitcross, waiting the arrival of the coach which was to take me to distant Thornfield. Amidst the silence of those solitary roads and desert hills, I heard it approach from a great distance. It was the same vehicle whence, a year ago, I had alighted one summer evening on this very spot--how desolate, and hopeless, and objectless! It stopped as I beckoned. I entered--not now obliged to part with my whole fortune as the price of its accommodation. Once more on the road to Thornfield, I felt like the messenger-pigeon flying home. It was a journey of six-and-thirty hours. I had set out from Whitcross on a Tuesday afternoon, and early on the succeeding Thursday morning the coach stopped to water the horses at a wayside inn, situated in the midst of scenery whose green hedges and large fields and low pastoral hills (how mild of feature and verdant of hue compared with the stern North- Midland moors of Morton!) met my eye like the lineaments of a once familiar face. Yes, I knew the character of this landscape: I was sure we were near my bourne. "How far is Thornfield Hall from here?" I asked of the ostler. "Just two miles, ma'am, across the fields." "My journey is closed," I thought to myself. I got out of the coach, gave a box I had into the ostler's charge, to be kept till I called for it; paid my fare; satisfied the coachman, and was going: the brightening day gleamed on the sign of the inn, and I read in gilt letters, "The Rochester Arms." My heart leapt up: I was already on my master's very lands. It fell again: the thought struck it:-- "Your master himself may be beyond the British Channel, for aught you know: and then, if he is at Thornfield Hall, towards which you hasten, who besides him is there? His lunatic wife: and you have nothing to do with him: you dare not speak to him or seek his presence. You have lost your labour--you had better go no farther," urged the monitor. "Ask information of the people at the inn; they can give you all you seek: they can solve your doubts at once. Go up to that man, and inquire if Mr. Rochester be at home." The suggestion was sensible, and yet I could not force myself to act on it. I so dreaded a reply that would crush me with despair. To prolong doubt was to prolong hope. I might yet once more see the Hall under the ray of her star. There was the stile before me--the very fields through which I had hurried, blind, deaf, distracted with a revengeful fury tracking and scourging me, on the morning I fled from Thornfield: ere I well knew what course I had resolved to take, I was in the midst of them. How fast I walked! How I ran sometimes! How I looked forward to catch the first view of the well-known woods! With what feelings I welcomed single trees I knew, and familiar glimpses of meadow and hill between them! At last the woods rose; the rookery clustered dark; a loud cawing broke the morning stillness. Strange delight inspired me: on I hastened. Another field crossed--a lane threaded--and there were the courtyard walls--the back offices: the house itself, the rookery still hid. "My first view of it shall be in front," I determined, "where its bold battlements will strike the eye nobly at once, and where I can single out my master's very window: perhaps he will be standing at it--he rises early: perhaps he is now walking in the orchard, or on the pavement in front. Could I but see him!--but a moment! Surely, in that case, I should not be so mad as to run to him? I cannot tell--I am not certain. And if I did--what then? God bless him! What then? Who would be hurt by my once more tasting the life his glance can give me? I rave: perhaps at this moment he is watching the sun rise over the Pyrenees, or on the tideless sea of the south." I had coasted along the lower wall of the orchard--turned its angle: there was a gate just there, opening into the meadow, between two stone pillars crowned by stone balls. From behind one pillar I could peep round quietly at the full front of the mansion. I advanced my head with precaution, desirous to ascertain if any bedroom window-blinds were yet drawn up: battlements, windows, long front--all from this sheltered station were at my command. The crows sailing overhead perhaps watched me while I took this survey. I wonder what they thought. They must have considered I was very careful and timid at first, and that gradually I grew very bold and reckless. A peep, and then a long stare; and then a departure from my niche and a straying out into the meadow; and a sudden stop full in front of the great mansion, and a protracted, hardy gaze towards it. "What affectation of diffidence was this at first?" they might have demanded; "what stupid regardlessness now?" Hear an illustration, reader. A lover finds his mistress asleep on a mossy bank; he wishes to catch a glimpse of her fair face without waking her. He steals softly over the grass, careful to make no sound; he pauses--fancying she has stirred: he withdraws: not for worlds would he be seen. All is still: he again advances: he bends above her; a light veil rests on her features: he lifts it, bends lower; now his eyes anticipate the vision of beauty--warm, and blooming, and lovely, in rest. How hurried was their first glance! But how they fix! How he starts! How he suddenly and vehemently clasps in both arms the form he dared not, a moment since, touch with his finger! How he calls aloud a name, and drops his burden, and gazes on it wildly! He thus grasps and cries, and gazes, because he no longer fears to waken by any sound he can utter--by any movement he can make. He thought his love slept sweetly: he finds she is stone dead. I looked with timorous joy towards a stately house: I saw a blackened ruin. No need to cower behind a gate-post, indeed!--to peep up at chamber lattices, fearing life was astir behind them! No need to listen for doors opening--to fancy steps on the pavement or the gravel-walk! The lawn, the grounds were trodden and waste: the portal yawned void. The front was, as I had once seen it in a dream, but a well-like wall, very high and very fragile-looking, perforated with paneless windows: no roof, no battlements, no chimneys--all had crashed in. And there was the silence of death about it: the solitude of a lonesome wild. No wonder that letters addressed to people here had never received an answer: as well despatch epistles to a vault in a church aisle. The grim blackness of the stones told by what fate the Hall had fallen--by conflagration: but how kindled? What story belonged to this disaster? What loss, besides mortar and marble and wood-work had followed upon it? Had life been wrecked as well as property? If so, whose? Dreadful question: there was no one here to answer it--not even dumb sign, mute token. In wandering round the shattered walls and through the devastated interior, I gathered evidence that the calamity was not of late occurrence. Winter snows, I thought, had drifted through that void arch, winter rains beaten in at those hollow casements; for, amidst the drenched piles of rubbish, spring had cherished vegetation: grass and weed grew here and there between the stones and fallen rafters. And oh! where meantime was the hapless owner of this wreck? In what land? Under what auspices? My eye involuntarily wandered to the grey church tower near the gates, and I asked, "Is he with Damer de Rochester, sharing the shelter of his narrow marble house?" Some answer must be had to these questions. I could find it nowhere but at the inn, and thither, ere long, I returned. The host himself brought my breakfast into the parlour. I requested him to shut the door and sit down: I had some questions to ask him. But when he complied, I scarcely knew how to begin; such horror had I of the possible answers. And yet the spectacle of desolation I had just left prepared me in a measure for a tale of misery. The host was a respectable-looking, middle-aged man. "You know Thornfield Hall, of course?" I managed to say at last. "Yes, ma'am; I lived there once." "Did you?" Not in my time, I thought: you are a stranger to me. "I was the late Mr. Rochester's butler," he added. The late! I seem to have received, with full force, the blow I had been trying to evade. "The late!" I gasped. "Is he dead?" "I mean the present gentleman, Mr. Edward's father," he explained. I breathed again: my blood resumed its flow. Fully assured by these words that Mr. Edward--_my_ Mr. Rochester (God bless him, wherever he was!)--was at least alive: was, in short, "the present gentleman." Gladdening words! It seemed I could hear all that was to come--whatever the disclosures might be--with comparative tranquillity. Since he was not in the grave, I could bear, I thought, to learn that he was at the Antipodes. "Is Mr. Rochester living at Thornfield Hall now?" I asked, knowing, of course, what the answer would be, but yet desirous of deferring the direct question as to where he really was. "No, ma'am--oh, no! No one is living there. I suppose you are a stranger in these parts, or you would have heard what happened last autumn,--Thornfield Hall is quite a ruin: it was burnt down just about harvest-time. A dreadful calamity! such an immense quantity of valuable property destroyed: hardly any of the furniture could be saved. The fire broke out at dead of night, and before the engines arrived from Millcote, the building was one mass of flame. It was a terrible spectacle: I witnessed it myself." "At dead of night!" I muttered. Yes, that was ever the hour of fatality at Thornfield. "Was it known how it originated?" I demanded. "They guessed, ma'am: they guessed. Indeed, I should say it was ascertained beyond a doubt. You are not perhaps aware," he continued, edging his chair a little nearer the table, and speaking low, "that there was a lady--a--a lunatic, kept in the house?" "I have heard something of it." "She was kept in very close confinement, ma'am: people even for some years was not absolutely certain of her existence. No one saw her: they only knew by rumour that such a person was at the Hall; and who or what she was it was difficult to conjecture. They said Mr. Edward had brought her from abroad, and some believed she had been his mistress. But a queer thing happened a year since--a very queer thing." I feared now to hear my own story. I endeavoured to recall him to the main fact. "And this lady?" "This lady, ma'am," he answered, "turned out to be Mr. Rochester's wife! The discovery was brought about in the strangest way. There was a young lady, a governess at the Hall, that Mr. Rochester fell in--" "But the fire," I suggested. "I'm coming to that, ma'am--that Mr. Edward fell in love with. The servants say they never saw anybody so much in love as he was: he was after her continually. They used to watch him--servants will, you know, ma'am--and he set store on her past everything: for all, nobody but him thought her so very handsome. She was a little small thing, they say, almost like a child. I never saw her myself; but I've heard Leah, the house-maid, tell of her. Leah liked her well enough. Mr. Rochester was about forty, and this governess not twenty; and you see, when gentlemen of his age fall in love with girls, they are often like as if they were bewitched. Well, he would marry her." "You shall tell me this part of the story another time," I said; "but now I have a particular reason for wishing to hear all about the fire. Was it suspected that this lunatic, Mrs. Rochester, had any hand in it?" "You've hit it, ma'am: it's quite certain that it was her, and nobody but her, that set it going. She had a woman to take care of her called Mrs. Poole--an able woman in her line, and very trustworthy, but for one fault--a fault common to a deal of them nurses and matrons--she _kept a private bottle of gin by her_, and now and then took a drop over-much. It is excusable, for she had a hard life of it: but still it was dangerous; for when Mrs. Poole was fast asleep after the gin and water, the mad lady, who was as cunning as a witch, would take the keys out of her pocket, let herself out of her chamber, and go roaming about the house, doing any wild mischief that came into her head. They say she had nearly burnt her husband in his bed once: but I don't know about that. However, on this night, she set fire first to the hangings of the room next her own, and then she got down to a lower storey, and made her way to the chamber that had been the governess's--(she was like as if she knew somehow how matters had gone on, and had a spite at her)--and she kindled the bed there; but there was nobody sleeping in it, fortunately. The governess had run away two months before; and for all Mr. Rochester sought her as if she had been the most precious thing he had in the world, he never could hear a word of her; and he grew savage--quite savage on his disappointment: he never was a wild man, but he got dangerous after he lost her. He would be alone, too. He sent Mrs. Fairfax, the housekeeper, away to her friends at a distance; but he did it handsomely, for he settled an annuity on her for life: and she deserved it--she was a very good woman. Miss Adele, a ward he had, was put to school. He broke off acquaintance with all the gentry, and shut himself up like a hermit at the Hall." "What! did he not leave England?" "Leave England? Bless you, no! He would not cross the door-stones of the house, except at night, when he walked just like a ghost about the grounds and in the orchard as if he had lost his senses--which it is my opinion he had; for a more spirited, bolder, keener gentleman than he was before that midge of a governess crossed him, you never saw, ma'am. He was not a man given to wine, or cards, or racing, as some are, and he was not so very handsome; but he had a courage and a will of his own, if ever man had. I knew him from a boy, you see: and for my part, I have often wished that Miss Eyre had been sunk in the sea before she came to Thornfield Hall." "Then Mr. Rochester was at home when the fire broke out?" "Yes, indeed was he; and he went up to the attics when all was burning above and below, and got the servants out of their beds and helped them down himself, and went back to get his mad wife out of her cell. And then they called out to him that she was on the roof, where she was standing, waving her arms, above the battlements, and shouting out till they could hear her a mile off: I saw her and heard her with my own eyes. She was a big woman, and had long black hair: we could see it streaming against the flames as she stood. I witnessed, and several more witnessed, Mr. Rochester ascend through the sky-light on to the roof; we heard him call 'Bertha!' We saw him approach her; and then, ma'am, she yelled and gave a spring, and the next minute she lay smashed on the pavement." {The next minute she lay smashed on the pavement: p413.jpg} "Dead?" "Dead! Ay, dead as the stones on which her brains and blood were scattered." "Good God!" "You may well say so, ma'am: it was frightful!" He shuddered. "And afterwards?" I urged. "Well, ma'am, afterwards the house was burnt to the ground: there are only some bits of walls standing now." "Were any other lives lost?" "No--perhaps it would have been better if there had." "What do you mean?" "Poor Mr. Edward!" he ejaculated, "I little thought ever to have seen it! Some say it was a just judgment on him for keeping his first marriage secret, and wanting to take another wife while he had one living: but I pity him, for my part." "You said he was alive?" I exclaimed. "Yes, yes: he is alive; but many think he had better be dead." "Why? How?" My blood was again running cold. "Where is he?" I demanded. "Is he in England?" "Ay--ay--he's in England; he can't get out of England, I fancy--he's a fixture now." What agony was this! And the man seemed resolved to protract it. "He is stone-blind," he said at last. "Yes, he is stone-blind, is Mr. Edward." I had dreaded worse. I had dreaded he was mad. I summoned strength to ask what had caused this calamity. "It was all his own courage, and a body may say, his kindness, in a way, ma'am: he wouldn't leave the house till every one else was out before him. As he came down the great staircase at last, after Mrs. Rochester had flung herself from the battlements, there was a great crash--all fell. He was taken out from under the ruins, alive, but sadly hurt: a beam had fallen in such a way as to protect him partly; but one eye was knocked out, and one hand so crushed that Mr. Carter, the surgeon, had to amputate it directly. The other eye inflamed: he lost the sight of that also. He is now helpless, indeed--blind and a cripple." "Where is he? Where does he now live?" "At Ferndean, a manor-house on a farm he has, about thirty miles off: quite a desolate spot." "Who is with him?" "Old John and his wife: he would have none else. He is quite broken down, they say." "Have you any sort of conveyance?" "We have a chaise, ma'am, a very handsome chaise." "Let it be got ready instantly; and if your post-boy can drive me to Ferndean before dark this day, I'll pay both you and him twice the hire you usually demand."

