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durom.2013.70.47 | 2013.70.47-ff.jpg | data/raw/images/oriental/2013 | Playing card. 6 of Spades. On the face of the card is an image of two elderly North Koreans crying. Reverse of the card shows 10 images relating to North Korea, including Pyongyang, the friendship arch, statue of Kim Il Sung, and an image of Kim Jong Un. | 330playing cards
| null | cards | null | China |
|
durom.2013.70.47 | 2013.70.47-ff.jpg | data/raw/images/oriental/2013 | Playing card. 6 of Spades. On the face of the card is an image of two elderly North Koreans crying. Reverse of the card shows 10 images relating to North Korea, including Pyongyang, the friendship arch, statue of Kim Il Sung, and an image of Kim Jong Un. | 330playing cards
| null | cards | null | China |
|
durom.2013.70.47 | 2013.70.47-ff.jpg | data/raw/images/oriental/2013 | Playing card. 6 of Spades. On the face of the card is an image of two elderly North Koreans crying. Reverse of the card shows 10 images relating to North Korea, including Pyongyang, the friendship arch, statue of Kim Il Sung, and an image of Kim Jong Un. | 330playing cards
| null | cards | null | China |
|
durom.2013.70.47 | 2013.70.47-ff.jpg | data/raw/images/oriental/2013 | Playing card. 6 of Spades. On the face of the card is an image of two elderly North Koreans crying. Reverse of the card shows 10 images relating to North Korea, including Pyongyang, the friendship arch, statue of Kim Il Sung, and an image of Kim Jong Un. | 330playing cards
| null | cards | null | China |
|
durom.2013.70.47 | 2013.70.47-ff.jpg | data/raw/images/oriental/2013 | Playing card. 6 of Spades. On the face of the card is an image of two elderly North Koreans crying. Reverse of the card shows 10 images relating to North Korea, including Pyongyang, the friendship arch, statue of Kim Il Sung, and an image of Kim Jong Un. | 330playing cards
| null | cards | null | China |
|
durom.1965.46 | 1965.46 pc ff.jpg | data/raw/images/oriental/1965 | Woman's amulet. Star-shaped box decorated with inlaid silver and turquoise. Not good quality. Broken pieces of red decoration inside. Possible loose substance within the vessel as there is a rattling sound when the item is handled | 145amulets
| null | metal | null | Tibet Autonomous Region (China) |
|
durom.1965.46 | 1965.46 pc ff.jpg | data/raw/images/oriental/1965 | Woman's amulet. Star-shaped box decorated with inlaid silver and turquoise. Not good quality. Broken pieces of red decoration inside. Possible loose substance within the vessel as there is a rattling sound when the item is handled | 145amulets
| null | metal | null | Tibet Autonomous Region (China) |
|
durom.1965.46 | 1965.46 pc ff.jpg | data/raw/images/oriental/1965 | Woman's amulet. Star-shaped box decorated with inlaid silver and turquoise. Not good quality. Broken pieces of red decoration inside. Possible loose substance within the vessel as there is a rattling sound when the item is handled | 145amulets
| null | metal | null | Tibet Autonomous Region (China) |
|
durom.1965.46 | 1965.46 pc ff.jpg | data/raw/images/oriental/1965 | Woman's amulet. Star-shaped box decorated with inlaid silver and turquoise. Not good quality. Broken pieces of red decoration inside. Possible loose substance within the vessel as there is a rattling sound when the item is handled | 145amulets
| null | metal | null | Tibet Autonomous Region (China) |
|
durom.1965.46 | 1965.46 pc ff.jpg | data/raw/images/oriental/1965 | Woman's amulet. Star-shaped box decorated with inlaid silver and turquoise. Not good quality. Broken pieces of red decoration inside. Possible loose substance within the vessel as there is a rattling sound when the item is handled | 145amulets
| null | metal | null | Tibet Autonomous Region (China) |
|
durom.1972.59 | durom.1972.59-uu.jpg | data/raw/images/oriental/1972 | Back scratcher, inlaid with silver and six red beads, two of which are missing (one probably replaced with a different bead. Also an orange tip to the handle. | 158back scratchers
| null | wood | null | null |
|
durom.1972.59 | durom.1972.59-uu.jpg | data/raw/images/oriental/1972 | Back scratcher, inlaid with silver and six red beads, two of which are missing (one probably replaced with a different bead. Also an orange tip to the handle. | 158back scratchers
| null | wood | null | null |
|
durom.1972.59 | durom.1972.59-uu.jpg | data/raw/images/oriental/1972 | Back scratcher, inlaid with silver and six red beads, two of which are missing (one probably replaced with a different bead. Also an orange tip to the handle. | 158back scratchers
| null | wood | null | null |
|
durom.1972.59 | durom.1972.59-uu.jpg | data/raw/images/oriental/1972 | Back scratcher, inlaid with silver and six red beads, two of which are missing (one probably replaced with a different bead. Also an orange tip to the handle. | 158back scratchers
| null | wood | null | null |
|
durom.1972.59 | durom.1972.59-uu.jpg | data/raw/images/oriental/1972 | Back scratcher, inlaid with silver and six red beads, two of which are missing (one probably replaced with a different bead. Also an orange tip to the handle. | 158back scratchers
| null | wood | null | null |
|
