Author: Markku Pääskynen

In this series Finnish authors ponder their profession.  If this is writing, there’s no method in its madness: Markku Pääskynen finds he wants to write as life allows, not bend his life to suit his writing

I was born in 1973.  I’ve written six novels, and I’m working on my seventh.  I’ve written short stories and essays, and translated.  That may sound productive, but it isn’t: I can’t stand to sit in front of the computer for more than a couple of hours a day. 

My work is elsewhere – in everyday chores: going to the store, taking out the trash, fixing meals, washing dishes, cleaning, playing with the kids.  Normal days are full of work and messing around.  And my literary work has to fit in with that.  I don’t have it in me to write methodically.  I do know how to keep deadlines and meet contracts, but the methodicalness is lacking.  More…

Extracts from the novel Enkelten kirja (‘The book of angels’, Tammi, 2010)

[Tallinn, summer] The past will not go away

and the present is insurmountable.  Summer vacation has begun, the newspaper hasn’t come; it doesn’t get delivered here anyway.  Can you remember the Isabelline yellow house?  Remember the alley with the name that means hurry?  Surely you remember the home with all the maps on the shelves, the important papers and the brass objects bought from nearby antique dealers?  Also the rugsfrom North Africa and the obligatory cedar camel figurines on the windowsill.  And so many glasses and plates and empty lighters in a cardboard box on the shelf on the left hand side of the kitchen. 

Tallinn, June 7th.  The floors creak.  One step has split in half; some of the lights have burned out.  This is a lovely home.  A small window upstairs is ajar to the courtyard.  Tuomas had latched it behind the Virginia creepers.  The fountain in the courtyard is dry.  On cold nights the smoke from the fireplace grows like a statue for the crows until it wraps around over the layered rooftops like a snake eating its tail.  Russian men are repairing the attic of the house across the street for wealthy people to live in; they laugh in front of the window and smoke.  Tuomas waves at them, and they wave back.  The courtyard is creepy when it’s empty.  Soon the neighbours would go about their day and quietly close their doors behind them, and two nearby churches would divide the hours into quarters, Russians and their gossip would make their way to the Alexander Nevski Cathedral, and the Estonians and their gossip would go to their own churches where a wise and peculiar, almost human scent would rise from between the headstones.  Tuomas wouldn’t smell it, Aino would and would move to stand beneath the the center tower.  More…

I was supposed to meet my mother at a café by the sea.  She would be dressed in the same jacket that I had picked out for her five years ago.  She would have on a high-crowned hat, but I wasn’t sure about the shoes.  She loved shoes and she always had new ones when she came to visit.  She liked leather ankle boots.  She might be wearing some when she stepped off the train, looking out for puddles.  She didn’t wear much make-up.  I don’t remember her ever using powder, although I’m sure she did.  I could describe her eye make-up more precisely: a little eye shadow, a little mascara, and that’s all. 

That’s all?  I don’t know my mother.  As a child, I lived too much in my own world and it was only after I left home that I was able to look at her from far enough away to learn to know her.  She had been so near that I hadn’t noticed her.  More…

About the author

Markku Pääskynen (born 1973) is a literary editor and writer whose first novel Etanat (‘Snails’, 2002) was nominated for the Helsingin Sanomat newspaper's best first work award; Vihan päivä (‘Day of hatred’, 2006) appeared on the shortlist for the Finlandia Prize for Fiction.  Pääskynen lives in Helsinki.