volume 3, Chapter 36

https://web.archive.org/web/20210123075639/https://www.sparknotes.com/lit/janeeyre/section10/

Jane contemplates her supernatural experience of the previous night, wondering whether it was really Rochester's voice that she heard calling to her and whether Rochester might actually be in trouble. She finds a note from St. John urging her to resist temptation, but nevertheless she boards a coach to Thornfield. She travels to the manor, anxious to see Rochester and reflecting on the ways in which her life has changed in the single year since she left. Once hopeless, alone, and impoverished, Jane now has friends, family, and a fortune. She hurries to the house after her coach arrives and is shocked to find Thornfield a charred ruin. She goes to an inn called the Rochester Arms to learn what has happened. Here, she learns that Bertha Mason set the house ablaze several months earlier. Rochester saved his servants and tried to save his wife, but she flung herself from the roof as the fire raged around her. In the fire, Rochester lost a hand and went blind. He has taken up residence in a house called Ferndean, located deep in the forest, with John and Mary, two elderly servants

Jane's melodramatic discovery of the ruined Thornfield and her recounting of the story of Bertha Mason's mad and fiery death lead to the novel's last, brief stage at Ferndean, during which Jane and Rochester are able to marry at last. It is possible to question Jane Eyre's proto-feminism on the grounds that Jane only becomes Rochester's full equal when he is physically infirm and dependent on her to guide him and read to him--in other words, when he is physically incapable of mastering her. However, it is also possible that Jane now finds herself Rochester's equal not because of the decline Rochester has suffered but because of the autonomy that she has achieved by coming to know herself more fully. No woman was ever nearer to her mate than I am: ever more absolutely bone of his bone, and flesh of his flesh. I know no weariness of my Edward's society: he knows none of mine, any more than we each do of the pulsation of the heart that beats in our separate bosoms; consequently, we are ever together. See Important Quotations Explained Another problem that troubles some critics is the fact that Jane finds happiness in the novel only through marriage, suggesting that marriage constitutes the only route to contentment for women . It could be argued that, in returning to Rochester, Jane sacrifices her long-sought autonomy and independence. Another way of looking at Jane's marriage is that she doesn't sacrifice everything, but enters into a relationship in which giving and taking occur in equal measure. Indeed, in order to marry Rochester Jane has had to reject another marriage, a marriage that would have meant a much more stifling and suppressed life for her. Moreover, in declining to marry St. John, Jane comes to the realization that part of being true to "who she is" means being true to her emotions and passions; part of what makes her herself is manifested in her relationships with others--in the giving of herself to other human beings. By entering into marriage, Jane does indeed enter into a "bond," but in many ways this "bond" is also the "escape" that Jane has sought all along. In providing a happy ending for Jane, Bronte seems to suggest that individuals who manage to navigate the pressures and hypocrisies of established social and religious structures can eventually enter into lasting love. A woman who refuses to bend to class and gender prejudices, or to accept domination or oppression, might still find kindred hearts and a sense of spiritual community. Lastly, Bronte seems to suggest a way in which a woman's quest for love and a feeling of belonging need not encroach upon her sense of self--need not restrict her intellectual, spiritual, and emotional independence. Indeed, Bronte suggests that it is only after coming to know oneself and one's own strength that one can enter wholly into a well-rounded and loving relationship with another.

sparknotes

all_chapterized_books/1260-chapters/38.txt

finished_summaries/sparknotes/Jane Eyre/section_9_part_2.txt

Jane Eyre.volume 3.chapter 37

volume 3, chapter 37

{"name": "volume 3, Chapter 37", "url": "https://web.archive.org/web/20210123075639/https://www.sparknotes.com/lit/janeeyre/section10/", "summary": "Jane goes to Ferndean. From a distance, she sees Rochester reach a hand out of the door, testing for rain. His body looks the same, but his face is desperate and disconsolate. Rochester returns inside, and Jane approaches the house. She knocks, and Mary answers the door. Inside, Jane carries a tray to Rochester, who is unable to see her. When he realizes that Jane is in the room with him, he thinks she must be a ghost or spirit speaking to him. When he catches her hand, he takes her in his arms, and she promises never to leave him. The next morning they walk through the woods, and Jane tells Rochester about her experiences the previous year. She has to assure him that she is not in love with St. John. He asks her again to marry him, and she says yes--they are now free from the specter of Bertha Mason. Rochester tells Jane that a few nights earlier, in a moment of desperation, he called out her name and thought he heard her answer. She does not wish to upset him or excite him in his fragile condition, and so she does not tell him about hearing his voice at Moor House", "analysis": "Jane's melodramatic discovery of the ruined Thornfield and her recounting of the story of Bertha Mason's mad and fiery death lead to the novel's last, brief stage at Ferndean, during which Jane and Rochester are able to marry at last. It is possible to question Jane Eyre's proto-feminism on the grounds that Jane only becomes Rochester's full equal when he is physically infirm and dependent on her to guide him and read to him--in other words, when he is physically incapable of mastering her. However, it is also possible that Jane now finds herself Rochester's equal not because of the decline Rochester has suffered but because of the autonomy that she has achieved by coming to know herself more fully. No woman was ever nearer to her mate than I am: ever more absolutely bone of his bone, and flesh of his flesh. I know no weariness of my Edward's society: he knows none of mine, any more than we each do of the pulsation of the heart that beats in our separate bosoms; consequently, we are ever together. See Important Quotations Explained Another problem that troubles some critics is the fact that Jane finds happiness in the novel only through marriage, suggesting that marriage constitutes the only route to contentment for women . It could be argued that, in returning to Rochester, Jane sacrifices her long-sought autonomy and independence. Another way of looking at Jane's marriage is that she doesn't sacrifice everything, but enters into a relationship in which giving and taking occur in equal measure. Indeed, in order to marry Rochester Jane has had to reject another marriage, a marriage that would have meant a much more stifling and suppressed life for her. Moreover, in declining to marry St. John, Jane comes to the realization that part of being true to \"who she is\" means being true to her emotions and passions; part of what makes her herself is manifested in her relationships with others--in the giving of herself to other human beings. By entering into marriage, Jane does indeed enter into a \"bond,\" but in many ways this \"bond\" is also the \"escape\" that Jane has sought all along. In providing a happy ending for Jane, Bronte seems to suggest that individuals who manage to navigate the pressures and hypocrisies of established social and religious structures can eventually enter into lasting love. A woman who refuses to bend to class and gender prejudices, or to accept domination or oppression, might still find kindred hearts and a sense of spiritual community. Lastly, Bronte seems to suggest a way in which a woman's quest for love and a feeling of belonging need not encroach upon her sense of self--need not restrict her intellectual, spiritual, and emotional independence. Indeed, Bronte suggests that it is only after coming to know oneself and one's own strength that one can enter wholly into a well-rounded and loving relationship with another."}