durom.1960.4f.5 | 1960.4f.5.jpg | data/raw/images/oriental/1960 | One of an extensive collection of slides and glass plates. Black and white glass plate with an image of a male figure standing with one hand behind his back, in front of a large tree, behind which a a tennis court is visible. | 118Slide
| null | glass | null | England |
|
durom.1960.4f.5 | 1960.4f.5.jpg | data/raw/images/oriental/1960 | One of an extensive collection of slides and glass plates. Black and white glass plate with an image of a male figure standing with one hand behind his back, in front of a large tree, behind which a a tennis court is visible. | 118Slide
| null | glass | null | England |
|
durom.1960.4f.5 | 1960.4f.5.jpg | data/raw/images/oriental/1960 | One of an extensive collection of slides and glass plates. Black and white glass plate with an image of a male figure standing with one hand behind his back, in front of a large tree, behind which a a tennis court is visible. | 118Slide
| null | glass | null | England |
|
durom.1960.4f.5 | 1960.4f.5.jpg | data/raw/images/oriental/1960 | One of an extensive collection of slides and glass plates. Black and white glass plate with an image of a male figure standing with one hand behind his back, in front of a large tree, behind which a a tennis court is visible. | 118Slide
| null | glass | null | England |
|
durom.1960.4f.5 | 1960.4f.5.jpg | data/raw/images/oriental/1960 | One of an extensive collection of slides and glass plates. Black and white glass plate with an image of a male figure standing with one hand behind his back, in front of a large tree, behind which a a tennis court is visible. | 118Slide
| null | glass | null | England |
|
durom.1960.3821 | 1960.3821-ff.jpg | data/raw/images/oriental/1960 | carving of a dragon's head. | 245figures
| null | limestone | null | China |
|
durom.1960.3821 | 1960.3821-ff.jpg | data/raw/images/oriental/1960 | carving of a dragon's head. | 245figures
| null | limestone | null | China |
|
durom.1960.3821 | 1960.3821-ff.jpg | data/raw/images/oriental/1960 | carving of a dragon's head. | 245figures
| null | limestone | null | China |
|
durom.1960.3821 | 1960.3821-ff.jpg | data/raw/images/oriental/1960 | carving of a dragon's head. | 245figures
| null | limestone | null | China |
|
durom.1960.3821 | 1960.3821-ff.jpg | data/raw/images/oriental/1960 | carving of a dragon's head. | 245figures
| null | limestone | null | China |
|
durom.2014.1.58 | 2014.1.58 ff.jpg | data/raw/images/fulling_mill/2014 | One of a collection of 162 flint tools. Brown, slightly curved flint with wear along the edges. One side smooth. Used as a blade tool. | 171blades
| null | Flint/Chert | Neolithic Period | Egypt |
|
durom.2014.1.58 | 2014.1.58 ff.jpg | data/raw/images/fulling_mill/2014 | One of a collection of 162 flint tools. Brown, slightly curved flint with wear along the edges. One side smooth. Used as a blade tool. | 171blades
| null | Flint/Chert | Neolithic Period | Egypt |
|
durom.2014.1.58 | 2014.1.58 ff.jpg | data/raw/images/fulling_mill/2014 | One of a collection of 162 flint tools. Brown, slightly curved flint with wear along the edges. One side smooth. Used as a blade tool. | 171blades
| null | Flint/Chert | Neolithic Period | Egypt |
|
durom.2014.1.58 | 2014.1.58 ff.jpg | data/raw/images/fulling_mill/2014 | One of a collection of 162 flint tools. Brown, slightly curved flint with wear along the edges. One side smooth. Used as a blade tool. | 171blades
| null | Flint/Chert | Neolithic Period | Egypt |
|
durom.2014.1.58 | 2014.1.58 ff.jpg | data/raw/images/fulling_mill/2014 | One of a collection of 162 flint tools. Brown, slightly curved flint with wear along the edges. One side smooth. Used as a blade tool. | 171blades
| null | Flint/Chert | Neolithic Period | Egypt |
|
eg3510 | eg3510-n1794-uu.jpg | data/raw/images/egyptian/eg | heart scarab in green basalt: head, clypeus, prothorax, divided elytra, legs indicated. Base incised with 8 lines of hieroglyphs for the singer/priestess of amun, nesy-khonsu | 61Heart Scarab
| heart scarab | basalt | null | Egypt |
|
eg3510 | eg3510-n1794-uu.jpg | data/raw/images/egyptian/eg | heart scarab in green basalt: head, clypeus, prothorax, divided elytra, legs indicated. Base incised with 8 lines of hieroglyphs for the singer/priestess of amun, nesy-khonsu | 61Heart Scarab
| heart scarab | basalt | null | Egypt |
|
eg3510 | eg3510-n1794-uu.jpg | data/raw/images/egyptian/eg | heart scarab in green basalt: head, clypeus, prothorax, divided elytra, legs indicated. Base incised with 8 lines of hieroglyphs for the singer/priestess of amun, nesy-khonsu | 61Heart Scarab
| heart scarab | basalt | null | Egypt |
|
eg3510 | eg3510-n1794-uu.jpg | data/raw/images/egyptian/eg | heart scarab in green basalt: head, clypeus, prothorax, divided elytra, legs indicated. Base incised with 8 lines of hieroglyphs for the singer/priestess of amun, nesy-khonsu | 61Heart Scarab
| heart scarab | basalt | null | Egypt |
|
eg3510 | eg3510-n1794-uu.jpg | data/raw/images/egyptian/eg | heart scarab in green basalt: head, clypeus, prothorax, divided elytra, legs indicated. Base incised with 8 lines of hieroglyphs for the singer/priestess of amun, nesy-khonsu | 61Heart Scarab
| heart scarab | basalt | null | Egypt |
|
durom.2002.12 | 2002.12 uu.jpg | data/raw/images/oriental/2002 | Mughal style jade bowl with plain exterior worked with handles as two flower buds between petals, standing on a short foot worked as a spiral flower-head. Wood stand. | 177bowls
