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With a cast that includes some of the top actors working in independent film, Lovely & Amazing involves us because it is so incisive, so bleakly amusing about how we go about our lives.

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A film about female friendship that men can embrace and women will talk about for hours.

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Philip K. Dick must be turning in his grave, along with my stomach.

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Like Schindler's List, The Grey Zone attempts to be grandiloquent, but ends up merely pretentious -- in a grisly sort of way.

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(It's) a clever thriller with enough unexpected twists to keep our interest.

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Guys say mean things and shoot a lot of bullets. Some of the characters die and others don't, and the film pretends that those living have learned some sort of lesson, and, really, nobody in the viewing audience cares.

Fairly run-of-the-mill.

A compelling, moving film that respects its audience and its source material.

The film's center will not hold.

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This story of unrequited love doesn't sustain interest beyond the first half-hour.

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Crush could be the worst film a man has made about women since Valley of the Dolls.

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A fascinating, bombshell documentary that should shame Americans, regardless of whether or not ultimate blame finally lies with Kissinger. Should be required viewing for civics classes and would-be public servants alike.

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The problem isn't that the movie hits so close to home so much as that it hits close to home while engaging in such silliness as that snake-down-the-throat business and the inevitable shot of Schwarzenegger outrunning a fireball.

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...Brian De Palma is utterly mad: cinema mad, set-piece mad, style mad. It's a beautiful madness.

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An intriguing and entertaining introduction to Johnson.

It tries too hard, and overreaches the logic of its own world.

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Fans of the animated wildlife adventure show will be in warthog heaven; others need not necessarily apply.

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The film runs on equal parts of innocence and wisdom -- wisdom that comes with experience. It has fun being grown up.

There has to be a few advantages to never growing old. Like being able to hit on a 15-year old when you're over 100.

Wendigo wants to be a monster movie for the art-house crowd, but it falls into the trap of pretention almost every time.

There aren't many laughs in this interesting study of the cultural mores of Georgian Jews in Tel Aviv.

If you're like me, a sucker for a good old fashion romance and someone who shamelessly loves to eat, then Mostly Martha offers all the perfect ingredients to more than satisfy your appetite.

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The Tuxedo miscalculates badly by forcing the star to play second fiddle to the dull effects that allow the suit to come to life.

'...Mafia, rap stars and hood rats butt their ugly heads in a regurgitation of cinematic violence that gives brutal birth to an unlikely, but likable, hero.'

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An inventive, absorbing movie that's as hard to classify as it is hard to resist.

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Nair and writer Laura Cahill dare to build a movie around some flawed but rather unexceptional women, emerging with a fine character study that's short on plot but rich in the tiny revelations of real life.

Although some viewers will not be able to stomach so much tongue-in-cheek weirdness, those who do will have found a cult favorite to enjoy for a lifetime.

Jacquot's Tosca is a treat.

Usually when I get this much syrup, I like pancakes to go with it.

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Very well made, but doesn't generate a lot of tension.

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Steve Irwin's method is Ernest Hemmingway at accelerated speed and volume.

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Medem may have disrobed most of the cast, leaving their bodies exposed, but the plot remains as guarded as a virgin with a chastity belt. That's why Sex and Lucia is so alluring.

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Remarkable for its intelligence and intensity.

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The Ch芒teau would have been benefited from a sharper, cleaner script before it went in front of the camera. Not to mention a sharper, cleaner camera lens.

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The Master of Disguise is awful. It's Pauly Shore awful. Don't say you weren't warned.

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Oddly, the film isn't nearly as downbeat as it sounds, but strikes a tone that's alternately melancholic, hopeful and strangely funny.

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Unless you are in dire need of a Diesel fix, there is no real reason to see it. Wait for video -- and then don't rent it.

Yes, 4Ever is harmless in the extreme and it'll mute your kids for nearly 80 minutes, but why not just treat the little yard apes to the real deal and take them to Spirited Away?

A shambles of a movie--visually unattractive, unbearably loud and utterly silly...its hilarity is completely unintentional.

It's as sorry a mess as its director's diabolical debut, Mad Cows.

Imamura has said that Warm Water Under a Red Bridge is a poem to the enduring strengths of women. It may also be the best sex comedy about environmental pollution ever made.

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(D)espite its familiar subject matter, Ice Age is consistently amusing and engrossing ...

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What a concept, what an idea, what a thrill ride. This is a more fascinating look at the future than ``Bladerunner'' and one of the most high-concept sci fi adventures attempted for the screen.