The manor-house of Ferndean was a building of considerable antiquity, moderate size, and no architectural pretensions, deep buried in a wood. I had heard of it before. Mr. Rochester often spoke of it, and sometimes went there. His father had purchased the estate for the sake of the game covers. He would have let the house, but could find no tenant, in consequence of its ineligible and insalubrious site. Ferndean then remained uninhabited and unfurnished, with the exception of some two or three rooms fitted up for the accommodation of the squire when he went there in the season to shoot. To this house I came just ere dark on an evening marked by the characteristics of sad sky, cold gale, and continued small penetrating rain. The last mile I performed on foot, having dismissed the chaise and driver with the double remuneration I had promised. Even when within a very short distance of the manor-house, you could see nothing of it, so thick and dark grew the timber of the gloomy wood about it. Iron gates between granite pillars showed me where to enter, and passing through them, I found myself at once in the twilight of close-ranked trees. There was a grass-grown track descending the forest aisle between hoar and knotty shafts and under branched arches. I followed it, expecting soon to reach the dwelling; but it stretched on and on, it wound far and farther: no sign of habitation or grounds was visible. I thought I had taken a wrong direction and lost my way. The darkness of natural as well as of sylvan dusk gathered over me. I looked round in search of another road. There was none: all was interwoven stem, columnar trunk, dense summer foliage--no opening anywhere. I proceeded: at last my way opened, the trees thinned a little; presently I beheld a railing, then the house--scarce, by this dim light, distinguishable from the trees; so dank and green were its decaying walls. Entering a portal, fastened only by a latch, I stood amidst a space of enclosed ground, from which the wood swept away in a semicircle. There were no flowers, no garden-beds; only a broad gravel-walk girdling a grass-plat, and this set in the heavy frame of the forest. The house presented two pointed gables in its front; the windows were latticed and narrow: the front door was narrow too, one step led up to it. The whole looked, as the host of the Rochester Arms had said, "quite a desolate spot." It was as still as a church on a week-day: the pattering rain on the forest leaves was the only sound audible in its vicinage. "Can there be life here?" I asked. Yes, life of some kind there was; for I heard a movement--that narrow front-door was unclosing, and some shape was about to issue from the grange. It opened slowly: a figure came out into the twilight and stood on the step; a man without a hat: he stretched forth his hand as if to feel whether it rained. Dusk as it was, I had recognised him--it was my master, Edward Fairfax Rochester, and no other. I stayed my step, almost my breath, and stood to watch him--to examine him, myself unseen, and alas! to him invisible. It was a sudden meeting, and one in which rapture was kept well in check by pain. I had no difficulty in restraining my voice from exclamation, my step from hasty advance. His form was of the same strong and stalwart contour as ever: his port was still erect, his hair was still raven black; nor were his features altered or sunk: not in one year's space, by any sorrow, could his athletic strength be quelled or his vigorous prime blighted. But in his countenance I saw a change: that looked desperate and brooding--that reminded me of some wronged and fettered wild beast or bird, dangerous to approach in his sullen woe. The caged eagle, whose gold-ringed eyes cruelty has extinguished, might look as looked that sightless Samson. And, reader, do you think I feared him in his blind ferocity?--if you do, you little know me. A soft hope blest with my sorrow that soon I should dare to drop a kiss on that brow of rock, and on those lips so sternly sealed beneath it: but not yet. I would not accost him yet. He descended the one step, and advanced slowly and gropingly towards the grass-plat. Where was his daring stride now? Then he paused, as if he knew not which way to turn. He lifted his hand and opened his eyelids; gazed blank, and with a straining effort, on the sky, and toward the amphitheatre of trees: one saw that all to him was void darkness. He stretched his right hand (the left arm, the mutilated one, he kept hidden in his bosom); he seemed to wish by touch to gain an idea of what lay around him: he met but vacancy still; for the trees were some yards off where he stood. He relinquished the endeavour, folded his arms, and stood quiet and mute in the rain, now falling fast on his uncovered head. At this moment John approached him from some quarter. "Will you take my arm, sir?" he said; "there is a heavy shower coming on: had you not better go in?" "Let me alone," was the answer. John withdrew without having observed me. Mr. Rochester now tried to walk about: vainly,--all was too uncertain. He groped his way back to the house, and, re-entering it, closed the door. I now drew near and knocked: John's wife opened for me. "Mary," I said, "how are you?" She started as if she had seen a ghost: I calmed her. To her hurried "Is it really you, miss, come at this late hour to this lonely place?" I answered by taking her hand; and then I followed her into the kitchen, where John now sat by a good fire. I explained to them, in few words, that I had heard all which had happened since I left Thornfield, and that I was come to see Mr. Rochester. I asked John to go down to the turn- pike-house, where I had dismissed the chaise, and bring my trunk, which I had left there: and then, while I removed my bonnet and shawl, I questioned Mary as to whether I could be accommodated at the Manor House for the night; and finding that arrangements to that effect, though difficult, would not be impossible, I informed her I should stay. Just at this moment the parlour-bell rang. "When you go in," said I, "tell your master that a person wishes to speak to him, but do not give my name." "I don't think he will see you," she answered; "he refuses everybody." When she returned, I inquired what he had said. "You are to send in your name and your business," she replied. She then proceeded to fill a glass with water, and place it on a tray, together with candles. "Is that what he rang for?" I asked. "Yes: he always has candles brought in at dark, though he is blind." "Give the tray to me; I will carry it in." I took it from her hand: she pointed me out the parlour door. The tray shook as I held it; the water spilt from the glass; my heart struck my ribs loud and fast. Mary opened the door for me, and shut it behind me. This parlour looked gloomy: a neglected handful of fire burnt low in the grate; and, leaning over it, with his head supported against the high, old-fashioned mantelpiece, appeared the blind tenant of the room. His old dog, Pilot, lay on one side, removed out of the way, and coiled up as if afraid of being inadvertently trodden upon. Pilot pricked up his ears when I came in: then he jumped up with a yelp and a whine, and bounded towards me: he almost knocked the tray from my hands. I set it on the table; then patted him, and said softly, "Lie down!" Mr. Rochester turned mechanically to _see_ what the commotion was: but as he _saw_ nothing, he returned and sighed. "Give me the water, Mary," he said. I approached him with the now only half-filled glass; Pilot followed me, still excited. "What is the matter?" he inquired. "Down, Pilot!" I again said. He checked the water on its way to his lips, and seemed to listen: he drank, and put the glass down. "This is you, Mary, is it not?" "Mary is in the kitchen," I answered. He put out his hand with a quick gesture, but not seeing where I stood, he did not touch me. "Who is this? Who is this?" he demanded, trying, as it seemed, to _see_ with those sightless eyes--unavailing and distressing attempt! "Answer me--speak again!" he ordered, imperiously and aloud. "Will you have a little more water, sir? I spilt half of what was in the glass," I said. "_Who_ is it? _What_ is it? Who speaks?" "Pilot knows me, and John and Mary know I am here. I came only this evening," I answered. "Great God!--what delusion has come over me? What sweet madness has seized me?" "No delusion--no madness: your mind, sir, is too strong for delusion, your health too sound for frenzy." "And where is the speaker? Is it only a voice? Oh! I _cannot_ see, but I must feel, or my heart will stop and my brain burst. Whatever--whoever you are--be perceptible to the touch or I cannot live!" He groped; I arrested his wandering hand, and prisoned it in both mine. "Her very fingers!" he cried; "her small, slight fingers! If so there must be more of her." The muscular hand broke from my custody; my arm was seized, my shoulder--neck--waist--I was entwined and gathered to him. "Is it Jane? _What_ is it? This is her shape--this is her size--" "And this her voice," I added. "She is all here: her heart, too. God bless you, sir! I am glad to be so near you again." "Jane Eyre!--Jane Eyre," was all he said. "My dear master," I answered, "I am Jane Eyre: I have found you out--I am come back to you." "In truth?--in the flesh? My living Jane?" "You touch me, sir,--you hold me, and fast enough: I am not cold like a corpse, nor vacant like air, am I?" "My living darling! These are certainly her limbs, and these her features; but I cannot be so blest, after all my misery. It is a dream; such dreams as I have had at night when I have clasped her once more to my heart, as I do now; and kissed her, as thus--and felt that she loved me, and trusted that she would not leave me." "Which I never will, sir, from this day." "Never will, says the vision? But I always woke and found it an empty mockery; and I was desolate and abandoned--my life dark, lonely, hopeless--my soul athirst and forbidden to drink--my heart famished and never to be fed. Gentle, soft dream, nestling in my arms now, you will fly, too, as your sisters have all fled before you: but kiss me before you go--embrace me, Jane." "There, sir--and there!"' I pressed my lips to his once brilliant and now rayless eyes--I swept his hair from his brow, and kissed that too. He suddenly seemed to arouse himself: the conviction of the reality of all this seized him. "It is you--is it, Jane? You are come back to me then?" "I am." "And you do not lie dead in some ditch under some stream? And you are not a pining outcast amongst strangers?" "No, sir! I am an independent woman now." "Independent! What do you mean, Jane?" "My uncle in Madeira is dead, and he left me five thousand pounds." "Ah! this is practical--this is real!" he cried: "I should never dream that. Besides, there is that peculiar voice of hers, so animating and piquant, as well as soft: it cheers my withered heart; it puts life into it.--What, Janet! Are you an independent woman? A rich woman?" "If you won't let me live with you, I can build a house of my own close up to your door, and you may come and sit in my parlour when you want company of an evening." "But as you are rich, Jane, you have now, no doubt, friends who will look after you, and not suffer you to devote yourself to a blind lameter like me?" "I told you I am independent, sir, as well as rich: I am my own mistress." "And you will stay with me?" "Certainly--unless you object. I will be your neighbour, your nurse, your housekeeper. I find you lonely: I will be your companion--to read to you, to walk with you, to sit with you, to wait on you, to be eyes and hands to you. Cease to look so melancholy, my dear master; you shall not be left desolate, so long as I live." He replied not: he seemed serious--abstracted; he sighed; he half-opened his lips as if to speak: he closed them again. I felt a little embarrassed. Perhaps I had too rashly over-leaped conventionalities; and he, like St. John, saw impropriety in my inconsiderateness. I had indeed made my proposal from the idea that he wished and would ask me to be his wife: an expectation, not the less certain because unexpressed, had buoyed me up, that he would claim me at once as his own. But no hint to that effect escaping him and his countenance becoming more overcast, I suddenly remembered that I might have been all wrong, and was perhaps playing the fool unwittingly; and I began gently to withdraw myself from his arms--but he eagerly snatched me closer. "No--no--Jane; you must not go. No--I have touched you, heard you, felt the comfort of your presence--the sweetness of your consolation: I cannot give up these joys. I have little left in myself--I must have you. The world may laugh--may call me absurd, selfish--but it does not signify. My very soul demands you: it will be satisfied, or it will take deadly vengeance on its frame." "Well, sir, I will stay with you: I have said so." "Yes--but you understand one thing by staying with me; and I understand another. You, perhaps, could make up your mind to be about my hand and chair--to wait on me as a kind little nurse (for you have an affectionate heart and a generous spirit, which prompt you to make sacrifices for those you pity), and that ought to suffice for me no