| null | jade | Qing | Asia |
|
durom.2002.12 | 2002.12 uu.jpg | data/raw/images/oriental/2002 | Mughal style jade bowl with plain exterior worked with handles as two flower buds between petals, standing on a short foot worked as a spiral flower-head. Wood stand. | 177bowls
| null | jade | Qing | Asia |
|
durom.2002.12 | 2002.12 uu.jpg | data/raw/images/oriental/2002 | Mughal style jade bowl with plain exterior worked with handles as two flower buds between petals, standing on a short foot worked as a spiral flower-head. Wood stand. | 177bowls
| null | jade | Qing | Asia |
|
durom.2002.12 | 2002.12 uu.jpg | data/raw/images/oriental/2002 | Mughal style jade bowl with plain exterior worked with handles as two flower buds between petals, standing on a short foot worked as a spiral flower-head. Wood stand. | 177bowls
| null | jade | Qing | Asia |
|
durom.2002.12 | 2002.12 uu.jpg | data/raw/images/oriental/2002 | Mughal style jade bowl with plain exterior worked with handles as two flower buds between petals, standing on a short foot worked as a spiral flower-head. Wood stand. | 177bowls
| null | jade | Qing | Asia |
|
eg4009 | eg4009-d1.jpg | data/raw/images/egyptian/eg | Statue of the Vizier Idi with opening of the mouth equipment. The statue is carved from alabaster and set into the base which is carved from a block of limestone with gypsum finish. The vessels and other equipment for the opening of the mouth ceremony are carved from the limestone base or from alabaster or quartz crystal and set into the base. Idi is shown standing with his hands by his side and left foot forward. The statue is believed to be part of a group which date from the First Intermediate Period rather than the time of Idi's death and relate to his veneration as a local hero or saint in the Abydos region at that time. | 393statuettes
| pss-kf model set | stone | 1st Intermediate Period | Egypt |
|
eg4009 | eg4009-d1.jpg | data/raw/images/egyptian/eg | Statue of the Vizier Idi with opening of the mouth equipment. The statue is carved from alabaster and set into the base which is carved from a block of limestone with gypsum finish. The vessels and other equipment for the opening of the mouth ceremony are carved from the limestone base or from alabaster or quartz crystal and set into the base. Idi is shown standing with his hands by his side and left foot forward. The statue is believed to be part of a group which date from the First Intermediate Period rather than the time of Idi's death and relate to his veneration as a local hero or saint in the Abydos region at that time. | 393statuettes
| pss-kf model set | stone | 1st Intermediate Period | Egypt |
|
eg4009 | eg4009-d1.jpg | data/raw/images/egyptian/eg | Statue of the Vizier Idi with opening of the mouth equipment. The statue is carved from alabaster and set into the base which is carved from a block of limestone with gypsum finish. The vessels and other equipment for the opening of the mouth ceremony are carved from the limestone base or from alabaster or quartz crystal and set into the base. Idi is shown standing with his hands by his side and left foot forward. The statue is believed to be part of a group which date from the First Intermediate Period rather than the time of Idi's death and relate to his veneration as a local hero or saint in the Abydos region at that time. | 393statuettes
| pss-kf model set | stone | 1st Intermediate Period | Egypt |
|
eg4009 | eg4009-d1.jpg | data/raw/images/egyptian/eg | Statue of the Vizier Idi with opening of the mouth equipment. The statue is carved from alabaster and set into the base which is carved from a block of limestone with gypsum finish. The vessels and other equipment for the opening of the mouth ceremony are carved from the limestone base or from alabaster or quartz crystal and set into the base. Idi is shown standing with his hands by his side and left foot forward. The statue is believed to be part of a group which date from the First Intermediate Period rather than the time of Idi's death and relate to his veneration as a local hero or saint in the Abydos region at that time. | 393statuettes
| pss-kf model set | stone | 1st Intermediate Period | Egypt |
|
eg4009 | eg4009-d1.jpg | data/raw/images/egyptian/eg | Statue of the Vizier Idi with opening of the mouth equipment. The statue is carved from alabaster and set into the base which is carved from a block of limestone with gypsum finish. The vessels and other equipment for the opening of the mouth ceremony are carved from the limestone base or from alabaster or quartz crystal and set into the base. Idi is shown standing with his hands by his side and left foot forward. The statue is believed to be part of a group which date from the First Intermediate Period rather than the time of Idi's death and relate to his veneration as a local hero or saint in the Abydos region at that time. | 393statuettes
| pss-kf model set | stone | 1st Intermediate Period | Egypt |
|
durom.1974.29.9 | 1974.29.9.jpg | data/raw/images/oriental/1974 | Tibetan wood block print of the 'Air Tiger'. Tiger depicted in the centre of the print with bulging eyes, long white whiskers and encircled by looping flame designs. | 138Woodblock Print
| null | paper | null | Tibet Autonomous Region (China) |