doubt. I suppose I should now entertain none but fatherly feelings for you: do you think so? Come--tell me." "I will think what you like, sir: I am content to be only your nurse, if you think it better." "But you cannot always be my nurse, Janet: you are young--you must marry one day." "I don't care about being married." "You should care, Janet: if I were what I once was, I would try to make you care--but--a sightless block!" He relapsed again into gloom. I, on the contrary, became more cheerful, and took fresh courage: these last words gave me an insight as to where the difficulty lay; and as it was no difficulty with me, I felt quite relieved from my previous embarrassment. I resumed a livelier vein of conversation. "It is time some one undertook to rehumanise you," said I, parting his thick and long uncut locks; "for I see you are being metamorphosed into a lion, or something of that sort. You have a 'faux air' of Nebuchadnezzar in the fields about you, that is certain: your hair reminds me of eagles' feathers; whether your nails are grown like birds' claws or not, I have not yet noticed." "On this arm, I have neither hand nor nails," he said, drawing the mutilated limb from his breast, and showing it to me. "It is a mere stump--a ghastly sight! Don't you think so, Jane?" "It is a pity to see it; and a pity to see your eyes--and the scar of fire on your forehead: and the worst of it is, one is in danger of loving you too well for all this; and making too much of you." "I thought you would be revolted, Jane, when you saw my arm, and my cicatrised visage." "Did you? Don't tell me so--lest I should say something disparaging to your judgment. Now, let me leave you an instant, to make a better fire, and have the hearth swept up. Can you tell when there is a good fire?" "Yes; with the right eye I see a glow--a ruddy haze." "And you see the candles?" "Very dimly--each is a luminous cloud." "Can you see me?" "No, my fairy: but I am only too thankful to hear and feel you." "When do you take supper?" "I never take supper." "But you shall have some to-night. I am hungry: so are you, I daresay, only you forget." Summoning Mary, I soon had the room in more cheerful order: I prepared him, likewise, a comfortable repast. My spirits were excited, and with pleasure and ease I talked to him during supper, and for a long time after. There was no harassing restraint, no repressing of glee and vivacity with him; for with him I was at perfect ease, because I knew I suited him; all I said or did seemed either to console or revive him. Delightful consciousness! It brought to life and light my whole nature: in his presence I thoroughly lived; and he lived in mine. Blind as he was, smiles played over his face, joy dawned on his forehead: his lineaments softened and warmed. After supper, he began to ask me many questions, of where I had been, what I had been doing, how I had found him out; but I gave him only very partial replies: it was too late to enter into particulars that night. Besides, I wished to touch no deep-thrilling chord--to open no fresh well of emotion in his heart: my sole present aim was to cheer him. Cheered, as I have said, he was: and yet but by fits. If a moment's silence broke the conversation, he would turn restless, touch me, then say, "Jane." "You are altogether a human being, Jane? You are certain of that?" {You are altogether a human being, Jane? You are certain of that?: p422.jpg} "I conscientiously believe so, Mr. Rochester." "Yet how, on this dark and doleful evening, could you so suddenly rise on my lone hearth? I stretched my hand to take a glass of water from a hireling, and it was given me by you: I asked a question, expecting John's wife to answer me, and your voice spoke at my ear." "Because I had come in, in Mary's stead, with the tray." "And there is enchantment in the very hour I am now spending with you. Who can tell what a dark, dreary, hopeless life I have dragged on for months past? Doing nothing, expecting nothing; merging night in day; feeling but the sensation of cold when I let the fire go out, of hunger when I forgot to eat: and then a ceaseless sorrow, and, at times, a very delirium of desire to behold my Jane again. Yes: for her restoration I longed, far more than for that of my lost sight. How can it be that Jane is with me, and says she loves me? Will she not depart as suddenly as she came? To-morrow, I fear I shall find her no more." A commonplace, practical reply, out of the train of his own disturbed ideas, was, I was sure, the best and most reassuring for him in this frame of mind. I passed my finger over his eyebrows, and remarked that they were scorched, and that I would apply something which would make them grow as broad and black as ever. "Where is the use of doing me good in any way, beneficent spirit, when, at some fatal moment, you will again desert me--passing like a shadow, whither and how to me unknown, and for me remaining afterwards undiscoverable? "Have you a pocket-comb about you, sir?" "What for, Jane?" "Just to comb out this shaggy black mane. I find you rather alarming, when I examine you close at hand: you talk of my being a fairy, but I am sure, you are more like a brownie." "Am I hideous, Jane?" "Very, sir: you always were, you know." "Humph! The wickedness has not been taken out of you, wherever you have sojourned." "Yet I have been with good people; far better than you: a hundred times better people; possessed of ideas and views you never entertained in your life: quite more refined and exalted." "Who the deuce have you been with?" "If you twist in that way you will make me pull the hair out of your head; and then I think you will cease to entertain doubts of my substantiality." "Who have you been with, Jane?" "You shall not get it out of me to-night, sir; you must wait till to-morrow; to leave my tale half told, will, you know, be a sort of security that I shall appear at your breakfast table to finish it. By the bye, I must mind not to rise on your hearth with only a glass of water then: I must bring an egg at the least, to say nothing of fried ham." "You mocking changeling--fairy-born and human-bred! You make me feel as I have not felt these twelve months. If Saul could have had you for his David, the evil spirit would have been exorcised without the aid of the harp." "There, sir, you are redd up and made decent. Now I'll leave you: I have been travelling these last three days, and I believe I am tired. Good night." "Just one word, Jane: were there only ladies in the house where you have been?" I laughed and made my escape, still laughing as I ran upstairs. "A good idea!" I thought with glee. "I see I have the means of fretting him out of his melancholy for some time to come." Very early the next morning I heard him up and astir, wandering from one room to another. As soon as Mary came down I heard the question: "Is Miss Eyre here?" Then: "Which room did you put her into? Was it dry? Is she up? Go and ask if she wants anything; and when she will come down." I came down as soon as I thought there was a prospect of breakfast. Entering the room very softly, I had a view of him before he discovered my presence. It was mournful, indeed, to witness the subjugation of that vigorous spirit to a corporeal infirmity. He sat in his chair--still, but not at rest: expectant evidently; the lines of now habitual sadness marking his strong features. His countenance reminded one of a lamp quenched, waiting to be re-lit--and alas! it was not himself that could now kindle the lustre of animated expression: he was dependent on another for that office! I had meant to be gay and careless, but the powerlessness of the strong man touched my heart to the quick: still I accosted him with what vivacity I could. "It is a bright, sunny morning, sir," I said. "The rain is over and gone, and there is a tender shining after it: you shall have a walk soon." I had wakened the glow: his features beamed. "Oh, you are indeed there, my skylark! Come to me. You are not gone: not vanished? I heard one of your kind an hour ago, singing high over the wood: but its song had no music for me, any more than the rising sun had rays. All the melody on earth is concentrated in my Jane's tongue to my ear (I am glad it is not naturally a silent one): all the sunshine I can feel is in her presence." The water stood in my eyes to hear this avowal of his dependence; just as if a royal eagle, chained to a perch, should be forced to entreat a sparrow to become its purveyor. But I would not be lachrymose: I dashed off the salt drops, and busied myself with preparing breakfast. Most of the morning was spent in the open air. I led him out of the wet and wild wood into some cheerful fields: I described to him how brilliantly green they were; how the flowers and hedges looked refreshed; how sparklingly blue was the sky. I sought a seat for him in a hidden and lovely spot, a dry stump of a tree; nor did I refuse to let him, when seated, place me on his knee. Why should I, when both he and I were happier near than apart? Pilot lay beside us: all was quiet. He broke out suddenly while clasping me in his arms-- "Cruel, cruel deserter! Oh, Jane, what did I feel when I discovered you had fled from Thornfield, and when I could nowhere find you; and, after examining your apartment, ascertained that you had taken no money, nor anything which could serve as an equivalent! A pearl necklace I had given you lay untouched in its little casket; your trunks were left corded and locked as they had been prepared for the bridal tour. What could my darling do, I asked, left destitute and penniless? And what did she do? Let me hear now." Thus urged, I began the narrative of my experience for the last year. I softened considerably what related to the three days of wandering and starvation, because to have told him all would have been to inflict unnecessary pain: the little I did say lacerated his faithful heart deeper than I wished. I should not have left him thus, he said, without any means of making my way: I should have told him my intention. I should have confided in him: he would never have forced me to be his mistress. Violent as he had seemed in his despair, he, in truth, loved me far too well and too tenderly to constitute himself my tyrant: he would have given me half his fortune, without demanding so much as a kiss in return, rather than I should have flung myself friendless on the wide world. I had endured, he was certain, more than I had confessed to him. "Well, whatever my sufferings had been, they were very short," I answered: and then I proceeded to tell him how I had been received at Moor House; how I had obtained the office of schoolmistress, &c. The accession of fortune, the discovery of my relations, followed in due order. Of course, St. John Rivers' name came in frequently in the progress of my tale. When I had done, that name was immediately taken up. "This St. John, then, is your cousin?" "Yes." "You have spoken of him often: do you like him?" "He was a very good man, sir; I could not help liking him." "A good man. Does that mean a respectable well-conducted man of fifty? Or what does it mean?" "St John was only twenty-nine, sir." "'_Jeune encore_,' as the French say. Is he a person of low stature, phlegmatic, and plain. A person whose goodness consists rather in his guiltlessness of vice, than in his prowess in virtue." "He is untiringly active. Great and exalted deeds are what he lives to perform." "But his brain? That is probably rather soft? He means well: but you shrug your shoulders to hear him talk?" "He talks little, sir: what he does say is ever to the point. His brain is first-rate, I should think not impressible, but vigorous." "Is he an able man, then?" "Truly able." "A thoroughly educated man?" "St. John is an accomplished and profound scholar." "His manners, I think, you said are not to your taste?--priggish and parsonic?" "I never mentioned his manners; but, unless I had a very bad taste, they must suit it; they are polished, calm, and gentlemanlike." "His appearance,--I forget what description you gave of his appearance;--a sort of raw curate, half strangled with his white neckcloth, and stilted up on his thick-soled high-lows, eh?" "St. John dresses well. He is a handsome man: tall, fair, with blue eyes, and a Grecian profile." (Aside.) "Damn him!"--(To me.) "Did you like him, Jane?" "Yes, Mr. Rochester, I liked him: but you asked me that before." I perceived, of course, the drift of my interlocutor. Jealousy had got hold of him: she stung him; but the sting was salutary: it gave him respite from the gnawing fang of melancholy. I would not, therefore, immediately charm the snake. "Perhaps you would rather not sit any longer on my knee, Miss Eyre?" was the next somewhat unexpected observation. "Why not, Mr. Rochester?" "The picture you have just drawn is suggestive of a rather too overwhelming contrast. Your words have delineated very prettily a graceful Apollo: he is present to your imagination,--tall, fair, blue- eyed, and with a Grecian profile. Your eyes dwell on a Vulcan,--a real blacksmith, brown, broad-shouldered: and blind and lame into the bargain." "I never thought of it, before; but you certainly are rather like Vulcan, sir." "Well, you can leave me, ma'am: but before you go" (and he retained me by a firmer grasp than ever), "you will be pleased just to answer me a question or two." He paused. "What questions, Mr. Rochester?" Then followed this cross-examination. "St. John made you schoolmistress of Morton before he knew you were his cousin?" "Yes." "You would often see him? He would visit the school sometimes?" "Daily." "He would approve of your plans, Jane? I know they would be clever, for you are a talented creature!" "He approved of them--yes." "He would discover many things in you he could not have expected to find? Some of your accomplishments are not ordinary." "I don't know about that." "You had a little cottage near the school, you say: did he ever come there to see you?" "Now and then?" "Of an evening?" "Once or twice." A pause. "How long did you reside with him and his sisters after the cousinship was discovered?" "Five months." "Did Rivers spend much time with the ladies of his family?" "Yes; the back parlour was both his study and ours: he sat near the window, and we by the table." "Did he study much?" "A good deal." "What?" "Hindostanee." "And what did you do meantime?" "I learnt German, at first." "Did he teach you?" "He did not understand German." "Did he teach you nothing?" "A little Hindostanee." "Rivers taught you Hindostanee?" "Yes, sir." "And his sisters also?" "No." "Only you?" "Only me." "Did you ask to learn?" "No." "He wished to teach you?" "Yes." A second pause. "Why did he wish it? Of what use could Hindostanee be to you?" "He intended me to go with him to India." "Ah! here I reach the root of the matter. He wanted you to marry him?" "He asked me to marry him." "That is a fiction--an impudent invention to vex me." "I beg your pardon, it is the literal truth: he asked me more than once, and was as stiff about urging his point as ever you could be." "Miss Eyre, I repeat it, you can leave me. How often am I to say the same thing? Why do you remain pertinaciously perched on my knee, when I have given you notice to quit?" "Because I am comfortable there." "No, Jane, you are not comfortable there, because your heart is not with me: it is with this cousin--this St. John. Oh, till this moment, I thought my little Jane was all mine! I had a belief she loved me even when she left me: that was an atom of sweet in much bitter. Long as we have been parted, hot tears as I have wept over our separation, I never thought that while I was mourning her, she was loving another! But it is useless grieving. Jane, leave me: go and marry Rivers." "Shake me off, then, sir,--push me away, for I'll not leave you of my own accord." "Jane, I ever like your tone of voice: it still renews hope, it sounds so truthful. When I hear it, it carries me back a year. I forget that you have formed a new tie. But I am not a fool--go--" "Where must I go, sir?" "Your own way--with the husband you have chosen." "Who is that?" "You know--this St. John Rivers." "He is not my husband, nor ever will be. He does not love me: I do not love him. He loves (as he _can_ love, and that is not as you love) a beautiful young lady called Rosamond. He wanted to marry me only because he thought I should make a suitable missionary's wife, which she would not have done. He is good and great, but severe; and, for me, cold as an iceberg. He is not like you, sir: I am not happy at his side, nor near him, nor with him. He has no indulgence for me--no fondness. He sees nothing attractive in me; not even youth--only a few useful mental points.--Then I must leave you, sir, to go to him?" I shuddered involuntarily, and clung instinctively closer to my blind but beloved master. He smiled. "What, Jane! Is this true? Is such really the state of matters between you and Rivers?" "Absolutely, sir! Oh, you need not be jealous! I wanted to tease you a little to make you less sad: I thought anger would be better than grief. But if you wish me to love you, could you but see how much I _do_ love you, you would be proud and content. All my heart is yours, sir: it belongs to you; and with you it would remain, were fate to exile the rest of me from your presence for ever." Again, as he kissed me, painful thoughts darkened his aspect. "My seared vision! My crippled strength!" he murmured regretfully. I caressed, in order to soothe him. I knew of what he was thinking, and wanted to speak for him, but dared not. As he turned aside his face a minute, I saw a tear slide from under the sealed eyelid, and trickle down the manly cheek. My heart swelled. "I am no better than the old lightning-struck chestnut-tree in Thornfield orchard," he remarked ere long. "And what right would that ruin have to bid a budding woodbine cover its decay with freshness?" "You are no ruin, sir--no lightning-struck tree: you are green and vigorous. Plants will grow about your roots, whether you ask them or not, because they take delight in your bountiful shadow; and as they grow they will lean towards you, and wind round you, because your strength offers them so safe a prop." Again he smiled: I gave him comfort. "You speak of friends, Jane?" he asked. "Yes, of friends," I answered rather hesitatingly: for I knew I meant more than friends, but could not tell what other word to employ. He helped me. "Ah! Jane. But I want a wife." "Do you, sir?" "Yes: is it news to you?" "Of course: you said nothing about it before." "Is it unwelcome news?" "That depends on circumstances, sir--on your choice." "Which you shall make for me, Jane. I will abide by your decision." "Choose then, sir--_her who loves you best_." "I will at least choose--_her I love best_. Jane, will you marry me?" "Yes, sir." "A poor blind man, whom you will have to lead about by the hand?" "Yes, sir." "A crippled man, twenty years older than you, whom you will have to wait on?" "Yes, sir." "Truly, Jane?" "Most truly, sir." "Oh! my darling! God bless you and reward you!" "Mr. Rochester, if ever I did a good deed in my life--if ever I thought a good thought--if ever I prayed a sincere and blameless prayer--if ever I wished a righteous wish,--I am rewarded now. To be your wife is, for me, to be as happy as I can be on earth." "Because you delight in sacrifice." "Sacrifice! What do I sacrifice? Famine for food, expectation for content. To be privileged to put my arms round what I value--to press my lips to what I love--to repose on what I trust: is that to make a sacrifice? If so, then certainly I delight in sacrifice." "And to bear with my infirmities, Jane: to overlook my deficiencies." "Which are none, sir, to me. I love you better now, when I can really be useful to you, than I did in your state of proud independence, when you disdained every part but that of the giver and protector." "Hitherto I have hated to be helped--to be led: henceforth, I feel I shall hate it no more. I did not like to put my hand into a hireling's, but it is pleasant to feel it circled by Jane's little fingers. I preferred utter loneliness to the constant attendance of servants; but Jane's soft ministry will be a perpetual joy. Jane suits me: do I suit her?" "To the finest fibre of my nature, sir." "The case being so, we have nothing in the world to wait for: we must be married instantly." He looked and spoke with eagerness: his old impetuosity was rising. "We must become one flesh without any delay, Jane: there is but the licence to get--then we marry." "Mr. Rochester, I have just discovered the sun is far declined from its meridian, and Pilot is actually gone home to his dinner. Let me look at your watch." "Fasten it into your girdle, Janet, and keep it henceforward: I have no use for it." "It is nearly four o'clock in the afternoon, sir. Don't you feel hungry?" "The third day from this must be our wedding-day, Jane. Never mind fine clothes and jewels, now: all that is not worth a fillip." "The sun has dried up all the rain-drops, sir. The breeze is still: it is quite hot." "Do you know, Jane, I have your little pearl necklace at this moment fastened round my bronze scrag under my cravat? I have worn it since the day I lost my only treasure, as a memento of her." "We will go home through the wood: that will be the shadiest way." He pursued his own thoughts without heeding me. "Jane! you think me, I daresay, an irreligious dog: but my heart swells with gratitude to the beneficent God of this earth just now. He sees not as man sees, but far clearer: judges not as man judges, but far more wisely. I did wrong: I would have sullied my innocent flower--breathed guilt on its purity: the Omnipotent snatched it from me. I, in my stiff- necked rebellion, almost cursed the dispensation: instead of bending to the decree, I defied it. Divine justice pursued its course; disasters came thick on me: I was forced to pass through the valley of the shadow of death. _His_ chastisements are mighty; and one smote me which has humbled me for ever. You know I was proud of my strength: but what is it now, when I must give it over to foreign guidance, as a child does its weakness? Of late, Jane--only--only of late--I began to see and acknowledge the hand of God in my doom. I began to experience remorse, repentance; the wish for reconcilement to my Maker. I began sometimes to pray: very brief prayers they were, but very sincere. "Some days since: nay, I can number them--four; it was last Monday night, a singular mood came over me: one in which grief replaced frenzy--sorrow, sullenness. I had long had the impression that since I could nowhere find you, you must be dead. Late that night--perhaps it might be between eleven and twelve o'clock--ere I retired to my dreary rest, I supplicated God, that, if it seemed good to Him, I might soon be taken from this life, and admitted to that world to come, where there was still hope of rejoining Jane. "I was in my own room, and sitting by the window, which was open: it soothed me to feel the balmy night-air; though I could see no stars and only by a vague, luminous haze, knew the presence of a moon. I longed for thee, Janet! Oh, I longed for thee both with soul and flesh! I asked of God, at once in anguish and humility, if I had not been long enough desolate, afflicted, tormented; and might not soon taste bliss and peace once more. That I merited all I endured, I acknowledged--that I could scarcely endure more, I pleaded; and the alpha and omega of my heart's wishes broke involuntarily from my lips in the words--'Jane! Jane! Jane!'" "Did you speak these words aloud?" "I did, Jane. If any listener had heard me, he would have thought me mad: I pronounced them with such frantic energy." "And it was last Monday night, somewhere near midnight?" "Yes; but the time is of no consequence: what followed is the strange point. You will think me superstitious,--some superstition I have in my blood, and always had: nevertheless, this is true--true at least it is that I heard what I now relate. "As I exclaimed 'Jane! Jane! Jane!' a voice--I cannot tell whence the voice came, but I know whose voice it was--replied, 'I am coming: wait for me;' and a moment after, went whispering on the wind the words--'Where are you?' "I'll tell you, if I can, the idea, the picture these words opened to my mind: yet it is difficult to express what I want to express. Ferndean is buried, as you see, in a heavy wood, where sound falls dull, and dies unreverberating. 'Where are you?' seemed spoken amongst mountains; for I heard a hill-sent echo repeat the words. Cooler and fresher at the moment the gale seemed to visit my brow: I could have deemed that in some wild, lone scene, I and Jane were meeting. In spirit, I believe we must have met. You no doubt were, at that hour, in unconscious sleep, Jane: perhaps your soul wandered from its cell to comfort mine; for those were your accents--as certain as I live--they were yours!" Reader, it was on Monday night--near midnight--that I too had received the mysterious summons: those were the very words by which I replied to it. I listened to Mr. Rochester's narrative, but made no disclosure in return. The coincidence struck me as too awful and inexplicable to be communicated or discussed. If I told anything, my tale would be such as must necessarily make a profound impression on the mind of my hearer: and that mind, yet from its sufferings too prone to gloom, needed not the deeper shade of the supernatural. I kept these things then, and pondered them in my heart. "You cannot now wonder," continued my master, "that when you rose upon me so unexpectedly last night, I had difficulty in believing you any other than a mere voice and vision, something that would melt to silence and annihilation, as the midnight whisper and mountain echo had melted before. Now, I thank God! I know it to be otherwise. Yes, I thank God!" He put me off his knee, rose, and reverently lifting his hat from his brow, and bending his sightless eyes to the earth, he stood in mute devotion. Only the last words of the worship were audible. "I thank my Maker, that, in the midst of judgment, he has remembered mercy. I humbly entreat my Redeemer to give me strength to lead henceforth a purer life than I have done hitherto!" Then he stretched his hand out to be led. I took that dear hand, held it a moment to my lips, then let it pass round my shoulder: being so much lower of stature than he, I served both for his prop and guide. We entered the wood, and wended homeward.