|
durom.1974.29.9 | 1974.29.9.jpg | data/raw/images/oriental/1974 | Tibetan wood block print of the 'Air Tiger'. Tiger depicted in the centre of the print with bulging eyes, long white whiskers and encircled by looping flame designs. | 138Woodblock Print
| null | paper | null | Tibet Autonomous Region (China) |
|
durom.1974.29.9 | 1974.29.9.jpg | data/raw/images/oriental/1974 | Tibetan wood block print of the 'Air Tiger'. Tiger depicted in the centre of the print with bulging eyes, long white whiskers and encircled by looping flame designs. | 138Woodblock Print
| null | paper | null | Tibet Autonomous Region (China) |
|
durom.1974.29.9 | 1974.29.9.jpg | data/raw/images/oriental/1974 | Tibetan wood block print of the 'Air Tiger'. Tiger depicted in the centre of the print with bulging eyes, long white whiskers and encircled by looping flame designs. | 138Woodblock Print
| null | paper | null | Tibet Autonomous Region (China) |
|
durom.1974.29.9 | 1974.29.9.jpg | data/raw/images/oriental/1974 | Tibetan wood block print of the 'Air Tiger'. Tiger depicted in the centre of the print with bulging eyes, long white whiskers and encircled by looping flame designs. | 138Woodblock Print
| null | paper | null | Tibet Autonomous Region (China) |
|
durom.1980.86 | 1980.86-d1.jpg | data/raw/images/oriental/1980 | Japanese painting, paper in wooden frame. Kasuai by Kaido Tanaka. Black characters on a cream background, with a navy blue textile surround and a decorative frame. | 316paintings
| null | paper | Meiji Period | Japan (country) |
|
durom.1980.86 | 1980.86-d1.jpg | data/raw/images/oriental/1980 | Japanese painting, paper in wooden frame. Kasuai by Kaido Tanaka. Black characters on a cream background, with a navy blue textile surround and a decorative frame. | 316paintings
| null | paper | Meiji Period | Japan (country) |
|
durom.1980.86 | 1980.86-d1.jpg | data/raw/images/oriental/1980 | Japanese painting, paper in wooden frame. Kasuai by Kaido Tanaka. Black characters on a cream background, with a navy blue textile surround and a decorative frame. | 316paintings
| null | paper | Meiji Period | Japan (country) |
|
durom.1980.86 | 1980.86-d1.jpg | data/raw/images/oriental/1980 | Japanese painting, paper in wooden frame. Kasuai by Kaido Tanaka. Black characters on a cream background, with a navy blue textile surround and a decorative frame. | 316paintings
| null | paper | Meiji Period | Japan (country) |
|
durom.1980.86 | 1980.86-d1.jpg | data/raw/images/oriental/1980 | Japanese painting, paper in wooden frame. Kasuai by Kaido Tanaka. Black characters on a cream background, with a navy blue textile surround and a decorative frame. | 316paintings
| null | paper | Meiji Period | Japan (country) |
|
durom.2015.212 | durom.2015.212-ff.jpg | data/raw/images/oriental/2015 | A sarong, typical Khmer garment called sampot. The long tube like cotton garment worn as a skirt for everyday wear. The fabric is sewn with a sewing machine simply connecting two edges with white thread. The cloth would have been originally white, after dyed using batik (probably) technique creating an intricate design in vivid and bright colours. The fabric is mainly pink with elaborate borders along the edges. The curvy white border with orange framing decorated with a repeating design of a silhouette of a chick or other small bird standing near the stone and leaves in pink, green, orange and white colours. The border is separated from the edge by thin horizontal stripes in orange and black and a toothed like short vertical black stripes. The main section of the sarong decorated with repeating ornaments of birds and flowers. There are three kinds of birds: a couple of birds perching on stems of fantastic flowers; a lonely bird pecking grass; flying bird. All the birds are depicted very accurately with multi-coloured feathers and extremely long tails in yellow, red, green, purple, white and black colours. There is a wide ornamental section close to the seam consisting of black vertical borders with a repeating pattern of a bird sitting on a branch framing geometrical pattern of crossing black and orange stripes with a line of protruding triangles with flowers inside on both sides in bright colours as the rest of the garment. A printed label is located at the top of sarong near the above described ornamental section. Inside the red triangle shaped label a carriage with a horse, a rider with horsewhip and a passenger with an umbrella are depicted in white with inscription below "No 222". An angle like tear had been patched up with white threads near the ornamental section in the middle. | 360sarongs
| null | cotton | 20th century | Cambodia |
|
durom.2015.212 | durom.2015.212-ff.jpg | data/raw/images/oriental/2015 | A sarong, typical Khmer garment called sampot. The long tube like cotton garment worn as a skirt for everyday wear. The fabric is sewn with a sewing machine simply connecting two edges with white thread. The cloth would have been originally white, after dyed using batik (probably) technique creating an intricate design in vivid and bright colours. The fabric is mainly pink with elaborate borders along the edges. The curvy white border with orange framing decorated with a repeating design of a silhouette of a chick or other small bird standing near the stone and leaves in pink, green, orange and white colours. The border is separated from the edge by thin horizontal stripes in orange and black and a toothed like short vertical black stripes. The main section of the sarong decorated with repeating ornaments of birds and flowers. There are three kinds of birds: a couple of birds perching on stems of fantastic flowers; a lonely bird pecking grass; flying bird. All the birds are depicted very accurately with multi-coloured feathers and extremely long tails in yellow, red, green, purple, white and black colours. There is a wide ornamental section close to the seam consisting of black vertical borders with a repeating pattern of a bird sitting on a branch framing geometrical pattern of crossing black and orange stripes with a line of protruding triangles with flowers inside on both sides in bright colours as the rest of the garment. A printed label is located at the top of sarong near the above described ornamental section. Inside the red triangle shaped label a carriage with a horse, a rider with horsewhip and a passenger with an umbrella are depicted in white with inscription below "No 222". An angle like tear had been patched up with white threads near the ornamental section in the middle. | 360sarongs
| null | cotton | 20th century | Cambodia |
|
durom.2015.212 | durom.2015.212-ff.jpg | data/raw/images/oriental/2015 | A sarong, typical Khmer garment called sampot. The long tube like cotton garment worn as a skirt for everyday wear. The fabric is sewn with a sewing machine simply connecting two edges with white thread. The cloth would have been originally white, after dyed using batik (probably) technique creating an intricate design in vivid and bright colours. The fabric is mainly pink with elaborate borders along the edges. The curvy white border with orange framing decorated with a repeating design of a silhouette of a chick or other small bird standing near the stone and leaves in pink, green, orange and white colours. The border is separated from the edge by thin horizontal stripes in orange and black and a toothed like short vertical black stripes. The main section of the sarong decorated with repeating ornaments of birds and flowers. There are three kinds of birds: a couple of birds perching on stems of fantastic flowers; a lonely bird pecking grass; flying bird. All the birds are depicted very accurately with multi-coloured feathers and extremely long tails in yellow, red, green, purple, white and black colours. There is a wide ornamental section close to the seam consisting of black vertical borders with a repeating pattern of a bird sitting on a branch framing geometrical pattern of crossing black and orange stripes with a line of protruding triangles with flowers inside on both sides in bright colours as the rest of the garment. A printed label is located at the top of sarong near the above described ornamental section. Inside the red triangle shaped label a carriage with a horse, a rider with horsewhip and a passenger with an umbrella are depicted in white with inscription below "No 222". An angle like tear had been patched up with white threads near the ornamental section in the middle. | 360sarongs
| null | cotton | 20th century | Cambodia |
|
durom.2015.212 | durom.2015.212-ff.jpg | data/raw/images/oriental/2015 | A sarong, typical Khmer garment called sampot. The long tube like cotton garment worn as a skirt for everyday wear. The fabric is sewn with a sewing machine simply connecting two edges with white thread. The cloth would have been originally white, after dyed using batik (probably) technique creating an intricate design in vivid and bright colours. The fabric is mainly pink with elaborate borders along the edges. The curvy white border with orange framing decorated with a repeating design of a silhouette of a chick or other small bird standing near the stone and leaves in pink, green, orange and white colours. The border is separated from the edge by thin horizontal stripes in orange and black and a toothed like short vertical black stripes. The main section of the sarong decorated with repeating ornaments of birds and flowers. There are three kinds of birds: a couple of birds perching on stems of fantastic flowers; a lonely bird pecking grass; flying bird. All the birds are depicted very accurately with multi-coloured feathers and extremely long tails in yellow, red, green, purple, white and black colours. There is a wide ornamental section close to the seam consisting of black vertical borders with a repeating pattern of a bird sitting on a branch framing geometrical pattern of crossing black and orange stripes with a line of protruding triangles with flowers inside on both sides in bright colours as the rest of the garment. A printed label is located at the top of sarong near the above described ornamental section. Inside the red triangle shaped label a carriage with a horse, a rider with horsewhip and a passenger with an umbrella are depicted in white with inscription below "No 222". An angle like tear had been patched up with white threads near the ornamental section in the middle. | 360sarongs
| null | cotton | 20th century | Cambodia |
|