volume 3, Chapter 37

https://web.archive.org/web/20210123075639/https://www.sparknotes.com/lit/janeeyre/section10/

Jane goes to Ferndean. From a distance, she sees Rochester reach a hand out of the door, testing for rain. His body looks the same, but his face is desperate and disconsolate. Rochester returns inside, and Jane approaches the house. She knocks, and Mary answers the door. Inside, Jane carries a tray to Rochester, who is unable to see her. When he realizes that Jane is in the room with him, he thinks she must be a ghost or spirit speaking to him. When he catches her hand, he takes her in his arms, and she promises never to leave him. The next morning they walk through the woods, and Jane tells Rochester about her experiences the previous year. She has to assure him that she is not in love with St. John. He asks her again to marry him, and she says yes--they are now free from the specter of Bertha Mason. Rochester tells Jane that a few nights earlier, in a moment of desperation, he called out her name and thought he heard her answer. She does not wish to upset him or excite him in his fragile condition, and so she does not tell him about hearing his voice at Moor House

Jane's melodramatic discovery of the ruined Thornfield and her recounting of the story of Bertha Mason's mad and fiery death lead to the novel's last, brief stage at Ferndean, during which Jane and Rochester are able to marry at last. It is possible to question Jane Eyre's proto-feminism on the grounds that Jane only becomes Rochester's full equal when he is physically infirm and dependent on her to guide him and read to him--in other words, when he is physically incapable of mastering her. However, it is also possible that Jane now finds herself Rochester's equal not because of the decline Rochester has suffered but because of the autonomy that she has achieved by coming to know herself more fully. No woman was ever nearer to her mate than I am: ever more absolutely bone of his bone, and flesh of his flesh. I know no weariness of my Edward's society: he knows none of mine, any more than we each do of the pulsation of the heart that beats in our separate bosoms; consequently, we are ever together. See Important Quotations Explained Another problem that troubles some critics is the fact that Jane finds happiness in the novel only through marriage, suggesting that marriage constitutes the only route to contentment for women . It could be argued that, in returning to Rochester, Jane sacrifices her long-sought autonomy and independence. Another way of looking at Jane's marriage is that she doesn't sacrifice everything, but enters into a relationship in which giving and taking occur in equal measure. Indeed, in order to marry Rochester Jane has had to reject another marriage, a marriage that would have meant a much more stifling and suppressed life for her. Moreover, in declining to marry St. John, Jane comes to the realization that part of being true to "who she is" means being true to her emotions and passions; part of what makes her herself is manifested in her relationships with others--in the giving of herself to other human beings. By entering into marriage, Jane does indeed enter into a "bond," but in many ways this "bond" is also the "escape" that Jane has sought all along. In providing a happy ending for Jane, Bronte seems to suggest that individuals who manage to navigate the pressures and hypocrisies of established social and religious structures can eventually enter into lasting love. A woman who refuses to bend to class and gender prejudices, or to accept domination or oppression, might still find kindred hearts and a sense of spiritual community. Lastly, Bronte seems to suggest a way in which a woman's quest for love and a feeling of belonging need not encroach upon her sense of self--need not restrict her intellectual, spiritual, and emotional independence. Indeed, Bronte suggests that it is only after coming to know oneself and one's own strength that one can enter wholly into a well-rounded and loving relationship with another.

sparknotes

all_chapterized_books/1260-chapters/39.txt

finished_summaries/sparknotes/Jane Eyre/section_9_part_3.txt

Jane Eyre.volume 3.chapter 38

volume 3, chapter 38

{"name": "volume 3, Chapter 38", "url": "https://web.archive.org/web/20210123075639/https://www.sparknotes.com/lit/janeeyre/section10/", "summary": "Jane and Rochester marry with no witnesses other than the parson and the church clerk. Jane writes to her cousins with the news. St. John never acknowledges what has happened, but Mary and Diana write back with their good wishes. Jane visits Adele at her school, and finds her unhappy. Remembering her own childhood experience, Jane moves Adele to a more congenial school, and Adele grows up to be a very pleasant and mild-mannered young woman. Jane writes that she is narrating her story after ten years of marriage to Rochester, which she describes as inexpressibly blissful. They live as equals, and she helps him to cope with his blindness. After two years, Rochester begins to regain his vision in one eye, and when their first child--a boy--is born, Rochester is able to see the baby. Jane writes that Diana and Mary have both found husbands and that St. John went to India as he had planned. She notes that in his last letter, St. John claimed to have had a premonition of his own approaching death. She does not believe that she will hear from St. John again, but she does not grieve for him, saying that he has fulfilled his promise and done God's work. She closes her book with a quote from his letter, in which he begs the Lord Jesus to come for him quickly", "analysis": "Jane's melodramatic discovery of the ruined Thornfield and her recounting of the story of Bertha Mason's mad and fiery death lead to the novel's last, brief stage at Ferndean, during which Jane and Rochester are able to marry at last. It is possible to question Jane Eyre's proto-feminism on the grounds that Jane only becomes Rochester's full equal when he is physically infirm and dependent on her to guide him and read to him--in other words, when he is physically incapable of mastering her. However, it is also possible that Jane now finds herself Rochester's equal not because of the decline Rochester has suffered but because of the autonomy that she has achieved by coming to know herself more fully. No woman was ever nearer to her mate than I am: ever more absolutely bone of his bone, and flesh of his flesh. I know no weariness of my Edward's society: he knows none of mine, any more than we each do of the pulsation of the heart that beats in our separate bosoms; consequently, we are ever together. See Important Quotations Explained Another problem that troubles some critics is the fact that Jane finds happiness in the novel only through marriage, suggesting that marriage constitutes the only route to contentment for women . It could be argued that, in returning to Rochester, Jane sacrifices her long-sought autonomy and independence. Another way of looking at Jane's marriage is that she doesn't sacrifice everything, but enters into a relationship in which giving and taking occur in equal measure. Indeed, in order to marry Rochester Jane has had to reject another marriage, a marriage that would have meant a much more stifling and suppressed life for her. Moreover, in declining to marry St. John, Jane comes to the realization that part of being true to \"who she is\" means being true to her emotions and passions; part of what makes her herself is manifested in her relationships with others--in the giving of herself to other human beings. By entering into marriage, Jane does indeed enter into a \"bond,\" but in many ways this \"bond\" is also the \"escape\" that Jane has sought all along. In providing a happy ending for Jane, Bronte seems to suggest that individuals who manage to navigate the pressures and hypocrisies of established social and religious structures can eventually enter into lasting love. A woman who refuses to bend to class and gender prejudices, or to accept domination or oppression, might still find kindred hearts and a sense of spiritual community. Lastly, Bronte seems to suggest a way in which a woman's quest for love and a feeling of belonging need not encroach upon her sense of self--need not restrict her intellectual, spiritual, and emotional independence. Indeed, Bronte suggests that it is only after coming to know oneself and one's own strength that one can enter wholly into a well-rounded and loving relationship with another."}