durom.2015.212 | durom.2015.212-ff.jpg | data/raw/images/oriental/2015 | A sarong, typical Khmer garment called sampot. The long tube like cotton garment worn as a skirt for everyday wear. The fabric is sewn with a sewing machine simply connecting two edges with white thread. The cloth would have been originally white, after dyed using batik (probably) technique creating an intricate design in vivid and bright colours. The fabric is mainly pink with elaborate borders along the edges. The curvy white border with orange framing decorated with a repeating design of a silhouette of a chick or other small bird standing near the stone and leaves in pink, green, orange and white colours. The border is separated from the edge by thin horizontal stripes in orange and black and a toothed like short vertical black stripes. The main section of the sarong decorated with repeating ornaments of birds and flowers. There are three kinds of birds: a couple of birds perching on stems of fantastic flowers; a lonely bird pecking grass; flying bird. All the birds are depicted very accurately with multi-coloured feathers and extremely long tails in yellow, red, green, purple, white and black colours. There is a wide ornamental section close to the seam consisting of black vertical borders with a repeating pattern of a bird sitting on a branch framing geometrical pattern of crossing black and orange stripes with a line of protruding triangles with flowers inside on both sides in bright colours as the rest of the garment. A printed label is located at the top of sarong near the above described ornamental section. Inside the red triangle shaped label a carriage with a horse, a rider with horsewhip and a passenger with an umbrella are depicted in white with inscription below "No 222". An angle like tear had been patched up with white threads near the ornamental section in the middle. | 360sarongs
| null | cotton | 20th century | Cambodia |
|
durom.1979.79 | 1979.79 rr.jpg | data/raw/images/oriental/1979 | Bronze Shiva figurine. Shiva rides on a turtle and has four arms, three of which are holding objects including: a stick with a snake head, a small staff, a ball. Each arm has bangles in a silver metal attached. Behind Shiva is a five-headed snake, a Nagakal. | 245figures
| null | bronze | null | South India |
|
durom.1979.79 | 1979.79 rr.jpg | data/raw/images/oriental/1979 | Bronze Shiva figurine. Shiva rides on a turtle and has four arms, three of which are holding objects including: a stick with a snake head, a small staff, a ball. Each arm has bangles in a silver metal attached. Behind Shiva is a five-headed snake, a Nagakal. | 245figures
| null | bronze | null | South India |
|
durom.1979.79 | 1979.79 rr.jpg | data/raw/images/oriental/1979 | Bronze Shiva figurine. Shiva rides on a turtle and has four arms, three of which are holding objects including: a stick with a snake head, a small staff, a ball. Each arm has bangles in a silver metal attached. Behind Shiva is a five-headed snake, a Nagakal. | 245figures
| null | bronze | null | South India |
|
durom.1979.79 | 1979.79 rr.jpg | data/raw/images/oriental/1979 | Bronze Shiva figurine. Shiva rides on a turtle and has four arms, three of which are holding objects including: a stick with a snake head, a small staff, a ball. Each arm has bangles in a silver metal attached. Behind Shiva is a five-headed snake, a Nagakal. | 245figures
| null | bronze | null | South India |
|
durom.1979.79 | 1979.79 rr.jpg | data/raw/images/oriental/1979 | Bronze Shiva figurine. Shiva rides on a turtle and has four arms, three of which are holding objects including: a stick with a snake head, a small staff, a ball. Each arm has bangles in a silver metal attached. Behind Shiva is a five-headed snake, a Nagakal. | 245figures
| null | bronze | null | South India |
|
durom.1971.34.7 | 1971.34.7-ff.jpg | data/raw/images/oriental/1971 | One of a set of nine panels of varying length, with upper and lower plain borders, each 9cm in width. The panels came from a balcony of either a Burmese royal temple or monastery. Depicts popular stories. The stories are the Vidhura Pandita Jataka, the Ramayana and the U-Tain Zat. | 349reliefs
| null | null | null | Myanmar |
|
durom.1971.34.7 | 1971.34.7-ff.jpg | data/raw/images/oriental/1971 | One of a set of nine panels of varying length, with upper and lower plain borders, each 9cm in width. The panels came from a balcony of either a Burmese royal temple or monastery. Depicts popular stories. The stories are the Vidhura Pandita Jataka, the Ramayana and the U-Tain Zat. | 349reliefs
| null | null | null | Myanmar |
|
durom.1971.34.7 | 1971.34.7-ff.jpg | data/raw/images/oriental/1971 | One of a set of nine panels of varying length, with upper and lower plain borders, each 9cm in width. The panels came from a balcony of either a Burmese royal temple or monastery. Depicts popular stories. The stories are the Vidhura Pandita Jataka, the Ramayana and the U-Tain Zat. | 349reliefs
| null | null | null | Myanmar |
|
durom.1971.34.7 | 1971.34.7-ff.jpg | data/raw/images/oriental/1971 | One of a set of nine panels of varying length, with upper and lower plain borders, each 9cm in width. The panels came from a balcony of either a Burmese royal temple or monastery. Depicts popular stories. The stories are the Vidhura Pandita Jataka, the Ramayana and the U-Tain Zat. | 349reliefs
| null | null | null | Myanmar |
|