Reader, I married him. A quiet wedding we had: he and I, the parson and clerk, were alone present. When we got back from church, I went into the kitchen of the manor-house, where Mary was cooking the dinner and John cleaning the knives, and I said-- "Mary, I have been married to Mr. Rochester this morning." The housekeeper and her husband were both of that decent phlegmatic order of people, to whom one may at any time safely communicate a remarkable piece of news without incurring the danger of having one's ears pierced by some shrill ejaculation, and subsequently stunned by a torrent of wordy wonderment. Mary did look up, and she did stare at me: the ladle with which she was basting a pair of chickens roasting at the fire, did for some three minutes hang suspended in air; and for the same space of time John's knives also had rest from the polishing process: but Mary, bending again over the roast, said only-- "Have you, Miss? Well, for sure!" A short time after she pursued--"I seed you go out with the master, but I didn't know you were gone to church to be wed;" and she basted away. John, when I turned to him, was grinning from ear to ear. "I telled Mary how it would be," he said: "I knew what Mr. Edward" (John was an old servant, and had known his master when he was the cadet of the house, therefore, he often gave him his Christian name)--"I knew what Mr. Edward would do; and I was certain he would not wait long neither: and he's done right, for aught I know. I wish you joy, Miss!" and he politely pulled his forelock. "Thank you, John. Mr. Rochester told me to give you and Mary this." I put into his hand a five-pound note. Without waiting to hear more, I left the kitchen. In passing the door of that sanctum some time after, I caught the words-- "She'll happen do better for him nor ony o't' grand ladies." And again, "If she ben't one o' th' handsomest, she's noan faal and varry good-natured; and i' his een she's fair beautiful, onybody may see that." I wrote to Moor House and to Cambridge immediately, to say what I had done: fully explaining also why I had thus acted. Diana and Mary approved the step unreservedly. Diana announced that she would just give me time to get over the honeymoon, and then she would come and see me. "She had better not wait till then, Jane," said Mr. Rochester, when I read her letter to him; "if she does, she will be too late, for our honeymoon will shine our life long: its beams will only fade over your grave or mine." How St. John received the news, I don't know: he never answered the letter in which I communicated it: yet six months after he wrote to me, without, however, mentioning Mr. Rochester's name or alluding to my marriage. His letter was then calm, and, though very serious, kind. He has maintained a regular, though not frequent, correspondence ever since: he hopes I am happy, and trusts I am not of those who live without God in the world, and only mind earthly things. You have not quite forgotten little Adele, have you, reader? I had not; I soon asked and obtained leave of Mr. Rochester, to go and see her at the school where he had placed her. Her frantic joy at beholding me again moved me much. She looked pale and thin: she said she was not happy. I found the rules of the establishment were too strict, its course of study too severe for a child of her age: I took her home with me. I meant to become her governess once more, but I soon found this impracticable; my time and cares were now required by another--my husband needed them all. So I sought out a school conducted on a more indulgent system, and near enough to permit of my visiting her often, and bringing her home sometimes. I took care she should never want for anything that could contribute to her comfort: she soon settled in her new abode, became very happy there, and made fair progress in her studies. As she grew up, a sound English education corrected in a great measure her French defects; and when she left school, I found in her a pleasing and obliging companion: docile, good-tempered, and well-principled. By her grateful attention to me and mine, she has long since well repaid any little kindness I ever had it in my power to offer her. My tale draws to its close: one word respecting my experience of married life, and one brief glance at the fortunes of those whose names have most frequently recurred in this narrative, and I have done. I have now been married ten years. I know what it is to live entirely for and with what I love best on earth. I hold myself supremely blest--blest beyond what language can express; because I am my husband's life as fully as he is mine. No woman was ever nearer to her mate than I am: ever more absolutely bone of his bone and flesh of his flesh. I know no weariness of my Edward's society: he knows none of mine, any more than we each do of the pulsation of the heart that beats in our separate bosoms; consequently, we are ever together. To be together is for us to be at once as free as in solitude, as gay as in company. We talk, I believe, all day long: to talk to each other is but a more animated and an audible thinking. All my confidence is bestowed on him, all his confidence is devoted to me; we are precisely suited in character--perfect concord is the result. Mr. Rochester continued blind the first two years of our union; perhaps it was that circumstance that drew us so very near--that knit us so very close: for I was then his vision, as I am still his right hand. Literally, I was (what he often called me) the apple of his eye. He saw nature--he saw books through me; and never did I weary of gazing for his behalf, and of putting into words the effect of field, tree, town, river, cloud, sunbeam--of the landscape before us; of the weather round us--and impressing by sound on his ear what light could no longer stamp on his eye. Never did I weary of reading to him; never did I weary of conducting him where he wished to go: of doing for him what he wished to be done. And there was a pleasure in my services, most full, most exquisite, even though sad--because he claimed these services without painful shame or damping humiliation. He loved me so truly, that he knew no reluctance in profiting by my attendance: he felt I loved him so fondly, that to yield that attendance was to indulge my sweetest wishes. One morning at the end of the two years, as I was writing a letter to his dictation, he came and bent over me, and said--"Jane, have you a glittering ornament round your neck?" I had a gold watch-chain: I answered "Yes." "And have you a pale blue dress on?" {And have you a pale blue dress on?: p435.jpg} I had. He informed me then, that for some time he had fancied the obscurity clouding one eye was becoming less dense; and that now he was sure of it. He and I went up to London. He had the advice of an eminent oculist; and he eventually recovered the sight of that one eye. He cannot now see very distinctly: he cannot read or write much; but he can find his way without being led by the hand: the sky is no longer a blank to him--the earth no longer a void. When his first-born was put into his arms, he could see that the boy had inherited his own eyes, as they once were--large, brilliant, and black. On that occasion, he again, with a full heart, acknowledged that God had tempered judgment with mercy. My Edward and I, then, are happy: and the more so, because those we most love are happy likewise. Diana and Mary Rivers are both married: alternately, once every year, they come to see us, and we go to see them. Diana's husband is a captain in the navy, a gallant officer and a good man. Mary's is a clergyman, a college friend of her brother's, and, from his attainments and principles, worthy of the connection. Both Captain Fitzjames and Mr. Wharton love their wives, and are loved by them. As to St. John Rivers, he left England: he went to India. He entered on the path he had marked for himself; he pursues it still. A more resolute, indefatigable pioneer never wrought amidst rocks and dangers. Firm, faithful, and devoted, full of energy, and zeal, and truth, he labours for his race; he clears their painful way to improvement; he hews down like a giant the prejudices of creed and caste that encumber it. He may be stern; he may be exacting; he may be ambitious yet; but his is the sternness of the warrior Greatheart, who guards his pilgrim convoy from the onslaught of Apollyon. His is the exaction of the apostle, who speaks but for Christ, when he says--"Whosoever will come after me, let him deny himself, and take up his cross and follow me." His is the ambition of the high master-spirit, which aims to fill a place in the first rank of those who are redeemed from the earth--who stand without fault before the throne of God, who share the last mighty victories of the Lamb, who are called, and chosen, and faithful. St. John is unmarried: he never will marry now. Himself has hitherto sufficed to the toil, and the toil draws near its close: his glorious sun hastens to its setting. The last letter I received from him drew from my eyes human tears, and yet filled my heart with divine joy: he anticipated his sure reward, his incorruptible crown. I know that a stranger's hand will write to me next, to say that the good and faithful servant has been called at length into the joy of his Lord. And why weep for this? No fear of death will darken St. John's last hour: his mind will be unclouded, his heart will be undaunted, his hope will be sure, his faith steadfast. His own words are a pledge of this-- "My Master," he says, "has forewarned me. Daily He announces more distinctly,--'Surely I come quickly!' and hourly I more eagerly respond,--'Amen; even so come, Lord Jesus!'"

volume 3, Chapter 38

https://web.archive.org/web/20210123075639/https://www.sparknotes.com/lit/janeeyre/section10/

Jane and Rochester marry with no witnesses other than the parson and the church clerk. Jane writes to her cousins with the news. St. John never acknowledges what has happened, but Mary and Diana write back with their good wishes. Jane visits Adele at her school, and finds her unhappy. Remembering her own childhood experience, Jane moves Adele to a more congenial school, and Adele grows up to be a very pleasant and mild-mannered young woman. Jane writes that she is narrating her story after ten years of marriage to Rochester, which she describes as inexpressibly blissful. They live as equals, and she helps him to cope with his blindness. After two years, Rochester begins to regain his vision in one eye, and when their first child--a boy--is born, Rochester is able to see the baby. Jane writes that Diana and Mary have both found husbands and that St. John went to India as he had planned. She notes that in his last letter, St. John claimed to have had a premonition of his own approaching death. She does not believe that she will hear from St. John again, but she does not grieve for him, saying that he has fulfilled his promise and done God's work. She closes her book with a quote from his letter, in which he begs the Lord Jesus to come for him quickly

Jane's melodramatic discovery of the ruined Thornfield and her recounting of the story of Bertha Mason's mad and fiery death lead to the novel's last, brief stage at Ferndean, during which Jane and Rochester are able to marry at last. It is possible to question Jane Eyre's proto-feminism on the grounds that Jane only becomes Rochester's full equal when he is physically infirm and dependent on her to guide him and read to him--in other words, when he is physically incapable of mastering her. However, it is also possible that Jane now finds herself Rochester's equal not because of the decline Rochester has suffered but because of the autonomy that she has achieved by coming to know herself more fully. No woman was ever nearer to her mate than I am: ever more absolutely bone of his bone, and flesh of his flesh. I know no weariness of my Edward's society: he knows none of mine, any more than we each do of the pulsation of the heart that beats in our separate bosoms; consequently, we are ever together. See Important Quotations Explained Another problem that troubles some critics is the fact that Jane finds happiness in the novel only through marriage, suggesting that marriage constitutes the only route to contentment for women . It could be argued that, in returning to Rochester, Jane sacrifices her long-sought autonomy and independence. Another way of looking at Jane's marriage is that she doesn't sacrifice everything, but enters into a relationship in which giving and taking occur in equal measure. Indeed, in order to marry Rochester Jane has had to reject another marriage, a marriage that would have meant a much more stifling and suppressed life for her. Moreover, in declining to marry St. John, Jane comes to the realization that part of being true to "who she is" means being true to her emotions and passions; part of what makes her herself is manifested in her relationships with others--in the giving of herself to other human beings. By entering into marriage, Jane does indeed enter into a "bond," but in many ways this "bond" is also the "escape" that Jane has sought all along. In providing a happy ending for Jane, Bronte seems to suggest that individuals who manage to navigate the pressures and hypocrisies of established social and religious structures can eventually enter into lasting love. A woman who refuses to bend to class and gender prejudices, or to accept domination or oppression, might still find kindred hearts and a sense of spiritual community. Lastly, Bronte seems to suggest a way in which a woman's quest for love and a feeling of belonging need not encroach upon her sense of self--need not restrict her intellectual, spiritual, and emotional independence. Indeed, Bronte suggests that it is only after coming to know oneself and one's own strength that one can enter wholly into a well-rounded and loving relationship with another.

pinkmonkey

all_chapterized_books/1260-chapters/02.txt

finished_summaries/pinkmonkey/Jane Eyre/section_0_part_0.txt

Jane Eyre.volume 1.chapter 1

chapter 1

{"name": "Chapter 1", "url": "https://web.archive.org/web/20180820051427/http://www.pinkmonkey.com/booknotes/monkeynotes/pmJaneEyre14.asp", "summary": "It is a cold and dreary winter afternoon, and outdoor activity is impossible. Jane's aunt, Mrs. Reed, has her own children, Eliza, John, and Georgiana, happily gathered around her on a sofa in the drawing room of Gateshead Hall. Jane is excluded from the group. She steals into the adjoining breakfast room and sits in a window with Bewick's History of British Birds; the pictures in the book correspond to her lonely feelings. John Reed interrupts Jane and drags her out of her hiding place. He is a fourteen-year-old overweight hulk, who is home from boarding school. He is pampered by his mother, who takes no notice of his bullying Jane, even when he does it in her presence. On this occasion John strikes Jane and tells her not to take liberties with the books. For her punishment, he makes her stand near the window and knocks her down. Infuriated by John's attack, Jane retaliates as never before and declares aloud what she thinks of John. Mrs. Reed and the servants separate the two children, and Mrs. Reed punishes Jane by locking her up in \"the red room.\"", "analysis": "Notes Chapter 1 presents Jane as an emotionally deprived child, completely at the mercy of the Reeds, who not only abuse her physically, but also torment her mentally by excluding her from the family circle. She is denied the freedom to escape through her imagination by looking out of a window or reading a book. In the process of defending herself, she becomes as self-willed as the Reeds themselves. However, loneliness drives her to cultivate the life of the intellect whenever possible. She has developed a love for books and by the age of ten has read Goldsmith's History of Rome. The novel begins with a reference to a dreary day in November. It presents a scene of mist and cloud, wet lawn and storm-beaten shrub, with \"ceaseless rain sweeping away wildly before a long and lamentable blast. \" It is an appropriate setting to begin the tale of an orphaned girl who is deprived of love and warmth. It is no wonder then that the passage Jane reads in Bewick's book describes the birds as \"standing up alone in a sea of billow and spray. \" The description of the birds reflects Jane's own pitiful condition."}