durom.1971.34.7 | 1971.34.7-ff.jpg | data/raw/images/oriental/1971 | One of a set of nine panels of varying length, with upper and lower plain borders, each 9cm in width. The panels came from a balcony of either a Burmese royal temple or monastery. Depicts popular stories. The stories are the Vidhura Pandita Jataka, the Ramayana and the U-Tain Zat. | 349reliefs
| null | null | null | Myanmar |
|
durom.1974.29.56 | 1974.29.56.jpg | data/raw/images/oriental/1974 | Tibetan wood block print-GURU TSOKEY DORJE, a form of Guru Rinpoche. He is seated on a floating lotus throne with Vajradahara in the Yab Yum position on his p. right and Ye She Tsogyal on his p. left. Yeshe Tsogyal was a princess who deserted her Kingdom to follow the guru. She compiled the Tibetan Book of the Great Liberation and hid it away in a cave. The scene behind the individuals shows the Himalayas and a body of water. | 138Woodblock Print
| null | paper | null | Tibet Autonomous Region (China) |
|
durom.1974.29.56 | 1974.29.56.jpg | data/raw/images/oriental/1974 | Tibetan wood block print-GURU TSOKEY DORJE, a form of Guru Rinpoche. He is seated on a floating lotus throne with Vajradahara in the Yab Yum position on his p. right and Ye She Tsogyal on his p. left. Yeshe Tsogyal was a princess who deserted her Kingdom to follow the guru. She compiled the Tibetan Book of the Great Liberation and hid it away in a cave. The scene behind the individuals shows the Himalayas and a body of water. | 138Woodblock Print
| null | paper | null | Tibet Autonomous Region (China) |
|
durom.1974.29.56 | 1974.29.56.jpg | data/raw/images/oriental/1974 | Tibetan wood block print-GURU TSOKEY DORJE, a form of Guru Rinpoche. He is seated on a floating lotus throne with Vajradahara in the Yab Yum position on his p. right and Ye She Tsogyal on his p. left. Yeshe Tsogyal was a princess who deserted her Kingdom to follow the guru. She compiled the Tibetan Book of the Great Liberation and hid it away in a cave. The scene behind the individuals shows the Himalayas and a body of water. | 138Woodblock Print
| null | paper | null | Tibet Autonomous Region (China) |
|
durom.1974.29.56 | 1974.29.56.jpg | data/raw/images/oriental/1974 | Tibetan wood block print-GURU TSOKEY DORJE, a form of Guru Rinpoche. He is seated on a floating lotus throne with Vajradahara in the Yab Yum position on his p. right and Ye She Tsogyal on his p. left. Yeshe Tsogyal was a princess who deserted her Kingdom to follow the guru. She compiled the Tibetan Book of the Great Liberation and hid it away in a cave. The scene behind the individuals shows the Himalayas and a body of water. | 138Woodblock Print
| null | paper | null | Tibet Autonomous Region (China) |
|
durom.1974.29.56 | 1974.29.56.jpg | data/raw/images/oriental/1974 | Tibetan wood block print-GURU TSOKEY DORJE, a form of Guru Rinpoche. He is seated on a floating lotus throne with Vajradahara in the Yab Yum position on his p. right and Ye She Tsogyal on his p. left. Yeshe Tsogyal was a princess who deserted her Kingdom to follow the guru. She compiled the Tibetan Book of the Great Liberation and hid it away in a cave. The scene behind the individuals shows the Himalayas and a body of water. | 138Woodblock Print
| null | paper | null | Tibet Autonomous Region (China) |
|
durom.1968.148 | 1968.148 bb.jpg | data/raw/images/oriental/1968 | egg-shell porcelain teapot decorated with storks on a monochrome-glazed background imitating the texture of paper. Tekizan mark. Satsuma ware. Ise-banko ware. Made for export. | 413teapots
| null | porcelain | Edo Period | Japan (country) |
|
durom.1968.148 | 1968.148 bb.jpg | data/raw/images/oriental/1968 | egg-shell porcelain teapot decorated with storks on a monochrome-glazed background imitating the texture of paper. Tekizan mark. Satsuma ware. Ise-banko ware. Made for export. | 413teapots
| null | porcelain | Edo Period | Japan (country) |
|
durom.1968.148 | 1968.148 bb.jpg | data/raw/images/oriental/1968 | egg-shell porcelain teapot decorated with storks on a monochrome-glazed background imitating the texture of paper. Tekizan mark. Satsuma ware. Ise-banko ware. Made for export. | 413teapots
| null | porcelain | Edo Period | Japan (country) |
|
durom.1968.148 | 1968.148 bb.jpg | data/raw/images/oriental/1968 | egg-shell porcelain teapot decorated with storks on a monochrome-glazed background imitating the texture of paper. Tekizan mark. Satsuma ware. Ise-banko ware. Made for export. | 413teapots
| null | porcelain | Edo Period | Japan (country) |
|
durom.1968.148 | 1968.148 bb.jpg | data/raw/images/oriental/1968 | egg-shell porcelain teapot decorated with storks on a monochrome-glazed background imitating the texture of paper. Tekizan mark. Satsuma ware. Ise-banko ware. Made for export. | 413teapots
| null | porcelain | Edo Period | Japan (country) |
|
durom.2002.16.40 | 2002.16.40.jpg | data/raw/images/oriental/2002 | Title: 'Artisan Straw'. Depicts an open room and a courtyard. Lying in the room is an old man wearing a brown kimono with a leaf in his right hand and a white band around his head. In the yard is a woman carrying a bucket in her left hand and a bowl in her right hand. Behind the house is a tree with red flowers. | 138Woodblock Print
| null | Japanese paper | Edo Period | Japan (country) |
|