There was no possibility of taking a walk that day. We had been wandering, indeed, in the leafless shrubbery an hour in the morning; but since dinner (Mrs. Reed, when there was no company, dined early) the cold winter wind had brought with it clouds so sombre, and a rain so penetrating, that further out-door exercise was now out of the question. I was glad of it: I never liked long walks, especially on chilly afternoons: dreadful to me was the coming home in the raw twilight, with nipped fingers and toes, and a heart saddened by the chidings of Bessie, the nurse, and humbled by the consciousness of my physical inferiority to Eliza, John, and Georgiana Reed. The said Eliza, John, and Georgiana were now clustered round their mama in the drawing-room: she lay reclined on a sofa by the fireside, and with her darlings about her (for the time neither quarrelling nor crying) looked perfectly happy. Me, she had dispensed from joining the group; saying, "She regretted to be under the necessity of keeping me at a distance; but that until she heard from Bessie, and could discover by her own observation, that I was endeavouring in good earnest to acquire a more sociable and childlike disposition, a more attractive and sprightly manner--something lighter, franker, more natural, as it were--she really must exclude me from privileges intended only for contented, happy, little children." "What does Bessie say I have done?" I asked. "Jane, I don't like cavillers or questioners; besides, there is something truly forbidding in a child taking up her elders in that manner. Be seated somewhere; and until you can speak pleasantly, remain silent." A breakfast-room adjoined the drawing-room, I slipped in there. It contained a bookcase: I soon possessed myself of a volume, taking care that it should be one stored with pictures. I mounted into the window- seat: gathering up my feet, I sat cross-legged, like a Turk; and, having drawn the red moreen curtain nearly close, I was shrined in double retirement. Folds of scarlet drapery shut in my view to the right hand; to the left were the clear panes of glass, protecting, but not separating me from the drear November day. At intervals, while turning over the leaves of my book, I studied the aspect of that winter afternoon. Afar, it offered a pale blank of mist and cloud; near a scene of wet lawn and storm-beat shrub, with ceaseless rain sweeping away wildly before a long and lamentable blast. I returned to my book--Bewick's History of British Birds: the letterpress thereof I cared little for, generally speaking; and yet there were certain introductory pages that, child as I was, I could not pass quite as a blank. They were those which treat of the haunts of sea-fowl; of "the solitary rocks and promontories" by them only inhabited; of the coast of Norway, studded with isles from its southern extremity, the Lindeness, or Naze, to the North Cape-- "Where the Northern Ocean, in vast whirls, Boils round the naked, melancholy isles Of farthest Thule; and the Atlantic surge Pours in among the stormy Hebrides." Nor could I pass unnoticed the suggestion of the bleak shores of Lapland, Siberia, Spitzbergen, Nova Zembla, Iceland, Greenland, with "the vast sweep of the Arctic Zone, and those forlorn regions of dreary space,--that reservoir of frost and snow, where firm fields of ice, the accumulation of centuries of winters, glazed in Alpine heights above heights, surround the pole, and concentre the multiplied rigours of extreme cold." Of these death-white realms I formed an idea of my own: shadowy, like all the half-comprehended notions that float dim through children's brains, but strangely impressive. The words in these introductory pages connected themselves with the succeeding vignettes, and gave significance to the rock standing up alone in a sea of billow and spray; to the broken boat stranded on a desolate coast; to the cold and ghastly moon glancing through bars of cloud at a wreck just sinking. I cannot tell what sentiment haunted the quite solitary churchyard, with its inscribed headstone; its gate, its two trees, its low horizon, girdled by a broken wall, and its newly-risen crescent, attesting the hour of eventide. The two ships becalmed on a torpid sea, I believed to be marine phantoms. The fiend pinning down the thief's pack behind him, I passed over quickly: it was an object of terror. So was the black horned thing seated aloof on a rock, surveying a distant crowd surrounding a gallows. Each picture told a story; mysterious often to my undeveloped understanding and imperfect feelings, yet ever profoundly interesting: as interesting as the tales Bessie sometimes narrated on winter evenings, when she chanced to be in good humour; and when, having brought her ironing-table to the nursery hearth, she allowed us to sit about it, and while she got up Mrs. Reed's lace frills, and crimped her nightcap borders, fed our eager attention with passages of love and adventure taken from old fairy tales and other ballads; or (as at a later period I discovered) from the pages of Pamela, and Henry, Earl of Moreland. With Bewick on my knee, I was then happy: happy at least in my way. I feared nothing but interruption, and that came too soon. The breakfast- room door opened. "Boh! Madam Mope!" cried the voice of John Reed; then he paused: he found the room apparently empty. "Where the dickens is she!" he continued. "Lizzy! Georgy! (calling to his sisters) Joan is not here: tell mama she is run out into the rain--bad animal!" "It is well I drew the curtain," thought I; and I wished fervently he might not discover my hiding-place: nor would John Reed have found it out himself; he was not quick either of vision or conception; but Eliza just put her head in at the door, and said at once-- "She is in the window-seat, to be sure, Jack." And I came out immediately, for I trembled at the idea of being dragged forth by the said Jack. "What do you want?" I asked, with awkward diffidence. "Say, 'What do you want, Master Reed?'" was the answer. "I want you to come here;" and seating himself in an arm-chair, he intimated by a gesture that I was to approach and stand before him. John Reed was a schoolboy of fourteen years old; four years older than I, for I was but ten: large and stout for his age, with a dingy and unwholesome skin; thick lineaments in a spacious visage, heavy limbs and large extremities. He gorged himself habitually at table, which made him bilious, and gave him a dim and bleared eye and flabby cheeks. He ought now to have been at school; but his mama had taken him home for a month or two, "on account of his delicate health." Mr. Miles, the master, affirmed that he would do very well if he had fewer cakes and sweetmeats sent him from home; but the mother's heart turned from an opinion so harsh, and inclined rather to the more refined idea that John's sallowness was owing to over-application and, perhaps, to pining after home. John had not much affection for his mother and sisters, and an antipathy to me. He bullied and punished me; not two or three times in the week, nor once or twice in the day, but continually: every nerve I had feared him, and every morsel of flesh in my bones shrank when he came near. There were moments when I was bewildered by the terror he inspired, because I had no appeal whatever against either his menaces or his inflictions; the servants did not like to offend their young master by taking my part against him, and Mrs. Reed was blind and deaf on the subject: she never saw him strike or heard him abuse me, though he did both now and then in her very presence, more frequently, however, behind her back. Habitually obedient to John, I came up to his chair: he spent some three minutes in thrusting out his tongue at me as far as he could without damaging the roots: I knew he would soon strike, and while dreading the blow, I mused on the disgusting and ugly appearance of him who would presently deal it. I wonder if he read that notion in my face; for, all at once, without speaking, he struck suddenly and strongly. I tottered, and on regaining my equilibrium retired back a step or two from his chair. "That is for your impudence in answering mama awhile since," said he, "and for your sneaking way of getting behind curtains, and for the look you had in your eyes two minutes since, you rat!" Accustomed to John Reed's abuse, I never had an idea of replying to it; my care was how to endure the blow which would certainly follow the insult. "What were you doing behind the curtain?" he asked. "I was reading." "Show the book." I returned to the window and fetched it thence. "You have no business to take our books; you are a dependent, mama says; you have no money; your father left you none; you ought to beg, and not to live here with gentlemen's children like us, and eat the same meals we do, and wear clothes at our mama's expense. Now, I'll teach you to rummage my bookshelves: for they _are_ mine; all the house belongs to me, or will do in a few years. Go and stand by the door, out of the way of the mirror and the windows." I did so, not at first aware what was his intention; but when I saw him lift and poise the book and stand in act to hurl it, I instinctively started aside with a cry of alarm: not soon enough, however; the volume was flung, it hit me, and I fell, striking my head against the door and cutting it. The cut bled, the pain was sharp: my terror had passed its climax; other feelings succeeded. "Wicked and cruel boy!" I said. "You are like a murderer--you are like a slave-driver--you are like the Roman emperors!" I had read Goldsmith's History of Rome, and had formed my opinion of Nero, Caligula, etc. Also I had drawn parallels in silence, which I never thought thus to have declared aloud. "What! what!" he cried. "Did she say that to me? Did you hear her, Eliza and Georgiana? Won't I tell mama? but first--" He ran headlong at me: I felt him grasp my hair and my shoulder: he had closed with a desperate thing. I really saw in him a tyrant, a murderer. I felt a drop or two of blood from my head trickle down my neck, and was sensible of somewhat pungent suffering: these sensations for the time predominated over fear, and I received him in frantic sort. I don't very well know what I did with my hands, but he called me "Rat! Rat!" and bellowed out aloud. Aid was near him: Eliza and Georgiana had run for Mrs. Reed, who was gone upstairs: she now came upon the scene, followed by Bessie and her maid Abbot. We were parted: I heard the words-- "Dear! dear! What a fury to fly at Master John!" "Did ever anybody see such a picture of passion!" Then Mrs. Reed subjoined-- "Take her away to the red-room, and lock her in there." Four hands were immediately laid upon me, and I was borne upstairs.

Chapter 1

https://web.archive.org/web/20180820051427/http://www.pinkmonkey.com/booknotes/monkeynotes/pmJaneEyre14.asp

It is a cold and dreary winter afternoon, and outdoor activity is impossible. Jane's aunt, Mrs. Reed, has her own children, Eliza, John, and Georgiana, happily gathered around her on a sofa in the drawing room of Gateshead Hall. Jane is excluded from the group. She steals into the adjoining breakfast room and sits in a window with Bewick's History of British Birds; the pictures in the book correspond to her lonely feelings. John Reed interrupts Jane and drags her out of her hiding place. He is a fourteen-year-old overweight hulk, who is home from boarding school. He is pampered by his mother, who takes no notice of his bullying Jane, even when he does it in her presence. On this occasion John strikes Jane and tells her not to take liberties with the books. For her punishment, he makes her stand near the window and knocks her down. Infuriated by John's attack, Jane retaliates as never before and declares aloud what she thinks of John. Mrs. Reed and the servants separate the two children, and Mrs. Reed punishes Jane by locking her up in "the red room."

Notes Chapter 1 presents Jane as an emotionally deprived child, completely at the mercy of the Reeds, who not only abuse her physically, but also torment her mentally by excluding her from the family circle. She is denied the freedom to escape through her imagination by looking out of a window or reading a book. In the process of defending herself, she becomes as self-willed as the Reeds themselves. However, loneliness drives her to cultivate the life of the intellect whenever possible. She has developed a love for books and by the age of ten has read Goldsmith's History of Rome. The novel begins with a reference to a dreary day in November. It presents a scene of mist and cloud, wet lawn and storm-beaten shrub, with "ceaseless rain sweeping away wildly before a long and lamentable blast. " It is an appropriate setting to begin the tale of an orphaned girl who is deprived of love and warmth. It is no wonder then that the passage Jane reads in Bewick's book describes the birds as "standing up alone in a sea of billow and spray. " The description of the birds reflects Jane's own pitiful condition.