durom.2002.16.40 | 2002.16.40.jpg | data/raw/images/oriental/2002 | Title: 'Artisan Straw'. Depicts an open room and a courtyard. Lying in the room is an old man wearing a brown kimono with a leaf in his right hand and a white band around his head. In the yard is a woman carrying a bucket in her left hand and a bowl in her right hand. Behind the house is a tree with red flowers. | 138Woodblock Print
| null | Japanese paper | Edo Period | Japan (country) |
|
durom.2002.16.40 | 2002.16.40.jpg | data/raw/images/oriental/2002 | Title: 'Artisan Straw'. Depicts an open room and a courtyard. Lying in the room is an old man wearing a brown kimono with a leaf in his right hand and a white band around his head. In the yard is a woman carrying a bucket in her left hand and a bowl in her right hand. Behind the house is a tree with red flowers. | 138Woodblock Print
| null | Japanese paper | Edo Period | Japan (country) |
|
durom.2002.16.40 | 2002.16.40.jpg | data/raw/images/oriental/2002 | Title: 'Artisan Straw'. Depicts an open room and a courtyard. Lying in the room is an old man wearing a brown kimono with a leaf in his right hand and a white band around his head. In the yard is a woman carrying a bucket in her left hand and a bowl in her right hand. Behind the house is a tree with red flowers. | 138Woodblock Print
| null | Japanese paper | Edo Period | Japan (country) |
|
durom.2002.16.40 | 2002.16.40.jpg | data/raw/images/oriental/2002 | Title: 'Artisan Straw'. Depicts an open room and a courtyard. Lying in the room is an old man wearing a brown kimono with a leaf in his right hand and a white band around his head. In the yard is a woman carrying a bucket in her left hand and a bowl in her right hand. Behind the house is a tree with red flowers. | 138Woodblock Print
| null | Japanese paper | Edo Period | Japan (country) |
|
durom.1962.155 | 1962.155.jpg | data/raw/images/oriental/1962 | Kalighat painting, part of a set showing aspects of Hindu mythology and individual Hindu gods. A Parashurama, killing the Kshatriyas. Parashurama is the 6th incarnation of the Hindu god Vishnu. | 316paintings
| null | Ink and Colour on Paper | null | West Bengal State |
|
durom.1962.155 | 1962.155.jpg | data/raw/images/oriental/1962 | Kalighat painting, part of a set showing aspects of Hindu mythology and individual Hindu gods. A Parashurama, killing the Kshatriyas. Parashurama is the 6th incarnation of the Hindu god Vishnu. | 316paintings
| null | Ink and Colour on Paper | null | West Bengal State |
|
durom.1962.155 | 1962.155.jpg | data/raw/images/oriental/1962 | Kalighat painting, part of a set showing aspects of Hindu mythology and individual Hindu gods. A Parashurama, killing the Kshatriyas. Parashurama is the 6th incarnation of the Hindu god Vishnu. | 316paintings
| null | Ink and Colour on Paper | null | West Bengal State |
|
durom.1962.155 | 1962.155.jpg | data/raw/images/oriental/1962 | Kalighat painting, part of a set showing aspects of Hindu mythology and individual Hindu gods. A Parashurama, killing the Kshatriyas. Parashurama is the 6th incarnation of the Hindu god Vishnu. | 316paintings
| null | Ink and Colour on Paper | null | West Bengal State |
|
durom.1962.155 | 1962.155.jpg | data/raw/images/oriental/1962 | Kalighat painting, part of a set showing aspects of Hindu mythology and individual Hindu gods. A Parashurama, killing the Kshatriyas. Parashurama is the 6th incarnation of the Hindu god Vishnu. | 316paintings
| null | Ink and Colour on Paper | null | West Bengal State |
|
durom.1976.199 | 1976.199-ll.jpg | data/raw/images/oriental/1976 | A rabbit in kimono holding a paddle in the boat. | 310netsukes
| Netsuke | ivory | Meiji Period | Japan (country) |
|
durom.1976.199 | 1976.199-ll.jpg | data/raw/images/oriental/1976 | A rabbit in kimono holding a paddle in the boat. | 310netsukes
| Netsuke | ivory | Meiji Period | Japan (country) |
|
durom.1976.199 | 1976.199-ll.jpg | data/raw/images/oriental/1976 | A rabbit in kimono holding a paddle in the boat. | 310netsukes
| Netsuke | ivory | Meiji Period | Japan (country) |
|
durom.1976.199 | 1976.199-ll.jpg | data/raw/images/oriental/1976 | A rabbit in kimono holding a paddle in the boat. | 310netsukes
| Netsuke | ivory | Meiji Period | Japan (country) |
|
durom.1976.199 | 1976.199-ll.jpg | data/raw/images/oriental/1976 | A rabbit in kimono holding a paddle in the boat. | 310netsukes
| Netsuke | ivory | Meiji Period | Japan (country) |
|
durma.2014.2.95 | durma.2014.2.95.ff.jpg | data/raw/images/fulling_mill/2014 | One jawbone - possibly sheep - with 3 teeth still in place | 6Animal bone
| null | bone | Post-Medieval | null |
|
durma.2014.2.95 | durma.2014.2.95.ff.jpg | data/raw/images/fulling_mill/2014 | One jawbone - possibly sheep - with 3 teeth still in place | 6Animal bone
| null | bone | Post-Medieval | null |
|
durma.2014.2.95 | durma.2014.2.95.ff.jpg | data/raw/images/fulling_mill/2014 | One jawbone - possibly sheep - with 3 teeth still in place | 6Animal bone
| null | bone | Post-Medieval | null |
|
durma.2014.2.95 | durma.2014.2.95.ff.jpg | data/raw/images/fulling_mill/2014 | One jawbone - possibly sheep - with 3 teeth still in place | 6Animal bone
| null | bone | Post-Medieval | null |
|
durma.2014.2.95 | durma.2014.2.95.ff.jpg | data/raw/images/fulling_mill/2014 | One jawbone - possibly sheep - with 3 teeth still in place | 6Animal bone
| null | bone | Post-Medieval | null |